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New Orleans Jazz Funeral
A New Orleans funeral procession is colloquially termed a Jazz Funeral, but the term was generally disdained by New Orleans natives up until the 20th century. They preferred the term "funeral with music". This disdain has faded over the last 100 years, and now "Jazz Funeral" is considered acceptable.
A Jazz Funeral Procession
While the funeral procession is dressed in black, that is where the similarities between a New Orleans funeral procession and a traditional western funeral end. Most western funerals are somber affairs, with the most ostentatious part being the blinking lights of a police escort, if the deceased was an officer of the law. Other than roses tossed on the casket, or an elegant burial urn, and perhaps a haunting rendition of 'Ave Maria', the typical western funeral is a solemn and somber occasion.
This is not so in New Orleans. With entire streets blocked off, even the somber dirges being played on the way to the church are full of the life and energy of an entire marching brass band. Sunlight glints off wailing trombones, as musicians in black suit coats and white dress shirts play their way down the street. A tuba bell is emblazoned with black and white letters naming the deceased. Many are wearing stylish hats to keep the sun out of their eyes and tourists on either side of the street vie for a position to take pictures and videos. Members of the processional walk among the musicians carrying pictures of the person who passed on wooden pickets. The sound of the music can't mute the sounds of conversations, singing, and even cheers as the funeral procession marches on.
Order of Ceremony
A New Orleans Jazz Funeral is extremely ritualized, and there is a strict order of events that must be followed. Generally, there is a wake before the funeral where family and friends of the deceased gather together. From the home where the wake is being hosted begins the marching procession to the church, where the family and friends are led by a brass band, often comprised of dozens of members, to the church where the funeral service is being held, playing funeral dirges, and other solemn music along the way. The group of people following the brass band is called the "second line". The second line are not solemn marchers, they are marching, or moving the music, often creating their own grand display that complements the spectacle of the marching brass band. If this is a Christian funeral, mourners will often follow the biblical example of "rejoicing" at death, leading to a spirited display all around. While this may sound undignified, or wild, even the spirited rejoicing happens at specific moments that have been planned out through rituals dating back a hundred-plus years. When the procession reaches the church, they have a more traditional, somber western Christian funeral.
History and Roots of the Jazz Funeral
The Jazz Funeral is rooted in European and African cultural influences, in addition to the military influences based on Louisianans colonial past. The military influence can be seen in the brass bands since brass bands play at military funerals. These influences combined with African spiritual practices, specifically from the Yoruba tribe of Nigeria and other tribes from Western Africa. There is also a strong influence from the Catholic and Protestant churches of the early 20th century, which we see in the ritualized "rejoicing at death" part of the Jazz Funeral.
The Jazz Funeral was common in all ethnic communities during the late 1800s and at the beginning of the 20th century. As brass bands became more popular and wilder before World War One, many in the white community came to look at the Jazz Funeral with distaste and considered the spirited music to be disrespectful. It wasn't until the 1960's that the Jazz Funeral again became a more common practice across many religious and ethnic boundaries.
Jazz Funerals are Now Less Common
Similar to the rising rates of people opting to cremate their deceased loved ones, due to the lower cost of using a burial urn or a cremation urn, Jazz Funerals are becoming less common as well as people opt for simpler, less expensive ceremonies. The cost of pageantry and a full brass band far exceeds the cost of a regular funeral, even as funeral costs are rising. (Many people prefer cremation because it is less expensive to use a burial urn, if the remains are being buried, in addition to the flexibility offered by cremations. The remains can be kept in a place of honor in the family home in a display urn, or the ashes scattered using a unique urn, like an ice urn, or a water urn, both of which dissolve, releasing the ashes safely into the water.) However, despite the Jazz Funeral becoming less common in New Orleans, the practice of using brass band processionals has now spread to other parts of the country, and they remain very popular to this day.


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Anti-skid technology is getting better — up to 200 milliseconds better.
The time it takes to blink an eye might not sound like much, but in the split-second world of auto accidents, it could make the difference between an uncomfortable moment and a tragedy.
Ford is announcing today that the 2015 Ford Focus will have technology that anticipates when the car is about to spin out, rather than actually waiting for the actual skidding to happen before stability control takes over. Enhanced Transitional Stability, as it is being called, gives the car's safety systems a 100- to 200-millisecond head start.
When that happens, the car automatically applies brakes to the wheels in a way that keeps it on its straight, intended path, Ford says.
The new Focus is not the first Ford to get Enhanced Transitional Stability — the big Taurus sedan has had it since 2013 — but it will be one of the few cars in its price range to have it. The principle involved is actually pretty simple: the car's computer recognizes the car's speed, how fast the steering wheel is being turned and its position. It then starts applying the brakes to individual wheels to keep the car under the driver's control.
The system can act before drivers realize it.
"It's something we're pretty proud of," says David Messih, Ford's brake controls manager, and the team is "excited to have it on a vehicle like the Focus."


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Milestone Systems' new additions to its IP video product portfolio are designed to address the growing needs in the mid-range surveillance market.
"Milestone now has an even stronger and more competitive family of open platform IP video management software, offering more options from the world's leading solution provider: deeper functionality, fast and flexible installations and affordability. We are excited to reveal our new product XProtect Express and the latest updates to the XProtect product suite," said Lars Gudbrandsson, head of product management at Milestone Systems.
XProtect Professional is comprehensive open platform IP video management software (VMS) for mid-sized installations with multiple servers supporting up to 64 cameras per server. XProtect Professional is a complete solution for single-site installations with multiple buildings requiring integration with business systems and video analytics. It is suitable for installations with a large number of megapixel and HD cameras.
Easy-to-use software wizards guide through the process of adding cameras, configuring video settings, scheduling recordings and administering user access. Consolidated single-management interface, video search tools and easy export of evidence make operations more efficient. With such performance enhancements as dual streaming and improved motion detection, XProtect Professional helps extend the performance of hardware.
XProtect Express is a new addition to the Milestone product line. Supporting up to 48 cameras on a single server, it offers speedy VMS integration for small businesses like retail. Due to the open platform environment, businesses can integrate solutions such as point-of-sale and video analytics directly into the XProtect Smart Client, for a common interface and unified operating system.
In addition to these releases, Milestone also is now offering XProtect Essential 2 designed for small, single-server businesses that want to manage up to 26 surveillance cameras. With a wide set of features to view and export video evidence, XProtect Essential is cost effective with a flexible licensing model that makes it easy to expand the system.
The Sequence Explorer is an investigative tool that displays an overview of captured video and time intervals from one of more cameras. XProtect Smart Client – Player is a viewer added to exported video and audio with one click, along with any relevant information you choose, making it easy for law enforcement to quickly view footage of an incident.


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Curtiss CR - Airplane Videos and Pictures
Curtiss CR Video - RC Model
More Curtiss CR Videos
Curtiss CR Aircraft Information
Curtiss CR
Model 23, CR, R-6
Picture - The CR-1 with Bert Acosta, 1921
Role: Racing aircraft
Manufacturer: Curtiss
Primary user: United States Navy
Number built: 4
The Curtiss CR was a racing aircraft designed for the United States Navy in 1921. It was a conventional single-seater biplane with a monocoque fuselage and staggered single-bay wings of equal span braced with N-struts. Two essentially similar landplane versions were built as the CR-1 and CR-2, which were both eventually converted to seaplanes as the CR-3 and CR-4. A refined version was developed for the US Army under the designation R-6. This latter aircraft featured refined aerodynamics included surface-mounted radiators.
Picture - An Army Curtiss R-6 which won the 1922 Pulitzer Trophy with an average speed of 330 km/h.
The Curtiss CRs enjoyed successful racing careers. Their first major win was at the 1921 Pulitzer Trophy race, where the CR-1 took first place, nearly two minutes ahead of its closest rival, piloted by Bert Acosta with an average speed of 176.75 mph (283.49 km/h). The following year, this aircraft was modified and redesignated CR-2 and joined in the Pulitzer race by a second aircraft built to the same new standard, plus two R-6s flown by Army pilots. These Curtiss aircraft took first through fourth place, the two R-6s followed by the two CR-2s. The race was won by Lt Russell Maughan with an average speed of 205.856 mph (330,172 km/h) with Lt Lester Maitland in second place (198.850 mph/318.936 km/h). Maughan's effort incidentally broke every closed-circuit airspeed record up to 124 mi (200 km). The CR-2s took third and fourth places piloted by Lt Harold Brow (average speed 193.695 mph/310.667 km/h) and Lt Jg Al Williams (average speed 187.996 mph/301.527 km/h).
The Army built upon this success with the R-6s by using the aircraft to break the world airspeed record before 1922 was out, Gen William Mitchell flying one to 224.28 mph (359.72 km/h) on 18 October. In March the following year, an R-6 flown by Russel Maughan lifted the record to 236.587 mph (380.74 km/h).
In 1923, the CR-2s were fitted with floats for the Schneider Trophy race and redesignated CR-3. The aircraft took first and second place, piloted by David Rittenhouse (average speed 177.977 mph, 285.457 km/h) and Rutledge Irvine (173.932 mph, 278.970 km/h). Following this victory, one of the aircraft was further modified as the CR-4 for an attempt on the world airspeed record for seaplanes. It achieved this in 1924 with a speed of 188 mph.
United States Navy (CR)
United States Army (R6)
Specifications (CR.3 Seaplane)
Data from Curtiss Aircraft, 1907-1947
Crew: 1 (pilot)
Length: 24 ft 8 in (7.52 m)
Wingspan: 22 ft 8 in (6.90 m)
Wing area: 168 ft� (15.6 m�)
Empty weight: 2,119 lb (961 kg)
Powerplant: 1 x� Curtiss D-12 5PL, 450 hp (336 kW)
Maximum speed: 194 mph (312 km/h)
Range: 281 miles (452 km)
Comparable aircraft
Gallaudet D-4
Bowers, Peter M. (1979). Curtiss Aircraft, 1907-1947. London: Putnam & Company Ltd.. ISBN 0-370-10029-8.
Taylor, Michael J. H. (1989). Jane's Encyclopedia of Aviation. London: Studio Editions. pp. 796.
World Aircraft Information Files. London: Bright Star Publishing. pp. File 891, Sheet 45.
Curtiss CR Pictures
More aircraft.

