text:
Blake of Scotland Yard è un film del 1937, diretto da Robert F. Hill. Si tratta di un lungometraggio tratto dal serial cinematografico omonimo.

Trama
Sir James Blake, ex membro di Scotland Yard, presenta ad ospiti internazionali il nuovo marchingegno inventato dalla nipote Hope Mason e dal fidanzato Jerry Sheehan. Si tratta di un "raggio della morte", che, piuttosto curiosamente, viene presentato come in grado di garantire la pace mondiale, e sir Blake intende donarlo alla Società delle Nazioni.

Ma gli uomini della banda dello "Scorpione" si introducono nottetempo nel maniero di Blake con la connivenza del maggiordomo, e si impadroniscono dell'invenzione. Sir Blake, insieme a Hope e Jerry, coaudiuvati dall dottor Marshall e dall'ispettore di Scotland Yard, iniziano le investigazioni per recuperare l'oggetto ed impedire che venga venduto a chi ne avrebbe fatto un uso improprio, se di uso improprio del raggio della morte è consentito parlare.

Le ricerche si snodano fra i docks di Londra e i bassifondi di Parigi, ed involvono falsi mendicanti, osti sospetti ed energumeni vari. Lo stesso "Scorpione", che i membri della banda non hanno mai visto in volto, usa aggirarsi, con la sua andatura claudicante, intabarrato, e coprendosi la faccia peraltro mascherata con una grande chela al posto della mano.

Quando si arriverà a catturare l'intera banda e a smascherare lo "Scorpione" la sua identità farà scalpore.

Produzione

Note

Collegamenti esterni


text:
Q: Bit-for-bit Clone of Flash Drive? What is the best utility for completely cloning a flash drive using either Win7 or Lion?  My intent here is to include complete partition table and boot records... so bit for bit, regardless of permissions (on the flash drive) or encryption.
Prefer open source and/or freeware...
Thanks!

A: The best (in my opinion) open source cloning software is Clonezilla.
http://clonezilla.org/
However, if you get the coin to do so, the best disk cloning software out there is Acronis TrueImage.

A: Use something like dd_rescue to clone the drive, it is perfect for what you are looking to do because it truly makes a bit for bit copy and not just an image. Just hook up the drive and the one you want to clone to, then boot into a Linux Live CD (Knoppix is great) and clone the drive with dd_rescue.
Just make sure to be VERY careful when using this tool, if not used properly it can destroy your data.

redpajama_set_name: RedPajamaStackExchange


text:
Ignaz Brüll, né le  à Prossnitz (margraviat de Moravie) et décédé le  à Vienne, est un compositeur et pianiste autrichien.

Biographie
Il est le fils aîné d'une famille prospère juive de marchands de la Moravie. En 1850, ses parents s'installent à Vienne et envisagent de le destiner à prendre en charge les affaires de son père, mais il révèle des dons pour la musique. Aussi, il étudie le piano avec Julius Epstein et la composition avec Johann Rufinatscha et Felix Otto Dessoff.

En 1864, il écrit son premier opéra, Die Bettler von Samarkand, et le soumet au Théâtre de la Cour de Stuttgart, capitale du Wurtemberg. À la fin de 1866, il supervise la production en personne. Ses plans n'ont pas abouti, et la partition a disparu dans les archives. Néanmoins, il remporte des succès importants avec sa première Sérénade pour orchestre et on apprécie sa virtuosité au piano.

Dans les quinze prochaines années, il donne de nombreux concerts qui le conduisent, non seulement vers des centres musicaux, tels que Prague, Breslau, Berlin, Munich, Francfort, Dresde et Leipzig, mais aussi vers des régions plus reculées de la monarchie des  Habsbourg. Entre les  tournées, il présente régulièrement des concerts à Vienne. En 1871, il se voit offrir un poste de professeur de piano au Conservatoire Stern de Berlin, qu'il refuse pour éviter la séparation de sa famille. Il enseigne à partir de 1872 dans les écoles Horak Piano, un des plus grands établissements musicaux privés de Vienne et en devient, en 1881, le directeur artistique. Dans les années 1890, il refuse un emploi au Conservatoire de Vienne.

Le succès sensationnel de son deuxième opéra, Das goldene Kreuz, créé le  à Berlin, le propulse hors de l'obscurité aux premiers rangs des compositeurs contemporains. Il renforce sa carrière de pianiste. L'éditeur londonien Chappell & Co. l'engage au début de 1878 pour deux concerts en Angleterre. Dans le même temps, l'impresario Carl Rosa prépare une production de Das goldene Kreuz qui a sa première représentation à Londres, à l'Adelphi Theatre, le .  Cette même année, il fait ses débuts dans un Concert populaire du lundi qui a un tel succès qu'il est suivi par plus de vingt autres présentations à Londres, Liverpool et Manchester. Il se rend, à nouveau, en Angleterre en 1881 et, entre le  et le , il donne huit brillants concerts.

Les deux tournées de concerts en Angleterre marque sa carrière comme virtuose. Dans les années suivantes, il réduit considérablement le nombre de ses apparitions publiques afin de  se concentrer davantage sur la composition. Après son mariage en 1882 avec Marie Schosberg, la fille d'un banquier viennois, sa maison est devenue un point incontournable dans la ville. Il s'entoure d'un grand cercle d'amis : Johannes Brahms, Karl Goldmark, Julius Epstein, Robert Fuchs, Anton Door, Ludwig Rottenberg, Richard von Perger, Eusebius Mandyczevski, Eduard Hanslick, Gustav Mahler, Theodor Billroth et  Joseph Breuer.

Il passe les mois d'été avec sa famille en Haute-Autriche, d'abord à Bad Ischl et, en 1890, il construit sa propre maison le Berghof à Unterach am Attersee qui devient un endroit attachant pour les musiciens, artistes et personnalités du monde littéraire.

Ses dernières œuvres Der Husac et le ballet  Märchen aus der Champagne sont représentées à Vienne en 1896. Il se lie d'amitié avec Brahms qui attache beaucoup de prix à ses conseils et écrit de nombreux lieder, duos, chœurs et une importante série d'œuvres instrumentales, dont une symphonie. Le style de ses opéras peut être rattaché à François-Adrien Boieldieu et à Daniel-François-Esprit Auber. Il ouvre la voix au nouveau Singspiel autrichien.

Il meurt subitement à Vienne et son public le considère comme un musicien sérieux, intègre et sincère.

Ses principales œuvres

Opéras
 Die Bettler von Samarkand '1864),
 Das goldene Kreuz (Berlin, ) : l'opéra qui a remporté le plus de succès,
 Der Landfriede (Vienne, ),
 Bianca (Dresde, ),
 Königin Marietta (Munich, 1883),
 Gloria (Hambourg, 1886),
 Das steinerne Herz (Vienne, 1888),
 Gringoire (Munich, ),
 Schach dem Könige (Munich, 1893),
 Der Husar (Vienne, 1898) : immense succès,
 Rübezahl (inachevé).

 Ballet
 Ein Märchen aus der Champagne (1896),

 Musique pour orchestre
 Im Walde, ouverture,
 Trois sérénades et une suite de danse,
 Deux concertos pour piano,
 Concerto pour violon Pièces pour piano,
 des lieder,
 Symphonie opus 31 en mi mineur.

 Discographie sélective
Sa symphonie opus 31, la Sérénade n° 1 opus 29, l'ouverture Macbeth et le concerto pour violon en la mineur opus 41 sont enregistrés. Cameo Classics enregistre en 2010 des compositions pour piano et la Sonate pour piano opus 73 n° 3.

En 1999, sous étiquette Hyperion, Martin Roscoe, accompagné du BBC Scottish Symphony Orchestra, dirigé par Martyn Brabbins, a enregistré les concertos pour piano, op. 10 et op. 24, ainsi que l'Andante and Allegro, op. 88, pour piano et orchestre.

 Bibliographie
 Die Moderne Oper VII de E. Hanslick,
 Ignaz Brüll und sein Freuderkreis de H. Schwarz (1922),
 de nombreuses références dans les biographies de Brahms.

 Sources

 Dictionnaire de la musique'' de Marc Honegger (Bordas, )   ,
 .

Liens externes

 Site consacré à Ignaz Brüll
 Jewish Encyclopedia
 ses compositions

Compositeur autrichien de la période classique
Compositeur autrichien de la période romantique
Compositeur autrichien d'opéra
Compositeur autrichien de symphonie
Pianiste classique autrichien
Naissance en novembre 1846
Naissance à Prossnitz
Naissance dans le margraviat de Moravie
Décès en septembre 1907
Décès à Vienne (Autriche)
Décès en Autriche-Hongrie
Décès à 60 ans

redpajama_set_name: RedPajamaWikipedia


Improve this exciting action and war game by means of the patch Medal of Honor Allied Assault Patch.
Medal of Honor is a video game created by Steven Spielberg, set in the Second World War in which you will feel the protagonist of the fight between German Nazis and fascist Italians.
Only if you have the Spanish version of the game, you will be able to enjoy the advantages of this patch. Medal of Honor Allied Assault Patch solves technical problems such as failures in the connection or the automatic update of the list of servers. It also solves the lag problem, which will allow the team to install the bomb without the need for all its members to die.
Wounded enemies, vehicles and the weapons of the time, dead soldiers, destroyed sceneries and all the graphics of this game are now much more real in Medal of Honor Allied Assault Patch.


