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Check out new pics of Super Nintendo World's Toadstool Café
This is going to be a real treat
Super Nintendo World has been open at Universal Studios Japan for awhile now, but it's quite likely most of us haven't had the chance to check it out in person. The same goes for Super Nintendo World at Universal Studios Hollywood since that version of the park hasn't opened yet. That said, we're inching closer to its Feb. 17th, 2023 grand opening, and now we can get a sneak peek at the park's Mario-themed eatery.
Toadstool Café is your one-stop spot in Super Nintendo World for fine dining, and it features a Mario-related menu and Mushroom Kingdom design aesthetics. From the amazing design of the Café itself to the whimsical menu options, there will be no better way to immerse yourself in the world of Mario!
If you want to get a sneak peek at what the Cafe looks like on the inside and out, as well as multiple menu items you'll be able to purchase when visiting, you can find a massive gallery of photos here.
[LA Eater]
kuribo
I love that they're putting the theme right into the food presentation itself. Looks delicious!
d_says_hi
I wish they would sell those plates. And why no Mario 64 Peach cake like in Osaka? The cupcake doesn't cut it.


This is the best and funny Albert Einstein quotes about adore, life, achievement, know-how, atheism, God and religion. Education is a course of action by which the individual is developed into anything improved than he would have been without the need of it. … The incredibly thought appears in a way the height of presumption. Formal education teaches how to stand, but to see the rainbow you need to come out and stroll several methods on your own. It was imagined that experiments in education have been not important and that, no matter whether any issue in it was good or undesirable, could be judged of by the reason. The virtues and powers to which guys could be educated, by early education and continual discipline , are actually sublime and astonishing.
The finest education will not immunize a person against corruption by energy The best education does not automatically make men and women compassionate. We are faced with the paradoxical truth that education has grow to be 1 of the chief obstacles to intelligence and freedom of thought. You can believe of the curriculum as the shadows cast on a wall by the light of education itself as it shines over, below, around, and via the myriad phases of our knowledge.
Give the kids of the poor that portion of education which will enable them to know their own resources which will cultivate in them an onward-hunting hope, and give them rational amusement in their leisure hours : this, and this only, will perform out that moral revolution, which is the legislator's noblest goal. The greatest defect of prevalent education is, that we are in the habit of putting pleasure all on one side, and weariness on the other all weariness in study, all pleasure in idleness.
From my grandfather's father, I learned to dispense with attendance at public schools, and to delight in great teachers at house, and to recognize that on such items dollars should really be eagerly spent. We hope to contribute ideas necessary by these who conduct such counterfoil research on education — and also to these who seek alternatives to other established service industries. The notion of educating a man to live in any particular time or place, to adjust him to any particular environment, is as a result foreign to a true conception of education.
Swedish socialist debater Göran Greider about providing special education to gifted pupils, in the tv plan Godmorgon världen from the episode aired 17 February 2002. The education of the youngster will have to accord each in mode and arrangement with the education of mankind, considered historically. That is why it has been Our continual desire and endeavor to develop our education for the advantage of mankind.


Sana Ben Mariem, National Research Institute for Rural Engineering, Water and Forestry (INRGREF), University of Carthage, Ariana, Tunisia.
 Slah Ben Mabrouk, Research and Technology Centre of Energy, Borj Cedria, (C.R.T.En.), University of Carthage, Hammam-Life, Tunisia.
In this study, numerical model for heat and mass transfer of granular products in a fixed-bed tunnel dryer was developed. A system of four differential equations constitutes the model structure. The obtained system of non-linear partial differential equations was numerically solved by a finite difference method. A computer code in FORTRAN language was written for the numerical solution of the problem. The drying process was simulated under real operating conditions based on a thin layer model and experimental drying kinetics. The numerical code allows establishing the profiles of temperature, absolute humidity, moisture content and drying front propagation of tomatoes slices spread out in a tunnel dryer of 10 m length, during the drying process. The obtained results were simulated for several operating conditions, the temperature and velocity of the drying air varied from 30°C to 70°C and 1m/s to 5m/s, respectively. The profile showed an evolution in temperature around an asymptotic limit which is the temperature of the drying air. Drying is manifested by the drying front propagation from the upstream flow to the downstream one. This drying front has clearly appeared after a blowing time for 4 hours. An abrupt increase of product temperature is followed. The drying time is shorter when the temperature is high, which is explained by the increase in the potential exchange between the air and the product. The model was validated by comparing experimental values of tomatoes in a thin layer with numerical simulations.
 Masmoudi W., 1990. Contribution à l'étude fondamentale du séchage des matériaux cappillario-poreux: Cinétique de la modélisation macroscopique et du protocole expérimental de validation. Thèse de Doctorat, Institut National Polytechnique de Toulouse.
 Ben Mabrouk S., 1999. Etude des transferts simultanés de chaleur et de masse dans les milieux poreux: Modélisation des phénomènes de séchage, Thèse de doctorat, Faculté des sciences de Tunis, 240 p.
 Ben Mabrouk S., Arnaud G., Fohr J-P., Belghith A., 1989. Etude du séchage en couche mince de produits agricoles. J. I. Th, (.2, 471 - 480.) Actes des Journées Int Thermique J. I. T. H '89'. 2 (1), 471 - 480, Edition CNRS, Paris.
 Boukadida N., Perre P., Ben NasrallahS., 2000. Mechanism of two dimensional heat and mass transfer during convective drying of porous media under different drying conditions, Drying Technol. 18 (7) pp 1367–1388.
 Arnaud G., Fohr J. P., 1988. Slow drying simulation in thick layers of granular products, Int. J. Heat Mass Transfer 31 (12) pp 2517– 2526.
 Patankar S. V., 1981. Numerical Heat Transfer and Fluid Flow, Hemisphere Publication corporation New York, 193 p.
 Ben Mabrouk S., Belghith A., 1994. Simulation and design of a tunnel drier, Renew. Energy 5 (1) pp 469–473.
 Ben Mabrouk S., Azzouz S., Guizani A., Belghith A., 1991. Modélisation des transferts de chaleur et de masse lors du séchage de produits granulaires. Proc. 5th International Meeting on Heat Transfer. 2, pp 417-480.
 Plumb O., Prat M. (1992), Microscopic model for the study of drying of capillary porous media. Drying 92, 397-406.


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'Come From Away' wins 5 Outer Critics' awards
The cast of La Jolla Playhouse-born "Come From Away" on Broadway.
(Matthew Murphy)
By Pam Kragen
"Come From Away," the 9/11-inspired Broadway musical that premiered at La Jolla Playhouse in 2015, won five awards Monday, including Outstanding Musical, from the Outer Critics Circle in New York.
La Jolla Playhouse Artistic Director Christopher Ashley was honored as Outstanding Director of a Musical for "Come From Away"; the musical's book by married Canadian book/score-writers Irene Sankoff and David Hein was also a winner. Jen Colella, who plays real-life airplane Capt. Beverly Bass, won for Outstanding Featured Actress in a Musical, and Gareth Owen was honored for Outstanding Sound Design.
Paula Vogel and Rebecca Taichman's "Indecent" — another play on Broadway that premiered at La Jolla Playhouse in 2015 — lost the Outstanding New Play prize to J.T. Rogers's "Oslo." But Taichman, who directed the Playhouse's co-premiere of "Indecent" (with Yale Rep), was named the Outer Critics' winner for Outstanding Director of a Play.
Ashley said in a statement that he's overjoyed to see two Playhouse productions get this "incredible national recognition."
"Both David Hein and Irene Sankoff's musical 'Come From Away' and Paula Vogel and Rebecca Taichman's play 'Indecent' speak passionately and eloquently to the issues of this very moment in history, and both perfectly exemplify the Playhouse's commitment to new play development. I couldn't be more proud of our production teams and staff, who helped create and support these new works here in San Diego and propel them to continued life on Broadway," Ashley said.
"Come From Away" beat out the musicals "A Bronx Tale," "Groundhog Day," "Holiday Inn" and "Anastasia," the last of which was directed by fellow nominee Darko Tresnjak, a former co-artistic director at The Old Globe.
In another local connection, Taichman's win in the directorial category bested Jack O'Brien for "The Front Page." O'Brien was the artistic director at The Old Globe for more than 25 years.
The uptempo Celtic/folk score for "Come From Away" was beaten out in the score category by "The Band's Visit," which was composed by David Yazbek, whose previous credits include the Tony-nominated "The Full Monty," which had its world premiere at The Old Globe in 2000.
The Outer Critics Circle is a group of media writers who cover the New York theater scene. Awards were announced in 27 categories and will be handed out on May 25 at Sardi's Restaurant in Manhattan.
For a full list of Outer Critics Circle winners, visit outercritics.org.
Still to come are New York's biggest prizes, the Tony Awards, which will be handed out on June 11. "Come From Away" is nominated in seven categories including Best Musical. "Indecent" earned three nominations, including Best Play.
pam.kragen@sduniontribune.com
Pam Kragen
San Diego Opera leaders optimistic on future despite impending budget deficit
The 2019 season is heading for a projected $1.7 million loss, but subscription sales, single ticket sales and the endowment are on the rise
San Diego Opera hires principal conductor for three-year collaboration
Conductor Yves Abel, whose past company credits include "Carmen" and "Madama Butterfly," will helm a combined three productions from the 2020-2021 through 2022-2023 seasons
Review: 'The Tale of Despereaux' a charming and inventive musical take on children's fable at Old Globe
PigPen Theatre Co. brings its resourceful brand of play-making to award-winning story about a brave mouse
Actor Luke Monday on the 'The Book of Mormon,' his new solo show and his perfect San Diego weekend
Oceanside resident talks to us while on the road with the national touring production of Broadway blockbuster 'The Book of Mormon,' which hits San Diego's Civic Theatre on July 23
Remembering Jonathan McMurtry — Old Globe associate artist, teacher and dean of Shakespeare actors in San Diego
Longtime stage presence here appeared in hundreds of productions at the Globe, North Coast Rep and elsewhere
'Out On a Limb' new-play fest returns for its eighth year, with a half-dozen new works
Scripps Ranch Theatre hosts annual showcase of stage pieces spotlighting San Diego
Review: A pair of powerful performances help redeem sprawling, uneasy spectacle of 'Miss Saigon'
Latest touring production at Civic Theatre retains show's visual splash (including that famous helicopter), as it tells story of love and tragedy in Vietnam
Lamb's Players Theatre puts its money on Vista production of 'Million Dollar Quartet'
AVO Theatre is the place for Coronado company's staging of jukebox musical inspired by a real-life 1956 recording session that featured Elvis Presley
As 'Matilda' lands at Moonlight, Del Mar's Ashley Fox Linton gets a read on musical about book-loving youngster
Broadway-tour veteran plays Miss Honey in Vista company's regional premiere of show based on Roald Dahl novel
Review: Friendship and family are tested by illness and hard choices in La Jolla Playhouse's affecting 'The Luckiest'
World-premiere play by Melissa Ross breathes life into some familiar themes with sharp dialogue, boosted by appealing acting
Review: 'Rock of Ages' at Cygnet a tongue-in-cheek guilty pleasure
Strong singing and onstage band enliven jukebox musical about love gone wrong at an '80s music club in L.A.
PigPen Theatre is back at the Old Globe Theatre with world-premiere musical adaptation 'The Tale of Despereaux'
Show is based on Kate DiCamillo's award-winning children's novel and its animated-movie adaptation about a valiant rodent and his struggle to save a princess
Putting on the 'Dog': New Village Arts stages latest show with special-needs actors this weekend in Carlsbad
Comic take on fairy tale is part of company's effort to bring neurodiverse students into theater
Neil Diamond musical has its eyes on Broadway, with a 'Jersey Boys' connection
No details yet on timing or theater for a new stage project about the pop-music icon, but its co-producer figured prominently in La Jolla Playhouse show about the Four Seasons

