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Just Wanna Quilt Podcast Aims to Shed Light on Quilting and Intellectual Property Law
A new quilting podcast has launched recently. Called Just Wanna Quilt the show is described as a "research podcast" and is produced by Elizabeth Townsend Gard, a law professor at Tulane University who studies intellectual property. Townsend Gard opens each episode by saying, "We explore all kinds of things. Stories about quilting, tools, field trips, maybe some famous quilters stop by and, of course, a little bit of copyright thrown in just for fun." She's published 49 episodes since launching on January 31, interviewing everyone from the public relations manager at Quilts Inc., to leaders of fabric and thread companies, designers, teachers, and hobby quilters.
The long-term goal for the project is to create two bodies of work about intellectual property as it relates to quilting, although she's not sure at this time whether they will be books or websites but it was only available in property press online only. The first will be intended for the hobby quilter. It will include "everything you need to know about copyright and intellectual property when it comes to quilting. Just simple. So that we can get everyone on the same page on things they don't understand." The other will be a more in-depth work for people in the quilting industry. "Every single person in this field is using materials and you should feel confident in what you do with them so that you don't get in trouble, or if you get in trouble you do it deliberately," she says.
The show is mostly unedited with beeps of recording equipment, coughs, volume variations, and verbal stops and starts of both interviewer and subject left in. Townsend Gard says the audio is left rough on purpose. "For me, I'm a scholar and I want [the show] to reflect that these are our research notes."
"The podcast is fun because who does a podcast?" she laughs. "What kind of academic does a podcast?" Her entrepreneurship class is using the show as a kind of living laboratory. "The podcast is our canvas to sort of play," she says. They've investigated how to record and publish the show, how to analyze download numbers, and how to run an online contest, among other topics.
Unlike an official podcast created by a university, such as the Harvard Business Review podcast, Just Wanna Quilt belongs to Townsend Gard. "If I go to another university I take this project with me. I happen to be at Tulane and they are funding my research, but I own the intellectual property," she says. Still, she acknowledges that the university is having an ongoing discussion about podcasting and whether a show represents one scholar's research or the university as a brand.
When Townsend Gard began reaching out to possible guests asking if she could interview them about copyright and quilting, she says she was met with resistance. "They'd be like, 'No, I don't know anything about it and if I do I'm not talking to you,'" she recalls. So she changed tactics and instead asks to talk about their quilting lives. She tries to spend the last fifteen minutes of each episode focused on intellectual property. "I'm kinda like a doctor. As they talk I can kinda know what's going on with them. Like how aware they are of what they're doing," she says.
I spoke with two people who have been guests on the show and although they knew that Townsend Gard is a law professor and that the project was about copyright law, neither was completely clear as to what the interviews would eventually result in beyond the podcast.
The podcast interviews are not being transcribed. There are just brief show notes on the Just Wanna Quilt website describing what each interview is about. "It's kinda background information for the project so transcribing is not really needed," she says. "I don't think we're pulling from the interviews per se."
Townsend Gard writes law review articles each year as part of her professorship. This year she's considering writing about quilting including whether it's possible to copyright polka dots and whether rulers can be patented. She says these articles will be available to the public for free as PDFs. "We'll put them everywhere," she says. "Academics don't really care about distribution."
Academic books are typically expensive in comparison to mass-market titles. Townsend Gard's book about the video game industry, Video Games and the Law, is 98 pages and costs $45.73. Townsend Gard says she's hoping to make the new research more affordable. One of her other projects, titled (Il)legal, focuses on outsider art such as graffiti and tattoos. She says that book will be available on Amazon for .99 or $9.99 "or whatever the lowest price is for art books and we're going to learn about that."
There's no set timeline for the Just Wanna Quilt project, although Townsend Gard says she'll start writing in May. The podcast interviews will likely continue through the summer and fall, possibly longer. "I don't really care about an end date," she says. "The glory of being a full professor is I don't have to figure it all out. Nobody is judging me and I can just keep writing. That's my obligation, to write and to teach, and as long as I'm doing that nobody cares."
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Constance Petersen says
Amazing! Abbey, you find the most intersting stuff. Thank you!!!
Alli says
How interesting!
Tara Glastonbury says
I like the idea of this as there's is so much misinformation out there, with quilters basically giving legal advice when they really shouldn't be. However, I think it's important to note that this podcast is about AMERICAN intellectual property.
Many US quilters assume that if they're following US law then they're good to go everywhere, which is not the case. The web has made it possible to sell patterns globally, and what might be OK in one country can then get you into hot water in another. I think it's important to be mindful of this.
Leah Kabaker says
I've listened to a few episodes and it sounds like Elizabeth is getting an in depth edcuation about this industry along with the rest of her listeners.. I often hear people say that this is such a nice kind industry. BS, it is very cutthroat. Those of us with disposable income go out and buy fabric, take expensive classes and travel for retreats and shows. The reality is a very different. The whole issue of intelectual property in the fabric business is just the tip of the iceberg. I am enjoying the journey (although at times I find myself cringing, but thats life) and look forward to the outcome of this research project.
Cathy says
This subject is interesting to me and I'd like to learn more. When I clicked on the link you provided, there were 50 some hours of podcasts, hopefully someone can point to me the best ones to answer my questions.
I once came upon a blog where 2 quilters were squabbling over their 'copyrighted' pattern of a square in a square block pattern, which had me a bit confused. Why should/could something so simple (and been around so long) be copyrighted? I thought that in order to get a copyright on something, it had to be something novel/unusual/distinct? None of which applied to either's pattern. (For what its worth, I'd been using 'their' pattern since making my first quilt in 1984 (no internet then, few useful books). I doubt either one had been quilting that long) Patterns for making S in a S are everywhere, in books and online these days.
My grandmother had cardboard templates that she traced around to make the block and I found them when after she died and we were selling her house in the mid 70s. These bloggers were threatening legal action against each other. I wouldn't be surprised if they had been in a room together that punches would have been thrown. (Then they'd have a reason for legal action)
But were exactly is the line drawn? If someone makes a quilt with a popular block and decides to put a red fabric in one corner and I one day decide to make a quilt from that same block and I be so bold as to put a red fabric in that same corner, could that particular quilter accuse me of copying her quilt? How could she/he prove that I'd ever actually seen her quilt?
I know there are left brained people and there are right brained people and I know there are many people who say they can not make a quilt without a pattern that someone else has provided. In my opinion, they just haven't tried yet. It's sewing, not rocket science. I believe nearly any one can make a quilt without a pattern. If they can do simple math "+ and x" and know what a quarter inch is, they can make a quilt. Think you can't? Contact me, I'll show you. No fancy rulers needed, although there may be be some graph paper needed and some 'unfancy' templates made out of cereal boxes…. (At least until you get the hang of it)
If the quilters who are making these accusations are so incensed that someone could copy them, why are they flaunting their work? If you don't want someone to copy your efforts, then keep your work private. Get it to an appraiser and get it's value on a dated document. Kinda sounds to me that they want the public adulation, "Look at me! I am the only person in the world that can do this" They want it both ways, they want it all.
I get it, most people want and should get the credit/praise for their work, but by putting their work out there, it's most likely going to inspire some other person and that inspiration may hit closer than they want.
Good on you Cathy. I'm a self taught quilter . If I buy a quilt magazine and make a quilt from the magazine
it's my OWN BUSINESS what I choose do with said quilt.
Fabric/pattern "designers" wants us to believe that when we buy their products
it somehow still belongs to, them, the designer and they have a say in what we can or
cannot do with the fabrics and patterns. Complete and utter BS
Apart from all the crap that's available to us today crap we are led to believe we cannot make a quilt without
there isn't anything really new in quilt block designs. Patchwork and quilting has been around since Adam was a lad.
The quilting business is worth billions to the US economy (I do not live in the USA) and of course everyone
involved in the quilt business want to get on that gravy train.
Designers should be aware if they carry on too much about "their copyright and intellectual property"
it will be very easy to soften their cough by hitting them where it hurts in their bank balance.
If you get an architect to design a house pay him/her for the design
You pay all the bills to bring YOUR HOUSE to completion
Some years later you decide to sell the house the architect tells you -you cannot sell your house as it was his design.
Chaos would reign.
Next we'll have chefs telling us, you may buy our books but you cannot cook any of the recipes.
I think the inhumane conditions in which batiks are produce should give more cause for concern to designers
and manufacturers because the conditions under which this fabric is produced is horrific and would not be tolerated
anywhere in the western world. Now there's a real lawsuit waiting to happen.
Cathy I agree with you 100% that if they want to protect their "designs" hide it away from the public gaze.
Have a look at the youtube video "Why Quilts matter and listen to what Karen Musgrave has to say about the world of quilting.
Thank you for your response Jan, you've given me some more to think about. I'll look for the video soon.


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Am 9. Juni 1935 fanden in Griechenland Parlamentswahlen statt. Ein Wahlbündnis aus zwei Parteien – Volkspartei und Nationalradikale Partei – erhielt 287 der 300 Sitze im Parlament.

Die Volkspartei (Λαϊκὸν Κόμμα, Laïkòn Kómma; sie bestand von 1920 bis 1958) war eine konservative und monarchistische Partei; die Nationalradikale Partei (Εθνικό Ριζοσπαστικό Κόμμα; Ethnikó Rhizosmatikó Kómma) war gleichfalls monarchistische Partei unter der Führung von Georgios Kondylis.

