Western Australia's land development agency.
Public artwork, Coolibah Estate, Kununurra.
Save a cool $19k to $37k* on lots in Champion Lakes and Seville Grove. *Settle by 30 June 2019.
Vision Concept released for community feedback. Have your say now.
Choose your LAND. Choose your BUILDER. Choose your DESIGN. Get up to $32k in extras.
Industrial land opportunities just 30 minutes from the Perth CBD.
Absolute beachfront hotel development opportunity - Middleton Beach in Albany, WA.
We are pleased to present our first combined Annual and Sustainability Report.
A diverse range of data centre development opportunities are available.
With 10 projects located within station precincts, we are driving smart, metropolitan, transit oriented development in WA.
Developer opportunities available for a world-class waterfront development in Bunbury.
Part of the Broome North development. Light industrial land available.
Strategically located agri-innovation industrial estate. First stage of the multi-million dollar Transform Peel program.
29 new lots now selling as Stage 7A. Priced from $140,000.
Commercial, light and special/heavy industrial land available.
Strategically positioned between Broome town centre & Great Northern Hwy, 16km from the Port.
Join the array of businesses already calling Crossroads Industrial home.
Stage 1A residential land now selling in Onslow.
Public consultation has determined the preferred site for Perth's new artificial reef will be offshore from Ocean Reef Marina.
The popularity of LandCorp's The Quadrangle estate in the heart of Joondalup continues, after ECU purchased a cornerstone commercial site to support future growth.
A new agreement between LandCorp and the City of Joondalup has set the framework for the development of the new Ocean Reef Marina precinct in Perth's north.
Construction workers at LandCorp's Montario Quarter will be encouraged to talk about and tackle mental health issues as part of a new wellbeing training initiative.
A two-year seed collection and weed control program has been initiated as a key element of our extensive bushland revegetation plans for Montario Quarter.
The private sector has been invited to invest in pipeline of more than 30 precinct-scale project opportunities aimed at creating jobs and better communities across Western Australia.
The release of one of the final two lots at LandCorp's Claremont on the Park is set to open up a unique development opportunity at the sought-after precinct, with the site offering the potential for seniors' care and accommodation.
Home buyers who are looking for a unique opportunity to embrace sustainable living in an innovative and modern home need look no further than LandCorp's Gen Y demonstration homes project.
LandCorp's revolutionary WGV estate has won the Urban Development Institute of Australia (WA) Sustainable Urban Development award, adding to a growing list of accolades for what is one of the most remarkable residential estates in Australia.
LandCorp's revolutionary WGV estate has won the Urban Development Institute of Australia (WA) Urban Water Excellence award, recognising its significant achievements in water-sensitive planning and design.
The existing Ocean Reef Boat Harbour will be transformed into a world-class waterfront precinct, creating hundreds of jobs in the northern suburbs.
Prospective home buyers need to act fast if they want to join LandCorp's vibrant Champion Lakes community, with only four lots available in the residential estate. The final lots for sale offer a unique opportunity for home buyers to experience lakeside living, with lots for sale only a short distance from the estate's iconic lake. Prices start from $189,000 and lots are sized 300sqm up to 355sqm.
The Mitchell Freeway extension through Perth's fast growing outer northern suburbs is now complete, providing improved access to LandCorp's Meridian Park Industrial Estate.
LandCorp invites prospective buyers to attend an open day at Crossroads Industrial, the first major development in the Forrestdale Business Park West. Interested buyers will have the chance to tour the estate with sales agents, and learn more about the lots available and future releases on Thursday 22 June from 10.00am to 11.30am.


text:
2016-2017 Art History
Current: Art History
Art History Courses
Understanding Visual Arts
A study of visual expression as presented through different media. Lectures, slides, and studio activities will introduce the student to the problems and materials of the artists.
Honors Understanding Visual Arts
Art History Criticism I
From Prehistoric to Renaissance.
Honors Art History Criticism I
Art History Criticism II
From Renaissance to Twentieth Century.
Honors Art History Criticism II
This course provides an introduction to the history of architecture from ancient times to modern days. It explores the relationships between historical developments in architecture and wider changes in the social, technological and aesthetics realms. The study of architecture will serve as a window into broader aspects of cultural history. Simultaneously, the course will examine architecture as a unique medium, with its own visual codes, spatial forms and material structures. In this sense, the history of architecture will be seen in terms of the internal dynamics and ongoing issues of what it means to design and build in any context. The students will be expected to develop visual literacy in the forms and trends of architecture over the various periods. Emphasis will be placed on learning to look at buildings and architectural representations in a deeper way. The history of architecture will be read both from the outside, as a consequence of certain social, economic and ideological forces, and from inside, as a problem of the evolution of the construction materials, technology and science.

redpajama_set_name: RedPajamaCommonCrawl


Have you ever wondered what someone is thinking: Your boss, your wife, your next door neighbor? Well Peter knows, and he's willing to share.
Forget everything you know about what a magic show looks like: Mentalist Peter Gross uses no special equipment or double-jointed assistants to create his confounding stunts, just improvisational skills of a stand-up, the quick hands of a pickpocket and a con man's command of human psychology.
Peter Gross has over 25 years of experience performing reading minds and performing comedy around the world. He has been seen on TV, at comedy festivals, and in theaters, but he still does a majority of shows for corporate audiences and associations.
Mentalists explore the limitlessness of the human mind. Mentalism suggests that our minds are much more powerful then science accepts and that using advanced techniques and natural talents, a mentalist create phenomenon beyond scientific explanation. Mentalist Peter Gross claims no extra sensory powers; he lets his astonishing feats speak for themselves.
Telepathy – Knowing or Reading another persons thoughts Clairvoyance – Receiving knowledge of actions while isolated Precognition – Predicting future events, choices or the actions of others Subconscious Influence – Psychologically influencing actions, choices, or preferences of others without their knowledge.
Peter's interest in mentalism and experience in audience management led him to study Neuro-Linguistic Programming and hypnosis.


text:
try:
    from setuptools import setup
except ImportError:
    from distutils.core import setup

with open('README.rst') as readme_file:
    readme = readme_file.read()

with open('HISTORY.rst') as history_file:
    history = history_file.read().replace('.. :changelog:', '')

requirements = [
    'docopt',
    'sqlalchemy',
    'inflect',
    'typing',
    'pyxdg',
    'psycopg2',
    'alembic',
]

test_requirements = [
    # TODO: put package test requirements here
]

setup(
    name='nohands',
    version='0.2.0',
    description="Personal finance management using WAA/FFG method.",
    long_description=readme + '\n\n' + history,
    author="Jesse Butcher",
    author_email='boweeb@gmail.com',
    url='https://jbutcher.org',
    packages=['nohands'],
    package_dir={'nohands':
                 'nohands'},
    include_package_data=True,
    install_requires=requirements,
    license="The MIT License (MIT)",
    zip_safe=False,
    keywords='nohands',
    classifiers=[
        'Development Status :: 2 - Pre-Alpha',
        'Intended Audience :: Developers',
        'License :: OSI Approved :: BSD License',
        'Natural Language :: English',
        "Programming Language :: Python :: 2",
        'Programming Language :: Python :: 2.6',
        'Programming Language :: Python :: 2.7',
        'Programming Language :: Python :: 3',
        'Programming Language :: Python :: 3.3',
        'Programming Language :: Python :: 3.4',
    ],
    test_suite='tests',
    tests_require=test_requirements
)

redpajama_set_name: RedPajamaGithub


Have you ever wondered what would happen if one of our dead ancestors (preferably from a few centuries ago) resurrected and arrived to live among us? Our world would amaze them and if not guided around, they might end up in a mental asylum. The gadgets would scare them. The vehicles would drive them crazy. Shouldn't we be grateful that we live in this century where everything is just a few clicks away?
We live a privileged life today. The very fact that you are reading this post is proof that technology has given you the freedom and a platform to express your thoughts and beliefs. We have a voice in this world because of technology. A post on social media can touch many lives. A blog post, a tweet ,a newspaper article, a podcast, a YouTube Video, whatever way we wish to express our thoughts, we can. It is all free.
A few decades ago, women didn't have a voice. Many still don't. I have the technological know-how to create a voice bubble of my own which can be accessed and interpreted by anyone, anytime. I can talk to a loved one residing in any part of this world. I can watch them live via Skype. I can exchange news daily with my family and friends via Whatsapp. I can learn new things via the internet absolutely free because a few individuals have graciously shared their knowledge online.
Our grandparents didn't enjoy this privilege nor did our parents. I am addicted to technology and I try to update myself with the latest technology. Being tech savvy always has its advantages. I feel safer and enjoy more freedom online. So that is one habit that I am grateful about.
Tell me what is that one habit that you cherish and is grateful about?
I plan to write #ThankfulThursday posts on every Thursday starting today.
I am linking this with Twinklingtina of TinaBasu.com, who is hosting this Linky party along with Amrita Misra.
Yes being tech savvy is a habit to be thankful for indeed.I feel blessed to be able to connect with like minded people (like you ) across distances .Time and place don't matter if we can use technology.
Hoping to see you for our blig party every Thursday. Don't forget to have a cup of coffee and grab a cookie while making friends.
yes being tech savvy is the need of the hour today than any other time. I find myself completely dependant on technology for most of the things and i like that I am tech savvy. Thank you for being a part of #ThankfulThursdays Preethi.
Yes exactly. It is the need of the hour.


text:
Peckiele (lit. Peckeliai) − wieś na Litwie, w gminie rejonowej Soleczniki, 2 km na południowy wschód od Kamionki, zamieszkana przez 34 ludzi. Przed II wojną światową w Polsce, w powiecie wileńsko-trockim województwa wileńskiego.

