Bathtub and shower tile and grout can get notoriously dirty. Then again, dirty isn't even the right word, since mere dirt is preferable to the slimy, moldy debris or the bulletproof soap scum that accumulates on tile if it goes too long between cleanings.
If you have ever power washed your driveway or walkway, you may have looked over at the house and wondered whether you can transfer operations indoors to the bathroom: Is it possible to use the same massive water power that you use to blast away moss, dirt, and oil from the driveway on indoor bathroom wall tile? The answer is yes. You can harness your pressure washer's intense water jet and apply it to indoor tile, and it can clean better than steam cleaning. But the trick to preventing a mess—and potential tile damage—is to do it right.
While cleaning bath or shower tile with a pressure washer is quick and effective, if you are envisioning a total replacement for traditional hand-scrubbing, one that you can do on a weekly basis, your fantasies will fall short of reality. Power washing your indoor wall tile should be an infrequent activity. Depending on the health of your tile grout, the grout may or may not suffer. Also, setting up and taking down the cleaning operations can be burdensome.
Most importantly, do not spray any areas where there are gaps in the grout or caulk joints. Pressurized water can easily force its way into tiny crevices and get to the wall materials behind the tile. Use this method only if all of your tile, grout, and caulk joints are perfectly intact.
If you have moisture-intolerant flooring, such as engineered wood, solid hardwood, or laminate, you may not want to do this project because the floor might get wet. Also note that this is suitable for indoor wall tile, not floor tile. Finally, be cautious with refinished, or re-glazed, tile and tubs, as the finish paint may chip away.
Power washing your indoor tile is heavy on setup and tear-down procedures. Overspray is an inevitable byproduct, but you can take precautions against this. Plastic sheeting on the floor and ceiling can help keep the space drier, but it will never remain completely dry. In this regard, it helps to have bathroom flooring that holds up well against moisture: ceramic or porcelain tile, natural stone, vinyl plank, or sheet vinyl.
One way to limit overspray is to run a wall of plastic sheeting in front of the tub or shower, holding it to the ceiling with Zipwall poles or tape. Tuck the bottom of the plastic into the tub, so that water will drain back into the tub.
You can also lay plastic sheeting on the floor and extend it 12 inches up the wall to protect the lower section of the walls and prevent water from getting under the baseboards. It's also a good idea to have plenty of large beach or bath towels nearby to mop up water.
Place the power washer outdoors, as close as possible to a bathroom window that gives you access to the bath or shower. Connect a garden hose to the pressure washer. Feed the pressure washer hose and nozzle through the window and into the bathroom. Plug in the pressure washer to the nearest GFCI outlet.
Warning: Never run a gas-powered pressure washer indoors. Gas engines emit deadly carbon monoxide gas and must be fully ventilated at all times when running.
Attach a fan tip to the pressure washer spray nozzle. Do not use a pinpoint tip, which can easily damage the grout. Set the spray pressure at a low setting. If necessary, you can inch up the pressure if the initial setting is too low, but use only as much pressure as needed to clean the tile.
Begin by spraying at the top of the tile, working in horizontal runs. After you finish a complete run, move down about 6 inches and do another run. By starting at the top, you ensure that debris keeps moving downward, away from cleaned areas. To minimize overspray, keep the spray at a 45-degree angle and always point down or sideways. You want as much water as possible to drain back into the tub and down the drain.
The bottom edge of tile, where the tile meets the tub or shower floor, is filled sealed with caulk rather than grout (at least it should be). As you work your way down to this caulk joint, stop spraying a few inches above the caulk to prevent damaging it.
Turn off the pressure washer, and feed the hose back outside. Clean the tub or shower with a sponge to remove the debris and residue that collected on the tub deck, soap dishes, and other horizontal surfaces, due to the pressure washing. Dry the bathroom floor with a mop or clean rags, as needed.


Okay, here's the score, I'm a big big fan of Gil Scott-Heron and I'm missing four of his albums with Brian Jackson (Real Eyes, 1980, Secrets & Bridges). I want to get them on CD if possible. Japanese versions pop up occasionally on ebay but the bidding goes nuts. Real Eyes on cd went for $521 dollars last year!!!
Anyway, I'm thinking that these must be out there somewhere in Japan for them to keep re-appearing but I don't don't where to start looking and my Japanese isn't up to much and I doubt I'll be able to afford to get over there any time soon. Anyone got any tips on ordering from Japan online, any good sites that cover soul, jazz, funk, hip-hop, blues etc? How to translate the pages? Any good search engines?
Oh and are there any other Gil fans out there? Apparently Brother was arrested again in December and is looking at another stretch, they're talking 5-10 years. sh!t made me cry. Man needs help not f***ing prison. He had disappeared and had been living in a crack-den for months. It's a sad sad story, the man is a true legend.
you can check it all in english as well as Japanese. Only problem is the shipping costs loads (as expected though) but even worse you will get done by customs when you receive them because they use Fed Ex.
Cheers mate, i'll check that out.
i guess you can try http://www.altavista.com if you havn't tried that already, but thats all the help i can give you man haha sorry.
but worrdd, i'm a fan of gil for sure! i made a post about him over in the jurassic5.com boards a couple weeks back, and i was the only cat whos heard of him! i thought that was pretty suprising. i was seeing if anyone had the "racetrack in france" song on CD or in MP3, beacuse i only have it on cassette, and was trying to put it on CD for myself. but yeah, i was pretty bummed when i heard he got locked up again. it's always so sad to see someone so great go downhill like that. anyways, best of luck in your searches! and keep rockin that good stuff!
I think 'Racetrack In France' is on that Gil/Brian Jackson Anthology cd that dropped just before christmas. You will probably have every other track on there though!!


....life. I have to admit, more often than not, I'm guilty of this "approach".
Concept, strategy, the big picture schema are far more to my liking. The "details" will become more evident as we move along. Like a sculptor and her clay.
However, quite often, especially when dealing with clients, I find myself requestiing "details, details, details".
Does the size of the organization dictate to what extent one engages in the strategic planning process? How formal must a plan be? How often does one review / revise the plan? How deep to we go in the organization for particiaption in the planning exercise?
In the last 2 years I've participated in strategic planning exercises. Both exercises were intellectually stimulating, fun and insightful. Both left me glad that I "bump" along.
......ya gotta just throw up! Another way of saying...to vent, no?
Most Saturday mornings I like to go to my office to catch up on administrative work. Pay the bills, invoice and general BS. As a business owner, large or small, there are only a couple of principles that are cast in stone. The first being, the sole purpose of a business is to maximize profits. NOT sales nor revenue but PROFITS. The second, although really #1, is that CASH is KING! No cash.....No business.
Get the bucket cause here it comes........why is it that my customers can't seem to run their businesses the way I do mine?? I pay my bills on time......if there's a discrepancy I resolve it.
They, on the other hand with few exceptions, will pay when and what they want. If there is a questionable charge they simply deduct it. Do you know how many times I've heard "We can'tpay you until I get paid"? They embrace the OPM (other people's money) principle rather well....they're using MINE!
When all else fails these guys will turn to a national distributorship to buy them out. Will they pay their outstanding bills? Not likely......and we're left to wonder why would a national company not require these folks to satisfy their obligations as part of signing up.


text:
No Bra: 'In Britain, I was seen as page-three humour'
Susanne Oberbeck sings sexually charged songs in a German accent while standing topless and sporting a moustache – and at last she's found an audience that understands her
@alexneedham74
Tue 19 Nov 2019 11.25 EST Last modified on Wed 20 Nov 2019 07.42 EST
'A new moment of relevance' … Susanne Oberbeck of No Bra. Photograph: Wolfgang Tillmans
In 2003, Susanne Oberbeck saw a headline in the Sunday Sport referring to a member of S Club 7. "Rachel Stevens," it said, "with no bra." Oberbeck, who is German, was sufficiently intrigued by this sleazy tabloid prurience to name her own band No Bra.
Originally a duo, No Bra soon became known for Oberbeck's habit of intoning sexually charged lyrics in a Nico-esque accent over industrial sounds while standing topless and wearing a moustache. No Bra's single Munchausen – in which two hipsters try to outdo each other with extravagant boasts ("I used to share a squat in Camden with Nina Hagen and she used to make pizza out of dead cats") – even got championed by the unlikely figure of BBC Radio 1's Pete Tong when it was released in 2005.
Oberbeck is about to release the third No Bra album, Love and Power. In the video for the single Bangin, she's still topless but the moustache has gone. She is lying surrounded by a posse of similarly disrobed, heavily tattooed people from New York's queer underground performance scene, singing lyrics inspired by French philosophers Gilles Deleuze and Félix Guattari over stark electronic beats: "Rubbing our dicks together in the house of love / Rubbing our tits together in the house of love."
While Oberbeck's MO has barely changed, No Bra has found a new relevance in a time of gender fluidity. Oberbeck moved to New York in 2010 and found her tribe: people such as Shayne Oliver, former fashion designer for Hood by Air, now making records; rapper Mykki Blanco; and Björk and Kanye West collaborator Arca, on whose forthcoming album she appears.
"I'd played so many shows in London," says Oberbeck, speaking by phone from New York. "I came here and the responses were so positive and it was seen as more avant garde. In Britain it was, 'It's really cool but it's a bit funny, a bit page three humour.' In America, they don't have that." What New Yorkers do have, though, is a downtown performance art tradition stretching back decades, and a habit of embracing eccentric misfits. No Bra fit right in.
'Neither stereotypically German or titillating saucy English' … Wolfgang Tillmans on Susanne Oberbeck of No Bra. Photograph: Wolfgang Tillmans
"It definitely feels like a new moment of relevance for her," says the artist Wolfgang Tillmans, who photographed Oberbeck standing topless in a multistorey car park for the sleeve of Love and Power, and who has known her for 20 years. "That is always fantastic for artists who just do their thing, don't search to be in the zeitgeist, then end up just naturally in the midst of it or ahead of it."
Long before gender-nonconformity became widely talked about, Oberbeck was living it. Growing up queer in the countryside north of Hamburg, she felt alienated from the family life expected of her, but found an answer in her father's collection of existentialist and gay literature. "I was reading Simone de Beauvoir when I was about 15 and thought it was the only thing I could see that was remotely relatable, that you dedicate your life to your work and don't sit with some guy in the same house every day." Her other big inspiration was British style magazines such as i-D and the Face. "They opened up a world – 'Wow, there are places where the women look cool, not everybody's white and there's a music culture.'"
She studied film at Camberwell School of Art in London and was drawn to the city's alternative gay scene, which was "a lot more encouraging of unusual females". It also influenced her focus on sexuality. As Tillmans says, Oberbeck "has a very particular way of including all sorts of sexual subjects in her work without it being either stereotypically German or titillating saucy English". Sex Slaves in the White House is an unsettling diagnosis of Donald Trump's unsatisfied urges and their consequences for the rest of us: "Tied up on a leash, the whole world is in peace, because now there's sex slaves in the White House." In 2016, she posted a video of herself and the Russian artist Slava Mogutin cruising for sex on London's Hampstead Heath while singing a wobbly version of Leonard Cohen's I'm Your Man.
Oberbeck: 'There's so much hypcrisy around female sexuality' Photograph: Wolfgang Tillmans
Sex, she says, is the main thing her friends talk about: "There's so much hypocrisy around female sexuality, you encounter it every day." She's determined to break down taboos while providing an alternative to a popular culture that she says just promotes consumerism. "It's nice to have things that will make life easier but, at the end of the day, it's directing your energy and desires in a way that's soul-destroying."
Oberbeck believes that identity politics are important, but too easily co-opted by capitalism. She prefers to explore how people relate to one another than who they are, imagining a non-binary, science-fiction world "where you're not being assessed by your identity". It all takes us back to her Bangin video, and its slightly sinister, multiracial, sexually indeterminate cast, with this deadpan presence at its centre – an outsider with whom the rest of the world is catching up.
Love and Power is out 27 November.

