Toronto, Canada, June 27, 2017 … Tafelmusik Baroque Orchestra and Chamber Choir are on a roll, having just wrapped up an extraordinary season that saw the appointment of the "superb" (The Guardian) Italian violinist Elisa Citterio as the orchestra's next Music Director. Over the course of the 2016/17 season, Tafelmusik boosted its stature as a global leader in period performance thanks to myriad activities in the areas of live concerts, national and international touring, recording, and artist training. Audience outreach initiatives flourished this season, with an 18% increase in tickets sold on subscription for the popular 35-and-under membership program Tafelscene.
Elisa Citterio succeeds Music Director Emerita Jeanne Lamon as only the second music director in Tafelmusik's 39-year history. Following the announcement of her appointment in January 2017, Citterio returned to co-direct the season grand finale in May with Tafelmusik Chamber Choir Director Ivars Taurins. She led "a very stylish, sophisticated performance" (The Globe and Mail) of Haydn's Symphony No. 98, a work the orchestra had not performed before. Hundreds of Koerner Hall audience members were also treated to an intimate pre-concert Q&A session with Citterio, which was moderated by writer and broadcaster Robert Harris.
Tafelmusik achieved a record-breaking year in annual giving, thanks to the generosity of more than 1,000 members and donors. Individuals contributed over $975,000 — a massive 63% increase over the previous record, which was set during the 2015/16 season. Tafelmusik also welcomed three new corporate sponsors this year: iA Securities, Blakes and Stikeman Elliott.
"You don't really expect an evening of contemplation about the meaning of Canada and its Indigenous peoples from a baroque orchestra. But Visions and Voyages provides it … with skill and passion."
Marking the 150th anniversary of Confederation, Tafelmusik double-bassistAlison Mackay's latest multimedia program brought a century of Canadian history to life with superb baroque music, dance, lighting design, scripted text, and spectacular projected images, creating the kind of immersive concert experience for which Tafelmusik is world-renowned.
Collaborating closely with two of Canada's most exciting First Nations artists, narrator Ryan Cunningham, former Artistic Director of Native Earth Theatre Company, and dancer and choreographer Brian Solomon, Mackay took an unflinching look at a century that saw the establishment and subsequent abandonment of Aboriginal treaty rights. Visions and Voyages premiered at Jeanne Lamon Hall in February to enthralled audiences, who described the program as "remarkable," "sublime," "outstanding," and "particularly poignant." A touring version was later seen in London, Hamilton, Midland, and Port Perry.
Under the direction ofIvars Taurins since its formation in 1981, the Tafelmusik Chamber Choir celebrated its 35th anniversary throughout the 2016/17 season, starting with Let Us All Sing in November, Messiah and the 30th anniversary performance of Sing-Along Messiah in December, and A Bach Tapestry in February. They concluded this landmark season in May with powerful performances of Mozart's Mass in C Minor.
Audiences responded enthusiastically to a wide range of concerts tailored for different types of repertoire and experiences presented in eleven different venues across the GTA. In addition to mainstage concerts at Jeanne Lamon Hall, Koerner Hall, Massey Hall, and George Weston Recital Hall, 2016/17 saw three Haus Musik events at Longboat Hall and the debut season of the Close Encounters chamber music series, which sold out on subscription, at Temerty Theatre and Heliconian Hall. A free lunch-hour performance at the Canadian Opera Company's Richard Bradshaw Amphitheatre drew the series' largest audience to date, and five free Tafelmusik Baroque Summer Institute concerts at the University of Toronto Faculty of Music's Walter Hall, Grace Church-on-the-Hill, and Jeanne Lamon Hall were also well attended. A special performance of Alison Mackay's "powerful" (The Globe and Mail) and "flawless" (Musical Toronto) multimedia creation Tales of Two Cities: The Leipzig-Damascus Coffee House at the Aga Khan Museum was recorded before a live audience for release on DVD in fall 2017. Tales of Two Cities received rapturous critical acclaim at its May 2016 premiere and was named Best Concert of 2016 by Spanish classical music magazine Codalario.com.
The first full season of Haus Musik, Tafelmusik's "fresh and fearless … shiny and new" (The Wholenote) experimental performance concept, was launched over three events at Longboat Hall (The Great Hall) on Queen West. Haus Musik offers a dynamic platform for collaboration between Tafelmusik and exciting young artists and directors from Toronto's emerging indie opera scene and beyond, such as this season's directors Amanda Smith (FAWN Chamber Creative), and Alaina Viau (Loose TEA Opera); electronic artists ACOTE, Jeff Jones, and SlowPitchSound; dancers Lybido andMary-Dora Bloh-Hansen; filmmaker Darren Bryant; and projection designer Andrew Chip Scriver, among others.
Tafelmusik was thrilled to be the first professional orchestra to embark on Opus: Testing |Period Piece in collaboration with Musica Reflecta and the Canadian Music Centre. Opus: Testing featured new compositions by eight emerging composers for a quartet of Tafelmusik musicians, and culminated with a public workshop in March.
Free pre-concert chats were made public to all ticket holders for the first time in the orchestra's history, and a new Listening Club, with broadcaster and musicologist Dr. Hannah French and Ivars Taurins, was piloted in April. The Listening Club rolls out in the 2017/18 season, with the goal of stimulating animated discussion about specific music selections.
In 2016/17 Canada's busiest touring orchestra spent more than six weeks on the road, with two of Alison Mackay's multimedia creations seen in four different countries including Canada.
In November, Mandarin and Korean versions of J.S. Bach: The Circle of Creation travelled to the Shanghai Oriental Arts Centre in China, and three venues in Korea, including the Grand Concert Hall in Daegu, Tongyeong Concert Hall in Tongyeong, and the LG Centre in Seoul. Premiered in Toronto in May 2015, the fully-memorized program also travelled to eight American cities in February and March, including Finney Chapel in Oberlin (OH); Schwab Auditorium at Penn State University (PA); Luis. A Ferre Performing Arts Centre in San Juan (PR); Tiedtke Concert Hall in Winter Park, (FL); Lobero Theater in Santa Barbara (CA); Carpenter Performing Arts Centre in Long Beach (CA); Sherwood Auditorium in La Jolla (CA); and Meany Hall at the University of Washington, Seattle (WA).
Closer to home, J.S. Bach: The Circle of Creation was performed for a sold-out house at the National Arts Centre's Canada Scene Festival in Ottawa earlier this month. Toronto audiences will have the opportunity to enjoy a remount of J.S. Bach: The Circle of Creation at Jeanne Lamon Hall in March 2018.
In March the orchestra brought a touring version of Visions and Voyages to London, Hamilton, Midland, and Port Perry with evening performances complemented by school versions in each location.
In May Tafelmusik returned to the Royal Palace of Versailles with long-time collaborator Opera Atelier for performances of Charpentier's Medea with Elisa Citterio as concertmaster. Several Tafelmusik musicians joined singers Mireille Asselin and Jesse Blumberg and artists of Atelier Ballet for a performance in the Royal Chapel at Versailles.
September 2016 marked an important milestone in Tafelmusik's history, with the release of its recording of Beethoven's Ninth Symphony on the Tafelmusik Media label, thereby completing its cycle of recordings of all nine Beethoven symphonies. Recorded live in concert at Koerner Hall under the direction of Bruno Weil, Beethoven's Ninth Symphony was nominated for a 2017 JUNO Award and has been streamed online an impressive 195,000 times to date.
In February, Tafelmusik reissued its award-winning film Le Mozart Noir, which uncovers the mystery around Joseph Boulogne, Le Chevalier de Saint-Georges, a Black eighteenth-century violinist and composer.Released as a CD/DVD package, Le Mozart Noir was launched at a free screening presented in collaboration with Toronto Black Film Festival.
Under the guidance of Artistic CoordinatorCharlotte Nediger and Directors Jeanne Lamon and Ivars Taurins, Tafelmusik's flagship artist training workshop, the Tafelmusik Baroque Summer Institute, attracted a record number of applications and welcomed 100 musician participants from fifteen countries around the world. Together with the Tafelmusik Winter Institute, Guest Artist Masterclasses, and Baroque Mentors residencies, Tafelmusik is well positioned to develop and inspire the next generation of period musicians.
Tafelmusik Baroque Orchestra, founded as a registered charity in 1979, is one of the world's leading period performance ensembles. In January 2017 the orchestra appointed violinist Elisa Citterio as Music Director, succeeding Jeanne Lamon, who stepped down in 2014 following a remarkable 33-year tenure that began in 1981. Lamon continues her association with Tafelmusik as Music Director Emerita. The Tafelmusik Chamber Choir, under the direction of Ivars Taurins, was formed in 1981 to complement the Orchestra. The orchestra performs some 80 concerts each year at home in Toronto, and travels extensively around the world. The choir and orchestra's multi-platform recording label Tafelmusik Media was launched in January 2012, along with the Watch and Listen site. Tafelmusik's discography of 80-plus CDs has been recorded on the Sony Classical, CBC Records, Analekta, and Tafelmusik Media labels. Since 1991, Tafelmusik has received nine JUNO Awards and a Grammy Award nomination. Tafelmusik is the Baroque Orchestra-in-Residence at the Faculty of Music, University of Toronto, and offers annual artist training programs including the Tafelmusik Baroque Summer Institute and Tafelmusik Winter Institute. Managing Director William Norris joined the Tafelmusik team in 2015.
Tafelmusik wishes to thank the following for their generous support: BMO Financial Group, RBC Emerging Artists Project for its generous support of Tafelmusik Winter Institute, RBC Foundation, TD Bank Group, John and Margaret Catto, Margaret and Jim Fleck, Great West Life, London Life, Canada Life, Hal Jackman Foundation, KPMG, Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Classical 96.3 FM, and NOW Magazine. Tafelmusik is a proud partner of the Bloor St. Culture Corridor.


