text:
A human doctor washes ashore on an island inhabited by little people locked in a foolish war.
Dave Fleischer
Jessica Dragonette
Singing voice of Princess Glory
Lanny Ross
Singing voice of Prince David
Robert Bentley
Willard Bowsky
Director of animation
Johnny Burks
Gulliver's Travels (1939) - I Won't Taste Good!
Gulliver's Travels (1939) - I Lemuel Gulliver
Gulliver's Travels (1939) - Don't Be Afraid, Men!
Premiere Information
World premiere in Miami, FL: 18 Dec 1939
Paramount Pictures, Inc.
Distribution Company
Screenplay Information
Based on the book Travels Into Several Remote Nations of the World by Lemuel Gulliver by Jonathan Swift (London, 1726).
Color (Technicolor)
Theatrical Aspect Ratio
On 5 Nov 1699, Lemuel Gulliver, an English seaman, is shipwrecked on the shores of Lilliput, a country of peanut sized people, the tallest of whom is no higher than Gulliver's boots. While Gulliver sleeps on the beach, meek King Little of Lilliput betroths his daughter, Princess Glory, to Prince David, the son of Bombo, the bombastic king of neighboring Blefusco. Trouble arises when King Little insists that his favorite song, "Faithful," be sung at the ceremony, while Bombo is equally insistent that his favorite number, "Forever," be the only song sung at the wedding. Their dispute ends when Bombo declares war and storms out just as Gabby, the town crier, bursts into the palace to announce that a giant is sleeping on the beach. At first alarmed, the people of Lilliput work through the night to tie Gulliver up and transport him to their town. When he awakens, however, they soon discover his benevolence after Bombo's armed soldiers flee at the sight of the giant, and Gulliver merely laughs. In celebration, the Lilliputians plan a feast in Gulliver's honor, while Bombo's henchmen, Snoop, Sneak and Switch, plot dastardly schemes against the Lilliputians. When all the Lilliputians are asleep, Gulliver sees the heartbroken Princess Glory during her secret rendezvous with Prince David and determines to help them. He attempts to arbitrate the broken romance by suggesting that both of the disputed songs be combined and sung. Gulliver's attempt seems doomed, though, when Bombo's war ships arrive off the shore of Lilliput and the three spies prepare to shoot the giant. Seeing the spies aiming the gun at Gulliver, Prince David gallops to the giant's rescue, but plunges over the cliff as he deflects the shot. David's fall brings Bombo to his senses,and the lovers are united to the combined harmony of "Faith" and "Forever" while Gulliver sails off into the sunset in a small boat made for him by the Lilliputians.
Orestes Calpini
Ben Clopton
Roland Crandall
James Culhane
Joseph D'igalo
James Davis
Nelson Demorest
Ted Dubois
Frank Endres
Alfred Eugster
Otto Feuer
George Germanetti
Arnold Gillespie
Reuben Grossman
Thurston Harper
William Henning
Winfield Hoskins
Cal Howard
Louis Jambor
Frank Kelling
Abner Kneitel
Seymour Kneitel
Robert Leffingwell
Robert Little
Shane Miller
George Moreno
Stephen Muffatti
Grim Natwick
Al Neiburg
Bill Nolan
Joseph Oriolo
Tony Pabian
Tom Palmer
Ted Pierce
Graham Place
Stan Quackenbush
Ralph Rainger
Edwin Reitberg
Leo Robin
Lod Rossner
Erich Schenk
Charles Schettler
Edmond Seward
Story Adapted
Winston Sharples
I. Sparber
Irving Spector
Sam Stimson
William Sturm
Nicholas Tafuri
Sammy Timburg
Harold Walker
Victor Young
Atmospheric Music created and Conductor by
Lou Zukor
Gulliver's Travels (1939) - I Lemuel Gulliver From animation pioneer Max Fleischer, directed by his brother Dave, opening his first animated feature, produced for Paramount, Jonathan Swift's title character shipwrecked and found by "Gabby," (voice of Pinto Colvig), tune by Ralph Rainger and Leo Robin, from Gulliver's Travels, 1939.
Gulliver's Travels (1939) - Don't Be Afraid, Men! Having delivered the news to the Lilliputian king, Gabby (voice of Pinto Colvig) brings a brave squad back to beach to attempt to collect the giant who's washed ashore, in the Paramount feature based on the Jonathan Swift tale, Gulliver's Travels, 1939.
Gulliver's Travels (1939) - I Won't Taste Good! Carted back to the castle for presentation to King Little (voice of Jack Mercer), the title character (voice of Sam Parker) is awakened, seeming to threaten Gabby (voice of Pinto Colvig), when the rival navy offshore attacks, in producer Max Fleischer's Gulliver's Travels, 1939.
Gulliver's Travels (1939)
Max Fleischer was the only real challenger to Walt Disney's supremacy in the field of animation in the 1930s. As the head of Fleischer Studios, Max had (with his brother Dave, the director) created Ko-Ko the Clown and Betty Boop, incorporated the music and personalities of Cab Calloway and Louis Armstrong into their cartoons, and brought Popeye to life in some of the most popular animated shorts of the era (vying with Mickey as the most popular animated character of the day). With an exclusive contract with Paramount Pictures, one of the powerhouse studios in Hollywood, to distribute their shorts, they were seen everywhere.
Max Fleischer had long wanted to make an animated feature -- he was already making extended animated shorts with Popeye and Betty Boop and saw great potential in a Popeye feature -- but Adolph Zukor, the head of Paramount Pictures, didn't see any future in feature-length cartoons. The remarkable success of Walt Disney's Snow White and the Seven Dwarfs in 1937 changed his mind and he gave the green light to Fleischer to begin developing a feature for Paramount. He also gave him a deadline: Christmas 1939. A mere year and a half to develop, write, animate, and finish his first ever feature (Disney worked for over three years on Snow White).
Fleischer turned to Jonathan Swift's Gulliver's Travels, and the Lilliputian section in particular, for his story. "I knew it was my father's favorite book since he used to read it to me as a bedtime story when I was a child," remembers Richard Fleischer, Max's son, in his 2005 book Out of the Inkwell. He even briefly considered using Popeye as his Gulliver before rejecting the idea in pre-production.
Though he was finally getting his shot at an animated feature, the timing couldn't have been worse for Fleischer, who was moving his studio from New York to Miami while still keeping up with his contractual deadlines for their Betty Boop and Popeye shorts. By the time it was fully operational in 1938, Fleischer boasted the most advanced animation studio in the world. Gulliver's Travels (1939) didn't necessarily benefit from the upgrade, however, as much of the film was produced during the transition. While Dave Fleischer took charge of directing the feature, production shuttled between the two locations and new animators, mostly from the West Coast, were brought in for the new Miami studio, with extra hands drafted from the Miami Arts School during the transition.
One of the many innovations that Max Fleischer brought to animation was the rotoscope technique, which involved tracing over frames of live-action film. It sped up the animation process and was especially helpful in animating human figures. In Gulliver's Travels, it was specifically used for Gulliver, a "realistic" figure in a cartoonish world. Where Gulliver is a dignified, handsomely sculpted figure of calm and reason, the Lilliputians are exaggerated caricatures right out of the Fleischers' comedy shorts, scurrying, impulsive little people driven by petty concerns.
The film opens with the dramatic shipwreck that strands Gulliver on the island of Lilliput, a land populated by diminutive (at least by human standards) people. Fleischer goes for a realistic look here, with a rotoscoped model ship, a dark, stormy atmosphere, and a dramatic sense of depth. With the introduction of the Lilliputians, the style slips into a more comically exaggerated style, filled with slapstick and sight gags, while the story turns on a romance between the prince and princess of rival kingdoms that is threatened when the kings go to war. Sam Parker, a Florida radio broadcaster, provided both the voice and the physical reference for Gulliver. Jack Mercer, the voice of Popeye, was brought on for King Little, and Pinto Colvig voiced Gabby, a comic sidekick that Fleischer later spun off into his own series of cartoons.
