Louie married JoAnne VanBrocklin on November 24, 1960 at St. Francis Xavier Church in Redwood. He worked for 33 years total as a teacher, coach, and school administrator, retiring as High School Principal of Alexandria Central School. He enjoyed sports was active as an umpire for softball, baseball, and referee for football, soccer, and basketball.
He is survived by his wife JoAnne, their son Louis (Tricia) Amato, Theresa, and their daughters, Kim (Rob) McGinley, Smithtown, NY, and Tara (long-time companion Charles Penn), Goose Bay, NY; his sister Judy Benton, Venice, Fl.; nine grandchildren and three great-grandchildren. He was predeceased by his parents and his son, Steven, who passed away on May 6, 2018.
Calling hours will be held Friday, June 29th from 4-7pm at the Costello Funeral Home, Alexandria Bay. A funeral mass will be Saturday, June 30th at 10:00 am at St. Cyril's Catholic Church, Alexandria Bay, with Fr. Douglas Comstock, officiating. Burial will be at Barnes Settlement Cemetery.
To the Amato Family, I am thankful to have known your father, husband, and mentor and share in your sorrow. Louis was a fine man.
I have fond memories of Mr. Amato as a sport official as I do with Steve growing up. I am thinking of you and your family.
Our deepest sympathy to the Amato family from Dot Petrie and family. We remember him fondly.
SO SORRY FOR YOUR LOSS. R.I.P. LOU. IT WAS AN HONOR TO HAVE KNOWN HIM & HIS FAMILY !!
To all of the Amato Family, please accept my deepest sympathies.
Condolences to the Amato family!
happy and friendly to all !
Condolences and sympathy to the Amato family. Lou was a pleasure to work with in education and officiating, for over 30 years. He was a very positive influence on students and athletes with his wonderful sense of fairness and humor. I respected his big heart and even larger Strike Zone.R.I.P.
Hi, my sympathies out to joanne and all of the family. I remember the fun times growing up with you and my parents. Lou was fun and wonderful man. May he go gently to our Lord.
I am so sorry for your loss, and the loss of so many who knew Lou; worked with him; respected him and loved him. He was one of the finest men I have ever known. I consider it a privilege to have called him friend.
So many fond memories of Lou–working together at Alexandria Central; officiating soccer and softball; golfing; his wonderful sense of humor; his boundless energy which challenged everyone around him to keep up. Long conversations as we often rode to work together. A special man who was respected, and loved. A man I was privileged to call friend.
Lou was a great mentor and friend to me early in my career. His counsel helped me become successful not only in my career in education but my later endeavors in the business world. He was truly one of the most influential people in my life and I will never forget him. My sincere condolences, JoAnn, to you and all the family.
Great man no doubt…Refereed my first game with Lou back in the 80s He always put the kids first & made the game fun! Will always cherish our times together on/off the court and to/from games . Was a great mentor for the younger guys and knew how to enjoy life. My sincere condolences to JoAnne and the extended Amato family.


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text:
Where Is Indian Lake In Ohio Located?
1 What county is Indian Lake in in Ohio?
2 Can you swim at Indian Lake?
3 Is Indian Lake in Ohio manmade?
4 How deep is the Indian Lake in Ohio?
5 What is the biggest inland lake in Ohio?
6 Why is Indian Lake closed?
7 Is there a horsepower limit on Indian Lake?
8 Is Indian Lake frozen?
9 Where is the deepest part of Indian Lake Ohio?
10 Is Indian Lake Private?
11 Can you swim in Mosquito lake?
12 What is the deepest lake in Ohio?
13 How deep is the deepest part of Indian Lake Ohio?
What county is Indian Lake in in Ohio?
Indian Lake is in Logan County, about 10 miles northwest of the city of Bellefontaine. It is accessible from State Routes 33, 708, 117, 366 and 235. There are no horsepower limits at Indian Lake.
Can you swim at Indian Lake?
Today, Indian Lake offers a variety of on-the-water recreational options including boating, fishing, jet skiing, and swimming. Off the lake, visitors can enjoy camping, picnicking, and winter activities such as ice fishing and snowmobiling.
Is Indian Lake in Ohio manmade?
Located in west-central Ohio, 5,100-acre Indian Lake offers a variety of water-related recreational opportunities. Visitors can boat, fish, jet-ski and camp at this noteworthy, man- made lake. The resulting shallow, marshy, natural lakes in this region covered an area of 640 acres.
How deep is the Indian Lake in Ohio?
"Indian Lake is actually one of the healthiest lakes in Ohio. This project has been in place for 28 years and because of that, Indian Lake has been recognized nationally for the health of the lake," Hastings said.
You might be interested: Quick Answer: Where Is Lake Baccarac Located?
What is the biggest inland lake in Ohio?
Pymatuning Lake in far northeast Ohio on the Ohio/Pennsylvania state line is one of the best lakes to visit in the state. It is Ohio's largest inland lake, and it's popular with campers and boaters. It is a 14,000-acre reservoir with docks, boat launches, amenities, and concessions located around the lake.
Why is Indian Lake closed?
The treatment of Indian Lake is an application of copper sulfate. According to DPW, "the application of copper sulfate is a common practice to maintain a healthy lake and poses minimal risk to humans and animals after application is complete."
Is there a horsepower limit on Indian Lake?
Indian Lake is a 5,800-acre water playground in central Ohio's Logan County. With no speed or horsepower limit on the lake, you'll feel the breeze in your hair as you explore the lake's 30+ miles of shoreline.
Is Indian Lake frozen?
One of the first lakes to freeze in the state is Indian Lake in western-central Ohio. The lake is shallow so it offers one of the first opportunities for anglers to hit the ice in the winter. You can find abundant populations of saugeye and crappie and some of the largest sunfish in Ohio for a public lake.
Where is the deepest part of Indian Lake Ohio?
The deepest part of the lake is on the west bank between Lakeview Harbor and Old Field Beach. It is 12- 15′ deep. There is another 15′ deep area in the cove on the south side of Pew Island. The depth of the lake by the spillway is 4′ according to the Parks Department.
You might be interested: Lake Tahoe Is Located In What Region?
Is Indian Lake Private?
Indian Lake is a private lake. It is a 5-mile long horseshoe, 750 acres in area with 20 miles of shoreline. Indian Lake is also one of the cleanest lakes in Pennsylvania and is great for boating, fishing, swimming, and water skiing during the spring and summer, and a scenic wonderland in the fall and winter.
Can you swim in Mosquito lake?
A 600-foot beach provides recreation for swimmers and sun bathers. Swimming is permitted in designated areas.
What is the deepest lake in Ohio?
Ceaser Creek Lake This large reservoir to the east of Middletown was impounded in 1978, and is the deepest lake in Ohio.
How deep is the deepest part of Indian Lake Ohio?

