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xlpe power cable low voltage insulated power cable. Main Categories. . ABC Cables Overhead Aerial Bundle Cable Aluminum Aerial Cable 25mm 35mm 50mm. US $0.2 - 0.9 / Meter. 1000 Meters (Min. Order) . PVC Insulation Material and PVC Jacket flexible energy cable. US $0.25 - 6.2 / Meter.
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Low Voltage. Application: Overhead. Conductor Material: aluminum or ACSR,AAAC. Jacket: . b.phase conductor is insulated by XLPE or HDPE or PVC . c .Neutral conductor /mesenger conductor for abc cable: AAC, AAAC ,ACSR . AAAC ,ACSR . 4) Application of service drop cable/abc cable overhead insulated cable . The product is used in aerial .
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Thirty-nine years have passed since the German murderers in Dynów, our shtetl [town], drove together a large number of Jews, mostly men who were caught in the streets and taken outside the shtetl, where they were forced to dig large pits with their own hands. About 200 Jews were thrown in alive and covered with dirt. Among the mountain of covered up people were many bodies under the covered over ground that were still moving over the course of several days.
A night earlier, at the close of the second day of Rosh Hashanah, the Nazi hordes burned the synagogues along with all of the Torah scrolls and the Jews who were located in the prayer houses. In order to increase their number – the murderers tossed in more Jews from outside.
All of the Jews who succeeded in hiding on the day of the wild fury were caught for unskilled labor, accompanied by "scenes" of mockery and blows. On that bitter day there were a small number of Jews who tried various ways of saving themselves, such as making use of their acquaintance with gentiles in order to hide and those who crossed the San River to the other side, which was ruled by the Russians.
A few days later, an order was immediately issued in the morning that all remaining Jews – women, children and the sick – had to be at the marketplace in an hour. The dread was very great and at the designated hour, we all appeared there.
Here we were surrounded by Gestapo divisions, which drove us to the shore of the San and told us to go into the river to the opposite shore. Women holding many children strode into the water, stimulated by the power of the hope of saving their lives. A number of us reached Bartoẃka and other villages. Others, I among them, wanted to get further away and climbed over the Dynów Mountains, reaching other places. As always in a time of trouble, a heavy rain fell and we slipped and fell holding the children, got up covered in mud and climbed further.
And so during the climb carrying my year-and-a-half old child, my mother and my sister, Ruchla, followed me. Suddenly my mother cried and said: "I am now losing two children because Rywkala cannot endure this. My sister took my child from my hands, but fell along with us. She could not carry the child. I, as the mother, it appeared had other strengths. I feel the vestiges of that march to this day.
Night fell and the Christians of that area who had a humane character took us into a barracks, spread straw on the ground and, here, we, women and children, old and sick – amidst the sound of children crying which caused a terrible sadness for us – spent the first night.
In the morning, the gentiles, from whom we hired horses and wagons, took us to various places. Everyone searched for a place where they had a family member or an acquaintance. The greater number went to Przemyśl. Our family went to Berch [Bircza] where our older sister Rayzele lived. Now for us began the difficult life of refugees. It is difficult to describe the poverty and loneliness that accompanied us every day of our life when simultaneously we felt the usual situation of formerly well-situated people who now, with great effort, had received a small residence jointly with a few families. We suffered from hunger and were without clothing and without shoes. Everything already was torn and this all was still just the beginning of our troubles.
The Russians, who were the bosses on that side of the shore of the San and also in Przemysl, carried out police raids, grabbing people, packing them in freight trains and sending them as refugees to Siberia like cattle. Among them, too, were the few Dynów Jews. We succeeded in escaping and hiding. We left Przemyśl for eastern Galicia and settled temporarily in Złoczew.
Then the Russian-German War broke out and the Germans arrived in Złoczew. This time they gathered the Jews together, the majority women and children, and led them to the pits, where they also buried many alive. A concentration camp was created for those remaining alive – for heavy labor and annihilation. Simultaneously, a ghetto was created for the Jews in the poorest area where there only were old, collapsing houses. The surviving Jews were placed in them, a few families together [in each house]. We were provided with very little food. Various epidemic diseases broke out immediately and every day the dead, who had been covered only in sacks, were removed.
The Nazis carried out aktsias [deportations] every few days – surrounding the ghetto, where the Jews had been driven from all of the small shtetlekh in the area of Złoczew, and led out a few hundred Jews. It was said they were being taken "to camps," but in fact they were sent to their death. And thus, fewer Jews remained every day. Those remaining in the ghetto were given instructions to go to work. They were ordered to put on a white band with a Mogen Duvid [Shield of David – the Jewish star] so that it would be easier for the murderers to recognize a Jew.
The remaining Jews saw and felt that the final annihilation already was underway. They began to pay large sums of money to the Christians, who would agree to hide someone. Others dug bunkers in the ground in the houses of the ghetto.
One morning the Nazis surrounded the ghetto, gathered the Jews and also pulled out those who were hiding in the bunkers and sent everyone to their death. They then declared the city free of Jews and simultaneously covered all of the streets with placards stating that any gentile hiding a Jew would be shot with his entire family.
There had been few Christians who would hide Jews. However, now their number decreased even more. A number of them took the money from the Jews to hide them and later called the Germans and gave the unfortunate ones to the Germans. There were cases in which the Christians themselves with axes in their hands killed their victims. We were successful in hiding with a decent Christian family with five children in a village near the forest. The man, Franciszek Kalicine and his wife, Hani, treated us very humanely. My husband, child and I, disguised as peasants, left for a village seven kilometers from Złoczew. All three of us were there together with another woman and her young son, hidden in an attic of a pigsty. We lay on spread out straw for 16 months. At that time my husband worked in a private camp, in a leather factory. When the Christian friends informed him that the intention was to liquidate the rest of the Jews, they escaped and my husband and a daughter of the woman who was with us succeeded in joining us in the hiding place. We then made a bunker underground, in the grain barn – we were there when the situation outside was dangerous because they searched for Jews from yard to yard.
When the searches outside stopped – we went back to the attic where there was more air. It is difficult to describe the hunger and lack of water. We lived with a constant fear of death. Our number of hidden reached 14 Jews over the course of time. In the neighboring house of the brother-in-law of our Franciszek there also were 11 Jews hidden and we maintained constant contact with them. Our money reserve became still smaller. On the other hand, the gentiles were afraid to buy a great deal of food because they were wary of too much attention. We then received one large bread a week. We divided this into 14 pieces. We weighed the portions of bread on a scale that we had made ourselves. We received a pot of soup twice a day that had a few potatoes and square flour noodles in it. Everyone received a small cup as a share of this "warm food" twice a day.
My child often looked out through the cracks between the boards and saw the children playing. She begged me that she also wanted to play. I told her that we Jews could not go outside because the Germans were killing Jewish children. To this she asked: "Must I be a Jew when it is so bad?"… She was then four and a half years old.
At one time the Germans learned that Jews were hidden with gentiles in the village. They arrived with bloodhounds and searched for a few hours. To our good fortune they did not discover us. During the German search for us, I begged my little girl that if the murderers found us and took us to our death – she should, as a small child with blond hair, try to escape and hide among a group of good Christians. And when the war was over – she should leave for Israel and be with our family. The answer from my small child was that she would only live with us and what happened to us should also happen to her.
Our situation lasted this way for almost a year and a half. Then the Russian Army, with a heroic struggle, retook the area. This was heralded by heavy bombardment from the air. The Russian military entered and liberated us from the hopeless situation. We were free.
We already were depleted of strength, barely dragged ourselves with the help of sticks across the battlefields back to a life.


text:
Andrew Ciancia
Andy Ciancia
Senior University Lecturer, Civil & Environmental Engineering
ciancia@njit.edu
209 Colton Hall
About Teaching Service
Andrew J. Ciancia, PE, is a Senior University Lecturer at New Jersey Institute of Technology (NJIT) teaching Soil Mechanics and Foundation Design classes. Prior to arriving at NJIT, he was an adjunct Professor at NYU (10 years) and Rutgers University (2 years). Andy was also Chairman of the Board of Langan Engineering (January 1, 2015- January 1, 2021). Throughout his 26 year tenure at Langan, he has managed some of the company's most challenging projects in the New York Metropolitan area and across the country.
Andy is a graduate of Rutgers University with a BS and MS in Civil Engineering. He holds professional engineering licenses in nine states, is LEED AP certified, and holds a Diplomate, Geotechnical Engineering (D.GE Certification) from the Academy of Geo-Professionals, ASCE. Andy is a member of The Moles, an ASCE Fellow, a member of the National Academy of Construction, past chairman of the American Council of Engineering Companies, New York, and Chair of ACEC's Engineering Excellence Committee. He chaired the Soils Panel for the New York City Department of Buildings with the responsibility of updating the Soils and Foundation Section of the 2020 Building Code.
In 2018, Mr. Ciancia was named Engineer of the Year by ACEC New York and Civil Engineer of the Year by the ASCE Metropolitan Section.
M.S.; Rutgers University; Civil Engineering; 1970
B.S.; Rutgers University; Civil Engineering; 1968
2018 Engineer of the Year, American Council of Engineering Companies of New York
2018 Engineer of the Year, American Society of Civil Engineers, Metropolitan Section
CE 341 - SOIL MECHANICS
CE 443 - FOUNDATION DESIGN
Mondays and Thursdays, 9am to 11am, 1pm to 2pm
Foundation Design and Construction
Earth Retaining Systems
CE 341: SOIL MECHANICS
CE 443: FOUNDATION DESIGN
National Academy of Construction
Member, 2020

redpajama_set_name: RedPajamaCommonCrawl


text:
Ewa Nikola Swoboda (Żory, 26 de julio de 1997) es una deportista polaca que compite en atletismo, especialista en las carreras de velocidad.

