Make the moment memorable as you bid farewell to your loved one with this folding card encased in a box. A thoughtful way of telling them they'll be missed, this card which also comes with a button buddy is sure to bring a smile on their face.
Farewell Wishes Folding Card In Box Make the moment memorable as you bid farewell to your loved one with this folding card encased in a box. A thoughtful way of telling them they'll be missed, this card which also comes with a button buddy is sure to bring a smile on their face.


text:
Savage Mist Download 'Savage' on iTunes
Pharrell Williams Home
In '03 Pharrell produced 43% of songs on the radio
23 Amazing Facts You Didn't Know About Pharrell Williams
5. In '03 Pharrell produced 43% of songs on the radio
A survey in August 2003 found the Neptunes produced almost 20 percent of songs played on British radio at the time, a survey in the US had them at 43 percent Picture: Getty
See the full gallery: 23 Amazing Facts You Didn't Know About Pharrell Williams

redpajama_set_name: RedPajamaCommonCrawl


Water Planet One iphone case by Don White Artdreamer. Protect your iPhone X / XS with an impact-resistant, slim-profile, hard-shell case. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation. Simply snap the case onto your iPhone X / XS for instant protection and direct access to all of the phone's features!


text:
Our Watch News & media Latest news Tragic warning signs before my sister's brutal and senseless murder
See Categories
Tragic warning signs before my sister's brutal and senseless murder
August 27 2018 By Tarang Chawla, Our Watch Ambassador
My sister Nikita was brutally murdered by her partner in 2015.
Before he became a cold-blooded killer, Niki's partner was the type of man who routinely checked his girlfriend's phone messages and dictated who she was "allowed" to see or be friends with. He made all the spending decisions.
Before her death, my sister's partner distanced her from us — her family, and from her friends.
This kind of controlling behaviour is too often ignored, dismissed or excused away, but it shouldn't be; it's abusive and it may get worse.
It did for my sister.
Niki was a choreographer and performing artist with her own successful Bollywood dance business. She dreamt of sharing her unique talents with the world and one day working in Europe and America.
But her dream was shattered the night her partner decided to take her life in January 2015.
She was murdered while she slept at her home in Brunswick, in Melbourne's inner north, in circumstances too similar to many other Australian women since.
I wouldn't wish what happened to Niki and my family on anyone.
That is why I care about young people recognising the signs of abusive and controlling behaviour.
When people understand what is acceptable and what isn't, we have a real chance of stopping abuse before it starts.
One of the things we know about violence against women is that there is typically an escalation. Men do not "just snap" or act violently "out of the blue". There are signs of growing abuse and many of these signs can be non-physical, controlling behaviour.
Non-physical abuse is shockingly common. In Australia, one in four women have experienced this type of behaviour. This abuse can be financial, social, emotional or psychological, spiritual and technological, as well as stalking.
The trouble with identifying it is that it can be hard to spot, so we all must do our bit to educate ourselves.
We also know that one of the main drivers of violence against women is attitudes and behaviours that excuse or condone violence.
This means that we need to understand what violence is, and to be clear that controlling behaviour and non-physical abuse is a form of violence.
It's not just people in relationships but also their friends who need to understand about non-physical abuse. If you see the signs of this happening to a friend, you can be in a position to help.
If we aren't clear that this kind of behaviour is wrong, we're more likely to stand by as it escalates for someone else. We all need to play a role in naming it and rejecting it.
Our Watch is this week launching it's No Excuse for Abuse campaign to raise awareness of the important issue of non-physical abuse. For the sake of Niki, and all women, I hope people take this message on board.
This piece was originally published on news.com.au
Our Watch news
Too many Australians excuse, trivialise or justify violence against women: new NCAS report
New initiative to end violence against Australian women and their children on Our Watch
South Australia steps up to prevent violence against women and their children
New cross-party family violence forum a step in the right direction
Natasha Stott Despoja calls for all to speak out against violence


The other day someone asked me, "What product do I consider my greatest or favorite invention?" You know it was a good question because it made me pause… and took me a while to really think about it. Having lots of products and 20+ patents I gave it some time, but now I can answer. While I think the GoldHog® sluice mats have done the most to change the industry, and will continue to do so with two new mats coming out shortly, I think I am most proud of the FlowPan.
First because it works so well.
It REALLY is blazing fast. I can work a 5 gallon bucket of raw pay in about 5 minutes and have 99% of the gold sitting in the pan. (Tested over and over.) That's the comment we get the most from people. WOW… this thing is fast.
Pics below open in new window when click.
Second, the TIME it took….
Three years before the FlowPan was invented I was talking about a "portable gold pan" and had gone in ALL… kinds of directions. (Some crazy) It even included a rubber gold pan that could be rolled up and shoved in your pocket. I must have come up with 20 different "solutions" each of them had a flaw and we ended up dropping them.
One day I was looking at header box flares and thought… those look a lot like the old HOGPAN we used to make. I put four of them together and BINGO… the light bulb went off.
Third… beautiful design / finished product.
It is NOT a handheld sluice, it's a gold pan. Sluices are banned in many areas and the product had to be a pan, unable to work or be used as a sluice in the stream. Our product is a GOLD PAN and that's it.
Fifth… It's a great product for EVERYONE.
I think it's a product that EVERY prospector and miner should own. If you just want to run to the creek and play for an hour to find a little gold, it's awesome. If you're about to set up a dredge and want to test areas and figure out where to run; it will guide you. If you're a mining op trying to decide if a cut / area is worth running through the plant, your answer is quickly in the pan.
I tell people all the time that when testing, a few handfuls of dirt is simply not enough to get a TRUE reading / test of the area. You can't do the MATH based on that. You need to run a BUCKET, see the results and multiply that times 42. Why…because that will instantly give you your yield per yard.
The new con box option is designed for people that WANT to TAKE HOME more concentrates. It also replaces the old HogPan which we had to stop producing due to massive price increases. You replace the vented sides with solid sides; add the deep con box and it holds a lot more material. Personally, I don't use it, but we had so many people wanting something like the HogPan we decided to offer it.
We probably get more positive feedback from the FlowPan than any other product. IT'S JUST COOL… and when you're cool, you can't hide it. It's also one of those products that gives you QUICK… instant results and gratification. 10 – 20 minutes in… you're understanding just how fast it is and you're seeing gold. It's one of the reasons why we put a money back guarantee on it. It's SUCH a good product I said to my staff… if anyone doesn't agree that buys one, let them send it back for a full refund.
After a year of selling them, and 1000s of them sold around the world… only ONE has been returned and I'm still not sure why it was returned. I have a feeling it was a husband / wife argument.
Stop me ANYTIME you see me and look under my truck seat. You know what you'll find. My FlowPan goes everywhere I go which is a strong statement.


Michael Bublé claims coveted Christmas No.1 album slot with festive compilation.
Michael Bublé has remained at the top of the album chart this week with Christmas.
The singer's festive longplayer tops the charts for the second week in a row, selling 317,000 copies to become the Christmas number one album.
Bublé said in a statement: "I'm absolutely thrilled to be Christmas number one. The UK is one of my favourite places to visit and it's a real honour to have my record in so many fans' homes this Christmas. Merry Christmas, everyone!"
Christmas is now the biggest-selling album of December and the second biggest-selling album of the year.
This week's chart shows minimal movement, with just four records switching places. Olly Murs's In Case You Didn't Know moves up one place, pushing Mylo Xyloto by Coldplay down to number four, while Westlife's greatest hits compilation leaps one place ahead of + by Ed Sheeran, moving up to number eight.


text:
<?php

namespace App\Http\Controllers\Admin;

use Illuminate\Http\Request;
use App\Http\Controllers\Controller;
use App\LtiConfig;
use App\Http\Requests\Admin\StoreLtiConfigRequest;

class LtiConfigsController extends Controller
{

    public function index(Request $request)
    {
        $query = LtiConfig::query();
        return view('admin.lti_configs.index', [
            'lti_configs' => $query->paginate()
        ]);
    }

    public function create()
    {
        return view('admin.lti_configs.form', [
            'lti_config' => new LtiConfig
        ]);
    }

    public function store(StoreLtiConfigRequest $request)
    {
        LtiConfig::create($request->all());
        return redirect()
            ->route('admin.lti_configs.index')
            ->with('status', 'New consumer added.');
    }

    public function show(LtiConfig $cfg)
    {
        //
    }

    public function edit(LtiConfig $lti_config)
    {
        return view('admin.lti_configs.form', [
            'lti_config' => $lti_config
        ]);
    }

    public function update(StoreLtiConfigRequest $request, LtiConfig $lti_config)
    {
        $lti_config->fill($request->all());
        $lti_config->save();
        return redirect()
            ->route('admin.lti_configs.index')
            ->with('status', 'Consumer updated.');
    }

    public function destroy(LtiConfig $lti_config)
    {
        $lti_config->delete();
        return redirect()
            ->route('admin.lti_configs.index')
            ->with('status', 'Consumer deleted.');
    }
}

redpajama_set_name: RedPajamaGithub


text:
La estación de Achiet es una estación ferroviaria francesa, de la línea férrea París-Lille, situada en la comuna de Achiet-le-Grand, en el departamento de Paso de Calais. Por ella transitan únicamente trenes regionales que unen principalmente Amiens y Rouen con el norte de Francia.

