MuseScore (talaffuzi: MyuzSkor) — nota tahrirlovchi. Dastur Microsoft Windows, Mac OS X va Linux operatsion sistemalarida ishlaydi. MuseScore ochiq manbali dasturdir.
MuseScore boshida MusE dasturiga qoʻshimcha sifatida tayyorlangan. Oʻsha paytda MusEda nota tahrir qilish mumkin edi. 2002-yil MusEni ishlab chiqqanlarning biri boʻlmish Werner Schweer MusEdagi nota tahrirlash funksiyasini olib tashladi va alohida nota tahrirlovchi dastur tayyorladi. Oʻsha paytdan beri MuseScore alohida dastur sifatida faol yangilanib kelyapti.
www.musescore.org sayti ilk bor 2008-yil ishga tushdi. Oʻsha yili dasturni koʻchirib olishlar soni keskin oʻsa boshladi. 2008-yil dekabriga kelib dasturni saqlab olishlar soni oyiga 15 000 martagacha yetdi.
Versiya 0.9.5 2009-yil avgustda e'lon qilindi. Bu versiya kundalik ravishda ishlatish uchun yetarli darajada barqaror edi va uni Mac OS Xda ham ishlatish mumkin edi. 2009-yil oktabrga kelib MuseScoreni kuniga 1 000 martadan oshiq koʻchira boshlashdi. 2010-yil yakunida boʻlsa koʻchirib olishlar soni uch barobarga oshdi. 2013-yil oxirida loyiha SourceForgedan GitHubga koʻchib oʻtdi. Oʻsha paytdan beri dastur necha marta koʻchirib olingani haqida ommaviy ma'lumot yoʻq. Shunday boʻlsa-da, 2015-yilning mart oyida MuseScore tarqatgan pres-relizda dastur 8 million martadan oshiq marta koʻchirib olingani aytildi.
MuseScore 1.0 2011-yil fevral oyida chiqarildi. Oxirgi versiya boʻlmish 2.0.2 2015-yil iyul oyida chiqarilgan.
MuseScore versiyalari muayyan bir reja boʻyicha chiqmaydi. Yangi versiyalar tayyor boʻlganida e'lon qilinadi.
Versiya 0.9.5 2009-yil avgustda chiqarilgan. Bu ilk barqaror va Mac OS X operatsion sistemasida ham ishlaydigan versiyadir.
Versiya 0.9.6 2010-yil iyunda chiqarilgan. Bu versiyada juda koʻp yangi funksiya bor edi, jumladan, umumiy MIDI standartiga asoslangan holda barcha asbob qismlarini qoʻllash, koʻp oʻlchamli pauzalarni qoʻllash, kalitlarni qoʻllash hamda notalarni boʻlishish mumkin boʻlgan musescore.com saytiga bogʻlangan "onlayn saqla" funksiyasi.
2011-yil fevralda MuseScore 1.0 chiqarildi. Bu versiyada yangi funksiyalar qoʻshish oʻrniga barqarorlikka koʻproq e'tibor berilgan.
2011-yil iyulda MuseScore 1.1 chiqarildi. Bu versiyada 60 ga yaqin xatoliklar tuzatildi hamda jaz nota varaqalarini qoʻllash funksiyasi yaxshilandi. Bu versiyaga yana onlayn aloqa qilish va chop etish imkonini beruvchi MuseScore Connect funksiyasi qoʻshildi.
2012-yil mart oyida MuseScore 1.2 e'lon qilindi. Bu versiyada 100 ga yaqin xatoliklar tuzatildi, MusicXML import va eksport qilish yaxshilandi hamda maxsus belgilarni qoʻllash oʻnglandi. Bu versiyada dasturni ochganda chiqadigan demo sifatida Marc Sabatellaning "Reunion" asari tanlandi.
Asosan xatoliklar bartaraf etilgan MuseScore 1.3 versiyasi 2013-yil fevral oyida e'lon qilindi.
MuseScore 2.0 2015 yil martda chiqarildi. Juda koʻp yangi funksiya, jumladan, tabulaturalarni ochish hamda gitara akkordlari diagrammalari, qism/partituralarni tahrirlash, suratga olish, ikkita yangi musiqa fonti hamda MusicXML 3.0 ni qoʻllash funksiyalari qoʻshildi.
MuseScore 2.0.1 2015 yil mayda chiqarildi. Bu versiyada qator kamchiliklar tuzatildi, Isaac Weissning "Getting Started" asarini chalish boʻyicha qoʻllanma va boshqa bir necha andoza taqdim etildi.
MuseScore 2.0.2 2015-yil iyulda e'lon qilindi. Bu versiyada ham bir nechta xatolik tuzatildi va yangi funksiyalar, jumladan, turli ornamentlarni ijro etish funksiyasi qoʻshildi. Bu versiya bilan birgalikda "MuseScoreni oʻrganish" (ingl. Mastering MuseScore) professional qoʻllanmasi chiqarildi.
MuseScorening asosiy vazifasi turli musiqa partituralarini yaratishni, tahrirlashni va bosmadan chiqarishni "nimani koʻrayotgan boʻlsang oʻshani olasan" (ingl. What You See Is What You Get) muhitda amalga oshirishdir. Dastur deyarli barcha nota yozuvi turlarini qoʻllaydi va yuqori sifatli nota varaqalarini eksport qiladi yoki bosmadan chiqaradi. MuseScorening notalash uslubi mavjud standartlarga mos keladi.
Dasturda yozilgan notalarni oʻrnatilgan sintezator va misol kutubxona yordamida eshitib koʻrish mumkin. SoundFont formatidagi boshqa sodda kutubxonalarni qoʻllanuvchi mustaqil ravishda oʻrnatishi mumkin. Musiqa asarini eshitayotganda xorus va reverberatsiya effektlaridan ham foydalanish mumkin.
MuseScore yordamida qismlarni eksport qilish, MIDI fayllarni import qilish, istagancha nota qatorini qoʻshish, zarb bilan chalinadigan asboblar notalarini yozish, avtomatik ravishda asar kalitini oʻzgartirish, va qoʻshiq matnini qoʻshish mumkin. Dastur funksiyalarini mavjud qoʻshimcha ulash sistemasi yordamida yanada kengaytirish mumkin.
MuseScore MusicXML, MIDI, Band-in-a-Box, Guitar Pro, capella (cap3 formatida, CapXML formatida emas) va Overture formatlaridagi va oʻzining MuseScore hamda Compressed MuseScore formatidagi fayllarni import qila oladi. Dastur MusicXML hamda MIDI fayl formatlariga eksport qila oladi. Tovushni WAV, FLAC, MP3 va OGG fayl formatlariga eksport qilish mumkin. Nota yozuvlarini boʻlsa PDF, SVG, PNG va PostScript formatlariga eskport qilish yoki toʻgʻridan-toʻgʻri chop etish mumkin.
MuseScore Sibelius va Finale fayl formatlarini import qila olmasa-da, dasturning MusicXML formatini qoʻllashi mazkur dasturlar orasida fayl almashishni osonlashtiradi.
MuseScore Connect funksiyasi musiqachilarga oʻzlarining asarlarini musescore.com saytida onlayn chop etish va boʻlishish imkonini beradi. Pul toʻlovchi obunalar shu funksiya yordamida cheksiz asar bilan boʻlishishlari mumkin. Bepul hisob ham ochish mumkin, ammo bunday hisob egalari beshtagacha partitura yuklay oladilar xolos.
Musescore.com saytini HTML5 audio tegini qoʻllovchi har qanday brauzerda ochib, partituralarni tinglab koʻrish mumkin. Partiturani yana foydalanuvchi notadagi asar ijrosini koʻrishi uchun mos keladigan onlayn videoga ulash mumkin.
2014-yilning may oyidan beri dasturning iOS va Android uchun versiyalari chiqarib kelinadi. Bu versiyalar MuseScorening nota boʻlishish saytiga bogʻlangandir. Oʻrganish jarayonini osonlashtirish uchun mobil versiyaga partituralarni eshitish, tempni oʻzgartirish, asar kalitini oʻzgartirish, qismlarni aralashtirish funksiyalari qoʻshilgan.
MuseScore yana portativ moslamalarda ham ishlaydi. Dasturni turli kompyuter sistemalarida ishlata olish uchun uni CD, USB flesh drayv, flesh karta yoki floppi diskda saqlash mumkin.
MuseScore bepul va ochiq manbali dastur boʻlib, asosan C++ tilida yoziladi. Dasturni tayyorlash GitHubda amalga oshadi. Werner Schweer, Nicolas Froment va Thomas Bonte loyihaning yetakchi tuzuvchilaridir. Bundan tashqari, keng omma ham dasturni ishlab chiqishda ishtirok etadi. MuseScore ham 32-bit, ham 64-bit platformalarda ishlaydi. Dasturning grafik foydalanuvchi interfeysi (ingl. Graphical user interface, GUI) Qt asbobi yordamida ishlaydi.
MuseScorening kuniga juda koʻp marta koʻchirib olinishi uning foydalanuvchilar tomonidan keng qoʻllanilayotganidan darakdir. Bir necha Linux tarqatuvchilar MuseScoreni Ubuntu Software Center kabi dastur kutubxonalariga qoʻshishadi. Dastur yana Windows uchun bepul dasturlarni oʻziga jamlagan VALO-CD toʻplamiga ham qoʻshilgan edi.
Bir necha ta'lim mahkamalari, jumladan, Dryu va Ionia universitetlari MuseScoredan foydalanishadi. Kanadaning Quebec shahrida joylashgan Milles-îles regionidagi 10 000 dan oshiq ta'lim mahkamalari kompyuterlariga MuseScore oʻrnatilgan.
2011-yilda Johann Sebastian Bachning "Goldberg variatsiyalari" asarining yuqori sifatli bosma va audio versiyalarini chiqarish uchun loyiha tashkil etildi. Loyiha MuseScorening yanada takomillashishiga olib keldi. Xususan, yuqori sifatli variatsiya uchun kerak boʻladigan qoʻshimcha funksiyalar qoʻshildi. Yangi funksiyalar dasturning 2.0 versiyasiga qoʻshildi.
Loyihani muvaffaqiyatli amalga oshirish uchun Kickstarter kampaniyasi tashkil etilib, yetarlicha mablagʻ toʻplandi. MuseScore tuzuvchilari va musiqachi Kimiko Ishizaka birgalikda asarning bosma notasini va audio yozuvini tayyorlashdi. Yakuniy partitura butunlay MuseScoreda yozildi. Uni bepul koʻchirib olish mumkin.
2013-yil koʻzi ojizlar notalardan kengroq foydalana olishiga imkon yaratish uchun Bachning "Well-Tempered Clavier" asarining Brayl yozuvidagi versiyasini chiqarish uchun loyiha ishga tushdi. Hozirgi kunda "Goldberg variatsiyalari" asarlarining Brayl notalarini bepul koʻchirib olish mumkin.
↑ At the Sounding Edge: Music Notation Software, the Final Installment. Linux Journal (6 April 2006). 5 January 2016.
↑ Bonte, Thomas (27 November 2010). The State of MuseScore. musescore.org. 5 January 2016.
↑ 3,0 3,1 Bolton, David (15 August 2009). New Features in MuseScore 0.9.5. musescore.org. 5 January 2016.
↑ MuseScore: Download Statistics: All Files. SourceForge. 5 January 2016.
↑ MuseScore 2.0 makes creating sheet music easier and faster. PRWeb. PRWeb (25 March 2015). 18 January 2016.
↑ MuseScore 0.9.6 released. musescore.org (8 June 2010). 5 January 2016.
↑ New features in MuseScore 0.9.6. MuseScrore. 5 January 2016.
↑ MuseScore 1.0 is released. musescore.org. 5 November 2015.
↑ Release notes for MuseScore 1.1. musescore.org. 5 November 2015.
↑ Introducing MuseScore Connect. musescore.org (16 July 2011). 5 November 2015.
↑ MuseScore 1.2 is released. musescore.org. 23 August 2012.
↑ Release notes for MuseScore 1.2. musescore.org. 5 November 2015.
↑ MuseScore 1.3 is released. musescore.org. 5 November 2015.
↑ MuseScore 2.0 released!. musescore.org. 24 March 2015.
↑ MuseScore 2.0.1 is released. musescore.org (5 May 2015). 5 November 2015.
↑ Release notes for MuseScore 2.0.1. musescore.org. 27 May 2015.
↑ MuseScore 2.0.2 is released. musescore.org (16 July 2015). 17 July 2015.
↑ Announcing "Mastering MuseScore," the definitive guide to MuseScore 2. musescore.org (10 June 2015). 5 November 2015.
↑ SoundFont. musescore.org. 23 August 2012.
↑ Synthesizer. musescore.org. 27 December 2015.
↑ Change and adjust sounds. musescore.org. 23 August 2012.
↑ Plugins. musescore.org. 28 December 2015.
↑ File Format. musescore.org. 23 August 2012.
↑ MuseScore: Free music notation & composition software. SourceForge (5 August 2015). 6 January 2016.
↑ Share scores online. musescore.org. 23 August 2012.
↑ Help. musescore.org. 23 August 2012.
↑ MuseScore app available for download. MuseScore Blog. 8 September 2014.
↑ Download. musescore.org. 6 January 2016.
↑ Musescore. VALO-CD. 23 August 2012.
↑ Schools & Universities using MuseScore. musescore. 23 August 2012.
↑ Bonte, Thomas (20 April 2011). MuseScore installed on 10,000 computers in Quebec. 23 August 2012.
↑ Douglass, Robert. Open Goldberg Variations - Setting Bach Free. Kickstarter. 23 August 2012.
↑ Open Goldberg Variations: mission accomplished. Libre Graphics World (29 May 2012). 6 January 2016.
↑ (2012) Goldberg Variations. München: GRIN Verlag. ISBN 978-3-656-23080-9.
↑ Open Goldberg Variations: The public review for the Open Goldberg Variations Project. musescore.org. 6 January 2016.
↑ Braille edition of the Open Goldberg Variations. Open Goldberg Variations (23 March 2014). 6 January 2016.
Bu sahifa oxirgi marta 19-Fevral 2016, 08:47 da tahrir qilingan.