Gulliver's Travels was the second cel-animated feature ever released. Budgeted at a modest $500,000, it ended up costing twice that (which was still significantly less than the Snow White price tag), but the film was still a financial and critical success. It opened at number one spot and was nominated for two Academy Awards, for Best Score (by Victor Young) and Best Original Song ("Forever Faithful," music by Ralph Rainger and lyrics by Leo Robin), losing both categories to The Wizard of Oz (1939). Animation historians believe that in its day, Gulliver's Travels was seen by more people than Snow White because it was constantly in release in theaters and later shown on television. However you measure it, Gulliver's Travels is an animation landmark and an alternative to the Disney style of animated feature filmmaking.
Producer: Max Fleischer
Director: Dave Fleischer
Screenplay: Dan Gordon, Cal Howard, Ted Pierce, I. Sparber, Edmond Seward (screenplay); Edmond Seward (story adaptation); Jonathan Swift (based on immortal tale)
Cinematography: Charles Schettler
Music: Victor Young
Cast: Jessica Dragonette (Princess Glory, singing voice), Lanny Ross (Prince David, singing voice), Pinto Colvig (Gabby, voice, uncredited), Jack Mercer (King Little, voice, uncredited), Sam Parker (Gulliver, voice, uncredited).
C-76m.
by Sean Axmaker
"Out of the Inkwell: Max Fleischer and the Animation Revolution," Richard Fleischer. University Press of Kentucky, 2005
"Fleischer in Florida, Part 1 - Gulliver's Travels," Steve Fritz. Newsarama.com, 2009.
"The Making of a Cartoon," Paramount Pictures newsreel.
Max Fleischer was the only real challenger to Walt Disney's supremacy in the field of animation in the 1930s. As the head of Fleischer Studios, Max had (with his brother Dave, the director) created Ko-Ko the Clown and Betty Boop, incorporated the music and personalities of Cab Calloway and Louis Armstrong into their cartoons, and brought Popeye to life in some of the most popular animated shorts of the era (vying with Mickey as the most popular animated character of the day). With an exclusive contract with Paramount Pictures, one of the powerhouse studios in Hollywood, to distribute their shorts, they were seen everywhere. Max Fleischer had long wanted to make an animated feature -- he was already making extended animated shorts with Popeye and Betty Boop and saw great potential in a Popeye feature -- but Adolph Zukor, the head of Paramount Pictures, didn't see any future in feature-length cartoons. The remarkable success of Walt Disney's Snow White and the Seven Dwarfs in 1937 changed his mind and he gave the green light to Fleischer to begin developing a feature for Paramount. He also gave him a deadline: Christmas 1939. A mere year and a half to develop, write, animate, and finish his first ever feature (Disney worked for over three years on Snow White). Fleischer turned to Jonathan Swift's Gulliver's Travels, and the Lilliputian section in particular, for his story. "I knew it was my father's favorite book since he used to read it to me as a bedtime story when I was a child," remembers Richard Fleischer, Max's son, in his 2005 book Out of the Inkwell. He even briefly considered using Popeye as his Gulliver before rejecting the idea in pre-production. Though he was finally getting his shot at an animated feature, the timing couldn't have been worse for Fleischer, who was moving his studio from New York to Miami while still keeping up with his contractual deadlines for their Betty Boop and Popeye shorts. By the time it was fully operational in 1938, Fleischer boasted the most advanced animation studio in the world. Gulliver's Travels (1939) didn't necessarily benefit from the upgrade, however, as much of the film was produced during the transition. While Dave Fleischer took charge of directing the feature, production shuttled between the two locations and new animators, mostly from the West Coast, were brought in for the new Miami studio, with extra hands drafted from the Miami Arts School during the transition. One of the many innovations that Max Fleischer brought to animation was the rotoscope technique, which involved tracing over frames of live-action film. It sped up the animation process and was especially helpful in animating human figures. In Gulliver's Travels, it was specifically used for Gulliver, a "realistic" figure in a cartoonish world. Where Gulliver is a dignified, handsomely sculpted figure of calm and reason, the Lilliputians are exaggerated caricatures right out of the Fleischers' comedy shorts, scurrying, impulsive little people driven by petty concerns. The film opens with the dramatic shipwreck that strands Gulliver on the island of Lilliput, a land populated by diminutive (at least by human standards) people. Fleischer goes for a realistic look here, with a rotoscoped model ship, a dark, stormy atmosphere, and a dramatic sense of depth. With the introduction of the Lilliputians, the style slips into a more comically exaggerated style, filled with slapstick and sight gags, while the story turns on a romance between the prince and princess of rival kingdoms that is threatened when the kings go to war. Sam Parker, a Florida radio broadcaster, provided both the voice and the physical reference for Gulliver. Jack Mercer, the voice of Popeye, was brought on for King Little, and Pinto Colvig voiced Gabby, a comic sidekick that Fleischer later spun off into his own series of cartoons. Gulliver's Travels was the second cel-animated feature ever released. Budgeted at a modest $500,000, it ended up costing twice that (which was still significantly less than the Snow White price tag), but the film was still a financial and critical success. It opened at number one spot and was nominated for two Academy Awards, for Best Score (by Victor Young) and Best Original Song ("Forever Faithful," music by Ralph Rainger and lyrics by Leo Robin), losing both categories to The Wizard of Oz (1939). Animation historians believe that in its day, Gulliver's Travels was seen by more people than Snow White because it was constantly in release in theaters and later shown on television. However you measure it, Gulliver's Travels is an animation landmark and an alternative to the Disney style of animated feature filmmaking. Producer: Max Fleischer Director: Dave Fleischer Screenplay: Dan Gordon, Cal Howard, Ted Pierce, I. Sparber, Edmond Seward (screenplay); Edmond Seward (story adaptation); Jonathan Swift (based on immortal tale) Cinematography: Charles Schettler Music: Victor Young Cast: Jessica Dragonette (Princess Glory, singing voice), Lanny Ross (Prince David, singing voice), Pinto Colvig (Gabby, voice, uncredited), Jack Mercer (King Little, voice, uncredited), Sam Parker (Gulliver, voice, uncredited). C-76m. by Sean Axmaker Sources: "Out of the Inkwell: Max Fleischer and the Animation Revolution," Richard Fleischer. University Press of Kentucky, 2005 "Fleischer in Florida, Part 1 - Gulliver's Travels," Steve Fritz. Newsarama.com, 2009. "The Making of a Cartoon," Paramount Pictures newsreel. IMDb
In December 1937, Snow White and the Seven Dwarfs became the first feature-length animated film to open in theaters. Almost exactly two years later came the second, Gulliver's Travels (1939). But in contrast to the Walt Disney classic, this new film was the work of pioneering animators Max and Dave Fleischer, whose innovative company had been responsible for Betty Boop and Popeye, among other iconic cartoon characters of the 1920s and '30s. In fact, this movie was originally planned as a vehicle for Popeye to "play" Gulliver.
Gulliver's Travels is based on just the first part of Jonathan Swift's classic novel, a section entitled "A Voyage to Lilliput," in which Gulliver washes ashore in a kingdom whose inhabitants are so small that Gulliver appears as a giant. Swift's tale was written as a sociological satire, and the Fleischer brothers disagreed at first over how much of that flavor would inhabit their screen version. Max Fleischer envisioned retaining the strong satirical themes, while Dave Fleischer wanted something lighter, simpler and more musical. In the end they compromised on a colorful spectacle that nonetheless does preserve some satire. In any event, the look and feel of the animation was distinctly theirs. As the Motion Picture Herald's review said, "The Fleischer style, well known for many years to a great public, is readily identifiable. The usual grotesqueness is present in all of the characters, with the exception of the Giant and the Prince and Princess. One might expect Popeye to peek around the corner at any moment."