Situación ferroviaria
La estación se encuentra en el punto kilométrico 173,959 de la línea férrea París-Lille.

Historia
Fue inaugurada en la segunda mitad del siglo XIX por parte de la Compañía de ferrocarriles del Norte. En 1937, pasó a ser explotada por la SNCF.

La estación
La estación se configura como un simple apeadero desde el cierre del edificio para viajeros. Se compone de dos andenes, uno central y otro lateral al que acceden tres vías. Existía una cuarta vía pero fue desmantelada lo que ha permitido ampliar la anchura de uno de los andenes.

Servicios ferroviarios

Regionales

 Línea Amiens - Lille.
 Línea Rouen - Lille.
 Línea Achiet - Lille.

Enlaces externos

Estaciones de ferrocarril de Francia inauguradas en 1846
Estaciones de ferrocarril del departamento de Paso de Calais
Estaciones de la línea París-Norte a Lille

redpajama_set_name: RedPajamaWikipedia


30+ webcams and tons of information on McCall Idaho.
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The Only on-the-Water One-Stop Rental Shop in McCall!
No matter what brings you to McCall, the trip is not complete without a visit to the Pancake and Christmas House. It is truly a one-of-a-kind dining and specialty shopping experience.
We are the largest Christmas store in the state of Idaho! Open all year around!
Unique items for all to enjoy! A walk through our shop will bring back memories of days gone by.
Professional rental management for more than 5,000+ vacation homes in some of the most desirable vacation destinations in the western US.


text:
Aire Valley Mortgages 2004-1 plc
Sector In-Depth: RMBS - United Kingdom : Early redemptions of buy-to-let interest-only loans mitigate maturity concentration risk in residential mortgage pools
Announcement: Moody's: No rating impact on notes issued by Aire Valley master trust following note redemption
Announcement: Moody's determines no negative rating impact on Aire Valley Mortgages 2007-1 plc following amendment to the Issuer Bank Account Agreement
Announcement: Moody's determines no negative rating impact on Aire Valley transactions following amendments to the Bank Account Agreements
Rating Action: Moody's downgrades three notes in Aire Valley following worsening swap counterparty credit quality
Moody's updates on Aire Valley Master Trust following the downgrade of Bradford & Bingley plc
London, 16 September 2008 -- On 16 September 2008, Moody's downgraded Bradford & Bingley plc to Baa3/Prime-3 from Baa1/Prime-2. This action has implications on the Aire Valley Master Trust and Bradford & Bingley's role as counterparty to the trust companies.
As a result of the previous downgrade to Baa1 on 4 July 2008, Bradford & Bingley does not meet the Second Trigger Required Ratings (which are A3/Prime-2) under the interest rate swap that they provide to Funding 1 of the Aire Valley trust. In accordance with the terms of the programme, Bradford & Bingley are required to use commercially reasonable efforts to, as soon as reasonably practicable, either (i) transfer the swap to a replacement counterparty with the required ratings or (ii) obtain a guarantee of its obligations under the swap from a guarantor with the required ratings. It is Moody's understanding that Bradford & Bingley is currently in the documentation process with third parties in order to find a solution that meets the requirements of the swap documentation described above. Following the breach of the Second Trigger Required Ratings in July, Bradford & Bingley posted an increased amount of cash collateral for their exposure under the interest rate swaps with Funding 1 of the Aire Valley Master Trust. The required amounts, calculated by Bradford & Bingley, cover the current mark-to-market value and contain an additional collateral amount to cover future changes in the mark-to-market value for the swap exposure in accordance with Moody's published swap criteria.
In addition to the consequences of the earlier trigger breaches, the most recent downgrade results in a breach of the Prime-2 trigger that stops future additions of mortgages to the Aire Valley trust. Furthermore, the Funding companies cannot further increase their share in the mortgage trust, which means that no further issuance out of the trust can be done at Bradford & Bingley's current rating level without a prior waiver of this condition by the trustee. Another consequence of the loss of Prime-2 is that the Bradford & Bingley will have to ensure that the customer files and title deeds related to loans that were assigned to the Aire Valley trust are identifiable as distinct from other loans.
Moody's notes that in case of a further deterioration of Bradford & Bingley's credit quality additional risk might be introduced to the Aire Valley trust via Bradford & Bingley's role as servicer and cash manager and that this could cause adverse consequences for the transactions issued out of the trust.
With regard to the trust, the performance remains in line with Moody's expectations, although as disclosed in the investor report for July 2008, delinquencies over 90 days have increased to 1.6% of the portfolio balance from 0.92% in December 2007, 1.33% in March 2008 and 1.46% in June 2008. Losses for the latest reporting period have been GBP 0.7 million.
Moody's initially analysed the Aire Valley trust -- and continues to monitor it -- using the rating methodology for UK RMBS Master Trust transactions as described in the Rating Methodology reports "Moody's Approach to Rating UK RMBS", published in April 2005, "Moody's Updated Methodology for Rating UK RMBS", published in November 2007, and "Moody's RMBS Master Trust Cash Flow Analysis", published in April 2008. The last rating action on the Aire Valley trust was taken on 23 July 2008, when Moody's assigned definitive ratings to the notes issued by Aire Valley Mortgages 2008-1 and affirmed the outstanding notes of previous issuers.
Moody's will continue to closely monitor the performance of the Aire Valley Master Trust and the actions that might be taken in order to mitigate the impact of Bradford & Bingley's lower ratings on the credit risk of the rated notes issued out of the Aire Valley Master Trust. Bradford & Bingley's currently retains the role as a swap counterparty, cash manager and servicer for the transaction.
Neal Shah
Martin Lenhard
Moody's Deutschland GmbH


THE NATIONAL BIRDS OF PREY CENTRE.
1967 to 2000.The National Birds of Prey Centre started life as The Falconry Centre, first opening to the public in 1967, only six months after arriving in Gloucestershire with 12 birds.
Although falconry was one of the original primary interests, over the years the interests and aims have shifted and the conservation of birds of prey, both wild stocks and captive populations, has taken the foremost position, although the Centre's falconry origins can and never should be forgotten. Indeed, it is interesting to note that in almost all the captive breeding and release projects the world over, with few exceptions, by far the most successful and sustained are those started and/or run by, or advised by those with falconry backgrounds. The insight gained in handling, training and flying many of the species of raptors and owls is often far greater than that which could ever be learned from observation of either wild or captive birds. This insight makes the breeding of the birds in captivity an easier task, as the species, and the individual birds become known far more intimately.
The National Birds of Prey Centre has for some time been extraordinarily successful in the captive breeding field and is the world leader in the number of species bred in a single establishment – 60 in 34 years to date. The expertise of the staff at the Centre is frequently called upon by other collections and Breeding programs for advice and help.
The following is a list of species bred at the Centre over the years.
Those species with a star (*) are those that have laid, but not yet produced fertile eggs. Some birds we have ceased to breed from, such as the European Sparrowhawk and the Barn Owl as there is no justification in continuing to breed them at the moment. However we now have the knowledge and should it ever be needed, the experience is there as a safety net.
Most of these are produced from just one pair. We consider that our brief at the National Birds of Prey Centre has never been to produce large quantities of young from a small number of species, as in a specific captive and release programme, but rather to produce small quantities, consistently, from many species. Sustained captive breeding and with particular emphasis on producing F2 and 3 birds is important to us. Thereby we gain tremendous amount of knowledge whilst sharing an interesting collection with the visiting public, who not only enjoy it, but at the same time learn a great deal. However we do feel that a one off breeding has little value and can often be put down to luck rather than judgement and hard work, so we try to breed from the birds on a regular basis until we hope we have gained a fair degree of knowledge of the species involved. We are able to share that knowledge with groups who are starting specific captive and release programmes and are involved with two that are producing Egyptian Vultures for release to the wild over a long period.


text:
Biografia
Nato in Canada nel 1951, a undici anni si è trasferito negli Stati Uniti e dal 1973 risiede in Inghilterra.