redpajama_set_name: RedPajamaCommonCrawl


I see that you list alcohol in the nutritional chart. Is this the same thing as sugar? I don't see sugar listed at all.
I'm pretty sure alcohol is just alcohol. As when it shows up in my pie chart as 'alcohol' when I've had a martini at dinner and put the martini in my food log!
No, that's not it, Kathy. I don't drink and today menu listed that I'm going to have 8%. I asked for a answer from fitday and still to date no answer. Plus my doctor would like to know.
When you're talking about 'today's menu,' what do you mean? You said it says you are going to have 8%? Does this mean that you put your menu for a meal in before you eat, and so then you see the results come up?
As far as I know, 'sugar' is not reported by fitday, so you would have to look for alcohol in the menu. If you look at each food, does it show up anywhere?
For example, look at 'Beef Bourguignon.' I misspelled that and miraculously, fitday still showed me 'Beef Burgundy.' When you click on the name of the food, then that beef burgundy does show up having some alcohol. It's not a percentage there but if I choose to add it to my foods, it will show up as a percentage of my foods for the day, as 'alcohol.' That's where my martinis' alcohol is evident when I have a martini at dinner.
Last edited by Kathy13118; 05-23-2014 at 03:48 PM.
I've seen some diet products (not all) actually list sugar alcohol on their nutrition labels after proteins. What do you think? Could this be the answer?
I have no idea. I guess the best thing to do would be to look at an example from a log. The only place I've ever seen 'alcohol' show up in my pie chart is when I have a martini in a restaurant.
To test your idea, I looked at the amount of alcohol in 1 oz. of sugar-free gum - in the fitday database. It's zero, and I think that's a lot of gum!
Last edited by Kathy13118; 05-27-2014 at 04:54 AM.


Glasgow Distillery Company has teamed up with Lidl for their new in-store Scottish Gin Festival.
The city based business, who produce a range of spirits including single malt scotch whisky, vodka and gin, is one of six artisan gin producers throughout the country that are benefiting from a combined business deal worth £180,000.
The festival will bring eight different gin ranges to Lidl Scotland's 94 stores from Thursday 3rd May.
Available while stocks last, the entire collection is new to Lidl stores, and is a proud showcase of the craft gin landscape across the length and breadth of Scotland with samples from Shetland, Orkney, Perthshire, Edinburgh and Glasgow.
Mike Hayward, Co-Founder of The Glasgow Distillery Company said: "We're thrilled to collaborate with Lidl for the first time, and be included as part of the line-up for their inaugural Scottish Gin Festival.
Thanks to a huge surge in craft spirit production, Scotland's gin credentials are on the rise, currently accounting for 70% of the UK's gin supply.
Sales of Lidl's gin range have increased by 41% in the last year across UK stores; testament to the booming interest.
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How to set-up and use Google Assistant on Xbox One
Zachary Boddy
After thorough testing in beta, Microsoft has officially released support on Xbox One for Google Assistant to the public. Apart from adding a whole bunch of helpful commands, it's surprisingly easy to set-up!
How to set-up Google Assistant on Xbox One
Sign-in to your Xbox One. Boot your trusty Xbox up and sign-in to your profile.
Open the Google Home app on your phone. Android or iOS, you'll need to open the Google Home app.
Tap on the "+" in the upper left-hand corner. Tapping that "+" is how you add a device to your Google family.
Tap on "Set up device" towards the top of the screen. It'll be underneath "Add to home."
Tap on "Have something already set up?" That option will be towards the bottom under "Works with Google."
Find or search for "Xbox" in the list of services. You can scroll through the list if you want, but it'll probably be easier to use the search function in the top right corner.
Sign-in with your Microsoft Account. Make sure it's the same Microsoft Account connected to your Xbox One. Google will automatically link
Select the consoles you want to control. The Google Home app will give you a list of all the consoles connected to your Microsoft Account.
Choose the room you wish to move them to. One of the awesome things Google Assistant can do is know where devices are in your home. This will help you keep track of which Xbox you're controlling if you have multiple.
Tap "Done" and enjoy! Once you've added all your consoles, you should be set to reap the benefits!
Now that everyone is working together and loving it, you're probably wondering what new abilities you just unlocked by doing this. I've detailed the list of available commands below.
How to use Google Assistant on Xbox One
System controls: Google Assistant can remotely turn your console on and off, as well as restart your console with commands like "Hey Google, turn on Xbox" or "Hey Google, reboot Xbox."
Game and app launching: You can also launch games or apps using just your voice with commands like "Hey Google, launch Gears 5" or "Hey Google, launch Netflix." You can also switch to specific TV channels if you route that through your Xbox.
Volume controls: While you're launching games and apps from your Xbox, you can also control the sound with commands like "Hey Google, mute Xbox" or "Hey Google, turn the volume down on Xbox." This also works in the reverse direction.
Media controls: In the same vein of thought, you can also control media on your Xbox if you're in an app with commands like "Hey Google, pause" or "Hey Google, next." Again, this also works the other way around.
Screen capturing: One of the cooler features in my opinion, you can have Google Assistant take screenshots or record clips with commands like "Hey Google, take a screenshot on Xbox" or "Hey Google, record that on Xbox." Now you don't have to take yourself out of the game to grab that last awesome gaming moment.
Microsoft and Google may add more commands in the future, but for now, there's already a pretty decent suite for anyone who regularly uses Google Assistant in their life. Now you can have everything set-up just the way you like it before you even get home.
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The Halo series is one of the most profitable and widespread science fiction franchise ever made, and as such, there is plenty of official Halo-themed merchandise on the market for fans. Here are the pieces of merchandise we recommend the most.
Zachary Boddy is the Minecraft Expert and a News Writer for Windows Central, Android Central, and iMore. They have been gaming and writing for most of their life, and have been freelancing for Windows Central and its sister sites since 2019, with a focus on Xbox and PC gaming. You can find Zachary on Twitter @BoddyZachary.


