My father is British, and I am being told that I have "right of abode", what does this mean, and is this so? I would greatly appreciate any light that you can throw on this please.
To have right of abode means that persons are allowed to live or work in the United Kingdom (UK) without any immigration restrictions. This means that those persons will not need a visa to go to the UK and that there is no limit on the length of time persons can spend in the country.
All British citizens automatically have right of abode in the UK and some Commonwealth citizens may also have right of abode.
Persons can prove that they have right of abode if they have a United Kingdom passport describing them as British citizens or British subjects with right of abode. Otherwise persons will need to apply for a 'certificate of entitlement'.
Please note that there will be no change to the rights and status of European Union (EU) citizens currently living in the United Kingdom until June 30, 2021 or December 31, 2020 if the United Kingdom leaves the EU without a deal. Further, persons and their families can apply to the EU Settlement Scheme to continue living in the United Kingdom and the scheme will open fully by March 30, 2019.
Please note that if persons are part of the 'Windrush Generation', also known as 'Windrush cases', there is a different way to prove their right to live in the UK.
Persons may have right of abode in the United Kingdom either because of their parents or because they are or were married to someone with right of abode.
Persons can only get right to abode through marriage if they are a female Commonwealth citizen.
However, it should be noted that she may still have right of abode if she entered the United Kingdom while married and before August 1,1988, even if her husband had other wives in the United Kingdom. Also, if she had been in the United Kingdom since her marriage and at that time and was her husband's only wife to have legally entered the United Kingdom or been given permission to do so.


text:
The Bantam Tools Desktop CNC Milling Machine is Perfect for Any Maker or Small Manufacturer
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The Bantam Tools Desktop CNC Milling Machine is a versatile and powerful tool for any maker or small manufacturer. It's a great way to prototype and produce small parts and components. The machine is easy to use and set up, and it's very user-friendly.
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redpajama_set_name: RedPajamaCommonCrawl


text:
<?xml version="1.0" encoding="ascii"?>
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
          "DTD/xhtml1-transitional.dtd">

  <title>PyQt4.QtGui.QItemSelectionModel</title>
  <link rel="stylesheet" href="epydoc.css" type="text/css" />

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        PyQt4 ::
        QtGui ::
        QItemSelectionModel ::
        Class QItemSelectionModel

[hide private]

[frames] | no frames]

Class QItemSelectionModel

       object --+
                |
sip.simplewrapper --+
                    |
          sip.wrapper --+
                        |
           QtCore.QObject --+
                            |
                           QItemSelectionModel

Known Subclasses:

qgis._gui.QgsFeatureSelectionModel

QItemSelectionModel(QAbstractItemModel)
  QItemSelectionModel(QAbstractItemModel, QObject)

        Nested Classes
        [hide private]

        SelectionFlag

        SelectionFlags

      QItemSelectionModel.SelectionFlags(QItemSelectionModel.SelectionFlags)
        QItemSelectionModel.SelectionFlags(int)
        QItemSelectionModel.SelectionFlags()

        Instance Methods
        [hide private]

          clear(...)

          clearSelection(...)

          columnIntersectsSelection(...)

          currentChanged(...)

      QItemSelectionModel.currentChanged[QModelIndex, QModelIndex] [signal]

          currentColumnChanged(...)

      QItemSelectionModel.currentColumnChanged[QModelIndex, QModelIndex]
      [signal]

          currentIndex(...)

          currentRowChanged(...)

      QItemSelectionModel.currentRowChanged[QModelIndex, QModelIndex]
      [signal]

          emitSelectionChanged(...)

          hasSelection(...)

          isColumnSelected(...)

          isRowSelected(...)

          isSelected(...)

          model(...)

          reset(...)

          rowIntersectsSelection(...)

          select(...)

          selectedColumns(...)

          selectedIndexes(...)

          selectedRows(...)

          selection(...)

          selectionChanged(...)

      QItemSelectionModel.selectionChanged[QItemSelection, QItemSelection]
      [signal]

          setCurrentIndex(...)

Inherited from QtCore.QObject:
      __getattr__,
      blockSignals,
      childEvent,
      children,
      connect,
      connectNotify,
      customEvent,
      deleteLater,
      destroyed,
      disconnect,
      disconnectNotify,
      dumpObjectInfo,
      dumpObjectTree,
      dynamicPropertyNames,
      emit,
      event,
      eventFilter,
      findChild,
      findChildren,
      inherits,
      installEventFilter,
      isWidgetType,
      killTimer,
      metaObject,
      moveToThread,
      objectName,
      parent,
      property,
      pyqtConfigure,
      receivers,
      removeEventFilter,
      sender,
      senderSignalIndex,
      setObjectName,
      setParent,
      setProperty,
      signalsBlocked,
      startTimer,
      thread,
      timerEvent,
      tr,
      trUtf8

Inherited from sip.simplewrapper:
      __init__,
      __new__

Inherited from object:
      __delattr__,
      __format__,
      __getattribute__,
      __hash__,
      __reduce__,
      __reduce_ex__,
      __repr__,
      __setattr__,
      __sizeof__,
      __str__,
      __subclasshook__

        Class Variables
        [hide private]

        Clear = 1

        ClearAndSelect = 3

        Columns = 64

        Current = 16

        Deselect = 4

        NoUpdate = 0

        Rows = 32

        Select = 2

        SelectCurrent = 18

        Toggle = 8

        ToggleCurrent = 24

Inherited from QtCore.QObject:
      staticMetaObject

        Properties
        [hide private]

Inherited from object:
      __class__

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    Generated by Epydoc 3.0.1 on Tue Jun 14 13:29:15 2016

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redpajama_set_name: RedPajamaGithub


text:
Dylan Baker est un acteur américain, né le  à Syracuse (État de New York).

Biographie

Il interprète le  dans les films Spider-Man 2 (2004) et Spider-man 3 (2007).

De 2010 à 2015, il apparait dans huit épisodes de la série judiciaire The Good Wife. Il y incarne le tueur de femmes Colin Sweeney et obtient trois nominations aux Emmy Awards pour ce rôle.