redpajama_set_name: RedPajamaCommonCrawl


A late goal from substitute Timmy Murphy sent Inniscarra into the Cork County PIHC semi-finals, Valley Rovers denied at Cloughduv last night.
With the clock reaching the 60-minute mark, Valleys led 1-10 to 0-12 and it looked as if Inniscarra would be exiting the championship after two games against the same opposition, having beaten Valleys in round one as well.
A goal from Valleys' Eoin Manning had tied the game at 1-9 to 0-12 as Inniscarra had racked up just two points in 20 minutes. And that was quickly followed by a point from John Burke to put the Innishannon side ahead for the first time.
From a sideline cut by Inniscarra's Aidan O'Mahony, however, Murphy managed to get a faint touch on the sliothar to send it to the net, Valleys unable to respond in the remaining minutes of injury time.
Bar the closing stages, Inniscarra had led for all of the game, the free-taking of O'Mahony, who finished with 10 of their 12 points, key for them, while John Casey worked hard at midfield, winning a lot of breaks.
Despite not scoring, Colm Casey was a threat after being moved to the full-forward line and, in addition, John O'Callaghan was outstanding at corner-back as Valleys' attack was repelled for long spells, with Eamonn Collins the only constant threat in their forward sextet.
This was underlined by the fact they scored just two points in the opening 22 minutes, one of those a 65 from corner-back Jeremy Hurley, Inniscarra having registered six in that time while there were half-chances of goals for Seán O'Callaghan and Conor Buckley.
There was some wasteful shooting from the Muskerry club too, though, and that looked costly when Damien Coughlan pointed twice in quick succession for Valleys. Seán Olden and an O'Mahony free left it 0-8 to 0-4 for Inniscarra at half-time to settle them again and O'Mahony added another early in the second-half after goalkeeper John O'Keeffe had made a good save from Tadhg Burke.
A Collins free and an inspirational Fearghal Coughlan point kept Valleys in it and while O'Mahony responded with his eighth free, the momentum was slowly changing, with Chris O'Donovan imperious at centre-back for Valleys.
Valleys could have cut the gap to one, but O'Keeffe denied Jason Crowley, and then when the ball came loose they were awarded a penalty but Manning's shot was kept out. When O'Mahony put five between the teams again it looked to have signalled the end of Valleys' revival, but three in a row, two by Collins, had two in it before O'Mahony made it 0-12 to 0-9 on 52 minutes.
The leveller came two minutes later, when Collins went for goal from a free which had been brought forward, and though his effort was saved, Manning pulled home from the rebound and then Collins won an O'Donovan clearance and laid off for John Burke to put them ahead. Their joy was short-lived as Murphy ensured Inniscarra took it, leaving them awaiting Ballyhea or Ballinhassig in the semi-finals.
Scorers for Inniscarra: A O'Mahony 0-10 (0-9f, 0-1 65), T Murphy 1-0, J Olden, C Buckley 0-1 each.
Scorers for Valley Rovers: E Collins 0-4 (0-3f), E Manning 1-0, D Coughlan, J Hurley (0-2 65) 0-2 each, J Burke, F Coughlan 0-1 each.
INNISCARRA: J O'Keeffe; J O'Callaghan, K Burke, B O'Keeffe; S Olden, P Kavanagh, T O'Regan; F Olden, C Casey; A O'Mahony, J Olden, A Sheehan; J Casey, C Buckley, S O'Callaghan.
VALLEY ROVERS: W Burke; C Lynch, T Cummins, J Hurley; J Cottrell, C O'Donovan, F Coughlan; E Manning, S D O'Sullivan; R Fleming, D Coughlan, J Lynch; J Crowley, T Burke, E Collins.
Subs: J Burke for Fleming (22), N O'Donovan for C Lynch, F Lynch for S D O'Sullivan (both 41), D Crowley for J Lynch (49), T Fitzgerald for T Burke (60).
Referee: J Bermingham (Bride Rovers).


text:
import time

from rapp_robot_api import RappRobot

rh = RappRobot()

[err, data] = rh.humanoid_motion.getPosture().values()
rh.audio.speak("My posture is " + data)

rh.humanoid_motion.goToPosture("Stand", 0.7)

time.sleep(3)

rh.audio.speak("My posture is " + \
        rh.humanoid_motion.getPosture().values()[1])
rh.humanoid_motion.goToPosture("Sit", 0.7)

rh.motion.disableMotors()

redpajama_set_name: RedPajamaGithub


text:
Biturbo (em inglês Twin-turbo), também conhecido como turbo gêmeo, é utilizado em poucas categorias de carros. Este dispositivo faz os motores ganharem grandes potências em curto espaço de tempo, consultando o turbo do motor em que dois turbocompressores comprimem a carga da entrada. Há duas configurações de biturbos, gêmeo-turbo paralelo e gêmeo-turbo seqüencial.

Tecnologias automotivas

redpajama_set_name: RedPajamaWikipedia


text:
var types = require("utils/types");
exports.RESOURCE_PREFIX = "res://";
function copyFrom(source, target) {
    if (types.isDefined(source) && types.isDefined(target)) {
        var i;
        var key;
        var value;
        var keys = Object.keys(source);
        for (i = 0; i < keys.length; i++) {
            key = keys[i];
            value = source[key];
            if (types.isDefined(value)) {
                target[key] = value;
            }
        }
    }
}
exports.copyFrom = copyFrom;
function parseJSON(source) {
    var src = source.trim();
    if (src.lastIndexOf(")") === src.length - 1) {
        return JSON.parse(src.substring(src.indexOf("(") + 1, src.lastIndexOf(")")));
    }
    return JSON.parse(src);
}
exports.parseJSON = parseJSON;
var layout;
(function (layout) {
    var MODE_SHIFT = 30;
    var MODE_MASK = 0x3 << MODE_SHIFT;
    layout.UNSPECIFIED = 0 << MODE_SHIFT;
    layout.EXACTLY = 1 << MODE_SHIFT;
    layout.AT_MOST = 2 << MODE_SHIFT;
    layout.MEASURED_STATE_TOO_SMALL = 0x01000000;
    layout.MEASURED_STATE_MASK = 0xff000000;
    layout.MEASURED_SIZE_MASK = 0x00ffffff;
    function getMode(mode) {
        switch (mode) {
            case layout.EXACTLY:
                return "Exact";
            case layout.AT_MOST:
                return "AtMost";
            default:
                return "Unspecified";
        }
    }
    layout.getMode = getMode;
    function getMeasureSpecMode(spec) {
        return (spec & MODE_MASK);
    }
    layout.getMeasureSpecMode = getMeasureSpecMode;
    function getMeasureSpecSize(spec) {
        return (spec & ~MODE_MASK);
    }
    layout.getMeasureSpecSize = getMeasureSpecSize;
})(layout = exports.layout || (exports.layout = {}));
function isFileOrResourcePath(path) {
    if (!types.isString(path)) {
        return false;
    }
    return path.indexOf("~/") === 0 ||
        path.indexOf("/") === 0 ||
        path.indexOf(exports.RESOURCE_PREFIX) === 0;
}
exports.isFileOrResourcePath = isFileOrResourcePath;
function isDataURI(uri) {
    if (!types.isString(uri)) {
        return false;
    }
    var firstSegment = uri.trim().split(',')[0];
    return firstSegment && firstSegment.indexOf("data:") === 0 && firstSegment.indexOf('base64') >= 0;
}
exports.isDataURI = isDataURI;


It's cold, windy and, most likely snowing outside if you're somewhere on the Northern hemisphere while reading this - a standard weather situation for the mid-January season. Correspondingly, this is the exact time when our fantasies involving sandy beaches and warm evenings on the sea promenades enhance. Summer may be a ways to go from now, but timing and preparation is vital for good times. Heart Bingo knows what we mean and has already planned your next summer holiday.
Opt in through January 18th and wager at least £30 per day on any of your favorite slot or bingo games - for every day you deposit £30, you will win one entry for the Grand Prize Draw (so, that's a maximum of one draw entry per day). The prize draw will take place on January 19th and those participating can look forward to winning one of seven £1500 holiday vouchers! Winners will be selected at random by a computer and names will be announced at the site on January 19th at 8 PM - winners will also notified by phone and given 30 days to claim their prize from the day of notification. Only active depositors from the UK and Ireland at the site are eligible.


Elsa Frozen Queen Wedding is a new Frozen game for girls to play online at TheFrozenGames.com. Frozen Elsa is very happy today because she will have her most important day in her life. Today she will have her wedding with her beloved prince. Come to help her have an unforgetbale memory of wedding. Give her a face spa in the first step to let her have one charming face. Clean her face and get rif of the pimples on her face. Give her eyes a spa and clear away the blackheads on her nose. Then you can come to make her up by choosing the eye shadow, eye brow and cheek color to make her look elegant. Next step you need to dress up with beautiful wedding dresses. Decorate her beauty by selecing one lovely hairstyle, necklace and high heeled shoes for her. At last you need to help Frozen Elsa throw her flowers and let the prince catch it successfully. Have a great time!
Use mouse in order to play Elsa Frozen Queen Wedding game for girls online at TheFrozenGames.com Elsa Frozen Queen Wedding is a game for girls from cartoon games, couple games, design games, dress up games, Elsa Games, fashion games, frozen game, frozen games, love games, make up games, makeover games, party games, princess games, style games, teen games collections. Elsa Frozen Queen Wedding Rating: 83.33% with 12 votes. Elsa Frozen Queen Wedding has been added on December 5, 2015 and you can play it now. Elsa Frozen Queen Wedding game has been already played 1645 times.


text:
Divina Providência (pronunciación portuguesa: [divinA provid'ësjA], 'divina providencia') es un barrio del distrito de Sede, en el municipio de Santa Maria, en el estado brasileño de Río Grande del Sur. Está situado en el norte de Santa Maria.

