text:
Q: JSON returns data in one code and null in other I have an app that connects to server sends sql request and get JSON answer as JsonArray.
Its Asynktask in seperate class (HTTPRequest.java is my AsyncTask class, Responce.java its my callback interface class)  and it works correct.
when I use it in OrderActivity.java like below
@Override //my interface class function
public void onPostExecute(JSONArray Result) {
    load(Result);
}

private void load(JSONArray json) {
for(int i=0;i<json.length();i++){
try {
    JSONObject jo = json.getJSONObject(i);
    Product p = new Product(
            jo.getInt("ID"),
            jo.getInt("parent"),
            jo.getInt("category"),
            jo.getString("Item"),
            jo.getDouble("Price")
    );
    products.add(p);

} catch (JSONException e) {
    e.printStackTrace();
}
}

it does work and fills product with data, but when I assign to my class variable JSONArray json
JSONArray json = new JSONArray;
.
.
.
@Override
public void onPostExecute(JSONArray Result) {
    json = Result;
}

json is null
//HTTPRequest.java
public class HTTPRequest extends AsyncTask<String, Void, Integer> {

private Context context;
private Responce responce;
JSONArray json;

public HTTPRequest(Context context){
    this.context = context;
    responce = (Responce)context;
}

    @Override
protected Integer doInBackground(String... params) {

    OutputStream output;
    InputStream inputStream = null;
    HttpURLConnection connection = null;
    String charset = "UTF-8";
    Integer result = 0;

        try {
            URL uri = new URL(params[0]);
            connection = (HttpURLConnection) uri.openConnection();
            connection.setDoOutput(true);
            connection.setRequestProperty("Accept-Charset", charset);
            connection.setRequestProperty("Content-Type", "text/plain; charset=" + charset);
            output = connection.getOutputStream();
            output.write(params[1].getBytes(charset));
            output.close();

            int statusCode = connection.getResponseCode();
            if (statusCode == 200) {
                inputStream = new BufferedInputStream(connection.getInputStream());
                json = new JSONArray(getJSON(inputStream));
                result = 1;
            }
        } catch (Exception e) {
            e.getLocalizedMessage();
        }
        return result;
}

@Override
protected void onPostExecute(Integer i) {
    super.onPostExecute(i);
    if(i == 1) {
        responce.onPostExecute(json);
    } else {
        responce.onPostExecute(null);
    }
}

private String getJSON(InputStream inputStream) throws IOException, JSONException {
    StringBuffer stringBuffer = new StringBuffer();
    BufferedReader bufferedReader = new BufferedReader( new InputStreamReader(inputStream));
    String line = "";
    String result = null;

    while((line = bufferedReader.readLine()) != null) {
        stringBuffer.append(line.toString());
    }
    result = stringBuffer.toString();

    if(null!=inputStream){
        inputStream.close();
    }
    return result;
}
}

//Responce.java
public interface Responce {
public void onPostExecute(JSONArray Result);
}

//OrderActivity.java
public class OrderActivity extends Activity implements Responce{

ArrayList<Product> products = new ArrayList<Product>();
ProductAdapter productAdapter;
OrderItemAdapter orderItemAdapter;
ListView orderlist;
JSONArray ja;

Button btnBack;
Button btnTakeOrder;
ListView picklist;

HTTPRequest httpRequest;
String url = "http://192.168.3.125:8888/data/";
String query = "select * from vwitems order by category desc";

@Override
protected void onCreate(Bundle savedInstanceState) {
    super.onCreate(savedInstanceState);
    setContentView(R.layout.activity_order);

    StrictMode.ThreadPolicy policy = new StrictMode.ThreadPolicy.Builder().permitAll().build();
    StrictMode.setThreadPolicy(policy);

    orderlist =(ListView)findViewById(R.id.orderlist);
    orderItemAdapter = new OrderItemAdapter(OrderActivity.this);

    btnBack = (Button)findViewById(R.id.btnBack);
    btnBack.setOnClickListener(new View.OnClickListener() {
        @Override
        public void onClick(View v) {
            productAdapter.filter(0);
        }
    });

    btnTakeOrder = (Button)findViewById(R.id.btnTakeOrder);
    btnTakeOrder.setOnClickListener(new View.OnClickListener() {
        @Override
        public void onClick(View v) {
            Integer oid = 0;
            Order order = new Order(OrderActivity.this);
            oid = order.NewOrder(1, 2, 3);
            Toast.makeText(OrderActivity.this," " + order.getCount(), LENGTH_SHORT).show();
        }
    });

    orderlist.setAdapter(orderItemAdapter);

    picklist = (ListView) findViewById(R.id.picklist);
    picklist.setOnItemClickListener(new AdapterView.OnItemClickListener() {
        @Override
        public void onItemClick(AdapterView<?> parent, View view, int position, long id) {
            int pid = 0;
            if (productAdapter.getItem(position).isCategory()) {
                pid = productAdapter.getItem(position).getId();
                productAdapter.filter(pid);
            } else {
                OrderItem oi = new OrderItem();
                oi.setItemId(productAdapter.getItem(position).getId());
                oi.setItem(productAdapter.getItem(position).getItem());
                oi.setPrice(productAdapter.getItem(position).getPrice());
                search(oi);
            }
        }
    });

    httpRequest = new HTTPRequest(this);
    httpRequest.execute(url, query);
}

private boolean search(OrderItem oi){
    int size = orderItemAdapter.getCount();
    int i = 0;
    if(size != 0)
        for(OrderItem o : orderItemAdapter.getAll()){
            if(o.getItemId() == oi.getItemId()){
                orderItemAdapter.getItem(i).setQuantity(orderItemAdapter.getItem(i).getQuantity() + 1);
                orderItemAdapter.notifyDataSetChanged();
                return true;
            }
            i++;
        }

    orderItemAdapter.addItem(oi);
    orderItemAdapter.notifyDataSetChanged();
    return false;
}

private void load(JSONArray json) {

    for(int i=0;i<json.length();i++){
        try {

            JSONObject jo = json.getJSONObject(i);
            Product p = new Product(
                    jo.getInt("ID"),
                    jo.getInt("parent"),
                    jo.getInt("category"),
                    jo.getString("Item"),
                    jo.getDouble("Price")
            );
            products.add(p);

        } catch (JSONException e) {
            e.printStackTrace();
        }
    }

    productAdapter = new ProductAdapter(OrderActivity.this, products);
    picklist.setAdapter(productAdapter);

    productAdapter.filter(0);
}

@Override
public void onPostExecute(JSONArray Result) {
    load(Result);
}

/*
@Override
public void onPostExecute(JSONArray Result) {
    json = Result;
}
**/
}

sorry i forgot include this one
//Order.java
public class Order implements Responce{

private Context context;
private JSONArray json = new JSONArray();
private HTTPRequest httpRequest;

private int OrderID;
private Date OrderDate;
private int OrderTable;
private int Waiter;
private byte OrderStatus;
private List<OrderItem> orderItems;

public Order(Context context){
    this.context = context;
}

//some code here...

