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American singer and actress Jennifer Hudson has released three studio albums, sixteen singles ( including two as a featured artist), five promotional singles and ten music videos. She has also made various contributions to other artist' s albums and has appeared on the soundtrack for the musical film, Dreamgirls. Hudson' s music incorporates a range of musical genres such as soul and R& B.
Black Nativity is a American musical drama film directed by Kasi Lemmons. The script, written by Lemmons, is based on Langston Hughes' play of the same name and released on November 27,.
The film stars an African American ensemble cast featuring Forest Whitaker, Angela Bassett, Tyrese Gibson, Jennifer Hudson, Mary J. Blige, Jacob Latimore, Vondie Curtis- Hall, and rapper Nas.
Jango is about making online music social, fun and simple. Free personal radio that learns from your taste and connects you to others who like what you like. BLOODThis is one of Andy Milligan' s least- seen, but most enjoyable films ( it also doesn' t hurt that it' s a tad under one hour in length).
Of course, to enjoy any Andy Milligan flick, you need two things: 1) a tolerance for long- winded dialogue scenes and 2) an understanding of why the homosexual Milligan thought so little of the Catholic Church or its religion ( reading Jimmy. Directed by Wes Ball. With Dylan O' Brien, Kaya Scodelario, Will Poulter, Thomas Brodie- Sangster.
Thomas is deposited in a community of boys after his memory is erased, soon learning they' re all trapped in a maze that will require him to join forces with fellow " runners" for a shot at escape.


text:
Cal Basketball
Caldwell Joins Cal as Graduate Transfer
BERKELEY - Guard Receé Caldwell will join the Cal women's basketball team as a graduate transfer for the 2018-19 season, head coach Lindsay Gottlieb announced on Tuesday. A 5'9" guard, Caldwell graduated from Texas Tech with a degree in business and will have one year of eligibility remaining for the Golden Bears.
"We are truly looking forward to having Receé in a Cal uniform," said Gottlieb. "She's the first graduate transfer our program has ever had and is going to bring to this team some special things that you would expect of a fifth-year student-athlete. She's a very crafty and gifted scorer. She knows how to create her own shot while also creating shots for others. In addition, Recee' is a coaches' kid. She's communicative and has been tested in a number of different experiences on the floor. She loves this game so much and is a true competitor who can help us take our program to the next level."
Caldwell began her college career at UCLA, averaging 6.9 points per game in 17 appearances for the Bruins before transferring to Texas Tech at the end of her freshman season. After sitting out the 2015-16 season due to NCAA transfer rules, Caldwell made an immediate impact for the Red Raiders during the 2016-17 campaign, averaging a team-high 14.5 points per game, which ranked eighth overall in the Big-12. Caldwell earned All-Big 12 Honorable Mention honors at the conclusion of the season and ranked sixth in the conference with 4.5 assists per game. A proven threat from beyond the arc, Caldwell also ranked in the top-10 in the conference in three-point field goal percentage, shooting 36.4 percent from deep on the season including a 7-for-12 performance in a 38-point performance at Texas A&M. Caldwell averaged 10.7 points per game and 6.0 assists per game in 13 appearances for Texas Tech during the 2017-18 campaign before missing the remainder of the season due to injury.
A two-time Academic All-Big 12 Selection, Caldwell will enroll in Cal's School of Public Health as a graduate student and is immediately eligible to play for the Bears.
"Receé is an incredibly bright and mature young woman," Gottlieb said. "During this process, a lot of our conversations were about more than just the next 365 days as a basketball player at Cal. They were about the lifetime of connections and opportunities that a degree from this university will bring. Recee' has a very forward-thinking mindset and is committed to accomplishing her goals, both in basketball and beyond."
Born in Hemet, California, Caldwell spent much of her childhood in the Los Angeles area before moving to San Antonio, Texas, where she was a 2014 McDonald's All American selection. A five-star recruit and one of the top-ranked point guards in the nation coming out of high school, Caldwell is a two-time gold medalist with USA Basketball, with stints on both the Under-16 and Under-18 National Teams.
Caldwell and incoming freshman McKenzie Forbes, a 2018 McDonald's All America selection, join a Golden Bear squad that finished fifth in the Pac-12 last season and reached the NCAA Tournament for the sixth time in the last seven seasons.
Call the Gold Standard Sales and Service line at (800) GO BEARS (462-3277) or visit the CalBears.com ticket page today to secure your spot in Haas Pavilion for the upcoming season. Stay tuned for ticket information regarding partial and single-game plans.
For more information and updates on the Bears throughout the year, follow the team on Twitter (@CalWBball), Instagram (@CalWBball) and Facebook (Facebook.com/CalWBball), and visit the Bears unique, multimedia site ThisIsCalBasketball.com.
Cal Hoops Announces Non-Conference Schedule
Thiemann Makes it Official, Talks About Signing With Cal
Bears Dip Into International Pool Again with Commitment from German Center, Thiemann
Cal Adds Grad Transfer Kareem South
Kuany and Coach Talk About Cal Commitment, Signing
Tags: Cal women's basketball, Recee Caldwell, Basketball
Bear Insider (4 replies) Women's Basketball (14 replies)
SFCALBear72
Great addition. Her experience in a tough Big12 conference (Baylor, Texas and Oklahoma) will surely benefit Asha, Kianna, Mi'Cole and Sara as we enter Pac-12 play. Coach G will also take advantage of the depth at guard and flexibility in player rotations.
CalFanatic
Gosh... if we can just stay healthy next year we are going to be very, very good. I'm looking forward to the upcoming season.
SCORER.
2:39p, 7/7/18
9:43a, 8/2/18
Really, really great article on Recee Caldwell and her decision to join Cal. I agree with her- this team can make a deep run in the tournament!
https://cal.rivals.com/news/recee-caldwell-is-excited-to-be-a-golden-bear
wbbilluminati
She sounds like a coach and the quintessential college kid at the same time. She is a great addition and could have a big impact in every way on the program in her short time here.
Gotta love the comments on the 4 guards, 1 post lineup. I tend to agree with her. Will be hard to guard us if you have Kianna/AT/RC/Mi'Cole with Anigwe in the post. We could run circles on people.
Unless Anigwe can keep her fouls down it could turn out to be a five guard lineup.
In reply to willtalk • 11:00a, 8/3/18
willtalk said:
With this being Kristine's senior year, I suspect she will play with more discipline and control.
In reply to willtalk • 12:27p, 8/3/18
This is what worries me. We have one great post player, and then a big drop off. If we had Nina we could shoot for the stars. Without her, this team is vulnerable to bad matchups and bad fouls
In reply to HoopDreams • 1:54p, 8/3/18
I have a bit broader perspective. Towards the end of last season, CJ West was logging some impressive minutes. I look for her to continue that trend. Also, the sophomore Alaysia Styles should be able to contribute a lot more than her freshman version did in my opinion. She was highly regarded coming out of high school. She's had her transition period, now it's time to contribute. I'm confident she will. And I think the coaches are working with her to do just that.
I thought CJ West looked great at the end of last year. I really don't understand the worry there... especially if Styles becomes a contributor.
Now... am i worried about post play next year? Absolutely. Who is replacing Anigwe? Jackson? Miller? What if nobody commits? There are tons of opportunities for people to come in and play right away.
In reply to CalFanatic • 2:56p, 8/3/18
CalFanatic said:
CalFanatic: I know Ben Parker, the guy who wrote the story on Recee Caldwell that you posted here. He told me about her coming to Cal long before it was public knowledge. I sent him an email the other day and told him about the concern being expressed on this board about the 2019 recruiting class and only one commit to date. His reply: "I wouldn't worry about them (women's basketball recruiting). The men's recruiting is what has me worried...only two commits and one is a preferred walk-on."
Hope this helps to some degree.

redpajama_set_name: RedPajamaCommonCrawl


How do you define flexibility? I could never touch the floor as you describe. I do yoga daily and in comparison with other measures I am fairly flexible. I can sit on the floor cross-legged for a long time for example.
Good points. I am just talking in generally people should genuinely know if the are flexible and it sounds like you are and like you said you gained 2 inches which is great but it took 3 years. I can do another and break it down more specifically with length and time frame.
Gained over an inch and I'm the least flexible person I know.


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2 dogs left in Allen Park Petco bathroom in foster home
Chris Rizk
Two dogs left in a bathroom at Petco in Allen Park have been taken in by a local rescue group.
The dogs were left at the store Saturday evening, said P.O.E.T. Animal Rescue, which arranged foster care for both pups.
One dog, a senior who is black with a graying muzzle, has been named Marigold. The other, who may be her offspring, is a brown-and-black color and was dubbed Daffodil. Both are in emergency foster care, sporting bandanas around their necks.
A video of the dogs after they had been rescued by P.O.E.T. rescue shows the pups exploring and frolicking in a the back yard of the foster care home.
"They do appear bonded," a woman with the group says in the rescue's Facebook post.
Both dogs will be taken to a veterinarian for checkups and behavioral assessments and will be available for adoption or a permanent foster home.
"We've already gotten applications for both of them (to be adopted) together," said Carol Lair, a P.O.E.T. board member. "They do seem really attached, the younger one to the older one."
Lair said the manager of the Allen Park Petco told the rescue group that the dogs were abandoned Saturday night by a couple in the store. Lair said the manager talked to the couple about why they didn't have collars on the dogs and was told they had forgotten the collars. The couple appeared headed to the dog food aisle. Instead, it appears they deposited the dogs in a bathroom, where they were discovered when they began to cry out, Lair said.
The dogs stayed overnight in a crate in the Petco office and were picked up Sunday by P.O.E.T. rescue.
"They are adjusting," Lair said. "They get nervous when we try to do anything different with them."
Lair said the circumstances of the rescue "took even me by surprise."
She said she was smitten when the oldest dog "climbed over everything in my car" from the back, including crates, and moved into the front seat, then onto her lap during the ride to foster care.


