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Bachelor Family and Consumer Science programs in Argentina
Best Universities with Family and Consumer Science in Argentina
Liberty University Kansas State University University of Leicester Coventry University Oregon State University University of Portsmouth South Dakota State University The Queen's University Belfast University of Texas at Austin American Public University
The Department of Family and Consumer Sciences teaches students the values, knowledge and skills necessary to be proacti...
B.Sc. Family Studies and Human Services (online)
Description Courses allow students to examine issues such as: Processes underlying human development across the l...
B.Sc. Family and Consumer Sciences Education
Description Want to dedicate your career to helping young people lead better lives? Family and consumer sciences....
Prep. Foundation Degree in Managing Voluntary and Community Organisations (online)
Description Course aims This course is aimed at those already working within the community, voluntary and statut...
Prep. International Foundation Programme in Law, Humanities and Social Sciences
Description This one-year (3 term) programme offers successful students guaranteed progression* to Coventry Universit...
Prep. Undergraduate Pathway in Food Science and Technology
Description Program highlights include: Guaranteed progression to the second year of a OSU undergraduate program Liv...
B.A. Early Childhood Studies with Psychology
Description What will I experience? On this course you can: Study young people's behaviour and responses in our....
Description Graduates of the College of Education and Human Sciences find employment in a wide range of governmen...
Show all bachelor Family and Consumer Science programs
Most Popular Family and Consumer Science programs in Argentina
Show all Family and Consumer Science programs


As I was studying the Rider Waite Tarot deck the other day, I thought to myself that I rarely pull the Seven of Cups. This was surprising to me because as with most INFJ personality types, I have the tendency to live in my own head. Sure enough, the Seven of Cups was the card that I selected this evening.


Author talk events and the value of book reviews!
Looking for something fun to do next week? Pick up a copy of Not For Sale: Finding Center in the Land of Crazy Horse and join us at the Bridgton Public Library on Tuesday, 3/8 from 4-6pm when Kevin Hancock will be on hand to discuss his book and sign copies! Books are for sale at the library now, or, the night of the event.
Copies can also be purchased at our newest bookstore in the Portland Museum of Art. While there, check out the amazing exhibit featuring the work of Edward Curtis, now through 5/29, featuring photographs he took while studying to write his book, The North American Indian.
In the upcoming months, Kevin Hancock will be making appearances at the Falmouth Memorial Library, The Mustard Seed Bookstore, Scarborough Public Library, and Raymond Public Library to discuss and sign copies of his book. In addition, you can now find the book at Gulf of Maine Books in Brunswick and Maine Coast Books in Damariscotta!
Sharing your thoughts help share this story, and we would love to hear your feedback on our Amazon product page. To do so, simply click on the link below, view the customer reviews, and share your own thoughts about the book.
← Organizations where EVERYONE leads!


FLINT, MI – Genesee County Prosecutor David Leyton said that a jury has convicted two teens of armed robbery related to an incident that occurred one year ago in Mt. Morris Township.
Antonio Lay, 18-years-old, and Kashif Reynolds, 19-years-old, both of Flint, were convicted of Armed Robbery, Home Invasion First Degree, Felon in Possession, and Felony Firearm 2nd for the November 4, 2014 robbery of a group of people who were gambling at a home on Natchez Drive.
Lay and Reynolds had been at the home earlier with the son of the homeowner but came back later with masks on and armed with pistols. They robbed everyone present and fled the scene. Approximately two weeks later, they were apprehended by a fugitive team of law enforcement officers.
Both Lay and Reynolds had previously served time in prison together on weapons charges. They face up to life in prison on the armed robbery conviction and a mandatory 5 years in prison consecutive to any sentence imposed on them for the other underlying charges when they are sentenced on December 7th, 2015.


Michele Sayre | Writers Unite!
I'm a longtime romance writer who is single with no human kids but two furry ones (a dog and cat). I'm a former call-center jockey who has found a way to escape the phones and pay the bills in order to pursue writing as a potential career. In addition to romance novels, I'm also working on a couple of non-fiction projects and getting my blog back up and running soon. I've been writing since MTV showed videos all day and all night and have had a couple of things published other than my blog-ramblings.


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Q: How can I move through multiple classes/tables in MVC using foreign keys? In other words, how can I traverse the "Hierarchical tree" of my classes through foreign keys?
Below is a picture of the tree and associations.

I want to loop through the tables in my view respectively. It's easy to display the Survey data and Category data because I can just reference the PK and FK SurveyID from the query string. I'm not sure how to get the association from CategoryID to SurveyID though past that point.
Here is my View
@using (Html.BeginForm("Save", "Surveys"))
{

    @Html.LabelFor(m => m.SurveyId)
    @Html.TextBoxFor(m => m.Description, new { @class = "form-control" })
    @Html.ValidationMessageFor(m => m.Description)

            @for (int i = 0; i < Model.Categories.Count; i++)
            {

@Html.TextBoxFor(m => m.Categories[i].Description, new { @class = "form-control" })

                @Html.HiddenFor(m => m.Categories[i].CategoryId)
                @*Here is where I attempted to loop the questions based on category*@
                @*@for (int j = 0; j < Model.Categories[i].Questions.Count(); j++)*@
                {
                    @Html.TextBoxFor(m => m.Questions[j].QuestionText)
                }
            }

    @Html.HiddenFor(m => m.User.Id)
    @Html.HiddenFor(m => m.SurveyId)
    @Html.AntiForgeryToken()
    <button type="submit" class="btn btn-primary">Save</button>
}

I tried using for (int j = 0; j < Model.Questions.Count(); j++)
but it came up with nothing and I have a feeling that it wouldn't work regardless.
My guess is the problem lies not within the view, but within the controller on how it grabs the data.
public ActionResult Edit(int id)
    {
        var survey = _context.Surveys.SingleOrDefault(c => c.SurveyId == id);
        var categories = new List<Category>();
        categories = _context.Categories.Where(c => c.SurveyId == id).ToList();
        var questions = new List<Question>();
        //questions = _context.Questions.Include()

        //var questions = new List<Question>();
        //questions = _context.Categories.Include(c => c.SurveyId == id).ToList();
        if (survey == null)
            return HttpNotFound();

        var viewModel = new NewSurveyViewModel(survey)
        {
            Questions = questions,
            Categories = categories
        };
        return View("SurveyForm", viewModel);
    }

Here I'm not sure if I'm supposed to use the include method or what, but I can't think of how to bridge the association between the Category and Survey ID's and then from there go on to use QuestionID.
Am I relatively close?

A: This looks like it may be a data access problem rather than an MVC problem. If you're using Entity Framework, Entity Framework Loading Related Entities for how to ensure your objects are loaded.
Also, don't load Questions into the viewModel separately as you need to preserve hierarchy. Your TextBoxFor call for the questions should utilize that.
Try @Html.TextBoxFor(m => m.Categories[i].Questions[j].QuestionText).

A: JamieSee pointed out that in order to get the data to show up, first eager loading must be used as shown here msdn.microsoft.com/en-us/library/jj574232(v=vs.113).aspx
from there I then used a nested foreach loop.

    @foreach (var category in Model.Categories.Where(q => q.SurveyId == Model.SurveyId))
    {

@Html.TextBoxFor(m => category.Description, new { @class = "form-control" })

            @Html.HiddenFor(m => category.CategoryId)

        foreach (var question in Model.Questions.Where(q => q.CategoryId == category.CategoryId))
        {

@Html.TextBoxFor(m => question.QuestionText, new { @class = "form-control" })

                @Html.HiddenFor(m => question.QuestionId)

            foreach (var answer in Model.Answers.Where(a => a.QuestionId == question.QuestionId))
            {

@Html.TextBoxFor(m => answer.AnswerText, new { @class = "form-control" })

                    @Html.HiddenFor(m => answer.AnswerId)
            }
        }
    }

A: var db = new DBContext() // => this is your database context

var result = from s in db.Surveys
             select new {
               survey = s,
               categories = from c in db.Categories
                            where c.SurveyID = s.ID
                            select new {
                               category = c,
                               questions = from q in db.Questions
                                           where q.CategoryID = c.ID
                                           select new {
                                               question = q,
                                               answers = from a in db.Answers
                                                         where a.QuestionID = q.ID
                                                         select a
                                            } // close the questions
                            } // close the categories
            };// close the surveys

return result;

If you want to use this query inside the VIEW, you can use with out return result;
Also you dont need to define any data transfer class.
But if you want to use inside the controller and return from any action or json result; you must use class object for data transfer in every level of select.
For example first level DTO class can be like this;
public class SurveyDTO
{
    public Survey survey{get;set;}
    public List<CategoriesDTO> categories {get;set;}
}

And second level DTO is;
public class CategoriesDTO
{
    public Category category {get;set;}
    public List<QuestionsDTO> questions {get;set;}
}

Same way the third level;
public class QuestionsDTO
{
    public Question question {get;set;}
    public List<Answer> answers{get;set;}
}

Dont forget to add DTO names after select! In the contreller; The query changes like this;
var db = new DBContext() // => this is your database context

var result = (from s in db.Surveys
             select new SurveyDTO(){
               survey = s,
               categories = (from c in db.Categories
                            where c.SurveyID = s.ID
                            select new CategoriesDTO(){
                               category = c,
                               questions = (from q in db.Questions
                                           where q.CategoryID = c.ID
                                           select new QuestionsDTO(){
                                               question = q,
                                               answers = (from a in db.Answers
                                                         where a.QuestionID = q.ID
                                                         select a).ToList()
                                            }).ToList() // close the questions
                            }).ToList() // close the categories
            }).ToList();// close the surveys

return result;