A partire dal suo esordio nel 1984 con The Unconquered Country ha pubblicato altri sette romanzi e numerosi racconti d'argomento fantasy, fantascientifico e slipstream.

Nel corso della sua carriera ha ricevuto alcuni tra i più prestigiosi riconoscimenti del settore tra i quali il Premio Philip K. Dick, l'Arthur C. Clarke e il John Wood Campbell Memorial.

È impegnato nella divulgazione della fantascienza nel continente africano e nella promozione di autori provenienti dall'Africa tramite il progetto 100 African Writers of SFF.

Opere

Romanzi
 The Unconquered Country (1984)
 La magia di Cara (The Warrior Who Carried Life, 1985), traduzione di Maurizio Carita, Milano, Mondadori, 1992
 The Child Garden (1989)
 Was... (1992)
 253, or Tube Theatre (1998)
 Lust (2001)
 Air: Or, Have not Have (2005)
 The King's Last Song (2006)

Raccolte
 Unconquered countries: Four novellas (1994)
 Paradise Tales (2011)

Racconti tradotti
 Omnisexual (Omnisexual, 1990), traduzione di Nicoletta Vallorani, in Fantasex, IperFICTION, Interno Giallo/Mondadori, 1993.
Ovunque (Everywhere, 1999), traduzione di Roberto Marini, in Umani e transumani. Il meglio della fantascienza 2, Urania 1462, Arnoldo Mondadori Editore, 2003.
V.A.O. (racconto lungo, V.A.O.), traduzione di Nello Giugliano, ne Le città del domani, Collezione Immaginario. Solaria 15, Fanucci Editore, 2004.
Avere non avere (Have Not Have, 2001), traduzione di Piero Anselmi, ne Il meglio della SF / II., Millemondi 49, Arnoldo Mondadori Editore, 2009.
I giorni di nascita (Birthdays, 2003), traduzione di Fabio Feminò, in Venti galassie, Millemondi 44, Arnoldo Mondadori Editore, 2007.
 Bloccato (Blocked, 2009), in Orizzonti infiniti, Urania 1626, Milano, Mondadori, 2016
 Quelle ombre ridono, (Those shadows lough, 2014), traduttrice : Annarita Guarnieri, in  Millemondi n°80 , 2018 Arnoldo Mondadori Editore)

Riconoscimenti
 BSFA Award : 1984 - 2005
 Premio World Fantasy : 1985 (Categoria Best Novella)
 Premio Arthur C. Clarke : 1990 - 2006
 Premio John Wood Campbell Memorial : 1990
 Premio Philip K. Dick : 1998
 Premio James Tiptree Jr. : 2005
 Premio Nebula per il miglior racconto : 2011

Note

Altri progetti

Collegamenti esterni

Scrittori di fantascienza canadesi


text:
Q: Crossing / Knocking at/on door Context: I have received a feedback request for an interview process. The company didn't offer me the job, but I appreciate their approach in requesting feedback, so I am inclined to provide it. However, I'm not sure it's anonymous and I'd like to express some criticism, but  I also would like to not be excluded from a possible recruiting process in the future because of my opinions. I told someone the following sentence:

I am reluctant to express negative feedback to someone whose door I might knock on again in the future.

They (native speaker) corrected me saying:

... whose door I might cross ...

Which version do you prefer?
Thanks!

A: "On whose door I might knock" is correct. It is better not to end with a preposition.
Native speakers don't cross a door, at least in my neck of the woods, unless they want to give the door a special blessing.

redpajama_set_name: RedPajamaStackExchange


Please note: Most conventional tractors are 27 to 33 feet long and almost 10 feet wide with mirrors. Most tractor trailers are 72 to 75 feet long and almost 10 feet wide with mirrors.
Need additional space? Complete this section.
X $ per sq. ft.
Please list any large display items that you will showcase in your booth (we want to make sure that you reserve adequate space).
Please note: We will use this form as a guide when laying out the show grounds. Please make sure that the information provided is accurate.


text:
Roswell mother describes moment she learned her son was shot, killed
Faith Egbuonu
ROSWELL, N.M.- Police are on the hunt for 25-year-old Jorge Luis Villa. Villa is accused of shooting and killing 27-year-old Johnathan Carter in Roswell Monday morning.
Nicole Maynard Sena, 36, is a person of interest in the case.
Carter's family is heartbroken from the sudden loss of their son, brother, father and friend.
"It was like a bad dream," said Carter's mother, Tammy Carlton.
"It's kind of hard to accept and still kind of hard to believe," said Carter's brother, Eric.
Carlton said she tried to call Johnathan earlier that morning, but couldn't get a hold of him. She heard the news when she got back into town.
"One of his friends called me and said you need to get to the hospital, your son has been shot," Carlton said. "I was like, 'What? Oh my God.' So, we rushed to the hospital."
After an hour of waiting, they received the answer they didn't want to hear.
"The police and doctors came in and said my son was gone from two gun shots," Carlton said. "One to the heart and one to the leg."
The family wants the suspect behind bars, but believes it's a lose-lose situation either way.
"I do feel for their family as well because they're going to eventually, probably lose a son to the system," Eric said. "But, I mean, justice needs to be served."
The family said they're struggling with funeral expenses, and appreciates any help they can get.
Click here to donate to the family's GoFundMe account


text:
Cubs' Central Division Odds Are Shortest They Have Been All Season Thanks to Opening Two-Game Lead
The Chicago Cubs chances to win National League Central would be the shortest theyve been annually. The St. Louis Cardinals are only two games while the Milwaukee Brewers course by 2.5. Is there worth with both of the two trailers or will be the Cubs that the best bet to win this division?
*Odds of 12/08/2019.
While the Cubs can not appear to pull in the Central, theyve seemed to be the team this season. As they have been 19-12 in their last 31 games, theyve picked their game up during the last month.
The Cubs rank fifth in team ERA and are seventh in OPS, therefore they are a balanced team. A big issue for them conserves as they have blown 21 saves — the third-most from the majors and has been the late innings. Bear in mind they signed Craig Kimbrel although hes hurt at the moment, and hes been fairly reliable for them.
It feels just like the Cardinals simply can not really get there this season. Theyve mostly been about a .500 group this year, slightly hovering over that mark. They came out with wins in 12 of the first 14 games of the gates in the second half of this season. Then they took two of three from the Chicago Cubs.
However, the Cards quickly gave it back, dropping five. It only feels like this group is a couple of bricks short of a load. They didnt help the roster and this is that they are. Their offense ranks 25th in runs 24th and scored at OPS. It is just not great enough — even in a weak division.
Of the three contenders in the race, the Cards have the worst record against winning teams since theyre only 30-35 (13th at the Majors) whereas the Brewers are 36-29 (fourth) while the Cubs are 33-31 (seventh). That is not a good sign for St. Louis.
As they represented the Cardinals this year, it is hard for me to get on board with the Brewers: been near .500 but hovered across over it. They had been 47-44 at the fracture and then began the second half but would be.
Pitching is a struggle for this team as theyve blown six saves. On the year, their pitching staff has a WHIP of 1.38, which is 17th.
On crime, the Brewers likely have the best player in this branch in Christian Yelich. He is batting .335 and has 39 home runs but even with these numbers that are incredible, the Brewers are 17th 24th in home runs since the All-Star break. I dont believe that they have the equilibrium.
Cardinals and the Brewers had to help themselves at the trade deadline and that also they did not. The Cubs made moves ahead of the deadline and also Nick Castellanos in its acquisition together with the registering of Kimbrel. They picked up Derek Holland and Tony Kemp.
Remember that the Cubs have coped with a ton of injuries but should get healthy. Together with Pedro Strop rear and Kimbrel coming shortly, this will be the team. They are the best bet.
Lets keep it civil and have fun.
Read more: https://kuechenpsychologie-film.de/who-will-replace-julien-as-the-full-time-head-coach-of-the-bruins/