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Józef tłumaczący sny podczaszego i piekarza (ros. Иосиф, толкующий сны заключённым с ним в темнице виночерпию и хлебодару) – powstały w 1827 obraz rosyjskiego malarza Aleksandra Andriejewicza Iwanowa, obecnie w Muzeum Rosyjskim w Petersburgu.

Obraz powstał jeszcze podczas studiów Iwanowa w Akademii Sztuk Pięknych w Petersburgu. Autor dzieła został za nie nagrodzony wielkim złotym medalem w 1827.

Opis
Obraz Józef tłumaczący sny jest ilustracją jednego z epizodów z biblijnej sagi o Józefie. Znienawidzony przez braci Józef syn Jakuba wnuk patriarchy Abrahama został w Dotain sprzedany przez swych braci kupcom madianickim, którzy z kolei odsprzedali go w Egipcie Potifarowi, urzędnikowi faraona. Przebywając u Potifara, Józef odmówił żonie swego pana zażyłości cielesnej, za co ta zemściła się, oskarżając go o napaść. Józef trafił do więzienia, gdzie tłumaczył sny. Księga Rodzaju opisuje, iż miał przepowiedzieć uwolnienie podczaszego faraona oraz niechybną śmierć nadwornego piekarza.

Artysta przedstawił scenę rozgrywającą się w lochu więziennym. Józef, na którego pada wyraźne światło z okna, ubrany w tunikę i zielonkawy himation palcem wskazuje piekarzowi, że jego ciało zostanie powieszone. Na twarzy Józefa widoczne jest współczucie i żal. Piekarz, skuty łańcuchem, jest prawie nagi. Zwinięty czerwony płaszcz lub jakaś inna część odzienia, ma jeszcze uwydatnić zbliżającą się śmierć. Skazany jakby zrywał się, jest przerażony, patrzy w dal, jak obłąkaniec. Podczaszy stoi za Józefem, trzymając go za ramię. Jego twarz wyraża szczęście i pełną nadziei postawę – usłyszał dobrą wieść. Trzy postacie otacza mrok. Jedynie nad piekarzem widać relief przedstawiający spętanych niewolników. To element nawiązujący do sztuki egipskiej: kompozycja w układzie pasowym.

Przypisy

Obrazy Aleksandra Iwanowa
Obrazy w Muzeum Rosyjskim w Sankt Petersburgu
Obrazy z motywami ze Starego Testamentu
Patriarcha Józef na obrazach

redpajama_set_name: RedPajamaWikipedia


text:
«Маргаритки» (чеш. Sedmikrásky) — экспериментальный художественный фильм чешского режиссёра Веры Хитиловой, снятый в 1966 году. Был запрещён чешскими властями в связи с инновационностью съёмки, а также тем фактом, что фильм вышел за два года до Пражской весны. Стал одним из ключевых произведений Чешской новой волны 1960-х годов, получил престижную Гран-при Бельгийской ассоциации кинокритиков.

Сюжет
В основе повествования история двух юных девушек — двух Марий, которые, желая соответствовать окружающему их испорченному миру, проводят время в нехитрых увеселениях — обманывают ожидания кавалеров, играют и вертят ими, набивают животы, бьют посуду и рушат банкетные залы. Однако попытки выхода за рамки социальных норм и условностей возвращают героинь к началу: кто они и что с ними будет.

В ролях
 Ивана Карбанова — Мария I
 Йитка Цергова — Мария II
 Др. Олдржих Гора — серьёзный бонвиван
 Яромир Вомачка — весёлый бонвиван
 Юлиус Альберт — бонвиван с бородой и усами
 Мария Чешкова — посетительница туалета
 Иржина Мышкова — туалетная работница
 Марцела Бржезинова — туалетная работница
 Ян Клусак — влюблённый поклонник
 Йозеф Коничек — танцор в кабаре

Художественные особенности
Режиссёр Вера Хитилова открывает фильм темой греховности женского, позволив юным героиням вкусить плоды с дерева, напоминающего дерево познания Добра и Зла. Вкушение плодов станет ключевым мотивом фильма. Кульминационная сцена в банкетном зале показывает, как сначала играючи, а потом со всевозрастающей жадностью девушки набивают животы — и становится ясно, что еда для них — всего лишь способ притушить ощущение растерянности от трагизма мира, заполнить зияющую пустоту и подтвердить факт своего существования.

Аллегорическая история двух блистательных в жажде разрушения «маргариток»  завершается документальным кадрами города, разрушенного бомбардировками — такова красочная феерия Хитиловой. Попытка уйти за пределы порядочности проявляется в том числе в языке как главном инструменте принуждения. В одной из сцен «бабочки» забывают даже значения слов, отвечая друг другу невпопад.

Эпатаж, провокации, мир на грани существования, умирание человеческих ориентиров и ценностей, сюрреалистические, абсурдистские мотивы, юмор, ритм дробного монтажа отражают специфику фильма Веры Хитиловой.

Ссылки

Примечания

Кинокомедии Чехословакии
Сатирические фильмы
Фильмы на чешском языке
Цензура в кинематографе
Фильмы Веры Хитиловой
Фильмы Чехословакии 1966 года


text:
Every DBA's nightmare
Phil Factor, 2007-11-26
When a copy of all 25 million of the UK's child benefit records, including bank details, went missing in the post, whilst being sent to the NAO (National Audit Office) on 18th October, the UK government must have known that a cover-up was impossible.
Nevertheless, it tried with a botched, delayed, and inaccurate statement to parliament which made matters worse. The story that first appeared in the UK press was of a junior official within the HMRC (HM Revenue and Customs) who took it upon himself to send the data on two CD ROMs unencrypted through the post. When the recipient failed to receive it, there was a delay until 8th November, three weeks later, before it was reported to senior management. The banks then insisted on a delay before the loss was made public, a week ago.
The story made no sense at all. It is impossible for a junior member of staff to have a copy of the entire Child Benefit database without authorization from senior management. If it were possible, then there would be no need to look for the missing disks as it would have been copied many times before. No competent IT staff would have sent unencrypted data of any type. There was also no imaginable need for the National Audit Office to have this data.
The story then began to unravel. Staff began to leak. The so-called 'junior official', identified as the culprit, had worked there for 23 years. The National Audit Office had never wanted all the confidential data and asked that it be taken from the data they were sent. HMRC had refused, saying it was too complicated and expensive to do (?). The sending of the data had been authorized by a senior official and had been discussed since March this year. The NAO had asked for the data to be sent 'as safely as possible', The non-arrival of the disks was known about by HMRC six days after the disks had been sent, on the 24th October. More revelations will be coming as the press scent a cover-up.
The cost of the error will be at least 200 million pounds, even if the disks have escaped falling into the wrong hands. If the data is used for identity fraud, it will be far higher. The damage from the inaccuracies in the original statements by the UK government has seriously weakened its credibility, and has increased hugely the opposition to the idea of a national identity card.
I know from personal experience that the DBAs that work for HMRC are extremely competent. It simply doesn't make sense that they would have allowed the breach of all accepted practice that led to the loss of data security. The idea that it was impossible to do merely an extract of the data for the NAO couldn't have come from them (surely they've heard of the 'Select' statement?) It is impossible for this sort of incident to happen in the organization without gross interference from senior officials, and astonishing neglect of their duties. At this stage, all we can do is gasp and watch as the details of the story emerge, but it is an incident that none of us can read about without taking renewed account of the importance of data security at every level. This sort of incident is every DBA's nightmare.
Join the discussion and add your comment


Roger, Houston, Apollo 11. You are much clearer and adequately loud. Over.
Roger, 11, You are coming in five-by-five here. Beautiful signal.
This is a lot better than this static we had previously.
And we got the time base fix indication on time.
Apollo 11, this is Houston. We just got telemetry back down on your booster, and it is looking good.
Roger. Everything looks good here.
Key moment Apollo 11 leaves Earth's orbit: Apollo 11, this is Houston. Slightly less than 1 minute to ignition, and everything is GO.
We confirm ignition, and the thrust is GO.
Apollo 11, this is Houston at 1 minute. Trajectory and guidance look good, and the stage is good. Over.
Apollo 11, this is Houston. Thrust is good. Everything's still looking good.
Apollo 11, this is Houston. Around 3-1/2 minutes. You're still looking good. Your predicted cut-off is right on the nominal.
Roger. Apollo 11 is GO.
Apollo 11, this is Houston. You are GO at 5 minutes.
Apollo 11, this is Houston. We show cut-off and we copy the numbers in NOUN 62.
Apollo 11, Houston. Do you read?


