LeAnn Rimes is afraid of Brandi Glanville for real and feared she was going to kill her because she considered a restraining order against the Real Housewife of Beverly Hills star.
According to Celebuzz, this quote along with other "series threats" had LeAnn considering going to the courts. "Brandi has told LeAnn to her face multiple times that she would kill her if she could," a source told Celebuzz.
It's been a bumpy road for the two women who have never made their animosity a secret. In 2009, Brandi's husband at the time, Eddie Cibrian, had an affair with LeAnn, ultimately causing the couple to split. They have two children together, Mason and Jake. Eddie and LeAnn married and just celebrated their first wedding anniversary fresh with new bikini shots of the skin and bones singer.
But the two seemed to be working on their differences of late when both were papped at one of Jake's soccer games. However, the détente is fragile. Brandi expressed her disappointment when word got out that Eddie wouldn't allow their boys to appear on the Real Housewives. RadarOnline.com reported Brandi's offer to become a full-fledge housewife was rescinded when she told the network the news.
I understand why Eddie won't allow the kids on the show but it's annoying to me since LeAnn won't cross the street without alerting the paparazzi. Brandi has a chance to make a name for herself and she's great on the show. I actually love Brandi's character. She's funny and quick and doesn't take herself too seriously like all the other uber-rich lamo ladies. It's Bravo's loss for sure.
But of course, LeAnn would tell people she considered a restraining order. She's one cracked-out night away from Lindsay Lohan-type attention antics. And let's be honest. I'd want to kill her too. Say what you want about Brandi but she got screwed and now LeAnn thinks she can just waltz in and play mom.
I understand stepmothers want their stepchildren to love them and create strong relationships but there's a respectful way to do it and I doubt LeAnn even tried to be compassionate towards Brandi. Violence is never the answer, but sometimes you just want to slap a b*tch. Am I wrong?
LeAnn Rimes Has A SWINGING Good Time On Vacation: Kisses Her Best Girlfriend While Husband Photographs (Photo)!


I see hearts in unexpected places all the time as I go about my day, and they always remind me that love is everywhere. Sharing some of these hearts here with you is one of the many ways I aim to send love right back out into the world as often as I can.
Hearts are everywhere at CakeFriends, my favorite cafe in Zurich, Switzerland, and love is, too.
Found this hidden symbol of love while slicing apples for my own love's lunch, and that got me looking for love everywhere. Stay tuned for more!


I spent a large part of my weekend cleaning and freezing 15 pounds of blueberries. Our local strawberry farm said they had connections with a Michigan farmer and made a trip up there on Friday to bring back tons of blueberries for local residents to purchase. Ten pounds for $30, cheaper than what we usually pay in store and they were fresh, just picked on Friday evening.
Of course I was afraid one box wouldn't be enough so it didn't take much convincing to grab another. I did end up selling half of one box because it really was a lot of berries. All of Saturday I pretty much rotated pans of berries in and out of the freezer, storing them in freezer bags. I now have 9 quart sized bags of blueberries to last us through the winter.
But I also wanted to try out a new jam recipe I spotted in my recent Simple and Delicious magazine. Citrus pairs so well with blueberry that I knew this had to be good! I did make a few changes to the original, mainly decreasing the amount of sugar because when using fresh, ripe fruit you don't always need as much sweetener.
Check out the fruit in there. You can mash up the berries and oranges more but I like my jam a little chunky. I tried it out on our blueberry pancakes this morning, it was the perfect combination. This will be an awesome treat to enjoy especially in the winter months.
Preheat oven to 250 degrees. Place sugar in a baking dish and bake in oven for 15 minutes. Meanwhile, in a large bowl add 2 teaspoons of finely grated orange peel. Peel and chop orange, add to bowl. Add in crushed blueberries. When sugar is done, dump into bowl and stir until combined. Let stand for 10 minutes.
Add in pectin and stir constantly for 3 minutes. Immediately fill three half pint jars within 1/2 inch of their tops. Cover with lids and let stand at room temperature for 24 hours. Store jam in fridge for up to three weeks or in freezer for up to 1 year. Makes 3 half pint jars.
I have made blueberry jam before, but, not with orange in it..love that! It's a great combo.
Thank you so much for linking up at Share Your Stuff Tuesdays Steph!!


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Titles Reviewed By KBanger1
[reviewer:1694]
Name: KBanger1
Email: kbanger1@yahoo.com
Url: None
Anime is the reason why I don't watch regular TV anymore. For more than 20 years, I'm still watching and searching for a lot more than what I have. I'm mainly a harem/comedy mark but I will watch just about anything. I'm mostly into old school anime, give or take a few titles. My #1 is actually split between Tenchi Muyo (a series that kept me watching anime) and Robotech (a series that introduced me into anime). I'll decide one day, but in the meantime, I'll keep watching and when I have the time I'll review a few.
Favorite lines from an anime: "Time for Yuri to choke a b**!" - Magikano
Action(47) Action Comedy(11) Adventure(23) Comedy(50)
Drama(42) Horror(12) Mystery(2) Parody(6)
Romance(35) Romantic Comedy(19) Suspense(2) Tragedy(7)
Cyberpunk(5) Fantasy(37) Historical(5) Modern(50)
Sci-Fi(27) Steampunk(1)
All Ages(1) Seinen(20) Shoujo(2) Shounen(14)
Acquired Taste(8) Artistic(1) Classic(3) Creepy(6)
Dark(20) Fragmentary(2) Kawaii(4) Korean Wave(3)
Moe(1) Silly-funny(8) Surreal(4) Weird(9)
Angels(1) Animals(1) Anime-Manga Bundle(2) Artificial Girls(4)
Bishoujo(3) Bishounen(1) Bondage(2) College(2)
Comedy Fantasy(5) Coming of Age(7) Competition(6) Dating Sim Spinoff(7)
Deities(1) Depression(2) Ecchi(32) Elementary School(1)
Epic(3) Erotic Comedy(3) Evang*lion Clone(1) Family Affairs(3)
Fan Service(35) Fighting(16) Friendship(2) Genie(1)
Gun-action(6) Harem(25) Hentai(6) High School(20)
Incest(2) Isekai (Other World)(3) Kemonomimi(2) Live Action(1)
Lolicon(2) Magic(17) Maid Theme(1) Martial Arts(13)
Mecha(11) Middle School(5) Music Oriented(1) Ninja(4)
Occult(5) Otaku Theme(1) Pantsu(11) Pervert(8)
Police(5) Psychics(4) Reboot(3) Samurai(3)
Sequel(7) Shinigami(2) Shounen Ai(1) Slice of Life(8)
Softcore(1) Spinoff(3) Spinoff-Sequel(1) Sports(4)
Stalking(1) Superhero(2) Supernatural(13) Swordplay(10)
Tenchi Clone(3) Time Travel(1) Underworld(1) Vampires(5)
Video-game inspired(6) Violent(19) Vulgar(2) War(2)
Yuri(2) Zombies(1)
Movie(10) OVA(31) Short(1) TV(68)
TV Special(1)
2020(2) 2019(1) 2015(1) 2013(3) 2012(3) 2011(3) 2010(3) 2009(10)
2008(12) 2007(8) 2006(9) 2005(8) 2004(13) 2003(13) 2002(7) 2001(2)
2000(4) 1999(4) 1998(4) 1997(3) 1995(4) 1994(3) 1993(3) 1992(2)
1991(1) 1990(1) 1989(1) 1988(4) 1987(4) 1986(2) 1983(2)
Jump to page: A Certain Scientific Acceler … - Asu no Yoichi! AYA - Bubblegum Crisis Mega-Tokyo … By the Grace of the Gods - Death Note Denpa teki na Kanojo - Electromagnetic Girlfriend Elfen Lied - Furi Kuri Gantz - Hajime no Ippo: Champion Road Hajime no Ippo: New Challenger - Invincible Poster Girl Isekai no Seikishi Monogatari - Kurenai Kurogami - Maken-Ki! Masters of the Future - Negima! New Dominion Tank Police - Parasite Dolls Peach Girl - Samurai Harem (English Title) Sankarea - Shinkon Gattai Godannar!! Shinpi no Sekai El Hazard - Taboo Charming Mother Tales of Symphonia - Tenchi Muyo: War on Geminar Tenchi Muyou! GXP - To LOVEる (Japanese) To-Love-Ru - UFO Princess Valkyrie: Jyuun … UFO Princess Warukyure - Welcome to the NHK! Wicked City - はじめの一歩 New Challenger (Japan … はじめの一歩 THE FIGHTING! (Japane … - クラナド コゼットの肖像 - ナルト (Japanese) バブルガムクライシス - 円盤皇女ワるきゅーレ 十二月の夜想曲 剣風伝奇ベルセルク - 真月譚 月姫 (Japanese) 神のみぞ知るセカイ - 슈퍼 마징가7 (Korean)
A Certain Scientific Accelerator Watch See Toaru Kagaku no Accelerator
A Kite Rent See Kite
Aa! Megami-sama! TV Rent Morisato Keiichi is an unlucky college guy. He has no luck scoring a date with the rich and popular Sayoko. He has bad luck in nearly everything he does. One evening while stuck at the male boarding house that he shares with his auto club senpais, he happens to make a call which gets connected to the heavens and to Belldandy. There, this goddess doesn't wait to announce she's coming for a personal visit, and she arrives via a mirror behind Keiichi. He is startled by her sudden appearance and doesn't believe she's real, nor that she can grant wishes. But he makes a wish -- for a girl like her to be by his side forever. His wish is granted and Belldandy is now contracted to stay with Keiichi on Earth for the rest of his life.
Aesthetica of a Rogue Hero Buy See Hagure Yuusha no Aesthetica
Ah! My Goddess TV Rent See Aa! Megami-sama! TV
Ai Yori Aoshi Buy Kaoru Hanabishi just wanted to help. Aoi Sakuraba just wanted to find her first love. They never realized they were looking for each other. Ever since their arranged marriage 18 years ago, Aoi had been in love with Kaoru, but she traveled to Tokyo to meet him when she learned the marriage had been called off. While Kaoru is impressed by Aoi's loyalty, innocence and beauty, to accept her affection, he might have to return to the Hanabishi Clan and the emotional and physical pain he suffered during his childhood... Their self-control and their love will be put to the test when she moves in and he tries to stay a gentleman!
AIR GEAR Rent Microtechnology has created self-powered roller blades that allow a rider to rip along at blistering speeds, roar up walls and fly to incredible heights. And now AIR TECK (A-T) has become the new rage with all of the gangs. Ikki got the dickens kicked out of him by a roller-blade gang and the four sisters that he is staying with are not going to allow him to forget it. Of the four sisters, it falls upon fourteen-year-old Ringo to be responsible for looking after their trouble-some 'adopted' little brother whom they have nicknamed 'baby-face'. When Ikki finds out that the girls are part of an A-T gang called the 'sleeping forest', he borrows one of their skates and rides off into the night vowing to learn to ride . A chance encounter introduces him to a cute roller-blade girl. Ikki follows her to a Stormrider (AT gang) gathering and learns that she is called Simca. Simca really seems to take a fancy for him (or perhaps she really enjoys teasing him), but when his sisters (most specifically Ringo) find out, they are not happy with Ikki's new friend.
AirGear Rent See AIR GEAR
Akiba Girls Rent See Akiba Kei Kanojo
Akiba Kei Kanojo Rent Shindo Nikita, who entered the college this year, had a secret. He really loved the Akiba culture, including hentai games. He liked it so much as to think of Akihabara as the Capital of Japan. Therefore, he had been destined to join the "The Second General Knowledge Explore Club". Then, another fateful encounter appeared in front of him. To be surprised, he met Aoi Ren whom he'd admired. However, he couldn't get along with a real person. But he noticed, "I got it... I should make her to take to Akiba culture".
Amagami SS Watch Tachibana Jun'ichi, a 2nd year high school student, always feels depressed around Christmas time due to a certain past experience. Due to his fear of opening his heart to love, his school life is rather lonely. One day, Jun'ichi asks himself if he is really satisfied with ending his high school life thus? Setting aside his fears, Jun'ichi determines that he will spend the coming Christmas with a girl. Thus resolved, he goes on to meet many different girls. In the end, what will Christmas hold for Jun'ichi?
Amagami SS Plus Watch Announced to be a sequel to Amagami SS, like the original series this will be a collection of 2-episodes sequel arcs, one to be appended to each original arc.
Aria the Scarlet Ammo (English) Rent See Hidan no Aria
Ashita no Yoichi! Watch See Asu no Yoichi!
Asu no Yoichi! Watch Having been raised and trained for the past sixteen years as a traditional samurai 'bushi', Yoichi was surprised when his father suddenly announces that there nothing more that he could teach his son, but he arranges for Yoichi to continue training at a dojo owned by one of their relatives. So now Yoichi must leave the tranquility of his remote rural mountain life and move to the city to live with his uncle's family to continue his studies. And if learning how to cope with city life were not hard enough, he finds himself living with 4 beautiful sisters and having to endure a 'training' regiment more severe than he could ever imagine.....

