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This story is set in Goa (and, interestingly—possibly because it was a remake of a Konkani film?—a Goa that has very few of the tropes most Hindi films associate with that state). We are introduced to Gopal (Bharat Bhushan), who teaches music to local children and makes very little money out of it. Gopal is painfully aware of just how hand-to-mouth existence is for him, his wife Sharda (Shalini Mardolkar, reprising her role from Nirmonn) and their three children, Mala, Sushil, and Geeta. He is in debt, for instance, to a local seth, and has had to mortgage his ramshackle home in order to pay off the seth.
Also part of the story is Vijay (Kamal Kapoor), a very wealthy man who has been childhood friends with Gopal. Gopal trusts and likes Vijay—is even open to, when Vijay insists, borrowing a small sum of money from the man—but Sharda hates him. This, it emerges, is because Vijay had once wanted to marry her; when she turned him down in preference for Gopal, he was so bitter and resentful that he started telling nasty tales about Sharda's morals—or lack of them. Even now, though he's friendly with Gopal and asks after Sharda and the children, Vijay has far from forgiven Sharda for having spurned him.
Things have been so bad for Gopal and family that Gopal has been searching for a job more lucrative than simply teaching music. He finally gets employment aboard a ship. He will be gone for perhaps a year, he tells Sharda; but at least he'll earn well, and once he's back, they will all be together again. Now, as a sort of send-off for him, the little family gets together and Gopal sings their favourite song: Jab-jab bahaar aayi aur phool muskuraaye. The children join in too, Gopal helping their little fingers find the correct keys on the piano.
Then Gopal leaves, and the family is heartbroken—but hopeful, too, because Papa will eventually be back.
Things are difficult, too, for Sharda as she tries to keep her home afloat, but she persists. Until one night, when—in a terrible storm—a gust of wind shakes Gopal's photo (hanging in its frame on the wall) and sends it crashing to the floor, shattering the glass. [Yes, we all know what that means].
And, sure enough, somewhere at sea, there's another horrible storm and the ship Gopal is on sinks.
When a worried Sharda hurries to the shipping company's office to ask if her husband is safe, a grim-faced employee gives her the list of survivors, with the sad news that Gopal's name is not on that list. He has drowned in the shipwreck.
Sharda is shattered, of course, but she barely has time to grieve, because there are her children to be looked after. The little money that she had is soon gone, and a desperate Sharda is reduced to looking for any work she can find. A labourer digging a hole scoffs at her when she asks for work: she should look for women's work, he says. And when Sharda asks a man for work—she will cook, clean, wash, anything—he asks suggestively if she really means anything.
Vijay comes by, and seeing Sharda's plight, suggests she marry him. After all, he has wanted her all these years. And now, without Gopal there, and with the children to be brought up, how will she manage? He is very wealthy; if she marries him, she and her children will never want for anything. Sharda refuses outright. She will not marry Vijay, no matter what.
To her surprise, the only other true friend the family has—Uncle Lobo, a poor and derelict drunk—also advises Sharda that she might be better off getting married. It's the only way out of this disaster. Sharda insists that she will manage, somehow. She has begun doing odd jobs—laundry for one woman, for example—and surely it is just a matter of time before money starts coming in.
But payments are slow to come, and there's not a grain left in the house. The children are so weak and desperate with hunger that little Sushil, while his mother is away trying to get payment due for the laundry, steals a pao from a vendor. He doesn't get caught, but when Sharda comes home and finds her three children sharing that one piece of bread –and looking guilty, trying to hide it away when they see her—she realizes that this has gone far enough.
So she goes to Vijay and tells him that yes, she will marry him.
With a few frames of the children dressed up and looking glum, and an equally somber Sharda getting married to Vijay, we skip forward a few years…
…to East Africa. Here, we see a bunch of children throwing stones at a bedraggled, bearded man (whom, if you look beyond the shrubbery, you can recognize as Gopal). The man is quickly rescued by someone from the local Indian community. It turns out that Gopal—not that anyone knows what his name is, since he's lost his memory—was found washed up on the shore years ago, and nobody knows who he is, though the man who's now rescued him from the belligerent children was the one who'd taken him in years ago and has sort-of-sheltered him ever since.
There is, sometime after this episode, a party of the local Indian community, at the nearby club. Gopal isn't invited, but happens to be in the vicinity, and therefore overhears a song that's being sung by a visiting Indian girl. It is Jab-jab bahaar aayi aur phool muskuraaye, and—as you'd have guessed, if you've seen a sufficient number of Hindi films—it jogs Gopal's memory. Especially when he bursts into the room and questions the surprised singer and her father. They tell him where she learnt the song (she was one of Gopal's young students years earlier in Goa).
Gopal's memories come rushing back, and all he can think of is how he must go back to Sharda and the children as soon as he possibly can. The singer's father is magnanimous enough to offer to pay for Gopal's fare back to Goa, so Gopal is soon on the ship…
…little aware that life has changed a lot for Sharda, Mala, Sushil and Geeta. They're all now, thanks to Sharda's having married Vijay, very well off. Geeta (a very pretty Farida Jalal, in what seems to have been her first role as an adult) is still, however, the same generous and kind-hearted person she had been as a little girl; Mala (Kajal) and Sushil (Sushil Kumar, of Dosti and Dhool ka Phool fame) still remember—as does Geeta—with fondness the song their father had taught them.
And Sharda, even though she wears a mask of wealthy gentility, has still not forgotten Gopal. And, as Geeta says in a moment of sorrow, has never smiled since the day they heard of Gopal's death.
But Gopal, even when he realizes how much his family still loves him, finds it hard to reveal himself to them. He knows how torn Sharda will be—and what of these bright young people, these near-strangers whom he loves so much? Will they be able to accept this poverty-stricken old man?
Taqdeer came as a pleasant surprise to me. This is an unusual film, unusual in that it steers clear of the typical romantic-youthful-love trope. There is love here, and lots of it, but it's the mature love, the understanding and mutual respect and trust between Gopal and Sharda; and it's the love of a father for his children, and vice-versa. The only hint of romantic love between young people is a very brief scene—a couple of short dialogues each—between Geeta and her boyfriend Suresh (Jalal Agha). That's it. No wooing, no courtship, no will-she-won't-she.
Also, Taqdeer is unusual in that while it's set in Goa, everybody speaks perfectly normal Hindi, and there are only two Christian characters who play brief roles in the film: Uncle Lobo, and a comic named Johnny Fernandes. That's it (and, by the way, both Uncle Lobo and Johnny also speak correct Hindi). This could, actually, have been a story set anywhere—and the universality of it is what speaks loud and clear.
What I liked about this film:
The simplicity of it, the somewhat unusual plot (as I've mentioned in the two paragraphs just preceding this), and the fairly good script. This is a touching little story, fairly well-told, with not many complications. It's more a story of emotion than of action, so if you're looking for a gripping plot, this isn't for you. It is also less melodramatic than most other 'family dramas' I've seen (I'm thinking AVM Productions, here).
Two songs. Laxmikant-Pyarelal composed the music for Taqdeer, and though none of the songs are outright bad, the one which really stands out is the beautiful Jab-jab bahaar aayi. It's lovely in all its three renditions: the one by Mohammad Rafi, Lata Mangeshkar's version, and the one by Usha Mangeshkar and Mahendra Kapoor. Another relatively little-known song, but a sweet one nevertheless, is Aaiye bahaar ko hum baant lein.
And, Farida Jalal. She is very pretty and I found her chemistry with Bharat Bhushan endearing.
The cinematography, too, is good—and there are some interesting little symbols here and there (not just that rather obvious one of Gopal's shattered photo). For instance, there's the broken cart, one wheel askew, which appears in the frame when a bereft Sharda—who thinks she's widowed—goes off to try and get some money to keep body and soul together.
The brief comic side plot about Johnny, a useless good for nothing whose only connection to the main characters is that he's constantly conning Suresh and Kishore (Mala's fiancé) of small amounts. This is a pretty pointless addition to the story and could easily have been done away with.
Also, after Sharda marries Vijay, we get to see close to nothing of what sort of relationship these two have. It's obvious, from later scenes, that Vijay has been a good father to her children—they even call him Papa—but how do the two of them get on?
This isn't one of those earth-shatteringly poignant films. It's not, by any means, a typical masala entertainer. But it's a fairly decent little film about family ties.
Posted in Dusted Off	| Tagged A Salaam, Bharat Bhushan, Bollywood, Farida Jalal, film review, Hindi cinema, Jalal Agha, Kajal, Kamal Kapoor, Laxmikant-Pyarelal, Nirmonn, remake, Shalini Mardolkar, Sushil Kumar, Taqdeer
47 thoughts on "Taqdeer (1967)"
Archana Kapoor
Wow, that was a detailed review! Must catch it some day! Thanks for sharing :)
Cheers, Archana
http://www.drishti.co
Thank you! Whenever you watch it (if you do), let me know what you thought of it. :-)
harveypam
Now, that sounds good. No clichéd characters. Okay, well only a few.
Will try to look this up!
Jalal Agha and Farida Jalal look so pretty. A pity, that both of them didn't get lead roles in HIndi films.
As usual well-written review! You seem to be really inspired by the movie!
Terence Lyons
Yes it sound good to whatever I read
I found this movie fairly surprising, Harvey. I hadn't been expecting much – Bharat Bhushan's not a favourite of mine, and I had never even heard of Shalini Mardolkar before, but I watched it for the song. And was pleasantly surprised, because it was such an unusual film. The end does become a little predictable, but still.
Songsstoriesbooksandmore
Nice review, as always, Madhu. Heard about this movie for the first time when you made your 'spring songs' post (though had heard the songs). Sounds like an interesting movie. Shall catch it sometime – more for a pretty Farida Jalal.
Yes, Harini – Farida Jalal is certainly a good reason to watch Taqdeer! She doesn't make an appearance until about halfway through the film, but after that, she's pretty much the focus of the film. And is very pretty, in that wholesome sort of way. Not a glamourpuss, just lovely.
Anu Warrier
This sounds very interesting, Madhu. (At least, your review makes it out to be… *grin* ) I have to watch it some time. Thanks for the recommendation.
Glad you liked the review, Anu! Taqdeer isn't one of those films I'd say you must watch (especially knowing our usual state of affairs – WDIGTT?!), but it's certainly far better – and different – than a lot of others.
The Animation Commendation
This was one of the first Indian movies I remember seeing, so this has HUGE nostalgic factor for me! I can remember all the songs and find myself singing them to myself every now and then: Jab Jab Bahar Aayee, Papa Jaldi Aaja Na, O Dilwalo Matwalo, etc. I literally can get teary-eyed just because of how much nostalgia I have for this movie.
And it is a good movie too.
Wow! That is – well, cool, I guess. :-) I hadn't even heard of Taqdeer till a couple of months back, and then when I found it and watched it, I wished it was better-known. It's certainly a good movie.
The first Hindi film I remember watching was CID. Very little of it made sense to me back then (I was about 9, I think, or possibly younger), but one scene – where Waheeda Rehman lies wounded in a hospital bed and Shakila sits in a chair while the criminal comes up behind her – made an indelible impression on me).
World of Cinema
When this film released I remember the song jab jab bahar was always airing on the radio and also the song papa jaldi aa jaana was a super hit. I was small so I obviously did not have much of a choice but to depend on my parents to take me. They did not see it neither did I but I remember whenever any of the filmwallahs came to our home, they praised Farida Jalal and Jalal Agha. He had just passed out of FTII and done this film and everyone in the industry was all praise for Agha Saab's son, truly he was a natural, unfortunately he did not live long.
As for the scene where Bharat Bhushan's photograph breaks, well how often have we laughed at such scenes that portend a disaster, well in my life just before my father passed away we saw such signs for real, one of them being a diya lit during Diwali slightly burned a piece of furniture, that was the last Diwali we celebr
