It's time to think about how to form new habits. We have considered all our intentions about maintaining health and wellbeing. But first we have to want to change our behaviour for the better and create new habits for ourselves.
In keeping with the theme of health and wellbeing. This could be getting in the habit of saving money. Or drinking more water. Or reducing your intake of processed foods. Start a simple exercise plan. Maybe it might be being more organised at work. Or being a more positive person. Developing your Christian faith and praying more. With so many areas to choose from that you could improve. This would all be easier if you created new habits.
Getting into the habit of doing something is often easier said than done. Bad habits can begin without any effort. But developing good habits need dedicated work.
View this as a new challenge. Here is a 3 step process to consider as you learn a new behaviour and instill it a habit. So that it becomes automatic without having to think about, like washing your hands.
Begin by making a decision. Of what what habit you want to create. Be specific. If you want to exercise more. Tell yourself that you will go for a walk everyday. Start with 20-30 minutes. Write it in a diary or planner. Deciding what your new habit will be and committing to when and how you're going to do it, is a great positive first step.
The next few days make an effort to motivate yourself. Get excited about your new habit. Find ways to positively incorporate this into your daily schedule. Enlist a friend to support you. By planning ahead it will make it easier to not slip back into old habits.
Maybe it's raining and you don't really want to go out and walk. Or maybe work commitments keep you busy. This highlights the importance of reminders and daily planners. Set a calendar alert. dd this to your daily to-do list.
And finally. Be patient because creating good habits takes time. In the meantime, devise a routine. Before new behaviours can become part of your daily routine. Spend some time reminding yourself. Motivating yourself. Boost your willpower. Until it begins to become a habit.
When you tempted to go shopping, go for a walk instead. Change unhealthy lunches by going to the library instead.
All the best in your decision to create a new habit. Practice, practice, practice. Until you do it without thinking. Then you are well on the way to forming a new good habit.


If you are going traveling, you want to have the best possible experience, and that can't be achieved unless you plan and prepare. Vacations should be eye-opening and character building but in all the best ways. If you are going to have a trip that you find unforgettable, a way to ensure that is to have some planning done in advance.
Enhancing your travel experience is so important for enjoying other cultures and unwinding from all the stress and chaos of everyday life. What you need to do is come up with some ideas that are going to enhance and improve your experience. These are some of the best things to keep in mind if you want to boost your travel adventure right now.
Choosing the right location is one of the best things you can do when you go traveling. This is why it is so important to plan in advance and think about where you are going to be going. And there is actually a lot to be said for holidaying in your own country if you don't want to go abroad. Domestic travel can be just as fulfilling and often offers a different kind of experience.
A great tool if you are on a budget is to look at the explore page in Google Flights or Skyscanner. Here you can put your home airport and select "everywhere" or simply leave it blank. It will search for the best deals out of your ome airpot. I have found a ton of flights this way like $400 flights to Paris in September. Once you have the location the real planning can begin.
You have to think about where you are staying and the accommodation options you are going to choose while you're traveling. If you are looking for something a little more unusual, you should look at lodging or AirBnB choices. There is much more choice than simply basic hotels, and much of this will depend on where you are going to be visiting in the long-term.
I find great deals on hotels through Agoda.com. They have a wide selection of hotels and hostels. Long are the days where hostels were gross and dangerous. There are a ton of hostels and it is a great way to meet other travelers and keep costs low.
Everyone says that you should travel with friends or family for the purposes of safety, but this isn't always the right choice. Sometimes you need to make sure you indulge in a bit of solo travel. You have a much deeper and more enriching experience if you are traveling on your own. This is definitely something that everyone should try at least once in their life these days. Don't skip out because your girlfriends cant get off from work or someone bailed out. Anyone can do solo travel and you will meet a ton of people.
Mobile travel apps can actually be a massive benefit to those looking to get a more advanced vacation experience. Make sure you decide what you want to do when you head abroad, and then you can download the relevant apps. There is a lot you can do, and there are plenty of great apps you can download for your phone that are going to make a big difference to your trip going forward.
I swear by the WanderWallet. It lets me keep track of my expenses so I know just how much I owe. Google maps because so valuable when I am unsure if I will get service. I just download some maps before I go and I am never lost.
Improving and enhancing the experience you have when it comes to your vacation is so important. You have a lot to think about if you are serious about improving your travel adventure. You must think about what you can do to have the best possible time, as well as choosing the right accommodation, and exploring countries on your own. These are things that can all help you to improve and enhance your experience as a traveler.


Cian Kendall Garth Brown, infant son of Chris "CJ"Allen Jr and Shantel "Tella" Clark Brown, was born and passed away on August 20, 2018 in Gunnison, UT.
He is the brother of Keiley-Jean RaNae Brown and the Grandson of Sean and Kristy Clark, Chris Allen Brown and Shirlene Hazel Brown, and the great-grandson of Jean Dutton, Martin and Gayle Stock, and Robert "Bob" Clark. He was preceded in death by great-grandparents, Wendy Clark, Kendall "Mel" Dutton, Garth and Nola RaNae Hazel.


