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TV Movie based Informative Essay: Understanding Popular Music Culture the play by. A victim? Houk developed what came to be advantages and disadvantages of mass production Taming Of The Shrew Adaptations Ur-Shrew theory; both A Shrew and The Shrew were based upon a third play, Taming Of The Shrew Adaptations lost. A woman moved Taming Of The Shrew Adaptations like a fountain troubled, Muddy, ill-seeming, thick, bereft of beauty, And while it is so, Taming Of The Shrew Adaptations so dry or thirsty Will deign to sip or touch one drop of it. Loved the article. I agree with your professor, you are a fantastic nature writer! They have a high metabolism, which means they The Importance Of Environmental Awareness to eat. Erostrato disguises himself as Dulipo TranioTaming Of The Shrew Adaptations servant, whilst the real Dulipo pretends to carr & hume Erostrato.
Taming of the Shrew Adaptation
The shrews had formed a chamber at ground level which I am assuming was a breeding chamber. There is a meter of compost above ground level. The compost has a good supply of insects, worms, and woodlice, not sure about slugs or snails but in riddling the compost for use occasionally find empty snail shells. I really enjoyed reading and learning more about Shrews. What I wanted to know is if they do eat every 3 hours. Do they have years they can live? Shrews have short life spans, from 1.
Most do not reach old age. Life in the fast lane is tough! So tickled to read all your fascinating facts about shrews. Roosevelt just went up another notch in my estimation and second your wish for another. Thanks for the lead to Dinets. Loved the article and learning about shrews! I agree with your professor, you are a fantastic nature writer! Thank you, that was both informative and entertaining.
We caught a shrew in a mouse trap under the kitchen sink. Reading your article makes me wiser! Last week I blamed my little chihuahua for chasing a skunk. Now I wonder if he had been chasing this shrew in our house or around it. I caught a northern short tailed shrew in my kitchen in Indianapolis today, and have enjoyed learning more about them. Might the presence of the shrew explain the absence of the annual ant invasion this year? At any rate, I caught it in a live trap and released it in a nearby park. Hopefully I can find the hole it used to get in the house and seal it up. If they bit a small dog that weighs only 3to 5pounds or a cat can it kill them? How would you get rid of them if you have them in your house? They do not possess enough venom to kill a small dog or cat.
I would contact a pest control company if you have problems with them in your home. I spotted three young shrews in my garden all busy running around about 5 hours later I went out in the garden saw a bit of movement under a few leaves. On closer inspection I found one eating another shrew and then spotted two more together dead, close together. Is this normal behaviour. I have a family of shrews in my kitchen and my three cats barely react to them. I think they live off the cat food. I had a baby one that wandered across the floor looking for water and I handled it before it ran off. I love to watch shrews.
I have one that follows the same path every day at dusk. I put peanuts out for a couple of chipmunks every evening so that when they start foraging in the morning, they will find something. Yesterday, I saw my shrew friend take a peanut into the dense plant growth along my walkway. I had no idea that they ate anything other than small mammals and insects. I will make sure that I put some seed and peanuts out for him also. Thanks for the info. Have just discovered a pile of 7 dead shrews by a burrow , very strange. All in a neat little pile — any ideas?
It is hard to tell. If the cat seems sick, you should see a veterinarian. In the past week I caught 3 shrews in the mouse traps set in my garage. Never thought they were around! I had peanut butter on the traps and they probably were attracted to that. They were shrews because the nose was long and pointed, the tail was short, teeth were visible on the underside of the head and shorter legs. They were the same grey color as the mice living around here. Years ago precisely 38 I had spotted what I thought was a velvety brownish grey mouse. It was late at night, and I was taking advantage of the quiet alone time that late night would afford me the time to focus on my creative sewing projects.
At the time, I was raising 2 little boys, ages 3 and 1 year. Late night was my escape into my own world of creative productivity. So on to the discovery of the shrew. I remember thinking that the following day would have to be my hunting day this mouse would be pardoned for this night at least I was not looking forward to sanitizing my dishwater, silverware, utensils ect.. Wiping everything down with disinfectant was a daunting, time consuming task that I was not looking forward to. I really had better things to do with my time. On to the local hardware store to invest in some sort of contraption to catch these little critters that had so boldly taken up residence in my home. As much as I wanted them gone, I had no desire to kill them.
I figured he was going to stand his ground, so I would have to do the same. The guy at the hardware store said that it sounded more like a shrew and not a mouse. He then went on to tell me that I should be happy to share my home with this little critter, as they eat bugs and are not interested in any of the food in my pantry, except for maybe the cat and dog food. And as far as pooping on my silverware, had I actually identified any droppings? Needless to say, I was eager to learn about this little critter that was feasting nightly on bugs and spiders, keeping my little boys safe from the possible poisonous bites of some of the common spiders found in the Midwest, which is where I live.
To this day my 2 boys remember our shrew as more of a pet than a pest. My husband told me yesterday that we have a mouse, a very strange looking one. I laughed and told him to leave it alone and be grateful for him living in our old farmhouse, that chances are he the shrew would most likely keep our home mouse free for the winter. I wonder what his name is…. I suspect in this case, the young are simply called baby shrews. Loved your shrew d observations, but disagree with wanting more politicians like Theodore Roosevelt.
He was a merciless hunter of big game across the globe, and a war monger. As with so many public figures that we idolize without closer examination, he had some serious flaws as a humanitarian. Yes but could it be a snake or a mice that has took some peanuts that are not in the shell and put all of them in the living room in a perfect circle. I just found a short tail shrew With no ears in my pool, unfortunately I was a little to late finding him, roughing him up did no good. And found out they are venomous, I had no clue. Thank you for taking the time to write this article!
I missed my calling. But I study the flora and fauna found all over the world with a hungry intensity at the advanced age of nearly 63 now. It was on the bank of the crystal clear lake surrounding the island, hunting. It actually allowing me to pick it up and never bit me. It was just beautiful. Thank you Matthew,! What an informative and interesting read!
My cat has a dead shrew on the porch about every other day! Your info helped allay my fears that Jed was in danger. Enjoyed it- thanks for putting in the Teddy Roosevelt bit. Glad I found you. Great read! Thank you!! I was waiting for warmer weather to arrive and finally it is here! Our home is on a small — easy walk down to the sand — bluff. The bluff is filled with whatever grows during various seasons and we daily watch hunting birds of prey swoop down to nab a tasty treat. We have an abundance of shrews, mice and other small fuzzy and non fuzzy critters. Our cats have been nighttime hunters. Last night a particularly large shrew who understandably was stressed out bit me as I tried to save his life which I did. This was super interesting, thank you!
I saw a Schrew for the first time yesterday, and became quite fascinated by it. I had no idea it was so viscous! I was filming it, and all the time it was sizing me up to eat me. A starling would be very, very large prey for a shrew. It is possible it was scurrying around starlings but probably not chasing them. Could it be a weasel? Central Texas found 2 shrews that were no bigger than the 1st. Which is 1. Do you recognize this as any identified species. They were both dark grey and one of them I watched run across a mud puddle that was feet wide. It was very fast and the only reason I managed to observe it was because it was on an oilfield pad. It was at night and I followed it with my light for approximately feet.
I would love to have more info. Shrew ID is tricky under the best of circumstances. Many species can only be reliably identified by examining their skulls and dentition. Unfortunately, I am not sure what species you are seeing in Texas. It does sound very tiny indeed! I was searching for the answer… Why shrew is weaker than mouse? They can survive without food for few hours, whereas mouse can survive for days. Thank you so much for such a great, informative article! I live in Northumberland, UK, and have recently built a tiny wildlife pond. I was just sitting quietly by it, when all of a sudden, two shrews shot out from underneath one of the rocks, it looked as if they were chasing each other.
One fell into the pond, swam a couple of laps, then dived out and back under the rock! I was wondering if this is usual? I love this article. Have you got anything to say about shrew family behaviour? I walked onto my back deck in New Jersey early on a September morning, when it was still fully dark. I put the deck lights on. I soon observed a small creature jumping around in the cut lawn surrounding the deck. At first I thought it was a small frog. It repeatedly moved in wide for it circles, very rapidly. After making such circles in the turf, it hid out a bit, taking a break. At that point I soon was able to see it, identifying it as a very tiny mouse-like creature, i. I concluded that both behaviors were designed to flush insect-prey out.
But there was no success in this that I could identify. It often appears from behind the cooked and seems is becoming quite confident even when there are people around. Hi, many years ago I got bitten on the side of the right foot by a shrew, and the area became itchy for years after that, and so decided to try acupuncture on it. Therapist put needles around the area and thankfully made the itch go away. However in the last three months the itch has come again, any scratching on area does not resolve it. Now that shrew bit me about 20 years ago! A great and wonderful piece. I would be hard pressed to describe what I liked about it most, whether it was the exposure of a magical and magnificent example of the genius that is Nature, contained in something so ordinary and commonplace as the shrew, or the idea of your final paper.
Which brings me to my question-when do I get to read it? Thank you for your comment, Paul. I am glad you enjoyed the story. As far as my paper, I am afraid it has been lost to time. There are several papers and notebooks from that era of my life I now wish I had…. Nice Post. My son just sent me a picture in a text message of a couple rodents his cat deposited on his doorstep. At first I took them to be voles but on closer inspection the sharp noses spoke loudly shrew. So, I told him to give his cat a good looking over for festering swelling bites.
Right away he mentioned that the cat did seem to have some issues and as a PA decided to give the cat a good look over. Next day he sent me a picture of lacerations that look like they came from a surgical scissors. In , Richard Hosley suggested the main source for the play may have been the anonymous ballad "A merry jeste of a shrewde and curst Wyfe, lapped in Morrelles Skin, for her good behauyour". Like Shrew , the story features a family with two sisters, the younger of whom is seen as mild and desirable. However, in "Merry Jest", the older sister is obdurate not because it is simply her nature, but because she has been raised by her shrewish mother to seek mastery over men.
Ultimately, the couple return to the family house, where the now tamed woman lectures her sister on the merits of being an obedient wife. The taming in this version is much more physical than in Shakespeare; the shrew is beaten with birch rods until she bleeds, and is then wrapped in the salted flesh of a plough horse the Morrelle of the title. Frey, W. Hazlitt , R. Warwick Bond and Frederick S. In , Jan Harold Brunvand argued that the main source for the play was not literary, but the oral folktale tradition. Brunvand discovered oral examples of Type spread over thirty European countries, but he could find only 35 literary examples, leading him to conclude "Shakespeare's taming plot, which has not been traced successfully in its entirety to any known printed version, must have come ultimately from oral tradition.
A source for Shakespeare's sub-plot was first identified by Alfred Tolman in as Ludovico Ariosto 's I Suppositi , which was published in George Gascoigne 's English prose translation Supposes was performed in and printed in Erostrato disguises himself as Dulipo Tranio , a servant, whilst the real Dulipo pretends to be Erostrato. Having done this, Erostrato is hired as a tutor for Polynesta. Meanwhile, Dulipo pretends to formally woo Polynesta so as to frustrate the wooing of the aged Cleander Gremio.
Dulipo outbids Cleander, but he promises far more than he can deliver, so he and Erostrato dupe a travelling gentleman from Siena into pretending to be Erostrato's father, Philogano Vincentio. However, when Polynesta is found to be pregnant, Damon has Dulipo imprisoned the real father is Erostrato. Soon thereafter, the real Philogano arrives, and all comes to a head. Erostrato reveals himself, and begs clemency for Dulipo. Damon realises that Polynesta is truly in love with Erostrato, and so forgives the subterfuge. Having been released from jail, Dulipo then discovers he is Cleander's son. Efforts to date the play's composition are complicated by its uncertain relationship with another Elizabethan play entitled A Pleasant Conceited Historie, called the taming of a Shrew , which has an almost identical plot but different wording and character names.
Different theories suggest A Shrew could be a reported text of a performance of The Shrew , a source for The Shrew , an early draft possibly reported of The Shrew , or an adaptation of The Shrew. However, it is possible to narrow the date further. A terminus ante quem for A Shrew seems to be August , as a stage direction at 3. Knack features several passages common to both A Shrew and The Shrew , but it also borrows several passages unique to The Shrew. This suggests The Shrew was on stage prior to June In his edition of the play for The Oxford Shakespeare , H.
Oliver suggests the play was composed no later than He bases this on the title page of A Shrew , which mentions the play had been performed "sundry times" by Pembroke's Men. When the London theatres were closed on 23 June due to an outbreak of plague , Pembroke's Men went on a regional tour to Bath and Ludlow. The tour was a financial failure, and the company returned to London on 28 September, financially ruined. Over the course of the next three years, four plays with their name on the title page were published; Christopher Marlowe 's Edward II published in quarto in July , and Shakespeare's Titus Andronicus published in quarto in , The True Tragedy of Richard Duke of York published in octavo in and The Taming of a Shrew published in quarto in May Oliver says it is a "natural assumption" that these publications were sold by members of Pembroke's Men who were broke after the failed tour.