redpajama_set_name: RedPajamaCommonCrawl


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Jana Bobošíková, the director of Czech TV news appointed by Jiří Hodač, the short-lived chief executive, had a spy in her camp.
Working under enormous pressure, Bobošíková managed to get together only seven journalists to prepare news bulletins. Anyone who tried to work with the new Czech TV chief executive, Jiří Hodač, who was unjustly accused of being a stooge for Václav Klaus's Civic Democratic Party (ODS), was threatened that he would never work in television in the Czech Republic again.
Bobošíková managed to find a handful of rather inexperienced people whose inclination was to broadcast counter-propaganda in the news bulletins. This has thoroughly discredited Bobošíková, an experienced journalist who in the past had demonstrated a good sense of impartiality. But she was evidently unable to instill this in her collaborators, and thus her broadcasts turned into a symbol of censorship, all the more so since Jiří Hodač tried to block out rebel propaganda with a caption saying the broadcasts were unauthorised.
One of the seven members of Jana Bobošíková's news team was David Garkisch, a rebel journalist who recorded Jana Bobošíková at work with a hidden camera. Apparently, the rebels truly believed that she was taking direct orders from Václav Klaus when making the news, and so they decided to document this.
Spying on our professional enemies: "really, the BBC does this all the time"
Originally, we had wanted to broadcast a report by journalist David Garkisch, who let himself be hired by Jana Bobošíková's team. He filmed the preparation of her news broadcasts with a hidden camera. We decided to use this method because there existed a serious suspicion that Bobošíková's news bulletins were deliberately biased and thus this was a waste of Czech TV's financial resources, paid by the TV licence holders. This is the reason why we decided to use filming by a hidden camera—we were fully entitled to use this method, which is a normal journalistic method used in many countries of the world as well as in this country.
The film we have thus made is in no way an assault on the dignity of the filmed persons; it is not tabloid, and it only documents the situation in which the rival team tried to prepare television news.
After a media debate was started about whether the use of hidden camera techniques was ethical, we decided to delay the broadcasting of this footage until after the conflict about Czech Television had run its course. We will hand over our information about financial losses [allegedly caused by Bobošíková's team, ed] in written form to the members of the media commission of the Czech Parliament.
During the broadcasting of this commentary, footage of Jana Bobošíková at work, secretly filmed by a hidden camera, was transmitted, at exactly the same time the commentator was saying that Czech TV rebels were not going to be transmitting it.
Also on Monday 15 January, the Fakta programme broadcast carefully edited billing details of the mobile telephones used by the three members of the Council for Czech TV (the corporation's governing body) nominated by the ODS, in order to prove that these particualar members had been in touch with politicians in the run-up to the selection of Czech TV's chief executive back in mid-December.
This piece of propaganda was highly successful, especially since one member of the Council, Jana Dědečková, had flatly denied any contact with politicians.
By highlighting a sequence of telephone conversations between Dědečková, Bobošíková and Hodač in November 2000 (and without knowing the contents of the conversations), the Fakta programme tried to assert that the "Klaus conspiracy," the appointment of Jiří Hodač, had been agreed on a long time in advance.
In fact, as we have explained before in this column, Dědečková and TV Council Chairman Miroslav Mareš had originally been trying to appoint Kateřina Fričová, not Hodač.
Rather unsurprisingly, the Fakta programme did not feature the mobile telephone billing details of the members of the Council for Czech TV who support the rebels. In particular, nothing was said about frequent contacts of former Czech TV Council member Miloš Rejchrt, who frequently liaised with Vladimír Mlynář, a senior member of the Freedom Union party, which has been supporting the TV rebels openly since the beginning.
As we know from our contacts with Jana Dědečková, she consulted a wide spectrum of opinion in the Czech Republic during the process of recalling former Czech TV chief executive Dušan Chmelíček and appointing Jiří Hodač. Thus, her 30 or so telephone calls to Ivan Langer, the ODS chairman of the Czech Parliamentary Media Commission, do not seem to come as any particular suprise.
While it was well known that Miroslav Mareš had been under Langer's direct influence, the excessive number of telephone calls between Mareš and Langer—more than a hundred during a four week period—was quite revealing. But, as we have testified in this column before, the impetus for reform in the Council for Czech Television was carried forward by Jana Dědečková, who acted independently and without being beholden to party politics. It was Dědečková who gradually managed to override the incompetent and malleable other members of the Council for Czech TV.
You always demand of us the highest standard, that of BBC investigative journalism, and here we have attained it. Monday's Fakta was high quality investigative journalistic work. It was like investigating the Watergate scandal. We have attained the highest standards of the BBC.
Vítek and his colleagues have absolutely failed to understand the principle of impartiality. They do not understand that journalists of a reputable public service television station would not be able to hijack the station's news and current affairs broadcasts for the dissemination of their own propaganda in a internal labour dispute. They seem unable to grasp the principle that someone who is involved in a conflict cannot at the same time act as an "independent reporter," covering the same conflict.
The notion of conflict of interest is an alien concept not only for the rebel journalists at Czech TV, but also for the Czech public, who have, it seems, on the whole accepted the manipulative propaganda of the Fakta programme.
If the programme were to be impartial, it would have to have been made by a television team that has nothing to do with the current conflict. It would also have to feature mobile telephone printouts from all sides, that means also from the telephones used by Council members supporting the Freedom Union and the rebels, as well as from the telephones of the rebel journalists themselves. Indeed, without knowing who the television journalists have been telephoning before and during this conflict, the Czech public is learning only half the story at best.
Over the past four weeks or so, the gross and often primitive propaganda broadcasts by Czech TV journalists would have caused any independent observer to distrust anything transmitted by Czech TV. By broadcasting political propaganda to support their cause, Czech TV journalists have lost the remnants of their integrity. Nobody can seriously trust a programme like Fakta.
It would appear that the makers of the Fakta programme have also committed a serious criminal offence by featuring confidential mobile telephone printouts in their programme. The updated Czech Telecommunications Law (No 151/2000 of the Collection of Laws) says under Article 84 that "anyone who gains access to information that is subject to telecommunication privacy is duty-bound not to reveal it." In Article 178, the Law says that the revelation of such secret information is punishable by three to five years' imprisonment or by a fine of up to five million crowns (100,000 British pounds).
It is highly unlikely, however, that in the current fevered atmosphere in the Czech Republic, the perpetrators of this crime might be brought to trial. The law has been subordinated to politics on many counts recently in the Czech Republic. Defenders of the action by Czech TV journalists are arguing that the mobile telephones used by the members of the Council for Czech TV were the property of Czech Television and thus Czech TV is fully entitled to publish the printouts. Nobody knows whose decision it was to include the printouts in the Fakta programme. Decisions about what should be broadcast are being made informally and anonymously by rebel journalists.
The Czech audiences did not believe an unknown newcomer, a BBC man of 11 years. They trusted their favourite entertainers, believing that they were the authentic bearers of news. The extent to which a large majority of the Czech nation allowed itself to be manipulated by grossly emotional propaganda is remarkable.
Two years ago, we wrote in Britské listy that Czech media live in a world of virtual reality and can create a political crisis out of thin air when it wishes to do so. The events surrounding Czech Television over the past month or so have eloquently proved the validity of this statement.
What is particularly worrying is the realisation that the Czech public is open to emotional manipulation on such a large scale, without demanding access to the facts. Anyone who examines any individual episode of this deplorable series of events at Czech TV in its full factual context will be forced reluctantly to agree that he has found himself in a world of irrational behaviour.
Let us, as an example, mention just two facts. First, far from being an ODS stooge, Jiří Hodač was not even the preferred candidate of the Civic Democratic Party. He was an outsider, who was chosen as a last minute compromise. While it is true that most members of the Council for Czech TV were influenced by various politicians, the drive for reform at Czech Television was the singlehanded work by Jana Dědečková, a nominee of Klaus's Civic Democratic Party who was driven by her free-market, entrepreneurial ideals, not by orders from the central office of Klaus's party. Dědečková had tried to appoint Kateřina Fričová, an experienced professional from the commercial sector, to the post of chief executive of Czech TV, but other members of the Council blocked this at the last moment.
Attending a conference organised by Czech Television at the Prague Congress Centre at the end of November 2000, I can personally testify that Jana Dědečková and Miroslav Mareš planned to appoint Kateřina Fričová and were in serious negotiations with her about this. In fact, I was given a ride in Dědečková's car from the Congress Centre to Prague's City Centre. The other people present in the car were Miroslav Mareš and Kateřina Fričová. Fričová sat next to me at the back of the car. After I had been taken to Prague's City Centre, Dědečková, Mareš and Fričová retired to discuss the future of Czech TV.
The assertions by the Czech TV rebels that Hodač had been a Klaus stooge whose appointment was being prepared a long time in advance is simply rubbish. This makes the whole web of lies about Klaus's alleged TV coup collapse at a stroke.
Another point to consider is this: as Nikolaj Savický, a member of Czech TV's top management has pointed out in his piece in Britské listy, it is absolute nonsense to believe that any political party in what is now a relatively pluralistic Czech society would be foolish enough to try openly to master the public service TV station.
Czech media may be second rate but they are not beholden to any single political master. If a political party tried to organise a public service TV putsch, this would mean its destruction. No politician in the Czech Republic, argues Savický, is foolish enough to attempt anything so suicidal. No, all the talk about the Klaus party putsch at Czech TV is the result of a hostile campaign by their political enemies which the Czech public has swallowed unquestioningly, mostly because they are frustrated by the state of their country.
On Wednesday 17 January, the rebel journalists used the fact that lawyer Věra Valterová, whom Jiří Hodač appointed as acting chief executive before he resigned, was not at work, breaking into the chief executive's office and appointing former finance director Ladislav Paluska as their own "rebel Chief Executive." Martin Schmarcz, spokesperson for the TV rebels said that this was done because "no one from the so-called new management [ie, the Hodač management] has been able to show us any piece of paper giving them the right to manage Czech TV."
So, in the view of the rebels, the Hodač management (the lawyer Valterová, Finance Director Beznoska and Director of News Bobošíková) is illegitimate, while the former management is fully legitimate.
Ladislav Paluska has in the past been accused of shady financial deals. Jakub Puchalský, Czech TV's chief executive in 1998-1999, once had Paluska removed from the premises by the police. Insiders within Czech TV, however, argue that Paluska has been a highly efficient financial manager.
In fact, after Dušan Chmelíček was recalled from the post of Czech TV's chief executive, insiders from within Czech TV (the chief executive's secretary Kučera) allegedly attempted to blackmail the Council into appointing Paluska as Chmelíček's successor. Jana Dědečková testifies that Secretary Kučera threatened the head of the Council for Czech TV that if the Council did not appoint Paluska, the press would be told that Mareš had complained that Czech TV's News and Current Affairs Department had not covered the annual congress of Václav Klaus's Civic Democratic Party. Towards the end of the week, Jana Dědečková instigated legal proceedings against Paluska for alleged financial irregularities.
Since Wednesday, both quarelling sides have attempted to use private security firms to remove the competing "directors" from the premises. The whole situation has acquired a distinct operetta feel.
The whole TV crisis can be seen in general terms as a clash of ideologies.
Czech Television is a post-Communist colossus, with many habits from the Communist era still surviving to this very day in its rather distinctive ethos. As media professor Milan Šmíd has pointed out in one of his recent comments published on his Internet pages Louč (The Torch), "The businesswoman [such as Jana Dědečková] who simply wants things to work, soon runs up against the opposing ethos of the public institution, in which an employee's survival depends more on his loyalty to the organisation and his personal contacts than on the real performance of the organisation."
One can understand very well why the post-Communist ethos of untransparent informal wheeling and dealing within Czech TV must have annoyed the likes of Jana Dědečková, a self-made person who has built up a business purely as a result of her energetic belief in openness and free-market principles.
Adherents of free-market philosophy from the Civic Democratic Party tried to apply the principles of professionalism, openness and democratic accountability to an internal, post-Communist culture within Czech TV—exactly the opposite of all these things.
Dědečková and her supporters have acted clumsily and have committed a number of mistakes which her opponents at Czech TV and in the opposition Freedom Union party used with great glee and to great success.
What is remarkable is that in defending the status quo, the rebelling TV journalists have fully resorted to techniques which have their origin in the infamous Communist era. They abandoned all the remnants of the critical detachment demanded of public service broadcasting and resorted to putting out systematic political propaganda. Sustained propaganda campagins by the Czech media have their origin in the Stalinist 1950s and in the neo-Stalinist 1970s. The TV rebels have reverted to some of the techniques of character assassination, used by the former Communist secret police.
The use of (edited) private mobile telephone bills in a television programme for the character assassination of your opponent is reminiscent of similar actions carried out by the Communist secret police against dissidents in the 1970s and 1980s. The secret police would tap dissidents' telephone conversations and then would broadcast edited versions of these conversations on national radio or television in order to discredit them.
Fred Eidlin, writing in the 1970s about the "Logic of Normalisation" in Czechoslovakia after the Warsaw Pact invasion of August 1968, has pointed out that much of the politics of the 1968 liberalising Prague Spring had taken the form of "resolutions, issued by collectives of workers" supporting this or that liberalising idea. Eidlin rightly comments that the practice of sending large numbers of resolutions in support of a political idea is a remnant of a Stalinist practice: in the 1950s, workers were expected to send numerous collective letters condemning the class traitors, sentenced to death or long prison terms during the Stalinist show trials.
Similar techniques have resurfaced again today. Over the past month or so, various Czech organisations have been similarly sending in "resolutions," supporting the "just cause of the Czech TV freedom fighters," and in a way, Czech society has reverted to its Stalinist past.
But people seem to love it, and they do not demand proper, unbiased information.
Those Czech politicians who have supported the Czech TV rebels, both from the social democratic party and from the Freedom Union party, now have much greater support from the public than before the TV crisis. The greatest gains have been recorded by the Freedom Union party.
A struggle for freedom of speech by the TV journalists has been fully identified with a political campaign by a single political movement. The fighters for freedom of speech demand that the executive power of elected members of Parliament should be lessened, that the power of political party secretariats should be curtailed and that society, including its elites, should be shamelessly manipulated to particular political ends. Is all this the result of degeneration of the intellectual elite in the Czech nation due to its tragic history of subjugation over the past half century or so?
Is the situation in Czech society made worse by the fact that a negative selection process is taking place? Is the current Czech electoral system of proportional representation contributing to this because people do not vote for individual members of Parliament but for party secretariats, which then decide which party activists will be representing the voters in Parliament? Does this not mean that only the most malleable and the most third-rate candidates make it into parliament?
Why is it that almost no representative of the Czech elite demands adherence to and enforcement of the law? Why is it that the TV rebels have been broadcasting illegally for a month now without the law being applied to them once?


