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Sudtipos was founded in 2002 as a collective of graphic designers passionate about type. Since the beginning, Sudtipos has delivered typographic solutions to design challenges in product packaging, advertising, and corporate identity. Over the years the group has grown in number, skills, and influence – Sudtipos faces have appeared in high-profile campaigns for Coca-Cola and Levi's, and in the pages of The New York Times, and the group has created custom faces for international clients such as The History Channel and C&A. But the original vision of Sudtipos remains: to translate the aesthetics of culture and commerce into technically sophisticated typefaces that help creative professionals create work that impresses clients, attracts customers, and builds brands.
Sudtipos typefaces have received awards from the Type Directors Club, Communication Arts, Tipos Latinos, and others.
Jorge Newbery 3988
1427, Buenos Aires
Alejandro Paul
Type designer / Founder
Ale Paul is one of the founders of the Sudtipos project, a key reference for the quality of its work who has contributed enormously in placing Argentina firmly on the map of Graphic Design.
Ale's career as an art director landed him in some of Argentina's most prestigious studios, and handling such high-profile corporate brands.
With the founding of Sudtipos Ale shifted his efforts to typeface design, creating fonts and lettering for several agencies, medias and magazines along with commercial faces.
In 2012 his font Piel Script was selected at Letter2. He has received four certificates of excellence from the Type Directors Club NY and eight from the CommArts type competition and several awards at the Tipos Latinos biennial of typography.
He teaches a postgraduate typography program at the University of Buenos Aires, where he previously taught graphic design. He has also taught seminars and spoken at many conferences like the AGI Open Seoul, Type Master Weeks NY, TypoBerlin, TypeCon, Pecha Kucha and Atypi conferences, at the Type Directors Club in New York City, and at events and universities all around the world.
His work has been featured in publications around the globe, including Eye, Etapes, Communication Arts. Print, Creative Review, Visual, Creative Arts, Novum and many others.
He has been designated ATypi's country delegate and is a member of the Alliance Graphique Internationale and the first one for Argentina.
Recently one of his poster designs has been added to the permanent collection of the Museum of Fine Arts in Boston.
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Diego Giaccone
Recipient of the Konex Award 2002.
He was pointed out as one of the best designers among five in the Argentine Graphic Design area. He graduated as Graphic Designer in the Architecture Design and Urbanism University of Buenos Aires (FADU-UBA). He was also a teacher at this institution. He shown his work in collective and individual expositions on many occasions, and many of his works were published in different publications. He gave conferences in different chairs from Design, Typography and Packaging.
In 2004 he plublished QueBranding!, his first book about big brands in unpleasant situation.
During 1993-1998 he became a member of the department of Packaging Design of Arcor Group, where he designed consumer packaging for different markets. Arcor is a world leader in confectionery and exports to 45 countries around the world.
During 1998-2003, he worked at Interbrand Avalos & Bourse, being Design Director from 2000 to 2003. During October/November of 1999 he worked at Interbrand Newell and Sorrell of London, in the departments of Packaging and Communications.
During 2003-2005, he was a Consumer Branding Director of FutureBrand Argentina.
Now he is the founder and Brand Creation Director of SURE BRANDESIGN (www.surebrandesign.com), with expertise in Brand Strategy, Brand Name, Brand Arquitecture, Brand Packaging and Brand Type.
For the last 15 years he has developed projects for Molinos Group, Arcor, Quilmes, Bodegas Chandon, Concha y Toro, Viña San Pedro (Chile), Adler, TVB Company, Adams, Nabisco/Terrabusi, SAVA Gancia, Bodegas Nieto Senetiner, Unilever, CCU, Peñaflor Group, El Esteco, Petrobras, Cadbury/Stani and Pepsi.
Claudio Pousada
Visual Comunication Designer from UNLP. He taught in the same university course. He has dedicated to TV's graphics for 17 years. He has worked for 10 years as Art Director in America Multimedia in Buenos Aires. He founded SinergiaLab working for Disney Channel, FoxKids, UOL, IPlan, Channel 13, Channel 9 and Endemol.
He created the first seminary about Identity Design on TV. He is member of the International Broadcast Design Asociation since 1993. His works have been published in different media. He presented in BDA Miami 2000 Paisaje Latino, an investigation about identity on TV. Founder of Kit-Che-N, 1st Latinamerica's multicompany television project, with the best of latin tv, Miami, 2001. He received many awards in BDA-PROMAX for his works and for being part of the "Latinamerica's best creative equipment". Founder of the experimental typographic project SantoTipo. Sudtipo's co-founder, first argentinian colective foundry of digital typography. Designed the no tipographic font system "icons of icons": SL Che, SL Gardel. SL Borges, SL Cortázar, SL Evita and SL Fangio. 2003.
Also designed the SL So Prolix, SL Titanes and SL Frank America fonts.
He creates the Communication and Image Department of Channel 9, Buenos Aires; making the realese of the 2005 season.
Creator of Canal-i, an interactive TV signal dedicated to the youth, creating the concept and the image of the channel. Caracas Venezuela. 2005-2006.
Ariel Garófalo
Ariel is a Graphic Designer (UBA), and for 11 years he directs his own consulting company of Design and Branding NEWSDESIGN.RED (www.newsdesign.red).
With 20 years of experience on the market, he has realized projects of redesign of diaries and magazines for different medias of America, Europe and Africa.
He has worked also for international signatures such as Danilo Black, Garcia Media and has developted hiself also as director of art and teacher of typography and publishing design in the University of Buenos Aires.
His projects have been published in the magazine Novum of Germany and the magazine Design 360 of China between other medias. He has dictated conferences and workshops on design of medias in the Inter-American Company of Press (SIP), the festival Design Fest of Mexico, the French Alliance and diverse universities of Latin America. His works received prizes to the excellence of the Society for News Design (SND) and the SND Scandinavia.
He is one of the founders of Sudtipos.com, firstly Argentine fundidora grupal. He has designed diverse sources and re-designed the logos of big medias as Reform and Mural of Mexico, The Telegraph of Ecuador, Him Wage of Montreal of Canada, Hispanic World of The United States, Popular Diary of Argentina, among others.
Agustin Pizarro Maire
Type Designer
Agustín Pizarro Maire is a Graphic Designer, lettering artist and illustrator from Buenos Aires, Argentina. After obtaining his degree at the University of Buenos Aires, he continued learning from professionals like Yani Arabena and Guille Vizzari (Argentina), Martina Flor (Buenos Aires and Berlin) and Ken Barber (Cooper Type, New York), improving his skills in the field of illustration and lettering, and also developing his skills in packaging design and visual identity working for different studios and for Sure agency, in Buenos Aires.
Through design, illustration and typographic practice, he has developed an intuitive and versatile way to face challenges, based on the multiplicity of techniques, adapting to different environments and always exploring new concepts.
In 2021 he joined YaniGuille&Co's team as an Art Director.
Aldus De Losa
Aldus De Losa is an argentinian type designer, graphic designer and lettering artist.
His undergraduate studies were carried out at the University of Buenos Aires, Argentina.
He is the founder of ´Tipitos Argentinos, the first informal scope for type aprentices.
Since 1996 he is a professor of typography signature on many educational institutes (University of Buenos Aires, Fundación Gutenberg and Universidad de Ciencias Empresariales y Sociales). He is also a professor and tutor of proyectual thesis at the Master in Typography (2009-2017) at the University of Buenos Aires.
Founder & ownwer at Estudio Digit (graphic design an visual communication).
Alejandro Freitez
Venezuelan graphic and typographic designer based in Buenos Aires. He is graduated from the "Centro Gráfico de Tecnología" of Maracay city, where he develop a particular love for the typography and letterforms, making it a essential resource in each work. He was work both independently and in different team works, where it stands out in art direction, type design, lettering and editorial projects.
Alejandro have joined the Sudtipos team to help Ale Paul to develope his crazy upcoming font ideas and to keep improving the quality of the library.
Ales Santos
I am an illustrator born and based in Madrid but with a Leonese soul. Although I also do design work my main work is illustrating. Letters mainly. They are my passion and I work them in almost all their aspects: Calligraphy, lettering, traditional lettering and, little by little, typography.
My beginnings with lettering come from a very young age since I liked to imitate people's handwriting styles. Later I started playing with graffiti and, after studying design and illustration courses in several centers, I started working in Molaría where my eyes were opened and I discovered the wonderful world of lettering and, little by little, calligraphy.
Thus, training mainly self-taught and later doing workshops in calligraphy, lettering, signage, etc. I was growing and being able to dedicate myself to what I like the most. However, I have not stopped training and taking courses and one of the ones I did that has influenced me the most was the Familia Plómez typography course.
Alex Trochut
Alex Trochut was born in 1981 in Barcelona, Spain. After completing his studies at Elisava Escola Superior de Disseny, Alex established his own design studio in Barcelona before relocating to New York City. Through his design, illustration and typographic practice he has developed an intuitive way of working that has resulted in his expressive visual style.
For Alex, typography functions on two hierarchical levels. First, there is the image of the word we see; reading comes secondary. As a designer, Alex focuses on the potential of language as a visual medium, pushing language to its limits so that seeing and reading become the same action and text and image become one unified expression.
Mixing styles and genres and drawing equally from pop culture, street culture, fashion and music, Alex has created design, illustration and typography for a diverse range of clients: Nike, Adidas, The Rolling Stones, Katy Perry, BBC, Coca-Cola, Pepsi, The Guardian, The New York Times, Time Magazine and many others. Alex's work has been internationally recognized, appearing in in exhibitions and publications worldwide. He has given talks and been honored by the Art Directors Club––including being named a 2008 Young Gun––the Type Directors Club, Creative Review, Cannes, Clio and D&AD among others. His monograph, More Is More, explores his working methodologies and influences and was published in 2011.
Alex currently lives and works in Brooklyn.
Andrés Felipe Ramírez
Based in Colombia, Andrés Felipe Ramírez is the founder of Estudio Vástago, a business consulting studio focused on brand design, where he participates as creative director and logo designer. His interest in typography began as an apprentice at the Estudio Calderón type foundry in Colombia, where he learned some foundations of typography, calligraphy and lettering. This period was used to develop his first commercial typeface called "Chepina Script", which in turn was the result of his undergraduate work in Graphic Design at the Departmental Institute of Bellas Artes, and was awarded at the Latin American typography biennial Tipos Latinos 2018.
Since his beginnings in typography, he has carried out different retail projects focused on advertising signs from the middle of the 20th century. In each brand project carried out in his studio, he applies custom letter drawing concepts in the development of custom logos. He is constantly in the study of forms and counterforms to understand little by little details of the drawing of letters, achieving differential solutions in each design.