Villas
El barrio contiene las siguientes villas: Divina Providência, Vila Brenner, Vila Km 2, Vila São João Batista.

Referencias

Barrios de Santa Maria (Río Grande del Sur)


In clinical trials, Erbitux has been shown to help extend survival in people with head and neck cancer and people with colorectal cancer. In one head and neck cancer study, half of the people given Erbitux in addition to radiation treatment lived at least 19.7 months longer than people who just received radiation therapy. In another study, 13 percent of people who were given Erbitux alone had smaller tumors. Treatment response lasted almost six months in half of all participants.
In colorectal cancer studies, Erbitux improved treatment response when added to irinotecan (Camptosar®, another anti-cancer medicine). In one study, half of the people who received Erbitux and irinotecan responded to treatment for at least 5.7 months, compared to 4.2 months in people given Erbitux alone. The study did not show an improvement in survival, however. In another study, people given Erbitux alone lived about 1.5 months longer than people not given Erbitux.
This medication comes as a liquid (solution) that is given as a slow injection into a vein (an intravenous, or IV, infusion). It is usually given once a week.
The injections are given by a healthcare provider in a healthcare setting. It will take one to two hours to receive your entire dose. You will then be watched carefully for at least an hour to make sure you do not have a serious reaction to the medicine.
The product should not be used if it is discolored, cloudy, or contains unknown particles.
Your healthcare provider may recommend you take medication before your Erbitux dose to help prevent a possible allergic reaction to the infusion.
For this drug to work properly, it must be used as prescribed. Erbitux will not work as well if you miss doses.


text:
Chemical Industry Business Group
ZEDM Office
Certifications and Achievements
Ecological Paints
International Fair of Havana
Business Fair
Industry Week
Palace of the Pioneers
Business Wallet
Production of medicinal oxygen in Santiago de Cuba: Without taking a break.
News, Uncategorized / By Gases Industriales de Cuba
A high number of Covid-19 patients suffer from the so-called Acute Respiratory Distress Syndrome, something like an excessive inflammation of the lungs that prevents the normal flow of oxygen (O2) to this organ, with consequent respiratory failure. Undoubtedly, in such cases, and in many other ailments, the aforementioned gas, recognized as a medicine, translates into life.
Knowing this, each of the 203 workers of the Gases Industriales Santiago de Cuba base economic unit (UEB) put the extra in the production and distribution of this and other lines directed to the public health system of the territory where it is located and from the provinces of Guantánamo and Granma. The assortments destined for this sector are liquid O2 and nitrogen (N2), compressed air, as well as oxygen, N2, and carbon dioxide in the form of gas.
From the famous Santiago town of El Caney, under strict safety and quality standards, with the endorsement of being certified with the ISO 9001 Standard of 2015, the UEB Industrial Gases works, to say of themselves, "without taking a breath ".
Oxygen and more
This entity from Santiago has more than 40 years of experience in the medical use of oxygen using "the air that surrounds us, previously filtered and purified, through the use of a compressor." This is how Jorge Bermúdez, technical head of the UEB, explains, who recognizes the invaluable role of the members of the National Association of Innovators and Rationalizers, pillars in the smooth running of an industry not as modern as its staff would like, but efficient in its management .
"Our liquid oxygen, for example, is packed in thermos and later goes to cylinders or gasification units that we have distributed in various hospitals in the southeast of the country. "There an operator of ours gasifies the liquid deposited in large bullets located in these healthcare centers and then the gas is conducted through a network of pipes to the places where its use is necessary, among them the intensive care rooms."
The gasification units installed by the UEB Santiago de Cuba are in the Dr. Ambrosio Grillo, Dr. Juan Bruno Zayas and Saturnino Lora hospitals in the city of Santiago de Cuba; Orlando Pantoja, from the Santiago municipality of Contramaestre, as well as in the Agustinho Neto of Guantánamo, Carlos Manuel de Céspedes of Bayamo and Celia Sánchez Manduley of Manzanillo.
The productive volumes of the liquid and gaseous assortments destined for the public health sector satisfy the needs that until now have the healthcare centers of the three provinces, "and if it is necessary to do more, the provision is total, without lowering the guard in that we do for the industries of the territory ", says Franklin Ramos Tabera, workshop manager of the liquid oxygen plant, a man who has been working for the UEB in Santiago for 39 years.
"An example of this is that this year, without having it planned, we assumed the production of legía for its commercialization in the Commerce system.
"The sodium hypochlorite comes to us from the plant located in Sagua La Grande, Villa Clara, and we have already made 183 thousand 716 liters of liquor, of which 55 thousand 200 to Santiago de Cuba, 32 thousand 584 to Guantánamo and 60 thousand 200 to Granma ".
Take care and care
Since the Covid became a threat to daily life, the routine at UEB Gases Industriales Santiago de Cuba has changed. In addition to the mandatory foot bath and the hand sanitization set at the entrance door and in the different areas of the center, the fumigation of vehicles and cylinders was applied
"In the first place there is personal protection, our operators cannot lack gloves, boots, overalls, and of course, the nasobuco," says Luis Mario Álvarez Pompa, brigade chief of the filling platform, in addition to that it is mandatory the fumigation of the tires, the bed and the cab of the trucks that bring us the cylinders from the hospital centers.
"These also receive a disinfection with sodium hypochlorite and then go to the productive flow. They are essential measures to avoid any contagion to remain active in our jobs, to take care of ourselves to continue taking care of the health of those who need our oxygen to heal ".
Taken from the Workers Newspaper.
Correo Eléctronico *
Central Office: Santa María del Rosario Highway No. 371, Km. 4 ½, Villa María, Guanabacoa, Havana, Cuba.
Phone: (+ 53 ) 7797 6085
Non-State Sector


text:
F T Dealerscope Staff Visit Author's Page
Jeff O'HeirVisit Author's Page
September 15, 2010 Building New Business
When Trey Brunson of H&H Lifestyles was looking to differentiate his specialty retail, appliance and custom installation business, he hit upon an electric idea. He bought a high-voltage company.
August 1, 2009 The 2009 Retail Excellence Awards
This year's five Retail Excellence Award winners—La Curacao, CompUSA/TigerDirect, Primetime A/V, H&H Lifestyles and Sherman's—are different in many ways
March 1, 2008 Selling With Style
Tom Huff, the manager in charge of 20 full-time salespeople at Schaefer's TV & Appliance Center, Lincoln, Neb., remembers the dark days of consumer electronics. It's not that the store's business ever suffered. As a 62-year-old independent business that started out as a corner drugstore, Schaefer's has a great track record at evolving along with its marketplace. But there was a time when the trend was to keep things dark ... literally. "In the 80s and 90s, it was big to keep things dark in electronics departments," he said. "Everyone thought that was the way to sell TVs. But on a
July 1, 2007 Store Sweet Store
Trey Brunson doesn't get one foot in the door at Nick's noon soul food buffet before the hand shaking begins. Captain Fenwig, who runs the local ship harbor, says hello. Ben, the bank president; Larry and Jay, the real estate guys; and Mike, the little league coach, all greet him and ask after his parents. By the time Brunson has sat down and had two deep fried pork chops, he has talked to more than 10 people he's known nearly all his life and has even heard opinions about his new showroom, H&H Lifestyles, which just opened in a nearby shopping center. "There are


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shr 133CD
Joy is a duo hailing from Boston, Massachusetts. Their debut CD melds idiosyncratic folk leanings with the best parts of Shrimper's two other Boston strongholds (The Secret Stars' succinct taste for pop and John Davis's otherworldly, wispy pop ruminations). Founding members Matt Savage and Daniel Madri have been playing together for over a decade, including their four years in eclectic quartet Godboy (Orange Entropy Records) and an ongoing presence in the more introspective and sonically experimental Jack McCoys (Ambiguous City Records). Vocalist Savage has been praised in the press for his ability to construct a beautiful narrative through creative manipulation of language, as well as an uncanny knack for serious yet unconventional melodic hooks, complemented by Dan Madri's equally note-worthy guitar textures and tones. Joy's first record offers up vulnerable and frank home recordings, for the most part is stripped of any garnish, making the songwriting the focus of this self-titled debut. The eleven songs here herald a soft, subtle return to the fundamentals of pop music. That is not to say, however, that Joy isn't above working in strategically overdubbed thuds and warbles, experiments in fidelity, and surreal lyrics. Joy will be performing shows on the east coast to celebrate the record's release, opening shows for Thalia Zadek, The Secret Stars, and performing some side dates on their own. There will be scattered dates across the states through the summer. Bless its tiny little head that the band's name is not "The Joy."
Sailing Days
Devil's Blues