The film's production schedule was very challenging. Paramount (the Fleischers' parent company and distributor) was so eager to challenge Disney with an animated feature that it poured money and resources into the movie in order to meet a Christmas 1939 release date. (The film opened a day after Gone with the Wind.) Fleischer Studios had been based in New York, but union strife in that city compelled Paramount to pay for a new Fleischer studio in Miami, Fla. The studio also paid for hundreds of extra animation artists to work on the project, in both Miami and Hollywood. The schedule was so rushed (18 months from conception to release) that 400 Miami art students were even hired to help out -- following a crash course in animation. The final negative cost was about $1.5 million.
The critical reception was overall positive. Variety deemed the film "an excellent job of animation, audience interest and all around showmanship... enjoyable as much for the elders as the youngsters." But The New York Times disagreed, calling it "a fairy tale for children almost exclusively," and criticizing it for lacking the depth, subtlety, and freshness of the Disney films.
Nonetheless, Gulliver's Travels was a big enough commercial hit that Paramount ordered a second animated feature from the Fleischers, Mr. Bug Goes to Town (1941). As for awards, it was the film's music that drew attention from the Motion Picture Academy. Victor Young received an Oscar® nomination for Best Original Score, and songwriters Ralph Rainger and Leo Robin collected a nomination for Best Original Song, for "Faithful Forever." This was one of 22 Oscar® nominations that Victor Young would receive over the course of his career. He won the award just once -- posthumously -- for Around the World in Eighty Days (1956).
Robin and Rainger had recently won their first Oscars®, for the classic song "Thanks for the Memories," in The Big Broadcast of 1938 (1938). The talented composer Rainger would die in a plane crash in 1942, while lyricist Robin would carry on a successful career over a life that lasted until his death in 1984. Robin accrued a total of ten Oscar® nominations but never won the award again.
Singer Lanny Ross provides the singing voice of Prince David in Gulliver's Travels. It's the only animated voice Ross ever did.
by Jeremy Arnold
In December 1937, Snow White and the Seven Dwarfs became the first feature-length animated film to open in theaters. Almost exactly two years later came the second, Gulliver's Travels (1939). But in contrast to the Walt Disney classic, this new film was the work of pioneering animators Max and Dave Fleischer, whose innovative company had been responsible for Betty Boop and Popeye, among other iconic cartoon characters of the 1920s and '30s. In fact, this movie was originally planned as a vehicle for Popeye to "play" Gulliver. Gulliver's Travels is based on just the first part of Jonathan Swift's classic novel, a section entitled "A Voyage to Lilliput," in which Gulliver washes ashore in a kingdom whose inhabitants are so small that Gulliver appears as a giant. Swift's tale was written as a sociological satire, and the Fleischer brothers disagreed at first over how much of that flavor would inhabit their screen version. Max Fleischer envisioned retaining the strong satirical themes, while Dave Fleischer wanted something lighter, simpler and more musical. In the end they compromised on a colorful spectacle that nonetheless does preserve some satire. In any event, the look and feel of the animation was distinctly theirs. As the Motion Picture Herald's review said, "The Fleischer style, well known for many years to a great public, is readily identifiable. The usual grotesqueness is present in all of the characters, with the exception of the Giant and the Prince and Princess. One might expect Popeye to peek around the corner at any moment." The film's production schedule was very challenging. Paramount (the Fleischers' parent company and distributor) was so eager to challenge Disney with an animated feature that it poured money and resources into the movie in order to meet a Christmas 1939 release date. (The film opened a day after Gone with the Wind.) Fleischer Studios had been based in New York, but union strife in that city compelled Paramount to pay for a new Fleischer studio in Miami, Fla. The studio also paid for hundreds of extra animation artists to work on the project, in both Miami and Hollywood. The schedule was so rushed (18 months from conception to release) that 400 Miami art students were even hired to help out -- following a crash course in animation. The final negative cost was about $1.5 million. The critical reception was overall positive. Variety deemed the film "an excellent job of animation, audience interest and all around showmanship... enjoyable as much for the elders as the youngsters." But The New York Times disagreed, calling it "a fairy tale for children almost exclusively," and criticizing it for lacking the depth, subtlety, and freshness of the Disney films. Nonetheless, Gulliver's Travels was a big enough commercial hit that Paramount ordered a second animated feature from the Fleischers, Mr. Bug Goes to Town (1941). As for awards, it was the film's music that drew attention from the Motion Picture Academy. Victor Young received an Oscar® nomination for Best Original Score, and songwriters Ralph Rainger and Leo Robin collected a nomination for Best Original Song, for "Faithful Forever." This was one of 22 Oscar® nominations that Victor Young would receive over the course of his career. He won the award just once -- posthumously -- for Around the World in Eighty Days (1956). Robin and Rainger had recently won their first Oscars®, for the classic song "Thanks for the Memories," in The Big Broadcast of 1938 (1938). The talented composer Rainger would die in a plane crash in 1942, while lyricist Robin would carry on a successful career over a life that lasted until his death in 1984. Robin accrued a total of ten Oscar® nominations but never won the award again. Singer Lanny Ross provides the singing voice of Prince David in Gulliver's Travels. It's the only animated voice Ross ever did. Producer: Max Fleischer Director: Dave Fleischer Screenplay: Dan Gordon, Cal Howard, Ted Pierce, I. Sparber, Edmond Seward (screenplay); Edmond Seward (story adaptation); Jonathan Swift (based on immortal tale) Cinematography: Charles Schettler Music: Victor Young Cast: Jessica Dragonette (Princess Glory, singing voice), Lanny Ross (Prince David, singing voice), Pinto Colvig (Gabby, voice, uncredited), Jack Mercer (King Little, voice, uncredited), Sam Parker (Gulliver, voice, uncredited). C-76m. by Jeremy Arnold
An early plan was to have the role of Gulliver written for Popeye.
The character of Gulliver was "rotoscoped" - a method devised by the Fleischers where the drawing was achieved by tracing over the movements of a live actor.
The first animated feature from a studio other that Disney.
In the opening sequence of the film, the credits are superimposed over a three-dimensional sailing ship. The song "Faithful Forever" is not listed in the onscreen credits, but is sung in the film. According to a news item in Motion Picture Daily, the success of Walt Disney's 1937 film Snow White motivated the Fleischer Studios to produce this animated feature at a budget of $700,000. This was Max Fleischer's first feature-length-Technicolor animated feature. It only used one episode from the Jonathan Swift book. Modern sources note that the figure of "Gulliver" was rotoscoped throughout the entire film. The movements of actor Sam Parker were traced from live action film to become the figure of "Gulliver." The rest of the characters were represented through animation. Modern sources also add that 500,000 celluloids and twelve tons of paint were used for the 115,700 composite scenes in the film. Ralph Rainger and Leo Robin's song "Faithful Forever" and Victor Young's original score were nominated for Academy Awards.
Several live action films were based on the Swift novel. In 1960, Columbia produced The 3 Worlds of Gulliver, directed by Jack Sher and starring Kerwin Matthews, and in 1977, EMI produced a British-Belgium co-production titled Gulliver's Travels, starring Richard Harris and directed by Peter Hunt. An animated IMAX version of Swift's story, directed by Ian Pearson and Scott Speirs, completed production in late 2003 but, as of spring 2005, it was not scheduled for release.
Released in United States 1939
Released in United States on Video May 1988
Formerly released in USA on video by Hi-Tops Video.
Released in United States 1978 (Shown at FILMEX: Los Angeles International Film Exposition (Special Programs - Painted Movies) April 13 - May 7, 1978.)


