The Saskatchewan Immigrant Nominee Program (SINP) Skilled Worker Stream is for skilled workers who want to work and live in Saskatchewan. This category enables the SINP to nominate individuals who have the education, skilled work experience, language ability and other factors to help them to successfully establish and integrate into Saskatchewan's Labor market and communities.
The SINP has application intake thresholds to improve program efficiency. The SINP will accept a maximum number of applications in each category in each calendar year. The category application quota will be posted online and updated with remaining availability on a quarterly basis. When the category reaches the intake threshold, the website will be updated immediately and no further applications will be accepted.
Note 1: Program criteria may change without notice and applications will be assessed according to the criteria on this website when the SINP receives your completed application. Please be advised the SINP is subject to a nomination limit set by the federal government and application intake thresholds. The ability to be nominated is affected by these constraints and program criterion. No application is guaranteed to be accepted and/or nominated.
The Saskatchewan Express Entry Category is for skilled workers who want to work and live in Saskatchewan. The SINP can nominate individuals that are in Citizenship and Immigration Canada's Express Entry pool through this category. A nomination from the SINP gives candidates enough points to receive an Invitation to Apply for Permanent Residency through the Express Entry system. Candidates must have the education, skilled work experience, language ability and other factors to help them to successfully establish and integrate into Saskatchewan's Labor market and communities.
Eligible applicant has to submit an online profile on Citizenship and Immigration Canada's Express Entry system and get accepted into the Express Entry pool. Then apply online to the SINP for nomination. The SINP reviews the application and if approved, the SINP will enter the details of the nomination into CIC's Express Entry system, and send a nomination letter to you explaining the next steps. With the additional 600 points for a nomination, it is likely that an invitation to apply for permanent residency from CIC will be received.
Note 1: Parents, brothers and sisters of the principal applicant cannot be included in the SINP application.
The Existing Work Permit Category allows skilled workers, who have been working in Saskatchewan for at least six months under a valid temporary work permit issued by Citizenship and Immigration Canada (CIC) to apply for permanent residence under the SINP. Please not that in order to apply under the Existing Work Permit Category, you must meet the additional requirements.
The Health Professions Category is for foreign-trained health professionals, who have been working in Saskatchewan for at least six months under a temporary work permit, to apply for permanent residence under the SINP.
If you are not currently employed in Saskatchewan, you need to contact the appropriate organization to determine what further studies, examinations and/or certifications you need to qualify for jobs in Saskatchewan.
Employers must receive approval from the SINP to participate in the project before the foreign worker begins working for the employer. The SINP will not accept applications from hospitality sector employees who begin working for the employer prior to their employer receiving SINP approval.
The SINP Long Haul Truck Driver Project category allows Saskatchewan trucking firms to bring truckers to the province under Service Canada's Temporary Foreign Worker policy for occupations requiring a high school diploma or on-the-job training.
The SINP will accept a maximum number of applications in each calendar year. According to Application Intake Thresholds as of September 28, 2015, the remaining 223 applications will be accepted by the SINP in 2015 under the Long Haul Truck Drivers stream.
The Student Category allows students who have graduated from a recognized postsecondary educational institution to apply for permanent residence through the SINP.
In order to apply under one of these categories, applicants have to meet certain requirements. Please be advised the SINP is subject to a nomination limit set by the federal government. The ability to be nominated is affected by these constraints and program criteria. No application is guaranteed to be accepted and/or nominated.


text:
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
function [Elements,varargout] = plyread(Path,Str)
%PLYREAD   Read a PLY 3D data file.
%   [DATA,COMMENTS] = PLYREAD(FILENAME) reads a version 1.0 PLY file
%   FILENAME and returns a structure DATA.  The fields in this structure
%   are defined by the PLY header; each element type is a field and each
%   element property is a subfield.  If the file contains any comments,
%   they are returned in a cell string array COMMENTS.
%
%   [TRI,PTS] = PLYREAD(FILENAME,'tri') or
%   [TRI,PTS,DATA,COMMENTS] = PLYREAD(FILENAME,'tri') converts vertex
%   and face data into triangular connectivity and vertex arrays.  The
%   mesh can then be displayed using the TRISURF command.
%
%   Note: This function is slow for large mesh files (+50K faces),
%   especially when reading data with list type properties.
%
%   Example:
%   [Tri,Pts] = PLYREAD('cow.ply','tri');
%   trisurf(Tri,Pts(:,1),Pts(:,2),Pts(:,3));
%   colormap(gray); axis equal;
%
%   See also: PLYWRITE

% Pascal Getreuer 2004

[fid,Msg] = fopen(Path,'rt');	% open file in read text mode

if fid == -1, error(Msg); end

Buf = fscanf(fid,'%s',1);
if ~strcmp(Buf,'ply')
   fclose(fid);
   error('Not a PLY file.');
end

%%% read header %%%

Position = ftell(fid);
Format = '';
NumComments = 0;
Comments = {};				% for storing any file comments
NumElements = 0;
NumProperties = 0;
Elements = [];				% structure for holding the element data
ElementCount = [];		% number of each type of element in file
PropertyTypes = [];		% corresponding structure recording property types
ElementNames = {};		% list of element names in the order they are stored in the file
PropertyNames = [];		% structure of lists of property names

while 1
   Buf = fgetl(fid);   								% read one line from file
   BufRem = Buf;
   Token = {};
   Count = 0;

   while ~isempty(BufRem)								% split line into tokens
      [tmp,BufRem] = strtok(BufRem);

      if ~isempty(tmp)
         Count = Count + 1;							% count tokens
         Token{Count} = tmp;
      end
   end

   if Count 		% parse line
      switch lower(Token{1})
      case 'format'		% read data format
         if Count >= 2
            Format = lower(Token{2});

            if Count == 3 & ~strcmp(Token{3},'1.0')
               fclose(fid);
               error('Only PLY format version 1.0 supported.');
            end
         end
      case 'comment'		% read file comment
         NumComments = NumComments + 1;
         Comments{NumComments} = '';
         for i = 2:Count
            Comments{NumComments} = [Comments{NumComments},Token{i},' '];
         end
      case 'element'		% element name
         if Count >= 3
            if isfield(Elements,Token{2})
               fclose(fid);
               error(['Duplicate element name, ''',Token{2},'''.']);
            end

            NumElements = NumElements + 1;
            NumProperties = 0;
   	      Elements = setfield(Elements,Token{2},[]);
            PropertyTypes = setfield(PropertyTypes,Token{2},[]);
            ElementNames{NumElements} = Token{2};
            PropertyNames = setfield(PropertyNames,Token{2},{});
            CurElement = Token{2};
            ElementCount(NumElements) = str2double(Token{3});

            if isnan(ElementCount(NumElements))
               fclose(fid);
               error(['Bad element definition: ',Buf]);
            end
         else
            error(['Bad element definition: ',Buf]);
         end
      case 'property'	% element property
         if ~isempty(CurElement) & Count >= 3
            NumProperties = NumProperties + 1;
            eval(['tmp=isfield(Elements.',CurElement,',Token{Count});'],...
               'fclose(fid);error([''Error reading property: '',Buf])');

            if tmp
               error(['Duplicate property name, ''',CurElement,'.',Token{2},'''.']);
            end

            % add property subfield to Elements
            eval(['Elements.',CurElement,'.',Token{Count},'=[];'], ...
               'fclose(fid);error([''Error reading property: '',Buf])');
            % add property subfield to PropertyTypes and save type
            eval(['PropertyTypes.',CurElement,'.',Token{Count},'={Token{2:Count-1}};'], ...
               'fclose(fid);error([''Error reading property: '',Buf])');
            % record property name order
            eval(['PropertyNames.',CurElement,'{NumProperties}=Token{Count};'], ...
               'fclose(fid);error([''Error reading property: '',Buf])');
         else
            fclose(fid);

            if isempty(CurElement)
               error(['Property definition without element definition: ',Buf]);
            else
               error(['Bad property definition: ',Buf]);
            end
         end
      case 'end_header'	% end of header, break from while loop
         break;
      end
   end
end

%%% set reading for specified data format %%%

if isempty(Format)
	warning('Data format unspecified, assuming ASCII.');
   Format = 'ascii';
end

switch Format
case 'ascii'
   Format = 0;
case 'binary_little_endian'
   Format = 1;
case 'binary_big_endian'
   Format = 2;
otherwise
   fclose(fid);
   error(['Data format ''',Format,''' not supported.']);
end

if ~Format
   Buf = fscanf(fid,'%f');		% read the rest of the file as ASCII data
   BufOff = 1;
else
   % reopen the file in read binary mode
   fclose(fid);

   if Format == 1
      fid = fopen(Path,'r','ieee-le.l64');		% little endian
   else
      fid = fopen(Path,'r','ieee-be.l64');		% big endian
   end

   % find the end of the header again (using ftell on the old handle doesn't give the correct position)
   BufSize = 8192;
   Buf = [blanks(10),char(fread(fid,BufSize,'uchar')')];
   i = [];
   tmp = -11;

   while isempty(i)
   	i = findstr(Buf,['end_header',13,10]);			% look for end_header + CR/LF
   	i = [i,findstr(Buf,['end_header',10])];		% look for end_header + LF

      if isempty(i)
         tmp = tmp + BufSize;
         Buf = [Buf(BufSize+1:BufSize+10),char(fread(fid,BufSize,'uchar')')];
      end
   end

   % seek to just after the line feed
   fseek(fid,i + tmp + 11 + (Buf(i + 10) == 13),-1);
end

%%% read element data %%%

% PLY and MATLAB data types (for fread)
PlyTypeNames = {'char','uchar','short','ushort','int','uint','float','double', ...
   'char8','uchar8','short16','ushort16','int32','uint32','float32','double64'};
MatlabTypeNames = {'schar','uchar','int16','uint16','int32','uint32','single','double'};
SizeOf = [1,1,2,2,4,4,4,8];	% size in bytes of each type

for i = 1:NumElements
   % get current element property information
   eval(['CurPropertyNames=PropertyNames.',ElementNames{i},';']);
   eval(['CurPropertyTypes=PropertyTypes.',ElementNames{i},';']);
   NumProperties = size(CurPropertyNames,2);

%    fprintf('Reading %s...\n',ElementNames{i});

   if ~Format	%%% read ASCII data %%%
      for j = 1:NumProperties
         Token = getfield(CurPropertyTypes,CurPropertyNames{j});

         if strcmpi(Token{1},'list')
            Type(j) = 1;
         else
            Type(j) = 0;
			end
      end