Angel Koziupa
Angel Koziupa has been making lettering, type and logos for the last forty years. He is a hidden hand behind every important packaging logotyps in Argentina. He worked thirty-five years at McCann Erikson and made freelance works for major agencies like Interbrand, Futurebrand, and others.
Ariel Di Lisio
Ariel was born on October 29, 1972 in Buenos Aires, and studied Graphic Design at the University of Buenos Aires. During the period between 1993 and 1997 he worked at the clothing and footwear brand Puma. In 2001 he founded his agency Twentyfive™, specialized in Branding and Typography and providing services for clients from different industries, such as fashion, architecture and music.
His work has been internationally published in several websites, design books, magazines, and typography journals from around the world. In 2009 the prestigious I.D. Magazine selected him among 40 other outstanding designers of the year in its annual edition. That same year he was selected to participate in Lubalin Now Exhibition Center of Design and Typography at Cooper Union, New York.
He have worked as design professor at the university © CEDIM of Monterrey, Mexico and UDEM (University of Monterrey, Mexico). Today he is advisor in the Branding Postgraduate at FADU, UBA. He has given lectures and workshops at various universities and design congresses in Argentina and around the world.
Carolina Marando
Carolina Marando is a graphic designer from Buenos Aires, Argentina. She graduated from the Gutenberg Foundation in 2012. During her career Carolina developed a passion for letters and illustration, which motivates her each day to research, practice, and experiment within this immense universe. The aspect of this process she most enjoys is its constant education, by which she continues to refine herself as a graphic designer, calligrapher and typographer, since she believes that in order to understand letters, one must approach them from all perspectives.
Cristóbal Henestrosa
Cristóbal Henestrosa (Mexico City, 1979) is a graduate in Graphic Communication from the National School of Plastic Arts – now Faculty of Arts and Design – at the National Autonomous University of Mexico (UNAM). He possesses a master's degree in typographic design from the Centro de Estudios Gestalt (Veracruz, Mexico) and also a diploma in type design from The Cooper Union (New York City). His type families have been prizewinners of the Type Directors Club's Typeface Design Competition, as well as selected several times at Tipos Latinos – Latin American Typography Biennial. He is the author of Espinosa: Rescate de una tipografía novohispana (Designio, Mexico, 2005) and coauthor of Cómo crear tipografías (Tipo E, Madrid, 2012), which has been translated into Polish, Portuguese, English, and Chinese. Since 2011 he is a professor of typography and type design at the Faculty of Arts and Design.
Dirk Wachowiak
Dirk Wachowiak is a graphic designer with a focus on typography and type design.
Besides his design practise he is professor for communication design at Faculty of the Arts in Freiburg, Macromedia University of Applied Sciences.
Dirk studied in Germany and the US before he received his MFA in Graphic Design from Yale University School of Art in 2005. Together with Stefanie Schwarz he founded the Typographic Research Lab Open2Type in 2013 and since 2014 he is a member of the Art Director Club.
His work has been published in magazines like Page, Novum, Form, Slanted and Creative Review and received international honour e.g. Certificate of Typographic Excellence (Type Directors Club New York). Tokyo Type Directors Club and the RedDot Award (Best of the Best).
Dirk has lectured or held workshops at: Stuttgart State Academy of Art and Design (GER), School of Design Pforzheim University (GER), Hochschule Augsburg University of Applied Sciences (GER), Hochschule für Kunst, Design und Populäre Musik Freiburg (GER), HFG Offenbach University of Art and Design (GER), Hochschule Konstanz University of Applied Sciences (GER), Winchester School of Art (UK).
Edwin Moreira Balladares
Born and raised in Managua, Nicaragua. He graduated from the Polytechnic University of Nicaragua. Diploma in Typographic Design and Production, Mexico, 2021. Diploma in applied typography by the Barcelona School of Arts & Design, LaBasad, 2019.
Graphic and type designer, university professor and poster devotee. He has given workshops and conferences on design and journalism, editorial and typography design.
Coordinator of Tipos Latinos, Nicaragua chapter. Finalist in the Latin American Design Awards 2021, selected in the Bienal Iberoamericana de Diseño BID20 and BID16, The Golden Bee Moscow International Biennale of Graphic Design 2020, Bienal Internacional del Cartel en México 2018. He participated as a guest in the Bolivia Poster Biennial BICeBé 2015 and in the literary festival Centroamérica Cuenta 2017 and 2020.
Elí Castellanos
Elí Castellanos studied graphic design in Oaxaca, Mexico. He has published retail fonts with different foundries; he has also produced fonts for mexican type designers. During 8 years, he was teaching typography in Mexico.
His work has been selected by the Typography Biennial Tipos Latinos. In 2011 he received the Excellence in Typography Award by Communication Arts Magazine. In 2014 he won the Gold Prize by the Morisawa Type Design
Competition. Currently he works as a fulltime font developer in London, UK.
Fer Cozzi
Fer is a Graphic Designer born in Buenos Aires, Argentina. She obtained her diploma at the University of Buenos Aires, and later completed the postgraduate Career in Type Design at the same univeristy – where she also teachs in the Graphic Design and Typography courses and works as assistant professor in the Master in typeface design. Designer, talkative and passionate about letters, she approached calligraphy by doing several courses with the most prestigious calligraphers. She lectured several workshops on experimental typography, calligraphy and monograms. She is part of Tipos Latinos Argentina and her work has been selected for various Typography exhibitions, such as Tipos Latinos and Pangramme.
Gabriel Martinez Meave
Hello. My name is Gabriel Martínez Meave. Design, Illustration, Calligraphy, Typography, Lettering and the mix of them all are my passion. I work on personal, editorial, cultural and commercial projects for national and international clients from my studio in Mexico City. I find inspiration anywhere, especially in the deep, diverse graphic heritage of my country. My work features traditional and digital techniques, from pencils to pixels.
I've executed projects for global companies such as Warner Music, Google, Kellogg's, Pearson, Richmond, McMillan, Santillana, Siruela, Unilever; for Leo Burnett, J.W.Thompson, Lowe, Ogilvy&Mather, TeránTBWA and other advertising agencies, as well as Mexican institutions such as Instituto Nacional de Bellas Artes, Presidencia de la República, Fondo de Cultura Económica and national clients like Grupo Modelo, José Cuervo, Maseca, Jumex, El Palacio de Hierro, Telcel, Cervecería Cuauhtémoc-Moctezuma and Gandhi bookstores. My work has been featured in global Design and Illustration magazines such as How, Communication Arts, Step, Étapes Graphiques, Page, Novum, Desktop, Visual, Tupigrafía, TPG, Diseña, Matiz and a!Diseño. As well, it has appeared in the books Language Culture Type, Typography 21, 22 & 29, Tres Logos, Type Navigator, Hand to Type, Play Loud!, Type 365, Marcas MEX and Diseño Gráfico en México 100 Años, among others.
I teach at the Mexican colleges Universidad Anáhuac Xalapa and Universidad de Celaya, as well as Universidad de Vigo at Pontevedra, Spain. I have given lectures and workshops in many universities, design conferences and events in Mexico, the United States, Canada, Spain, Sweden, Brazil, Argentina and most Latin American countries. I've been recipient of diverse awards, including five from the Type Directors Club of New York (TDC), two from the Association Typographique Internationale (ATypI), as well as the First Prize of the National Design Biennial in Mexico. In 2009, London-based publisher Phaidon selected my work for the book Area_2 among 100 of the most important emergent designers in the world today.
Gaston Fuoco
Gastón Fuoco is a Graphic and Web Designer born in Buenos Aires, Argentina. He holds a degree in Graphic Design from the University of Buenos Aires and later attended the Master's Degree in Typeface Design at the same University (2018/2019).
He has worked in several agencies and design studios and nowadays manages an in-house design team at a tech company. He is particularly interested in the technical aspect of typeface design and its implementation on digital media.
Guillermo Vizzari
Guille Vizzari is a Graphic Designer, Type Designer and Letterer born in Buenos Aires, Argentina. He concluded his degree at the University of Buenos Aires, where he also obtained a postgraduate diploma as Type Designer.
After teaching at graduate and postgraduate courses at that house of studies, he met Yani Arabena, with whom he began to develop a personal project combining lettering with illustration and calligraphy, this being the first step that led them to work together.
His pursuit of learning and his passion for education also led him to continue his training with professionals such as Ken Barber, John Downer, Christopher Haannes, Silvia Cordero Vega, María Eugenia Roballos and Betina Naab, adding to his previous experience in the study of figurative drawing and illustration.
His typographic projects can be found mainly at Sudtipos, and in custom type design projects for various clients.
Along with Yani Arabena, they currently lead their studio «Yani & Guille» based in Buenos Aires, specialized in Calligraphy, Lettering and Type Design.
Javirroyo
Creator of the brand of decorative wall stickers Chispum), in whichhe collaborates as an author as well. His designs and illustrations aredistributed in Europe, USA, Canada, Japan, Korea and Latin America.
In this sense, he is the author of numerous graphic designprojects and humanization of spaces through illustrations, such as the firstintervention in a pediatric ambulance (the submarine ambulance) for the Hospitals of Sant Joan de Déu, Hospital de la Vall de Hebrón and the Pediatric Emergency Unit. He has alsodeveloped graphic projects and large format illustrations such as the one inthe hall of the Diagonal Clinic(Barcelona) and the Room Mate Emma Hotel.One of his latest projects is designing the brand identity and environmentaldesign for the Hing Yip Building in Hong Kong with La Granja Design Studio.
He is the creator of brands such as Robin Food for the cooking TV program of David de Jorge, (ETB andlater Telecinco), or the brand of Fundació Joan Miró in Barcelona,??along with Diego Feijóo.
Illustrator for publishers such as Edelvives or Santillanaand for publications such as Interviú(illustrating Juanjo Millás), El País, El Semanal and Visual Designmagazine. In 2013, he illustrated the book by Lucía Etxebarría "Liquidationby Demolition" (Planeta).
In 2004 he published an essay on Digital Design, for the Paidós publishing house. A book on conceptsand fundamentals of graphic design that was distributed in Spain and LatinAmerica and translated into Portuguese.
This same year he was part of the writing team of the satiricalmagazine "The Mutant Virus"with Forges, Gallego and Rey, El Roto,Peridis and Pablo Carbonell. He is the founder, editor and author of El Estafador (www.elestafador.com), the best knownweekly online publication of graphic humor in Spanish language and the mostread one in the world. Also, it has collaborators from all over Latin America.
In 2015 he published "MartínBerasategui y David de Jorge" (PenguinRandom House), a comic book of recipes and illustrated biographies of thesetwo great chefs. In 2016, he received the JuncedaAward by the Professional Association of Illustrators of Catalonia withthis book he illustrated. In 2016 he published with David de Jorge and for PenguinRandom House a book on Tortilla dePatatas. He is also the author of several books on The Killer Onion. His last book is about the construction of aschool in Senegal, in whose project he continues participating: La Escuela.