text:
SAHRC will be monitoring Brackenfell High School protests
Gushwell Brooks |
Commission says it is conducting an investigation of the private matric function at issue
SAHRC Calls for Calm Ahead of Planned Protest Action Outside Brackenfell High School on Friday
The South African Human Rights Commission (the Commission or the SAHRC) has noted that the Economic Freedom Fighters (EFF) will be staging a protest outside Brackenfell High School, in the Western Cape, on Friday, the 20th November 2020. The Commission and its monitors will also be monitoring events tomorrow.
Following scenes of violent confrontation during the last protest action by members of the political party outside the school, the Commission reminds parents and people in and around the community that the right to unarmed, peaceful protest is protected by section 17 of the Constitution. The right to protest cannot however be exercised in a manner that infringes on other human rights in our Constitution's Bill of Rights.
Thus, the SAHRC insists that the protest action outside the school should occur in a manner that does not interfere with and respects the learners at the school's right to a basic education. The Commission highlights the fact that these learners are writing examinations at the end of a difficult year that has deeply impacted their education due to the COVID-19 pandemic and resultant lockdowns and interruptions during the academic year. We also remind everyone involved in protests that Covid-19 is still with us and urge them to follow health and safety protocols.
The Commission is involved in numerous investigations around recent allegations that have emerged from the school. We call on all stakeholders to allow the Commission to get to the bottom of the facts and make its findings and issue directives or recommendations.
The Commission is conducting its investigation into allegations of a private matric function, allegedly organised exclusively for and/or attended exclusively by white learners and attended by some teachers from the school. The Commission has also noted further allegations of racism and is investigating these as well.
The SAHRC's call for calm and peaceful protest follows unfortunate scenes of violence during initial protests outside the school. The Commission is looking into these incidents as well, together with complaints of hate speech we received.
The Commission asks that all who descend upon the school on Friday ensure that they put the best interests of the learners at the school first and forge social cohesion rather than cause a greater rift in fragile relationships between different social groups.
Issued by Gushwell Brooks, Communications Co-ordinator, South African Human Rights Commission, 19 November 2020
DA to lay complaint against EFF's Nazier Paulsen at SAHRC – Natasha Mazzone
Violence outside Brackenfell High School condemned – SAHRC
SAHRC calling private matric event 'racially segregated' is reckless – Refiloe Nt'sekhe
PSG's share buybacks narrows the discount to NAV


A Velux loft conversion is one of the easiest and cheapest ways to convert your loft into a useable space for a number of purposes. A Velux loft conversion requires minor outdoor work which therefore reduces the time of the build. Velux windows fit flush with your existing roof line, meaning we install them between the rafters within the sloped roof. Therefore the dimensions of the roof structure will not change. Due to their design, Velux roof windows are provide maximum daylight and plenty of ventilation whenever needed. There is no need to worry about planning permission for this type of conversion.


Beach Land Archives - Completely Out!
24 Août Filed under Beach Land, Les balades de l'été. No comments.
26 Juil Filed under Beach Land, Mes petites histoires, My exhibition, See the sea. No comments.
26 Juil Filed under Beach Land, Les balades de l'été, See the sea. No comments.


text:
Q: How to get trendline equations in R i have a series of data in form of time and temperature value. I want to generate a trendline and find the subsequent equation. This could be done in excel. but, how could i find equation of the trendline in R.
abline function can be used to generate a trendline but where is the underlying equation?? I saw a link where they have used the following code to illustrate the issue
x <- sample(1:100, 100, replace = TRUE)

y <- x + rnorm(100, sd = 4)
mydf <- data.frame(x = x, y = y)
plot(y ~ x, data = mydf)
model <- lm(y ~ x, data = mydf)
abline(model, col = "red")
summary(model)

if you execute it, can make some sense of the result and see the equation, please let me know. else help me to get equation of trendlines with R
Thanks!

A:
but where is the underlying equation?

In the "Coefficients":
> coef(model)
(Intercept)           x
  1.2093273   0.9786051

Where "(Intercept)" is, well, the y-intercept, and "x" is the slope. In other words, you can retrieve the equation like this:
paste('y =', coef(model)[[2]], '* x', '+', coef(model)[[1]])

redpajama_set_name: RedPajamaStackExchange


text:
In February 2022, Nikwax took a new direction when founder, Nick Brown, transferred company ownership over to employees, alongside sister company Páramo®, in the form of an Employee Ownership Trust (EOT) called GearForm®. What did this mean for the company? All employees, now known as Partners, have a share of the business (held in the Trust) so collaboratively the Partners own the business.
Fast forward to June 2022 and we got the opportunity to celebrate what has been a major change.
At an idyllic setting in the East Sussex countryside on a glorious summer's day, Nikwax Partners from the UK, Poland, the Netherlands, and North America, got to celebrate alongside their Páramo Partners, as well as their new Partners from Colombia (GearForm SAS).
It was fantastic to bring all divisions of these companies together to mark such a large milestone.
We spent the day enjoying what we love most – the outdoors! Watching birds of prey at a falconry display, having a go at archery, and playing a range of outdoor games; it gave us the time to reconnect with one another – something that Covid prevented over the last few years.
It was also an opportunity for everybody to hear from our founder – Nick Brown – whose dream all those years' ago to create some waterproofing wax for his leather boots so his feet could stay dry outdoors, led to the success that Nikwax is today.
"The businesses gave me the chance to express myself. Expression comes in two parts here – an expression of my creativity, and a voice. Speaking of the creativity aspect, it still amazes me that a person with a third-class degree in Anthropology would have their name on 4 chemical patents. I am grateful for having been able to apply my ideas usefully."
Nick went on to say, "What will GearForm do for you? Apart from supporting your lives, I hope that it will also give you a voice. Use that voice well because you are privileged to have it. It isn't true that we are powerless to make changes. I hope that this organisation remains one that cares for people, and cares for the world we live in. But now it is down to YOU to define that, and not me."
Nikwax is a close-knit community and every Partner is incredibly proud of all that Nikwax stands for and what it works to achieve – keeping outdoor enthusiasts dry, comfortable, and protected when active.
So, what do the staff think?
"For me Nikwax feels like a family, with different people sharing common values and common goals. Transition to EOT should preserve these values and ensure sustainable growth." Tomasz Kruk, Nikwax Director of Mainland Europe Countries.
"It is a great opportunity for every Partner to get involved in the business. Not just being a cog in the machine, but to think like an owner and actively affect changes/improvements in the business they are part of." Marika Nicholson, Nikwax ROW Account Manager.
Our EOT celebration marked the start of what will be an exciting journey with many opportunities to continue creating reliable, award-winning aftercare that looks after you and your kit – whatever the activity or whatever the weather – whilst continuing to contribute to the conservation and protection of the environment.
Nick Doyle, Director of Group Operations, who was involved in the transference to Employee Ownership says, "After a long and considered journey to becoming employee owned, we wanted to celebrate collectively, through an inclusive event which brought Partners together from across our group of companies. I think everybody should be incredibly proud of what we have achieved over the past 45 years from Nick Brown's humble beginnings and getting to the point where we are now all Partners in the business!
As we look to the future, we want to demonstrate to the world that being innovative, successful, and profitable can go hand in hand with an approach that places people, sustainability and the planet at its centre. Our Partners are the key to unlocking that and it therefore felt only right to mark this monumental transition, which will continue our legacy, together. Thank you to everyone!"
We leave the last words to Nikwax's new CEO – Adam Arnold:
"I think what this group of companies – and more importantly the people working for these companies – have achieved over the years is quite outstanding. 45 years later we are still going strong and still adding more people, more profit and contributing more to the planet as we continue to grow.
To Nick Brown – Thank you from all of the 300+ employees for being patient enough to continue the transition project through some very tough years – including the surreal years of Covid. Thank you for believing in the employees and not taking the easy route. Thank you for your generosity and kindness. Thank you for putting in place a set of values that are meaningful and which have set the foundations for us to grow in an honest way."
Let's see what the future brings for Nikwax and to the exciting adventures that lie ahead…


King's Renal Unit provides a full range of care for people with kidney disease, in a friendly and supportive environment. We cover a wide catchment area, and offer treatment at King's College Hospital as well as at satellite units in Bromley, Dartford, Sydenham, Thamesmead and Woolwich. This allows our patients to have regular treatment closer to home.
Our clinicians also provide a full pre-kidney transplant service, supported by counsellors and dietitians, to help prepare patients for transplant. Transplants are carried out at our partner provider, Guy's and St Thomas' NHS Foundation Trust.
Following this appointment, patients may be referred to a specialist clinic for management of conditions such as advanced kidney disease, renal anaemia and obesity.
Our Acute Kidney Injury Primary Care Guidelines explain the care pathway following receipt of AKI test results.
Our Referral Checklist and Management Guidelines for Chronic Kidney Disease (available below) should be used by all who refer patients to King's College Hospital NHS Foundation Trust sites for CKD specialist care. Referrals must meet the criteria and the form must be completed in full or the information provided in a separate letter. If you are making a referral using NHS e-Referral, please ensure you meet the criteria and include all information detailed on the checklist.
Dr Chitalia Nihil at Darent Valley Hospital.
To speak directly with the Renal on-call registrar, call 020 3299 9000 and ask for Bleep 622.
For all other referrals and queries, email kch-tr.renal@nhs.net.


