text:
jerry lucas children
Graduated from Ohio State University with a bachelor's degree in three years and spent his senior year in post-graduate studies. The Cincinnati Royals had reportedly been considering Lucas since before their arrival to the city of Cincinnati in 1957.
A February game held at Cincinnati Gardens against rival Hamilton, itself a nearby former state champion, drew over 13,000 at a time when crowd sizes of that kind were uncommon at any level of the game. That loss ended a state-record 76 game win streak. During his college career, he had stated repeatedly that he would never turn pro. His role on the team would again be chiefly rebounding and other support play, but he scored 20 or more points several times, and led the league in field goal percentage as a rookie. His outside shooting, often well past today's three point line, changed defensive strategies, as opponents were forced to send their big man 20 feet from the basket to guard Lucas. In the NBA, the Cincinnati Royals had long held that league's rights to Lucas, having drafted him as a high schooler with a territorial selection, which was allowed in the league then. [15] In addition to publicized scrimmages against an 11-11 1958-59 Ohio State varsity, the freshman Lucas was also asked by Woody Hayes to tutor Ohio State football players in their studies. Nicknamed Hondo, he was drafted with the No. He was fifth in the league in rebounding in an NBA that now had 17 teams.
Middletown's schedule often featured strong teams from Cincinnati, Dayton, and Columbus, but remained undefeated. Middletown then called itself "The Basketball Capital of Ohio", based on the success of the basketball teams from the town's one high school. A tall youth, Lucas was encouraged to take up the game and soon dedicated himself to the town's game.[8]. [1] He is the only three-time Big Ten Basketball Player of the Year,[citation needed] and was named the NCAA Player of the Year in 1961 and 1962 by the United States Basketball Writers Association (now Oscar Robertson Award), the Associated Press, and the Sporting News. He suffered just one loss as a senior, a 63-62 defeat in a state semi-final game against Columbus North. © FamousBirthdays.com - use subject to the information collection practices disclosed in our Privacy Policy. [18] Despite the physical play near the basket during those Games, Lucas received just six free throws total, but shot 80% from the floor to be a top scorer. He chose San Francisco. Jerry Lucas Fans Also Viewed . He was the smallest center in the league, and many were skeptical about how Lucas and the Knicks would do with this lineup.
Lucas also played very well, averaging 20.8 points on 50% shooting, 9.8 rebounds, 6.2 assists and 46.6 minutes in the series against the Lakers and Wilt Chamberlain. Signing the locally well-known Middletown and Ohio State star surged ticket sales for the team which had steadily declined in the two seasons before his signing. A straight-A student with a penchant for memorizing his school work, Lucas had started to develop memory games for himself as early as age nine. He also studied investment opportunities and tax shelters. But at 31, Lucas had what may have been his best pro season, leading the Knicks in rebounds and shooting accuracy, and second on the team in both scoring and assists to Walt Frazier. He is a writer and actor, known for The Perfect Summer, The Way It Was (1974) and The Top 5 Reasons You Can't Blame... (1999). One trick he would be known for was his ability to take words apart and reassemble them quickly in alphabetical order. Lucas was soon forced to declare bankruptcy. Lucas was badly injured against Wake Forest in the semifinal preceding his rematch against the University of Cincinnati Bearcats. In 1972–73, Reed, the New York team captain and star, returned. | Having toured the Soviet Union in 1961 as that team's big star, Lucas was reportedly requested by these countries for the 1964 NBA tour. Other Works That team played games in Moscow, Leningrad, and Kiev with Lucas starring at center, and won all eight games played.
That team was coached by basketball Hall of Famer Red Auerbach and included several Boston Celtics, in addition to his Cincinnati pro teammate, Oscar Robertson. The Knicks needed a big man to back up their starting center Willis Reed and power forward Dave DeBusschere. In 1969, Bob Cousy took over as coach of the Royals, who had again missed the playoffs in the tough NBA East Division of the day.
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jerry lucas children 2020


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After looking at my design of a few days back I decided it definately needed another revision. For one thing, I switced out the serial->parallel chips to a more common chip that I can get off of digikey (497-5746-1-ND) for $3.30 apiece which isn't too bad (it's not the best though…but it will save on shipping). I also got rid of most of that empty space that I was not using and managed to compress the entire thing so that it is as small as it can get unless I drastically change my design.
As you yan see I have moved all of the chips underneath the displays. I had not done this before because I thought the autorouter wouldn't be able to handle it and I would be left with 100 airwires to resolve. However, when I upgraded the chips the package size had to go up from SSOP to SOIC. This drastically reduced the complexity of routing and made it possible to fit everything beneath the displays. I was a bit sad about this change, but I could only find SOIC versions of the more popular chip (I enjoy soldering small chips because of bragging rights).
Another major change is the position of the mosfets. I have moved them from more or less a column into two "blocks" which are more or less symetrical. I had never thought of this before and it made the airwire ratnest much less dense in the long run with being able to position the column sink chips underneath the adjacent dot matrix module. The mosfets I am using are BSS138LT1GOSDKR-ND (say that 5 times fast) and are $0.58 apiece for 20 (they only way I could find them was on digireel, so the price changes with quantity).
The final major change was an error correction. I found that I had accidentally named all of my clock lines CLK. I have probably 4 different clocks and they were all connected together. I had to separate them and that pretty much broke the last design since I didn't feel like layout out the board in exactly that pattern again.
I have decided that I am going to publicize my designs if anyone wants them. However, I will not be giving out the eagle files for my own reasons. Eventually I will export the schematic in JPG (I have to clean it up a bit) and I will include the board as gerber and excellon files. This could take time, so don't expect them for a bit.
I am now thinking of how to get this board fabricated. I have found one company, olimex, who will do it for around $40 per board (no minimum quantity) which is really quite cheap. The also allow panelizing and will cut your boards for you if you want, so I might wait until I have the entire clock finished before sending it off for fabbing. The only problem so far is that my board is .3″ too wide for their smaller double sided panel. The upgrade is over $100 and adds about 6″ on every side to the space which I don't need unless I decided to make two clocks and panelize all the parts into one board. Hopefully it isn't too hard to get these fabricated since I kind of need them to be fabricated before I can do serious testing on my software.
This entry was posted in Dot Matrix Clock, Programming on April 18, 2009 by admin.
Man, I have been working on this project since probably 2006. This is by far my longest lived project with about 4 different breadboarded prototypes, 2 or 3 different control schemes, 2 differnt types of displays, and 3 different microcontrollers designed for. I think I have settled on a final design and I do have to say that this clock is more like a computer than an actual clock.
A few years back I saw a POV clock made using a PIC16F84 which I thought was pretty cool. The only drawback that I saw at the time was the fact that it depended on moving parts that made noise. I really wanted to make something like that, so I looked into Dot Matrix displays. At first they seemed really expensive and difficult to get, but I eventually learned that surplus sites and eBay had very cheap displays that I could get. I proposed the idea to my mom to see if she would pay for it and she agreed (to a reasonable limit). I expected the project to take 6 months to a year. I was dead wrong. Getting a display to even be bright enough to see was a challange on its own, but eventually I learned enough about how to push LEDs to their limits that I could get a visible display running. Originally I used LPT747R displays, but these turned out to be too dim and even after pumping 18V through my 5V logic (resulting in the literal explosion of a hex inverter, but no damage to any of the other parts strangely) they were still barely visible under normal lighting. I discovered that even though LEDs may seem bright when powered constantly they are dimmed to about 1/16 of their original brightness when ran multiplexed. An added bonus of this is that you can pump about 16 times the amount of rated current through an LED (this reduces the LED life though…and if your display freezes those pixels are shot). The other brightness limiting factor is the maximum current driving capacity of the chips used to supply the current and to sink the current. Using standard 74HC logic didn't work very well since they simply couldn't supply enough current (this is probably why 18V didn't blow up the LEDs…not enough current). It took a while, but I have been able to figure out how to drive enough current through the displays to get them to be bright enough (more on this later). Recently I switched over to some 8×8 dot matrices which have also increased visibility greatly.
The display uses an array of serial->parrallel shift registers driving (now sinking) the rows with either a multiplexor or mosfet array sinking (now driving) the rows. I now use a combination of a multiplexor and mosfet array to drive the rows. The entire system is controlled by a microcontroller (originally a 16F628A, but now an 18F4550). The microcontroller stores two entire screens in memory and displays one at a time. During the displaying process each row is clocked out to a chain of shift registers and once the entire row is out the registers shift their data out to some latches which turn on specific LEDs. The rows are controlled by the microcontroller in some fashion which has varied depending on the current mockup.
The current version of the Dot Matrix clock consists of two main boards: The display board and the controller board. As of this writing I have only completed the PCB layouts on the display board. An 18 pin connector connects the two board. Each board has a microcontroller on it with the display board having a PIC18F4550 and the controller board having either another 18F4550 or a PIC24HJsomethingorother (I haven't decided yet). The displays are 10 8×8 displays arranged into a 5×2 pattern giving me 40×16 pixels to work with. I plan on having 4 brighness levels possible per pixel, but this depends heavily on the amount of memory I will be able to spare for display buffers on the microcontroller. The displays are column-cathode, row-anode so power is supplied to the rows.
The PCB layout as it stands now (and as it will probably look in the next revision more or less) is displayed below. There is quite a bit of unused space, so it is possible that I will upgrade to a 4 layer board and just put the entire clock on one board.
Row driving is accomplished by using a 4->16 multiplexor switching 16 mosfets which drive each row. Each mosfet is rated at something around 200-400mA which should be more than enough to drive 40 LEDs at a 1/16th duty cycle at full current with all of them on. Current limiting is accomplished by the column driving/sinking chips and will be explained next.
Current capacity was a big problem with my previous designs using the 74HC595 chips for column sinking. The chips could only sink so much current at once and would start limiting it at a certain point. This lead to unequal brighness and low visibility. I found a solution to this on one of the pages at this site. It showed a demonstration of a display using an MBI5027 shift register to sink columns. This shift register is capable of sinking 50mA per output pin and limits current by use of a set resistor on one of the pins. It also has short/open circuit fault detection. The only problem with this chip is that it isn't very available. The only place I could find it was on this King Fish electronics or something like that. They used UPS for shipping which was a minimum of $10. I was not about to pay $10 shipping for a few $1 chips, so I put out a plea for help on one of the various forums I troll and got a response about this MAX6979 chip from Maxim-Dallas. It does the exact same thing as the MBI5027 and even adds a watchdog so that it blanks the display if serial input stops for over a second (could save my modules if my controller crashes). What's more, it was only $0.26 more than the MBI chip and it was sampleable. I have not yet gotten this chip (I think it is in the mail) and I can't wait to try it out.
The shift registers are arranged in a chain and data is entered rightmost pixel first. The previous row's data is displayed even during clocking and isn't replaced until an entire new row is ready.
As of yet I am not ready to release any of the software for this, but I will give the basics of its operation below. The software is mostly incomplete, but I have most of it thought out.
Switching steps 3 and 4 causes slight ghosting and that was probably one of my larger mistakes when I was first writing the code a while back. The rows are stored as two arrays of 40 16-bit words using a row mask. Only one array is actually displayed at any given time and the array that is not being constructed with graphics data is being displayed. After the graphics array is constructed the active array switches and the opposite array is writen to. This prevents screen flicker, makes animation smoother, and allows for a constant framerate without fear of interrupting a write and getting something funky displayed for a frame or so. This is a commonly used technique that I first learned when programming BASIC with I was about 10 or so and applying it to this is not difficult as long as I have the memory.
Adding "color" to the pixels is one of the possible features of this. Instead of having each array be 40 16-bit words it will have 40 32-bit words. This doubles the memory requirement and starts to approach the memory limit of the 18F4550 (remember there are two arrays). The row displaying sequence will be quadrupled so that instead of displaying 16 rows it effectively displays 64 rows, 4 for each actual row. This shouldn't reduce the overall brightness of the screen since all it does it add PWM to each individual row with 2-bit resolution giving 4 "colors".
The master can either issue more writing commands or send a "refresh" command that will switch which array is written to and display whatever data it has just written.
The program is going to be interrupt driven with the row displaying on a timer so that the framerate is constant. Switching arrays will only happen after an entire frame has been displayed, so there will have be a few flags between the bus "process" and the display "process" to facilitate this. Hopefully the controller won't be overwhelmed, but I plan on running at the full 12MIPS using the fastest crystal possible and the PLL.
Obviously, most of this code is not yet written but I do have a good idea of what I have to write and after getting a hardware prototype working it sould be relatively easy to put this code in.
As always, do not take my ideas without asking me first or crediting me somehow. Feel free to use this as a resource for your own projects, but if I see an exact duplicate of my clock out there somewhere that I didn't know about previously it could be bad. The point of this clock is to be unique, so if you end up making a clock based off of information you found here then try to make it unique enough so that it could be distinguished from mine easily.
I am not sure how often I will be able to actually work on this clock, but I will post updates when I reach milestones and such.
This entry was posted in Dot Matrix Clock, Programming on April 15, 2009 by admin.


