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A Look Back at What If #61 (1994)
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the wild 1990s and examine an alternate universe portrayal of one of Spider-Man's many events told through the What If monthly series!
If you are looking for a portrayal of Spider-Man going over the edge and into the extremes emotionally, you are about to experience something in this retro review of mine. Some time ago, I reviewed a What If comic book about Spider-Man becoming a murderer which was compelling but ended on a whimper.
With those details laid down, here is a look back at What If #61 published in 1994 by Marvel Comics with a story written by Kurt Busiek and drawn by Kirk Jarvinen, Andrew Wildman, Derek Yaniger and Jim Amash.
The cover.
Early story
The story begins with Richard and Mary Parker (Peter Parker's parents) arriving in the presence of Aunt May who happens to be visited by their son Peter (Spider-Man). Having learned something from a while back, Aunt May tells Richard and Mary that they are not genuine persons. Suddenly, Peter Parker's spider sense intensifies and in an attempt to defuse the situation, he leads his aunt to walk out of the house with him. Richard and Mary watch them walk away.
It turns out, Richard and Mary are impostors and they have been working all the time for a secretive boss. Richard calls his employer under an emergency and reports that they have completed phase one of their assignment, that Aunt May knows the truth about them and is about to inform Spider-Man. Richard is then told that under no circumstances is the plan to be jeopardized and anyone who suspects must die. He is also told to flush Mary's programming and reset her as she showed signs of acting odd to the situation.
A short time later, Richard and Mary – now in morphed forms with vastly different bodies and half their heads resembling their human selves – suddenly break into an apartment surprising Peter, his wife Mary Jane and Aunt May. Violent action by one of them accidentally ripped open Peter's shirt, revealing his Spider-Man suit to Aunt May. Just as Peter's aunt figures out the secret, he tells Mary Jane to grab her and get out.
However, the sight of the morphed Mary Parker shocked Aunt May and Mary Jane so much, they failed to move. Mary Parker then morphs her two hands into large, makeshift hammers, and swiftly killed Aunt May and Mary Jane. Peter is instantly shocked by their sudden deaths but deep inside, rage begins to burn…
Spider-Man already over the edge and reacting violently to the abusive Daily Bugle.
I can start by confirming that Kurt Busiek's writing is very strong and his alternate take on the events of Amazing Spider-Man #388 (1994) is indeed very solidly composed. In one way, I find the emotional stakes for Spider-Man has been raised a lot higher than what was portrayed in the 400th issue of Amazing Spider-Man (the canon story). The concept of losing his beloved family members to enemies who were impostors that looked like his long lost parents is indeed disturbing as well as highly emotionally charged. In relation to this, Busiek and the illustrators brought to life a Spider-Man who really went over the edge by taking matters into his own hands as the loss of beloved ones led to the blurring of the boundary between good and evil. Even the boundary between innocence and guilt gets blurred which adds more depth to the emotions of the story. As I read the story, there were moments when I felt that Spider-Man became as bad as the evil ones even though he is clearly the victim and his family was targeted.
Apart from showing Spider-Man getting outraged and pushed to the limits, Busiek inserted elements about how people perceive incidents without knowing all the facts and how easily they get manipulated by a news outlet – the Daily Bugle where Peter Parker worked as a freelance photographer – that does not care about ethical journalism nor the pursuit of the truth. In this age of widespread fake news and liberal news media outlets in America doing propaganda for American Communists (read: Democrats, abortionists, LGBTQ, Black Lives Matter, Antifa, the terrorists, the climate change extremists and the socialist hordes), this particular aspect of the story makes this comic book strongly relevant to read today.
The story also sheds light on Spider-Man's connections with other Marvel superheroes who happen to be in New York City. You will see Captain America and Johnny Storm express their concern about Spider-Man's state of mind as they themselves still tried to figure out what really happened. In short, the superheroes here showed restraint even as Spider-Man goes to the extreme being a victim as well as a fugitive.
If there are any weak points in this comic book, it would be the art which has this cartoon-like aesthetic. Considering the serious subject matter, the visuals are quite contradicting as they make this look like it was made for much younger readers.
Spider-Man takes on the impostors who looked like his parents.
As far as storytelling and characterization goes, What If #61 (1994) succeeded a lot on portraying the iconic Spider-Man as the superhero who went over the limits of his emotions and his reasoning which is the result of the tragic deaths of two beloved family members caused by individuals who pretended to be his parents. This is a very solid story which also has a powerful ending. Where What If #72 failed, this comic book succeeded and even exceeded it with Spider-Man truly becoming unheroic. I should state that this comic book should convince readers to go to the Amazing Spider-Man series and follow the Lifetheft storyline in issues #386 to #388 (which were released months before this comic book). Kurt Busiek's script is indeed great and it is easily the driving force of the comic book, more than enough to overcome the cartoon-like visuals.
Overall, What If #61 (1994) is highly recommended.
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A Look Back at Harbinger #17 (1993)
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, Sting, Kris and Shatiqua got into trouble upon seeing the traitorous Ax and his powered companions. Their encounter turned into a radically different turn of events when the Harbinger foundation's armed personnel and Eggbreakers members arrived targeting Ax.
With those details laid down, here is a look back at Harbinger #17, published in 1993 by Valiant Comics with a story written by Maurice Fontenot and illustrated by Howard Simpson.
The story begins in the past – January 11, 1991 at the Woodville State Mental Institution in Pennsylvania. One of the local doctors leads two formal visitors into the secured room of one of their patients described as a "fascinating subject". His name is Simon and the visitors turned out to be from the Harbinger foundation. They tell Simon, who is invisible, that the Harbinger foundation was established to help special people like him, help him understand and control his talents, and he will not be alone as the foundation has others like him.
In the present day of December 23, 1992, Faith is flying just above a truck which is slipping out of control along a major bridge in New Jersey. Sting is barely holding on the top of the truck. Being unable to utilize his power to control the situation, Sting instructs Faith to pull the driver out of the truck. Moments after Faith saves the truck driver, the truck itself stops but ended up hitting a vehicle.
As Flamingo uses her power to put out a fire, Kris finds Sting on the side of a car feeling terrible. Sting wonders what is wrong with him as he failed to stop the truck…
Even though he is already in a relationship with Kris, Sting focused on the blonde lady in the middle of a party.
I want to point out that this is yet another build-up type of story from Fontenot and Simpson, only this time it introduces Simon who is involved with the Harbinger foundation not as a trained Eggbreakers member but rather as a patient still relying on medical and psychological care. Through Simon, you will feel his loneliness, his trouble to fit in with society and his personal pain related to being unwanted. Through him, you will also realize that even though it has lots of resources and experts as employees, the Harbinger foundation is not the ideal replacement for Simon's father (who rejected him in the first place). That should also remind you readers that government units also can never be your parent nor your guiding light no matter what socialists and Commies say in this age of Joe Biden and the fascist Democrats (read: the Satanic Left). Fontenot's script here is, unsurprisingly, really strong and Simon's introduction never felt like a throwaway piece.
Apart from Simon, Sting and his teammates got a lot more of the narrative's spotlight this time around which is like a breath of fresh air since the previous two issues focused more on Harbinger and the Eggbreakers. Even though they are already dealing with their domestic problems, the primary characters still make efforts to solve problems and help others knowing that they would not be compensated by society.
More on character development, the team leader Sting continues to desire recruiting and helping powered young adults before the organization of Toyo Harada gets them first. This shows his arrogance and delusion as he rejects the reality that he and his team don't really have the massive resources the Harbinger foundation has when it comes to recruitment and providing the constant needs of recruits. Furthermore, Sting does not even see his current problem (with his super power) as a hindrance at all when facing the Harbinger foundation.
Storywise, this comic book is more balanced with the spotlight on characters on the two sides of the spectrum with Simon being symbolically caught in the middle of the conflict. This is really solid storytelling.
Something's wrong with Sting.
