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Some Essentials is providing Santa Clarita access to high-quality personal care products. Some Essentials uses all-natural and cruelty-free ingredients to leave your skin healthy and your mind at peace. Support Santa Clarita business and achieve healthier skin with Some Essentials.
They offers a wide range of products from hard lotion bars, all-natural deodorant, skin creams, sunscreen, lip balms, soaps, and more.
One of their signature products is the hard lotion bar. Resembling a bar of soap, the hard lotion bar uses your own body heat to heat the bar into a liquid lotion which can then be used to moisturize the skin. These bars come in various sizes, from large bars suitable to be used at home, to small bars that make for a convenient item to travel with.
Deodorant is one of the signature products offered by Some Essentials. The deodorant is vegan friendly, and utilizes bentonite clay instead of irritating baking soda to draw out toxins, and uses essential oils such as tea tree and lavender oils to help keep you feeling fresh and clean. The classic deodorant ships in a jar, but there is also a twist-up option for added convenience and familiarity. The switch from a big-brand deodorant to an all-natural deodorant can have a detox period that can last a few days to a few weeks, but if you stick it out then you will be thankful how much better an all-natural product feels.
Some Essentials believes in using the best ingredients, and publishes everything they put into their products. As with an personal product, different people react differently to different products. Some Essentials encourages customers to research and experiment their various products to find the right fit.
If you can think of a skin care product then Some Essentials probably has it. If you are in need of soap, sunscreen, or anything else then check out Some Essentials to see if they have what is right for you. Try out a sample pack to find out the best products for your own individual needs.
There is free shipping on all orders within the United States, which of course includes Santa Clarita, and international shipping is offered based on weight. All shipments are sent through USPS First Class mail and takes 1-2 days to leave the Some Essentials warehouse.


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Orchamus (mythologie), een figuur uit de Griekse mythologie
 Orchamus (geslacht), een geslacht van rechtvleugeligen

redpajama_set_name: RedPajamaWikipedia


So...you've got the grades. You've landed that killer internship. Your recommendations are solid. So what's the problem? There are several thousand college students and recent graduates in the Triangle *just like you* and all of you are applying to the same graduate schools and/or competing for the same jobs.
Want a chance to stand out from the pack and put the odds in your favor? Come to the CommUnion 2002 Academic Conference, sponsored by Dept. of Communication, CHASS, and Lambda Pi Eta. Submit a paper or project that you've completed to CommUnion by March 15 and present it at our conference on April 1. Participation is something that you can put on your resume or CV. It also shows dedication to your field!
The CommUnion planning committee announced today that the submission deadline for the conference has been extended to Friday, March 22 at 5pm. Interested students now have the chance to use the break to finalize their projects and papers, and to work on their presentations.


text:
Good Music Guide
FILTER Mexico
CULTURE COLLIDE
FILTER AT SXSW 2013
LISTEN: Rocking out to The Strokes' Newest Track "All The Time"
LISTEN: Everything Comes Together With Painted Palms' "Click"
On The Road With The Antlers (Courtesy of The Antlers Instagram)
LOOK: Teengirl Fantasy Streaming Special Valentine's Day Show
LISTEN: Toro Y Moi's "Say That" Gets A DaM-FunK "Re-freak"
LISTEN: The Postal Service Lead Us With "A Tattered Line Of String"
FESTIVAL WATCH: Bonnaroo Announces A Date For Announcing The 2013 Lineup
TOUR WATCH: Nick Cave And The Bad Seeds Add More Dates
FESTIVAL WATCH: The Great Escape Announces First Acts For 2013 Including UMO And The Allah-Las
LISTEN: !!! (Chk Chk Chk) Releases Groovy, Dancable Track "Slyd"; Announces More Tour Dates
WATCH: Fall In Love With Jim James' Video For "A New Life"
WATCH: The Rouge Finds Magic Cardboard With The Video For "Cocaine Hero" (FILTER Premiere)
LISTEN: Gold Fields "Dark Again" Remixed By Penguin Prison (FILTER Exclusive)
LISTEN: Thee Oh Sees Give Us What We've Been Waiting For With "Minotaur"
LISTEN: Kurt Vile Has Us "Wakin On A Pretty Day" With New Track And Album Details
FREE DOWNLOAD: "FILTER Magazine Presents: Milo Turns 50" Full Descendents Covers Album
LISTEN: The Kavanaghs Ring In The Holidays With New Double-Sided Christmas Single
WATCH: Milo Greene Discuss The Band's Prolific Beginnings On CBS News
FILTER 50: Milo Turns 50: Descendents Grow Up, Whether They Want To Or Not
FILTER's Top 10 of 2012: Staff Picks
MP3: FIDLAR Covers "Suburban Home" For FILTER's Descendents Covers Album (FILTER EXCLUSIVE)
FILTER 50: Getting to Know: Macklemore & Ryan Lewis
FILTER Magazine's Top 25 Reviewed Records (and Reissues) of 2012
WATCH: Beach House Releases Dark, Gritty New "Wild" Video
FILTER 50: "Milo Turns 50: Descendents Grow Up, Whether They Want To Or Not" Out Now!
FILTER 50: "Milo Turns 50: Descendents Grow Up, Whether They Want To Or Not" Out 11/16!
LOOK: The World's (Not) Going To End. Here's Your FILTER Apocalypse Playlist!
Q&A: Everything Taddy Porter Touches Turns To Gold: Under The Influence Of Optimism And '60s Jams
FILTER Will Take Over The World…Starting With Rainey Street For SXSW (Courtesy of FILTER Tumblr)
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On stands November 16, 2012
MILO TURNS 50: DESCENDENTS GROW UP, WHETHER THEY WANT TO OR NOT
THRALL OF SOUND: AN ELEMENTAL CONVERSATION WITH BJÖRK
TALIB KWELI: THE LONG EMBRACE
I SEE A DARKNESS: THE HISTORY OF
Q&A: Liz Phair, Part 2
By Scott Deckman on November 10, 2010
To catch-up, check out Part 1 of our Liz Phair interview.
In a continuation of a three-part interview, Liz Phair opens up about her time on a major label while at Capitol, a turn towards pop songwriting and the negative reaction against it, as well as what it was like to go back home for Matador at 21.
Did the mediocre responses to Whip-Smart and Whitechocolatespaceegg push you into the pop direction you've worked in since?
No, the pop direction was totally about being on Capitol Records with no Matador. Like, Matador left the building and I got stuck there. Andy Slater was hired, and I thought, "Well, shit, he's pretty cool," so if there were ever a time to play ball, here I am, alone. I'd never signed to a major. I never wanted to be on a major in my life! I've always had that pop sensibility, but the full-on Matrix stuff, was really because I was on a major.
Did you really want to do the Matrix stuff?
Well, they're really awesome people and I did really enjoy it because what I do is I find people I really like and I make something with them. So, really, if you told me that Mike Ditka wants to make music, I literally would fly to Chicago and be like, "OK, let's see what that sounds like." To me, making music is about the expression of your inner musicality coming out on tape. I don't have what other people have—"I'm part of this group, and this is who my friends are, and we're not like you." I'm not like that, never have been. In fact, Guyville is all about me hating people like that.
I'm guessing the backlash you experienced in the aftermath of Guyville and the successive records didn't really touch how the indie cognoscenti let you have it after Liz Phair came out. Pitchfork gave you a 0 out of 10. How did you handle that?
[Laughs] It wasn't as bad as you think. My touring situation, my fans, and all the things we got to do were some of the most exciting experiences I've ever had in music. It was mitigated by what I was living, what I was getting to do and be a part of. I learned so much, I'm such a sucker for getting new skills. I love learning new stuff. Nothing gives me a bigger thrill than that. So I was having a pretty damn good time.
But I would have to take 10 interviews in a row where people were emotionally upset with me, and I didn't know how to take it. After interview number eight, where they're like, "I think this is such a sellout, I think you've really sold everything that you ever stood for and I think that you've just completely turned your back on everything that made us like you in the first place"… It would really wear me down.
Well to be honest, I didn't like it, but that doesn't mean you sold out. You just did something different.
I have the luxury to know who I am and why I do things. I think I got a little emotional about it, like there was no reason to hate me as a person. If you don't like the record, listen to Spoon [laughs]. You know what I mean—there are plenty of records for you. There's no need to freak out about what I'm doing. Just don't buy it, don't pay attention to it.
At 43, have you come to just write these people off and make the music you want to make?
I don't write people off, I really want them to come with me. The olive branch is still here, I'm still sticking it out. I didn't get defensive when I was doing Liz Phair and they were bashing me. I really didn't—go back, look at my interviews. I actually felt like I was doing therapy on them. I would meet an interviewer and I'd try to calm them down. I'm always there; my true spirit is: let's make music!
If you wanna know the great secret to me, it's that I love making music. Music is with me 24/7. The world could use some more music. Let's just all keep doing that. I cannot try to make people feel one way or the other anymore. All I can do is just keep going for my passion.
You played Matador at 21 and I read you announced from the stage that you were having one of your legendary bouts of stage fright. How was that?
Once I booked that gig—I had like a month and half after I booked that—I booked this other tour. I started waking up in the middle of the night. I went from a deep sleep into a cold sweat, and it plagued me for a month before I went out.
Why did you have the cold sweats?
I freak out getting up in front of people. I freak out and once I start doing it, I'm ready to go 'cause I've done it my whole life. Once I get used to it, then I really enjoy it and I realize not to be scared. It's really fun, I'm good at it. It's good. There's this on/off switch for me 'cause I'm a private person, essentially. I'm this totally happy little nesting creature that writes and plays. When I realize I have to go be public again, I feel like I'm going in front of the firing squad or something. It's just a whole different me.
It's like playing sports. When you get up there and you're at bat. It's scary, but what's the worst thing that can happen?
Nothing, really because I've been doing this for almost 20 years and by the time I've got six shows under my belt, I feel really comfortable out there. If the power goes off I can carry a show no matter what happens, I think. Bottles being thrown at you… That would not be good.
How was the reception in Las Vegas?
I was so overwhelmed by how nice everyone was to me. I was there the whole weekend, I was there to see the music, just like they were. I just wandered around. I think there was this perception 'cause, like you said, those were the same people that have been upset with me. "Oh, she's Miss Bang, she's all Hollywood, she's all produced." I'm here to tell you, it is a deep misconception about me. I think they were expecting me to roll in with a posse, and I was like flippin' around with my flip-flops and my little book bag. I'm going to see the shows, just like everybody and I've always been like that—nothing has changed. I'm exactly the same person that I always was. I think for them to be able to just see me and feel that energy, it was like we all hugged it out. Everyone came up to me like, "I love your music, thank you for coming." I was overwhelmed by how much love people gave me. F
Stay tuned for Part 3 of our interview with Liz Phair, appearing on FILTERmagazine.com on 11/12.
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Discover hidden features of other software with XWinSpector. It works like Spy++ but has many other features!
Automatic shut down, reboot or logoff of Windows at specified intervals. You can set shutdown, reboot or logoff action to occur at a specified date and time or after a certain number of hours, minutes and seconds.