text:
WEEKEND BRIEFING
Snubbed
Sep. 19 - "The new phone books are here! The new phone books are here!"
Most Americans recall these words as one of many signature lines from Steve Martin's masterpiece, The Jerk.
I remember it as the excited outburst of my best friend Phil Simon's father one morning in the autumn of 1973. We were eight years old, Phil and I, and his family had only recently moved to the area—the area being Port Washington, Long Island. We had become fast friends and seemed to have everything in common: we both liked burning things, we preferred Veronica to Betty, we liked to throw rocks at trees and pop wheelies on our bikes, and we both had crazy blond hair that would submit to no comb.
Phil's father was this incredibly interesting guy, I thought, because you could see him on television. He did a famous Lifesavers ad. I didn't think anything could be cooler than having a dad who was on television. Mine just went into the city, did things in a building, and came home. You never saw him on TV. But Mr. Simon—well, there he was.
Anyway, one day as Phil and I were burning leaves or GI Joe's or something in the backyard, there was a sudden whooping and hollering from the front yard. Mr. Simon came barrelling around the house, waving a big thick book in the air over his head.
"The new phone book's here," he cried with delight, "and we're in it!"
He plopped the book down on the patio boards and flipped through it urgently, breathlessly reading the names at the tops of the pages: "Rosenburg... Rodman... Salter... Sedgewick... Sherman... Silvers... here we go, here we go..."
Mesmerized, Phil and I followed his finger as it moved down the page.
"Ha!" he finally exclaimed, "Simon! Right there! Look at that! There we are!" He was so excited he picked the book up and ran into the house, calling gleefully for his wife. Phil and I were very impressed.
"He's on TV and the phone book!" I exclaimed appreciatively.
Phil milked my admiration. "Yeah," he shrugged, "Dad's pretty famous."
That evening I told my own father, with perhaps a touch of envy, that Phil Simon's father was on TV and in the phone book.
My father hardly looked up at me from his paper. "Everyone's in the phone book," he said. Anticipating my next question he quickly added, "Everyone with a phone."
A book that had everyone's name in it! How cool was that? Some day I'd have a phone, and then I'd be in a book, too! A book that anyone could look in and see my name. I'd be famous!
That's interesting, Moron, you're probably saying. But what does it have to do with anything?
The new Copenhagen phonebook came out today and I'm not in it. Neither is Trine. And it brought back all the resentment I felt when we first moved here and the Smoking Man told me I couldn't have a key to the sauna because I didn't exist.
I guess I still don't.
But I tell you, the day I see my name in the Copenhagen white pages is going to be a red-letter day in this household!
Bewitched, Bothered, and Burned
Giles Corey was accused of witchcraft in 1692. This put him in a difficult spot. If he pleaded guilty, he'd be burned alive at the stake. If he pleaded not guilty, he'd have to take a lie-detector test.
The state-of-the-art lie detector of 1692 wasn't any less accurate than today's models, but it was significantly rougher on its subjects. It was called "dunking." The tightly bound subject would be dunked repeatedly into a pond or lake until the truth emerged.
One of the primary symptoms of demonic possession was immunity to water, so those who survived the process were rewarded with a warm, dry burning at the stake. Those who drowned, on the other hand, were clearly innocent and received a favorable ruling.
Giles Corey wasn't eager to be burned at the stake, but he wasn't keen on posthumous vindication, either. A plea of guilty meant the stake; a plea of not-guilty meant drowning (or the stake, depending on the results of the lie-detector test). Mr. Corey therefore did what any reasonable person might have done: he claimed his Fifth Amendment rights under the Constitution and said nothing.
This was a foolish and costly blunder, as the Constitution had not yet been invented.
Baffled by the accused's refusal to enter a plea, the court pressed him for an answer. Literally. On this very date in 1692, Giles Corey became the first, last, and only American ever to have been pressed to death by his own government.
56 years ago today, the U.S. conducted its first underground nuclear test in the Nevada desert. This caused a major disturbance in the natural order of the fragile desert eco-system, ultimately resulting in Las Vegas.
Sunday is the last day of summer.
The 19th is the birthday of Alison Sweeny (1976), Joan Lunden (1950), Leslie "Twiggy" Lawson (1949), Jeremy Irons (1948), "Mama" Cass Elliott (1943), Paul Williams (1940), and William Golding (1911).
Those born on September 20 include Sophia Loren (1934), Dr. Joyce Brothers (1928), Arnold "Red" Auerbach" (1917), Ferdinand "Jelly Roll" Morton (1890), and Upton Sinclair (1878).
September 21 birthdays include Ricki Lake (1968), Rob Morrow (1962), Bill Murray (1950), Stephen King (1947), Larry Hagman (1931), and H.G. Wells (1866).
The 19th is Liberation Day in Luxembourg and Independence Day in St. Kitts and Nevis.
September 21 is Independence Day in Armenia and Belize and "International Day of Peace" at the United Nations.
Enjoy the last summer weekend of 2003. (And those of you in the southern hemispher, you know. . . whatever.)


