text:
Circus Charlie (サーカスチャーリー) est un jeu vidéo d'action développé et édité par Konami, sorti en 1984 sur borne d'arcade, Commodore 64, MSX, ColecoVision, NES et SG-1000.

Système de jeu

Accueil
AllGame : 3/5 (arcade)

Notes et références

Jeu vidéo sorti en 1984
Jeu vidéo d'arcade
Jeu Commodore 64
Jeu MSX
Jeu ColecoVision
Jeu NES
Jeu SG-1000
Jeu d'action
Jeu vidéo développé au Japon
Jeu Konami
Jeu sur la console virtuelle de la Wii U


text:
Marion Electricity Rates
Commercial Electricity in Marion
^ The average commercial electricity rate in Marion, SD is 8.08¢/kWh.[1]
Residential Electricity in Marion
^ The average residential electricity rate in Marion, SD is 10.38¢/kWh.[1]
Industrial Electricity in Marion
^ The average industrial electricity rate in Marion, SD is 6.64¢/kWh.[1]
Marion, SD Electricity Statistics
Commercial electricity rates in Marion
The average commercial electricity rate in Marion is 8.08¢/kWh.[1]
This average (commercial) electricity rate in Marion is 0.25% less than the South Dakota average rate of 8.1¢/kWh.[2]
The average (commercial) electricity rate in Marion is 19.92% less than the national average rate of 10.09¢/kWh. Commercial rates in the U.S. range from 6.86¢/kWh to 34.88¢/kWh.[2]
Residential electricity rates in Marion
The average residential electricity rate in Marion is 10.38¢/kWh.[1]
This average (residential) electricity rate in Marion is 3.08% greater than the South Dakota average rate of 10.07¢/kWh.[2]
The average (residential) electricity rate in Marion is 12.63% less than the national average rate of 11.88¢/kWh. Residential rates in the U.S. range from 8.37¢/kWh to 37.34¢/kWh.[2]
Industrial electricity rates in Marion
The average industrial electricity rate in Marion is 6.64¢/kWh.[1]
This average (industrial) electricity rate in Marion is 1.07% greater than the South Dakota average rate of 6.57¢/kWh.[2]
The average (industrial) electricity rate in Marion is 0.45% less than the national average rate of 6.67¢/kWh. Industrial rates in the U.S. range from 4.13¢/kWh to 30.82¢/kWh.[2]
South Dakota Electricity Rates & Consumption
Commercial electricity in South Dakota
Commercial electricity rates in SD [3]
The average commercial electricity rate in South Dakota is 8.1¢/kWh, which ranks 41st in the nation and is 19.72% less than the national average rate of 10.09¢/kWh.[3]
Commercial electricity consumption in SD [3]
Commercial electricity consumption in South Dakota averages 5,513 kWh/month, which ranks 31st in the nation and is 11.62% less than the national average of 6,238 kWh/month.
Commercial electricity bills in SD [3]
The average monthly commercial electricity bill in South Dakota is $446, which ranks 43rd in the nation and is 29.09% less than the national average of $629.
Learn more about commercial electricity in South Dakota
Residential electricity in South Dakota
Residential electricity rates in South Dakota [3]
The average residential electricity rate in South Dakota is 10.07¢/kWh, which ranks 39th in the nation and is 15.24% less than the national average rate of 11.88¢/kWh.
Residential electricity consumption in SD [3]
Residential electricity consumption in South Dakota averages 980 kWh/month, which ranks 23rd in the nation and is 8.53% greater than the national average of 903 kWh/month.
Residential electricity bills in SD [3]
The average monthly residential electricity bill in South Dakota is $99, which ranks 32nd in the nation and is 7.48% less than the national average of $107 per month.
Learn more about residential electricity in South Dakota
Industrial electricity in South Dakota
Industrial electricity rates in South Dakota [3]
The average industrial electricity rate in South Dakota is 6.57¢/kWh, which ranks 23rd in the nation and is 1.5% less than the national average rate of 6.67¢/kWh.
Industrial electricity consumption in SD [3]
Industrial electricity consumption in South Dakota averages 78,516 kWh/month, which ranks 36th in the nation and is 30% less than the national average of 112,158 kWh/month.
Industrial electricity bills in SD [3]
The average monthly industrial electricity bill in South Dakota is $5,159, which ranks 37th in the nation and is 31.06% less than the national average of $7,483.
Learn more about industrial electricity in South Dakota
Household Income in Marion, SD
Marion, SD Income Breakdown [4]
Income Summary for Marion, SD
Electric bills: The average residential electricity bill in South Dakota is about $99/month, ranking 32nd in the U.S. and 7.48% less than the national average of $107.[5]
Income: Marion vs. Nation [4]
Additional information about Marion
About Marion
Marion is a city located in Turner County in the state of South Dakota, and has a population of approximately 784.[6]
More about Marion utilities
For more information about Marion electricity, or for additional resources regarding electricity & utilities in your state, visit the Energy Information Administration.
The world's largest source for producing electricity is coal. Coal generates nearly half of the electricity in the U.S.
Additional Cities in SD
Local Electricity Rates in Marion, SD

redpajama_set_name: RedPajamaCommonCrawl


text:
This is the stripper who could take down Louisville's basketball program
By Ben Bornstein | October 21, 2015
This is the woman who could bring down the Louisville basketball program.
Katina Powell --- a former stripper who worked for an escort service --- alleges she was paid a total of $10,000 by former graduate assistant coach Andre McGee to arrange parties for recruits and players between 2010 and 2014. Powell told Outside the Lines in an extensive interview that McGee also supplied cash for "side deals," which included sex with some recruits, guardians who accompanied them on visits and some Louisville players. One former recruit and several former players have confirmed the allegations. Her daughters --- Lindsay and Rod Ni Powell --- claim they had sex with players at their mother's request.
Head Coach Rick Pitino says he's in the dark. "I don't know if any of this is true or not," Pitino told ESPN's Dana O'Neil and Yahoo! Sports in a conference call Tuesday. "There's only one person who knows the truth (Andre McGee), and he needs to come out and tell the truth to his teammates, to the University of Louisville, to his fans and to his coaches that have taught him to do the right thing for years and allowed him to be part of something special here."
In the meantime, Powell's daughter --- Rod Nii Powell --- is having a good time on Facebook, in essence, taunting those who don't believe the allegations.
Like her mother, Rod Ni isn't opposed to putting risque photos on Facebook.


Hello! We talk about Destiny a lot in this one, as well as other games too I guess.
Also we are joined by Laura Rich, please listen to find out what happens when she eats crisps. It's magnificent.
We're recording again TOMORROW NIGHT I think, so get your Scram Kitty competition entries in before then or you've fucked it.


Extra Lean Diced Beef is selected from lean cuts of our grass fed Welsh Beef. Hand diced and all excess fat trimmed to 95% visual lean. Traditionally matured for extra flavour this dice can be used for slightly quicker cooking methods such as curries, however traditional braising methods can also be used. Perfect for anyone adhering to a low fat healthy eating lifestyle.


text:
use std::any::Any;
use std::error::Error as StdError;
use std::fmt;

use error::{FastResult, Info as PrimitiveInfo, StreamError, Tracked};
use stream::{
    FullRangeStream, Positioned, RangeStream, RangeStreamOnce, Resetable, StreamErrorFor,
    StreamOnce,
};

/// Enum holding error information. Variants are defined for `Stream::Item` and `Stream::Range` as
/// well as string variants holding easy descriptions.
///
/// As there is implementations of `From` for `String` and `&'static str` the
/// constructor need not be used directly as calling `msg.into()` should turn a message into the
/// correct `Info` variant.
#[derive(Clone, Debug)]
pub enum Info<T, R> {
    Token(T),
    Range(R),
    Owned(String),
    Borrowed(&'static str),
}

impl<T, R> From<PrimitiveInfo<T, R>> for Info<T, R> {
    fn from(info: PrimitiveInfo<T, R>) -> Self {
        match info {
            PrimitiveInfo::Token(b) => Info::Token(b),
            PrimitiveInfo::Range(b) => Info::Range(b),
            PrimitiveInfo::Borrowed(b) => Info::Borrowed(b),
        }
    }
}

impl<T, R> Info<T, R> {
    pub fn map_token<F, U>(self, f: F) -> Info<U, R>
    where
        F: FnOnce(T) -> U,
    {
        use self::Info::*;
        match self {
            Token(t) => Token(f(t)),
            Range(r) => Range(r),
            Owned(s) => Owned(s),
            Borrowed(x) => Borrowed(x),
        }
    }

    pub fn map_range<F, S>(self, f: F) -> Info<T, S>
    where
        F: FnOnce(R) -> S,
    {
        use self::Info::*;
        match self {
            Token(t) => Token(t),
            Range(r) => Range(f(r)),
            Owned(s) => Owned(s),
            Borrowed(x) => Borrowed(x),
        }
    }
}