Przypisy

Miejscowości w gminie Kamionka

redpajama_set_name: RedPajamaWikipedia


text:
Here's What Tina Fey Had To Say To…
"You can't look away because it doesn't affect you this minute, but it's going to affect you eventually," the comedian…
Actress Tina Fey Slams College-Educated White Women Who…
The actress predicts they will regret their vote when Trump's policies eventually harms them.
Georgia Couple Sues State After Denial Of Officially…
The parents maintain that the child's name has nothing to do with religion.
New York Federal Judge Halts Trump's Immigration Ban…
U.S. District Judge Ann Donnelly issued an emergency stay temporarily halting the removal of travelers detained after POTUS issued an…
Michigan Still Failing To Deliver Clean Water To…
Several groups and a resident returned back to federal court Wednesday to push for an order requiring Michigan state and…
Police Celebration At New Jersey High School Accused…
https://www.facebook.com/asburyparkpress/videos/10157601912760322/ A high school football game in New Jersey has sparked controversy due to its "frightening message" against national anthem…
NEWS ROUNDUP: 'Obamacare' Faces Hurdles With Rising Costs…AND…
Despite the Obama administration's mission to alleviate the health insurance market through the Affordable Care Act, also known as "Obamacare,"…
Chicago Lawmaker Blames Residents As Murders Surpass 500
Chicago's murder rate has spiked to a 20-year high and one city alderman blames it on residents speaking out against…
Ku Klux Klan Gets Unlikely Ally In Effort…
For years, the Ku Klux Klan have fought to be included in Georgia's "Adopt-A-Highway" program and now they have an…
Pay-To-Stay Prisons? Ohio Jails Hit Inmates With Fees…
A new report from the Ohio ACLU details a growing problem in prison, where inmates are forced to pay fees…
Where Are We Now? Check Out All The…
Check out NewsOne's interactive map to see where the #CaravanForJustice tour is headed.
Kentucky Sheriff Defends Officer Who Handcuffed 8-Year-Old Boy…
A video of a Kentucky officer restraining an 8-year-old boy in handcuffs for over 15 minutes is the focus of…
ACLU Speaks On Jonathan Sanders' Deadly Police Encounter
The police officer who killed Sanders allegedly uttered the words, "I'm gonna get that n****r," before tackling him to the…
ACLU Asks Judge To Improve Unsanitary, Dangerous Conditions…
Unsanitary and dangerous conditions at the Baltimore City Detention center prompted civil rights lawyers from the American Civil Liberties Union…
ACLU: Tampa Police Harrass Black Men, Women And…
A recent Tampa Bay Times expose revealed that Tampa police write more bike tickets than the combined cities surrounding it…
Morning Beautifuls: Obama Announces Presidential Center In Chi-Town,…
Here's all the top news stories making the rounds on the web today that you need to know. Enjoy!
The Bald, The Baaaaad & The Beautiful:…
Billy Porter's Showstopping Hat At The Grammys…
Snow Bunny Steez: Celebs Hit The Slopes…
'Living Single'? Twitter Mocks David Schwimmer For His…
Update: Suspect Accused Of Stealing $500,000 Worth of…


text:
Walt Disney Presents
Preview of the upcoming live-action 'Aladdin' movie coming to Disney's Hollywood Studios
Apr 09, 2019 in "Walt Disney Presents"
Walt Disney Presents at Disney's Hollywood Studios will soon begin showing a sneak peek of the upcoming live-action movie 'Aladdin.'
The preview replaces the sneak-peek of Dumbo and begins April 29 2019 ahead of the movie's release in theaters on May 24 2019.
Article Posted: Apr 09, 2019 / 10:43am ET
More from "Walt Disney Presents"
Sneak peek of Toy Story 4 now playing at Walt Disney Presents
Sneak Peek of new live-action 'Dumbo' coming to Walt Disney presents
GALLERY / 1 year ago
Star Wars Galaxy's Edge model updates
Jun 29, 20187 photos
Toy Story Land and Star Wars A Galaxy's Edge models
Walt Disney Presents new exhibits
Sneak peek of 'Ralph Breaks the Internet' begins Friday at Disney's Hollywood Studios
'The Nutcracker and the Four Realms' preview now playing at Walt Disney Presents
New Mike and Sulley meet and greet coming to Walt Disney Presents
PHOTOS - Walt Disney Presents 'coming soon' models updated
Incredibles 2 sneak peek now playing at Walt Disney Presents
'A Wrinkle in Time' sneak peek begins tomorrow at Disney's Hollywood Studios
PHOTOS - 'Walt Disney Presents' unveils Toy Story Land and Star Wars A Galaxy's Edge models
Sneak Peek of Disney Pixar's 'Coco' coming to 'Walt Disney Presents' at Disney's Hollywood Studios
PHOTOS - One Man's Dream reopens as Walt Disney Presents
Toy Story Land model
Sep 01, 20171 photo
One Man's Dream construction walls
One Man's Dream overview
Fantasyland model
May 15, 20121 photo
Reopening from refurbishment


Brookside Perfect; Uniquely Designed Historic Treasure w/Antebellum Style Front Porch; Coveted Corner Lot; In-ground Pool & Complete Backyard Privacy. Beautifully updated decor with stunning detail, wood floors, chef's kitchen & great flow for entertaining. 2 Bdrms on Main Level w/ add'l office/exercise/pantry/mudroom space between Kitchen & Screened Porch which has additional Fireplace & walks out to saltwater pool. The Owner's Suite encompasses the entire 2nd Floor; a Special Oasis complete w/all your wants.
I was searching for a Property and found this listing (MLS® #2104859). Please send me more information regarding 600 W 61st Street, Kansas City, Missouri, 64113. Thank you!
I'd like to request a showing of 600 W 61st Street, Kansas City, Missouri, 64113 (MLS® #2104859). Thank you!


News Feeds (com_newsfeeds) provides a way to organize and present news feeds.
News feeds are a way that you present information from another site on your site. For example, the joomla.org website has numerous feeds that you can incorporate on your site.
Or a list of all feed categories.


Command-Line Options in Replay Mode lists the command-line options available for esxtop replay mode.
Show all statistics. This option overrides configuration file setups and shows all statistics. The configuration file can be the default ~/.esxtop41rc configuration file or a user-defined configuration file.
Load a user-defined configuration file. If the -c option is not used, the default configuration filename is ~/.esxtop41rc. Create your own configuration file and specify a different filename using the W single-key interactive command.


Hardwood floors welcome you home into a spacious living room with natural sunlight and mantled fireplace. The cozy kitchen is complimented with recessed lighting, tile flooring and granite counter tops. Enjoy the breakfast bar that overlooks the dining area. Master suite boast high ceiling, walk in closet, remodeled bath with glass enclosed shower featuring floor to ceiling travertine and dual shower-heads. Guest suite has private bath and walk in closet. Remote controlled ceiling fans with lighting accent dining room and both bedrooms. 2 car over-sized attached garage with additional storage space.
Lot Size 67,610 sq. ft.
Listing provided courtesy of Cindy Quiroz at Sun Realtors.
2 beds, 2.5 baths, 1,183 sq.ft.
Listed once again as of April 2nd at 8:30am, this home was originally listed on April 1st in 2019. The property is being listed at a price of $420,000 , the same as its original list price. This 2 bedroom, 2 full baths, 1 half bath residence is located on De Soto Avenue, a prime area in .
With a total size of 1,183 square feet, this spacious home comes in at $355.03 per square foot. That's 0.00% lower than the neighborhood average. There are also 2.00 garage spaces available for parking.
Originally built in 1990, this 3-story home sits on a 67,610 square foot lot.
Listing provided courtesy of Frederick Murga at Frederick Ortiz Murga.


Looking for Pilaf? Here is our collection of delicious meal ideas that relate to pilaf.
My Toasted Almond Rice Pilaf has roots in ancient cuisines, but it's vegan and gluten free, so it'll please a modern crowd too!
This Quinoa & Pepper Pilaf recipe is quick, easy, delicious, and healthy! It can be eaten hot or cold and is the perfect side dish any time of year.
Roasted Cauliflower and Barley Pilaf is a beautiful fall-inspired side dish that's perfect with fish, poultry or roasted meats or as a vegetarian main dish.


text:
Q: Page switching algorithm from Nano editor I'm writing Nano like editor in javascript and have problem with calculating cursor position and file offset for display:
I have two variables _rows and settings.verticalMoveOffset (which is default set to 9 like in Nano) when you move cursor in line 20 and there are 19 rows the cursor is offset by verticalMoveOffset.
I work on this few hours and can't figure out how to map file pointer (line) to editor cursor and offset of the file (the line from which it start the view).
Last try was
if (y >= this._rows) {
    var page = Math.floor(y / (this._rows-this._settings.verticalMoveOffset))-1;
    var new_offset = (this._rows - this._settings.verticalMoveOffset) * page;
    if (this._offset !== new_offset) {
        this._view(new_offset);
    }
    cursor_y = y - (this._rows*page) + this._settings.verticalMoveOffset;
} else {
    if (y <= this._rows - this._settings.verticalMoveOffset - 1 &&
        this._offset !== 0) {
        this._pointer.x = x;
        this._pointer.y = y;
        this._view(0);
        cursor_y = y;
    } else if (this._offset !== 0) {
        cursor_y = (y - this._settings.verticalMoveOffset) + 1;
    } else {
        cursor_y = y;
    }
}

It work when I swich from page 1st to page 2nd and back, to 3rd page it switch for 1 line to fast, the cursor_y is -1. I try to put plus or minus 1 in various places when calculating page but it didn't work.
Anybody can help me with this?

A: I found solution (this._offset is set by this._view)
var offset = this._offset + this._rows - cursor_offset;
if (y-this._offset >= this._rows) {
    cursor_y = y - offset;
    if (this._offset !== offset) {
        this._pointer.x = x;
        this._pointer.y = y;
        this._view(offset);
    }
} else if (y-this._offset < 0) {
    var new_offset = this._offset - this._rows + cursor_offset;
    this._pointer.x = x;
    this._pointer.y = y;
    this._view(new_offset);
    cursor_y = y - new_offset;
} else {
    cursor_y = y - offset + cursor_offset + 1;
}