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My first game at Wrigley Field
It didn't take long to size up the place.
Small. That was my first reaction.
Not sure why I expected it to be bigger than it was. Maybe it's because Wrigley Field to so many is "larger than life" - so I've heard anyway. As a Buffalonian and Yankees fan, I never paid much attention to the Cubs, and I just knew it best as the place Sammy Sosa hit homers and where The Rookie was filmed.
As the game went on, I soon saw why the place was so special.
First, it's the absence of commercialism. I swear it's like you walk into a time machine because there's no huge video screen, no advertising around the perimeter of the upper deck, hardly any advertising at all - heck, I wasn't getting any service on my cell phone. Without replays, an archaic green scoreboard that took getting used to, and no connection to the outside world -- and the passion of these fans -- I quickly immersed myself in a brand new world.
So this is what Wrigley Field is all about, I thought. It was comforting in a way, an escape from the rush of reality and chaos of the city streets.
The game was full of treats. I just hoped it wouldn't be as bad as my last Major League Baseball game, a 6-0 thrashing of my beloved Yankees in one of the last games at Yankee Stadium - to the Reds no less. Or one of my last games before that, a 1-0 final, Los Angeles over the St. Louis Cardinals, after eight innings of 0-0 ball.
Please, I just want some offense!
I got that, and a whole lot more.
Eighteen runs in all, the most I've ever seen in my life at a major league game. The 10-8 final, though a Cubs loss, was back-and-forth and anything but a pitcher's duel - that made me happy. It featured home runs, plenty of emotion, a Lou Pinella argument with the ump (always see it on TV, now witnessed it in person), and maybe my favorite, toward the end of the game, with the Cubs down two, Chicago pitcher Carlos Zambrano entered the game - as a pinch hitter! It was a Why Not move because the Cubs had loss seven straight. He struck out, but it was a great series of pitches...I got them all on video, and here's just one of them, which gives a glimpse of the atmosphere:
A few other cool tidbits:
(1) It was Memorial Day - there was a moment of silence prior to the game. Cool moment. Very reflective.
(2) Newly-arrived Chicago Bears QB Jay Cutler, from the Broncos, was sitting 12 rows in front of us. Nice eye from my friend Jon. Some people chatted with him, got autographs. Funny how he just sat with all the 'normal' fans, no suite or special box. Seemed real grounded.
(3) Mr. T. did Take Me Out to the Ballgame. It was hilarious! And a whole lot of fun.
I'm in Chicago, I had to go to a Cubs game. It was just a matter of time. This was great, even with the loss, and I highly recommend this venue - the 6th I've ever been to (other games at ANA, BAL, PIT, TOR, NYY) - to any avid baseball fan.
baseball, Chicago Cubs, league, major, sports, Wrigley Field
0 comments on "My first game at Wrigley Field"


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Winter Storm Lashing Spain Leaves 4 Dead, Power Cuts
Iranian Student Turned Back at Airport, Sparking Protest
'I Can't Bring Back the Dead': Sri Lanka Leader Ends Search for War Missing
Two Decades of Stubbornness Kept Derek Jeter on Top
Democratic Presidential Candidates Are Embracing Bigger Ideas To Tackle The Climate Crisis Than Ever Before
by Zahra Hirji
The bare minimum of what Democratic presidential candidates want to do to address climate change has radically shifted from the last presidential election. Across a seven hour CNN town hall on Wednesday, and cumulatively more than 100 pages of policy ideas, the top candidates for the Democratic nomination are each pushing for more sweeping change at a faster rate than Democrats were calling for even just a few months ago.
Every leading Democratic presidential candidate has vowed to ensure the US is in the Paris climate agreement, reversing one of President Donald Trump's most popular promises on undercutting climate action. But as New Jersey Sen. Cory Booker put it near midnight Wednesday, making this commitment now is simply "the cost of entry into the race."
At a minimum, every top Democratic candidate now has at least one multi-page climate plan — Massachusetts Sen. Elizabeth Warren has several — with the main goal of transitioning the US economy to run on clean energy sources, not fossil fuels, and produce net zero emissions by 2050 at the latest. This means that every top Democratic candidate has committed to making the US, in only a few decades, only generating as many emissions as it can pull from the atmosphere.
The fact that every candidate has a 100% clean energy or net zero target was a consistent through line the unprecedented climate town hall. "That's a big shift," Nathaniel Keohane, senior vice president of climate at Environmental Defense Fund, told BuzzFeed News.
Hillary Clinton, the Democratic nominee in 2016, pledged to "put the country on a path to cut emissions more than 80 percent by 2050." Under that scenario, the US would still release more emissions on the whole by mid-century.
Of the 10 Democrats who qualified for this week's town hall, most only released their climate plans in recent days.
Candidates found unique ways to stand out aside from just their policy specifics. Sen. Kamala Harris implored her Republican colleagues in Congress to "look at the babies in their life;" Warren rebuffed a question asking her if the government should be in the business of telling people what lightbulbs to buy as a sign of the corrupting influence of big energy business: "Oh come on, give me a break;" former Texas Rep. Beto O'Rourke linked the climate fight to affordable housing and protecting people's health; Mayor Pete Buttigeg criticized Trump touting a doctored hurricane forecast map; and Booker told people as president he's "going to ask you to be part of a larger movement on justice."
It's not enough anymore for Democrats to just attack Trump on climate or say they will reverse Trump's regulatory rollbacks, including reinstating the Clean Power Plan to curb power plant emissions, vehicle mileage efficiency and pollution standards, and undoing a ban on new coal leases on federal land. Those positions aren't unique: all the major candidates have done that, and climate advocates expect more.
The eventual nominee has likely already agreed to go further than former President Barack Obama, with common ideas like proposing to ban all new fossil fuel leases on public lands, and instead use that land for conservation and building out wind and solar infrastructure. Former Vice President Joe Biden walked a fine line between framing his climate goals as aggressive while defending the Obama's administration decision to prioritize health care reform over climate action.
All candidates have also already offered more detail and nuance on what specific climate solutions look like compared to Clinton in 2016, from Buttigieg proposing to pay farmers to sequester carbon in their soils to former Housing secretary Julián Castro wanting to create a new category of refugees called "climate refugees."
All those on stage Wednesday night spoke, with varying degrees of effectiveness, about what the economy's massive green transition means for every day Americans, whether it's the fossil fuel workers who could lose their current jobs in the process to the low income communities and communities of color already facing the brunt of extreme weather and other climate-linked disasters.
Vermont Sen. Bernie Sanders was the only one to identify how exactly he'd help coal and oil rig workers out of work, pledging to pay them and keep their health care for years after a possible job less and offer training for a new one. Meanwhile, several candidates had poignant moments discussing their interactions with disaster-struck communities, such as Harris painting the horrific scene of California wildfire damage saying, "I visited Paradise while the embers were still burning there."
Multiple candidates at the recent town hall largely credited this sea change in climate commitment to both Washington Gov. Jay Inslee, a former presidential hopeful who centered his campaign on climate change, and stubbornly vocal climate advocates, especially the youth activists with the Sunrise Movement. CNN chose multiple Sunrise activists and students to ask questions at the town hall.
With candidates largely overlapping on policy and ambition, the handful of fracture between candidates' positions are stark. Perhaps the biggest line in the stand is on fossil fuels, with candidates practically evenly split on sweeping bans on oil and gas.
Activists like Jane Kleeb, chair of the Nebraska Democratic Party, took note. It's "easy" to say you are against new fossil fuel leases on public lands, she told BuzzFeed News in an email. "You can only get to net zero by 2050 by boldly saying you will not permit any new fossil fuel projects since they have a 50-100 year lifespan."
When directly asked by CNN moderators whether to ban fracking and offshore drilling, Harris and Booker said they would. Andrew Yang was only asked about banning offshore drilling, and said he would. Both Warren and Sanders have previously said they would ban fracking.
Sen. Amy Klobuchar, Biden, and Castro either declined to say they would definitely ban fracking or offshore drilling, or dodged clearly answering.
Buttigieg wasn't asked head on about these issues, but his campaign told BuzzFeed News in an email that "He favors ban on new fracking and offshore drilling and a rapid end to existing fracking and drilling so that we can build a 100 percent clean energy society as soon as possible."
There's also a clear split on whether or not candidates support using nuclear power as an energy source, as well as over support for carbon pricing. Booker and Yang lined up in favor of nuclear and at least Sanders, Klobuchar, Warren calling to move away from it due to concerns over how to safely handle the waste.
Yang, Buttigieg, Booker, and Biden expressed support for a carbon pricing plan. Warren, meanwhile, turned to the Green New Deal as her alternative.
Source: https://www.buzzfeednews.com/article/zahrahirji/democratic-presidential-candidates-are-embracing-bigger
Season 1 of Into the Dark blurred the line between TV and film, but rarely in a good way
N.F.L. Week 1 Predictions: Our Picks Against the Spread
Zahra Hirji
Japanese company begins the first test flights of 'the world's smallest flying car'
Greenpeace, ACLU, And Color Of Change Protest The Sale Of .Org Domain To A Private Equity Firm


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Q: Android parse XML to get node value So, I have written something small to parse the feed for a Youtube user.
The problem is that when I call getNodeValue() null is returned. Why is this? Any ideas or alternative approached appreciated, thanks.
Here's a snippet of how i'm currently doing things:
try {

    Document d = DocumentBuilderFactory.newInstance().newDocumentBuilder().parse("https://gdata.youtube.com/feeds/api/users/estudiosabiertostv/uploads");

    NodeList entries = d.getElementsByTagName("entry");

    for(int i = 0; i < entries.getLength(); i++) {

        NodeList children = entries.item(i).getChildNodes();
        YoutubeVideo video = new YoutubeVideo();

        for(int j = 0; j < children.getLength(); j++) {

            Node child = children.item(j);

            if(child.getNodeName().equals("title")) {

                video.title = child.getNodeValue();
                break;
            }
        }
        videos.add(video);
    }
}
catch (Exception e) {

    e.printStackTrace();
}

Here is the url where I am getting the XML from:
https://gdata.youtube.com/feeds/api/users/estudiosabiertostv/uploads

Here's a snippet of an entry, of which I am trying to get the title
<entry>
    <id>http://gdata.youtube.com/feeds/api/videos/oDbOmTY3gDw</id>
    <published>2012-12-17T08:14:12.000Z</published>
    <category scheme="http://schemas.google.com/g/2005#kind" term="http://gdata.youtube.com/schemas/2007#video"/>
    <title type="text">SEAS - Grupo San Valero - Crea tu propia Navidad (2012)</title>

    <content type="text">Felicitación de Navidad de SEAS, Estudios Abiertos del Grupo San Valero</content>
    <link rel="alternate" type="text/html" href="http://www.youtube.com/watch?v=oDbOmTY3gDw&feature=youtube_gdata"/>
    <author>
        <name>estudiosabiertostv</name>
        <uri>http://gdata.youtube.com/feeds/api/users/estudiosabiertostv</uri>
    </author>
</entry>

A: The title node should in turn have a child - a text node, and that one should contain the actual text.
Also, beware of fragmentation: there may be several adjacent text nodes there, as discussed here: http://www.drillio.com/en/software-development/java/fragmented-xml-text-nodes/

redpajama_set_name: RedPajamaStackExchange


text:
March 1, 2020 Staff Writer
March 1, 1947: The new $5 million plant of R.G. LeTourneau Inc. was reported in production and sending its finished products to markets around the world. The announcement came on the first anniversary of the corporation's decision to locate its plant in Longview. Payroll was at $1.35 million.
March 1, 1952: Seven candidates were in the race for two posts on the Longview City Commission as the filing deadline passed at midnight. The field included Lola S. Park, a chiropractor's wife who was the first woman in the city's history to seek a commission post.
March 1, 1967: Longview's industrial growth and progressive spirit drew praise from a 48-member delegation representing Shreveport business, industrial and financial leaders. They were in the city on the first leg of a two-day, three-city industrial tour that went next to Dallas and Fort Worth.
March 1, 1973: The Texas Highway Commission said it would study a request for dual designation and four-laning of the proposed East Texas Parkway from Oklahoma to the Gulf Coast. The route was U.S. 259 to Longview, Texas 159 to Carthage, U.S. 50 to Tenaha and U.S. 96 to the coast.
← February 29
March 2 →


