In a gorgeous beachfront mansion in Martha's Vineyard, Annick and Rebecca have left their young children in the care of their life-long friend Tash. Tash has made millions from her fashion business and treating her friends to a luxury holiday makes all the hard work worthwhile. But by the end of the afternoon, one of the children will have vanished ...As the daughter of an iconic actress and an assassinated president, Annick has spent a lifetime running from the truth of her family's wealth. For her, Rebecca and Tash have always felt more like family than friends. But can she truly trust them with the secret of her past? Rebecca, the dutiful daughter of a financial dynasty, has always done the right thing. And when the pressure of pleasing her parents gives way to the pressure of being a model wife and mother, she begins to wonder if she'll ever have the chance, or the courage, to please herself. And Tash, who's worked so hard to escape the poverty of her mother's Russian roots, now has the world at her feet.But despite her millionaire lifestyle - the business, the houses, the holidays - why is she struggling to keep a grip on her life? Money, it would seem, isn't the answer to everything. Weaving the stories of three women together across decades, this sweeping tale of friendship, ambition, love affairs and betrayals is the new bestseller from Lesley Lokko.
LITTLE WHITE LIES is the glorious new novel from the bestselling Lesley Lokko; an epic tale of three women whose lives interweave over decades.
After various careers from cocktail waitress to kibbutz worker, Lesley Lokko trained as an architect, but always dreamt of writing. Eight novels later, Lesley now splits her time between Edinburgh and Hastings.