Bridgewater, N.J. – Brother International today introduced the Business Smart Series Inkjet all-in-one (AIO) printer.
The first model in the series is the $199 MFC-J4510DW. This model will ship in October, the company said.
The MFC-J4510DW has 35 page per minute text print speeds, 20ppm for color. It features a 3.7-inch touch panel with Swipe capability and can be networked via Ethernet or Wi-Fi. The AIO can also directly send images to Facebook, Picasa, Flickr, Evernote and Dropbox.


Spouse: Patricia Newman Burrus Children: Robert Tilden Burrus JR (Holly) & Sarah Burrus West (Ron). Education: PhD, Chemist, retired, DuPont, Kinston, NC. Undergraduate degree in Chemistry: University of NC, Chapel Hill, NC. Skipped Masters Degree. PhD, Chemistry, University of Tennessee. Lived and reared his family in Kinston, NC. But grew up Rockford, Surry County, NC. Graduated from Copeland HS which later became Surry Central HS. Son of Robert Seymour Burrus and Ora lee Davis(Burrus), grandson of Robert Newton Burrus and Mary Lucinda (Spencer) (Burrus), great grandson of Lee Hammond Burrus and Rachel Whitaker, and great, great grandson of Thomas Burrus and Nancy Tucker (Burrus).


text:
Q: Shared library truncated when i run build script I want to use libjpeg.so in my android project.
I have precompiled shared library.
Build script in my project:
LOCAL_PATH := $(call my-dir)