Die Wahlen fanden statt in einem Klima der Spannung zwischen den venizelistischen, liberalen Republikanern und der Volkspartei statt. Eleftherios Venizelos, der bis zur Parlamentswahl am 5. März 1933 an der Regierung gewesen war, hatte nach einem Putschversuch des venizelistichen Generals Nikolaos Plastiras vom 1. März 1935 am 11. März 1935 Griechenland verlassen.

Aus Protest gegen die Hinrichtung zweier prominenter venizelistischer Generäle, gegen die fortgesetzten Tätigkeit von Sondergerichten und gegen ein neues Wahlgesetz, dem sie nicht zugestimmt hatten, beschlossen alle venizelistischen Parteien, nicht an der Wahl teilzunehmen.

In der Folge konnten Volkspartei und Nationalradikale Partei die republikanische Verfassung von 1924 nach ihrem Gusto abändern und die Wiederherstellung der Monarchie beschließen. König Georg II., der Griechenland im Dezember 1923 verlassen hatte, kehrte am 3. November 1935 auf den Thron zurück.

Siehe auch
 Geschichte Griechenlands#Venizelos und das nationale Schisma
 Liste der Regierungschefs von Griechenland

Einzelnachweise

1935
Griechenland Parlamentswahlen
Griechische Geschichte (20. Jahrhundert)

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» NJ Appellate Court Rules against Emailed Employee Arbitration Agreement
NJ Appellate Court Rules against Emailed Employee Arbitration Agreement
On Behalf of Traub Law | Feb 20, 2019 | Firm News
The New Jersey Appellate Division recently upheld limits on an employer's ability to force employees into arbitration when employees have not expressly agreed to the arbitration process. Recently published in January 2019, the ruling in Skuse v. Pfizer, Inc. addressed the sufficiency of email and online training modules to seek an employee's agreement to arbitration and waiver of litigation rights.
The Court relied on long-standing precedent regarding the valid and enforceable arbitration agreements to find in favor of the employee in this matter. The ruling specifically noted this case "exemplifies an inadequate way for an employer to go about extracting its employees' agreement to submit to binding arbitration for future claims and thereby waive their rights to sue the employer and seek a jury trial." The following is an overview of the Court's decision and its potential effects on employee-employer arbitration agreements.
The Facts Reviewed
The plaintiff was an employee of Pfizer, and the company required her to get a yellow fever vaccine for her job as a flight attendant. However, as a Buddhist, the plaintiff's beliefs went against any injections that contained animal proteins, which the vaccine did. Pfizer gave her ultimatums, ignored letters from her physician and vaccination waiver cards, and denied her request for a religion-based accommodation. After medical leave due to an employment-related "breakdown," another paid leave, and a denial of her internal HR appeal, Pfizer terminated the plaintiff. She then filed a lawsuit in New Jersey court alleging violations of New Jersey's anti-discrimination laws.
Pfizer sought to have the lawsuit dismissed based on a so-called binding arbitration agreement it had with its employees. The previous year, Pfizer sent out a training module via email to its employees. The module had slides that described the arbitration agreement and the waiver of the employee's statutory rights to litigation. At the end, the employees could click an "acknowledgement" box. If they did not click the box, the module stated that continued employment for 60 days would constitute an agreement to the policy. Because the plaintiff was employed for 13 months following the training module, Pfizer contended she agreed to arbitration.
Lower Court's Decision
The trial court initially granted Pfizer's motion to dismiss, claiming the emailed slides and acknowledgement request were sufficient to constitute a binding arbitration agreement. That court relied on a recent New Jersey case that also involved email communications, Jaworski v. Ernst & Young. In that case, an employee previously signed an arbitration agreement that stated he could be notified via email of amendments to or termination of the agreement in the future. He received an email notifying him of amendments to the agreement and continued working for the company for five years. He later argued in court that those amendments did not apply to him. The court disagreed and ruled that since he had signed the initial agreement, he was aware that notification of amendments could be sent by email and, by continuing his employment, he agreed to the amendments.
The trial court in Skuse relied on Jaworski in deciding that the email notification of the arbitration policy was sufficient and granted the motion to dismiss. The Appellate Court respectfully disagreed with the trial court's assessment and reliance on Jaworski. Instead, the Court largely relied on a different case, Leodori v. Cigna, to identify the requirements for a binding arbitration agreement with employees.
Requirements for a Valid Arbitration Agreement
The court closely reviewed whether the email training module and acknowledgement box were enough to establish a binding arbitration agreement with its employees. First, the court acknowledges that state policy generally favors arbitration as an alternative dispute resolution process – only as long as both parties mutually choose to participate. As with any contract under New Jersey law, arbitration agreements require a "meeting of the minds," and employers cannot force employees to arbitrate if the employee has not agreed to do so. This is particularly important because arbitration agreements require an employee to give up their statutory right to have their case heard in court.
When it comes to arbitration agreements specifically in employment relationships, the Appellate Court looked to the New Jersey Supreme Court's decision in Leodori. In that case, the employer gave employees a handbook regarding company policies and an acknowledgement form, which did not specifically mention arbitration. There was another "agreement" form that did mention arbitration as a requirement for employment. The plaintiff signed the acknowledgement form but not the agreement form.
The Supreme Court found the plaintiff in Leodori did not enter into a binding arbitration agreement for the following reasons:
He did not convey "knowing and voluntary agreement"
He did not "sign or otherwise explicitly indicate his [] agreement"
He did not agree to "clearly and unambiguously" waive his rights to litigation and arbitrate disputes
The Court held that such a waiver of rights requires "an explicit affirmative agreement that unmistakably reflects the employee's assent." An acknowledgement did not constitute such an affirmative agreement to the policy.
Similarly, Pfizer only requested employees to check an "acknowledgement" box, not an agreement box. Moreover, unlike in Leodori, Pfizer did not even request a signature from its employees, but merely a click of a mouse. The Court also noted that many people in corporate settings receive many emails per day and tend to skim material instead of carefully reading and understanding the content.
The Court also stated that calling the email a "training module" was another sign that Pfizer was seeking its employees' knowing and voluntary agreement. Seeking a waiver of rights is not a training exercise, and companies must do more than merely educate employees regarding arbitration policies, but must clearly seek to obtain their explicit agreement to the policies. Ultimately, Pfizer's methods of seeking agreement were found to be insufficient to constitute a binding agreement to arbitration and voluntary waiver of rights.
Employers in the Technological Era
The Court in Skusedid note that in today's day and age, companies often use email and other electronic transmissions to give large numbers of employees information about company policies. It would not be realistic to expect employers to sit down with thousands of employees individually to negotiate arbitration agreements. Therefore, the Court is not suggesting that electronic means are always insufficient for obtaining an employee's assent.
However, companies may not mask the agreement as "training" and mere "acknowledgement." Instead, they must use unmistakeable language and terminology when seeking such an agreement. They may also want to require an employee to electronically sign their name instead of simply checking a box, as that makes it clearer that the employee is agreeing to an important contract.
This case should remind employers that they may not enforce arbitration agreements without clear and unmistakable assent from employees. If an employer files a motion to dismiss based on an arbitration agreement, plaintiffs should always discuss the enforceability of the agreement with an experienced attorney.
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Home->News->Fallout 76 Beta Begins in October, The Month to Judge
Fallout 76 Beta Begins in October, The Month to Judge
Amie GammonsSeptember 14, 2018Last Updated: September 14, 2018
Fallout 76 is the game that not only excites the players but also bothers them in a way. More precisely, the Open Beta, which is about to happen in October. Many people believe that the exact date will be October 8th. The date is quite close to its official release date and judging by its current looks from what we've learned so far, players are being thrown into delirium, not knowing what exactly the Open Beta will offer.
In a previous article, it was also confirmed that the Beta will begin in October, which is a time span of 1 month before release.
First of all, the first Beta will be available to those who pre-ordered, and some others lurkers who have luckily gotten an invite. Overall, Fallout 76 BETA is supposed to include almost everything the complete game offers, found by a perspective that the Beta progress done by players may be carried on after the final release. If this statement appears to be true, then pre-orders will likely have a head start and advantage over other players who come later in the game.
The most amazing feature is how Bethesda is going to make the base spawn play out. Todd Howard has confirmed numerous times that the flexibility of players coming on and leaving a game will leave no trash behind, clearing the base or inputting a new one. The whole mechanic is about to be extremely amazing, as it will allow players to fully enjoy their journey and survival stories.
Supposedly, the Fallout 76 beta is most likely coming on October 8th, which is going to enlighten many unknown scraps and pieces so we can put together easier. What do you think about Fallout 76 Open Beta? Are you excited yet?
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Amie Gammons
A huge fan of puzzlers. Would love to experience the world and takedown on every single and upcoming game title. In the free time love to sing, follow recent game rumors and try to decrypt them in the best possible way.
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Modular courses since 2022/23
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Doctoral scholarship
The first Doctoral School at Cracow University of Technology (CUT) was established for the academic year 2019/2020. The Senate of CUT adopted General Regulations, Study Programme as well as Terms of Admission for the new School, and appointed Associate Professor Małgorzata Cimochowicz-Rybicka Head of the Doctoral School.
The concept of the Doctoral School was developed by the team working under the leadership of Vice-Rector for Science - professor Tadeusz Tatara. During the Senate meeting held in May 2019, the most important legal acts regarding the new CUT unit were adopted. Education of doctoral students was one of those elements of the higher education and science system which required significant changes. The Rector of CUT – professor Jan Kazior – stated that the existing model, based on doctoral studies, was widely regarded as ineffective. In the opinion of the vast majority of the academic community, neither the level of doctoral dissertations nor the number of international students entering the programmes was satisfying. Also, the Study Programme itself had to be revised and upgraded. The Doctoral School, which replaced doctoral studies in October 2019, has been the answer to these problems. The main goal of doctoral schools is to support interdisciplinarity of scientific research and develop advanced skills valuable for the economy. The new model of education of doctoral students additionally involves a significant improvement in their financial situation; each student is to receive a scholarship.
The scholarship system is a novelty in the doctoral education under the new Law on Higher Education and Science. For 4 years, each doctoral student shall receive a monthly doctoral scholarship in the amount of 37% of professor's salary up to the month in which the mid-term evaluation takes place; after that a doctoral scholarship will be raised up to 57% of professor's salary.
According to the adopted principles, the Doctoral School shall offer education in those scientific disciplines in which Cracow University of Technology has the right to award doctoral degrees. These are seven disciplines: Architecture and Urban Planning; Automation, Electronics, Electrical Engineering and Space Technologies; Chemical Engineering; Civil Engineering, Geodesy and Transport; Materials Engineering; Mechanical Engineering; Environmental Engineering; Mining and Energy (planned since 2023/24: Information and Communication Technology). The doctoral student shall choose one main discipline but he or she may also select modular courses that are not related to the main discipline but are part of the Study Programme. Education at the Doctoral School lasts 8 semesters, is free of charge and shall be based on the Study Programme as well as the Individualised Research Plan. The General Regulations of the Doctoral School state that the promoter, or promoters, provide doctoral students with scientific supervision and support them in their independent research work performed throughout the entire period of education. Most courses at the Doctoral School shall be available in both Polish and English.
The Doctoral School of Cracow University of Technology was established by the Rector. It is a separate organisational unit supervised by the Vice Rector for Science. Scientific supervision is exercised by the Doctoral School Council. Associate Professor Małgorzata Cimochowicz-Rybicka has been appointed Head of the School until December 31, 2020.
The tasks, internal organisation and principles of education at the Doctoral School are set out in the General Regulations adopted by the Senate of CUT. Admission to the Doctoral School is carried out from September 1 to September 25 and is awarded on a competitive basis. The first year of study at the Doctoral School of Cracow University of Technology started on October 1, 2019.