I've seen a few out there like Bandzoogle and Hostbaby, but was wondering what you guys use!
You don't need a website. Websites were cool in the 90s, for a brief period. Just get your social media thing going. Facebook, Twitter, Instagram, Soundcloud, Snapchat.
Imran500 wrote: I've seen a few out there like Bandzoogle and Hostbaby, but was wondering what you guys use!
Hostbaby at the moment ,but thinking about a revamp.
I have done my own in the past but that was before the likes of Soundcloud.
I am a Developer and I can easily create a website ... but to be honest the 100+ hours (or maybe 500 if you want it to look any good) would be better spent composing and recording.
Social media is the way to get a presence now. Make sure you have consistent naming and branding across all social media you decide to use. There are plenty of guides online about how to use each one effectively. One thing they all say is post often and give/share. So plan to spend 30 minutes or so per day engaging on your social profiles. Also maybe once every week/2 weeks spend a bit more time creating video/photo content about what you are up to.
Producer/Mixer/composer Gear: Logic Pro X on a 2013 MacBookPro 16Gb Ram. External 4Tb drive. RND 5060, 2 x Apollo 8, Audient ASP880, Adam A7X monitors, Avantones, way too few mics.
Dublin studio build starting May 2017!
Social media (and "working it" effectively and consistently) is probably the most important, and the most beneficial in promotional and connection terms.
If you're serious about a brand identity, and want something to last longer term, then a domain and website is something that's pretty permanent and belongs to you, no matter what happens in the ever changing social space.
So - the ideal method is to utilise all the various social avenues to cast a wide net to bring people in, connect and communicate, and funnel them to your website (and have useful, unique content when they get there and to keep them coming back).
But only bother if you're serious about investing into this, because for casual things, probably the effort to design, build and maintain a website and have it be something more than just a manifesto, pointless few pics, soundclips and gig dates is not worth it and it's not going to do much for you.
That was important when people actually used to type in full URLs in. With the integrated search / address bar, people don't anymore. You just type the name. If one of your social sites dies or fades away, it will also fade away in your google results.
Keeping up a specialised website takes time and money and adds very little to your visibility online in 2016. It is more important to build up a good following on your social media and get as much engagement as possible.
johnny h wrote: If one of your social sites dies or fades away, it will also fade away in your google results.
That's exactly what I mean. You may not want to be a position where all your content and engagement is on something that "dies or fades away". As always, "it depends" on your content and your aims.
johnny h wrote: Keeping up a specialised website takes time and money and adds very little to your visibility online in 2016. It is more important to build up a good following on your social media and get as much engagement as possible.
Which is exactly what I said above. I didn't say that having your own website increases visibility - it doesn't, use social media for that. Use your website if you want to build something permanent and not risk having things fade away - but *only* if you can dedicate the effort into doing it well, and funnel social media engagement to you in a useful (to both you, and your fans) way - which isn't trivial, really.
To continue the social media / website discussion your website should be the most important part of your marketing. Use your social channels to generate awareness, engage an audience etc but the end game is ALWAYS to funnel them to your website to get them to sign up to your mailing list which is fan/customer data that YOU own.
In some respects you have to treat social media as a pay to play environment, in order to reach your fans you have to pay and whoever runs the platform can (and will) change the rules to suit them rather than you, see the current timeline change of Instagram as a current reminder of that. Oh and Google + going arse up quite recently, there's another.
To get back on the original topic, Bandzoogle looks quite good doesn't it.
Although I agree with a lot which has been said, social media is the more important thing these days, I still feel it's important to have your own domain name and website if only for the sake of appearance. I've always said the best way to appear professional is act professional, which is why I still keep our website going but keep it simple. It consists of two pages "news" and "gigs", the news page pulls all it's info from a tumblr account so is easy to update and both pages have links to all our social media. I honestly don't think it has to be difficult to maintain a website, just keep it to what you actually need instead of over dressing it.
I do believe website are important otherwise your favourite bands wouldn't bother with them.
Websites are as cool as the visitor perceives them to be, decent ones move with the times and I think it's safe to say they're here for the foreseeable future. For less than £70 a year, why wouldn't you take the opportunity to create and furnish your own headquarters on the internet?
Just be wary of Wix - I've had a couple of muso clients who've immediately regretted signing up for their paid package - it's essentially bloatware. I've got one client on Bandzoogle - it seems okay but he still comes to me on a regular basis for copy, content and imagery.
Use your social channels to generate awareness, engage an audience etc but the end game is ALWAYS to funnel them to your website to get them to sign up to your mailing list which is fan/customer data that YOU own.
Yep. I've been a developer for 15 years now and using 'funnel' tactics has always been the preferred approach. Social media is just that - it's not a professional, targeted podium for your material, more of a free-for-all scrum. Ideally you'd set up your social media identities in tandem with a website, but as others have rightly said, social media is transient by nature and its visibility and impact is largely out of your control.
Another popular option is using Wordpress as the back-end - there's a wealth of media plugins and other goodies to enhance your site, most of them free.
Whether it applies to you or not, many artists (esp. composers) need the ability to showcase their works catalogue, scores, performances and schedules without the clutter and noise associated with Facebook etc.
A website should be your home on the internet. The horse's mouth.
Temp wrote: Websites are as cool as the visitor perceives them to be, decent ones move with the times and I think it's safe to say they're here for the foreseeable future. For less than £70 a year, why wouldn't you take the opportunity to create and furnish your own headquarters on the internet?
I haven't looked at Wix.com since it launched and I helped supervise while my daughter built her own site.
www.wix.com/music/website - I didn't go so far as to click on the Get Started button, but functionally it seems to imply it links with 120 music stores/streaming services (including iTunes), offers commission-free merchandising store, fan base management tools, etc.
I'm not endorsing it, simply bringing it to people's attention who might not have visited there for a while.
I agree with Desmond et al, that a website is still a good thing and it serves a different function to social media. You need both types.
My band uses Squarespace. It's really easy to use and for the cost of hosting, it's more than worth it. We used to do it through iWeb and GoDaddy, but these were useless and in no way user friendly. Squarespace is a web application, so I can update it wherever I am.
We keep a website going for appearances and for our listings, and the social media sites are for interacting with fans and other pages/events/bands.
Squarespace is really awesome, as are some other template/hosted solutions, particularly for getting off the ground quickly and not requiring development expertise.
But one thing to note - the single big problem with these, which has always prevented me from using them (even when I wanted to), is that you don't own your website. You are locked in to the third-party platform, and can not move away from them. You site depends on their technology - you stop paying, or they hike the price beyond which is reasonable, or whatever eventuality occurs that would make you want to move, and you cannot take your site elsewhere. All you can do is shut it down, and then basically start from scratch elsewhere - and now you have to rebuild on a different platform.
At least with fairly generic hosting, you can always take your site files and data, and move hosts. You own your own site, and can deploy it as you wish.
That's very true, you do have to use their templates, and there's only so much customising you can do.
We had the original site designed by a graphic designer, with everything customised and hosted via FTP, but the hassle of having to go back to the same computer to update the site got tiring quickly!
Get the pro to design your site using one of the content management systems like Joomla, Drupal or WordPress. Any of these are free options when you buy webspace from a reputable provider, and you can update content from any computer, anywhere.
Exalted Wombat wrote: Get the pro to design your site using one of the content management systems like Joomla, Drupal or WordPress. Any of these are free options when you buy webspace from a reputable provider, and you can update content from any computer, anywhere.
Indeed, it really depends on the website. Most people benefit from having some kind of CMS. I really hate to use big, complicated ones for simple needs, so in those cases I roll my own.
I've used weebly with reasonable success. That is the site of my old band RedEye. My new band Plague Doctors site is a work in progress that will be using the same service. It's free and easy to use.
Our site is hosted by GoDaddy and was made by us from their templates.
The music plays back from our Soundcloud page, embedded in the GoDaddy page.
I chose GoDaddy because I wanted a big established company, the price was competitive and the templates usable, and they have good telephone support.
It is important to us to maintain our own presence regardless of shifting trends. We do now have a facebook page that links to it.
Online information - whether social media or web pages - is often seen as a marketing tool. In reality, it's a resource. There's very little outreach element, people find your pages by searching for something THEY want to know about.


