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text:
Q: How is views/day calculated? On various Stack Exchange sites we see a side bar that tells us what the usage is.  One of the metrics is views/day  Jeff gives some description of it's calculation here, but what I want to know is

Is it an average?  If so, over what period of time?

A: For the time being views/day is coming straight from the API.
views_per_day there is the sum of all views (as determined by unique IP visits within a reasonable interval) on all questions (including deleted, closed, migrated, etc.) over the number of days the site has existed (as determined by the creation date of the oldest question).
This formula has been tweaked in the face of site closure (Gadgets) and the fact that now that we have a bunch of sites, we're going to have a bunch of weird dates on questions due to migrations.
Now, a site's views_per_day is calculated as follows:

*

*Vn = sum of view counts of all questions created after the site (regardless of where they were created originally)

*F(q) = (q's view count) * (number of days the site has existed) / (number of days q has existed)

*Vu = sum of F(q) for all questions created before the site

*views_per_day = (Vn + Vu) / (number of days the site has existed)

This isn't perfect, but we don't track individual view events (we'd probably need a dedicated DB server for that on SO, just incrementing is already kind of painful without some tricks) so I think its OK given the data.
The whole scheme has some nice properties:

*

*migrated questions are reflected in the views_per_day, just ignoring them seems very wrong

*new sites don't get huge view boosts from being seeded with SE 1.0 sites

*questions that were asked on another site while the destination site existed, and then migrated, are counted immediately (as if they were asked on the correct site to begin with)

*newer questions have a larger impact than older ones

*

*so a hot new question asked a day before the site was created would be reflected almost immediately, while an old one will be counted eventually

*all migrated questions are "eased in," so views_per_day doesn't jump sporadically

Though, obviously, views_per_day should still be taken with a grain of salt.

A: As an update to this post - we now pull visits / day directly from google analytics for the SE 2.0 sites.  This number will more closely match the number presented at stackexchange.com/sites.

Visits = sessions.  A session is a
  defined period of activity by a
  visitor.  The standard criteria for a
  session in Google Analytics is
  activity without a break of more than
  30 minutes OR closing the browser.
  So, if someone comes to your site,
  looks at two pages, goes to lunch and
  leaves their browser open, comes back
  an hour later  and resumes browsing, a
  second session would be started.  If a
  user viewed two pages on your site,
  closed their browser, and came back 5
  minutes later, they would create a new
  session.

redpajama_set_name: RedPajamaStackExchange


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Waking Up Eighty starts through the eyes of a petulant teenager that doesn't understand the value of her parents.
Sullen and insolent KARA is eventually confronted about coming home hung-over after spending an evening among friends. Unwilling to so much as try to hide the truth of the situation, Kara instead throws a fit declaring that she can't wait to be an adult so she can get out of there.
Movie executives, if this story is of interest to you, I would be glad to send you the screenplay.
Big or Small, Excellence Comes in All Sizes!
If there's anything I've learned over the years – whether working on my own projects or helping others with theirs – it's that big things can come from small ideas.
Sometimes it's easy to lose perspective. We might look at something we're doing and think that maybe it's too small in scope to really matter…or worse, we might think it's not big enough to warrant so much effort and sweat. Those times are when it's important to come back down to earth and redouble our efforts.
A tiny acorn will eventually become a huge oak tree, but only if it's given a chance and the time to grow. It needs proper conditions, as do all of our ideas and efforts if we want them to blossom and bear fruit some day. That's why it's ever so important to give 100%, even when it seems like a small matter.
You see, excellence isn't just a concept; it's a habitual behavior. If you put your heart into your work, no matter how small, then you will cultivate that habit. If you slack off on the details or the things that seem minor, then the opposite will happen and you'll become accustomed to "phoning it in." That's not a habit you want to be stuck with when the big opportunity does roll in!
I believe that everything we do is as important as we make it. Approaching each task, no matter how small, with zeal will always yield a better result. And when you approach everything you do with that mindset, something interesting happens: you learn that even the smallest plant can bear satisfying fruit.
It goes without saying that I've been busy with a lot of projects this year! With that in mind, I wanted to give an update about one of my key endeavours. It's called "The 1000 Project," and it's focused on the concept of social entrepreneurism. The basic idea is one of entrepreneurs helping entrepreneurs, each of us involving ourselves in something bigger to bring something positive to the world at large.
The purpose of the project itself is to help struggling entrepreneurs build websites that will encourage growth and prosperity in their business. This came as a natural extension of my web design business, Coolours, Inc… a way to give back to the small business community in a way that suits my expertise and skills. Naturally, The 1000 Project is also working with other companies and entrepreneurs to expand the scope of the endeavour. We're looking for sponsors, volunteers, and other socially-conscious people to help out with various aspects of the project.
It's an ambitious project, and at the end of the day I know we'll be able to help out a lot of people. If you're interested in learning more, please visit the1000project.org or feel free to contact me directly!
The celebration of the end of one year and the beginning of another is the perfect time to focus on the very real need we all have to leave the past behind and press on to the future. A time to focus on forgiving the failures of the past and focusing on the hopes and dreams within us.
This video is an artistic take on how the story of the nativity might have read had a social network existed at the time of Jesus's birth. Follow this historical period as it unfolds as a digital narrative.
This mini movie is designed to show God's many incredible gifts to us. While we might desire to work for "treats", God gives to us liberally in so many ways we could never earn.
Personal .com websites (yourname.com) are all the rage! Sure, they're a great way to start building a presence on the internet, but what are the risks? What are the rewards? I've been learning the answers to these questions during the past few weeks and this is some of what I've come up with.


text:
Q: Using Subversive to move the head back one revision Using Eclipse/Subversive I commanded it to delete a branch of mine. Unfortunately it also took the liberty of wiping out my trunk folder. SVN isn't my strong suit so I am trying to figure out how to get Subversive to move it's head back one revision so the trunk/branch that was deleted re-appears again. Anyone have any ideas? Thanks!

A: Take a look at undoing changes at the svnbook website. You're looking for a reverse merge. Something like (assuming revision 1234 was where it all went wrong)
svn merge -c -1234


text:
Henrichmann ist der Familienname folgender Personen:

 Jakob Henrichmann (um 1482–1576), deutscher Humanist, Jurist und Geistlicher
 Marc Henrichmann (* 1976), deutscher Politiker (CDU)

redpajama_set_name: RedPajamaWikipedia


text:
Q: Como usar um objeto para adicionar a um atributo? Quando faço o código a baixo recebe esse erro:

Object of class Cliente could not be converted to string in ...\animal.class.php

Nessa parte não me permite passar um objeto para ser usado na propriedade "dono"
$dog = new Cachorro('Rex',$ana);

Porém quando uso string 'ana' ex.:
$dog = new Cachorro('Rex','ana');

funciona normalmente e me retorna o "ana" como dona do animal
//classe Cliente
class Cliente{
    public $nome;

public function __construct($nome){
        $this->nome     = $nome;
    }
}

abstract Animal{
    protected $nome;
    protected $dono;

   public function __construct($nome,$dono){
       $this->nome      = $nome;
       $this->dono  = $dono;
   }

  public function getDono(){
        return $this->dono ;
    }
}
//Essa classe foi implementada, porém nada está afetando e a deixei "isolei" para ter   certeza
class Cachorro extends Animal{

}

$ana = new Cliente('ana');
$dog = new Cachorro('Rex','ana' );
echo "Dono: ". $dog->getDono();

A: Você está adicionando um Object (classe Cliente) a variavel $ana
$ana = new Cliente('ana');

Portanto aqui $this->dono = $dono; recebe um objeto (e não uma string)
public function __construct($nome,$dono){
   $this->nome  = $nome;
   $this->dono  = $dono;
}

No momento que você tentar imprimir com echo o metodo getDono() ele vai enviar a variavel $this->dono que anteriormente você setou como a "classe Ana" (um objeto)
public function getDono(){
    return $this->dono; //Retorna o objeto
}

O correto seria assim:
echo "Dono: ". $dog->getDono()->nome;

Ou assim:
$ana = new Cliente('ana');
$dog = new Cachorro('Rex', $ana->nome);
echo "Dono: ". $dog->getDono();

Você também pode tornar a variável nome em private (ou protected) e criar um método para pegar ela, assim prevenindo que acidentalmente alguém sete um valor para ela fora da classe:
class Cliente {
    private $nome;

    public function __construct($nome){
        $this->nome     = $nome;
    }

    public function getNome(){
        return $this->nome;
    }
}

e usar desta maneira:
$ana = new Cliente('ana');
$dog = new Cachorro('Rex', $ana->getNome());
echo "Dono: ". $dog->getDono();

