text:
Alexandre Claude Lefebvre de La Faluère, seigneur de La Jonchère, baptisé le  à Veigné et mort le  à Bourbonne, a été grand maître des Eaux et Forêts de Paris entre 1703 et 1745.

Biographie
Alexandre Claude Lefebvre de La Faluère est le fils d'Alexandre Lefebvre, seigneur de La Faluère et de La Jonchère, conseiller du roi, trésorier de France et maire de Tours, et de Marie de Paris. Il épouse Louise Thérèse Aubry (fille de Gilles Léonor Aubry,
seigneur de Réchaussé, président en la Chambre des comptes de Paris, et de Marie Bigot) puis Marguerite Rouillé (fille de Pierre Rouillé, seigneur de La Gaucherie et de Beauvoir, directeur de la Poste étrangère à Lyon, en Provence et Languedoc, et d'Anne Pajot).

Maître d'hôtel ordinaire du roi, il est grand maître des Eaux et Forêts de Paris entre 1703 et 1745.

Il fut notamment chargé par Louis  de reboiser le bois de Vincennes. À ce titre, son nom est cité sur l'obélisque élevé en 1731 pour commémorer ce reboisement, et il a donné son nom à la route de la Faluère l'une des voies du bois.

Références

Naissance en septembre 1674
Décès en août 1747
Décès à 72 ans
Naissance en Touraine


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text:
Category: Issue 1 (July 2005)
The Maiden-Tree by Catherynne M. Valente
It is remarkable how like a syringe a spindle can be.
That explains the attraction, of course. A certain kind of sixteen-year-old girl just cannot say no to this sort of thing, and I was just that measure of girl, the one who looks down on the star-caught point of a midnight needle, sticking awkwardly up into the air like some ridiculous miniature of the Alexandrian Lighthouse and breathe: yes. The one who impales herself eagerly on that beacon, places the spindle against her sternum when a perfumed forefinger would be more than enough to do the job, and waits, panting, sweating through her corset-boning, for a terrible rose to blossom in her brain.
Well, we were all silly children once.
They could not get it out. I lie here with the thing still jutting out of my chest like an adrenaline shot, still wispy with flax fine as ash. Eventually the skin closed around it, flakes of dried blood blew gently away, and it and I were one, as if we had grown in the same queen's womb, coughed into the world at the same moment, genius and child, and I had spent those sixteen years before we were properly introduced chasing it like a dog her own bedraggled tail. My little lar domestici, my household god, standing over me for all these years, growing out of me, the skin-soil of my prostration, as swollen with my blood as everything else within these moss-clotted walls.
And these are the thoughts of a sleeping woman as she breathes in and out in a haze no less impenetrable than if it had been opiate-bred; these are the thoughts of a corpse kept roseate by the rough symbiosis of spindle and maiden, a possibility never whispered of in all the biology texts she ever knew, or hinted at by the alchemists who whittled sixteen years away burning spinning wheels to lead and ash.
I have been arranged here as lovingly as the best morticians could manage, my hair treated with gold dust so that it would lose none of its luster, even as it tangled and grew wild across the linen, and the parquet floor, up to the window-frames and dove-bare eaves. My lips were painted with the self-same dyes that blush the seraphs' cheeks in chapel frescoes, and injected with linseed oil so that my kiss would remain both scarlet and soft. My skin was varnished to the perfection of milk-pink virginity, violet petals placed beneath my tongue to keep the breath, no matter how thin it might become, fresh. From scalp to arch, I have been tenderly stroked with peacock-feather brushes dipped in formaldehyde (specially treated so as not to offend the nose of any future visitor, of course). The place where my breast joins the spindle has been daubed with witch-hazel and clover-tincture, cleaned as best as could be managed—all this was done with such love, devotion, even, before the briar sprouted beneath the first tower, and the roses put everyone else to sleep with me.
But they were not prepared, and this has become a tomb with but one living Juliet clutching her nosegay of peonies and chrysanthemums against her clavicle, her back aching on a cold stone slab.
You cannot imagine what has happened here.
My father stood behind me at each of the great bonfires—one at midsummer, one at midwinter, every year since my first. He kept me well away while those wide-spoked wheels were piled up like hecatombs in the courtyard, carted in on peasants' backs and in wheelbarrows, bound up in tablecloths and burlap sacks, dragged behind families in knotted nets. I was transfixed when they blazed and crackled, bright as Halloween, up to the sky in skeins of smoke and fire, sending off clouds of sparks like flax-seeds. The wheels spun the heavens like a length of long, black cloth.
Now you will be safe, he whispered, and stroked my golden hair. Now nothing can hurt you, and you will be my little girl forever and ever, amen.
But Father, I could not help but think, how will they spin without their wheels? There are less of them every year, and everyone is getting holes in their stockings. The sheep will snarl in their pastures, weighted to the mud by unshorn fleece! Folk will clothe themselves in brambles, and the markets will be so silent, so silent!
Hush, now, he sighed. Don't think on that. You are safe, that is enough. I have done what was required of me.
Will they move to the cities? Will they work in the factories under great windows like checkerboards of glass? Will they stitch a thousand breeches an hour, a hundred bonnets a minute?
No, he said, (and oh, his gaze was dead and cold!) A textile factory is but a spindle with teeth of steel. They, too, will burn before you are a woman grown. Everything, everything, will be ashes but you.
Oh, I whispered, I see.
And I inclined my head a little, into his great hand.
I remember the blueberries best, I think. How they grew wild beneath my window, and dappled the air with purple.
The roses took them, too.
I lie here, I lie here, and my hands are so carefully tented in prayer, frozen in prayer, but I hear, oh, how I hear, as only the dead can hear. Out of the loamy soil came a little sprig among the fat, dark berries, innocent as oatmeal, and I heard it come wheedling through the earth, sidling up to the stone. They cleared a space for it, watered it with delight, of course, once they ascertained its botanical nature—what could give the sleeping dear sweeter dreams than a rose blooming just here, below her bower?
Nothing, of course.
And it might have been alright, it might really have been nothing but a rose, white or orange or violet, buds sweetly closed up like pursed lips. But it sent out no flowers at all for months, while the gardeners frowned like midwives and buried fish heads in the flowerbed. It grew, upwards and onwards, and it might have been harmless if it had not found its tendrils brushing through my window one night when October was beating the glass in, if it had not crept slowly across the polished floor and grazed—so faintly!—my angelically positioned foot.
It lay against me for a moment, as though it meant only to decorate.
At first I thought it was my mother's voice—and I cannot recall when, in all these years, I recalled that there had been a witch, and a curse, and that curses generally come from witches, who possess more or less female voices of their own. It is so easy for a certain kind of girl to forget the origins of things.
But at first I did not even understand that I was sleeping. I thought it was the natural result of a spindle-syringe, that the lovely warm feeling of seeping was what my father had meant to hid from me, the niggardly old fool. I lay back on the bed only because my head felt so hot, so hot, full of sound and the weeping of golden meats, and I could not stand, I could not stand any longer. And when I whispered to no one at all that there were all these red, red roses blooming inside me, I thought I was very clever with my turns of phrase, and would have to remember to write that down when I was quite myself again.
I did not feel as though I was falling, but rather that I had failed to fall. I lay there, and lay there, (and now it has become so much my habit to lie that I consider myself a student of the art, an initiate to its mysteries—no mystic with limbs like branches could outlast me) and there was a moment, just before dawn, when I tried to rouse myself to go down and sit at a table which surely held fried eggs and fine brown sausages speckled with bits of apple-peel, and made the inevitable discovery.