redpajama_set_name: RedPajamaCommonCrawl


This article describes how to capture photos, PhotoTalk™ media, standard video, and Autolog video on the RIDGID® SeeSnake® CS65x.
You can save jobs and their captured media and reports to the 128 GB internal SSD, and/or sync with up to two USB drives. The CS65x automatically generates a report of the job which includes captured media, company and customer information, and notes.
Media is saved to the open job as it is captured. Only one job can be open at a time. Jobs can be re-opened and added to later.
PhotoTalk media combines a still image together with audio commentary in a small, email friendly format for efficient sharing from the field.
Press the photo key to take a photo. The photo key responds differently to being pressed versus pressed and held. You can choose which action captures a photo and which creates a PhotoTalk image. To change the default behavior press the menu key, go to CS65x settings and select photo key action.
Autolog videos are made of continuous audio recording and variable frame rate compressed video.
The Autolog key can be used to quick start an inspection. Press it when the system is off and it will power on the unit, create a new job, and start an Autolog video recording.
Press the Autolog key to start and stop recording Autolog video. Pause and resume Autolog video recording by pressing the select key.
Press the video key to start and stop recording video. Pause and resume video recording by pressing the select key.
Standard video and Autolog video can be recorded simultaneously and independently of each other. Both recording types can be started and stopped without affecting the other. Photos and PhotoTalk media can be taken during video and Autolog video recording.
How to capture photos, PhotoTalk media, standard video, and Autolog video on the CS65x.
How to copy an open job from primary storage to the internal SSD or an inserted USB drive on the SeeSnake CS65x.


We are adding new services this year. You might not know but we are excited to be partnered with Richard Penrose with Coastal Family Insurance in Pensacola, FL. Give us a shout for a no cost, no obligation quote for any of your insurance needs. Our phone number is 850-725-5696.
Now providing individual & senior insurance, elder care financial and legal services.


Southern Africa Union Conference shared a post.
Southern Africa Union Conference was live — in Kempton Park, Gauteng.
Southern Africa Union Conference is with Kliptown SDA Church.
Southern Africa Union Conference is with Metro Mission Church.
In each section the cross references to the books of the Bible are now listed in the order the books occur in most English Bibles.
If you need more help then please feel free to call us.
I would suggest going through the communication director at your local conference. He/She should be able to guide you.
How can I find A seventh day Adventist Church in South Africa?
Do you need volunteers next year for your outreach programs in our native countries. I have just returned from Zambia, after living their for four years. Before I start my career in SA again, I want to give back to the Lord, one year of my live. Excited to hear from you soon.


Left-of-center political writers have long observed a sort of unwritten rule about critiques of Donald Trump: Don't compare him to Adolf Hitler, or his followers to Nazis. That line has held firm despite all the revelations of alt-right racists and fascists who regard the 45th president as their leader; his own refusal to condemn murderous rioters chanting, "Jews will not replace us!" in Charlottesville; his instinctive solidarity with white nationalists in Europe and elsewhere; and his Nuremberg-style rallies and rambling, demagogic tirades. The reason for this reticence with respect to a political leader that many writers intensely loath has been simple: Whatever else he and his supporters are, they aren't advocating genocidal war and mayhem, and should not casually be compared to totalitarian mass murderers.
And then Brooks went over the brink, with an English translation of a passage on the art of the "big lie" from Hitler's Mein Kampf.
Brooks conducted something of a master class in stupidity in suggesting that the entire news media and every member of one of the two major parties was consciously engaged in a "big lie" strategy, presumably by reporting on the Mueller investigation, and compounding the ignorant smear with the old right-wing chestnut of calling Hitler a leftist ("another Socialist"). Indeed, that's a whole lot closer to a "big lie" than anything any Democrat has said about Mueller and Trump. The corpses of every Social Democrat (not to mention Communist) the Gestapo could get its hands on testify otherwise. The odds are pretty high, of course, that Brooks isn't deeply read in 20th-century European history, but that did not stand in his way.
What would be deeply annoying coming from some random wingnut state legislator is troubling coming not only from a member of Congress, but from the man that "establishment" Alabama Republicans are praying will run for the U.S. Senate next year. Only he, many believe, can save their party from the ignominy of "extremist" Roy Moore winning a second chance to lose to Democratic incumbent Doug Jones.
Brooks ran in the 2017 special election that elected Jones, but probably because of comments the Huntsville Republican made when he was backing Ted Cruz for president in 2016, Trump endorsed appointed incumbent Luther Strange instead. Brooks reportedly doesn't want to run for the Senate again without an emphatic MAGA endorsement.
So perhaps this over-the-top Democrats-are-Nazis speech from Brooks is simply his way of getting Trump's attention and showing that absolutely nothing — not historical accuracy, or fairness and decency, or the most basic respect for the uniqueness of the Holocaust — would deter him from going after the boss's enemies with the worst slurs anyone could imagine.