A: Vou responder já que você tem respostas divergentes e não sabe o que fazer.
Você já aprendeu nas outras respostas que há um problema de compatibilidade de tipo. Em condições normais você não pode imprimir o conteúdo de um tipo complexo, em geral que você criou. nenhum componente sabe como imprimir este conjunto de dados. Você, o criador do tipo precisa "ensinar" a aplicação de como fazer isto. Você está sempre preocupado em fazer o certo e isto é o certo. Toda classe deve se responsabilizar por tudo o que se refere à ela.
Então criar o método __tostring(), conforme definiu a resposta do sergiopereira, não só é útil, é quase obrigatório. De fato algumas linguagens de programação obrigam mesmo. Ou pelo menos fornecem um método padrão para fazer isto para todas as classes (a forma de fazer isto varia dependendo da filosofia da linguagem).
De fato o Guilherme Nascimento está certo em chamar este método de mágico mas não tem nenhum problema em usá-lo. O construtor também é mágico. Não há e não deveria mesmo nenhuma regra para evitar seu uso. Pelo contrário, estes são métodos desejáveis em determinadas situações.
Você gosta de fazer o certo. Então se pergunte: quando você construir uma instância de Cachorro você quer dizer que ela esteja associada a um dono ou ao um nome de dono? Parece que sua intenção inicial era usa a primeira forma. E acho que é melhor mesmo. Não está errado colocar apenas um nome de dono no cachorro se você desejar mas eu acho que cachorros tem donos por completo. Como passar o nome você tem apenas o nome, não associa realmente ao dono. Na maioria das situações não é o que você precisa. Eu descartaria qualquer solução em cima do nome.
Então a solução inicial sua estava correta. O erro estava em acessar o dono. Você tentou imprimir o dono e a aplicação não sabia como.
Se sua intenção era imprimir explicitamente o nome do dono, então deveria pedir para imprimir o nome do dono e não para imprimir o dono. Pode parecer bobagem mas conceituar as coisas corretamente em programação é fundamental. Se você não define com precisão o que quer fazer, não conseguirá expressar em código corretamente.
Então as duas respostas estão corretas, elas só não explicaram para você quando e porque usar cada uma. Eu usaria as duas.
class Cliente {
    private $nome;
    public function __construct($nome) {
        $this->nome = $nome;
    }
    public function getNome() {
        return $this->nome;
    }
    public function __toString() {
        return $this->nome;
    }
}
abstract class Animal {
    protected $nome;
    protected $dono;
    public function __construct($nome, $dono) {
       $this->nome = $nome;
       $this->dono = $dono;
   }
    public function getDono() {
        return $this->dono;
    }
}
class Cachorro extends Animal {
    public function __construct($nome, $dono) {
       parent::__construct($nome, $dono);
   }
}
$ana = new Cliente('ana');
$dog = new Cachorro('Rex', $ana);
echo "Dono: " . $dog->getDono();
echo "\nNome do dono: " . $dog->getDono()->getNome();

Veja funcionando no ideone. E no repl.it. Também coloquei no GitHub para referência futura.
Note que eu mandei imprimir o dono e o nome do dono. Por acaso o resultado é o mesmo, mas tome como um mero acaso. No futuro cada técnica poderá dar resultados diferentes.

Como você quer aprender vou aproveitar para te dizer para evitar comentários óbvio como dizer que a classe é Cliente é a classe Cliente. Viu como é óbvio? Comentários devem dizer porque e não o que.
Também procure manter o código com organização consistente. Pode parecer bobagem mas é fundamental fazer isto. Você visualiza melhor. As pessoas que vão trabalhar com seu código, inclusive aqui visualizam melhor. Você começa organizar seus pensamentos de forma mais organizada.
Estou dizendo isso porque não parece ser o seu caso mas tem programadores iniciantes que são teimosos, que acham que isto é bobagem. E eles passam a vida toda fazendo tudo errado e nunca aprendem a fazer código de qualidade. Nunca conheci nos meus mais de 30 anos de experiência um só programador bom que não se preocupasse com estes detalhes. Inclusive tem quem defenda que o site deveria atender os usuários de qualquer jeito, sem organização. Estas pessoas não entendem que estão prestando um desserviço aos usuários. Não estão ajudando os programadores a evoluir como é necessário. Originalmente o objetivo da rede de sites da StackExchange era fazer todos aprenderem, ser diferente dos fóruns que só davam soluções. E aí os programadores ficam assim como o último gráfico dessa página (segundo minha experiência os gráficos me parecem bastante próximos da realidade na maioria dos casos).
Não sou fã do termo atributo, prefiro campo.

A: Tente adicionar um método __toString à sua classe Cliente, tipo:
public function __toString() {
    return $this->nome;
}

Assim você poderá passar $ana no lugar de 'ana' sem problemas:
$ana = new Cliente('ana');
$dog = new Cachorro('Rex', $ana);
echo "Dono: ". $dog->getDono();


"Frank, my memory can be used against you." Samuel Goldwyn has unveiled the official trailer for Robot & Frank, the charming indie comedy that premiered at Sundance this year (I quite enjoyed it - my review). Frank Langella stars as an aging thief in the near future who is given the gift of a robot butler to help take care of him, even though he thinks he doesn't need him. Liv Tyler stars as his daughter who gives him the robot, James Marsden as his son, along with Susan Sarandon, in this quirky, comical, brilliant indie. It's very light on many effects or style, but it's a charming film, worth seeing in my opinion. Check this out!
Set in the near future, an ex-jewel thief (Frank Langella) receives a gift from his daughter (Liv Tyler): a robot butler programmed to look after him. But soon the two companions try their luck as a heist team.
Robot & Frank is directed by up-and-coming filmmaker Jake Schreier, making his feature directorial debut. The screenplay was written by Christopher D. Ford, also making his feature debut. This first premiered at the Sundance Film Festival earlier this year (Alex's review). Samuel Goldwyn Films will be releasing Robot & Frank in limited theaters starting on August 24th later this summer. Visit the official site. Interested?
Looks wonderful, really excited to see what Frank brings to the screen. The only slight problem is that the Robot reminds me of Moon, but even then he was one of the best parts of that film. I'd just like to see a robot done differently in film, rather than an assistant. A la I, Robot for example, but not as corny.
right on. but Langella *and* Sarandon? double sold. i didn't get a Moon vibe myself. the robot looks to me to be modelled on Honda's Asimo, http://asimo.honda.com/asimotv/, which has been around for quite a few years, now.
Looks really good. Is that Kevin Spacey's voice as the robot?
yep... second robot voice to date.
Really interested in seeing this, but I question if the story can really fill a feature length film worth of time. I also think that as good as it looks, the trailer is terrible. It gives away far too much. If they had kept the burglary aspect a secret it would have been a real surprise and a very welcome one.
Very impressed as usual by Frank Langella, a very underrated character actor. The rest of the cast looks good to. Nice story also.
It's actually Peter Sarsgaard as the voice of the Robot...Looks very good.
As I've said before, I'm really excited for this. For some reason I thought it was gonna be a short film, but I guess I was confusing it with some other picture with a robot (a Horror film maybe?).. Anyways, definitely going to check it out as soon as it's avilable in any format at all!
First of all, a question...How can Susan Sarandon continue to look so hot? And be so cool? Damn! Second...this looks like a great sci-fi film...something the late Ray Bradbury might have like to have seen...or written!


Patriots fan donates kidney to Eagles fan - Ali Gorman reports during Action News at 5pm on May 3, 2018.
The rivalry between Philadelphia Eagles and New England Patriots fans can be heated at times.
But two fans have set that aside for a life-saving transplant operation.
Patricia Pizzimenti, a lifelong Eagles fan, needed a kidney transplant. Through an organ exchange, she received a kidney from a stranger named John Houlihan, who happens to be a huge Patriots fan.
The donor and recipient recently met and Patricia gave him a huge hug - and a t-shirt saying "Can you believe I gave my kidney to an Eagles fan?"
"Well apparently my sense of humor was transferred in my kidney, Patricia decided to remind me that the Patriots lost the Super Bowl," John joked.


text:
Q: Skype: Changing contacts display pictures Is it possible to for me to change my contacts display pictures in Skype (v. 5.1.0.112).
It could be nice to be able to set a display picture on my fixed-lined contacts - they all show up as a old-style phone...