text:
The domestic commentary on the Old (New) Testament, by a clergyman of the ...
Por Robert Shittler
the large editions of such works, continually issuing from the press, clearly indicate that such feelings are still on the increase.
Indeed, it may be generally observed, that the healthy state of the public mind, in its lively cravings for the heavenly food, may be safely estimated by the standard of the attractive impulse in this respect.
To pass by many, who might be easily mentioned, as having been honoured by God and made useful in their generation, and who will ever be regarded with the highest veneration on account of their devoted labours; it might be truly affirmed that, through the works of Matthew Henry and Thomas Scott (names which, in the Church of Christ, will be held in everlasting remembrance), thousands, under God, have been daily blessed in the use and improvement of the Sacred Word; and that thousands still continue to derive their daily strength and peace, in subordination to the Divine Word and will, from those invaluable resources.
Still, however, the conviction may not be denied, that the existence of a vacuum is felt even here. Unrivalled as those Commentators undoubtedly are, and, perhaps, ever will be, they do not meet all the wants which they intended to supply; and the necessity is especially felt in the very point to which they were more immediately directed.
A Family Bible ought to be adapted for family use. The study holds a special province: the pulpit one that is still higher. But, when they are all blended together in one, some department or other will feel the consequence.
With all their inimitable excellences, those princely authors are considered, by many competent judges, as more suited to the privacy of the study, or the retirement of the closet, than for the associated duties of the family circle, where all are not divines; and where, whatever may be read or spoken, every word should be to the point, and level to the common or mingled capacity, if we would find our daily worship to be a means of obtaining daily blessings.
Beyond all doubt, the above-mentioned Commentaries are used in thousands of families with pleasure and profit.
The Author of this work himself had the privilege of doing so for a great many years; and he has abundant cause to praise God that ever such treasures came into his hands.
But, at the same time, he feels compelled to observe, that there are only certain portions of those works which may be thus used; and those portions must be carefully selected, either at the moment, or by previous examination, so as to meet the time usually devoted to daily worship.
As all persons, however, have not leisure for that purpose, and as it frequently happens that the parts selected are not always of a continuous character (and so, consequently, large portions of the Word read pass off without any observation or improvement); it certainly does appear, that a work, purposely written and specially
designed for the domestic circle, has hitherto been wanting in the range of our Biblical literature.
The many selections which have, from time to time, been made from the Commentaries of Henry and Scott, with the view of supplying that need, and the feeling which still exists that nothing has yet been written to answer the desired purpose, only serve to prove the truth of these remarks.
For a great length of time, this conviction deeply affected the Author's mind; and it was this feeling, increasing day by day, and year by year, which led, after many inquiries, much thought, and many prayers for Divine direction and assistance, first, to the commencement, and then to the completion, of The Domestic Commentary which is now presented to the Christian public; and which he humbly desires to dedicate to the Divine honour and glory.
And if, through the Divine mercy, the Author may be allowed to feel some grateful satisfaction, in being permitted to view the result of that conviction in the production of an entirely new Commentary on the whole Word of God, as contained in the Old and New Testament; a work as novel in its character, as useful in its design; he desires to render all praise to whom all the glory is due.
The design, therefore, of this work is, not to depreciate or supersede the labours of others, in any degree; but simply to supply a want. It is intended to give a short Commentary on the Word of God for the special purpose of domestic worship. It is designed to furnish every private individual, and every head of a family, with a series of short practical addresses on every chapter throughout the Sacred Volume, in a compendious form; occupying, perhaps, from five to ten minutes in the reading, for personal or domestic use, as the case may be. And it is intended, moreover, to give these addresses in a manner divested of that formal arrangement of accumulated criticisms and explanatory notes, which generally encumber the pages, and sometimes alarm and perplex the mind, in works of this description.
There are, indeed, many other ways in which this work may be made extensively useful; such as, for example, in the pastoral visit, the cottage lecture, the scripture reader's path, the sick chamber, and at the dying bed ; where a word spoken in due season, when a chapter has been read, may not be lost.
In carrying out the object above stated, it is hoped the execution will be found to accord with the design. Plainness and simplicity are the leading characteristics of these remarks. The Author has written just as he would have spoken, were a family assembled before him for daily worship, and as he has been accustomed to speak for many years in his public ministrations : and, indeed, throughout the whole of the work, this social gathering is assumed to be
present; which will account for the easy and affectionate manner in which each address is given, and may possibly commend his labours to the approbation of those for whose especial benefit the whole is designed.
Or, should it be supposed, that in some instances he has departed from the rule of simplicity, he begs to remark how difficult it is, at all times, to clothe the majesty of Divine truth in a simple dress; that, in the family circle, as well as in the public congregation, there are various degrees of mental capacity; and that the master and visitor must each have their portion, as well as the servant.
With regard to the doctrinal spirit pervading these comments, when it is observed, that the Author's aim has been to give a faithful utterance to the
pure Word of God; and that the utterance, so given, is in accordance with the theological views of Henry and Scott, the two great master-minds of this order ; he hopes he will have stated enough to ensure the confidence of the Christian public.
All the grand leading truths of the Gospel, which form the basis and ensure the blessings of the Christian faith ; such as, the fallen and lost condition of man, as a sinner, both by nature and practice, before God; the utter inutility of any works of ours to procure, by way of merit, pardon and peace; redemption by the precious blood of Christ; justification solely through faith in His imputed righteousness; salvation only through faith in his name; together with the absolute necessity, and the unfailing efficacy of the Spirit's work in the heart, in the sinner's regeneration, conversion, and sanctification ; and all these, and all other mercies, flowing from the rich and unmerited grace of God freely and undeservedly bestowed, will be found distinctly inculcated, as by occasion called forth, throughout these pages.
As these most blessed doctrines stand conspicuously revealed in every part of the Sacred Volume, and form the grand key by which all its revealed mysteries are made plain ; so must they equally pervade every faithful exposition of that Word.
Where these most important doctrines are wanting, nothing can be beneficially spoken or written, or effectually done. Where they are vitiated by the intermixture of man's works, and human inventions, nothing but an empty form, or a confused mass of superstitious ceremonies, degrading to the intellect and ruinous to the soul, will be the result. Where they take possession of the heart, and actuate the immortal spirit in its high and holy aspirations, a sure basis will be laid, and a solid superstructure will be reared, whose endurance will last for ever; and on which may be inscribed by all the heirs of heaven, "To the praise of the glory of his grace." (Eph. i. 6.)
In pursuing such glorious objects as these, the Author's aim has been instruction, and not controversy. His desire is to edify, and not perplex ;
and, at the same time, to furnish every person, who is desirous of appreciating the way of life through Jesus Christ, with the means of reading the Divine Word with pleasure and advantage, both to himself and others. And, if it may be satisfactory to the reader to be informed of the fact, he embraces this opportunity of stating, that the results arising from more than thirty years' experience in the work of the ministry, and the life of faith, have been brought to bear upon the execution of the whole.
Nothing, therefore, of a controversial character has been introduced. Where truth prevails, controversy ends. The Word of God speaks for itself; and the subject matter of each chapter is the best foundation for all remark. Giving free scope to the Divine testimony, error will vanish away; and every doctrine, and
every promise and precept of the Gospel, will stand forth in its sacred authority, and find its proper place, without confusion or restraint.
The Author's aim has been to ascribe all authority to the throne of Divine Truth; and all decision, respecting the claims of that Divine Truth, to that Infinite Mind which can never err, and to that Almighty hand which, guided by infinite rectitude, can never give a wrong inclination to the preponderating scale.
Nor is the Author aware that, while steadily upholding the spotless purity of revealed truth, he has designedly written one sentence contrary to the spirit of the great law of Christian love.
One peculiar feature, in the character and order of this work, consists in the simple method of its execution. While some Commentators generally give a running exposition, without any remarks at the end of the chapter, as Henry; and others, the exposition first, and then the practical observations at the close, as Scott. In the present instance, the Author has thrown all his remarks together at the end of the chapter in a practical form, and reduced them to as small a compass as possible for the general use.
As such a work has long been considered a desirable acquisition for domestic worship; and as the necessity is still felt more and more every day, even by the various attempts which have been made, by way of selections from both of those eminent Commentators, to supply the defect ; the Author is not without hope, that it may please God to give his gracious blessing to what he has written, and make it a means, in conjunction with others, of rendering our domestic assemblies scenes of sacred intelligence and holy worship; of guiding immortal beings, however humble, in the way of peace; and of building up his beloved people in their most holy faith.
He begs permission, however, at the same time, to drop one short hint. Let no one forget what is the real character of this work ; lest, by expecting too much, he neglect to profit by what is really prepared for his use.
To give a full expression to the whole substance of the Sacred Volume, is not the aim of these pages. No one is able to accomplish such a task. Were all who have ever breathed on earth, or who have been brought to glory in heaven, to undertake such a performance; however deeply they were enabled to penetrate the plain statements or the hidden mysteries of God's inspired Word; however devotedly they gave themselves to the work, or perseveringly excelled therein; still, after all, that Word would remain, what it ever was and ever will be, the unsearchable testimony of the grace of Christ; the unfathomable depths of divine wisdom and love; the inexhaustible treasury of pardoning mercy and grace. None would be able to scan all the heights; or fathom all the depths; or measure all the length and breadth of that divinely inspired, that holy and most blessed Word, which is able to make us wise unto salvation through faith in Jesus Christ. Nothing but the highest happiness of the heavenly world, and the full blaze of eternal glory, will be the perfect exponent of that sacred testimony of redeeming love.
If the mind feels overwhelmed by this contemplation, still let it delight to dwell upon this inestimable provision. Let us feed upon this heavenly manna more and more. Let us delight ourselves daily therein. Let us be thankful for that measure of wisdom and grace, however small it may be, which the Lord may be pleased to give us; and seek to impart the matchless benefit to others. Thus we may be useful in our day; we may be helpful to others; and set forward the glory of God and the salvation of men.
But who is sufficient for these things ? Who could venture to enter upon such a work, without praying for grace to teach and to guide him? Who can lay down his pen at the close of his labours, without crying for mercy to pardon and to bless him ?
Dear reader, may that grace and that mercy be largely communicated to you and to the writer, and to all who may ever read these pages, whether in the closet, the family, or elsewhere; both for our present peace and comfort ; and for our everlasting joy and felicity, through Jesus Christ our Lord ! Amen and Amen.
Your servant in Jesus Christ,


I currently teach Landscape Architecture Core and Advanced Vertical Design Studios, Integrated Cross-Disciplinary, Green Infrastructure and Design Process Classes, as well as International Urban Design Studio and Study Abroad primarily to Scandinavia. Read more about my teaching philosophy here.
My research, teaching, and practice has a focus on public health related to urban living systems design, planning and theory, and I enjoy exploring critical innovate design thinking for inside-outside green infrastructure transitions. Through living (breathing) buildings, landscape, and urbanism, I explore new potentials of 'green infrastructure' (living breathing building, harvesting and storing energy), landscapes on (and as) structure, green roofs/green walls/living systems, and other green urban infrastructures integrated with renewable technologies.
I furthermore combine my research, teaching, and practice into Research-By-Design or Participatory Action Research (PAR), and I investigate how Metacognition in the Design Process can help achieve innovative integrated cross-disciplinary design thinking.
I also practice Landscape Architecture with my own firm, Danika LLC. I consult on projects related to green roofs, living walls and green facades.
I am a LEED AP Certified (Leadership in Energy and Environmental Design Accredited Professional, 2004) and Green Roof Professional (Green Roof Accredited Professional, 2009).


