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The Promise of Fracking
Marcellus giant lives up to billing, but business end falls short of outsized expectations
Tom Wilber
twilber@gannett.com | @wilberwrites
Nowhere did the promise of fracking Marcellus Shale shine brighter than the banquet hall of the Binghamton Regency in late May of 2008.
Spread before farmers on fine china over white linen was a feast of tenderloin tips, roasted vegetables, and chocolate mousse. They ate as they awaited turns at the "signing table." Dinner was hosted by XTO Energy, the Texas drilling company seeking mineral rights to 50,000 acres in eastern Broome County.
That afternoon, and at two later banquets, XTO paid $110 million to 500 landowners for mineral rights to their land. For some, the single XTO check was more earned than in years of farming.
Gas prices were nearing an all-time high, and XTO was on a quest to tap the northern reaches of the mother of shale gas formations, extending from New York's Southern Tier through Pennsylvania and parts of Ohio and West Virginia.
To many, these were just the beginnings of the promise coming true.
What's Next? This story is the first in a three-part series
Part Two: The Environment — The shale gas juggernaut rolling into Pennsylvania came with assurances that fracking never polluted water sup- plies. An examination of the record shows pollution was obscured by regulatory breakdowns and lack of disclosure.
Part Three: Impact on New York —Consumption of Pennsylvania's cheap fracked gas is surging in New York, where protests, pipelines and new natural gas facilities are part of the current landscape, and the future of a fracking ban is questionable.
First came the promise of leases worth millions. Then came the promise of jobs from drilling and related business. Royalty checks on natural gas flowing from tens of thousands of wells would further enrich landowners. Economic prosperity. Clean energy.
A Broome County study in 2009 projected gas extraction would generate $15 billion over 10 years, support more than 16,000 jobs and result in $792 million in salaries and wages and $85 million in state and local taxes.
The promise seemed too good to be true. And, for New York, the promise wasn't enough.
After a long review, Gov. Andrew Cuomo's administration a year ago found environmental risks outweighed potential economic gains in New York State. The decision isn't necessarily permanent – a new political administration could embrace the promise of fracking, the extraction of petroleum from bedrock by injecting the ground with pressurized chemical solutions and sand.
While New York politicians and regulators weren't sold on the promise, those in Pennsylvania have embraced it. In the seven years of fracking just across the state border, about 9,500 wells have been sunk on rolling farmland.
In terms of sheer production, the Marcellus has exceeded all expectations. Of all the nation's natural gas "pay-zones" enabled by unconventional development, none has been prolific as the Marcellus Shale. Since 2007, Marcellus production is more than twice the next two largest natural gas formations, each in Texas.
For many, the promise of fracking in Pennsylvania came true.
Some landowners have received life-changing windfalls. Pennsylvania communities have benefited with an infusion of cash for housing, hospitals, roads and public safety, and cheap abundant fossil fuel is now flowing into New York markets.
But hindsight in Pennsylvania shows initial economic projections and job estimates were grossly inflated, much of the wealth has left the area, industry has alienated some of its most supportive allies, economic returns remain precarious as prices fall and regulators have failed to protect the public against predatory exploitation.
Ultimately, the impact of the gas rush might be judged more favorably if not measured against such inflated expectations.
In Pennsylvania, is the best already over, or is even more to come? How long can the economics of shale be sustained, and at what cost?
Pennsylvania Labor Department inflated figures to make shale gas industry job outlook stronger than it is.
Industry is generating millions of dollars in "impact fees" to small-town economies to buy good will near drilling sites in lieu of a more costly state tax.
Fracking has brought both a rise in crime and influx of money to help rural poverty and public safety.
Walter Brooks, of Springville Pennsylvania, was on the front line of the Marcellus gas rush. He was among the first owners to be approached by landmen, the first to lease his land, and the first to experience the consequences.
In 2006, Brooks, thinking nothing would come of it, signed a standard industry lease that gave Cabot Oil and Gas of Houston Texas mineral rights to his 212 acres for just $5,300, or $25 an acre. This amounted to less than a tenth or less of what landowners would get once word got out that they were sitting over trillions of cubic feet of natural gas.
"If only I knew," Brooks said in a recent interview. "But you could say that about a lot of things."
As Cabot began drilling wells on his land, the farmer held hope that royalties would make things right.
When the water supplying the family farmed turned brown shortly after the start of drilling, Brooks said, the company immediately delivered water to his house, and the problem cleared up soon after that. That didn't bother him. But his patience is now being tested with the way Cabot does business.
"You better get it on paper," he said. "Word of mouth and a handshake means nothing to these guys."
The complaint is widespread. In Pennsylvania, lawsuits and investigations over business practices are as much a part of the shale gas story as landmen, roughnecks and striking it rich.
OUR VIEW: If NY permits fracking, have clear rules and taxes ready
MORE: Impact fees buy goodwill in drilling communities
When the land rush began, disputes tended to be over exploitive leasing practices. Now, with the flow of gas, Brooks and other landowners face an endless battle over deductions companies take from royalty checks.
While it is established in convention and practice that landowners do not pay to produce gas, case law has not settled the issue of who pays "post-production" costs of preparing and transporting gas to market.
Post-production costs typically are spelled out in the fine print of leases, vary from case to case and is open to wide interpretation. Landowners complain that the costs often show up as arbitrary and unaccounted deductions from their share of the bounty.
"We would like there to be accepted standards and basic rules that they would have to follow," said Jackie Root, a landowner in Tioga County, lease negotiator and president of the Pennsylvania Chapter of the National Association of Royalty Owners.
In 2013, a group of Pennsylvania landowners filed a suit against Chesapeake Energy, a company headquartered in Oklahoma City with Marcellus operations centered in Bradford County. But arguing the nuances and complexities of lease fine print with company attorneys has proven an ambitious legal undertaking.
"For landowners to go to court to file a class action suit every time their royalty payments come up short – it puts them in a situation where they have to decide: 'do I give it to the gas company or to the attorneys?' " Root said.
Root and her organization support a bill designed to clarify Pennsylvania's 1979 Guaranteed Minimum Royalty Act, which landowners claim the industry is exploiting. The industry, proficiently equipped to handle both legislation and litigation, has so far successfully lobbied to keep the changes in the Act from a vote in the Pennsylvania legislature.
Industry officials say the debate over post-production costs are a contractual matter between landowners and business. "They get what they negotiate," said Cabot spokesman George Stark. "There is nothing untoward. When price of gas is high, the fee isn't so noticeable. But it is a fixed fee, and it looks bigger when the royalties go down."
Landowner complaints spurred an investigation by Pennsylvania Attorney General Kathleen Kane. However, that has been weighed down by Kane's own morass: she lost her law license, faces criminal charges and possible legislative dismissal following a scandal involving leaked documents.
The fight over post-production costs is testing the trust of some of the industry's strongest allies. Despite their complaints, Brooks and Root– like many who receive income from the industry and support gas development as a matter of principal– bristle at the argument that fossil fuel development is an ecological disaster.
Root called New York's ban "a crime" and a result of "an insane activist movement."
As Brooks drove his red Ford pickup over his land to survey operations on a recent fall afternoon, he turned onto a gravel access road framed by an open gate with a padlock dangling from the latch. At the top of the hill were six wells.
Brooks wondered aloud who might be on his property: Likely a Cabot worker but this could be "friend of foe," Brooks said, noting that he got along better with some than others.
As he drove to the top, a large man stepped out of a truck, donned a Cabot hard hat and greeted him cordially as "Mr. Brooks." The farmer's demeanor eased as he recognized worker Matthew Faux.
Faux personifies the fulfillment of the natural gas promise. He graduated from Montrose High School in 2009 and worked in a local stone quarry. About that time, the gas boom took off. He landed a job with Guy Parish, a local contractor that fixed tractors and sold mulch to farmers.
Parish had quickly adapted his Montrose agricultural business to meet the gas industry's needs. He began hiring semi-skilled young men like Faux – with mechanical aptitude and experience with equipment -- who could drive trucks and operate heavy equipment, serve as roustabouts and plumbers and didn't mind working 12-hour night shifts and heavy lifting.
Jobs were now becoming scarce, however, as Cabot began $500 million in cutbacks in capitol expenditures in Susquehanna County due to a market glut and falling natural gas prices.
Conversation at the well site turned from the status of the Brooks wells to the status of pipelines. The well fields were connected to regional markets, but they needed more lines to bigger markets. Without them, industry expansion will be choked off.
Faux said it was just a matter of time before the Constitution pipeline – now awaiting permit approval in New York State – would connect to major markets to the northeast. Things would pick up then. The industry was counting on it.
Despite the cutbacks, Faux, who has a year-old daughter and a fiancé, is not worried. He just bought a trailer and is saving for a house. When he graduated from high school he said he "couldn't imagine owning a new vehicle or anything like that … I think I will be long retired and they will still be doing stuff here."
The promise of jobs rising from fracking has been the mantra ever since the rise of drilling coincided with the onset of the deep recession in 2008. Soon after, an industry report published by Penn State University projected shale gas development would create more than 175,000 statewide jobs over the course of a decade – most of them blue collar.
With the veneer of academic credibility, the report made huge headlines, even though the university administration later distanced itself from the findings after an internal review found authors Timothy Considine and Robert Watson failed to disclose funding and "may have well crossed the line between policy analysis and policy advocacy."
Still, the promise was reinforced by official numbers released from the Pennsylvania Department of Labor under the administration of former Gov. Tom Corbett. Industry jobs reached 230,000 in 2014. Corbett rounded the number up to 250,000 in some of his speeches.
Economists, checking the math, complained the Department of Labor was misleading the public by counting every worker in steel, construction, government regulatory agencies and certain other sectors regardless of whether they had anything to do with shale gas development.
Under current Gov. Tom Wolf, the Department of Labor switched to accepted methodology and projected jobs fell to under 90,000 – just over 1 percent of the state's total number of jobs.
John Hanger, director of planning and policy for Gov. Wolf, characterized the revised figures as representing an "important" contribution to the state's economy. But, regarding the previous calculation, "frankly, it was truly absurd," he said.
For everyone like Faux who found employment with the drilling boom, there are hundreds like Eric Williamson, a licensed plumber from Kunkletown in Monroe County, Pa.
About the time Faux landed the job with Cabot, Williamson donned his best suit and tie and drove two and a half hours to a job fair at the River Inn in downtown Towanda. He found a line of more than 200 people in the parking lot drawn by the fracking promise: engineers, plumbers, machinists, laborers, truck drivers and a legion of other job seekers, nearly all of them men.
Hundreds more packed in shoulder-to-shoulder inside, all waiting for a brief moment to shake hands and pitch their credentials to representatives from Chesapeake Energy and various contractors. After several hours of standing in line, Williamson got his turn.
"I was sure I would at least get a call after that, but I never did," recalled Williamson, who had been out of work for two years and now works for a plumbing and heating company unrelated to gas production.
The glowing promise of jobs has since dimmed
When Faux first came to work for him at the height of the gas rush, Guy Parish had 40 workers. Now he is down to 25, and he expects he will be back to four or five as he shifts his business from the needs of gas drilling back to agriculture.
"The rumor mill has it that the work will be back when they get the pipelines in," Parish said. "If it doesn't, I will move on. It was good while it lasted."
At the height of the leasing frenzy in New York in 2009, Barb Fiala, Broome County Executive at the time, called shale gas development the "the next IBM" – the company that once employed more than 10,000 people in the village of Endicott and supported tens of thousands of jobs elsewhere in the Southern Tier.
Fiala's administration was so confident in the promise that it budgeted $5 million in lease and royalty revenue expected from county property for two years in a row. Like the Pennsylvania Department of Labor projections, Fiala's IBM analogy and budget projections were gross miscalculations.
While fracking's economic gains may boost local economies, the greatest financial benefits go to stakeholders far from Pennsylvania.
Two of the largest operators in Northeast Pennsylvania, Cabot and Chesapeake, are headquartered in Texas and move operations and crews throughout the country based on changing dynamics of energy markets and production costs.
When a manufacturer moves into a community, a plant is built or renovated, local workers get steady employment and local businesses provide goods and services.
When a natural gas driller moves in, the initial burst of economic activity is strong but tapers off after wells are established and hooked to pipelines. Far fewer workers are needed to keep the wells running.
Economists call this funneling of income and resources out of an area "leakage," and studies have shown that small rural communities in general and northern Pennsylvania drilling communities in particular tend to suffer from it the most.
As head of regional economic development agency Progress Authority, Tony Ventello is focused on figuring out ways to incorporate the bonanza of gas into local economies over the long-term rather than relying on dynamics tied to the ebb and flow of demand from distant markets and drilling crews that come and go.
"The big question is – how can we use this asset to build our local economies?" said Ventello, whose agency evolved from the Central Bradford County Economic Development Authority and the Towanda Area Industrial Development Corp.
Perhaps the most impressive example of this regionally is a multibillion complex to turn Marcellus Shale natural gas into feedstock for chemical production – an ethane cracker plant – that Shell Oil Co. is proposing for Beaver County near the prolific gas fields in southwestern Pennsylvania.
Northern Pennsylvania has no equivalent to this, as of now – and there are still some question of whether the cracker plant will get built in Beaver County. But Ventello points to many smaller success stories.
Fracking has allowed schools, hospitals, housing complexes and government buildings to convert to natural gas to upgrade antiquated systems. The Susquehanna County Court House, once powered by a hodgepodge of coal, electric and oil requiring paid help on weekends and holidays to shovel coal and empty ashes, has been refurbished with a natural gas system.
Athens and North Towanda now have filling stations for natural gas vehicles, and more gas–fired electric generating plants are coming on line throughout the region.
The political calculation that has allowed fracking in Pennsylvania, however, is different than in New York, where environmental and health risks are weighty considerations.
Fiala left her position as Broome County Executive to accept a position from Gov. Cuomo as commissioner of the state's Department of Motor Vehicles. More recently, with Cuomo's endorsement, she made an unsuccessful bid for the state senate. Whether due to politics or through lessons learned in Pennsylvania, the promise of shale gas has lost its luster for her. Fiala now supports New York's decision for a ban.
"I don't know what the balance sheet was in Pennsylvania," Fiala said recently. "In New York, we have found a lot of the environmental issues outweigh the economic issues. A lot of people have benefited but a lot of people have suffered."
The future of the fracking promise in Pennsylvania will depend on demand for natural gas. Fracking has made gas so cheap and so abundant, it overtook coal as the top source of U.S. electric power generation for the first time ever last spring
"The scale of this resource is just incredible," said Hanger, Pennsylvania's planning director who sees the current lull as part of the cyclical nature of the industry. Even with low prices, he said, advancing experience and economies of scale inherent continue to drive down production costs, making drilling viable at lower prices. And despite record production, there is no sign of the resource depletion.
Terry Engelder, a geologist at Penn State, was featured in a Time Magazine cover story as the first to calculate the amount of gas in the Marcellus back in 2008. His early projections of 490 trillion cubic feet of "technically recoverable" gas and 227 trillion cubic feet of "economically recoverable" gas raised eyebrows and was seen by critics as hype to draw investment into the industry.
Unlike many other projections made about the promise of fracking, Engelder's projections appear to be realistic. The biggest part of the reserve is in Pennsylvania, which produced more than 4 trillion cubic feet in 2014 alone. Even as drilling has subsided, production remains enormous. Below the Marcellus is the Utica formation, which has produced impressive results with the early exploration.
Both the Marcellus and the Utica extend under the Southern Tier of New York. Their economic viability remains uncertain, and they will not likely be explored anytime soon given cut backs at existing sites in Pennsylvania.
As for the future?
"Of course, maybe we (America) do not need more natural gas," Engelder said earlier this month. "The transition to renewables will not be made because we have run out of natural gas."
© 2023 www.ithacajournal.com. All rights reserved.


