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HomeBlogBook NotesPodcast
Ep 25 | Charlie Fremantle - Studio Manager (World Famous Ealing Studios)
Credit: Ealing Studios
Note: Please be aware this transcript is generated by AI, there will be small inconsistencies with the published podcast.
Mike: 0:00 Hi Guys, Mike here. Today's guest is our first professional from the world of film studios. We discuss how he got started in the business in advertising with Americans bringing over tins full of cash for shoots in the 80s how he had to find dancing elephants for shoots, falling in and out of the industry, the importance of hustling for jobs, his advice on setting up a production company, what a studio manager actually does, and how he had to ankle grind 1000s of pounds worth of door to pieces in one of the worst moments of his career. That's enough for me, let's get to the episode.
Charlie: 0:33 You were literally zooming around the country in a car going into Pinewood in the days when you could and just walking around and seeing you know, the Batmobile or the Batman set and everyone was lovely well they still are but it was very much more much more of a of an open house.
Mike: 0:49 Hello, and welcome to Red Carpet rookies. My name is Mike battle, a screenwriter and production team member working for Studios in London. Each episode I bring you advice and stories from film and TV professionals to help educate and empower the next generation of filmmakers and crew. Thanks for joining me. Let's get started. Today's guest is a first for the show. With a varied career that spanned both post production, advertising and production company management. He sits today as the studio manager of the world's oldest film studio at Ealing in London homes historic productions such as 1955 as the Ladykillers, as well as more recent fare like Oscar winning darkest hour, Shaun of the Dead. And of course, Downton Abbey. Our guests is Charlie Fremantle. How're you doing today?
Charlie: 1:41 Hi Mike, thank you. Great to see you again. It's all good.
Mike: 1:47 Good to see you at now I actually know that you're a listener of the show. So you'll know that my first question is always the same. What did your parents do? And did that change your career aspirations moving forward?
Charlie: 1:57 No, my parents were completely the opposite of what I do. My father was Army and industry as well as his dad. And my mum, I hate that word was housewife. She looked after us and did what she did. Yeah, completely different to what I do. He was desperate for me to go into the military. I wasn't so keen. I love the idea of it. But the idea of having been a boarding school for nine years, and then going back into some kind of institutionalised environment just didn't appeal. So no, yeah, I did a total opposite of what they wanted me to do. Once they found on the path I was kind of going towards, which was more of the artistic route. They were very supportive.
Mike: 2:46 So did you ever have to sort of come out to your dad and say, I want to work in the arts?
Charlie: 2:50 No, I'll be quite honest. I was hopeless at school. I was I failed everything and hadn't got a clue what to do. I think my parents were tearing their hair out. And I got an opportunity through somebody we knew who introduced me to a, oh, no, sorry, I'm going back in time. I was always keen on drawing and painting of school, and never took it seriously. And we went for an interview at an art college in London. And the principal said, Gosh, there's something there comes into come into a foundation course for so many days a week, providing you study for more Oh levels, you know, the other two days a week, which I did. And then I reached out to courts again, full time having done all that. And I stayed and did a degree or diploma as I was in fine art, City and Guilds. And that was a fascinating experience. It just taught you a lot of how to look at things really have to look, draw what you've seen, not what you know, you know, it's a really good piece of advice.
Mike: 3:56 And what was it that you were aspiring to at that point? Did you not really know? Were you trying to be a painter?
Charlie: 4:01 No, that was a sad thing I had I had ideas of how I wanted to paint, but I just wasn't good enough. I'll be brutally honest. I enjoyed it. Okay, I really enjoyed it. But I wasn't good enough to be an artist. But I think it was more to get a more of a life experience. Learn something and then say right, what am I going to do after this? So yeah, and then I kind of got an intro to hammer home economist who was doing food for for photographic shoots. And in the same building was film production company and they wanted a runner and I thought that sounds interesting. I liked them. They were nice people and so that's how I got started in this industry.
Mike: 4:44 Did they interview you? How was the process was it just because you knew them through the job?
Charlie: 4:48 Well, it was kind of strange because the the photographer and they were that were in the same building on the same floor. So sharing a floor in the same building. I was always, you know, it was a very small building. So we're always seeing each other and chatting. And I think they just said, Look, you know, when their pa left, they said that we need someone to step in and just, Hello, are you interested? And I went, Yeah. Love it. I love the idea of that.
Mike: 5:13 And what were your memories of that because the film industry for being a runner is famously quite difficult, arguably more difficult, the more years back, you go, what are your memories of it?
Charlie: 5:23 It was in the 80s, mid 80s. And my memories were Americans coming over doing huge shoots with literally 10 cases full of cash. And, you know, just proper jobs, or proper advertising budgets, doing big jobs. And the most one, the ones that really stuck in my mind, we did one for the American Marine Corps. And I was, it was it was a first class travel, double bedroom for single occupancy. I mean, it was unbelievable, and I was early 20s. And you were just on these incredible shoots, on a location with amazing people just being amongst the sort of everything, it was just special effects, tonnes of extras, lots of shiny care. And it was it was hard, it was cold, it was where you were outside, but you treated as an adult to a degree and it was just, I loved it. I loved being around that whole kind of buzz and the environment of it. That's what stuck with me and, and fax machines, you get a script from an advertising agency that come in on a fax. You know, if it wasn't open on a tropical beach, it would be something else. And you just go Oh, and what I really enjoyed actually was actually doing the research. And one time it was all Charlie, can you find us a dancing elephant? It was sort of beer commercial. And I went, Yeah, I'll do that. And there was I think you'd have the knowledge, the knowledge directory thing, that was the Bible at the time, asshole, putting up some animal people and ring three of them up, and they all seem to have a dancing elephant. And then after a while, it's suddenly two weeks ago, hang on a minute. And it's the same elephant is called bully the elephant. And it was actually owned, I think by Jim Chipperfield, where you kind of go, he's an art I need to speak to not these other guys. But those were the kinds of things that I loved. It was just seeing facts come through and then seeing it be created. And all the processes went with it.
Mike: 7:23 And then what led to you sort of falling out of the industry almost because you ended up having a random spate of of jobs, didn't you? And lifts and things like that? Did you almost feel like you kind of how did you fall out? And then how did you get back in I guess.
Charlie: 7:36 I was with the commercials company for about two years. And you know, I needed to move on at the time. And it's gonna sound like the wrong thing to say, but to be a PA at the time. Most pas were female and had excellent typing skills, of which I was neither. So I did a typing course, you know, just try and learn a bit. It just wasn't happening because it was a very much a very female dominated sector of the market. I did loads and loads of hideous odd jobs and worked on building sites. So Ganga has made high, putting Steel's for lift shafts, worse for catering companies in the evenings. And it was hard. But again, all those things Oh, shifting rubbish at County Hall, that was a good one. But you just learn to deal with just really different types of people in different environments. And I think that's been a really major learning curves, dealing with people working with people from all types of all areas of life. Anyway, after I did all those. That's right. It was Kay's directory. And I hustled like a beast to get there. And I got the job with Bernard or for burn it. And again, that is amazing. So right here's your car is an order form. That's your territory off you go. And you've literally flying around the country in a car going into Pinewood when the days when you could, and just walking around and seeing, you know, the Batmobile or the Batman set, and everyone was lovely. And it was what they still are, but it was very much more much more of a of an open house. So I got in back through doing sales and worked at EMA selling advertising space, which was a really, you know, that was a good experience. Just, again, cold calling people and being taught how to cold call people on telephone, which is terrifying, but it's a good experience you learn you know how to deal with rejection. And a lot of people I find that you cannot pick up the phone to a stranger and make a call.
Mike: 9:40 Yeah, I find that most people in the film industry are better than the general populace, because it's just so fast. You've got to get that thing now I spend a lot of time on the phone. But I was gonna say that after that sort of patchwork of jobs, you know, moving through learning sales with the case diary. One of the things I wanted to ask about is you found yourself with your own production company and then also setting them up for others here and there. I'm aware this is a big question. So take it however. Yeah. But how does one set up a production company? Because I know quite a few people who want to do it. And it's seems very difficult, more difficult than the number of people who want to do.