Ganó una medalla de plata en el Campeonato Europeo de Atletismo de 2022 y tres medallas en el Campeonato Europeo de Atletismo en Pista Cubierta entre los años 2017 y 2023.

Palmarés internacional

Referencias

Atletas de Polonia
Atletas de Polonia en los Juegos Olímpicos de Río de Janeiro 2016
Velocistas
Polacas del siglo XXI
Deportistas femeninas de Polonia
Atletas femeninas

redpajama_set_name: RedPajamaWikipedia


Lovely Summer & Flower Power - I.A.
So colorful and nice wardrobe sense.
Such a classy, chic look my dear, I love it!
I adore your kimono and your purse.
So vibrant and colorful! Definitely carries a happy vibes. Your hair color is also so beautiful!
In love with the wonderful kimono look!


This is not the first time Hillary Clinton's allergies have been a major news topic. Back in 2011, when Osama bin Laden was captured and killed, the White House released a photo of the Situation Room where the National Security Team was assembled watching it unfold. In the photo President Obama and Vice President Biden are seen along with a dramatic expression from then Secretary Clinton, she is seen covering her mouth in what looks like a gesture of anxiety. However according to Clinton, that was not the case.
"Those were 38 of the most intense minutes. I have no idea what any of us were looking at that particular millisecond when the picture was taken," she said when asked about the photo during a visit to Rome.
"I am somewhat sheepishly concerned that it was my preventing one of my early spring allergic coughs. So it may have no great meaning whatsoever," Clinton added.
Clinton has stated her seasonal allergies worsen twice a year, as a New York State Resident, the pollen that commonly worsens allergies in the spring are tree pollen and in the fall, ragweed pollen. She did mention that when her allergies worsen, she increases her dose of antihistamines. Common over the counter antihistamines are Benadryl, Allegra, Zyrtec or Claritin to name a few. Another better suggestion would be to add a nasal steroid to her regimen, such as Flonase, Nasocort or Rhinocort. These medications would actually target the inflammatory response that occurs in her nasal/sinus passages. Her health records have not been released (neither has Donald Trump's for that matter), so we don't know what medications she actually has tried or is presently using.
If you do suffer from seasonal allergies and you have uncontrollable coughing fits, it is important to identify your allergy triggers and get tested by your local allergy doctor. He or she can help manage your symptoms and live your life allergy free.
Hillary Clinton's physician released a letter today documenting some of her medical history. In it she says she takes a daily Clarinex, which is an antihistamine. As previously noted, a nasal steroid would be more beneficial for her allergy symptoms. Her earlier cough though was not likely allergies but early stages of pneumonia.
Here are other celebrities who have blamed allergies in the past for illnesses.


text:
Home / All / Migration / Regional / The Irish Move West 1870–90
View basket "The Theban Monarchy c. 1524–1514 BCE" has been added to your basket.
The Irish Move West 1870–90
While the greatest concentrations of Irish Catholics in America remained eastern-based and urban, they would contribute significantly to the settlement of the American West. The 1849 Gold Rush attracted a substantial Irish influx to California: by 1880 37 per cent of the population of San Francisco was Irish. In the 1860s, the Union Pacific Railroad was overwhelmingly constructed by Irish labour. The railhead, Omaha in Nebraska, had a 44 per cent Irish population by 1880. Another significant factor in dispersal was military service. Almost 150,000 Irish served in the Union Army in the Civil War, and the Irish featured prominently in the military pacification of the West. Irish lumberjacks steadily migrated west, following the timber and reaching Oregon and Washington in the 1870s. From the 1860s a steady flow of westward bound Irish homesteaders developed, seeking land, and fleeing poverty and the anti-immigrant discrimination of the 'Know Nothing' political movement.
Categories: Collections/ Irish History/ Migration/ Regional
The Irish Move West 1870–90 quantity
Campaign of Psamtek II c. 593 BCE
Campaigns of Kamose c. 1540
Persians in Egypt 525–343 BCE
Trading with New Kingdom Egypt 1500–1330 BCE
Administrative Nomes of Upper Egypt
The Campaigns of Ramesses II c. 1276–1270 BCE
Western Thebes c. 1550–1298 BCE
BCE 656 Saite kingdom


text:
package com.alibaba.datax.core.transport.transformer;

import com.alibaba.datax.common.element.Column;
import com.alibaba.datax.common.element.Record;
import com.alibaba.datax.common.element.StringColumn;
import com.alibaba.datax.common.exception.DataXException;
import com.alibaba.datax.transformer.Transformer;

import java.util.Arrays;

/**
 * no comments.
 * Created by liqiang on 16/3/4.
 */
public class PadTransformer extends Transformer {
    public PadTransformer() {
        setTransformerName("dx_pad");
    }

    @Override
    public Record evaluate(Record record, Object... paras) {

        int columnIndex;
        String padType;
        int length;
        String padString;

        try {
            if (paras.length != 4) {
                throw new RuntimeException("dx_pad paras must be 4");
            }

            columnIndex = (Integer) paras[0];
            padType = (String) paras[1];
            length = Integer.valueOf((String) paras[2]);
            padString = (String) paras[3];
        } catch (Exception e) {
            throw DataXException.asDataXException(TransformerErrorCode.TRANSFORMER_ILLEGAL_PARAMETER, "paras:" + Arrays.asList(paras).toString() + " => " + e.getMessage());
        }

        Column column = record.getColumn(columnIndex);

        try {
            String oriValue = column.asString();

            //如果字段为空,作为空字符串处理
            if(oriValue==null){
                oriValue = "";
            }
            String newValue;
            if (!padType.equalsIgnoreCase("r") && !padType.equalsIgnoreCase("l")) {
                throw new RuntimeException(String.format("dx_pad first para(%s) support l or r", padType));
            }
            if (length <= oriValue.length()) {
                newValue = oriValue.substring(0, length);
            } else {

                newValue = doPad(padType, oriValue, length, padString);
            }

            record.setColumn(columnIndex, new StringColumn(newValue));

        } catch (Exception e) {
            throw DataXException.asDataXException(TransformerErrorCode.TRANSFORMER_RUN_EXCEPTION, e.getMessage(),e);
        }
        return record;
    }

    private String doPad(String padType, String oriValue, int length, String padString) {

        String finalPad = "";
        int NeedLength = length - oriValue.length();
        while (NeedLength > 0) {

            if (NeedLength >= padString.length()) {
                finalPad += padString;
                NeedLength -= padString.length();
            } else {
                finalPad += padString.substring(0, NeedLength);
                NeedLength = 0;
            }
        }

        if (padType.equalsIgnoreCase("l")) {
            return finalPad + oriValue;
        } else {
            return oriValue + finalPad;
        }
    }

}

redpajama_set_name: RedPajamaGithub


In early 2014, Plus Architecture were commissioned to undertake architectural design service for a new speculative office development of c. 20, 00sqft in the centre of Dublin's core central office district, at Harcourt Street, next to St Stephens.
The site itself is an amalgamated rear mews plot of two Protected Structures, with a frontage onto Montague Lane of c.15m. A lightwell between the historic Protected Structures onto Harcourt Street and the proposed modern offices is created.
A particular challenge of the project is the planning requirement to go no higher than the parapet level of the existing parent structure, thereby reducing available floor-to-floor dimension of the new office, within the proposed 4-level development. To allow for the maximum provision of internal ceiling height, careful ceiling service planning was undertaken to pre-empt tenant layout, insofar as was possible, and afford taller spaces in work zones, and dropped ceilings for air service distribution in circulation zones.
The external elevation to Montague Lane is a crispy detailed composition in basalt and glass, which steps down to meet the adjacent context and respect the vertical rhythm of the old lane.


text:
Nintendo Direct 213 Rune Factory 5 Announced Rune Factory 4 Special Coming To Switch
Nintendo Direct 2/13 – Rune Factory 5 Announced, Rune Factory 4 Special Coming to Switch
By: Austin Suther
Nintendo 3DS, Nintendo Switch, PC, PlayStation 4, Xbox One
October 12, 2013 (Calendar)
Simulation, RPG
Nintendo Microsoft PlayStation Steam
Rune Factory up the wazoo!
Rejoice, Rune Factory fans, you're getting spoiled. Rune Factory 5 is in development, according to today's Nintendo Direct. Not only that, but Rune Factory 4 is headed to the Switch with Rune Factory 4 Special.
Rune Factory 4 Special is headed to the Nintendo Switch later this year as well. It's a essentially a combination of Harvest Moon's farming and living mechanics as well as old-school dungeon crawling mechanics. There's fishing, farming, marriage, and even combat! It is, according to the video, "fully remastered for the Nintendo Switch." There are likely to be more features than the original, so be sure to look out for more information on this game.
https://www.youtube.com/watch?v=ykRDlJKBk4A
We don't know anything about Rune Factory 5 other than that it is in fact in development but it's certain to have similar gameplay features as previous entries in the series, and could be coming this year as well.
Are you excited for Rune Factory 4 Special and Rune Factory 5? Let us know in the comments below!
Austin Suther
I love to write, and I love to game. So, I've combined those two hobbies into one! Some of my favorite games include Fire Emblem, Halo, The Elder Scrolls, and World of Warcraft. Sometimes I like to read the occasional fantasy novel, too!