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Eliseo Mouriño (Buenos Aires, 3 juni 1927 – Nevado de Longaví, Chili, 3 april 1961) was een Argentijnse voetballer.

Hij begon zijn carrière bij Banfield en werd in 1951 bijna landskampioen met de club. Een jaar later verkaste hij naar Boca Juniors waar hij in 1954 de titel mee won, aan de zijde van sterspelers Juan Francisco Lombardo en Julio Musimessi.

Hij speelde ook voor het nationale elftal en won met zijn land de Copa América 1955 en 1959. Ook zat hij in de selectie voor het WK 1958, waar hij echter niet tot spelen toekwam.

In 1961 ging hij een buitenlands avontuur aan bij het Chileense Green Cross, echter zou hij nooit een officiële wedstrijd spelen voor de club daar de club op weg naar een wedstrijd met het vliegtuig neerstortte waarbij Mouriño samen met ongeveer 20 andere spelers het leven liet.

Mourino, Eliseo

redpajama_set_name: RedPajamaWikipedia


Summary of how the Salt Lake County Utah housing market performed in the 3rd quarter 2015.
This time last year the Salt Lake area real estate market seemed to be taking a pause, with static home prices and increased selling times. This time things are certainly different. The 3rd quarter 2015 saw a strong housing market, with the median home price increasing 8.65% to $280,000. There were a total of 3756 homes sold (over 16% more than last year), taking a median of 17 days to go under contract (a 46% improvement). The one area that was slow was high end homes, where the market seemed to suffer from an oversupply of inventory and a limited number of buyers.
While condo sales rose sharply in the quarter (up 19%), sales price actually experienced a slight decrease. The median sales price fell 3.13% to $155,000. For the condo units that sold, they took a median of 30 days to go under contract, that's an improvement of 31% over the same time last year.