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Dil Se.. (1998)
Author adminPublished on December 27, 2019 March 11, 2020
Plot: radio broadcaster falls in love with a strangely aloof woman
There's no shortage of romance in Bollywood. It's an integral part of Indian cinematic experience, and they sometimes turn up in the least expected places. One such is at the heart, erm, center of Mani Ratnam's Dil Se (or, From the Heart) which not only has the good fortune of featuring a young Shah Rukh Khan in the lead, but also two of Bollywood's most beloved actresses: Manisha Koirala, and a very young Preity Zinta. Dil Se is a prime example of parallel cinema, or a more realist equivalent to Bollywood's deliciously over-the-top and melodramatic popcorn/event movies. It's certainly melodramatic in places but Dil Se is a political thriller first and foremost. Dil Se was closing chapter of Mani Ratnam's thematic trilogy of terror films and was preceded by Bombay (1995) and Roja (1992). Dil Se initially did poor at the box office, and found success overseas first. It was screened at the Era New Horizons Film Festival and the Helsinki International Film Festival. It went on to win the Netpac Award at the Berlin International Film Festival, two National Film Awards, and six Filmfare Awards. In more recent years it has been reappraised and is now considered an unsung classic.
Amarkant Varma (Shah Rukh Khan) is an idealist program executive for All India Radio traveling to New Delhi to cover the festivities in Assam. On a rainy night he makes a stop at Haflong train station to catch the Barak Valley Express (he wouldn't take the Chennai Express until some 15 years later) and makes his acquaintance with a mysterious, aloof woman. Mesmerized he tries to strike up conversation, but she has boarded her train before Amar can think up something useful to say. In Assam, while reporting on the North-East insurgence, he interviews citizens of Assam as well as the Liberationists in Kashmir valley and their motivations behind the resistance in Utthar Purv. Then he spots the mystery woman again in Lumding, but she claims not to recall their earlier meeting. A few weeks go by, and Amar describes their meeting on the radio, which she hears. When he meets her again at the post office she tells him to leave her alone since she's married. Amar profusely apologizes but is beaten up by her brothers all the same. He figures that everything so far was a mere ruse and travels to Leh where the woman was last seen in the union territory of Ladakh.
At the Sindhu Darshan Festival a suicide bomber is chased by the military, and once again the mysterious woman is nearby. They both board the same bus, but when the vehicle experiences technical difficulties they are forced to walk to the nearest village. There the woman tells Amar to call her Meghna (Manisha Koirala) and confides in him that they never can be together. He's an idealist, she's a pragmatist. He's a dreamer, she's an activist. Unfazed Amar confesses his feelings for her, and is heartbroken to find that she has disappeared the following morning. He returns home to Delhi where his family has arranged a first date with wide-eyed young student Preeti Nair (Preity Zinta) from Kerala. Figuring that he will never see or hear from Meghna again Amar kindly agrees to marry Preeti.
Out on a date during his courtship with Preeti one day Amar spots one of Meghna's associates on Connaught Place. Naturally, when the man commits suicide Amar becomes a prime suspect in the CBI investigation. Then one day he finds Meghna knocking on his door asking for an administrative job in the offices of All India Radio. Amar is puzzled to learn that her real name is Moina, and that she's part of a Liberationist cell planning multiple suicide attacks in New Delhi during the upcoming Republic Day celebrations. In fact Moina herself is one of the suicide bombers and she intends to blow herself up along with the President of India. His association with Moina and his trek to Sunder Nagar make Amar look suspect in the eyes of the CBI investigation officer (Piyush Mishra) and he's arrested. On the day of the planned suicide attack Amar escapes CBI custody and pleads Moina not to go through with her terrorist act. Does love truly conquer all?
Not bad for somebody like Shah Rukh Khan. Before he became the "king of romance" and "Tom Cruise of India" he was an actor from humble beginnings. He has a penchant for chosing projects with an autobiographical slant. His father was a freedom fighter, so the screenplay of Dil Se must have resonated with him on a personal level. Khan had debuted in Deewana (1992) but would soon make a name for himself playing anti-heroes and villains. Dilwale Dulhania Le Jayenge (1995) proved particularly successful. It was the highest grossing Bollywood film that year, and is widely considered one of the most successful Indian films in history. The Maratha Mandir cinema hall in Mumbai has, as of 2017, been showing it 20-plus years. And who wouldn't want to be involved with a prestigious project as Dil Se? Mani Ratnam writing and directing, sharing the screen with India's most gifted dramatic actress (Manisha Koirala), a lovely debutante (Preity Zinta), a director of photography (Santosh Sivan) and a choreographer (Farah Khan) who would direct the "king of romance" in the historical epic Aśoka (2001), and the Bollywood box office smashes Om Shanti Om (2007) and Happy New Year (2014), respectively? You'd imagine that Dil Se would resonate with people, but the opposite is in fact true. In its original run it did poorly, and Dil Se was only reappraised much later.
It's nigh on unbelievable that Shah Rukh Khan is barely known in the English-speaking world. He's one of the biggest actors, producers, and directors in Bollywood, and often works with filmmaker Yash Chopra. On-screen he's frequently romantically paired with the Kapoor sisters (Karisma and Kareena), Madhuri Dixit, Anushka Sharma, Katrina Kaif, Juhi Chawla, and introduced Preity Zinta, Deepika Padukone, and Priyanka Chopra to the world. Khan famously declined the lead role in Danny Boyle's multiple Golden Globes, Academy, BAFTA, and Critics' Choice Award-winning sleeper hit Slumdog Millionaire (2008), a part subsequently given to Anil Kapoor. Khan is known for playing idealists, anti-heroes, villains, and romantic heroes. He's a man of the people, and loved across age brackets and demographics. He has his own wax statue in Madame Tussauds in New Delhi and London, lectured at Yale (in 2012) and TED (in 2017), and he was interviewed by David Letterman on his My Next Guest (in 2019). Dil Se is probably one of the most important movies in Khan's extensive filmography, and a lot more cerebral than than the romantic comedies and dramas wherein he made a name for himself. Besides Manisha Koirala the biggest other star is Preity Zinta.
Zinta was a 23-year old former student of criminal psychology who had established a foothold in television as the adorable Cadbury Perk chocolate bar – and Liril soap girl. If those commercials weren't enough to shoot her to domestic superstardom, her now world-famous dimpled smile certainly would. It takes well over an hour before Zinta makes her appearance in Dil Se but what a debut it is! Just a short 20 minutes is all that it took for pretty Preity to become a Bollywood darling and superstar. Obviously Preity impressed the Bollywood bigwigs and she won the Filmfare Award (1999) for Best Female Debut. Five years, and 15 films later, Zinta appeared in two career-defining productions. The first was Rajesh Roshan's nearly three-hour-long Koi… Mil Gaya (2003) (or I Found Someone), a family adventure epic of Spielbergian proportions modeled after the likes of E.T. the Extra-Terrestrial (1982) and Independence Day (1996). It ensured Hritik Roshan's continued relevance, and birthed India's most lucrative superhero franchise Krrish in the process. The same year she reunited with Khan for Kal Ho Naa Ho (2003) where she played geeky, black-rim glasses wearing, and barely-smiling Naina Mathur. Her hearty laughter warmed millions. Preity has shared the screen with legends, old and new, and probably is one of the most recognizable Hindi stars along with Priyanka Chopra and Mallika Sherawat. Also making a cameo appearance is former MTV VJ Malaika Arora in the song 'Chaiyya Chaiyya'.
Dil Se is the ideal title for Westerners to dive into the wonderful world of Bollywood, as Dil Chahta Hai (2001), and Karthik Calling Karthik (2010) for that matter. It might not exactly be representative of Shah Rukh Khan's massive body of work (that generally dwells in far lighter comedic – and romantic territory) but if there's one Bollywood movie that everybody should have seen at least once Dil Se is a pretty good choice. It offers a chance to see a number of Bollywood superstars early in their career before they became the household names and red carpet fixtures they are today. Shah Rukh Khan, Manisha Koirala, and Preity Zinta all are philantropists who have found charitable foundations, and have championed women's and children's rights in India, as well raised awareness around various (mental) health issues. For that all three have often won awards and are leading figures in their philanthropic endeavours. If that doesn't make Dil Se more appealing to a wider audience, nothing probably will…
Published on December 27, 2019 March 11, 2020 Author adminCategories 1990s, Bollywood, Dil Se, drama, Farah Khan, India, Jasveer Kaur, Malaika Arora, Mani Ratnam, Manisha Koirala, Netflix, Preity Zinta, romance, Santosh Sivan, Shah Rukh Khan, thriller, Zohra Sehgal
The Love Witch (2016)
Plot: Elaine is not your ordinary witch. She's something else...
The Love Witch isn't just another indie film. It isn't just another nostalgia piece either. No, it's something else. It is an affectionate love letter to the fashion, music, and cinematic conventions of the gaudy and exuberant 70s. The Love Witch is a stylistic reverie so lovingly crafted, so wonderfully executed that it feels as a conduit back into that era. Sumptuously designed, beautifully photographed, and perfectly cast The Love Witch is a treasure trove for anybody familiar with late sixties/early seventies exploitation cinema. In that respect it's almost an arthouse production. Before anything else, The Love Witch is a two-hour throwback to the glamour and glory of 1960s Technicolor and classic Hollywood films, but with far more boiling below the surface. It's a philosophically provocative musing on gender obstacles and a feminist manifesto wrapped in some of the most enchantingly beautiful production design this side of early Tsui Hark.
It's framed like a Hitchcock film and unfolds like an early Tim Burton fairytale as Beetlejuice (1988) or Edward Scissorhands (1990), themselves heavily romanticized versions of 1960s romantic dramas. To its everlasting strength The Love Witch is a phantasmagoria of different moods and dabbles in a multitude of subgenres. It has the hyperstylized lighting and high-fashion of a 1970s Italian giallo from Mario Bava, Luciano Ercoli, or Dario Argento; the deep oneiric atmosphere of a French fantastique in tradition of Girl Slaves Of Morgana Le Fay (1971), the erotic quality and soft focus of a mid-70s Renato Polselli or Luigi Batzella gothic horror with Rita Calderoni, all while having the subtextual richness of Jaromil Jires' Valerie and Her Week Of Wonders (1970) and a pronounced feminist undercurrent not unlike Deadlier Than the Male (1967) and The Million Eyes of Sumuru (1967). It's probably what something as Pervirella (1997) or Superstarlet A.D. (2000) could have looked like had it been made by a genuinely talented filmmaker on a modest to decent budget.
Newly widowed Elaine Parks (Samantha Robinson) moves from San Francisco to Arcata, California to start a new life after the death of her husband Jerry (Stephen Wozniak). She takes up residence in an opulent Victorian mansion and befriends her home decorator neighbor Trish Manning (Laura Waddell). At the local teahouse Elaine meets Trish's husband Richard (Robert Seeley). There's an obvious attraction between the two, but Elaine ignores it. At wit's end Elaine seeks an audience with her mentor Barbara (Jennifer Ingrum) and the head of her coven Gahan (Jared Sanford). Once back home she she brews a potion, and soon finds a lover in university literature professor Wayne Peters (Jeffrey Vincent Parise). The two have a steamy night at his cabin, and Wayne starts to obsess over her. Elaine doesn't like that, and when she comes to wake him later, she finds him dead. She buries his remains, and sets her sights on Richard, figuring he won't be able to obsess over her since he's married to her friend Trish. Elaine once again does her dance of seduction and brews a him potion.
Trish suspects that Richard is having an affair since he drank himself in a stupor and is otherwise ignoring her. The sudden vanishing of Wayne attracts the attention of police investigator Griff Meadows (Gian Keys) and Elaine becomes a prime suspect. Griff, as all men are wont to do in presence of one so elegant, falls madly in love with her. At the Renaissance Faire the coven performs a mock wedding ritual for Elaine and Griff. Meanwhile Richard has killed himself obsessing over Elaine, much to the dismay of Trish. Elaine has the coven perform a love ritual for her and Griff. Meanwhile Trish has figured out that Elaine was the woman Richard was having an affair with, and goes as far to find Elaine's altar. Intrigued she starts dressing and acting just like Elaine. When word gets out that Elaine is a witch the employees of the burlesque theater call for her to be burned. In the confusion Griff helps her escape and the two take up residence in her apartment, there Elaine concocts him a potion. Upon realizing that Griff was correct that no man can ever love her enough, Elaine stabs Griff to death. In her deepest delirium Elaine imagines that Griff proposed to her and that they are wedded.
A character-driven piece like this irrevocably stands or falls by grace of its lead. As such Samantha Robinson was perfectly cast. She has the wide-eyed features of Barbara Steele, the regal demeanour of Edwige Fenech, Femi Benussi, and Rosalba Neri, and oozes sensuality much in the same way as Soledad Miranda, Nieves Navarro, and Barbara Bouchet – all while retaining an American pin-up quality like Celeste Yarnall or Mary-Louise Parker. It also doesn't hurt that Robinson sort of looks like a young Mary-Louise Parker. Whether she's sporting elegant evening dresses, gazing dreamily into the frame, or seductively cavorting around in lingerie in her Victorian abode, The Love Witch made a star out of miss Robinson. Her performance was bound to attract attention, and that it did. Recently Hollywood took notice of Robinson when Quentin Tarantino cast her in his award-winning 1970s epic Once Upon a Time… in Hollywood (2019). Impressive when you think Robinson's only remembered prior work was the indie thriller Misogynist (2013), and the functionally bland Lifetime television movie Sugar Daddies (2014). "I'm the Love Witch," Robinson chirps in an early scene, "I'm your ultimate fantasy!" Truer words have seldom been spoken. Hedonism is, can, and should be, a virtue.
The real beauty of The Love Witch is how multi-faceted and multi-layered it is. It's a cinematic Rorschach test of sorts. You take from it what you want, and you see in it what your tastes steer you towards. Coming to it from the angle that we do (from a cult, obscure, and weird cinema perspective) it's a celebration of fringe cinema, and of dead genres. It's as American as they come yet there's something really French and Spanish about it. The setting is American, but the pastel and pink-white color palette is informed by Italian genre cinema. The Love Witch has a coven, a riff on Satanic panic, the devil cult, and the Inquisition movies of the seventies; the romantic montages play out like those of a commedia sexy all'Italiana (without the overt sexism and machismo), and the entire thing has the feel of a French drama with Muriel Catalá or Isabelle Adjani. It's Faustine and the Beautiful Summer (1972) with a glorious helping of psychotronics and psychedelia straight out of All the Colors of the Dark (1972), Vampyros Lesbos (1971), or any of the LSD counterculture movies following Easy Rider (1969). It's equal amounts Girl Slaves Of Morgana Le Fay (1971) as it is Suspiria (1977). Disconnected from the influences that you project onto it, The Love Witch is just very, very good.
That The Love Witch is the work of just one woman makes it all the more impressive, especially with this being an indie. The creative force behind The Love Witch is Anna Biller. Not only did Biller write, produce, and direct this two-hour feature; she also served as art director, production – and costume designer, action choreographer, props master, and composer. If that weren't impressive enough in and of itself, The Love Witch was only her second directorial feature coming after the retro sex comedy Viva (2007) and a handful of shorts (in 2001, 1998, and 1994). She had to fight tooth and nail to realize her vision and lensed it with a hostile, mutinous crew (that saw a host of their number either leaving or actively sabotaging the production). That Biller has but two credits to her name is testament to how fully realized, lovingly crafted, and richly detailed her features are.
In her score she borrows a few stings from the Ennio Morricone soundtracks to A Lizard In A Woman's Skin (1971) and All the Colors of the Dark (1972). A good choice, definitely. Truth be told, The Love Witch is the sort of production where you'd expect a few winks and nods towards Bruno Nicolai's work for Jess Franco, especially something dreamy as A Virgin Among the Living Dead (1973) or Nightmares Come At Night (1972). In the sixties Samantha Robinson would have been a Bond girl, and a decade removed from that she would have been serious competition for Eurobabes as Soledad Miranda, Edwige Fenech, Rosalba Neri, Barbara Bouchet, Luciana Paluzzi, Yutte Stensgaard, Valerie Leon, Betsabé Ruiz, and Silvia Tortosa. Any which way you slice it, The Love Witch is an exceptional piece of independent filmmaking. To say that we're excited for whatever Anna Biller does next would be an understatement.
Published on December 20, 2019 March 14, 2020 Author adminCategories 2010s, Anna Biller, feminism, Gian Keys, independent film, Jared Sanford, Jeffrey Vincent Parise, Jennifer Ingrum, Laura Waddell, nouveau retro, psychedelic, Robert Seeley, romance, Samantha Robinson, Stephen Wozniak, The Love Witch, United States, wicca, witchcraft


