text:
Platte County football downs Raytown South with potential showdown looming
October 5, 2016 Ross Martin
ROSS MARTIN/Citizen photo
Platte County junior linebacker Dakota Schmidt (28) celebrates a stop with teammates including Gavin Hardman (16), Michael Smith (5), Austin Shoemaker (2) and Glen Gammill (58) during a 30-9 win against Raytown South on Friday, Sept. 30 at Pirate Stadium.
The depth on Platte County's list of playmakers showed in recent weeks during the schedule's most difficult part.
Two familiar names reemerged with big games to ensure the stretch ended with a win Friday, Sept. 30. Pirates senior running back Michael McNair continued to be the most consistent performer with two more rushing touchdowns while inching closer to the 1,000-yard mark for the season, but senior wide receiver TJ Guillory caught a touchdown pass while senior safety Kevin Neal grabbed a pair of interceptions in a 30-9 win against Raytown South in an important Suburban Conference Blue Division matchup at Pirate Stadium.
Guillory put up 82 receiving yards for a second straight week and reached the end zone for the fourth time in five games and fifth time overall. Neal grabbed two picks in a game for the second time this season and third time in two years.
Platte County senior wide receiver TJ Guillory crosses the goal line with the first touchdown in the Pirates' 30-9 win against Raytown South on Friday, Sept. 30 at Pirate Stadium.
"Whenever a big play is made, regardless of if it's me or anybody, we just rally around it," Neal said. "Fortunately, I was the guy tonight that provided some good plays, and we just rallied around it with great defense. We've always got the offense's back. They've had us in a lot of games this year so we had to repay them one game.
"The least amount of points (allowed) is the best."
The win set up a clear path for Platte County in a quest to earn a share of the Blue Division title and the top seed in Class 4 District 8.
The Pirates travel to North Kansas City District Stadium in North Kansas City, Mo. on Friday, Oct. 7. A win against the 1-6 Griffins sets up a showdown in Week 9 vs. undefeated and No. 1 ranked Kearney with a chance to secure part of the conference crown and take the top seed in District 8 from the Bulldogs.
Currently, Platte County (5-2) sits second behind Kearney.
Ranked No. 3 behind Kearney (7-0, all 14 first-place votes) in the most recent Class 4 media poll, the Pirates could play each of the next two opponents twice in the coming weeks with Winnetonka (No. 7 in the current District 8 standings) a potential first round matchup. Kearney and Platte County will be the favorites to reach the title game after Smithville (6-1) lost 39-0 last Friday to Class 3 No. 1 Maryville in a battle of unbeatens.
ROSS MARTIN/Citizen photos
Platte County senior running back Mike McNair, center, runs away from a Raytown South defender Friday, Sept. 30 at Pirate Stadium.
"We're worried about Winnetonka because ultimately, conference-wise, we set ourselves in a situation where we have to win out to get a chance," Platte County coach Bill Utz said.
Raytown South (3-4) — No. 1 in the Class 4 District 6 standings — represented a formidable obstacle to Platte County's goals. After a loss to Belton two weeks ago, the Pirates have now again won two straight after navigating a five-game stretch that started with a loss to Class 5 Staley in Week 3 and included five teams that entered at .500 or better — three of them unbeaten.
Guillory's return to the end zone came early and helped end a defensive stalemate.
Platte County's leading receiver in terms of catches each of the past two seasons, Guillory beat the Cardinals' defense on a third-and-13 play with just more than a minute left in the first quarter. Pirates senior quarterback Justin Mitchell found him all alone on the home sideline for a 30-yard touchdown on a wheel route for a 7-0 early lead.
"Whenever we're all called on, we've just got to come up and make big plays," said Guillory, who in recent weeks watched junior wide receiver John Watts receive more looks at the end zone with teams putting a focus on limiting his own touches. "I knew there was going to be one of those that would happen, especially with them playing man. There's a lot of different opportunities we have when a team plays man."
Platte County's defense gave up very little from there, and the Pirates never trailed.
Raytown South's lone score of the first half came after Mitchell audibled out of a punting situation deep in Platte County's own territory and threw a pass ruled a fumble early in the second quarter. The Pirates held and limited the Cardinals to a 29-yard field goal, giving the offense the chance to respond with scores on the next three drives.
Platte County reached the 1 on its next drive but settled for a 23-yard field goal from junior Parker Lacina to go back up seven. Neal picked off Dallas Hannah along the visitor's sideline on the next play, and the turnover yielded points on Lacina's 42-yarder four plays later.
Despite having three kicks blocked this season, Lacina finished the game 3-for-4 and improved to 7-for-13 on the season with coaches continuing to show faith in his range.
"I do feel confident, especially with my team behind me," said Lacina, who hit a career long 53-yarder last season against Kearney in the Class 4 District 8 championship. "It's definitely a lot of pressure, but I like it."
Platte County kicker Parker Lacina hits a field goal in the first half against Raytown South on Friday, Sept. 30 at Pirate Stadium.
Raytown South managed one first down on each of its next two drives, but the first ended with a punt, setting up a quick score. Kobe Cummings returned the kick 13 yards for Platte County, and a 37-yard completion on a catch and weaving run from Guillory set up a 3-yard touchdown run for McNair on the next play with 30 seconds left in the half.
Neal intercepted a pass on Raytown South's second play of the ensuing drive, but Platte County took the 20-3 lead into halftime.
McNair remained a focal point of the offense after halftime against the Cardinals' staunch defense, which has allowed 32, 23 and 30 in losses to Kearney, Belton and Platte County, respectively. He finished with 147 yards on 33 carries — his sixth time over 100 yards in seven games — and added a 4-yard touchdown with 1:58 left to put the win away.
Platte County senior quarterback Justin Mitchell throws a pass while senior offensive tackle Derek Kohler, middle, provides blocking in the first half of the Pirates' Suburban Conference Blue Division matchup with Raytown South on Friday, Sept. 30 at Pirate Stadium.
Raytown South finished off an 11-play drive early in the fourth quarter on Hannah's 9-yard scramble to close within 23-9. Platte County scuffled on its next two drives before McNair's closing score, but the Pirates defense yielded just 235 yards behind Neal's two interceptions and 10 tackles from junior linebacker Dakota Schmidt, who has now recorded double-digit stops in five of seven games including a season-high 20 in a 55-42 loss to Staley.
Schmidt also recovered Hannah's fumble on the first play of the second half, leading to Lacina's 41-yard field goal four plays later. The Pirates defense has allowed nine or fewer points in four of the five wins, including two shutouts, with the lone exception a 38-30 victory against previously unbeaten Class 5 Liberty the week before Raytown South came to town.
"I'll be honest, 30 points against Ray South is a pretty good day if you look at the scores they've been giving up," Utz said. "Their defense plays well, and they don't give you too many opportunities to score. You're definitely not going to get any big plays, which we've been able to do against most teams. So 30 points? I'll take that against these guys.
"I'm very pleased with our defense, the way they played. Nine points? With that team, just like us scoring 30 against a good team like that, only giving up nine is a great day. We'll take that all day long."
In Sports Tags Platte County R-3
← Peterson's pesky play results in hat trick, comeback win for Platte County soccerPark Hill South football comes back for another top-10 win →