redpajama_set_name: RedPajamaStackExchange


text:
Cherry Glazerr, Palehound playing sold-out show at the Independent
(photo: Pamela Littky) Cherry Glazerr recently put out a new album called Stuffed and Ready (out now via Secretly Canadian), and are playing the Independent with Palehound on March 10. Cherry Glazerr has been touring North America since releasing their album in February, wrapping up the West Coast leg of their tour before heading out to Europe. Stuffed and Ready follows the band's 2017 Secretly Canadian debut, Apocalypstick. The release came with new videos for lead single "Daddi" (directed by Danny Cole), and "Wasted Nun" (directed by Jessica Collins). Stuffed and Ready finds Cherry Glazerr's founding guitarist and vocalist Clementine [...]
By Tim Draut|March 6, 2019|Tags: Cherry Glazerr|
Review + Photos: Cherry Glazerr at The Catalyst
Cherry Glazerr (photo: Kaiya Gordon) Cherry Glazerr is a rock band. They are skilled, and they rock hard. Independent of their youthful fan-base, their sometimes kitschy lyrics, and (well-placed) critiques of the band as a vehicle for white feminism, Cherry Glazerr's unique and energetic approach to punk rock makes for an incredible concert experience. But Cherry Glazerr's talent onstage is often missed, passed over by press people and wary listeners who focus, instead, on superficial aspects of the band. At Santa Cruz's Catalyst Club on February 12, there were no wary listeners. The night started off with Santa Cruz locals, Sundried, [...]
By Kaiya Gordon|February 23, 2017|Tags: Cherry Glazerr|
Ticket Giveaway Wednesday: Cherry Glazerr, Pinback and more
(illustration: Cassidy Miller) To enter for a chance to win tickets to any show below, email contest@thebaybridged.com with the name of the band and the date of the show you're entering in the subject line and your full name in the body of the email. Winners will be selected at random and notified via email. Wednesday, February 8 Mr. Elevator, Sugar Candy Mountain, Midnight Sons @ The Chapel 9pm, $15, all ages. Buy advance tickets here. Friday, February 10 Sex with Eugene @ The Chapel 8pm, $12, 18+. Buy advance tickets here. Friday, February 10 Major Powers and the Lo-Fi [...]
By Jody Amable|February 8, 2017|Tags: Cherry Glazerr, Pinback|
Cherry Glazerr come roaring back with 'Apocalipstick,' play Slim's next year
Cherry Glazerr is gearing up for a colossal 2017 with a new album, label, and sound that leaves behind their slacker-styled indie rock in favor of giant drums, raucous guitars, and anthemic melodies. The band, which began in the LA bedroom of lead singer Clementine Creevy, will be releasing their new album Apocalipstick on January 20 via Secretly Canadian. Since announcing the release, the band has already unleashed two singles — the female solidarity hymn "Told You I'd Be With The Guys" and "Nurse Ratched." The latter was delivered just in time for Halloween with a slasher-inspired video directed by [...]
By Rob Goodman|November 10, 2016|Tags: Cherry Glazerr|
Ticket Giveaway Wednesday: Dengue Fever, Cherry Glazerr and more
To enter for a chance to win tickets to any show below, email contest@thebaybridged.com with the name of the band and the date of the show you're entering in the subject line and your full name in the body of the email. Winners will be selected at random and notified via email. Thursday, June 9 Mirah, Jherek Bischoff @ Swedish American Hall 8pm, $16, all ages. Buy advance tickets here. Friday, June 10 LISS, Coast Modern, DJ Aaron Axelsen @ Rickshaw Stop 9pm, $13, 18+. Buy advance tickets here. Friday, June 10 Dengue Fever, El Duo @ The Chapel 9pm, [...]
By Jody Amable|June 8, 2016|Tags: Cherry Glazerr, Dengue Fever|
Noise Pop 2015: Check out all of our festival coverage!
Jessica Pratt at The Chapel (Photo Credit: Jon Ching) Got any plans for the weekend? If you're like us, you're still recovering from the week that was Noise Pop 2015, and you're not quite ready to wrap your brain another show-filled weekend. Well, if you'd rather stay in this weekend, wear your pajamas around the clock (don't forget Daylight Savings Time starts Saturday night), drink some herbal tea, and go on a Netflix binge, we don't blame you. But, at the very least, you can relive some of the best moments from Noise Pop with this wrap-up of all [...]
By The Bay Bridged|March 6, 2015|Tags: Al Lover, Aria Rostami, Bells Atlas, Best Coast, Briana Marela, CATHEDRALS, Chasms, Cherry Glazerr, Cosmonauts, Couches, Dan Deacon, Daniel Blomquist, Devon Williams, Doe Eye, Dude York, Eleanor Friedberger, Empires, Foxes in Fiction, Geographer, Grouper, Holly Herndon, Icewater, K.Flay, Kaitlyn Aurelia Smith, Mondro Drag, Never Young, Night School, No Joy, Noise Pop, Noise Pop 2015, Owen Pallett, Quaaludes, Screaming Females, Silver Swans, Stalls, The Black Ryder, The New Pornographers, The She's, Travelling Ills, Vaniish, War Cloud, Waterstrider, Wild Eyes|
Noise Pop 2015: Teenaged Cherry Glazerr rocks as hard as the big kids
Photos by Joey Pangilinan Review by Erin Browner Cherry Glazerr is what a teenage girl band should be — small but wild 18-year-old Clementine on lead vocals and guitar, her older boyfriend Sean Redman (resembling teen wolf) plays bass, and fellow senior high school Hannah Uribe on drums (they graduate in May). The band formed shortly after Clementine released a few bedroom pop recordings under the name Clembutt when she was 15. Burger Records approached her, she formed Cherry Glazerr, and now the band has a huge following of all ages singing along to songs about pizza monsters and crushes [...]
By The Bay Bridged|March 2, 2015|Tags: Cherry Glazerr, Noise Pop, Noise Pop 2015|
Noise Pop Festival announces first bands for 2015, badges and tickets on sale this week
Our friends at Noise Pop announced the first batch of bands playing the 2015 edition of their iconic San Francisco indie music festival, and they're off to a great start. The lineup so far features a host of local Bay Bridged favorites (Giraffage, Cathedrals, Six Organs of Admittance, Tony Molina) as well as artists from far-and-wide (Caribou, Dan Deacon, Slow Magic, Surfer Blood). Early Bird festival badges are $125 and go on sale for TODAY at 11am PST – once those are gone, Regular Badges will go on sale for $150. Badges give you access to all general admission shows. [...]
By Jason Shane|November 20, 2014|Tags: Caribou, CATHEDRALS, Cherry Glazerr, Craft Spells, Dan Deacon, Giraffage, Jessica Pratt, No Joy, Noise Pop, Noise Pop 2015, Six Organs of Admittance, Slow Magic, Spazzkid, Surfer Blood, The Black Ryder, The Church, Tony Molina|
Ticket Giveaway Wednesday: King Khan, Fuck Buttons, & more
King Khan & The Shrines (Photo by Jon Ching) To enter for a chance to win tickets to any show below, email contest@thebaybridged.com with the name of the band and the date of the show you're entering for in the subject line and your full name in the body of the email. Winners will be selected at random and notified via email. Thursday, June 26th Cherry Glazerr, Meat Market, Big Tits, Never Young, Joel Jerome @ Slims 8pm, $12, all ages. Buy advance tickets here. Friday, June 27th Fuck Buttons, Total Life @ The Independent 2 pairs available 9pm, $20, [...]
By Jody Amable|June 25, 2014|Tags: Big Tits, Cherry Glazerr, Fuck Buttons, Gavin Turek, Gene Washington and the Ironsides, Joel Jerome, King Khan, King Khan & the Shrines, Lee Fields & The Expressions, Meat Market, Never Young, Red Mass, The Whip DJs, Total Life|
Cherry Glazerr headlining Professional Fans showcase at Slim's
Photo: Jordan Millington Professional Fans are back on the live music scene with their 19th showcase, welcoming Cherry Glazerr, Meat Market, Big Tits, Never Young, and Joel Jerome to Slim's on Thursday, June 26. https://soundcloud.com/cherryglazerr/haxel-princess Cherry Glazerr is the young LA three-piece lead by guitarist Clementine Creevy with bassist Sean Redman and drummer Hannah Uribe. After teaming up with Lucy Miyaki of LA's Tashaki Miyaki and engineer Joel Jerome, the band released its first tape collection--Papa Cremp--on Burger Records, followed by the Haxel Princess 12-inch LP. With songs like "Grilled Cheese" and "Pizza Monster", Cherry Glazerr will certainly be serving [...]
By Tim Draut|June 24, 2014|Tags: Big Tits, Cherry Glazerr, Joel Jerome, Meat Market, Never Young|


text:
LSU Can't Quite Get #1 Kentucky in 71-69 Thriller
Chris Evans Published: February 10, 2015
In front of packed and raucous crowd at the P-Mac, the LSU Tigers narrowly lost to the #1 Kentucky Wildcats 71-69 in a game that came down to the brink.
LSU started strong and led early 14-6, controlling most of the first half before getting to half-time with Kentucky leading 38-34. LSU played strong defense late in the game and came back from an 8 point deficit to lead the game 69-66 in the final minutes. The top ranked Wildcats would score the games final five points and stun the sold out crowd in Baton Rouge.
LSU was led in scoring by Jarell Martin who had his 10th double-double of the season with 21 points and 11 rebounds. Keith Hornsby added 17 points and Jordan Mickey contributed 16 points, seven rebounds, and four blocks.
Kentucky was led by Willie Caulie-Stein's 15 points. Four of Kentucky's players finished with double-doubles including freshman Karl-Anthony Towns who totaled 13 rebounds and 12 points.
It was a relatively star-studded crowd for the Pete Maravich Assembly Center attended by New Orleans Pelicans star, and former UK baller, Anthony Davis. Les Miles also took in the sights from down near the court.
LSU will prepare for Saturday's contest with Tennessee, the first of two straight road games.
Courtesy LSU SID: HEAD COACH JOHNNY JONES Press Appearance following the game
Opening Statement …
"I thought our guys did a great job of coming out tonight. I thought our crowd did a great job of energizing us and getting us off to a great start; (going ahead) 10-2. Then, Kentucky, being the team that they are and how they have battled all year long, did a great job of composing themselves. They made a run of their own and got back into the game. I thought throughout the first half, our guys did a tremendous job of playing tough offensively. They were really gritty on the defensive end to get the stops while battling a tough basketball team. In the second half, Kentucky did a great job of coming out…they made a run. I thought our guys withstood that effort. They did a tremendous job of having a certain intensity level to fight back and regain the lead against a tough team down the stretch with about three or four minutes left in the game. We put ourselves in the position to possibly win a basketball game. I thought Kentucky did a great job of getting on the offensive glass late, which was what they needed. They got some timely offensive rebounds. Kentucky made some plays down there, which I thought eventually hurt us. They did a good job on the defensive end of getting stops, playing big with no driving lanes and getting the turnovers they needed there late in the game. I thought we had a shot there late to win it (with Keith Hornsby's three-point attempt). We had a look at it. Unfortunately, it didn't go down. I am really proud of our guys for the effort that they gave tonight."
Filed Under: kentucky, LSU Basketball
Father Issues Apology after Boarding School Bus, Threatening Students for Bullying His Daughter
Symbol of Hope 'Jim' Travels to Kentucky with BBQ Pit, Supplies for Victims of Terrible Tornadoes
Kentucky High School Under Investigation After Shocking Photos of Assembly were Posted to Social Media
University of Kentucky Football Player Was Born With Six Fingers [VIDEO]
Louisiana Woman Finds Old Painting of 'Herself' in Kentucky Flea Market [Pic]
Pistol Pete Maravich's College Basketball Mixtape [Video]
LSU Announces COVID Guidelines for Basketball Games
Shaq Says Mahmoud Adul-Rauf Best LSU Basketball Player Ever [VIDEO]
LSU Basketball To Train This August In Spain