Charlie: 10:16 Well, I my background was, at that time I was in sales. I had, there was a chap I was introduced to called, called Gab, and gab had a music video, really good midview music video production company. And he had a mate called Andy. And Andy was a producer, commercials producer, and we all kind of got together and we all thought, hang on a minute, you know, and he's a producer, I hustle. Gabs got the space and we all chucked in, I think it was five grand each and said, Let's start up a company commercial, a production company. And I we thought, okay, well, we're gonna need directors. So how do we do that? And he knew a couple. I knew some sort of directors from my days in post production, because it was designed post production. And they done music videos and commercials, and no one was representing them. So I thought, Okay, well, I'll tell you what, I'll take a real punt. I'm going to fly to New York. I'll take some show reels with me. I didn't know anybody in New York. So I just rang up random production companies from New York. So I'm coming out. I just want to see whether you know, you're interested in English, English directing talent. They went, yeah. So a time for a week, came back. And about three weeks later, I got a box of about 32 u Matic tapes. Do you remember them? No. There they were pneumatics were basically cassette tapes, about half the size of a cereal packet, which directors put their show wheels on. They were huge. But that was a that was a standard format at the time. And so I got a box of these with different directors on them from one of the people I've met in New York to look, take a pic represent any of these you like, and one of them was a guy called Tom Schiller, who was a one of the original writers of Saturday Night Live. And Tom's reels, just very, very different. Very funny. And it was just perfect. It was it was it just hit the market at the right time. It was it was quirky American comedy. And it was exactly what the commercials industry was looking for at that time. And we just did really well with Tom we flew him in and some great games with Tom. And that's how it sort of started. And I was we were up in Kensal rise, cancel studios for about couple of years. And then I moved it to Soho. We had an office in SoHo in Broadwick Street, and being sort of a couple that m&e had gone. Gab was on the sort of back burner. And I thought, well, I'm more or less a one man band. It's a tough market. You know, the the American director thing had kind of, they got bigger and better. And I was just a tiny fish in a big pond. And I thought I think it's time I'm going to quit while I'm ahead.
Mike: 13:10 Are there any sort of common pitfalls you saw when people will start up production companies from your time doing it?
Charlie: 13:23 I think most people who do it do it properly have a director, producer team. And they've already got tech clients under their belt so they can just hit the ground running.
Mike: 13:34 So after your years in production company world you became a film studio manager ultimately was what you do now, could you describe what that job entails? For the uninitiated?
Charlie: 13:43 Everything, everything I've learned in my careers is I think it's wrapped up in this role. It's part sales as part of psychologist. It's part of fortune teller, it's organiser shedule ng budgeting, managing people, which is what it really is. And basically making shit happen. What we do as the healing is we have multiples of rooms of different sizes, and stages of different sizes. And my role is ultimately to fill all of those spaces all of the time with productions and people and make sure that those productions are people are happy. And everything works. You know, in their time, ideally, that's really boiling it down, I think to brass tacks and obviously making you know, yeah, that's what it is.
Mike: 14:37 Yeah, I feel like this is gonna be hard for you to answer but if anyone listening to this did want to get into studio management, is there any sort of path at all I know yours is obviously pinballing around but there are other studios around the mall like Warner Brothers where it might be a bit more of a ladder or something.
Charlie: 14:53 I don't think there was a path. I don't know of it. I think there are very few of us. A handful of us. Maybe Am I no one she was in post production? I think before she did hers, she was in studio management. And I think it's about being this is a people business. And I think if you've got people skills, which I'd like to think I have some, some, some may disagree. But I think if you can deal with people, and you can, you can shedule things, and just, you can think on the hoof and, you know, manage space. That's it, really. But also, actually, I do think you need to have an end and a knowledge of the industry. That does help, because then it means it means you can talk to people about their industry. And it just makes conversation easier. And if I come from selling bottles, Johnnie Walker, either you wouldn't have so what do you know? Nothing.
Mike: 15:54 It sounds like something that comes out from just being in and around it all. And sometimes there's there's such random jobs that when one opens, you have to be in a facility for it to happen really aren't there?
Charlie: 16:04 Yeah, I mean, for example, I mean, I got into this business, by total accident, or into this side of it. I was in a really, really good, so engineering, company making dough making colour grading systems. And I felt that my time there had come to an end. I was at home literally writing my CV, because even I loved working there. I just thought I can't add any more. I can't give them any value. And I felt guilty. I just I can't, I can't, you know, just sitting I can't just sit and pretend. Because I don't speak colour grading if I'm brutally honest. I just I'm not techie. And I needed to move on. I got a call, funnily enough, from Bernard K case, who I worked for many years ago and said, um, I know somebody who's got a studio in West London, they're looking for someone to do the marketing for it. Do you know anyone who's interested and I went, actually, I think I might be. Anyway, I met the owner. And he had this place that he didn't really know what to do with it had been empty for years. But he I think he wanted to turn it back into a studio but didn't know how to do it. And I think there's an element of trust, he trusted me. I said, I'm willing to give it a go. I walked in on the first day, I thought, What the hell am I doing? I hadn't got a clue. But but just by, you know, listening to people, producers who came in and said, you could turn these rooms into the dressing rooms, or what you need is this, or you should do that. And you kind of get a lot of information that you take a view on and you go Oh, actually, that's really interesting. And you just learn, you just kind of use a bit of common sense and get a feel for the place. And that's how that started.
Mike: 17:44 In terms of problems that you deal with, does it change much from project to project? So for example, Downton is obviously at one end, but then you had last night in Soho at Ealing recently, is it quite different? Or the problems similar? What do they kind of look like?
Charlie: 17:56 Productions tend to be the same. Similar. There are disasters, there was one I had not here. It's one of the I have two low points in my career and isn't one of them. It was a rock and roll musical. had rigged up a 40 foot truck with an entire rock and roll rig on it. And they came into rehearse because they were out on the road the next day to do some promotional stuff in the streets. So they reversed this massive track into the stage. And it was all great. And they said we need to be at 630 Not a problem. And the time came and the new roller shutters that we had had put in on the stage failed. They didn't open, nothing would open and the engineers were up in the north. And we were basically screwed and for what the hell are we going to do? That reducer was down my neck saying that you've got a quarter million quids worth of stuff here. And if I'm not on the road, you're liable for this. You just start sweating and go. Okay, what on earth can we do and there was nothing we could do? Absolutely nothing. We tried everything. The only option angle grinder get an angle grinder and cut a brand new door in half and get the truck out. That's what he could do.
Mike: 19:20Sounds expensive.
Charlie: 19:22 It was fairly spenny. You have to make those decisions. And that was a pretty harsh one. I mean, that was you know, that wasn't easy.
Mike: 19:32 That's a biggie. London is obviously in the middle. And I guess the UK generally, but particularly London is in the middle of this huge content boom, which is obviously affecting you as a studio manager in Ealing. How is What's your stance on that? How's it affecting you? It's overwhelming really, isn't it?
Charlie: 19:49 Yeah, it's changed massively. I mean, I've been here five years which is frightening. And when I started which was 2017 We had a huge amount of shows coming in, you know, in the course of a year for whether it be a day to do some reshoots, a week, two weeks, three weeks, we I mean, it was incredible looking at the list of stuff I had in. And it was great. It was absolutely insane. I mean, you just literally just didn't stop. And then there was a turn when production came in, and they wanted all of the stages for sort of eight months, and you go, Oh, my God, this is unheard of. And it hasn't changed. You know, it's kind of been, it's been relentless, which is a fantastic position to be. And it's been really good for us. But there has been a huge change. And it's just looking at all the inquiries you get in and it's trying to get those pieces of the jigsaw to fit. It's like a game of Tetris with different sized pieces falling at different rates, and you're desperately trying to make them all, you know, all level out. That's how it's been.
Mike: 20:58 Now, to wrap it up, I do a little quick fire questionnaire, as you know, which is my Ode to any actor studio. So I'm just going to say the first question and think of whatever comes into your head. Are you ready, Charlie? Fremantle. Oh, yeah, fire away. So number one is what is one of the best pieces of advice you've ever been given?
Charlie: 21:14 Don't be afraid to ask questions .
Mike: 21:17 I definitely employ that one. Number two, do you have a favourite film?
Charlie: 21:21 Casino. Love it.
Mike: 21:25 Number three, what gives you a reason to get out of bed every day for a day of studio life?
Charlie: 21:29 To make stuff happen. Get stuff done. I like doing. Yeah,
Mike: 21:34 Very good. Number four, which job in the industry would you do if you weren't doing yours?
Charlie: 21:42 I think it'd be something in the art department.
Mike: 21:44 Yeah, go back to those art roots.
Charlie: 21:46 Yeah, I'm not sure what that I think it would be something in the art department.
Mike: 21:49 Cool. Number five, if you could, this is a hard one. If you could work with one person living or dead? Who would it be?
Charlie: 21:54 A bit corny, but I think it would be my grandfather.
Mike: 21:57 Okay, that's an interesting answer. I like that. We haven't had that before. Number six. What is a book that everyone should read?
Charlie: 22:05 The kid stays in the picture by Robert Evans,
Mike: 22:06 I think I'll have that on my shelf behind me.
Charlie: 22:09 Yes, staggering. You just think I can't even believe this is real. Yeah. But you know, the good old bad old days of the 60s and 70s at Paramount. Scott. Oh, my God.
Mike: 22:18 Great answer. We haven't had that before. And finally, if you want an Oscar, who would you thank?
Charlie: 22:24 Anyone who's given me a chance.
Mike: 22:26 Brilliant. And on that note, our time has come to a close. Thank you very much, Charlie, for your insights and stories on the mysterious world of running a film studio.
Charlie: 22:32 Thank you, Mike. I hope it's been relatively informative. But thank you very much. It's been a pleasure.
Mike: 22:41 Thank you for listening to another episode of red carpet rookies to help us grow and be able to interview more amazing film and TV professionals. Please do subscribe and drop us a rating on the Apple podcast store on your iPhone, or online if you're an Android user. If you're interested in regular updates, the best thing you can do is join our mailing list at red carpet rookies.com. Alternatively, find us on Instagram at Red Carpet rookies or on Twitter at RC rookies pod. I also tweet regularly about my own learnings in the business at Mike battle on Twitter. So please do come and say hi, thank you again for listening. We'll see you next time.