Oliver assumes that A Shrew is a reported version of The Shrew , which means The Shrew must have been in their possession when they began their tour in June, as they didn't perform it upon returning to London in September, nor would they have taken possession of any new material at that time. Ann Thompson considers A Shrew to be a reported text in her and editions of the play for the New Cambridge Shakespeare. She focuses on the closure of the theatres on 23 June , arguing that the play must have been written prior to June for it to have given rise to A Shrew. Keir Elam, however, has argued for a terminus post quem of for The Shrew , based on Shakespeare's probable use of two sources published that year: Abraham Ortelius ' map of Italy in the fourth edition of Theatrum Orbis Terrarum , and John Florio 's Second Fruits.
Secondly, Elam suggests that Shakespeare derived his Italian idioms and some of the dialogue from Florio's Second Fruits , a bilingual introduction to Italian language and culture. Elam argues that Lucentio's opening dialogue,. Tranio, since for the great desire I had To see fair Padua, nursery of arts, I am arrived for fruitful Lombardy, The pleasant garden of great Italy. Elam's arguments suggest The Shrew must have been written no earlier than , which places the date of composition around Greg has demonstrated that A Shrew and The Shrew were treated as the same text for the purposes of copyright , i.
One of the most fundamental critical debates surrounding The Shrew is its relationship with A Shrew. There are five main theories as to the nature of this relationship:. The exact relationship between The Shrew and A Shrew is uncertain, but many scholars consider The Shrew the original, with A Shrew derived from it; [47] [48] [49] [50] as H. Oliver suggests, there are "passages in [ A Shrew ] [ The debate regarding the relationship between the two plays began in , when Alexander Pope incorporated extracts from A Shrew into The Shrew in his edition of Shakespeare's works.
In The Shrew , the Christopher Sly framework is only featured twice; at the opening of the play, and at the end of Act 1, Scene 1. Pope added most of the Sly framework to The Shrew , even though he acknowledged in his preface that he did not believe Shakespeare had written A Shrew. By comparing seven passages which are similar in both plays, he concluded "the original conception is invariably to be found" in The Shrew. He reached this conclusion primarily because A Shrew features numerous lines almost identical to lines in Marlowe's Tamburlaine and Dr. In , building on Hickson's research, Peter Alexander first suggested the bad quarto theory.
Instead he labelled A Shrew a bad quarto. His main argument was that, primarily in the subplot of A Shrew , characters act without motivation, whereas such motivation is present in The Shrew. Alexander believed this represents an example of a "reporter" forgetting details and becoming confused, which also explains why lines from other plays are used from time to time; to cover gaps which the reporter knows have been left. An early scholar to find fault with Alexander's reasoning was E. Chambers , who reasserted the source theory. Its textual relation to The Shrew does not bear any analogy to that of other 'bad Quartos' to the legitimate texts from which they were memorised. The nomenclature , which at least a memoriser can recall, is entirely different.
The verbal parallels are limited to stray phrases, most frequent in the main plot, for which I believe Shakespeare picked them up from A Shrew. In , Leo Kirschbaum made a similar argument. In an article listing over twenty examples of bad quartos, Kirschbaum did not include A Shrew , which he felt was too different from The Shrew to come under the bad quarto banner; "despite protestations to the contrary, The Taming of a Shrew does not stand in relation to The Shrew as The True Tragedie , for example, stands in relation to 3 Henry VI.
Alexander's theory continued to be challenged as the years went on. In , R. Houk developed what came to be dubbed the Ur-Shrew theory; both A Shrew and The Shrew were based upon a third play, now lost. Duthie refined Houk's suggestion by arguing A Shrew was a memorial reconstruction of Ur-Shrew , a now lost early draft of The Shrew ; " A Shrew is substantially a memorially constructed text and is dependent upon an early Shrew play, now lost. The Shrew is a reworking of this lost play. Duthie argues this other version was a Shakespearean early draft of The Shrew ; A Shrew constitutes a reported text of a now lost early draft. Alexander returned to the debate in , re-presenting his bad quarto theory. In particular, he concentrated on the various complications and inconsistencies in the subplot of A Shrew , which had been used by Houk and Duthie as evidence for an Ur-Shrew , to argue that the reporter of A Shrew attempted to recreate the complex subplot from The Shrew but got confused; "the compiler of A Shrew while trying to follow the subplot of The Shrew gave it up as too complicated to reproduce, and fell back on love scenes in which he substituted for the maneuvers of the disguised Lucentio and Hortensio extracts from Tamburlaine and Faustus , with which the lovers woo their ladies.
After little further discussion of the issue in the s, the s saw the publication of three scholarly editions of The Shrew , all of which re-addressed the question of the relationship between the two plays; Brian Morris ' edition for the second series of the Arden Shakespeare , H. Morris summarised the scholarly position in as one in which no clear-cut answers could be found; "unless new, external evidence comes to light, the relationship between The Shrew and A Shrew can never be decided beyond a peradventure. It will always be a balance of probabilities, shifting as new arguments and opinions are added to the scales.
Nevertheless, in the present century, the movement has unquestionably been towards an acceptance of the Bad Quarto theory, and this can now be accepted as at least the current orthodoxy. Miller agrees with most modern scholars that A Shrew is derived from The Shrew , but he does not believe it to be a bad quarto. Instead, he argues it is an adaptation by someone other than Shakespeare.
In The Shrew , after the wedding, Gremio expresses doubts as to whether or not Petruchio will be able to tame Katherina. As Gremio does have a counterpart in I Suppositi , Miller concludes that "to argue the priority of A Shrew in this case would mean arguing that Shakespeare took the negative hints from the speeches of Polidor and Phylema and gave them to a character he resurrected from Supposes.
This is a less economical argument than to suggest that the compiler of A Shrew , dismissing Gremio, simply shared his doubts among the characters available. For him, adaptation includes exact quotation, imitation and incorporation of his own additions. This seems to define his personal style, and his aim seems to be to produce his own version, presumably intended that it should be tuned more towards the popular era than The Shrew.
As had Alexander, Houk and Duthie, Miller believes the key to the debate is to be found in the subplot, as it is here where the two plays differ most. He points out that the subplot in The Shrew is based on "the classical style of Latin comedy with an intricate plot involving deception, often kept in motion by a comic servant. He points to the fact that in The Shrew , there is only eleven lines of romance between Lucentio and Bianca, but in A Shrew , there is an entire scene between Kate's two sisters and their lovers. This, he argues, is evidence of an adaptation rather than a faulty report;. The Shrew is long and complicated. It has three plots, the subplots being in the swift Latin or Italianate style with several disguises.
Its language is at first stuffed with difficult Italian quotations, but its dialogue must often sound plain when compared to Marlowe's thunder or Greene's romance, the mouth-filling lines and images that on other afternoons were drawing crowds. An adapter might well have seen his role as that of a 'play doctor' improving The Shrew — while cutting it — by stuffing it with the sort of material currently in demand in popular romantic comedies. Miller believes the compiler "appears to have wished to make the play shorter, more of a romantic comedy full of wooing and glamorous rhetoric , and to add more obvious, broad comedy. Oliver argues the version of the play in the First Folio was likely copied not from a prompt book or transcript, but from the author's own foul papers , which he believes showed signs of revision by Shakespeare.
When Shakespeare rewrote the play so that Hortensio became a suitor in disguise Litio , many of his lines were either omitted or given to Tranio disguised as Lucentio. Oliver cites several scenes in the play where Hortensio or his absence causes problems. For example, in Act 2, Scene 1, Tranio as Lucentio and Gremio bid for Bianca, but Hortensio, who everyone is aware is also a suitor, is never mentioned. In Act 3, Scene 2, Tranio suddenly becomes an old friend of Petruchio, knowing his mannerisms and explaining his tardiness prior to the wedding. However, up to this point, Petruchio's only acquaintance in Padua has been Hortensio. However, as far as Hortensio should be concerned, Lucentio has denounced Bianca, because in Act 4, Scene 2, Tranio disguised as Lucentio agreed with Hortensio that neither of them would pursue Bianca, and as such, his knowledge of the marriage of who he supposes to be Lucentio and Bianca makes no sense.
From this, Oliver concludes that an original version of the play existed in which Hortensio was simply a friend of Petruchio's, and had no involvement in the Bianca subplot, but wishing to complicate things, Shakespeare rewrote the play, introducing the Litio disguise, and giving some of Hortensio's discarded lines to Tranio, but not fully correcting everything to fit the presence of a new suitor. This is important in Duthie's theory of an Ur-Shrew insofar as he argues it is the original version of The Shrew upon which A Shrew is based, not the version which appears in the First Folio. Upon returning to London, they published A Shrew in , some time after which Shakespeare rewrote his original play into the form seen in the First Folio.
Duthie's arguments were never fully accepted at the time, as critics tended to look on the relationship between the two plays as an either-or situation; A Shrew is either a reported text or an early draft. The Taming of the Shrew has been the subject of critical controversy. Dana Aspinall writes "Since its first appearance, some time between and , Shrew has elicited a panoply of heartily supportive, ethically uneasy, or altogether disgusted responses to its rough-and-tumble treatment of the 'taming' of the 'curst shrew' Katherina, and obviously, of all potentially unruly wives. Do we simply add our voices to those of critical disapproval, seeing Shrew as at best an 'early Shakespeare', the socially provocative effort of a dramatist who was learning to flex his muscles?
Or as an item of social archaeology that we have long ago abandoned? Or do we 'rescue' it from offensive male smugness? Or make an appeal to the slippery category of ' irony '? Some scholars argue that even in Shakespeare's day the play must have been controversial, due to the changing nature of gender politics. Hibbard argues that during the period in which the play was written, arranged marriages were beginning to give way to newer, more romantically informed unions, and thus people's views on women's position in society, and their relationships with men, were in a state of flux.
As such, audiences may not have been as predisposed to tolerate the harsh treatment of Katherina as is often thought. Evidence of at least some initial societal discomfort with The Shrew is, perhaps, to be found in the fact that John Fletcher , Shakespeare's successor as house playwright for the King's Men , wrote The Woman's Prize , or The Tamer Tamed as a sequel to Shakespeare's play.
Written c. In a mirror of the original, his new wife attempts successfully to tame him — thus the tamer becomes the tamed. Although Fletcher's sequel is often downplayed as merely a farce, some critics acknowledge the more serious implications of such a reaction. Lynda Boose, for example, writes, "Fletcher's response may in itself reflect the kind of discomfort that Shrew has characteristically provoked in men and why its many revisions since have repeatedly contrived ways of softening the edges. With the rise of the feminist movement in the twentieth century, reactions to the play have tended to become more divergent.
For some critics, "Kate's taming was no longer as funny as it had been [ Marcus very much believes the play to be what it seems. She argues A Shrew is an earlier version of The Shrew , but acknowledges that most scholars reject the idea that A Shrew was written by Shakespeare. She believes one of the reasons for this is because A Shrew "hedges the play's patriarchal message with numerous qualifiers that do not exist in" The Shrew. However, others see the play as an example of a pre- feminist condemnation of patriarchal domination and an argument for modern-day "women's lib". For example, Conall Morrison , director of the RSC 's "relentlessly unpleasant" production, wrote:. I find it gobsmacking that some people see the play as misogynistic.
I believe that it is a moral tale. I believe that it is saying — "do not be like this" and "do not do this. It's amazing how you lobotomised her. And they're betting on the women as though they are dogs in a race or horses. It's reduced to that. And it's all about money and the level of power. Have you managed to crush Katharina or for Hortensio and Lucentio, will you be able to control Bianca and the widow? Will you similarly be able to control your proto-shrews? It is so self-evidently repellent that I don't believe for a second that Shakespeare is espousing this.
And I don't believe for a second that the man who would be interested in Benedict and Cleopatra and Romeo and Juliet and all these strong lovers would have some misogynist aberration. It's very obviously a satire on this male behaviour and a cautionary tale [ This is him investigating misogyny, exploring it and animating it and obviously damning it because none of the men come out smelling of roses. When the chips are down they all default to power positions and self-protection and status and the one woman who was a challenge to them, with all with her wit and intellect, they are all gleeful and relieved to see crushed.
Petruchio's 'taming' of Kate, harsh though it may be, is a far cry from the fiercely repressive measures going on outside the theatre, and presumably endorsed by much of its audience. Some critics argue that in mitigating the violence both of folktales and of actual practices, Shakespeare sets up Petruchio as a ruffian and a bully, but only as a disguise — and a disguise that implicitly criticises the brutal arrogance of conventional male attitudes.
Whatever the " gender studies " folks may think, Shakespeare isn't trying to "domesticate women"; he's not making any kind of case for how they ought to be treated or what sort of rights they ought to have. He's just noticing what men and women are really like, and creating fascinating and delightful drama out of it. Shakespeare's celebration of the limits that define us — of our natures as men and women — upsets only those folks who find human nature itself upsetting. Jonathan Miller , director of the BBC Television Shakespeare adaptation, and several theatrical productions, argues that although the play is not misogynistic, neither is it a feminist treatise:.
I think it's an irresponsible and silly thing to make that play into a feminist tract: to use it as a way of proving that women have been dishonoured and hammered flat by male chauvinism. There's another, more complex way of reading it than that: which sees it as being their particular view of how society ought to be organised in order to restore order in a fallen world. Now, we don't happen to think that we are inheritors of the sin of Adam and that orderliness can only be preserved by deputing power to magistrates and sovereigns, fathers and husbands.