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text:
"M" letter soundtracks
Motoi Sakuraba Live Concert DVD ~Star Ocean & Valkyrie Profile~
Booklet Front & Back
Composed by Мотой Сакураба
Arranged by Мотой Сакураба
Published by Team Entertainment
Catalog number KDDV-00001
Format 1 DVD - 19 tracks
On July 19, 2003, Motoi Sakuraba commemorated his game music with a live concert at Zepp Tokyo to rave reviews. He carefully selected represented tracks from Star Ocean and Valkyrie Profile, and arranged them for his all-time favourite ensemble — synthesizer, electric bass, and drums — in the most supreme way possible. Throughout the two-hour concert, Sakuraba employs the use of no less than 10 different keyboards, combining his trademark pseudo-improvisatory rock organ and piano solos with rich and solid renditions of main melodies. Drummer Toshihiko Nakamura and bassist Atsushi Hasegawa join him, and while their role is often a supportive one, the affinity of these two towards their leader constantly pushes the concert forward and maintains its life. With solid arrangements, awe-inspiring performances, and a phenomenal amount of atmosphere, it is more than clear that this concert is worth reliving. The most economical way to do this is through the DVD release.
With the sound of a single low-pitched piano note, the concert begins, and the concert hall soon resonates with an epic cinematic sound reminiscent of 2001 Space Odyssey. It could only be Star Ocean Till the End of Time's "The Dawn of Wisdom," no longer an orchestral work, convincingly transformed to a progressive rock theme. The giant and small screens light up and the epic opening FMV of Star Ocean Till the End of Time appears with conviction as Sakuraba's epic synth brass fanfares combine with also synthesized backing vocals, Sakuraba elegantly glides between his keyboards, effortlessly building the theme up to the dramatic three bang entrance of Toshihiko Nakamura's drum kit. Suddenly, the lights boom onto full beam lighting up ever inch of the hall, only intensifying with every beat of the drums. The atmosphere is overwhelming, perfectly depicting the vastness of deep space, yet is only boosted by the introduction of some striking overdriven bass guitar riffs from Atsushi Hasegawa a little after the one minute mark. As the theme grows deeper, a change of tempo is witnessed at the 2:37 mark, as the performance moves into a fast-paced section, featuring flawlessly executed polyphonic structures as a result of Hasegawa's rich counterpoint to Sakuraba's rock organ melodies; this shows just how in-tune the three performers are with each other. Nakamura's face lights up with a smile while strutting his skills, performing some neat tricks with his drum sticks, as Hasegawa moves his body to the beat. As the bassist and drummer have the time of their lives, Sakuraba continually concentrates hard on which keyboard he needs to attend to and what keys he needs to press. After all, he is the star of the show and messing up would affect the concert dearly. The theme attains its peak at the 5:15 mark following a surprisingly effectual ritardando, and, as the trio's rich sounds fills the concert hall, the listener is left in awe of the performance and convincing transformation of the original, already immersed by the concert and dying to hear the next theme.
Sakuraba uses the build from the last track to his advantage, as the concert compellingly moves into an energetic rendition of Valkyrie Profile's main battle theme, "Unfinished Battle with God Syndrome." It's completely different to the arranged album and original versions of the theme, as a result of Sakuraba choosing a completely different keyboard setup, which is similar to the arrangements used in his Shining Force arranged albums. It now sounds much more sophisticated, yet still retains the original's raw power, with the unforgettable main melody combining with some excellent rock organ solos, quirky drum breaks, and even more masterful bass guitar counterpoint. Now the camera is always fixated on the composer and his compelling organ and synth, while Hasegawa and Nakamura get very minimum camera shots, though whenever the bassist is shown, he holds his guitar like a weapon, ready to take on the entire world. The theme is constantly driven on, with the trio never relenting with the pace and dynamic level. This feeling is maintained in the concert's third arrangement, Star Ocean Till the End of Time's "Fly Away in the Violet Sky," now more chaotic and unpredictable than ever. The standout feature of this track, however, is not the primary sections, but the newly added solos from the 1:55 mark onwards. The theme suddenly quietens, as Sakuraba takes a much-needed rest, leaving Nakamura to play an elongated drum solo, backed by some gentle overtones from the bass guitar; though not as impressive as some of his later solos, it does exactly what it is needed by creating a great sense of tension and foreboding, only relieved by the entrance of Sakuraba's superbly integrated jazzy and dissonant piano solo over a minute later. This is where the composer goes wild, shaking his head violently while his hands prance up and down the piano with ease. This arrangement not only allows each performer to showcase their technical skills, but gives an entirely new perspective on the piece, which makes the recapitulation of the melody for the conclusion all the more satisfying.
Almost as if telling a story, like many progressive rock albums do, the lights turn down and the concert moves away from its action basis briefly for an interlude featuring Star Ocean Till the End of Time's "Reflected Moon." Its rather different from the original and arranged versions, as it replaces the rich symphonic textures with just a lead synth vocal, some backing synth pads, and atmospheric sound effects; this, in conjunction with the way the melody manages to be pure and beautiful yet distant and illusory, creates a surreal feel overall, giving another taste of the wide range of emotions that Sakuraba's synthesizers can invoke. On screen, not a lot happens. The camera either sways away from the composer or is lurking near him, as the screen turns grey to help put the emotional effect into play. Despite being short and not greatly varied, it creates a profoundly different atmosphere in the 2 minutes it plays, offering a suitable and inspiring break from the hard rock it is sandwiched between. This feeling makes the subsequent track, the sole Star Ocean Blue Sphere arrangement "Hand to Hand," all the more powerful, with the listener simply being knocked backwards by the way it temperamentally flairs up from just a few drum beats into an energetic and full-blown battle theme. Though the arrangement is top-notch, proving to be the best rendition of a previously arranged action theme once more, it's the performance that really shines, proving just why Sakuraba is widely considered to be one of Japan's finest keyboardists in progressive rock music. He plays a seamless array of fast-paced and highly intricate pseudo-improvised solos on a large number of his keyboards. The rest of the trio also prove their worth, with Nakamura's pulsing beats and Hasegawa's carefully integrated overdriven riffs giving a huge amount of momentum behind Sakuraba's complex synth work.
The contrast between "Reflected Moon" and "Hand to Hand" is echoed in an even more stylish way during the arrangement of Valkyrie Profile's "Requiem to a Predicament ~ Falling Under Negative Consciousness ~." The "Requiem to a Predicament" theme initially constitutes the introduction, with a dreamy combination of cleverly manipulated synth celesta motifs and suspended notes from synth vocals putting the listener at ease after the madness before. Soon, however, the arrangement violently erupts into a rendition of "Falling Under Negative Consciousness" as Hasegawa and Nakamura enter, while Sakuraba's rock organ greedily dominates. During this performance, the stage lighting isn't as good compared to other performances. It's just a tad dark, but it does seem to fit the music, despite the flaw. After over three minutes worth of overwhelming action, the theme resolves in a gorgeous way, with the "Requiem to a Predicament" theme being recapitulated, relaxing the listener once more. Though more action is heard from the outset of the arrangement of Star Ocean Till the End of Time's "March for Glory," it actually proves to be a refreshing break in more ways than one. Like the original, it is much more epic and proud in nature than his standard battle themes, and, though this particularly arrangement switches symphonic styles with progressive rock once more, this feeling is still aptly maintained. The arrangement also stands out for the way it demonstrates the chemistry between the trio, which holds the arrangement tight throughout the rendition of the main theme, yet is even more solid during the 'jam session' that follows; here, all three members of the band play substantial solos, with each individual member being shown to be grooving to their instrument, yet are backed solidly by their fellow performers until a few fragments of the original theme are revived to conclude the track. Such magic is heard in even more considerable amounts in the next arrangement and this one is merely a taster of what is to come, as the first in a series of four epics...
Everybody who's heard Jethro Tull's 43-minute "Thick as a Brick" and slightly less extreme counterparts will be aware that progressive rock compositions can be very long. Though the 7:51 playing time of "March for Glory" provided a hint of the 'epic' influence, it's "Theme of RENA..." that really makes this clear, clocking in at nearly 20 minutes. Quite surprisingly, the actual rendition of the melody is brief, though the synth work is gorgeous and the performers capture the atmosphere behind the original piece flawlessly. As the lights shine up, the theme first moves into a lengthy drum solo from Nakamura, which lasts for nearly 7 minutes and constantly intensifies, proving to be a massive crowd pleaser. Though he concentrates hard most of the time, the drummer starts to loosen up and entertain more easily when his solo reaches approximately half way, as well pulling hilarious faces and performing his token trick with the drumsticks. It is topped off superbly by the single crash of a giant gong, which is otherwise unused for the rest of the concert, followed by some audible cheers from the audience, which add to the authenticity of the recording. A stunning testament to his skill, this was Nakamura's first progressive concert, as incredible as it is to believe. Hasegawa's bass guitar solo also has an awe-inspiring effect, intensifying the track as it gradually moves towards becoming a full-blown jam session. With the addition of Nakamura's drums at the 13:45 mark, the track's dynamic changes completely, emphasised further by the eventual entrance of Sakuraba's keyboards at the 15:35 mark before his trademark jazzy and dissonant piano enters in full bloom at 16:34 mark, leading to a breathtaking conclusion to the first half of the concert on the DVD. Some will say the track diverts too far from its basis or is a pointless show of the performers technical talent, but this isn't the case for the majority who are actually fascinated by the imagination and depth behind such a complex musical work. On the DVD, after the huge effort and talent involved, the slightly shy Sakuraba picks up his microphone and commends his co-partners for their participation and skill, then Hasegawa, using his own microphone, congratulates and praises Sakuraba for his amazing performance. Straight after the theme, a brief interview with Hasegawa about his bass solo occurs, but because of the lack of subtitles, English speakers won't be able to appreciate what is being said.
The second disc maintains the consistent quality of the first, yet also boasts a little more diversity overall, making it even more enjoyable. Sakuraba's decision to open the disc with an arrangement of Star Ocean Till the End of Time's final battle theme "Highbrow," a superbly developed masterpiece, probably seemed dubious to some, as it appears to be impossible to beat it. This is true, but the arrangement still doesn't disappoint. It's once again led by Sakuraba, who excels with his piano performance, which combines frilly runs in the solo sections with an otherwise solid and coherent performance that is jam-packed with musical features. The arrangement, just like the original, continually goes off on tangents, but this isn't a negative feature in this case. Around the 5:00 mark, Hasegawa receives another chance to shine, playing an elongating electric bass guitar solo that develops superbly, though could benefit from some more decorative accompaniment to add interest, perhaps tarnishing an otherwise perfect track. Sakuraba then uses the synthesized electric guitar for the first and only time on his keyboard, which is unsettling at first, but gives an odd chance to relax before going full force into the theme again. The recapitulation of the main theme does not disappoint, with Sakuraba taking the lead on his famous rock organ, and its end just leaves the listener dying for more. It's the definitive arrangement of the theme — being more well-developed than the Radiata Stories and tri-Ace Sound Battle Collection versions, while benefiting from the added aura of a live performance compared to its similar Star Ocean Till the End of Time Director's Cut Soundtrack version — and, while the loss of the original's jazzy sections are disappointing, it is the most suitable rendition for a progressive rock concert and some would probably think that a little more stylistic consistency isn't necessarily a bad feature. If watching the DVD, a short interview with Nakamura activates, though, like the Hasegawa interview, English viewers won't be able to understand due to lack of subtitles.
Sakuraba's piano mastery is best exemplified with the 7 minute solo piano rendition of Star Ocean Till the End of Time's "So Alone, Be Sorrow," however, which comes close to being on par with Sakuraba's "Elegy of the Bewildered" as perhaps the best video game piano arrangement available. It is built in a musical arch fashion, a structure Sakuraba often likes to employ, reaching its peak in the middle with some extravagant runs, showy arpeggios, and intense chromatic progressions, all of which are carefully embedded within the theme's heartfelt melody, yet being relatively soft at the beginning and end. It's very Liszt-esque. Some might find it overly showy, but this is likely to be only a superficial conclusion from a casual listener, as there lays a huge amount of musical intricacy and deep emotion beneath the surface. It is a stunning addition, where the performance shines just as much as the arrangement once more. The DVD release also features an additional studio-recorded piano solo as a bonus track, which mirrors the more intense sections of "So Alone, Be Sorrow," yet is even more intricate thanks to its flashy runs and aggressive chromatic chord progressions.
The large focus on Star Ocean Till the End of Time has made the concert neglect earlier additions to the Star Ocean series, particularly the immensely popular Star Ocean The Second Story, up to now. Fortunately, the arrangement of "Mission to the Deep Space" begins to make up for this, as, despite featuring in many other albums since, it is one of the closest arrangements to The Second Story's original available. The major difference is the sleekly integrated solo section in the middle, which showcases technical skill once more, yet also stands out for working in conjunction with the original track so fittingly, never losing its adventurous sci-fi feel. While nothing overly impressive happens on stage, the arranging is great and that's all that really matters. Some say that the arrangement of Star Ocean Till the End of Time's "Confidence in the Domination" is one of the poorest on the release, being too similar to "Mission..." and quite a few other action tracks. On deeper inspection, however, it is possible to see that it boasts many assets — a solid rock organ melody, an appropriate level of intensity to build the release towards the conclusion, a magical buildup to the conclusion after the 3 minute mark — and it is also a massive improvement in terms of both development and intensity compared to the original. Nakamura proves to be the best performer on the stage in this segment, being both in rhythm and showing a happy face, though Hasegawa also shows off his ability, as cool as ever playing his bass. "Cutting Edge of Notion" concludes this trio of action tracks perfectly, distinguishing itself once more due to its melodic qualities and huge level of intensity, though it's really the tight performance and beaming chemistry between the three performers that makes this such a special addition. The defining aspect of this trio of tracks that proves they're not too much is that they constantly leave the listener wanting more and never grow boring. This is what really matters, despite the theoretical basis of the track listings sounding dubious on first glance. Besides, diversity is often created due to more subtle differences than just genre, instrumentation, and tempo. After the performance has finished, Sakuraba announces the much unwanted ending of the concert after the next track, though this is not audible in the album release.
Motoi Sakuraba ends the concert in just the right way. After all of these action tracks, a gorgeous resolution is provided with Valkyrie Profile's "Doorway to Heaven," the single most distinguished slow-paced theme on the release, which stands out for its melodic beauty, hopeful atmosphere, and heavenly use of instruments. It integrates some faster solo sections towards the end, and, afterwards, a shy Motoi Sakuraba is heard thanking his fans. In the DVD release, a short interview is shown with Sakuraba talking about his band with Nakumara and Hasegawa. It's times like these that non-Japanese speakers will wish they had subtitles. Of course, the concert couldn't possibly end just there, and the single most diverse arrangement on the release constitutes an encore. It opens with an arrangement of the Star Ocean trademark theme "STAR OCEAN FOREVER," which has carefully evolved since its debut on the Star Ocean The Second Story Original Soundtrack, and its sentimental arranging adds a nostalgic feel and makes it clear that the end is very near. The arrangement impressively undergoes a metamorphosis from this to a fast-paced action track, with Sakuraba's trademark hardcore piano solo at 1:32 particularly giving this track some additional flair. A rendition of another classic theme, "The Incarnation of Devil" follows, complete with rocking melodies, careful articulated interludes, and the concert's final rock organ solo. It features performances to remember, with Hasegawa using his bass as a weapon once more. The last taster of action is provided after the 4:50 mark in a section that incorporates some dramatic chord sequences and a triumphant final rendition of the Devil's main melody. Nothing about this track comes close to the final couple of minutes, however, which features an unexpected recapitulation of "The Dawn of Wisdom," originally heard as the first item on the album. The combination of a dramatic performance, the use of an over-familiar and undeniably beautiful melody, and the immediacy of such an awesome concert coming to an end makes this moment the most heartfelt on the release. There couldn't have been a more appropriate and expertly mastered conclusion.
This concert is the defining Motoi Sakuraba tri-Ace experience, plain and simple, and appears to be practically flawless in terms of both the quality of the arrangement — which consistently proves to be appropriate, expansive, and refined — and, of course, the performance. It should appeal to all those who enjoyed Sakuraba's Star Ocean and Valkyrie Profile soundtracks, as all the arrangements succeed in enhancing the originals, not necessarily transforming them, though each arrangement is certainly different in terms of the timbre created due to the use of a live trio. The only question left unanswered is whether one should buy the album over the DVD. It is honestly a personal choice, depending on whether the purchase is intended for background listening that keeps one entertained while doing homework or if the purchase is intended to be the definitive Motoi Sakuraba experience, which one would want to pay full attention to and experience over and over again. Those who have the DVD nearly always favour it to just the album, as watching a live video of Nakamura's and Hasegawa's breathtaking solos and Sakuraba endlessly switching from keyboard to keyboard almost doubles the experience and makes the atmosphere even more prominent. The DVD also has some nifty new features, as well, namely several interviews from members of the trio, a live recording session, and the aforementioned bonus piano solo.
Includes 2 bonus postcards.
Performance Location: Zepp Tokyo
Performance Date: July 19, 2003
Keyboard - Motoi Sakuraba
Drums - Toshihiko Nakamura
Bass - Atsushi Hasegawa
Album was composed by Мотой Сакураба and was released on November 19, 2003. Soundtrack consists of 19 tracks tracks with duration over more than hour. Album was released by Team Entertainment.
The Dawn of Wisdom
Unfinished Battle with God Syndrome
Fly Away in the Violet Sky
Reflected Moon
Requiem to a Predicament ~ Falling Under Negative Consciousness ~
March for Glory
Theme of RENA ~ Drum Solo ~ Bass Solo ~
So Alone, Be Sorrow
Mission to the Deep Space
Confidence in the Domination
Cutting Edge of Notion
Doorway to Heaven
STAR OCEAN FOREVER ~ The Incarnation of Devil ~ The Dawn of Wisdom
Beyond the One (Studio)
Motoi Sakuraba Piano Solo (Studio)
Booklet Interior
Case Exterior
Case Interior