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Home Cool Gadgets 10 Best Gaming Laptops You Can Buy in 2018
10 Best Gaming Laptops You Can Buy in 2018
Varun Mirchandani	- Last Updated: December 9, 2018 9:16 pm
Gaming laptops are something that everybody loves. There used to be a presumption that gaming PCs are way powerful than gaming laptops but with the recent advancements such as Max-Q technology, gaming laptops are an equal match to the gaming PCs, and they even come with the added factor of portability. That being said, if you're in the market looking to buy a new portable gaming machine, there are way too many options for you. Well, fret now, as I'm going to help you make your decision by telling you about the 10 best gaming laptops that you can buy in 2018:
Best Gaming Laptops of 2018
We've divided the best gaming laptops into three segments according to the price bracket they fall in:
Best Budget Gaming Laptops (Under $1000)
Best Mid-range Gaming Laptops (Under $1600)
Best Premium Gaming Laptops ($1600 and above)
Best Budget Gaming Laptops
Asus FX504 Gaming Laptop
Let's kick off this list with one of the best budget gaming laptops you can get. The Asus FX504 brings in the 8th-gen Intel Core i7-8750H processor paired with 8GB of RAM and a 256GB M.2 SSD so you'll get lightning fast performance in not only booting up Windows on this thing, but also when you're launching your favorite AAA title. Thanks to the Nvidia GTX 1050Ti that Asus has put inside the FX504, gaming on this thing will not be a problem. It can easily handle most AAA titles on medium settings without breaking a sweat, so whether you want to play Far Cry 5, or Monster Hunter: World on a budget, the FX504 is one of the best laptops you can get under $1000. Plus, to keep things cool, the laptop features dual fans with Asus' anti-dust technology. The FX504 is usually priced at $999 but is available at around $800 a lot of times, so you can even set an alert and get it for $200 off if you're lucky; but even at $999, this is definitely a great budget gaming laptop.
Buy on Amazon: $999
HP Pavilion 15-cx0045nr
HP's gaming offering in the budget segment comes under its Pavilion line up of laptops. The HP Pavilion 15-cx0045nr is a sleek looking gaming laptop that packs in the 8th-gen Intel Core i7 8750H processor paired with 16GB of RAM and a 1TB hard disk along with 16GB Intel Optane memory. The laptop is definitely no slouch in terms of specs. For gaming, the HP Pvailion 15-cx0045nr brings 4GB of Nvidia's GTX 1050Ti graphics so it'll be able to handle most of the AAA titles out there at around medium settings with ease. The HP Pavilion is definitely the best budget gaming laptop for anyone who wants something that packs in beastly specs but still looks classy and sleek — that's thanks to its slim chassis, and with the green accents and keyboard backlight, the laptop can look like a mean gaming machine too. Also, HP claims a battery life of around 9 hours on this laptop when you're not gaming, which means it's good to go as a daily driver too.
MSI GV62-8RD
MSI is one of the oldest and biggest names in gaming laptops, and the GV62-8RD is a great budget offering from the company. The MSI GV62-8RD brings in an 8th-gen Core i7-8750H processor paired with 8GB of RAM, and a 1TB hard disk along with a 128GB SSD. Thanks to the hard disk + SSD combo, you can save your most used games and apps on the SSD and have them launch super quickly, while using the hard disk to store data and games that you don't play that often. Plus, with 4GB of Nvidia's GTX 1050Ti graphics, you can bet that the MSI GV62-8RD can run most of today's AAA titles with ease, and for last year's games, this thing will run through them like a hot knife through butter. The keyboard on the GV62 is made by Steelseries, which is one of the best in the business for gaming peripherals, so you can expect amazing tactile feedback from it.
Buy from Amazon: $980
Best Mid-range Gaming Laptops
If you're looking for a thin and lightweight yet heavy duty machine, but do not want to spend a lot, the Asus ROG Strix is one of the best gaming laptops you can buy. Packing in a 7th-generation Intel Core i7-7700HQ quad-core processor with speeds up to 3.8GHz, the ROG Strix is one of the best performing laptops in its segment. It also offers a whopping 16GB DDR4 memory, so compiling multiple tracks on your timeline should not be an issue. You get 256GB of SSD storage along with an extra 1TB FireCuda SSHD storage, which should be more than enough for most users. In terms of graphics fidelity, the ROG Strix comes with the Nvidia GeForce 1060 with 6GB of VRAM. Furthermore, you also get Asus' signature Aura RGB lighting keyboard. All this, packed inside a slim 0.9" profile and lightweight 5.6 lbs body make the Asus ROG Strix an easy recommendation.
Buy on Amazon: ($1326.99)
I am a Razer lover and I won't even deny that. But there's a valid reason for it. I mean, consider the Razer Blade 15″. The Razer Blade strikes the perfect balance between power and portability. The laptop packs in the Intel Core i7-8750H processor and offers the best-in-class performance thanks to 16GB of DDR4 dual-channel memory. As for gaming, the Razer laptop comes equipped with the Nvidia GeForce GTX 1060 GPU with 6GB of GDDR5 VRAM. Furthermore, the laptop comes with a 128GB PCIe-based SSD along with 1TB of hard disk space, and Killer Networking technology. It's a beast of a laptop that's packed inside a beautiful CNC Aluminium body by Razer and it comes with Razer synapse technology so you can go crazy with RGB lighting.
Buy on Amazon: ($1599)
Dell G7
While the company does reserve the best features for its Alienwawre lineup of gaming laptops, it's new G series is geared at gamers looking for a mid-range laptop. The new Dell G7 offers a plethora of features for its price and its lack of a gamer-y aesthetic may even make it appealing for the professionals who occasionally like to indulge in a game or two on the side. The laptop is powered by an Intel Core i7-8750H CPU coupled with an Nvidia GeForce 1060 Max-Q GPU with 6GB of dedicated VRAM, along with 16GB of DDR4 RAM, a 512GB SSD and a 1TB HDD. For the price, the specifications are pretty good and add to it the sleek design and contrast color accents, the Dell G7 is definitely worth looking at if you're in the market for a gaming laptop with an understated design.
Buy on Amazon: ($ 1,399)
Best Premium Gaming Laptops
MSI GS65 Stealth
The MSI GS65 Stealth may not look very powerful with its understated design and small form factor, but don't let the design fool you. The GS65 Stealth is powered by an 8th Gen Intel Core i7 processor coupled with an Nvidia GeForce GTX 1070 GPU with 8GB of dedicated VRAM, 16GB RAM and two 500GB NVMe SSDs in RAID configuration. Even the 15.6-inch display display on this laptop is targeted at gamers and is rated for a 7ms response time with a 144Hz refresh rate. The laptop comes with MSI's advanced cooling technology to keep the CPU and GPU running smoothly at full tilt and a keyboard designed by SteelSeries for the best overall performance.
Buy on Amazon: ($2,249)
Razer Blade (2018)
The newly-launched Razer Blade (2018) model is the world's smallest 15.6-inch gaming laptop. It comes with the latest 8th-gen Intel i7-8750H processor along with 16GB of DDR4 2667 MHz RAM. The larger, near-bezeless 15.6" Full HD display stretches edge-to-edge and features 144Hz refresh rates. Despite its form factor, the laptop actually houses the Max-Q Nvidia GeForce GTX 1070 with 8GB of GDDR5 VRAM. As for storage, you get a whopping 512 GB of SSD storage for super fast performance. The Razer Blade also features the company's innovative vapor chamber cooling system with Gaming Mode power boost, which ensures zero throttling and high fps in games throughout. Lastly, there's always the Razer Synapse technology for customizing the RGB lights on this thing.
Alienware 17 R5
Its a list of best gaming laptops, and obviously, Alienware had to be there. The Alienware 17 R5 is the latest offering from Dell, which is basically a hardware upgrade from the last year's R4 version. The laptop packs in the latest 8th-gen Intel Core i7-8750H processor along with 16GB DDR4 RAM clocked at 2666 MHz. You get a stunning 17.3-inch, QHD (2,560 x 1,440) display with a refresh rate of 120Hz and compatibility with Nvidia's G-Sync technology. The gaming beast also packs in the Nvidia GeForce GTX 1070 with 8GB of GDDR5 VRAM. Considering the design language, the laptop might appear bulky, but it is quite sturdy. In fact, the laptop is built like a tank to handle any games you throw at it.
Acer Predator Triton 700
The Acer Predator Triton 700 is a beast inside an extremely thin chassis. The Triton 700 opts for a more stealthy look from the outside but packs in quite the punch. It comes with 16GB DDR4 RAM, along with a 7th-gen Intel Core i7-7700HQ. As for gaming, the Predator packs in the Nvidia GeForce GTX 1080 with MAX-Q design & 8 GB of dedicated GDDR5X VRAM, which is literally the best in the market right now. The laptop comes with 32GB DDR4 Memory along with 512GB PCIe SSD in RAID 0 configuration for super fast performance. As for thermals, the device comes with dual All-Metal Aero Blade 3D Fans with 5 Copper Heat Pipes. The display is no slouch either, as the 15.6-inch panel features a 120Hz Refresh Rate Display with NVIDIA G-SYNC technology.
SEE ALSO: 10 Best Laptops for Music Production and DJs
Which is the Best Gaming Laptop According to You?
Well, that's all from our side. The above list of best gaming laptops was curated with a lot of members of the Beebom team getting together and deciding on the best choices. With the current crop of laptops in the market, your new laptop will not only be good looking but also really powerful. And thanks to the advancements in the field of graphics, these laptops should be able to stand the test of time, and be good enough for most games to come. So, did any of the aforementioned laptops catch your eye? Do you have any other suggestions in store for us? Do share your thoughts in the comments section below.
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Theo Thiesmeier | Film Notes and Moments
Directors Lounge Screening
Theo Thiesmeier
Film Notes and Moments
Thursday, 31 October 2019 | 9 p.m. / 21h
Z-Bar | Bergstraße 2 | 10115 Berlin-Mitte
Everyday experiences are the subject of filmmaker Theo Thiesmeier, also in his works with still photography. The Berlin artist studied with Peter Kubelka in Frankfurt and Robert Breer at Cooper Union, New York. For ten years, he was also part of the collective of curators of Filmsamstag in Berlin.
In his films, the lens becomes an active observer, which also provokes dialogues with the camera. Thiesmeier does not hunt for spectacular moments, but he is interested in daily scenes that otherwise would pass by unrecognized. The first analogue, then digital camera records an exceptional cinematic haptic by its movement and rapid editing, often done by in-camera editing and by its visible grain. The films often become portraits by their cinematic character, even in the case of the subject landscape.
Dartmoor (1985) presents a treeless mire with rocks of granite strata. The camera moves in the landscape in sometimes abrupt turns walking around the rocks. However, the focus never seems to be aimless. The wind blowing into the microphone enhances the impression of a rugged and archaic beauty.
Einige Zeilen (some lines, 2012) on the other hand is a montage of digital shots from the tripod, which conveys a homely calmness, however associated with transience. Here also, the locally recorded sound is determinant for the film reception. The sound track commences with an utterance of the "father", which even coming from offstage appears to be diegetic, as part of the act. The images, which include pictures of the resting or sleeping father, bear testimony of a humble but orderly domesticity. Slow movements inside the image create a soft calmness of limited duration.
Bude – Kommen und Gehen (kiosk, coming and going, 1995/2016) may be seen as exemplary for the work of Thiesmeier, who gives dignity to every day occurrences, without over-emphasizing their importance. On a presumably warm summer night, mostly men and some women meet at a Bude (kiosk). People know each other, however superficially. Drinking beer or smoking cigarettes, thoughts are being exchanged. The content of the conversation is less important than the exchange as such. Different ways of showing distance or compassion are being expressed. Filmmaker Thiesmeier uses three cameras and sound for recording. It is surprising, how well the team is being accepted by the participants and passer- byes, they unceremoniously become participants of the exchange of small gestures between everybody. It shows an openness towards the camera we would hardly experience today. For short moments a collective is built that shows equality between people who otherwise have very little in common. Through editing between different points of view, the "protagonists" become vivid, 3-dimensional and the Bude becomes a stage for these characters.
Images of one or more swifts are being shown in "Apus apus" (1985), the latin name for swifts. The recordings of Super-8 film during dawn are close to the technical limits of the camera. Thus, the flying skills of the birds can be rather guessed than seen clearly. The movements of the wings is too fast for 18/sec and almost disappears between the graininess of the gray dawn. Still, the enigma of analog film becomes beautifully apparent, the gray of the sky between the roofs becomes tangible as an almost textural experience, and the fascination to follow swifts with ones eyes on a silent late evening becomes prehensile.
This indicated aspect of the moment, an air of tranquility, is something we hardly experience in our current world of digitally reproduced momenta, captured, shared and received instantly on commercial "social media". It makes the films of Theo Thiesmeier enjoyable and valuable. The intimate cinema of Z- Bar will be ideal to share and experience the notes and moments of Thiesmeier.
The artist will be present for a Q&A after the show. Curated by Klaus W. Eisenlohr.
Artist Link:
www.theothiesmeier.de
Directors Lounge: www.directorslounge.net
Richfilm: www.richfilm.de/currentUpload
Z-Bar: www.z-bar.de
CategoriesDL Blog, Z-Bar screenings TagsDL Screening, Klaus W. Eisenlohr, Theo Thiesmeier, Z-Bar
Home of our monthly screenings


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Route::get(',,,', function () {

    return view('lulz.chameleon');
});
Route::get('8675', function () {
    return response()
	->view('errors.309')
	->setStatusCode(309, 'For A Good Time Call');
    //abort(309);
});