Of course I panicked, and thrashed in my scented bed, and shrieked myself into Bedlam—but none of this sounded outside the echoes of my own skull, and soon after my father—his face so haggard!—resigned and so thin, so thin, set his men to preserving my flesh. I was still screaming when they stopped up my mouth with wax, but they heard nothing, and patted my cheek with a refined sort of pity, as though they knew all along I was a bad girl, and would come to some end or another.
At first I thought it was my mother's voice. But something in the way it vibrated within me—well, a mother whispers in one's ear, does she not?
You are so beautiful, little darling, like light bottled and sold.
The spindle said it, I know that now, the spindle stuck in me like a husband, and it sang me through sleep with all these black psalms.
Beautiful, yes, but you cannot really think anyone is coming. Do you know what happens to a body in a hundred years? Some bourgeois second-son will hack through the briar—such labor is needed in a world without spindles, in the world your father made with his holocaust of spinning wheels, and there will be no shortage of starving, threadbare boys willing to brave the thorns for a chance at the goods in the castle—but not you, little lar familiari; he will be looking for the coats off of your aunties' frozen backs, for the shoes in a dozen closets, for the tableware and the tablecloths—oh, especially the tablecloths! He will be looking for curtains and carpets and scraps of damask, your mother's trousseau, your sister's gowns, as much as he can carry—and he will come upon this little room. He will be almost too revolted to enter; the smell of twelve hundred months of menses will wash the hall in red, (it will hardly be a year before you'll flood the wax stopper there), and then the smell of bed-sweat and bed-sores gone to fester, the smell of formaldehyde having long since conquered its pretty mask of flowers. He will hardly be able to open the door for the press of your grotesquely spiraling toenails. You'll be a stinking, freakish, blood-stuck frog pickled in a jar, and he won't see you but for the gold in your hair, and your long, lovely bridal dress which will not have been white for decades.
He'll strip you down as though he meant to be your lover after all. He'll take the dress, and the veils, and the sheets off the bed, he'll shave your hair to stubble and clip your nails for swords, and leave you naked and alone to rot in this tower until the next desperate prince comes through the roses and cuts you up for meat.
Please, please be quiet. I never did anything to you. I only wanted the needle, and the rose.
No one is coming for you. I am all you have, and I love you better and more loyally than all the princes in Araby. Who else would have stayed with you all this while?
Please. I want to sleep.
Aristotle said it was impossible. (Do not be surprised—girls with no natural defense against spindles are always classically educated.) He stroked a beard like lambswool after a March rain and assured a gaggle of rosy-testicled boys that one cannot bury a bed and expect a bed-tree to grow from that large and awkward seed.
You can plant a maiden, oh yes, and watch the maiden-tree flower. And the spindle planted me into a bed, and the bed grew with me. And look, oh, look at us now.
I have wept in my sleep and watered it, but I might have saved the moisture. The rose-briar pushed its way into my heel, sinuously, insistently, as if trying to slide in unnoticed. There was a small, innocent popping noise when it pricked the skin, and left its red mark, predictably like a stigmata. It began a slow wind through the complicated bones of my ankle, and I could feel the leaves sliding against the meat of my calf.
Almost immediately, it detonated a blossom, a monstrous, obscene crimson unfolding on the wall like a spider, and the silence of its breathing clambered into my ear. The petals were crushed by a ceiling of skin, but no matter—in a month or two those too will break through, and all my pores will be the roots of roses.
And with this I will tangle you up in me, came the spindle-voice, soft and shattered as a witch who has sold her soul for the magnitude of her spell. The roses came open inside my legs—oh!—the thorns broke through the nails of my toes, and there was red, nothing but red, everywhere.
If you had lived, you would still have had the spindle stuck in you—you cannot really escape it, the bruised fingers and the sheep-sweat smell of wool in your lap. Isn't it better this way? A rose is a rose is a rose is a maiden, maidens are supposed to be roses, and I will make of you a bed for flowers like erupting maidenheads—
Out of my torso the briars came, up around the shaft of the spindle, around my arms like shackles, around my throat, through my hair. I was soil, I was earth, I could not move and my flesh exploded into roses with a perfume like shadows. I screamed; I was silent.
I've saved you, you'll see. I am your spindle; I am your prince; this is my kiss. With this lacerate of flowers, I have taken you out of the world, the blighted, wasted world your beauty has stripped of cloth, the poor, rubbish-strewn landscape that was the country of your birth—it is all gone now, the vineyards and the rolling hills and the corn—
No, no, someone will come and gather me up like a sack of cotton and I will eat blueberries again and drink new milk and you will be nothing but a faint scar between my breasts and he will remark when we are old that it looks something like a star. I will never hear your voice in my bones again, you cannot keep seeding my skin forever—
I can. Whoever said this was a hundred-year sentence and not a whit more? Calendars lie, I lie. I lie inside you no less than a liver or a spleen, I breathe your breath, I rise and fall with your sleeping breast, my needle pulses in you, warm alongside your heart, and this is all there is.
They wound out of the room, splintering the door, down the stair, and it was not some sepulchral perfume that felled the court—no, no, the roses did it, the roses snapped round their calves and whickered a path to their throats. The stems shot past their lips and sent out their petals there like thick cakes, blocking their breath as mine was never blocked, tearing their lungs as mine were never torn. Trails of thin blood trickled out of five hundred mouths, five hundred gasps were stoppered up like water in a jar. The maiden-tree was in its summer, and from its briar-branches hung five hundred bright and bobbing fruits, orange-ladies and lemon-lords, cherry-sculleries and plum-cooks, and an apple-king, and a queen among figs.
I am not for them. I am for you alone.
And they were not prepared, they were not treated with gold and formaldehyde, their bodies grayed on the vine as bodies will do, and I can smell my mother's skin sodden through with mold, and I can smell my sisters rotting.
There is nothing but briars, briars all around, and throttling roses scouring the stone.
Nonsense, darling. I am here.
Please. I am so tired.
Years later, even the bed sprouted, little tendrils of green wandering out of the rain-saturated wood, seeking out more wetness, and finding all that there is to find here—my skin, my blood, my tears. The room which was ample to hold a maiden while she slept off an overdose has become a clot of green, snarled full of woody branches and tender, new shoots. I am enough to water them all, and the spindle is enough to water me. That is the biology of maidenhood.
And so it was that even the bridal bower became rooted in me, and the pillows were blossoms, and the coverlet was bark, and I was the heartwood, still and hard within. Aristotle, Aristotle, with your beard of briars, there are such secret things at work when a bed becomes a tree. I do not fault you for ignorance.
I have had a long time to think.
I am sorry about the needle.
Catherynne M. Valente is a poet, author and scholar whose work can be found online and in print in such journals as Pedestal Magazine, Fantastic Metropolis, Jabberwocky, Fantasy Magazine and is featured in The Year's Best Fantasy and Horror #18. Her latest novel, Yume no Hon: The Book of Dreams, was recently published by Prime Books. Her four-book series of interconnected fairy tales in the tradition of Arabian Nights, The Daughters' Tales, will be released by Bantam/Dell in fall 2007. Her website has more information about her current and forthcoming projects.
Image: Sleeping Beauty by Thomas Ralph Spence.
Posted on July 1, 2005 July 13, 2018 Author CdFCategories Issue 1 (July 2005), Scheherezades Bequest