Yesterday by-elections in Copeland and Stoke-on-Trent Central were held. Copeland was gained by the Conservatives from Labour and Stoke-on-Trent Central was held by Labour, although their vote declined slightly.
Copeland was won by Labour in 2015 by a 6.5% margin over the Conservatives. In fact, Copeland (and its predecessor Whitehaven) has returned a Labour candidate since 1935, although it was a close run race in 1983, 1987 and 1992.
The Conservatives won the seat with their share of the vote increasing by 8.5 percentage points from 2015 on a 6.7% swing in their favour. Note that the Conservatives have not gained a seat whilst in government since the 1982 Mitcham and Morden by-election when Bruce Douglas-Mann defected from Labour to the SDP and split the Labour vote.
The Liberal Democrats experienced a minor resurgence, increasing their share of the vote from 3.5% in 2015 to 7.2%, and saving their deposit this time. Judging from the vote share changes, UKIP lost votes to the Conservatives. Indeed, UKIP went from 15.5% in 2015 to 6.5%, a drop of 9.0 percentage points. The Green Party also fell back.
Stoke-on-Trent Central was held by Labour. There was a 2.1% swing from Labour to UKIP which was nowhere near close to the 8.3% swing UKIP needed to take it. The Conservatives increased their share of the vote by 2.0 percentage points, but they again came third. The Liberal Democrats increased their share of the vote from 4.2% in 2015 to 9.8%. The Green Party fell back slightly.