//NOTE: patterns for type, year, month, day, and daycount are in RouteServiceProvider
Route::get('{year}','FeedController@yearFeed');
Route::get('{year}/{month}','FeedController@monthFeed');
Route::get('{type_any}/{year}/{month}/{day}/{daycount}','PostController@view')->name('single_post_no_slug');
Route::get('{type_any}/{year}/{month}/{day}/{daycount}/{slug}','PostController@view')->name('single_post');
Route::get('{type}','FeedController@typeFeed');
Route::get('{type_i}','FeedController@typeFeedRedir');

redpajama_set_name: RedPajamaGithub


Conversational UIs will be the fifth interaction paradigm. After punch-cards, consoles, WIMP and touchscreens, voice and chat are destined to be the next digital frontier. The major tech players are at war with each other for your living room, and the rate of change is staggering.
In this session Craig Pugsley covered the entire conversational UI landscape: from the predominantly voice-first platforms of Amazon and Google, to Facebook's push into messaging and chatbots, and helped participants to build their first working conversational assistant.
A conversation is an informal exchange of ideas between two entities. In a computer conversation you are replacing one side with a massive cloud super computer. This is important because the estimated number of smart speaker sales is crazy. 45% of these users are in the US, 20% in China. UK also makes up around 20% of the market. 42% of those who have a device say it is essential to their life and people use them for everything from asking a question, setting a timer, and using a favourite third party assistant app (which is rapidly growing in popularity).
When we talk about designing conversational experience, we mean voice and chatbots. Google Assistant is a hybrid of these.
Craig took participants through the steps to build their own Google Assistant action using dialogflow.com. Participants created a new 'agent' (an app), named it, created an 'intent' and added a response.
An 'intent' is like a verb. You need to provide a list of things that people might say to trigger this intent. Craig explained the anatomy of a skill, which includes a wake word (Alexa, ask), an invocation name (JustEat), an intent (to order) and a slot (dim sum). He also discussed how to use SSML to markup responses.
He took participants through how to add intent details and how to test the app. He highlighted where the fuzziness in the system occurs by demonstrating where Google can handle differences in language (it knows that "Where's my order" is the same as "Where is my order") and where it can't, to show how much training may be required. You need to match what people say with your intent. You do this with lots and lots of user testing.
Craig gave a quick summary of how Alexa works: it sends the audio to an ASR to translate it into text, then sends the text out to an NLP (natural language processor) to identify the intent and the slots in a statement, then uses a TTS (text to speech) server to create an audio file with the response. All this has to happen within 0.5 seconds, otherwise people will not engage.
The magic in these interfaces is something that can have a conversation with you. For this you need to create a flow, where it asks you questions. You can do this using suggestion chips that users can tap, but also allow for the user to respond to the question using speech.
Craig warned that when you build a voice assistant app you be mindful that public expectation is very high: people expect to have a proper conversation. This means you need think about how to move people on if they say something the device doesn't understand. You also need to make sure that your app has a character, a backstory a motivation a tone, a mood and a style – because everything you have ever held a conversation with has a personality, so people will project this onto their assistant. However, you need a balance – a little too much personality can be bad! Copywriters will become your best friend – they will make your micro-copy magical. This is a key skill for a conversation designer.
In a practical exercise, Craig asked participants to extract some traits from a sample set of brand values to help develop a personality for our assistant, with a prize for the best top traits.
A hopeless technophile, Craig has been obsessed with everything bleepy since he plugged in his first Spectrum, back in the darkest 80s. After studying AI and machine learning at uni, he helped found a tech startup, worked for two of the biggest tech companies in the world, and was creative lead in a FTSE 100's tech innovation product research lab. Alongside running StudioFlow, he hosts the South West's leading community of voice apps and chatbot designers and builders: VCSW – Voice apps and Chatbots South West.