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text:
#pragma once
#include <aws/compute-optimizer/ComputeOptimizer_EXPORTS.h>
#include <aws/core/utils/memory/stl/AWSVector.h>
#include <aws/compute-optimizer/model/EnhancedInfrastructureMetrics.h>
#include <aws/compute-optimizer/model/InferredWorkloadTypesPreference.h>
#include <aws/compute-optimizer/model/CpuVendorArchitecture.h>
#include <utility>

namespace Aws
{
namespace Utils
{
namespace Json
{
  class JsonValue;
  class JsonView;
} // namespace Json
} // namespace Utils
namespace ComputeOptimizer
{
namespace Model
{

  /**
   *
Describes the effective recommendation preferences for a
   * resource.

See Also:
   AWS
   * API Reference

   */
  class AWS_COMPUTEOPTIMIZER_API EffectiveRecommendationPreferences
  {
  public:
    EffectiveRecommendationPreferences();
    EffectiveRecommendationPreferences(Aws::Utils::Json::JsonView jsonValue);
    EffectiveRecommendationPreferences& operator=(Aws::Utils::Json::JsonView jsonValue);
    Aws::Utils::Json::JsonValue Jsonize() const;

    /**
     *
Describes the CPU vendor and architecture for an instance or Auto Scaling
     * group recommendations.

For example, when you specify
     * AWS_ARM64 with:

A
     * GetEC2InstanceRecommendations or
     * GetAutoScalingGroupRecommendations request, Compute Optimizer returns
     * recommendations that consist of Graviton2 instance types only.

     *
A GetEC2RecommendationProjectedMetrics request, Compute Optimizer
     * returns projected utilization metrics for Graviton2 instance type
     * recommendations only.

A
     * ExportEC2InstanceRecommendations or
     * ExportAutoScalingGroupRecommendations request, Compute Optimizer exports
     * recommendations that consist of Graviton2 instance types only.

     */
    inline const Aws::Vector<CpuVendorArchitecture>& GetCpuVendorArchitectures() const{ return m_cpuVendorArchitectures; }

    /**
     *
Describes the CPU vendor and architecture for an instance or Auto Scaling
     * group recommendations.

For example, when you specify
     * AWS_ARM64 with:

A
     * GetEC2InstanceRecommendations or
     * GetAutoScalingGroupRecommendations request, Compute Optimizer returns
     * recommendations that consist of Graviton2 instance types only.

     *
A GetEC2RecommendationProjectedMetrics request, Compute Optimizer
     * returns projected utilization metrics for Graviton2 instance type
     * recommendations only.

A
     * ExportEC2InstanceRecommendations or
     * ExportAutoScalingGroupRecommendations request, Compute Optimizer exports
     * recommendations that consist of Graviton2 instance types only.

     */
    inline bool CpuVendorArchitecturesHasBeenSet() const { return m_cpuVendorArchitecturesHasBeenSet; }

    /**
     *
Describes the CPU vendor and architecture for an instance or Auto Scaling
     * group recommendations.

For example, when you specify
     * AWS_ARM64 with:

A
     * GetEC2InstanceRecommendations or
     * GetAutoScalingGroupRecommendations request, Compute Optimizer returns
     * recommendations that consist of Graviton2 instance types only.

     *
A GetEC2RecommendationProjectedMetrics request, Compute Optimizer
     * returns projected utilization metrics for Graviton2 instance type
     * recommendations only.

A
     * ExportEC2InstanceRecommendations or
     * ExportAutoScalingGroupRecommendations request, Compute Optimizer exports
     * recommendations that consist of Graviton2 instance types only.

     */
    inline void SetCpuVendorArchitectures(const Aws::Vector<CpuVendorArchitecture>& value) { m_cpuVendorArchitecturesHasBeenSet = true; m_cpuVendorArchitectures = value; }

    /**
     *
Describes the CPU vendor and architecture for an instance or Auto Scaling
     * group recommendations.

For example, when you specify
     * AWS_ARM64 with:

A
     * GetEC2InstanceRecommendations or
     * GetAutoScalingGroupRecommendations request, Compute Optimizer returns
     * recommendations that consist of Graviton2 instance types only.

     *
A GetEC2RecommendationProjectedMetrics request, Compute Optimizer
     * returns projected utilization metrics for Graviton2 instance type
     * recommendations only.

A
     * ExportEC2InstanceRecommendations or
     * ExportAutoScalingGroupRecommendations request, Compute Optimizer exports
     * recommendations that consist of Graviton2 instance types only.

     */
    inline void SetCpuVendorArchitectures(Aws::Vector<CpuVendorArchitecture>&& value) { m_cpuVendorArchitecturesHasBeenSet = true; m_cpuVendorArchitectures = std::move(value); }

    /**
     *
Describes the CPU vendor and architecture for an instance or Auto Scaling
     * group recommendations.

For example, when you specify
     * AWS_ARM64 with:

A
     * GetEC2InstanceRecommendations or
     * GetAutoScalingGroupRecommendations request, Compute Optimizer returns
     * recommendations that consist of Graviton2 instance types only.

     *
A GetEC2RecommendationProjectedMetrics request, Compute Optimizer
     * returns projected utilization metrics for Graviton2 instance type
     * recommendations only.

A
     * ExportEC2InstanceRecommendations or
     * ExportAutoScalingGroupRecommendations request, Compute Optimizer exports
     * recommendations that consist of Graviton2 instance types only.

     */
    inline EffectiveRecommendationPreferences& WithCpuVendorArchitectures(const Aws::Vector<CpuVendorArchitecture>& value) { SetCpuVendorArchitectures(value); return *this;}

    /**
     *
Describes the CPU vendor and architecture for an instance or Auto Scaling
     * group recommendations.

For example, when you specify
     * AWS_ARM64 with:

A
     * GetEC2InstanceRecommendations or
     * GetAutoScalingGroupRecommendations request, Compute Optimizer returns
     * recommendations that consist of Graviton2 instance types only.

     *
A GetEC2RecommendationProjectedMetrics request, Compute Optimizer
     * returns projected utilization metrics for Graviton2 instance type
     * recommendations only.

A
     * ExportEC2InstanceRecommendations or
     * ExportAutoScalingGroupRecommendations request, Compute Optimizer exports
     * recommendations that consist of Graviton2 instance types only.

     */
    inline EffectiveRecommendationPreferences& WithCpuVendorArchitectures(Aws::Vector<CpuVendorArchitecture>&& value) { SetCpuVendorArchitectures(std::move(value)); return *this;}

    /**
     *
Describes the CPU vendor and architecture for an instance or Auto Scaling
     * group recommendations.

For example, when you specify
     * AWS_ARM64 with:

A
     * GetEC2InstanceRecommendations or
     * GetAutoScalingGroupRecommendations request, Compute Optimizer returns
     * recommendations that consist of Graviton2 instance types only.

     *
A GetEC2RecommendationProjectedMetrics request, Compute Optimizer
     * returns projected utilization metrics for Graviton2 instance type
     * recommendations only.

A
     * ExportEC2InstanceRecommendations or
     * ExportAutoScalingGroupRecommendations request, Compute Optimizer exports
     * recommendations that consist of Graviton2 instance types only.

     */
    inline EffectiveRecommendationPreferences& AddCpuVendorArchitectures(const CpuVendorArchitecture& value) { m_cpuVendorArchitecturesHasBeenSet = true; m_cpuVendorArchitectures.push_back(value); return *this; }

    /**
     *
Describes the CPU vendor and architecture for an instance or Auto Scaling
     * group recommendations.

For example, when you specify
     * AWS_ARM64 with:

A
     * GetEC2InstanceRecommendations or
     * GetAutoScalingGroupRecommendations request, Compute Optimizer returns
     * recommendations that consist of Graviton2 instance types only.

     *
A GetEC2RecommendationProjectedMetrics request, Compute Optimizer
     * returns projected utilization metrics for Graviton2 instance type
     * recommendations only.

A
     * ExportEC2InstanceRecommendations or
     * ExportAutoScalingGroupRecommendations request, Compute Optimizer exports
     * recommendations that consist of Graviton2 instance types only.

     */
    inline EffectiveRecommendationPreferences& AddCpuVendorArchitectures(CpuVendorArchitecture&& value) { m_cpuVendorArchitecturesHasBeenSet = true; m_cpuVendorArchitectures.push_back(std::move(value)); return *this; }

    /**
     *
Describes the activation status of the enhanced infrastructure metrics
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh, and a status of
     * Inactive confirms that it's not yet applied to recommendations.

     *
For more information, see Enhanced
     * infrastructure metrics in the Compute Optimizer User Guide.

