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Learning & Values Jewish History A Brief Biblical History King Solomon
Solomon's Spiritual Influence
By Jacob Isaacs
Published and copyrighted by Kehot Publication Society
Every Man under His Vine
Division of the Kingdom
End of Solomon's Reign
In his old age, Solomon fell victim to some sins. He took many wives, and they turned his heart away from G‑d. He permitted idol worship and brought upon himself G‑d's wrath. However, for the sake of his father David, G‑d told him he would he spared sorrow in his lifetime, but that his son would see his kingdom over all Israel torn from him. Only the tribe of Judah would remain loyal to the House of David.
Solomon began to be troubled in his kingdom. He was threatened and perpetually attacked by Hadad, the Edomite prince, who was eager to avenge the disastrous defeat which the Edomite army had sustained in the time of David. At the same time, Solomon was made uneasy by the serious rebellion of Jeroboam, one of his own officers, who had evidently relied on influential support. Jeroboam, the son of Nevat, an outstanding young man of the tribe of Ephraim, had been met by the prophet Ahijah and was promised the kingdom over the ten northern tribes of Israel. The ambitious Jeroboam, encouraged by the prophecy of Ahijah, soon found an occasion to rebel against Solomon. David had left breaches in the wall surrounding Jerusalem so that people coming there would find easy entrance. Solomon now decided to fortify the city by having these openings sealed. Thereupon, Jeroboam came out strongly against the step, maintaining that Solomon did this against David's wishes. Jeroboam used the occasion to plot Solomon's overthrow. Solomon learned of the conspiracy and sought to apprehend Jeroboam. The latter fled to Egypt where he stayed till Solomon's death.
Solomon was not only a great king and ruler; he was also a Divinely inspired writer and philosopher. As the disciple of the prophet Nathan, Solomon wrote with prophetic wisdom the books of Proverbs, Song of Songs, and Ecclesiastes, all three of which form part of our holy Bible. The knowledge and study of the Torah attained a high level during the lifetime of King Solomon, Solomon's last words with which he concludes his book of Ecclesiastes, "Fear G‑d and keep His commandments for this is the whole purpose of man" truly reflect his great wisdom and personality.
King Solomon's reign extended over a period of forty years (2924-2964). After his death his son Rehabeam ascended the throne.
From Our People by Jacob Isaacs published and copyrighted by Kehot Publication Society 1946-1948
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Our People: A History of the Jews »
Our People, originally published in 1946, was the first Jewish history book for the English speaking reader. Read today, it still provides a comprehensive outline of Jewish history, and also a view of the telling of history as it evolved over the last century.
Creation And Early History
The Forefathers
Suffering in Egypt and the Exodus
Wandering in the Desert
In the Promised Land
Kehot Publication Society, the publishing arm of the Lubavitch movement, has brought Torah education to nearly every Jewish community in the world, and is the world's largest publisher of Jewish literature.
The Holy Temple (Beth Hamikdosh)
Rehabeam
The House of Jeroboam
King Jereboam
Pride Comes Before A Fall
David Missouri October 27, 2016
In his old age, Solomon fell victim to some sins. Is it written if G-d forgave him of these sins? Reply
Paddy UK May 12, 2020
in response to David :
Read up on Solomon´s last words. Reply
Timeline of Jewish History
History of the Jewish People
Stories From the Bible
Biographies In Brief
A Brief Biblical History
The Times of the Judges
Samuel and Saul
Rise of David
Essays on Jewish History
Maimonides: The Rambam
Chassidic Personalities
Essays & Stories on the Holocaust
Judaism, Civilization & Progress
Gallery of Our Great
This Week in Jewish History
Audio Classes on Jewish History
Rehoboam (8)
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Biblical Events (1974)
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Aeromexico passenger traffic reaches highest post-pandemic level
FILE PHOTO: An Aeromexico Boeing 737 MAX 9, part of the new airplanes incorporated to its fleet, is pictured at the Benito Juarez International airport, in Mexico City
MEXICO CITY (Reuters) -Passenger traffic at Grupo Aeromexico in December reached its highest level since the start of the COVID-19 pandemic, the Mexican airline said on Thursday.
Aeromexico transported 1.74 million passengers last month, or 98.9% of the 1.76 million people it moved in December 2019, the company said in a statement.
Aeromexico's total offer, measured in available seat-kilometers (ASKs), was equivalent to 82.6% of the capacity of December 2019, the company said.
Domestic capacity was up 13.6% from December 2019, while international capacity was 70.7% of that month.
Aeromexico filed for Chapter 11 bankruptcy protection in the United States in 2020 as demand cratered amid the pandemic. In December it unveiled details of a tender offer valuing its outstanding shares near zero as part of its reorganization plan, sparking a sell-off in the stock.
The positive traffic figures did nothing to help the airline's long-suffering stock price, as the shares slumped 6.5% to 2.31 pesos in their seventh straight daily drop.
(Reporting by Valentine Hilaire; Editing by Nick Zieminski and Mark Porter)
Ontario's winter storm cleanup expected to take all week
Ontarians have no choice but to dig out from a severe winter storm. But it's not just the snow making news. Jeff Semple explains why an Ottawa boy named Clayton McGuire is being hailed a hero, and how Ontario Premier Doug Ford's storm response is prompting mixing reviews.
Grocery costs going up
Kendra Sozinho at Fiesta Farms in Toronto says consumers are seeing higher prices because grocers are dealing with sharply higher prices themselves.

redpajama_set_name: RedPajamaCommonCrawl


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Hope in Hell
My work with the forum
Blog and Latest Articles
Earlier Books, TV Series and Media
Latest title
"Of all the books I've written since 1984, this one has been the hardest. Confronting today's Climate Emergency is personally very painful – simply because we've left everything so late."
"…Hope in Hell is a powerful call to arms from one of Britain's most eloquent and trusted campaigners."
Caroline Lucas, MP
This is my own personal website, and everything on it is here to help illustrate the breadth of all the work I do in the world of sustainability.
I've been in that world for a very long time (having joined the Green Party in the summer of 1974), but I genuinely can't recall ever feeling the same intense combination of despair and hope!
After nearly 50 years of non-stop activism and advocating both for environmental sustainability and for social justice, I'm more persuaded now than ever that this is our time.
Hope often seems very fragile against such a disaster-strewn backdrop, but it still permeates my life as an incorrigible advocate of a solutions agenda that gets more and more substantive by the day.
But I'm grateful I still have such a diverse portfolio – not least to give full rein to my campaigning instincts (working against the insanity of nuclear power and nuclear weapons, for instance, or in support of progressive family planning, electoral reform and a host of other critical causes). And I remain a Member of the Green Party, as well as being Chancellor Keele University, which is a real privilege.
I know I've said this before, but I can't help but think we're nearing an inflection point – ecologically, politically and economically. So there are some very turbulent times ahead!'
As Founder Director of Forum for the Future, this remains my principal organisational base.
The Conservation Volunteers
Compassion in World Farming
Make Votes Matter
Blog Latest | See All
COP26 is Dead. Long Live COP27!
Climate Change,Nature & Natural Capital,COP27
Glasgow is what it was: not an outright failure, but falling so far short of what is so urgently needed in the real world (1.5 degrees C and all that) as to leave almost everything still to play for – as in Sharm el-Sheikh, in a year's time. So, is there any reason to suppose we'll be in a…
Getting Tidal Power Back on the Table
Energy,Tidal power
Somewhat improbably, regardless of what happened at COP26 in Glasgow, there would appear to be a new surge of interest in tidal range power! - A new local government initiative (coordinated by the recently-formed Western Gateway, including Swansea, Cardiff and Bristol) is setting up a new…
COP26's Nuclear Sidebar
Energy,Nuclear,Tidal power
The fact that COP26 was crawling with huge numbers of delegates from Big Oil and Gas got a lot of attention from the media. Less attention was paid to the large number of pro-nuclear delegates parasitically inserting themselves into as many events as they could engineer access to – facilitated at…
To subscribe to my blog, please fill in your name and email address
© 2022 Jonathon Porritt. All rights reserved


Head administrator, creator of the portal.
Administrator. Contributed greatly to the creation, development and maintenance of the portal. Head administrator of the game portal AIMaster.ru.
Gameservers administrator. Assisted in the design of the portal.
Gameservers administrator. Assisted in the preparation of descriptions of servers.
Responsible for the visual part of the forum.
Moderator of the forum. Servers descriptions corrector.
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Moderator of the forum. Responsible for the English descriptions of servers.


Maybe love is like luck.
You have to go all the way to find it.
Whenever i am near you.
Works miracles in our lives.
No desire to be with each other.
No desire to do it.
The tick of a clock.
Only when we fail to love.
Take a step into theirs.
Is the life and love we live.


My name is Tina Dixson.
I am a PhD Candidate researching the lived experiences of queer refugee women in Australia.
In my career I've worked in the areas of LGBTIQ, refugee and women's rights both in Australia and overseas.
I have a solid experience working with the UN agencies. In 2011 I co-drafted a shadow report on the human rights violations of LBT women and presented it at the 45th Session of the CEDAW Committee in Geneva. In 2017 I was an Australian delegate to undertake a gender audit of the Global Compact for Refugees in UNHCR, Geneva.
This year, together with my partner Renee, we've founded a Queer Sisterhood Project, a peer-run support and advocacy group for queer refugee women in Australia.
I have set a goal for myself to actively contribute to the public discourse on people from refugee backgrounds in particular on queer women, raising issues of intersectionality, ethics, and representation. I am always happy to present at your event.
I love doing lots of cools things with Renee like Stories about Hope, traveling, reading books, and drinking good wine.
For a more formal version about me, check my LinkedIn page.