The European takes the protection of your personal information very seriously and the responsible handling of your data is a top priority for The European. Your personal data will be protected by The European for collection and use in accordance with applicable data protection regulations. Below you will find information on what data is collected on our homepages www.theeuropean, www.m.theeuropean and theeuropean-magazine.com – commonly known as The European – and how it is used.
The service provider within the meaning of the Telemedia Act (TMG) and the responsible body within the meaning of the Federal Data Protection Act (BDSG) is the WEIMER MEDIA GROUP GmbH, to which the website theeuropean.de, m.theeuropean.de and theeuropean-magazine.com belong. This document contains an explanation of how we handle personal information.
We appreciate your visit to our website and your interest in our content. The protection of your privacy is important to us. Typically, you can use online services that do not require payment or registration without providing personal information. By accessing our website, log files are collected and stored on our server for backup purposes.
These data may possibly allow identification, but no personal exploitation will take place in this regard. They can be evaluated for statistical purposes, whereby the individual user remains anonymous.
Personal data will only be collected if you give it to us by yourself, such as. as part of the newsletter registration or by sending emails, requests or requests.
Cookies are small files that your browser places on your device in a designated directory. Through them u.a. Determine if you have visited a website before.
Ads are mostly provided by third parties. They may use information about your visits, if approved by your device settings, to show ads about products and services that may interest you. Concrete contact information such as your name, address, e-mail address or telephone number will not be transferred under any circumstances.
Most browsers accept cookies automatically. However, you can set your browser so that no cookies are stored or an explicit consent is required before saving a cookie. In addition, you can delete previously set cookies at any time. Please note that turning off cookies may result in restrictions when using our online services.
The information generated by the cookie about your use of this website is usually transmitted to a Google server in the USA and stored there. However, if IP anonymisation is activated on this website, your IP address will be shortened by Google beforehand within member states of the European Union or other parties to the Agreement on the European Economic Area. Only in exceptional cases will the full IP address be sent to a Google server in the US and shortened there. On behalf of the operator of this website, Google will use this information to evaluate your use of the website, to compile reports on website activity and to provide other services related to website activity and internet usage to the website operator. The IP address provided by Google Analytics as part of Google Analytics will not be merged with other Google data. You can prevent the storage of cookies by a corresponding setting of your browser software; however, please note that if you do this, you may not be able to use all the features of this website to the fullest extent possible.
You can prevent the collection of the data generated by the cookie and related to your use of the website (including your IP address) to Google by using the following link https://tools.google.com/dlpage/gaoptout?hl=en download and install the available browser plugin.
This website uses the extension "gat_anonymizeIp ()", so that the IP address is processed only shortened, in order to prevent anonymized collection a reference back to individuals.
By using this website, you consent to the processing of your data by Google in the explained manner and for the purpose explained.
We have these Google Web Funds locally stored on our server. For your safety, however, we would like to point out that the browser you use can connect to Google's servers. As a result, Google learns that our website has been accessed via your IP address. The use of Google Web Fonts is in the interest of a consistent and attractive presentation of our online services. This constitutes a legitimate interest within the meaning of Art. 6 para. 1 lit. f DSGVO.
Our website uses Facebook's visitor action pixel for conversion measurement, Facebook Inc., 1601 S. California Ave, Palo Alto, CA 94304, USA ("Facebook"). This way, the behavior of the site visitors can be tracked after they have been redirected to the provider's website by clicking on a Facebook ad. As a result, the effectiveness of Facebook advertisements can be evaluated for statistical and market research purposes and future advertising measures optimized.
Twitter is a microblogging service provided by the American company Twitter, Inc. (795 Folsom St., Suite 600, San Francisco, CA 94107). If you use The European, e.g. To call up one of our web pages that contains a Twitter button, your browser will also establish a direct connection to the Twitter servers and load the button from there. The information is transmitted to Twitter that an online service has been called. Even if you are not logged in, Twitter can collect and save usage data as needed. If you click on the Twitter buttons and "twitter" information via the opening Twitter window, you can forward the tweeted information to Twitter. This information will then be published in your Twitter user profile.
The European homepage also includes Google+ buttons on the social network "Google+". This social network is operated by Google Inc., 1600 Amphitheater Parkway, Mountain View, CA 94043, USA. The Google+ button is recognizable by the "+1" sign.