text:
What happens if Chelsea win Champions League 2021? How final affects qualification and Premier League top four
Chelsea and Liverpool are currently in the top four but Leicester will be hoping to overhaul them on the final day
Chelsea could win the Champions League and finish outside the top four (Photo: AP)
By Michael Hincks
May 23, 2021 11:21 am(Updated 5:33 pm)
Manchester City have long been confirmed as Premier League champions, but there is still plenty to decide in terms of qualification for the Champions League.
Manchester United's recent defeats to Leicester and Liverpool, coupled with Chelsea's loss to Arsenal, means the top-four race is set to go the distance.
United will be thankful they have already sealed a place in the Champions League, but the calculators are now out to work out who could join them and City.
Chelsea also have a Champions League final against City in the diary, and so that has left people asking how a second European Cup for the Blues could affect qualification for the Uefa competitions next term…
Roberto Firmino finally comes good on the night Man Utd learned how bad their defence is without Harry Maguire
What if Chelsea win Champions League and finish fifth?
Back in 2011-12, Tottenham finished fourth in the Premier League but missed out on reaching the Champions League as Chelsea won the European competition despite finishing sixth domestically.
However, Leicester and Liverpool – the teams who could still finish fourth ahead of Chelsea – need not worry this time around as the rules have since changed.
Were Chelsea to finish fifth and win the Champions League, that would not affect the team who finish fourth from qualifying for the competition.
The only scenario where fourth would have missed out was if Chelsea won the Champions League, Arsenal won the Europa League and both clubs finished outside the top four. Arsenal's semi-final loss to Villarreal means that is no longer possible.
All four or five English clubs will enter the Champions League group stages, with Premier League champions City and current runners-up United both confirming their places in next season's premier European tournament.
Champions League permutations
Leicester and Chelsea had appeared best placed to both finish in the top four, but the fact these two sides met on Tuesday night at Stamford Bridge – just days after their FA Cup final meeting – has given clubs below them a golden chance.
Chelsea's 2-1 revenge victory over the Foxes has shot them up to third in the table with Brendan Rodgers' men now desperate for results elsewhere to go their way.
Key fixtures
4pm on Sunday 23 May:
Aston Villa vs Chelsea
Leicester vs Tottenham
Liverpool vs Crystal Palace
Liverpool's wins over West Brom and Burnley mean they have overtaken Leicester in the race for Champions League qualification.
Jurgen Klopp's men could even finish third should they beat Crystal Palace and Chelsea drop points against Aston Villa on the final day. That scenario – a draw or defeat for the Blues at Villa Park – would also leave the door ajar for Leicester who could then qualify for the Champions League if they beat Tottenham.
Chelsea could still qualify for next season's Champions League if they finish fifth and then beat Manchester City in this year's final – but that will not prevent whoever finishes in fourth from doing so.
How goal difference could decide top four for Liverpool
Current goal difference: Chelsea +23, Liverpool +24, Leicester +20
There are a few scenarios where Liverpool could reach or miss out on the Champions League based on the goal difference in the table.
If Liverpool win their final game, they will finish on 69 points. Leicester would do likewise if they beat Tottenham, but the Foxes would need to beat Spurs by at least five goals in order to have a better goal difference.
While Leicester trail in terms of goal difference heading into the final day, both teams have currently scored 66 goals so the Foxes would pip Liverpool to Champions League qualification if they win big and end up matching the Reds' goal difference.
Chelsea and Liverpool could also finish on 67 points apiece. Again goal difference would be crucial if that came to fruition.
Alisson goal: 'If Olivier Giroud scored that we would be saying it was world class'
West Ham's top four hopes dashed
Benrahma's goal wasn't enough to give West Ham victory over Brighton (Photo: PA)
West Ham's draw with Brighton at the weekend put them almost certainly out of contention for Champions League qualification – with Chelsea's win over Leicester the final nail in the coffin.
The Hammers' only hope would have been overhauling Chelsea and Liverpool and finishing fourth had both team lost their final two games. They cannot mathematically catch Leicester, who currently sit in fourth.
Can Everton or Spurs reach top four?
Tottenham: Leicester (A) 23 May
Everton: Man City (A) 23 May
Everton's shock defeat to Sheffield United means they can no longer qualify for next season's Champions League, and Tottenham's hopes were also dashed by Chelsea's victory over Leicester.
Spurs sit in seventh heading into the final game of the season and can no longer catch Chelsea, Liverpool or Leicester.
More on the Premier League
'I want Burnley to be the UK's favourite underdog'
Deeney: 'Middle-class white people are outraged about racism now – that's what stokes change'
The making of Everton's versatile defender whose rise surprised even his own manager
Hall: Martial is running out of chances to prove he is part of the future at Man Utd
The Czech 'warriors' who rose from obscurity to fire West Ham into European contention


A HINGLISH show where comedians will be performing BAREFOOT literally. Witness the best local talents from the Bangalore circuit do their old and new jokes. The anecdotes and life stories will make you ROFL. The lineup boasts of 8 experienced and fresh talents and will be hosted by Ketan Giri. A great kick start to your weekend with some delicious food.


text:
> Alan Davies: As Yet Untitled
> Alan Davies: As Yet Untitled - Jon Ronson on Robbie Williams and UFOs
Alan Davies: As Yet Untitled
Alan Davies: As Yet Untitled - Jon Ronson on Robbie Williams and UFOs
Alan Davies: As Yet Untitled - Episode One clip - Jon Ronson talks Robbie Williams and UFOs. Watch Alan Davies: As Yet Untitled weeknights from Mon 16 June at 10pm on Dave.
Alan Davies: As Yet Untitled - Andrew Maxwell on Area 51
Alan Davies: As Yet Untitled - Andrew Maxwell on sneaking into Area 51
Alan Davies: As Yet Untitled - Alan Davies Interview
Alan Davies explains why his new show is different to anything else he's ever worked on.
More on the show
As Yet Untitled is coming back to Dave for a fifth series on February 21st.
10 chat shows that broke the rules
We take a look at the TV programmes that tore up the rulebook


You can find definition of downs below. Words can have several meanings depending on the context. Their meaning may vary depending on where they are used. Please choose approriate definition according to part of speech and context. We have found 11 different definitions of downs. downs is a 5 letter word. It starts with d and ends with s.
You can find list of words that starts with downs.
You can find list of words that ending in downs.


text:
Man arrested for Penn Station threat
Compiled from wire reports The Spokesman-Review
New York A man was arraigned Monday on charges stemming from a bomb scare that emptied busy Pennsylvania Station and disrupted service on Amtrak, commuter trains and city subways for about an hour.
Another bomb scare emptied several buildings in Brooklyn and shut down a subway station, and armed officers halted a sightseeing bus and searched its tourist passengers.
Raul Claudio, described by prosecutors as having a prior conviction for drug dealing, was arraigned Monday on charges of making terrorist threats and falsely reporting an incident for the bomb scare at Pennsylvania Station. Each count carries a sentence of up to seven years in prison. Bail was set at $15,000.
Claudio, 43, was arrested in the station Sunday after he allegedly threw a backpack at an Amtrak agent and said it was a bomb, said Marissa Baldeo, a spokeswoman for NYC Transit.
Bush taps GOP ally for EU ambassador
Washington President Bush on Monday chose C. Boyden Gray, a former White House counsel who has been steering a group formed to push the president's Supreme Court nominee, to be the U.S. ambassador to the European Union.
The Senate must confirm Gray's nomination to represent the United States in Brussels at the headquarters of the 25-member European Union. Now a partner in a prominent law firm, Gray was White House counsel to former President George H.W. Bush and a Supreme Court clerk to former Chief Justice Earl Warren.
Recently, he has been founder and chairman of Committee for Justice, an influential conservative group formed to counter organizations on the left in the battle over Supreme Court nominees. The group was formed three years ago at the request of Sen. Trent Lott of Mississippi, then the majority leader, and the urging of Bush's top political adviser, Karl Rove.
Mom pleads guilty to teen sex parties
Golden, Colo. A woman who told police she wanted to be a "cool mom" pleaded guilty to sexual assault charges Monday for having sex with high school boys at parties where authorities said she supplied drugs and alcohol.
Silvia Johnson, 40, pleaded guilty to two misdemeanor counts of sexual assault and nine felony counts of contributing to the delinquency of a minor. As part of a plea agreement, prosecutors dropped two counts of distribution of methamphetamine.
"She described herself as a 'cool mom,' " Detective R.J. Vander Veen wrote in the affidavit. He said Johnson told investigators "she was never popular with classmates in high school and now began 'feeling like one of the group.' "
Prosecutors did not recommend a sentence, but each sexual assault count carries up to two years in prison, and each count of contributing to the delinquency of a minor carries up to six years, district attorney's spokeswoman Pam Russell said.
Courthouse monument to victims to be moved
Lubbock, Texas County commissioners voted unanimously Monday to remove a victims' monument that was recently placed near a courthouse entryway, a memorial that defense attorneys said could prejudice jurors.
The black granite monument, funded with a federal grant to a regional victims group, depicts a quote attributed to Benjamin Franklin: "Justice will not be served until those who are unaffected are as outraged as those who are."
The Lubbock Criminal Defense Lawyers Association criticized placement of the memorial, about 30 yards from the front entrance.
WSU student who died in dorm room over the weekend identified
Eastern Washington Bobcat tests positive for avian influenza
Specialized procedure: Seattle patient travels to Spokane for robotic heart surgery at Sacred Heart
When a lifelong heart condition became worse, Donny Jones, who lives near Seattle, knew by last June that he'd be heading to Spokane.