Nice sound. Perfect for hooping or dancing.
I want to dance to this band live, very much.
nice work, Leslie! Like the voice on You Like Me A Lot!
Thanks for bringing yourselves to my attention. :)I really do like the song.
Thank you very much for the connection here .
All the best for you and your band .
great song you have. You are too talented. Thanks.


We all knew it was coming. And why not? Pumpkin spice everything is everywhere these days so it only makes sense it would make its way onto the beauty scene as well. We've seen the pumpkin spice products but were a little surprised to see it surface in hair color. While red hair has always been one of the most popular colors, apparently it is now boring. Enter the latest fall trend: Pumpkin Spice Hair. It's a real thing.
We'll be the first to admit, the color is anything but basic. The gorgeous shades and hues of deep reds, auburn and golds remind us of fall foliage, which makes us think this trend is here to stay.
Take a look at this for yourself, but be warned, you may find yourself wanting PSL hair.
Wonder if Keith Urban's wife, Nicole Kidman, will start calling her hair Pumpkin Spice?
Okay, so basically, it's red hair. Call it what you will, but you have to admit, it's stunning!


Logistieke oplossingen op maat van de klant.
Een superieure dienstverlening geleverd door een ervaren en gemotiveerd team.
Ocean Gate Logistics is a transportation service provider specialised in logistic solutions. We are proud to be the preferred partner to a large number of international key-players in the industry who market their products around the globe.
We manage worldwide shipments of frozen, chilled and dry products on a daily basis, sourcing and using only the most reliable sea and land services available. Sound company policies, a strategic approach towards the future and a constant concert to improve the quality of our services has given us a lead position in our highly specialised segment.
Algemene expeditie export & import : vrachtboekingen, douaneformaliteiten, voor-en natransporten, cargoverzekeringen, consulaire diensten, volledige documentatie-afhandeling, consultancy op het vlak van logistiek, export & import, internationale handel.


Another great afternoon on the water with Reel Time Fishing Charters. We caught the back end of high tide and had action right away. An hour or so after, the bite was off so we went searching for bait in a few areas I haven't fished much this year. Our little adventure awarded us with something I wasn't quite expecting, a beautiful Lingcod to add to the 2 nice salmon we had put in the box earlier. Hoping to hook a few more Chinook, we waited it out for tide change. An hour or so before the change, the bite was back on and we put our final two fish in the box. Two happy guests…, 4 Springs and a Ling. Good times continue with Reel Time Fishing Adventures.
Fishing in Nanaimo should remain good for the next few weeks. If you are going to be taking shorter trips (mornings/afternoons/evenings), my suggestion would be to book your trip around the tide change. If you'd rather just jump on the boat where everything is ready to go, give us a call, chances are, you won't be disappointed.
June 2017 Fishing Report for Nanaimo from Reel Time Fishing Charters.


"The Limit is the Sun" Installation View.
"went to leave" 2009. Photograph of chalk drawing on rural TN highway taken from bridge 120' above. 35 x 53 in.
"In full sight." Framed and matted collage series. Mixed media on bristol board. 60 of 300+ collages. Sizes vary.
"In full sight #5" 2013. Framed and matted collage. Mixed media on bristol board. 14 x 11 in.
"In full sight #342" 2014. Framed and matted collage. Mixed media on bristol board. 14 x 11 in.
"The Ever Expanding" 2012. Inkjet print on vinyl and grommets. 108 x 48 in.
The sun in its singular nature—out of reach in so many ways—beckons to be stared at, to be dealt with, to be understood. Yet as we all learn in our most ripe and formative years, to give a glance back at the life-sustaining power source is to put at risk the very engine of vision itself. To stare at the sun is to essentially let too much in. The eyes are not designed to receive that much information, almost as if to suggest that within the reception of such brilliance there is more than we can handle and as such could be struck blind. Life itself is at times like that as well. I have no idea if Mike Calway-Fagen stared at the sun as a child, but his very affecting and poetic exhibition The limit is the sun at The Clara M. Eagle Gallery of Murray State University teases the linearity of reading imagery in much the same way. To presume you can or must take in vast amounts of predetermined information is to risk missing the enigmatic nature of his prints, sculptures and collages as they could blanch and dematerialize like a visage in the burned retina.
Take for instance the image from some 60 chosen framed collages from the series In Full Sight in which blurred vignette of a lush, coral-red rose field with four roses compactly positioned, low and centered, and in perfectly focused resolution. The image has been cut in a somewhat rectangular grid-like pattern and sequentially reassembled. Their disordering and reordering into the original order invites a sense of finality and further thought of what "final" really is. Nestled into the complexity of the collaged grid is a filmic profile of a female dramatically lit by frontal raking sunlight and its inclusion bends the subject matter into a psychological arena and unites the entire collage into a discursive texture. The series' title In Full Sight is called into question as every nuance of visual information possesses a multitude of interpretations and resolutions. The image is of course "in full sight" but the reading is indeed limitless.
Amid the salon style arrangements of collages, which flank the walls throughout the exhibition, Calway-Fagen's two significant sculptural additions provide an opportunity to engage the poetic, playful qualities of the collage works in three dimensions. Stopping Prevents Starting lists its media as "principal's concrete parking stop from turn of the century middle school" and has been altered in form by having three separate parts of the block surface removed in varying degrees thus like the collages, re-forming the form into a newly discoverable entity. Again Calway-Fagen flirts with paradoxical ideas of the creative act, delineating how accelerated or stalled a work can be dependent on its viewer.
The curious What'll we do about names mimics a department store garment rack with shirts on hangers all completely in a not-quite-royal, not-quite-Yves Klein blue. The hanging blue shirts are blank and seem to be waiting for the finishing touch of delineation. The configuration of the racks allow for the viewer to enter and get lost like a child who has wandered from mother at the mall. The choice of blue brings us full circle to the exhibition title, which refrains the vastness of sea and sky and quest for meaning. With The limit is the sun Mike Calway-Fagen has engaged the multifarious possibilities of form, which in the most mercurial fashion escapes itself and poetically re-presents itself while brilliant revelation is pursued.
Mike Calway-Fagen, The limit is the sun is on view at the Murray State University Gallery from January 30 through June 29, 2014.
Bill Conger is an artist living quietly in Peoria, Illinois. His work has been exhibited extensively in the US as well as Austria, Germany, Poland, Ireland, and New Zealand.


text:
zurück Go Tell It on the Mountain – James Baldwin
Autor: James Baldwin
In one of the greatest American classics, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.
With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else."
"With vivid imagery, with lavish attention to details ... [a] feverish story." -The New York Times
James Baldwin was born on August 2, 1924, and educated in New York. His first novel, Go Tell It on the Mountain, appeared in 1953 to excellent reviews and immediately was recognized as establishing a profound and permanent new voice in American letters. "Mountain is the book I had to write if I was ever going to write anything else," he remarked. Baldwin's play The Amen Corner was first performed at Howard University in 1955 (it was staged commercially in the 1960s), and his acclaimed collection of essays Notes of a Native Son, was published the same year. A second collection of essays, Nobody Knows My Name, was published in 1961 between his novels Giovanni's Room (1956) and Another Country (1961).
The appearance of The Fire Next Time in 1963, just as the civil rights movement was exploding across the American South, galvanized the nation and continues to reverberate as perhaps the most prophetic and defining statement ever written of the continuing costs of Americans' refusal to face their own history. It became a national bestseller, and Baldwin was featured on the cover of Time magazine. Critic Irving Howe said that The Fire Next Time achieved "heights of passionate exhortation unmatched in modern American writing." In 1964 Blues for Mister Charlie, his play based on the murder of a young black man in Mississippi, was produced by the Actors Studio in New York. That same year, Baldwin was made a member of the National Institute of Arts and Letters and collaborated with the photographer Richard Avedon on Nothing Personal, a series of portraits of America intended as a eulogy for the slain Medger Evers. A collection of short stories, Going to Meet the Man, was published in 1965, and in 1968, Tell Me How Long the Train's Been Gone, his last novel of the 1960s appeared.
In the 1970s he wrote two more collections of essays and cultural criticism: No Name in the Street (1972) and The Devil Finds Work (1976). He produced two novels: the bestselling If Beale Street Could Talk (1974) and Just Above My Head (1979) and also a children's book Little Man, Little Man: A Story of Childhood (1976). He collaborated with Margaret Mead on A Rap on Race (1971) and with the poet-activist Nikki Giovanni on A Dialogue (1973). He also adapted Alex Haley's The Autobiography of Malcolm X into One Day When I Was Lost.
In the remaining years of his life, Baldwin produced a volume of poetry, Jimmy's Blues (1983), and a final collection of essays, The Price of the Ticket. Baldwin's last work, The Evidence of Things Not Seen (1985), was prompted by a series of child murders in Atlanta. Baldwin was made a Commander of the French Legion of Honor in June 1986. Among the other awards he received are a Eugene F. Saxon Memorial Trust Award, a Rosenwald fellowship, a Guggenheim fellowship, a Partisan Review fellowship, and a Ford Foundation grant.
James Baldwin died at his home in Saint-Paul-de-Vence in France on December 1, 1987.
Verlag Random House LCC US
Imprint Vintage Books
Editionsform Taschenbuch
Erscheinungsdatum 12. September 2013
Anarchismus und andere Essays
Gender als interdependente Kategorie
Road Map for Revolutionaries
Die Revolution entlässt ihre Kinder
Wenn der Mensch, den du liebst, depressiv ist
Ökologische Lebenskunst
A Song of Ice and Fire 03. Storm of Swords 1
Zorba the Greek
Kultur, Gesellschaft, Migration
Gehen, ging, gegangen
Prüfungswissen ZPO für Rechtsreferendare
Himmerlandsvolk
Americanah
Kritik der Freiheit
Unter der Drachenwand
Die Disteln brennen
Das wunde Leder
Das geheime Leben der Bäume
Das Leben in 90 Minuten
Warum Menschen sowas mitmachen
Menschenwerk
Die Instabilität der Praxis
Der Zopf meiner Großmutter
Anarchie!
Baedeker Reiseführer Madrid
Notes of a Native Son
Das Mosaik des Islam
Fasziale Osteopathie
Girl, Woman, Other
Prisoners of Geography
Grass Is Singing, The
Das Zeitalter des Überwachungskapitalismus
Reimagining Malcolm X
Schwarze Haut, weiße Masken
Baldwin for Our Times
Giovannis Zimmer
Kassette (Medienmix)
CCENT/CCNA ICND1 100-105 Official Cert Guide
Human Relations and Other Difficulties
Kleiner Mann - was nun?
Body Electric, The
Sonny's Blues
Einführung in das Christentum
Fifty Famous Stories Retold
The Hidden Life of Trees: What They Feel, How T...
Beale Street Blues