If you e.g. If you visit one of our websites that contains a Google+ button, your browser establishes a direct connection to the Google servers and loads the button from there. The information is transmitted to Google Inc., that the corresponding page on The European was called. The content of the "+1" button is sent directly to your browser by Google and incorporated into the website by Google, so we have no control over the amount of data Google collects from the button Click on the button no personal data collected Only with logged in members of the social network Google+ data, among other things the IP address, are collected and processed.
Our website uses plugins from the Google-powered YouTube page. Site operator is YouTube, LLC, 901 Cherry Ave., San Bruno, CA 94066, USA. When you visit one of our YouTube plug-in-enabled sites, you will be connected to the servers of YouTube. It tells the YouTube server which of our pages you've visited. If you're logged into your YouTube account, YouTube will allow you to associate your browsing behavior directly with your personal profile. You can prevent this by logging out of your YouTube account.
It is currently not legally clear whether and to what extent all networks offer their services in accordance with European data protection regulations. We therefore expressly point out that the services used Facebook, Twitterr, Google+ and YouTube store the data of their users according to their data usage guidelines and use for business purposes. We have no influence on the data collection and its further use by the social networks. For example, there is no information on the extent to which, at what location and for what duration the data is stored, to what extent the networks comply with existing deletion obligations, which evaluations and links are made to the data and to whom the data is passed on.
We send newsletters, e-mails and other electronic notifications with advertising information (hereinafter "newsletter") only with the consent of the recipient or a legal permission. Insofar as the contents of a newsletter are concretely described, they are authoritative for the consent of the users. Incidentally, our newsletters contain information about the digital economy and all its branches (this may include, in particular, references to articles, advertisements, white papers, or online appearances).
The registration for our newsletter takes place in a so-called double opt-in procedure. That After registration, you will receive an e-mail asking you to confirm your registration. This confirmation is necessary so that nobody can register with external e-mail addresses.
In accordance with the provisions of the Data Protection Regulation (DSGVO), which will apply from 25 May 2018, we inform you that the consents to the sending of e-mail addresses on the basis of Art. 6 para. 1 lit. a, 7 DSGVO and § 7 (2) no. 3 and (3) UWG. The use of the mail service provider MailChimp, carrying out the statistical surveys and analyzes as well as logging the registration process, are based on our legitimate interests in accordance with. Art. 6 para. 1 lit. f DSGVO. We are interested in using a user-friendly and secure newsletter system that serves both our business interests and the expectations of our users. We further point out that you are the future processing of your personal data in accordance with the statutory requirements. Art. 21 DSGVO can contradict at any time. The objection may in particular be made against processing for direct marketing purposes.
We set based on an efficient, secure and user-friendly comment management acc. Art. 6 para. 1 lit. f. DSGVO the commenting service DISQUS offered by DISQUS, Inc., 301 Howard St, Floor 3 San Francisco, California 94105, USA. DISQUS is certified under the Privacy Shield Agreement, which provides a guarantee to comply with European data protection law: https://www.privacyshield.gov/participant?id=a2zt0000000TRkEAAW.
To use the DISQUS comment feature, users can log in using their own DISQUS user account or existing social media accounts (e.g., Facebook, Twitter, or Google). In this case, the log-on data of the users is obtained from DISQUS by the platform.
The content displayed in the widget is controlled and delivered by Outbrain in terms of content and technology. The European does not collect and use personally identifiable information in connection with the Outbrain widget. Outbrain, as responsible body, provides information on the collection and use of usage and other data: https://www.outbrain.com/legal/privacy#privacy-policy. There you also have the opportunity to oppose the use of usage and other data for specific purposes opt-out. Content recommendations in the widget will no longer be controlled by Opt-out based on usage data collected by Outbrain.
We ourselves do not transfer your personal data to countries outside the European Economic Area. The integration of Google Analytics and the associated data transmission complies with a procedure agreed with the German data protection authorities. Whether third parties with whom you have your own contractual relationship (such as Facebook, if you have a Facebook account) transfer data to countries outside the European Economic Area is beyond our knowledge and influence.
Personal data will only be used by The European if you have provided us with personal data. We use these only for answering your inquiries, sending out the newsletter and for technical administration. They will not be disclosed to third parties without explicit consent, unless The European is required by law or court order to disclose. The deletion of stored personal data takes place when you revoke your consent to storage or when you are no longer required to fulfill the purpose of the storage.