A: I think this is not available right now. You can only hide images in the contact list and in the chat, but not change it.
No extra too, as far as I know.
(Previously linked Skype forum page is no longer available)

A: If you're using an iMac  you can open your address book and change the picture there than the picture in Skype will update as well.


text:
Community group that helps at-risk youth is working to rebuild after car slams into their building
The car that crashed into their building was involved in a fatal drag street race, according to authorities.
Author: María Marta Guzmán
Published: 6:58 PM EST January 24, 2023
KNOXVILLE, Tenn. — Safe Haven, a non-profit in East Knoxville that serves people looking to escape the streets, is struggling to find a second chance.
A car slammed into their building recently after a drag street race ended in a fatal crash, forcing everyone inside to get out. Some of those people are still displaced.
Lawrence Williams, the director of Safe Haven Youth Empowerment, said the group's main focus is to serve and meet young men and families facing hardships. That's why he's committed to finding a new home for them.
"We want to make sure that we have a place that we can call ours," he said.
For the last three years, their building on Magnolia Avenue has served as space for kids, families, teenagers and unsheltered people looking for community. Williams is the only person on staff and relies on donations from churches.
"That's what it's about, serving your community. It's better for the people," he said. "It's bigger than me, bigger than the losses and wins — it's about the other people."
A week since a drag-racing crash destroyed the building they were renting, the program today is still running to meet a need.
"We got to be able to overcome adversity and you can't allow that to stop you," Williams said.
He said that he sees himself in the young men and families he helps. The community group has started a GoFundMe to help them buy a new house to operate from and welcome more people.
Safe Haven Empowerment Center at a 'standstill' after building hit by car
'What if these were one of my kids' | Man meets young girl after helping save her in fatal crash
KPD: 1 killed, 5 including children hurt after drag race ends in crash in East Knoxville

redpajama_set_name: RedPajamaCommonCrawl


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Hey members, due to various health issues I have a buddy that is totally disabled and on state assistance, he however has a few firearms and loves to shoot. I'm a member of a local shooting/hunting club. My buddy however is not.
I have been taking him to my club as a guest, but each time a 20.00 guest fee is charged to use the ranges and him being totally disabled he can't afford it, and even though I have been picking up the tab most times and would be willing to continue, I have 3 girls in college and money has been going to them for school as well as paying for their months overseas studying abroad so it'll be tight until they all graduate.
What I am in search of for my friend is a place to shoot outdoors. The state range in Glastonbury or up in Naugatuck are fine but aren't open now.
Growing up a group of friends and I used to shoot at various outdoor sand pits and shooting areas off the beaten path including my own property but now all of these places I wouldn't dare to for fear of neighbors or someone reporting the gunfire.
All i'm looking for is if anyone knows of an area like a secluded spot in the woods or a sand pit that people are currently using to shoot at that this guy can go to and shoot.
I know its not the early 80's anymore where places like that can be found almost everywhere, but there's got to be a place like that around the Central CT area.
If you know of a place where people still go to and fire off a few rounds without the worry of being arrested for trespassing or discharging a firearm, please PM me.
If you still have that private property I don't see why you cant shoot on it, unless houses are too close or its banned in the town.
I don't think its any kind of a crime to discharge firearms outside of a city limit just because someone doesn't like it.
He should look into joining a local club. That's the best option.
Yes I still have the property however there have been complaints against me by neighboring landowners, one complaint in fact was that I shot toward a home more than 500 feet away and the "pellets" (the complainant told the police I was shooting a shotgun) hit their home. When the tactical team came in search of me in the woods and found me, yes the tactical team (2010 Southington PD) with AR 15's drawn down on me they noticed I had a rifle and a deer was shot.
The person who called in the complaint "thought" his home was being shot at and obviously the PD had to respond. I have no ill feelings toward the LEO's that where doing their jobs as they had to investigate these claims, but they found no evidence that I did anything wrong.
3-weeks later I was out there shooting and again, another complaint this time only 2 officers and they waited for me at the public road, again I was legal. So from that point on only bow's and arrows out there.
As far as him joining, I wish he could.. $500 initial fee to come on board which includes the 1st years dues. So it is cost prohibitive to a guy getting no more than $1,200 per month in disability.
Wow that's a lot of coin to get started. I pay less tha $80.00 a year for a family membership. Are there any more reasonable clubs around?
Look for a different club.
People get picky and down right stuck up about what a club offers.
But I don't pay $600/year to be involved unlike Hartford gun club.
Clubs like mine are more of a hunting club. Shooting clubs tend to offer more, but the shooting clubs around here seem to cost more.
My club has a trap range, 100 yard rifle range and pistol ranges. They also stock pheasant and have a pond. I don't need anything beyond that.
For a long time my dues were $50/year. Now they just went up to $165 per year. But that's still a joke compared to a lot of other clubs.
You could head to the Green Mountain National Forest in VT and shoot away, but if $20 is prohibitive, you'll spend that in gas to get there and back.
I've tried to figure out where I can go to practice self defense pistol drills, and there just isn't anywhere in CT unless you have land or join a club.
Yea if $20 is prohibitive, then he should get out of shooting all together. That's the sad reality of it.
No way its gonna cost less.
If he was a member of a club where he wasn't paying the $20, he'd pay yearly dues to shoot whenever he wanted to. End result is he'd spend more cause he could shoot every day.
Yup, everyone has good points on this.
No place anymore to go out into a sandpit and shoot, actually there are many places like that still in this state and knowing the right people will get you into them but other than that he is outta luck.
The cost is prohibitive to him and so is the ammo, I have been giving him ammo whenever we go out and paying his way as a guest at my clubs range for a while but I won't be any more.
Nice guy and all with no family, just trying to give him a hand as he has been dealing with health issues for years now.
i'd keep going to your hunting property. sounds like you're legal. soon enough the police will inform the "complainers" of that.


I only realized when I was assembling the spices for this, that this is acutally a vindaloo recipe from someone who thinks vinadloo should have pototies in it. Not.
The ingredients ask for TWO pounds of potatoes. I used only ONE pound and that was still twice two much.
Otherwise, it was ok, if nothing special.


text:
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February 24, 2021 by Alyssa Gay
Jacksonville Jaguars-Know Before You Go
I think we can safely say that COVID has changed numerous things that impact our lives. Football is no exception. The Jacksonville Jaguars are one of a handful of football teams that allowed fans inside their stadium on week one of the football season. As the football season progressed more and more teams started to allow fans inside at limited capacity. The Jaguars needed to create a way to convey to their fans that they were taking the necessary safety precautions in order for them to return safely to the stadium. This is how the Jacksonville Jaguars' Know Before You Go video started.
Collaboration With Claymaker
The TSM team along with the creative agency, Claymaker, worked on producing the video. This video showcases the new protocols within the TIAA Bank Field stadium. The Know Before You Go video, helps to show fans the safety measures that have been put in place and also helps give a little insight as to what to expect while you visit the stadium.
Our TSM team was brought in to handle production along with the Creative Director from Claymaker to work with us on-site. The schedule had us arriving in the morning to obtain some aerial drone footage of the stadium. The TSM team worked throughout the stadium in different locations to capture scenes from inside the stadium and even up in the stands.
Kevin's personal favorite was the shot of the Jags' mascot, Raymond. We were able to capture Raymond sweeping and cleaning up leading up to the gates where fans enter the stadium. It was a great experience to help the Jacksonville Jaguars' staff and team to demonstrate how important their fans and community are to them. They really have made exceptional strides to keep those who visit the stadium safe and healthy. Sometimes even the smallest of changes can make the biggest impact. We were happy to help the Jacksonville Jaguars showcase these efforts.
https://www.jaguars.com/video/know-before-you-go
Filed Under: Commercial Videography, Videography Tagged With: Jacksonville, Jaguars, Know Before You Go
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Watch Brett Eldredge's Live In-Studio Performance of 'When I Die'
by Rolling Stone | Oct 12, 2020 | Music News
Brett Eldredge gives a stripped-down, in-studio performance of his song "When I Die" for the third installment of his "Live at Royal Plum" series, filmed at producer Daniel Tashian's home studio. The original version of "When I Die" appears on Eldredge's 2020 album Sunday Drive.
Eldredge co-wrote "When I Die" with the team of Tashian and Ian Fitchuk, who also co-produced Sunday Drive — along with Kacey Musgraves' Golden Hour — and turn up in the new video on piano and guitar. The unorthodox approach to writing and creating at Tashian's studio was one of the selling points of working with the producers for Eldredge, who knew he needed to make an artistic change.
"I remember sitting in Daniel's studio and it was so organic, so different from anything I've done, and I was out of my comfort zone," Eldredge told Rolling Stone earlier this year. "It was so powerful and profound, I knew I needed to chase it down. We kept writing and it started connecting. We were making these demos in Daniel's garage studio and it was just me and those two playing — one-take vocals most of the time on a raw microphone. All in the same room, and it was so real. I had never heard myself like this — and this is the way I need to hear myself."
The raw approach that fueled their creativity is on display in the "Live at Royal Plum" take, which showcases Eldredge's rich-but-unadorned vocals and sincere delivery. The song, which deals with being present in the moment and living a good life, came out of meditation exercises Eldredge was doing at the time.
"This meditation was, imagine if today was your last day. How would you live it? How would you want to feel it?" he says. "It got me thinking: If I just continue to chase and get caught up in all the little things, you never actually live at all. You start to look at the fact that all you get to leave behind is your stories and the people that you loved."