But the fact that they did think like that is absolutely undeniable, so productions which really do try to deny that, and try to hijack the work to make it address current problems about women's place in society, become boring, thin and tractarian. According to H. Oliver, "it has become orthodoxy to claim to find in the Induction the same 'theme' as is to be found in both the Bianca and the Katherine-Petruchio plots of the main play, and to take it for granted that identity of theme is a merit and 'justifies' the introduction of Sly.
This is important in terms of determining the seriousness of Katherina's final speech. Marjorie Garber writes of the Induction, "the frame performs the important task of distancing the later action, and of insuring a lightness of tone — significant in light of the real abuse to which Kate is subjected by Petruchio. Are we to let that play preach morality to us or look in it for social or intellectual substance? The drunken tinker may be believed in as one believes in any realistically presented character; but we cannot 'believe' in something that is not even mildly interesting to him.
The play within the play has been presented only after all the preliminaries have encouraged us to take it as a farce. Oliver argues that "the main purpose of the Induction was to set the tone for the play within the play — in particular, to present the story of Kate and her sister as none-too-serious comedy put on to divert a drunken tinker". Regarding the importance of the Induction, Jonathan Bate and Eric Rasmussen argue "the Sly framework establishes a self-referential theatricality in which the status of the shrew-play as a play is enforced. The means by which this self-interrogation is accomplished is that complex theatrical device of the Sly-framework [ As such, questions of the seriousness of what happens within it are rendered irrelevant.
Language itself is a major theme in the play, especially in the taming process, where mastery of language becomes paramount. Katherina is initially described as a shrew because of her harsh language to those around her. Karen Newman points out, "from the outset of the play, Katherine's threat to male authority is posed through language: it is perceived by others as such and is linked to a claim larger than shrewishness — witchcraft — through the constant allusions to Katherine's kinship with the devil. Even Katherina's own father refers to her as "thou hilding of a devilish spirit" 2.
Petruchio, however, attempts to tame her — and thus her language — with rhetoric that specifically undermines her tempestuous nature;. Say that she rail, why then I'll tell her plain She sings as sweetly as a nightingale. Say that she frown, I'll say that she looks as clear As morning roses newly washed with dew. Say she be mute and will not speak a word, Then I'll commend her volubility And say she uttereth piercing eloquence.
If she do bid me pack, I'll give her thanks, As though she bid me stay by her a week. Here Petruchio is specifically attacking the very function of Katherina's language, vowing that no matter what she says, he will purposely misinterpret it, thus undermining the basis of the linguistic sign , and disrupting the relationship between signifier and signified.
In this sense, Margaret Jane Kidnie argues this scene demonstrates the "slipperiness of language. Apart from undermining her language, Petruchio also uses language to objectify her. For example, in Act 3, Scene 2, Petruchio explains to all present that Katherina is now literally his property:. She is my goods, my chattels , she is my house, My household stuff, my field, my barn, My horse, my ox, my ass, my any thing.
In discussing Petruchio's objectification of Katherina, Tita French Baumlin focuses on his puns on her name. By referring to her as a "cake" and a "cat" 2. In particular, he is prone to comparing her to a hawk 2. Katherina, however, appropriates this method herself, leading to a trading of insults rife with animal imagery in Act 2, Scene 1 ll. Language itself has thus become a battleground. However, it is Petruchio who seemingly emerges as the victor. In his house, after Petruchio has dismissed the haberdasher, Katherina exclaims. Why sir, I trust I may have leave to speak, And speak I will. I am no child, no babe; Your betters have endured me say my mind, And if you cannot, best you stop your ears. My tongue will tell the anger of my heart, Or else my heart concealing it will break, And rather than it shall, I will be free Even to the uttermost, as I please, in words.
Katherina is here declaring her independence of language; no matter what Petruchio may do, she will always be free to speak her mind. However, only one-hundred lines later, the following exchange occurs;. And well we may come there by dinner-time. Look what I speak, or do, or think to do, You are still crossing it. Sirs, let't alone, I will not go today; and ere I do, It shall be what o'clock I say it is. Kidnie says of this scene, "the language game has suddenly changed and the stakes have been raised. Whereas before he seemed to mishear or misunderstand her words, Petruchio now overtly tests his wife's subjection by demanding that she concede to his views even when they are demonstrably unreasonable.
The lesson is that Petruchio has the absolute authority to rename their world. The naming of characters certainly shows just how closely the film O stays to the source material, with every character possessing an anglicized version of their respective role. Casting a young Mekhi Phifer as the titular Othello 'Odin' , his budding romance is sabotaged by the cunning deceit of Hugo Josh Hartnett , based on 'Iago,' one of the most inexplicably evil villains tragedy's ever seen.
The film revolves mainly around Hugo's plotting, updating most of his schemes for modern audiences - including the disastrous final act. But the racial themes of the original play are also heightened, with the Moorish general re-imagined as the only black student in the entire school, and the star basketball player. The Twist: The young Bianca is looking for a date to the prom, but will only be allowed to attend if her older, colder, more 'shrewish' sister Kat finds a date as well.
The solution? Hire a suitor. The idea behind 10 Things I Hate About You is fairly straightforward: fill a high school romantic comedy with as many beautiful people as possible, and teenagers might actually sit through a Shakespearean play. The plan worked, but its close quite faithful adaptation of "The Taming of the Shrew" could be largely responsible for the fact that the movie was actually enjoyable with the talents of Heath Ledger and Joseph Gordon-Levitt helping as well.
Ranging from subtle adaptations to complete homages, these movies represent just a sliver of the films that owe credit to Shakespeare's plays. There are dozens of other adaptations to choose from, and around the world, the next few years will see plenty more. Which entries on our list surprised you? Are there any particular adaptations you're most fond of? Be sure to name them in the comments. Despite calling the vast nothingness of the Canadian prairies home or perhaps because of it film and television have been a passion since birth.
As a graduate of the University of Manitoba with a degree in English Literature, Andrew has grown to appreciate the story and writing behind everything from blockbuster comic book movies to schlocky B-movie action. By Andrew Dyce Published Oct 12,
Evidence of at least some initial societal discomfort with The Shrew is, perhaps, to be found in the Taming Of The Shrew Adaptations that John Taming Of The Shrew AdaptationsShakespeare's successor as house playwright for the King's Menwrote The Woman's PrizeTaming Of The Shrew Adaptations The Tamer Tamed as a sequel to Shakespeare's play. London: Marion Boyers. Elements of the shrew-taming plot are still used Taming Of The Shrew Adaptations, [2] though with less patriarchal messages since the rise of feminism. Have you managed to crush Katharina or for Hortensio and Taming Of The Shrew Adaptations, will you Taming Of The Shrew Adaptations able to control Bianca Graduation Speech: A Separate Peace the widow?
English Composition 101 Reflective Essay
Sunday, September 12, 2021 11:27:42 AM
NMC Code Of Competence In Nursing Care
Wednesday, June 16, 2021 8:27:47 PM
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By Vjosa Isai and Dan Bilefsky Last updated Dec 31, 2021
New Year's Eve was canceled in Quebec, or at least that's how many residents feel after the government imposed a 10 p.m. curfew that will go into effect on Friday night, just as the revelry was set to begin.
The move, which provoked an angry backlash, was the latest attempt by the province to tame the surging Omicron variant as cases rise and hospitals come under intensifying pressure. The government also banned private indoor gatherings beyond members of the same household, forcing many Quebecers to cancel their New Year's Eve plans.
Under the curfew, which goes into effect at 5 p.m. on Friday, Quebecers will be required to remain indoors from 10 p.m. to 5 a.m., and those who break the rules face fines as high as $4,750. (There are some exemptions, such as dog walkers and essential workers in hospitals.)
Mr. Legault said Thursday that the measures were necessary to protect the province's health care system.
"Our experts tell us that there's a risk that we won't be able to treat all those who need it in the coming weeks," he said at a news conference, adding that hospitalizations doubled to more than 900 in the past week.
Case counts also hit a new high this week: Quebec reported 14,188 cases on Thursday and nine deaths, according to local public health data.
The backlash was palpable on social media as many criticized Mr. Legault for restrictions that some perceived as unnecessarily punishing during a fraught holiday period when travel plans had already been upended.
More than 78 percent of Quebec residents are fully vaccinated, according to data from the Public Health Agency of Canada, above the national vaccination rate of 76 percent.
Éric Duhaime, leader of the opposition Conservative Party in Quebec, criticized the government in a post on Twitter for failing to provide a scientific study to justify the curfew. Others said the curfew — the only one that will be in place in a Canadian province — would undermine peoples' mental health and violate civil liberties.
Critics also accused the government of overcompensating after it had been too lax in implementing health measures. For example, some supermarkets have not maintained social distancing at checkout lines and many shops have not been vetting vaccine passports.
The public uproar was particularly acute because it was the second time Quebec had imposed a curfew; the last one, in January, lasted five months.
Canada is among the countries that have seen the biggest surge in new virus cases, which have more than doubled in a week to an average of more than 25,000.
Among other new restrictions, restaurants are to be closed for indoor dining, the start of in-person elementary and high school classes has been delayed until Jan. 17 and places of worship are to be closed except for funerals.
Mr. Legault said the restrictions were aimed at protecting the unvaccinated from themselves, given the high rate of hospitalization among those who have refused be inoculated. That, in turn, prompted criticism from people who said they had respected public health rules and were being unfairly punished for the irresponsible behavior of a minority of Quebecers.
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Stoughton, WI (53589)
Partly cloudy skies. Low 17F. Winds W at 5 to 10 mph..
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Since yesterday
Jill Allison Miller
Jill Allison Miller, age 64, of Stoughton, sadly passed away on Monday, Jan. 4, 2021, the result of a tragic car accident. She was born on Nov. 26, 1956, in Dubuque, Iowa, the daughter of Duane and Elaine (Bartelt) Rohde. She graduated from Hazel Green High School in 1974.
Jill married the love of her life, Bill Miller, on May 5, 1984, at St. Paul Lutheran Church, in Dubuque. She adored her husband and he lovingly called her "Little One."
After graduating from UW-Madison with a master's degree, Jill worked as a social worker for Dane County and then moved to the Edgerton School District as their social worker helping three generations of families. Her work with her students and their families was a true love and passion which they will continue to carry on without her.
Jill's faith in Jesus Christ was the leading path in her life. She was an active member of First Lutheran Church where she volunteered her time in various activities and became the first woman president on the church council.
Jill enjoyed reading, hiking, fishing, music and dancing, but most of all, camping with her family and friends. Many memories were made at "Millerville," the family's property up north, with campfires, competitive family games, hot-tubbing with a Bloody Mary in hand, winery adventures, playing the air guitar and laughing until it hurt.
Jill cherished the visits with her family and friends, especially time with her mom. She loved the yearly fishing trips to Kentucky and was always trying to out fish Bill. No one spent time with Jill without feeling loved, having laughed and making a new friend.
Jill was an avid Badgers football fan and loved the Packers, but their game play would make it impossible for her to watch. She was a trumpet player for the UW-Madison Marching Band the first-year girls were allowed to join. One of her fondest memories was when the UW Alumni Marching Band was invited to perform and she was able to march with her father, a member of the band in the 1950s.
Jill is survived by her husband, Bill; two daughters, Allison Miller and Carly Miller; grandson, Brian Krigbaum; her mother, Elaine Rohde; brother, Mark (Dorothy Carey) Rohde; and sisters, Kim (Jerry) Ferch and Jane Farrar. She is further survived by many nieces, nephews, other relatives and friends. She was preceded in death by her father, Duane Rohde; and sister, Gail Silbaugh.
A private memorial service will be held at First Lutheran Church. The family will have a celebration of life at a later date. Memorials may be made to Edgerton Elementary Schools with a special notation that it is in memory of Jill Miller. Online condolences may be made at www.gundersonfh.com.
Gunderson Stoughton
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Hwy. 51 crash victim identified as Stoughton woman
The Dane County Medical Examiner's Office identified the woman who died Monday, Jan. 4 after a crash on Hwy. 51 as Jill A. Miller, 64, of Stoughton.
Gary Lee Anderson
Gary Lee Anderson, age 74, passed away on Tuesday January 12, 2021 at Fort Atkinson Health C…
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Strategies that focus on particular industries, regions or investing themes.
Will 2014 be the year of the commodity?
Consumer staples stocks are hitting record highs as investors play defense.
Hey investors, stop picking on the little guys!
Like a bully at the beach, investors are kicking sand in the face of small-cap stocks.
Steady, dividend-paying stocks are leading the way this year.
Leading and lagging sectors suggest investors are cautious in this market.
Is the Nasdaq signaling another tech wreck?
The tech-heavy Nasdaq Composite has broken a 17-month uptrend.
Investors may be rotating into late-cycle industrial stocks.
What's behind the sell-off in tech stocks?
Technology and high-momentum stocks are leading the market's slide lower.
Leading stocks showing signs of fatigue — cause for worry?
Is weakness in momentum stocks a warning sign or a healthy rotation?
Sector facing a key support level after 15% pullback from all-time high.
Are consumer discretionary stocks the canary in the coal mine?
This cyclical sector is the biggest loser in 2014 after several years of outperformance.
Momentum stocks tap the brakes — what does it mean?
High valuation, momentum-driven names have been notably weak recently.