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Registration for this level of membership costs Kshs. 20,000.
BY SIGNING UP I AGREE TO BE BOUND BY THE GCK CONSTITUTION, RULES AND REGULATIONS AND I HEREBY GIVE POWER OF ATTORNEY TO GCK TO ENROL MY NAME IN THE REGISTER OF GCK AND FURTHER REMOVE MY NAME IN ANY OTHER PARTY REGISTER.


During the middle ages, well hundreds of years ago, the dynamics between an artist and the patrons was quite different from where it stands today. The origin of the word patron lies in the latin word patronus, which literally translates as father or the master. This word patronus is in fact quite an accurate signifier of what the patrons of the art were like, and the position they enjoyed in the artistic arena in the times leading up till the Renaissance period.
The royals, nobles, and those of immense wealth were known to pay artists a living wage even as they created masterpieces commissioned by the patrons. Today the artists and the creators of stunning masterpieces are often held in great regard for their imagination, innovation, and creativity; in the past, however, they were treated as a mere skilled labor following the creative instructions of someone with extreme wealth, vision, and status in the society.
Today when we talk about the beauty of the ceiling at Sistine Chapel, we immediately credit Michelangelo with it without batting an eyelid and most of us do not recognize the name Pope Julius II or "The Warrior Pope". It was actually him who commissioned the artist to bring alive the grandiose of these biblical scenes on the ceiling. Michelangelo, himself was hesitant and skeptical about straying from his specialty that was sculpting, but on insistence and pressure from the Pope, he gave in at last. It was The Warrior Pope who shaped up the culturally rich city that Rome stands to be today by commissioning numerous such stellar masterpieces like the famed reconstruction of St. Peter's Basilica.
Progressively the general population became more curious about the world they were a part of and towards the latter half of the Renaissance period artists and creators like Michelangelo gained a respectable status in the society and helped define the image of an artist responsible for creative thinking, independent work, and a pool of original ideas with a capability of bringing them to life. They, however, were still at least a few hundred years away from making a decent living pursuing this.
It was somewhere between the Renaissance and the web revolution when this environment further changed and the patronage model of those times gently shifted to a predominantly publicly supported structure. This is when anyone, not necessarily the immensely affluent could venture and explore the world of art and support it in cultural centers like museums, galleries, theatres and more. This system enabled the artists to create elegant works of their own choosing and thought and more than willing audience and buyers would line up, pay the money to have a piece of it.
This new environment resulted in further institutionalization of art and in an endeavor to make quick money a dubious subclass of middlemen squeezed themselves in between the artists and the patrons. Creating an opportunity to maximize and cut a share for themselves in the wealth that a creator may procure from their creations a new breed of agents, publicists, record labels, publishing companies, producers and movie studios stepped in to manage the business aspect of these artists.
In order to do away with this system of entrepreneurial middlemen who were cashing in on the talent of the artists by wedging a gap between them and the patrons, the artist community was looking for a system or a platform for communities of supporters to come forward and help them flourish.
It was in 1990 that the World Wide Web was created and it was under its influence that reception of art transformed completely. The advent of internet opened a horde of windows and doors of opportunity to which we all flocked as a fabulously convenient way to communicate to others opened up.
It was only a matter of years before the artists were able to create a self-sustaining model of creative entrepreneurship enabling themselves to connect directly to the market and deliver to the consumer directly.
Theoretically, it all seemed to be a dream come true situation for the artists, however the ease of the system and access resulted in any and every one assuming the role of an artist thus bringing the collective value of the whole group down. The numerous channels of service make different forms of art available to us at a nominal subscription fee, resulting in a general degradation in value of these creations, which were once unattainable, or considerably expensive to say the least.
In the modern world, the life of a creator is neither easy nor cheap. The artists create pieces with great effort and there is a substantial cost attached to it, the price tag that they attach to their work is not just a random number they fancied. The artists, like any other modern day professional need time and resources to continue to sustain a living through the profession of their choosing. It is therefore valid to question the unfair vilification of artists who attempt to make a living through their art. Is the romanticized image of a starving artist so deeply embedded in our psyche that we refuse to accept any artist who wills to make it past that image?
Fortunately, however, the future sees more control coming into the hands of the creator and an effective demolishing of the barrier that stood between the artists and their willing supporters. It is foreseen that the artists or creators of any genre would not need some big names in their sponsors kitty or over a million fans; even a modest list of 500 supporters can help them earn a decent income and live comfortably. "Making it as an artist" would lose context in future as the gaping disparity between a top notch maestro and an around the corner artist would lessen drastically.
Hundreds of years ago it was the patrons who had absolute control over the artists in every regard. In the past century, however, the proverbial tables seem to have shifted, if not turned completely with more and more power coming into the hands of the creator. It is this evolving relationship and harmony between the two that will decide the future of the funding of the art and the artists.


text:
Lions fined $110K for mishandling Stafford injury status
David Blough #10, Kyle Sloter, and Matthew Stafford of the Detroit Lions take the field before the game against the Minnesota Vikings at U.S. Bank Stadium on December 8, 2019 in Minneapolis, Minnesota.	Stephen Maturen / Getty Images
The Detroit Lions organization was fined $110,000 on Saturday for how it handled the injury designation of quarterback Matthew Stafford before a Nov. 10 game against the Chicago Bears.
The breakdown of fines included $75,000 as an organization, $25,000 to coach Matt Patricia and $10,000 to general manager Bob Quinn.
Stafford, who will miss his fifth straight game when the Lions play at the Minnesota Vikings on Sunday, has been out since sustaining a back injury on Nov. 3 against the Oakland Raiders.
He practiced throughout the week before the Bears game and announced to reporters he was "good to go," while trying to keep alive a starting streak of 136 consecutive regular-season games. The streak, which dated to the start of the 2011 season, is the sixth longest in NFL history by a quarterback.
On the injury report, he was officially listed as questionable, which is the most favorable designation for injured players.
The Lions failed to update Stafford's status to "out" for the Bears game, even after tests two days prior indicated his injury was more serious than first thought. Some of his Lions teammates told media outlets on the Saturday before the game that Stafford would not play, and doctors considered it "unsafe" for him to compete.
While ruled out internally, the Lions still listed Stafford as "questionable" on the injury report.
"If you downgrade a player to out, then you can't make him active or dressed," Patricia said about the situation. "That was the only thing I thought that would be more messed up, right? Trying to get a guy to dress after we downgrade him to out. (So we said), 'OK, let's take the night, let's go to bed and let's wake up (Sunday) and see how we feel, and then make a decision.'
"That was really my biggest concern there, if we downgrade him to out, then I can't even have him dressed for the game, which I wanted to leave that option open."
The NFL makes its policy clear, stating, "if, prior to the team's arrival at the stadium on game day, an event occurs that causes the club to decide that a player will not start or will not play, the club must update its Game Status Report."
Lions to retain coach Patricia, GM Quinn for 2020 Stafford, Lions come from behind to beat Chargers
New home goes to Wallaceburg woman in Brentwood Lottery | Windsor Star
Guest column: Grocery stores may be next victim of dollar store invasion | Windsor Star
Henderson says it's time to enhance Windsor's image | Windsor Star
Reader letter: General Amherst should be updated rather than replaced | Windsor Star
Leamington's regional transit service exceeds expectations | Windsor Star
Police respond to multiple shots near Amherstburg's Libro Centre | Windsor Star
Windsor-made app to connect job seekers, employers | Windsor Star


text:
The modified Rankin Scale (mRS) is a commonly used scale for measuring the degree of disability or dependence in the daily activities of people who have suffered a stroke or other causes of neurological disability. It has become the most widely used clinical outcome measure for stroke clinical trials.

The scale was originally introduced in 1957 by Dr. John Rankin of Stobhill Hospital, Glasgow, Scotland as a 5-level scale ranging from 1 to 5. It was then modified to by either van Swieten et al. or perhaps Prof. C. Warlow's group at Western General Hospital in Edinburgh for use in the UK-TIA study in the late 1980s to include the value '0' for patients who had no symptoms. As late as 2005 the scale was still being reported as ranging from 0 to 5.  Somewhere between 2005 and 2008 the final change was made to add the value '6' to designate patients who had died. The modern version of modified version differs from Rankin's original scale mainly in the addition of grade 0, indicating a lack of symptoms, and the addition of grade 6 indicating dead.

Interobserver reliability of the mRS can be improved by using a structured questionnaire during the interview process and by having raters undergo a multimedia training process. The multimedia mRS training system which was developed by Prof. K. Lees' group at the University of Glasgow is available online.  The mRS is frequently criticized for its subjective nature which is viewed as skewing results, but is used throughout hospital systems to assess rehabilitation needs and outpatient course. These criticisms were addressed by researchers creating structured interviews which ask simple questions both the patient and/or the caregiver can respond to.

More recently, several tools have been developed to more systematically determine the mRS, including the mRS-SI, the RFA, and the mRS-9Q. The mRS-9Q is in the public domain and free web calculators are available at modifiedrankin.com and mdcalc.com.

The Modified Rankin Scale (mRS)
The scale runs from 0–6, running from perfect health without symptoms to death.
 0 - No symptoms.
 1 - No significant disability. Able to carry out all usual activities, despite some symptoms.
 2 - Slight disability. Able to look after own affairs without assistance, but unable to carry out all previous activities.
 3 - Moderate disability. Requires some help, but able to walk unassisted.
 4 - Moderately severe disability. Unable to attend to own bodily needs without assistance, and unable to walk unassisted.
 5 - Severe disability. Requires constant nursing care and attention, bedridden, incontinent.
 6 - Dead.

See also
 Barthel scale
 Glasgow outcome scale
 strokecenter.org list of stroke assessment scales (external link)

References

Rehabilitation medicine
Medical scales

redpajama_set_name: RedPajamaWikipedia


Lee Mays is a Hall of Famer and has played for multiple baseball teams including; The Cincinnati Reds, the Baltimore Orioles, Houston Astros and Kansas City Royals. However, he isn't regarded as one of the great baseball players. Nevertheless, concerning Cincinnati Red history, he unquestionably was an engineer behind the creation of what Cincinnati fans remember as the "Big Red Machine." So does Lee Mays get enough credit? You see Lee Mays was a 6 ft 3 205 pounds first baseman who could hit and run with the best of them. He was an outstanding individual baseball player and helped lead the Red's to the Playoffs in 1970 before falling to the Orioles. But during 1971 the Cincinnati Reds struggled as a team and finished 79-83. Because of this, the team decided to go a different route, and Lee Mays was a part of it. He was pivotal in a trade that brought Joe Morgan along with other players to the team. You see the very definition of an engineer is a person who designs, built or maintains machines. Lee Mays was that. Upon learning of his induction into the Reds Hall of Fame, Mays was elated and relieved. He stated that he'll "always be a Red at heart because that's where I got my beginning." Mays first major league ball game was as a Cincinnati Red. His first World Series was also as a Cincinnati Red. He continued stating, "I've got a lot of good memories, and I have a lot of good friends that I met when I played in Cincinnati. It's a fun town to play in." So while the era of the Big Red Machine will forever go down in Red's history; It's important that baseball enthusiast never forget the man who spearheaded the movement, Lee Mays.