redpajama_set_name: RedPajamaCommonCrawl


text:
Tom Morello Confesses That He Didn't Expect Rage Against The Machine To Be This Successful
Dilara Onen
Tom Morello, the co-founder and guitarist of Rage Against the Machine, has opened up about the early days of his band and admitted that he didn't expect Rage Against the Machine to become so commercially successful only in a few years.
During his latest conversation on Canada's CBC Radio One, the multi-talented musician and political activist, Tom Morello, has recalled the forming period of the Los Angeles-based band, Rage Against the Machine.
Morello confessed that he was surprised that they were ever even able to book a club gig at the beginning. He remembered that, in 1991, there were no neo-Marxist, multi-ethnic rap-punk-metal bands, and zero commercial ambition.
Having had a record deal before, with a band that had more commercial leanings, Morello said that he knew that a record deal didn't mean anything. Even his life got worse during that time, he said.
The iconic guitarist also reminisced about the first time anyone outside the four of them ever heard a note of their music. He said they were rehearsing at an industrial complex, and a worker guy would pass by every once in a while, asking what they were doing to the band members.
After they invited him to the rehearsal room and played him a few songs, Tom said that the worker stood up and said that the band's music makes him want to fight immediately.
Here's what Tom Morello said about the early years of Rage Against the Machine:
"I was surprised that we were ever even able to book a club gig. It's hard to paint a picture — in 1991, there were no neo-Marxist, multi-ethnic rap-punk-metal bands. There was zero commercial ambition.
We wrote those songs, and the only goal was to make a cassette demo. I had had a record deal before, with a band that had more commercial leanings, and I knew that a record deal didn't mean — my life got worse, not better, when I had a record deal.
So that didn't matter. So we just made music as a means of self-expression, with Zack De La Rocha's tremendous lyrics and the band's musical chemistry, and that was it."
Morello continued:
"I remember the first time anyone outside the four of us ever heard a note of our music. We were rehearsing at this industrial complex, and this worker guy would pass by every once in a while, and he said, 'What are you guys doing?'
I said, 'We're a band.' And he said, 'Can I listen?' I was, like, 'I suppose so.' At the time, we only had a few songs together. So he sat down in our rehearsal room. He was the first guy to ever hear Rage Against the Machine.
We didn't have a name or anything. And we played him a few songs, and the cymbals die away at the end of the last song. I was, like, 'What do you think?' And he stood up and he said, 'Your music makes me wanna fight.'"
You can check out the rest of the conversation below.
Rage Against The Machine News
Tom Morello News
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Hello! I'm Dilara. If you have any recommendations or requests, please contact me via dilara@metalheadzone.com


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"Are your ears on?" I asked.
"Yes!" She answered happily, as she made a clicking sound with her mouth and moved her hands as if she were making sure her "listening ears" were securely in place.
Her smile grew in anticipation of my announcement.
With a deep breath I delivered the most important news of all – a fact that I hope with my whole heart that my children will never forget ever in their lives.
"I love you very much," I said.