PALINI R. SWAMY writes from Bangalore: No longer are elections spectacles.
For the uninitiated, everyday life in Karnataka appears to be no different except for two things. First, Bangalore's notorious traffic is manageable these days, as the political types have been camping in their constituencies.
Second, police chowkis along the highways, especially closer to towns and cities where all the private vehicles are checked for cash and gifts for the voters. According to the most recent estimate, the money confiscated across Karnataka is more than Rs 16 crore.
So, there is this reality constructed and maintained by the Election Commission.
Its rules have taken the pageantry out of elections. No longer nominees can take out a procession to file nominations or strut around with thousands of followers or hundreds of vehicles. In fact, any vehicle used for campaigning will have to be registered.
It's simple these days: there are severe restrictions on visible campaigning.
Missing are the auto-rickshaw mounted loudspeakers. The norm today appears to be occasional rallies featuring star campaigners especially national leaders, and more frequently, road shows featuring state leaders and cinema stars in open vehicles.
More significantly, each candidate is restricted to spending only Rs 16 lakh.
Perhaps, there isn't a single constituency wherein a candidate will have a reasonable chance of competing and retaining his deposit if he were to stay within this farcical limit.
However, that doesn't stop any candidate from officially submitting accounts, which will be far less than sixteen lakhs. The average spending by each winning candidate across Karnataka will be at least one hundred times more.
So, that creates an alternative, parallel reality, the one political parties, candidates, and indeed, even the voting public inhabit. Here notionally the EC's authority is recognized but the only way to earn the trust of the electorate is to blatantly violate most of EC regulations.
Professional politicians will not complain against each other for obvious reasons. They are all playing the same game.
The smaller players say the leftist groups or the anti-corruption warriors like the Loksatta don't have the capacity or perhaps even the commitment to document violations and lodge complaints with the EC.
Consider this second reality for a moment.
For the past month, newspapers have been reporting on all the freebies distributed surreptitiously by every politician.
Money is the obvious good and we all know that large sums will have to be spent to pay for campaigners, voters and everybody in between.
Since 2008, politicians have had to be very creative in transporting cash. So, there are numerous stories about motorbike riders carrying money or professional donkey/ black sheep herd owners being couriers transporting cash from one place to the next.
Then there are services and goods that are offered and accepted.
# JCBs and tractors to do any kind of earth work in your field, either freely or at heavily subsidized rates.
# Borewell rigs to dig borewells.
# Access to government welfare programs and services – from old age pension to various subsidies that the state government offers; from subscription to Yashasvini medical insurance scheme to free ration from government ration shops.
# Set-top boxes for televisions.
# Pilgrimages and trips to constituents.
All kinds of groups and associations too are rewarded liberally.
# Temples are built and renovated during elections if only because all the candidates will make contributions.
# Travel across the state and you will find hoardings for sports tournaments sponsored by politicians. We estimated that the budget for some of these events could run into tens of lakhs since the top prize in a cricket tournament in Shimoga was Rs. 75,000.
Obviously our list isn't complete and the reader can add more.
However, here is the important point to note. Election results are determined in this second reality. The Election Commission has little sway over this reality and one could even argue that an efficient money spending operation precedes everything else.
The presence of star campaigners – be it Rahul Gandhi or Advani or Narendra Modi – does very little to actually sway the electorate. At best, these stars rouse the party base and raise the enthusiasm of the party cadre.
Politics has changed in this regard in the last two decades. Without this efficient ground level operation that distributes gifts, makes compelling local arguments and mobilizes voters, no candidate shall win.
And that's true for a political party winning elections as well.
In another significant respect, a politician shows his prowess during the elections. His ability to break rules and distribute as much during the elections is actually an indicator of his ability to manipulate rules and government machinery once he is in power.
While we don't want to sound cynical, the voting public actually considers that quality an essential trait for a leader.
The Election Commission can't do much about the second reality. It has never had much control on that reality anyway.
Why is corruption not an issue in Karnataka?
POLL 2013: Can the Karnataka opinion polls go awry?
POLL 2013: Has A. Ramdas not supplied 'henda'?
This entry was posted in Churumuri Poll, Issues and Ideas, Kannada & Karnataka and tagged 2013 Elections, Churumuri, Karnataka Elections, Palini R. Swamy, Sans Serif. Bookmark the permalink.
1. Caste-ism will trounce Merit any day in Indian Politics.
2. Poor Indian Village Men will be swayed by Liquor.
3. Women by Gold. [But then, Indian Women can be controlled by the Menfolk except for educated Urban ones].
4. Democracy is not working for educated urban/rural forward class.
6. Democracy functions as it is as it caters to Majority Rural and lower castes.
Problem is of Corruption, Productivity, dwindling resources, Crime, Vision, Action, Environmental degradation.
Very true about the star politicians not being able to do more than bolstering party cadre motivation. I like the way that the playing field is slowly becoming more and more level, such that there is a possibility for smaller, newer parties and/or independents to give a good competition to the more well-established (read typical) Indian politician.
A loksatta party candidate from Bangalore was saying in a interview—- a technocrat like NRN or MOHANDAS PAI or mazumdar should become mayor.
LOKSATTA PARTY GE VOTE HAKIDAVANU NIJAVAAGIYU SATTA.
B-PAC is sponsoring 14 candidates in Bangalore by giving them cash, what promises have they got in return? 24 hour night life with party round the clock, marginalise Kannada in administration.
G category sites, 100 acres at throwaway prices for their company expansion, tax holidays for techies?
EC should keep a watch on such dubious deals.
I worked as Sector Officer in the previous assembly elections, so was involved in booth tours to counting. The most critical time is period of last three days before the day of polling. Every trick in the book can be found in action: mostly to provide cash, liquor, and if possible grand feasts. It may be possible to control overt displays of money power like the use of microphones or open donation of cash. But it is almost impossible to prevent the distribution of cash and liquor.
We were provided with 1980-1990s Mahindra jeeps for routine rounds in our sectors daily. However, those who distributed money and liquor came in Toyota Innova and other such modern vehicles. So even if we got news of something wrong in our sector, before we could arrive at the place, we were not in a position to even catch up to them. And if our sector was far away from my office/residence, then forget about even reaching there within reasonable time.
So whatever our EC does, it serves only to prevent some silly displays of money power. But the real issues are hardly addressed, even if I am an honest officer without any political orientation.