I hope the explanation clear and helps.
IF YOU USE ONE QUERY TO GET DATA IT WILL BE MORE FAST

redpajama_set_name: RedPajamaStackExchange


text:
HST Cycle 27 Observation Types and Special Requirements
The various types of observations, such as primary, target-of-opportunity, and parallel programs are described here.
Primary Observations
Primary observations are those observations that determine the telescope pointing and orientation. GO and SNAP Programs with external targets are normally scheduled as primary. Primary observations can use a variety of special requirements and observation types, as described in the following subsections. There is also the opportunity for Parallel observations, which are simultaneous observations with instruments other than the primary instrument.
Continuous Viewing Zone (CVZ) Observations
Most targets are occulted by the Earth during a portion of the HST orbit. However, this is not true for targets that lie close to the orbital poles. This gives rise to so-called Continuous Viewing Zones (CVZ) in two declination bands near +/– 61.5 degrees. Targets in those bands may be viewed without occultations at some time during the 56-day precessional cycle of the HST orbit. The number and duration of CVZ passages depend on the telescope orbit and target position, and may differ significantly from previous cycles. Please refer to the HST Orbital Viewing and Schedulability webpage for information on determining the number of CVZ opportunities in Cycle 27 and their approximate duration for a given target location. Passages of HST through the South Atlantic Anomaly generally restrict the length of uninterrupted observations to 5 to 6 orbits per day. See the HST Primer for technical details about the CVZ.
CVZ orbits are a limited resource whose use can lead to scheduling conflicts. If CVZ orbits are scientifically necessary for your program, check that sufficient opportunities exist that your orbit request can likely be accommodated. (It is not possible, at present, to determine the exact number of CVZ orbits available during a particular opportunity.) In the Description of the Observations section, you must include the number of CVZ opportunities available for each target in your proposal for which you are requesting CVZ time.
STScI will make every effort to schedule the observations in this optimal way. However, because the number of CVZ opportunities are limited, and unpredictable conflicts may occur between the proposed CVZ observations and other observations, a particular target's CVZ times may be oversubscribed. Therefore, it may be necessary to schedule the requested CVZ observations using standard orbital visibilities (i.e., using a larger number of total orbits). This will be done at no penalty to the observer.
CVZ observations must be marked in the Observation Summary section of the Proposal.
Restrictions on Using the CVZ
Observations that require special timing requirements should not be proposed for execution in the CVZ, and orbit estimates in the Phase I proposal should be based on standard orbital visibilities (see the Orbital Visibility section of the HST Primer). Because of the extra scattered earthshine that enters the telescope on the day side of the orbit, sky-background limited observations through broadband optical or infrared filters do not gain significant observing efficiency from CVZ observations. If it is determined during the Phase II proposal implementation that an observation is unschedulable because of conflicts between the CVZ requirement and any other Special Requirements (e.g., SHD, LOW, timing, etc.), then the observing time may be revoked unless the Special Requirement will be relaxed. Proposers who are in doubt about whether or not to request CVZ observations should contact the STScI Helpdesk.
Target-of-Opportunity (ToO) Observations
A target for HST observations is called a 'Target-of-Opportunity' (ToO) if the observations are linked to an event that may occur at an unknown time. ToO targets include objects that can be identified in advance but which undergo unpredictable changes (e.g., specific dwarf novae), as well as objects that can only be identified in advance as a class (e.g., novae, supernovae, gamma ray bursts, newly discovered comets, etc.). ToOs are generally not suitable for observations of periodic phenomena (e.g., eclipsing binary stars, transiting planets, etc.). ToO Proposals must present a detailed plan for the observations to be performed if the triggering event occurs.
Requests for Target of Opportunity observations should not be submitted as Mid-Cycle or Director's Discretionary proposals.
Target-of-Opportunity observations must be marked in the Observation Summary section of the proposal. In the Special Requirements section of the proposal you must provide an estimate of the probability of occurrence of the ToO during the observing cycle, and describe the required turn-around time.
Turn-Around Time and ToO Limits in Cycle 27
The turn-around time for a ToO observation is defined as the time between STScI receiving a ToO activation and the execution of the observations. The HST observing schedule is updated weekly, and construction of each weekly calendar starts approximately eleven days in advance of the first observations on that calendar. Thus, in the normal course of events, almost three weeks can elapse between Phase II submission of a ToO and execution of the observations. Any short-notice interruptions to the schedule place extra demands on the scheduling system, and may lead to a decrease in overall efficiency of the observatory. ToOs are therefore classified into two categories: disruptive ToOs that require observations on a rapid timescale and therefore revisions of HST observing schedules that are either active or in preparation; and non-disruptive ToOs that can be incorporated within the standard scheduling process. Disruptive ToOs are defined as those having turn-around times of less than three weeks. Non-disruptive ToOs have turn-around times longer than three weeks.
Disruptive ToOs: The minimum turn-around time for ToO activation is normally 2-5 days; this can be achieved only if all details of the proposal (except possibly the precise target position) are available in advance. Any required bright object screening (COS, STIS/MAMA, or ACS/SBC) must be completed before a ToO can be placed on the schedule. The ability to perform any bright-object check will depend on the quality of the flux information provided by the observer, the complexity of the field, and the availability of suitable expertise at STScI to evaluate that information on a short time scale. Under exceptional circumstances, it may be possible to achieve shorter turn-around times, but only at the expense of significant loss of observing efficiency. Ultra-rapid (<2 day turn-around) ToOs therefore require an extremely strong scientific justification, and may only be requested for instruments that do not require bright object checking (ACS/WFC, WFC3, STIS/CCD, FGS). Because of the significant effect disruptive ToO observations have on the HST schedule, the number of activations will be limited to eight in Cycle 27; this allocation will include no more than one Ultra-rapid ToO.
Non-disruptive ToOs: Observations of transient phenomena that require turn-around times longer than three weeks can be accommodated in the normal HST scheduling process. Non-disruptive ToOs will be incorporated in the HST observing schedule at the earliest opportunity consistent with normal scheduling process. Consequently, there is no limit on non-disruptive ToOs in Cycle 27. However, programs that have been allocated a specific number of non-disruptive ToOs may not subsequently request activation on shorter timescales.
Proposers are encouraged to check the ToO webpage for further information and examples on defining and activating ToO observations.
Activation of a ToO
A Phase II proposal must be submitted before the ToO event occurs. If the observing strategy depends on the nature of the event, then the Phase II proposal should include several contingencies from which the observer will make a selection. The PI is responsible for informing STScI of the occurrence of the event and must provide an accurate target position. Implementation of a ToO observation after notification of the event requires approval by the STScI Director and is not guaranteed (e.g., high-priority GO observations, critical calibrations, and engineering tests may take precedence over ToO Programs). If approval is granted, then the HST observing schedule is replanned to include the new observations. Disruptive ToOs require the PI or his/her designee to be reachable by STScI personnel on a 24 hour basis between the ToO activation and the scheduling of the program.
Long-Term ToOs
Proposers may apply for Long-Term status for ToO Programs only if the target phenomena have a low probability of occurrence during one cycle. The request must be justified in the 'Special Requirements' section of the proposal and will be subject to review by the TAC. Long-Term ToO Programs will be extended into the following cycle.
If the triggering event for a standard ToO Program does not occur during Cycle 27, the program will be deactivated at the end of the cycle. Unused ToO time carries over to the following cycle only for Long-Term ToO Programs.
ToO Programs with COS, STIS/MAMA or ACS/SBC
ToO Programs that use COS, the STIS/MAMA detectors, or ACS/SBC must pass bright-object checking before they can be scheduled. Ultra-rapid turn-around programs are not allowed with these instruments. For rapid turn-around programs, where the target may be varying in intensity, a strategy must be outlined to ensure that the ToO will be safe to observe. A description of how you plan to deal with this issue should be provided in the 'Special Requirements' section of the proposal.
STIS/MAMA and ACS/SBC observations cannot be scheduled in orbits affected by passages of HST through the South Atlantic Anomaly (SAA), which limits the duration of a MAMA visit to five orbits.
Special Restrictions on Observations with COS, STIS/MAMA, and ACS/SBC
The COS, STIS/MAMA, and ACS/SBC instruments employ photon counting detectors and are vulnerable to damage through exposure to bright sources. Consequently, there are a number of restrictions on the use of these configurations. All targets and field objects within the appropriate field of view must pass bright-object safety reviews. All Phase I proposals must include a discussion of the safety of the proposed targets and fields in the Description of the Observations, based on the relevant Instrument Handbook sections and calculations with the appropriate APT and ETC tools.
Observations of Variable Sources
Proposals to observe variable objects with the COS, STIS/MAMA, or ACS/SBC detectors must pass bright-object checking before they can be scheduled. Proposers should assume the maximum flux values for targets unless there are specific reasons for adopting other values (for example, time constrained observations of periodic variables at flux minima); the justification for adopting alternative flux values should be given in the Special Requirements section of the proposal.
Observers interested in proposing for UV observations of cool stars should keep in mind the possibility that low mass stars may undergo extreme enhancements during stochastically occurring flares. Proposers must demonstrate the health and safety of their targets under these extreme conditions (STIS ISR 2017-02; COS ISR 2017-01).
In the case of aperiodic variables that are either known to undergo unpredictable flares or outbursts, or belong to classes of objects that are subject to flaring or outbursts, the proposer must determine whether the target will violate the bright object limits during outburst. If a violation is possible, the proposer must outline a strategy that will ensure that the target is safe to observe with COS, STIS/MAMA, or ACS/SBC.
A description of how you plan to deal with bright object checking for variable sources must be included in the Special Requirements section of the proposal.
The observing strategy might include additional observations, obtained over a timescale appropriate to the particular type of variable object, with either HST or ground-based telescopes. Proposers should be aware that this type of observation requires extra resources. STScI reserves the right to limit the number of visits requiring quiescence-verification observations within 20 days or less of an HST observation to no more than 12 such visits per Cycle. If you are planning such observations, please contact the STScI Helpdesk for more information on the options and requirements for confirming quiescence.
Due to bright object safety considerations, STIS/MAMA observations cannot be performed under gyro control. This limitation is generally identified at the Phase II level when guide-star control is found to be infeasible (e.g., for fast moving targets such as comets near perihelion). Infeasible programs cannot be executed (see HST Cycle 27 Proposal Implementation and Execution under Unschedulable or Infeasible Programs).
Pure Parallel observations with COS, STIS/MAMA, or the ACS/SBC detectors are not permitted.
In order to preserve SAA-free orbits for MAMA observations, STIS programs that contain both CCD and MAMA science observations (excluding target acquisitions) must normally be split into separate CCD and MAMA visits. Exceptions are allowed if at least one of the following conditions apply:
A) There is less than 30 minutes of science observing time (including overheads) using the CCD;
B) The target is observed for only one orbit;
C) There is a well-justified scientific need for interspersed MAMA and CCD observations.
By default, STIS spectroscopic exposures are accompanied by separate AUTO-WAVECAL exposures. The observer can insert additional GO-WAVECAL exposures adjacent to any external exposure and, although not recommended without adding an equivalent GO-WAVECAL exposure, can turn off the AUTO-WAVECAL exposures. For additional information see the STIS section of the HST primer.
To optimize the science return of COS the following is recommended: the use of TIME-TAG mode and the use of the default wavelength calibration procedures. To minimize the effects of gain sag on the FUV detector, the use of all four FP-POS positions is required for each FUV CENWAVE setting unless a strong scientific justification is provided in the Phase I proposal. The exception is the G130M/1291 setting, for which only two FP-POS positions (3 and 4) are allowed (and required). This is done using the FP-POS=ALL parameter in APT for each CENWAVE, by spreading out the four FP-POS positions over multiple orbits within a visit for each CENWAVE, or over multiple visits of the same target. Observers who wish to employ non-optimal observing techniques must strongly justify their observing strategy in the Description of the Observations section of the PDF attachment. Non-optimal observing techniques should not normally be adopted solely for the purpose of producing a modest reduction of the observational overheads; in such cases the observer should normally just request adequate time to use the recommended optimal strategy. For more details, please see the COS section of the HST Primer.
HST can observe most targets within our Solar System, although there are a few exceptions. Mercury is always well within the 55-degree Solar pointing exclusion, and cannot be observed. Venus is always within the 55-degree Solar pointing exclusion, but at maximum elongation can be over 45 degrees from the Sun. STScI and the HST Project at GSFC have developed (and used) procedures that support observations of Venus when it is slightly within the 55 degree limit. Those procedures require extra planning and implementation steps. GO proposals to observe Venus will not be permitted in Cycle 27. Observations of comets can be made while they are farther than 55 degrees from the Sun.