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Outlook wont open - Inbox repair, file in shared drive We have an issue in which Outlook will not open on a users machine if you try to open it then you get the following error:
error mesage
When you click ok the file location is for a file in a shared location which is wrong. if this runs then it finds no errors, outlook still does not open. If we do the same with the file in the local user app data it is the same result.
We have removed the PST file from the location - No luck
Reinstalled office - No Luck
Ne office profile - No Luck.
does anyone please have any suggestions?
Thank you in advance
Matt

A: Can this issue be reproduced if you log in to your email account on other computers?
I encountered the same issue in Outlook 365 as you, but I found that I can normally add the same email account to another Outlook client. I searched a lot about this error but have not found any official documents explaining this issue. I'm afraid that this may be related to the Outlook version,please keep an eye on the announcement or update from Microsoft.
Here is a similar thread, for your reference:Outlook 2016 opens with "Something is wrong with one of your data files and outlook needs to close."

redpajama_set_name: RedPajamaStackExchange


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Dec 5, 2015, 10:02am EST |
How Adele Is Managing Stage Fright
Carmine GalloSenior Contributor
I write about leadership communication to grow sales and build brands.
Adele has stage fright because she cares about her fans.
We can't manage fear if we don't face our fears and that's exactly what Adele is doing.
Photo by Kevin Winter/Getty Images
Adele has stage fright because she cares about her fans. "With my stage fright, I just don't want to let people down," Adele admitted in a recent interview on National Public Radio.
Later this in column I'd like to make the case for a new phrase that better reflects what people are feeling when they say they have 'stage fright' and offer a more empowering interpretation. But first, let's examine why it's perfectly natural to have performance anxiety and how Adele seems to be managing it effectively.
It might be hard for some people to believe that Adele is still nervous before a performance despite breaking all sorts of sales records for her new album, 25. Speaking to Matt Lauer on this Today Show interview Adele acknowledged how nervous she felt just before taking the stage at Radio City Music Hall for a new concert called 'Live in New York City.'
"I saw the crowd and I just melted. After the second or third song, I was chill, I was alright."
"What are you like when you get nervous?" Lauer asked.
"I get fidgety, I moan, I complain, I try to escape, I try to get out."
This week NBC released the first trailer for the event that will be broadcast on December 18th. You can watch it here. Note the look on Adele's face backstage as she takes her place behind the curtain. She's not smiling and laughing like she does in interviews. Now we know why. She's experiencing performance anxiety.
"I get so nervous with live performances that I'm too frightened to try anything new," Adele told NPR.
"Still?" an incredulous host asked.
"Oh my God, yeah," Adele responded. "It's actually getting worse. Or it's just not getting better, so I feel like it's getting worse, because it should've gotten better by now."
Adele's observation is a common response to stage fright. People ask themselves, Why do I still have stage fright? Here's the answer. You have stage fright because you're supposed to. We are hardwired to crave acceptance among our social groups. If our primitive ancestors were banished from the tribe, they wouldn't have made it on their own or they might have become become a lion's lunch.
Stage fright is as engrained in our psyche as an aversion to spiders. In 1991 psychologist Graham Davey at City University London found that about 75 percent of undergraduates were mildly or severely afraid of spiders, even if they had no negative experience or "spider trauma" to draw on. According to Davey, "Animal fears may represent a functionally distinct set of adaptive responses which have been selected for during the evolutionary history of the human species." In other words, we're born with the fear.
In both cases—fear of spiders and fear of public speaking— people rarely eliminate their 'fight or flight' response entirely, but they learn to manage it. And how do psychotherapists recommend people manage their fear of spiders or fear of public speaking? By repeated exposure, beginning in small steps. For spiders it might mean putting pictures of spiders around the house before coming face-to-face with a real tarantula.
We can't manage fear if we don't face our fears and that's exactly what Adele is doing. Several years ago Adele said she preferred to play smaller or low-key venues to cope with nerves. This week tickets went on sale for Adele's 2016 concerts at London's 20,000 seat O2 arena and other arena gigs in Europe and the UK. Adele is gradually exposing herself to bigger and bigger venues—the tarantula in the room. As she receives more positive feedback, her self doubt diminishes and her confidence builds.
Face the fear. It's the only way to manage it. In her new book Year of Yes, Shonda Rhimes, the creator of Grey's Anatomy and Scandal, writes about the year she said yes to everything that scared her. Public speaking was one of her biggest fears. "I was a walking panic attack. My stage fright was so complete and overwhelming that it ruled my every public appearance."
Rhimes accepted an invitation to deliver the commencement speech at Dartmouth, her alma matter. She was terrified, but she did it. Although she was scared and nervous, she stands at the podium, takes a deep breath—which you can clearly see and hear on and exhales. What happens next is extraordinary. Rhimes looks out at the sea of graduates and realizes "the panic, the nerves I am searching for will not come to me today. I am no longer afraid to stand there alone at the podium… From that exhale forth, I am someone new. Someone unafraid…for the first time in my life, I speak to an audience as myself and I feel joy."
Instead of panic, Rhimes feels joy which brings me to an open letter to Adele, Shonda Rhimes, and the millions who experience stage fright. Let's stop calling it 'stage fright' and begin to call 'it' what it is—performance energy . 'Stage fright' sounds scary, overwhelming. Yet it's perfectly natural and it's a good thing. Words carry weight. For example, one of my daughters has diagnosed ADHD. Medically, ADHD is a "disorder." Why in the world world would I want my daughter to believe she has a "disorder" when many of the most successful and creative people in the world have ADHD? When channeled and treated, ADHD is a "gift," which is what I call it. One day after her piano practice I asked my daughter,
"Where did you get your musical skill?"
"It's my ADHD, daddy. It's a gift."
My daughter had reframed the narrative she plays in her head based on the words we used to describe her condition.
Adele doesn't have 'stage fright;' she has performance energy because she cares about her audience. Embrace your fear. Performance energy is natural—it's a gift that's given to all of us who genuinely care about our audiences.
Gallery: Behind The Scenes At KCRW Radio In Los Angeles
Follow me on Twitter or LinkedIn. Check out my website or some of my other work here.
I am a keynote speaker, bestselling author, and communication advisor for leaders at the world's most admired brands. I've written nine books that have been published in
I am a keynote speaker, bestselling author, and communication advisor for leaders at the world's most admired brands. I've written nine books that have been published in more than 40 languages. My new book is Five Stars: The Communication Secrets to Get from Good to Great. It shows readers how to master the ancient art of persuasion to thrive in the modern age of automation and artificial intelligence. My Forbes column provides actionable insights to deliver awe-inspiring presentations, tell your brand story, elevate your status, sell your ideas and products, engage employees, and achieve greatness at a time when your ideas are your most valuable currency. My new book, Five Stars, can be found here.


