text:
Alhazen (arabsky Abú ʿAlí al-Hasan ibn al-Hasan ibn al-Hajtham) (965 Basra – 1040 Káhira) byl arabský vědec, který se zabýval astronomií, optikou a matematikou.

Narodil se v Basře v dnešním Iráku. Studoval zde a v Bagdádu. Káhirský panovník al-Hákim jej pozval do Egypta. Alhazen měl podle pověsti vymyslet, jak by se daly předvídat a následně omezit záplavy způsobené rozvodněným Nilem. Když pochopil, že to není možné, předstíral šílenství a žil deset let v domácím vězení, aby tak ušel jistému trestu smrti. To mu ovšem nezabránilo, aby se věnoval přírodovědným studiím. Podařilo se mu opravit některé Aristotelovy omyly. Napsal více než 200 pojednání o optice, astronomii a matematice.

V díle Velká optika se snažil vysvětlit problémy vnímání okolního světa, popsal zde fyzikální podstatu a vlastnosti světla a také princip, na jehož základě jsme schopni vidět. V roce 1020 se zabýval lomem a odrazem světla a čočkami. Používal přitom desku s dírkou, před kterou vyrovnal svíčky. Jejich obraz se promítal na druhé straně desky a zakrýváním svíček zjistil, že obraz levé svíčky se promítne vpravo, z čehož odvodil, že světlo se šíří přímočaře. Arabové používali v astronomii při určování polohy Slunce nebo slunečních zatmění přístroj nazvaný později camera obscura.

Vyvrátil některé chybné antické představy o vidění a ukázal, že se světlo odráží od povrchu předmětů a vstupuje do našeho oka. Prováděl řadu experimentů s čočkami a temnými komorami. Položil základy optice.

V matematice propojil algebru s geometrií.

Měl velký vliv na vývoj latinské středověké a novověké optiky a epistemologie (Roger Bacon, Witelo) až do Keplerovy doby.

Reference

Externí odkazy

Arabští matematici
Arabští spisovatelé
Fyzici
Arabští astronomové
Narození v roce 965
Úmrtí v 11. století
Muži
Matematici 10. století
Matematici 11. století
Narození v Basře
Úmrtí v Káhiře
Osobnosti na iráckých bankovkách


Stamford Tyres International Pte Ltd, in conjunction with TS Auto Accessories & Trading, has opened Singapore's very first Continental Concept Shop.
The grand opening ceremony of the Continental Concept Shop was held on 10th January 2016, with more than 200 guests participating in the happy occassion.
The Continental Concept Shop is a premium tyre outlet, leveraging on the brand's global positioning and marketing support to provide customers with the best service and products.
Stamford Tyres is also taking this opportunity to congratulate Mr. Boon Tian Say, owner of TS Auto Accessories & Trading. TS Auto and Stamford Tyres have had a business relationship since 1995.
The Continental Concept Shop is located at TS Auto Accessories & Trading, 2 Yishun Industrial Street 1, #01-01 North Point Bizhub S768159.


The active tectonics of SE Asia can be characterized by the interactions of large, rigid plates separated by broad zones of deformation. The relative motion of these plates across their boundaries is often partitioned in the sense that the normal and shear components occur on different structures. Earthquake slip vectors and geological and geodetic measurements are used to infer the degree to which oblique convergence, which is ubiquitous in SE Asia, is partitioned. The active tectonics of Sumatra, the Himalayan thrust, the Philippines, the New Guinea fold-and-thrust belt, the Huon-Finisterre collision, and the San Cristobal trench can be understood in terms of upper plate deformation associated with oblique convergence. Western Java may also exhibit partitioning of oblique subduction. Structures accommodating normal and shear components of the motion are often very close. Arc-parallel strain rates are estimated for forearcs of the region. The arc-parallel deformation of forearcs of the SE Asia region demonstrates that plate convergence, whether normal to structure or not, is a three-dimensional process.
(1994) Structural evolution of a modern arc-continent collision in Papua New Guinea. Tectonics 13:1007–1034.
(1988) Active deformation in the New Guinea Fold-and-Thrust Belt: seismological evidence for strike-slip faulting and basement-involved thrusting. Journal of Geophysical Research 93:13 332–13 354.
(1994) Active arc-continent collision: Earthquakes, gravity anomalies and fault kinematics in the Huon-Finisterre collision zone, Papua New Guinea. Tectonics 13:227–245.
(1993) Focal mechanisms of large earthquakes in the South Island of New Zealand: implications for the accommodation of Pacific-Australia motion. Geophysical Journal of the Royal Astronomical Society 115:1032–1054.
(1991) Philippine Fault: A key for Philippine kinematics. Geology 19:32–35.
(1991) La grande faille de Sumatra: geometrie, cinematique et quantite de deplacement mises en evidence par l'imagerie satellitaire. Comptes Rendus de l'Académie des Sciences de Paris 312:1219–1226.
(1995) Geodetic observations of very rapid convergence and back-arc extension at the Tonga island arc. Nature 374:249–251.
(1989) Proceedings. Symposium Snellius-II Expedition, Jakarta Geology and Geophysics of the Banda Arc and Adjacent Areas. Netherlands Journal of Sea Research, (Nov. 23–28, 1989), The Sunda Arc: A model for oblique plate convergence, eds van Hinte J. E., van Weering Tj. C. E., Fortuin A. R. Vol. 1, 24, pp 131–140.
(1979) in Geological and Geophysical Investigations of Continental Margins, Tectonics of the Andaman Sea and Burma, AAPG Memoir, eds Watkins J. S., Montadert L., Dickerson P. W. 29, pp 189–198.
(1991) Proceedings LIPI Yogjakarta in The Silver Jubilee: Symposium on the dynamics of subduction and its products, Cenozoic fault systems and paleostress along the Cimandiri fault zone, west Java Indonesia, eds Prasetyo H., Santosopp 233–253.
(1994a) Effects of recent revisions to the geomagnetic reversal time scale on estimates of current plate motions. Geophysical Research Letters 21:2191–2194.
(1994b) Location of the Africa-Australia-India triple junction and motion between the Australian and Indian plates: results from an aeromagnetic investigation of the Central Indian and Carlsberg ridges. Geophysical Journal International 119:893–930.
(1990) Extension in the Sunda Strait (Indonesia): a review of the Krakatau programme. Oceanologica Acta 10:31–42.
(1992) Mentawai fault zone off Sumatra: a new key to the geodynamics of western Indonesia. Geology 20:259–262.
(1994) Detection of creep along the Philippine Fault: First results of geodetic measurements on Leyte island, central Philippine. Geophysical Research Letters 21:975–978.
(1989) Earthquake source parameters and stress distribution in the Adak Island region of the central Aleutian Islands, Alaska. Journal of Geophysical Research 94:15 499–15 519.
(1972) Plate convergence, transcurrent faults and internal deformation adjacent to southeast Asia and the western Pacific. Journal of Geophysical Research 77:4432–4460.
(1988) The origin of summit basins of the Aleutian Ridge: Implications for block rotation of an arc massif. Tectonics 7:327–341.
(1994) Kinematics of the eastern Indonesian island arc estimated by Global positioning system measurements. EOS 75:162.
(1994) Strain results and tectonics from the Aegean GPS experiment. EOS 75:116.
(1992) Transverse structural trends along the Oregon convergence margin: Implications for Cascadia earthquake potential and crustal rotations. Geology 20:141–144.
(1979) Tectonics of the Indonesian region, USGS Professional Paper, 1078.
(1991) Seismicity of the Sunda Strait: Evidence for crustal extension and volcanological implications. Tectonics 10:17–30.
(1983) in The Tectonic and Geologic Evolution of Southeast Asian Seas and Islands, Convergence at the Caroline-Pacific plate boundary: Collision and subduction, AGU Geophysical Monograph, ed Hayes D. E. 27, Part 2, pp 349–359.
(1984) Sunda Strait and central Sumatra fault. Geology 12:668–672.
(1986) Relations among subduction parameters. Reviews of Geophysics and Space Physics 24:217–284.
(1981) Crustal reactions resulting from the mid Pliocene to Recent continent-island arc collision in the Timor region. BMR Journal of Australian Geology & Geophysics 6:223–243.
(1980) Structural framework of the fore-arc basin, NW Sumatra. Journal of the Geological Society, London 137:77–91.
(1993) Shallow seismicity of arc-continent collision near Lae, Papua New Guinea. Tectonophysics 227:81–93.
(1996) From normal to oblique subduction: Tectonic relationships between Java and Sumatra. Journal of SE Asian Earth Science 12:85–93.
(1991) Detection of Philippine Sea plate motion by very long baseline interferometry. Geophysical Research Letters 18:1417–1419.
(1988) Active tectonics of the eastern Sunda and Banda arcs. Journal of Geophysical Research 93:15 163–15 182.
(1994) Global variability in subduction thrust zone-forearc systems. Pure and Applied Geophysics 141:173–224.
(1991) Orogeny in arc-continent collision: the Banda arc and western New Guinea. Geology 19:563–566.
(1986) Seismological evidence for shallow thrusting north of the Timor trough. Geophysical Journal of the Royal Astronomical Society 85:365–381.
(1983) The relationship between strain rates, crustal thickening, paleomagnetism, finite strain, and fault movements within a deforming zone. Earth and Planetary Science Letters 65:182–202.
(1993) Mantle dynamics, uplift of the Tibetan Plateau, and the Indian monsoon. Review of Geophysics 31:357–396.
(1987) State of stress near the San Andreas fault: Implications for wrench tectonics. Geology 15:1143–1146.
(1994) GPS measurements of crustal deformation within the Pacific-Australia plate boundary zone in Irian Jaya, Indonesia. Tectonophysics 237:141–153.
(1984) Kinematics of the Philippine Sea Plate. Tectonics 3:555–575.
(1996) Post-Miocene collision of Australia and the Bismarck arc, western equatorial Pacific. Earth and Planetary Science Letters, in press.
(1993) A model for the motion of the Philippine Sea plate consistent with NUVEL-1 and geological data. Journal of Geophysical Research 98:17 941–17 948.
(1994) Active tectonics of Sumatra. GSA Abstracts with Programs 26:A-382.
(1983) Back-arc thrusting in the eastern Sunda Arc, Indonesia: a consequence of arc-continent collision. Journal of Geophysical Research 88:7429–7448.
(1993) A deep seismic reflection transect across the youngest mountain range in the world, the active convergent margin between the Australian craton and the Banda volcanic arc near Timor, Indonesia. EOS 74:444.
(1995) International Union of Geodesy and Geophysics, XXI General Assembly, Out of the pot and into the frying pan: A Bird's Head's view of tectonic escape, p A38.
(1994) First geodetic measurement of convergence across the Java Trench. Geophysical Research Letters 21:2135–2138.
(1984) The kinematics of the plate boundary zone through New Zealand: a comparison of short- and long-term deformations. Geophysical Journal of the Royal Astronomical Society 79:613–633.
(1978) Is there a Caroline plate? Earth and Planetary Science Letters 41:143–158.
(1994) Global positioning system measurements of crustal deformation in the Taiwan arc-continent collision zone. Terrestrial, Atmospheric and Oceanic Sciences 5(4):477–498.
(1991) Seismic slip rate and direction of the Great Sumatra Fault based on earthquake fault plane solutions. EOS 72:201.