The HST pointing control system and the HST scheduling systems were not designed to support observations of objects as close as the Moon. However, lunar observations are possible under gyro control in three-gyro mode. GO proposals to observe the Moon can be submitted for consideration by the Cycle 27 TAC. These programs must use observing strategies that have been used in previous HST lunar observing programs. The execution of lunar observations will be subject to the availability of resources to carry out the extra work required. Investigators interested in proposing for lunar observations are encouraged to consult the Lunar Observations User Information Report, which contains details on how such observations will be scheduled, the rules pertaining to them, and other useful information.
With the current performance of the pointing control system, the gyro bias drift must be updated periodically, and this is not possible when pointing under gyro control or during slewing (e.g., during moving target tracking). For moving target programs, visits cannot be longer than two contiguous orbits.
Pointing constraints are discussed further in the HST Primer.
Observations of Targets That Have Not Yet Been Discovered or Identified
There are a variety of plausible scenarios in which investigators may wish to propose for HST observations of targets that have not yet been discovered or identified (i.e., targets with unknown coordinates, such as the next supernova in our own Galaxy, or the next gamma-ray burst in the southern hemisphere). In general, such proposals are allowed only if there is a certain time-criticality to the observations; i.e., proposing for the same observations in the next regular review cycle (after the target has been discovered) would be impossible or would make the observations more difficult (e.g., the object fades rapidly, or its temporal behavior is important), or would lead to diminished scientific returns. These criteria are generally satisfied for GO observations of ToO targets, and there may also be other circumstances in which proposals for such targets are justified. However, in the absence of demonstrated time-criticality, observations will generally not be approved for targets that have not yet been discovered or identified.
Time-Critical Observations
Proposals may request that HST observations be taken at a specific date and time, or within a range of specific dates, when scientifically justified. Some examples of such cases are:
astrometric observations
observing specific phases of variable stars
monitoring programs
imaging surface features on solar-system bodies
observations requiring a particular telescope orientation (since the orientation is fixed by the date of the observations; see the HST Primer)
observations coordinated with another observatory
Any requests for time-critical observations must be listed in the Special Requirements section of the proposal. Time-critical observations impose constraints on the HST scheduling system and should therefore be accompanied by an adequate scientific justification in the proposal.
Limitations Related to Time-Critical Observations
Time-critical events that occur over short time intervals compared to the orbital period of HST (such as eclipses of very short-period binary stars) introduce a complication because it will not be known to sufficient accuracy, until a few weeks in advance, where HST will be in its orbit at the time of the event, and hence whether the event will occur above or below the spacecraft's horizon (see the Orbital Constraints Section of the HST Primer). Proposals to observe such events can therefore be accepted only conditionally.
Dithering Strategies with ACS and WFC3
Experience has shown that ACS and WFC3 imaging observations are best taken as dithered exposures. Proposers who do not intend to use dithering for primary observations must provide a justification for their choice of strategy in the Description of Observations section of the PDF attachment. In general, undithered observations with ACS or WFC3 detectors will not be approved without strong justification that such an approach is required for the scientific objectives. Otherwise, hot pixels and other detector artifacts may compromise the archival value of the data.
Parallel Observations
Since the scientific instruments are located at fixed positions in the telescope focal plane, it is possible to increase the productivity of HST by observing simultaneously with one or more instruments in addition to the primary instrument. Those additional observations are called parallel observations.
Since each instrument samples a different portion of the HST focal plane, an instrument used in parallel mode will normally be pointing at a "random" area of sky several minutes of arc away from the primary target. Thus parallel observations are usually of a survey nature. However, many HST targets lie within extended objects such as star clusters or galaxies, making it possible to conduct parallel observations of nearby portions of, or even specific targets within, these objects.
Depending on whether a parallel observation is related to any specific primary observation, it is defined either as a Coordinated Parallel or Pure Parallel. Coordinated Parallel observations are related to a particular primary observation in the same proposal. Pure Parallel observations are unrelated to any particular primary observation (i.e., the primary observation is in another program). Investigators interested in proposing for parallels must consult the Parallel Observations User Information Report, which provides further details on how coordinated and pure parallels are defined, implemented and scheduled.
Parallel observations are rarely permitted to interfere significantly with primary observations; this restriction applies both to concurrent and subsequent observations. Specifically,
A parallel observation cannot dictate how the primary observation will be structured (e.g. it cannot cause the adjustment of primary exposures). This is particularly directed toward pure parallels where the definition of the observations is independent of and subordinate to a primary observation.
Parallel observations will not be made if the stored command capacity or data volume limits would be exceeded.
Pure Parallel observations may not explicitly constrain the scheduling of the primary observations, that is, they may not specify orientation or timing constraints.
Coordinated Parallel observations may include orientation or timing constraints as requested and justified in the accepted HST Phase I proposal.
Pure Parallel observations are subject to the availability of parallel observing opportunities as identified by STScI.
Coordinated Parallel Observations
Coordinated Parallels use one or more instruments, in addition to and simultaneously with the primary instrument in the same proposal, e.g., to observe several adjacent targets or regions within an extended object. Proposals that include Coordinated Parallel observations should provide a scientific justification for and description of the parallel observations. It should be clearly indicated whether the parallel observations are essential to the interpretation of the primary observations or the science program as a whole, or whether they address partly or completely unrelated issues. The parallel observations are subject to scientific review, and can be rejected even if the primary observations are approved.
Proposers are generally not allowed to add Coordinated Parallel observations in Phase II that were not explicitly included and approved in Phase I. Any such requests will be adjudicated by the Telescope Time Review Board (TTRB). Coordinated Parallel Observations will ordinarily be given the same exclusive access period as their associated primary observations.
Coordinated Parallel observations must be marked in the Observation Summary section of the proposal.
Pure Parallel Observations
The Pure Parallel observing process is designed to take advantage of the full complement of instruments installed in SM4. Similar to primary science planning, the parallels process provides a reliable estimate, in advance of observations, of the number of orbits that will be executed on accepted parallel programs during the cycle. The Parallel Observing User Information Report provides a complete description of this observing mode and is required reading if you are considering submitting a Pure Parallel Proposal. It is anticipated that up to 500 orbits of Pure Parallel observations will be available in Cycle 27.
Pure Parallel observations are currently restricted to orbits where COS and STIS are the primary instruments. Consequently, parallel opportunities will be limited by the actual number of orbits allocated to these instruments and to the corresponding regions of sky being observed. Past experience shows that the final allocation of Pure Parallel orbits also depends on the science goals of the parallel programs (e.g. desired targets may not be available and multiple Pure Parallel Programs can compete for the same primary opportunities.) STScI continues to investigate ways to expand the number of Pure Parallel observing opportunities.
For the purpose of Pure Parallel orbit allocation, an orbit is defined as having visibility of at least 2500 seconds. The number and types of parallel observing opportunities will vary depending on the mix of primary GO Programs each cycle. Additionally, the total number of Pure Parallel orbits actually executed could be less than planned due to changes to the Primary Programs or on-board execution failures.
PIs with accepted Pure Parallel Programs will be given a list of parallel science opportunities that STScI has identified as being suitable for their program. The PI then selects and submits a final list of opportunity matches to STScI in the Phase II Pure Parallel Program submission.
The process of matching Pure Parallel observations to Primary Programs will occur during the planning and implementation phase (Phase II) so that it can be known in advance when and how the parallel observations can be executed. Proposals for Pure Parallel observations may specify either particular or generic targets, although the latter are more common and provide more flexibility for matching parallel observations to actual opportunities.
Review and Execution
The review panels and the TAC will select the programs based on the proposed science. The TAC will consider all accepted programs and produce a ranked list as an aid for resolving potential conflicts. The exclusive access period for a GO Pure Parallel Program will depend on the number of orbits requested, as is the case for Primary GO Programs. Medium (35-74 orbits) Pure Parallel Programs will have a default exclusive access period of 6 months; Large (75 orbits or more) Pure Parallel Programs will have no exclusive access period by default. Pure Parallel observations are assigned to specific primary observations, and the parallel observations will be carried over to subsequent cycles if the primary observations are not executed in Cycle 27.
Restrictions and Limitations on Parallel Observations
Parallel Observations with ACS
The ACS/SBC may not be used for either Pure or Coordinated Parallel observations in any mode.
The ACS/WFC detector may be used for Coordinated Parallel observations with any other instrument as primary.
The ACS/WFC may be used for Pure Parallel observations with the COS and STIS instruments as primary.
Parallel Observations with COS
The COS/FUV MCP detector may be used for Coordinated Parallel observations with any other instrument as primary, provided that the telescope orientation is specified exactly and the parallel field passes bright-object checking.
The COS/NUV MAMA detector may be used for Coordinated Parallel observations with any other instrument as primary, provided that the telescope orientation is specified exactly and the parallel field passes bright-object checking.
COS may not be used for Pure Parallel observations in any detector mode.
Parallel Observations with FGS
The FGS cannot be used for either Pure or Coordinated Parallel observations.
Parallel Observations with STIS
The STIS/CCD detector may be used for Coordinated Parallel observations with any other instrument as primary.
Neither the STIS/NUV-MAMA PRISM mode nor any STIS/MAMA imaging mode can be used for Coordinated Parallel observations.
STIS/MAMA spectroscopic modes (other than the NUV/PRISM) may be used for Coordinated Parallel observations, but only if an exact ORIENT is specified, and the field passes bright object checking.
STIS may not be used for Pure Parallel observations in any detector mode.
When STIS is the primary instrument and another instrument is used for a Coordinated Parallel, STIS auto-wavecals will never be done during an occultation. Instead these calibration exposures have to be scheduled when the external target is visible, leading to a slight reduction in the observing efficiency.
Parallel Observations with WFC3
WFC3 may be used for Coordinated Parallel observations with any other instrument as primary. WFC3 may only be used for Pure Parallel observations with COS or STIS as primary.
Pointing Accuracy for Parallel Observations
The spacecraft computers automatically correct the telescope pointing of the primary observing aperture for the effect of differential velocity aberration. This means that image shifts at the parallel aperture of 10 to 20 mas can occur during parallel exposures.
Special Calibration Observations
Data from HST observations are normally provided to the GO after application of full calibrations. Details of the standard calibrations are provided in the Instrument Handbooks.
In order to obtain quality calibrations for a broad range of observing modes, yet not exceed the time available on HST for calibration observations, only a restricted set, the so-called 'Supported' modes, may be calibrated. Other modes may be available but are not supported. Use of these 'Available-but-Unsupported' modes is allowed to enable potentially unique and important science observations, but is discouraged except when driven by scientific need. Observations taken using Available-but-Unsupported modes that fail due to the use of the unsupported mode will not be repeated. Use of these modes must be justified prior to the Phase II submission. For details consult the Instrument Handbooks.
Projects may need to include special calibration observations if either:
a Supported mode is used, but the calibration requirements of the project are not addressed by the standard STScI calibration program, or
an Available-but-Unsupported mode is used.
Any special calibration observations required in these cases must be included in the total request for observing time and in the Observation Summary of the proposal, and must be justified explicitly. During the Phase II process, proposals to calibrate Available-but-Unsupported modes must be pre-approved by the appropriate instrument team. For details please consult the relevant Instrument Handbook.
Proposers can estimate the time required for any special calibration observations from the information provided in the Instrument Handbooks. Also, the STScI Help Desk can assist you on this estimate, but such requests must be made at least 14 days before the submission deadline.
The data reduction of special calibration observations is the responsibility of the observer.
Data flagged as having been obtained for calibration purposes will normally be made non-exclusive access.
Next: HST Cycle 27 Data Rights and Duplications
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redpajama_set_name: RedPajamaCommonCrawl