NEW FLOOR! AMAZING LAKE AND COURT VIEWS! SECOND FLOOR, REMODELED, GREAT CONDITION. 2 BED, 1.5 BATH, LAMINATE FLOORS, SCREENED BALCONY, WASHER & DRYER ON THE SAME FLOOR. BEST AMENITIES: THEATER, GYM, POOL, TENNIS & GOLF COURTS, CAFE, 24 HRS SECURITY. 55+ COMMUNITY WITH LIFE STYLE.
This property for sale with address 13250 SW 4th Ct # 206G, Pembroke Pines, Florida 33027 is currently for sale and has been listed on Hometaurus Real Estate website on October 17, 2017. This listing is for sale for $95,000.
13250 Sw 4th Ct # 206g Pembroke-Pines Florida with 33027 zip code is located in the Century Village. This property listing was built in and contains 2 bedrooms and 1 bathrooms with 953 sqft for living area and the property tax for 2016 is $0 and the 2016 tax assessment is $0.
To schedule a tour and showing for 13250 SW 4th Ct # 206G, Pembroke Pines, Florida 33027, please contact a Hometaurus agent now.


text:
Multiple Synostoses Syndrome
Multiple Synostoses Syndrome. In: Bissonnette B, Luginbuehl I, Marciniak B, Dalens BJ. Bissonnette B, & Luginbuehl I, & Marciniak B, & Dalens B.J.(Eds.),Eds. Bruno Bissonnette, et al.eds. Syndromes: Rapid Recognition and Perioperative Implications. McGraw-Hill; Accessed January 18, 2021. https://accessanesthesiology.mhmedical.com/content.aspx?bookid=852&sectionid=49517987
Multiple synostoses syndrome. Bissonnette B, Luginbuehl I, Marciniak B, Dalens BJ. Bissonnette B, & Luginbuehl I, & Marciniak B, & Dalens B.J.(Eds.),Eds. Bruno Bissonnette, et al. (2006). Syndromes: Rapid Recognition and Perioperative Implications. McGraw-Hill. https://accessanesthesiology.mhmedical.com/content.aspx?bookid=852&sectionid=49517987
"Multiple Synostoses Syndrome." Syndromes: Rapid Recognition and Perioperative Implications Bissonnette B, Luginbuehl I, Marciniak B, Dalens BJ. Bissonnette B, & Luginbuehl I, & Marciniak B, & Dalens B.J.(Eds.),Eds. Bruno Bissonnette, et al. McGraw-Hill, 2006, https://accessanesthesiology.mhmedical.com/content.aspx?bookid=852&sectionid=49517987.
Synostosis of many small joints.
Polysynostosis Syndrome; Synostosis Multiplex.
Familial; autosomal dominant inheritance. Chromosome 17q 21-22 has been linked to the disease.
Symphalangism, synostoses of the tarsal and carpal bones, and other abnormalities, including orofacial defects and delayed mental development, occurring alone or as a component of other syndromes.
Numerous skeletal deformities should evoke the diagnosis.
Hand abnormalities include synostoses of the carpal bones, radial head subluxation, hypoplasia of the middle phalanges, and metacarpophalangeal synostoses; short and broad first metacarpal bones, disturbances in bone modeling of the metacarpal bones and phalanges, and agenesis of the middle phalanges. Foot abnormalities include synostoses of the tarsal bones, synostoses of the tarsal and metatarsal bones, agenesis of the middle and distal phalanges, and disturbance in bone modeling of the phalanges. Hypoplasia of the alae nasi. Short upper lip. Cubitus valgus, limited extension of the forearm, and limited hip motion. Variable fusion of middle ear ossicles. Moderate mental retardation.
Complete neurologic and motor examination encompassing milestones, parental information, and chart information. Determine if another syndrome is associated and its implications. If the patient receives chronic corticosteroid treatment, preoperative supplementation is indicated.
Difficult vascular access; potentially uncooperative patient. In presence of orofacial anomalies, the possibility of difficult direct laryngoscopy and tracheal intubation must be suspected. Nasal intubation probably problematic.
No known implications for this disease.
Legg-Calvé-Perthes Disease: Group of disorders known as the osteochondroses. Believed to be caused by unexplained interruption of the blood supply to the capital femoral epiphysis resulting in avascular necrosis. Clinically, this disease is characterized by limp with or without pain in the hip, knee, thigh, and groin.
Pseudo-Achondroplastic Dysplasia: Rare inherited disorder characterized by skeletal malformations resulting in short-limbed dwarfism. Affected individuals present brachydactyly, genu varum, and genu valgum. In addition, affected individuals may have lumbar lordosis and kyphosis. Cases of pseudoachondroplastic dysplasia are the result of mutations of the COMP gene, indicating this disorder is allelic to some cases of multiple epiphyseal dysplasia.
da-Silva EO, Filho SM, de Albuquerque SC: Multiple synostosis syndrome: Study of a large Brazilian kindred. Am J Med Genet 18:237, 1984. [PubMed: 6465200]
Jones KL: Multiple synostosis syndrome, in Jones KL (ed): Smith's Recognizable Patterns of Human Malformation. Philadelphia, WB Saunders, 1997, p 432.
Krakow D, Reinker K, Powell B, et al: Localization of a multiple synostoses syndrome disease gene to chromosome 17q 21-22. Am J Hum Genet 63:120, 1998. [PubMed: 9634519]
Shiraishi M, Minami K: Anesthesia for a child with Antley-Bixler Syndrome. Can J Anaesth 48:828, 2001. [PubMed: 11546734]


All the Extra Wickenburg news you need to know !
Wickenburg, AZ: Wickenburg Christian Academy's held it's annual Christmas Program before a packed house. This years student presentation was entitled "The Wondrous Gift". The crowd was thrilled as the students told the story of Jesus. Founded in 1983, the Wickenburg Christian Academy provides quality Christ centered education and child care in an interdenominational environment.
Copyright 2004-2009. WickenburgNews.com. All rights reserved.


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← Changes in latitude, changes in attitude
Super balls and Red Ball Jets →
Nude selfies and other truth-telling
Don't worry. You'll find no nude selfies of me in today's blog.
But let's be honest here. We all take them once in a while. If not nude, then at least partially clothed to check on our bodies. How do we look?
Taking photos of ourselves is a patent form of truth-telling or self-revelation. Way back in 1979 I snapped this photo of myself in a mirror with my Olympus OM-1 camera. I wore white cutoff jeans and a blue running tee shirt. My hair was blonde from the summer sun and my thighs tanned from hundreds of miles running in the short shorts of the era. I thought I looked pretty good. 6'1″, 140 lbs.
Those were fun times, and those shoes I'm wearing are Brooks Varus Wedge, one of first running shoes designed with an orthotic dimension inside. Our coach bought them for all of us during cross country season when we came down with achilles problems after a particularly hard interval workout done on a country road with a profound slant to the asphalt.
Broad narratives
It was a solution that worked for some of us because it helped us supinate (foot angled outward) rather than pronate (foot collapsing inward.) To tell the truth that was a broad-based attempt at curing injury. For some, it did not work at all. Yet that step toward achilles health enabled us to get through a tough period in training and go on to place second in the NCAA Division III National meet.
So much truth-telling is like that. We make up a narrative for ourselves that covers a given moment in time and that's what we come to believe. It happens even in the present. Which is why nude selfies can be such a shock to the senses.
I really look like that?
Over time we learn how to take pictures that are far more flattering. Every guy who takes a dick pic sooner or later learns how to use the camera to make his unit look huge. Women learn how to make their breasts or butts look inviting. Nude selfies are an art unto themselves.
Self Survival
We learn to flatter ourselves on many fronts. It's a self-survival tactic. Craving feedback and compliments or a cure for loneliness, some take the nude selfie thing a bit further and willingly post their nude selfies on sites that draw millions upon millions of views. One could say that it's a form of truth-telling. Certainly there's no excuse for anyone growing up these days not to know what the human body really looks like.
Has it ruined our culture? Turned kids into absolute sex fiends? Probably no worse than forty, sixty or one-hundred years ago in the 1920s. The Roaring Twenties, remember? Ever seen the movie Chicago? Lust is evergreen, folks. Nudity and the perpetual tease is part of the human race going all the way back to bible times. Even Adam and Eve walked around naked, and King David lusted after Bathsheba,
and David sent someone to find out about her. The man said, "She is Bathsheba, the daughter of Eliam and the wife of Uriah the Hittite."
Spirit and soul
Nudity is ostensibly able to reveal the spirit and the soul. The human body is thus the subject of thousands of years of art. One of the most revelatory experiences I've ever had was to sit in a Life Drawing class six hours a day during a January Interim term. The class had live nude models, both male and female. Our instructor played classical music over the sound system and there were times when I'd completely lose myself in the process of studying the human figure while trying to balance line, shading and texture. There was nothing sexual about it.
And I remember a pose the model took in which she was curled almost like child pose in yoga. Her arms were tucked around her head. The slope of her back was so wonderful and clean. Her nude figure was pale and serene. The glimpse of her vagina from behind was both mysterious and so commonly real that it defied the notion of sexuality. It was just part of her. An honest part, for sure. But just part.
These days, with the Internet rife with billions of women and men in every pose imaginable, the honesty is almost too much at times. It can numb the senses to try to be creative in the face of all that.
Pastel drawing by Christopher L. Cudworth 2018 "Reddit World"
Yet art can lift us past the taboo into the realm where honesty and truth are far more engaging than the basic instincts of lurid attention or lust. Those have their purpose in this world. There is nothing wrong with sex. It depends on context and the focus of the moment. People who lose sight of that have problems engaging with the real world. That's why some object so strongly to pornography.
But it's still just the human body. I well recall drawing the shape of a man's penis the first time in art class. The flaccid fall of the shaft. The round turn of the testicles. It was just that. The women in the class squirmed at first while facing the model and staring at the penis. Then it all became drawing what they saw rather than what they sought not to encounter. Penises are honestly sort of sad in some sense. But as Henry Miller once wrote, they can also look downright murderous.
Detail of pastel drawing "Reddit World" by Christopher L. Cudworth 2018
Years later I went back to my college campus and while there, visited the art studio of a student in the art program. My college art instructor was by then a personal friend who showed me around the new art building and the row of small houses converted for use by advanced students as personal workshops. We stepped into one of those studios to encounter large, colorful paintings featuring bold male nudes sporting huge erections. The works were actually executed quite well, so you could not miss the subject matter. We both kind of chuckled and realized how much times had changed.
Was it pornography..? "the portrayal of sexual subject matter for the purpose of sexual arousal."? It didn't matter. An artist has a right to portray what they like, or don't like, about the human condition. Sometimes such imagery is used for the opposite purpose. There are passages in the bible that depict women lusting after men with genitals the size of donkeys. This is intended to convey a sense of depravity and lack of self-control.
Or was it just plain jealousy? There's a hint of that in the passage too. The bible was written by men, after all. Many men are often intimidated by the virility of their perceived enemies or those they fear might steal their women.
Comparing ourselves
The inevitable instinct of all nude selfies and any such truth-telling is that we seek to compare ourselves with others, and with ourselves.
It's all about how can we make ourselves look better to others, and to ourselves. Of course that's a constant process. And just like craving junk food versus real food, sometimes we deceive ourselves.
Go ahead and take a surf through the Instagram app and you'll find thousands of fitness buffs posing to show off their BEFORE and AFTER bodies. Some of the results really are impressive. Then the admiration gets tossed around, and it crosses all lines of sex and gender. "
You go girl!" shouts one woman to another woman.
"Nice pecs bro!'" says one admiring male to another.
Let's stop pretending this isn't all normal.
Manufactured truths
It's all a form of truth-telling. Yet it's also the truth we manufacture for ourselves that ultimate determines who we are. That's the really hard thing to get past. To accept. To embrace. And to transcend.
Some say the camera doesn't lie. But that's not really true either. We can make a camera do almost anything we want. The honesty to know and admit that fact is the truly rare commodity in this world.
To move past our vanity and find beauty in that honesty is the sexiest thing on earth. Try it sometime.
This entry was posted in Christopher Cudworth, cross country, mental health, same sex adults and tagged Brooks running shoes, david and bathsheba, drawing nudes, flatter ourselves, life drawings, nude selfies, Olympus cameras, pornography, self-revelation, truth-telling. Bookmark the permalink.