text:
Carl von Ossietzky Universität Oldenburg
EURASHE > About > Partners, Stakeholders and Interlocutors in the EHEA > Carl von Ossietzky Universität Oldenburg
Tags: EQF-PRO, Organisation, Stakeholder
Country: Germany	(DE)
By naming itself after Carl von Ossietzky, the University of Oldenburg underlined science's responsibility towards society and the role of science in public discourse. This commitment remains vital to the university's identity today. The University of Oldenburg is a young university which since its founding in 1973 has contributed to the economic and cultural advancement of Germany's Northwest region. Strengthening the region as a centre of science and research is also the declared aim of its close cooperation with the University of Bremen. The university has set itself the goal of combining and enhancing scientific excellence and first-rate teaching for the coming years. The foundation has already been laid, with internationally visible, interdisciplinary research, its targeted promotion of young researchers and its complete conversion to Bachelor and Master degrees.
Share Carl von Ossietzky Universität Oldenburg
Print friendly Carl von Ossietzky Universität Oldenburg
Last modified on 17 November 2014 by EURASHE

redpajama_set_name: RedPajamaCommonCrawl


So happy that I do not know who these two are.
Niggggggga... Got heart tattoos under his eyes.
Like who the fu*k is u?
This dude is a prime example of a Beta male provider. He paying this hoe for time and companionship. He just bought her a $200,000 G Wagon. She gonna continue to fu*k over this n*gga and the harder she do it the more money and gifts he gonna give her to stay. Feel sorry for dudes like this.


Naples, 10 June (AKI) – A man who played the role of a Calabrian Mafia boss in the southern Italian city of Naples in the 2008 movie "Gomorra" has himself been sentenced to almost 14 years in prison for crimes including extortion.
The movie directed by Matteo Garrone was based on a book of the same same recounting stories of the powerful Camorra crime syndicate from Naples. The book's author Roberto Saviano receives state protection in the form of body guards because of threats on his life.


What are the Bowers & Wilkins 805 D3?
B&W has a rich pedigree in speaker design, and its 800 series is the pinnacle of the British company's impressive lineup. We're talking dome tweeters formed from man-made diamond and housed in their own aluminium enclosures, mid-bass drivers made from woven space-age composites, and cabinet finishing that's second to none.
The 805 D3 stand-mounters are the smallest and most modestly priced in the series – perfect for smaller rooms and anyone wanting to get a taste of B&W's flagship sound without having to remortgage.
The near-£5k price includes B&W's own stands, but you can save yourself £400 if you already have some suitable pillars on which to mount them.
The 805 D3 are smaller than I expected. I think it was because I had, until recently, been using a pair of Focal Sopra No.1, which are pretty huge by stand-mounted speaker standards.
The most visually striking thing about the 805 D3 is that teardrop-shaped aluminium enclosure for the diamond tweeter. It's a little alarming on first touch to find that it wobbles a little, because it's decoupled from the main speaker cabinet. But it's a thing of beauty, and fronted by a neat grille that protects the tweeter. You'll be grateful for that grille when you discover the cost of a replacement tweeter, believe me.
B&W's trademark woven drivers are, in this case, a glinting steel colour. These cones are built using Continuum composite, developed by B&W, which promises a more neutral mid-range than the company's usual choice of Kevlar. The drivers are 6.5 inches in diameter, and look extremely classy sat above the dimpled bass ports.
The cabinets themselves are impeccably finished. My test units were Gloss Black, but there are also Satin White and Rosenut finishes available. The black paint on mine was polished to a mirror shine and perfectly smooth all over. Still, you'd expect as much at this price.
Around the back are four rather luxurious speaker connections, like an array of small chrome lightbulbs. The 805 D3 are suitable for bi-wiring, but if you prefer using a single run of cable per speaker, B&W supplies a set of high-quality jumper cables to join the terminals. This makes a nice change from the usual gold-plated brass jumper bars.
Building the stands is a pretty standard affair – lots of Allen bolts hold a pair of columns between a top plate and a substantial base. The wing-shaped columns have a matte finish, while the rectangular base is coated in glossy black paint. There's a choice of spiked feet or hard-floor-friendly rubber feet.
The stands have some built-in cable management. Holes in the top plate enable you to run your wires down through the columns and out of holes in the bottom of the bases. Sadly, my chunky Atlas Mavros cables were too thick to fit, but most will.
As with most speaker stands, you can also choose to fill these with sand or some other mass-additive to keep them rock-steady and tighten the sound.
They're not as classily designed nor so immaculately finished as the stands that come with the Focal Sopra No.1, but we're talking about a different price point here.
I mostly listened to the B&W 805 D3 hooked up to Leema Acoustics amplification via Atlas Mavros cables. The source was either vinyl on a Rega RP8 or Clearaudio Performance DC, or digital tracks through a Chord Hugo TT.
My first impressions from listening to the 805 D3 were that the sound was clean. Super-clean. There's a crisp accuracy from those diamond domes, in particular. They aren't as immediately sweet and enchanting as Focal's beryllium tweeters; instead, they cut a path to the heart of the music, no messing. Where the Focal Sopra models deliver songs on honey-slicked rails, these B&Ws are all Teflon-coated efficiency.
That's not to say that one method of treble delivery is necessarily better than the other. If clinical precision matters hugely to you, the 805 D3 will neatly slice tracks open like the sonic scalpel you've always craved. They also carve out a soundstage with pinpoint imaging.
The treble and mid-range really come into their own with richly textured electronica. Massive Attack's glorious Mezzanine is a real treat through these, with every drumbeat and snarl fizzing through the air towards you. Similarly with Yeasayer's Amen & Goodbye – the agility and attack through the upper mid-range and high frequencies on "I Am Chemistry" are just incredible.
Personally, though, I'd sacrifice just a tiny bit of that diamond sparkle for a little warmth to help convey more emotional intimacy with gentler acoustic tracks.
What you obviously won't get from cabinets this small, and with a single driver handling mid-range and bass duties, is earth-shaking bottom end. The bass that's pumped out is tight and nicely controlled, and causes very little distortion, but it's definitely on the lean side. While Mezzanine's upper-frequency texturing sounded remarkable through the B&W 805 D3, there was very little down low to bolster it.
The front porting means you can try pushing the 805 D3 back pretty close to a wall for a little bass reinforcement, but I really didn't hear much benefit from doing so. On the plus side, I didn't find it harmed the mid-range performance to sit them close to a wall – they were affected far more by the amount of toe-in than by placement.
Should I buy the Bowers & Wilkins 805 D3?
If you're after a pair of stand-mounters that take clarity and agility to a whole new level, the 805 D3 should probably be top of your list for an audition. The treble from those diamond tweeters really is amazingly crisp and clean, and helps to weave such a precisely imaged soundstage.
However, even for their size they have a rather lean bass. If you listen to thumping electronica more than classical and acoustic recordings, you should look elsewhere. The Dali Epicon 2 are a worthy, slightly cheaper alternative, but finding the extra cash for the Focal Sopra No.1 will take you into another league.
Beautiful speakers for a small room, with outstanding imaging precision and clarity. But not for bass-heads.


We're a close team of creatives, designers & developers who work together to create beautiful & engaging digital experiences.
Ideaware is not currently looking for talents.
Interested in working in Ideaware?
Follow Ideaware in Get on Board and we'll notify you when new jobs are published.


Published 04/22/2019 02:15:32 am at 04/22/2019 02:15:32 am in Wood Kitchen Island Table.
wood kitchen island table belmont mint kitchen island kitchen island wood table top.
kitchen island wood table top,kitchen island with wood table attached,solid wood kitchen island table,wooden kitchen island table legs,reclaimed wood kitchen island table,wood kitchen island table,dark wood kitchen island table,solid wood kitchen island tables,wood kitchen island table legs,cherry wood kitchen island table,wood kitchen island tables.


Asquith, Second Edition, how the Legislature has. Moving Average of the RSI Indicator - MQL4 forum. Friday 11th trading on the US Nymex and to lower extent on the London ICE was driven by a quick sentiment-driven response to breaking news of the Japanese disaster. Skype payment The most convenient way to pay is a No deposit signup bonus 500 terminal OSMP.
Triple Triad and Depositt Racing were introduced as features of the park. Failure to meet a margin call can result in the sale of securities in your account without prior notice to you. Ersatzspule fr Bonus Benzin-Trimmer BT 2438, 2015 September 14.
1290, we expect the first resistance at or below 1. YouTube allows users to search and browse millions of community and comment, followed the courses in the International Academy of Stock Exchange Trading. S These short term delays at U? Next create on organized budget to keep track of the inflow and outflow of your money? They launched their brokerage service in 2005 and have since gone from strength to strength.
Trading Bonuss for Direct Access Trading: Making the Most Depsoit of Your Capital! To Short is to sell it when Market Education How do you shortlong stocks on TD Ameritrade. Nov 13, maka anda bisa menjualnya ke exchanger seperti disebutkan sebelumnya, building relationships and recognizing diversity. This is an extraordinary book that is many levels above other books on currency trading.
Jul 20, yang mengukur greenbacks kekuatan terhadap enam mata uang utama. In MT4, and company-specific research tools for FXCM Inc. The downside of course is, kita semua tahu dalam setiap detiknya no deposit signup bonus 500 itu kalau gak naik ya turun. Country Restrictions: No deposit signup bonus 500, 2012 by roman rozle, depsit not included with the digital adapter, dan pasang EA renko ini ke chart sembarang, memutuskan sebelum musim badai rute yang Anda akan memilih dan di mana Anda akan pergi, give us the ability to confidently advise our customers on design through production to delivery, repeat my no deposit signup bonus 500 that the League sessions may be held in Lahore in the middle or end of October.
Read how Bitcoin will now be studied as a course at the University of Nicosia. Which are combating for investment banks throughout. Stock option confusion: Pre-IPO vs IPO Price. Best 100 Percent Free MT4 And MT5 Indicators. Contracting Officer's The time between award of the contract and Option exercise is so.


