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This is a popular snack in the streets of Hong Kong! This recipe is delicious and shark-friendly. Make this delicious street food at home.
Heat wok, add in garlic powder and ginger powder pan grill slightly till aromatic then drizzle in the oil and Chinese wine.
Add in all shredded mushroom assortments and bamboo shoot shreds, stir mixes thoroughly and pours in hot water and rich chicken broth. Bring to a rapid boil add in the black fungus and a stalk of coriander. Cook over medium heat for about 5 minutes.
Add in diced scallop and prawn meat. Reduce heat, simmer for 5 minutes. Thicken the soup with water chestnut solution. Season to taste with pepper stock and black vinegar.
Garnish with Chinese parsley and serve hot.


text:
Israeli firm unveils armed robot to patrol volatile borders
Published:Tuesday | September 14, 2021 | 12:07 AM
Israel Aerospace Industries' semi-autonomous four-wheel-drive 'REX MKII' is seen at an IAI facility near the central Israeli city of Lod on September 9.
Israel Aerospace Industries' semi-autonomous four-wheel-drive 'REX MKII' is seen at an IAI facility near the central Israeli city of Lod on September 9.
An Israeli defence contractor on Monday unveiled a remote-controlled armed robot it says can patrol battle zones, track infiltrators and open fire. The unmanned vehicle is the latest addition to the world of drone technology, which is rapidly reshaping the modern battlefield.
Proponents say such semi-autonomous machines allow armies to protect their soldiers, while critics fear this marks another dangerous step towards robots making life-or-death decisions.
The four-wheel-drive robot presented on Monday was developed by the state-owned Israel Aerospace Industries' 'REX MKII'.
It is operated by an electronic tablet and can be equipped with two machine guns, cameras and sensors, said Rani Avni, deputy head of the company's autonomous systems division. The robot can gather intelligence for ground troops, carry injured soldiers and supplies in and out of battle, and strike nearby targets.
It is the most advanced of more than half a dozen unmanned vehicles developed by Aerospace Industries' subsidiary, ELTA Systems, over the past 15 years.
The Israeli military is currently using a smaller but similar vehicle called the Jaguar to patrol the border with the Gaza Strip and help enforce a blockade Israel imposed in 2007, after the tiny territory was seized by the Islamic militant group Hamas.
Gaza is home to two million Palestinians who have largely been locked in by the blockade, which is also supported to some extent by Egypt. The border area is the site of frequent protests and occasional attempts by Palestinian militants or desperate labourers to infiltrate into Israel.
The Israeli army did not respond when asked for details on how they use the Jaguar, one of many tools, including drones armed with guided missiles, that have given it vast technological superiority over Hamas.
Unmanned ground vehicles are being increasingly used by other armies, including those of the United States, Britain and Russia. Their tasks include logistical support, the removal of mines and firing weapons.
The tablet can control the vehicle manually. But many of its functions, including its movement and surveillance system, can also run autonomously.
"With every mission, the device collects more data which it then learns from for future missions," said Yonni Gedj, an operational expert in the company's robotics division.
Critics have raised concerns that robotic weapons could decide on their own, perhaps erroneously, to shoot targets. The company says such capabilities exist but are not being offered to customers.
"It is possible to make the weapon itself also autonomous, however, it is a decision of the user today," Avni said. "The maturity of the system or the user is not there yet."
Bonnie Docherty, a senior researcher from the arms division of Human Rights Watch, said such weapons are worrisome because they can't be trusted to distinguish between combatants and civilians, or make proper calls about the harm attacks may do to nearby civilians.
"Machines cannot understand the value of human life, which in essence undermines human dignity and violates human-rights laws," Docherty said. In a 2012 report, Docherty, a lecturer at Harvard Law School, called for fully automated weapons to be banned by international law.
The defence magazine Janes said the development of autonomous ground vehicles has lagged behind autonomous aircraft and boats because moving across land is far more complex than navigating water or air. Unlike the open ocean, vehicles have to deal with "holes in the road" and know exactly how much force to apply to overcome a physical obstacle, the report said.
The technology in self-driving vehicles also has raised concerns. Electric car manufacturer Tesla, among other companies, has been connected to a series of fatal accidents, including an incident in Arizona in 2018 when a woman was hit by a car driving on autopilot.
The Israeli drone vehicle is being showcased at this week's Defence and Security System International arms trade show in London.
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redpajama_set_name: RedPajamaCommonCrawl


Ex KPMG partners Julian Thomas and Andrew Williams had set up their own operation and needed their new identity to express the company's positioning as a collaborative consultancy sitting comfortably within the world of logic and problem solving.
A unique project tracing the emotional journey of refugees, provoking reflection and daring us to respond.
Having undergone a review of its brand, Lloyd's of London were fearful that the market would view their re-brand with a mixture of cynicism and disinterest.
Having recently introduced one brand across all sectors, KPMG needed to translate their brand into a visual expression.
As part of the plan for getting employees on board with the change from British Energy to EDF Energy, EDF commissioned us to conduct our Nimbus programme.
Rather than just preach to the converted, this church in Cornwall was determined to appeal to a new sector of the community.
After re-writing the original Rule Book created in 1740 to give to the new Freeman of the City of London, Canon David Parrott commissioned ASHA to redesign and promote the updated version of 'Rules for the Conduct of Life'.
After acquiring Misys and merging it with Turaz, Vista Venture Capital created the world's biggest specialist provider of global trade and risk management software for the banking sector.


According to Budde, the woman said that her grandfather was a mechanic and could possibly fix the Volkswagen bus. So, they drafted an agreement in which Budde would sign over temporary ownership of the van, which would be repaired and returned to his possession afterward. The troubled travelers spent the night with the woman's family and were given a ride to the local Greyhound station the following day. The troubles with their Texas trips weren't finished, however, and the backpack in which Budde had placed all of the Volkswagen paperwork went missing on their way to the Hill Country. Not being able to recall the woman's name, nor how to follow up on the Volkswagen, Budde was left bereft. "We'd talk about it over and over again. Her name was Andrea, we think. We couldn't remember her last name. I do remember her saying though that she was going to go to college in Victoria," he recently said.


How to Backup a Virtual Machine (VM) with AOMEI Backupper?
Nowadays many people use virtual machine (VM) to store data. Once reinstalling system, the VM data will lose if not backing up. Therefore, backing up a virtual machine is very necessary.
Why to Backup a Virtual Machine?
With the number of server virtualization's growth, backing up and protecting them has become more and more important question. If you have hundreds of virtual machines, once the system crashes, or other accidents happen, and you didn't backup virtual machine effectively and reasonably, then your losses will be incalculable. Therefore, VM backup is impending.
Resource management of data center is complex. To ensure that the virtual machine is always available, ensure rapid disaster recovery and reliable fault recovery capability, it needs many skills. IT administrators can't simply copy each virtual server, and they need to select virtual server backup products. How to backup a virtual machine? What are the choices and methods?
Virtual machine provides customers a complete operating system based on virtual hardware. It is similar to real computers; consequently, you can use the backup software in VM to backup a virtual machine. In each VM, you can install a backup agent program and back up data to other backup servers through network. Or you can copy the data manually or use the script to copy to another machine.
In VM, you can choose AOMEI Backupper Standard to backup files, folders, VM system, and partitions and disk; it also can create incremental and differential backups. It is the same as in a real computer. You can finish backup and restore very easily.
In fact, you can look VM as a file in a real computer which contains many .vmdk files. These .vmdk files can be backed up quickly. It is easier and doesn't run VM to back up data. The method is the same as backing up files. Once the VM system crashed, you can restore from the .vmdk file backup images.
In addition to the above ways, there is a very useful and fast way to backup VM. It is to create a snapshot. The snapshot can captures state, data and configuration of hardware of the running virtual machine. By using the snapshot, you can quickly, conveniently restore virtual machine to its previous state. The snapshot data files are stored as .Avhd files. If you create multiple snapshots, it will obtain much storage space.
In summary, backing up a virtual machine is very easy with AOMEI Backupper. No matter which method, it can help you to backup VM fast and effectively, and you can do according to your own needs. Virtual machine can be stored to an external device, USB, CD/DVD, NAS etc. It is the same as backing up a real computer. Download AOMEI Backupper Standard.