public Integer NewOrder(Integer guests, Integer waiter, Integer ordertable){
    String query = "insert into orders(orderdate, guests, waiter, ordertable) VALUES(NOW()," + guests + ", " + waiter + ", " + ordertable + "); SELECT LAST_INSERT_ID() as ID;";
    Integer result = 0;
    Connect(query);
    try {
        JSONObject jo = json.getJSONObject(0);
        result = jo.getInt("ID");
    } catch (JSONException e) {
        e.printStackTrace();
    }
    return result; //here i got 0 if i init result to 0, null or what ever i init my
}

@Override
public void onPostExecute(JSONArray Result) {
    json = Result;
}

private void Connect (String query){
    httpRequest = new HTTPRequest(context);
    httpRequest.execute("http://192.168.3.125:8888/data/", query);
}

}


+// The triangle buffer holds the expected result of the convolution.
+// point where the two square pulses overlap the most.
+    // priori what it is).
+    // value of tail1MaxDecibels.
+        // Verify the triangular pulse is actually triangular.
+        // farther along the tail where the result should be zero.
+        // we're looking at.  Experimentally determined.
+// part of the result is zero (due to the latency in the convolver).
+    // Create offline audio context.


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text:
var fs = require('fs'),
    path = require('path'),
    Logger = require('../logger'),
    sockets = require('../support/sockets'),
    rooms = require('../support/rooms'),
    config = require('../../cli/support/config');
var multiparty = require('multiparty');

/*
 * GET home page.
 */

exports.index = function(req, res){
  res.render('index', { title: 'TiShadow' });
};
exports.screencast = function(req, res){
  res.render('screencast', { title: 'TiShadow' });
};

exports.api = function (req, res) {
  res.sendfile(path.resolve(__dirname + "/../../lib/api.jsca"));
};

// Bundles handled by GET/POST instead of socket connections.
exports.getBundle = function(req,res) {
  Logger.debug("Bundle requested." );
  res.setHeader('Content-disposition', 'attachment; filename=bundle.zip');
  res.setHeader('Content-type', "application/zip");

  var filestream = fs.createReadStream(rooms.get(req.params.room).bundle);
  filestream.on('data', function(chunk) {
    res.write(chunk);
  });
  filestream.on('end', function() {
    res.end();
  });
  filestream.on('error', function(exception) {
      Logger.error(exception);
  });
};

// For remote bundle posting.
exports.postBundle = function(req, res) {
  var form = new multiparty.Form();
  form.parse(req, function(err, fields, files) {
    Logger.log("WARN", null, "Remote Bundle Received");
    var data = JSON.parse(fields.data[0]),
        name = files.bundle[0].originalFilename.replace(".zip",""),
        room = data.room;
    rooms.addBundle(room, name, files.bundle[0].path);
    var curr = rooms.get(room);
    Logger.log("INFO", null, "New Bundle: " + curr.bundle + " | " + name);

    data.name = name;
    data.room = data.bundle = null;
    if (config.isManageVersions) {
      data.version = curr.version;
    }
    if (!data.deployOnly) {
      sockets.emit(room, "bundle", data);
    }
    res.send("OK", 200);
  });
};