text:
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6 New Tech Upgrades Helpful for Entrepreneurs
by David Gerzof Richard
consumer electronics public relations
Every year in early January a crop of shiny, new technologies is unveiled at the Consumer Electronics Show, also known as CES. A handful of these new technologies will be very useful to entrepreneurs. The trick is finding them at a tradeshow with 2.2 million square feet of exhibit space overflowing with consumer goods ranging from TV's to toys to self-driving vehicles.
I've learned where to look for them. Annually for the past 10 years my agency, BIGfish PR, has launched at least one new entrepreneurial or innovative technology for our clients at CES. It's taught me where on the show floor to discover tech that could be useful to an entrepreneur. Whether it's increasing productivity, saving time or money, traveling more easily or being more connected, there is always something new and useful to be found at the show.
Here are my top six technology picks from this latest CES that can truly help upgrade an entrepreneur's business or life in general.
1. Never run out of storage on your phone.
Robin by Nextbit is a carrier agnostic Android phone that won't let you down when you hit maximum storage capacity. Once the phone's 32GB internal storage reaches capacity, the device automatically and intelligently moves your lesser used apps and content to the cloud where Robin owners have an additional 100GB of storage space. The phone has a 5.2-inch IPS LCD 1080P screen, a 2680 mAh battery and a fingerprint ID built into the side edge of the device for added security.
Robin by Nextbit
Image Credit: Nextbit
Robin comes with an unlocked sim card and is available for order through the Nextbit website for $399.
2. Search and find patents like a pro.
CES saw the debut of a new search engine called Omnity.io that can run searches by full document rather than by keyword or key phrase. Currently, Omnity.io costs nothing to use and only searches through free, open content databases like Wikipedia and the U.S. Patent Office. Entrepreneurs can enter entire patent documents into Omnity.io and the search engine will use semantics and various components of the full document as the basis to find similar documents. Once the search is complete, Omnity.io will not only serve up search results but also provide a visualization of how closely related results are, which then can then be easily exported as a PDF file.
Omnity.io Search Engine Visualization
Image credit: Omnity.io
Omnity.io is currently free to use; however, the founding team tells me eventually there will be a moderate monthly fee to accompany a greater range of both free and paid databases that will be included in searches.
3. Make calls from loud places.
For entrepreneurs who work in open or shared office spaces, or regularly find themselves in really loud environments, there's the Job Site Ear Buds from Tough Tested. These ear buds are designed specifically for construction workers and tradesmen to take calls while motorized equipment roars in the background, so there's every reason to expect they will perform well in a noisy, high-energy start-up space. The ear bud cords are constructed with heavy gauge wire that is Kevlar reinforced, making them perfectly suited for the wear and tear of an entrepreneur on the go. Job Site Ear Buds employ EQ/VOICE technology and a Halo 360 microphone for good call clarity.
Job Site Ear Buds by Tough Tested
Image credit: Tough Tested
Job Site Ear Buds retail for $69.99 and are available for purchase at ToughTested.com
4. Optimize your cell phone connectivity.
Mobile phones usually default to Wi-Fi over cellular connectivity for data usage. Most of the time this is a good thing as it keeps data costs down; however, there are times when a phone is just close enough to a router to pick up a faint Wi-Fi signal but is far enough from that router to only get a snail's crawl worth of data. This can be infuriating, especially when the phone displays full bars for cellular service.
Enter Speedify Mobile from Connectify, Inc. a new app for Android or iOS devices that manages the combination of mobile data and Wi-Fi networks to deliver the fastest speeds available at any point in time. Speedify Mobile seamlessly hands-off between mobile networks and Wi-Fi networks so downloads and videos keep streaming over the fastest network available. Users can easily set Speedify to only use 4G LTE networks when Wi-Fi gets congested or fades out.
Speedify Mobile by Connectify, Inc.
Image credit: Connectify, Inc.
Speedify Mobile for Android and iOS is available for download at speedify.com. The first 1GB of Speedify Mobile managed data is free every month. After that it's $4.99 per month or $29.99 per year.
5. Never miss an important call or message again.
Ditto is a super simple device that does one thing — it vibrates when an important call or message comes into your phone. Ditto, made by SimpleMatters, is about the size of a bottle cap and can be clipped on to clothing where it can be discreetly concealed. The device, which is configured through a free Android or iOS app, can be set to vibrate on specific calls, texts and/or messages through third party apps including WhatsApp, Google Hangouts, Facebook and Snapchat. This can be a very useful tool for any entrepreneur who doesn't always carry a phone but needs to always answer that important call. Ditto runs on a watch battery, so there is no recharging. The app will notify you when it's time to change the battery.
Ditto by SimpleMatters
Image credit: SimpleMatters
Ditto comes in three colors: black, white and clear and retails for $39.95 at SimpleMatters.com.
6. Always know where your luggage is.
For those jam-packed flights where every overhead bin is full and the only option is to check a carry-on stuffed with business-critical items, there's the Bluesmart Carry-on. The Bluesmart Carry-on suitcase has built in real-time location tracking and a remote locking system that is accessible through a companion mobile app. Bluesmart bags can be located anywhere in the world using the in-app tracking system, which uses both GPS and 3G. In addition to tracking, travelers can also lock and unlock the suitcase remotely from the app, so if your bag goes missing they have a better chance of getting it back with all contents intact.
Bluesmart Carry-on
Image credit: Bluesmart
The Bluesmart Carry-on is a bit steep, retailing for $399 but that's a small price to pay if you travel frequently with mission-critical items. Carry-on by Bluesmart is available for purchase at Bluesmart.com and later this year the company will be releasing a larger, checked luggage version of the smart suitcase.
By David Gerzof Richard, for Entrepreneur
Tags: Best Tech of CES 2016, CES, CES 2016, Tech Upgrades for Entrepreneurs
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WEFTEC 2018 attendees will have access to the more than 1000 companies in the exhibition. Photo courtesy of Oscar & Associates.
The 2018 Water Environment Federation (WEF; Alexandria, Va.) technical exhibition and conference (WEFTEC®) returns to New Orleans, Sept. 29–Oct. 3 at the New Orleans Morial Convention Center.
more than 1000 exhibiting companies covering about 300,000 ft2 of floor space.
Prepare your schedule with the WEFTEC 2018 Conference Announcement and the WEFTEC Mobile App. Learn more onsite in WEFTEC Now, the conference's official daily newspaper.
WEFTEC offers a variety of learning opportunities. Workshops offer in-depth, hands-on opportunities to learn about specific topics. Technical sessions provide insight from experts on a diverse collection of topics. The Interactive Knowledge Exchange (IKE) sessions use video to highlight the best ideas and developments in the water sector.
Mobile session participants meet at a room in the exhibition and then walk the floor to hear presentations by experts at selected booths. Photo courtesy of Oscar & Associates.
During mobile sessions, participants walk the exhibition to visit selected booths and hear themed presentations by experts from the sector's most innovative companies and organizations. They start at booth 4609 in Hall F, and booth 7613 in Hall I.
WEF follows guidelines that allow WEFTEC attendees to earn the highest level of education credits. Earn up to 1.2 Continuing Education Units at workshops, 16.5 Professional Development Hours at technical sessions, and up to 8 contact hours per day for visiting the exhibition. For credit, remember to scan WEFTEC badges when entering and exiting a workshop, session, or the exhibition.
The exhibition will be open 8:30 a.m.–5 p.m., Oct. 1–3. Prepare by searching for specific exhibitors by name or by category or by exploring the floor plan.
Network with peers during the Innovation Pavilion reception Oct. 1 and Oct. 2. Photo courtesy of Oscar & Associates.
Find the Stormwater Pavilion and Theater in booth 1737 in Hall C. See the latest in stormwater management and wet weather products and services. The pavilion features educational programming as well as receptions, 5–6 p.m., Oct. 1 and Oct. 2.
Visit the Innovation Showcase Pavilion and Theater in booth 3129 in Hall E. Meet the winners of innovative product awards, hear presentations related to innovative technologies and solutions, and attend receptions to network, 5–6 p.m., Oct. 1 and Oct. 2. Also, across from the Innovation Pavilion, find the Clean Water Services (Hillsboro, Ore.) Pure Water Wagon, a mobile treatment educational platform, at booth 8112; a Discovery Zone with kiosks manned by startup companies; and the Pure Water Brewing Alliance Beer Garden in booth 8113 to sample beer made from treated effluent, 1–5 p.m., Oct. 1 and Oct. 2.
The WEF Plaza, located in Hall G, provides information about WEF's latest resources and efforts. The WEF Bookstore, membership booth, honors and awards display, and Global Center will be in the plaza. The Global Center provides services for international attendees, trade delegations, and U.S. exhibitors, as well as educational sessions throughout the conference.
Pick up a Scavenger Hunt play card at the membership booth in the WEF Plaza. Visit all the exhibits on the card, collect a stamp from each exhibit, and return completed cards to the membership booth for a chance to win a grand prize each day from Monday through Wednesday.
Keynote speaker Kevin Brown will discuss everyday heroes during the Opening General Session. Photo courtesy of Brown.
The water sector is full of everyday heroes. During the WEFTEC 2018 Opening General Session, keynote speaker Kevin Brown will describe the qualities of these inspirational individuals and how to embody these characteristics. Brown is a motivational speaker and author of The Hero Effect. Before his talk, 2017–2018 WEF President Jenny Hartfelder and WEF Executive Director Eileen O'Neill will give opening remarks and introduce the relaunch of WEF's Water's Worth It™ grassroots public awareness campaign. Hear more at the Opening General Session in Great Hall A, 8:30–9:30 a.m. on Oct. 1.
Professionals put their skills to the test in five events during the Operations Challenge competition. Photo courtesy of Kieffer Photography.
See wastewater treatment professionals put their skills to the test during Operations Challenge in booth 3863 of Hall F. Teams of elite competitors will participate in Process Control and Laboratory events, 10 a.m.–5 p.m. on Oct. 1, and Collections System, Safety, and KSB Maintenance events, 8:30 a.m.–5 p.m. on Oct 2.
The Stormwater Congress program provides educational programming and the chance to learn from leaders in the water sector through 15 technical sessions and workshops.
WEF Young Professionals Reception at Crescent City Brewhouse, 8–11 p.m. on Oct. 1.
WEF members can take advantage of some exclusive features this year. A members-only lounge can be found within the WEF Me mbership booth in Hall G. Stop by to enjoy complimentary light refreshments, mobile device charging outlets, and comfortable seating. Enjoy cocktails and conversation at the Mix with Members reception in the Great Hall foyer, 5–6:30 p.m. on Sept. 30. And members and exhibitors can make reservations for meetings between 9 a.m. and 5 p.m., Oct. 1–3 in the Huddle Room, located in booth 3171 of Hall E.
"Join the ReGeneration at WEFTEC 2018.


text:
Q: Whether the tangent space can be saw as $M\times R^m$? Let $M$ be a smooth differential n-dim manifold, $TM$ is the tangent space ,I think the $TM$ can be treated as $M\times R^m$ ,whether it is right ?

A: No, the tangent space is not $M\times R^n$ unless the manifold is parallelizable.
https://en.wikipedia.org/wiki/Parallelizable_manifold

A: Hint:
It is not easy, but I suggest you to visualize $T\mathbb{S}^{2}$ and why it is not the same as $\mathbb{S}^{2}\times \mathbb{R}^{2}$. Then you can try to visualize $T\mathbb{RP}^{2}$. Note that $T\mathbb{S}^{1}\cong \mathbb{S}^{1}\times \mathbb{R}^{1}$, so one way of thinking about it is that you can try to glue the two pieces over the equator.

redpajama_set_name: RedPajamaStackExchange


text:
What "Nude" Ballet Slippers Mean to One Black Ballerina
By Seunghee Suh
In the ballet world, "pancake" doesn't just mean a confectionery breakfast treat. The word is also used by ballerinas to describe a heavy, sweatproof foundation that serves as a base for stage makeup. But some dancers have found another purpose for the formula—it also doubles as paint for their pink pointe shoes.
Ingrid Silva, a Brazilian dancer with the Dance Theatre of Harlem, has been painting her shoes ever since she began her career at eight years old. "Every week I have to paint a new pair of pointe shoes brown just to match my skin color," Silva, 27, tells Allure. "If I wear pink pointe shoes, the contrasting colors would cut my lines." She currently uses Black Opal's True Color Pore Perfecting Liquid Foundation in Ebony Brown.
The manual ritual can take hours. Not only that, Silva has to paint her shoes in batches. Most dancers get one performance out of a pair before they're deemed "dead," but because of how laborious this makeover process is, Silva has to make hers last for several performances.
Searching for the perfect pointe shoes is an equally painstaking process. From the wideness of the toe box—the hardened tip of the shoes that encases the toes—to the length of the shank, the inner sole—there are many design elements a dancer must consider.
Elizabeth Lippman/Allure
"It's not easy as just finding a brand and putting on the shoes," says Silva, who currently wears Veronese III by Japanese dancewear company Chacott. "It takes a lot of time to find the right shape and the right combination of comfort."
You can probably commiserate with Silva if you've had problems finding the right nude lipstick or opaque tights that match your skin tone. The word "nude" is simply defined as flesh shades. But in practice, it's commonly attributed to a lighter spectrum of color, from peachy pink to pale beige.
Ballerina Lauren Lovette shares her foot-care routine:
Earlier this year, Eric Underwood, a black soloist for the Royal Ballet, made headlines when he posted an Instagram video of himself applying makeup on his ballet slippers. In the caption accompanying the video, Underwood implored dancewear brands to add more than one flesh-colored hue in their shoe inventories.
The narrow offering extends to clothes, as well. Default nude tights must be hand-dyed to match the painted shoes in order to create the seamless body line that gives the illusion of an airy, ethereal being. Silva used to stock up on Capezio's Ultra Soft Transition Tights in cocoa, a color that's been discontinued. "I'm sure it's hard to fabricate so many different shades, but it's about time to make clothing that fits every dancer," she says.
Some brands have begun to challenge the norm. Christian Louboutin fans rejoiced when the designer expanded his flats collections to include seven different shades of nude—complete with the iconic red sole. Lingerie brand Nubian Skin quickly gained a popular following when Beyoncé and her dancers wore the label's nude garments underneath sheer Balmain bodysuits during the Formation World Tour. Last week, Cult makeup brand Glossier celebrated its range of nude tints with a photo of a Rubik's Cube decked out in flesh-toned shades.
Dancers like Misty Copeland, who made history by becoming the first African-American principal dancer at the American Ballet Theatre last year, are challenging the white-washed perception of what a classical ballet should look like. The emergence of philanthropic organizations such as Brown Girls Do Ballet, which provides resources and scholarships to young minority dancers, are also trying to change the game.
Through Brown Girls Do Ballet, swimsuit designer Whitney Bracey learned of the shortage of diverse tones in dancewear. Last March, she started Mahogany Blues, a Dallas-based dance apparel company that offers four flesh-colored leotards. "During my research, I found that many dancers have to dye their leotards because they couldn't find options other than just beige," says Bracey. "Dancers of color shouldn't have to face this problem. These leotards should readily be available to them." Due to popular demand, the line will include menswear and add two more shades—another darker option, and a paler shade—by the end of this year.
As for Silva, her contribution towards diversity has been focused on children. She teaches ballet to students in New York City public schools for Dancing Through Barriers, the Dance Theatre of Harlem's art education program. "Ballet is an elite form of art. If you don't have money, it's hard to go see a performance," she says. "I wish ballet companies would give tickets away to minorities and students. It would open the public's eyes to our world."
In her private life, Silva enjoys taking her dog, Frida, to French bulldog meet-ups in the park. "She's very chill and relaxing, pretty much the opposite of who I am." She also plans to study dance psychology in the future, though she says she could see herself dancing well beyond retirement. "When I perform, it's something from out of this world," she says. "You get to represent yourself, represent your country, represent your family. I feel like that's what makes me feel beautiful."
Tinashe's Ballet-Inspired Workout Routine
Meet Ballerina Lauren Lovette: New York City Ballet's New Female Choreographer
Kylie Jenner Launches a Nude Lip Kit Perfect for Darker Skin Tones
Keywordsballetdiversitynude