How to be happy every day no matter what happens? Happiness is a daily construction with attitude. Now we will see how to build a positive attitude. Because the positive attitude brings light and optimism to your life. It is like an inner sun, bright and beautiful. For this, we give you 15 strategies to build a positive attitude in a conscious and planned way.
Actually, happiness is our nature. We do not have to do anything to be happy. But we have to do a lot with our thoughts so they do not sabotage it. To think that you need something is the first sabotage against happiness.
The problem is not that someone treats you badly or that you do not get things right. The problem is how you react to those circumstances. People are too focused on the problem.
Instead of focusing on daily problems, look for the solution. For example, just by taking distance and calm down, everything improves.
It is very tempting and easy to immerse yourself in self-pity, to believe that everyone is against you, and that life is difficult. But this attitude will prevent your happiness and success.
There are many strategies to build a positive attitude and be happy. Your happiness cannot be by chance, luck, by a person or something you achieve.
To develop a positive attitude and achieve happiness you have to move consciously and planned. Be aware of every little thought and attitude every day.
Observe how you are thinking, acting and reacting to each circumstance. Accept that you are 100% responsible for what happens in your world.
How are the other people in your work? The answer is not about them, but about your focus when you observe and treat those people.
You cannot talk about what people are, only what you think of their attitudes and words. Not for everyone a person is what you say they are.
For your family, you must be someone important no matter how it is for you. Everything starts in your habits of thought and positive or negative focus.
Every time a thought enters your mind, immediately replace it with a positive thought.
At first, you will not do it on time, but it's enough that you realize. To achieve a positive attitude and be happy, repeat this process constantly.
Little by little, your new positive thoughts will replace the negative ones spontaneously. You will have to learn to persist and be disciplined.
Treat yourself as what you love most. When you treat others, at the same time you treat yourself.
If you treat someone with love, love is happening in you. If you treat someone with anger, anger is happening in you. The other person can receive it or not, but it is happening in you.
Who else you influence when you treat others is yourself. Your way of being is the biggest message for your family. Your attitude is what you project and build your world.
The best strategy to build a positive attitude is an attitude at every moment. You do not stay thinking, but you act. You act even with mistakes and learn something new.
The best way to build a positive attitude is from love towards you. Everything that comes out of you is with love because you love yourself, you appreciate and appreciate your life.
Nothing inspires a person more than knowing that other people are succeeding in being happier and more successful. Always look and read about the lives of positive and successful people.
In books, magazines, social networks and searching the internet you can find many inspiring positive stories.
Reading is like taking the gym to our brain. The frequency with which we read exercises our mind better. A more positive readings more optimism and mental agility.
Visualize the new lifestyle you want to have and start cultivating your new habits.
The common thing when a person is not happy or successful is a mind full of negative images. Decide and find how to build a positive attitude.
People will talk to you or think about you positively or negatively. It is not something you can control. But you can control how to react.
Someone will tell you something good, but the most common is to be told that you cannot do this or that. Just thank and use it as a challenge to be better every day.
The best decision to build a positive attitude is accepting that your progress depends only on you. No matter what kind of people you play, you decide how to feel.
The best way to develop a positive mental attitude is to make your entertainment also inspire you. Look for inspiring, motivating or funny movies.
When you surround yourself with everything that is positive, it is simpler to maintain a happier and optimistic attitude. Just be careful that your positivism does not remain on the mental plane, take action.
Abusing mental positivism will only increase the size of your ego. You have to take action, make mistakes, make decisions and follow.
Our most frequent thoughts build our world. The people around us are good or bad according to the perspective of our opinions about them.
The best way to build a positive attitude is by repeating positive phrases over and over again. It is the best way to put on the abundant side of life.
One of the advantages of having a positive attitude towards life is that you open yourself to new possibilities. You take advantage of the power of tools, discipline, gratitude, and persistence.
On the internet, you will find many tips to have a positive attitude towards life. Even everything that surrounds you and happens is for you to make decisions for your progress.
The best alternative such as building a positive attitude is finding out about the lifestyle of successful people. For example, what are the habits of highly effective people?
Although there are no exact formulas to be happy and successful, there are common habits and routines shared by successful people. Find out what fits your inner child best.
Investigate for yourself, in your own life the power of positive or negative thinking. What happens all day when you wake up with a positive attitude?
In the beginning, your old habits will win. For example, you will get angry quickly or you will not take advantage of opportunities in time. The important thing is that you realize.
We hope you will like these strategies to build a positive attitude in a conscious and planned way. We want your comments and suggestions to promote our ideas. Thank you and have a great day!


A perfect solution for a PDF file that can be opened for editing with OpenOffice in 100% layout accuracy.
To create a hybrid PDF file, run OpenOffice with the PDF Import extension installed, select "File", choose "Export as PDF", a PDF Options window like the screen shot will open, then tick "Create hybrid file" (or "Embed this document inside the PDF" where applicable) and click "Export".
If the PDF file is exported from OpenOffice Writer, it opens directly in Writer. If the PDF file is exported from OpenOffice Impress, it opens directly in Impress, and so on.
This hybrid PDF file saves you from keeping two separate file formats as it combines the two into one. It is ready for sharing and viewing with a PDF reader, yet it can be opened for perfect editing just the way a normal OpenOffice file does. When naming a hybrid file, it's probably a good idea to end with something like "-odf.pdf" so as to differentiate it from a normal PDF file.
HI I have downloaded this extension for OpenOffice but I am damned if I can get it to do anything with a .pdf. I downloaded it an installed it, closed and opened Open Office again, then went to extension manager, and it seems it is indeed installed (although I didn't get a chance to "enable" it...but when I open Draw and try to "Open" my .pdf document (that I want to edit, in that I want to take text from it and put it into a WORD document), it gives me a a document with a number of pages in it that contain complete gobbledygook for the first few lines and then leave the rest of the page blank, and the document contains a number of pages like this. The original .pdf document is quite long. How can I correct this, is this plug-in not supposed to just open the .pdf document in "OpenOffice Draw"? What am I doing wrong?