text:
ASEAN Open Skies Policy Comes Into Force, Raising Hopes of Higher Traffic Growth
by Dezan Shira & Associates |
Jan 12, 2015 4:11pm
The ASEAN Open Skies policy has come into effect on January 1, 2015 despite three airline tragedies involving Southeast Asian airlines in 2014.
The Open Skies policy, which is also known as the ASEAN Single Aviation Market (ASEAN-SAM), is intended to increase regional and domestic connectivity, integrate production networks and enhance regional trade by allowing airlines from ASEAN member states to fly freely throughout the region via the liberalization of air services under a single, unified air transport market.
Many airline industry analysts say the Single Aviation Market will lead to growth and development as it opens up the market to more competition. Greater connectivity between aviation markets arising from ASEAN-SAM should encourage higher traffic growth and service quality, while lowering ticket prices.
If ASEAN-SAM is successfully implemented, there will no longer be regulatory limits on the frequency or capacity of flights between international airports across the 10 ASEAN member countries.
Tellingly, however, not included in the current agreement are steps towards opening up ASEAN aviation to common ownership, in a market still very much populated by state-owned airlines.
Freedoms of the Air
The most important aspect of liberalizing aviation markets is the guarantee of third, fourth, fifth, and seventh freedoms of the air, which are as follows:
Third and fourth freedom rights: The right to fly from and airline's home country to a foreign country, and vice versa, without government approval.
Fifth freedom rights: The right to fly between two foreign countries during flights originating or ending in an airline's home country.
Seventh freedom rights: The right to fly between two foreign countries while not offering flights to an airline's home country.
Third and fourth freedoms are already common practice in the ASEAN region. Under ASEAN-SAM, airlines would now be granted fifth freedom rights. The new agreement is silent on seventh freedom rights.
And there would not be a full implementation of fifth freedom rights. Although open skies will exist for capital cities, there will be a cap on slots given to airlines. In addition, there are restrictions for certain host countries which don't exist in other international open air agreements.
Safety of Southeast Asian Airlines
Three aviation tragedies in 2014 have brought attention to the issue of safety of Southeast Asian airlines. On March 8, 2014 Malaysia Airlines MH370 went missing on a flight from Kuala Lumpur to Beijing. In July another Malaysia Airlines MH17 was shot down while flying over Ukraine. On December 28, AirAsia Indonesia flight QZ8501 went missing after leaving Surabaya for Singapore.
Air safety standards in much of Southeast Asia are improving, in Indonesia in particular. In 2007, safety standards were so bad that the European Union prohibited all Indonesian airlines from flying into its member countries. However, that ban was lifted in August 2009 for all airlines except Lion Air.
The new policy includes higher standards of safety and other regulatory measures regarding operating flights, although many of these won't be implemented until the end of 2015. In addition to air service liberalization, some changes are intended to improve aviation safety, aviation security, air traffic management, civil aviation technology and air transport regulatory frameworks.
Performance of Southeast Asian Airlines
The financial performance of the aviation industry has been relatively strong in Asia despite high-profile tragedies. Asia-Pacific carriers are expected to be the second-best performers of 2014, with US$3.5 billion in combined profits. In addition, low oil prices should continue to keep
costs down in 2015.
There is much growth in Southeast Asia due to a surge in popularity of budget carriers in the region. A growing middle class has led to an increasing appetite for travel at affordable prices, and the geography of Southeast Asian archipelagos gives air travel an advantage over other means of transportation. Despite the tragedies of 2014, safety standards are set to improve if ASEAN-SAM is implemented effectively.