text:
Tale of emperor's murder unfolds in School of Drama's 'Death of Yazdgerd'
YSM professor uses acting in the classroom to help engage students
Bulldog Sustainability takes on waste during The Game
In memoriam: Vincent Scully, beloved teacher 'helped shape a nation'
Vincent J. Scully Jr., Sterling Professor Emeritus of the Arts, one of the nation's most influential and respected architectural historians, and a legendary and beloved teacher to generations of Yale students died of complications of Parkinson's disease...
Racial disparities in CT cities highlighted during forum at YSPH
Former CIA director and Obama adviser to take part in conversation
Former CIA director John Brennan will take part in a conversation on Wednesday, Dec. 6, with Harold Hongju Koh, Sterling Professor of International Law at the Law School. His visit is co-sponsored by the Poynter Fellowship in Journalism and The Politic...
Better vaccine targeting: study identifies key mechanism
In a study led by researchers at Yale and The Jackson Laboratory, investigators zeroed in on a specific cell type that is uniquely responsible for activating a strong response to vaccination. The insight could lead to changes in how vaccines are developed...
2018 Yale-Harvard football game moved to Fenway Park
Yale Bookstore and Campus Customs offering discounts to Yale community
Members of the Yale community with a valid ID can get discounts this season at the Yale Bookstore and Campus Customs. The Yale Bookstore, located at 77 Broadway, is offering 20% off purchases from Friday, Dec. 8 through Sunday, Dec. 17 (excluding...
Remembrances of Vincent Scully
Members of the Yale community and beyond share their memories of renowned art historian and beloved teacher Vincent Scully, who died on Nov. 30, 2017. To submit your own remembrance, send an email to news@yale.edu. When the New Yorker featured a profile...
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text:
Пово́йничковые () — семейство цветковых растений порядка Мальпигиецветные.

Распространение
Повойнички распространены по всему миру, от тропических до умеренных широт, но наибольшего разнообразия достигают именно в умеренной зоне. Бергия произрастает в умеренной зоне и тропиках Евразии и Африки, один или два вида обнаружены в Америке. Центром биологического разнообразия бергии являются тропики Старого Света, здесь же наибольшего разнообразия достигает все семейство. Ни один род не обнаружен в арктических экосистемах.

Ботаническое описание
Представители первого рода (повойничек) главным образом являются водными травами, а второго — полукустарниками и кустарниками.

Представители семейства имеют небольшие двуполые цветки, собранные в соцветия-завитки или одиночные, с 2—5 лепестками. Листья в мутовках или очередные, с железками по краям и прилистниками. Некоторые водные повойнички имеют редуцированное строение, что является адаптацией к водной среде обитания.

Хозяйственное значение и применение
,  и Elatine macropoda часто выращивают в аквариумах.

Роды
По информации базы данных The Plant List (на июль 2016) семейство включает 2 рода и 57 видов:

 , включает 29 видов
 , включает 28 видов

Примечания

Ссылки

 Elatinaceae  in L. Watson and M.J. Dallwitz (1992 onwards). The families of flowering plants: descriptions, illustrations, identification, information retrieval.
 http://delta-intkey.com
 http://cafe.naver.com/knowfreshwaterfish/54

Мальпигиецветные
Семейства растений

redpajama_set_name: RedPajamaWikipedia


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                </para>
            </listitem>
        </varlistentry>
        <varlistentry>
            <term><parameter>zNear</parameter></term>
            <listitem>
                <para>
                    Specifies the distance from the viewer to the near clipping plane
                    (always positive).
                </para>
            </listitem>
        </varlistentry>
        <varlistentry>
            <term><parameter>zFar</parameter></term>
            <listitem>
                <para>
                    Specifies the distance from the viewer to the far clipping plane
                    (always positive).
                </para>
            </listitem>
        </varlistentry>
        </variablelist>
    </refsect1>
    <refsect1 id="description"><title>Description</title>
        <para>
            <function>gluPerspective</function> specifies a viewing frustum into the world coordinate system.
            In general, the aspect ratio in <function>gluPerspective</function> should match the aspect ratio
            of the associated viewport. For example,
            <inlineequation><mml:math>
                <!-- eqn: aspect  =  2.0:-->
                <mml:mrow>
                    <mml:mi mathvariant="italic">aspect</mml:mi>
                    <mml:mo>=</mml:mo>
                    <mml:mn>2.0</mml:mn>
                </mml:mrow>
            </mml:math></inlineequation>
            means
            the viewer's
            angle of view is twice as wide in <emphasis>x</emphasis> as it is in <emphasis>y</emphasis>.
            If the viewport is
            twice as wide as it is tall, it displays the image without distortion.
        </para>
        <para>
            The matrix generated by <function>gluPerspective</function> is multipled by the current matrix,
            just as if <citerefentry><refentrytitle>glMultMatrix</refentrytitle></citerefentry> were called with the generated matrix.
            To load the perspective matrix onto the current matrix stack instead,
            precede the call to <function>gluPerspective</function> with a call to <citerefentry><refentrytitle>glLoadIdentity</refentrytitle></citerefentry>.
        </para>
        <para>
            Given <emphasis>f</emphasis> defined as follows:
        </para>
        <para>
            <informalequation><mml:math>
                <!-- eqn: f   =  cotangent(fovy over 2):-->
                <mml:mrow>
                    <mml:mi mathvariant="italic">f</mml:mi>
                    <mml:mo>=</mml:mo>
                    <mml:mrow>
                        <mml:mi mathvariant="italic">cotangent</mml:mi>
                        <mml:mo></mml:mo>
                        <mml:mfenced open="(" close=")">
                            <mml:mfrac>
                                <mml:mi mathvariant="italic">fovy</mml:mi>
                                <mml:mn>2</mml:mn>
                            </mml:mfrac>
                        </mml:mfenced>
                    </mml:mrow>
                </mml:mrow>
            </mml:math></informalequation>
            The generated matrix is
        </para>
        <para>
            <informalequation><mml:math>
                <!-- eqn: left (    matrix {    ccol { f over aspect above 0 above 0 above 0 }    ccol { 0 above f above 0 above 0 }    ccol { 0 above 0 above {zFar + zNear} over {zNear - zFar} above -1 }    ccol { 0 above 0 above {2 * zFar * zNear} over {zNear - zFar} above 0} }      right ):-->
                <mml:mfenced open="(" close=")">
                    <mml:mtable>
                        <mml:mtr>
                            <mml:mtd>
                                <mml:mfrac>
                                    <mml:mi mathvariant="italic">f</mml:mi>
                                    <mml:mi mathvariant="italic">aspect</mml:mi>
                                </mml:mfrac>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                        </mml:mtr>
                        <mml:mtr>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mi mathvariant="italic">f</mml:mi>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                        </mml:mtr>
                        <mml:mtr>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mfrac>
                                    <mml:mfenced open="" close="">
                                        <mml:mrow>
                                            <mml:mi mathvariant="italic">zFar</mml:mi>
                                            <mml:mo>+</mml:mo>
                                            <mml:mi mathvariant="italic">zNear</mml:mi>
                                        </mml:mrow>
                                    </mml:mfenced>
                                    <mml:mfenced open="" close="">
                                        <mml:mrow>
                                            <mml:mi mathvariant="italic">zNear</mml:mi>
                                            <mml:mo>-</mml:mo>
                                            <mml:mi mathvariant="italic">zFar</mml:mi>
                                        </mml:mrow>
                                    </mml:mfenced>
                                </mml:mfrac>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mfrac>
                                    <mml:mfenced open="" close="">
                                        <mml:mrow>
                                            <mml:mn>2</mml:mn>
                                            <mml:mo>×</mml:mo>
                                            <mml:mi mathvariant="italic">zFar</mml:mi>
                                            <mml:mo>×</mml:mo>
                                            <mml:mi mathvariant="italic">zNear</mml:mi>
                                        </mml:mrow>
                                    </mml:mfenced>
                                    <mml:mfenced open="" close="">
                                        <mml:mrow>
                                            <mml:mi mathvariant="italic">zNear</mml:mi>
                                            <mml:mo>-</mml:mo>
                                            <mml:mi mathvariant="italic">zFar</mml:mi>
                                        </mml:mrow>
                                    </mml:mfenced>
                                </mml:mfrac>
                            </mml:mtd>
                        </mml:mtr>
                        <mml:mtr>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mn>-1</mml:mn>
                            </mml:mtd>
                            <mml:mtd>
                                <mml:mn>0</mml:mn>
                            </mml:mtd>
                        </mml:mtr>
                    </mml:mtable>
                </mml:mfenced>
            </mml:math></informalequation>
        </para>
    </refsect1>
    <refsect1 id="notes"><title>Notes</title>
        <para>
            Depth buffer precision is affected by the values specified for
            <parameter>zNear</parameter> and <parameter>zFar</parameter>.
            The greater the ratio of <parameter>zFar</parameter> to <parameter>zNear</parameter> is,
            the less effective the depth buffer will be at distinguishing between
            surfaces that are near each other.
            If
        </para>
        <para>
            <inlineequation><mml:math>
                <!-- eqn: r  =  zFar over zNear:-->
                <mml:mrow>
                    <mml:mi mathvariant="italic">r</mml:mi>
                    <mml:mo>=</mml:mo>
                    <mml:mfrac>
                        <mml:mi mathvariant="italic">zFar</mml:mi>
                        <mml:mi mathvariant="italic">zNear</mml:mi>
                    </mml:mfrac>
                </mml:mrow>
            </mml:math></inlineequation>
        </para>
        <para>
        </para>
        <para>
            roughly
            <inlineequation><mml:math>
                <!-- eqn: log sub 2 (r):-->
                <mml:mrow>
                    <mml:msub><mml:mi mathvariant="italic">log</mml:mi>
                    <mml:mn>2</mml:mn>
                    </mml:msub>
                    <mml:mo></mml:mo>
                    <mml:mfenced open="(" close=")">
                        <mml:mi mathvariant="italic">r</mml:mi>
                    </mml:mfenced>
                </mml:mrow>
            </mml:math></inlineequation>
            bits of depth buffer precision are lost.
            Because
            <inlineequation><mml:math><mml:mi mathvariant="italic">r</mml:mi></mml:math></inlineequation>
            approaches infinity as <parameter>zNear</parameter> approaches 0,
            <parameter>zNear</parameter> must never be set to 0.
        </para>
    </refsect1>
    <refsect1 id="seealso"><title>See Also</title>
        <para>
            <citerefentry><refentrytitle>gluOrtho2D</refentrytitle></citerefentry>,
            <citerefentry><refentrytitle>glFrustum</refentrytitle></citerefentry>,
            <citerefentry><refentrytitle>glLoadIdentity</refentrytitle></citerefentry>,
            <citerefentry><refentrytitle>glMultMatrix</refentrytitle></citerefentry>
        </para>
    </refsect1>
    <refsect1 id="Copyright"><title>Copyright</title>
        <para>
            Copyright <trademark class="copyright"></trademark> 1991-2006
            Silicon Graphics, Inc. This document is licensed under the SGI
            Free Software B License. For details, see
            <ulink url="http://oss.sgi.com/projects/FreeB/">http://oss.sgi.com/projects/FreeB/</ulink>.
        </para>
    </refsect1>
</refentry>