Uh oh! What happened how did that incomplete comment get published? Any way as I was saying that was the last Diwali we celebrated with dad. I will not bore you with stories of the other signs. Sorry the entire comment above has appeared in italics, this is what happens when you are rushing.
Not a problem, Shilpi. I corrected the italics in your original comment; I hope you don't mind.
That's a sad little story about the diya burning a piece of furniture at Diwali before your father passed away. What other signs, by the way, if you don't mind sharing?
Actually, I suppose truth is stranger than fiction. I have an aunt – my father's sister – who occasionally dreams that she is being followed through her house by a snake that crawls on the ceiling. Every time she's had that dream, someone known to her has died. Very creepy. It is also very disturbing for her, as you can imagine.
Oh my goodness, that is really creepy and scary. .As for my father, what I can share is that during the one year before he passed away, in almost all his films he seemed to have a death scene. I remember my brother had taken some of our relatives – who were eager to see a film shoot- to a location shoot of Hum Tum Aur Woh the scene that was being enacted by my father and Vinod Khanna was my father's death scene. My father was then a hale and hearty man, in fact till his death he showed no sign of any ailment, but still while watching that scene my brother later told me that he had a sense of foreboding. Then there was this incident that happened during the making of Ankhon Ankhhon Mein, I mentioned it in my blog. We came to know about it from reports of it appearing in the press after my father passed away. My father had shot his death scene but it appears he was not fully satisfied, he called up J.Om Prakash the film's producer asking him whether he needed to re-shoot the scene, the producer said no it was fine, there was no need for him and a few days later my father re-enacted the scene for real. Obviously J.Om Prakash was affected by it and therefore mentioned it to the journalists.
Just reading that made my hair stand on end. What a sad set of coincidences.
You know, it's also another coincidence: just the other day I was thinking how it must be for elderly actors and actresses who end up playing dying characters in one production after the other (this actually resulted from my having watched a lot of Korean TV series and films, in most of which the same actors and actresses keep appearing – especially in the older roles). It made me think: Doesn't it get them depressed? Doesn't it keep reminding them of their mortaility?
It is Tasty Ma
I do not think so, I used to see my father doing these scenes in a rather routine manner, he appeared to be more concerned about his performance than about his mortality. I guess when you are young you do not think about death, but what did affect him was music director Jaikishan's death because Jaikishan was very young and coincidentally my father passed away 6 months later.
Oops forgot change my name, anyway you know it is me.
HA! HA! Once again.This is hilarious, so much for me taking care to give the name in accordance to your post, Funny.
No problem! I do know it's you, and it doesn't matter anyway – we have people here writing under all sorts of names. :-)
Yes, I'd heard too that Jaikishan had passed away at an early age. Hadn't known it was just 6 months before your father. That must have come as quite a blow. There is something particularly sad about someone dying before their time… you always wonder what all they could have achieved, how much more joy they could have brought the rest of us (and not merely their family and friends, but in cases like this, people whom they didn't even know) had they lived on.
Riaz Shaikh
Are you Tarun Bose' daughter?
I don't know if Shilpi will come back to this post, so I may as well answer on her behalf. Yes, she's Tarun Bose's daughter. She even has a wonderful blog documenting her father's career:
http://tarunbosencinema.blogspot.in/
rationalraj2000
Thanks for the review.It may be interesting to know that this film was dubbed in malayalam as "Vidhi" and in a small descripit village in Kerala ran for over 3 years! Its songs were very popular, the malayalam version sung by Yesudas.
I hadn't known that! Thank you for telling me.
I hadn't known that either! But I had heard S Janaki's version of Jab jab bahaar aaye, and had thought the tune was copied; I didn't realise this was from the dubbed film.
kokilagupta
I have seen a very pretty and chubby Farida Jalal in 'Aaradhna' and like dher a lot .Thanks for the links , I loved her here.. she is slimmer and pristine in the lesser known song about bahaar ….
A very nice review.. I agree with you on all points and appreciate the cart symbol you have pointed out . I might have missed it otherwise :)
Yes, Farida Jalal is really cute in Aradhana! And I liked her in Mahal and Majboor too. And Kaala Sona. The role in Taqdeer is probably the most significant of hers from all her early films that I've seen, and she's really lovely.
PS . so in the end Bharat Bhushan's character did not reveal himself ?
Spoiler ahead:
No, no. How can that happen in Hindi cinema? ;-) This one is different, but not that different. Towards the end it actually does veer off somewhat predictably – Gopal's children, having been children when he left, aren't able to recognise him, but both Sharda and Vijay come across him separately, and recognise him. So Vijay decides it's best to kill Gopal, and arranges for an 'accident' in a mine. But thanks to Gopal's son and future son-in-law, who suddenly discover who he is, he is saved. So the family is happily reunited in the end.
Spoiler ends.
"Now, as a sort of send-off for him, the little family gets together and Gopal sings their favourite song: Jab-jab bahaar aayi aur phool muskuraaye. "
I have had the exact same interest in this movie (the song Jab-Jab Bahar aayi is such a serene song!) However, the only deterrant for me was Bharatbhushan and the inherent sadness he brings with his presence (sorry, didn't mean to bash Bharatbhushan)
I always wondered about this beautiful and romantic song as to why Bharatbhushan looks so sad and why the tone is so poignant even when he is with his family. So, after reading your review now it makes sense why the mood of the song is depressing. However, to me the lyrics still don't fully make align with the mood. Is he talking about the future when he will miss her and the family? Why does he then say that I miss you when I see spring/flowers etc. (Jab-Jab bahar aayi, aur phool muksuraye, mujhe tum yaad aaye).
Is it just my quirky way of looking at things?
Heh. You will find no objections from me if you choose to bash Bharat Bhushan! ;-) There's something pretty mounrful about him at the best of times – he's one of those actors who can't seem to summon up a truly light-hearted smile no matter how cheery the situation. I do remember him being not too bad in a comedy opposite Anita Guha (I've forgotten which one, now), but that was about it.
I don't think the lyrics have much to do with the situation of the song, actually – just there for the sake of it, the sort of lyrics that should be taken in isolation from the situation.
HaI I wonder if the lyricist wrote the song for the situation where Gopal is all by himself and missing his wife and family but then the director chose to do it well before the intended situation. Anyway, who cares?
Rafi really put his heart and soul in the song!
It does sound like a decent movie though. . Might actually watch it.
That sounds like a plausible explanation! Actually, the song is so nice, I wouldn't be surprised if the director decided it was worthy of being repeated all through the film, even if it had been meant only for one occasion (of the three times it appears, only the third – the duet, when Gopal's now-adult children sing it – is appropriate to the lyrics).
Bharat Bhushan is in the league of predictable artists of bollywood:
Nirupa "Roye" -> Careless Mother
Nasir Hussain -> Born with a Weak Heart
Bharat Bhushan -> Prone to Injuries/Accidents (always seen with Band-aids mostly on forehead)
And bechaargi ki jeeti-jaagti moorat, Leela Chitnis. :-)
The list is getting longer..
I also agree with the Laxmi Pyare discussion started by Chris and your comment about not having an all-melodious movie album. Dosti was perhaps one exception where I liked all the songs from the movie. Still at times like you said I get surprised by some of the compositions they made. Beautiful songs like "Yeh Dil Tum Bin Kahin Lagta nahi" from Izzat but the rest of the songs from this movie are passe..
Yes, Dosti was one film which had one superb song after the other – excellent music, and complemented by great lyrics too. Parasmani too, while otherwise a totally whacky film, had an excellent score – in fact, I would say the only reason (unless you are keen on really tacky Hindi fantasy films!) to watch it is the music.
There is a Bengali movie called Mayar Sansar (1962). I saw it as a kid so memories are a bit hazy but as far as I remember it had the same story line.
I'll try and look out for it. Of all the Bengali films I've seen that were remade in Hindi, I've invariably found the Bengali version to be superior, so I'm curious.
This film is a direct scene to scene remake of the Konkani film , not any Bengali film and 'Nirmonn' also means "fate" in Konkani.
The storyline of the Bengali film could be same maybe because all these films are based on this?
http://en.wikipedia.org/wiki/Enoch_Arden
Ah. i had absolutely no idea about the existence of Enoch Arden. Yes, that of course would account for the similarity in storyline between the Bengali film and Nirmonn/Taqdeer.
A nice film and good review. Bharat Bhushan was 47 when this film released. He did look old when he is supposed to be a young man. I probably won't have liked this film if that had continued for the whole film.
Was the music of 'Jab Jab bahaar aayi' inspired from its equivalent in Nirmonn "Claudia' (https://youtu.be/4uvbIB8WpA0) ?
I like a lot of their music but Laxmikant Pyarelal have been rather lucky in surviving scrutiny for their copied tunes (the famous music of Rishi Kapoor's Karz for instance) , their bad music post the 70s – they were very busy till the early 90s – but somehow went under the radar and above all , their insistence in using the aging voice of Lataji ( with due respect , I can't handle her duets of a certain era , no matter how great the music was!).
I had listened to Claudia when I was writing this review, because I wanted to see if there was any similarity. While there is a marked similarity in the picturisation – down to camera angles, etc, both in the male version of the song and the later duet (picturised, in Taqdeer, on Farida Jalal, Sushil Kumar and Kajal), I didn't think the music was at all similar.
I have to admit Laxmikant-Pyarelal aren't among my favourite music directors of the 60s. True, they did have some very good scores, but they are the sort of composers for whom I end up liking maybe one or two songs from a film, not like SD Burman, OP Nayyar, Salil Chaudhary, Madan Mohan or Ravi, who could give you a film full of one fabulous song after another…. and I completely agree with you re: Lata's later songs. Really, the mere thought of some of those horrible late 80s and 90s songs gives me the shivers.
Neeru
Interestingly enough, I watched the movie too because of jab jab bahar aayi. I have it in one of those old song collection videos and was always curious about the movie. I really liked your review. Yes, I wondered too about the relationship between Vijay and Sharda. She always seems cold towards him, yet he has never hated her children. They seemed be well taken care of.
I had also always liked the papa kadi aa Jana song, just did not know it was from this movie. The line " guidiya chahe na laana, papa jaldi aa jana" says volumes about the love the kids had for their father. That is what I liked about the film. The strong bond between the family members.
Thank you for commenting, Neeru! Frankly, at first glance, the only thing that seemed attractive to me about Taqdeer was Jab-jab bahaar aayi: I don't like Bharat Bhushan, I had never heard of Shalini Mardolkar, and I missed seeing Farida Jalal's name in the cast on the Youtube page. So I basically began watching this film just for the song – and what a pleasant surprise it turned out to be. As you point out, such a good example of the strong bond between family members.
URMAN
No one mentioned the reason for simplicity… It is Rajashree production.. Tarachand Badjatya always went for simple stories
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Uglaševanje je slovenski dramski film iz leta 2006 v režiji Igorja Šterka po scenariju Šterka in Siniše Dragina. Peter in Katarina se po petnajstih letih v zakonu soočata z osebno krizo. Film je prejel glavno nagrado na Mednarodnem filmskem festivalu Mannheim-Heidelberg, bil je tudi nominiran za nagradi Grand Prix na Mednarodnem filmskem festivalu v Ghentu in kristalni globus na Mednarodnem filmskem festivalu v Karlovih Varih. Na Festivalu slovenskega filma je bil nagrajen za najboljši film po mnenju kritikov, režijo (Igor Šterk) ter glavno moško (Peter Musevski) in žensko vlogo (Nataša Burger).

