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Tag: chicago reviews
'Dance Nation' at Steppenwolf Theatre Captures the Whimsical Terror of Tween Angst
Dance Nation, written by Clare Barron and directed by Lee Sunday Evans, captures the sweet, strange and uncomfortable aspects of growing up in and surviving the world of competitive tween dance, as we follow the adventures of six young girls preparing for a national tournament. A finalist for the 2019 Pulitzer Prize, the play received its world premiere at Playwrights Horizons in 2018 and ran at the Almeida Theatre in London before coming to Steppenwolf for its regional premiere.
Armed with a multi-generational cast and a healthy dose of whimsy, this production succeeds in telling this story in a way that required the magic of a theatre. It invokes imagination, is anything but expected, and in this way subverts the classic coming of age story into something as weird, messy, and wonderful as actual puberty. The dances are less literal and more figurative, capturing each character's essence. One that stood out in particular perfectly captures the importance of 'dance face', and puts it up front and center with the assistance of some impeccable tech. Transformative lighting by Heather Gilbert moves us seamlessly through time and space, guiding the audience along a non-linear plot. Sound design by Mikhail Fiksel perfectly underscores each dance, monologue, and transition; movement and sound feel intertwined into a well choreographed dance piece.
Continue reading "'Dance Nation' at Steppenwolf Theatre Captures the Whimsical Terror of Tween Angst"
Key Reviews: Multimedia Edition
The Key: Young Critics Mentorship Program is back with this year's Multimedia Edition. After a class session with Vulture staff writer Angelica Jade Bastien, we encouraged our students to write about any piece of art that was not live theatre. The topics chosen range from the legacy of Breaking Bad in media, to the Joffrey Ballet's Jane Eyre, to William Tyler's album cover art. Finding your passion is a key component of a sustainable career in arts journalism! This year's cohort: Ada Alozie, Alisa Boland, Anyah Royale Akanni, Hannah Antman, Mariah Schultz, and Yiwen Wu. The viewpoints of the authors are entirely their own. The Key is co-facilitated by Oliver Sava and Regina Victor.
Ada Alozie, Breaking Bad: "When Breaking Bad was airing, it was hard to escape the personification of Walter White as an anti-hero: the word critics used to describe a white man with nebulous ethics, involved in shady (albeit) criminal activity. The anti-hero felt like it was everywhere in the early 2010s. I accepted the anti-hero label without thought when I was younger. As I was rewatching the series now, I couldn't help thinking why the word anti-hero had been used to describe this character when it was so clear to me that Walter White was a straight-up villain." – Read Ada Alozie's full critique and learn more about the author! Continue reading "Key Reviews: Multimedia Edition"
Key Reviews: 'Hope: Part II of a Mexican Trilogy'
The Key: Young Critics Mentorship Program is back for our third year, and with a new format! This year's cohort: Ada Alozie, Alisa Boland, Anyah Royale Akanni, Hannah Antman, Mariah Schultz, and Yiwen Wu. The third show of our session was Hope: Part II of a Mexican Trilogy produced by Teatro Vista at The Den Theatre. Read selections from each critic below, and click through to their author profiles to read the full critique and learn more about them! The Key is co-facilitated by Regina Victor and Oliver Sava.
Hannah Antman: "Directors Bruce and Gutierrez landed some evocative and heartfelt moments. Hope is a true period piece, in the sense that it showcases the past in order to illuminate something about our world today. I found Betty's deep fear of the atomic bomb to be especially prescient, reflecting many young people's current fears about climate change – in 1961 or 2019, being a teenager comes with the threat of the world ending. As an extension of that fear, Betty (excellently portrayed by Caraballo), has a series of imagined phone calls between herself and JFK (and later, Fidel Castro). I found these fantasy phone calls to be particularly compelling, and I wish the rest of the play delved as deep in its theatrical risk-taking." – Read Hannah Antman's full critique and learn more about the author! Continue reading "Key Reviews: 'Hope: Part II of a Mexican Trilogy'"
Porchlight Music Theatre's Sunset Boulevard Remembers Golden Age Glamor but Forgets the Horror
Sunset Boulevard, the famous film turned musical sensation, places the Golden Age of cinema on the stage. This Andrew Lloyd Webber musical, with lyrics and book by Don Black and Christopher Hampton, adapts the film by Billy Wilder into a stirring operetta. This production in particular left me humming the dramatic themes on my way back to the train. Directed by Artistic Director Michael Weber, Porchlight Music Theatre's Sunset Boulevard features stunning design, an incredibly skilled cast, and a muddled narrative that loses the most memorable line from the film during the final moments of the musical.