Oliver is correct in his analysis that acute medical specialties are unattractive to trainees (Acute Perspective, 14 July). It's ironic that the health service needs more doctors to train as generalist to cope with an ageing population with complex needs but is struggling to recruit and retain doctors in those specialities. Whilst I agree with the main proposals to remedy the situation, I feel that significant contributing factors are not being addressed by the profession.
The RCP Document: The Medical Registrar, Empowering the unsung heroes of patient care (2013) clearly identifies the huge workload of the medical registrar. It also highlights the main reasons why recruitment into medical specialties is becoming increasing more difficult. The fact is, CMT trainees do not want to be medical registrars. The reasons for this include not feeling valued and respected, lack of leadership in general medicine and anxiety about becoming a medical registrar as the training is insufficient to prepare them for the role. These factors will have to be addressed at all levels within medicine if things are to change.


Nikon today announced the Nikon J1, one of two models in the new Nikon 1 series of interchangeable lens digital cameras. This Nikon 1 system was built from the ground up to represent a new category of camera that challenges conventional thinking, emphasizing a pocketable form factor with unbelievable speed, combined with the high image quality. An amazingly fast new hybrid Autofocus (AF) with Smart Photo Selector will automatically capture the best possible image without a second thought. Furthermore, just a touch of the shutter button instantly captures a high quality image while simultaneously recording Full HD 1080p movies, and the exciting new Motion Snapshot mode captures fleeting moments like never before with a combination of moving and still images. Nikon also created the entirely new 1 NIKKOR lens system that seamlessly integrates powerful precision optics into a camera platform to capture more of the world around the user.
The heart of the new J1 camera is the new Nikon developed CX-format, 10.1 megapixel High-Speed AF CMOS sensor. The newly developed CMOS sensor has been engineered for amazing image quality in a variety of lighting conditions, with a native ISO range of 100-3200 (6400 Hi-1) for maximum versatility. Images captured with this new sensor exhibit striking colors, vivid hues and rich detail so lifelike, it's the next best thing to being there as memories unfold.
Nikon's exclusive new EXPEED 3 image processing engine drives the system and is the catalyst behind the camera's rapid response, fast AF and high-speed performance. In addition, the new dual core EXPEED 3 processor works to maximize battery efficiency while yielding images and movies with low noise and vibrant tones. The Nikon J1 is engineered for maximum ease of use, featuring a clean button layout and intuitive graphical interface. Distractions and menus are minimized; creating a clear path to the camera's advanced functions, further unleashing creative potential.
The new advanced hybrid AF system is the world's fastest autofocus, allowing consumers to capture more of their world than ever before. The Nikon J1 features new focal plane phase detection AF that reacts instantly to deliver incredibly fast, split-second response. Wherever action is happening in the frame, the 73-point AF system will get the shot. This newly developed hybrid system continuously evaluates the scene at hand for optimal results, and can switch between phase detection and contrast detect AF to best suit the scene. Whether shooting in low-light conditions like a late night block party, or a fast moving pick-up game, photographers can capture details with confidence.
Users can also shoot at a fast 10 frames per second (fps), with full adaptive AF for frame after frame of images with incredible sharpness and detail. Additionally, the scene can be captured at full resolution up to a staggering 60 fps (AF locked), which is the world's fastest continuous shooting speed.
By selecting the Motion Snapshot icon from the Mode Dial at the back of the camera, consumers can capture fleeting moments with staggering depth and emotion like never before. The result unites a frozen still image with a slow-motion movement set to a built-in audio soundtrack to create a portrayal of an occurrence with maximum impact. With Motion Snapshot, users are now able to relive memories in stunning detail, as real movement and depth are included in the image. Motion Snapshot provides a way to once again experience someone's hair flowing in the breeze or relaxing scenes like waves crashing or rustling leaves that evoke an emotional response.
Consumers are also able to create masterpieces of moving images from multiple files using the included Short Movie Creator software. This easy-to-use, intuitive software works in conjunction with Nikon's View NX2 to make managing photos and movies fun and easy. With these programs, users are empowered to organize, share and edit photos, Motion Snapshots and HD movies. Users are also able to connect and share Motion Snapshot files using Nikon's my Picturetown, an online resource at www.mypicturetown.com.
Control highlights include a Mode Dial, with the four main common functions readily available, in addition to a Command Dial with common camera settings. The new "F" (feature) button is a new design element to Nikon cameras, which automatically brings up relevant menus and options based on what mode the camera is set.
The Nikon 1 system is further complemented by fashionable, premium accessories tailored to perfectly fit a user's lifestyle. These accessories include a custom fit body case set available in a variety of colors, as well as fashionable, color coordinated leather neck and hand straps.
Nikon's new Smart Photo Selector mode uses the camera's pre-cache to start shooting and storing images. All of these images are analyzed within the camera, and the best photo is selected based on a number of factors including exposure, focus and advanced facial recognition. While the camera suggests the best image, five frames are recorded, providing the user a choice of their favorite photo. What's more, the J1 also includes favorite core Nikon technologies, such as Active D-lighting, Auto Scene Selector and Picture Controls.
The new CX-format CMOS sensor produces Full HD movies at 1080p (30 fps). Users can also shoot at a rapid 60 fps (1080i), or elevate the production with additional 30/60/400 and 1200 fps modes for super slow motion effects. The J1 is made to be flexible, and can capture both HD movies and high resolution images simultaneously. Simply press the shutter while recording to freeze the action with a high quality image file with sharp focus.
Additionally, the Nikon J1 applies noise reduction to movie files, giving the user amazingly sharp, crisp movies with deep black levels. This feature makes this the ideal camera for shooting movies when light is less than ideal, such as indoors or at night. A full HD movie can record a full 29 minutes, while the senses are further treated to sound sampled in full stereo for lifelike reproduction.
The new Nikon 1 system lenses include the color-matched 1 NIKKOR VR 10-30mm f/3.5-5.6 lens (27-81mm 35mm equivalent) for optimal focal range in a small lens. For those needing maximum versatility, a 1 NIKKOR VR 30-110mm f/3.8-5.6 lens (81-297mm equivalent) is available, or users can explore their creative side with a color matched 1 NIKKOR 10mm f/2.8 pancake lens (27mm equivalent). For the movie enthusiast, a new 1 NIKKOR VR 10-100mm f/4.5-5.6 (27-270mm equivalent) power zoom lens will be available. This new lens is Nikon's first powered zoom, and provides smooth and silent changes in focal length while recording movies. Additionally, the FT-1 F-mount adaptor for legacy NIKKOR lenses will be available in the future, so that photographers can utilize their collection of quality NIKKOR lenses.
The Nikon J1 with 10-30mm lens kit will be available October 20, 2011 in the U.S. for $649.95 in white, pink, red, silver and black.


MotherNurture was established to fill a 'gap' in service for new mothers throughout South Australia.
Within the Private Health care system there is limited access to consistent midwifery advice especially in the postnatal period.
Donna Mansell, the director and founder of MotherNurture, started this business in 2007 to help new mums in this joyous and often confusing time. Over the last few years the developments in access to Medicare has allowed the expansion of this business and has enabled more women an opportunity to access affordable, high quality, midwifery services from a consistent carer. It has also allowed midwives the autonomy of a more focused case load of clients, especially postnatally.
The midwives at MotherNurture are very focused on what your individual aims and goals are. The team offer unbiased 'logical' advice focusing on normal maternal and newborn changes. MotherNurture midwives have many years of knowledge and experience in the whole pregnancy and postnatal fields, both professionally and personally. MotherNurture will also leave you with resources to help build your confidence and knowledge throughout your parenting years.
MotherNurture structures each package and specifies the information and education for each new mother.
MotherNurture provides guidance and education throughout pregnancy and the weeks after birth. Your dedicated midwife will work closely with you and your family providing the highest level of care and support as you embark on an amazing new journey and new life.
Antenatal care consists of private appointments as agreed with your referring Doctor (Obstetrician or GP). Blood tests and Ultrasounds can be ordered by your Midwife. We are also qualified to prescribe medication that may be required in pregnancy or the weeks after birth.
At each appointment you will have the opportunity to ask questions about your pregnancy. Our key objective is to help you feel secure and at ease about all the changes and development going on within you. We also provide a longer appointment where more detailed information can be discussed including formulating a birth or breastfeeding plan if required.
The team at MotherNurture work closely with some of South Australia's most elite obstetricians. Continuity and high standard of care are of utmost importance and working with industry leaders enables us to do so with confidence. It takes a village to raise a child and it takes a community to prepare for one. MotherNurture understands the importance of partnering with the right professionals to best equip you as you prepare for your new baby.
In some instances, postnatal care begins in the hospital after the arrival of your child. MotherNurture works in conjunction with the North Eastern Community Hospital where we have visiting rights. This means we are granted access to mother and child to begin providing postnatal care immediately. We are in the process of establishing similar partnerships with other hospitals across the state.
After your baby arrives, we see you once a week until your baby is six weeks old. This depends on your individual needs it can be more frequent or less if required. Visits are tailored around your own particular circumstances. Most visits in the first week are conducted in the comfort and privacy of your own home. After this time we will discuss with you whether visits will continue in your home or in one of our clinics conveniently located around metropolitan Adelaide.
MotherNurture midwives are also available between 8am and 8pm via telephone. This is to assist you and your family to settle in with your new child. Strong support and relationships provide a wonderful platform for mother and child to bond and to make the new transition less overwhelming. The physical, emotional and hormonal changes can, at times, be daunting but with the guidance and reassurance of qualified midwives, the early weeks after your baby arrives are smoother and more enjoyable.
All care is provided in collaboration with your GP, obstetrician or paediatrician. At the end of our service, MotherNurture will issue a detailed discharge letter to the referee to continue a seamless service.