In his teaching assignment he has been a lecturer at the European Institute of Design (Madridand Barcelona) and is currently professor in IDEP for the illustration master in Barcelona. He has developedworkshops of illustration in different places like Mexico, Japan, Cuba,Colombia and Senegal.
In 2017, his project for the design and signage of spaces for the UTAE clinic (Hospital de Sant Joan de Déu) has been selected as a finalist inthe Illustration World Awards amongthe 12 most important Environmental Illustration projects in the world.
Joluvian
I'm a venezuelan freelance graphic designer based in Madrid. I was born and raised in Mérida, a city with the best weather ever, the most warming people and greatest-inspirational landscapes you have ever seen. I grew up drawing letters with stencil shapes and painting in the walls. I always noticed my father and grandfather handwritings, both of them really clean and stylized much like English style, that kind of got into me. I started drawing until my father put me in classes with pencil, pasty, charcoal and finally oleo, but like every other kid I finished painting graffiti's in the streets. Later, I got serious and major in Graphic Design.
Most of my firsts years of working life I travel around a couple of countries where I learned different cultures and sides of the design. I spent a season working in Orlando, Florida, in a small printershop. I returned to Venezuela and spent another season working in Merida. A year later I went to Tijuana, Mexico where I worked in a design studio for one year. In 2005 I return to my country, but then to the capital, Caracas, where there was no more peaceful life, I lived there for five years working in the chaotic world of the advertising agencies. In the Ghersy Group I got to be Art Director, managing national and international brands as Brahma Beer (Brazil), Peugeot, Pfizer, among others. In between, I tried to develop more some hobbies that I always liked. I studied for a year cook, and major as a Chef and made some courses to become a pilates trainer. In 2009 I decided to enlarge my knowledge and came for a year to Madrid to study 3D, but this year became into 5 years and I think others will be more. I haven´t stop studying but know I mainly put my effort between two fields: calligraphy and illustration.
What have I become? Right now without never stop practicing and looking for more references I´m swimming between the pure calligraphy works and lettering designs that can get reloaded with illustrations and 3D details.
So, what can I say to you? Never forget why you started to study design. Everything that you will learn across your life will be useful in some way. Motivation and interest will be your greatest allies in this journey full of both color and diversity. Not always is going to be easy or well valued, money can become a barrier don't let it; keep working for what makes you happy.
Juliana Pedemonte
Colorblok founder Juliana Pedemonte's illustration and motion graphic work first appeared on VH1, MTV and Nickelodeon Latin America in 2003. Born in Bahia Blanca, Argentina, she remembers a happy creative childhood before moving to become a Graphic Designer from the University of Buenos Aires. Her work has been published in international media like Milan et demi from France, Stash magazine, Die Gestalten Verlag from Berlin and Idn and Victionary from Hong Kong.
Julieta Ulanovsky
Julieta Ulanovsky lives and works in Buenos Aires. She is a graphic and type designer from the School of Architecture, Design and Urbanism at Universidad de Buenos Aires. In 1989, she partnered with Valeria Dulitzky to start ZkySky, a studio specializing in visual communication and design consulting.
She has co-authored the books El libro de los Colectivos (2005), Divino Barolo (2013), and Extraordinario Planetario (2019).
In 2011, she released Montserrat, a font that reached sixth place on a ranking of over 900 options on the Google Fonts platform.
Kathy Milici
Kathy Milici is an internationally known calligrapher, designer, instructor and mentor. She happily admits to being obsessed with letters since early childhood. With a studio located in Newton, New Jersey, US, her work has been seen in national magazines and on television. A popular instructor for the Society of Scribes in New York City and at IAMPETH annual international calligraphy conferences, Kathy teaches both at home and travels the country, lecturing and teaching calligraphy and the related arts. The originator of "Gratitude Script," a modern typeface in collaboration with Ale Paul, her work is both exhibited and commissioned by individuals and corporations alike, and is held in private collections all across the US. After almost 40 years as a professional calligrapher, Kathy is still enjoying her lifelong passion for "everything calligraphy."
Laura Varsky is a graphic designer and illustrator from Buenos Aires, Argentina.
Her first forays into the design world came through her involvement with the local independent rock scene. She gradually asserted herself as a designer, specializing in the design of books and CD sleeves. In 2006 she received a Latin Grammy as Art Director for best record packaging.
Four years after her graduation as a designer, she rediscovered the world of illustration working for editorial projects, several labels and artistic projects.
After 10-year professorship in Typography at the School of Design of the University of Buenos Aires, she continues coordinating worshops and giving lectures extensively throughout Latin America and Spain.
Leandro Castelao
In the intersection of technology and nature Leandro Castelao (Buenos Aires, 1979) creates his complex visual language. Graduated from the University of Buenos Aires as a Graphic Designer Castelao's work has been recognized by Communication Arts and American Illustration. His client list includes New York Times, Citi Bank, WWF and Delta Airlines.
Lu Ronderos
Lu is a Visual Communication Designer and a Visual Discourse Specialized Bachelor graduated from the National University of La Plata. During 2015-2017 she was part of the very first cohort to study the Master Degree in Typography at the University of Buenos Aires.
Established in La Plata, Buenos Aires, Argentina, she directs her own design studio and loves sharing typography and design with great people in order to improve her work and enjoy the process.
Lunol
Lu Nolasco "Lunol" is a Peruvian graphic designer and passionate about calligraphy, lettering and typography.
Discover this passion, in the city of Buenos Aires in 2012 where she was able to study with renowned teachers such as Silvia Cordero Vega, Marina Soria, Eugenia Roballos, Betina Naab, and in Lima with Jaime de Albarracin and Claude Dietrich.
From that moment, her training becomes constant and she also explores the field of lettering in workshops with Ale Paul, Yani and Guille, Martina Flor, etc.
She currently works from his Studio in Lima developing collaborations and new projects with the most important agencies and branding studios in the country. Along with Infinito, consultants won a bronze at the 2013 pentawards awards (London) where they presented Innato, a package where 80% of the design was calligraphy with a flexible pen.
Lunol has been able to apply calligraphy and lettering in projects of Branding, Packaging, Retail, Editorial, Events, etc.
This love for the letters has led her to continue spreading the calligraphy and the drawing of letters in conferences and talks. She dictates workshops from her studio on a frequent basis because she considers that the calligraphy and the drawing of letters is a beautiful legacy that we must preserve and treasure.
María Carla Mazzitelli
María Carla is a multidisciplinary designer born in Buenos Aires, Argentina. She got a degree in Graphic Design at FADU-UBA and, in 2017 she finished her Masters in Typography at the same University.
She's passionate about typography and letters.
As part of amazing design teams and as an independent designer, María Carla has developed multiple editorial, communication and branding projects for Argentina, Chile, Brazil, China, Switzerland and the U.S.
She also has taken Calligraphy courses with Silvia Cordero Vega in Buenos Aires, and Paul Shaw, Laura Worthington and Shelley Gruendler in NYC.
Since 2005, María Carla works side by side with Professor Carlos Venancio and Professor Darío Contreras at FADU-UBA, assisting them in their Typography courses.
Her work has been selected to be part of different typography exhibitions such as Tipos Latinos and the Type Directors Club.
Mariana Alen
Mariana is a Graphic Designer from Argentina. She graduated from University of Buenos Aires, where she also completed the postgraduate Career in Type Design and is currently completing a Master´s Degree in Typography.
She focused her career in editorial design, and worked for 10 years at Rolling Stone Argentina magazine as Head of Art.
Nowadays, she runs her own design studio and works on different projects and publications for graphic media from Argentina, Germany, Spain, Chile, Perú, Colombia, Ecuador, and Venezuela.
Martin Laksman
Illustrator based in Buenos Aires, Argentina. Graduated from the University of Buenos Aires as graphic designer, where he now teachs illustration.
For over a decade, he's been working as both illustrator and graphic designer for the local market and abroad for a wide range of clients, that includes Popular Mechanics, Wired, Car & Driver, Fast Co., Fox, Disney, ESPN, Shado, Gawker Media, etc.
Influenced in popular culture: music, movies, art and series fuels his every day work with a strong passion for simplicity.
Matías Paul
Mati is a musician and illustrator and when he was a kid he used to play with letters.
Natalia Elichirigoity
Natalia is a Graphic Designer born in Buenos Aires. She got her degree at the FADU-UBA. Later on, she continued her studies taking different courses in fields she loves as Art History at Museo Nacional de Bellas Artes, photography and painting.
After working as Art Director in prominent graphic design firms and run her own studio, she decided to make a turn in her career and get into lettering applied to graphic design.
In Buenos Aires she attended workshops and courses with the most renowned calligraphers and typographers: Roballos Naab, Silvia Cordero Vega, Ale Paul and Christopher Haanes. She also took an intensive course at FADU post graduate school. Later, she strengthened her knowledge on this field attending lettering workshops at The Cooper Union conducted by Ken Barber, being these a breakpoint in the way she understood the construction of letters and its interaction with design.
Her work has been released for different international publishing houses as Art Quarter, Viction:ary, Die Gestalten Berlin and Taschen.
Novia Jonatan
Novia is a letterer based in sunny Jakarta, Indonesia. She has been drawing letters since 2014. Her first love in lettering was script and flourishes, how ordinary everyday words could be portrayed and drawn into such a beautiful shapes mesmerized her.
She had works published in two books, (Hand style & Lettering by Viction:ary, HK; and Goodtype vol.2 published by Rizzoli, USA) and and she have been blessed to work with both small startups and major companies, from cafe in Seoul to book publisher in New York.
Oscar Guerrero Cañizares
Colombian type designer with an extensive knowledge on typography, lettering and branding design. Over the last years he has designed several typefaces. These projects have a strong historical background which can be a perfect complement to different designs and communication environments. By the other hand, he works as a university teacher at the Jorge Tadeo Lozano University in the city of Bogotá.
His work has been selected to be part of international events and publications like the sixth Bienal Tipos Latinos competition 2014, Bienal Iberomericana de Diseño 2015. He won an award of excellence in Communication Arts Typography Annual 2016 and 2020, a silver prize in Latinamerican Design Awards 2019 and he was finalist in the Morisawa type competition in 2016.
Oscar Yañez
Oscar Yáñez is a multidisciplinary design director & type designer, born and raised in Mexico City, based in Dubai, UAE. He specializes in editorial and type design, branding and infographics, but if you ask him, he will reply "I'm a storyteller."