impl<T: PartialEq, R: PartialEq> PartialEq for Info<T, R> {
    fn eq(&self, other: &Info<T, R>) -> bool {
        match (self, other) {
            (&Info::Token(ref l), &Info::Token(ref r)) => l == r,
            (&Info::Range(ref l), &Info::Range(ref r)) => l == r,
            (&Info::Owned(ref l), &Info::Owned(ref r)) => l == r,
            (&Info::Borrowed(l), &Info::Owned(ref r)) => l == r,
            (&Info::Owned(ref l), &Info::Borrowed(r)) => l == r,
            (&Info::Borrowed(l), &Info::Borrowed(r)) => l == r,
            _ => false,
        }
    }
}
impl<T: fmt::Display, R: fmt::Display> fmt::Display for Info<T, R> {
    fn fmt(&self, f: &mut fmt::Formatter) -> fmt::Result {
        match *self {
            Info::Token(ref c) => write!(f, "{}", c),
            Info::Range(ref c) => write!(f, "{}", c),
            Info::Owned(ref s) => write!(f, "{}", s),
            Info::Borrowed(s) => write!(f, "{}", s),
        }
    }
}

impl<R> From<char> for Info<char, R> {
    fn from(s: char) -> Info<char, R> {
        Info::Token(s)
    }
}
impl<T, R> From<String> for Info<T, R> {
    fn from(s: String) -> Info<T, R> {
        Info::Owned(s)
    }
}

impl<T, R> From<&'static str> for Info<T, R> {
    fn from(s: &'static str) -> Info<T, R> {
        Info::Borrowed(s)
    }
}

impl<R> From<u8> for Info<u8, R> {
    fn from(s: u8) -> Info<u8, R> {
        Info::Token(s)
    }
}

/// Enum used to store information about an error that has occurred during parsing.
#[derive(Debug)]
pub enum Error<T, R> {
    /// Error indicating an unexpected token has been encountered in the stream
    Unexpected(Info<T, R>),
    /// Error indicating that the parser expected something else
    Expected(Info<T, R>),
    /// Generic message
    Message(Info<T, R>),
    /// Variant for containing other types of errors
    Other(Box<StdError + Send + Sync>),
}

impl<Item, Range> StreamError<Item, Range> for Error<Item, Range>
where
    Item: PartialEq,
    Range: PartialEq,
{
    #[inline]
    fn unexpected_token(token: Item) -> Self {
        Error::Unexpected(Info::Token(token))
    }
    #[inline]
    fn unexpected_range(token: Range) -> Self {
        Error::Unexpected(Info::Range(token))
    }
    #[inline]
    fn unexpected_message<T>(msg: T) -> Self
    where
        T: fmt::Display,
    {
        Error::Unexpected(Info::Owned(msg.to_string()))
    }
    #[inline]
    fn unexpected_static_message(msg: &'static str) -> Self {
        Error::Unexpected(Info::Borrowed(msg))
    }

    #[inline]
    fn expected_token(token: Item) -> Self {
        Error::Expected(Info::Token(token))
    }
    #[inline]
    fn expected_range(token: Range) -> Self {
        Error::Expected(Info::Range(token))
    }
    #[inline]
    fn expected_message<T>(msg: T) -> Self
    where
        T: fmt::Display,
    {
        Error::Expected(Info::Owned(msg.to_string()))
    }
    #[inline]
    fn expected_static_message(msg: &'static str) -> Self {
        Error::Expected(Info::Borrowed(msg))
    }

    #[inline]
    fn message_message<T>(msg: T) -> Self
    where
        T: fmt::Display,
    {
        Error::Message(Info::Owned(msg.to_string()))
    }
    #[inline]
    fn message_static_message(msg: &'static str) -> Self {
        Error::Message(Info::Borrowed(msg))
    }
    #[inline]
    fn message_token(token: Item) -> Self {
        Error::Message(Info::Token(token))
    }
    #[inline]
    fn message_range(token: Range) -> Self {
        Error::Message(Info::Range(token))
    }

    #[inline]
    fn other<E>(err: E) -> Self
    where
        E: StdError + Send + Sync + 'static,
    {
        err.into()
    }

    #[inline]
    fn into_other<T>(self) -> T
    where
        T: StreamError<Item, Range>,
    {
        match self {
            Error::Unexpected(info) => match info {
                Info::Token(x) => T::unexpected_token(x),
                Info::Range(x) => T::unexpected_range(x),
                Info::Borrowed(x) => T::unexpected_static_message(x),
                Info::Owned(x) => T::unexpected_message(x),
            },
            Error::Expected(info) => match info {
                Info::Token(x) => T::expected_token(x),
                Info::Range(x) => T::expected_range(x),
                Info::Borrowed(x) => T::expected_static_message(x),
                Info::Owned(x) => T::expected_message(x),
            },
            Error::Message(info) => match info {
                Info::Token(x) => T::expected_token(x),
                Info::Range(x) => T::expected_range(x),
                Info::Borrowed(x) => T::expected_static_message(x),
                Info::Owned(x) => T::expected_message(x),
            },
            Error::Other(err) => T::message_message(err),
        }
    }
}

impl<Item, Range, Position> ::error::ParseError<Item, Range, Position> for Error<Item, Range>
where
    Item: PartialEq,
    Range: PartialEq,
    Position: Default,
{
    type StreamError = Self;
    #[inline]
    fn empty(_: Position) -> Self {
        Self::message_static_message("")
    }
    #[inline]
    fn from_error(_: Position, err: Self::StreamError) -> Self {
        err
    }

    #[inline]
    fn set_position(&mut self, _position: Position) {}

    #[inline]
    fn add(&mut self, err: Self::StreamError) {
        *self = err;
    }

    #[inline]
    fn set_expected<F>(self_: &mut Tracked<Self>, info: Self::StreamError, f: F)
    where
        F: FnOnce(&mut Tracked<Self>),
    {
        f(self_);
        self_.error = info;
    }

    fn is_unexpected_end_of_input(&self) -> bool {
        *self == Self::end_of_input()
    }

    #[inline]
    fn into_other<T>(self) -> T
    where
        T: ::error::ParseError<Item, Range, Position>,
    {
        T::from_error(Position::default(), StreamError::into_other(self))
    }
}

impl<Item, Range, Position> ::error::ParseError<Item, Range, Position>
    for Errors<Item, Range, Position>
where
    Item: PartialEq,
    Range: PartialEq,
    Position: Ord,
{
    type StreamError = Error<Item, Range>;
    #[inline]
    fn empty(pos: Position) -> Self {
        Errors::empty(pos)
    }
    #[inline]
    fn from_error(position: Position, err: Self::StreamError) -> Self {
        Self::new(position, Error::from(err))
    }

    #[inline]
    fn set_position(&mut self, position: Position) {
        self.position = position;
    }

    #[inline]
    fn merge(self, other: Self) -> Self {
        Errors::merge(self, other)
    }

    #[inline]
    fn add(&mut self, err: Self::StreamError) {
        self.add_error(err);
    }

    #[inline]
    fn set_expected<F>(self_: &mut Tracked<Self>, info: Self::StreamError, f: F)
    where
        F: FnOnce(&mut Tracked<Self>),
    {
        let start = self_.error.errors.len();
        f(self_);
        // Replace all expected errors that were added from the previous add_error
        // with this expected error
        let mut i = 0;
        self_.error.errors.retain(|e| {
            if i < start {
                i += 1;
                true
            } else {
                match *e {
                    Error::Expected(_) => false,
                    _ => true,
                }
            }
        });
        self_.error.add(info);
    }

    fn is_unexpected_end_of_input(&self) -> bool {
        self.errors.iter().any(|err| *err == Error::end_of_input())
    }

    #[inline]
    fn into_other<T>(mut self) -> T
    where
        T: ::error::ParseError<Item, Range, Position>,
    {
        match self.errors.pop() {
            Some(err) => T::from_error(self.position, StreamError::into_other(err)),
            None => T::empty(self.position),
        }
    }
}

impl<T, R> Error<T, R> {
    pub fn map_token<F, U>(self, f: F) -> Error<U, R>
    where
        F: FnOnce(T) -> U,
    {
        use self::Error::*;
        match self {
            Unexpected(x) => Unexpected(x.map_token(f)),
            Expected(x) => Expected(x.map_token(f)),
            Message(x) => Message(x.map_token(f)),
            Other(x) => Other(x),
        }
    }

    pub fn map_range<F, S>(self, f: F) -> Error<T, S>
    where
        F: FnOnce(R) -> S,
    {
        use self::Error::*;
        match self {
            Unexpected(x) => Unexpected(x.map_range(f)),
            Expected(x) => Expected(x.map_range(f)),
            Message(x) => Message(x.map_range(f)),
            Other(x) => Other(x),
        }
    }
}

impl<T: PartialEq, R: PartialEq> PartialEq for Error<T, R> {
    fn eq(&self, other: &Error<T, R>) -> bool {
        match (self, other) {
            (&Error::Unexpected(ref l), &Error::Unexpected(ref r))
            | (&Error::Expected(ref l), &Error::Expected(ref r))
            | (&Error::Message(ref l), &Error::Message(ref r)) => l == r,
            _ => false,
        }
    }
}

impl<T, R, E> From<E> for Error<T, R>
where
    E: StdError + 'static + Send + Sync,
{
    fn from(e: E) -> Error<T, R> {
        Error::Other(Box::new(e))
    }
}

impl<T, R> Error<T, R> {
    /// Returns the `end_of_input` error.
    pub fn end_of_input() -> Error<T, R> {
        Error::Unexpected("end of input".into())
    }