Once again, the fan Rick Ross is seen wearing a pair of The Vintage Frames Company exclusive MMG Sunglasses. We made a custom set for Rick Ross a couple of months back. One of the custom Cazal sunglasses seen here is the Vintage Frames Company x Cazal MMG Edition 901 Sunglasses. Check the video blog below!


text:
Q: How to enable events on components in JList I'm using custom renderer on JList, but none of components rendered are accessible.
list.setCellRenderer(new ListCellRenderer() {

    public Component getListCellRendererComponent(JList list, Object value,
            int index, boolean isSelected, boolean cellHasFocus) {

        JCheckBox c = new JCheckBox();
        JButton b = new JButton("My Button!");

        JPanel p = new JPanel(new FlowLayout());
        p.add(c);
        p.add(b);

        if (isSelected) {
            p.setBackground(Color.LIGHT_GRAY);
        }
        return p;
    }
});

Clicking on checkbox or button doesn't do anything. I've also tried to add ActionListener to buttons, but it didn't fire while clicked. The only thing that works is background color while selected item (see screenshot).
There is not even the "click animation" when I click the button.
alt text http://foto.darth.cz/pictures/2009-05-19_151057.png
So my question is, do I have to do something else to enable evens on rendered components?

A: Same as for Tables really. A renderer component is not actually a real component. It just like a template used to draw a fake component. Why don't you try sticking your components in either a JScrollPane or make them into a one column JTable and implement the appropriate renderer/editors instead?


text:
Home Regional W/R: Newly sworn-in GJA executives to reignite professionalism among members
W/R: Newly sworn-in GJA executives to reignite professionalism among members
Newly sworn-in President of the Western Regional branch of the Ghana Journalists' Association (GJA) Desmond Cudjoe is promising of a tenure that will see to it that journalism becomes an enviable profession.
He underscores the critical role journalism plays in the development paradigm of any country for which reason the profession should be one that hinges on professionalism and not sensationalism.
Mr. Cudjoe said this when he, together with other regional executives were sworn in on Thursday July 7, 2022 at the Sekondi Magistrate Court Complex by Her Lordship Rosemary Hayford.
The current leadership is made up of Desmond Cudjoe of the Ghana Broadcast Corporation (GBC) as the President, Kwame Mensa of EIB as the Vice President, Shirley Ewurama Smith of Media General as the General Secretary and Marie Aziz Tunde of GBC as the Treasurer.
All four regional executives contested the elections unopposed.
Mr. Cudjoe expressed regret that over the years the standard of journalism in the country has been falling and fears things could be worse if pragmatic efforts are not made to stem the trend.
"I must confess that the standard has not been the best. You look at the stories and more of them tend to be about character assassination, full of malicious content, disregard for the basic ethics of journalism, some reporters go to programs uninvited and after fight organisers for 'soli'. Some appear on radio or TV platforms and you can tell the person was ill prepared and so on and so forth".
According to him, "these problems we see are because of the lack of the required training, poor renumeration, the thirst for cheap labour on the part of media owners resulting in the recruitment of unqualified personnel and in recent times politicians owning media houses."
But he envisions a tenure in office where journalists will be guided by the ethics of the profession in all their engagements "if not everywhere in the country, at least in the Western Region".
"So, what my team and I intend doing in the early stages of our administration is to first get a database of all journalists in the region, where they work, their qualification and the program that they do.
We will encourage as many as possible to register with the association. Then we will analyse the database to see the sour points. We will then look at collaborating with both local and international training institutions to help upgrade skills.
This training is going to be a regular one. There will also be a lot of symposia where we will invite companies to lecture members for them to know more about those companies. This way, when they are to report on them, they will do so from an informed position".
For her part, the regional Secretary Shirley Ewurama Smith mentioned that another area that the new executives will also pay attention to, will be the welfare of journalists in the region.
"The welfare of members is so important especially for those on retirement. What you see is that because of the low renumeration, majority of journalists are not able to save enough to enable them have a good future. What we will be considering is an insurance system where members will contribute so as to help them when they are no more active".
By Eric Yaw Adjei|ConnectFM|Onuaonline.com|Ghana
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Marquette.edu // Diederich College of Communication // Undergraduate Majors // Theatre Arts //
Each season, Marquette Theatre employs several professional, guest-artists from our rich Milwaukee theatre community and beyond. Our students benefit from working side-by-side with a talented array of professionals, building connections that can help shape their futures. Here are some of our recent guest-artists (with a more complete list below):
Marti Gobel, Director - Crumbs from the Table of Joy (2019), Wine In The Wilderness (2016) and In The Red And Brown Water (2014)
Marti Gobel serves as the Resident Teacher Artist and Education Program Designer for Renaissance Theatreworks in Milwaukee. A local actor, director and arts educator, Marti was also the Artistic Director of UPROOTED Theatre. In August 2015, Marti completed Kennedy Center Training focusing on Effective Residency and Lesson Planning. As an actor and director, Marti has worked with Next Act Theatre, Milwaukee Chamber Theatre, Renaissance Theatreworks, and Forward Theatre. Marti actively engages in public speaking and advocacy campaigns to promote diversity in the arts.
Lenny Banovez, Director - Little Women (2018)
Lenny is the Artistic Director of Titan Theatre Company in New York City and Hope Summer Repertory Theatre in Holland, MI. His MFA is from the Professional Actor Training Program (PATP) at Ohio University. As an actor, director and educator Lenny has worked with: The Kennedy Center, Cherry Lane Theatre NYC, Theatre Row NYC, Milwaukee Repertory Theater, PCPA Theaterfest, Houston Shakespeare Festival, Renaissance Theaterworks, Milwaukee Chamber Theater, Hyperion Theater Project NYC, Texas Shakespeare Festival, and Virginia Shakespeare Festival.
Tony Clements, Director - A Year With Frog & Toad (2018) and Urinetown (2013)
Tony Clements is a New York City-based theatre director and actor. He is the Creative Director for Harmony Japan, Ltd, and Assistant Producer of the "Disney on Classic" annual symphony concert tours of Japan. He works in New York City, regionally throughout the U.S, and internationally in places like Tokyo, South Korea, and Taiwan. His acting credits include Broadway (Mama Mia!), National and International Tours, and numerous regional theatres.
Erin Slattery-Black, Costume Design - A Year With Frog & Toad (2018)
Erin Slattery Black has earned three Emmy Awards for her work as a costume designer for Sesame Street. She teaches at New York University's Tisch School of the Arts as well as working as a freelance illustrator, sculptor and designer for television, film and live theatre in New York City. Erin is also a proud Marquette University alumnus.
Ray Jivoff, Director - Anything Goes (2017) and Little Shop Of Horrors (2011)
Ray Jivoff is a Milwaukee-based actor/director/teacher and is the Artistic Director of Skylight Music Theatre. He oversees Enlighten, Skylight's Education Program. Roles at Skylight include narrator/mysterious man in Into the Woods, Mr. Zero in Adding Machine, Roger Debris in The Producers, Koko in The Mikado and the Major General in The Pirates of Penzance.
Directing projects include Hair at Skylight; The Complete Works of William Shakespeare, Abridged, Revised at Milwaukee Chamber Theatre, Little Shop of Horrors at Marquette University, West Side Story at UW Milwaukee, Ragtime at Milwaukee High School of the Arts and Sweet Charity at Sunset Playhouse.
Bill Watson, Director - Two Rooms (2017) and Boys Next Door (2013)
Bill Watson is a professional actor and director and has taught movement, acting and directing at Universities of Texas, Idaho and Montana now heads the BFA acting program at UW-Milwaukee. Professional credits include: Seattle Repertory Theatre, Intiman Theatre, Colorado Shakespeare Festival, The Empty Space, The State Theatre of Austin, The Montana Repertory Theatre, Montana Shakespeare In The Parks, and A Contemporary Theatre. He has collaborated and studied with such international physical performers as Bob Berky and Avner Eisenberg.
Leda Hoffmann Director - Censored On Final Approach (2016) and Student Body (2018)
Leda has directed at Milwaukee Repertory Theater, Illinois Shakespeare Festival, Renaissance Theatreworks, Milwaukee Chamber Theater, Door Shakespeare, Riverside Theater (Iowa City), The Alchemist Theatre, and self-produces work in non-traditional spaces with her company, Luminous Theatre. Beginning as an intern at the Milwaukee Rep she became their Director of Community Engagement for many years. She is a member of Lincoln Center Directors Lab 2012 and Chicago Directors Lab 2013. Having grown up in Greece, Indonesia, Malaysia, Nepal, and Canada, as the daughter of a U.S. Foreign Service Officer, Leda is a dual citizen of the United States and Canada.
Contributions from Guest Artists
Marcella Kearns, Director
Karen Estrada, Director / Co-Creator
Ruben Piirainen, Music Director / Co-Creator
Niffer Clarke, Vocal Director
Di Aliotta, Director
Marti Gobel, Director
Mike Fischer, Dramaturg
Maggie Spanuello, Director
Vanessa Weber, Music Director
JJ Gatesman, Fight Director
Christopher Elst, Fight Director
Lenny Banovez, Director
Kristen M. Singer, Music Director
Nic Trapani, Lighting Designer
Niffer Clarke, Director / Vocal Coach
Leda Hoffmann, Director
Tony Clements, Director
Erin Slattery-Black, Costume Design
Madilyn Yee, Scenic Designer
Niffer Clarke, Director
Josh Robinson, Music Director
Ray Jivoff, Director
Paul Helm, Music Director
Lex Gernon, Scenic Designer
Di Aliota, Director
Bill Watson, Director
Victoria Deiorio, Sound Design
Kevin M. Grab, Properties
Mark Konewko, Music Composition
Ron Naversen, Scenic Design
James Kaplan, Music Director
Dead Man's Cell Phone
Songs of Note
Arnie the Doughnut
Crumbs from the Table of Joy
Image of an Unknown Young Woman
Dooby Dooby Moo
A Year with Frog & Toad
Fancy Nancy
Two Rooms
Censored on Final Approach
Ivy & Bean
Theatre Arts Major
Shows and Tickets
New Student Auditions
Helfaer Theatre Box Office
Theatre Arts Curriculum
Arts at Marquette
Marquette Theatre is part of the MarquetteArts student experience. Check out the MarquetteArts website to learn more.