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Q: jQuery Validation disable submit button until form validated In the script below, I'm trying to capture the success event of the validation engine (all form element's validation criteria are satisfied) without submitting the form.
The idea is to disable the submit button until the validation is met, then I'd like to enable it. (The validationEngine examples I've seen appear to require the submit button to be enabled in order to submit the form, then its validated after the submit)
However, I can't get the "valid" method in my validate() function to fire. Any ideas what I'm doing wrong?
    $(document).ready(function() {
        /* disable the submit button until required form elements are enabled */
        $('#btnEcommidEdit').attr('class','button disabled');
        $('#btnEcommidEdit').attr("disabled","disabled");

        /* initiate validation */
        $("#form1").validationEngine(
        {
            inlineValidation: true
        });

        /* check form elements to enable submit button */
        $('#email2,#confirm1,#confirm2').change(function() {
            validate();
        });
    });

    function validate(){
        var valid = $("#form1").validationEngine();
        if (valid)
        $("#btnEcommidEdit").attr('disabled','');
        else
        $("#btnEcommidEdit").attr("disabled","disabled");
        }

A: function validate(){
    alert("validate");
    var valid = $("#form1").validationEngine();
    alert('Validation Engine returned : ' + valid);
    if (valid == true) {
        $("#btnEcommidEdit").prop("disabled",false);
        $("#form1").submit();
    } else {
        $("#btnEcommidEdit").prop("disabled",true);
        return false;
    }

A: Use this event to catch if the form is valid or not :
submitHandler: function (form) {
    // for demo
    if ($(form).valid()) {
        // valid
    } else {
        //do some error handling
    }
    return false; // to not submit form
}

or simple use $(form).valid()

redpajama_set_name: RedPajamaStackExchange


Zapier is an automation tool that is used to share information between web applications using "zaps." Zapier connects with a variety of web apps—including Facebook, Hubspot, and Google—and can perform different functions using triggers and actions. Some Zapier features require a premium Zapier account.
View the current list of apps that integrate with Zapier here.
View Zapier's help documentation and instructions for creating zaps here.


The Perot Theatre is Texarkana's performing arts jewel.
The beautiful restored Perot Theatre, located in downtown Texarkana at 3rd and Main St, has been a landmark since 1924 when it opened as the Saenger Amusement Company's "Gateway to the Southwest" theatre.
Fully restored by the City of Texarkana, TX in 1979-80, the building is listed in the National Register of Historic Places. Texarkana natives, H. Ross Perot and his sister Bette, through the Perot Foundation, contributed much of the restoration costs in memory of his parents, Mr. & Mrs. Gabriel Ross Perot.
In recognition of this contribution, the Texarkana, TX City Council renamed the building - The Perot Theatre. The theatre annually hosts the Perot Theatre Series, as well as numerous rentals throughout the year. The Perot Theatre is owned by the City of Texarkana, TX and the Texarkana Regional Arts & Humanities Council is contracted to program and manage the theatre.


DMA Maintenance has been a major player in M&E contracts for almost 200 years. Its comprehensive services extend to construction, maintenance, joinery, and mechanical services. DMA's experience encompasses social housing, residential development and maintenance, estate renewal, education, leisure, health, retail, commercial and industrial sectors.
M&E contractors traditionally have an adversarial relationship working within the housing sector, and have therefore tended to avoid it. DMA Maintenance originally fell under this bracket, until the potential in this target market made it determined to break the mould, and make a success of it.
Amicus, who own Swale Housing Association in Sittingbourne, Kent, shared this vision. But with 3,700 dwellings and 1,000 garages, both companies had their work cut out to ensure that a fully integrated system was going to be successful.
Partnering alongside DMA, FSI (FM Solutions) Limited took the lead and wrote the integration tools required to allow the flow of data across the partners' implementation of the scheduling solutions. According to DMA, the requirement for development of the sector was to move to open book costed partnership. FSI's Concept™ system, integrated with the Xmbrace scheduling software to give absolute times, based on travel, optimum resources and other parameters, together with mobile data solutions for real-time job dispatch and job tracking.
This meant avoiding duplication of electronic information and tasks between the contractor and the client. All data needed to be shared and a system established to enable the end user to make a phone call to book an appointment and the maintenance operative to confirm, respond and act on the enquiry within a sensible and efficient journey plan.
Customer satisfaction was vastly improved (greater than 95% satisfied or very satisfied), together with lower client costs for the total service (in the region of 10% to 20% plus internal savings in the region of 10%) and increased quality standards (greater than 95% against the standard, with recalls less than 0.5%). The open book accounting system with fixed management fee provides the framework and stability that allows the contractor to strategically plan and invest for the future. This solution implemented by DMA, is being included by the Audit Commission in an IT Best Practice Guide for Housing Association's room booking."


Webcam Seester: Sky above Seester - A view into the sky with current weather data.
Tornesch: Tennisclub Tornesch, 5 mi.
Stadersand: Elbe River Cam, 6.8 mi.
Glückstadt: Livestream Binnenhafen, 8.7 mi.
Krautsand: Panorama Elbe River, 9 mi.
Pinneberg: Drostei and City Museum, 9 mi.
Stade: Old Town, 9.2 mi.
Pinneberg: Sky above Pinneberg, 9.5 mi.
This webcam Seester with the theme Weather was added on November 15, 2018 and is operated by GSinSeester@wunderground. It got 41 visitors since then. Shouldn't this webcam work or should the link be wrong please report that here. You can add this webcam here to myCams.


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The men's 1 metre springboard diving event is one of 260 events in 17 disciplines at the 2010 Commonwealth Games. It was held on 10 October 2010.