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1821 Greek Revolution History Platform
Personal Cinema and Collaborators
artxibatua
Artxibatuta...
Ελληνικά, English, Español
Matchfunding
Europeana Foundation multiplica x 2 tu aporte mediante convocatoria:
Europeana. Strike a match for Education
El proyecto ya ha conseguido $ 834 de Europeana Foundation
artxibatua 05 / 06 / 2017
Eman $ 17
e-card plus credit
A thank you e-card illustrated with a picture, addressed to you personally + your name will be credited in the supporters' list on the website.
e-card + mention in the supporters' list on the website + digital poster in high resolution (for A3 print size)
Web platform templates themes, photoshop templates themes+e-card + credits + digital poster.
Eman $ 113
3D printable models
3D printable model+all the above.
1821 Plataforma de Historia de la Revolución Griega Una plataforma web online que proporciona una herramienta interactiva a la comunidad educativa.
Historical Research	and Documentation
Visual and textual research and documentation based on Europeana and Historiana Collections.
User Scenarios
User scenarios for teachers and students.
Desktop and mobile Browsers, WebGL, Javascript, Canvas 5 API, Json.
Web Platform Design
Design Comprehensive layout, Review and Selection, Building Pages.
Backend Platform Building
Programming, Database Management, system workflow etc.
Frontend PLATFORM BUILDING
UI, UX, Navigation, design etc.
2D Production
Drawing Backgrounds, Drawing Sprite Layers etc.
Platform Testing
Web platform performance tools, web security, performance benchmark.
Translations of textual sources, translations for the Platforms' content, website localization.
Campaign, communication and project coordination.
Define Maintenance Schedule
Server maintenance, domain name, website updates, content updates.
Visual and textual research and documentation based on Europeana and Historiana Collections. 3D props, 3D characters, 3D environments.
Conceptualizing assets
Concept art.
Props 3D modeling
3D Props Production, Models Breakdown, Modeling Sculpturing, Retopology, UV Mapping, Mesh Projection, Texturing, Polish/Detailing (Map Extraction, Shaders).
Characters 3D modeling
3D Character Production, Models Breakdown, Modeling Sculpturing, Cloth Simulation, Retopology, UV Mapping, Mesh Projection, Texturing, Polish/Detailing (Map Extraction, Hair, Shaders).
Environment 3D modeling
3D Environment Production, Models Breakdown, Modeling Sculpturing, Nature Simulation, Retopology, UV Mapping, Mesh Projection, Texturing, Polish/Detailing (Map Extraction, Shaders).
Guztira $ 13,614 $ 22,690
Respecto al contenido histórico, visual y textual de las Colecciones Europeana, en particular los archivos del siglo XVIII-XIX que se representan en la Península Balcánica y más concretamente el territorio que formó el Estado griego posrevolucionario, presentamos la siguiente propuesta:
La creación de una plataforma web online utilizada para ver, compartir y descubrir contenidos en 2D y 3D, basado en el contenido con licencia abierta de Europeana, proporcionando una herramienta educativa innovadora enfocada a una audiencia de usuarios europeos y globales.
La idea principal de este proyecto es reutilizar el contenido de Europeana, basado en el período pre y post revolucionario de la Guerra de la Independencia griega.
La plataforma web proporciona un portal comunitario educativo donde los usuarios (estudiantes y profesores) se comunican entre sí, mientras exploran los materiales educativos.
Esta plataforma online puede utilizarse como una herramienta independiente, así como una herramienta educativa complementaria, en paralelo con las MOOCs.
La plataforma web funciona como un medio participativo activo para abordar el campo cognitivo de la historia. Los alumnos y profesores podrán comparar el contenido de representaciones 2D y simulaciones 3D con otras fuentes y descubrir la estructuración de las narrativas históricas.
El valor añadido de la plataforma web está relacionado con el uso educativo de las Colecciones de Europeana a nivel europeo. Los profesores y tutores podrán utilizar libremente el contenido, crear seminarios y evaluar a los estudiantes de acuerdo al material incorporado en la plataforma.
The platform's content will mainly draw upon Europeana visual and textual collections regarding the history of the Greek Revolution, and other relevant digital elements, which are available and reusable.
This online web platform is a learning interface, characterized by the application of the Europeana content, text and images into reuse through 3D props, characters and environments. Visitors to the online platform (teachers and students) can move freely around or within 3D scenes, engage in discussion and download 3D models, with the option of 3D printing of compatible models.
The online web platform provides an educational community portal where users (students and teachers) will have profile pages, communicate with each other while they explore the educational materials. This online platform can be used as standalone and as an additional educational tool, in parallel with MOOCs.
In addition, this platform will host 2D concept art narratives through a parallax scrolling storytelling website. These 2D concept art narratives will be drawings in the form of a storyboard based on various visual and textual sources from Europeana collections. The storyboard can serve as both an artistic educational tool and a guide to develop various media derivatives, such as films, video games and animations.
The parallax scrolling involves the background images moving at a slower rate to the foreground, creating an illusion of depth in a 2D scene adding to the immersive experience.
The platform will be leveraged as an innovative tool targeted to both secondary school students (11-18 age group) and teachers. Students will be able to interact, examine, observe and reconstruct the features collected and developed. In addition, teachers will be able to create a series of educational scenarios based on the platform and the visualization of usually neglected aspects of historical interest, such as everyday life, material culture, the natural and built environment.
The platform will enable viewers to move freely around or within the 3D scene and parallax scrolling website, using mouse and touch manipulation, designed to contain the main elements of a game-based rationale, which trigger the users engagement through an immersive and active learning of history.
The Europeana match funding call for the reuse of Historiana material coincides with the beginning of a new project: Personal Cinema and its collaborators are planning the creation of a video game on the Greek Revolution of 1821. This game combines the teaching and learning of history through the medium of a digital video game. As such, the game will provide a series of tools, which will engage students with a historical context, while making sense of the notion of game play.
The idea is to leverage the digital content provided by Europeana regarding the Greek Revolution with the design of an online web platform. This platform will involve 2D and 3D online content from Europeana collections, enriched with relevant open digital content contributed by other organizations, while providing an alternative educational tool. This platform will leverage a historical context concerning the Greek Revolution, which constitutes a landmark in the history of Modern Greece. It is also part of a broader process of transformation within the Balkans, Mediterranean and Europe.
More specifically, the significance of this historical context contains:
• Densification of communications, flourishing long-distance trade, consolidation of monetary
and mercantile economy, in parallel with the emerging national bourgeoisies.
• Decline and modernization in the late Ottoman Empire.
• Shifting geopolitical balances, after the Russo-Turkish and Napoleonic wars.
• Dissemination of the Enlightenment and the ideas of the French Revolution among Christian-
orthodox elites, interaction with ideological currents in Europe (liberalism and romantic
Philhellenism).
• Spreading of national liberation movements in the Mediterranean and the Balkans.
The textual and visual sources concerning human geography, the natural and built environment, material culture and folk traditions of various ethnic groups living in Greece during the pre and post revolutionary years, constitute appropriate material for the main themes of Historiana such as:
• Armed conflicts (Revolution, War of Independence)
• Ideas and Ideologies (Enlightenment-Romanticism-Liberalism-Philhellenism)
• Natural and built environment
Crowdfunding-eko kanpainaren helburuak
In the short term, the project's principal goal is the creation of an educational platform that provides students and teachers with a tool for an innovative and playful approach to European historical heritage. In the long term, the aim is to bridge the educational aspects embedded as 2D and 3D elements in the platform, with the playful characteristics that forms the gameplay design of an historical videogame.
Students will be able to observe, interact and reconstruct the reenactments. In addition to this, teachers will be able to create a series of educational scenarios based on these platform materials, and conceptualize some rarely taught historical aspects, e.g. everyday life, historical objects, nature's elements etc. Students will come in touch with the culture of another time and will strengthen their historical thinking, by examining historical aspects in comparison with other historical evidence, such as texts and media.
In addition, this project will be useful for research purposes, such as universities and research centers related to history education.
This means that the platform will be useful for teachers who can create their educational scenarios, and test their methodology. The platform could be used as a tool for designing MOOCs for distant learning, or sharing educational lessons regarding the Greek Revolution and its impact on Europe and the world. As a long-term goal, this platform will be used as a basis for constantly generating new material to be applied into the frame context of the historical video game, creating sustainability for future use.
Personal Cinema & collaborators.
Personal Cinema is a network active in the field of media arts. It plans and organizes projects and activities that encourage the critical stance towards the new forms of production, presentation and distribution of audiovisual products. It is a collective active since the year 2000, producing social-political videogames, multimedia works, documentaries, organizing events and lectures on topics such as the Balkans, web.2.0, migration flows and their connections to digital networks, research and the creation of simulations on the topic of logistic worlds and logistical cities.
http://www.personalcinema.org/
Dimitris Cosmidis is an independent social scientist. He completed his undergraduate studies in Political Sciences at Panteion University (Athens - Greece) and he holds a Master's Degree (DEA) in Post-Byzantine History at Paris I University (Sorbonne) and a Master's Degree in Social Anthropology at the University of the Aegean (Greece). He has worked as a researcher for the Historical Archives of The National Bank of Greece and in several research projects concerning Social History, Cultural Anthropology and Ethnomusicology in Greece, Turkey and France. He has been Editor in Chief of National Geographic Magazine (Greek Edition), Head of Publications Department of State Theatre of Northern Greece, Head of Editorial Department and Artistic Consultant of Skopelos Centre of Photography, Thessaloniki Museum of Photography and State Museum Of Contemporary Art, Thessaloniki. As a professional translator and editor (French to Greek and English to Greek) he has been collaborating with several Publishing Houses on editions concerning History, Art History, Philosophy, Human and Social Sciences, as well as with the Greek Festival S.A. (Athens & Epidaurus Festival). He has been awarded a grant for translation from the Centre National du Livre (France).
Theodoros Giannakis is an artist. He studied Painting, Sculpture and New Media in Athens School of Fine Arts. In 2012 completed his MA in Digital Media and New Media Management at the London Metropolitan University. From 2017 he is PhD candidate in the ASFA. He has participated in international exhibitions such The Equilibrists, Benaki Museum, Athens 2016, Y.H.A.U, Komplot, Brussels 2016, Heir of the Greek Catastrophe, Parallel Vienna 2015, A Fresh, National Museum of Contemporary Art, Athens 2013, Young London, V22, London 2012, Neoerotica, Action Field Codra, Thessaloniki 2007, What Remains is Future, Arsakeio, Patra 2007. Alongside his artistic and curatorial activities, he has been active as an art director in indie films and digital advertising. He has held the position of Digital Media Manager at the digital department of Art Galleries and Auction houses for the fine arts, while at the same time he has worked as an art director, game designer and 3D generalist in video game production for Alten8 in London 2013, UK Human Head studio 2012, University of Western Sydney 2015, ELPIDA foundation 2009 and in collaboration with MIT researcher Konstantinos Tsakonas, 2008. He is a founding member of the artistic and curatorial team KERNEL. They have curated projects such as Word of Mouth in the 3rd Athens Biennial 2011, BYOB London, The Woodmill, London 2011, and Full/Operational/Toolbox, M21, Athens 2010, and solo exhibitions such as Polansky Gallery, Prague 2016, Union Pacific, London 2015, EMST, Athens 2013, SPACE, London 2013.
Ilias Stouraitis is currently a PhD Student in Historical Culture and Digital Games at Ionian University in Greece. He completed his undergraduate studies in History and Archaeology at the University of Athens in Greece and undertook a Master's Degree in Modern Greek History at the University of Athens. He has taught History in private education in Greece and has worked as a researcher in several European and national surveys concerning history, education and games. He has been awarded a grant from the Japanese Nippon Foundation SYLFF (Sasakawa Young Leaders Fellowship Fund) and an award by Common Ground Community 'The Learner'. His main research interests are: History Education, Historiography, Historical Culture, Design of Educational Software/Games for History and teaching/ learning history with Digital Technology.
The project will be useful for research purposes, such as universities and research centers related to history education.
This means that the platform will be useful for teachers who can create their educational scenarios, and test their methodology. The platform could be used as a tool for designing MOOCs for distant learning, or sharing educational lessons regarding the Greek Revolution and its impact on Europe and the world. As a long-term goal, this platform will be used as a basis for constantly generating new material to be applied into the frame context of the historical video game, creating sustainability for future use. The content of the platform will be available to the public through an open license (In accord with Europeana).
The realization of the 1821: Greek Revolution History Platform by the Personal Cinema collective and its collaborators will be by default in the Greek
Workshops and seminars
Collaboration with initiatives, institutions and educational groups, is also sought for organizing workshops, seminars and presentations, both online
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text:
Lech Walesa Hall: His name, here to stay
Pablo Medina
A display shows a bronze bust and Walesa's written letters to NEIU.
Sara Nesis, Writer
Lech Walesa, workers' rights activist, leader of the Solidarity Party in Poland and former president of the Republic of Poland is the very name engraved on one of our most well known buildings here at NEIU. He changed the lives for workers throughout Poland and established democracy; winning the Nobel Peace Prize illustrated his remarkable dedication to liberating those who were voiceless during an unbearable period under a communist regime However, faculty, students and human rights activists have been upset with the building being named after him. .
In 2013, Walesa made controversial comments about the LGBTQ community. On TVN, a popular Polish news network, the democratic icon said, "They have to know that they are a minority and adjust to smaller things, and not rise to the greatest heights…a minority should not impose itself on the majority." His words sparked an outrage in Poland and abroad. The news traveled all the way to Chicago, where his name is plastered on one of our university's buildings.
His words caught many people off guard. He was isolating a group of people who were, and still are, fighting for their right to be treated as equal citizens across the globe.
In 2014, an NEIU student by the name of Mike Lackovich launched a protest against the name of the building, "Lech Walesa Hall." CNN covered the story, running the headline, "NEIU Board of Trustees Embrace Homophobic Leader Over Student Safety." Students collected 400 signatures petitioning the removal of Lech Walesa's name from the building. The University Advisory Council unanimously voted to have the name replaced with a better suited candidate, but the decision was overturned by NEIU's president at the time, Sharon Hahs.
Inside Lech Walesa Hall there's a digital display of his words along with the community's response. The slideshow begins with a timeline of his anti-gay rhetoric and the action, or rather lack of action, that was taken on the part of the university administration. NEIU's equality statement is then shown along with hoards of articles and pictures depicting those not in favor of his homophobic comments.
Though many students are unfamiliar with him, Walesa is best known for his bravery in revolutionizing the rights of workers in Poland during the 1970's and 80's. He organized a monumental strike in 1980 that forced communist authorities to negotiate with him, giving workers the right to strike and organize their own independent union.
In 1981, Walesa was the chairman of the Solidarity Congress, the first independent labor union. The union gave rise to a non-violent anti-communist social movement in response to Poland's government control over economics, elections and disregard for the human rights of workers. Workers had no way to address grievances or form basic rights because they were disallowed from forming unions. Instead of the government controlling the economy, hardworking citizens were finally given the freedom to build their own wealth.
In 1983, he was awarded the Nobel Peace Prize for his activism under the Jaruzelski regime. The regime censored and jailed those who spoke out against their conditions. Citizens were monitored, food, and even gasoline was rationed. The average household income fell by 40% and more than 700,000 people fled Poland. Despite winning the Nobel Prize, Walesa was under surveillance by the communist government for his democratic activism. He was arrested and jailed several times throughout his lifetime. Fortunately, Walesa was so influential that the Polish government negotiated with him and his Solidarity colleagues, which led to a non-communist government.
In 1990, Walesa became Poland's president until 1995. He was the candidate that free-thinkers, idealists, activists and democrats wanted. In 1996, he founded the Lech Walesa Institute, whose mission is to support democracy across the globe.
Former NEIU president Sharon Hahs noted that Lech Walesa's name was synonymous with freedom. His comments in 2013 contradict his core beliefs of fighting for the fair treatment of citizens in repressed countries. It almost seemed as if he had forgotten the isolation, despair and imprisonment caused by his own government. Walesa's anti-gay comments, whether intentionally disparaging or not, were destructive to members of the gay community by insulting them and reinforcing an anti-gay rhetoric.
Walesa was born in 1943, and from a generational perspective, he certainly was not raised in a time where homosexuality was discussed, let alone tolerated. Same-sex marriage is still illegal in Poland. According to LGBTQ Nation, an equal rights organization, only 23 out of 196 countries have legalized gay marriage.
Still, one would think that a freedom fighter like Walesa would have more liberal views on gay rights. As someone who was persecuted for representing an outspoken minority in the conservative political realm of Poland, Walesa was rejected by mainstream society and cast as an outsider under a government hungry for power and control. Walesa is defined in history as being a progressive workers' rights leader. Despite his background in grassroots activism, his views persecute a group of vulnerable people who have been antagonized, alienated, assaulted and even beheaded in several countries.
Three years after the ordeal, people are still expressing their concern over the name of the building hundreds of students enter and exit every day. In a time where mentions of LGBTQ rights have been removed from the White House website, the largely socially liberal community at NEIU is in a place of emotional uncertainty. There is no saying what the future will hold in terms of the name that holds much meaning for many aware of both Walesa's legendary history and anti-LGBTQ sentiments.
If you view Walesa in his entirety, he is a truly brilliant man. He changed politics in Poland for the better. He led an entire nation under the premise that the people are the ones who hold the power, and that individualism is a personal right, not a privilege. He fought against a powerful government so that workers would receive fair treatment and wages based on performance and dedication. He advocated for free speech and personal liberty in Poland, and he won. Based on his tremendous success in revolutionizing politics and becoming a world leader, his name still stands for democracy and liberation.
As a largely liberal student body, we are challenged on an everyday basis to be understanding of those who are different in unfavorable contexts.
In a time where politics are polarized and people are pitted against each other, changing the name of Lech Walesa hall would only emphasize the liberal stereotype that they are hypocritical, self-entitled whiners who can't accept views different from their own. It's essential to realize that people are allowed to have their own opinions, and that influential leaders are flawed. With our new president in office, the best attitude to have is that of optimism. We should apply a positive attitude to Walesa. Does the name on a building really have to influence emotional stability?
Lech Walesa Hall is here to stay, and so is his awe-inspiring legacy.
Lech Walesa Hall
Pablo Medina, Editor
2 Responses to "Lech Walesa Hall: His name, here to stay"
Justin Boltz on January 9th, 2018 3:18 pm
I just stumbled upon this in the lobby and I have to say I am extremely disappointed in the universities decision not to change the name of the building. I bet there are some awe inspiring women or people of color that don't have anti-LGBT to spout out we could replace him with.
Jesus Alfaro on December 4th, 2020 4:00 pm
Just stumbled upon this as I wanted to learn more about my transfer school. Needless to say, this is not something I wish I saw. I am a queer latinx student and am deeply disappointed with the schools decision to not change the name. There are definitely more awe inspiring individuals who are not anti queer/ homophobic/ transphobic .