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Curated and Edited by
Lissa Tyler Renaud
This Introduction is the first entry for my new series in Scene4, entitled Kandinsky Anew. It is dedicated to new perspectives on Kandinsky's "life in art," mostly beyond painting—with emphasis in the fields of theatre, poetry, music, dance and architecture, and on other topics that contribute to our seeing Kandinsky anew.
In 2017, I started actively gathering and requesting professional, historical, and other thoughtful writings on Kandinsky's wide-ranging works, activities, and thinking. The resulting pieces—by artists and researchers, practitioners and close observers—form a lively, expansive, and challenging collection of essays and articles. Along with creating a kind of repository for significant new materials on Kandinsky, the pieces for Kandinsky Anew are also selected to interest and surprise the general public's multitudes of Kandinsky aficionados. Readers of Scene4 saw a successful "test balloon" for this idea in the April 2019 issue: my interview about Kandinsky with the eminent Peter Selz, Still "Mr. Modern Art" at 100.
Over the years, Kandinsky studies have thrived under the care of a tight-knit group of intrepid scholars who publish and confer. But Kandinsky seems to me to be everywhere. In my reading, for example, his name appears unexpectedly in books on a wide range of topics: philosophy, popular science, physics, neuroscience, history, Asian studies, in personal memoirs of people in far-flung places, and more. Then, too, I know more than a few people who are neither scholars nor authors evoking Kandinsky's name, but who nevertheless offer important perspectives, being among the most interesting thinkers on Kandinsky, having dedicated much rumination to the deeper meanings of his life and work. I am delighted to feature their writings in Kandinsky Anew.
As we all know, the Internet is a curse and a blessing. On the one hand, non-specialists and specialists alike have spread a narrow version of Kandinsky, rife with misinformation, some of it scurrilous. Did he play the violin, break with his parents on becoming an artist, was he a devotee of theosophy, was he anti-Semitic, was he tragically isolated in Paris? No; all no. On the other hand, the Internet allows us access to rich materials, even global ones,we could not otherwise see: documents, articles, videos, visual resources. This has changed the way Kandinsky can be studied and understood, and you are likely to find pieces based on an unusual selection of these.
In 2000, I wrote in a column about Kandinsky for Scene4:
I was very much struck over twenty years ago when I came across a remark made by Chaliapin (d. 1938), the great Russian basso. He said that he had learned more about acting from his friends who were painters than he ever did from stage actors. Around the same time, I also stumbled on an anecdote that seemed to me to be related: when a young Martha Graham saw a non-figurative painting of Kandinsky's in 1922 she is said to have said, "I will dance like that."Comments such as these seem to me to be fruitful areas of inquiry; clearly the fine arts have something to say to the performing arts.
"Now Upwards!" 1931
Watercolor, wash and ink on paper, 48.1 X 61 cm.
The Hilla von Rebay Collection
Indeed, Kandinsky the painter had a great deal to say to the performing arts. From my perspective as a theatre practitioner and scholar as well as an art historian, it is ironic that Kandinsky's long-time, stage-related work receives more attention from outside the field of theatre than inside it. More than anything, this speaks to the theatre's historically fitful relationship with its avant-garde. Kandinsky's contributions to the stage are every bit as revolutionary as his contributions to painting, but have never been seriously mined for their treasures. Note that Kandinsky was well-read in both classical and contemporary dramatic literature (Goethe, Kleist, Ibsen, Chekhov, Maeterlinck, et alia), and well aware of experimenters of his time, such as Isadora Duncan, Dalcroze, and far beyond. His messages to the theatre still await the level of legitimacy from the theatre that they receive elsewhere. And the same can be said of his historic contributions in other fields, too.
All re-constructions of history are connect-the-dots endeavors. In Kandinsky's history, some connectable dots are missing altogether; some "dots," pieces of information or contexts, are still hidden or passed over—matters without which the true picture of his life and work remains partial.
Kandinsky's years in Russia, from the outbreak of WWI to his joining the German Bauhaus in 1922, have been a somewhat weak link in our knowledge. Compared to information about his time in Germany and France, information about his "Russian Years" has been far less freely available to us. This has gradually changed in the years since the December 1991 dissolution of the Soviet Union.
And thereby hangs a tale from my own experience. When I began my formal doctoral studies of Kandinsky in the early 1980s, Kandinsky was little known inside Russia. To see a stage work of his, it was to Germany I went, to see the reconstruction of his Dessau staging of "Pictures at an Exhibition." Materials pertaining to his work and life in Russia—still incomplete today for various reasons—circulated tenderly among devotees, in hit-or-miss translations, sometimes at great expense or arriving in the mailbox in dog-eared photocopies from distant countries. Russian speakers in the West were luckier, but for the rest of us, by expanding one's search farther and farther afield, one could collect quite an impressive amount of clandestine documentation. Then in Moscow, in January of 1991, I saw one of the first exhibitions of the avant-garde artists who had fallen foul of official ideology after the 1917 Revolution, and whose work—including Kandinsky's—had been thereafter unknown.
On that same 1991 trip, with my translator in tow, I knocked on the door of Kandinsky's Moscow apartment and was greeted by a quite ordinary tenant who claimed not to know Kandinsky's name. On the way down the stairs, to my astonishment I could see where someone had tentatively removed a small area of paint on the wall, below eye level and partly obscured by a hand railing, exposing what was clearly Kandinsky's folk-style decorative painting underneath. It took several more years before the word was out, and there were efforts made to preserve that same painted wall and others on the stairwell, as well as to add to the building's exterior a beautiful plaque stating that Kandinsky had lived there:
By 2010, when I gave a talk on Kandinsky's theatre works and poetry at the St. Petersburg State Theatre Arts Academy (now the Russian State Institute of Performing Arts), the difference was palpable. My audience was hearing the information for the first time, but afterwards, there was eager discussion, and an invitation to give an impromptu class on Kandinsky's spatial analysis for directors and actors in the Advanced Directing Studio. Where Kandinsky is concerned, certainly we are now collectively in a different era of understanding than we were in the 1980s or '90s.
Today, Kandinsky's theatre and other work outside of painting is the subject of fascination in countries around the world, generating not only conferences, publications, and dissertations, but also exhibits, stage works, collaborations, discussions and friendships. Hopefully, the writings for Kandinsky Anew can give the world new perspectives on Kandinsky, covering a dynamic spectrum of historical and creative thought by theoreticians, practitioners, and thinkers—multi-disciplinary, multi-generational, and multi-national.
Wishing you a reading experience as unconventional and adventurous as Kandinsky himself was.
Oakland, California, April 2019
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"A Fluttering Figure" 1942, oil on wood
26 X 20 cm. Pompidou Center
Note: An earlier, different version of this article was developed for Dramaturgias journal, Brazil.
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Lissa Tyler Renaud, lifelong actress, M.F.A. Directing, Ph.D. Dramatic Art (thesis [with Art History]: Kandinsky and the theatre), U.C. Berkeley, 1987; founded the Actors' Training Project studio for training based on Kandinsky's work. Since 2004, training actors, directors and scholars; lecturing, and publishing widely–as visiting professor, master teacher, invited speaker, actor-scholar, recitalist–around the U.S. and Asia; in England, Mexico, Sweden, Russia. She is a Senior Writer for Scene4.
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Slavery FAQs - People
Were some people enslaved at Monticello born in Africa?
We do not know. The names of men like Sanco, Mingo, and Quash in Jefferson's 1774 Farm Book lists are suggestive of an African origin. It is probable, however, that most, if not all, of the enslaved persons at Monticello were a number of generations removed from Africa. Jefferson's father, Peter Jefferson, had acquired his enslaved laborers in the mid-eighteenth century from other Virginia planters in small lots of one or several. His father-in-law, John Wayles, while not directly engaged in the transatlantic slave trade, was commercially connected to it. It is possible that, among the 135 enslaved individuals Jefferson inherited from Wayles in 1774, there may have been native-born Africans.
Based on what is known of the eighteenth-century slave trade to Virginia ports, the forebears of those enslaved at Monticello were most likely brought from western Africa, especially the land of the Igbo in present Nigeria. Signs of African spiritual and cultural traditions persisted at Monticello into the nineteenth century. Archaeological excavations have unearthed artifacts like a cowrie shell, jewelry items, and a possible playing piece from a West African game, mankala.
Could members of the enslaved community at Monticello read and write?
Several Monticello slaves could definitely read and write. Although there is no record that Jefferson provided instruction for his slaves or encouraged them to learn their letters, several enslaved men at Monticello could read and write. There are surviving letters and documents in the hands of woodworker John Hemmings, blacksmith Joseph Fossett, and James Hemings the cook. Although severe legal restrictions on slave education were not enacted in Virginia in Jefferson's lifetime, many plantation owners tried to prevent their slaves from learning their letters. Educated slaves were considered potentially rebellious and those who could write could also forge passes. Nevertheless, some members of Jefferson's family took an interest in the education of enslaved children, and Joseph Fossett's son Peter remembered that Jefferson "allowed" those eager for learning to study with his grandchildren. Enslaved children also undoubtedly learned from literate members of their own community, as work schedules permitted. Peter Fossett, sold to another man after Jefferson's death, passed his reading and writing skills on to fellow slaves in secret after dark, by the light of pine knots.
Did enslaved people at Monticello attend church?
Many members of the enslaved community at Monticello attended worship services. Fragmentary records indicate a rich spiritual life—incorporating both European and African traditions, including Christianity—in the Monticello slave quarters. We know that enslaved woodworker John Hemmings and his wife Priscilla held prayer meetings in their cabin, and there is at least one reference to a baptism. It is assumed that Jefferson, a fervent believer in freedom of conscience, adopted a laissez-faire attitude toward religion in the slave quarters. Once they gained their freedom, a number of former Monticello slaves became ministers and founded churches.
Many enslaved people at Monticello embraced Christianity. Others held onto a variety of traditional beliefs from their homelands. Most African Americans combined cultural elements of various origins in their spiritual beliefs. They turned to traditional healers and spiritual leaders to resolve problems and heal ailments, and to ward off evil forces or to cast spells. The reputation of one such practitioner of magic and herbal medicine was strong enough to draw at least four African Americans from Monticello twenty miles to the south. People knowing of this traditional healer from so far away demonstrates a thriving traditional culture among enslaved people in Virginia, and a persistence of tradition and culture that defied the dictates of chattel slavery.


Increasingly, large organizations are being targeted in long-running attack campaigns. When the break-in is eventually discovered, forensic analysis begins. System audit logs provide crucial information that underpins such analysis. Unfortunately, audit data collected over months or years can grow to enormous sizes. Large data size is not only a storage concern: forensic analysis tasks can become very slow when they must sift through billions of records. In this paper, we first present two powerful techniques that reduce the number of records by a factor of 4.5 to 17.5. An important benefit of our techniques is that they provably preserve the accuracy of forensic analysis tasks such as backtracking and forward analysis. We then present techniques for representing this data in a main-memory graph to speed up forensic analysis. Our representation is very compact, using less than 3 bytes per event on the largest data sets used in our experiments. This compactness is achieved without slowing down forensic analysis tasks: our algorithms are able to process a million records per second on a single core.