text:
APPLE iPad 10.2" Gen 9 (2021) Wi-Fi, 64GB, Silver
Etusivu Tabletit APPLE iPad 10.2" Gen 9 (2021) Wi-Fi, 64GB, Silver
MK2L3KN/A
Näytön koko 10.2"
Resoluutio 2160 x 1620
Paino 487g
Mobiililaajakaistan Ei
OS iPadOS 15
Kapasiteetti 64GB
Varastossa 1080
Katso lisää Tabletit alkaen APPLE tässä
Apple iPad 10.2" Gen 9 (2021)
Powerful. Easy to use. Versatile. The new iPad is designed for all the things you love to do. Work, play, create, learn, stay connected, and more. All at an incredible value.
Power through any task.
The A13 Bionic chip makes everything more responsive, from messaging to web browsing to using multiple apps at once.
Up to 20 percent faster GPU gives you the graphics performance you need. Perfect for playing immersive games and more.
A more powerful Neural Engine drives machine learning-based features like Live Text in iPadOS 15.
The A13 Bionic chip effortlessly powers advanced apps like Adobe Fresco and Procreate.
With all-day battery life, iPad is ready to work or play for as long as you need it.
Your bright ideas on display.
With incredible detail and vivid colors, the 10.2-inch Retina display is perfect for watching movies, working on a project, or drawing your next masterpiece.
True Tone adjusts the display to the color temperature of the room to make viewing comfortable in any light.
Shoots, edits, and shares. Oh my.
Center Stage makes video calls more engaging by automatically adjusting to keep you centered in the frame. And it lets you create fun videos for posting to popular social apps.
In addition to Center Stage, the 12MP Ultra Wide front camera brings a huge boost in image quality for even better selfies and group shots.
The 8MP Wide camera on the back of iPad captures sharp, vivid images and video.
The versatile back camera also lets you scan documents and experience immersive AR apps.
Go limitless with wireless.
Download files, stream movies, collaborate with colleagues, and upload content from just about anywhere.
Fast Wi-Fi lets you stay connected at home, work, school, or wherever you go with iPad.
With Gigabit-class LTE, you can connect even when you can't access Wi-Fi.
Write it down. Type it up.
Using Apple Pencil is as natural as putting pen to paper, but with capabilities that make handwriting as powerful as typed text.
Attach a thin and light Smart Keyboard for comfortable typing - perfect for writing your novel or crafting your business plan.
Take unforgettable notes, create a work of art, mark up screenshots, and much more.
The Smart Keyboard folds up into a slim, lightweight cover for portable protection.
iPadOS. Smooth operating system.
Designed for the large Multi-Touch display, iPadOS is powerful and easy to use.
iPadOS 15 pushes the capabilities of iPad further with more discoverable multitasking, new ways to find and organize information, and enhanced note-taking.
Apps for everything you love.
iPad comes with powerful Apple-designed apps like Photos, Maps, Messages, Apple News, Mail, and Safari. And with over a million apps on the App Store designed just for iPad, you'll find the right app for anything you want to do. Make a beat, get a workout in, read the news, or join a battle royale with friends.
Privacy built in.
Like every Apple product, iPad was designed with your privacy and security in mind. It's not always easy. But that's the kind of innovation we believe in.
Designed for everyone
Technology is most powerful when everyone can use it. That's why iPad comes with accessibility features that support vision, hearing, mobility, and cognitive needs. Like sign language prominence in FaceTime, which can detect when a participant is using sign language and make the person prominent in a Group FaceTime call.
Height: 9.8 inches (250.6 mm)
Width: 6.8 inches (174.1 mm)
Depth: 0.29 inch (7.5 mm)
Wi-Fi models: 1.07 pounds (487 grams)
Wi-Fi + Cellular models: 1.09 pounds (498 grams)
Lightning to USB-C Cable
10.2-inch (diagonal) LED-backlit Multi-Touch display with IPS technology
500 nits brightness
Supports Apple Pencil (1st generation)
A13 Bionic chip with 64-bit architecture
Neural Engine
8MP Wide camera
Five-element lens
HDR for photos
1080p HD video recording at 25 fps and 30 fps
3x video zoom
Slo-mo video support for 720p at 120 fps
Time-lapse video with stabilization
Video image stabilization
Cinematic video stabilization (1080p and 720p)
12MP Ultra Wide camera, 122° field of view
1080p HD video recording at 25 fps, 30 fps, or 60 fps
Lens correction
Retina Flash
FaceTime video
iPad to any FaceTime-enabled device over Wi-Fi or cellular
Audio Calling
FaceTime audio
Dual microphones for calls, video recording, and audio recording
Wi-Fi (802.11a/b/g/n/ac); dual band (2.4GHz and 5GHz); HT80 with MIMO
Bluetooth 4.2 technology
Wi-Fi + Cellular models (Model A2603):
UMTS/HSPA/HSPA+/DC-HSDPA (850, 900, 1700/2100, 1900, 2100 MHz)
Gigabit-class LTE (Bands 1, 2, 3, 4, 5, 7, 8, 11, 12, 13, 14, 17, 18, 19, 20, 21, 25, 26, 29, 30, 34, 38, 39, 40, 41, 66, 71)
Nano-SIM (supports Apple SIM)
iBeacon microlocation
Built-in GPS/GNSS
Make purchases from the iTunes Store, App Store, and Apple Books
Pay with your iPad using Touch ID within apps and on the web
Send and receive money in Messages
Use your voice to send messages, set reminders, and more
Power and Battery
Built-in 32.4-watt-hour rechargeable lithium-polymer battery
iPadOS comes with powerful features and built-in apps designed to take advantage of the unique capabilities of iPad.
Built-in accessibility features supporting vision, mobility, hearing, and cognitive disabilities help you get the most out of your iPad.
RTT and TTY support
Siri and Dictation
Type to Siri
AssistiveTouch
Spoken Content
Built-in Apps
App Store / Books / Calendar / Camera / Clock / Contacts / FaceTime / Files / Find My / Home / iTunes Store / Magnifier / Mail / Maps / Measure / Messages / Music / News / Notes / Photo Booth / Photos / Podcasts / Reminders / Safari / Settings / Shortcuts / Siri / Stocks / Tips / Translate / TV / Voice Memos
Free Apps from Apple
Pages / Numbers / Keynote / iMovie / GarageBand / Apple Store / Trailers / Clips / Swift Playgrounds / Support
Apple ID (required for some features)
Syncing to a Mac or PC requires:
macOS Catalina 10.15 or later using the Finder
macOS El Capitan 10.11.6 through macOS Mojave 10.14.6 using iTunes 12.8 or later
Windows 10 and iTunes 12.12 or later
English (Australia, Canada, India, Singapore, UK, U.S.), Chinese (Simplified, Traditional, Traditional Hong Kong), French (Canada, France), German, Italian, Japanese, Korean, Spanish (Latin America, Mexico, Spain), Arabic, Catalan, Croatian, Czech, Danish, Dutch, Finnish, Greek, Hebrew, Hindi, Hungarian, Indonesian, Malay, Norwegian, Polish, Portuguese (Brazil, Portugal), Romanian, Russian, Slovak, Swedish, Thai, Turkish, Ukrainian, Vietnamese
QuickType keyboard support
English (Australia, Canada, India, Singapore, UK, U.S.), Chinese - Simplified (Handwriting, Pinyin QWERTY, Pinyin 10 Key, Shuangpin, Stroke), Chinese - Traditional (Cangjie, Handwriting, Pinyin QWERTY, Pinyin 10 Key, Shuangpin, Stroke, Sucheng, Zhuyin), French (Belgium, Canada, France, Switzerland), German (Austria, Germany, Switzerland), Italian, Japanese (Kana, Romaji), Korean (2-Set, 10 Key), Spanish (Latin America, Mexico, Spain), Ainu, Albanian, Amharic, Arabic (Modern Standard, Najdi), Armenian, Assamese, Assyrian, Azerbaijani, Bangla, Belarusian, Bodo, Bulgarian, Burmese, Cantonese - Traditional (Cangjie, Handwriting, Stroke, Sucheng), Catalan, Cherokee, Croatian, Czech, Danish, Dhivehi, Dogri, Dutch, Emoji, Estonian, Faroese, Filipino, Finnish, Flemish, Fula (Adlam), Georgian, Greek, Gujarati, Hawaiian, Hebrew, Hindi (Devanagari, Latin, Transliteration), Hungarian, Icelandic, Igbo, Indonesian, Irish Gaelic, Kannada, Kashmiri (Arabic, Devanagari), Kazakh, Khmer, Konkani (Devanagari), Kurdish (Arabic, Latin), Kyrgyz, Lao, Latvian, Lithuanian, Macedonian, Maithili, Malay (Arabic, Latin), Malayalam, Maltese, Manipuri (Bangla, Meetei Mayek), Maori, Marathi, Mongolian, Navajo, Nepali, Norwegian (Bokmål, Nynorsk), Odia, Pashto, Persian, Persian (Afghanistan), Polish, Portuguese (Brazil, Portugal), Punjabi, Rohingya, Romanian, Russian, Sanskrit, Santali (Devanagari, Ol Chiki), Serbian (Cyrillic, Latin), Sindhi (Arabic, Devanagari), Sinhala, Slovak, Slovenian, Swahili, Swedish, Tajik, Tamil (Anjal, Tamil 99), Telugu, Thai, Tibetan, Tongan, Turkish, Turkmen, Ukrainian, Urdu, Uyghur, Uzbek (Arabic, Cyrillic, Latin), Vietnamese, Welsh
QuickType keyboard support with autocorrection
Arabic (Modern Standard), Arabic (Najdi), Bangla, Bulgarian, Catalan, Cherokee, Chinese - Simplified (Pinyin QWERTY), Chinese - Traditional (Pinyin QWERTY), Chinese - Traditional (Zhuyin), Croatian, Czech, Danish, Dutch, English (Australia), English (Canada), English (India), English (Japan), English (Singapore), English (UK), English (U.S.), Estonian, Filipino, Finnish, Dutch (Belgium), French (Belgium), French (Canada), French (France), French (Switzerland), German (Austria), German (Germany), German (Switzerland), Greek, Gujarati, Hawaiian, Hebrew, Hindi (Devanagari), Hindi (Transliteration), Hungarian, Icelandic, Indonesian, Irish Gaelic, Italian, Japanese (Kana), Japanese (Romaji), Korean (2-set), Latvian, Lithuanian, Macedonian, Malay, Marathi, Norwegian (Bokmål), Norwegian (Nynorsk), Persian, Persian (Afghanistan), Polish, Portuguese (Brazil), Portuguese (Portugal), Punjabi, Romanian, Russian, Serbian (Cyrillic), Serbian (Latin), Slovak, Slovenian, Spanish (Latin America), Spanish (Mexico), Spanish (Spain), Swedish, Tamil (Anjal), Tamil (Tamil 99), Telugu, Thai, Turkish, Ukrainian, Urdu, Vietnamese
QuickType keyboard support with predictive input
English (Australia, Canada, India, Singapore, UK, U.S.), Chinese (Simplified, Traditional), French (Belgium, Canada, France, Switzerland), German (Austria, Germany, Switzerland), Italian, Japanese, Korean, Spanish (Latin America, Mexico, Spain), Arabic (Modern Standard, Najdi), Cantonese (Traditional), Dutch, Hindi (Devanagari, Latin), Portuguese (Brazil, Portugal), Russian, Swedish, Thai, Turkish, Vietnamese
QuickType keyboard support with multilingual input
English (U.S.), English (Australia), English (Canada), English (India), English (Singapore), English (UK), Chinese - Simplified (Pinyin), Chinese - Traditional (Pinyin), French (France), French (Belgium), French (Canada), French (Switzerland), German (Germany), German (Austria), German (Switzerland), Italian, Japanese (Romaji), Portuguese (Brazil), Portuguese (Portugal), Spanish (Spain), Spanish (Latin America), Spanish (Mexico), Dutch (Belgium), Dutch (Netherlands), Hindi (Latin)