include $(CLEAR_VARS)

LOCAL_MODULE := libjpeg

LOCAL_SRC_FILES :=../lib1/libjpeg.so

include $(PREBUILT_SHARED_LIBRARY)

But what do i get.
source file lib1/libjpeg.so - 1 290 798 bytes
but file after building
libs/armeabi/libjpeg.so     - 247 236 bytes
I have analyse this 2 files - the second is just truncated
And of course i have "java.lang.UnsatisfiedLinkError"
Why file truncated ?

A: The problem is that NDK build system strips all prebuilt shared libraries when copying them to destination folder.
If you really need to use a libjpeg as shared library, then I would suggest that you run a post build script to copy the original file to the destination folder overwriting the stripped one.
The best solution is to prebuild a libjpeg.a static library and then you can avoid stripping like this:
include $(CLEAR_VARS)
LOCAL_MODULE := libjpeg
LOCAL_SRC_FILES :=../lib1/libjpeg.a
include $(PREBUILT_STATIC_LIBRARY)

...

include $(CLEAR_VARS)
LOCAL_MODULE    := mylib
LOCAL_SRC_FILES := mylib.cpp
LOCAL_C_INCLUDES := $(LOCAL_PATH)/../lib1/include/
LOCAL_WHOLE_STATIC_LIBRARIES := libjpeg
...
include $(BUILD_SHARED_LIBRARY)