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crossroads clapton wikipedia
The concerts showcase a variety of guitarists, selected by Eric Clapton personally. März 1995 … Fender introduced a matching set of limited-edition Crossroads instruments, which consisted of an Eric Clapton Crossroads Signature Stratocaster (better known as the "Sun Strat" and produced in a limited run of 100 instruments globally) and a Crossroads '57 Twin-Amp (produced in a limited run of 50 pieces). [5][6][7] The songs include "Terraplane Blues" (his first single and most popular record)[2] along with "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them. [65] After the Powerhouse session, Clapton continued playing with Mayall. [41] Additionally, the harmonic progression is often implied rather than stated (full IV and V chords are not used). [15] Johnson prepares to go into the fifth section for the slower second take, but the engineer apparently cut him off because of the time limits of ten-inch 78 rpm records. [1] After a second audition, Oertle arranged for Johnson to travel to San Antonio, Texas, for a recording session. "[83] Several music writers have explained that Cream's recording for Wheels of Fire was edited from a much longer performance that was typical for the trio – in the notes for Clapton's Crossroads box set, Anthony DeCurtis credits the trimming to engineer Tom Dowd,[84] while critic Stephen Thomas Erlewine attributes the editing to producer Felix Pappalardi, who "cut together the best bits of a winding improvisation to a tight four minutes", to allow the song's drive more continuity. [69] However, he employs a Johnson guitar innovation, the duple shuffle pattern or boogie bass line, while singing (Johnson only used it for two bars in "Cross Road Blues"). [19], Both versions of the song open with the protagonist kneeling at a crossroads to ask God's mercy, while the second sections tells of his failed attempts to hitch a ride. The Cream of Clapton (1995) Crossroads 2: Live in the Seventies Pilgrim (1998) Crossroads 2: Live in the Seventies ist ein Box-Set-Kompilationsalbum des britischen Rockmusikers Eric Clapton. [69] Johnson's irregular measures are also standardized to typical twelve-bar sections in which the I–IV–V blues progression is clearly stated. Their blues rock interpretation inspired many cover versions and the Rock and Roll Hall of Fame included it as one of the "500 Songs That Shaped Rock and Roll". [90], AllMusic's Richard Gilliam identifies Cream's "Crossroads" as the first recording to bring Robert Johnson to the attention of popular music audiences and allow reissues of his original recordings to sell over a million copies. I think there's something wrong with it. [59] Their attention turned to Robert Johnson songs and Boyd proposed "Crossroads"[d] and Clapton chose "Traveling Riverside Blues". ARC producer Don Law supervised the recording and used a portable disc cutting machine. The song's structure differs from a well-defined twelve-bar blues. [23] However, Johnson later recorded two songs that include Satanic references: in "Hellhound on My Trail" tells of trying to stay ahead of the demon hound which is pursuing him and in "Me and the Devil Blues" he sings, "Early this mornin' when you knocked upon my door, and I said 'Hello Satan I believe it's time to go'". [13] It is unknown what input, if any, Law had into Johnson's selection of material to record or how to present it. Das Album enthält Werke aus Claptons Solokarriere und aus seiner Zeit mit The Yardbirds, Bluesbreakers, Cream, Blind Faith, Delaney & Bonnie & Friends und Derek and the … In October 1936, Johnson auditioned for music store owner and sometime talent scout H. C. Speir in Jackson, Mississippi; Speir passed on Johnson's contact information to Ernie Oertle, who was a representative for ARC Records. [60][e], For the recording, Clapton developed an arrangement using lyrics from both songs with an adaption of the guitar line from the latter. [44] Bruce's bass lines blend rhythm and harmony and Baker adds fills and more complex techniques typical of drummers in jazz trios. [54] Studio musicians again provided the backup and the horn section included baritone saxophone by Paul Williams. [68], Clapton simplifies Johnson's guitar line and sets it to a straight eighth-note or rock rhythm. [36] Harp-style playing employs sharp percussive accents on the bass strings (an imitation of the sharp draw used by harmonica players) and allows Johnson to explore different chordings and fills. On 20 November 2013, Warner Bros released Crossroads Guitar Festival 2013 in CD/DVD/Blu-ray. 4.7 out of 5 stars 197. In Johnson's time, "cross road" was the preferred usage for "crossroads". [51] Flair Records, another of the Bihari brothers' Modern labels, released the single, backed with "Sunny Land". [33] This facilitates Johnson's use of a slide, which features as prominently in the song as the vocal. Auf dem Album sind Werke aus Clapton Solokarriere sowie einige Songs von Cream, Blind Faith und Derek and the Dominos enthalten. [82] Clapton has also used the name for the Crossroads Centre, a drug rehabilitation facility he founded, and for the Crossroads Guitar Festivals to benefit it. The sole track penned by Clapton on Blind Faith's studio album is the only one included here. £23.19 Straight To You: Live (CD+DVD) Kenny Wayne Shepherd Band. The expanded version of Cream's Farewell Concert film released in 1977 contains the performance. [67] However, he envisioned "Crossroads" as a rock song: It became, then, a question of finding something that had a riff, a form that could be interpreted, simply, in a band format. [56], Homesick James, who recorded and toured with his cousin Elmore,[57] also recorded a rendition titled "Crossroads". Crossroads ist ein Kompilationsalbum bestehend aus vier CDs bzw. The festivals benefit the Crossroads Centre founded by Eric Clapton, a drug treatment center in Antigua. The live and video album Crossroads Guitar Festival 2019 is the fifth release in the series of Eric Clapton's Crossroads Guitar Festivals to support his rehabilitation centre in Antigua, the Crossroads Centre, documenting the 2019 performances from two concerts held on September 20 and September 21, 2019 at the American Airlines Center in Dallas, Texas. [73] The song became the opening number on the live half of Cream's Wheels of Fire double album, released in August 1968 by Polydor Records in the UK and Atco Records in the US. [58] Elektra Records producer Joe Boyd brought together Steve Winwood on vocals, Clapton on guitar, Jack Bruce on bass guitar, Paul Jones on harmonica, Ben Palmer on piano, and Pete York on drums for the project. [45] In addition to the slower tempo, Johnson sings the verses at a lower pitch, although both takes are in the same key. [39] Music writer Dave Headlam elaborates on Johnson's rhythm: Meter itself is a compositional and performance device which comes in and out of focus in response to the fluid rthyms and changing accents in the lower beats. [7] The material reflects the styles of country blues performers Charley Patton and Son House, who influenced Johnson in his youth[7][11] and are among Johnson's most heartfelt and forceful. Clapton's second solo from "Crossroads" has made it to the top 20 in multiple "greatest guitar solo" lists. On 30 June 1999, Eric Clapton hosted the first major fundraising concert for Crossroads Centre at Antigua. You can still barrel house baby, on the riverside, During the instrumental break, Cream takes an improvisational approach characteristic of their later live performances. [64] Winwood sings and Jones plays the riff on harmonica similar to what Clapton later used with Cream (Jones also provides the instrumental solo; Clapton plays rhythm guitar throughout the song). 4.7 out of 5 stars 743. [22], "Cross Road Blues" reflects Johnson's Delta blues roots and may have been in his repertoire since 1932. "Traveling Riverside Blues", like the second take of "Cross Road Blues", was first issued in 1961 on Johnson's. Well I begin to wonder, 'Is poor Elmore sinkin' down', James first recorded the song in August 1954 at Modern Records' new studio in Culver City, California. [44], Cream recorded the song on November 28, 1966, for broadcast on the BBC Guitar Club radio program. Audio CD. [51] The song became a regional hit, but did not reach the national charts. English guitarist Eric Clapton with Cream popularized the song as "Crossroads" in the late 1960s. [48], As with most of Johnson's recordings, "Cross Road Blues" remained out of print after its initial release until The Complete Recordings box set in 1990. [15] Both begin slower and speed up; the first is about 106 beats per minute (bpm), while the second is about 96 bpm. Eric Patrick Clapton (Ripley, 1945. március 30. [18] In the simplest reading, Johnson describes his grief at being unable to catch a ride at an intersection before the sun sets. For television, it was edited to 1 hour 40 minutes [16][a] It is part of the local iconography and various businesses use the name, such as gas stations, banks, and retail shops. A négy évvel korábbi The Road to Escondido című J.J. Cale-lel közösen készített album óta ez az első olyan Eric Clapton lemez, amely saját anyagokat is tartalmaz. –) a Brit Birodalom Rendje (CBE) kitüntetés tulajdonosa, becenevén "Slowhand" ("Lassúkezű"), Grammy-díjnyertes brit gitáros, énekes és zeneszerző.A rock-korszak egyik leginkább megbecsült és legnagyobb hatású gitárosa, akit egyedülálló módon háromszor is beiktattak a Rock and Roll Hall of Fame-be. Background and artwork. They never seemed to expand it beyond that. Blu-ray. [81] After Cream's breakup in 1968, Clapton continued to perform "Crossroads" in a variety of settings. Royal Albert Hall London May 2-3-5-6, 2005, "1986 Hall of Fame Inductees: 'Cross Road Blues' – Robert Johnson (ARC/Vocalion, 1936)", "Elmore James: 'Standing at the Crossroads' – Appears On", "Robert Johnson: 'Traveling Riverside Blues' – Review", "Eric Clapton: 'Crossroads' – Appears On", https://en.wikipedia.org/w/index.php?title=Cross_Road_Blues&oldid=995448996#Crossroads_(Eric_Clapton_cover), Song recordings produced by Felix Pappalardi, Short description is different from Wikidata, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 21 December 2020, at 02:36. Starring Ralph Macchio, Joe Seneca and Jami Gertz, the film was written by John Fusco and directed by Walter Hill and features an original score featuring Ry Cooder and guitar virtuoso Steve Vai on the soundtrack's guitar, and harmonica by Sonny Terry. Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues guitarist, singer, and songwriter.His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. [6], "Cross Road Blues" was recorded during Johnson's third session in San Antonio, on Friday, November 27, 1936. Allmusic-Kritiker Stephen … Eric Patrick Clapton CBE (born 30 March 1945, in The Green, Ripley, Surrey, England) is an English guitarist, singer and composer.Clapton is the son of a sixteen-year-old, Patricia Clapton, and Edward Fryer, a Canadian soldier stationed in England. [88] In 1995, the Rock and Roll Hall of Fame listed Cream's "Crossroads" as one of the "500 Songs That Shaped Rock and Roll". Eric Clapton gives a live performance of ''Crossroads'' from the 2010 concert! £13.60 Crossroads Guitar Festival 2010 [DVD] Eric Clapton … He and Bruce on bass continuously emphasize the riff throughout the song to give it a strong and regular metric drive combined with Baker's drumming. Boyd refers to Johnson's song as "Standing at the Crossroads". Albums similar to or like Crossroads (Eric Clapton album) ... Wikipedia. [1], 2020 live album by Eric Clapton, Various Artists, "Ultratop.be – Eric Clapton – Eric Clapton's Crossroads - Guitar Festival 2019", "Lescharts.com – Eric Clapton – Eric Clapton's Crossroads - Guitar Festival 2019", "Offiziellecharts.de – Eric Clapton – Eric Clapton's Crossroads - Guitar Festival 2019", Top 10 DVD Musik – Bundesverband Audiovisuelle Medien (BVV), "Album Top 40 slágerlista – 2020. [28] Signs in the rural South advised "Nigger, don't let the sun set on you here". From Wikipedia, the free encyclopedia Crossroads Guitar Festival 2010 is a concert film released on November 8, 2010 by the British rock musician Eric Clapton under Rhino Records and the Warner Music Group. [41] Johnson uses a Spanish or open G tuning with the guitar tuned up to the key of B. Including both his band work (with the Yardbirds, John Mayall's Blues Breakers, Cream, Blind Faith, Delaney and … [12] With the flip side "Ramblin' on My Mind", it was the third of eleven singles released during Johnson's lifetime. 