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The Libertas Center for Human Rights was founded as a volunteer program of the Emergency Department (ED) in 2006 by ED physicians, Dr. Lars Beattie and Dr. Rajeev Bais, to provide services to survivors of torture through Elmhurst Hospital's Emergency Department, with a primary focus on conducting forensic evaluations and providing affidavits in support of client's asylum applications.
With grant funding, in March 2010, the Libertas Center opened dedicated space for its community healing center at Elmhurst Hospital to provide comprehensive medical, mental health, social and legal services for torture survivors. Together with Medical Directors Dinali Fernando and Braden Hexom, Program Director Leah Weinzimer helped develop relationships within Elmhurst hospital and throughout the community to build the Libertas Center's structure, philosophy and suite of services that today comprise the central pillars of the program.
The Libertas Center has been honored to receive recognitions for service from the New York City Council, the Brooklyn Borough President and Congressman Joseph Crowley, as well as from leading community partners such as Houses on the Moon.
The Libertas Center is an active member of the International Rehabilitation Council for Torture Victims (IRCT), the Queens Borough President's Immigration Task Force, National Consortium of Torture Treatment Programs.
New York City is home to a disproportionate number of torture survivors. At 5,028 cases, New York City received by far the most applications for protection under the Convention against Torture of any immigration court in 2014. That same year, NYC had 8,811 asylum case completions and 4,830 applicants were granted asylum, representing 55% of the total asylum grants in the US that year.
The location of the Libertas Center in Elmhurst, Queens, New York City uniquely positions us to identify and serve a large number of torture survivors. The area immediately surrounding Elmhurst Hospital, where the Libertas Center is located, is the most diverse zip code in NYC and arguably the country, with 71% of its residents being foreign born. The surrounding neighborhoods of Flushing, Corona and Jackson Heights have the next highest percentages of foreign-born residents in NYC, between 62-68%. 4 The origins of foreign-born residents in Queens include China (13%), Colombia (4.7%), Bangladesh (4.3%) and Jamaica (3.7%), showing the remarkable and continuing degree of immigration to the immediate community.
As the largest public hospital in the borough of Queens, Elmhurst Hospital (EHC) is the primary source of emergent and primary medical and mental health care in Queens. EHC is the major public teaching hospital affiliated with the Icahn School of Medicine at Mount Sinai (ISMMS), with a broad spectrum of medical, surgical and subspecialty residency programs. It is an Emergency Medical Services (EMS) 911 receiving hospital, cardiac catheterization and stroke center, and Level 1 trauma center, with 575 hospital beds. In 2014, its Emergency Department (ED) cared for 148,406 patients (91,543 adult, 49,330 pediatric, 7533 psychiatric), with the EDs responsible for 77% of hospital admissions.
A 2009 cross sectional prevalence study of 470 patients conducted by the Libertas Center suggested that over 6% of patients seeking care at Elmhurst Hospital's Adult Emergency Department met criteria as torture survivors, translating to several thousand torture survivors potentially presenting to our hospital Emergency Department every year. These numbers, along with the increase in survivors seeking services from our program since 2009, together with our growing waiting list, demonstrate the ongoing demand for Libertas Center services. Since opening our doors, the Libertas Center has provided services to over 350 survivors of torture.


text:
Q: recursively get all files except the hidden ones with pathlib I would like to use pathlib to recursively iterate over all files of a given path, except those which are hidden or are in hidden directories. E.g., from
|
|- a.txt
|- .b.txt
|- a/
|  |- c.txt
|  |- .d.txt
|  +- c/
|     +- e.txt
|- .b/
   +- f.txt

I would like to get
a.txt
a/c.txt
a/c/e.txt

Any hints?

A: You could do something like this:
from pathlib import Path

def non_hidden_files(root):
    for path in root.glob('*'):
        if not path.name.startswith('.'):
            if path.is_file():
                yield str(path)
            else:
                yield from non_hidden_files(path)

print(*non_hidden_files(Path('.')))

redpajama_set_name: RedPajamaStackExchange


Famous people born on JULY 29 could be a Leo who is exceptional. They have a great imagination. Perhaps they could use it to find ways of making things less burdensome.
Sometimes, these July 29 famous celebrities carry too much stress and this plays havoc on their emotions. Maybe they feel that the measure of success is based on how much money they have or by what kind of car they drive. (With that being said, they tend tell anyone about it and they come off as being conceited… not a good look, Leo.) That's not necessarily so but they have a distinct fear of not reaching their full potential.
As a negative trait, famous people born on July 29 tend to withdraw when they fall short of a goal. This is a part of life. They need to learn from their mistakes and they will start to embrace new adventures and the opportunity to learn again. They need to share stories with others in a way that is pleasing to all. They have the communications skills in which to do it.
Famous people born on July 29th are Leos with a wild imagination. As a child, people may have thought they were odd. However, as an adult they are confident and perhaps, conceited. It's rumored that they use this as a cover up for their idealistic ways.