      % parse buffer
      if ~any(Type)
         % no list types
         Data = reshape(Buf(BufOff:BufOff+ElementCount(i)*NumProperties-1),NumProperties,ElementCount(i))';
         BufOff = BufOff + ElementCount(i)*NumProperties;
      else
         ListData = cell(NumProperties,1);

         for k = 1:NumProperties
            ListData{k} = cell(ElementCount(i),1);
         end

         % list type
		   for j = 1:ElementCount(i)
   	      for k = 1:NumProperties
      	      if ~Type(k)
         	      Data(j,k) = Buf(BufOff);
            	   BufOff = BufOff + 1;
	            else
   	            tmp = Buf(BufOff);
      	         ListData{k}{j} = Buf(BufOff+(1:tmp))';
         	      BufOff = BufOff + tmp + 1;
            	end
            end
         end
      end
   else		%%% read binary data %%%
      % translate PLY data type names to MATLAB data type names
      ListFlag = 0;		% = 1 if there is a list type
      SameFlag = 1;     % = 1 if all types are the same

      for j = 1:NumProperties
         Token = getfield(CurPropertyTypes,CurPropertyNames{j});

         if ~strcmp(Token{1},'list')			% non-list type
	         tmp = rem(strmatch(Token{1},PlyTypeNames,'exact')-1,8)+1;

            if ~isempty(tmp)
               TypeSize(j) = SizeOf(tmp);
               Type{j} = MatlabTypeNames{tmp};
               TypeSize2(j) = 0;
               Type2{j} = '';

               SameFlag = SameFlag & strcmp(Type{1},Type{j});
	         else
   	         fclose(fid);
               error(['Unknown property data type, ''',Token{1},''', in ', ...
                     ElementNames{i},'.',CurPropertyNames{j},'.']);
         	end
         else											% list type
            if length(Token) == 3
               ListFlag = 1;
               SameFlag = 0;
               tmp = rem(strmatch(Token{2},PlyTypeNames,'exact')-1,8)+1;
               tmp2 = rem(strmatch(Token{3},PlyTypeNames,'exact')-1,8)+1;

               if ~isempty(tmp) & ~isempty(tmp2)
                  TypeSize(j) = SizeOf(tmp);
                  Type{j} = MatlabTypeNames{tmp};
                  TypeSize2(j) = SizeOf(tmp2);
                  Type2{j} = MatlabTypeNames{tmp2};
	   	      else
   	   	      fclose(fid);
               	error(['Unknown property data type, ''list ',Token{2},' ',Token{3},''', in ', ...
                        ElementNames{i},'.',CurPropertyNames{j},'.']);
               end
            else
               fclose(fid);
               error(['Invalid list syntax in ',ElementNames{i},'.',CurPropertyNames{j},'.']);
            end
         end
      end

      % read file
      if ~ListFlag
         if SameFlag
            % no list types, all the same type (fast)
            Data = fread(fid,[NumProperties,ElementCount(i)],Type{1})';
         else
            % no list types, mixed type
            Data = zeros(ElementCount(i),NumProperties);

         	for j = 1:ElementCount(i)
        			for k = 1:NumProperties
               	Data(j,k) = fread(fid,1,Type{k});
              	end
         	end
         end
      else
         ListData = cell(NumProperties,1);

         for k = 1:NumProperties
            ListData{k} = cell(ElementCount(i),1);
         end

         if NumProperties == 1
            BufSize = 512;
            SkipNum = 4;
            j = 0;

            % list type, one property (fast if lists are usually the same length)
            while j < ElementCount(i)
               Position = ftell(fid);
               % read in BufSize count values, assuming all counts = SkipNum
               [Buf,BufSize] = fread(fid,BufSize,Type{1},SkipNum*TypeSize2(1));
               Miss = find(Buf ~= SkipNum);					% find first count that is not SkipNum
               fseek(fid,Position + TypeSize(1),-1); 		% seek back to after first count

               if isempty(Miss)									% all counts are SkipNum
                  Buf = fread(fid,[SkipNum,BufSize],[int2str(SkipNum),'*',Type2{1}],TypeSize(1))';
                  fseek(fid,-TypeSize(1),0); 				% undo last skip

                  for k = 1:BufSize
                     ListData{1}{j+k} = Buf(k,:);
                  end

                  j = j + BufSize;
                  BufSize = floor(1.5*BufSize);
               else
                  if Miss(1) > 1									% some counts are SkipNum
                     Buf2 = fread(fid,[SkipNum,Miss(1)-1],[int2str(SkipNum),'*',Type2{1}],TypeSize(1))';

                     for k = 1:Miss(1)-1
                        ListData{1}{j+k} = Buf2(k,:);
                     end

                     j = j + k;
                  end

                  % read in the list with the missed count
                  SkipNum = Buf(Miss(1));
                  j = j + 1;
                  ListData{1}{j} = fread(fid,[1,SkipNum],Type2{1});
                  BufSize = ceil(0.6*BufSize);
               end
            end
         else
            % list type(s), multiple properties (slow)
            Data = zeros(ElementCount(i),NumProperties);

            for j = 1:ElementCount(i)
         		for k = 1:NumProperties
            		if isempty(Type2{k})
               		Data(j,k) = fread(fid,1,Type{k});
            		else
               		tmp = fread(fid,1,Type{k});
               		ListData{k}{j} = fread(fid,[1,tmp],Type2{k});
		            end
      		   end
      		end
         end
      end
   end

   % put data into Elements structure
   for k = 1:NumProperties
   	if (~Format & ~Type(k)) | (Format & isempty(Type2{k}))
      	eval(['Elements.',ElementNames{i},'.',CurPropertyNames{k},'=Data(:,k);']);
      else
      	eval(['Elements.',ElementNames{i},'.',CurPropertyNames{k},'=ListData{k};']);
		end
   end
end

clear Data ListData;
fclose(fid);

if (nargin > 1 & strcmpi(Str,'Tri')) | nargout > 2
   % find vertex element field
   Name = {'vertex','Vertex','point','Point','pts','Pts'};
   Names = [];

   for i = 1:length(Name)
      if any(strcmp(ElementNames,Name{i}))
         Names = getfield(PropertyNames,Name{i});
         Name = Name{i};
         break;
      end
   end

   if any(strcmp(Names,'x')) & any(strcmp(Names,'y')) & any(strcmp(Names,'z'))
      eval(['varargout{1}=[Elements.',Name,'.x,Elements.',Name,'.y,Elements.',Name,'.z];']);
   else
      varargout{1} = zeros(1,3);
	end

   varargout{2} = Elements;
   varargout{3} = Comments;
   Elements = [];

   % find face element field
   Name = {'face','Face','poly','Poly','tri','Tri'};
   Names = [];

   for i = 1:length(Name)
      if any(strcmp(ElementNames,Name{i}))
         Names = getfield(PropertyNames,Name{i});
         Name = Name{i};
         break;
      end
   end

   if ~isempty(Names)
      % find vertex indices property subfield
	   PropertyName = {'vertex_indices','vertex_indexes','vertex_index','indices','indexes'};

   	for i = 1:length(PropertyName)
      	if any(strcmp(Names,PropertyName{i}))
         	PropertyName = PropertyName{i};
	         break;
   	   end
      end

      if ~iscell(PropertyName)
         % convert face index lists to triangular connectivity
         eval(['FaceIndices=varargout{2}.',Name,'.',PropertyName,';']);
  			N = length(FaceIndices);
   		Elements = zeros(N*2,3);
   		Extra = 0;

			for k = 1:N
   			Elements(k,:) = FaceIndices{k}(1:3);

   			for j = 4:length(FaceIndices{k})
      			Extra = Extra + 1;
	      		Elements(N + Extra,:) = [Elements(k,[1,j-1]),FaceIndices{k}(j)];
   			end
         end
         Elements = Elements(1:N+Extra,:) + 1;
      end
   end
else
   varargout{1} = Comments;
end

redpajama_set_name: RedPajamaGithub


www.pakistanies.com is a online business directory of Double Sided Tapes which is providing Double Sided Tapes the best free online marketing place for Double Sided Tapes & all business of Double Sided Tapes, Pakistan on location base. Now you can find any service provider or products in Double Sided Tapes areas by searching area wise. We want to connect business and service provider of Double Sided Tapes with best online marketing and social media marketing of Double Sided Tapes.