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»Chs. ATCP 55-89; Food, Lodging, and Recreation Safety
»Chapter ATCP 82
ATCP 82.02(7)(c) (c) The information display, under par. (b), shall be permanently attached to the bulk milk tanker. The color of the letters and numbers shall be in sharp contrast to the background on which the letters and numbers are displayed. Each letter and number comprising the information shall be at least 2 inches in height and readily legible during daylight hours while the bulk milk tanker is stationary. The permit holder shall maintain the display so that it remains fully legible at all times.
ATCP 82.02(8) (8) Certified industry inspection of grade A bulk milk tankers.
ATCP 82.02(8)(a)(a) The department may certify industry personnel to inspect bulk milk tankers for the purpose of issuing grade A permits. Certified industry inspectors shall be authorized to conduct inspections and reinspections of bulk milk tankers and issue or deny grade A permits for bulk milk tankers.
ATCP 82.02(8)(b) (b) Applicants for the certified industry inspection program shall be appointed in compliance with requirements for special dairy and food inspectors under s. 97.32 (1), Stats. Certification shall be for a period not exceeding 3 years from the date of formal certification or re-certification. The department may revoke the certification of an industry inspector, if the inspector fails to comply with the requirements of the certified dairy inspection program, in accordance with s. 97.32 (4), Stats.
ATCP 82.02(8)(c) (c) The department shall maintain a written program describing procedures for implementing the certified industry inspection program. Certified industry inspectors shall maintain copies of certification and inspection records for 3 years and shall file annual bulk milk tanker inspection reports with the department.
ATCP 82.02 History History: Cr. Register, November, 1994, No. 467, eff. 12-1-94; CR 05-044: am. (2) (intro.), (3) (b) and (4), r. and recr. (5) Register December 2005 No. 600, eff. 1-1-06; CR 07-006: am. (1) (b), (2) (intro.) and (c) and (7), cr. (2) (e), (7) (d) and (e), Register January 2008 No. 625, eff. 2-1-08; CR 07-037: am. (4) and (5) (b) Register April 2008 No. 628, eff. 5-1-08; CR 13-104: am. (7) (a), (b), cr. (8) Register July 2014 No. 703, eff. 8-1-14; CR 15-094: am. (title), r. (1), cr. (1m), am. (2) (title), (intro.), (d), (e), (3), r. (4), am. (5), (6), r. and recr. (7) Register August 2016 No. 728, eff. 9-1-16; correction in (1m) made under s. 13.92 (4) (b) 7., Stats., correction in (7) (b) 2. made under s. 13.92 (4) (b) 6., Stats., and correction in (7) (a) made under s. 35.17, Stats., Register August 2016 No. 728.
ATCP 82.04 ATCP 82.04 Bulk milk weigher and sampler; license and grade A permit.
ATCP 82.04(1) (1) License required. Except as provided under sub. (2), no person may do either of the following unless that person holds a valid bulk milk weigher and sampler license issued by the department under s. 98.146, Stats., and this section:
ATCP 82.04(1)(a) (a) Weigh or measure milk, for payment purposes.
ATCP 82.04(1)(b) (b) Collect test samples of milk required under s. ATCP 65.38.
ATCP 82.04(2) (2) Buttermaker or cheesemaker; exemption. Subsection (1) does not apply to a person who holds a valid buttermaker or cheesemaker license issued by the department under s. 97.17, Stats.
ATCP 82.04(3) (3) Initial bulk milk weigher and sampler license application. Before the department initially licenses any person as a bulk milk weigher and sampler, that person shall demonstrate his or her competency by doing all of the following:
ATCP 82.04(3)(a) (a) Submit an application for a bulk milk weigher and sampler license on a form provided by the department. The form shall be accompanied by all fees that are due and payable under sub. (6). The application shall include all information reasonably required by the department for licensing purposes.
ATCP 82.04(3)(b) (b) Pass a written examination administered by the department.
ATCP 82.04(3)(c) (c) Pass a field inspection administered by the department, within 21 days of passing the written examination.
ATCP 82.04(4) (4) Action on initial application for bulk milk weigher and sampler license. The department shall grant or deny an initial bulk milk weigher and sampler license under sub. (3) within 40 days after the department receives a complete application.
ATCP 82.04(5) (5) License expiration.
ATCP 82.04(5)(a)(a) Except as provided in par. (b), a bulk milk weigher and sampler license expires on the second September 30 following the date on which the department issues or renews the license.
ATCP 82.04(5)(b) (b) If the department issues or renews a license before September 30 of any year in response to an application filed after August 15 of that year, the license expires on the third September 30 following the date on which the department issues or renews the license.
ATCP 82.04(6) (6) License and reinspection fees.
ATCP 82.04(6)(a)(a) License fee. An applicant for a bulk milk weigher and sampler license shall pay a biennial license fee of $60.
ATCP 82.04(6)(b) (b) Reinspection fee required. If the department reinspects a bulk milk weigher and sampler because the department finds a violation of ch. 97, Stats., or this chapter, the department shall charge the bulk milk weigher and sampler a reinspection fee of $60. The reinspection fee is payable when the reinspection is completed, and is due upon written demand from the department. The department may issue a demand for payment when it issues a license renewal application to the bulk milk weigher and sampler.
ATCP 82.04(6)(c) (c) Written examination. The department may require that the bulk milk weigher and sampler pass a written examination in conjunction with a reinspection. No fee shall be charged to the bulk milk weigher and sampler for this examination.
ATCP 82.04(7) (7) License renewal. A person applying to renew a bulk milk weigher and sampler license shall be required to do all of the following:
ATCP 82.04(7)(a) (a) Submit an application for renewal of a bulk milk weigher and sampler license on a form provided by the department. The form shall be accompanied by all fees that are due and payable under sub. (6). The application for renewal shall include all information reasonably required by the department for licensing purposes.
ATCP 82.04(7)(b) (b) Pass a field inspection administered by the department or another regulatory agency which grants bulk milk weigher and sampler licenses, within the previous 24 month period.
ATCP 82.04(8) (8) Action on application to renew a bulk milk weigher and sampler license. The department shall grant or deny a license application under sub. (7) within 40 days after the department receives a complete application.
ATCP 82.04(9) (9) Grade a bulk milk weigher and sampler permit required. Except as provided under sub. (2), no person may do either of the following unless that person holds a valid grade A bulk milk weigher and sampler permit in addition to the bulk milk weigher and sampler license issued by the department under s. 98.146, Stats., and this section:
ATCP 82.04(9)(a) (a) Weigh or measure grade A milk, which will be processed as grade A milk or a grade A dairy product, for payment purposes.
ATCP 82.04(9)(b) (b) Collect test samples of grade A milk, which will be processed as grade A milk or a grade A dairy product, as required under s. ATCP 65.38.
ATCP 82.04(10) (10) Obtaining an initial grade A bulk milk weigher and sampler permit. A person shall be granted a grade A permit by the department upon successfully obtaining their initial bulk milk weigher and sampler license under sub. (3) or before the expiration date of that license under sub. (5), provided that if any reinspections of the person have been conducted under sub. (6), the most recent reinspection was passed by the person. A person holding a bulk milk weigher and sampler license from the department, who passes an inspection conducted by another regulatory agency which grants grade A bulk milk weigher and sampler permits, may conduct the activities in sub. (9) (a) and (b).
ATCP 82.04(11) (11) Renewing a grade a bulk milk weigher and sampler permit. A person shall be granted a renewal of a grade A bulk milk weigher and sampler permit by the department upon successfully renewing their initial bulk milk weigher and sampler license under sub. (7) or before the expiration date of that license under sub. (5), provided that if any reinspections of the person have been conducted under sub. (6), the most recent reinspection was passed by the person. A person holding a bulk milk weigher and sampler license from the department, who passes an inspection conducted by the regulatory agency of another state which grants grade A bulk milk weigher and sampler permits, may conduct the activities in sub. (9) (a) and (b).
ATCP 82.04 History History: Cr. Register, November, 1994, No. 467, eff. 12-1-94; CR 01-028: r. and recr. (3), Register September 2001 No. 549, eff. 10-1-01; CR 05-044: r. and recr. (5) Register December 2005 No. 600, eff. 1-1-06; CR 07-006: am. (1) (a) and (b), Register January 2008 No. 625, eff. 2-1-08; CR 07-037: am. (5) (a) and (b) Register April 2008 No. 628, eff. 5-1-08; CR 13-104: am. (title), renum. (3) to (5), cr. (3) (a), am. (4), renum. (5) to (6) and am. (6) (b), cr. (6) (c), renum. (6) to (8) and am., renum. (7) (intro.), (a), (b) to (3) (intro.), (b), (c) and am., cr. (7) (a), (b), renum. (8) to (7) (intro.) and am., cr. (9) to (11) Register July 2014 No. 703, eff. 8-1-14; correction in (6) (c) (title) made under s. 13.92 (4) (b) 2., Stats., Register July 2014 No. 703; CR 14-073: am. (1) (b), (9) (b) Register August 2016 No. 728, eff. 9-1-16.
ATCP 82.06 ATCP 82.06 Bulk milk tankers; construction and maintenance.
ATCP 82.06(1)(1) Sanitary construction. Bulk milk tankers, including equipment and accessories, shall be of sanitary design and construction, and shall comply with 3-A Sanitary Standards for Stainless Steel Automotive Transportation Tanks for Bulk Delivery and Farm Pick-Up Service, No. 3A 05-15 (November 24, 2002).
ATCP 82.06 Note Note: Copies of the 3-A Standards are on file with the department and the legislative reference bureau. Copies may be obtained from 3-A Sanitary Standards, Inc. Online Store at http://www.techstreet.com.
ATCP 82.06(2) (2) Maintenance. Bulk milk tankers, including equipment and accessories, shall be kept clean and in good repair.