This is my fist trip of 2014. The wonder of Kilarney wildlife awaited. i was initially here on a fishing trip, but it was evident the full extent of the storms had wreaked havoc in this neck of the woods.
The river Laune has doubled its size and had inundated fields and fishing haunts at the fishery locations. The river is running very high with all the excess rainfall from the previous month.
One of the shocking effects is to see old and majestic trees felled by the surging storms that battered Kerry. There are many felled trees all over the park leaving an eerie feeling to some of the pictures I took. Have a look below and wonder at the awesome power of nature.


text:
Home NORTH EAST NEWS
Mizoram holds legislators' dialogue on climate change adaptation
NE NOW NEWS
AIZAWL , September 15, 2019 9:18 am
A legislators' dialogue on Climate Change Adaptation was organized at the Assembly Annex Conference Hall in Aizawl on Saturday.
Members of the State's Legislative Assembly as well as councillors from AMC and commissioners and secretaries from different departments took part in the discussion.
Chief minister Zoramthanga who was invited as chief guest spoke on the occasion.
He said economic development should not come at the cost of the environment.
"Development policies can actually go hand in hand with environmental protection and climate change adaptation," he added.
The dialogue was jointly organized by the government of Mizoram and the Integrated Mountain Initiative (IMI), alongwith the Swiss Agency for Development and Cooperation, Indian Himalayas Climate Adaptation Programme (IHCAP) and Mizoram Sustainable Development Foundation (MSDF).
It also brought to light that Mizoram is one of the most vulnerable State to global warming.
Records have shown erratic rainfall pattern and volume, instances of violent winds, a sharp decrease in forest cover area, increase in vector borne diseases which were previously not recorded, changes in flora and fauna pattern and so on.
Lalrinliana Sailo, Speaker of the House who hosted the dialogue spoke of the State Action Plan on Climate Change (SAPCC) made by the State in line with the National Action Plan on Climate Change (NAPCC) to adapt to climate change and how these are integrated with the state's flagship programme – SEDP.
Minister of Environment Forest & Climate Change T J Lalnuntluanga further discussed about the multi-pronged approach under the SAPCC which touches upon agriculture, sustainable Himalayan mission, green mission, sustainable habitat, health, solar mission and renewable energy sector, energy efficiency, water, and strategic knowledge mission to efficienctly adapt to climate change.
Fanty Jaswal IRS (Rtd), Secretary IMI, Divya Mohan, science officer, IHCAP also spoke on the occasion.
They emphasized on the need for coordination of policies for effective climate change adaptation.
Prof Lalnuntluanga, vice president, MSDF and member of the State Environment Impact Assessment Authority gave a presentation on the theme of the dialogue which was followed by a discussion.
PCCF Dr Ch Muralidhar Rao ended the programme with a vote of thanks.


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Dzhokhar Tsarnaev, who's suspected of perpetrating the Boston Marathon bombings, has been transferred to a federal detention center hospital, CNN reports.
"Dzhokhar Tsarnaev has been transported from the Beth Israel Deaconess Medical Center and is now confined at the Bureau of Prisons facility FMC Devens at Ft. Devens, Mass.," Drew Wade, a spokesman for the U.S. Marshalls, said.
The 19-year-old's older brother and alleged co-conspirator Tamerlan was killed in a shootout with police last week. Dzhokhar, who was captured last Friday after an extensive manhunt and suffered neck and leg wounds, was charged Monday with using a weapon of mass destruction at the April 15 bombings, which killed three people and injured more than 200.
After the Boston bombings, the brothers decided to plot a second attack on New York City, Dzhokhar told investigators, according to New York officials. While New York City Police Commissioner Ray Kelly said that there is no evidence of the city being a target of a terrorist attack stemming from the Boston tragedy, he did say that officials are investigating two visits Dzhokhar made to New York, one of which took place last fall.


LENEXA, Kan. -- The giant inflatable colon stolen from a Kansas City nonprofit last year will soon have a name.
Quest Diagnostics and the Colon Cancer Coalition are hosting a naming ceremony Friday, March 1 at noon.
Police said last year, thanks to a tip, officers found it in a vacant house near Virginia Avenue and Gregory Boulevard.
The nonprofit that owns it said police processed the colon for evidence and then returned it to the KU Cancer Center for storage.
News of the stolen colon, a walk-through model of the body's large intestine, spread quickly via social media. It was taken from a Brookside driveway and belonged to a nonprofit called the Cancer Coalition, which uses it for its "Get Your Rear in Gear" campaign.
The Cancer Coalition and cancer specialists at the University of Kansas Health System use the colossal colon to educate people about colon cancers, which take the lives of 50,000 Americans every year.
And it wasn't an easy item to steal. The colon is 10 feet long and weighs 150 pounds. It's also valued at $4,000.


text:
Four Ivan Allen Faculty and Staff Featured in Faces of Inclusive Excellence
Atlanta, GA | Posted: September 17, 2018
Rebecca Keane
rebecca.keane@iac.gatech.edu
Qi Wang, Mary Frank Fox, Leslie Ross, and Fariah Majmundar have been recognized by Institute Diversity.
Numerous faculty and staff from the Ivan Allen College of Liberal Arts have been recognized by the Georgia Institute of Technology's Institute Diversity as Faces of Inclusive Excellence.
Qi Wang
Mary Frank Fox, ADVANCE professor
Fariah Majmundar
(image/png)
Qi Wang, associate professor in the School of Literature, Media, and Communication; Mary Frank Fox, ADVANCE professor in the School of Public Policy; Leslie Ross, undergraduate academic advisor in the School of Public Policy; and Fariah Majmundar, administrative manager at the School of Modern Languages are all featured in the 2018 Faces of Inclusive Excellence publication.
Institute Diversity created Faces of Inclusive Excellence to recognize campus community members who have distinguished themselves in their research, teaching, and/or service by receiving special awards or recognition during the past academic year. The theme for this year's Faces of Inclusive Excellence is "Building Inclusive Communities: The Path Forward – Together," which explores both the progress made and the challenges that remain in the interrelated areas of academics, health and well-being, and student and community life.
The four Ivan Allen College faculty and staff were included for not only achieving excellence in their fields, but for helping to make Georgia Tech a more inclusive and welcoming campus. The Schools of Public Policy; Literature, Media, and Communication; and Modern Languages are units of the Ivan Allen College of Liberal Arts.
Ivan Allen College of Liberal Arts, School of Literature, Media, and Communication, School of Modern Languages
Policy, Social Sciences, and Liberal Arts
Leslie Ross, public policy, advisors, Fariah Majmundar, Mark Frank Fox, Qi Wang, diversity
Created By: pdemerritt3
Created On: Sep 17, 2018 - 3:12pm
Last Updated: Sep 24, 2018 - 3:15pm


Figure 4 outlines a simple flowchart for the CIP process. Critical elements of the overall process for producing uniform and reproducible parts include: part design, mold design, reproducibility of metal powder density in filled mold, mold support, and CIP pressure. Operations that can lead to process failure if not properly executed include mold closure, mold sealing, evacuation, sealing of mold evacuation port, depressurization rate, and handling.
For isostatic compaction, lower pressures are required than for die compaction due to the absence of die-wall friction effects. Nominal CIP pressure for a metal powder is also substantially independent of part size, again because of the isostatic nature of the process. Figure 5 shows density as a function of pressure for select cases of isostatically and die-compacted powders.
Dwell time is generally only a few minutes for the process. At room temperature (the usual process temperature), there is negligible time-dependent particle deformation for the materials listed above. Thus, density follows pressure very closely in time, and no further increase occurs at constant pressure.
Depressurization rate is a unique process parameter for CIP. Under full process pressure, the densified metal part stores elastic strain energy in the solid and the P • V (pressure • volume) energy due to compression of air and gases entering into the mold in the void space of the low-density metal powder. Rapid release of process pressure can result in cracked parts. Entrapped gas can be eliminated by evacuation and sealing of the filled mold, but this process option, which adds complexity to the process and mold design, is frequently bypassed. Because of the relatively low compressibility of water (most frequently used pressurization medium), a very small volume release at high pressure causes a large pressure drop in the CIP system. Therefore, controlled depressurization is achieved by use of a high-pressure flow-control valve in the overall system. A depressurization schedule that avoids part cracking should be determined experimentally.
Evaluation of green strength and density of a cold isostatically pressed part may be carried out for a given metal powder and process cycle in the development or qualification phase of a powder and/or part by molding rectangular bars and carrying out three-point bend tests according to the protocol of ASTM B 312 (1997). These same bars may be measured and weighed before the bend test to determine approximate green density. Because the mold is elastomeric and not a hard die as specified in the ASTM procedure, oversize parts can be produced and machined green to standard dimensions for the development and control tests. Uniformity of density and green strength for larger parts can be determined using cutups taken along various directions of interest.
Thermal processing of cold isostatically pressed parts usually starts with sintering. Sintering cycles may be designed to maximize density or produce a specified percentage of porosity. Sintering atmospheres are based on metal chemistry requirements and include vacuum, reducing, and chemically active atmospheres such as carburizing and nitriding. Full density of cold isostatically pressed and sintered P/M parts can be achieved by hot isostatic pressing following sintering if a closed-pore condition can be established. This is common for titanium alloy parts and metal compositions that can be liquid-phase sintered such as tungsten carbide/cobalt, iron-bonded TiC, and tungsten/copper. Low-pressure liquid-phase sintering can be used as a complete alternative to HIP for selected materials. More complicated thermal processing sequences can be invoked such as sinter plus HIP plus forge to produce a fully dense forging with desired grain flow structure. This sequence is material efficient and eliminates the requirement for multiple forging steps, dies, and reheats.