text:
Nine Muses powers through 'seven year jinx' with new album
By Chang Dong-woo
SEOUL, June 19 (Yonhap) — What is the shelf life of a K-pop band? No one can say for certain, but unless they've reached true global stardom like Girls' Generation, BTS or EXO many observers refer to the "seven year jinx" as a career benchmark.
The seven year jinx is a term that has emerged from the trend of moderately successful groups deciding to break up for various reasons in their seventh year. It has happened to groups like Sistar, BEAST, 2NE1, KARA and 4minute.
Nine Muses, a girl group that has built a reputation on its members' striking model-esque figures and beauty, said Monday they are still hungry for name recognition and success, knowing that they are past that dreaded seven-year threshold.
Members of K-pop girl group Nine Muses pose for the camera at a media event for its new album on June 19, 2017, at the Yes24 Live Hall in northwestern Seoul. (Yonhap)
"Even though we're in our eighth year, I think we are working with a modest attitude, because I know that we are in a position that demands us to be diligent," Nine Muses member Kyungri told reporters at a media event for the team's new album at Yes24 Live Hall in northwestern Seoul.
Hyemi agreed, "Come to think of it, I think now is the moment for Nine Muses to make a fresh leap. Starting today I want to show that Nine Muses isn't dead."
The team, downsized into a four-member act, presented songs in its first new album in two years, titled "Muses Diary Part 2: Identity," which contains six new songs, including the title track "Remember."
But unlike many bubbly and bright summer songs by idol groups, Nine Muses' new title track "Remember" is a slow-paced ballad-dance hybrid track that feels humid, sticky and sizzling hot.
"We've brought out a hot, burning song, unlike the refreshing tracks released by other teams today," Kyungri said.
"Since we're more experienced and mature compared to other idols, we wanted to express love in a more serious light."
As its name suggests, Nine Muses debuted in 2010 with nine members. But the team saw its numbers fall throughout the years. Hyemi said she was also faced with the choice of whether to leave as her contract expired earlier this year. She decided to continue on her Nine Muses journey.
"I was concerned a lot when my contract termination crept up on me. I also went through a slump but after talking through things, here I am," Hyemi said.
With more than half of the team's members gone since its debut, Sojin said the remaining members bear "heavy responsibilities" to perform on stage as well as to the team's future success.
"With eight or nine members, the team had an aura of filling up the stage while performing. When dancing nowadays on stage, we try not to miss or lose even a single dance move," said Sojin.
Kyungri of girl group Nine Muses poses for the camera at a media event for the team's new album on June 19, 2017, at the Yes24 Live Hall in northwestern Seoul. (Yonhap)
Wanna One, Girl's Day confirmed for inaugural Australia KCON
Bobby's 'Love and Fall' tops 22 iTunes album charts
'The War' expected to be EXO's fourth million seller
Pioneer K-pop duo Clon drops 20th anniversary album
S. Korea's largest film studio opens doors to support 'hallyu'
S. Korean female climber reaches top of tallest building

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Dealing with pressure is something every athlete must be able to do. Today we speak with Derek Bylsma, Executive Director of Millennium Counseling Center in Chicago, Illinois. In this episode, we discuss dealing with pressure as an athlete.
Derek specializes in recovery-related work, mental health disorders, and issues unique to athletic performance. He is enthusiastic about leading the sports division at his group as it marries two of his life-long passions; helping others and athletics.
With Derek's athletic background and knowledge around mental health in sports, we are excited to share Derek's thoughts with you.
Derek's success in the counseling world and his involvement in the mental side of athletics have us excited to feature him on the SportsEpreneur Podcast.


text:
Q: What's the best practice for URL path casing and spacing? I want to know what is considered a good practise for casing and spacing in URL paths.
Casing:

*

*Lower-case

*Camel case

*Pascal case

Spacing:

*

*None

*Hyphen

*Underscore

../data/upload_data
../data/upload-data
../data/uploadData
../Data/UploadData

What do you think? Which is better?

A: Three common URL designs:

*

*The most common design is: everything in lowercase and - as separator. This is the default in many CMS (including the most popular CMS, WordPress), and for example also used by Stack Overflow: the last path segment of your question's URL is
/whats-the-best-practice-for-url-path-casing-and-spacing

*Wikipedia (and, by default, all MediaWiki sites) use correct case and _ as separator. For example, the page about Stack Overflow has this last path segment:
/Stack_Overflow

(which is different from /Stack_overflow)

*Many (early) wikis use CamelCase and no separator. For example, the page about Stack Overflow in the first wiki (using WikiWikiWeb) has this last segment in the query component:
StackOverflow

Pro separator: It's easier to see what the string means; and you can avoid misunderstandings (think of teacherstalking: teachers talking, teacher stalking). While CamelCase could help here, it doesn't work so well for longer strings, e.g., whats-the-best-practice-for-url-path-casing-and-spacing is easier to grasp than WhatsTheBestPracticeForUrlPathCasingAndSpacing.
Pro correct case: If your site has pages about different things written the same except for different case (e.g., "Stack Overflow" for the site/company, "Stack overflow" for the programming concept; or "Love" for the noun, "love" for the verb), this is a simple way to disambiguate.
Pro CamelCase: Words written that way can automatically be linked to their corresponding pages; authors don't have to use hyperlink markup.
Unless your site is a wiki with many authors that don't know markup so well (in which case CamelCase might be helpful), or something like an encyclopedia that defines things that are typically described by one or only a few words (in which case correct case might be helpful), I would go with the most popular way: use lowercase and the hyphen (-) as separator. This is what people are used to see.
Google recommends this, too:

Consider using punctuation in your URLs. The URL http://www.example.com/green-dress.html is much more useful to us than http://www.example.com/greendress.html.

We recommend that you use hyphens (-) instead of underscores (_) in your URLs.


Due to high demand, please allow 4-6 weeks for me to create your lovely custom Tuxedo Cat Urn.
I'm now offering a popular customization option (previously by request only) to have your own pet depicted as the sleeping kitty on top of the lid. Your pet's unique coat pattern and likeness will be depicted in numerous shades of my custom-tinted porcelain. When creating these custom kitties, I try to present a recognizable likeness of the cat and their markings using my proprietary coloration method. It won't be an exact replica, rather my artistic interpretation.✦ NEW ✦ This option now includes coordinating accent dots and stripes (previously an additional $25 charge).
✦ADD YOUR PET'S NAME✦ You can also have this urn personalized with the name of your companion, handpainted by me on the front of the urn. Choose your favorite of 5 unique fonts, each created by independent designers. This option has an additional cost of $50 for a name in black, or $70 for a name in a color of your choosing.


The sixth word of verse (68:48) is divided into 2 morphological segments. A preposition and noun. The prefixed preposition ka is usually translated as "like" or "as". The noun is in the genitive case (مجرور). The noun's triliteral root is ṣād ḥā bā (ص ح ب). Together the segments form a preposition phrase known as jār wa majrūr (جار ومجرور).
Sahih International: Then be patient for the decision of your Lord, [O Muhammad], and be not like the companion of the fish when he called out while he was distressed.


The Cayman Islands now bans smoking in public places, including bars, restaurants and stores.
Local Update:The Divi Aruba Phoenix Beach Resort added 140 suites last year for a total of 241 guest units. The new accommodations range from one-bedroom studios to three-bedroom penthouses, all with full kitchens and Jacuzzi tubs.
The Aruba Marriott Resort & Stellaris Casino put the finishing touches on a propertywide, US$50 million renovation with the reopening of its redesigned pool last September.
Meeting Hotels: Properties in Oranjestad include the 556-room Renaissance Aruba Resort & Casino.
North of Oranjestad, resorts in Palm Beach include the 481-room Westin Aruba Resort; 411-room Aruba Marriott Resort & Stellaris Casino; 360-room Hyatt Regency Aruba Resort & Casino; and 354-room Radisson Aruba Resort, Casino & Spa.