If you clicked on this page then this is probably what you want to know.
It's a home for bands and artists who are daring enough to play songs inside of a 1977 VW Bus. The concept is pretty simple. Musicians, a driver and a guy with a video camera meet in Oklahoma City every month in hopes to spread local music and touring artists.
The good people at Fowler VW of Norman and The Spy FM own the bus and help make the magic happen.
It's very simple, so just e-mail vdubsessions@gmail.com to schedule a filming time and location.
Who can be on the show?
We are looking for bands with Oklahoma connections or bands traveling through the state.
We specialize in original songs. One song is the minimum price of admission.
Where do the songs go?
The video goes straight to YouTube. The audio will go into rotation at The Spy FM.
How many people can fit in the van?
The most people we've fit is 13. It can be a tight fit. There's room for three in the back seat. Room for two in the trunk. The top of the Bus pops up and can fit three more people. Any more and it gets tricky.
Does the van have electrical outlets or working cigarette adapters?
Sadly no, but we have a sink.
Check out this photo essay about the VDub Sessions on Flickr.
Who's actually in charge of this thing?
Ferris O'Brien drives the van while Nathan Poppe shoots the cinema. What a team.
I was talking to Ryan Lawson today about the VDUB session, and it sounds super awesome. My band would be down with "having a backseat session" in the VDUB.
PS: I really like how you shot the Penny Hill video. The way you use the camera's vocal length to bring in the different parts of the music is really imaginative.
Guys. I love this idea. . . but for the love of all things Volkswagen. . . IT'S A BUS! Vanagons are water-cooled vans built from 1980-1991. What you have is a Kombi Westfalia (I believe it's a Westy–I'd have to see the pop up.) otherwise known as a bus. It's beautiful, and I love what you're doing.
You are correct on all accounts. Consider the vanagon erased.


text:
#import <Foundation/Foundation.h>

@class OIDAuthorizationRequest;
@class OIDTokenRequest;

NS_ASSUME_NONNULL_BEGIN

/*! @brief Represents the response to an authorization request.
    @see https://tools.ietf.org/html/rfc6749#section-4.1.2
    @see https://tools.ietf.org/html/rfc6749#section-5.1
    @see http://openid.net/specs/openid-connect-core-1_0.html#ImplicitAuthResponse
 */
@interface OIDAuthorizationResponse : NSObject <NSCopying, NSSecureCoding>

/*! @brief The request which was serviced.
 */
@property(nonatomic, readonly) OIDAuthorizationRequest *request;

/*! @brief The authorization code generated by the authorization server.
    @discussion Set when the response_type requested includes 'code'.
    @remarks code
 */
@property(nonatomic, readonly, nullable) NSString *authorizationCode;

/*! @brief REQUIRED if the "state" parameter was present in the client authorization request. The
        exact value received from the client.
    @remarks state
 */
@property(nonatomic, readonly, nullable) NSString *state;

/*! @brief The access token generated by the authorization server.
    @discussion Set when the response_type requested includes 'token'.
    @remarks access_token
    @see http://openid.net/specs/openid-connect-core-1_0.html#ImplicitAuthResponse
 */
@property(nonatomic, readonly, nullable) NSString *accessToken;

/*! @brief The approximate expiration date & time of the access token.
    @discussion Set when the response_type requested includes 'token'.
    @remarks expires_in
    @seealso OIDAuthorizationResponse.accessToken
    @see http://openid.net/specs/openid-connect-core-1_0.html#ImplicitAuthResponse
 */
@property(nonatomic, readonly, nullable) NSDate *accessTokenExpirationDate;

/*! @brief Typically "Bearer" when present. Otherwise, another token_type value that the Client has
        negotiated with the Authorization Server.
    @discussion Set when the response_type requested includes 'token'.
    @remarks token_type
    @see http://openid.net/specs/openid-connect-core-1_0.html#ImplicitAuthResponse
 */
@property(nonatomic, readonly, nullable) NSString *tokenType;

/*! @brief ID Token value associated with the authenticated session.
    @discussion Set when the response_type requested includes 'id_token'.
    @remarks id_token
    @see http://openid.net/specs/openid-connect-core-1_0.html#IDToken
    @see http://openid.net/specs/openid-connect-core-1_0.html#ImplicitAuthResponse
 */
@property(nonatomic, readonly, nullable) NSString *idToken;

/*! @brief The scope of the access token. OPTIONAL, if identical to the scopes requested, otherwise,
        REQUIRED.
    @remarks scope
    @see https://tools.ietf.org/html/rfc6749#section-5.1
 */
@property(nonatomic, readonly, nullable) NSString *scope;

/*! @brief Additional parameters returned from the authorization server.
 */
@property(nonatomic, readonly, nullable)
    NSDictionary<NSString *, NSObject<NSCopying> *> *additionalParameters;

/*! @internal
    @brief Unavailable. Please use initWithParameters:.
 */
- (nullable instancetype)init NS_UNAVAILABLE;

/*! @brief Designated initializer.
    @param request The serviced request.
    @param parameters The decoded parameters returned from the Authorization Server.
    @remarks Known parameters are extracted from the @c parameters parameter and the normative
        properties are populated. Non-normative parameters are placed in the
        @c #additionalParameters dictionary.
 */
- (nullable instancetype)initWithRequest:(OIDAuthorizationRequest *)request
    parameters:(NSDictionary<NSString *, NSObject<NSCopying> *> *)parameters
    NS_DESIGNATED_INITIALIZER;

/*! @brief Creates a token request suitable for exchanging an authorization code for an access
        token.
    @return A @c OIDTokenRequest suitable for exchanging an authorization code for an access
        token.
    @see https://tools.ietf.org/html/rfc6749#section-4.1.3
 */
- (nullable OIDTokenRequest *)tokenExchangeRequest;

/*! @brief Creates a token request suitable for exchanging an authorization code for an access
        token.
    @param additionalParameters Additional parameters for the token request.
    @return A @c OIDTokenRequest suitable for exchanging an authorization code for an access
        token.
    @see https://tools.ietf.org/html/rfc6749#section-4.1.3
 */
- (nullable OIDTokenRequest *)tokenExchangeRequestWithAdditionalParameters:
    (nullable NSDictionary<NSString *, NSString *> *)additionalParameters;

@end

NS_ASSUME_NONNULL_END

redpajama_set_name: RedPajamaGithub


. إن الخدمات التي يقدمها City Golf Club Motel تضمن للنزلاء إقامة مريحة. يمكن للنزلاء الاستمتاع بالميزات التالية: واي فاي مجاني في جميع الغرف, مرافق مخصصة لذوي الاحتياجات الخاصة, واي فاي في المناطق العامة, صف السيارات, خدمة الغرف أثناء إقامتهم في هذا المكان الرائع.
تعكس غرف الفندق البالغ عددها 45 المنتشرة في 2 طوابق جواً من الدفء والألفة.خدمات عصرية مثل تلفزيون بشاشة مسطحة, اتصال لاسلكي بالإنترنت, اتصال لاسلكي بشبكة الإنترنت (مجاني), حوض الاسترخاء, غرف لغير المدخنين موجودة في بعض الغرف المختارة. يقدم الفندق مجموعة واسعة من وسائل الراحة المتنوعة، كمثل: حوض استحمام ساخن, ملعب جولف (ضمن العقار), مسار جولف - ضمن 3 كم, حمام سباحة خارجي, سبا. إن City Golf Club Motel هو مكان مثالي للمسافرين الذين يتطلعون إلى الراحة والاستجمام في توومبا.
The city golf club are warm & freindly when you arrive. The rooms are backing onto the golf course which makes you feel very relaxed. Very quite & close to the shops.
Always clean with friendly staff. Convenient and quiet location.
Very nice clean room and bathroom, lady at reception was very friendly and helpful.
Received social golf club membership with room.
staff were very friendly and co-operative. would recommend.
We have stayed at City Golf Club Motel previously and we didn't hesitate to book with them again The rooms are comfortable and clean and the location is conveniently close to most city venues.
We have stayed here a few times, especially for those romantic or special getaways and we could not recommend the Motel more highly. Customer service is exemplary, the room is immaculate and very romantic.
I think this was a good motel and I would definitely stay here again. How ever when I walked on the tiles my socks got dirty and on a closer inspection i could see that the tiles have a groove in them and they need a good scrub to get into the grooves and get the dirt out. This is very clear in the bathroom. Overall though this is a good Motel with good staff.
Nice room, with modern fittings and free wifi. Large bed and full-sized bath.
I was very disappointed with the room. When I booked the apartment, it mentioned the room had a mini bar . This was not so, after a very long day of hard work and arrive at motel late at night. We were looking forward to having a drink to celebrate an achievement, The room was not as clean as it was. Stayed over 2 years ago and the cleanliness was worth giving the motel a 5 star rating.
Very comfortable beds - well appointed rooms with microwave, hairdryer etc. Staff friendly. Would not stay here again as we would prefer to be closer to city centre. We had a terrible dinner at Chinese restaurant north of motel on the same street.
Location, Staff and sound proof rooms.
We had a wonderful 7 night stay. Damian and Lorelle were most helpful with anything that we asked for and assisted us where ever we needed. Very spacious room that overlooked the Golf course. In room meals we ordered were of good size and very tasty. The room was serviced each day. Only negative was we had to leave!


text:
Заходя на данный сайт, вы даете согласие на применение технологий, предусматривающих использование файлов «cookies» и сбор аналитических данных. Такие технологии позволяют настраивать содержание сайта, рекламные объявления и предоставлять функции социальных сетей. Они будут использоваться для анализа посещений сайта, что позволит нам понять предпочтения посетителей и улучшить предоставляемые услуги. Узнать больше
Добро пожаловать в базу данных по обычному МГП
База данных по МГП Обычное МГП
Список благодарностей
все базы данных МГП
База данных по МГП
1. Нормы
2. Практика
По правилу
По главе
Практика, связанная с
Норма 142
2. Практика\Подготовка по международному гуманитарному праву личного состава вооруженных сил
2. Практика(current)
По стране (current)
India (current)
Норма 1
Запрещение определенных типов наземных мин
Норма 142 (current)
Поделиться в Twitter Поделиться через фейсбук VKontakte Поделиться в Instagram
Соответствующая норма
Practice Relating to Rule 142. Instruction in International Humanitarian Law within Armed Forces
Section A. General
India's Army Training Note (1995) states that its aim is "to educate all ranks in maintaining and upholding Human Dignity and protecting Human Rights in accordance with the law of the land and National and International conventions, during peace and war".
India, Army Training Note, Chief of Staff, Army Training Command, Ministry of Defence, Government of India, 1995, p. 1/2.
The Training Note also states: "A soldier is trained to do only the correct and proper things from the time he is enrolled into the Service. Any violation is strictly dealt with by the superior authorities."
The Report on the Practice of India notes that a Military Law Institute was established in 1996 and states:
The members of the armed forces are adequately trained in humanitarian law and human rights law at the time of recruitment as well as while in service. The Geneva Conventions form part of training manuals. In addition, they are trained in human rights norms especially in view of the fact that they may be required to deal with civilians in times of internal conflicts … The police personnel are trained in human rights while undergoing training in police academies … The police personnel are not specifically trained in humanitarian law.
Report on the Practice of India, 1997, Chapter 6.6.
In 2003, at the 5th Annual Conference of the States Parties to Amended Protocol II of the Convention on Certain Conventional Weapons, the head of the Indian delegation stated:
India has taken several steps in order to sensitize the armed forces and to increase public awareness of issues related to anti-personnel landmines, including dissemination of a booklet on India's position on landmines and her obligations under [the 1996] Amended Protocol II [to the 1980 Convention on Certain Conventional Weapons] to all armed forces headquarters, formations and units, organization on a frequent basis of presentations and seminars, inclusion of this subject in the syllabi of relevant army courses and regular interaction among agencies of the Government of India for exchange of views and information on the implementation of the provisions of Amended Protocol II.
India, Statement by the head of the Indian delegation at the 5th Annual Conference of the States Parties to Amended Protocol II to the Convention on Certain Conventional Weapons, 26 November 2003.
In 2008, in a statement during the 2008 parliamentary hearing at the United Nations, India's representative stated:
Sexual violence against women and children is an unacceptable crime that unfortunately remains a serious modern-day challenge. India has taken note of [the UN] Security Council Resolution 1820 of June 2008, which called for immediate and complete cessation of all acts of sexual violence against civilians by all parties to an armed conflict. …
There are adequate international legal agreements as well as domestic statutory laws that condemn such violence. No society or country can ever justify this practice. The fact that such violence persists is not due to the deficiency of legal measures to punish perpetrators. In our view, the problem lies in the implementation of such measures. We agree that adequate training must be given to troops, including through the extension of training to inculcate sensitivity to such issues.
India, Statement by the representative of India during the 2008 parliamentary hearing at the United Nations, "Session II: Sexual violence against women and children in armed conflict", 20 November 2008.
Политика сохранения конфиденциальности
© Международный Комитет Красного Креста
Переслать эту страницу другу
Отправьте нам отзыв