If you're in the market for a new or used car, you've come to the right place. The staff at Four Stars Ford is committed to helping you find the right vehicle for your needs. What's more, they're also dedicated to helping you maintain it long after you drive it home for the first time.
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text:
A Story of Adoption, Secrecy and Love
Caitriona Palmer had a happy childhood in Dublin, raised by loving adoptive parents. But when she was in her late twenties, she realized that she had a strong need to know the woman who had given birth to her. She was able to locate her birth mother, Sarah, and they developed a strong attachment.
But Sarah set one painful condition to this joyous new relationship: she wished to keep it – to keep Caitriona – secret from her family, from her friends, from everyone.
Who was Sarah, and why did she want to preserve a decades-old secret? An Affair with My Mother tells the story of Caitriona's quest to answer these questions, and of the intense, furtive 'affair' she and her mother conducted in carefully chosen locations around Dublin. By turns heartwarming and heartbreaking, An Affair with My Mother is a searing portrait of the social and familial forces that left Sarah – and so many other unwed Irish mothers of her generation – frightened, traumatized and bereft. It is also a beautifully written account of a remarkable relationship.
'Caitriona Palmer has called out the false shame of her origins, with a kind of anguished courage that is incredibly moving. An Affair With My Mother is a forensic account of how it feels to be - in the interests of Catholic "respectability" - excluded from the facts of your own life. In its commitment to family love, to joy and truth, it is a gift.'
Anne Enright, winner of the Man Booker Prize


On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood.
Starting in 1942, the U.S. government began quietly acquiring more than 60,000 acres in Eastern Tennessee for the Manhattan Project — the secret World War II program that developed the atomic bomb.
The book, The Nine Lives of Julius by Ilona Reinitzer, tells the story of Julius who was a teenager when taken by the Nazis to work in a labor camp outside of Auschwitz.


Do you know if it is possible to open an OSM file (that you have in your local file system) into iD?
No, it's not possible. iD was designed to be a browser-based, online editor for less complex uses (and users). As such, loading and saving data in files was not part of the original specification, and it hasn't been implemented.
(for the avoidance of doubt) note that you can open a local .GPX file though - just drag and drop it onto the editor.