text:
Home / Education / Shift to Transacting Primarily in a Digital Space
Shift to Transacting Primarily in a Digital Space
Course Registration $25.00 Member
This panel will address cutting edge issues that have arisen as the art market shifts to a more predominantly digital space. Our expert panel will focus on intellectual property and artist rights issues, auctions, contracts, inspections, and the increased risk of fraud in this changing marketplace, and provide insight to the question: "What do we, as buyers and sellers, need to know to protect ourselves in this new environment?"
This is a recording of a session held live on November 6, 2020.
Since joining Sotheby's in 2015, Stephanie Alexis has supported all levels of the business, including deal negotiation and risk management in connection with high-value and complex sales of art, wine, other objects, and experiences. She has advised leadership on strategic acquisitions, including Sotheby's acquisition of Thread Genius. She has also supported the information technology and e-commerce teams on various initiatives, including online auctions and platform integration. Prior to joining Sotheby's, Stephanie was a senior associate at Cravath, Swaine & Moore LLP working on mergers and acquisitions, securities offerings and syndicated lending for institutional clients. Stephanie holds a BA from Harvard and a JD from New York University.
Amelia K. Brankov is a litigation and arts attorney at Frankfurt Kurnit Klein&Selz PC. She advises modern and contemporary art galleries, collectors, artist studios, curators, antiquities dealers, art advisors, appraisers, and conservators. She represents clients in disputes concerning the title, authenticity, and copyright interests of artwork, as well as business disputes among various players in the art world. She assists clients in all legal aspects of transactions involving artwork including purchase agreements, consignment agreements, and loan agreements. She is the Chair of the Art, Antiques & Auctions Advisory Board of Trusts &Estates magazine, the Co-Chair of the New York County Lawyers Association's Art Law Committee, and is the Chair of the Intellectual Property Subcommittee of the Art Law Committee of the New York City Bar Association.
Suzanne Siano is the owner and chief conservator of Modern Art Conservation, a private practice focused on the examination, conservation, and restoration of modern and contemporary paintings from the late 19th century to the present. The team includes seven paintings conservators and five support staff, all with a particular expertise in modern and contemporary art. Clients include museums, private and corporate collections, auction houses, galleries, art advisors, and insurers. Trained at the Institute of Fine Arts Conservation Center, Suzanne was a paintings conservator at MoMA for 13 years in addition to working at two NY-based private studios. Since 2006, Suzanne has been an Adjunct Professor at the IFA, training future conservators in the specialized area of modern and contemporary materials and conservation. She also lectures widely on topics such as damage and loss, conserving non-traditional materials, best practices for collectors, and the role of the conservator in the art market.
Steven R. Schindler is one of the founding partners of Schindler Cohen & Hochman LLP, one of New York City's outstanding litigation and art law boutiques. In addition to being a senior member of the firm's litigation practice, Steve also heads SCH's Art Law Group, which combines SCH's formidable litigation expertise with a deep knowledge of the art market and its specific legal issues. Steve regularly advises art galleries, other businesses in the art space on transactional matters, such as the sale and acquisition of art and their relationships with dealers, banks and auction houses, and has litigated cases involving the authenticity, title, provenance, and appraisals of art. Steve is the immediate past chair of the NYC Bar Association's Art Law Committee, and on the faculty of NYU's Steinhardt School where he teaches art law. Steve often speaks on legal and industry sponsored panels relating to current topics in art law, and is the author of numerous articles on art law. Steve is the co-host of The Art Law Podcast.
Elizabeth von Habsburg brings over 30 years of experience in the art world to her role of Managing Director at Winston Art Group. Before joiningWinston Art Group, she was President of the US operations for another art advisory and appraisal firm where she worked for 18 years. Prior to that, she was Vice President and Director of the Estates and Appraisals department of Habsburg Fine Art Auctioneers, and she started her career as Assistant Vice President in charge of the Appraisal department at Christie's New York. Elizabeth holds a Bachelor of Arts from Stanford University and a Masters of Art from Columbia University. Elizabeth was on the Board of The Appraisers Association of America from 2003-2015; 2014 Chair and Board Member of The Appraisal Foundation; is a Fellow of the Pierpont Morgan Library and the Royal Institute of Chartered Surveyors; a Member of ArtTable; and an Associate Member of the Inland Marine Underwriters Association. She co-wrote a chapter of Fine Art & High Finance, published by Bloomberg Press in 2009, wrote a chapter in Appraising Art: The Definitive Guide to Appraising the Fine and Decorative Arts, published by the Appraisers Association of America in 2013, and she edited the Antique Hunters Guides to Pottery and Porcelain, Furniture, and Silver and Pewter for BlackDog Publications in 2000-2001. She is a qualified expert witness, lectures frequently on Fine and Decorative art and art as an asset class, and in 2015 was included on Private Asset Management's list of The 50 Most Influential Women in Wealth Management.

redpajama_set_name: RedPajamaCommonCrawl


text:
Albert Bichot Chablis Les Lys Domaine Long-Depaquit Premier Cru 2017
Chardonnay from Chablis, Burgundy, France
Ships Tue, Jan 28
The nose boasts distinct notes of white flowers ("Lys" is French for lily) and citrus fruit. The palate is elegant and finely chiseled with a discreet marine note that is typical of the Chablis appellation. Beautiful, long-lasting finish with a fleeting tinge of acidity.
What come to mind immediately are raw or marinated fish dishes to counterbalance this wine's minerality. Towards the end of the meal, try matching this wine with dry goat's cheese or aged Parmesan, which pleasantly complement the natural richness of this wine.
Sweetly fragrant melon and peach aromas with a super minerally reductive edge. Deeply penetrating stony mineral palate where acidity is a real feature. Sheer and precise.
Barrel sample: 91-92
Unfurling in the glass with notions of iodine, oyster shell and lemon oil and framed by a deft touch of smoky reduction, the 2017 Chablis 1er Cru Les Lys is medium to full-bodied, satiny and layered, with incisive acids, good depth at the core and a tangy, mineral finish. Raised entirely in stainless steel, this is a premier cru that did very well in 2017.
Burghound.com
Here too there is ample mineral reduction to the more restrained aromas quinine, petrol, floral and soft citrus elements. There is better volume and refinement to the delicious and lilting medium weight flavors that exude a subtle stoniness on the sappy, very dry, balanced and saline-inflected finish. This is very Les Lys in character which is to say delicate yet focused and punchy.
This white delivers an appealing mix of peach, apple, citrus and stone flavors, all well-balanced and expressive. Lingers nicely on the finish. Drink now through 2023.
Since 1350, the Bichot family has called Burgundy home. But, it was in 1831 that Bernard Bichot founded a merchant house bearing his name in Monthélie, a couple of kilometers south of Beaune. At the end of the 19th century, his grandson Albert Bichot took the family business into a new direction and created the winery, Maison Albert Bichot as we know it. The family heritage has been perpetuated from father to son since then. The family crest, consisting of a deer and antlers, has been synonymous with the winery since its inception.
Since 1996, Albéric Bichot has represented the 6th generation managing the winery. The winery's mission is to utilize the best fruit possible to create the best wine and best expression of terroir. In the constant pursuit of accomplishing this mission, Albert Bichot has acquired 250 acres of vineyards in the most reputed growing areas throughout Burgundy. In addition to this expertise as a wine-grower, Albert Bichot carefully sources grapes with an extremely hands-on approach, in order to vinify many of its regional and village wines, enabling them to supply high quality wines with continuity. For these grapes sourced from our partner growers, quality, and a close partnership, are of the utmost importance.
Albert Bichot owns 6 Domaines set at the heart of 5 great vinicultural regions that make up Burgundy: Chablis, Cote de Nuits, Cote de Beaune, Cote Chalonnaise, and Beaujolais. Each estate consists of vineyards cultivated with sustainable practices, as well as facilities, cellars and dedicated winemaking teams devoted to wines of that Domaine and region.
The 6 estates include:
Domaine Long-Depaquit in Chablis
Chateau Gris in the Cote de Nuits (Nuits-St.-Georges)
Domaine du Clos-Frantin in the Cote de Nuits (Nuits-St.-Georges)
Domaine du Pavillon in the Cote de Beaune (Pommard)
Domaine Adelie in the Cote Chalonnaise (Mercurey)
Domaine du Rochegres in Beaujolais (Moulin-à-Vent)
Burgundy, France
The source of the most racy, light and tactile, yet uniquely complex Chardonnay, Chablis, while considered part of Burgundy, actually reaches far past the most northern stretch of the Côte d'Or proper. Its vineyards cover hillsides surrounding the small village of Chablis about 100 miles north of Dijon, making it actually closer to Champagne than to Burgundy. Champagne and Chablis have a unique soil type in common called Kimmeridgian, which isn't found anywhere else in the world except southern England. A 180 million year-old geologic formation of decomposed clay and limestone, containing tiny fossilized oyster shells, spans from the Dorset village of Kimmeridge in southern England all the way down through Champagne, and to the soils of Chablis. This soil type produces wines full of structure, austerity, minerality, salinity and finesse.
Chablis Grands Crus vineyards are all located at ideal elevations and exposition on the acclaimed Kimmeridgian soil, an ancient clay-limestone soil that lends intensity and finesse to its wines. The vineyards outside of Grands Crus are Premiers Crus, and outlying from those is Petit Chablis. Chablis Grand Cru, as well as most Premier Cru Chablis, can age for many years.
One of the most popular and versatile white wine grapes, Chardonnay offers a wide range of flavors and styles depending on where it is grown and how it is made. While it tends to flourish in most environments, Chardonnay from its Burgundian homeland produces some of the most remarkable and longest lived examples. California produces both oaky, buttery styles and leaner, European-inspired wines. Somm Secret—The Burgundian subregion of Chablis, while typically using older oak barrels, produces a bright style similar to the unoaked style. Anyone who doesn't like oaky Chardonnay would likely enjoy Chablis.
OPC81716_2017 Item# 538691


Talk about coincidence. As an American citizen, it's unsettling enough to have your birthday on Sept 11, but to also work in the World Trade Center is quite the double whammy. Oddly enough, this was the case for native Buffalonian Tom Lo, who was working for Morgan Stanley on the 73rd floor of Tower Two on that tragic day.


A long-time user of SAP software, SAP for Retail solutions are the IT backbone of ULTA's operations. From real-time data to analytics, to automated back-end processes, to comprehensive employee support. ULTA is using IT to drive better, more personalized service and consistent shopping experiences. Learn how SAP helps ULTA Beauty Run Simple.
B2B sales processes are being transformed by buyers who are demanding a more personalized buying experience similar to what they have experienced in their personal shopping. This paper lays out why this transformation should be on the minds of many if not most B2B organizations. This document helps guide relevant stakeholders within Exceed your B2B clients' expectations - emulate the B2C model B2B organizations to develop and execute plans to increase their e-commerce proficiency with the goal of increasing sales, profits, customer retention and customer satisfaction.


I hit the search engines today to try to find a parallel to the weird Ken Griffey story (which gets weirder by the hour). Griffey and manager Don Wakamatsu deny the outfielder was asleep when a pinch-hitting opportunity occurred in last Saturday's game with the Angels. Griffey did not answer when asked if he was asleep at any other point in the game.
Obviously, if the aspect of the Larry LaRue story that everyone in the world glommed onto (and with gleeful mirth, for the most part) — that Wakamatsu wanted Griffey to pinch-hit late in the game, but he was asleep — isn't accurate, then the whole scenario loses much of its impact. LaRue is a quality person and reporter, and I feel badly for him right now. This is pretty much all of our worst nightmare. I felt all along that the more pertinent aspect of the LaRue story was his confident prediction of Griffey's imminent departure from the team. It remains to be seen how that plays out.
Anyway, back to my search for another in-game napper. It turns out that in 2002, the Cubs were rocked — OK, gently rocked, by the tree top — by their own version of "Sleepgate." It was August of what would be a miserable Cubs season. Manager Don Baylor had been fired in July, replaced on an interim basis by Bruce Kimm. The Cubs went on to lose 95 games that year and finish 30 games behind the Cardinals in the NL Central. By the time the 2003 season started, Kimm had been replaced by Dusty Baker.
A quick scan of the Cubs clubhouse Thursday revealed no pillows, earplugs or instructional videos on filing taxes.
Whoever dozed off during Tuesday's game–an act that prompted manager Bruce Kimm to call a team meeting Wednesday–did not opt to make it easy on the amateur detectives.
The prime suspect remains a reliever, according to team sources.
And most fingers are pointed toward Kyle Farnsworth.
Farnsworth even admitted for the first time that he was the pitcher who was sleeping in the clubhouse late last season. But he defended that as a normal routine for a reliever preparing himself for the late innings, emphasized that he did the same through a successful 2001 season without being accused of callous indifference and blamed former interim manager Bruce Kimm for poor judgment in calling a team meeting partly to chastise him.
As for Kimm, Farnsworth is one of several players who chafed at his management style in a season that went from bad to worse after Don Baylor was fired in early July.
"I could understand if it had been during a game and he had said, Get Farnsworth warming up,' and I had been inside sleeping," Farnsworth said. "But nothing like that went on. It was a rain delay. I took a nap every now and then in 2001, and no one said anything.
Farnsworth is now with the Kansas City Royals, and was recently the winner of an ESPN The Magazine poll of players on who they'd least like to fight in a bench-clearing brawl. He's not a guy you want to mess with.
It's instructive that he brought up Lee Smith, who was legendary for napping during games.
The point is that sleeping during a game, for better or worse, is not totally unprecedented.
(Photo by Associated Press. That's Farnsworth punching Reds pitcher Paul Wilson during a 2003 brawl).