     */
    inline const EnhancedInfrastructureMetrics& GetEnhancedInfrastructureMetrics() const{ return m_enhancedInfrastructureMetrics; }

    /**
     *
Describes the activation status of the enhanced infrastructure metrics
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh, and a status of
     * Inactive confirms that it's not yet applied to recommendations.

     *
For more information, see Enhanced
     * infrastructure metrics in the Compute Optimizer User Guide.

     */
    inline bool EnhancedInfrastructureMetricsHasBeenSet() const { return m_enhancedInfrastructureMetricsHasBeenSet; }

    /**
     *
Describes the activation status of the enhanced infrastructure metrics
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh, and a status of
     * Inactive confirms that it's not yet applied to recommendations.

     *
For more information, see Enhanced
     * infrastructure metrics in the Compute Optimizer User Guide.

     */
    inline void SetEnhancedInfrastructureMetrics(const EnhancedInfrastructureMetrics& value) { m_enhancedInfrastructureMetricsHasBeenSet = true; m_enhancedInfrastructureMetrics = value; }

    /**
     *
Describes the activation status of the enhanced infrastructure metrics
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh, and a status of
     * Inactive confirms that it's not yet applied to recommendations.

     *
For more information, see Enhanced
     * infrastructure metrics in the Compute Optimizer User Guide.

     */
    inline void SetEnhancedInfrastructureMetrics(EnhancedInfrastructureMetrics&& value) { m_enhancedInfrastructureMetricsHasBeenSet = true; m_enhancedInfrastructureMetrics = std::move(value); }

    /**
     *
Describes the activation status of the enhanced infrastructure metrics
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh, and a status of
     * Inactive confirms that it's not yet applied to recommendations.

     *
For more information, see Enhanced
     * infrastructure metrics in the Compute Optimizer User Guide.

     */
    inline EffectiveRecommendationPreferences& WithEnhancedInfrastructureMetrics(const EnhancedInfrastructureMetrics& value) { SetEnhancedInfrastructureMetrics(value); return *this;}

    /**
     *
Describes the activation status of the enhanced infrastructure metrics
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh, and a status of
     * Inactive confirms that it's not yet applied to recommendations.

     *
For more information, see Enhanced
     * infrastructure metrics in the Compute Optimizer User Guide.

     */
    inline EffectiveRecommendationPreferences& WithEnhancedInfrastructureMetrics(EnhancedInfrastructureMetrics&& value) { SetEnhancedInfrastructureMetrics(std::move(value)); return *this;}

    /**
     *
Describes the activation status of the inferred workload types
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh. A status of
     * Inactive confirms that it's not yet applied to recommendations.

     */
    inline const InferredWorkloadTypesPreference& GetInferredWorkloadTypes() const{ return m_inferredWorkloadTypes; }

    /**
     *
Describes the activation status of the inferred workload types
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh. A status of
     * Inactive confirms that it's not yet applied to recommendations.

     */
    inline bool InferredWorkloadTypesHasBeenSet() const { return m_inferredWorkloadTypesHasBeenSet; }

    /**
     *
Describes the activation status of the inferred workload types
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh. A status of
     * Inactive confirms that it's not yet applied to recommendations.

     */
    inline void SetInferredWorkloadTypes(const InferredWorkloadTypesPreference& value) { m_inferredWorkloadTypesHasBeenSet = true; m_inferredWorkloadTypes = value; }

    /**
     *
Describes the activation status of the inferred workload types
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh. A status of
     * Inactive confirms that it's not yet applied to recommendations.

     */
    inline void SetInferredWorkloadTypes(InferredWorkloadTypesPreference&& value) { m_inferredWorkloadTypesHasBeenSet = true; m_inferredWorkloadTypes = std::move(value); }

    /**
     *
Describes the activation status of the inferred workload types
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh. A status of
     * Inactive confirms that it's not yet applied to recommendations.

     */
    inline EffectiveRecommendationPreferences& WithInferredWorkloadTypes(const InferredWorkloadTypesPreference& value) { SetInferredWorkloadTypes(value); return *this;}

    /**
     *
Describes the activation status of the inferred workload types
     * preference.

A status of Active confirms that the preference
     * is applied in the latest recommendation refresh. A status of
     * Inactive confirms that it's not yet applied to recommendations.

     */
    inline EffectiveRecommendationPreferences& WithInferredWorkloadTypes(InferredWorkloadTypesPreference&& value) { SetInferredWorkloadTypes(std::move(value)); return *this;}

  private:

    Aws::Vector<CpuVendorArchitecture> m_cpuVendorArchitectures;
    bool m_cpuVendorArchitecturesHasBeenSet;

    EnhancedInfrastructureMetrics m_enhancedInfrastructureMetrics;
    bool m_enhancedInfrastructureMetricsHasBeenSet;

    InferredWorkloadTypesPreference m_inferredWorkloadTypes;
    bool m_inferredWorkloadTypesHasBeenSet;
  };

} // namespace Model
} // namespace ComputeOptimizer
} // namespace Aws

redpajama_set_name: RedPajamaGithub


text:
Home Wind News Offshore Wind Scotland's Largest Offshore Wind Farm Fits First Turbine Base
Scotland's Largest Offshore Wind Farm Fits First Turbine Base
The first turbine jacket foundation is installed at the Seagreen Wind Farm site, 27 km off the coast of the county of Angus in Scotland (Credit: SSE Renewables)
The first turbine jacket foundation has been installed at Seagreen, Scotland's largest and the world's deepest fixed-bottom offshore wind farm.
Each jacket foundation will support a Vestas V164-10 MW turbine. First power is expected by early 2022, with the offshore wind farm expected to enter commercial operation in 2023.
Two jackets operated by main contractor Seaway 7 made their way on a barge from Global Energy Group's Port of Nigg in the Highlands of Scotland to the site 27 km off the coast of Angus. It was met by the Saipem 7000, the semisubmersible crane vessel which is used to lift each of the 2,000 ton jackets.
The maiden voyage marked the start of works for the 1.1 GW Seagreen Wind Farm project site, a joint venture between SSE Renewables and TotalEnergies. SSE Renewables is leading the development and construction of the project, supported by TotalEnergies, and will operate Seagreen on completion.
The installation campaign marks the first-ever gigawatt-scale deployment of suction caisson technology to fix offshore wind turbine foundations to the seabed.
Several barges will work in continuous rotation with each other carrying two jackets from Nigg to the offshore site before returning to Nigg for replenishment. Each journey from Nigg out to site will take approximately 36 hours depending on the weather.
"Scotland's energy transition is beginning to accelerate, and we have taken another important step towards the Net-Zero goal," states Philippe de Cacqueray, head of offshore wind U.K. at TotalEnergies. "TotalEnergies is delighted that Seagreen has now installed the first jacket at what will become Scotland's largest offshore wind farm."
A lease agreement between Crown Estate Scotland and Seagreen has been signed for rights to access the required area of seabed which allows the project to move on to this next stage of its development.
"This is an extremely important development in the expansion of the Scottish offshore wind sector, as we continue to take strides towards a Net Zero future for the country and comes just weeks prior to Scotland playing host to the COP26 summit in Glasgow," adds Colin Palmer, director of marine for Crown Estate Scotland.
"As the main contractor constructing Seagreen, we are pleased to be contributing to Scotland's offshore wind sector and an efficient and sustainable energy supply for the future," comments Lloyd Duthie, managing director of EPCI projects at Seaway 7. "The installation of the first Seagreen jacket is a momentous milestone for everyone involved in the project, only 16 months after contract award and a testament to the hard work of the thousands of people bringing Seagreen to life across the supply chain."
"We'll continue the jacket installation campaign through 2021 and 2022 as we lay Seagreen's foundations," continues Duthie. "Later this year, our cable lay vessels will start the installation of the inner array grid cables. These cables will connect the network of turbines and transport future electricity generated by the wind turbines to the offshore substation – ready for transport onshore."
"It is major projects like this which will help the Scottish supply chain benefit from efforts to decarbonize our energy market in the UK," mentions Tim Cornelius, CEO, Global Energy Group. "We look forward to welcoming the remaining components over the coming months and to supporting SSE Renewables in all of their future development endeavors."
SSE Renewables

redpajama_set_name: RedPajamaCommonCrawl


Corporate giving accounts for approximately 10 percent of overall philanthropy, but it's still a sizeable chunk of change. Corporations are moving their business planning increasingly into the social good sphere. There's a lot your social sector organization should be doing to leverage that shift.
You want your social enterprise, small business or nonprofit to succeed. One of the key ingredients to have that happen is marketing. We live in exciting times because of social media.
If you want to succeed with your social sector organization, that means you have to dominate. Countless nonprofits and social enterprise organizations are just getting by. Forget about operating with budgets of $1 million. A great deal of nonprofits run with budgets of only $75,000.