Igralci
 Nataša Burger kot Katarina
 Tomi Janežič
 Polona Juh kot Manca
 Ana Kerin kot starejša hči
 Peter Musevski kot Peter
 Andraž Polič kot Matjaž
 Taja Strle kot mlajša hči

Sklici

Glej tudi
 Seznam slovenskih filmov

Zunanje povezave

Filmi leta 2006
Slovenski dramski filmi
Filmi v režiji Igorja Šterka

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Jun 14, 2018JooHyeon Heo Public Relations Team
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The 'Multifunctional Hybrid Crystalline Semiconductor' is a new type of semiconducto, designed to achieve greater energy efficiency and energy cost savings. This was a research topic proposed by Distinguished Professor Sang Il Seok in the School Energy and Chemical Engineering at UNIST and has recently been selected as the 2018 Leading Researchers Project.
The Leading Researchers Program (Known as Cretive Research) by the Ministry of Science and ICT (MSIT) aims to intensively support in-depth research by world-class researchers in order to advance novel scientific knowledge and develop new technologies. Currently, this is the largest research program that provides comprehensive support for individual world-class researchers to deveop creative and original research projects. This year, only 10 research groups have been selected for funding out of 84 proposals submitted.
The multifunctional hybrid crystal semiconductor project, which is currently in progress by Professor Seok and his research team, is a device that turns various energy sources, such as light, heat, vibration, and pressure into electrical energy. Because it is capable of converting various types of nearby energy sources into electricity, it is expected to serve as a mobile power source that can charge electronic gadgets anywhere and anytime. There is a keen interest on how this would revolutionize the future of electronic devices, including wearable sensors and displays.
"We plan on implementing an integrated energy harvesting device that has a similar structure to silicon semiconductors," says Professor Seok. "Through the process of understanding the basic properties of hybrid crystal semiconductors and its application process, academic and technological advancements are also expected."
Study of metabolic stress, an origin of all illenesses
The Cellular Responses to Metabolic Stress Research Center (CRMSRC) has been selected as the 2018 Advanced Research Center Program. With 1.56 billion won in funding for the next 7 years, the center will provide the technological base for the treatment of cancer that are incurable, non-responsive to conventional therapies, as well as for the treatment of diabetes in response to metabolic stress.
"Cancer and diabetes occur in the response to metabolic stress," says Professor Hyug Moo Kwon, Director of the Cellular Reponses to Metabolic Stress Research Center. "Understanding the basic principles of cellular responses to metabolic stress will help accelerate the development of new diagnostic and therapeutic drugs."
The Advanced Research Center Program aims to identify and support research groups equipped with world-class creativity and excellence and to develop them into a reservoir of creativity with the capacity to solve scientific challenges and resolve social issues, thus facilitating the advancement of national R&D.
Organized by the NRF and the Ministry of Science and ICT, the program currently provides supports for the following areas: Science Research Center (SRC), Engineering Research Center (ERC), Medical Research Center (MRC), and Convergence Research Center (CRC). This year, only 25 research groups have been selected for funding out of 93 proposals submitted.
Combatting cancer with cell signaling
The Center for Cell to Cell Communication in Cancers (C5) has been selected as the 2018 University-Centered Labs in Science and Engineering. The center will receive up to KRW 5.9 billion in funding from the government (KRW 5 billion) and Ulsan city (KRW 900 million) for the next 9 years (3+3+3 years) and will serve as a base for cancer control research.
The center plans to carry out cancer research in a different way than most cancer researches, which are directed at the cancer cells themselves. The purpose of this project is to clarify the principle of transmitting and receiving signals between cancer cells and other peripheral cells, and to clarify the working principle of 'cancer microenvironment'.
"If there is a problem in the signal transmission at the molecular level within the cell or between the cells, it could lead to various diseases including cancer," says Professor Sebyung Kang, Director of C5. "Nano-biotechnology and advanced imaging equipment will help to foster cross-disciplinary convergence and grow related personnel." He adds, "This will also contribute greatly to building the medical technology-intensive industry, which Ulsan is actively promoting."
Meanwhile, the University-Centered Labs in Science and Engineering is one of the group research projects, which aims to establish research base in universities and to induce specialization and specialization of university research institutes. The central research institute established in the university contributes to fostering new researchers.
Novel Method to Determine Mechanical Stiffness and Strength of Centimeter-Scale Atom Thick Graphene
Professor Robert J. Mitchell Appeared on ASM's Podcast
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[Meet the President] President Yong Hoon Lee on Science and Technology Education
2023 New Year's Greeting from the President
UNIST Accredited with ISO 45001 Certification!
Researchers Present an Outline to Identify New Functional Porous Materials
[AZoM] Mar.,11, 2022
Researchers develop efficient solar cell technology by mimicking plants' photosynthesis process
[AJU Business Daily] Feb.,28, 2022
Comprehensive Cancer Treatment Technique Developed by IBS and UNIST
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Whistling Swan 11 is a gorgeous, five bedroom home that is located just one row back from the ocean, offers a private pool and is located next to the beach path.
The gourmet kitchen, spacious great room and downstairs poolside den with wet bar and refrigerator create a perfect setting for your vacation get-together. This home offers a living area on both the first and second floors. Outside, enjoy a refreshing swim in the private pool (unable to be heated) or relax dine outside on the outdoor furniture. Downstairs you will find the first bedroom with a king bed and flat screen TV. Joined by a Jack and Jill bathroom is bedroom two with a twin bunk plus a twin daybed that offers a twin pull out trundle and also has a flat screen television.
The poolside living area on this level features a bar area to entertain as well as a flat screen television and two twin sleeper sofas. Upstairs you will find the master bedroom with a king bed, private balcony access, and large private bathroom with a walk in shower and garden tub. Bedroom four has a king bed, private bath and flat screen TV. The final bedroom upstairs has a twin bunk and trundle. It also features a private bathroom and flat screen television. Beach Access Information: Guests often access the beach via the Sea Pines Beach Club, which offers restaurants, a beach bar and restroom facilities.
The Beach Club is free to use, but not accessible for our guests to park in the lot during Easter or RBC Weeks and Memorial Day through Labor Day; you may still access the Club by bicycle or Trolley. An alternative beach parking option is Coligny Beach Park - located outside the back gate of Sea Pines. Coligny has restrooms, changing rooms and a fun splash pad for kids. Sea Pines is the largest and best known of the Island's vacation destinations, this 5,000-acre resort includes the Harbour Town Links of the RBC Heritage fame, as well as Hilton Head's iconic candy-striped lighthouse.
Guided horseback rides with Lawton Stables Equestrian Center take guests into the 605-acre forest preserve, while the bustling marinas at South Beach and Harbour Town offer shopping, dolphin cruises, kayak rentals and sunset dinners. Sea Pines is bordered by both the Atlantic Ocean and the Calibogue Sound, providing miles of unspoiled beachfront access.