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Georges Lycan est un acteur français, né le  à Francueil (Indre-et-Loire) et mort le  dans le  de Paris.

Actif dans le doublage, il a notamment été une voix récurrente de nombreux personnages (Ten Shin Han, Ginyu, , Cell) et le narrateur de la série d'animation Dragon Ball Z.

Filmographie

Cinéma
 1948 : Le Secret de Mayerling de Jean Delannoy
 1949 : Le Jugement de Dieu de Raymond Bernard
 1951 : Autant en emporte le gang de Jacques Moisy et Michel Gast
 1957 : Filles de nuit de Maurice Cloche
 1957 : Marchands de filles de Maurice Cloche
 1958 : Maigret tend un piège de Jean Delannoy : Un inspecteur
 1958 : Le Fric de Maurice Cloche : Le prisonnier
 1958 : Guinguette de Jean Delannoy : Bascule
 1958 : Archimède le clochard de Gilles Grangier : Le vendeur d'os
 1958 : Les Jeux dangereux de Pierre Chenal : Le patron de Norma
 1958 : Le Joueur de Claude Autant-Lara
 1958 : Les Motards de Jean Laviron : Un espion
 1958 : Prisons de femmes de Maurice Cloche : Le docteur de la prison
 1959 : A pleines mains de Maurice Regamey
 1959 : Détournement de mineures de Walter Kapps
 1960 : Katia de Robert Siodmak
 1960 : Le Baron de l'écluse de Jean Delannoy : Le matelot du yacht
 1960 : Dynamite Jack de Jean Bastia : Louis
 1960 : Le Miracle des loups de André Hunebelle : Sire de Gavray
 1961 : La Princesse de Clèves de Jean Delannoy : Le majordome
 1961 : La Peau et les Os de Jean-Paul Sassy : Mathon
 1961 : En pleine bagarre : "Mani in alto" de Giorgio Bianchi
 1961 : Le Triomphe de Michel Strogoff de Victor Tourjansky : Le Khan
 1962 : Clémentine chérie de Pierre Chevalier  :Le garde du corps
 1962 : La Salamandre d'or de Maurice Regamey
 1962 : De l'or pour César (Oro per i Cesari) de Sabatino Ciuffini et André de Toth : Malendi le Celte
 1963 : Les Bricoleurs de Jean Girault : Un chasseu
 1963 : Le Bon Roi Dagobert de Pierre Chevalier : L'espion garde du corps de Dagobert
 1964 : Les Chiens dans la nuit de Willy Rozier : Mouratis
 1964 : Per un dollaro a Tucson si muore de Cesare Canevari
 1964 : Les Sentiers de la haine - "Il piombo e la carne" de Marino Girolami
 1965 : Les Forcenés - "Gli uomini dai paso pesante" de Alfredo Antonini et Mario Sequi : Long fellow Willy
 1966 : Le Soleil des voyous de Jean Delannoy : Un malfrat
 1966 : Triple Cross / La fantastique histoire vraie d'Eddie Chapman de Terence Young : Léo
 1966 : Béru et ces dames de Guy Lefranc : Serge
 1969 : La Peau de Torpedo de Jean Delannoy : Torpédo II
 1970 : Fusil chargé de Carlo Lombardini
 1970 : La Dame dans l'auto avec des lunettes et un fusil (The lady in the car with glasses and a gun) de Anatole Litvak : Le cafetier
 1971 : Soleil rouge de Terence Young : Le shérif Stone
 1974 : Vous ne l'emporterez pas au paradis de François Dupont-Midy
 1974 : Marseille contrat (The Marseille contrat) de Robert Parrish : Henri
 1981 : La Gueule du loup de Michel Léviant
 1982 : Les Misérables de Robert Hossein : Gueulemer
 1982 : Edith et Marcel de Claude Lelouch
 1983 : Gwendoline de Just Jaeckin
 1985 : Bleu comme l'enfer d'Yves Boisset : Le barman
 1987 : Flag de Jacques Santi : Le second "Yougo"
 1988 : Radio corbeau d'Yves Boisset : Sandoval père

Télévision

Théâtre

Doublage

Séries télévisées

 1978 : San Ku Kaï :  ninja Stressos, Thoror
 1980 :  : Divers Indiens
 1981 : Un cas pour deux : Épisode 8 de la saison 14 - Assurance sur la mort : Arthur Deck
 1981 : Un cas pour deux : Épisode 2 de la saison 15 - Le petit frère : le commissaire Brunner
 1981 : Un cas pour deux : Épisode 1 de la saison 21 - Le père prodigue : Reuter
 Une multitude de voix secondaires dans cette même série notamment dans l'épisode 5 de la saison 20 - "Jeu, set et meurtre" et l'épisode 6 de la saison 21 - "Beauté fatale"
 1982 : X-Or : Starex Blanc, le monstre (ép.9)

Films d'animations

Séries télévisées d'animation

Notes et références

Liens externes

Acteur français de cinéma
Acteur français de doublage
Naissance en mai 1924
Naissance en Indre-et-Loire
Décès en février 2006
Décès dans le 17e arrondissement de Paris
Décès à 81 ans

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text:
Why the US love Fiat 124 Spider
The Spider revives the storied nameplate, bringing its iconic Italian styling and performance to a new generation
Foto: The newly unveiled 2017 Fiat 124 Spider is displayed at the 2015 Los Angeles Auto Show in Los Angeles, California on November 18, 2015. The LA Auto Show opens to the public on November 20. AFP PHOTO/ FREDERIC J. BROWN (Photo credit should read FREDERIC J. BROWN/AFP/Getty Images)
- 15 settembre 2016
"Ruedas ESPN" is a two hour radio show broadcasted in the United States and popular in States such as California and New Mexico. It focuses in the auto industry and the world of motorsports, and delivers useful and timely information for US Hispanics in an entertaining manner.
"Ruedas ESPN" has named Fiat 124 Spider "Best Convertible" in the United States. According to the jury, the Spider revives the storied nameplate, bringing its iconic Italian styling and performance to a new generation. The 2017 Fiat 124 Spider pays tribute to the original 124 Spider nearly fifty years after its first launching and offers an amusing Italian roadster experience with technology, safety and classic Italian design.


Hi, I am interested in your 2004 Honda Gold Wing (stock #305305) listed on Autotrader for $16,988. I'd like to get more information about this vehicle and confirm its availability.
Rear suspension:Pro-Arm single-side swingarm with Pro-Link single shock with computer controlled spring-preload adjustment with two memory presets.


text:
Mission, Philosophy, and Vision
Commission Intranet
Cardinal Points Newsletter & Annual Report
Continuous Enrollment
SCES (Preschool - 6)
SCHS (grades 7 - 12)
SCHS Academic Advising
Summer Fun Camp
New Family Paperwork
School Forms and Information
Archdiocese Policies
Anti-Bullying and Intimidation
Tuition Management
Support Seton
Email and Text Sign-Up
Cardinals In Action
Proud Supporter Yard Signs
Where Do We Play
Cardinals in College
Seton Parish
Seton Catholic Schools
Veteran's Outreach Collection Drive
Seton Catholic Elementary will be collecting soap, soap holders, toothbrush holders, deodorant, dental floss, combs, disposable razors, shaving cream, shampoo, socks, gloves and cold weather hats for Veterans in our area.
Thank you to our 4th grade students for spearheading this collection. The hygiene products collected will be distributed to veterans of Wayne, Union, and Randolph County. WorkOne of Richmond will be holding a Veteran's Resource Fair on October 20, 2016 at the Raper Center where the items will be distributed to those in need.
Please bring items to the Primary or Intermediate Building from September 12 to October 4th.
All schools operated by schools and parishes under the guidance of the Roman Catholic Archdiocese of Indianapolis admit students of any race, color, national and ethnic origin to all the rights, privileges, programs, and activities generally accorded or made available to students at the school. The schools do not discriminate on the basis of race, color, national and ethnic origin in administration of its educational policies, admissions policies, scholarship and loan programs, and athletic and other school-administered programs.


ROCKY HILL – McKesson Corporation, a large distributor of medical supplies and pharmaceuticals based in San Francisco, will be closing it's facility in Rocky Hill, leaving 105 people without jobs.
The state Department of Labor listed the plant closing on their website on Friday. Rocky Hill's Mayor Joe Kochanek tells FOX61 that the town received a letter from McKesson late last week which said they are moving out of state, and that 'the move will be soon'.
McKesson, which also has a facility in Southington, has been sued in recent months by New Haven and other Connecticut cities including Norwalk and Danbury for its alleged role in the opioid crisis.