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'Goodbye' Review: A Klutzy Farewell
Date: December 4, 2022Author: Sneha Jaiswal 0 Comments
A father of four frantically tries to reach out to all his children while trying to wrap his head around the sudden death of his beloved wife. Directed and written by Vikas Bahl, the 2022 movie 'Goodbye' follows the Bhalla family in their journey through the labyrinth of funeral rituals and retrospection.
Led by Big-B, most of the cast is obviously overshadowed by the veteran actor's powerful portrayal of Mr Bhalla, the grieving husband, but Rashmika Mandanna manages to steal the spotlight from him by being the most annoying character. Rashmika plays his daughter Tara Bhalla, but just doesn't fit in the North-Indian family due to her discernible south-Indian accent. The way she delivers her Hindi dialogues is laborious and unlike someone who is used to speaking a particular language with their family. There's a brief scene with a Malayali character in the first half of the film, and despite his strong accent, he speaks it better than her. It looks like she was cast simply due to her popularity, while a different actor would've been able to pull off the role with more ease. Anyway…
For the first half, 'Goodbye' focuses on just how selfish and self-centered younger generations can be. They are barely in touch with their parents, don't talk to them for weeks altogether, don't pick their calls or respond to their messages. But here's the glaring plot problem – for working adults who are not used to calling their parents often, several missed calls is a big red flag, it usually means an emergency. You have to be extremely dumb or estranged with your folks to not call-back, if it's the former, then you wouldn't want to care about such protagonists, if it's the latter, the story isn't able to justify why their relationship is strained. Mr Bhalla doesn't come across as an unreasonable man, the deceased Mrs Bhalla (Neena Gupta) is made out to be a gem of a person; So why are their adult children jerks who ignore their mother's messages and calls?
The movie is basically about a bunch of siblings who aren't on great terms with their parents (for no good reason) and need their mom to die to finally come home and see how their father doing. The narrative goes back and forth between the past and present, but most of the flashbacks seemed pretty pointless. A linear storytelling would've worked better. What 'Goodbye' does manage to capture well is the absurd outdated funeral rituals families have to deal with while trying to come to terms with a loved one's demise. Also, it's some of the subtler scenes and details that are more poignant, like an elderly man on his own death bed having to grapple with his daughter's passing away.
The second-half is tediously tiring, with some bad humor and lots of unnecessary scenes. Abhishekh Khan has a small cameo as one of the Bhalla siblings who appears at the climactic stage of the story, but he manages to bring a lot of heart with his little part to the dying tale. 'Goodbye' has its moments, but quickly loses all charm due to confused execution.
It's a 5/10 from me. Stream it on Netflix.
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// Weltneuheit für verbesserte Tsunami-Frühwarnung - Alfred-Wegener-Institut übergibt Simulationsprogramm für deutsch-indonesisches Frühwarnsystem
A world novelty for an improved Tsunami Early Warning - Alfred Wegener Institute hands over simulation program for a German-Indonesian Early Warning System
[09. July 2008]
After completing their simulation component in the German-Indonesian Tsunami Early Warning System (GITEWS), the team for tsunami modelling of the Alfred Wegener Institute for Polar and Marine Research in the Helmholtz Association has presented the currently leading software system for tsunami events with the potential for catastrophe. It is now being integrated into the Decision Support System (DSS) of the German Aerospace Center in Oberpfaffenhofen. It is to resume its test mode in Indonesia in November.
"Within slightly more than two years, my team has developed, with the help of current software technology, the most modern and flexible simulation system for one of the most dreaded natural disasters of the world", explains Dr. Jörn Behrens, Head of the Tsunami Modelling Group of the Alfred Wegener Institute. "In contrast to other currently available Tsunami Early Warning Systems, it does not only use earthquake data for its ultra-fast situational analysis, but it combines various measurements to a robust, precise, and quick situation report." Next to seismic data (earthquake parameters), also gauge and buoy data (wave heights), and GPS data (deformations of the earth's crust) can be incorporated into the calculations. All these data run together in the DSS, and the picture of the general situation supports decision-makers – for example after a seaquake – to evaluate more reliably and quicker than before, whether it poses a threat for residents of the bordering coastline in the form of rising water waves. Accordingly, warnings reach affected persons earlier than before, and it leaves more time to take disaster prevention measures.
Furthermore, simulation results from different institutes can seamlessly be integrated into the system. The team from the Alfred Wegener Institute will provide the warning system until November 2008 with already around 1500 high-resolution tsunami scenarios. The newly developed simulation system compares these scenarios with incoming real measurement data in a matter of seconds and deduces its forecast. The Indonesian partners work on the completion of the database at the same time. Together with colleagues from the Indonesian "Institute of Technology Bandung", a connection to approximately 160.000 local tsunami scenarios they calculated is now being incorporated into the system developed at the Alfred Wegener Institute in Bremerhaven. They allow an essential expansion of the database."In regard to the interface to other programs, we adhere to open standards, which control the exchange of data in the world of computers. This way, external scenarios can seamlessly be integrated, and we can adapt the simulation model quickly to other marine areas of the world, for instance the Mediterranean Sea," says Behrens about the perspective for further early warning systems.
The Tsunami Modelling group consists of seven researchers and PhD students, among them one PhD student from Indonesia. It was established at the beginning of 2006, and has developed, next to the simulation system presented here, the simulation software TsunAWI, which is one of the bases for the computation of tsunami scenarios. The software has mastered its practical test: it computed the resulting wave heights precisely, when an earthquake of magnitude 7,9 near Bengkulu/Western Sumatra triggered a tsunami on September 13th 2007.
The aim of GITEWS is to minimize the consequences of natural disasters by means of an early warning system. Nevertheless, a natural phenomenon like the tsunami in the year 2004 cannot be prevented, and catastrophes of this kind will always cause casualties, regardless of a perfectly working alarm system. GITEWS is developed by several scientists and engineers from the Helmholtz Centre Potsdam German Research Center for Geosciences (GFZ), the Alfred Wegener Institute for Polar and Marine Research in the Helmholtz Association (AWI), the German Aerospace Center (DLR), the Research Center in Geesthacht (GKSS), the German Marine Research Consortium (KDM), the Leibniz Institute of Marine Sciences (IFM-GEOMAR), the United Nations University (UNU), the Gesellschaft für Technische Zusammenarbeit (GTZ), and the Federal Institute for Geosciences and Natural Resources (BGR), as well as Indonesian and international partners. The project is financed by the Federal Ministry of Education and Research (BMBF).
Your contact person at the Alfred Wegener Institute is Dr Jörn Behrens (phone: +49 471 4831-1781, email: Joern.Behrens@awi.de). Your contact person in the public relations department is Folke Mehrtens (phone: +49/471/4831-2007; email: Folke.Mehrtens@awi.de).