Rough and Scratchy, Great for exfoliating body.
SoapQuest Review: This Magnesium Soap was a real treat to use. It was almost like using sandpaper on your skin, kind of rough and scratchy. Starts off rough when the soap is dry and once you get it wet it will soften up a bit but will continue to feel gritty. This is another one of those soaps that I used for pre-shaves because it helps with ingrown hairs. It's not a great soap for washing your face because it can leave you with scratch marks if applied to vigorously.
Magnesium is suppose to help with joints as well. You can actually buy magnesium in powder form at your local health food store. Add it to your bath like you would with bath salts for an all around body sensation. The healing properties of magnesium chloride are pretty extensive so I recommend you check it out yourself further. I really like using soaps with earthly minerals because it feels as though mother nature is cleaning you naturally.
Magnesium Body Wash And Soap by life-flo.
Magnesium Soap from Life-flo description: Containing magnesium from the Ancient Zechstein Seabed, this highly concentrated soap is easy to use and helps to gently cleanse and soothe skin. This soap is formulated with coconut and avocado oil for all skin types, has no unpleasant odor, and can be used daily.


Walking into Gurhan's booth at the 2011 Couture Show is a gold lover's dream. The walls are literally covered in gold jewelry. The booth was bustling with activity, as retailers were placing orders for the season. The Gurhan team was warm and welcoming, and Gurhan was there to chat with buyers and press. I had the pleasure of speaking with him about the Pricescope community, our fabulous gold lovers thread, and camera equipment and techniques! He is passionate about photography. The jewelry was incredible, classic Gurhan-bold and gold. Exquisite Australian opals, mabe pearls, a variety of cabochon gems, and micro mosaics framed in hammered gold were featured in rings, bracelets, and pendants. Hammered 24k gold link necklaces and bracelets and luxurious pieces in gold and diamonds beckoned to adorn. Enjoy Gurhan from Couture 2011.
Special thanks to the Gurhan team for taking time with me and letting me shoot their beautiful jewels.


text:
Sunderland Council recently launched a £1 million redevelopment project to landscape and create a permanent outdoor footprint at St. Peter's Church in Wearmouth. The church was built in 674AD and was the home and study place of the Venerable Bede; therefore it was important that the project adequately reflected the cultural and historical significance of the site.
The Council consequently commissioned local artist Simon Watkinson to do justice to this revered site and its new creation, who found inspiration for the project in two key areas:
While conducting in-depth research into the history and archaeology of St. Peter's, Simon discovered that that the founder of St. Peter's, Benedict Biscop, travelled to Rome six times over the course of his life, which seemed an extraordinary journey for someone living in the late 7th This gave Simon the inspiration to design a timeline that would allow people to "walk the life" of Biscop and his influence on the building.
The second major design influence on the project was an installation that Simon had seen while visiting an Emperor's Garden, Sento Gosho, in Kyoto, Japan. This seemingly unremarkable project was a floor installation that featured a cobbled beach. What made the project so interesting was that the cobbles had actually been cast with real stones collected from the foot of Mount Fuji.
The idea of a communal art project was born, which would not only commemorate this landmark site, but also involve local communities and Sunderland assets in its creation.
Simon's idea was to create a "path" of key points in history relating to St. Peter's and its famous residents. Visitors would be able to walk around the gardens and read all about how this historic site had been built and used throughout the years. Each moment in history would be framed by local cobbles from Roker beach, which would be collected by children from local schools.
Key to the success of this project was to ensure that the material from which the path was made was durable, workable and attractive. Simon needed a reliable supplier, who would be able to provide his paving slabs from such a material.
Specialist Castings were subsequently contacted and asked if they could help. Immediately they could offer the perfect solution in their production and experience of working with cast aluminium. Hard-wearing, long-lasting with excellent weathering characteristics, aluminium was the perfect choice. Specialist Castings 75 years' experience in casting with aluminium meant that they could offer guidance and expertise to the artist in how best this material could be used.
The local casting company worked alongside the artist to create the full series of slabs to be used within the installation, working in intricate detail to ensure the artistic vision was fully realised. The text on each panel highlights the significant moments of Biscop's life and travels and Simon said, "I saw this as a reflection of the simple life of monks on their journeys across Europe, collecting relics for the church."
The casting process involved creating the required elements for the slab, which in this instance consisted of text/images of key points in the site's history, along with the cobbles collected by local pupils. Each design was made up of the different elements, before being transformed into a mould for the aluminium. The UK-based foundry then used a specified mix of aluminium alloy from which to create the end castings.
The result was a perfect collaboration between designer and manufacturer, with the installation now fully installed and enjoyed by the countless visitors who come to St. Peter's every year.
Siobhan Carton, deputy head teacher from St. Mary's RC Primary School said "The children really enjoyed collecting and decorating the pebbles.". Simon said, "This gave them both a strong sense of ownership of the works and a history lesson to boot!"


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When it comes to water damage to a residential or commercial property, there is more than meets the eye.
1. Water is capable of dissolving a variety of different substances. In fact, water is known as the "universal solvent" because it dissolves more substances than any other liquid.
2. A sheet of drywall standing upright with its edge sitting in a ½" of water can wick water up to 6 inches in less than three hours.
3. Mold typically begins to grow in 24 to 48 hours in an untreated moist environment.
4. A good indication of a failing hot water heater is a puddle of water underneath it, indicating a slow leak, or rusted or corroded fittings on the top of the heater. If you don't investigate the leak ASAP, you may quickly flood your home because water heaters are under a great deal of water pressure.
Category One – Water from a clean water source with no substantial risk of causing sickness or discomfort. Examples include water from a broken water supply pipe or an overflowing bath tub.
Category Two – Water that has a significant degree of chemical, biological, and/or physical contamination. Examples include water from aquariums, dishwasher or clothes washer leaks, and water entering the structure from below grade. Discharged Category One water that sits untreated more for more than 24 hours becomes Category Two.
Category Three – Water emanating from a grossly unsanitary source or carrying disease causing agents. Examples include discharges from sewer or septic systems/pipes and flood waters. Discharged Category One water that sits more for more than 48 hours becomes Category Three. Discharged Category Two water that sits more for more than 24 hours becomes Category Three.
Sanitizers – Designed to reduce the number of microorganisms.
Disinfectants – Designed to destroy or inhibit the growth of microorganisms but not necessarily their spores.
Sterilizer – Designed to destroy all microorganisms (fungi/molds, bacteria, viruses, etc.) and their spores.
 14 cubic feet of air weighs 1 lb.
 1 gallon of water weighs 8.34 lbs.
 7.48 gallons in a cubic foot.
 1 cubic foot of water weighs 62.4 lbs.
No need to remember all of this scientific stuff, at Massaro Restoration Services we put our expert knowledge to work in getting you quickly back to normal after a water loss disaster.
I knew water dissolved a lot of things, but I didn't know it dissolves more than any other liquid. That's pretty cool. I also didn't know that mold can get started so soon, but then again, I don't live in a moist environment. Thanks for all of the info!
I thought it was interesting that the article points out that water is a universal solvent and can break down almost anything. I can see why it can cause so much damage if allowed to sit. I would imagine that repairing the damage could take a long time, but finding a company that can take care of it is great.
Excellent source of information for anyone. Mold can be very dangerous and this identifies how it starts. Not everyone knows how to check for these things. Thanks for sharing.
This is a really cool experiment, gives us some ideas and Tips for Handling Fire Damage Before Professionals Get There. Thanks for the post.
I appreciate that you point out that mold typically begins to grow in 24 to 48 hours in an untreated moist environment. I can see why this would be so important to know so that you can get the issue quickly taken care of. You might even think of what things you need to move quickly so that they don't get ruined beyond repair. I'm thinking these would be any electronics, books, or furniture.
Thank you for the definition of micro organism controllers. You'll probably want a sterilizer to prevent mold. Water can cause structural and health risks.
My fiance and I are experiencing some water damage in our home and we need to get a service to help us fix it. We had no idea that there were three types of water contamination in the restoration industry. This is also something we would like checked out by the service we hire.
Thanks for the information! I wasn't aware that water dissolved more substances than any other liquid. If my house encountered water damage, I'd definitely call a professional immediately. It's also to make sure no further damage occurs.
It's astounding to learn that there are three categories of water contamination defined in the restoration industry, with category three being the most hazardous. I'll be sure to take notes of this and use this as a reference for the future. As for now, I'll try looking for a good service to help out with our category one. Thanks for the indulging article!
I think I got a category 2 damage degree when a roof leak completely damaged a good portion of our ceiling. It rotted the wood and went right through the paint. Ended up being a huge headache and took forever, but at least our insurance company stepped in.
I've been wanting to get some water damage services, and I think that being able to get some tips would be nice. I like that you pointed out that there's different levels of water contamination you should know. I'm going to have to see if we can get help from some local water damage services and see what we can find!
I never knew that there are three categories of water damage, and I think my sister's house is under the first category. As you mentioned, it is when there is water damage due to broken pipes which can cause discomfort for the people living in the house. From what I heard, her husband noticed the flooding in their kitchen this evening and tried to look for the cause by following the flow. He found out that there was a broken pipe under the sink. Thanks!