text:
Home / Honda News and Reviews
By Keith Griffin G+ Nov 5 2011 - 5:06pm
AT&T on Aggressive $565 Million Alternative Fuel Vehicle Fleet Plan
AT&T is on an aggressive pace to make 20 percent of its fleet alternative fuel vehicles by 2018. It deployed its 4000th AFV in its nationwide fleet – putting it less than halfway to its goal with six years to go.
The alternative fuel vehicles are part of AT&T's planned 10-year initiative to invest up to $565 million to replace approximately 15,000 fleet vehicles with alternative fuel models through 2018. AT&T's fleet nationwide currently numbers more than 71,500 vehicles.
Alternative fleet vehicles currently on the market include compressed natural gas (CNG), which is gaining favor among taxi companies, as well as hybrid-electric and all-electric vehicles. Typically, the alternative fuel vehicles have higher retail prices for consumers but can be purchased less expensively in fleet quantities.
Even still, AT&T has estimated it will still spend $37,666 per vehicle to make the replacements. That's in keeping with the current cost of a Chevrolet Volt, for example, but slightly below the $40,000 MSRP of the new Ford Focus Electric that went on pre-order this week for consumers. (Again, fleet prices will always be lower.)
AT&T's aggressive move to alternative fuel vehicles is in keeping with President Barack Obama's mandate that all new light duty vehicles leased or purchased by the U.S. government must be alternatively fueled by the end of 2015, as reported by the Environment News Service. Last year, the federal General Services Administration doubled the federal hybrid fleet without increasing the total number of vehicles. The resulting improvement in fleet fuel efficiency will reduce petroleum consumption by the equivalent of an estimated 7.7 million gallons of gasoline, or 385,000 barrels of oil, according to ENS.
The milestone vehicle deployed in Chicago uses compressed natural gas technology (CNG), and is one of 165 AFVs deployed by AT&T in Illinois. AT&T began deploying fleet AFVs in 2008 as part of an overall commitment to minimize its environmental impact while operating more efficiently. AT&T also operates a mix of other AFVs in its fleet in the state and nationwide, including all-electric and hybrid-electric vehicles. In Illinois AT&T operates 84 hybrid-electric vehicles and 81 CNGs.
Honda is currently the only major manufacturer selling CNG vehicle. Its Honda Civic CNG has been on sale since Oct. 1 at dealerships. It has an EPA rating of 27-mpg city and 38-mpg highway with a starting price of $26,155. The cost of a gallon of CNG is estimated to be about two-thirds the cost of a traditional gallon of gas.
There's one caveat in the increased used of CNG. It's not going to entirely reduce our dependence on foreign sources of fuel. The Energy Information Administration (EIA) predicts that, by 2025, more than 15 percent of our natural gas supplies will be imported from countries other than Canada and Mexico.
"At AT&T we recognize that environmental resources are precious. Every day we continue to seek new opportunities to operate more efficiently and to minimize our company's impact on the environment," said Paul La Schiazza, President, AT&T Illinois, in a press release. "That's why it is exciting that our company's 4,000th alternative fuel vehicle was deployed here in Chicago and Illinois, and we pledge to continue transitioning more of our corporate fleet to alternative fuel vehicles in the years ahead. It's the right thing to do for the environment today and tomorrow."
Through 2013, AT&T anticipates it will purchase approximately 8,000 CNG vehicles at an anticipated cost of $350 million. AT&T expects it will have invested an additional $215 million through 2018 to replace approximately 7,100 fleet passenger cars with alternative-fuel models.
According to a 2009 Center for Automotive Research report, AT&T's planned alternative fuel vehicle initiative would, on a nationwide basis:
* Save 49 million gallons of gasoline over the 10-year deployment period.
* Reduce carbon emissions by 211,000 metric tons– the greenhouse gas equivalent of removing 38,600 passenger vehicles from the road for one year.
As of 2006, according to the U.S. census bureau, there were about 244 registered vehicles in the United States with about 134 million being passenger cars. That would make AT&T's alternative fuel vehicle strategy statistically insignificant but it's a start.
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Floral designer Kaylyn Hewitt of 1956blooms. Photo by Stephen DeVries.
"Poppies have been popping up all over my studio this season," Kaylyn says. "I've been working with them more and more, and I'm constantly amazed at how vibrant and colorful they are." Flower photographs by Kaylyn Hewitt.
In particular, Kaylyn loves Iceland poppies for their range of colors and long vase life. "They do wonderfully in arrangements, and each bunch could have four different colors in it, so they give a greater variety of colors without buying a ton of flowers," she explains.
Kaylyn has shared with us some favorite poppy-infused floral designs. The bright oranges, yellows, and reds make it easy to see why she finds the flowers so appealing.
The Iceland poppy's variety of colors, along with a long vase life, makes it a more functional cut flower than the opium poppy.
If the flowers aren't opening up as quickly as you'd like, simply peel off the outer shell and put it in water. They open right up!
Burning the ends of the stems will help your poppies stay intact longer.
Make sure your water stays clean!
For the full story on Kaylyn, and how her mom and dad inspired her creative endeavors, be sure to check out our May/June issue.


ICTC and its member organizations receive funding from several generous donors and organizations who share a vision to eliminate trachoma as a public health problem by 2020. Significant donors have included: Conrad N Hilton Foundation, Lions Clubs International Foundation, Pfizer, The Queen Elizabath Diamond Jubilee Trust, the UK Department for International Development and USAID.
In April 2014, ICTC began implementing The Queen Elizabeth Diamond Jubilee Trust funded Trachoma Initiative, a £39.8m program supporting trachoma elimination efforts in Commonwealth countries in Africa and the Pacific.
Contact Michaela Kelly for more information about the Trachoma Initiative in Africa or Chris Ostendorf about work in the Pacific.
In June 2014, The Department for International Development announced a £39 million investment to help support the elimination of trachoma as a public health problem in countries where the disease is highly endemic, including Ethiopia, Tanzania and Zambia.
Contact Colin Beckwith for more information.


Rights sold: Sweden (Forum), The Netherlands (Kosmos), Poland (Andromeda), Estonia (Eesti Raamat).
Time to embrace your inner cat!
With more than 120,000 copies sold in France (and more than 25 translations around the world), How to Live Like Your Cat is a publishing phenomenon.
Laurie Hawkes, a well-known clinical psychologist, fell in love with the book and decided to help you put the cats' secrets to well-being into practice.
Thanks to these simple and efficient exercises, you'll finally begin to feel better on a daily basis.
Ready to adopt the cat-titude?!