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text:
Research Home Tools Union List of Artist Names Full Record Display
Click the icon to view the hierarchy.
Semantic View (JSON, JSONLD, RDF, N3/Turtle, N-Triples)
Page Link: http://vocab.getty.edu/page/ulan/500123869
Record Type: Person
Baya (Algerian painter, born 1931)
Baya (preferred,V,display,LCO)
Mahiedinne, Baya (U)
Nationalities:
Algerian (preferred)
artist (preferred)
List/Hierarchical Position:
.... Persons, Artists
........ Baya (I)
Biographies:
(Algerian painter, born 1931) ..... [VP Preferred]
(North African (Algerian) artist, born 1934) ..... [WL-Courtauld]
(Algerian painter, 1931-1998) ..... [Grove Art]
Additional Names:
Sources and Contributors:
Baya ........ [Grove Art Preferred, VP Preferred, WL-Courtauld Preferred]
........... Grove Art artist database (1989-)
........... Library of Congress Authorities online (2002-) n 90651090 accessed 16 August 2005
........... Witt Library, Authority files
Mahiedinne, Baya ........ [Grove Art]
.................................. Grove Art artist database (1989-)
Subject: ........ [Gallery Systems, Grove Art, VP, WL-Courtauld]
.................... Gallery Systems (2000-) LOC ID: n90651090
.................... Grove Art artist database (1989-)
.................... Grove Art Online (2003-2008) accessed 16 August 2005
.................... Library of Congress Authorities database (n.d.) LOC ID: n90651090
.................... Library of Congress Authorities online (2002-) n 90651090 accessed 16 August 2005
.................... Witt Library, Authority files
The J. Paul Getty Trust
© 2004 J. Paul Getty Trust
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text:
NASCAR overhauls its system for issuing penalties
By Nate RyanFeb 16, 2017, 4:00 PM EST
NASCAR has overhauled its deterrence procedures for at-track inspections, focusing on penalizing teams during a race weekend for minor infractions rather than waiting a few days.
Moving away from a six-tier penalty system that had been in place since 2014, NASCAR now will prioritize containing infractions to the race weekend on which they occurred.
Most penalties that once fell on the P1-4 scale and were administered on the following Tuesday or Wednesday now will be dealt with during the race weekend.
The severity, timing and recurrence will determine when penalties are issued, but violations involving such parts as radiators, exhaust headers sway bars, shock absorbers, truck arms, hubs, pinion angle shims, and bump stops could fall under those that could be dealt with at the track.
Among the potential penalties at track: loss of hard cards, loss of practice time, loss of pit selection, rear of field, green-flag pass through and green-flag stop and go.
NASCAR also has eradicated the written warnings that teams received for more than two failures of its Laser Inspection Stations (LIS). A cumulative total of four warnings would have led to the loss of pit stall selection.
Under the new rules, failing inspection twice or more could lead to at-track penalties.
Penalties that rose to the previous level of a P5 or P6 still will be issued after the event. NASCAR has rebranded them L1 and L2 penalties. Among the infractions that fall under those categories: certified chassis, fuel storage, gear ratios, minimum weight and height, traction control, telemetry, electronic fuel injection, fuel additives, tires, illegal testing and fewer than 17 lug nuts.
NASCAR will continue to monitor lug nuts after a race, ensuring teams have all 20 safe and secure on their cars' wheels. If a team has 17 or fewer lug nuts, it's an L1 penalty with a three-race crew chief suspension and a $65,000 fine. For 18 lug nuts, a team receives a $20,000 fine and a one-race crew chief suspension. For 19 lug nuts, a $10,000 fine is issued.
The inspection process also is being tweaked. The opening inspection of a race weekend will focus only on fuel systems, engines and safety components.
During prequalifying and prerace inspection, a more rigorous check will be made of fuel systems, engines, safety components, chassis, templates and weights and measurements.
A failure at a station will necessitate a car correcting the problem at its garage stall and then returning to the first station for full inspection (regardless of whether previous stations had been passed; a change from the previous policy).