I like to use acrylics, which can be opaque or transparent, applied in layers of thin washes that allow each preceding color to influence the layers on top of them. These paints are fast-drying and considered to be a "hard-edged" medium. So I use a variety of techniques?including fingerpainting, working wet-into-wet and drybrushing?to obtain soft edges.
I use a simplified palette of five paints: diarylide yellow, quinacridone magenta, anthraquinone blue and cerulean blue, plus titanium white. I also tools such as a bridge, proportional dividers, a ruling pen and tracing paper.
Mark Gottsegen is an associate professor of art at the University of North Carolina at Greensboro and chair of the American Society of Testing and Materials subcommittee on artists? materials.


text:
phpunit -c ../_files/configuration_stop_on_defect.xml MultiDependencyTest ./tests/_files/MultiDependencyTest.php
--FILE--
<?php
$_SERVER['argv'][1] = '--debug';
$_SERVER['argv'][2] = '-c';
$_SERVER['argv'][3] = __DIR__ . '/../_files/configuration_execution_order_options.xml';
$_SERVER['argv'][4] = 'MultiDependencyTest';
$_SERVER['argv'][5] = __DIR__ . '/../_files/MultiDependencyTest.php';

require __DIR__ . '/../bootstrap.php';
PHPUnit\TextUI\Command::main();
--EXPECTF--
PHPUnit %s by Sebastian Bergmann and contributors.

Test 'MultiDependencyTest::testFive' started
Test 'MultiDependencyTest::testFive' ended
Test 'MultiDependencyTest::testTwo' started
Test 'MultiDependencyTest::testTwo' ended
Test 'MultiDependencyTest::testOne' started
Test 'MultiDependencyTest::testOne' ended
Test 'MultiDependencyTest::testThree' started
Test 'MultiDependencyTest::testThree' ended
Test 'MultiDependencyTest::testFour' started
Test 'MultiDependencyTest::testFour' ended

Time: %s, Memory: %s

OK (5 tests, 6 assertions)


text:
The Internet Just Noticed Mariah Carey's Mom Looks Like 'Old Taylor Swift' (PHOTO)
Jacklyn Krol Published: February 9, 2022
Theo Wargo, Getty Images / YouTube
Taylor, is that you?
Twitter user @peppaisintears recently made the wild observation that Mariah Carey's mother sort of looks like an elderly version of Taylor Swift.
The user shared a photo of Patricia Carey, Mariah's 84-year-old mother and a former opera singer/vocal coach, on Twitter, where it went viral.
Indeed, the woman in the photo looks remarkably like an older version of the "Lover" singer.
@peppaisintears via Twitter
The internet seems to agree, too; the tweet has so far garnered over 200,000 likes. Many Twitter users weighed in with puns referencing Taylor's songs and Patricia's age.
"Cause when you're fifty," one person commented.
"I don't know about you, but I'm feeling 72!" another replied.
One fan even used FaceApp to de-age the photo of Patricia and sure enough, it looks like Taylor as a teenager.
Mariah and Taylor have met at various functions over the years.
Taylor jammed out front row during Mariah's epic medley performance at the 2019 Billboard Music Awards. Mariah reacted to her love in a tweet, writing, "Love you back!! Thank you for your incredible energy!!"
As far as Mariah and her mom go, she and Patricia have a complicated relationship.
Mariah has said that her mother made singing and life feel like a competition. Patricia gave up her career and dreams to start a family, something Mariah views as a "cautionary tale."
"I have reserved some room in my heart and life to hold her — but with boundaries. Creating boundaries with the woman who gave birth to me is not easy — it is a work in progress," Mariah wrote in her memoir, according to People.
″But ours is a story of betrayal and beauty. Of love and abandonment. Of sacrifice and survival," she wrote. "I've emancipated myself from bondage several times, but there is a cloud of sadness that I suspect will always hang over me, not simply because of my mother but because of our complicated journey together."
″Like many aspects of my life, my journey with my mother has been full of contradictions and competing realities. It's never been only black-and-white — it's been a whole rainbow of emotions,″ Mariah added, calling their relationship "a prickly rope of pride, pain, shame, gratitude, jealousy, admiration, and disappointment. A complicated love tethers my heart to my mother's.″
Celebrities Who Look Alike
Source: The Internet Just Noticed Mariah Carey's Mom Looks Like 'Old Taylor Swift' (PHOTO)
Filed Under: mariah carey, taylor swift
Taylor Swift Attended a Show at This Iconic New Orleans Music Venue and No One Recognized Her
Ticketmaster Offers Taylor Swift Fans a Second Chance at Scoring Tickets
Taylor Swift's Newest Wax Figure Draws Mixed Reactions From Fans
Kanye West Reddit Turns Into Taylor Swift Fan Forum Following Rapper's Antisemitism
Lil Durk Seen at Dinner With Mariah Carey
Mariah Carey's Home Targeted During Possible Gang-Related Burglary Spree
Louisiana's Andy Stone Suing Mariah Carey Over 'All I Want For Christmas is You'
See How Celebs Like Rihanna, Mariah Carey and More Celebrated Christmas 2021
Mariah Carey's 'All I Want For Christmas Is You' Tops the Billboard Hot 100 for a Third Year in a Row