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The conference, which will be held on December 14 at the Mediterranean Conference Centre, will be addressed by former European Commissioner for Education, Culture, Multilingualism and Youth, Androulla Vassiliou. Culture Minister Owen Bonnici will open the conference.
Peter Jenkinson, OBE, will chair the conference together with Giuliana Fenech from the University of Malta. Jenkinson has worked internationally for over 20 years in the cultural sector, passionately advocating and acting for deep and lasting change across the cultural and political landscape.
The conference will reflect upon the Council's plans for the cultural and creative sectors until 2020.
Discussions will highlight topics such as Sustaining legacy – Post ECOC and the future of cities and communities; Public Cultural Organisations: building stronger partnerships for Malta's cultural and creative sectors. One specific discussion will focus on artistic excellence and the quality mantra while another will focus on creative potential and economic development.
In recent months, Arts Council Malta has been holding a consultation process with a number of stakeholders from the cultural and creative sectors. More than 300 artists, creative practitioners and other stakeholders have discussed their vision, ambitions and dreams for Malta's cultural and creative sectors for the five years to come. This process was referred to as Create2020.
"Following the enactment of Arts Council Malta Act in May this year, we immediately set in motion the design of the Arts Council's strategy. This will effectively define a five-year work plan for the Council's work through set actions that provide a coherent focus and channel energies into priority areas," said Arts Council Malta director of strategy Toni Attard.
The conference is open to the public on a first-come first-served basis or until December 10. It will run between 08:30 and 17:15. Lunch is included. The conference is free of charge and interpretation services from Maltese to English will be available.
After 17:30, Arts Council Malta representatives will be available at the conference venue to discuss the Council's strategic plan and provide information on the funding programmes for 2016.