Before any of us get too bent out of shape in re: this afternoon's result — an ugly win over a craptastic team in horrible conditions — let us remember that the 2007 Eagles are a mediocre team that is .500 at best.
That is, we should be HAPPY that they won, and stop complaining that they didn't do it in a beautiful or graceful manner. They aren't going to win very many games in a beautiful or graceful manner: they're just not that good. But if they get a couple bounces in the next month, and the other teams in the NFC play crappily, they just might make the playoffs.
If they don't get lucky, they finish somewhere in the neighborhood of 8-8. They are who we thought they were.
1. It sure looked like the guy who put Jevon Kearse on the bench made the biggest defensive play of the game. Cheers to Juqua Thomas ("JT") for a big stop on fourth and goal. Take that, soon-to-be-cut Jevon Kearse! Your cheap substitute will do just fine. Also, goal-line stands two weeks in a row? That's great television right there!
2. L.J. Smith really must want a new job. Not just the holding penalty that disallowed the Reggie Brown TD, but also the personal foul on the touchdown? Dude. You're just being a jerk. Play hard and you'll get very paid. This penalty nonsense should count against your permanent record. It's lame.
3. My Brian Westbrook man-crush is blossoming with adolescent joy. Yeah, he's the best player, it's not even remotely close. Every play where he doesn't touch the ball is a disappointment. That said, Buck looked lively today, didn't he? And Curtis caught a bunch of tough balls in the second half. But mostly Westbrook is the sweetness.
4. Maybe the Eagles didn't actually need him. It looks like McNabb can walk just fine, but he was feeling a little gimpy. Um, is it such a big deal that he didn't re-enter the game? He screwed up his ankle and he has a bum knee. The Birds were playing the worst team in the NFL and didn't really need him. So we played the backup and it all worked out. This is fine. Seriously. It's fine. I hope the ankle and thumb are fine for next week.


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The first, complete 360° solution to the problem of monitoring hand hygiene compliance of all employees and visitors in a healthcare setting will be showcased at the Association of Professionals in Infection Control and Epidemiology (APIC) conference in Baltimore June 27 through 29, 2011 by HandGiene Corporation in booth #128.
"Our complete 360° hand-hygiene monitoring solution is the most cost-effective way to easily monitor hand hygiene, reduce the incidence of HAIs and increase compliance rates up to 100 percent," said Richard Verdiramo, HandGiene Corporation Vice President.
The first, complete 360°solution to monitor hand hygiene compliance will be showcased in Booth No. 128 at the Association of Professionals in Infection Control and Epidemiology (APIC) conference in Baltimore from June 27 to 29, 2011 by HandGiene Corporation.
With nearly 2 million people a year acquiring Healthcare Associated Infections that cost up to $50 billion annually, the Joint Commission as well as the Centers for Disease Control and Prevention are pressing for higher hand-hygiene compliance rates. A recent study showed that hand-washing and sanitizing in a healthcare setting can be as low as 34 percent.
The only way to increase compliance with protocols and provide accountability is to monitor staff interactions with patients. HandGiene RFID badges, dispensers and sensors provide real-time compliance data and can instantly alert staff, patients and administrators to non-compliance.
"Our complete 360° hand-hygiene monitoring solution is the most cost-effective way to easily monitor hand hygiene, reduce the incidence of HAIs and increase compliance rates up to 100 percent," said Richard Verdiramo, HandGiene Corporation Vice President. "HandGiene's all-inclusive system, including intelligent dispensers, soaps and sanitizers, monitoring equipment and compliance software, meets industry hand-hygiene guidelines without any ongoing costs or fees to the facilities."
Proprietary soap and sanitizers make compliance easy. Facilities can readily change between liquids, foams or gels without changing dispensers. Solutions are formulated with and without alcohol.
Web-based software allows internal reports for re-training as well as external documentation of compliance to protocols. The system integrates with legacy IT for rapid installation and ease-of-use.
For information on HandGiene Corporation's revolutionary system, visit on the web at http://www.HandGieneCorp.com. Or visit us in person in Baltimore, in Booth 128 at the Association for Professionals in Infection Control and Epidemiology conference June 27-29, 2011.


The temperatures are reaching up into the 90s in my neck of the woods which means it's time to switch to iced coffee to get my mornings started right. Which also means it's time to break out the Cuppow. I make many of my decisions with an eye toward sustainability and conservation and this little drink helper is no different.
Now, you can ignore the fact that it looks like a sippy cup of you want to. I embrace it. This is my sippy cup of iced coffee.
The Cuppow is actually just that teal plastic insert on top. The rest is a wide-mouth, tall Ball jar and accompanying ring. I purchased metal straws to go in this one for iced drinks, but I also have a clear one that is just a standard sippy Cuppow variety.
So every morning this summer, I will be having a cold-brewed, caffeinated beverage out of this quirky and charming cup setup (which has admittedly made appearances on some WordCamp videos).


text:
The American Chamber of Commerce in Germany e. V. (AmCham Germany) ist eine private, unabhängige Organisation mit Büros in Frankfurt am Main und Berlin.

AmCham Germany ist eine der größten bilateralen Wirtschaftsvereinigungen in Europa, vertritt die größte Gruppe ausländischer Investoren in Deutschland und fördert die globalen Handelsbeziehungen, die auf dem starken Fundament der amerikanisch-deutschen Partnerschaft stehen. Die Interessenvertretung ihrer Mitglieder betreibt AmCham Germany in ihren 6 Policy Committees sowie 2 Expert Groups und ist im ständigen Kontakt mit Entscheidungsträgern aus Politik und Wirtschaft in Berlin, Brüssel und Washington, DC. Neben der politischen Interessensvertretung bietet AmCham Germany Business Services sowie zahlreiche Veranstaltungen unterschiedlicher Formate zur Vernetzung und inhaltlichen Debatten ihrer Mitglieder an. Darüber hinaus informiert AmCham Germany über transatlantische, wirtschaftliche und politische Themen in Newslettern, auf ihrer Website, im Podcast und auf Social Media. Die Aktivitäten sind bundesweit durch 10 Regionalgruppen in der Fläche verankert.

AmCham Germany ermöglicht interkulturelles Verständnis, Zusammenarbeit und neue Investitionen durch die Grundsätze eines transparenten Dialogs, freien Handels und eines wettbewerbsfähigen und offenen Wirtschaftsklimas.

Geschichte
AmCham Germany wurde am 29. Januar 1903 von amerikanischen Geschäftsleuten in Berlin gegründet. Anfangs zählte die Kammer 100 Mitglieder, davon 60 % amerikanischer Herkunft und 40 % deutscher Herkunft. AmCham Germany gilt als der älteste bilaterale Handelsverband Deutschlands und die zweitälteste AmCham der Welt.

Vorstand
Im Juni 2021 wurde Simone Menne zur Präsidentin der American Chamber of Commerce in Germany gewählt. Executive Vice Präsident ist Gordon Riske.

Das Amt des Präsidenten von AmCham Germany bekleideten zuvor von 2018 bis 2021 Frank Sportolari (damals Deutschland-Chef von UPS), von 2013 bis 2018 Bernhard Mattes (Verband Deutsche Automobilindustrie und Ford) und von 1991 bis 2013 Fred B. Irwin ('Vice Chairman for Germany' der Citigroup Global Markets Deutschland).

Wirtschaftspolitische Ausschüsse
In den politischen Ausschüssen der Kammer werden Positionspapiere zu Themen wie Steuern, Digitalisierung, Energie, Umwelt, Gesundheit, Finanzdienstleistungen und Unternehmensrecht erstellt und den entsprechenden Regierungsstellen vorgelegt. Die Mitarbeit, die im Vorstand und in den Ausschüssen erfolgt, ist freiwillig.

Policy Committees

 Trade Committee
 Tax Committee
 Energy & Climate Committee
 Healthcare & Life Sciences Committee
 Aerospace & Defense Committee
 Digital Policy Committee

NextGen Initiative
AmCham Germany hat 2017 die NextGen Initiative gestartet und verbindet mit der Initiative junge Berufstätige mit einem starken Interesse an der Förderung der transatlantischen Partnerschaft.

Erklärtes Ziel der NextGen-Initiative ist es, begeisterte Nachwuchskräfte der Mitgliedsunternehmen von AmCham Germany zusammenzubringen, die nicht nur ihre eigenen Fähigkeiten erweitern, sondern auch AmCham Germany dabei unterstützen, ein attraktives Forum für Nachwuchsführungskräfte zu werden. Durch die Teilnahme an der NextGen-Initiative profitieren die Mitgliedsunternehmen von transatlantischen Mitarbeitern und einem erweiterten, branchenübergreifenden beruflichen Netzwerk.

Das Herzstück der NextGen-Initiative ist eine 5-tägige Konferenz, die das gemeinsame Jahr der Gruppe einläutet.

Female Founders Award
AmCham Germany vergibt den "Female Founders Award" seit 2019, um (Mit-)Gründerinnen in ihrer Sichtbarkeit und Vernetzung zu fördern, zu stärken und gleichzeitig andere Frauen in ganz Deutschland zu inspirieren und zu motivieren, Unternehmerinnen zu werden. AmCham Germany ermutigt zur Bewerbung insbesondere weibliche Talente aus den Bereichen Technik, Elektronik, Ingenieurwesen oder anderen von Frauen normalerweise unterrepräsentierten Branchen. Der Award bündelt die Werte des amerikanischen Unternehmergeistes und des deutschen Unternehmertums sowie die Aktivitäten von AmCham Germany im Kontext von Entrepreneurship und Diversity/Women in Leadership.