A municipality must compile and maintain in bound or loose-leaf form, and when feasible also in electronic format, a compilation of all its by-laws, including any provisions incorporated by reference as by-laws of the municipality.
kept at the municipality's head office as the municipality's official record of all applicable by-laws.
The municipality, at the request of a member of the public, must provide that person with a copy of or an extract from its municipal code against payment of a reasonable fee determined by the municipal council.


In its enthusiasm to stock its App World shelves, RIM has reportedly inadvertently invited in the pirates, according to Android developers who've said they have seen their work replicated at the burgeoning store.
Android devs said they had seen their apps turning up in RIM's App World despite their lack of interest in the BlackBerry marketplace, or perhaps because of it.
"I figured they were running some kind of Android ROM on their devices," says the reddit posting from the developer. "I asked one of them for his Google account, and he informed me that he only had a BB ID, not a Google account, and that he had downloaded the app from BB App World".
He complained to RIM, and his apps seem to have been delisted, but there are still numerous Android apps which appear credited to new developers on the App World.
The reddit poster is far from alone in his plight. El Reg noted four well-known apps in BB World submitted by one specific vendor. When we emailed the original developers, two of them got back to us within a short period to confirm that the apps were pirated copies. We'll update you if we hear from the others.
According to the developers, pirates are downloading Android apps, stripping out the copy protection (easily achieved by reverse-engineering the Java code) and converting them to run on BlackBerry 10 using RIM's online tool. Once that's done, the devs claim, they can be submitted as "new" apps into RIM's software store, as it lacks the original, and few developers will ever notice.
Other examples abound, though not all are illegitimate. Opera-owned app publisher Handster store, for example, has a contract with developers that allows Handster to port Android apps to BlackBerry and submit them to App World without seeking additional permission.
RIM hasn't got back to us with comment, but told CNet that it was against piracy and would deal with complaints promptly.


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Statistics (PDF)
Head Coach Bill Self
1,000 Point Scorers
All-Time Player Stats (PDF)
Seating Chart (PDF)
🏀 Wilson and Dick Earn Big 12 Weekly Honors
IRVING, Texas – The Kansas duo of Jalen Wilson and Gradey Dick have earned Big 12 weekly honors, the conference announced Monday. Wilson is the Big 12 Player of the Week, while Dick is the co-Big 12 Newcomer of the Week. The weekly honors are voted on by a media panel which covers the league.
Wilson is earning Big 12 Player of the Week honors for the first time this season and the second time in his career. In KU's 87-55 win against Texas Southern, the Denton, Texas, redshirt-junior forward recorded his fifth 20-point effort of the season with 22 points to go along with five rebounds and six assists. In the 91-65 win versus Seton Hall in the Big 12/BIG EAST Battle, Wilson recorded his Big 12-leading fifth double-double with 15 points and 13 rebounds. Wilson leads the Big 12 and is seventh nationally in points per game with a 21.9 scoring average. His five double-doubles lead the league and are third nationally.
Wilson's 21 career double-doubles has him tied for 11th on the KU career list with Eric Chenowith (1998-2001). Wilson has scored 197 points through his first nine games, which is the second-most through nine games in the Bill Self era, only trailing All-American Ochai Agbaji's 202 from last season.
Dick is earning Big 12 Newcomer of the Week honors for the second time this season. The Wichita, Kansas, freshman guard also earned the accolade on Nov. 21. This past week, Dick tied his season high with six rebounds and set his personal best with three steals while scoring 15 points in Kansas' 85-55 win against Texas Southern. Posting 15 points, including 6-for-6 from the free throw line, Dick tied his season high with three assists and had two steals in the 91-65 win versus Seton Hall in the Big 12/BIG EAST Battle. Dick has six steals in his last three games. His 15.3 scoring average leads the Big 12 freshman class and his 24 three-point field goals made rank second in the league. Dick won the honor along with Baylor freshman guard Keyonte George.
No. 9 Kansas (8-1) next plays at Missouri (9-0) in the HyVee Hoops Border Showdown, on Saturday, Dec. 10, at 4:15 p.m. (Central). The game from Mizzou Arena will be televised on ESPN. These two former league rivals met last season in Lawrence for the first time after not playing a regular-season contest since Feb. 2012. This series dates back to 1908 and Kansas leads 175-95. KU has won three straight and eight of the last nine meetings with MU.