Continue reading "Porchlight Music Theatre's Sunset Boulevard Remembers Golden Age Glamor but Forgets the Horror "
Key Reviews: The Brothers Size
The Key: Young Critics Mentorship Program is back for our third year, and with a new format! This year's cohort: Ada Alozie, Alisa Boland, Anyah Royale Akanni, Hannah Antman, Mariah Schultz, and Yiwen Wu. The first show of our session was The Brothers Size at Steppenwolf for Young Adults. Read selections from each young critic below, and click through to their author profiles to read the full critique and learn more about them! The Key is co-facilitated by Regina Victor and Oliver Sava.
Yiwen Wu: "Present, but invisible. For over 2.3 million imprisoned Americans, their life and struggle against the profound racial and social-class biases in our criminal justice system are often overlooked. At Steppenwolf for Young Adults, Tarell Alvin McCraney's poetically thrilling The Brothers Size strives to confront the brutal legacy of incarceration, through a tender story of brotherhood and love–how the intimate ties that bind us together can free us in a world that fails to be free." – Read Yiwen Wu's full critique and learn more about the author! Continue reading "Key Reviews: The Brothers Size"
'Oslo' at Timeline Theatre Muddles the Message of Peacemaking
Tony Award winning play Oslo is a partially fictional account of the events between the Palestinian Liberation Organization (PLO) and Israeli officials leading up to the signing of the Oslo Accords in 1993, dramatized for the stage by J.T. Rogers. Currently receiving its Chicago premiere, it initially premiered Off-Broadway in June 2016 directed by Bartlett Sher at the Lincoln Center. The original cast then moved to Broadway to reprise their roles in April 2017 receiving awards and acclaim from New York Critics, Outer Critics, Drama Desk, Drama League, Lucille Lortel, Obie awards and other nominations along the way.
Timeline's highly anticipated co-production of Oslo with Broadway in Chicago seems to fit perfectly with its mission to present stories inspired by history that connect with today's social and political issues. As a production, it aimed to explore sociologist Terje Rod-Larsen's theory that trusting in each others' inherent humanity and building interpersonal human connection is the only basis for healthy debate, and potentially peacemaking. The lobby display as well as a program insert provided a historical guide to the Palestinian-Israeli conflict, while a huge column scribbled with sharpie responses asked audience members to participate in the conversation Timeline chose to center: "How do you resolve conflict?" Continue reading "'Oslo' at Timeline Theatre Muddles the Message of Peacemaking"
Posted on August 19, 2019 September 24, 2019
Rescripted Announces Third Session of The Key: Young Critics Mentorship Program
Rescripted is thrilled to announce the third session of The Key: Young Critics Mentorship Program, September 25 – December 4 and hosted for the second year at Steppenwolf Theater, 1650 N. Halsted. Regina Victor, founder of the online arts journalism platform Rescripted, and entertainment critic Oliver Sava created the 10-week training program for Chicago youth in arts criticism. In league with The Chicago Inclusion Project, The Key has successfully held two sessions, educating young writers on the skills and industry knowledge needed to pursue careers in arts criticism. Alumni of The Key have written for outlets like Chicago Reader, Howlround, The Windy City Times, and Rescripted.
Continue reading "Rescripted Announces Third Session of The Key: Young Critics Mentorship Program"


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Livongo Appoints Karen L. Daniel to Board of Directors to Lead Audit Committee
Livongo Public Relations
Want to learn more about Livongo?
Mountain View, CA – June 4, 2019 – Livongo, the leading Applied Health Signals company empowering people with chronic conditions to live better and healthier lives, today announced that it has appointed Karen L. Daniel, former Executive Director, Division President, and Chief Financial Officer of Black & Veatch Corporation, to its Board of Directors and to lead its audit committee.