ATCP 82.06 History History: Cr. Register, November, 1994, No. 467, eff. 12-1-94; CR 07-006: am. (1), Register January 2008 No. 625, eff. 2-1-08.
ATCP 82.08 ATCP 82.08 Cleaning and sanitizing bulk milk tankers.
ATCP 82.08(1)(1) Cleaning and sanitizing required. A bulk milk tanker operator shall ensure the following:
ATCP 82.08(1)(a) (a) No person may operate a bulk milk tanker unless the bulk milk tanker is cleaned immediately after each day's use and sanitized prior to the next day's use. A bulk milk tanker, including all attached dairy product pumps and hoses, shall be cleaned and sanitized according to this section. A bulk milk tanker shall be re-sanitized if the tanker has not been used for more than 96 hours after last being sanitized.
ATCP 82.08(1)(b) (b) Except as provided in par. (c), a bulk milk tanker is not required to be cleaned or sanitized between loads during a 24 hour period, provided that the bulk milk tanker is cleaned after that day's use and sanitized prior to the next day's use.
ATCP 82.08(1)(c) (c) Milk and dairy product pumps and hoses shall be cleaned and sanitized whenever those pumps or hoses remain unused for more than 4 hours.
ATCP 82.08(1)(d) (d) No person may operate a bulk milk tanker unless the tanker bears a tag under sub. (4) showing that it has been cleaned and sanitized according to this section.
ATCP 82.08(2) (2) Bulk milk tanker cleaning facility.
ATCP 82.08(2)(a)(a) A bulk milk tanker, including its pumps and hoses, shall be cleaned and sanitized in a fully enclosed and heated facility. The facility shall have an impervious drained floor. The facility shall be equipped with adequate hot and cold water under pressure, a wash vat, pressure sanitizing facilities, and equipment storage racks. Bulk milk tankers may be cleaned and sanitized in the same room where milk is received from those bulk milk tankers.
ATCP 82.08(2)(b) (b) A facility used to clean and sanitize grade A bulk milk tankers, pumps, and hoses shall be covered by a grade A permit under sub. (6) and meet the requirements of par. (a).
ATCP 82.08(3) (3) Cleaning and sanitizing procedure. Whenever a bulk milk tanker is cleaned and sanitized, the bulk milk tanker operator or bulk milk tanker cleaning facility employee shall do all of the following:
ATCP 82.08(3)(a) (a) Clean and sanitize every dairy product contact surface on the bulk milk tanker, including product contact surfaces of equipment and accessories used on the tanker. If a bulk milk tanker operator or bulk milk tanker cleaning facility employee is only required to clean tanker pumps and hoses under sub. (1) (c), the operator or employee shall clean every dairy product contact surface on those pumps and hoses.
ATCP 82.08(3)(b) (b) Sanitize dairy product contact surfaces according to s. ATCP 65.34.
ATCP 82.08(3)(c) (c) Thoroughly clean all of the external surfaces of the bulk milk tanker.
ATCP 82.08(4) (4) Cleaning documentation.
ATCP 82.08(4)(a)(a) No person may operate a bulk milk tanker unless a cleaning tag is attached that includes all of the following information:
ATCP 82.08(4)(a)1. 1. The identification number of the bulk milk tanker, including grade A permit number if any.
ATCP 82.08(4)(a)2. 2. The date and time of day when the bulk milk tanker was cleaned and sanitized.
ATCP 82.08(4)(a)3. 3. The name and location of the facility where the bulk milk tanker was cleaned and sanitized and the facility's grade A permit number under sub. (6) if any.
ATCP 82.08(4)(a)4. 4. The signature or initials of the person who cleaned and sanitized the tanker.
ATCP 82.08(4)(b) (b) The bulk milk tanker shall have a tag attached as required under par. (a) to the outlet valve or inside the pump cabinet of the tanker. No person may remove the tag, except as provided in par. (c).
ATCP 82.08(4)(c) (c) Whenever a bulk milk tanker operator or bulk milk tanker cleaning facility employee cleans and sanitizes a bulk milk tanker, the last cleaning tag attached to the bulk milk tanker under this subsection shall be removed before attaching a new tag. The removed tag shall be retained for at least 15 days, at the location where the bulk milk tanker was cleaned and sanitized.
ATCP 82.08(4)(d) (d) Whenever a bulk milk tanker operator or a bulk milk tanker cleaning facility employee cleans and sanitizes a direct ship tanker, the operator or employee shall apply a seal to each access port.
ATCP 82.08(6) (6) Grade a bulk milk tanker cleaning facility; permit.
ATCP 82.08(6)(a)(a) No person may operate a bulk milk tanker cleaning facility to clean grade A bulk milk tankers unless that person holds a valid grade A permit from the department for that facility. A permit is not transferable between persons or facilities.
ATCP 82.08(6)(b) (b) A person shall apply for a grade A permit under par. (a) on a form provided by the department. The application shall include all of the following:
ATCP 82.08(6)(b)1. 1. The applicant's name, address, and telephone number.
ATCP 82.08(6)(b)2. 2. The complete address of the bulk milk tanker cleaning facility, including street address, post office, and county.
ATCP 82.08(6)(b)3. 3. Other information that the department reasonably requires, for purposes of issuing the grade A permit.
ATCP 82.08(6)(c) (c) The department shall grant or deny a grade A permit application under par. (a) within 40 days after the department receives a complete application.
ATCP 82.08(6)(d) (d) In order for a bulk milk tanker cleaning facility to hold a valid grade A permit, the bulk milk tanker cleaning facility must pass a semi-annual inspection by the department.
ATCP 82.08 History History: Cr. Register, November, 1994, No. 467, eff. 12-1-94; CR 07-006: r. and recr., Register January 2008 No. 625, eff. 2-1-08; CR 13-104: am. (title), cr. (1) (intro.), am. (1) (a) to (c), (2), (3) (intro.), (a), (4) (title), (a) (intro.), 2., 3., (b), (c), cr. (4) (d), (6) (d) Register July 2014 No. 703, eff. 8-1-14; CR 14-073: am. (3) (b) Register August 2016 No. 728, eff. 9-1-16.
ATCP 82.10 ATCP 82.10 Collecting milk from dairy farms.
ATCP 82.10(1)(1) Collection frequency.
ATCP 82.10(1)(a)(a) If milk from a grade A or grade B dairy farm violates a standard under s. ATCP 65.70 on any single test, milk from that farm shall be collected at least one every 2 days until a subsequent test shows that the milk from that dairy farm complies with that standard. This paragraph does not require a bulk milk weigher and sampler to collect milk if collection would violate ch. ATCP 65.
ATCP 82.10(1)(b) (b) A dairy plant operator receiving milk from a dairy farm shall immediately notify the bulk milk weigher and sampler and milk producer whenever milk from that dairy farm must be collected more frequently in order to comply with par. (a). No dairy plant operator may receive milk collected in violation of par. (a).
ATCP 82.10(2) (2) Supplies required for milk collection and sampling. A bulk milk weigher and sampler who collects milk in bulk shall have the following supplies available:
ATCP 82.10(2)(a) (a) An adequate supply of sample containers to collect samples under s. ATCP 82.12. The sample containers shall comply with s. ATCP 82.12 (4).
ATCP 82.10(2)(b) (b) A sample dipper to collect samples under s. ATCP 82.12. The sample dipper shall be kept in a sample dipper well designed for that purpose.
ATCP 82.10(2)(c) (c) A sanitizing solution of not less than 100 ppm nor more than 200 ppm chlorine or its equivalent. The bulk milk weigher and sampler shall carry a sanitizing solution test kit to test the strength of the sanitizing solution.
ATCP 82.10(2)(d) (d) An insulated carrying case with a rack to hold samples collected under s. ATCP 82.12. The carrying case shall comply with s. ATCP 82.12 (6) (a).
ATCP 82.10(2)(e) (e) A dial or digital thermometer, calibrated for accuracy against a thermometer traceable to a National Institute of Standards and Technology certified thermometer at least every 6 months, accurate to plus or minus 2°F., that can be used to check the accuracy of farm bulk tank indicating thermometers under sub. (6) (b).
ATCP 82.10(2)(f) (f) A marking device to identify samples collected under s. ATCP 82.12. Samples shall be identified according to s. ATCP 82.12 (6).
ATCP 82.10(2)(g) (g) A watch or other timing device.
ATCP 82.10(2)(h) (h) An adequate supply of forms and a writing device to prepare milk collection records under sub. (10).
ATCP 82.10(2)(i) (i) An adequate supply of single-service paper towels.
ATCP 82.10(3) (3) Bulk milk weigher and sampler sanitation. A bulk milk weigher and sampler shall wear clean clothes when measuring, sampling, or collecting milk at a dairy farm. A bulk milk weigher and sampler shall maintain a high degree of personal cleanliness, and shall observe good hygienic practices during all working periods. No bulk milk weigher and sampler who has a discharging or infected wound, sore, or lesion on his or her hands or exposed arms may measure, sample, or collect milk at a dairy farm.
ATCP 82.10(4) (4) Examining milk by sight and smell.
ATCP 82.10(4)(a)(a) Before any person receives or collects milk from a dairy farm, that person shall examine the milk by sight and smell, and shall reject all milk that has an objectionable odor, that is abnormal in appearance and consistency, or that is visibly adulterated.
ATCP 82.10(4)(b) (b) A bulk milk weigher and sampler who rejects milk under par. (a) may not collect that milk, or commingle it with milk from any other producer. If a producer disputes a bulk milk weigher and sampler's rejection of milk, the bulk milk weigher and sampler shall contact the operator of the dairy plant to which the milk would ordinarily be delivered, and the dairy plant operator shall examine the rejected milk to determine whether it was properly rejected.
ATCP 82.10(5) (5) Hand washing. A bulk milk weigher and sampler shall wash and dry his or her hands before performing any of the following operations at a dairy farm:
ATCP 82.10(5)(a) (a) Using the bulk milk weigher and sampler's calibrated thermometer to measure the temperature of milk in a dairy farm bulk tank.
/code/admin_code/atcp/055/82 true administrativecode /code/admin_code/atcp/055/82/04/9/b Department of Agriculture, Trade and Consumer Protection (ATCP) Chs. ATCP 55-89; Food, Lodging, and Recreation Safety administrativecode/ATCP 82.04(9)(b) administrativecode/ATCP 82.04(9)(b) section true


