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English Literature Unit 1
AP English Literature and Composition. This is an activity that can take place only "when one is willing to endure suspense and undergo. Generally, at the end of this unit, we do our first prose passage AP prompt as a timed, in-class write.
1. YOB In 19th century English, back-slang was the name of a popular. Sadly the mho is not universally accepted in scientific literature, and the official SI unit of conductance is instead the.
My dad never tried to be overtly English, and still has his Brooklyn accent after four. who carved out a legendary space.
This unit focuses primarily on how to create diverse opportunities for students at the JSS level to develop their English language skills through exposure to the.
Our English Literature Programme is ranked 9th in the Guardian University Guide 2019 and is taught to small groups by energetic and enthusiastic academics with international research profiles in 19th- and 20th-century studies. Ideas developed in core seminars are taken forward in weekly small-group tutorials, where half a dozen students are encouraged to discuss and interpret specific.
"Fun Home, A Family Tragicomic" by Allison Bechtel, "We Are Okay" by Nina LaCour, and "Speak No Evil" by Uzodinma Iweala were approved by the Watchung Hills Board of Education as the three options in.
While the pig remains weren't found right at Stonehenge, they were found close by, about 1.8 miles (3 kilometers. Laura grew up in Seattle and studied English literature and psychology at.
Jun 18, 2014. English. Sports Literature – Unit 1, Sports in History and Culture · Sports Literature. Sports Literature – Unit 2, Themes in Sports Literature.
This is the message of "Confessions of an English Opium-Eater" by Thomas De Quincey, the precursor of psychedelic literature. That message. "Iran sees Iraq as an economic backup unit that ensures.
Old English literature, or Anglo-Saxon literature, encompasses the surviving literature written in Old English.
In this interview, Thomas Skoczylas, Territory Sales Manager from Proton OnSite talks to AZoM about cooling generators with hydrogen and why they. University in Newcastle with a 2:1 in Journalism.
Turkish literature (Turkish: Türk edebiyatı) comprises oral compositions and written texts in Turkic languages.The Ottoman and Azeri forms of Turkish, which forms the basis of much of the written corpus, were highly influenced by Persian and Arabic literature, and used the Ottoman Turkish alphabet. The history of the broader Turkic literature spans a period of nearly 1,300 years.
Agatha Christie Poirot Novels Miss Marple doing the twist and Hercule Poirot in a film so silly that it could have been called Carry On Murder. Agatha Christie had to endure such criminally bad adaptations of her novels that. British crime writer Agatha Christie is being feted throughout 2015, and now a new Hercule Poirot novel has been set
CCEA Subject Description. May/June Series 2018. Foundation Tier, Unit 1: The Study of Prose (MS) (PDF), Last Updated: 12 September 2018
Two additional trials (DB2116960 and PINNACLE 1), not identified. were restricted to the English language with no time restrictions up until the search date (November 29, 2016). The search.
205 West 46th Street Lunt Fontanne Theatre Osmond began performances as Gaston on Tuesday, September 19th at the Lunt-Fontanne Theatre (205 West 46th Street). Featured since then on such programs as ABC's "The View," NBC's "Today," and CBS. Disney's BEAUTY AND THE BEAST set a new box office record at the Lunt-Fontanne Theatre (205 West 46th Street) for the week of December
What Did Jane Austen Wrote About In fact, Austen's papers show she considered another ending in which the heroine did not marry the man she loved. Halperin believes Austen died of Addison's disease, he said, though he points out that. Dear Healthy Readers: I welcome today Bryan Kozlowski, author of The Jane Austen Diet: Austen's Secrets to Food, Health, and Incandescent
War And Peace Five Families For the next five years the group's harsh rules meant she. As the US casts around for an exit from its longest war, and Afghanistan inches towards some form of peace deal, Afghan women are caught. During the war, Yaqui also lost her father, uncle, cousin, and both her parents-in-law. The Guatemalan internal armed conflict
B.A.I ENGLISH LITERATURE Paper-I (POETRY) MM. 50 Unit-I: Ten short answer questions based on the entire course. Unit-II Forms of poetry 1. The Sonnet.
1 ELA 12: British Literature—Semester A – Here Be Monsters. This unit will focus on author's perspective and point of view by using English literature with.
She was here two years ago, captivating audiences in "The Present," a modern adaptation of a Chekhov play, and racking up weekly grosses of more than $1 million. read it now are graduate students.
Old Dr Seuss Books It's A Dr. Seuss Characters List! Can you imagine a world filled with Dr. Seuss Characters? By looking at the list below, I imagine there would be lots of laughter in that world as our tongues tripped over the names of our fellow beings. DANVILLE — Children were excited to choose books after winning book
English Literature Courses at The Open University. Find the Right English Course for you, from Certificates, Diplomas and Degrees, up to Masters Degrees.
English offers an accelerated degree program in Literature, often referred to as 4 +1 programs. 4+1 programs provide top undergraduate students in the.
He earned a Bachelor of Arts in English Literature from the University of Maryland. Lance went on to serve as Psychologist and Clinical Director at the Southeast Secure Treatment Unit (SESTU) in.
He won consecutive assembly elections between 1993 and 2013 and headed the BJP's Delhi unit twice. After his victory from.
The newfound species of duck-billed dinosaur lived in northern Alaska. Laura grew up in Seattle and studied English literature and psychology at Washington University in St. Louis before completing.
1. "It made. but got 19/20 in English, which gave me an OK grade overall. I got an offer from a university in London, moved here, finished my degree, and got into journalism. "Three years later,
Photograph: Macmillan As the spectacle of Cobbing in full shamanistic flow on a Radio 1 pop show confirms. In the context of postwar English literature, then dominated by figures such as Kingsley.
In this lesson by Frances Marnie, students cover language including hello, what's your name?, numbers 1 to 5, book, pen, chair, table and goodbye. Printable resources include comprehensive step-by-step teacher's notes, a student worksheet, cut-out alphabet cards and flashcards.
Sep 12, 2018 · May/June Series 2018. Foundation Tier, Unit 1: The Study of Prose (MS) (PDF), Last Updated: 12 September 2018. Foundation Tier, Unit 2: The Study of Drama and Poetry
Donate Old Medical Books BOOKS? Request a book donation through our online form. VIEW MAP. MAKING A DIFFERENCE. See where your donations are making a difference around the world. LEARN MORE. EVERY BOOK COUNTS. Every purchase on our site helps fund world literacy – and so does every book donated! Refine Your Search Filter. Clear All Refinements Condition Little
His family agreed to a $1 million settlement. Courtesy attorney Lori Rifkin. court records say. The UC Berkeley English literature graduate and former theology student talked to himself in.
Learn how to understand and evaluate works of fiction, poetry, and drama from various periods and cultures. You'll read literary works and write essays to explain and support your analysis of them.
AP English Literature and Composition. Learn all about the course and exam.
Dec 5, 2014. In this first English Language Arts Lesson of 12th grade, students are introduced to important skills and practices that continue throughout the.
Our members include two-thirds of the Top 100 schools and 5 of the Top 10 P8 Schools Want to join us? Our Pricing? Free Samples? Edusites English commissions writers, teachers and advisors paid for their expertise to create our weekly Friday Takeaway; a new resource dropped into your inbox.
More Than 500 Study Guides and Counting. Your source for help with Shakespeare and English literature, plus history, math, biology, and more.
Six extract questions based around the theme of conflict in the play Romeo and Juliet.To be used in preparation for the AQA GCSE English Literature Paper 1 exam.
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He graduated in 2000 with bachelor's and master's degrees in English literature and a bachelor's in human biology. toward the intensive care unit and I was complaining of being tired and worn out —.
(Sadly this study did not cover wider humanities fields, where chapters play a big role also in English, literature studies, theology and other areas). Chart 1: The proportion of. an individually.
May 30, 2019 · SparkNotes are the most helpful study guides around to literature, math, science, and more. Find sample tests, essay help, and translations of Shakespeare.
Lesson 1 of 8 in The Epic of Beowulf unit. This lesson is the first literature lesson in a new trimester. I have a whole new group of seniors and like to ease them.
Our GCSE in English Literature encourages students to be enthusiastic, independent, imaginative, critical and analytical readers. It aims to increase their enjoyment of reading, helping to nurture a lifelong love of literature.
We are currently waiting for the results of a re-mark of one unit of our entire GCSE Spanish. the results of a GCSE re mark enquiry – she was 1 mark below the total grade boundary for an A* in.
The discoveries came from a new infrared analysis of the artifacts, the Israel Antiquities Authority (IAA) announced yesterday (May 1). The newfound writing. Laura grew up in Seattle and studied.
He said he could barely speak English when he started working as a janitor. becoming the first in his family to graduate.
Award BA (Hons) English Literature School College of Liberal Arts Campus or location Newton Park Course length Three years full time, or four years full time with professional placement year.
9th Grade – Unit 1 (Informational Text) · 9th Grade – Unit 2 (Informational Text). 10th Grade – Unit 3 (Literature) · 11th Grade – Unit 1 (Informational Text).
Agatha Christie Poirot Novels
What Did Jane Austen Wrote About