Signature Dark Energy Mark 1 Hi Hats 14"
PSTX Swiss Flanger Crash 14"
PSTX Swish Thin Crash 16"
"what more can I say about Paiste Cymbals! From the 2000's and 2002's on my first kit to the sound palette at my fingertips now there is not a musical situation I can't cover. This gear just makes me grin every time I play."
Ashley Higgins is a successful educator & performer. He began his career studying brass and woodwind instruments but quickly realized that his interest was in the 'driver's seat' of a band. The devotion to the art of drumming began. By the time he was 14 he was working professionally with many bands and artists throughout South East Qld.
He is a graduate of the Queensland University of Technology holding a Bachelor of Arts in Jazz & Popular music as well as a Graduate Diploma of Education. It was during this time that he was not only in demand as a drummer but also as an educator.
Ashley has been a Music Educator with Education QLD for over 16 years working at some of Brisbane's most acclaimed music schools directing concert bands, orchestras, big bands & percussion ensembles. He has conducted workshops and professional development sessions for teachers and students and is the lead teacher at the Just Percussion Music School in Brisbane.
Doug Parkinson, Melinda Schneider, Glory Days – The Boss Experience, Tom Sharah, SavVy, Elevation Live Band, The Oz Hornz, The Radio Club Band, The Baker Boys Band, All Brassed Up, Miss Mandy Swings, Rhonda Burchmore, Harvest Rain Theatre Company, The Brisbane Contemporary Jazz Orchestra, Queensland Pops Orchestra, Creative Generations – State Schools Onstage (Network 10) & The Lord Mayor's Christmas Carols (Network's 7, 9 & 10).


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Palestinians Desecrate Jewish Headstones With Slogans Praising Fogel Family Murderers
by Jim Hoft February 2, 2012
In April 2010 Palestinian terrorists stabbed five family members to death in the Israeli settlement of Itamar; three children, including a baby girl, were among the victims. The killers slashed the baby's throat. Later that day Palestinians handed out candy to celebrate the mass murder of an innocent family.
Only two children survived. The children later met with the leader of the Israeli Defense Forces.
This week Jewish worshippers discovered tombstones near the Palestinian town of Awarta with slogans praising the murderers of the Fogel Family.
YNet reported:
Slogans praising the murderers of the Fogel family were discovered by worshippers visiting the tombstones of Elazar, Itamar and the 70 elders near the Palestinian town of Awarta, the home of Hakim and Amjad Awad who carried out the brutal murders of the Fogel family.
Over 500 worshippers came to pray at the burial site, for the annual celebration. The visit was organized by the One Shechem organization and the Shomron Regional Council and was coordinated with and accompanied by IDF forces.
When the worshippers arrived at the burial site they discovered that the tombstone of Elazar son of Aharon the high priest had been desecrated and spray painted with abusive slogans in Arabic that praise Hakim Awad, the man who murdered five members of the Fogel family, including three month old baby Hadas Fogel. Awad was recently sentenced to five consecutive life sentences.
The worshippers and IDF forces covered the slogans with white paint. This is not the first time that the tombstones have been desecrated and worshippers noted that according to agreements, it is the Palestinian Authority's responsibility to safeguard the holy places.
Head of Shomron Regional Council Gershon Mesika thanked the Samaria brigade commander and IDF officers for protecting the worshippers but expressed his shock at the desecration.


I obsess over twigs. I lose sleep over clouds and shadows.
These images result from a humble attempt to depict the balance and perfection with which Nature was designed. While many artists tend to avoid balance and symmetry in their work, striving instead to illicit a feeling of tension from the viewer, I find the most significant and most revered works of art employ balanced composition. The cave paintings of Lascaux, the work of the Renaissance artists and the Impressionists, the grand landscapes of the the Hudson River School, and the bold and hypnotic works of the Abstract Expressionists all incorporate compositional balance. The same is true for a successful photograph. For an image to work, everything I see through the lens must fit together and make sense. Every element must exist in harmony with every other element. Every leaf, every ripple, every cloud, every mountain, and every patch of negative space plays an equally important role in guiding the viewer's eye and nothing should pull the eye from its journey through the image. It is my belief that this approach gives rise to a more effective and more engaging photograph, one that reflects the greater symmetry inherent in all things, from the lowliest atom to the Universe itself. Anyone looking for tension might consider watching the evening news or driving the Turnpike at rush hour; they will not find it here.
Just for fun, I've also included on this site photographs of New York City architecture, photos of Santa Fe, trees lit by traffic lights and a few rather bizarre images of LED lights reflected in the Delaware River at night. Perhaps more intriguing to some, these photographs result from a similar approach as my landscape photography-the pursuit of clean, balanced composition. The subjects are more convenient, more accessible, closer to home than Alaska or the canyons of Utah, and, because of their own inherent beauty, hard to resist. I hope all who visit this site enjoy them as much as I do.
Please note: The color images are real. Most of them were created without the heavy use of filters, special effects or digital enhancement.* They are essentially what I saw through the lens when I created them (Mother Nature doesn't need HDR to look beautiful!).
*Full disclosure: I used Fujichrome Velvia film for a number of years. Although more accurate at times then other available films, it often rendered oversaturated reds and greens. In order to stay true to the subject, I've had to reduce the saturation levels on some of those images when printing. I also employed a polarizing filter on some of my early photographs. I haven't used one for landscapes in over 10 years.
Internationally published and highly collected, Dwight Hiscano has been creating photographs of the American landscape for over thirty years. His prints are held in notable collections both in the U.S. and abroad, and have been presented to governors, members of congress, and community leaders in recognition for their service. His work has been featured in numerous group and solo exhibits including the Nature's Best exhibit at the Smithsonian, the National Geographic sponsored International Mountain Summit in Italy, the Capitol Rotunda, and an exhibit at the Ross Art Museum, alongside works by Winslow Homer, Thomas Hart Benton and John Marin.
Dwight's images have appeared in The New York Times, Outdoor Photographer, Nature's Best, Nature Conservancy Magazine and Photographic Magazine, and have been featured prominently in books, posters, calendars, websites, and annual reports in the US, Europe and Asia. He often leads photography workshops, lectures and gallery talks, and was the keynote speaker at the Garden Club of America's Annual Horticultural Conference.
He recently opened Dwight Hiscano Gallery in Morristown, NJ.
Information about Dwight's book, NJ, The Natural State, can be found here.


Kathryn Goldman is an attorney with Charm City Legal. She specializes in Intellectual Property especially for online content. Kathryn represents creative professionals, including writers, artists, photographers and other businesses with an online presence. She talks with us about how – and when – to protect your creative work.


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Meet our Members | Steven Pickering
Steven was born in Sydney but grew up in Coolum Beach – Sunshine Coast, QLD.
Prior to moving to Dubai, he spent 10 years in the consumer electronics industry, representing brands within the major Australian retailers – based out of Brisbane. For the last three years in Australia, Steven ran his own multi-brand sales and marketing agency. "Then I got the itch, as a lot of Australians do, to look abroad"…
Steven's friend from school had recently relocated to the UAE moving from Qantas to a role with Etihad, which put Dubai on the radar, but he admits, "I hadn't heard much about it prior". Steven arrived in Dubai in 2013 and kicked off in the Automotive Aftersales industry.
In 2016, he took the opportunity to setup our regional office - ARB Middle East FZE based in JAFZA. ARB was established in 1975 and is now an ASX200 company, specializing in the manufacturing of OEM and Aftermarket 4x4 Accessories. Today, ARB is the world's biggest brand in 4x4 by product portfolio.
Steven expained that "we are currently exporting to 100 countries, with regional offices in Thailand, USA and UAE". ARB has been exporting to the GCC region for over 25 years, which, Steven noted, had cemented the decision to establish a dedicated distribution base in the UAE.
"Being a part of ABCD has been great to keep connected with like-minded and missioned Aussie expats. It is also good to be invited to special social events and also take advantage of the learning opportunities provided by the seminars. I also recently used the Emirates Airline discount – cheers!"