"Stoking the Flames of Passionate Teaching" will be the theme for the Illinois New Teacher Collaborative's Winter Leadership Summit being held Jan. 26 at the I Hotel and Conference Center.
Sponsored by the College of Education and the State Farm Companies Foundation, INTC is a statewide network of individuals and organizations interested in supporting new teachers' development and enhancing their abilities to promote student learning in Illinois schools.
The summit is a working conference aimed at induction and mentoring leadership teams and administrators who are developing or reorganizing systems of beginning-teacher support, said Lara Hebert, a co-director of INTC.
The keynote speaker will be Joseph Fatheree, the director of strategic projects for the National Network of State Teachers of the Year, an organization that seeks to improve student learning across the U.S. by defining, sharing and advocating for effective teaching practices and policies.


It was April and, with the extensive gorse in full flower, the pencil-straight College Valley was the picture-perfect starting point for a rollercoaster trip to The Schil`s rocky summit. Standing on the English/ Scottish border it is the last significant hill on the Pennine Way for walkers heading north.
I parked at the tiny hamlet of Hethpool, close to a row of fine Arts & Crafts style cottages, and then I quickly made tracks for the top of Great Hetha and the site of an impressive Iron Age hillfort. After descending to the white-walled farmstead of Trowupburn I began a long steady climb to the border fence where a sea of green rolling hills filled a widescreen panorama. I speculated on how many Pennine Way walkers might have enjoyed the same intoxicating views on their epic journey northwards.
With my boots now firmly planted on Scottish soil and with the Halterburn Valley to my right and the valley of the Trowup Burn to my left, I followed Steer Rig, a superb, grass-covered ridge, gradually upwards to Black Hag. Then, crossing back into England, I began the final, muscle-testing climb to the 601 metre high summit of The Schil. This is a mountain in all but height, lacking nothing in self-belief and with outstanding views towards The Cheviot and the hillside-cutting cleft of the magnificent Hen Hole.
I lingered longer than intended, slowly savouring every energy-boosting bite of my peanut butter sandwiches. But time and tide, apparently, wait for no man so I back-tracked, fleet-footed to Black Hag and on to the dome-like Saugieside Hill. This is a modest, infrequently-visited hill which offers isolation in abundance. I tarried awhile, enjoying the gentle, early afternoon warmth, before heading for the tiny walker`s cairn marking the flat summit of Loft Hill.
This was my sixth and final top of the day so I idled away a few more minutes appreciating the splendid view towards the craggy Easter and Wester Tors strutting their stuff high above the valley. Reluctantly, with the sun sailing away westwards, I left the high ground and rejoined the College Valley for the gentle 1½ mile stroll back to Hethpool. I wondered whether April really was, as T. S. Eliot wrote, "the cruellest month"!


By now virtually every trader has personally experienced or participated in a flash crash, whether in FX (most recently two weeks ago when numerous Yen carry pair suddenly tumbled), in stocks or in bonds. But few have observed a flash crash which itself sparks a domino effect of more flash crashes.
That's precisely what happened in Hong Kong overnight, when a string of local stocks plunged without warning and without any news in afternoon trading, the second perfectly unpredictable flash crash in two weeks leaving investors nursing massive, and unexplained, losses in the world's fourth-largest equity market.
Jiayuan International Group, Sunshine 100 China Holdings and Rentian Technology Holdings all plunged over 75% in a matter of minutes and at least 10 companies by at least 20% or more by the close, wiping out nearly $5 billion in market value. Most of that came from Jiayuan, which lost HK$26.3 billion on record volume according to Bloomberg.
What made the latest Hong Kong flash crash episode unique is that it appeared to spark a domino effect, with the first sudden drop catalyzing subsequent collapses: "some of these companies might have cross-shareholdings in each other and when one of those starts to tumble, it brings down other related stocks," said Bocom strategist Hao Hong. "It's likely more similar stock crashes could happen this year. A lot of share pledges in Hong Kong are underwater, and as soon as the positions are liquidated it triggers an avalanche."
This is not the first time Hong Kong has seen such a coordinated liquidation: in 2017, an "Enigma Network" of 50 stocks roiled the city's markets triggering a crash in dozens of interlinked companies weeks after noted activist David Webb published a report. More recently, last November more than $1.4 billion was wiped from the value of five small-cap stocks as they tumbled.
"People should check the share pledges to see if a stock could suddenly be sold off," Webb told Bloomberg, his warning falling on deaf ears, again.
That said, in this latest crash there may have been a catalyst with some traders pointing to primary culprit Jiayuan's $350 million of maturing debt. In the fourth quarter, Jiayuan sold $400 million of bonds that mature in October 2020. Those securities fell 30 cents to a record low of 70 cents on the dollar, indicating that some investors may have been worried about an imminent default. The turmoil rippled through to the market for investment-grade Chinese dollar bonds, where spreads were about 2 basis points wider, traders said.
However, in a statement Thursday, the company said "it has fully repaid the notes, its financial condition is healthy and operations are normal." Bloomberg also noted another connection: Gu Yunchang is a board member for both Jiayuan and Sunshine 100, showing how deep the linkages between local stocks run.
As Bloomberg also observed, on Thursday Jiayuan Chuangsheng scrapped the sale of a 500 million yuan bond ($74 million), a company beneficially owned by the chairman of Jiayuan International.
"No one really knows what's going on here. For common investors, it's a very surprising and tough situation as there was no time to get out."
Investors, and not just in Hong Kong, may want to get used to such liquidation confusion because what happened overnight in Hong Kong is just a harbinger of the mess that will hit every market once volatility explodes during the next crisis as liquidity collapses to zero while everyone demands to get out of the market "right now."


52 Specialists. 23 Locations. 1 Team.
Welcome to Summit Medical Group's Orthopedics Department. We're here to keep you active, doing the things you love and living the life you deserve. Our Orthopedics Department is the largest in New Jersey. With 52 specialists in 23 locations and more being added all the time, you're seldom more than a short drive away from the most comprehensive and convenient care in the state.
Our doctors are among the most well-trained in the country, coming from the best and most prestigious residency and fellowship programs. We have a wide range of specialists available to treat you, including orthopedic surgeons, physiatrists and podiatric foot and ankle specialists.
Our Orthopedics Department is dedicated to helping community members get back on their feet, back on the field, back to work and back to health. We're able to leverage the whole of Summit Medical Group's knowledge and specialties–such as physical therapy, imaging, internal medicine, urgent care and more–to deliver best-in-class personalized treatment.
We know that each patient is different, and what's right for one may be wrong for another. That's why our team works with you to develop a personalized plan of action with which you are comfortable. Each of our specialists is well versed in both surgical and nonsurgical interventions for all types of conditions. That means you always have a choice and are empowered to take control of your health and treatment.
Because our network is so large, it's easy to get the appointment you need at the time and location most convenient for you. Ask about the availability of same-day appointments. Need even more convenience? Some of our locations even offer walk-in hours so you can see a specialist and still make it to work or school on time. And, our orthopedics department participates with most insurance providers, which gives you access to affordable care whenever you need it.
We have service areas throughout New Jersey, meaning wherever you are, we're there too. With 23 locations and counting, you'll never have to leave the state for world-class treatment. In some locations you'll be able to see your physician, get your imaging study done and go to physical therapy without even leaving the building.
Patient satisfaction is our number one goal. It drives everything we do. We take our commitment to our communities very seriously. Most of our surgeons are living and practicing in the areas in which they serve. We're the friendly faces you see at the supermarket and PTA meetings. We care about our neighbors and are honored to serve you.


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<time datetime="2015-01-13T00:00:00+02:00">January 13, 2015</time>

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Ilk yazi

Daha ne yazacagima karar vermedigim icin simdilik boyle kalmasini tercih ediyorum. Jekyll ile blog yazmak konusunda baya bir sure ugrasmak
istememe karsin vakit bulamamistim. Umarim bundan sonra bilgisayar ve programlama hakkinda guzel paylasimlarda bulunabilirim.

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Bu da degisik bir deneme olsun diye ekledim. Belki ilerdeki commitlerde silebilirim de belli olmaz.Au revoir!

        Updated on <time datetime="2015-01-13">January 13, 2015</time>
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Jersey Retired on February 20, 1998
GDS:
PACIS Player of the Year '95, '96
NCISAA Player of the Year '95, '96
All-Guilford Player of the Year '95, '96
NC State University:
As a stand-out point guard at NC State from 1996-2000, he was a three-year starter, served as a team captain and was an honorable mention all-conference pick.
During his freshman year in the '97 ACC Tournament, Gainey guided the Wolfpack to the title game as the No. 8 seed. He set an ACC Tournament record by playing 160 minutes in four games and was honored as an ACC All-Tournament First Team selection.
Professional:
The 2017-18 year marked the first year at Santa Clara for Justin Gainey, who serves as an assistant coach. He served three years as the Director of Basketball Operations at Marquette University. Prior to that, he served four seasons at Appalachian State as an assistant coach. While with the Mountaineers, he helped develop the point guards and multiple players into all-conference performers under head coach Jason Capel. Gainey joined Appalachian State in 2010 after spending one season as an assistant coach at Elon under head coach Matt Matheny. Prior to his season with the Phoenix, he spent three seasons on staff at his alma mater, NC State. In three seasons on Sidney Lowe's staff at NC State, Gainey served as administrative coordinator (2006-08) and director of basketball operations (2008-09). He assisted in recruiting, scouting, and coordinated the program's summer camps.
In addition to his college playing career and time as a coach, Gainey spent three seasons playing professionally both in the United States and abroad. Gainey played in Europe for two seasons. He competed for Austria's Woerthersee Piratens in 2000-01 and was selected to the league's all-star team. In his second year, Gainey played for France's Olympique D' Antibes in the Pro A league. Gainey completed his playing career for the USBL's Pennsylvania ValleyDawgs.
Gainey and his wife, Courtney, have two sons - Jordan and Jayson.