He studied design at the Universidad Autónoma Metropolitana - Xochimilco, later he went for a Project Management specialization in the Instituto Tecnológico Autónomo de México and a Master degree in Type Design, first class honors in Centro de Estudios Gestalt.
He was involved and leading designs and redesigns in more than 50 periodical publications – magazines, newspapers and websites – working for Time Inc Expansion, Editorial Televisa, Reforma, El Universal and Khaleej Times newspapers. Nowadays he is Group Design Director for Harper's Bazaar Arabia.
His work has been recognized by the Society of Publication Designers, Society of News Design, Communication Arts, Camara Nacional de la Industria Editorial Mexicana, World Association of Newspapers and News Publishers, The Best Sport Design and Tipos Latinos.
Pablo Alaejos Pérez
Pablo Alaejos Pérez was born in Barcelona in 1982 and loves the expression "discovering new worlds". This is what took him to travel from his hometown to Buenos Aires in 2006 to start working as an Art Director in a famous advertising agency.
After this decision, he always has juggled not only advertising and graphic design but also Argentina and Spain.
In 2011 joined the Postgraduate in Typography at the University of Buenos Aires, where he went deeper still into this area of graphic design and start designing Landa, his first commercial typography.
Once he finished his studies he began classes in the same Postgraduate and in parallel, he threw himself into digital, joining the world referential company R/GA.
After soaking this knowledge up and collaborating with diverse startups, Pablo was promoted to Head of Art at Possible, where he led a design team of 16 people and worked for German clients such as Siemens, Deustche Bank or BMW.
Nowadays Pablo is living in Madrid, works as Creative Director in Picnic, teaches editorial design at the Istituto Europeo di Design and keeps discovering the world.
Panco Sassano
Graphic designer, illustrator and passionate for typography, born in Mar del Plata, Argentina. He was partner in Smart! Grupo Creativo, where he specialized in Branding and visual identity.
With the desire to continue learning, in his leisure time, he explores with painting, muralism, lettering, and any kind of visual expression which allows him to broaden his creative horizons.
With extensive experience in visual identity and brand architecture, Panco currently works freelance out of Buenos Aires, Argentina, taking on visual identity projects as well as various illustration, calligraphy, lettering, and typeface design assignments for prominent design studios and advertising agencies in both Argentina and abroad.
He is a creative youngster who finds in design and art a more than comfortable way of life, to fulfill his yearning for learning and growing, both professionally and personally.
Raul Plancarte
Master and specialist in Typographic Design, Brand Design, and Illustration. Graduated from the Master in Typographic Design at GESTALT (Centro de Estudios Avanzados de Diseño), for which he developed his complete Brand Identity System.
Among his most recognized collaborative works are the brand identities and the typographic family "Soberana" (typography of the Government of Mexico from 2012 to 2018), the typographic families of Grupo Comex and Librerías Gandhi.
Projects in multiple areas of public and private initiative, such as: governmental, medical, musical, cinematographic, etc.... In which stand out the graphic communication design of: La Costeña, Yucatan (tourist brand), Ubhuru Technologies (US medical corporate), GEPP Group, Regional Carnivals of Mexico, Coppel, Tequila Jarana, among others.
He has participated in conferences and workshops in different cities in Mexico, USA and Colombia. And he has received recognition in all editions of the Latin Type Biennial Awards, Logolounge. Design Awards, Clap. Including publications for interviews in books and magazines.
He currently works in his studio in white Merida, Yucatan.
Sael
Jose Alfonso aka SAEL is a celebrated multi-diciplinary contemporary artist and designer originally from Mar de Plata Argentina.
SAELs universe radiates outwards from his home base in Buenos Aires where he is constantly infusing the world with imagination , beauty and inspiration. His work bridges the gap between different genres and is a powerful and graphic hybrid of fine art, illustration, graphic design, public intervention and murals. His lines, color and geometry is instantly recognizable and and a unique language that translates seamlessly from two dimensions into three dimensions. Sael believes that hard work is where everything stems from and that it is what inspires and surprises. Happiness, the desire to create and the universal nature of his work has guided him and placed him in a context where he can work as a power unit pushing the limits and scope of his work with each completed project.His work has most recently been acquired for the permanent collection of the Museum of Modern Art inBuenos Aires. Argentina.
Sol Matas
Sol Matas is an Argentinian type designer born in Buenos Aires. She holds a degree in Graphic Design from Universidad de Buenos Aires, as well as a specialization degree in Digital Design and a postgraduate diploma in Type Design from the same school.
She started her career as a graphic designer at the Saatchi & Saatchi agency. In 2001, she founded her own branding studio Sonnenshine, through which she has been working for clients in Latin America, Europe and the United States.
She co-founded the type foundry Huerta Tipografica with fellow Argentinian designers in 2009. In 2013, after many visits to Berlin and discovering the large type community there, she decided to move to this city. Since then, she has focused on developing font projects in Latin, Cyrillic, Greek, Oriya and Devanagari. In 2019, she founded her own type venture, Hungry Type Society.
She has repeatedly lectured on type design, and given numerous workshops in events and schools in Latin America, Europe and Asia. Her type projects were selected for the Bienal Tipos Latinos and the International Typography Congress in Valencia.
She is a member of Alphabettes, she collaborates for Typographica, and she is part of the Typostammtisch team in Berlin.}
Stefanie Schwarz
Stefanie Schwarz is a communication designer with a focus on typography and type design currently based in Stuttgart, Germany. Besides her design practice she teaches at Bauhaus University Weimar.
Stefanie studied in Germany and the U.S. before completing her M.A. at Central Saint Martins in London. In 2013 she founded the Typographic Research Lab Open2Type together with Dirk Wachowiak and became an associate of the London-based institution DesignScience.
Her work has been published in design magazines like Page, Novum, Form and Slanted, and received a number of international honors, e.g. 2x Prize Nominee Work (Tokyo Type Directors Club), 100 Best Posters Germany Austria Switzerland and 5x Certificate of Typographic Excellence (Type Directors Club New York).
Stefanie has (guest) lectured or held workshops at various institutions like Stuttgart State Academy of Art and Design (GER), School of Design Pforzheim University (GER), Hochschule Augsburg University of Applied Sciences (GER), Royal College of Art (UK), Central Saint Martins College of Arts and Design (UK), Kingston University London (UK), Imperial College London (UK) and Winchester School of Art (UK).
Her typefaces have been released by FontFont (Berlin), the Indian Type Foundry (Ahmedabad), T26 (Chicago) and most recently by Sudtipos.
Valeria Duarte
My main studies include graphic design and photography. I like trying out and playing with every tool that can be related to the visual communication field, such as painting, drawing, calligraphy, collage, photomontage, aquarelle, etc. I specialize in editorial design for newspapers. Within photography, I focus mostly on documentalism and photo essays. I also teach design. I work in teams and by myself too. I wander between orthodox methodology and spontaneous experimentation. I travel as much as I can to learn new things and expand my horizons. I never stop studying or attending conferences, workshops and training courses. I enjoy taking risks, like when I perform aerial silk. I live in a medium-sized city. I often take delight in exploring different worlds, like cinemas, books or rural landscapes. The key to my success? I'd say a bit of curiosity and a lot of persistence.
Vanessa Zuñiga Tinizaray
Known as "Amuki" (inner silence), Vanessa Zúñiga Tinizaray, is an Ecuadorian designer. Her passion has led her to investigate the visual signs of the ancestral cultures of Latin America. In a stage of globalization, her mission is to design, share and teach people to revalue the Latin American cultural heritage, to amplify and translate it globally. Her intention is to learn to appreciate and celebrate that heritage with pride and without prejudice.
Her achievements, after 17 years experimenting in the research project "Visual Chronicles of the Abya Yala", have led her to be a finalist, win an award and two mentions in the Ibero-American Design Biennial, some of her experimental typefaces have been selected in Bienal Tipos Latinos and with her book she has obtained a Certificate of Typographic Excellence from the Type Directors Club, and she has also given workshops and talks in Francia, EEUU (online), Argentina, Bolivia, Colombia, Venezuela, Mexico and Ecuador, teaching Latin American youth the importance of research in the creative process.
Together with Alejandro Paul, the Kinetic typography project for Sudtipos obtained a Certificate of Typographic Excellence from the Type Directors Club of New York (2019).
Xavier Dupré
Xavier Dupré (1977) studied graphic design in Paris and calligraphy/type design at the Scriptorium de Toulouse. He began working in 1999 as lettering artist in a Parisian design agency for two years. Since 2001, when he published his first typefaces, he spend much of his time between Europe and Southeast Asia, especially in Cambodia where he drew latin typefaces as well as khmer scripts for local NGOs (Sipar, CKS, Open Institute).
His work is also published by FontFont, Émigré, Typofonderie or TypeTogether and some have received awards from the Type Director's Club of New York or Tokyo.
Xavier is collector of vintage movie posters and Art déco illustrated books.
In 2016, a book, Xavier Dupré typographical itinerary, published by Zeug, features most of his typefaces with a long interview by Julien Gineste.
(link to this book "Xavier Dupré typographical itinerary"
Ximena Jimenez
Based in Bogotá, Ximena Jiménez is a Colombian lettering artist and designer specialized in muralism, branding and apparel design.
She was born and raised in Cali, Colombia where she studied Graphic Design at the University of Fine Arts.
In 2014, she traveled to Buenos Aires where she lived for 5 years and fully dedicated herself to study different styles of calligraphy, lettering and typography which started her passion for drawing letters. Since then, she has been drawing letters in different styles and surfaces because what she enjoys most is versatility.
Her work has led her to visit different countries and continents, where she has had the pleasure of painting walls and canvases, giving workshops and talks.
Yanina Arabena
Yani Arabena is a Graphic Designer, Type Designer and Calligrapher born in Buenos Aires, Argentina. She obtained her diploma at the University of Palermo, and later completed the postgraduate Career in Type Design at the University of Buenos Aires –where she also taught for 8 years.
She always admired Calligraphy and that was how she met who would end up being her mentor in this field, Silvia Cordero Vega. Throughout her calligraphic education and related to the world of letters also studied with John Stevens, Christopher Haannes, Ken Barber, John Downer, María Eugenia Roballos and Betina Naab.
Her notorious interest in Calligraphy applied to Graphic Design –along with the development of a calligraphic style of her own–, lead her to relate with design in a different way, also applying these resources in typographic projects as «Abelina Pro», «Quotes» and «Envelove», which are part of Sudtipos' catalog.
Along with Guille Vizzari, they currently lead their studio «Yani & Guille» based in Buenos Aires, specialized in Calligraphy, Lettering and Type Design.
Do you have an idea for a new font?
Just drop us an email an be a part of our team.