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You're intent on building an IT infrastructure that's accountable, cost-effective, and tailored to your organization's needs.
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Our Clients receive a strategy, framework, capabilities, &/or IT Managed Services that are fully aligned to the organization's needs and business objectives.
IT Managed Services and capabilities can be purchased independently or as an integrated packaged offering.
Today's businesses and their bottom line are only as good as their IT infrastructures and the technologies they rely on. Regardless of the size of your organization, if your IT capabilities are poorly designed and integrated – your organization will suffer. Unlock your organization's potential today by contacting Withum to assess your IT infrastructure and requirements.
Experiencing an IT emergency, computer or mobile support issue that requires an immediate response? No worries… Contact Withum Support now; get reliable & competent help in less than a minute, 24/7/365 days a year.
Affordable IT Help Desk Services available 24/7/365 via flexible IT support models for your business including design, deployment, and implementation at affordable prices.
Did you know employees spend ~30 mins. or more per week fixing PC related problems or helping co-workers? Did you know that insourced IT staff are often overwhelmed, limited in resources, and often lack any real security expertise placing your organization and assets at great risk?
Withum offers customizable and scalable IT Systems design, deployment, and management. We can also assist in upgrading, simplifying, and remediating your existing infrastructure and technologies to suit current and future needs. Regardless of your organization's current architecture, technologies, and requirements, e.g. Amazon AWS / EC2, Microsoft Azure, E-Commerce, servers, mobile, email systems, PCI, HIPPA, GDPR, ISO, etc. – we deliver. Contact Withum for a professional tailored experience.
Our software developers design and build exceptional software solutions for your business across a variety of platforms and systems including for PCs, MACs, Mobile Devices, Cloud, Websites, E-Commerce and much more. If your organization needs customized software, coding, and development – we have various options available.
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Why are caps never allowed in dress codes?
The world of fashion is in constant development. From minor adjustments in cuts and colors to major swings in styles and trends, the one constant is change. But even as the never ending turmoil goes on, there are certain principles which manage to stick around and provide people with guidelines suitable for different kinds of events. These guidelines are known as dress codes, and while their names may be somewhat cryptic, their rules for what types of clothing and accessories are acceptable within respective code are fairly straight-forward.
From the more lush 'white tie', to the somewhat relaxed 'smart casual', the codes dictate both the general outfit and minor details suitable for every occasion. This overview at VOGUE offers a quick look at the most common dress codes with examples for both men and women. You might notice in the photographs VOGUE present for the overview that the number of hats, caps or any other form of headgear included adds up to exactly zero. If we look further, at Nic Harry we are told that hats in some cases can be an acceptable part of the 'smart casual' outfit, but never caps. In the world of business most companies have their own dress codes, and hats are rarely allowed in these either, not to mention caps.
So why this barring of caps in dress codes?
To understand the development of dress codes, one has to observe them over a long period of time as they do not change as quickly as other trends in clothing. Looking at the history of hats in fashion we can see periods like the 19th century where the hat was an inevitable accessory for men in virtually all parts of society; from the top hats of businessmen to the berets of workers. However, the development of fashion in the 20th century has brought us to the current hatless styles mentioned earlier, in part due to cars and other means of transportation becoming ubiquitous and sharply reducing our time out in the wind, rain and cold when heading to events. The first ever cap was used by the Brooklyn Excelsiors in 1860 and wasn't popularized until right at the start of the 20th century. In other words the cap, while heavily used in sports and leisure in the past century, was born just as mainstream dress codes started to move away from covering heads altogether. The fact that caps have never been made part of recognized dress codes simply stems from bad timing.
But fashion styles and trends swing like a pendulum. As headgear is slowly making its reentry into mainstream style in the early 21st century, with fedoras increasing in popularity, caps are in line to follow the pendulum's swing and become the newest accessory to revolutionize fashion. With the cap mainly confined to sports and very casual styles so far, apparel producers have not yet begun to tap into the potential of the cap as part of a sharp-looking outfit. Continuing the tradition of Scandinavian innovation, STIKSEN is looking to pioneer the inauguration of the cap into the upper echelons of fashion with its range of luxurious caps in minimalistic Scandinavian design, ready to shake things up and challenge status quo.
Make yourself comfortable in our shop and join us in blazing the next trail in the ever changing world of dress codes.


Wasn't at fault for either of the goals.
Kept Reus quiet for most of the game, but offered little going forward.
Poor. Delivered weak balls into the box, and was out of position for Großkreutz to cross for Lewandowski's winner.
Arsenal's best defender this evening, as he has been all season.
Arguably got turned too easily for the opener.
Did his job in the middle of the park, and helped tick the Gunners over as they came back into the game strongly after 30 minutes.
Wilshere made less than 15 successful passes in the first half, and was dragged off not soon into the second – making way for the much more impressive and creative Cazorla, who hit the bar with a wonder strike.
Probably the Welshman's worst game of the season. Outplayed by Sahin playing in a similar role for Dortmund, and gave the ball away for the first goal.
Quiet. Often left stranded out on the right-hand side, and doesn't have the pace needed to run at his fullback. Would have arguably performed better from a more central role.
The midfielder was Arsenal's best runner from midfield, and although he gave the ball away too often, he was the most exciting player when the ball was at his feet.
Arsenal's best player. Played well in the first-half, and grabbed a deserved equaliser. held the ball up well, too – but he wasn't given the service his performance deserved.