text:
Canada: Comics, Regions and Geography
Editorial guidelines for newsblog article submissions
Information about the Awards – Purpose, Nomination Process, Eligibility, Membership
Joe Shuster, Hal Foster – Canadian or not?
Policies for Managing Conflict of Interest
Categories / Catégories
2005 Nominees and Winners
Dragon Prize
Comics for Kids Award 2009
Gene Day Award
2010 Gene Day Award Submissions Received
2011 Gene Day Award Submissions Received for 2012 awards
Harry Kremer Award
2005: Now & Then Books (ON)
2006: Strange Adventures (NS)
2007: Happy Harbor (AB)
2008: Big B Comics (ON)
2009: Legends Comics & Books (BC)
2010: The Beguiling (ON)
2011: Librairie Planète BD (QC)
2012: The Silver Snail (ON)
2013: Heroes (ON)
2014: The ComicShop (BC)
The T.M. Maple Award
ASKWITH, Mark (1956-)
BURKE, Jim (1956-1994)
CHARPENTIER, Robert (1960-2014)
HIRSH, Michael (1948-)
KETTER, Ken (-)
LOUBERT, Patrick (1947-)
SHELLY, Debra Jane (1974-2014)
CANADIAN COMIC BOOK HALL OF FAME
BARKER, Les (1926-2003)
BARRON, Sid (1917-2006)
BELL, Cy (1904-197?)
BERNECHE, Stanley (1947-)
BOSWELL, David (1953-)
BROWN, Chester (1960-)
BYRNE, John (1950-)
CHARTIER, Albert (1912-2004)
COMELY, Richard (1950-)
COOKE, Darwyn (1962-2016)
DARRIGO, Dave (1954-)
DAY, Gene (1951-1982)
DINGLE, Adrian (1911-1974)
DOUCET, Julie (1965-)
FORTUNE, Shirley (aka Ley) (1921-1998)
FOSTER, Hal (1892-1982)
FOURNIER, Pierre (1949-)
FREEMAN, George (1951-)
FURNESS, Ed (1910?-2005)
GABOURY, Serge (1954-)
GODBOUT, Réal (1951-)
GOLDSTYN, Jacques aka BORIS (1958-)
GOOD, Edmond (1910-1991)
GRUMMETT, Tom (1959-)
HOLMES, Rand (1942-2002)
HURTUBISE, Jacques (1958-2015)
IMMONEN, Stuart
KARN, Murray (1924-2018)
KELLY, Fred (1921-2005)
KINDZIERSKI, Lovern (1954-)
LAZARE, Gerald (1927-)
LOUBERT, Deni (1954-)
McCALL, Ted (1901-1975)
McCARRON, Owen (1929-2005)
McFARLANE, Todd (1961-)
MILLER, Vernon (1912-1974)
MORRISSETTE, Gabriel (1959-)
MORTIMER, Win (1919-1998)
RAE, George Menendez (1906-1992)
SABA, Arn (Collins, Katherine) (1947-)
SCHUTZ, Diana (1955-)
SHAINBLUM, Mark (1963-)
SHUSTER, Joe (1914-1992)
Great Krypton! Superman was the Star's Ace Reporter (Joe Shuster's final interview)
SIM, Dave (1956-)
SLATER, Doris (1918-1964)
ST. ABLES/STABLES, Jon (1912-1999)
ST. AUBIN, Jean-Claude (1951-)
STEACY, Ken (1955-)
STEELE, Tedd (1922-1994)
TEMPLETON, Ty (1962-)
TREMBLAY, Jack (1926-2018)
WALEY, James (1951-)
Canadian Comic Book Publishers
Canadian Comic Book Retailers
Canadian Self Publishers
Canadian Creators
Canadian Webcomics
Comic Book Conventions across Canada
Advice for Comic Book Convention Planners/Promoters
Comic Jams
THE JOE SHUSTER AWARDS
CANADIAN COMICS AWARDS, NEWS & LINKS
Cerebus could return? (plus the Sim event at Strange Adventures)
Information about the Last Dave Sim signing at Strange Adventures is being released. Of note, Dave conducted an exclusive interview with The Coast and revealed the following: (T)he question of whether his beloved creation Cerebus will ever make a return will certainly come up. He does, in fact, have plans. "The only way I would… Read More Cerebus could return? (plus the Sim event at Strange Adventures)
09/20/2010 09/20/2010 Robert Haines1 Comment
Kill Shakespeare's Anthony Del Col and Conor McCreery appear on CTV News
Yesterday, Conor and Anthony were interviewed by CTV News' Jacqueline Milczarek about their experiences at the Telefilm Canada Pitch This! event and the success of the Kill Shakespeare comic book series. Follow the link to watch the video!
09/20/2010 Kevin A. Boyd
Happenings: Skull Kickers #1 Release Week Signings and Events
Okay, I swear this is the last SK post today! Alluded to in an early post by Robert Haines, Jim Zubkavich has a busy day ahead of himself this Wednesday with the release of the first issue of his new Skull Kickers comic series: – Paradise Comics reports that they are honoured to be hosting… Read More Happenings: Skull Kickers #1 Release Week Signings and Events
09/20/2010 09/20/2010 Kevin A. Boyd
Skull Kickers #1 2nd Printing Cover Art
Skull Kickers #1 out on Wednesday – 1st print sold out at Diamond – 2nd print coming!
Writer Jim Zubkavich explains how this happened on the Skull Kickers website: Anyways, it may sound a bit weird announcing that Skullkickers #1 first printing has 'sold out at the distribution level before release'. What does that mean and how does that happen? Can people still buy copies on September 22nd? Okay, here's how it… Read More Skull Kickers #1 out on Wednesday – 1st print sold out at Diamond – 2nd print coming!
Happenings: WOWEE ZONK 3 & BABA YAGA AND THE WOLF – DOUBLE BOOK LAUNCH Oct.7th!
As seen on Facebook Koyama Press and The Beguiling present Wowee Zonk's "Wowee Zonk 3" and Tin Can Forest's "Baba Yaga and the Wolf" BOOK LAUNCH Thursday OCT 7th 7pm-10pm The Central 603 Markham St. Toronto … The Beguiling are teaming up witht he fine folks at Koyama Press to hold a double-book launch for… Read More Happenings: WOWEE ZONK 3 & BABA YAGA AND THE WOLF – DOUBLE BOOK LAUNCH Oct.7th!
Happenings: National Cartoonists Society Comes to Mohawk College on September 26th!
The National Cartoonists Society (or NCS) is coming to Mohawk College, and for the first time is opening it's doors to the public. If you have ever thought to yourself, "How do I become a cartoonist? What steps do I take to get there? How did they do it?" Well, now is your chance to… Read More Happenings: National Cartoonists Society Comes to Mohawk College on September 26th!
09/20/2010 09/20/2010 comicprof1 Comment
Comic books, like Jazz, are a North American invention that has been embraced all over the globe --- and from the Platinum Age to the present, Canadian artists, writers and cartoonists have been shaping it along the way.
The Joe Shuster Awards celebrate Canadians who create comics at home or abroad. They are named after Joe Shuster, the Canadian artist that co-created a character that has had tremendous impact on the industry and the world.
The Canadian Comic Book Creator Awards Association seeks to identify and provide FREE resources on the who, what, when and where of Canadians working in comics, selling comics, and celebrating comics.
What if a Canadian Creator Moves Away? Joe Shuster, Hal Foster – are they really Canadian?
Is Superman Canadian? Our position.
Taking us beyond the New Frontier: Darwyn Cooke (1962-2016)
Positive Spirit and Determination: Debra Jane Shelly (1974-2014)
Jerry Robinson (1922-2011)
Thank you, Jerry. We will miss you.
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Most of my favorite conversations about literature have been with David Powlison, and most of those conversations have been spontaneous, leaving me to scribble down notes on whatever paper was close. But six years ago, in the spring of 2009, over dinner in a restaurant, I wised up, brought a handheld recorder, got his permission to record, and then asked him about the novels that have most shaped his ministry.
I'm just starting to read Cry, The Beloved Country at the request of Dr. Powlison. There's a point in this interview (towards the end) when he's talking about vicarious knowledge of the human experience through reading and watching films where Dr. Powlison said he had his class read 3 novels and watch 3 films. Is there any way to find out what they were?
GREAT suggestion Anna. I'm on it, and I just emailed him.


As a standard lab table, we provide options for outlets such as gas, water and electricity upon customer's request.
To the standard lab tables, we equip with electrical socket panel 1 shelf tor reagent bottles and utility frame boxes tor efficient utility structure.
To the standard lab tables, we equip with electrical socket panels 2 shelves for reagent bottles and utility frame boxes for efficient utility structure.
To the standard lab tables, we equip with electrical socket panels 3 shelves for reagent bottles and utility frame boxes for efficient utility structure.
To the standard lab tables, we equip with electrical socket panels 4 shelves for reagent bottles and utility frame boxes for efficient utility structure.
For extending working area or furnishing additional instruments, we provide work type tables which have 2 types: Foot Base Type & Caster Type.
This is a sink table including various types of chemical resistant sink. bowls, manifolds for efficient water supply system,tempered glass water guard and optional outlets.
This is the wall-mounted or sink-mounted drying rack tor beakers or flasks. As an assembly type,operators can easily dry beakers or flasks regardless of the size.
These drawers are designed for storing goods and utilizing under space of the lab table.
These storages are designed for storing laboratory materials and equipment efficiently upon their size and usage.