What you need to wear summer's coolest shade.
Wearing white needn't be tricky. Here's how to stay cool this summer, in all white everything.
When the mercury rises, all you need is a simple white shift dress. Just add pointed flats and you're ready to go.
A whimsical skirt is a must. Wear with converse and a loose cotton t-shirt for dressed down cool.
When it gets too hot to function, you need a simple cotton halter neck dress.
Let your back breathe, your body will thank you.
If it's not swelteringly hot or you have a need for sleeves opt for loose white lace.
Cropped white trousers are the definition of french riviera dressing. Add a ballet pump and striped Breton top for the full Gallic effect.
The LWD (loose white dress) is the sister of the LBD (little black dress) It's white, brighter and it's all you need in summer.
A tailored vest is the perfect item if you need to look smart. Remember, you'll only roast in a shirt.
A white pleated midi skirt is demure but floaty and cool. Just add lace up Ghillie sandals and a simple vest top.
A floaty peasant smock will keep you cool in the heat, we love this crisp off the shoulder number work with cropped denim jeans.
If head-to-toe white is no good, freshen up weary toes with a white slip on sandal.


text:
Applied Fiction: Fiction Applied- A Must See Show
Soren Pors and Aparna Rao met at the Interactive Design Institute Ivrea, Italy in 2002. It was electro-mechanics at first sight. In 2004, they started working together. And 'Applied Fiction' is the result of their combined creative efforts and now it is in the form of a solo show at the Vadehra Art Gallery, New Delhi.
They are known as Pors and Rao. It could be Rao and Pors, for hardcore feminists. Seen from whichever angle, this duo excels many other duos in the contemporary art scene thanks to their sheer understanding of form, fiction and mechanics. Consider all those conceptual, experimental and interactive works happening around, most of them fail to function thanks to the heavy loads of intellectualism placed on those tender motors. When you see Applied Fiction, you will forget all those burdens and you smile because you connect with the works in different levels; physically, intellectually and above all emotionally.
(Applied Fiction, installation view at Vadehra)
As an art critic, I don't have any qualification to understand mechanics. But I can differentiate between mechanics applied for the sake of mechanics and mechanics applied for creating a fiction. Applied Fiction is mechanics applied to all those fictions that we have come across during our life time, especially during our childhood. When childhood experiences are converted into a art with a heightened sensibility and sensitivity, that becomes capable enough to transcend the spiritual level of the human beings, if not the basic physical pleasures.
Applied Fiction, as I understand is all about applied fiction. Is there any problem in that? Here material and mechanics are brought into a single unit so that the artists could speak to the audience through them. We grow up listening to various stories, reading several of them and seeing various types of mechanics developing around us. We are at once attached and detached to such mechanics and stories. When they are brought together, that particular moment of unity becomes a moment of revelation. Pors and Rao help us as viewers to understand the simple dynamics of the world of fiction and mechanics through images, objects, words and puns.
(Decoy)
'Decoy' reminds you of the Vodafone zoo zoos. It is a rounded object with two hands and a pipette-like head. There are no hagiographic suggestions to make us think that it represents a cartoonish human form. Despite this no-emphasis on human form, when it moves as you cross the sensor, you feel a lot of love for that object. The very animation of the object makes it quite humane and a sort of love that we feel for children fills in our mind and in the process we become children. And with no verbal suggestions, we start playing with it thereby turning the work into a really interactive object.
(Pygmies)
This interactive quality is visible in all the other works in this solo at Vadehra. Take 'Pygmies' for example. There are eight rectangle and square frames on the wall that remind you of Malevich and Mondrian for no reason. But you forget all your art history the moment you move and accidentally stamp on the floor. The small black metal appendages with two white dots on them to suggest a face placed along the four sides of all these rectangles and squares just jump down as they hear the noise. Then they slowly come up as if to ogle at you. Then the play starts; you stamp on the floor, they hide behind the frames, then they come up and you play again. You almost forget that you are playing with a mechanical object.
(Drifter)
Look at 'Drifter'. This is a universal form of human body. Using simple lines you can make a man like this. In India such forms are once used to connote a 'sahib', which means a white ruler because white rulers used to wear hats. So it is a fiction for an Indian; if Soren does not know it, Arpana knows. As she knows it, both of them know it. Now we have this man, this sahib standing upside down and moving on his head, but he never falls down. Does that mean that the colonial imports and inputs are still around though they are inverted and drifted like this? I am reading too much into it but it gives me a lot of pleasure to see and read the Drifter like this.
(Sun Shadow)
Sun Shadow is another work that makes you smile. You feel so much love, sympathy and affection for that sun, who is otherwise fierce and eye-piercing. Here you see a clumsily made shadow of a sun fallen on the floor. The moment you come around it, it attempts to climb on the wall. It at once connotes the movement of the sun's shadow/ movement of light from wall to floor and floor to wall and our childhood feeling for light and its movements. In fact there is a stronger inversion of logic in this pun-filled work. Sun does not cast its own shadow. However, when we see the Sun Shadow at Vadehra we think about sun's shadow without questioning it even for a moment. The sun becomes an animated character, almost helpless and cute. The artists create a new linguistic structure in order to topple the existing ones; application of fiction over the logical realities.
(Teddy Universe)
'Teddy Universe' works on the basic concepts and images that the words evoke. Teddy is teddy bear and universe is universe. And when you look up, hanging from the ceiling is an enlarged black Teddy with small little pores all over his body. From inside this teddy form is lit up and you suddenly tend to see the teddy as sky and a constellation in itself. You think about various constellations and think of the bear forms in it. Pors and Rao tell us that it is important go back to that state of mind that a child carries when he lies on the lap of his mother and wistfully looks at the darkening sky at night and at his mother's face lit up by the lamp.
(Split Knife)
Split Knife is rather a less attractive work in the whole show as we have seen similar works elsewhere. One end of a knife comes out of one pedestal and the other end goes in and the movement continues. This is an illusion created out of simple mechanics and the feeling of continuity of an object as we see two edges of it moving in a synchronized fashion, is something that the artists invest their energies on. Though it did not appeal me too much, as it is a part of the whole, one could still see this work with same wonderment.
Applied Fiction is about linguistics and fiction. It also speaks of fictitious linguistics and linguistic fiction. This says, it is not this, this is not it. But it is what it is and this is what this is. This this-ness of this and non-this-ness of this make this project interesting and appealing. And above all the works take you to a plane that all art aspire to take you; to pure bliss, Ananada.
Posted by JohnyML at 8:26 AM 1 comment:
Archiving Against All Odds: A Case study
Brain cells that store memories die, decay or collapse. Hard drives that store digital memories 'crash'. Remembering and retrieving are the remedies to regain memories and hard drive storages. We no longer remember the phone numbers of our closest friends. External memories carry them for us. Memory/brain used to be an archive. Albums and scrap books used to do the same. Libraries carried vast amount of memories. But a library could be unpacked and re-installed elsewhere if it is not burnt down. Today, archive is dead and is reincarnated in the forms of digital storages. Archiving used to be a strategy to deflect the State's wrath on citizens. Archiving used to be a way of the State to remember its own past.
(North Malabar Thiyya Marriage Videos and Pictures, a project by Janaki Abraham)
Today, archive is a part of our collective nostalgia. When curators attempt to showcase the idea of archives through the works of art, artists attempt to make new archives for re-living the idea of archives. For Marcel Proust, T.S.Eliot, Baudelaire and Walter Benjamin, archiving was a political act from the micro levels. For them archiving was not the production of a spectacle. Instead they collected their memories in codes. Encryption was necessity and strategy. But today artists in India, when asked to think about archiving, produce spectacles. Archiving has become a forced act; a collective act and a funded act. But anything that evokes certain nostalgic moments is to be appreciated. It could be the foot wears collected from different countries, it could be the digitizing a personal collection of catalogues or even it could be a make-shift spectacular library.
(A display from Janaki Abraham's project)
However, in such projects, the presence of contemporary 'artists' become more important than the actual idea behind curating. Janaki Abraham, who has extensively archived the VHS tapes of the marriage videos of a particular caste group in Northern Kerala, Abul Azad who has extensively photographed the artists, musicians and social activists in India, Ram Rahman who has registered the pivotal movements and moments of a 'secular' post-modern India are no longer seen in such archival projects. Instead, we see artists by fluke presenting their works. A documentary maker like Amar Kanwar is treated as an archiving artist. Raqs Media Collective, which actually is a research organization, is forced to make a 'work of art' than presenting its own archiving activities.
(Amar Kanwar- a Visual Artist by default)
(Archived by Market Success- Researchers turned artists- Raqs Media Collective)
When a curator thinks of doing a spectacular show, it happens. Abhishek Hazra, whose projects are often incoherent for those non-enlightened people like me, has done one project with the archives of a major Kolkatan Library. I remember it has something to do with the writings of the scientist Jagishchandra Bose and in a project where he could have been fit into, does not even consider him. Some curators force the artists into the concept and one could see the results in such shows.
(A still from History is a Silent Film by K.M.Madhusudhanan)
Against this context I would like to see one particular installation of Shankar Natarajan done in a show at BMB Gallery, Mumbai. This is installation of made of more than thousand photographs taken by the artist himself. A post graduate in art criticism and a self-trained photographer, Shankar Natarajan turned his creative energies towards documenting artists' works for their shows. By 2006, with the art market boom, Shankar became one of the most sought after photographer in Mumbai who specialized in taking the photographs of the art works both in and out of display. Galleries started commissioning him to travel with the artists and shows all over the world to do the documentation.
(Shankar Natarajan's project at Gallery BMB, Mumbai)
When Shankar was invited to participate in show at the BMB Gallery, he decided to open up his archives from his hard disk. These thousand photographs show the works of most of the Indian contemporary artists and interestingly thanks to the proliferation of information technology and cataloguing most of the images are familiar to the diligent art viewers. However, when the photographer, claims these images as 'his' works, they assume the character of archival materials. According to the artist, it is a kind of revoking the memories; memories of a time and fervent activities of artist during this time. This work is also a way of externalizing a personal memory by negotiating images between their status as the result of visual registrations and as the residual of such registrations.
(Another view of Shankar Natarajan's project)
Shankar himself disputes the uniqueness of the component images in his installations because of these images are seen elsewhere in other formats. However, once conceptually mediated as an installation on a gallery wall, these memories/images achieve a sort of uniqueness, which is capable enough to debate the core issue of memory, artificial memory, storage devices, copyright and above all the personal attachment to the product and the waste/sub-product. Interestingly, in Shankar's project, residual images play a pivotal role as he himself accepts that the number of pictures that made their way into the installation is many times less than the number of pictures that remain in his computer/hard disk.
(Installation view of Shankar Natarajan's Work)
The archival intensity of this installation becomes intense as the artist/critic/photographer/documenter/archivist himself feels that there these photographs together creates a different meaning by registering the peculiar qualities/aesthetic productions of a given time. "At a very basic level , by displaying over a 1000 photos I shifted the focus from individual images of artworks used by indivudals and institutions for a specific purpose to something like an overview of what was produced in a particular period : 2006-2010," Shankar says.
(shankar Natarajan)
Unfortunately, the curators who devote their time to debate the issues of archiving go behind the usual suspects. I wonder how Amar Kanwar is treated as an artist and K.M.Madhusudhanan who has extensively worked with the history of photography and theatre (History is a Silent Film and Maya Bazar) is not. Ten years of research seems to have gone waste when it comes to curatorial practice.
Yes, all these while I was talking about 'Against All Odds' curated by Arshiya Lokhandwala at the Lalit Kala Akademy, New Delhi. This show has a sub-title: A Contemporary Response to the Historiography of Archiving, Collecting and Museums in India.' I could not see anything about historiography in this show. Nor could I see anything on Museum debate.
Posted by JohnyML at 12:51 PM 1 comment:
I Fall on the Bed of Humor and Weep
Oscar Wilde once said, when two women meet a third one's character is assassinated.
I am going Wild here: When a woman gallerist curates a show, character of the artists whom she curates gets assassinated.
That's what exactly happens in 'Of Humor, Wit and Satire' curated by Tunty Chauhan, director of the Threshold Gallery, New Delhi.
'Of Humor, Wit and Satire' sounds quite Baconian, right? Francis Bacon of the 16th century, not our painter Bacon.
Tunty Chauhan curates this show because she assumes that all these artists and works featured in this show could evoke laughter, if not sublime smile, amongst the audience. But the show as a whole fails to do so. Why? Let me explain.
Amit Ambalal, K.G.Subramanyan, Arpita Singh, Rabnbir Kaleka, Atul Dodiya, Bhupen Khakar, Manjunath Kamath, Dhurvi Acharya, N.S.Harsha, Dilip Ranade, Prithvipal Ladi and Ved Gupta are the featured artists.
(Oh Pankhi Pyare bole by Amit Ambalal)
Ambalal, K.G.Subramanyan and Arpita Singh do not belong to the humor category because they are existential in their approach. Their satire is built on irony and contradiction of realities. Grinning figures do not evoke laughter. Bhupen Khakar's witticism comes from his satirical approach to the middle class values. Obviously, when it is a curated project, one need to strategically show why Bhupen Khakar or Amit Ambalal is there along with Dhruvi Acharya or Dilip Ranade or N.S.Harsha.
(Classified by Arpita Singh)
(Pranayam by K.G.Subramanyan)
Humor and satire are the two most refined entities of violence. You can spill blood by making someone blush, said Levinas. And this metaphorical blood is the result of the critique by humor. This show fails to spill this blood.
I have never seen humor or satire in N.S.Harsha's works. Of late, exactly since the 'Looking Glass' show at Religare Arts, Harsha has been showing a sort of dark irony, which is more inclined to political critique than a personal approach towards in general, in his works. In Harsha's works at the Threshold show too I am not able to find any humor or satire than a folk sense of phlegmatic irony resulting from the helplessness of the village folks.
(Gajar by N.S.Harsha)
Dhruvi Acharya is surrealistic than witty. Dilip Ranade makes the viewer smile for a moment, which only after a second gets translated into a frown. Interestingly, had these works been in some other show they would have been appreciated for their artistic worth.
(Work by Dhruvi Acharya)
(Work by Dilip Ranade)