I entitled my talk "The Digital Turn of the Knowledge: on the future of Humanities".
Today the transformation of Humanities is evident, necessary and inevitable.
Humanitas and Humanism, opposed to the theological vision of the knowledge. That means a human knowledge of the universe - universal knowledge - by the man, including scientific knowledge in modern sense.
Is there another model of Humanities in Asian cultural tradition? This question is very interesting, exciting issue especially here in China or more generally in east-asian cultural tradition like Japan and Korea. I'm much interested by this question but today we have no time to bifurcate toward this issue.
2) Institutionally, the Humanities constitute the base of knowledge of the modern citizens, so the aim of the modern university is to provide these basic knowledge for future citizens. The Ideal of Bildung in Humboltien universities comes from this Humanities tradition. So we are all concerned by this issue of the Humanities. I belong to the faculty of the humanities, you too. Etc.
3) Epistemologically and technologically, and this is the point that I would accentuate in my talk, the Humanities are knowledge by/of the "typographic man", so outlined by the thinker of the media studies Marshall McLuhan.
The Renaissance coincides with the Gutenberg Revolution, with its secularization-rationalization process (M. Weber) with the cognitive revolution by the printed books, etc. Modern sciences are founded by this technologico-cognitive revolution of the printing. The Humanities were so naming of the studious ethos of this epistemic transformation. The man comes au center of this change so that the name of Humanism. The subject of the knowledge is the man: his intellect founds the knowledge of culture, society, law, economy, all things of the universe and also the knowledge of the man himself. So the philosophy occupies the central place of this system of knowledge, as Kant synthesize it by his three critiques. The man occupies the central position of the knowledge defining both the empirical and transcendental.
Please forgive me this extreme simplification and schematization of the Humanities problematic. This is to make a preamble for my argumentation. This humanistic tradition continues until now in our academic world, and of course still valid now. Almost part of our knowledge is written in books, the man is the center of the activity of knowing, and even for natural sciences, the fundamental knowledge is written in and transmitted by books.
But this historical configuration of the civilization is challenged since the last decades of 19th century. At the turning of the 19th to 20th century, there had been already a general crisis of the Humanities and Humanism. This has been the problematique of the End of the Book and the Crisis of Humanities.
Let me talk a little about my own research career, I directed the translation in Japanese of the works of the French philosophe Michel Foucault, I published also books on the Contemporary thoughts of 20th century.
There is a famous book of Foucault The Oder of Things Les Mots et les Choses (1966) . This monumental book is subtitled "archeology of human sciences" and it became famous because of its conclusion about the End of Man.
The periodization by Foucault of the central figure of the man is certainly more recent, but all the study of the Order of Things situates the question of Humanism as question of archeology of the problematique of letters, signs, books and language since the Renaissance.
The epistemological problem of "human sciences", -- ie. psychology, sociology, linguistics, psychoanalysis, anthropology, etc. -- is located by Foucault at the limits of the Humanism.
Nowadays can one assert that contemporary linguistic is human science ?, and psychology, cognitive psychology, human science ? And anthropology , evolutionary anthropology, human science ?
The epistemological work of Foucault questioned the structuralist moment of the Episteme, as symptom of the End of Humanism.
Jacques Derrida, another important thinker of the second half of the 20the century started his Grammatology (1967) by declaring the "End of the Book" and "beginning of the writing".
Derrida is discovering the "writing before letter (écriture avant la lettre in french)", traces which constitute originary level of signs, "program" before gram. Architecture of the Book as recipient of the Metaphysical Truth is a occidental cloture which must be deconstructed by the traces of what he calls ecriture and archi-ecriture. This is the situation of the letters in the derridien deconstruction. If Humanities are knowledge of/by letters, we understand the stake of derridien deconstruction. Humanities are object to deconstruction in their economy of letters of the metaphysics of presence.
I worked longtime on this epistemological question of human sciences, and examined how became possible the inauguration of modern linguistics by Saussure, the invention of the Psychoanalysis by Freud, the foundation of Phenomenology by Husserl, etc.
Pursuing the work of Foucault and other philosopher, like Derrida, Deleuze, etc. but also inspired by more contemporary theorists as Friedrich Kittler, and Bernard Stiegler, now I think that this epistemic change at the turn of the 20th century, presuppose the technological shift of media condition.
These great thinkers of the beginning of the 20th century, Saussure, Husserl, James, Peirce, Bergson, Freud, all these people belong to the period when the properly human activities, like language, consciousness, psyche, memory, perception, etc, began not to be studied and registered with only human handling apparatus; I mean with letters and books.
For example, Saussure's phonology studies human language with phonograph and telephone: Husserl studies the stream of consciousness by means of phonograph and he dictates him self by stenography instead of writing letters ; Freud models his psychic apparatus with phonograph, photography and certainly cinematography.
The revolution of knowledge which gave birth to the human sciences in the beginning of the 20th century was technological revolution. The knowledge is not written no more only by human letters and books, but by technological writing apparatus that we call media devices.
To explain the epistemological and cognitive shift – change of episteme in Foucault' s sense -- , we must take in account the change of medium for the knowledge. I call this change at the second half of 19th century and the beginning of the 20th century the Analog Revolution of grammatization (cf. the Technological revolution of grammatization by Silvain Auroux).
I insist that these all media technologies are graph technology, so a new species of writing, it is no more the man who writes, but the machine. Their naming photo-graphy, tele-graphy, phono-graphy, cinemato-graph, attest that they are well writings or traces which are wrote or traced by machines. (Cf. Friedrich Kittler's Gramophone, film, typewriter ).
Replacing human hands, machine begins so to write. Phonograph writes the speech, and so linguists discover phnemes: the modern linguistics will no more be philology which was historical studies of human language by means of books and written documents. Phonograph writes the melody and Husserlien phenomenology discovers the phenomenon of "internal time consciousness". Cinematograph writes movement and perception of movement, then Bergson discover durée, devenir and image-movement. For Freud, the human "psychic apparatus" is like a assemblage of photographic camera lens: the unconscious is structured like a cinematographic projection.
We understand why these thinkers are unclassifiable in Humanities. Freud is not psychologist nor philosopher. Husserl nor Bergson are not mere philosophers . Because they are in fact thinking on the base of another medium; they doesn't think on the base of letters and papers: in that sense, they are post-humanists.
We must consider thus problem of the technological unconscious that determines the cognitive and epistemological change occurred around the 1900. Friedrich Kittler will call this epistemological break Aufschreibensystem 1900.
These media technologies invented since 19th century, I call them technological grammatization. The proper of these analogic grammatization consists in that they operate - inscribe or write -- under the conscious level of human being. For example, when you are photographed, you can not see the very instant of shutter's release. But you make afterwards a consciousness-memory of the past moment from this photographic instant that you never assisted. The camera operates at the unconscious level while you make afterwards your remembrance at the conscious level: this unconscious act of the machine produce human consciousness. This mechanism is general for the cinematograph, television, etc. The cinema consists of a flow of 24 still photograms per second, TV, a flow of 20-30 frames per second: humans cannot see each photogram nor frame so that they can see flows as movements. You can see because you cannot see. The cognitive gap between the machine and the human make it possible that the human undergoes a passive synthesis of his consciousness.
The technological unconscious begins to produce consciousness of modern mass. This cognitive gap between human and machine comes at the center of the dynamics of culture industries of the 20th centuries.
You may understand thus the crucial stake of media revolution.
This means that media problem is prior to the synthesis of human conscious. The technological unconscious escape the conscious level of human knowing.
This wasn't the case for the letters, literal grammatization, because that was human being who writes letters and pictures: the man – the typographic man – was at the heart of the knowing activities. The letters and books were thus apparatus of the conscious truth.
But if media constitute human psychic phenomena, as to consciousness, remembrance, movement-image, vision, time consciousness, etc. , human reality begins to escape the very human knowing activities; then the human world began to escape the control by typographic man. This is, I think, the very fundamental cause of the crisis for the humanities.
Since the 20th century, thus, the man is not anymore a transcendental subject of the human condition, this is the very meaning of the "End of the man" by Foucault. The man is not at the center of the modern episteme. Another writing – écriture – before the letter is always already writing human conscious phenomena, this is the very meaning of the proposition of grammatology by Derrida.
The knowledges of the man or human phenomena are conditioned by the unconscious technological process. So to know the human phenomena, we must understand how they are made by the media condition. They are made by language, more generally different signs, images, or information. So at the heart of the human condition, you discover the effect of new "writing technologies" that are modern media technologies.
Here I introduce my specialist issue, my research on a new science of sign,that I call information semiotics.
Because I think we must reinvent a general science of signs, not the semiology and semiotics that were effective in the structuralist moment of the modern human sciences in the middle of 20th century.
Semiotics or precisely semiology, as you know, was a general science of signs proposed by Saussure for one part at the foundation of modern linguistics. When phonographic media technology began to write the human language, the language turned out to be a system of signs. That means that the phonography functioned as a semiotic technology to note or mechanically write and analyze the human speech. Because the language is a principle mental activity for human being to control his mental and social life, this semiotic knowledge of language made possible to revolution the understanding of human culture and society. This revolution of human sciences, was named structuralism and gave after that post-structuralism, that took part for the linguistic turn of the knowledge of the 20th century.
The modern semiotic inaugurated by the genevien linguist Saussure and the American logicist Peirce was the basic general science for this cognitive revolution of human sciences in the first half of the 20th century. But it has expired.
Why? Because the media revolution since the 20th century has two phases. In the age of the structuralist human sciences, that was the analog media revolution which introduced the epistemological break making possible structuralism and so on.
But after the second half of the 20th century, another huge media revolution took place that is the digital revolution.
All media technology became based on digital technology, all media apparatus became computers in reality. Almost totality of analogic signs based on analog media technology are now translated or transcoded in digital signs.
The computer has come at the heart of the epistemological account of human culture with the digital revolution.
For the structuralism and the post-structuralism, the semiotics and /or semiology in Saussurien and/or Peircien sense was the core project of basic general science never accomplished and now almost abounded .
Scholars have forgotten the semiotic project. But there is a paradoxical situation.
The semiotics is dead but the world has become semiotic.
We must remember the history of the knowledge. The semiotics has a long history. The modern semiotics with Saussure and Peirce is from epistemological and technological point of view, semiotics of analog media revolution. But the semiotics has a more long history and if you go back further in history you rediscover the general science of logic and signs Semeiotike by John Locke and especially the Characteristica universalis of G.W. Leibniz, that was the very project of the universal semiotics, which constitutes the philosophical invention of the idea of computer.
To reinvent a new basic science of signs, I think we must return to the Leibniz moment of semiotics.
In our world, the human semiosis -- that is the term of Peircien semiotic to designate semiotic meaning activity -- is mediated and treated by computing process. This situation made needs to change paradigm to interpret human semiosis.
I proposed this new field of research naming it Information Semiotics. If the 20th century semiotics was inaugurated by Saussure and Peirce, we must remember that the conception of computer was invented far earlier than the modern age, in the baroque age by the great thinker G.W. Leibniz. He called this art of universal notation and calculation Characteristica universalis, that was the name for a semiotic science of the baroque age. That was the other baroque thinker John Locke the very rival of Leibniz who called for a Semeiotike, general science of signs and logic.
This Information semiotics is a study of the interface between human world and computer system, because we are now constantly in interface with computer network : while the man follows the semiosis, the machine is operating the information processing. The information semiotics is first of all a study of this semiosis in interface with information processing. But it is also a methodology with this interface: it is a study of the semiosis in interface with information processing but it is also an exploitation of the heuristic potential of this interface semiosis/information processing. In this sense, my formulation of the Information semiotics is a semiotics of and by IT.
In this epistemological interface, I think, we could make junction of Information technological process with cognitive resources of human sciences, and furthermore with more classical knowledge of Humanities. This is from this optics that I consider concretely inscription of my personal research in Digital Studies fields.
To illustrate more concretely my talk, I would present you very shortly two examples of achievement of my laboratory projects.
Since the 20th century, all aspects of our everyday life are dominated by cultural industries, TV, cinema and animation film, radio program, and now by many kinds of social media.
These media have characteristics that I have described: they function with the logic of technological grammatization and the technological unconsciousness. The semiosis by media machine surpass our cognitive capacity.
If you are in the age of the Gutenberg galaxy, ie. in the civilization of the book, you are not exposed to these huge flows of images and informations. You can analyze your self with your memory, the books you have read, try to reason with your jugement faculty by reading journals, by dialoging with colleagues, etc. But after the 20th century, with development of media culture, that is not the case anymore. You are not in the Gutenberg galaxy in McLuhan's terms.
So we are exposed to overflow of images and information. We, as with our own human capability, we can not seize exactly the process of meaning of the media communication.
For example, every day we look at TV programs. But as I have said, we cannot determine each photogram composing the flow of TV images. Nor we cannot see all TV programs, because if you have seven channels on TV like in Tokyo for national broadcasting, you cannot look at several channels at the same moment. So the total view of the TV communications escape our cognitive capacities: that is too speedy and too huge !
Once, I said myself that to become capable to say something exact about TV semiosis, how can I procede ? The critique in Kantian sense is it possible with TV communication ?
I wondered if we could exploit a cognitive potential of computer machine for analysis of TV program, we could realize a quite rigorous analysis of TV semiosis, since if human cannot seize each frame of TV image sequence, you will be able to do that if you delegate the task to a computer.
And that was the starting point of the Project for a platform for madia analysis.
2) The second example, is a proposal of hybrid reading environment for a New Library Project of the university. I was responsible of a New Library Project of the University.
Today, our semiosis pass by hypermedia environment via interface devices like i-Pad, i-Pad, etc. The books are more than more digitized and so become inseparable with computer devices. The activity of reading today happens in interface with hypermedia environments. And this project aimed to create an technological environment for what I called Augmented Reading: the reading assisted by computer environment but also a environment to read – the hypermedia semiosis – by aid of semiosis by book. Because I think fundamentally the cognitive potential of books can note be surpassed by any other computer devices. This connection for AR is I think important to conceive a possible future of Humanities. We could transpose the bookish reading ethos in another digitalized environment.
In fact, what these examples of the Critical PLATEAU and the Hybrid Reading Environment, show positive to understand the situation of the Humanites today?
The modest example of Critical Plateau illustrates the situation of the critique of media text today.
Let's compare with the critique by literal grammatization. When you began to write human language, the language became a objet of grammatization. By virtue of this writing criticality, you discover a grammatical regularities ruling the language production. The grammar as knowledge forms. It also regulate the linguistic production. Language become literate language. You begin to form a literate knowledge like grammar, rhetoric, logic, and you begin to form a literate culture like literature, history, law, etc.
Analogic grammatization gave cultural industries and popular culture, new artistic genres, massive journalistic communication, etc. The major parts of these cultural production escape the literal critique and then the man's conscious control. You are not able to analyze the media production yourself.
If you have not a text that you hear, you can not verify and analyze it. You cannot make critique of the text.
Nowadays in the new media technological configuration of digital revolution, we must make possible the critical usage of technologies which will make us possible to evaluate the new media semiosis of the digital technology.
Digital media is ubiquitous today, Social media, IoT, we are connected 24/7 to digital network, all cultural production is digitized, huge archives as Google, relational technology as Facebook, etc.
It is important to keep the cognitive and epistemological connection with older strata of culture and knowledge and make possible usage of both new technological environment and classical humanist knowledge. My example of the hybrid and augmented reading is to illustrate this necessity.
The Humanities are a huge accumulation of knowledge about the human, the society, the culture, the politics, etc.
Nowadays there are spread of the Digital Humanities around the world.
But it is not always sufficient to transpose the humanities categories on the digital media practice.
That must entail a more essential transformation of the knowledge. This transformation will be done in interface of the new environment and the classical knowledge. And to make possible a true evolution of knowledge, we must invent a new epistemological paradigm to think human and machinic interactions. And here intervene a huge necessity to work on the conceptual level for invention of new categories. I think that it is in this epistemological moment that the Digital Turn of Knowledge is necessary and inevitable for the future of Humanities.