    /// Formats a slice of errors in a human readable way.
    ///
    /// ```rust
    /// # extern crate combine;
    /// # use combine::*;
    /// # use combine::parser::char::*;
    /// # use combine::stream::state::{State, SourcePosition};
    ///
    /// # fn main() {
    /// let input = r"
    ///   ,123
    /// ";
    /// let result = spaces().with(char('.').or(char('a')).or(digit()))
    ///     .easy_parse(State::new(input));
    /// let m = format!("{}", result.unwrap_err());
    /// let expected = r"Parse error at line: 2, column: 3
    /// Unexpected `,`
    /// Expected `.`, `a` or `digit`
    /// ";
    /// assert_eq!(m, expected);
    /// # }
    /// ```
    pub fn fmt_errors(errors: &[Error<T, R>], f: &mut fmt::Formatter) -> fmt::Result
    where
        T: fmt::Display,
        R: fmt::Display,
    {
        // First print the token that we did not expect
        // There should really just be one unexpected message at this point though we print them
        // all to be safe
        let unexpected = errors.iter().filter(|e| match **e {
            Error::Unexpected(_) => true,
            _ => false,
        });
        for error in unexpected {
            try!(writeln!(f, "{}", error));
        }

        // Then we print out all the things that were expected in a comma separated list
        // 'Expected 'a', 'expression' or 'let'
        let iter = || {
            errors.iter().filter_map(|e| match *e {
                Error::Expected(ref err) => Some(err),
                _ => None,
            })
        };
        let expected_count = iter().count();
        for (i, message) in iter().enumerate() {
            let s = match i {
                0 => "Expected",
                _ if i < expected_count - 1 => ",",
                // Last expected message to be written
                _ => " or",
            };
            try!(write!(f, "{} `{}`", s, message));
        }
        if expected_count != 0 {
            try!(writeln!(f, ""));
        }
        // If there are any generic messages we print them out last
        let messages = errors.iter().filter(|e| match **e {
            Error::Message(_) | Error::Other(_) => true,
            _ => false,
        });
        for error in messages {
            try!(writeln!(f, "{}", error));
        }
        Ok(())
    }
}

/// Convenience alias over `Errors` for `StreamOnce` types which makes it possible to specify the
/// `Errors` type from a `StreamOnce` by writing `ParseError<I>` instead of `Errors<I::Item,
/// I::Range, I::Position>`
pub type ParseError<S> =
    Errors<<S as StreamOnce>::Item, <S as StreamOnce>::Range, <S as StreamOnce>::Position>;

/// Struct which hold information about an error that occurred at a specific position.
/// Can hold multiple instances of `Error` if more that one error occurred in the same position.
#[derive(Debug, PartialEq)]
pub struct Errors<I, R, P> {
    /// The position where the error occurred
    pub position: P,
    /// A vector containing specific information on what errors occurred at `position`. Usually
    /// a fully formed message contains one `Unexpected` error and one or more `Expected` errors.
    /// `Message` and `Other` may also appear (`combine` never generates these errors on its own)
    /// and may warrant custom handling.
    pub errors: Vec<Error<I, R>>,
}

impl<I, R, P> Errors<I, R, P> {
    /// Constructs a new `ParseError` which occurred at `position`.
    #[inline]
    pub fn new(position: P, error: Error<I, R>) -> Errors<I, R, P> {
        Self::from_errors(position, vec![error])
    }

    /// Constructs an error with no other information than the position it occurred at.
    #[inline]
    pub fn empty(position: P) -> Errors<I, R, P> {
        Self::from_errors(position, vec![])
    }

    /// Constructs a `ParseError` with multiple causes.
    #[inline]
    pub fn from_errors(position: P, errors: Vec<Error<I, R>>) -> Errors<I, R, P> {
        Errors {
            position: position,
            errors: errors,
        }
    }

    /// Constructs an end of input error. Should be returned by parsers which encounter end of
    /// input unexpectedly.
    #[inline]
    pub fn end_of_input(position: P) -> Errors<I, R, P> {
        Self::new(position, Error::end_of_input())
    }

    /// Adds an error if `error` does not exist in this `ParseError` already (as determined byte
    /// `PartialEq`).
    pub fn add_error(&mut self, error: Error<I, R>)
    where
        I: PartialEq,
        R: PartialEq,
    {
        // Don't add duplicate errors
        if self.errors.iter().all(|err| *err != error) {
            self.errors.push(error);
        }
    }

    /// Removes all `Expected` errors in `self` and adds `info` instead.
    pub fn set_expected(&mut self, info: Info<I, R>) {
        // Remove all other expected messages
        self.errors.retain(|e| match *e {
            Error::Expected(_) => false,
            _ => true,
        });
        self.errors.push(Error::Expected(info));
    }

    /// Merges two `ParseError`s. If they exist at the same position the errors of `other` are
    /// added to `self` (using `add_error` to skip duplicates). If they are not at the same
    /// position the error furthest ahead are returned, ignoring the other `ParseError`.
    pub fn merge(mut self, mut other: Errors<I, R, P>) -> Errors<I, R, P>
    where
        P: Ord,
        I: PartialEq,
        R: PartialEq,
    {
        use std::cmp::Ordering;
        // Only keep the errors which occurred after consuming the most amount of data
        match self.position.cmp(&other.position) {
            Ordering::Less => other,
            Ordering::Greater => self,
            Ordering::Equal => {
                for message in other.errors.drain(..) {
                    self.add_error(message);
                }
                self
            }
        }
    }

    /// Maps the position to a new value
    pub fn map_position<F, Q>(self, f: F) -> Errors<I, R, Q>
    where
        F: FnOnce(P) -> Q,
    {
        Errors::from_errors(f(self.position), self.errors)
    }

    /// Maps all token variants to a new value
    pub fn map_token<F, U>(self, mut f: F) -> Errors<U, R, P>
    where
        F: FnMut(I) -> U,
    {
        Errors::from_errors(
            self.position,
            self.errors
                .into_iter()
                .map(|error| error.map_token(&mut f))
                .collect(),
        )
    }

    /// Maps all range variants to a new value.
    ///
    /// ```
    /// use combine::Parser;
    /// use combine::parser::range::range;
    /// println!(
    ///     "{}",
    ///     range(&"HTTP"[..])
    ///         .easy_parse("HTT")
    ///         .unwrap_err()
    ///         .map_range(|bytes| format!("{:?}", bytes))
    /// );
    /// ```
    pub fn map_range<F, S>(self, mut f: F) -> Errors<I, S, P>
    where
        F: FnMut(R) -> S,
    {
        Errors::from_errors(
            self.position,
            self.errors
                .into_iter()
                .map(|error| error.map_range(&mut f))
                .collect(),
        )
    }
}

impl<I, R, P> StdError for Errors<I, R, P>
where
    P: fmt::Display + fmt::Debug + Any,
    I: fmt::Display + fmt::Debug + Any,
    R: fmt::Display + fmt::Debug + Any,
{
    fn description(&self) -> &str {
        "parse error"
    }
}

impl<I, R, P> fmt::Display for Errors<I, R, P>
where
    P: fmt::Display,
    I: fmt::Display,
    R: fmt::Display,
{
    fn fmt(&self, f: &mut fmt::Formatter) -> fmt::Result {
        try!(writeln!(f, "Parse error at {}", self.position));
        Error::fmt_errors(&self.errors, f)
    }
}

impl<T: fmt::Display, R: fmt::Display> fmt::Display for Error<T, R> {
    fn fmt(&self, f: &mut fmt::Formatter) -> fmt::Result {
        match *self {
            Error::Unexpected(ref c) => write!(f, "Unexpected `{}`", c),
            Error::Expected(ref s) => write!(f, "Expected `{}`", s),
            Error::Message(ref msg) => msg.fmt(f),
            Error::Other(ref err) => err.fmt(f),
        }
    }
}

#[derive(Copy, Clone, Debug)]
pub struct Stream<S>(pub S);

impl<S> Resetable for Stream<S>
where
    S: Resetable,
{
    type Checkpoint = S::Checkpoint;

    fn checkpoint(&self) -> Self::Checkpoint {
        self.0.checkpoint()
    }
    fn reset(&mut self, checkpoint: Self::Checkpoint) {
        self.0.reset(checkpoint);
    }
}

impl<S> StreamOnce for Stream<S>
where
    S: StreamOnce + Positioned,
{
    type Item = S::Item;
    type Range = S::Range;
    type Position = S::Position;
    type Error = ParseError<S>;

    #[inline]
    fn uncons(&mut self) -> Result<Self::Item, StreamErrorFor<Self>> {
        self.0.uncons().map_err(StreamError::into_other)
    }

    fn is_partial(&self) -> bool {
        self.0.is_partial()
    }
}

impl<S> RangeStreamOnce for Stream<S>
where
    S: RangeStream,
{
    #[inline]
    fn uncons_range(&mut self, size: usize) -> Result<Self::Range, StreamErrorFor<Self>> {
        self.0.uncons_range(size).map_err(StreamError::into_other)
    }