redpajama_set_name: RedPajamaCommonCrawl


text:
Age of blueschist is not an indicator of the date of emergence of plate tectonics
Formation of blueschist is determined by changes to the chemical composition of oceanic crust
One of the big mysteries in the history of the Earth is the emergence of plate tectonics. When exactly did the processes of plate tectonics begin that today involve the subduction of oceanic plates? Scientific opinion varies widely as to this. The dominant view is that oceanic plates have been pushing under other plates and sinking into the Earth's mantle – a process known as subduction – since the beginning of the Hadean eon, more than four billion years ago. Others date the onset of plate tectonic movements to the Neoproterozoic era of 500 to 1,000 million years ago. This hypothesis is based on the fact that the rock called blueschist began to appear 700 to 800 million years ago. Geoscientists at Johannes Gutenberg University Mainz (JGU) have now shown that the appearance of blueschist is connected to long-term changes in the composition of the oceanic crust and therefore does not provide evidence of when plate tectonics began. The study has been published in the eminent journal Nature Geoscience.
Blueschist is a blue-violet colored rock that is relatively rare and is found, among other places, in the Alps, in Japan, and on the west coast of the USA. The oldest blueschist found originated in the Neoproterozoic era and is 700 to 800 million years old. This metavolcanic rock is created during the subduction of oceanic crust. Required for its formation are high pressure and relatively low temperatures of 200 to 500 degrees Celsius. As such conditions have only prevailed in subduction zones in the recent past, blueschist provides evidence of when subduction-driven plate tectonics occurred. The reason why there was no blueschist present on Earth during its first 3.8 billion years is a hotly contested topic among geologists.
"We know that the formation of blueschist is definitely linked to subduction," explained Professor Richard White of the Institute of Geosciences at Mainz University. "The fact that the oldest blueschist is only 700 to 800 million years old does not mean, however, that there were no subduction processes before then, as is sometimes claimed," added Dr. Richard Palin. In their study, the two researchers have now managed to demonstrate for the first time that the absence of blueschist in the earliest geological periods goes back to a change in the chemical composition of the ocean's crust in the course of the Earth's history, which in turn is a result of the gradual cooling of the Earth's mantle since the Archean eon.
The oceanic crust that formed on the early, hot Earth was rich in magnesium oxide. Using computer models, Palin and White have been able to show that it was not possible for blueschist to form from this magnesium oxide-rich rock during subduction. Instead, the subduction of the magnesium oxide-rich oceanic crust led to the formation of rock similar to greenschist, which is a metamorphic rock that is formed today at low temperatures and low pressure. Since these greenschist rocks can hold more water than most blueschist, more fluid was able to enter the early Earth's mantle than today, a factor that has an effect on the formation of magmas, which is one of the topics being studied by the Volcanoes and Atmosphere in Magmatic Open Systems (VAMOS) research unit at Johannes Gutenberg University Mainz.
Lesen Sie diese Pressemitteilung
auf DEUTSCH.
R. M. Palin, R. W. White, Emergence of blueschists on Earth linked to secular changes in oceanic crust composition, Nature Geoscience 9, 60-64, 14 November 2015,
DOI:10.1038/NGEO2605
photo/©: Richard White
Blueschist is named for its blue-violet color that is due to the presence of the mineral glaucophane. The green mineral in the rock is called epidote.
Greenschist takes its name from the actinolite and chlorite minerals it contains. Also present are quartz and epidote.
Institute of Geosciences at JGU
Metamorphic Geology work group at the JGU Institute of Geosciences
Volcanoes and Atmosphere in Magmatic Open Systems (VAMOS) Research Unit
Professor Dr. Richard White
Head of the Metamorphic Geology work group
Institute of Geosciences
press release "Cyclic change within magma reservoirs significantly affects the explosivity of volcanic eruptions" (30.11.2016)


text:
"Até Quando?" (canção de Gabriel, o Pensador)
"Até Quando?" (canção de Oficina G3)

redpajama_set_name: RedPajamaWikipedia


A.M.I. Clip-a-Port Systems are also suitable for power injection at a maximum recommended flow rate of 5 ml/s and pressure not exceeding 325 psi (2240 kPa). Special design features prevent catheter punctures and guard against needle slippage. And all ports feature an integrated clip on the base of the port for fast, easy attachment to tissue.
The A.M.I. Clip-a-Port System is based on a unique design of clip-on infusion port for the venous supply of pharmaceuticals, fluid and nutrient solutions. All models have a specially-designed base plate with an integrated clip, which can be slid under the fascia to fasten the port – no sutures and no time-wasting.


Concepción Company Company: [2001c] "Multiple dative-marking grammaticalization. Spanish as a special kind of primary object language"
[2001c] "Multiple dative-marking grammaticalization. Spanish as a special kind of primary object language"
Publicado en Studies in Language, 25, No. 1, pp. 1-47.


text:
Bridge City OKs new homes addition
Photo: Troy Johnson, Judge of the Orange County Court At Law No. 2, appeared before Bridge City Council Tuesday night, asking audience and council members alike for their vote in his bid for reelection in 2020. RECORD Photo: Dave Rogers
City Council of Bridge City approved a new housing addition Tuesday night.
City fathers are hungry for more. But the wide open spaces are getting fewer and fewer.
"That'll be a few lots we got opened up," City Manager Jerry Jones said after the approval of a preliminary plat for DeLeon Construction to build as many as 14 homes on a 4.6-acre tract dubbed "Silver Bridge Court."
"Most all of the lots in Bridge City are built up," Jones said. "There are a few subdivisions that are being built now, but a lot of the developers and builders are going around and finding the lots that are vacant in the older parts of town and building on those.
"There's a lot of that going on."
He and members of his staff supplied some examples, citing Center, Gilmer, Bland and Lake Streets and the Dugas addition as home to new construction.
"They're building all over town," the city manager said.
Before council's vote on the Silver Bridge Court plat, Jones explained that the drainage plan for the property on Ferry Drive was approved by the Orange County Drainage District.
"It will have a detention pond on the end, so it will not add runoff to the area," Jones said. "And, just in case, the pond is tied into the underground storm sewer there."
Judge Troy Johnson appeared during the citizen comments portion of the meeting to ask those in attendance for their vote next year as he runs for his fifth term on the bench in the County Court at Law #2.
Johnson said his court, which opened in 2005, was created to handle a large backload of criminal misdemeanor cases.
"We reduced the backlog by 64 percent. We've moved about 17,000 cases over the last 15 years," he bragged. "We've done a lot of work."
Council members' work Tuesday also included awarding a $480,000 bid to Norman Highway Equipment to replace 52 manholes.
The work will be paid for as part of the Texas Water Development Board Manhole Replacement Project.
An application packet for Hotel/Motel Taxes was approved.
"It's to bring people into Bridge City and stay in hotels," Jones said, "but that's not the only thing."
Bridge City City Council
BC councilman's new digs force exit
Fears allayed about BC development


An electrician is a person specialized in electrical wiring. Apart from electrical wiring, the maintenance and repair of the wires is a part of the other roles of the electrician. The electrical apparatus fixed in the buildings, stationery or machines is the best. The electrician could also specialize in various areas for instances airplane or ship electricians. Either of the services requires professionalism, for efficiency or long-lasting solutions. The recent homes demands that there be electrical power. Therefore, the need to hire the qualified electricians to do the installations on behalf of you. Skill is needed so as to fix the faulty wires.
A good number of individuals do the installation of the wires on their own. A good number of the individuals consider the use of electricians invalid.
There are many benefits connected to finding an electrician to do the wiring on your behalf. The cost-effectiveness and further reduction of future frustration are some of the benefits. To add on this, there is revealing of any future probabilities of experiencing problems. There is more than the simple skill which one has as an individual. having the safety of our fellow members in the family taken care of in the best way possible. So as to take care of the future, there is the need to take care of the days to come, it is important to include an electrician. Electrical shocks are possible. Safeguarding oneself from suffering of the fires is a great benefit and keeps an individual as well as the property.
The probability of experiencing the electrical shock is less for an electrician. They have the knowledge on how to safeguard themselves from electrical problems. They ensure that the safety makes one feel confident of the services offered in order to ensure that there is safety. Minimum stress is experienced when you understand that the issues likely to crop up are well taken care of. The safety from fires and further substitutions assures that the person is free from possible fires.
Meet a qualified professional so as to gauge and raise the level of confidence in them. Do not allow the urge to save money and reducing of the cost incurred deter you from hiring the qualified professional. Hiring of the personnel who has the skills of working perfectly. Have in mind the losses likely to be incurred in case the person experiences much loss through the fires. The money spent while fixing the default wires in the house is not little in case of fires. So as to avoid experiencing much loss, an electrician with information and necessary skill should be hired. Doing research before hiring an electrician helps to avoid uncertainty in service provision quality.


Home›Affiliate Marketing›Do You Know Where to Post Your Affiliate Links?
First, what is meant by affiliate marketing?
It is basically taking a product form another person and doing the marketing for that product. When someone purchases a product, you then get a percentage of the sale money. This way, you do not have to create your own products to make money. So, it is easier and faster to build your own business empire.
What is the #1 secret to dramatically increase your affiliate sales?
If you want to increase your commission, then you should learn where to post your affiliate links. Indeed, it can be difficult incase you are just starting to make money online.
As a matter of fact, this skill alone can make the difference between two affiliate websites that earn $100 and $1000 per month. Therefore, pay attention to the following tips, which I created based on my personal experiences.
The optimal starting point is to find some already well-known websites that allow you to post affiliate links. Indeed, they are easy to find as they are ready-made ClickBank websites and they live from online marketers like you and me.
Do you want some specific examples? Then, here they are!
Two excellent sites that allow people to insert ads as long as the product pertains to the content in the article are eHow.com and Buksia.com. Adding to this, About.com and Articlebase.com also allow you to insert ads within the posted articles.
Fine, what would be the next place to look for?
If you are already done with your task, then look for the best directories in your niche. To do this, just type your niche name associated with the word directories in Google. You will not be disappointed from the long list that Google can provide you.
Well, how can I choose among thousands of directories?
Then, it is your task now to search around and choose these directories with the highest Google rank, which indicates high authority. In addition, choose these directories that receive the highest amount of traffic based on the ranking from Alexa.com.
Does it really worth to do so?
Yes, it is really worthwhile to devote huge time and energy to do this job. It is a huge industry and you can make a decent income, if you know too how to choose your affiliate partner. Finally, it is your duty to learn how to drive internet traffic to your sites.
Here is a good tip for you!
Do not start from scratch. Why do not you learn from the others? In this manner, I would recommend for you to check these ClickBank marketing guides that will provide lists of the sites that allow links-posting.
Fine, but what about blogs?
In few words, blogs are the best place where you can post affiliate links. In the meantime, many people create blogs and each person has a space for ads within their articles. This is a great place for an ad with a link to the page of your merchant.
Many blogs also make it possible for you to highlight specific keywords and when you click on the word, it takes you to the page of the merchant. Adding to this, allowing internet users to leave comments can help you to know what they are looking for.
How to choose among the thousand blogs you find in Google?
The choice process should work on 2 criteria, which are the number of comments and the last updated date. Based on my experiences, I would usually choose blogs with the most comments and the most frequently updated.
Here are still two directories that you should not overlook!
Drugstore.com and Amazon.com also let you place customized ads in order to promote the products. If you are posting the product in a blog, then you can scroll through the different products and have an ad for each one.
Finally, where should you post your links on your website?
* The first optimal position is the left-side navigation bar. This is where many people look at the first to find more information.
* In the top under the title of the page is also a good place to have an ad there.
* Finally, at the end of your article as a guide for more information associated with a strong call to action.
Finally, I would advise you to use a tracking system to know, which links are the mostly clicked ones. So, you can optimize your campaign and make more money.
What Are Affiliate Marketing Programs?