redpajama_set_name: RedPajamaGithub


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Your new movie Fifteen - in a few words, what is it about?
The film takes place on the night of October 29th where two roommates are getting ready for a Halloween party they are hosting. A serial killer, nicknamed �Truman� (for his sick and twisted Truman Show style show) is broadcasting his bloody exploits to the masses, via Twitter�s Periscope app. Tonight, he�s about to meet his match. Fifteen was fully interactive in that Periscope users could comment and engage Truman, helping entice the actors decisions and plot direction.
Fifteen was originally streamed live on the internet - care to explain exactly how, and who came up with the idea for live-streaming, and how did everything come together?
I thought up the idea of a live movie over Periscope within 3 minutes of installing the app and understanding how it worked. It was a real lightning bolt moment of what it could mean for a new form of storytelling. I reached out to Ryan Turek at Blumhouse Productions to pitch the idea and he was immediately supportive. Blumhouse has a strong grasp of what is cutting edge and is always rolling out film projects incorporating new and consumer based-technology; I thought this might be right in their wheel house.
From there we were off to the races with mere weeks to prepare for the perfect horror movie release � Halloween.
What were your inspirations for writing Fifteen, and did you intend it to be a "live performance" from the get-go?
The writing came out of the concept, definitely. I was set out to make an experience that could blur the lines of fiction and reality, since Periscope gives viewers the opportunity to interact with the actors, we were able to incorporate moments where Truman was able to directly address viewers comments.
Truman is sort of Dexter-meets-Patrick Bateman in that he really enjoys killing, doesn�t mind boasting a bold and often �bound to be caught� edge to his kill locations and victim choices. Only we�ve giving him the added advantage of modern technology to invite the world to watch. The idea of Fifteen is what happens if a killer had built up a bit of an audience, had gained a bit of an �invincible feeling� getting away with his killings night after night. How much would he believe his own hype, his sick success and get more theatrical with each outing.
How long did you all rehearse for the film actually, and how much was set in stone from the beginning, and was there room for improvisation?
We had a table read and a walk through one day and then three days of rehearsal which were also tech rehearsal days. It was a very condensed schedule. I was confident in the cast we had to execute everything with precision. We had a lot of room for improvisation. When working on a single take film/shot like this the timing of what you write has to be massaged to fit the timing of the location you are filming at and all of the logistics of making the camera moves work, the activing moments, etc; how to have that all flow in a seamlessly and natural feeling performance.
Because the film is �found footage�, seen through the eyes of Truman�s iPhone over Periscope, you are dealing with the first person perspective which gave us lots of room to play with how to alter traditional methods for special effects make-up, stunts, lighting and all other areas of filmmaking. We had to think outside of the box in the methodology of achieving each moment which meant adjusting the script here and there. Also having this much rehearsal gives the actors time to play with the dialogue and character and bring everything to life, improving on the blueprint laid out. I personally love it when cast and crew bring new ideas forward. There is rarely the chance that what I wrote on the script page is the absolutely best and final and couldn�t possibly be improved in some way moment.
Both Sarah Booth (Jessica) [Sarah Booth interview - click here] and Neil Napier (Truman) come from a lengthy background in horror and sci-fi as well as stage performance. It was important to me that the two leads have a background in longer takes, stage combat and improv. When you are live anything can and will go wrong. Neil and Sarah have acted together on SyFy Network�s Helix, and coincidentally it is Neil�s character that kills Sarah towards the end of season two. Though I�m married to Sarah I would never cast her in a project if I felt she wasn�t perfect for it. After we collaborated on The Scarehouse, I knew her range for stunts and being terrorized. I also know she never tires and is incredibly gracious with her fellow cast and crew.
With Neil, he was also saddled with the responsibility of being the camera operator for the majority of the film before Sarah takes control of the iPhone and films the remainder. When Helix was in production I was invited as a guest on location in Montreal and had a chance to watch Neil at work. I remember telling him that day how I really enjoyed seeing him give a great performance in the simplest of moments. It was a set-up where two actors were having a critical conversation and his character is simply reacting and listening to the information. His nuances in gestures and expression blew me away because this was the most throwaway of any shot in the episode, yet he was committed to giving the director the most range to choose from when editing the episode together. It was a real blessing to have seen him on another set before meeting him in person and discussing the role of Truman with him. The energy I saw that day on Helix was magnified tenfold. Neil is beyond professional and threw himself all in with making Truman�s exploits as real as possible. I largely attribute his performance to audiences believing Fifteen was real; real enough to call the police during the broadcast!
The remainder of our cast, Alastair James, Paula Jean Dixon and Hannah Kat Jones are newcomers to working with me but after reviewing their material and hearing their enthusiasm for what we were setting out to do I was convinced they too were perfect for the roles. It�s scary to attempt something brand new yet I never caught a moment of fear that the challenge was overwhelming. It really was a dream cast to work with.
As a director, how much influence did you have on the actual live performance once it was happening, and was there any way (or need) for you to fix things once the transmission had started?
This is a great question! Yes yes yes! Murphy�s law struck right away. Neil had a tiny ear-piece we had rented and used in rehearsals. I had a walkie-talkie that communicated directly to his ear. This was only in case of emergencies, say the camera was covered in water, the broadcast signal dropped out or a timing cue was going to come early or late. It was the back-up to endlessly rehearsing for precision timing. We�re talking about a twenty minute unbroken take with a lot of moving parts from live sound effects, live stunts and blood effects to moving in and out of the house location. We were dealing with consumer technology, regular home internet signal, a regular iPhone6s so really any number of things could have had this project crash in disaster!
Minutes before beginning the broadcast I ran up to the end of the street to where Truman�s car starts stalking the neighborhood. I get there and right away Neil tells me the ear piece has cut out and is only broadcasting static in his ear � distracting, loud static. Now it may have kicked back in at some point but I had to make and executive decision two minutes from show time to place my trust in Neil and let him remove the piece.
Then we start the broadcast. I logged into Periscope within one second of Neil pressing �broadcast�, I should have been the first person logged in to watch but boom! Not the case, there were already 400 plus people logging in. The number just kept climbing. During rehearsals we had established that there is a delay from the camera feed to the audience watching between three to six seconds. Never less, rarely more. Knowing this I knew when to give cues to sound effects such as the police siren, the boyfriend calling Hannah�s character in the bathroom, etc. Suddently I�m watching Neil live, getting out of the car but on my iPhone monitor he doesn�t get out for another minute, maybe a minute and a half. I nearly had a heart attack. I didn�t have a clue when to give my cues.
I ran to the front of the house and tapped on a window over and over until I Hannah heard me and opened the window. I used that to hear inside the house so I could hear the real time events and see when Hannah left her bedroom to head for the bathroom. I was able to reestablish timing and make my cues. It felt a little bit like having Obi-Wan tell me to turn off the guidance system in my X-Wing and trust in the force that my instincts would kick in!
Excitement and dedication. We were all very much aware that Blumhouse embracing this project was like being handed keys to the kingdom. There was a huge opportunity to stand on the world stage and have this fresh idea be seen by many. The other side of that is having the ability to face plant in front of just as much audience and press! You can�t beat that level of adrenaline racing through your veins.
I like filmmaking very much but the best for me is when the people I�m collaborating with become friends and there is a true sense of family or community on set. Fifteen had that for the most part. It is nice to have your ideas embraced and people find and match your passion. The idea of working in this industry simply for the paycheck or the need to work baffles me. I never understand that.
The film was shot where I live so it was very much a sense of family, we dined in the dining room, took breaks on the patio and by the pool out back and everyone chipped in beyond their role � actors helped dress sets, behind the scenes worked as production assistants � on a small budget you really are blessed when you have a team that is willing to wear multiple hats to see a production through.
What can you tell us about the reception of your movie?
I can tell you a lot actually since there is an instant gratification factor I�ve never experienced before! Watching live on my own iPhone gave me the ability to experience the film for the first time the same as everyone else. I was able to see the comments and the split between people who were excited to be interacting and watching and the people who were teetering on believing it was really happening. I expected far more trolls given that�s what the internet has become full of but the overwhelming majority of comments and interactions were positive.
Since the broadcast ended I�ve had a flood of messages with enthusiasm for Fifteen and even some invites to pitch other ideas I have. The response keeps coming in as we saved the film to YouTube so that people who missed it live can watch the rebroadcast.
�Always in motion the future is�, Yoda says! Lots of projects in developments. I have a few new projects for rock band Third Eye Blind coming up. I have a new horror feature that is close to being green lit that we�ll be able to announce soon and then it is just always writing, always pitching, always hustling in the never ending chase to make movies happen.
Apparently we did Fifteen within a twenty-four hour window of when Orson Welles did the original War Of The Worlds�radio drama, so it seems fitting that people believed what we did was real!
Anytime, anywhere. All thanks on this end.


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I thought it would be fun to show a few makeovers we have done in our home. We started with the master bath.
I inherited this wallpaper (hunter green with blue and peach blossoms), brown paneling and green linoleum marble looking floor. Yes the previous owners put the same linoleum tiles in the built in and left it open. I had to look at this for a very, very, very long time (20+ years)! It took husband #2 to hear my cries and pleas for change and dislike (ok hate) of this room!
Ta-Da (a very happy woman!) I have changed a few decorations out since these pictures were taken, after all isn't that what we're suppose to do? I love the colors, my new enclosed, complete with shelves and baskets for storage – white cabinet – (the door with the pull is a built in hamper) and new flooring. Robin did an outstanding and amazing job!
March 6, 2017 in Master Bath Makeover.
Lovely job — great transformation!
Thank you. You're so kind.
I love what you did with the cabinets. What a transformation!