This tutorial covers Tomcat 7, which supports the servlet 3. 491 With Spotify for Mac Mac, your PC , your tablet , it' s easy to find the right music for every moment – on your phone more. At the beginning of the 21st century there were many tools for software developers but few of them worked together.
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The Town of Gypsum offers a number of recreational opportunities in the form of parks, trails, sports fields, a recreation center, gun club, and golf course.
A Recreational Trails Conceptual Plan has been developed to evaluate the potential for additional soft and hard-surface trails within and around the Town of Gypsum. This plan also addresses environmental and regulatory constraints and opportunities for trail development.
What's next on the trails planning effort? We'll be working with user groups to create a proposed site plan for the Hardscrabble Planning Area. Sign up and stay up-to-date.
Visit Town of Gypsum Outdoor Recreation & Trails Community Website at exploregypsum.com. Learn about the outdoor recreation & trails plan, plan implementation, upcoming events, and how to get involved.
While the town is well served at its current size, future growth will only increase the demand for transportation improvements and additional parks and recreational amenities.


¡Colorín Colorado! - This bilingual site for families and educators of English language learners offers easy ways for parents to help kids become successful readers. Tip sheets for parents of children in Preschool through Third Grade are available in eleven languages!


text:
Q: Crash when running on device after second launch I am not an engineer, so a bit overwhelmed with this crash in my simple weather app that shows Celsius and Fahrenheit side by side. I only updated to iOS 13 SDK and changed some colors for night mode.
App runs fine in simulator and also launches fine on device when started out of Xcode. However, when hard closing app and re-launching on device I get the following crash. I have no idea how to debug crashes, so I'd appreciate any help!
Incident Identifier: FFECFBCF-3BAB-4372-BA17-CC76247FE9CA
CrashReporter Key:   bea3dbf6e834f42395b8e4d8102edeea44de5564
Hardware Model:      iPhone10,6
Process:             FranzFahrenheit [11575]
Path:                /private/var/containers/Bundle/Application/C9ADFBB0-773A-41B4-9D1D-24C915EFDF77/FranzFahrenheit.app/FranzFahrenheit
Identifier:          com.bjoernschefzyk.franz
Version:             51 (2.4)
Code Type:           ARM-64 (Native)
Role:                Foreground
Parent Process:      launchd [1]
Coalition:           com.bjoernschefzyk.franz [3643]

Date/Time:           2019-10-12 13:45:33.8086 -0700
Launch Time:         2019-10-12 13:45:33.4430 -0700
OS Version:          iPhone OS 13.1.2 (17A861)
Release Type:        User
Baseband Version:    3.01.01
Report Version:      104

Exception Type:  EXC_CRASH (SIGABRT)
Exception Codes: 0x0000000000000000, 0x0000000000000000
Exception Note:  EXC_CORPSE_NOTIFY
Triggered by Thread:  0

Application Specific Information:
abort() called

Last Exception Backtrace:
0   CoreFoundation                  0x1c258c98c __exceptionPreprocess + 220
1   libobjc.A.dylib                 0x1c22b50a4 objc_exception_throw + 55
2   CoreFoundation                  0x1c2482054 +[NSException raise:format:] + 107
3   UIFoundation                    0x1c5b356f8 UINibDecoderDecodeObjectForValue + 407
4   UIFoundation                    0x1c5b35a6c UINibDecoderDecodeObjectForValue + 1291
5   UIFoundation                    0x1c5ad1ec8 -[UINibDecoder decodeObjectForKey:] + 315
6   UIKitCore                       0x1c69f5354 -[UIView initWithCoder:] + 779
7   UIKitCore                       0x1c6940f98 -[UIStackView initWithCoder:] + 67
8   UIFoundation                    0x1c5b35838 UINibDecoderDecodeObjectForValue + 727
9   UIFoundation                    0x1c5b35a6c UINibDecoderDecodeObjectForValue + 1291
10  UIFoundation                    0x1c5ad1ec8 -[UINibDecoder decodeObjectForKey:] + 315
11  UIKitCore                       0x1c69f5354 -[UIView initWithCoder:] + 779
12  UIFoundation                    0x1c5b35838 UINibDecoderDecodeObjectForValue + 727
13  UIFoundation                    0x1c5ad1ec8 -[UINibDecoder decodeObjectForKey:] + 315
14  UIKitCore                       0x1c6247c7c -[UIRuntimeConnection initWithCoder:] + 171
15  UIFoundation                    0x1c5b35838 UINibDecoderDecodeObjectForValue + 727
16  UIFoundation                    0x1c5b35a6c UINibDecoderDecodeObjectForValue + 1291
17  UIFoundation                    0x1c5ad1ec8 -[UINibDecoder decodeObjectForKey:] + 315
18  UIKitCore                       0x1c6242cc8 -[NSCoder+ 6917320 (UIIBDependencyInjectionInternal) _decodeObjectsWithSourceSegueTemplate:creator:sender:forKey:] + 487
19  UIKitCore                       0x1c62458b8 -[UINib instantiateWithOwner:options:] + 1111
20  UIKitCore                       0x1c5f8cb4c -[UIViewController _loadViewFromNibNamed:bundle:] + 363
21  UIKitCore                       0x1c5f8d5d8 -[UIViewController loadView] + 175
22  UIKitCore                       0x1c5f8d890 -[UIViewController loadViewIfRequired] + 171
23  UIKitCore                       0x1c5f8df94 -[UIViewController view] + 27
24  UIKitCore                       0x1c5f1d924 -[UIPageViewController _setViewControllers:withScrollInDirection:animated:completion:] + 511
25  UIKitCore                       0x1c5f1db78 -[UIPageViewController setViewControllers:direction:animated:completion:] + 263
26  FranzFahrenheit                 0x102219c78 0x102210000 + 40056
27  FranzFahrenheit                 0x102218988 0x102210000 + 35208
28  FranzFahrenheit                 0x102218e80 0x102210000 + 36480
29  UIKitCore                       0x1c5f8907c -[UIViewController _sendViewDidLoadWithAppearanceProxyObjectTaggingEnabled] + 99
30  UIKitCore                       0x1c5f8db8c -[UIViewController loadViewIfRequired] + 935
31  UIKitCore                       0x1c5effe68 -[UINavigationController _updateScrollViewFromViewController:toViewController:] + 167
32  UIKitCore                       0x1c5f00174 -[UINavigationController _startTransition:fromViewController:toViewController:] + 175
33  UIKitCore                       0x1c5f00fa8 -[UINavigationController _startDeferredTransitionIfNeeded:] + 1135
34  UIKitCore                       0x1c5f022ec -[UINavigationController __viewWillLayoutSubviews] + 163
35  UIKitCore                       0x1c5ee6060 -[UILayoutContainerView layoutSubviews] + 223
36  UIKit                           0x1f745efac -[UILayoutContainerViewAccessibility layoutSubviews] + 47
37  UIKitCore                       0x1c6a25270 -[UIView+ 15184496 (CALayerDelegate) layoutSublayersOfLayer:] + 2139
38  QuartzCore                      0x1c8f115f8 -[CALayer layoutSublayers] + 283
39  QuartzCore                      0x1c8f15e28 CA::Layer::layout_if_needed+ 1396264 (CA::Transaction*) + 479
40  QuartzCore                      0x1c8f21894 CA::Layer::layout_and_display_if_needed+ 1443988 (CA::Transaction*) + 135
41  QuartzCore                      0x1c8e6a9f0 CA::Context::commit_transaction+ 694768 (CA::Transaction*, double) + 303
42  QuartzCore                      0x1c8e94890 CA::Transaction::commit+ 866448 () + 675
43  UIKitCore                       0x1c65b1b1c __34-[UIApplication _firstCommitBlock]_block_invoke_2 + 79
44  CoreFoundation                  0x1c250a614 __CFRUNLOOP_IS_CALLING_OUT_TO_A_BLOCK__ + 19
45  CoreFoundation                  0x1c2509db4 __CFRunLoopDoBlocks + 263
46  CoreFoundation                  0x1c2505030 __CFRunLoopRun + 1099
47  CoreFoundation                  0x1c25048bc CFRunLoopRunSpecific + 463
48  GraphicsServices                0x1cc370328 GSEventRunModal + 103
49  UIKitCore                       0x1c659a6d4 UIApplicationMain + 1935
50  FranzFahrenheit                 0x10223b3dc 0x102210000 + 177116
51  libdyld.dylib                   0x1c238f460 start + 3

Thread 0 name:  Dispatch queue: com.apple.main-thread
Thread 0 Crashed:
0   libsystem_kernel.dylib          0x00000001c2384ebc __pthread_kill + 8
1   libsystem_pthread.dylib         0x00000001c22a4c1c pthread_kill$VARIANT$armv81 + 192
2   libsystem_c.dylib               0x00000001c21f4824 abort + 100
3   libc++abi.dylib                 0x00000001c234d7d4 __cxa_bad_cast + 0
4   libc++abi.dylib                 0x00000001c234d9c4 demangling_unexpected_handler+ 6596 () + 0
5   libobjc.A.dylib                 0x00000001c22b5358 _objc_terminate+ 25432 () + 124
6   libc++abi.dylib                 0x00000001c235a304 std::__terminate(void (*)+ 58116 ()) + 16
7   libc++abi.dylib                 0x00000001c2359ed8 __cxa_rethrow + 144
8   libobjc.A.dylib                 0x00000001c22b5258 objc_exception_rethrow + 40
9   CoreFoundation                  0x00000001c250492c CFRunLoopRunSpecific + 576
10  GraphicsServices                0x00000001cc370328 GSEventRunModal + 104
11  UIKitCore                       0x00000001c659a6d4 UIApplicationMain + 1936
12  FranzFahrenheit                 0x000000010223b3dc 0x102210000 + 177116
13  libdyld.dylib                   0x00000001c238f460 start + 4

Thread 1:
0   libsystem_pthread.dylib         0x00000001c22acad8 start_wqthread + 0

Thread 2:
0   libsystem_malloc.dylib          0x00000001c2275a98 nanov2_calloc$VARIANT$armv81 + 152
1   libsystem_malloc.dylib          0x00000001c2282924 malloc_zone_calloc + 140
2   libsystem_malloc.dylib          0x00000001c2282924 malloc_zone_calloc + 140
3   libsystem_malloc.dylib          0x00000001c2283208 calloc + 32
4   libobjc.A.dylib                 0x00000001c22c6910 class_createInstance + 40
5   libdispatch.dylib               0x00000001c2259a20 _os_object_alloc_realized + 40
6   libdispatch.dylib               0x00000001c2230a90 dispatch_mach_msg_create$VARIANT$armv81 + 108
7   libdispatch.dylib               0x00000001c222d4a0 _dispatch_mach_merge_msg$VARIANT$armv81 + 136
8   libdispatch.dylib               0x00000001c22479b0 _dispatch_event_loop_merge$VARIANT$armv81 + 148
9   libdispatch.dylib               0x00000001c2241308 _dispatch_workloop_worker_thread + 268
10  libsystem_pthread.dylib         0x00000001c22a9fa4 _pthread_wqthread + 276
11  libsystem_pthread.dylib         0x00000001c22acae0 start_wqthread + 8

A: I encountered the same crash issue and then I resolved it. I would like you to share the following my solution, but it might depend on your app. I hope it would help you.
In this thread in Apple's forum, eskimo's comment saved me(By the way, eskimo always helps me in the forum). According to the comment, I knew I had to check console logs of my device in Console app and then I found the following log.