redpajama_set_name: RedPajamaGithub


Start Transform off right with an awesome main plenary session where you'll hear from Roz Buick, Vice President, Buildings Group, Trimble.
Roz has been with Trimble for 20 years and has held various positions in the Construction and Agricultural divisions.
Roz will outline where we are focused today, and, more importantly, tomorrow as she takes us through the Trimble journey as we celebrate its 40th anniversary.
We have a great line-up of speakers for Sydney this year and once again we'll kick-off with the return of Adrian Hart of BIS Oxford Economics as our Keynote speaker, who will update us on the Australian Economic conditions. Adrian travels across Australia speaking at conferences and he's built up quite a following within our industries.
Clayton Riddle – Arup – Optus Stadium (Perth) – the Implementation of OpenBIM and Digital Design in Delivering a State-of-the-Art Stadium. Clayton Riddle will tell you how this world-class 60,000 seat multi-purpose modern day coliseum, set new industry benchmarks in the application of open BIM and digital engineering collaboration.
And that's just the tip of iceberg. Transform 2019 is shaping up to be the best yet and will definitely be an event you cannot afford to miss.
Don't miss this opportunity to meet and interact with your peers as well as the Herga Group and Trimble team all in one spot.


text:
// Copyright 2016 The Chromium Authors. All rights reserved.
// Use of this source code is governed by a BSD-style license that can be
// found in the LICENSE file.

// Message definition file, included multiple times, hence no include guard.

#include "base/time/time.h"
#include "components/subresource_filter/content/common/document_load_statistics.h"
#include "components/subresource_filter/core/common/activation_state.h"
#include "content/public/common/common_param_traits_macros.h"
#include "ipc/ipc_message_macros.h"
#include "ipc/ipc_message.h"
#include "ipc/ipc_platform_file.h"
#include "url/ipc/url_param_traits.h"

#define IPC_MESSAGE_START SubresourceFilterMsgStart

IPC_ENUM_TRAITS_MAX_VALUE(subresource_filter::ActivationState,
                          subresource_filter::ActivationState::LAST);

IPC_STRUCT_TRAITS_BEGIN(subresource_filter::DocumentLoadStatistics)
  IPC_STRUCT_TRAITS_MEMBER(num_loads_total)
  IPC_STRUCT_TRAITS_MEMBER(num_loads_evaluated)
  IPC_STRUCT_TRAITS_MEMBER(num_loads_matching_rules)
  IPC_STRUCT_TRAITS_MEMBER(num_loads_disallowed)
  IPC_STRUCT_TRAITS_MEMBER(evaluation_total_wall_duration)
  IPC_STRUCT_TRAITS_MEMBER(evaluation_total_cpu_duration)
IPC_STRUCT_TRAITS_END()

// ----------------------------------------------------------------------------
// Messages sent from the browser to the renderer.
// ----------------------------------------------------------------------------

// Sends a read-only mode file handle with the ruleset data to a renderer
// process, containing the subresource filtering rules to be consulted for all
// subsequent document loads that have subresource filtering activated.
IPC_MESSAGE_CONTROL1(SubresourceFilterMsg_SetRulesetForProcess,
                     IPC::PlatformFileForTransit /* ruleset_file */);

// Instructs the renderer to activate subresource filtering for the currently
// ongoing provisional document load in a frame. The message must arrive after
// the provisional load starts, but before it is committed on the renderer side.
// If no message arrives, the default behavior is ActivationState::DISABLED.
IPC_MESSAGE_ROUTED3(SubresourceFilterMsg_ActivateForProvisionalLoad,
                    subresource_filter::ActivationState /* activation_state */,
                    GURL /* url */,
                    bool /* measure_performance */);

// ----------------------------------------------------------------------------
// Messages sent from the renderer to the browser.
// ----------------------------------------------------------------------------

// Sent to the browser the first time a subresource load is disallowed for the
// most recently commited document load in a frame. It is used to trigger a
// UI prompt to inform the user and allow them to turn off filtering.
IPC_MESSAGE_ROUTED0(SubresourceFilterHostMsg_DidDisallowFirstSubresource);

// This is sent to a RenderFrameHost in the browser when a document load is
// finished, just before the DidFinishLoad message, and contains statistics
// collected by the DocumentSubresourceFilter up until that point: the number of
// subresources evaluated/disallowed/etc, and total time spent on evaluating
// subresource loads in its allowLoad method. The time metrics are equal to zero
// if performance measurements were disabled for the load.
IPC_MESSAGE_ROUTED1(
    SubresourceFilterHostMsg_DocumentLoadStatistics,
    subresource_filter::DocumentLoadStatistics /* statistics */);


20 Day New Zealand Drive Around, Self Drive Tour have been pre-planned and for ease and peace of mind we have pre-booked all your accommodation and sightseeing needs to allow a truly memorable experience.
On arrival in Auckland, 'The City of Sails', collect your rental vehicle and continue to your hotel.
Today is at your leisure to enjoy the Bay of Islands and Northland. You might like to book an optional Cape Reinga & 90 Mile Beach day tour or take time to explore Kerikeri. Optional activities not included in the tour price.
Departing the Central Plateau, head south through farmlands to the capital city, Wellington.
Farewell Greymouth and continue south along the West Coast to reach the glacier region.
Depart Queenstown this morning for the short journey to Te Anau. Enjoy a free day in Te Anau today. Optional activities include travelling via the world famous Milford Sound or an excursion to the Te Anau glowworm caves. Optional activities not included in the tour price.
Leave Te Anau this morning for a drive through historical Central Otago to the Scottish influenced city of Dunedin.
This morning enjoy a sightseeing tour of Dunedin city. You may wish to take an optional tour to Otago Peninsula this afternoon to visit Larnach Castle or view the resident penguin or albatross colonies. Optional activities not included in the tour price.