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Mercury Announces Agreement with Clemson Athletics to Create a Premium Digital Experience Platform for Athletes and Fans
The collaboration will create innovative fan experiences through clemsontigers.io, a Clemson Athletics-tailored digital experience platform
CLEMSON, S.C.--(BUSINESS WIRE)--Mercury, the digital brand experience company for collegiate athletic programs, top-tier athletes, and devoted fans, announced today a three-year agreement with Clemson Athletics. The agreement includes co-branding and sponsorship opportunities for Mercury digitally and in-venue, and centers around the launch of clemsontigers.io, a cutting-edge digital platform. Clemsontigers.io will provide tailored team experiences, exclusive and officially licensed digital collectible drops, and opportunities for fans to win insider experiences with Clemson Athletics.
The platform is designed to be the digital front-row seat to Death Valley and all other Clemson stadiums, delivering a dynamic, non-stop experience for fans.
"The Mercury team creates new and memorable experiences for fans, and we are excited to bring their innovative approach to the best fans in the nation," said Graham Neff, Clemson University's Director of Athletics. "This partnership represents Clemson Athletics' commitment to deliver the best content possible to our community and to do it in an interactive and exciting way."
Clemsontigers.io will host athlete-led conversations, team news, and discussion forums, and be the source of unique digital collectibles that unlock exclusive access and capture the spirit of the athletes, coaches, and the season's defining moments.
"The Clemson brand is synonymous with excellence, and we want the fans to experience it to the fullest," said Porter Grieve, CEO of Mercury. "We are excited to work hand-in-hand with the University to reimagine the fan experience and become the go-to digital partner for premium Tigers content."
Clemson fans can get access today by visiting clemsontigers.io. The first 100 fans to register on the platform will receive a free membership pass prior to the full pass sale. Fans looking to connect with fellow Clemson faithful, learn about upcoming experiences, and exclusive drops, can join the community Discord chat.
See you in The Valley!
Mercury was founded in 2021 to create an exclusive digital experience for top collegiate brands to bring fans closer to their favorite athletes and teams. The company partners with leading collegiate brands across sports to build hyper-local platforms for a modern fan experience. Its communities encompass dynamic conversations with and between athletes, specialized team content, and digital collectibles and passes to unlock special access for fans.
Tiger Hill Partners for Mercury
james@tigerhillpartners.com

redpajama_set_name: RedPajamaCommonCrawl


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Measles cases reached a record high in 2014, and after a 2015 outbreak at Disneyland the numbers keep growing.
Measles, a highly contagious virus, is beginning to make a comeback in some parts of the United States.
Anyone who has not been vaccinated is at risk of getting measles. Early measles symptoms include high fever, cough, runny nose, and red, watery eyes.
90 percent of people who are not immune to measles will contract the disease if exposed.
Two doses of the measles vaccine are considered 99 percent effective in protecting against the disease.
Last December, some visitors to "the happiest place on earth" left California's Disneyland theme park with a souvenir they didn't plan for — measles, also known as rubeola.
The Centers for Disease Control and Prevention (CDC) has reported 166 cases of the airborne illness in 19 states and Washington D.C. this year, and that number continues to rise. But even before the theme-park outbreak, 2014 was a record year for measles cases in the United States with 644 cases recorded in 27 states.
During a recent CDC telebriefing on the outbreak, Anne Schuchat, MD, assistant surgeon general of the United States Public Health Service, said that each year about 20 million people get measles worldwide. Dr. Schuchat recommends that children, unless immunocompromised, get vaccinated and adults check with their doctor if they're unsure about their status.
1. Measles is highly contagious. The measles virus lives in the nose and throat mucus of an infected person, and can be spread through sneezing and coughing. The virus can remain active and contagious on a surface where the infected person sneezed or coughed for up to two hours. Transmission can begin four days before symptoms appear, and measles is so contagious that 90 percent of exposed people who are not immune will become infected, according to the CDC.
2. Early measles symptoms look like flu symptoms. Seven to 14 days after the person is infected, her symptoms will begin to develop: high fever, cough, runny nose, and red, watery eyes. Two to three days after these symptoms appear, tiny white spots called Koplik might appear inside the mouth, according to the CDC. Three to five days after the initial symptoms, the red-spotted rash characteristic of measles breaks out, and the fever spikes. The rash and fever usually subside within a few days.
3. Measles can lead to severe complications. For every 1,000 people with measles, 1 to 3 will suffer from severe complications, some of which include pneumonia and swelling of the brain (encephalitis). These complications can lead to death.
4. There is no treatment for measles. Because measles is caused by a virus, there is no specific treatment. However, taking Vitamin A might make the illness milder, says Stephen Pelton, MD, chief of Pediatric Infectious Diseases at Boston Medical Center.
5. The measles vaccine is highly effective. The current measles vaccine has led to a 99 percent reduction in measles cases compared to the pre-vaccine era. Before the vaccine was licensed in 1963, the CDC estimated 3 to 4 million measles cases occurred each year in the United States, with 500 deaths. By the 21st century, the number shrunk to 86 cases with no deaths. The measles vaccine is included in MMR, a combination vaccine that protects against measles, mumps, and rubella (German measles).
6. You probably won't get infected if you've been vaccinated, and the risk is even lower if you've received both recommended doses. The first dose of the measles vaccine is usually given to infants aged 12 to 15 months, but it's never too late to get vaccinated, even as an adult, says Johanna Goldfarb, MD, at the Cleveland Clinic Children's Hospital.
The second dose can be given four weeks after the first, but is usually administered between the ages of 4 and 6 years, which is before a child typically starts kindergarten. The vaccine is considered to be 99 percent effective for people who have received both doses, compared to 95 percent for one dose.
7. Because of a thoroughly discredited report, many parents are wary of vaccinating their children. In 1998, British medical researcher Andrew Wakefield published a study in The Lancet claiming that the MMR vaccination caused children to show signs of "regressive autism." The Lancet retracted the study in 2010, but the stigma against the MMR shot remains. Only about half of Americans feel childhood vaccines are safe and effective, according to a poll by the Associated Press and GfK Public Affairs.
8. The Disneyland measles outbreak is related to the anti-vaccination movement. "Individual cases are not a result of the anti-vaccine movement. However, large outbreaks are always due to having a population of undervaccinated children who are then exposed," Dr. Pelton says. Of the 110 measles patients in California after the Disney theme park outbreak, 45 percent were unvaccinated, the CDC reported.
Children, many of whom are unvaccinated immigrants, as well as people who travel to infected areas and become exposed, often bring the disease into the United States. Secondary cases occur in people who have not been vaccinated or are among the estimated 5 percent of people who don't respond to a single dose of MMR.
9. Measles isn't the only disease that's spreading due to decreased vaccination rates. The vaccine for mumps is less effective than for measles and rubella. In addition to measles outbreaks, Pelton says, there have been large mumps outbreaks, including one reported this winter in NHL players.
There are also pertussis (whooping cough) outbreaks nationwide due both to limited vaccine effectiveness and refusal to be vaccinated.
10. Measles could be eliminated completely. Since January 1, 2015, 19 states and Washington, D.C. reported measles cases. However, health officials worldwide believe measles can be completely eradicated. All six member states of the World Health Organization (WHO) are committed to eliminating measles worldwide by the year 2020.
With 155 cases of the contagious virus confirmed, Rockland County has barred unvaccinated persons under age 18 from public places.
Findings published as measles outbreaks continue, and U.S. Senate considers bill to end vaccine choice.
Misinformation and fear spread through social media have contributed to a rise in cases of infectious disease.
More than 200 affected on both coasts; majority of confirmed cases are among those who have not been vaccinated.
Contagious disease has infected people in 21 states and D.C., according to the CDC.
Severe complications might damage cornea, retina or optic nerve.
The measles vaccine wiped out the disease from the United States, but outbreaks can occur when the virus is brought in from other countries.
There are no drugs available to rid your body of the measles virus, but there are some treatments that can relieve the symptoms.
High fever and rash are common symptoms of measles; ear infection, diarrhea, and pneumonia are common complications.
Fears and misinformation can be overcome, expert says.
Most victims of current outbreak not vaccinated, top official says.
A outbreak of measles in Texas is spreading through a church, many of whose members are unvaccinated against the potentially deadly disease.