Results
Green denotes finalists

References
 Reports

Aquatics at the 2010 Commonwealth Games


Ever wonder what happens to all those Monster du Jour costumes when their day in the sun is over? Usually, they go sit in a warehouse. But, once in a lifetime, they actually got sold!
Back in early 2003, shortly after the series changed hands from Saban Entertainment to Disney, some of the costumes that survived the fabled woodchipper were auctioned off on eBay by ABC Auctions.
Produced in Japan at a cost of roughly $20,000 U.S., these monsters were of a collection of rare screen costumes never before offered to the public. Presented with a wooden stand for display purposes, the costumes were also accompanied by a VHS tape of the episode in which they were featured.
This intricately detailed costume was originally designed for the silvery villain known as Nuclifier, who unleashed his powers on "Power Rangers Zeo," Episode 198 (titled "A Mystery to Me"), which first aired November 14, 1996.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating and cracked foam along its joints.
This intricately detailed costume was originally designed for the villainous character Elephantitan, who loomed large over "Power Rangers in Space," Episode 257 (titled "When Push Comes to Shove"), which first aired March 27, 1998.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, one missing hand, damaged surface coating, and torn foam in several places.
Anything but "boring," this intricately detailed costume was originally designed for the villainous character Power Driller, who unleashed his evil on "Power Rangers in Space," Episode 261 (titled "The Great Evilyzer"), which first aired April 18, 1998.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, and torn foam in several places.
This intricately detailed costume was originally designed for the villainous character Punch a Bunch, who ran roughshod in "Power Rangers Zeo," Episode 173 (titled "Challenges"), which first aired May 18, 1996.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, and torn foam along several joints.
This intricately detailed costume was originally designed for the villainous character Decibat, who broadcast his brand of evil in stereo in "Power Rangers Lost Galaxy," Episode 325 (titled "Turn Up The Volume"), which first aired November 10, 1999.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, missing hands and feet, and damaged surface coating.
This intricately detailed costume was originally designed for the villainous character Silver Horns, who challenged the forces of good in Episode 87 of "Mighty Morphin Power Rangers," titled "The Power Transfer, Part 2," which first aired November 9, 1994. The costume was later modified to appear in Episodes 117 and 118, titled "Ninja Quest, Parts 2 and 3," which aired September 12 and 13, 1995.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and missing hands and feet.
This somewhat Napoleonic costume was originally designed for the robotic villain Admiral Abominator, who cast his shadow over "Power Rangers Zeo," Episode 179 (titled "Game Of Honor"), which first aired September 16, 1996.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper and damaged surface coating.
This intricately detailed costume was originally designed for the villainous Pumpkin Sorcerer, the Jack-o'-lantern-of-one-trade who cast his spell over Episode 163 of "Power Rangers Zeo," titled "Invasion of the Ranger Snatchers," which first aired May 2, 1996.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and missing hands.
This intricately detailed costume was originally designed for the villainous character Shockatron, whose presence electrifies "Power Rangers Lightspeed Rescue," Episode 355 (titled "A Face From The Past"), which first aired August 26, 2000.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating and torn foam.
This intricately detailed costume was originally designed for the villainous character Grumble Bee, who put the sting on the "Mighty Morphin Power Rangers" in Episode 51 (titled "Grumble Bee"), which first aired April 28, 1994. The costume was later modified to outfit the character Waspicable in Episode 259 of "Power Rangers in Space," titled "Grumble Bee" which aired April 4, 1998.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, severed antennae, and torn foam in several places.
This intricately detailed costume was originally designed for the villainous character Lunatick, who squared off against "Power Rangers in Space" in Episode 269 (titled "Survival Of The Silver"), which first aired October 3, 1998.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, severed appendages, and torn or cracked foam in several places.
This elaborately detailed life-size costume was originally designed for the Darkonda Monster, who wreaked havoc in the season five cliffhanger (Episode 265) and the season six premiere (Episode 266) of "Power Rangers in Space," titled "Flashes of Darkonda" (May 16, 1998) and "The Rangers' Mega Voyage" (September 12, 1998), respectively.
This elaborately detailed life-size costume was originally designed for the villainous Wizlizard, who confronted our heroes in Episode 274 of "Power Rangers in Space," titled "Always a Chance," which first aired October 17, 1998.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating and badly torn foam in several places, especially on the tail and the crown of its head.
This intricately detailed life-size costume was originally designed for the villainous character Preying Mantis, who preyed upon "Power Rangers in Space" in Episode 271 (titled "The Silver Secret"), which first aired October 14, 1998.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and one missing hand.
This elaborately detailed life-size costume was originally designed for the villain Freezard, who wages a cold war against "Power Rangers Lightspeed Rescue" in Episode 362 (titled "In The Freeze Zone"), which first aired October 21, 2000.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, badly torn foam (especially at the back of its head) and severed horns and teeth.
This elaborately detailed life-size costume was originally designed for the villainous Monsieur Stenchy, who cast his shadow over Episode 189 of "Power Rangers Zeo," titled "Scent of a Weasel," which first aired October 23, 1996.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating and torn foam in several places.
This intricately detailed life-size costume was originally designed for the musically inclined villain Wolfgang Amadeus Griller, who conducted a symphony of destruction in Episode 219 of "Power Rangers Turbo," titled "Cars Attacks," which first aired May 20, 1997.
This intricately detailed life-size costume was originally designed for the monstrous villain Hatchasaurus, who emerged from his shell in Episode 36 of "Mighty Morphin Power Rangers," titled "Birds of a Feather," which first aired November 22, 1993.
This intricately detailed life-size costume was originally designed for the incendiary villain Miss Chief, who was up to no good against the "Mighty Morphin Power Rangers" in Episode 125 (titled "The Potion Notion"), which first aired October 9, 1995.
This intricately detailed life-size costume was originally designed for the villainous character Blue Globber, who showed his true colors against the "Mighty Morphin Power Rangers" in Episodes 140 and 141 (titled "Master Vile and the Metallic Armor, Pts. 1 and 2"), which first aired November 20 and 21, 1995.
This intricately detailed life-size costume was originally designed for the feline villainess Katastrophe, whose claws came out against the "Mighty Morphin Power Rangers" in Episode 128 (titled "A Ranger Catastrophe, Pt. 2"), which first aired October 17, 1995.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and badly matted tail fur.
This intricately detailed life-size costume was originally designed for the villainous character Mechanizer, who wreaked havoc on "Power Rangers Zeo," Episode 168 (titled "Mr. Billy's Wild Ride"), which first aired May 11, 1996.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, broken appendages and one missing hand.
This intricately detailed life-size costume was originally designed for the villainous character Wolfbane, who ran afoul of "Power Rangers Zeo" in Episode 180 (titled "The Power Of Gold"), which first aired September 17, 1996.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating (especially above the eyes) and torn foam in several places.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, broken appendages and badly torn foam in several places (especially the face and head).
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, missing feet (and perhaps a missing right arm).
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, and missing hands.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, and minor damage to the head, covered with duct tape.
This elaborately detailed life-size costume was originally designed for the villain Fangenstein, featured in Season 3, Episode 130 of "Mighty Morphin Power Rangers," titled "Changing of the Zords, Part 2," which first aired in the U.S. on November 1, 1995. (In Japan, where the series was titled "Kakuranger." the character was called "Shutendouji.") The costume reappeared later that season (this time without its head) outfitting one of the Barbaric Brothers (either Erick or Merrick) in Episode 148 (titled "The Alien Trap"), which aired February 8, 1996.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, severely torn foam in several places, and one missing hand.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and missing feet, hands and head.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and missing hands, plus minor damage resulting from modification of the costume.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and a missing head.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, severely damaged surface coating and torn foam, including such missing appendages as claws and spikes.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam in several places and missing hands.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam in several places, broken appendages and a nose piece that is not firmly attached.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating and badly torn foam (especially at the top of its head).
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, and the absence of two arms, its head and feet.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, and one missing hand.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, soiled fabric, severed appendages and a missing eyepiece and feet.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, and missing feet, hands and head.
This elaborately detailed life-size costume was originally designed to outfit a fiery red villain featured in a "Power Rangers" episode.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating and badly torn foam in several places (especially on its face and the top of its head).
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating and badly torn foam in several places, including a large hole punched in the creature's face, and the absence of hands.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and the absence of a head, hands and feet.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and the absence of a head (although it is not known whether the costume originally featured one).
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating and torn foam in several places, particularly in the crown and back of the head, and along the neckline, which is severed ear to ear.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, and the absence of its head, hands and feet.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, a missing hand and feet, and a broken plastic hand above its left shoulder.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and the absence of its head, feet and hands.
This intricately detailed life-size costume was originally designed for a blue-faced villain featured in a "Power Rangers" episode that, in all likelihood, aired only overseas.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam in several places, and missing hands and feet.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn fabric and foam in several places (including a large foam segment torn from its chest), and missing hands and feet.
This intricately detailed life-size costume for an enormous bearlike monster was originally designed for a villain featured in an unidentified "Power Rangers" episode.
This costume exhibits some wear and damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and matted fur.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam and the absence of feet.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, matted fur and the absence of one hand.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, torn foam, broken appendages and missing feet.
This elaborately detailed life-size costume was originally designed to outfit an insectlike villain featured in a "Power Rangers" episode.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating and badly torn foam and missing segments in several places, especially the midsection.
This elaborately detailed life-size costume was originally designed to outfit a somewhat reptilian villain featured in a "Power Rangers" episode.
This costume exhibits considerable wear and some damage consistent with regular use during television production and subsequent storage, including but not limited to a sticking zipper, damaged surface coating, badly torn foam in several places, and flaking and shedding of the seaweedlike material draped from the figure.
Wearing its insides on the outside, this elaborately detailed life-size costume was originally designed to outfit a cyclopean villain featured in a "Power Rangers" episode.
Over the course of five weeks, a total of 58 monster costumes were auctioned. Pictures for this monster were uploaded for auction purposes, but this costume was never auctioned. It's fate is unknown.


Get access to KoraStats Feeds via our well documented REST APIs. Our APIs can be called via GET/POST requests. Full documentation are available at your disposal. Contact us, and our support team will be in touch.
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Learn about the temperament and personality of the French Bulldog. Discover what he's like to live with, his traits and characteristics and how he generally behaves.
He's been called "the clown in the cloak of a philosopher," and this loveable little companion dog is exceptionally good-natured. He is particularly affectionate toward his master and the children, and can even be a bit possessive. They are excellent with children! He will need to be a part of the family and will want to be in close contact with you. Each "frenchie" possesses his own unique personality, but they are usually independent thinkers, intelligent, with a bit of a mischievous side. They are usually well-behaved if trained to be. They are trainable, but stubborn, and do best when they are convinced that they are interested in the task at hand. Their favorite task, of course, is that of lap-warmer, and that requires little to no training. You will need to be willing to share your favorite chair. They are compatible with other pets, but sometimes struggle with cats. They are active, alert, and playful, but they don't require a lot of exercise. They will have short bursts of high energy, but these are interspersed with long periods of napping and lounging around. Because of their short nose, you have to be careful that you don't exercise them to the point that they overheat. They also don't do well in high temperatures and they do best with air-conditioning on hot days. They can be territorial and protective, and will "sometimes" alert their owners to danger, but not all the time. Some frenchies never bark at intruders. They are typically a quite breed and are not excessive barkers. These loyal little guys are the ideal housedog, except for the fact that they drool and slobber quite a bit, are frequently gassy (have flatulence), and snore loudly.
The French Bulldog is harder to train than most other dog breeds. He learns new commands more slowly than the majority of other breeds. You will need to be extra patient when Training him.
The French Bulldog sheds a fair amount of hair. You'll find hair stuck to your couch, carpets, clothes and everything else in your home.


WASHINGTON — Democrats can try to derail the confirmation of Trump Supreme Court nominee Brett Kavanaugh, Senate Minority Leader Chuck Schumer said Tuesday.
"The ramifications of this battle will last a generation or more. I'm going to fight this nomination with everything I've got," the New York Democrat said on the steps of the Supreme Court Tuesday, flanked by the 10 Democrats who sit on the Senate Judiciary Committee.
Schumer laid out the outlines of the Democratic attack: confirming Brett Kavanaugh as the next justice on the high court would reverse decades of settled law and put women's reproductive rights at "grave, grave risk," he said, arguing that Kavanaugh would vote to overturn the 1973 landmark Roe v. Wade ruling by the high court.
And previewing another category of tough questions Kavanaugh is likely to face during confirmation hearings, Schumer pointed to the judge's past statements suggesting that sitting presidents shouldn't face criminal investigations, and that a president should not necessarily have to follow a law if he deems it unconstitutional.
"It's no wonder [Trump] chose Judge Kavanaugh," added Schumer, who said that Trump knows his nominee will be a barrier for Special Counsel Robert Mueller in the investigation into Russian interference in the 2016 presidential election.
White House deputy press secretary Raj Shah, asked Tuesday if Kavanaugh should recuse himself should any questions related to the Mueller probe make it to the Supreme Court, did not provide a clear answer.
"Those are complex issues," he replied.
The Democratic senators said Tuesday they would demand the release of every single record that might be relevant to Kavanaugh, including emails. It's a push that could slow the process, though to sink the nomination entirely, Schumer would need to both win over Republican votes and keep every member of his own caucus on board — including several red state Democrats up for re-election.
One of those Democrats, Sen. Joe Manchin, D-W.Va., said Tuesday that he planned to do a "deep dive" on the nominee's record.
"I'll have a look at all his findings and records and everything he has ruled on, all his writings and everything. So it's a deep dive we have to do. I think that's our responsibility," he said.
Schumer and Judiciary Committee Democrats spoke Tuesday as Kavanaugh arrived on Capitol Hill for his first set of meetings as Trump's nominee, including one with Vice President Mike Pence and Senate Majority Leader Mitch McConnell, R-Ky., and one with his Hill sherpa, former Sen. Jon Kyl, R-Ariz.