마그레브 반란은 알제리, 모리타니, 모로코 등 마그레브 지역에서 2002년부터 발생한 반란의 총칭으로, 이슬람 근본주의 무장단체인 GSPC가 주도했다. 이후 이 단체는 알카에다 이슬람 마그레브 지부와 연합해 알제리 정부에 맞섰다. 분쟁은 이후 2002년 종결된 알제리 내전의 여파로 발생한 것으로, 알제리 주변 국가들로 확산되고 있다. 알제리와 다른 마그레브 국가들은 2007년부터 항구적 자유 작전 - 트란스 사하라가 2007년부터 개시되면서 미국과 영국의 지원을 받고 있다.
↑ "Niger army hunts for Al-Qaeda after clash". AFP. 2011년 6월 15일.
↑ "Al-Qaeda 'behind' Mauritania raid". 《BBC News》. 2005년 6월 6일. 2010년 5월 5일에 확인함.
↑ "AFP: West African states discuss Al-Qaeda fight". Google.com. 2010년 8월 7일. 2011년 4월 23일에 확인함.
↑ Tarek Amara (2016년 3월 7일). "Militants attack Tunisian forces near Libyan border, 50 killed". 《Reuters》. 2016년 3월 16일에 확인함.
↑ 모리타니군과 함께 참전: "France's War on Terror". 《The Wall Street Journal》. 2010년 7월 30일. 2015년 11월 26일에 확인함.
↑ "Al-Qaeda in the Islamic Maghreb (AQIM)". 《Council on Foreign Relations》. 2014년 10월 26일에 확인함.
↑ "EU dilemma over Malian armed forces training". Euronews. 2013년 1월 14일. 2013년 1월 19일에 원본 문서에서 보존된 문서.
↑ "Mali Crisis: EU troops begin training mission". BBC News. 2013년 4월 2일. 2013년 4월 2일에 원본 문서에서 보존된 문서.
↑ "Chinese army soldiers conduct first mission as peacekeepers in Mali 1612131 - Army Recognition". Armyrecognition.com. 2014년 2월 11일에 확인함.
↑ Salomé Legrand (2013년 1월 14일). "Qui sont les islamistes à qui la France a déclaré la guerre ?". Francetvinfo.fr. 2013년 11월 22일에 확인함.
↑ "Al Qaeda offshoot claims Algeria attack". 《AFP (Published by Wayback Machine)》. 2012년 3월 3일. 2013년 1월 18일에 원본 문서에서 보존된 문서. 2014년 11월 26일에 확인함.
↑ "Report: 5 others Moroccans sought in Spain bombing". 2004년 3월 16일. 2014년 11월 26일에 확인함.
↑ "Niger attacked by both al-Qaeda and Boko Haram". 《BBC News》. 2016년 5월 13일에 확인함.
↑ "French hostage Herve Gourdel beheaded in Algeria". 《BBC News》. 2014년 9월 24일. 2014년 11월 30일에 확인함.
↑ "WORLD BRIEFING | AFRICA; Morocco: 9 Imprisoned For Casablanca Blasts Escape". 《AFP (Published by The New York Times)》. 2008년 4월 8일. 2014년 11월 26일에 확인함.
↑ "Niger suicide bombers target Areva mine and barracks". 《BBC News》. 2013년 5월 23일. 2014년 11월 26일에 확인함.
↑ "Al-Qaeda claims recent attack on Tunisian minister's home". 《Al Arabiya》. 2014년 6월 13일. 2014년 11월 26일에 확인함.
↑ Engel, Pamela (2015년 4월 23일). "Report: A former physics teacher favored by Osama bin Laden is now leading ISIS". 《Business Insider》. 2015년 11월 26일에 확인함.
↑ Thornhill, Ted (2015년 5월 13일). "Blown to pieces: Iraqi military reveal the moment Islamic State's second-in-command was killed alongside dozens of his followers in coalition air strike on mosque". 《Daily Mail》. 2015년 11월 26일에 확인함.
↑ 가 나 Deaton, Jennifer Z.; Hanna, Jason (2014년 12월 23일). "Algeria: Leader of group that beheaded French hiker is killed". 《CNN》. 2015년 1월 1일에 확인함.
↑ "Al-Qaeda map: Isis, Boko Haram and other affiliates' strongholds across Africa and Asia". 2014년 6월 12일. 2014년 9월 1일에 확인함.
↑ "Profile: Al-Qaeda in North Africa". 《BBC News》. 2016년 3월 16일에 확인함.
↑ "Terrorist Organization Profile - START - National Consortium for the Study of Terrorism and Responses to Terrorism". 2016년 5월 13일에 확인함.
↑ "Algerian Army Kills Militant Leader Linked to Beheading of French Hostage". 《The New York Times》. 2014년 12월 24일. 2016년 3월 16일에 확인함.
↑ "Al-Qaeda map: Isis, Boko Haram and other affiliates' strongholds across Africa and Asia". 2014년 6월 12일. 2014년 8월 29일에 확인함.
↑ "Mali hotel attack: Gunmen 'storm EU military training base in Bamako'". 《Telegraph.co.uk》. 2016년 3월 21일. 2016년 5월 13일에 확인함.
↑ "Free Salafist Group (GSL)". 《TRAC》. 2014년 11월 26일에 확인함.
↑ "US Starts Anti-Al-Qaeda Military Exercise in Sahara". BBC. 2010년 5월 3일.
↑ "Britain Signals Maghreb Push with Anti-Terror Help". Reuters Africa. 2011년 10월 18일.
이 문서는 2019년 4월 4일 (목) 09:22에 마지막으로 편집되었습니다.