text:
Black's
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Home | Manitoulin Links | Search | FAQ | BBay Contact Info | E-mail BBay | Bayview Pines Cottage
Bed & Breakfast Manitoulin|
Manitoulin Facts
Aboriginal Indian Pow Wow
Manitoulin Escarpment
Providence Bay
Fog Horns & Lighthouses
Mississagi Strait
Limestone rocks
Pioneer Museum
Limestone blocks
Cedar logs
Manitoulin Island is located at the northern end of Lake Huron, and is close to Lake Superior (the lake to the West of Manitoulin), Lake Michigan (the lake to the South-West), and Georgian Bay (to the East); a virtual cross roads of fresh water.
Taken together, these Great Lakes are the largest collection of fresh water in the world (except for glaciers). The Great Lakes contain 90% of the fresh water supply in North America, and 20% of the world's fresh water supply on the surface of the earth. These lakes are truly freshwater oceans. The next largest collection of fresh water is at the polar ice & snow caps.
Originally a center of farming, fishing, & lumbering, Manitoulin Island now enjoys the majority of its commerce as a rural vacationing & tourism hot spot for the cottage & outdoor sports enthusiasts. Manitoulin Island has some of the best cottage country, fishing, boating, beaches, and water sports in all of Canada.
Manitoulin Island is accessed by the swing bridge to the North, or the large car ferry from the South. Either way, it's worth the trip. It's a 4 hr. drive from Toronto ON, 6 hr. drive from Detroit MI. or Ottawa ON.
Manitoulin Island is where you will find:
the world's largest fresh water island (2,765 square km., approx. 200 km. x 150 km.)
more inland lakes (110 in total) than any other island in the world
the world's largest lake on an island
the 2nd best place in Canada to do salmon fishing (BC is #1).
One of the best places in Ontario for fishing trout, muskie, pike, bass, perch, crappie, whitefish, walleye, pickerel, etc.
a great place to visit, fish, boat, sail, canoe, kayak, hunt, bird, swim, scuba dive, rock climb, vacation in a privately owned cottage, and relax.
Originally, the Canadian government promised all of Manitoulin Island to be the exclusive territory of the aboriginals (no white settlers allowed), in exchange for them giving up their traditional lands in Southern Ontario. That treaty didn't last very long. Find out more about the Manitoulin Aboriginals. Every year on Manitoulin, an amazing colourful celebration of culture is presented in Pow Wow's by each of the 7 native Reserves. Non-native are permitted to attend these important events as honored guests.
On Manitoulin, you'll see drummers, singers, dancers, dancing contests, sweetgrass ceremonies, art shows, craft sales, sample traditional native foods, and other events all across Manitoulin. It is an experience you won't want to miss.
There are many opportunities on Manitoulin for viewing this interesting native history. Manitoulin Island is home to six Ojibwas Reserves, with the Wikwemikong being one of two "unceeded" reserve in Canada (ie. the Indians have continuously occupied this land since before white settlers came to North America, and there is still no treaty on the land). Walpole Island (near Sarnia, ON) is the other unceeded reserve.
Looking North to the Cup & Saucer, located 30 minutes from Black's Bay on Manitoulin Island. These limestone cliffs on Manitoulin are an extension to the same geological formation that forms Niagara Fall. These Manitoulin cliffs vary from over 200 foot high sheer, vertical walls (66 meters) that will challenge any world-class rock climber, to gently rolling paths through the woods that the daring wheelchair bound visitors have enjoyed with their families.
One of the many nature trail paths through the cool hardwood forests of Manitoulin at the Cup & Saucer. Three generations can enjoy the experience together.
Manitoulin has many trails through the back country. Some are passable by car, 4X4, ATV, motocross motorcycle, bicycle, or finally by horse or on foot.
Click on map for full, detailed image of Manitoulin Trails.
BBay features bicycle adventures & tours, with or without chase car, flat tire support, lunches delivered, and pickup & delivery after your day-long Manitoulin adventure. For more information, see Manitoulin Bike Adventures.
Providence Bay, looking South towards the Government Dock. The Bay is an ideal anchorage for sail and motor boats alike on the South shore of Manitoulin.
Local fishing boats return full of whitefish to this dock on a daily basis. You can buy these local fish from the local fish processing plant, or the fish monger who distribute the catch through local parking lots around Manitoulin Island. It's available fresh on ice, packaged, smoked, or frozen.
Sport fishing for salmon, pickerel, Lake trout, walleye, and many more are planned and launched from the public wharf.
The waters around Manitoulin are the 2nd best in North America for salmon fishing (BC rivers are #1).
One of the many lighthouses all around Manitoulin Island. There are a number of books available on Manitoulin lighthouses, giving the fascinating account of storms, shipwrecks, the lightkeepers, and their families.
Located 30 minutes from Black's Bay Lodge is Bridal Veil Falls. Cutting through Manitoulin's limestone cap (same rock formation as Niagara Falls), this river has formed a beautiful lush river valley that leads to the North Channel.
The river has been used for power generation (since about 1900's) for all of Manitoulin Island; well before it was available from the mainland. There is still power generation here today in a more modern facility.
You can walk along paths following the river, tour the museums and art galleries in the old power generation building, and visit the historic town on the North Channel.
The Swing Bridge is at Little Current, 60 minutes from BBay. The bridge is at the North end of the Island, connecting Manitoulin to the Trans-Canada Highway at Espanola (half way between Sault St. Marie and Sudbury)
Originally a railway bridge built in 1913, the bridge was converted to rail and car traffic; and is now exclusively car traffic. The bridge stays closed for car traffic to pass single file, and is opened every hour for 10 minutes for sailboats to pass during the summer.
This swing bridge at Little Current, Manitoulin Island is the only swing bridge in North America still in operation.
The lighthouse at the far West end of Manitoulin Island.
This is one of my favorite places to come watch the sunset over Lake Huron, Mississagi Strait, and Cockburn Island.
The light and fog horn are still operational today, and depended upon by local boaters around Manitoulin's excellent sailing waters.
Autumn day on the Blue Road. We saw 2 large does with their fawns crossing the road. Split rail fences, dating from the turn of the century are all along the farmer's fields on Manitoulin.
Limestone rocks have been quarried from Manitoulin, and heading down South for use as landscaping ornaments at somebody's mansion.
Located 15 minutes from BBay is the Pioneer Museum in Mindemoya. This features a covered bridge and split log cabin; just like Manitoulin "Haweater" settlers would have lived on Manitoulin 200 years ago.
People born on Manitoulin are commonly referred to as "Haweaters". Hawberries are small, very bitter berries that naturally grow on Manitoulin Island's alkaline soils.
During the pioneer days, the bitter hawberries were eaten by the white settlers during the long winters as the only remaining food supply. Other people saw the starving pioneers collecting the bitter berries and eating them, and coined the phrase "Haweaters".
Defect free limestone blocks are cut from the Manitoulin Escarpment. Most likely, these hard dolomite limestone blocks will be wire cut into thin limestone veneer sheets for facing large buildings in the city.
Cedar log trimmed edges from a Manitoulin sawmill have been collected and on their way to a secondary processor. Most likely, these trimmings will be chipped for use as landscaping cover.
Links for Manitoulin web sites
Waterfront Cottage for Rent on Manitoulin Island
BBay's Contact Information | Contact BBay NOW ! | Activities at/near BBay | Details on BBL's Waterfront Cottage
Bird Watching | Fishing | Hunting | Manitoulin Links | Ontario Outdoor Adventures Getaway Packages | Rock Climbing
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Latest Update: April 26, 2013 11:24:24 -0400


text:
Gospel artiste, Brother Sammy, arrested over claims of HIV/AIDS cure
Category: General News
Brother Sammy
Gospel artiste, Brother Sammy has been arrested over claims that he has a cure for HIV/AIDS.
A statement issued Saturday and signed by the Chief Executive Officer of the FDA, Delese Darko, said the Authority with the assistance of the Ashanti Regional Police effected the arrest.
The statement explained that the arrest had become necessary after Brother Sammy, in a series of videos circulating on social media also claimed that he had a product that could cure HIV/AIDS as well as other chronic diseases.
According to the statement, the Authority has not approved the said product being circulated by Brother Sammy.
Consequently, he has been arrested to assist in investigations over the said claim.
"The FDA wishes to inform the general public that it has not registered any product for the cure of HIV/AIDS neither has any approval been given to the said artiste for the production and sale at any FDA regulated product," the statement said.


"We cannot say enough good things about TCT and the ease of doing business. Everyone is always happy to help and willing to go the extra mile to resolve any issues. The TCT Staff is great at reaching out to us just to make sure all is well. Great customer service goes a long way. Thank You TCT!"


text:
Rear Admiral Sir Sydney Marow Eardley-Wilmot (3 October 1847 – 27 February 1929) was a Royal Navy officer who took an active part in the Suakin Expedition and who lost a hand as the result of an explosion at the torpedo school . He had a specialism in naval gunnery and was Superintendent of Ordnance Stores at the Admiralty during the period of the Anglo-German naval arms race when the Dreadnought Fleet was developed. He advocated for the construction of the largest guns possible. He wrote a number of works of naval history as well as two novels that feature near-future naval warfare.

Early life and family
Sydney Eardley-Wilmot was born at Mortlake, Surrey, on 3 October 1847, the fifth son of Sir John Eardley-Wilmot, 2nd Baronet, member of Parliament, judge, and author. He was educated at the academy of the Reverend W. Foster at Stubbington, Fareham.