Holding law degrees in both the United States and Ireland, Aidan focuses on foreign direct investment matters, providing business, agency and project development services in the United States and Europe. He is a Fellow of the Smurfit Graduate School of Business at University College Dublin and Founding member of their North American Board.
Since his move to the United States in 1986, Aidan has assisted hundreds of companies in the United States, Ireland and the European Union, including banks, real estate investors, life sciences and technology venture capital firms and service and technology companies, particularly those looking to establish and be capitalized in the United States. His clients also include numerous high net worth individuals and world-class athletes. In addition, Aidan has assisted Canadian and American companies with public procurement projects in Ireland. The majority of Aidan's clients are serviced by Sullivan & Worcester's real estate, tax, corporate and litigation practice areas.
Aidan has served as a foreign direct investment consultant to Ireland's leading law firm, A&L Goodbody, for over 25 years. In this role, he has assisted American corporations as they enter Ireland and the EU. He also serves on several advisory boards, including The Cashman Group, Patriot Renewables, Connelly Partners, PEC, Inc. and The Irish American Partnership. He is also the Chairman of the Boston Friends of the Gaelic Players Association.


text:
Q: Laravel application response with 429 http-status-code I have a web application (Angular front, Laravel backend API). In that there is a section where I have messaging system. Basically four user roles can post and read messages.
When a user logged in I needs to check every 10 seconds to see if there are new messages for any user of any role(out of 4 roles).
This works fine but from time to time I get http status code of 429 Too many request. I have no idea what is the reason. Anyone have an idea of what is the reason or can point me to the right direction in order to fix this?
Note: I have a custom field system build and I use that to hold extra data of messages. I notice that when i fetch messages considerable number of models related to custom fields also quarried. Can this be a reason?

A: I found the solution and here are my steps.

*

*I needed to find all my request going to the API, for that I installed this package API logger. Using this I examined the requests and there I found some request made to the API over and over.

*I corrected the requests made to the API and the issue seems to fixed.

redpajama_set_name: RedPajamaStackExchange


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This is a reminder to myself as to why I should always write these shortly after going. It took me a good 20 minutes of reviewing my photos and my dropped pins on google maps before I could remember exactly where we went while visiting Villars-Sur-Ollon.
After analyzing the map above, I remebered that we parked at the train station in Villars (1253 m). We then took the train to Bretaye (1809 m). From the train we hiked up a wide gravel path to Roc d'Orsay (1976 m).
After resting a bit at Roc d'Orsay, smelling some flowers and enjoying the views we continued uphill for a short distance longer until we found a footpath through a grassy field. We followed the footpath until it ended.
This footpath wasn't marked, however it offered the most amazing views and I felt like I was in the filming scene from the Sound of Music.
The small footpath we opted to try leading to nowhere (other than beautiful views).
Once the footpath ended we found ourselves with 2 choices. Turn back and go back down the way we had come or try "off-roading" it to get back to the Bretaye train station. We could see where we needed to go so we decided to make our own way back. It ended up being a bit more difficult than we had planned as it was quite rocky in some areas and steep in areas as well.
Eliana on the unmarked footpath. Once it ended we "off-roaded" back down to the trail in the distant far right.
If we had stayed on the path than it would have been stroller friendly as it was a wide gravel path. The gravel was loose so I would recommend a stroller with large wheels meant for off-roading. Also note that the walk we chose was uphill the entire way. We walked from 1809 m to 1976 m, so our incline was 167 meters.
Eliana, tired of going uphill.
Bretaye offers a restaurant and other paths in different directions from the train station. After our journey up and down we visited the restaurant Hotel du Lac. The restaurant also had a few child friendly toys for the children to use while we sat on the patio with drinks and food.
Just behind the restaurant is a lake, some lodging houses and several more trails to choose from.
Small lodges behind the restaurant and Eliana enjoying a large rock to rest on while she admires the wildflowers.
After we took the train back down to Villars-Sur-Ollon where we had parked we drove about 5 minutes to an outdoor playground that is included with your train ticket. The playground has a mini golf area and small children's train in addition to playground equipment.


text:
The Magnificent Seven - 4K Ultra HD
Batman Forever 4K Ultra HD Ultimate Collector's Edition with Steelbook
Batman & Robin Ultimate Collectors Edition 4K Ultra HD Steelbook (includes Blu-ray)
In director Antoine Fuqua's modern vision to a classic story, the desperate townspeople of Rose Creek employ protection from seven outlaws, bounty hunters, gamblers and hired guns after the town falls under the deadly control of industrialist Bartholomew Bogue. As they prepare the town for the violent showdown that they know is coming, these seven mercenaries find themselves fighting for more than money.
Blu-ray & UHD Special Features:
Directing the Seven featurette
Rogue Bogue featurette
The Seven featurette
Magnificent Music featurette
Exclusive to Blu-ray & UHD – Vengeance Mode with Antoine Fuqua and The Seven – "The Seven" and director Antoine Fuqua break down key scenes and discuss making this extraordinary film.
Exclusive to Blu-ray & UHD – Deleted Scenes
Exclusive to Blu-ray & UHD – Gunslingers featurette
Exclusive to Blu-ray & UHD – The Taking of Rose Creek featurette
BONUS DISC (included with Blu-ray, UHD and Day Zero Limited Edition SKUs)
SEVEN TALES OF MAKING THE MAGNIFICENT SEVEN – BONUS DISC
A unique perspective on the making of this epic film, seven tales that will take you inside the world of the movie. Woven together with graphic and narrative elements to create the feel of an anthology of stories, be immersed in every detail of how the film was crafted by Director Antoine Fuqua and his cast & crew.
WHY WE WANT TO BE COWBOYS
Dives into why this cast loves the genre and realized a lifetime dream by strapping on six guns, climbing on a horse and living the Old West for a few months.
FASTEST GUN IN THE WEST
Explores the process of gun training and how master armourer and fast draw expert Thell Reed taught the Seven to shoot.
THE MAGNIFICENT SEVEN RIDE
Takes us on horseback with the gang as they ride the trails of New Mexico. We will also get a hilarious tour of the Phony Pony from Chris Pratt.
BUILDING ROSE CREEK
Follows Production Designer Derek Hill on the massive task of designing and building the Western town that the film is set in. Complete with drone footage of the final accomplishment.
THE MAN IN BLACK
Costume Designer Sharen Davis created the unique looks of Denzel Washington, Chris Pratt and the rest of the Seven. Here, we get an inside look at the modern Western style of the wardrobe, from Faraday's carefree "dirty-sexy" apparel, to Horn's secluded mountain-man look, to Billy Rock's unique gun belt.
THE LEGEND OF THE WESTERN STUNTMAN
The men who assembled to do the stunts and action for the movie were a collection of cowboy legends. We'll watch them attack the 600+ saddle falls, the shootouts and the fights.
A MAGNIFICENT HISTORY
The guys take a look back at the 1960 iteration of The Magnificent Seven (and perhaps its sequels), and discuss the original versions of their characters, plot elements that have been updated for a modern audience, and the themes of the original that resonate to this day.
Click Images to Enlarge
English Dolby Atmos (Dolby TrueHD 7.1 Compatible), English – Audio Descriptive Track, French, German, Hungarian, Italian, Polish (VO), Portuguese, Russian, Spanish, Thai, Turkish 5.1 Dolby Digital
Manuel Garcia-Rulfo
English, English (Hard of Hearing), Arabic, Bulgarian, Chinese Traditional, Czech, Dutch, Estonian, French, German, Greek, Hebrew, Hungarian, Indonesian/Bahasa, Italian, Korean, Latvian, Lithuanian, Polish, Portuguese, Romanian, Russian, Slovak, Slovene, Spanish, Thai, Turkish
Please check region code before purchase.


In 2014, Minnesota homeowners will experience the largest property tax reduction in twelve years and will begin to benefit from the most significant reform of homestead taxation in at least three decades. The final property tax after refunds paid by the typical homeowner with a median income residing in a median value home will decline by over ten percent from 2013 to 2014 in the majority of Minnesota communities.
This report estimates final 2013 and 2014 property taxes after refunds for typical Minnesota homeowners using property value and tax information from the Minnesota Department of Revenue and median owner-occupied household income data from the U.S. Census Bureau's American Community Survey (ACS). Specifics regarding the data and methods used in and limitations of this analysis are described in the Introduction.
For a homeowner with an income equal to the statewide median (estimated at $72,431 in 2013 and $74,180 in 2014) living in a home with a value equal to the statewide median (estimated at $159,300 in 2013 and $158,300 in 2014) and subject to statewide average tax rates, property taxes dropped from $1,905 in 2013 to $1,592 in 2014, a decline of $313 or 16.4 percent.
Of course, not everyone has the median income and lives in a median value home. On a statewide basis and for selected cities, this report examines 2013 and 2014 homeowner property taxes under nine different scenarios by combining low, median, and high income levels with low, median, and high home values. In each case, "low" is defined as one-third below the median and "high" as defined as one third above the median. Based on statewide average tax rates, the smallest 2013 to 2014 property tax reduction was $44 (3.9 percent) for a high income homeowner living in a low value home, while the largest reduction was $484 (20.5 percent) for a median income homeowner in a high value home. The chief mechanism for delivering 2014 homeowner property tax relief is the expanded property tax refund, renamed the "homestead credit refund." This refund is targeted to homeowners who have high property taxes in relation to their ability to pay as measured by annual income. For this reason, homeowners with the greatest 2013 property tax relative to their income tended to receive the most property tax relief in 2014 as indicated in the following graph.
The income-sensitive property tax refund has been embraced by progressives, conservatives, and non-partisan policy wonks as a highly efficient way of reducing tax regressivity and directing tax relief to those homeowners who need it most. The large and widespread 2014 homeowner property tax reductions documented in this report were primarily due to the expansion of this program in the 2013 and 2014 tax acts in the form of the homestead credit refund.
On July 23,2014 I filed for a property tax refund and still haven't gotten it.What is going on here?
I still haven't gotten the answer to my question.WHAT IS GOING ON WITH MY REFUND?!
You'll have to contact Minnesota Department of Revenue.
Minnesota 2020 is a 501c3 and not a part of the Minnesota State government.
Sorry for the late reply to your question—I've been on the road the last few days and fell behind in replying to comments. In addition to Rachel's response, I spoke to folks at the MN Dept. of Revenue who informed me that the refund checks are generally mailed within 60 days of when they receive the application, so if you filed on July 23 you should be receiving your refund shortly.
Thank you for your excellent commentary and interesting points of view.