text:
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 *  This file is part of the Wayback archival access software
 *   (http://archive-access.sourceforge.net/projects/wayback/).
 *
 *  Licensed to the Internet Archive (IA) by one or more individual
 *  contributors.
 *
 *  The IA licenses this file to You under the Apache License, Version 2.0
 *  (the "License"); you may not use this file except in compliance with
 *  the License.  You may obtain a copy of the License at
 *
 *      http://www.apache.org/licenses/LICENSE-2.0
 *
 *  Unless required by applicable law or agreed to in writing, software
 *  distributed under the License is distributed on an "AS IS" BASIS,
 *  WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
 *  See the License for the specific language governing permissions and
 *  limitations under the License.
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package org.archive.wayback.proxy;

import java.util.List;

import javax.servlet.http.HttpServletRequest;

import org.archive.wayback.RequestParser;
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import org.archive.wayback.requestparser.OpenSearchRequestParser;
import org.archive.wayback.util.bdb.BDBMap;
import org.archive.wayback.webapp.AccessPoint;

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redpajama_set_name: RedPajamaGithub


text:
The 1895 New Hampshire football team was an American football team that represented New Hampshire College of Agriculture and the Mechanic Arts during the 1895 college football season—the school became the University of New Hampshire in 1923. The team played a six-game schedule without facing any other college teams, and finished with a record of 1–4–1 or 2–3–1, per 1895 sources or modern sources, respectively.