*** Terminating app due to uncaught exception 'NSInvalidUnarchiveOperationException', reason: 'Could not instantiate class named MKMapView because no class named MKMapView was found; the class needs to be defined in source code or linked in from a library (ensure the class is part of the correct target)'

Thanks to the log's instruction, I figured out there was a problem to link Maps.framework with my app binary. So I put Maps.framework into "Frameworks, Libraries, and Embedded Content" in Xcode.

As a result, I could resolved the crash issue!(That's weird.) I think this issue should be owned by Xcode 11 and it needs to be fixed by Xcode.


The Princess and the Pea is a traditional story of the prince who is given the best of everything. When the princes family decide it is time for the prince to get married, they invite many suitable princesses and young charming women to meet the prince, but none of them is princess-perfect enough for him. Then one day a poor girl, bedraggled by the rain and life, appears at the castle door, and she is invited to stay. She has a terrible nights sleep, which proves to the family that the princess is indeed princess enough to marry the prince. What is the key to their discovery? You need to read the book to find out! This is a fun, well-told, happy story with lovely illustrations.


text:
Q: Nagios Core Error Unable to get process status I'm having issue with Nagios Core Version 4.1.1
I believe it has something to do with httpd, the reason I say so is when I perform
service nagios stop, I still get error message like
Unable to get process status
I checked nagios.log and access_log and error_log but nothing obvious to pin point.
Is it because of permissions on directories?
[root@puppet nagios]# pwd
/etc/nagios
[root@puppet nagios]# ls -ld .
drwxrwxr-x. 5 root root 4096 Jun 10 22:42 .
[root@puppet nagios]# ls -alrth
total 92K
-rw-r-----.   1 root apache   27 Nov 25  2017 passwd
-rw-rw-r--.   1 root root    44K Nov 25  2017 nagios.cfg
-rw-rw-r--.   1 root root    13K Nov 25  2017 cgi.cfg
drwxr-x---.   2 root nagios 4.0K Jun 10 16:46 private
drwxr-x---.   2 root nagios 4.0K Jun 10 21:52 conf.d
drwxr-x---.   2 root nagios 4.0K Jun 10 22:41 objects
drwxrwxr-x.   5 root root   4.0K Jun 10 22:42 .
drwxr-xr-x. 127 root root    12K Jun 10 23:00 ..
[root@puppet nagios]#

Users and permissions also looks okay to me:
[root@puppet nagios]# id nagios
uid=495(nagios) gid=492(nagios) groups=492(nagios),48(apache),501(nagcmd)
[root@puppet nagios]# id apache
uid=48(apache) gid=48(apache) groups=48(apache),501(nagcmd)
[root@puppet nagios]# id nagcmd
id: nagcmd: No such user
[root@puppet nagios]# cat /etc/group|grep nagcmd
nagcmd:x:501:apache,nagios
[root@puppet nagios]#

httpd.conf configuration:
#
# Controls who can get stuff from this server.
#
    Order allow,deny
    Allow from all

Anything I am missing to check?


text:
Publications and Prices
Richard Outram, Benedict Abroad
by website2014 | Posted in: Publications | 0
Richard Outram (1930-2005) was born in Port Hope but the family moved to Toronto and he attended high school in Leaside and then the University in Toronto, where he was influenced by Northrop Frye. He later worked at the CBC while writing and working in partnership with his wife, artist Barbara Howard, on publications printed for their private press, the Gauntlet Press. In addition, Outram published twelve collections of poetry.
Benedict Abroad was the first book of poetry to receive the Toronto Book Award (1999).
In Arc (Autumn 1999), Anna Adamek observed that Benedict Abroad is "difficult poetry" in which Outram maintains "very high intellectual and philosophical standards." Following the eccentric characters in the search for "harmony and meaning," however, is an "intellectual delight."
"Outram's work here is reminiscent of Hopkins's for its linguistic density, its autodidactic terminology, its formal variety, and especially for its interest in the unique details of the material world . . . Outram's attention and craft yields precise verbal renderings of physical objects, and ultimately is applied to the revelation of our little tastes and preferences, our own attention to detail that makes us—-both remarkably and ludicrously—-individuals" (Jason Camlot, Journal of Canadian Poetry).
On Outram, see http://en.wikipedia.org/wiki/Richard_Outram
$10.00 + postage
Mel Lastman presents Toronto Book Award to Richard Outram
Richard Outram and Barbara Howard
© 2022 The St. Thomas Poetry Series


text:
Professional Institute at the School of Computing and Information
Julia Santucci
Senior Lecturer, Graduate School of Public and International Affairs
Julia M. Santucci is senior lecturer in intelligence studies and director of the new Hesselbein Forum Leadership Program in International Affairs. Santucci has over a decade of experience in national security and foreign policy positions. She most recently served as a senior advisor in the Secretary of State's Office of Global Women's Issues, where she worked to advance gender equality as a core U.S. foreign policy priority. This included work to integrate women's issues into U.S. efforts to counter terrorism and violent extremism globally. From 2012 to 2014, she served as director for Egypt at the National Security Council, providing advice to the president of the United States and the national security advisor on coordinating U.S. policy toward Egypt across the interagency. She worked for 10 years as a leadership analyst at the Central Intelligence Agency, where she provided written assessments and oral briefings to the president, Cabinet members, and other senior officials to help inform their decision making around developments in the Middle East.
3213 Wesley W. Posvar Hall
About the School of Computing and Information
The School of Computing and Information is a new school for a new era. Our degree programs in computer science, information science, intelligent systems, library science, and telecommunications prepare students to address some of the biggest challenges facing our society. Our faculty are recognized experts in their field, conducting critical research in the areas of artificial intelligence, big data, cybersecurity, and more.
We are ranked #6 among the "Top Cybersecurity Schools for 2019" by CyberDegrees.org and have been designated a National Center of Academic Excellence in Information Assurance Education since 2004. The National Security Agency and Department of Homeland Security have jointly designated the school a National Center of Academic Excellence in Information Assurance/Cyber Defense Research since 2008. Our Laboratory for Education & Research on Security Assured Information Systems has received more than $2 million in funding from the National Science Foundation, Department of Defense, Cisco, and other agencies.
Professional Institute at SCI
135 North Bellefield Avenue
sciprofessional@pitt.edu
Revised 01/10/20Copyright 2020Send feedback about this site.


text:
Flora of Mozambique
Home > List of families > Fabaceae subfamily Caesalpinioideae > Bauhinia > tomentosa > Record no. 106080
Details of record no: 106080
Bauhinia tomentosa L.
Three blocks of information are displayed on this page, namely: (a) details of the record; (b) the record point plotted using Google Maps and (c) any images attached to the record. Please scroll down to see the various items.
Date: 26 Oct 2019
Recorder(s): MA Hyde
K van Laeren
A Sinclair
J Van Bel
Determiner(s): K van Laeren
Habitat: In grounds
Location: Borrowdale Park Vet Hospital, Harare
Map of species record
Copyright: Mark Hyde, Bart Wursten, Petra Ballings and Meg Coates Palgrave 2007-23
Hyde, M.A., Wursten, B.T., Ballings, P. & Coates Palgrave, M. (2023). Flora of Mozambique: Individual record no: 106080: Bauhinia tomentosa.
https://www.mozambiqueflora.com/speciesdata/species-record.php?record_id=106080, retrieved 29 January 2023
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24 By faith Moses, when he had grown up, refused to be known as the son of Pharaoh's daughter. 25 He chose to be mistreated along with the people of God rather than to enjoy the fleeting pleasures of sin. 26 He regarded disgrace for the sake of Christ as of greater value than the treasures of Egypt, because he was looking ahead to his reward. 27 By faith he left Egypt, not fearing the king's anger; he persevered because he saw him who is invisible. 28 By faith he kept the Passover and the application of blood, so that the destroyerof the firstborn would not touch the firstborn of Israel.


The following is an edited version of an essay first published in 2010. It's particularly meaningful today as we adapt our home to meet the needs of our large, loving multi-generational family.
Like a tiny town, there are no secrets in my small house. No sneaking out when you're grounded or cheating-on-your-diet-no-one-will-know. No hiding Reese's Cups or saving the last bit of cheesecake for a solitary midnight snack.
In the spacious back garden my tow-headed 4-year old learns to swing. Her legs catch the wind as she sails into the sky. For two exhilarating hours. Without stopping.
On the street in front of my small house, my competitive 7-year old meets his 6-year old sister's challenge to ride his bike "no hands!" He does her one better, propping his feet on the handlebars: "No feet either!" He hits a curb, tumbles, snaps his collar bone. Three cozy days at home later, he returns to school with half his math book completed.
Early attempts to teach homeschool PE involve giggling circles around a fat, white bark tree. (Later, we use the space to train for competitive team sports.) We watch a mother butterfly lay eggs on a milkweed plant placed at our kitchen table. We chart the progress of her babies from pupa to wet-winged Monarch.
In the living room of my small house I braid wire into my 10-year old's long hair for her lead role in the homeschool musical. Her endearing, high cee voice sings light into the shadows.
Now, this very minute, wheels rattle across the hardwood floor in my small house. A pony tailed cherub pushes Big Bird into my kitchen office using a little red stroller. Her soft pillow cheeks puff into a smile. "Nonnie!" she sings.
I swoop my grandbaby into the air and kiss her perfect little face.
Will you miss all clatter and crowding in your larger house?