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Creative campus taking shape in Bluffton
Sarita Chourey
One of Bluffton's top employers is deepening its roots in the community.
A new office will be just a few hundred yards from BFG Communications' headquarters at 6 Anolyn Ct.
This month BFG purchased property at Buckingham Plantation Drive in unincorporated Beaufort County. BFG president and CEO Kevin Meany said he is already bringing in architects and engineers to begin planning the site's transformation.
"It's a rundown looking shed right now," said Meany of the land at 7 Buckingham Plantation Dr., which is located at the main intersection at the Moss Creek stoplight. He said he hopes the new building, expected to be about 15,000 square feet with an accompanying 60 parking spaces, will be ready for staff and meetings in less than a year.
"We're pretty much starting from scratch," he said.
Local clients have been acquainted with the creative agency for years. Among them: Hilton Head Hospital and No More Diabetes, which has received pro bono work.
It was only in January that many in the broader community became unaware of the agency's presence. That's when the S.C. Department of Parks, Recreation and Tourism awarded a $57 million contract with BFG to promote South Carolina's $15 billion tourism industry as a recreational destination for people inside and outside the state.
BFG replaced a Greenville firm, Leslie Advertising, which had held the marketing contract with PRT for 30 years before closing its doors.
The Bluffton company was chosen over a half dozen other firms, from Florida to Massachusetts and across South Carolina.
Meany, who founded the creative agency in 1995, said BFG is working on part of its South Carolina project about "undiscovered" places, which the public will see soon.
He said he was uncertain whether county officials would be offering to help with infrastructure or incentives to offset the company's expansion costs.
"We have talked to Beaufort County, and they're very receptive to hearing ideas, but we really haven't gone much further," said Meany. "We are proceeding with what we're needing to do. If it makes sense for Beaufort County to step in and do something for that whole area, that would be great."
As BFG's profile rose in South Carolina, officials at the state and local level wondered if the firm would pack up and leave in favor of a more metropolitan locale or richer economic development incentive. BFG's national clients have included Coca-cola, Warner Brothers, Cartoon Network and many others.
In an interview Thursday, Meany made his plans clear: "I'm not leaving Bluffton."
When asked about speculation BFG was eyeing another possible state government client, the S.C. Education Lottery, he said he had not pursued any business with the agency.
But Meany added: "I would hope if we're a proven partner, if there is an opportunity, that we'd be contacted and have an opportunity to bid."
He said he has not hired any additional employees to help with the PRT contract. But the firm has various open positions, said Meany, though hiring has slowed until more workspace is available.
The new building will allow the 170-person full time staff in Bluffton to grow. Meanwhile, a busy creative hub across the river presents a ready workforce.
"We have a great relationship with the Savannah College of Art and Design," said Meany. "It's a tremendous resource for the local area from a talent standpoint, particularly for a company like us, whether visual arts students or commercial arts or writing or film editing."


Herein listed Charter of the Board of Directors of PT. Asahimas Flat Glass Tbk. dated 16 May 2016. This charter regulate matters such as the legal basis, members, term of office, task and authorities, termination of office, and other matters that relate to the board of directors.


text:
LG V30 could launch in two months at IFA 2017
By Michelle Fitzsimmons 22 June 2017
LG's next big phone could feature an OLED display
LG will reportedly unveil the LG V30 smartphone at the IFA 2017 trade show in Berlin.
This would mark the first time LG launched a "V" series phone at IFA; last year the company held an event to unveil the LG V20 while IFA 2016 took place, but the event took place in San Francisco.
LG's plan for the V30 is to hold a launch event the day before IFA officially begins, according to ETNews, which reported on the phone's launch timing. With the show opening its doors on September 1, that means the LG V30's unveiling will take place on August 31.
This lines up with previous rumors that the LG V30 will debut sometime in August. Several companies, including Samsung, hold events the day or two before IFA officially gets underway.
Though the launch timing rumors match up, we suggest taking ETNews' information with a grain of salt as the publication didn't site sources in its report. It is however a prolific source of information out of South Korea, and one with a typically solid track record.
Launching the LG V30 in August also coincides with the release of Android O, the newest flavor of mobile operating system from Google. The Android O release date is scheduled for this summer, so LG V30 could be one of the first flagships to launch with the OS baked in. The LG V20 was the first unreleased phone to launch with Android Nougat due to its early sales in South Korea.
More rumored LG V30 features
ETNews also dished a number of details on the new phone, including LG's intent to put the V30 up for pre-order in South Korea, something it hasn't done with previous V releases.
The pre-orders will be available at three mobile carriers in the country, and it's unknown whether pre-orders will open up in the US or elsewhere. The LG V30 will officially go on sale in South Korea in September.
As for LG V30 specs, ETNews backs up reports the phone will feature an OLED display plus a bezeless design akin to the LG G6, two cameras on the rear and the V series' signature double screen on the front.
While it's keeping the dual front displays, the overall look of the V30 is said to be a radical departure from the LG V10 and V20.
The LG V30 battery will supposedly pack a 3,200mAh punch alongside a Snapdragon 835 processor, and the phone will be water- and dust-proof. Audio is said to be a premium feature of the V30, and it will buck the trend of ditching headphone jacks in favor of keeping the 3.5mm port.
Finally, LG is reportedly breaking out the V30 into three storage options: 32GB, 64GB and 128GB. And, yes, the LG V30 will likely be expensive, with the 64GB version costing about $700.
All of the V30's specs are respectable, but the phone will face direct competition from the Samsung Galaxy Note 8, which is also reportedly launching in August. Soon after, Apple's iPhone 8 will be revealed in mid-September.
Will the LG V30 have what it takes to stand up to these big-armed rivals? We'll find out in just a few months' time.
Via 9to5Google
Read next: Our OnePlus 5 review