The Pittsburgh Parking Authority (Authority) is soliciting for bids from qualified respondents to provide Structural Steel Framing Repairs at our Wood-Allies Parking Garage. Documents will be available on the Authority's website Monday, May 9, 2016 at www.pittsburghparking.com and also at the main office of the Authority. A mandatory pre-bid meeting will be held at the Authority's main office at 10:00 am EST on Thursday, May 12, 2016.


So how much does it cost to order an award-winning interior design website?
If an interior designer gets asked for a quick quote on a project, the likelihood to heard an exact – or even a ballpark – figure in the next 5-7 minutes is as high as the likelihood of Elon Musk setting up his mission on Mars in the first quarter of 2019.
Every seasoned interior designer knows, that pricing depends on no less than a bazillion factors and no quotes should be provided without first finding out the answers to all of them, well, – most of them. Every seasoned designer learned it the hard way. Thusly the "seasoned" courtesy title.
How much does an interior design website cost?
Let's investigate. We've found 12 best websites and contacted their creators.
Similarly, website design pricing is a complex set of aspects vital for ascertaining the final figure on a client's bill. There is labor cost, there is complexity level, there is office rental fee, there is seasonality, there is country salary median, there is vanity factor, there is an urgency component, there is design saturation consideration, there are UX & UI ingredients to this riddle – to name just the very tip of this never-melting iceberg.
Once we have scared the interior designers amongst our readers into believing they will never be able to approach the field knowingly – just as pros from other industries will never be able to fully comprehend the intricacies of the interior design projects pricing, we are quick to reassure you: below we have compiled a step-by-step guide so anybody can understand the main principles of interior design website estimate.
In this piece we have undertaken to provide a thorough breakdown of the basic components, that constitute the final bill for a neat SEO-friendly website for an ambitious – if budding or established – interior design agency.
We've decided to look up how much an award-winning website costs, so we checked out the awwwards.com – THE authority in the web design domain, the Oscar of the UX, UI and web technology overall. We studied all the sites made for interior design studios or construction firms and reached out to their creators. It turned out to be a pretty untapped niche.
We've found 12 websites, and contacted their creators to comment.
Additionally, we looked into some other masterpieces of web design created for the talented breed of interior design artists. Welcome to discover these gems with us.
Cost of awwward-winning interior design websites – how much and why?
If you are not as curious as to have already checked out the Locomotive website, go ahead, let that cat-killing feeling inside you on the loose. Did you see? Yep, he smiles. And Mathieu's eyebrows!
Ok, now time to focus again, as we are going to quickly run through the website the Locomotive talented team developed for Canada's leading construction company.
Storytelling is what is vital for a corporate website of Pomerleau caliber. 50 years of growth, success, and dominance in the competitive and fundamental industry like construction demands for some proper storytelling. Website design absolutely nailed the mission.
At the first screen the user is met with dark assertive corporate colors, open smiley faces of the CEOs and the impressive-yet-lullabying message: "50 years of history". In the era where NASDAQ top 10 are mostly no older than 20 years old, 50 years sounds indeed like A LOT of history. The messaging is clear and upfront, yet subdued: you are now in safe professional hands of the leader who has proven its worth.
The storytelling continues to unfold as the user scrolls down the timeline of historical events, that propelled the company where it is now – among the leaders of construction in Canada. Parallax scrolling takes a reader on a long journey full of hallmark occasions and impressive achievements. Dark grey, that serves as a background to a timeline is permeated by the slim design elements in almost electric blue – giving it all: color, vividness and contemporary feel.
The menu burger is classic to the extent of conservative and the menu itself is bold and unavoidable. Navigation is enriched by micro-interactions and is rather intuitive.
Pricing Verdict: taking into account the extensive library of pages, that a website comprises, a custom-made CMS, and a myriad of awards garnered, the price tag is a deal, specifically for North America.
Eginstill is just a small interior design company based in Amsterdam. Naturally, they have commissioned the design of their website to an Amsterdam-based web design studio – Build in Amsterdam. Talk about a catchy Call to Action!
The website logic is based on a one-pager. So if you scroll long enough – you have seen it all. But this site does not come across as a landing page per se with the website featuring the menu and some fundamental sections, like Contacts and Team.
First impression: elegance, minimalism, laconic design. From the use of a very fine print to the choice of subdued classical palette, the design is definitely aiming to devote all the limelight to the imagery. Imagery of the interior design that is.
It is a well-weighted choice of a shrewd website designer when it comes to interior design websites: to allow the interior design works speak for themselves. So in a way, this is akin to a jeweler's mission: to polish and to provide a befitting frame for the anyway precious stone.
We loved the parallax scrolling and how the images swell up to their final size, giving the lively interactive contemporary feel to it and slight 3D effect.
The UX is intuitive, with both a "+" and the basic one-word CTA "show" both signaling in unison where more content is hidden. A simple recognizable icon of 2 images and the "Slideshow" are used for those curious to see more images.
Pricing Verdict: this is undeniably a neat website executed with a great extent of aesthetics and style, but from the technical point of view it is still rather straightforward. Western Europe mentality is reflected in every pixel of the website, so the price tag also is pretty much Western European.
New developments are not a rarity in Georgia, the birthplace of wineTM. The small country in the Caucasus has seen a boost of tourism and a drastic rise in investments after the collapse of the Soviet Union.
But this development was meant to be different. Tbilisi Gardens had all the chances of becoming the hot piece of real estate everybody who is anybody has got to have a cozy apartment in. To fit that high profile of the potential residents of this NewYork style skyscraper the developers hired one of the leading agencies in Georgia to design their website – Leavingstone.
The Team did a fantastic job that was ultimately recognized by a panel of Awwward peers and colleagues.
From the preloader animation to the subdued hues of spring green in the design – the introduction to the website is definitely welcoming, sophisticated and in line with the Garden naming. The very much true-to-life render of the development takes a user on a journey through the building and its floor plans. Scrolling down the floors is addictive and just be warned you might end up scrolling all the way down for that reason.
A project by QuadrumGlobal development and investment group with most of its $1 billion folios in the USA, this is their second project in Georgia. MYS Architects from Israel worked on the exterior design and overall architecture of the Tbilisi Gardens. Vincente Wolf, a designer inducted into the Hall of Fame by the Interior Design Magazine, was commissioned to elaborate the interior design of the multi-storied New York style building in Tbilisi.
We found the website so harmonious in its entirety – but specifically, we loved the logo of the development, that penetrates the design and is present on almost every page. The logo – looking like a triangle with rounded corners and inside curves is nothing less but the silhouette of the building itself if looked at from the top. So an observant user can recognize it in every floor plan.
To sum it up, if you guys feel like calling the sales department upon scrolling through the website to check out if there is any vacant apartment is available, like we do – the project is an ultimate success and is undoubtedly a great sales tool rather than a mere marketing necessity.
Pricing Verdict: money well-spent. We would expect little discounting needed by sales team to push Tbilisi Gardens with that complexity and appeal of the website.
A couple more examples, that follow below, are sited to mold a more saturated case-based background before we provide a few theoretical tips what to look for when considering the agency to commission your interior website design to.
Another 2 websites are not affiliated with interior design per se but belong to adjacent industries: architecture & construction. This is a good best practice to check out some neighboring niches to learn from and get a more rounded understanding of the entire field. As mentioned before, no pricing is available for these sites but we highly recommend you quickly scroll through them with us to analyze them from the user's perspective.
Another website for an industry adjacent to the interior design – a company dealing with construction and engineering. The niche itself is associated with low levels of creativity, but solidity, precision, in-depth expertize and reliability are the major factors when it comes to high appeal factors for their clients.
The corporate feel, however, has been somewhere softened by web designers by the extensive use of loading animations and scrolling effects along the website. The user is never left stranded with mere flat fixed cards and sections but rather is encouraged to explore more by interactive features, that reward for every move of the cursor.
Yet, the choice of font, imagery, colors, logic of the website is strictly corporate and is there to ooze professionalism and instill high levels of credibility in the company from the client's perspective at first visit.
UX, too, is deprived of much creative twist, but is easy to follow and predictable – however mundane it sounds, it is the best compliment for a UX designer. When a user feels like home and knows how to get to where he or she needs to end up – is the mission accomplished by the UX team. 01/04 is just one of the logistical arrows, scattered around the website for better navigation of the user. Even with Dutch language skills limited to "Dank Je", we felt at ease and never lost – while navigation the site.
The agency itself seems to be family run, but undeniably the team has talent and creative twist to it – you can check out their own webpage to see this fun interpretation of the classic statue.
Being able to subdue the levels of creativity existent in the team is just the talent you want to see in the web production studio when hiring to develop a website for your interior design website. Not only creativity means more hours for developers and animation designers translating into swollen budgets, but in some cases, it may overpower the creativity of the interior design agency itself.
Overall verdict: the website is rather extensive content-wise with lots of imagery, texts, and sections to it. An exquisite example of content being above the design itself, which is crucial for interior design websites. Nicely done from every angle: UX, UI, content, development.
The website for this architecture and planning bureau deservedly got the highest ranking from the Awwwards jury panel of website design pros out of the 5 examples we have provided for your better understanding of the pricing in interior design website design. The website is all: informative, easy to scroll around, integral in its concept and eloquent about the high standards of the company itself.
From the design perspective, a round shape was chosen as the leitmotif and it keeps popping up as you scroll along. The home page features like 5 or 6 of them and we physically felt comfort and safety once we landed onto that. The absence of any dangerous peaky corners in a smooth harmonious round shape is comforting if we are conscious of its effects or not. Being applied through the portal, it also gives a subliminal signal of consistency and high integrity.
Animations and micro-interactions are, too, professionally executed and also play a role of programming the user into associating the company with high levels of sophistication and advanced heights of technical acumen. This is exactly what you would want from a website representing an interior design firm. Above all, we loved how the projects are lined up along the route of the landscape map – that is a direct reference to what the company is doing and helps decipher that at first sight.
Overall verdict: with all things considered, a website of that caliber and that upper level of acknowledgment among colleagues, this Western European project renders a most enticing and sophisticated cyber image for the company.
Now that you have checked out what the final award-winning product may look like, it is time to provide you with some fundamental tips and clues, that will assist any interior design company to find just the right website agency to develop their website.
1. Decide on your budget – ideal one and the maximum one.
You need them both and they do depend on a myriad of factors. Your ideal budget will be the one, that will bring you ROI in the first year of operation. Your maximum one will be the one that after spending one more dollar your company will be out of business.
See how your current website fares to your direct competition's and try to estimate how much of market share you are losing due to the fact, that your web presence is inferior to that of your competition.
Doing a SWOT analysis may sound old school, but in fact, you may end up with useful insights as well as there is a likelihood of going up on the previously decided upon budgets.
Doing a Perceptual map exercise might be also a much-needed exercise to do – after all a website is a marketing and sales tool that is the only way to get business for too many niches now. So taking your time to break down your success factors and pinpoint your best positioning will help understand the role of the website for your company too.
Read, check, shop around. You have landed here in the attempt to best understand the pricing for the interior design for a reason, right? Smart move. Read as much as you can, check out all the best industry examples, send minimum 10 requests for a quote. Only this way you can see the responsiveness, the prices, the quality of communication – to find your perfect match.
4. Draft what is important for you: the content, the backend, the custom CMS, the design, the UX etc.
For example, the less animation and interactive features the website has, the less hours developers need to spend on it, the less it will cost. Need to blow your clients off their feet at first sight with breath-taking animation? Prepare to open your wallet wide.
Make it as complete as you can and provide the examples you loved.
6. Send your requests for quote to developed countries, developing countries and underdeveloped ones too.
2-3 should see what the offer is in the developing countries with a high concentration of technical brains, like India & Philippines.
Bonus tip: As a rule of a thumb, developing countries might have the sweetest pricing spot for small-to-medium businesses. If your website mostly needs to serve as a cyber business card for your business and only features portfolio, contacts, story, and the team – this requires a major focus on design as opposed to programming. Checking out the top agencies in Baltic countries, Ukraine, Belarus, Romania might yield positive results – with top talent being moderately priced yet competitively trained. For a European client, the convenience of being in the same time zone is also an advantage in this case.
7. Only choose where you send the RFP after investigating the portfolio of the website production you got interested in.
Highly Awwwarded agency? Guess what? They are likely to know their worth and be on the higher end of pricing. New to the Awwwards' winners' board? Could be hungry and ambitious, why not try your luck.
8. You don't get a bargain without bargaining.
This is obvious, isn't it? If your deadlines are flex, if the season is low, if the agency just got an influx of interns, if the sales team just had a coffee and a cake and feels like discounting – there are virtually hundreds of reasons for a lower price, you might not be aware of.
Just ask. Just specify your budgets and see what happens.
What is the worst thing that could happen? Somebody else will get to develop your interior design website.
Now, that you have been armed with quite a bit of theory and have been immersed into the real-life cases, you might want to further widen your horizons before sending all those requests for proposal.
Once you have looked around enough and are ready to send your RFPs out, we will be most delighted to check out your needs and come up with our best quite for you – feel free to drop us a message.