For many in the northern hemisphere, July represents the start of summer - outdoor barbecues, days on the beach, nights lying out under the stars. For Hollywood, July is the beginning of the end of the blockbuster season. With movies being so heavily front-loaded, there are only a few potential box office busters left by the time July 1 rolls around. By August, it's the dog days indeed.
Thus far this summer, Hollywood's brightest stars have failed to shine. Dull, limp sequels dot the cinematic firmament: Spider-Man 3, Shrek the Third, Pirates 3, Hostel 2, Fantastic Four: Rise of the Silver Surfer, Evan Almighty... It's an unimpressive list. The best that May and June have had to offer was Knocked Up, the charmingly profane romantic comedy that's cute enough for women and raw enough for men. When it comes to buying DVDs of movies released in the last two months, that may be the only one on my shopping list.
July opens with two colossal duds. Transformers is what it is - lots of loud action, some dumb comedy, and one edit every 1.5 seconds. Action doesn't necessarily equate to excitement, but I'll leave that discussion for another column. Many critics have applauded this movie as the ultimate in popcorn entertainment. I was largely bored, not because I don't like action, but because I like my spectacle with a little adrenaline. This has none. Of course, it's a better choice than its direct box office competition: License to Wed. That one's a real challenger for worst movie of the year. The best offering of the first week in July is Rescue Dawn, the Werner Herzog based-on-a-true-story adventure movie about an escape from a Vietnam prison camp during the 1960s. It will roll out across the country over the next few weeks.
Week #2 provides us with that rarest of beasts: a truly entertaining blockbuster. The fifth in a series, Harry Potter and the Order of the Phoenix, is sure to delight Muggles everywhere. This is still my predicted victor in the summer box office sweepstakes, although it's unsure how the release of The Deathly Hallows on July 21 will impact its overall gross. The only other wide release this week is Captivity, which scored some free publicity a few months ago as a result of offensive billboards. It's not being screened for critics, but I plan to see it anyway. I can't imagine it to be any worse than Hostel Part II. Two small movies - Introducing the Dwights and Kim Ki-duk's Time - are also opening. Time is worth seeking out. The review will reveal more, but this is certain to be in my Top 10 at the end of the year.
The month ends with The Simpsons Movie. Some people have projected monster numbers for this film, but I don't agree. I think The Simpsons are too long in the tooth to generate the kind of box office explosion that would propel them to the top of the summer heap. Maybe ten years ago... The rest of the week's movies are a motley group. There's Artic Tale, a nature documentary hoping to cash in on the March of the Penguins success. I Know Who Killed Me is the latest Lindsay Lohan effort. Sounds oddly similar to Boxing Helena. No Reservations is a re-make of Mostly Martha with Catherine Zeta-Jones. (From a distance, it looks like the weekend's best pick.) Skinwalkers is another PG-13 werewolf movie. (Anyone remember the unfortunate Blood and Chocolate?) I'm betting this won't be screened for critics.
That's all for July. I'll be back when the Dog Star rears its head in the morning.


text:
Fashion Fashion Trends
David Dixon: Much more than hemlines
Every single show David Dixon ever did was beautiful but there was something about this one that can never be matched.
For his latest collection, David Dixon has partnered with Women's College Hospital's (WCH) Dr. John Semple, a world-renowned breast cancer surgeon and gifted artist. Together, they have created an exquisite silk scarf featuring a watercolour painting by Dr. Semple that was inspired by the extraordinary courage and resilience of women facing cancer – an inner strength that Dr. Semple has witnessed time and again. It was the feeling of warmth and hope that underpinned the development of the scarf and the rest of David's spring 2018 collection.
"Our first question was: How do we create a conversation about talking about something that affects all of us? Everyone I know has been affected by cancer, in one shape or form, or another. The important thing was to bring an element that everyone can kind of understand. And that's fashion. I realized that a lot of people pay a lot of attention to fashion because everybody follows it, or at least understands the clothing."
In addition to the three opening looks, which featured reproduced elements of Dr. Semple's painting, David's latest collection showcased a range of flowing gowns and statement pantsuits in a palette of white, blue, yellow, and chartreuse. Ruffles, sheer panels and appliqués accented the various silhouettes – offering something for all style personalities.
"I want women wearing my clothes to feel good about themselves. It's about being authentic to yourself and who you are inside."
The scarf itself is available for purchase at www.womenforwomens.ca. Proceeds will support the highest priority needs of WCH, including the new Peter Gilgan Centre for Women's Cancers – an innovative new partnership between WCH and the Canadian Cancer Society with a vision to transform care for women's cancers across Canada.
David Dixon is considered one of the most respected Canadian's fashion designers whose work has been featured on Project Runway and on the pages of leading fashion magazines such as Vogue, Marie Claire and Flare. David established his own fashion label in 1995, headquartered in his hometown of Mississauga. David Dixon designs are available throughout Canada, the U.S., Europe, Hong Kong, Tokyo and the United Arab Emirates.
Photos courtesy of Toronto Women's Fashion Week & my personal archives
David DixonfashionTWFW
New Year, New You
What will Meghan Markle's wedding dress look like?
Pamela Card: Timeless jewelry with a story