text:
The White Sniper Simo Häyhä by Tapio A.M. Sarelinen " I did what I was told to do, as well as I could. There would be no...
The White Sniper Simo Häyhä by Tapio A.M. Saarelinen
by Robert Peterson Saturday, October 29, 2016 1 comments
The White Sniper Simo Häyhä
Tapio A.M. Sarelinen
" I did what I was told to do, as well as I could. There would be no Finland unless everyone else had done the same" Simo Häyhä.
We have had a number of books and movies recently about the exploits of snipers. None of the others even come close to Simo Häyhä. His record of 542 confirmed kills is head and shoulders above the rest, mainly because he used his own M28-30 rifle with only iron sites. If given a fifty caliber sniper rifle and a state of the art scope, he might have been able to shoot out Stalin's left eye from the Finnish border. The other fact that makes his kill record unbelievable is the fact that he was only in action ninety-eight days during the Russo-Finnish or Winter war. His daily average of kills was an astonishing 5.53. All of these facts are simply amazing. As the book points out, an American study found that 7,000 rifle shots were needed in WWI to achieve a combat kill. During the Vietnam War, this had risen to 25,000. Compare this to a professionally trained sniper who needs just 1.3 shots for a kill.
Finland is one of those European countries that we take for granted. Oh sure, we know where it is on a map, but the country's history, and especially its military history, is a blank page to many. Finland, much like Switzerland, is a country that no one thinks of when military ardor is thought of. The truth is the Swiss were the greatest mercenaries for a few hundred years of European history. Finland's martial history, while not as far reaching as the Swiss, is just as decorated either fighting for or against Swedish kings or Russian czars. The Winter War was Stalin's attempt to emulate Hitler. Stalin wanted to take some land from Finland, and he made sure the Finns understood "it was an offer they couldn't refuse". Much to Stalin's delight the Finns did refuse. So now Uncle Joe could show the world what the Red Army could do. The Russian bear attacked Finland assuming that after some fighting and a little objection from the free world, the Finns would roll over and play dead. Well, Finland showed what the Red Army could do; it could bleed, and profusely at that. Finland's heroic fight against its titanic neighbor was the center of the worlds attention in the winter of 1939. The British government was actually considering attacking the Soviet Union over the aggression. Imagine how different WWII could have been if that happened. All eyes were glued on plucky little Finland. In the end Russia won, of course, but the Red Army's dismal performance was one of the reasons that Hitler turned his rapacious eyes to the east.
So now that we have some background information we turn back to second lieutenant Häyhä. He was born on December 17, 1905. Unfortunately, he did not make it to one hundred years, dying on April 1, 2002 (if you weren't aware the Finns are a long lived race). He was conscripted into the Finnish Army in late 1925 and served fifteen months in different bicycle battalions. He then served a few weeks in the summer of 1938 and underwent sniper training. He was in Finland's civil Guard when his marksmanship came to his superiors' attention. He won numerous awards and championships with both a rifle and a machine gun. He was a hunter and trapper from childhood in Finland's vast forests. This he put to good use in the war. The Russians tried to kill him several times and even put a price on his head. Häyhä's luck ran out on March 6, 1940. He was hit in the face and head with an exploding bullet. The Winter War would have been over in just a few more days. He had to undergo twenty-six operations through his life due to the wound; the left side of his jaw was missing. He did go onto live a long and productive life as a farmer and continued his hunting for many years.
The book's author is a career officer in the Finnish Army. His expertise is in sniping and he has taught the skill for two decades to the new breed of Finnish warriors. The first part of the book is devoted to the life of Simo Häyhä, before and after the war. The second half goes into the secrets of Häyhä's success, his rifle, and using his techniques. The appendices are four in number and include a list of the top snipers in the world from 1939 to 2005.
The book is what we have come to expect from Casemate. It is well made and is liberally supplied with photos, maps, and some diagrams.
A question to the readers, what is a Molotov cocktail?
Book: The White Sniper Simo Häyhä
Publisher: Casemate Publishers
Labels: book Casemate Publishing The White Sniper
its the WHITE DEATHHHHHHHHH NOT THE WHITE MAN!
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The toppers from the Croatian first division takes on Slovakian football club Trnava in the fourth matchday in Group D fixtures.
Zagreb has been on outstanding form in the Europa League so far, winning all their matches so far and thus posting nine points out of an available nine. They have scored a mammoth eight goals while only conceding two.
Trnava, on the other hand, has disappointed with just a win and the other two matches resulted in losses. The only win came against the bottom-most Anderlecht. The Slovakian club has scored two, the joint-lowest, and has conceded four goals so far.
Zagreb just recorded an away victory against a tough Osijek in their league fixture, last weekend. The deadlock remained till the half-time, and in the second half, the visitors responded with two goals to take home the three points.
Trnava too recorded a 2-0 win at home against Podbrezova in the Slovakia Fortuna Liga. An early goal in the first half and a late goal in the second half completed the proceedings.
The only head-to-head match between the two, which was in this year's Europa League competition itself, ended in an away win for Zagreb, the scoreline being 1-2.
Zagreb is currently on a 13-match unbeaten streak and has lost only one of their last 33 matches.
Trnava has been winless in 14 of their last 25 matches.
Zagreb has lost only one of their last 19 matches at home.
Trnava has won five of their last 20 matches on the road.
The Croatian club has this match in the bag and will ensure their progression into the knockouts once the final whistle is blown. The sole match between the teams was won by Zagreb, who were on the road then.
Dinamo Zagreb has been absolutely on fire this season, both in domestic competitions as well as in Europe. They have won all three of their matches so far. One more easy win against this struggling Trnava side and they could make the rest of the two matches mere formality. This fact alone would drive them forward.
A chance to progress further in Europe, in front of their fans will be added motivation.
Trnava has been terrible in the tournament so far. Except for the match against Anderlecht, the worst side in the group, they really let down their fans.
Expect Zagreb to put goals behind the guests with apparent ease. The hosts will win this match with at least a three-goal margin. They have scored 42 goals in their last 17 home matches. Expect the trend to be continued.


text:
The Rosett Report
North Korean Prison Camp Musical -- In a Theater Near You
By Claudia Rosett 12:54 AM on September 27, 2006
It's not your usual musical, and I would not ordinarily call attention to a stage production I have not yet seen. But the subject is one of the most wildly under-reported stories of our time — the gulag of North Korea. Despite all we have heard of the depravities of Kim Jong Il's murderous regime, the realities of North Korea's monstrous system remain as a rule far removed from the world spotlight. Someday this system will shatter, the cameras will go in, and when that happens we will gaze in shock, listen with horror, and ask each other how the world could have let this happen.
Some intrepid souls keep trying to tell the world about North Korea now, in any way possible. And so, despite many obstacles, Yoduk Story, a musical set in a North Korean prison camp, is opening Wednesday, Oct. 4, just outside Washington. Check it out. … Some further background: Yoduk, sometimes transliterated as Yodok, is one of the many North Korean prison camps covered in a painstakingly documented report released in 2003, by the U.S. Committee for Human Rights in North Korea. With the press, human rights groups, or for that matter, just about everyone but the guards and inmates forbidden access, this gulag almost never makes the evening news. It should. Will Yoduk Story work as a musical? I don't know. But anything that might help shine a light on North Korea's gulag sure deserves a chance.
For media inquiries, please contact [email protected] Claudia Rosett is widely recognized as a ground-breaking reporter on corruption at the United Nations. Her investigative reporting skills, drawn from three decades as a journalist covering international affairs, led her to expose the U.N. Oil-for-Food scandal, the worst financial fraud in the history of humanitarian relief. Ms. Rosett worked from 1984-2002 as a staff editorialist, editor and reporter at The Wall Street Journal, and has appeared before six U.S. House and Senate Committees and Subcommittees to testify on subjects including U.N.-related corruption and the Iran-North Korea strategic alliance. Her work on Oil-for-Food earned Claudia the 2005 Eric Breindel Award and the Mightier Pen award, and for her on-site coverage of China's Tiananmen Square in 1989, she won an Overseas Press Club Citation for Excellence. She is a Foreign Policy Fellow with the Independent Women's Forum, and writes a column on foreign affairs for Forbes.com.
Read more by Claudia Rosett


text:
Mac OS X Build Instructions and Notes
====================================
This guide will show you how to build the Energi Core wallet for MacOS.