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You are here: Home > Trainers > Clive Brittain
Trainer in Focus – Clive Brittain
Despite being into his 80's, Clive Brittain is still training race horses. Known for his post victory dancing jig, the charismatic Newmarket handler has been operating since the early 1970's. Over the last few years his number of runners have decreased, but with such a passion for the game, it would be no surprise to see Brittain carry on for years to come. In this article we take a look at his performance across different race types and under a range of conditions.
Brittain isn't prolific with his 2 year old debutants, although they are usually priced accordingly, generally starting at double figure odds. In total, he is 16/270 (5.93%) in the last 10 years, for a loss of £-121.67, with an A/E of 1.08 – they win slightly more than they should do on odds. Breaking down his runners into distances on debut, a trend is established:
2 Year Old Debutants By Distance
*A/E denotes actual number of winners divided by expected number of winners. A figure over 1 represents good value, anything under 1 is poor value.
Those runners making their debut over 6f do best in terms of win percentage, return and A/E. At Yarmouth over 6f, they are 3/22 with a further 5 places for £17.50 LSP, giving an A/E of 2.33.
Brittain's second time out 2 year olds who did not win on debut are 16/209 (7.66%) for a loss of £-93.92, giving an A/E of 0.92. His horses who have had 3 runs in maidens and are switching to nursery company do moderately; 1/46 (2.17%) for a loss of £-38 A/E 0.32. Although they have a poor record in their first start in nursery company, those horse who have had 4 lifetime starts have a great record; 9/44 (20.45%) with a further 9 places for £45 LSP, giving an A/E of 2.00. Clive Brittain appears to use his runners' first start in nursery company as a warm up, before they are really ready to go next time out.
If punters are looking to back Clive Brittain juveniles, the best time to catch them is over 6f on debut, especially at his local track of Yarmouth, or after they have had 4 starts and are racing in nursery company.
Brittain's 3 year old debutants have limited success:
3 Year Olds By Number of Runs
His horses are generally poor value for their first 3 career starts, with moderate strike rates, big losses and disappointing A/E's. After 3 runs in maiden company, horses are generally eligible to obtain an official rating which enables them to enter handicap company – Brittain's strike rate with his thrice raced 3 year olds moving from maiden to handicaps is much improved.
3 Year Old+ Handicappers
3 Year Old+ Handicappers By Course
When looking at Brittain's performance across the different courses, a pattern emerges. All-weather tracks make up 3 of his best 4 records, whilst he has a poor record at the higher grade tracks which feature more competitive races. When looking at Brittain's overall record on the turf and the all-weather, there is a clear bias to the latter:
His runners win at a higher percentage and give a better A/E (although it is still worth noting that his turf runners win more often than they should do based on odds).
3 Year Old + Handicappers By Month
Brittain's 3 year old+ runners generally do well in handicaps, with more months than not showing an A/E of over 1.00 (meaning his horses win more often than they should do). The best two months in terms of profit and A/E are February and October. Interestingly, both of these high performance months follow on from his two worst ones (January and September)
Brittain does not really show any performance bias in terms of days off the course, when using claiming jockeys or under any other circumstances.
Clive Brittain first time out 2 year olds have a moderate strike rate, but win slightly more than odds suggest they should do. They do much the best over 6f, especially at Yarmouth.
Brittain's nursery debutants have a poor strike rate when they have had 3 runs and are switching from maiden company. On their second start in nursery company they do very well (4 runs total)
His 3 year old debutants have an average strike rate, and his runners tend to be poor value on their 1st-3rd runs in maiden company. Once they get an official rating and switch into handicap company, they do better.
3 of Brittain's 4 top performing tracking in terms of 3 year old+ handicappers, are all-weather courses. He generally does better on artificial surfaces.
Brittain does best with his handicappers in February and October.
Race Types, Class & Handicapping
Race types, class and handicapping are all important things to consider when betting on horses. Use our SBO.net expert guide to understand each one.
When To Bet Each Way?
What is each way betting? When is it best to bet each way? Do all bookies offer each way? Get all your questions about each way betting answered here.
Horse Racing Systems
There is loads of info online when it comes to horse racing, but what should you base your bets on? A good horse racing system is a great place to start.
What is the Tote Placepot?
Want to know more about Tote Placepots and how to use them when you bet? Read our expert summary of everything you'll need to know here.


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      Blog
      Projects

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redpajama_set_name: RedPajamaGithub


text:
Q: Using node readdir and getting an undefined error not sure why learnyounode When I run the below list[i] on line 14 returns as undefined and I am not sure why. Especially since my log on line 10 returns as expected. below is the code,
  1 var fs = require('fs');
  2 var thatDir = process.argv[2];
  3 var ext = process.argv[3];
  4 var newfile;
  5 fs.readdir(thatDir, function(err, list){
  6     console.log(list);
  7     console.log(ext);
  8     console.log('banana' + list[0]);
  9     var wtf = list[0].toString();
 10     var anotherwtf = wtf.search('.' + ext);
 11     console.log(anotherwtf);
 12     console.log('wtf is ' + wtf);
 13     for(var i = 0; i <= list.length; i++){
 14         if ( list[i].search('.' + ext) != -1 ){
 15         console.log(list[i]);
 16         }
 17     }
 18 });

A: You want to do i < list.length using less than < instead of less than or equal to <=.
The array is 0 indexed, you start getting items from list[0], and there are items for all the i from 0 to list.length - 1, but list[list.length] does not exist.

redpajama_set_name: RedPajamaStackExchange


MiniTool Partition Wizard 10 adalah manajer AIO untuk partisi dan perangkat lunak manajer disk, MiniTool Partition Wizard Gratis bisa membantu mengelola ruang disk dengan aman pada Windows 8 / 8.1 / 7 / Vista / XP dan sekarang mendukung windows 10 juga.
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Brand new intuitive User Interface (UI).
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Copy cracknya "Pas2.dll""Pas2.dll" ke dalam direktori instalasi MiniTool Partition Wizard Pro 10.
Jangan memperbarui MiniTool Partition Wizard Pro 10 untuk versi yang akan datang.
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A simple bag with some modern upgrades and excellent materials that will stay useful for years to come.
Excellent materials — DWR coated 525 ballistic nylon cordura, YKK aquaguard zips, excellent feeling straps… the guy mentions the THREAD he's using on the info page. I like that!
I love the straps, very comfortable, very quality feeling. And I love that there's a luggage strap.
It's a bigger bag, 25 liters, with two tall compartments, one outer pouch.
However, I do not like the lining on the inside of the bag! Feels too thin to me, bag bunches up, hard to get laptop in, etc.
The Day Pack from Aer's Work Collection was instantly one of my favorite simple daily carry bags because it's minimal frame but high-functioning insides.
A gorgeous messenger bag with a kind of modern urban-alpine aesthetic and absolutely lovely, dense, long-haul materials.
A very innovative backpack for either large daily carry or serious travelers who need one bag for both travel and daily carry. This is a winner for me in the medium size 1-bag travel category.