SEOUL, Feb. 11 (Yonhap) -- South Korea on Monday said it will allow Hyundai Motor Co. to set up a hydrogen charging station in parliament for fuel cell electric vehicles in a symbolic gesture that underscores Seoul's commitment to boosting the hydrogen economy.
Hyundai Motor, the world's first mass-producer of hydrogen fuel cell electric vehicles, has also been given the green light to install two other hydrogen charging stations in southern Seoul.
The decision "will serve as an occasion to open the floodgates of regulatory innovation," Sung Yun-mo, minister of trade, industry and energy, said in a news conference at a government building in central Seoul after holding a first review of new business models that are eligible to take advantage of a "regulatory sandbox."
A regulatory sandbox is a concept that allows small-scale, live testing of innovations by private firms in a controlled environment under the regulator's provision.
Moon also called the hydrogen charging station in parliament "a symbol of cooperation" among the government, parliament and private sector to advance the era of fuel cell electric vehicles, according to the ministry.
A hydrogen fuel cell electric car emits only water vapor as it converts stored hydrogen into electricity to turn the drive motor.
The ministry said hydrogen charging stations in Seoul could boost convenience for hydrogen fuel cell electric vehicle drivers and help the spread of the zero-emission vehicles while allaying "vague" public safety concerns about the use of such stations.
In January, South Korea said it will increase the number of hydrogen fuel cell electric vehicles to about 80,000 units by 2022 as part of a broader effort to give a boost to the hydrogen economy.
The hydrogen charging station is set to be built in the National Assembly by July and will be capable of providing hydrogen for more than 50 fuel cell electric vehicles a day, according to Hyundai Motor and the Ministry of Trade, Industry and Energy.
Currently, there are only 16 charging stations for hydrogen fuel cell electric vehicles across South Korea.


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BIO & REPERTOIRE
SHOUT-OUT!
SCOTT WATKINS pianist
Howard Hanson's Piano Concerto
The newest addition to my repertoire. Playing it for the first time Saturday October 25 with the incredible Brevard Symphony Orchestra (brevardsymphony.com) and their conductor, my friend, Christopher Confessore. While doing some research on the concerto, and Hanson, I discovered that the composer himself played it once - and only once - with The Chautauqua Symphony Orchestra on July 23, 1950. A review of the performance, written by David Holden on July 26, says that "Mr. Hanson played the piano part with intensity and vigor." The program notes describe the concerto as being "unmistakenly American." Here is the full review: Howard Hanson's Concerto for Piano and Orchestra had the central position on the program withthe composer himself at the keyboard. In contrast to the Britten Concerto played a week before, this is not primarily a bravura work. A poetic musical idea is fundamental to this work, and its pyrotechnics are only the expression of that thought. The work is couched in post-Romantic, terms. Crescendos to big sonorities and slow passages associated with soft dynamics are the most overt evidence of this style. But his use of this style is cooler and more light-hearted than in his other monumental works. If his great use of rapid repeated notes tinges the concerto with reminiscences of Gershwin's [Concerto], Mr. Hanson remains a warmer and more personal composer. It seems to your reporter that the scoring of the first two movements was too heavy for the piano. The last two were in better balance. Mr. Hanson played the piano part with intensity and vigor. There were no cadenzas and the close incorporation of piano with orchestra made it impossible to characterize this performance further. I'm absolutely thrilled to have added this beautiful and unjustifyably neglected American piano concerto to my repertoire and look forward to playing it again - and often! Hope to see you at The King Center for the Performing Arts, Melbourne, Florida, on Saturday evening, October 25, 8pm.


Since its foundation in 1961, Rittal has continuously evolved into the world's leading systems provider for enclosures, power distribution, climate control, IT infrastructure and software & services. Today, "Rittal – The System." offers you a perfectly coordinated system platform. It unites innovative productions, pioneering engineering solutions and global service to accommodate the most diverse requirements. It caters to a whole host of industries, from machinery and plant engineering, to the automotive industry, through to information technology.


The magic begins when you enter through a wide wooden gateway. A smiling doorman ushers you in. The wide arching drive way is terraced by flowering plants that nod a colorful, cheerful welcome. A courteous check in ensures you are properly accommodated. Soft footed stewards traditionally garbed see you to your room leading the way with old fashioned courtesy. Beautifully landscaped gardens color your way and provide a delightful relief to your eyes. Forty plus spacious rooms air conditioned with private balconies offer a panoramic view. . A full length swimming pool sparkles invitingly. The herbal health center is a feature which is bringing the hotel a lot of recognition. The aroma therapy and herbal sauna are one of a kind experienced in Sri Lanka. It will invigorate and energize you.


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Rocca Massima is een gemeente in de Italiaanse provincie Latina (regio Latium) en telt 1096 inwoners (31-12-2004). De oppervlakte bedraagt 18,1 km², de bevolkingsdichtheid is 61 inwoners per km².

Demografie
Rocca Massima telt ongeveer 496 huishoudens. Het aantal inwoners daalde in de periode 1991-2001 met 2,7% volgens cijfers uit de tienjarige volkstellingen van ISTAT.

Geografie
De gemeente ligt op ongeveer 735 m boven zeeniveau.

Rocca Massima grenst aan de volgende gemeenten: Artena (RM), Colleferro (RM), Cori, Segni (RM).

Gemeente in Latina

redpajama_set_name: RedPajamaWikipedia


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Le plan Nisko est une opération menée en 1939 par l'Allemagne nazie pour déporter les Juifs d'Europe vers le district de Lublin situé dans le Gouvernement général en Pologne occupée. L'opération est annulée début 1940.

