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Sirr al-khalīqa and its influence in the Arabic and Persianate world: Awn b. al-mundhir s commentary and its unknown Persian translation 1
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1 AL-QANTARA XXXVII 2, julio-diciembre 2016 pp ISSN doi: /alqantara Sirr al-khalīqa and its influence in the Arabic and Persianate world: Awn b. al-mundhir s commentary and its unknown Persian translation 1 Sirr al-jalīqa y su influencia en el mundo árabe y persa: el comentario de Awn b. al-munḏir y su desconocida traducción persa Mohammad Karimi Zanjani Asl University of Bonn In the Islamic period, Apollonius of Tyana (c CE) was well known both as Lord of the Talismans (ṣāḥib al-ṭilasmāt) and as a Neo-Pythagorean-Hermetic philosopher. In his Kitāb al-aḥjār, Jābir b. Ḥayyān cites the Muslim advocates of Apollonius (aṣḥāb Balīnās al-islāmīyūn). The reference shows that Apollonius most prominent work, Sirr alkhalīqa, was already famous in the Arabicspeaking world from very early on. This article gives an overview of citations of Apollonius in Islamic sources from different fields and of the works generally attributed to him. Furthermore, I review Sirr al-khalīqa, its influences on the Jābirian works and its reception in the Ismā īlī tradition. This article additionally discusses an Arabic commentary of Sirr al-khalīqa by Awn b. al-mundhir (4 th /10 th century), which is extant in a unique manuscript, and its hitherto unknown Persian translation. This Persian translation covers parts of Ibn al-mundhir s work not available in the Arabic excerpt and is therefore an im- En la época islámica, Apolonio de Tiana ( d.c.) era conocido tanto como Señor de los talismanes (ṣāḥib al-ṭilasmāt), así como filósofo neopitagórico y hermético. En su Kitāb al-aḥŷār, Ŷabir b. Ḥayyān habla de los defensores musulmanes de Apolonio (aṣḥāb Balīnās al-islāmīyūn). La referencia muestra que el trabajo más prominente de Apolonio, Sirr al-jalīqa, ya era famoso en el mundo de habla árabe desde muy temprano. Este artículo proporciona una visión general de las citas de Apolonio en las fuentes islámicas de diferentes campos y de las obras, generalmente, atribuidas a él. Además, reviso en Sirr al-jalīqa, sus influencias en las obras ŷābirianas y su recepción en la tradición ismailí. Este artículo aborda además el comentario árabe de Sirr aljalīqa de Awn b. al-munḏir (IV/X), conservado en un manuscrito único, y cuya traducción persa era hasta ahora desconocida. Dicha traducción cubre fragmentos del trabajo de Ibn al-munḏir, no disponibles en árabe, y, por lo tanto, es una fuente sustancial para la 1 My thanks are due to Regula Forster for help with editing this article. Copyright: 2016 CSIC. This is an open-access article distributed under the terms of the Creative Commons Attribution (CC-by) España 3.0.
2 436 MOHAMMAD KARIMI ZANJANI ASL portant source for the history of Islamic alchemy. An edition of the Persian translation is given as an appendix. Key words: Apollonius of Tyana, Balīnās, Hermetic heritage in the Islamic period, Sirr al-khalīqa, Jābir b. Ḥayyān, Ismā īlīya, Awn b. al-mundhir, Lubāb al-uṣūl wa-badā'i alfuṣūl, Persian translation of Ibn al-mundhir s commentary, Persian alchemy. historia de la alquimia islámica. Una edición de la traducción persa se presenta como apéndice. Palabras clave: Apolonio de Tiana, Balīnās, patrimonio hermético en la época islámica, Sirr al-jalīqa, Ŷābir b. Ḥayyān, Ismā īlīya, Awn b. al-mundir, Lubāb al-uṣūl wa-badā'i al-fuṣūl, traducción persa del comentario de Ibn al-mundir, alquimia persa. Introduction The historical Apollonius of Tyana (c CE) was a Neo- Pythagorean-Hermetic philosopher. 2 He was known in the Hellenistic East as a healer, seer and the Lord of the talismans and wonders : a reputation that gained weight in Islamic tradition. He was usually known in the Islamic tradition as Balīnās or Balīnūs and was famous not only as a philosopher but also as an alchemist and as Lord of the Talismans (ṣāḥib al-ṭilasmāt). Today some scholars, like Sezgin and Dzielska, believe that most of the works attributed to Apollonius in the Islamic period are pseudepigraphs of the fifth century CE, while others, like Weisser, doubt the Hellenistic origin of most of these works. The texts attributed to Apollonius contributed to the formation of a Neo- Pythagorean and Hermetic philosophical cosmology, to the formation of alchemy and the occult sciences, and especially to the field of talisman studies and the administration of the home. 3 In 1799 Silvestre de Sacy discussed for the first time similarities between the Hellenistic Apollonius of Tyana and the Islamic Balīnās based on a copy of Sirr al-khalīqa and suggested that they were in fact one and the same person. 4 After de Sacy, subsequent scholars confirmed his identification. 5 Later, scholars including Julius Ruska, Martin Plessner, Paul Kraus, Henry Corbin and Ursula Weisser examined aspects of the influence of the works attributed to Apollonius upon Ara- 2 For his life and heritage in Greek and Latin traditions, see Meyer, Apollonios, pp ; Bowie, Apollonius, pp ; Weisser, Das Buch, pp ; Dzielska, Apollonius, esp. pp Apollonius, like the Zoroastrian Ostanes, connects the Hermetic doctrine to his own ideas (see Bidez and Cumont, Les Mages, vol. 1, pp ). 3 On the intellectual background of Apollonius see Dzielska, Apollonius, p See de Sacy, Le livre, pp See Leclerc, De l identité, pp ; Steinschneider, Apollonius, pp ; Ruska, Tabula Smaragdina, pp ; Plessner, Neue Materialien, pp
3 SIRR AL-KHALĪQA AND ITS INFLUENCE 437 bic texts. 6 There is to date no study that provides a clear understanding of all aspects of his influence, although the scope of his ideas can be traced not only in Arabic but also in the Persianate world. In fact, the Persian literary, scientific, philosophical and mystical heritage reveals that he influenced Persian-speaking thinkers from the eleventh century up to the nineteenth century. Persian-speaking thinkers obviously became familiar with Apollonius ideas and adopted them after encountering them in the Arabic works attributed to him. However, very few studies address the question of which aspects of his works were most influential in Persian literature and how Persian-writing authors adapted them in their own works. 7 It seems that (Pseudo-)Apollonius Sirr al-khalīqa had more influence upon Persian alchemical works than the other alchemical works attributed to him. However, we cannot be sure if authors and translators of Persian alchemical texts knew Sirr al-khalīqa directly or whether they relied on commentaries such as those by Jābir b. Ḥayyān and al- Ṭughrā ī (d. 518/1124), as the Persian alchemical heritage has not yet been appropriately investigated. This article does not claim to examine the influence of Sirr alkhalīqa in Persian alchemical heritage thoroughly; rather, I here discuss aspects of the influence of Balīnās in Persian alchemico-philosophical heritage and present a Persian translation of an Arabic commentary on Sirr al-khalīqa. Apollonius according to sources of the Islamic period Sources of the Islamic period render the name Apollonius in the following forms: Aballunīyūs, Abūlūnīyūs, Afūlūnīyūs, Aballīnas, Alūsūs, Abūlūs, Abalūs, Bulnīyās, Balīnās, Balīnūs and Bulunīyās. 8 6 See Ruska, Tabula Smaragdina, pp ; Plessner, Neue Materialien, pp ; Plessner, Oikonomikos, esp. pp. 1-9; Plessner, Balīnūs, pp ; Kraus, Jābir, pp ; Corbin, Alchimie, pp ; Weisser, Das Buch, pp See Mu īn, Balīnās, pp ; Karimi Zanjani Asl, Mawjūdāt, pp ; Karimi Zanjani Asl, Aṣnām-i Sab a, pp See Ibn al-nadīm, al-fihrist, ed. Tajaddud, pp. 113, 372, ed. Flügel, p. 263; al-qifṭī, Ta rīkh, pp. 61, 64; Ṣāʻid al-andalusī, al-ta rīf, pp ; Ibn al- Ibrī, Tārīkh, pp. 38, 70; Pseudo-Majrīṭī, Ghāyat al-ḥakīm, p. 107; al-ya qūbī, Tārīkh, vol. 1, p. 165; (Ps-)Ḥunayn b. Isḥāq, Ādāb al-falāsifa, pp. 47, 141; al-rāzī, A lām al-nubūwa, p. 107; al-sijistānī,
4 438 MOHAMMAD KARIMI ZANJANI ASL These forms refer to two persons: Apollonius of Perga (c BCE), who was a famous mathematician, and Apollonius of Tyana, an alchemist-cum-philosopher. Like Hellenistic sources, the Islamic authors present a dual image of Apollonius as a philosopher and as Lord of the Talismans at the same time. His renown as Lord of Talismans extends to his namesake Apollonius of Perga. 9 In 1910 Stapleton and Azoo discussed what might be the oldest reference to Apollonius of Tyana in the Islamic world is found in a treatise attributed to Zosimus of Panopolis 10 that was translated from Greek into Arabic in 38/659, a manuscript of which is extant in the Reza Library in Rampur. 11 According to them Apollonius is called Abūlūn in this manuscript, and there is a reference to his Sirr. 12 Sezgin followed them in this regard and came to conclusion that the word Abūlūn indicates the text had been translated from the Greek. 13 More recently, Hallum has shown that Abūlūn/Diyyūlūn or Atūlūn/Diyyūlūn which appear in this text is not the same Apollonius and that the author of this work cannot be Zosimus. He also argues that the date 38/659 is not correct. 14 According to the introduction of Sharḥ Kitāb al-shams al-akbar 15 by Aydamir al-jildakī 16 (d. in or after 743/1342), the Sirr was translated into Arabic at the time of Khālid b. Yazīd (d. c. 85/704), 17 and it should be recalled that the name Apollonius is recorded as Abillīnūs in the list of ancient alchemists attributed to Khālid. 18 Also, Jābir b. Ḥayyān (first Ṣiwān, 81; Bahār, Mujmal, p. 129; Ibn al-haytham, Kitāb al-munāẓarāt, p. 91; Yāqūt, Mu jam, vol. 5, p. 415; Istanbul, Süleymaniye Library, MS Esad Efendi 1987, fol. 1v and MS Vehbi 892, p. 2; Madrid, Escorial, MS 921, fol. 1v. See also Plessner, Oikonomikos, p. 4; Kraus, Jābir, p. 273, note 3. 9 Plessner, Balīnūs, p For the Islamic Zosimus, see Hallum, Zosimus, pp See Stapleton and Azoo, An alchemical compilation, p. 67; Stapleton, The antiquity, p. 7, nr See Stapleton and Azoo, An alchemical compilation, p See Sezgin, Geschichte, vol. 4, pp See Hallum, Zosimus, pp , 142, note See Berlin, Staatsbibliothek Preußischer Kulturbesitz, MS Lbg (Ahlw. 4188), fol. 20v. 16 In a Persian rendering, the name can be read as Jaldakī. 17 On Khālid and the alchemical works attributed to him, see Kraus, Jābir, p. 297, note 5; Stapleton, The antiquity, pp. 2, 5, 7; Sezgin, Geschichte, vol. 4, pp. 83, ; Ullmann, Ḫālid, pp ; Bacchi and Martelli, Il principe, pp See Ruska, Ein dem Chālid ibn Jazīd zugeschriebenes Verzeichnis, p. 295.