text:
Director David Kiern, Music Composer Bob Farnsworth,and the Creative Team from Hummingbird Productions Present Their Documentary "I AM ISRAEL" Before the Israeli Knesset
Nashville, TN, November 14, 2017 – Award winning director David Kiern, iconic music composer Bob Farnsworth, and the creative team from Hummingbird Productions presented a special screening of their documentary "I AM Israel" at the Knesset, the Israeli parliament, on November 6, 2017, in Jerusalem. The event, which was produced by the Hayovel organization and held before 350 people, including Knesset Members Sharren Haskel, Rabbi Yehuda Glick, Robert Ilatov, and the Knesset Speaker Yuli Edelstein, was in part to celebrate the 50th Anniversary of the unification of Israel. To view a highlight video of this presentation, please see: https://www.youtube.com/watch?v=xGvLCk7fhx0
(Photo Above: Left to right: Knesset Member Rabbi Yehuda Glick, Composer Bob Farnsworth, Director David Kiern at the Knesset)
Kiern is the writer, producer and director of "I AM Israel." Farnsworth and his company Hummingbird Productions - a renowned, multi-award winning film and sound production company which has built its reputation as one of America's leading producers of commercials, sound design and original music - provided the entire musical score for "I AM Israel." To view a portion of the film screened at the Knesset, please see: https://www.youtube.com/watch?v=9yBr2cLVi-s
"I AM Israel" is a film which takes viewers on a soaring journey through the Land of the Bible, and introduces them to Jewish men and women whose very lives are a testimony to the promises of God. Filmed in crystal clear 4K and narrated by award winning actor John Rhys-Davies, best known for his roles in the "Indiana Jones" and the "Lord of the Rings" series, "I AM Israel" brings to life the inspirational story of Israel like it's never been seen before. To watch the "I AM Israel" trailer, please see: http://iamisraelfilm.com
David Kiern said, "Our goal for producing the film 'I AM Israel' was to ignite the hearts of Christians around the world with a deep love for the Land of Israel and the Jewish people. Anti-Semitism is a vile problem around the world, and for my Christian brothers and sisters, it's our responsibility to fight it. Telling the leaders of Israel in the Knesset that millions of Christians around the world love and respect them was one of the highlights of my life."
Adds Bob Farnsworth, "Going to Israel and meeting members of the Knesset was, for me personally, an amazing experience. The members of the Knesset said it's an interesting time for all of us – that the ancient prophecies about the nations of the world helping to rebuild Israel are currently being fulfilled. There is a great deal of unity in this process – both Christians and Jews alike are feeling like now is the time for all of us to come together. I loved how honest the members of the Knesset were in describing their excitement about the thousands of people from around the world who have been coming to Israel to harvest crops, especially the vineyards. They expressed great gratitude for these actions, and that they believe that scripture is being fulfilled – scripture that predicted that someday the nations of the world would participate in the rebuilding of Israel. This is an amazing phenomenon that's happening – it lets the Israeli people know that they are not alone."
Farnsworth continues, "The film 'I AM Israel' was truly a wonderful project to work on! We have always enjoyed a great relationship with David Kiern, and were thrilled to have had the honor of using our FUSIC production process on this documentary. Basically, we take a team approach to every project we commit to, by bringing together directors, sound designers and composers, to work in tandem throughout the production process. Historically, everyone has tended to be compartmentalized. But through what we call our FUSIC process (the fusion of film and music), we can bring everyone around the same table, right from the very beginning. FUSIC integrates the sound and music of a film, television, or web project from the VERY INCEPTION of an idea, through to its final completion."
"Our goal for future projects is to create true moments of FUSIC: to strive for at least one such moment in every piece of film and music work we do. For the past few years, I have been demonstrating our FUSIC process around the United States – to directors who 'think audio' and to composers who 'think visuals.' It is crucial to us that content creators should always start a project with the importance of sound at the top of mind," Farnsworth concludes.
ABOUT DAVID KIERN:
David Kiern specializes in creating films which inspire and motivate audiences. His filmmaking skills include writing, directing, cinematography and editing.
Kiern has directed documentaries in Nepal, South Africa, India, Israel and Cuba. His films have been used to raise hundreds of thousands of dollars for American and international non-profits. Additionally, he is actively involved in producing, directing and editing feature films, television programs, commercials, and music videos.
During his career, Kiern has provided filmmaking services for such notable clients as Coca-Cola, The USO, Universal Music, EMI, the NFL, PBS, the National Civil Rights Museum, the Hallmark Channel, ABC Family, Netflix, and many others. Please see: http://www.davidkiern.com/
ABOUT HUMMINGBIRD PRODUCTIONS:
Founded in Nashville, TN, in 1976 by iconic music industry composer Bob Farnsworth, Hummingbird Productions brands itself as a "One Stop FUSIC Shop." The company, historically one of the longest standing providers in the United States of original commercial, sound and music for the entertainment and advertising industries, also includes a team of film directors who have committed their future films to incorporating his unique design concept.
While Hummingbird is perhaps best known for its iconic Budweiser "Frogs" spot, its music also has been featured in such memorable advertising campaigns as Oscar Meyer's "My Bologna Has a First Name," "Always Coca-Cola," and Wrigley's "Double Double Your Refreshment." Hummingbird's sound designers, lyricists and composers also create original music for feature films/short films/documentaries, TV programs, soundtracks, web videos, radio commercials, video games, and more.
In addition to its Clio Hall of Fame Award for Budweiser "Frogs," Hummingbird has won numerous additional Clio and Lions Awards. The company, an acknowledged leader in the field of audio and sonic branding for the past 40 years, also offers music publishing, music licensing and music search services, all while actively working with artists from around the world.
Bob Farnsworth performs and lectures across the country about advertising, FUSIC, and the power of sonic branding. In 2014, he delivered a well-received TedX Talk entitled "Hearing is Believing" in Colorado. And he has also discussed the topic of FUSIC in New Orleans. And in 2010, Farnsworth appeared on "The Today Show" as an industry icon. He has also been a speaker at the annual American Ad Federation Conference. He tackles tough issues in advertising, branding and ROI, with an infectious sense of joy and excitement.
Hummingbird Productions is located at 1521 Graybar, Nashville, TN, 37215. The phone is 615-385-3729 and the website is: www.hummingbirdproductions.com
Dan Harary
The Asbury PR Agency
dan@asburypr.com
SPIKE'S "I AM CHRIS FARLEY" IS MOST-WATCHED DOCUMENTARY IN NETWORK HISTORY
Harmonic Appoints David Krall to Its Board of Directors
Renowned Art + Technology Company The Artery Launches Experiential Arm and Names Yaron Tsinman, Creative Director
FLEX Creative Names Marty Wall, Director, Business Development
David Levy, President of Turner, Joins Simulmedia Board of Directors
Full Service Creative Studio The-Artery Names Liron Ashkenazi-Eldar as Company's New Lead Design Director
Renowned Composer Fred Story & Concentrix Music Announce Latest Projects Across Film, TV, Radio and Streaming Platforms:


Some operas sweep through vast swaths of history; some turn on mistaken identity, political intrigue, magic, envy, or greed. But La Traviata breaks the mold. Verdi and his librettist, Francesco Maria Piave, spin a tale of social expectation and conflict - a story about a courtesan who falls in love and ultimately sacrifices everything for her love. Verdi makes us care so deeply about his heroine that her heart and happiness carry the tale. For more than a century and a half, audiences have adored this heroine and the score Verdi considered his most meaningful.
Ladies and gentlemen, friends of Violetta and Flora, matadors, picadors, gypsies, servants and masquers.
Joanne Weaver for Elsen and Associates, Inc.
Cast, production and opera are subject to change without notice.
*Scenery for this production is jointly produced and owned by Des Moines Metro Opera and Virginia Opera.