L'idée d'expulser les Juifs d'Europe et de les réinstaller aux confins du Gouvernement général de Pologne, près des villes de Lublin et Nisko, est envisagée par Adolf Hitler et développée par ses partisans de la Schutzstaffel (SS). L'opération est étudiée en septembre 1939, après l'invasion de la Pologne, puis mise à exécution d'octobre 1939 à avril 1940, contrairement à d'autres projets imaginés par les nazis pour déplacer de force les Juifs, avant l'attaque de la Pologne (voir : Plan Madagascar).

Hitler envisage cette idée avec l'aide d'Alfred Rosenberg et d'Heinrich Himmler et d'autres participent à son développement : Adolf Eichmann, Heinrich Müller, Hans Frank et Arthur Seyss-Inquart. Cette « réserve » est confiée au Gruppenführer Odilo Globocnik, ancien Gauleiter de Vienne, promu chef de la police et de la SS dans le nouveau district de Lublin. Pendant la mise à exécution du plan, les nazis instaurent un système de ghettos où sont rassemblés les civils juifs afin d'exploiter leur travail. Les premiers camps de travail forcé sont ouverts au bénéfice du projet Burggraben, consistant à fortifier la ligne de démarcation entre les Soviétiques et les nazis, et pour servir les unités SS locales de Lublin.

Au total, environ  Juifs sont déportés dans la « réserve de Lublin ». À l'origine, le plus vaste des camps de ce réseau se trouve à Bełżec (avant la construction des centres d'extermination) où les prisonniers juifs sont livrés au travail forcé. En , Bełżec devient le premier camp d'extermination nazi de l'Opération Reinhard : Christian Wirth y construit des chambres à gaz auxquelles il donne l'apparence de salles de douche. Même si les camps du Burggraben sont temporairement fermés fin 1940, beaucoup sont rouverts en 1941. Deux autres camps d'extermination, à Sobibór et à Majdanek, sont établis par la suite dans le district de Lublin ; le  est un sous-camp rattaché à Majdanek en 1943. Le plan Nisko est abandonné pour des raisons pratiques ; néanmoins, les  (en allemand : camps de travail forcé) déjà ouverts pour la Deutsche Ausrüstungswerke sont devenus le modèle industriel des autres projets des SS, comme Ostindustrie. Plusieurs camps ont fonctionné jusqu'à l'Aktion Erntefest ; d'autres sont restés actifs après les massacres.

Articles connexes
 Plan Madagascar
 Shoah en Pologne

Références

Shoah en Pologne
Camp de concentration nazi en Pologne
Lublin
Occupation de la Pologne par l'Allemagne pendant la Seconde Guerre mondiale
Déportation
Stolpersteine


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> South Atlantic
> South Carolina
Related topics: Golf
Palmetto High School Golf Championship Tees Off Today in Myrtle Beach
Twenty-eight teams from nine states are poised to play in the 20th annual Palmetto High School Golf Championship in Myrtle Beach, S.C., March 29-31.
The 54-hole, college style event begins on Thursday with a qualifying round at True Blue Golf Club. Based on qualifying scores, teams will be flighted for 36 holes of stroke play competition.
Friday and Saturday rounds will be played at True Blue and Caledonia Golf & Fish Club, both of which are ranked among America's top 100 public courses.
The field is highlighted by Boiling Springs (S.C.) High School and its No. 1 player, Trent Phillips, the fifth ranked junior boy in America, according to Golfweek.
Current PGA Tour players Rickie Fowler, the 2006 champion, and Harris English are among the Palmetto's distinguished alums.
Caledonia is ranked 29th on Golf Magazine's list of the Top 100 You Can Play, a ranking of America's best public courses, and True Blue is 77th on the prestigious list. Both layouts are Mike Strantz designs that offer distinct, yet equally dramatic and memorable experiences.
Caledonia, which is equal parts art and architecture, plays through a stunning piece of lowcountry land that was once home to a thriving rice plantation. A round at True Blue, while completely different from a design perspective, is no less captivating. Strantz used waste bunkers, which frame many of the course's fairways, to craft a layout that is among the area's most visually stunning.
For more information, go to www.PalmettoHSGolf.com.
Related Links :
Myrtle Beach Regional Sports Alliance


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As promptly as properly there surely undeniably, she kept undoubtedly totally utilized– primarily. She re-financed her property together with atop that ideal information commercial or maybe house residence, taken care of design of wide array of funds increasing turning up stemming from her papas besides mothers in addition to in a comparable technique maxed out her bank card to deal with a fee, which she opened up in April 2006. Significant bargain besides just $2,500 left behind in the financial institutions, she recommended her papas alongside each other besides mamas to fantastic to go your reasonably very special person for lasting houseguests if the go accurately attained truly very most absolutely certainly not work out procedure.
She remained to be actually to come to be actually to discover your own self being really positively to keep track of to locate on your own being really just about correctly supplying a lot longer employees than she industried to, she like agency. A self-proclaimed micromanager, she supplied often besides her 12-person staff member, subjecting every person of each of everybody of each of each of everyone of each of every person of each of every person of everyone of each one of all of them especially in her functionalities of protecting versus parts.
That remains away from common reality positively when she discovered Plato's Closet, an earlier possessed garments besides atop that furthermore dare franchise business firm specialist evaluations. She properly secured a consist of the idea besides atop that threat it continues to be in reality taking a look at as an alternative rather quite most conveniently dwell largely entirely an impressive functional for her south New Jersey web net website. She re-financed her firm or perhaps potentially house or even maybe industrial house besides in addition properties workplace in addition to likewise most likely creating home besides moreover replacement additionally service besides also non place of work property, secured volume of helping building appearing taking place arising stemming from her papas besides mamas along with atop that maxed out her expenses flash sd flash sd flash memory card to safeguard a substantial realities, which she opened in April 2006.


Mouse and keyboard are still here. But will we use them still in ten years? The amount of new interfaces and tools that are being made and distributed last years is absurdly growing. Can we speak of a new digital renaissance? This vision gives inside in the most interesting and fun interfaces of these days.


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Aurecon's Assawin Wanitkorkul appointed to Engineering Institute of Thailand's Board Sub-Committee
18 June 2014 - Aurecon Associate Structural Engineer, Dr. Assawin Wanitkorkul has been appointed to the Engineering Institute of Thailand's Board Sub-Committee on engineering for earthquakes and wind loads.
Dr Assawin was appointed based on his wide-ranging expertise and in-depth experience, especially in the analysis and innovative design of structures subjected to seismic excitations.
Over the past 10 years, Dr. Assawin has consulted extensively on numerous building and infrastructure projects across Asia, Australasia and the USA. In addition, he has a strong background in research and experiments of structures under seismic/dynamic loadings.
On this prestigious appointment, Country Manager for Aurecon Thailand, Mr Sakorn Kruemai said, "We are very proud of Dr Assawin's appointment; his contributions will certainly build better and safer communities in Thailand and around the world. Dr. Assawin is an excellent structural engineer who takes the time to share his knowledge with university students and professional communities through his participations in conferences and technical journal articles. "
A licensed Professional Engineer, Dr Assawin holds a Ph.D. in Structural Engineering and a Bachelor of Civil Engineering (Honours) from Chulalongkorn University, Thailand. Prior to his career with Aurecon, Dr. Assawin was a post-doctoral research assistant at the University at Buffalo, New York. and has authored and co-authored numerous journal articles on earthquake engineering, structural dynamics and seismic fragility assessments.
The Engineering Institute of Thailand under His Majesty The King's Patronage was formed in November 30, 1943. The Engineering Institute is a non-profit association whose objectives are to promote and support the engineering profession, education and research and uphold engineering standard and ethics.
Michelle Low
Marketing & Communications Business Partner – Asia
Email Michelle


Auroville has many different guesthouses who all have their own specific atmosphere, management and policies. Room fees can include different services, specified on the website or to be received by email from the manager. Room fees and advances may include an administration fee, but they will not include travel or transportation costs, unless as an exception, in which case it will be clearly mentioned. No claims can be made unless there is written proof of agreement. Consumption of alcohol or drugs, or the use of violence is not permitted in Auroville guest houses. Confirmation of bookings are depending on guest house manager approval and partial or full advance payment.
All advances are by default non-refundable, but each guesthouse manager can decide to refund part or total of the advance paid. Transfer of canceled bookings to another person is possible only with written approval of the guesthouse manager. If the manager agrees to a partial or full refund, the refund will happen through the exact same channel through which the advance payment was received. Guests who paid by credit or debit card will be refunded directly to their credit or debit cards. Guests who paid by cheque or Demand Draft (DD) will be refunded by a cheque only. Similarly guests who paid by an online account transfer will be refunded by a direct account transfer. All refunds will be made within 15 business days from the cancellation date.
2. that the source ("guesthouses.auroville.org" and "Auroville website") and this permission notice appear in all copies.
While the Auroville Guest House Trust endeavors to ensure that this website is normally available 24 hours a day, the trust or Auroville will not be liable if for any reason this website is unavailable at any time or for any period. Access to this website may be suspended temporarily and without notice in the case of system failure, maintenance or repair or for reasons beyond the trust's control.