Invest|Pro™ manages and tracks the status for asset transactions from initial order creation through to settlement. This trading workflow is customizable for different the security categories.
On Invest|Pro trade orders are sourced from the unit creation process (for collective funds) or via the Invest|Retail web portal for individual portfolios. Orders can also arise from a rebalancing exercise or where the portfolios are linked to a model portfolio which changes. Alternatively, the Invest|Pro UI allows investment professionals enter trades via a trading screen.
Using Invest|Pro's trading validation algorithms, trading parameters are checked and may be forced through authorisation processes if necessary.


Protect, Guard, Restore: the Sanctuaries of the Custody of the Holy Land.
The three-year formation at St. Savior's Monastery in Jerusalem continues: on November 3, the Custodial Curia hosted a formative meeting addressed to the sacristans, sanctuary workers, spiritual pilgrimage leaders and to the Franciscan Pilgrimage Office.
A choral prayer of introduction guided those present in a reflection on the importance of their work in offering pilgrims an experience of simple faith. Br. Marcelo Ariel Cichinelli, who is in charge of Continuing Formation and who is the organizer of the meeting, recalled the central theme of "Service to the Shrines and Administration of Goods" in his introduction. A reflection on the main topic by the Father Custos of the Holy Land, Fr. Francesco Patton, followed.
Fr. Patton recalled the extraordinary nature of the Sanctuaries of the Holy Land. They, the Custos said, "are unique shrines linked to particular events or are built on the places mentioned in the Bible." These are the places linked to the mystery of the Incarnation, such as Christ's birth and the Annunciation, as well as to the places of Christ's childhood and public life of preaching. One musn't forget the Jerusalem area where there are the shrines linked to Holy Week and to the Paschal Mystery: from Jesus' solemn entry into the city, to his Passion, Death and Resurrection, Ascension and gift of the Spirit.
The Custos has expressed three essential attitudes for the caring for the shrines, taking as an example St. Paul VI's apostolic exhortation of "Nobis in Animo": protecting, guarding and restoring. This, according to Fr. Patton, is the most appropriate way to serve the local Church and the Christian holy places. "We believe it is necessary," he continued, "for our Sanctuaries to be guarded and protected from both bad weather and inconvenient conditions, given the new areas of need, it is also necessary for the Sanctuaries to be restored." The restoration work and care for the places, he explained, are essential for highlighting those details that date back to past centuries and can be rediscovered, such as the Seventh Angel of Bethlehem which became visible again during the recent restoration work for example. This type of work aims to offer visitors an experience of the beauty of faith, and it is necessary for the places to be beautiful, faithful both to themselves and to the mystery they commemorate.
Two levels of significance were identified and placed at the attention of those working in the shrines: the local level, for the faithful who live nearby, and the global, for pilgrims and tourists who come from all over the world, many of whom are able to come to these places only once in their lives. "With the amount of pilgrims visiting, you have to have equipped facilities: for example we are working on the specific way of welcoming the disabled by adding ramps where possible, so that all pilgrims can pray, read the passages from the Gospel or other Biblical references and so that they can celebrate Holy Mass," said the Custos. In fact, work continues on the infrastructure to guarantee sufficient water, restrooms and an essential a welcoming presence so that it is easier for pilgrims and locals to focus better on the experience of faith.


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K.D World Playway School Phinder, Rs pura celebrated its 4th Annual Day with great fervour at School Ground, here today.
Ex MLA and BJP Leader Prof Garu Ram Bhagat was the chief guest on the occasion.
The function was commenced with the ceremonial lighting of the lamp by the chief guest, guest of honour accompanied by other dignitaries which was followed by Ganesh Vandana presented by the students.
Saudhagar Dogra, Director of the school were also present on the occasion.
Speaking on the occasion Prof Garu Ram Bagat praised the organizers and congratulated the school management for successfully conducting the function.
He emphasized the role of such functions and activities for overall development of students.


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Ethan Hermann
Turning on Liberty: A Look Behind Pittsburgh's Liberty Mile
Photograph Courtesy of DowntownPittsburgh.com
When the city of Pittsburgh, Pennsylvania enters the conversation, a few things come to mind: The city's bridges, its long history as the 'Steel City,' its sports teams and sports fans, Andy Warhol, and probably a few other things.
What does not immediately come to mind is running. The city's hilly topography coupled with its grey and rainy climate do not scream out that Pittsburgh as a running mecca, but it is slowly and surely becoming more of one in 2022.
Pittsburgh's Liberty Mile — which turns heads in both the Pittsburgh area and national running circuit alike — just turned ten years old. The Fleet Feet Liberty Mile ends on Pittsburgh's Liberty Avenue, and ends with a slight downhill cutting through the heart of Pittsburgh's Cultural District.
The Liberty Mile is Pittsburgh's answer to a summer race that will bring people out en masse, but that also won't melt its racers.
When asked about why the Liberty Mile was in fact a mile, Run P3R's CEO Troy Schooley explained it was about recognition and ease for all runners.
"In 2012, we wanted to create a new event that would bring a lot of excitement to our running community and be different from the typical weekend 5ks," Schooley said.
"We thought the mile distance was perfect for showcasing top talent but also an opportunity for participants of all ages and abilities to participate."
Schooley hit the nail on the head — not everyone wants to try their hand at a half marathon or even a 5k. In the summer, spectators won't want to carve out half of their morning to cheer on a friend or deal with half of the city being closed for the race.
A half marathon may not excite nonchalant members of the community — but a mile?
Everyone knows the mile!
"... The mile is such a classic American distance," Schooley said. "Even if you aren't a runner, you understand what it means to run a mile and have a general idea of what a fast mile is."
The impetus came from other popular road races such as the 5th Avenue Mile, but the goal was also to create a party-like atmosphere on the back end. This placed the Liberty Mile squarely on a Friday night. After its first year was a smashing success, it became known as a premier summer race for professional athletes and amateur athletes alike. To boot, the winner took home $5,000 on both the men's and women's side.
Not a bad payout for a short race.
Schooley admitted the payout is a good incentive to come to Pittsburgh, but the buck doesn't stop there. "We put a lot of care in our elite athlete program and really focus on giving our athletes a wonderful experience while they are in Pittsburgh," Schooley explained. "The money is one of the top purses in the country, and coupled with the hospitality, it's one of the best races in the circuit."
After a couple of tweaks and changes to the course, factoring in Pittsburgh traffic and viewer visibility, the Liberty Mile's now-familiar horseshoe course has come to be a mainstay. Excited spectators can watch the runners take off at the start, and only need to cross one block to get situated at the finish line.
From there it's a waiting game, until little specks slowly become bigger and bigger and you can figure out just who is kicking for home in front. The excitement builds from the finish line, and the cheers get louder and louder as the runners get closer to the end.
The first wave of cheers from the 1200 meter mark ignites a roar among all those watching, as they know firsthand who is in front and that it's going to be close coming down to the finish. The mile also makes for spectacular drama. There is such little time to create separation, and with the perfectly staggered and equally competitive heats, almost every race has a photo finish.
Photograph Courtesy of Kristina Serafini
The immediate-classic race of 2021 comes to mind, with Vincent Ciattei out-kicking Craig Engels, Colby Alexander, and Craig Nowak in dramatic fashion to win the men's race. The same thing happened in 2022, with Ciattei reigning champion over previous winner and former Olympian Ben Blankenship. Ciattei, Blankenship and fellow pro Kasey Knevelbaard all ran 4:04, but Ciattei took home the biggest prize.
On the women's side of racing, the running household name of Nikki Hiltz took down a fast-charging Emily Lipari and they had to fight tooth-and-nail to earn their $5,000 prize as well. Both Hiltz and Lipari ran 4:28, and just like the men's race, it came down to a matter of inches.
Thankfully there is a good purse for all of the podium athletes, and a 15-rack of Pittsburgh Brewing Company's Iron City Light was quickly placed into the hands of all who earned a spot on the podium.
It is a party in downtown Pittsburgh, after all!
The focus of the Liberty Mile began as a chance to bring the community together to support running more, and in such a rich sports town such as Pittsburgh, to have a race where the community can focus on and cheer for the fastest runners in the country shows that the fans love amazing competition, no matter the sport.
As Schooley explained, P3R has a distinct focus that it adheres to, and it is kept in mind when putting on the Liberty Mile. "P3R's mission is to inspire any and all to move, and we love that this event makes it so fun to run," Schooley said proudly.
The Liberty Mile has made its way onto many professional and amateur runners' bucket lists, and that was evident in 2022. With three former US Olympians and both 2022 US Road Mile champions making their way here during the World Championships, the draw to Liberty is real.
After another successful year, organizers will lie dormant for a little while, before the planning ramps up to make 2023's race even better than the last.
Walk on to All American
Coach's Corner: Chris Catton of RunCCG
The Oval Office