5 SIRR AL-KHALĪQA AND ITS INFLUENCE 439 half of the second/eighth century until after 196/812) in his Kitāb al- Aḥjār cites an allegorical interpretation of a verse from the Qur ān that he attributes to the Muslim advocates of Apollonius (aṣḥāb Balīnās al-islāmīyūn). In the Pseudo-Aristotelian Dhakhīrat al-iskandar, Aristotle addresses Alexander and explains that the book was originally written by Apollonius. 19 Apollonius is seen in this narrative as a contemporary of Philip and his son Alexander as he is likewise presented in Bal amī s Persian translation of al-ṭabarī s Ta'rīkh (written in 352/963) 20 and in Niẓamī s Iqbālnāma (written in 599/1202). 21 Among historical works, al-ya qūbī (d. 284/897-8), the oldest source, mentions Apollonius as living in the time of Domitian (r CE), 22 and Abū Rayḥān al-bīrūnī (d. 440/1048), Ibn Abī Uṣaybi a (d. 668/1270) and Ibn al- Ibrī (d. 685/1286) agree in this respect. 23 However, al-ya qūbī also discusses Balīnūs al-najjār (the Carpenter), who is called orphan (yatīm) and Lord of the Talismans. 24 Al- Yaʻqūbī might here refer to the introduction of Sirr al-khalīqa, where Apollonius calls himself an orphan living in Tyana. 25 Ḥunayn b. Isḥāq (d. 260/873) translated Apollonius' Risāla Ta thīr al-rūḥānīyāt fī l-murakkabāt and al-mudkhal al-kabīr. 26 And in Ādāb al-falāsifa, (Pseudo-)Ḥunayn b. Isḥāq refers to Apollonius twice: in the fifth section of the first chapter when mentioning the statement carved on his seal, and in the seventh section of the second chapter when citing its exact wording. 27 Whether Abū Sulaymān al-sijistānī (d. 380/1000) when citing the statement the pen is the best talisman (al-qalam al- ṭilasm al-akbar) 28 meant to refer to Apollonius of Tyana as Ḥunayn did remains unclear. 19 See Berlin, Staatsbibliothek Preußischer Kulturbesitz, Orientabteilung, MS We (Ahlw. 4193), fol. 4v; Berlin, Staatsbibliothek Preußischer Kulturbesitz, Orientabteilung, MS Or , fol. 156r; see also Ruska, Tabula Smaragdina, p See Bal amī, Tārīkh, vol. 2, p See Mu īn, Balīnās, p See al-ya qūbī, Tārīkh, vol. 1, p See al-bīrūnī, al-qānūn, vol. 1, p. 159; Ibn Abī Uṣaybi a, ʻUyūn al-anbā, vol. 1, p. 73; Ibn al- Ibrī, Tārīkh, p See al-ya qūbī, Tārīkh, vol. 1, p See Weisser, Sirr al-khalīqa, p See Sezgin, Geschichte, vol. 4, pp See (Ps-)Ḥunayn b. Isḥāq, Ādāb al-falāsifa, pp. 47, See al-sijistānī, Ṣiwān, p. 81.
6 440 MOHAMMAD KARIMI ZANJANI ASL In accordance with Hellenistic tradition, several historical and geographical works of the Islamic period mention talismans produced by Apollonius. For instance, Ḥasan b. Muḥammad al-qumī (d. after 378/988) mentions talismans Apollonius left in Qom and other places in Iran. Al-Qumī states that Apollonius lived for one thousand and fifty years, was a disciple of Ptolemy in philosophy (ḥikma) and a contemporary of the Persian king Qubād and lived after Daniel the Prophet. 29 Among the historical works, the Persian Mujmal ul-tawārīkh wa-l-qiṣaṣ (written in 520/1126) includes information about Apollonius legendary life. 30 The anonymous author of this book calls Apollonius Balīnās the talisman maker (Balīnās-i muṭalsam) and mentions that his own work was written 1029 years after Apollonius lifetime in the year 520/ He thereby suggests that Apollonius lived in the year 97 CE, which is historically correct. The author of Mujmal ul-tawārīkh, unlike the author of the pseudo-aristotelian Dhakhīrat al-iskandar, does not consider Apollonius to be a contemporary of or rather older than Alexander but stipulates that after Alexandria was built on Alexander s order, Apollonius made the talisman for it (ṭilism-i ān bikard Balīnās bi ahd-i kh w īsh). 32 In several chapters of Mujmal ul-tawārīkh the author refers to talismans made by Apollonius in Rome and Alexandria declaring them to be satanic works, an opinion consistent with the patristic tradition of the Greek Church as expressed by Nilus of Ancyra and Basil of Seleucia. 33 Works attributed to Apollonius in the Islamic period The texts most commonly attributed to Apollonius in the Islamic period can be divided into two groups: (1) philosophical-alchemical works and (2) works on astrology and talismans. 34 Like Sezgin and 29 See al-qumī, Tārīkh, pp Talismans made by Apollonius are also mentioned by al-qazwīnī, Āthār, pp , 445, 486; Ṭūsī, ʻAjā ib, pp. 129, 259, 279; and Yāqūt, Mu jam, vol. 4, p. 452; vol. 5, p Bahār, Mujmal, pp Bahār, Mujmal, p Bahār, Mujmal, p Bahār, Mujmal, pp , , 494; Dzielska, Apollonius, p There is also a work on agriculture attributed to him, which seems to have been translated directly from Greek into Arabic for Yaḥyā b. Khālid al-barmakī, see Sezgin, Geschichte, vol. 4, pp
7 SIRR AL-KHALĪQA AND ITS INFLUENCE 441 Dzielska, I believe that most of the works attributed to Apollonius during the Islamic period are pseudepigraphs written in the fifth century CE that were later translated into Arabic. Their pseudepigraphical character does not mean that there is no trace of Apollonius teachings in these works; however, it should be emphasised that the content of most of these works is related to the Hellenistic image of Apollonius rather than the actual Apollonius of historical record. 35 Apollonius philosophical-alchemical works are 1. Sirr al-khalīqa wa-ṣan at al-ṭabīʻa; Risāla fī Tadbīr al-manzil (Oikonomikos); Miftāḥ al-ḥikma; Kitāb al-aṣnān al-sab a; Takwīn al-ma ādin; Kitāb Inkishāf al-sirr al-maktūm al-kāf. 41 Apollonius works on astrology and talismans are 1. Kitāb Ṭalāsim Balīnās al-akbar; Ṭilasmāt mirrīkh al-hind; Risāla fī Ta thīr al-rūḥānīyat fī l-murakkabāt, translated by Ḥunayn b. Isḥāq; al-mudkhal al-kabīr ilā ilm af āl al-rūḥānīyāt, as well translated by Ḥunayn; Dhakhīrat al-iskandar; Muṣḥaf al- 35 See Sezgin, Geschichte, vol. 4, pp Edited by Ursula Weisser in 1979 (Weisser, Sirr). 37 Edited by Louis Cheikho (Cheikho, Tadbīr al-manzil ) and Martin Plessner (Oikonomikos). 38 See Levi della Vida, Something more, pp ; Kraus, Jābir, pp ; Sezgin, Geschichte, vol. 4, pp About this treatise and its influence in the Islamic period, see Kraus, Jābir, pp. 283, ; Corbin, L archange, pp ; Corbin, Avicenne, p. 244; Sezgin, Geschichte, vol. 4, p. 89; Weisser, Das Buch, p. 38; Karimi Zanjani Asl, al-aṣnām al-sab a, pp See Sezgin, Geschichte, vol. 4, p. 89. He considers it as a part of Sirr al-khalīqa (Sezgin, Geschichte, vol. 5, p. 418). 41 See Sezgin, Geschichte, vol. 4, p. 90; Weisser, Das Buch, p See Kraus, Jābir, pp ; Sezgin, Geschichte, vol. 4, p. 90; Weisser, Das Buch, pp Its Arabic version is not available, but we have two manuscripts of some parts of its Persian translation in the Bodleian Library (Ms. Pers. d. 100 [cat. nr. 2749/1]) in Oxford and in the Parliament Library in Tehran (MS 12559/3). 44 See Kraus, Jābir, p. 293; Bowman, A Lost Work, pp. 1-10; Sezgin, Geschichte, vol. 4, p. 89; Weisser, Das Buch, pp See Kraus, Jābir, p. 293; Sezgin, Geschichte, vol. 4, p. 85, 89-90; vol. 5, p. 418; vol. 7, p. 394; Weisser, Das Buch, pp See Badawī, La transmission, p. 90; Plessner, Hermes, p. 52; Sezgin, Geschichte, vol. 4, pp ; Weisser, Das Buch, p. 37.
8 442 MOHAMMAD KARIMI ZANJANI ASL qamar; Kitāb Ablūs al-ḥakīm; Risālat al-siḥr; Kitāb al- Khawāṣ. 50 Sirr al-khalīqa The most prominent and popular work attributed to Apollonius in the Islamic period is Sirr al-khalīqa, also known as Kitāb al- Ilal or Kitāb Jāmi al-ashyā. The existence of more than thirty manuscripts of this book dating from the fifth/eleventh to the fourteenth/twentieth centuries 51 and the frequent references made to it in the Islamic period prove its importance. Scholars believe that the lost original belonged to the Hellenistic period and was translated into Arabic from Greek or Syriac. There is, however, disagreement about the translator of the book; some scholars, such as de Sacy and Steinschneider, believe that the Sajīyūs mentioned in the book is the same Sergius who as a Christian struggled to reject the opinions of Bardaisan, Marcion and Porphyry. 52 Similarly, Nau argued that the translator Sergius should be identified with Sergius of Reshaina (d. 536 CE), 53 although this view is no longer accepted. 54 It should be further noted that the existing manuscripts of the Arabic version represent either a long or an abridged form of the work, as Weisser asserts in the introduction of her edition of Sirr al-khalīqa 47 A work about moon talismans which seems to have roots in Greek; it includes a part of the introduction and conclusion of The Book of Wisdom (Miftāḥ al-ḥikma). See Dzielska, Apollonius, p. 114; Weisser, Das Buch, pp Pseudo-Majrīṭī, Ghāyat al-ḥakīm, pp , mentions this work as the reference for lists of pictures that should be carved on stones. Perhaps it is this work that Albertus Magnus mentions in his De libris licitis under the title Liber de imaginibus, see Plessner, Balīnūs, p This treatise has not been found yet, but it is mentioned several times in al-mudkhal al-kabīr; Steinschneider and Plessner think that there is a Hebrew version of it, see Steinschneider, Apollonius, p. 444; Plessner, Balīnūs, p This work is not extant, but parts of it are cited in al-qazwīnī, Ajā'ib, pp. 185, 189, 221, 329 (see also Plessner, Balīnūs, p. 995), and Abū Bakr al-rāzī uses it in his Kitāb al-khawāṣ. There are also Latin summaries available, see Kraus, Jābir, p. 292; see also Weisser, Das Buch, p See Sezgin, Geschichte, vol. 4, pp ; Weisser, Sirr al-khalīqa, pp See Steinschneider, Apollonius, pp See Nau, Une ancienne traduction, pp See Sezgin, Geschichte, vol. 4, p. 106.