48. hét", "エリック・クラプトン – クロスロード・ギター・フェスティヴァル 2019 (Album)", "エリック・クラプトン – クロスロード・ギター・フェスティヴァル 2019 (Blu-ray)", "エリック・クラプトン – クロスロード・ギター・フェスティヴァル 2019 (DVD)", "Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart", Polish Society of the Phonographic Industry, "Top 20 DVD Musical – Semana 48: del 20.11.2020 al 26.11.2020", "Swisscharts.com – Eric Clapton – Eric Clapton's Crossroads - Guitar Festival 2019", Me and Mr. Johnson / Sessions for Robert J, Clapton Chronicles: The Best of Eric Clapton, In Concert: A Benefit for the Crossroads Centre at Antigua, Slowhand at 70 – Live at the Royal Albert Hall, Play the Blues: Live from Jazz at Lincoln Center, George Harrison–Eric Clapton 1991 Japanese Tour, https://en.wikipedia.org/w/index.php?title=Crossroads_Guitar_Festival_2019&oldid=1005080291, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, That's How Strong My Love Is – Doyle Bramhall II, Susan Tedeschi, Derek Trucks. [68] He and Bruce on bass continuously emphasize the riff throughout the song to give it a strong and regular metric drive combined with Baker's drumming. [50], American blues singer and guitarist Elmore James, who popularized Robert Johnson's "Dust My Broom", recorded two variations on "Cross Road Blues". [74] After the group's breakup, Atco issued the song as a single in January 1969,[75] which reached number 28 on the US Billboard Hot 100 pop chart[76] and 17 on Cashbox. … The music film features 40 tracks on the DVD and Blu-ray format. Amazon.co.uk. The Wikipedia entry for Crossroads gives a concise description of Cream's arrangement of the song. While Madison Square Garden is an epic arena, the concert remains intimate as Clapton … Hän saavutti mainetta kitaristina 1960- ja 1970-luvuilla yhtyeissä The Yardbirds, Cream ja Derek and the Dominos.Hän aloitti levytysuransa sooloartistina … James' lyrics focus on the lost-love aspect of the song:[39], Well I was standin' at the crossroad, and my baby not around (2×) The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. [3] During the first session, he recorded his most commercially appealing songs. Es erschien unter dem Label Polydor im April 1996. The Cream of Eric Clapton Unplugged Live in Hyde Park 24 Nights Clapton Chronicles: The Best of Eric Clapton In Concert: A Benefit for the Crossroads Centre at Antigua One More Car, One More Rider Crossroads Guitar Festival 2004 Live at Montreux 1986 Crossroads Guitar Festival 2007 Il genere musicale prevalente è il Blues, ma nel festival trovano anche spazio anche il folk, il jazz ed il rock. I really haven't heard that in so long—and I really don't like it, actually. Rolling Stone placed it at number three on the magazine's list of the "Greatest Guitar Songs of All Time" in recognition of Clapton's guitar work. [2] Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936. I just took it on a single string or two strings and embellished it. It appeared on bootleg albums before finally being released in 2003 on BBC Sessions. Crossroads è un cofanetto, pubblicato nel 1988, che raccoglie quattro CD, nei quali viene ripercorsa la carriera musicale di Eric Clapton dal 1963 al 1987 con tutte le formazioni in cui Clapton ha militato nel corso della sua lunghissima carriera musicale: The Yardbirds, John Mayall & The Bluesbreakers, Cream, Blind Faith, Delaney & Bonnie & Friends, Derek and the Dominos e … [42] The slide parts function more as a second "answer" vocal than accompaniment, with the tension underscoring the dark turmoil of the lyrics. Bob Dylan's Biograph was successful two years before the release of Crossroads, but Clapton's … [51] Maxwell Davis supervised the session and a group of professional studio musicians provided the backup. King and Albert King. [85] In a 1985 interview, Clapton was asked if the song had been edited. Schumacher also describes Winwood's vocals as differing from Cream's recordings. [57], In early 1966, while still with John Mayall's Bluesbreakers, Eric Clapton adapted the song for a recording session with an ad hoc studio group, dubbed Eric Clapton and the Powerhouse. It features recordings by various artists that performed during the Crossroads Guitar Festival 2013. [66] Rock musicians have recorded numerous renditions based on Cream's arrangement.[91]. [27], Blues historian Samuel Charters sees the song as having elements of protest and social commentary. Audio CD. [54] James re-recorded it at Beltone Studios in New York City in late 1960 or early 1961 during one of his last sessions. [25][26] These songs contribute to the Faustian myth; how much Johnson promoted the idea is debated, although many agree "the 'devil angle' made for good marketing". In it he laments not having a "sweet woman" in his distress. He replied: I can't remember. [33] However, Johnson infuses their relaxed urban approach with a more forceful rural one. Captured across two nights at Madison Square Garden, the Crossroads Guitar Festival offers a variety of legendary guitarists performing a mix of sultry blues, classic rock and country jams. Eric Clapton: Crossroads Guitar Festival 2007  (2xDVD-V, Unofficial, Multichannel, NTSC) Warner Music Entertainment (2) 0349 79877-6: Russia: 2012: Sell This Version: 0349-79485-8, 0349794858: Eric Clapton: Crossroads Guitar Festival 2007  (2xDVD-V, NTSC) Rhino Records (2), Reprise Records: 0349-79485-8, 0349794858: Europe: 2007: Sell This Version: Reviews Add … [57] The July 23, 1963, recording session produced Homesick's only single for Chicago-based USA Records, "Crossroads" backed with "My Baby's Sweet". [29][21] Writers Barry Lee Pearson and Bill McCulloch argue that the fifth verse in the single version captures the essence of the song: "left alone, abandoned, or mistreated, he stands at the crossroad, looking this way or that for his woman". [35] It contrasts with Johnson's finger-picking "piano style", which uses a boogie-style accompaniment on the bass strings while playing melody and harmonies on the higher strings. A Clapton a brit gitáros-énekes dalszerző Eric Clapton 2010-ben kiadott stúdióalbuma.Az album 2010. augusztus 27-én jelent meg az Egyesült Királyságban és egy nappal később az Egyesült Államokban. Das Album enthält Live-Aufnahmen aus den Jahren 1974 bis 1978. [17] A crossroads is also where cars are more likely to slow down or stop, thus presenting the best opportunity for a hitchiker. [31][b] Music historian Edward Komara identifies parts of "Straight Alky Blues" by Leroy Carr and Scrapper Blackwell (1929) along with Roosevelt Sykes' subsequent adaptation as "Black River Blues" (1930) as melodic precedents. [44] However, the momentum is never allowed to dissipate and is constantly reinforced. Eric Clapton-Wikipedia. [22], The song has been used to perpetuate the myth of Johnson selling his soul to the Devil for his musical ability. King and James' slide guitar was placed further back in the mix. I Got My Eyes on You (Locked & Loaded) – Gary Clark Jr. Drifting Too Far From the Shore – Vince Gill, Albert Lee, Jerry Douglas, Bradley Walker, High Time We Went – Eric Clapton, Ensemble, This page was last edited on 5 February 2021, at 22:09. [52], In 1959, producer Bobby Robinson signed James to his Fury/Fire/Enjoy group of labels. [44], The two takes of the song are performed at moderate, but somewhat different tempos. The verses are not consistent and range from fourteen to fifteen bars in length. £13.59 Crossroads Revisited: Selections from the Crossroads Guitar Festivals. Johnson recorded two popular Son House songs, ", According to Son House, Johnson began playing harmonica when he was 15 or 16 years old and "could blow harmonica pretty good. [55] Both the 1954 and 1960–1961 versions appear on numerous later James compilations. [53] In addition to new material, Robinson had James revisit several of his older songs, including "Standing at the Crossroads". On March 10, 1968, Cream recorded it again during a concert at the Winterland Ballroom in San Francisco. With The Allman Brothers Band, Blake Mills, Booker T. Jones, Buddy Guy. Eric Patrick Clapton (s.30. [8][9], A second and third recording date took place in San Antonio after a two-day break. ERIC CLAPTON-CROSSROADS-EAN 042283526129-DELUXE 4CD LONG BOX-features all the classics,plus dozens of rare and unreleased recordings by THE YARDBIRDS,JOHN MAYALL,CREAM,BLIND FAITH,DEREK AND THE DOMINOS. Inducted into … He is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist and separately as a member of the Yardbirds and of Cream.Clapton has been referred to as one of the most important and influential guitarists of all time. 4.7 out of 5 stars 585. Crossroads es una caja recopilatoria del músico británico Eric Clapton, publicada por la compañía discográfica Polydor Records en abril de 1988. Clapton has organised the Crossroads Guitar Festival in 1999, 2004, 2007, 2010 and 2013 to raise funds for this centre. From Wikipedia, the free encyclopedia Crossroads Guitar Festival 2013 is a music DVD, concert film and eleventh live album by the British rock musician Eric Clapton and was released on November 18, 2013 through Warner Bros. Records. Eric Clapton & His Band served as the "house band" throughout. [51] Labels associated with Modern included "Standing at the Crossroads" on several James compilation albums, such as Blues After Hours (Crown), The Blues in My Heart – The Rhythm in My Soul (Custom Records), and Original Folk Blues (Kent Records). To the 2007 audience, Clapton declared that each performer was one of the very best, and had earned his personal respect. [47] Although sales figures are not available, the record was "widely heard in the Delta" and Johnson's tunes were found in jukeboxes in the region. [42], ARC and Vocalion Records issued the first take of "Cross Road Blues" in May 1937 on the then standard 78 rpm record. Album under his own name in late 1969 and early 1970. It is sometimes credited as a " Various Artists " compilation release. The irregular groupings extend to smaller beat divisions, with an interplay between triplet 'swing' and duple divisions of the beat ... Johnson's irregular rhythms and variation in support of the metric beat suggest a more personal, idiosyncratic vision. Directed by Martyn Atkins. Johnson's … [4] They mostly represented his original pieces and reflected current, piano-influenced musical trends. Eric Clapton-Wikipedia. [51] The song was produced in a newer style that Modern used successfully for B.B. Eric Clapton is the debut full studio album by British rock musician Eric Clapton, released in August 1970 under Atco and Polydor Records. [19] The lyrics do not contain any references to Satan or a Faustian bargain, but they have been interpreted as a description of the singer's fear of losing his soul to the Devil (presumably in exchange for his talent). Bluesman Elmore James revived the song with recordings in 1954 and 1960–1961. Crossroads (TV Series 1964–1988) cast and crew credits, including actors, actresses, directors, writers and more. Johnson first recorded an adaptation of the boogie bass line for guitar in "Dust My Broom". Cream played "Crossroads" during their final concert at the Royal Albert Hall on November 26, 1968. [19] [20] After the completion of Wheels of Fire in mid-1968, the band members had grown tired of their exhausting touring schedule and increasingly loud jamming, and wanted to go their separate ways. Crossroads is a 1986 American coming-of-age musical drama film inspired by the legend of blues musician Robert Johnson. [87], In 1986, Robert Johnson's "Cross Road Blues" was inducted into the Blues Foundation Hall of Fame. Rolling Stone magazine ranked him number 2 on its list of Greatest Guitarists of All Time in 2003. Compilation double LP, released in 1972 by Polydor Records in the … [66][41] Clapton previously recorded "Ramblin' on My Mind" with Mayall and "From Four Until Late" with Cream using arrangements that followed Johnson's original songs more closely. [8] Others suggest that the song is about a deeper and more personal loneliness. Clapton biographer Schumacher notes "Given the passion of the solo performances on 'Crossroads,' it seems almost miraculous that Cream is able to return to the song itself. He [Johnson] was playing it full-chorded with the slide as well. [46] This allows for greater variation and nuance in the vocal. [37][c] Johnson uses this technique for "Terraplane Blues", which shares many common elements with "Cross Road Blues".[39][40]. Eric Clapton. [30] It is the first recording to show his mastery of his mentor Son House's style, particularly in his slide guitar work. His holding company is Marshbrook Limited. Eric Clapton's Crossroads Guitar Festival 2019 [Blu-ray] [2020] Eric Clapton. However, Barry Levenson, who produced Cream's 1997 box set Those Were the Days, asserts: It's not edited, and I've got an audience tape from the same show which verifies that ... That was a typical performance of the song. [39] Both titled "Standing at the Crossroads", they feature James' trademark "Dust My Broom" amplified slide-guitar figure and a backing ensemble. In 'Crossroads' there was a very definite riff. I wouldn't be at all surprised if we weren't lost at that point in the song, because that used to happen a lot.[86]. [23][24] Delta bluesman Tommy Johnson promoted himself as having made a deal with the Devil and Southern folklore identifies a crossroads or graveyard as the site of such a pact, which Wald identifies as likely sources of the myth. Eric Clapton-Wikipedia. [10] The material Johnson chose shows more variety than that for his first date and he reached back into his long-standing repertoire for songs to record. [39] Homesick derived his guitar style from Elmore, which music critic Bill Dahl describes as "aggressive, sometimes chaotic slide work". [49] This take was also included on the 1990 Complete Recordings (at 2:29, it is 10 seconds shorter than the original 2:39 single version). The live and video album Crossroads Guitar Festival 2019 is the fifth release in the series of Eric Clapton 's Crossroads Guitar Festivals to support his rehabilitation centre in Antigua, the Crossroads Centre, documenting the 2019 performances from two concerts held on September 20 and September 21, 2019 at the American Airlines Center in Dallas, Texas. [69] Schumacher calls Clapton's vocal on "Crossroads" his best and most assured with Cream. [49] Writing for the foundation, Jim O'Neal noted that "regardless of mythology and rock 'n' roll renditions, Johnson's record was indeed a powerful one, a song that would stand the test of time on its own". The Cream of Clapton Kompilationsalbum von Eric Clapton; Veröffent-lichung(en) 7. [57] Unlike Elmore, however, he uses most of the lyrics from Johnson's second take, which had been first issued in 1961. [66] By combining elements of hard rock and blues, he adds it inspired "a new generation of blues-influenced artists". Out of all of the songs it was the easiest for me to see as a rock and roll vehicle. Il Crossroads Guitar Festival è una manifestazione musicale, a fini benefici, organizzata dal chitarrista inglese Eric Clapton. The Crossroads Guitar Festival is a series of music festivals and benefit concerts founded by Eric Clapton. Eric Patrick Clapton. [14] Two similar takes of the song were recorded. Wikipedia. The event at Madison Square Garden in New York City ran a little over three hours. [77] Both the original album and single credit the songwriter as Robert Johnson or R. Johnson, although Clapton and Cream extensively reworked the song.[78][79]. The Cream of Clapton ist ein Greatest-Hits-Album des britischen Rockmusikers Eric Clapton. 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crossroads clapton wikipedia 2021