I like Harbinger #17 (1993) very much. What it lacks in spectacle, it bounces back big time with character development, deep dramatics and introducing a new character who gets connected with both Sting's team and the Harbinger foundation. This story obviously keep on building up something for a future conflict between the two forces and already I am eager to find out what will happen in the next issue.
Overall, Harbinger #17 (1993) is highly recommended!
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Better than Streaming: Red Dawn Collector's Edition 4K Blu-ray coming out on August 16, 2022
June 2, 2022 June 9, 2022 carlocarrasco
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are sick and tired of the modern-day wokeness-filled garbage of Communist Hollywood (Commiewood) and if you are nostalgic about 1980s Hollywood cinema, then you should be interested to learn that the Red Dawn Collector's Edition 4K Blu-ray will be released on August 16, 2022 and already pre-orders are being accepted online.
Red Dawn Collector's Edition 4K Blu-ray is set for an August 16, 2022 release.
According to the Blu-ray.com page of the movie, Red Dawn 4K Blu-ray disc will have native 4K visuals and a brand new 4K restoration of the film from its original negative has been reported. These details are very much welcome because I have Red Dawn on Blu-ray disc (1080p) and its visuals were not very good. Moving forward, posted below are the specs for Red Dawn 4K Blu-ray…
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Subtitles – English SDH
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-100, 1 BD-50)
Packaging – Slipcover in original pressing, Inner print
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A (B, C untested)
For the newcomers reading this, Red Dawn is a 1984 action movie directed by John Milius that explores what would happen in America – specifically at a Colorado town surrounded by wilderness – once World War III breaks out and the nation gets invaded by the Soviet Union (Russians) and their South American Commies. A small group of teenagers manage to escape the invasion of their town and moved into the wilderness with limited supplies to survive with. As the Leftists impose order in the town, the group slowly organizes itself into a force of opposition with one objective: freedom.
This movie starred the late Patrick Swayze, Charlie Sheen, C. Thomas Howell, Lea Thompson and Jennifer Grey when they were much younger. As the 1980s had lots of Hollywood movies about teenagers presented in comedies and drama films, Red Dawn easily stands out among them all as it deals a very serious concept related to the Cold War back then. Its story is a powerful reminder that Communists and the Satanic Left are essentially evil.
Given the fact that America today has several millions of young people brainwashed by socialists in schools, the fact that Leftist terrorists groups like Black Lives Matter (BLM) and Antifa are tearing down American society, the fact that Hollywood has lots of Commies and SJWs among its members, the fact that gun owners' rights are being attacked a lot by the Left, the fact that Democrats prioritize illegal immigrants over American citizens, and the fact that lots of politicians abuse their governmental powers to emphasize socialism, Communism, Marxism and other wicked values on the people, Red Dawn of 1984 is still highly relevant. This is the movie that liberals and people poisoned with political correctness cannot tolerate. Watch out for Red Dawn Collector's Edition 4K Blu-ray on August 16, 2022.
In closing this Better than Streaming piece, posted below are Red Dawn-related videos for your viewing pleasure.
If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576
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A Look Back at V: The Final Battle (1984)
January 7, 2022 January 19, 2022 carlocarrasco
Disclaimer: This is my original work with details sourced from watching V: The Final Battle and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
With a very engaging story, memorable characters, intriguing concepts and innovative marketing, the $13 million production V: The Original Miniseries (simply called V back then) became a major TV hit in America over two nights in May, 1983. I personally loved watching the said mini-series back in the 1980s and I still love replaying it in this age of high-definition and Blu-ray discs. For me, at least, it is a timeless classic and it carries several lessons about the fragility of society, the rise of fascism, the spread of evil in many forms and the human desire for freedom from oppression.
Given its success and the way creator Kenneth Johnson ended the 1983 sci-fi mini-series, a sequel was inevitable. In fact, two sequels to V: The Original Miniseries were approved in the form of another mini-series (note: I acquired the Blu-ray release in 2021) and a regular TV series. Beyond the small screen, the V franchise entered literature as DC Comics published a V comic book series (read my retro review of V #1 by clicking here) related to the TV series.
With those details laid down, here is a look back at V: The Final Battle, starring Faye Grant, Marc Singer, Jane Badler and Michael Ironside under the direction of Richard T. Heffron. This 3-episode mini-series, which involved a lot of screenwriters, was broadcast on TV in America in May 1984.
The cover and the title that did not live up to its purpose.
The story begins with Mike Donovan (Marc Singer) having a nightmare of him and his son Sean (who was abducted during the events of V: The Original Miniseries) in a desperate escape attempt while inside one of the motherships of the Visitors. He wakes up in the presence of Julie Parrish (Faye Grant) and realizes they have a dangerous mission to execute at a local facility used by the red-uniformed Visitors. It turns out, the Resistance movement led by Julie has been losing ground to the alien humanoids and Mike has been helping them out while prioritizing the state of his son who has been in captivity in one of the mother ships.
During the night, a truck carrying many local civilians inside its trailer arrives at a local factory controlled by the Visitors with officer Steven (Andrew Pine) watching over. After the civilians got directed to enter the factory, it turns out they got processed and came out in the form of food cocoons. The sight shocks Julie watching from a distance with her armed teammates waiting on stand-by.
Easily the most engaging shot in this sequel. A clear reminder about the fascist takeover by the aliens from outer space.
After causing damage on the nearest fence, the Resistance begins their attempt to raid the facility and free their fellow cocooned people but the tide turned against them. It turns out, the Visitors' troops are wearing stronger armor and bright lights were installed on the top of the facility to forcing Julie, Marc and the rest of their team to retreat. They lost some members along the way. During a closed-door meeting with the Resistance stakeholders, Mike Donovan says a key event is needed to make a significant gain against the Visitors.
Over at the mothership hovering over Los Angeles and in the presence of Diana (Jane Badler), the leader John (Richard Herd) tells Kristine Walsh (Jenny Sullivan) that a major medical announcement will be held in the form of an organized special event very soon and that she will be part of the presentation for the global TV audience…
Marc Singer as Mike Donovan with Michael Durrel and Michael Wright as Robert Maxwell and Elias Taylor near him.
I'll star first with the presentation here. This sequel mini-series was composed of three episodes totaling over 270 minutes. In what looks like to be attempts to ensure more spectacles for the viewers' enjoyment, each episode of V: The Final Battle has a battle near the end and the creative team succeeded in not only providing on-screen action but also scored well in making the spectacle more varied while still making sense within the main narrative. For the most part, this sequel is indeed a natural progression of what was established in V: The Original Miniseries and that is something to admire given the fact that V creator Kenneth Johnson left this production early.
On the storytelling, V: The Final Battle expands a bit on the Visitors' dictatorship of Los Angeles and its surrounding areas while the Resistance led by Julie Parrish and supported by close companions Robert Maxwell (Michael Durrell), Elias Taylor (Michael Wright) and Caleb Taylor (Jason Bernard) are shown to be struggling on taking down the alien humanoids even though they secured noticeably more weapons and equipment. The storytelling and the dramatization about the Resistance changes dramatically with the addition of Ham Tyler (Michael Ironside) and partner Chris Farber (Mickey Jones) in the 2nd episode and from that point on, you get to see a human opposition that becomes more flexible with their operations.
Michael Ironside as Ham Tyler is the most significant new addition to the cast.
As mentioned earlier, Kenneth Johnson's involvement in this sequel was minimal and it is seen on the presentation. The symbolism Johnson implemented in the original mini-series that established parallels between 1980s America to the Nazi occupation of Europe did not continue here which results a more straightforward presentation of details, character moments and story progression. There was also a noticeable lack of suspense when it comes to executing big scenes with big reveals. The pacing, like in the 1983 mini-series, moves smoothly at a moderate pace throughout and there were no boring moments at all.
The quality of script is still good. For the most part, the writers managed to capture the essence of the established characters from the original mini-series as they told the further developments of this sequel. For example, Caleb and Elias' father-and-son moments quickly remind me of what I saw in V: The Original Miniseries. Robert Maxwell's struggle to help his troubled daughter Robin (Blair Tefkin) while assisting Julie and the Resistance is a very natural progression of what was shown in 1983. The friendship between good natured alien Willie (Robert Englund) and Harmony (Diane Cary) got developed a lot more than expected eventually adding to one particular side of the conflict. The local collaborators Daniel Bernstein (David Packer) and Eleanor Dupres (Neva Patterson) developed further with their treason towards their fellow humans as they enjoyed further the power they gained from the Visitors. These two characters will surely get on the nerves of viewers rooting for the Resistance.