Syncro launches cloud-based PSA, RMM & remote access software platform for managed IT services providers (MSPs). But can they disrupt entrenched rivals?
Just when you thought the MSP software market was too crowded and set for consolidation, Syncro is attempting to crash the party with its own cloud-based unified PSA, RMM and remote access platform for IT service providers.
Syncro reached open beta in October 2017 and officially launched in November 2017, according to the company blog. It claims to address professional services automation (PSA), remote monitoring and management (RMM) and remote access for MSPs.
Core features include CRM, ticketing, integrated billing, asset inventory, marketing, reporting/analytics, monitoring, patch management, custom scripting, managed anti-virus and more, the company asserts. The Syncro platform is hosted on Heroku's platform as a service (PaaS) within Amazon Web Services (AWS).
More recently, Syncro launched apps for Apple iOS and Google Android devices.
Poke around and you'll notice that several of Syncro's employees previously built RepairShopR, an all-in-one business management system for computer, smartphone and tablet repair shops. That makes me wonder if Syncro is somehow a rebranded version of RepairShopR, or perhaps built off the same or similar code bases. We're also curious to know how Syncro is funded, and how the company hopes to differentiate from a lengthy list of entrenched rivals.
We have at least one direct contact at Syncro. We've reached out for comment and we'll be sure to update this article when we hear back. Updated December 7, 2017, 9:35 p.m. ET: Some more details from Syncro.
The overall MSP software and technology market remains healthy, but it's been rather wild to watch consolidators pursue M&A while potential disruptors attempt to establish a foothold in the market.
Consolidators include Autotask and Datto (merging), ConnectWise, Continuum, Kaseya and SolarWinds MSP.
Potential disrupters include Atera (PSA and RMM), Auvik Networks (network-centric RMM), Ninja RMM, and a lengthy list of additional upstarts.
Plus, don't overlook the midmarket, where ServiceNow and Salesforce are emerging as standards, with additional players like FinancialForce and Krow Software catching on with some IT consulting firms.
Stay tuned for more updates on Syncro. And special thanks to Xcellerate's Ray Barber; he emailed me Wednesday night asking about the company and its strategy. We began our outreach to Syncro based on Barber's inquiry.
While a better PSA trap could be a welcome addition to the market, there are so many questions that aren't forthcoming from their website. One, can their PSA act as a standalone; two, Integration w 3rd party services is a must and their list is limited; three, is Syncro built w redundancy in mind? AWS downtime can have a disastrous effect on an MSP if there's no failover redundancy.
Many of us are happy w our current RMM solutions and not so happy w our PSA. Just my two cents.
Dan: Thanks for the note. ChannelE2E is now in touch with Syncro and we'll be updating the article in the next day or so.


text:
Q: How to use CVS inside Android project to maintain the version history? I have Googled a lot for SVN, GIT and CVS. Only thing that I understand that It is used for maintains of the software project that we have develop. They are used for maintains of Current and Historical versions.

*

*For Git I have referred to this user guide

*For SVN I have refer to this guide
I have implemented the CVS repository on my system by taking the help of this article
Now I can see the task and CVS repository inside Eclipse, but I don't know how to use my project inside the CVS. How it maintains version?
None of the link explain how to maintain any project or any small example. Can any one please help on this?

A: Seems you want to understand the basics of version control system. I'd recommed you read Joel Spolsky's HgInit which teaches the basics of version control.
General steps on working with any version control system:

*

*Create a repository which holds the source code.

*Set ignore files which will ignore changes done to particular files, such as binaru files(images etc)

*Create a branch

*Start working on a file. When you've reached a logical end point(say, added a method, created a new class) commit the changes.

*Repeat

*Maintain separate branches for new features & for bug defects

*Regularly merge them so that your bug defects are included in the new features branch

*Create a release branch when your project is ready to be released.

*So on.

I'm sure others will point you to use a more Modern VCS like Mercurial/Git, if you're still interested in CVS look at these 2:

*

*Getting Started with CVS

*CVS Tutorial

redpajama_set_name: RedPajamaStackExchange


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text:
Le Génie du Mal (installé en 1848), connu officieusement en anglais sous le nom de  Lucifer ou , est une sculpture religieuse exécutée en marbre blanc par l'artiste belge Guillaume Geefs.

Cet ange déchu est un élément constitutif de la chaire de la cathédrale Saint-Paul de la ville de Liège en Belgique. Cette sculpture représente un homme d'une beauté classique dans sa perfection physique, enchaîné, assis, et presque nu, un drap couvrant ses cuisses. En fait, la statue de Geefs remplace une sculpture créée précédemment par son frère cadet Joseph Geefs, retirée de la cathédrale en raison de son attrait distrayant et de sa beauté malsaine.

Dans la fin des années 1980, une photo du Génie du Mal est devenue le point central de Himmelsweg, installation de l'artiste d'origine liégeoise Jacques Charlier sur le thème du mal séduisant et du danger d'obscurcir la mémoire de l'Holocauste.

Deux esprits, un site

Le Génie du Mal est installé dans une niche formée à la base de deux escaliers sculptés avec des motifs floraux gothiques.
La balustrade incurvée des escaliers en demi-spirale réaffirme la courbure des ailes rétractées et la coupe du corps.
Les versions de Guillaume et Joseph sont étonnamment semblables au premier coup d'œil et semblent inspirées par le même modèle humain. Pour chacune, l'ange déchu est assis sur un rocher, abrité sous ses ailes ; son torse, ses bras et ses jambes sont nus et ses cheveux descendent jusqu'à la nuque. Les ailes membraneuses sont articulées comme celles d'une chauve-souris, avec une griffe du pouce proéminente ; l'olécrane noueux associe l'anatomie de la chauve-souris et de l'humain pour créer une illusion de réalisme. Un sceptre brisé et une couronne sont tenus à la droite de la hanche. Les deux sculptures en marbre blanc ont des dimensions proches : celle de de Guillaume Geefs mesure 165 par 77 par  et n'est que légèrement inférieure en hauteur à celle de son frère, qui mesure 168,5 par 86 par .

La commande

En 1837, Guillaume Geefs a été désigné responsable de la conception de la chaire de Saint-Paul, dont le thème était Le Triomphe de la religion sur le génie du mal. Geefs avait pris de l'importance, créant des sculptures monumentales et publiques en l'honneur de personnalités politiques, exprimant et tirant parti de l'esprit nationaliste qui suivit l'indépendance belge en 1830. Les techniques de réalisme associées à la discipline de retenue néoclassique toutes penchant vers l'héroïsme romantique dans ces œuvres, mais le romantisme s'exprime plus fortement dans le projet de Lucifer.

Dès le départ, la sculpture a été une partie intégrante de la conception de la chaire de Geefs, qui comporte des représentations des saints Pierre, Paul, Hubert le premier évêque de Liège et Lambert de Maastricht son prédécesseur. Un dessin de la chaire par l'illustrateur belge , publié en 1900, montre la face avant ; Le génie du mal serait situé à la base de l'escalier sur le côté opposé, mais le livre, dans lequel l'illustration apparaît, omet la mention du travail.

La statue était à l'origine une commande pour Joseph Geefs, qui l'a achevée en 1842 et installée l'année suivante. Elle suscita aussitôt une controverse et fut critiquée pour ne pas représenter un idéal chrétien. D'ailleurs, l'administration de la cathédrale déclara : « Ce diable est trop sublime ». La presse locale a laissé entendre que la sculpture distrayait les jolies filles repenties qui auraient dû écouter les sermons.

L'évêque van Bommel ordonna le retrait de la statue, et le comité de construction passa commande d'une nouvelle version de l'Ange du mal auprès de Guillaume Geefs, qui fut installée en 1848.