text:
Andrew Graham (n. 8 aprilie 1815 – d. 5 noiembrie 1908), născut în Comitatul Fermanagh, Irlanda, a fost un astronom irlandez.

A descoperit asteroidul 9 Metis în 1848 în timp ce lucra la Observatorul Markree din Comitatul Sligo.

Mai târziu a lucrat la Catalogul Markree, care cuprinde observațiile asupra cca. șase sute stele de-a lungul eclipticii în perioada 8 august 1848 - 27 martie 1856. Acesta a fost publicat în 4 volume în anii 1851, 1853, 1854 și respectiv 1856.

Note

Nașteri în 1815
Decese în 1908
Astronomi irlandezi
Astronomi din secolul al XIX-lea
Descoperitori de asteroizi
Oameni din Comitatul Fermanagh

redpajama_set_name: RedPajamaWikipedia


This appeared last week on Patti Abbott's blog, but I thought I'd republish it here.
TRUE CONFESSION: I do remember the Sixties.
Especially 1968. That was the turning point in my political "coming of age." I was in college in Philadelphia on April 4th when Martin Luther King was assassinated. I watched as riots consumed the inner cities. I was saddened and disappointed -- as a teenager growing up in Washington DC, I'd gone to plenty of concerts at the Howard theater where blacks and whites grooved to Motown artists together. I actually thought we were moving towards a color-blind society -- I was young and idealistic then). So the frustration and rage expressed through the riots was – in a way– confusing.
The relationship between the past and present, the consequences of events that occurred years ago fascinate me. I also love stories that plunge characters into danger and make them draw on resources they didn't know they had. SET THE NIGHT ON FIRE was the way to combine all those themes. Writing the book was an exorcism of sorts, a way to make peace with the past. And while I enjoyed reliving the past, I loved putting it behind me even more. I'm finally ready to move on.
I already posted about the book trailer -- it has actual footage from the 1968 Democratic Convention which I re-edited into a montage. If you haven't seen it, you can find it here.
PS Thanks to all the hardy souls who braved the elements and came to the Book Stall yesterday!
SET THE NIGHT ON FIRE re-creates the atmosphere of that time perfectly.
The unknown is more frightening than because we don't know how to protect ourselves against the unfamiliar. The essay adds to the book.


Soojin Kang is a veteran Korean voice actor who has voiced Disney's Aladdin, Peter Pan, Mickey Mouse, and Agent Pleakley! He additionally, provided the voice for characters such as Inuyasha and Luffy all the way to Leonardo DiCaprio in Titanic, Romeo and Juliet, Gangs of New York, and Catch me if you Can. You may even know him as the voice of everyone's favorite Protoss leader Artanis!


text:
Q: Override coverpages page numbering behaviour of exam class According to the exam class documentation §11.6, the behaviour of the coverpages environment is defined as such:

Note that if your document has a coverpages environment (see section 12), then those
  pages will not be counted in \numpages; ...

Now, I want to specifically override this particular behaviour: in other words, the page(s) containing \begin{coverpages} ... \end{coverpages} to be page 1 (and so on), and all other pages following it to be page (last cover page number + 1) and so on.
Furthermore, I would like all page numbering to have the format: Page x of y, where x and y are Hindu-Arabic numerals. This is trivial for the actual question pages, but I also wished to redefine the numbering of the coverpages environment to be arabic instead of roman, which is apparently hard-coded into the exam class.
A small M(N)WE [minimum (not) working example]:
\documentclass{exam}

% \addtocounter{... content page + number of cover pages? }
\coverfooter{}{Page \thepage{} of \totalnumpages{}}{}
\footer{}{Page \thepage{} of \totalnumpages{}}{}

\begin{document}
\begin{coverpages}
    Here is my cover page.
\end{coverpages}

\begin{questions}
    \question[]{
        ...
    }
\end{questions}
\end{document}

On a partially related note, I found that both the titlepage environment as well as maketitle exhibit similar behaviour by resetting the page counter, so I have two 'page 1's.

A: An answer on Reddit, courtesy of /u/JimH10:

You are going to want to find the cls file. I get this.

$ kpsewhich exam.cls
/usr/share/texlive/texmf-dist/tex/latex/exam/exam.cls

Open it in your editor and save it, perhaps under the name myexam.cls, in the directory containing the document file.
Now have some fun. I had a quick look and it seems to be a very well-written class file. For example, under \newenvironment{coverpages} in line 1022 it says this.

\pagenumbering{roman}%

I think you want to try changing that to arabic.

redpajama_set_name: RedPajamaStackExchange


Focusing on websites of key value and the world's first civilizations, Ancient Lives is an obtainable and fascinating textbook which introduces entire rookies to the interesting worlds of archaeology and prehistory. Drawing on their notable mixed event of the sector and the school room, the authors use a jargon-free narrative variety to brighten up the foremost advancements of greater than 3 million years of human life.
First introducing the elemental ideas, tools and theoretical techniques of archaeology, the e-book then offers a precis of worldwide prehistory from a world point of view, exploring human origins and the truth of existence within the archaic international. Later chapters describe the advance of agriculture and animal domestication and the emergence of towns, states, and pre-industrial civilizations in generally separated elements of the area. With this new version up-to-date to mirror the newest discoveries and examine within the self-discipline, Ancient Lives remains to be a complete and crucial advent to archaeology.
Accomplished in 1653, Father Bernabe Cobo's Historia del Nuevo Mundo is a crucial resource of knowledge on pre-conquest and colonial Spanish the United States. even though elements of the paintings at the moment are misplaced, the rest sections that have been translated provide important insights into Inca tradition and Peruvian background.
The secret of the placing backyard of Babylon is an exhilarating tale of detection related to legends, specialist decipherment of historic texts, and a shiny description of a little-known civilization. acknowledged in precedent days as one of many Seven Wonders of the realm, the mythical placing backyard of Babylon and its position nonetheless is still a secret steeped in shadow and confusing myths.
For an entire month within the autumn of 1812 the 2,000-strong garrison of the fort the French had developed to overawe town of Burgos defied the Duke of Wellington. during this paintings a number one historian of the Peninsular groups up with a number one clash archaeologist to ascertain the explanations for Wellington's failure.
Knowing cave in explores the cave in of historic civilisations, corresponding to the Roman Empire, the Maya, and Easter Island. during this energetic survey, man D. Middleton severely examines our principles approximately cave in - how we clarify it and the way we've built very likely deceptive myths round collapses - displaying how and why cave in of societies used to be a way more complicated phenomenon than is frequently admitted.


text:
Nina Gäßler (born 10 January 1975 in Ulm) is a German mountain biker and rower. And so much more a totally versatile athlete.
In 2005, she moved to Norway, settling in Geilo and worked as a rafting guide. She started mountain bike races in 2006. And has now a successful mountain bike enterprise.

References

1975 births
Living people
German female rowers
Sportspeople from Ulm
German mountain bikers
German emigrants to Norway
World Rowing Championships medalists for Germany


If you're like me and kind of adore Chinese chicken and corn soup (homemade or take-out version), you'll probably also love this light soup made with corn, cabbage, mushrooms, and carrots. The cob goes right into the pot to flavor the vegetable or chicken broth, and the rest of the ingredients take 10 minutes or less to cook �... Sweetcorn Soup Recipes Chicken And Sweetcorn Soup Chicken Broth Recipes Homemade Chicken Soup Spicy Chicken Soup Recipe Chicken Barbecue Chicken Chicken Noodle Soup Chinese Chicken Corn Soup Forward This delicious sweet corn and chicken soup is super-quick and tasty because it uses a barbecue chicken.
15/05/2012�� Well enter Chicken and Sweetcorn Soup, the kind you devour at the chinese restaurant but find too intimidating to cook at home.Well it doesn�t have to be intimidating and certainly is not complex. I have been making a decent chicken and sweet corn soup for a fair few years now but last week I think I hit a high point with my recipe. So what do I do in that case? Ofcourse I share it with you how to make a paper ninja star step by step Put chicken in a large saucepan, cover with water and simmer 1 hour or until cooked. Remove chicken then stir in the stock cubes and white pepper.
Put chicken in a large saucepan, cover with water and simmer 1 hour or until cooked. Remove chicken then stir in the stock cubes and white pepper.


Pokemon Go has been a great revelation and is one of the most successful mobile games to ever hit the market. The game now has more than 40 million active users with all of them searching for Pokemon throughout the world. Although Pokemon Go is a very good game, there have been a few instances where players were able to break the game and use cheats to level up faster. Some online Pokecoins generators are also coming up which promises unlimited Pokecoins to users (you risk getting banned).
We have already seen players use different types of cheats up to this point. Some of those cheats have worked well, while others failed miserably, and even earned bans for players.
Now, The Daily Dot's Mike Wehner has come up with another new cheat which will allow you to catch any Pokemon you want without even leaving your couch. This cheat will only work for Android devices and is bound to ruin your experience. Make sure you turn away if you are enjoying the game as this cheat takes away all the fun out of this game.
Disclaimer: We're not responsible for you getting banned or your device getting damaged as a result of using this guide. Read and follow at your own discretion.
Use Pokevision to find a Pokemon of your choice.
Get the coordinates of the Pokemon from Pokevision.
Get a FakeLocation app and insert the GPS location of your choice.
Log in to your Pokemon Go app once again by restarting it and BAM! You'll be right there near the Pokemon.
We are detailing the entire method in a step by step guide. Be warned though, don't do it unless you're sure to know you're familiar with all this.
Using mock locations was easy when the game first launched, but now Niantic has become smarter. They have implemented various techniques which prevents players from setting up mock locations. However, a work around for this issue has also been discovered so that the above mentioned cheat can be used smoothly.
The first step in this process is rooting your device. You do this by using various unofficial apps and tutorials that are available.
Here's the XDA Developers tutorial, which will help you figure out which method is the best for your device.
Installing the Xposed Framework will let you to install the FakeLocation app, which will allow you to spoof the GPS of your phone. Make sure your phone is rooted currently in order to install the FakeLocation app.
After successfully installing the Xposed framework, open the Xposed installer and move over to the download section. Then search for 'FakeLocation' there and swipe to the 'Version' tab. Make sure you download the latest version of the program. After downloading 'FakeLocation,' open the Xposed installer again and go to the 'Modules' section and activate the module.
After your phone has restarted, you will find the FakeLocation app installed. Open the app and select the Settings option which is at the top of the screen. After tapping on the Settings icon, toggle the option 'System Apps' on and then exit and refresh the apps list. Remember, you don't need to change the GPS date in the Pokemon Go app. You only need to alter the GPS setting for Google Play services.
Once you are successful in changing the GPS settings in the Google Play, exit the app. Open the Pokemon Go app now and find the Pokemon of your choice right from your home without ever needing to go out.