9 SIRR AL-KHALĪQA AND ITS INFLUENCE 443 based on her examination of more than twenty copies of the book. 55 Sirr al-khalīqa is a complicated work featuring a mixture of the oldest Arabic expressions together with terms commonly used in the third/ninth century. The edited text consists of six chapters in addition to the famous Tabula Smaragdina 56 and two other treatises at the end, Kitāb al-khilqa and Fī Ṭabī at al-insān, the latter one being a translation of a treatise by Nemesius of Emesa. Sirr al-khalīqa begins with discussions about the creator and the creation and continues respectively with meteorology (al-āthār al- ulwīya), minerals, plants, animals and eventually humans. The book was obviously written from an alchemical perspective because its author does not theorise about astronomy and physics, although the titles of its six chapters include these topics. The mineralogical theories, including the theory of the material identity of metals, seem to have been written with a practical, i.e. alchemical, perspective in mind. Moreover, considering the detailed commentary Apollonius gives on subjects such as the world of angels and demons, the planets and their link with the four elements, it appears that he was also thinking about astronomy and theology. Similarly, he discusses the structure of the animal body and human body without referring to the science of medicine, though he suggests the use of his alchemical theory in that context. Accordingly, it appears that Apollonius believed that the theory prominent in Sirr al-khalīqa needed an appendix to complement the text with these practical disciplines, this being the Tabula Smaragdina. According to the extant text, Apollonius received the Tabula Smaragdina along with Sirr al-khalīqa from Hermes himself. The Tabula Smaragdina explains in mystical language how to produce an elixir made by the sun and the moon, fertilised by the wind, fed by the earth, comprising the power of the upper and the lower worlds, revealing the light of lights (nūr al-anwār) and eliminating the darkness. Kraus correctly considered these lines to be the key to the book, as is also evident in the twofold title of the book Sirr al-khalīqa wa-ṣan at al-ṭabī a, which is mentioned several times in the book itself. 57 The 55 See Weisser, Sirr al-khalīqa, pp In Kraus opinion (Kraus, Jābir, p. 303) Sirr al-khalīqa is in fact a commentary on the Tabula Smaragdina. 57 Kraus, Jābir, pp
10 444 MOHAMMAD KARIMI ZANJANI ASL second part of the title, ṣan at al-ṭabī a ( the art of nature ) 58, seems to refer to the Tabula Smaragdine, which concerns the reproduction of nature. The framing Fundlegende explains that Apollonius found the book entitled Kitāb al- Ilal or Sirr al-khalīqa in a cellar under a statue of Hermes: 59 At this moment, I found myself in front of an old man sitting on a golden throne with a tablet made from green emerald in his hand. On the tablet there was written: This is the art of nature. In front of him, there was a book on which was written: This is the secret of creation and the science of the causes of things. Then I picked up the book and the tablet happily and left the cellar. I have learnt from the book the science of the secrets of creation and understood from the tablet the art of nature. 60 The main line of argumentation in the book is developed on the basis of ṣan a ( art, technique ). Kraus states correctly that the Tabula Smaragdina is an indicator of the existence of an esoteric theory and essential complement of the book, and the author focuses on this aspect when addressing his audience. 61 Sirr al-khalīqa and the Corpus Jābirianum The Corpus Jābirianum provides evidence of the prominent use of works attributed to Apollonius. 62 Jābir in particular makes extensive use of Sirr al-khalīqa in his Mīdān al-ʻaql. 63 An analysis of Jābir s works shows that Sirr al-khalīqa had a great impact on his cosmological and alchemical teachings and that he was familiar with the Tabula Smaragdina through Sirr al-khalīqa, as he himself explains in his Kitāb al-usṭuqus al-uss al-thānī See also Kraus, Jābir, p This story is comparable to a dream of Ostanes, see van Bladel, The Arabic Hermes, p Weisser, Sirr al-khalīqa, p Kraus, Jābir, p On Jābir and the so-called Jābir problem see for example Kraus, Jābir, pp. xviilxv; Sezgin, Geschichte, vol. 4, pp ; Plessner, Ǧābir, pp ; Haq, Names, pp. 8-32; Joharchi, Ilm-i mīzān, pp ; Forster, Jābir. 63 Jābir b. Ḥayyān, Mīdān, p Jābir b. Ḥayyān, al-usṭuqus, p. 90.
11 SIRR AL-KHALĪQA AND ITS INFLUENCE 445 Though Jābir calls Hermes shaykh al-ḥukamā' ( the master of the philosophers ), he cites no other alchemical work attributed to Hermes but the Tabula Smaragdina, which he knows through Apollonius. 65 It is the specific alchemical theory of the Tabula that he values most, as he explains in Kitāb al-sab īn. 66 In his Kitāb al-baḥth 67 he twice cites the introduction of Sirr al-khalīqa in the sentence: The beginning continues to the end, and the end is attached to the beginning. 68 The last lines of Mīdān al- aql make evident Apollonius contribution to Jābir s teachings. 69 Jābir s complicated cosmology is in fact a continuation of Apollonius cosmology. He seems to have adapted Sirr al-khalīqa s theory of the four elements and the four natural qualities and their combination as well as its theory of emission and of the movement of the heavens. Sirr al-khalīqa seems also to have provided the basis for his mineralogical information, his conception of the relations between heavens and metals and how metals were made out of sulphur and mercury and his meteorological and climatological knowledge in Kitāb al-ikhrāj mā fī l-qūwa ilā l-fi l. Kraus has shown that even the term mīzān ( balance ), so central to the Corpus Jābirianum, is used in Sirr al-khalīqa in a sense similar to that in Jābīr s works. 70 From the way in which Jābir refers to Apollonius works and from the fact that he mentions merely some aspects of the theories contained in Sirr al-khalīqa and embeds his own theory in them, we may conclude that Jābir s readers were meant to be familiar with Apollonius works. Jābir therefore depicts and explains his systematic framework of a thorough cosmology with complete details based on Apollonius. Despite these close relationships, the gap between Jābir and Sirr alkhalīqa cannot be ignored. The terms used in Sirr al-khalīqa are very old and obsolete, and many of them are missing from the Corpus Jābirianum. Some of these terms are shown in the following table based on Kraus: See Kraus, Jābir, p. 44, note 5; Sezgin, Geschichte, vol. 4, p See Kraus, Jābir, p Istanbul, Süleymaniye, Carullah, MS 1721, fols. 44v, 146v. 68 See Kraus, Jābir, p. 281, note Jābir, Mīdān, p See Kraus, Jābir, p. 283, note See Kraus, Jābir, pp
12 446 MOHAMMAD KARIMI ZANJANI ASL Sirr al-khal qa translation Corpus translation J birianum growing and affliction generation and corruption soil earth illusion imagination observable sense success combination wind air absorb attraction softness humidity comprehension contemplation static and moving stars Creator and creature planets and fixed stars subject and object In Kitāb al-aḥjār alā ra y Balīnās, which is a part of Jābir s Kutub al-mawāzīn, 72 the close connection between Jābir s ideas and the teachings attributed to Apollonius is especially obvious. Kraus has shown that the first sentence is based on a wise saying attributed to Apollonius and refers to Sirr al-khalīqa s frame story. 73 The second sentence however contains a new point: in Sirr al-khalīqa the diversity of creatures is the result of the different combinations of the four temperaments. This concept is close to the idea of the quantity of temperaments. However, Sirr al-khalīqa does not discuss the numerical values of the precise structure of created objects nor the regularities that can be used to imitate and reproduce nature through art. Moreover, there are no discussions about words and their relations to the shape of objects in Sirr al-khalīqa. When we look at the very rare mathematical explanations in this text the contradictions become even more prominent. That God, or the single (odd) number, is at the level of perfection and is the opposite of the first binary (even) number, which represents creation, is a philosophical concept common to both Neo-Platonists and Neo- 72 Jābir, Kitāb al-aḥjār, pp See Kraus, Jābir, p. 288.