Vibe motor circuit with Arduino => http://learningaboutelectronics.com/Articles/Vibration-motor-circuit.php.
I guess I received an implicit answer to my question.
Shortly after I posted this comment the name of the item changed from "Vibration Motor - LRA ROB-08449" to "Vibration Motor ROB-08449". I will continue my search for an LRA motor elsewhere. -*************** - I need an LRA (Linear Resonant Actuator) coin cell vibrating motor for a project. The name of this item indicates it is an LRA, "Vibration Motor - LRA ROB-08449" but the item description and the Datasheet indicate that it is actually an ERM (Eccentric Rotating Mass) coin cell vibrating motor. Does anyone know for sure which type it is? I need the vibration to be in the Z-axis. ERM's have vibration in the X-axis and Y-axis but nothing in Z.
Plus an ERM type motor runs with a DC voltage. An LRA type motor requires an AC voltage tuned to the resonant frequency of the motor.
An LRA type motor does not have a 'commutator' or '4 magnetic poles'. LRAs use a voice coil design with a single rare-earth magnet.
LRA coin cell vibrating motors do typically cost a bit more than the ERM version so the relatively high price that Sparkfun is asking makes me think this might be an LRA (in which case the description and datasheet need to be updated).
Glad you brought this up, I had exactly the same question. I will assume it is an ERA. Sparkfun, it would be really helpful if you clarified which type of motor this is.
What material is the casing made from? I can't find it in the product sheet. I assume either aluminum or steel, but can't tell which.
If anyone wants to see a good project done with this circuit, see How to Build a Vibration Motor Circuit. This shows you how to connect it directly to a voltage source to power it directly and how to integrate it with an arduino to allow the motor to vibrate every minute.
I'm just curious why the similar part from Adafruit is so much less expensive. 1.95 vs 4.95.
if im making a vibrobot that requires other components to run at 6 volts, can i just use PWM to power these without burning them out?
Can these be run continuously? How long might it last?
Please consider updating the images to show the front and back along with a scale.
Please consider reading the datasheet.
Good motor, but I found that this coin motor which has same size and specs has about a 25% longer lifetime.
Does anyone know of a good PCB mount for these? After reading a Fitbit Flex teardown I felt compelled to find one. Here is an image showing such a mount from ifixit.com's Fitbit Flex teardown step 8.
I'm a little late, but since these are adhesive-backed, what's worked for me is just sticking it onto an empty section of the board.
Thanks for the reply - I'm designing a wearable so real estate is a premium, was hoping to have it elevated above some circuitry to save board space, similar to how it shows in the image provided. Any ideas on how to do this consistently and reliably (w/o just sticking it)?
Does anyone know if these will work for bristle bots?
Are these comparable to the motors in cell phones?
For the curious - these motors are great but they have very tiny, flexible leads that don't work well with a regular breadboard. I needed to solder solid-core jumper wires onto them to make a bunch of these robots, and wanted to use heat-shrink tubing to cover up the solder connections. I don't have a heat gun, and using a hair dryer with just one of these tiny motors is a pain (they're so light that they blow around) - let alone two dozen of them.
Solution? Stick them in the oven! I checked with tech support and they said a different carrier had a data sheet with a maximum recommended storage temp of 70C/150F. The problem - the temp for the heat shrink tubing is 212F. The question - will that destroy the motor? Answer - as far as I found, no. I stuck one in the oven with heat shrink tubing at 200F, then got impatient because the tubing didn't seem to be shrinking enough and tried 215F. Checked the motor afterwards and it still worked fine. Then I got really brave and tried 250F to shrink the tubing a little more, and the motor STILL worked. Of course the caveat is that I didn't do a long-term test, so I'm not sure if this will affect the lifetime of the motor, but at least it didn't destroy it right away.
can i connect that to a frequency generator and make it vibrate in range of 300hz to 5.0 khz ?
No, that will just make it vibrate weakly. PWM will change the power delivered to the motor, not the speed at which it rotates.
you can also use the MAX1749 to drive it from a source of up to 6.5v input. The output is adjustable with 2 resistors so you can easily provide 3v from sources greater than 4v.
I plan on using a PNP transistor with 3.7v Li battery and count on the 0.7 voltage drop of the CE junction (like driving a relay). can also PWM the output to get less power to the motor.
Bought with a Battery Holder 2xAA with Cover and Switch. Wired it directly and it gives off quite a bit of vibration. There is a noticeable difference between 2.4v (two rechargeable AA I had) and 3v (2 Duracell standard AA), so consider that you get more out of this little motor when you are higher in it's voltage range.
What is the best way to vary the intensity of the vibrations?
Use a PWM output from a 555 or micro-controller to drive it through a low-voltage MOSFET. I like NXP/Philips PMV30UN.
Do i need to have software for it or can i just put a battery to it?????
Two alkaline batteries in series will will work great. A single lithium "button" cell (e.g. a 2032) will work too, but it won't last as long. No software required.
Weak! As far as vib motors go, its small and cute. The factor is nice. However, the vib itself is weak. On its own its mildly amusing. Attach it to anything (like 2 'AAA's) or put a small case around it and its hardly noticeable in your pocket.
From my experience with it, depends on your current supply. if you does not worry about power, it can draw around 50-70mA max. I am very impressed about its vibration intensity at this current. definitely noticeable in my hand or against a hard surface.
How strong of a vibration does this make?
whats the best way to connect this, i m talking about the wiring, I need to be able to sit on these, one end will all get connected to a bread board and I will be using long wires.
Can I use this with the LilyPad without any additional hardware?
The LyliPad version of this motor cost $10 more. Thanks.
the lilypad vibe board contains a small (33ohms) resistor and a Diode. these components are for safety and not required (but highly recomended).
The diode works like a surge-protector. It is super-important if you are going to drive the motor using a microprocessor, motor controller, or transistor. Without the diode you could easily destroy these. (It's no fun toasting your Arduino). You don't need the diode when driving the motor directly with a battery, or through a switch.
Most microprocessors have relatively weak outputs (20-25mA). The 33 ohm resistor in series is there so the motor doesn't draw too much current from the microprocessor. It's not needed if you are using a motor controller.
I incorporated this vibration motor into a little pet project I've been working on and have got it to the point that it works good enough for me. I'm an experience programmer (mostly C/*nix) but am interested in the embedded world. I used this motor with an attiny85 (for timing) and a few other components to make a 'mouse mover' (doesn't actually move the mouse) aka 'executive override'. I work from home and company policy mandates the screen lock after ten minutes. This is darn inconvenient when just monitoring for email. This device will move the cursor about every four minutes, freeing me from constantly moving the mouse myself.
I power the device from a USB port. I burned out a couple of the motors before I realized the voltage was too high. I moved the motor to source side of the mosfet and the voltage drop across the mosfet was enough to protect the motor and still provide stable operation. Below is a video of the final product. It is messy looking but has been working reliably. The vibration motor translates to cursor movement by moving an image just below the mouse. The large buypass capacitor (+ to ground) wasn't the best choice because the attiny85 keeps running on it for a while after the USB is unplugged.
The video is about a minute long.
Thanks SparkFun, I learned how to program the attiny85 with all of you online resources.
I was super excited to build a bristle-bot with my 3 1/2 year old. It lasted only 3 minutes. One hit on the floor and the vibration motor came apart in pieces. Her first robot, dashed. Bummer.
vibrates well for its size. comes with a adhesive back to lodge it to wherever you want.
The product is loud and noticeable, definitely what I wanted. Great performance for the size.
It has a decent kick and it very thin, compared to the ones I got from another supplier. Nice adhesive tape to stick it to anything you want. I cannot find any fault with it.
I plan to use this vibration motor in a larger project and I think it will work fine. I didn't know such a thing existed until i saw it in your online catalog--so it was sort of a 'found' solution.
The plan was to attach this motor to a bite-size candy bar and place it in a bowl of candy for Halloween. A light sensor activates the motor when a trick-or-treater reached for the candy. The motor wasn't strong enough to cause the candy to jump as much as I liked so wrapped styrofoam instead. Now it really hops.
Received the motor in a timely way, works great !. If you need one buy it from sparkfun !
The wires at the end break too easily and some motors just stop working. Either SparkFun has a lot of defective units or these motors just break too easily. I only need 5 but had to buy around 12 just to finish testing some things. I found other vibration motors online from other suppliers and will try those because these were just so bad.