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text:
HMS "Leeds Castle" – nazwa noszona przez dwa okręty brytyjskiej Royal Navy, pochodząca od zamku Leeds:
  – korweta typu Castle zwodowana w 1943, złomowana w 1958.
  – okręt patrolowy typu Castle zwodowany w 1980, wycofany w 2005, sprzedany bangladeskiej marynarce wojennej ("Dhaleshwari").

Przypisy

Leeds Castle


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Nkharrej omri thaousse Soltane. Moulet khana Cheikh Zawali. Sebek el mim Cheb Samir. José Lito Maia Amor cigano Premium. Ariana Grande – 7 rings Eminem – Lucky You ft.
Salif Keïta Un autre blanc Premium. Fally Ipupa Control Premium. Ml3 layd Cheikh Zawali. Chifour hlouma Cheikh Zawali.
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Houari Maner – L3ach9 kilmout Yji Khatra. Hala AlKaseer – Ayone Musuc.
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Actualités Musiques du monde. Linda Blues – Raadia Ma Natfakar. Yassinos – Andou Qalbine. Suite des tops albums Oula n'ta taleb sheh Abla. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak.
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WTB at least a 3.0 copy up to VF/NM. Blue label preferred but willing to look at clean restored books. Will pay over GPA, extrapolated to the current market value when sales data is old and outdated. I know this book and other EC books are hot and going for big money, but for the right copy the payment will be generous. $1900 for the most recent sale in a 4.0 so maybe $2700 in that grade.


Expect softer skin with this!
I'm almost finished w/ a tub, and I've been using this every night for a month now. I mix the smother me w/ cpc-g oil, and I can attest that it does instantly cools and soften the skin. Like that it's natural, and has that minty smell too. But I give this a 4 star only since I have yet to see the brightening it claims to do...that is, even w/ the mixed cpc-g oil.
I got the big tub of this coz I liked the bare it all cream body sorbet.. but unfortunately this was too minty! Much mintier than the bare it all cream! I suggest you use this during summer or hot weather only. Also, it is not too moisturizing compared to the bare it all cream. I got interested in this bcoz of the lightening effect that it claims. December pa naman so my skin gets dry sometimes, and kapag pinapahid ko ito, para akong nasa ref! Haha!
This product is pretty fantastic. I really like how it makes my skin feel really soft and smooth. It is not sticky unlike other lotions and I think it sort of hydrates my skin as well. I really like how natural this smells because I hate lotions with the chemical scent.
I fell in love at first use with this body sorbet! I am surprised that this product is super lightweight. It is not sticky. Just perfect for the country's humid climate. It hydrates well and leaves my skin with a subtle scent. Perfect after a tiring day. This is definitely my new favorite body moisturizer.
The cooling effect is the winner here! Sometimes I'm excited to put this lotion on after shower at night because it just gives my body that overall cooling effect, especially after a day out in the heat! Also, it's not sticky and very moisturizing. The minty smell is a bit too strong but doesn't really bother me at all since it doesn't stay strong all throughout! Love this product! Will definitely repurchase!
It' hydrating and you will feel smooth ... i use it before matulog to moisture my skin and the smell its relaxing . past few weeks nag ka insomnia ako but i dont know when i used it nakakatulong na makatulog agad ako maybe dahil like a spa smell . . . and the cooling sensation .
Very rich formula. I keep it within reach when the weather gets very dry but the packaging tends to make it difficult to travel with. Also difficult to transfer into travel bottles, but quite easy to fish out every last scrap of lotion (and you will want to use up everything). I went through 2 tubs fairly quickly during the cooler months, it feels so good on the skin especially at night.
I've been using this body sorbet for 2 years now and I super love it. Unlike other lotions and body creams, it does not leave a sticky feeling and also has a cooling effect which is perfect for the hot and humid weather in PH. It also leaves the skin feeling soft and smooth. The scent is also to die for. It smells like a minty aromatherapy. I'm not sure about the brightening effects though because I already have fair skin. The only con I see is the steep price. But since beautymnl has flash sales, I purchased mine for half the price. I would definitely repurchase it.
When I got this and smelled it for the first time, I had doubts whether I would like it. It smelled sickeningly sweet in the pot and I usually veer away from that kind of scent. Despite my hesitation, I gave it a shot and lo and behold, I loved it even more than the Bare It All variant! I reach for this in the mornings because of the scent and use the Bare It All one at night. This leaves my skin super smooth sans grease. Definitely recommending this to family and friends!
This is my top 1 body cream. I have been religiously using this and hoarded when it was on sale here at Beautymnl. I have dry skin and this does the job of hydrating and moisturizing my skin without any sticky feeling plus the cooling and refreshing feeling is as addictive as it smells.
I have been using this lotion for half a year already and I'm still in love with its minty smell and effect. I use this every night and it helps me relax after a long day of work and gives me a fresh feeling before going to bed. Other than that there's not much hydrating effect on my skin but I still use it more for its aromatherapy than the moisturizing effect.
This has been my go to lotion for the past few months specially since the heat in Manila has been insane. Really love the cool minty feel after, and the spa-like scent. I'm on my 2nd tub of this already and I've been using it in tandem with a few drops of the CPC+G oil ---super effective in evening out my skin tone! Moisture wise I can't say this is the ultimate product cause although it makes the skin soft and supple after use, I noticed few hours after it absorbs so fast that some of my dryness still comes back... but, when it comes to toning, I've just gotten back from the beach a few weeks ago in which I got incredibly burnt; this and the cpc oil was all I needed to bring my skin back to it's original state. No need for any other whitening products!
I have been consistently using Smother Me for four months straight before I emptied the tub just to completely test its effect on my skin. I find that aside from the tingling, cooling sensation I get upon application (peppermint EO, say hi!), it did nothing spectacular of some sort on my skin. Best to apply this on your body and avoid the face as much as possible. But if you're a fan of that refreshing sensation, then by all means, give it a try!


text:
No. 8 Wing SAAF was a South African Air Force commanded formation during World War II that served in Italy, the Balkans and the Mediterranean Theatre. It was formed on 25 July 1944 and consisted of Royal Air Force and South African Air Force squadrons under South African command. MAAF on 13 June 1944 asked the SAAF to reman immediately a new defensive fighter wing HQ to embrace No. 3 Squadron, No. 11 Squadron and No. 41 Squadron. By 22 June the request had been approved. Col "Rosy" du Toit (promoted from Sweep Leader No. 7 (South African) Wing) opened the new office for the Wing in the SAAF Headquarters building in Bari on 16 July 1944. HQ 8 Wing would also take control of No. 87 Squadron RAF and No. 185 Squadron RAF  Lt-Col D.D. "Snowy" Moodie was appointed Sweep Leader of the new Wing. On 25 July 8 Wing came under administrative control of Desert Air Force. 8 Wing Headquarters moved from Foiano to Borghetto on 10 September 1944. where the two RAF squadrons joined the Wing, together with RAF No. 53 RSU (Repair and Salvage Unit).  By the end of September, a it became clear that the end of the war was not at hand, the SAAF had two fighter-bomber Wing operating in Europe simultaneously for the first time (7 Wing and 8 Wing).

8 Wing began fighter-bomber operations supporting the fighting in Italy and took part in offensive sweeps across the Balkans from its detached Italian bases. It continued in this role until the end of the war.

On 30 October 1945 8 Wing went back to Egypt to be disbanded.