    #[inline]
    fn uncons_while<F>(&mut self, f: F) -> Result<Self::Range, StreamErrorFor<Self>>
    where
        F: FnMut(Self::Item) -> bool,
    {
        self.0.uncons_while(f).map_err(StreamError::into_other)
    }

    #[inline]
    fn uncons_while1<F>(&mut self, f: F) -> FastResult<Self::Range, StreamErrorFor<Self>>
    where
        F: FnMut(Self::Item) -> bool,
    {
        self.0.uncons_while1(f).map_err(StreamError::into_other)
    }

    #[inline]
    fn distance(&self, end: &Self::Checkpoint) -> usize {
        self.0.distance(end)
    }
}

impl<S> Positioned for Stream<S>
where
    S: StreamOnce + Positioned,
{
    fn position(&self) -> S::Position {
        self.0.position()
    }
}

impl<S> FullRangeStream for Stream<S>
where
    S: FullRangeStream,
{
    fn range(&self) -> Self::Range {
        self.0.range()
    }
}

redpajama_set_name: RedPajamaGithub


text:
Home » Global » U.S. accepts Haiti's Oct. 9 vote but withholds funds
U.S. accepts Haiti's Oct. 9 vote but withholds funds
By G. Dunkel posted on September 16, 2016
Haiti's former President Jean-Bertrand Aristide waves to supporters as he campaigns with presidential candidate Maryse Narcisse of the Fanmi Lavalas political party, in Petion-Ville, Haiti, Monday, Aug. 29, 2016.
The de facto regime of Haitian President Jocelerme Privert has set Oct. 9 for the first round of presidential elections and January 2017 for a second round, if necessary.
Washington's power over elections in Haiti was made manifest five years ago when then Secretary of State Hillary Clinton went to Haiti and ordered election officials to put Michel Martelly on the ballot for a second round of voting.
The U.S. government invested $33 million in the 2015 Haitian elections and disapproved the decision of election officials to cancel a runoff that had been set for January 2016. But the fraud in the 2015 elections had been so evident and mass anger and protest was so great that the election officials had little choice but to cancel.
Washington withdrew its electoral funding on July 7. Kenneth Merten, the Department of State's special coordinator for Haiti, said: "I am confident that Haitians can organize good elections. If the elections are good, the U.S. will not have any problems with the Haitian government." (Haiti elections blog, Aug. 21)
The arrogance and hypocrisy of the U.S.'s role in Haiti is also clear in Merten's remark. Think about the reaction in the corporate media in the U.S. if, say, Haiti declared it would accept the results of a U.S. election only if millions of disenfranchised Black U.S. citizens were allowed to vote.
The Provisional Electoral Council has announced that it has cobbled together financing from a number of different government sources and from members of the Haitian diaspora, that is, Haitians living in other countries. Nearly 11 million Haitians live inside Haiti, 1 million in the U.S. and more in Canada, France and the Dominican Republic.
Electioneering began the last week of August. Dr. Maryse Narcisse, the candidate of Fanmi Lavalas (FL), and former President Jean-Bertrand Aristide held a large march on Aug. 29 in Pétionville, a well-off suburb of Port-au-Prince, the capital.
The crowd chanted, "Long live Aristide! There's our father!" as well as "We're not here for pay! We're here for dignity! We're here voluntarily!" The crowd made it clear that they disputed a public opinion poll putting Narcisse in fourth place.
In a press conference after the march, Narcisse said, "The country is sick in every area, at the political, economic and social levels. We need all the sons and daughters of the nation to be able to cure the disease from which it is suffering. For this, I open my arms to gather all the nation's children to provide sustainable solutions to the nation's many problems." (Haïti-Liberté, Vol. 10, No. 8)
The other major candidates are former Sen. Moïse Jean-Charles, of Dessalines' Children (PD), a split-off from FL; Jude Célestin of the Alternative League for Progress and Haitian Emancipation (LAPEH); and Jovenel Moïse of Martelly's Haitian Bald-Headed Party (PHTK).
Lenin: Thinker, Fighter


text:
Q: Error in a textbook exercise regarding dice throwing Consider the following simple exercise regarding conditional expectation
in die throwing.

I think the book got the formula $\mathbb{E}[X_{1}|X_{2}=\alpha]$ (as well as $\mathbb{E}[X_{1}|X_{2}]$) wrong.
If I take $n=3$ and
$X_{2}=2$, i.e. we throw the die three times and assume we have obtained
two $2$'s, then in my opinion
$$
\mathbb{E}[X_{1}|X_{2}=2]=\sum_{x=0}^{3}x\cdot\mathbb{P}(X_{1}=x|X_{2}=2)=1\cdot\mathbb{P}(X_{1}=1|X_{2}=2)=3\cdot\frac{1}{6^{3}}=\frac{1}{72},
$$
which certainly is not
$$
\frac{3-2}{5}=\frac{1}{5}
$$
as the text states. How can this be?

A: You aren't computing the conditional probabilities correctly.
$\displaystyle P(X_1 = 1 \mid X_2 = 2) = \frac{P((X_1 = 1) \cap (X_2 = 2))}{P(X_2 =2)} = \frac{\frac{3}{6^3}}{\frac{3\cdot5}{6^3}} = \frac{1}{5}$

redpajama_set_name: RedPajamaStackExchange


text:
Usually hundreds of dollars, Chicago students get to see 'Hamilton' for just $10
FOX 32 NEWS - It's the hottest ticket in town, with some people paying upwards of $500 apiece.
But now, thousands of Chicago high school students are getting a chance to see the hit musical "Hamilton" for just ten bucks a ticket. And yes, Hamilton is on the ten dollar bill.
A loud, raucous and very young crowd filled the seats at the PrivateBank Theatre Wednesday for a special matinee of "Hamilton."
"Yes, I'm very excited. I really want to learn more," said student Arishanta Turner.
"They pay a lot for this show. This is a special opportunity for us," said student Leon Vortes.
Nearly two thousand students from 30 Chicago public high schools were able to buy discounted tickets for the mega-hit musical by Lin manuel-Miranda, which uses hip-hop to tell the incredible story of founding father Alexander Hamilton.
And what's so special or different about doing this show for 1900 high school students?
"Well they're the future. Anytime you have an opportunity to inspire young people, which in my mind I see as seeds, you could be inspiring the next Lin manuel-Miranda. You could be inspiring the next President of the United States. You never know," said performer Wallace Smith.
This is one of ten matinee performances for Chicago high school students in 2017. It's sponsored by the Guilder Lehrman Institute of American History, which also provides study materials leading up to the show.
"The students have been working for the last four to six weeks in their classrooms, analyzing the primary source documents that Lin Manuel-Miranda himself used to write some of the songs in the show," said Amy DiChristina of Guilder Lehrman Institute of American History.
"When my kids were getting into the primary documents of actually reading about Hamilton or reading about the duel between him and Aaron Burr and what Hamilton had accomplished as an immigrant, it really spoke to my kids who are largely an immigrant-based population," said teacher Scott Southerland.
Now to qualify to see the show, each of the 1900 students had to perform a poem or a song in their classroom about Hamilton. The best of those got to perform live in front of a big audience on Wednesday.
FOX 32: So what was it like performing in front of 1900 people?
"For me, I was really nervous. But he helped me get rid of my nerves," said Esme Huizar. "I was just like put all fear behind me."
It will be history brought to life for 20,000 Chicago students this year.