text:
Lionel Messi was born on the 24th of June 1987 in Rosario, Argentina. He plays forward for FC Barcelona and is the captain of the Argentine national team. He won his first Ballon d'Or and FIFA World Player of the Year Award at just 22 years of age and became the all-time leading scorer for FC Barcelona by age 24. He is also the all-time leading scorer in La Liga and the UEFA Champions League. Drawing many comparisons to the great Maradona, he has scored 45 goals for the Argentine national team.
FC Barcelona Shirt
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To the right of me sat Natalie Portman. To the left of me sat the Crown Prince of Dubai. In front of me stood our Nobel laureate professor. And between them, I sat, holding within me the most infamous personality of all, my borderline personality disorder.
I was Mexican- American and a student at Harvard University, the oldest and most prestigious academic institution in the country, established in 1636. Only a small percentage of applicants are admitted, and a fraction of those are Hispanic like me. It is an environment that will test every fiber of your being and push you beyond the logical limits of a mind you once believed you possessed. It is not for the faint of heart.
My arrival to Harvard and Cambridge, Massachusetts, in 2000 was not unlike the experience of others. First came the initial shock of being assigned twenty- five books to read per class by the end of the semester. Second came the sudden realization that there was no one, nowhere, who would provide guidance on these subjects. Whereas once we each competed in our high schools to be valedictorians, and just about every Harvard student graduated a valedictorian of their respective high school, we realized we were now to compete not with each other but with ourselves.
And so began the fight within me.
The symptoms of my borderline personality disorder had surfaced at a far earlier age. I was fourteen and young and isolated. I sat alone in the middle school cafeteria every day, feeling intensely ashamed of how unlikeable I must appear to others. Each day, as we filed into the cafeteria, I would feel a brief spark of hope that someone would ask me to sit at their table.
At night, I would run my hand across the pale smoothness of my underarm and trace the faint blue veins. I would hold a tiny metal cog with biting edges from a clock I had disassembled out of curiosity against my skin. Then I would pull it against my skin over and over in neat parallel lines. I had an affinity for neatness and aesthetics. I was an artist and a scientist. And in this case, I was making art of my skin, and unrelenting, brutal pain was my medium. I felt a calmness I would learn to seek over and over and in more forms than this one. The cutting continued. It became more extravagant while I made certain it remained hidden from anyone. It was the only friend I had.
But I was a straight- A student with awards in every academic subject and an all- star athlete. There was nothing wrong with me. How could there be? I was just being silly.
A year later, I became suicidal. I yearned for an escape. At night, during sweaty nightmares, I would restlessly push the covers off me and imagine the rest that would come from finally killing myself. The do- it, don't- do- it theme became my desktop wallpaper, again, for years and years to come.
In spectacular fashion, I pulled off graduating as our high school valedictorian with admittance to Harvard. Underneath, however, in the bottomless trough that no one bothered to notice because everyone was looking up in awe, ran the crisis of myself. I was suicidal, I was cutting several times a day, and I had begun alternating between extreme anorexia and bulimia. I was invisible to the world, it appeared. I was a commodity valued for my mind.
I drank night after night at Harvard without stopping. And each night I blacked out. This was not the usual college partying. It often ended in the emergency room with my blood alcohol content at its near limits. What I sought on those nights was a complete dissociation from my experience. I wanted to run farther from myself than I had run before.
And like every high achiever, I was going to do it, and do it better than anyone had ever done it before.
That was to include shoplifting.
In total, among books, malls, and stores, I was arrested four times, with four felony counts of theft. The short nights and hours I spent in jail waiting to be released on bail were sickening. The fluorescent lights swirled in my eyes, and I sat as far from the military wool blankets as I could. I hate wool. I find it intolerable as a material. After the fourth arrest, the judge reviewed my background and considered my case. In exchange for leniency, the judge requested that I be placed in full- time therapy. It was clear that I was unfit to return to Harvard. My parents were beyond appalled. Their little girl had entirely evaporated.
I initiated a formal leave of absence and, after evaluation by the university's health services, was recommended to visit a dialectical behavior therapy treatment center in the city.
I read the diagnosis of borderline personality disorder in the DSM- IV. I bit my lip. There I was. In black and white and Times New Roman.
Read the rest of this recovery story for free!
As one of the editors of this anthology, I think this story is one of many that readers will find inspirational in spite of the intense pain expressed by most of the authors. Courage and hope are but of two of the words that jump from the pages.
I look forward to reading thoughts and further ideas for awareness, countering stigma and bringing hope to those impacted by BPD from this blog.
Please know that people recover and build lives worth living!


What I do when I proofread is consider my client's audience and the message they are trying to get across.
For example, sometimes I proofread children's' books, so I try to keep the language simple and accessible. Sometimes, I proofread PhD theses, and I keep the register higher.
Kalau saya pergi makan kat kedai makan Kelantan, saya tidak cakap macam ini.
So let's not argue about register. Choose the style that is right for your audience.
Yusef Stuart is a professional American editor who offers a reliable, high-quality proofreading service.


text:
RNC Report – February 5, 2015
Written by Administrator on February 5, 2015
Report of a complaint of theft from a business in Murphy Square. Under investigation.
On February 4, 2015 at approximately 3:45 p.m. RNC Patrol Services responded to a three vehicle collision at the intersection of Confederation Drive and the Lewin Parkway. 2 of the 3 vehicles involved sustained extensive damages. A male occupant from one of the vehicles involved sustained minor injuries. Matter remains under investigation.
On February 4, 2015 at approximately 5:45 p.m. RNC Patrol Services responded to a disturbance in a home on West Valley Road. As a result of an investigation, a 16 year old male resident of Corner Brook was arrested and charged with Uttering Threats, Assault and Breach of Probation. He was held in custody at Deer Lake RCMP Youth Cells and will appear in Youth Court on February 5, 2015.
The City of Corner Brook was busy last night with their snow clearing operations in anticipation of the forecasted heavy snowfall. As a result 13 tickets were issued to cars parked on the street which impedes these operations. The public is reminded to remove their vehicles from the city streets during the overnight hours so as not to impede the snow removal operation. Vehicles will be ticketed if found in violation.
Changes Coming to Two O'Connell Drive Intersections
Corner Brook Municipal Election 2017 Candidates
(Located) MISSING PERSON – Devon Sheppard
STORM REPORT (FEB/3/15)


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Once manufacturing has started, it is usually 5 – 10 business days to manufacture, unless you have worked out a custom schedule with your design rep.