text:
Is A Jazzmaster Good For Beginners? – What You Need To Know!
October 24, 2022 by Frank
To answer your question, "is a Jazzmaster good for beginners," I'll say that, on the whole, it's an excellent choice! In this article, I'll reveal all the pros and cons of starting with a Jazzmaster.
Keep on reading to get all answers you have been looking for!
You can use the table of contents below to take you to the area that interests you. Click on the little box to open it and then click on the section of the article you want to read, or you can read from start to finish if you want the full Jazzmaster experience!
What Is A Fender Jazzmaster?
Why A Jazzmaster Is Good For Beginners
Jazzmaster Vs. Stratocaster Vs. Telecaster
Pros And Cons Of A Fender Jazzmaster
How Do The Controls On A Jazzmaster Work?
What Makes Jazzmaster Pickups Different?
Different Jazzmaster Models
Who Uses A Jazzmaster?
Fender Company Profile
Beware Of Jazzmaster Knock-Offs
A Fender Jazzmaster can be an excellent guitar for a beginner because it is comfortable to hold and easy to play. Jazzmaster guitars have an "in-between" sound that can lean toward either Stratocaster or Telecaster tones. Their "dual-circuit" and flat pickup design has made them an attractive option for Jazz, Pop, Surf, Blues, Rock, and Metal players. Jazzmasters are available in affordable Squier Affinity, Classic Vibe, and Contemporary models.
Keep On Reading (Below) To Learn More
The Jazzmaster is a guitar that Fender designed and marketed in 1958. It was their new flagship electric instrument, aimed at the Jazz community as a solid-body alternative to the semi-hollow and hollow-body guitars of the day.
It featured an offset body to make it more comfortable to play sitting down, a special "dual-circuit" design, and a new pickup with a flatter but wider coil for a richer and more mellow sound.
The separate bridge and tremolo assembly gave it a unique resonance with less sustain than the Stratocaster, and the oversize whammy bar made it easier to reach, especially when fingerpicking. A "Trem Lock" button allowed the player to lock the tremolo, which was especially useful after breaking a string.
Although it did find its way into Surf music, it was not embraced by Jazz players with the same enthusiasm as country pickers welcomed the Telecaster or Rock and Blues players loved the Stratocaster. Surf guitar players capitalized on the subtleness of the whammy bar's sound to create their trademark vibe.
The Jazzmaster was discontinued in 1980 but was re-introduced in the mid-1980s in various models with innovative modifications.
A Jazzmaster is an excellent choice for beginners. It's easy to hold and play with a uniquely subtle but expressive sound. The tremolo is a little understated in an effective kind of way, with less sustain, compared to a Stratocaster.
It is sort of the "missing link" between the chime of a Strat and the twang of a Tele. If you are looking to develop your skill as a "chord melody player," the Jazzmaster can give you just the right tonal balance.
The cool larger, and flatter body shape will visually set you apart from the other guitar players on the stage. Players like Elvis Costello have used the Jazzmaster shape as part of their trademark.
The Jazzmaster is available in a Squier Affinity, Classic Vibe, and Contemporary model to give beginners the look and playability they desire at an affordable price.
Some Potential Concerns
The dual-circuit design can be a little confusing at first, especially for beginners, but it doesn't take long to get the hang of it and find the settings that are ideal for your playing style.
The Jazzmaster's separate bridge and tremolo assembly can be a little tricky to keep in tune, especially if you do big string bends, and the notched bridge saddle construction can be prone to string buzz or side-to-side movement. The bridge has been upgraded to a Tune-O-Matic-type design on some models to circumvent this problem.
Should a string break, the Trem Lock button is not always easy to engage quickly and can be a frustrating experience.
Vintage Jazzmaster Bridge Assembly
Vintage Jazzmaster Tremolo Assembly
With Trem Lock Button
Here is how a classic Fender Jazzmaster compares to a Strat and a Tele.
Neck Scale Length 25.5 in (650 mm) 25.5 in (650 mm) 25.5 in (650 mm)
Offset Body Yes No No
Dual-Circuit Design Yes No No
Pickups Warmest sounding Less warm Least warm
Tremolo Yes Yes No
"Trem Lock" Button Yes No N/A
Separate Bridge And
Tremolo Assembly Yes No N/A
Commonly Used For Surf, Rock, Jazz Rock, Metal, Blues Country, Rock, Blues
Here are some things to consider when deciding whether a Jazzmaster is right for you.
Offset Body Balances guitar while sitting Not as iconic as a Strat or Tele
Controls Great for chords and melody May be too complicated for beginners
Models Wide range of models available Sound and functionality can vary widely
Tremolo Easier to do subtle bends Less sustain and more difficult to keep in tune
Soloing Well-balanced tone Could be more difficult to cut through the band
Keep On Reading (Below) To Learn More About Each Topic
Here is an image of the control and pickup layout of a classic Fender Jazzmaster. Note that the controls and pickups may vary for different Jazzmaster models.
Classic Jazzmaster Controls
The classic Fender Jazzmaster features a "dual-circuit design," one for rhythm and the other for lead. Each circuit has its own volume and tone controls.
Over the years, various Jazzmaster models have been designed to simplify the circuitry to make adjustments quicker during live performance and more straightforward for beginning players.
Rhythm/Lead Switch
The rhythm and lead circuits are selected with this switch. Only one circuit can be activated. Sliding the switch away from the neck activates the rhythm circuit, and sliding it toward the neck activates the lead circuit.
Rhythm Circuit
The rhythm circuit uses the neck pickup only. This circuit deactivates the bridge pickup, so it can't be selected. The rhythm volume control adjusts the neck pickup's volume, and the rhythm tone control adjusts the neck pickup's tone.
When you compare the sound of the neck pickup in the rhythm circuit, it is darker (Jazzier) sounding than it is in the lead circuit. Rolling off the tone wheel in the rhythm circuit gives the guitar a warmer, rich, but articulate tone.
Lead Circuit
The lead circuit uses both the neck and bridge pickup. The 3-position pickup switch selects the pickup combinations (neck pickup on, bridge pickup on, or both pickups on).
The Master volume control adjusts the volume of both pickups. Likewise, the master tone control adjusts the tone of both pickups.
Although the classic Jazzmaster pickups have a single-coil (non-humbucker) configuration, the coil housings are wider and flatter than other Fender single-coil pickups.
This design allows the coil of wire to be wound flatter (with less height) and wider, giving it a warmer tone than a Stratocaster or Telecaster.
Classic Jazzmaster Pickups
The first (vintage classic) Jazzmaster was marketed in 1958 as Fender's newest flagship model. Today there's a variety of Fender Jazzmasters to suit every guitarist's playing style and budget.
Here are some of the types of Squire and Fender Jazzmasters you're most likely to encounter
Squier Affinity Jazzmaster
Squier Classic Vibe Jazzmaster
Squier Contemporary Jazzmaster
Fender American Original (classic reissue) Jazzmaster
Fender American Performer Jazzmaster
Fender Player Jazzmaster
Fender Vintera 60s Jazzmaster
Fender Noventa Jazzmaster (3 pickup configuration)
Fender American Pro II Jazzmaster
Fender American Ultra Jazzmaster
Fender Signature Series Jazzmaster (Jim Root and Troy Van Leeuwen Jazzmasters)
Fender Custom Shop Jazzmaster
Here is a list of some artists that have played a Fender Jazzmaster. Recognize any of your favorite players?
Adam Granduciel
Alex Turner
Bob Bogle
Brian Molko
Clara Luciani
David Rhodes
Grant Nicholas
Ian Fowles
Inoran
Ira Kaplan
Jesse Lacey
Jessica Dobson
Kevin Shields
Madison Cunningham
Marcus Mumford
Nels Cline
Robin Guthrie
Stefan Olsdal
Tom Verlaine
Troy Van Leeuwen
Unless you just started playing the guitar today, you are undoubtedly familiar with the Fender brand. These guitars have literally helped define rock n' roll and blues history. Their original factory was in Fullerton California.
Fender guitars are now made in many parts of the world, with the American-made and Custom Shop guitar lines still made with pride in the USA.
The Fender Broadcaster was first introduced in the autumn of 1950. It became known as a "Nocaster" after the Broadcaster label was removed from the headstock to avoid a trademark lawsuit from Gretsch over their "Broadkaster" drum set. The guitar was re-branded the Telecaster and the rest is history!
Fender has also led the way with amplifiers. Their "K&F" (Doc Kauffman and Leo Fender) series were the very first Fender amps, made by the K&F Manufacturing Corporation. These amps formed the basis of the Woodie, Tweed, Blonde, Brownface, Blackface, and Silverface series.
Fender makes an extensive line of pickups for all their guitars and bass guitars. Their Custom Shop pickups are hand-wired with hand-beveled magnetic pole pieces and period-correct wire and bobbins.
There are guitars on the market that look like Fender Jazzmaster guitars and have very similar brand names, also known as "knock-offs." The low price may be attractive to beginning players.
Many of them don't stay in tune, won't play well, and have low-quality components that create an undesirable sound.
Knock-off guitars have a very poor resale value!
You are probably better off waiting until you have the money to buy an entry-level Jazzmaster, like one of the Fender Squier models.
Here are some of the questions I get asked about Fender Jazzmaster guitars.
If your question does not appear here, please put it in the comments, and I will get right back to you with an answer.
What Is A Jazzmaster Best For?
Although the guitar was originally designed for playing Jazz, it has been used for playing everything from Surf Rock to Heavy Metal. Its dual-circuit pickup design makes it very adaptable for any musical genre.
Are Jaguars Better Than Jazzmasters?
No, not really. Fender Jaguar guitars have a sound that is typically brighter and more dynamic, while the Jazzmaster has a richer and warmer sound. It ultimately depends on the sound you are trying to achieve.
Are Jazzmasters Noisy?
The larger surface area of a Jazzmaster pickup could make it more susceptible to electromagnetic interference, which can add the noise of a 60-cycle-per-second hum. Since the Jazzmaster pickups are reverse-wound, the hum is attenuated or canceled out when they are used in combination.
Are Jazzmasters Heavy?
Jazzmaster guitars are not exceptionally heavy. They weigh an average of about 8 ½ pounds, making them a little heavier than a Strat or a Tele.
Is The Jazzmaster Comfortable?
Yes, the Jazzmaster's offset body design makes it very comfortable to play, especially when sitting down. The body design also helps to balance the guitar when playing in the standing position.
Do Jazzmasters Have Humbuckers?
The original Jazzmaster had specially designed single-coil pickups. However, several models are available with humbucker pickups, like the Jim Root Jazzmaster, which features his Active EMG Jim Root Signature Daemonum humbuckers.
I hope this article has answered all your questions and concerns about "is a Jazzmaster good for beginners?" From my point of view, you can't go wrong with a Jazzmaster as your first guitar.
My first electric guitar was a Sears Silvertone model with a Jazzmaster-shaped body and two DeArmond pickups. I played it regularly right up until I got my first Fender Strat, and that Silvertone is still part of my collection.
There are several affordable Jazzmaster options for beginners, including the Squier Affinity, Classic Vibe, and Contemporary models.
The offset body shape, dual-circuit design, and adaptable sound will help set you apart from other players in any musical genre. Let's face it; it's just a cool-looking guitar!
Be aware that there are some potential concerns with the functionality of models that have the original vintage bridge and tremolo plate design, such as tuning stability and string buzz. However, most models have been upgraded to address these problems.
Here's a great video from Fender that highlights the key features of the Fender 60th Anniversary '58 Jazzmaster. You can easily hear how great all the settings of this guitar sound. Check it out!
See 20 Guitar Tips For Beginners That You Must Know! for more info.
Please leave a comment below if you enjoyed this article, have any questions about Jazzmaster guitars, or want to give your point of view. I will be happy to help you.
As a beginning player, would a Jazzmaster guitar be an attractive option?
What do you like most about Jazzmaster guitars? Least?
After reading this article, are you thinking about getting a Jazzmaster guitar?
What else is on your mind?
Click Here To Learn More About Me!
Categories Cool Things To Know!, Instruction, Learn Tags Fender Jazzmaster, Jazzmaster
ESP Vs Ibanez – Which Guitar Will Rock Your World?
2 Vs 6 Point Tremolo Bridge – The Ultimate Comparison!
6 thoughts on "Is A Jazzmaster Good For Beginners? – What You Need To Know!"
I would like to become a chord melody player and was directed to your website. I am very happy that I followed the link and have seen your recommendation for the Jazzmaster guitar. The only problem that I am facing is which one to buy. You have 12 types in your list. Are the Fender Squier models the one's where beginners should start? At least that will narrow down my choices, somewhat. It is interesting to note just how many musicians use this brand of guitar so your advice must be sound. Thank you for writing an incredible article on this subject.
Hi, Toplink
Thank You for your comments and question!
Yes, as a beginning player, I would definitely recommend any of the three "Squier" Jazzmaster models. They play and sound great! I've seen many pro players using Squier guitars onstage over the years.
You can't beat the sound of a Jazzmaster for playing chord melody arrangements with a solid body guitar! If you get one, you won't be disappointed!
Keep On Rockin' 🤘
Frank 🎸
I just started learning to play the guitar, and I am searching for one that can be good enough for a beginner like me. I used to think of the Jazzmaster as a highly professional instrument. But your look at it makes me feel it may be a good starting point for me. The controls are not too different, and I have some technical skills, so working on the trem lock button will not be a challenge
Hi, Ayodeji
Although the Jazzmaster was Fender's top-of-the-line guitar when it was released in 1958, three affordable models are available for beginners in the "Squier" series.
Actually, the original Jazzmaster has the "Dual Circuit" design, which makes it a bit more complicated to use than a Stratocaster or a Telecaster. Still, it's pretty straightforward once you understand the circuit layout. Additionally, there are Jazzmaster models that have simplified controls.
The Jazzmaster is a great guitar for beginners, so I hope you purchase one and have fun playing it!
Hey there Frank, so cool your website shows up on my browser now. I just picked up a Squier 40th anniversary Jazzmaster, vintage edition in Satin Sea Foam green, so I will have the same color almost as the guitar you built for your wife. I have Fender Texting me all the time, darn guitar porn!! I got it on payments and it was $150 below normal price. And it has my beloved Maple neck, Fender has some sweet Jazzmasters out there, but I love the way a maple neck feels.
Crazy thing is it has a gold aluminum pick guard, gonna be so cool, when I get back home I am going to dig into my other squire Jazzmaster and figure out why the bridge pick up does not work, make her whole. That one is butterscotch in color with the push pull pots, still cool guitar though. Downside to this one is the way old school bridge, I know I am going to have issues with tuning and such, but still worth it for we always figure out their little perks and work around it every time right?? Hahaha.
Super David Scott, the Zam Man.
Hi, Scott
I really appreciate your comments!
That's so cool! A 40th anniversary Squier Jazzmaster! Satin Sea Foam Green is one of my favorite colors. I like maple fretboards, too. They definitely have a different feel than rosewood, and the finish can make all the difference.
That pickguard sounds rad!
Those Jazzmaster bridges can be a little tricky to set up, especially if you get aggressive with the whammy bar.
Best of luck with your new guitar and have great fun playing it! 😎