This article is within the scope of WikiProject Ice Hockey, a collaborative effort to improve the coverage of ice hockey on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.
This article is within the scope of WikiProject Finland, a WikiProject related to the nation of Finland. If you would like to participate, you can edit the article attached to this page, or visit the project page, where you can join the project and/or contribute to the discussion.
A news item involving 2014 IIHF World Championship Final was featured on Wikipedia's main page in the In the news section on 26 May 2014.
Return to "2014 IIHF World Championship Final" page.


text:
Q: Deserialization issue using test container pubsub emulator I'm having an issue doing integration tests with my spring application. I'm using testcontainer to setup a pubsub emulator:
@Container
private static final PubSubEmulatorContainer pubsubEmulator =
    new PubSubEmulatorContainer(DockerImageName.parse("gcr.io/google.com/cloudsdktool/cloud-sdk:317.0.0-emulators"));

@DynamicPropertySource
static void emulatorProperties(DynamicPropertyRegistry registry) {
    registry.add("spring.cloud.gcp.pubsub.emulator-host", pubsubEmulator::getEmulatorEndpoint);
}

@Bean
CredentialsProvider googleCredentials() {
    return NoCredentialsProvider.create();
}

I'm publishing a message juste like that:
publisherTemplate.publish("My_Topic", "{\"name\": \"test\"}", headers)

Here is my application configuration for pubsub and jackson:
@Configuration
@RequiredArgsConstructor
public class PubSubConsumerConfiguration {

    private final ConsumerRepository consumerRepository;

    @Bean
     public PubSubMessageConverter pubSubMessageConverter(ObjectMapper objectMapper) {
        return new JacksonPubSubMessageConverter(objectMapper);
    }

    @Bean
    public ObjectMapper objectMapper() {
        ObjectMapper mapper = new ObjectMapper();
        mapper.registerModule(new JavaTimeModule());
        mapper.configure(SerializationFeature.WRITE_DATES_AS_TIMESTAMPS, false);
        mapper.setSerializationInclusion(JsonInclude.Include.NON_NULL);
        mapper.disable(DeserializationFeature.FAIL_ON_UNKNOWN_PROPERTIES);
        return mapper;
    }

    @Bean
    public MessageChannel inputMessageChannel() {
        return new PublishSubscribeChannel();
    }