Notice the LOCAL_WHOLE_STATIC_LIBRARIES which turns off the stripping for these libs.

redpajama_set_name: RedPajamaStackExchange


The Glastonbury Festival will be a much quieter place this year, with revellers partying listening to headphones, organisers said.
In a bid to keep within strict noise-limits, festival-goers wishing to party through the night in the dance tent will be given special "silent disco" headsets.
Thousands of clubbers will dance to world-famous DJs at the Somerset event, but all the neighbours will hear is the sound of shuffling feet.
The system is designed so that the music can carry on late into the night without infringing on the restrictions imposed by the festival's licence. Festival organiser Michael Eavis said the solution to the problem was his daughter's idea.
Mr Eavis said: "We have been toying with this idea for years, trying to think of ways to combat the noise limits.
"Now Emily has finally got something together so the party can go on later into the evening without infringing the noise curfew. It's a first for us, and I will be interested to see how it works."
Visitors to the dance tent will be given a complimentary set of headphones complete with bass, volume and treble controls so they can have the music as loud as they like.
After the noise curfew comes into force, the music will stop being pumped out of the 15ft speaker stacks and will instead be transmitted directly to the headsets.
The system has been developed by Dutch- firm 433fm.com, which pioneered the "silent disco" at illegal parties as part of a travelling festival in Holland.


text:
We are still committed to serving you at this challenging time. We have had to adapt some of our procedures to comply with government mandated restrictions BUT the doors are open and we are here to assist you. If you have any questions please don't hesitate to call: (08) 9278 2575
Andrew Williams Criminal Lawyer
Perth & Fremantle (08) 9278 2575
Refuse Breath Test
If You Refuse To Take A Breath Test
Previously a police officer was required to have a valid reason before requiring a person to provide a sample of breath either for a preliminary test or for analysis. However, there are now laws relating to random breath testing and consequently the police can now stop a member of the public on the road and require a sample of breath for a preliminary test.
In What Circumstances May A Police Officer Require Me To Attend A Police Station To Undergo A Breath Analysis Test?
If the results of that preliminary test of the driver shows a blood alcohol level of 0.05 that will enliven the police officer's ability to oblige the driver to undergo a breath analysis test. However, this is not the only basis for a police officer to legally require the driver to undergo a breath analysis test. The police officer may also legally require the driver to undergo a breath analysis test in circumstances where the driver has refused to undergo a preliminary road side test.
What Are The Penalties I Face For Refusing To Provide Breath For Analysis?
Penalties for an offence of refusing to undergo a preliminary road side breath test are covered by section 67A of the Road Traffic Act . The penalties are less severe that the penalties that are provided for refusing to provide a sample of breath for analysis. There the penalties are serious and, in essence, mirror the penalties that are applicable to an offence of driving under the influence of alcohol under section 63 of the Road Traffic Act. The penalties for refusing to provide a sample of breath for analysis are as follows:
For a first offence, to a fine of not less than 18 PU or more than 50 PU; and, in any event, the court convicting the person shall order that the person be disqualified from holding or obtaining a driver's licence for a period of not less than 10 months;
For a second offence, to a fine of not less than 42 PU or more than 70 PU or to imprisonment for 9 months; and, in any event, the court convicting the person shall order that the person be disqualified from holding or obtaining a driver's licence for a period of not less than 30 months;
For any subsequent offence, to a fine of not less than 42 PU or more than 100 PU or to imprisonment for 18 months; and, in any event, the court convicting the person shall order that the person be permanently disqualified from holding or obtaining a driver's licence.
1. Can I refuse a breath test?
It is a serious offence to refuse a breath test. There are laws in place allowing officers to randomly stop and breath test members of the public at any time.
2. What happens if I refuse a breath test?
You face tough penalties which may include, fines, disqualification of your driver's licence and even imprisonment.
3. What is the penalty for refusing a breath test?
The penalties are contained in section 67A of the Road Traffic Act:
For a first offence: a fine of not less than 18 penalty units (PU), but not more than 50 PU; and the court convicting the person must order that the person be disqualified from holding or obtaining a driver's licence for a period of not less than 10 months.
For a second offence: a fine of not less than 42 PU or more than 70 PU, or to imprisonment for 9 months; and the court must order that the person be disqualified from holding or obtaining a driver's licence for a period of not less than 30 months;
For any subsequent offence: a fine of not less than 42 PU or more than 100 PU, or to imprisonment for 18 months; and the court must order that the person be permanently disqualified from holding or obtaining a driver's licence.
What Should I Do Now?
Refusing a breath test is a serious matters and can carry tough penalties upon conviction in our state. Have you recently been charged with refusing to take a breath test? If so, traffic lawyer today. You can reach us on (08) 9278 2575.
Driving Charges
Speeding Offences
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I had Andrew deal with my case recently and couldn't of been happier with the result he got for me. From the start Andrew was quick to reply to any questions and queries I had regarding my matter. He was very professional in my opinion, very easy to talk to and explained things quite well. I felt very comfortable in the courtroom knowing that Andrew wanted to get the best result he could for me, and I would highly recommend Andrew Williams to ...
I was on a very tight rope where if it balanced the wrong way it would have totally devastated my life. Andrew was honest through the entire process preparing me for the worst but never let me give up and thankfully with his help got a great outcome that let me move forward with my family .I cant praise Andrew enough and recommend him 100%
I cannot thank Andrew enough for his support and would not hesitate recommending your service to anyone who would need your help. I am eternally grateful to Andrew Williams who kept me informed as and when he had to and had no doubt in his professionalism. Thank you.
Pamela J
Had Andrew defend a reckless driving charge. He gave good solid advice throughout the process and defended me well at the trial. His costs were affordable and he was a great guy in general. The most important thing is we were able to have the charges dismissed via a not guilty verdict. I would recommend him to anyone.
Joly M
Andrew represented me recently in a few difficult situations. I found him to be very professional, easily contactable and generally wanting a good outcome for me. I've passed his contact info to friends and if I ever need legal representation again I'll definitely be using his services.
After making several calls to various law firms, I came across Andrew Williams who was quick to respond providing knowledgeable, honest and friendly legal advice. At all times I felt confident in Andrew's ability to defend the charges. The case went to trial with an outcome of not guilty. I was awarded full legal costs. Could not be happier.
I trusted that Andrew was the person to defend my case in our initial contact on the phone. He was very confident in his approach, from the first point of contact to the court room. I believe this must be from years of experience. Another added bonus for Andrew is that he is very honest and fair. He tells you like it is in the book of law and does not appear manipulative. His communication skills helped me help him to form a best defensive arg...
Abraham A
Unhappy with my then representation, I went searching for a new lawyer. Andrew responded quickly and professionally to my enquiry. It was quickly apparent during the first meeting that Andrew was knowledgeable, honest and was committed to getting us the best possible outcome. Andrew looked at all avenues available to me in a Magistrates Court matter. He negotiated on my behalf with the prosecution, attended 3 court hearings and defended my ple...
After being charged with Common Assault of a minor I made a sensible decision not to use the local Kununurra law firm. I engaged Andrew Williams to assist me with resolving this matter (to the point of me being awarded costs). Despite being 4000km away I never had any issues with Andrew's commitment to my case. He promptly returned all calls and demanded I do likewise when important information needed to be exchanged. I found him to be an inte...
Andrew Williams is a laywer of much dedication I will never have the words of gratitude and admiration for his honesty and integrity I would highly recommend him to anyone who may require his services in the future
Helen L
I just wanted to take my time to explain my experience with Andrew Williams. I had an incident that could have really affected my future. As anyone does I called around all the lawyers in Perth and just not any lawyer but the ones who are highly respected amongst other lawyers and get the results. I have a friend who works in the industry and she recommended Andrew. She said she always sees Andrew in the paper with amazing outcomes to cases th...
Phillip C
Very happy with my representation and fees by Andrew, I highly recommend him.
Damian A
I found dealing with Andrew Williams Law Firms to be quite pleasant and professional. I have nothing but utmost regard for this firm and would recommend anyone who needs a good criminal lawyer.
Andrew H
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Andrew Williams is a senior practitioner of criminal law who has had years of experience representing clients in the Magistrates Court, District Court, Supreme Court and Children's Court of Western Australia.
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redpajama_set_name: RedPajamaCommonCrawl