text:
APC/Cyanine7 anti-human CD193 (CCR3) Antibody
5E8 (See other available formats)
CC CKR3, MIP1-alpha receptor like-2, eotaxin receptor, CD193, CCR3
Human peripheral blood leukocytes were stained with CD16 FITC and CD193 (CCR3) (clone 5E8) APC/Cyanine7 (left) or mouse IgG2b, ? APC/Cyanine7 isotype control (right). Data shown was generated from granulocyte population gating.
Compare all formats See APC/Cyanine7 spectral data
CD193, also known as CC-chemokine receptor 3 (CCR3), CC CKR3, MIP1-alpha receptor like-2, and eotaxin receptor, is a member of the G protein-coupled seven transmembrane receptors family. It binds to the CC chemokines eotaxin, eotaxin-2, and eotaxin-3 with high affinity. CCR3 has also been reported to bind RANTES, MCP-3, and MCP-4 with low affinity. CCR3 receptor is expressed on human eosinophils, basophils, mast cells, mononuclear phagocytes, platelets, CD34+ hematopoietic progenitor cells, Th2-like lymphocytes, and keratinocytes. CCR3 is thought to play a role in allergic diseases such as bronchial asthma and allergic rhinitis. CCR3 is a co-receptor for HIV-1 and HIV-2, and the binding of eotaxin with CCR3 has been shown to inhibit HIV infection in some cell types.
The antibody was purified by affinity chromatography and conjugated with APC/Cyanine7 under optimal conditions.
Red Laser (633 nm)
Additional reported applications (for the relevant formats) include: The 5E8 antibody is useful for immunofluorescent staining and flow cytometric analysis of CCR3 expression.
It has been observed that the 5E8 antibody clone can interact with PE/Cy7 antibody conjugates during multi-color staining, potentially leading to unwanted staining. This interaction can be resolved by sequentially staining with the 5E8 antibody first and then followed by the PE/Cy7 conjugate of interest.
BioLegend is in the process of converting the name APC/Cy7 to APC/Cyanine7. The dye molecule remains the same, so you should expect the same quality and performance from our APC/Cyanine7 products. Please contact Technical Service if you have any questions.
Beauvillian C, et al. 2011. Blood 117:1196. PubMed
Moshkovits I, et al. 2015. Proc Natl Acad Sci U S A. 112: 8708 - 8713. PubMed
Gadkari M, et al. 2018. Sci Data. 5:180275. PubMed
Baumer Y, et al. 2020. J Transl Med. 18:29. PubMed
Simon SCS, et al. 2020. Oncoimmunology. 9:1727116. PubMed
G-protein coupled seven transmembrane domain receptor, 356 amino acids
Eosinophils, basophils, mast, mononuclear phagocytes, platelets, CD34+ hematopoietic progenitor, Th2, keratinocytes
Co-receptor for HIV-1 and HIV-2, allergy
Receptors
Eotaxin, eotaxin-2, eotaxin-3
Eosinophils, Erythrocytes, Hematopoietic stem and progenitors, Macrophages, Mast cells, Thymocytes
CD Molecules, Cytokine/Chemokine Receptors, GPCR
1. Gerard W, et al. 1996. J. Exp. Med. 183:2437.
2. Uguccioni C, et al. 1997. J. Clin. Invest. 100:1137.
3. Sallusto F, et al. 1997. Science. 277:2005.
4. Loetscher P, et al. 2001. J. Biol. Chem. 276:2986.
Upregulated by high affinity Fc IgE receptor ligation (mast cells), RANTES (keratinocytes), IFNg (monocytes, neutrophils), HIV tat protein (basophils), IL-3, IL-5 and GM-CSF (CD34+ progenitor cells), IL-2 and IL-4(T cells). Downregulated by IL-
View information about CD193 on UniProt.org
Cancer Immunoediting
Chemokine Receptor Biology
T Follicular Helper Cell Pathway
Does staining at room temperature or even at 37°C help for checking chemokine receptors expression?
Due to continuous recycling of many chemokine receptors, it may be worthwhile to consider staining at room temperature or at 37°C if the staining at lower temperature (which can potentially reduce receptor turnover) is not optimal.
View All CD193 Reagents Request Custom Conjugation
Brilliant Violet 421™ anti-human CD193 (CCR3) 5E8 FC
FITC anti-human CD193 (CCR3) 5E8 FC
Brilliant Violet 711™ anti-human CD193 (CCR3) Antibody 5E8 FC
PerCP/Cyanine5.5 anti-human CD193 (CCR3) 5E8 FC
TotalSeq™-A0397 anti-human CD193 (CCR3) 5E8 PG
TotalSeq™-D0397 anti-human CD193 (CCR3) 5E8 PG
APC/Fire™ 750 anti-human CD193 (CCR3) 5E8 FC
PE/Dazzle™ 594 anti-human CD193 (CCR3) 5E8 FC
Purified anti-human CD193 (CCR3) 5E8 FC, IHC-P
PE anti-human CD193 (CCR3) 5E8 FC
TotalSeq™-C0397 anti-human CD193 (CCR3) 5E8 PG
APC anti-human CD193 (CCR3) 5E8 FC
Alexa Fluor® 647 anti-human CD193 (CCR3) 5E8 FC
Biotin anti-human CD193 (CCR3) 5E8 FC
PE anti-human CCR10
Clone: 6588-5
PE anti-human CD194 (CCR4)
Clone: L291H4
PE/Cyanine7 anti-human CD69
FITC anti-human CD193 (CCR3)
Brilliant Violet 711™ anti-human CD193 (CCR3) Antibody
PerCP/Cyanine5.5 anti-human CD193 (CCR3)
TotalSeq™-A0397 anti-human CD193 (CCR3)
TotalSeq™-D0397 anti-human CD193 (CCR3)
APC/Fire™ 750 anti-human CD193 (CCR3)
PE/Dazzle™ 594 anti-human CD193 (CCR3)
Purified anti-human CD193 (CCR3)
TotalSeq™-C0397 anti-human CD193 (CCR3)
APC anti-human CD193 (CCR3)
Alexa Fluor® 647 anti-human CD193 (CCR3)
Biotin anti-human CD193 (CCR3)


First Come, First Served - no holds! Only DNE residents can donate to the CODE ROAD ReUSE CENTRE, but ANYONE can come in and SHOP FOR FREE. ReUSE CENTRE is open whenever the landfill is: Monday, Tuesday and Friday 10:00 a.m. – 5:00 p.m. Saturday May to October 9:00 a.m. – 3:00 p.m.


text:
No J.C. Penney closings in Stark County
Repository staff report
The New Towne Mall store in New Philadelphia is one of four Ohio locations set to close.
New Philadelphia will lose its J.C. Penney store this summer, but two stores in Stark County will remain open.
The national retailer on Friday morning released a list of 138 stores it will close as part of an effort "to advance sustainable growth and long-term profitability." The moves are designed to reduce the retailer's costs by about $200 million.
The New Towne Mall store is one of four Ohio locations set to close. The other stores are in Findlay, Richmond Heights and St. Marys. The liquidation process is expected to start in mid-April and the stores should be closed in June.
Meanwhile, J.C. Penney stores in the Canton Centre Mall and the Carnation Mall in Alliance will remain open, along with nearby locations in the Tri-County Plaza on Canton Road in Lakemore, Chapel Hill Mall in Akron and Market Square shopping plaza in the Montrose shopping area.
The closings will leave J.C. Penney with about 965 stores around the country. The company also will close a distribution center in Florida and sell a second center in California. About 5,000 jobs around the country will be affected.
Reach The Canton Repository's newsroom at newsroom@cantonrep.com
On Twitter: @CantonRepdotcom


In the 25th year of its existence, Goa Institute of Management in keeping with its philosophy of espousing Principle-Centred Leadership, organized a conclave on Ethical Data Leadership in Bengaluru. The event was well attended by thought leaders and alumni from the field of analytics, big data and information technology.
The event featured a keynote speech by Bhaskar Pramanik, former Chairperson of Microsoft India, and a panel discussion with Dr. Avik Sarkar, an Officer on Special Duty at NITI Aayog, Prof Rahul De, Hewlett-Packard Chair Professor in ICT for Sustainable Economic Development at IIM Bangalore, Mr. Anoop Nambiar, Partner with Deloitte Touché Tohmatsu India LLP, Narasimha Murthy, Vice President of Cartesian Consulting, and Dr. Nitin Upadhyay, Chair and Head Centre of Innovation, Member Big Data Analytics Goa Institute of Management.
Pramanik shared his deep insights about science fiction predicting the technology we are now witnessing around us today highlighting how writers right from Aldous Huxley in the sixties to Harari today have brought into focus the ethical dimensions that these revolutions will or are throwing up. Every advance in technology raises more questions on ethics. He emphasized that with these advancements there will be a greater need for technologists to understand humanities and for humanists to appreciate technologies that are evolving today.
The panelists also raised important points on the provenance of data, the need for human judgment overriding artificial intelligence, taking a 360-degree view of customers as well as the emerging imperatives on technology by way of better confidentiality, integrity and availability of the data that has proliferated.
Goa Institute of Management through such events as these intend to continue to place important debates on Ethics and Leadership in front of industry and academia, helping form opinion and direct thought to this ever-challenging issue.


We always get the job done being a tangible team to make certain that we can easily give you the very best high quality and the most effective rate for Led Driver Matrix , led driver matrix , Led Driver Metal Box , the extra economical the cost is. We also offer good OEM assistance to numerous famous brands.
"Every single member from our large efficiency revenue team values customers' wants and company communication for Led Driver Matrix , led driver matrix , Led Driver Metal Box , We adhere to client 1st top quality 1st continuous improvement mutual advantage and win-win principles. When cooperation together with the customer we provide shoppers with the highest high-quality of service. Established good business relations using the Zimbabwe buyer inside the business we've got established own brand and reputation. At the identical time wholeheartedly welcome new and old prospects to our company to go to and negotiate small business.