text:
Tarana Burke Wiki: 4 Facts to Know about the #MeToo Founder
By: Dontei Wynter - Published: December 6, 2017 at 3:46 pm
Photo: David McNew / Stringer / Getty Images
On Wednesday, Time's Person of the Year 2017 honor didn't go to just one person, but several! One of the people honored was Tarana Burke, the #MeToo founder and activist. If you want to learn more about her and the story behind the viral hashtag, then take a look at our Tarana Burke wiki.
Who Started #MeToo?
Tarana Burke's age is 44 and she was born on September 12, 1973, in New York City, New York. She has a teenaged daughter and is the program director of Girls for Gender Equality, in Brooklyn. While many have given credit to actress Alyssa Milano, the original creator of the #MeToo movement was Tarana Burke. The hashtag was started by Burke over a decade ago, after her experience with sexual violence.
"I have to admit that when actress Alyssa Milano first tweeted #MeToo, my initial reaction was panic," Burke said in an op-ed for Glamour. "What if this becomes a popular hashtag, I thought, but it's not related to the groundwork I laid out? You see, I first came up with the phrase in 2006, after an experience with sexual violence left me searching for the right words. Ever since, I've gone to schools and community groups all over to connect with young women—mostly black and brown girls—to let them know, "You're not alone. This happened to me too."
Burke was also worried about credit being misplaced and while Milano did draw attention to the movement's original founder, the issue of whitewashing was introduced into conversations.
"In this instance, the celebrities who popularized the hashtag didn't take a moment to see if there was work already being done, but they also were trying to make a larger point," Burke told Ebony. "I don't fault them for that part; I don't think it was intentional, but somehow sisters still managed to get diminished or erased in these situations. A slew of people raised their voices so that that didn't happen."
What's the Future of #MeToo?
For Burke, the movement goes beyond just a hashtag. Not only does she want to spread awareness, but she also hopes to help women after they've come forward.
"To me, 2018 will be all about processing #MeToo. The next step in the movement will be helping women navigate what happens after they disclose an experience. It's about what happens if someone posts #MeToo and nobody "likes" their status and how to be advocates in our communities. How to talk to children about this. Discussing the sexual harassment teenagers deal with in school."
Highlight of my weekend was hearing her mention 'me too.' and talk about fighting sexual violence. #metooMVMT #womensconvention2017
A post shared by Tarana J. Burke (@taranajaneen) on Oct 28, 2017 at 3:53pm PDT
Tarana Burke's Instagram
If you want to get a better look into Burke's life and what she's like, then head over to her Instagram (fortyisthenew40). She posts photos of her family, friends, travels and her work. She uses her social media account as an outlet to share all the things that are dear to her heart and pays homage to strong and powerful women. Leading by example and providing an amazing message for the future generations, it's no surprise that Time nominated Burke to be on their list.
Deeply honored to be named a @politico Woman of Impact for 2017 and to speak at the Women Rule Summit!
A post shared by Tarana J. Burke (@taranajaneen) on Dec 5, 2017 at 4:05pm PST
Burke shared Time's annual Person of the Year with celebrities like Alyssa Milano, Ashley Judd, Taylor Swift, Terry Crews, and more. They are known as "The Silence Breakers" and they represent the women and men who spoke openly about their experiences with sexual assault or harassment.
"This is the fastest moving social change that we've seen in decades and it began with individual acts of courage of hundreds of women, and some men, too, who came forward to tell their own stories of sexual harassment and assault," Time editor-in-chief Edward Felsenthal said on the Today show.
The Silence Breakers are TIME's Person of the Year 2017. Read the full story on TIME.com. Photographs and cover composite by Billy & Hells for TIME; animation by @brobeldesign. #TIMEPOY
A post shared by TIME (@time) on Dec 6, 2017 at 4:35am PST


text:
Q: dropdown display just js I have a few dropdown lists that are by javascript and it is working fine.
The question is how do I display out the title of the first dropdown.
I have commented on the place that cant work
var h = document.getElementById("createSelect");
var textdisplay = h.options[h.selectedIndex].text;

A: I did the following modifications/enhancements in your code:
(I know that doesn't answer the question for the moment, but I am waiting for your clarifications.)

*

*Changed id to className, as you shouldn't have multiple identical ids,

*Moved the arrays outside of their functions,

*Removed the "duplicate" functions and added a second parameter to the remaining one.

See snippet with my comments for more details:

var rowNumber = 0;

// TAKIT: Moved arrays outside of the functions,
// as the functions were similar we'll be only using one!
// (We could rename those arrays to have a meaningfull variable name)
var array1 = [{
    title: "10",
    value: "return 10;"
  },
  {
    title: "20",
    value: "return 20;"
  },
  {
    title: "30",
    value: "return 30;"
  },
  {
    title: "40",
    value: "return 40;"
  },
  {
    title: "50",
    value: "50;"
  },
  {
    title: "60",
    value: "60;"
  },
  {
    title: "70",
    value: "70;"
  },
  {
    title: "80",
    value: "return Math.min(Math.max((3/-500*supposearea + 103.7),50.5),60);"
  }
];

var array2 = [{
    title: "Original",
    value: "0.65"
  },
  {
    title: "35% Discount",
    value: "1"
  }
];

var array3 = [{
    title: "No Soil",
    value: "return 0;"
  },
  {
    title: "Soil",
    value: "165.3;"
  }
];

// TAKIT: Added 2nd parameter in this function
function createSelect(tag, array) {
  var select = document.createElement("select");
  select.className = "select-" + rowNumber; // TAKIT: Changed .id to .className
  tag.appendChild(select);
  // Append the options
  for (var i = 0; i < array.length; i++) {
    var option = document.createElement("option");
    option.value = array[i].value;
    option.text = array[i].title;
    select.appendChild(option);
  }
}

// TAKIT: Removed the other createSelect1 and 2 functions, they were similar

function add_field() {
  var p = document.createElement("p");
  p.setAttribute("id", "input_text" + rowNumber + "_wrapper");
  var input1 = document.createElement("input");
  input1.setAttribute("type", "text");
  input1.setAttribute("class", "input_text");
  input1.setAttribute("id", "inp1-" + rowNumber);
  p.appendChild(input1);

  var input2 = document.createElement("input");
  input2.setAttribute("type", "text");
  input2.setAttribute("class", "input_text");
  input2.setAttribute("id", "inp2-" + rowNumber);
  p.appendChild(input2);

  // TAKIT: Using the same function for the 3 lines below, with the new 2nd parameter
  createSelect(p, array1);
  createSelect(p, array2);
  createSelect(p, array3);

  var btn = document.createElement("input");
  btn.setAttribute("type", "button");
  btn.setAttribute("value", "Remove");
  btn.setAttribute("onclick", 'remove_field("input_text' + rowNumber + '_wrapper")');
  p.appendChild(btn);

  document.getElementById("field_div").appendChild(p);
  rowNumber++;
}

function remove_field(id) {
  document.getElementById(id).innerHTML = "";
  calculate();
}

function calculate() {
  var answer = 0;
  document.getElementById("Result").innerHTML = "";
  var ps = document.getElementById('field_div').getElementsByTagName('p');
  for (var i = 0; i < ps.length; i++) {
    if (ps[i].childNodes.length == 0) continue;
    var length = ps[i].childNodes[0].value;
    var width = ps[i].childNodes[1].value;
    var area = length * width;

    var fId = ps[i].childNodes[2].value;
    var func = new Function("supposearea", fId);

    var discount = ps[i].childNodes[3].value;

    var funcId = ps[i].childNodes[4].value;
    var soil = new Function("areas", funcId);

    var amount = area * (func(area));
    var soilamount = area * (soil(area));

    // -- CANNOT WORK -----------------------------------
    var h = document.getElementById("createSelect"); // TAKIT: null, because id "createSelect" doesn't exist. What are you trying to do?
    var textdisplay = h.options[h.selectedIndex].text;

    // -- PLS CHECK CHECK HERE --------------------------
    var statement;
    if (soilamount < 1) {
      statement = "Total Impe ";
    } else {
      statement = "Got Soil";
    }

    document.getElementById("Result").innerHTML +=
      "Answer " + ++answer + ") " + area + " ----" + func(area) + '
' + amount / discount + '
' + soilamount + "
";
    document.getElementById("Result1").innerHTML += statement;

  }
}

    <input type="button" value="Grass" onclick="add_field();">

<button type="button" onclick="calculate()">Calculate</button>

Feel free to comment for any modification.
Hope it helps, anyway!

A: Create a function which receives an array and a string and return title of spesific item. like this
function getTitle(arr, val) {
  var item = arr.find(function(itm) {
    return itm['value'] == val;
  });
  return item['title'];
}

Use this function for array you want. for example title of first array
var textdisplay = getTitle(arr1, fId);

And add that where you want as output
document.getElementById("Result").innerHTML +=
  "Answer " +
  ++answer +
  ") " +
  area +
  " ----" +
  func(area) +
  "
" +
  amount / discount +
  "
" +
  soilamount +
  "
" +
  textdisplay;

Use this code.

var rowNumber = 0;
var arr1 = [{
    title: "10mm",
    value: "return 2;"
  },
  {
    title: "20mm",
    value: "return 2;"
  },
  {
    title: "30mm",
    value: "return 3;"
  },
  {
    title: "40mm",
    value: "return 4;"
  },

  {
    title: "title 1",
    value: "return Math.min( Math.max(2 / 100 * supposearea + 11.7222222222222, 9.5), 11.5 );"
  },
  {
    title: "title 2",
    value: "return Math.min(Math.max(2 / 100 * supposearea + 10.2222222222222, 8), 10);"
  },
  {
    title: "title 3",
    value: "return Math.min( Math.max(2 / 200 * supposearea + 11.7222222222222, 9.5), 11.5 );"
  },
  {
    title: "title 4",
    value: "return Math.min(Math.max((2/200*supposearea + 13.7222222222222),11.5),13.5);"
  }
];
var arr2 = [{
    title: "Original",
    value: "0.65"
  },
  {
    title: "35% Discount",
    value: "1"
  }
];
var arr3 = [{
    title: "No Soil",
    value: "return 0;"
  },
  {
    title: "Soil",
    value: "return Math.min(Math.max((2*(areas) + 3), 2),4);"
  }
];

function createSelect(tag, id, array) {
  var select = document.createElement("select");
  select.id = id + "-" + rowNumber;

  tag.appendChild(select);