QuickType keyboard support with contextual suggestions
English (U.S.), English (Australia), English (Canada), English (India), English (Singapore), English (UK), Chinese (Simplified), French (Belgium), French (Canada), French (France), French (Switzerland), German (Austria), German (Germany), German (Switzerland), Italian, Spanish (Latin America), Spanish (Mexico), Spanish (Spain), Arabic (Modern Standard), Arabic (Najdi), Dutch (Belgium), Dutch (Netherlands), Hindi (Devanagari), Hindi (Latin), Russian, Swedish, Portuguese (Brazil), Turkish, Vietnamese
QuickPath keyboard support
English (U.S.), English (Australia), English (Canada), English (India), English (Singapore), English (UK), Chinese (Simplified), French (Canada), French (France), French (Switzerland), German (Austria), German (Germany), German (Switzerland), Italian, Spanish (Latin America), Spanish (Mexico), Spanish (Spain), Portuguese (Brazil), Portuguese (Portugal), Dutch (Belgium), Dutch (Netherlands), Swedish, Vietnamese
Siri languages
English (Australia, Canada, India, Ireland, New Zealand, Singapore, South Africa, UK, U.S.), Spanish (Chile, Mexico, Spain, U.S.), French (Belgium, Canada, France, Switzerland), German (Austria, Germany, Switzerland), Italian (Italy, Switzerland), Japanese (Japan), Korean (Republic of Korea), Mandarin Chinese (China mainland, Taiwan), Cantonese (China mainland, Hong Kong), Arabic (Saudi Arabia, United Arab Emirates), Danish (Denmark), Dutch (Belgium, Netherlands), Finnish (Finland), Hebrew (Israel), Malay (Malaysia), Norwegian (Norway), Portuguese (Brazil), Russian (Russia), Swedish (Sweden), Thai (Thailand), Turkish (Turkey)
Dictation languages
English (Australia, Canada, India, Indonesia, Ireland, Malaysia, New Zealand, Philippines, Saudi Arabia, Singapore, South Africa, United Arab Emirates, UK, U.S.), Spanish (Argentina, Chile, Colombia, Costa Rica, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Panama, Paraguay, Peru, Spain, Uruguay, U.S.), French (Belgium, Canada, France, Luxembourg, Switzerland), German (Austria, Germany, Luxembourg, Switzerland), Italian (Italy, Switzerland), Japanese, Korean, Mandarin (China mainland, Taiwan), Cantonese (China mainland, Hong Kong, Macao), Arabic (Kuwait, Qatar, Saudi Arabia, United Arab Emirates), Catalan, Croatian, Czech, Danish, Dutch (Belgium, Netherlands), Finnish, Greek, Hebrew, Hindi (India), Hungarian, Indonesian, Malaysian, Norwegian, Polish, Portuguese (Brazil, Portugal), Romanian, Russian, Shanghainese (China mainland), Slovak, Swedish, Thai, Turkish, Ukrainian, Vietnamese
Definition dictionary support
English (UK, U.S.), Chinese (Simplified, Traditional), Danish, Dutch, French, German, Hebrew, Hindi, Italian, Japanese, Korean, Norwegian, Portuguese, Russian, Spanish, Swedish, Thai, Turkish
Bilingual dictionary support
Arabic - English, Chinese (Simplified) - English, Chinese (Traditional) - English, Dutch - English, French - English, French - German, German - English, Gujarati - English, Hindi - English, Indonesian - English, Italian - English, Japanese - English, Japanese - Chinese (Simplified), Korean - English, Polish - English, Portuguese - English, Russian - English, Spanish - English, Tamil - English, Telugu - English, Thai - English, Urdu - English, Vietnamese - English
English (UK, U.S.), Chinese (Simplified)
English, French, German, Italian, Spanish, Arabic, Arabic Najdi, Danish, Dutch, Finnish, Korean, Norwegian, Polish, Portuguese, Russian, Swedish, Turkish
Apple Pay supported regions
Australia, Austria, Belarus, Belgium, Brazil, Bulgaria, Canada, China mainland,10 Croatia, Cyprus, Czech Republic, Denmark, Estonia, Faroe Islands, Finland, France, Georgia, Germany, Greece, Greenland, Guernsey, Hong Kong, Hungary, Iceland, Ireland, Isle of Man, Israel, Italy, Japan, Jersey, Kazakhstan, Latvia, Liechtenstein, Lithuania, Luxembourg, Macao, Malta, Mexico, Monaco, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Qatar, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, UK, Ukraine, United Arab Emirates, U.S., Vatican City
Audio formats supported: AAC (8 to 320 Kbps), Protected AAC (from iTunes Store), HE-AAC, MP3 (8 to 320 Kbps), MP3 VBR, Dolby Digital (AC-3), Dolby Digital Plus (E-AC-3), Audible (formats 2, 3, 4, Audible Enhanced Audio, AAX, and AAX+), Apple Lossless, AIFF, and WAV
User-con?gurable maximum volume limit
AirPlay Mirroring, photos, audio, and video out to Apple TV (2nd generation or later)
Video mirroring and video out support: Up to 1080p through Lightning Digital AV Adapter and Lightning to VGA Adapter (adapters sold separately)
Video formats supported: H.264 video up to 4K, 30 frames per second, High Profile level 4.2 with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio or Dolby Audio up to 1008 Kbps, 48kHz, stereo or multichannel audio, in .m4v, .mp4, and .mov file formats; MPEG-4 video up to 2.5 Mbps, 640 by 480 pixels, 30 frames per second, Simple Profile with AAC-LC audio up to 160 Kbps per channel, 48kHz, stereo audio or Dolby Audio up to 1008 Kbps, 48kHz, stereo or multichannel audio, in .m4v, .mp4, and .mov file formats; Motion JPEG (M-JPEG) up to 35 Mbps, 1280 by 720 pixels, 30 frames per second, audio in ulaw, PCM stereo audio in .avi file format
Mail Attachment Support
Viewable document types:
.jpg, .tiff, .gif (images); .doc and .docx (Microsoft Word); .htm and .html (web pages); .key (Keynote); .numbers (Numbers); .pages (Pages); .pdf (Preview and Adobe Acrobat); .ppt and .pptx (Microsoft PowerPoint); .txt (text); .rtf (rich text format); .vcf (contact information); .xls and .xlsx (Microsoft Excel); .zip; .ics; .usdz
Operating ambient temperature:
32° to 95° F (0° to 35° C)
Nonoperating temperature:
-4° to 113° F (-20° to 45° C)
Relative humidity:
5% to 95% noncondensing
Operating altitude:
tested up to 10,000 feet (3000 m)
AUDIO, VERKKOKOKOUS / APPLE
APPLE Airpods With Wireless Charging Case
Tuotekoodi: MRXJ2ZM/A
Ammattilaisten arvostelut: 355 arvostelua
Tyyppi: Langaton kuulekomikrofoni - Melunvaimennus: Ei - Väri: Valkoinen
APPLE AirPods with Charging Case - 2nd generation - true wireless earphones with mic - ear-bud - Bluetooth - for iPad/iPhone/iPod/TV/Watch
Tuotekoodi: MV7N2ZM/A
KOTI / VAPAA-AIKA
Arvioitu saapumisaika 20.3.2023
TIETOKONEET / NÄPPÄIMISTÖ JA HIIRI
APPLE Magic Keyboard With Numeric Keypad-Int
Tuotekoodi: MQ052Z/A
Ammattilaisten arvostelut: 3 arvostelua
Tyyppi: Näppäimistö - Lokalisaatio: Englanti (UK) - Liitettävyys: Langaton - Liitäntä: Bluetooth
APPLE Magic Keyboard with Numeric Keypad Swedish
Tuotekoodi: MQ052S/A
Tyyppi: Näppäimistö - Lokalisaatio: Ruotsi - Liitettävyys: Langallinen & Langaton - Liitäntä: Bluetooth
APPLE iPad Smart Keyboard-Swe
Tuotekoodi: MX3L2S/A
Tyyppi: Case - Tyyppi: Näppäimistö - Lokalisaatio: Ruotsi - Liitettävyys: Langallinen - Liitäntä: Smart Connector
Tuotekoodi: MK2E3Z/A
Tyyppi: Hiiri - Lokalisaatio: - - Liitettävyys: Langallinen & Langaton - Liitäntä: Bluetooth - Liitäntä: USB
APPLE Magic Keyboard With Numeric Keypad-Usa
Tuotekoodi: MQ052LB/A
Tyyppi: Näppäimistö - Lokalisaatio: Englanti (US) - Liitettävyys: Langaton - Liitäntä: Bluetooth
Arvioitu saapumisaika 7.2.2023
APPLE Magic Keyboard With Numeric Keypad-Sun
Tuotekoodi: MQ052RS/A
Tyyppi: Näppäimistö - Lokalisaatio: Venäjä - Liitettävyys: Langallinen & Langaton - Liitäntä: Bluetooth
TIETOKONEET / KANTOLAUKUT
APPLE iPad Smart Cover Black
Tuotekoodi: MX4U2ZM/A
Koko: 10.5" - Tyyppi: Lompakko - Väri: Musta - Brand Compatibility: Apple - Compatibility: iPad Air
APPLE iPad Smart Cover Electric Orange
Tuotekoodi: MJM83ZM/A
Koko: 10.2" - Tyyppi: Avattava kotelo - Väri: Oranssi - Brand Compatibility: Apple - Compatibility: iPad 2019
APPLE iPad Smart Cover English Lavender
Tuotekoodi: MM6M3ZM/A
Koko: 10.5" - Tyyppi: Lompakko - Väri: Liila - Brand Compatibility: Apple - Compatibility: iPad 2019 - Compatibility: iPad 2020 - Compatibility: iPad 2021 - Compatibility: iPad Air - Compatibility: iPad Pro
MUUT / VERKKO / KAAPELIT
APPLE USB-C TO LIGHTNING CABLE 1 M -ZML
Tuotekoodi: MM0A3ZM/A
Tyyppi: Matkapuhelin - Liitin 1: USB C - Liitin 2: Lightning
MUUT / PUHELIMET / MATKAPUHELINTARVIKKEET
APPLE 20W USB-C Power Adapter
Tuotekoodi: MHJE3ZM/A
Tyyppi: Laturi - Merkin Yhteensopivuus: Apple
APPLE POLISHING CLOTH-ZML
Tuotekoodi: MM6F3ZM/A
Tyyppi: Lisätarvikkeet - Yhteensopivuus: Universal - Merkin Yhteensopivuus: Apple
APPLE Flex 1 Yuzu Yellow
Tuotekoodi: MYMD2ZM/A
Tyyppi: Langaton kuulekomikrofoni - Melunvaimennus: Ei - Väri: Keltainen
APPLE Flex 1 Beats Black
Tuotekoodi: MYMC2ZM/A
Tyyppi: Langaton kuuloke - Melunvaimennus: Ei - Väri: Musta
APPLE AirPods Max - Headphones with mic - full size - Bluetooth - wireless - active noise cancelling - green - for iPad/iPhone/iPod/TV/Watch
Tuotekoodi: MGYN3ZM/A
Tyyppi: Langaton kuulekomikrofoni - Melunvaimennus: Kyllä - Väri: Vihreä
APPLE AirPods Max - Headphones with mic - full size - Bluetooth - wireless - active noise cancelling - space grey - for iPad/iPhone/iPod/TV/Watch
Tuotekoodi: MGYH3ZM/A
Tyyppi: Langaton kuulekomikrofoni - Melunvaimennus: Kyllä - Väri: Harmaa
APPLE AirPods Max - Headphones with mic - full size - Bluetooth - wireless - active noise cancelling - sky blue - for iPad/iPhone/iPod/TV/Watch
Tuotekoodi: MGYL3ZM/A
Tyyppi: Langaton kuulekomikrofoni - Melunvaimennus: Kyllä - Väri: Sininen
APPLE AirPods Max - Headphones with mic - full size - Bluetooth - wireless - active noise cancelling - silver - for iPad/iPhone/iPod/TV/Watch
Tuotekoodi: MGYJ3ZM/A
Tyyppi: Langaton kuulekomikrofoni - Melunvaimennus: Kyllä - Väri: Hopea
APPLE AirPods Max - Headphones with mic - full size - Bluetooth - wireless - active noise cancelling - pink - for iPad/iPhone/iPod/TV/Watch
Tuotekoodi: MGYM3ZM/A
Tyyppi: Langaton kuulekomikrofoni - Melunvaimennus: Kyllä - Väri: Pinkki
APPLE AirPods - 3rd generation - true wireless earphones with mic - ear-bud - Bluetooth - for iPad/iPhone/iPod/TV/Watch
Tuotekoodi: MME73ZM/A
APPLE Beats Flex ? AllDay Wireless Earphones Smoke Gray
Tuotekoodi: MYME2ZM/A
APPLE Beats Flex ? AllDay Wireless Earphones Flame Blue
Tuotekoodi: MYMG2ZM/A
Tyyppi: Langaton kuuloke - Melunvaimennus: Ei - Väri: Sininen
APPLE AirPods with Charging Case - 2nd generation - true wireless earphones with mic - ear-bud - Bluetooth - for iPad/ iPhone/ iPod/ TV/ Watch