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observations 11-21
The Aussies are going to love, love, love our Yuriko Kajiya as Aurora in tomorrow's matinee performance of Sleeping Beauty with The Australian Ballet in Sydney. Such a complete, completely glorious, and gloriously honest artist... Click on Nicola Curry's I-gram link to read about her long history with Yuriko that now spans three continents.
Here's a clip of a recent stage rehearsal. Video by Nicola.
Meanwhile back at the dude ranch, it appears that ABT is going to completely ignore Jerome Robbins during his official Centennial Celebration that is being held worldwide. What, they didn't make enough money off of Fancy Free -- that is, when they had a complete cast who could dance it? It might have been interesting to see the 1946 Facsimile that Robbins, Nora Kaye and John Kriza premiered on Broadway to music by Leonard Bernstein. Or perhaps the (1947) Summer Day PdD that he created and danced with Annabelle Lyon could have made a one-time appearance. Really, ABT doesn't have any reason to join in the worldwide Robbins Centennial Celebration, really? Not one kind word? Not one single moment of special recognition?
PERFORMANCES (other than NYCB)
HAMBURG BALLETT
The Concert, Dances at a Gathering: 17 September 2017
Circus Polka, The Cage, In the Night, Other Dances, West Side Story Suite: 12 January 2018
STUTTGART BALLETT
Dances at a Gathering: 13 January 2018
NEW YORK THEATRE BALLET
Rondo, Septet, Concertino: 16 March 2018
SAN FRANCISCO BALLET
The Cage, Fancy Free, Opus 19, Other Dances: 20 March 2018
PITTSBURGH BALLET
Fancy Free, In the Night, West Side Story Suite: 3 May 2018
THE MUNY
Jerome Robbins' Broadway, 11 - 17 June 2018
LES ÉTÉS DE LA DANSE
Tribute to Jerome Robbins featuring companies from around the globe (TBA): 25 June 2018
BOSTON BALLET
Fancy Free, Glass Pieces, Interplay: 6 Sept 2018
DUTCH NATIONAL BALLET
Dances at a Gathering: 11 Sept 2018
PACIFIC NORTHWEST BALLET
Afternoon of a Faun, The Concert, In the Night, Other Dances: 21 Sept 2018
Dances at a Gathering, Interplay, West Side Story Suite: 28 Sept 2018
PARIS OPERA BALLET
Afternoon of a Faun, Fancy Free, Glass Pieces: 28 Sept 2018
BAM / FISHMAN SPACE
Watermill: cast TBA: October 2018
The Concert, Glass Pieces, In the Night: 7 March 2019
Here's some good news:
Pennsylvania Ballet has a brand new New York Friends of Pennsylvania Ballet patron category that is going to let New Yorkers know early about casting so that we can make travel plans more easily and save money by buying early on Amtrak. New York Friends will have the opportunity to purchase early for Angel Corella's February 9th Art of Coaching event in Manhattan. That will surely be packed. Nobody wants to miss a chance to feel that Angel energy even if he is coaching instead of dancing.
Check out this link to become a New York Friend of Pennsylvania Ballet.
Pennsylvania Ballet just appointed Shelly Power as its new Executive Director. Previously the Academy Director for Houston Ballet and most recently the Artistic Director and CEO of Prix de Lausanne, she will start with PA Ballet in December.
Posted on November 21, 2017 at 04:14 PM in Australian Ballet, Houston Ballet, Jerome Robbins, Philadelphia Ballet | Permalink | Comments (14)
Pennsylvania Ballet 3/30 & 4/1
The angst & yank of contemporary ballet
Almost 21 years ago, Angel Corella made his celebrated debut with American Ballet Theatre as the Bronze Idol in La Bayadere. The following year Angel was named a principal dancer, the first and as yet the only Spaniard to reach that rank at ABT. We don't remember any big ballyhoo being made about that at the time. Back in the good ole days, an artist's dancing on stage spoke for itself – honestly and unedited.
Over the course of Angel's 17 years with ABT, it was not the contemporary ballets that brought the throngs to his performances. It was his energy and commitment to the 19th & 20th century classics that raised the audience's euphoria to illegal levels. There were novelty exceptions, of course. Who can forget when the audience's reaction to Angel tearing through David Parson's strob-sensation Caught disabled the Richter Scale for a time, but his individual draw was mostly in the craft-heavy & discipline-heavy ballets that espoused the classical vocabulary and form.
Therein lies the source of some discontent over Angel's program choices for Pennsylvania Ballet's visit to the Joyce Theater this week. His fans have shown up in healthy numbers, but his fans are diehard classical ballet fans who remember their idol in masterpieces. In contrast, the contemporary program being performed through Sunday represents the angst and yank of the current choreographic trend that hybridizes ballet with gymnastics, social dance, anti-social dance, and anything physical that runs contrary to the schools of classical ballet. It's not a case where someone is bringing new ideas to the ballet table. They're bringing old ideas to the ballet table because, for the most part, they lack the command and skill to use the traditional vocabulary needed to advance a concrete idea. If one is trying to converse in Spanish but is not fluent, one's substitution of Persian or German words isn't going to help make one understood – or appreciated.
We'll get back to this idea the next time another good ballet company brings too much dismal choreography here with the idea that it makes them and their art relevant.
While watching Matthew Neenan's Keep, a series of PdDs for four couples and two men to the string quartets by Borodin and Risky-Korsakov, Haglund's mind kept wandering and wondering, "How long is it going to take Angel to acquire Tippet's Bruch Violin Concerto?" These dancers would look phenomenal in his classical work that has Balanchine's influence swirling through Tippet's own vivid imagination. Lillian DiPiazza in the dark violet tutu, Mayara Pineiro in the red, Oksana Maslova in the light blue – it could not be more obvious that this company would rekindle the beauty of Tippet's ballet and could quickly claim it as a signature piece.
At both performances, the highlight of Neenan's work was the match-up of Lillian DiPiazza with Arian Molina Soca – his gallant partnering and smoldering Cuban charm drew her own sensuality to the surface. She wore a long yellow dress while the other women were in shades of red/dark pink puffy skirtish tutu-ish dresses or in one case a shorter version of DiPiazza's costume. We have no idea what this ballet was about or what the title meant, but there was definitely some spark between these two dancers that made you realize that there was an interesting conversation going on between them. True, each couple had a different level of angst in their relationship. But if Neenan was aiming to show differences akin to the couples in Tudor's Leaves Are Fading or in any of Robbins' dances that do the same thing, he missed the target by a wide margin. The couples must have made up internal stories that prompted them to show emotion while twisting their limbs about, spinning on a stool, etc., but we haven't a clue why they were doing what they were doing. It was pretty much a waste of the extraordinary dancing talents of Amy Aldridge, Francis Veyette, Lauren Fadeley, Ian Hussey, Jermel Johnson, Evelyn Kocak, Alexandra Hughes and Andrew Daly.
Haglund enjoyed the Trey McIntyre Project many years ago at the Joyce Theater. The company had an identity and was easy to watch in much the same way that David Parsons' company is easy to watch. The Accidental, a dance made by McIntyre for Pennsylvania Ballet in 2014, was not easy to watch. Dancers skipping around, doing triplets in parallel, yanking and vaulting to Rocky Mountain High type vocals sung by a John Denver aspirant was the low point of the evening.
The Accidental fully employed the current trend of gymno-dancing in gymnast's leotards which, by the way, always make the legs look squatty and the fannies swollen no matter how thin the dancer. The dance relied on feigned emotions toward an abstract idea that wasn't revealed through the choreography. Haglund wouldn't mind seeing the Parsons company take this on, but he hates seeing the hard fought-for skills of accomplished ballet dancers wasted on this stuff.
Nicolo Fonte's Grace Action closed the program. The Philip Glass score, the lighting by Brad Fields that utilized overhead spots that picked up the moisture and particles in the air suggesting a mist, and the costumes by Martha Chamberlain (loose tops for the men in shorts; sleek leotards for the women) created a good play off of Twyla Tharp's In the Upper Room. At least Mr. Fonte was imitating one of the great 20th Century master-trailblazers — and that is precisely how one learns a craft like dancemaking, poetry, or musical composition. You practice and learn how the best did it before you, and then and only then, do you exploit it with your own imagination. But one has to be careful who one imitates. Going for the likes of what is seen on So You Think You Can Dance or in pop music videos will drive the true ballet audience away faster than you can say Britney Spears.
We would be disappointed if Fonte decided that this was his only style and continued to make dances in the Tharp model. Hopefully, he will try something totally different - using a new model with lots of true ballet vocabulary.
Six couples, including Lillian DiPiazza & Arian Molina Soca and Mayara Pineiro & Etienne Diaz, flew through the hypnotizing strains of Philip Glass' minimalist magic with an energy that often shows up in Tharp dancers. When watching the two aforementioned pairs in a quartet, one couldn't help but notice the hunger with which the three Cubans approached the contemporary movement. The recurring reason that Cuban ballet dancers give for leaving their country and coming to the U.S. to forge careers is that they want to dance contemporary works. Meanwhile, we here in the U.S want to see them apply their superb training to the classics. Hopefully, they will happily agree to dance both, because after seeing Molina Soca's rapport with DiPiazza, we can't wait for the day when he breaks her heart in Giselle.
Works like those on this program don't offer a glimpse of a ballet company's ballet style, and it is careless to assume that since it doesn't, the company has no discernible style. One thing is clear: the style of this company is going to broaden and become more flexible. Having recently seen the dancers in the works of Balanchine, Petipa and 21st century choreographers, it is apparent that they are able to handily meet the challenges of it all. A lot of dancers who danced directly under Balanchine danced his choreography differently and are setting it on today's companies according to their own experiences and memories. Who is to say that is wrong?
The H.H. Pump Bump Award is bestowed upon Arian Molina Soca who drew our eye every time he stepped on stage.
Posted on April 02, 2016 at 01:55 PM in Jerome Robbins, Philadelphia Ballet | Permalink | Comments (4)
Flash mob in Times Square
Some tourists were surprised yesterday around noon when West Side Story broke out unexpectedly in the middle of Duffy Square in Times Square.
This Tuesday marks the 50th anniversary of the film West Side Story, and about 50 or so dancers, including many who danced in various productions of WSS and others who are in current Broadway productions of other shows, were brought together by the folks at DanceOn to spontaneously celebrate the anniversary.
Here's the YouTube clip. Note the surprise of the big guy carrying the little pink gift bag.
Posted on November 12, 2011 at 11:31 AM in Jerome Robbins | Permalink | Comments (0) | TrackBack (0)
NYCB – The Jerry Dancers honored – 9/30
True. Last night's presentation of The Jerome Robbins Award to 26 NYCB ballerinas, who used their extraordinary artistry over a sixty-plus year span to bring his work to life, was not an official NYCB event. The Jerome Robbins Foundation was given a few minutes of stage time following the second intermission to make the presentations. Had it been an official NYCB event, the company's artistic director probably would have been on stage as well to congratulate . . . Suzanne, Gelsey, Heather among the former stars of the company. Now that's something that would have filled every last seat in the theater. But no, last night, it was just the ballerinas and the very big spirit of Jerome Robbins who managed to bring the less-than-capacity but passionately vocal audience to its feet. Chita Rivera, the most famous "Anita" in Robbins' West Side Story on Broadway, hosted the event. The fourth ring proper (rows C and above) had a few people in it but was essentially empty, and once again there were pockets - no, we should now call them pocks as in pock marks - of empty seats in the orchestra and the other rings.
When great ballerinas retire, it's hard on the audience. It's difficult to cope with the reality that no more new memories will be made, and it's difficult to cope with the thought that maybe no other artist will ever come along who will come even close to matching the magic of the retiring ballerina. Last night saw clear evidence standing on the stage that as ballet is passed from generation to generation, there will always be new artists who bring us something unique to cherish and value just as their predecessors did.
And as these ballerinas, retired or near retirement, were individually introduced and walked very proudly to the center of the stage to be acknowledged, some still had new memories to make for us. Suzanne Farrell and Gelsey Kirkland held hands. Kyra Nichols and Patricia McBride brought with them on stage what could only be described as an aura of warmth and generosity. Allegra Kent, only slightly unsteady without her cane, hesitated to leave the stage with the others without taking one last bow. But the memory that Haglund will probably hold the longest from last night is that of Violette Verdy, who surely must be the most glamorous NYCB ballerina of all time – well, she's French, you know – entering the stage with the authoritative grace of a dignitary and embracing the audience with her arms in the grand style of a Delibes anthem. She will soon turn 78 years old but still has the energy and skip of someone half her age.
The Playbill for the evening included an insert prepared by the Jerome Robbins Foundation in which each of the living honored ballerinas offered a few words about what it was like working with Robbins. Suzanne Farrell said that Jerry was always polite, helpful, and accommodating. Jilliana recalled how she put purple makeup under her eyes to make her look tired with the hope that Jerry would cut short an early morning rehearsal. Melinda Roy told how Robbins allowed her to use hats of her own creation in performances of The Concert. Yvonne Mounsey remembered how after being cast as the Queen in The Cage, Robbins began calling her "Queenie." Gelsey Kirkland recalled when Robbins enlightened her that a Pas de Deux had two people, not just one, and while working on The Cage, he told her how impressed he was with the intensity of her attack on the male species.
While the presentation of the Jerome Robbins Award was the highlight of the evening, there was some fine dancing on the stage as well in an all-Robbins program. 2&3 Part Inventions included an especially lovely interpretation by Lauren Lovette whose beautiful, curving arabesque line was on display throughout.
In Memory of... was danced by Wendy Whelan, Charles Askegard, and Jared Angle. The major appeal of this ballet is – come on, admit it – the title, in particularly, the ... . But to be truthful, this ballet has a whole lot of walking around in it that doesn't do a lot to evoke anything but, well, walking around...
The evening closed with a superb performance of West Side Story Suite with Chase Finlay, Robert Fairchild, and Amar Ramasar as Tony, Riff, and Bernardo. Jenifer Ringer, Lauren Lovette, and Gretchen Smith were Anita, Maria, and Rosalia. Fairchild, Ramasar, and Finlay were an impressively strong trio who led the cast with exceptional dancing and drama. Great story. Great steps. Great theater. But the star of West Side Story is and always has been the Leonard Bernstein score. The NYCB orchestra, conducted by Clotilde Otranto, gave the music all the punch, tenderness, and rhythm needed to shake the spirits in the house and make them smile.
Haglund bestows this stunning multi-colored Yves Saint Laurent Pump Bump Award to the "Jerry dancers" honored last night by the Robbins Foundation.
Posted on October 01, 2011 at 01:35 PM in Jerome Robbins, New York City Ballet | Permalink | Comments (7) | TrackBack (0)
NYCB – A grand reunion
Together – unbelievably.
Helene Alexopoulos, Alexandra Ansanelli, Merrill Ashley, Yvonne Borree, Maria Calegari, Suzanne Farrell, Judith Fugate, Jillana, Allegra Kent, Gelsey Kirkland, Darci Kistler, Maria Kowroski, Sara Leland, Lourdes Lopez, Kay Mazzo, Patricia McBride, Yvonne Mounsey, Kyra Nichols, Jenifer Ringer, Melinda Roy, Stephanie Saland, Margaret Tracey, Violette Verdy, Heather Watts, Miranda Weese, and Wendy Whelan.
The rafters of the theater will surely be tested on Friday, September 30th when all of these magnificent ballerinas gather together on stage during NYCB's evening performance to accept the 2011 Jerome Robbins Award.
Imagine. You really don't want to miss this.
Posted on August 15, 2011 at 11:47 PM in Jerome Robbins, New York City Ballet | Permalink | Comments (4) | TrackBack (0)
NY Export: Opus Jazz – PBS
Sass-sational!
Posted on March 24, 2010 at 09:14 PM in Jerome Robbins, New York City Ballet | Permalink | Comments (0) | TrackBack (0)
Program reminder: NY Export: Opus Jazz on PBS
PBS's Dance in America series will air the new Jerome Robbins documentary/performance film NY Export: Opus Jazz at the following times on New York's Channel 13:
8:00pm Wednesday March 24th
1:00am Friday March 26th
12:00pm Sunday March 28th
Check out the film's website, too!
Fancy Free spree
Since we're launching into another Fancy Free Season with performances by NYCB beginning this week and later in the spring by ABT, here are a few pictures of the dancers who originated their roles: Harold Lang, John Kriza, Jerome Robbins, Muriel Bentley, Janet Reed, Shirley Eckl, and Rex Cooper. For 66 years, this Robbins/Bernstein classic has been a must-have ticket wherever it has been performed. This year we celebrate the sailor debuts of Robert Fairchild and Daniil Simkin, the return of Sascha Radetsky, and of course, the rhumba god himself, Jose Manuel Carreno.
Here are two 1944 images from the Harold Lang Memorial Website currently under construction:
From Life's extraordinary frame-worthy collection, a photo by Gordon Parks of the cast dancing in puddles on Broadway.
Posted on January 11, 2010 at 06:49 PM in American Ballet Theatre, Jerome Robbins, New York City Ballet | Permalink | Comments (0) | TrackBack (0)
PBS – Jerome Robbins' NY EXPORT: OPUS JAZZ
From the first press release, slipped to Haglund by a Yankees fan, for the March 24, 2010 broadcast on PBS's Great Performances of Ellen Bar's and Sean Suozzi's film Jerome Robbin's NY Export: Opus Jazz:
(New York, NY – Nov. 4, 2009) Shot on location all over present-day New York City, NY Export: Opus Jazz takes Jerome Robbins' 1958 jazz ballet, of the same name, and recreates it for a new generation. Created, produced, and danced by members of the New York City Ballet, NY Export: Opus Jazz (www.opusjazz.com) will air on THIRTEEN's Great Performances series on Wednesday, March 24, 2010 at 8 p.m. EST (check local listings). Conceived by Ellen Bar and Sean Suozzi, New York City Ballet soloists, and directed by Henry Joost and Jody Lee Lipes, NY Export: Opus Jazz completed shooting in and around New York City at the end of September 2009.
Bar and Suozzi danced in Jerome Robbins' NY Export: Opus Jazz when it was revived by New York City Ballet in 2005. They were struck by the themes that came out in the dancing – the energy and raw emotions of urban youth – which makes the ballet just as relevant today as it was when it was first conceived in the 1950's. With a couple of changes – street clothes instead of costumes and New York City locations instead of a stage – they believed that a film of this ballet would be very accessible to both novices and balletomanes.
After NY Export: Opus Jazz was sanctioned by all nine members of the Robbins' Trust – not only an approval first but an immediate vote of confidence – the pas de deux, "Passage for Two," was shot in June 2007. Filmed at the High Line (pre-renovation), it features New York City Ballet soloists Rachel Rutherford and Craig Hall and was shot in just two days. Bar and Suozzi utilized this preliminary sequence to help raise funds for the entire film.
The film, like the ballet, is divided into five movements and was shot on location at a gymnasium in Carroll Gardens (Brooklyn), the McCarren Park Pool in Williamsburg (Brooklyn), the Imlay building in Red Hook (Brooklyn) and at the Loew's Theater, circa 1929, in Jersey City. "It was always our intention to shoot each section in a different place because each movement has different moods and atmospheres," explains Bar.
The original ballet was 28 minutes long. The film includes every step of the ballet from first to last – danced by New York City Ballet dancers – but also has a narrative scene between each movement where the audience is introduced to the characters. Accompanying the ballet on Great Performances will be a documentary, by Matt Wolf and Anna Farrell, which follows the story of the original ballet up until its adaptation for film.
Calendar this. March 24. And visit the film's website.
Wouldn't it be wild if there was a simulcast large screen showing outside at Lincoln Center?!
Posted on November 02, 2009 at 05:49 PM in Jerome Robbins, New York City Ballet | Permalink | Comments (0) | TrackBack (0)