    @Bean
    public PubSubInboundChannelAdapter inboundChannelAdapter(MessageChannel inputMessageChannel, PubSubTemplate pubSubTemplate) {
        PubSubInboundChannelAdapter adapter = new
        PubSubInboundChannelAdapter(pubSubTemplate, "my_sub");
        adapter.setOutputChannel(messageChannel);
        adapter.setAckMode(AckMode.MANUAL);
        adapter.setPayloadType(Consumer.class);
        return adapter;
    }

    @ServiceActivator(inputChannel = "inputMessageChannel")
    public void messageReceiver(
        @Payload Consumer payload,
        @Header(GcpPubSubHeaders.ORIGINAL_MESSAGE) BasicAcknowledgeablePubsubMessage message
    ) {

        consumerRepository.save(payload);
        message.ack();
    }
}

I'm defining a bean to setup jackson as the main way to deserialize messsage payload from the pubsub. Everythin works great using pubsub on GCP, the payload i'm sending in the console is correctly deserialized and saved into the database. However in my integration tests with the test container version of the pubsub i'm getting this error during deserialization:
com.google.cloud.spring.pubsub.support.converter.PubSubMessageConversionException:
JSON deserialization of an object of type com.mypackage.model.Consumer failed.;
nested exception is com.fasterxml.jackson.databind.exc.MismatchedInputException:
Cannot construct instance of `com.mypackage.model.Consumer` (although at least one Creator exists): no String-argument constructor/factory method to deserialize from String value ('{"name": "test"}')

Is something wrong with my way of testing?
EDIT : as asked by @Ilya here is a sample of the content of the class com.mypackage.model.Consumer, I've tried with and without empty constructor etc.. :
@Data
@NoArgsConstructor
@AllArgsConstructor
public class Consumer  {

    private String name;
    private ZonedDateTime deletedOn;
    ...
}

A: I've actually found the answer by looking deeper at this documentation. The issue came from the way I specified the payload when publishing my message to pubsub.
publisherTemplate.publish("My_Topic", ByteString.copyFromUtf8("{\"name\": \"test\"}"), headers)

redpajama_set_name: RedPajamaStackExchange


text:
Figura di spicco tra i musicisti Dub della seconda generazione, Fraser è un artista molto prolifico, avendo contribuito o prodotto quasi duecento album, ed ha collaborato con artisti di fama mondiale, sia reggae (come Lee "Scratch" Perry, Sly and Robbie, Horace Andy e Pato Banton) che al di fuori dai confini della musica giamaicana (come il duo inglese Massive Attack).

Biografia
Fraser nasce in Guyana nel 1955, ma si trasferisce in Inghilterra all'età di 13 anni. A Londra comincia a lavorare nell'ambiente musicale prima come aiuto tecnico, per poi aprire un primo studio di registrazione nella sua casa a Thornton Heat, nella zona sud di Londra. Lo studio apre nel 1979, col nome di Ariwa Sound, dopo che Fraser aveva raccolto materiale audio ed equipaggiamento - un mixer a quattro tracce - e registra soprattutto cantanti e gruppi lovers rock.

Il suo primo progetto personale arriva nel 1982, dopo il trasferimento dello studio a Peckham, con un mixer a otto tracce: è l'album Dub Me Crazy, il primo dei 12 album della serie omonima. La serie riceve le attenzioni e il supporto del dj e conduttore radiofonico John Peel, che ne trasmette regolarmente le canzoni.

Trasferitosi nuovamente, dopo l'iniziale disinteresse della scena reggae verso la metà degli anni '80 arriva il successo, grazie anche alla produzione di artisti quali Sandra Cross, Pato Banton, Macka B e Johnny Clarke. Il suo Studio è all'epoca il più grande studio di registrazione posseduto da un non-bianco in Inghilterra. Pur continuando a produrre lovers rock, comincia ad attirare anche artisti giamaicani fino ad arrivare, nel 1989, alla collaborazione con la leggenda del dub Lee "Scratch" Perry con l'album Mystic Warrior.