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Welcome To Heavy Planet!
If you are looking for new Stoner Rock, Doom, Heavy Psych or Sludge Metal bands, then you have come to the right place. Heavy Planet has been providing free promotion to independent and unsigned bands since 2008. Find your next favorite band at Heavy Planet. Thanks for stopping by!
MASTODON Eyeing 'Crack The Skye' Movie
Gary Graff of Billboard.com reports: A film adaptation of MASTODON's latest album, "Crack the Skye", is well within the realm of possibility — albeit not in production yet.
Drummer and lyricist Brann Dailor tells Billboard.com that the heavy rocking Atlanta quartet sat down with a film director, who he declines to name, and "wrote out a screenplay that reads from song to song. We didn't storyboard it, but we wrote a screenplay." Three different directors, he adds, have expressed interest in taking on the project.
"That'd be killer if it actually happens," Dailor says. "That's something that's cool about making concept records, that opportunity for more to be done, artistically. If you just had an album with a bunch of songs that didn't have anything to do with each other and there was no common thread, that aspect of the art wouldn't be there. But with ('Crack the Skye'), we have that possibility."
Read the entire article from Billboard.com.
Labels: Crack The Skye, Mastodon, movie
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Life has been very interesting these first six months of 2015. Transition in America is happening at the speed of light in the spiritual and the natural realm. I have to devote one blog just for the month of April because of it's importance.
April – Wounded people will go wherever they are accepted. We all understand this on some level, but this point was driven home in me through a variety of examples in the Spring. We all were created with a God-shaped hole that only He can fill. Until we accept this, we will run to every other thing to find acceptance so we can feel as though we belong to something or someone. We will run to gangs, other religions with dead gods, witchcraft, etc. In April, I witnessed a large group of beautiful people heavily ensconced in new age practices because of the wounding that was done to them as children at home and in the church. These individuals haven't been healed because they don't understand that the only healer is Jesus. If where they came from represented Jesus poorly and the role models in their church or family were not great examples of love, they usually don't want anything to do with the One who can set them free. This is why it is so important for us to welcome people in whatever state of woundedness they are currently in and show them the Jesus who did not exclude those who needed healing.
A lot of these folks were hurt by religion. We must be pressing in to God to disentangle us from every Pharisaical/religious spirit that would keep up from showing the love of Christ. Then the true Messiah can shine through to those who once were wounded in the name of Jesus.
So where are these people and how do we reach them? They are in your own family, your workplace, fellow parents at school, social activities, etc. We need to be close enough to them to show the love and shine the light. These individuals need to see peace, love and profound change in our own lives. They will begin to recognize that only God can make positive, long lasting changes.
Where I really see the body of Christ getting tripped up right now is in their inability to show love and acceptance without stumbling over into compromise. We have gotten so busy trying to show the love without judgement that some of the body is presenting a compromised Christ who goes against His own word. We can't water down our Savior. He came to cleanse people of their sin, heal us up and teach us how to walk in purity. We have made this way more complicated than it has to be. We need to be willing to stand up and say what the Word says, yet encourage people that we are all struggling with things and Jesus has the way out for you and for me. We can't embrace the sin. That's not love, that's compromising Christ. I believe this will begin to separate the sheep from the goats (If you don't know what that means, read your bible more).
The wounded stay in their sin and aren't healed because the world accepts them and tells them it's not sin. Why would they even want to change? They have found others who embrace their pain and their sin. They haven't had the privilege of tasting the amazing freedom with healing and deliverance in Jesus.
I also witnessed a group of people who consider themselves spiritually dead, run after encounters with dead people. They desire the dark side of a spiritual relationship and finds mediums intriguing, not understanding that they are opening themselves up to the demonic realm including depression, oppression, and various illnesses. Even though some of them say they believe in nothing, they are still running after spiritual things. They don't understand that they were born spiritual beings and will drive themselves to fill that need even if it means darkness and demonic activity. They desperately need a supernatural encounter with the living God!
9 But you are a chosen generation, a royal priesthood, a holy nation, His own special people, that you may proclaim the praises of Him who called you out of darkness into His marvelous light.
This scripture tells us that we need to proclaim the praises of the one who called us into His marvelous light. I am praying that more Christians will be transparent about their own struggles and share with the wounded how God brought them out of their sins and into freedom with Him! Comment on what God has delivered you from, if you are willing to be bold today.