Disparate images, when forced to share the same platform should evoke laughter as often in the case of Manjunath Kamath. He is successful in doing so even in this show. He creates a stack of utensils tied to each other and placed on a horse which has rollers under its hoofs. Nothing is stable there; there is an immanent sense of collapse there.
(Glocal Play by Manjunath Kamath)
But I don't understand why Ranbir's work is brought in as a humorous, witty and satirical piece? If that is the case, we can read Communist Manifesto and laugh our heart out. May be this is the time to do so. We have started taking our cheque books out when we hear the word 'Culture and Art'. Ranbir's work is a pretty serious take on art and art history. If Ladi's sculptures could make me laugh, instead of feeling those shudders that they evoke along my spine as if I were witnessing an apocalyptical vision, I will give one edition of 'Very Hungry God' to Tunty as a gift.
(Lion and Milk Bowl by Ranbir Kaleka)
(Prized Catch by Prithvipal Singh Ladi)
Two works that really make you smile are 'Anarkali and 72 Idiots' by Atul Dodiya and 'Laugh till We Die' by Ved Gupta. In Anarkali….Atul selects seventy two portraits of Indian artists taken by Bose Krishnamachari and presented in his 'De-curating' show and interpolates them with moustaches, horns, dentures and so on. These 72 idiots (actually they are not) are ogling at Anarkali who sits in a different frame. Someone told me that it is Tunty Chauhan's portrait. This work justifies the title of the show.
(Anarkali and 72 Idiots by Atul Dodiya)
Ved Gupta forces your lips part because you see the same stocky figures doing nothing but laughing. It is very difficult not to laugh when you see some one getting orgasmic heights of laughter. Same thing happens when artists with pedestrian ideas and pedestrian style appear before you in the garb of intellectuals.
(Laugh till We Die by Ved Gupta)
A few lessons for women (men too) gallerists who attempt to curate shows:
1) Curating is not just about presenting a set of works with a theme and a title.
2) Curator should come forward with a curatorial note and that should be guiding the viewer.
3) A decent display does not mean a well curated show. When an artist from history is presented along with young contemporaries, there should be a different display strategy so that they 'physically' engage between each other and produce new meanings within the gallery space.
4) Having said that, one should not over depend on an exhibition designer. Most of the designed/er shows are remembered for design only; artists and their works are not remembered.
5) Traveling across the world and attending a few art fairs do not give the authority to curate.
6) Even attending lectures at India Art Summit and waiting in queues to see the spectacular marathon interviews at Lodhi Garden also would not help to become a curator.
7) Never call a group show, a curated show. Leave group shows as group shows.
8) Scholars are also like gallerists. They fall for the charm of the time. For example, when Yasodhara Dalmia curated 'Indian Subway' for Vadehra Gallery, she arrayed Shibu Natesan to Sudhanshu Sutar in this show. In fact, it was just a group show with mid-career contemporaries and could have been organized by Bhooma Padmanabhan of FICA or Vidya Sivadas of Vadehra or even simple phone calls to artists by Roshini Vadehra. But when a curator is involved he/she should bring in a different expertise. Yasodhara Dalmia 'lent' her name to the show not her expertise.
9) Be humble and always tell yourself (at least when you look at mirror that I am sure you do ten times a day) that you don't know much about ART though you know a lot about market and the wares that you deal with. Chanting it ten times a day will prevent many curatorial projects from taking shape.
10) Respect trained curators.
I like Tunty Chauhan as a person and she is a friend. So just before leaving the gallery I thought of plucking a feather out of Ambalal's painting and tickling myself, only to do justice to my friend.
Posted by JohnyML at 11:48 AM 4 comments:
Flavored and Dotted Condoms: Take on Art Magazine 4
Sign – Take on Art Magazine issue 4
Signifier- The Oeuvre of the artists
Signified- I too am there with you
Signification- We are like that only.
Confused. Close your eyes. Then touch the cover page of the latest Take on Art Magazine. No, grope it with your finger tips. Now you got it. Yes, you touch Tukral and Tagra's painting. It is wonderful to touch a painting with no security people around.
And touching a dotted condom is also very pleasurable; for both the parties. The image that you grope over is the image of a dotted condom with added pleasure of aesthetics. The cover page of the latest Take on Art Magazine has an embossed image from Tukral and Tagra's famous 'Put it On' project.
And, Take on Art Magazine jointly edited by Bhavna Kakar and artist Sophie Ernst is a visual as well as cerebral treat. Go and grab it. Don't grab the beautiful girls at the counter. Then the Magazine could turn out to be injurious to health. It is not good to have art, which is injurious to health.
As usual I read the magazine from back to front, a process that I enjoy very much. In a candid conversation between Sudarshan Shetty and Ina Puri, the artist tells the readers that he is a middle class man and remains to be one. Hence, he does not use intricate technology; but he does use them and make the viewer feel that they see some technology in it. Veeranganakumari Solanki chats up with Nalini Malani. When Malani speaks you get the meaning of her otherwise complicated works. I like when she says that in India Feminism is not a finished project though many young women artists think so.
In her Phantom Lady column Pushpamala writes about Donkeys in Indian art keeping Umesh Madanahalli's collaborative performance with donkeys and art students as a referent. Very interesting reading. She may also read my blog posted on 3rd October 2008 in the following link where I write about 'Donkeys in/and Indian Contemporary Art':
http://johnyml.blogspot.com/2008/10/donkeys-inand-indian-contemporary-art.html
Sunil Mehra rips off the Indian curatorial practice in his essay titled 'Curator-Cure Thyself'. I want to add, 'frailty thy name is curator'. Just joking. In my column I deal with ARTinficial Insemination Syndrom, which means the artists who heavily use assistants and keep the truth behind the curtains. Have a look.
Then comes the oeuvre section. T.V.Santhosh's is like a Haiku poem; short and simple. Anoop Mathew Thomas' is captivating with its series of visuals. Saranath Banerjee….I come from a land of great satirists. It is very difficult to make me laugh. Subodh Gupta, the usual stuff. Jitish Kallat, scholarly as ever. Dayanita Singh, haunted by Orhan Pamuk's museum thoughts. Yes, I should mention Pors and Rao and Pooja Iranna.
Rashmi Kaleka seems to be getting her due finally. But I wonder why when she did her actual video work and exhibited in the Scratch show curated by Swapan Seth for Sakshi Gallery, she featured the hawkers' 'aawaaz' (calls) along with the visuals from the Old Delhi. If I am wrong I will apologize to her personally. Why in New Delhi are there no hawkers? Was it an effort to make the video exotic?
Ranbir Kaleka is sophisticated in his words and deeds. The article by Lucien Harris on Tukral and Tagra is informative. In fact, after the IAS 3, I have started looking at their works with a new interest.
There is an interesting but ideological coalescing of scholarship and branding in the pages devoted for Riyas Komu. He is presented as the editor of a newspaper selectively published and discreetly circulated. In this Komu speaks of the people deprived of social facilities. But the article is written by Radhika Desai, a scholar in architecture and urbanology. The pages are designed in such a way that the piece almost sounds like written by the artist himself. I am not convinced of his newspaper because it is propagandist and it came along with a high society magazine called Platform. If Common Wealth Games and the corruption around it had triggered this artist's love for the deprived people, I would demand him to expose the corruptions in the art scene, like Hans Haacke. Also, I would ask him to do a survey of the lands and properties bought by the artists during the boom time and after and enquire whether such deals have deprived any people of their dwelling spaces, shitting spaces and playing grounds. Let's play. Political ambiguity of the artist cannot be covered with red coated signs and an article by Mani Shankar Aiyar.
We as cultural critics or art critics are too knowledgeable people. We cannot see anything with innocent eyes. Is that a problem? I don't know. Anyway, when I look at Take on Art Magazine issue, I could see the editor's eagerness to be with the latest and the trendiest. She wants to highlight the flavors of the season.
Anyway, as a magazine this edition of Take on Art is very successful. And I recommend the art professionals to go for it; if not for intellectual pleasure, at least for tasting the latest flavors.
Posted by JohnyML at 8:54 AM 2 comments:
A Bit More from the Art Summit
Generally you don't feel good when you stand in a queue. But here at Pragati Maidan, where the India Art Summit (IAS) is currently on you stand in a queue and you feel a lot good about it. Why so? You have heard of stories of queues before the European and American Museums where the works of great masters are exhibited. Now in Delhi you experience it. Long winding queues created by the enthusiastic art lovers from all over the world made today a different day for the IAS.
I should have taken photographs of these queues. But I was enjoying the feeling of being in a queue for art. "There should be more and more art fairs like this in India," I told my friends later. They too have the same opinion. People queuing up to see art is a symptom of social change; for good. The government authorities should notice this and promote art in all the possible avenues.
Metro is doing that. Soon you will see contemporary works of art adorning the metro stations.
I like Atul Dodiya's works in the Summit. They lampoon the very purpose of the Summit, but with sensitivity and sensibility. Dodiya uses small statements and popular and kitsch imageries to develop a dialogue between the viewer and the intended meaning of the work of art. 'Those who have sinned in their previous birth go into art fairs', 'Lets go to Borivili to taste some Malayali grapes' and so on are the statements that pep up Dodiya's works.
And if fair is all about money and market, this work at the Lakeeren stall suffices this attitude. I don't know who the artist is.
I clicked some very sensitive works by Shilpa Gupta and Juul Krajer.
Some interesting sculptural works by friends. Nantu Behari's tooth pick sculpture; the jack fruit. Megha Joshi's winged safety pins. Yogesh Mahida's steel sculpture. Puneet's steel wool work and Chitrovaanu Mazumdar's installation.
The best in the show could be 'the Beautiful Game' by Tukral and Tagra. Their foundation, the Foundation Tukral and Tagra, works towards spreading awareness about AIDS amongst the people, especially those young people who have time and source to be sexually aggressive and active. It is all about wearing condoms. You are supposed to play billiards game and if you win you get a pair of slippers with instructions on using condom printed graphically on it. The stall is covered by wall paper with flower prints. The comparison between billiards and sex is interesting; the foreplay, the intercourse and the orgasm. However, T&T does not talk about the existential detachment immediately after sex. May be in another project they would do it, I hope.
Worst works in the Summit:
There are many. However I would name one: Who will shave her Pubic Hair by T.Venkanna at the Maskara Gallery Stall.
Is it for shocking the audience? Or is it for titillating? Somebody tell these lonesome cowboys to sit up and think.
Posted by JohnyML at 7:16 PM 3 comments:
About Marathons- A quote from Paul O'Neill
(Hans Ulrich Obrist)
(Anil Ambani at Marathon Running)
The notable increase in curatorial educational projects has also strangely articulated the moment of educative learning as an authored curated space of knowledge production. this is really problematic for me and an example is the 24 hours interview marathon project of the curator Hans Ulrich Obrist. Obrist is a curator I admire greatly, but how the project is mediated suggests a kind of spectacularisation of the discourse as a public medium and an ownership of the frames of discursive productioin which I dont agree with. That is enormously different from say Free Copenhagen University, Paraeducation, 16 Beaver, Unitednationsplaza, Manifest 6 exhibition as school, Proto academy and so forth, projects that all emerged out of the initiator's immediate context and functioned as saemi-contained counter -public spaces.
--Paul O'Neill, Bristol based Researcher and Curator. Source oncurating.org
From a dossier circulated at one of the FICA Reading Room Projects.
India Art Summit3: Aaam Aadmi's Day In
India Art Summit Edition 3, 2011 (IAS). Welcome to the mother of all art fairs in India. Today, as far as the art scene in India is concerned all roads lead to Pragati Maidan, the permanent venue for all the national and international industrial exhibitions in Delhi. Art has not got industrial status yet. There are moves towards it. So wait for that. But there would be a problem. If you go by the old Marxian theories (ahem…we don't want critics from the age of Dinosaurs), in any industry, there would be machines and alienated workers. Guess who would be the alienated workers in such a scenario.
Eighty four galleries and five hundred works of art. If you are healthy enough you can see all in one day. Even if someone would see all those exhibits in one go, I am sure he/she would come back on the next day not to absorb aesthetics but to absorb the ambience. You may be critical about the kind of art here, but you will be really proud of your 'Delhi', according to Girish Shahane, a place that 'sucks' all other metros dry. Hello Girish…good to see you here.
Winter and art. Delhi looks like any European city. To make it completely European, the government should disperse the population as in the ironical expression of Gigi Scaria in his work titled 'Keep Delhi Clean'. Don't look for it. It is not here in the IAS. Instead, a giant wheel constructed out of urban architectural motifs would welcome you right after the gate. Kudos to Gigi Scaria. This time luckily you don't have too many imitators.
Young policemen behave extremely well. Only the private security personals will question you. The IAS makes every one very special. Each person inside and outside the Hall Number 18 at Pragati Maidan looks as if he/she is very important and is expected to play a very significant role in the art scene. Thank you IAS for making us feel responsible and good.
Last year Subodh Gupta's masked figures welcomed you at the Sculpture park along with Iranna's Dead Donkey, K.S.Radhakrishnan's Selkit, Vibha's Heaving Architecture and Jeff Gupta's Ved Koon avatar..err sorry Ved Gupta's Jeff Koon avatar. Hi Ved, you look smart in your retro hair do. But please remove those goggles once in a while to show your eyes to the public. At the Threshold Stall your painting sucks extremely. But your sculptures raise interest.
This year Subodh Gupta is predictable with his vessels filled rickshaw, though Nature Morte has a special solo booth for him. Mansoor Ali's Dance of Democracy is special only because it is big. Akshay Rathode, have you seen Rimzon's Far Away from Hundred and Eight Feet installation? If not please see it. Anjum Singh, why do you do forced installations? Adip Dutta, your cage made out of industrial steel wool does not surprise me. Graffiti filled Nano. Anybody heard about Ratan Tata and Narendra Modi? No inter-textual and intra-textual and sub-textual readings please…you sucking critic.
At Gallery 320, New Delhi's stall I saw this sculpture. A suitcase with a Take on Art's paper bag on it. I looked for the artist's name. But soon I realized that it was kept there by some visitor. In IAS you will feel like looking for art in anything and everything.
I saw this Husain hidden behind a cabin under a layer of Souza's drawings. SAHMAT people, don't worry, Husain is 'adequately' represented this year.
Thank you Geetika Goel of the Delhi Art Gallery and Kanika of the Gallery Espace for giving me passes to ferry in the pass-less art students from Kerala. I had approached the IAS authorities to spare a few passes for those students. At the help desk none was there to help me. Finally one girl came who said she was 'helpless' as the pass distributing authority was someone else. Initially I thought of flashing my personal card to prove that I was some one in the art field. Then the years behind me (42 in total) prompted me to ask myself this question: Who are you, after all, an art critic?
The best that I noticed for the day: Gigi Scaria, Vivek Vilasini, Hans Op de Beeck, Sudarshan Shetty, Manjunath Kamath, Prajakta Potnis, Pors and Rao, Tukral and Tagra, G.R.Iranna (he strikes back with his paintings, Karl Antao and.. I will tell you tomorrow.
(The observations are purely personal. Poor quality photographs are by me)
Flavored and Dotted Condoms: Take on Art Magazine ...
All Art is Contemporary Art- Really?
Mild Terrors of Altered Objects
Malini Chib and Khushwant Singh: You Changed Me