text:
The Stranger From Seville
A New Musical
Spanish Storytelling
Béa Gonzalez
Béa Gonzalez Novels
Béa Gonzalez (Author)
Victor Kazan (Book & Lyrics)
Kevin Purcell (Music)
Staś Kmieć (Choreographer)
Perry Street Theatricals (Executive Producers)
An Introduction To Flamenco Percussion
The Stranger From Seville blog / By Kevin
I thought I would do a quick post on the basics of Flamenco Percussion, as percussion in The Mapmaker's Opera (adapted from the novel by Béa Gonzalez) is an integral element to the sound world we create in the Musical. Contextually, we make use of the flamenco sound world especially in scenes that feature one of our main protagonists: Diego Clemente, who, in the story, emigrates to México from Seville, Spain.
Essentially Flamenco makes use of three percussive sound sources: 1. Palmas (a form of hand-clapping), 2. Pallillos (or Castanets) and 3. the Cajon.The most exciting sound, at least for me personally is the sound of palmas. The claps are essentially used to mark accents in the 'compas' – a way of counting through a cycle of musical beats (often 12) – much like musical accents from a drummer in other forms of contemporary popular musics. Here's the thing: it's not clapping in the ordinary sense (although from a distance, you'd be forgiven for thinking so) but in fact is made up of a number of variations in hard (fuertes) and soft (sordas or graves) claps, that when combined give that unmistakeable 'flamenco' colour. When the palmas is executed by using the fingers only of the right hand on the left palm, then this is referred to as palmas altas, or sometimes as palmas agudas. A palmas performer is known as a Palmero.
'Palmas' is not that easy to do, so heads up next time you hear someone doing it well!
Palillos, or castanets, are crafted from two concave "shells" attached together by string. The shells are made of stone, wood or, more commonly, fiberglass (get timber ones if you can). Usually two pairs of palillos of different sizes are used at the same time, creating a sound equally as reminiscent of the flamenco sound world as palmas. They are often employed by dancers (bailaor (m) or bailaora (f)).
The last, and most modern percussive instrument is the cajon. It was only really introduced into Flamenco music in the 1970s. It's a box of wood in its simplest definition. The back of the instrument has a hole cut in it to amplify very low frequency notes. Often played by the side of the fist or the heel of the palm, some cajon players also use their feet. The front-piece of the instrument is often made of plywood (much thinner than the other three sides of the box) which allows for a different, more resonant, sound. Less commonly known, is that the inside of the cajon is fitted with 'snares' somewhat akin to the snares used on a snare drum in drumkit, and which provides the slightly buzzy sound that can emanate from the instrument when played in certain places.
And there you have it – and introduction to Flamenco Percussion. It's very cool.
Béa Gonzalez was born in Spain and immigrated to Canada as a child. Following studies in Spain and Toronto, she pursued postgraduate studies in London, England, where she received an MA in Literary and Historical Studies from the University of London.
Gonzalez is the author of many articles, literary essays and reviews. She is also …
Béa Gonzalez (Author)Read More »
Victor Kazan has worked in the entertainment industry for more than fifty years. After reading Romance Languages at the University of London he trained as an actor at Webber-Douglas Academy of Dramatic Art. Over the next two decades, while still occasionally performing, he worked principally as a director and writer in …
Victor Kazan (Book & Lyrics)Read More »
Kevin Purcell is one of Australia's most distinguished and awarded orchestral and Opera conductors. Currently, Kevin serves as principal conductor for the Australian Discovery Orchestra whilst maintaining an active freelance career in the USA. He is represented worldwide by Francine Fletcher at Fletcher Associates media management company in London, UK. …
Kevin Purcell (Music)Read More »
Follow @QuillandQuaver
Staś Kmieć is an award-winning choreographer and folk-ethnographer. He has directed/choreographed multiple productions of Fiddler on the Roof throughout the world, including a new production in Yiddish that is a surprise hit on the New York theater scene. …
Staś Kmieć (Choreographer)Read More »
www.pstheatricals.com
Perry Street Theatricals is an award winning, independent theatrical producing and general management company in New York City offering a full-breadth of GM and Consulting services for plays and musicals and/or act as Executive Producers for other Producers.
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(1) Whether heresy is a kind of unbelief?
(3) Whether heretics should be tolerated?
(4) Whether converts should be received?
Whether heresy is a species of unbelief?
appetitive power; for Jerome says on Gal. 5:19: [*Cf. Decretals xxiv, qu.
heresy is not a species of unbelief.
of being directed to the end.
in those things which truly belong to His doctrine.
profess the Christian faith, but corrupt its dogmas.
appears from what we have said about acts in general (FS, Q, A).
name from its being a cutting off [secando], as Isidore states (Etym.
Whether heresy is properly about matters of faith?
OBJ 1: It would seem that heresy is not properly about matters of faith.
among the Jews, and Pharisees, as Isidore observes (Etym. viii, 3,4,5).
is not about matters of faith, as though they were its proper matter.
Therefore heresy is not properly about the matter of faith.
heresy is about matters of faith, as about its proper matter.
things belonging to the faith.
way, even as there can be faith.
Christians are about matter touching the Christian faith.
anxiety, ready to mend their opinion, when they have found the truth,"
authority resides chiefly in the Sovereign Pontiff. For we read [*Decret.
the holy doctors defended their opinion." Hence Jerome says (Exposit.
ignorant, or malicious, or even not a catholic but a heretic."
says (2 Tim. 2:24,25): "The servant of the Lord must not wrangle . . .
tolerated but put to death, they lose the opportunity of repentance.
Therefore it seems contrary to the Apostle's command.
OBJ 2: Further, whatever is necessary in the Church should be tolerated.
Now heresies are necessary in the Church, since the Apostle says (1 Cor.
gloss explains it. Now holy men explain that the cockle denotes heretics.
Therefore heretics should be tolerated.
that is such an one, is subverted."
the whole paste, the whole body, the whole flock, burn, perish, rot, die.
put out, the whole earth was laid waste by its flame."
of the Apostle quoted above.
intention, and so, tolerate them.
Whether the Church should receive those who return from heresy?
which is spiritual prostitution, should be received all the same.
by the Church as often as he has sinned by falling back into heresy.
should not be received by the Church.
charity, since it is this chiefly that we should wish for one another.
way of salvation is opened to them.
The other good is that which charity considers secondarily, viz.
but neither does she protect them from the sentence of death.
prescribes limits according as God's honor or our neighbor's good demands.
relapsed heretics do; hence the comparison fails.


You can do it Jim!
Hey Guys, I am curious, what do you mean by Stack midi delay ?
Each stack currently has a short audio delay (a.k.a. 'track delay') in the StackOut module. It can be used to manually compensate for latency -- say from a hardware synth whose audio is routed through Numerology for mixing. It is also used internally for plugin latency compensation. For instance, if a plugin reports 2 ms latency, audio from every other stack will be delayed by 2 ms to keep things aligned.
If you are doing your audio mix in Numerology, that should be all you need to manage latency internally (plugins) and externally (midi to hardware). Also, I should mention, this only applies to running standalone. For plugin and ReWire operation, latency management has to be done by the host.
Adding a MIDI delay option to the mix will allow you to compensate for hardware latency (usually only a ms or two) and do an external mix -- say on an analog mixer.
Very Good , I understand now.
a big + for MIDI delay!
Is there a workaround at the moment? I think you can do it in Mononote with groove, but then you need to do with every note or step? Also it seems that positive value puts notes earlier which is little misleading, or am I totally confused here?
Last edited by PLaine; 02-02-2018 at 04:42 PM.


D1449003 is the "Sheet Set". I think these are what you're talking about.
Is it about 1.5" by 3/8"? I believe you're looking for D3724564. Sits "at the top" of the stapler?
SC 534-02 = Duplex Exhaust Fan/ Rear Lock.
Commander (ENTJ, -A/-T) - Fits pretty well. (Can be Insensitive :cool:, loves a Challenge).
Playing Guitar, Fixing old motorcycles, and Going FAST!


text:
UTC+09:00 és una zona horària d'UTC amb 9 hores més tard que l'UTC. El seu codi DTG és I-India.

Zones horàries
 Japan Standard Time (JST)
 Korea Standard Time (KST)
 Pyongyang Time (PYT)
 East Indonesian Time (EIT)
 Irkutsk Time (IRKT)

Franges

Temps estàndard (l'any sencer)

 Illes Moluques
 Papua Occidental (Província de Papua i Província de Papua Occidental)

Irkutsk Time

 Buriàtia
 Província d'Irkutsk

Geografia
UTC+09 és la zona horària nàutica que comprèn l'alta mar entre 127,5° i 142,5° E de longitud. En el temps solar aquest fus horari és el corresponent el meridià 135º est.

Història
En el 2011, a Rússia es va traslladar l'horari d'estiu durant tot l'any i el Irkutsk Time es va fixar permenet a l'UTC+9. I la franja Krasnoyarsk Time es va fixar a l'UTC+8.

Referències

Zones horàries


text:
Ohio senators have a rare opportunity for bipartisanship: Letter to the editor
Updated Jan 12, 2019; Posted Aug 02, 2013
By Other Voices
When Ohio is featured on the national political stage, it is usually in the center of a tug-of-war for government control by representatives of opposing ideologies -- known as partisan politics. Every four years, our state becomes the host of our nation's political battles, and what divides us as a country is illuminated from the friendly confines of our beloved Buckeye state.
However, Senators Rob Portman and Sherrod Brown are on the verge of seizing a unique opportunity to showcase Ohio as a beacon of bipartisanship on an issue that is sensitive to all of Creation.
Soon, the U.S. Senate will be voting on bill S. 761 -- the Energy Saving and Industrial Competitiveness Act of 2013. The proposed legislation, introduced by Portman and Jeanne Shaheen, a Democrat of New Hampshire, entails provisions that promote energy efficiency and reduce energy costs -- and hopefully kick-starts a movement to reduce carbon pollution.
With Sen. Sherrod Brown expected to vote in favor of S.761, we hope they can begin to reset the debate, end the partisan divide, and support President Barack Obama's Climate Change Plan -- a proposal that calls for carbon emission limits on all coal-fired and newly built power plants in an effort to slow our growing carbon emissions.
President Obama spoke of our shared responsibility to keep the planet habitable. Ohio Interfaith Power and Light takes this responsibility seriously and works directly with houses of worship to reduce their carbon footprint. Most congregations could cut their energy use and costs significantly. By using less energy in their places of worship and service, persons of faith can respond to God's call to help restore the integrity of creation. Reducing energy waste helps congregations save money for other ministries and have a role in protecting the environment. By taking steps toward energy efficiency, persons of faith are acting as good stewards of God's creation.
Ohio Interfaith Power and Light supports interfaith communities to take the steps to reduce their energy use, measure and share the results of their efforts, and take leadership roles within their communities towards energy stewardship.
As a member and supporter of the national Interfaith Power & Light network, a coalition of various faith-based clergies organizing to combat climate change, we have set aside our religious differences and focused on the commonality of our faiths – being stewards of Creation.
It is our hope that officials in Washington can do the same, and put their love for country and civic duty to humanity ahead of partisan politics.
-- Sara Ward, Director Ohio Interfaith Power & Light