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Tag: louie the rune soldier
Film Friday- Louie the Rune Soldier
February 23, 2018 Lynn Rainey Comments 0 Comment
The Rune Soldier anime consists of 24 episodes. The episodes are either a stand-alone adventure, or a story arc consisting of multiple episodes. In general the plot of each episode or story arc revolves around the group looking for, finding, and participating in an adventure. Probably due to interpretation or stylistic differences most episodes have a verbal spoken and written name that does not match exactly.
The anime had an NTSC release of September 13, 2005 by Section 23. There were 6 discs total.
As there is not much else written about the series I am going to summarize the first few episodes.
Episode 1 "The Hero Descends"
The episode introduces the main characters, beginning with Melissa, Genie, and Merrill. While investigating a ruin they indicate their need for a magician to join them to open a magically sealed door. Three days later they have traveled to the town of Ohfun. Merrill and Genie individually meet Louie with mixed results. Merrill believes him to be a pervert because he was being chased by a group of angry women and that he falls, while thanking her, and pulls her shorts down. Genie meets Louie while she is being confronted by a group of their rival adventurers. They claim she has insulted them by running into one of them and not apologizing. Louie appears, impossibly wedged in a slight opening between the town wall and a building. He precedes to attack the three men using his fists. Genie sees Louie as a reckless thrill seeker.
Later, Melissia, Merrill, and Genie have met up at a tavern. Merrill reveals she has learned of a pub that magicians frequent. The next night, they meet up at the pub, and approach Ila. She in turn introduces them to Louie. All three refuse Louie in joining them. Ila and Louie inform them that Louie is likely the only magician willing to join them. As Louie tries to convince them of his worth, he irritates Genie and she confronts him. He refuses to back down and pulls out a magical device, that he drops and damages the pub. Luckily he was the only person left in the pub as everyone else fled. Later still the three girls meet at apparently a new tavern, they are drinking and angrily discuss Louie's incompetence. Melissia then reveals she will be undergoing her "Sacred Ritual of Revealing," the next day. This is a Mylee rite that reveals a Champion to whom the priestess must serve. She envisions a dashing knight, and gets lost in her daydream of their adventures together.
The next day opens on Melissia giving a sermon on Champions and heroes. She then speaks with Anna, Ganet, and Joan, three younger priestesses who believe she will be shown her champion. She calmly advises them that it may not be successful, and then when alone giggles and sings about getting her champion. The next scene shows Louie being released from jail and we find his adoptive father Master Carwes, arranged for his early release. He goes to the magician's guild and tries to attend classes but cannot get the idea of adventuring out of his mind. He and Iila talk in his dorm room, about his apparent lack of talent and dedication to his studies. As they speak about the three adventurers, they both conclude that the adventurers are looking for a magician to complete their group. Louie leaps to the conclusion that they want his help, but cannot ask him directly. He tells Ila the only member of the group he knows how to find is Melissia since she is a Mylee priestess. Genie and Merrill meet up at Genie's home outside Ohfun and their conversation turns to Louie. They decide to go see Melissia to see how her "Ritual of Revealing" has gone. Melissia is shown entering a sacred room of the Mylee temple with Chief Priestess Jenny officiating the rite. Melissia now alone and nude enters a pool of waist high water facing a statue of Mylee. To her delight, the deity speaks to her stating the next person she sees will be her champion. During the rite Louie arrives at the temple and is driven off by the three young priestesses. He then meets Genie and Merrill and after Genie pulls her sword on him, he runs away with Merrill and Genie in pursuit. As he navigates the temple he is constantly confronted by and attacked by a small army of young priestesses. He finally evades them and climbs to the top of the temple. Genie and Merrill are already there and begin to attack him. Louie pulls out his magic wand and begins to cast a spell, which backfires and destroys part of the temple roof. He falls through and lands in front of Melissia. Melissia screams, realizing Louie is her destined champion.
Episode 2 "The First Experience"
The girls confront Louie in Genie's home and Melissia reveals her revelation that Louie is her champion, much to her despair. Even Louie doubts the validity of this revelation. He then uses it to convince the girls to take him on their adventure. Melissia indicates she is forced to go with him if it his wish. In preparing for the adventure Louie receives a charm for his magic wand, from his adoptive father Master Carwes, and sword training from Genie. Upon leaving for the adventure Louie receives what will become a recurring task of carrying the party's equipment and provisions. Upon reaching the ruins Louie is left to move rubble from the entrance, only Genie helps out with moving the final, and largest stone. Louie then attempts to open the sealed door with his magic, but is forced to read some cheat note to complete it. Upon entering and exploring the underground ruins, the group come to a dead end room and begin to search for secret doors, Louie, by luck alone, effortlessly finds a hidden door, and envisions finding a mountain of treasure that will earn him the affections of all three girls. Instead he finds a small group of monsters called goblins. He tries to flee and rejoin the girls who were on the other side of the room. When he is struck on the back of the head he loses control of himself and begins to brawl with the goblins. While he successfully defeats them, the girls have a running dialogue of their despair at Louie not accepting his role as their magician, instead of their fighter. Louis breaks his magic wand by using it like a club. In the end they find no treasure, but Louie comments on his happiness to have been on the adventure. This provokes Merrill to punch him.
Episode 3 "The Big Scuffle"
The group returns to Ohfun. The girls are still angry from not finding any treasure and use Louie's needing a wand to use magic to abandon him until he can find a replacement wand. The girls are individually shown complaining about Louie to people they know in town. They meet up an inn and Ila and Louie meet them. Ila proceeds to give Louie three useless magical items: a cloak that can make him invisible, but is too small, a box containing an illusion of a cooked chicken, and a whistle than can call demons to your location, but does not allow you to control them. When Merrill comments on how useless each one is, Ila comments that they would be more useful than non-existent teammates. This angers the three girls and Louie, perceiving their hostility, quickly excuses himself and Ila. This leads to the girls "grudgingly" helping Louie out when he decides to stock up on gear and get the wood required for his new wand. In the end, not being able to live with Louie's probable death upon entering the Phantom Forest alone hanging on their collective conscience, they decide to accompany him.
Episode 4 "The Phantom Forest"
The group has made their way into the forest and are finishing up a group of monsters summoned when Louie blew the whistle. After cleaning up and preparing to obtain the wood he needs, Louie notices a presence and gives chase to it, despite the girls' protests. A chase ensues, and Louie is soon captured by the presence – a female elf named Ceresia. Breaking free of his bonds, he turns the tables on her and captures her, after which the team questions her. Louie's simple nature soon finds the party prisoners in the elven village whose lands the forest is a part of. Not wanting to see what vile fate the elves have in store for them, and to show them that humans are not monsters the elves thought them to be, Louie blows the whistle, summoning more monsters, and causing the village to panic. The party takes advantage of the confusion by breaking out, and instead of running for it Louie beats the summoned monsters with a wild boar carcass and later with his fists. They bid Ceresia farewell and return to Ohfun.
Episode 5 "Inexperienced Extracurricular Activities"
One of Melissa's duties as a priestess of Mylee is to help train the young priestesses. Melissa goes to some ruins with 3 trainees to help them get experience in defeating monsters. Merill and Genie decide to come along for support and Louie, unable to resist the pull of adventure, tags along too. It turns out the ruins are infested with zombies, and once inside the floor collapses and Melissa and Louie get stuck together. They eventually find their way out, and the rest of the group leaves Louie floundering trying to find his magic wand.
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3 Burst results for "Mahato Muhammed"
"mahato muhammad" Discussed on KQED Radio
"I've never been any formal apologies to him. You haven't you. Don't regret what happened to him. Well every day he has to Yale. But his children and their blame boys daily because he was decided by the cords was an dot Dan by me. But do you feel sorry for him that he went through what he did? I feel sorry for people who have who have. I mean done something and been sentenced to jail by the better call. It's interesting because this is exact quote, he said because he's reassured his supporters of your transformation because a lot of people were upset about what happened to NYU Brahim when you were prime minister, he says Mattia has proven his tenacity accepted pass. Limitations apologized and sacrifice his time and energy to raise the dignity of the people and the country you put one these Anwar Ibrahim's wife as your deputy, prime minister. So is all this not true that you didn't apologize. You didn't express regret regret? This would not discuss after that we will concentrating on getting leader anti alright. So he says he's also raised with you. The fact that you have brought back some of the old guard into your government. And he has said look I'm concerned about this. And that you said to him. I need these people because I need to carry out the reforms that we want to if he joins the government and becomes a prime minister. That would be an all got also because he was with me at deputy, prime minister for very long thing. So I if I cannot bring back people who who have served me, then I think I would let to rely on people with no experience, and these people join me, they had the same opinion about Nigeria's government. So they want to join together form a coalition and contest against. Thank you. So you're bringing back some of these old faces as I said Mohideen Yaseen, the minister, your son is the chief minister of estate and Zinedine is head of the council of eminent persons your advices. So these are some of the old faces from your old government. And when you were in power until two thousand three the criticisms are that you've launched victories attacks on the judiciary unit used Internal Security Act to repress dissent, and to go gainst people who opposed to you. So I mean, should we be nervous? No, why shouldn't see something against people were gives me though position. And as for my son, he was not allowed to into politics until I resign auntie. I was no longer the family said, then only he became the chief minister during my time you make it seem as. As though because you described as one of Asia's strong men, and that you're rule was sometimes repressive? Let me give you an example in the South China Morning post Lynette on who's a professor of political science at the university of Toronto says I grew up in Malaysia during the Mahato Muhammad era when the country was part of the coveted Asian Tigers club that boasted stone economic growth yet much prosperity came at the expense of curbed, political expression and restricted civil liberties over a long period, the law and judiciary instead of delivering Justice have been used by the government as a weapon against political opponents and dissidents that these opionion has she done any study about how I have been accused of being a dictator. No, no, no dictators have ever resign. I resign. And now I come back often more than twenty years in power. Yes. Long enough time we need time to develop a country. All right. So do so she's talking about the using some of the laws of the state. I ask you this. Then will you refer the Sedition Act and the security offenses act which have been used to suppress freedoms the same laws were in existence before I became prime minister and the first second and third permits. It used the same laws to detain people by the, but then way way is it that when I do eat it becomes wrong. I'm asking you now because you're sitting in front of me on HARDtalk. And so I'm putting it to if I had a chance to talk to them. I'd ask them that too. So we to give you the background. But will you will you this tradition actor edition offenses this? Addition as their the IC internet security eg, which allows the prime minister of the government to detain people with a trial was there when I was dead is now being repeal, and we have another law, which is even worse. Replace that law, which was repealed. And that was done by map predecessor the concern. Is that as I'm listening to national said that Pacatan Harapan alliance of hope as it's known me came to office on a wave of goodwill amid hope that true progress on human rights was coming to the country. The danger now is that human rights will slowly recede as a priority. The longer you are in power. Visit receding as a priority. You seem to just fight it away. You know, general is right. These about what the other general is right? Didn't do any investigation. We have abolished the is by the previous government has enacted a whistle which allows him to detain people. Even without declaring a state of emergency. So these are the true facts. Amnesty International has recently issued a review of your government's first one hundred days in office. And it may it reported, for example, that you are a defender of Malays retrograde affirmative action, which gives all signed sorts of benefits and advantages to the malay- ethnic Malay people in your country or about thirty two million people sixty percent of them are ethnic Malays, all sorts of advantages housing jobs, and so on and so forth. Why weren't you stop? This affirmative way should as so the thing is we are trying to correct the the disparity in wealth between the Malays and others. We have to bring up the list. So as to be as as wealthy or as well off as others that needs correction because he'd be allowed disparity to go by it becomes bigger and bigger. And then they'll be tension in the entry. There will be even fighting in the country is creating tensions now with the other ethnicities. Well, I mean, you look at the brain train ethnic Chinese Malays. They've left about a third of Malaysia is one million strong giants are highly skilled migrants, many of them ethnic Chinese that voting with their feet because they find a better job health where they're welcome to go. But many of them are very loyal to Malaysia yesterday. I had lunch with them. And they all waving listen plagues. Although there have been part of the desperate of another. So I mean, accept that your coalition has got. For example, the Chinese dominated democratic action party is part of your coalition, but you can categorically say that affirmative action in favor of the ethnic Malays who you say needed is not going to result in discrimination against Malaysia is other ethnic communities. There has been no discrimination. Because if you go to Malaysia you will find that this will call victims of this policy are now the richest people in the world in Malaysia. Right. So you talk about the richest people in Malaysia countries in a bit of about state, very high level of debt fifty four percent of GDP, but a huge funding gap. You can't do all the things that you want to do try to ruin international investors, and so on but one very catching policy you've made is to cancel twenty three billion dollars worth of infrastructure projects fact by China and also Singapore, and this has caused some concern amongst international investors that you've done this. You prefer to what you call as debt colonialism on the part of the Chinese. Are you worried about the Chinese being accused the Chinese are merely sit that there are other forms of colonialism and one of them was neo-colonialism, which was coined by places. And that's what I see. Are you worried about the Chinese there when you say new form of colonialism is that who your point in the coming? They still want to invest in Malaysia. They've seen me many of them have seen me even recently. And they don't seem to be in any way angry with me because of what I see the getting colonialism. But do you see them as bringing about new form of colonialism with their one belt one road projects around one belt one road is okay? But you see some people sell Len big pieces of land to the Chinese where they are going to be a seat. Eighty which is very very luxurious men for their people to come and lift their seven hundred thousand of them that is foreign direct investment. Foreign direct investment is about bringing money bringing technology setting a plant symbolism employees mission that we accept you. Don't want Chinese people coming to settle in Malaysia. No, no country wants other people do come on my s- do for their country and several there was happening in Europe. Now telling all the season to go away is it because you don't want to ethnic Chinese living in Malaysia to even these Sudanese. Welcome. But but you come by the millions or no entry you've also referred to the South China scenes in your recent United Nations speech. And of course, we've got a big dispute between China and some of its Asian neighbors, Malaysia, the Philippines and so on. Are you worried that China is flexing its muscles? There. I explained that China has every right to go wherever they want to go, but please check on cheap or prevent ships from passing through the streets of lacquer and the South China Sea. There's all we won. And could you see this escalating? Escalate if people begin to irritate improve. Oh tanna. Would you be one of those who might provoke China? Somebody who's compatible is is is interesting. Who's that? Was that the United States you thinking of you, can guess I mention the word I'm not saying they could be a conflagration military one between the United States and China over the South China Sea. Not have battleships and warships in south Tennessee because if people start stationing their war warships there there will be tension. There will be conflict. Andy may result in a war in your UN speech. You also talked about the worsening plight of the Palestinians as you described it, and many would agree with you on that particular statement, they wouldn't agree with your stance on Jews in the world and the Israeli press, for instance, is described you as proud antecedent might. Would you accept that that you are an anti see mind there are many races in this world? I've seen nasty things about them. They never accused me or be indeed these, but the Israelis uh special, you cannot even mention that in the holocaust is not six six million four million victims of the holocaust that is empty. All. Right. Well, let me tell you about what you said is a conference in two thousand ten according to reports in the British press. Even this is what you said about the Jews even after their massacre by the Nazis, juice, the five to be a source of even greater problems to the world in one thousand nine hundred seventy in your book, the malay- dilemma, you said the Jews are not a hook nosed. But understand money instinctively, these kinds of things and not acceptable. Are they prime minister lots of things about us Malaysia. Lizzy and all kinds of the I didn't take it up against them. Is an opinion. And I give my opinion of things. Do you stand by that those sorts of opinion is if you are going to be truthful, the problem in the Middle East began with the creation or the state of Israel through all truth. But I cannot see that ways it that you cannot say hook nosed and good with money. Well, I'm sure that many people would really find offensive many people call the Malays fat knows. We didn't know object. We didn't look the war for that. Right. Okay. Coming to the end of this interview at ninety three Matair Muhammad with all respect, you have the energy and vision to take Malaysia forward and accomplish the reforms that are needed to set the country on new path to prosperity. I try I will try, and I think my last stint as by Muniz do not result in people condemning me for not developing their country. They don't call the country and the Asian tiger during my last. Now, I've been asked to do something I will try when will you stop two years and hundred NYU Brian. Yeah, there's been before if that is what the nation wants out stop by. I made a promise I will stick by my promise two years, and then you step down at nine thousand five. Yes. Prime minister Matti. Thank you very much. Indeed for coming on HARDtalk. Thank you. Distribution of the BBC World Service in the US is made possible by American public media producer and distributor of award winning public radio.
Malaysia prime minister China Anwar Ibrahim United States NYU Brahim South China Sea Yale Dan Asia NYU Mattia BBC World Service Nigeria United Nations Mohideen Yaseen Europe Pacatan Harapan
Global News Podcast
"mahato muhammad" Discussed on Global News Podcast
"Unmanned combat systems the very latest like the you ran nine this remote control tank which is packed with antitank rockets and callum and a machine guns so every see something new and we saw quite a lot of new weaponry this year i'm visit a time when russia is perhaps for the first time in many years actually using a lot of these weaponry in conflicts in parts of the world yes absolutely the russians already said ahead of victory that a lot of the the weaponry is being used and tested some of it's been used in syria where of course russia's being candidates its military operation i have to say it is quite an experience being on red square during the victory day parade you can feel the squished shaking ready as all this hardware rumbles across the square and then it's so loud so noisy there thirteen thousand russian servicemen taking part in the parade of this literacy of soldiers washing across red square and i think the scale of everything the scale of the show reflects the importance of the occasion because for the russian people and for the people in power here victory day play such a central role in the country's collective memory because so many soviet citizens were killed more than twenty six million in the greats pachauri war as it's known that that sense of loss people feel deeply today along with us oh sense of intense pride i think that the soviet union was able to emerge the victor steve rosenberg our correspondent in moscow since malaysia gained independence in nineteen sixty three one man has been a constant in political life there mahato muhammad has been an mp since nineteen sixty four was prime minister for over twenty years and now the grand old age of ninety two he's challenging the current hold of that post najji bresnik in the country's general elections the bbc's jonathan head who's in kuala lumper summed up how the voting had gone the voting has gone reasonably well although there are not a complaints of irregularities we'll have to see if they're really significant you have to remember.
russia syria soviet union moscow malaysia prime minister bbc kuala lumper callum victor steve rosenberg mahato muhammad twenty years