If you're a bride-to-be or even just a fan of beautiful weddings, Instagram is a great place to go for inspiration. From the gown and the cake to the flowers and even the honeymoon, there are endless beautiful images to scroll through. However, when it comes to the dress, there is one that is favoured more than any other.
The pictures of Indonesian bride Intan Azzahra's couture wedding gown have received the most likes of any non-celebrity bride ever, totalling 167,000 clicks of approval, according to Allure.
The dress was made by Ivan Gunawan and is the definition of a Disney princess gown, which makes it not all that surprising that it's been so popular. What makes it truly special though is the beautiful detail – pearl embroidery, waves of tulle, iridescent beads and a beautiful silk train.
Azzahra accessorised her glamorous gown with oversized teardrop earrings and a tiara that the Duchess of Cambridge would be proud to wear.
Her husband, meanwhile, looked every inch the Prince Charming in a white, embellished suit with a matching hat and sash. Both changed into equally extravagant red ensembles for the reception.
While this is the most-liked wedding dress on Instagram ever, the same accolade over on Pinterest is much less princess-worthy and much more Boho bride. See it here.


text:
'use strict';

/*
 * > Banner
 */

import gulp from 'gulp';
import runSequence from 'run-sequence';
import colors from 'colors';
import yrgv from 'yargs';
import bump from 'gulp-bump';
import gulpif from 'gulp-if';

var argv = yrgv.argv;

gulp.task('bump', (cb) => {
  runSequence(
    'bump-pkg-version',
    (error) => {
      if (error) {
        console.log('[bump]'.bold.magenta + ' There was an issue bumping version:\n'.bold.red + error.message);
      } else {
        console.log('[bump]'.bold.magenta + ' Finished successfully'.bold.green);
      }
      cb(error);
    }
  );
});

gulp.task('bump-pkg-version', () => {
  return gulp.src(['./package.json'])
    .pipe(gulpif( (Object.keys(argv).length === 2), bump() ))
    .pipe(gulpif(argv.patch, bump()))
    .pipe(gulpif(argv.minor, bump({ type: 'minor' })))
    .pipe(gulpif(argv.major, bump({ type: 'major' })))
    .pipe(gulp.dest('./'));
});


text:
Q: Correct usage of WHERE and AND in procedure with optional parameters Pre-question info:
I'm writing a stored-procedure that would take some parameters and depending on those parameters(if they are filled - because they don't have to be) I'm adding few where clauses. The thing is I don't know if I'm gonna even use the where clause from start because I don't know if any of my params is going to be non-empty/not-null.
The inside of procedure looks cca like:
BEGIN
DECLARE @strMySelect varchar(max)
SET @strMySelect ='SELECT myparams FROM mytable'

// add some WHERE statement(*)

  IF(ISNULL(@myParamDate1,'')<>'')BEGIN
  SET @strMySelect =@strMySelect +'
    AND param1 >='''+CAST(@myParamDate1 as varchar(30))+''''
  END

  IF(ISNULL(@myParamDate2,'')<>'')BEGIN
  SET @strMySelect =@strMySelect +'
    AND param1 <='''+CAST(@myParamDate2 as varchar(30))+''''
  END

//... bit more of these "AND"s

EXECUTE(@strExec)

QUESTION:
Is it ok(correct way of doing this) to put in my query some WHERE statement that I know that will be always true so I can use in my parameter cases AND always? OR do I have to check for each param if it's first one that is filled or is there an easy way of checking in SQL that at least one of my parameters isn't NULL/empty?

A: I handle optional parameters like this:
where (
(@optionalParameter is not null and someField = @optionalParameter )
or
@optionalParameter is null
)
etc

I find it simpler.

A: Your extra where clause is not a problem from a performance point-of-view, since the query optimizer will (likely) remove the 1 = 1 condition anyway.
However, I would recommend a solution along the lines of what Dan Bracuk suggested for two reasons:

*

*It is easier to read, write and debug.

*You avoid the possibility of SQL injection attacks.

There are cases where you have to custom-build your query-string (e.g. when given a table name as parameter), but I would avoid it whenever possible.

A: You don't need to use EXEC function to check for parameters. A good practice is using case to check for parameter value for example
CREATE PROCEDURE MyProc
     @Param1 int = 0
AS
BEGIN
     SELECT * FROM MyTable WHERE CASE @param1 WHEN 0 THEN @param1 ELSE MyField END = @Param1
END
GO

In case that @param1 has no value (default 0) then you have @param1=@param1 which gives always true, in case you have @param with value then condition is MyField=@param1.

redpajama_set_name: RedPajamaStackExchange


Pyŏngyang (평양 직할시 in hangul, 平壤直轄市 in hanja) is the capital and biggest city in the Democratic People's Republic of Korea or DPRK (North Korea). The government does not want people to know anything so Pyongyang is one of the few places in North Korea that foreigners (people from other countries) can travel to.
Pyongyang is a closed city meaning that North Koreans can't just go there. They must apply for a permit or be high up in the military. It is the most advanced city in the country which allows tourists to go there. Pyongyang does not really show what North Korea is really like as the government uses it to give the illusion to tourists that the country is not poor. The city is kept very clean and littering is strictly not allowed. The city is home to the DPRK's only fast food restaurant which only the most privileged North Koreans go to (a meal would be worth around a weeks wages for the average person there). Many shops there have plastic food on display in the windows to make tourists think that there is lots of food in the country when in fact, food is scarce.
The city has lots of nice attractions like the statues of Kim Il-Sung and Kim Jong-Il at Mansudae hill. The Juche tower is one of the most recognisable landmarks in the country, towering over the Taedong River across from Kim Il-Sung square. It also has the world's deepest subway system. Pyongyang has many large parks and wide avenues as well as the largest sports stadium in the world, the Rungrado May Day Stadium. The city is also the location of the embalmed bodies of the two leaders, Il-Sung and Jong-Il in the Kumsusan Palace of the sun.
Pyongyang is home to the 105-storey hotel, Ryugyong Hotel. Construction started in 1987 and the exterior was completed twenty-four years later in 2011. It was originally intended as a propaganda device to make North Korea look wealthy when a South Korean recently built the world's then-tallest building. The hotel to this day remains empty and unopened. It is a scary monument to the government's problems.
The population of Pyongyang is 3,255,388.
This page was last changed on 22 August 2018, at 04:12.


text:
Wandering around West Ilsley
PUBLISHED: 14:01 18 February 2014 | UPDATED: 11:16 27 November 2018
The village pond on a frosty morning, West Ilsley © Steve Davison
© Steve Davison
Follow Steve Davison as he leads the way on a 4¾ mile walk exploring the rolling countryside around West Ilsley on the northern edge of the North Wessex Downs
The first part of the walk follows the Ridgeway National Trail, which itself follows ancient tracks ways over the rolling downs that have been used for thousands of years. The area just to the north, which until boundary changes in 1974 used to reside within Berkshire, is dominated by the six large cooling towers of Didcot Power Station. The coal- and gas-fired Didcot A power station was turned off early in 2013 after 43 years of service and the long-term plan is to demolish the cooling towers. Slightly west of Didcot is Harwell, once home to a Second World War airfield which opened in 1937 and was, for a time, a base for Wellington bombers. It was from here that on the night of 5 June 1944, aircraft left Harwell carrying troops of the 6th Airborne Division who became the first British soldiers to land in Normandy in the main assault for the liberation of Europe.
Following the end of the war, the site was taken over by the Ministry of Supply and became the Atomic Energy Research Establishment, the UK's centre for research and development into civil nuclear power. At one time Harwell had five research reactors, including the first nuclear reactor in Western Europe known as GLEEP – the Graphite Low Energy Experimental Pile, which operated for 43 years; all of these reactors have now been decommissioned.
Cutting-edge science has continued at Harwell and the site is home to the Rutherford Appleton Laboratory (named after the physicists Ernest Rutherford and Edward Appleton) which includes the Diamond Light Source Synchrotron (the large silver-coloured metal ring-shaped building visible from the Ridgeway). These facilities allow scientists to study materials at the atomic level using a suite of instruments, often described as 'super-microscopes'.
We leave the Ridgeway behind heading south towards West Ilsley. The rolling chalk downs with their soft, springy turf, coupled with the free-draining nature of the soil that ensures the ground does not get too 'heavy' during the wetter winter months, makes chalk grassland ideal horse-training terrain and the walk passes several gallops. Well-known horse trainers, Mick Channon and Denis Coakley, both have training stables nearby.
The picturesque village of West Ilsley was the original home of the Morland Brewery. John Morland, a local farmer, started brewing his much-sought-after ale here in 1711, though the business eventually moved to Abingdon in 1887 and was bought by Greene King in 2000. Along the Main Street heading east from The Harrow pub that looks out over the village cricket pitch and pond, is the old village school, rectory and church. All Saints Church underwent major alterations in the 1870s, though the underlying fabric of the church is much older. Inside there is a fine carved wood Jacobean pulpit along with a rood screen and cross.
The final section heads north to the crest of the downs to follow the Ridgeway back to the car park.
Walk summary
• Start/finish: Bury Down car park on the West Ilsley road just west off the A34; grid ref SU479840
• Distance: 4¾ miles (7.7km)
• Terrain: ups and downs, tracks and paths which can be muddy, some stiles and gates, and sections of road
• Time: 2¼ hours without stops
• Refreshments: West Ilsley – The Harrow (01635 281260)
1 (SU479840) – From the car park head north-west along the broad Ridgeway track for slightly over a mile to reach a crossing bridleway and the border between Berkshire and Oxfordshire; to the right are the disused cooling towers of Didcot Power Station and the more modern buildings of the Harwell scientific research site.
2 (SU462848) – At the crossing bridleway, turn left across the gallop to the fence and turn left again to follow the fence on the right with the gallop to the left gently downhill. Later pass some trees and bushes following the track downhill as it curves left. Keep ahead along the hedge-lined track to join the road beside The Harrow pub with the cricket pitch on the opposite. Keep along the Main Street heading eastwards through West Ilsley, passing the duck pond and the gazebo built to mark the new millennium, and later All Saints Church just after the junction with Bury Lane (left).
3 (SU476823) – At the eastern edge of the village, just before the national speed limit sign, turn left along the track soon passing a lovely thatched cottage. Here the track splits, keep to the right-hand fork heading uphill. Later, keep to the left side of the wood to a junction with the Ridgeway. Turn left (north-west) for half a mile back to the car park.