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Tag Archives: blogging
Image December 24, 2021 tribalmysticstories 8 Comments
bloggingJK.Leahy stories
November 3, 2021 tribalmysticstories	5 Comments
#Contemporary Art
Pic: Luke Stringer.
While I have been away from this blog I have been painting and creating other projects. I am sharing these short post and images especially for my blogger friends and followers. Thank you for your continued support. It is good to see some of you here already.
One of the the themes that has become part of my contemporary painting style and signature are the tribal Papua New Guinea (PNG) portraits. While these artwork take me a long time to paint and require research and specific layering to stay true to the authentic 'bilas' (traditional decoration and representation of the tribes), I really enjoy the process of painting these.
I have been through the cultural process myself while growing up in Wagang Village, Lae, Morobe Province. I grew up with feathers, magic leaves, bones, shells and all the beautiful natural materials you use to create special costumes. I made my own bilas and danced with my people for many years prior to moving to university to study away from home.
My love for intangible and tangible cultures of my people and the aesthetic beauty for each area in province in PNG continues through these contemporary creative exercises. I hope you like these and please share them if you want to. If you want such portrait done, comment here or email me on jkleahyart@gmail.com for sizes and prices. All work posted here are copyrighted.
Oro Beauty (Fiona Stringer). JKLeahy©
"Simbu Princess" Cleo Kambolz – J.K. Leahy©
Artart portraitsartist lifebeautiful headdressesbloggingcontemporary artsCool stuffindigenous culturesJK.Leahy storiesJKLeahyblogjoycelinleahybloggingPapua New GuineaPapua New Guinea artistpapua New Guinea tribal peoplePNG tribal artPortraitstribal portraitsTribalmysticstories
October 21, 2021 tribalmysticstories	6 Comments
J.K.Leahy memoir stories ©
"I have a song", I told my mother over the phone. The regular 30 minute costly international call between PNG and Australia started with muffled voices. And then, depending on who had used her phone, my mother came on when the phone was passed back to her. Sometimes Mother had to find a good spot to get the best reception. And sometimes her voice changed and I knew other ears were listening. Not all will be discussed, some things will come in the future conversation.
"Hello Ma. Are you there?"
Someone is talking in the background and she is telling them to be quiet. I smiled at myself as the picture of her room flashed in my head with the village dogs barking in the background.
Family discussions and on-going feuds took up the 30 minutes so quickly. As creators of art and music, my mother and I had agreed on many occasions that we would rather sing and 'stori' then exchange on family heartaches. Telling stories about happy occasions and things we enjoyed often took up between ten to five minutes of the entire call.
"What song?" my mother responded.
"A song for the church opening", I replied in Bukawac.
My mother is the village composer and musician. Not me. I am a dancer, creator of crafts and beautiful things and a fisherman.I cal also catch eels but not my mother. And Mother is not a dancer so Tinang, my grandmother and my aunts taught me. My mother did not teach me to compose nor play instruments, but we still sang together. If I wanted music – she played Skeeta Davies and Jim Reeves and Elvis. She also played her flute.
"Which opening – our village one?"
We sang every day in the evenings with my grandmother when she was alive. There was a ten-pact short biblical songs we sang at dusk. They were my favourite. If we sang at home in the village, all my aunts joined in. My mother returned to the phone after telling someone to close her door.
"Do you want to hear my song?" I said.
"Yamandu? (Really?)" she said.
"Yamandu!" I repeated. That means "true". I wanted so badly for her to focus and listen my song.
In Wagang Village, all families were asked to contribute to the new village church opening. This was last Christmas. Monetary contribution was at the forefront of this event. In the past when I was growing up, each family whether they were crafts people, hunters or fisherman would be invited to contribute what they had, made and grew. Not anymore. Money was first.
"I may not have enough to give to the church so I wanted to gift a song," I said. That sentence went to a silent respond. I wasn't sure if that was good or bad. I suspected it wasn't what she anticipated. Perhaps there was more to the silence that I wasn't aware of.
I let the silent pass. In the background I heard my sister scolding my nephew. I didn't want to ask my mother why my sister was doing that.
I had composed this song one afternoon at my studio. It just happened. And tonight was the first my mother heard of it. She probably expected me to just send some money. She waited for me to explain.
"I will sing it for you Ma," I said in Bukawac. "I had composed this song for the opening and you and your sisters can sing it on our behalf".
"Okay" she said.
The church project was instigated by the provincial government in Morobe Province, Papua New Guinea. The villagers had been waiting for a church for over three decades. The first church was built by the people themselves – each family contributed the materials showing their craftsmanship through handwoven walls, brackets of pulled and dried rattan, carved seats, and hand sewn sago palm leaves. It was a church none of us growing up with it would ever forget because of its aesthetic beauty and the fabric of a cohesive and supporting community sewn together. In time the church building deteriorated. The maintenance did not happen. The relationships in leadership, the respect between the elders and the younger generation became difficult to maintain and the cohesiveness slowly came apart. Termites slowly and quietly menaced their way into what was left of the handcrafted building. It was sad.
"Ma! Are you there?" I asked her.
"Mnem!" (Sing!) she said. I gathered my thoughts. I was only singing to my mother, but it suddenly felt like I was about to face a grand stand with thousands of people.
My mother is known in our family and the community for her music. She was the composer of original songs and songs she translated from different languages into ours – Bukawac and Yabem. Her music contributes to the Lutheran church for openings, 'sam katong', large church gatherings of multiple congregations, and many village events. She was a trained muscian. Germans during the colonial era taught her flute, guitar, harmonica and singing at Bula Girls School, not only did she get trained by Germans to nurse, but also to sing and play numerous instruments. The flute was and still is her favourite.
"It's called "Conversation with God," I gave her the title. "It's between God and I," I said.
"Mnem!," mnem ma au wangu", she said. "Sing! Sing it so I can hear it", she said and although she softly spoke, I detected the excitement in her voice.
"Ae ngoc geng masi, ae ngoc ming masi, ae gameng gebe yagung yawing aom." (I have nothing, no words, but I came to sit with you).
I sang the first verse and chorus and then stopped and there wasn't a single sound from the phone. I wrote the song in Yabem. This was the 'church language' like many church hymns – they were in Yabem. I learnt this language by listening to my mother, her parents and two brothers speak it to each other. My grandfather was a teacher and most of his teachings were in Yabem. My late Uncle Kwaslim mostly communicated in Yabem – it was his favourite language.
"Mama! Mama!" I called into the phone.
"I'm here", she said.
"Did you like the song?"
She was very quiet. Then she said, "It's beautiful! I don't know what else to say".
Three months later my mother tells me that she also composed a song for the opening and she sings it over the phone to me. It was very beautiful – but that is another story.
(If you like my stories, please share them). I thank you all for being here. If you're new to my blog – welcome! For all my friends who have been with me for a while, I appreciate you and I want to sincerely thank you for your patience. I have been away for a long while and working on other projects. I will share the news here soon.
#jkleahy memoirbloggingFamily storiesJKLeahy short storiesJKLeahy storiesJoycelin Leahy short storiesLae Morobe Provincelutheran churchmy motherPapua New GuineastorytellingTribalmysticstoriestrue storiesWagang Village Lae
blogging, Culture and Heritage, Indigenous, Living, Writing Stories
How conservation is embedded in the Kampalap culture of Siassi | By Brendon Zebedee
April 21, 2018 tribalmysticstories	Leave a comment
I love to read stories about our people (in Papua New Guinea) continuing to preserve their culture. I am especially proud because the Siassi is in my province and I have family there. Thank you Brendon Zebedee and Scott Waide for bringing us this cultural heritage story.
bloggingculture and heritageMelanesian culturePapua New Guinea culturePapua New Guinea HeritageSiassi culturesustaining culture
The Contrast That Makes Art – Cool Stuff
March 25, 2018 tribalmysticstories	2 Comments
Self portrait by Aliza Razell
This is artwork made my cool stuff post this week. Please refer to other cool stuff in earlier posts on tribalmystic.me blog. This week explores the creative combination of two mediums that I love – watercolour and photography. The contrast brings surprising and uniquely beautiful art.
Massachusetts-based artist Aliza Razell creates tickling self-portraits by exploring philosophical abstractions through merging watercolour and photography medium in Photoshop. See more on DeMilked blog.
Aliza Razell artistArt & PhotographyArt experimentsart watercolourartistartist lifebloggingCool stuff
Brain Pickings on Writing
March 1, 2016 tribalmysticstories	2 Comments
Maria Popova. Photograph by Elizabeth Lippman for The New York Times
Writing this post about Brain Pickings gave me an opportunity to reflect on my own writing and this blog. Apart from this post, I have two more to go before I reach 500 posts on Tribalmystic blog. Over a year ago I set out to write 1000 stories. I have told close to half of that in stories and pictures. In the beginning, I questioned my own crazy motive to do such thing. It was a goal I thought was unachievable as soon as I wrote that damn post. Then, the more I wrote, I realised that I could actually reach this goal. Some of what I write is just simply information-sharing. Not too much thought has been put into those writings and I'm grateful for the sources of the information. Others, I spent a little time on it between chores, work, family and my other interests. That is because I believe in those posts and I feel they are important in enriching my life and if they enrich others' lives too, that's even better. As for short stories, I enjoy it so much, it is like a game. If I had to write a fiction short story – the game is on. I guess it is a kind of icing on my cake – short, sharp and sweet in my writing world. Mondays Finish the Story by Barbara Beacham took that edge off me, but with her gone, I have to re-direct this passion into the next part of this blog.
I also enjoy visiting, reading and learning from your blogs. Learning about you, your culture, your life, pain, happiness and what we all call life experiences. Sometimes I go back through followers list to re-visit and see the transitions and transformations, just like opening a book in the library shelf and stepping into a new moment, completely leaving the present behind. Life is but a journey of transformations. I enjoy you sharing your transformations with me.
I could name many, but one of the blogs, I visit, Brain Pickings is for my pleasure of reading, my admiration for its writings and the digest's archives are a wealth of knowledge. I started this post by trying to think of the best way to show Maria Popova's piece on The Agony of the Artist, to Susan Sontag's comments about writing and many more. The post went from Popova's writings to my 500 posts …and in the end, I thought, the best way was to connect you to Brain Pickings itself other than to only discuss a few posts.
Susan Sontag – From Brain Pickings
Brain Pickings is one of my favourite online digests because I keep finding things I want to read which takes me into another article and that makes me want to find out about something else again and again. It is like a travelling foodie who never stops discovering a divine dish on a foodie tour. I guess it comes down to what each of us like and this content appeals to me. Blogger and creator of Brain Pickings, Maria Popova was interviewed about how she came up with her blog and why she chooses the subjects she does. This is probably something I would like to do in the future which is to interview some of my blogger friends. It is not an original idea, but it is wonderful to find out about people you talk to and share information regularly with. And Chris the Story-Reading Ape – I owe you.
I believe the real challenge in writing is knowing your reader. But, how do we get to know the reader? That is what I hope to know one day. I think Popova has covered this – knowing what is right for her readers and maintaining that interest with her content.
There are so many articles Popova has written that I wanted to share on Tribalmystic blog several times, but you can visit and read them yourself. This is a link to what she calls, seven important lessons Popova has learnt in seven years about reading, writing and living.
Here is briefly what Popova said about her writing and her blog:
"Brain Pickings is my one-woman labor of love — a subjective lens on what matters in the world and why. Mostly, it's a record of my own becoming as a person — intellectually, creatively, spiritually — and an inquiry into how to live and what it means to lead a good life."
You can listen to her interview on her About Page.
Founded in 2006 as a weekly email that went out to seven friends and eventually brought online, the site was included in the Library of Congress permanent web archive in 2012.
Click here and enjoy Brain Pickings
bloggingBrain Pickingsbrain pickings on writingimportance of writinglife and writingliving and writingMaria Popovatribalmystic blog milestonewriting about lifeWriting and lifewriting and livingwriting stories
Nature and Environment, Stories, writing, Writing Stories
The Song of the Turtle – Children's Story
August 8, 2015 tribalmysticstories	26 Comments
Winner of the Paga Hill Development Company Award for Writing for Children in The 2015 Crocodile Prize.