Publikationen
AmCham Germany veröffentlicht regelmäßig zwei Newsletter, jeweils einmal im Monat, die über eine große Bandbreite von Themen informieren und an unterschiedliche Zielgruppen versandt werden. Der Newsletter Chamber News erscheint alle acht Wochen und richtet sich exklusiv an die Verbandsmitglieder. Der Newsletter beinhaltet Informationen und Business Services für Firmenmitglieder, aktuelle Briefings zur US-Politik und Entwicklungen in der deutschen Politik, Ankündigungen zu anstehenden Events, Veranstaltungsberichte, Personalwechsel und porträtiert einzelne Mitgliedsunternehmen im Interview.

Der öffentliche Newsletter The Navigator erscheint alle acht Wochen und beinhaltet Interviews mit Politikern oder Wirtschaftsexperten zu aktuellen wirtschaftspolitischen Themen, Positionspapiere und Briefings zu den transatlantischen Beziehungen, Gastbeiträge, Kommentare, Podcasts und Videos.

AmCham Germanys Podcast The Clue ist der Podcast für Professionals in den transatlantischen Beziehungen und wird monatlich von AmCham Germany produziert. Regelmäßig werden politische Entscheider, Wirtschaftsexperten, Wissenschaftler und Journalist zu Gesprächen über aktuelle transatlantische Themen eingeladen.

Im Annual Report werden Signature Events, Treffen mit Protagonisten aus Politik und Wirtschaft sowie Business Luncheons präsentiert und ein Überblick über das Netzwerk der AmCham Germany gegeben.

Studien und Umfragen
In Kooperation mit Mitgliedsunternehmen veröffentlicht AmCham Germany verschiedene Studien und Umfragen. Dazu gehört das AmCham Germany Transatlantic Business Barometer, eine Studie, die jährlich in Zusammenarbeit mit Roland Berger Strategy Consultants erstellt wird, und die Un-/Zufriedenheit von US-Unternehmen am Standort Deutschland und von deutschen Unternehmen in den USA dokumentiert. Darüber hinaus veröffentlicht AmCham Germany zusammen mit der Unternehmensberatung Accenture das jährlich erscheinende TOP 50-Ranking der umsatzstärksten US-Unternehmen in Deutschland. Darüber hinaus führt AmCham Germany regelmäßig anlassbezogene Blitzumfragen unter ihrer Mitgliedschaft durch.

Siehe auch
 Beziehungen zwischen der Europäischen Union und den Vereinigten Staaten

Weblinks
 Offizielle Website

Einzelnachweise

Auslandshandelskammer
Wirtschaftsorganisation (Berlin)
Wirtschaftsverband (Deutschland)
Außenhandel (Deutschland)
Wirtschaft (Vereinigte Staaten)
Organisation (Beziehungen zwischen Deutschland und den Vereinigten Staaten)
Gegründet 1903
Non-Profit-Organisation
Verein (Berlin)

redpajama_set_name: RedPajamaWikipedia


North Delta, is a fast growing community situated in the Metro Vancouver area of British Columbia, Canada. The community is the most populous of the three communities (North Delta, Ladner, and Tsawwassen) that make up the municipality of Delta, the largest municipality of the Greater Vancouver Regional District. Located at the delta of the Fraser River and having rich soils and water, Delta is one of the most important agricultural areas in Metro Vancouver.
Just 27 kilometers from Vancouver and located close to the U.S. border, Delta is home to many people who prefer to live and raise their families in safe, quiet neighborhoods, surrounded by nature, and, if necessary, to commute every day to other cities to work. Delta is ideal for nature lovers with its parks, bike and walking trails, islands and wildlife. Alongside North Delta is Burns Bog, the largest raised peat urban bog in North America, and together with Watershed Park provides a myriad of walking and biking trails, home to many artesian aquifers.
A network of buses and community shuttles run through Delta and provide public transit connections, and the neighboring highway network provide easy driving connections, to Vancouver and its various suburbs and to the U.S. border.


text:
Q: Reference error geolocation I am trying to use geolocation in javascript. However, on my console i see an error which is: ReferenceError: success is not defined. As a result i am unable my code is unable to execute the rest of the function. Here is my implementation:
function clicked(){

        console.log("inside clicked");

        if($("#checkbox-h-2j").prop('checked')){

            if(navigator.geolocation){
                navigator.geolocation.getCurrentPosition(success,error);
            }

            else{
                document.getElementById("hello").innerHTML = "Not supported";
            }

            function success(position){

                    lat = position.coords.latitude;
                    lng = position.coords.longitude;
                    document.getElementById("hello").innerHTML = "lat :"+lat+"<br>long :"+lng;
            }

            function error(err){
                    document.getElementById("hello").innerHTML = "Error Code: "+error.code;
                    if(err.code == 1){
                        document.getElementById("hello").innerHTML = "Access denied";
                        }
                    if(err.code == 2){
                        document.getElementById("hello").innerHTML = "Position unavailable";
                    }
            }
}}

A: Is the reference error is in line no 08 ie .
navigator.geolocation.getCurrentPosition(success,error);

if so then the problem may be that when you use success, this function get used before getting defined,hence it stops the further execution, try to define the function before using it, then it will work.

A: I assume you are getting the error in Firefox, but not in Chrome. Here is a simpler example:
if (true) {
    foo();
    function foo() {
        console.log('bar');
    }
}

The problem is that you are using a function declaration inside a block. That is actually a syntax error, but browsers choose different ways to deal with this.
Chrome will hoist the function declaration (like any other function declaration), so that the result is
function foo() {
   console.log('bar');
}
if (true) {
    foo();
}

I.e. the function will always be defined, no matter the result of the condition.
Firefox will treat the declaration as a function expression instead, something like
if (true) {
    foo();
    var foo = function foo() {
        console.log('bar');
    }
}

In this case you would be trying to call the function before it is defined, which of course won't work.
Note: That's not how Firefox really does it, since the above example would generate a type error, not a reference error, but generally it works like this.
For more information on this issue, see the MDN documentation.

Solution:
Inside blocks, always use function expressions, not function declarations. Function expressions have to be defined before they are used. I.e. your code becomes something like
if($("#checkbox-h-2j").prop('checked')){
    var success = function() { ... };
    var error = function() { ... };

    navigator.geolocation.getCurrentPosition(success,error);
}


I really miss BABYs so... what are the things that we can do together?
Not 'likes' but views (that count) *sobs*!
Thanks so much to those who came today. I think I won't be able to go out (to meet fans) today...! I'm sorry! Everyone, go back safely..!
Hyunbin-ah, I enjoyed the concert. Time goes really fast, right?
Youngjae-ya you're on IG I captured it, I did well, right?


text:
Lo Houston Film Critics Society è un'organizzazione non-profit di critici cinematografici con sede a Houston, Texas, negli Stati Uniti. Fondato nel 2007 da Danny Minton e Nick Nicholson, annualmente premia gli "straordinari traguardi" raggiunti nei film in una cerimonia apposita tenuta al Houston Museum of Fine Arts. La giuria è composta da 25 critici che operano nei settori giornalistico, radiofonico, televisivo, e del web.

Organizzazione
 Joshua Starnes – Presidente
 Alan Cerny – Vice president
 Lisa Elin – Segretario
 Travis Leamons – Tesoriere

Note

Collegamenti esterni
 Sito ufficiale dello Houston Film Critics Society

Associazioni di critici cinematografici


The Department of Interior has dropped	efforts to close next week's task force meeting	on trust reform.
Assistant Secretary Neal McCaleb had told	tribal leaders that he wanted to restrict	attendance to those who sat on the task force.	His decision would have prevented	tribes from bringing their attorneys, staff	members and others to the meeting.	McCaleb also wanted to keep out a court	investigator for the Indian trust fund lawsuit	and attorneys representing the Indian plaintiffs	in the case,	tribal leaders said.
But tribal complaints prompted the shift in position.	Tribes agreed during a conference call yesterday	morning not to stage a boycott.
The meeting is being held in Washington, D.C.,	on Monday and Tuesday. There will be	a tribal caucus on Tuesday.
Tribes plan to discuss the proposed	reorganization of the Bureau of	Indian Affairs that was	announced last week by McCaleb.	They are also looking to discuss	ways to continue consultation	with the Bush administration on	a number of issues, not just trust reform.