text:
Category Archives: Bohner
What stones he has!
Check out John "Crybaby" Bohner's response below(in red) to Hoyer in the Hill.com writeup about the Alternative Minimum Tax issue:
His remark came as a surprise, since it has widely been assumed that Democrats will give up their effort to "pay for" the AMT patch and go with the Senate plan to load the cost onto the deficit.
Hoyer's statement came the morning after nearly 30 conservative Blue Dog Democrats signaled their discontent with the Senate AMT plan by voting with Republicans against an adjournment resolution.
Hoyer was asked about efforts to resolve the dispute. He said he had come to the 11 a.m. briefing directly from the meeting to resolve the impasse and did not know the "state of play on AMT."
"There's no deal" with the Blue Dogs, he said.
Minority Leader John Boehner (R-Ohio) pounced on the news, calling Hoyer's remarks "another reminder that the Democrat majority's priorities do not reflect those of the American people."
"Democrats created the AMT, repeatedly voted against Republican efforts to abolish it entirely, and have failed to stop it's impending assault on 23 million middle-class American taxpayers," he said.
A Hoyer aide argued that Republicans had been obstructing them from passing a patch that does not add to the deficit. "Democrats have been trying for weeks to pass an AMT patch that does not add to the deficit and Senate Republicans have been blocking it," the aide said. "We are again sending them a message that it is time to act like the fiscal conservatives they claim to be."
An AMT patch must be passed soon to avoid a big tax hike. By waiting as long as they have, lawmakers have already raised the risk of a tax-filing mess that could provide fodder for political attacks. The IRS says it needs seven weeks from the time the president signs the AMT patch into law to update its forms and re-program its computers.
Twice this year, House Democrats have passed plans to stave off the AMT for a year with a "patch," paid for with tax adjustments. Democrats say the adjustments raised revenue by closing loopholes used by wealthy hedge fund managers. Republicans called them tax increases. They both met defeat in the Senate.
I say it again..what stones that sumbitch has!
Posted in AMT, Bohner, Hoyer


text:
Tmira Yardeni Archive
Watch Preview For 'Euphoria Season Finale' On HBO Sunday
Created, written and directed by Sam Levinson, starring Emmy winner Zendaya, and produced in partnership with A24, the drama series will return for its eight-episode second season SUNDAY, JANUARY 9 (9:00p.m. ET/PT) on HBO and will be available to stream on HBO Max. Amidst ...Read More


text:
Q: SQLSTATE[23000]: Integrity constraint violation: 1062 - laraclassified - reviews plugin i have laraclassified script on my website, i tried to install reviews system plugin but i got a sql error:

SQLSTATE[23000]: Integrity constraint violation: 1062 Duplicate entry '0' for key 'PRIMARY' (SQL: insert into settings (key, name, description, field, parent_id, lft, rgt, depth, active) values (reviews, Reviews, Reviews System, , 0, 32, 33, 1, 1))

any ideas on how to fix this ?

A: I think you are trying to insert duplicate value to the field that you made primary key field.
Try this instead,

*

*Please make the primary key field as integer with auto-increment and don't need to pass the value for that field.

or,

*Make sure that you are inserting unique value for the primary key field.

Note: each way is different and don't try to implement both at the same time.

redpajama_set_name: RedPajamaStackExchange


China's drug regulator said Friday that inspectors sent to 45 vaccine companies found no problems affecting vaccine quality and safety.
Between July 23 and August 9, the State Drug Administration dispatched 45 inspection groups to various companies to conduct thorough screenings for vaccine safety risks, the SDA said on its website.
Among the companies, 38 vaccine makers were found to be complying with good manufacturing practices and other rules and regulations, while the other companies have halted production for more than three years and have no products being sold or used on the market, the authority said.
Inspectors have made comprehensive examinations on aspects including facilities and laboratory control, as well as materials, production and quality management.
The SDA said it will improve vaccine quality supervision to timely detect and eliminate safety hazards, and make sure local drug authorities will shoulder the responsibility of routine supervision on vaccine makers, keeping them in line with the regulations.


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EXCLUSIVE VIDEO: Los Zetas Cartel Blames Mexican Border State Violence on Fake Rivals
File Photo: Breitbart Texas / Cartel Chronicles
Ildefonso Ortiz and Brandon Darby
Breitbart Texas obtained exclusive video exposing a Mexican cartel's public campaign to blame rivals for current violence in the Monterrey metro area and other parts of Nuevo Leon. Los Zetas' Cartel Del Noreste (CDN) faction is responsible for most of the 536 murders in the northern border state for 2019.
A video exclusively obtained from U.S. law enforcement sources shows the moment when two CDN gunmen identified as "Pantera" and "Santos" hang a banner from a pedestrian bridge near one of Monterrey's busiest avenues.
"Here boss, we are going to hang the banner, my partners Santo and Pantera, here we go boss," a gunman can be heard, directing his comments to a cartel lieutenant.
Until recently, the convicted narco-terrorist Hector Raul "El Tory" Luna Luna was the main leader of the Cartel Del Noreste faction of Los Zetas. Luna is the same boss behind the 2008 grenade attack on the U.S. Consulate in Monterrey. Since his recent prison release, he assumed command of the cartel and ordered numerous gruesome executions and dismemberments intended for public display.
Breitbart Texas recently unmasked one of El Tory's leading enforcers, Jorge Antonio "El Yorch" Gloria Palacios, who personally oversaw the hanging of banners and coordination of murders throughout Monterrey. Days after the initial reporting, authorities in Nuevo Leon arrested El Yorch on drug charges in Escobedo.
During El Tory's reign of terror, his henchmen employed a tactic of hanging banners threatening rivals and top-ranking law enforcement officials in Nuevo Leon. El Tory also threatened to blow up law enforcement buildings and targeted several police officers for execution.
In June, El Tory's gunmen hung a series of banners around Monterrey, claiming that Mexico's Cartel Jalisco Nueva Generacion (CJNG) was making local inroads and were ultimately responsible for the turf violence. The banners were manufactured in Nuevo Laredo as part of a CDN media blitz. Military officials who spoke with Breitbart Texas confirmed the CJNG is not currently in Nuevo Leon and the CDN is largely responsible for the violent crime. After drawing too much attention to operations recently, El Tory started to lose influence.
Ildefonso Ortiz is an award-winning journalist with Breitbart Texas. He co-founded Breitbart Texas' Cartel Chronicles project with Brandon Darby and senior Breitbart management. You can follow him on Twitter and on Facebook. He can be contacted at Iortiz@breitbart.com.
Brandon Darby is the managing director and editor-in-chief of Breitbart Texas. He co-founded Breitbart Texas' Cartel Chronicles project with Ildefonso Ortiz and senior Breitbart management. Follow him on Twitter and Facebook. He can be contacted at bdarby@breitbart.com.
Tony Aranda from Breitbart Texas' Cartel Chronicles contributed to this report.