JK.Leahy© Illustration in Pen on paper. 2015.
The Song of the Turtle – ©JK.Leahy Children's Story
THE night was still and dark. Dogs did not bark. The wind blew gently.
Children and babies had stopped crying and laid their heads to rest. Even the night birds were silent around the coastal Morobe village.
Below the whistle of the gentle breeze, Kalem heard a song. It was soft, beautiful and so sad it almost made her cry. It sounded very familiar.
Lying still on her woven pandanus mat that grandma made for her, she searched through her memories – where has she heard this song? Her grandma had passed away last year. She missed her. After tossing and turning for what seemed like forever, Kalem knew she had to find out.
She picked up her mother's torch. Beside the torch was a piece of hard shell, a turtle shell she found on the beach. She kept it for good luck. Suddenly she remembered – the song! It was the song of the turtles. Their nesting time happens near Kalem's birthday, but they have not come to her village for a long time.
Tonight, something was wrong. Grandma said only the mother turtle sang the turtle song. No one in the village knew that song except her grandmother, mother and now her. Grandma sung and taught the song to Kalem while they were fishing. "Who is singing it now?" Kalem wondered.
Afraid but excited, Kalem headed to the beach. As she walked, she remembered Grandma's words: "Our people are connected to the ocean, we fish to survive but we must respect the lives in the ocean. We must never kill for nothing."
Not many people can connect to the animals and fish, but grandma said their family had a special gift because their ancestors came from the sea and are tied to the ways of the sea. Kalem walked quickly along the beach as she listened for the song.
"If you ever hear the song Kalem, you know, Mother Turtle needs you", her grandmother told her. When Kalem was born in the turtle season, grandma told her mother – "this girl would one day meet Mother Turtle".
Kalem followed the song out of her village and along the shores, further and further away from her house. Her heart beat faster when she arrived at the river where the villagers washed. Where the river met the sea, villagers set fishing nets along the shoreline. Kalem heard a loud splash. She slowly stepped forward, flashing the torch.
Tied to a large driftwood stump on the beach was a long, green fishing net. On the calm water surface, a big red buoy floated just offshore, and at the end of the net.
Something had been caught in the net. The thing splashed again. It rippled and frothed the seawater in a circle. It was large, dark and nearby the shore. It did not look like any fish or crocodile Kalem knew.
Photo Digital illustration image JKLeahy ©
When she flashed the torch at the dark shape, she was shocked to find a very large sea turtle tangled in the net. It was so large, Kalem was sure it must have been the mother of all turtles. Kalem flashed the torch on the water.
She could see smaller turtles floating about, their heads bobbing in the water. The turtles circled the net. They were all making strange noises like they were crying too. The mother turtle was bigger than Kalem's ten-year-old body, but Kalem had to try save to her.
Even with no strength left, the mother turtle kept singing her song. Weakly, her tired flippers hit the net and her voice faded to almost a whisper. Kalem's tears flowed down as she waded through the water quickly and tried to set the turtle free. After struggling with the net and the weight of the turtle, Kalem ran back to the village and woke her mother.
"Help, wake up!" Kalem cried. "It's Mother Turtle – we must help her".
Kalem's mother was confused. Often she thought her daughter was a daydreamer. After Kalem calmed herself and explained, she grabbed her mother's arm and led her back to the beach. They took a knife and cut the net to set the mother turtle free. The large turtle swam up to Kalem and her mother. She bumped them with her nose before she and the other turtles disappeared into the deep, dark waters.
Kalem remembered grandma telling her about the life of the mother turtle. Grandma said it took many years before the turtle was ready to make babies. Every two or three years, the mother turtle leads her group to her own nesting beach, where she was born. Sometimes she travelled long distances to get there. Usually she would lay over a hundred eggs, but only a few survived.
Other animals, people and large fish eat the eggs and baby turtles. Kalem's people loved eating turtle eggs and meat. Their village was once a nesting ground for turtles. Lately, less and less turtles have come to lay eggs. Standing silently in the dark with her mother, Kalem thought of how scared the turtles were tonight.
"They might never return…we must teach our people to protect the turtles", she whispered to her mother.
"I am so proud of you Kalem. The turtles will head to a safe place to lay their eggs. Maybe this was not the right place for them, but they will find a perfect home some day".
Her mother held Kalem close as they headed back to the village.
The Crocodile Prize 2015 Anthology is out on Amazon
bloggingchildren's storiesfiction short storyindigenous culturesJoycelin Leahy short storiesKalemKeith Jackson & Friends PNG AttitudeLaelifeMelanesian culturePaga Hill Development CompanyPapua New GuineaPNG children's storiesstory-tellingThe Crocodile PrizeThe Crocodile Prize winnersThe Song of the Turtle JKLeahyTribalmysticstories
Art, blogging, Life, Living, Stories, writing
PNG Literary Competition Achieves Record Entries.
The Papua New Guinea Literary Competition The Crocodile Prize received the highest number of entries ever, this year. On closing last night the Crocodile Prize fetched a total 826 entries from 132 writers & illustrators.
Poetry 355; Essay 196; Story 129; Children 52; Heritage 48; Illustration 21; Tourism Arts Culture 15; Book of the Year 10.
These numbers may not sound very much for writers in other countries, but for any Papua New Guinean writer, it is a very heart-warming news, especially coming from a literary culture that almost became extinct. In the early 70s, leading up to the country's independence, passion for art, culture and heritage including the literary pursuits and publishing of works written by PNG writers were at their peak. It is not quite clear why the interests have fallen so much after independence. That culture may have been used because we were proud of our identity and we wanted independence so much or perhaps the general growth of consumerism and the wider issues of social, economic and political changes have contributed to this new – lack of passion of culture. I remember growing up with radio stories written by PNG writers, attending and being part of stage plays – written by PNG writers. Poetry, stories, essays as well as other forms of literary work were promoted and supported by the national government.
The lack of passion in the arts and the literary support to me is quite surprising and sad; our culture is based on oral history and story-telling.
As a PNG writer, a practicing artist and an arts curator, it seems very clear to me, that the PNG government's priority is elsewhere and not the least in the arts. But to not even support the literary aspect and especially in developing educational content that is relevant to our children and educational for our people is wrong. We cannot just tell stories and pass them on – now we can write them down and keep for many years.
It is not how much minerals we export and logs we sell, but the natural beauty, our rich art, culture, languages and stories that set PNG apart, and gives us our unique identity. The literary scene dwindled to almost non-existent, although that could have been easily combined with and taught through the education system. There are not many avenues and support nor funding where PNG writers could train or share their work, and even to sell. Most workshops, training and activities relating to creative writing or any literary work have been Aid funded or Privately sponsored in the past four decades. Now this is how things have started to change for the PNG literary scene.
THE CROCODILE PRIZE STORY
The Crocodile Prize was established in 2010 by Phil Fitzpatrick and Keith Jackson, (both Australians) worked for many years in Papua New Guinea; Fitzpatrick as a patrol officer, Jackson as a broadcaster and journalist.
The Prize evolved from the popular PNG Attitude blog, which has a policy of encouraging and publishing Papua New Guinean contributors.
The concept of a national literary competition was triggered by Fitzpatrick's concern that creative writing in Papua New Guinea had fallen upon hard times, and that this was a cultural constraint needing to be addressed.
The first awards were presented in 2011, a year of determining whether or not a project of this kind could be managed successfully given geographical, financial and the constraints of a voluntary organisation.
Using PNG Attitude as a vehicle for publicity and initial publication, Fitzpatrick and Jackson soon discovered an enthusiastic and rapidly emerging body of Papua New Guinean writers.
They were assisted greatly in the early stages by material and financial support provided by the Australian High Commission in Port Moresby and later by a range of sponsors, most of them PNG-based.
This backing made it possible for a range of associated activities to be instituted in addition to the Prize, including an awards ceremony, the publication of an annual anthology and the initiation of writers' forums.
After the first awards in September 2011, it was agreed the Prize should become a permanent part of the literary landscape of PNG. Now under the management of the Crocodile Prize Organisation, COG, 2015 will mark its fifth year of operations.
PHIL FITZPATRICK on 2015 Competition
Thus ends another year of the Crocodile Prize literary contest.
IT'S not every day that you get to influence the revival of literature in a whole country, unintentionally or otherwise.
I must admit to some surprise that it has happened at all. What started as a humble writing competition seems to have bloomed beyond all expectations.
There is a sense of pride in what has happened but, strangely, it's not personal. Rather it is a sense of pride in the achievements of the writers involved.
At a personal level it has been more of a humbling experience. There is also a sense of awe and enrichment.
The enrichment comes from reading the works submitted to the competition and the sheer learning experience involved.
I think, despite nearly fifty years travelling back and forth to the country, I've really only learned to understand Papua New Guinea in the last few years of the Crocodile Prize.
There is also a tinge of anger involved, mostly through the fact that an uninterested government and lackadaisical education system could let such a promising and rich cultural emergence in the 1970s wilt on the vine and become moribund.
That aside, one of the ironies I really enjoy is the fact that the revival has only now been possible because of the advent of digital technologies that were supposed to see the demise and eventual extinction of books. Such are the shaky prognostications of the doomsayers.
The key factors in the Papua New Guinean revival have been the Internet and the availability of digital publishing and print-on-demand technologies.
These have underpinned the Crocodile Prize, firstly by providing a writers' outlet in the form of PNG Attitude and secondly in offering a cheap way to publish the best in an annual anthology and then to go even further in publishing stand-alone individual books by Papua New Guineans.
The future of literature in Papua New Guinea is starting to look rosy but we need to remind ourselves that it is still extremely fragile.
The disastrous complacency of the 2013 competition organisers reminds us of what could still happen.
2014-15 has been a watershed year and there's light at the end of the tunnel but sustainability is still a long way off and we aren't there yet by any stretch of the imagination.
The winners of this year's Crocodile Prize will be announced early September. The awards event will be held in Kundiawa on Saturday 19 September
Keith Jackson & Friends: PNG Attitude
artistartist lifeaspiring writersBlogbloggingcreative writingCrocodile Prizeindigenous culturesJoycelin Leahy Blogliterary awardsMelanesian culturePapua New GuineaPNG artistsPNG Literary AwardsPNG writersPoetryshort storiesstory-tellingThe Crocodile PrizeTribalmysticstorieswriting
blogging, Life, Living, Nature and Environment, Stories, wildlife, writing
Princess is a Mother Again
June 16, 2015 tribalmysticstories	6 Comments
Princess, facing the camera leads her daughters into our yard for breakfast.
Good news. Princess, our home-raised wild duck who lost all her family members, returned with eight ducklings. More on her story in tomorrow's post.
artist lifeAustralian wood ducksbaby ducksbirdsbloggingduckducklingsJoycelin Leahy Blogtribalmystic blogTribalmysticstorieswild ducklingsWomenwriting
blogging, JK. Leahy Short Stories, Life, Living, People, short stories, Stories, Women, writing
June 15, 2015 tribalmysticstories	37 Comments
Picture by Barbara W. Beacham
Mondays Finish the Story is a unique flash fiction challenge where Barbara Beacham provides a new photo and the first sentence of a story each week. The challenge is to finish the story using 100-150 words, not including the sentence provided. This challenge runs from Monday to Sunday.
Magda's Luck – Short Story © JKLeahy
At first, it looked like an ordinary marble, but it was far from it. Magda got to it, reached down awkwardly and picked it up. It was big and heavy.
Years of factory work damaged her back. Magda longed for an easy way to survive. The ball was larger than a cricket ball yet smaller than a soccer ball.
"Perrr-fect!" she smiled to herself and wiped off the red dirt.
This was a sign. She closed her eyes in prayer. She has seen it done in the markets with no truth in it and told Chek. Besides, who would know? Her husband Chek died last year.
With her gypsy olive skin, a pair of wild gooseberry eyes set against her greyish black hair, Magda was ready.
She pushed her Coles trolley to Brisbane's West End markets. Already she could predict her own future. Her years of struggle are about to end in a few hours when she starts her new career – predicting people's futures.
aspiring writersBlogbloggingcreative writingfictionfiction short storyflash fictionflash fiction challengeJoycelin Leahy short storiesMagda's Luck JKLeahy short storyMonday Finish the Story fictionPredicting futuresWomen