  //Create and append the options
  for (var i = 0; i < array.length; i++) {
    var option = document.createElement("option");
    option.value = array[i].value;
    option.text = array[i].title;
    select.appendChild(option);
  }
}

function getTitle(arr, val) {
  var item = arr.find(function(itm) {
    return itm['value'] == val;
  });
  return item['title'];
}

function add_field() {
  var p = document.createElement("p");
  p.setAttribute("id", "input_text" + rowNumber + "_wrapper");
  var input1 = document.createElement("input");
  input1.setAttribute("type", "text");
  input1.setAttribute("class", "input_text");
  input1.setAttribute("id", "inp1-" + rowNumber);
  p.appendChild(input1);

  var input2 = document.createElement("input");
  input2.setAttribute("type", "text");
  input2.setAttribute("class", "input_text");
  input2.setAttribute("id", "inp2-" + rowNumber);
  p.appendChild(input2);

  createSelect(p, 'sel1', arr1);
  createSelect(p, 'sel2', arr2);
  createSelect(p, 'sel3', arr3);

  var btn = document.createElement("input");
  btn.setAttribute("type", "button");
  btn.setAttribute("value", "Remove");
  btn.setAttribute(
    "onclick",
    'remove_field("input_text' + rowNumber + '_wrapper")'
  );
  p.appendChild(btn);

  document.getElementById("field_div").appendChild(p);
  rowNumber++;
}

function remove_field(id) {
  document.getElementById(id).innerHTML = "";
  calculate();
}

function calculate() {
  var answer = 0;
  document.getElementById("Result").innerHTML = "";
  var ps = document.getElementById("field_div").getElementsByTagName("p");
  for (var i = 0; i < ps.length; i++) {
    if (ps[i].childNodes.length == 0) continue;
    var length = ps[i].childNodes[0].value;
    var width = ps[i].childNodes[1].value;
    var area = length * width;

    var fId = ps[i].childNodes[2].value;
    var func = new Function("supposearea", fId);

    var discount = ps[i].childNodes[3].value;

    var funcId = ps[i].childNodes[4].value;
    var soil = new Function("areas", funcId);

    var amount = area * func(area);
    var soilamount = area * soil(area);

    // ---- CANNOT WORK
    var textdisplay = getTitle(arr1, fId);
    // -- PLS CHECK CHECK HERE----------------------------------------------->
    var statement;
    if (soilamount < 1) {
      statement = "Total Impe ";
    } else {
      statement = "Got Soil";
    }

    document.getElementById("Result").innerHTML +=
      "Answer " +
      ++answer +
      ") " +
      area +
      " ----" +
      func(area) +
      "
" +
      amount / discount +
      "
" +
      soilamount +
      "
" +
      textdisplay;
    document.getElementById("Result1").innerHTML += statement;
  }
}

    <input type="button" value="Grass" onclick="add_field();">

<button type="button" onclick="calculate()">Calculate</button>

Tip Use specific ids for your drop downs. I pass a third input for your createSelect function.

redpajama_set_name: RedPajamaStackExchange


Chuck Sperry will have variant editions of his "The Big Sleep" & "Citizen Kane" movie posters available later today. They were first seen during a screening at the Castro Theatre organized by Spoke Art. Vintage mustard and metallic silver variants of each poster will be available. On sale today, Wednesday August 8th at a random time HERE.


Photo 51 is the name given to an X-ray diffraction image of DNA taken by Rosalind Franklin in 1952 that was critical evidence in identifying the structure of DNA. The photo was taken by Franklin while working at King's College London in Sir John Randall's group.
The photo, shown to James D. Watson by Maurice Wilkins without Franklin's knowledge, was the critical evidence that led to the confirmation of the postulated double helical structure of DNA, published during 1953 in a series of five articles in the journal Nature. Franklin and Raymond Gosling's own publication in the same issue of Nature was the first publication of this more clarified X-ray image of DNA.
^ "Secret of Photo 51", PBS.org, 2003-04-22. Retrieved on 2007-08-04.
^ "The instant I saw the picture my mouth fell open and my pulse began to race." -- James D. Watson (1968), The Double Helix, page 167. New York: Atheneum, Library of Congress card number 68-16217. Page 168 shows the X-shaped pattern of the B-form of DNA, clearly indicating crucial details of its helical structure to Watson and Crick.
This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Photo_51". A list of authors is available in Wikipedia.


text:
New 'ostrich pillow' offers respite from jet lag
Inventors say the ostrich pillow will 'enable power naps anytime, anywhere'
Jolyon Attwooll
24 September 2012 • 12:00am
The Ostrich Pillow is a new portable device that its inventors say will "enable power naps anytime, anywhere," including in airport lounges and on planes.
Stuffed with synthetic material – "for maximum performance and lightness", according to its inventors – the distinctive-looking pillow has a hole in which to put your head, and a mouth hole designed to allow its wearer to breath easily. It also has two side holes where you can store your hands – if napping at a table in a library, for example.
The concept was developed by Kawamura-Ganjavian, an architecture and design studio with offices in Madrid and Lausanne.
Among other products, the company has also been responsible for developing the "ear shell" (a "sound enhancing device" that is attached to the ear), and a solar plug for charging portable computers.
The Ostrich Pillow has been described on the technology web site CNET as like "a giant garden squash gone soft", while another reviewer for the Digital Trends website wrote: "We can only wonder how the pillow holds up on sweat and heat retention".
Its creators argue that it genuinely works, saying: "We have tried it in airports, trains, aeroplanes, libraries, at the office, on a sofa and even on the floor and it's really wonderful."
The Ostrich Pillow will go into production if its fundraising targets are met. The company is currently trying to collect $70,000 (£43,000) on Kickstarter, a funding website for creative business ideas. The tally of pledges so far is slightly more than $35,000 (£21,500) with 23 days remaining.
'Light at the end of the tunnel': Meet the over-50s booking holidays for 2021
In pictures: Mardi Gras, Carnival's new £1 billion cruise ship
Holiday quarantine: Which country will be removed from the 'green list' next?


Married MARY BALDWIN in Billerica, Middlesex County, Massachusetts.
JOSEPH BROWN, born February 27, 1722 in Billerica, Middlesex County, Massachusetts; died March 23, 1722 in Billerica, Middlesex County, Massachusetts.
MARY BROWN, born February 16, 1723 in Billerica, Middlesex County, Massachusetts.
JUDITH BROWN, born December 17, 1724 in Billerica, Middlesex County, Massachusetts. Married REUBEN KENDALL on April 20, 1749.
SAMUEL BROWN, born November 4 1726 in Billerica, Middlesex County, Massachusetts. Married MOLLY MARSHALL.


With the widespread popularity of smartphones, everyone is walking around with a computer in their pocket. Which is awesome. What is NOT cool is that due to flaws in the laws regarding what wireless phone provider (WPP) companies are allowed to do, your WPP company is legally allowed to spy on you and collect info on EVERY single thing you do on your phone. What's worse is that the companies will automatically opt you in to agree to be tracked and spied on, and it's your responsibility to first of all realize that you're being spied on and tracked, and second of all it's your responsibility to opt out of it.
Now don't worry, we don't need to start wearing tin-foil hats and living in the wilderness. I'm going to show you how to opt out of being tracked in under two minutes, and then you don't have to worry about it anymore and you can continue to use your smartphone without being tracked.


If you want to carry your passion with regard to gambling onto the internet then in online gambling the legislation bills should be considered. Different countries have passed or even recommended various regulations relating to online betting and you ought to ensure that you adhere to current gambling laws and regulations in order to bet happily ever after.
While most kinds of betting within land casinos as well as other types of gambling houses is legal in several countries including the United States of America, online gambling is still looked at with great mistrust since several nations feel that unscrupulous people might use online gambling casinos as routes for illegitimate cash laundering. Many countries additionally believe that they might lose just about all control over supervising betting websites and have therefore passed legislations which have either banned online wagering, put severe limitations over web-based betting or even have deferred their decisions pending further information upon that issue texas holdem free games.
Whilst each nation struggles to discover beneficial solutions that could allow them to generate huge amounts of money as taxes without acquiring the drawback associated with gambling addiction on its shoulders, states within those countries too pass contrary legislations that additionally compound the issue. Thus whilst one particular state might ban the sale of lotteries, a neighboring state may well permit the sale of lotteries. Likewise, while some nations such as Costa Rica and South Africa could possibly permit on line betting sites to conduct their businesses, various other countries such as New Zealand, the UK, Mexico, and so on currently have approved regulations which allow regulated gambling even while the majority of Islamic nations among a few others have forbidden betting in all of the forms.
If you'd prefer playing inside land-based casinos as well as wish to experiment with on-line casino gambling to play different online games like poker, craps, roulette, blackjack, and many others or even desire to check out on-line sports betting then you will first of all need to check up on gambling legislation bills that have been passed in your own country, and more significantly your own state. While some states or provinces do not allow actively playing on on-line gambling websites, some others permit you to play on a betting site which is not situated in their geographical area. You need to thus study all of the betting laws and regulations related to the game of your choice before you register on any internet gambling site, deposit money into your account at that site, or even attempt to withdraw as well as transfer your payout directly into your local banking account. Since regulations continue changing, you will also need to stay up-to-date with all the most recent alterations in your country or state in order to remain on the right side of the law.
Betting houses as well try their level best to defend against gambling legislations by simply either moving their casinos towards offshore locations, on to water, or even their servers to gambling-friendly nations in the event of online gambling. The US Government has employed several acts including the Unlawful Internet Gambling Enforcement Act and also the Federal Wire Act of 1961 in order to ban numerous forms of gambling even while controlling others. The onus is definitely upon you as a player to examine existing laws and regulations in your country before you decide to lead your computer mouse towards any online gambling web site clicking here.
There's presently even now quite a lot of confusion concerning betting laws associated with online betting in most nations including the USA. If you are a avid gambler that wishes to try playing online games or placing on line bets then you definitely should remain advised about the latest happenings in legislations related to gambling laws. In on line gambling regulation bills should surely be considered so that both you as well as your money stay safe and sound simultaneously.