Paula Allen Dec. 22, 2018 Updated: Dec. 22, 2018 8:11 p.m.
1of2A giant Santa sits atop Joske's downtown in one of the vintage holiday images on view at the Institute of Texan Cultures.
I would like to know about the Frost Bros. department store mannequin organ player, perched over the entrance doorway, who greeted customers with Christmas music. My Mom would take me to see the display, and I would enjoy the heavenly perfume (sprayed in the cosmetics department) while watching the organist play Christmas carols. Whatever became of that display? Next to Joske's Fantasyland, Frost Bros. was my favorite. I would appreciate any information, as I have searched the internet off and on for several years with no luck.
Before online shopping, big-box stores or even malls, department stores were top choices for gifts and everyday needs. In midcentury San Antonio, shoppers could choose from not only Joske's (whose Fantasyland Christmas display was covered here Dec. 20, 2009) and Frost Bros. but also Frank Bros., Hutchins Bros., the Vogue and Wolff & Marx.
Each store depended on seasonal window displays to draw customers, who started by "window shopping" the elaborate scenes featuring new merchandise that might entice them to cross the threshold and enjoy equally elaborate interior decorations. The major stores each employed a display manager, who dreamed up visually arresting promotions to be executed by staff members in the store's workshop. Joske's, for instance, employed a staff of eight, including skilled carpenters and painters.
Since holiday shopping, then as now, accounted for a large share of the store's profits, it wasn't unusual to choose a theme during the summer and start planning and building props and scenery worthy of a stage production as early as mid-July. Windows were typically changed at night, and the new Christmas displays debuted the weekend after Thanksgiving. These unveilings were events, covered by local media. At a time when specialty and department stores lined Houston Street and Alamo Plaza, standing out from the competition was key. Displays had to be different each year, to keep shoppers talking about what was new and worth a trip downtown to see.
Once car traffic dominated city streets, window displays had even less time to catch the eyes of passing motorists and passengers, and scenes featuring animated figures — moving angels, elves, animals and snowmen — became popular with the larger department stores. Frost Bros. was one of them, founded in 1917 at 217 E. Houston St. and noted for high-end clothing and gifts on four floors. After a 1949 addition, the building extended through to Travis Street, where it had a second entrance. With the Houston Street store as its flagship, Frost Bros. grew into a statewide chain, expanding to Austin, Corpus Christi, Houston and Laredo, and to the San Antonio suburbs with stores opening in the early 1960s in Wonderland and North Star malls.
The organ exhibit you remember was one of the few things that didn't change every year at the Houston Street store. Known as "Organ Annie," the exhibit was "constructed entirely in the store workshop, from the 'organist' to the 'organ' itself," Frost's display manager, Elmore Rice, told the San Antonio Express, Dec. 16, 1940, noting that its music was produced by a phonograph. An annual favorite, displayed on its own, the organist with "blond curls falling over a white satin choir robe" was "seated before a golden pipe organ … her hands moving in time to the holiday music that fills the store's Houston Street foyer," said the Express, Dec. 12, 1965, hailing Organ Annie's reappearance as she "heralds the approach of yuletide" for the 25th year in a row.
Not just the sight but the sound of this exhibit was beloved. The music came from recordings of "old and loved melodies of antique music boxes," including "the loveliest of Christmas music," from the collection of Madeleine and George Richard Brown. A record album of the music as heard at Frost Bros. was packaged with a book on the history of the music box and sold in the store's "gift shop department," according to the San Antonio Light, Dec. 3, 1952.
As the city's population shifted to the suburbs, the downtown store repositioned with more items intended to attract tourist trade. It closed in 1987, and the North Star store closed in 1989.
Anyone who knows what happened to "Organ Annie" or has a photograph of her may contact this column. Replies will be forwarded and may be featured in a future column.


text:
Program Specialist V • Texas Higher Education Coordinating Board
* Hire date refers to the current employer, the Texas Higher Education Coordinating Board. For employees with breaks in service, it is the most recent hire date.
Oct. 1, 2022 Program Specialist V Texas Higher Education Coordinating Board 40 $61,200 0%
July 1, 2022 Program Specialist V Texas Higher Education Coordinating Board 40 $61,200 0%
April 1, 2022 Program Specialist V Texas Higher Education Coordinating Board 40 $61,200 0%
Jan. 1, 2022 Program Specialist V Texas Higher Education Coordinating Board 40 $61,200 +2%
Sept. 30, 2021 Program Specialist V Texas Higher Education Coordinating Board 40 $60,000
Program Specialist V
Texas Higher Education Coordinating Board
This Texas Tribune reporter covers the Texas Higher Education Coordinating Board. Send a tip via email or Twitter.
Kate McGee
Higher Education Reporter
mcgee@texastribune.org
@McGeeReports


The Arts Council is relieved to have received standstill funding on its budget from the Department for Communities as 4% reductions had been anticipated; we are grateful for this acknowledgement of the fragile state of the arts sector. However, the National lottery income to the Arts Council which supports programming costs for AFP has been declining, resulting in that element of the AFP budget reducing by 4.5% compared to 2018/19. Consequently, ACNI's Board had to again make difficult strategic funding decisions this year to protect the balance of art forms across Northern Ireland and the number of arts organisations supported by AFP in 2019/20 was reduced from 102 to 97.
"However, within the context of reducing public funding, this year in particular from the National Lottery, the Board had to make the difficult decision to reduce the number of annually funded organisations while protecting the balance of arts forms for the year ahead. It is with regret that we had to refuse AFP 2019 funding to 5 current AFP clients. All of these organisations are eligible to apply to other Arts Council programmes in the future.
"The vast majority of applications received for Annual Funding this year were eligible, but there simply weren't the resources to fund all that was asked for. Thirty-four organisations were offered standstill funding, five were offered strategic uplifts, while the remainder received cuts, in the majority of cases, cuts of 5% to programming costs.


99.7% high purity 4-mpd 4-mpd 4-mpd 4-mpd 4-mpd sales1@bk-pharma.com - Shanghai PhoenixChemicals Inc.
The monoamine transporter substrate and I hi it ion selectivity profiles of 4-MPD are unknown. Another compound, 4-Methyl-N-Ethyl-Pentedrone (4-MEAP, 4-MEAPP) has been found to be incorrectly sold as 4-Methylpentedrone.


Currently in the United states there are approximately 50 million men and women that are affected by some type of hair loss. the most common form of hair loss in both is Hereditary Androgenic Alopecia. Genetic hair loss in male and female is characterized by progressive loss of hair from scalp and there is a certain pattern that develops over time. There are many ways to measure the pattern of genetic hair loss, however most doctors who specialize in hair restoration follow a standard classification when describing hair loss.
In 1941, a classification scale of male pattern hair loss was introduced by James Hamilton. he classified typical patterns of hair loss into eight major types using a series of drawings. Dr. Norwood later on refined this system in 1975, offering four additional variations. the most common and standard classification of male pattern hair loss used today is based on Norwood /Hamilton scale for hair loss. Following is the description used to classify genetic hair loss using Norwood scale.
1. Type 1 Displaying the normal mature hairline with minimal temporal recession.
2. Type 2 Shows mild temporal recession with thinning along the anterior margin of the forelock.
3. Type 3 Depicts deep frontal recession with few or no remaining hairs, which is the minimal amount of hair loss required for the definition of balding. Vertex shows hair loss confined to the vertex with deep frontal recession.
4. Type 4 Displays both frontal and temporal recession and frontal thinning together with little hair in the vertex. The bridge between the frontal area and the vertex is still retained.
5. Type 5 Depicts bigger areas of fronto-temporal and vertex alopecia than Typ35 and only a narrow and sparse bridge separating both areas.
6. Type 6 Shows loss of the bridge separating the frontal and vertex areas with lateral and posterior progression of alopecia.
7. Type 7 Represents the severest form of balding whereby the remaining horseshoe shaped band of hair in the lower scalp is narrow. The preauricular hairs have receded both posterior and inferiorly. The remaining hair band is frequently of lower density with evidence of some miniaturization. The nape of the neck is sparse and in some cases the inferior occipital border is raised significantly.
During the initial consultation with the Dr. Meshkin, he spends a considerable amount of time to educate the patient utilizing computer hair analysis to evaluate the classification and extent of hair loss, hair loss progression, hair characteristics, and the donor availability. If hair transplant is an option, he will provide an estimate of the number of grafts needed, recommend and explain the best technique of harvesting the grafts that best fits the patient's concerns and goals and the method used for the recipient area. Dr. Meshkin will provide all the information necessary for the patient to make an educated decision for the any surgical or medical hair treatment options available.


text:
GOCRITIC! Animafest Zagreb 2019
GoCritic! Interview: Nancy Denney-Phelps • Animation journalist and historian
"I like to give positive press to good films"
by Marie Ketzscher
24/06/2019 - GoCritic! interviews a critic - an omnipresent figure in the world of animation, and one of the first journalists to focus on this specific niche form
There's no missing this redhead at animation festivals: Nancy Denney-Phelps is an omnipresent figure in the animation world and has been for many years. So long, in fact, that she forgets the exact year she fell for animation. As one of the first journalists in the animation industry, she is mostly known for her writings in CARTOON and ANIMATOON, as well as on her regular Sprockets blog for AWN (Animation World Network). But she also curates film programs, produces music for animation and organises the popular Annecy Picnic with her husband, film score composer Nik Denney-Phelps. With her affinity for sharing pictures on Facebook of beers at airports, reflecting her busy festival schedule, it's astonishing that she still writes everything down on paper before typing it up. All the more reason, then, to catch up with her at the 29th World Festival of Animated Film - Animafest Zagreb to ask about her views on animation journalism and the issues she thinks the animation industry should tackle next, as well as unearthing the name of the filmmaker who first blew her away.
GoCritic!: You're an integral part of the international festival crowd, and you've been around for quite some time now. So, what came first: journalism or animation?
Nancy Denney-Phelps: Definitely animation. I think I've loved animation since I first opened my eyes. And I also always loved to write. When I started out there was a real lack of people writing about animation. I write about European and Asian animation and a lot of the people who write want to concentrate on the Hollywood stuff, so I felt that this was my little niche. Actually, I have a degree in political science, but once I discovered how dirty it was, I didn't want to go there.
Do you remember the first film you saw, your first animation epiphany?
It was the work of Ladislas Starevich, and I went "Wow, this is not Walt Disney". I became fascinated with the process and I wanted to know how this man did it. And, of course, the minute I started reading, I wanted to know even more.
What I've noticed about your writing is that you're not trying to give an objective report of festivals or films. It's personal and interspersed with mentions of people you met.
Yes! What I like to do - I mean, I talk about the films because I'm at a film festival - but what I like to try to do is give people an impression of what they'd be doing and who they'd be meeting if they were there with me, exploring something new.
Was that a conscious decision you made?
No, I guess it's just my writing style. Generally, if I don't like a film, I don't write about it. Why should I be giving publicity to something I don't like? There have been some exceptions, like if something wins the Oscar, sometimes I have to talk about it. But generally, I like to give positive press to good films and maybe things people haven't thought about watching but should see.
Since you started out, there's been quite a lot of animation journalism popping up – Cartoon Brew, Zippyframes for example. What's different about what you do?
Yes, and I appreciate what they do, even though it's very different from what I do. I think I try to give more of a personal perspective, and I don't feel that that there's anyone else doing that really, or if there are, I haven't come across them. I try to make my writing accessible to non-academics, and what's really important is lots and lots of photos, not just stills from movies, but of things going on at festivals.
But you don't only write about animation, you're also involved in other sections of the festivals.
Yes, for example, I'm the pitching coach at Animarkt in Lodz. I don't know how that came about but I'm a great networker and I'm really good at connecting people. Someone will be telling me that they need something, and I'll say "Oh, I know who you need to talk to". I really enjoy doing that.
What would you tell people who're thinking about going into animation journalism, like our GoCritic! crowd?
Find a good editor and just start writing. My approach to writing is to first find the opening sentence. Sometimes that takes a bit of time, but once I have that sentence, I know the direction I'm going to go in. Oh, and find your own style. Don't write what others think you should write.
You're very familiar with the animation world. Which kind of current debates and issues still need to be addressed in your opinion?
Women in animation is a big topic. I think women play a really important part in short, independent animation, but when you get into the studio system, that's where the equality problem exists, especially if you want to have children. But how do you get to a situation of 50/50? I don't have any easy answers, but the more dialogue we have in safe spaces, the better. Also, if a woman is treated unfairly, others should show solidarity and go on strike. Why not? I mean sitting and talking is great, but it won't really change things.
Lili Hinstin • Artistic director, Locarno Film Festival
"I want the Locarno Film Festival to be very free in its choices"
Marta Lallana, Ivet Castelo • Directors of Ojos Negros
"We feel connected to films from another time"
Pavol Pekarčík • Director of Silent Days
"The intention was to create a photograph containing a film within itself"
Fabian Maubach, Jochen Laube • Producers, Sommerhaus Filmproduktion
"We are not interested in producing films according to the book"
Christian Alvart • Director of Dogs of Berlin
"The film has to have a voice"