redpajama_set_name: RedPajamaCommonCrawl


If you have ever had the chance to talk about posting bails then it is safe to assume that you may have heard the term "bail bonds" used around as well. Now for those who don't know, a bail bond is basically a surety bond that is provided by the bail bond service through the bail agent. This bail bond is then used to free the person from jail.
I know it sounds complicated, but in reality, understanding bail bonds is very easy, as a matter of fact, it is as easy as understanding bail in general. With that out of the way, you can look at Santa Clara bail bonds for in-depth information.
In this article, we are primarily discussing some of the most common things that you need to know about bail bonds.
The first thing that you need to know about bail bonds is that there are two types of bonds. The first bond is the criminal bond that is always on the more expensive sides, and is used when the defendant is going through criminal charges. Then the second is the civil bond that is on the cheaper side, and makes sure that the payment is made on time.
Another thing that you need to know is that these bail bonds are super common. A lot of people think that the entire process is complicated, and getting these bonds is not a difficult job. However, you can hire any good bails bond service, and they will help you in the right way. So, make sure that you are going for a good company whenever you can and it will be a good experience for you as well.


Just like a good wardrobe always has the basics, so should the space you live and work in. Pieces that form the building blocks of a space and bring freedom of expression through thoughtful selection, simplicity of design and attention to detail.
Let's start with the basics .... a table, a chair, a bed. A space will continue to evolve as your life does but lets get the foundations right.
Because simple is hard to find.


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Speakers 2020, 2021
Claudio Descalzi
CEO, ENI, Italy
Claudio Descalzi has been CEO of Eni since May 2014. He is Member of the General Council and of the Advisory Board of Confindustria and Director of Fondazione Teatro alla Scala. He was Head of reservoir and operating activities for Italy, Managing Director of Eni subsidiary in Congo, and Vice Chairman & Managing Director of Eni subsidiary in Nigeria. He held the position of Executive Vice President for Africa, Middle East and China, and Executive Vice President for Italy, Africa, Middle East. In 2005 he was appointed Deputy Chief Operating Officer of Eni – Exploration & Production Division. From 2010 to 2014 he held the position of Chairman of Eni UK. In 2012 Mr. Descalzi was the first European in the field of Oil&Gas to receive "Charles F. Rand Memorial Gold Medal 2012" by the Society of Petroleum Engineers and the American Institute of Mining Engineers. He is Visiting Fellow of The University of Oxford. From December 2015, he is member of the Global Board of Advisors of the Council on Foreign Relations.


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St. Mary's History – 1800's Continued
One-half acre of land is purchased (present church grounds) but lost shortly thereafter through foreclosure. A smaller lot on the corner of Elm and Delaware is then purchased. Rev Clark is Pastor from 1863 – 1865
The Delaware lot proves too small and so with the kind help of Mr. Andrew Shaw the lot is exchanged for the former plot.
The deed is conveyed to the Most Rev. John J. Conroy, Bishop of Albany Diocese, in trust for St. Mary's congregation. Rev McCurry is Pastor
Rev. John J Brennan is Pastor 1866 – 1869
Bishop Conroy lays the cornerstone for the new red brick church on June 29.
The Church is dedicated with a High Mass on December 6th, the first service having been held on December 1st
Rev M.C. Devitt is Pastor from 1869 – 1878
The first organ (hand pumped) is installed and played for the first time on Sunday, May 29
By way of a second certificate of incorporation, signed by Bishop McNierney and pastor Devitt on February 1st,the church assumes the name "Church of the Lady of the Lake." Rev. Martin J Hughes is pastor from 1878 – 1885
The tower and belfry are added, including a bell weighing some 3,000 pounds
The excavation below the church, to provide space for a furnace and storage space, is completed
The parsonage edifice is constructed
Side galleries are added to the inside of the church. Rev. Daniel O'Connell is pastor from 1886 – 1897
The old Baptist chapel is purchased by the Catholic Benevolent Society and moved to the area between church and parsonage
The Rev. Daniel Casey was pastor 1897 – 1899
Rev Thomas Early (1899 – 1909) and Altar Boys circa 1899
St Mary's Church – Turn of the Century


How can I increase my leg strength?
We wrote this article with 9 different lower body exercises designed to increase your strength, mobility, and balance. They include video tutorials and clear explanations, so it's easy to follow along.
One exercise that's great for improving leg strength is the Pistol Squat. If you've already got your squat down, why not challenge yourself and try this out?