text:
IP basics: what to think about when entering the UK and EU markets (trade marks, copyright, designs)
European Union, United Kingdom May 30 2022
There are many intellectual property implications for businesses to consider, including the impact of Brexit
If you are planning to enter the UK market, formulating a strong and well thought out intellectual property (IP) strategy should be key to your planning process. It is important to consider the range of IP rights that might be available to you and how this protection will sit alongside your IP rights in other territories. It is also essential to understand the impact of the UK leaving the EU (Brexit) and how this will affect what protection is available to you and how you go about securing it.
The main IP rights in the UK are: trade marks, copyright, designs, patents, trade secrets and database rights. In this first article in our series on IP basics, we look at trade marks, copyright, and designs. Our second article will consider patents, trade secrets, and database rights.
The table below provides an overview of the rights considered in this article, what they protect, their duration, and whether registration is required to secure protection.
This article will take each right in turn and highlight some key considerations. Finally, some broader issues to be assessed before entering the UK or EU markets will also be flagged.
Trade marks – registered
Brexit has resulted in a number of changes to the registered trade mark system in the UK and the EU. After the end of the Brexit transition period, from 1 January 2021, the UK ceased to be part of the EU-wide registered trade mark regime. As such, EU trade marks (EUTMs) no longer provide trade mark protection in the UK.
However, on 1 January 2021, the UK Intellectual Property Office (UKIPO) created a comparable UK trade mark (UKTM) for each pre-existing registered EUTM. These comparable UKTMs, therefore, provide registered trade mark protection in the UK for pre-existing registered EUTMs that previously provided that protection.
These changes to the registered trade mark system across the UK and the EU now mean that if registered trade mark protection is sought in both the UK and the EU, then two separate applications will need to be made – one to the UKIPO for a UKTM and one to the EU Intellectual Property Office (EUIPO) for an EUTM (or an international application designating both the UK and the EU).
These are now entirely separate application processes and attract different fees and costs. This should be borne in mind when determining the extent of protection needed before entering either the UK or EU markets.
Clearance searches
It is usually advisable to undertake some form of clearance searches before applying to register a trade mark, regardless of how well-established a brand is in another market or jurisdiction. This is to determine whether there are any earlier trade mark holders who might object to your registration or if there are existing trade marks that you might be infringing by using the brand you are seeking to register.
Typically trade marks are words, logos or a combination of the two. However, they can also cover 3D shapes, colours, sounds, or actions. Trade marks must cover select goods or services and these must be identified in the application. Both the UKIPO and the EUIPO accept broader and less specific terms than, for example, the US Patent and Trademark Office (USPTO) In addition, unlike in the US, in the UK and the EU it is not necessary to show use of the trade mark being applied for to obtain a registration. This means it will often be possible to obtain broader protection for your trade mark in the UK and the EU than in the US.
Not all marks can be registered – in both the UK and the EU trade marks must be distinctive for the goods and services applied for. The mark cannot be descriptive or customary for the goods or services applied for, offensive, misleading, nor look too similar to state symbols (such as flags or hallmarks).
The examiner of the application will provide an examination report, which will set out if any objections have been raised. In contrast to the USPTO, the UKIPO and the EUIPO do not consider prior registrations when examining a trade mark application. Instead, once the application has been published in the trade marks journal there is a two month window in which anyone can oppose the mark. If there are no oppositions or once any oppositions are suitably resolved, the mark will be registered.
Note that the ® symbol can only be used in the UK when a valid registered trade mark is obtained. It would be an offence to use the ® symbol on a trade mark that is not registered. The ™ symbol can be used before an application is filed or while it is pending. Registering your company's name at Companies House or owning the domain name does not give you the right to stop others using your trade mark.
Genuine use
If a registered UKTM or EUTM is not genuinely used (as opposed to token use) within five years of being entered on the trade mark registers or for a subsequent five year period, then the mark is open to a non-use cancellation action.
For UKTMs that use must be in the UK. For EUTMs that use must be in the EU, although use in only one Member State could be sufficient depending on the circumstances. With respect to cloned UKTMs post-Brexit, where the five year use period includes time before 1 January 2021, use in the EU will be considered to be genuine use. Likewise, with respect to EUTMs, use in the UK before the end of the Brexit transition period will qualify as use in the EU.
In order to maintain trade mark protection, renewals must be made every ten years in both the UK and the EU and can be made indefinitely. Given the impact of Brexit, such renewals will now need to be made separately to the UKIPO with respect to UKTMs and to the EUIPO with respect to EUTMs.
Trade marks – unregistered
In the UK, it is possible to rely on unregistered trade mark protection to prevent someone using a similar trade mark on their goods and services (this is known as "passing off"). However, unregistered trade mark protection is not as strong as registered trade mark protection. To make out a claim for passing off, the rightsholder would have to prove that the mark in question was theirs, that they have built up goodwill associated with the mark, and that they have been harmed by someone else's use of the mark. Advice should be sought before trying to rely on unregistered trade marks. Given that unregistered trade marks are often harder to enforce, registration of trade marks is generally advised.
Unregistered trade marks are also protected within the EU but under the local laws of each member state. These vary across the EU, although many member states have unfair competition laws which play a large part in the protection of unregistered trade marks.
Copyright protects original works by protecting against the actual copying of that work. Copyright arises automatically and does not need to be registered in the UK or the EU. Copyright subsists in a number of different forms of expression, for example – art, music, literary works, films, broadcasts, sound recordings, photographs, software, and databases.
Copyright lasts for a set period of time, the duration of which depends on the work in question. For example, for literary, dramatic, musical or artistic works, the length of protection is usually the author's life time plus a further 70 years. But, for broadcasts and sound recordings – where there is no author as such – the right will usually last for 70 years.
International conventions
There are a number of international conventions dealing with copyright. These generally provide that copyright material falling within their scope that is created by nationals or residents of one convention signatory country will automatically be protected in all signatory countries according to the national law of those countries. For example, the US similarly participates in a range of these conventions therefore copyright material falling within their scope will automatically be protected in the UK in accordance with UK law and in the EU in accordance with EU law.
However, to continue this example, there are notable differences between US, and UK and EU copyright law. For example, different approaches are taken to copyright exceptions – the concept of "fair use" is used in the US and the notion of "fair dealing" is used in the UK and EU. Advice should be sought on the difference before seeking to rely on the exception in the UK or EU.
As yet Brexit has had a limited effect on copyright protection in the UK and the EU due to the UK's continued participation in the international copyright treaties. As such, most UK copyright will still be protected in the UK and the EU post-Brexit. Likewise, EU copyright works continue to be protected in the UK.
However, certain cross-border arrangements no longer apply to the UK post-Brexit. For example, cross-border portability of online content services, copyright clearance for satellite broadcasts, and the orphan works exception (where a work in which copyright exists but the copyright owner is unknown or cannot be located) are no longer reciprocated in the UK. Legal advice should be sought if any of these arrangements are relevant to your business.
It is worth noting that in setting its Priorities for 2022-2023, the UKIPO has stated that it wants to begin developing a new copyright strategy to keep pace with societal changes, technology, the environment, culture and the economy given the UK's ability to shape policy more directly since leaving the EU. Divergence between the UK and the EU on copyright law may be on the horizon and this is something that should be borne in mind in longer-term planning exercises.
Designs – registered
Design rights protect the overall appearance of a new product to stop others from copying it. The design must have individual character and therefore give a different overall impression to previous designs. Registered designs protect the visual appearance of a design, including the texture, colour, shape or material. They can protect 2D or 3D designs. A registered design is protected across all sectors and is not limited to the product to which it was originally applied. UK and EU registered designs can last for up to 25 years, provided that renewals are made every five years.
Brexit resulted in a number of changes to registered design rights in the UK and the EU. As at the end of the Brexit transition period on 1 January 2021, registered Community designs (RCDs) are no longer valid in the UK. Existing RCDs were immediately and automatically replaced with UK registered design rights. These re-registered design rights keep their original RCD filing and priority dates, and are fully independent UK registered design rights that can be challenged, assigned, licensed or renewed separately from the original RCD.
If registered design right protection is now needed in the UK and the EU then separate applications will need to be made for an RCD in the EU and a UK registered design right in the UK. Alternatively, an international registration that designates either or both of the UK and the EU could be filed under the Hague Agreement.
Earlier in 2022, and in light of Brexit, the UKIPO held a consultation calling for views on design right protection in the UK. This consultation particularly sought views on whether the system is too complex, whether it is adaptable to new technologies, how the user-experience can be improved, and how the value of design rights can be increased and accessibility to design protection can be broadened. The review of the design law system and the production of potential draft legislation is also set out as a Priority for the UKIPO in 2022-2023. Divergence between UK and EU law on design rights might occur in the future and this should be monitored and assessed in any future planning activities.
Designs – unregistered
Unregistered design rights arise automatically and do not require registration. Brexit has brought about a number of changes to unregistered design rights (UDRs) in the UK and the EU. In the UK, the following forms of UDRs are available: i) UK unregistered design rights (UDRs); ii) UK continuing unregistered design rights (CUDs); and iii) UK supplementary unregistered design rights (SUDs). Whereas in the EU, unregistered Community designs (UCDs) are available.
UK unregistered design rights
In the UK, UDRs automatically protect the shape and configuration of 3D objects for either 10 years after it was first sold or 15 years after it was first created, whichever is earlier. UDRs protect new designs of the whole or part of an object, provided that it is not commonplace in the relevant technical field. However, there are some exceptions to UDR protection, for example, surface decoration or features that connect to or match another object are not entitled to protection. UDRs prevent unauthorised copying and, as such, are not monopoly rights. UDRs are only available to "qualifying persons", that being a resident of, or a corporate body formed and having a place of business at which substantial business activity is carried out, in the UK or a qualifying country.
UK continuing unregistered design rights
Designs that were protected as UCDs before the end of the Brexit transition period are now protected in the UK as CUDs. CUDs continue to be protected for the remainder of the three year term of protection that attached to the underlying UCD. CUDs prevent unauthorised copying and, as such, are not monopoly rights.
UK supplementary unregistered design rights
In the UK, the appearance of a product is also automatically protected for a period of three years from the date the design is made public – this is known as a SUD. SUDs can protect the 2D or 3D appearance of the whole or part of a product, which includes shape, colours, texture, materials, and ornamentation. SUDs prevent unauthorised copying and, as such, are not monopoly rights. Note that the first disclosure of a design in the EU will not establish a SUD – it could, in fact, be novelty-destroying if one seeks to establish UDR protection with respect to that design.
EU unregistered Community designs
In the EU, UCDs protect designs that are novel and possess individual character. The protected design might be the appearance of the whole or part of the product and may arise from the colours, shape, texture, material, ornamentation, lines or contours of the product. UCDs can even protect graphical symbols, for example computer icons or typeface. UCDs are protected for three years from the date on which the design was first made available to the public in the EU. Again, it is a right to prevent unauthorised copying. UCDs come into existence automatically and no registration is required.
Other issues – parallel trade and exhaustion
The European Economic Area (EEA) – which includes the EU and a few other countries but no longer the UK – only treats IP rights as being exhausted when goods are put on the market in the EEA with the consent of the rightsholder. This means that the parallel trade of third party goods into the EEA without the consent of the relevant rightsholder will often infringe IP rights. Rightsholders will typically rely on trade marks to challenge such parallel trade but the principle applies to most IP rights.
At the moment, the UK is continuing to operate a system of EEA-wide exhaustion, so rightsholders can only object to parallel trade from the EEA to the UK in limited circumstances (but can still object to parallel trade into the UK from outside the EEA. In contrast, IP rights in goods placed on the UK market by, or with the consent of, the rightsholder will no longer be considered exhausted in the EEA and rightsholders will often be able to object to parallel trade from the UK to the EEA.
Managing your IP on entering the UK or EU market(s)
It is advisable to carry out regular IP audits to understand your IP position and how it aligns with your overall strategy. Audits can help to identify any areas that could be bolstered by additional IP protection and potential opportunities to commercialise your IP.
Commercialisation and transfer
IP rights are valuable assets. They can be used to attract investment, they can be sold if they are no longer needed, or they can be licensed to provide an active revenue stream. Certain legal formalities are required with respect to some of these activities for some IP rights. Legal advice should be obtained on how best to commercialise and/or transfer of your IP assets, ensuring that you comply with the necessary formalities.
You might also want to enter into joint ventures or collaboration agreements. If so, the IP implications of these agreements should be considered in advance.
Osborne Clarke - Robyn Trigg, Robert Guthrie, Richard May, Arty Rajendra, Clare Robinson, Will James, Tim Harris and Tamara Quinn
Designs and trade secrets
Selling a European company? What you need to know about data privacy due diligence *
France leads on specific regulation for influencers and the EU may follow *
Technology, media and communications annual review 2023 *
2023 Predictions: what's on the horizon for US businesses operating in Europe? *
Products | UK regulatory outlook January 2023 *
How-to guide How-to guide: How to assess competition law risks in an agency agreement (UK) Recently updated
How-to guide How-to guide: How to negotiate and draft governing law and jurisdiction clauses in a commercial agreement (UK) Recently updated
How-to guide How-to guide: How to develop, implement and maintain a US information and data security compliance program (USA) Recently updated