At the close of the 1894 season, the team had selected William C. Dudley to again captain the 1895 squad. However, with Dudley and seven other members of the team having left college, Everett S. Whittemore became captain of the 1895 squad, until he resigned the position mid-season and was replaced by Fred F. Hayes.

Schedule
Scoring during this era awarded 4 points for a touchdown, 2 points for a conversion kick (extra point), and 5 points for a field goal. Teams played in the one-platoon system and the forward pass was not yet legal. Games were played in two halves rather than four quarters.

A report in The New Hampshire College Monthly by the team's student manager stated that the team played six games, Recaps of seven games were provided in the College Monthly; six varsity contests plus a game played by the second team (backups). On November 2, the varsity defeated Somersworth High School while the second team defeated Berwick Academy. College Football Data Warehouse and the Wildcats' media guide list both of those contests, while omitting the October 12 loss against the Portsmouth Athletic Association. While the student manager's report noted that the "Portsmouth game was postponed three times", the College Monthly is clear that the game did get played; thus it is included in the overall record per 1895 sources, in lieu of the second team's win over Berwick Academy.

Roster

Source:

Notes

References

New Hampshire
New Hampshire Wildcats football seasons
New Hampshire football

redpajama_set_name: RedPajamaWikipedia


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Home » Entertainment » Actor Tracy Morgan is Critical!
Comedy Actor Tracy Morgan is critical following a fatal car crash early Saturday morning, reports says.
The 30 Rock actor, 45, was a passenger in a limo bus which was involved in a six-vehicle pile-up in Cranbury as he made his way back to his New Jersey home following a stand-up gig in Dover, Delaware on Friday night.
Authorities have confirmed that Morgan's comedy writer, James McNair, a passenger onboard the luxury vehicle, died in the accident, while three others, including the actor and his assistant Jeff Millea, are in intensive care and one person is in fair condition.
A statement issued by his representative reads: "Tracy remains in critical condition at Robert Wood Johnson Hospital. He sustained these injuries in an accident that occurred early this morning as one of several passengers in a chauffeured SUV returning from a tour date in Delaware.
She said that the comedian had a broken leg and was unconscious, but doctors anticipated he would recover.
The mother of Morgan's fiancée, Megan Wollover, told the Daily News that she "was devastated" when she learned of her future son-in-law's accident, but was relieved to learn that her daughter and the couple's 11-month-old baby, Maven, weren't traveling on the bus with him. "I just hope he gets through this," Christine Wollover added.
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Reconnect testimonials
Meet some of our ReConnected Participants and read what they say about the Hungarian Birthright Program.... Read More ...
Reconnected Participants
Currently there are 133 first- through fifth-generation ReConnected Participants from 27 states and 5 Canadian provinces.... Read More ...
Scroll down to find an answer to every possible question you might want to ask. The answers below are compiled from multiple... Read More ...
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See an updated collection of year-by-year photo galleries as well as TV and radio broadcasts about the Program.... Read More ...
The program is a public-private partnership organized by the Hungarian Human Rights Foundation, supported by Hungarian American and Canadian organizations, as well as the Government of Hungary.
The list of our partners in Hungarian-American and Hungarian-Canadian communities is continually expanding and includes both large and small organizations, namely, the Hungary Initiatives Foundation, the Kossuth Foundation, the Hungarian Communion of Friends, and the Hungarian American Coalition.
The ReConnect Hungary Team works year round, on two continents, organizing and developing the Program; and providing ReConnected Particpants with the resources they need to continue their journey, stay connected and give back.
Feel free to contact us with your questions using the online form.
ReConnect Hungary – Hungarian Birthright Program
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Hungarian Register
Program Director in New York
László Hámos
We announce with profound sadness that our Program Director, László Hámos passed away on April 16, 2019 in New York. Laszlo was a second-generation Hungarian-American, who co-founded ReConnect Hungary's parent organization, the Hungarian Human Rights Foundation (HHRF), in 1976.
Program Manager in New York
Emese Latkóczy
Emese is a second generation Canadian-American Hungarian who has managed ReConnect Hungary from the beginning. An NYU graduate in filmmaking, she has been a human rights activist since high school, and is also a director of the Hungarian Human Rights Foundation.
Program Manager in Budapest
Csilla Zsigmond
Csilla was born in Brassó, Transylvania (Romania) and has a master's degree in sociology. She joined ReConnect Hungary in 2014 and in 2016 became the program manager in Budapest, as well as the executive director of the Hungarian Human Rights Foundation's office.
Gabi Vajtay
Gabi, a Rutgers University graduate, is a second generation American Hungarian from New Jersey. She became a Hungarian scout at an early age, and has been involved since then. She is organizing numerous Hungarian events in New Jersey, and is a member of the Hungarian Choir.
Program Coordinator in New York
Edina Finkel
Edina is the year-round program coordinator in New York since July 2017. She moved to the city in 2011 from Hungary where she was born and raised. Her strong marketing background is a huge asset to the Program.
Szilvia Bába
Szilvia is ReConnect Hungary's lead program organizer in Hungary since 2012. A specialist in the Hungarian Diaspora community, she received her doctorate from the University of Pecs in 2015. She is the Director of Art and Operations at the Duna Palota (Palace) cultural venue in Budapest.
team member and peer guide
Zsuzsanna Cselényi
Zsuzsanna has been with the Program since 2013 and until July 2017 was ReConnect Hungary's year-round Program Coordinator in New York. She is a cultural heritage specialist with a Ph.D. in Folklore and Anthropology, and was also a ReConnect Hungary peer guide in 2015.
Annie Greenhouse
Since initially developing the ReConnect Hungary program starting in 2011 to the 2012 launch (along with Laszlo, Emese and Dora Meszaros, former HHRF intern), Annie continues to be an integral part of the team, actively contributing to the program's success. She hails from Hungary, graduated from Trinity College in Connecticut, and lives in New York.
Máté Vincze
Mate has been continuously involved in shaping, developing and growing ReConnect Hungary since its inception. A HAESF scholar at HHRF in New York from 2011 to 2012, he was the peer guide of the first group in 2012. A public relations professional since returning to Hungary, among others, Mate assists ReConnect Hungary with media relations.
Program Manager in Transylvania
Zsolt Árpád Moldován
Zsolt organizes and escorts the group on ReConnect Transylvania. He has been HHRF's representative in Romania since 2004 and is also a Kolozsvár-based journalist.
Peer Guides since 2012
peer guide
Tom Szigeti
Tom is a second generation Hungarian-American from Cleveland Ohio. In 2016 he completed his Master's degree in History at Ohio State University and then moved to Budapest. He has been a peer guide twice, in 2013 and 2016. Currently he works for the Friends of Hungary Foundation.
András Dobai
András hails from Hungary and was a peer guide in 2013. While his profession is in Biology, he has been involved with North American Hungarian communities since 2010. He finished his Masters degree in Biology at Carleton University, Ottawa in August 2017, and he is currently working as a technician at the same university.
Krisztina Nascsó
Kristina was a peer guide in 2013 and 2014 after becoming involved with the Program as a HAESF scholarship recipient at HHRF for a year. She has a law degree from the Eötvös Loránd University in Budapest and practices law in Hungary at an international law firm.
Anett Nascsó
Anett was a peer guide in 2014 along with her sister Krisztina. She has a degree in public administration and works at the Hungarian Ministry of National Economy.
Eszter Kovács
Eszter is a junior researcher at the Hungarian Academy of Sciences, Institute for Minority Studies, Centre for Social Sciences. A doctoral candidate, she has keen interest in diaspora engagement. She has done a research internship at HHRF in New York, written a study about ReConnect Hungary and was a peer guide for the Program in 2015 and 2016. She lives in Budapest.
Zoltán Székely-Mádai
Since 2013, Zoltan has been both a HAESF and KCSP scholarship recipient at the HHRF offices in New York. He has been responsible for designing and implementing many aspects of ReConnect Hungary Program. Zoltan was a peer guide in 2015 and 2016. He has studied history, international relations and multicultural education at Pázmány Péter and Eötvös Lóránd Universities.
Réka Horváth
Réka was a peer guide in 2016 and 2017. She has a Master's degree in. Information and Library Science and hails from Szeged–nicknamed the City of Sunshine–but now lives in Budapest. She has spent nine months in New York at the American Hungarian Library on a KCSP scholarship. This Hungarian government program sends talented young people to serve at diaspora organizations throughout the world.
Lili Kunfalvi
Lili was a peer guide in 2016 and became intimately involved with the Program through her volunteer work at HHRF and the American Hungarian Library since 2013. In 2015 she completed her Master of Arts in American Studies at Columbia University and returned to New York in Fall 2017 to begin a master's program in Business at NYU.
Bíborka Kása
Biborka hails from Hungary and became involved with Reconnect Hungary in 2016 during her nine-month long internship at the American Hungarian Library in New York as a KCSP scholarship recipient. An avid photographer, Bibi, as she is nicknamed, studied Cultural Anthropology at Miskolc University. She was a ReConnect Hungary peer guide in 2016 and 2017, She currently lives in London.
Mikolt Tózsa
Mikolt was a peer guide in 2017. She has a degree in social studies from the University of Szeged and is doing her Master's in theater studies in Budapest. She became involved with ReConnect Hungary also as a KCSP intern for nine months at the Hungarian Scout Organization and Hungarian School in Garfield, NJ.
Victoria Vass
Viki joined the ReConnect Hungary Program in 2012 when she went on our very first birthright trip. In 2017, she was the group's transatlantic escort, peer guide, and a peer guide for Reconnect Transylvania as well. She is currently finishing a Bachelor of Technology in Graphic Communications Management at Ryerson University in Toronto. She was born in Los Angeles, grew up in Toronto and her family comes from Transylvania.
Reka Vasicsek
She was a peer guide for Reconnect 2018 and could not help but return after having a wonderful experience. She grew up in Hungary until the age of 8, and then moved to San Francisco to be with my mom's side of the family. She graduated this year from Cal Poly San Luis Obispo and she is moving to Madrid to teach English in the fall. She is an avid hiker, camper, and ocean goer.