En 2016, il joue un agent infiltré du KGB tout au long de la quatrième saison de la série d'espionnage The Americans.

En 2017, il reprend le rôle de Colin Sweeney dans le neuvième épisode de la première saison du dérivé The Good Fight. . En 2018, il joue également le sénateur Sam Paley durant la septième saison de la série d'espionnage Homeland.

En 2021, il joue dans la série anthologique The Hot Zone.

Filmographie

Cinéma

 1987 : Un ticket pour deux (Planes, Trains & Automobiles) de John Hughes : Owen
 1988 :  d'Anne Riley : Duffy Kahler
 1990 : Le Chemin de la liberté (The Long Walk Home) de Richard Pearce : Tunker Thompson
 1991 : Un crime dans la tête (Delirious) de Tom Mankiewicz : Blake Hedison
 1992 :  (Passed Away) de Charlie Peters : Unsworth
 1992 : Le Dernier des Mohicans (The Last of the Mohicans) de Michael Mann : capitaine De Bougainville
 1992 : Love Potion : Prince Geoffrey
 1993 : Graine de star (Life with Mikey) : M. Burns
 1994 : Radioland Murders : Jasper
 1994 : Harcèlement (Disclosure) de Barry Levinson : Philip Blackburn
 1995 :  (The Stars Fell on Henrietta) de James Keach : Alex Wilde
 1996 : True Blue de Ferdinand Fairfax : Michael Suarez, le jésuite
 1998 : Happiness de Todd Solondz : Bill Maplewood
 1998 : Celebrity de Woody Allen : le prêtre à la retraite catholique
 1999 : Simplement irrésistible (Simply Irresistible) de Mark Tarlov : Jonathan Bendel
 1999 : Oxygen de Richard Shepard : l'agent du FBI Jackson Lantham
 1999 : L'Ombre d'un soupçon (Random Hearts) de Sydney Pollack : Richard Judd
 2000 :  de Lisa Krueger : le superviseur de Carl
 2000 : Requiem for a Dream de Darren Aronofsky : le docteur
 2000 : The Cell de Tarsem Singh : Henry West
 2000 : Treize jours (Thirteen Days) de Roger Donaldson : Robert McNamara
 2001 : A Gentleman's Game de J. Mills Goodloe : Mr. Price
 2001 : Le Tailleur de Panama (The Tailor of Panama) de John Boorman : général Dusenbaker
 2001 : Le Masque de l'araignée (Along Came a Spider) de Lee Tamahori : Ollie McArthur
 2002 : Le Projet Laramie (The Laramie Project) de Moisés Kaufman : Rulon Stacey
 2002 : Dérapages incontrôlés (Changing Lanes) de Roger Michell : Finch
 2002 : Les Sentiers de la perdition (Road to Perdition) de Sam Mendes : Alexander Rance
 2002 : Grasp : Larry
 2003 : Président par accident (Head of State) de Chris Rock : Martin Geller
 2003 : How to Deal de  : Steve Beckwith
 2003 :  de Curtiss Clayton : Buck
 2004 : Spider-Man 2 de Sam Raimi :  Curt Connors
 2004 : Dr Kinsey (Kinsey) de Bill Condon : Alan Gregg
 2005 : The Matador, même les tueurs ont besoin d'amis (The Matador) de Richard Shepard : Lovell
 2005 : Stealing Martin Lane de James Furino : Parker Banks
 2005 : Trouble Jeu (Hide and Seek) de John Polson : shérif Hafferty
 2005 : Live at Five de Raymond Benson : Bob
 2006 : Pitch de Ian Gelfand : Professor Macy
 2006 : Fido d'Andrew Currie : Bill Robinson
 2006 : Bienvenue en prison (Let's Go to Prison) de Bob Odenkirk : Warden
 2007 : Le Cœur à vif (When a Man Falls in the Forest) de Ryan Eslinger : Bill
 2007 : Spider-Man 3 :  Curt Connors
 2007 : The Hunting Party de Sam Raimi : CIA Operative
 2007 : The Stone Angel de Kari Skogland : Marvin
 2008 : Trick 'r Treat de Michael Dougherty : Steven
2008 : Les Noces Rebelles de Sam Mendes : Jack Ordway
 2010 : Secretariat de Randall Wallace : Hollis Chenery
 2012 : Two Days in New York de Julie Delpy : Ron
 2015 : Selma d'Ava DuVernay : J. Edgar Hoover
 2016 : Catfight de Onur Tukel :
 2018 : Elizabeth Harvest de Sebastian Gutierrez