History

It was designated as a fighter bomber wing and its squadrons flew Spitfire Mk IXs (Spitbombers) and Curtiss Kittyhawk Mk.IVs. Col "Rosy" du Toit became the youngest officer in the SAAF to command a fighter wing in operations. He was decorated with CBE, DFC and Bar, US DFC and served in Abyssinia, in North Africa from EL Alamein to Tunis and in the Italian campaign with both 7 Wing and 8 Wing

Organisation and Squadrons

Notes

References

Wings of the South African Air Force
Air force units and formations of South Africa
Military units and formations established in 1944
Military units and formations disestablished in 1945


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The report also notes a movement to hosted internet systems and the consolidation of call centres with increased spending on services.
The changing role of central government's ICT managers is also highlighted. This results from a greater use of managed services and the increasing use of external providers generally. Managers are now more concerned with looking after the underlying infrastructure and concentrating their efforts on ICT acquisition and strategy.
The report also identifies an increasing demand for software as departments look for commercial off the shelf packages to fulfill demand for business applications, document management and customer contact tools.


A promotional deck of 52 playing cards featuring examples of Retail POS displays.
For over 25 years Proprint has been a leader in Retail Point of Sale Production. That is a fact.
As part of their introduction package, their POS Production Sales Team required a playful way to bring clients to the table. What better way than a classic deck of cards?
Each 52 card deck contains examples of great POS Production.
In addition, a sales presentation is contained on a USB card (the same size as the playing cards).


text:
Le prix Sangeet Natak Akademi, en , est une récompense décernée par la , l'Académie nationale de musique, de danse et d'art dramatique indienne. Il s'agit de la plus haute reconnaissance indienne accordée aux artistes en exercice.

En 2003, le prix,consistait en une somme de , une citation, un  (un châle indien) et un tamrapatra (une plaque en laiton). Depuis 2009, le prix en espèces a été porté à .

Les prix sont décernés dans les catégories suivantes : musique, danse, théâtre, autres arts traditionnels et marionnettes, et pour la contribution/la bourse d'études dans les arts du spectacle.

Notes et références

Notes

Références

Liens externes

Prix Sangeet Natak Akademi


I have a huge stack of books to read but when I received a copy of True Places, it went right to the top. I have read all of Sonja's books and knew that it needed to be read NOW. WOW - what a fantastic book - I wish I could give it more than 5 stars. I know that it's early in 2019 but True Places will definitely be one of my top books of the year. The writing is so beautiful that I had to stop several times to re-read and I became part of the story instead of just the reader.
Suzanne is a wife and mother who has overscheduled her life to take care of her family and lost her own dreams in the harried life that she lives. Not only is she busy taking care of everyone else but her kids are teenagers now - the son kind of a strange quiet boy and the daughter who at 15 takes out all of her problems with life on her mother. She is just nasty to her mother and has no appreciation for her mother as anything but a mother - not as a woman who is trying hard to make life pleasant for her family. Her husband is little to no help - he is too busy making money to get involved in much at home. So here we have a family that looks perfect from the outside but is in the process of imploding. When Suzanne brings Iris, a homeless girl who has been living on her own in the mountains into their lives, things take a turn for the worse within the family.
All of the characters were so well written that I felt like I knew them. Suzanne was such a fantastic person, realizing that she had lost herself in her busy life but having no idea how to make changes that would make her the person that she used to be who had dreams and plans for her future. It's only when Iris is brought into the home that Suzanne begins to see her life for what it is -- a hamster wheel where she spends all of her time taking care of other people and no one takes care of her or even acknowledges what she does to make their lives easier. Through Iris, she realizes that she has lost touch with nature and solitude and taking care of herself. Will she be able to step out of the whirlwind of her life to find the peace and dreams that she needs to be happy? Will her family learn from her changes?
Along with the wonderful characters, this novel has the beautiful scenery of the Blue Ridge mountains. Sonja describes the mountains so beautifully that I felt like I was in the woods with peace and quietness around me.
This is an exquisitely written wonderful novel about family and love and following your dreams. It really is a must read for everyone! It's a book that I won't soon forget.


The Pot Luck Club in Woodstock, Cape Town, was the first to crack the Top 10 in South Africa at the 2017 Eat Out Mercedes-Benz Restaurant Awards. To find out why, watch the video and read the review below.
Luke Dale-Roberts and Frederico Dias serve transformative tapas in this buzzing eatery, which came in at number 10 at the 2017 Eat Out Mercedes-Benz Restaurant Awards.
The Lucky Lunch at The Pot Luck Club. Photo supplied.
Dishes are organised according to flavour: salty, sweet, umami, sour and bitter. The tapas-style dishes are prepared for sharing (two items, such as the fish tacos, are served per portion). Order between six and eight plates between two people – excluding dessert, of course. Write down your selection of dishes on the notepad and the chef will decide on the order of your meal, starting with the lightest and ending with the fullest flavours.
One cannot visit The Pot Luck Club without trying the iconic fish tacos. It's advisable to eat them by hand. The tacos themselves have superb structural integrity: crispy on the outside with just enough softness. The black-bean purée and avocado add a subtle sweetness to balance the tang of the ceviche and sour cream. Two are served in a portion, and you'll wish that both were for you.
The other must-try dish is the beef fillet with truffle café au lait. The smoky sauce is undoubtedly the highlight of the dish, and the steak a pleasant, succulent addition. Happily, the chef opts to serve the chickpea, goat's cheese and parmesan fries alongside the steak dish. On the outside, the fries are crispy and oh-so salty, with a creamy interior. The accompanying tomato sauce is possibly a touch too smoky, but the truffle aioli is perfection. Be sure to keep a few fries aside to properly scoop out what remains of the café au lait sauce. No one's judging you.
The fish sliders pay tribute to local cuisine: hake medallions are battered and crumbed in amasi and maize meal, and served on a soft, steamed bun. It's crispy and flaky with just the right hint of sour undertones.
Other options on the extensive menu include the earthy, shredded confit duck leg with a fabulous addition of fresh plums; calamari with yuzu-compressed watermelon and fermented peanut-chilli dressing (the crispy, salty batter is perfection); or the springbok rump with earthy, ash-baked beets and tomato XO dressing.
Hibiscus-poached pear, summer berries, black-olive honeycomb and peach granita at The Pot Luck Club. Photo supplied.
For a sweet ending, you can't go wrong with the famed s'mores: roasted, frozen marshmallows with peanut-butter ice cream and cacao nib biscuits. They are a sweet sensation, and with one bite, you're instantly transported to a happy campfire in your childhood. A close second is the mint-and-chocolate ice-cream sandwiches, which you'll happily dip into a decadent white chocolate sauce, coffee and crushed hazelnuts. Other dessert options include the hibiscus-poached pear (served with macerated berries, black-olive honeycomb and pear granita) and the almond-and-apple tart with burnt peanut butter, popcorn ice cream, apple gummies and maple-glazed bacon.
It's worth kicking things off with a renowned cocktail. The wine list is extensive, with a good range of local wines. There is also a good range of craft beers and ciders, as well as the usual suspects.
Staff are friendly and attentive, and service is casual and cool, although a touch too chatty at times. Waiters are incredibly knowledgeable about the menu, right down to the flavour profiles of every wine on the menu.
The exterior of The Pot Luck Club in Woodstock. Photo by Michael Le Grange.
This is as trendy as it gets. Take a ride up the glass elevator to the sixth floor of the Old Biscuit Mill and watch as the views expand around you. You'll be forgiven for thinking that you've stepped into an uber-stylish loft-style eatery in New York City. The 360-degree views of Cape Town harbour and Table Mountain are breathtaking. The Pot Luck Club is always full, and the crowd is vibey and festive. In spite of the palpable excitement in the air, acoustics are not a problem.
Their Sunday brunch is a thing of beauty. Expect a set menu, which includes the likes of the famed fish tacos, arancini and burnt vanilla churros with dulce de leche. Add bottomless bubbly to your tab for an extra R200 per person.
It's worth noting that bookings only open on the first of each month (8.30am South African time) for the following month.
See all 30 of the nominees for the 2017 Eat Out Mercedes-Benz Restaurant Awards here and the Top 10 here.