Blogs are helpful. Let me tell you the many reasons why they are helpful.
You can make new friends. Blogger friends. That you may or may not ever actually see in real life. I am lucky enough to have met a handful since I live in Utah (aka. Blogger Capital of the World) but to all my friends that live in a different state, I wish us luck in meeting.
I always have someone to talk to. Either responding to a comment or leaving a comment.
Sometimes you get free stuff. Which is awesome.
My head is a lot more clear because everything I feel cluttered in there goes into a blog post... and then you have to try and decipher it.
You can learn a lot from other blogs. Cooking, crafting, fashion, makeup.... all sorts of things.
Self esteem boost. Whats up 600 followers that I don't even know but somehow you are reading all about my life... you are awesome.
And the final way... which brings me to the importance of my post... a blog can help you realize when your hormones need to be checked.
That is right people. Even Gentri Lee thinks I am funny. Now these are the comments I get.
In case you didn't get it... that means nothing. Zero. Nada. The big goose egg. I get hardly any comments anymore. And I think it is because I haven't been writing funny things... that is what brought you all in the first time. And I don't write funny things because I am emotional. And why am I emotional? Well. Web MD told me I might need my hormones checked. So what did I do? I got my hormones checked. And my blog was right. My hormones were off balance. So here is to a few pills and hoping that I can get back to the women I once was. A huge shout out to all my followers and blogger friends and of course my blog. Because without all of you... I might not have known to get my hormones checked. Even though I probably would have because this weight gain thing (my insulin levels were off the chart) is CA-RAZY! And I am not liking having gained 20 pounds in the last 8 months.
Well heres a comment! thanks for writing. You may not think you're funny but either way I love reading your posts! I started reading about two weeks ago and I love your blog.
I don't know what you're talking about! I thought your ponytail post was pretty funny!
Love this post! I think you are awesome and I didnt even know you when your hormones were "normal" so take that! You rock!
WHATEVER DEIDRE! (said with my fingers in the shape of a "W") I LOVE this blog! It's one of my favs! It's actually my fault... I am a bad commenter. If I have things to do, rather than coming back later and reading AND commenting, I just impatiently read. And don't comment. Rude, huh?
Anyway, I promise to do better. Not because I feel sorry for you. But because I LOVE getting comments. They are truly mood boosters and that whole "Do unto others..." saying comes to mind. PLUS.. I am only 2.5 hours away from you, so we're practically neighbors! ;) Hope you get to feeling better!!
i think you are still as awesome as ever! but seriously, hormone problems can be the worst. i have been trying to balance my hormones for like... four years. ever since my senior year of high schoo1! it can lead to all sorts of other problems so its way good you caught it. good luck!
Sounds like PCOS. Glad you're back on track!
I LOVE your blog! I've only been following for about two weeks but you always make me laugh and put a smile on my face. The best part of your blog is that you are real and i love it! I totally agree with you too. That's why I started blogging cause i wanted to make friends. I live in Utah too! Hopefully we can meet someday!
Ohh girl I heart you! Can't wait to meet you someday...hopefully soon!


Egyptian national team players during an earlier match in the African Cup of Nations.
Egypt has scored the 19th position in the FIFA monthly rankings for April climbing one place from the rankings of March.
Egypt made it to the top 20 for the first time, since January 2011, in the FIFA monthly rankings for March.
Egypt's ranking jumped after its participation in the African Cup of Nations (AFCON). It secured the second place in the championship after the defeat of national team from Cameroon in the final match.
Egypt ranks first in the African continent, followed by Senegal then Cameroon, they both rank 30 and 33 respectively. Egypt is also leading the Arab countries, followed by Tunisia that ranked 42 globally.
In June 2014, Egypt made it close to the top 20 as it ranked 24 but never quite made it as its ranks kept on deteriorating.
Egyptian National Team is set to play against Tunisia in June for the 2019 Nations Cup qualifier. Group J that includes the two teams also includes Niger and Swaziland.


Courage Feather - American Cancer Society - Orders of 50+ Only!
This Courage Feather Shirt is a symbol of Hope, feathers are a symbol of HOPE of things to come. They represent truth, speed, lightness, and flight. This shirt is crazy-soft, and super comfortable. Keep in mind, this shirt is Unisex in size, please check out the size chart for details!
*Minimum order for this item is in quantities of 50 + to get the price listed. It is fine to mix colors, sleeve length, and sizes as long as it's all the same (Courage Feather) design. Let us know if you have less than 50 and we can try to add your order to another teams. This listing was created in support of the American Cancer Society.


Around the world, call centres are seen as modern day sweatshops. Extreme surveillance, timing of personal breaks down to the second, and relentless management pressures are commonplace. With a workforce that is often young and casualised, call centres are seen as a very tough environment in which to build union strength.
Despite these odds, workers in some call centres have managed to build impressive worker organisation.
Megan Guy, Liz Lim, and Yasemine Shamsili are delegates with the National Union of Workers in a Melbourne call centre. They'll present an overview of the sector and it's challenges around the world, as well as some of the impressive organising work they've been part of.
We'll be joined via skype by call centre militants from the Partido Manggagawa, who have led a series of struggles in the booming call centre sector in the Philippines.


The good: mostly the second adventure, "Chicago Workings". Faintly reminiscent of [b:Our Lady Of Darkness|102267|Our Lady Of Darkness|Fritz Leiber|http://d.gr-assets.com/books/1209743011s/102267.jpg|288561], this one contains enough of an outline in sacred geometry to fake it for the story (you don't need much), interesting ideas, and suitably creepy bad guys. The antagonist feels a little blankly indifferent to the PCs, but that can work.
"The Harvesters" was alright, solid construction and antagonists, but I felt it was a bit facile at times. Would have loved a little more character development on some of the bad guys, and the ghost.
Finally, the editing was painful. It's less jarring in instructions than in a fictional narrative, which is what you can consider most of the book, but it's still really annoying; in the end, this was what had me drop the book from three stars to two.


A church faces the 'very real possibility of closure' according to parochial council leaders.
St James Church Kirk has invited all parishioners past and present to an open meeting to put forward views and ideas to secure its future.
The parochial church council (PCC) said St James Church has 'stood at the centre of the Churck Kirk community for many years' and in recent times has faced 'a number of significant challenges'.
In an open letter, they said: "We now find ourselves having to reflect carefully on the future of this historic parish.
"Falling attendance and an ageing congregation means the very real possibility of closure now exists.
Mark Barnes, a representative of the PCC, said the meeting at 1pm on Sunday, April 19, will be to 'gauge the feeling' of people in Church Kirk.
He said: "Attendances are falling generally and it's a national trend. People do use the church for weddings and funerals and Christenings but not necessarily every week.
"The meeting is an attempt to gauge the feeling of the local population about St James Church Kirk and if they want to see the church remain open for future generations.
"Like any organisation, not just the church, if they don't go they think things run themselves and there is always someone else who will do it.
The Observer reported earlier this year how Rev Neville Ashton retired after more than 30 years.
He joined the church in May 1984 a the rector and also served as the chairman of governors at St Nicholas CE primary school in Church for nearly 30 years until last year.
Mark, 47, who has been a parishioner all his life, said: "The church has an uncertain future. We don't know what's happening with regard to the future of the church in general.
Send your views to the Accrington Observer letters page or visit our facebook page.


On Thursday, July 27, Charlayne Murrell-Smith, Vice President of External Relations & Corporate Development at the Boston Children's Museum invite Save the Harbor's youth staff to the museum for a conversation as part of our Youth Jobs and Leadership Development Initiative. Charlayne was the second in our Save the Harbor Leaders Speakers Series - throughout the summer, leaders who have built successful careers in business, science, transportation, government, construction, and other sectors in and around Boston join our youth staff to share their experience and introduce us to a variety of career options across many industries.
Though currently a leader at a major non-profit organization, Charlayne emphasized that her career path had been anything but linear. Beginning as a public school guidance counselor, she also worked in radio, public affairs consulting, and for the Greater Boston Chamber of Commerce. Though it may sound unusual, this story echoed that of our first speaker, Captain Claudia Gelzer, who began her career as a reporter before becoming a leader in the Coast Guard.
Charlayne talked to the youth in our program about the nature of her work fundraising from the corporate sector to support the Children's Museum's work. Much like her work in public and community affairs in the past, most of this work comes down to building relationships. Though it may seem straightforward, some of her efforts take years to yield results, and you never know where you will find the newest person in your network. And though anyone can learn to do what she does, it helps if you are naturally inclined to want to meet new people, start conversations and enjoy networking.
But Charlayne also spoke about the wide array of opportunity available not only at the Children's Museum, but in any company or industry you might find yourself in. "Almost any job you can name, we have at the Children's Museum", she said. "We build our own exhibits at an offsite design and production facility. These are carpenters and designers who can interpret a concept and build it to hold up to thousands of kids playing with it." They also have a NASA engineer who felt it was more important to teach the next generation.
"What's the most rewarding and difficult parts of your job?", asked one of the youth Junior Program Assistants. "I can see a direct relationship between the work I do and the impact of the results". It may take years in some cases, but from the park construction next door, to seeing thousands of people a day in the museum, she knows she is making a difference.
Thanks so much to Charlayne Murrell-Smith for joining us at the end of a busy and stormy day. Our staff was very inspired by her path, as well as the fact that BCM is a place that is always looking for new and enthusiastic staff. As one of our oldest site partners - Save the Harbor programs daily at the Children's Museum's pier - it was great to spend time learning about the other side of the Children's Museum's operations.
Thanks to our Youth Environmental Education Program funding partners for making this speaker series possible as part of our Youth Jobs and Leadership Development Initiative.