Stile
Il soprannome Mad Professor gli viene dalla sua attrazione per l'elettronica che lo caratterizza fin da quando è un bambino. Negli anni '80 l'Inghilterra diventa il nuovo polo per la musica dub grazie anche alla crescente popolarità di Fraser.

Gli inizi sono caratterizzati da una grande fedeltà al classico dub giamaicano, con il suo mix di musica reggae ed un pesante utilizzo di effetti quali riverberi ed echi sulle parti strumentali a discapito di quelle vocali. Man mano che Fraser comincia a sperimentare sonorità elettroniche assieme agli strumenti classici la sua fama cresce anche al di fuori dall'ambiente reggae, fino ad arrivare ad un grande utilizzo di sintetizzatori e ad attirare l'attenzione di produttori di musica elettronica, tra cui spicca il duo inglese Massive Attack.

Discografia
1983 – In A Rub A Dub Style
1985 – A Caribbean Taste Of Technology
1992 – True Born African Dub
1994 – The Lost Scrolls Of Moses
1995 – It's A Mad, Mad, Mad, Mad Professor
1997 – RAS Portraits
2001 – Dubbing You Crazy
2001 – Trix In The Mix
2005 – Method To The Madness
2007 – Dub You Crazy
2008 – The Dubs That Time Forgot
2009 – Audio Illusions of Dub

Dub Me Crazy
Serie di 12 album
1982 – Dub Me Crazy
1982 – Beyond The Realms Of Dub (Dub Me Crazy, Pt.2)
1983 – The African Connection (Dub Me Crazy, Pt.3)
1983 – Escape To The Asylum of Dub (Dub Me Crazy, Pt.4)
1985 – Who Knows The Secret Of The Master Tape (Dub Me Crazy, Pt.5)
1986 – Schizophrenic Dub (Dub Me Crazy, Pt.6)
1987 – Adventures Of A Dub Sampler (Dub Me Crazy, Pt.7)
1988 – Experiments Of The Aural Kind (Dub Me Crazy, Pt.8)
1989 – Science And The Witchdoctor (Dub Me Crazy, Pt.9)
1990 – Psychedelic Dub (Dub Me Crazy, Pt. 10)
1992 – Hijacked To Jamaica (Dub Me Crazy, Pt.11)
1993 – Dub Maniacs On The Rampage (Dub Me Crazy, Pt.12)

Black Liberation
Serie di 5 album
1994 – Black Liberation Dub (Chapter 1)
1995 – Anti-Racist Broadcast (Black Liberation Chapter 2)
1996 – The Evolution Of Dub (Black Liberation Chapter 3)
1997 – Under The Spell Of Dub (Black Liberation Chapter 4)
1999 – Afrocentric Dub (Black Liberation Chapter 5)

Dub You Crazy With Love
1997 – Dub You Crazy With Love
2000 – Dub You Crazy With Love (Part 2)
2008 – Bitter Sweet Dub

Collaborazioni

Lee "Scratch" Perry
1990 – Mystic Warrior
1995 – Black Ark Experryments
1995 – Super Ape Inna Jungle
1996 – Experryments At The Grass Roots Of Dub
1996 – Who Put The Voodoo Pon Reggae
1996 – Dub Take the Voodoo Out of Reggae
1998 – Live At Maritime Hall
1998 – Fire In Dub
2000 – Lee Perry Meets Mad Professor
2001 – Techno Dub