Télévision
{{Colonnes|nombre=2|
 1986 :  : Kevin O'Donnell
 1988 : Journey Into Genius :
 1988 :  (The Murder of Mary Phagan)
 1988 : Deux Flics à Miami (Miami Vice) : lieutenant Edward Jarell
 1988 : Spenser (Spenser: For Hire) : Sam Reynolds
 1990 :  : le père Delambre
 1992 : Lincoln and the War Within
 1993 : Bienvenue en Alaska (Northern Exposure) : Jeffy
 1993 : Love, Honor & Obey: The Last Mafia Marriage
 1996 : Murder One : inspecteur Arthur Polson
 1997 :  : Jack Gaffney
 1997 : Territoire interdit (Forbidden Territory: Stanley's Search for Livingstone) : Gordon Bennett
 1998 : L'Homme invisible (The Invisible Man) : Reager
 2001 : Big Apple : inspecteur Bob Cooper
 2001 : The Practice : Bobby Donnell et Associés (The Practice) : sénateur Keith Ellison
 2001 : Les Experts : Las Vegas (CSI: Crime Scene Investigation) : le père Powell
 2002 : The Big Time : le colonel
 2003 :  : Bob Pitt
 2003 : Un étrange enlèvement (The Elizabeth Smart Story) : Ed Smart
 2003 : À la Maison-Blanche (The West Wing) : Attorney General Alan Fisk
 2004 : New York 911 (Third Watch) : le conseiller Daniels
 2004 - 2006 et 2022 : New York, police judiciaire (Law & Order) : Sanford Rems
 2005 : La Vie comme elle est (Life As We Know It) : Roland Conner
 2005 : FBI : Portés disparus (Without a Trace) : Brian Stone
 2006 : Haskett's Chance : Maurice Bryant
 2006 : The Book of Daniel : Roger Paxton
 2007 : Drive : John Trimble
 2009 : Monk (Saison 8, épisode 6) : John Hannigan
 2009 : New York, section criminelle : Henry Muller
 2010 : Flashforward (Saison 1, épisode 10) : (inconnu dans l'escalier)
 2010-2015 : The Good Wife : Colin Sweeney (saison 1, 3, 5 et 6, 8 épisodes)
 2010 : Dr House (saison 7, épisodes 7) :
 2011 : Damages : Jerry Boorman (saison 4)
 2012 : Political Animals : Fred Collier (5 épisodes)
 2012-2013 : Smash : Roger Cartwright
 2012 : FBI Duo très special (White Collar) : Andy Woods (saison 2, épisodes 12)
 2013 : Zero Hour : Terrence Fisk (saison 1, 3 épisodes)
 2013-2014 : Chicago Fire :  (saison 2, 2 épisodes)
 2014 : Chicago Police Department :  (saison , épisodes 12)
 2014 : Turks & Caicos : Gary Bethwaite
 2015 : Mentalist : Bill Peterson (saison 7, épisodes 6 et 9)
 2016-2020 : Blindspot : le directeur du FBI Pellington (6 épisodes)
 2016 : The Americans : William Crandall (saison 4, 13 épisodes)
 2017 : I'm Dying Up Here : Johnny Carson (5 épisodes)
 2017 et 2018 : The Good Fight : Colin Sweeney (2 épisodes - en cours)
 2018 : Homeland : Sénateur Sam Paley (saison 7, 8 épisodes)
 2018 : Elementary : Armand Venetto (saison 6, épisode 10)
 depuis 2020 : Hunters : Biff Simpson
}}

 Voix francophones

En version française, Patrick Osmond est la voix régulière de Dylan Baker entre 2005 et 2018. Bernard Lanneau, Jean-François Vlérick et Pierre Laurent l'ont également doublé à six et cinq reprises.

 En France

 Patrick Osmond (1957-2020) dans (les séries télévisées) :
 FBI : Portés disparus Monk The Good Wife Burn Notice Mentalist Zero Hour The Americans I'm Dying Up Here The Good Fight  (mini-série)
 Elementary Bernard Lanneau dans :
 Kings (série télévisée)
  (série télévisée)
 Smash (série télévisée)
 Chicago Fire (série télévisée)
 Chicago Police Department (série télévisée)
  (téléfilm)
 Homeland (série télévisée)

 Pierre Laurent dans :
 Graine de star Dérapages incontrôlés Un étrange enlèvement (téléfilm)
 Les Noces rebelles Selma Jean-François Vlérick dans :
 New York, section criminelle (série télévisée)
 Damages (série télévisée)
 Mafia Love Story (téléfilm)
 FBI : Duo très spécial (série télévisée)
 Légendes vivantes Pierre Tessier dans :
 Le Masque de l'araignée  Hunters (série télévisée)

 Dominique Collignon-Maurin dans :
 Un ticket pour deux Le Tailleur de Panama Jérôme Keen dans :
 Harcèlement L'Ombre d'un soupçon Lionel Tua dans :
 Spider-Man 3 Hunting Party Et aussi
 Olivier Destrez dans Un crime dans la tête Mathieu Rivolier dans Murder One (série télévisée)
 Olivier Jankovic dans De la Terre à la Lune (mini-série)
 Régis Lang dans Simplement irrésistible Pierre Dourlens dans Oxygen Yves Beneyton dans The Cell Jean Barney dans Treize jours Christian Visine dans Les Experts (série télévisée)
 Pascal Massix dans The Pitts (série télévisée)
 Bernard Métraux dans Président par accident Philippe Crubézy dans Spider-Man 2 Guy Chapellier dans New York 911 (série télévisée)
 Régis Reuilhac dans New York, police judiciaire (série télévisée)
 Gérard Darier dans Fido Nicolas Marié dans Miss Sloane Jean-Jacques Moreau dans Blindspot (série télévisée)
 François Bergeron dans Extremely Wicked, Shockingly Evil and Vile Bernard Bollet dans Evil (série télévisée)
 Thierry Buisson dans Inside Man'' (mini-série)

Notes et références

Liens externes

Acteur américain
Naissance à Syracuse (New York)
Naissance en octobre 1959
Étudiant de l'université Yale
Étudiant du collège de William et Mary

redpajama_set_name: RedPajamaWikipedia


text:
Marrocco
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Jakob Kupfer
Jakob Kupfer | EIZO
Jakob Kupfer is a 'light painter' in the best, most traditional sense. His work takes light as its subject and medium, and explores how light presents itself and can come into being in an artistic form. At the center of Kupfer's work are light's two most characteristic traits – its lack of any concreteness and its state of being forever in flux. The FADES series is one of the artist's most essential works, consisting of digital images that are permanently but almost imperceptibly in motion.
Until now, these works have been exhibited in digital photo frames that are fitted with a passe-partout and frame. However, this format also has its limits. "We began to look for a way of making Kupfer's images bigger, which would also allow viewers to experience the images with the highest quality," says Andreas Herrmann who represents the artist and runs the mianki.Gallery in Berlin.
It was crucial for the images to maintain the impression of being conventional images in the obligatory square format to make this possible. "We finally came across the EIZO FlexScan EV2730Q, which is the only large, high-resolution monitor that is currently available with an aspect ratio of 1:1," Hermann says. The square 27-inch monitor features a thin bezel and has a diagonal length of 67 cm, making it the ideal basis for the project.
The next step was to find a mini computer that would allow the artist to feed the image data to the monitor. "After a bit of trial and error, we found a solution that would allow us to fit the entire technology into a specially prepared picture frame," says Hermann, whose gallery exhibited the FADES series for the first time.
Only the power cable gives away the fact that the image is not a conventional one, but rather a digital art work that is constantly in flux.
However, it wasn't just the unconventional format that made the EIZO FlexScan EV2730Q the ideal frame for Kupfer's medium-sized FADES series. The monitor also provides high resolution and excellent image quality, which are decisive factors that make it possible for the light painter's images to come across realistically as conventional paintings.
Jakob Kupfer sees the FADES collection as a series of individual paintings – as digital 'originals' – even though they take a digital form. Every FADE is born as a digital file that travels through the computer, monitor, and frame to become an entity that only appears once. This internal logic of the FADES series means the EIZO monitor itself becomes an integral part of the digital work of art.
Artist's website:
www.jakobkupfer.com
mianki.Gallery
Andreas Herrmann
(+49-30) 3643-2708
www.mianki.com
Experience EIZO
Ordering and questions 1 (800) 800-5202 or contact us.
Defense / Aerospace
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Raptor | Re/Vue
Copyright © 1996-2019 EIZO Inc. All Rights Reserved.