Denise Galik as Maggie is a fine new addition to the cast.
David Packer returns as Daniel Bernstein.
Sarah Douglas as Pamela, a superior of Diana's.
When it comes to new additions to the cast, Ham Tyler and Chris Farber are not the only new players to add depth to this sequel. There is also Maggie (Denise Galik) who is an attractive, brave and strategic Resistance member whose contribution makes an impact. On the downside, there is also Andrew Doyle (Thomas Hill) who is bad choice the creative team came up with as the on-screen representative of faith when he in fact represents religion, idolatry, rituals and distortion. On the side of the Visitors is Pamela (Sarah Douglas) who is a higher-ranking officer than Diana and even John. Pamela is the more militaristic type of leader who is more focused on achieving goals while keeping things in order.
If there is anything flawed about the characterization, it is the romantic relationship of Julie Parrish and Mike Donovan which starts in the first episode. Considering how dramatic the performances of Faye Grant and Marc Singer were in this sequel, Julie and Mike still don't make a believable pair of lovers in my view. While this romantic relationship opens up new dimensions within Julie and Mike and offer viewers something new to focus, it brings down the former's value as Resistance leader somewhat while also setting aside the hinted personal connection between her and Elias in the 2nd episode of the 1983 mini-series.
Faye Grant as Julie Parrish in the conversion process scene watched closely by Jane Badler's Diana.
More on Faye Grant, her performance here is more varied. Not only does she play the brave and struggling leader who is talented in fighting, science and medical practice, she also portrayed Julie as an even more vulnerable character this time around. Her act as the traumatized Julie during the conversion process (read: mental and psychological torture using a more detailed form of virtual reality or nightmare generation) scenes under the watch of Diana is very dramatic and compelling to watch. Just seeing Julie in the conversion process will make grip you with despair and you will eventually feel sorry for her. I should state that the nightmare scenes of Julie were presented with a clear touch of horror.
Marc Singer as Mike Donovan is no longer the reluctant action hero but rather a driven man with a mission to get his missing son back while maintaining a secret connection with Martin (Frank Ashmore) of the Fifth Column (secret dissenters among the Visitors) hoping to achieve breakthroughs for the Resistance and their friends among the dissenting aliens. Singer did the best he could with the script provided to him and he remain likable all throughout. Other than the unbelievable romance with Julie as well as his past encounters with Ham Tyler, there is not much new to expect from the way Mike Donovan was written here. What I should point out, however, is that Mike Donovan's support for the unholy act of abortion (along with the so-called right to abort) is very wrongful, highly immoral and makes the hero having a sinister presence within him even though he is a father searching for his son.
Jane Badler's performance as Diana deserves admiration here. Not only did she successfully recapture the charismatic and sinister nature of her character in the 1983 mini-series, Badler was very convincing in showing the more desperate side of Diana, especially when it comes to power struggle within the ranks of the Visitors. You can clearly see the desperation and struggle as soon as Pamela appeared. This sequel also showed a lot more of Diana when it comes to personally supervising her conversion process which is much more elaborate here (note: the conversion process in the 1983 mini-series was limited to the showing of a chair with torture devices). Being the very symbol of charisma and evil in the V franchise, Diana's place in pop culture is solid and her real-world comparative counterparts would be none other than Hillary Clinton and Kamala Harris.
Jane Badler as the ever charismatic yet very wicked Diana.
As mentioned earlier, Michael Ironside's Ham Tyler is the most significant addition to the cast and the script. Ironside had that excellent mix of toughness, cruelty and sarcasm portrayed in here and at the same time Ham Tyler brought out very interesting and intriguing interactions with the more established Julie and Mike. As seen in entertainment history, Ironside went on to climb up the ranks in Hollywood with Total Recall (1990), Starship Troopers (1997) and in the Splinter Cell video game franchise. Ironside's Ham is easily the fourth major character of the V franchise of the 1980s.
Going into the spectacle part of this sequel, the action is more varied as mentioned earlier and the 3-episode structure was a factor. You will see lots of shooting with the use of guns and laser blasters here and there, and with the in-story locations and props as key factors, there are action sequences that are uniquely done. There is a lot to enjoy for any V fan and casual viewers watching this sequel.
As for the special effects part of the spectacle, this one is a mixed bag similar to what was presented in the 1983 mini-series. To put things in perspective, the use of in-camera effects, practical effects and optical effects for TV back in the 1980s was ambitious. That being said, certain effect shots here did not age well such as the miniature shots looking fake (because the camera used did not have a special lens to capture visuals that would have made the miniatures look believable). I should also state that there were certain effects shots that were recycled and reused in key sequences in this sequel which remains embarrassing to see. What is even more embarrassing to see here is the very poor-quality monster effects used during the nightmare scenes (conversion process) of Julie and, more notably, the presentation of Robin's other child. The monster effects are so fake, they are laughable to watch.
On the bright side of the special effects, the quality of the laser blasts remains good to watch right down to the precise timing with the explosions that were simulated on-set and in-camera.
The Visitors and Resistance key characters in the sequel.
While it has its strengths and weaknesses, V: The Final Battle is still engaging and enjoyable to watch, and at the same time it is a worthy addition for your Blu-ray collection when it comes to HD viewing (note: this is the sequel with the best visuals yet albeit with black borders on the sides). Even though creator Kenneth Johnson was not too involved on the production side, the creative team managed to deliver a long story that proved to be a natural progression of the original mini-series while providing more spectacle (especially action), developing the established characters and resolving key plot threads that started in 1983.
The lack of Kenneth Johnson's personal touch on the presentation was noticeable and somewhat brought this sequel down a bit in terms of style. What brought V: The Final Battle's quality down were the overall cheaper looking visual effects, the Julie-Mike love relationship and the climax of the final episode which seemed executed with desperation on the part of the creative team (note: giving a little new character instant purpose). In fairness, this sequel still succeeded in showing what fascism in America (or California specifically which is now dominated by Commies) would look like and it built up on its predecessor's themes such as the deception of power and the collaboration with foreign enemies. This mini-series even added themes of teenage pregnancy and abortion (note: someone from the creative team wanted to promote the wrongful Roe v. Wade Supreme Court decision of 1973) to its narrative.
Does V: The Final Battle live up to its title? Absolutely not because a regular TV series that deteriorated in quality followed. In retrospect, it's clear that this sequel marked the beginning of the decline of the V franchise in pop culture. What more, V: The Final Battle was never counted as canon in Kenneth Johnson's 2008 novel (and sequel to the 1983 mini-series) V: The Second Generation. On its own, V: The Final Battle still has more positive stuff than negative ones and in my experience, it remains enjoyable and compelling to watch from start to finish. Compared to V: The Original Miniseries, I can say this sequel falls short. It is good, not great.
Overall, V: The Final Battle (1984) is recommended. That being said, let this 1984 mini-series remind you that there is so much evil in the real world in the forms of Iran, the terrorists of Palestine, the social justice warriors (SJWs), the Black Lives Matter (BLM) movement and liberal media to name some. Always keep in mind to avoid becoming evil no matter how tempting power in this divided world becomes to you. You also do not want to let the evil ones take over your government and have authority over you, your family members and your community. Push back against evil and stand up strong by faithfully taking sides with the one true Savior whose name is Jesus!
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I Love Israel: Israel sending experts to the Philippines to help with vaccination against COVID-19
So much has happened to Israel in recent times. They defended themselves from the many rockets launched by the terrorists in Gaza (supported by long-time terrorism sponsor Iran) using the Iron Dome defense system which prevented massive deaths and damage from happening.