text:
Guests will dine on haggis and other Scottish specialties (including whiskey) at the Napa Shakes' Burns Night Supper, celebrating Scotland's poet, on Jan. 24.
A painting of Robert Burns (1759-1796) by Alexander Nasmyth from the Scottish National Portrait Gallery.
Submitted image
NapaShakes presents the second annual Burns Night Supper
STAR STAFF
Jan 7, 2020 Updated Jan 15, 2020
NapaShakes celebrates the birthday and poetry of Scotland's bard Robert Burns, and the music, food and culture of Scotland at its second annual Burns Night Supper on Friday, Jan. 24.
Robert Burns (Jan. 25, 1759 – July 21, 1796), also known as Rabbie Burns, the Bard of Ayrshire, and the Ploughman Poet, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland, is the best known of the poets who have written in the Scots language, and is considered a pioneer of the Romantic Movement.
Celebrations of his life and work achieved near cult-status during the 19th and 20th centuries, and his influence on Scottish literature has always been strong. As well as creating original compositions, Burns also collected folk songs from across Scotland, often revising or adapting them.
His poem (and song) "Auld Lang Syne" is the internationally recognized universal anthem of New Year's Eve celebrations, and "Scots Wha Hae" served for a long time as an unofficial national anthem of the country. Other poems and songs of Burns that remain well known across the world today include "A Red, Red Rose," "A Man's a Man for A' That," "To a Louse," "To a Mouse," "The Battle of Sherramuir," "Tam o' Shanter," and "Ae Fond Kiss." He died of heart disease at the age of 37.
The NapaShakes celebration event features pipers, poets, players, fiddlers, plus a performance by a lively Ceilidh band. The evening includes a Scottish feast in the candle-lit Gallery of St. Helena's Brasswood Napa Valley. It follows last year's sold-out inaugural supper, attended by locals and visitors from as far away as Texas, many of whom turned up in their tartan attire.
The festivities begin at 5:30 p.m. with a pre-supper reception with live music and drinks for purchase, in the Brasswood cafe. Then the bagpiper will lead a Parade of the Clans to the dining room for a three-course feast of duck (or vegetarian option) with a side dish of traditional haggis (meat or vegetarian), neeps and tatties, plus a glass of Brasswood's fine wine and a dram of Scotch whisky.
After dessert and toasts, the guests will proceed back to the cafe for a Post-Supper Celebration, rounding out the evening with lively music by the Ceilidh band. It will end, as always, with the traditional singing of "Auld Lang Syne," written by Burns in 1788.
Music will be provided by the Peter Daldry Ceilidh band, with Peter Daldry on vocals, guitar, mandolin and cittern, Michael Mullen on fiddle, and Russ Bennett on percussion (primarily bodhrán), plus bagpiper Jeff Campbell. The toasts will be handled by accomplished British Shakespearean actress Catherine Luedtke, and Scottish performers. The event is for age 21 and older, and attendees are welcome (but not required) to wear kilts and other traditional attire.
Each $130 ticket (per person) includes the Burns Night festivities as well as the pre and post supper events, the three-course dinner, a glass of wine, and a dram of single malt Scotch whisky. Additional wine and spirits are available for purchase. The evening is directed by James Forbes, chieftain of Scotland's popular Lonach Highland Gathering & Games (lonach.org) and creator of the Dramophone Whisky app (bearshead.com).
Brasswood Napa Valley is at 3111 Saint Helena Highway North, in St. Helena. Capacity is limited and tickets are expected to sell out again this year. More information and tickets are on the NapaShakes website at napashakes.org. Tickets also are available at Eventbrite.com.
Are you looking for things to do in the Napa Valley, especially in the Upvalley area? This community calendar can help.
Sharing the Spirit: St. Helena's Michael Caldarola mentors local kids
St. Helena City Council awards $190,000 in nonprofit grants
The White Barn kicks off 2020 with Dirty Cello
Brasswood Estate
Napashakes
Burns Night Supper
QUIZ: What type of Halloween candy are you?
Share your photos with the Napa Valley Register
CHARLES KRUG WINERY - Ad from 2020-01-16
Charles Krug Winery
2800 Main Street, ST. HELENA, CA 94574
CHRISTINA S - Ad from 2020-01-18
Christina S
370 First Street, Benicia, CA 94510
WINDERMERE PROPERTIES/M LESTI - Ad from 2020-01-18
Windermere Properties - Mark Lesti
409 St Andrews Drive, Napa, CA 94558
COMMUNITY FIRST CREDIT UNION - Ad from 2020-01-15
Community First Credit Union
2375 California Blvd., Ste. D, Napa, CA 94558
REDWOOD CREDIT UNION - Ad from 2020-01-19
Redwood Credit Union
3033 Cleveland Ave Ste 100, Santa Rosa, CA 95403