Summer Camps for your Teen and Preteen ...stay tuned for 2016!
Primitive skills, survival awareness and Archery!
Referral Rewards!! Get discounts here!
Primitive skills and crafts and Archery!
For more details....Refer back to Girls Primitive Skills and Crafts Camp Page!
For more details refer to the Preteen Page!


The furnished apartment is 90m2; 5th floor with lift, orientation to the south, built in 1999.
The apartment is sunny and very quiet with a look to the green inner yard.
Very good infrastructure near to the apartment: supermarkets, cafe, restaurants etc.
Near to the recreation aera "Old Danube" with many bycicle paths etc.
A lady bycicle can be rented from the owner of the apartment.


Auto Bits: Do guys take better care of their cars or themselves?
Click the link below for the weekly auto rail, with info about men and car care, Car Q&A with Junior Damato and more. Or check out these other links.
It's no secret that guys love their cars, but are they more likely to always change the oil on time than to visit the doctor for their annual checkup?
Almost 70 percent of men find it easier to care for their cars than for their personal health, according to findings from a new survey of 501 men ages 45 to 65 commissioned by Men's Health Network and Abbott. In addition, more than 40 percent reported they would be more likely to address issues with their car than their health. The survey is part of "T-Talk Tune-Up", a new national campaign to raise awareness of men's health issues.
Dr. Harry Fisch recommends five health tests every man should discuss with his doctor, including a testicular exam, prostate exam, cholesterol test, testosterone test and blood pressure screening. "It is important to schedule annual checkups because some men may not recognize the symptoms of many treatable conditions such as low testosterone when they are experiencing symptoms," says Fisch, board certified urologist and clinical professor of medicine at New York Presbyterian Hospital/Weill Cornell Medical College and director of the Male Reproductive Center.
According to the National Insurance Crime Bureau, one of the most frequently stolen cars the past few years is the 1994 Honda Accord.
Q: I notice on late-model cars a start-up knock. Even on my own 2010 Ford Focus. It sounds like they could use .001 or even .002 U.S. bearings. The knock is very slight. It sounds like what I used to hear with engines having high mileage. Do you consider this normal? Also, ethanol in fuel: Do you recommend any additive to the fuel?
A: Today's engines are built under very close tolerances and the bearing clearances are precise. If there was a bearing clearance problem, the engines would not last and the oil pressure would be low. As for gas additives check the owner's manual or dealer for any approved gas additives recommended.


Come down to the bottom of the garden this summer for fun and games as we explore the Bible and ask the question 'how do we grow?'. Each day there will be games, competitions, craft, drama and much more! Join Holiday Club this year as we shrink ourselves down to the size of an ant, to discover how God can grow each and every one of us into Giants of Faith!
Holiday Club runs from 10am till 12noon each day. It's £10 for the week (just £2 a day!) but if you have more than one child, it's only £20 for a family. If transport is an issue, your child can catch the Kidz Klub bus!


American rock band which has gained notoriety for its extraordinary and outrageous contents, performance and media exposure.
Originally formed as [a229973] in 1989 in Florida, USA.
Find information about music online without registration Marilyn Manson all albums in mp3 you can not download a single file or separately.
Caution! All materials of Marilyn Manson are presented solely for information. You must buy the product from an authorized supplier.


text:
Q: How to validate DatePickerDialog ? I create AgeCalculator.
I want to validate DatePickerDialog..
In my App when app is load system date will display
after that when I set birthdate from DatePicker, Date is set to TextView.
BUT USER CAN NOT SET BIRTHDATE BIGGER THAN CURRENT DATE...
here is my code
AgeCalculator.java
package com.example.agecalculator;

import java.util.Calendar;

import android.app.Activity;
import android.app.DatePickerDialog;
import android.app.Dialog;
import android.os.Bundle;
import android.view.View;
import android.view.View.OnClickListener;
import android.widget.DatePicker;
import android.widget.TextView;

public class AgeCalculator extends Activity implements OnClickListener {
    TextView currentDate, birthDate, ageDisplay;
    AgeCalculation age = null;
    static final int DATE_START_DIALOG_ID = 0;
    private int startYear = 2015;
    private int startMonth = 0;
    private int startDay = 8;

    @Override
    protected void onCreate(Bundle savedInstanceState) {

        super.onCreate(savedInstanceState);
        setContentView(R.layout.activity_main);
        age = new AgeCalculation();
        currentDate = (TextView) findViewById(R.id.txtSysDate);
        currentDate.setText(age.getCurrentDate());
        birthDate = (TextView) findViewById(R.id.txtBirthDate);
        birthDate.setOnClickListener(this);
        ageDisplay = (TextView) findViewById(R.id.txtAge);
        Calendar valid = Calendar.getInstance();
        int validYear = valid.get(Calendar.YEAR);
        int validMonth = valid.get(Calendar.MONTH);
        int validDay = valid.get(Calendar.DAY_OF_MONTH);

    }

    @Override
    protected Dialog onCreateDialog(int id) {
        switch (id) {
        case DATE_START_DIALOG_ID:
            return new DatePickerDialog(this, mDateSetListener, startYear,
                    startMonth, startDay);
        }
        return null;
    }

    private final DatePickerDialog.OnDateSetListener mDateSetListener = new DatePickerDialog.OnDateSetListener() {
        @Override
        public void onDateSet(DatePicker view, int selectedYear,
                int selectedMonth, int selectedDay) {
            startYear = selectedYear;
            startMonth = selectedMonth;
            startDay = selectedDay;
            age.setDateOfBirth(startYear, startMonth, startDay);
            birthDate.setText(selectedDay + "-" + (startMonth + 1) + "-"
                    + startYear);
            calculateAge();
        }
    };

    @Override
    public void onClick(View v) {
        switch (v.getId()) {
        case R.id.txtBirthDate:
            showDialog(DATE_START_DIALOG_ID);
            break;

        default:
            break;
        }
    }

    private void calculateAge() {
        age.calcualteYear();
        age.calcualteMonth();
        age.calcualteDay();

        ageDisplay.setText(age.getResult());
    }
    // TODO Auto-generated method stub

}

AgeCalculation.java
package com.example.agecalculator;

import java.util.Calendar;

public class AgeCalculation {
    private Calendar end;
    private Calendar start;
    private int endYear;
    private int endMonth;
    private int endDay;
    private int startYear;
    private int startMonth;
    private int startDay;
    private int calYear;
    private int calMonth;
    private int calDay;

    public String getCurrentDate() {
        end = Calendar.getInstance();
        endYear = end.get(Calendar.YEAR);
        endMonth = end.get(Calendar.MONTH);
        endMonth++;
        endDay = end.get(Calendar.DAY_OF_MONTH);
        return endDay + "-" + endMonth + "-" + endYear;

    }

    public void setDateOfBirth(int sYear, int sMonth, int sDay) {
        startYear = sYear;
        startMonth = sMonth;
        startMonth++;
        startDay = sDay;

        if (sYear > endYear) {

        }

    }

    public void calcualteYear() {
        calYear = endYear - startYear;

    }

    public void calcualteMonth() {
        if (endMonth >= startMonth) {
            calMonth = endMonth - startMonth;
        } else {
            calMonth = endMonth - startMonth;
            calMonth = 12 + calMonth;
            calYear--;
        }

    }

    public void calcualteDay() {

        if (endDay >= startDay) {
            calDay = endDay - startDay;
        } else {
            calDay = endDay - startDay;
            calDay = 30 + calDay;
            if (calMonth == 0) {
                calMonth = 11;
                calYear--;
            } else {
                calMonth--;
            }

        }
    }

    public String getResult() {
        return "Day: " + calDay + "\n" + "Month:" + calMonth + "\n" + "Year:"
                + calYear;
    }

    public long getSeconde() {
        start = Calendar.getInstance();
        start.set(Calendar.YEAR, startYear);
        start.set(Calendar.MONTH, startMonth);
        start.set(Calendar.DAY_OF_MONTH, startDay);
        start.set(Calendar.HOUR, 12);
        start.set(Calendar.MINUTE, 30);
        start.set(Calendar.SECOND, 60);
        start.set(Calendar.MILLISECOND, 60);
        long now = end.getTimeInMillis();
        long old = start.getTimeInMillis();
        long diff = old - now;
        return diff / 1000;
    }

}

A: Set max date in DatePicker.
@Override
protected Dialog onCreateDialog(int id) {
    switch (id) {
    case DATE_START_DIALOG_ID:
        DatePickerDialog dialog = new DatePickerDialog(this, mDateSetListener,
                startYear, startMonth, startDay);
        // maxDateLong can be System.currentTimeMillis()
        dialog.getDatePicker().setMaxDate(maxDateLong);
        return dialog;
    }
    return null;
}


Studying these images can lead one to believe they're photographs. Not so! These extraordinary images are actually watercolors in the collection of our Whitney Western Art Museum and depict Plains Indian objects of the mid-20th century. Carl W. Spohr Sr. was an artist whose son, Adolf Spohr, gathered one of the most important collections of Plains objects. Between 1924 and 1926, Carl completed 51 watercolors of objects in his son's collection. Notice the detail-extraordinary, no? Which one is your favorite?