Strymon TimeLine Review – Best All-Around Delay Effects Pedal?
In a few short years Strymon have quickly risen to become one of the most highly-regarded boutique pedal builders in the business. Guitar pedals such as the El Capistan dTape Echo and BigSky Multi-Dimensional Reverberator that harness unparalleled DSP power to produce immaculate sounds while remaining easy and intuitive to use are part of a growing catalog of products that are each at the top of their class. And with a drive to go above and beyond the competition, the TimeLine is Strymon's bold attempt at creating what could be the be-all and end-all delay pedal.
Featuring 12 painstakingly crafted delay machines, 200 presets, and a routable 30 second looper, the TimeLine looks like a solid contender for the best all-around delay pedal right out of the box. And this pedal features complete MIDI implementation, allowing control of every conceivable parameter from a MIDI controller or sequencer program. I'm ready to plug in and play, so here's a full rundown of the features before we dive into our Strymon TimeLine review.
Visit Strymon for more info about the TimeLine.
Whether you want a delay pedal that you can just plug in and play or integrate into an impossibly complex guitar rig, the Strymon TimeLine offers a level of simplicity and incredible depth that few pedals can even come close to matching. This is one pedal that certainly lives up to the lofty hype surrounding it on every level. Perhaps what's most surprising about the TimeLIne is that it offers a range of sounds and uses for just about any guitar player, regardless of what kind of delay you're looking for.
There's a certain breed of guitarist that wants their delay pedals to be dead simple. Just give 'em 3 knobs and that's it. Maybe that will always be the case for some people, but there's an ease of use and gentle learning curve to the TimeLine that warrants a second look for even the most stubbornly traditional guitarist. Besides, let's face it, what really matters is tone, and the TimeLine has tone for days.
To get a feel for the TimeLine I started with the Digital machine, selecting it with the Type knob and turning the bottom row of 4 knobs (Filter, Grit, Speed, & Depth) counterclockwise. What's left? That's right, a 3-knob digital delay with the most essential controls for Time, Repeats, and Mix. The Digital machine is a prime example of the TimeLine's ultra-high sound quality, providing perfect replications of your playing and setting the stage for the machines to follow.
The TimeLine's dry delay tones sound great, but things start to get more interesting once you start sculpting your tone with the bottom row of knobs. The Filter control is the primary key to dialing in the tone of your delay sounds. In most of the delay machines the Filter knob darkens the tone as you turn it towards noon, reducing low-end and bringing back some highs past 2 o'clock for a wide range of tonal coloring. The Grit knob adds distortion and artifacts to your delays for a more saturated tone. If you don't want your delays all clean all the time, tweaking the Filter and dialing in some Grit will add some pleasantly "analog" character to your repeats across most of the delay machines. The other 2 knobs, Speed and Depth, comprise the Mod section, essential for adding movement and interest to your delay sounds. The Mod controls will certainly give your delays a greater sense of dimension, and great results can usually always be achieved with even just a subtle use of these parameters.
The dBucket and dTape machines have a few different knob functions compared to other delay machines and also bring up some points for comparison with Strymon's popular Brigadier dBucket Delay and El Capistan dTape Echo pedals.
The dBucket's Filter control provides a dry delay sound at noon and gets progressively darker or brighter depending on whether you turn it clockwise or counterclockwise, respectively. The dBucket's Grit knob functions as a Bucket Loss control, reducing the fidelity of the repeats and adding noise at higher levels. These machine specific parameters serve to create a more immersive and authentic analog delay experience. The TimeLine seems to trump the Brigadier with deeper modulation control (Depth & Speed instead of just Mod) and 5 notes divisions (versus the Brigadier's 3). But while the TimeLine's dBucket features 2 delay ranges, Single (40mS-400mS) and Double (80mS-800mS), the Brigadier offers 3 delay modes with delay times up to 5 seconds. Of course some of these longer delay times are less commonly used, and the TimeLine can still tap in delay times that exceed 800mS. I was able to consistently tap in delay times around 2 seconds with ease. The TimeLine seems like a solid substitute for the Brigadier if you'd like to cover what that pedal offers and a wealth of delay tones beyond.
The El Capistan has become immensely popular since its debut and is the go-to tape echo of choice for many professional guitarists. It's a Best Guitar Effects favorite, too. The TimeLine's 4 bottom knobs take on similar functions to 'ole El Cap, with the Filter, Grit, Speed, and Depth knobs controlling Tape Age, Tape Bias, Tape Crinkle, and Wow & Flutter, respectively. (For more about those functions check out our in-depth El Capistan Review.) The El Capistan's Multi Tape Head functions and dedicated Spring Reverb, however, are absent from the TimeLine. If you're obsessed with tape echo delay, those features could warrant you to have an El Capistan on your pedalboard along with a TimeLine. I, for one, am crossing my fingers that Strymon simply releases an update to add those features to the TimeLine's dTape machine. Then again, there's also the excellent Magneto algorithm from Strymon's BigSky that may satisfy your multi head tape echo cravings nicely.
The TimeLine offers way too much delay magic to cover here extensively. Do yourself a favor… Go to the Strymon TimeLine page and just listen to some of the audio samples available. Go on, I'll wait.
Back? Now wasn't that awesome? Listening to what the TimeLine can do does the pedal more justice than any review ever could. And once you play this pedal for yourself you'll likely join the many guitarists who have decreed this as the only delay pedal you may ever really need.
I've already briefly mentioned the Digital, dTape, and dBucket machines. There's also a brilliant Lo-Fi model that captures the vibe of some of those early digital delay pedals with an unprecedented level of additional control. Lowering the Sample Rate (750Hz to 96kHz range!) and Bit Depth (4 to 32 bit range!) produces especially gnarly results for some truly mangled delay tones. The Reverse machine is another solid addition, providing classic backwards guitar effects and unique atmospheric reversed delay effects.
The Dual and Pattern modes both excel at providing delays with even more rhythmic variation. Pattern features 16 different delay pattern sequences, offering plenty of inspiring options that'll have fellow guitarists wondering how you dialed in the timing of those repeats. The Dual machine provides twin delay lines that may be used in series or parallel for incredibly deep rhythmic delay programming. It's simple and intuitive to use, so even if you're unfamiliar with with logic behind using all those note divisions, you could just turn the second delay's Time parameter until you find a cool sounding syncopated delay pattern that you like. But wrapping your head around how the Dual machine works will certainly help you find the most immensely rewarding delay sounds.
Rounding out the delay machines available are the Ice, Trem, Filter, Duck, and Swell models. Duck is Strymon's take on a dynamic delay, letting delays fill only the spaces between your playing. Swell is the TimeLine's ultimate ambient delay machine, blurring the lines between delay and reverb. Ice offers crystalline shimmer or sub octave rumblings to your delays by chopping up your signal and shifting the pitch of the pieces to an interval you can set from -1 octave to +2 octaves. Trem adds synchronized tremolo to your delays for a range of pulsating delay effects, very cool for throbbing delay sounds. Filter provides synchronized filter effects that impart some very synth-like tones to your delays with extensive control over the Filter's parameters. The TimeLine's 12 diverse delay machines offer a range of world-class delay tones and incredible versatility that surpasses any other delay pedal I've played. It's not hype. The TimeLine is simply that good.
While the TimeLine is remarkably easy to use and can function perfectly well in the traditional sense of just slapping it down on your pedalboard and operating it via the 3 comfortably spaced footswitches and perhaps an expression pedal, a whole new world of possibilities opens up to those who seek to integrate this pedal into a MIDI setup. Using a MIDI pedal switcher/router with the TimeLine lets you change presets and activate/bypass the pedal with program changes and continuous controller messages, respectively. Strymon even went the extra mile and added complete MIDI implementation across all of the TimeLine's parameters. I've been controlling the pedal completely hands/feet free with Ableton Live by sending MIDI messages from the DAW to the pedal. This allows possibilities of having very complex delay effects occuring in realtime, completely synchronized to your band's click tracks or backing tracks. The TimeLine is at the forefront of MIDI effect implementation. It even allows complete MIDI control of all the dedicated Looper's functions.
The TimeLine's Looper is fully featured and can have its various functions triggered via MIDI from external foot controllers for an even more fleshed-out looping experience. You can route the Looper before or after the delay, and you can still operate the delay functions in realtime while using the Looper. It should probably go without saying at this point, but the Looper's sound quality is, of course, top notch.
There are a couple more features I want to emphasize before wrapping up. The expression pedal control adds excellent realtime performance control and can be assigned to multiple knob functions per preset. Also, if case you're running the TimeLine in mono, you can use the extra audio in and out as a send and return for coloring your delays with any of your other effects pedals, a nice bonus for further shaping out of this world delay tones.
The TimeLine is a monster and one of the best delay pedals around. Let's see the final result.
The Strymon TimeLine is the best all-around delay effects pedal I've had the pleasure of playing. With sounds ranging from luscious tape echo and warm analog delay to pristine digital delay and otherworldly rhythmic ambience, all of the TimeLine's delay machines are beautiful to behold. And with such gorgeous sounds on tap that are also so deeply tweakable the TimeLine has thrown down the gauntlet in terms of delay sound design in a compact pedal. The Looper is brilliant and trumps many standalone looping pedals. Unrivaled MIDI implementation will allow you to integrate this pedal into any futuristic, tech-heavy rig. If I could only own one delay pedal, the Strymon TimeLine would be my first choice without hesitation.
That concludes our Strymon TimeLine review. Thanks for reading.
Want to buy the Strymon TimeLine?
my wallet is empty… & now this!.
I just bought the 'El Capistan' on your recommendation & was blown away by it….
Time to start saving up again..
The best delay ever made… I have it for 2 years, and it's always the same pleasure to hear it, to find anoter sounds….
I Love Delays. This would be my everyday delay.
It's about time I get one of these….
the timeline is the best purchase for guitar I believe I ever made. great write up!
The Timeline is like a big sky made of mobius tridimensional space.
Yup, I would love to own every ai gle Strymon pedal, but yup, The TIMELINE is just a result of endless research and desication… Nobody can touch strymon when it comes to delay and reverberation.
I play my rock and blues through the Stryman TimeLine effects pedal box and found the resulting scorching enhanchments to take it up to the heavenly level that I am trying to achieve.
No doubt this is a keeper and look forward to enjoying it to the max during my gigs !!!
Simply the best delay pedal on the market for me.
I love that it actuall sounds analog-ish on the analog settings, coming from such a digital pedal.
bought this pedal 4 month ago. It´s great.
Love the Strymon! Thanks for the review.


Got it for $4, on sale. It comes with four nose pieces and a selection of rivets of aluminum various sizes. It works really well. I used it to put a hasp on my refrigerator out in the garage to keep the kids out of my beer. :) I also used it to rivet in a gate latch on my minivan when I was replacing a lock cylinder. It worked fine.


Bee, in real life!: Mind Right Monday!!
"When playing the hand you were dealt, sometimes the best cards you have are the ones you haven't played yet...."
It's not necessary to broadcast everything you got going on to the world. Keep some things you have going on to yourself, it helps you to better achieve them!


While the Population Health Blog continues to delight in the emerging science of "mHealth" as a newly minted start-up Chief Medical Officer, it ran across this interesting article on risk and patient safety.
Authors Thomas Lewis and Jeremy Wyatt worry that "apps" can lead to patient harm.
They posit that the likelihood of harm is mainly a function of 1) the nature of the mistake itself (miscalculating a body mass index is far less problematic than miscalculating a drug dose) and 2) its severity (overdosing on a cupcake versus a narcotic). When you include other "inherent and external variables," including the display, the user interface, network issues, information storage, informational complexity and the number of patients using it, the risks can grow from a simple case of developer embarrassment to catastrophic patient loss of life.
In response, they propose that app developers think about this "two dimensional app space" that relies on a risk assessment coupled to a staggered regulation model. That regulation can range from simple clinical self assessment to a more complex and formal approval process.
What's clear to the PHB is that hidebound mainframe entities like the Food and Drug Administration are no match for the app "ecosystem". Rather than try to formulate a one-size-fits-all "not function as intended" model like this, maybe it should triage its oversight using the Lewis and Wyatt framework.
In addition, the PHB agrees with Lewis and Wyatt that safety is also a function of clinician input. Docs and nurses can assess possible mistakes, their downside severity and the impact of all those variables.
".... many app developers have little or no formal medical training and do not involve clinicians in the development process and may therefore be unaware of patient safety issues raised by inappropriate app content or functioning."
Without the insights of seasoned real-world doctors and nurses, apps could end up with the same safety issues that are plaguing electronic health records, many of which were also developed with little regard to physician or nurse input.
In other words, just because it's a "health" app doesn't mean its necessarily so.
Don't forget that PATIENTS must also be involved in mhealth development as well.
Most of the apps that this e-patient has seen/tried/used only nibble around the edge of being useful, or empowering, for capturing and parsing data into metrics that are of meaningful use to ME. And my clinical team can't even see my mhealth data, since I can't upload it to my PHI in their EHRs.