DENTON- The University of North Texas is getting a little more fur-friendly. Students can now snuggle up and chill out with one of many "Cuddle Dogs" on campus.
"It's always nice to come around here," said junior Oluwatosin Omoba. "To cuddle a little bit, and get stress off a little bit before you go into your next class or your next study session."
The campus offers cuddle time with four pups, all with completely different personalities to help meet every student's needs.
"I think it just attracts more students and makes counseling in our office more open and inviting for a lot of students who might be nervous about coming in," said doctoral student Kristina Clevinger.
When they're not at a Cuddle Dog event on campus, the pups are usually found hanging out in the Counseling and Testing Services office, where they're able to help students who may need to feel more comfortable talking about something tough.
"We have a lot of stigma surrounding mental health," Dr. Steffanie Grossman of the office. "I think having the dogs here can be a fantastic way of giving students a reason to come in to see that the counseling center isn't threatening."
Air Bud has nothing on these cute pups!
Awww… Watch Fort Worth Cops Reunite Family with Stolen Dog!


The following procedure for handling grievances in schools has been agreed between the INTO and the principal management bodies.
the principal teacher in respect of his/her duties and responsibilities for the organisation, conduct and day to day activities of the school.
The grievance procedure shall generally relate to breaches of school rules, policies, procedures or practices. The grievance procedure shall not deal with curricular matters.
If a grievance, which concerns a matter covered by the Employment Equality Act (1998) or other relevant legislation, is referred to the Director of Equality Investigations or the Labour Court, this procedure shall not be used. Such a referral would serve to terminate the grievance procedure.
The aggrieved teacher shall give notice in writing to the principal that the grievance procedure is being invoked.
The teacher shall discuss the grievance with the principal teacher with a view to resolving it.
If the grievance is not resolved within ten school days, the teacher shall be entitled to invoke stage 2, within a further ten school days.
The aggrieved teacher shall give notice in writing to the principal and chairperson of the board of management that stage 2 of the grievance procedure is being invoked.
The teacher shall discuss the grievance with the chairperson of the board with a view to resolving it.
The chairperson shall immediately take such steps as she/he considers appropriate to have the grievance resolved informally.
If the grievance is not resolved within ten school days the teacher shall be entitled to invoke stage 3, within a further ten school days.
The aggrieved teacher shall give notice in writing to the chairperson of the board of management that stage 3 of the grievance procedure is being invoked.
The teacher shall make a written submission which shall include the details of the grievance(s) and the redress being sought. The submission shall be presented to the chairperson for consideration by the board of management.
The normal rules of due process shall apply to the exchange of documentation and accordingly, the chairperson shall copy the submission to the person against whom the grievance is being taken.
Where the grievance involves the principal teacher, she/he shall be requested by the chairperson to prepare a written response to the submission. The written response shall address all of the points made in the aggrieved teachers' submission and shall be furnished to the aggrieved teacher(s) within 10 school days of the date of the written submission. Similarly, where the grievance is against the chairperson of the board of management or the board itself, the aggrieved teacher shall be entitled to a written response from the chairperson or the board, as the case may be. Such response shall also be furnished within 10 school days.
The chairperson shall invite the aggrieved teacher to be in attendance at a hearing of the board, which shall be held within ten school days of the date of the written response. The hearing shall afford each party to the grievance an opportunity to hear at first hand, what the other party has to say and also to question and/or respond to the other party.
In circumstances, where the grievance is against the principal teacher, he/she shall attend at the board hearing in an individual capacity and not as a member of the board of management. Similarly, where the grievance is against the chairperson of the board of management (in an individual capacity) he/she shall also attend at the board hearing in an individual capacity and an acting chairperson shall be appointed. Further, the principal teacher or the chairperson, as the case may be, shall withdraw from the board's deliberations and decision making on the matter.
Where appropriate, the parties shall be entitled to bring witnesses. The same principles of due process apply to hearing witnesses.
The board shall try to resolve the grievance by conciliation and if the grievance is resolved the matter is concluded. If the board is unable to resolve the grievance by conciliation it shall make a decision on the matter, except as provided under paragraph 9 below.
In cases where the grievance is against the board itself, the board shall hear the grievance as outlined above, shall try to resolve the matter by conciliation, but failing resolution, the matter may proceed to stage 4 in accordance with the provisions of paragraph 11 below .
The chairperson shall convey the outcome in writing to the parties within 5 school days of the hearing specified at stage 3 / paragraph 5 above.
if the teacher is unwilling to accept the outcome of stage 3.
The teacher who wishes to proceed with an appeal to stage 4 shall give notice of same, by letter, to the chairperson of the board of management, within ten school days of receiving the written outcome of stage 3 (or at the end of the period specified in stage 3 / no. 5, if the board fails to arrange a hearing). The date of that letter shall be referred to as the "date of appeal" and the teacher may include, in the letter, any additional arguments he/she wishes to put forward.
to arrange a meeting of the tribunal within 15 school days of the date of appeal.
that if necessary, the tribunal shall agree to adjournments.
5. The tribunal shall be considered a domestic forum and accordingly, neither management nor the INTO intends that there would be legal representation at any hearings.
6. The tribunal shall be empowered to conciliate with a view to reaching a friendly settlement.
7. Failing such a settlement the tribunal shall determine the issue by unanimous or majority vote.
8. The tribunal's decision shall be conveyed in writing by the chairperson of the tribunal to all the parties and shall be final and binding.
Please note that any expenses involved in stage 4 will be shared by the parties who nominate the tribunal provided that prior sanction for same has been obtained from INTO and the relevant management body.
Until such time as the dispute is resolved or determined the aggrieved teacher shall continue to carry out the legitimate instructions of the principal teacher or the board of management as the case may be.
The grievance procedure shall also apply where two or more teachers share a grievance.
Where a principal teacher, or a principal teacher and one or more other teachers, share a grievance, stages 2, 3 and 4 of the procedure shall apply.
Where the grievance is against an individual chairperson or the board of management itself, stages 2, 3 and 4 of the procedure shall apply.
Where there is a single manager as opposed to a board of management, stages 1, 2 and 4 only shall apply. In these circumstances the aggrieved teacher shall supply a written submission at stage 4, and the normal procedures of due process will apply to the exchange of documentation and the right of response.
An aggrieved teacher(s) may be represented at stages 3 and 4 by the INTO staff representative or by a branch or district committee member or by a teacher colleague.
Attention is also drawn to paragraph 15 of the Constitution of Boards and Rules of Procedure, particularly with regard to disclosure of interest.
Where the aggrieved teacher is a member of a religious order, the INTO will consult her/his representative association before nominating a member of the independent tribunal envisaged in stage 4.
A school day is a day on which the school is in operation.
Any difficulty arising out of the implementation of this procedure shall be referred for resolution to the parties to this agreement.