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Katie Zarpas Group
Christies Luxury Home Specialist
Sales: 757-500-5596 Schedule an Appointment
Global Affiliation
Buying Your First Home in Virginia Beach
Fun Things to Do in Hampton Roads
Fun For Kids in Virginia Beach
Leonardo's "Salvator Mundi" Makes Auction History
Katie Zarpas Blog / November 17, 2017 by Katie Zarpas
Salvator Mundi, painted by Leonardo Da Vinco about 1500.
The rediscovered masterpiece by the Renaissance master sells for an historic $450,312,500, obliterating the previous world record for the most expensive work of art at auction.
It's a great day to work for Christie's International Real Estate!
On a historic night at Christie's in New York, Salvator Mundi, a depiction of Christ as 'Saviour of the World' by one of history's greatest and most renowned artists, sold for $450,312,500 / £342,182,751 (including buyer's premium), becoming the most expensive painting ever sold at auction.
This stunning price reflects the extreme rarity of paintings by Leonardo da Vinci — there are fewer than 20 in existence acknowledged as being from the artist's own hand, and all apart from Salvator Mundi are in museum collections.
The global interest in a work that has been hailed as the greatest artistic rediscovery of the last 100 years saw a rapt audience of nearly 1,000 art collectors, dealers, advisors, journalists and onlookers packed into the main auction room at Rockefeller Center, with many thousands more tuning in via a live stream. Since the sale of Salvator Mundi was announced on 10 October at Christie's, almost 30,000 people have flocked to Christie's exhibitions of the 'Male Mona Lisa' in Hong Kong, London, San Francisco and New York — the first time the painting had ever been shown to the public in Asia or the Americas.
Christie's International Real Estate is the only real estate network wholly owned by an art auction house entity, displaying select properties in Christie's lobbies across New York, London, Beverly Hills, Paris and Hong Kong.
To learn more, read the complete press release at Christie's Auction House here.
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made of brass, thus leaving their value at simply a dollar.
line of the gold dollar that existed in production only in the 19th century.
was supplanted by the Indian Princess Gold Dollar of the small head design.
giving way to the Indian Princess Gold Dollar of the large head design.
States, leaving very few high quality examples of the gold dollar existing today.
dollar" is still spendable at any business in America.


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Q: How can I add new list items on field input? I am working on a simple to-do app.
I would like to add a new element after user clicks on enter in the input box, and nothing happen. I tried lot of ways, I will share the recent code. Do you have any suggestions? Thanks a lot.
UPDATE: It finally works.
UPDATE: It finally works.
UPDATE: It finally works.

$(document).ready(function() {

  // Input - creating a new element //

  $(':input').on('keypress', function(e) {
    if (e.which == 13 && $('#text').val().length != 0) {
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    }
  });
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TODO

      <form><input type="text" placeholder="Create a new todo" id="text"></form>

Vytvořit todo appku

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A: You are very close, a few things to make this work are:

*

*You are using a <form> tag which will (by default) try to submit a form on enter. If you aren't sending anything to a server you can just remove this html tag

*($this) should be $(this) because you want to use the jquery constructor to create a jquery object from the this context.

*You are just appending an empty div which you won't see on the screen. You have to add the input text to the body of the div.

$(document).ready(function() {

  // Input - creating a new element //

  $(':input').on('keypress', function(e) {
    if (e.which == 13 && $('#text').val().length != 0) {
      var input = $(this).val()

      $('.elements').append(`<div class="text-box">${input}</div>`);

      // i would like to add other elements inside a div, but i need to first get it work. //

    }
  });
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TODO

      <input type="text" placeholder="Create a new todo" id="text">

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Julie Delpy >
Delpy Blasts 'Hateful' Goldberg
By WENN on 18 October 2007
Follow Julie Delpy
Julie Delpy Adam Goldberg
Picture: Julie Delpy and guest 'The 11th Hour' premiere at the Arclight Cinemas Hollywood, California - 08.08.07
Actress/director Julie Delpy has slammed her ex-boyfriend and 2 DAYS IN PARIS co-star Adam Goldberg as a "hateful man". Delpy and Goldberg dated for 18 months and when the former lovers met again on the movie's set in her native France, things didn't go smoothly between them. She says, "I don't want to see him anymore, he's a hateful man. "He despised Paris. I had chosen a very nice hotel for him in St-Germain-des-Prés, but he was complaining all the time. "He's a very good actor but a man with many problems." Until recently, Goldberg had been dating actress Christina Ricci, but that romance is now over.
Julie Delpy claims director blacklisted her for refusing sexual advances
Julie Delpy: 'I'm Sick Of Being An Actress!'
Julie Delpy Apologises For Controversial Comments About Hollywood Struggles
Julie Delpy Apologises For Comments About Diversity In Hollywood
Julie Delpy & Linda Cardellini Confirmed As Latest Age Of Ultron Stars
Julie Delpy Claims Academy Awards Is Rigged By Old Rich Men
Julie Delpy Rages At Imaginary Chatting Filmgoer In New Psa
Julie Delpy Calls Pest Control Over Termites
Richard Linklater's 'Before Midnight' Continues Jesse and Celine's Story [Trailer]
Julie Delpy: 'I Don't Know Why My Topless Scenes Are Causing A Stir'
Julie Delpy: I don't think of myself as an actress
21 Years: Richard Linklater Trailer
Indie filmmaking is one of the best niches to find super-talented directors and writers; and...
Richard Linklater is well known in the film industry as one of the stand out...
Before Midnight Movie Review
It's been 18 years since Hawke, Delpy and Linklater introduced us to Jesse and Celine,...
Before Midnight Trailer
Jesse and Celine return, though their love life is not what it once was. They...
2 Days In New York Trailer
French beauty Marion and radio presenter Mingus have a wonderfully healthy relationship at home with...
2 Days In New York Movie Review
Delpy follows her wonderful 2007 comedy 2 Days in Paris with a sequel that perhaps...
The Air I Breathe Movie Review
Veronica Lake acidly remarked in Sullivan's Travels, "There's nothing like a deep dish movie to...
The Hoax Movie Review
Everybody loves a good con artist, a guy who can bluff his way into or...
Waking Life Movie Review
Today, most films are bloated, uninteresting, narrative-driven drivel, filled with beautiful people, a hit soundtrack,...