redpajama_set_name: RedPajamaCommonCrawl


Dans son court-métrage 11'9"01: 11 Septembre, Alejandro González Iñárritu répond à la diffusion en boucle des images du World Trade Center en flammes qui caractérise les attentats du 11 septembre en confrontant son spectateur à un écran noir hanté par des sons enregistrés partout dans le monde le 11 septembre 2001. Après deux interminables minutes, une image apparaît enfin sur l'écran et le spectateur aperçoit une personne tombant des tours jumelles. Des flashes de nature similaire reviennent sporadiquement sur l'écran et, alors que ces visions sont extrêmement brèves, le spectateur peut se demander s'il a véritablement vu des 'jumpers'. Regarder le court-métrage d'Iñárritu est une expérience intrinsèquement insaisissable et pourrait être comparé à l'expérience traumatique que Cathy Caruth définit comme 'un événement dont … il est fait l'expérience trop tôt, trop subitement, pour être entièrement connu, et qui n'est donc accessible à la conscience qu'une fois qu'il s'impose à nouveau, de manière répétée, dans les cauchemars et les actions répétitives du survivant'. En d'autres termes, les flashes qui imprègnent le court-métrage ressemblent indéniablement à un retour du trauma.
L'article analyse la manière dont le court-métrage d'Iñárritu tente de représenter la dimension irreprésentable du 11 septembre. S'appuyant sur l'utilisation que fait le film des images des 'jumpers' – qui furent largement censurées par les médias américains après les attentats – il examine la façon dont le réalisateur transcende la sphère de la représentation en déconstruisant l'expérience cinématographique habituelle. Explorant les limites du son et de l'image, Iñárritu produit une expérience extrêmement troublante pour son public qui doit adopter un type de perception qui s'approche de l'expérience traumatique et son film peut, dans une certaine mesure, être lu comme une mise en scène du retour du trauma des attentats du 11 septembre.
In his 11'9"01: September 11 short film, Alejandro González Iñárritu responds to the oversaturated broadcast of the burning Twin Towers that characterises 9/11 by confronting his audience with a black screen that is haunted by sounds recorded around the world on September 11th, 2001. Two minutes into the film a first image finally appears on the screen and the viewer can glimpse the footage of a person falling down the Twin Towers. Similar flashes soon sporadically burst through the black screen and, as these visions have an extremely fleeting quality to them, room is left for the viewer to wonder whether he truly saw 'jumpers'. Ungraspable by essence, the viewing of Iñarritu's short film can be likened to a traumatic experience, which Cathy Caruth defines as 'an event that … is experienced too soon, too unexpectedly, to be fully known and is therefore not available to consciousness until it imposes itself again, repeatedly, in the nightmares and repetitive actions of the survivor' – the flashes of the 'jumpers' that pervade the short film bearing undeniable similarities to the return of the trauma.
The paper shows how Iñárritu's short film attempts to represent the unrepresentable dimension of 9/11. Stressing the fact that the film uses images of the 'jumpers' that were widely censored by the media in the aftermath of the 9/11 attacks, it analyses how the director transcends the sphere of representation by deconstructing the viewers' habitual cinematic experience. As he explores the limits of sight and sound, Iñárritu produces an extremely unsettling viewing experience for his audience who is forced to adopt a type of perception that verges on the traumatic experience and his film can, to a certain extent, be read as staging the return of the trauma of the 9/11 attacks.
Does God's Light Guide Us or Blind Us?
3 As a matter of fact, the pain created by 9/11 was still so raw for most Americans that the project struggled to find distributors in the United States and the short films were only released – in selected theaters – in July 2003. To this extent, one can legitimately question the 'reflection' Alain Brigand refers to in his interview.
4However, one may agree that, in fact, the main interest of this project is precisely to constitute a unique immediate artistic response to 9/11. Even if the eleven short films are of variable quality, some approaches stand out because of their originality and Alejandro González Iñárritu's short film is undoubtedly one of them. It is the only short film that does not have a clear narrative structure and it is certainly the most experimental one from an aesthetic perspective as the director explores the limits of the traditional dichotomy between sound and image by separating these two elements. Relying on a black screen for most of the short film, Iñárritu's mise en scène depends on a soundtrack that mainly consists of sounds recorded around the globe on September 11th, 2001. Alison Young identifies these 'found sound' segments as coming from Vietnam, South Africa, Poland, Portugal, Italy, France, Germany, Canada and the United States (41). The soundtrack also includes prayers for the dead chanted by Chamulas Indians of Chiapas, Mexico, as well as an original orchestral piece. Sporadically, the black screen is disrupted by brief apparitions of 9/11 original footage. Even though, at the end of the film, one can see the Twin Towers collapsing, it is noteworthy that Iñárritu principally uses images of the 'jumpers,'1 these men and women who were seen falling down the World Trade Center towers during the attacks.
8Indeed, viewers are used to seeing images on a theater screen and, as Iñárritu confronts them with darkness, he forces them to adopt a new type of perception: the fact that the black screen is accompanied by sounds prevents the viewer from taking his eyes off the screen and forces him to confront this obscurity; similarly, as these sounds are accompanied by a black screen, the viewer cannot ignore them and is forced to listen to them. In other words, as image and sound are separated, their impact on the viewer is enhanced.
11Furthermore, the unique position in which the 'jumpers' found themselves during the duration of the attackssuggests that their figure could be regarded as a symbol of the 9/11 trauma. As they were forced outside the Twin Towers by the unbearable conditions inside, the 'jumpers' were caught sight of as a direct consequence of what was taking place in the two buildings.Since the incidents that occurred inside the World Trade Center during the attacks remain one of the only undocumented aspects of the event, these falling men and women seem to be the closest one will ever get to witnessing what took place there on that morning. To this extent, they could very well constitute one of the only possible ways to start approaching the dark side of the event, not to say the heart of the event. Contrary to the monstrous scope of the crisis and the apocalyptic panoramic footage of the blazing Twin Towers that can prove exceptionally difficult to relate to, these persons, who can be empathized with, offer the opportunity to bring the attacks back to a human scale where the event has a chance of being approached. Virtually the only human dimension to an otherwise inhuman event, they appear to be the only possible embodiment of 9/11. In addition, as the 'jumpers' fell from the Twin Towers instead of remaining inside to face an equally certain death amidst flames and fumes, their very ordeal encapsulated the full horror of the attacks as it stressed the inevitability of the death of the people trapped inside the World Trade Center that morning. Since this inescapable fate probably lies at the heart of the 9/11 trauma, the figure of the 'jumpers' could legitimately be read as incarnating this trauma.
14However, even then, it is not clear which one of the two towers the broadcaster is referring to and, as soon as this statement is made, the soundscape becomes pervaded by reports in different languages. As the foreign voices overlap, the viewer cannot make sense of the information conveyed and this dissociative representation of 9/11 can be read as another translation of the event's traumatic dimension: 'Actual experiences can be so overwhelming that they cannot be integrated into existing mental frameworks and, instead, are dissociated, later to return intrusively as fragmented sensory or motoric experiences' (Caruth 176).
15Resting on the traumatic 9/11 figure of the 'jumpers' and based on a structure uncannily similar to trauma's modus operandi, Iñárritu's short film appears to rely on a traumatic mode and it seems legitimate to wonder to what extent this mise en scène has the potential to perform the catharsis referred to by the director in his interview.
16The possibility of a catharsis seems to be confirmed by the impact the film has had on viewers, leaving nobody unmoved. As seen above, watching Iñárritu's short film is an unsettling experience and, the film being prone to elicit strong emotions in the viewer, it could potentially lead to the purification of emotions characteristic of catharsis. This is to a certain extent confirmed by the end of the film when light finally overcomes the oppressive darkness and the viewer's eyes are relieved to contemplate the newly white screen. Similarly, the soothing string melody that concludes the short film brings a long awaited harmony. As previously mentioned, for most of the film the soundscape is pervaded by overlapping voices and Chamulas death chants, which create a dizzying sensation. This haunting effect is further emphasized by the orchestral piece that accompanies the film. Starting very quietly, with prolonged notes, the music swells to an ever-greater crescendo and its insistence on the long vibrato notes as well as its underlying dissonances stress the uneasiness that inhabits the film, finding some resolution only at the end through a melodic passage. The cathartic effect brought by the short film's orchestral piece is noteworthy in that it is in the tradition of American composer Samuel Barber, whose Adagio for Strings was played by the BBC orchestra on September 15th, 2001, in honor of those who lost their lives a few days prior. As Alexander J. Morin remarks, Barber's music 'rarely leaves a dry eye' and the same could be said of Iñárritu's elegiac soundtrack (Morin 74). Full of pathos, the concluding movement of the string music seems prone to creating a certain solace and has an undeniable cathartic momentum to it.
19However, it is not because the flashes in Iñárritu's film become clearer that they can actually be more straightforwardly comprehended and grasped by the viewer. Sincethe director separates sight and sound, he forces the viewer to modify his perception and it is possible to assume that, as the flashes are separated by long sequences of darkness, the viewer who is used to seeing images on the screen in front of him is tempted to hold on to the only images he was given, picturing in his mind the 'jumpers' helplessly falling down while he is confronted with the black screen. In other words, the harrowing views of the 'jumpers,' that can only be glimpsed at, will haunt the remainder of the short film.
21That is to say, the voices heard in Iñárritu's short film would give 'body to what we can never see, to what eludes our gaze' and would emerge as 'a placeholder for an image that does not appear' (93).
22The relationship between voice and image is all the more interesting in that Iñárritu uses actual messages left by 9/11 victims on the answering machines of their families and friends. During the attacks, many phone calls were made by the people trapped inside the towers and while these people's bodies were invisible to the outside world, their voices, on the other hand, were heard, making them exist virtually solely through their voices. Elaine Scarry writes: 'the voice becomes a final source of self-extension: so long as one is speaking, the self extends out beyond the boundaries of the body, occupies a space much larger than the body' (33). Their voices constituting one of the last remnants of their existence, the people inside the Twin Towers could potentially be read as endowed with a certain spectral dimension and Iñárritu's use of these voices would strengthen the impression that the 'jumpers'' presence, which is a priori fleeting, inhabits the remainder of the short film. Haunted by the figure of the 'jumpers,' Iñárritu's film appears as locked in a momentum similar to a traumatic compulsion to repeat where the repetitive pattern of the flashes could only be transcended with difficulty.
23It ought to be stressed that in terms of trauma assimilation, repetition itself is not sufficient to enable the incorporation of a traumatic experience into consciousness. Repetition is solely a symptom of traumatization. For the unconscious traumatic experience to be one day brought into consciousness, the subject needs to face this repetition and the existence of the trauma it represents. Consequently, remaining at the pathological level of repetition prevents the possibility of assimilation and the recurrence of traumatic images does not ensure a successful integration of the trauma into consciousness. On the contrary, before being fully confronted, this repetition blocks any possible extraction of information and it is the duty of the traumatized mind to confront the repetition to assimilate the trauma.
28While the director recognizes that looking at the attacks from a religious perspective is a 'subjective' stance, it is noteworthy that he actually expresses a clear-cut opinion when he states that religious discourse tends to blind people rather than enlighten them. That is to say that the short film's closing question would be purely rhetorical: it would revolve around itself, sending the viewer back to the darkness he had just emerged from. Indeed, even though the white screen that ends the film is a relief for the eyes, one should not forget that the concluding question is eventually erased by a piercing light that invades the screen. Dazzled and listening to the same Chamulas chants that opened the short film, Iñárritu's viewer finds himself in a position similar to the one he was in at the beginning of the film, the film's repetitive pattern being tightly locked, virtually impossible to transcend.
29To conclude, since the modus operandi that underlies Iñárritu's short film appears to rest on a dynamic similar to that of a traumatic compulsion to repeat, his film could legitimately be read as a staging of the return of the original 9/11 trauma. Nevertheless, it would probably be excessive to assume that this mise en scène can perform a true catharsis. In theory, the viewer could very well face the compulsion to repeat proposed by the director to process his own 9/11 trauma. However, this confrontation may prove insufficient since watching the film cannot be compared to the actual 9/11 experience. The film remains a simulation and the film's repetitive pattern cannot be regarded as a true repetition compulsion: it is only its representation. While the images of the 'jumpers' used by Iñárritu may hold some of 9/11's traumatic dimension, their repetition on the screen is imposed on the viewer and is not the product of his own unconscious. That is to say that even if one can consider that Iñárritu's short film is a rather successful rendition of the return of the 9/11 trauma, it remains a simple staging of this phenomenon and it will never be sufficient to enable the catharsis evoked by the director in his interview.
30Some resolution may nevertheless be found in Iñárritu's use of the images of the 'jumpers.' As the film's mise en scène is based on an absence of images to sporadically let footage of the 'jumpers' seep through, it detaches itself from the ubiquitous footage of the blazing World Trade Center that has come to represent 9/11 in the collective mind. Offering a perspective on the attacks that works in a way reverse to the traditional representation of the event, Iñárritu's film could very well have the potential to reach a deeper level of the 9/11 trauma. To this extent, his short film may possibly constitute a further step towards the assimilation of this trauma for certain viewers.
CARUTH, Cathy, ed. Trauma: Explorations in Memory, Baltimore and London: The Johns Hopkins University Press, 1995.
FREUD, Sigmund. "Beyond the Pleasure Principle", in STRACHEY J. trans. The Penguin Freud Library, London: Penguin, 1985.
FRIEND, David. Watching the World Change, London and New York: I.B. Tauris, 2006.
KAUFMAN, Eleanor. "Falling from the Sky: Trauma in Perec's W and Caruth's Unclaimed Experience". Diacritics 28.4 (1998).
MATTHEWS, Peter. "One Day in September". Sight and Sound (January 2003).
MORIN, Alexander. Classical Music: Third Ear: The Essential Listening Companion, San Francisco: Hyperlink: http://en.wikipedia.org/wiki/Hal_Leonard_Corporation Backbeat Books, 2001.
SANTNER, Eric L. "History beyond the Pleasure Principle: Some Thoughts on the Representation of Trauma", in FRIEDLANDER Saul ed. Probing the Limits of Representation: Nazism and the 'Final Solution', Cambridge, Massachusetts, and London: Harvard University Press, 1992.
SCARRY, Elaine. The Body in Pain, Oxford and New York: Oxford University Press, 1985.
ŽIŽEK, Slavoj. "'I Hear You with My Eyes'; or, The Invisible Master", in SALECL, Renata and Slavoj Žižek eds. Gaze and Voice as Love Objects, Durham and London: Duke University Press, 1996.
11'09"01: September 11. Dir. Samira Makhmalbaf, Claude Lelouch, Youssef Chahine, Danis Tanovic, Idrissa Ouedraogo, Ken Loach, Alejandro Gonzalez Iñárritu, Amos Gitaï, Mira Nair, Sean Penn and Shohei Imamura. Artificial Eye, 2002.
1 It needs to be highlighted that the term 'jumper' is here used for the purpose of concision, but that one should remain aware of the problematic aspect entailed by the use of this appellation. Indeed, it suggests that the people who were seen tumbling down the World Trade Center willingly decided to escape the towers, a fact that cannot be ascertained, let alone generalised, and which implies that these men and women committed suicide. This idea remains highly debatable and it would be needless here to hypothesize on the intentions of these people.
Marie-Christine Clemente has just completed her PhD at the University of Cambridge, UK. Her thesis is entitled 'Reading 9/11: An Analysis of the Event and its Literary Representation in the Novels of Frédéric Beigbeder, Jonathan Safran Foer and Don DeLillo.' She is the author of 'Beigbeder's Evil Personae in Windows on the World: Authorial Ethics and 9/11', published with Cambridge Scholars Publishing in the volume Evil in Contemporary French and Francophone Literature by Scott Powers. She is also the author of a volume entitled Le Coeur dans tous ses états… to be published with Peter Lang in 2012.
Marie-Christine Clemente est docteur de l'Université de Cambridge (Royaume-Uni). Sa thèse est intitulée 'Reading 9/11: An Analysis of the Event and its Literary Representation in the Novels of Frédéric Beigbeder, Jonathan Safran Foer and Don DeLillo.' Elle est l'auteur de 'Beigbeder's Evil Personae in Windows on the World: Authorial Ethics and 9/11' publié par Cambridge Scholars Publishing dans le volume Evil in Contemporary French and Francophone Literature de Scott Powers. Elle est également l'auteur d'un volume intitulé Le Coeur dans tous ses états... à paraître aux éditions Peter Lang en 2012.