text:
I Had A Dream... The Inaugural Class of the Arkansas Food Hall of Fame.
Several Arkansas restaurants and food professionals received a brand new top accolade in their field last night. Let me tell you about the Arkansas Food Hall of Fame and its inaugural class.
Last night, hundreds of food lovers, restaurant owners, chefs and innovators gathered at Ron Robinson Auditorium in the River Market for the very first Arkansas Food Hall of Fame induction ceremony. There were, of
course, edibles before the show. And then we all gathered within the double-storied theater, heard great words from Governor Asa Hutchinson and listened as Rex Nelson named off finalists and winners of each of several special awards.
There were about 300 people who voted for this first Arkansas Food Hall of Fame, in a selection of categories - People's Choice, Best Proprietor,
Best Food Festival, and Best Restaurant. I suspect we'll expand the program next year. This time, though, we celebrated these individuals, events and eateries with plates to put on the wall and a party.
The first to be announced was the People's Choice Award - whch went to The Grotto Wood-Fired Grill and Wine Cave in Eureka Springs.
Then we dove into the best Arkansas Food Themed event. There were laughs with the first announced finalist - the Annual Bean Fest and Great Arkansas Championship Outhouse Races in Mountain View - represented by photos from both the festival and those outhouses rolling along. I was glad to hear so many of those famous events I've had the chance to cover mentioned - the Gillett Coon Supper, the World Championship Duck Gumbo Cook-Off in Stuttgart, the World Cheese Dip Championship in Little Rock and the Cave City Watermelon Festival - the last of which won that category.
There was not a single person in the Proprietor category that didn't deserve to win at last night's event. I've grown to know, adore and befriend these gantastic individuals over the years, and they have each provided me with oodles of information to help me in my research of Arkansas food. And while Joe St. Columbia of Helena-West Helena (Pasquale's Tamales), Capi Peck of Little Rock (Trio's) and Scott McGehee of Little Rock (Yellow Rocket Concepts) are all both deserving and probably fututure winners,
it was the Continental Cuisine partnership, which started with Jacques and Suzanne's and still holds a legacy with more than 20 different restaurant descendants in this market - that won the award. It was thrilling to watch Paul Bash, Ed Moore, Louis Petit and Denis Seyer take the stage to accept the award.
Again, each of the 12 finalists for Best Restaurant in Arkansas was more than worthy. Restaurants that had spanned not just decades but generations were up for this award:
Bruno's Little Italy of Little Rock
Craig's Bar-B-Q of DeValls Bluff
Doe's Eat Place of Little Rock
Feltner's Whatta-Burger of Russellville
Franke's Cafeteria of Little Rock
Jones Bar-B-Q Diner of Marianna
Kream Kastle of Blytheville
Lassis Inn of Little Rock
McClard's Bar-B-Q of Hot Springs
Neal's Café of Springdale
Rhoda's Famous Hot Tamales of Lake Village
Sims Bar-B-Que of Little Rock
The first winner, James Beard American Classic winner Jones Barbecue Diner of Marianna - which drew plenty of applause followed by laughter, as Mrs. Jones came up to accept the award. Mr. Harold, it seems, was too busy making sure tomorrow's meat got smoked.
The second announced winner was the long-running Lassis Inn, famed for its buffalo ribs and No Dancing sign. Mr. Elihue Washington Jr. proudly took the stage to great applause.
The third and final winner, Rhoda's Famous Hot Tamales and Pies, received similar applause. And I declare, Ms. Rhoda Adams sure dressed up in her finest. I'll be heading her way again soon (but I can't tell you quite yet why, so stay tuned).
It was an incredible evening, where a lot of amazing people were recognized as finalists and winners for their part in the Arkansas food story. It was also a great moment to look back on how long it took to bring this to fruition... I remember the conversations Marla Crider and Kerry Kraus and I had some five years ago over what sort of requirements it'd take to make this happen when I was at Parks and Tourism, and I have been thrilled to be part of the process as the Department of Arkansas Heritage has developed it into the program we finally got to share last night. Something tells me now the word is out, we'll be sharing far more of the Arkansas food story with others both inside and outside our Natural State.
Which brings me to this - while recognizing our native restaurants, chefs and festivals is important, it's also necessary to define, refine and educate on the principles of our native cuisine. That's part of the reason why I've decided it's time to teach. On March 28th, the first of many seminars on Arkansas food will be held at the University of Arkansas - Pulaski Tech Culinary Arts and Hospitality Management Institute in Little Rock. I'll be working with Chef Billy Ginocchio, who will be preparing and sharing how to create Arkansas delicacies as I expound on the history and culinary culture of our state. Learn more here and find out how to sign up for these courses.
* A note - if you haven't taken advantage of the fantastic food trail guides created by Kerry Kraus when she was ADPT, you really need to check them out. Here's a link to the Cheese Dip Trail to get you started.
Labels: #ArkFoodHOF, Arkansas food, Arkansas Food Hall of Fame
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text:
Hon, Giora
Department Experimental Systems and Spaces of Knowledge, Max Planck Institute for the History of Science, Max Planck Society, Department Structural Changes in Systems of Knowledge, Max Planck Institute for the History of Science, Max Planck Society
Position: Department Experimental Systems and Spaces of Knowledge, Max Planck Institute for the History of Science, Max Planck Society
Position: Department Structural Changes in Systems of Knowledge, Max Planck Institute for the History of Science, Max Planck Society
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text: Data objects for Deliver8r

redpajama_set_name: RedPajamaGithub


On a full charge, the CaddyTrek Robot Caddy lightweight Lithium Ion Battery lasts for up to four hours or 27 holes of trouble-free golf. This golf cart battery is comes with a 1-Year Warranty.
Charging of this golf cart battery is simply done by plugging the charger into a household outlet. The battery can be charged while in the electric golf caddy or removed for charging. The Battery charger is sold separately.
This lithium battery is ONLY for CaddyTrek models CT2000 or BA manufactured in 2014 or earlier. Please verify battery terminal type before purchasing your battery (see above images of battery terminals).


Marxism(s) in Social Movements Studies. Is Marx Back in Social Theory?
Why (Re)launching the EUI Social Movement Working Group?
Academic working groups are powerful scholarly tools where junior and senior students can present their empirical works, discuss theories and concepts, and exchange innovative ideas in a friendly and scientific stimulating environment. Their proliferation and recognition within academia help overcome the rigid disciplinary distinctions of sciences, facilitating a fruitful scientific cooperation among scholars from different ideological schools of thought. Working groups seem to be even more important today, in the so called knowledge society, to the extent that their proliferation can contribute to breaking down the ivory tower of academia, facilitating the socialization and dissemination of critical knowledge. Working group can, thus, be seen as the cornerstone of knowledge production in contemporary society. It is precisely with this spirit that we aim at (re)launching the EUI Social Movement Working Group for the academic year 2014/2015 by organizing a new seminar series on the theme of "the return of Marx" in contemporary sociology, and especially in social movement studies. Doing so, we think to resume at best the tradition of scientific cooperation, theoretical challenges, and exchange of ideas characterizing the past editions of the Social Movement Working Group within the EUI academic community. Writing a PhD thesis is not a solipsistic intellectual effort produced by an individual mind, but rather needs to be constantly fuelled by the presence of a stimulating academic community. We think that the relaunch of the Social Movement Working Group represents a small yet indispensable step for the construction of that community.
… What are we going to talk about?
There is a widespread agreement among a certain number of movement scholars on the fact that the recent wave of protests has put into crisis the dominant theories of social movements. Some of their analytical and conceptual tools seem no longer to be effective in explaining the factors triggering mobilization. How to better understand the outburst of current mobilizations? How to explain their framing processes, repertoires of action, goals, and outcomes? We think that bringing back political economy in the study of social movements is a first and necessary step to be undertaken to answer these questions. This view is also shared by some of the most recent strands of social movement research, aiming at (re)taking seriously economist perspectives, and especially Marxist, in the study of contemporary mobilizations. By calling for a (re)turn to Marxist and other political economist perspectives in social movement research we would like to underline the importance of bringing "capitalism" back in—as Hetland and Goodwin (2013) have stressed in a recently published article—even in the analyses of the "new" and "apparently" post-materialist movements of the last three decades. Contemporary society and its structural and cultural changes need to be (re)investigated through new conceptual and analytical lens embodying more critical perspectives. The themes and approaches that we will present and debate over the ten planned sessions go precisely in this direction. In particular, we look at different interpretations of Marx which have today heavily influenced some strands of various disciplines, ranging from political economy to sociology and political theory, to discuss whether and to what extent they may offer useful insights to understand the current capitalist transformations. To this end, we will bring together and discuss with leading figures in the fields of social movement studies, political economy, economic sociology, and political theory. In the 2014/2015 academic year, the Social Movement Working Group aims to starting a debate on the possibility to create a common analytical language, drawing selectively from distinct epistemological approaches, capable of critically investigating the contemporary capitalist reality in all its facets. To do so, we need to challenge the established division of labor characterizing mainstream social sciences both in their epistemological and empirical respects. From an epistemological point of view, we aim to overcoming the disciplinary boundaries of social sciences by combining approaches and concepts of various disciplines in order to build up a shared theoretical framework through which to critically analyze society. From an empirical point of view, we aim to overcoming the established thematic boundaries of social sciences that have prevented scholars from having a broader comprehension of capitalist society and its transformations by merging and bringing together topics and objects of study that are usually confined in (over)specialized scientific fields. As key example of this disciplinary overspecialization, one can think of the neat distinction made by the American sociology between social movement and labor studies. The former are strictly focused on the study of "new" social movements, whereas the latter investigate unions and labor organizations(are we sure that such a sharp epistemological division of social science reflects an ontological division of social reality?). The most important lesson that we can learn from Marx is precisely his ability to explore social reality through a holistic perspective, as it is only by building a broader framework of analysis that is possible to fully investigate capitalism and its changes. The underlying question that will accompany all the sessions and will conclude our seminar with the final roundtable is thus: can Marx get back in social movement studies?
How to join the working group?
Working group is open to all researchers and professors within EUI. If you wish to participate in this working group or receive information about forthcoming sessions just write an email to the organizers of the working group: Lorenzo Cini (lorenzo.cini@eui.eu), Daniela Chironi (Daniela.chironi@eui.eu) and Eliska Drapalova (Eliska.drapalova@eui.eu), Federico Tomasello (fedetom@gmail.com).
The working group will meet approximately on monthly bases. In each session a professor or researcher will present his work that is fitting into the session thematic with one complementary reading in order to deepen the debate. Researchers act as discussants. After each session we will head together to have a pizza or aperitivo to follow our discussion in a more informal manner.
Session 4 – 9th December 2014 – Yet another Gramscian Moment?!: Gramsci and the Crises of the 1920s, the 1980s and Now, Seminar Room 2, Badia, 5.30 p.m.
Session 5 – 28th January 2015 – From the 'Operaio Sociale' to the Multitude: A Marxist Approach to Social Movements Theory?
Session 6 – 8th April 2015 – Theory and Practice of the Unionisation of the Self Employed in Europe and in the U.S. – 5pm – Badia Fiesolana, Emeroteca.
Session 7 – 29th April 2015 – From Social Struggles to Political Institutions? Processes of Institutionalization and Transformation of Social Movements between the Latin American and the European Experience – 5pm – Badia Fiesolana, Emeroteca.
Location: Scuola Normale Superiore, Palazzo Strozzi, Firenze.
Working Group Organizers: Lorenzo Cini (EUI), Daniela Chironi (EUI), Eliska Drapalova (EUI), Federico Tomasello (Ph.D.-University of Bologna).
This working group is sponsored by Prof. Donatella della Porta (Robert Schuman Center for Advanced Studies and Scuola Normale Superiore, Director of Cosmos).