When initially attempting to install the data_fabric gem I was getting the below error.
It is possible to get this error if you have upgraded to rubygems 1.3 and you are attempting to install data_fabric (version: 1.0.1 or below). If you have access to the gem server you are installing from them just update the data_faric gem on that server but if not then add the rubyforge gem repository as follows.


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From Plato to The Present: Why Socialism Has Never Worked and Never Will
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Free health care, free education, guaranteed jobs, and zero poverty. A growing number of Americans say that sounds like a perfect society, and it's what socialism offers.
But does socialism ever deliver what it promises?
The idea of a society where the wealth is shared by all goes all the way back to 380 BC and the Greek philosopher, Plato.
And for more than two thousand years, everywhere socialism has been tried, it has failed.
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An often forgotten example from history is the Pilgrims of the Plymouth Colony. The settlement was initially built on a socialist model based on the writings of Plato. The colony's bylaws said, "All such persons as are of this colony are to have their meat, drink, apparel, and all provision out of ye common stock & goods."
Pat Robertson talks with historian and author William J. Federer about the dangers of socialism on Monday's 700 Club.
A few years later, the colony was on the brink of starvation and Governor William Bradford declared the communal experiment a complete failure. Only after Bradford assigned a private parcel to each family did the colony begin to thrive, to the point of being able to share food with native Americans.
In a new book, Socialism: The Real History from Plato to the Present, historian William J. Federer recounts this and many other examples of how socialism has failed time after time and why, despite its dismal track record, many still want to turn America into a socialist state.
This story was originally published on August 24, 2020.
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Venezuelan Warns US: Socialist Destruction Starts with Tearing Down Statues and Censoring Everything
Bulgarian Survivor Warns Americans: Socialism 'Is Actually an Anti-Christ System'
Submitted by escamp on August 31, 2015 - 3:04pm
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The Kenda Kwest is a classic urban tire with water dispersion grooves to complement its smooth, rounded tread. Rolls fast and smooth on city streets in dry and wet weather. K-Shield puncture protection helps prevent flats.
This version of the Kenda K193 Kwest K-Shield is available in 26 x 1.95 Inch (50-559 ISO). Wire bead.
I replaced some knobby tires on a hybrid I was repairing with these. They went on without a problem and seem to have a nice feel.
I bought these tires for street cruising on my mountain bike, no dislikes on these tires at all.
A great hard trail tire for my urban beater, lots of surface area for a smooth ride.
I turned my Nishiki Alien into a daily rider and needed street tires. These roll super smoothly and quiet also. So far good grip on corners but I'm not going low enough to scrap peddles yet.
Very low prices. My only issue so far has been tube slipping causing flats. I fixed that now though.
Just needed a road tire & the pattern gives just a little more grip.
Good in dry and wet conditions, haven't seen snow yet. Rolls well and smooth esp for a fat tire. Doesn't corner as well as the 1.5 Kwest, this one feeling like it prevents me from leaning in too far, forcing me to slow in tight corners.


text:
from __future__ import unicode_literals

import datetime

from django import forms
from django.utils import timezone
from django.utils.translation import ugettext_lazy as _

from .conf import settings
from .models import Snippet
from .highlight import LEXER_LIST, LEXER_DEFAULT, LEXER_KEYS

class BaseSnippetForm(forms.ModelForm):
    lexer = forms.ChoiceField(
        label=_(u'Lexer'),
        initial=LEXER_DEFAULT,
        choices=LEXER_LIST,
        widget=forms.Select(attrs={'class': 'form-control'}),
    )

    expires = forms.ChoiceField(
        label=_(u'Expires'),
        choices=settings.LIBPASTE_EXPIRE_CHOICES,
        initial=settings.LIBPASTE_EXPIRE_DEFAULT,
        widget=forms.Select(attrs={'class': 'form-control'}),
    )

    author = forms.CharField(
        label=_(u"Author"),
        max_length=255,
        widget=forms.TextInput(attrs={'class': 'form-control'}),
    )

    not_spam = forms.BooleanField(
        label=_(u"This is *not* spam"),
        initial=False,
        required=False,
    )

    # Honeypot field
    title = forms.CharField(
        label=_(u'Title'),
        required=False,
        widget=forms.TextInput(attrs={'autocomplete': 'off', 'class': 'form-control'}),
    )

    class Meta:
        model = Snippet
        exclude = []

    def __init__(self, request, *args, **kwargs):
        super(BaseSnippetForm, self).__init__(*args, **kwargs)
        self.request = request
        self.likely_spam = False

        # Set the recently used lexer if we have any
        session_lexer = self.request.session.get('lexer')
        if session_lexer and session_lexer in LEXER_KEYS:
            self.fields['lexer'].initial = session_lexer

        session_author = self.request.session.get('author')
        if session_author:
            self.fields['author'].initial = session_author

        # if the lexer is given via GET, set it
        if 'l' in request.GET and request.GET['l'] in LEXER_KEYS:
            self.fields['lexer'].initial = request.GET['l']

    def clean(self):
        # The `title` field is a hidden honeypot field. If its filled,
        # this is likely spam.
        if self.cleaned_data.get('title'):
            raise forms.ValidationError('This snippet was identified as Spam.')
        return self.cleaned_data

    def clean_expires(self):
        expires = self.cleaned_data['expires']

        if expires == u'never':
            self.cleaned_data['expire_type'] = Snippet.EXPIRE_KEEP
            return None

        if expires == u'onetime':
            self.cleaned_data['expire_type'] = Snippet.EXPIRE_ONETIME
            return None

        self.cleaned_data['expire_type'] = Snippet.EXPIRE_TIME
        return expires

    def save(self, parent=None, *args, **kwargs):
        # Set parent snippet
        if parent:
            self.instance.parent = parent

        # Add expire datestamp. None indicates 'keep forever', use the default
        # null state of the db column for that.
        self.instance.expire_type = self.cleaned_data['expire_type']

        expires = self.cleaned_data['expires']
        if expires:
            self.instance.expires = timezone.now() + \
                datetime.timedelta(seconds=int(expires))