I don't have words for this.
life is complicated...sad...beautiful all at once. I'm so sorry for your loss and happy for your joy.
Wow, this is very well written. My sister and sister-in-law both faced the same thing more than once, and I think you express the emotion of it very well.
THinking and praying for you today.
This is poignant and beautiful. Thank you for sharing your story.
*hugs* as always, your writing is beautiful even when sorrowful.
I think this is one of the most honest literary approaches to the topic I've seen. Thank you so much for that.
Thank you so much for sharing this. I do not have birth children. But in some way, this expresses feelings I have about the sons we adopted. They each experienced unspeakable devastation and trauma as young boys and I have that same twist in my stomach when I think about it. No child deserves that kind of treatment...and yet... here they are. The loves of my life. Were it not for their sufferings, would my life have such joy?


text:
package java.net;
public class SocketException extends java.io.IOException {
	public SocketException() { }
	public SocketException(java.lang.String var0) { }
}


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text:
AU empowers women to lead the way in conflict resolution in Africa
GrowthLeadership
AU students celebrating the International Women's Day, boldy dressed in African attire
Africa University held a Women in Negotiation and Mediation Workshop at the university main campus from the 8th to the 9th of March 2018. The workshop was organized by the university's Institute of Peace Leadership and Governance in partnership with the African Peace Building Network (APN). The theme of the workshop was Accelerating Women's Participation in Peace building through UNSCR 2122.
The United Nations Security Council Resolution 2122 adopted in 2013 puts stronger measures in place for women to participate in all phases of conflict prevention, resolution and recovery, placing the onus of providing them with seats at the peace table on UN Member States, regional organizations and the United Nations itself. This resolution came from a realization that Women must be involved at every stage of efforts to reassert the rule of law and rebuild society through transitional justice (UN Women 2013).
In attendance were women and men from Zambia, the Democratic Republic of Congo, Burundi, Mozambique, Rwanda and Zimbabwe. Vice Chancellor Professor Munashe Furusa in his opening remarks read on his behalf by the Interim Deputy Vice Chancellor Professor Pamela Machakanja said,
"The objective of this workshop is to bring together women and men from the business, government, church, civic society and nongovernmental sectors together to generate cross- sectional dialogue on this most important issue of bringing sustainable peace to some of the continent."
Prof. Machakanja giving her keynote address
He took the opportunity to highlight the significance and symbolism of the landmark workshop coinciding with International Women's Day saying,
"It is of paramount importance that we recognize and acknowledge the indispensable role played by the women in our society in peace keeping and mediation. Too often women's efforts are ignored and they are excluded from formal peace negotiations that are predominantly dominated by men, but it is usually women who are the agitators for the necessity of peace."
Prof. Furusa went on to celebrate the diversity of the delegates in attendance saying,
"Diversity is one of our key values as Africa University and this enriches our experiences and lives through creating linkages that are both beneficial and reinforce the spirit of Ubuntu and Pan- Africanism."
Topics tabled for discussion included the role of the church in negotiation and mediation efforts, traditional approaches to conflict resolution and an overall analysis and recognition of the great strides and contributions that women have and continue to make towards achieving lasting peace in Africa.
Launched in March 2012, the African Peace building Network (APN) supports independent African research on conflict-affected countries and neighboring regions of the continent as well as the integration of African knowledge into global policy communities. The APN promotes the visibility of African peace building knowledge among global and regional centers of scholarly analysis and practical action and makes it accessible to key policymakers at the United Nations and other multilateral, regional, and national policymaking institutions (www.ssrc.org).
Story by Jeanette Dadzie
Editor- Tsitsi Kanonge


text:
Subscribe To Spider-Man: Into The Spider-Verse's Honest Trailer Delves Into Multiverse Shenanigans Updates
Spider-Man: Into The Spider-Verse's Honest Trailer Delves Into Multiverse Shenanigans
Adam Holmes
It's becoming increasingly harder nowadays for superhero movies to distinguish themselves as unique offerings, but Spider-Man: Into the Spider-Verse had no issues doing that last year. From its clever story to its cool animation style, Into the Spider-Verse cemented itself as one of the most critically-acclaimed movies of 2018 and collected numerous accolades, including a Golden Globe and Academy Award. Now that the movie has arrived on home media, the Honest Trailers folks have targeted it next and had some multiversal fun in the process.
Those familiar with the Honest Trailers videos from Screen Junkies will recognize the baritone voice of their regular narrator, the Epic Voice Guy, kicking things off on the Spider-Man: Into the Spider-Verse trailer. However, because this movie has been so well-received and there's not as much to nitpick about it, he decides to push some random buttons in his recording booth to pass the time, which leads to Honest Trailers narrators from other dimensions to join him.: Epic Geek Girl, Epic Dungeon Master, Epic Telenovela Woman and Australian Voice Guy. This video could be alternatively called Honest Trailers: Into the Voice-Verse.
As pointed out by the narrators, while the premise Spider-Man: Into the Spider-Verse might not have sounded like great when it was first announced, it turned out to be an enjoyable story, from watching Miles Morales' having to learn the ropes of being a superhero in addition to dealing with all his personal life issues, to seeing him interact with so many colorful allies and enemies. It's a wonder that Into the Spider-Verse managed to effectively balance so much material, but the end result was not just it being a critical and commercial success, but also kicking off a new franchise. Though I think we can all agree that these movies should steer clear of adapting "The Clone Saga." That convoluted storyline that doesn't need the big screen treatment.
As of right now, two Spider-Man: Into the Spider-Verse follow-ups are officially on the docket: a sequel which will explore Miles Morales' and Gwen Stacy's romantic relationship, and a spinoff which will see Spider-Gwen teaming up with other female Spider-heroes, like Jessica, Drew, a.k.a. the original Spider-Woman, and Cindy Moon, a.k.a. Silk. However, that's just the tip of the proverbial iceberg, as Sony already has seven-eight years worth of plans for this Spider-franchise, which includes jumping to television. Whether or not this Honest Trailers quintet will reunite to comment on these future projects remains to be seen.
You can watch Spider-Man: Into the Spider-Verse on Blu-ray, DVD and Digital HD now. Stay tuned to CinemaBlend for more updates on this franchise, and don't forget to look through our 2019 release schedule to plan your trips to the theater this year accordingly.
Spider-Man: Into the Spider-Verse Talk with Jake Johnson and Shameik Moore
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Will Spider-Man: Into The Spider-Verse Ever Connect To Tom Holland's Marvel Timeline?


Note: the return loss, mismatch loss and VSWR still don't calculate properly in some cases, and the terminology I've used is somewhat confusing (I know) -- please excuse these quirks. I'm working on them every once in a long while as I have time. The impedance calculations are accurate as far as I know.
Also, please note that it seems that all units (even though they are not always displayed in the dialogs or on screen) for frequency are MHz. Thank you to Eadaoin Carthy for pointing this out.
6/16/2007: Olli found a bug in the calculation of mismatch loss and VSWR in complex source (?) cases. Please give this a try. This should be 100% file compatible with 0.805.
Please let me know if you have problems installing this with the setup.exe included in the zipfile. I have had a lot of trouble getting this to work right on my PC's at home, but it has now been tested on several machines running win2k (2) , XP (3), and vista(1)... and seems to work. This file is much bigger as it includes the visual C++ 2005 runtime libraries/prerequisites.... that seemed to be the closest to "foolproof" as I could come. Some early attempts would install fine, but would throw up errors when you tried to run them. Thank you for your feedback as always.
5/31/2007 Note: ML (mismatch loss) is only calculated based on reflection coefficient, it is not equal to insertion loss for lossy networks. This was brought up by a user and is worth clarifying (thanks to Olli-Pekka Lundén from Tampere University of Technology (TUT)). This has always worked this way -- nothing new, but again... worth clarifying. I do not report "loss" or "insertion loss" in the program.
Thanks to Peter White (www.radio-labs.com) and Paul Ruhland for providing some Windows/Visual C++ tips that were very helpful. Also -- some good stuff was found at www.codeguru.com that helped at different times.
Extreme impedances (really extreme) will cause the plotting routines to blow chunks. Hopefully this doesn't annoy anyone too much.
Really small windows (manually sized) -- not sure if this is still a problem or not. (you will break it if you make the window so small it is useless).