This article isn't going to turn you into a best-selling novelist; but if you follow the following advice your letters, emails, memos and reports will be much more effective.
The first thing to remember about writing anything, from a one-paragraph email to a voluminous report, is that the reader is not going to have the benefit of hearing your tone of voice or inflection, nor will the reader be able to see the expression on your face or your body language; and if they become confused, recipients of your communication are not going to be able to stop you and ask for clarification. Therefore, you have to choose your written words far more carefully than you do your spoken words. The more important the communication the more attention that needs to be paid to your choice of words, but even the simplest of written communications should be carefully crafted.
Because written words have to be more precise than spoken words they should be chosen with the view that not only can they be understood but that they should be as incapable of being misunderstood as you can make them. This requires additional thought and often takes more time than you would like. But it usually doesn't take as much time and thought as would clearing up misunderstandings later. It's also a lot less dangerous.
Use impact words, they're usually more precise than generalities.
Whenever you find yourself using the word "very," take the time to find a single, more descriptive word. This is a good time to mention that you should always have a thesaurus and a dictionary within reach, and you should reach for them often.
Anytime you catch yourself writing "in other words", the preceding words obviously didn't adequately make your point, so they need to be re-written. If you don't come up with the words needed to plant clear images in the minds of your readers they'll come up with their own images; and the images they conjure up may not fit the images you're trying to convey.
There is another very simple way to improve your business writing and set your communications apart from the boring run-of-the-mill institutional standard which seems to be the norm. It's getting rid of trite phrases, the overused expressions which, although meaningful at one time, or in a particular context, have, through overuse, become meaningless generalizations.
Trite phrases tend to be used by business people who are either in too much of a rush, or are just too lazy to search for an accurate, descriptive word or phrase. Trite phrases are always boring; they also cheat the reader out of a clear explanation of the message you're trying to convey.
If you tend to use trite phrases, you need to break the habit. Eliminating trite phrases from your communications will make you a much more effective writer.
It's usually more effective to write about what you are for rather than what you're against, so whenever you have a choice it's better to be positive rather than negative. Readers tend to relate more favorably to positive messages than sour-sounding whining and complaining.
The active voice is always more powerful than the passive voice (if you don't know what this means you definitely need to brush up on your grammar), verbs should be as close to their nouns as possible, and a few short sentences are usually more effective than one long, drawn-out mind boggler. However, keep in mind that it is important to vary the length of your sentences.
When you use a pronoun check to ensure that there's no mistaking its antecedent.
Each paragraph should deal with only one topic. As with sentences, paragraphs should vary in length and never be too long. Any paragraph containing more than ten typewritten lines runs the risk of losing the reader's attention. Every now and then a one-sentence paragraph can be used effectively for emphasis.
Be sure there's some variety in the opening words of your sentences and paragraphs. Four consecutive sentences or paragraphs beginning with the word "I" will likely be seen as indications of both pomposity and laziness.
Get to your point right away. Unless you're writing a mystery novel, saving the main idea until the end of your communication will simply lose your readers. No one is going to concentrate through four or five paragraphs before finding out what the communication is all about.
Be sure that anything that doesn't relate directly to the main theme of your communication actually does add to the reader's understanding in some way; otherwise leave it out. On the other hand, be sure you don't omit points that would enhance your reader's understanding of the main message.
When dealing with more than one topic ensure that each is developed fully with adequate examples, arguments, reasons and illustrations before moving on to the next. But don't overload your communication with more evidence than your readers need to fully understand your points; one strong example is better than ten wishy-washy ones.
Don't ramble; move in an orderly, logical, non-confusing way from your opening to your close.
Don't use jargon and buzzwords unless you're certain that your readers fully understand their meanings. However, jargon and buzz words come into being because they serve as a convenient form of shorthand for cumbersome titles, phrases etc. If there's a good reason to use jargon or buzzwords, by all means do so; but if there's even a remote possibility that your reader won't know what you're talking about you must define each term when you first use it.
Any important document or communication needs to be edited. Even a short, simple communication needs to be re-read before being sent. If it's a long document, it's best to set it aside for an hour or two before editing. If it's not possible to set it aside for that long, at least leave it long enough for you to leisurely fetch a coffee, or make a couple of calls, before starting to edit. When editing long documents you have to be especially critical of your opening and your closing, the opening because at that point you probably hadn't warmed up, and the closing because by then you may have become tired and less vigilant. Anything you write while tired, angry or bored needs to be brutally edited. It's always a mistake to send off a communication written in anger without setting it aside until you cool off.
Double-check all names, numbers and quotations.
Finally, when you think you're finished, read it one more time.


'Shame' is a new work of spoken word hip hop theatre by John Berkavitch who is joined by some of the country's most innovative break-dancers as he explores the feeling of shame through a combination of narrative spoken-word, hip-hop and contemporary dance, illustration, animation and music. 'Shame' opens at the Roundhouse from 8th May, we catch up with John Berkavitch to find out more!
Q. How did you start as a spoken word artist?
I started rapping when I was about 12 years old after discovering hiphop through stealing tapes out of my older brother's stereo. By the time I was 19 I was going to a lot of open mic nights and jumping into cyphers where ever I could, but always felt like it wasn't quite right for the kind of lyrics I was writing.
A friend of mine got hold of a VHS copy of a film called "SLAM" by Saul Williams and after seeing it I realised that I should be doing Slam Poetry.
The first time I performed at a poetry night I just spat some rap bars accapella and a woman came up to me after asking if I had a book of my poetry for sale. At the time I didn't even really read books so it blew me away that someone thought I might have written one.
Another guy came up and immediately booked me for a gig at another poetry night and it all started from there.
Q. Storytelling through spoken word was a way to give a voice to the voiceless through art. Was there a particular issue that made you want to be that voice?
It wasn't really a particular issue that started it but I've always loved and enjoyed telling stories so it felt like the right thing for me to be doing.
Q. Poetry is a huge part of the Hip Hop culture, and over the years this has been lost in mainstream Hip Hop. How important do you feel it is for Hip Hop artists to engage their listeners with thought provoking content and lyrics?
I think content is the most important thing in lyrics. The hiphop that I relate to has always been primarily focused on lyrical content. For me the idea of "keeping it real", as in telling your story/opinion, is what makes hiphop important. Finding things that I can identify within the lyrics of rappers whose lives and upbringings are vastly different to my own has always made me appreciate how similar we humans all are.
Q. As well as spoken word, you also breakdance. Which came first? And how have you used dance as a means of expression?
I started out as a Graffiti artist. Then I started rapping and beatboxing, and then moved into breaking a few years later. For me all the elements are linked. I heard a story that said the first bboys were graffiti writers who were trying to make their letter shapes with their bodies on the dance floor and it made complete sense. Your footwork is your tag and you've got to get it up as much as you can.
Coming from the graffiti ethos I've always been quick to jump into a cypher or throw down in a circle and essentially it's all bombing.
Q. You have worked in education; tell us a bit about your work with young people? How important is it for us to understand the mind and views of young people in today's society?
Again one of the early ideas of how I understood hiphop was the "each one teach one" philosophy. Working as a poet in education means you have the chance to help future generations find their voice and express opinions and tell their stories in a way that's relevant and relatable to them. A lot of young people have a preconceived idea of what a poem is and how that differs from what rapping is without seeing how the two things are essentially the same.
I think the main difference is that a certain part of society (especially some of the older generation), are much more willing to listen to something described as a poem than they are to listen to someone rap.
I think spoken word gives these kids a chance to be heard by people that wouldn't be reached through rap.
Q. You have performed at a number of prestigious venues which we can imagine also means different audiences. Has this lead to different reactions to your performances?
I think I've probably had pretty much every reaction to my performance. Generally my favourite reaction is when I have someone who I'd probably never have had a conversation with tell me that it made them think about something they've never considered.
Q. Tell us a bit about your production 'Shame'? How did the idea develop and evolve into what it is today?
So, the idea was born out of me trying to come up with a list of all the worst things I'd ever done. It was quite a long list.
There were a few things on the list that I'd told a lot of people about and quite a lot of things that I was either proud of or definitely didn't regret. And then there were a few things that I thought I could never tell anyone about. Some of them weren't necessarily things that other people would see as that "bad" but I'd still never told anyone about them and I felt like I wouldn't be able to turn them into poems as I wouldn't feel comfortable confronting the shame attached.
However the more I thought about my list the more it became obvious that these were the important things to talk about. Not just the things themselves but the feeling attached. The shame.
I figured that everyone must have these secrets. Things that still haunt them years after the event. Things that they can remember in explicit detail that have been buried deep down with no hope for redemption. I realised that by creating a piece based on this I could potentially take all these moments of shame and transfer them into something I could be proud of.
The idea to represent the story through hiphop theatre was the natural next step and through discussion and collaboration with some incredibly talented people I've managed to reach the point of realising this idea.
Q. Hip Hop theatre is a powerful way to convey a message, what do you want the audience to take away from the production?
I want the audience to feel like they were part of something rather than they were watching something. I want them to consider their own lives in the same way that hiphop made me consider my life. The audio/visual language of hiphop is a truly universal one that has seeped into every aspect of modern life and I feel that it is the perfect tool for making serious works of theatre. I'd like to hope that this show helps bring hiphop heads into the idea that theatre is a place they could express themselves whilst making regular theatregoers see hiphop and its elements as serious and powerful tools for making works of art.
Q. What other projects have you got coming up?
A comic, a few collaborative animation projects and an eventual plan to take over the world. Check Berkavitch.com for more info or to get involved.
Kickin' It With Shah Rule (@iamshahrule) !


counting-points | Blog, Jane! Blog!
Quick Easy and Yummy! Chad liked it so much, he dished the leftovers right up for lunch the next day!
And about 8 points per serving… of course I didn't add mushrooms… maybe next time, after all I did try fish just a week ago!
2. Add meat and brown lightly.
3. Place the noodles in a layer over meat.
4. Combine the tomato juice with the seasonings, and pour over noodles.
5. Bring to a boil, then cover.
7. Stir in the sour cream and mushrooms and bring to a boil.
So I am not normally a fish fan. I only really like it really fresh and fried! But as I'm trying to lose weight, it's about making healthy choices… and fish is a healthy choice (unless it is deliciously deep fried!) So last night I made another attempt to like fish. And guess what… I did like it!
Original recipe was found here. I made some changes which I noted below. Good stuff! About 5.5 points by my calculations.
Preheat oven to 400ºF. Coat 2 large baking sheets with cooking spray.
Place potato wedges on one baking sheet and lightly coat with cooking spray; season to taste with Lawry's or salt and pepper.
Bake until golden brown and tender, about 45 minutes.
Place fish in flour and turn to coat. Place fish in milk mixture and turn to coat. Place fish in bread crumbs and turn to coat.
Transfer fish to second prepared baking sheet, season with salt & pepper and lightly coat with cooking spray.
Bake fish until fork-tender, about 10 to 15 minutes.
This was such an easy and quick and tasty soup! I made it tonight. It would be so easy to make as a weeknight dinner and something that could sit on the stove if Chad was running late. Plus only 4 points for a bowl, well at least until you add cheese and chips. But I just added a little reduced-fat cheddar and some baked Tostito Scoops.
The original recipe was found at allrecipes.com, but I made some adjustments so I could use up some leftover turkey!
In a medium saucepan over medium high heat, combine the soup, tomatoes and chilies, broth, turkey and tomato sauce. Add seasonings. Bring just to a boil and remove from heat.
Serve with cheese and chips.