text:
Robin Nisbet, 75 on 21 May 2000
M.D.R.
The Journal of Roman Studies
Vol. 90 (2000), pp. xi-xii (3 pages)
Published By: Society for the Promotion of Roman Studies
https://www.jstor.org/stable/300196
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The Journal of Roman Studies publishes papers in the full range of the field which the Roman Society was established to promote, i.e. 'the study of the history, archaeology, literature and art of Italy and the Roman Empire, from the earliest times down to about A.D. 700'. The emphasis is on historical themes, but there are also articles on literary, archaeological and art historical topics, including issues of cultural and intellectual history that cut across these categories. Papers are intended to make a fresh and significant contribution to the understanding of the Roman world and to stimulate further discussion. Articles primarily on the archaeology of Roman Britain are published in the Society's sister journal, Britannia. The usual month of publication is November. The contents list and abstracts of the most recent volume are available on the Society's web-page, as are the contents of the five preceding volumes.
The Society, founded in 1910, is the leading organisation in the United Kingdom for those interested in the study of Rome and the Roman Empire. Its scope is wide, covering Roman history, archaeology, literature and art down to about A.D. 700. It has a broadly based membership, drawn from over forty countries and from all ages and walks of life. The Society supports: an extensive programme of publication a library of around 100,000 volumes and 540 current periodicals, maintained jointly with the Hellenic Society and in conjunction with the University of London's Institute of Classical Studies. summer schools, etc. by the annual award of grants archaeology, through grants for excavations and by organising a biennial conference schools, by the award of grants to help the teaching of all aspects of the Roman world a programme of public lectures in London Subscription rates are available at http://www.romansociety.org/frame.htm
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The Journal of Roman Studies © 2000 Society for the Promotion of Roman Studies


It's not often I make it to Monday morning without having posted anything to Instagram over the weekend. I barely even posted to stories! But if we're being cliche, that just means we were too busy having fun, and living.our.lives. This weekend we had so much fun with family, and soaking up endless cousin playtime that I barely even thought about the 'gram. And it felt nice. I would be lying if I said this morning I wasn't slightly internally stressed about all of the photos on my phone that needed to be weeded through and narrowed down, but if that's my biggest problem at the moment, I'll take it.
Weekends that involve family, good food, dirt, church, and a girls night, usually are indicative of lots of memories and time well spent. Our Ingle cousins were in town, and A + B took full advantage of the extra playtime. It still blows my mind most days how big all these cousins have gotten. Many of them are cruising through elementary school like it ain't no thing. Time is surely a thief, and it's so much fun seeing them all grow up alongside each other. It's equally joy giving, as it is heartbreaking. On one hand, it's a blast seeing what each new age brings, but on the other hand, it's a reminder that these younger years pass by in the blink of an eye.
A wants nothing more in the world than to be a BIG kid like her big cousins. And so often we have to tell her, "you're not big enough for that…", or "they're bigger than you…", or "when you're big like them…" and she'll respond with, "but you tell me I'm a big girl!" (and I have to fight back tears because that literally feels like a dagger to the heart amirite!!!!). We have to gently remind her that yes, she's a big girl, but she's still got some "big" to go and to not rush it! Soon enough, sweet girl! Soon enough!
Here's a quick photo dump of part of our weekend, Sunday really, mainly for my own sake. I shied away from weekend recaps for a while, but lately it's been fun going back through and reminiscing! My favorite photos from this bunch are the ones of A playing in the mud. The girl was FILTHY once it was time to head home, but I loved it. I'm so glad she's not afraid to get messy, and seeing her use her imagination was too cute. If you're wondering what they were working on – squirrel soup of course! And chocolate pudding!
Springtime down here in TX is off to a great start, I'd say. But, if someone could please come wash away all of this pollen, our eyes and noses would greatly appreciate it!
PS B turned 8 months old over the weekend, so another monthly update is coming soon! It's a BIG one too!
Taking a picture of 8 kids at one time is as easy as you might think it would be! HA!
How was your weekend? What's on your agenda this week?
What fun with family! Our work weeks kind of run like clockwork- but we have a bunny trolley event, a wedding shower, a date night and family day to look forward to!
Waoh, you a super photographer. Starting a photography blog wouldn't be a bad idea.


Steve and Jamie of Sinclair & Moore had the brilliant idea to do a flower pop up shop on Valentine's Day at Hot Cakes Chocolate Cakery in Ballard. Beautiful flowers plus chocolate cake is basically the best Valentine's Day combo EVER! It was so heartwarming to see customers come back later in the day with their significant others to thank Steve and Jamie for their beautiful bouquets. A few rain drops in the morning couldn't stop the fun and later as the skies cleared more and more people stopped by for their custom bouquets. It was an incredibly lovely day and I'm thrilled to have been a part of it!
Style Me Pretty Living loved this idea as much as I did and graciously decided to feature the images on their blog last week. Steve gave some great tips on flower arranging so be sure to check out the feature and full gallery here.
Steve and Jamie also blogged about the day on their beautiful blog and talked so eloquently about how giving to others is the best kind of gift anyone could receive.
Your pictures are SO beautiful! I saw your post on Style me Pretty and popped on over I live in Seattle as well and I love the work of Sinclair and Moore – they are such an inspiring couple!
Thank you Jen! Anything Steve and Jamie do is always so beautiful. This was truly a joy to shoot!
I can't tell you how much we love these photos. Your work is brilliant and the joy you brought to the day was inspiring. Thanks for being part of this event!


Just wish it would be more lights at buffet area.
Excellent food, atmosphere, service, and overall experience. I was very impressed with everything. The waiter was wonderful and attentive. The food was beautiful and tasted just as delicious as it looked! Thank you for a wonderful evening. My family enjoyed themselves.
Always a great experience. Whether it is a casual night out or special occasion, from the moment you pull up to the complimentary valet parking to the scrumptious dessert you will not be disappointed.
Amazing food, service, ambience! Will be back!!
Excellent, classic dinner chioice. Always first-rate.
Lovely evening with fabulous food and great service! Had the snapper Hemmingway and it was delicious! The fish was prepared perfectly and we saw two trains go by while we were there. We will be back soon!
Perfect place to celebrate our 30th wedding anniversary. Our server was very good, food was wonderful and the ambiance was ideal. We will be back!
There for brunch on Sunday, reservations were for 1:30, buffet ended at 2:30, so time was limited to eat. Food was good, had scrambled eggs, hash browns, green beans, shrimp, toast, salad and fresh fruit. Everything served was good, but no outstanding dishes that you couldn't get at any breakfast restaurant. Other family members had prime rib and salmon, which she stated was very good! Good coffee and just ok bloody Mary.
First time experience there. We had the Sunday brunch, good assortment. Service was very good. Will definitely be back.
This was a date out for my hubby & I. We decided to splurge just a wee bit, and we definitely got our money's worth with the Sunday brunch!
The variety of foods to choose from was outstanding.... all of it well prepared, beautifully presented, and very tasty. Fresh fruits and salad, several different types of meats and seafood, fresh made waffles and omelets, and lots more!
The service was top notch, and we spent a leisurely 90 minutes eating our fill of the offerings and listening to the live jazz quartet... all the while being treated like visiting royalty. We will definitely be doing this again some time!
Dined here to celebrate my wife's birthday. Wife had clam chowder and lobster I had lobster bisque and crab legs. All we good, I enjoyed the crab legs very much, lobster was good, not great. Complimentary creame brûlée was nice touch. All in with couple of drinks and bottle of Champagne about $300. Not too bad but have had better value, ambiance is unique, sat by window and saw train pass. They were very busy but took good care of us, not easy to do when so busy, appreciated the effort of the staff. Overall an enjoyable experience and will return.


All sessions conducted at the Avon Aquatic Facility in partnership with the French Creek YMCA.
Monday –Thursday morning classes (rain make-up on Fridays).
The attached chart gives a description of the class and the time it is offered for the child's age group. CAN'T DECIDE WHICH SESSION YOUR CHILD SHOULD BE IN? CLICK HERE!


The Akasya master plan transforms a former factory site into an iconic development. A large elliptical landscaped park unifies the site, providing literal and intuitive connections between three zoned parcels. Surrounded by shops, restaurants, and pedestrian pathways, Central Park functions as a natural transition between residential components and the retail and entertainment center to the south. Residential offerings include high-rise residential towers anchoring the northern and southern ends of the project. The dramatic southern tower sits atop the shopping center and creates a defining reference point; a visual and conceptual sight-corridor into the project from adjacent highways.