Ms. Daniel joined Black & Veatch Corporation, an employee-owned, global leader in building critical human infrastructure in energy, water, telecommunications and government services, in 1992 and retired in July 2018. Ms. Daniel led the global financial and technology solutions groups, that included treasury, tax, accounting, financial reporting, budgeting, technology operations development, and management of technology service partners. During her tenure, the company grew to more than 12,000 employees and $3.6 billion of annual revenue.
"Karen is a seasoned financial leader who brings valuable experience building and scaling great companies," said Livongo Founder and Executive Chairman Glen Tullman. "This is another exciting step for Livongo as we add additional capability and independent directors to our Board."
Ms. Daniel currently serves on the Boards of Directors of Commerce Bancshares Inc., Snap-On Tools, and Blue Cross Blue Shield of Kansas City. She is also the past Chairwoman of the Greater Kansas City Chamber of Commerce. She holds a Bachelor of Science degree in Accounting from Northwest Missouri State University and a Master of Science degree in Accounting from the University of Missouri-Kansas City.
"I am extremely excited to join the Livongo Board of Directors and support the mission to transform the healthcare experience for people living with chronic and behavioral health conditions," said Ms. Daniel. "Similar to many Livongo employees and Board members, I too have loved ones who live with chronic conditions and have witnessed firsthand their struggle to navigate the current system, which is confusing, complex, and costly. Livongo's consumer-first approach is not only driving greater Member satisfaction but has also demonstrated positive clinical outcomes and measurable and meaningful cost savings, which I particularly value as a former Chief Financial Officer."
About Livongo
Livongo offers a whole person platform that empowers people with chronic conditions to live better and healthier lives, beginning with diabetes and now including hypertension, weight management, diabetes prevention, and behavioral health. Livongo pioneered the new category of Applied Health Signals to silence noisy healthcare. Our team of data scientists aggregate and interpret substantial amounts of health data and information to create actionable, personalized and timely health signals. The Livongo approach has demonstrated that it can deliver better clinical and financial outcomes while creating a different and better experience for people with chronic conditions. For more information, visit: www.livongo.com or engage with Livongo on LinkedIn or Twitter.
From Livongo Public Relations - 01.13.20

redpajama_set_name: RedPajamaCommonCrawl


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This is a transparent plastic Arduino case, which is specially designed for Arduino UNO R3. It is made of ABS material, which has good strength and tenacity. We have reserved enough GPIOs slots on the case, makes it convenient to connect sensors and modules on the board. It will prevent dust and droplets-splashing, avoid pin exposure and solder joint short circuit and so on. In addition, the top and bottom of the case are designed as splicing structures that are compatible with LEGO. You can build a lot of creative projects with LEGO parts.
This product does not include a Arduino UNO R3.


This is one of the most important sections to complete in Atlas Network's grant applications. This summarizes what you are going to do and what you hope to achieve. Below we provide some working definitions that we hope help you formulate your outputs and outcomes along with some examples of each.
Outputs – these are the strategic activities or products that you are planning that you think are critically important to achieve success.
Outcomes – these are the results of your outputs, the indicators that show evidence that you achieved success.
One way to think about outputs vs. outcomes is outputs are controlled by you and outcomes tend to represent a desired response from others that your outputs are intended to inspire. Good outputs and outcomes are specific and measurable.
Adoption of policy reforms that result in a reduction in the typical number of days to obtain business permit from 12 to five and reducing number of government offices needing to approve from seven to one.
At least 12 media mentions for research findings including TV and print media.
At least 5,000 views for video and 1,000 new subscribers to email newsletter.
At least 30 lawmakers in attendance including strategic committee chair and relevant cabinet official.
Outcomes should be directly tailored to the goals and objectives for your project. You decide what is important and significant and worthy of your time and donor's support. Be ambitious but realistic. It is better to aim high and come close than to achieve small goals with ease. There are also different types of outcomes including but not limited to: public policy changes, media impact, demonstrable shifts in key indicators (e.g. Doing Business Index, Economic Freedom Index, etc.), audience growth, VIP endorsements, academic recognition, award recognition, fundraising growth, etc. Think carefully about what results are truly worthy of celebration.