Notes
-----

* Tested on OS X 10.7 through 10.13 on 64-bit Intel processors only.

* All of the commands should be executed in a Terminal application. The
built-in one is located in `/Applications/Utilities`.

Preparation
-----------

You need to install Xcode with all the options checked so that the compiler
and everything is available in /usr not just /Developer. Xcode should be
available on your OS X installation media, but if not, you can get the
current version from https://developer.apple.com/xcode/. If you install
Xcode 4.3 or later, you'll need to install its command line tools. This can
be done in `Xcode > Preferences > Downloads > Components` and generally must
be re-done or updated every time Xcode is updated.

You will also need to install [Homebrew](http://brew.sh) in order to install library
dependencies.

The installation of the actual dependencies is covered in the instructions
sections below.

Instructions: Homebrew
----------------------

#### Install dependencies using Homebrew

    brew install autoconf automake berkeley-db4 libtool boost miniupnpc openssl pkg-config protobuf libevent qt

NOTE: Building with Qt4 is still supported, however, doing so could result in a broken UI. Therefore, building with Qt5 is recommended. Be aware that Qt5 5.7+ requires C++11 compiler support.

### Building Energi Core

1. Clone the GitHub tree to get the source code and go into the directory.

        git clone https://github.com/energicryptocurrency/energi.git
        cd energi

2.  Build Energi Core:
    This will configure and build the headless Energi binaries as well as the gui (if Qt is found).
    You can disable the gui build by passing `--without-gui` to configure.

        ./autogen.sh
        ./configure
        make

3.  It is also a good idea to build and run the unit tests:

        make check

4.  (Optional) You can also install Energi to your path:

        make install

Use Qt Creator as IDE
------------------------
You can use Qt Creator as IDE, for debugging and for manipulating forms, etc.
Download Qt Creator from https://www.qt.io/download/. Download the "community edition" and only install Qt Creator (uncheck the rest during the installation process).

1. Make sure you installed everything through Homebrew mentioned above
2. Do a proper ./configure --enable-debug
3. In Qt Creator do "New Project" -> Import Project -> Import Existing Project
4. Enter "energi-qt" as project name, enter src/qt as location
5. Leave the file selection as it is
6. Confirm the "summary page"
7. In the "Projects" tab select "Manage Kits..."
8. Select the default "Desktop" kit and select "Clang (x86 64bit in /usr/bin)" as compiler
9. Select LLDB as debugger (you might need to set the path to your installation)
10. Start debugging with Qt Creator

Creating a release build
------------------------
You can ignore this section if you are building `energid` for your own use.

energid/energi-cli binaries are not included in the Energi-Qt.app bundle.

If you are building `energid` or `Energi Core` for others, your build machine should be set up
as follows for maximum compatibility:

All dependencies should be compiled with these flags:

 -mmacosx-version-min=10.7
 -arch x86_64
 -isysroot $(xcode-select --print-path)/Platforms/MacOSX.platform/Developer/SDKs/MacOSX10.7.sdk

Once dependencies are compiled, see [doc/release-process.md](release-process.md) for how the Energi Core
bundle is packaged and signed to create the .dmg disk image that is distributed.

Running
-------

It's now available at `./energid`, provided that you are still in the `src`
directory. We have to first create the RPC configuration file, though.

Run `./energid` to get the filename where it should be put, or just try these
commands:

    echo -e "rpcuser=energirpc\nrpcpassword=$(xxd -l 16 -p /dev/urandom)" > "/Users/${USER}/Library/Application Support/EnergiCore/energi.conf"
    chmod 600 "/Users/${USER}/Library/Application Support/EnergiCore/energi.conf"

The next time you run it, it will start downloading the blockchain, but it won't
output anything while it's doing this. This process may take several hours;
you can monitor its process by looking at the debug.log file, like this:

    tail -f $HOME/Library/Application\ Support/EnergiCore/debug.log

Other commands:
-------

    ./energid -daemon # to start the energi daemon.
    ./energi-cli --help  # for a list of command-line options.
    ./energi-cli help    # When the daemon is running, to get a list of RPC commands

redpajama_set_name: RedPajamaGithub


On the weekend of 3rd and 4th September, the Burnham Lions were proud to support the PALS annua; ga,es (formerly SADSAD). We cooked up a heap of bacon butties, birgers in baps, hot dogs, donughts and tea and coffee for the ravenous athletes taking part in the outdoor and indoor events. From snooker and pool, draughts and dominos, pimg pomg amd petenque, discuss, shot, javelin, archery, botcha, golf and bowls and many more!
Lions Caroline, Iain and John and some mysterious feet!


text:
Das ATP Challenger Lošinj (offizieller Name: Lošinj Open) ist ein seit 2021 stattfindendes Tennisturnier in Veli Lošinj, Kroatien. Es ist Teil der ATP Challenger Tour und wird im Freien auf Sand ausgetragen.

Liste der Sieger

Einzel

Doppel

Weblinks
 Ergebnisarchiv der ATP

Lošinj

Erstveranstaltung 2021


text: select passwordHash from Users where uuid = ?


text:
Drug Attorneys » Drugs » Dilantin Lawsuit
Dilantin Lawsuit
Updated: July 23, 2010 — Patients taking Dilantin, or Dilantin XR, need to be aware of serious skin side effects. The FDA has warned of a potential increased risk of severe skin reactions including Stevens Johnson Syndrome (SJS) and Toxic Epidermal Necrolysis (TEN) from phenytoin therapy. Epileptic patients taking Dilantin to control seizures should be aware of these health risks. Dilantin (phenytoin sodium) is an anti-epileptic drug, sometimes also called an anticonvulsant. It works by slowing down impulses in the brain that cause seizures. Doctors prescribe Dilantin (phenytoin sodium) to patients with certain forms of epilepsy to manage temporal lobe seizures (a type of seizure caused by disease in the cortex of the temporal [side] lobe of the brain affecting smell, taste, sight, hearing, memory, and movement) and grand mal seizures (a type of seizure in which the individual experiences a sudden loss of consciousness immediately followed by generalized convulsions). Dilantin may also be used to prevent and treat seizures that can occur during and after neurosurgery (surgery of the brain and spinal cord).
Dilantin Stevens Johnson Syndrome (SJS)
Stevens Johnson Syndrome is a rare and serious disease that affects the mucous membranes and the skin, eventually resulting in the epidermis (the outer layers of skin) separating from the dermis (inner layers of skin). SJS is closely related to TEN (Toxic Epidermal Necrolysis), which affects the skin in the same way but can lead to the separation of one hundred percent of the epidermis. SJS is said to be a milder form of TEN, affecting up to thirty percent or more of the epidermis. SJS has been linked to many prescription medications and a multitude of common over-the-counter treatments as well. Stevens Johnson Syndrome is similar to Lyell's Syndrome.
For more Dilantin SJS information, see also: Dilantin Stevens Johnson Syndrome Lawsuits
Dilantin Toxic Epidermal Necrolysis (TEN)
Toxic Epidermal Necrolysis (TEN), also known as Lyell's Syndrome, is said to be a more severe form of Stevens Johnson Syndrome with mortality and morbidity rates that are much higher than SJS. Like SJS, TEN & Lyell's Syndrome are immune complex-mediated hypersensitivity complexs that are a severe expression of erythema multiforme and involve the skin and mucous membranes. Again, as with SJS, there is significant involvement of oral, nasal, eye, vaginal, urethral, GI, and lower respiratory tract mucous membranes in Toxic Epidermal Necrolysis (TEN).
For more Dilantin TEN information, see also: Dilantin Toxic Epidermal Necrolysis Lawsuits
FDA Investigates Dilantin Risks of SJS and TEN
The FDA is investigating new preliminary data regarding a potential increased risk of serious skin reactions including Stevens Johnson Syndrome (SJS) and toxic epidermal necrolysis (TEN) from phenytoin therapy. For more FDA Report information, read: FDA Dilantin Investigation
Speak to a Dilantin Lawyer
If you took Dilantin and suffered Stevens Johnson Syndrome (SJS) or Toxic Epidermal Necrolysis (TEN), we encourage you to contact a Dilantin attorney at our law firm immediately. An experienced product liability attorney can assist you in a legal action against the makers of Dilantin. Contact our law firm and learn more about your legal rights and the options available to you and your family.
© Willis Law Firm for Drug Attorneys. Replication strictly prohibited without written consent.