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News from Armenia
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Home | News From Armenia & Artsakh | PM Pashinyan, Bundestag Vice President discuss issues of bilateral interest
PM Pashinyan, Bundestag Vice President discuss issues of bilateral interest
Prime Minister of Armenia Nikol Pashinyan received the delegation led by the Vice President of the German Bundestag Thomas Oppermann.
As ARMENPRESS was informed from the Office of the Prime Minister of Armenia, the PM welcomed the visit of Thomas Oppermann to Armenia, noting that it's a very good opportunity to continue the dialogue of future development of Armenian-German relations, which has become quite intensive in the recent period. Nikol Pashinyan recalled that during the last one year he and German Chancellor Angela Merkel paid mutual visits, President of the National Assembly of Armenia paid a visit to Germany and the President of the Constitutional Court of Germany visited Armenia. The Head of the Executive highlighted bilateral cooperation in various spheres and emphasized particularly the cooperation in the sphere of the judicial system in this period. "Judicial reforms are of key importance for us. For finalizing the democratic changes in our country it is necessary to have a judicial system that will enjoy public trust", the PM said, adding that Armenia closely cooperates with the EU and the CoE in that direction. Nikol Pashinyan expressed conviction that with the support of the European partners the Government will succeed in those efforts.
According to the Vice President of the German Bundestag, the developments in Armenia are of major interest among the European community. "Particularly, the Germans have a great sympathy towards the changes in Armenia, and hope that Armenia will be successful. We want to see your country a progressive country and will do everything to assist Armenia. The Armenian Government is on the right path to judicial reforms, since it's impossible to make achievements without independent judicial system", Thomas Oppermann said.
Nikol Pashinyan added that after the German Bundestag adopted a resolution recognizing the Armenian Genocide in 2016 Germany has conquered a special place in the hearts of Armenians. According to PM Pashinyan, the resolution of the Bundestag is of major importance in terms of the international recognition of the Armenian Genocide.
During the meeting the sides also referred to Nagorno Karabakh conflict settlement process. Nikol Pashinyan and Thomas Oppermann highlighted the peaceful settlement of the conflict and respecting the ceasefire regime, assessing it inadmissible the recent escalation on the contact line. PM Pashinyan underlined the importance of implementing the agreement of the Vienna summit in 2016 on creating mechanisms investigating ceasefire regime violation cases.
The Vice President of the Bundestag expressed conviction that the atmosphere of mutual confidence will give a constructive nature to the negotiations and lead to de-escalation of situation.
PM Pashinyan assessed the full participation of all the sides in the negotiation process a key precondition for the settlement of the conflict.
PM Pashinyan's spokesperson comments on Venice Commission protocol
President Sarkissian, PM Pashinyan discuss development projects
Ombudsman releases details from recent visit to 2nd President Kocharyan
Armenian, foreign specialists consider current Armenian media field
Armenia's Civil Aviation Committee to come up with legislative proposal to
Construction of new power station launched in Yerevan
Death cases of soldiers in Armenia's Armed Forces and Artsakh Defense Army
Armenian PM and President attend late Ambassador Kirakosyan's funeral
Armenia, UAE plan cooperation in renewable energy sector
Armenia to discuss components affecting gas price with Gazprom CJSC
News from Armenia & Artsakh
Diaspora News
HYE GYANK
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SARDARAPAD