A useful way to keep in contact with your existing and prospective clients, email marketing provides relevant product and service information, articles, topics of interest and updates on your business.
Stay in touch and front-of-mind.
Why do I need to stay in touch with my clients?
Back in the 1980's, car giant BMW reshaped the way they dealt with their clients. Rather than just wave goodbye to a client driving away in one of their vehicles, they set up a customer care division. Their role was to create exclusive servicing deals and other ongoing perks that their clients could take advantage of. The results were happier clients who felt part of the prestige BMW "community", who in turn became repeat purchasers as well as ambassadors for the brand.
By regularly reaching out to your clients – both current and prospective – you're helping them to remember and trust you and your brand. By staying front-of-mind, they'll turn to you when they're next ready to purchase.
Why you should stay in touch via email.
Quite simply, it's one of the easiest ways to pop by and say hello to your customers. It goes directly to them and drops your latest or seasonal deals right on their desk. More importantly, it puts your 24/7 shopfront – otherwise known as your website – to within one or two mouse clicks. Of course it also makes you look good, providing useful articles for your clients can help establish you as an expert in your field.
How do you email market?
The best way is with a dedicated service - like Potent Email - which has been designed to comply with the bulk email rules set out by Google, Hotmail and others. Using Potent Email gives you the best chance to have your email get through to its intended recipient.
Let's put that another way. We're sure you've had problems with spam emails, everyone has. Well, if you try and send a heap of emails to your clients from your normal outlook account (especially a Bigpond address) you will probably be identified as a spammer and your emails either blocked or dropped in a spam folder. This means that only a small percentage will be actually opened. In addition, some providers have a limit on how many emails you can send in an hour (for example Bigpond's base account only allows you to send 100 emails per hour, and may lock your account if exceeded).
So, if your mailing list is growing (good on you!) you need to consider a designed email marketing plan.
Legally required links to allow recipients to automatically "unsubscribe" from your mailing list.
Maintaining a "do not mail" list to ensure clients who have unsubscribed aren't sent another email.
An optional double confirmation process that asks new subscribers to verify they want to join your mailing list.
The removal of old inactive email addresses from your mailing list.
Browser based editing with WYSIWYG (What You See Is What You Get) editing.
Upload unlimited attachments and images.
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Online tips about improving your email marketing campaign.
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If you are a Potent Web client (or would like to be) contact us for more information about Potent Email.


text:
Het Kasteel van Maisons-Laffitte (Frans: Château de Maisons-Laffitte) is een 17e-eeuws kasteel in het dorp Maisons-Laffitte in het Franse departement Yvelines, Île-de-France.

Het kasteel werd gebouwd door François Mansart, de Architect des Konings. Het dateert uit de eerste helft van de 17e eeuw. Het is een voorbeeld van Franse barok en was de verblijfplaats van Karel X van Frankrijk, graaf van Artois (1777).

Zie ook
 Kasteel van Vaux-le-Vicomte

In media
Het kasteel werd gebruikt als decor voor de film Dangerous Liaisons.

Maisons-Laffitte
Maisons-Laffitte
Historisch monument in Île-de-France
Bouwwerk in Yvelines


even Faster. We'll then look at the future with robotics on the horizon.
Rich Niemiec is the current Chief Innovation Officer of Viscosity North America. Rich is an Oracle Ace Director, a world-renowned IT Expert, and was a co-founder and the CEO of TUSC, a Chicago-based systems integrator of Oracle-based business solutions started in 1988.


text:
Q: ASP.NET MVC VirtualPathProvider not working under IIS 6 By ASP.NET MVC plugin architecture, Plug-in architecture for ASP.NET MVC
I have separated DLL(plugin) which contains the views, css and javascript files in the resources. So my own VirtualPathProvider will load the content out from the DLL if that is for the plugin. It works all fine during development. But It appears not working once I deployed it in IIS. (I mapped the whidcard in IIS 6 and the views are showing)
I have registered my VirtualPathProvider in global.asax as
protected void Application_Start()
{
    RegisterRoutes(RouteTable.Routes);
    HostingEnvironment.RegisterVirtualPathProvider(new MyVirtualPathProvider());
}

For example.
http://localhost/Plugin/MyPlugin.dll/Styles.MyStyles.css
This should be loaded from the plugin.dll but IIS returns 404.
I guess the static files are all handled by the IIS and not went through asp.net and my VirtualPathProvider ? Is there way to get around this? Please shed some light.
Thanks in advance.

A: If this is IIS 6 you will need a wildcard mapping. See this blog post from Phil Haack.

A: I've found the workaround by adding the staticFileHandler in the web.config httpHandlers element.
<add verb="GET,HEAD,POST" path="*" type="System.Web.StaticFileHandler" validate="true" />

A: I've had a number of problems getting an external compiled library containing resources and controllers to work in our MVC environment.  It's used across multiple projects and different errors have surfaced in different projects so here's all the things I had to do (so far) to ensure static file handling works:

*

*Include StaticFileHandler in web.config, e.g.:
<add verb="GET,HEAD" path="*.js" name="Static for js" type="System.Web.StaticFileHandler" />

*Ensure Static items are ignored in routing:
routes.IgnoreRoute("{*staticfile}", new { staticfile = @".*\
.(css|js|gif|jpg)(/.*)?" });

*Register a Virtual Path Provider, e.g.:
    System.Web.Hosting.HostingEnvironment.RegisterVirtualPathProvider(new EmbeddedResourceVirtualPathProvider.Vpp(assemblies.ToArray())
    {
        //you can do a specific assembly registration too. If you provide the assemly source path, it can read
        //from the source file so you can change the content while the app is running without needing to rebuild
        //{typeof(SomeAssembly.SomeClass).Assembly, @"..\SomeAssembly"}
    });

*Not required for static files but worth mentioning are what was needed to get the views / controllers working, which was adding MVCContrib and registering the embedded view engine:
PortableAreaRegistration.RegisterEmbeddedViewEngine();


text:
Q: protecting admins controller with password I want to protect my admins controller with a password. I added this:
  before_filter :authenticate

  protected
  def authenticate
    authenticate_or_request_with_http_basic do |username, password|
      username == "user" && password == "pass!"
    end
  end

Into admins_controller.rb but when I visit any admins route like /admins or /admins/sign_in or admins/sign_up, no dialog shows up for the user to input the credentials.
I used this before for protecting the whole page by placing it at application_controller.rb; exactly the same way I use it now, and it worked fine before.
Any clue what might be wrong? (p.s. I use devise)

A: Try this:
protected
def authenticate
  authenticate_or_request_with_http_basic_with name: "user", password: "pass!"
end


text:
Royal (Dick) School of Veterinary Studies publications
Group Structure and Behaviour of Babirusa (Babyrousa babyrussa) in Northern Sulawesi
PATRY_1.pdf (3.304Mb)
Patry, Maurice
Leus, Kristin
Macdonald, Alastair A
Studies were carried out at two 'salt-licks' in lowland tropical forest on North Sulawesi, Indonesia. During 60 days of observation 586 sightings of babirusa were made comprising 161 of adult males, 155 of adult females, 11 adults of unknown sex, 78 of subadult males, 53 of subadult females and 34 subadults of indeterminate sex; juveniles were observed 94 times, 19 males, 12 females and 63 of unknown sex. We saw 226 groups ranging in size from one to eight animals (median = 2). Almost half the sightings were of solitary animals, usually adult males. Bachelor groups of four or more babirusa were never seen. Adult females were rarely seen without company, often both juveniles and subadults being sighted together with them. There were never more than three adult females in a group. There were about twice as many family groups without adult males as there were with males. Agonistic behaviour between males was confined to 'threat at a distance', 'nose in the air', 'head under jaw submission' and 'front half supported' behaviours. There were fewer incidents of female-female agonistic behaviour, but in two, the dominant female chased her inferior off the 'salt-lick'.
http://publish.csiro.au/


This unique speedometer uses a GPS for speed tracking, and displays your speed with an RGB LED. While as-programmed the speed is displayed only as stopped (red), +2MPH (yellow), +9MPH (blue), or +13MPH (green), this could be expanded to a more granular form if you so desire. Also, the GPS unit could be used to show other stats, like how far you are from home, and the bike has a white flashing mode specifically for night visibility.
Print files are available here. Top is printed with "Clear" PLA (Amazon) to let light shine through.
Solder per schematic in previous step + Li-Po charger.
Everything will be a tight fit, and you'll need to secure buttons and charger as seen in the video. Also, feed zip ties through the four rectangular holes toward the middle to facilitate handlebar installation later.
Load the program found here using a USB-TTL converter. I used this one (Amazon), which is kind of expensive, but seems that many of the cheaper ones are necessarily compatible with Windows 10.
Step 4: Install and Use!
Wrap zip-ties around your handlebars, turn it on with the button on the bottom and start riding. It may take some time for the GPS to get a good lock on satellites, but after this, you'll be able to look down for an instant to see what speed mark you're at, or provide lighting.
More background on this project and using a GPS module with Arduino can be found in this article.
Note links to Amazon are affiliate.


Below is a directory of court locations in North Slope Borough. Links for online court records and other free court resources are provided for each court, where available. If you're not sure which court you're looking for, learn more about the Alaska court system.


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