text:
Lake Where Naya Rivera's Body Was Found Is Notorious for Drownings Due to 'Strong Winds' and 'Chilly Water'
Jul 13, 2020 6:06 pm·
By Megan Heintz
Lake Piru, where Glee actress Naya Rivera went missing on July 8 and where her body was found on July 13, is notoriously dangerous, known for its "strong winds" and "chilly water."
Ventura County Sheriff's Office spokesman, Captain Eric Buschow, tells In Touch, "These big reservoirs, there is a lot that goes on. There are plenty of currents," he said, referring to the summer hotspot in Ventura County, California. "People drown in California lakes every year."
Naya Rivera's 'Glee' Costars and Other Stars React to Her Death
RMG News / MEGA
Previously, Steve White, former Ventura State Beach lifeguard supervisor, told the Los Angeles Times the changing temperatures, large waves and rip currents can sometimes be a deadly combination.
"Someone will come to the beach, maybe wade out a little, step into a deeper hole or get picked up in a rip current and they begin to panic," said White, who managed a team of 25 guards.
A Look Back at Naya Rivera's Impressive Career — and Net Worth
Willy Sanjuan/Invision/AP/Shutterstock; RMG News / MEGA
According to the outlet, "Strong winds on Lake Piru often whip up waves that can rock a small boat enough to tip an unsteady fisherman into the water. The lake also holds deep columns of chilly water that can overwhelm people, officials said."
Rivera, 33, was confirmed dead on Monday, July 13, nearly five days after she was declared a missing person. "Based on the location where the body was found, physical characteristics of the body, clothing found on the body and the physical condition of the body, as well as the absence of any other persons reported missing in the area, we are confident the body we found is that of Naya Rivera," Sheriff Ayub from the Ventura County Sheriff's Department confirmed during a press conference.
Ayub added, "[Josey] and Naya swam in the lake together at some point during their journey. It was during that time that her son described being helped into the boat by Naya. He told investigators that he looked back and saw her disappear under the surface of the water." The officer continued, "She mustered enough energy to get her son onto the boat but wasn't able to get herself."
In Touch confirmed Wednesday that Rivera went missing after her son, Josey Dorsey, 4 — whom she shares with ex Ryan Dorsey — was discovered alone on a boat.
See Naya Rivera and Ryan Dorsey's Relationship Timeline
"The son said they were in the water swimming together," Buschow, who revealed it was windy on July 8, noted. "He came up and got back up on the boat, but she did not. He was found on the boat by a passerby. He was found fast asleep on the boat by himself." At the time, he said that "there is a high likelihood that the singer drowned," but "it's still a search and rescue operation based on the circumstances." On July 9, the official Twitter account for the sheriff's office tweeted that the search for Rivera is now a "recovery effort."
Just days before news broke of the incident, Rivera shared a cryptic message about death. "No matter the year, circumstance or strifes, every day you're alive is a blessing. Make the most of today and every day you are given," the singer captioned a selfie on social media on July 3. "Tomorrow is not promised."