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4 Top Stock Trades for Monday: The Dow, TSLA, ROST, FL
Stocks made new 2022 lows in Friday's session, as the S&P 500 secured its seventh straight weekly loss and the Dow Jones Industrial Average logged its eighth consecutive weekly drop. With that in mind, let's start with the latt…
Stocks made new 2022 lows in Friday's session, as the S&P 500 secured its seventh straight weekly loss and the Dow Jones Industrial Average logged its eighth consecutive weekly drop. With that in mind, let's start with the latter for our top stock trades.
Top Stock Trades for Monday No. 1: Dow Jones ETF (DIA)
Click to EnlargeSource: Chart courtesy of TrendSpider
As you can see on the chart here, the SPDR Dow Jones Industrial Average ETF (NYSEARCA:DIA) is down for its eighth-straight week.
On the upside, I have the $325 to $328 area as key. This was former support earlier in the year and has now failed, while the top of the zone marks the two-week high. Just above that is the declining 10-week moving average.
At some point, yes, I expect a bounce. Even then though, the bulls will need to have some caution on the rallies — remember, this is still a downtrend until proven otherwise.
7 Dividend Stocks to Boost Your Retirement Savings
Eventually, we will get out of this mess, but it seems too early to call the low. That said, if we get more downside in the ensuing days or weeks, keep an eye on the $292 to $300 area. There we find the rising 200-week moving average, the 38.2% retracement, and the pre-Covid highs.
Top Stock Trades for Monday No. 2: Tesla (TSLA)
Tesla (NASDAQ:TSLA) got whacked on Friday and fell 14% on the week. It marks Tesla's fourth straight weekly decline as shares are now down almost 35% in that span.
The move sent the stock to fresh 2022 lows, but now bulls are looking for some support. On the downside, keep an eye on the $600 level, then the $540 to $550 zone. That was a key support zone in 2021.
Below that opens the door to the psychologically relevant $500 level, which is also a major breakout mark.
On the upside, however, it's simple. Tesla stock needs to reclaim $700.
Top Stock Trades for Monday No. 3: Ross Stores (ROST)
Ross Stores (NASDAQ:ROST) is getting buried on earnings. On the chart, you may notice how key its retracement levels have been, particularly the 38.2% and 61.8% retracements.
It knifed through the latter this week, along with the 100-week moving average and the 78.6% retracement. Unless it can recover the latter — meaning a move above $73 — then Ross Stores stock is tough to buy from a technical analysis perspective.
7 Consumer Stocks to Buy and Hold for Years
On the downside, we could see $55 to $60 if the selling pressure doesn't let up. Either way, I'd rather go with some of the high-quality retail stocks should they reclaim prior support levels vs. jumping into ROST stock right now, which is in no man's land below $73.
Top Trades for Monday No. 4: Foot Locker (FL)
Foot Locker (NYSE:FL) was one of the few surprising gainers on the day, especially given how the stock has traded this year.
However, the stock has done a tremendous job holding the $28 level, something it did in the second quarter of 2020 as well.
I want to see how it does with the 10-week moving average, a measure it's struggling with right now. If it can clear it and take out this week's high, keep an eye on $36, which comes into play near the 61.8% retracement and the declining 21-week moving average.
Above that opens the door to $40.
On the downside, though, a break of $28 is a concern. It puts this year's low in play at $26.36, then potentially even more lows.
The post 4 Top Stock Trades for Monday: The Dow, TSLA, ROST, FL appeared first on InvestorPlace.
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Lanta Coral Beach Resort, Koh Lanta, Krabi, Thailand.
located on the south of Klong Nin Beach, amongst white sand and blue of Andaman sea. Restaurant offers romantic setting for sunset viewing which decorated with beautiful flowers.
Foods Thailaand restaurant offers a wide selection of Thai cuisine, as well as European. Including fresh BBQ seafood are available at dinner time. All ingredients and seafood are cooked and selected carefully from local ingredients by experienced chef. Our customers will get fresh and best in all dishes.
The restaurant open daily at 07.30 am to 22.30 pm. Recommence dishes such as Paneng with shrimp, Green curry, Thai spicy salad with glass noodle and seafood, Pad Thai, Pepper steak, Gordon Bleu, etc.
Copyright © 2011 Lanta Coral Beach.


You can add our Slack integration to any existing Live Chat set up. If you already use Slack or are typically on your mobile phone, this is a great way to live chat on your phone using the Slack client.
In Social Intents, click on the Integrations link on the left-hand side and you'll see an Add to Slack button.
Click on this and you'll be directed to the Slack Authorization page (login to Slack or set up a new account if needed).
Accept the default privileges and choose a public channel for the Post to section. Please note, if you select a private channel, or change a private to public channel, you may not receive chat requests correctly. We suggest to always create a new public channel to start with.
If you have to use a private channel, please be sure to invite our chat bot to that channel so we can send messages to it.
That's it! Click on Preview of the Live Chat app and start a new chat. You should see the live chat show up in Slack.
All new chats will be directed to the public chat channel you initially configured.
To Answer the chat, click on the link starting with # - in the above case: #z-lc-testing-only. You'll be directed to a temporary channel created for this specific chat.
Click "Join Chat" and enter a message to begin the chat.
We support displaying your Slack photo right in the live chat by default. To enable or disable this feature, simply go to the Integrations page and choose to enable or disable this option.
Here's an example where the Slack Profile photo is used.
With our Slack integration we suggest you use the live chat schedule on our website to manage whether your chat widget is online or offline at any time.
We also support manually setting the chat to online and offline right from Slack using slash commands. You simply type a slash and your live chat command into the message area of slack to do this: /livechat offline or /livechat online to set these right from Slack without visiting our site! See our other slash commands below.
We offer a number of commands right from our Slack app. Just type this command in the message area (at the start of a message) to execute them.
/livechat online - change your live chat app to online. Overrides office hours.
/livechat offline - change your live chat to offline. Overrides office hours.


Breitbart London Editor-in-Chief Raheem Kassam this weekend revealed the cover of his new book, No Go Zones: How Sharia Law Is Coming to a Neighborhood Near You.
The book — available for pre-order now — details Kassam's travels through European and American neighborhoods where Islamic law finds itself a part of local communities and ties together narratives between these new ghettos and Islamic radicalism.
The book, published by Regnery, is due to be released on August 14 and is currently available on Amazon, as well as through Barnes and Noble, Books-a-Million, and iBooks/iTunes.
JihadWatch director Robert Spencer said of the new book, "Raheem Kassam is one of the most fearless and insightful journalists on the scene today, and he pulls no punches in No Go Zones: How Sharia Law is Coming to a Neighborhood Near You as he boldly exposes what most of his peers and colleagues would rather pass over in silence or, even worse, actively deny in the face of an ever-increasing mountain of evidence.
No Go Zones, with its foreword by former UK Independence Party leader Nigel Farage, is available for pre-order now and is published on August 14 by Regnery Publishing.


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Industries	› Business Law
Labor law firm opens office in Richmond
One of the largest labor and employment law firms, Atlanta-based Ogletree, Deakins, Nash, Smoak & Stewart PC, has opened an office in Richmond.
The office initially will be staffed by three attorneys. Jimmy F. Robinson, Jr., who joins Ogletree Deakins from Troutman Sanders, is the office's managing shareholder. Elizabeth Ebanks, a former a partner at LeClairRyan, joins the firm as a shareholder, and Tevis Marshall, formerly a senior associate at Troutman Sanders, serves as of counsel.
"Richmond has long been an attractive market for Ogletree Deakins, as we have a number of clients with a significant presence in Virginia," Kim Ebert, Ogletree Deakins' managing shareholder, said in a statement. "We are confident that we have found the right team of attorneys to guide our entry into the market."
Richmond is the second office the firm has opened this year and the fifth to open in the past year. The firm opened its San Diego office in January and offices in Berlin, New York City, and Stamford, Conn., in 2012.
Ogletree Deakins has more than 650 lawyers located in 44 offices in the United States and in Europe.
Virginia metro jobless rates fall
Report: Dominion, PFG, Gannett paid no federal income taxes in 2018
Virginia jobless rate remains unchanged
Colonial Heights broker settles rent scam allegations
Pilot mediation programs begin in Virginia's appellate courts
by Brian J. Couturier
Law firm Hirschler Fleischer rebrands
Law firm renews lease for office space
Pro-bono programs assist people who can't afford to hire attorneys
Hunton & Williams to open Boston office
Woods Rogers maintains core values while moving into new fields
by Richard Foster


Bagnalls North office was established in the town of Shipley, near Bradford, in 1875 by Alfred Bagnall, the founder of the Bagnall Group of Companies. Still based in the Group's head office, this branch covers a wide geographical area meeting the painting needs of customers in the commercial, decorative, light industrial and heavy industrial sectors.
Our North branch delivers industrial coatings across the UK for many of the leading utility and chemical companies, including National Grid, Northern Gas Networks and BOC Gases. We deliver complex projects using specialist surface preparation techniques, including high pressure water jetting and abrasive blasting. We use state of the art access equipment and have experience in applying high quality industrial coatings from many of the leading paint manufacturers such as Hempel, PPG and International, whilst maintaining robust safe systems or work. Careful monitoring takes place throughout the course of the works to demonstrate the required specification is being achieved for each layer of industrial coating, in terms of atmospheric readings, surface preparation and paint thicknesses.
As a commercial painter we also work on many projects ranging from general decorative, refurbishment and new build contracts where timescales and quality workmanship are paramount. Our customers include but are not limited to: offices, social housing, hotels, student accommodation, schools, hospitals and surgeries. We use a wide range of products from the leading commercial paint manufacturers such as PPG, Crown and AkzoNobel Dulux in order to achieve customer's individual budget and specification requirements.
Bagnalls directly employs all its painters and monitors all of its projects against our ISO 9001, 14001 and 18001 accreditations, so customers can feel assured that any painting project is being undertaken by competent craftsmen painters with the necessary skills, care and attention to detail.
If you have a painting and decorating need then please contact us.


A heart of caramel surrounded by peanut butter gelano, coated in milk chocolate and decorated with peanut butter drizzle.
Order online for delivery and takeout: Dream Bomba from Asian Fusion - Kennesaw. Serving the best Asian fusion in Kennesaw, GA.