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Courtside at the Palace, 1919; Badrutt's Palace Hotel Archive, Photographer Engadin Press Fotoabteilung
Anyone for tennis?
The opening of an indoor tennis court in 1913 was another pioneering move for Badrutt's Palace Hotel
Today, visitors to Badrutt's Palace Hotel can take advantage of several outdoor courts with a glorious Alpine backdrop and expert tuition on demand. However, tennis at the hotel didn't always look like this. In fact, the extension of the main building used to house a special indoor tennis court.
The indoor tennis court at Badrutt's Palace Hotel, which opened in 1913: Badrutt's Palace Hotel Archive
By the mid-19th century, St. Moritz was well established as a summer destination. Visitors would flock to the Swiss retreat to experience the restorative qualities of the clean mountain air and taste the mineral-rich spring water. Winter was very much the off-season.
That all changed thanks to the vision of the Badrutt family, who saw the potential for a winter resort in St. Moritz. With more than 300 sunny days per year, the town enjoys an enviable climate even in the colder months. So, in 1864, Johannes Badrutt persuaded a group of British friends to spend the winter in St. Moritz, and they were quickly converted.
The Palace we know today was officially opened in 1896. Inheriting his grandfather Johannes's enterprising nature, Hans Badrutt, the manager from 1898, opened an indoor tennis court in 1913 to cement its reputation as a year-round destination. It meant that, even in the deepest, darkest winter months, guests could enjoy the by-then fashionable game of tennis and watch its top players in action.
The history of tennis dates back thousands of years, with a form of the game being played in ancient Greece. Modern tennis developed from a 12th-century French handball game called jeu de paume (game of the palm), because the ball was hit with the hand. Eventually, racquets were introduced in the 16th century. The name 'tennis' came from tenez (receive or take) and was called to indicate a player was about to serve.
Mixed doubles, 1932/33; Badrutt's Palace Hotel Archive, Photographer Photo House Niedecken
Tennis continued to gain popularity in France, where it was adopted by the royal family. In 1316, Louis X of France is said to have died after a particularly vigorous game.
Between the 16th and 18th centuries, tennis was highly regarded among royalty and nobility beyond France. By 1875, lawn tennis had overtaken croquet and badminton in popularity, and the International Lawn Tennis Federation (ILTF) was founded in 1913. This was the very same year that the pioneering Hans Badrutt opened his indoor tennis court at The Palace in St. Moritz.
The fledgling ILTF decided to hold three world championships: one on a grass court, one on a hard court and one on a wooden parquet court in an enclosed hall. In 1922, the Palace hosted the latter of these championships, with the tournament won by Henri Cochet, the world number one-ranked player and a member of the famous 'Four Musketeers' from France who dominated tennis in the 1920s. Germaine Golding (née Regnier) of France won the women's tournament, and both Cochet and Golding teamed up with their singles opponents to triumph in their respective doubles matches.
Other players to grace the Palace tennis court over the years included Max Décugis, another French world champion, Kathleen McKane Godfree, who went on to become the most decorated female British Olympian, and Frenchman William Laurentz, who ranked among the top 10 in the world in the early 1920s. Hans Badrutt invited Laurentz to play at the hotel in 1919 and a cheeky response from the sportsman explains that, having just returned from Copenhagen, the cost of the journey would be unaffordable unless Badrutt could reduce the hotel price to five Swiss francs a day – and include wine if possible!
As well as attracting competition from around the world, the indoor tennis court proved a popular addition to the hotel for other guests who enjoyed the chance to see some of the best tennis players of the day in action, creating an extra enticement for fashionable society to visit St. Moritz all year round. With them came skiing, polo, horse racing, curling and skating, creating a winter sports haven.
La Coupole – Matsuhisa restaurant occupies the former indoor tennis court
Nowadays, you will receive a very different type of serve in the indoor tennis court at the Palace. It was closed in the late 1950s, just before the King's Club was constructed in 1963, and is now home to La Coupole – Matsuhisa restaurant. But tennis fans need not fear – the hotel's outdoor tennis courts and professional trainers have plenty to offer the hidden champions among you.
To find out more and book a table at Matsuhisa, click here.
Tags: Hotel history, Summer activities
Published in June 2021
Stars of the stage
Tales of trunks
A lasting connection
A plate full of history
Silver service
Melissa Ganzi: polo champion
The greatest party on Earth


Maj. Kevin Burns, center, was honored as Nevada's veterans of the month.
Carl Schnock, president of Welcome All Veterans Everywhere, accepts the Veteran Supporter of the Month award from Gov. Brian Sandoval.
Gov. Brian Sandoval this week honored one Nevada veteran and a veterans' services group for their service to the state.
Sandoval and the Nevada Department of Veterans Services honored the Douglas County nonprofit Welcome All Veterans Everywhere (WAVE) program as Veteran Supporter of the Month recipient.
The award was presented during a Monday ceremony at the Capitol.
WAVE President Carl Schnock accepted the award on behalf of the organization that provides outreach programs for dealing with veterans' issues. WAVE is dedicated to helping veterans get the benefits they have earned form the VA and provides services including transporting veterans to appointments for medical and other services.
In addition, Maj. Kevin Burns, USMC Retired, was honored as Nevada's veteran of the month during Monday's ceremony.
Burns is one of the founders of the United Veterans Legislative Council and coordinator of the Veterans Resource Center at Western Nevada College. He has also helped implement the Veterans Integration Program at Warm Springs Correctional Center in Carson City.


Health online has a home. The .health new gTLD will kick-off a 2 month Sunrise period on 8 May. The new gTLD is aiming to provide a home for the health and wellness industries online, providing a place for health brands, organisations and individuals providing high-quality health products, services and information.
The team behind .health is the same team that relaunched .co, the Colombian ccTLD, in 2010 as a "generic" top level domain. dotHealth's CEO, Jose Ignacio Rasco, is eager to improve the health industry by advancing the online health and wellness experience.
"We are designing .health to be the new industry standard for websites in health and wellness. At dotHealth, we are committed to providing value to the health industry by meeting a need that has long existed for health information online," said Rasco.
dotHealth is taking steps to ensure the .health domain landscape is backed by reliable technology and policies to provide credible and focused content. .health registrants will be subject to stringent terms and policies that ensure the integrity of the extension and deter misuse. These terms and policies are being developed with the assistance of an advisory board of health and technology experts. In addition to these policies, dotHealth recognises the importance of security on health-related sites, therefore .health domains are backed by industry-leading technology and security protocols administered by Neustar, the largest provider of core registry and digital naming services.
8 May to 7 July – Sunrise – Trademark holders will have first access to register .health domains aligned with their trademark.
20 July to 30 Nov – Industry Access – Qualified health industry entities may register .health domains through a token system administered by dotHealth.
5 Dec – General Availability – Registration will open to the public while continuing to be backed by terms and policies that will safeguard the credibility of the space.


Published By – TRO-Cheshire Music, Inc.
This release has a label variation, on this one does not have Side 1 or Side 2 above Rocky Burnette. One of the other listed has Side 1 above Rocky Burnette at the top of the label for side 1 but nothing is at the top of Rocky Burnette on side 2. One of the other ones listed has the exact opposite of this. This label also has TRO-Cheshire Music, Inc. BMI above time on both sides. The other labels have it on just one side.


On Saturday, December 1, we will make repairs to the parking lots and other paved areas on the south side of El Cerrito del Norte station. On Sunday, December 2, we will continue the work on the north side of the station. Please see the map for details.
We will need to close off multiple small sections of paved areas as we fill potholes and make other repairs. There will be signs, barricades, and workers to direct you around these areas. In addition, "No Parking" signs will be in place 72 hours in advance for any parking spaces that need to be vacant—please look for these signs when parking. Cars parked in marked spaces may be towed at the owner's expense.
This work will be cancelled if there is rain.


The Black Prince Sword is a magnificent piece and produced by the world famous Art Gladius workshop in Toledo, Spain. The black and gold hilt is heavily adorned with decoration and features the Royal Arms of England at the centre of the guard. One side of the pommel is decorated with coats of arms associated with the Black prince whilst the other side bears the words "HONNI SOIT QUI MAL Y PENSE" being Old French for "Evil be to him who evil thinks". This is also the motto of the Knights of the Garter. The polished stainless steel blade is masterfully etched with medieval symbols and features a fuller to decrease the weight without sacrificing strength. This item has a blunt blade and is manufactured for display only. Matching Black Prince Dagger also available.


text:
#include "config.h"
#include "JSHistoryCustom.h"

#include "Frame.h"
#include "History.h"
#include "SerializedScriptValue.h"
#include <runtime/JSFunction.h>

using namespace JSC;

namespace WebCore {

static JSValue nonCachingStaticBackFunctionGetter(ExecState* exec, JSValue, PropertyName propertyName)
{
    return JSFunction::create(exec, exec->lexicalGlobalObject(), 0, propertyName.publicName(), jsHistoryPrototypeFunctionBack);
}

static JSValue nonCachingStaticForwardFunctionGetter(ExecState* exec, JSValue, PropertyName propertyName)
{
    return JSFunction::create(exec, exec->lexicalGlobalObject(), 0, propertyName.publicName(), jsHistoryPrototypeFunctionForward);
}

static JSValue nonCachingStaticGoFunctionGetter(ExecState* exec, JSValue, PropertyName propertyName)
{
    return JSFunction::create(exec, exec->lexicalGlobalObject(), 1, propertyName.publicName(), jsHistoryPrototypeFunctionGo);
}

bool JSHistory::getOwnPropertySlotDelegate(ExecState* exec, PropertyName propertyName, PropertySlot& slot)
{
    // When accessing History cross-domain, functions are always the native built-in ones.
    // See JSDOMWindow::getOwnPropertySlotDelegate for additional details.