A residents only beach, Wequaquet Lake, is great for canoeing, kayaking and other boating activities. There is also a nice, quiet beach for relaxing.
Very clean and quiet. The water was always the perfect temperature. Lots of birds to see!


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Die Höhere technische Lehranstalt für Lebensmitteltechnologie – Getreidewirtschaft und Biotechnologie  steht in der Stadtgemeinde Wels in Oberösterreich. Die Privatschule des Landes ist in ihrer Art der Ausbildung die einzige in Österreich. Besonders ist auch, dass pro Jahrgang nur eine Klasse aufgenommen wird.

Geschichte
1921 wurde eine Müllereifachschule gegründet. 1966 folgte eine Meisterschule für Müllerei, 1975 eine Fachschule für Getreidewirtschaft, 1988 eine Fachschule für Lebensmitteltechnologie und Getreidewirtschaft, 1989 eine HTL für Lebensmitteltechnologie und Getreidewirtschaft, 1993 eine Meisterschule für Müller und Bäcker, 1994 eine Meisterschule für Müller, Bäcker und Konditoren, 2005 die neue Ausbildungsrichtung Biotechnologie.

Bis zum Jahrgang 2011/2012 gab es eine Unterteilung der Klassen in Lebensmittel- oder Biotechnologie. Seit 2012 wird nicht mehr in diese zwei Zweige aufgeteilt, somit erhalten alle Schüler dieselbe Ausbildung. Eine Besonderheit für eine HTL ist mit Sicherheit, dass das Geschlechterverhältnis exakt 50:50 beträgt. Außerdem gibt es pro Jahrgang nur eine Klasse mit rund 30 Schülern. Als einzige Schule ihrer Art bietet sie mehrere chemische Labors, ein teigrheologisches Labor sowie eine hauseigene Bäckerei und Mühle. In diesen Räumen werden die Schülerinnen besonders praxisorientiert unterrichtet.

Die Meisterschule wird ebenfalls vom Land Oberösterreich erhalten und hat Privatschulstatus mit Öffentlichkeitsrecht. Auch sie ist in Österreich die einzige derartige Ausbildungsstätte. Die Meisterschule wurde von der Wirtschaft gefordert, um Fachkräfte im Bereich Müllerei, Bäckerei und Konditorei für die neuen Anforderungen in den Branchen und in der EU auszubilden.

Ausbildungsabschlüsse
 Matura (Zugangsberechtigung zu Hochschulen und Universitäten)
 Berufsdiplom (Befähigungsnachweise in einzelnen Berufssparten)
 europaweite Anerkennung als postsekundäre Ausbildung

Leitung

 seit 2014 Gisela Wenger-Oehn

Schulgebäude
2010 erfolgte ein Umbau an der HTL. Der Umbau beinhaltete eine Vergrößerung der Schule und Errichtung neuer Klassen und Labors: Mikrobiologielabor, Technikum, nasschemisches Labor, Backlabor, Teigrheologielabor.

Weblinks
 Website der HTL

Wels
Htl Fur Lebensmitteltechnologie
Berufsbildende Schule (Lebensmittelwirtschaft)
Gegründet 1921

redpajama_set_name: RedPajamaWikipedia


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Q: iCloud capabilities in iOS application Planning to add iCloud support for our application. Tried to switch on iCloud from Capabilities. While doing it I get following result
The identifier which is not available is what my identifier. Tried to resolve issue by hitting Fix issue button but nothing happens.  If i try build the app I get following error

How to resolve this. Any idea would be greatly appreciated.

redpajama_set_name: RedPajamaStackExchange


Celebrate a July birthday with this beautiful Claddagh birthstone ring. Cast in sterling silver this lovely ring features a cherry red cubic zirconia stone in the centre to represent a ruby birthstone. The stone is nestled in the centre of the ring held on each side by the beautifully crafted hands.
If you know someone with a July birthday this Claddagh birthstone ring would make the perfect gift.


Ice – Injury - In forests, ice-injured trees add much needed carbon as cellulose for soil organisms. Hurricanes such as Hugo in the USA are much the same. Forest practices during the last several decades have removed so much cellulose that it is not difficult to believe soil organisms are starving. WARNING: There are no data to show that wound dressings prevent or stall decay. Wound Dressing and Heartrot are twins. When a tree is wounded, you should not treat only the wound but the entire tree. Trying to grow trees in sick soils is the same as telling a person you have beautiful teeth but your gums must go. See "Humic Acids & Humus." Click here for some pictures.
With trees of the cities, in cold climates, winter ice injury can cause serious injuries. The same three part program given for hurricane injury in cities should be done for ice-injured trees of the cities. Trees are often wounded by agents other than humans in cities. Many trees in south Florida were injured severely by hurricane Andrew several years ago. After storm injury, work must be done first to reduce the risk of fractures that could cause problems for property and people. Next, the trees should be pruned for health. This means cutting off torn roots and removing long, injured branches to avoid sprouting that could lead to fractures. Note: I.e., pruning woody roots with a sharp tool - flat like the end of a straw beyond the damaged area - they do not have branch collars. Click here for picture.
Prune the branches without injuring the branch collar or leaving stubs on the stem.
Remember! There are many benefits of CWD for a forest.


Saturn Sky I Hear Angels Sing Every Time I See This Car!
Exceptional Saturn Sky 2008 My Car!
GM Style Reaches An Evolutionary Dead End. Again.
Kiau0027s Chief In The U.K. Says The Automaker Will Have A New Sports Car By The End Of The Decade, Autocar Is Reporting. Hyundai Probably Wonu0027t.
The Saturn Is Not Only The 2nd Longest Running Monolith SUV After The M Series, Itu0027s Also The Only Car Based SUV Aside From The Meteor.
Two Years Later, Our Subject Car Came Along Andu2026well Itu0027s A Bit Bland Isnu0027t It?
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SUNNYVALE, Calif.--(BUSINESS WIRE)--Apr. 18, 2017-- While the fate of the U.S. Department of Labor's conflict of interest rule (also known as the fiduciary rule) grows increasingly uncertain and more complex with its recent delay until June 9th, a new survey from Financial Engines (NASDAQ:FNGN), America's largest independent investment advisor,1 shows that Americans overwhelmingly favor the intent of the rule. According to the survey, 93 percent of Americans think financial advisors who provide retirement advice should be legally required to put their clients' best interest first. However, more than half of respondents (53 percent) mistakenly believe that all financial advisors are already legally required to put the best interests of their clients first.