Categories: Made by Artigiani Veneti Riuniti, Sideboards, width up to 120 cm. Tags: decorated sideboard, elegant sideboard, lacquered sideboard, living room sideboard, sideboard, sideboard with silver decorations, white and silver sideboard, white sideboard, wooden sideboard.
Description: Sideboard of very fine and elegant shapes, especially on the bottom where the legs are connected with the baseboard as a unique element.
The line is very simple and enhances the silver details of the doors, of the countertop and of the original hardware.
Thanks to its shape this sideboard can be placed in every home decor to enhance the environment.
Materials: solid wood and MDF-Panel.


Stock #148431 - Very Nice CENTURY 2900 CENTER CONSOLE, fully fish-rigged and extensive electronics suite!If you are in the market for a center console, look no further than this 2002 Century 2900, just reduced to $59,900 (offers encouraged).This boat is located in Supply, North Carolina and is in good condition. She is also equipped with twin Yamaha engines that have 839 hours.We are looking for people all over the country who share our love for boats. If you have a passion for our product and like the idea of working from home, please visit SellBoatsAndRVs [dot] com to learn more.Please submit any and ALL offers - your offer may be accepted! Submit your offer today!Reason for selling is not enough time to use it..At POP Yachts, we will always provide you with a TRUE representation of every vessel we market. We encourage all buyers to schedule a survey for an independent analysis. Any offer to purchase is ALWAYS subject to satisfactory survey results.Take a look at ALL ***130 PICTURES*** of this vessel, AND A VIDEO, on our main website at POPYACHTS DOT COM. We appreciate that you took your time to look at our advertisement and we look forward to speaking with you!


The Malta Eurovision Song Contest 2011 is the name given to the national selection process for Malta's entry to the Eurovision Song Contest in 2011. The name marks a change from the preceding year, ushering in a new set of rules for the selection process, including allowing non-Maltese lyricists and composers to participate in the contest.
The semifinal and final of the national selection process will be held on Friday 11 and Saturday 12 February 2011 at the Republic Hall of the Mediterranean Conference Centre in Valletta.
The event is organized by PBS Malta and will be transmitted live on TVM. The hosts for the show are Valerie Vella and Keith Demicoli.
The song selected from this contest will represent Malta at the Eurovision Song Contest taking place in Düsseldorf, Germany, in May 2011.
A total of 141 entries were submitted to PBS in 2010 for the 2011 contest. 74 songs from the original lot were chosen to be performed live in front of a panel of experts behind closed doors. 50 of the songs in this phase of the competition were eliminated.
The 24 songs selected for the semifinal were announced by PBS on Saturday 8 January 2011 through the event's official website.
A preview of all the songs, directed by Where's Everybody?'s Reuben Sant, was presented for the first time in public on Friday 15 January 2011 during the last hour of an edition of Xarabank on TVM, featuring a public debate with Prime Minister Lawrence Gonzi, following a mass protest against Malta's financial situation, organized by the Partit Laburista in Valletta. Full video clips appeared online by the following morning through an official website produced by PBS Malta.
The video clips premiered during Xarabank will also be used for promotional purposes ahead of the contest on various other TV programmes. The clips are scheduled to appear during the following TV shows: 12:05, Sibtek, Ħadd Għalik, Bonġu and Bla Aġenda. In previous years, various TV shows would have singers lip-sync to the songs during the respective TV programme, often making for awkward backdrops or uneven presentation of the singers competing in the contest.
On Saturday 5 February 2011, Toni Sant presented his top picks and comments through his blog and the 244th edition of the Mużika Mod Ieħor podcast.
16 songs advanced to the final on 12 February 2011. The 24 songs in the semifinal were judged by a panel of professionals from the entertainment industry (66.6%) and a public televote (33.3%). The panel of judges was led by Italian singer Riccardo Cocciante.
Glen Vella singing One Life by Paul Giordimaina and Fleur Balzan will be representing Malta at the Eurovision Song Contest in May 2011.
This page was last edited on 17 September 2016, at 13:30.


text:
Home » Decontamination Device Prevents N95 Mask Waste
IndustriesColumnsCoronavirus CoverageMedical Devices AssemblyMedical Device Assembly
Decontamination Device Prevents N95 Mask Waste
Ten N95 face masks and respirators can be decontaminated during each UV exposure cycle. Image courtesy of Orbitform Medical.
Orbitform can manufacture 20 UVC-DCs per week, but they are confident they can build more if demand rises. Image courtesy of Orbitform Medical.
Zoe Leduc
KEYWORDS COVID-19 / flexible assembly / N95
As the coronavirus pandemic has continued to grow, personal protection equipment has become a necessity for more than medical professionals. Many states and companies require face coverings for frontline workers as well as customers. This has led to a shortage in N95 masks, the gold standard for face masks and the masks most commonly used by medical professionals.
These masks are not designed to be reused or shared, however the shortage has required medical professionals to do just that. To aid and protect healthcare workers, Orbitform Medical has developed the UVC Decontamination Chamber (UVC-DC) which can decontaminate ten N95 masks per cycle.
Orbitform was able to take the decontamination chamber from an idea on a napkin to a product in about two weeks. Following a call with Orbitform team members and advisors, owner Mike Shirkey shared a napkin sketch of the "Mask Sanitizer." Within a week, the Orbitform team had a working prototype. The company then invited representatives from a local hospital to provide feedback on the device.
Following design improvements, testing and further iterations, the current version of the Mask Sanitizer was finished. Based on the recommendation of the FDA, the Mask Sanitizer was renamed the UVC Decontamination Chamber. According to David Shirkey, vice president at Orbitform Medical, there are twelve UVC DC in use at hospitals in and around Jackson, MI. Orbitform can manufacture 20 chambers per week, but they are confident they can build many more per week if demand rises.
The UVC-DC equipped with eight germicidal UV-C bulbs. Four are positioned in front of the masks, and four are behind the masks. Ten N95 face masks can be decontaminated during each UV exposure cycle of 10 minutes.
Shirkey explains the decision to decontaminate with UVC light as opposed to alternative methods.
"We have a scientific and biology advisor with significant experience with UVC light. He has built hundreds of air cleaning systems with UVC lights," says Shirkey. "We wanted to design and build a simple, easy to use, portable unit that could be installed near to the actual location of need. UVC is well-known for its germicidal ability."
Different masks could need slightly different UV exposure times, but other factors are also in play, such as amount of soiling, type of soiling, and what bacteria, viruses, or other pathogens are present on the masks. To be conservative, UV exposure time is now preprogrammed for 10 minutes. Shirkey recommends if there is too much soiling, or any visible physical damage, then the respirator should be disposed of properly and should not be decontaminated for reuse.
While UV light can degrade some materials overtime, the decontamination process will not damage the masks, which are not intended to be resued many times. Normal wear and tear will degrade a mask much more quickly than UV radiation Shirkey points out. Orbitform recommends that masks should not go through more than three decontamination cycles.
To decontaminate masks an operator loads up to ten N95 respirators, with five masks per rack. Orbitform recommends that each mask be labeled and dated. In addition, a tally mark should be placed on each mask to denote the number of decontamination cycles it has been through.
Next, the operator loads the racks into the chamber. If the machine senses the racks have been loaded properly, it signals to the operator the chamber is ready. The operator then hits the power button and the chamber turns on the UVC light bulbs for 10 minutes.
Once the cycle is complete, the operator removes the racks, places the decontaminated face masks into bags and returns the bags to the proper user. Shirkey says it is important to maintain chain of custody of each mask through the process so that the same mask returns to the same person.
The UVC-DC can be used at healthcare clinics, hospitals, fire stations, police stations, nursing homes, and anywhere workers may be using N95 masks regularly. The device is designed to be located near the point of use. Shirkey suggests one or more UVC-DCs can be located at each department, wing, hallway, nurse's station or emergency room, so there is no need to handle and disinfect mass numbers of masks at a central or off-site location. The UVC Decontamination Chamber can easily be transported in a minivan or SUV.
For more information on the UVC-DC, call (517) 780-4269 or visit www.orbitformmedical.com.
Recent Articles by Zoe Leduc
The Advantages of Impulse Welding
Health and Safety in Post-Pandemic Manufacturing
The basics of orbital welding
How to Speed Up Leak Testing
ZOË LEDUC, ASSOCIATE Editor
N95 Mask Manufacturing to Add 500 New Jobs in RI
The N95 Respirator Scandal
3M to Triple Monthly US Production of N95 Masks
A Hack for Sterilizing N95 Respirators

redpajama_set_name: RedPajamaCommonCrawl


The standardization of container runtimes and images has sparked the creation of an almost overwhelming number of new open source projects that build on and otherwise work with these specifications.
Of course, there's Kubernetes, which orchestrates and manages collections of containers. It was one of the first and best-known examples of projects that make containers truly useful for production use. However, more recently, the container ecosystem has truly exploded. A service mesh like Istio addresses many of the challenges faced by developers and operators as monolithic applications transition towards a distributed microservice architecture. A tracing tool like Jaeger analyzes what's happening as a transaction moves through a distributed system. Monitoring software like Prometheus captures time-series events for real-time alerting and other uses. Grafeas and Kritis provide security policy attestation and enforcement. And there are many more.
In short, there's an entire new cloud-native ecosystem growing up around containers. Come to this talk by Red Hat technology evangelist Gordon Haff and learn all about it.
Copyright © 2019 Ulitzer, Inc. — All Rights Reserved.