On the diplomatic arena, it is highly unfortunate that the Philippines voted in favor of the United Nations Human Rights Council's (UNHRC) investigation of the so-called human rights violations and abuses in Gaza which added to what I believe is the latest coordinated international attack against Israel. For the newcomers reading this, the terrorists, the anti-Semites, the Satanic Left (Marxists, socialists, Communists) and other kinds of people who hate Israel have long been using the United Nations as a global weapon against the Jewish state.
Even with these hard developments, I still believe that the State of Israel (whose founding in 1948 is a genuine miracle under the watch of God) is essential in this ravaged world as it is the light against darkness, and they have the undeniable right to defend themselves. With regards to the Israel-Philippines relationship, I still strong believe in it even though my nation committed a major blunder supporting the people who hate Israel at the UNHRC. In accordance to God's Word (the Holy Bible), I will always love Israel and keep blessing it and its people.
While it has been working hard on defending itself on all fronts, Israel still stepped forward in assisting the Philippines by designating three experts (from their Ministry of Health) to enhance the ongoing COVID-19 vaccination operations.
To put things in perspective, here is an excerpt from the article of Philippine News Agency (PNA). Some parts in boldface…
Three experts from Israel's Ministry of Health will help the Philippines to further enhance inoculation efforts against coronavirus disease (Covid-19).
Vaccine czar Carlito Galvez Jr., also the National Task Force (NTF) Against Covid-19 chief implementer, said in a statement on Sunday that the experts are set to arrive on June 20, 2021 to discuss strategies on vaccine deployment, transition to the new normal, and addressing vaccine hesitancy.
The government, he said, is targeting to adopt Israel's interventions on increasing public uptake, which is to provide incentives for vaccine recipients and restrictions for those who are yet to get coronavirus jabs.
Galvez said Israel's method allows people who have received the jabs to increase their mobility and slowly return to normalcy, while those who have not been vaccinated will still need to follow quarantine protocols.
Israel's vaccination program has been "highly successful," according to Galvez.
Israel has officially dropped its outdoors face mask policy on April 18, after inoculating more than half of its population with Pfizer-BioNTech vaccines.
It has also reopened schools and revived economic activities.
Israel's success in having a majority of its people vaccinated for COVID-19 is undeniable and it is indeed a great model for other nations (still struggling with COVID-19) to follow no matter what their politics are. The hatred towards Israel, the false accusations of apartheid thrown against them and the wickedness of the socialists (as well as the Marxist racism-driven movement Black Lives Matter) with siding with the terrorists are nothing more than garbage for everyone witnessing global events through the distorted news and views channeled through Leftist news organizations.
Israel is leading the way in the fight against COVID-19, in helping people getting their respective lives back to normal, and helping nations with much bigger populations to save themselves from COVID-19. In fact, Israel has been providing much-needed assistance to India which has been suffering a lot from their own COVID-19 crisis.
With Israel's dedication on assisting the Philippines confirmed already, this is great news that Filipinos should be very happy about and become more aware of. For months already, COVID-19 vaccination programs have been going on nationwide and there is still a long way to go before even half the population gets vaccinated fully (2 doses for each patient).
Not only are there not enough vaccines arriving here in the Philippines, there are also Filipinos that I observed are hesitant of getting vaccinated for reasons such as phobia towards needles (injections), the fear of side effects with vaccines, fear of waiting too long in line at vaccination sites due to overcrowding or disorganization (look at the disastrous Pfizer launch in Parañaque City), the inability of certain people to register (the DILG called for additional help for non-techie senior citizens while Las Piñas City recently launched a 3rd option of assisted on-site registration), and more.
How the Israeli experts will help the Philippines solve the above-mentioned factors, we will find out soon enough. What is clear is that the Israel-Philippines relationship is still living and the recent setback at the UNHRC is temporary. Eventually by the end of this year, direct flights between the Philippines and the Jewish state will be established and that means golden opportunities for Filipinos (especially those who got fully vaccinated) to visit the Holy Land.
Before ending this article, posted below is a holy scripture…
"I will plant Israel in their own land,
never again to be uprooted
from the land I have given them,"
says the Lord your God.
Amos 9:15 (NIV)
If you truly believe in Lord Jesus, the Holy Spirit and God the Heavenly Father wholeheartedly and you continue to be faithful (not religious), you should be aware that Christians are meant to stand united with Israel, love the Jewish people and pray for the peace of Jerusalem. You can do your part supporting Israel by donating to Christians United for Israel (CUFI). Do not forget to read the Holy Bible, then pray in tongues to the Lord in the privacy of your room with the door shut.
Always be the fearless and aggressive church of Lord Jesus! Always stand in support of Israel!
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
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A Look Back at V: The Original Miniseries (1983)
May 8, 2021 January 2, 2022 carlocarrasco
Disclaimer: This is my original work with details sourced from watching V: The Original Miniseries and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Way back in 1983, I was fortunate to watch the 2-episode sci-fi mini-series on television titled V: The Original Miniseries. Because there was no Netflix, no YouTube, no Internet access and no DVD at the time, getting to replay the said mini-series as well as its sequel V: The Final Battle was really hard. Replays of them on local TV rarely happened.
Then in 2001, V: The Original Miniseries was released on DVD format and I got to watch it all over again with a good amount of enjoyment. In recent times, I purchased the Blu-ray release and replayed the original miniseries in high-definition at last!
You must be wondering if the original mini-series aged well through the decades, and is it still good to watch by today's standards? While I will comment about its overall quality below, what I can say is that its theme about people fighting to be free from fascism, oppression, terrorism and dictatorship remains relevant to this day.
For his part, star Marc Singer stated: "I think themes of what holds society together and what tears society apart, those themes are universal themes and I think they're always going to be relevant. I think there's going to be a necessity for things like V to be revisited in order that society remember what it is that's cohesive and coherent about it and why is it that we should all stand together and treat each other well."
With those details laid down, here is a look back at V: The Original Miniseries, written and directed by Kenneth Johnson. The first episode was broadcast on television in the United States on May 1, 1983.
V: The Original Miniseries
The story begins in El Salvador where camera operator Mike Donovan (Marc Singer) and his companion Tony risk their lives capturing footage of an armed conflict. As the two tried their best to move away from the heat of battle, a helicopter of the enemy tracks them and corners them. Just as hope seems lost for Mike Donovan, the helicopter suddenly flies away. He turns to the other direction and witnesses the presence of a huge, floating saucer-like space ship coming his way. He begins to record footage of it.
Soon enough, several other space ships arrive and float above many other cities around the world. In America, medical student Julie Parrish (Faye Grant) and her colleagues carefully watch the TV news coverage. In a nice neighborhood, several residents – including Robin Maxwell (Blaire Tefkin), Eleanor Dupres (Neva Patterson), Daniel Bernstein (David Packer) and his grandfather Abraham (Leonardo Cimino) to name a few – marvel at the sight of a space ship above them. At another location, the research of scientist Robert Maxwell (Michael Durrell) and his colleague got interrupted with the arrival of a space ship.
The Visitors formally begin their new relationship with the people of Earth.
Diana of the Visitors played by Jane Badler.
Some time later, the Visitors make verbal contact with the people around the world using varied languages of Earth. In a special arrangement held at the top of the United Nations (UN) building in New York closely viewed on TV by the general public, the Visitors reveal themselves represented by John (Richard Herd) who expresses their message of reaching out peacefully to the people of Earth, seek their help and, in return, share with them their advanced technologies that could help humanity a whole lot for future generations. The Visitors are human in appearance but speak with very distinct sounds.
As a result, the governments of Earth agree to the offer of the Visitors and establish ties with them. Symbolically, a large group of Visitors' engineers led by Diana (Jane Badler) and security chief Steven (Andrew Pine) arrive at a refinery to formally begin collecting chemicals and minerals.
Then things start to turn bad…