Please think carefully about what specific outputs and outcomes make sense for your project. We do not encourage applicants to copy the examples we have provided.


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Triple Crown Of Open Water Swimming – Swimmers' Ages
Data courtesy of Barbara Held and Marcia Cleveland.
Among the individuals who have completed the Triple Crown of Open Water Swimming, the average age is 43.7 years old.
The age of completion ranges from teenagers [female: Charlotte Samuels at the age of 16 and male: Lachlan Hinds at the age of 18] to veterans [female: Barbara Held at 59 and male: Bob West at 62].
The ages at which the 104 Triple Crowners who completed their Triple Crown are listed below from youngest to oldest.*
If an athlete completed 2 Triple Crowns during their career (e.g., Antonio Argüelles), the age of the completion of their first Triple Crown is listed.
Notes: EC = English Channel, CC = Catalina Channel, MIMS = Manhattan Island Marathon Swim with the swimmer's age of completion listed within parentheses.
1. Charlotte Samuels (USA): 16 [EC: 2014 (16), CC: 2014 (16), MIMS: 2014 (16)]
2. Lachlan Hinds (Australia): 17 [EC: 2012 (16), CC: 2013 (18), MIMS: 2013 (17)]
3. Samantha Simon (USA): 20 [EC: 2009 (19), CC: 2010 (20), MIMS: 2010 (20)]
4. Alison Streeter (UK): 23 [EC: 1982 (18), CC: 1984 (20), MIMS: 1987 (23)]
5. Rendy Lynn Opdycke (USA): 24 [EC: 2008 (24), CC: 2008 (24), MIMS: 2008 (24)]
6. Mallory Mead (USA): 25 [EC: 2008 (23), CC: 2010 (25), MIMS: 2004 (19)]
7. Joelle Beard (USA): 26 [EC: 2012 (24), CC: 2013 (25), MIMS: 2014 (26)]
8. Taranath Narayan Shenoy (India): 26 [EC: 1985 (24), CC: 1987 (26), MIMS: 1987 (26)]
9. Sakura Hingley (UK): 28 [EC: 2005 (23), CC: 2009 (27), MIMS: 2010 (28))]
10. Darren Miller (USA): 29 [EC: 2010 (27), CC: 2011 (28), MIMS: 2012 (29)]
11. Sarah Thomas (USA): 30 [EC: 2012 (30), CC: 2010 (28), MIMS: 2011 (29)]
12. Craig Lenning (USA): 30 [EC: 2010 (30), CC: 2009 (29), MIMS: 2010 (30)]
13. Jeffrey Cleveland (USA): 30 [EC: 2008 (28), CC: 2009 (29), MIMS: 2010 (30)]
14. Gábor Molnár (Hungary): 31 [EC: 2010 (29), CC: 2012 (31), MIMS: 2011 (30)]
15. Michelle Macy (USA): 31 [EC: 2007 (30), CC: 2008 (31), MIMS: 2008 (31)]
16. Timothy Donovan (UK): 31 [EC: 2012 (29), CC: 2014 (31), MIMS 2013 (30)]
17. Nick Adams (UK): 32 [EC: 1993 (16), CC: 2009 (32), MIMS: 1996 (19)]
18. Ceinwen Roberts (Australia): 32 [EC: 1981 (30), CC: 2013 (32), MIMS: 2013 (32)]
19. Jaimie Monahan (USA): 33 [EC: 2009 (30), CC: 2012 (33), MIMS: 2010 (31)]
20. Elaine Kornbau Howley (USA): 33 [EC: 2009 (33), CC: 2008 (32), MIMS: 2009 (33)]
21. Katie Benoit (USA): 34 [EC: 2012 (34), CC: 2010 (32), MIMS: 2010 (32)]