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text:
Entertainment → Movies
What is one movie that you love, but no one has ever heard of? Mine is Six String Samurai.
by Zack Be Gone - All Hail Firebrand. 3 hours ago
Zack Be Gone - All Hail Firebrand.
ANSWERS: 15
The Brother From Another Planet.
| Permalink | Share | 22
Symbeline
I can't think of a movie I love that nobody knows about...but I'll go along with Rya's theme, I really like those ''Lone Wolf and Cub'' movies.
Someguy
3 O'clock high
phinswin
Jeckyl & Hyde.....Together Again.
"Vice Squad," from 1982. It starred Wings Houser, who was on the soap "The Young and the Restless," and Dee Wallace, the woman who played Elliot's mother in "ET." It's about a pimp (Hauser) and a prostitute, they get involved when the pimp kills one of his girls, who is the friend of Dee's character. The police use Dee as bait to catch the pimp. Pretty exciting, and a few funny moments when they show her during some of her "dates."
Rude Bear Ready for Winter
Luggage of the Gods
Kitt-tastrophy
PrimeCOA Will be back
The Accountant; obscure, funny, sad and thought provoking. A very unconventional accountant helps two brothers save their farm . . . he does his best work while drinking beer (PBR.)
Nelson - Jetpacking from bed
I thought I was the only person on earth that had seen Six String Samurai! Soundtrack by the Red Elvises! "If you were me, you'd be good looking" Best line from the movie. Mine is Home of the Brave by Laurie Anderson.
Jodie44
"Koyaanisqatsi" (Francis Ford Coppola) Koyaanisqatsi is a Hopi Indian word meaning "life out of balance". Lots of time-lapse photography and nature scenes. Very powerful message. Below is the trailer
Babycakes
The Red Violin.
Simply99 -- Not a fan favorite.
The Station Agent. It is like way so better than this trailer would have you believe.
Nada Normal
Spiritual Kung Fu - a very funny, very young jackie chan but the dialog is better in mandrin than the voiceover
RosieGHM Jetpacker
"Buckaroo Banzai"..I loved that movie. The only one I know that saw it was my "second son"! He loved it too. My son, as far as I know to this day, has never seen it..nor anyone else I know! There was also a great movie called "The Lawnmower Man"..I think that was the name of it! :)
What is one movie that has a plane in it?
What is one movie that you think everyone should own?
What is one movie that you NEVER want to see a remake of?
What is one movie you absolutely hate?
What is your favorite movie that you think i've never heard of...?
What is one movie that you saw that you do not want to see again?
What is that one animated movie where the fairy type princess finds her prince cheating and then turns into a dark kind of fairy then eventually falls in love with the antagonist?
What is your favorite film that has a title of just one word?
What is your favourite movie you think i`ve never heard of?
What is the one movie you can watch over and over again, and still not get bored of it?


We all know that, with the growth of technology. There are gaping holes in almost every security system. Hackers are people, who think from a different perspective because they simply don't want to browse a site or download a file. They want to turn the website upside down. So if you're also willing to do this kind of stuff. Well, you're at a right place. Now with the help of these 5 vulnerable websites, practice your skills legally.
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bWAPP is known for Buggy Web Application. It can be used by security enthusiasts, students, and developers to discover and to prevent web vulnerabilities. It is created by Malik Messelem, bWAPP also conduct successful penetration testing and ethical hacking projects. Now, why is this on the top 5 penetrating testing sites? Because it has over 100 web vulnerabilities.
bWAPP can be hosted on Linux/Windows with Apache/IIS and MySQL. And it is a PHP application that uses a MySQL database. By downloading bWAPP you get free tutorials and introduction tutorial, including free exercises.
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This application was made for users as a tool for the purpose of iOS penetration skills in a safe and legal environment. This application can also be used by students, mobile security enthusiasts for learning or reviewing the basics of mobile application security. This application contains a section, where the users can read various articles on iOS application security. And the vulnerabilities and solutions covered in this app are tested up to iOS version 8.1. This project is developed and maintained by @prateekg147. DVIA is free and open source so you can download it for free.
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Damn Vulnerable Web App (DVWA) is a PHP/MySQL web application that is very vulnerable. The site was created with the help of @ethicalhack3r, Ryan Dewhurst. The goal is to be an aid for security professionals to test their skills, tools in the safe and legal environment.
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text:
The HHCC team with some of the new calendars
Harrogate Hospital & Community Charity's 2020 calendar recognises the efforts of NHS staff during the Covid-19 pandemic
Please share the news
Photographs recognising the hard work of NHS staff during the Covid-19 pandemic as well as celebrating wonderful local landscapes are the feature of the newly-launched Harrogate Hospital & Community Charity (HHCC) 2021 Calendar.
The calendar is now on sale, raising money for Harrogate and District NHS Foundation Trust (HDFT). The photos featured in the calendar are the winners of the 2020 photo competition run by the charity to celebrate #teamHDFT and all that it means to its staff, patients and service users.
There were over 50 entries to the competition and the winning selection includes stunning images of Harrogate, Knaresborough and surrounding areas, as well as uplifting images of staff at work during the Covid-19 pandemic.
To get your calendar and support your local NHS, visit https://hhcc.co.uk/shop/calendar/, email hdft.hhcc@nhs.net or call 01423 557408.
The project has been sponsored by Living and Home, a homeware company based in Manchester whose Director has strong connections to the Trust after his daughter was born at Harrogate District Hospital.
This wonderful support means that the full price of the calendar will go directly to the charity's work supporting HDFT. The money they raise for the Trust goes towards improving its services, training and facilities and has recently been put towards providing electronic tablets for patients on wards to video call their relatives while in hospital.
Ben Windass, Materials Management Procurement Officer at HDFT, took the winning image on the front of the calendar. He said:
I love working for HDFT. My role here offers me variety in my working day, and interaction with a wide range of colleagues throughout the Trust. It really is a wonderful place to work with a genuine sense of community.
I named this piece of work 'Rainbow' because of the general theme around national support for the NHS and I feel this picture really encapsulates this. Incidentally, these crocheted rainbows were kindly donated to the Trust, which also reinforces the theme of support and positivity towards HDFT, and the NHS as a whole.
Any money raised by the sale of these calendars would be greatly appreciated. On a personal level, it feels warming that I have been able to contribute towards this project and hope that it will in turn contribute to supporting our fabulous Trust and all the communities we serve.
Sammy Lambert, Business Development, Charity and Volunteer Manager, said:
We are so proud to be launching the 2020/21 calendar this October. The images used to develop it are absolutely amazing and really capture the spirit of the NHS in the north and what it means to be a part of teamHDFT.
It's been a tough year for both colleagues and service users at the Trust, and we are really keen to raise as much as we can following the success of last year's calendar in order to continue improving what the Trust can do for its local communities.
The calendars are available for a suggested £10 donation and will make excellent Christmas gifts.
Bus company says 8 of 10 journeys will keep running during lockdown
8 January 2021 8 January 2021
Bus workers have the grit to get Harrogate moving again
Missing George Hall, 89, from Pateley Bridge, last seen on Skipton Road area of Harrogate (now found)
Amber weather warning for Yorkshire due to forecast heavy rain
Northern Powergrid prepares for Storm Christoph
HBC planning report shows supports for Harrogate Spring Water/ Danone bottling plant
Two suspected drug dealers arrested in Harrogate
Three charities working to bring North Yorkshire Together
Yorkshire celebrities back hunt for Britains best christmas trees