Eardley-Wilmot married Grace Hoare, daughter of Thomas R. Hoare of Burton Park, Petworth, in 1877 and they had one son and two daughters.

Career
Eardley-Wilmot was born into a military family - he had four elder brothers, three of whom (William, Revell and Frederick) were army officers. He joined the Royal Navy on 9 June 1860 and served on HMS Emerald and HMS Duncan as a midshipman. He received the Canadian General Service Medal in 1866 for services related to the Fenian raids of 1866. He was promoted to the rank of lieutenant in 1869. In January 1870, he joined  in the Pacific on which he served for three years and about which he later edited an account of the voyage given by the officers. He was then posted to HMS Excellent to train as a gunnery lieutenant where he served under and was influenced by Commander John Fisher, later Lord Fisher, with whom he became close friends.

In April 1876, he became a gunnery lieutenant on , a corvette in the Mediterranean, but in February 1877 transferred to the recently established torpedo school at  as a first lieutenant. During his time there he suffered injuries in an explosion which necessitated the amputation of a hand.

In January 1881, Eardley-Wilmot was promoted to commander and transferred to the Admiralty for three years until May 1884 when he took command of , a composite sloop, in the Mediterranean where the ship took part in military operations in eastern Sudan in 1884–1885. He was at Suakin and took part in defending attacks on the camp there. He took part in the blockade of the coast of Greece. He received the Egypt Medal (second version) with Suakin clasp and the accompanying Khedive's Bronze Star. At an unknown date he received the Order of Osmanieh, fourth class, of the Ottoman Empire.

Eardley-Wilmot was promoted to the rank of captain in June 1886 and in February 1887 became assistant director of the Naval Intelligence Department, a position he held until April 1890. In August 1893, he was placed on the Royal Navy retired list and in March 1901 promoted to the rank of rear-admiral on the retired list.

In February 1902 he was appointed Superintendent of Ordnance Stores at the Admiralty during the period of the Anglo-German naval arms race when the Dreadnought Fleet was developed. He consistently advocated for the construction of the largest naval guns possible. In 1908, he was knighted for his service at the Admiralty.

Writing
Eardley-Wilmot produced a number of books, all of which related to the Royal Navy, its history, development, and future. Among them were two novels that reflected the changing military threats facing Britain during his career. His first novel, The Next Naval War (1894) described a possible sea war with France, but by the time he produced The Battle of the North Sea in 1912, the enemy had become Germany. The novels were compared and contrasted at a seminar held at the National Museum of the Royal Navy in 2015. His memoirs, An Admiral's Memories: Sixty-five years afloat and ashore were published by Sampson Low, Marston & Co., in 1927.

Death and legacy
Eardley-Wilmot died on 27 February 1929. He left £5,991 net, including £100 to the Royal United Service Institution for a gold medal to be awarded every five years for the best essay by a member on the subject of "Changes in naval warfare owing to new and modified weapons", to be known as the "Eardley-Wilmot" medal.

Selected publications
 Our Journal in the Pacific. By the officers of H.M.S. Zealous. Longmans, Green, and Co., London, 1873. (Editor)
 The Development  of Navies During the Last Half-century. Seeley, London, 1892.
 The Next Naval War. Edward Stanford, London, 1894.
 Life of Vice-admiral Edmund, Lord Lyons. Sampson Low, Marston & Co., London, 1898.
 Our Navy for a Thousand Years. Sampson Low, Marston & Co., London, 1899.
 Our Fleet To-day, and its Development During the Last Half-century. Revised edition of "The development of navies during the last half-century.". Seeley, London, 1900.
 Our Flags: Their Origin, Use and Traditions. Simpkin, Marshall, Hamilton, Kent & Co., London 1901.
 The Battle of the North Sea in 1914. Hugh Rees, London, 1912. (as "Searchlight") (second edition in own name, 1913)
 An Admiral's Memories: Sixty-five Years Afloat and Ashore. Sampson Low, Marston & Co., London, 1927.

References

External links

 S. Eardley-Wilmot at  The Encyclopedia of Science Fiction

1847 births
1929 deaths
Royal Navy officers
People from Surrey
Royal Navy personnel of the Anglo-Egyptian War
English naval historians
English military historians
Sydney
Younger sons of baronets
Military personnel from Surrey

redpajama_set_name: RedPajamaWikipedia


text:
The Bear is a fictional character who originated in the British adult sketch comedy, Bo' Selecta!. Played by Leigh Francis, he is a rude teddy bear who is a social outcast and engages in cursing and womanising. He like berries and always wears black glasses. He had a sidekick, a squirrel named Steven, whom he had a love-hate relationship with.

The character was popular enough to receive his own show, A Bear's Tail, derived from the Christmas pilot. Since the end of A Bear's Tail, the Bear has featured in Bo' in the USA.

In 2005, Nintendo made the Bear the face of Nintendo DS UK.

Personality
The Bear often flirts with women, who guest-star on the show. In an episode of Bo' Selecta!, it was revealed that he used to have a problem, which caused him to shout out bad words at anyone. He has, however, broke the habit by thinking of women to take his mind off of it. After fantasizing about women, his tail will pop out. He gets it to "go away" by saying, "Christine Hamilton", three times, as seen in an episode, in which Hamilton herself guest starred in. However, when Hamilton guest-starred in an episode, the Bear had to say it in his mind.

Friends and family
The Bear often speaks about his parents, who left him behind and went to Alaska. They did appear in an episode of A Bear's Tail and wanted him back. They soon saw how well he was getting on in his new home and let him stay. The only other relative is his uncle, who is a dancing bear. The Bear stated that he was chained up by his nose and once tried to escape and ripped half his nose off and had to have it stitched up.

The Bear's only seen friend was a red squirrel named Steven. Steven would communicate via squeaks and would usually say something rude, to which he would be told off by the Bear.

Bedtime with the Bear
For the first series of Bo' Selecta!, the Bear had a talk show in his treehouse on Hampstead Heath called Bedtime with the Bear, which featured women, whom he would ask rude questions to. The format changed slightly for series 2, which featured him still hosting a talk show, but with one difference: A bedtime story. Bedtime stories feature the Bear, spotting something rude, that the guests are doing to the guest's surprise. This usually gives him an erection.

As of series 3 of Bo' Selecta!, the Bear had his own part on Avid Merrion's talk show. He would speak to guests as usual in the same dirty manner, except it featured him on an actual talk show set. He has interviewed the likes of Kerry Katona, Jennifer Ellison, Liberty X, Edith Bowman, Christine Hamilton, Vernon Kay, Jonathan Ross, Catalina Guirado, Tess Daley, and Melanie Blatt in Bedtime with the Bear.

A Bear's Tail

In his own spin-off series, the Bear was adopted by the Hennersons after they ran him over in their car at Christmas. The mother of the family was played by Patsy Kensit, who adored the Bear. The father though, who was played by Sean Pertwee, hated the Bear after he thought that the Bear was stealing his wife. There was also a stroppy teenage daughter, Lillian Hennerson, who would argue with the Bear.

The series only lasted for one year, as Leigh Francis decided to bring back Bo' Selecta!, but in America.

Bo! in the USA
Leigh Francis brought Bo' Selecta! back as "Bo'''" in the United States, in which it featured the whole series in America, instead of Britain. The Bear (and many other celebrities) are staying at the Merrion Hotel. The Bear is currently friends with Verne Troyer, who played Mini-Me in Austin Powers. Verne wants to revamp the Bear's show, because he thought that A Bear's Tail was rubbish, along with many other characters.

Keith Lemon: Coming in America
The Bear made his television comeback in the 2018 ITV2 series Keith Lemon: Coming in America. He appears in the third episode where he meets the Urban Fox, who like the Bear, had moved to America. In the same episode, it is revealed by the Bear that Steven got attacked by four grey squirrels and had his back legs chewed off. As he was in pain, the Bear put him out of his misery by hitting him with a spade.

Whatever I Want
The Bear was previously portrayed before Bo Selecta!, on a short lived programme entitled "Whatever I Want''", shown on London Weekend Television. He was not a bear, however, but a man named Barry Gibson. The character is almost exactly the same, except he is in human form. There is an episode of this programme available to view on YouTube.