22. Miquel Suñer Comalat (Spain): 35 [EC: 2010 (33), CC: 2012 (35), MIMS: 2011 (34)]
23. James Pittar (Australia): 36 [EC: 1998 (28), CC: 2006 (36), MIMS: 1999 (29)]
24. Tobey-Anne Saracino (USA): 36 [EC: 2008 (33), CC: 2011 (36), MIMS: 2010 (35)]
25. Davis Lee (Bahamas): 36 [EC: 2010 (35), CC: 2011 (36), MIMS: 2012 (36)]
26. Colleen Blair (Scotland): 36 [EC: 1998 (20), CC: 2001 (23), MIMS: 2014 (36)]
27. Jaime Caballero (Spain): 37 [EC: 2007 (32), CC: 2012 (37), MIMS: 2010 (35)]
28. Miguel Guillermo Campero Garcia (Mexico): 37 [EC: 2014 (37), CC: 2014 (37), MIMS: 2014 (37)]
29. Yesenia Cabrera (Guatemala): 38 [EC: 2008 (35), CC: 2011 (38), MIMS: 2007 (34)]
30. Michelle Davidson (USA): 38 [EC: 2004 (34), CC: 2008 (38), MIMS: 2007 (37)]
31. Brad McVetta (USA): 38 [EC: 2011 (38), CC: 2011 (38), MIMS: 2011 (38)]
32. Javier Gutierrez (Mexico): 39 [EC: 2011 (37), CC: 2013 (39), MIMS: 2012 (38)]
33. Rebecca Jackman (USA): 39 [EC: 2003 (39), CC: 2001 (37), MIMS: 2002 (38)]
34. Eddie Irwin (Ireland): 40 [EC: 2008 (36), CC: 2012 (40), MIMS: 2011 (39)]
35. Selina Moreno Pasagali (Spain): 40 [EC: 2009 (37), CC: 2012 (40), MIMS: 2011 (39)]
36. Fionnuala Walsh (Ireland): 40 [EC: 2012 (38), CC: 2013 (39), MIMS: 2014 (40)]
37. Erica Moffett (USA): 40 [EC: 2006 (38), CC: 2008 (40), MIMS: 2007 (39)]
38. Antonio Argüelles (Mexico): 40 [EC: 1999 (40), CC: 1999 (40), MIMS: 1997 (38)]
39. Marcia Cleveland (USA, shown above): 41 [EC: 1994 (30), CC: 2005 (41), MIMS: 1996 (32)]
40. Kathleen Wilson (USA): 41 [EC: 2001 (38), CC: 2004 (41), MIMS: 1999 (36)]
41. Lance Ogren (USA): 42 [EC: 2009 (38), CC: 2013 (42), MIMS: 2010 (38)]
42. Gordon Gridley (USA): 42 [EC: 2012 (40), CC: 2013 (41), MIMS: 2014 (42)]
43. Andrew Hewitt (USA): 42 [EC: 2005 (42), CC: 2005 (42), MIMS: 2004 (41)]
44. Mariel Hawley (Mexico): 43 [EC: 2011 (42), CC: 2012 (43), MIMS: 2009 (40)]
45. Courtney Moates Paulk (USA): 43 [EC: 2012 (42), CC: 2013 (43), MIMS: 2011 (41)]
46. Rick Barthels (USA): 43 [EC: 1993 (43), CC: 1990 (40), MIMS: 1987 (37)]
47. Jim Neitz (USA): 43 [EC: 2011 (43), CC: 2011 (43), MIMS: 2013 (45)]
48. Ciaran Byrne (Ireland): 44 [EC: 2010 (40), CC: 2014 (44), MIMS: 2012 (42)]
49. Karen Throsby (UK): 45 [EC: 2010 (42), CC: 2011 (43), MIMS: 2013 (45)]
50. Dave Barra (USA): 45 [EC: 2010 (45), CC: 2010 (45), MIMS: 2010 (45)]
51. Katy Dooley (USA): 46 [EC: 2012 (46), CC: 2011 (44), MIMS: 2013 (46)]
52. Dan Boyle (USA): 46 [EC: 2006 (40), CC: 2012 (46), MIMS: 2005 (39)]
53. Tina Neill (USA): 46 [EC: 2005 (39), CC: 2007 (41), MIMS: 2012 (46)]
54. Thomas Kofler (Italy): 46 [EC: 2009 (42), CC: 2013 (46), MIMS: 2012 (45)]
55. Kent Nicholas (USA): 46 [EC: 2013 (46), CC: 2011 (44), MIMS: 2012 (45)]
56. Dave Smith (USA): 46 [EC: 2012 (46), CC: 2010 (44), MIMS: 2011 (45)]