My car has 172000 miles.
Hello. I would recommend checking a Chilton book to determine where the timing marks for the crank pulley are located. Chilton books provide an abundance of information that will help in diagnosing and repairing your vehicle. As for the fuel pressure, this test is best performed with a fuel pressure tester for accurate results. I would recommend checking the fuel pressure again with a gauge to determine if it is within factory specification. If the fuel pressure is low, it is likely that you have a fuel delivery issue. If this is the case, replacing the fuel filter or fuel pump will likely resolve the issue. If you are in doubt about this repair, I would recommend enlisting the assistance of a professional from YourMechanic who can inspect your no-start condition and replace the fuel pump or fuel filter if necessary.
Q: I have a vibration at 45 to 60 MPH.
Q: I got 150000 on my 2011 sho when should I change my timing chain?
Q: My car died and won't start what could the problem be?


In 2012, the Rwandan government made changes in its child welfare policy in regards to orphanages. The government decided to eliminate orphanages by 2014 and place children in a foster care system or reunite them with extended families. Due to this change, many orphanages started closing their doors in 2014. After five years of operation as an orphanage, NCV eventually had to end its services in December of 2015 and said goodbye to the 21 children (10 boys and 11 girls) who were in its care. The children were either returned to their extended families or were relocated to foster homes.
We have worked very hard and done our due diligence to restructure our organization, thus continuing our vision and mission to meet the needs of our community. We are planting seeds that will bear fruit and improve life for those we serve and for generations to come.
Although the organization is no longer operating as an orphanage, its goal is to continue to serve a great need in the Nyamata community. A dialogue with a number of families in the surrounding communities in the rural area in which NCV operates convinced NCV's team that the need for a comprehensive community center would revitalize this community by helping alleviate poverty levels. For instance, NCV had built three children's homes and a number of other facilities onsite in Nyamata. Two of the three homes have been turned into preschool classrooms to offer education to some of the hundreds of children, who otherwise do not go to school due to poverty or distance from the nearest school. NCV hopes to build a sustainable community center that will include a cost-efficient health care delivery system, a state-of-the-art educational center, an effective vocational school for illiterate men and women within the community, and an agricultural center that values both the environment and sustainable methods of farming.
We are asking you to partner with us to turn this vision into reality.


text:
Nicky Jam: El Ganador
Episode 1 - The Cangris Episode 2 - Escape To New York Episode 3 - With The Mic, And The 40 Caliber Episode 4 - In The Bed Episode 5 - The Infiltrated Episode 6 - Escante Life Episode 7 - The Origin Episode 8 - The Future Is Paisa Episode 9 - Medellín Episode 10 - Cold Turkey Episode 11 - The Fenix Episode 12 - Isabel Episode 13 - Tell Me Daddy, We Arrived To The Choli
Follow Reggaeton artist Nicky Jam's struggles to overcome drug addiction and rise to international success in this dramatization of his life story.
Nicky Jam: El Ganador – was the biggest surprise of the year 2018 I accept that my expectations are very low before I see this TV series. I was so emotionally destroyed that I saw the entire TV show three times on the internet almost in one go.
Nicky Jam: El Ganador 's one of the best TV show films ever made, I love music. Every single performance is incredible. Not to mention that it has the best music in a TV series. This TV show online seriously is incredible. My favorite TV series of this director, and that's saying something!
You do not have to fall in love with a drama to enjoy this TV series. I uploaded this TV series to VexMovies, now each person can watch this TV series from here for free.
Actors: Darkiel, Diego Cadavid, Essined Aponte, José Arroyo, Nicky Jam, Osvaldo Friger
Studio: Endemol Shine Boomdog
Networks: TelemundoNetflix
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Three fabulous, eccentric, LA best friends of a certain age have their lives changed forever when their plane unexpectedly lands in Cleveland and they soon rediscover themselves in this new "promised land." VexMovies Review: My favorite TV show from year 2010. It is a pleasure for me to have a good TV series, a few intelligent speakers, and these collective speeches reveal the central idea of the TV series. Hot in Cleveland is a long TV show, with the space…
Narcos: Mexico
See the rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in 1980s Mexico. VexMovies Review: One of the best in it's category, ever released. dramacategory did not create a better TV series and you can now watch for free on this website. This TV show literally has everything. This is a TV series you can watch online with any crowd of people, and everyone will enjoy it at least a little. This…
A police officer and a doctor face an emotionally charged mystery when seven local residents inexplicably return from the dead in peak physical form. VexMovies Review: Amazing TV show from 2015. Most TV series, even the greatest ones, evaporate like mist once you've returned to the real world; they leave memories behind, but their reality fades free quickly. But not Glitch. Glitch is a long TV show, with the space and leisure to expand and explore its themes. No TV…
Genre: Drama, Sci-Fi & Fantasy
Famed astrophysicist Neil deGrasse Tyson provides clarity for the vision of the cosmos as he voyages across the universe with never-before-told stories that delve into the scientific concepts of the laws of gravity and the origins of space and time. VexMovies Review: Cosmos – excellent TV show, one of the best released in 2014 Most TV series, even the greatest ones, evaporate like mist once you've returned to the real world; they leave memories behind, but their reality fades free…
It's her business doing pleasure with you. A witty and provocative series based on the real-life adventures of a high-class escort. Juggling her own reality with her clients' fantasies can be difficult, but this savvy sweetheart knows every trick in the book, and she's doing it in style. VexMovies Review: Secret Diary of a Call Girl – brilliant TV series, one of the best of its category Most TV series, even the greatest ones, evaporate like mist once you've returned…
CDC researcher Abby Arcane investigates what seems to be a deadly swamp-born virus in a small town in Louisiana but she soon discovers that the swamp holds mystical and terrifying secrets. When unexplainable and chilling horrors emerge from the murky marsh, no one is safe. VexMovies Review: Swamp Thing is one of the biggest surprises of the year 2019. Most TV series, even the greatest ones, evaporate like mist once you've returned to the real world; they leave memories behind,…
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Suamiku Mr Blind
Mr Blind's novel adaptation of Dan Blessings will be aired on Unifi TV channel HyppSensasi 116. Starring Nazrief Nazri, Janisa Jalil, Zoey Rahman, Intan Najuwa, Dayana Roza, Bella Nazari and many more. It runs from August 5, every Monday to Thursday at 9pm. VexMovies Review: My favorite TV series from year 2019. Most TV series, even the greatest ones, evaporate like mist once you've returned to the real world; they leave memories behind, but their reality fades free quickly. But…
Given superstrength and durability by a sabotaged experiment, a wrongly accused man escapes prison to become a superhero for hire. VexMovies Review: Marvel's Luke Cage – was the biggest surprise of the year 2016 The 'best' term is as you know from a relative term: You or I may not even be on the list of someone else whom we consider to be 'the best'. So the general rule is to declare the majority of nations. Like the best, though,…
Genre: Action & Adventure, Drama, Sci-Fi & Fantasy
Three years after the zombie virus has gutted the country, a team of everyday heroes must transport the only known survivor of the plague from New York to California, where the last functioning viral lab waits for his blood. VexMovies Review: Z Nation is one of the biggest surprises of the year 2014. Z Nation is by far the best online TV series production I've ever seen. Now why this TV show falls in the category of one of the…
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Forty-foot waves, 700 pound crab pots, freezing temperatures and your mortality staring you in the face…it's all in a day's work for these modern day prospectors. During each episode we will watch crews race to meet their quota and make it home safely. VexMovies Review: Deadliest Catch is one of the biggest surprises of the year 2005. This TV show, which I free even refuse to compare with the other ones is the masterpiece created by my favorite director. This…
The Pit (Çukur), one of the most dangerous neighborhoods of Istanbul, is ruled by the Koçova family. Although they are closely related to crime, the family has its own rules. One of these rules is the prohibition of drugs. But one of the upstarts is determined to break the ban. First he tries to negotiate with the Koçova's but when his request is rejected he attacks the neighborhood and the family with his power. Just as he thinks that he…
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Fanboy and Chum Chum
Fanboy & Chum Chum is an American CGI animated television series created by Eric Robles for Nickelodeon. It is based on Fanboy, an animated short created by Robles for Nickelodeon and Frederator Studios, which was broadcast August 14, 2008 on Random! Cartoons. The series premiere drew 5.8 million viewers. The second episode was watched by 5.4 million viewers. The theme song was written by Brad Joseph Breeck and performed by experimental punk band The Mae Shi. No third season was…
Genre: Action & Adventure, Animation, Comedy
Trailer: Nicky Jam: El Ganador

redpajama_set_name: RedPajamaCommonCrawl


• Jason Kidd's first signature shoe is considered one of the best-performing Nike basketball sneakers for its comfort level, stability, and traction. The Nike Air Zoom Flight V also possessed some distinctive design cues, including the iridescent "bug eye" on the midsole. Five years ago, this shoe appeared on NikeiD, but it no longer bore the "Kidd" logo, because of his current affiliation with PEAK.