This commentary illuminates Rabbi Kook's writings on the subjects of war and peace. In his penetrating and poetic style, Rabbi Kook teaches that war can often be a catalyst for redemption, uprooting evil, erasing false doctrines, and uncovering Israel's great righteousness. With a love for all of humanity, Rabbi Kook examines the deep, inner causes of war, and illumines the Divine Hand behind all of world history. True peace, he explains, can only be achieved when the nation of Israel is united and guided by the supreme moral light of the Torah.
Often startling in its condemnation of Western civilization's moral decline, Rabbi Kook's writings on war reveal a little-known side of his giant Torah personality. Written during the height of World War One, his essays read like prophecies heralding the rebirth of the Jewish nation in Israel, a miracle that began to unfold in the aftermath of the war.
"When one understands that the Redemption of Israel is the goal of world history, one can discover a new spiritual dimension in all of the world's wars and revolutions."
"Our heroes of yore, Abraham, Moses, Joshua, King David and the Macabbees, were complete in their spiritual building - mighty in Torah, mighty in holiness, and mighty in war. Our identification with them, and our desire to emulate them, awakens our own inner potential."
"There are times when Israel is forced to adopt the politics of war, not from a lust for killing and conquest, but to put an end to all war."
"Modern Western culture, with all of its immorality and falsehoods, will disappear from the world. The holy culture of Israel will be established in its place."


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Royal Vegas, being a member of the well-known Fortune Lounge Group, apparently places a great degree of emphasis on complete gaming fairness as well as security. On the Royal Vegas site, all online games are played using Viper software developed by the recognized Microgaming Digital Gaming Systems. Royal Vegas is not only licensed by the Kahnawake Gaming Commission but also has the endorsement of eCogra, its Players Seal of Approval.
Just like the other members of the Fortune Lounge, there is a really impressive support level being offered. When you play at Royal Vegas you are able to contact their Support Team on a 24 hours a day, 7 days a week basis.