    // Our custom code is only needed to implement the Window cross-domain scheme, so if access is
    // allowed, return false so the normal lookup will take place.
    String message;
    if (shouldAllowAccessToFrame(exec, impl()->frame(), message))
        return false;

    // Check for the few functions that we allow, even when called cross-domain.
    const HashEntry* entry = JSHistoryPrototype::s_info.propHashTable(exec)->entry(exec, propertyName);
    if (entry) {
        // Allow access to back(), forward() and go() from any frame.
        if (entry->attributes() & JSC::Function) {
            if (entry->function() == jsHistoryPrototypeFunctionBack) {
                slot.setCustom(this, nonCachingStaticBackFunctionGetter);
                return true;
            } else if (entry->function() == jsHistoryPrototypeFunctionForward) {
                slot.setCustom(this, nonCachingStaticForwardFunctionGetter);
                return true;
            } else if (entry->function() == jsHistoryPrototypeFunctionGo) {
                slot.setCustom(this, nonCachingStaticGoFunctionGetter);
                return true;
            }
        }
    } else {
        // Allow access to toString() cross-domain, but always Object.toString.
        if (propertyName == exec->propertyNames().toString) {
            slot.setCustom(this, objectToStringFunctionGetter);
            return true;
        }
    }

    printErrorMessageForFrame(impl()->frame(), message);
    slot.setUndefined();
    return true;
}

bool JSHistory::getOwnPropertyDescriptorDelegate(ExecState* exec, PropertyName propertyName, PropertyDescriptor& descriptor)
{
    if (!impl()->frame()) {
        descriptor.setUndefined();
        return true;
    }

    // Throw out all cross domain access
    if (!shouldAllowAccessToFrame(exec, impl()->frame()))
        return true;

    // Check for the few functions that we allow, even when called cross-domain.
    const HashEntry* entry = JSHistoryPrototype::s_info.propHashTable(exec)->entry(exec, propertyName);
    if (entry) {
        PropertySlot slot;
        // Allow access to back(), forward() and go() from any frame.
        if (entry->attributes() & JSC::Function) {
            if (entry->function() == jsHistoryPrototypeFunctionBack) {
                slot.setCustom(this, nonCachingStaticBackFunctionGetter);
                descriptor.setDescriptor(slot.getValue(exec, propertyName), entry->attributes());
                return true;
            } else if (entry->function() == jsHistoryPrototypeFunctionForward) {
                slot.setCustom(this, nonCachingStaticForwardFunctionGetter);
                descriptor.setDescriptor(slot.getValue(exec, propertyName), entry->attributes());
                return true;
            } else if (entry->function() == jsHistoryPrototypeFunctionGo) {
                slot.setCustom(this, nonCachingStaticGoFunctionGetter);
                descriptor.setDescriptor(slot.getValue(exec, propertyName), entry->attributes());
                return true;
            }
        }
    } else {
        // Allow access to toString() cross-domain, but always Object.toString.
        if (propertyName == exec->propertyNames().toString) {
            PropertySlot slot;
            slot.setCustom(this, objectToStringFunctionGetter);
            descriptor.setDescriptor(slot.getValue(exec, propertyName), entry->attributes());
            return true;
        }
    }

    descriptor.setUndefined();
    return true;
}

bool JSHistory::putDelegate(ExecState* exec, PropertyName, JSValue, PutPropertySlot&)
{
    // Only allow putting by frames in the same origin.
    if (!shouldAllowAccessToFrame(exec, impl()->frame()))
        return true;
    return false;
}

bool JSHistory::deleteProperty(JSCell* cell, ExecState* exec, PropertyName propertyName)
{
    JSHistory* thisObject = jsCast<JSHistory*>(cell);
    // Only allow deleting by frames in the same origin.
    if (!shouldAllowAccessToFrame(exec, thisObject->impl()->frame()))
        return false;
    return Base::deleteProperty(thisObject, exec, propertyName);
}

bool JSHistory::deletePropertyByIndex(JSCell* cell, ExecState* exec, unsigned propertyName)
{
    JSHistory* thisObject = jsCast<JSHistory*>(cell);
    // Only allow deleting by frames in the same origin.
    if (!shouldAllowAccessToFrame(exec, thisObject->impl()->frame()))
        return false;
    return Base::deletePropertyByIndex(thisObject, exec, propertyName);
}

void JSHistory::getOwnPropertyNames(JSObject* object, ExecState* exec, PropertyNameArray& propertyNames, EnumerationMode mode)
{
    JSHistory* thisObject = jsCast<JSHistory*>(object);
    // Only allow the history object to enumerated by frames in the same origin.
    if (!shouldAllowAccessToFrame(exec, thisObject->impl()->frame()))
        return;
    Base::getOwnPropertyNames(thisObject, exec, propertyNames, mode);
}

JSValue JSHistory::state(ExecState *exec) const
{
    History* history = static_cast<History*>(impl());

    JSValue cachedValue = m_state.get();
    if (!cachedValue.isEmpty() && !history->stateChanged())
        return cachedValue;

    SerializedScriptValue* serialized = history->state();
    JSValue result = serialized ? serialized->deserialize(exec, globalObject(), 0) : jsNull();
    const_cast<JSHistory*>(this)->m_state.set(exec->globalData(), this, result);
    return result;
}

JSValue JSHistory::pushState(ExecState* exec)
{
    RefPtr<SerializedScriptValue> historyState = SerializedScriptValue::create(exec, exec->argument(0), 0, 0);
    if (exec->hadException())
        return jsUndefined();

    String title = valueToStringWithUndefinedOrNullCheck(exec, exec->argument(1));
    if (exec->hadException())
        return jsUndefined();

    String url;
    if (exec->argumentCount() > 2) {
        url = valueToStringWithUndefinedOrNullCheck(exec, exec->argument(2));
        if (exec->hadException())
            return jsUndefined();
    }

    ExceptionCode ec = 0;
    impl()->stateObjectAdded(historyState.release(), title, url, History::StateObjectPush, ec);
    setDOMException(exec, ec);

    m_state.clear();

    return jsUndefined();
}

JSValue JSHistory::replaceState(ExecState* exec)
{
    RefPtr<SerializedScriptValue> historyState = SerializedScriptValue::create(exec, exec->argument(0), 0, 0);
    if (exec->hadException())
        return jsUndefined();

    String title = valueToStringWithUndefinedOrNullCheck(exec, exec->argument(1));
    if (exec->hadException())
        return jsUndefined();

    String url;
    if (exec->argumentCount() > 2) {
        url = valueToStringWithUndefinedOrNullCheck(exec, exec->argument(2));
        if (exec->hadException())
            return jsUndefined();
    }

    ExceptionCode ec = 0;
    impl()->stateObjectAdded(historyState.release(), title, url, History::StateObjectReplace, ec);
    setDOMException(exec, ec);

    m_state.clear();

    return jsUndefined();
}

} // namespace WebCore

redpajama_set_name: RedPajamaGithub


text:
Hometeens stories[teens stories] EDAWN LOST 50% OF HIS FORTUNE
[teens stories] EDAWN LOST 50% OF HIS FORTUNE
"Dawn "I can die for Hyuna...The engagement ring cost me 50% of my fortune"
[+280][-2]
1. [+163, -11]
Personally, I used to like Hyuna's old concept more. When she started with Bubble Pop and Troublemaker with Jang Hyunseung were so nice. And she was successful. She was the best back then. Meanwhile all her songs after her relationship was revealed were... All not my style. They were too over the top and I didn't even look up for her stages anymore. Now that Hyuna is alone again, maybe we'll get to see her personal charm againㅜㅜㅜㅜㅜ I wish I'd see another song with her and Hyunseungㅜㅜㅜ
2. [+147, -5]
Honestly, now, they don't need to pull those 1+1 deal and she can sign contracts on her own so it's good. She should find a new company and release a song like Baby..
It was custom-made and this was the only one in the world. He won't even be able to sell it anywhere
Why is the title so funny
How is E-Dawn going to earn his money from now? Does he have copyrights??
dawn hyuna teens stories


text:
The pretracheal fascia is a layer of the deep cervical fascia at the front of the neck. It attaches to the hyoid bone above, and - extending down into the thorax - blends with the fibrous pericardium below. It encloses the thyroid gland and parathyroid glands, trachea, and esophagus. It extends medially in front of the carotid vessels. It assists in forming the carotid sheath.