The Epson AcuLaser C9300TN networked A3 colour business laser printer is a high quality machine with the capability to print in colour while ensuring a lower cost-per-page ratio. It is aimed at busy and growing workgroups that need an easy-to-use and upgradeable device, but some users might be disappointed with the high initial cost of the AcuLaser C9300TN colour printer and the absence of some time-saving features.
This is a boxy device with an understated frame that measures 499.5mm wide, 422mm tall, and 538mm deep, and weighs 41Kg. The Epson C9300TN colour laser printer comes with two default paper trays, which includes a 155-sheet multipurpose tray and a 250-sheet cassette. Standard connectivity features include USB 2.0 and gigabit Ethernet, but type B and parallel ports are also available as options. The operator panel has minimal keys and a five-line, 22-character LCD screen.
The memory is upgradeable to one gigabyte and the backlit display screen makes it easier to view the status of the Epson AcuLaser C9300TN workgroup printer. The paper capacity can be increased to 2,055 sheets. Users can get creative with their output because the Epson AcuLaser C9300TN printer supports a wider range of media types and sizes, including A3 paper. The C9300TN can easily be integrated into a network. Featuring AcuBrite toner in its original Epson C9300TN cartridges, this AcuLaser printer delivers high quality glossy results by incorporating a special resin into the toner to ensure that wax melts easily during fusing.
The Epson C9300TN is expensive, heavy, and bulky. The print speeds are not good enough for high-volume output. The output bin can only handle up to 150 sheets, which is insufficient when bulk printing is concerned. The AcuLaser C-9300TN A3 laser printer deserves a larger display screen and direct-printing capabilities for more efficiency. Two-sided printing is optional.


JUST 24 hours before today's TT Cricket Board elections, former West Indies spinner Dinanath Ramnarine decided to oppose current TTCB president Azim Bassarath. Ramnarine, a wily leg-spinner during his heyday, said Bassarath must be opposed based on principle and values.
The elections will be held at the TTCB office at the National Cricket Centre in Couva, from 6 pm. Newsday was informed yesterday that no other positions might be contested. Ramnarine and ex-Red Force captain Daren Ganga have been questioning the running of the TTCB – including its constitution – for years. But over the last few days, it seemed Bassarath would go unopposed at the elections.
Ramnarine said recent allegations facing the TTCB led to people asking him to contest the elections. "I have previously stated that I would not participate in any TTCB-related election unless significant changes were made to the governance of the organization.
Ramnarine said the current governance structure will make it difficult to defeat the current president. "After due consideration, I have accepted the invitation to contest the position knowing fully well that the odds of succeeding under the very undemocratic governance structure that we are fighting to change will be difficult, if not impossible.
The former TT and West Indies leg spinner is hopeful that some people will change their minds at the last minute.
The TTCB incumbent currently enjoys 12 outgoing votes according to the constitution.
Reply to "Dinas goes after Azim's wicket today"


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Improvising Improv
Not from my show. These are professionals.
I have a confession to make. I am not an actor. I do not, nor have I ever, claimed to have any skill in acting, nor a desire to be an actor of any kind. Despite this, I often find myself on various stages, doing various things in front of people I don't know, aka "the public". When I was younger, I did a lot of singing, which put me on the stage often. I was in musical theater classes, performed in one musical theater production (which left a somewhat sour taste in my mouth, since typecasting was apparently all the rage, and geeky girls wearing glasses don't really get the flush parts, no matter their vocal abilities). I sung the National Anthem. At conferences, minor league baseball games, etc. I performed in a couple of bands (one jazz, one pop) and a few choirs.
I also danced. I loved ballet, and being on the stage never bothered me. I danced in college as one of those girls wearing the sparkly figure skating outfit with the gold pom-pons, counting and marching during halftime twenty feet in front of the University of Colorado drumline, hoping our beloved Buffs would win (they were actually pretty good back then).
I played sports. Gymnastics. It's not exactly a stage, but if you fuck up, you do it all by yourself in front of a lot of people while wearing a leotard. How's that for scary? I even did it through my teenage years, until I was 19, so I confronted fear on a national level while feeling extremely self-conscious about pretty much everything, but mostly my awkward and un-curvy body.
Then somewhere along the line, I got myself behind the curtain, writing and directing films in school, which was surprisingly comfortable. I loved being able to show up and tell people what do to and not have to worry about how I looked, because no one was going to remember and no one was looking at me anyway. They would only remember what was on the screen after everything was said and done, and most of the time (save for a couple of small films), I was nowhere to be found, except in the stories we could regale one another with afterwards over a few beers. And that, my friends, has been lovely.
And yet, it seems as though the stage has found me again. I have gone a bit of a foray into writing comedy for film and television, as practice, on spec. I do it for fun at this point, and I cross all my fingers and toes, hoping that someday soon I'll be able to do it for money as well. So I work to improve my craft. And part of improving that craft has been improv. I recklessly decided to sign up for a seven week improv class here in San Diego at a place not far from my house. So far, I've had two classes, and while I'm not going to say it's easy, I feel a certain comfort with just making things up. It's so much easier than having to memorize something and then pray you don't forget it at the exact moment you are supposed to show it to the world, which has definitely happened to me more than once.
Until this class, I had no idea what improv was, other than a shortened version of the word improvisation. I had never seen improv, or heard stories from people who do improv. It was something that was vaguely related to Tina Fey and Amy Poehler and there was something called Upright Citizens Brigade and another thing called Second City. And something called Groundlings. But other than that, I've been clueless. But I'm learning. I don't have a choice. They don't mess around up there at Finest City Improv. They get you on the stage and get you out there.
So the other night was my first time on stage, doing improv. If I could think of something to liken it to, it would be for someone to ask you if you knew how to train a Whing-ding-a-saurus, and you looked them straight in the eye and said, "Why yes, I know exactly how to do that." But in the back of your mind, you are thinking: Train a what? Even my dog doesn't listen to me.
But that's something you should know about me. I never back down from a challenge. So I grilled my teacher on what was going to happen, which of course, he can only answer so much. I love rules and knowing there's a plan. And improv doesn't really have a plan. Or rules. So, I show up the other night, and Amy, one of the other instructors, gives us the rundown for the evening. We're going to start out with a game where you have to name things in a category until you either repeat one or can't think of one. Okay, I can do that. I love brain games. Then, little scenes.
Me: How long is a scene?
Them: However long it needs to be.
Me: How will I know it's over?
Them: You'll know.
Hmm. These guidelines are a bit fuzzy. But oh well. I'm going to roll with it anyway. The music starts, and we all go out on the stage. Somehow I'm bringing up the rear, with just one other person behind me. We start the brain game. Cars. I got this. Dictators. Easy. Candy bars. Fine, but I didn't hear one person say Snickers, so I've got a hit against me. On to the next one. Swear words. US Cities. Come on, people, how about a challenge. Beers. Puh-leese. (all those years in bars are finally paying off). Cartoon cats. At least three pop into my head, but it's over before it gets to me. And before I know it, I'm the winner. So far, improv is working out.
On to the scenes. I'm not sure what the hell is going on, so I just watch. But before too long, Amy pulls me out and we are eating fudge. Lots of fudge. And I don't know what I say, I just go with it. Keep going until they say stop. Then another scene. And another. And so on and so on and so on. It just keeps going, rolling through one after the other. And I still feel like I have no idea what's going on, and sometimes I'm just watching as if I'm also in the audience, and other times an idea pops into my head and I jump out there, full force. Thank god I'm not wearing a leotard. And I catch a glimpse of a couple friends who came out, and a couple of guys in my class. And I feel supported, which gives me a boost of confidence. And then it's over, and I'm left to over analyze everything I did or didn't say or do. Which of course, will take days or even weeks to thoroughly pick over.
But the funny thing is, it wasn't uncomfortable. I wasn't all that nervous. I spent most of my energy just trying to figure out what was going on, and trying to keep up. I can't wait to go back.
After soaking in what the arts community has to say about pretty much everything, I took a trip up to LA for the LA Film Festival. Part of this involves scouting films for the film festival I work with, part involves mingling and networking, and part involves just having fun. After all, while film festivals are meant to bring us film we wouldn't normally get to see, they're also supposed to be fun.
I was actually invited to the festival by a friend of mine who is a programmer, because they have a showcase of films made by high school kids. So there's a couple of screenings of all the films, then a luncheon where the kids get to hang out with "luminaries", and even get to have advising sessions with them. All in all, it's pretty great.
Watching the films, I couldn't help but be amazed with the work the kids did. Quite a bit of the work was really quite extraordinary, as if these kids are calling the rest of us out for being cowards for thinking small. This is what I love about young filmmakers: they haven't learned what's impossible yet. There's such sincerity in their work, it's almost overwhelming. They're not trying to get signed by a studio, make a calling card, network, or work the system. They just want to express something that is important to them; to say something about the world. After the arts conference, it was difficult to contain an odd sense of pride I had to be working at what I do. I work for a program that helps kids to exactly this kind of work (even though that's not my department), and on some level I feel like I'm doing something to make it easier for kids to do what I saw. I'm proud of them without even knowing them. I know that's a pretty self-centered way of thinking about it, like I'm taking credit for their work, but I can't help it. I feel like I'm a pseudo-parent, encouraging kids to be creative long after it is "practical".
Anyway, the luncheon afterwards was nice, and Mark Levine and his wife Jen (producers of such films as Nim's Island) were on hand to talk to the kids and so forth. If I were 16, I would feel like a rock star. And the kids deserve it. They earned it. Plus, it's good to get a taste of what your creativity can achieve for you. More kids need it.
Anyway, here's a couple of pictures. One from the luncheon, and one from the Anaheim train stop, where U2 was performing on my way home. How's that for a career in the arts?