        # Save snippet in the db
        super(BaseSnippetForm, self).save(*args, **kwargs)

        # Add the snippet to the user session list
        if self.request.session.get('snippet_list', False):
            if len(self.request.session['snippet_list']) >= settings.LIBPASTE_MAX_SNIPPETS_PER_USER:
                self.request.session['snippet_list'].pop(0)
            self.request.session['snippet_list'] += [self.instance.pk]
        else:
            self.request.session['snippet_list'] = [self.instance.pk]

        # Save the lexer in the session so we can use it later again
        self.request.session['lexer'] = self.cleaned_data['lexer']

        if self.cleaned_data['author']:
            self.request.session['author'] = self.cleaned_data['author']

        return self.instance

class SnippetForm(BaseSnippetForm):
    content = forms.CharField(
        label=_('Content'),
        widget=forms.Textarea(attrs={'placeholder': _('Awesome code goes here...'), 'class': 'form-control'}),
        max_length=settings.LIBPASTE_MAX_CONTENT_LENGTH,
    )

    class Meta(BaseSnippetForm.Meta):
        fields = (
            'content',
            'lexer',
            'author',
        )

    def clean_content(self):
        content = self.cleaned_data.get('content', '')
        if content.strip() == '':
            raise forms.ValidationError(_('Please fill out this field.'))
        return content

    def clean(self):
        cleaned_data = super(SnippetForm, self).clean()
        for badword, trigger in settings.LIBPASTE_BADWORD_TRIGGERS.items():
            if self.cleaned_data.get('content', '').count(badword) >= trigger and not self.cleaned_data['not_spam']:
                self.likely_spam = True
                self._errors['content'] = self.error_class([_("This snippet looks like spam.")])
        return cleaned_data

class SnippetUploadForm(BaseSnippetForm):
    file = forms.FileField(
        label=_('File'),
        max_length=settings.LIBPASTE_MAX_FILE_LENGTH,
    )

    class Meta(BaseSnippetForm.Meta):
        fields = (
            'file',
            'author',
        )

    def __init__(self, *args, **kwargs):
        super(SnippetUploadForm, self).__init__(*args, **kwargs)
        self.fields['lexer'].required = False

    def clean_file(self):
        fd = self.cleaned_data.get('file')
        if fd is not None:
            content = fd.read()
            fd.seek(0)
            if content.strip() == '':
                raise forms.ValidationError(_('Please fill out this field.'))
        return fd

    def save(self, parent=None, *args, **kwargs):
        # File descriptor from form contains content type.
        fd = self.cleaned_data['file']

        # Using file upload for copy/pasting a whole file
        if fd.content_type.startswith('text/'):
            self.instance.content = fd.read()
            self.instance.file = None
        else:
            self.instance.content_type = fd.content_type

        return super(SnippetUploadForm, self).save(parent, *args, **kwargs)

redpajama_set_name: RedPajamaGithub


Headquartered in Vienna, Virginia, Vidsys is a leading developer of smart, cloud-based, enterprise software that allows organizations to enhance security efforts and manage risk in real-time. Our proprietary Converged Security and Information Management (CSIM) software integrates, correlates, and visualizes data from disparate security sensors, devices, systems, subsystems and applications into a centralized management platform. This gives decision-makers the ability to access critical information from any device, anytime, anywhere – helping them manage real-world situations more effectively, in order to protect people, assets and their brand.
Our technology supports Smart Building, Smart City, Smart Transportation, and IoT initiatives, protecting more than $2 trillion USD in market cap, as well as 1.6 million employees and 60 million citizens, globally. Our software has been adopted by Fortune 500 Companies, Government Agencies, and other key organizations in dozens of countries around the world, and has helped enable a number of high profile events such as the Super Bowl, US Presidential Inauguration, FIFA World Cup, Formula 1 Championship and NCAA Final Four.
The Program Manager (PM) is a key professional within Vidsys who has the primary day-to-day, client-facing responsibility for management of Vidsys product deployment and service delivery for a given portfolio of Vidsys end-customers. Each PM will typically manage multiple ongoing projects from the point of an imminent sale, through project start-up and delivery to the ongoing performance monitoring and sustainment phase. Reporting to the Vidsys Director of Operations, the PM is responsible for tracking and planning all aspects of project success, including: (1) production of the project plan and timetable; (2) scheduling of all Vidsys project deliverables; (3) oversight of all field engineering services to support the deployment (including coordination with Vidsys engineering and systems integrator partners); (4) assuring contractual compliance; (5) fulfilling all project documentation requirements; (5) management of project-level financial monitoring and internal Vidsys reporting; and (6) ensuring customer satisfaction post-deployment throughout the sustainment phase.
In summary, the PM's responsibility is to ensure projects are delivered on time and within budget during the delivery phase and to ensure customer satisfaction during the sustainment phase. The overall objective is to not only meet, but to exceed stakeholder expectations.
Solid level of proficiency with security technologies, IT, enterprise software applications, including access control, video, and similar detection systems.
General level of proficiency with operating systems, networks, servers and databases.
Hands-on systems integration and troubleshooting skills are a strong plus.
Strong organizational, documentation, and problem-solving skills.
Proficiency using project applications and tools such as MS Project, Visio, AutoCAD, business process tools, and other similar applications.
Excellent written, presentation, negotiation and verbal communication skills a must.
Must have strong interpersonal and relationship building skills.
Ability to ramp up quickly and assimilate technical and functional knowledge of Vidsys product solutions for effective interactions with clients.
Highly self-motivated employee with the ability to work in a challenging, fast-paced, high-growth environment.
Contribute to proposal writing activities, marketing presentations and pre-sales support as needed with a particular focus on project deployment and sustainment related elements.
Manage and control complex IT projects: initiating, scoping, planning, executing and coordinating project activities; taking ownership for successful completion of all project deliverables within established financial, schedule and quality objectives.
Simultaneously manage multiple small and/or large projects of multi-month duration involving direct contracts with end users and subcontracts through partner integrators for larger projects of which Vidsys is a part.
Coordinate Vidsys cross-functional teams, including engineering, support, QA and sales.
Manage project costs, prepare invoices, accurately forecast cash collection and monitor all aspects of financial performance.
Utilize established, industry-standard tools and methodologies, including project charter, scope, schedules, communication and risk management plans to achieve and measure success.
Interface with the client's project manager on a regular basis to ensure smooth deployment, timely resolution of any issues and maintain good client relations.
Oversee effective communications with the client for timelines, due dates, resource allocation and overall Vidsys project delivery.
Liaise with all relative Vidsys departments having dependencies for solution delivery to ensure successful delivery of planned project work.
Effectively escalate and communicate project-specific critical issues within Vidsys as appropriate.
Manage all aspects of on-site support for customer implementations or site visits during the delivery phase.
Ensure project documentation is complete, current and stored appropriately.
Prepare project reports for internal and external stakeholders, facilitate interactive sessions and deliver presentations as required.
Develop project submittals, change orders and respond to formal requests for information and other documents to maintain and monitor performance, cost, schedule, and scope.
Conduct post-implementation reviews with the customer and with the Vidsys delivery team to identify how Vidsys performance can be improved, to include identification of those aspects of an implementation that meet or exceed customer expectations.
Serve as the central point of contact and primary client interface to manage the customer relationship for all project-related issues.
The preferred operational location for this position will be Washington DC, San Francisco, Houston or Los Angeles metro areas.
Travel is required, both domestic and international.
Total travel may be up to 50% at peak periods or during project surge efforts.
A Project Management Institute (PMI) certification as a Program Management Professional (PMP) or equivalent certification is a prerequisite.
A bachelor's degree in a technical discipline (Engineering, Computer Science, Information Systems/Science, Mathematics, etc.) is highly desired.
Three or more years of success in a technical project management role with responsibility for schedule, cost, communication, and management of internal and external resources. This experience should include customer-facing project support roles with a software company, technology vendor and/or systems integrator.
Experience in the physical security industry and large systems integration is preferred.
Salary and package are competitive, commensurate with experience.
You will be required to demonstrate your eligibility to work for an employer in the United States without restriction.
For additional information, please contact hr@vidsys.com.
The individual will be responsible for creating and maintaining a high level of customer service and helping to accelerate product adoption for Vidsys customers and partners. He/she will be focused on helping clients optimize their investment in Vidsys solutions. The primary responsibility will be to provide product support, product adoption, and training, both on-site and remotely.
Expertise shall include customer support experience in enterprise software applications, integrated systems, and networked solutions. Also, systems integration experience with either an Integrator or technology company is preferred. The individual should have an understanding of and experience with software applications and tools, various operating systems (Windows, IOS, Android), IP Networking and Security Applications, and how to relate to addressing specific technical needs of a client. This includes working with internal Software Engineers and Developers, Project Managers and other Stakeholders inside and outside the company to ensure that client issues and objectives are properly understood, documented, delivered, and supported.
Must travel to customer sites, with at times, short notice.
Washington, DC, Boston, Houston, or San Francisco metro areas preferred.
Travel required up to 50%. Domestic and international.
The candidate will work as part of an Agile Development team to develop security and information management browser-based applications. Candidate will work with the product management, marketing and operations teams to design, implement, and test applications to meet the requirements of our customers. This position will report to the VP of Product Development.
This position will work from the Marlborough, MA or Vienna, VA offices of Vidsys.
Out of town travel will be required from time-to-time, to visit customers, attend meetings, conferences, and other business needs. Approximately 10% is expected or about one trip per month.