text:
0 10 questions with Paragon
by puddlez816
· Bio · Interview · Link · News · Uncategorized · Video
I had never met this magical, wonderful being. His name is Paragon, and he came to Kansas City, MO to teach us a thing or two about the world he lives in. I never thought the night I met Paragon would change my life forever. His knowledge of magic, love, and doughnuts inspired me. This was a brief conversation I had with him before we traveled into the world of wearing underwear on the outside.
What mystical land do you come from?
The Land of OnceUpona
Are there more of you out there?
I am the only Cyber-Unicorn-Tron that I know of
What is your time with The Fungineers like?
AWESOME! best not job job in the universe! I love my posse and being able to travel to new worlds and get crazy with amazing people and tings
Where do your sounds come from?
First my imagination, then they travel to my lungs and threw my heart and get shaped by my throat and licked by my tongue before I kiss them out to the world
Why did you get into Electronic Music?
I love how technology can be a extension of creativity and the oh so many ways that you can use it to shape the sounds in yer head into sounds bumping threw speakers. When I first heard what people were making here on earth and how it made my body feel, I was a believer
How long have you been beat boxing?
33,000 days 14 hours and 46 seconds
What were parents like? (Mother: Majestical Unicorn spirit Father: Kind dad of the robot monkeys)
Well, I grew up a orphan and have never met my mom, I met the spirit of my dad in a crystal once, he seemed super cool! hoping to find my mom one day
Where can one find a guide book to "Funosophy"?
Well, we have talked about writing one, but are still Funosophizing about things and stuff so it might take awhile
Heck yes! I am in my experimental sew my wild unicorn sparkle mode, don't think I am gonna settle down anytime soon
What do you eat for breakfast?
Things and stuff, mac and cheese, donuts, Tea and crumpets with ooozle berry jam
1 Meet DYNOHUNTER
· Interview
The Boulder based power trio, DYNOHUNTER is well on their way to carving out a niche in the ever-expanding universe of livetronica, pushing the boundaries of their sound with every new track produced. Comprised of Clark Smith (sax/production), Justin Ehmer (drums) & Fred Reisen (bass/synth), DYNOHUNTER flawlessly meshes aspects of both a conventional DJ performance and a live band. Click "play" on the Soundcloud link below, and enjoy.
Where does the name "Dynohunter" come from?
The name is an adaption of a title for a composition Clark did while in college. The name Dynohunter represents the archetypal journey of the hunter in unknown lands. For us it comes to fruition through a soundscape created with a tribal heart beat and modern electronic inspiration.
Where did you all meet?
Justin and Clark met while attending music school in Denver, CO. After moving to Boulder the musical called for soulful live bass and asked Fred to join the tribe.
Whats life at home like?
Home life involves lots of writing and playing music. We love life in the fertile Boulder/Denver music scene. There are so many great artists to see and be inspired by it can almost be overwhelming. Besides music we spend our time mountain biking, hiking, adventuring, and eating dank healthy food.
What was the highlight of your summer?
The highlight of our summer was Justin kicking the shit out of cancer. After 10 months of treatment he is cancer free and at full strength. As a band and family we could not be happier to be back doing what we love and moving it forward.
How do you feel Colorado has shaped your sound?
This state has so many talented artists and so many great places to see nationally touring acts that there is not shortage of inspiration. We love seeing unreal hometown acts like The Motet to international electro artists like Porter Robinson. We listen to everything from singer/songwriters to 8 piece funk bands to progressive house and get to see it all right in our own backyard.
Dynohunter tunes are always free to download. Why?
Dynohunter music is free because we want the most people possible to hear our sound. The Dynotribe is not an exclusive group and we give our music away for free just like some of our favorite artists do.
If you could colaborate with anyone, who would it be?
Does it have to be one? A few are Erykah Badu, Madeon, and Paul Simon. We could go on forever on that one.
You could pick one place in the whole world to play, where would it be? And why?
Ibiza, Spain, some of the best shows in the world go down there and music fans from all over the world gather there in a celebration of life. Tomorrowland would be quite dreamy as well. Our new EP Megawatts & Monoliths (out on Oct. 8th) is inspired by the energy of the huge European electronic music festivals.
We are really excited to be playing Visual Orgazm 4 in Kansas City for one of our first dates on the Dynohunter 2013 Fall Tour and debut some new big tracks from Megawatts & Monoliths.
0 Skrillex and Riff Raff collaborating on a new album?
· Audio · Interview · Link · Uncategorized · Video
The 6x Grammy award winner will be teaming up with 3Loco and Mad Decent's Riff Raff. In an interview with MTV Australia, Riff Raff "accidentally" spouted out about his new album coming out with Skrillex.
"Yeah? Me and Skrillex have an album coming out. I mean we have a song coming out. Oh sh*t. That's what I do when I speak too soon. I can't tell you more than that."
Seems as if Skrillex has been getting his feet wet with Hip Hop infused with his music as of lately. I wonder what's in the works in the OWSLA camp? But when you throw Mad Decent in the bunch, you can only believe there is going to be madness.
READ THE FULL INTERVIEW HERE
0 DCarls…. Need we say more?
· Audio · Interview
Not too many artists of DCarls caliber live to tell their tale. But, he did. DCarls is a master of the craft. Coming up from playing Jazz piano, he has shown his true power through Simplify Records. Fueled with bass, and love, DCarls has shown few how it is suppose to be done. In 2013, DCarls will show the world his musical caliber. For sure, one of the most respectful people I have ran in to. I didn't even have to ask him, he just grabbed the microphone and said "Let's do it!". This was the recorded portion of my time with this young producer. Don't blink on this guy! Because once you do, you will miss the beauty within.
How was it playing in Lawrence, Kansas tonight?
It was Fu*#ing unbelievable! One of the most fun stops so far on the tour.
Has this stop been different from the others?
Yeah, the crowd was surprisingly really wild at the beginning! On this tour, I've been playing early, and my job is to get everyone to move to the dance floor, but everyone was already out there just going. It was nice.
This is a major tour with Minnesota and Protohype, how does that feel?
It's very inspirational I've never seen Minnesota or Protohype spin before. Seeing them play has inspired me to make my music more dancable, and more DJ friendly. It's opened up a whole new spectrum of Electronic music for me. Not just headphone music, it's like DJ music.
You are attending the University of Maryland, what kind of studies are you doing there? And have you takin a break from school to focus on your music career?
I studied English, just basically doing that to get a degree. And I bought Ableton my second year in college. I ended up just deciding to carry on with that. I think it worked out for the best.
You joined up on the roster over at Simplify Records with a pretty amazing roster. How does that feel?
Simplify is great! Aaron, who runs the whole thing, hooked up so much for me. I found him super early in my music career. He has helped me out so much.
What is your musical back ground?
Well, I played Jazz piano for years, like before I actually got into any of this. I'd live to integrate that with the live stuff that I'm doing now, because Electronic music is so live, so much fun to be in the crowd, but occasionally there is some down time. So, I'd like to put in a little Jazz piano improve.
What producers/musicians have inspired you? Who are you favorites right now?
In Electronic, I'd say Nosia is my love. Love Griz, Grammatik. I think that anyone who integrates live instruments into their live set is fu*$king awesome! Way back, I loved Chick Corea, Ahmad Jamal, and Arnaud de Buchy. The jazzy, classical piano type stuff.
If you could do a colab with anyone on the planet, who would it be? And why?
Either Bassnectar, because he's genius or Koan Sound. I love Koan Sound. They have a real techy sound, really respectable. I have much love for those dudes.
What cities on the "Eternal Frequency's Tour" are you excited to play?
Honestly, tonight was the one that all of us were looking forward to, and we are doing Flagstaff as our last state. I got a bunch of friends coming from L.A. So, I am really looking forward to that one.
What can people expect from a live DCarls show?
Just expect a lot of energy, and a lot of musicality. A lot of flavor basically. That's the only thing I make sure is in my music at all times. Just flavor of some sort.
Coming from the view of a new up and comer, what is your view on EDM artists such as Skrillex, and DeadMau5 getting into the Grammy's and winning awards? Does this push you harder?
Yeah, absolutely I think Skrillex is a fu*#ing genius A lot of people hate on him, but so many people listen to his music. So there has got to be something going on about it. And as far as production value goes, and the musicality in his music. It's unbelievable.
Any last words?
Tonight was awesome! The Granada was awesome! I'm really looking forward to the future.
DCarls
0 The Mind of Kill Paris
When I heard that we were bringing Kill Paris (AKA Corey Baker) to Lawrence, Kansas, I jumped around like a little school girl. His fusion of different musical backgrounds and his style of mixing is not comparable to any. The way he made everyone move at Abe and Jake's landing was incredible. Truly a Hy-Tekk event. A man of few words, and got straight to the point. Out of all the artists I have met, he was hands down the funniest. We talk about his Country past, and his future. Also a little bit of Sponge Bob. So if you were at the show, sit back, relax, and remember the feeling you had when Kill Paris destroyed Lawrence, Kansas.
Where did you get the name "Kill Paris"?
So, I was 16 when I came up with that name. At the time, Paris Hilton was really famous for nothing. So, the whole name just means kinda kill the mindset of putting people up on pedestals that don't do anything. You know what I mean? It's kind of not really inspiring other people. I mean, it is inspiring people, but in a bad way.
About the age of 16, you started learning how to play guitar. What inspired you to play the guitar? And is there anyone in your family who is also musically inclined who inspired you to play music?
I picked it up from my dad. My dad had a guitar my mom gave him as an anniversary gift, so that's where I picked it up. And my uncle plays bass in a Jazz band. So I've always had a few people in my life that are really musical.
How do you feel your guitar playing skills reflect on how you make your music?
If anything, it's a different way to write a song or to start a song. Instead of starting it on the computer, I just sit down with the guitar and strum something out the old fashion way. The whole thing that I've always tried to do is to blend the technology and the acoustic live aspect together.
Did you get to perform with anyone notable?
Nobody I'd like to mention . Nothing ever ended up turning into anything. I played for a couple bands and practiced with them all the time. Did the Country thing.
What's it like being on OWSLA?
Its amazing! Its like being on the Lakers, I'd imagine.
How did that come up?
Sonny actually sent me a message on SoundCloud like a year ago, just randomly. He said he really liked my stuff. I don't know how he found it or anything. So, I just kept sending him stuff over a few months. Eventually, he was like "Hey, do you wanna put out an EP on Owsla?"
Owsla Official
What mindset were you in when you produced, "To a new Earth" ?
Well the name "To a new Earth" actually comes from a book by Eckhart Tolle. It's called "A New Earth: Awakening to Your Life's Purpose". That kind of had something to do with it. Around that time it was Summer, so it was just feel good, funky music.
To A New Earth EP BeatPort
You put out Ableton Live tutorials on youtube. What motivates you to do this? Why share your knowledge?
I went to school for Recording Arts, and they never taught Ableton Live. I paid a lot of money to go to school. Protools, Reason, and Cubebase. So, doing tutorials is kind of a way to use what I learned in the real world. Like real things you would actually use when you want to make music and not just the bull crap on, "How to make a Dubstep sound", or something like that, and just the fact that there are so many bad tutorials online. I feel like that discourages people that are trying to learn how to make music, or who are trying to express them selves musically. So, that was kind of my whole reason behind doing tutorials, and making them really fast, to the point, and very useful.
Kill Paris YouTube
I noticed you like to use the Novation LaunchPad when you perform? What makes you choose that as your main weapon?
I just stopped. I think this is actually my first show not playing with it live. The LaunchPad is great. The main thing I used it for was sending midi to the LaunchPad and make it light up. And I would actually have a whole midi track filled with scales in them. So you are sending the scales to the LaunchPad, and the lit up buttons are the scale. Then you can play in key with whatever song you're playing with. So I was using that for a long time. I actually just got the Push from Ableton. Im starting to get into that. It does the same thing just in an easier way.
How did you and Sponge Bob become such close friends?
I've always loved Sponge Bob! Always, always, always loved Sponge Bob.
Does Sponge Bob love Kill Paris?
Not always. There's been a few mishaps. I actually watch Sponge Bob on a regular basis. I really enjoy it. But yeah, he got out of line that one time. That one time….
When seducing the ladies, what's your favorite pick up line?
I already have a girlfriend. But, how much does a polar bear weight?
Enough to break the ice!
How was touring with Big Gigantic and Manic Focus?
Oh my god, I wish I could go back! So much fun, man. We had such a good time. I miss them. I'm playing with Mantic Focus in a few weeks in Chicago. Which is going to be great! All homies. All really talented guys. It's fun to be apart of that.
What are a few necessities for you on the road?
Things that I want and don't get…. Sleep… And socks. That's like the biggest thing. Because after you get done playing a big show, or maybe you don't have time to shower. Putting on a fresh pair of socks is just heaven!
What kind of food do you eat on the road? Do you just get gas station hot dogs? Or do you go out for your meals?
I try to eat as healthy as I can. I fall off every once in awhile.
If you could tour with anyone right now, dead or alive. Who would it be?
God, that's a hard one. That's kind of a loaded question. James Brown probably. That would probably be insane, because he is a crazy mo'fo. There would be many good stories to come out of that.
How did you feel about the vibe in Lawrence, Kansas tonight?
It was great. Like, I'm from the Mid West originally, so it's good to come out and play.
How do you feel about the scene in the Mid West compared to the coast?
It's better. Definitely catching on. Michigan is really gaining some speed and momentum. As far as the fans are and the shows are going, it's Electronic music and people just supporting, and the music is spreading all around. So, it's getting better.
Any big updates you can share with us?
I have a new single coming out in like a month. It's going to be really awesome. I'm excited about it! Its got vocals on it, both male and female. Going to have a full music video. It's going to be sexy. Lots of sexy.
https://www.youtube.com/watch?v=xb3JucN5oDc
Kill Paris Facebook
Kill Paris SoundCloud
0 10 minutes with Krewella's Yasmine Yousaf
The moment time stops… When Gent and Jawns are slaying the venue with over 500 attendees. Kill Paris is setting up his gear, getting ready to finish off the crowd. And you look over to your side, and Yasmine Yousaf from Krewella is walking towards you. That's when you know, Hy-Tekk is throwing a party. Krewella is a group formed by Jahan Yousaf, Yasmine Yousaf and Rain Man. They are a three person EDM group from Chicago, Illinois. Formed in 2007, their mixture of Electro and Dubstep has been hitting blogs and airwaves all across the country. After playing a paint and mud filled show right down the road from us, she decides to hit us up. Through all the madness, she still had 10 minutes to get some questions in.
So you just got done playing across town at "Life in Color", how was that?
It was crazy! We actually played our first "Life In Color" last weekend, so tonight was our second one ever. It was nuts! It was raining, kinda. It was super muddy, but people stuck around and got crazy! All covered in mud, and paint. It was awesome!
You guys are from Chicago, Illinois, right? How do you feel it has inspired your music?
Its funny, everybody talks about Chicago, Illinois being the birth place of House. And obviously, so much respect for that. I am so proud I am from that city, but we actually came up from a few different scenes. Chris came up from the metal scene in Chicago. I was in an Indie band, so I was in the Indie Rock band scene. And Jahan was doing choir stuff. Its so weird. We are all from three different places and some how when we are all together, we form "Krewella". But honestly, I think the Metal and Rock scenes in Chicago are awesome!
Do you miss Chicago?
Yeah, my parents are in Chicago, and I am such a little Mama and Daddy's girl… I am still a child at heart; I miss them everyday. So that is really hard. My cats are also in Chicago, which is heart breaking for me. But, as an artist, its probably the most rewarding thing to tour, see your fans, and see them all sing your lyrics back to you. But also, getting to meet your fans and give them sweaty hugs! So there is good and bad in it, ya know? I love doing it, and you gotta sacrifice for what you love to do!
What's it like to put the three of you in a studio?
Honestly, some times it is just complete pain! We are all like jumping down each others throats, trying to kill each other. "Your idea sucks!" we will say. Honestly, we have some of the worst conversations. Plus, you put Jahan and I in a room…. We are siblings, and we love each other. Honestly, I'm so happy she's the one in the group. But siblings have their moments. Plus, Chris is like our brother. So you throw three siblings in a room together, with completely different ideas, and three different point of views; it can be madness! The best thing is when we come up with a song, you know that three heads going into it made it a better song; rather then if it was just one of us. So that is the best part!
What big festivals are you pumped up about?
We are playing a ton of amazing ones! Some I can't talk about yet. The ones I can not announce are, actually, the ones I am most excited about! The ones that are already announced are "Spring Awakening", in Chicago, Illinois. We played it last year. It was like the first year for "Spring Awakening" and it was one of the best shows I have ever played, ever, in my whole entire career in Krewella. And it was one of our first plays on a main stage at a festival, so I am really stoked! We are also playing "Ultra Music Festival" in South Korea!
Are you afraid to play in South Korea?
Na! I think it will be all good…. Yeah… I hope.
What are some things you absolutely need to travel with?
Clif bars are what we live on. It is kinda gross how much we eat them. They are like an all natural bar. I love them, but I might get tired of them after awhile, because I will eat like three a day some times. What else? Extra socks! We go through extra socks like a mother f*&ker!
That's exactly what "Minnesota said!
Do you have any kind of pre-show preparations you have to do before a show?
No, not really. For lack of a better word, it's pretty chill. We get to the venue, Chris starts chugging Jameson. Johan and I are just having a good time, looking over tracks. Then we go on! If we are singing live, we will do all of our vocal warm ups. But if it is just a DJ set, we just chill out.
Anything big in the works you can share?
Yes! We are actually almost done with our very first album! Its really exciting! It will probably be out in about Three to Four months. But between now and then we will be releasing singles, remixes, and videos. It's exciting. It is different, but very Krewella. We went on a little bit of a journey with it. It was very cool! About a year in the making!
Krewella Official Website
Krewella Facebook
Krewella Twitter
Krewella YouTube


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using Xamarin.Forms;

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        public static Page GetMainPage()
        {
            return new NavigationPage(new MainPage());
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NIGERIA: POLICE RESCUE NIGERIA PRESIDENT JONATHAN'S COUSIN FROM HIS KIDNAPPERS!
Members of the Nigerian Police Bayelsa State Command have rescued President Jonathan's cousin, Chief Nengote Nitabai from his abductors.
News coming out of Bayelsa State Police command confirmed that Chief Nitbai has regained his freedom.
You would recall our earlier post on his kidnap and how his abductors rejected N30million offered them by the family for his freedom.


text:
Pouch' le bouton est un jeu de télévision adapté de l'émission anglaise Ant & Dec's Push the Button, présenté par Vincent Lagaf' et diffusé du  au  à 20h45 sur TF1.