text:
Q: Why is my BigQuery query returning additional dates other than what I have specified in the WHERE clause? I have the query below. I only want it to return dates as specified in the WHERE clause, however it is returning all data. I have already tried using _TABLE_SUFFIX as date and that did not work. What else can I do?
SELECT
  date,
  'iOS' as app_source,
  h.eventinfo.eventlabel,
  COUNT(1) events,
  COUNT(DISTINCT CONCAT(fullvisitorid, CAST(visitstarttime AS string))) uniqueEvents
FROM
   `XXXX1.ga_sessions_*`,
  UNNEST(hits) h
WHERE
  h.type='EVENT'
  and (h.eventInfo.eventCategory = 'Live' and h.eventInfo.eventLabel = 'Team Chat')
  or (h.eventInfo.eventCategory = 'Messages' and h.eventInfo.eventLabel = 'Direct Message')
  and date >= "20190818"
GROUP BY
  1,2,3

UNION ALL

SELECT
  date,
  'Android' as app_source,
  h.eventinfo.eventlabel,
  COUNT(1) events,
  COUNT(DISTINCT CONCAT(fullvisitorid, CAST(visitstarttime AS string))) uniqueEvents
FROM
   `XXXX2.ga_sessions_*`,
  UNNEST(hits) h
WHERE
  h.type='EVENT'
  and (h.eventInfo.eventCategory = 'Live' and h.eventInfo.eventLabel = 'Team Chat')
  or (h.eventInfo.eventCategory = 'Messages' and h.eventInfo.eventLabel = 'Direct Message')
  and date >= "20190818"
GROUP BY
  1,2,3

ORDER BY
  date

A: You should fix your WHERE clause as in below example
WHERE
  h.type='EVENT'
  and (
    (h.eventInfo.eventCategory = 'Live' and h.eventInfo.eventLabel = 'Team Chat')
    or (h.eventInfo.eventCategory = 'Messages' and h.eventInfo.eventLabel = 'Direct Message')
  )
  and date >= "20190818"


text:
Q: I am seeing unexpected and unwelcome behavior with double arithmetic in Java Ok, JavaSE 1.8 running an application in Eclipse Version: Oxygen.3a Release (4.7.3a)
Build id: 20180405-1200. Simple arithmetic:
Double dblBalance; ( showing as 2072.41 in debug, but also running the app in the IDE)

Double dblAmountofAllocation; ( showing as 1900.0 at runtime )

dblBalance = dblBalance - dblAmountofAllocation; ( dblBalance shows 172.40999995 at runtime)
( my workaround - shouldn't be necessary)
dblBalance = Math.round(dblBalance * 100.0) / 100.0;

I have also tested this in a test case compiled and run from the command line. So it is reproducible.
Is it the Java runtime engine?
very puzzled - I would like to know if this can be replicated by others. Most combinations of Double values don't have this problem - do I need to stick with the native data types?


New York Mets manager Terry Collins is an improbable position. Few managers get the opportunity to return to the dugout for a forth season after leading their teams to losing records in the first three. Even less (even Ron Gardenhire was let go after his 4th straight losing season) get a shot at a fifth season after leading their team to losing records in the first four. As the Mets prepare for their first postseason appearance since 2006, the same manager is in the dugout that saw their complete rebuild from square one.
I have been a supporter of Terry Collins, like many other managers put into similar situations. It is not fair to hire a person into a leadership position, take away his talent AND expect him to lead the team to victory. Whether fans have issues with his demeanor, his lineups or his use of the bullpen, the truth remains the Mets brought to the table a better group of ball players in 2011 than they did in 2012 and 2013 (and arguably 2014). Whether you like Terry Collins or not, he was not the one who reduced the talent level on the field forcing the Mets to be a second division club for the past three seasons.
The trades GM Sandy Alderson made in 2011 to deal reliever Francisco Rodriguez to the Brewers and Carlos Beltran to the Giants were made for different reasons. The trade of K-Rod was a salary dump and kept the Mets from having to pay him $17 million for 2012 (which they could not afford). The Beltran trade brought in Zack Wheeler, a young arm who is expected to return to his 2014 MLB form after coming back from Tommy John surgery. Both moves were very symbolic towards the direction of the ball club going forward. The K-Rod trade was proof that the Mets were not going to be a contender for the rest of the season- a point backed up by the fact that they did not have a serviceable reliever to pitch the 9th inning. The Beltran trade was the final white flag, though the future could be bright, there was no hope for the Mets in 2012. SS Jose Reyes left as a free agent after the season and though he signed a very prohibitive contract (look at what's left on the final two years of his deal with Colorado), it was a sign that the Mets were not looking to win in 2012.
2012 was all about the amazing season of starting pitcher RA Dickey. Though he had proven to be a dependable starter in his first two seasons with the Mets, his breakout Cy Young campaign kind of came out of nowhere. The Mets were 22-12 in Dickey's 34 starts, but just 52-76 in the team's other 128 games. Alderson cashed in on Dickey and got his eventual starting catcher, his postseason number two starter and a young, excitable OF (Wuilmer Becerra) moving up through the Mets minor league system in return for the Cy Young Award winner. Though it looked good for the future, it did not look good for the 2013 season.
So this takes me back to Collins, who before the 2013 season was about to enter his third season as manager of the Mets. Of course, he was clearly in a position where the expectations were less than they were in the prior season. And the expectations for the prior season were less than that of the year before. If 2013 was Terry's last as manager of the Mets, few would complain. Mainly because of what I stated earlier, the fact that manager are seldom kept around for more than three consecutive losing seasons. It still does not make it right. How can a manager be expected to win or be fired when the talent level at the major league level resembles that of a championship Beer League team?
But that is the game of Major League Baseball we live in. Coming into a season, expectations are high for the teams that are considered to have the most talent. A handful of teams can be considered sleepers. If these teams overachieve, they can exceed expectations. The rest of the league can paint a dream scenario- something from a fantasy or a out of a fairy tale, where things bounce a certain way and their team can shock the world. An example would be the 1914 Boston Braves. The probability of such an occurrence is almost nonexistent. Imagine being a manager going into year four with such expectations.
After the conclusion of his fifth season as Mets manager, Terry Collins is about to manage in the postseason. Not just for his team and himself- but for all the managers who were let go right before their teams jumped into the postseason. He is doing it for Buck Showalter, who was let go after four seasons with the Yankees before they won the World Series in 1996 and again with the Diamondbacks after three years before they won the World Series in 2001. He is doing it for Brad Mills and Bo Porter of the Astros, who led dismal teams but did not see stick around to see the results of 2015. Even for... wait for it... Jerry Manuel, who led the Chicago White Sox to four straight WINNING seasons (1 was 81-81) only to be fired and replaced by Ozzie Guillen who won a World Series in his second season. Going back further, how about Pirates manager Larry Shepard being let go after the 1969 season in favor of Danny Murtaugh. This happened to coincide with the Pirates making the postseason five out of six seasons including a WS Championship in 1971. Outside of Buck, no other manager mentioned has ever skippered a club to the postseason.
Furthermore, Collins getting to the postseason after 1688 games is a story by itself. He led the Astros to three consecutive winning seasons before he was let go after the 1996 season. The season after he was replaced, Larry Dierker (Passed Ball Show guest) led them to the postseason for the first time since 1986. Collins led the Angels to two consecutive winning seasons before it all fell apart for him in 1999. He waited 12 years, taking on any position offered to him, including stops in Japan and China.
 There are two ways one can build up a reputation as a successful manager. Joe Torre, Terry Francona and Bob Brenly got themselves in the position to take over a good club at the right time. Of course, Torre and Francona won again, further validating their record for success. Being in the postseason must mean more to Terry Collins than a lot of the past managers. Gene Mauch holds the record of 3293 regular season games without a postseason appearance. I am sure he is just as happy for Collins as I am.
I think the Houston Astros showed how little clue they have by firing manager Brad Mills. The firing itself was not a surprise, with the Astros sitting at 39-83, worst record in the major leagues. On the surface, it seems just that a manager who has guided his team to that bad of a record deserves such a fate. Especially this is his third straight losing season, starting out 76-86 in 2010 and going 56-106 in 2011. So its safe to say the team has done worse since he took the helm after being Terry Francona's bench coach in Boston.
The honest truth is the Astros first hired Mills, then took his team away. First they moved Roy Oswalt and Lance Berkman in 2010. Then they traded Hunter Pence and Michael Bourn in 2011. They finished off with getting rid of Brandon Lyon, Brett Myers, Chris Johnson and Wandy Rodriguez in 2012. Is that Mills fault? Was he supposed to talk the front office into keeping his good nad even marginal players? A fair case could be made that the Astros were going nowhere whether they moved these players or not. Touche' but its a steep challenge to make a stripped team overachieve. I doubt John McGraw, Joe McCarthy, Bobby Cox or Tony LaRussa would have done any better with this mix. Even Casey Stengel could not make the 1962 Mets into winners.
Maybe the Astros took their stand by blaming Mills. The Houston Astros will not stand for this kind of losing and its time to change the manager. Managers get fired all the time. I can't make a fair assessment of how Brad Mills is as a manager. Sure he showed some flaws, but most managers do when their team stinks. Hopefully he gets another chance somewhere, then a better conclusion could be made. But to inply that he is directly 100 % responsible for this terrible record and team is a dillusional statement. If the current Houston Astros team was playing a AAA schedule, it would still not be very good.
I think it is more of a joke that the Astros have stopped competing to get ready for a move to the AL. They will essentially move into the other league as an expansion team. They deserve to be treated as one. While we all remember the Pittsburgh Pirates last making it to the postseason in 1992, we will all point to 2005 as the last time the Astros made the postseason. Hopefully, it won't be 2025.