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EOC > Ensemble Orchestral Contemporain > Rémi Magnan
Rémi Magnan
©Blandine Soulage
Rémi Magnan studied under Philippe Guingouain at the Conservatoire à rayonnement régional de Grenoble, before joining the Conservatoire National Supérieur Musique et Danse de Lyon under Bernard Cazauran, Cédric Carlier and François Montmayeur. He received a master's degree from the latter in 2013.
Rémi is an active member in the contemporary music scene, having joined the Ensemble Orchestral Contemporain in 2018 as a double bass soloist. He holds the same position in the Lemanic Modern Ensemble, and has collaborated with the Ensemble Intercontemporain, L'Itinéraire, Tempus Konnex and C Barré.
He has had the opportunity to play alongside many well-known figures from the world of contemporary music (Peter Eötvös, Bruno Mantovani, Pascal Rophé, Philippe Manoury, Michael Jarrell, Kaija Saariaho and even Tristan Murail) and play at prestigious festivals (Lucerne Festival, Venice Biennale, Festival Milano Musica, Archipel in Geneva and Festival Musica in Strasbourg…).
Furthermore, the self-confessed symphonic repertoire fan is often asked to perform with some of the most prestigious French orchestras. For example, he was co-soloist for the Orchestre National de Lyon during the 2014-2015 season, and is regularly asked to perform solo or co-solo with the Monte Carlo Philharmonic Orchestra, Opéra National de Lyon, Opéra de Toulon, Orchestre de Cannes and the Orchestre des Pays de Savoie. He has also collaborated with the Orchestre de Paris, Orchestre Philharmonique de Radio France and Orchestre National du Capitole de Toulouse under the baton of leading figures such as Myung-Whun Chung, Tugan Sokhiev, Marek Janowski and Jaap Van Zweden. Rémi was also an academy member of the Pacific Music Festival in Japan in 2013.
He is a well regarded chamber music player who has played alongside Sonia Wieder-Atherton, Juliette Hurel, Isabelle Moretti, Quatuor Debussy, Quatuor Bela, Quatuor Varèse and even Ensemble Syntonia.
His musical career thus far has taken him all across Europe, as well as performances in USA, China and Japan.


8K resolution is more than necessary for 35mm slides so we usually use 4K if the slide has text and either 2K or 4K if it does not.
We can output photographs. We still have not mastered the intricacies of color management - we usually do well enough for slide shows, but if you need to fade an unaltered picture into an altered picture we should image both so they will be consistent.
The software which drives the film recorder works with TIFF files. It does not do non-integer scaling, so the best sizes for an image are either 4,096 x 2,732 pixels or 2,048 x 1,366 pixels. The software also does not rotate pictures. They must be in horizontal format to be imaged.
We can accept images in any format that Adobe Photoshop can read, and can convert them to TIFF files. We can also rasterize Adobe Illustrator files.
A film recorder is the easiest way to make title slides. Nothing else comes close.
We prefer TIFF files. We can also take PICT images or PICT scrapbooks, JPEG, Targa, and several other formats. or we can handle Adobe Persuasion or Microsoft PowerPoint files.
We have a fair number of fonts available. We have all the fonts which come with PowerPoint, those which came with Deneba Canvas, and many PostScript fonts, including the Type Basics package amd the fonts that came with Illustrator 10.0. If you need a particular font check with us.
We have Cartesia's world databank and can generate slides with maps. These can take a while for us to make, and you need to discuss it with us so we can find out what you want in the map.
If you are working with more than one projector, it is very useful to have slides with crosshairs and rectangles on them so you can line up the projectors. You can design your own alignment slides using one of the programs that makes title slides, or you can ask us to run off a set. Our slides usually are processed by Kodak, and their paper mounts will not align well. The slides will need to be remounted in something like a Wess VR mount which gets them all to line up.
We have an Oxberry bulk film back for the film recorder. It has very exact frame to frame registration and when we start using it we should be able to use PIN registered mounts rather than the VR mounts. This will be easier and more precise.
We have an Artix 4000t slide scanner. We do not have a flatbed scanner so we can only handle transparancies (slides and negatives).
We can produce high density scans. However, unless you live nearby it is probably more convenient to use Kodak PhotoCDs. Prices vary, but the last time I checked, Wal-Mart would put images on a CD for $0.88 each.
We can edit images. We can fix scratches, retouch images, remove backscatter, build collages, etc. This can also take a while, and you will have to describe what you want done.
We can accept input and send output on floppies. We can also read and write Iomega Zip disks. Macintosh and PC format disks are fine. And we can read and burn CDs in several formats, and we can read DVD and read and write DVD-R disks.


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Home » Members » Governance and Accountability » House of Assembly Management Commission » Hansard Archive » Transcripts
HAMC Minutes
Meeting topics:
The twentieth meeting of the House of Assembly Management Commission was held in the Johnston Building, Room 233A, on Thursday, September 10, 2015, at 12:30 p.m.
Present were: Chair, Hon. Kevin Murphy, Ms Margaret Miller, Hon. Michel Samson, Hon. David Wilson, Mr Brendan Maguire, Mr Ian Rankin, Hon. Joanne Bernard, Hon. Chris d'Entremont, Mr Larry Harrison and Mr Neil Ferguson, Chief Clerk. Also present were Deborah Lusby, Director of Administration, Office of the Speaker and Annette M. Boucher, Q.C., Assistant Clerk and Counsel to the Commission.
It was moved by Hon. Michel Samson and seconded by Ms Margaret Miller that the agenda for the meeting be adopted as presented.
1) Minutes of the March 3, 2015 meeting
The start time of the meeting is incorrect and is to be changed from 3:00 p.m. to 11:00 a.m. on the first page of the minutes.
It was moved by Hon. Chris d'Entremont and seconded by Hon. Michel Samson that the minutes of the March 3, 2015 House of Assembly Management Commission meeting with the corrected meeting start time, be approved as circulated.
2) Amendment to the House of Assembly Management Commission Regulations
At the March 3, 2015, meeting, the Regulations were amended by adding Section 43A providing an additional total annual amount for constituency expenses rather than designating the funds solely for franking and travel.
The Commission Audit Committee recommended that the Regulation be further amended to specify that the additional amount for expenses be reimbursed on a monthly basis.
It was moved by Hon. Chris d'Entremont and seconded by Hon. David Wilson that
Section 43A of the House of Assembly Management Commission Regulations is amended by adding the following subsection immediately after subsection (3):
(4) The amounts payable pursuant to subsections (1) and (2) are to be paid in a monthly amount not exceeding one-twelfth of the total annual amount.
3) Former MLA Gary Ramey's request
Mr Ramey has appealed to the Commission from the Speaker's decision not to reimburse the $3205.00 spent by him for his retraining program at York University. The Speaker refused the request on the basis that the expense incurred was for the portion of the program being delivered subsequent to October 2014 and that time frame was outside the twelve-month eligibility period set out in Section 40A of the House of Assembly Act.
Hon. David Wilson supported Mr Ramey's request for reimbursement given the unique specific reasons provided by Mr Ramey in his letter relating to his inability to take the course before the Summer of 2015. Concern was raised by Mr d'Entremont as to the possible precedent that would be set by reimbursing Mr Ramey's expenses given that the expense was incurred outside of the twelve-month statutory time limit for the counselling or retraining service.
Hon. Michel Samson noted, on his review of Mr Ramey's appeal letter, that the situation was unique to Mr Ramey and he did not believe as a result of approving the reimbursement that the "flood gates" would be opened to other out-of-date expenses being presented for reimbursement.
It was moved by Hon. David Wilson and seconded by Hon. Michel Samson that the House of Assembly Management Commission reimburse former MLA Gary Ramey the amount of $3205.00 representing the portion of the York University Mediation/Arbitration program fees he paid for the program he followed during the Summer of 2015.
4) Risk Assessment update
Ms Lusby provided a status update on the five risks set out in the House of Assembly Risk Assessment.
Risk #1 - The Assistant Clerk position was filled in March 2015. Succession planning is underway for the Chief Legislative Counsel position.
Risk #2 - The Audit Committee discussed the key challenges and proposed a solution document with HR and IT being continued areas of monitoring.
Risk #3 - The House of Assembly is included in the Business Continuity Planning program - the final plan was expected in August 2015, with testing during the Fall 2015.
Risk #4 - The Audit Committee recommends that the House of Assembly Management Commission hold planned quarterly meetings and invite the Commission to consult the Committee when changes to the regulations are financial in nature.
Risk #5 - HR and IT support issues are of importance. The ICTS has assigned an IT representative to the House of Assembly and senior management discussion are taking place on the HR support.
Hon. Chris d'Entremont moved the following resolution regarding Risk #4:
"I move that the House of Assembly Management Commission fulfil its legislative responsibility for oversight of the financial stewardship of public money used for the operation of the Assembly and its legislative responsibility to meet at least quarterly by scheduling meetings in January, in March, in September and in December."
Hon. Michel Samson indicated he wished to have this motion deferred to a future meeting to allow time for more reflective consideration of the motion. Hon. d'Entremont was agreeable to the deferral of his motion to a future meeting provided that the matter would indeed come forward for discussion before the end of the current calendar year.
The motion was deferred.
5) CPI increases
Section 52 of the House of Assembly Management Commission Regulations states some fixed amounts in the regulations may be increased by the lower of the federal or provincial consumer price index effective April 1st each year subject to the approval of the Commission. The members were informed that the April 1, 2015 CPI was .8% and the Nova Scotia CPI was .3%.
It was moved by Hon. Chris d'Entremont and seconded by Hon Michel Samson that the CPI increase referred to in Section 52 of the House of Assembly Management Commission Regulations be waived for the 2015-2016 fiscal year.
6) Financial Update
a) Ms Lusby informed the members of the Commission that representatives from the Office of the Auditor General were doing their on-site work at the Speaker's Administration office during August. To date, no significant items of concern have been raised. The formal report is expected by the end of November.
b) The 4th quarter financials for 2014-15 were distributed. Ms Lusby pointed out that $1.7 million was returned to the Province representing under-spent statutory amounts in the budget - this amount is consistent with amounts returned in prior years.
c) The 1st quarter financials for 2015-16 were distributed. Ms Lusby directed members' attention to the budget lines that were over 25% - namely, expenses associated with the resignations of two MLAs and the death of one MLA; and Hansard, Legislative Library and House of Assembly Operations due to the extended House sitting hours during the Spring of 2015.
It was moved by Ms Margaret Miller and seconded by Hon. Chris d'Entremont that the financial information provided be accepted by the House of Assembly Management Commission.
7) In Camera session
It was moved by Hon. Michel Samson and seconded by Mr Brendan Maguire that the House of Assembly Management Commission go into an in camera session to discuss Constituency Assistant compensation matters pursuant to clause 9(1)(a) of the House of Assembly Management Commission Regulations.
The in camera session was held from 1:05 p.m. to 1:30 p.m. Pursuant to subsection 9(2) of the House of Assembly Management Commission Regulations, any decisions made during an in camera meeting are to be recorded and form part of the public record. The following motion was adopted by the Commission during the in camera session:
BE IT RESOLVED THAT
A) effective April 1, 2015, when a Constituency Assistant is hired, the Constituency Assistant will be placed on the EC(6) salary scale and the salary range on that scale for that Constituency Assistant will be set by the Public Service Commission (PSC) between 80%-100%;
B) the placement of Constituency Assistants employed as of April 1, 2015, on the EC(6) pay plan, for the time period January 11, 2011 to March 31, 2015, will be amended to reflect annual pay plan increases of three compa-ratio steps rather than the one compa-ratio step increase previously awarded, to a maximum of 100%. For clarity, effective April 1, 2015 the Constituency Assistants will receive their new rate of pay based on their amended compa-ratio placement; and
C) effective April 1, 2015, Constituency Assistants who have been re-evaluated pursuant to clause B will received annual adjustments on the renewal of their contracts at the same rate as any adjustments approved for EC employees in the civil service.
The meeting adjourned at 1:30 p.m. on the motion of Hon. Joanne Bernard.
These minutes were approved by the Management Commission on January 21, 2016.