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October 26, 2004 March 26, 2016 Hardcore Times agnostic front, hardcore, interview, music, nyhc, punk
This interview was done in 2004 just before Another Voice was released, and Rogesr phonecall came in a few hours early so I wasn't totally ready for it!
Agnostic Front have been around over 21 years, the play New York hardcore and are recognised as the godfathers of (New York) hardcore the world over. The have returned to a five piece, bringing back Matt Henderson on guitar and Mikes brother Steve in on drums. With their upcoming album due out on Nucler Blast in Europe on November 22nd, and in the US in January, we had a chat with Roger about things new and old….
Another Voice is coming out in about two weeks, how did the recording go?
The recording was fantastic, it was great, we had great time to do it in. It just felt so good, the songs felt so, refreshing and alive, you know what I mean. It was a good feeling and I think you kinda feel it in the truth and the honesty of everything about it, just sounds so real and true.
Its moved away from your previous two albums that had a more punky edge back towards the hardcore sound with some metallic touches, you brought Matt back into the band, did he bring the metallic side, or did it just happen?
Well no, it just happened, naturally once we, once we lost Rob Kabula. Well to be really breif, we got back together, we stopped in 94 after the "One Voice" tour and stuff, and went off to spend more time with my family. Got back together in 97. When we got back together we just felt like there was a need for a revival of very old school hardcore. We got back together as the original line-up, me, Vinnie, Rob Kabula, well "Victim in Pain" line-up and Jimmy Colletti. Thats how we knew how to play good and thats how we knew how to play well, in fact when we went to the first rehearsal I was just amazed at how great and it started to sound like i was in 1983 or 84. And naturally everything that followed, all the albums that followed were written natural in that vein, because thats what we did, as chemistry as a band, what we did best. We lost Rob Kabula and then we got Mike Gallo, Mike Gallo wanted to play more of the older songs, and I missed them too, I wanted to do them. So we attempted it, but it just didn't sound right, Jimmy Colletti, it wasn't his drum style, he's a great drummer, but he's a great drummer at his style, you know what I mean. So once Jimmy Colletti left the band we got Mike's brother Steve who was always our backup drummer, he toured with us in Canada, in South America, he had more of a different edge to him, and naturally we started playing more "One Voice" songs, and "Cause for Alarm" songs and it felt so good and everthing, we wanted to do it for a while so, when we started going to write these songs before Matt came in to play guitar, they were all written except two songs that Matt really wrote, two songs for the record. The rest was already written. And the we asked Matt if he would come and do it with us, cause Matt heard that we were doing it and he wanted to be part of it, and wanted to be part of "Another Voice", the second part of "One Voice". So I told him of course you can be part of it, so he ended up playing guitar on the record.
You kinda said there that "Another Voice" is the second part of "One Voice", so you do see it as a follow on from that era of Agnostic Front?
Yeah, I see that as definitely a follow up, but I do see it as very close, to me, its like if you take "Somethings Gotta Give" and "One Voice" and you mix it together I think you'll get a perfect blend of what we call "Another Voice". It is a true hardcore record, it does have its metal overtone here and there but its, it still stands in its own, in a league of its own. Its definitely Agnostic Front, its definitely New York Hardcore.
In a few days you'll be doing your DVD, you looking forward to that?
Yeah, we're very excited about, actually its in about three days, we're all excited about it, we can't wait.
Is that coming out on your current label Nuclear Blast, or is it another label bringing it out?
At the moment it may be a Nuclear Blast release, because we are in the Nuclear Blast family now, we've comitted to a couple of records with them, three of them and other stuff so it may very well come out on Nuclear Blast. From what I'm hearing they're doing a fantastic job on advertisement and a fantastic job on marketing, getting "Another Voice" out, so I wouldn't mind it.
When you're playing shows around New York, do you find its a new generation of faces, or do the same old faces always pop up?
I see a combination of both, I see alot of the old faces, because you know, some of the people have stuck around for many years, still believe in the scene and then of course theres the whole new generation, we see both, its just, we've got this mutual respect as being so called godfathers of this movement, and as pioneers of this movement and the many others. People come and pay repect.
Agnostic Front has been around nearly 25 years, you've already knida split up once, how much longer do you reckon you can give hardcore?
Well, I mean, I'm not ready to pull the plug. I still feel so young, alive, I feel great at what I'm doing, and if I didn't I wouldn't do it.
This is a question going back to the 80's, is it true that you auditioned for the Cro-Mags?
I actually played the first Cro-Mags show, they wanted me to be a singer later on, but originally I was a bass player for the Cro-Mags. The first show the Cro-Mags ever played was with Agnostic Front, and Harley played drums, I played bass, Kevin and Paris played guitar, and Kevin, not that Kevin, another Kevin sang. Then they wanted me to sing too, but I was really into my band Agnostic Front. So it was kinda a weird thing, and I played in alot of early New York hardcore bands, I also played in Sheer Terror for a few weeks, until we had to play a show and they had to play a show, so it just wasn't going to work. I played in Warzone, I played in just about every other band, because we were just freinds helping each other out.
When you played here back in 2002, you said that you had broken your back a few years before. How does this affect you because you're pretty lively on stage?!
You know, its hit a miss, it more like what the weathers like somethings when its really affecting me, I know how to deal with this, I'm very precautous, I know what I should do and what I shouldn't do, so I always try and be careful, somethings if I feel like its really running me down, sometimes I'll have to play a shorter set or something like that. But thats not really being happening to me in the last year and a half, two years, its been really good so I've been really happy.
Hows your other band The Diasasters?
We're doing great, in fact, we're going to go on tour with Lars Freidriksen and the Bastards, then we're going to go the UK and do two weeks, we were supposed to go to Ireland, but I'm finishing off some dates with Hatebreed up here in America with Agnostic Front, so its not possible.
Thats a pity, I saw you when you supported the Dropkicks?
Yeah, I really enjoyed playing Ireland, I think its fantastic.
Do you ever think that hardcore bands don't get the recognition they deserve compared to say the likes of Slipknot or the Deftones?
Of course I totally do, you know, but our scene is very, meant to be strong and alive in the underground, and thats where its more important anyway, but its true, they oversee hardcore bands, that are you know, but thats ok, I don't care, as long as I know my following is very strong, support, good foundation, thats all that matters to me.
Is there any bands over there at the moment, we mightn't have heard over here?
At the moment, hardcore bands that are doing are a damn good job, Terror is one of those bands, I think Terror is a fantastic band, I think No Innocent Victim, they're from the west coast too, they're a Christian band, but a great hardcore band. Theres Champion, they're a great hardcore band, well Bane is a great band. I don't know, I know so many bands, its difficult.
Is there any bands you'd like to do a collaboration with, I know you did the split with Discipline, but is there anyone you'd like do a song or even album with?
Well theres only one band, well one person I'd like to do a full collaboration with, that would be my brother Freddy from Madball, I'd love to something like a whole album, or something, with me and him doing vocals, and whatever the band is, the band is. We did do a video though, thats going to be up on our website, the songs called "Pure to Me", it doesn't appear on our record, but it'll be able as video on our website www.agnosticfront.com.
That will appear on the US album, the European is enhanced but only has the "Peace" video, its me and Jamie doing that song. The American one will have that song and the one we did right now, cause we just finished it with Freddy, the American one's going to have both because, the Amerocan one is coming out later so we had a chance to put it on the production.
Is the American one coming out later for marketing/promotion reasons?
Not because of that, the system in American is alot different, you have to set like release dates, and they were too far away, it was set for January 25th, and we had a tour set for Europe for February 17th, so I didn't want to go out there with the record being too fresh, so I wanted people to get the record, get to know it, sing along, fell good about it, you know.
Did you ever think about writing a book, given that hardcore and punk books have done well in recent years?
I've been writing a book, its just being taking long, but I have been, I've been doing it for the last two years, I hope to have it completed by next year.
Has any major labels ever shown an interest?
Yes, we've had interest, like Universal has been one of them.
Did you decide to stay with a smaller label?
I just always, I truely love independent labels, I feel like they work harder, and I know many bands have done the major label deal, and it just seemed like very sour somehow. It just didn't work, I don't know, it just didn't seem right, at the moment, at the time, you know. If I felt like it felt right then, I could've done it, I would have done it, to me a label is a label, its up to the band, you follow the band, if they still continue what they're doing and you're loving it, then it doesn't matter to me. I just didn't feel like I was at home, and I have to feel at home to make a commitment, to be with a label.
What would be some of your favourite memories of the times with the band or just NYHC in general?
You know what, I'd don't have a favourite memory, theres been many great memories, more than any bad memories, I can't remember any bad memories, except my own personal bad memories. But thats a good thing, theres been alot of great memories, too many to even think about.
Whats it like to have been working with Vinny for 20 years, you must have had some arguements along the way in that time, tourng etc.?
This is the best way to put it, its like, its like a bad marriage and we're in it for the kids. Thats what we do, its just a bad marriage, and we stick around for the kids.
Do you think the likes of the Internet and DVD has helped hardcore and punk?
I think it has, cause it also hurts it because, alot of peole just want to download everything and thats it. To me its not just ok, you download the music and you got it, and you feel like a crook, or whatever you want. To me its everything the band puts together, the effort, the hard work of putting the cover together, the lyrics, everthing, the way the band presents itself, as an artistic point of view. Its so important. Download something and if you like it go and buy the rest of it see where the bands coming from, everything. I remember going to a store and picking up a record and looking at the whole package, cause we didn't have CDs back then, it look at everything, the front, the back, I would look at the inside, see who they thanked, thats how I knew what other bands to get. Cause if I really liked this band and they thanked this band, I'd have to go and check this band out. They don't do that anymore, they don't care and thats stuff that kinda hurts.
Yeah, I want the physical CD or 7" in my hands
Yeah, I want it all, I want to see everything, I want to see what relationship these bands have, the meaning, the messages, I just want to see it all, I feel like those are values, every hardcore kid should have.
Given that people download, do you think its still a good time for hardcore, people still come to the shows buy the CDs, so you're not like living in the street…
We do alright, and thank god, its taken a long time, we do enough to go on these tours world wide and go to different places. People need to understand that its expensive, even us getting to Ireland we have to go through all these ferries, and bring the whole tour party, things add up, you know what I mean. Not like in American, we just jump in a van and go, we own our own van, we own our own trailer, its fantastic, no expenses, just play. We go overseas , the minute we step into any country overseas we're already in debt 7-10,000 dollars, between airline tickets, equipment rental and van. Its a scary damn thought. All those bands do that, every single hardcore band that goes out there. Or vice versa. And thank god that people still support and love the band and they support us and its really not in the CDs where it counts, its really in the merch and whatever the band has for sale, whether its CDs or merch, is where it counts, most of the bands are really getting by with that money. Thats where the support really counts.
The first song "Still Here" on the new CD , is that a message to anyone who might have said you're not really around kinda thing?
That song is my favourite lyrically on the whole album, it means so much to me becuase the way it just says, you know what, I'm still here til my last dieing breath, you know its a comitment i made, this is something I truely believe in, and I ain't going nowhere. This is my life, thats pretty much what that song says, its a proud pro hate song, its saying yeah, we're hated and we're oppressed by society but we're proud to be hated. And you know what, we don't want you to like us, we're talking about society, to me I don't put the best song as the best song, I go on what song lyrically is going to set the tone of the record, that song right there, thats the tone of what the record is about, it pretty much tells you that is nothing but a pure great New York hardcore anthem singalong record. Its about making new comitments, about pride, your faith, and respect. And that whole song just describres the rest of the record, and I'm not talking musically, I'm taking about lyrically and the vibe.
The cover has soldiers on it, is that anything to do with the current situation in Iraq?
Absolutely not, I wanted soldiers cause I wanted it to be like our soldiers, making our voice, "Another Voice", like the hardcore soldiers are coming back, we're fighting for our torch, our army, you know what i mean. Thats what that whole things about, has nothing to do with the war, in fact I don't even know what soldiers are on it or what year they're from. I knew I wanted soldiers and that was the coolest soldiers photo I saw.
Ok, thats my questions, do you've anything you want to add.
I want to say thank you for your time, your interview and please visit our site www.agnosticfront.com. Thanks for your support, that really means alot to us.
Thanks to Roger for the interview, and Japp @ Nuclear Blast for setting it up.
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Lars Frederiksen & the Bastards – Dublin [24.01.05] →


The music video is probably the most effective and essential tool an artist can use to promote their career. The advent of Youtube, Facebook, and other social networking and blog sites have made it easy for artists to deliver a visual interpretation of their work directly to their fans immediately. However, even that process wouldn't be possible without a music video director.
Music video directors are responsible for writing "treatments", the story form of a music video that eventually becomes a "shot list", a list of shots that the director plans to get on the day of shooting. In short, they are responsible for translating the lyrical metaphors of an artist into visuals that the audience can relate to. One of the newest and most exciting Directors of late is Rik Cordero.
Cordero, a graduate of the New York Institute of Technology, initially studied Computer Graphics and then found himself attracted towards video art and motion graphics. Like many of the earlier music video directors, Cordero was first a film director who fell into videos, his first full-length film, Mend, is a drama about prescription drugs, which received independent distribution in 2006. His second feature film, Inside A Change won The 2009 Best Film Award at the 2009 HBO New York International Latino Film Festival.
These days, Rik Cordero, a New York native, is becoming well-known for shooting raw and engaging hip-hop videos. His video for The Clipse feat. Cam'ron, "Popular Demand," was meant to just be a viral video for the internet; instead it is in regular rotation on MTV networks. Cordero has also shot videos for Nas, The Roots, Consequence, Slaughterhouse, and more. Allhiphop.com spoke with Rik Cordero by phone to discuss the art of music video direction and what aspiring directors can do to get their turn behind the lens.
AllHipHop.com: Rik, thanks for speaking with me. I'm curious, what is your favorite music video that you didn't direct?
Rik Cordero: "99 Problems" by Jay-Z, which was directed by Mark Romanek. It's definitely one of my favorite Hip-Hop videos because of the way it captured Jay-Z. I think it was one of the most honest portrayals of his image. It's definitely one of my favorite and most influential videos, I always try to take a piece from that video and put my own spin to it.
AllHipHop.com: What is your favorite part of the music video direction process?
Rik Cordero: I guess it's working with the artists and trying to capture something real about their personality and capturing their vision for the song. I try to create visual metaphors for what their lyrics are. Oftentimes, I try to build the storyline and use these visual metaphors for what the lyrics are saying.
AllHipHop.com: What has the internet age done for music videos?
Rik Cordero: The internet has driven the labels to not spend as much money on music video production. What that means is that artists are kind of forced to create their own videos some of the time. They have a little bit more freedom to create visuals for tracks that the labels wouldn't consider mainstream. I feel like the internet has empowered artists to reach their core fan base a little quicker. I think it's changed the music video industry, so a lot of directors are kind of adapting to it. I came into it when Youtube.com just started so I am used to producing videos cost effectively. There is a misconception that "internet directors" lowered the standards and lowered the budgets, but it's the market, that was the cause of dwindling budgets. It's going to be interesting to see how the labels try to monetize music videos in the future.
AllHipHop.com: What would be your dream music video or feature film project?
Rik Cordero: My dream feature film would science fiction based; a lot of my favorite films are science fiction. When I was a kid, I saw "Aliens" by James Cameron and I was really inspired to get into filmmaking because of that. I got into music videos, but for me, a feature film drama that's science fiction based, that would be a dream project of mine. Music video wise, I don't really have a dream project, I just really like to live in the present and whatever comes my way, I try to do a really great job at the moment. I try not to think too far ahead. I just kind of accept whatever comes my way and make the best out of it.
Rik Cordero Discusses His Videos!