The magnificent building of the former tobacco factory was transformed into a modern media culture cluster Tabakalera. The concept is that all processes related to the creation of contemporary art - from the formulation of the idea to its realization, and subsequent presentation or installation - are realized in this center.
Tabakalera includes exhibition spaces, a giant digital library and a creative laboratory equipped with high-tech gear to produce media content. For all those who will only consume contemporary art, but not produce, an extensive program for children and adults was created. It includes experimental film screenings, architectural classes and literary workshops.
For addresses and hours of operation, click here.
Biblioteka Municipal Central (Center), Aiete (Aiete), Casares + Tomasene + Larratxo (Altza), Ernest Lluch (Amara), Lugaritz (Antiguo), Egia (Egia), Okendo (Gros), Larrotxene + Intxaurrondo (Intxaurrondo), Loiola (Loiola).


Our PPC roundups feature blog posts and articles from around the Web focused on helping you strengthen your Internet Marketing campaigns, and what better way to learn how be a better search marketer than by learning from your own mistakes? …How about having someone else make those mistakes for you and then tell you how to avoid them?
We start off this week's PPC roundup with a post by Jesse Ballard onPPC.org entitled, "My 7 Deadly Sins of Paid Search Marketing". Staying clear of these 'deadly sins' will be sure to help you avoid some serious PPC danger while managing your account.
Learn some great search marketing tips and tricks in WordStream's 5th installment of their series "AdWords Experts Share the Secrets of Their PPC Success". This installment features Glendon Llewellyn Lloyd, e-commerce director at Tszuji, a home storage store. The post also links to the other four installments of the series in case you haven't been following a long. Be sure to check it out!
Last week we talked a bit about the importance of mobile advertising in our roundup, and this week is no different. Search Engine Land provides further incentive to get in the mobile game if you haven't already with their article "Smartphones Now Over 50 Percent for Under 44 Crowd". Have a look at the climbing statistics for smart phone use and find out what this could mean for your future advertising strategy.
Are you failing at Facebook? Tanking on Twitter? Have a lackluster LinkedIn? ClickZ can help with their post "5 Ways to Become Valuable to your Social Media Audience", providing tips for not just having a social media presence, but creating value for your audience so they'll trust you and be engaged with you as time goes on.
PPC ad writing is no easy feat, as we well know at BoostCTR. The age old theory that short copy is infinitely harder to write than long copy definitely holds true. So are you paying enough attention to investing in properly crafting your PPC ad text? Not to worry if you're feeling lost. Search Engine Journal gives readers some helpful strategies in their article "How to Maximize the Significance of PPC Ad Writing For Improved PPC Marketing?", complete with a "common mistakes" section. See? Someone out there has already made the mistakes so you don't have to, as long as you read this article of course!
Carrying the PPC ad theme a little further, Search Engine Watch provides expert advice for advanced PPC marketers in their post "Advanced PPC Optimization Techniques for adCenter: Filtration and Quality Score Considerations".
We couldn't let our roundup go by without a shout-out to our resident Director of Marketing Noran El-Shinnawy for being featured in an aimClear blog interview "Quality Score, Shark Diving, & "Avinash-Who?" Getting to Know Noran El-Shinnawy".
Have any resources you'd like to add to the list? Feel free to leave a comment or come find us on twitter. That's it for this week's roundup. Have a great weekend!


We pick and dispatch orders every working day, and aim to pick and pack your order within 1-2 working days of you placing it. After this, your parcel will be dispatched by your chosen delivery method. If you need your UK parcel quickly, for a gift for example, we recommend choosing the next day courier option. Parcels sent via Royal Mail tracked are normally very speedy but we'd always recommend the courier service for a special occasion, just to be on the safe side.
Please note that working days for teapigs are Monday – Friday and do not include bank holidays.
Whilst the vast majority of the parcels we send reach their destinations within the usual delivery times, occasionally parcels get delayed and take longer than normal. Please be patient but, if after 10 working days from placing your order, you are concerned about its whereabouts, just get in touch and we will happily investigate. We send all our UK and International parcels via trackable services – your tracking number can be obtained from teapigs.


Thanks to the 200 attendees at the UL Firefighter Safety Research Institute class held in Des Plaines on December 2nd. Steve Kerber from UL delivered a great presentation and has offered to share the class resources with the attendees. Follow these links to access class information.
Click here for access to the DropBox folder of the class Presentation.
Click here to complete a brief survey about today's class.
Click here to access the UL Firefighter Safety Research Institute website.