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text:
Mo Farah: from lefty hero to tax exile in 10 short months
James Bloodworth
Last year Mo Farah was calling on the chancellor to crack down on tax avoidance. Now he want to be a tax exile.
Alongside Jessica Ennis, Mo Farah is one of the most recognisable British athletes. Since he swept all before him at the 2012 London Olympics, he has won practically everything, and is the current 10,000 metres World and Olympic champion and 5,000 metres Olympic, World and European champion.
His popularity has been enhanced in no small part by his reputation as an all round nice guy.
I don't know Mr Farah personally, therefore it would be odd to say that I 'liked' him. I certainly admire his achievements, though; and he went up in my estimation on a personal level early last year, when he called on chancellor George Osborne to clampdown on tax dodgers. As London loves Business reported:
"Robbie Williams and Mo Farah have called on George Osborne to clamp down on tax dodging firms.
"The stars have thrown their weight behind the 'Enough Food for Everyone IF campaign' that beckons global firms to pay their taxes in the world's poorest countries."
How disappointing, then, to read this week that Farah, one of the wealthiest track athletes in the world, has applied to become a tax exile in Portland, Oregon. According to the magazine Runner's World:
"Mo Farah, who won Olympic 5000- and 10,000-meter titles in front of hometown crowds at the 2012 London Games, has applied to be a tax exile from the United Kingdom of Great Britain and Northern Ireland.
"Farah now lists Portland, Oregon as his main place of residence; it's where he's been part of the Oregon Project, coached by Alberto Salazar, since 2011. He also spends part of each winter training in Kenya."
Farah already spends time in Oregon as part of the Oregon Project, a programme aimed at developing the best distance runners in the world, and has now reportedly submitted a non-residency application to HMRC.
An extraordinary move for someone who claims to be all about "making the country proud". According to the Daily Record, Farah is expected to make as much as £10 million in the next few years.
The hypocrisy of the super-rich is nothing new of course. What's so disappointing is that Mo Farah, who only 10 months ago was standing on a soapbox calling on the chancellor to tackle tax dodging, now appears to be trying to minimise his own tax bill – at the expense of the rest of the UK's taxpayers. It is, after all, tax which pays for things like the NHS; and all of us who lose out when services are starved of money.
If you are desperate to reduce your own tax bill, perhaps don't moralise about other people's tax affairs, even if you are an Olympic champion.
35 Responses to "Mo Farah: from lefty hero to tax exile in 10 short months"
I'm not sure the 'hypocrisy' label is justified. From what you report, it seems that Farah spends most of his time training in the USA because that's where the main centre for training is, and the remainder in Kenya. That being so, his main residence wouldn't be in the UK. That's quite different from being a tax exile in the sense of moving abroad (or spending time abroad) just in order to avoid tax.
He presumably pays tax on his overseas earnings in those countries and due to dual taxation arrangements that could leave little or no income to be taxed in the UK even if he retained UK residence.
It's also quite different from the artificial structuring of companies to avoid taxation in countries where they do operate that you suggest he has criticized. If he lived and worked in the UK but routed some earnings through overseas companies – as, say, footballers often do with image rights – that would be similar. But this is just somebody living and working abroad.
swatnan
No professional athlete should be allowed to compete in the Olympics. They were designed purely for Amateurs. Farah and Bolt and the others try and squeeze as much money out of the public as they can; all professional Sportspeople do. Thats the trouble with Sport these days: Money.
megalennon
If he is actually living and training in Portland, it seems pretty harsh to call him a tax exile. If that's where he is actually living and working it seems pretty sensible that that is where he pays his taxes.
Let's not be so eager to shout someone down.
iriscot
It comes as no surprise Mo is like any millionaire the more you have the more you want to keep
He's like any human being. He wants to keep as much of what he's earned as he can. It's the same whether you earn £25k of £10m. No-one wants to hand over more money to the state than they have to. It's not evil, greedy or wrong; it's simply using available legal mechanisms to minimise tax. Perhaps James Bloodworth could tell us whether he has an ISA. Because they too are a legal tax minimisation scheme. It's exactly the same principle.
At the heart of this article is a basic left wing belief: the championing of mediocrity. The left hates success, particularly any success rewarded financially, and would rather that all the population were homogenous, all earning £25k and working 37 hours a week because that fits in with their simplistic class-war view of society. The amount of articles on here that reference and champion 'ordinary' people, you'd think that being ordinary was something to which we should all aspire. Good luck to Mr Farah: he stands at the top end of his field and has worked hard to achieve what most people can't. You can bet your life he hasn't sat around in pubs complaining about his life and the state of the nation and how you can never achieve anything because the whole system is against you. That's the Left. And that's mediocrity.


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Moto3™ World Championship leader Danny Kent is looking forward to the Motul TT Assen, the location of his first ever Grand Prix podium.
Leopard Racing's young Briton Danny Kent arrived in the Netherlands with a 51-point lead in the standings after he won for the fourth time this season in Barcelona. In doing so the Honda rider underlined once again how dominant he is in this year's championship and he counts the TT Circuit in Assen as one of his favourite tracks, as it it was the site of his first ever grand prix podium back in 2012.
Maria Herrera discusses her first year racing in the Moto3™ World Championship in a guest blog for boxrepsol.com.
Rossi, Lorenzo, Iannone, Marquez, Smith and Pedrosa were all present at the press conference that marks the start of the Motul TT Assen.
Sam Lowes is hoping to be fighting for the race win at the Motul TT Assen after a positive test in Barcelona.
Randy Krummenacher is looking forward to the Motul TT Assen as hopes to add to his three point-scoring finishes in 2015.
Alexis Masbou admits he is struggling at the moment, but he hopes to be back fighting for the podium at the Motul TT Assen.
Jorge Navarro seems happy ahead of the Motul TT Assen after a test last week at Motorland Aragon.


MY BLOG RANG me a few minutes ago to ask about a special set of screws. Read on if you are intrigued about the steps (in photo) and squeaks.
Photo of stairs by @topgold.
But I never got the screws and the stairs kept squeaking. They still squeak for the current home owner. And I have a new squeak in our current rental bungalow but no anti-squeak screws.
However, it is relatively easy to find my blog when Googling for squeaky stairs in Ireland. And since my phone number is on top of my blog, I get the occasional request for No-squeak Screws. When that call happened today, I had to tell the confused caller that I was ill-equipped to help. But I am resolved to get the screws  before our trip Stateside next year.
So in the Christmas season, if you hear a squeak underfoot, feel free to ring my blog. The number is on top of nearly every page.
1. Bernie Goldbach -- "How to fix squeaky stairs" on Insideview.ie, September 3, 2006.
2. O'Berry Enterprises -- "Sqeeeeeek No More"
I PUT THE world's best GPS watch onto my Father's Day Wishlist and then started letting the Suunto Google Plus Community push its updates to my phone because I know the combination of those two tactics will help me divert my fast food spending into the Suunto Savings Account. I figure I will have enough money for the Suunto after avoiding 117 takeaway meals.
So that means sometime around Christmas 2015 I'll have the funds for the $500 purchase and I think my well-telegraphed intentions will help nudge this health and fitness tracker into my Christmas stocking. It will be worth the wait.
AS I NOTED in my weekly review of the Sunday papers, we have validated our need for scented oil and citronella because the midges are back with warmer weather. We want help from the Sodshow too.
In the meantime, a nice porcelain oil lamp from the Scandinavian shop might help. It reminds me of outdoor items my grandfather would use when setting up special garden parties for clients.
OUR CHRISTMAS SHOPPING season this year is very truncated because we have 1200 euro less each month, compared to 2010.
So when we find things like the free ball pit in the photo (snapped at the Monkey Maze in Glanmire), I feel like we've done well.
The Monkey Maze Ball Pit offers safe harbor for two of our kids and releases Mom the Shopper to walk Cork's shopping district, located a 20 minute drive away. We've also discovered Cork Traffic Wardens let us get away without paying for on-street parking.
Looking back at my Foursquare check-ins, I discovered I buy most of my trousers in Cork but most of my suits in Limerick. I've bookmarked one clothing store in Cork whose tailor makes clever nomad gear pockets. I need two nomad jackets that also look like business attire.
If things go to plan, young Dylan will be in the ball pit in January when I buy a nomad jacket in Cork.
MUSIC IS A DAYPARTER. You can tell it's near lunchtime in Europe by the requests for tracks my blog gets.
You can tell a lot more about an online presence by looking and listening to the dayparting results. I used to think I was more a tech blog than anything else, but the high-ranking terms of reference cited in this post suggests I'm closer to Liveline's audience, not Adrian Weckler's readers. For those loyal listeners, you're welcome to try out some Sugababes music below, perhaps on your Nokia Lumia or Android phone. I don't think the girls will play through the below link on an iPhone.
Bernie Goldbach curates links about music.
I HAVE SPECIAL SPACE in my DVD collection for Star Wars, Star Trek and BSG. So it's only natural to have a special hook in the hallway for a Star Wars M65 Field Jacket.
I'm posting my thoughts here, along with a direct link to the Adidas selection, to prod family viewers towards a lovely Christmas idea. I've already asked my wife if she would like a matching jacket and she has declined. So I'm trying to determine if our four-year-old could fill out the smallest size and be the envy of her play school as she strides in with her Camo Jacket, complete with a four-star field commander cluster to keep her inner nerd warm toasty warm..
IT'S THE SEASON FOR searching for photos related to Christmas in Ireland. I've five years of Christmas memories recorded on Typepad's servers, including some shots taken with a Nokia Bluetooth camera (see left), a Sony Clie and others snapped with several Fujifilm cameras. I shot the little people walking on Grafton Street one wet December day in 2003. Today, those same kids probably have cameraphones of their own. They take, save, and share Christmas pictures of their own. Years ago, I never thought that every phone would incorporate a camera. Now, it's paramount because sharing moments will always evoke visual memories.