Loom & Spindle welcomes a fresh new palette of bright rainbow hues to our inaugural yarn range Woolsey, A Weaving Yarn.
Carefully considered and selected specifically for tapestry weaving, Woolsey is a 100% wool yarn with a single ply construction and moderate twist.
Where multi-ply yarns can shadow and dull the surface of the tapestry fabric, Woolsey's defining single ply construction helps to reduce these dulling effects encouraging a smooth bright fabric surface.
When woven at our suggested gauge Woolsey produces a clear and well-defined weave ideal for working shapes and textural stitches.
With our recommended warp sett of 4-6 epi (16-24ends/10cm) Woolsey covers quickly and predictably making it a great choice for beginner weavers.
4-6 epi (16-24ends/10cm) using a cotton warp.
Coverage, approximately 10-15 meters (11-16y) per 10cm x 10cm (4" x 4") woven in plain weave.
18 stitches over 10cm, using 5mm needles (4 ½ stitches per inch, US size 8 needles).
16-20 stitches over 10cm, using 3.5-4.5mm hook ( 4-5 stitches per inch, US size E-4 to G-7 hook).
Not recommended with this yarn.
Being a 100% wool yarn, Woolsey will bloom when heat and water are applied. For projects destined for use or wear that will at some point require blocking or washing, we recommend swatching and submitting the sample to these scenarios to analyse the effects.
For tapestry projects that require blocking to set the fibres we suggest a light steam using the steam function on a cool iron.
For hand knit and crochet pieces we recommend hand washing Woolsey in cool water using a mild detergent or wool wash. Then rinsing thoroughly. Roll gently in a towel to remove excess water, do not twist or wring. Lay flat to dry.


Love is in the air and I am always looking for a clever gift for my honey that goes a bit beyond chocolates. My favorite find for Valentines this year? A sustainable lifestyle choice that demonstrates your love by giving back to Mother Earth in an impactful way. These gifts are perfect for anyone who supports a healthy environment and wants to reduce greenhousegases.
Say I love you to your sweetie as well as the planet with a carbon reduction project from Cool Effect. If you are here reading Green with Renvy, I am sure like myself, you are concerned about carbon emissions. After traveling to most of the destinations involved in these projects, I can assure you that they will all make a difference in the environment and the effects of climate change.
Cool Effect – a premier destination for world-class and carefully selected carbon reduction projects – recently launched its new gift center so it's easier than ever for people to gift their sweethearts something that gives back to Mother Earth.
There's nothing sexier than a generous heart, especially when it helps provide cleaner and safer home environments around the globe. The Happy Health, Happy Heart bundle supports clean cookstove projects around the globe. Cleaner air means better health. In addition to the more thematic gift pack, there are several other themed options outlined below – there's something for everyone.
Costa Rica has always been known as and ecofriendly getaway. Their Pura Vida Life supports a sustainable lifestyle. Blow your loved one away with a gift that has the power to energize the earth. The Big Fan giftpack supports the creation of renewable energy and jobs by funding the construction of wind turbines in Costa Rica. Through this project 50,000 people will receive power and 11,000 tonnes of carbon emissions will be saved. It's a gift that's sure to impress anyone who lives a sustainable lifestyle and is the perfect way to tell them that you're their biggest fan.
Melt a loved one's heart with a gift that has a lasting impact. The Snowman gift pack helps to save our snowmen from melting away by supporting projects that cool our earth and reduce carbon pollution. This gift pack supports all Cool Effect projects across the globe to fight climate change. You'll be helping provide clean cookstoves for kids in Uganda, protecting the rainforest in Madagascar, and be supporting the construction of renewable wind power in Costa Rica. It's a gift that is sure to warm their hearts.
As I start my 6th trip to India, I can especially relate to this project. Cows are sacred here, and as such, roaming freely everywhere. With that comes their poop, a powerful source for energy in this country. The Poo Package might sound like a punchline but it's a powerful gift that supports a very real environmental project. The gift pack benefits the Community Biogas Project which helps family farmers in India build biogas digesters to turn animal waste into clean, usable energy. You'll be giving a gift that not only reduces harmful methane emissions but also helps to power communities in India, it's a gift that doesn't stink.
What's the perfect gift for the outdoors lover in your life? How about the gift of clean air? TheCuckoo Combo is a gift pack that any environmental lover is sure to be crazy about. The gift pack supports efforts to capture methane and reduce nitrous oxide emissions while generating income for local communities. This gift helps to support the Native American Methane Capture Project in Colorado and the Mississippi-based Nitrous Oxide Abatement initiative, which both work to improve air quality and reduce earth-warming emissions.
Traveling in the Amazon region of Peru recently with AdventureSmith Explorations was an eyeopening experience. Along with an appreciation for the indigenous culture, from the air we could clearly see that forest areas have been decimated by deforestation. Give a Brew–tiful Gift that will support efforts to reduce logging in coffee growing regions. This gift pack funds the Alto Mayo rainforest project which protects nearly 450,00 Peruvian acres from deforestation. While it also contributes to reducing, firewood use in Honduras by nearly 50 percent by providing clean cookstoves to local families. It's a gift that any coffee lover can appreciate.
Along with a clever origami design for your purchase, Cool Effect will send a certificate to your loved one describing the sustainable lifestyle selection.
So there you have it. A bevy of selections that make gift giving a breeze as well as supporting the environment at the same time. These sustainable lifestyle gifts would really work any time of year, so make sure to bookmark the page and take advantage of these unique offerings year round.
Brilliant ideas, I think many people are over the commercialisation of valentine's Day and don't want to buy more crap that has no purpose and these are so much more meaningful.
Some excellent and meaningful gifts here. We're heading to Costa Rica this year and I'm looking forward to learning more about Pura Vida Life.
What a fabulous collection of gifts. And how could receiving a Poo Package not put a smile on your face? Although I guess at first they might just look confused, much to the amusement of the giver no doubt!
Such a nice idea – I always try to give experiences as presents where I can and this is extra special as you're doing good too.