The back portion of the pretracheal fascia is known as the buccopharyngeal fascia.

Structure
The pretracheal fascia is continued behind the depressor muscles of the hyoid bone. After enveloping the thyroid gland, it is prolonged in front of the trachea to meet the corresponding layer of the opposite side. The pretracheal layer of the deep cervical fascia passes in front of the carotid sheath (i.e., common carotid artery, internal jugular vein, and vagus nerve) and in front of the cervical viscera (larynx, oesophagus, and pharynx). The muscular layer ensheathes the infrahyoid muscles.

Above, the pretracheal fascia is fixed to the hyoid bone. Below, it is carried downward in front of the trachea and large vessels at the root of the neck, and ultimately blends with the fibrous pericardium.

The pretracheal fascia is fused on either side with the prevertebral fascia, and with it completes the compartment containing the larynx and trachea, the thyroid gland, and the pharynx and esophagus.

Function
The pretracheal fascia encloses the thyroid gland, and is responsible for its movement during deglutition.

See also
 Fascia

References

External links
 Sagittal Section Showing Deep Cervical Fascial Layers
 Infrahyoid Cross-Section Showing Layers of Deep Cervical Fascia

Fascial spaces of the head and neck

redpajama_set_name: RedPajamaWikipedia


text:
South Carolina 102, Coastal Carolina 39
(AP Photo/Nell Redmond)
By PETE IACOBELLI
AP Sports Writer
COLUMBIA, S.C. - South Carolina coach Dawn Staley wants to make sure people remember how special Aliyah Boston is. The Gamecocks' All-American has done a pretty good job reminding them on her own this season.
Boston, the reigning AP Player of the Year, had 11 points and 10 rebounds for her 68th career double-double to keep No. 1 South Carolina undefeated with a 102-39 victory over Coastal Carolina on Wednesday.
Boston, who played just 13 minutes, moved four games away from matching the program's all-time mark for double-doubles held by Sheila Foster established four decades ago.
"She's the best player in the country, let's not forget that," Staley said. "There are so many narratives starting to circulate. She's the best player in the country, hands down."
Boston is averaging close to a double-double - like her previous two seasons - with 12.5 points and 9.5 rebounds a game this year and accomplishing it in fewer minutes per contest than her sophomore and junior seasons.
When Boston is on the court, it's almost impossible not to notice her skill and effort.
Boston proved that once more in her short outing against the overmatched Chanticleers (5-6). Midway through the second quarter, Coastal's Amaya Adams stole the ball and seemed to have a clear path to the basket before the 6-foot-5 Boston caught her and blocked the shot out of bounds.
"I don't know why that girl thought she was going to have a lane," South Carolina freshman Ashlyn Watkins said with a laugh.
Watkins had a career high 16 points and Zia Cooke 14 as the defending national champs improved to 12-0 for a second straight season and fourth time in Staley's 15 years as coach.
The effort of Boston and the Gamecocks made it an even more difficult challenge for the Chanticleers, who have just two players 6 feet or taller while South Carolina had 10.
"I've never seen a team like like this," said Coastal Carolina coach Kevin Pederson, who faced Staley twice before when he was coaching at Division II Lander. "This team is not just talented, but they outwork you as well."
South Carolina led 13-2 less than five minutes in and steadily built the lead to 36 by halftime. The Gamecocks' trademark defense didn't fade, no matter who Staley put on the court.
They outrebounded Coastal Carolina 34-12 and had 12 blocks in the first 20 minutes. Boston had three of her team's season-high 16 blocks.
Arin Freeman scored 15 points to lead Coastal Carolina, which shot just 20.3% (15 of 74) after coming in shooting 43% on the season. Aja Blount, the Chants' top scorer at 17.5 points a game, was held to six points on 2-of-14 shooting.
South Carolina finished with five players in double figures for a second straight game.
Coastal Carolina: The Chanticleers have taken on Power Five programs under first-year coach Pederson, losing at Georgia, Kentucky and Wake Forest before falling to the Gamecocks. Pederson believes the rugged schedule will get them ready for the Sun Belt Conference.
South Carolina: Fun time is over for the Gamecocks, who'll play three of their first five SEC games on the road. Staley has said her team is still finding the form it'll need to repeat as conference regular season and national champions.
A. Blount F 29 2-14 2-3 0-1 3-5 0 0 0 0 0 6
M. Recarte C 24 2-5 0-0 2-4 0-0 1 3 1 2 3 6
A. Freeman G 34 6-19 2-2 1-2 1-1 2 0 1 4 1 15
D. Richardson G 29 2-13 2-2 0-9 0-1 0 0 1 2 3 6
A. Barney G 23 0-7 0-0 0-5 1-3 0 0 2 2 2 0
A. Adams 21 2-5 0-0 0-0 2-3 2 1 3 3 2 4
B. Carter 13 1-6 0-0 0-0 0-2 0 0 0 1 3 2
A. Belinga 10 0-4 0-0 0-0 1-1 0 0 1 0 1 0
H. Delaruelle 10 0-0 0-0 0-0 0-0 0 0 0 0 3 0
B. Simmons 6 0-1 0-0 0-0 0-0 0 0 0 2 0 0
J. Newsome 1 0-0 0-0 0-0 0-0 0 0 0 0 0 0
(.143) 15-25 5 4 9 16 18 39
A. Boston F 13 4-6 3-4 0-0 4-10 2 3 0 0 0 11
Z. Cooke G 16 5-9 2-2 2-4 1-2 5 0 1 1 1 14
A. Watkins 21 7-12 2-3 0-0 4-7 3 3 2 3 1 16
C. Kitts 16 1-3 0-2 0-0 1-3 1 0 0 3 0 2
L. Amihere 15 5-6 1-2 0-0 1-4 1 3 3 2 1 11
T. Cooper 15 4-6 1-2 0-2 3-6 1 0 1 0 0 9
S. Feagin 15 6-8 1-3 0-0 3-7 0 3 1 0 2 13
O. Thompson 4 1-2 0-0 1-2 0-1 0 0 0 0 0 3
(.214) 23-64 23 16 11 15 8 102
Officials: Katie Lukanich, Billy Smith, Ryan Durham


text:
The Island.
Photographs by Emanuele Camerini Rome | 2012-2013 'The Island' born from an urge to explore the faces, stories, lives of many Bengali guys who spend their nights at the gasoline stations offering their help to drivers in exchange for a tip. Sat down, lighted only by neon lights, their faces emerge from the darkness that […]
By Positive Magazine	@positive_mag	 Oct 05, 2013
Photographs by Emanuele Camerini
Rome | 2012-2013
'The Island' born from an urge to explore the faces, stories, lives of many Bengali guys who spend their nights at the gasoline stations offering their help to drivers in exchange for a tip.
Sat down, lighted only by neon lights, their faces emerge from the darkness that surrounds them almost like castaways on a remote Island waiting for a ship that can rescue them. Men arrived in Italy with the hope to leave behind the poverty and the problems of their country, but forced to face the difficulties of one of the biggest city in the world: Rome.
This project, realized between 2012 and 2013 trough the medium format portrait, tells about this reality that flows along roadsides.
Emanuele Camerini was born in Rome in 1987.
In 2010 he gratuated in Photography at European Institute of Design (IED) in Rome. He began his work photographing various theatrical realities in Italy, especially in Puglia. He devotes himself full time to photography, focusing his attention to social and cultural issues through documentary and portrait photography.
He currently lives and works in Rome.
Follow @positive_mag on twitter for the last updates
bengaligas stationromarome
The articles written by this author are uploaded by the Positive Magazine Editorial Team and written by the the author(s) indicated on the top of the article.
We all have been through this
MONDIALI DI SKATE – ROMA
"Borgate": portraits of redemption
Urban Guerrilla: Rome. 15/10/2011
the world of Vesna
GIANLUCA DE SIMONE