The Port of Savannah moved a record 4.35 million TEU in 2018, making for a 7.5 percent increase over 2017, according to a report from Georgia Ports Authority Executive Director Griff Lynch to the GPA Board Tuesday.
In December alone, the Port of Savannah handled 351,366 TEUs, an increase of 8.7 percent, or 28,250 TEUs. It was the Authority's busiest December ever, capping a year with nine of the GPA's 10 busiest months on record.
Allgood said the ports made several strides in infrastructure development during the last year. In February, the U.S. Army Corps of Engineers completed outer harbor dredging at the Port of Savannah, marking the midpoint of the Savannah Harbor Expansion Project (SHEP). The federal government provided $101.12 million to continue with the project's construction this year. Inner harbor dredging is on track to start this year, Allgood said.
In addition, the Authority has ordered 12 new rubber-tired gantry cranes to serve the Port of Savannah, bringing its fleet to 158. The first 10 new RTGs will arrive and be commissioned in July, followed by two in September. There is also construction on six ship-to-shore cranes slated to arrive in 2020. The new cranes will bring the Port of Savannah's fleet to 36 and allow the port to increase big ship capacity.
In addition to its marine terminals, the Port of Savannah handled its most ever containers by rail in 2018, moving 478,669 containers – approximately 860,000 TEUs. The rail volume represented a 19 percent increase compared to 2017. The GPA wis scheduled to complete Phase I of the Mason Mega Rail project in October of this year, and Phase II by October 2020. When complete, the project will double current rail capacity at Garden City Terminal from 500,000 to 1 million containers per year.
In Brunswick, autos and machinery increased by 6.4 percent (18,911 units) in the first half of Fiscal Year 2019 (July-December 2018) for a total of 315,611 units. At GPA's Colonel's Island, the single largest autoport in North America, further expansion projects are underway that will double GPA's rail capacity and significantly increase near-dock storage. The Authority also plans to develop another 400 acres to bring annual throughput capacity to 1.5 million vehicles in the coming years.


Secure Socket Layer refers to SSL, Information is encrypted through SSL certificate and visitors cannot receive and share information from your site. Your customers can rest and SSL certificate gives them the assurance that the information they enter on any secured page can't be viewed by cyber crooks and is private as well as protected. Now, you can secure your server through us. SSL certificate refers to the digital certificate which encrypts the information and authenticates the identity of a website to a server in order to achieve security.
It validates domain ownership and organization.
It validates highest level of organization authentication and domain ownership.


Scene: 8pm, Saturday night. Meeting up with the fine folks at Vagabond Theatre Group (who produced True Believers) at a bar later in the evening. I finally open up the tube preamp that I bought to accompany my the new recording mics that I received for Christmas. Instead of just setting it up in my recording studio, I decide to, you know, actually try it out. 2 hours later, I'm late for the party. But I did this: [soundcloud url="http://api.soundcloud.com/tracks/74737500" params="" width=" 100%" height="166" iframe="true" /] So you're welcome.


text:
Download PDF Flyer
Sialobiology: Structure, Biosynthesis and Function. Sialic Acid Glycoconjugates in Health and Disease
DOI: 10.2174/9781608053865113010013
eISBN: 978-1-60805-386-5, 2013
Indexed in: Scopus, EBSCO.
This eBook presents a summary of central aspects of sialobiology (i.e., the study of sialic acid and its relevance to biology). The importance of substitution by the sugar sialic acid and the role ...
[view complete introduction]
This eBook presents a summary of central aspects of sialobiology (i.e., the study of sialic acid and its relevance to biology). The importance of substitution by the sugar sialic acid and the role played by sialylated structures (eg. glycoproteins, glycolipids, glycoconjugates) in immune recognition, neural cell growth, embryogenesis and disease development including microbial pathogenesis and cancer progression, has become well-established. Since 1995, the field of sialobiology has expanded greatly as many of the key enzymes involved in sialic acid biosynthesis, as well as the vast majority of sialic acid binding lectins involved in immune recognition, have only been cloned, characterised and structural eluciated after the publication of earlier works on the subject. This e-book also covers these recent developments. Chapters in this e-book have been contributed by eminent sialobiologists. Therefore, a book of this nature is timely and will prove to be a definitive volume with a high impact in this field for glycobiologists and cell biologists.
Gangliosides
Pp. 313-380 (68)
Eduard Nekrasov and Ulrike Hubl
Gangliosides are a diverse group of sialic acid containing complex glycosphingolipids consisting of a carbohydrate chain with varying length and complexity and a lypophilic ceramide residue. The diversity arises from both the oligosaccharide and ceramide moiety. Echinoderms are the only phylum of invertebrates for which gangliosides have been reported with significant differences of ganglioside composition and structure between the individual classes (Echinoidea, Holothuroidea, Asteroidea, Ophiuroidea and Crinoidea). Both NeuAc and NeuGc are found in approximately equal distribution. The major substitutions are O-methylation and O-sulfation in position 8 and 4. Gangliosides from vertebrates are classified in four series (hematoside-series, ganglio-series, lacto-series, and globo-series) based on the structure of the carbohydrate core. Major sialic acids are NeuAc and NeuGc generally linked in α2,3 and α2,6 position of the penultimate carbohydrate residue. Acetylation of the sialic acid is the most common substitution. Gangliosides play an important role in a variety of biological processes. They are involved in the development and maintenance of the brain. The composition and expression of gangliosides changes during brain development reflecting the changing requirements at different stages. Different pathways have been suggested for the involvement of gangliosides including the physicochemical properties of the membranes, storage of calcium ions, interactions with growth factors, dendritogenesis, neuritogenesis and neural differentiation. During neurodegenerative diseases including Alzheimer, Parkinson and Huntington, the ganglioside composition changes. This leads to the disruption of vital cell function including signaling processes and ion channel formation and can ultimately lead to cell apoptosis. The ganglioside composition also changes during cancers such as melanoma, breast cancer, small cell lung cancer, cancers of the digestive tract and brain cancer. These changes have implications for the metastasis of the cancer, the suppression of the immune response, promotion of growth factors and kinases associated with these and angiogenesis. The changes have major effects on the progression and survival of the tumour. However, there are also indications that selected gangliosides can be useful for the therapy of these diseases. Some clinical trials have been carried out in the case of neurodegenerative diseases, cases of spinal injuries and cancer therapy. However, the results are as yet inconclusive. The nutritional value of gangliosides especially in infant nutrition has been widely discussed. In comparison to other lipids, proteins and carbohydrates, gangliosides are only a minor component in milk and colostrum. However, they could act as an additional source for sialic acid, ceramide and fatty acids. In addition, the intact ganglioside molecules have an effect on the immune system, the gut health and the development of the brain. The bioavailability and the fate of these glycosphingolipids in the digestive tract have been investigated. The results indicate that orally administered gangliosides are taken up by the organism in concentrations that are considered as biologically effective.
Gangliosides, sialic acids, glycosphingolipid, gangliosides in diseases, neurodegenerative diseases, lysosomal storage diseases, gangliosides in cancer, gangliosides in therapy and nutrition, milk gangliosides.
Industrial Research Limited, Gracefield Research Centre, Lower Hutt 5040, New Zealand