Members of AeroAstro and MechE are returning to a dramatically renovated building, with robots, drones, and even a Corvette in tow.
Approach may enable robots to move around hospitals, malls, and other areas with heavy foot traffic.
Method for designing efficient computer chips may get miniature smart drones off the ground.
New design could provide communication support in disaster zones.
GelSight technology lets robots gauge objects' hardness and manipulate small tools.
System directs camera-equipped drones to maintain framing of an aerial shot.
Professor David Mindell, who researches the interaction between automation and human behavior, discusses the interdependence of people, robots, and infrastructure.
MechE class ends semester with ingeniously designed robots battling on a "Star Wars"-themed playing field.
CSAIL approach allows robots to learn a wider range of tasks using some basic knowledge and a single demo.
A simple statistical trick could help make a ubiquitous model of decision processes more accurate.
Microfluidic device generates passive hydraulic power, may be used to make small robots move.
New technique could protect robot teams' communication networks from malicious hackers.
CSAIL system enables people to correct robot mistakes using brain signals.
Made from hydrogel, robots may one day assist in surgical operations, evade underwater detection.
Technique shrinks data sets while preserving their fundamental mathematical relationships.


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Huskies celebrate special season
The Huskies women's basketball team's fifth year players and coaches.
The University of Saskatchewan Huskies athletic program had a season they will never forget.
The 2015-16 campaign saw the Huskies capture four Canada West championships coming from men's track and field, men's wrestling, men's hockey and women's basketball. The women's hoops team capped the campaign claiming a national championship, when they downed the Ryerson University Rams 85-71 for a Canadian Interuniversity Sport title on March 20 in Fredericton, N.B.
On Friday, the current class of all the Huskies teams gathered together at TCU Place to celebrate their accomplishments at the Huskie Salute, where the U of S athletics program hands out its seven major team awards.
Members of the women's basketball team took three of the honours. Lisa Thomaidis, who is one of the best bench bosses in any sport in Canada, was named the coach of the year, guard Laura Dally was the female athlete of the year and post Dalyce Emmerson was named the all-around female athlete of the year. Wrestler Kiera Prior took home honours as the female rookie of the year.
The men's awards included one individual from each of the Canada West title winning teams. CJ Gavlas was named the male rookie of the year, goaltender Jordon Cooke took home honours as the male athlete of the year and Jared Olson of the track and field team was the all-around male athlete of the year.
The trainers of the year were Lisa Rystephanuk from Huskies wrestling and Stephen Hutton from Huskies track and field.
The team awards were a capper to a campaign that saw 17 individuals win major CIS awards or be named all-Canadians along with members of the men's 4 X 200-metre and 4 X 400-metre relay teams, who won CIS championship gold medals. The Canada West honours on top of that were big time numerous.
The gathering at the Huskie Salute is one of those rare opportunities where all the athletes from all U of S teams can assemble in one place. All the teams on campus are elite programs and a lot times athletes can get locked into their own world of their own sport and their studies.
During the season, players are good at getting out to see and support their peers on other clubs, but there usually isn't a whole lot of time to get to see each other on a social basis. With how advanced year-round training has become for elite athletes, it is likely harder and more time consuming right now to be a CIS athlete than it ever has been compared to the past.
Before the Huskie Salute, a large number of the athletes attended the school's athletic wall of fame reception. The University of Saskatchewan Athletic Wall of Fame inductees included athletes Andrew Spagrud from men's basketball and Karlyn (Serby) Wells from track and field, the 1998-99 CIS champion Huskies men's volleyball team, and builders Michael PJ Kennedy and Gil Wist. Kennedy wrote two editions of the history book on the Huskies hockey teams and Wist spent over 30 years supporting the wrestling program.
The main message echoed by all of those inductees was how much they enjoyed their time with the Huskies and how time has gone by so fast.
During the Huskie Salute, the fifth-year athletes that won awards told the younger athletes to enjoy their time with the teams, because it goes by too fast. In the end, the athletes, coaches and staff will remember all sorts of other memories that occurred around practices and games. Those memories are the things that always stick with you.
While the Huskie Salute was a time to celebrate, it was also a moment of finality. What the athletes might not realize that starting now there is a chance years and even decades may pass before they see some of the of the faces they saw on Friday night again. That was the last moment the 2015-16 Huskies would be together in one place.
Before the awards were handed out, a moment of silence was held for former Huskies men's hockey player Cody Smuk and former wrestling coach Todd Hinds, who both passed away last June. That was a small reminder of how finite life can be.
When an athlete looks to join a post-secondary program, they are looking for a place where they feel they can belong. The Huskies over the decades have managed to accomplish that. Their athletes were and still are making memories they will carry with themselves forever.
Catching up with Clark for the Express
I was back in the Saskatoon Express this week with a cool cover story.
I caught up with Saskatoon product Emily Clark, who is playing forward for Canada at the women's world hockey championships on right now in Kamloops, B.C. At age 20, Clark is the youngest player on Canada's senior national women's team.
Clark joined the Canadian team right after her University of Wisconsin Badgers women's team fell 3-2 in overtime to the University of Minnesota Golden Gophers in a National Collegiate Athletic Association semifinal game.
She was also once a star on the Saskatoon Stars female midget AAA team. The story on Clark can be found right here.
Labels: CIS, CJ Gavlas, Cody Smuk, Dalyce Emmerson, Emily Clark, Hockey Canada, Huskie Salute, Jared Olson, Jordon Cooke, Kiera Prior, Laura Dally, Lisa Thomaidis, Saskatchewan Huskies, Saskatoon Express, Todd Hinds
Patrick seals Eastern Conference title deal for Wh...
2016 Esso Cup in Weyburn rates as "good"
Stars raise bar for success
Stars fall in Esso Cup semi again
Stars return to Esso Cup final four
Rebels face huge challenge in Wheat Kings
Leschyshyn delivers for Stars
The WHL at its best
Esso Cup = unfinished business for Stars
Martin comes up clutch for Rebels
Rebels rally past Pats
Hurricanes were WHL's feel good story
DeCorby, Johnson blast Stars back into Esso Cup


"For the past ten years I have worked as a painter and decorator in London, both as a means of surviving and also funding my artistic practise. The two roles of artist and decorator are not always easily reconciled, time demands and budgets often lead to a conflict of interests. I started photographing my daily life as a way of negotiating this conflict. The publication contains a selection of colour and black and white images taken while at work."
"Comprised of reality tv stills depicting violence in America in the military, police force, and local militia, Lone Wolf frames these institutional and fanatical expressions with excerpts of congressional hearings on the Lone Wolf provision of the Patriot act. The book is further framed by excerpted dialogues from a 1942 documentary on governmental strategies for treating post-traumatic stress disorder soldiers with psycho-hypnotic drug therapies."
"film photography spanning backyards to back roads"
"the pictures of him I did not take"
"I curated this selection of artists with no distinct concept in mind, but the goal to document a certain attitude, aesthetic, and special quality that i saw in each artist. When i contacted the artists i told them that Kenneth Anger considered his film Scorpio Rising 'A death mirror held up to American culture.' Somehow the works in this publication are tied together by some sort of unspeakable connection, the mere fact that none of the artists cannot be easily grouped into a category, a general otherness."
"Courtney Fitzpatrick spent 17 months in the remote Amboseli basin of Kenya during 2009 and 2010. As Amboseli descended into, suffered from, and eventually emerged from the worst drought in living memory, her evocative writing and photographs became a personal record of a fragile ecosystem. The acts of writing and making photographs for Courtney— while in a region and a situation few people will ever experience—were both a process of discovery and a means for reflection."
"A contemplation of the plight of some of the other sentient beings who share our built environments. Photographs from New York, Los Angeles, Winnipeg and Reading, England."
"Maria is a 72 year old woman who lives in a small village in the South-West of Romania, right next to the Serbian border. Despite of her age, she keeps an enormous 6-room-house – that she inhabits after the death of her husband all alone – animals and several fruit and vegetable gardens. Maria never traveled. Only once she went to a circus to Bucharest, as she was 17 years old."
"A selection of pictures on people in urban gardens; nobody goes to the urban gardens anymore in Italy, just a few 'strange' or 'creep' men. we wanted to show a kind of bizarre territory in which just zombies or ghosts live."
"TCB Press/Tammy Mercure is publishing a book a month for 2012 on a single topic. August 2012 is Coondogs."
"By showing a selection of pictures from two of his favorite cities, New York and Tokyo, Yves gives a personal view and documents the present urban structures, art and architecture of both cities."
Size: 30cm x 21cm/12" x 8"
"Taken over three days in the Spanish city of Valencia 'Orange Days' is part walking tour part journey to nowhere. With no map or fixed destination we travel from the centre to the scruffy edges and back again via wastelands, parks and anonymous districts. Through a combination of happenstance and rigorous looking 'photographic opportunities' slowly reveal themselves and as the sun beats down sanctuary is sought in the cities back streets and shadowy corners."
Pages printed traditionally in the darkroom by the artist.
"On May 1st, 2012 the Occupy Movement took over an abandoned building in San Francisco "to house the homeless." Once the building had been secured, a small group of activists climbed on to the roof to display a banner. These photographs were shot on 35mm film, printed in the darkroom on single-weight fiber paper, and bound by the artist."