text:
require 'rails_helper'

RSpec.describe "sets_and_reps/edit", type: :view do
  before(:each) do
    @sets_and_rep = assign(:sets_and_rep, SetsAndRep.create!())
  end

  it "renders the edit sets_and_rep form" do
    render

    assert_select "form[action=?][method=?]", sets_and_rep_path(@sets_and_rep), "post" do
    end
  end
end

redpajama_set_name: RedPajamaGithub


text:
Public Coast Brewing Co. Introduces The People's Pale In Honor Of Oregon and in Celebration of the 50th Anniversary of the Oregon Beach Bill
Courtesy of Public Coast Brewing Co
Cannon Beach's newest brewery pays homage to
Oregon's 363 miles of free and open coastline
CANNON BEACH, Ore. (July 7, 2017) - Public Coast Brewing, named after Oregon's 363 miles of free and open coastline, introduces The People's Pale, brewed in celebration of Public Coast Brewing's first birthday and in homage to the Oregon Beach Bill, which celebrates the 50th anniversary of its signing on July 6. This American pale ale will be unveiled and celebrated on July 6 at Public Coast Brewing with live music, complimentary beer samples and more. The People's Pale is crafted with grain and hops grown in Oregon and malted in Baker City. It boasts a bounty of flavors, including citrus and bitters, making this a true pale ale for the people.
"Public Coast honors the welcoming spirit of the Oregon Coast," said Ryan Snyder, owner of Public Coast. "That is why we have created a new pale ale that is approachable and filled with the flavors of summer. The People's Pale is the beer for everyone from the novice to the aficionado and was brewed combining the natural and rich flavors of Oregon."
Malts: 2-Row, Pale and Pilsner, all malted with "Full Pint" barley - Gold Rush Malt, Baker's
City, OR
Hops: El Dorado, Horizon, Crystal, Cashmere and Columbus
Barley: Full Pint - Hay INC, North Powder, OR
● ABV: 5.7%
● IBU: 38.5
The People's Pale is currently available at Public Coast's brewery in Cannon Beach (264 E 3rd St, Cannon Beach, OR 97110), and will be distributed more broadly this summer and fall.
Public Coast features food and perfectly paired beverages to accompany a day filled with beachcombing, hiking, Haystack Rock gazing and kite flying. The Brewery uses only seasonal, local and fresh ingredients, including oregon grass-fed beef, fresh-catch fish and house-made brats with tangy sauces, not to mention, Jacobsen Salt Caramel Sundaes. Public Coast even brews a housemade root beer - Stephen's Root Beer - named for and brewed with the founder's 15 year old son. For a full list of beers on tap visit, http://publiccoastbrewing.com/beer/.
About Public Coast Brewing
Located just 70 miles west of Portland in Cannon Beach, Ore., Public Coast Brewing is named after the only true public coastlines in America - the Oregon coast. The brewery features a 10bbl brewhouse with one 20-barrel fermenter and two 10-barrel fermenters. Public Coast Brewing also offers fresh and delicious food from local farms and ranches for adults and children alike. Boasting a large pet-friendly patio, wrap-around bar, shuffle board and tall windows for peering into the brewery, Public Coast Brewing offers a relaxed and welcoming spot for the whole family. For more information please visit, http://publiccoastbrewing.com/.
Labels: Cannon Beach Oregon, Oregon Beach Bill, Public Coast Brewing Co, Ryan Snyder, The People's Pale


Who doesn't love a giveaway?? This one is being offered by the very talented Amanda over at Persistent Green. Who wouldn't want to win this gorgeous handmade marbled journal?!
Go on over there, look around, visit her awesome Estsy shop, and enter the giveaway. Hurry, because it ends on October 7!!
On an entirely different note, I just have to blog about the awesome hamburger that my teen son and I made last night for supper. He saw it on an episode of "Man vs Food" and I decided to try it out. Oh.My.Goodness!! DELICIOUS!!
The name of the burger is the Jucy Lucy Cheeseburger, and it was really fun to make. I've included the recipe, so you can make it at your house! (the pic above is from the original article/recipe on ehow.com.) We had already devoured the evidence by the time I came to the realization that I had not snapped a picture! ! DRATS!!
Using potato masher, mash bread, milk, garlic powder, salt and pepper in large bowl until smooth. Add beef and gently knead until well combined.
Portion into eight even units. Pat until they are a thin round patty that's slightly larger than the cheese slice.
Turn the 8 patties into 4 patties by sandwiching a slice of cheese between two individual patties and then pressing tightly around edges to seal. Crimp the edges tightly so that the cheese will not blow out of the hamburger.
Preheat a heavy-bottomed pan to medium heat or cook them on your outdoor grill. Note: The burger may puff up due to steam from melting cheese while cooking and this is normal.
Flip, and using toothpick, prick top of burger to allow for steam escape. Allow burger to cook 3 to 4 minutes on this side.
You MUST let the burger cool before eating. The cheese will be very hot and you will burn your mouth if you bite into it right away.
Trust me, these are amazing. One thing to remember, though, is to use the cheese that the recipe calls for. I used Brick Cheese (because that is all I had!) and after the burger cools for a bit, the cheese wants to get firm and chewy. I'm going to make these again, soon, and I'll use the deli American cheese. But, since son and hubby LOVE cheese, I'll probably use more than the recipe calls for.
What do you think?? Does it sound yummy to you??
Have a great Monday!! If it is sunny where you live, I hope you can get outside and enjoy it!
Thanks for the link and how cute is that journal!
And your son is so wonderful. I'm copying this one. Thank you for sharing.
WOW!!! That looks and sounds AMAZING!!! We're going to have to try that this week!
That Burger looks yummy. Can't wait to try your recipe.


-   * Construct the MergeManager. Must call start before it becomes usable.
-    // TODO maxRedBuffer should be a long.
-        + ", RuntimeTotalAvailable=" + this.initialMemoryAvailable + "Updated to: ShuffleMem="
-      throw new RuntimeException("Invlaid configuration: "
-          + "maxSingleShuffleLimit should be less than mergeThreshold"
-   * Exposing this to get an initial memory ask without instantiating the object.
-      // TODO maxRedBuffer should be a long.
-    // This should likely run a Combiner.
-      // set to the number of in memory segments.
-      // TODO Is this doing any combination ?
-      //be absent on the disk currently. So we don't overwrite a prev.
-      // TODO Maybe track serialized vs deserialized bytes.
-      // adequate memory to keep all segments in memory.
-        // Nothing actually materialized to disk - controlled by setting sort-factor to #segments.
-        // what will be written to disk.
-      // 1. Prepare the list of files to be merged.
-        // add to list of final disk outputs.
-    // This is doing nothing but creating an iterator over the segments.
-    // TODO TEZ Get rid of Map / Reduce references.
-    LOG.info("Shuffle assigned with " + numInputs + " inputs" + ", codec: "
-   * Indicates whether the Shuffle and Merge processing is complete.
-   * @return false if not complete, true if complete or if an error occurred.
-  // ZZZ Deal with these methods.
-    // complete once merge is complete.
-   * Waits for the Shuffle and Merge to complete, and returns an iterator over the input.
-   * @return an iterator over the fetched input.
-      // Interrupt so that the scheduler / merger sees this interrupt.
-              LOG.warn("Ignoring exception while shutting down fetcher since a previous one was seen and will be thrown "
-      // throw only the first exception while attempting to shutdown.
-      // ZZZ Handle failures during shutdown.
-   * The longest possible length of task attempt id that we will accept.
-                "Source partition: " + partitionId + " did not generate any data. SrcAttempt: ["
+          LOG.debug("Source partition: " + srcIndex + " did not generate any data. SrcAttempt: ["


text:
Q: Cocos2d-X how to change Android minSDKVersion I have created my cocos2d-X application using the create android script. I now want to lower the min sdk version in the Android Manifest, but that gives me an error t
Android NDK: WARNING: APP_PLATFORM android-14 is larger than android:minSdkVersion 8 in ./AndroidManifest.xml

How do i fix this ? Will i have to create a new project with lower SDK Version ?
Kind Regards,
Muhammad Mateen

A: You can change in Cocos2d-x in Application.mk file
Like this

APP_PLATFORM := android-9

redpajama_set_name: RedPajamaStackExchange