Since the early 1980s, my photographic work and mixed-media installations have investigated the contemporary American landscape as it reflects our culture and its most constructive and destructive energies. These works explore a broad range of American environments, from mines and power plants to military installations, hazardous waste sites, and industrial and agricultural landscapes, examining the relationship of humans with their environment in the late twentieth century. Beginning with the series Colstrip, Montana, and continuing through Minuteman Missile Sites,Waste Land, and "The Treasure State": Montana 1889–1989, these four bodies of work begin to reveal an entire pattern of terrain transformed by human beings to serve their needs. They become, finally, meditations on a ravaged landscape.
Focusing on the region where I grew up, Colstrip, Montana (1982–85) is an extended study of one of the largest coal strip mines in North America, its coal-fired power plant, and the modern-day factory town that it surrounds. The town of Colstrip was established in 1923 on top of some of the richest coal reserves in the world when the Northern Pacific Railroad began mining coal there for its steam locomotives. In 1959, Northern Pacific (having switched from steam power to diesel) sold the coal leases, mines, and townsite to the Montana Power Company. During the late 1960s and '70s, as more stringent federal air-quality control laws were passed and as nationwide demand for cleaner low-sulfur coal increased, Montana Power expanded the mine for its own coal needs as well as for sales to utility companies in the Midwest. Following the national energy crises of the early 1970s, Montana Power built a coal-fired electrical generating plant. At the peak of its production in the mid 1980s, the Colstrip mine produced 16 million tons of coal per year, half of it consumed by the power plant and the rest shipped to Minnesota and Wisconsin utilities.1 Currently the largest generating power station west of the Mississippi, the Colstrip plant produces twice as much electrical energy as is consumed by the entire state of Montana. The plant is primarily owned by Washington and Oregon utilities, and two-thirds of its output is sent across thousands of miles of wires to light up Seattle, Portland, and even Los Angeles.
As my work evolved, the aerial view increasingly seemed to be the most appropriate form of representation for the late twentieth-century landscape: an abstracted and distanced technological view of the earth, mirroring the military's applications of aerial photography for surveillance and targeting. The aerial view realizes the Cartesian rationalization and abstraction of space that has preoccupied Western culture and visual art for the past 300 years. It delivers with military efficiency a contemporary version of the omniscient gaze of the Panopticon, the nineteenth century's ultimate tool for surveillance and control. The aerial perspective also allows for the framing of relationships between objects that may seem unrelated on the ground, and it permits access to sites with security restrictions. What otherwise cannot be pictured becomes available to the camera.
Minuteman Missile Sites (1984–85) examines more closely the industrial and military landscape in my native region through a series of aerial photographs of intercontinental ballistic missile silos and launch control facilities in the American West. When this work was completed, there were over 1,000 Minuteman silos spread across 80,000 square miles in eight states, each silo containing a nuclear missile nearly a hundred times as powerful as the atomic bomb dropped on Hiroshima.2 Aerial views of targeted terrain, these images reveal some of America's "secret landscapes." These anonymous but deadly constructions hidden within the pastoral agricultural landscape of the High Plains form a complex, interconnected grid, and constitute one of the major capital investments of our culture. Some of these missile sites have recently been "retired" and destroyed as a result of changing post–Cold War geopolitics. Our 50–year old nuclear era, a very brief moment in geological time, will leave a legacy of nuclear waste that will last for hundreds of thousands of years.
Waste Land (1985–86) is a study of hazardous waste sites throughout the United States, and it encompasses a wider range of American landscapes. In 1985, the U.S. Environmental Protection Agency's National Priorities List ("Superfund") consisted of 782 sites that were considered the most dangerous of over 400,000 hazardous sites throughout the country. From those, I selected 67 sites that represented a cross-section of American geography and industrial waste activities. Again I used aerial photography to gain access to high-security areas and to contextualize the sites within their larger surrounding landscapes, as well as to minimize my own exposure to these highly toxic environments. Waste Land includes nineteenth-century mines, smelters, and wood-processing plants, landfills and illicit dumps, large petrochemical complexes, aerospace water-contamination sites, nuclear weapons plants, and nerve gas disposal areas. I sequenced the sites according to EPA's Hazard Ranking System, beginning with the federal facilities. They are located in urban, industrial, residential, agricultural, and rural areas. In some cases, the waste problems are dramatically evident, and in others they are invisible, concealed beneath suburban developments or industrial and military installations.
To provide a context and history for each Waste Land site, I employed a triptych format incorporating three different methods of site description: my aerial photograph; a U.S. Geological Survey topographic map that I modified to indicate the site as defined by EPA within its surrounding environment; and an EPA text that details the history of the site, its hazards, and the remedial action taken. Each EPA text dates from the time when the site was proposed for Superfund listing. These texts illustrate the mechanics of the bureaucracy that oversees and regulates hazardous waste in the United States; they also reveal some of the elaborate legal strategies used by individuals and companies to postpone or evade financial responsibility for the contamination and cleanup. Rarely, however, do the EPA texts' cool bureaucratic language touch on the sites' economic, political, and social costs or the tremendous toll they have taken in human lives and suffering.
Of the 67 sites included in Waste Land, only seven have been removed from the Superfund in the past ten years—all of these either for technical reasons or because the sites were small and the contamination relatively simple to address. Since 1980, only 132 of the current total of 1259 sites have been removed from Superfund, while many remain essentially unchanged, pending litigation or environmental studies regarding feasible solutions. In reality none of these places will ever be fully reclaimed or returned to their original condition. Their "cleanup" merely amounts to emergency removal, stabilization, and long-term containment. Often the "cleanup" entails writing off the primary ecological problems as either insoluble or too expensive to consider.3 Many sites present problems for which there are no known solutions; others will require years of complex remedial investigations and feasibility studies. A substantial number of sites for which solutions have been determined remain virtually untouched, awaiting the allocation of necessary cleanup funds. Many of the individuals and companies responsible for the contamination have used bankruptcy laws or a variety of other legal maneuvers to avoid paying for the cleanup, thus shifting the financial burden to the American taxpayer.
The Rocky Mountain Arsenal in Denver provides a particularly disconcerting example of the "creative," cost-effective solutions that the new "green" military is finding for the enormous cleanups it faces. The manufacture and subsequent demilitarizing and disposing of mustard gas, nerve gas, other chemical weapons, and conventional munitions (in addition to extensive pesticide manufacturing and disposal) have extensively contaminated the Arsenal, which has often been labeled "the most polluted site on Earth." In 1992, Congress officially designated the area as the Rocky Mountain Arsenal National Wildlife Refuge. The Arsenal has used its new status for strategic public relations effect, including tours for grade-school children bused in from the Denver area to experience firsthand this "historic native grasslands and wildlife refuge" (complete with a Rocky Mountain Arsenal Coloring Book).
"The Treasure State": Montana 1889–1989 is a personal response to the state's centennial celebration: "100 Years of Progress in Montana." This series (1991–93) is a study of land use in Montana, examining the primary economic and industrial forces that have shaped and radically altered the state's environment. I photographed farms and cattle feed lots, timber clear-cuts and paper mills, mines and smelters, military bases, the oil and gas industries, industrial waste sites, railroads and airports, hydroelectric dams, urban and suburban environments, and tourist recreation areas. Each site is paired with one of Montana's imperiled wildlife species that have been impacted by it. The Latin and common names of the species have been etched onto the glass covering the print. Under a gallery spotlight, the etched text is projected onto the recessed print below, casting a kind of "ghost shadow" of the name onto the photograph. The works are sequenced by the species' name, alphabetically within taxonomic class. The correspondences between sites and species are in most cases direct and documented: for example, the siltation and contamination of streams by logging and paper mills have severely impacted the bull trout, and the damming of major regional rivers like the Missouri and Big Horn has destroyed the breeding habitat for several bird species and disrupted the spawning of pallid sturgeon and other native fish. In some cases the correspondences are more broadly representative of the toll taken on native wildlife and habitat by increasing agriculture, industry, human population and tourism. All of the animals included in this series have been heavily impacted by human activities; their numbers have declined significantly, and they are now vulnerable to extinction. Most of them are officially listed as endangered, threatened, or candidates for listing; some of them are already extirpated. All that remains are their names, faint traces evoking those that have disappeared.
One recent incident underscores the dangers that Montana's industrial environment currently poses to native species. In November 1995, a flock of snow geese migrating from the Arctic to California stopped over in Butte. Unfortunately, they landed in the Berkeley Pit, the world's largest toxic pond, filled with 28 billion gallons of highly poisonous mine wastes. Within the next two days, 342 snow geese were found dead in the lake, all of them poisoned and internally burned. Surrounded by one of the largest open-pit copper mines in the world, Butte is a part of the biggest Superfund hazardous waste site in the United States. Wastes from 130 years of gold and copper mining and smelting have heavily polluted the neighboring hillsides, grasslands, and 100 miles of the Clark Fork River. Instead of lush mountain valleys and pristine creeks and rivers with abundant wetlands and rich aquatic life, we are left with a barren wasteland, frequent fish kills, toxic dust storms, and the carcasses of snow geese floating in a sulfurous, poisoned pit.
The first Minuteman 1 missiles became operational in October of 1962, in the midst of the Cuban missile crisis (when the American public first saw aerial photographic "evidence" of Soviet activities). The yield of the Minuteman missiles varies from 60–200 times that of the Hiroshima bomb, which had a yield of 23 kilotons.
For more than a century, Butte, Montana was known as "The Richest Hill on Earth." The cleanup of the vast Superfund site created there will cost an estimated $1 billion. But it will exclude the most serious environmental problems, which have been determined to be economically unfeasible or impossible to solve (including a $7–10 billion cleanup of an extensive bedrock and aquifer system that is permanently contaminated). Environmental engineers have estimated that fully reclaiming the Butte site to its original condition, were this even possible, would cost far more than the total mining revenues ever generated there.