13 SIRR AL-KHALĪQA AND ITS INFLUENCE 447 Pythagoreans. Furthermore, based on astronomical beliefs, creation is thought to have happened within 150 hours. 74 Such information is not to be found in Jābir s works, and what he attributes to Apollonius are natural, not metaphysical and astronomical, reflections. Sirr al-khalīqa, however, does not mention that temperaments are measurable or that the universe is arranged with respect to the quantitative relations of those temperaments. On the contrary, Sirr al-khalīqa links a quantitative rule (muwāzina, balance ), which governs the divine creation (the first generation ), to another rule (the second balance or generation ), which can be manipulated not only through alchemy but also through religious practice, medicine and other practical arts. As it seems unlikely that Jābir should have invented Apollonius mathematical theories, we may assume with Kraus 75 that Sirr alkhalīqa provoked complementary reflections in some Arabic circles, which became evident in Jābir s theories. A piece of evidence in this regard is Jābir s idea that the Arabic language expresses the method of balance better than any other language. This may also be reflected when Jābir, at another place in Kitāb al-aḥjār, attributes an allegorical interpretation of a verse from the Qur ān to the Muslim advocates of Apollonius (aṣḥāb Bālīnās al-islāmīyūn). 76 Sirr al-khalīqa and the Ismā īlīya Among Ismāʻīlī missionaries (dāʻīs), Abū Ḥātim al-rāzī (d. 322/934) in his A lām al-nubūwa quite frequently cites Sirr al-khalīqa to defend the Islamic prophetology against attacks from Abū Bakr Muḥammad b. Zakarīyā' al-rāzī (d. 313/925). 77 He cites the introduction of Apollonius book in a chapter in which he discusses allegories used by philosophers and then provides a summary of Sirr al-khalīqa s content. 78 We know that Abū Bakr al-rāzī was familiar with Apollonius alchemical ideas and mentions Apollonius as one who concealed his al- 74 See Kraus, Jābir, p See Kraus, Jābir, p See Jābir, Kitāb al-aḥjār, p See Abū Ḥātim al-rāzī, A lām al-nubūwa, pp See Abū Ḥātim al-rāzī, A lām al-nubūwa, p. 276.
14 448 MOHAMMAD KARIMI ZANJANI ASL chemical ideas in the same manner as Hermes, Plato and Khālid b. Yazīd. 79 In Kitāb al-shawāhid he cites Apollonius with a statement that Democritus together with Ostanes founded Egyptian alchemy 80 and also confirms some of Apollonius ideas that are similar to those of Jābir b. Ḥayyān. 81 Such familiarity does not mean that Abū Bakr al- Rāzī agreed that the attribution of these works to Apollonius was necessarily correct. Rather, Abū Ḥātim al-rāzī states that Abū Bakr al-rāzī deemed the attribution of Sirr al-khalīqa to Apollonius to be a literary fantasy and believed that Sirr al-khalīqa was written in the days of the ʻAbbāsid caliph al-ma'mūn (d. 218/833). 82 Abū Ḥātim al-rāzī s citations are especially important for his attention to the theological parts of Sirr al-khalīqa. However, according to Ruska, these parts are not original, but later interpolations. 83 Though Kraus argues in general that Sirr al-khalīqa is a work of early Arabic alchemy given its old vocabulary, he also considers these parts as later additions explicable only by the development of philosophical and scientific studies under al-ma'mūn. 84 Besides Abū Ḥātim al-rāzī, we should also refer to another Ismāʻīlī missionary (dāʻī), Ibn al-haytham (d. after 334/946), who mentions Apollonius and a part of Sirr al-khalīqa in his Kitāb al-munāẓarāt. 85 His reference to Sirr al-khalīqa is important because we can deduce from it that the book was available in the Tunisian city of Qayrawān in the early fourth/tenth century and that it was known among Fāṭimid missionaries (dā īs) See al-rāzī, Kitāb al-asrār, Madrid, Escorial, MS 700, fol. 2v. 80 See Stapleton, The antiquity, p See Kraus, Jābir, p Cf. Stapleton and Azoo, An alchemical compilation, pp. 73, 89; Ruska, Tabula Smaragdina, p Abū Ḥātim al-rāzī, Aʻlām al-nubūwa, pp Three centuries later, Shihāb al-dīn Yaḥyā al-suhrawardī (d. 587/1191), in the initial theological passages of his Kitāb al-mashāri wa-l-muṭāraḥāt (pp ), also criticises a group of contemporary wouldbe philosophers and adduces the incorrect translations of the Umayyad and Abbāsid periods and the vulgar perception of Greek culture as the origin of their sayings (see also Corbin, Alchimie, pp ). 83 See Ruska, Tabula Smaragdina, p See Kraus, Jābir, p Cf. Weisser, Das Buch, p. 54; Rudolph, Kalām in antiken Gewand, pp Ibn al-haytham, Kitāb al-munāẓarāt, p In the very west of the Islamic world, Maslama al-majrīṭī (d. 395/1004 or shortly thereafter) stipulated Hermetic views about perfect temperaments in his Ghāyat al-ḥakīm
15 SIRR AL-KHALĪQA AND ITS INFLUENCE 449 Awn b. al-mundhir and Sirr al-khalīqa If we consider Jābir s allusion to Apollonius' Muslim followers, Awn b. al-mundhir, who commented on some parts of Sirr al-khalīqa in the fourth/eleventh century, is undoubtedly one among them. Excerpts from his Arabic commentary are extant in a manuscript kept today at the Süleymaniye Library in Istanbul. 87 The commentary s title is given as Lubāb al-uṣūl wa-badā'i al-fuṣūl on fol. 43v. This might be the same work that was famous under the name of Sharḥ al-fuṣūl in the mediaeval Islamic period. 88 Unfortunately, there is not much information about Awn b. al- Mundhir s life. 89 Based on the Ragıb Paşa manuscript, we might assume that he was a Shiite because he uses the Shiite eulogy ʻalayhi l-salām ( peace be upon him ) after the name of Alī b. Abī Ṭālib (d. 40/661) on fol. 45r, and he also cites ʻAlī for the connection between alchemy and prophecy. However, if we attribute the eulogy karrama Llāhu wajhahū ( may God honour him ) used for Alī on fol. 44v to Ibn al-mundhir rather than to the scribe of the copy, it can be concluded that his Shiism cannot have been very orthodox. 90 Ibn al-mundhir s Arabic commentary consists of several chapters, and based on the available copy, his primary aim was to represent the alchemical cosmology presented in Sirr al-khalīqa. 91 In the introduction to the treatise, the writer mentions his own book, Majmū al-raḥma wa-maḥṣūl al-rāḥa. He also warns seekers of alchemy not to follow their desires or Satanic deceptions, and using phrases alluding to (pp ) and encouraged his readership to contemplate the link between the spiritual leader and his star. In Kitāb al-mashāri wa-l-muṭāraḥāt (p. 464, paragraph. 193), Shihāb al-dīn Yaḥyā al-suhrawardī also mentions the perfect temperaments and considers them as an angel called Holy Spirit or Gabriel. He is called messenger angel in al-wāridāt wa-l-taqdīsāt (see Karimi Zanjani Asl, Suhrawardī, p. 44). He explicitly discusses it in a prayer entitled Da wat al-ṭibā al-tāmm (see Istanbul, Süleymaniye Library, MS Ragıb Paşa 1480, fol. 314r). 87 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fols. 42v-49r. 88 See al-qalqashandī, Ṣubḥ, vol. 1, p. 558; see also al-qanūjī s quotation of al- Qalqashandī (al-qanūjī, Abjad al- ulūm, vol. 2, p. 127); see also: Weisser, Das Buch, p Sezgin, Geschichte, vol. 7, p. 394 (addendum) mentions two more works by ʻAwn, Risāla fī l-ṣan a and Firdaws al-ḥikma. 90 Cf. de Sacy, Le livre, p. 158; Weisser, Das Buch, p Cf. Weisser, Das Buch, p. 70.
16 450 MOHAMMAD KARIMI ZANJANI ASL verses from the Qur ān he urges them to ask for help from the reliable hold (al- urwa al-wuthqā) and the most trustworthy culmination (al-dharwa al-wuthqā). 92 Following Hermetic tradition, ʻAwn describes in the first chapter the characteristics of male subject and female object and the affinity of movement (ḥaraka) to heat (ḥarāra) and of tranquillity (sukūn) to coldness (burūda). In the same chapter he quotes an Imām 93 according to whom the first creation of God is an action that refers to movement. As the movement refers to heat, and heat is the onset of creation, tranquillity refers to coldness. The creation therefore occurs within a single system despite the different combinations of the temperaments. Continuing the Jābirian tradition, Ibn al-mundhir introduces the first substance as an abstract substance to which the four temperaments are then gathered, and the four elements are seen as the result of marriage and companionship of those temperaments. He explains that although the four temperaments are perfect in essence, and their aggregation in their entirety yields the four elements of earth, water, air and fire, their products, including minerals, plants and animals, have an imperfect temperament that refers to the variation of the temperaments in their creation. Among the creatures, only humans enjoy a balance of the four temperaments, and they are therefore called the minor world due to their similarity with the macrocosm. Awn b. al-mundhir continues to discuss the following subjects: the nature and characteristics of minerals, plants and animals; Alī b. Abī Ṭālib s saying that alchemy is the sister of prophecy; the extraction of mercury and sulphur; the superiority of the human being over minerals, plants and animals and on its reason; the first essence; the development of the heavens; the characteristics of each heaven; the congruence of the lower and upper worlds; the contrivance of the lower world by the heavens; Dhū l-nūn al-miṣrī s conception of the philosophers stone; 94 and finally, an interpretation of the Tabula Smaragdina as an explication of the creation of the universe. 92 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fol. 42v. 93 I discuss the identity of this Imām in the introduction of my edition of the treatise that hopefully will be published soon. 94 Dhū l-nūn al-miṣrī was an Egyptian Sufi who is also credited with alchemical works. For his alchemical works see Sezgin, Geschichte, vol. 4, p. 273; vol. 5, p. 424; vol. 7, p. 397.