References

Fictional teddy bears
Male characters in television
British comedy television characters


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Phillip J. Spinosi, age 92, of White Oak, died January 17, 2021, at home. Born September 7, 1928, in McKeesport, he was the son of the late Julius and Rose (Borrelli) Spinosi and the husband of the late Mary T. Spinosi. Phillip retired from US Steel National Tube Works, where he was a rigger with 44 years of service. He was a US Navy veteran serving during WWII, where he was the quarterback of the Navy football team in Pensacola, FL. Phillip was a member of the Mary, Mother of God Parish. He...
Phillip J. Spinosi, age 92, of White Oak, died January 17, 2021, at home. Born September 7, 1928, in McKeesport, he was the son of the late Julius and Rose (Borrelli) Spinosi and the husband of...
Richard Contrella Elizabeth Township
Richard D. "Dick" Contrella, age 87, of Elizabeth Township, died January 15, 2021, at home. Born August 1, 1933, in McKeesport he was the son of the late Dave and Nellie (Melegari) Contrella and the husband of Jane (Pasternak) Contrella for 65 years. Dick retired from Bettis Atomic Power Laboratory as a computer programmer. He was a United States Army Veteran and a member of the Holy Family Polish National Catholic Church and the YMSR. He loved to travel with his wife...
Richard D. "Dick" Contrella, age 87, of Elizabeth Township, died January 15, 2021, at home. Born August 1, 1933, in McKeesport he was the son of the late Dave and Nellie (Melegari)...
James Fedasz McKeesport
James Fedasz, age 94, of McKeesport, died January 15, 2021, at Canterbury Place. Born February 19, 1926, in McKeesport, he was the son of the late Harry and Anna (Tech) Fedasz. Jim was a 1944 graduate of McKeesport High School and furthered his education at Carnegie Tech (Carnegie Mellon University). He would then go on to join the Army, 103rd Division in France during World War II. He earned the EAME Theater Ribbon with two Bronze Battle Stars, the Army Occupation of...
James Fedasz, age 94, of McKeesport, died January 15, 2021, at Canterbury Place. Born February 19, 1926, in McKeesport, he was the son of the late Harry and Anna (Tech) Fedasz. Jim was...
James Tate Versailles
James Anthony Tate, Sr., age 71, of Versailles Borough, died January 15, 2021, at UPMC McKeesport. Born September 17, 1949, in McKeesport, he was the son of the late James A. and Edith (DelAsandro) Tate and the husband of Cathy (Coltogirone) Tate. Jim retired from Elizabeth Carbide, where he was a machinist. He attended Bridge City Church of White Oak. Jim was a US Army veteran serving during Vietnam. He enjoyed bowling at Stan's White Oak Bowl, watching sports, and NASCAR racing. In his...
James Anthony Tate, Sr., age 71, of Versailles Borough, died January 15, 2021, at UPMC McKeesport. Born September 17, 1949, in McKeesport, he was the son of the late James A. and Edith...
Michael Carnahan Mt. Vernon
Michael P. Carnahan, age 51, of Mt. Vernon, died January 13, 2021, at UPMC McKeesport. Born December 27, 1969, in McKeesport, he was the son of the late David E. and Mary Jane (Matuschek) Carnahan and the husband and best friend of Sandra (Buotte) Carnahan. Michael was vice-president and general manager of Scalo Solar Solutions, a division of Burns & Scalo Roofing. He most recently completed the installation of the largest single sloped solar structure in the United States, located at...
Michael P. Carnahan, age 51, of Mt. Vernon, died January 13, 2021, at UPMC McKeesport. Born December 27, 1969, in McKeesport, he was the son of the late David E. and Mary Jane (Matuschek) Carnahan...
Patricia Ziemianski White Oak
Patricia Ziemianski, age 76, of White Oak, formerly of North Huntingdon and Glassport, died January 12, 2021, at home surrounded by her family. Born November 7, 1944, in McKeesport, she was the daughter of the late Edward and Marcella (Panek) Raymer and the wife of the late Richard Ziemianski. Patricia was the owner and manager of The Ziemianski Inn in Glassport. She was known for being a character and loved to laugh and always cherished being surrounded by her friends and...
Patricia Ziemianski, age 76, of White Oak, formerly of North Huntingdon and Glassport, died January 12, 2021, at home surrounded by her family. Born November 7, 1944, in McKeesport, she was...
Anthony Fisher East McKeesport
Anthony G. Fisher, age 58 of East McKeesport, passed away January 11, 2021, at UPMC McKeesport. Born January 12, 1962, in Little Rock, AR, he was the son of the late Charles and Joyce (Humble) Fisher and the husband of Hazel C. (Lorentz) Fisher. Anthony was currently working for Schneider Downs at PPG Place in Pittsburgh as an IT Technician. He earned his Bachelors of Information Technology from Penn State Greater Allegheny. Anthony served in the US Marine Corps, was a life...
Anthony G. Fisher, age 58 of East McKeesport, passed away January 11, 2021, at UPMC McKeesport. Born January 12, 1962, in Little Rock, AR, he was the son of the late Charles and Joyce...
Don Szymarek McKeesport
Don D. "Ho" Szymarek, age 57, of McKeesport, died January 10, 2021, at home. Born May 21, 1963, in McKeesport, he was the son of the late Donald Szymarek and Eileen (Boullion) Szymarek. Don worked for the former Cornelius Architectural Products Inc., where he was an installer. Don was a 1981 graduate of McKeesport High School. He attended Corpus Christi Church of McKeesport, where his mother is a member. Don enjoyed sports, played football in high school and rugby after that. His...
Don D. "Ho" Szymarek, age 57, of McKeesport, died January 10, 2021, at home. Born May 21, 1963, in McKeesport, he was the son of the late Donald Szymarek and Eileen (Boullion)...
Katherine Kustra White Oak
Katherine Ross Kustra, age 35, of White Oak, died January 10, 2021. Born January 10, 1986, in McKeesport, she was the daughter of the late Frank and Carolyn (Ross) Kustra. Katherine was a graduate of McKeesport High School class of 2004. She attended St. Angela Merici Church of White Oak. She had a fun-loving spirit and could light up a room with her smile. Katherine enjoyed trips to the beach and sunbathing. She lived for sharing happy times with her niece, nephew, and family. She is...
Katherine Ross Kustra, age 35, of White Oak, died January 10, 2021. Born January 10, 1986, in McKeesport, she was the daughter of the late Frank and Carolyn (Ross) Kustra. Katherine was a graduate...
Ruth Lewellen West Mifflin
Ruth Ann Lewellen, age 69, of West Mifflin, died January 10, 2021, at AHN Jefferson Hospital. Born September 27, 1951, in McDonald, PA, she was the daughter of the late John and Ruth (McCabe) Hast and the wife of Kenneth R. Lewellen. Ruth retired from Leefer Chiropractic of Baldwin, where she was a secretary for many years. She graduated from Montour High School Class of 1969. After retirement, she pursued a hobby in flea marketing, most recently at Rossi's Pop Up Flea Market of North...
Ruth Ann Lewellen, age 69, of West Mifflin, died January 10, 2021, at AHN Jefferson Hospital. Born September 27, 1951, in McDonald, PA, she was the daughter of the late John and Ruth (McCabe) Hast...
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To make a diagnosis of nasal cavity cancer or sinus cancer the doctor will ask questions about your symptoms, medical history, and examine your mouth.
Many patients with thyroid cancer have no symptoms whatsoever. A lump on the thyroid gland may be found by chance on a routine physical exam or an imaging study of the neck done for unrelated reasons.
What are the symptoms of type 2 diabetes? Symptoms of type 2 diabetes often develop over several years. Many people with type 2 diabetes have symptoms for a long time without noticing them.
A genetic disorder is a genetic problem caused by one or more abnormalities formed in the genome. Most genetic disorders are quite rare and affect one person in every several thousands or millions. Genetic disorders may be hereditary, meaning that they are passed down from the parents' genes.In other genetic disorders, defects may be caused by new mutations or changes to the.
Heart disease: Know the signs, start a conversation – According to the ADA, high levels of cardiorespiratory fitness (working both our heart and lungs) are linked to a lower risk.
Diabetes symptoms: Do you always need the toilet at night? It could mean you are diabetic – Other symptoms include feeling very thirsty, feeling very tired and losing weight without trying to. If you have thrush that.
That's because in many cases there are no signs or symptoms until the cancer has reached an advanced.
and is not related t.
Information on type 2 diabetes. Describes how insulin is made and used by the body. Describes symptoms and how type 2 is treated. Provides info on blood sugar (glucose) levels.
drugs that are used to prevent or relieve the symptoms of hay fever and other allergies by preventing the action of a substance called histamine, which is produced by the body. Histamine can cause itching, sneezing, runny nose, watery eyes, and sometimes can make breathing difficult.
A genetic disorder is a genetic problem caused by one or more abnormalities formed in the genome. Most genetic disorders are quite rare and affect one person in every several thousands or millions.