(1918-2006)(Frank Morrison Spillane) Mickey Spillane was born in Brooklyn, New York and died in Murrells Inlet, South Carolina. He attended schools in Brooklyn and Elizabeth, New Jersey, and graduated from Erasmus Hall High School in Brooklyn in 1935. He purchased land, built a home, and wrote many of his books near Newburgh, New York. His first novel, "I, The Jury" was published in 1947. Other novels include, "The Long Wait" (1951), "The Girl Hunters" (1962), "Day of the Guns" (1964), "The Death Dealers" (1965), "The Twisted Thing" (1966), and "Body Lovers" (1967).
Spillane was born in Brooklyn, New York, in 1918.
Spillane attended schools in Brooklyn, New York and graduated from Erasmus Hall High School in Brooklyn, New York in 1935.
Spillane died in Murrells Inlet, South Carolina, in 2006.
Mickey Spillane was cremated and his ashes were scattered in a creek near his home in South Carolina.
Spillane purchased land, built a home, and wrote many of his books near Newburgh, New York.


text:
The Grunion
Long Beach State sports
Get lost at The Federal Bar in Long Beach over…
Cars keep hitting this house
LA Kings newsletter
Things to doRestaurants Food and Drink
Get lost at The Federal Bar in Long Beach over specialty beers and food
By Merrill Shindler | MrEats@aol.com |
PUBLISHED: May 27, 2015 at 2:19 p.m. | UPDATED: September 1, 2017 at 1:51 a.m.
In case you were wondering, the building that houses the Long Beach branch of The Federal Bar dates back to 1924, when it was designed by the architectural firm of Curlett & Beelman. It's a Renaissance Revival structure of red brick, marble and terra cotta, with Corinthian columns holding up the ornate ceiling in the two-story ground floor banking hall, which is where you'll now find the The Federal bar.
It's a grand place to enter, overwhelming in the way that government buildings used to be, offering a sense that, at any moment, a band will strike up "Dancing in the Dark," as Fred and Ginger appear from the wings. This certainly isn't going to happen, though on my recent visit the folks at an adjacent table broke into a hearty rendition of "Happy Birthday" — over and over again. (Well, really, after a couple of Blood Orange Old Fashioneds, or Sherry Finished Manhattans, who wouldn't?)
Unlike the far smaller Federal Bar in North Hollywood, the Long Beach branch is an easy spot to feel, well, lost. It's so large, and we're so small by comparison. After a server took my order, I couldn't figure out where she had gone — she just sort of disappeared into the woodwork. There's a long bar, with a number of big screens over it, but if you're sitting on the other side of the restaurant, you may feel the need for binoculars to see what the score is.
And speaking of the bar, The Federal Bar is, indeed, very much a place in which to bend a weary elbow. (That's the leitmotif of pretty much every place along Pine Avenue; this is a street for thirsty locals.) Of course, there's a long list of draft beers — colorful brews like Iron Fist Nelson the Impaler Extra Pale Ale, and Coachella Valley Swarm Honey Double Wit.
If you can't make up your mind, they offer a tasting of four drafts for $11. There's also a section of "Old Standbys" — Coors Light, Miller Lite, Heineken and the like — which is a nice touch. It does the heart good to find a place where everything isn't artisanal. Sometimes, you just want a beer.
And sometimes, you just want an order of wings, which they do in two different sizes at The Federal, served with an herby sort of hot sauce and a bleu cheese dip. There are pulled pork sliders as well, a decent (if slightly watery) beef chili, and an assortment of chunky burgers. I like the OMH, which stands for "Oh My Habanero," which has plenty of spice, though I find the milk buns they serve the burgers on to be a bit on the white bread-ish side. They're soft and dull. (But that may just be me — I'm spoiled by some of the ciabatta bread burgers around town.)
Of course, this being a modern bar with modern bar food, there are certain obligatory quirks. Not only can you get Brussels sprouts with bacon and goat cheese as a side dish, you can get a fried Brussels sprouts salad, with blackened shallots and spiced pears. I don't know about you, but my tolerance for Brussels sprouts is pretty much at an end. As a side dish, they're OK. As the dominant flavor in a salad, not so OK. Far as I can tell, they're not used on a pizza, though Buffalo chicken and bleu cheese is. My love of Buffalo chicken has no bounds — bring it on!
They crank out a tasty order of mussels, steamed in Hefeweizen beer with serrano chiles for a bunch of flavors in every bite. They do some truly nut bucket french fries as well, called "Dirty Chips," topped variously with pickled onions, peppered bacon, pickled serranos, bleu cheese, avocado and scallions. The potatoes are smoked. I'll take them over the short rib poutine, that gnarly French Canadian creation, that should be served with Lipitor and paddles. It sits in the gut so heavy.
I guess someone is ordering the warm quinoa and kale salad, though it sure feels a tad twee for The Federal. Roasted salmon and grilled hanger steak is mighty serious for a joint where kids at the adjacent table were playing with Legos. But you know, there's something for everyone.
Merrill Shindler is a Los Angeles-based freelance dining critic. Send him email at mreats@aol.com.
Man jumps to his death from freeway overpass in Long Beach, causing partial closures of 91 and 710 freeways
Long Beach to begin repairs on Queen Mary, will try to reopen the ship later this year
Long Beach chef gets moment in sun on Food Network
Long Beach's Freedom Writers 20 years later – where are they?
Long Beach's Freedom Writers 20 years later - where are they?
Wilson coach Ed Hauck retiring after 'amazing' 35-year career in Long Beach
Retired Vietnam-era aircraft carrier Kitty Hawk stops off in Long Beach on journey to scrap yard
Long Beach could take next step to turn old City Hall grounds into moderate-income housing
Merrill Shindler | Restaurant reviewer
Merrill Shindler is a Los Angeles-based freelance dining critic. Email mreats@aol.com.
MrEats@aol.com
Coldplay postpones Bay Area, Los Angeles, Phoenix stadium shows
Casino Insider: Where to celebrate Lunar New Year at Southern California casinos
Festival Pass: Hard Summer is expanding to three days
W. Kamau Bell says 'We Need To Talk About Cosby.' Here's why.
LB City Guide


text:
Q: Cannot Add People to Custom Audience I can successfully create a blank custom audience, but when I try to add people I am unsuccessful. It is weird because I get success messages back from facebook, but when I go to power editor to view, the audience says "No File Uploaded". Even after waiting for hours, nothing happens.
I have tried using both the current migration and the October first migration, and for the current migration I receive "true" and for the October first migration I receive an audience_details object that has num_received=9000 (the number of audience members). Has anyone experienced similar problems? Below is my code and the JSON I'm sending to fb.
public Boolean addPeopleToAudience(String customAudienceId, JSONObject payloadJsonObject) throws FSSocialAuthException, JSONException {
    //october 1st migration (with return type CustomAudience class)
    //return getSessionClient().publish("/"+customAudienceId+"/users", CustomAudience.class, Parameter.with("payload", payloadJsonObject.toString()));

    //current migration (with return type Boolean)
    return getSessionClient().publish("/"+customAudienceId+"/", Boolean.class, Parameter.with("users", payloadJsonObject.get("users").toString()), Parameter.with("hash_type", "sha256"));
}

JsonObject being sent to FB:
{"users":"[{\"email_hash\":\"f1904cf1a9d73a55fa5de0ac8279\"},{\"email_hash\":\"f1904cf1a9d73a55fa50bdcd0866552bb79\"}...]}

The json is converted to a string before the call, and I get "true" response from facebook.
I have tried using a "/"+customAudienceId+"/users" endpoint for the current migration, but I receive an oAuth error.
Thank you for any insight/experiences you have to share!!!

A: In app settings migration, the new migration wasn't switched on. It works after using new migration and toggling that on.

redpajama_set_name: RedPajamaStackExchange


text:
[![NPM](https://nodei.co/npm/hapi-app-generator.png?downloads=true&downloadRank=true&stars=true)](https://nodei.co/npm/hapi-app-generator/)

Another [Hapi.js](http://hapijs.com/) app generator (command line), with tests, [ESLint](http://eslint.org/) support and modular structure.

## Installation
```
# npm install -g hapi-app-generator
```

## Options
```
Usage: hapigen [OPTION] <projectPath>

  -g, --git      Add .gitignore
  -h, --help     Display this help
  -v, --version  Show the version
  -f, --force    Force the execution, even if project name are not recommended, or project folder exists

<projectPath> is the path to project folder
```

### Example
```
$ hapigen foo
*** Init process
* Create project folder
* Copy README.md
* Copy index.js
* Copy .eslintrc
* Create package.json
* Create 'src' folder structure
* Copy src/manifest.json
* Copy src/modules/hello/index.js
* Copy src/modules/hello/actions/hello.js
* Create 'test' folder
* Copy test/hello.test.js
Process finished successfully. To run the project, execute the commands:

$ cd foo
$ npm install
$ npm start

This project have the 'debug' module. To activate:

$ DEBUG=foo:* npm start

This project also have tests (with eslint). To run:

$ npm test
```

redpajama_set_name: RedPajamaGithub


Germany's box-office champion Til Schweiger appears to have gotten his mojo back.
Schweiger's new film, the family dramedy Head Full of Honey, knocked Peter Jackson's The Hobbit: The Battle of the Five Armies off the No. 1 spot at the German box office this weekend.
Head Full of Honey's take of around $7.5 million this past weekend improved on the film's opening, a sign that the title may be getting strong word of mouth. It has grossed about $18 million (€15 million) in Germany so far for Warner Bros. If it keeps up this pace, Head Full of Honey could finish close to Schweiger's hit Kokowaah, which grossed around $36 million in 2011.
While fitting squarely into Schweiger's established brand of slick family-friendly comedies, Head Full of Honey also marks a departure of sorts for the German actor-director in that it adds an element of tragedy to the laughs. The film stars beloved German comedian Dieter Hallervorden as Amandus, an aging grandfather suffering from Alzheimer's disease. When his son, played by Schweiger, decides to commit him to an institution, Amandus flees with his granddaughter Tilda, played by Schweiger's own daughter, Emma Tiger Schweiger, and the two go on a road trip to Venice.
The success of Head Full of Honey bodes well for the German box office, which often relies on local hits to make the difference between revenue growth and stagnation. After a generally weak year, German films staged a small comeback over the holiday season with children's film The Little Dragon Coconut grossing around $20 million for distributor Universum, and DCM's young adult property Bibi & Tina 2 and rom-com All Is Love from Universal taking in about $4 million each.