17 SIRR AL-KHALĪQA AND ITS INFLUENCE 451 Ibn al-mundhir s commentary on Sirr al-khalīqa is based on the following major references: the Corpus Jābirianum; traditions cited from Aī b. Abī Ṭālib; Pseudo-Aristotelian alchemical works; 95 and Dhū l-nūn al-miṣrī. 96 He also mentions Hippocrates and Socrates 97 and names Egypt, Persia, and India 98 as sources of alchemical knowledge. The impact of Ibn al-mundhir s commentary upon later alchemists remains unclear as the major part of the alchemical heritage in Arabic and Persian has not yet been published. However, there is strong evidence of an interest in this commentary on the part of a number of Persian-speaking writers and translators. This evidence includes a Persian translation of the treatise in two manuscripts: MS 157/8 at the Center for the Great Islamic Encyclopaedia s library in Tehran and MS 326/1 at the Library of the Literature Institute of Tehran University (Ḥikmat collection). In addition, there is a partial translation in MS 1087/29 at the Central Library of Tehran University (Mishkāt collection, copied in 1104/1693). MS 157 of the Center for the Great Islamic Encyclopaedia s library in Tehran is a collection of 19 alchemical treatises, both in poetry and prose, in Arabic and Persian, consisting of 127 folios of 21 lines in naskh script. The treatises in this collection include works attributed to or written by Hermes, Jāmāsb, Khālid b. Yazīd, Ibn Waḥshīya (fl. first half of the 4 th /10 th century), Ibn Sīnā (d. 428/1037), al-ṭughrā ī (d. 518/1124), al-jildakī (d. or after 743/1342) and Ḥusayn b. Alī al- Kāshifī (d. 910/1504). The Persian translation of Ibn al-mundhir s commentary is included on fols. 68r-73v of this collection. MS 326 at the Library of the Literature Institute of Tehran University (Ḥikmat collection) is a collection of twenty Persian alchemical treatises, consisting of 97 folios of 25 lines in naskh script. The treatises in this collection include works attributed to or written by Zosimus of Panopolis, Jāmāsb, Bīyūn al-barahmī, Khālid b. Yazīd quoted from Ḥussein b. Alī, Jābir b. Ḥayyān, Muḥammad b. Muḥammad b. Abī Bakr Zakarīyā, al-ṭughrā ī (d. 518/1124), Abū Ḥāmid Muḥammad al- Ghazālī (d. 505/1111), and Muḥammad al-qumrī. The Persian transla- 95 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fol. 48r, l. 3 of margin. 96 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fol. 48v, l Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fol. 46r, l Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fol. 46v.
18 452 MOHAMMAD KARIMI ZANJANI ASL tion of Ibn al-mundhir s commentary is included on fols. 4r-11r of this collection. Unfortunately, the manuscripts do not contain any information about the translator of the treatise. However, the style and method of translation show that it might belong to pre-mongol times, and more precisely perhaps to a time between the late Saljuq and the Mongol eras. The writer explains at the beginning of his work that it is a translation of Awn b. al-mundhir al-naṣrānī s text. The comparison of the Persian translation with the available excerpt from the Arabic text reveals that although the translator has not rendered all of the Arabic text, half of the Persian translation conforms to the Arabic. However, there is no relation between the Persian work and the Arabic excerpt in the introductory sermon, the prefaces and the second half of the treatise. It therefore remains open to debate whether the Persian translator has translated his own excerpt of the original copy written by Ibn al-mundhir or whether he has used a different excerpt of the text from the one extant today. The Persian translation omits the discussion of the waste of life and property; 99 the preface of the book about the first essence, the creation of the four temperaments from that essence, and how the temperaments are combined and develop into the four elements and the triple progenies; 100 the writer s statements about the nomenclature of the book; 101 a long quotation attributed to Alī b. Abī Ṭālib in the Arabic excerpt; 102 mentions of Hippocrates, Socrates, Aristotle and Dhū l-nūn al-miṣrī; 103 the allusion to Egypt, Persia and India; 104 the discussion of the development and characteristics of each heaven, the congruence of the lower and upper worlds, the contrivance of the lower world by the heavens; 105 the long quotation of a part of Tabula Smragdina and its interpretation Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fol. 42v. 100 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fols. 42v-43v. 101 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fol. 43v. 102 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fols. 44v-45r. 103 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fols. 46r, 48r, 48v. 104 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fol. 46v. 105 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fols. 47r-48r. 106 Istanbul, Süleymaniye Library, MS Ragıb Paşa 963/2, fols. 48v-49r.
19 SIRR AL-KHALĪQA AND ITS INFLUENCE 453 Additions in the Persian translation include a long section about Ibn al-mundhir s familiarity with Sirr al-khalīqa; a discussion of the philosophers stone (ḥajar al-falāsifa); a discussion of the similarity between humans and heavens; the mystery of the primary being; the characteristics of the heaven using statements differing from those in the Arabic excerpt; a mention of Democritus; a discussion of mercury and pyrolusite; and references to Zosimus and Jāmāsb. The following table shows the relationship between the Persian translation and the Arabic excerpt. Paragraph Arabic Text (Ms. 963/2) Persian Translation (Ms. 157/8) I fol. 42v, ll. 1-2 fol. 68r, ll. 3-9 (fols. 42v, l. 3-43v, l.25, plus margin, l. 1-3) ( ) II-VIII fols. 68r, l. 9-68v, l. 12 IX fols. 43v, margin, l. 4-44r, l. 5 fol. 68v, ll X fol. 44r, ll. 5-7 (fol. 44r, ll. 8-10) fols. 68v, ll ( ) XI-XIII fol. 44r, ll (fol. 44r, ll , plus margin, ll. 1-3) fols. 68v, l r, l. 8 ( ) XIV fol. 44r, margin, l. 3 fol. 69r, ll XV fols. 44r, margin, l. 4-44v, l. 4 (fols. 44v, l. 5-45v, l. 3) fol. 69r, ll ( ) XVI fol. 69r, ll XVII-XXII fols. 45v, ll (fol. 45v, ll ) fols. 69r, l v, l. 17 ( ) XXIII fol. 45v, l fols. 69v, l r, l. 2 XXIV fols. 45v, l. 26 (plus margin, ll. 1-4)-46v, l. 2fol. 70r, ll XXV fol. 46r, ll. 2-4 (fol. 46r, ll. 5-8) fol. 70r, ll ( ) XXVI fol. 46r, ll fol. 70r, l v, l. 8 XXVII-XVIII fol. 46r, ll (fol. 46r, ll , plus margin, ll. 1-2) fol. 70v, ll ( ) XXIX fols. 46r, margin, l. 3-46v, l. 1 fols. 70v, l r, l. 3 XXX fol. 46v, ll. 1-9 (fols. 46v, l r, l. 22) fol. 71r, ll ( ) XXXI-XXXII fol. 47r, ll (fols. 47r, l v, l. 25) fols. 71r, l v, l. 4 ( ) XXXIII fol. 48v, ll (fols. 48v, margin, l. 1-49r, margin, l. 4) fol. 71v, ll ( ) XXXIV-L fols. 71v, l v, l. 17
20 454 MOHAMMAD KARIMI ZANJANI ASL In the following table, I compare some parts of the Arabic text with the Persian translation. This comparison shows that some of the phrases found in the Persian translation (see sections 2 and 4) have no equivalent in the Arabic version we have to hand. However, phrases like and he said that (wa-guft ki) and and as I think about it, I found through comparison that (wa-chun ta ammul kardam az qīyās chunān daryāftam ki) suggest that the Persian translator here used a different Arabic text and indeed translated it quite accurately. Arabic Text (Ms. 963/2, fol. 46v) Persian Translation (Ms. 157/8, fol. 71r; Ms. 326/1, fol. 8v) < >....
21 SIRR AL-KHALĪQA AND ITS INFLUENCE 455 Illustration nr. 1 Awn b. Mundhir, Lubāb al-uṣūl wa-badāyi al-fuṣūl, Persian translation (Tehran, The Center for the Great Islamic Encyclopaedia s library, MS 157/8, fol. 68r)
22 456 MOHAMMAD KARIMI ZANJANI ASL Illustration nr. 2 Awn b. Mundhir, Lubāb al-uṣūl wa-badāyi al-fuṣūl, Persian translation (Tehran, Library of the Literature Institute of Tehran University, MS 326/1, fol. 4r)
23 SIRR AL-KHALĪQA AND ITS INFLUENCE 457 Appendix: Edition of the Persian text Manuscripts used: D = Tehran, The Center for the Great Islamic Encyclopaedia s library, MS nr. 157/8, fols. 68r-73v (11 th /17 th century). H = Tehran, Library of the Literature Institute of Tehran University, Ḥikmat collection, MS nr. 326/1, fols. 4r-11r (12 th /18 th century). Sigla: ( ] ) like this in the manuscript/s ( ) the word/s is/are missing in the manuscript/s (~) the word/s is/are blank in the manuscript/s ( ) on the margin of the manuscript/s ( ) on the margin of the manuscript/s :.I " " 113..II " ". 116.III...H [..H [..H [..D [..H [..H [..H [..H [..D [..D [
24 458 MOHAMMAD KARIMI ZANJANI ASL 117.IV V 121. <D 68r> VI <H 4r> 126..VII..VIII H [. 118.H ~ [. 119.H ~ [..H H [. 121.H [. 122.H ~ ~ [. 123.H ~ [. 124.H [. 125.H [. 126.H [. 127.H [. 128.H [. 129.D [. 130.H D [. 131.D [. 117
25 SIRR AL-KHALĪQA AND ITS INFLUENCE IX < > :.X 144 <H 5v>.. <D 68v>.XI 145..XII D H [..D [ 133.D [. 134.H [ H [. 136.H [ H [. 138.H [. 139.D H [. 140.D H [. 141.H ~ [. 142.H ~ [. 143.D [. 144.D [..H ~ [ 145.H [. 146.H [.
26 460 MOHAMMAD KARIMI ZANJANI ASL XIII XIV XV XVI H >.XVII 157. <5r 158 D >.<69r.XVIII. 159.D H [..D [..D [..D [..D [..D [..H [..~ H [..H ~ [ 7..H ~ [..H [..H [..H [
27 SIRR AL-KHALĪQA AND ITS INFLUENCE XIX XX XXI XXII 174 <H 6v> XXIII 177..H [..D [..H [..H [..H [..D [..H [..D [..D [..D [..H [..H [..H [..H ~ [..H ~ [..D [..D [..D [
28 462 MOHAMMAD KARIMI ZANJANI ASL <D 69v>..XXIV <H 6r> XXV.D [..D H [..H [..D H [..D [..H ~ [..H ~ [..H ~ [..H [..H [..D [..H [..H D [
29 SIRR AL-KHALĪQA AND ITS INFLUENCE XXVI 194 <D 70r>. <H 7v> XXVII XXVIII D [..D [..D [..H [..D H [..D [..H [..H [..D [..H [..D H [..H D [..H [
30 464 MOHAMMAD KARIMI ZANJANI ASL XXIX 208 <D 70v> H >. <7r. 209.XXX XXXI 214 <H 8v> 215..H [. 205.H [. 206.H [. 207.H [. 208.H [. 209.H [. 210.H [. 211.H [. 212 D ~ [..H 213.H [. 214.D [. 215.H [. 204
31 SIRR AL-KHALĪQA AND ITS INFLUENCE <D 71r>.XXXII XXXIII XXXIV. 221.XXXV H >. <8r.XXXVI..XXXVII. 222.XXXVIII 223..H [.D [..D [..H [..D [...D [..D [..H [
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text:
Providing Personal & Professional Care
In Memory of Richard Edward Drees
Richard Edward Drees
Died: February 17, 2014
Send Condolences
January 13, 1936 - February 17, 2014
From: Mapleton, IA
Richard E. Drees, age 78, of Mapleton, Iowa, passed away on Monday, February 17, 2014 at the Unity Point Health – St. Luke's of Sioux City, Iowa.