Today, June 23rd, 2016, starting at 5:00 am, the El Dorado County Sheriff's Office Search and Rescue Team and the El Dorado County Sheriff's Office Dive Team conducted another extensive search for 15 year old Joshua Joo in the area of the Cosumnes River Gorge, taking advantage of improved conditions, as the high water conditions teams had been experiencing over the past weeks had dramatically declined over the past 24 hours, exposing more areas to search in the river.
At 10:40 am, divers located the body of Joshua Joo in an area that previously was unsearchable due to high water.
The El Dorado County Sheriff's Office extends our condolences to the Joo family and asks that you respect their privacy in this time of sorrow and grief.


Love is a drug. That's why. It's both wonderful and horrible at the same time.
perhaps you have not open yourself up enough to meet people who are more like yourself… there are a lot of people out there who are providing very well from themselves, have a lucrative career and think like you… i for one could not agree more with the point when people break my schedule… i enjoy my bliss when i finish work, and home to my wonderful 2000 sq ft condo, with no one in sight, a glass of wine, my vintage jazz records playing on my antique record player… however, i have met someone who knows me well enough and not disrupt my life n the way i do things but instead, complements my lifestyle and enjoy the things we like to do "together"… think of it as an upgrade, and not changing an OS platform… if it is "right" it should not be so "difficult" right?
This article was me through and through… I have been single now for almost eleven years. When I was 21, I met this guy who I thought would be the love of my life. He was in relationship when we met and I respected that so I would never accept his invites to hookup. He eventually moved to another state after him and his lover broke up and we lost touch with one another. When I was 24 about to turn 25 my best friend saw him in a club in Memphis and to fast forward we started dating and I eventually moved to Memphis. All was good for three years and then he cheated and I was devastated. I moved out and met someone else and he was murdered six months later… All of these things actually made me and my ex become the best of friends.. Now I want a relationship as I approach 40 this summer, but a part of me is still in love with my ex and I need to just let it go….
Such beautiful and at the same time a sad story, hope you will find someone who will truly love you for who you are. From brazil with love.
I will always have hope, no matter what, some people say that we are here for a reason and I truely believe it, I know that it is being so hard to find someone to fulfill my needs and be with me forever, maybe that is what I am doing wrong, trying to fix someone to my own terms. I learned I now I want to reset my life with a new mind, intended to create a new path full of joy and hope.
My whole life always was filled with anger and hatred and I realized that it was to heavy to bear, and now I stick with love cause it is soft and beautiful and I can take it with me, where ever I go.
Very interesting post! One that very easily could have been written by me, who by the way is a heterosexual female! I too look at many of my friends who jump from one relationship to another because they too feel they are nothing unless they are with "someone". Me, I prefer to be with the "right" someone though like you it is taking many, many years to meet him…if he is even out there. We, human beings, are all so very much alike that I fail to understand why we should differentiate between gay and straight. Again your post is me almost 100%. The only difference? I absolutely will not get a cat!
I couldn't have said it better…either you're spying on me or we're exactly the same.
LOL…no not spying. But yes you see a young gay guy and and old straight lady can be pretty darn similar. Which is sort of why i have always wondered why the heck there are so many damn labels on people! and hey good luck to you.
Thank you so much for this post, it is exactly where my mindset is at, at the current moment! Wow, could not have said it better myself. I can definitely say that being independent and comfortable as a "social loner" is unique in many ways. Most people, from what I've seen, need to be surrounded by other people at all times, whether they are friends or the other person they are in a relationship with..
I was, and am maybe still convinced, that finding Mr. Right is an idealized concept that may never present itself in that way. To clarify what I mean, recently I have been going on numerous dates to simply have fun and find out who is out there in the world and he may be right in front of me..but with all these dates and men, none of them fit my idealized "soulmate" perfectly, and there is always some room for compromise to find out who people truly are, embracing their differences from ourselves. Like yourself, most of my connections have been short and never progressing to the stage of an actual relationship. As much as I would adore being in a relationship, part of me feels like it's best to enjoy my "me" time and spend time on dates every now and then, to learn things about myself.