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Luke Combs Album Debut #1
LUKE COMBS' WHAT YOU SEE IS WHAT YOU GET DEBUTS AT NO. 1 ON BILLBOARD 200 WITH RECORD-SETTING WEEK
"EVEN THOUGH I'M LEAVING" NO. 1 AT COUNTRY RADIO THIS WEEK—SEVENTH-CONSECUTIVE CHART-TOPPER
NASHVILLE, Tenn. — Luke Combs' What You See Is What You Get debuts this week at No. 1 on the all-genre Billboard 200 chart as well as Billboard's Top Country Albums chart with 172,000 equivalent units sold. It is also a global No. 1 album, topping charts in Canada, Australia and the U.K. Out now via River House Artists/ Columbia Nashville (stream/purchase here ), the record enjoyed the largest streaming week ever for a country album with 74 million on-demand streams. It also achieved the biggest first week of album streams for a country artist ever on Apple Music within its first two days of release and was the first country album ever to hit No. 1 on the platform's U.S. overall albums chart, while also setting a new global record for first-week streams for a country album at Spotify and the Amazon Music record for more first-week streams than any other country album debut.
Jason Aldean 9 At 9
JASON ALDEAN THROWS DOWN FOR NEW ALBUM
WITH "9 AT 9" SPECIAL DURING
BIGGEST BAR-HOPPING NIGHT OF THE YEAR, NOV. 27
Over 100 Bar Louie Locations and Independent Bars Across the U.S. to Premiere the Concert Event In-House Celebrating Aldean's New Album 9, Out This Friday
Fans Across The Globe Can Tune-In Via LiveXLive and YouTube
NASHVILLE, TN - Nov. 18, 2019 - ACM "Artist of the Decade" Jason Aldean will celebrate the release of his highly anticipated album 9, out this Friday, Nov. 22 on the biggest bar night of the year Thanksgiving Eve, for the first-of-its-kind concert event, "9 at 9" on Nov. 27th. Aldean has partnered with over 100 Bar Louie neighborhood locations exclusively presenting the event in their markets. Additionally, dozens of independently owned bars across the country will feature the special 9-song performance airing at 9:00P local time, filmed from Jason Aldean's Restaurant + Rooftop Bar in Nashville, TN and distributed in partnership with Promo Only. Fans will have the chance to hear the "ambitious textures" (New York Times) behind Aldean's new music, including his Top 15 and climbing single "We Back," as well as some of his biggest hits.
CMA Awards Ratings Soar
"The 53rd Annual CMA Awards" Viewership Soars 12 Percent With Social Interactions Up 104 Percent
Watch CMA Awards Highlights
Featuring its 3-hour telecast of "The 53rd Annual CMA Awards," ABC dominated Wednesday night, ranking #1 all 6 half-hours of primetime with Total Viewers and Adults 18-49. ABC beat its nearest competition by 4.3 million viewers (11.3 million vs. 7.0 million – NBC) and by 82% in Adults 18-49 (2.0/9 vs. 1.1/5 – Fox).
Hitting new season highs on the night, ABC drew its largest Wednesday audience in 2 years and delivered its highest Adult 18-49 rating on the night in 1 year with entertainment programming – since 11/8/17 and 11/14/18, respectively.
CMA Award 2019 Winners
WINNERS ANNOUNCED AT "THE 53RD ANNUAL CMA AWARDS"
Luke Combs and Kacey Musgraves Night's Big Winners
Garth Brooks Named CMA Entertainer of the Year While
Ashley McBryde Wins CMA New Artist of the Year
Watch the Night's Performances on CMA's YouTube Channel
NASHVILLE—It was a night that celebrated the best in Country Music through riveting performances, heartfelt speeches and poignant tributes at "The 53rd Annual CMA Awards."
More CMA Awards Performers
WOMEN IN COUNTRY MUSIC UNITE FOR
GROUNDBREAKING PERFORMANCES AT
"THE 53RD ANNUAL CMA AWARDS" NOVEMBER 13 ON ABC
Historic Opening Performance Led by Carrie Underwood, Reba McEntire and Dolly Parton
Will Feature Terri Clark, Sara Evans, Crystal Gayle, The Highwomen, Martina McBride,
Jennifer Nettles, Tanya Tucker and Gretchen Wilson
Additional Collaboration Features Kelsea Ballerini, Lindsay Ell,
Maddie & Tae, Ashley McBryde, Carly Pearce and Runaway June
With Special Appearance by Little Big Town
NASHVILLE— Women in Country Music will unite for a historic, not-to-be-missed opening performance at "The 53rd Annual CMA Awards." The groundbreaking number led by Carrie Underwood, Reba McEntire and Dolly Parton will also feature Terri Clark, Sara Evans, Crystal Gayle, The Highwomen (comprised of Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires), Martina McBride, Jennifer Nettles, Tanya Tucker and Gretchen Wilson, each performing iconic Country songs for a monumental decades-spanning medley never before seen.
Dustin Lynch New Album 1/17
DUSTIN LYNCH COMES HOME TO TULLAHOMA, FOURTH ALBUM OUT JANUARY 17
HEADLINING STAY COUNTRY TOUR 2020 STARTS JANUARY 30
NASHVILLE, TENN. (November 6, 2019) — Broken Bow Records hitmaker DUSTIN LYNCH is using his fourth album to recount the Country saga of a true "Small Town Boy," setting January 17 for the release of TULLAHOMA.
Old Dominion Has #1 Album
OLD DOMINION DEBUTS AT NO. 1
ON THE BILLBOARD TOP COUNTRY ALBUMS CHART
Reigning CMA Vocal Group of the Year to Perform on
"Today" from the Plaza Thursday, "Jimmy Kimmel Live!" Nov. 12, And during the 2019 CMA Awards Live from Nashville on Nov. 13
Photo Credit: Mason Allen
Pictured (left to right) Geoff Sprung, Whit Sellers, Matthew Ramsey, Brad Tursi, Trevor Rosen
"For the past several years, Old Dominion have proven themselves to be one of the most popular and most talented country bands in the U.S., and now they have a proper smash to their credit." – Forbes
"Old Dominion clearly know the songwriting recipe for success." – Billboard
"Old Dominion stack the deck with likable songs." – Rolling Stone
NASHVILLE, TN – Acclaimed CMA Vocal Group of the Year and two-time ACM Group of the Year, Old Dominion have debuted No. 1 on the Top Country Albums chart with their self-titled third album – the largest streaming album debut by a country band this year with 13.7 million on-demand audio streams.
George Strait Vinyl Collection
GEORGE STRAIT, THE UNDISPUTED 'KING OF COUNTRY MUSIC,' RELEASES LIMITED-EDITION VINYL SET DEC. 9
Pre-Order Strait Out of the Box: Vinyl Collection Beginning Today
NASHVILLE, Tenn. – George Strait, the undisputed "King of Country Music," is set to release Strait Out of the Box: Vinyl Collection, a limited-edition, 10-volume vinyl set on sale Friday, Dec. 9, with pre-orders beginning today at GeorgeStraitBoxSet.com.
CMA Country Christmas 12/3
"CMA COUNTRY CHRISTMAS" TO AIR TUESDAY, DECEMBER 3 ON ABC
Country Superstar Trisha Yearwood to Host and Perform During
Tenth Annual Holiday Music Special
NASHVILLE—As previously announced, Country superstar Trisha Yearwood will host and perform on the 10th annual "CMA Country Christmas" airing Tuesday, Dec. 3 at 9/8c on ABC. The special continues to be one of the top-rated holiday programs on television.
Kane Brown's Baby Girl
KANE BROWN PENS HEARTFELT SONG, "FOR MY DAUGHTER," FOLLOWING THE ARRIVAL OF HIS FIRST CHILD
Kane and His Wife, Katelyn, Welcomed Daughter Kingsley Rose Brown
On Tuesday in Nashville
Brown is Currently Nominated For 2 AMA Awards and
A People's Choice Award
Photo Credit: Alex Alvga
NASHVILLE, Tenn. (Nov. 1, 2019) - Multi-Platinum, 3X AMA award-winning artist Kane Brown celebrated the arrival of his first child earlier this week. Announcing the milestone via his Instagram, Brown first posted the news of daughter Kingsley Rose Brown's arrival on Wednesday, before posting news of an additional surprise song release last night.
Copyright 2016 InsideCountry. Simple theme. Powered by Blogger.


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THE GROUND LEVEL HOSPITAL
The condition of one bird deteriorated so slowly that by the time I realized what was happening it was too late. She was often seen tucked up on the floor near the small rooster and appeared to be okay otherwise. I took this to be a social problem but it probably was a slow acting virus. What was needed was a warm place at ground level where the birds themselves could walk into when needed. The box at the pyramidal walkway was ideal as it could then be used by all the birds in the aviary including those in the COMPOUND.
The interior is divided into two parts using plastic gutter netting and entrance holes drilled on both sides. A fully enclosed wooden box with a hinged side would be suitable for just an aviary. All the interior surfaces apart from the end facing the glass are insulated with expanded polystyrene covered with a layer of cotton. The heating is provided by a simple 60 Watt spot lamp blackened with a felt-tipped pen and is fitted to the end of the box.
Details to follow.
The interior is divided into two parts using plastic gutter netting and entrance holes drilled on both sides. A fully enclosed wooden box with a hinged side would be suitable for just an aviary. All the interior surfaces apart from the end facing the glass are insulated with expanded polystyrene covered with a layer of cotton. The heating is provided by a simple 60 Watt spot lamp blackened with a felt-tipped pen and is fitted to the end of the box. The mains power input is controlled by a dimmer switch and thermostat which are also fitted to the end of the box. The wireing must be protected if cockatiels are present. The thermostat is of the hydrolic expansion type (pipe and tube) which are very reliable and don't need a power supply. The tube is fixed to the ceiling of the box and away from the lamp. The hysteresis is quite high with these types of thermostats (about 10 degrees C) but hasn't as yet proved to be a problem. It is adjusted to give a temperature range from 25 to 35 degrees C. The dimmer switch is rated at 150 Watts maximum. Higher power dimmers are not suitable. The temperature can be verified by a probe thermometer fitted to the side of the box. The probe itself is tie-wrapped to the ceiling of the box next to the thermometer tube and next to the lamp.
copyright © 2008 - 2018 Avian-World.net CLICK HERE FOR PRIVACY POLICY


The K4 Silent with innovative silent function is whisper-quiet with a 50% lower noise level than other similar pressure washers.
The pressure washer features a long-lasting water-cooled motor and is is ideal for a medium sized domestic environment and features a clever storage concept with telescopic handle for comfortable use and compact storage. Its compact dimensions also allow for conevenient transportion of the unit. The pressure washer can cope with a whole range of cleaning tasks including: Path, Patio and Decking, Walls and Garage doors, plus Vehicle Washing.
The K 4 Silent scores highly with other attractive comfort features, including the PremiumFlex hose with anti-twist system, which effectively prevents kinks or loops and tripping hazards due to tangling, an elastic storage strap for pressure hose and electrical cable as well as two carrying handles.


text:
Luciano José Pereira da Silva (born 16 March 1980 in Rio Branco) is a retired Brazilian football (soccer) goalkeeper. He has previously played for Tombense and K.F.C. Germinal Beerschot. Having signed for Eredivisie club FC Groningen, the technical manager of the club, Henk Veldmate, described Luciano as "a spectacular keeper who, because of that, has a lot of risk in his game play".