57. John Walker (USA): 46 [EC: 2013 (45), CC: 2013 (45), MIMS: 2014 (46)]
58. Forrest Nelson (USA): 47 [EC: 2005 (39), CC: 2013 (47), MIMS: 2007 (41)]
59. Anthony Zamora (USA): 47 [EC: 2009 (47), CC: 2008 (46), MIMS: 2008 (46)]
60. Barbara Pellick (Australia): 48 [EC: 1995 (30), CC: 2013 (48), MIMS: 2000 (35)]
61. Nial Funchion (USA): 48 [EC: 1992 (27), CC: 2013 (48), MIMS: 2012 (47)]
62. Penny Palfrey (Australia): 48 [EC: 2006 (44), CC: 2010 (48), MIMS: 2009 (47)]
63. Samuel Neri (Mexico): 48 [EC: 2013 (48), CC: 2011 (46), MIMS: 2011 (46)]
64. Graeme Lowe (UK – Jersey): 48 [EC: 2011 (46), CC: 2013 (48), MIMS: 2012 (47)]
65. Scott Richards (USA): 48 [EC: 2007 (48), CC: 2006 (47), MIMS: 2006 (47)]
66. Sally Minty-Gravett (UK – Jersey): 49 [EC: 1975 (18), CC: 2006 (49), MIMS: 1999 (42)]
67. Cindy Walsh (USA): 49 [EC: 2012 (49), CC: 2007 (44), MIMS: 2008 (45)]
68. Jordan Waxman (Canada): 50 [EC: 2010 (46), CC: 2014 (50), MIMS: 2006 (41)]
69. Michael Renford (Australia): 50 [EC: 2007 (45), CC: 2012 (50), MIMS: 2009 (47)]
70. Hendrik Meerman (USA): 50 [EC: 2006 (44), CC: 2012 (50), MIMS: 2011 (49)]
71. Marcy MacDonald (USA): 50 [EC: 1994 (31), CC: 2013 (50), MIMS: 1993 (31)]
72. Ron Collins (USA): 51 [EC: 2004 (42), CC: 2013 (51), MIMS: 2002 (40)]
73. David Blanke (USA): 51 [EC: 2001 (41), CC: 2005 (45), MIMS: 2011 (51)]
74. Scott Coleman (USA): 51 [EC: 1996 (42), CC: 2000 (46), MIMS: 2005 (51)]
75. David Livengood (USA): 51 [EC: 2010 (47), CC: 2011 (46), MIMS: 2014 (51)]
76. Andrew Voisard (USA): 51 [EC: 2007 (51), CC: 2006 (50), MIMS: 2007 (51)]
77. Bridgette Hobart Janeczko (USA): 51 [EC: 2014 (51), CC: 2012 (49), MIMS: 2012 (49)]
78. Elizabeth Fry (USA): 52 [EC: 2011 (52), CC: 2005 (46), MIMS: 2009 (50)]
79. Nancy Steadman-Martin (USA): 53 [EC: 2004 (49), CC: 2008 (53), MIMS: 2007 (52)]
80. Steven Green (USA): 53 [EC: 2012 (52), CC: 2010 (50), MIMS: 2013 (53)]
81. Ranie Pearce (USA): 53 [EC: 2011 (50), CC: 2013 (52), MIMS: 2014 (53)]
82. Jim Barber (USA): 54 [EC: 2006 (50), CC: 2010 (54), MIMS: 1991 (35)]
83. Bill Hoehn (USA): 54 [EC: 2004 (53), CC: 2005 (54), MIMS: 2004 (53)]
84. Roger Finch (South Africa): 54 [EC: 2011 (53), CC: 2012 (54), MIMS: 2012 (54)]
85. Anthony McCarley (USA): 54 [EC: 2013 (54), CC: 2014 (54), MIMS: 2014 (54)]
86. Ned Denison (USA): 55 [EC: 2005 (48), CC: 2012 (55), MIMS: 2007 (50)]
87. Dan Richards (USA): 55 [EC: 2010 (54), CC: 2008 (52), MIMS: 2011 (55)]
88. Michael Miller (USA): 56 [EC: 2008 (54), CC: 2010 (56), MIMS: 2004 (50)]
89. Doug McConnell (USA): 56 [EC: 2011 (53), CC: 2012 (54), MIMS: 2014 (56)]
90. James Fitzpatrick (USA): 57 [EC: 2005 (50), CC: 2001 (46), MIMS: 2012 (57)]