text:
Mixes / Remixes
SetMixes / Megamixes
Unreleased / Demos
Polls/Charts
Best Real Diva Ever!
MADONNA "Music Box" – The New 2016 Project By IDAHO
david cocas Djs, Mixes / Remixes April 9, 2016
MADONNA "Voices" ( Loka Nunda Melt Down Remix ) – Maybe The Best Remix Of The Song!
david cocas Mixes / Remixes April 25, 2015
Liza Minnelli – Losing My Mind (Almighty Mix 2004)
PET SHOP BOYS "The Pop Kids" Climb From 49 to Number 1!
david cocas Polls/Charts March 26, 2016
Exclusive "Always KYLIE" has just been released! Do you dare?
david cocas Albums, Djs, Exclusives, Mixes / Remixes, SetMixes / Megamixes March 25, 2017
Olivia Newton – John – Please Don't Keep Me Waiting (Mirror Ball's Bella Turner Remix)
mirrorball remixes Mixes / Remixes March 17, 2015
Olivia Newton-John – Stranger's Touch (Mirror Ball's Satin Jackets Remix)
In Mixes / Remixes by mirrorball remixes March 24, 2015 Leave a Comment
This Mirror Ball Remix of one of Olivia Newton-John's lesser known but brilliant tracks from her platinum selling Physical album was created by overlaying an edited a Satin Jackets instrument track. It's re-edited, pure pop, ass shaking 80's at it's best.
Physical is the ninth full length studio album by Australian singer-songwriter Olivia Newton-John, released on 13 October 1981 by MCA Records. The album was produced and partly written by her long-time producer John Farrar. Recorded and mixed at David J. Holman's studio in Hollywood, California. Physical continues the pop style in which Newton-John moved towards after Grease and her new-imaged album Totally Hot, becoming one of her most controversial and sexual records, and her most successful studio album to date. Musically, the album features songs with a considerable use of synthesizers. Physical explores lyrical themes such as love & relationships, sex, kinesthetics and environmental protection. Upon on its release, the album received generally positive reviews from music critics, many of them considering it as Newton-John's best work. The album reached top ten in several countries across the world — including the United States, Japan and her native Australia, becoming one of the most successful albums of the early 1980s. It is also one of the best selling albums ever by an Australian solo artist, selling more than ten million copies worldwide.
The album's title track, which was released as a lead single, was a commercial phenomenon, staying ten weeks atop the Billboard Hot 100, the biggest setting at the time which was tied up with Debby Boone's 1977 hit single "You Light Up My Life". The song and its music video were very polemical, being banned or edited from several radio stations and music televisions such as MTV, due to its sexual and LGBT-themed content. The single was followed by "Make a Move on Me", another top ten worldwide hit, and "Landslide", which failed to enter into the majority of musical charts, but its music video caught the public's attention, specifically to the featured participation of Matt Lattanzi on the video, Newton-John's then-boyfriend and lately became her then-husband at that time in which she had also dedicated the album to him. A video compilation was made entitled Olivia Physical, featuring her music videos of all of the songs from the album. The material was a commercial and critical success, and earned her a Grammy Award for Video of the Year.
The album was promoted on Newton-John's fifth concert tour in 1982, the Physical Tour, in which she only visited North America and filmed for the television, also recorded for its home video released entitled Olivia in Concert. The Physical era marked the height of Newton-John's solo career, who was considered for several media vehicles such as Billboard and Cashbox as one of the most successful female artists of the early 1980s.
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Listen To The Unreleased "Rhythm Of Romance" From SHEENA EASTON
KYLIE MINOGUE Kiss Me Once – B-Sides & Unreleased
Straight to you!
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text:
(1046) Edwin je planetka, objevená Georgem Van Biesbroeckem 1. prosince 1924. Její provizorní název byl 1924 UA. Jméno dostala po synovi svého objevitele, Edwinovi Van Biesbroeckovi.

Odkazy

Související články
 Seznam planetek 1001-1250

Externí odkazy
 (1046) Edwin na webu České astronomické společnosti

Planetky hlavního pásu
Planetky nazvané po osobách

redpajama_set_name: RedPajamaWikipedia


in the year 2012 a.d.
and i am at its center.
you are at its center.
that it disrupts their eating or shopping.
in public from time to time.
why would i apologize for being myself?
that i stink, go right ahead.
wash up and change your shirt.
to tell me that my stink was bugging him.
i think you're wearing too much make-up.
i think about you on first sight.
then no one has any reason to be upset.
is what i'm left with.
You are currently browsing the poems by GJK blog archives for February, 2012.


text:
The Banner Saga 2
Platform: Switch
Tags: Strategy, Turn-Based
Developer: Stoic
More Platforms: PC, PlayStation 4, Xbox One
View all 4 available The Banner Saga 2 images
The Banner Saga 2 Reviews Around the Internet
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More Switch Games to Consider...
Release Date: August 29, 2017 (North America)
Tags: RPG, Strategy, Fantasy, Turn-Based
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Shephy
Release Date: July 6, 2017 (North America)
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text:
Q: Add a page to Next.js with Webpack plugin Is there a way to generate a file dynamically and inject it into /pages without saving it in this directory?
For example, if I'd like to create a Next.js plugin that adds example.com/build static page with timestamp of last compilation, or list file structure of the project.


Save time when buying lottery tickets with a mobile lottery app.
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A lottery app lets you can play the lottery on a bus, or while waiting for a bus, and even from the convenience of your couch, whenever you want to. No more worries about closing times for stores.
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Using the right app to play the lottery on your mobile phone, you won't need to browse the web or call around to find out about winning numbers. The lottery app will check the tickets for you and notify you immediately of your winnings.
No need to scan your lottery ticket.
The right lottery app on your mobile phone means that you already have a "lottery app scanner", so to speak. Scanning a lottery ticket after you purchased one to make sure you always have a backup copy is a thing of the past. Now that's a relief.
Instantly claim a winning lottery ticket automatically.
No more running to the store to cash in winning lottery tickets. A mobile lottery app on your iPhone or Android can immediately claim winnings for you. That way everything is in one plays. Games, tickets, and winnings.
No one else can claim your winning ticket.
When you purchase a lottery ticket with a mobile app, not only will you have an electronic record of your ticket, but it also means that no one else can find your lost ticket and claim your rightful winnings.
No more damaged lottery tickets.
Because you used a lottery app to purchase your ticket, there is exactly zero chance that your ticket can get damaged or even lost. That means an end to worrying if the winning lottery ticket was just destroyed in the washing machine or ripped up by your dog.
Wondering which is the best lottery app for iPhone or Android? Find out in our post about how to play the lottery on your mobile phone. You can even get a free lottery ticket out of it. Hurry!


text:
Q: Suggestions for tricky string in pandas row I am in the middle of processing weather data and I am still learning how to use pandas efficiently... I have a pandas data set where I have a row of wind speeds and directions formatted. The issue is the string format of the directions. The current format of the wind speed and direction column df['WindDirSpeed'] is as follows:
            IssueDatetime                                Regions  \
0     2018-01-01 06:00:00                            SOUTH COAST
1     2018-01-01 06:00:00                            SOUTH COAST
2     2018-01-01 06:00:00                            SOUTH COAST
3     2018-01-01 06:00:00                            SOUTH COAST
4     2018-01-01 06:00:00  EAST COAST-CAPE ST  FRANCIS AND SOUTH
...                   ...                                    ...
12833 2018-12-30 06:00:00               SOUTHEASTERN GRAND BANKS
12834 2018-12-30 06:00:00               SOUTHEASTERN GRAND BANKS
12835 2018-12-30 06:00:00               SOUTHEASTERN GRAND BANKS
12836 2018-12-30 06:00:00               SOUTHWESTERN GRAND BANKS
12837 2018-12-30 06:00:00               SOUTHWESTERN GRAND BANKS

             forecastTime  forecastHour WindDirSpeed
0     2018-01-01 06:00:00           0.0         SW35
1     2018-01-01 15:00:00           9.0         SW25
2     2018-01-02 08:00:00          26.0      SW15-20
3     2018-01-02 15:00:00          33.0     VRB10-15
4     2018-01-01 06:00:00           0.0         SW35
...                   ...           ...          ...
12833 2018-12-30 06:00:00           0.0         W25
12834 2018-12-30 09:00:00           3.0          W25
12835 2018-12-30 18:00:00          12.0         NW35
12836 2018-12-30 06:00:00           0.0          W25
12837 2018-12-30 12:00:00           6.0         NW30