It's great to see the bicycle miles and trips rack up from our Corporate Challengers! If you haven't been keeping track, go check out the daily totals posted on the Muscle Powered blog. We're going to have a big party at the Firkin and Fox on Friday night the 18th to celebrate everyone's hard work this week. In addition to announcing the winners of the Corporate Challenge, we're going to have live music from Notch 8, and a raffle with prizes you don't want to miss out on. Money collected from the raffle goes to benefit Muscle Powered, Citizens for a Walkable and Bikeable Carson City.
The Bicycle Authority helped us with the grand prizes again this year, two Custom Beach Cruisers from Phat Cycles! These two bikes are the nicest we've given away yet, a little more custom than last year's. We traditionally give the bikes away before it gets too dark, giving people without lights the opportunity to ride home safely.
Notch 8 will entertain the crowd between the raffle items, and the Cycle Pub will be at the party giving rides. The High Sierra Brewery has donated a keg of beer for the event, so look for great beer specials too! Food will be available inside at the restaurant.
When: Friday, May 18th @ 5:30 PM.
Other: The party is outside in the back of the restaurant. Plenty of bike parking in view of the party.


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RootCorpNarendra Modi, India's Prime Minister on why India is on the brink of a 'Quantum Leap' for Investors.
(Reuters) - Indian Prime Minister Narendra Modi promised on Sunday to pursue predictable policies and ensure stable taxes, in a speech that sought to address concerns for foreign investors in Asia's third-largest economy.
U.S. Secretary of State John Kerry led a roll call of leaders, including U.N. Secretary General Ban Ki-moon and World Bank head Jim Yong Kim, converging on Modi's home town of Gandhinagar for the Vibrant Gujarat business summit.
U.S. President Barack Obama visits India later this month.


text:
/*jslint nomen: true, vars: true*/
/*global define*/
define(function (require) {
    'use strict';

    var $ = require('jquery'),
        _ = require('underscore'),
        Backgrid = require('backgrid'),
        __ = require('orotranslation/js/translator'),
        mediator = require('oroui/js/mediator'),
        LoadingMask = require('oroui/js/loading-mask'),
        GridHeader = require('./header'),
        GridBody = require('./body'),
        GridFooter = require('./footer'),
        Toolbar = require('./toolbar'),
        ActionColumn = require('./column/action-column'),
        SelectRowCell = require('./cell/select-row-cell'),
        SelectAllHeaderCell = require('./header-cell/select-all-header-cell'),
        RefreshCollectionAction = require('./action/refresh-collection-action'),
        ResetCollectionAction = require('./action/reset-collection-action'),
        ExportAction = require('./action/export-action');

    /**
     * Basic grid class.
     *
     * Triggers events:
     *  - "rowClicked" when row of grid body is clicked
     *
     * @export  orodatagrid/js/datagrid/grid
     * @class   orodatagrid.datagrid.Grid
     * @extends Backgrid.Grid
     */
    return Backgrid.Grid.extend({
        /** @property {String} */
        name: 'datagrid',

        /** @property {String} */
        tagName: 'div',

        /** @property {int} */
        requestsCount: 0,

        /** @property {String} */
        className: 'clearfix',

        /** @property */
        template: _.template(
            '

' +
                '
' +
                '
' +
                '

' +
                '

' +
                '

' +
                '
' +
                '
'
        ),

        /** @property */
        noDataTemplate: _.template('<%= hint %>'),

        /** @property {Object} */
        selectors: {
            grid:        '.grid',
            toolbar:     '.toolbar',
            noDataBlock: '.no-data',
            loadingMask: '.loading-mask',
            filterBox:   '.filter-box'
        },

        /** @property {orodatagrid.datagrid.Header} */
        header: GridHeader,

        /** @property {orodatagrid.datagrid.Body} */
        body: GridBody,

        /** @property {orodatagrid.datagrid.Footer} */
        footer: GridFooter,

        /** @property {orodatagrid.datagrid.Toolbar} */
        toolbar: Toolbar,

        /** @property {oro.LoadingMask} */
        loadingMask: LoadingMask,

        /** @property {orodatagrid.datagrid.column.ActionColumn} */
        actionsColumn: ActionColumn,

        /** @property true when no one column configured to be shown in th grid */
        noColumnsFlag: false,

        /**
         * @property {Object} Default properties values
         */
        defaults: {
            rowClickActionClass: 'row-click-action',
            rowClassName:        '',
            toolbarOptions:      {addResetAction: true, addRefreshAction: true},
            rowClickAction:      undefined,
            multipleSorting:     true,
            rowActions:          [],
            massActions:         []
        },