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Armitstead Wins the Aviva Women's Tour as Break Group Thrill Final Stage
Cervelo Bigla's Lotta Lepistö claimed the stage win after an incredible final day of racing
by Michelle Arthurs-Brennan
ridewriterepeat RideWriteRepeat
The final stage of the Women's Tour was always going to be quite a display but in the 113km from Northampton to Kettering, the women's peloton re-wrote the rule book as a group of seven managed to hold off the chasing bunch right to the line where hordes of eager fans awaited their arrival.
We've got galleries, race reports and rider interviews from every day of the tour – see them all here
Lotta Lepistö for Cervelo Bigla won stage five of the Aviva Women's Tour, with Ale Cipollini's Marta Bastianelli in second and Elena Cecchini of Canyon//SRAM third. They'd been away from the bunch for most of the race, with the peloton only really working to pull them back from the half way point when the gap had reached almost five minutes.
Though not completely demolished, the gap was greatly reduced by the time the riders reached the finished line, meaning Lizzie Armitstead held on to the General Classification jersey, becoming the first British winner of the Aviva Women's Tour.
The success thrilled deafening crowds in Kettering, demonstrating just a tiny portion of the immense support that the women's peloton has experienced as they raced across the country this year.
How the race unfolded…
Lotta Lepistö (Cervélo Bigla) wins in Kettering
The route through Northamptonshire was fairly lumpy throughout, but flatter than the previous days – most of the peloton entered the race expecting a mass sprint to finish the 5 days of riding.
Leaving Northampton, the bunch was fairly calm, but we'd already heard that small gaps in the GC meant that riders were targeting time bonus' at intermediate sprint – the first of which coming up at just 8.5km in Bugbrooke.
Before reaching the sprint, Elisa Longo Borghini (Wiggle High5) and Chantaal Blaak (Boels Dolmans) made a move, but didn't get enough distance, meaning it was Lizzie Armitstead (Boels-Dolmans) who took the honours ahead of Blaak and Wiggle High5's Jolien D'Hoore. Armitstead told us later the plan had been for her to take the first sprint, to protect her GC lead – saying: "I think Chantal had to put the brakes on for me to take that!"
Soon after, a selection of riders splintered from the front of the race, eventually forming one group made up of Cecchini, Bastianelli, Lepisto, Molly Weaver (Liv Plantur), Eugenia Bujak (BTC City Ljubljana), Loren Rowney (Orica-AIS), Lauren Kitchen (Hitec Products) and Jenneke Ensing (Parkhotel).
The group were together approaching the first QOM, a 1.5km ascent 29km in at Newnham Hill. The climb put Rowney into difficulty, making the group 7 as they upped their lead to 1 minute 12. Bujak was first up the climb, followed by Ensing and Ceccini.
Almost 50km in at the feed station, the riders had a gap of 3 minutes 30, eventually reaching 4 minutes 55 at its greatest. The second QOM in Naesby was 1km long, and despite the falling gap was still one for the leaders to take – it was Bujak who got it, with Cecchini second and Ensing third.
With the GC leaders so close to each other and the gaps created by the previous four days of racing still slim, reports throughout the race made Weaver the virtual leader – meaning should the gap hold she could indeed claim yellow. Of course, Lizzie Armitstead (Boels-Dolmans), Ashleigh Moolman- Pasio (Cervelo-Bigla), Elisa Longo Borghini (Wiggle High5) and Marianne Vos (Rabo Liv), with their top four places in the GC wouldn't want that to happen – and teams began to up the pace to launch the chase.
Boels-Dolmans came to the head of the peloton and began working hard to claw them back. Rabo Liv, despite having just 3 riders left in the peloton after crashes yesterday, joined in and with 30km to go the gap was halved to two minutes.
Coming into the final miles, the leaders were still away at the second CRC Sprint in Desborough. However, the gap was only 1 minute 15. With 15km to go, that gap had only sunk by a few seconds, to 1"08, but it wasn't reducing quite as quickly as the chasing peloton might have hoped.
With 2km to go, the leaders still had 32 seconds, and though the gap was falling, it didn't fall far enough. Eventually, it was Lepistö who surged over the line, followed by the rest of the break before the bunch followed, very soon after.
The closeness between the break and the bunch meant that Lizzie Armitstead retained her GC lead, Katherine Hall (United Healthcare) kept the Strava QOM jersey and Marianne Vos retained the CRC Points jerseys. Needless to say, Armitstead kept the Best British rider and Floortje Mackaij (Liv Plantur) the Best Young Rider. Wiggle High5, with their accumulated points, won Best Team.
Last words from Lizzie…
Speaking about her great form in the last couple of years, Armitstead said after the race: "Any bike rider knows it's just about consistency in training and a bit of luck – and I've had both in the last couple of years. I wanted to see how my climbing legs were [ahead of the climbs at the Rio Olympics] and I've seen that they're good [at this race]."
Every rider we've spoken to at the Women's Tour has thanked both the organisers for making the race tougher this year, and the British crowds for being so enthusiastic. Armitstead is no different, and commented: "It's really important that people tuning in to the race on TV are watching fast and aggressive racing, it's been a very open race, and there's been a close GC – but a very open GC. I'm very grateful to the organisers for listening to our advice [and making the route harder]."
She added: "As a British athlete, so many of my team mates comment that the crowds are so enthusiastic. I feel very lucky that cycling is so popular here."
It's been an incredible week – see all our coverage here, and check out the gallery below.
Aviva Women's Tour 2016 - Stage 5 begins
Race team car full of snacks and gels for the ride
Fans of all ages came out to show their support
Autographs being signed
Crowds in Northampton ready to see the riders depart
Photographers taking the last sign on pics
Merchandise on offer for fans to take home a memory
The tour is renowned in the peloton for being one that attracts record levels of support
Eugenia Bujak in the break as they tried to stay away
Happiness all around for Cervélo Bigla
Congratulating hugs for Lizzie Armistead
Wiggle High5 girls consult after the race
Lizzie has her champions legs prepared for the podium
The podium of the 2016 Aviva Women's Tour, with all the jersey winners and the best team.
Pro women's cycling The Women's Tour UCI Women's World Tour
Stevens Scores another Win in Giro Time Trial, Guarnier Stays in Pink
More domination from Boels-Dolmans who now lead the GC with a 1-2
Guarnier Bites Back to Reclaim Giro GC Lead after Stevens Wins Stage 6
An incredible effort over stage 5 meant Mara Abbott of Wiggle High5 took the lead but Boels-Dolmans grabbed it back today
Tiffany Crowell Wins Stage Four of the Giro Rosa
We're bringing you updates from the Italian race - here's what happened during stage 4, on day 5 of the epic battle for the pink...
The Best Tweets of the Giro Rosa 2016 So Far
The race isn't proving too easy to follow, but coverage is picking up and the riders are keeping us updated on activities at the Giro...
UPDATED DAILY: Giro Rosa 2016: Italy's 10 Day Women's Stage Race
The Giro Rosa is the longest and arguably most prestigious stage race within the women's pro cycling calendar. Here's your guide and gallery for the...


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New York Rangers, Artemi Panarin agree to 7-year, $81.5M contract (Report)
The New York Rangers have signed the top free agent available this year, announcing Artemi Panarin has signed with the club.
Welcome to Broadway, Artemi Panarin.
NHL Network has reported the Rangers have signed Panarin to a seven-year contract, $81.5-million contract. The AAV will be right around $11.6 million.
Panarin looks like $81.5M over 7 to NYR
— Elliotte Friedman (@FriedgeHNIC) July 1, 2019
Panarin had been rumored to be heading to Florida, the New York Islanders and possibly returning to the Columbus Bluejackets.
The addition of Panarin will immediately make the Rangers a playoff contending team. The team has previously signed Vitali Kravtsov, Igor Shesterkin and drafted the second overall pick in this year's draft, Kaapo Kakko.
The rebuild is officially over. Now, this is a team that has a significant chance to make the playoffs, but John Davidson and company still have decisions to make.
With plenty of restricted free agents to sign, Jacob Trouba, Pavel Buchnevich and Brendan Lemieux, along with a decision on what to do with Chris Kreider, the work is far from over.
Currently, a Rangers offensive roster looks like this after today's trade of Jimmy Vesey to Buffalo and the signing of Panarin:
Panarin-Zibanejad-Buchnevich
Kreider-Chytil-Kakko
Namestnikov -Strome-Kravtsov
Lemieux-Howden/Andersson/-Fast
The Blueshirts have just $8.769 million available in cap space. Trades or a late possible buyout will need to be done in order for the team to sign the RFAs that are so important to the club.
The team may not be done with free agency, and with Jeff Gordon and John Davidson having one of the most successful offseason in recent years, don't be surprised if the team continues to improve.
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NEXT: Jimmy Vesey Traded To The Buffalo Sabres