I have attempted to write a function which extracts the direction and creates a new row with wind direction only:
def find_windDir(row):
    directions = ['VRB', 'N', 'NE', 'E', 'SE', 'S', 'SW', 'W', 'NW']
    for d in directions:
        if d in row['WindDirSpeed']:
            row['dir'] = d
            row['WindSpeed'] = row['WindDirSpeed'].replace(d,'')
    return row

Unfortunately this does not work because the "in row" finds all variations of the direction string.
Ideally I need the data set to be separated with wind speed and direction in separate columns:
 Dir WindSpeed
  SW     35
  SW     25
  SW   15-20

A: Try this:
df['Dir'] = df['WindDirSpeed'].str.extract(r'([A-Z]*)')
df['WindSpeed'] = df['WindDirSpeed'].str.extract(r'([0-9]+\-[0-9]+|[0-9]+)')
print(df)

Output:
           forecastTime  forecastHour WindDirSpeed  Dir WindSpeed
2018-01-01     06:00:00           0.0         SW35   SW        35
2018-01-01     15:00:00           9.0         SW25   SW        25
2018-01-02     08:00:00          26.0      SW15-20   SW     15-20
2018-01-02     15:00:00          33.0     VRB10-15  VRB     10-15
2018-01-01     06:00:00           0.0         SW35   SW        35
2018-12-30     06:00:00           0.0          W25    W        25
2018-12-30     09:00:00           3.0          W25    W        25
2018-12-30     18:00:00          12.0         NW35   NW        35
2018-12-30     06:00:00           0.0          W25    W        25
2018-12-30     12:00:00           6.0         NW30   NW        30


Originally produced in Italy's Piedmont region using the Muscat grape, Australian Moscatos available right here at Wine Selectors are refreshing, spritzy and sweet, and are generally low in alcohol at around 5-6%. Muscat is one of the only grapes whose sweet musk aromas on the vine follow through to the glass and come in a rainbow of colours – anything from light straw through to dark pink, even red. They range from slightly dry to fully sweet and from still to bubbly. Extremely versatile, serve them chilled on a summer afternoon or as an aperitif to lunch.


Coming in at number five is a post suggesting that the music you're listening to could help you drive positive change in the world.
Next on the countdown is a rant on one of my big pet peeves, the overuse (misuse?) of a common Lean tool.
The third most popular post of this year proposes the idea that our view of problem solving is flawed.
The top spot for 2015 goes to the post offering a possible alternative to the problem presented in the #3 post.
I wish you the best of luck with your endeavors in 2016 and remember, the best way to stay on top of what I'll be up to is to subscribe to the newsletter.
Don't be afraid to Plow A different path than those around you. The road less traveled could make all the difference.
I don't know about you, but I'm glad the holiday season is here. I love Christmas music! A few years ago, my wife and I had the pleasure of going to Seattle and seeing Mannheim Steamroller in concert. It was a Christmas show in mid-December. The show was absolutely an amazing show, as well as a lesson in challenging the status quo.
Chip Davis, the mastermind behind Mannheim Steamroller, always marched to the beat of a different drummer. (Actually, as a percussionist, he literally followed his own beat.) After all, when you write music for harpsichord, dulcimer, recorders, synthesizers, recorded sounds and other instruments, you're sure to make some people uncomfortable. In the mid-70's when he created the Mannhiem Steamroller pseudonym, he couldn't find a record label to record his unique style. So he simply created his own record label and did it himself. A decade later when others in the music industry told him it would be foolish to release a Christmas album, he did it anyway and went on to become the top selling Christmas artist of all time.
After 40 million albums sold and over three decades of performing, Mannheim Steamroller is still going strong. Still wowing audiences. Still filling this season with wonder.
Today's lesson is not to think that you're too weird by saying no to the status quo. Instead, the world needs awesome people like you standing out by doing what they do best. You'll never know where your experiments will take you, until you give them a try. Here's to an exciting 2016 ahead of you!
What's so Great About Waiting?
If you believe the "best things come to those that wait," you're bound to be disappointed. There's a better strategy than waiting for luck.
As you were growing up, you were probably told that "the best things come to those that wait." You might of have heard that "patience is a virtue" as well. "Calm down", "wait your turn", "haste makes waste" - by the time you became an adult you might have been thoroughly discouraged from doing anything... but waiting.
The thing is, patience definitely has it's good points. No one wants to be a whiny, impatient person who wants everything NOW! But patience can have it's down side as well. If all you are doing is waiting for something to happen - someone to pick you, winning the lottery, getting on Oprah's show - you are setting yourself up for disappointment.
Impatient & Passive - When you want something right now, and have done nothing to help bring it about, you are definitely not making any friends. It turns into whiny, entitlement.
Impatient & Active - Now you want something and will do anything to make it happen. This ambition is better. You might make friends but they will probably be opportunistic and more interested in what you can do for them.
Patience & Passive - You're waiting patiently for all the good things to happen, but you're really hiding behind your fears. Now sitting around serves as a handy excuse to not facing your uncertainty.
Patient & Active - Patience combined with disciplined action, and it's looks much different. You're putting in the hard work and moving towards a purpose. Now people might go out of their way to help you out.
The best things come to those who choose themselves, stick with the work, and patiently keep getting better over time.
Stop waiting - it's not doing you any favors. Make sense of what's going on and decide on what you can take action on TODAY. Then, go and do that, TODAY! Keep taking purposeful action, patiently, and you'll be far better off than those who are still waiting for their best things to come.


I just tried to cross-compile mythtv-frontend for the "armhf" architecture (via "dpkg-buildpackage -b -aarmhf"). Sadly the resulting package contained i386 binaries.
This code is doomed to fail under any cross-compile situation since it uses the host architecture (not the target architecture).
Instead of using "dpkg-architecture" it would be probably better to use the environment variable "DEB_BUILD_ARCH". But I don't know if this would be the proper approach.
Please ignore this bug report if cross compilation is not supposed to be a goal for Ubuntu packages.
It's not currently a goal, but that doesn't mean we're not open to fixing the packages such that it could work for you. Feel free to propose a patch for inclusion. As long as it doesn't break building for all the architectures that we currently support on the Ubuntu archive, I don't see why we couldn't consider it.


text:
Another caravan of Mexican migrants - but heading south of border for Christmas
Poor Central American migrants who form caravans to fend off predatory gangs as they cross Mexico's interior en route to the United States have made global headlines and drawn the ire of President Donald Trump.
But last week in the Texan border city of Laredo a caravan of about 1,500 families made up of Mexican migrants and Americans of Mexican origin set out in the opposite direction - for their Christmas holidays.
Driving large cars laden with clothes, perfumes and other Christmas presents, the Mexicans, all with U.S. legal status, bore scant resemblance to the Central American migrants trudging north on foot, except for their shared fear of criminal gangs.
"There's a lot of extortion, corruption, many people have been attacked," said Jesus Mendoza, a 35-year-old painter who obtained U.S. legal residency in August and returned to Mexico for the first time this year since 2001.
About half of the 12 million Mexicans living in the United States have legal residency, and Mexico's Senate expected more than 3 million to return home this year.
But doing so by car poses a challenge as Mexico's northern border regions have been racked by a tide of drug-fueled violence that led to a record 29,000 murders last year.
With three young children and a wife he met on Facebook, Mendoza was going back to a Mexico different to the one he left behind as a teenager before the country embarked on a so-called war on drugs in 2006 and violence spiraled.
"It's a sad thing that some don't want...to visit their family because of the situation," he told Reuters in Jalpan de Serra in central Mexico after arriving there on Dec. 16.
Trump has called migrant caravans bound for the United States "invasions" and has threatened to close the U.S. border with Mexico.
Car caravans moving south into Mexico have been rare over the past decade. But those who reached their family homes say safety in numbers is vital.
"It's sad that when I enter Mexico I don't feel safe," said Mariela Ramirez Palacios, a Mexico-born resident of Oklahoma. "The caravan is safe."
More about: migrants


text:
South Korea (IOC designation:Korea) participated in the 1999 Asian Winter Games held in Yongpyong, Chuncheon, and Gangneung in Gangwon, South Korea from January 30, 1999 to February 6, 1999.