Hello Dream Big And Buy The Shoes readers! I am Macy from To Travel and Beyond and I'm so excited to be posting here today! I am a travel & lifestyle blogger by night, and a Wedding and Event Planner by day. These two passions of mine shine through on my blog, and it's my favorite outlet to discuss these topics. Because of that, I am going to share 5 things to keep in mind while planning your honeymoon. Honeymoon planning can often be tossed to the side while you are focused on planning you big day, which is understandable! Sometimes the funds, time and commitment isn't available while you are planning, but it's fun to take a honeymoon at anytime- even a year or two after your wedding itself! It is a celebration of your love, which will only grow stronger with time, so why not celebrate it whenever you have the chance?
Time of year. This is most important because the time of year can matter in a few ways. First, look into the weather, keeping in mind it might be hurricane season, rainy season, or the most popular tourist time, all depending on where you are going. The price may be cheaper during certain times as well, but always try and find out why.
Your interests separately and as a couple. What you enjoy may be completely different from what your fiancé enjoys. This could mean that you like to go places where you are catered to, but he prefers more of a camping atmosphere. This could also depend on what you both like to do together, maybe you could decide on a spa retreat after the stress of planning the wedding.
Ask about specials. Almost everywhere will offer specials for those taking a honeymoon, don't be afraid to ask! This may be a room upgrade, discount, complimentary products, etc.
Do the unexpected. You will only have one honeymoon, make it count! If you have always wanted to do an African safari, why not do it for your honeymoon? Take the time to find out each other dream destinations and try to make them work. There is no time like the present!
Check into pricing. This is obviously a big one, you need to work towards what you can afford. This may also mean waiting to take a bigger trip after the wedding is over, or going at a certain time of the year. Figure out your budget first, and then narrow down your search based on what you can afford. Keep in mind you might get something extra from your wedding!
These tips can be applied for any type of trip, from a honeymoon to a general vacation, make sure you are taking time to enjoy and explore.


Yasovarman II (Khmer: យសោវរ្ម័នទី២) was the ruler of the Khmer empire from 1160 to 1166. He succeeded Dharanindravarman II.:120 In 1165, he was overthrown by the mandarin Tribhuvanadityavarman.:163 His rule ended with his assassination by one of his subordinates.
This page was last edited on 23 April 2019, at 09:48 (UTC).


Hong Kong, 2018 – IU, who has debuted for 10 years, met up with fans and media at an open press conference on 7th December ahead of her 10th Anniversary Tour Concert <이지금 dlwlrma> in Hong Kong.
At around 7.30pm, IU arrived at the venue and after she waved and greeted everyone who was present, she immediately apologised and explained that she was delayed due to traffic condition. The crowd seemingly did not mind and cheered upon her greeting, she then asked the asked the crowd if they missed her and expressed that she really missed Hong Kong and Hong Kong fans in Cantonese.
When asked about her preparation and if there will be any surprise guest for tomorrow's concert, she decided not to disclose any hints so that everyone who attend the concert will get a surprise.
She shared that for BBIBBI, she decided to try a new style of music, Alternative R&B, and for the MV she also tried new things to make it as unique and as memorable.
When asked about her thoughts regarding 10th anniversary and recent work status, she shared that she is really grateful to have the opportunity to work with and learn from senior actor Lee Sun Gyun in 'My Mister'. She also shared that she will be releasing a new album in 2019 and do hope that fans will look forward to it.


text:
package org.apache.batik.ext.awt.image.rendered;

import java.awt.Point;
import java.awt.Rectangle;
import java.awt.Shape;
import java.awt.Transparency;
import java.awt.color.ColorSpace;
import java.awt.image.ColorModel;
import java.awt.image.ComponentColorModel;
import java.awt.image.DataBuffer;
import java.awt.image.Raster;
import java.awt.image.RenderedImage;
import java.awt.image.SampleModel;
import java.awt.image.WritableRaster;
import java.util.HashMap;
import java.util.Iterator;
import java.util.List;
import java.util.Map;
import java.util.Set;
import java.util.Vector;

import org.apache.batik.ext.awt.image.GraphicsUtil;

// import org.apache.batik.ext.awt.image.DataBufferReclaimer;
// import java.awt.image.DataBufferInt;
// import java.awt.image.SinglePixelPackedSampleModel;

/**
 * This is an abstract base class that takes care of most of the
 * normal issues surrounding the implementation of the CachableRed
 * (RenderedImage) interface.  It tries to make no assumptions about
 * the subclass implementation.
 *
 * @author Thomas DeWeese
 * @version $Id: AbstractRed.java 489226 2006-12-21 00:05:36Z cam $
 */
public abstract class AbstractRed implements CachableRed {

    protected Rectangle   bounds;
    protected Vector      srcs;
    protected Map         props;
    protected SampleModel sm;
    protected ColorModel  cm;
    protected int         tileGridXOff, tileGridYOff;
    protected int         tileWidth,    tileHeight;
    protected int         minTileX,     minTileY;
    protected int         numXTiles,    numYTiles;

    /**
     * void constructor. The subclass must call one of the
     * flavors of init before the object becomes usable.
     * This is useful when the proper parameters to the init
     * method need to be computed in the subclasses constructor.
     */
    protected AbstractRed() {
    }

    /**
     * Construct an Abstract RenderedImage from a bounds rect and props
     * (may be null).  The srcs Vector will be empty.
     * @param bounds this defines the extent of the rable in the
     * user coordinate system.
     * @param props this initializes the props Map (may be null)
     */
    protected AbstractRed(Rectangle bounds, Map props) {
        init((CachableRed)null, bounds, null, null,
             bounds.x, bounds.y, props);
    }

    /**
     * Construct an Abstract RenderedImage from a source image and
     * props (may be null).
     * @param src will be the first (and only) member of the srcs
     * Vector. Src is also used to set the bounds, ColorModel,
     * SampleModel, and tile grid offsets.
     * @param props this initializes the props Map.  */
    protected AbstractRed(CachableRed src, Map props) {
        init(src, src.getBounds(), src.getColorModel(), src.getSampleModel(),
             src.getTileGridXOffset(),
             src.getTileGridYOffset(),
             props);
    }

    /**
     * Construct an Abstract RenderedImage from a source image, bounds
     * rect and props (may be null).
     * @param src will be the first (and only) member of the srcs
     * Vector. Src is also used to set the ColorModel, SampleModel,
     * and tile grid offsets.
     * @param bounds The bounds of this image.
     * @param props this initializes the props Map.  */
    protected AbstractRed(CachableRed src, Rectangle bounds, Map props) {
        init(src, bounds, src.getColorModel(), src.getSampleModel(),
             src.getTileGridXOffset(),
             src.getTileGridYOffset(),
             props);
    }

    /**
     * Construct an Abstract RenderedImage from a source image, bounds
     * rect and props (may be null).
     * @param src if not null, will be the first (and only) member
     * of the srcs Vector. Also if it is not null it provides the
     * tile grid offsets, otherwise they are zero.
     * @param bounds The bounds of this image.
     * @param cm The ColorModel to use. If null it will default to
     * ComponentColorModel.
     * @param sm The sample model to use. If null it will construct
     * a sample model the matches the given/generated ColorModel and is
     * the size of bounds.
     * @param props this initializes the props Map.  */
    protected AbstractRed(CachableRed src, Rectangle bounds,
                          ColorModel cm, SampleModel sm,
                          Map props) {
        init(src, bounds, cm, sm,
             (src==null)?0:src.getTileGridXOffset(),
             (src==null)?0:src.getTileGridYOffset(),
             props);
    }

    /**
     * Construct an Abstract Rable from a bounds rect and props
     * (may be null).  The srcs Vector will be empty.
     * @param src will be the first (and only) member of the srcs
     * Vector. Src is also used to set the ColorModel, SampleModel,
     * and tile grid offsets.
     * @param bounds this defines the extent of the rable in the
     * user coordinate system.
     * @param cm The ColorModel to use. If null it will default to
     * ComponentColorModel.
     * @param sm The sample model to use. If null it will construct
     * a sample model the matches the given/generated ColorModel and is
     * the size of bounds.
     * @param tileGridXOff The x location of tile 0,0.
     * @param tileGridYOff The y location of tile 0,0.
     * @param props this initializes the props Map.
     */
    protected AbstractRed(CachableRed src, Rectangle bounds,
                          ColorModel cm, SampleModel sm,
                          int tileGridXOff, int tileGridYOff,
                          Map props) {
        init(src, bounds, cm, sm, tileGridXOff, tileGridYOff, props);
    }

    /**
     * This is one of two basic init function (this is for single
     * source rendereds).
     * It is provided so subclasses can compute various values
     * before initializing all the state in the base class.
     * You really should call this method before returning from
     * your subclass constructor.
     *
     * @param src    The source for the filter
     * @param bounds The bounds of the image
     * @param cm     The ColorModel to use. If null it defaults to
     *               ComponentColorModel/ src's ColorModel.
     * @param sm     The Sample modle to use. If this is null it will
     *               use the src's sample model if that is null it will
     *               construct a sample model that matches the ColorModel
     *               and is the size of the whole image.
     * @param tileGridXOff The x location of tile 0,0.
     * @param tileGridYOff The y location of tile 0,0.
     * @param props  Any properties you want to associate with the image.
     */
    protected void init(CachableRed src, Rectangle   bounds,
                        ColorModel  cm,   SampleModel sm,
                        int tileGridXOff, int tileGridYOff,
                        Map props) {
        this.srcs         = new Vector(1);
        if (src != null) {
            this.srcs.add(src);
            if (bounds == null) bounds = src.getBounds();
            if (cm     == null) cm     = src.getColorModel();
            if (sm     == null) sm     = src.getSampleModel();
        }

        this.bounds       = bounds;
        this.tileGridXOff = tileGridXOff;
        this.tileGridYOff = tileGridYOff;

        this.props        = new HashMap();
        if(props != null){
            this.props.putAll(props);
        }

        if (cm == null)
            cm = new ComponentColorModel
                (ColorSpace.getInstance(ColorSpace.CS_GRAY),
                 new int [] { 8 }, false, false, Transparency.OPAQUE,
                 DataBuffer.TYPE_BYTE);

        this.cm = cm;

        if (sm == null)
            sm = cm.createCompatibleSampleModel(bounds.width, bounds.height);
        this.sm = sm;