Four years ago my life changed immeasurably when I bumped my head getting into the car. Pleasures I'd taken for granted — spending an afternoon curled up with a good book, listening to music while at work, driving alone to visit friends a few hours away — became difficult if not impossible most days. Things I never noticed before — loud music in stores and restaurants, fluorescent lights flickering overhead in public buildings, people chattering on the sidelines at a dance — are now so intrusive I often have to leave rather than endure the discomfort they create.
I've been a dancer since the late '80s when I was invited to an evening of Scottish Country dancing. I fell in love with the music, especially the strathspeys, and was soon spending my weekends at dance events, my weeknights at nearby classes, and my summer vacations at week-long schools where I honed my skills and built solid friendships with dancers from around the globe. My life was filled with the joy of moving efficiently to that glorious music. I had discovered a welcoming community that instilled in me an abiding confidence and encouraged me to expand my boundaries and release my fears.
Within a few years I was teaching a weekly class in my home city and driving hundreds of miles to attend courses and obtain my teaching certification. Not content with one form of dance, I became equally involved in English Country, Irish Set, Vintage Ballroom, and occasionally, American Contra Dance. Life was busy and fulfilling.
Most of that came to a screeching halt the night I bumped my head. I remember saying to a colleague, "Don't worry, it's just a concussion," and thinking that within a few weeks my life would return to normal. It did not. Every head injury or TBI (traumatic brain injury) is unique. One neurologist described it as if I'd bumped my electrical panel slightly askew and now every circuit had to find a new connection.
In the early days I slept deeply and dreamlessly. My inner voice was silent. I couldn't walk without feeling like the floor was roiling beneath my feet. If I turned my head to look at something, I'd be engulfed in waves of nausea. Having literally lost my sense of where my body was in space, I grew fearful of re-injuring myself and was constantly off balance. Perpetual dizziness and migraines filled my days.
All sound — the babble of voices in the office, the car radio, the dance music I loved — was amplified into physical blows. My head felt full of cotton wool. Emotions raced and, constantly stressed, I responded angrily to situations that would not have bothered me before. Despite these changes, I appeared the same on the outside. Friends and family couldn't understand why it was taking me so long to get better.
I returned to work within a few days. Perhaps, in hindsight, I should have taken a medical leave of absence. The stress and responsibility of my job likely compounded the ongoing vestibular issues and slowed my recovery. I also quickly returned to teaching dance, if not dancing.
Having any injury can feel very isolating. A head trauma, however, is unlike any other injury I've experienced. When you pop a calf muscle or tear a knee meniscus, there are therapists and surgeons who can put you right again and even, with your willing cooperation, make you better than before. I've been blessed to have a wonderful sports physician as my primary doctor. He's sent me to practitioners on the cutting edge of treatment, and they've given me a better understanding of life before and after such traumas.
With my head injury, it's been more complicated. Time is the great healer, I guess, and I've learned that you can't always force recovery with action. Sometimes you have to relax, meditate, be calm, breathe.
It's hard, too, to remain a part of your dance community when attending a dance means a return to dizziness and headache. You have the pleasure of seeing friends, but they don't understand why you're not better. You look the same to them although you may have added a few pounds due to forced inactivity.
Often it's easier to stay at home than to beg a ride because you can't drive without double vision or a headache. Sometimes it's not worth watching when you'd rather be dancing. Sitting on the sidelines doesn't give the same sense of connection as twirling down the line with a partner and flying through space on a wave of music. Because of all this, I've stopped attending most dance workshops and weekends unless I'm an organizer or teacher.
Gradually, I've been able to return to English dancing with real pleasure. I've done a limited amount of Scottish Country Dance and Irish Sets, as well. I still can't tolerate the pivots and swings of Vintage and Contra Dance.
My optimistic soul hopes for the day when I can dance with abandon once again. My darker side worries that I may have to choose to put that dream away. Just last Sunday, I had a night when the lights and sounds and chatter and motion were more than I could handle. Rather than smiling so that my partners would think everything was fine, I chose to leave early. It was a difficult decision.
Sometimes, in the business of living daily life, I forget to honor my head injury. I pay for such forgetfulness with ringing ears, overwhelming exhaustion, and a disconnected dizziness that lasts for weeks. My doctors tell me I am progressing and to simply do what I can to return to my former activity levels. They encourage me but do not feel the loss as I do. At the moment, I'm able to dance a few dances and enjoy the music from the sidelines and that keeps me coming back. I fear that sometime in the future that might not be true.
Dancing Well Director and dance leader Deborah Denenfeld has done so much good bringing the world of dance to men and women who have experienced injuries far worse than mine. Surely, having taken the leap of faith to come to one of the dance sessions, these men and women find the confidence and acceptance I did as a novice dancer. An hour's respite from their pain and fear and isolation is true balm. Dancing Well gives them a safe place to be who they are now without judgment about who they used to be. While there's no magic pill to cure a head trauma, this gift of joy is no small thing.
I don't often talk to people about my journey — my struggle — with TBI. But I approached Deborah after a blissful session of advanced English Country Dancing at Berea's Christmas Country Dance School. It was a day I was feeling great and able to dance without problem. There were changes in the room and class, however, that would have made me more comfortable. Subtle things to do with lighting and noise.
Deborah had just spoken the night before about her work, and I thought perhaps she would be interested in the suggestions of an experienced dancer living with a head injury. We ended up having several such conversations that year and subsequently have kept in touch about her work and my progress. There are few dance leaders who comprehend the challenges of TBI.


Hair can be dyed and worn curly or straight.
Hair maintenance guide is included with every purchase.
(16"-20") 2 bundles are required.
(22"- 32") 3 bundles are recommended by not required.
Price is per one bundle of hair.
Recommended Lace closure: BfCurl Lace Closure.


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New non-dom rules in the UK make Monaco attractive again
Ever a popular destination for the world's ultra-high net worth individuals, Monaco's government continues to make efforts to attract the global super-rich to its shores, and they continue to flock in. Thanks to regulatory changes aimed at drawing in more residents, advisers based in the principality say workloads are hitting new highs.
The Swiss bank Union Bancaire Privée (UBP) is the latest to enter the market, taking over first the Monaco operations of Lloyds Banking Group in 2013, and then of Coutts in 2015. Through local hiring, the bank continues to strengthen its presence in Monaco, sensing an opportunity: "The Monaco market is not a big market compared to Switzerland or London,'Äù says Michel Longhini, CEO of UBP's private banking activities, "but it's a market that's very resilient. It is a very local market, driven by people living there or living around the region, and we find there are many ultra-high net worth families now considering, or actually moving, to live in Monaco.'Äù
As well as an influx of new arrivals, there is also more private banking work for those already there, he says: "More and more, the families in Monaco are consolidating their assets into Monaco, instead of holding them all over the world. Monaco is a very stable financial centre that is very well regulated, and that gives it a certain credibility that means people who are living there are…To read the full article, please subscribe to our e-magazine.
60 second interview with Stephen Baker, Senior Partner, Baker & Partners
A day in the life of Stephen Baker, Senior Partner at law firm Baker & Partners
60 second interview with Emma Woollcott, Mishcon de Reya
In our 60 second interview series, Citywealth speaks to Emma Woollcott, partner at Mishcon de Reya.


For Halloween itself, our boss at the teaching agency had got us all tickets to a German bierfest (i.e. Oktoberfest, similar to this one I went to last year). Apparently she takes all the teachers every year, but this time she happened to book the Saturday of Halloween, so the crowd inside the tent were dressed in a mixture of regular clothes, German clothes, and fancy dress costumes. Bierfests are always a laugh, and this one was no exception. It was on a sort of rooftop at the back of a hotel, with views across Victoria Harbour. As is tradition, we sat on long benches, and got steins to drink from - though I managed to lose mine... There was a live band playing too, which was fun, as they did a mixture of German tunes and popular songs, and got the crowd involved, by teaching us dance movies, and getting people up on stage with them from time to time. I don't remember everything they played, but there was definitely The Birdie Song and Country Roads and Kung Fu Fighting! The security staff were pretty happy for us to stand on the benches, though not on the actual table-tops - not that that stopped us really! There was also food available, and some other stalls near the entrance, including face painting, but I managed to miss all that for the most part somehow. A slightly more unusual way to spend Halloween, but I definitely enjoyed it.
The night took a weirder turn after that though. We were trying to go out, but somehow most of the group got separated, though that was sort of understandable given how many of us there were. LKF is the biggest nightlife area in Hong Kong, and the place to go on Halloween, but we knew it would be totally packed, and to be honest, I don't love our nights out there. We went to Wan Chai instead, which I prefer, and were hoping to catch the Rugby World Cup final, since nearly every bar and pub there would be playing it. However, it was also completely packed there, because of said game, and we couldn't get in anywhere to see it. After drinking in the street for a little while, we gave up and came home, just after 1am. Pretty disappointing end to the night, but at least we had fun before that!


What about you? What makes you happy?
In this remarkable 6-part group study, Andy Stanley reveals what makes you happy. He explores the three things all happy people have in common. Then he goes on to describe how these three things can be realities for you as well.
This is a paperback participant's guide. It includes discussion questions for individuals and/or small groups, supplemental weekly reading, and a leader's guide.
This study guide will help you dig deeper into the teachings from Andy Stanley on the companion DVD. To use in a small group setting, you will need one DVD per group and one study guide per person.


More than just an idyllic resort island with beautiful beaches and rice terraces, Bali, Indonesia is also home to a rich culture of Hinduism (i.e. Balinese) thus making it an ideal place to hold SEAMEO SPAFA's 31st Governing Board Meeting and to discuss the Centre's upcoming 'Hindu Arts in Southeast Asia' programme.
Other items on the meeting agenda included reporting of the previous fiscal year's (2015-2016) programme activities, proposing and seeking approval of SEAMEO SPAFA's programme activities for this fiscal year (2016-2017), and presenting the Centre's next 5-year plan (2017-2023).