text:
Zitate und Sprüche von Wedge Antilles
Wedge Antilles ist ein Charakter aus Star Wars
Luke: "It's not impossible. I used to bull's-eye womp rats in my T-16 back home, and they're not much bigger than two meters!"
Wedge: "Yeah, and were the womp rats shooting at you with turbolaser cannons?"
Wedge Antilles in Star Wars: Episode IV - Eine neue Hoffnung
If you continue to map the Unknown Regions, you'll have to call them something else.
Wedge Antilles in Star Wars Bücher, X-Wing: Starfighters of Adumar
Lieutenant, you're out of uniform. And you know, wearing an Ewok as a swimsuit is a felony on some worlds.
Wedge Antilles in Star Wars Bücher, X-Wing: Solo Command
Cracken: "You're coming dangerously close to insubordination, General."
Wedge: "No, General. I'm not your subordinate. And what I'm coming dangerously close to is violence."
Isard: "I expected you to be taller."
Wedge: "I expected you to be dead."
Wedge Antilles in Star Wars Bücher, X-Wing: Isard's Revenge
Tomer, I direct your attention to the word "let". You've misused it. You don't "let" me, or "not let" me, anything. Understand?
Wedge: "What's that?"
Janson: "That's the sun, Wedge. It's after dawn."
Wedge: "Well, it offends me. Turn it off."
Han: "I could arrange for you to receive orders to conquer Coruscant, but your only resources would be twelve drunken Ewoks, four malfunctioning speeders, and forty kilos of beach sand."
Wedge: "That'll take at least two weeks, sir."
Wedge Antilles in Star Wars Bücher, Legacy of the Force: Exile
There are two types of male pilots. Good men, such as the ones I never tried to break or run out of my squadrons, whom I would shoot before I ever trusted them with my daughter. And worse men, whom I would shoot if I caught them looking at my daughter.
Your commander and I have something in common- I once flew for the Empire too. At Skystrike Academy. Turning to the Rebellion was the smartest move I ever made. I wish more of my friends had done the same.
Wedge Antilles in Star Wars Spiele, Squadrons
It's like you said: the Death Star had to be stopped. Just as the Empire must be destroyed. If that's going to happen, some of us have to get blood on our hands. We have to be willing to kill, and willing to die. It's not easy and it never will be. But I can tell you this much, Kyrell. It's easier than standing by and doing nothing.
Wedge Antilles in Star Wars Bücher, Lost Stars


text:
Kara Walker's Sweet, Not So Subtle Revenge on Big Sugar — May 16, 2014
Kara Walker's Sweet, Not So Subtle Revenge on Big Sugar
Bob Duggan
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If you know the sexually and racially charged art of Kara Walker, you know one thing—she's not subtle. Walker's artistic oeuvre to date makes the title of her newest work, which is also her first large-scale public project, all the funnier—A Subtlety. Subtitled the Marvelous Sugar Baby for the 35-foot-high, 75-foot-long, sugar sphinx "Mammy" (shown above) at the heart of the exhibition, Walker's "subtlety" show both alludes to the absurdly elaborate desserts (also known as "entremets") the nobility of the past would stage for their guests as well as the subtle, unseen ways that the sugar we use to sweeten our lives still comes as the cost of the embitterment of lives of those living in third world countries. Adding to the symbolism, A Subtlety appears in the Domino Sugar Factory in Williamsburg, Brooklyn, NY, which was once the largest sugar refinery in the United States but which is now destined for the wrecking ball. In what might be the most significant (if not the physically largest) artistic statement of the year, Kara Walker's A Subtlety enacts sweet, not so subtle revenge on big sugar of yesterday and calls us to examine the cruelty mixed into every sweet spoonful today.
Walker's big statement comes thanks of a commission from Creative Time, the four-decade-old, New York City-based organization "guided by three core values: art matters, artists' voices are important in shaping society, and public spaces are places for creative and free expression." Along with those core values, Creative Time is "committed to presenting important art for our times and engaging broad audiences that transcend geographic, racial, and socioeconomic barriers," which makes their relationship with Walker—a long-time advocate for racial, gender, and social equality—a match made in art heaven. Just like a previous Creative Time commission, Tribute in Light (the pair of beacons that projected a ghostly version of the Twin Towers after 9/11), A Subtlety hopes to illuminate a dark chapter in American history and shine a light on the path to recovery.
Even Walker's introduction to the exhibition drips with sweet sarcasm: "At the behest of Creative Time Kara E. Walker has confected: A Subtlety or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant." Scattered around the sphinx Walker places smaller, brown, sugar sculptures of children holding baskets filled with sugar or sugar products. The contrast between those dark children of sugar and the massive, almost glowing, white sphinx is striking. Around the Marvelous Sugar Baby's polystyrene core, Walker sculpted 160,000 pounds of sugar donated by Domino Sugar, perhaps an acknowledgment of (small atonement for?) past injustices. Similarly, as Hrag Vartanianpoints out over at Hyperallergic, Jed Walentas, owner of Two Trees, the development company tearing down the 19th century plant (which still reeks of sugar and even has molasses oozing on the walls) to build a controversial multi-use development including commercial space, high-priced condos, some (but not nearly enough) affordable housing, and a public boardwalk, is on the board of Creative Time, the organization that commissioned Walker's work, which might make A Subtlety a subtle public relations move to appease the locals.
The sphinx itself contains some subtle and not so subtle features. Perhaps alluding to theories that the Great Sphinx of Giza had African features (at least until, as legend claims [probably falsely], Napoleon had the offending African nose shot off), Walker gives her sphinx clearly African features and, according to Blake Gopnik, might even be a self-portrait. Walker makes the sphinx's left hand give the "fig" gesture, which can mean (more commonly) an obscenity or (less commonly) good luck depending on your culture and perspective. Walk around to the other end of the sphinx and you'll find Walker's sculpted her "Mammy" with anatomically correct, albeit massive sexuality. (Scroll to the bottom of this article to see many, some NSFW images of the exhibition.)
Walker's A Subtlety takes the story of the enforced slavery of people to create sugar and embodies all the cruel absurdity of the system in the Marvelous Sugar Baby's huge, absurd face, transformed from its natural dark hue to the sanitized whiteness of forgotten history. Walker's sphinx puts an absurd face on the ridiculousness of forgetting the racial injustices of the past, much like Donald Sterling, Cliven Bundy, and others have unintentionally lent their faces to the reality that a post-racial America is nothing more than a sweet dream. To accompany Walker's A Subtlety, Creative Time commissioned other artists to address the connection between sugar and inequality that still exists today. Haitian-American writer Edwidge Danticat's The Price of Sugar reveals the harsh labor conditions on contemporary sugar plantations in the Dominican Republic, in which Haitian men, women, and children are trafficked to work on Dominican sugarcane plantations under conditions cruelly similar to those of the distant past. Danticat charges Americans with complicity in this system. "[A] much higher price is being paid for sugar than the few dollars we hand over at the supermarket counter," she writes. "In some cases that price is everything. That price is life and death." When Danticat points out that "[a]ccording to the U.S. Department of Agriculture, the United States imports more than 200,000 tons of sugar from the Dominican Republic each year," the magnitude of our complicity in the misery falls on you like a giant sugar sphinx.
In another companion work, titled "To Drink My Sweet Body," Haitian novelist Jean-Euphèle Milcé imagines himself a Haitian plantation worker invited by the bosses to share in a toast of rum: "Let's raise our glasses to a great crop for the Haitian Sugar Cane Company and to all the refineries in the world. Believe me, you are heroes. Your labor feeds the happiness of others. The world needs sweetness and evanescence. To your work, which makes the world sweeter!" Swallowing that sweet rum with the bitter reality contradicting that toast seems impossible, but it's something those workers do every day. Kara Walker'sA Subtletyasks viewers to swallow a large dose of history and present day reality without sugarcoating the cruelty behind big sugar yesterday, today, and most likely tomorrow unless changes happen both here in American and wherever the sugar targeted for our sweet tooth is harvested. It's a bitter pill we'd rather not swallow, but coming to terms with the cost of conscienceless capitalism—centuries too late for so many—is one, not-so-subtle way to save our collective soul.
[Image:Kara Walker's A Subtlety (aka the Marvelous Sugar Baby) on view at the Domino Sugar Factory in Williamsburg, Brooklyn, NY, Fridays through Sundays until July 6, 2014.]
People Are Morally Different When Speaking a Second Language
When people were asked to throw a fat man off a bridge to save the lives of others (you know, ethics?), they were more likely to do so when the question was posed in their second language.


The International Business Academy is a rigorous program that provides students with the experiences and education necessary for careers in national as well as international organizations. The program is distinguished by its emphasis on business in an international context.
The technologically enriched curriculum is designed to enhance written communication and oral presentation skills. Included is an interdisciplinary component that will link business with the content areas with a culminating project. College students mentor LHS students with an International Business Company research project.


text:
← Poem for Lara, 10
Ted Hawkins (1936–1995) →
World Cup: Why do certain countries dominate?
So, no more World Cup for four years. I thought this was a good one overall, although the goals mostly dried up and caution took over from the quarter-finals onwards (with the obvious exception of Germany–Brazil). The Netherlands couldn't manage a single goal in four hours of trying against Costa Rica and Argentina. But at least the final was a good game.
In the end it came down to some of the old reliables, after Colombia, Belgium and Costa Rica had looked like they might shake things up. The upshot is that Europe now leads South America 11–9, and Brazil, Italy and Germany between them have won 13 of the 20 World Cups. Why have three countries been so dominant?
In South America, Brazil (five World Cups) is first and Argentina (two World Cups) third in terms of population; Uruguay is just tenth (with a smaller population than Ireland), yet it has won two World Cups, and the Copa América more times than anyone else. All five of the European winners are in the west of the continent and have large populations – Russia and Turkey (both in Europe for football purposes) are the obvious anomalies, with huge populations but little World Cup impact.
Relative affluence may be a factor in success, then, but Chile is ahead of Uruguay on this parameter as well as in population. Perhaps degree of Europeanization is significant, with Argentina and Uruguay being the most 'European' countries on the continent (hence getting a head start in the imported European game), and Brazil compensating through its huge population?
The greatest anomaly of all may be England's relative lack of success – a winner at home in 1966, but with just one other semi-final and no Euro finals to its name. It would appear to have every advantage: tradition, population, relative affluence, and a strong domestic league.
Filed under Sport
Tagged as Argentina, Brazil, England, football, Germany, Italy, soccer, Uruguay, World Cup


The Humphrey School produces several newsletters to connect and inform our community of students, faculty members, alumni, and the public.
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Read the most recent edition here.
Every four to six weeks Dean Schwartz sends an e-mail update to the community about School initiatives of local and national interest.
The Humphrey School hosts an average of 50 public events per semester that focus on a wide range of public policy topics, and bring together public officials and policy experts with students and the general public. If you'd like to see what's going on this semester, visit our Upcoming Events page.
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Read the most recent edition of News + Views here.
Every week, the Humphrey Herald is sent to the internal Humphrey community of students, faculty members, and staff. It contains announcements and news for the Humphrey community, updates from the University, and upcoming events at the Humphrey School and around campus.