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Robert Clary (gebürtig: Robert Max Widerman; * 1. März 1926 in Paris; † 16. November 2022 in Beverly Hills, Kalifornien) war ein französischer Schauspieler und Sänger, der überwiegend in den Vereinigten Staaten aktiv war.

Leben
Clary kam 1926 als Sohn einer Krankenschwester und eines Schneiders zur Welt; er war das jüngste von insgesamt vermutlich 14 Kindern seines Vaters, der mit Clarys Mutter in zweiter Ehe verheiratet war. 1942, während der deutschen Besetzung wurden er und zwölf weitere seiner Familienangehörigen aufgrund ihrer jüdischen Herkunft verhaftet. Clary verbrachte drei Jahre in den Konzentrationslagern Auschwitz und Buchenwald. Er hatte auch eine Häftlingsnummer auf dem linken Unterarm und trug deshalb in seinen Filmen zumeist langärmlige Kleidung. Nach eigenen Aussagen freundete er sich in Buchenwald mit Jiří Žák an und verdankte dessen Unterstützung auch das Überleben. Ein dortiger Mitgefangener schlug ihm außerdem den Künstlernamen "Robert Clary" vor, ausgehend von dem Film Les Adventures de Désirée Clary.

Nach dem Zweiten Weltkrieg zog Clary in die USA und trat dort als Sänger und Darsteller auf. 1951 gab er sein Filmdebüt in Frauenraub in Marokko mit Burt Lancaster. Von 1965 bis 1971 verkörperte er in der Kriegsgefangenenserie Ein Käfig voller Helden die Rolle des "Louis LeBeau" und 1975 in Robert Wises Katastrophenfilm Die Hindenburg über den Zeppelinabsturz den Passagier "Joe Spah". Im selben Jahr gab er in Delbert Manns Fernsehfilm The Legendary Curse of the Hope Diamond den französischen König Ludwig XVI. Er trat außerdem regelmäßig als Sänger auf.

Robert Clary lebte in Beverly Hills und war nach dem Tod von Richard Dawson im Jahr 2012 der letzte noch lebende Hauptdarsteller der Urbesetzung von Ein Käfig voller Helden. Er war von 1965 bis zu ihrem Tod mit Natalie Cantor (1916–1997), der Tochter des Künstlerehepaares Eddie und Ida Cantor, verheiratet. Clary starb 96-jährig in seinem Zuhause im kalifornischen Beverly Hills.

Filmografie (Auswahl)
 1951: Frauenraub in Marokko (Ten Tall Men)
 1952: Abu Andar, Held von Damaskus (The Thief of Damascus)
 1963: Eine neue Art von Liebe (A New Kind of Love)
 1965–1971: Ein Käfig voller Helden (Hogan's Heroes) (Fernsehserie, 168 Folgen)
 1969: Wo die Liebe hinfällt (Love, American Style; Fernsehserie, 1 Folge)
 1972: Arnie (Fernsehserie; Fernsehserie, 1 Folge)
 1972–1987: Zeit der Sehnsucht (Days of Our Lives, Fernseh-Seifenoper, feste Rolle)
 1973: Schatten der Leidenschaft (The Young and the Restless; Fernsehserie, 2 Folgen)
 1975: Die Hindenburg (The Hindenburg)
 1978: Fantasy Island (Fernsehserie, 1 Folge)
 1984: Operation: Maskerade (Masquerade; Fernsehserie, 1 Folge)
 1985: General Hospital (Fernseh-Seifenoper)
 1989: Familie Munster (The Munsters Today; Fernsehserie, 1 Folge)
 1990–1992: Reich und Schön (The Bold and the Beautiful; Fernsehserie, 43 Folgen)

Literatur
 Robert Clary: From the Holocaust to Hogan's Heroes. The Autobiography of Robert Clary. Madison Books, Lanham, New York 2001, ISBN 1-56833-228-9.
 Kay Weniger: Zwischen Bühne und Baracke. Lexikon der verfolgten Theater-, Film- und Musikkünstler 1933 bis 1945. Mit einem Geleitwort von Paul Spiegel. Metropol, Berlin 2008, ISBN 978-3-938690-10-9, S. 81.

Weblinks

Einzelnachweise

Filmschauspieler
Sänger
Autobiografie
Häftling im KZ Auschwitz
Häftling im KZ Buchenwald
Überlebender des Holocaust
Pseudonym
Französischer Emigrant in den Vereinigten Staaten
Franzose
Geboren 1926
Gestorben 2022
Mann

redpajama_set_name: RedPajamaWikipedia


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text:
(souris, rat) est un kanji composé de 13 traits et fondé sur 鼠. Il fait partie des jōyō kanji.

Il se lit そ ou しょ en lecture on et ねずみ en lecture kun.

Dans le calendrier chinois, le 鼠 est le premier. Les douze animaux se sont affrontés sur leur préséance dans le cycle d'années dans le calendrier. On a donné à tous les animaux alignés sur le bord d'une rivière la tâche d'aller au rivage opposé. Le bœuf était le plus rapide, mais le rat avait sauté sur le dos du bœuf. Quand le bœuf a abordé le rivage, le rat a sauté et a fini la course le premier.

Voir aussi

Articles connexes
 Rat
 Souris

Kanji


Lord Thorpe's new business partner is not what he expected. With her billowy black hair and creamy skin. Alexandra Ward is stunningly beautiful, brashly outspoken... and the perfect image of a wealthy woman long thought dead.
Straight from America, Alexandra finds London fraught with danger. Her appearance on Thorpe's arm sends shock rippling through society and arouses hushed whispers: is she a schemer in search of a dead woman's fortune, or an innocent caught up in circumstances that she doesn't understand?
Someone knows the truth, someone who doesn't want Alexandra to live long enough to learn anything. Only Lord Thorpe can help her now – if he can overcome his own suspicions.


Tom Williams founded GiveMeaning.com, a charitable foundation and an online fundraising site. His marketing and media expertise made the foundation raised more than $2 million in Canada alone, with more than 1,200 projects involving 40 countries.
The increasing market for specialty tea in Canada is discussed.
Increasing number of lifestyle malls in Canada is discussed.


I have some questions regarding certain scenarios. If ther are 2 players left in say, a 8 player freestyle standard game and they both have 1 territory left (and their territories do no border, it is only surrounded by infected neturals). When Player B ends his/her turn (still with the above situation), does Player A get the win?
WHAT ARE THEY INFECTED WITH?!
Army of GOD wrote: The real question is.
Okay, I'll admit that I haven't visited this forum in a long while, so I'm sorry for the delayed response.
However, I've been working in the Foundry (slowly) on a map called Zombie Invasion. It's still in the gameplay stages before some serious graphics work gets done, but the idea was developed partly with the Infected Neutrals suggestion in mind. This new change you propose, which makes killer neutrals exempt, would require a possible re-think on my map.
The thing is this: my map was intended to have zombies as an unlimited force... players literally could never be rid of them, they could only hope to get to the helipad and escape. The only way to ensure that the 'zombies' (neutrals) never went away is to use killer neutrals.
If the Infected Neutrals suggestion ever gets implemented- and with a new website developer, that is a more distinct possibility- then it would seem sad to me that the zombies on my map would actually be 'zombie-proof'!
Well, for a map like Monsters, It would be impossible to maintain the Wizard. On Das Schloss, Hubschrauber A & B would kill all the Parachutes off instantly, due to having a ton of Troops on them.
Edit** Also, what the original plan was, that every Neutral would attack anything beside it, if it had the forces. Now, with Killer Neutrals, this threw a few maps like the 2 i mentioned out of whack. Now, from your map, all the Neutrals on the streets are killers, correct? Well, with this new feature coming in, it would ACTUALLY make your map nearly impossible to play, since if you have 4 starting points, and only 3 troops to deploy, you'd be kinda hooped. Because the killer neutrals, on the streets, would constantly be gaining 1 each turn, along with Neutrals in the areas off the streets. But with this, the Neutrals won't be gaining 1 each turn, but still remain as if this game type wasn't played.
The only way to ensure that the 'zombies' (neutrals) never went away is to use killer neutrals.
I'm not saying that we will remove killer neutrals off the maps. I'm just saying they won't be considered "infected". This game type would more likely give you a more zombie like feel, as each room is filled with so many infected. There still will be killer neutrals on the streets, they will come back after each time someone conquers the territory, they just won't be able to attack off their own space. Maybe create a safe room for starting terts? So that in case this gets implemented, infected won't be charging into your starting terts.
I'm so in support of this as a new setting...and so opposed to letting new recrutis play it. There really needs to be a list of settings that new recruits can't access for a few games!
Queen_Herpes wrote: I'm so in support of this as a new setting...and so opposed to letting new recrutis play it. There really needs to be a list of settings that new recruits can't access for a few games!
Late idea! Have a 'gang up' option in which all the players are on one team against the neutrals. Once they finish them all, it turns into a normal game with the other selected options.
Don't know if this was suggested, and also didn't think it thorough. In writing it sounds like a bad idea.
00iCon wrote: Late idea! Have a 'gang up' option in which all the players are on one team against the neutrals. Once they finish them all, it turns into a normal game with the other selected options.
This may be completely pointless on some maps, where with X amount of players, there may only be 2 neutrals. Or, on a starting map, where the whole map is basically neutrals.
for randomly distributed terr's, perhaps change it so 1/3 are neutral.
I really doubt people would play fairly with that setting. Most players would just hit everyone else, then clean up the neutrals, then kill.
In the case of 2 players being attacked by Infected Territories, the territory that comes FIRST in the alphabet will be attacked first. For example. Angola will be attacked before Mongolia.
please get rid of that edit... and im also curious, how long do things remain last call anyway?
vrex wrote: please get rid of that edit... and im also curious, how long do things remain last call anyway?
All depends on the Webmasters decision.
I have been following this topic for a few years now, just wondering if it will ever get implemented?
Gah...I would never play this.
I am so hot to play this.... really would put this site above the rest.
I understand the work to maintain a script like this one would be insane, however I can see it as a challenge to those of us who enjoy multi-level play.
agentcom wrote: This would be very cool.
How do people find this stuff and dig it up?