Vanderlande has signed a landmark innovation partnership agreement with Airport Authority Hong Kong (AAHK) to further develop and apply its future-proof baggage logistics solution – FLEET – in the real-world environment of one of the world's busiest passenger airports.
The joint innovation partnership will focus on applying the latest autonomous vehicle technology in the baggage handling process at Hong Kong International Airport (HKIA) with regards to improving quality, efficiency and flexibility.
FLEET is the world leading baggage handling solution that is based on this technology. It has been designed to not only increase the quality and efficiency of baggage handling, but also seamlessly grow alongside an airport, match its operations, and allow it to adapt to changing regulations.
This collaborative programme will allow Vanderlande to further develop the various application areas of FLEET and test these innovations in a live airport environment. HKIA will benefit from being able to see at close hand how autonomous vehicles can help to further improve the efficiency of the baggage handling process, enhance ergonomic working conditions for ground staff and future-proof the airports' baggage handling operations. The first FLEET trial application is expected to go live at the airport in March 2019.
"This is an important opportunity to combine Vanderlande's expertise in the end-to-end baggage handling process and Toyota's strong position in autonomous vehicle technology, with one of the world's leading airports," adds Vanderlande's Executive Vice President Airports and Member of the Board Andrew Manship.


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Exhibition features 50 years of implementing President Ho Chi Minh's testament
More than 700 materials, photos and objects are on display at an exhibition titled "50 Years of Implementing President Ho Chi Minh's Testament' at the Vietnam National Library.
Exhibition mark 50th anniversary of President Ho Chi Minh's testament in Can Tho
The exhibition commemorates the 50th death anniversary of President Ho Chi Minh (1969-2019) and review 50 years of the Party and people implementing his testament.
The exhibition is divided into four parts. The first part features the life and career of the late leader with various materials reflecting the great leader's life from childhood to his path to liberate the country from colonialism till the time he and his comrades set up the Democratic Republic of Vietnam.
A man visits the exhibition. (Source: VNA)
The second part is titled "Testament of President Ho Chi Minh: Content, meaning and historic values", while the third part covers achievements after 50 years implementing President Ho Chi Minh's testament. Various pieces of writing are included, such as those on the liberation of the south and the country's reunification; building the country while sticking to independence and socialism; achievements of reform period, building a consolidated and strong Party.
Under the title 'Learning and Following Ho Chi Minh's Morality', the fourth part of the exhibition features pieces on the President's morality and thought, especially the thought on uniting the people, building a strong Party, leading a simple life, fighting against corruption and praising good examples in the movement [of learning and following Ho Chi Minh's thought].
"The exhibition also features hand-written drafts of the testament by the President himself," said Kieu Thuy Nga, director of the library. "I hope the event will offer audiences a chance to understand more clearly the great leader and his career."
The exhibition will be run at the library, 31 Trang Thi Street, Hanoi's Hoan Kiem District, till September 20.
Tag Ho Chi Minh President Ho Chi Minh President Ho Chi Minh's Testament
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Three Ways the L.A. Strike Profoundly Changed the Teaching Profession
They look the same. They talk the same. But if you observe closely, you will find your local neighborhood teacher has undergone a deep transformation that will forever change the course of education in Los Angeles, the state, and beyond. Here are three ways the L.A. Teachers Strike changed teachers forever.
NEWFOUND AGENCY
No longer do the classroom teachers shrug their shoulders and accept working conditions that are neither beneficial to students or themselves, like partners in an abusive relationship. After years of the de-professionalizing our careers due to the effects of GERM: the Global Education Reform Movement, teachers realized enough was enough. Veteran teachers close to retirement refused to leave the profession in this state for the sake of newer teachers and the students in their charge The UTLA Strike was our way of leaving behind a legacy we could be proud of. Our ranks have never been more united and proud.
You now see teachers discussing intricate education issues on message boards, interviews, and leadership positions created by our hard-won collective bargaining agreement. We have always been the experts; now we believe we are.
POLITICAL POWER
Teachers demanded that our elected leaders fulfill the mandates of their positions with bravery, not political schadenfreude. Whereas before the strike, the local L.A. school board couldn't muster the votes to put a parcel tax proposal before voters, post-strike even the most reluctant board members jumped on board to support the resolution for one. The new governor enthusiastically embraced the principles of the strike and urged the legislature to pass a charter school transparency bill. Currently there are no less than four bills in the legislature that would increase charter school oversight and accountability, a key demand of our labor strike.
The teachers recognized that the momentum of the strike could only continue by electing a school board member impervious to the influence of privatizers. That warrior was JackieGoldberg, a veteran in progressive social and educational issues.
H/T Carl Petersen
Competing candidates clumsily latched on to the excitement of the teachers strike by falsely declaring themselves as "teachers" or co-opting strike imagery, in recognition of the power of the movement. But the political mobilization of teachers will almost certainly ensure that only those candidates whose goals are truly aligned with classroom teachers—in a respectful manner-- will ever be elected to the school board again.
What an incredible feeling to march side by side with the parents of our school communities. Parents were a key reason for the success of the strike, and close communication to clarify conflicting messages helped forge a special bond that will be felt for years to come. The Facebook group Parents Supporting Teachers has over 24,000 members that dialogue daily, in English and Spanish, about school issues, recommendations for schools, and advise on how to approach administrators.
Groups such as Padres Contra la Privatizacion have engaged in actions such as challenging charter co-locations, the building of mega-charters in their neighborhoods, and support for Jackie Goldberg. And teachers have been there to help them when their local fly by night charterschool closes 7 weeks before the end of the school year.
South Central L.A. students and teachers
Like an epiphany, the strike awakened an awareness in parents, that teachers have always fought for what's best for their children. Day after day on the rainy strike line, we felt the love from the public honk after honk, wave after wave, fist after fist. I will never forget the support we received on the strike line by our beloved LAUSD parents.
The euphoria experienced the day we reached agreement on the contract is hard to describe. Knowing that our strike was about more than pay, we knew our demands were a fight for the greater good and that we were on the right side of history. Although some colleagues were not satisfied with the new contract, I see it as a red pill moment; now teachers who made do with so little before have realized how much more we and our students deserve. Of course, there will be agitation. But as awareness of education politics grows, so will understanding of what a long road we have ahead of us to undo the damage of decades of disinvestment in public school. The sleeping giant has awakened.
avalonsensei charter schools GERM jackie goldberg la teachers strike labor martha infante south central teacher power UTLA utla strike
Three Ways the L.A. Strike Profoundly Changed the ...