Daniel Radcliffe stars as Allen Ginsberg in this film about the beatnik poets of the 1950's, including William Burroughs and Jack Kerouac. It got great buzz out of Sundance and has a 100% Rotten Tomatoes score so far, set to come out Oct. 16th in limited release.
September 5, 2013 by Ariel Shavonne.


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text:
Nikita Dmitriyevich Soshnikov (; born 14 October 1993) is a Russian professional ice hockey forward for Traktor Chelyabinsk of the Kontinental Hockey League (KHL).

Playing career

Atlant Moscow Oblast
After playing youth hockey with Sputnik Nizhny Tagil, Soshnikov was chosen in the sixth round, 123rd overall of the 2010 KHL Draft by Atlant Moscow Oblast. He made his professional debut with the MHL affiliate of Atlant Moscow Oblast during the 2010–11 season. Soshnikov made his Kontinental Hockey League (KHL) debut playing with Atlant Moscow Oblast during the 2013–14 KHL season. Soshnikov played two seasons with Atlant, scoring two goals and five points in 37 games in his rookie campaign before continuing his development with 14 goals and 18 assists in the 2014–15 season.

Toronto Maple Leafs
Upon completion of his second season in the KHL, on 20 March 2015, Soshnikov decided to move to North America to play in the NHL, signing as an undrafted free agent to a three-year, entry-level contract with the Toronto Maple Leafs.

Soshnikov made his NHL debut on 29 February 2016 against the Tampa Bay Lightning. He scored his first NHL goal on 2 March 2016 against Philipp Grubauer of the Washington Capitals.

Soshnikov started the 2017–18 season with the Toronto Marlies; however, there was a clause in Soshnikov's contract that stipulated he must be called up to the Leafs by 14 November 2017, or else he would be allowed to head to the KHL. He was called up just before the clause kicked in. In addition to this, he is now no longer waiver-exempt, meaning he would have to clear through waivers if he were to be sent back down to the AHL However, a logjam of players meant Soshnikov saw limited action. On 1 February 2018, Soshnikov was assigned to the Marlies for a conditioning stint. On 12 February 2018, it was announced that Soshnikov would be recalled from the Marlies, but would remain on the injured reserve.

St. Louis Blues
Still passed on the depth chart, rumors began to circulate throughout February that Soshnikov was likely to be traded. On 15 February 2018, it was announced that Soshnikov had been traded to the St. Louis Blues for a fourth-round pick in the 2019 NHL Entry Draft.