91. Kevin Murphy (UK): 57 [EC: 2006 (57), CC: 2003 (54), MIMS: 2001 (52)]
92. Peter Urrea (USA): 57 [EC: 1996 (56), CC: 1997 (57), MIMS: 1991 (51)]
93. Carol Sing (USA): 57 [EC: 1999 (57), CC: 1997 (55), MIMS: 1998 (56)]
94. Daniel Robinson (USA): 57 [EC: 2014 (57), CC: 2008 (51), MIMS: 2006 49)]
95. Marilyn Korzekwa (Canada): 57 [EC: 2011 (54), CC: 2013 (56), MIMS: 2014 (57)]
96. Loretta Cox (UK): 58 [EC: 1995 (39), CC: 2014 (58), MIMS: 1997 (41)]
97. Nick Olmos-Lau (Mexico): 58 [EC: 2004 (58), CC: 1999 (53), MIMS: 2001 (55)]
98. Barbara Held (USA): 59 [EC: 2012 (59), CC: 2010 (57), MIMS: 2011 (58)]
99. Tom Hecker (USA): 60 [EC: 2005 (56), CC: 2009 (60), MIMS: 2008 (59)]
100. Mo Siegel (USA): 60 [EC: 2010 (59), CC: 2011 (60), MIMS: 2011 (60)]
101. Scott Lautman (USA): 60 [EC: 2000 (47), CC: 2013 (60), MIMS: 2000 (47)]
102. James Penrose (UK): 61 [EC: 2012 (60), CC: 2013 (61), MIMS: 2013 (61)]
103. Stephen Autry (USA): 61 [EC: 2007 (59), CC: 2009 (61), MIMS: 2009 (61)]
104. Bob West (USA): 62 [EC: 1996 (60), CC: 1998 (62), MIMS: 1989 (53)]
* To update the information listed above, send correct or additional information to the World Open Water Swimming Association.
Tags: Barbara Held, Bob West, Charlotte Samuels, Lachan Hinds, Marcia Cleveland, Triple Crown of Open Water Swimming, Triple Crowners


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King Crimson 40th Anniversary
King Crimson Tour Box
King Crimson boxsets
King Crimson vinyl
King Crimson Dvds
King Crimson Books
King Crimson merchandise
Search on all stores
Epitaph (Volumes One & Two)
The original line-up of one of Rock music's most enduring and innovative groups captured in sessi..
Heavy ConstruKction is culled from various King Crimson European concerts in 2000 and features 2 ..
Recorded in New York and Mexico City VROOOM, VROOOM features a disc apiece from King Crimson's do..
Absent Lovers
Originally recorded for radio broadcast and subsequently mixed in 1998 from the original multi tr..
Drawn from a single concert at the Amsterdam Concertgebouw in November 1973, The Night Watch is o..
Ladies Of the Road, originally issued for a limited period in 2003, presents a fascinating and ex..
Format: vinyl
Islands is the sixth in a series of audiophile King Crimson vinyl reissues. ..
Red, widely regarded as one of the essential King Crimson albums, has been remixed by Steven Wils..
Red - The T-Shirt
Format: t-shirt
The back cover image for King Crimson's potent 1974 release Red is available on a black Gildan Ul..
Red is the fourth in a series of audiophile King Crimson vinyl reissues. New..
Islands - 40th Anniversary Edition
Format: cd/dvd-a
The fifth release in King Crimson's superlative 40th Anniversary series. Featuring..