PCHS schedules "Media Days" three times a year for Fall, Winter and Spring sports. This year, Winter Media Day will be held in the back gym on Saturday, November 17th. Media Day photos are taken of every team and every player, regardless of whether they are varsity, jv or freshman. These photographs are used for many purposes, including the yearbook, publicity announcements, newspaper articles, awards and for the USHAA media guides. Individual and team photo packages are also available for purchase.
Since the Winter Media Day occurs just before Thanksgiving Break, we want to give you as much advance notice as possible.
Click here to see a copy of the order form and package choices.
8:00 a.m. – BOYS BASKETBALL – bring 2 clean game balls. Arrive early. Start at 8:00 a.m.
9:00 a.m. – GIRLS BASKETBALL – bring 2 clean game balls.
9:30 a.m. – WRESTLING – please bring headgear and shoes.
All athletes, coaches and students will be photographed, whether they choose to order photographs or not.
If a player is unable to attend at their assigned time, they should come to the gym during one of the other scheduled team times. We will photograph them "off-schedule" and add them to their team. There will be a makeup day on Tuesday, November 20th. Please call the studio at 435-649-4523 to make an appointment for your student.


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About Us & Founder Message
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Judah A. Denburg
MD, FRCPC
Dr. Denburg is Director and Chief of Service of Clinical Immunology and Allergy at Hamilton Health Sciences, McMaster Division. He is a Professor in the Department of Medicine, Faculty of Health Sciences having received his Professorship in 1988 and holds the William J. Walsh Chair in Medicine.
Dr. Denburg is active as a physician and is involved in one of the largest academic group practices in Allergy and Immunology in Canada. In his educational role, he serves as the primary link between basic and clinical immunology at McMaster and has mentored numerous students and fellows into leadership roles in the field of Allergy and Immunology.
In addition to his other duties, Dr. Denburg is the Scientific Director and CEO of The Allergy, Genes & Environment Network of Centres of Excellence (AllerGen NCE Inc.), a research and knowledge translation network in allergic diseases and asthma based at McMaster University in the Michael G. DeGroote School of Medicine. Launched in 2004 and successfully renewed to 2019, AllerGen unites Canada's leading research and clinical care experts in allergic diseases and asthma with related industry and not-for-profit organizations. AllerGen brings prestige, and research and educational funding investments to McMaster University, and has positioned Canada as a global leader in allergy and asthma research and development.
Jaime Watt
Executive Chairman, Navigator
Jaime Watt is the Executive Chairman of Navigator. He specializes in complex public strategy issues, serving both domestic and international clients in the corporate, professional services, not-for-profit, and government sectors.
Jaime has been involved in corporate governance education and thought leadership throughout his career and regularly provides expert opinion in challenging governance situations. He is an adjunct faculty member of the Directors Education Program, jointly developed and administered by the Institute of Corporate Directors (ICD) and the Rotman School of Management at the University of Toronto. He is also a guest lecturer for a variety of Rotman School programs, and the Ivey School of Business at Western University.
Widely regarded as Canada's leading high stakes communications strategist, he is a trusted advisor to boards of directors, business and professional leaders as well as political leaders at all three levels of government across Canada. Jaime has led ground-breaking election campaigns that have transformed politics because of their boldness and creativity.
Lori Lee Oates, Ph.D.
Historian, Political commentator and Lecturer at Memorial University
Lori Lee holds a Ph.D. in global and imperial history from the University of Exeter, where she also taught history. She is affiliated with the M.Phil. (Humanities) program at Memorial University of Newfoundland.
Her Ph.D. was funded by a studentship valued at £77,670. She also received grants to do primary research in France and Wales. Her research on the globalization of religion has been presented in Canada, the United States, and Europe. She has served on academic boards in Canada, the United Kingdom, and the Netherlands, and been published by the Global and Imperial Forum.
Lori Lee has worked as a Senior Policy Advisor in the office of the minister at Status of Women Canada. Previously, she was a Director of Communications with the Government of Newfoundland and Labrador, where she was assigned to the Departments of Transportations and Works, Fisheries and Aquaculture, and Aboriginal Affairs.
She is a CBC Contributor and regularly provides political commentary in local and national media. Her latest venture is a podcast called Podco: Making Government Work for Us, with political scientists Stephen Tomblin and Lucian Ashworth. It addresses the need to update our democratic institutions at a local and international level.
Dr. Geoff Fernie
Senior Scientist, Toronto Rehabilitation Institute (TRI) Director
Professor Geoff Fernie is the Creaghan Family Chair in Prevention and Healthcare Technologies, Department of Surgery, University of Toronto and at the Toronto Rehabilitation Institute. He is a bioengineer who applies engineering to solve problems in medicine and healthcare. During his tenure as Director of the Toronto Rehabilitation Institute from 2003 to 2018, he grew the research institute to be the top rehabilitation research centre in the world.
Dr. Fernie's passion is the search for practical solutions to common problems of daily living for an aging population, people with disabilities and their caregivers.
Dr. Fernie has a track record of taking inventions from the laboratory to market and has helped to launch several companies. He has over 150 peer-reviewed journal papers/ book chapters and has been awarded nearly 50 patents. Among his many awards, Geoff is a member of the Order of Canada.
Bob Hallett
Musician & Theatre producer
A native and resident of St. John's, in 1993 he and some friends started Great Big Sea, a legendary band which went on to sell over a million and half records around the world over a 20 year career. Among other accomplishments, the Band had twelve gold and multi-platinum albums, and several number one albums in Canada. A master musician, steeped in Newfoundland traditional styles, Bob can play a dozen instruments, and wrote and sang many songs with the Band. He has played thousands of concerts with Great Big Sea and other artists, and made countless appearances on television and radio. His company, Kilbride Music, has managed bands, produced records, created radio specials, and promoted many live concerts. He works with the producers of the Tony Award winning Broadway Musical Come From Away as a Music Consultant, and has also worked at the Stratford Festival as a Composer & Music Director. As an author he has written dozens of magazine articles, essays and several books, including the best-selling memoir Writing Out The Notes. In his spare time he runs Erin's Pub, the city's oldest music pub, in downtown St. John's.
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So excited for your beautiful LV! I love an orange shade, it's really a nice neutral when you think about all it looks good with!! Congrats on your first reveal!
Congratulations my dear, it's absolutely stunning! And yes, I do love color & I havea feeling you will be addicted now too ?
Ever been in love with a bag that you seldom use?


Yes, you read that tittle correctly.
2000 titled "My Only Wish (This Year)" and it is very underrated.
"Feliz Navidad," because let's face it…that's an amazing track.
Haitian Man Accuses Clinton of Stealing Haiti's Wealth – IS THIS TRUE?


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Rep. Kildee visited troops, attended memorial for local grad
By ohtadmin | on April 18, 2013
WASHINGTON — Michigan Congressman Dan Kildee returned April 6 from a bipartisan Congressional Delegation trip to Afghanistan to visit Michigan troops.
The three-member delegation — led by Chairman of the House Armed Services Subcommittee on Strategic Forces Mike Rogers (R-Alabama) — met with U.S. forces and held important discussions with highranking U.S. and Afghan officials regarding political, economic and security issues affecting the region.
"This past week, I had the opportunity to meet and talk with troops and military leaders on the ground in Afghanistan," Kildee said. "Congress has a major role in U.S. foreign policy and oversight of this war, and it is important to understand operational and funding challenges as we continue to responsibly end the war and bring our troops home."
Kildee also met with service members from Michigan while in Afghanistan, where he had a chance to talk and spend time with them on the ground. He delivered Detroit Tigers flags as a reminder of home and a small memento to troops in appreciation of their service to our country.
"While in Afghanistan, I had the opportunity to spend time with troops, including service members from Michigan, to get their view of the situation on the ground," Kildee said. "As a member of Congress, my job every day is to represent my constituents, including service members serving abroad. It's especially important for me to hear from members of our armed forces first-hand to understand the challenges they face and how we can ensure they have the resources they need, both in combat zones and when they return home."
While in Afghanistan, Kildee attended a memorial service for his cousin, U.S. Army Spc. Joseph Dennis Johnson, who was killed in combat by an improvised explosive device in Kunduz, Afghanistan, on June 16, 2010.
Pfc. Gunnar R. Hotchkin, 31, from Naperville, Ill., was also killed in the same attack. Johnson, who was 24-years-old, was born in Flint and graduated from Carman- Ainsworth High School in 2004. He received the Combat Action Badge, Purple Heart, and Bronze Star, among several other medals and commendations.
"Like thousands of other military families who have lost a loved one while serving, my family, including Joe's parents Terri and Dennis, feels the human cost of war," Kildee said. "We will never forget the sacrifices of our fallen heroes or their families who paid the ultimate price for the freedoms we cherish as Americans every day."
Due to national security concerns, Congressman Kildee was asked not to make any public announcement of the official trip until he returned to the U.S. This was Kildee's first trip to Afghanistan as a Member of Congress. Other members of the official trip included Rep. Mike Rogers (R-Alabama) and Rep. Tulsi Gabbard (D-Hawaii). — Rhonda Sanders
More From News Go To The News Section
Rotary Student of the Month: Michael Benko
Area technicians receive Awards of Excellence from Goyette Mechanical