        // Recompute tileWidth/Height, minTileX/Y, numX/YTiles.
        updateTileGridInfo();
    }

    /**
     * Construct an Abstract Rable from a List of sources a bounds rect
     * and props (may be null).
     * @param srcs This is used to initialize the srcs Vector.  All
     * the members of srcs must be CachableRed otherwise an error
     * will be thrown.
     * @param bounds this defines the extent of the rendered in pixels
     * @param props this initializes the props Map.
     */
    protected AbstractRed(List srcs, Rectangle bounds, Map props) {
        init(srcs, bounds, null, null, bounds.x, bounds.y, props);
    }

    /**
     * Construct an Abstract RenderedImage from a bounds rect,
     * ColorModel (may be null), SampleModel (may be null) and props
     * (may be null).  The srcs Vector will be empty.
     * @param srcs This is used to initialize the srcs Vector.  All
     * the members of srcs must be CachableRed otherwise an error
     * will be thrown.
     * @param bounds this defines the extent of the rendered in pixels
     * @param cm The ColorModel to use. If null it will default to
     * ComponentColorModel.
     * @param sm The sample model to use. If null it will construct
     * a sample model the matches the given/generated ColorModel and is
     * the size of bounds.
     * @param props this initializes the props Map.
     */
    protected AbstractRed(List srcs, Rectangle bounds,
                          ColorModel cm, SampleModel sm,
                          Map props) {
        init(srcs, bounds, cm, sm, bounds.x, bounds.y, props);
    }

    /**
     * Construct an Abstract RenderedImage from a bounds rect,
     * ColorModel (may be null), SampleModel (may be null), tile grid
     * offsets and props (may be null).  The srcs Vector will be
     * empty.
     * @param srcs This is used to initialize the srcs Vector.  All
     * the members of srcs must be CachableRed otherwise an error
     * will be thrown.
     * @param bounds this defines the extent of the rable in the
     * user coordinate system.
     * @param cm The ColorModel to use. If null it will default to
     * ComponentColorModel.
     * @param sm The sample model to use. If null it will construct
     * a sample model the matches the given/generated ColorModel and is
     * the size of bounds.
     * @param tileGridXOff The x location of tile 0,0.
     * @param tileGridYOff The y location of tile 0,0.
     * @param props this initializes the props Map.
     */
    protected AbstractRed(List srcs, Rectangle bounds,
                          ColorModel cm, SampleModel sm,
                          int tileGridXOff, int tileGridYOff,
                          Map props) {
        init(srcs, bounds, cm, sm, tileGridXOff, tileGridYOff, props);
    }

    /**
     * This is the basic init function.
     * It is provided so subclasses can compute various values
     * before initializing all the state in the base class.
     * You really should call this method before returning from
     * your subclass constructor.
     *
     * @param srcs   The list of sources
     * @param bounds The bounds of the image
     * @param cm     The ColorModel to use. If null it defaults to
     *               ComponentColorModel.
     * @param sm     The Sample modle to use. If this is null it will
     *               construct a sample model that matches the ColorModel
     *               and is the size of the whole image.
     * @param tileGridXOff The x location of tile 0,0.
     * @param tileGridYOff The y location of tile 0,0.
     * @param props  Any properties you want to associate with the image.
     */
    protected void init(List srcs, Rectangle bounds,
                        ColorModel cm, SampleModel sm,
                        int tileGridXOff, int tileGridYOff,
                        Map props) {
        this.srcs = new Vector();
        if(srcs != null){
            this.srcs.addAll(srcs);
        }

        if (srcs.size() != 0) {
            CachableRed src = (CachableRed)srcs.get(0);
            if (bounds == null) bounds = src.getBounds();
            if (cm     == null) cm     = src.getColorModel();
            if (sm     == null) sm     = src.getSampleModel();
        }

        this.bounds       = bounds;
        this.tileGridXOff = tileGridXOff;
        this.tileGridYOff = tileGridYOff;
        this.props        = new HashMap();
        if(props != null){
            this.props.putAll(props);
        }

        if (cm == null)
            cm = new ComponentColorModel
                (ColorSpace.getInstance(ColorSpace.CS_GRAY),
                 new int [] { 8 }, false, false, Transparency.OPAQUE,
                 DataBuffer.TYPE_BYTE);

        this.cm = cm;

        if (sm == null)
            sm = cm.createCompatibleSampleModel(bounds.width, bounds.height);
        this.sm = sm;

        // Recompute tileWidth/Height, minTileX/Y, numX/YTiles.
        updateTileGridInfo();
    }

    /**
     * This function computes all the basic information about the tile
     * grid based on the data stored in sm, and tileGridX/YOff.
     * It is responsible for updating tileWidth, tileHeight,
     * minTileX/Y, and numX/YTiles.
     */
    protected void updateTileGridInfo() {
        this.tileWidth  = sm.getWidth();
        this.tileHeight = sm.getHeight();

        int x1, y1, maxTileX, maxTileY;

        // This computes and caches important information about the
        // structure of the tile grid in general.
        minTileX = getXTile(bounds.x);
        minTileY = getYTile(bounds.y);

        x1       = bounds.x + bounds.width-1;     // Xloc of right edge
        maxTileX = getXTile(x1);
        numXTiles = maxTileX-minTileX+1;

        y1       = bounds.y + bounds.height-1;     // Yloc of right edge
        maxTileY = getYTile(y1);
        numYTiles = maxTileY-minTileY+1;
    }

    public Rectangle getBounds() {
        return new Rectangle(getMinX(),
                             getMinY(),
                             getWidth(),
                             getHeight());
    }

    public Vector getSources() {
        return srcs;
    }

    public ColorModel getColorModel() {
        return cm;
    }

    public SampleModel getSampleModel() {
        return sm;
    }

    public int getMinX() {
        return bounds.x;
    }
    public int getMinY() {
        return bounds.y;
    }

    public int getWidth() {
        return bounds.width;
    }

    public int getHeight() {
        return bounds.height;
    }

    public int getTileWidth() {
        return tileWidth;
    }

    public int getTileHeight() {
        return tileHeight;
    }

    public int getTileGridXOffset() {
        return tileGridXOff;
    }

    public int getTileGridYOffset() {
        return tileGridYOff;
    }

    public int getMinTileX() {
        return minTileX;
    }

    public int getMinTileY() {
        return minTileY;
    }

    public int getNumXTiles() {
        return numXTiles;
    }

    public int getNumYTiles() {
        return numYTiles;
    }

    public Object getProperty(String name) {
        Object ret = props.get(name);
        if (ret != null) return ret;
        Iterator i = srcs.iterator();
        while (i.hasNext()) {
            RenderedImage ri = (RenderedImage)i.next();
            ret = ri.getProperty(name);
            if (ret != null) return ret;
        }
        return null;
    }

    public String [] getPropertyNames() {
        Set keys = props.keySet();
        String[] ret  = new String[keys.size()];
        keys.toArray( ret );

//        Iterator iter = keys.iterator();
//        int i=0;
//        while (iter.hasNext()) {
//            ret[i++] = (String)iter.next();
//        }

        Iterator iter = srcs.iterator();
        while (iter.hasNext()) {
            RenderedImage ri = (RenderedImage)iter.next();
            String [] srcProps = ri.getPropertyNames();
            if (srcProps.length != 0) {
                String [] tmp = new String[ret.length+srcProps.length];
                System.arraycopy(ret,0,tmp,0,ret.length);
                /// ??? System.arraycopy((tmp,ret.length,srcProps,0,srcProps.length);
                System.arraycopy( srcProps, 0, tmp, ret.length, srcProps.length);
                ret = tmp;
            }
        }

        return ret;
    }

    public Shape getDependencyRegion(int srcIndex, Rectangle outputRgn) {
        if ((srcIndex < 0) || (srcIndex > srcs.size()))
            throw new IndexOutOfBoundsException
                ("Nonexistant source requested.");

        // Return empty rect if they don't intersect.
        if ( ! outputRgn.intersects(bounds) )
            return new Rectangle();

        // We only depend on our source for stuff that is inside
        // our bounds...
        return outputRgn.intersection(bounds);
    }

    public Shape getDirtyRegion(int srcIndex, Rectangle inputRgn) {
        if (srcIndex != 0)
            throw new IndexOutOfBoundsException
                ("Nonexistant source requested.");

        // Return empty rect if they don't intersect.
        if ( ! inputRgn.intersects(bounds) )
            return new Rectangle();

        // Changes in the input region don't propogate outside our
        // bounds.
        return inputRgn.intersection(bounds);
    }

    // This is not included but can be implemented by the following.
    // In which case you _must_ reimplement getTile.
    // public WritableRaster copyData(WritableRaster wr) {
    //     copyToRaster(wr);
    //     return wr;
    // }

    public Raster getTile(int tileX, int tileY) {
        WritableRaster wr = makeTile(tileX, tileY);
        return copyData(wr);
    }

    public Raster getData() {
        return getData(bounds);
    }

    public Raster getData(Rectangle rect) {
        SampleModel smRet = sm.createCompatibleSampleModel
            (rect.width, rect.height);

        Point pt = new Point(rect.x, rect.y);
        WritableRaster wr = Raster.createWritableRaster(smRet, pt);

        // System.out.println("GD DB: " + wr.getDataBuffer().getSize());
        return copyData(wr);
    }