text:
The Promise of Divine Mercy Sunday
The first Sunday after Easter is Divine Mercy Sunday, a day on which Our Lord promised that the floodgates of His mercy would be opened to sinners. This day is a wonderful opportunity for the faithful to open themselves to God's abundant mercy.
"The Octave of Easter is a special eight days between Easter Sunday and the following Sunday, which is Divine Mercy Sunday. And those are the most sacred eight days of the entire liturgical year," says Fr. Chris Alar, Director of the Association of Marian Helpers.
The message of Divine Mercy that God gave to mankind is as easy to remember as A-B-C. "Ask for God's mercy, be merciful to each other, and completely trust in God's mercy," says Fr. Alar. God shared this message with us throughout human history, but we were not listening. In the 1930s, Our Lord appeared to a nun in Poland, "and he basically said, that's it. You, Saint Faustina, will prepare the world for my final coming."
"He first appears to her and says, I want you to paint an image … it's the image with Jesus in the robe raising His right hand with the rays coming from the heart of the blood and the water. Then He told her, I want a feast … on the Sunday after Easter," says Fr. Alar. "And [God] said, 'this feast is to be about my mercy. The world has forgotten it. And He gave her five new channels of grace that we now call the Devotion of Divine Mercy.'" The Devotion consists of the following five parts: Feast of Divine Mercy, Image of Divine Mercy, Novena of Divine Mercy, Chaplet of Divine Mercy, and Hour of Divine Mercy.
"People forget that we are forgiven of our sins in the confessional, but most likely, the punishment remains, and that punishment could be really rough," says Fr. Alar. The Lord promises that on the Feast of Divine Mercy, if you go to confession and receive Holy Communion, you will be forgiven of your sins and all punishment for those sins is wiped away. "Never will your soul be cleaner than it is on that day, other than your original baptism."
Jesus, I trust in you!
Join Drew Mariani and Fr. Rocky at 3pm CT on April 19 for a special LIVE Divine Mercy celebration, sponsored by the Shrine of Christ's Passion in St. John, Indiana. Beginning with exposition of the Blessed Sacrament, Drew will offer prayers and reflections on the message and power of Divine Mercy, followed by the praying of the Divine Mercy Chaplet with the opportunity to call in with your prayer intentions. Watch or listen on your local Relevant Radio® station, at relevantradio.com, on your smart speaker, or on the app!
The Chaplet of Divine Mercy is prayed LIVE each weekday at 3pm CT on The Drew Mariani Show on Relevant Radio®.
Previous: The Beauty and Power of Divine Mercy
Next:Pandemic brings families together in prayer


text:
GMC C1500	Husky Liners	Parts
Automotive Stuff offers the best selection of GMC C1500 Husky Liners parts on the market.
Shop by GMC C1500 Husky Liners Years
GMC C1500	Husky Liners
GMC C1500
GMC is a division of the legendary American automobile manufacturer General Motors (GM). Nowadays, GMC has leading positions in producing high grade pickup and commercial trucks, buses, vans, military vehicles and SUVs. One of the most awesome pickup trucks, offered by GMC, is the C1500 model. This model is a part of the GMC's C/K series. C/K is a series of full-size pickup trucks with more than 50 years history. GMC C/K series vehicles were manufactured in four generations.
The first generation (1960–1966) featured a completely new body style of light pick-up trucks. The first C/K models were available with a new designation system, independent front suspension and a drop-center ladder frame. The second generation started in 1967. It came with a new body sheet metal construction for more durability. This generation was also equipped with a coil spring trailing arm rear suspension, a three-speed manual transmission and two engine options.
The third generation (1973–1988) came with an entirely new design, with completely different cab style, rounded-lines for more aerodynamics, and longer wheelbase. Superior fuel efficiency and safety were provided as well. The fourth generation was launched in 1988 and was built on the GMT400/480 platform. This final generation was available in three trim levels and featured independent front suspension. However, the C/K series was discontinued in 2002.
If you're looking for GMC C1500 Accessories and Parts, look nowhere but TDotPeformance.ca. We carry the very best in GMC C1500 parts and accessories to ensure that your car is performing at the highest level at all times.
Husky X-Act Contour Floor Liners
Husky WeatherBeater Floor Liners
Husky MOGO Luxury Floor Liners
Husky Classic Style Floor Liners
Husky Heavy Duty Floor Mats
Husky WeatherBeater Cargo Liners
Husky Classic Style Cargo Liners
Husky MOGO Luxury Cargo Liners
Husky Custom Molded Mud Guards


The sentence/phrase "In God we trust" has become a discussion topic between me and my friend and I would like to ask here if you can help.
I think it simply means WE TRUST IN GOD. But my friend insists that the order and usage of words "God" and "We" changes the meaning to WE TRUST IN OUR GOD, which somehow gives a meaning that speaker is emphasizing their own God, not the God we all know.
Could you please help us and give a clear meaning of this phrase?


Among cardiac fatalities, coronary artery disease, an enlarged heart, increased wall thickness and prior heart attack were strong, independent predictors of death in this study.
Firefighters face many dangers, but the greatest risk is from a cardiac event in individuals who have underlying cardiovascular disease.
DALLAS, TX--Firefighters who died from cardiac arrest were much more likely than those who died of other causes to show signs of both atherosclerotic and hypertensive heart disease at autopsy, according to new research in Journal of the American Heart Association, the Open Access Journal of the American Heart Association/American Stroke Association.
Among firefighters, more job-related deaths stem from cardiac arrest than from any other cause. To understand which heart diseases affect firefighters who die of cardiac arrest, this study looked at autopsy reports for firefighters who had died in the line of duty. Results showed that the most common diseases were narrowed arteries, or coronary artery disease, and structural abnormalities. These abnormalities included an enlarged heart (cardiomegaly) and increased wall thickness (hypertrophy) of the heart's primary chamber for pumping blood, or left ventricle.
In terms of specific risks, narrowing of the arteries, enlarged heart and prior heart attack all were all independently associated with a greatly increased likelihood of death from cardiac arrest than firefighters who died of other causes. Similarly, firefighters who had a prior heart attack were 6 times more likely to have a duty-related death. an enlarged heart or a prior heart attack.
The researchers looked at autopsy records for U.S. male firefighters who died on duty between 1999 and 2014. Of 627 total deaths, 276 resulted from cardiac arrest and 351 from trauma. At the time of death, the firefighters were between 18 and 65 years old.
In the United States, approximately 1 in 7 people will die of sudden cardiac arrest. The life-threatening condition occurs when the heart's electrical system stops working properly. Symptoms include unresponsiveness and gasping for air or not breathing. Immediate medical treatment is critical, including CPR and calling 9-1-1.
Cardiac arrest differs from a heart attack, which occurs when a blockage prevents blood flow to the heart, although heart attack and other heart conditions can cause cardiac arrest. Since cardiac arrest often is the first sign of underlying heart disease, screening and treatment for common heart diseases are critical.
Several limitations could have affected the study's results. Among these limitations were differences in autopsy descriptions of heart disease, the use of a cut-off weight for an enlarged heart, and lack of information about other risk factors such as smoking and high blood pressure.


text:
#region Usings

using System;
using Xunit;

#endregion

namespace Extend.Testing
{
    public partial class Int16ExTest
    {
        [Fact]
        public void MayTest()
        {
            var expected = new DateTime( 2000, 5, 10 );
            var actual = Int16Ex.May( 10, 2000 );
            Assert.Equal( expected, actual );
        }
    }
}


We hate to break it to you..
Ozzy Osbourne which was due to take place Wednesday the 30th of January 2019 in the 3Arena Dublin has been postponed.
All original tickets will remain valid for new date.
Nobody likes it when events are postponed. It's no fun for us, and it's definitely no fun for you. Unfortunately, these things do happen.
That's all for now , but if anything else comes up we'll be in touch!


UPDATE: Coach Gary Patterson announced during his Big 12 teleconference that Turpin has been indefinitely suspended.
What a difference 48 hours can make. On Saturday, TCU star receiver KaVontae Turpin was gashing the Sooner's defense and special teams, but on Sunday, his situation was a bit different.
News broke early Monday that Turpin had been arrested over the weekend for assault with bodily injury of a family member. The alleged assault occurred on Sunday, and Turpin has since been released from jail on bond.
The details of what led to the alleged assault are not known, but TCU has released a statement saying they are aware of the situation.
TCU fans, take in this kick return from Saturday, because it may be the last time you see Turpin on the field for awhile. Currently, Turpin is the Frog's second leading receiver with 29 receptions for 410 yards and three receiving touchdowns.


Another glorious example of black opal echoing Australia's beautiful and unique landscapes. With its whirlpools and swirls of white claystone, dark potch, brilliant blues, amazing aqua, gold green, gold and orange, this captivating piece of opal channels the scenery of the Kimberley region (WA, Australia) during the king tides.
This specimen is suitable as a display piece, or could be set (with or without further shaping / carving) as a pendant piece.


text:
Collegiate Church Notre-Dame de l'Assomption
DescriptionUseful information
The Collegiate Church of Notre-Dame de l'Assomption in Romont is a magnificent Gothic monument. It contains treasures of stone, iron and glass.
The first church, consecrated in the 13th century, burnt down a century or so later. Only the right lateral nave escaped the flames. Work was carried out in the 14th and 15th centuries to rebuild and embellish it.
The local molasse stone was used for the building work but only the bell tower, in beach rock, still contains its original stones. The collegiate church is dedicated to the Virgin Mary.
The church's stained-glass windows tell a story. On the right, historical windows illustrate the New Testament; in the chapel adjacent to the choir are an Annunciation and an Assumption by Agnus Drapeir (1460). The Dormition of the Virgin Mary window comes from Berbig's workshop (late 19th century). Next to it is a work by Henri Broillet (1917) illustrating the devotion of the people of Romont to the Virgin Mary. The high windows of the nave are home to a series of colourful apostles by Alexandre Cingria (1938). Finally, on the left, Sergio de Castro's prophets completed this series in 1980.
Twelve stalls (15th century) face one another. The backs depict prophets – with supposedly oriental shoes and hairstyles – and apostles, with halos and bare feet. The bronze tabernacle by Remo Rossi (1955) represents the Virgin Mary, surrounded by two angels playing musical instruments. The contemporary liturgical furnishings were designed by Madeline Diener in 1996.
The chapel to the right of the entrance has been adorned since 1968 with three stained-glass windows by the artist Yoki, a native of Romont, illustrating the life of the Virgin Mary. The statue of Our Lady was cut from a single block of molasse in the late 13th century.
Here we can observe various styles, decorations, nave heights, pillar shapes, capital sculptures and tracery. In the right side aisle, not two windows are the same. Years of work explain these contrasts.
Guided tours on request:
www.romontregion.ch