On 24 February 2010, Luciano de Souza extended his contract with FC Groningen until 2012. On 14 February 2014, Luciano and Groningen agreed to dissolve his contract so he could return to Brazil for a knee surgery.

Honours

Club
Beerschot A.C.
 Belgian Cup: 2004–05

References

1980 births
Living people
Brazilian footballers
Association football goalkeepers
CR Vasco da Gama players
Beerschot A.C. players
FC Groningen players
Belgian Pro League players
Eredivisie players
Brazilian expatriate footballers
Expatriate footballers in Belgium
Brazilian expatriate sportspeople in Belgium
Expatriate footballers in the Netherlands
Brazilian expatriate sportspeople in the Netherlands
Sportspeople from Rio de Janeiro (state)


The Primary Treehouse: You mean we are having a sale?
You mean we are having a sale?
I think that everyone is so excited about this sale that we are shouting it from the rooftops!! I have been busy the past few days trying to get everything ready for you. I hope that you have left feedback on all of your previously purchased items and you have your wishlist ready to go! It starts in less than 3 hours!!
I figured I would give you a little preview of some of my newest items that I have added to my store.
I just finished putting together a new series of Chunky Monkey flip flaps. I have posted all of the short vowels. I will soon be posting nonsense words, long vowels, digraphs, and blends. Here is a little preview of the short vowels.
The kids can flip to see the first sound and then flap to see the word family chunk!
My students absolutely love these flip flaps. We put them into our interactive notebooks for independent practice. We use them during guided reading groups. And I am currently working on a center in which they are glued to a tri-fold board and students can practice reading them during centers.
I have also added my newest Spring Spot and Jot packs! These are so cute. Students hunt for sight words in the spring themed pictures and record them in lots of fun ways. It is a great center!
These puzzles are great practice for students to add/subtract one and add/subtract ten. They build number sense for students and help them with finding the patterns in the hundreds chart. While a bit challenging at first, they are truly addicting for your kiddos!!
There ya go! Some of my newest products ready for your shopping frenzy tomorrow. That and everything else in my store will be 28% off Thursday and Friday! Happy SHOPPING!!


2010 HD Street Bob in black ice pearl with a Vance and Hines short shorts, mustang touring seat w/ backrest, cafe fairing, forward controls, and several HD aftermarket parts. Has under 11000 miles. Askit $10500 or best offer.


text:
Úrvalsdeild (2012) (znana jako Pepsi Deildin ze względów sponsorskich)
była 101. edycją najwyższej klasy rozgrywkowej piłki nożnej na Islandii.
Brało w niej udział 12 drużyn, które w okresie od 6 maja do 29 września 2012 rozegrały 22 kolejki meczów.
Obrońcą tytułu był zespół Reykjavíkur. Mistrzostwo po raz szósty w historii zdobyła drużyna Hafnarfjarðar.

Drużyny

Tabela

Wyniki

Najlepsi strzelcy

Źródło: soccerway

Stadiony

Bibliografia

 Úrvalsdeild 2012 - rsssf
 Úrvalsdeild 2012 - kicker.de

Linki zewnętrzne
 Strona domowa Islandzkiego Związku Piłki Nożnej

2012 w piłce nożnej
Pierwszy poziom rozgrywek piłkarskich w Islandii
2012 w Islandii


text:
+ 605 642 3192 vacation@rimrocklodge.com
Aspen Cabin
Ponderosa Cabin
Spruce Cabin
Marcus Edgerton Suite
Margaret Bridge Suite
Tatanka Suite
Welcome to Rim Rock Lodge
About our peaceful and historic retreat
Rim Rock Lodge is the oldest continuously operating seasonal resort in the Northern Black Hills. Historic on the outside, new on the inside, it is your ideal base-camp for hiking, biking, fishing, sightseeing and relaxing!
2020 Season – July 1 – August 17.
The Canyon Bistro & Gallery
We offer 10% off drinks to bicyclists
The Canyon Bistro offers snacks, wine, beer and non-alcoholic refreshments. We provide "on sale" and "off sale" of beer and wine. Our gallery features local artists as well as unique furnishings and gifts. We are open to the public Friday through Sunday 1:00pm – 6:30pm and other days for special events (contact us to find out more).
Come visit us and enjoy the beauty of Spearfish Canyon.
view other activities
The Original Prospector's Cabin - (The Lodge)
In 1919, Marcus Edgerton, the first clothier in Spearfish and a gold prospector with mining claims in Spearfish Canyon, built a one-room cabin nestled in the woods above Spearfish Creek. This cabin, which has been restored recently, now serves as our Lobby and event facility.
In 1932, Margaret Bridge, Dean of Women at Black Hills Normal College (now Black Hills State University), secured a land lease from Homestake Mining Company. In 1934, she opened Rim Rock Lodge as a seasonal resort. She built a beautiful hunting lodge (that was lost to a fire in 1979), the two cabins that overhang the Canyon (the Spruce and Pine), and several other of the cabins present today. While owner of Rim Rock Lodge, Margaret Bridge opened the first summer camp for Boys and Girls in South Dakota, using the property to enable countless children to experience and learn about nature, their surroundings and the history of the area. She also hosted social events, particularly enjoying her parties for ladies 80 years old and older; welcomed visitors from around the country; and actively supported a multitude of cultural and philanthropic events and pursuits. Throughout its long history, Rim Rock has been a place where people can kick up their feet, take a break, enjoy the spectacular scenery, have an adventure, and enjoy a good laugh or two. We invite you to join us this summer for your own adventure.
Rim Rock Lodge is the oldest continuously operating seasonal resort in the Northern Black Hills, and ideally situated to enjoy all of the scenic and historic sites in the region!
10900 Rimrock Place, Spearfish, SD 57783
vacation@rimrocklodge.com
Rim Rock Lodge © 2021 All Rights Reserved.
Developed by World Web Technologies Inc.
Closed for the 2021 Season. Looking forward to seeing you in 2022.


text:
Archive
=======

Provides functions to create, list, and extract archives.

Functions
---------

  - `archive` creates an archive based on the provided archive name.
  - `lsarchive` lists the contents of one or more archives.
  - `unarchive` extracts the contents of one or more archives.

Supported Formats
-----------------

The following archive formats are supported when the required utilities are
installed:

  - *.tar.gz*, *.tgz* require `tar` (optionally `pigz`).
  - *.tar.bz2*, *.tbz* require `tar` (optionally `pbzip2`).
  - *.tar.xz*, *.txz* require `tar` with *xz* support.
  - *.tar.zma*, *.tlz* require `tar` with *lzma* support.
  - *.tar* requires `tar`.
  - *.gz* requires `gunzip`.
  - *.bz2* requires `bunzip2`.
  - *.xz* requires `unxz`.
  - *.lzma* requires `unlzma`.
  - *.Z* requires `uncompress`.
  - *.zip*, *.jar* requires `unzip`.
  - *.rar* requires `unrar` or `rar`.
  - *.7z* requires `7za`.
  - *.deb* requires `ar`, `tar`.

Additionally, if `pigz` and/or `pbzip2` are installed, `archive` will use them over
their traditional counterparts, `gzip` and `bzip2` respectively, to take full advantage
of all available CPU cores for compression.

Authors
-------

*The authors of this module should be contacted via the [issue tracker][1].*

  - [Sorin Ionescu](https://github.com/sorin-ionescu)
  - [Matt Hamilton](https://github.com/Eriner)

[1]: https://github.com/sorin-ionescu/prezto/issues

redpajama_set_name: RedPajamaGithub


A public lecture titled "Monitoring Mallard Movements in the Illinois River Valley and Beyond" will be hosted at the UIS Alfred O. and Barbara Cordwell Therkildsen Field Station at Emiquon on Tuesday, January 26 at 6:30.
The presenters of the lecture will be Danielle DeVito and Curt Kleist, waterfowl research technicians with the Illinois Natural History Survey, Forbes Biological Station in Havana.
The information about the lecture was published in the January 22, 2010, Galesburg Register-Mail.


Contact [email protected] for information. At Sutton Place Synagogue, 225 E. 51st Street.
Weekly Torah study with Rabbi Lisa Gelber. No charge, RSVP not required, non-members welcome. Contact Rabbi Gelber.
Sisterhood Book Club (all invited): 4-3-2-1: a novel by Paul Auster.
Join us at JCC Manhattan, 334 Amsterdam Avenue, at 8:15 pm, and then join us the following two days for Shavuot services at Habonim.
Jonathan Chariton: Serving in the Israeli Defense Force, Israel's Rules of Engagement.
Habonim member Dr. Ellie Carmody, Infectious Diseases Specialist - "Tsaarat: Differential diagnosis, historical repercussions and spiritual implications"
Shabbat HaGadol (the Shabbat preceding Pesach) "Prophet, Priest, and Sage: Leadership roles in the Bible and the Passover Haggadah." The talk, led by Dan Breslauer, will consider which type the Book of Malachi (and the figure of Elijah) illustrates and will then examine some passages in the Haggadah and traditions about Passover that exemplify these types.
Presentation of the film Raise the Roof. Contact Kenny Altman for information.
7:30 pm film presentation, The Power of Good, the Nicholas Winton Story.
Community Shabbat Dinner - A Post-Pesach Mimouna Feast!
For the entire community. Kabbalat Shabbat service at 6:30 pm, followed by dinner. Join us to celebrate Mimouna, a North African Jewish holiday held after the end of Pesach. Dinner will feature traditional Moroccan food: couscous, chicken, specialty salads and other goodies, plus burger & hotdogs for our more "picky" eaters. $18 per person, $54 maximum for families of 3 or more, children under age 5 free.
Read more about Community Shabbat Dinner - A Post-Pesach Mimouna Feast!
The book will be Moonglow by Michael Chabon. Contact [email protected].
The book will be A Tale of Love and Darkness by Amos Oz. It is a long book so get started soon! Contact [email protected].