Four course dinner, overnight accommodation and full breakfast the following morning. Available on any night of the week. Rate is from £99.00 per night for 2 adults sharing a double or twin room. Wifi free of charge.
Ballyrobin Country Lodge takes great pleasure and pride to source our fresh menu content from the local farming communities. From Ewing's fish to Silver Hill duck, Lisnaskea chicken to locally sourced vegetables and potatoes.
Our head Chef Jim Mulholland and his team have spent considerable time and effort to ensure our customers receive the best quality of produce whilst supporting our local community. We are continually changing our menu to reflect the best of local produce currently available so one visit to Ballyrobin is never enough to see how good the food is.
Whether it's a hearty breakfast, a bite before your flight, a business lunch or a special occasion, Ballyrobin's mouthwatering all day gastro menu is worth checking in for alone! You'll have to travel a long way to find as good.
We know you will not be disappointed and we look forward to serving you.


History within UCN: Logark found his way into the UCN fold nearly a year ago around the Dance of the Dead. He's been involved in most of the campaigns in some way since and was heavily involved in the recent Northrend trek. He was given the honorary title of Shield Wall for his efforts within with the guild over time. After the fall of Destrind Monroe in Northrend, Logark has taken up the mantle of Commander of the forces and hopes to lead with the at least half the skill Destrind had.
Birth Place/Death Place: They are one in the same for Logark. A small town on the outskirts of what is currently called Valgan's Field. He was born in the family home and died protecting the town itself from Arthas's charge to the Sunwell.
Description: Before you stands a warrior wearing a shield and plate to cover his stiff flesh and bones. He carries a one handed weapon and heavy shield taken from what looks like a scourge commander at the battle in the Icecrown Citadel.
A lip-less face stares blankly ahead with rot showing on his temples and eye sockets. His eyes glow a dim yellow and one seems brighter than the other. His hair is a damp mess the color of seaweed and loosely hangs around his head.
His arms have slightly more mass to them as Logark has had the apothecaries stiffen them up so he can better block the attacks that would kill those unprepared. The joints are well cared for even if his gear has broken them in. His right hand has been replaced over the years and shows different fingers from at least 5 people on it. His left hand has been molded more to grip a shield than a sword so it's less cared for.
His legs are in surprisingly good shape, they may be new but you can't tell as the plate covers them fully. Unlike some of his Brethren he doesn't open the toes on his boots and uses the extra space for grip when needing to hold his ground.
Aspirations: Logark like all of those in the guard, wants to hold the prestigious position of Royal Dreadguard and protect the Dark Lady herself. Logark has been extremely devoted to the Banshee Queen since he first heard her voice to free him of the Lich King's grasp.
This entry was posted in Undeath In Azeroth & Beyond and tagged forsaken rp, forsaken rp guild. Bookmark the permalink.


Original art on the walls. Most lists wouldn't have included that one.
Wow- a link to lil' ol' me...hee, hee.
Glad you liked the meme. I keep thinking of other things that might be relevant. For instance, kids today would sooner ask for a cell phone than a phone in their room. So, a bit of updating may be in order for the list.


text:
Our team combines diverse backgrounds, including finance, banking, business, technology, and security. Collectively, we have over fifty years of experience in these fields, and we will leverage these backgrounds to drive the business strategy for Orokii to achieve its goals.
Bisi Adedokun
Bisi Adedokun is the founder and CEO of Orokii. His professional background includes operational strategy, management, finance, banking, and software development. Before founding Orokii, Bisi worked at Deutsche Bank for seven years in the technology and security organizations helping the bank protect its assets from adversaries. Bisi holds three graduate degrees (NYU, IE Business School (MBA), and Georgia Tech).
Sarafa Ibraheem
Finance/Board Member
Sarafa Ibraheem is an accomplished professional with a history of success and experience in mathematics, computer science, engineering, business, and finance. Sarafa was a director of a quantitative strategy at Mizuho Securities USA. Before Mizuho, Sarafa was at Goldman Sachs and managed the development and delivery of various trading and quantitative products. Sarafa holds a Ph.D. in mechanical engineering and a graduate degree in Computational Finance from CMU.
Himanshu Sankhe
Himanshu is a dynamic and energetic product manager with an analytical mind. He is creative and astute at number crunching and building pricing models to support the various aspects of Orokii products pricing mechanisms. Himanshu uses his engineering background to support product development and delivery. Himanshu holds a bachelor's degree in Metallurgy and Material Science from the College of Engineering, Pune, India.


Inspired by vintage mercury glass decorations, our glass string lights add sparkle and glow to indoor decor. Mercury glass, also known as silvered glass, provides a unique shimmer and radiance unmatched by other lighting. This string of lights is battery operated so you can use it in a centerpiece, along a garland or on your mantel — no outlet or extension cord needed. A beautiful, vintage-inspired accent year-round. LED string lights stay cool so they're safe to display with greenery and dried materials. Twenty 2" lights are spaced 7" apart. 12' long overall.


People asked me to watch the Movie: AD The bible contiues, with them. Does anybody know if it is realy biblical or fake biblical?
I hope someone can inform me a bit.
If I remember correctly it was interesting visually but weak factually.


text:
<!DOCTYPE html>

    <title>Classes  Reference</title>
    <link rel="stylesheet" type="text/css" href="css/jazzy.css" />
    <link rel="stylesheet" type="text/css" href="css/highlight.css" />
    <meta charset='utf-8'>

 Docs (95% documented)