I can clearly declare that the writing and directing done by Kenneth Johnson remains great, and for many reasons why. On storytelling, Johnson (who was inspired by the anti-fascist novel It Can't Happen Here and made an adaptation of it before finally coming up with V) clearly took his time on establishing the core concept stage-by-stage, and he also found efficient ways of explaining details to viewers by using in-story news reports and videos and retrospective as effective tools of exposition (these helped cut down the reliance on expository dialogue).
As the story goes on, Johnson carefully introduced the many characters on-screen (including the use of quick introductions of some characters who are located away from others they are connected/related with), established who they are and, most notably, showed how the events that took place affected them.
The Visitors (and one member of their youth auxiliary movement wearing brown) posting propaganda material to condition people's minds they are friendly and trustworthy. These posters are familiar to many Nazi propaganda materials used in Europe decades earlier. Prior to the release of the Original Miniseries, a real-life marketing campaign of putting up such posters happened in real life.
Johnson also used symbolism which reflects what happened decades ago in Europe with the rise of the Third Reich. The Visitors' symbol resembles the Nazi Swastika while the persecution of scientists (as well as their families and associates) resembles the Nazi persecution of Jewish people, and the scene of Daniel Bernstein joining the Visitors through their "Friends of Visitors" movement recalls memories of the Hitler Youth. I should state that Earth citizens who chose to collaborate with the aliens from space (strongly symbolized through Eleanor Dupres), images of the armed Visitors watching several helpless Earth people being taken away from their homes and the dominance of propaganda over the free press also reflect what happened back in World War II when the Nazis occupied many parts of Europe. The fact that Johnson used alien humanoids as the Visitors make them a more universal antagonistic force that viewers can relate with.
When it comes to the cast members and their respective performances, there is a whole lot to enjoy here and I can confirm that the quality of dramatic performances is pretty good and adds a whole lot of believability to the story. The most notable performer here is none other than Faye Grant who believably portrayed Julie Parrish on her in-depth transformation from a promising medical student to a reluctant organizer of a movement of freedom-loving people called the Resistance. Faye Grant excellently portrayed emotions and even showed the fragile side of Julie as she struggles to strengthen herself to lead her fellow people who seek freedom and survival. Julie also is the most charismatic and likable character in my view.
Marc Singer's Mike Donovan is the closest thing this miniseries has to an action hero. Donovan is not a soldier, nor a policeman, nor a combat specialist. He is a hard-working media employee who has covered a lot of armed conflicts overseas and along the way he learned how to fight. As he is not a fighting machine, Donovan was portrayed to be vulnerable and really ends up struggling a lot. In a way, Donovan symbolizes people who take action once they realize what is wrong and what lies they have been fed with. It should be noted that before Bruce Willis wowed audiences as the vulnerable hero John McClane in Die Hard, Marc Singer's Donovan was the vulnerable and struggling action performer realized ahead in time. On the dramatic side, Donovan's talk with his mother Eleanor is a great scene to watch, and his contrast with Kristine Walsh (Jenny Sullivan) must be seen! If you ask me, Mike Donovan is Marc Singer at his best!
Faye Grant's portrayal of Julie Parrish is highly believable complete with a good range of emotions. Her character development all throughout the Original Miniseries is very believable.
Marc Singer as Mike Donovan.
The other most notable role is none other than the Visitors' commander Diana excellently played by Jane Badler. Diana was played to be charismatic, powerful, and sadistic at the same time. She is not a mere evil figure nor is she your typical pure evil antagonist. In fact, she is the powerful extension of an unseen high authority of the aliens and this alone makes her worth your attention. Also, through her interactions with her fellow aliens Steven and Brian (Peter Nelson), you will see very interesting traits of Diana's personality. I should state that Jane Badler's eyes and expressions really gave her character a very commanding presence on-screen. Even though her screen time is not dominant, Diana's impact remains very strong.
As for the other cast members and their contributions in the film, I can state that Robert Maxwell was excellently portrayed by Michael Durrel to be the very caring father striving to protect his family even as society has been manipulated to demonize scientists like him. Daniel Bernstein is clearly the traitorous Earthling who has gotten so involved with the Visitors, and I am confident that David Packer will get on your nerves. Willie is the good-natured Visitor who tries to fit in with the people of Earth and his friendship with Harmony Moore (Diane Cary) is very symbolic. Given the reputation of Robert Englund as a horror icon, his performance as Willie is a must-see!
The most notable of all the supporting cast members here is none other than Leonardo Cimino's Abraham Bernstein who is a Jewish man who went through the Holocaust and survived to establish the family in America only to see evil return in the form of the Visitors. His dramatic scene of protecting a certain family is a must-watch, and most likely it will stir your emotions.
This scene shows the contrast between Abraham Bernstein (Leonardo Cimino) in the background and his grandson Daniel (David Packer) in the foreground. Abraham is an old Jewish man who went through the Holocaust and lived on. Daniel, who is 17-years-old, willingly joined the Visitor's youth auxiliary movement which parallels that Hitler Youth.
In addition to being successful with telling the story, spreading the details and getting solid performances from the cast, Kenneth Johnson also proved to be really crafty with the way the camera captured images and how the very important moments were presented to captivate viewers. Johnson's work here is clearly a labor of love. As for the music, Joseph Harnell did a good job overall. His style gives V a distinct aesthetic on tunes and I noticed his music becomes more lively late in the 2nd episode. Harnell also knew how to add musical excitement when the narrative needed a boost of energy or speed.
People of Earth, including children, are helpless under the Visitors.
Last but not least, I want to talk about the action and visual effects here. The action is, for the most part, raw and believable to watch. The action performers dressed as the Visitors never looked like they were trained but at least their ways of positioning themselves to fire their laser weapons made up for it. The hard action has that raw aesthetic which I actually liked because the action performers – including Marc Singer himself – were convincing with the way they exerted efforts. In this modern age of wire works and digital effects, seeing raw action and real human effort combined with risk taking is refreshing to watch.
More on the action scenes, I should state that the concept of showing the humans using conventional guns against the laser-armed Visitors was done in a satisfying and believable manner on-screen. Such concepts could have turned out bad had Kenneth Johnson and his team lacked talent and precision. As for the visual effects, they resulted a mixed bag as far as quality and artistry are concerned. While the laser blasts still look very good (and their impact was felt thanks to excellent timing with the on-set explosions and fireworks), the huge motherships really look dated as they were matte images (not miniatures), and in a few shots the matte lines were clearly exposed in high-definition which broke the immersion for me. The smaller space crafts that were shown flying also had that similar, out-of-place look (note: they did not match the lighting of the live-action footage). Still, the practical effects used are good to see and the matte paintings used for two key shots in the 2nd episode were photo-realistic.
The free and righteous praying to the Lord.
As it is clearly still great and engaging to watch, V: The Original Miniseries (1983) certainly aged well, it remains essential to watch even by today's standards and most of all, its theme about the conflict of freedom and dictatorship makes it completely relevant to this day. It is a reminder about what your part in your society is, who you are, what your values are, and why you have freedom in your local society which can be destroyed by an alienating force once your fellow people refuse to resist it. As mentioned earlier, the cast is great and I am confident that you readers will find a character or two to relate with.
The focus of this miniseries on fascism invading the lives of the free people easily reminds me about how, in this modern age, sinister influences like Marxism, socialism, Communism, unrestrained political correctness and fascism poisoned the minds of millions of people through the academic system and turned them into social rebels, domestic terrorists, looters, rioters and new criminals who are so determined to go against their fellow people who do not share their beliefs. In modern-day America, the ongoing movements of Black Lives Matter, Antifa, SJWs, the anti-Semitic BDS movement, the rabid LGBTQ+ movement, the so-called democratic socialists and other agents of Satan have been harming patriotic Americans, attacking their values, taking the innocence of the youth and children away, destroying businesses and tearing down societies as we know it. The 1983 mini-series will remind you that from time to time, social order will be pushed hard by the invaders (be it people or be it influences so alien to the society) and the people who are righteous can choose to restore the said order as well as their respective lives.