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Navigation. The website is a bit of a maze. They broke away from the basic conventions of website navigation – to the detriment of the user. Visit a practice area page and try to figure out what's main navigation, what's subnav and what's practice area-specific navigation. Good luck.
Basic Design Mistakes. The website disregards the basic lessons that most legal website designers have learned over the past decade, such as: (a) Never put white body text on a black background because it won't get read. (b) Long paragraphs of text followed by more long paragraphs is just a bad idea. Again, it just won't be read. (c) Navigation should never disappear. Ever.
Designers Gone Wild. The site was designed by Pentagram, considered by some to be the best design firm in the world. Unfortunately, the Pentagram designers appear to have been more focused on designing a piece for their portfolio than creating a viable site for their client. It seems that whenever there was a choice to be made between innovative design and usability, they chose design. When the choice was between innovative design and marketing effectiveness, they again chose design.
Marketing Effectiveness. While its branding is strong, the site doesn't do a good job guiding users to the meaty text content that might influence a company's decision to engage a firm. Practice area subpages (like case studies and publications) are hidden to the point of being practically invisible. Furthermore, their bio pages contain only limited information on a single page. This is terribly misguided considering that the majority of the traffic to a law firm's website goes to the bios section.
Brand Disconnect. While I like the strength of the brand, I suspect that website branding doesn't accurately reflect the reality of the firm. It looks as though MoFo blindly outsourced much of the thinking to their designers. Check out the games and imagery that are accessible from the home page (for example, here and here). This stuff probably says more about their designers than about their lawyers.
It's Cold. It is common knowledge that the business of law is a relationship business. Stark black and white design – without pictures – has the potential to repel more relationships than it engenders.
Not Built to Last. Is it modular? Can it grow as the firm grows without becoming a usability nightmare? It feels clunky now (and slow), and my experience tells me that this is likely to get worse as changes and additions are made in the future.


Bill and I visited Kodachrome Basin State Park in Cannonville, Utah today. WOW!!! What a beautiful and amazing place that is.
I thought this chimney, at the base of this red rock cliff looked just like the beginning of a Totem Pole. What do you think?
This chimney reminded me of an Indian woman wrapped in a blanket.
Both Bill and I had to laugh at the Key drop area for the cabins that can be rented, and just beside the key drop is the phone… By the way, there is no cell phone service in Kodachrome… but it's beautiful and so worth the trip…!
The next two pictures I captured as we were leaving Kodachrome Basin.
Previous It Pays To Be Nice Next Making Happy!
You have the BEST lunches! My Bro is such a lucky man! Now about those "Don't touch that!" LOL!!! Glad you all enjoyed this area! Love that you are getting out and about before you head back to AZ. Thanks for sharing!! xoxoxo MORE!


text:
require 'dfp_api'

API_VERSION = :v201505

def update_creative_wrappers()
  # Get DfpApi instance and load configuration from ~/dfp_api.yml.
  dfp = DfpApi::Api.new

  # To enable logging of SOAP requests, set the log_level value to 'DEBUG' in
  # the configuration file or provide your own logger:
  # dfp.logger = Logger.new('dfp_xml.log')

  # Get the CreativeWrapperService.
  creative_wrapper_service = dfp.service(:CreativeWrapperService, API_VERSION)

  # Set the ID of the creative wrapper to get.
  creative_wrapper_id = 'INSERT_CREATIVE_WRAPPER_ID_HERE'.to_i

  # Create a statement to only select a single creative wrapper.
  statement = DfpApi::FilterStatement.new(
      'WHERE id = :id',
      [
          {:key => 'id',
           :value => {:value => creative_wrapper_id, :xsi_type => 'NumberValue'}
          }
      ],
      1
  )

  # Get creative wrappers by statement.
  page = creative_wrapper_service.get_creative_wrappers_by_statement(
      statement.toStatement())

  if page[:results]
    creative_wrappers = page[:results]

    creative_wrappers.each do |creative_wrapper|
      # Update local creative wrapper object by changing its ordering.
      creative_wrapper[:ordering] = 'OUTER'
    end

    # Update the creative wrapper on the server.
    return_creative_wrappers =
        creative_wrapper_service.update_creative_wrappers([creative_wrapper])

    if return_creative_wrappers
      return_creative_wrappers.each do |creative_wrapper|
        puts ("Creative wrapper ID: %d, label ID: %d was updated with order" +
              " '%s'") % [creative_wrapper[:id], creative_wrapper[:label_id],
                          creative_wrapper[:ordering]]
      end
    else
      puts 'No creative wrappers found to update.'
    end
  end
end

if __FILE__ == $0
  begin
    update_creative_wrappers()

  # HTTP errors.
  rescue AdsCommon::Errors::HttpError => e
    puts "HTTP Error: %s" % e

  # API errors.
  rescue DfpApi::Errors::ApiException => e
    puts "Message: %s" % e.message
    puts 'Errors:'
    e.errors.each_with_index do |error, index|
      puts "\tError [%d]:" % (index + 1)
      error.each do |field, value|
        puts "\t\t%s: %s" % [field, value]
      end
    end
  end
end

redpajama_set_name: RedPajamaGithub


With a history dating back to prehistoric times, there is a lot yet to discover about The Ridgeway's history and excitingly there are two new volunteer opportunities to reveal more of The Ridgeway's history.
The results of a recently commissioned LiDAR survey of the Chilterns AONB will be available to view on an online portal at the end of May 2019. At 1400 km2 it is the largest survey of its type ever flown in this country for archaeological purposes. The survey creates an exceptionally precise topographic map of the region, even under tree-cover. From this any man-made lumps and bumps, many of them hundreds if not thousands of years old, can be spotted and interpreted. The LiDAR survey and a new Archaeological LiDAR Web Portal is part of a Chilterns Conservation Board project called Beacons of the Past, funded by the National Lottery Heritage Fund – see here for details: www.chilternsaonb.org/projects/beacons-of-the-past. Working with the Beacons of the Past project team, the Ridgeway Partnership is looking for at least 2 volunteers to to do a focused study of the new LiDAR data along the corridor of The Ridgeway National Trail.
Parallel to the LiDAR volunteer opportunities, the Ridgeway Partnership is looking for 4 to 6 volunteers to identify interesting stories from history linked to numerous locations along The Ridgeway National Trail – from the famous landmarks such as the ancient Uffington White Horse and Avebury stone circle, to the less well-known places with intriguing histories and associated historic figures including local villages. The stories will be made available to the public in printed literature, on the National Trail website, social media and hopefully in a mobile phone app planned for the future. The hope is that this information will bring the Ridgeway's history alive for people visiting the Ridgeway National Trail and present a comprehensive, inspiring story about the entire Trail.
Both opportunities involve volunteer research that can be done from the comfort of your own home, but some research activities will require volunteers to go to one of the history study centres relating to the Trail (Chippenham, Oxford, Reading and Aylesbury).
For more information about these two new volunteer opportunities, please visit: https://do-it.org/organisations/the-ridgeway-and-thames-path-national-trails and look for 'Ridgeway history research volunteer' and Ridgeway LiDAR history research volunteer' adverts.