Joseph exposa la sculpture à Anvers, en 1843, avec quatre autres œuvres : un groupe de sculptures appelée Le Rêve et les statues individuelles : Sainte Philomène, L'amour fidèle  et L'orphelin du pêcheur. Connue à la fois comme L'Ange du Mal et Le Génie du Mal, la pièce controversée a été reçue plus tard dans les collections des Musées royaux des beaux-arts de Belgique, où elle est demeurée jusqu'en 2009.

Malgré ou à cause de la controverse, le travail de Joseph était admiré au plus haut niveau de la société. Charles-Frédéric de Saxe-Weimar-Eisenach, Grand-duc de Saxe-Weimar-Eisenach, commanda une réplique en marbre dès 1842

L'original a été acheté pour  florins par Guillaume II, roi des Pays-Bas, et a été mis avec le reste de sa collection en 1850 après sa mort. En 1854, l'artiste vend un moulage en plâtre de la statue au baron Bernhard von Lindenau, l'homme d'état allemand, astronome, et collectionneur d'art.
Le succès de l'œuvre élève Joseph Geefs au rang des plus grands sculpteurs de son époque.

L'ange du mal, ainsi que Amour et Malice de Jean Geefs, font partie des six statues mises en vedette dans un tableau de Pierre Langlet.

L'ange du Mal n'était pas uniformément admiré même comme une œuvre d'art. Quand il apparut dans une exposition internationale en 1862, l'examinateur a critiqué l'œuvre de Geefs comme « dou[ce] et langoureu[se] » et manquant de « muscle », « un diable malade : l'aiguillon de Satan est sorti ».

« l'une des œuvres les plus troublantes de son temps »

À part les ailes de chauve-souris, l'ange déchu de Joseph Geefs a une forme complètement humaine, rendue manifeste par sa quasi-nudité. Un foulard languissant frôle l'aine, les hanches sont dénudées et les cuisses ouvertes forment une allée menant vers l'ombre.
La courbe serpentine de la taille et des hanches joue de l'agencement par rapport aux courbes des ailes. Le torse est  mais jeune, lisse et gracieux, presque androgyne. L'expression de l'ange a été décrite comme « sérieu[se], sombre, même féroce », et le regard jeté vers le bas oriente l'œil du spectateur le long du corps et les cuisses jusqu'à l'écartement des genoux. L'autre élément satanique, en plus des ailes, est le serpent langui sur la base de la roche. L'ange du Mal était surnommée « l'une des œuvres les plus troublantes de son temps ».

Les sculptures de Joseph sont « frappantes par leur finition parfaite et la grâce, la pose élégante et même poétique », mais tout en présentant ces qualités en abondance, L'ange du Mal est un sujet assez exceptionnel :

Comme une sorte d'Adonis ailé l'ange déchu peut être vu comme un développement du nu de l'Adonis allant à la chasse avec son chien de Geefs. L'Ange du mal est rapproché à juste titre du Satan de Jean-Jacques Feuchère, avec une grâce moins diabolique. L'humanisation de Lucifer à travers la nudité est également caractéristique de l'œuvre colossale du sculpteur italien Costantino Corti, exécutée quelques années après les versions de Geefs. Corti dresse son Lucifer frontalement nu, chevauchant un sommet et encadré avec les ailes de son origine d'ange.

Génie enchaîné

Sans affirmation de l'artiste, on ne peut que supposer que Guillaume Geefs a cherché à répondre aux critiques spécifiques adressées aux travaux de son frère Joseph. Le Génie de Guillaume est moins dénudé, et est marqué plus fortement par l'iconographie satanique, puisque ni homme ni ange. Que Guillaume ait réussi à enlever les « éléments séduisants » relève de la perception individuelle.

Guillaume modifie la direction du regard de l'ange déchu afin de l'éloigner du corps, et les genoux de son Lucifer sont rapprochés de façon protectrice. Le drap est suspendu derrière l'épaule droite et serpente largement sur les cuisses, dissimulant les hanches, sans toutefois couvrir le nombril. En même temps, les parties nues restantes se veulent fermement modelées, en particulier le haut des bras et les pectoraux, pour révéler une masculinité plus définie, musclée. Le bras droit levé permet à l'artiste d'étudier les contractions travaillées des muscles dentelés antérieurs, et le geste et l'angle de la tête de suggérer que le génie est conjuré au châtiment divin.

Symboles de Lucifer

Guillaume a ajouté plusieurs détails pour renforcer la représentation luciferienne et le thème de la punition :

Aux pieds de l'ange, le « fruit défendu », une pomme avec des marques de morsure, avec au bout du sceptre, l'ornement stellaire qui représente l'étoile du matin, Vénus, appelée entre autres « Lucifer » selon la tradition romaine. Les ongles sont étroits et allongés, comme des serres.

Les cornes permettent de déshumaniser davantage la figure, tout en introduisant une autre note d'ambiguïté. Les cornes sont des caractéristiques de l'animalité satanique ou démoniaque, mais dans une tradition parallèle de l'iconographie religieuse, les cornes représentent des points de lumière. Les dieux de l'Antiquité personnifiant des phénomènes célestes tels que le Soleil ou les étoiles sont représentés avec une aura. Et certaines représentations de Moïse, la plus célèbre étant celle de Michel-Ange, sont sculptées avec des cornes semblables à celles du Lucifer de G. Geefs.

Lucifer prométhéen

La mise en esclavage de Lucifer, avec des chaines à sa cheville droite et au poignet gauche est un des éléments les plus manifestes de l'inclinaison de l'Ange du Mal.
Au , des réinterprétations de mythes grecs et chrétiens représentaient Lucifer comme une figure prométhéenne, s'appuyant sur une tradition selon laquelle l'ange déchu a été enchaîné en Enfer tout comme le Titan torturé sur le rocher par Zeus : « Le même Prométhée, comparé au Christ crucifié, est considéré aussi comme un type de Lucifer », écrit Harold Bloom dans ses commentaires sur le classique du  de Mary Shelley, intitulé Frankenstein ou le Prométhée moderne. Dans la typologie folklorique de Alexander Haggerty Krappe, Lucifer est une sorte de croisement entre Prométhée et Loki.

L'ajout des chaînes par Guillaume Geefs remplaçant le serpent de la version de Joseph, affiche la défaite de l'ange, dans le respect pieux de l'idéologie chrétienne du . À la même époque, la lutte titanesque du génie tourmenté pour se libérer des chaînes métaphoriques était un thème du romantisme qui s'est emparé de la Belgique dans la foulée de la révolution de 1830. Les Belges venaient tout juste d'obtenir leur propre «libération» : au cours des deux décennies qui suivirent, il y eut un engouement pour la sculpture publique, via notamment les frères Geefs, célébrant les leaders de l'Indépendance. L'illustration magnifiquement humaine du rebelle emblématique qui a échoué, a suscité, comme on aurait pu s'y attendre diverses réactions. Le visage souffrant du Génie a été interprété comme exprimant des remords et du désespoir; on peut remarquer qu'une larme glisse de l'œil gauche.