Nintendo Switch is one of the most awaited consoles of 2017. As it turns out, these suspicions were accurate. While launches come and go and the Nintendo Switch games list will expand as time rolls on, there's at least one more game we can add to the list: Yacht Club Games' Shovel Knight.
We reached out to comment to a Nintendo rep, who said they are looking into the issue. It's not clear how much that service costs, but Nintendo's promising a classic game each month - games from the Virtual Console - as part of the service.
In relation to Virtual Console support, Nintendo have simply stated "We will share more information in the future".
It could be that those sources were unreliable and had their stories wrong.
It is interesting how developers and Nintendo leave such cliffhangers knowing the console is expected to launch on March 3rd. But according to a recent Switch Q&A, Nintendo isn't going to offer anything like that at launch. It will also let customers buy games from its website and have them automatically downloaded to the new video game console.
How do you get a Nintendo Account?
The Nintendo Switch dock is nice and tidy.
The immediate benefit of this is that if your console is lost or damaged, you'll be able to easily download your content onto a new Switch. When the new video game console comes out, it will have access to three exclusive indie games via the eShop. Also, people who already have funds in their account on a Nintendo 3DS family system and/or Wii U can access them using a shared wallet that works on Nintendo Switch as well.
Well, at its core, it's Nintendo's new gaming console, but essentially it's a tablet with a 6.2-inch screen (a little bigger than an iPhone 7 Plus).
The Joy-Cons from either side of the Switch can be used as standalone controllers for two-player games, but the left and right Joy-Con are not exactly the same hardware.
This year's round of GOP town halls really are the gifts that keep on giving. Again, the crowd couldn't contain its enthusiasm. "I'm nearly 8, but I'm 7".
His career has taken a turn for the worse since then, but Williams has redefined himself as a role player with the Mavericks. Ferrell averaged 15.3 points per game and 4.6 assists, leading the Mavs to five wins in seven games as a starter.
Neither came close to getting noticed by the Academy of Motion Picture Arts and Sciences or any other movie award groups. Last year's odds were seriously against Ex Machina winning Best Visual Effects , but it won.


text:
--
layout:     post                            # 使用的布局(不需要改)
title:      Android中onActivityResult()和onResume()的调用顺序问题             # 标题
subtitle:      #副标题
date:       2016-10-25                      # 时间
author:     PanMin                              # 作者
header-img: img/post-bg-2015.jpg            #这篇文章标题背景图片
catalog: true                               # 是否归档
tags:                                       #标签
    - Android
---

在Android生命周期中,如果使用到startActivityForResult(),则在新Activity被finish掉之后,onActivityResult()和onResume()到底是哪一个先调用的呢?

我们来看官方源码:
```
/**
 * Called when an activity you launched exits, giving you the requestCode
 * you started it with, the resultCode it returned, and any additional
 * data from it.  The <var>resultCode</var> will be
 * {@link #RESULT_CANCELED} if the activity explicitly returned that,
 * didn't return any result, or crashed during its operation.
 *
 * <p>You will receive this call immediately before onResume() when your
 * activity is re-starting.
 *
 * <p>This method is never invoked if your activity sets
 * {@link android.R.styleable#AndroidManifestActivity_noHistory noHistory} to
 * <code>true</code>.
 *
 * @param requestCode The integer request code originally supplied to
 *                    startActivityForResult(), allowing you to identify who this
 *                    result came from.
 * @param resultCode The integer result code returned by the child activity
 *                   through its setResult().
 * @param data An Intent, which can return result data to the caller
 *               (various data can be attached to Intent "extras").
 *
 * @see #startActivityForResult
 * @see #createPendingResult
 * @see #setResult(int)
 */
protected void onActivityResult(int requestCode, int resultCode, Intent data) {
}
```

从上面的源码注释第二段可以看到:You will receive this call immediately before onResume() when your activity is re-starting. 所以很明显,在activity重新恢复启动的时候,`onActivityResult()`会在`onResume()`之前调用完毕。

而且,`onActivityResult()`还会在`onStart()`之前调用完毕。经过断点调试,发现它们三者的调用顺序如下:

**onActivityResult() -> onStart() -> onResume()**


The Flesh Eaters is a 1964 film about a group of young adults who are trapped on a desert island where the water is inhabited by a violent form of flesh-eating organisms.
Directed by Jack Curtis. Written by Arnold Drake.
Hey! Wonder what makes 'em do it? You think they want the world to hate 'em? They wanna be punished because of some guilt complex? Hey - you think maybe they just kooky?
BEHIND THIS MEMBRANE... the excesses with nature are brought to such a DEPRAVED CLIMAX... that it will be hard for NORMAL HUMAN TO CONCIVE!!
The only people who will not be STERILIZED with FEAR are those among you who are already DEAD!


CMP reports increased volumes. In 2016 CMP handled 15.7 million tonnes of goods. This is an increase of five per cent compared with the previous year, corresponding to around 700,000 tons.
Naming ceremony for MV Auto Energy, the largest dual-fuel PCTC (Pure Car & Truck Carrier) in the world. Auto Energy is powered by LNG for cleaner and environmentally friendly operations.
CMP focuses on its collaborative partners in Cruise Copenhagen, which are the reason that the port can pick up awards and recognition as the best cruise port and destination.
The cruising season commences with Aidacara calling to the port. The number of ports of call is up 2017 and CMP is taking on a greater number of cruise passengers then previously.
Liquid bulk handling capacity is being fine-tuned. CMP is investing in yet another automatic loading arm at Prøvestenen in Copenhagen. This will make loading more effective and increase safety.
NYK Group Europe announces that CMP has received the distinguished accolade "Certificate of Zero Damages FY2016" as a confirmation of the fact that the damage rate for car handling in Malmö is essentially zero.
In Copenhagen, CMP has invested in a new system that can meet the requirements for the accuracy of weighing containers for VGM.
CMP is taking the container terminal one step further in work to rationalise processes and is now offering a Mobile Self Service function for haulers to use.
Barbara Scheel Agersnap is appointed new CEO of CMP. She has been deputy CEO of CMP since June 2015.
Two new mobile cranes are in place in Swede Harbour in Malmö. They offer a significant increase in flexibility, as they are not track-based, and the lifting capacity is much higher than before.
CMP is crowned the winner of 'Future Transport Award', because CMP is "one of the best ambassadors for the intermodal concept in Sweden".
Mercedes Benz and CMP have signed a contract relating to the rental of outdoor space and a vehicle handling/- service contract in Malmö. This involves a total area of around 6,100 square meters.
New record at the container terminal in Copenhagen. A total of 955 lifting operations took place on one vessel, corresponding to 1,601 TEUs.
CMP steps up collaboration with the construction industry and deliver solutions in the form of managing the costomers' logistics terminal, so they can concentrate on construction.
CMP is a hub for handling concrete panels in Malmö. This is down to the port's strategic location in an expansive region, but also to the top-class service with minimal damage of goods.
Boost in collaboration with SCA Logistics. Malmö is the hub for environmentally-friendly local shipping, which transports paper products, primarily newsprint to customers in Denmark.
Copenhagen attracts more Christmas and New Years cruises. In December, CMP welcomes around 6,000 passengers, who will visit attractions including the classic Christmas market at Tivoli.


Whether it's fire damage or water damage – mibag is whom people turn to when something happens. It is not inevitable that it will be a huge catastrophe. It can be though. If so, mibag is prepared. As the market leader in Austria with branch offices in Germany, the Czech Republic and Slovakia, mibag currently has a presence at 24 locations. This geographical reach consequently means mibag has the requisite technical and, above all, the personnel resources to deal with any damage.
to ultimately make right again.
Dealing with customers and partners with consummate professionalism is crucial to us. All jobs are calculated in a fair and transparent way and executed exactly according to the specifications. This goes without saying.
Without trust our business model would not be viable. When people trust us they can be certain of getting the best price-performance ratio, and can expect the highest quality when it comes to levels of support and handling. We see it as our responsibility to make the damage good again, in accordance with the 'everything from a single source' principle.
For us, acting in an environmentally aware way is not just a buzzword. It goes without saying that all technical environmental conditions are properly complied with. It goes without saying that, as part of restoration, we separate and dispose of the various different materials as per the requirements, and this environmental focus is something that permeates our whole company.
What we are today is thanks to our employees. Their health and well-being is a matter close to our hearts. As a company we place the utmost importance on ensuring that occupational safety is adequate and complies with the legal standards.
We adhere to all regulatory and legally stipulated requirements, as well as recommended ones, concerning safety in the workplace and on our construction sites. Furthermore, we always make efforts to actively extend these occupational safety measures and, ultimately, to increase levels of safety still further wherever possible. This is for the welfare and protection of our employees as well as our customers and partners.


text:
#include "largeSpaceScene.h"
#include "Skybox.h"
#include "asteroid_examples.h"
#include <osg/Vec3d>
#include <random>
#include <QString>
#include <osg/PositionAttitudeTransform>
#include <exception>
#include <osgUtil/CullVisitor>
#include <QTime>

//zdroj teto tridy:
//http://anidam.sourceforge.net/doxygen/skyBox_8cpp-source.html
class MoveEarthySkyWithEyePointTransform : public osg::Transform
{
public:
	virtual bool computeLocalToWorldMatrix(osg::Matrix& matrix,osg::NodeVisitor* nv) const
	{
		osgUtil::CullVisitor* cv = dynamic_cast<osgUtil::CullVisitor*>(nv);
		if (cv)
		{
			osg::Vec3 eyePointLocal = cv->getEyeLocal();
			matrix.preMult(osg::Matrix::translate(eyePointLocal));
		}
		return true;
	}

	virtual bool computeWorldToLocalMatrix(osg::Matrix& matrix,osg::NodeVisitor* nv) const
	{
		osgUtil::CullVisitor* cv = dynamic_cast<osgUtil::CullVisitor*>(nv);
		if (cv)
		{
			osg::Vec3 eyePointLocal = cv->getEyeLocal();
			matrix.postMult(osg::Matrix::translate(-eyePointLocal));
		}
		return true;
	}
};

struct missing_file : std::exception {
	missing_file(std::string filename) : std::exception(),
		file_name (filename) {};

	std::string file_name;
	const char* what() const {return (std::string("Nepodarilo se otevrit soubor: ") + file_name).c_str();}
};

const double distance_scale = 100;
const int asteroid_count = 2;
const char * asteroid_name_list[] =
{
	"asteroid_1",
	"asteroid_2",
	"asteroid_3",
	"asteroid_4"
};

std::map <int, osg::ref_ptr<osg::Node> > asteroidMap;