        /**
         * Initialize grid
         *
         * @param {Object} options
         * @param {Backbone.Collection} options.collection
         * @param {(Backbone.Collection|Array)} options.columns
         * @param {String} [options.rowClickActionClass] CSS class for row with click action
         * @param {String} [options.rowClassName] CSS class for row
         * @param {Object} [options.toolbarOptions] Options for toolbar
         * @param {Object} [options.exportOptions] Options for export
         * @param {Array<orodatagrid.datagrid.action.AbstractAction>} [options.rowActions] Array of row actions prototypes
         * @param {Array<orodatagrid.datagrid.action.AbstractAction>} [options.massActions] Array of mass actions prototypes
         * @param {orodatagrid.datagrid.action.AbstractAction} [options.rowClickAction] Prototype for action that handles row click
         * @throws {TypeError} If mandatory options are undefined
         */
        initialize: function (options) {
            var opts = options || {};

            // Check required options
            if (!opts.collection) {
                throw new TypeError("'collection' is required");
            }
            this.collection = opts.collection;

            if (!opts.columns) {
                throw new TypeError("'columns' is required");
            }

            if (opts.columns.length === 0) {
                this.noColumnsFlag = true;
            }

            // Init properties values based on options and defaults
            _.extend(this, this.defaults, opts);
            this.toolbarOptions = {};
            _.extend(this.toolbarOptions, this.defaults.toolbarOptions, opts.toolbarOptions);
            this.exportOptions = {};
            _.extend(this.exportOptions, opts.exportOptions);

            this.collection.multipleSorting = this.multipleSorting;

            this._initRowActions();

            if (this.rowClickAction) {
                // This option property is used in orodatagrid.datagrid.Body
                opts.rowClassName = this.rowClickActionClass + ' ' + this.rowClassName;
            }

            opts.columns.push(this._createActionsColumn());
            if (!_.isEmpty(this.massActions)) {
                opts.columns.unshift(this._getSelectRowColumn());
            }

            this.loadingMask = this._createLoadingMask();
            this.toolbar = this._createToolbar(this.toolbarOptions);

            Backgrid.Grid.prototype.initialize.apply(this, arguments);

            // Listen and proxy events
            this._listenToCollectionEvents();
            this._listenToBodyEvents();
            this._listenToCommands();
        },

        /**
         * Inits this.rowActions and this.rowClickAction
         *
         * @private
         */
        _initRowActions: function () {
            if (!this.rowClickAction) {
                this.rowClickAction = _.find(this.rowActions, function (action) {
                    return Boolean(action.prototype.rowAction);
                });
            }
        },

        /**
         * Creates actions column
         *
         * @return {Backgrid.Column}
         * @private
         */
        _createActionsColumn: function () {
            return new this.actionsColumn({
                datagrid: this,
                actions:  this.rowActions,
                massActions: this.massActions
            });
        },

        /**
         * Creates mass actions column
         *
         * @return {Backgrid.Column}
         * @private
         */
        _getSelectRowColumn: function () {
            if (!this.selectRowColumn) {
                this.selectRowColumn = new Backgrid.Column({
                    name:       "massAction",
                    label:      __("Selected Rows"),
                    renderable: true,
                    sortable:   false,
                    editable:   false,
                    cell:       SelectRowCell,
                    headerCell: SelectAllHeaderCell
                });
            }

            return this.selectRowColumn;
        },

        /**
         * Gets selection state
         *
         * @returns {{selectedModels: *, inset: boolean}}
         */
        getSelectionState: function () {
            var selectAllHeader = this.header.row.cells[0];
            return selectAllHeader.getSelectionState();
        },

        /**
         * Resets selection state
         */
        resetSelectionState: function () {
            var selectAllHeader = this.header.row.cells[0];
            return selectAllHeader.selectNone();
        },

        /**
         * Creates loading mask
         *
         * @return {oro.LoadingMask}
         * @private
         */
        _createLoadingMask: function () {
            return new this.loadingMask();
        },

        /**
         * Creates instance of toolbar
         *
         * @return {orodatagrid.datagrid.Toolbar}
         * @private
         */
        _createToolbar: function (toolbarOptions) {
            return new this.toolbar(_.extend({}, toolbarOptions, {
                collection:   this.collection,
                actions:      this._getToolbarActions(),
                extraActions: this._getToolbarExtraActions()
            }));
        },

        /**
         * Get actions of toolbar
         *
         * @return {Array}
         * @private
         */
        _getToolbarActions: function () {
            var result = [];
            if (this.toolbarOptions.addRefreshAction) {
                result.push(this.getRefreshAction());
            }
            if (this.toolbarOptions.addResetAction) {
                result.push(this.getResetAction());
            }
            return result;
        },

        /**
         * Get actions of toolbar
         *
         * @return {Array}
         * @private
         */
        _getToolbarExtraActions: function () {
            var result = [];
            if (!_.isEmpty(this.exportOptions)) {
                result.push(this.getExportAction());
            }
            return result;
        },

        /**
         * Get action that refreshes grid's collection
         *
         * @return orodatagrid.datagrid.action.RefreshCollectionAction
         */
        getRefreshAction: function () {
            var grid = this;

            if (!grid.refreshAction) {
                grid.refreshAction = new RefreshCollectionAction({
                    datagrid: grid,
                    launcherOptions: {
                        label: 'Refresh',
                        className: 'btn',
                        iconClassName: 'icon-refresh'
                    }
                });

                mediator.on('datagrid:doRefresh:' + grid.name, function () {
                    if (grid.$el.is(':visible')) {
                        grid.refreshAction.execute();
                    }
                });

                grid.refreshAction.on('preExecute', function (action, options) {
                    grid.$el.trigger('preExecute:refresh:' + grid.name, [action, options]);
                });
            }

            return grid.refreshAction;
        },

        /**
         * Get action that resets grid's collection
         *
         * @return orodatagrid.datagrid.action.ResetCollectionAction
         */
        getResetAction: function () {
            var grid = this;

            if (!grid.resetAction) {
                grid.resetAction = new ResetCollectionAction({
                    datagrid: grid,
                    launcherOptions: {
                        label: 'Reset',
                        className: 'btn',
                        iconClassName: 'icon-repeat'
                    }
                });

                mediator.on('datagrid:doReset:' + grid.name, function () {
                    if (grid.$el.is(':visible')) {
                        grid.resetAction.execute();
                    }
                });

                grid.resetAction.on('preExecute', function (action, options) {
                    grid.$el.trigger('preExecute:reset:' + grid.name, [action, options]);
                });
            }

            return grid.resetAction;
        },

        /**
         * Get action that exports grid's data
         *
         * @return orodatagrid.datagrid.action.ExportAction
         */
        getExportAction: function () {
            var grid = this;

            if (!grid.exportAction) {
                var links = [];
                _.each(this.exportOptions, function (val, key) {
                    links.push({key: key, label: val.label, attributes: {'class': 'no-hash', 'download': null}});
                });
                grid.exportAction = new ExportAction({
                    datagrid: grid,
                    launcherOptions: {
                        label: 'Export',
                        className: 'btn',
                        iconClassName: 'icon-download-alt',
                        links: links
                    }
                });

                grid.exportAction.on('preExecute', function (action, options) {
                    grid.$el.trigger('preExecute:export:' + grid.name, [action, options]);
                });
            }

            return grid.exportAction;
        },

        /**
         * Listen to events of collection
         *
         * @private
         */
        _listenToCollectionEvents: function () {
            this.collection.on('request', function (model, xhr, options) {
                this._beforeRequest();
                var self = this;
                var always = xhr.always;
                xhr.always = function () {
                    always.apply(this, arguments);
                    self._afterRequest();
                };
            }, this);

            this.collection.on('remove', this._onRemove, this);

            var self = this;
            this.collection.on('change', function (model) {
                self.$el.trigger('datagrid:change:' + self.name, model);
            });
        },

        /**
         * Listen to events of body, proxies events "rowClicked", handle run of rowClickAction if required
         *
         * @private
         */
        _listenToBodyEvents: function () {
            this.listenTo(this.body, 'rowClicked', function (row) {
                this.trigger('rowClicked', this, row);
                this._runRowClickAction(row);
            });
        },

        /**
         * Create row click action
         *
         * @param {orodatagrid.datagrid.Row} row
         * @private
         */
        _runRowClickAction: function (row) {
            if (this.rowClickAction) {
                var action = new this.rowClickAction({
                        datagrid: this,
                        model:    row.model
                    }),
                    actionConfiguration = row.model.get('action_configuration');
                if (!actionConfiguration || actionConfiguration[action.name] !== false) {
                    action.run();
                }
            }
        },

        /**
         * Listen to commands on mediator
         */
        _listenToCommands: function () {
            var grid = this;

            mediator.on('datagrid:setParam:' + grid.name, function (param, value) {
                grid.setAdditionalParameter(param, value);
            });

            mediator.on('datagrid:restoreState:' + grid.name, function (columnName, dataField, included, excluded) {
                grid.collection.each(function (model) {
                    if (_.indexOf(included, model.get(dataField)) !== -1) {
                        model.set(columnName, true);
                    }
                    if (_.indexOf(excluded, model.get(dataField)) !== -1) {
                        model.set(columnName, false);
                    }
                });
            });
        },