Medal summary

Medal table

Medalists

Gold
Alpine skiing
 Men's Slalom - Hur Seung-wook
 Men's Super Giant Slalom - Hur Seung-wook
 Women's Super Giant Slalom - Yoo Hye-min

Short track speed skating
 Men's 500 m - Lee Jun-hwan
 Men's 1500 m - Kim Dong-sung
 Men's 3000 m - Kim Dong-sung
 Women's 1500 m - Kim Yoon-mi
 Women's 3000 m - Kim Moon-jung
 Women's 3000 m Relay - Choi Min-kyung, Kim Yoon-mi, An Sang-mi, Kim Moon-jung

Speed skating
 Men's 1000 m - Choi Jae-bong
 Men's 1500 m - Choi Jae-bong

Silver
Alpine skiing
 Men's Giant Slalom - Hur Seung-wook
 Women's Giant Slalom - Yoo Hye-min
 Women's Super Giant Slalom - Yang Woo-young

Short track speed skating
 Men's 1000 m - Kim Dong-sung
 Men's 3000 m - Lee Jun-hwan
 Women's 500 m - Choi Min-kyung

Speed skating
 Men's 500 m - Jaegal Sung-yeol
 Men's 1000 m - Lee Kyu-hyuk
 Men's 1500 m - Chun Joo-hyun
 Men's 5000 m - Moon Jun

Bronze
Alpine skiing
 Men's Slalom - Choi Moon-sung
 Men's Giant Slalom - Lee Ki-hyun
 Men's Super Giant Slalom - Choi Moon-sung

Biathlon
 Men's 4 x 7.5 km Relay - Son Hae-kwon, Shin Byung-kook, Choi Neung-chul, Jeon Jae-won
 Women's 4 x 7.5 km Relay - Kim Ja-youn, Kim Mi-young, Yoo Jea-sun, Choi Mi-jung

Figure skating
 Ice Dancing - Yang Tae-hwa / Lee Chuen-gun

Cross-country skiing
 Men's 4 x 10 km Relay - Park Byeong-ju, Park Byung-chul, Shin Doo-sun, Ahn Jin-soo

Short track speed skating
 Men's 1500 m - Lee Jun-hwan
 Men's 5000 m Relay - Kim Dong-sung, Lee Jun-hwan, Lee Ho-eung, Kim Seon-tae
 Women's 1000 m - Kim Yoon-mi
 Women's 3000 m - Choi Min-kyung

Speed skating
 Men's 1000 m - Chun Joo-hyun
 Men's 10000 m - Moon Jun

References

Nations at the 1999 Asian Winter Games
Asian Winter Games
South Korea at the Asian Winter Games


text:
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Alexandre Desplat Sheet Music
Desplat has extensively composed for films, first in France and later in Hollywood, including scores and incidental music for some 100 films among which are Lapse of Memory and Family Express (both 1992), Regarde Les Hommes Tomber (1994), Les Péchés Mortels (1995), the César nominated Un Héros Très Discret (1996), Une Minute De Silence and Sweet Revenge (both 1998), Le Château Des Singes (1999), Home Sweet Home and Reines D'Un Jour (both 2001), the César nominated Sur Mes Lèvres (2002), and Rire Et Châtiment (2003), among others.
Desplat has composed individual songs that have been sung in films by artists such as Akhenaton, Kate Beckinsale, Charlotte Gainsbourg, Valérie Lemercier, Miosotis, and Catherine Ringer. He has also written music for the theatre, including pieces performed at the Comédie Française. Desplat has conducted performances of his music played by the London Symphony Orchestra, the Royal Philharmonic Orchestra, and the Munich Symphony Orchestra. In addition to his composing and performing, Desplat has also given Master Classes at La Sorbonne in Paris and at London's Royal College of Music.
In 2007 he composed the high profile scores for Philip Pullman's The Golden Compass; Zach Helm's directorial debut Mr. Magorium's Wonder Emporium with American composer Aaron Zigman; and the Ang Lee movie Lust, Caution. Prior to these breakout works, he contributed scores for The Luzhin Defence, Girl with a Pearl Earring, Syriana, Birth, Hostage, Casanova, The Nest and The Painted Veil, for which he won the Golden Globe Award for Best Original Score, Los Angeles Film Critics Association Award for Best Music, and the 2006 World Soundtrack Award. He won the 2007 BMI Film Music Award, 2007 World Soundtrack Award, 2007 European Film Award, and received his first Academy Award nomination for Best Original Score for The Queen. He also won the Silver Berlin Bear at the Berlin Film Festival for Best Film Music in The Beat that My Heart Skipped. In 2008, Desplat received his second Oscar nomination for David Fincher's The Curious Case of Benjamin Button.
Desplat's recent projects include Largo Winch, based on the Belgian comic; Afterwards a French-Canadian psychological thriller film directed by Gilles Bourdos in English; Anne Fontaine's Coco avant Chanel based on the life of designer Coco Chanel; Robert Guédiguian's L'Armée du Crime; Cheri, reuniting him with director Stephen Frears, whom he collaborated with on The Queen; Un Prophète reuniting with director Jacques Audiard; Julie & Julia directed by Nora Ephron; Fantastic Mr. Fox, directed by Wes Anderson and based on the novel by Roald Dahl; and New Moon, directed by Chris Weitz, out in November 2009.
Desplat's upcoming projects are The Tree of Life, directed by Terrence Malick, The Ghost, directed by Roman Polanski, and Largo Winch 2 .
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We drink quite a few different smoothies here at Foodstuff Finds, but they are almost always fruit based, occasionally with the addition of yoghurt. Spectre has an aversion to bananas so when I told him we had some new smoothies to try, his first reaction was to ask if they contained bananas. I said that it didn't, but that it did contain kale, broccoli and spinach! He did seem quite curious about them!
Savse feel that smoothies shouldn't be limited to the world of fruit, and mix in a selection of vegetables and other goodies so that you get all the vitamin goodness you need. To quote their marketing, "drink your greens". They each contain two of your five a day.
As I am fighting off a summer cold I thought it would be good to try the Super Red which has a boost of Vitamin C. NLi10 would approve of these drinks as they are raw, unpasteurised and cold pressed rather than heat pasteurised which can reduce the nutrient content.
I decided to drink mine from the bottle, and gave it a little shake before I began. I was surprised to find the drink quite thin in texture, but really rather tasty. There is no added sugar so the flavour is quite zingy, sweet from the strawberries but sharp from the orange. I'll be honest, I couldn't tell that there were all those vegetables in the drink, there was a hint of something else, but mainly the drink just tasted fresh and tasty.
It was very easy to drink, and very refreshing for the hot days we are finally having! I loved this Super Red just as it is, perfect to add some vitamins to a back garden barbecue meat feast. I am hoping it helps boost my immune system and fight off this cold too! I can't wait to try their other varieties; I'm hoping the interesting sounding Super Green with broccoli, pear, spinach, kale, kiwi, lemon and banana is as cleverly balanced too!


text:
Grünhof ist ein Ortsteil der Gemeinde Rothenklempenow des Amtes Löcknitz-Penkun im Landkreis Vorpommern-Greifswald in Mecklenburg-Vorpommern.

Geographie
Der Ort liegt vier Kilometer westlich der Staatsgrenze zu Polen und fünf Kilometer nordnordöstlich von Rothenklempenow. Die Nachbarorte sind Glashütte im Norden, Lenzen und Seeberg im Nordosten, Stolec im Osten, Pampow, Freienstein und Mewegen im Südosten, Rothenklempenow im Süden, Theerofen im Südwesten, Weidehof im Westen sowie Marienthal und Borken im Nordwesten.

Literatur

Weblinks

Einzelnachweise

Ort im Landkreis Vorpommern-Greifswald
Ort in Pommern
Rothenklempenow


The Storm concluded shootaround and C Yolanda Griffith was out on the court with the team, practicing with no apparent complications. She said before that her left ankle is still "tender" and she'll wear a brace to protect her left knee, but not for the whole season because "it clashes with my outfit." Griffith told Indiana F Tamika Catchings that she'd be in the starting lineup tonight.
I counted four uses of the word "scary" when Catchings' name was brought up in reference to her return to the court after suffering a torn right Achilles in the Eastern Conference Finals last season. She was second to Storm F Lauren Jackson for the MVP title. Heck, she's been in the top-10 since she joined the league in 2001, never winning.
Catch will play off the bench tonight, giving the Fever a huge advantage if Storm reserves Ashley Robinson, Shyra Ely, Katie Gearlds, and Tanisha Wright (if Yo starts) don't produce. Even the Indianapolis papers focused on the bench, featuring veteran Allison Feaster.
Seattle (7-6) has nothing to reflect on since Indiana (6-4) only has three players remaining on the roster from when the Fever played the Storm during the exhibition season. But as Jackson said, the focus is more on themselves and snapping the three-game losing streak.


Enter the Kweendom! I am so excited to share this video loop I made for Natalie Prass's super inspiring and massively addictive anthem Sisters. Do yourself a huge favor and check out Natalie's new album The Future and the Past!
Words from Natalie about the origins of the song are below.
This song was written right after 45 was elected. I was raised in an environment where "women can't do this or that". It was around me in my personal life, but was also deeply built in the culture around me. It resulted in me thinking (sadly up until recently) to be a girl meant to be weak. I was rebellious and confused on what being a woman meant for me in life. A lot of women can't relate to my situation, and I commend you, but I know a lot of women and girls out there can relate to my story. I now know more than ever that women are a force to be reckoned with, and we can change this world for the better. I desperately needed an anthem after Nov. 6. 2016. All of my past ghosts that I thought I had overcome came back to haunt me and I was paralyzed for months. This song was my warrior cry when I was losing hope. We demand equality for all marginalized groups, we demand safety in our neighborhoods, we demand safe health care and proper family leave, we demand better public schools for all classes, we demand equal pay & safety in our place of work, the list goes on. There are solutions to these issues and we need to stick together to solve them. When one ship rises, we all rise. Keep your sisters close. WE ARE WORLD WIDE WORLD CLASS.