A Funeral Mass will be held at 11:00 a.m., Friday, February 21, 2014, at the St. Mary's Catholic Church of Danbury, Iowa. The Reverend Dan Greving will officiate. Burial will follow at the St. Patrick's Catholic Cemetery of Danbury, Iowa with military rites conducted by the American Legion Loren Hollister Post #496 of Mapleton, Iowa. Visitation will be held 5:00 p.m. to 7:00 p.m. with a vigil service held at 7:00 p.m. on Thursday, February 20, 2014 at the St. Mary's Catholic Church of Danbury, Iowa. The Christensen ~ Van Houten Funeral Home of Ida Grove, Iowa is in charge of the funeral arrangements. Condolences may be sent online to www.christensenvanhouten.com
Richard Edward Drees was born on January 13, 1936 in Carroll, Iowa to Richard W. and Leona (Reiman) Drees. He grew up in the Carroll area and graduated from Carroll High School in 1954. Following high school, Richard served in the Iowa Army National Guard.
Richard married Bernice Rose Gross on June 7, 1958 at St. Francis Catholic Church in Maple River. Following their marriage Richard and Bernice farmed in the Carroll area. The couple were blessed with seven children; David, Duane, Eileen, Richard, Dale, Trisha, and Donny.
In 1967 the family moved to their current farm in rural Mapleton. Richard farmed and raised livestock until he retired. Richard also worked as a carpenter. Over the years, all of his sons worked with him in his carpentry business.
Richard was very active up until the time of his passing. He enjoyed gardening, growing grapes, making wine, and his nightly Pinochle games with his loving wife. Most of all he enjoyed spending time with his family and friends.
Richard is survived by his wife, Bernice of Mapleton, Iowa; children, David (Dawn) Drees of Danbury, Iowa; Eileen (Bob) Flood of Cedar Rapids, Iowa; Richard (Deidre) Drees of Missouri Valley, Iowa; Dale (Lynn) Drees of Myakka City, Florida; Trisha (Kevin) Folchert of Sioux City, Iowa; Donny (Michelle) Drees of Mapleton, Iowa; daughter-in-law, Tara Drees of Webb, Iowa; seventeen grandchildren; Rene, Stuart, Craig, Caitlyn, Kyle, Michelle, Stephanie, Emily, Bill, Melissa, Sean, Matthew, Joshua, Joseph, Shauna, Daniel, Derek; four great-grandchildren; Sophia, Bennett, Harrison, Isabelle; and numerous nieces, nephews, family, and friends.
Richard was preceded in death by his parents, son, Duane Drees; granddaughter, Alyssa Drees; sister Pearl and husband Almond "Mike" Brown; and infant sister, Eileen Drees.
11:00 A.M., Friday,
St. Mary's Catholic Church
Danbury, Iowa
Father Dan Greving
Rev. Mr. Ray Rosburg
CASKET BEARERS
David Drees
Richard Drees
Dale Drees
Donny Drees
Bob Flood
Dr. Kevin Folchert
5:00 - 7:00 P.M., Thursday
with a Vigil at 7:00 P.M.
Julie Hamann, Pianist & Cantor
"Love Divine All Love Excelling"
"The King Of Love My Shepherd Is"
"I Know My Redeemer Lives"
St. Patrick's Catholic Cemetery
Tuesday, February 25, 2014 at 11:12 AM
"Dear Donny and Michelle-
I was deeply saddened to see this obituary in the Carroll paper. I'm so sorry for your loss. Know that our thoughts and prayers are with you during this difficult time."
- Paul and Sarah Shomshor
" Donnie and family, Are thoughts and prayers are with you in this time of sorrow.
Sincerely, Dennis & Sara Youngers"
- Dennis & Sara Youngers
Friday, February 21, 2014 at 11:32 AM
"Our thoughts and prayers are with your family at this time. "
- Kevin and Ann Fry
"You are in my prayers. He is now in heaven with God. With sadness, Brian."
- Brian Drees
"Donny and family
Our deepest sympathy on the loss of your loved one. You are in thoughts and prayers."
- Harlyn & Nona Hengeveld
"Our thoughts and prayers are with you and your children at this time of loss. It seems sudden deaths are always a shock but we all know the Lord knows what he is doing and we all trust in him. God Bless All of You. We will have a Mass celebrated for Dick here at All Saints in Cedar Rapids."
- Jerry & Margene Rule
"We are so sorry for your loss and will remember Dick in our prayers. We will have a Mass celebrated for him at All Saints here in Cedar Rapids, Ia on July 2nd at 8:00 AM. God Bless all of you and we are sorry we won't be able to attend, the weather as you know has been so different this winter.
Margene & Jerry Rule"
"So sorry to hear of Richards passing. Sympathies to each of you and may God grant you peace and love in this time of your loss. Although he may be gone but never forgotten."
- Gary & Dee Ann Lansink
Wednesday, February 19, 2014 at 9:46 PM
"I know that no words can really help, but we are sending some long-distance love and hope you find comfort in the knowledge that memories of Dick will continue to put smiles on faces and warm many hearts. I wish we were able to make the trip to pay our condolences... Love always, Marcie, Mike and Andrew (Venteicher) Strange"
- Marcia (Venteicher) Strange
"We are so sorry for your families loss. Our thoughts and prayers are with you."
- Pat and Bob Sweet
"Dave and all Wayne and I would like to extend our sympathy to you and all on your loss God Bless you all Take Care"
- Wayne & Ina Mae Bliesmann
Click Here If You Would Like To Leave Your Condolences
Ida Grove, IA 51445
Odebolt, IA 51458
Battle Creek, IA 51006
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Philip Leslie Hale (American, 1865–1931), The Crimson Rambler, ca. 1908. Oil on canvas. Pennsylvania Academy of the Fine Arts, Philadelphia Joseph E. Temple Fund, 1909.12.
NORFOLK, VA.- Celebrate the bountiful beauty of flowers with the masterpiece exhibition The Artist's Garden: American Impressionism and the Garden Movement, 1887–1920. The show profiles some of the finest art of the early 20th Century, when gardening became a favorite pastime of the American middle class, inspiring artists to plant their easels outdoors and paint with stunning results. This traveling exhibition, on view in the Chrysler Museum's Norfolk Southern Special Exhibition Gallery from June 16 through September 6, 2015, illuminates the intertwining stories of this Garden Movement and the work of America's best Impressionist artists. Admission is free.
The Artist's Garden showcases more than 70 masterworks by renowned painters like Childe Hassam, William Merritt Chase, John Henry Twachtman, Theodore Robinson, Gari Melchers, and Cecilia Beaux. The exhibition is organized by the Pennsylvania Academy of the Fine Arts in Philadelphia, the oldest museum and art school in the United States, and many of its key paintings are from PAFA's rich collection. Others are lent by private collections and prominent museums across the United States, including the Smithsonian American Art Museum, Art Institute of Chicago, the Terra Foundation for American Art, and the Metropolitan Museum of Art.
Many artists in this period were avid gardeners who adapted their own yards to become subjects for their work. Their models included the great palace gardens of Europe, such as the Villa Corsi-Salviati near Florence, where William Merritt Chase painted An Italian Garden in 1909, a spectacular sun-drenched study of formal walls and terraces (and a Chrysler Collection favorite). Others preferred the more intimate flower-filled yards of Claude Monet, as seen in John Leslie Breck's Garden at Giverny (In Monet's Garden), painted between 1887 and 1891, a scene of tall flowers crowding around a slender dirt path. The exhibition explores these choices: how artists organized their gardens, what they planted, and why certain flowers were favorites.
These stories trace the evolution of garden painting from its European roots to domestic soil, with sections devoted to the rural artist colonies and to urban gardens. The Garden Movement emerged in response to the rapid growth of America's cities during these decades, with social critics demanding more public green spaces. The paintings demonstrate the relationship of the Garden Movement to these new parks and to the growth of gardening as a suburban, middle-class hobby. Gardens, both real and in paint, fulfilled a widespread desire for connections to the natural world.
Other thematic sections consider women's presence in gardens, both as elegant counterpoints to exquisite roses and hollyhocks, and as designers and caretakers of these colorful, natural spaces. Women also were artistic interpreters of their beauty. Many of the works in the exhibition are by female painters. Major pieces by Maria Oakey Dewing and Jane Peterson show that gardening and garden painting offered key opportunities for women to express their creativity in art just as highly esteemed as that by their male contemporaries. The Chrysler expands this theme with paintings by Susan Watkins and sculpture by Harriet Frishmuth—notable works from its own collection.
Gardens and flowers were also inspirational for the decorative arts, and centerpieces of the show are stained glass windows by the two leading American designers in this field, John La Farge and Louis Comfort Tiffany. Drawing from its own renowned glass collection, the Chrysler adds to these displays with a magnificent Tiffany pond-lily lamp, as well as important examples of American art pottery. Of special note in the final section of the exhibition, "The Garden in Winter," are the Chrysler's painted ceramic tiles by the Rookwood Pottery Company, in dialogue with an impressive collection of winter scenes by Twachtman, Abbott Thayer, and the Tonalist master George Inness.
Though the acclaimed exhibition covers all four seasons, it is on display in Norfolk only as Chrysler's summer anchor show. The Artist's Garden next travels to Reynolda House Museum of American Art in Winston-Salem, N.C., The Huntington Library, Art Collections, and Botanical Gardens in San Marino, Calif., and the Florence Griswold Museum in Old Lyme, Conn.