Frutas Beri owns plantations in San Miguel de Salinas, an area with an ideal microclimate for crop cultivation.
Our highly optimized and technified production processes allow us to grow excellent clementine, orange and lemon varieties, following sustainable and environmentally friendly practices.
Multiple citrus scions (rootstocks) are used. By grafting the selected fruit variety on the scion we join vegetable parts which can vegetate, grow and develop as a single plant. Affinity between the rootstock part and the selected variety needs to be accurate and of an identical growth, as that will determine both cultivation and longevity.
Our culture methodology enables scion or rootstock selection, providing an end quality product of enhanced fruit aspect, caliber, color, condition and organoleptic properties.
Verna lemon on bitter orange.
Highly resistant to diseases, the downside of this variety is its poor affinity with lemon tree varieties, leading after a number of years to large bumps in the grafted area that block nutrient flow and eventually kill the tree. This is why it is used with intermediate sweet orange wood, grafting a sweet orange tree (usually a white orange) on a bitter orange tree. Then, the Primofiori or Fino variety is grafted onto the white orange. This process of extended cost and duration ensures optimal fruit quality and tree longevity.
Our orange trees are grafted onto this rootstock based on two main features: caliber and organoleptic quality.
Any orange tree grafted on Citrange Reed is conditioned by irrigation water quality, with a foot highly sensitive to excessive salinity, both in terms of water and water-fertilizer mixture.
Water quality in our farms is exceptional, enabling cultivation with this foot and ensuring optimal commercial caliber and excellent organoleptic fruit quality.
This corresponds to trees of a variety similar to Navel Lane Late, with the fruit blunt pointed to an ovate shape. Thin peel and moderate pulp adherence.
Juice with low acid content and high sugar concentration. Since it is limonin-free, the fruit juice does not taste tart. Its texture is firm.
Highly productive crop throughout its long life. Compared to clone 49, it is smaller and has a delayed maturation period. The fruit is a lemon of higher quality, medium caliber, shiny yellow color, acid, aromatic and juicy pulp. Its high resistance to transportation makes it a perfect export variety. Fruits with a very low seed content (an average of around 0.9 seed per fruit piece).
In our farms it is harvested after Fino 49, ensuring a longer marketing campaign. The commercialization campaigns of Fino, Mesero and Primofiori are longer than that of Fino 49.
As mentioned, this foot greatly favors exceptional fruit quality, which is why we choose that color for our Nova and Clementvilla tangerine tree plantations.
This scion favors top fruit quality, which is why we have Nova or Clementvilla tangerine trees with this color in our farms. No other rootstock in citriculture yields fruit with a better balance between productivity, caliber and quality.
We follow sustainable, environmentally-friendly practices to grow the best varieties of clementines, oranges and lemons.
Any doubt? Would you like to make an order? Contact us, we would love to talk to you as soon as possible.


Ranch ICON fiberglass truck cap features an all-glass rear door and frameless side windows meant to convey an SUV appearance.
Standard features of the ICON include a rear door fiberglass skirt at the base of the door that is painted to match the color of the truck cap, the user's choice of a front picture or sliding window, LED interior dome and third brake light for better visibility, carpeted interior lining, and a limited lifetime warranty on paint and structure. Each cap is painted to match the pickup truck with an automotive finish using Axalta Coating Systems.
The cab-high cap's optional features include keyless entry/security using the truck's original key fob, Cap-Pack roof-mounted storage system, LoadMaster sliding bed tray, Yakima JetStream roof rack, Yakima RoundBar roof rack, and LED strip light in the cap top.


text:
Tarawera taking shape | News | Kawerau
Announcements, Kawerau New Zealand, New & Events, News
CONSTRUCTION of the first stage of Tarawera High School's new buildings is on track to meet a June completion date.
Earth works to prepare the site at the Kawerau school began at the end of 2014 and months later the new administration block and learning common are almost complete.
Principal Helen Tuhoro said she recently ordered appliances and whiteware for the administration area, while flooring, ceiling construction and internal painting were under way.
She said the brick work on the outside of the theatre and hospitality block was being completed, and this section of the build would become the focus of construction efforts over the next few weeks.
"Initially it was like living in a constant earthquake zone with the shuddering from the earth-moving equipment late last year," Mrs Tuhoro said.
"But it's a completely separate site to the side of the school, so really there hasn't been much in the way of disruption to the students."
Tarawera High School was granted a special allowance to finish school a week earlier this term to allow staff time to move from four old blocks and into the new buildings.
Once staff have complete the move asbestos will be removed from four blocks before demolition begins at the beginning of term three.
Mrs Tuhoro said the school was preparing to celebrate the past and the future, and pay respects to those who had passed during a full day of celebrations on June 24.
Beginning at dawn, the old buildings would be blessed and the school hall, also due for demolition, would host a display about Kawerau College.
The event would end with an evening of entertainment to celebrate student successes.
Once the demolition was complete the second stage of building would begin. This would include a second learning common and a multipurpose performance space, to be completed by Christmas.

redpajama_set_name: RedPajamaCommonCrawl


text:
Variety 500
Explore the 500
Back to Variety
Variety Honors
Kathryn Frazier
XO Records, SAL&CO
Slaiby
Instagram salxo
The Weeknd played the Super Bowl, and his "Bright Lights" set the record for most weeks spent on Billboard's Hot 100, while Doja Cat scooped up five Billboard Music Awards and three Grammy nominations. That's just two of the acts on Slaiby's deep roster, as he also manages Bebe Rexha, Swedish House Mafia, Ty Dolla $ign, French Montana, M.I.A. and Metro Boomin. Rexha collaborated on the Martin Garrix single "In the Name of Love," the second time she's featured on a billion-streaming track, while Metro gets credit on 21 Savage's chart-topping album "Savage Mode II." Beyond his management credentials, Slaiby's standing as a label exec was fortified in April when he partnered with Universal Music Group and Republic Records to launch Universal Arabic Music, which he leads as CEO.
XO Records
SAL&CO
Universal Arabic Music
Algonquin College (Canada)
2020 Variety500 Honoree
Variety Hitmakers
Global Aid for Lebanon - Global Citizen
United Nations World Food Programme
Children's Cancer Center
Interested in org charts, contact info and more for Sal Slaiby
Live Ent.
News from Variety
The Weeknd's HBO Series 'The Idol' Adds Six Cast Members
HBO has cast Juliebeth Gonzalez, Maya Eshet, Tyson Ritter, Kate Lyn Sheil, Liz Sierra and Finley Rose Slater in "The Idol," the upcoming modern-day cult drama from "Euphoria" creator Sam Levinson, multi-hyphenate The Weeknd (Abel Tesfaye) and Reza Fahim.The hourlong drama series, which is currently in production, centers on a self-help guru and sect leader who develops a complicated relationship with a rising pop idol. Gonzales will be a regular in the cast, while the five announced additions will be...
Weeknd Managers SALXCO To Take Over Berklee College Of Music Class
Global Aid For Lebanon, Launched By Weeknd Manager, Raises $1 Million In 10 Days
The Weeknd Donates $300,000 To Beirut Explosion Relief
The pandemic hasn't slowed down his output, which continues to span several mediums.
The Toronto native is intent on holding his own amid a new generation of talent.
Lucian Grainge
Chairman / CEO UMG's $53 billion launch was not only Europe's largest IPO of 2021 but the biggest in music business history.
Republic Records
Monte Lipman
Chairman / CEO No other label had as many chart-topping weeks on the albums chart as his.
Want more information on Sal Slaiby?
Sign up for a free trial to view Sal's contact info, company details, production deals, & more
Variety is a part of Penske Media Corporation. © 2022 Variety Media, LLC. All Rights Reserved.


1. Auditor (shaking hands) : I'm here to help.
2. Me (faking a smile): I'm glad to see you.
Who wants to get audited? That's not many hands. Getting audited is a hassle. It doesn't matter whether this happens to you personally or to your business. Audit's take time and money. And raise your blood pressure. Much like going through airline security even after removing your shoes and belt.
Then, there's fear of criticism (#2 on Napoleon Hill's list). We're decent, honest people making our way through life as best we can. We don't want to be told we've made mistakes. We're not back in school. We don't want to get graded. We don't want to find that we may have been deceiving ourselves.
There's a bright side, though. We can't fix what we don't know is broken. A fresh look from an outside perspective can help us improve.
The same points work with people in general.
Auditors are people and people are generally nice. They're doing their jobs too. They've got too much to do and too little time. Just like you. Be nice to them. Treat them the way you'd want to be treated. Better still, treat them the way they want to be treated. Best of all, being nice is free. But you may need to smile when you'd rather not.
Some people love talking. That's a problem for time management and audits. You can inadvertently make statements that lead to unnecessary scrutiny.
When we went to the US for Valentine's Day, the customs agent asked if we had any food. Having learned from a prior experience, I said we had snacks. He asked if we had any fruit. My wife, Sharmila, said we had two bananas and three pears. He confiscated the pears (!?!) and let us go. I could have mentioned our pet rabbit (considered food by some) and risked a full vehicle search.
Although we communicate from birth, our messages get misunderstood. Attempting to clarify can make matters worse. Putting your answers in writing helps. This takes more time but that's good because you think more. You can get the replies reviewed before you send them. You save the auditor time and create records for future reference.
A favourable audit gives us confidence by confirming what we hoped all along: we're okay. Until next time.
"10-8" Leveraging: Are tax audits on the way?
What are the chances of being examined? A total of 1,391,581 individual income tax returns were audited during FY 2008 (Oct. 1, 2007 through Sept. 30, 2008) out of a total of 137.8 million individual returns that were filed in the previous year. This works out to 1.0% of all individual returns filed (about the same as the audit rate for the preceding year). Article.
Thanks for that US data.


text:
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    android:orientation="vertical" android:layout_width="match_parent"
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                    android:id="@+id/b7"
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                <Button
                    android:text="H"
                    android:id="@+id/b8"
                    android:textSize="70sp"
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                    android:layout_weight="1"
                    android:background="#F10000"

                    android:textColor="#FFFFFF"
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            <LinearLayout
                android:layout_width="match_parent"
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                <Button

                    android:layout_width="0dp"
                    android:id="@+id/b9"
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                    android:textColor="#FFFFFF"
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                <Button
                    android:text="J"
                    android:id="@+id/b10"
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                android:layout_width="match_parent"
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                android:weightSum="2" >

                <Button
                    android:text="K"
                    android:id="@+id/b11"
                    android:textSize="70sp"
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                    android:layout_height="100sp"
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                <Button
                    android:text="L"
                    android:id="@+id/b12"
                    android:textSize="70sp"
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                    android:layout_weight="1"
                    android:background="#F10000"

                    android:textColor="#FFFFFF"
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            <LinearLayout
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                <Button
                    android:text="M"
                    android:id="@+id/b13"
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                    android:textColor="#FFFFFF"
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                <Button
                    android:text="N"
                    android:id="@+id/b14"
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                <Button
                    android:text="O"
                    android:id="@+id/b15"
                    android:textSize="70sp"
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                <Button
                    android:text="P"
                    android:id="@+id/b16"
                    android:textSize="70sp"
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                    android:layout_weight="1"
                    android:background="#F10000"

                    android:textColor="#FFFFFF"
                    />
            </LinearLayout>
            <LinearLayout
                android:layout_width="match_parent"
                android:layout_height="0dp"
                android:layout_weight="1"
                android:orientation="horizontal"
                android:weightSum="2" >