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Posted on December 1, 2012 August 14, 2020 by Museum of Health Care
*The following blog post was written by Curatorial Volunteer Rebecca Jemmett.
What is World Aids Day?
December 1st 2012 will mark the 24th year of World AIDS Day. Beginning in 1988, Worlds AIDS Day was the first ever global health day. It aims to support people around the world who have been affected by HIV and remember those who were lost to the virus. The World AIDS Day initiative works to eradicate the stigma surrounding the virus and to raise awareness and funds for prevention and research.
What is HIV/AIDS?
Human Immunodeficiency Virus, more commonly known as HIV, is a virus that attacks the body's immune system, necessary for the human body to fight disease. Between 1981 and 2007, approximately 25 million people died from the virus worldwide[1] – it has been one of the most devastating viruses in history. Current global estimates for people living with HIV are approximately 33.3 million.[2] More problematic, Human Immunodeficiency Virus causes the more devastating Acquired Immunodeficiency Syndrome, also known as AIDS.
In 1998, researchers discovered the first known case of AIDS. It was found in a Bantu man from the Democratic Republic of Congo who died in 1959.[3] In 1999, a team of researchers headed by Paul Sharp of NottinghamUniversity and Beatrice Hahn of the University of Alabama discovered the origin of the HIV virus that causes AIDS. They discovered that HIV is a descendent of a Simian Immunodeficiency Virus, frequently found in chimpanzees in western and central Africa. By transferring to humans via zoonosis (a viral transfer between humans and animals), the human population became susceptible to HIV and therefore to AIDS as well.
HIV/AIDS was not a very prevalent disease until the latter half of the twentieth century. Before the 1970's the virus was believed to primarily exist in Africa and Haiti, likely entering the United States around 1970. In 1981, AIDS was detected in California and New York. The following year several infections were reported throughout countries in Europe. The first Canadian was diagnosed with the disease in 1982; since then, approximately 21,000 people have died in Canada while infected with the virus or disease[4]. In these early years, the disease was understood initially to affect men who had sex with other men and intravenous drug users, but soon women and children also reported infection. Three thousand cases were reported in the US in 1983, with one in every three cases resulting in death.[5] Then, in 1984, research proved HIV to be the cause of AIDS. By 1985 AIDS was reported in all parts of the world; fortunately, in that same year an HIV test was licensed for screening blood supplies.
Mobile Needle Exchange, Berkeley California
From its early beginnings, global trends have emerged in attempts to reduce the HIV/AIDS pandemic. Initiatives to promote safer sexual behaviour, education for safe needle use, and medical research are just some examples of the steps taken to reduce the prevalence of the disease. For example, in 1984, the world's first Needle Exchange program was established in Amsterdam. Such measures attempt to prevent the spread of blood-borne viruses by providing clean needles for drug injection. The aim is to reduce the spread of such disease while also educating users about safe injection practice and proper equipment disposal. Significantly, by 1987 the first drug, AZT, was approved for treating AIDs.
Diagram of the Enzyme-linked immunosorbent assay process.The HIV condition is treatable, but early detection is crucial in order to be most effective. Testing involves detecting antibodies to HIV or the genetic material (DNA or RNA) of HIV in the blood, saliva or other samples from the body. Different kinds of tests involve Enzyme-linked immunosorbent assay (ELISA), Western Blot, Polymerase chain reaction (PCR).
By the 1990s, the global community was no longer ignorant about HIV and AIDS and steps were slowly being taken to curb their spread. In 1993, the number of reported cases of AIDS in Canada peaked, never to be that high again. Despite these achievements, the disease still spreads and the stigma surrounding HIV/AIDS continues to persist. With the global effort of World Aid's Day and initiatives alike, the world is working to drop infection rates down to zero.
AVERTing HIV and AIDS. "AIDS Timeline." 2012. Accessed November 26, 2012. http://www.avert.org/aids-timeline.htm
AVERTing HIV and AIDS . "Canada AIDS Statistics by Year and Age." 2012. Accessed November 26, 2012. http://www.avert.org/canada-aids.htm
AVERTing HIV and AIDS. "Needle Exchange and Harm Reduction." 2012. Accessed November 26, 2012. http://www.avert.org/needle-exchange.htm
AVERTing HIV and AIDS. "The Origin of HIV and AIDS." 2012. Accessed November 26, 2012. http://www.avert.org/origin-aids-hiv.htm
Health Canada. "HIV and AIDS." Last modified May 13, 2011. Accessed November 26, 2012. http://www.hc-sc.gc.ca/hc-ps/dc-ma/aids-sida-eng.php
Public Health Agency of Canada. "A Brief History of HIV/AIDS in Canada." Last modified September 25, 2007. Accessed November 26, 2012. http://www.phac-aspc.gc.ca/aids-sida/info/1-eng.php
Public Health Agency of Canada. "At a Glance – HIV and AIDS in Canada: Surveillance Report to December 31st, 2011." Last modified November 06, 2012. Accessed November 26, 2012. http://www.phac-aspc.gc.ca/aids-sida/publication/survreport/2011/dec/index-eng.php.
"Sci/Tech Aids origin 'discovered'." BBC News, February 1, 1999. Accessed November 26, 2012. http://news.bbc.co.uk/2/hi/science/nature/269306.stm.
UN Web Services Section. "World AIDS Day" 2012. Accessed November 26, 2012. http://www.un.org/en/events/aidsday/.
World Aids Day, UK. "About World AIDS Day" 2011. Accessed November 26, 2012. http://www.worldaidsday.org/about-world-aids-day.php
[1] "About World AIDS Day," Accessed November 26, 2012, http://www.worldaidsday.org/about-world-aids-day.php
[3] "Sci/Tech Aids origin 'discovered'," BBC News, February 1, 1999. Accessed November 26, 2012. http://news.bbc.co.uk/2/hi/science/nature/269306.stm.
[4] Public Health Agency of Canada, "A Brief History of HIV/AIDS in Canada," Last modified September 25, 2007, Accessed November 26, 2012, http://www.phac-aspc.gc.ca/aids-sida/info/1-eng.php
[5] AVERTing HIV and AIDS, "AIDS Timeline," 2012, Accessed November 26, 2012, http://www.avert.org/aids-timeline.htm
Posted in Ex crypta: The Curator's Blog, Students, Interns and VolunteersTagged 2012, AIDS, curatorial assistant, december 1, HIV, HIV/AIDS, volunteer, world AIDS day
"Limbsomnia": Pins and Needles Day and Paraesthesia
Celebrating Museum of Health Care Volunteers


Receive 25,000 bonus Reward Points when you meet the spend criteria. Plus, earn uncapped points with an ANZ Rewards card.
The ANZ Rewards card allows you to earn uncapped points per $1 spent on eligible purchases, with a treasure trove of valuable rewards including flights and other travel, gift cards, merchandise and cashback. Apply for this card, be approved and take advantage of 25,000 bonus ANZ Reward Points when you spend at least $1,000 on eligible purchases within the first 3 months from card approval.
Receive 25,000 bonus ANZ Reward Points when you spend $1,000 on eligible purchases within the first 3 months from card approval.
It only gives you up to 44 interest-free days on purchases as opposed to other cards that offer up to 55 days.
25,000 bonus Reward Points. Apply, be approved and spend $1,000 on eligible purchases within the first 3 months from card approval to receive 25,000 bonus Reward Points. To give you an idea, you could redeem them for 12,500 Velocity Points or a $100 David Jones gift card (22,225 Points).
Earn rewards points per $1 spent. The ANZ Rewards card has standard earn rates of 1 Reward Point per $1 spent on eligible purchases up to $1,000 per statement period, then 0.5 Reward Points per $1 spent on eligible purchases above $1,000 per statement period.
ANZ Rewards options. The ANZ Rewards program allows you to redeem your points for travel rewards, merchandise, shopping vouchers and gift cards. You also have the option of cashback for your points, which can be applied to any of your ANZ accounts. Plus you can choose your reward in advance and it will automatically be sent to you when you reach your point goal.
Flexible frequent flyer reward options. Instead of being limited to one airline rewards program, you can earn points and transfer them to a frequent flyer account with Velocity, Air New Zealand, Singapore Airlines or Cathay Pacific Asia.
Mobile payment technology. Apple Pay, Google Pay and Samsung Pay let you use your Apple, Android or Samsung device to tap and pay with your eligible ANZ credit card.
Annual fee. This card charges a standard annual fee of $80.
Interest rates. The interest charged to your purchase balance is 18.79% p.a. (variable). For cash advance transactions, such as ATM withdrawals or foreign currency purchases, a variable interest rate of 20.99% p.a. applies.
Interest-free days. If you pay your balance in full by the due date on each statement, your purchases won't begin accruing interest for up to 44 days after they have been made.
Credit limit. The minimum credit limit on this rewards Visa card is $1,000.
Additional cards. For an annual fee of $65 per card, you can get up to 3 additional cards for your family members to use. These cards also earn points for your account. Note that you will still be held responsible for keeping the account in good standing.
Apply online for the ANZ Rewards card if you are able to meet the following requirements.
Residency status. Australian permanent residents and citizens are eligible to apply for this card. Temporary residents of Australia and New Zealand citizens are also welcome to apply, but will need to meet specific conditions. Visit the ANZ website, a branch or call 13 13 14 for more information.
Minimum income. Australian residents earning at least $15,000 annually will be considered. If you are a temporary Australian resident, you must meet this requirement and have at least 9 months remaining on your eligible visa from the date of application.
Identification. This could be your driver's licence or passport. If you are a Visa holder you will also need to provide information from those documents.
Financial details. You will be asked about your income, expenses, assets and liabilities.
Employment details. This includes your role, salary and your employer's contact details. For those who are self-employed, ANZ will require information about your accountant.
The ANZ Rewards card is an entry-level rewards credit card that has a reasonable earn rate and flexible reward options. It has a competitive annual fee when compared to some other reward credit cards, but doesn't offer many extras. As there are a number of rewards credit cards on the market, you'd be wise to compare your options to find the ideal card for you.
Can I redeem my points with this card for a flight with Qantas?
Qantas is not one of the airline partners for the ANZ Rewards card, but there are other airlines, including Velocity, that you can transfer your points to with this card.
Can ANZ Rewards points be used for Flights with Qantas not Frequent Flyer Program just simply flights with Qantas?
Thanks for getting in touch! As it says on our page, Qantas is not one of the airline partners for the ANZ Rewards card, but there are other airlines, including Velocity, that you can transfer your points to with this card.
Do I get 2 cards – 1 Visa and 1 AMEX?
Yes, you can get 2 cards – 1 Visa and 1 AMEX – both under one ANZ Rewards Visa Card account. This way, you'll have the opportunity as to maximising your potential of earning rewards points.
please define : "Definition of eligible purchases".
Eligible purchases are purchases for goods and services but excluding returns and other credits. Eligible purchases do not include fees or interest charges, balance transfers, cash advances, purchases of traveler's checks, purchases or reloading of prepaid cards, or purchases of other cash equivalents.
What is the conversion rate of the reward points to frequent flyer points?
1 reward point = ?? Krisflyer miles/Velocity/Airpoint dollars/Asia miles.
Two ANZ Rewards points can be redeemed for one Velocity Frequent Flyer point.
A minimum of 6,000 ANZ Rewards Points can be redeemed for 2,000 KrisFlyer Miles. After the initial redemption, you can redeem a minimum of 3,000 ANZ rewards points for 1,000 KrisFlyer Miles.
Redeem an initial minimum of 3,000 Rewards Points for 15 Airpoint Dollars, with additional multiples of 1,500 ANZ Rewards Points allowed thereafter.
You can redeem a minimum of 3,000 Rewards Points for 1,000 Asia Miles and then a minimum of 1,500 ANZ Rewards Points thereafter.
For further information, please visit the ANZ Rewards website.
I applied for this card and received it about a month ago. How long does it take to get the 50,000 bonus points?
Hi Lan, thanks for your inquiry!
The 50,000 bonus Reward Points will be credited to your account within three months of your first eligible purchase. The first eligible purchase must be made within 30 days of approval.
hi, im interested in this credit card but a little confused with the wording. can you receive qantas frequent flyer points on this card or not ?
also can you explain how the dual amex/visa works – is it one card or two ? if i make a purchase using amex card do i receive 2 points and if i make a purchase using the visa card do i receive 1.5 points ? so effectively you would receive 2 statements each month ?
Hi Loui, thanks for your inquiry!
Unfortunately the ANZ Rewards Visa card does not earn Qantas Frequent Flyers points, although you can convert Rewards points to Velocity Frequent Flyer Points, Air New Zealand Airpoints Dollars, Singapore Airlines KrisFlyer Miles and Cathay Pacific Asia Miles. This card comes with a American Express and Visa card, with earnings rates of 2.00 points and 1.50 points respectively. The earnings rates would be displayed on the same statement under different headings.
Can I get an additional card for other person? How much does this cost?
You can add up to three additional cardholders to your account. For additional cardholders on ANZ Rewards an additional cardholder fee of $10 will apply, along with a Rewards Program Services Fee of $55 per additional cardholder on the account.
Hi Clare, thanks for your inquiry!
Generally credit card applications can take 5-10 days for the card to reach the desired address after application approval. Please see our page on new credit card applications on this page and the expected time of arrival for the card depending on the lender.
and if i want use progress saver account to pay my school fee, can i get the points?
Hi Shelsea, thanks for your inquiry!
In regards to ANZ rewards points, rewards have different amounts of points requirements, depending on the type of reward. As such there is no set measure for rewards points to $AUD.
For the purposes of this clause 47, qualifying purchases include everyday purchases charged to a black card account by the black card account holder or by any additional cardholder authorised by the black card account holder, but exclude balance transfers, cash advances (as defined in the ANZ Credit Cards Conditions of Use), cash equivalent transactions, any interest charges debited to the credit card account (including interest charged on previously charged interest), stamp duty and other government charges, ANZ Fees and account adjustments resulting from disputed or reversed transactions or refunds. Generally school fees are considered cash advances and are exempt from earning points.
This depends whether you spend this money on the Visa or American Express card linked to this account. You will earn 1.5 points for every dollar spent on your Visa card, so $10,000 will earn you 15,000 points. For your American Express card you will earn 2 points for every dollar you spend, so $10,000 spent will earn you 20,000 points.
Will I earn point with anz credit card payments to the ATO for BAS?
Unfortunately you will not earn reward points on government charges.