text:
Q: Duplicate a rails object with associations and paperclip attachments I have an object with several associations. Some of these associated objects have paperclip-attachments stored at S3. If I duplicate the object and the associations it works fine but the attachments are not duplicated.
This here works without getting the images:
copy_salon = @salon.dup
copy_salon.about_us_versions = @salon.about_us_versions.collect{|about_us| about_us.dup}

I tried to get the image link like this:
copy_salon = @salon.dup
copy_salon.about_us_versions = @salon.about_us_versions.collect{|about_us|
                                                                  about_us_dup = about_us.dup
                                                                  if about_us.about_us_image then about_us_dup.about_us_image = about_us.about_us_image end
                                                                  if about_us.team_image then about_us_dup.team_image = about_us.team_image end
                                                                  about_us_dup
                                                                }

But then I am getting the error 'can't convert nil into String', probably because not all images are set.

A: Got it, not elegant but working. I had hoped dup would duplicate my object with ALL associations and attachments. Isn't there any gem for that?
copy_salon = @salon.dup
copy_salon.about_us_versions = @salon.about_us_versions.collect{|about_us|
                                                                  about_us_dup = about_us.dup
                                                                  unless about_us.about_us_image.url == "/about_us_images/original/missing.png" then about_us_dup.about_us_image = about_us.about_us_image end
                                                                  unless about_us.team_image.url == "/team_images/original/missing.png" then about_us_dup.team_image = about_us.team_image end
                                                                  about_us_dup
                                                                }