        /**
         * Renders the grid, no data block and loading mask
         *
         * @return {*}
         */
        render: function () {
            this.$el.empty();

            this.$el = this.$el.append($(this.template()));

            this.renderToolbar();
            this.renderGrid();
            this.renderNoDataBlock();
            this.renderLoadingMask();
            this.collection.on('reset', _.bind(function () {
                this.renderNoDataBlock();
            }, this));

                /**
                 * Backbone event. Fired when the grid has been successfully rendered.
                 * @event rendered
                 */
                this.trigger("rendered");

                /**
                 * Backbone event. Fired when data for grid has been successfully rendered.
                 * @event grid_render:complete
                 */
                mediator.trigger('grid_render:complete', this.$el);

                return this;
            },

        /**
         * Renders the grid's header, then footer, then finally the body.
         */
        renderGrid: function () {
            var $el = this.$(this.selectors.grid);

            $el.append(this.header.render().$el);
            if (this.footer) {
                $el.append(this.footer.render().$el);
            }
            $el.append(this.body.render().$el);
        },

        /**
         * Renders grid toolbar.
         */
        renderToolbar: function () {
            this.$(this.selectors.toolbar).append(this.toolbar.render().$el);
        },

        /**
         * Renders loading mask.
         */
        renderLoadingMask: function () {
            this.$(this.selectors.loadingMask).append(this.loadingMask.render().$el);
            this.loadingMask.hide();
        },

        /**
         * Define no data block.
         */
        _defineNoDataBlock: function () {
            var placeholders = {entityHint: (this.entityHint || __('oro.datagrid.entityHint')).toLowerCase()},
                template = _.isEmpty(this.collection.state.filters) ?
                        'oro.datagrid.noentities' : 'oro.datagrid.noresults';
            template = this.noColumnsFlag ? 'oro.datagrid.nocolumns' : template;

            this.$(this.selectors.noDataBlock).html($(this.noDataTemplate({
                hint: __(template, placeholders).replace('\n', '
')
            }))).hide();
        },

        /**
         * Triggers when collection "request" event fired
         *
         * @private
         */
        _beforeRequest: function () {
            this.requestsCount += 1;
            this.showLoading();
        },

        /**
         * Triggers when collection request is done
         *
         * @private
         */
        _afterRequest: function () {
            this.requestsCount -= 1;
            if (this.requestsCount === 0) {
                this.hideLoading();
                /**
                 * Backbone event. Fired when data for grid has been successfully rendered.
                 * @event grid_load:complete
                 */
                mediator.trigger("grid_load:complete", this.collection, this.$el);
            }
        },

        /**
         * Show loading mask and disable toolbar
         */
        showLoading: function () {
            this.loadingMask.show();
            this.toolbar.disable();
            this.trigger('disable');
        },

        /**
         * Hide loading mask and enable toolbar
         */
        hideLoading: function () {
            this.loadingMask.hide();
            this.toolbar.enable();
            this.trigger('enable');
        },

        /**
         * Update no data block status
         *
         * @private
         */
        renderNoDataBlock: function () {
            this._defineNoDataBlock();
            if (this.collection.models.length > 0 && !this.noColumnsFlag) {
                this.$(this.selectors.toolbar).show();
                this.$(this.selectors.grid).show();
                this.$(this.selectors.filterBox).show();
                this.$(this.selectors.noDataBlock).hide();
            } else {
                this.$(this.selectors.grid).hide();
                this.$(this.selectors.toolbar).hide();
                this.$(this.selectors.filterBox).hide();
                this.$(this.selectors.noDataBlock).show();
            }
        },

        /**
         * Triggers when collection "remove" event fired
         *
         * @private
         */
        _onRemove: function () {
            this.collection.fetch();
        },

        /**
         * Set additional parameter to send on server
         *
         * @param {String} name
         * @param value
         */
        setAdditionalParameter: function (name, value) {
            var state = this.collection.state;
            if (!_.has(state, 'parameters')) {
                state.parameters = {};
            }

            state.parameters[name] = value;
        },

        /**
         * Remove additional parameter
         *
         * @param {String} name
         */
        removeAdditionalParameter: function (name) {
            var state = this.collection.state;
            if (_.has(state, 'parameters')) {
                delete state.parameters[name];
            }
        }
    });
});

redpajama_set_name: RedPajamaGithub


text:
Skip to Content Skip to Navigation Skip to Tools Skip to Search
Hillside Festival 2019
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Official 2019 Artwork
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Credits/Acknowledgements
Search Hillside:
Buy 2020 Tickets
Call for Artwork: Hillside 2019
Thanks for checking in!
If you were hoping to apply, we're sorry to break the news that the deadline has passed. If you did submit your portfolio before the deadline, thank you! We received a record number of submissions this year, and the committee is still in the process of narrowing down our selection. Stay tuned!
Hillside Festival is seeking an artist to create the artwork for our 2019/20 festival branding!
This is a paid commission that requires the conception and execution of two pieces that form a unified pair with similar looks and concepts. The main artwork will be for the summer festival (July 2019), with the supplementary piece for our winter festival–Hillside Inside–which will take place in February, 2020.
BACKGROUND
The selected artist will create a work that will be used throughout all marketing, including posters, website, advertising, promotional products, merchandise, etc., in both print and digital formats. We will help direct the selected artist to craft the final product.
Hillside's core values are creativity, altruism, equality, environmentalism, and peacemaking and we seek to promote these values through artistic expression, community engagement and environmental leadership. We are a festival built upon belonging, volunteerism, and, of course, great music. We are also a community festival, so themes related to the creation of ties and bonds are also of importance. In the past, many artworks have highlighted the festival's natural location, on an island at Guelph Lake Conservation Area, but this is not necessary. We are looking to evoke some aspect(s) of the festival.
Because the artwork will be used on screen-printed merchandise and at many sizes, simplicity and boldness are assets.
Please refer to the timeline below to ensure you will be available during the creation and consultation period.
WHO CAN SUBMIT
The call is open to anyone who is interested--illustrators, painters, graphic artists, printmakers, photo artists/manipulators, etc. Students, hobbyists, and professionals are all welcome to submit concepts and all will be given equal consideration. Please, no conventional photography submissions; we aren't planning a photo-based poster for 2019. The final art will be used for screen printing, so your style should translate well into line (vector) art.
The artist selected will be expected to work in consultation with the Festival in accordance with the following schedule:
Artist submission deadline is Tuesday, October 9th, 2018 by 5:00pm
A decision will be made on the artist selection in early October, with the artist being then promptly notified.
For the remainder of October and November, the artist will work with Hillside to finalize the artwork for our summer festival, with a final submission of the artist's artwork due on December 7th, 2018.
The process will then repeat throughout January and February for the winter 2020 artwork (for Hillside Inside), with a final submission deadline of March 8th, 2019.
Email to: [email protected]
OR, you can mail/drop-off your submission to: The Hillside Festival, 341 Woolwich St., Guelph ON N1H 3W4
Hillside Festival's office hours are currently 10:00am - 5:00pm, Tuesdays and Thursdays
Bio and/or artist statement;
Link to your online portfolio and/or up to 5 images of your work (if emailing, please ensure your email is less than 2.5MB total; larger files may be sent via google drive or dropbox)
NO CONCEPT IS NECESSARY; in the past, we have selected artists based only on their portfolio. However, if you have an idea and would like to share it with us as a verbal description or rough sketch, we would be happy to consider it as well.
The selected artist will work with the Hillside Festival Marketing Committee and graphic designer to develop the final artwork.
HAPPY HILLSIDE!
Artists from past years in graphic above (in order from top left to bottom right): Ryan Price, Scott Mooney, Cai Sepulis, Tammy Ratcliff, Jamie Kapitain, Brendon Mroz, Ryan Price, Jay Soule (Chippewar).
Hillside is for Everyone
Hillside offers year round events with a broad artistic vision that emphasizes diversity of culture, of musical heritage and style, of age, geography and influence.
Venue Accessibility
Get Volunteering Information
A friend to our Environment
Island Stories
Just one of the many tales from Hillsides past and present.
The Hillside Festival is seeking an artist to create the artwork for our 2019/20 festival branding. This is a paid commission that requires the conception and execution of two pieces that form a unifi...
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© Hillside
341 Woolwich St., Guelph, ON 519-763-6396 [email protected]
Site by Barking Dog Studios


text:
Бе́верли «Бев» Бе́нке () — американская кёрлингистка.

В составе женской сборной США участница двух  (наивысшее занятое место — шестое). Трёхкратная  (1990, 1993, 1994), двукратная  (1990, 1997).

Играла на позиции четвёртого. Была скипом команды.

Достижения
 : золото (1990, 1993, 1994), серебро (1992, 1995, 1996).
 Американский олимпийский отбор по кёрлингу: серебро (1997).
 : золото (1990, 1997), серебро (1988).

 Лучшая кёрлингистка года в США (): 1990.

Команды

(скипы выделены полужирным шрифтом)

Примечания

Кёрлингисты по алфавиту
Кёрлингисты США
Чемпионы США по кёрлингу


Today we have released Apimac Slide Show 6.2 for Mac OS X and Mac Classic in English and Italian versions.
Apimac is pleased to announce Apimac Slide Show 6.2, a maintenance release of its slide show and presentation tool for multimedia files. This releaseprimarily fixes an issue with multimedia files that do not have File Type and Creator codes. New in this release is the introduction of an Italian version (support for other languages may be introduced in forthcoming releases).
You can find more information about the Slide Show update at the Apimac Web site. The Slide Show update is free for registered users, while the full version is available starting at US$29.99.