         Reference

        Classes  Reference

            Classes

                AKLocationUtility

                AKModelProvider

                AKRelativePosition

                AKSceneKitUtils

                AKWorld

                AKWorldMap

                AlwaysFacingMeHeading

                AnyEffect

                AugmentedAnchor

                AugmentedSurfaceAnchor

                AugmentedUIViewSurface

                DefaultLocalStoreManager

                DetectedSurfaceAnchor

                DeviceManager

                GazeTarget

                Heading

                MDLAssetTools

                NorthHeading

                PathAnchor

                PathSegmentAnchor

                QuaternionUtilities

                RealSurfaceAnchor

                Renderer

                – Constants

                – RendererState

                – SurfaceDetectionState

                SHA256

                SameHeading

                UserTracker

                WorldHeading

                – WorldHeadingType

                WorldLocationManager

            Global Variables

                AKErrorCodeDeviceNotFound

                AKErrorCodeIntermediateMeshDataNotAvailable

                AKErrorCodeIntermediateMeshDataNotFound

                AKErrorCodeInvalidMeshData

                AKErrorCodeMissingVertexDescriptors

                AKErrorCodeModelNotFound

                AKErrorCodeModelNotSupported

                AKErrorCodeModelProviderNotFound

                AKErrorCodeRenderPassNotFound

                AKErrorCodeRenderPipelineInitializationFailed

                AKErrorCodeShaderInitializationFailed

                AKErrorDomain

            Enumerations

                AKEffectType

                AKError

                AKErrorType

                HeadingType

                HeadingValidationError

                ModelErrorReason

                RenderPipelineErrorReason

                ShaderPreference

            Extensions

                FloatingPoint

                Int

                Notification

                – Name

                SIMD3

                SIMD4

                double4x4

                float4x4

                simd_quatd

                simd_quatf

            Protocols

                AKAnchor

                AKAnimatable

                AKAugmentedAnchor

                AKAugmentedTracker

                AKEffect

                AKEntity

                AKGeometricEntity

                AKGeometricEntityGroup

                AKHeading

                AKPath

                AKPathSegmentAnchor

                AKPulsingAnimatable

                AKRealAnchor

                AKRealSurfaceAnchor

                AKRealTracker

                AKTarget

                AKTracker

                AKWorldLocation

                AKWorldMonitor

                LocalStoreManager

                LocationManager

                ModelProvider

                RenderDelegate

                RenderDestinationProvider

                RenderMonitor

            Structures

                AKCube

                AKLine

                AKSphere

                AKSphereLineIntersection

                AKVector

                AKWorldConfiguration

                AKWorldDistance

                AKWorldStatus

                – Status

                – ARKitInitializationPhase

                – SurfacesInitializationPhase

                – LocationInitializationPhase

                – Quality

                AnimatedSkeleton

                ArgumentBufferProperties

                AssetErrorInfo

                CameraProperties

                ConstantAlphaEffect

                ConstantGlowEffect

                ConstantScaleEffect

                ConstantTintEffect

                DrawData

                DrawSubData

                EnvironmentData

                EnvironmentProperties

                EulerAngles

                GroundFixedWorldLocation

                HeadingRotation

                MeshGPUData

                ModelErrorInfo

                PipelineErrorInfo

                PulsingAlphaEffect

                PulsingGlowEffect

                PulsingScaleEffect

                RenderOptions

                RenderStats

                ShadowProperties

                SkinData

                UnderlyingErrorInfo

                WorldLocation

Classes

The following classes are available globally.

                    AKModelProvider

A standard implementation of ModelProvider. This implementation stores all registered MDLAsset objects in memory and returns them synchronously when loadAsset(forObjectType:,identifier:,completion:) is called.

                        See more

Declaration

Swift

open class AKModelProvider : ModelProvider

AKWorld

                    AKWorld

A single class to hold all world state. It manages it’s own Metal Device, Renderer, and ARSession. Initialize it with a MetalKit View which this class will render into. There should only be one of these per AR View.

                        See more

Declaration

Swift

open class AKWorld : NSObject

                    AugmentedAnchor

A generic AR object that can be placed in the AR world. These can be created and given to the AR engine to render in the AR world.

                        See more

Declaration

Swift

open class AugmentedAnchor : AKAugmentedAnchor

                    AugmentedSurfaceAnchor

A generic implementation of AKAugmentedSurfaceAnchor that renders a MDLTexture on a simple plane with a given extent

                        See more

Declaration

Swift

open class AugmentedSurfaceAnchor : AKAugmentedSurfaceAnchor

                    AugmentedUIViewSurface

A AugmentedSurfaceAnchor subclass that is able to display the contents of a UIView as the texture for the surface.

                        See more

Declaration

Swift

open class AugmentedUIViewSurface : AugmentedSurfaceAnchor

                    DetectedSurfaceAnchor

An anchor used for debugging which displays real surfaces detected by ARKit

                        See more

Declaration

Swift

open class DetectedSurfaceAnchor : AKRealSurfaceAnchor

                    PathAnchor

A generic implementation of AKPath that renders a path using the world locations as endpoints for the path segments.

                        See more

Declaration

Swift

open class PathAnchor : AKPath

                    PathSegmentAnchor

A generic implementation of a AKPathSegmentAnchor. Instead of creating these objects directly, these objects should be created as part of creating a new AKPath instance.

                        See more

Declaration

Swift

open class PathSegmentAnchor : AKPathSegmentAnchor

                    RealSurfaceAnchor

A generic implementation of AKRealSurfaceAnchor. Renders a featureless plane geometry.

                        See more

Declaration

Swift

open class RealSurfaceAnchor : AKRealSurfaceAnchor

                    AnyEffect

A type erased AKEffect

                        See more

Declaration

Swift

public final class AnyEffect<Value> : AKEffect

SameHeading

                    SameHeading

A relative AKHeading that matches the heading of it’s parent. This is the simplest relative heading and is the default heading for Real anchors which (due to the fact that they represent real world geometries) must match the heading of their parent objects.

                        See more

Declaration

Swift

open class SameHeading : AKHeading

NorthHeading

                    NorthHeading

An absolute AKHeading that is aligned with the AR World’s axis. This is the simplest absolute heading and is the default heading for Augmented anchors.

                        See more

Declaration

Swift

open class NorthHeading : AKHeading

AlwaysFacingMeHeading

                    AlwaysFacingMeHeading

An absolute AKHeading that rotates to face the users current position.

                        See more

Declaration

Swift

open class AlwaysFacingMeHeading : AKHeading

Heading

                    Heading

A General use implementation of AKHeading.

                        See more

Declaration

Swift

open class Heading : AKHeading

WorldHeading

                    WorldHeading

An absolute AKHeading where the heading can be initialized relative to due north or facing a AKWorldLocation

                        See more

Declaration

Swift

open class WorldHeading : AKHeading

AKRelativePosition

                    AKRelativePosition

A data structure that represents a position relative to another reference position in world space.

                        See more

Declaration

Swift

open class AKRelativePosition

                    AKWorldMap

Wraps ARKit’s ARWorldMap and adds world location properties which ties the World Map to a specific location in the real world. The ARWorldMap provides enough information to tie all of the anchors in arWorldMap to real world locations. The transform, a position in the coordinate space of the arWorldMap is mapped to the latitude, longitude, and elevation. From one knowd reference location,  the latitude, longitude, and elevation of every other point in the coordinate space of arWorldMap can be calculated.

                        See more

Declaration

Swift

open class AKWorldMap : NSObject, NSCopying, NSSecureCoding

                    GazeTarget

An ARTarget object whos vector matches the rotation of the device

                        See more

Declaration

Swift

open class GazeTarget : AKTarget

UserTracker

                    UserTracker

An implementation of AKAugmentedUserTracker

                        See more

Declaration

Swift

open class UserTracker : AKAugmentedUserTracker

Lat/Lng calculations

                    AKLocationUtility

A utility for doing location conversion calculations

                        See more

Declaration

Swift

open class AKLocationUtility

QuaternionUtilities

                    QuaternionUtilities

Tools for using quaternions. Augmentkit uses simd_quatf for all quaternions.

                        See more

Declaration

Swift

open class QuaternionUtilities

                    SHA256

SHA-256 implementation from Secure Hash Algorithm 2 (SHA-2) set of
cryptographic hash functions (FIPS PUB 180-2).

                        See more

Declaration

Swift

public final class SHA256

                    DeviceManager

Provides methods for geting information about the users device

                        See more

Declaration

Swift

open class DeviceManager

                    DefaultLocalStoreManager

A default implementation of LocalStoreManager which sotores properties in memory

                        See more

Declaration

Swift

open class DefaultLocalStoreManager : LocalStoreManager

                    WorldLocationManager

LocationManager protocol implementation

                        See more

Declaration

Swift

open class WorldLocationManager : NSObject, LocationManager

MDLAssetTools

                    MDLAssetTools

Tools for creating ModelIO’s MDLAsset objects

                        See more

Declaration

Swift

open class MDLAssetTools

Renderer

                    Renderer

AumentKit’s main Metal based render.

                        See more

Declaration

Swift

open class Renderer : NSObject

                    AKSceneKitUtils

Extensions for loading a model from SceneKit so it can be used as an anchor. This can be excluded if SceneKit is not being used.

                        See more

Declaration

Swift

open class AKSceneKitUtils

© 2019 . All rights reserved. (Last updated: 2019-09-21)