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State seeks funds to beef up regulation
WASHINGTON-Connecticut's Insurance Department was portrayed as something of a toothless tiger in a recent report that said regulators approved nearly every premium increase sought by health insurers in recent years.
State Insurance Commissioner Thomas Sullivan vigorously defended his agency's work, but he's also hoping the new federal health care reform bill will enhance his power to conduct more far-reaching probes into insurance company requests for rate hikes.
The state Insurance Department has applied for a $1 million federal grant, made available under the new reform law, to strengthen Connecticut's insurance rate review process. The grant is part of a new $250 million federal effort to give state regulators more resources to rein in spiraling insurance premium costs.
Officials at the department of Health and Human Services (HHS) have said the grants, which could be announced as early as next week, will bring new public scrutiny to insurance company practices and will enhance sometimes spotty oversight of this critical part of the health care industry.
Without question, the grant would dramatically increase the resources available to state officials for rate review. Dawn McDaniel, a spokeswoman for the Insurance Department, said the agency's current budget for insurance premium rate reviews is $163,000. So an extra $1 million would be a true windfall.
McDaniel said the commissioner has proposed to use the funds to develop an online application for rate filings, so the public has easier access to those documents and could comment on proposed increases, and to purchase new modeling tools that will help analysts better assess data submitted by insurance companies, among other steps.
"Right now, our systems are very outdated," McDaniel said. She said that while insurance companies can file documents electronically, the public cannot access those items online. They have to go to the department's office to review filings or ask for paper copies to be mailed to them.
In addition, the Insurance Department would hire some temporary staff to work on rate reviews, including a new actuary, an attorney, and an information technology specialist.
But just how much more aggressive the agency would become is still unclear.
The issue of rate increases became a political hot topic starting last summer, after Anthem Blue Cross sought a rate increase of as much as 32 percent for insurance plans in the individual market. A subsequent legislative analysis found that the state's five largest insurance companies won almost every premium rate increase they asked for over a four-year stretch.
Against that backdrop, state lawmakers introduced legislation that would have mandated public hearings for proposed premium increases and required insurance companies to make their justifications for such hikes available to the public. In the face of opposition from Sullivan and the insurance industry, the legislation stalled.
Sullivan noted that he did not approve Anthem's request, instead granting an increase of as much as 20 percent after negotiations with the company. He said that outcome–based on good analysis of actuarial date–showed that the system worked.
But others said the state had no ability to look at questions of affordability or other considerations.
"There were some shortcomings to the process," said state Rep. Steve Fontana, D-North Haven, co-chair of the Insurance and Real Estate Committee that held a hearing earlier this year on the state legislation. He said that while state officials seemed to have the capacity to analyze how much an insurer spends on patient care, they are less able to examine how much goes to overhead, profits, and other items.
"That's so much of what angers consumers, is when they hear about massive profits, marketing costs, or inflated executive compensation," Fontana said. He said he's hopeful that, if Connecticut snags the federal grant, officials will be better positioned to conduct more thorough reviews. He specifically said he thought the department's focus on improving its IT capability was a good step forward.
"If you don't have the right data, it's hard to get answers to the right questions," he said. This grant could give Sullivan "the tools he needs" to take a more forceful approach.


Gaming business is the most rewarding small business of the current society www.behoopin.com. A person might easily make a bunch of money by carrying out gaming business. The one and only person who profit in a betting enterprise may be the owner because players that attempt their luck in wagering lose more cash, though earning continually. The explanation for this is the investment of cash on the quantity of stakes these people try to win the overall game. Wagering enterprise has become an alternative solution for most people and a lot of casinos are actually starting in resorts, restaurants, cruises and so on.
With the rise of online gambling sites this business is becoming popular and around 2300 on-line gaming sites are running over the internet around the world. A person not just makes fast cash in wagering enterprise but also significantly involves into the enterprise before he can imagine and becomes famous on the internet. Bingo is among the types of on-line wagering business which has satisfied many players and grew to be famous in a short period in each and every corner of the planet.
To start a new wagering enterprise on the internet you ought to decide with regards to the sort of betting business, that is whether to run an online poker, online casino or perhaps a sports gambling portal.
Deciding the location to begin the business as in several regions betting enterprise can be a legal matter and it is nevertheless ruled by the law's rules and regulations. So the betting business must be authorized by the governing administration though it's on-line or even offline. There are several nations in which online gaming is actually encouraged by the government.
Those who want to begin on-line gambling should get wagering software along with other items required for starting a gambling business online, it is vital that they buy the required items initially. An online software program service provider should licence the proprietor so that the proprietor can potentially obtain apparatus as well as software program when essential in the process of the enterprise.
At long last kick off the Portal. Launching is very important and is the last step in this specific series.
In case gaming business is legal then it requires efforts and good management expertise to run a worthwhile enterprise. The growing amount of gambling business itself demonstrates the achievement of this business. Due to the online gambling one can play the game right from his desired place and may setup a gaming account without any problems. This can make increasing numbers of people to get involved in the online casino games.
A report demonstrates that the growth rate of any traditional wagering enterprise is 2. 2% yearly and that of any kind of online gambling websites is over 10%. The online poker is exhibiting a 16%, on-line casino industry 15% and sports gambling 11% yearly expansion rate. This shows that in this particular economic downturn period only the gaming sector has shown its resistance in the market.


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HomeNewsMunicipal government acquires Martin Browne School
Municipal government acquires Martin Browne School
By James Wood
Wednesday, Jul. 27th, 2016
The front of Martin Browne School. Photo by James Wood/106.1 The Goat/Vista Radio
A historic school building in the Border City has changed hands.
On Monday, Lloydminster city council voted in favour of a deal with the Lloydminster Public School Division (LPSD), which saw the City swapping an industrial lot with the school division for the land package on which Martin Browne sits.
The item was brought forward by Councillor Larry Sauer, who spoke in favour of the acquisition. The proposal was passed without opposition following discussion on the topic.
Speaking to the press after the meeting, Sauer said City ownership of the land could help improve access to the area, which is adjacent to the Archie Miller Arena and the Lloydminster Outdoor Pool.
"We have a lack of parking space and access is a big problem there," said Sauer.
"It definitely will help us with that, because we utilize a back lane that has been going by residents' property for years, and that's unfair to those property owners."
Sauer also said City ownership of the land could also aid in preserving green space.
"We need green space," said Sauer.
"In that particular area, that is the only one that I know in that vicinity that is a good proper green space that allows kids to play, families to go to, and with that there is enough green space there, from what I said previously, that you can also use to do other recreational things."
The exact plan for what the City will be doing with the land is not yet known, but Sauer did present the idea of putting a road through the property to connect both sides.
"We need some better access, some better access on the north of the pool and the north side of the Archie Miller," said Sauer.
"Right now it doesn't go through, and if we could have it go right through to 56 Street (Avenue), that would then allow buses to go in and go around. That would be very beneficial."
The value of the two parcels of land exchanged were equal, with the 3.94 acre parcel of Martin Browne valued at $1.6 million. The lot given to LPSD is 6.92 acres, and sits in an industrial lot on the Saskatchewan side of the city.


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KCOM offices to be transformed into 2017 volunteer base
Hull 2017 would be nothing without its volunteers. Since Hull became UK City of Culture, this army of culture vultures have been the face of Hull.
Since fireworks rang out across the Humber on 1 January, signalling the start of 12 months of artistic endeavour, this army of "scandalous blue" uniform wearing culture vultures have been the face of Hull.
Their smiles have been the first thing to welcome visitors arriving by train at the city's Paragon Interchange. Their infectious enthusiasm has helped tourists find their bearings, ushered art lovers around the city's many museums, offered crash courses in art appreciation at the Ferens and provided the backbone that has allowed Hull to enjoy its cultural renaissance.
In June, a new batch of almost 500 volunteers were freshly minted to see the City of Culture home in its final six months.
An entire floor of KCOM's Prospect Street offices was turned over to the 2017 team as they transformed it into a volunteer selection centre.
This fourth and final wave have now joined the 2,000 volunteers who are already out and about, bearing the torch for the city.
For Colin Renshaw, 2017's volunteer programme officer who saw the first three waves of recruits through the selection process, the energy and dedication on show has been remarkable.
"It's been a pleasure to be part of," says Colin who previously organised volunteers for both the London 2012 Olympics and Commonwealth Games.
"Hull has taken a lot of flak down the years, but to be actually living in the city and seeing just how proud its residents are of it - and how they transmit that pride to the visitors – has been incredible.
"Our volunteers' pride and passion have taken us to that extra level. I've worked with volunteers for 16 years on some big events and usually you train them, turn them out and it's a short, sharp shock, lots of excitement, and the event's over.
"But with City of Culture it's been really rewarding being able to work with our volunteers for a whole 12 months, seeing them get so involved in the programme and also upskilling too, doing things they've never done before."
KCOM's offices were transformed into a selection hub for a week while the latest volunteers are put through their paces, given the lowdown on the next two City of Culture seasons and sized up for uniforms.
It's the latest event KCOM, which is a Principal Partner for City of Culture, has collaborated with the 2017 team on after providing Dedicated Internet Access (DIA) for BBC Radio 1's Big Weekend so the world could watch the stars perform live at Burton Constable Hall. KCOM has also provided ultrafast broadband connectivity to the new Humber Street Gallery and the epic outdoor Flood spectacular on Victoria Dock.
And as the partner that can boast the most City of Culture volunteers as part of its workforce, it's an endeavour close to many of the KCOM team's hearts.
Cathy Phillips, KCOM's chief marketing officer, said: "We're delighted to be supporting the City of Culture again by providing a base to select the next wave of 2017 volunteers.
"Our team has being hugely inspired by City of Culture and, with a large number of KCOM colleagues volunteering to take part in 2017, the feedback so far has been incredible.
"Such a massive programme of events, concerts and exhibitions couldn't happen without the thousands of dedicated volunteers involved and KCOM would like to join the rest of the City of Culture team in thanking them for making it such a fantastic year for Hull."
As well as informing recruits in the "nuts and bolts" of volunteering such as health and safety and engaging with visitors, learning other - more abstract - skills has also been part of the training process.
"It's essential that they feel comfortable talking about things like art," says Colin. "Being able to have a discussion with a visitor about something like the Blade in Queen Victoria Square is really important. Is it art? Is it engineering? It's up to you to decide.
"It's been a huge bonus for us working with KCOM because they've been so easy to deal with. They've been so positive and so easy to get a yes" from - 'You want to do that? Yes, let's make it happen.' – that it's taken a lot of the stress out of it."
KCOM volunteers throw themselves into City of Culture celebrations
We may only be halfway through Hull's reign as the UK's City of Culture – but Sara is beginning to wonder how she will replace the buzz of being a 2017 volunteer.
2017 Volunteers put in the picture by new show
They have been the glue that has held Hull's year as the UK City of Culture together – and now the 2017 volunteers are to take their turn in the spotlight.
Hull - UK City of Culture 2017
As Principal Partner we shone a spotlight on the awe-inspiring experiences the year brought.
Also in Culture
What's on in February
What's on in January
An interview with the writer of The Ugly Duckling
Christmas shows the whole family to enjoy