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You can also compare flight prices for other dates if you have the possibility to travel flexibly. You will be able to see flights cheaper and then save money, starting a few days earlier or arriving a few days later. Another filter that you can apply is choosing other airports, where the price of your ticket may be cheaper, always traveling in Hong Kong.
Find cheap flights in United Kingdom to Hong Kong
London - Heathrow • Hong Kong On 04/03/2020 One way Search date 7 days ago £282
Aberdeen • Hong Kong From 23/01/2020 to 07/02/2020 Round trip Search date 4 days ago £334
Birmingham • Hong Kong From 12/03/2020 to 17/03/2020 Round trip Search date 11 days ago £337
Newcastle • Hong Kong From 27/01/2020 to 10/02/2020 Round trip Search date 7 days ago £346
Glasgow - International • Hong Kong From 24/02/2020 to 02/03/2020 Round trip Search date 8 days ago £360
Edinburgh • Hong Kong From 24/01/2020 to 30/01/2020 Round trip Search date 9 days ago £381
Inverness • Hong Kong From 24/02/2020 to 25/05/2020 Round trip Search date 14 days ago £383
Norwich • Hong Kong From 24/02/2020 to 02/03/2020 Round trip Search date 8 days ago £389
Manchester - Ringway • Hong Kong From 06/03/2020 to 15/03/2020 Round trip Search date 13 days ago £390
London - Gatwick • Hong Kong From 11/05/2020 to 25/05/2020 Round trip Search date 8 days ago £393
Price'n'Fly is the solution to compare the cheapest flights from London to Hong Kong. How? By entering London - Hong Kong as search data, we return the cheapest tickets.
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Guide 2 Genealogy > Sources > Census Data
During the Colonial period, the British instituted the first censuses in America so as to better tax colonists. Consequently, the colonies took almost forty censuses of their populations between 1600 and 1789. In 1790, the federal government administered the first official U.S. census to gauge the country's military power in the event of war. And since then, the government has administered a new census every ten years.
For a genealogist, the most common way to use census information is to start from the most recent data and work backward, trying to trace your family line as far back as possible. You should record all information available about your ancestors, because you can never be quite sure what prove useful later on. You should also always be on the look out for families in the same town or county and sharing the same last name as your ancestors, and you might find some relatives you never knew you had. Also, don't forget to consider alternate name spellings in these cases, as spelling was generally more flexible in the past than it is today.
One limitation census data is that you simply can't get access to it all. The Privacy Act of 1974 stipulated that no federal records less than 75 years old should be released to the public. Furthermore, some census records have been lost over the years because of war, fire and other causes. Additionally, some census records may contain mistakes. Nevertheless, despite these limitations, census data is an extremely powerful tool in the hands of the genealogist, and one that you should definitely exploit.
In addition to the federal census, most states also have instituted their own censuses. Whenever possible, you should inspect the census of the state in which your ancestor lived if only to verify the information from the federal census.
Below are the federal censuses themselves, including their contents:-
1790: Name of family head; free white males 16 and older; free white males under 16; free white females; slaves; and other persons, which may include workers, friends, or boarders who were not actually family members. When the British attacked Washington, DC during the War of 1812, the schedules for Delaware, Georgia, Kentucky, New Jersey, Tennessee, Virginia, and parts of Maryland and North Carolina were burned, although many of these lost records have been restored with the help of state tax lists.
1800: Name of household head; free white males and females under the age of 10, and between the ages of 10 and 16, 16 and 26, 26 and 44, and over 44 years old.; race; and slaves. The schedules for Georgia, Indian Territory, Kentucky, Mississippi Territory, New Jersey, Northwest Territory Ohio River, Tennessee, and Virginia are entirely missing. Maine, Maryland, Massachusetts, New Hampshire, Pennsylvania, and South Carolina schedules are partially missing.
1810: Listing the same information as the previous census, this census lacks the schedules for District of Columbia, Georgia, Indiana Territory, Louisiana, Michigan, Mississippi, New Jersey, and Ohio. Those for Illinois Territory, Maine, New York, North Carolina, Pennsylvania, Tennessee, and Virginia are partially missing.
1820: Name of the household head; free white males and females under 10 years old, between the ages of 10 and 16,16 and 18,18 and 26, 26 and 45, and over 45 years old; naturalized aliens; work in the agricultural, commercial, and manufacturing industries; free blacks; slaves; and people (with the exception of American Indians) not taxed. Schedules for Alabama, Arkansas Territory, Missouri, and New Jersey are entirely missing. Those for Georgia, Indiana, Maine, New Hampshire, North Carolina, Ohio, Pennsylvania, and Tennessee are partially missing.
1830: Name of household head; free white people under 5 years old, 10 years old, 15 years old, 20 years old, 30 years old, 40 years old and over; professions; the city, county, town, parish, district, etc., where the census was taken; military veterans who received pensions; deafness, dumbness, and blindness; unnaturalized aliens; free blacks; slaves; and schools.
1840: Name of household head; age; sex; race; slaves; deafness; dumbness; blindness; insanity; idiocy; employment; literacy; and pensioners for Revolutionary or military service.
1850, 1860: By 1850, federal censuses began to include more information. For every free person living in the household is a record of name; age; sex; race; occupation; value of real estate owned; birthplace; marital status; school attendance; literacy; convict status; and slaves set free. For each slave there is a record of the slave owner; slave's age, sex, and race, as well as whether the slave was a fugitive or not. The 1860 census includes the number of slave houses and value of personal estate.
1870: This census contains the same information as 1860, as well as month of birth or marriage if occurred within the year; denial of vote for reasons other than rebellion; and whether parents were foreign born.
1880: Indexed alphabetically by name, this census records the name, age, sex, marital status, race, sickness or disability, months unemployed during the year; school attendance, literacy, relationship to the head of the household, and birthplace of person and parents.
1890: The 1890 census was almost completely destroyed by fire and only portions exist.
1900: Address; name; relationship to household head; sex; race; age; marital status; foreign birth; year immigrated to U.S.; naturalization status; school attendance; literacy; birthplace of person and parents; native language; ability to speak English; occupation; home ownership or rental; and original amount of mortgage, balance due, and interest rate.
1910: This offers all the information included in previous censuses, as well as each female's number of children born and number living; language spoken if not English; survivor of Union or Confederate army or navy. It also lists the Indian tribe or band when applicable.
1920: Same as the preceding years, it does not have a separate American Indian listing as the 1910 census did, nor does it indicate how many years married or whether a person served in the Confederate or Union forces during the Civil War.
1930: Address; name; relationship to household head; home ownership or rental; rental fee; radio ownership; farm residence; sex; race; age; marital status; age at first marriage; school attendance; literacy; birthplace of person and parent; native language; year of immigration; naturalization status; ability to speak English; occupation; industry; worker class; veteran status; and for American Indians, whether of full or mixed blood and tribal affiliation.