Seriously, if you value your freedom, your culture, your values, your people and your faith in the Lord, you certainly would not want to submit yourselves to a foreign people who intend to destroy you.
No matter what happens, people should never lose faith in the Lord and they must look up to Him for deliverance. The Lord will punish the wicked and make ways happen to lift up the faithful. Clearly, V's theme about the fight for freedom is truly universal.
Symbolism and socio-political relevance aside, V: The Original Miniseries (1983) also comes with a good amount of spectacle that make sense within the narrative. Do not expect to see extensive, over-the-top action scenes of modern-day cinema/television here but I assure you that the spectacle (note: even with the flawed matte imagery of the visual effects) in this production paid-off nicely in relation to the build-up of events throughout the story.
I strongly recommend you acquire V: The Original Miniseries on Blu-ray while it is still available. Watching it in high-definition is a great experience on my part.
Overall, V: The Original Miniseries (1983) is highly recommended! That being said, I strongly encourage you to buy it on Blu-ray disc format while it is still available and affordable. If you want more of Kenneth Johnson's other work related to V, I suggest you to look for his book V: The Second Generation. Don't forget to visit Johnson's website at http://www.kennethjohnson.us/
For more V-related writings of mine, check out my retro comic book reviews of the V comic books (published by DC Comics) issues #1, #2, #3 and #4.
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A Look Back at Ravage 2099 #5 (1993)
Welcome back, superhero enthusiasts, comic book collectors and fans of Marvel's 2099 universe! Do you want to see more of 2099 stories written by the late Stan Lee? There is Ravage 2099, the one original character for the 2099 universe co-created by Lee and illustrator Paul Ryan. In my last review, the story had Ravage desperately trying to survive in an island which is toxic and filled with lots of bad guys hunting him down.
With those details laid down, here is a look back at Ravage 2099 #5, published in 1993 by Marvel Comics with a story written by Stan Lee and drawn by Paul Ryan.
The story begins with Ravage, in the presence of Ursell (the one who saved his life), reacting to his hands burning with light-blue flame. Ursell states it is the radiation causing it. Ravage accuses him of turning him into a troid and that he is not better than Dethstryk, the ruler on the island. As he could not control his anger, Ravage attacks Ursell (who told him his hands are lethal as they destroy what they touch).
Outside, one Dethstryk's troops spots light (the result of Ravage's energetic hands) coming from the same cave Ravage and Ursell are in. Eventually Ravage calms down and the energy of his hands weaken. Ursell hands him gloves (composed of complex molecular formula) which help him contain the energy but only for one hour.
Suddenly, Dethstryk's thugs spot the two in the cave. One of them identifies Ursell as the betrayer of their leader…
I wonder if SJWs, socialists, Communists and the radicalized feminists will find this image offensive…
In terms of storytelling, this comic book is a big improvement over the last issue. While issue #4 was pretty much limited to Ravage just struggling to survive, this one had more elements of discovery and surprise which made it feel fresh. Ravage having his hands energetic and getting bothered deeply by it was a nice touch to spice up the character while building him up to be potentially more powerful. I also enjoyed the sub-plot in which Tiana, who has been portrayed as an erotic damsel-in-distress since issue #1, finally gets to do something important with trying to free the troubled youth Dack. Not only that, there is also another sub-plot involving a race of aquatic creatures that seek to invade the surface.
Spider-Man 2099's very brief appearance!
Ravage 2099 #5 (1993) is fun to read and surprisingly engaging as it is a big improvement over issue #4. Considering the uneven quality of this particular series, it's nice to see Stan Lee make storytelling improvements just as they are needed. Still the quality of dialogue is sub-par and there were corny lines like Ravage saying, "You're cornier than breakfast cereal!"
If you are seriously planning to buy an existing hard copy of Ravage 2099 #5 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the newsstand edition costs $24.
Overall, Ravage 2099 #5 (1993) is satisfactory.
Blog, Reviews 2099, 2099 Universe, blogging, Carlo Carrasco, Comic Book Review, comic books, comic review, comics, Communism, Communist, Communists, entertainment, feminism, feminist, feminists, fun, geek, Marvel, Marvel 2099, Marvel Comics, Mile High Comics, MileHighComics.com, Paul Ryan, Ravage 2099, review, Reviews, SJWs, Social justice warriors (SJWs), socialism, socialists, Spider-Man 2099, Stan Lee, superhero, superheroes 1 Comment
Las Piñas City Police Force at Work – June 12, 2020
Happy Independence Day, Philippines! The Las Piñas City Police Department continued serving the local constituents by means of securing places, implementing rules and helping those who need assistance. Check out these latest photo releases and read carefully the details written on each.
And remember, communities and residents need the police for their security. Do not be fooled by all of those social media rantings that the police should be defunded or dismantled that has been spreading lately. Those who push for dismantling their community's police department CANNOT even protect their own constituents from looters, rapists, vandals and other criminal elements!
No matter what the critics say, there is no doubt that the police are essential!
SALAAM personnel PCpl Moli Esmail led by PMAJ ALLAN P MERCADO, Chief SCADS/PIO under the supervision of PCOL SEGUNDO C LAGUNDI JR, COP conducted PNP Good Deeds by giving food donation to homeless persons held at Tuazon Village, Brgy. Pamplona Uno, Las Pinas City. (source – Las Piñas City Police Station)
June 9, 2020/11:00 AM – The Las Pinas City Police Station under the supervision of PCOL SEGUNDO C LAGUNDI JR, COP represented by PCpl Joy Marinay led by PCPT ELEAZAR B CAMILING C, SIDMS together with PCpl Stephanie M Gano led by PMAJ ALLAN P MERCADO C, SCADS/PIO conducted E-Inquest held at SIDMS Office, Las Pinas City Police Station. (source – Las Piñas City Police Station)
On June 11, 2020 at 9:00 AM, in line with PNP Full Alert Status and Presidential Proclamation no 922 "Declaring a State of Public Health Emergency throughout the Philippines due to COVID-19", elements of Sub-Station 6 led by PEMS Joel Caronan with three (3) others utilizing MC 446 under the supervision of PMAJ SALVADOR L GARCIA, Sub Station 6 Commander and under the strong leadership of PCOL SEGUNDO C LAGUNDI JR. COP, conducted Oplan Sita in relation to Implementation of General Community Quarantine along Marcos Alvarez Ave., Talon Uno, Las Piñas City. Said operation was terminated at about 11:00AM of same date with four (4) issued OVR, two (2) impounded MC and no untoward incident. (source – Las Piñas City Police Station)
On June 11, 2020 at about 10:00AM onwards, in line with PNP Full Alert Status and Presidential Proclamation no 922 "Declaring a State of Public Health Emergency throughout the Philippines due to COVID-19", elements of Sub-Station 6 PCpl Lary Reparejo and Pat Efren Fernandez with two (2) augment personnel under the supervision of PMAJ SALVADOR L GARCIA, Sub Station 6 Commander and under the strong leadership of PCOL SEGUNDO C LAGUNDI JR. COP, conducted monitoring of Social Distancing, Mandatory Wearing of Facemask and Limitation of Mall Goers in compliance to General Community Quarantine at Robinsons Place, Talon Uno, Las Piñas City. (source – Las Piñas City Police Station)
If you are in Las Piñas City and you need the help of the local police, call 85516401 or visit https://www.facebook.com/pcrstation4/
The above information and images were provided by the Las Piñas City Police Station for the purpose of public information and transparency. Some parts were edited for this website.
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text:
Josynne D. Sherlock
January 17, 1933 – August 15, 2021
Preceded in death by husband, Joseph; parents, Raymond and Dorothea Heelan; sisters, Jeneanne Voss and Janet Turner; brothers, James and Jerold Heelan. Survived by sister, Jacqueline Linahan; children: Michael Sherlock (Mitzi Mangiameli), Kathleen Sherlock-Green (Richard), Kevin Sherlock (Melissa), Karen Jones (Randall), Mimi Sherlock (Paul Escandon); grandchildren: Eleanor, Kristen, Emily, Cameron, Sofia, Mia, Joseph, Henry, Sasha.
Following in her father's footsteps, Josynne graduated from the University of Nebraska Pharmacy College and was a board-certified pharmacist in both Iowa and Nebraska. While at UNL, she met her beloved husband, Joseph Sherlock, married in 1957 and celebrated 53 years of inspiring devotion to each other. Josynne retired from her pharmacy career in 1970.
She then turned her attention to her many other interests – music (singing in church, and playing piano at home), baking, playing along to Jeopardy episodes, and of course cheering (loudly) for her beloved Nebraska football team. Her greatest accomplishment was raising five children in a modest home, and tirelessly exemplifying what it was to be a mother, a loving wife, and a doting grandmother to nine grandchildren. Josynne battled through many physical challenges in her life quietly with courage from the confidence of believing in God's love in our lives. She loved to laugh and sing throughout her life, and her resilient heart and contented soul will be missed by many.
WAKE SERVICE: Wednesday, December 29th, 6pm at West Center Chapel. The family will be wearing Husker RED, join us if possible. FUNERAL MASS: Thursday, December 30th, 10:30am at St. Joan of Arc Catholic Church, 3122 South 72nd Street, Omaha, NE. 68124. Interment: Calvary Cemetery.