This story at the Washington Post details a plan by former Commerce Secretary Carlos Guttierez to form a SuperPAC to "provide cover" for Republicans in Congress who support comprehensive immigration reform. The effort is necessary because Tea Party extremists stand at the ready to defeat anyone who supports immigration reform in a GOP primary. Especially in off-year elections, it only takes a small number of zealots on either side to knock off those who break with their orthodoxy. Kudos to Guttierez for trying to bring sanity to the GOP and protection to those who wish to be sane.


The benefits of the material this one is quite a lot to our body, especially for lung cancer. Do not rush to give up hope because of the way the treatment is very simple. In addition to efficacy able to repel cancer cells, other functions that can be felt by sufferers is the immune system improved and maintained to remain stable. Even viruses that try to get into the body can be expelled by the content-good content of mangosteen skin.
1. We only need to boil the skin of the mangosteen fruit to taste and cooking water that we consume every day. All cancer cells will be automatically hampered its development so that the spread can be stopped and the patient's condition is able to be saved.
2. If you want another alternative for the processing of the skin of the mangosteen in addition to boil it, we can make juice from mangosteen peel. This can be a solution if for example get bored eating the cooking water mangosteen skin.
3. More practical again indeed don't cultivate themselves, and for this, there are products trusted extract kulit manggis in the form of capsules which can be taken as a rule. Consumption will be much easier without reducing benefits.
Herbal concoctions that are believed to be effective other is made from vegetable spinach red. Its function is very good to help in order pain or pain from lung cancer better and subside.
1. spinach red here only need to be boiled and then filtered. When it's warm, the water can be drunk regularly without bolong each day so that the results more quickly perceived.
2. in Addition to can be used as herb water decoction, vegetable spinach red may also be cooked vegetables and cancer patients can enjoy it as a daily menu.
Herbal remedies for lung cancer which is also to be noted is main made of the leaves of the soursop. This natural material has been proven to slow the growth of cells of cancer because of the power it works only 1000 times bigger and stronger so that the cancer cells will be lost.
Not only cancer of the lung, cancer cells breast cancer is one of the effective will be expelled and exterminated by the content of soursop leaves. That's the fact of soursop leaves so it's no wonder that patients enter into stage 4 lung cancer can drink boiled water every day for healing naturally.
A series of symptoms of lung cancer stage 4 to the point most end have been discussed that may make us be more aware. Although herbal remedies can help, would be much better if the lung cancer can start to be addressed in the early stages.


A union that represents locked out stagehand workers at Exhibition Place is raising concerns about the use of out-of province replacement workers to help set up for the annual Canadian National Exhibition.
Nearly 400 members belonging to the International Alliance of Theatrical Stage Employees (IATSE) Local 58 have been locked out since July 20.
The workers are responsible for construction, lighting, sound, special effects and rigging at Exhibition Place venues, which would ordinarily include some of the set up for the annual CNE.
The union, however, says that it has learned that "replacement workers" from Quebec and elsewhere are being brought in to do that work ahead of the opening of the CNE on Friday.
They say that "few, if any" of the replacements have ever worked at Exhibition Place, posing significant safety risks.
"The likelihood of misjudgment and mistakes are high, especially from a hastily assembled group just brought in and who are racing around the clock to meet very tight deadlines," the union said in a press release issued Monday.
According to the union, negotiations on a new contract had been ongoing for months when workers were locked out on July 20 following a decision by the Exhibition Place board of governors.
The union says that the main issue of contention is management's request that it be allowed to hire non-unionized members for some jobs.
Collective bargaining with IATSE Local 58 is the responsibility of the Exhibition Place board, which is made up of five cut councillors and four members appointed from the public.
In a statement provided to CP24, Mayor John Tory's office called the dispute "unfortunate" but blamed Local 58 for refusing to negotiate.
Members of IATSE Local 58 are planning to hold a rally at city hall at 11:30 a.m. today.


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Joseph Cabrera
as Wadsworth
Joseph is a sophomore at Marathon High School and this is his second year in Drama Club. He is in Marching Band, Jazz Band, and TEEC. He loves Drama Club and is very excited to be doing this show. He would like to thank Ms.Cox for everything she has done for this show.
Mary Ryder
as Yvette
Mary Ryder is a junior at Marathon High School. Starting the MHS Drama Club when she was in sixth grade, this is her tenth show here with the MHS Drama Club. She is also very actively a part of the MHS Marching Band, Academic Challenge, Technological and Engineering Club, eSports Club, National Honor Society, and the Interact Club, as well as the MHS Thespian Troupe.
Kayleigh Reed
as Ms. Scarlet
Kayleigh Reed is a Senior at Marathon High School. This is her seventh show with the Drama Club. She also participates at the Marathon Community Theater and is a proud member and President of our Thespian troupe. She is excited to graduate in May, but is sad to leave the Drama Family.
as Mrs. Peacock
Sara Gonzales is a junior at Marathon High School and this is her 10th show with the drama club. She is also involved in National Honor Society, Champions for Change, Academic Challenge, and Mu Alpha Theta. She also dances with the Keys Dance Academy. Performing is her passion and wants to do that for the rest of her life. She would like to thank Ms. Cox and the whole cast and crew for putting on this amazing performance of "Clue!"
as Mrs. White
Clara Williams is a senior at Marathon High School. This is her 5th production with the drama club and she is happy she's met such a wonderful community of people here. She hopes to share that joy and bring a smile to everyone's face tonight.