Below is the 2015 Miami Marlins schedule for Marlins Ballpark. To buy tickets select the date of the Baseball game you would like to attend and you will be taken to available seating. Please call 1-800-550-7556 if you prefer to order your Marlins tickets by phone.
Marlins fans are asking "What's going on with this franchise?". First the wise heads that run the club hire one of the bright coaches on the MLB scene to lead their team and then they send the majority of their stars elsewhere, leaving the rookie skipper high and dry. I know they received some young talent in return and we can talk about that, but Manager Joe Girardi must be scratching his head. Marlins regulars must be scratching theirs as well. Such is life for the have-nots in Major League Baseball.
To refer to the Marlins as have-nots is curious when you stop to remember the success they have enjoyed on the field in their short time on this earth. They won the World Series in 1997 with a pitching staff featuring the likes of Kevin Brown and Al Lieter. Looking at it from that angle, Marlins fans don't have a lot to be unhappy about. Of course, from their perspective, those trophies were won a long time ago. What have the Marlins done for them lately?
Perhaps a better question is what is Marlins management trying to do now. The team is built around two remaining stars; namely Willis and Miguel Cabrera. In the Carlos Delgado deal, they acquired a potential star in first baseman Mike Jacobs. He'll show some power, which will be needed. Hanley Ramirez will get an opportunity to show his stuff at shortstop. Speaking of youngsters, the Marlins are very excited about young lefty Scott Olson, who was highly rated by Baseball America.


text:
Tony Awards Presenters Announced
by: Grace Mendoza, Sam Rubin
Find out which stars have been named as presenters for the 2014 Tony Awards. This segment aired on the KTLA 5 Morning News Tuesday, May 27, 2014.
by Sam Rubin / Jan 15, 2021
Don't miss the season two premiere of 'Snowpiercer' January 25th at 9 p.m. on TNT.This segment aired on the KTLA 5 Morning News, Jan. 15, 2021.
Catch the season 2 premiere of 'Batwoman' Monday, January 17th at 8 p.m. right here on KTLA.This segment aired on the KTLA 5 Morning News, Jan. 15, 2021.
'Skyfire' is available to rent and buy now on all On-Demand platforms.This segment aired on the KTLA 5 Morning News, Jan. 15, 2021.


text:
Unlabelled Selfie
18th November 2013 is world's "Selfie Day" was Announced by Oxford English Dictionary.
Actually Selfie means Self-Portrait Photograph which is taken by Digital Camera in Olden days. The first Selfie was taken in the year 1839 by Robert Cornelius.
As per the survey we take over 1 Million selfies all over world per day. People take selfie to show their beauty. Most of the people share selfie on Social Media like Facebook, Twitter and Instagram to get like's share's and comment's. But somehow,some people are crazy to take selfie at dangerous place's and sharing those selfie's in social media as a trend it's going viral. Some people doing the same and losing their valuable life. There is one incident happened recently which touched my heart. So Guy's please be alert while taking selfie's and don't forget that your family is waiting for you.


text:
Q: R data arrangement for metagenomic data I attach you an example with my attempts because I am not able to manage / arrange data through R code. I have a datraframe that first column is the taxonomic lineage of microorganisms. And each column is a DNA sequence recodified by ASV1 and so on.
For each column, only some of its values will have value ==1. The rest will be 0.
I attach below the code to be reproducible. The RData to load the dataframe file is freely-available on: https://www.jottacloud.com/s/191545e30dc99e14823959fadba6d189be5

data<-read_xlsx("combined_allranks_mpa.xlsx")

datastackoverchange <- data
datastackoverchange <- as.data.frame(datastackoverchange)

names(datastackoverchange)[2:3812] <- sprintf("ASV_%d",seq(1:3811))

save.image("stackoverflow_data.RData")

# I perform a subset of the first two columns

data1<-datastackoverchange[ , c(1,2)]

# Each column has a plenty of zeros except for the lineage that correspond.

# I remove all zeroes that are not of interest by:
data1[data1==0] <- NA
data1<-data1[complete.cases(data1),]

And I obtain the next table (see the link of the image)
[The column ASV1 have 4 rows of value "1" because each "1" value arrives to a specific lineage rank]
(https://i.stack.imgur.com/OZi9W.jpg)
In the first example (subset c(1,2) I have that the most
complete ASV1 (most length) it is
k__Bacteria|p__Firmicutes|c__Clostridia|o__Clostridiales. Usually,
the longest ASV lineage it will appear in the last position in the dataframe.
Nevertheless, from this step I would like to create
maybe from an empty datafame or list that copies me for example:

Column A
Column B

ASV1
k__Bacteria/p__Firmicutes/c__Clostridia/o__Clostridiales

ASV2
and so on

The "/" are "|" in the dataframe.
and so on for each column (ASV2, ASV3...) creating a loop to iterize it
In order to exploit the data (I have 3811 different ASV) for further analysis.
Thanks on advance for your hints and helps about how can I overcome this situation.

A: Try this :
values <- apply(datastackoverchange[,2:ncol(datastackoverchange)],2,FUN = function(x)datastackoverchange$Classification[which(x==1) %>% dplyr::last()])

id <- colnames(datastackoverchange[,2:ncol(datastackoverchange)])

df <- data.frame(id, values)

A: You can either change the function in the first line of my first answer by :
function(x){
  data_1 <- datastackoverchange$Classification[which(x==1)]
  id_max <- which.max(str_count(datastackoverchange$Classification[which(x==1)], "_"))
return(data_1[id_max])
}

OR
In the continuity of the code you wrote you can try this :
library(stringr)
results %>% group_by(Col) %>% filter(Row == Row[which.max(str_count(Row,"_"))])

A: Continuing my issue and for stackoverflow issue (Extract Row and Column Name if the value for the cell in the data frame is greater than 0 and save value and row and column name to empty data frame) I achieved to advance:
Here's the code from the RData submitted in my previous comment in this page:
load("stackoverflow_data.RData")
datastackoverchange <-as.data.frame(datastackoverchange)

library(tidyverse)

dat_clean_def <- datastackoverchange %>%
                        remove_rownames %>%
                        column_to_rownames(var="Classification")

idx <- which(dat_clean_def == "1", arr.ind=TRUE)
results <- data.frame(Row=rownames(dat_clean_def)[idx[, 1]],
                      Col=colnames(dat_clean_def)[idx[, 2]],
                      Val=dat_clean_def[idx])
results

Nevertheless, I need to retain only the logest lineage, e.g.:

Row
Column
Value

k__Bacteria
ASV_1
1

k__Bacteria;p__Firmicutes
ASV_1
1

k__Bacteria;p__Firmicutes;c__Clostridia
ASV_1
1

k__Bacteria;p__Firmicutes;c__Clostridia;o__Clostridiales
ASV_1
1

k__Bacteria
ASV_2
1

Then I am seeking for a function that for each different column value chooses the lagest value of the Row column (with highest number of "_").
Using stringr() ?
Thanks another time


Samsara is a non-narrative 2011 documentary by director Ron Fricke and the sequel to his seminal film Baraka. Shot over 5 years on luscious 70-mm in countries all over the world, Samsara depicts the cycles of creation and destruction throughout human societies and is hailed as "a hypnotic and haunting experience...enlightening and life-changing". Yemanjo gives this unforgettable film new life with an original soundtrack combining live looping, multiple instruments and DJ beat science.


Architecture and buildings of Chicago, Illinois. Including many building of the Chicago Style.
The old Water Tower and Chicago Avenue Pumping Station are the only public buildings to survive in this area on Michigan Avenue destroyed by the Fire of 1871.
Design for a Federal building containing Custom House, Court House and Post Office. Most of Mullett's plan was constructed with a simpler roofline.
At 183-189 Dearborn Street, was probably the most imposing old-style structure in Chicago. Particularly noticeable is the magnificent granite arch as its portal.
Published in the American Architect and Building News, July 7, 1888.


text:
ARRANGE CONSULTATION >
Ethical Risk Management & Intelligence Solutions
Surveillance Services
Matrimonial Surveillance
Close Protection Services
Tracing Agents
We have accreditation and membership from some of the industry's leading bodies, giving you complete peace of mind
A team you can trust
We understand that the trust factor is invaluable when it comes to surveillance and security. At OpSec Solutions, we complete all work legally, confidentially and in full compliance with GDPR. But don't just take our word for it. We have accreditation and membership from some of the industry's leading bodies to give you complete peace of mind
Association of British Investigators
The Association of British Investigators (ABI) makes it easy for established, compliant investigators to prove our credibility. In turn, that makes it easy for you to find a private investigator you can trust. As members of the ABI, OpSec Solutions has been verified for our reliability and experience. We're also accountable to a body which strives for better regulation of the investigation industry – and has done since 1913.
UK Professional Investigators Network
As the name suggests, the UK Professional Investigators Network (UKPIN) is a network of investigators, detectives, enquiry agents and investigative experts from across the UK. Members are professional, highly experienced and have specialist knowledge in their chosen field of investigation. With UKPIN membership, OpSec Solutions is a name you can trust. We have been thoroughly vetted by UKPIN to make sure we're fully equipped to provide all of your investigation needs.
Institute of Professional Investigators
Established in 1976, the Institute of Professional Investigators (IPI) is one of the most well-recognised authorities in the investigation sector. As members of the IPI, OpSec Solutions has been thoroughly vetted across six key categories – safety, professionalism, accountability, teamwork, integrity and innovation. In simple terms, you can rest assured we're fully trained and qualified for the job at hand. We'll operate in your best interests at all times to deliver the highest quality results.
Fraud Advisory Panel
Launched in 1998, the Fraud Advisory Panel (FAP) aims to advise and educate the public on protection against fraud. The charity is made up of a network of volunteer members, who work to research fraud, plus advise and train individuals and businesses. OpSec Solutions is a member of the FAP, collaborating with the organisation to help protect the public against fraud. We're committed to equipping everyone with the resources and evidence they need to combat fraud in all its forms.
International Organisation for Standardisation
The International Organisation for Standardisation (ISO) develops international standards for 164 countries across the world. With ISO:9001 approval, OpSec Solutions has demonstrated the ability to consistently provide products and services that meet customer and regulatory requirements. Put simply, we're a company you can trust.
International Commissioner's Office
The World Association of Professional Investigators (WAPI) is an investigator body, designed to help individuals and companies locate a safe, reliable private investigator. As a member of WAPI, OpSec have demonstrated our commitment to discreet, professional services. Alongside this, with our membership, we have access to industry leading resources, equipment and investigation methods. Translating to a better service for you.
The Information Commissioner's Office (ICO) is an independent authority in the UK, set up to protect the public's information rights. OpSec Solutions is ICO registered as a data controller, meaning you can trust us to handle your personal data responsibly and maintain complete confidentiality.
Want to know more about our surveillance services, state-of-the-art technology, and how we can help you? Our brochure has all the information you need. Why not download a copy now?
Want to know more about our surveillance services, state-of-the-art technology, and how we can help you? Our brochure has all the information you need. Why not download a copy?
About OpSec Solutions
OpSec Solutions provides professional risk management & surveillance solutions.
Operating throughout the UK and abroad, we provide the expertise and experience you need to protect yourself or your business. Find Out More >
1035 Oldham Road, Manchester, M40 2NW
83 Ducie Street, M1 2JQ
86-90 Paul Street, EC2A 4NE
Copyright 2022 © OpSec Solutions