text:
Home/Sports/what is at stake in the final stretch of the Cup besides the title?
what is at stake in the final stretch of the Cup besides the title?
Admin December 6, 2022 Sports Leave a comment 23 Views
Competition takes a two-day 'break' after 17 consecutive days of games, but returns on Friday with a decisive phase
Alexsander Vieira
(updated at 8:10 pm)
Photo: Carl Recine / Reuters
The quarterfinals of world Cup are defined and the confrontations begin next Friday, 9th, the day that Brazil faces Croatia. But, in addition to the title, the final stretch also includes the award for best player, best goalkeeper, artillery, among others. See below.
Awards for selections
In the Qatar edition, the FIFA will distribute a total of US$ 440 million, divided according to performance in the competition. The winning selection will receive US$ 42 million. The runner-up will get US$ 30 million, while the third will pocket US$ 27 million.
Champion: US$ 42 million (R$ 225 million)
Vice: US$ 30 million (R$ 160 million)
3rd: US$ 27 million (R$ 144 million)
4th: US$ 25 million (R$ 133 million)
Wednesdays: US$ 17 million (R$ 90 million)
Round of 16: US$ 13 million (R$ 70 million)
Group stage: US$ 9 million (R$ 48 million)
Golden Boot Award (top scorer)
This award is given to the player who scores the most goals in the edition. In 2018, who won the title was the Englishman Harry Kane🇧🇷 who found the net six times in six matches. This season, the French Kylian Mbappé is in the lead, with five goals. Richarlison, with three, is the closest Brazilian in the fray.
Carter shows the World Cup curiosities on and off the field:
Golden Ball (Best player)
FIFA announces the best player in the competition right after the grand final. Croatian Luka Modric, who faces Brazil in the quarterfinals in Qatar, won the award for taking his selection the grand final against France.
In the quarterfinals, some players are already starting to fight for this award, such as Lionel Mesis (Argentina), Kylian Mbappé (France), Vini Jr (Brazil), Jude Bellingham (England) and Gakpo (Holland).
Golden Boy (Best Young Player)
FIFA still awards the best young player in the competition, a category dedicated only to players up to 21 years old. Mbappé was the big winner award at the Russian Cup in 2018.
Fair Play Trophy
The award is given by FIFA's Technical Study Group (TSG) to the most "loyal" team in the tournament, which takes into account the average number of fouls and bookings received.
In Qatar, Fábio Porchat makes fun of Eduardo Bolsonaro: "I came with 50 pen drives to distribute":
Golden Glove
The best goalkeeper of the competition also has its prize. Last edition, who got the better of it was the tormentor of Brazil, Thibart Courtois, who helped Belgium to eliminate the Brazilian National Team in the quarterfinals.
Records broken in Qatar Cup
Worst campaign by a host country
Qatar had a performance well below in the World Cup, and was defeated in three opportunities. It lost to Ecuador 2-0, Senegal 3-1 and the Netherlands 2-0.
Players with the most Cups played
Messi, Cristiano Ronaldo, Ochoa and Guardado entered the field in the World Cup and have five World Cups under their belts. The stars equaled the marks of Antonio Carbajal, from Mexico (1950 to 1966); Lotthar Matthaus, from Germany (1982 to 1998); Gianluigi Buffon, from Italy (1998 to 2014), and Rafa Márquez, from Mexico (2002 to 2018).
What in life deserves a VAR review?:
Oldest to score in knockout matches
Brazilian naturalized Portuguese Pepe, 39, scored Portugal's second goal in the rout over Switzerland, becoming the oldest player to score in a World Cup knockout game.
Neymar joined a select group of players who managed to score goals in three editions of the World Cup. By scoring a penalty goal in the game against South Korea, the PSG striker equaled the mark of Pelé and Ronaldo Fenômeno.
Brazilian captaincy
Thiago Silva equaled Cafu and Dunga as the players who captained the most World Cups in the Round of 16 against South Korea. There are 11 games as the leader on the field. He has already broken the record of being the only captain athlete in three different World Championships.
Goals up to 24 years old
Kylian Mbappé became the first player to score 9 World Cup goals under the age of 24. At the same age, King Pelé had already scored seven in the tournament.
A national passion, falcons have an exclusive 'SUS' and can cost up to R$ 1.5 million in Qatar:
Missed goals…
The World Cup in Qatar reached a negative record: it was the World Cup with the most games without a goal in the first round in history: four.
Or not so much!
There were three defeats in the debut, which had never happened in a World Cup edition since 1930.
In all, there were 41 goals scored in the 1st round of the 2022 Cup. Almost half came from the three goals scored so far: England 6 x 2 Iran, France 4 x 1 Australia and Spain 7 x 0 Costa Rica. Considering all the opening days of the World Cup, only the 1954 edition recorded the same number of matches with so many elastic scores: Brazil 5 x 0 Mexico, Hungary 9 x 0 South Korea and Germany 4 x 1 Turkey.
Audience present!
The match between Argentina and Mexico broke attendance records at the Qatar World Cup. With 88,966 fans, it received the biggest attendance of Cups in 28 years.
Fans reveal superstitions to help the team in the Cup:
🇧🇷The best content in your email for free. Choose your favorite Terra Newsletter. Click here!
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text:
Q: Prevent simultaneous actions from two devices to same collection I'm using Firestore and Flutter (Dart). This question is  more conceptual than anything.
Database structure is Users collection containing A through G collection (owned by user).
At the same level as the A through G collection is (int) lastUpdated field. When a device inserts, updates, or deletes within their slice of the Firestore, a timestamp is generated by the device and stored in lastUpdated both on the Firestore and device. If user opens a different device with an older timestamp, it gets compared to server to determine that it needs to pull data down rather than push its data up.
As long as all server calls are completed before a different device tries to make a change, everything works great.
But, if someone makes an action on two devices at the same time (or before previous device's actions are complete), the algorithms cross and it either ends in all of the data being deleted or duplicate records.
I thought about adding a (bool) syncInProgress field to the Firestore that becomes true on connect and false after finishing, but if someone's device disconnects during the process, it might get stuck in true and effectively prevent all future interactions with the DB (without admin intervention).
My other thought was that if a device gets notified that syncInProgress is true (and therefore  they need to wait to sync), they might also be presented a button to override, which would manually set syncInProgress back to false.
This all sounds way too complex, and usually when that happens I'm overthinking something and there is a better way. Suggestions?


text:
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So awkward... Why did he have to stare at her so intently? And the head tilting? What the hell was with that? It was almost like he was a child. She had half a mind to leave but the idea of a meal was too tempting. Damn mannerisms. She should have just dug into the food, even if she did end up looking like an animal in doing so.
But he suddenly picked up the sausage, cooked it, and offered it to her. That was her cue.
Almost snatching it out of his hands, Rose dug in ravenously. She didn't even bother to sit down, just chowed down while standing. The savory juices, and the texture of the meat was heaven. Absolute heaven. And she finished it in seconds. Without waiting for another invitation, Rose dug into the cheeses, the water, and even started eating some of the frozen meats. However she made sure she didn't bite into a thickly frozen piece of flesh. Her plan was to fill up, not end up with a broken tooth.
Once finished - the process would have taken about ten minutes - Rose's sense of reality kicked in. Highly embarrassed, she looked for something to wipe her face off. There wasn't a napkin nearby oddly enough, so Rose resorted to dipping her fingers into the water and used that to clean off her face. From ravenous animal, to a cultured lade, Rose was trying to redeem her womanly qualities. Problem was she wasn't sure if she was pulling it off very well.
She cleared her throat and said delicately, "Thank you for the meal... I uh, I...Thank you."
The sentence hung in the room, almost echoing. Rose had to fight off a wince.
What now?
FlyingGekko
"SSSCCHHHEEEAAAAAAARRGGRGHHHHHhhhhhhh..." *gargle* "Hhrrrrsssshhhhhh..."
The sound of the demon's scream echoed throughout the air like rolling thunder and finally faded as the sword drew the very last bit of the demon's essence and soul into itself. There was a brief glow as a seal took hold to stop the demon from escaping. Normal mortals probably wouldn't hear it, or maybe write it off as an animal call if they were open-minded enough to notice demon activity. If other demons might hear it, it would serve as a warning.
Dargaianor, or "Gaian" as she was known to her friends if she had any, took a deep breath as she leaned on the sword's handle, getting her breath back.
It had been a long battle with a very big, very mean and very evil demon. Her powers were almost completely drained and the darkness energy cloak on her back reflected this by its transperancy level. She inhaled deeply through her nose and finally took off her helmet to wipe away the sweat on her brow.
She needed to get back to hell to "deposit" her recent prisoners and replenish her powers faster to get back to her duties.
'No rest for the wicked' was the old saying, which meant no rest for her either.
Opening a small portal to hell was easy enough. She focused the energy from within and black streaks of smoke-like tentacles emitted from her hand to form the distorted shape of a door, revealing a dark and desolate landscape inside. Sorrowful cries and gut-wrenching screams could be heard all over to provide the charming atmosphere.
Stepping through the portal she felt a wave of new energy overcome her as she slowly started to regain her power. The portal closed immediately after her and she made her way to the deeper reaches of the realm of despair and pain.
Quite the place to call home.
In contrast to this morbid scene, birds were chirping their merrily songs and the leaves rustled in the trees of a small forest. To any onlooker it would seem that the forest was all there was, but in truth there was a modest cabin nestled a little deeper and nestled between the roots of three large trees. Next to the cabin was a cart that clearly belonged to merchants of sorts and a podgy pony strapped to it. All this was concealed thanks to runes laid out around the area to make everything invisible from the outside.
Joe was packing the last of their potions and scrolls while his twin brother Quain checked to see that everythign was marked down on a parchment. They had quite a good stock and would be able to make some good money at the shop.
'Got all of it?' Joe asked his brother mentally, thanks to their strong bond as identical twins.
'Yeap.'
They made their way to the main path leading through the forest and with their awareness out around them, made sure that there was no one else around. With the coast clear, they walked onto the path and they faded into view as they passed the runes' coverage radius. Nearby a deer had made it's way inside, not even noticing it had done so as it was not affected by the magic.
It was quite a while to the closest city and as they walked they enjoyed the good weather. It was a regular trade route and every now and then they'd pass other travellers and even sold a few items.
So far, it was looking to be a good day indeed.
Pheonix watched as she devoured the food. He gazed in wonder at her, wondering if she was eating that way because she was starving, or if that was just her cultural norm of how to eat. It had been so long since he witnessed another person eating that he honestly wasn't sure. After she finished, she began to start acting in completely different manner, going from starving animal behavior, to a more calm and controlled behavior. This just made him even more confused, as it made determining her real nature even more difficult.
As she was cleaning her hands and face off with the water, he turned his attention to the sword that she had been holding, and had set down on the nearby table before she began eating. He stepped over to it and took hold of the hilt and picked it up. He examined it closely, seeming to have a great knowledge of blades by the amount of detail he seemed to be looking for. Something about her sword made him very interested, though he still did not speak.
5uperjun1or
Aiden reached the towns walls and smashed though the walls before fleeing into the forest at a quick place shrinking to the size of a regular fox. He heard the townsfolk go after him as he ran through the trees to get away. Eventually the sounds of chase faded and he turned into a human once again. Wandering around for quite sometimes he looked for a place he could hide for a little while.
Slowly the leaves turned to a green, much different from the browns and reds he was roaming a minute ago. Curious, Aiden slowed a moved at a more leisurely pace to take in his surroundings. His nose caught on the scent of nearby people and he followed it to a mansion. Odd.. Why would someone place a mansion in the middle of nowhere? He quickened his pace aiming to figure out why.
Rose wiped off the remnants of her meal, keeping her brown eyes glued on the stranger. She was apprehensive about him touching her sword, only allowing him because he fed her. But as he was examining it, the blade seemed to realize that it was in the hands of someone else. It glowed briefly. Rose sat with an eyebrow raised.
"It's never done that before," she commented, gesturing for the man to give back her sword. "Thank you again for your hospitality but I don't wish to intrude any longer. If you would please give me back my weapon, I'll take my leave."
Pheonix continued to examine the sword, not reacting when Rose spoke to him. As the sword began to glow, he looked at it with intrigue. He kept looking over it after Rose finished speaking, and after a few seconds, he quickly gripped the hilt with his right hand and turned around towards Rose, bringing the blade down from above in an arch down towards her head. It was a fast, fluid motion meant to do exactly what it looked like, to slice through Rose.
The woman's eyes flashed as the man swung her blade towards her head. Suddenly, the weapon would flare, illuminating the room. The hilt would glow a deep red, burning the flesh of the holder. The burn he would receive would be enough to leave a scar. The blade however stopped in midair, as if refusing to move any further.
The air was still as the flare from the sword dimmed slowly. Rose stood staring furiously at the man with her hand still outstretched.
"... Give me back my sword," she said softly.
Pheonix tilted his head a bit as he looked to Rose after hearing her response to his actions. He casually pulled the sword back and looked at it again, then looked back at her.
"How did you manage to get this sword?"
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text:
Q: How to clear the cache in Typo3 from an external script? I do have a PHP script, which is not an extension for Typo3. Now I would like to delete the whole Cache of Typo3 out of this script. How is that possible?