I am very pleased to be part of this exhibition in Dublin's Culture Box gallery in Temple Bar. If you are in Dublin over the next week, drop in to check out the photographs.
This is my photograph that is part of the exhibition.
This entry was posted in Street Photography and tagged "Irish Street Photography Exhibition", "Irish Street Photography", art, Brendan Ó Sé, dublin, photography, street photography, Temple Bar.


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Home / News / United Nations' Brand New Anthem for Indian Women will Give You Goosebumps
United Nations' Brand New Anthem for Indian Women will Give You Goosebumps
The United Nations' new video campaign in honor of Indian women is a fitting answer to all the questions that a recent study by the Thomson Reuters Foundation on the lack of safety of women in India raised. The motivational video showcases the rise and achievements of Indian women from ISRO to NASA, from agriculture to mountaineering, from the reel to real-life challenges. The UN Women India's new video is being lauded as a brand new anthem for Indian women from different walks of life and different reaches of society.
The soothing, heart-warming song of the UN Women India's video is an ultimate ode to women in general. It calls out them to "arise, awake and top not till the goal is achieved". Titled 'Mujhe Haq Hai' (I have the right), the song ignites the latent power and talent of women to carve a niche for themselves, make their own choices, live a life of dignity and defy stereotypes.
Composed by eminent lyricist and playback singer Arko Pravo Mukherjee, the UN Women India video song features some of the extraordinary women achievers from different parts of the country. Asha Bhosle, PT Usha, Waheeda Rehman, Aishwarya Rai Bachchan, Sania Mirza, Deepa Mallik, Geeta Phogat, Mithali Raj and Gauri Sawant are some of the outstanding achievers in the cast of the UN Women India video.
The video also features Tajamul Islam, a 10-year-old world kickboxing champion from Kashmir, and Revolver Dadi, the world's oldest sharp-shooter. The UN Women India video belongs to those rural women whose inspiring stories of struggle against water crisis remain unnoticed in the mainstream media. It is also a tribute to the 112 First Ladies of India who President Ram Nath Kovind felicitated early this year.
Whether it is the poor tea seller's daughter who got a Rs. 3.8-crore scholarship to study in the US, or Tamil Nadu's Vasanthi Anand who became an international athlete from a domestic help, or Telangana's lady cop Rema Rajeshwari who is crusading against fake news, or Tamil Nadu's Anukreethy Vas who recently won the 'Miss India 2018' title, or Karnataka's first female fighter pilot Meghana Shanbough, or Assam's Priyanka Das who is appointed by France as ambassador of a campaign for girls, or the Dalit women priestesses of Odisha's 300-year-old Panchubarahi Temple, or Rajasthan's first woman porter Manju Yadav, or the all-women scooter squads patrolling Kolkata's streets, the video is a celebration of the collective power of Indian women, irrespective of caste, religion and profession.
The new UN Women India video discards all thoughts about India as the world's most dangerous place for women. Rather, India is a land of outstanding women achievers.
Travel Beats is a community portal for Indian Diaspora by Indian Eagle, an international travel organization. Travel Beats publishes the latest news and inspiring stories of Indians worldwide. Subscribe to our free newsletter for updates on Indians at home and abroad.
News for NRIs


She walked thru the doors of AA 3/26/1969 and has not found it necessary to take a drink since. Still feels the magic of AA.
Grew up and got sober in Los Angeles, Mexican Mom (The Warden) and Chinese Dad (100 years old), Wilma had 16 siblings. She was tall and skinny and they were all short.
They called her Olive Oil and she beat them up for it. Then they called her Popeye.
She is the only alcoholic or addict. Father is Buddhist and her brothers do not drink. She was a rotten no good kid with a bad attitude.
She went from active alcoholic and drug runner to sober quality control expert.
NOTE: The tape had to be digitally enhanced to remove background noise. The quality of the message is worth including it in this collection even if the technical quality, though acceptable, is not perfect.


This classically shaped shirt in a siren red is perfect for any wardrobe - for work or casual wear.
This elegant blouse loosely falls with detailing pleats and a frilly high neck. In classic black or navy blue - perfect with wet look trousers.
This classically shaped boxy dress is perfect for a pop of colour in your Autumn wardrobe - pair with a studded boot and leather jacket.
The ultimate colour combo - highlighter yellow, blue, brown and black! Pair with a skinny jean and heel.
This fab slightly boxy & oversized knit is perfect paired with light denim jeans and trainers for a chic look.


Given a vector of numbers, return true if one of the numbers is a square of one of the other numbers. Otherwise return false.
Output is true since 2^2 is 4 and both 2 and 4 appear on the list.
What about a vector like [2 3 1]? The top solution will still return true because 1^2 is still one but it is not the square of one of the OTHER numbers.
is the Str2func construct really more effective???
Is it possible that this distorts the metric a bit?
It is currently impossible to submit a solution for this problem. The web page will never load.
The problem description states that one of the numbers has to be a square of one of the OTHER numbers. Still, the test suite tests if  gives true. I think  should give false, or that describtion be modified.
Agree with Mattias. the length of input vector should be 2 or larger.
The difference between test 4 and 5 which returns different answers is the number 36.. but 36 is not a square root of any number of the list in test 4!!
Agree with Mattias: the Test Suite is defective, and not consistent with the problem specification.
Having an input of  is OK, but result should be false, as there is no OTHER element to compare the 1 to!
can you share the shortest code?
How is the output true if the vector contains only one number? People posting such meaningless solutions: Please have some common sense!
I want to make this code shorter!!
Test 2 in the test suite is wrong!
25 is clearly a perfect square.
Though it passes the test suite, I feel like I could make this a better way but I am drawing a blank. Any feedback would be appreciated.
if a = [20:30] the output should be true as 25 is a perfect square, while in the test case output is given to be false.
25 is not a square of any other members of the group. If the group included 5 it would be true.
My solution returns false for [20:30]; why not for [6 10 12 14 101]?
Instead of a(1):a(end) you should just write a.
The desired results are not the character strings 'true' and 'false' but the logical values true and false.
hint ; any and ismember.
L 17 (C 1-3): Parse error at END: usage might be invalid MATLAB syntax.
I wonder...if you cheat, why even bother to actually solve the problem?
I have not heard of ismember before, thanks.
Code works on Matlab, but not on your test suite?
Srtr2func, classic way:)a new thing learned.
a = [20:30] 25 is in that array and is perfect square. Why should it return false?
because 5 isn't in the array. the perfect square and it's root should both be in the array.
Assertion 2. is not correct. vector 'a' return with 6th element as 25 & thts a perfect square.. So it must be true!!