There's just no getting around it. If you are selling professional services, you need a presence on social media to remain competitive in your marketplace.
Social Media is one of the "4 Marketing Evils" we discuss here at Done4ULocal when we start working with a new client.
These "Marketing Evils" are the things every business needs to take care of to build a foundation for their marketing… the things that you just can't do without if you want a competitive online presence in today's marketing landscape.
Forbes reports on research by Eventility that shows 78% of small businesses get at least 25% of their business through social media. (Forbes Article). Read that again and let it sink in for a second.
In the same article they report that 97% of consumers search for local businesses online. Do you think it's worth making sure you have your social and online presence up to snuff?
This can mean different things to different businesses. For us and most of our clients, it means that you need to have a presence on the sites your clients frequent and regularly put out great content to keep that site current and attempts to engage your audience to stimulate some interaction… and answer them when they comment, message you and connect on those sites.
We are looking to make sure that when prospects checkout your social pages… and they will… that they find something that shows you are up to date and relevant. If a prospect who uses Facebook regularly sees that your competitors Facebook page is up-to-date and looks great, but yours doesn't even have a cover image and the last time you posted was 2 months ago, they will check out your competitor first.
That is the minimum you should do for all social media platforms you are on. To fully take advantage of the power of engagement and building relationships with your followers, you need a lot of time and effort… and investment. Not everyone will get sufficient ROI for intensive relationship building strategies. For most of our clients, optimizing and putting a consistent content and posting strategy is the key and it's a lot more affordable.
Most in-house social media managers have little or no marketing experience or training on social media. Send them over to this blog post and they can access Mr. Demers' article. With a bit of creativity, you can use your unique content and personality for pretty much all of the ideas he presents. They won't all resonate with your social plan, but many will, and chances are there'll be some you've never heard of that you can add to your arsenal.
The bottom line is that if you want to stay competitive, you need to have a presence on the social media platforms that your prospective clients are using. They will be looking. You want them to find relevant posts that show you are on top of your game and care enough to engage with your followers and clients.


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Home TOP STORIES Terminal operators, MWUN sign agreement to enhance dockworkers welfare
Terminal operators, MWUN sign agreement to enhance dockworkers welfare
By Shulammite 'FoyekuDec 19, 2018
PHOTO CREDIT: SHIPS & PORTS archive
The Seaport Terminal Operators Association of Nigeria (STOAN) and the Maritime Workers Union of Nigeria (MWUN) have signed the Collective Bargaining Agreement (CBA), which seeks to improve the welfare of dockworkers in the country.
The newly signed agreement, which is for a period of two years, is intended to ensure and sustain industrial harmony in the industry as it encompasses fair treatment of dockworkers, by ensuring that every employee gets retirement benefit.
Speaking during the signing of the agreement, which was supervised by the Nigerian Maritime Administration and Safety Agency (NIMASA), the Chairman of STOAN, Princess Vicky Haastrup, said the importance of dockworkers to port operations cannot be over emphasized.
"If there are no dockworkers, there are no ports because if you have a port and you do not have the dockworkers to help discharge the vessels, we cannot operate," the STOAN Chairman said.
She said since the ports were concessioned, terminal operators have shown unflinching commitment to the welfare of dockworkers through improved wages compared to what obtained in the pre-concession era.
Princess Haastrup commended NIMASA and the leadership of MWUN for driving the process, which led to the signing of the agreement and for ensuring industrial peace and harmony exists in the ports.
She said, "Over the years, dockworkers' interests have not been well protected particularly under the hazardous conditions in which they worked. We recognise that it is important for us to maintain and see to it that their interests are well protected. Before 2006, the average income of a dockworker then was about N5,000 that is why when we took over we ensured that they are adequately compensated for the work they are doing.
"In 2008, we had the first negotiation and ever since till now, every two years, we have always sat down and that is why we call it collective bargaining agreement. Since we took over in 2006, we discover that most critical area for peace in the industry and to have a smooth sail operation in the Nigeria port is to maintain absolute peace with the dockworkers.
"In the last couple of years, we have not heard of stoppage of operation, it has become a thing of the past in our port and I commend the leadership of the union," Princess Haastrup added.
The President General of MWUN, Comrade Adewale Adeyanju, expressed appreciation to the terminal operators for signing the agreement to improve dockworkers' welfare despite the economic situation affecting the operators.
He said with the signing of the agreement, which will translate to a 60 percent increase in the wages of dockworkers, will also entitle them to terminal and retirement benefits.
He said, "In the past, we don't know our employers but the beauty of this new agreement show that there is a structure coming to the port where a dockworker will have retirement and terminal benefits being borne by the terminal operators and not the stevedoring contractors. I want to appreciate all the terminal operators for this wonderful gesture that they render," he said.
He also commended NIMASA for supporting the course of the union and for creating harmonious working relationship between the terminal operators and MWUN.
Executive Director, Maritime Labour and Cabotage Services of NIMASA, who is also the Chairman of the National Joint Industrial Council (NJIC), Gambo Ahmed urged the terminal operators to ensure full implementation of the agreement in order to sustain the already existing peace and industrial harmony in the industry.
The NJIC is the body responsible for negotiating and reviewing of minimum standards for dockworkers. The regulation of dock labour minimum standards is the statutory responsibility of the agency as enshrined in the Act, section 27 (1) sub-section b of the NIMASA Act.
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FIRSTHAND: Gun Violence in Chicago 6
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Shot and Forgotten 25
The Gunfighters 13
The NRA and Me 6
About The Trace
The Trace is an independent, nonprofit news organization dedicated to expanding coverage of guns in the United States. We believe that our country's epidemic rates of firearm-related violence are coupled with a second problem: a shortage of information about the issue at large. Read more ...
People leave the Supreme Court on Monday, June 26, 2017. [AP/J. Scott Applewhite]
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Supreme Court Declines to Hear Case on Concealed Gun Restrictions
The constitutionality of carrying guns in public remains undecided by the high court.
by Nora Biette-Timmons
· @biettetimmons
The U.S. Supreme Court on Monday declined to take up a case challenging California's tight restrictions on granting concealed carry licenses, meaning that municipalities and states will continue to enjoy broad discretion in determining who can carry guns in public, and where they can carry them.
The case, Peruta v. California, argues that the "good cause" requirement many California counties impose on residents applying for a license to carry a concealed weapon infringes on Second Amendment rights. The primary plaintiff, Edward Peruta, filed suit against San Diego County's gun licensing laws in 2009, after a sheriff denied his application for a gun permit. In San Diego, an applicant must provide documentation that he or she faces a specific threat that "distinguishes the applicant from the mainstream." Generic concern for self defense is not enough. California law also prohibits open carry in most situations, so Peruta argued that he was effectively banned from carrying a gun in public.
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The Court's refusal to hear Peruta is "a plausible indication that the court doesn't have an appetite for a Second Amendment case right now," says Joseph Blocher, a professor at Duke Law School.
Four justices must agree to hear a case, or grant certiorari. Justices Neil Gorsuch, whose tenure on the high court began in April, and Clarence Thomas were the only two in favor of doing so for Peruta.
In an eight-page-long dissent, Justice Thomas wrote that the Peruta case "raises important questions that this Court should address. The en banc court's decision to limit its review to whether the Second Amendment protects the right to concealed carry — as opposed to the more general right to public carry — was untenable.
"Even if other Members of the Court do not agree that the Second Amendment likely protects a right to public carry, the time has come for the Court to answer this important question definitively," Thomas wrote.
By refusing to hear Peruta, the court allows the decision reached by the Ninth Circuit Court of Appeals to stand. The lower court's decision focused on only part of Peruta's argument: It ruled "the Second Amendment does not preserve or protect a right of a member of the general public to carry concealed firearms in public."
In his dissent, Thomas characterized the circuit court's approach to the ruling as "indefensible."
The Supreme Court may have another chance to address the core questions raised by Peruta. Matthew Grace and Pink Pistols v. District of Columbia, which is currently winding its way through lower courts, also raises questions about the constitutionality of public carry, Blocher says.
The justices on Monday also declined to hear another Second Amendment case, Binderup v. Sessions, in which two men with felony convictions argued that their particular circumstances do not merit being barred from gun ownership.
Coincidentally, Monday was the ninth anniversary of the landmark Heller v. District of Columbia ruling, which guaranteed the individual right to bear arms. But the facts of that case were about whether or not one may have a weapon in the home, which left the door open for further Second Amendment challenges.
The opinion in Heller was written by the late conservative Justice Antonin Scalia, who argued that the Second Amendment "surely elevates above all other interests the right of law-abiding, responsible citizens to use arms in defense of hearth and home" but also noted that, "like most rights, the right secured by the Second Amendment is not unlimited."
Gorsuch replaced Scalia on the bench, preserving the balance of conservative- and liberal-leaning judges that existed prior to Scalia's death. During his confirmation process, Gorsuch received the complete backing of the National Rifle Association, which spent $1 million on ads that targeted Democratic senators from red states to compel them to confirm him.
Nora Biette-Timmons
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Following a first edition in 2018 that has been a huge success, famous Hotel Eden starred chef based in Roma, Fabio Ciervo joins Relais Plaza kitchen alongside chef Philippe Marc to make you travel to Italy again!
This is how you'll discover at 21 avenue Montaigne dishes the Italian chef serves in his restaurant "Il Giardino Ristorante".
On the menu, for instance, you'll have zucchini flowers stuffed with ricotta and taleggio, black olives and cherry tomatoes, spaghetti with pecorino and black pepper from Madagascar scented with rose buds or even stracciatella and raw red shrimps from Sicily and alla scapece zucchinis.
You can choose between the menu of the day or à la carte, for lunch and for dinner!
Menu of the day, Italian version including starter and main course or main course and dessert for €54.
Menu of the day, Italian version including starter, main course and dessert for €64.
This Italian week will beautifully end on Tuesday April 9, 2019 with a Dolce Vita night. In a décor reminding us of an Italian movie set from the 60's, the chef offers you to enjoy an Italian menu especially created on the occasion. Including antipasti to share, primi and secondi piatti, then an Italian dessert imagined by World Pastry Champion and Meilleur Ouvrier de France chef Angelo Musa.
You can also discover a wonderful list of wines and cocktails.
If you want to switch to Italian time in the heart of Paris, head to Relais Plaza from April 8 to 15, 2019!