Principe
Dans ce jeu, quatre familles s'opposent, les deux familles qui ont la plus forte cagnotte accèdent en finale.

.

Le compteur
Chaque famille dispose donc de 100 000 € pour commencer l'émission mais seul problème, chaque seconde qui passe vas coûter de l'argent à la famille, selon TF1, c'est 50 € qui s'écoulait du compte en banque des familles par seconde. Chaque famille disposait donc d'un compteur de 2 000 secondes pour finir les épreuves (100 000 : 50). Ce compteur était réglé a la milliseconde près pour rester équitable.

Déroulement

NOTE : les noms des épreuves listées ne sont pas officiels.

L'émission, divisée en 3 parties, voit s'affronter 4 familles, représentées chacune par 5 candidats .

Chacune des 2 premières parties fait s'affronter 2 des familles, campant respectivement les couleurs bleu et rose. Après une brève présentation, elles reçoivent chacune un capital de 100 000 €.

L'introduction
Les familles sont installées dans leurs loges respectives. Au signal de Lagaf', qui appuie sur 2 boutons de leurs couleurs respectives, elles doivent disputer leur première véritable épreuve, qui est d'arriver sur le plateau. Leurs capitaux commencent à diminuer dès le signal.

Le Mur
Les familles doivent se précipiter hors de leur loge et suivre Igor jusqu'au plateau. Un mur avec une pente incurvée se dresse face à eux. Ils doivent, à l'aide de cordes, le gravir et passer de l'autre côté.

La Clé de la Loge
Les familles sont enfermées dans leurs loges, la clé y est cachée quelque part. Elles doivent se mettre à sa recherche dès le signal de l'animateur, sachant qu'elle peut aussi se cacher dans les pots et même sous la moquette. Une fois la clé en leur possession, les familles peuvent déverrouiller leur porte et courir vers le plateau.

Dans les deux cas, les familles doivent arrêter la chute de leur capital en appuyant sur leur bouton respectif en plateau.

Les Jeux
Les familles doivent s'affronter dans 4 épreuves, réparties en 4 catégories différentes :
 Épreuves de rapidité tour à tour
 Épreuves de réflexion
 Épreuves artistique
 Épreuves de rapidité en duel
Contrairement à la version originale Ant & Dec's Push the Button, qui suit strictement ce schéma à chaque émission, l'ordre des épreuves varie dans Pouch' le Bouton.

Épreuves de rapidité individuelle tour à tour
Pour ces jeux, un ou deux candidats par famille est appelé, tandis qu'une des deux familles doit quitter le plateau. Seule reste celle qui joue en premier. Chacune joue tour à tour.

Ces épreuves sont chronométrées et aspirent le capital des familles petit à petit. Le candidat en jeu doit appuyer sur le bouton une fois l'épreuve terminée pour arrêter la perte d'argent. Le jeu s'arrête aussi au bout d'une certaine somme d'argent perdue.

L'autre famille revient ensuite en plateau, et son candidat prend part au jeu avec les mêmes règles que la famille adverse.

Les sosies
Costume de Lagaf' : Sosie de Bruce Willis

Huit sosies sont révélés au candidat. Au signal de l'animateur, il doit les classer le plus vite possible par ordre d'âge (âge des célébrités représentées). Il doit appuyer sur le bouton pour obtenir vérification. S'il a faux, un jingle retentit, et le capital continue de baisser. Il ne connaît d'ailleurs pas ses erreurs.

Ce n'est qu'en donnant le classement parfait qu'il peut arrêter la chute du capital.

Le labyrinthe
Costume de Lagaf' : Policier

Deux candidats par famille sont appelés à jouer. Ils se présentent chevilles enchaînées devant l'épreuve.

Un labyrinthe géant à bascule est positionné face à eux, et contient une boule.

Ils doivent alors monter sur le support et faire basculer le labyrinthe de sorte que la boule atteigne la sortie.

Une fois la boule parvenue à la sortie, ils doivent se défaire de leurs chaînes, avant d'appuyer sur le bouton. À noter que les 2 candidats doivent ôter leurs chaînes pour terminer l'épreuve.

Le cambriolage
Costume de Lagaf' : Arsène Lupin

Deux candidats sont appelés à jouer dans chaque famille.

Un des candidats est attaché en hauteur, tandis que l'autre est aux commandes d'une console au sol.

Au signal de l'animateur, le candidat au sol doit déplacer son partenaire, qui doit s'emparer de diamants au sommet d'anneaux perchés en hauteur.

Une fois tous les diamants amassés, il faut descendre le candidat en vol au sol avant d'appuyer sur le bouton.

Les monuments
Costume de Lagaf' : Touriste

Un candidat de chaque famille est appelé à jouer.

Huit monuments sont présentés au candidat en jeu.

Au signal de l'animateur, il doit les replacer sur un planisphère géant. Il peut appuyer plusieurs fois sur le bouton pour vérifier, mais la fuite d'argent ne s'arrêtera qu'une fois tous les monuments bien placés.

Épreuves de réflexion
Un candidat par famille est appelé à jouer.

Ces épreuves ne sont pas chronométrées, et se jouent en 3 manches. Le moins bon de chaque manche perd 3 000 €.

Les dents de Lagaf'
Costume de Lagaf' : Dentiste

Les candidats, assis sur des fauteuils, font face à une tête de Lagaf' géante, comportant 14 dents amovibles.

À chaque manche, ils doivent, le temps d'une musique,  observer les va-et-vient des dents, et retenir mentalement le nombre de dents apparaissant.

Une fois la musique finie, les candidats doivent noter sur un calepin le nombre de dents qu'ils croient avoir vu. Le plus proche du nombre exact appuie sur son bouton et retranche 3 000 € à la famille adverse.

Les boîtes
Costume de Lagaf' : Gentilhomme

Seize mannequins et seize boîtes numérotées font face aux candidats.

Le contenu de boîtes est montré aux candidats. Les boîtes en question contiennent un objet.

Les mannequins exécutent ensuite une chorégraphie et mélangent les boîtes en se les passant.

Une fois la chorégraphie terminée, les candidats doivent retrouver, tour à tour, les boîtes contenant des objets. Le premier candidat à faire une erreur perd la manche et 3 000 €.

Quel cirque !
Costume de Lagaf' : Monsieur Loyal

Toute une troupe de cirque (Igor inclus) se présente face aux candidats.

Les candidats sont derrière un écran. Un nombre aléatoire s'affiche sur les écrans.

Au signal de l'animateur, les candidats doivent sélectionner des artistes, de sorte que leurs âges cumulés se rapprochent le plus du nombre demandé. Le premier à sélectionner un artiste étant le premier servi, il faut également être rapide dans ses choix.

Une fois les choix faits, les âges des artistes sont révélés. Le candidat qui se rapproche le plus du nombre à atteindre gagne la manche et peut retrancher 3 000 € à la famille adverse.

Pour les deux manches suivantes, il est avantageux de retenir les âges des artistes déjà joués.

Épreuves artistiques
Ces épreuves appellent un candidat de chaque équipe. Les candidats choisis ont été préparés en amont à ces épreuves.

Chaque épreuve a trois manches en tout, et fait perdre 3 000 € au moins performant de chaque manche.

GRS
Costume de Lagaf' : Gymnaste

Les candidats doivent, sous l'œil d'un juge artistique invité, reproduire au mieux des mouvements de gymnastique.

Au terme de chaque étape, le juge désigne le candidat qui l'a satisfait le plus. Celui-ci peut alors retirer 3 000 € à l'adversaire en appuyant sur son bouton.

Step-dancing
Costume de Lagaf' : Entraîneur sportif

Les candidats doivent reproduire une chorégraphie de step, en sachant que des photographies sont prises à des moments-clés de la danse.

Le juge invité, un professeur de step, s'aide ensuite des photographies pour désigner le candidat le plus performant, qui peut alors retirer 3 000 € à l'autre famille.

Jonglage de boîtes
Costume de Lagaf' : Costume doré

Un jongleur est invité sur le plateau.

On donne 3 boîtes à chaque candidat. Leur but est de reproduire au mieux les figures de jonglage de l'invité.

C'est celui-ci qui désigne au bout de chaque manche le candidat le plus performant, qui peut ensuite retirer 3 000 € à la famille adverse.

Épreuves de rapidité en duel
Deux candidats de chaque famille sont appelés à jouer.

Ces épreuves sont elles aussi chronométrées par l'intermédiaire de la chute des capitaux, mais de plus, le ou les candidats des 2 familles jouent les uns contre les autres.

Ce type de jeu est systématiquement joué en fin de partie. La famille qui a conservé le plus gros capital après avoir appuyé sur son bouton en fin d'épreuve se qualifie alors pour la demi-finale; tandis que l'autre est éliminée et repart avec des cadeaux de faible valeur (des chapeaux, par exemple).

Le gâteau de mariage
Costume de Lagaf' : Chef cuisinier

Les duos doivent recomposer un gâteau de mariage factice, en s'aidant de flûtes de champagne.

Une fois l'empilement terminé, ils doivent porter le gâteau jusqu'à un support sans le faire tomber. Si cela arrive, tout est à refaire.

Un duo qui réussit à poser son gâteau sur sa table peut appuyer sur son bouton et arrêter sa perte d'argent.

Plein les bottes
Costume de Lagaf' : Pêcheur

Chaussés de larges bottes, les candidats des deux duos doivent plonger leurs pieds dans des bassins afin de remplir leurs bottes, avant de monter vers un réservoir et d'y verser l'eau retenue.

Une fois une certaine quantité d'eau atteinte, les duos doivent s'emparer d'un parapluie, avant d'appuyer sur leur bouton et d'arrêter la chute des capitaux.

La pyramide
Costume de Lagaf' : Pharaon

Chaque duo doit reconstituer une pyramide, à partir de pièces détachées formant un empilage, toutefois sans attaches.