This course is really nice and fun to play on. It is beautiful with nice greens and pretty cheap to play 9 holes and perfect place to grab a bite to eat after a nice round of golf!
Posted by Zach on 03/27/2014 - This review has been viewed 2,563 times.


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Q: Unity - Can't set audio clip in C# EDIT!
I got it working by moving the source.play up into a function in update and now I'm calling it with a boolean.
I'm at the moment coding a VR drum set in Unity and I need Unity to play a sound when it recieves an OSC message from the input device. All the OSC I've got working, but when I want to play the sounds it just stops completely.
I have 2 audioclips that I want to change between and I've tried with 2 audiosources and 1 audiosource with several audioclips but both without luck.
I have a debug running and it runs the start of the command but then stops before getting to the debug.log print.
 if ((int)oscVal == 3)
        {
            lastTime2 = currentTime;
            DC.isActive2 = true; //It runs to this part here and then stops
            source2.Play(); //This line doesn't seem to run
            Debug.Log("Activated Drum2"); //This line doesn't run either
        }

I want the command to run and play the sound and keep on running.
It doesn't do it and just stops midways through the command.

A: First You need to Define AudioSource Variable and assign the Audio Clip to it threw the Editor and you can use this code for this
public AudioSource audioSource;
public AudioClip clip;

public void PlayMusic( bool isLoopSound)
  {
       audioSource.clip =clip;
       if (isLoopSound) {
            audioSource.loop = true;
        }
        else {
            audioSource.loop = false;
        }
   }

Second if you want to play music from a file path
 public AudioSource audioSource;

 public IEnumerator PlayMusicFromPath(string filePath, bool isLoopSound)
    {
        if (File.Exists(filePath)) {
            using (WWW www = new WWW("file://" + filePath)) {
                yield return www;
                if(www != null) {
                    audioSource.clip = www.GetAudioClip();
                    if (isLoopSound) {
                        audioSource.loop = true;
                    }
                    else {
                        audioSource.loop = false;
                    }
                    audioSource.Play();
                    yield return null;
                }
                else {
                    Debug.Log("WWWW is null");
                    yield return null;
                }
            }
        }
        else
        {
            yield return null;
        }
    }


Keyless Entry Remote for 2008 Subaru Forester - Used. Do it yourself programming instructions are free and included with the purchase of a remote. You will be able to program this 2008 Subaru Forester key fobat your location using our free DIY programming instructions. Price above is quoted for one replacement keyless entry remote. This remote will only operate on vehicles already equipped with a factory keyless entry system. If you are not sure about that please contact us via email or your local dealer parts department to find out based on the VIN# of your 2008 Subaru Forester. All remotes include a battery, are tested before shipped and are covered with 90 days 100% satisfaction guarantee and warranty Quoted above is an average dealer price including programming of this remote.


Here at APX ("Apex") Technologies, we strive in making sure that technology-driven headaches become a thing of the past. We're not here to just do our work and leave; we are going to explain what's happening every step of the way so that everyone we help will become more technically savvy after every visit.
Getting support from APX Technologies is first class service throughout every stage: scheduling, diagnosis, resolution and prospective communication. We look forward to making your technology issues disappear and preventing future problems from occurring!


text:
var extend = function(child, parent) { for (var key in parent) { if (hasProp.call(parent, key)) child[key] = parent[key]; } function ctor() { this.constructor = child; } ctor.prototype = parent.prototype; child.prototype = new ctor(); child.__super__ = parent.prototype; return child; },
  hasProp = {}.hasOwnProperty;

define(['swiper', 'views/base/collection-view', 'views/carousel/carousel-item-list-view', 'text!templates/carousel/carousel-list-view.hbs'], function(Swiper, BaseCollectionView, CarouselItemListView, template) {
  'use strict';
  var CarouselCollectionView;
  return CarouselCollectionView = (function(superClass) {
    extend(CarouselCollectionView, superClass);

    function CarouselCollectionView() {
      return CarouselCollectionView.__super__.constructor.apply(this, arguments);
    }

    CarouselCollectionView.prototype.initialize = function() {
      return CarouselCollectionView.__super__.initialize.apply(this, arguments);
    };

    CarouselCollectionView.prototype.tagName = 'div';

    CarouselCollectionView.prototype.className = 'swiper-container';

    CarouselCollectionView.prototype.id = 'swiper-container';

    CarouselCollectionView.prototype.listSelector = '#swiper-wrapper';

    CarouselCollectionView.prototype.autoRender = true;

    CarouselCollectionView.prototype.renderItems = true;

    CarouselCollectionView.prototype.itemView = CarouselItemListView;

    CarouselCollectionView.prototype.template = template;

    template = null;

    /*
    addProfile: (profile) ->
      @collection.add(profile)
     */

    return CarouselCollectionView;

  })(BaseCollectionView);
});

//# sourceMappingURL=../../maps/views/carousel/carousel-collection-view.js.map


Open all year 'round! Celebrate that special occasion at the Mt. Pleasant Ice Arena.
The arena is dedicated to promoting lifetime recreation through participation in ice sports. The rink is full-sized measuring 200-by-85 feet and offers public skating sessions, ice hockey, sled hockey and skating lessons. There are also a variety of seasonal special events and activities offered during the holidays. This facility is the perfect venue for private parties and group rentals.
Visit the Ice Arena's website for more details.


This key issues brief provides some key statistics on the number people receiving the Disability Support Pension, as well as the proportion in receipt of the payment because their primary medical condition is psychosocial disability. It also provides information about some common barriers to employment and social participation that people with lived experience of severe mental illness and psychosocial disability face.
It outlines the process of applying for the Disability Support Pension and seeks to challenge the notion that doing so is a straightforward process. The brief then examines some of the financial challenges faced by people with lived experience of mental illness and psychosocial disability in an effort to convey the message that it is not easy to make ends meet if you're sick and wholly reliant upon income support payments, in particular the Newstart Allowance which is $128 per week lower than the Disability Support Pension.
Finally, it concludes by providing some brief commentary about the likely impact of the 3 budget measures on recipients of the DSP with psychosocial disability.


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Q: Sorting QTableWidget Items Numerically Using QTableWidget within PyQt4 when sorting is enabled, the items are sorted as strings.
variable = [1,2,3,4,5,11,22,33]
produces order
1
11
2
22
3
33
4
5
I am currently using the code below to fill the table
tableWidgetData.setItem(0, 0, QtGui.QTableWidgetItem(variable))

I have tried as I thought the variables are only sorted as string because they are strings
tableWidgetData.setItem(0, 0, QtGui.QTableWidgetItem(int(variable)))

But this wasn't possible. Where am I going wrong here?

A: If anything pass variable in QtGui.QTableWidgetItem constructor, I must be QtCore.QString ot python sring only.
To fix it, Create your custom QtGui.QTableWidgetItem and implement check case less than (or we know in python is object.__lt__(self, other)) by overidebool QTableWidgetItem.__lt__ (self, QTableWidgetItem other).
Example;
import sys
import random
from PyQt4 import QtCore, QtGui

class QCustomTableWidgetItem (QtGui.QTableWidgetItem):
    def __init__ (self, value):
        super(QCustomTableWidgetItem, self).__init__(QtCore.QString('%s' % value))

    def __lt__ (self, other):
        if (isinstance(other, QCustomTableWidgetItem)):
            selfDataValue  = float(self.data(QtCore.Qt.EditRole).toString())
            otherDataValue = float(other.data(QtCore.Qt.EditRole).toString())
            return selfDataValue < otherDataValue
        else:
            return QtGui.QTableWidgetItem.__lt__(self, other)

class QCustomTableWidget (QtGui.QTableWidget):
    def __init__ (self, parent = None):
        super(QCustomTableWidget, self).__init__(parent)
        self.setColumnCount(2)
        self.setRowCount(5)
        for row in range(self.rowCount()):
            self.setItem(row, 0, QCustomTableWidgetItem(random.random() * 1e4))
            self.setItem(row, 1, QtGui.QTableWidgetItem(QtCore.QString(65 + row)))
        self.setSortingEnabled(True)

myQApplication = QtGui.QApplication([])
myQCustomTableWidget = QCustomTableWidget()
myQCustomTableWidget.show()
sys.exit(myQApplication.exec_())