This is a placeholder page for Tony Perrotta, which means this person is not currently on this site. We do suggest using the tools below to find Tony Perrotta.
You are visiting the placeholder page for Tony Perrotta. This page is here because someone used our placeholder utility to look for Tony Perrotta. We created this page automatically in hopes Tony Perrotta would find it. If you are not Tony Perrotta, but are an alumni of Kensington High School Buffalo, NY, register on this site for free now.


OK, by now you're probably well aware of Nicholas Negroponte's One Laptop Per Child (OLPC) foundation and it's $100 (sic) XO laptop. But the more things change, the more they stay the same. Yes, that one hundred dollar laptop has swelled to a manufacturing cost of approximately $175 per unit. Likewise, the XO laptop that was once chided by Bill Gates for its modest screen, crank-up power supply, and lack of Windows support has now been fully embraced by Gates, with a special version of Windows XP for the XO apparently in the works.
What's all of this got to do with the rest of us? Well, the recent release of ASUS's similarly-sleek and low-cost Eee PC has many analysts predicting big things for the low-cost, low-power laptop product range. Aside from the Village of the Damned marketing photos and its somewhat politically incorrect PR copy ("designed for…young students, children, housewives, the elderly…"), the Eee PC shares many of the same specs as the XO laptop: a solid-state design with 7-inch LCD, Linux OS, 512 Mb RAM, 4 Gb MMC/SD storage, Wi-Fi 802.11 b/g, USB ports, and audio/video support. Furthermore, there are reports that the Eee PC contains the open-source Open Office suite.
These specs are all very well and fine, but the question on every DIYer's mind is what else can I do with it? Well, for one, would you believe Windows XP? ASUS claims its little notebook will support the full-fledged version, but better performance will probably gleamed from the diminutive bugger known as Tiny XP—a stripped-down, barebones version of Microsoft's OS that has been circulating on peer-to-peer networks for a while (download at your own risk!). In addition to this, ahem, ill-gotten OS, you will also need FSUM for building the Tiny XP ISO.
Now how about Skype Video for Linux on the Eee PC?
Once we get our hands on a $400 Eee PC, we'll test this and other hacks and publish a complete project report on this blog. Hopefully in time for purchasing a stocking stuffer for your fave DIYer who has everything.


One of my favorite books, very well researched, a lot of in depth information. If you are interested in the traditional methods, this is the book for you. I highly recommend it!!
I love this book!! A beautiful blend of technique and creative expression, this book will make you fall in love with painting. Richard Schmid is a master of direct painting. The new expanded edition is now available.
The book that helped me the most on the subject of color!
If you want to better your drawing skills, then this is the book for you (with its indispensable companion workbook). It' really a course on perception and the art of observation. A definite must have!
Only in french. Oil painting bible!! One of the best reference manual. Very technical and detailed. 639 pages and very few images. Not an easy read!
Reference book on art in general. The sections on oil painting offer a very complete overview of the subject. You will find, among other things, a chart of all the pigments and their chemical composition.
This book is perfect for beginners!! I very much enjoyed doing all of the exercises. A lot of basic, but very essential information.
Excellent book about colours with many illustrations.
Very interesting book on the art of brushwork. It shows the many different ways to manipulate your brushes and paint, where a lot of an artist's personality comes through.
This book illustrates a variety of reasons why a painting "doesn't work" and how to correct it. Knowing this beforehand helps you when you're in the composition phase.
Magnificent book on the art of glazing, a painting technique that uses light and transparency for beautiful effects.
A truly practical (and sometimes magical) look at the ever elusive creative muses and the mysteries of inspiration. Will change your perspective on what it is to be an artist.


text:
This is a list of notable alumni and faculty members of the Sharif University of Technology by profession.

Academics

 Farhad Ardalan, Professor of Particle Physics, APS Fellow
 Ehsan Afshari, Professor of Electrical Engineering and Computer Science at the University of Michigan
 Mohammad-Reza Aref, Professor of the Electrical Engineering department
 Reza Ghotbi, former lecturer of Maths
 Mehdi Bahadori, Professor of Mechanical Engineering
 William Chittick, Professor of Religious Studies at the State University of New York
 Mohammed Ghanbari, Professor of Electronic Systems Engineering at the University of Essex
 Mehdi Golshani, theoretical physicist and philosopher
 Fariborz Haghighat, Professor of Building, Civil and Environmental Engineering, Concordia University
 Ali Hajimiri, Thomas G. Myers Professor of Electrical Engineering at the California Institute of Technology (Caltech)
 Payam Heydari, Professor of Electrical Engineering at the University of California, Irvine (UCI)
 Ali Jadbabaie, Alfred Fitler Moore Professor of Electrical and Systems  Engineering at the University of Pennsylvania and MIT
 Kourosh Kalantar-zadeh, Inventor, Australian Research Council Laureate Fellow and Professor at the UNSW
 Nezam Mahdavi-Amiri, Distinguished Professor of Mathematics
 Reza Mansouri, Professor of physics at SUT and a visiting professor at the McGill University
 Alireza Mashaghi, Scientist at Harvard University and the Leiden University
 Maryam Mirzakhani, Professor of Mathematics at the Stanford University
 Mohammad Mahdi Nayebi, Professor of Electrical Engineering at the Sharif University of Technology
 Behzad Razavi, Professor of Electronics at the UCLA
 Fazlollah Reza, former Chancellor and professor at the MIT, McGill University, and University of Tehran
 Sayed Khatiboleslam Sadrnezhaad, Professor of Metallurgical Engineering
 Ali Akbar Salehi, Professor of Mechanical Engineering
 Jawad Salehi, Professor of Mechanical and Computer Engineering
 Homayoun Seraji, former Jet Propulsion Laboratory senior researcher
 Mohammad Shahidehpour, Director of Electrical Engineering at the Illinois Institute of Technology
 Siavash Shahshahani, Professor of Mathetmatics
 Saeed Sohrabpour, current Chancellor and professor in Mechanical Engineering
 Rahmat Shoureshi, President of Portland State University
 Mitra Aliabouzar, Research Assistant Professor of University of Michigan