A: *

*install the TYPO3 Extension cleartypo3cache

*create a tool and a keyboard shortcut in PhpStorm 4 to trigger cleartypo3cache

*SSH access with passwordless pubkey authentication when pushing to a remote host.

Install Extension "cleartypo3cache" and create the BE user "_cli_cleartypo3cache" and add the following TSconfig:
options.clearCache.all=1
options.clearCache.pages=1

Now test if cache is cleared:
$ cd /path/tp/typo3-site/
$ php typo3/cli_dispatch.phpsh cleartypo3cache all

If your webserver is on localhost, you are lucky because you don't need this shell script. If your webserver is on a remote host, you need an additional wrapper script. This is because PhpStorm does not provide an environment variable for the remote host directory. You have to set this directory statically for each project in the wrapper script:
#!/bin/sh

TYPO3_SITE_PATH="/path/to/typo3-site"
USER="alice"
HOST="example.com"

/usr/bin/ssh $USER@$HOST '/usr/bin/php $TYPO3_SITE_PATH/typo3/cli_dispatch.phpsh cleartypo3cache all'

Save this file in your project file directory into .idea/clear-typo3-cache.sh and make it executable:
$ chmod 755 .idea/clear-typo3-cache.sh

PhpStorm External Tools
You need to create an "external tool" in PhpStorm to be able to clear cache.

*

*Go to PhpStorm-->Settings-->External Tools-->Add...

*Give your tool a name and a group, e.g. "Deployment" -> "Clear TYPO3 Cache"

*Deactivate checkbox "Open Console" and "Menu->Search Results"

Remote host scenario
Add the following line to "Programm:"
$ProjectFileDir$/.idea/clear-typo3-cache.sh

Localhost scenario
Add this line to "Program:"
$PhpExecutable$

Add this line to "Parameters:"
$ProjectFileDir$/typo3/cli_dispatch.phpsh cleartypo3cache all

You need to have a PHP interpreter configured in PhpStorm-->Settings-->PHP to use $PhpExecutable$. Alternatively you can use /usr/bin/php

(source: t3node.com)
PhpStorm Keymap
I suggest to use the same key binding as you use for saving or remote host uploading:
Go to PhpStorm-->Settings-->Keymap
For remote host scenario, navigate to: Main menu-->Tools-->Deployment-->Upload to Default Server. Notice the existing shortcut. If you don't have one for that, create a new one (I use ALT+SHIFT+U)
For the localhost scenario, just use Ctrl+S (Main menu-->File-->Save All).

*

*Now navigate to the External Tool you have created (e.g. External Tools-->Deployment->Clear TYPO3 Cache)

*Right click "Add Keyboard Shortcut"

*Create the particular shortcut in "First Stroke"

Now PhpStorm will warn you that the shortcut is already in use for a different command. That's fine, it's exactly what we want to have.
That's it. Your TYPO3 caches are always cleared when you hit save or upload on your keyboard.
adapted from t3node

A: I found the solution myself and its actually pretty easy. I took a look into the class.t3lib_tcemain.php in the t3lib folder. There you've got the necessary commands to clear the cache. It also checks, if you have the cachingframework enabled. If so, you need to truncate a few other tables as well (Starts with cachingframework_cache_)
It is basically:
<?php

 require_once('./typo3conf/localconf.php');

 $conn = mysql_connect($typo_db_host, $typo_db_username, $typo_db_password);
 mysql_select_db($typo_db);

 // Clear Cache here
 mysql_query("TRUNCATE cache_treelist;");
 mysql_query("TRUNCATE cache_pagesection;");
 mysql_query("TRUNCATE cache_hash;");
 mysql_query("TRUNCATE cache_pages;");
 if($handle = opendir('./typo3conf')) {
    while (false !== ($file = readdir($handle))) {
        if(strpos($file, 'temp_CACHED_')!==false) {
            unlink('./typo3conf/'.$file);
        }
    }
    closedir($handle);
 }

?>

A: TYPO3 >= 7
From TYPO3 7 on you can install Helmut Hummels Extension typo3_console.
Then you can clear the cache like (for composer installations):
./vendor/bin/typo3cms cache:flush

https://extensions.typo3.org/extension/typo3_console/
https://github.com/TYPO3-Console/TYPO3-Console
TYPO3 6.x
first initialize the Service in your Class
/**
 * @var Tx_Extbase_Service_CacheService
 */
protected $cacheService;

/**
 * @param Tx_Extbase_Service_CacheService $cacheService
 * @return void
 */
public function injectCacheService(Tx_Extbase_Service_CacheService $cacheService) {
    $this->cacheService = $cacheService;
}

in your function just call
$this->cacheService->clearPageCache($pids);

while $pids is an integer (for single page) or array of integers (multiple pages)
see: http://typo3.org/api/typo3cms/class_t_y_p_o3_1_1_c_m_s_1_1_extbase_1_1_service_1_1_cache_service.html
In TYPO3 since 4.5 (I think) its a static method so you have just to call
Tx_Extbase_Utility_Cache::clearPageCache($pids);

in your controller.
Found it here: http://www.phpkode.com/source/p/typo-cms/typo3_src+dummy-4.6.5/typo3/sysext/extbase/Classes/MVC/Controller/ActionController.php

A: In FLOW3 there is a possibility to do such stuff, as far as I know with TYPO3 v.4.x You have no such default CLI option, so You should use or You own script, or use such extensions as cleartypo3cache or Cli Cleaner.
Also I made a bash script to clean cache tables of Your dB : https://gist.github.com/fedir/5162747

A: in typo3 6.x extbase its simple.
Edit : clearPageCache is not static then you need to create object of CacheService
TYPO3\CMS\Extbase\Service\CacheService::clearPageCache(pageUid);


LA VITA BELLA: perfect pieces.
Top- Mango Trousers-Zara Shoes- Converse Bag- Milan Watch- Vintage Sunglasses- Rayban Meet my 'off duty' look- I say that like I have some sort of massively important day-to-day job. Just for the record. I don't. With the remnants of my post-travel tan hanging on with all its might! Enjoying my time off immensely, being a student gives you quite a few months to play with in the 'summer' and we have had some fantastic weather here- beach days, castle/garden walks and park lunches have ensued! This bag I got from Milan in the train station- I swear I can sniff out a well put together leather bag in a rubbish tip- It is everything I have been looking for, and failing miserably, for about 9 months- soft leather, over sized, clutch, and a sort of cream/stone/nothingness colour. This T-shirt is one of those items you have had forever and have almost thrown out during every seasonal wardrobe change but held on to it due to it's comfort/ease/versatility.(excess slashes today, not good for those who skim the text) Have a couple of birthday parties this weekend, both themed, first- America, stars and stripes... will keep you updated on that.