text:
Interviews, Latest News and Information
From Artwork to Music: Interview with Minority 905
Canadian pop-punk band Minority 905 recently released their official music video for their single "Soundtrack" which has had a lot of anticipation from fans. Olivia Marsala had a chance to speak to the guys and get the inside scoop on what goes on in creating the artwork to putting the songs and album together!
Let's start with the album artwork. Where did the idea come from?
Chris: Well, honestly we didn't have too many ideas. We just let the artist Jacqueline Choe (@jisuchoeart) do their own thing. We gave her the lyrics to all the songs, and an early copy of the album, and let her draw her own conclusion on what the art should be. The sketch that would become the album art has us all looking into the distance from different angles as a sign of the hope we all have and that is portrayed in the lyrics throughout the album.
Who created/conducted the artwork?
Chris: Jacqueline Choe (@jisuchoeart).
How did the production process compare to your previous release, Broken, Not Beaten?
John: I think just working with a different producer (Anton DeLost) was probably the biggest difference and also that I didn't really get any inputs or feedback on the songs until we finally met on the first day of pre-production. With "Broken, Not Beaten", Mason (Dayot) was involved a lot more during the early stages of writing the songs, so I worked with him months before pre-production even started.
Steven: Working with a different producer (Anton DeLost) really changed things as far as the edits and changes he brought into our songs, and just having a new voice guiding and making sure the songs were going in the right direction.
Which track was the most fun to produce?
John: I don't think I had a favorite in particular, they were all fun for me.
Steven: I guess I enjoyed the songs that I had the first track to arrange on my own, to really lay out my ideas and vision for the song. Jamming the songs out and working on them at Spas' place and expanding on those ideas was also a lot of fun as well.
Spasimir: As far as favorites, a few of the "deep cuts" on the album (like What If, Relapse, Smoke and Mirrors) were fun to put together since most of them were created during practice. I think the one that was most fun for me tho would probably be Soundtrack
Was there a song that was more difficult than the others to write?
John: Once we got to the studio I think the song that had the most difficulties was "Run This Town" because the original version had longer sections. Figuring out how to shorten the song took some time and numerous changes were proposed.
Steven: Yeah Run This Town was probably the toughest.
Spasimir: Arranging the instrumentals for 27 Club was pretty challenging in my opinion. We spent plenty of time trying to put more ideas into that song (different beats, melodies, etc)
Do you feel that you have matured as a band since your first release?
John: It was about 2 and a half years between the recording of "Broken, Not Beaten" and "Dangerous Ambitions" so I think naturally with new experiences you just grow as a person. I'm glad that there was enough time in between the albums for all the songs to have real inspirations behind them. I like that it didn't have to be rushed.
Steven: Absolutely. I personally have learned so much about music and bass playing since then, and with Chris joining our band, that added a new element into the writing as well. Hopefully we can mature some more when it's time to work on the 3rd album.
Chris: Based on the reception of fans, random people at shows, friends, and family, this album far surpasses the last one.
Spasimir: Yes, we've definitely matured a lot. The way we put songs together now is a lot more thought out than it was a few years ago. Also each of us has grown as musicians and the ideas we come up with are much more interesting than our previous work.
Is there another song off Dangerous Ambitions you would like to do a music video for in the future?
John: "Catching Fire", "What If", and "Run This Town" I think are the more likely ones to eventually have their own music videos.
Steven: ^^^^
Do you each have your own 'dangerous ambitions' you would like to achieve?
John: My idea behind "Dangerous Ambitions" when I was writing it was that my main goal in life was to play music for a living. So that's still my ambition although I know that there's also the possibility that might not happen. In my mind I've always wanted to for it no matter what because at the end of the day I don't want to have the "What If?" question lingering behind my mind when all is said and done.
Steven: This whole band is a dangerous ambition. However, we're willing to make all the sacrifices necessary to help turn our dreams into reality.
Spasimir: I feel the same as the rest of the band on this. Doing the band thing, making YouTube content, trying to push ourselves musically, I think that's our dangerous ambition.
musicmattersmagazine September 9, 2018 September 9, 2018 about, Alternative rock, announcement, Anton DeLost, entertainment, information, Interviews, media, Minority 905, Music, news, photos, PR, TAG Publicity, video
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New research shows that women are the drivers of their families' philanthropic decisions. Women give more than men. And when they give, they give differently.
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text:
Q: Getting error While installing dkpg openssh-client I am running below cmd
sudo dpkg -i openssh-client_1%3a5.3p1-3ubuntu7_i386.deb

And getting this error:
(Reading database ... 197494 files and directories currently installed.)
Preparing to unpack openssh-client_1%3a5.3p1-3ubuntu7_i386.deb ...
Unpacking openssh-client (1:5.3p1-3ubuntu7) over (1:5.3p1-3ubuntu7) ...
dpkg: dependency problems prevent configuration of openssh-client:
 openssh-client depends on libssl0.9.8 (>= 0.9.8k-1).

dpkg: error processing package openssh-client (--install):
 dependency problems - leaving unconfigured
Processing triggers for man-db (2.6.7.1-1ubuntu1) ...
Errors were encountered while processing:
 openssh-client

Please Suggest

A: if you are trying to install a specific version of openssh server you can do this through APT you don't have to do it with dpkg.
sudo apt-get install openssh-client=1%3a5.3p1-3ubuntu7:i386

This way any dependencies (such as libssl) will be installed for you by APT.
I would check the format of the version string as it looks a bit wierd.


Most swimmers seriously limit their performance in backstroke with an ineffective push phase. Many swimmers (even some Olympians) fail to move their arm into a stronger and stronger position on the push by gradually bringing the hand closer to the body. Aquanex analyses show that most swimmers do not increase their hand force on the push phase.


text:
{% extends 'students/child_transfer_history/base.html' %}

{% load i18n %}
{% block content %}

    By Day

    {% for date in date_list %}

          {{ date|date:"M. d, Y" }}

    {% endfor %}

    {% blocktrans %}
      Child_Transfer_Historys created in the month of {{ month|date:"M Y" }}
    {% endblocktrans %}

  {% include 'students/child_transfer_history/object_table_list.html' %}
  {% include 'students/child_transfer_history/pagination.html' %}

{% endblock %}


text:
Hannah Emily Reid (January 19, 1870 – May 27, 1955) was a Canadian physician. She was the Chief of Anaesthesia at Toronto's Women's College Hospital from 1926-1931.

Early life and education
Hannah Emily Reid was born near Orangeville, Ontario on January 19, 1870. From an early age she had an interest in teaching– after completing her studies at Orangeville High School in 1891 she received her Second-Class Teacher's Certificate and began teaching at several schools in Toronto.

She later discovered her interest in medicine and joined the Ontario Medical College for Women. Hannah and her sister, Minerva Reid "were amongst the last women to graduate from the Ontario Medical College for Women before it closed in 1905". While she attended the Ontario Medical College for Women in Toronto until its closure, she completed her medical degree at the University of Toronto's Faculty of Medicine in 1905. After graduating, Reid travelled to northern Manitoba on medical assignment. Following that, she spent 1906 as an intern at the New England Hospital for Women and Children.

Career
In 1912, Reid opened her own practice in Toronto, which focused on anesthesia and obstetrics. Two years later, she began working at Women's College Hospital in the Department of Anaesthesia. She became Chief of Anaesthesia in 1926, the second woman to hold this position after Margaret McCallum-Johnston. According to the hospital, "[f]or over two decades, the two sisters could often be found working together in the operating rooms of Women's College Hospital".  During her career at Women's College Hospital, Hannah was also a member of the hospital's first Board of Directors.

Reid died in Toronto, Ontario on May 27, 1955. and her sister died in 1957.

External links
 Department of Anesthesia Fonds at the Archives of Women's College Hospital

References

Canadian women physicians
Canadian anesthesiologists
1870 births
1955 deaths
Women anesthesiologists
20th-century Canadian physicians
20th-century women physicians


text:
Tough Topics
GET OFF THE SIDELINE.
I've never played football. Shocking, I know. In fact, if that doesn't discredit me enough, I didn't know much about how the game was played—aside from when someone scored—until I was in my 20s. Working with student-athletes over the past decade, however, has helped me to learn the game in a remarkable way. And let me tell you, high school football in Texas is no joke!
I still remember the game where it all clicked for me. It was 2012 and the Garland High School Owls were facing off against their long-time rival, the South Garland Colonels. It was the game of all games. Most came into the stadium with the belief that Garland had this in the bag. But to everyone's surprise, South was giving them a run for their money. Garland stepped out in front with a strong lead. Ja'taveon "Taetae" Green ran for some major yards and helped the Owls achieve their 34-25 win over the Colonels.
I can't remember the exact details, but towards the end of the game, the Owls gave a try for a two-point conversion and got it. I remember coming out of my seat with chills from head to toe. This was the first time I felt like I was actually "in the game." Until then, I had just been sitting in the stands.
About three years ago I got my hands on my first sideline pass for our school district. This meant that I could walk down and be with the players during the game. The smells were foul and the language fouler. But if you ever want to feel what real passion is like, stand in the middle of fifty football players as their team wins the district championship. It's contagious.
Blood, sweat, and tears were literally shed. There is nothing like it; it's amazing. To be able to celebrate with and encourage the kids as they played was, and is, such a privilege. There were a few times though, when things weren't going quite as planned. Tempers would flair and on the rarest of occasions, helmets and fists would fly too.
The sideline is full of emotions and unsure thoughts. But one thing was true most of the time...it was a safe place. A place where hurt players could get bandaged up and coaches could shout strategies before the guys hit the field. The sideline was a place of preparation.
"...if you ever want to feel what real passion is like, stand in the middle of fifty football players as their team wins..."
A sacred and hallowed ground. Only eleven players from each side allowed on at once. Everyone having their own unique talent and position, all with a singular goal: win the game. They have practiced, run plays, and conditioned their bodies for this moment. All eyes are on the field. It's the place where amazing victories and unprecedented defeats happen. But you can't always control what happens on the field; all you can do is just give it everything you've got.
The Metanarrative
A game is not strictly offense or defense; it's both. Drives down a field are not done the same way every time. The offense and defense go out, one after another, running plays the coaches believe will win the game. Most players are not on the field for both offense and defense. In fact, sometimes players, like long-snappers and kickers, are not seen very often at all, but their job is of the utmost importance. When the lights are on, you have to give it everything you've got and hold nothing back.
Throughout history, God has been writing a grand metanarrative. He's been weaving together individuals and their stories from every walk of life and every background, using them to drive his mission forward. Folks in the Bible you may have heard of, like Abraham, Moses, David, Peter, or Paul. God has also used modern-day individuals—William Seymour, Charles Spurgeon, Aimee McPherson, and D.L. Moody.
Each of these players stepped on the field with intention and determination. Each played different roles but all had the same goal: to make The LORD known to The World. No matter how big or small their role might have been, when the lights are on, you have to give it everything you've got and hold nothing back.
"Throughout history, God has been writing a grand metanarrative. He's been weaving together individuals and their stories from every walk of life and every background..."
The Lights are on!
You and I are alive during one of the greatest times in human history. There has never been a time where the Gospel of Jesus Christ could be spread around the world in such a way as it can be now. It would certainly be easy to sit on the sideline and watch as evangelists, pastors, preachers, and teachers we all know and love pour their hearts out on Sunday while we go home to the comfort and safety of the sideline. God is calling us to be in the game!
Trust me, I know the game can be scary sometimes. You don't know if you're going to get hurt, it's hard to tell if you're going to win or lose, and it's difficult to know what to do next. This is what the sideline is actually for. Get bandaged up, get the next play under your belt, and get out there! If you win, God gets the glory; if you lose, guess what? God still gets the glory.
But don't sit on the sideline in fear, depriving God of the glory that He is due through us. Get in the game!
LOVE Others.
BEING INTENTIONAL.
CULTURE > COLOR