In The Wake Of Poseidon - 40th Anniversary Edition
The fourth release in King Crimson's superlative 40th Anniversary series. Featurin..
Lizard - 40th Anniversary Edition
Lizard, King Crimson's third studio album and second release of 1970, was, like its predecessor I..
Red - 40th Anniversary Edition
King Crimson's classic 1974 album as it should be heard. CD: Features the original..
In The Court Of The Crimson King (40th Anniversary Edition)
Recorded over a period of 10 days in August 1969 & released on October 10th of the same year ..


Wait, yoga's like clubbing now? | YOGALEN. Dynamic yoga in Glasgow.
Wait, yoga's like clubbing now?
Oof! Today's gonna be a busy one, and with no time to practise before lunchtime or early afternoon, it had to be early morning yoga. Yeah I know, early morning yoga and early morning clubbing are at different ends of the spectrum, but I reckon they overlap in more than just the time slot, so bear with me on this one.
I can normally motivate myself to fall out of bed onto the bike and cycle over to an early yoga class – I even teach a few – but when the mat is literally four feet from the warmth of the duvet I find it kind of hard to weigh the scales in favour of the mat. But because my girlfriend can't make it to my class this evening, she pushed me out of bed early because she wanted to do yoga, suggesting we practise together side by side.
Luckily, I found an old Fabric mix CD in my house a while ago by Berlin duo M.A.N.D.Y, which is strangely perfect for sweeping through yoga to. So I put that on, warmed up the old airways with a couple of enormous breaths and rolled through a lengthy warm up. My lower back always feels super tight in the mornings, so I chose some ab curls (sort of half bridges, I guess), lots of hugging the knees, and a few slow sun salutes to get warmed up. Being right next to the radiator made all the difference. I could feel the inner cat purring away in the Ujai breath. Then a couple of standing poses – I've only recently remembered humble warrior, so I did a couple of those (Warrior 1, hands clasped behind back, diving forwards ear to ankle). I used to do a lot of these but haven't for ages, which is a shame because it feels so good on the shoulders.
A few balances, then to seated. Pigeons and double pigeons and twisted pigeons all over the place. Working deeper and deeper into the hips, then a good twist and into the closing sequence.
The whole thing was completely different with someone there doing the same thing next to me. I found it much easier to focus the mind, to hold back from letting it wander off to breakfast etc, to properly feel the release and expanse of each new stretch. Oh and the M.A.N.D.Y. CD helps loads, which got me thinking that maybe going to Fabric to dance wildly and going to the mat for a flowing yoga practice aren't too dissimilar. What I mean is, for both experiences you're taking your body to a place that's completely different to regular life, you're moving and finding those limits of movement, you're focusing the mind into the sensations of the body, letting everything drop into darkness as you home in on the present moment. Nice way to start a Wednesday – so why not find your Fabric on the mat?
Put that vodka red bull down, joker.
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Domino's Pizza is about to begin testing drone delivery, starting in New Zealand, where aviation laws passed this month allow for such a service. Parterning with drone company Flirtey, the plan is to launch the service to the public later this year, marking the first commercial drone delivery service worldwide.
"With the increased number of deliveries we make each year, we were faced with the challenge of ensuring our delivery times continue to decrease and that we strive to offer our customers new and progressive ways of ordering from us," says Domino's Group chief executive and managing director, Don Meij. "Research into different delivery methods led us to Flirtey. Their success within the airborne delivery space has been impressive and it's something we have wanted to offer our customers."
Meanwhile, New Zealand Transport Minister Simon Bridges says he's in full support of the service.
"As Transport Minister I have been actively promoting New Zealand as a test bed for new transport technology trials. Our enabling laws and regulation means we have the ideal environment to trial all forms of technology. The trial is also a valuable opportunity for the Civil Aviation Authority, who are making sure that appropriate safety precautions are taken."
The trial period will be limited in delivery area, food selection, and weight and dimensions of deliveries, but all will be extended as the period goes on, as dependent on customer feedback.
The company doesn't plan on replacing delivery staff entirely, but rather, the drones will work in addition to the staff and only when it would be faster than with a car or scooter.