                <Button
                    android:text="Q"
                    android:id="@+id/b17"
                    android:textSize="70sp"
                    android:layout_width="0dp"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#F10000"

                    android:textColor="#FFFFFF"
                    />

                <Button
                    android:text="R"
                    android:id="@+id/b18"
                    android:textSize="70sp"
                    android:layout_width="0dp"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#ffffFF"
                    android:textColor="#F10000"
                    />
            </LinearLayout>

            <LinearLayout
                android:layout_width="match_parent"
                android:layout_height="0dp"
                android:layout_weight="1"
                android:orientation="horizontal"
                android:weightSum="2" >

                <Button

                    android:layout_width="0dp"
                    android:id="@+id/b19"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#ffffFF"
                    android:textColor="#F10000"
                    android:text="S"
                    android:textSize="70sp" />

                <Button
                    android:text="T"
                    android:id="@+id/b20"
                    android:textSize="70sp"
                    android:layout_width="0dp"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#F10000"

                    android:textColor="#FFFFFF"
                    />
            </LinearLayout>

            <LinearLayout
                android:layout_width="match_parent"
                android:layout_height="0dp"
                android:layout_weight="1"
                android:orientation="horizontal"
                android:weightSum="2" >

                <Button
                    android:text="U"
                    android:id="@+id/b21"
                    android:textSize="70sp"
                    android:layout_width="0dp"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#F10000"

                    android:textColor="#FFFFFF"
                    />

                <Button
                    android:text="V"
                    android:id="@+id/b22"
                    android:textSize="70sp"
                    android:layout_width="0dp"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#ffffFF"
                    android:textColor="#F10000"
                    />
            </LinearLayout>

            <LinearLayout
                android:layout_width="match_parent"
                android:layout_height="0dp"
                android:layout_weight="1"
                android:orientation="horizontal"
                android:weightSum="2" >

                <Button
                    android:text="W"
                    android:id="@+id/b23"
                    android:textSize="70sp"
                    android:layout_width="0dp"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#ffffFF"
                    android:textColor="#F10000"
                    />

                <Button
                    android:text="X"
                    android:id="@+id/b24"
                    android:textSize="70sp"
                    android:layout_width="0dp"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#F10000"

                    android:textColor="#FFFFFF"
                    />
            </LinearLayout>

            <LinearLayout
                android:layout_width="match_parent"
                android:layout_height="0dp"
                android:layout_weight="1"
                android:orientation="horizontal"
                android:weightSum="2" >

                <Button
                    android:text="Y"
                    android:id="@+id/b25"
                    android:textSize="70sp"
                    android:layout_width="0dp"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#F10000"

                    android:textColor="#FFFFFF"
                    />

                <Button
                    android:text="Z"
                    android:id="@+id/b26"
                    android:textSize="70sp"
                    android:layout_width="0dp"
                    android:layout_height="100sp"
                    android:layout_weight="1"
                    android:background="#ffffFF"
                    android:textColor="#F10000"
                    />
            </LinearLayout>

        </LinearLayout>

    </ScrollView>

</LinearLayout>

redpajama_set_name: RedPajamaGithub


This USB cable can be used to connect Alcatel IDEAL to your computer. This USB cable cord is great for upload, transfer files, charging Alcatel IDEAL battery from your computer to Alcatel IDEAL.
allows you to connect your Alcatel IDEAL to your computer.


text:
Home » News » Explainers » EXPLAINED: Double Fault of Vax Row, Visa Mix-up That's Put Djokovic's Aus Open Presence Under A Cloud
EXPLAINED: Double Fault of Vax Row, Visa Mix-up That's Put Djokovic's Aus Open Presence Under A Cloud
Novak Djokovic had said that he'd obtained an exemption against vaccination for playing at the Australian Open. (AP Image)
The world No.1 men's tennis player has spoken about being against compulsory vaccination and said he'd got an exemption from being jabbed to play at Aus Open
Issues over vaccine exemption and his visa has held up Novak Djokovic at the Melbourne airport where he had arrived in pursuit of a record 21st grand slam title. Victory at the Australian Open — which Djokovic has won nine times previously — would cement his place at the pinnacle of men's tennis, but the talking point ahead of the tournament that gets underway January 17 now revolves around the controversy that has had the Australian prime minister and Serbian president weighing in. Here's what you need to know.
Why Did Djokovic Seek Vaccine Exemption?
While he had remained tight-lipped about his vaccination status, ahead of heading for Australia, Djokovic revealed that he had received an exemption from authorities to compete at the Australian Open. He had earlier said that he was not sure about showing up at the Melbourne event given quarantine rules Down Under.
"I've spent fantastic quality time with my loved ones over the break and today I'm heading Down Under with an exemption permission. Let's go 2022," the Serbian said on Instagram on January 4.
Novak Djokovic Holds 80% of Danish Biotech Developing COVID Treatment - CEO
Australian Court Sets January 20 to Issue Reasons for Dismissal of Novak Djokovic Case
According to reports, Australian Open organisers Tennis Australia (TA) had mandated that all players need to either have been vaccinated against the novel coronavirus or obtained a medical exemption from an independent panel of experts consisting of experts from the fields of immunology, infectious disease and general practice. The mechanism for the exemption process is said to have been worked out through consultations with the health department in the Australian state of Victoria, of which Melbourne is the capital.
TA said that Djokovic had applied for and received a medical exemption against vaccination after a "rigorous review process" involving two separate independent panels of medical experts. A BBC report pointed out that it was not clear, however, as to what the grounds were under which Djokovic had sought exemption from vaccination.
Was The Exemption A One-Off Case?
The Australian Open organisers said they had made an arrangement under which participants at the event could seek an exemption from the rule of compulsory vaccination provided they could show valid reasons for it.
Australian Open tournament director Craig Tiley said as many as 26 of the roughly 3,000 players and support staff who were headed to Australia for the event had sought a vaccine exemption and that only a handful of them had received it. He said there had been no special favours shown to Djokovic, the men's singles world No.1, and the process for screening of exemption requests did not involve the experts knowing the identity of the applicants.
The organisers had ensured "redaction of personal information to ensure privacy for all applicants" in the exemption screening process, TA said, adding that details of names, ages and nationalities had been removed. Tiley stressed that "fair and independent protocols" were followed and that Djokovic went through the "completely legitimate application and process".
Tiley said while Djokovic, the defending men's singles champion this year, received "no special favour", he had been urged to reveal to the public the grounds under which he got the exemption to dispel anger and speculation of special treatment.
Reports said that one of the conditions under which the requirement for compulsory vaccinations could be waived was if the participant had Covid-19 in the past six months. While it was not revealed if that was the case with Djokovic, he has in the past talked about his disinclination to getting jabbed. "Personally I am not pro-vaccines. I would not like it for someone to compel me to be vaccinated so I can travel," he had said.
If He Received An Exemption, Then Why Has He Been Held Up At The Airport?
Reports said that Djokovic and his team were stopped at the airport after it was found they had obtained a visa that did not allow for medical exemptions. That led to border officials contacting the Victoria government to ask if it would permit Djokovic's entry into the state. Visa and international entry are the jurisdiction of the federal government in Australia.
"The federal government has asked if we will support Novak Djokovic's visa application to enter Australia. We will not be providing Novak Djokovic with individual visa application support to participate in the 2022 Australian Open Grand Slam," said Victoria's acting sports minister Jaala Pulford, adding that they have "always been clear on two points: visa approvals are a matter for the federal government, and medical exemptions are a matter for doctors".
That puts the fate of Djokovic's Australian Open participation in the hands of Australian PM Scott Morrison, who has faced a backlash over the issue of vaccine exemption. Victoria is said to have faced the "world's longest cumulative lockdown" and has been hit by a record surge in cases amid the rise of the Omicron variant.
Following criticism over the exemption to Djokovic from fellow and former players and citizens alike, Morrison had hinted that the waiver may not be final and that Djokovic would have to satisfy the requirements for entering the country mandated by the federal government, which was not part of the exemption process.
"If that evidence is insufficient, then he won't be treated any different to anyone else and he'll be on the next plane home," Morrison had told the media.
However, as Djokovic was held up at a facility near the airport — it was not clear immediately if he would leave Australia or mount a legal challenge against the bar on his entry — a diplomatic situation was unfolding between Canberra and Belgrade with Serbian President Aleksandar Vucic.
Australian Open Organisers 'Deeply Regret' Impact of Novak Djokovic Saga
Spain PM Says Tennis Star Djokovic Must Comply With Covid Rules To Enter Nation
Spanish Prime Minister Says, Novak Djokovic Has to Comply With Rules to Travel to the Country
Likely No Show for Novak Djokovic at Roland Garros Too as French Sports Ministry Exerts New Vaccine Law
Serena Williams Drops Out of WTA Top 50, Rafael Nadal On The Move Up ATP Rankings