QString example_location("examples/large_space_scene/%1.%2");
QString example_location_texture("examples/large_space_scene/%1_%2.%3");

int getRandomAsteroidIndex()
{
	/*int asteroidNameIndex = rand()  * 71.0f;
	return asteroid_name_list[asteroidNameIndex%asteroid_count];*/
	int i = ((float)rand()/RAND_MAX * 71.0f);
	return i % asteroid_count;
}

double getRandomScale()
{
	return (float)rand()/RAND_MAX*2.0f + 0.5f ;
}

osg::Vec3d getRandomPosition()
{
	osg::Vec3d directionNormal((float)rand()/RAND_MAX - 0.5f, (float)rand()/RAND_MAX - 0.5f, (float)rand()/RAND_MAX - 0.5f);
	directionNormal.normalize();
	double distance = distance_scale * ((float)rand()/RAND_MAX + 0.15f);
	osg::Vec3d targetPosition = directionNormal * distance;
	return targetPosition;
}

osg::Node * getRandomAsteroid()
{
	int index = getRandomAsteroidIndex();
	if (asteroidMap.count(index) == 1)
		return asteroidMap[index];

	osg::Node * selectedAsteroid = asteroid_examples::returnNodeFromFile(NULL, example_location.arg(asteroid_name_list[index]).arg("ive"));

	if(!selectedAsteroid)
	{
		missing_file exc(asteroid_name_list[index]);
		throw exc;
		return NULL;
	}

	osg::Geometry * asteroidGeometry = asteroid_examples::getGeometryOfFirstGeodeFromTheTree(selectedAsteroid);
	if(asteroidGeometry)
		asteroid_examples::addTangentBitangentVectorsToExistingGeometry(asteroidGeometry, osg::PrimitiveSet::PATCHES);

	const int normal_texture_unit = 0;
	const int diffuse_texture_unit = 1;
	const int displacement_texture_unit = 2;

	QString status_text;

	if(!asteroid_examples::buildTexture( example_location_texture.arg(asteroid_name_list[index]).arg("normal").arg("tga").toStdString().c_str(),
		"normal_texture",  selectedAsteroid->getOrCreateStateSet(), normal_texture_unit, &status_text ))
	{
		missing_file exc(example_location_texture.arg(asteroid_name_list[index]).arg("normal").arg("tga").toStdString());
		throw exc;
	}
	if(!asteroid_examples::buildTexture( example_location_texture.arg(asteroid_name_list[index]).arg("diffuse").arg("tga").toStdString().c_str(),
		"diffuse_texture",  selectedAsteroid->getOrCreateStateSet(), diffuse_texture_unit, &status_text ))
	{
		missing_file exc(example_location_texture.arg(asteroid_name_list[index]).arg("diffuse").arg("tga").toStdString());
		throw exc;
	}
	if(!asteroid_examples::buildTexture( example_location_texture.arg(asteroid_name_list[index]).arg("displacement").arg("tga").toStdString().c_str(),
		"displacement_texture",  selectedAsteroid->getOrCreateStateSet(), displacement_texture_unit, &status_text ))
	{
		missing_file exc(example_location_texture.arg(asteroid_name_list[index]).arg("displacement").arg("tga").toStdString());
		throw exc;
	}

	asteroidMap[index] = selectedAsteroid;
	return selectedAsteroid;
}

void placeRandomAsteroids(int count, osg::Group * target)
{
	srand(QTime::currentTime().second());

	for (int i = 0; i < count; i++)
	{
		osg::Vec3d position = getRandomPosition();
		double scale = getRandomScale();
		osg::PositionAttitudeTransform * transformNode = new osg::PositionAttitudeTransform();
		transformNode->setPosition(position);
		transformNode->setScale(osg::Vec3d(scale,scale,scale));
		osg::Node * asteroid = getRandomAsteroid();
		transformNode->addChild(asteroid);
		target->addChild(transformNode);

	}

	//osg::Vec3d position(0.0,0.0,0.0);// = getRandomPosition();
	/*double scale = 50.0f; //= getRandomScale();
	osg::PositionAttitudeTransform * transformNode = new osg::PositionAttitudeTransform();
	//transformNode->setPosition(position);
	transformNode->setScale(osg::Vec3d(scale,scale,scale));*/

	//transformNode->addChild(asteroid);

}

osg::Node * largeSpaceScene::buildLargeSpaceScene(QString * status_text)
{
	osg::Skybox * sbox = new osg::Skybox(100);

	if(sbox->buildSkybox(	"examples/skybox_1024_front5.tga",
						"examples/skybox_1024_back6.tga",
						"examples/skybox_1024_top3.tga",
						"examples/skybox_1024_bottom4.tga",
						"examples/skybox_1024_right1.tga",
						"examples/skybox_1024_left2.tga") == false)
		return NULL;
	sbox->setCullingActive(false);
	/*osg::Transform * sbox_transform = new osg::Transform();
	sbox_transform->setReferenceFrame( osg::Transform::ABSOLUTE_RF );

	sbox_transform->addChild(sbox);*/

	/*osg::Transform* transform = new MoveEarthySkyWithEyePointTransform;
	transform->setCullingActive(false);
	transform->addChild(sbox);*/

	osg::Group * group = new osg::Group;
	group->addChild(sbox);
	//group->addChild(transform);
	osg::Group * asteroidGroup = new osg::Group;
	placeRandomAsteroids(10, asteroidGroup);
	group->addChild(asteroidGroup);

	osg::StateSet *state = asteroidGroup->getOrCreateStateSet();

	osg::Program * p = asteroid_examples::buildProgramFromFiles(example_location.arg("sd_shader").arg("vs"),
		example_location.arg("sd_shader").arg("tcs"),
		example_location.arg("sd_shader").arg("tes"),
		"",
		example_location.arg("sd_shader").arg("fs"));
	if (p==NULL)
	{
		status_text->clear();
		*status_text = QString ("asteroid_examples : example_asteroid_gaps : program building failure");
		return NULL;
	}
	asteroidGroup->getOrCreateStateSet()->setAttribute(p);

	//osg::Program * this_program = dynamic_cast<osg::Program *>(state->getAttribute(osg::StateAttribute::Type::PROGRAM));

	static const int vertices_binding = 0;
	static const int normals_binding = 1;
	static const int uvcoords_binding = 2;

	p->addBindAttribLocation("myVertex",vertices_binding);
	p->addBindAttribLocation("myNormal",normals_binding);
	p->addBindAttribLocation("myTexCoord",uvcoords_binding);
	p->addBindAttribLocation("myTangents",3);
	p->addBindAttribLocation("myBitangents",4);
	p->addBindFragDataLocation("FragColor",0);

	state->addUniform(new osg::Uniform("TessLevelInner",16.0f));
	state->addUniform(new osg::Uniform("TessLevelOuter",16.0f));
	state->addUniform(new osg::Uniform("DisplacementFactor",0.290721f));

	state->addUniform(new osg::Uniform("AmbientMaterial",osg::Vec3(0.04f, 0.04f, 0.04f)));
	state->addUniform(new osg::Uniform("DiffuseMaterial",osg::Vec3(0.6f, 0.6f, 0.6f)));
	state->addUniform(new osg::Uniform("LightPosition",osg::Vec3(0.25f, 0.25f, 1.0f)));

	return group;
}


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Poll: Which Fireworks Show is Best?
Hello readers! I'm actually going to add a post now and then that forces you to use somewhat participate. That's right, no one really comments (even though we're getting lots of hits a day), so I thought a poll would be a good way to get some participation going on. Here's the first poll – Which fireworks show in WDW is the best? Let us know your opinion now! Even though this poll isn't at the top, keep on voting!
I know this is a heretical view but I'm not crazy about the Wishes Fireworks…too schmaltzy!
But the Pirate & Princess Party firworks are amazing. I love it when they blow up the castle.
Fresh Logo. Fresh Sidebar. Fresh Content.
Welcome to WDW Central, and thanks for stopping by! There's some new stuff happening here – some of it's minor and some of it's not. Either way, I'm going to let you know about everything that's going on, so let's get started.
Fresh Logo. Sure, the old logo is great, but I thought it was time to freshen things up with some brighter colors and better fonts, while not straying to far from the original. I hope the new logo freshens up the place. Are you tired of that word yet?
Fresh Sidebar. The sidebar has a long story. A couple of months ago, I got great icons on the sidebar, and was very satisfied. I wanted to change one word in the "About" description – so I went in, changed it, and hit okay. Or so I thought. It turns out, I accidentally hit "Remove", and it deleted all that hard work. The sidebar has never been redone since. I finally redid it, and everything is okay. Enjoy the design!
Fresh Content. I have also been working hard for all new content here at WDW Central. I'm now finished (with some of it) and I'm making it public. Introducing the Parks and Games section of the site! The Parks section will give a brief overview of each theme park for newcomers, with the top three attractions for each park. The Games section is small now, but will hopefully continue to grow.
Your comments are appreciated! Don't like the sidebar? Think I should reword something in the parks section? Let me know by commenting on this post or simply by contacting me!
Matt looks great. NO…please dont change again LOL!!!! Cool Logo and I see you updated it on WDW Newsletter for me too.


text:
package com.fanfq.livewallpaper.esdd;

public class ESDDThread extends Thread{
	private ESDD _esdd;
	private boolean _running;

	public ESDDThread(ESDD esdd) {
		this._esdd = esdd;
	}

	public void switchOn(){
		this._running = true;
		this.start();
	}

	public void pause(){
		this._running = false;
		synchronized(this){
			this.notify();
		}
	}

	public void switchOff(){
		this._running = false;
		synchronized(this){
			this.notify();
		}
	}

	@Override
	public void run() {
		while(this._running){
			this._esdd.render();
		}
	}
}