La Sœur des Anges

Dans un essai 1990, l'historien d'art belge Jacques Lennep examina comment la conception du Génie du Mal a été influencée par le long poème philosophique d'Alfred de Vigny « Eloa ou la sœur des Anges », publié en 1824, qui explore la possibilité de rédemption de Lucifer à travers l'amour. Dans ce poème narratif, Lucifer cherche à séduire la belle Eloa, ange née d'une larme versée par le Christ à la mort de Lazare de Béthanie. L'amant satanique est « littéralement un beau diable, physiquement superbe, intellectuellement brillant, irrésistiblement charismatique dans le discours et la manière » : en bref, un héros romantique. « Puisque vous êtes beau, dit naïvement Eloa, vous êtes bon sans doute ».

Lucifer déclare « Je suis celui qu'on aime et qu'on ne connaît pas » et dit qu'il pleure pour les esclaves et leur accorde le sursis occasionnel du plaisir ou de l'oubli. Eloa tente de le réconcilier avec Dieu mais Lucifer ne peut pas mettre de côté son orgueil destructeur. En fin de compte, l'amour d'Eloa la condamne à l'enfer avec Lucifer, à qui son triomphe sur elle n'apporte que tristesse.

Himmelsweg
En 1986, l'artiste belge Jacques Charlier fait du Génie du Mal l'objet central de son installation artistique, Himmelsweg (« Voie du Paradis »). Une photo encadrée de la sculpture surplombe un guéridon drapé d'un tissu noir. Un boîte transparente sur la table contient trois livres : une étude carmélite sur Satan, un livre scientifique sur l'air, le mémorial des Juifs belges exterminés à Auschwitz. Sur l'étagère du bas du guéridon sont posées des chaînes.

Charlier a décrit son utilisation du Génie du Mal comme « une image romantique qui nous parle de la séduction, du mal et du péché d'oubli ». Le titre allemand du travail se réfère au cynisme nazi pour la rampe d'accès conduisant aux chambres à gaz : « Le Chemin du Paradis mène à l'Enfer ; la Chute est si proche de la Rédemption ».

Vénération religieuse alternative
Le Génie du mal apparaît parfois sur les blogs, les forums Internet, et d'autres sites qui sont consacrés à d'autres pratiques religieuses telles que le satanisme et luciférisme. Un écrivain voyageur a observé que, dans le , la sculpture :

Notes et références

Notes

Références

Voir aussi

Bibliographie
. Exposition présentée par l'université de Liège du  au

Musées royaux des beaux-arts de Belgique, Le génie du mal de Joseph Geefs, Fabritius catalogue en ligne.

Article connexe
Sculptures à Liège

Sculpture en marbre
Sculpture religieuse
Patrimoine immobilier classé à Liège
Sculpture à Liège

redpajama_set_name: RedPajamaWikipedia


Thanks to recent advances in wireless technology, a broad range of standards are currently emerging. Interoperability and coexistence between these heterogeneous networks are becoming key issues, which require new adaptation strategies to avoid harmful interference. In this paper, we focus on the coexistence of 802.11 Wireless LAN and 802.15.4 sensor networks in the ISM band. Those networks have very different transmission characteristics that result in asymmetric interference patterns. We propose distributed adaptation strategies for 802.15.4 nodes, to minimize the impact of the 802.11 interference. This interference varies in time, frequency and space and the sensor nodes adapt by changing their frequency channel selection over time. Different distributed techniques are proposed, based on scanning (with increasing power cost) on the one hand, and based on increased cognition through learning on the other hand. These techniques are evaluated both for performance and energy cost. We show that it is possible to achieve distributed frequency allocation approaches that result only in an increase of 20% of the delay performance compared to ideal frequency allocation. Moreover, it is shown that a factor of two in energy consumption can be saved by adding learning to the system.
Pollin, Sofie, Mustafa Ergen, Michael Timmers, Antoine Dejonghe, Liesbet Van der Perre, Franky Catthoor, Ingrid Moerman, and Ahmad Bahai. 2006. "Distributed Cognitive Coexistence of 802.15.4 with 802.11." In 2006 1st International Conference on Cognitive Radio Oriented Wireless Networks and Communications, 53–57. New York, NY, USA: IEEE.
Pollin, S., Ergen, M., Timmers, M., Dejonghe, A., Van der Perre, L., Catthoor, F., Moerman, I., et al. (2006). Distributed cognitive coexistence of 802.15.4 with 802.11. 2006 1st International conference on cognitive radio oriented wireless networks and communications (pp. 53–57). Presented at the 1st International conference on Cognitive Radio Oriented Wireless Networks and Communications, New York, NY, USA: IEEE.
Pollin S, Ergen M, Timmers M, Dejonghe A, Van der Perre L, Catthoor F, et al. Distributed cognitive coexistence of 802.15.4 with 802.11. 2006 1st International conference on cognitive radio oriented wireless networks and communications. New York, NY, USA: IEEE; 2006. p. 53–7.
Pollin, Sofie et al. "Distributed Cognitive Coexistence of 802.15.4 with 802.11." 2006 1st International Conference on Cognitive Radio Oriented Wireless Networks and Communications. New York, NY, USA: IEEE, 2006. 53–57. Print.


nurtured by, and challenged by, in your specific relationship with God and all other beings.
On this semi-silent retreat, there will be also time to enjoy a daily liturgy, the outdoor pool, and sacred land walks.
July 18, Wednesday: Practice different prayer styles that fit and stretch your personality in its evolving growth toward more loving relationships.
July 19, Thursday: Discover your number on the Enneagram and the basic gifts and limitations attributed to it.
July 20, Friday: Practice the style of prayer that can facilitate transforming your personal weaknesses into strengths.


Please fill this questionnaire if you are a New Patient and are seeking a Family Physician.
2. After reading the Physician descriptions below, please select which Physician best suits you.
Dr. Swapna Masurkar graduated from the Family Medical Residency program at the university of Manitoba in 2002. She brings a wide base of experience and knowledge in providing skillful clinical care to patients across varied ages.
3.Do you have any additional questions or concerns?


YSR Congress Party Agriculture wing demanded that the government declare the state as drought affected as the food grains production touched the lowest point after 2003.Addressing the press, M V S Nagireddy, president of state agriculture wing said cultivation in the state had come down from 43.86 lakh hectors in 2008-09 to 38.62 lakh hectors during 2016-17 across 13 districts.
He stated that in 2012 the Paddy per quintal was Rs 1,250 and the Minimum Support Price (MSP) was Rs 1,080, where farmer lost Rs 170 in input cost. This year, the farmer invested Rs 1,900 per acre and got Rs 1,470 as MSP with a loss of Rs 430. Nagireddy questioned the TDP government for not talking about MSP or implementing recommendations of Swaminathan Committee. He pointed out that Swaminathan had recommended Rs 2,850 as MSP as per today's situation.