Hi! Chill here to gently let you know that Spring is here and you know what that means? Summer is coming. That means less clothes to wear and you cannot hide behind the thick clothing and coats.
I want to take a different direction in this blog. If you are like me, you may not have had good examples in your life to create a love for fitness. For me, my closest relatives did not see physical fitness to be a center part of their lives. Consequently, I didn't value how fitness can benefit each and every part of my life. Now, I want to quickly point out that I am not blaming my family. Not at all. However, I do want to tell you that if you have children, you can create a legacy of love for fitness in them that will last a lifetime.
What inspired me was a recent article in the Wall Street Journal about Rene´ Kaerskov, CEO of HBA, an interior design firm that is located in 16 countries. Although the article covered how Mr. Kaerskov likes to run marathons in multiple countries, what stood out was that when he undertakes his daily fitness routine, he includes his daughter. She does pushups and sit ups with him. He even uses her as a weight to do some of his exercises so they can enjoy some father-daughter bonding time that is really fun.
Now, ask yourself: What is the likelihood that Mr. Kaerskov's daughter will be devoted to a lifetime of fitness? (I think she will carry forth a legacy toward her children).
So, if you are not motivated to establish a fitness routine for yourself. Do it for your loved ones. Create a legacy that will literally change the course of your family.


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text:
How Big Will This Rolling Jackpot Get?
College of Country Knowledge
Stylz & Roman
The Rolling Jackpot In Roman's College of Country Knowledge just keeps getting bigger and there seems to be no end in sight!
The current total is $2,000!
If your bank account could use an infusion of cash, email Mornings@US99.com for a chance to enroll!
Today's Questions:
1. Charles Kelley, Hillary Scott and Dave Haywood have named the shows they are doing as part of their Las Vegas residency "Our Kind of Vegas." What group do the three make up? (Lady Antebellum)
2. This singer personally kicked an obnoxious fan she thought was being disruptive out of a recent Pistol Annie's show. Who is she? (Miranda Lambert)
3. This singer is preparing his own upcoming "Burning Man" tour and says that he learned a lot when he was an opening act for Kenny Chesney. Who is he? (Dierks Bentley)
4. The CMA Country Christmas Special will air on Channel 7 on December 10th. It'll feature performances from Dan and Shay, Brett Eldredge, Dustin Lynch, Old Dominion, Brad Paisley, and Brett Young. Who is hosting it? (Reba McEntire)
5. Brett Young is being honored as ASCAP's 2018 Country Songwriter-Artist of the Year on November 12th. What is the name of Young's new album, which will be released on December 7th? (Ticket To LA)
Pistol Annies
kicked out
CMA Christmas Special
Ticket To LA


Untitled, 1960. Oil on canvas, 48 x 79 1/2 inches (121.9 x 201.9 cm). Collection of the Joan Mitchell Foundation, New York. © Estate of Joan Mitchell.
Untitled, 1991. Pastel on paper diptych, 10 3/4 x 15 inches (27.3 x 38.1 cm). Collection of the Joan Mitchell Foundation, New York. © Estate of Joan Mitchell.
Trees I, 1992. Color lithograph on two sheets, 57 x 82 inches, 34 + proofs, printed and published by Tyler Graphics, Ltd., Mt. Kisco, NY. Collection of the Joan Mitchell Foundation, New York. © Estate of Joan Mitchell.
Mitchell's paintings can also be found in numerous public collections. Please review the Collections page of our website for a list and map of these institutions.
Joan Mitchell's artwork is held in numerous public collections, nationally and internationally. Read more for the complete listings.
Ici, 1992. Oil on canvas, left panel: 102 x 78 3/4 in. (259.1 x 200 cm), right panel: 102 3/8 x 78 7/8 in. (260 x 200.3 cm). Saint Louis Art Museum, Funds given by the Shoenberg Foundation, Inc. © Estate of Joan Mitchell.
Posted, 1977. Oil on canvas, 110 x 157.5 inches (280 x 400 cm), Walker Art Center, Gift of Joanne and Philip Von Blon, 1989. © Estate of Joan Mitchell.
The Joan Mitchell archives include correspondence, photographs, exhibition-related and other printed materials, books, sketches, manuscripts by writers, other items collected during her lifetime, and materials collected by her Estate and Foundation since 1992. Learn more.
Copyright for works by Joan Mitchell resides with the Joan Mitchell Foundation, and we welcome requests to reproduce images of her work. The Foundation will review submitted information and if we approve a request, we will prepare a written license agreement. The Foundation requires copies of the item(s) with the reproduction, and in some cases, high-resolution image(s) of the work(s) in exchange for permission to reproduce. Learn more.
The Joan Mitchell Catalogue Raisonné is presently researching Joan Mitchell's paintings in preparation of a catalogue raisonné. This will be a scholarly publication documenting all of the artist's painted work, including entries for each painting with complete descriptive information and detailed histories of ownership, exhibitions, and literature.
If you are a current or previous owner of one or more of Mitchell's paintings, please provide information on the artwork in your collection by clicking here. All information provided will remain strictly confidential.
The Joan Mitchell Catalogue Raisonné is a project supported by the Joan Mitchell Foundation. For more information, visit the website of the Joan Mitchell Catalogue Raisonné at joanmitchellcr.org.
Does the Foundation provide authentications?
No, the Foundation does not authenticate works of art.
Does the Foundation do appraisals of artwork by Joan Mitchell?
No. The following organizations publish directories of their members, who provide appraisal services: Amercian Society of Appraisers, Appraisers Association of America, and the International Society of Appraisers.
I want to reproduce an image by Joan Mitchell, what do I need to do?
Please visit the page on copyright info for more details.
Is there a Catalogue Raisonné of Joan Mitchell's work?
The Catalogue Raisonné project was established in 2015 and is now collecting information on the paintings of Joan Mitchell. Current or previous owners of Mitchell's work can contact the project manager at info@joanmitchellcr.org.
I own a Joan Mitchell painting and would like to submit info on the artwork for the Catalogue Raisonné.
Please contact us at info@joanmitchellcr.org to let us know about your painting.


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text:
Q: C++ Linux Service - How to use init.d + auto restart? I've created a linux c++ service (It's basically an app, but it handles requests over TCP/IP quite frequently).
I was wondering if there is any easy way to have it "auto restart" if something goes wrong (like it crashes) or if the server restarts?
I wasn't sure how or even if I should set it up as a service or set up an rc.d script, I'm not 100% familiar w/how to do this on linux (my server is running ubuntu if it matters).
Any advice would be greatly appreciated!
~ Josh

A: In my product, I've created watchdog process which forks and exec service process in separate process, and waits for its termination. If, for some reason, process terminates, watchdog process will create another thread and it will start process again.
As noted in comments, you should check why it is crashed. For start, you could read program exit value.
Here is simple program to get you started:
#include <stdio.h>
#include <unistd.h>
#include <sys/wait.h>

int main()
{
    create_process();
    return 0;
}

void create_process()
{
    int exit_code;
    if(fork() == 0)
    {
        exec("./your_service");
    }
    else
    {
        wait(&exit_code);
        if(WIFEXITED(exit_code))
        {
            /* Program terminated with exit */
            /* If you want, you could decode exit code here using
               WEXITSTATUS and you can start program again.
            */
            return;
        }
        else
`       {
                /* Program didn't terminated with exit, restart */
            create_process();
        }

    }
}

In order to start service on system startup, simply edit the /etc/rc.local script and append command for running your watchdog process.

A: A lot of answers here suggest having a 'parent app' that does it, but you end up with the same problem with the parent app - it's turtles all the way down.
In many unix type systems (especially historically), The init process is the first process that executes, and will execute (and restart automatically) processes as defined in /etc/inittab.
So instead of writing your own watchdog or process to auto-restart - you can use this one that does the job for you automatically, and since it's the init process, if it dies, the system has a lot more to worry about than your service.
@doron suggests another good approach, if your service should spawn a new process for every incoming connection, and only does work when it has an incoming connection.
Finally, these days the init process (and /etc/inittab) has been replaced on Ubuntu type systems with upstart - http://upstart.ubuntu.com/ - a more flexible system for the same thing.

A: *

*Create a control app which starts and restarts it if necessary.

*Do this in your app - fork a child, run the program there, catch stop/crash and fork new child if necessary. Some working code can be found here: monitoring the main app in c .

A: You might want to take a look at using the Inet Daemon. The inet daemon start a new process every time a new request comes in. So if there is a crash in your server, it just gets restarted when the next request comes in.

A: The simplest way to write a parent app which auto-restarts a child process, on *NIX, is just using a shell script:
#!/bin/sh
while true;
do
    run_my_program;
done

You can optionally have this redirect output, run itself in the background, etc.
This doesn't address starting the process in the first place, but it's less work (for exactly the same result) as writing a parent process in C++.