A: I got it simpler by overriding dup, at least for Paperclip attachments:
def dup
  duplicate = super

  # attachment_definitions is defined if model has paperclip attachments
  return duplicate unless self.class.respond_to?(:attachment_definitions)

  duplicate.tap do |d|
    self.class.attachment_definitions.keys.each do |name|
      d.send("#{name}=", send(name)) if send(name).exists?
    end
  end
end

It can be defined like this in ApplicationRecord so every model benefits from it.

redpajama_set_name: RedPajamaStackExchange


text:
/*
Problem 15. Hexadecimal to Decimal Number

Using loops write a program that converts a hexadecimal integer number to its decimal form.
The input is entered as string. The output should be a variable of type long.
Do not use the built-in .NET functionality.
*/

using System;

class ConvertsHexadecimalToDecimalNumber
{
    static void Main()
    {
        Console.Write("Please enter a hexadecimal number: ");
        string hexaNumber = Console.ReadLine();

        char[] numbers = new char[hexaNumber.Length];

        int position = 0;

        foreach (char element in hexaNumber)
        {
            numbers[position] = element;
            position++;
        }

        char[] reverseNumbers = new char[numbers.Length];

        int positionReverse = 0;
        for (int index = numbers.Length - 1; index >= 0; index--)
        {
            reverseNumbers[positionReverse] = (numbers[index]);
            positionReverse++;
        }

        long numberInDecimal = 0;

        Console.Write("Your number in decimal: ");

        for (int index = 0; index < reverseNumbers.Length; index++)
        {
            if (char.IsDigit(reverseNumbers[index]))
            {
                numberInDecimal += (long)Math.Pow(16, index) * (reverseNumbers[index] - '0');
            }
            else if (reverseNumbers[index] >= 65 && reverseNumbers[index] <= 70)
            {
                numberInDecimal += (long)Math.Pow(16, index) * (reverseNumbers[index] - 55);
            }
            else
            {
                numberInDecimal += (long)Math.Pow(16, index) * (reverseNumbers[index] - 87);
            }
        }

        Console.WriteLine(numberInDecimal);
    }
}

redpajama_set_name: RedPajamaGithub