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Davis Brown Celebrates 20 Years!
Davis Brown is a name which combines the original practice of Davis & Co with William H Brown. However, the other constituent part of the firm was originally Batty Stevens and Good. Both firms were established in 1901 and merged with William H Brown in 1987.
After 11 years of corporate life as part of a larger organisation we returned to our roots of being a small independent property consulting practice 20 years ago. We pride ourselves in being an active player in the property profession throughout this time, not only in London, but also around the United Kingdom.
From our office in the heart of Fitzrovia, the team at Davis Brown includes a number of staff members who have been with us since the start, and many more have been a part of Davis Brown for over 10 years. Equally gratifying, are the number of clients and their families, with whom we have worked for generations.
Davis Brown, the promoter, will post an image on Instagram, Twitter, Facebook and Linked In of a building in London from 20 plus years.
To participate in this competition, entries must like our image, and post a photograph of the same building using the hashtag #DB20BDay and tag Davis Brown. The image can be external or internal and it can be new or old.
There will be several competitions with one winner every fortnight. The first competition will run from Friday 18th May up to and including Friday 1st June.
The winning entry will be that is judged to be the most visually appealing and original. The winning entry will be judged by the team at Davis Brown. The winner will be notified within seven days of the closing date of the competition. Entries after this point will not be considered.
The prize as described is available on the date of publication. All prizes are non transferable and there are no cash alternatives. All prizes must be collected from the Davis Brown offices at 1 Margaret Street, London, W1W 8RB within one month of winning.
The winner will have 72 hours to acknowledge their prize from the fate that they are announced as a winner. After this time we reserve the right select a new winner.
This competition is open to everyone aged 18 years or over, except for employees of Davis Brown Limited, their families or anyone else associated with this competition.
All information detailing how to enter this competition forms part of these terms and conditions. It is a condition of entry that all rules are accepted as final and that the competitor agrees to abide by these rules. The decision of the judges is final and no correspondence will be entered into. Submission of an entry will be taken to mean acceptance of these terms and conditions.
All images submitted must be the work of the individual submitting them. It is the responsibility of each entrant to ensure that any images they submit have been taken with the permission of the subject and do not infringe the copyright of any third party or any laws. Entrants must warrant that the photograph they are submitting is their own work and that they own the copyright for it.
You can enter as many times as you would like.
Each entrant confirms that anyone depicted in an entry has given their permission for the inclusion of their image in the entry and the use of the entry including their image by the entrant and the Promoter.
To obtain details of the winner please email socialmedia@davis-brown.co.uk stating the name of the competition in the subject heading one month after the closing date.
Any personal data relating to participants will be used solely in accordance with current UK data protection legislation and will not be used for marketing purposes without the individual's prior consent.
This promotion is in no way sponsored, endorsed or administered by, or associated with Twitter, Instagram, Facebook or Linked In. You are providing your information to Davis Brown and not to Twitter, Instagram or Facebook. By participating in this promotion you agree to a complete release of Twitter, Instagram and Facebook from any claims.
The promoter does not accept responsibility for entries that are lost, damaged or delayed. For example, as a result of a network, system development, computer or telecommunications failures or fault of any kind.
Winners will be invited to participate in related publicity without further reward, e.g. be photographed for website and social media stories.
The Promoter does not encourage excessive drinking – or any of the other portrayals of alcohol listed on the ASA website here.
English law applies and the exclusive jurisdiction of the English Courts shall prevail.
The Promoter is Davis Brown Ltd, 1 Margaret Street, London, W1W 8RB.
Davis Brown is an independent firm of Chartered Surveyors. We therefore have a considerable depth of local knowledge in the property market. We act for a wide variety of clients including corporates, PLC's, charitable foundations, private individuals, Trusts and offshore companies. Our professional department covers an extensive range of services which include inter alia valuations, acquisitions, sales, building surveying, project management, party wall awards, Energy Performance Certificates, schedule of dilapidations and suchlike.


Are you doing business in Nigeria or interested in engaging with Africa's biggest market? Come and listen to the experts talk about the slow but steady economic recovery in Nigeria and what is being done to address challenges in the business environment. Nigeria has jumped 24 places in the World Bank's 2018 Doing Business rankings. Crippling shortages of foreign exchange, which topped the difficulties faced by business last year, have largely been addressed and the oil price is rising, pushing up government revenues. Although the country still faces significant security and governance woes, it is getting back on course.
Join our expert speakers and network with a large trade delegation from Nigeria over breakfast to catch up on the latest news and opinions about Nigeria.
Please note that this is a breakfast event.
Want to attend but cant afford to? email Nkawus@gibs.co.za for one of the limited free seats.
Forums are recorded for City Press, BDTV and for distribution to the GIBS database.


Copies of documents in cases can be requested by completing the Request for Copies form. The fee is $1.00 per page up to 10 pages and 50 cents per page thereafter.
Copies of Divorce Decrees are $10.00 for a regular copy, $12.00 for a certified copy. Please complete the Request for Copy of Divorce Decree form.
Please do not include credit card information on your request form, we will call you when we are ready for payment.
Search and copy requests are done in the order they are received.
Please allow 7days processing time.


Also as for refuting this theory a little further, genocide is a systemic way of killing off large or entire groups of people. As the film creators were going somewhat off of animal characteristics in the wild, genocide would not be a possible thing among the characters because animals don't have the sense of morality and right and wrong that humans do. So overhunting, maybe if you want to take it that far, but as far as I'm concerned on this it was nothing further than them continuing the "Circle of Life", which would be the constant flow of things being taken and given back to the earth. Animals hunt in order to survive, not because they want to go on killing sprees.
Also, I think the implication in the film is that the animals in the pride were starving to death because of resources due to scar and the hyenas stockpiling it for themselves. So it's more than likely those skulls and bones are lions that starved to death.
there are less lions in the ending of the movie than there are in the beginning.


Click here to see our complete show lineup for 2015.
We aim to connect researchers with the lab products they need to advance their research endeavors. Contact us today to demonstrate your products and services to West Coast researchers.


If there's one thing Savannah loves, it's our four-legged friends! You'll find dogs exploring Savannah along with their owners almost anywhere in town. If you want to take your pup on an unforgettable adventure, here's where you should go in Savannah.
This pet supply store and doggie bakery is THE spot to pamper your pup! Woof Gang Bakery offers the best in pet grooming, kibble, accessories and loads of wonderfully decorated doggie treats made with real ingredients that are even safe for human consumption (but maybe not the human palate!). Your dog will love exploring Woof Gang Bakery and sniffing all of the toys, accessories and treats, of course.
Relax and sample some of the best beers in Savannah with your dog by your side. Coastal Empire Beer Company is known for its award-winning beer selection, laidback atmosphere and dog-friendly taproom. There's nothing like grabbing a beer with your best friend!
Savannah's favorite park is a hub for pooches of all shapes and sizes. You'll catch owners and their dogs jogging around the park's one-mile, paved parameter, or trotting beside their owners at the Forsyth Farmers' Market, held every Saturday morning. Spend quality time playing with your dog at Forsyth Park's grassy yards. The options for pet fun are truly endless!
In Savannah, it's super common to see dogs dining beside their owners al fresco, that's because so many of Savannah's restaurants are dog friendly! Look for the spots with patio dining, and pop inside to ask a server if dogs are alright outside. You'll be surprised by how many enthusiastic "yes!" responses you'll receive.
There's nothing sweeter than watching your dog meet new doggie friends! Get your pup socialized by bringing it to one of Savannah's dog parks. Your dog will have a blast playing with its four-legged friends, and you'll have plenty of chances to chit chat with local dog owners. One of Savannah's most popular dog parks is Herty Pines Dog Park, an adorable puppy play pen located on the edge of Daffin Park.
Take a typical dog walk to the next level by bringing your pup along on a Genteel & Bard walking tour! Genteel & Bard welcomes dogs of all breeds along to any tour, just be sure to pack doggie clean-up bags!


text:
Q: Single linked list, self sorting based on *char input I have spent significant amount of time on this and I have finally made it work at all (as in it saves the values and prints them). I want to sort it counter alphabetically. If I add the values into my list they do not print out in the same order I have added them in but it seems kind of random... It seems that the strcpy doesn't work in the way I would imagine it to work...
#include <iostream>
#include <cstdlib>
#include <string.h>
#include <stdio.h>
using namespace std;

typedef struct list list_t;
struct list{
    list *next;
    char *nam;
    int age;

};

static list_t *top = NULL;

void add_value(char * name1, int age){
    list * neww = (list_t*)malloc(sizeof( list_t));
    //tmp = top;
    neww->age = age;
    neww->nam = (char*)malloc(strlen(name1) + 1);
    neww->next = NULL;
    strcpy(neww->nam, name1);
    list * tmp = (list_t*)malloc(sizeof(list_t));
    tmp = top;
    if (tmp==NULL){
        top = neww;
        //printf("%s\n", top->nam);
    }else
    while (1){

        if (tmp->next == NULL){
            tmp->next = neww;
            break;
        }
        //printf("top - %s %d\n neww - %s %d\n tmp - %s %d", top->nam, top->age, neww->nam, neww->age, tmp->nam, tmp->age);
        if (strcmp(neww->nam, tmp->nam)>=0){
            neww->next = tmp->next;
            tmp->next = neww;
            break;
        }

        tmp = tmp->next;

    }

}

void print(){
    list * tmp = (struct list*)malloc(sizeof(struct list));
    tmp = top;
    while (tmp){
        printf("%s %d\n", tmp->nam, tmp->age);
        tmp = tmp->next;

    }

}

int main(){

    char namee[100];
    int age;
    for (int i = 0; i < 5; i++){
        scanf("%s %d", &namee, &age);
        add_value(namee, age);
    }

    print();

    return 0;
}

A: I spotted two things which seem wrong.
a) This line
list * tmp = (struct list*)malloc(sizeof(struct list));

is wrong (used in two functions). You need a pointer - not a new element - so no need for malloc.
b) This code
    if (tmp->next == NULL){
        tmp->next = neww;
        break;
    }

seems to get active when you reach the last element. However, you must still check if the new element is to be inserted before or after the element already in the list. Your code always place the new element after. Consider the case when your list only have 1 element.
BTW - If you want to write c++ you should use std::string instead of c-style char arrays. Also, take a look at std::multimap instead of your own linked list.


Published 04/19/2019 08:19:13 pm at 04/19/2019 08:19:13 pm in Toast Rack.
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