redpajama_set_name: RedPajamaCommonCrawl


The BW Casey Blue and Rust Remover 3 Ounces is a safe and reliable solution that removes rust and old blue easily and quickly without damaging base metal. It's safe for removing old finish from firearms, muzzleloaders, and antiques. It's also excellent for removing rust from tools, gauges, and precision instruments.


text:
Q: Associated models without nested routes I have two models:
class GarageOwner < ActiveRecord::Base
  has_many :garages, dependent: :destroy
end

class Garage < ActiveRecord::Base
  belongs_to :garage_owner
end

A Garage should never exist without a garage owner. So in the new action of the GaragesController I need the corresponding garage owner. I do not want to use nested routes so I do not have the garage owners id as a parameter. But how do I get him then?
Update for some clarification
Garages are created by a third model (Admin). So I can not access the garage owner through the current user.
I build my routes using resources:
       garage_owners GET    /garage_owners(.:format)          garage_owners#index
                     POST   /garage_owners(.:format)          garage_owners#create
    new_garage_owner GET    /garage_owners/new(.:format)      garage_owners#new
   edit_garage_owner GET    /garage_owners/:id/edit(.:format) garage_owners#edit
        garage_owner GET    /garage_owners/:id(.:format)      garage_owners#show
                     PUT    /garage_owners/:id(.:format)      garage_owners#update
                     DELETE /garage_owners/:id(.:format)      garage_owners#destroy
             garages GET    /garages(.:format)                garages#index
                     POST   /garages(.:format)                garages#create
          new_garage GET    /garages/new(.:format)            garages#new
         edit_garage GET    /garages/:id/edit(.:format)       garages#edit
              garage GET    /garages/:id(.:format)            garages#show
                     PUT    /garages/:id(.:format)            garages#update
                     DELETE /garages/:id(.:format)            garages#destroy

A: The solution to not using nested routes is to insert the garage_owner_id as a hidden field in your new garage form. But, you've given no indication in your question of how the new garage form is meant to know about which garage_owner it should associate with so I can't give you a specific example.

A: You could approach this a couple different ways:

*

*If the GarageOwer requires a login, you could grab the ID of the GarageOwer user from the cookie stored at login.

*Create a custom route match "/Garages/new/:owner_id" => "garages#new", there after in your controller access the owner's id via params[:owner_id].