Une fois leur pyramide construite, ils doivent la porter jusqu'à un socle sans qu'elle ne s'effondre, sinon il faudra la reposer et la reconstruire.

Dès qu'un duo réussit à construire sa pyramide et à la poser intacte, elle peut appuyer sur son bouton et arrêter sa baisse des capitaux.

La grosse fuite
Costume de Lagaf' : Peignoir

Chaque duo doit reconstituer, à partir de pièces de tuyauterie, une canalisation partant du haut d'un mur factice, et qui débouche sur la baignoire qui leur fait face. Il faut parfaitement emboîter les pièces. Attention à l'eau au sol, qui peut entraîner des glissades.

Une fois la canalisation reconstituée (l'eau doit parvenir dans la baignoire), les duos peuvent appuyer sur leur bouton et geler leur capital.

La demi-finale : Le Dernier des Dix
Costume de Lagaf' : Maître d'école

Les 2 familles restantes s'affrontent dans un décor d'école du .

Vincent Lagaf' pose des questions à réponses chiffrées. Les candidats ont 5 secondes pour répondre à l'écrit, puis leurs réponses sont dévoilées. Le candidat le plus éloigné de la réponse est éliminé et doit s'isoler derrière le décor.

Les questions se poursuivent jusqu'à ce que tous les membres d'une des 2 familles soient éliminés. La famille survivante accède à la finale pour tenter de remporter son capital restant, tandis que la famille défaite repart avec un voyage.

La finale
Les 5 candidats finalistes sont disposés chacun devant un bouton et une colonne colorés.

Pour remporter leur capital restant, ils doivent mémoriser et recomposer des séquences musicales et lumineuses, à la manière du jeu Simon. Il leur faut recomposer 5 séquences en tout.
  du capital - Séquence de 3 notes
 2 premiers chiffres du capital - Séquence de 5 notes
 3 premiers chiffres du capital - Séquence de 7 notes
 4 premiers chiffres du capital - Séquence de 9 notes
 Intégralité du capital - Séquence de 11 notes
Les candidats ont un seul droit à l'erreur pour toute la finale. S'ils commettent 2 erreurs, ils repartent avec la somme du dernier palier atteint.

S'ils réussissent à recomposer les 5 séquences, avec une seule erreur maximum, ils repartent avec l'intégralité de leur capital.

Audiences

Notes et références

Voir aussi

Articles connexes

 Vincent Lagaf'
 TF1

Liens externes

  Site officiel sur TF1

Émission diffusée sur TF1
Jeu télévisé diffusé sur TF1
Émission de télévision créée en 2011
Émission de télévision disparue en 2011

redpajama_set_name: RedPajamaWikipedia


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By Country Squire Radio. Discovered by Player FM and our community — copyright is owned by the publisher, not Player FM, and audio streamed directly from their servers.
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Once again we are helping out the new comers to pipe smoking by taking a look at choosing your first bulk tobacco.By Country Squire Radio.
The results are in! Best Pipe, Tobacco, YTPC, and MORE of 2018By Country Squire Radio.
The International Lunting Society stops by to educate us on Lunting, just in time for those New Years Resolutions! Learn more at https://www.lunting.org/By Country Squire Radio.
Merry Christmas and Happy Holidays! We've got something special for you this week!By Country Squire Radio.
JD and Beau take a look at few cases for packing and traveling with your pipes, tobacco, and pipe accessories.By Country Squire Radio.
Jon David and Beau review Rattray's Exotic Passion and Robert McConnell Glen PiperBy Country Squire Radio.
Packed show this week with custom cobs, gifts, and holiday tobacco blends! Enjoy and Happy Thanksgiving!By Country Squire Radio.
Jeremy Wills drops by to talk all things Laudisi! Be sure to tune in to next week's live show from the shop at CountrySquireRadio.comBy Country Squire Radio.
JD and Beau take a look at the history of the Stanwell Pipe Company and the unique styles they bring to the market.By Country Squire Radio.
JD and Beau gear up for Halloween by looking at a few of your favorite treacherous pipe tobaccos! Be sure to check the Facebook page this week for details on the custom cob competition as we are just a few weeks away from the entry deadline!By Country Squire Radio.
JD and Beau reopen the discussion on Pipe Culture, specifically looking at pipe smoking archetypes with community commentary provided by listeners, all detailed below. Additional thanks to www.reddit.com/r/pipetobacco for their contributions to this episode.By Country Squire Radio.
JD and Beau take a look at the history of the Kirsten Pipe Company and the unique styles they bring to the market.By Country Squire Radio.
Jon David is back from the Texas Pipe Show with stories to tell! For additional fun, be sure to check out the unedited videocast of this episode available on the Country Squire Radio YouTube channel!By Country Squire Radio.
JD and Beau talk about the history and uses for oriental tobacco and the role it plays in many various blends. For additional fun, be sure to check out the unedited videocast of this episode available on the Country Squire Radio YouTube channel!By Country Squire Radio.
Jon David and Beau take a look at some of the attempts to replicate Dunhill blends as they continue to enter and exit the market. For additional fun, be sure to check out the unedited videocast of this episode available on the Country Squire Radio YouTube channel!By Country Squire Radio.
On our first ever Youtube Pipe Community spotlight we welcome Eddie Gray of The Pipe Nook to the show! Be sure to check out his channel on Youtube to learn more about his vloging and shop!By Country Squire Radio.
Jon David and Beau review Rattray's Hal o' The Wynd and Robert Mcconnell Ripe HoneydewBy Country Squire Radio.
JD and Beau take a look at pipe styles across Europe. For additional fun, be sure to check out the unedited videocast of this episode available on the Country Squire Radio YouTube channel!By Country Squire Radio.
Pylorns and Mark VV stop by the studio this week to unpack the seasonal challenge that is pipe smoking in the summer... in the south. It's hot out here yall... Enjoy! OH! And the LIVE SHOW RETURNS next Monday! Hope to see many of you then!By Country Squire Radio.
As we here at the Country Squire grieve the loss of a dear friend and pillor of our local pipe community, we take a look at the importance of community and the unique way in which the pipe has brought so many people together.By Country Squire Radio.
Mike Murphy of the Pipe And Tamper Podcast come on to talk Pipes and Podcasts with Beau on this special episode of Country Squire Radio! Note: The live show is on hiatus until the new location officiall opens. Only a few weeks more but check back for the official date at CountrySquireRadio.comBy Country Squire Radio.
Jon David and Beau review Gawith, Hoggarth & Co. Broken Scotch Cake and Dunhill Durbar.By Country Squire Radio.
Jon David and Beau get ready for the big move to the new loaction by sharing the origin story of The Country Squire.By Country Squire Radio.
JD and Beau take a look at cube cut pipe tobacco. For additional fun, be sure to check out the unedited videocast of this episode available on the Country Squire Radio YouTube channel!By Country Squire Radio.
Jon David and Beau take a look at the various Fribourg & Treyer blends as well the history of the german based pipe tobacco company.By Country Squire Radio.
Jon David and Beau are joined by Chris Felts, head of American Dunhill Distribution.By Country Squire Radio.
Start listening to Country Squire Radio on your phone right now with Player FM's free mobile app, the best podcasting experience on both iPhone and Android. Your subcriptions will sync with your account on this website too. Podcast smart and easy with the app that refuses to compromise.


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HOME The Stranger
Essays About The Stranger
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The Stranger Essay
In both The Stranger by Albert Camus and The Metamorphosis by Franz Kafka, the main female characters play a large role in the story. In The Stranger Marie is in love with Meursault. When Meursault refuses to respond to Marie's love she gets upset. In The Metamorphosis Grete is the sister of Gregor. When Gregor…
Symbolism in the Stranger Essay
Examine Comus' use of symbolism in part one of The Stranger. In your answer, you must discuss the connection between the symbolism and the character of Mersault. In the chapter one of the novel, we can all see several uses of symbolism to portray the character Mersault. Because the narrator of the book itself is Mersault…
The Stranger: Main Character Analysis Essay
In the book "The Stranger," the main character, Meursault, is a stranger to himself, and to life. Meursault is a person who is emotionally and physically detached from the world. He seemingly cares only about himself, but at the same time could be concerned little about what happens to him. The title, "the Stranger," could…
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One of my favorite books is Animorphs#7 The Stranger Essay
In other words they can change into any animal they touch. By touch I mean they absorb a strand of the animal"s DNA. Then, from the DNA, they are able to create an exact copy of the animal and take on the copy. They can change into any animal they touch. There is a series…
The Stranger By Albert Camus Essay
In The Stranger, Albert Camus portrays Meursault, the book's narrator and main character, as aloof, detached, and unemotional. He does not think much about events or their consequences, nor does he express much feeling in relationships or during emotional times. He displays an impassiveness throughout the book in his reactions to the people and events…
Albert Camus The Stranger: Meursault Is Aloof, Det Essay
ached, And UnemotioAlbert Camus' The Stranger: Meursault Is Aloof, Detached, and UnemotionalIn The Stranger, Albert Camus portrays Meursault, the book's narratorand main character, as aloof, detached, and unemotional. He does not thinkmuch about events or their consequences, nor does he express much feeling inrelationships or during emotional times. He displays an impassivenessthroughout the book in…
The Stranger2 Essay
The Stranger In The Stranger, Albert Camus portrays Meursault, the book's narrator and main character, as aloof, detached, and unemotional. He is the idealistic existentialist. He does not think much about events or their consequences, nor does he express much feeling in relationships or during emotional times. He displays an impassiveness throughout the book in…
The catcher in the rye and the stranger Essay
Holden Caulfield and Mersault have both been alienated in their worlds as the authors have so clearly portrayed in both books. But as much as both have been alienated, one is an essentialist while the other remains an existentialist. Holden Caulfield being the essentialist that he is, has psychological motivation for every action he takes….
The Stranger Essay Thesis
The StrangerIn The Stranger, Albert Camus portraysMeursault, the book's narrator and main character, as aloof, detached,and unemotional. He does not think much about events or their consequences,nor does he express much feeling in relationships or during emotional times. He displays an impassiveness throughout the book in his reactions to thepeople and events described in the…
The Stranger Cultural Analysis Essay
This Novel, by Albert Camus, traces a year in the life of a young clerk, Meursault, in the 1940s who works for a shipping company in Algiers. The first thing that happens to Meursault is that he gets a telegram that his mother has departed. He takes a bus to see her and they hold…
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