    /**
     * Returns the x index of tile under xloc.
     * @param  xloc the x location (in pixels) to get tile for.
     * @return The tile index under xloc (may be outside tile grid).
     */
    public final int getXTile(int xloc) {
        int tgx = xloc-tileGridXOff;
        // We need to round to -infinity...
        if (tgx>=0)
            return tgx/tileWidth;
        else
            return (tgx-tileWidth+1)/tileWidth;
    }

    /**
     * Returns the y index of tile under yloc.
     * @param  yloc the y location (in pixels) to get tile for.
     * @return The tile index under yloc (may be outside tile grid).
     */
    public final int getYTile(int yloc) {
        int tgy = yloc-tileGridYOff;
        // We need to round to -infinity...
        if (tgy>=0)
            return tgy/tileHeight;
        else
            return (tgy-tileHeight+1)/tileHeight;
    }

    /**
     * Copies data from this images tile grid into wr.  wr may
     * extend outside the bounds of this image in which case the
     * data in wr outside the bounds will not be touched.
     * @param wr Raster to fill with image data.
     */
    public void copyToRaster(WritableRaster wr) {
        int tx0 = getXTile(wr.getMinX());
        int ty0 = getYTile(wr.getMinY());
        int tx1 = getXTile(wr.getMinX()+wr.getWidth() -1);
        int ty1 = getYTile(wr.getMinY()+wr.getHeight()-1);

        if (tx0 < minTileX) tx0 = minTileX;
        if (ty0 < minTileY) ty0 = minTileY;

        if (tx1 >= minTileX+numXTiles) tx1 = minTileX+numXTiles-1;
        if (ty1 >= minTileY+numYTiles) ty1 = minTileY+numYTiles-1;

        final boolean is_INT_PACK =
            GraphicsUtil.is_INT_PACK_Data(getSampleModel(), false);

        for (int y=ty0; y<=ty1; y++)
            for (int x=tx0; x<=tx1; x++) {
                Raster r = getTile(x, y);
                if (is_INT_PACK)
                    GraphicsUtil.copyData_INT_PACK(r, wr);
                else
                    GraphicsUtil.copyData_FALLBACK(r, wr);
            }
    }

    // static DataBufferReclaimer reclaim = new DataBufferReclaimer();

    /**
     * This is a helper function that will create the tile requested
     * Including properly subsetting the bounds of the tile to the
     * bounds of the current image.
     * @param tileX The x index of the tile to be built
     * @param tileY The y index of the tile to be built
     * @return The tile requested
     * @exception IndexOutOfBoundsException if the requested tile index
     *   falles outside of the bounds of the tile grid for the image.
     */
    public WritableRaster makeTile(int tileX, int tileY) {
        if ((tileX < minTileX) || (tileX >= minTileX+numXTiles) ||
            (tileY < minTileY) || (tileY >= minTileY+numYTiles))
            throw new IndexOutOfBoundsException
                ("Requested Tile (" + tileX + ',' + tileY +
                 ") lies outside the bounds of image");

        Point pt = new Point(tileGridXOff+tileX*tileWidth,
                             tileGridYOff+tileY*tileHeight);

        WritableRaster wr;
        wr = Raster.createWritableRaster(sm, pt);
        // if (!(sm instanceof SinglePixelPackedSampleModel))
        //     wr = Raster.createWritableRaster(sm, pt);
        // else {
        //     SinglePixelPackedSampleModel sppsm;
        //     sppsm = (SinglePixelPackedSampleModel)sm;
        //     int stride = sppsm.getScanlineStride();
        //     int sz = stride*sppsm.getHeight();
        //
        //     int [] data = reclaim.request(sz);
        //     DataBuffer db = new DataBufferInt(data, sz);
        //
        //     reclaim.register(db);
        //
        //     wr = Raster.createWritableRaster(sm, db, pt);
        // }

        // System.out.println("MT DB: " + wr.getDataBuffer().getSize());

        int x0 = wr.getMinX();
        int y0 = wr.getMinY();
        int x1 = x0+wr.getWidth() -1;
        int y1 = y0+wr.getHeight()-1;

        if ((x0 < bounds.x) || (x1 >= (bounds.x+bounds.width)) ||
            (y0 < bounds.y) || (y1 >= (bounds.y+bounds.height))) {
            // Part of this raster lies outside our bounds so subset
            // it so it only advertises the stuff inside our bounds.
            if (x0 < bounds.x) x0 = bounds.x;
            if (y0 < bounds.y) y0 = bounds.y;
            if (x1 >= (bounds.x+bounds.width))  x1 = bounds.x+bounds.width-1;
            if (y1 >= (bounds.y+bounds.height)) y1 = bounds.y+bounds.height-1;

            wr = wr.createWritableChild(x0, y0, x1-x0+1, y1-y0+1,
                                        x0, y0, null);
        }
        return wr;
    }

    public static void copyBand(Raster         src, int srcBand,
                                WritableRaster dst, int dstBand) {
        Rectangle srcR = new Rectangle(src.getMinX(),  src.getMinY(),
                                       src.getWidth(), src.getHeight());
        Rectangle dstR = new Rectangle(dst.getMinX(),  dst.getMinY(),
                                       dst.getWidth(), dst.getHeight());

        Rectangle cpR  = srcR.intersection(dstR);

        int [] samples = null;
        for (int y=cpR.y; y< cpR.y+cpR.height; y++) {
            samples = src.getSamples(cpR.x, y, cpR.width, 1, srcBand, samples);
            dst.setSamples(cpR.x, y, cpR.width, 1, dstBand, samples);
        }
    }
}

redpajama_set_name: RedPajamaGithub


There's nothing as comforting as a hug from someone you love. Give them a warm embrace right back with our beautiful arrangement. A delicate bouquet of pink and white blooms arrives in a vintage-inspired pink vase reminiscent of Depression era glass, creating a heartfelt expression of your feelings, whether you're celebrating someone's special day together or sending a smile from miles away.


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Searching within 100, 250 or 500 km of Newmarket ON.


For your convenience, here you will find Green Umbrella Product Data Downloads. This includes technical data, safety data, application, and color charts where applicable. Simply click the appropriate link and you will be linked to a downloadable PDF.


text:
Cuba Insula [with] Hispaniola Insula [with]...
Jodocus Hondius - Mercator
Cuba Insula [with] Hispaniola Insula [with] Insula Jamaica [with] Ins. S. Ioannis [with] I.S. Margareta Cum Confiniis
Amsterdam / 1619 circa
Nice old color example of the Mercator-Hondius maps of Cuba, Puerto Rico, Hispaniola and Jamaica, with inset of Havana.
A highly decorative map of the islands, embellished with sea monsters and sailing ships.
Old color. Minor toning.
Jodocus Hondius Biography
Jodocus Hondius the Elder (1563-1612), or Joost de Hondt, was one of the most prominent geographers and engravers of his time. His work did much to establish Amsterdam as the center of cartographic publishing in the seventeenth century. Born in Wakken but raised in Ghent, the young Jodocus worked as an engraver, instrument maker, and globe maker.
Hondius moved to London in 1584, fleeing religious persecution in Flanders. There, he worked for Richard Hakluyt and Edward Wright, among others. Hondius also engraved the globe gores for Emery Molyneux's pair of globes in 1592; Wright plotted the coastlines. His engraving and nautical painting skills introduced him to an elite group of geographic knowledge seekers and producers, including the navigators Drake, Thomas Cavendish, and Walter Raleigh, as well as engravers like Theodor De Bry and Augustine Ryther. This network gave Hondius access to manuscript charts and descriptions which he then translated into engraved maps.
In 1593 Hondius returned to Amsterdam, where he lived for the rest of his life. Hondius worked in partnership with Cornelis Claesz, a publisher, and maintained his ties to contacts in Europe and England. For example, from 1605 to 1610, Hondius engraved the plates for John Speed's Theatre of the Empire of Great Britaine.
One of Hondius' most successful commercial ventures was the reprinting of Mercator's atlas. When he acquired the Mercator plates, he added 36 maps, many engraved by him, and released the atlas under Mercator's name, helping to solidify Mercator's reputation posthumously. Hondius died in 1612, at only 48 years of age, after which time his son of the same name and another son, Henricus, took over the business, including the reissuing of the Mercator atlas. After 1633, Hondius the Elder's son-in-law, Johannes Janssonius, was also listed as a co-publisher for the atlas.
Antique Maps / Caribbean & Central America / Caribbean
Antique Maps / Caribbean & Central America / Cuba
Antique Maps / Caribbean & Central America / Jamaica
Antique Maps / Caribbean & Central America / Hispaniola
Antique Maps / Caribbean & Central America / Puerto Rico
Antique Maps / Caribbean & Central America / Other Islands
Carta esférica que comprehende las costas del Seno Mexicano construida de orden del Rey en el Depósito Hidrográfico de Marina: Por disposición del Exmo. Señor Don Juan de Lángara, Secretario de Estado y del Despacho Universal de ella. Año de 1799.
Large-Scale Spanish Chart of the Gulf of Mexico—The First to Show Galveston Bay
(Curacao, Leeward Islands, Guyana) Dutch Possessions in South America and The West Indies
Decorative map Curacao, the Leeward Islands and Surinam (or Dutch Guayana).
Carte Du Golphe Du Mexique et des Isles De L'Amerique . . . 1754
Interesting and detailed map of Florida, the Gulf Coast, Central America, and the Caribbean.
[Port au Prince] Environs de Leogane et du Port au Prince dans L'Isle S. Domingue
Detailed map of area around Port au Prince Bay in Haiti, published in Nicholas Bellin's Petit Atlas Maritime.
Carte Reduite des Isles Antilles Dressee au Depost des Cartes et Plans de la Marine… [Large Inset of Virgin Islands]
Large engraved sea chart of the Lesser Antilles, with a detailed inset of the Virgin Islands, published by Jacques Nicolas Bellin in 1758.
Carta General Del Seno Mejicano Con Los Canales De Yucatan, Florida y Nuevo De Bahama . . . 1869
Scarce Spanish Sea Chart of the Gulf of Mexico, from Texas and the Yucatan to Florida and Cuba.