Diversity Lesson from a Six Year Old by Christina Stewart — Praxis Performance Group Inc.
My six year old daughter came home from school a couple of weeks ago with a December calendar of events. As you can imagine, it's chock full of Building Gingerbread Houses Day, Pajama Day, Skating Day, Nutcracker Performances and the usual round of Holiday Concerts – pretty standard stuff for the lead up to the winter break. But there, tucked amongst Breakfast with Santa, Christmas Day and Making Candy Canes were a couple of other dates. Namely – the first day of Hanukkah on December 13 and Kwanza on December 26. When I asked my daughter if she knew about the dates, she shrugged "Of course," she said, "They are important days that people celebrate." That's right, of course they are. It's so nonchalant and just plain old ordinary to my six year old that some people celebrate this and some people celebrate that.
No big deal. How refreshing.
Life should just be that way this time of year. How about you celebrate this and I'll celebrate that? Let's not make it matter what you celebrate or what I celebrate; how about we all just celebrate what we want (or nothing at all!) and we let everyone else have their own beliefs. How cool would it be if someone were comfortable enough to say "Merry Christmas" to a stranger on the street and hear a reply of "Happy Hanukkah" and know it meant that you were both just being yourselves and feeling your own warmth and affinity toward your beliefs. Me celebrating what I want doesn't take a thing away from what anyone else believes.
The political correctness of saying "Happy Holidays" is paved with great intentions, however, when we really want to create diversity and inclusion in our workforces and in our communities, we need to be learning about other cultures, creating space for others to share and sharing our own stories too. The depth of diversity in Canada can easily be overlooked if we only focus on the commercialization of the holiday season – as is pretty evident with the number of plastic Santas out there. In order to create that diversity I urge you to look past the twinkling lights and learn about other cultures, make zero expectations that people are celebrating anything specific or anything at all, and perhaps like my daughter, circle some celebrations beyond your own on the December calendar.


Advisory Mandi, India's most trusted Stock Market Advisory marketplace, introduced in the year 2016. In India, stock market is an enigma for the investors, statistics revealed registered stock market investor is less than 5% of the population in most states, the biggest factors is lack of financial capability, knowledge and awareness.
[ClickPress, Mon Oct 09 2017] Equity market is uncertain, however, investors still tries to find out the opportunity to rise above the uncertainties and gain from in informalities of the market. To rise above the uncertainties, we need proper support and guidance. Advisory Mandi provides that guidance to the retail investor to take advantage of the opportunities prevailing in the market.
Advisory Mandi, India's most trusted Stock Market Advisory marketplace, introduced in the year 2016. In India, stock market is an enigma for the investors, statistics revealed registered stock market investor is less than 5% of the population in most states, the biggest factors is lack of financial capability, knowledge and awareness. Advisory Mandi is an initiative to capture this complexity of the stock market. We believe knowledge is power. The advisory market place module is the apt platform to distinguish the SEBI registered advisors among the unauthorised advisory companies, so that traders and investor will choose a right advisor.
This is a platform where SEBI registered analyst post their specialised advisory services in all three market segment i.e., Equity, Commodity & Currency. The product's distinctive feature is the live advisory of the analyst their live performance can be judged by the trader and it is an easy way for any naïve investor to choose the kind of analyst. This platform helps in resolving the problem of the advisory industry as a whole. The product stimulates the righteous and skilled advisory. We have very talented analyst which remains unrecognised and not known to the place or region beyond their presence. We help them to reach out to millions of viewers and user's. It's a cost effective way to promote their skills and talent. The Advisory market place module will pave the way in achieving their professional goals as the best will be rewarded daily/weekly/ monthly basis on their performance. The stock market often serves as the key indicator of the financial health of a nation, and the Advisorymandi.com is designed to encourage the saving and investment propensity of the masses, at a larger context.
For investors, its cost effective way to gain meaningful and profitable advisory of various segments (Equity, Commodity and Currency) of market under one umbrella. Most importantly, all the calls posted by the advisors are on live market, thus investors get actionable trade. As calls are posted live, users are in a better position to track the performance of the analyst themselves. Our Motto is to build the smart and informed investor and instil faith in them about equity stock market.
The Retail participation in stock market is required to build a robust investment environment which is not affected by the movement of FIIs and global fluctuations. It's a great platform for knowledge sharing, creating awareness, connecting with the industry players and general masses, and contributes to the nation building. Through this engaging and closely-knit platform, we intend to connect you with talented professionals.
We pledge to increase retail participation the equity market by giving right guidance at the right time from the right source.