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Month January February March April May June July August September October November December Day 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Year 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023
Come learn and speak Spanish for fun and practice!
12:00 pm - 1:00 pm (Free)
Advanced Spanish
For those a little more versed in the world of Spanish. We'll be discussing the more technical terms and nuances of the language.
1:30 pm - 3:30 pm ($12 for members/ $15 for non-members for 6 weeks.)


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A short history of Saturday Night in Marblehead, as I recall it.
My friend Jeff Boudreau has asked for a little history of Saturday Night in Marblehead, a concert series at the Church of St. Andrew in Marblehead, Massachusetts that I started in the mid to late seventies, and have re-inaugurated with the support of the church, starting with a concert by Claudia Schmidt this Saturday night, Nov. 12.
In the mid 1970s I had already at that point done a fair amount of traveling as a musician, but much of my musical activity was happening as a singer of old blues and ragtime on the streets of Boston. Having found a worshiping community in Marblehead, and being a member of the informal fellowship of traveling folksingers, it occurred to me that, with the support of the church and my first wife, Christine Whiteside, I was in a unique position to put together a benefit concert of some of my colleagues for a local anti-drug program. We did that with some modest success, and that gave me the idea that it might be possible, and a very good thing both for me and for both communities, to introduce my musical community to my worshiping community and vice-versa. I put together an eight page proposal to the vestry of St. Andrew's pointing out the near proximity of the church to Salem State College, and to the fact that, alcoholism being Marblehead's number one mental health problem, it would be a good outreach ministry to provide high-quality entertainment in an alcohol-free venue. No one had ever previously presented an eight page proposal to the vestry, so they felt compelled to approve a trial series of six weekly concerts. No disasters ensued, so they approved another eight weeks, and by that time the series was an institution.
Our friends in downtown Marblehead running the Me & Thee Coffeehouse with its own high quality Friday night series at the local Unitarian-Universalist church were a little skeptical to begin with, but we soon found out that, not only did the competition keep us all honest (we began to copy each other's best practices), but the effect of having two coffeehouse series in the same little suburban town was similar to that of putting McDonald's and Burger King on the same corner: that town became the place you went to when you wanted good music, and the audience began to grow. People started to talk about another folk revival, and indeed, other suburban coffeehouses started to pop up. People would call me up and ask me out to lunch to find out how we did it, and we became a catalyst for musical growth in the area. In the 10 years of my tenure as artistic director and chief chair mover, I became the first to put folks like Cindy Kallet, Patty Larkin, and the late Stan Rogers in a concert setting in the Boston area. The church's support gave me the freedom to use quality as my prime booking criterion: for instance, Patty only drew a dozen people or so to her first two concerts at St. Andrew's, but when her first recording came out, she returned to a full house, and the rest is history.
In 10 years, as my own performing schedule began to fill out and became 17 years on the road and in the area full-time, I handed over the artistic directorship to my good friend the wonderful songwriter Chuck Hall, who in turn handed it on to others. It lasted for 22 years.
I don't have quite as much energy as I did back then, and I once again have a full-time day job, but there's a whole new generation of folks (and/or potential alcoholics) looking for reasonably priced high-quality concert entertainment, so I went before St. Andrew's vestry once again with the idea of a monthly concert series, and they approved a first season. Artistic genius is ubiquitous, and I'm going to look for it in all generations, hoping for a listening audience of all generations in our little corner of the North Shore. If we find it, who knows, we may become an institution again.
Tagged: Marblehead, folk music, Americana, Bob Franke
Newer PostNew video concert is up!
Older PostNovember and December news, and a nice mention in the Washington Post


HABIT Perennial; caespitose. Culms erect, or geniculately ascending; 20–50 cm long. Culm-internodes hollow. Lateral branches lacking. Leaves cauline; 5–9 per branch. Leaf-sheaths outer margin hairy. Ligule a ciliolate membrane; 0.3–0.5 mm long. Leaf-blade base asymmetrical; with a brief petiole-like connection to sheath; petiole 0.1–0.2 cm long; petiole pilose. Leaf-blades drooping; lanceolate, or ovate; 5.5–7 cm long; 21–26 mm wide. Leaf-blade surface glabrous. Leaf-blade margins scabrous. Leaf-blade apex acuminate.
INFLORESCENCE Monoecious; with male and female spikelets in the same inflorescence (or some all male). Inflorescence a panicle; comprising 1 fertile spikelets (and 8–10 male); terminal and axillary. Axillary inflorescences present throughout the plant.
Panicle open; linear; 1.4–2.5 cm long; bearing few spikelets. Panicle branches hispid.
Sexes segregated; on unisexual branches; with male below. Spikelets solitary. Fertile spikelets pedicelled. Male spikelets pedicelled; 2–3 in a cluster. Pedicels clavate; ciliate.
FERTILE SPIKELETS Spikelets comprising 1 fertile florets; without rhachilla extension. Spikelets elliptic; dorsally compressed; 13–14.5 mm long; 3 mm wide; breaking up at maturity; disarticulating below each fertile floret. Floret callus brief; pubescent; truncate.
GLUMES Glumes deciduous; similar; exceeding apex of florets; thinner than fertile lemma. Lower glume elliptic; 13–14.5 mm long; 1.1 length of upper glume; membranous; pallid; without keels; 9 -veined. Lower glume lateral veins with cross-veins. Lower glume surface scabrous; rough above. Lower glume apex attenuate. Upper glume elliptic; 12–13 mm long; 1.6 length of adjacent fertile lemma; membranous; pallid; without keels; 7–9 -veined. Upper glume lateral veins with cross-veins. Upper glume surface scabrous; rough above. Upper glume apex acute, or acuminate.
FLORETS Fertile florets female. Fertile lemma elliptic; dorsally compressed; 7.3–8.1 mm long; 2.5–2.9 mm wide; indurate; yellow, or light brown; without keel; 5 -veined. Lemma surface pubescent; hairy above. Lemma margins pubescent. Lemma apex acute. Palea indurate. Palea apex undifferentiated, or papillose.
FLOWER Lodicules 3; 0.4 mm long; membranous. Anthers 3; 2 mm long. Stigmas 2.
FRUIT Caryopsis light brown. Hilum linear; 1 length of caryopsis.
MALE Male spikelets distinct from female; 1 flowered; elliptic; 4–4.5 mm long. Male spikelet glumes absent. Male spikelet lemma 3 -veined.