Sister Patricia McNicholas of Youngstown, Mahoning County. Retired Executive Director, Beatitude House.
Second term of office expires in October 2019.
Vice Chair, Mr. David H. Coy of Poland, Mahoning County. President and Chief Executive Officer of WKBN.
First term expires in October 2018.
Secretary Angela Mastros of Wintersville, Jefferson County. Office Manager, Mastros-DiBiase Medical Practice.
Second term of office expires 2021.
OACC Delegate, Ms. Christine H. Dennison of Canfield, Mahoning County. Retired faculty of Youngstown State University.
First term of office expires in October 2018.
Chair Mr. James M. Gasior of Canfield, Mahoning County. President and Chief Executive of Cortland Banks.
First term expires in October 2020.
Mr. Carter P. Lewis of Warren, Trumbull County, Chief Executive Officer of Lewis Development Corporation.
First term of office expires in October 2019.
Ms. Pearl Katherine Mills of Steubenville, Jefferson County, President and Chief Executive Officer of Heritage Home Health.
First term of office expires in October 2021.
Ms. JoAnn LaGuardia of Poland, Mahoning County, President/Chief Financial Officer of LM Cases, Inc.
Second term expires in October 2022.
Dr. Keith Meredith of Lisbon, Columbiana County, Vice President of Clinical Operations for Salem Regional Medical Center.
First term of office expires in October 2020.
William "BJ" Nurczyk, Jr. CPA, of Steubenville, Jefferson County, Partner at D'Anniballe and Company, Inc.
First term expires October 2022.
Ms. Kathy A. Maguschak, CIC, of Mingo Junction, Jefferson County, Office Manager and Producer McBane Insurance and Financial Services.


text:
Q: GL_OES_EGL_image_external_essl3 extension in compute shaders does not work properly I use the GL_OES_EGL_image_external_essl3 extension to access camera pictures in GLSL. For fragment shaders it works fine. Here is my simple fragment shader:
#version 320 es
#extension GL_OES_EGL_image_external_essl3 : require

precision mediump float;

uniform samplerExternalOES cameraTexture;

in vec2 v_TexCoordinate;
out vec4 fragmentColor;

void main() {
    fragmentColor = texture(cameraTexture, v_TexCoordinate);
}

I can see the picture from the camera.
However when I insert a simple compute shader stage in pipeline that only copies data from that external image to a new texture which I display, I can see only black screen. I also generate a red line in the compute shader for debugging.
Here is the code of that compute shader:
#version 320 es
#extension GL_OES_EGL_image_external_essl3 : require

precision mediump float;

layout(local_size_x = LOCAL_SIZE, local_size_y = LOCAL_SIZE) in;
layout(binding=1, rgba8) uniform mediump writeonly image2D outputImage;

uniform samplerExternalOES cameraTexture;

void main() {
    ivec2 position = ivec2(gl_GlobalInvocationID.xy);

    vec4 cameraColor = texture(cameraTexture, vec2(gl_GlobalInvocationID.xy)/1024.);
    imageStore(outputImage, position, cameraColor);

    // generate a red line to see that in general the texture
    // that is produced by the compute shader is displayed on the
    // screen
    if (position.x == 100) imageStore(outputImage, position, vec4(1,0,0,1));
}

So it seems like it accesses the texture in the same way, but vec(0,0,0,1) is returned by texture() instead. So the screen is black.
In both cases I bind the texture like this:
glActiveTexture(GL_TEXTURE0)
glBindTexture(GLES11Ext.GL_TEXTURE_EXTERNAL_OES, mCameraTextureId)
glUniform1i(cameraUniformHandle, 0)

Why does this extension not work properly in my compute shader? Is it supposed to work in compute shaders at all?
My platform is Samsung Galaxy S7 (Mali GPU).

redpajama_set_name: RedPajamaStackExchange


We haven't visited our cottage since Thanksgiving, and I have missed it greatly.
Last night, after Jeff came home from work, we ate a quick dinner, then drove the two and a half hours through the cold winter evening. The gray and purple clouds trailed our car through the snowy fields as we quietly listened to music – country, folk, bossa nova.
For the last hour, while the clouds melted into the thickening darkness, we listened to nothing but Bruce Springsteen.
Our neighbor Jason had turned on the heat and left the light on in the kitchen, and the cottage embraced us as though it had missed us, too. I unpacked the groceries while Jeff started making popcorn.
We watched two episodes of Downton Abbey.
I slept through the night, a quiet, deep, dreamless sleep.
How wonderful to sleep! For the past few months I have been suffering from chronic insomnia, and this night of restful sleep felt like the most generous of gifts. Thank you, sweet cottage.
For to enter our cottage is to enter a different reality, or rather a different relationship to time. Everything slows down and I have all the time in the world to do the things I love.
We spent the morning sipping coffee and reading in bed, then made a breakfast of eggs with toast and jam. And then, most luxurious of all, I took a bath in my huge, ancient claw foot tub. In the middle of the day.
And now, I am about to curl up on my old sofa with the book that I am reading, The Sisters Brothers by Patrick deWitt. It is a wonderful, comical, violent adventure story about the American West of 1851.
Just the kind of book to spend a winter afternoon with.


Build: let the killing begin!
This from my point of view. I pick Block at first because he is squcy and 2 charges of 75% physical Armor will help Butcher when charging.
At lvl 4 I go for Unrelenting Pursuit, is best pick to reduce his charge with 33% upon impact.
Lvl 7 is were "Tank Butcher" will get even more powerful and hard to Kill. An extra 50% reduced damadge taken with the 2 charges of 75% physical armor, he will be very tanky.
Most of the time I go fro Lamb to the Slaughter so i will be sure to make a kill.
From my point of vire Brutal Strike is the best talent to take here, 15% more dmg to the next 3 basic attacks after you finish your Fresh Meat quest, will be unreal dmg!
For lvl 16 I go for Enraged every every every time, to bad you benefit of it after you have 50% less helt.
And at lvl 20 i go for Nexus Blades for more dmg or for Bolt of the Storm so that I will have an excape.
Sorry of my english is not good, is not my nativ language!


text:
Lily Fertility Centre
4Patricia
Vision Aids
- Select Page - Home About Us Services Lily Fertility Centre 4Patricia Our Partners Vision Aids COVID-19 Contact Us News
SEARCH AND HIT ENTER
Paelon Memorial Hospital is a multi-specialist boutique hospital established in April 2010. We are located at 1221 Ahmadu Bello Way in the high-brow neighbourhood of Victoria Island, Lagos, and have a branch at 9, Ajao Street in Ikeja, Lagos. The hospital was set up in memory of PAtricia ELozie ONyia – PAELON, the 3rd and last child of the current Managing Director & Founding Partner, Dr. Ngozi Onyia.
We are a guideline and protocol driven hospital and as a result provide evidence based, patient centred primary, secondary and tertiary health care services of the highest standard with integrity and are often sought out for honest, professional second opinions.
Whilst trying to be a one-stop shop, we are careful not to overstep our bounds. We owe a lot of our success to our supportive, responsive colleagues in other disciplines. With an excellent track record in seven years of existence, we earned the first SafeCare 5-star award in Africa for quality of care and quality improvement.
We have a wide range of clientele including corporates, health insurance and out of pocket payers and a significant population of expatriate clients (a sign of quality locally) and are listed as service providers by the embassies of the United States of America, the Netherlands and the Canadian High Commission amongst others.
Our Value Proposition is high reliability- Getting it right the first time, every time.
Our Vision is to redefine healthcare in Nigeria.
Our Mission is to provide safe, timely, evidence based and patient centered healthcare.
Our Motto is Service with integrity.
The Paelon Team
The hospital is run primarily by seven partners, supported by a strong technical team of other specialist and non-specialist doctors, nurses, allied health care professionals and an equally strong administrative team.
Our 24 hour in-house Laboratories are quality controlled and quality assured. Most tests have a turn-around time of <1 hour with high reliability.
Our 24 hour in-house Pharmacies are managed by a strong team of pharmacists and stocked directly by pharmaceutical representatives of manufacturers.
Our in-house Radiology Units are equipped with a digital x-ray and ultrasound machines manned by a well-trained team of radiographers and overseen by a visiting radiologist.
Using modern techniques & equipment, we provide musculo-skeletal neurological, geriatric, and paediatric rehabilitation, manned by a well-trained team of radiographers and overseen by a visiting radiologist.
Please call us on either 0909-360-8138 or 01-290-0844, or mail us at contact@paelonmemorial.com.
Request consultationRequest consultation
August 10, 2019 by Paelon Publishing
A Little Sunshine
"You're Not Doctors"
Human Papilloma Virus (HPV)
World Class Boutique Hospital, Paelon Launches 2bed Intensive Care Unit
August 9, 2019 by Paelon Publishing
Ebola Hemorrhagic Fever
Paelon Memorial Hospital is a multi-specialist boutique hospital established in April 2010. We have a wide range of clientele including corporates, health insurance and out of pocket payers and a significant population of expatriate clients.
© 2020 - Paelon Memorial. All Rights Reserved. | Developed by Verdant DevCore
Please note that we ONLY treat COVID cases at our Ikeja Clinic.
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