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Celebrities, Entertainment, General, Life, Throwbacks
Flashback Friday: The 10 Best Amanda Bynes Sketches
Sure Amanda Bynes is fucking nuts, as we explained yesterday. But she used to be kinda cool. Think back to her glory days. Girl was tiny, funny, and adorable. No one did it better. And that is why I am sharing with you with some of Amanda's best moments on television. I mean, why focus on her demise when we could focus on her awesomeness instead (this is totally what she wanted anyway – right? #attention).
The 10 Best Sketches Starring (the-out-of-control) Amanda Bynes:
Ask Ashley: I remember the first time I saw Amanda on All That. She was this tiny little girl who was definitely MUCH younger than the rest of the cast (Lori Beth Denberg was like in her 20s), but I fell in love with her because she was close to my age. And that's why I took her advice so seriously. She received letters (which to this day I still think are/were really sent to her) and responded to them by getting very angry. It was awesome.
I Luv Lucy: Back in the day (yes we are that old), I Love Lucy was a staple in our prime time TV schedule. No I'm not saying we were around in the 50's… I'm saying that we were around in the 90s. You know – when Nick at Nite was super cool. Instead of airing our favorite childhood shows, Nick at Nite played Happy Days, The Wonder Years, Brady Bunch, Gilligan's Island, and of course I Love Lucy. We loved the black and white old school show and thought Ricky Ricardo was pretty damn good looking. In this All That sketch Amanda Bynes was obv Lucy. She had a best friend named Ethel and bf/husband (they were pretty young) named Ricky. And of course at their age, Ricky didn't love Lucy… he luved Lucy. Hence the name of this sketch: I Luv Lucy (143 <3333 xoxo)
What-Everrr: In this sketch, Amanda and her friend Jessica channeled their inner Kathie Lee's and Hoda's and created a The View type show. They talked about everything and anything, using like, whatever, or totally after every other word. It is like soooooo sad what Cher made little girls act like in the 90s. JK, totally love Cher. But only sporadically.
Judge Trudy & the Dancing Lobsters: Obviously this was a spoof of Judge Judy and boy did Amanda do a fantastic impersonation. If you watch youtube videos now she sounds exactly like JWoww. But seriously. It's scary. At the end of each of Judge Trudy's trials she sent in a bunch of dancing lobsters AKA people dressed in red felt lobster costumes. I still don't understand why this happened. And I don't think I ever will. WHY, AMANDA, WHY?
The Girl's Room: These kids knew comedy. A sketch about what girls do in the bathroom? This is, like, every guys dream. Men never know what we're doing in there and why we have to go to the bathroom in pacts. But Amanda's sketch showed boys that the girl's room is really just a hangout. In 'the girl's room' you could find many different types of girls including a delusional 'popular' girl, a mean swirlie-giving girl, a random girl from Tennessee, and Debbie who really likes eggs. This sketch had me saying 'I like eggs' in an idiotic tone for a long time… And I'll say it again… I like eggs.
Moody's Point: This was a spoof of our favorite soap opera as pre-teens, Dawson's Creek. There was no point to Moody's Point (what a pun)… which I think was the point… but it was okay because at our age we just wanted to watch television without having to think. The only significant thing I remember from this show is when Moody's dad lost his toe. That was pretty intense.
Penelope Taynt: Amanda please. Penelope was Amanda's BIGGEST FAN. She had black hair and in no way looked similar to Amanda Bynes (wait a minute…). She was basically a one-man-band TMZ that followed Amanda Bynes around 24/7 (The Truman Show style). She even had a website (amandaplease.com) that was a legit website created for the show. And you can imagine how cool that was back when websites were still impressive… Oh and I'll say it again… Amanda please.
Hillbilly Moment: Lula Mae (Amanda) and Eenis (Drake of Drake and Josh) dressed like… you guessed it… hillbillies. They had bad teeth, bad hair, bad clothes, and bad brains (as in they weren't smart). They made knock knock jokes and at the end of the joke Amanda would hit Eenis with whatever was 'knocking at the door.' For instance, if it was a baseball bat Amanda would say: 'Ima hit you over the head with a baseball bat' and she would hit Eenis with a baseball bat. It was soooo redneck.
Crazy Courtney: Courtney was a freak. She had huge buckteeth, large glasses, and an awkward personality. She often wore weird hats and polka dot shirts and randomly would scream 'MAH HAH' out of no where to others because that was, like, her thing.
Totally Kyle: This sketch didn't involve Amanda, but it was on her show so it must have been her creation. Kyle was pretty much a valley boy with NO brain. Like absolutely no sign of any brain ever being there. Kyle began every statement with 'one time…' but never continued that statement with 'at band camp' (TG). He was your every day average stoner/surfer boy from California and was actually played by Drake of Drake and Josh. These dudes rose to fame on The Amanda Show. Can you believe it?! No? Me either.
Eventually, The Amanda Show was cancelled in 2002 and we began to get to know Bynes in a different light. She had a TV show, What I Like About You, that wasn't anything like the SNL-for-kids-type-shows that had consumed her past career. Then she got into 'film.' And by 'film' I mean she starred in some romantic pre-teen and teen comedies (She's The Man, What A Girl Wants, Sydney White, etc). As time went on, we started to know her as that semi-okay random movie actress that had chubby cheeks, instead of the hilarious young comedian who was a miniature Tina Fey. But now that Bynes has gone absolutely insane, we're starting to take a look back into her career and just see how talented she really was. Amanda was FUNNY. Kel Mitchell was fucking insane, but Amanda was actually really really funny. She's no LiLo or Olsen Twin. She actually has talent and brains… and she's putting them to waste. Sure, her random outbursts of hitting police cars and talking to trees is comedy for us… but we want the Amanda Bynes from the 90s back. We want her to be comedy to us, her friends and family, and herself again. (Amanda) PLEASE!
Tags: all that, amanda bynes, amanda please, ask ashley, crazy courtney, dancing lobsters, hillbilly moment, i love lucy, i luv lucy, judge trudy, mah hah, moody's point, nickelodeon, penelope taynt, the amanda show, the girl's room, totally kyle, what-everrr, whateverrr
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text:
James Brudenell may refer to:
James Brudenell, 5th Earl of Cardigan (1715–1811), British politician
James Brudenell, 7th Earl of Cardigan (1797–1868), British politician and soldier
James Brudenell (died 1746), British Member of Parliament for Andover and Chichester

See also
Brudenell Baronets
Brudenell (disambiguation)


Acer is proud to announce their new slim and stylish Acer Revo RL100, a digital hub for the den or living room which connects to a flat-screen TV and includes a dual-mode wireless touchpad/keyboard for smooth navigation from the comfort of your couch, bed or bean bag. It also has the option of including Blu-ray.
Highlights from the Revo RL100 are actually quite surprising, it's the size of a game console and has the ability to lay flat or stand upright on a stand and connects to your TV via HDMI. It features the next-gen NVIDIA ION discrete graphics with support for 1080p/720p HD video playback as well as the ability for Web HD Flash acceleration. Sports an AMD Athlon II K325 processor at 1.3GHz, 750GB hard drive and 4GB of DDR3 RAM. Plenty of storage and power for a truly cinematic experience.
It's also enhanced with Dolby Home Theater V3 which allows the Acer Revo RL100 to provide and immersive, crystal-clear audio experience. Also, when Acer say it's thin - they really mean thing. The Revo RL100 measures up at just 1.0 x 11.81 x 7.09 inches! Look how thin it is! The RL100 will have an MSRP of $499.00 with the Blu-ray-equipped RL100 coming in at $569.99.


text:
Q: Mysqli con php guarda todos los datos vacios He solucionado el error del "undefined index" con los if, lo que pasa ahora es que me guarda datos vacíos en la base de datos, sin los if me da error e igual los guarda vacíos, ven algo que yo no?
Este es el formulario, el select es nada mas de un combo que tengo.
<?php
include('conexion.php')
?>

  <form action="guarda_usuario.php" method="post" enctype="text/plain">

CONTACTO

    <input type="text" placeholder="Escribe tu nombre" name="nombre" id=""

    <input type="text" placeholder="Escribe tu apellido" name="apellido" id="">

    <input type="email" placeholder="Escribe tu email" name="email" id="" >

    <textarea placeholder="Escriba su comentario" name="comentario"></textarea>

    <select style="width:200px" name="juego" >
      <option value="0">Selección:</option>
      <?php
      $query = $mysqli -> query ("SELECT * FROM productos");

      while ($valores = mysqli_fetch_array($query)) {
        echo '<option value="'.$valores[id].'">'.$valores[producto].'</option>';
      } ?>
    </select>

    <input type="submit" value="ENVIAR" name="" id="boton">
  </form>

Este es mi código para ingresar los datos a la base de datos:
<?php
include('conexion.php');

if (isset($_POST['nombre'])) {
  $nombre = $_POST['nombre'];
} else {
  $nombre = "";
}
if (isset($_POST['apellido'])) {
  $apellido = $_POST['apellido'];
} else {
  $apellido = "";
}
if (isset($_POST['email'])) {
  $email = $_POST['email'];
} else {
  $email = "";
}
if (isset($_POST['producto'])) {
  $producto = $_POST['producto'];
} else {
  $producto = "";
}
if (isset($_POST['comentario'])) {
  $comentario = $_POST['comentario'];
} else {
  $comentario = "";
}

$query="INSERT INTO usuarios (nombre, apellido, email, producto, comentaro)
  VALUES ( '$nombre', '$apellido', '$email', '$producto', '$comentario' )
  ";
$resultado=$mysqli->query($query);
?>

A: Para acceder a los indices de un array necesitas que sean una cadena de texto por ejemplo:
$valores["id"]  $valores["producto"]
Sólo te faltaban las comillas.