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Everyone loves playing music stoned, but the (high) times they are a-changing. No disrespect to Bob Dylan covers strummed on "the quad" or psychedelic arsenals of guitar pedals, but these are instruments of marijuana's past, best paired with a crumbling joint or resin-caked glass pipe that looks how a Jimi Hendrix guitar solo sounds.
The future of playing music stoned is electronic, and there's no more fun way to make electronic music than on a modular synthesizer. And there's no better way to do it than while stoned. Except when it becomes a nightmare.
Modular synthesizers are complicated, expensive, and wonderful instruments. Unlike a conventional synthesizer comprised of a keyboard with electronics under the hood that give a distinct sound, modular synthesizers are, well, modular. You buy one module at a time that serves very specific functions, then patch them together using the equivalent of aux cables.
Ranging from simple tools to shape a sound's attack and release to wildly creative units like spectral multiband resonators and morphing terrariums (which both make great names for weed strains). A tiny twist of a knob makes a simple electric volt sound like tubular bells, a lawnmower starting underwater, or an alien conversation.
Marijuana isn't addictive, but modular synths are. Imagine a deck of Magic: The Gathering cards, except that each card unlocks a type of noise, chops it into pulsing waves, reverses it, delays it. Unfortunately, it isn't a cheap hobby. If you want that fetishized Three Sisters filter expect to throw down $350 retail, or hawkishly monitor used listings on various message boards or Facebook groups. Even modest rigs end up costing thousands of dollars.
But oh the places you'll go. Traditional music theory and composition skills are useful, but playing a modular is really more like painting with sound than finger-picking through scales. Every system is different and customized to the user's sonic tastes. Want to make massive M83 walls of noise? Brooding Radiohead swampscapes? Thumping minimal techno? There's no limit to the possibilities.
There's little research on why exactly music sounds better high, let alone why playing it is more fun, but one oft-quoted explanation comes from The World In Six Songs by neurobiologist and music producer Daniel J. Levitin.
One way modular synthesizers keep you in the moment more than other instruments is that they almost play themselves. Typically they're driven by a sequencer, so it's easy to loop a pattern infinitely. Some people do compose harmonic symphonies with these things, but it's much easier to toss music theory out the window and just patch a clock signal into a delay module and turn a simple sine wave to a polyrhythmic soup.
When you're deep into a session, there's a true feeling of "play" that's hard to achieve on other instruments without serious technical chops. As such, it's easy to forget that you've been listening to the same pattern repeating endlessly for an embarrassingly long period of time. Tweaking a pulsing low-frequency oscillator isn't really that different than staring at a lava lamp.
It's also the worst instrument to play while stoned because they're incredibly hard to use productively, especially when played through sativa-tinted glasses. To make a needlessly graphic metaphor: if bedroom guitar solos are masturbatory, then modular synths are like a fleshlight. The hours I've spent twiddling out magic sounding tones have not resulted in much actual music.
The possibilities are so endless, as soon as I stumble my way into a melodic pattern that's worth using in a song I'm already turning it into something new. Going back to the recordings the next day with the haze removed can be shocking, a harsh realization that you've been making beautiful noise that no one else would ever want to hear.
Another modular synth knock is the learning curve. I'm afraid to even try to explain how these things work for fear of being trolled (hi haters). I'm still very new to modulars and still spend every session with manuals open and Youtube tutorial videos. Then there's also the lengthy asides where I'm trying to understand why my system suddenly stopped making sound.
When stoned, it's disheartening, to say the least, and anyone who's self-conscious about marijuana's effects on cognitive functions will find themselves questioning whether another hit is really a good idea… or, the very best idea.
So, is this choose your own adventure of sound for you? That entirely depends on what type of smoker you are. If you're a gearhead who loves collecting things, a techie with an electrical engineering minor, or just someone who loves to turn knobs and make jaw-dropping electronic noises, the answer is yes.
But if you respect the sanctity of your savings account, have a low tolerance for reading manuals, or want to maximize the productivity of your time playing music, this is not the instrument you're looking for. As for me, I don't plan to stop my journey into the world of modular synthesis anytime soon, even if I don't have much to show for it aside from a desk cluttered with manuals and an angry neighbor.
The post Why Modular Synthesizers Are The Best (and Worst) Instruments to Play Stoned appeared first on High Times.