More than 3,000 people were stranded in various parts of Central Gujarat as gushing dam waters released by authorities, flooded large tracks of land since Saturday morning.
Though the situation in Surat has improved with water receding, high alert was sounded in districts of Anand, Kheda, Vadodara, Panchmahals (Godhra) and Ahmedabad, as the administration ordered release of 17 lakh cusecs of water into Mahi river from three separate dams -- Panam, Wanakbori and Kadana.
Slum dwellers on the side of river Sabarmati were evacuated in Ahmedabad. The district collector had asked people living in low-lying areas from Vautha to Ingoli villages to move to safer places.
More than 2,000 people are trapped in scattered villages of Lunavada and Shehra talukas of Panchmahals.
Rescue operations are on and about 24,000 food packets and 11,000 water pouches are being distributed, officials said.
Armymen were seen at work in Juna Bilitha and Juna Rabaria villages. At least 5,000 people have been shifted to safer places.
One person died when a house collapsed in Mari-Navapura area of Vadodara city.
Reports said as many as 200 people have been stranded in Dabka village in Padra taluka and another 500 in Vadodara's Kalave area.
Fire brigade teams have been rushed to the areas. Boats are being deployed to rescue them.
At least 40 people in Karoli village in Vadodara district had to take shelter on trees.
Boats could not be deployed to rescue them as thorny bushes were scattered all over the place, officials said.
Helicopters would be pressed into service to evacuate them, they said.
Near Vadodara, 16 villages have been affected.
Ajwa Sarovar is also swelling, 3 ft above danger mark. The Bhadar river is over-flowing and has affected road traffic between Jambusar and Bharuch.
Savli and Padra talukas in Vadodara district, Lunavada, Khanpur, Shehra and Kadana in Panchmahal (Godhra) district, Umreth, Borsad, Anklav and Anand of Anand district and Kheda and Matar in Kheda district have been affected by the release of flood waters.
Incessant rains have continued since Friday night over the region, with Kheda receiving 1,130 mm overnight.
Out of a total of 191 big, medium and small dams, 80 are on 'high alert' and 13 on 'alert'. Warnings have been issued for another 12.
Those reaching the 'alert' mark are filled up between 90 and 100 per cent. As many as 54 dams are completely (100 per cent) filled up.
Dams in Gujarat this year have stored water upto 83 per cent of total capacity, as against 66 per cent in the corresponding period in 2005.


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We found 345 resources with the concept novels
32 Items in Topic
Don't Kill This Mockingbird
For Teachers 9th - 12th Standards
Harper Lee's classic To Kill A Mockingbird is not only listed as one of the most frequently taught books but also one of the most frequently banned. The materials in this collection provide information about the parallels to Lee's life...
32 Items in Unit
Lord of the Flies Unit
For Teachers 9th Standards
The lessons in the Lord of the Flies Unit examine the dystopian novel as a microcosm for society. Pupils listen to an interview with William Golding as he elaborates on his rationale for selecting a remote island populated with only...
Teacher's Guide: The House on Mango Street by Sandra Cisneros
At first glance Sandra Cisneros' The House on Mango Street seems to be a charming collection of vignettes about a young Latina's observations about the people in her Chicago neighborhood. Developing questions that prompt readers to think...
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A Christmas Carol - The Story
For Students 5th - 8th Standards
Thirty-six pages familiarize scholars with the story and vocabulary of A Christmas Carol by Charles Dickens. After reading and listening to an abbreviated version of the holiday tale learners show what they know about the sequence of...
A Teacher's Guide to the Signet Classics Edition of Mark Twain's The Adventures of Huckleberry Finn
For Teachers 6th - Higher Ed
Whether new to teaching The Adventures of Huckleberry Finn or an experienced pro, you'll find useful resources in this teacher's guide. The 40-page packet includes background information, historical context, an annotated list of...
What Makes a Novel a Novel?
For Students 4th - 8th
As your authors prepare to write a hypothetical novel, they need all the inspiration they can find! Using a book they have already read (and enjoyed), learners complete a literary analysis by filling in eight short-answer questions....
Lesson Planet Article
In 2 Collections
Let's Write a Collaborative Novel!
For Teachers 5th - 6th
Find out what it would be like for your class to write and publish a complete novel.
Go to Resource See Review
Frankenstein by Mary Shelley is an interesting novel for learners to explore. This comprehensive packet enables students to use critical thinking skills to evaluate what they read.
A Strong Right Arm
Through the book A Strong Right Arm by Michelle Y. Green, learners discuss the implications of a women playing on a Negro League baseball team. There are so many rich discussions that can be inspired by the questions in this packet.
Letters from Rifka
For Students 7th
If you are looking for a way to lead students in a discussion as they read the book Letters from Rifka by Karen Hesse, you will find this resource invaluable. Learners can organize their progress through the book and answer...
Julie of the Wolves
For Students 9th - 12th
Learners reading the book Julie of the Wolves by Jean Craighead George can enhance their understanding of the novel using this comprehensive activity. High schoolers can use the graphic organizers to display information and the many...
A Guide to the Works of Jacqueline Woodson
New ReviewThe works of Jacqueline Woodson introduce readers to diverse characters and themes. A guide covers many of the author's best-known books such as Brown Girl Dreaming and Locomotion. Dive & Discuss and Explore & Extend activities...
In 1 Collection
An Educator's Guide to the Works of Laurie Halse Anderson
New ReviewLaurie Halse Anderson tackles challenging topics for teens. An educator's guide shares activities for many of her novels such as Prom, Shout, and Wintergirls. Questions, perfect to use as either discussion or as essay prompts, accompany...
Lord of the Flies Unit, Lesson 2: Leader of the Pack
The second instructional activity in the Lord of the Flies unit asks scholars to consider the characteristics of a good leader. After generating a list of these qualities, they annotate a passage from the novel highlighting the...
Lord of the Flies Unit, Lesson 1: I'm A Survivor
What three readily available things would you grab in case of an emergency? That's the question that launches a unit study of William Golding's The Lord of the Flies. After sharing their choices, class members read Golding's rationale...
A Teacher's Guide to the Signet Classic Edition of The Phantom of the Opera by Gaston Leroux
For Teachers 11th - Higher Ed Standards
Love, jealousy, hatred! Gaston Leroux's The Phantom of the Opera has it all. Whether or not you have used Gaston Leroux's novel with your classes, you will find much value in this resource. The guide includes background information, an...
For Teachers 3rd - 5th
Aspiring artists and budding writers combine their skills in an interactive lesson. Young scholars become authors when they create their own picture books focused on social justice. The resource guides learners through the writing and...
Instructional Video4:44
Looking for Alaska is the subject of a short PBS video that encourages viewers to read John Green's award-winning young adult novel about first love.
For Students 9th - 12th Standards
A clip from the documentary Alice Walker: Beauty in Truth features Walker discussing her writing process and why she chose to write The Color Purple as an epistolary novel. The resource is part of PBS' American Masters series.
George R.R. Martin Discusses Lord of the Rings
George R.R. Martin, famous in his own right for heroes, villains, dragons, and direwolves, offers his rationale for why viewers should vote for J.R.R. Tolkien's Lord of the Rings with its elves, wizards, and hobbits as part of the Great...
Why Should You Read "Dune" by Frank Herbert?
For Students 6th - Higher Ed
Not every reader is a sci-fi fan. Sad, but true. However, a short TedEd video may just convince nonfans to delve into Frank Herbert's modern epic Dune. Who could help but be intrigued by an epic tale of heroes, villains, and monsters?
Catch-22 by Joseph Heller
Narrators of a short video offer their rationale for why Catch 22 should be included in the Great American Read program. They touch on the key themes in Heller's satirical and sobering novel about Captain John Yossarian and the catch-22s...
Justice and murder are the heart of the best mysteries. The writers interviewed for this episode of the Great American Read try to convince viewers that the best of this genre is Agatha Christie's And Then There Were None.
Jack London's books feature male characters, but that doesn't mean they're just for boys! Chelsea Clinton and Shanna Peeples discuss the underlying messages of love and sacrifice in The Call of the Wild, as well as the conflict of man...


The reason it took me almost a year to finally go and finish this book was that it just didn't catch me. Guess I was expecting a bit more of the human side of WW2 and the book leaned to the statistical and strategical side. It's got a lot of information about what type of weapons and vehicles were used, points for combat deployment and casualty numbers. It was just way too descriptive for me.


i'm not new to linux been using it for about 2 years or so.
Hey there. Have you looked our community development page?
Yeah i did but didn't help much lol.
If you really want to hack your own appliances you'll have to dig in deep and do a lot of exploration and experimenting, just like with any other complex subject. There are tools (a list is on the development wiki) that can help, but we don't have tutorials yet to make it easy. After you figure out how to do whatever it is you want to do it would be great if you could contribute that to the development wiki. Good luck!
Thanks :) Where do i start i mean i didn't see any tools?
I been trying and trying to make my own but didn't get anywhere as i said i'm not going to give up IM A FIGHTER! Any tips would be nice. Thanks.
Unfortunately, I can't give you any specific tips because I don't know what you're trying. Developing software appliances can be very tricky if you're doing it for the first time. There are many ways to skin a cat. We'd like to work on a custom appliance extension mechanism that is simple to use but we haven't gotten around to it yet. There's just so much to do and so little time to do it.
For now the best tip I can give you is to carefully document what you are trying and the results you are getting in the development wiki.
It would then be much easier for me (and others) to take a look and give you some guidance.
I wanna do the samething this guy was/is? doing!
This is quiet an old thread, but if anyone comes across it, we have since released TKLPatch, take a look at the documentation for details.


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Sant'Angelo Le Fratte est une commune italienne d'environ  habitants, située dans la province de Potenza, dans la région Basilicate, en Italie méridionale.

Géographie

Histoire

Économie

Culture

Monuments et patrimoine

Administration

Hameaux

Communes limitrophes
Brienza, Caggiano, Polla, Satriano di Lucania, Savoia di Lucania, Tito (Italie)

Notes et références

Commune dans la province de Potenza