Return to Russia
As an impending restricted free agent from the Blues and unable to cement a role within the NHL team following an injury plagued 2018–19 season, Soshnikov opted to return to Russia to hone his game in the KHL. On 3 June 2019, his rights were traded from SKA Saint Petersburg to Salavat Yulaev Ufa in exchange for the rights to Vladimir Tkachev. He immediately agreed to a two-year contract with the club.

During his final year under contract with Salavat Yulaev Ufa in the 2020–21 season, Soshnikov registered 17 points through 21 regular season games before he was traded to HC CSKA Moscow in exchange for Mikhail Naumenkov on 28 November 2020.

New York Islanders
Following three seasons in the KHL, Soshnikov opted to return for another shot at the NHL in the 2022–23 season, in agreeing to a one-year, $750,000 contract with the New York Islanders on 22 September 2022. Remaining on the Islanders roster to open the season, Soshnikov primarily served as a healthy scratch and featured in just three games before he was placed on waivers and re-assigned to AHL affiliate, the Bridgeport Islanders. After four games in the AHL, on 19 December, Soshnikov cleared unconditional waivers, resulting in the mutual termination of his contract with the Islanders.

Traktor Chelyabinsk
On 20 December 2022, as a free agent, Soshnikov signed a two-year contract through the 2023–24 season in a return to the KHL with Traktor Chelyabinsk.

Career statistics

Regular season and playoffs

International

References

External links

1993 births
Living people
Atlant Moscow Oblast players
Avangard Omsk players
Bridgeport Islanders players
Buran Voronezh players
HC CSKA Moscow players
New York Islanders players
People from Nizhny Tagil
Russian ice hockey right wingers
St. Louis Blues players
Salavat Yulaev Ufa players
San Antonio Rampage players
Sportspeople from Sverdlovsk Oblast
Toronto Maple Leafs players
Toronto Marlies players
Traktor Chelyabinsk players
Undrafted National Hockey League players


text:
The Best Marketing Is Done as a Team. Ready to Get Started?
Sarah Bacon
Foster Web Marketing
315A Cameron St, STE A Alexandria, VA 22314
Sarah Bacon began writing for Foster Web Marketing as a freelance consultant in 2010, and became a full-time member of the writing staff in 2014.
In 2009, Sarah began covering community events for her local online newspaper, AnnArbor.com. It was her first exposure to the world of search engine optimization, and inspired her to take on online marketing projects in her spare time. She wrote for fun and worked for a living before she was finally able to combine the two when she was recruited into the Foster ranks.
Learn More About Sarah
Sarah has been a cranky old lady since her early twenties. She resigned herself to a spinster's life of pie and cats, but a man married her anyway. He continues his assault on her cynical, loner persona by pretending that their dog can talk and being generally wonderful.
Despite limping through two marathons and participating in the Dexter-Ann Arbor Half Marathon every June, Sarah still enjoys running. She also enjoys knitting, sewing, gardening, coin collecting, jewelry making, and other hobbies in gerund form. She can usually be found trying to do several things at once.
What You Might Find Interesting About Sarah
Sarah once got to first base with Neil Diamond. Ask her grandmother, she'll tell you all about it.
Are You a Lawyer or podiatrist Who Wants to Learn How Solid Content Can Earn You More Clients?
If you are seeking a trusted, authoritative partner to help you write content that not only attracts but actually converts into clients, Foster Web Marketing is here to help. Contact us online or call our office directly at 866.497.6199 to schedule your free consultation. We have been helping clients throughout the United States and internationally since 1998 and are confident we can help you not only reach but exceed your goals.


text:
package org.vitrivr.adampro.shared.cache

import org.apache.spark.sql.DataFrame
import org.vitrivr.adampro.data.entity.Entity
import org.vitrivr.adampro.data.entity.Entity.EntityName
import org.vitrivr.adampro.data.index.Index
import org.vitrivr.adampro.data.index.Index.IndexName
import org.vitrivr.adampro.process.SharedComponentContext
import org.vitrivr.adampro.shared.catalog.LogManager
import org.vitrivr.adampro.utils.Logging

import scala.util.Try

/**
  * ADAMpro
  *
  * Ivan Giangreco
  * July 2017
  */
class CacheManager()(@transient implicit val ac: SharedComponentContext) extends Serializable with Logging {
  private val entityLRUCache = new LRUCache[EntityName, Entity](ac.config.maximumCacheSizeEntity, ac.config.expireAfterAccessEntity)
  private val indexLRUCache = new LRUCache[IndexName, Index](ac.config.maximumCacheSizeIndex, ac.config.expireAfterAccessIndex)
  private val queryLRUCache = new LRUCache[String, DataFrame](ac.config.maximumCacheSizeQueryResults, ac.config.expireAfterAccessQueryResults)

  // entity
  def containsEntity(entityname: EntityName): Boolean = entityLRUCache.contains(entityname)

  def put(entityname: EntityName, entity: Entity): Unit = entityLRUCache.put(entityname, entity)

  def getEntity(entityname: EntityName): Try[Entity] = entityLRUCache.get(entityname)

  def invalidateEntity(entityname: EntityName): Unit = entityLRUCache.invalidate(entityname)

  def emptyEntity(): Unit = entityLRUCache.empty()

  // index
  def containsIndex(indexname: IndexName): Boolean = indexLRUCache.contains(indexname)

  def put(name: IndexName, index: Index): Unit = indexLRUCache.put(name, index)

  def getIndex(indexname: IndexName): Try[Index] = indexLRUCache.get(indexname)

  def invalidateIndex(indexname: IndexName): Unit = indexLRUCache.invalidate(indexname)

  def emptyIndex(): Unit = indexLRUCache.empty()

  // query
  def getQuery(id: String): Try[DataFrame] = queryLRUCache.get(id)

  def put(id: String, df: DataFrame): Unit = queryLRUCache.put(id, df)
}

object CacheManager {
  /**
    * Create cache manager and fill it
    * @return
    */
  def build()(implicit ac: SharedComponentContext): CacheManager = new CacheManager()(ac)
}