*Add owner_id as a hidden attributed to the form on the "garages/new" page.

A: Perhaps I'm not getting your question, but I think you'd have to either pick up the garage owner from your session (e.g. logged in user), or something derived from a value in your session or as a value submitted with the form used for the new operation, in which case it would be a parameter.

A: I found an appropriate solution which is still restful I think. I just created multiple routes for garages:
resources :garage_owners do
  resources :garages, except: :index
end

resources :garages, only: [:index, :show]

Normal users should not access the other actions.

redpajama_set_name: RedPajamaStackExchange


The Navy's floating surgical hospitals have played a vital role throughout the history of the U.S. Navy by providing acute medical and surgical care to readiness forces throughout the world. The U.S. Navy used hospital ships during the Civil War, Spanish-American War, World War I, World War II, Korea, Vietnam, and during Operations Desert Shield and Desert Storm. The 75-year history of Comfort provides an excellent example of the vital role hospital ships play in support of the Navy's mission.
William Cramp and Sons Ship and Engine Building Company of Philadelphia constructed the first Comfort (AH-3) in 1906. It served initially as the passenger vessel Havana, before being requisitioned by the War Department at the start of World War I for use as an Army transport. On 17 July 1917, the ship was transferred to the Navy for duty as a hospital ship. Outfitted at the New York Navy Yard by John M. Robins Company of Brooklyn, the ship was renamed Comfort (AH-3) on 14 March 1918 and commissioned on 18 March.
The second Comfort (AH-6) was launched 18 March 1943 by Consolidated Steel Corporation, Wilmington, California, under a Maritime Commission contract. She was transferred to the Navy the same day, and converted to a hospital ship by Bethlehem Steel Company, San Pedro, California. The ship was commissioned on 5 May 1944.
The third Comfort was delivered to the Navy on 1 December 1987. The National Steel and Shipbuilding Company, San Diego, designed and converted the San Clemente class tanker for service as a hospital ship. Christened USNS Comfort (TAH-20) on 15 August 1987, she was deployed to Baltimore for lay berthing on 17 June 1988. On 8 August 1990, the day after President Bush ordered deployment of 200,000 American troops to Saudi Arabia in response to Iraq's invasion of Kuwait, Comfort was ordered activated for duty in the Middle East.
In 1992 the Operational Archives Branch of the Naval Historical Center acquired a collection of historical materials relating to hospital ships. The bulk of the collection is comprised of documentation relating to the service of USNS Comfort during Operations Desert Shield and Desert Storm, August 1990 through April 1991.
The collection dates from 1906 to 1991 and is comprised of approximately 5.0 linear feet of historical materials relating to hospital ships and USNS Comfort (TAH-20) during Desert Shield/Desert Storm.
Items relating to the history of hospital ships, 1906-1989, comprise 0.5 linear feet of documentation. Included are brief histories of various hospital ships and their naval service; a TAH hospital ship manual; and files on USS Comfort (AH-6), USNS Comfort (TAH-20), and USNS Mercy (TAH-19).
There are 2.0 linear feet of subject files relating to the service of USNS Comfort (TAH-20) during Operations Desert Shield and Desert Storm. Materials include deployment preparation information, communication logs, personal journals and letters, message traffic, situation reports, lessons learned reports, deployment statistics, news clippings and articles, and a post-deployment data.
Mail sent to USNS Comfort during its deployment to the Middle East comprises 0.5 linear feet and includes banners of various sizes, letters to "Any Service Member," and greetings and Christmas notes from school children.
Photographs, 0.25 linear feet, provide visual documentation of World War I Comfort (AH-3), World War II Comfort (AH-6), USNS Mercy (TAH-19), and USNS Comfort (TAH-20). Also included are photographs of crewmembers that furnished oral histories relating to their naval service on USNS Comfort during its deployment to the Middle East.
Miscellaneous files, 0.25 linear feet, provide information on the Navy Nurse Corps' personnel policies between the years 1909 and 1977.
The remaining material, 1.5 linear feet, consists of videotapes relating to USNS Comfort's participation in Desert Shield and Desert Storm. The subject matter of the videotapes includes Briefs/VIP visits, greetings, operations, public affairs, social and recreational events, and training.
This collection should be cited as Records Relating to Hospital Ships and USNS Comfort during Operations Desert Shield and Desert Storm, Archives Branch, Naval History and Heritage Command, Washington, D.C.


text:
Q: How to change font color of string in excel cell with condition "Greater than or equal to" using python? I have an excel file with data stored as strings in different columns. I want to apply the condition >= and change the text color to red if the condition is met in that cell of the column without changing the header background color.
Data: https://1drv.ms/x/s!ArCp0UbnlDouglYGkM83sQtckagM?e=e5nUgn
Condition: If any value in column Qt._For_1s is greater than or equal to 900.0 then the font color of that specific value should turn into Red (without messing with the header colors) else can either be green or stay the same black with white background and saved as xls file.
Note: These column values are saved as strings because they are needed like that.
I have tried several conditional formats but could not solve my specific problem.
def highlight_Qt(row):
    ret=["" for _ in row.index]
    if (row.Qt._For_1s) >= str(900.0):  # also tried without str() no results
        ret[row.index.get_loc("Qt._For_1s")]="background-color: Red"
    return ret

data.style.apply(highlight_Qt, axis=1).to_excel("Data.xlsx", engine='openpyxl')

This messes up the header color and not giving the required results.
I am looking this up in StackOverflow posts over the last 5 days but could not find any post related to this specific condition.

A: One way to do it would be to open your file with openpyxl and format it
from openpyxl.styles import Font
from openpyxl import Workbook

# Open the workbook
from openpyxl import load_workbook
wb = load_workbook('file_name.xlsx')
ws = wb.active

# Get the columns name
ColNames = {}
Current  = 0
for COL in ws.iter_cols(1, ws.max_column):
    ColNames[COL[0].value] = Current
    Current += 1

## Set the font color
ft = Font(color="00FF0000")

## Acces the cells
for row in ws.iter_rows():
    cell = row[ColNames['Qt._For_1s']]
    try:
        if int(cell.value) > 900:
            cell.font = ft
    except:
        pass

wb.save("styled.xlsx")


text:
E050 - Major League Baseball, Young Forbidden Love, Loss and Grief
December 18, 2020 Erica & Gina Pastore Episode 50
Erica & Gina Pastore
Exactly eight years ago, former major league baseball player and radio host Frank Pastore passed away in a motorcycle accident while driving home from work. Frank who played in the major leagues in the late 1980s, was at the time considered to be one of the best pitchers in the entire MLB.
After his career ended, Frank went on to later become a drive time radio show host in Los Angeles, on 99.5 KKLA where he discussed current topics, politics, and theology. His show came on right after Erica's... which is how they met!
After Frank's untimely passing, his wife Gina, who married Frank at sixteen years old (yes 16!) was left to pick up her shattered pieces and start a new life as a widow.
In this part 1 episode, Gina shares about her and Frank's wild elopement, their time in the major leagues, and how she's more surprised than anyone that she has managed to get through the loss of her amazing husband.
We also play you a clip of the absolutely stunning thing Frank said on the air hours before his life would end... describing EXACTLY the scenario that lead to his fatal accident that same evening!
If you've lost someone this year or are grieving in any way, this episode is for you.
This holiday season, we hope you will remember that...