This entry was posted in Asian, Malaysian, Noodles, Singaporean, Soup and tagged Bean Sprouts, curry leaf, egg noodles, Exmouth Market, Farringdon, fish ball, fried tofu, green beans, Mount Pleasant, prawn wanton, squid, wonton, Yanwo by junk4lunch. Bookmark the permalink.
I am a seafood laksa lover and I was addicted do seafood laksa of the YANWO restaurant, after they close I never ate a seafood laksa really nice.
Today I found your page and I am seeing you like laksa too, so I wanted to ask, for you where you ate the best laksa? And/Or which place you recomend?
I want too much eat seafood laksa but I dont know where can I find a really nice one.
Try Hare & Tortoise, they have several branches. Penang! At Westfield Shepherd Bush or a cheaper version at Chop Chop with a few branches around London.
I also wrote about laksa from Chop Chop and Hare & Tortoise in my blog.


THE SURGERY WILL BE CLOSED ON THE FOLLOWING AFTERNOONS FOR STAFF TRAINING CLOSING AT 12.
Purbeck doctors' surgery in Stantonbury provides the highest quality healthcare to patients in the Milton Keynes area. Our doctors, nurses and all our other staff are dedicated to offering a professional service and this surgery website will help us to keep all our patients up to date with news and information about our practice. We will keep it current with any developments or other details that we feel are relevant to you. .
Leave your feedback about the surgery at Reception forms and survey box by the check in machine.
We are changing the way we book appointments and request medication online. In the future you will need a user name and password.


text:
"""This module contains utilities for communicating with the ok server."""

from urllib import request, error
import json
import logging

log = logging.getLogger(__name__)

TIMEOUT = 15

def api_request(access_token, server, route, insecure=False, arguments={}):
    """Makes a request to the server API and returns the result."""
    try:
        prefix = "http" if insecure else "https"
        address = prefix + "://" + server + '/api/v1'
        address += route if route.startswith('/') else '/' + route
        address += "?access_token={0}".format(
            access_token)
        for arg in arguments:
            address += "&{0}={1}".format(arg, arguments[arg])
        log.info('Requesting data from %s', address)
        req = request.Request(address)
        arguments = []
        response = request.urlopen(req, None, TIMEOUT)
        return json.loads(response.read().decode('utf-8'))
    except error.HTTPError as ex:
        log.warning('Error while requesting from server: %s', str(ex))
        response = ex.read().decode('utf-8')
        response_json = json.loads(response)
        log.warning('Server error message: %s', response_json['message'])
        if ex.code == 401:
            print("Only members of the course staff can export submissions.")
            return
        return response_json


text:
Soul2Soul/RU
Espace culturel des Saules
Making Mistakes Is Human, L'erreur Est Humaine
Pleure-moi une rivière
Encore heureux
Click Bait Title
I Want You So Bad
Tout ce qui couvrait une vie humaine déjà scintillait
Warm Tales for a Dead Fire
Pourquoi les boites de pizza sont-elles carrées ?
Sealed for your protection
Perfos
Derik, Mardin, ça fait un peu Paris, Texas
Bobby conte des bobards
DJ set/Live
Backyard Sessions
A duo show by Dorine Aguerre + Rémi Dufay
The two artists do not know each other, but have been sharing studios in the same building for four years. Although the form of their individual production is very different, their approach towards scenography, situation and video is extremely similar. Enough to provide the pretext for this fourth invitation in the form of a carte blanche.
The process of their collaboration could be summarized in three stages, immersed in and around the space: observe, intervene and restore.
Tirelessly observing through the north-facing windows of the Saules' building, the close to stillness of the landscape for long hours. An occupation of the empty space on the part of the two interveners, scrutinizing day and night the events taking place there.
Then intervening, not in the space but in this same landscape, between the two banks of the Rhône. With a camera on their shoulder, helped by an assistant cameraman, but also filmed on a tripod from the windows of the space, they capture the subtle changes in the environment created by performative actions, the installation and activation of a few elements, often luminous. Visible in the videos, but also through the windows during the exhibition, these interventions then become perennial, traces of the artists in the public space.
Finally, in a work that is totally in situ and on the verge of obsession, a version of the exhibition space reduced to a tenth of its original size. In other words, a model imagined by the artists in collaboration with two architects. The artists have rethought its original function by creating it directly in the exhibition. They abolish it by removing the utilitarian objective of future projection or past reconstruction of a space.
Rather than a traditional video installation loop, the videos here reflect the five hours of filming in sequence shots and are shown synchronized with real time during the exhibition (from 17:00 to 22:00). Shot with less advanced planning, without any precise shooting stations, they become spontaneous recordings, witnesses of a human passing. We perceive ambient sounds coming from invisible sources, from more or less perceptible actions, the authors even forgetting that the cameras are rolling.
The result is not a model of an obsolete structure, an original making-off, a hypothetical simulation, a simple optical illusion or a trompe-l'oeil for the viewers. It is an illustration of the technicality of a video practice, where every flicker comes from a human activity, a camera or a screen. A melancholic contemplation of the planned destruction of a building.
From 18 November to 1 December 2021
With the collaboration of Maud Abbé-Decarroux, Elijah Graf-Quartier, Aloys Mützenberg
An Hichmoul Pilon Production coproduction
Poster: Thomas Perrodin
Photos: YAL
Translation: Yasemin Imre
Dorine Aguerre (*1990) is an artist from the Basque Country (FR) living in Geneva. She holds a Master's degree in visual arts from the HEAD-Geneva and a Master's degree in visual arts from the Glasgow School of Arts. Through different forms, sculpture, installation, video or sound, her practice is articulated around narrative construction. Her recent work has been shown in Rome (IT) (Swiss Institute), Glasgow (SCT) (The Pipe Factory, Crownpoint), Edinburgh (SCT) (Hidden Door Festival), Toulouse (FR) (L'Union des arts), Saint Jean de Luz (FR) (Baleapop), Neuchâtel (CAN).
dorine-aguerre.com
Rémi Dufay (*1992) is an artist from Caen (FR) living in Geneva. He holds a Master's degree in visual arts from the HEAD-Geneva. His work consists of producing situations. Under their aspects of struggle, learning, entertainment or reflection, these situations are above all designed to do two things. To rub and to gather. His recent work has been shown in Rivera (UY) (Campo Abierto), Warsaw (PL) (Center for Contemporary Art), Lausanne (Arsenic) and in Geneva (Halle Nord, Le Grütli, Live In Your Head, Festival Antigel, Comédie de Genève, La Bâtie Festival, L'Abri).
remidufay.com
Soul2Soul/RU, Créez un site ou un blog sur WordPress.com


text:
Q: Toggle script when other div is clicked Alright. So I'm using this simple script which toggles divs. You all know how it works, I'm sure.

 About Us

 Services

 Portfolio

 Contact

So now I've got two questions. The first one is: When you toggle the #about div, it appears, as it should. But then when you click on #showservices it should remove the about div and replace it with the services one, they shouldn't go one across the other.
And the second question is; how can I turn all these into one script? It seems stupid to have 4 's when I'm sure they all can fit in one cleaner script.

A: I think you can simplify things by storing some context in data attributes.  I also took a little CSS from the in-line to make it a little easier to read.  I think this is the effect you are looking to achieve (a cross fade between result panes), but if not let me know and I'll see what I can do to help.

$(function(){

  $(".side-menu .slide-menu-item").on("click", function(){
    var $target = $("#" + $(this).attr("data-target"));
    $target.siblings().fadeOut();
    $target.fadeIn();
  });

});
.slide-menu-item { cursor: pointer; margin-bottom: 1em; }
.main { position: relative; }
.main .panel { position: absolute; display: none; }

 About Us

 Services

 Portfolio

 Contact

A: Does this work?

A: Give to all your pages DIVs a class like class="page"
and to all your buttons a class like class="btn"
Than this should do the job:

To combine fade or slide, in the logic above than you can also do something like:
if(pageId==="someDesiredId") {
   // do this animation
} else {
   // do else kind of animation
}