Hummingbird and Heliconia. San Ramon, Costa Rica.
A shot like this is the perfect time to use back-button focus.
You never know when you might learn something new. I was browsing the Olympus OM-D Fan Page on Google+ today when I came across a post by Will Webster. Santa brought him an OM-D E-M5, and he was explaining how he had customized some of the button functions on his new camera. He mentioned that he had assigned auto focus to a Fn button so he can back-button focus like he is used to on his Canon camera.
At first I thought he must be mistaken. I've tried to assign AF activation to a Fn button on the E-M5 before with no luck. "AF activation" is not an option you can assign to the function buttons. Will's post made me look a bit closer into the menus, and I figured out how he did it.
What is back-button focussing? It assigns the Auto Focus to a button other than the shutter release; usually to a button under your right thumb. Hence the term "back-button focus". You press the back button to focus, then the shutter release only sets the exposure and takes the picture.
A lot of photographers I know use back-button focussing for shooting wildlife. Ever try shooting a small bird against a busy background? It can be very frustrating when the camera tries to refocus every time you press the shutter release. With back-button focus, you lock focus on the subject and don't refocus unless you want to. You can make as many frames as you want to and the focus will not change because the shutter button is not activating the AF.
You can also change the C-AF to 'mode 3' to activate C-AF and C-AF Tr via the back button.
By default the Fn1 button is set to AEL/AFL, and that works fine for me. This puts the focus right under my right thumb for a traditional back-button focus setup.
If you would like to change the AF activation button, simply assign AEL/AFL to any Fn button you like.
Use the process above to assign back-button focus to the Fn button of your choice.
Press MENU, scroll down to Setup Menu (the wrench), scroll down to Rec View and choose 'OFF'. Now the camera won't try to show you each image in a 9fps string. this makes continuous shooting MUCH easier.
Now you can choose Reset in the Reset/Myset menu to return to the default focus settings. When you want to use back-button focussing you press MENU, choose Reset/Myset, scroll down to Myset 4 and press OK.
One more thing to love about the E-M5! Thanks again to Will Webster for the inspiration to figure this out!
Thanks, Rob, This was an interesting and useful article (Got here from your comment on a user's lens report on Steve Huff's site). Will have to try this out soon!
camera decides this, as when the subject moves i get a blurred image.
I haven't owned an Olympus camera in almost three years, so I'm afraid I would't be much help with your focus questions.
If you're in the Aperture priority mode (A) and not getting fast enough shutter speeds, you should switch off the auto ISO and push the ISO higher.
This is a real game changer You really made my day, or actually my year. I was about to give up on Olympus. Thank you sir!
Thank you so much! This works perfectly on my omd em10 ii. I was frustrated not being able to set up back focus button myself and not finding any sources on how to do it. Great article!!!!
Just found out, that back focus button does not lock the AE. Is there any chance to lock focus and exposure with back button?
I love using this, but sometimes want to undo it. How does one return settings to Shutter focus?
I have been hearing about back button focusing forever and never understood it. I just followed your directions and I really like it. I think it's going to help with my macro shots because it's so important to get sharp focus on a very small area. I have an Om-D E-M5. Thank you.
Wow Bob! I just discovered your article on Back button practice, and I think it will help a great deal with my focusing issues. Thanks a lot!
this is making me love my OMD5 even more!!! Yoohooooo!
What is the difference (in outcome) between: (i) setting Custom Menu; AF/MF; AF Mode; S-AF, changing Shutter to Mode 3, and using one of the "back" buttons to activate AFL, AND (ii) setting custom menu to S-AF+MF, leaving Shutter at Mode 3, and using Manual Clutch and "Peaking" to fine tune focus (not engaging the "back" button)? Is there a difference? Yes, one is the camera doing the focus adjustments and the other is my eyesight, but assuming that my eyesight is 20/20 (or adjusted thereto via contacts), I "should" get results which are very close to each other, I would think. Am I incorrect?
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Featured, News, Previews, Releases
Cash Cash announces 'Blood, Sweat, & 3 Years' tracklist
By Rehan Luthra
New York's dynamic EDM trio and makers of the hit tune 'Take Me Home', Cash Cash, have once again grabbed the spotlight. After finding huge success through a flurry of releases that included the likes of collaborations with B.O.B and Busta Rhymes, the American supergroup have now decided to drop their very first, full length studio album, namely, 'Blood, Sweat, & 3 Years'.
From stepping foot in the realms of snappy beach-side tunes, all the way to those of darker deep and future house ones, Cash Cash's eclectic production ability have earned them wide acknowledgement and praise from some of the giants of the industry.
Looking to cover the spectrum of dance music sub-genres in their diverse debut album, Jean Paul Makhlouf and crew have reeled aboard the likes of Nelly, Cristina Perry and Trinidad James.
To give fans a taster of things to come, the trio have also released the first single from the album. Titled 'How To Love', this fun pool side jam is surely a positive indicator of whats in store.
Catch the 'Blood, Sweat, & 3 Years' tracklist below:
1. How To Love (ft. Sofia Reyes)
2. Broken Drum (ft. Fitz of Fitz & The Tantrums)
3. Millionaire (ft. Nelly)
4. Hero (ft. Christina Perri)
5. Devil (ft. Busta Rhymes, B.o.B & Neon Hitch)
6. Aftershock (ft. Jacquie Lee)
7. The Gun (ft. Trinidad James, Dev & Chrish)
8. Turn (ft. Little Daylight)
9. Escarole
10. Lightning (ft. John Rzeznik)
11. Arrows In The Dark (ft. Anjulie)
12. We Will Live (ft. Night Terrors of 1927)
13. Bada Boom
14. Take Me Home (ft. Bebe Rexha)
15. Sweat (ft. Jenna Andrews)
16. Surrender
Tags: Album, Blood, cash cash, Debut Album, Sweat & 3 Years
About the Author / Rehan Luthra
Get low when the whistle blow.
Moby announces the releas...
American songwriter, singer, producer, and activist Moby just announced the release of his 16th studio album called 'All Visible Objects', scheduled to release on 6th of March on Mute. He promises to donate all proceeds to various charities and organisations,
Available Now, News, Releases
The Chainsmokers release ...
Few other electronic acts have achieved quite the success of The Chainsmokers in the past few years, with their fanbase ranging from young kids all the way to older EDM fans. 2019 has been one of their biggest years yet,
Available Now, Genres, Releases, Trance
Aly & Fila – I...
Aly & Fila are proud to present their sixth studio artist album, "It's All About The Melody" which is out now on their label Future Sound Of Egypt. While two years have passed since the Cairo natives' last album, patient


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« Travesty: Governments Know the Vaccines Are Ineffective But Still Force People To Take Them – LewRockwell
Dave Cullen Video on Mandating Vaccines: " Vaccination: They're Becoming Desperate" – LewRockwell »
My New Book — 'The Real Anthony Fauci' — Now Available for Pre-Order • Children's Health Defense
Posted by M. C. on August 23, 2021
Instead of addressing the rise in chronic diseases, Fauci transformed NIAID from a world-class regulator into a product incubator for Big Pharma by developing new drugs and vaccines for which he, his agency and his employees often share patents and royalties.
For example, Fauci and four of his hand-selected deputies will partake with Moderna in millions of dollars in royalties from sales of Moderna's COVID vaccine — which was co-developed by Moderna and NIAID.
https://childrenshealthdefense.org/defender/robert-f-kennedy-jr-book-the-real-anthony-fauci/
By Robert F. Kennedy, Jr.
In my latest book — "The Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health" — I take an in-depth look at the disastrous consequences of Dr. Anthony Fauci's 50-year reign as America's public health czar. The book, which will be released Nov. 9, is available now for pre-order.
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On Nov. 9, Children's Health Defense Chairman Robert F. Kennedy, Jr. will release his new book — "The Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health."
Click here to pre-order your copy today.
As director of the National Institute of Allergy and Infectious Diseases (NIAID), Dr. Anthony Fauci dispenses $6.1 billion in annual taxpayer-provided funding for scientific research.
The research I conducted for my new book exposes how Fauci's gargantuan yearly disbursements allow him to dictate the subject, content and outcome of scientific health research across the globe.
These annual disbursements also allow Fauci to exercise dictatorial control over the army of "knowledge-and-innovation" leaders who populate the "independent" federal panels that approve and mandate drugs and vaccines — including the committees that allowed the Emergency Use Authorization of COVID-19 vaccines.
Fauci uses the financial clout at his disposal to wield extraordinary influence over hospitals, universities, journals and thousands of influential doctors and scientists — whose careers and institutions he has the power to ruin, advance or reward.
These are the same doctors who appear on network news shows, publish on the op-ed pages of influential media, and craft and defend the pharmaceutical cartel's official narratives.
Fauci only rarely performs NIAID's traditional mission of researching the causes behind the exploding epidemics of allergic and autoimmune diseases — as evidenced by the fact that under his watch, the chronic diseases Congress charged NIAID with preventing rose from 1.8 % among children when Fauci came to NIAID in the 1960s, to 54% today, when obesity is factored in.
Fauci has made himself the leading proponent of "agency capture" — the subversion of democracy and public health by the pharmaceutical industry.
As "The Real Anthony Fauci" reveals, Fauci has steadily failed upward. His legacy is a nation that uses increasingly more pharmaceuticals, pays nearly three times more for prescription drugs than people in dozens of other countries, and has worse health outcomes and a sicker population than other wealthy nations.
Today, prescription drugs — many developed by the National Institutes of Health (NIH) during Fauci's tenure at the NIH's NIAID — are America's third leading cause of death.
My book also reveals how Fauci and his cohorts in Pharma profit handsomely from sickness — but not so much from good health.
50 years as the 'J. Edgar Hoover of public health'
Fauci has survived half a century in his government post — he's the J. Edgar Hoover of public health — by kowtowing to (and profiting from) pharmaceutical interests.
He launched his career during the early AIDS crisis by partnering with pharmaceutical companies to sabotage safe and effective off-patent therapeutic treatments for AIDS.
Fauci orchestrated fraudulent studies, and then pressured U.S. Food and Drug Administration (FDA) regulators into approving a deadly chemotherapy treatment he knew to be worthless against AIDS.
The FDA deemed AZT too toxic for human use. Many researchers today argue AZT killed far more people than AIDS.
Thanks to Fauci's corrupt intervention, AZT, at $10,000 per patient per year, became history's most expensive commercial drug — one that made billions for GlaxoSmithKline.
Fauci repeatedly violated federal laws to allow his Pharma partners to use impoverished and dark-skinned children as lab rats in deadly experiments with toxic AIDS and cancer chemotherapies.
In 2005, Congress cited his agency for consistently breaking federal laws in outlaw experiments on Black and Hispanic orphans in foster homes in New York and six other states.
Fauci's long list of unethical and genocidal experiments on Africans caused mayhem and tragedy across the continent, particularly for children and pregnant mothers.
Each of the vaccines funded by Fauci and Bill Gates — polio, DPT, malaria, meningitis, tetanus and HIV — likely caused far more injuries and deaths around the world than they averted.
See the rest here
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