The Toledo Opera transformed the Toledo Club into an operatic cabaret for its 2015 Gala, Men in Black with baritone and bass voices in the spotlight. The May 9 benefit offered nearly 175 guests a chance to get up close and personal with five deep-voiced stars of previous productions.
The Toledo Symphony and the Toledo Opera are making local history by appointing Sara Jobin to dual conducting posts. Arrangements for her one-year contract became final Saturday.
Ms. Jobin, a 2010 Grammy Award nominee and internationally renowned maestro of both orchestra and opera, becomes the first woman in Toledo's long cultural history to hold either of the influential positions.
She's the second person to hold the jobs simultaneously.
Bowling Green native Shawn Mathey will return to area when Toledo Opera Giacomo Puccini's "Madama Butterfly," Oct. 2 and 4.
The production, which will star soprano Yunah Lee in her signature role of Cio-Cio San, will open the company's 2015-2016 season.
Mathey will play Pinkerton in a production conducted by Sara Jobin and directed by Chautauqua Opera's Jay Lesenger.
Most affairs are of the heart, but Toledo Opera's annual Men In Black gala is a poetic affair of food, mixed with the beauty, emotion, and sound of opera.
This year's gala is truly a feast of the senses.
Dramatic coloratura soprano Kathryn Lewek is no stranger to Toledo Opera audiences. She earned local fandom as Zerlina in Verdi's powerful Don Giovanni during the company's 2013 production.
And, in a showcase of her artistic diversity, Lewek also was soloist that year in the Toledo Symphony's performances of Carl Orff's Carmina Burana.
Still, when she takes on the title role in Lucia di Lammermoor, the Donizetti showcase that's the final season production Friday and April 26, she will be stepping into one of the two top coloratura roles in all of opera.
In this thrilling drama of murder, deception and madness, Lewek takes the stage in Toledo to dazzle us with her coloratura timbre. She'll breathe life to the blank-faced outline of a woman with a bloody knife seen on the poster and programs. How do you balance playing a character with such intensity? "Yoga and more yoga," she says. Read on for her fantastic tale of touring, blogging, cooking, exploring and of course, singing her heart out.
The Toledo Opera will boldly venture into contemporary American opera next weekend when it mounts its first production of Carlisle Floyd's landmark work, Susannah.
Performances are set for 7:30 p.m. Friday and 2 p.m. Feb. 15 in the Valentine Theatre.
As All-American as Gershwin's Porgy and Bess or Aaron Copland's The Tender Land, this 1955 work is set in rural Tennessee, peopled with country folk, and infused with the values of old-time religion.
It's among the most frequently produced American operas, popular with companies from collegiate to New York's Metropolitan Opera.
"It's a sensational piece of music," said Robert Mirakian, who will make his Toledo Opera conducting debut leading the Toledo Symphony and cast in the production.
Considering the musical tradition, some styles are more similar than others. Sure, reflection might be easy in 2015; vapor-wave (whatever that means) came and went, but how similar could Appalachian folk and opera possibly be?
Apparently, the genres are not too far apart. In 1955, 24-year-old composer Carlisle Floyd melded these traditions and premiered his first opera, Susannah.


What are dental implants and how can they improve your oral health?
Despite the rise in awareness of dental care and procedures that can help reinstate teeth structure, the teeth-related problems continue to be on an upward swing. However, with continuous innovations, a number of long-term solutions have been identified which can help reduce these consistent dental issues; dental implants being one of them.
Dental implants treat the absence of a tooth (due to extraction) right at the root. These implants, typically a small post made of titanium are fitted to the spot from which the tooth was extracted. What makes these implants special is their quality of fusing with the actual bone, thus making a strong support for the implant which will last for many years to come.
The advent of implants has removed the dependence on dentures and the constant care they need. The daily removal and cleaning of dentures can become quite a bit of a hassle. The replacement tooth or the implant, not only looks like the natural teeth surrounding it, but also, does away with the filing of enamel of the surrounding teeth, a step that is necessary when fixing bridges to cover the affected tooth. Dr. Williams and his team at Clearwater Smiles Dentistry have years of experience in dental implants and will make sure that you receive the best treatment possible.
Dental implants do away with dentures which need to be removed and maintained on a daily basis. On the other hand, implants act much like your own teeth, and can be maintained well for a lifetime by following simple dental care and hygiene.
Crowns and dentures are susceptible to chipping, breakage, or even slipping out when subjected to too much pressure. Dental implants do away with these risks, as they are structurally rooted to the gum and fused with the bone, thus giving the teeth as much strength as a natural tooth would.
Knowing that your natural tooth has been replaced by a sturdier implant that not only looks like a natural tooth but functions like one, can help bring back that sunshine smile on your face. Teeth structure affects the way your jawline and face look. By substituting the extracted tooth with an implant, the face structure is restored and will not change for many years.
One of the major benefits of dental implants is that it is not necessary to alter the state of the surrounding teeth in order to make an implant successful. Unlike crowns and bridges, the enamel of the teeth adjacent to the one being implanted is maintained completely. They do not need to be filed, leveled, or stuck to a crown with resin, unlike the aforementioned procedures.
Dentures often lead to people wearing them slur and mumble, as they are highly susceptible to slipping out. Dental implants free people wearing the same from some embarrassing moments and speech issues by staying tightly fixed to their place and aiding speech rather than distorting it.
One of the biggest benefits of dental implants over dentures, crowns and bridges is their sturdy nature and easy maintenance. They are not at the risk of slipping out of the mouth or chipping and breaking when subjected to high pressure chewing and grinding. In fact, by maintaining basic oral hygiene, people with dental implants can ensure they serve them well, all their life.
Dental implants have a success rate as high as 98%. Almost anyone who is cleared to undergo dental surgery and extraction can get a no-hassle dental implant. They are required to have healthy gums and bones to hold the implant and that's all that is required. However, heavy smokers and people suffering from heart diseases or diabetes, or ones who have undergone radiation therapy in the neck and/or head area, need to consult a dentist, individually, to find out if a dental implant is a possible option for them.
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My mother is an Irish Christian. My father is a Lebanese Muslim. I grew up surrounded and immersed in both faiths. I attended Sunday school (where I coloured in Jesus cartoons with a brown crayon because he "looked like my dad"), and I prayed with my family at the mosque when I could. I was not only immersed in the faiths of both my parents, but also the politics of two nations that have experienced, first-hand, the consequences of imperial-intervention: Ireland and Lebanon. Because of this, I see a deep connection between struggle and worship and I see this connection from a space of liminality; as someone who is from both a Christian and a Muslim.
I was taught from an early age that part of "having faith" was pursuing justice in all situations. I was taught that I was tied, intimately, to all humans and creatures on this planet and that I had an obligation to all of my neighbors. Although I have lived a largely secular life, I cannot (and will not) separate my politics from my faith or my spirituality. I also will not refute one faith over the other. Nor will I allow this space of "liminality" to be fetishized as anything more than that which has been projected onto me by a world that resists and fears racial and religious "mixture." But if I am going to be viewed as a transgressed border between two "worlds," I will do everything I can to smash that border (as we should smash all borders).
I have never been confused about my faith or my politics or how the two have informed each other. In my opinion, Christianity and Islam are not inherently in conflict with each other, and anti-capitalist organizing is not in conflict with having faith or being spiritual. Even though I am not confused about this, confusion is often projected on to me. This is done in two primary ways: by racializing spirituality and by coding spirituality as incompatible with radical organizing.
I should add here what constitutes anti-capitalist organizing and how I see it as inherent to not only my faith, but also the fight against Islamophobia. In her book titled Islamophobia and the Politics of Empire (2015), Deepa Kumar writes that "… the growth of capitalism… led first to European dominance over world trade and then eventually to colonialism and imperialism" (21). Kumar writes that the hatred of Islam is grounded in a fear of being commanded to share one's wealth (zakat) by a God who is perceived to be other than the Christian God (although Christianity commands that its followers also surrender their wealth). As such, anti-capitalist organizing is inherent to my struggle for liberation, as someone who has faith, and also as someone who understands, through familial ties, the destructive forces of imperialism and colonialism as grounded in capitalism. Capitalism is a system that allows for the open condemnation of one of the pillars of Islam and of Christianity. To eradicate Islamophobia, or, as writer Jaideep Singh refers to it, Islamo-racism, we must challenge capitalism itself in our daily lives.
During the month of Ramadan, we are called upon to fast and to be more conscious about our words and our actions. We are asked to pray, to meditate, and to consciously walk through life as Muslims. We survey the damage of capitalism, imperialism, and colonialism that surrounds us and we struggle as worship.
For me, nothing resounds more– and it resounds the most during the month of Ramadan– when we are called to action. We must fight injustice in all its forms and walk consciously as Muslims all year, but during this holy month, we are reminded of our obligations to our neighbors and our comrades. I am a Muslim, I am a Christian, but I am mostly a revolutionary who is concerned primarily with anti-capitalist, anti-imperialist, and anti-colonial work. Although I do not fast (because of a history of eating disorders), I observe Ramadan in my own ways. Solidarity means using whatever platform I may have to enact real change in the spaces I find myself occupying. During the month of Ramadan, I am particularly conscious of my class position and what work I must do in my community.
We are not asked to fight for anyone, but with them. We are connected to each other through our struggles, and if struggle is worship, then when we struggle together, we worship together. Fighting capitalism, imperialism, and colonialism is a form of worship and each revolutionary act brings us closer to God.
 The construction of the "western world" and its foe, the "east" relies on a long-standing argument made by Samuel Huntington (1993) which asserts that, globally, the world is engaged in a conflict in which the "modern" and "western world," associated with Christianity is still engaged in a crusade against the "pre-modern" or "eastern world," which is predominantly associated with Islam.