text:
Chris Marker • 38m
Directed by Mario Marret, Chris Marker • Documentary • 1968 • 39 minutes
From 1967 to 1976 Chris Marker was a member of SLON (the 'Company for the Launching of New Works'), a group based on the idea that cinema should not be thought of solely in terms of commerce. 1967 was also the year an important strike broke out at Rhodiaceta, a textile plant owned by the Rhone-Poulenc trust in the city of Besançon, France. The strike was unusual in character because the workers' demands concerned not only salary and job security, but also the very lifestyle imposed on them by society.
So it was only natural that Chris Marker, along with other technicians and members of SLON, would visit Besançon to document the strike, and the lives and attitudes of the workers. The film's most important moments are composed of conversations with workers and their wives. They believe the working class is increasingly at the mercy of a system that gives them no power, a system that would like them to remain powerless. And so it was that their local demands grew into questions about the larger political system.
The strikers eventually returned to work with few gains, but had developed a sense of their power, which helped lay the groundwork for May '68, when France was rocked by revolutionary protests.
"Effectively places us in the middle of the strike and offers intriguing insights into the motives of the workers and organizers..." —New York Magazine
Up Next in Chris Marker
The Case of the Grinning Cat
Directed by Chris Marker • Documentary • 2004 • 58 minutes
In his newest film, French documentarian and cinema-essayist Chris Marker reflects on French and international politics, art and culture at the start of the new millennium. In November 2001, the filmmaker became intrigued, as did many ot...
Chris Marker's Bestiary: Zoo Piece
Directed by Chris Marker • Documentary • 1994 • 3 minutes
A leisurely-paced montage of animals, many of them confined in cages or enclosures-including seals, kangaroos, leopards, gorillas, wolves, monkeys, ostriches, and a sleeping rhinoceros.


text:
Shenmue, Space Channel 5 programmer preps new Vita rhythm game
Orgarhythm to be released this summer via publisher Acquire.
While gamers are not too familiar with the name Tak Hirai, they may be acquainted with the games he programmed back at Sega: the Shenmue and Space Channel 5 series. The programmer's new development company Neilo, established back in 2010, recently announced that it will be releasing a PS Vita title called Orgarhythm.
Orgarhythm mixes strategy with rhythm gameplay. (Image credit: Famitsu)
According to a recent issue of Famitsu (via Andriasang), the rhythm title will be published by Acquire. The game is a mixture of strategy and music, where players control a god who can guide minions. As players defeat enemies and issue commands, the game's music progresses from a bass track to a full-blown instrumental piece.
Gamers can also affect upcoming stages and enemy AI depending on how well they perform. The game will have co-operative and competitive multiplayer modes via ad hoc.
Gamers in Japan can expect to check out this title when it comes out this summer. For more information on Tak Hirai's past titles, check out GameSpot's coverage of Shenmue and Space Channel 5.
"Shenmue, Space Channel 5 programmer preps new Vita rhythm game" was posted by Jonathan Toyad on Wed, 28 Mar 2012 21:41:30 -0700
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Plums of oil from a transmission will be faster and effective if this operation to make after warming up of the engine to working temperature and carrying out of a control trip for transmission warming up.
1. Lift the car on the lift or establish over a viewing hole.
2. On the cars equipped with transmission ВЕ3, remove the left forward wheel, unscrew screws and remove protection of an arch of a wheel from under a wing for access to a stopper of pouring of oil. On all models remove a mudguard from under the engine.
3. Wipe area round a stopper of pouring of oil. On transmission ВЕ3 the stopper of pouring of oil is the biggest bolt among bolts of fastening of a face cover to a transmission. On transmission ML5T the stopper of pouring of oil is located on a back part of a casing of differential. Unscrew a stopper of pouring of oil from a transmission.
4. Establish the corresponding container under маслосливной a stopper located in a back part of a transmission, and unscrew a stopper.
5. Completely merge oil from a transmission. Clear a stopper of pouring of oil and маслосливную a stopper of metal particles and replace sealing washers.
6. Screw up маслосливную a stopper and tighten its demanded moment.
7. Fill in oil in a transmission to bottom edge level маслозаливного apertures.
For correct filling of a transmission the car should be in horizontal position.
8. Screw up a stopper of pouring of oil, establish a wheel and make a short trip. Repeatedly check up oil level.
9. If necessary modify oil level, establish a new sealing washer on a stopper, screw in a stopper into place and tighten the demanded moment. Establish protection of an arch of a wheel and an engine mudguard.


text:
Пастуре́ль () часом також пасторель () (, ) — різновид кансони, пісня-оповідь про зустріч ліричного героя (як правило, лицаря) з пастушкою (pastoure) і його загравання, які часто перериваються агресивним втручанням одного з пастухів.

Перший провансальський зразок пастурелі відноситься до першої половини XII століття, пізніше цей жанр поширився також у Франції. Пастурелі складали до кінця XIV століття (наприклад, Жан Фруассар). Жанром пастурелі послуговувався трубадур Маркабрюн (напр.: L'autrier, a l'issida d'abriu). Відома одна драматизація пастурелі, «Гра про Робен та Маріон» Адама де ла Аля.

Ще на початку XX століття її походження зводили до латинської пасторалі, однак зараз автохтонне походження можна вважати твердо встановленим, хоча навряд чи воно фольклорне, як припускали в XIX столітті; швидше цей жанр виник як гумористичний дивертисмент поряд з куртуазною піснею й призначений для тієї ж публіки.

Література
 Paden, William D. "Pastourelle" in Alex Preminger and T. V. F. Brogan, eds., The New Princeton Encyclopedia of Poetry and Poetics. Princeton: Princeton UP, 1993. p. 888.
 Поль Зюмтор. Досвід побудови середньовічної поетики. СПб., 2002, с. 310-313.

Посилання

Ліричні жанри
Провансальська література
Французька література
Трубадури
Трувери


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We offer these as broad categories, but be sure to keep your eye out for specific seminars as well. No matter which seminar or workshop you choose, you'll receive a complimentary lunch and the opportunity to speak with a fiduciary advisor at the end of the seminar. If you have questions about any of the seminars, don't hesitate to reach out to us at 410-461-3900 or emailus@bwfa.com. We'd be more than happy to answer your questions and guide you toward the right seminar for your needs.