Business
 Alex Mehr and Shayan Zadeh, founders of Zoosk.
Behdad Esfahbod, former Senior Staff Software Engineer at Google

Government and politics

 Morteza Alviri, former Mayor of Tehran
 Mohammad Atrianfar, politician
 Majid Farahani, reformist politician
 Ali Larijani , former Speaker of the Iranian Parliament
 Mohammad-Ali Najafi, politician and advisor
 Abdul Rahman Saleem, Islamic activist
 Maryam Rajavi, president of the PMOI
 Foad Mostafa Soltani, Kurdish political leader
 Abdul Rahman Saleem, British-Iranian Islamist activist

Arts and media
 Adel Ferdosipour, prominent football commentator
 Hamid Naderi Yeganeh, mathematical artist
 Mohsen Sazegara, journalist and political activist
 Peyman Yazdanian, pianist

Sports

 Ali Daei, retired footballer with all-time highest International goalscorer record
 Elshan Moradi, chess grandmaster

Presidents
 Dr. Mohammad Ali Mojtahedi from 1965
 Prof. Fazlollah Reza from 1968
 Dr. Mohammad Reza Amin from 1968
 Dr. Hossein Nasr from 1972
 Dr. Mehdi Zarghamee from 1975
 Dr. Alireza Mehran from 1977
 Dr. Hossein Ali Anvari from 1978
 Dr. Ali Mohammad Ranjbar from 1979
 Dr. Abbas Anvari from 1980
 Dr. Ali Akbar Salehi from 1988
 Dr. Mohammad Etemadi from 1993
 Dr. Sayed Khatiboleslam Sadrnezhaad from 1995
 Dr. Saeed Sohrabpour from 1997
 Dr. Reza Roosta Azad from 2010
 Dr. Mahmud Fotuhi Firuzabad from 2014

References

 Sharif University of Technology - Former Presidents

See also
 Higher education in Iran
 List of University of Tehran people
 List of Iranian scholars

Peple
Sharif


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We aim to be your friend in business – which means we will equip you with the business accounting services and information you need to make the best decisions for your business. Backed by more than four decades' experience in the industry, Peter Landers and his team of Geelong-based accountants have all the relevant qualifications, certifications and accreditations to put our clients' minds at ease.
Please contact us for personalised business accounting advice. We pride ourselves on friendly, professional and affordable service.
Peter A. Landers & Co. can also help with SMSF auditing and other accounting audits, as well as provide business valuation and taxation services in Geelong.


A lot of what I love about style has to do with the personalities that bask in its glow. Some people just hemorrhage personal style. Like Vivienne Westwood. She's fearless and looks like a whole freaking lot of fun.
Behold the rubber curtains on the right. Something about them is appealing. Also, that's Vivienne, in the blue. WOAH, can you believe it?
The shoes look like Mickey Mouse!
She's got it. I think she is pretty amazing and her team of designers, stylists that can interpret her vision. What I really like about the clothes is they are wearable. The styling is eccentric(love) but my reality dressing is less cheeky and more jackets, sweaters and jeans,I'd take the top portion of most any of her things, and I've always loved her dresses to fantasize in.
Fabby post, I love all the pics!
I think Viv is an awesome designer who never fails to amaze.
In my opinion the reason to why she's still the matchless grand dame of British fashion is that she's stayed true to the punk ethos of not conforming. A lot of people loose their spark, sense of fun & the glint in their eyes as they get older but Viv seems to be still brimming with piss & vinegar & she's a true English eccentric!
Hi! Havent seen this blog before, I love it!
I think Vivienne is an awesome designer who never fails to amaze!!!!
I always love the hair at her shows.
I'm sure you get this a lot, but, your blog is incredible.


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Kyogre in game: 1,197 Who?
Important notice! Pokemon Kyogre is a fictional character of humans.
Kyogre possesses the ability to expand the oceans. In ancient times, it came into conflict with Groudon, a Pokémon with the ability to expand continents. In Pokémon Sapphire, Emerald, and Alpha Sapphire, Kyogre is sought after by Team Aqua as part of their plot to compose more habitats for aquatic Pokémon by raising the sea level.
Primal Kyogre is similar to Kyogre, but it grows to more than twice its usual size. Its skin color changes to a darker shade of blue. The four trailing parts of its tail are considerably longer and flat at the ends, and each have half-translucent webbing down the middle. Its forehead now has the α symbol, which is connected to the two large oval-shaped spots and tail, and light blue α symbols are seen on each pectoral fin, connecting to the outer nails with a red marking connecting to the inner nails. The red stripes adorning its body become light blue. There are two yellow shaped symbols inside the oval-shaped spots. The white parts of Kyogre's body, as well as the areas between the markings on the pectoral fins, become half-translucent. A mysterious golden light glows from within Primal Kyogre's body. In the anime, Primal Kyogre is said to have widened the seas by a large margin simply by taking a swim.
Kyogre is said to be a powerful Pokémon, having control over the element of water and rain to have quenched areas of the world plagued with drought and to have expanded the seas. Kyogre is normally calm and peaceful, but if it meets its rival, Groudon, Kyogre will engage in a cataclysmic battle against it. In the Mystery Dungeon series and core series, Kyogre is able to fly. Kyogre generally lives deep in the ocean, and is said to rest in a deep trench. Kyogre is the only known Pokémon capable of learning the move Origin Pulse.
Kyogre's first anime appearance was in Gaining Groudon. Team Magma had captured Kyogre but didn't have the correct orb to control it. Team Magma planned to make a trade with Team Aqua, who had captured Groudon. The trade was about to be made when Archie decided to use Kyogre to destroy everyone, including his fellow henchmen. The battle between Kyogre and Groudon occurred during the following episode, The Scuffle of Legends.
A Kyogre appeared in the movie Pokémon Ranger and the Temple of the Sea. It had appeared along with countless other Water Pokémon when Ash replaced all of the Sea Crown's crystals. However, when The Phantom attempted to make all the Water types panic using supersonic waves from his ship, Kyogre too was part of the ensuing commotion. Manaphy calmed them down using Heart Swap to rid the Pokémon of their confusion, and some Wailord broke open The Phantom's ship, followed by some Chinchou swimming into the opening and short-circuiting the ship. Kyogre then used Hyper Beam on the ship, destroying it.
A Primal Kyogre appeared in Mega Evolution Special III, where it went on a rampage and battled with Primal Groudon. It also fought Steven's Mega Metagross, and was almost defeated by it until Metagross was defeated by Mega Rayquaza. It reappeared in Cloudy Fate, Bright Future! and The First Day of the Rest of Your Life! in the form of flashbacks.
A Kyogre and a Primal Kyogre appeared in the second XY series movie, Hoopa and the Clash of Ages, as one of the many Legendary Pokémon summoned by Hoopa.
Kyogre made its debut in the opening of Jirachi: Wish Maker.
Kyogre makes a cameo in the introduction of Destiny Deoxys, The Rise of Darkrai, Giratina and the Sky Warrior, and Zoroark: Master of Illusions.
A Kyogre appeared in SM005 as a fantasy.
A wild Kyogre appeared in The Cavern, where it was awoken by Archie inside the Seafloor Cavern, who used the Blue Orb to turn it into its Primal form. It escaped the Cavern and swam through its surrounding waters and surfaced above the ocean before composing a massive storm, threatening to destroy Hoenn. It was last seen attacking Archie and other members of Team Aqua when he tried to calm it down.
In the Emerald chapter, Guile Hideout succeeded in having Jirachi breed a Kyogre monster made of seawater that nearly sank the entire Battle Frontier.
Pokémon Pinball: Ruby & Sapphire: Kyogre is the focus of the second Bonus Field on the Sapphire Field. Kyogre will first use Sheer Cold to freeze the ball in place. It will then compose whirlpools to trap the ball further. Finally, it will dive into the water to evade being hit completely. However, air bubbles will appear where it is about to rise out of the water. Kyogre must be hit 15 times in three minutes to win. After beating the round twice, Kyogre will be captured.
Kyogre has the power to compose massive rain clouds that cover the entire sky and bring about torrential downpours. This Pokémon saved people who were suffering from droughts.
It took to sleep after a cataclysmic battle with Groudon.
After long years of feuding with Groudon, it took to sleep at the bottom of the sea.
It has the power to control water.
Legends tell of its many clashes against Groudon, as each sought to gain the power of nature.
Kyogre may be based on the Hebrew legends of Leviathan, the unconquerable primal master of the sea. Its counterparts were Behemoth and Ziz. Just as Kyogre is in conflict with Groudon, it was said that at the end of time Leviathan and Behemoth would start a battle that would kill them both. The Hebrew word for Leviathan is now used for whales in modern Hebrew, which may be why Kyogre's appearance also draws inspiration from whales, especially the orca.
Kyogre and Kaiorga may be a combination of 海 kai (ocean) and orca (a species described as a whale, but is more closely related to dolphins). Notably, it may also involve 海王 kaiō (king of the sea), which are the first two characters in 海王星 Kaiōsei (Neptune).


YS Park 234 Short Hair Design Comb, super flexible comb with fine head section for very short hair. The comb is strong enough to withstand bending under pressure and heat resistance up to 220c.
YS Park 234 Short Hair Design Comb, super flexible comb with fine head section for very short hair. The comb is strong enough to withstand bending under pressure and heat resistance up to 220c. Allows you to push flat against any curvature of the scalp and flexes to suitable angles for easy trimming around the ear. Extremely flat tips to accommodate the closest of cuts.