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Moving. A task that seems so easy, but is everything but that. It is something that you should take seriously and devote yourself to. Every relocation is unique and different than any previous one, and that is what makes this task so complex. Not to mention – hard to complete. Especially in a timely efficient manner. There are just so many things that need to be taken into consideration. Every single detail matters. Everything must be thought about. And the smallest slip-ups can make the biggest problems. That is just the way things are, and there is no way around it. Not if you are planning on moving. However, there are some things that can make this whole process easier on you. Things such as our packing tips!
As we have mentioned before, moving is a serious task to take on. And it requires a detailed planning, as well as the strategic preparation. All of these things take time. And more than you think. That is why it is so important to start on time. Or even better, early. Starting early will give you enough time and space to plan out your every single move. And believe us on this one – you will need it!
Making a solid strategy is of crucial importance. It really is. And for many reasons. But, it must be done properly in order for everything to go smoothly in the end. And that is our main goal here. Isn't it?
Think about everything in advance.
Consider every single detail at least twice.
Get a notebook and start writing things down.
Follow your schedule, and make sure you complete your tasks on time.
Because it will help you a lot. Knowing what you are getting into is more than important. It will allow you to make a better strategy, and even more importantly – it will help you pack quickly and efficiently. There are so many packing tips out there, but this one is the one that should stick with you!
There are no small problems when moving. Everything matters. And small details can turn into nightmares in no time. That is why it is so important to consider everything twice. It will allow you to create a much better picture of your whole relocation project and avoid moving mistakes eventually.
When it comes to organization, there is nothing that can help you more than writing everything down. There are just so many things that need to be done. And something that can happen, and it most likely will – you will forget something along the way. So, make sure you write down your tasks, ideas and reminders before everything gets out of control.
Say no to postponing tasks.
If you are not a morning person – become one. Today. Packing is something that seems easy, but it is a task that requires your complete devotion. And that means only one thin – tasks need to be completed. On time.
Making such a list sounds like something that will take a lot of your precious time. However, inventory list is something that can come in more than handy when moving. Also, since we are talking about packing, one of our best packing tips for you would be to list everything. It will help you make the next steps of this process much easier.
Go through your house (apartment) and start sorting your belongings.
When it comes to moving, it is very important to make things simple and easy. And that is why it is so important to determine if you are going to move everything early on. Ask yourself these questions. Do you need it? And if you do, do you use it? How often? Once you answer these 3 questions, you will be able to decide if the item in question is going to be moved or not.
If you have asked yourself these questions and came to an answer that you don't like – we have a solution for you! Let's say we are talking about your grandma's antique vase. You got it as a gift. On your wedding day. And yes, it has sentimental value. No, you can't just throw it away. What you can do is to find a storage facility where you can keep such items! Easy, right?
If an item really does require special care, we advise you to look for some professional assistance. In most cases – items that require special care and are hard to move are not only fragile. They are, in most cases – items of high value. And you wouldn't want anything bad to happen to these items. So, start looking for a professional moving and packing company that can help you handle this task of yours.
Do you need more packing tips? Because we have some for you!
There are many Tips and hacks that make packing all that easier, and here are some of our top choices!
You should start the packing process 3 to 4 weeks before your move or as soon as possible.
When you begin the packing, start from the items you least use, such as books, seasonal clothing or sports equipment, and other similar belongings.
If you are moving in the summer, make sure to bag the items that are temperaturesensitive: soaps, candles etc.
Take the extra time to rid yourself of clutter items you no longer use.
Make sure to use quality cardboard boxes  smaller ones for heavier things and larger ones for heavier belongings. And no overpacking!
Always acquire extra packing supplies  you never know what you might need.
Lay your books flat in their box, alternating bindings so they stack evenly.
Stay organized  pack room by room and label the boxes accordingly.
Prepare an essentials box for yourself  medication, personal hygiene, pillow etc.
Make copies of important documents such as wills, contracts, and passports.
During disassembly of larger belongings, make sure to put all nuts and bolts into clearly labeled small bags.
Make sure to empty out your dressers and furniture before moving it.
Comprise an inventory list of items and write down serial numbers for all electronics.
Frozen foods, produce, plants and other perishables should be transported by you.
Soaps, sprays, polishes, and medicine should not be placed in the same box as food.
Heavy items should not be packed with dishware.
Label boxes as you pack.
Create your own inventory list of important items inside each box. This will help keep track of your boxes in the event that one is misplaced or lost.
Use your personal inventory list as a reference guide when unpacking.


Registration is a three-step process because Different Directions is a collective community, and each class is structured independently by the instructors.
1) Please make an enrollment inquiry with the instructor for each class you want to take. We make it easy - there is an "Enrollment Inquiry" button on each class page to send a direct inquiry to the instructor. The instructor will respond by email with details regarding the class and how to pay.
2) All children taking classes must also be registered with Different Directions. This is a one-time fee per school year. Once you have been confirmed for a class by the instructor, you can register with us by clicking on the registration link here and filling out the online form.
3) Pay the registration fee of $50 per student (non-refundable registration fee) before September 1st, or $75 after September 1st. The registration fee can be paid via paypal.com to payments@differentdirections.org, OR you can simply click below and add the registration to your cart and check out here on the site. Please note: the registration fee is per student per year not per class.
Please type the student's preferred name here. If the student has an alternative name (a nickname or their real name if a nickname is used here), please mention it in the "Notes" section at the end of this form.
This must be the name of the person completing this form.
I understand and agree that participation in classes, events, field trips etc. hosted at and by Different Directions Inc. entails the possibility of physical injury. By signing this release form, I voluntarily assume all risk and responsibility for any such injury or accident which might occur to me or to my minor child before, during or after events, clubs, classes or field trips sanctioned by Different Directions Inc. and The ROC for the Teen Membership Program. I also release and indemnify Different Directions Inc., it's employees, agents, volunteers and guest artists from any and all claims, demands, or causes or action whatsoever for any loss or damage, including, without limitation, personal injury, to me or my minor child, or for loss or damage to personal property, which may arise out of or in connection with participation in any classes, clubs, field trips or activities conducted by Different Directions Inc. I hereby voluntarily waive my right, and that of my heirs and assigns, to hold, Different Directions Inc. their officers, TMP Advisors, employees, agents, volunteers or guest artists liable for any such damage, loss or injury. If I am signing this waiver for my minor child, I certify that I am the parent or legal guardian and have the right to waive these rights. With this registration I give permission for me, or my child, to be photographed or filmed for use in Different Directions Inc. publications, including, without limitation, newsletters, brochures, publication via website or other technological publications, videos, newspapers, radio, or television. No photos or film will be made available to anyone for any reason other than to promote Different Directions Inc. I understand that my email address will be used for communication regarding scheduling, announcements and information about my classes at Different Directions.
Please let us know if you authorize anyone else to pick up your child after class.
Please write the names of persons (other than you and/or the emergency contact) who are authorized to pick up the student after class. Please note that you can let us know at any time if additional persons need to be added to this list.
For those participating in the Lunch & Recess program, please select which day(s) your child will attend, and feel free to indicate specific time slots/age groups within the notes section below.
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If the student is not going to be in class on a particular day, please contact the teacher so that they are aware the student will not be present. Different Directions does not offer make-up days or refund any portion of the class fee for sickness, traveling, acts of nature, or human error outside of Different Directions (i.e., storms, snow, hurricanes, train or bus trouble, terrorists, etc.). If a teacher is sick and unable to find a substitute, they will schedule a make-up day or offer some compensation such as a discount for the next term. When the student is registered with Different Directions, agreement and understanding of this policy is implied.


Photo - a yellow lady bug landed on me while I was biking - this is it - on my finger!
Monday's tend to be my best day for inspiration and blogging. Funny how that works - I feel more jazzed about writing and reflecting after my Monday Night Weight Watcher's meetings, especially if I've had a good week with a significant weight loss. This week's meeting was fine - I didn't gain back any of my lost 50 pounds, and I inched down another .2 pounds. I don't think I'll loose my next 10 pounds easily if I continue to eat birthday cakes, go out drinking and not ride or exercise. I've allowed myself to be content with staying in the same general spot.
What has jazzed me up today is that I got a most excellent bill of health from my doctor. I had blood work taken two weeks ago and the results were glowing! My blood pressure is down and under control; my cholesterol and triglycerides are low low low, and best of all - I did not have to take any medication to get the lower the numbers! The positive results have all come from the hard work, positive efforts and determination I've put forth. I actually feel happier tonight about my doctor's appointment than I did last week when I hit the 5-0 mark. It's receiving this validation that makes it seem more significant and important. Now I know that I can achieve my next set of goals. This week I plan to check out a few gyms in the area so I can start my triathlon and bike ride trainings. I'm starting to make plans for several other bike rides this spring and summer. Whatever has shifted within me feels right. Moving forward never felt so good!


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Full throttle electronic up shifts, Seamless acceleration... Roadracing bikes, Street bikes, Dragbikes, Gokarts, Crosskarts, basically anything with a sequential gearbox. PQ8 won´t mess with the injection light on fuel injected engines. Engineered with all the latest technology, continuously developed and upgraded. Used by international level racers worldwide.
KTM Superduke R 2008, item 212 if the bike has Beru coils, if it has Denso coils, item 210B.
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