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Substance Abuse Treatment in La Mirada, CA
Substance Abuse Treatment in California
Substance Abuse Treatment in Los Angeles County, CA
Substance Abuse Treatment Centers in La Mirada, CA
We found the following listings for substance abuse treatment in La Mirada, CA. As a completely unbiased addiction resource, we chose these addiction treatment centers based on our 4-point selection criteria. La Mirada substance abuse treatment centers may include multiple services, including detox and medication assisted treatment. Rehab centers in La Mirada can be luxury, inpatient, outpatient or partial hospitalization.
New Directions is a rehab facility in La Mirada, CA that is located in the 90638 zip code, at 12627 Santa Gertrudes Avenue, Suite B.
Types of Care:
treatment for substance abuse and mental health disorders
Service Settings:
License/Certification/Accreditation:
State substance abuse agency
Special Programs/ Population Groups Supported:
sexual abuse victims
people with dual diagnosis treatment
people with HIV or AIDS
Other Addictions Treatment:
Age Groups Accepted:
Additional Spoken Languages:
Aegis Treatment Centers Llc
Aegis Treatment Centers Llc is a substance abuse treatment center in La Mirada, California that is located in the 90638 zip code, at 14240 East Imperial Highway.
outpatient methadone/buprenorphine or naltrexone treatment
Commission on Accreditation of Rehabilitation Facilities
active duty military
young adults over 18
Western Health Harbor City Clinic - 0.4 miles from La Mirada, CA
Western Health Harbor City Clinic is a substance abuse treatment center in Harbor City, CA which is located in the 90710 zip code, at 1647 West Anaheim Street.
inpatient detox
outpatient detox services
State mental health department
Council on Accreditation
judicial clients
people with trauma
LGBT clients
County Of Los Angeles Harbor/ucla Family Medicine Clinic - 0.8 miles from La Mirada, CA
County Of Los Angeles Harbor/ucla Family Medicine Clinic is a substance abuse treatment center in Harbor City, California that is situated in the 90710 zip code, at 1403 West Lomita Boulevard, Suite 102.
Aegis Treatment Centers Llc - 2.1 miles from La Mirada, CA
Aegis Treatment Centers Llc is an addiction treatment center in Wilmington, California that is located in the 90744 zip code, at 1322 North Avalon Boulevard.
postpartum women
Behavioral Health Services Wilmington Community Recovery Center - 2.1 miles from La Mirada, CA
Behavioral Health Services Wilmington Community Recovery Center is drug and alcohol rehab center in Wilmington, California which is situated in the 90744 zip code, at 1318 North Avalon Boulevard, Suite A.
treatment for co-occurring serious mental health and substance use disorders
intensive outpatient treatment services
Coastal Recovery Comp Center - 2.4 miles from La Mirada, CA
Coastal Recovery Comp Center is an addiction treatment facility in Wilmington, California which is located in the 90744 zip code, at 117 East Harry Bridges Boulevard.
Labiomed/options For Recovery Stork Club - 3.1 miles from La Mirada, CA
Labiomed/options For Recovery Stork Club is a rehab facility in Torrance, CA that is located in the 90502 zip code, at 1124 West Carson Street, Building N-33.
domestic violence victims
Thelma Mcmillen Center - 3.2 miles from La Mirada, CA
Thelma Mcmillen Center is a substance abuse treatment facility in Torrance, California which is located in the 90505 zip code, at 3333 Skypark Drive, Suite 200.
treatment for both mental health and substance abuse
The Joint Commission
Hospital licensing authority
individuals with co-occurring substance abuse and pain treatment
Behavioral Health Services Joint Efforts - 3.4 miles from La Mirada, CA
Behavioral Health Services Joint Efforts is an addiction treatment center in San Pedro, CA that is located in the 90731 zip code, at 590 West 8th Street.
Driver Benefits Inc Southwest Driver Benefits Program - 3.5 miles from La Mirada, CA
Driver Benefits Inc Southwest Driver Benefits Program is a rehab facility in Torrance, CA that is situated in the 90501 zip code, at 2370 West Carson Street, Suite 150.
people with substance use and mental health disorders
transitional-age young adults
House Of Hope Foundation Inc - 3.6 miles from La Mirada, CA
House Of Hope Foundation Inc is a rehab center in San Pedro, CA which is situated in the 90731 zip code, at 235 West 9th Street.
30 and 60 day rehab programs
residential addiction treatment
House Of Hope Foundation Inc House Of Hope - 3.6 miles from La Mirada, CA
House Of Hope Foundation Inc House Of Hope is drug and alcohol rehab center in San Pedro, CA that is situated in the 90731 zip code, at 240 West 9th Street.
sober living home
Support For Harbor Area Womens Lives/shawl House - 3.6 miles from La Mirada, CA
Support For Harbor Area Womens Lives/shawl House is a substance abuse treatment facility in San Pedro, CA that is located in the 90731 zip code, at 936 South Centre Street.
long-term rehab
HIV/AIDS clients
Beacon House Association Of San Pedro Catherines House - 3.7 miles from La Mirada, CA
Beacon House Association Of San Pedro Catherines House is an addiction treatment center in San Pedro, California which is located in the 90731 zip code, at 124 West 11th Street.
long-term residential treatment
Substance Abuse Treatment Near La Mirada, CA
Substance Abuse Treatment in Whittier, CA
Substance Abuse Treatment in Lancaster, CA
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Substance Abuse Treatment in Mariposa County, CA
Other Substance Abuse Treatment in La Mirada
Methadone Clinics in La Mirada, CA
Drug Detox in La Mirada, CA
Suboxone Clinics in La Mirada, CA
Dual Diagnosis Treatment Centers in La Mirada, CA
Addiction treatment centers in La Mirada, CA and nearby. Find substance abuse treatment facilities for alcohol and drug addiction in La Mirada, CA.


We supply exhibitor tents for most of the countries largest events, such as Farming shows*, Construction shows*, Royal county shows*, Flower shows* and Boat shows*.
Our event shelters are available in many different sizes and colours, making them ideal for busy street events and popular festivals. Since 2001 our outdoor canopies have been used by Newcastle City Council as market stall shelters during the annual Christmas street market*.
Our tents are suitable as pop-up shelters at outdoor events when something more structural than a gazebo is required. We have installed shelters in a number of unusual locations such as event canopies in shopping centres, staging shelters along coastlines and, reception tents on roof terraces.
We specialise in providing corporate clients with shelters for company events such as product launch display canopies, catering tents, roadshow marquees, training event shelters and open-day temporary visitor shelters.
We proudly supply tents, marquees and temporary shelters for private and community events such as wedding reception tents, garden marquees for special occasions and religous festival canopies.
Individual marquee sizes range from 100 to 400 square feet however numerous marquees can be joined together to cover spaces up to 10,000 square feet. We do not provide clearspan structures as we specialise in providing flexible modular shelters. For example, we can install an asymmetrically shaped structure, incorporate split levels and create separate shell compartments within one marquee structure.
Our marquees are available in a number of standard colours: white, red, blue, yellow and green. It is also possible to have an individually coloured marquee of your choice supplied as one of our bespoke event shelters*.
We offer floored marquees with a choice of standard plywood or cassette system flooring, a choice of carpet, or any other material, is available as floor covering.
Side panels are available with doorways, windows, archways or plain walls.
Standard or swivel top flagpoles and banner rails are available to promote your event or display a logo.
We supply marquee furniture, heat and lighting and internal roof and wall linings. We can also provide a marquee shell fit service, incorporating solid and glass panels, display stands and raised plinths.


"There's no water supply there so we've had to send all the trucks with water."
A marae elder had been taken by ambulance to hospital after suffering smoke inhalation.
The fire in the wharekai was "totally involved" and still not under control almost two hours after the alarm was raised.
Nearby buildings, including the wharenui (meeting house) were also at risk, he said.
"The priority is protecting those buildings."
About 50 firefighters were sent to a large fire at a rural Waikato marae this afternoon.
Northern Fire Communications shift manager Steve Smith said the fire in the Mokai Marae wharekai (dining hall) was "well involved", but no one was hurt or trapped.
The fire was in a corner of the single-level 30m by 30m building at the marae 26 kilometres northwest of Taupo.
Firefighting crews from Rotorua, Taupo, Mangakino, Tokoroa and Mangatahi were sent after emergency services were called at 4.30pm, Smith said.


At East-West, our goal is to prepare students with the habits and skills which will lead them to success in university. For a new public school, we have a high number of students going on to university. We want all our students to go on to university, and not just here in New York City. We want to send our graduates to the small liberal arts colleges like Colgate and Vassar, and to the large name schools like Duke, Oberlin, Boston University, and Columbia. To do this requires strategic planning.
It is not possible to fund all the needs of our school with the budget that we receive from the Department of Education.
Thus, we invite you to invest in East-West. We are now affiliated with Amazon's School Rewards Program.
College Visits ($50 per student) Support trips for college visits in grades 9 - 12.


SR-100-SC20U-XT DIN Rail Media Converter. 100Base-TX to 100Base-BX 1310nm TX / 1550nm RX single mode single fiber SC connector. Distances up to 20 km/12.4 miles. -40F to +167F (-40C to +75C) operating temperature.
SR-100-SC20U-XT- Fast Ethernet Industrial Media Converter: 100Base-TX (RJ-45) [100 m/328 ft] to 100Base-BX 1310nm TX / 1550nm RX single strand fiber, single mode (SC) [20 km/12.4 miles], -40F to +167F (-40C to +75C) extended operating temperature support. DIN Rail case, terminal block (Combicon) power connector for external power source.