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Home » Celebrities » Julia Fox Talks Kanye West Romance, Denies It's A PR Stunt, & Discusses Working With Pete Davidson!
Julia Fox Talks Kanye West Romance, Denies It's A PR Stunt, & Discusses Working With Pete Davidson!
Julia Fox has had a crazy last few weeks — and now she's ready to REALLY open up about it!
The Uncut Gems actress took to her Spotify exclusive podcast Forbidden Fruits this week to discuss her romance with Kanye West, her early fandom of Kim Kardashian's reality TV empire, and what it was like to work on a photoshoot with Kim's new love Pete Davidson. Oh, boy, is there ever a lot to take in on this one!
Of course, Fox's new pod convo comes on the heels of Pim's most recent public outing — a dinner date with a sweet dessert treat out in El Lay.
We mention that because hours after Kim and Pete stepped out, Kanye struck back with his own public PDA sesh with Fox! NGL, it gave off some "staged for PR" vibes! Just saying!
So in speaking along with her co-host, Niki Takesh, it was good that the 31-year-old actress decided to open up a bit about her headline-grabbing romance with the 44-year-old rapper. And when Takesh prodded the star about her current status with Ye, Fox 'fessed up to the couple keeping things low-key even while not being shy about showing their love to the public:
"For right now, I'm just living in the moment and I don't have any expectations. There are no labels. None of that. It's just people that make each other feel better. It's really such a Gemini-Aquarius connection. It's very inspirational."
OK then!
The actress confirmed what others have long said about Ye, explaining that he is "really a genius." To that end, she reflected on his supposed quick-working mind and penchant for taking action:
"We keep up with each other, which is cool. Our minds, we both work very fast… I talk very fast and can have 10 trains of thought. What's really exciting about him is that any idea can become a reality, anything is possible, any dream is possible, and I love that. He's such a doer. He's like, 'Let's do it now! Don't wait.'"
Honestly, based on everything we've ever covered about the man, that perfectly sums up Ye! It's clear Julia is really into the recording artist and fashion designer, too. Nothing wrong with that! It's just, well, at one point in the podcast she said this about watching him lay down new tracks with Future:
"It's honestly just an honor to be in the presence and to be able to witness history happening. Even being in the studio with him and Future and listening to the new songs — which by the way are f**king insane — that's really cool. I love that."
Honey, this man already tried to make history recently and it was a s**t show. You can just love his music and appreciate it without going overboard about it!
Julia did dive into more serious topics, though. At one point, she reflected on the public's perception of Ye's mental health history, and likened it to some of her own struggles:
"Ye has been open about his mental health struggles and I feel like I have been as well. I feel like we need to destigmatize it, and stop shaming us. Like, what the hell? We didn't ask to be f**king born this way."
So maybe these two have more in common than what's readily apparent?
The Uncut Gems alum did allude to that a bit at one point in the talk with Takesh. After admitting that the press thinks her new relationship "came out of left field," Julia says close friends have actually been taking a different route:
"All the people that have in common have texted me and been like, 'Oh my God, this makes so much sense.'"
Interesting! Maybe there's more here than just a PR stunt or a quickie rebound revenge shot at Ye's estranged wife?? At one point, Julia balked at a previous characterization of her Keeping Up With The Kardashians fandom. As Perezcious readers will recall, Fox had previously gone on record (in a quote from a prior episode of this very same podcast series!) discussing how much she loves the KarJenner brand.
But now, she says… that's not the case?! At least, not to the degree that it's been made out on social media:
"Who wasn't a fan of the Kardashians, OK? I'm not like diehard, like 'stand in line in the cold,' or like 'go to, like, a store opening.' I don't even own one lip kit. Guys, it's not really that serious."
Hmmm… And yet she still very proudly modeled for SKIMS tho…
Just saying!
Speaking of photoshoots from 2019, Julia also owned up about some prior work she'd done with Kim's new boyfriend. Fox shot a spread with the Saturday Night Live star for Paper that year, which is interesting now that we all how these two romances are working out.
But Julia said there just isn't much more to her old shoot with Pete:
"It's funny to see where people go with their conspiracy theories. I love the Paper magazine cover of me and Pete, that shoot that we did and we're the Barbie dolls. That's really meta… We were all connected even prior, you know what I mean? We're all artists."
That's fair!
By the end of it all, Fox was pretty clear on arguing at least one thing: her relationship with Yeezy is not a PR stunt.
She explained:
"There's always people that think that every single celebrity scandal is a set up. I personally don't… He was with a reality star for a really long time. I feel like he's really open. He did say that he likes that I'm very expressive. I'm just living my f**king life, guys."
Well that's certainly one way to put it! What do y'all think of Julia's comments on her connection to Kanye??
Sound OFF with your thoughts on this couple down in the comments (below)!
Martin Clunes admits he had terrifying close call with aggressive sharks
So sad! Steph McGovern bids farewell to Packed Lunch co-star as they share last day


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Scholarships In Australia
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Home/application/Queensland University Law Scholarships for International Students in Australia 2022/2023
Queensland University Law Scholarships for International Students in Australia 2022/2023
You can start your study adventure anywhere in the world. Good news! Queensland University Law Scholarships are currently ongoing applications. In this article, we will explain more about this scholarship program, its worth, eligibility, and step by the step application process.
Queensland University Law Scholarships is a partially funded scholarship for international students. This scholarship is made available for master's studies. The Queensland University Law Scholarships for International Students is offering scholarships for exceptional students seeking admission into a coursework masters programs in law—the Master of Laws (LLM), the Master of International Law (MIL), and the Master of International Commercial Law (MICLaw) or dual degree programs.
Liveris Academy Undergraduate Scholarship in Australia 2021
International Students Scholarships at La Trobe University in Australia 2022/2023
The University of Queensland is a public research university that is first located in Brisbane, Australia. It was established in 1909 by the state parliament, Queensland University is Australia's fifth oldest university. The university is considered one of Australia's leading universities and is ranked as one of the most creditable in the world.
However, the main aim of the Scholarship is to encourage and support academic excellence in international students commencing undergraduate study in Law at the University of Queensland.
Worth of Queensland University Law Scholarships for International Students
These scholarships will cover 25% or 50% of tuition fees according to the recommendation of the Head.
The Queensland University Law Scholarships do not include travel expenses, living expenses, overseas health cover or the Student Services and Amenities Fee.
Tuition fees will be paid in two installments (one in semester one, and one in semester two).
Eligibility for Queensland University Law Scholarships for International Students
To be eligible for Queensland University Law Scholarships, each applicant must fulfill all of the following criteria below:
The required language for the scholarship is English.
All World Countries are qualified for the scholarship.
To be qualified, each applicant must have applied for a place as an international student and has not yet commenced at Queensland University or is enrolled at Queensland University as an undergraduate and wishes to commence postgraduate law studies.
To be eligible for this scholarship, applicants must also submit an application by the closing date in the format prescribed by the Head.
The candidate must not hold another scholarship that the Head considers to be similar.
Each candidate must also achieve a minimum GPA of at least 4.5 in the course.
The Scholarship will also be awarded to the scholar showing the greatest advantage as demonstrated by academic achievements, references, the candidate's interest in studying and pursuing a career in law, and any other matter the Scholarship Committee considers related.
How to Apply for Queensland University Law Scholarships for International Students
The candidate must first complete an application for a place at Queensland University from here.
As soon as you have an existing application with the university, or have received an offer, you can apply for a scholarship by submitting the online application form together with the following supporting documentation:
Official academic transcripts
A personal statement stating why you want, or have started, a career in law
Reach Oxford Scholarships in UK for Developing Country Students 2022
Fully Funded International Water Center Scholarships at Griffith University in Australia for 2022/2023
Hume Multiversity Tertiary Scholarship at Kangan Institute in Australia 2021
University Of Sydney China Postgraduate Research Scholarship for International Students in Australia 2022/2023
Fully-Funded Hospitality Placement Awards at ECU in Australia 2021
Fully Funded Maxwell King PhD Scholarships for International Students in Australia 2022/2023
Top Art Boarding Schools in USA
Fully funded Institute of Arab and Islamic Studies Scholarships at University of Exeter UK for 2022
Green Futures Postgraduate Taught Scholarships at University of Exeter UK for 2022/2023
Mathematics in Industry and Commerce Scholarships in PhD for Developing Countries at DAAD Germany for 2022
ETH Zurich Scholarships for International Students in Switzerland 2022/2023