Altri
1982 – Rhythm Collision Dub (con Ruts DC)
1983 – Punky Reggae Party (Positive Style) – Anti Social Workers
1984 – Jah Shaka Meets Mad Professor At Ariwa Sounds
1985 – Mad Professor Captures Pato Banton
1989 – Mad Professor Recaptures Pato Banton
1989 – Mad Professor Meets Puls Der Zeit
1990 – A Feast Of Yellow Dub (con Yellowman)
1996 – New Decade Of Dub (con Jah Shaka)
2000 – The Inspirational Sounds Of Mad Professor
2004 – Dub Revolutionaries (con Sly and Robbie)
2004 – From The Roots (con Horace Andy)
2004 – In A Dubwise Style (con Marcelinho da Lua)
2005 – Moroccan Sunrise (With Borrah)
2005 – Dancehall Dubs (With Crazy Caribs)
2009 – Revolution Feat. Pato Banton And Mr. Professor (With Tugg)
2009 – Nairobi Meets Mad Professor – Wu Wei
2009 – Mad Professor Meets Alika
2010 – Izrael Meets Mad Professor and Joe Ariwa
2012 – The Roots of Dubstep

Altri progetti

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


To ensure a bountiful metal detecting venture, one of the key factors is comfort. To custom-fit your metal detector to your height, you may need to switch out the lower shaft. This 24" Lower Shaft Assembly for your Minelab X-Terra series metal detector is easily adjustable to accommodate both average and taller operators, allowing you to sweep the ground comfortably like an extension of your own arm. Hardware is not included with this lower rod, so use the existing hardware on your detector or purchase a new set from our store to connect this part.


One of the first steps in managing your finances is to set a budget. Setting up your budget might take a little effort, but it is all worth it in the end. When you set up your budget, it is like taking a snapshot of your income and expense. When you set your budget, you will not end up in debt or get caught up in unexpected costs. Your credit ratings will be good, and you will be in a good position to make your dreams come true.
Most of us out there find it so hard to understand their incomes and expenses. If you ask someone about the expenses they have in a month they wouldn't be able to tell you exactly how much they are spending as no one really keeps track of everything they spend. Keeping track of your income and expense is very crucial in managing your finance.
To understand your expense, take all your receipts or look at your bank statement and add up all the expenses you had in a month. Once you track your expenses, you can avoid spending a lot of money on unnecessary things.
Your monthly expense must not exceed your monthly income. If that is the case, then you will end up in debt. To calculate if your expenses are more than your income, subtract your expense with your income. If you get a negative number, then you are spending more than you are supposed to do. If you get a positive number, then you are on the safer side. Make sure that the positive number you get is high. Having a low positive number means that you are spending almost everything you earn and when you need a huge sum of money all of a sudden you will be struggling for money.
If you happen to have debts, make sure that you clear them up. When you start borrowing money, it becomes a habit, and you will find it very hard to stop that habit. If you have borrowed money in the past, cut down your other expenses and find a way to clear off all your debts.


text:
Q: How to get the id of the div which is before the table using jquery I am having a div and it contains table like before

              Some content

javascript code:
  $("#clicktr").live('click',function(e){
       console.log($(this).parent().parent().attr('id'));
  });

On row click i want to get the id of the div how can i get that.
But i am not able to the id of the div

A: You want to use .closest(). This will traverse up the DOM tree to find the first instance of a div.
You should also use .on() as the .live() method is deprecated.
$('table').on('click', '#clicktr', function(){
    var ID = $(this).closest('div').attr('id');
});

On another note, if there are multiple tables and divs, you do not want to use the same ID for the tr's, but instead a class.

A: You can try this
.live() is depreciated in v1.7 and removed in v1.9.  So use .on()
$("#clicktr").on('click',function(){
       console.log($(this).parent().closest('div').attr("id"));
});

Check this JSFiddle

A: Take a look at this...
jsFiddle : http://jsfiddle.net/K3Xy6/1/
$('table tr td').click(function(e){
    var divId = $(this).closest('div').attr('id');
    alert(divId);
 });


text:
Teo Gheorghiu (* 12. August 1992 in Männedorf, Kanton Zürich) ist ein Schweizer kanadischer, in Rüti, Zürich und London aufgewachsener Pianist rumänischer Herkunft.

Leben
Teo Gheorghius Eltern wanderten von Rumänien nach Kanada aus und nahmen die kanadische Staatsbürgerschaft an, bevor sie sich in der Schweiz niederliessen. Seine Mutter ist die Kunsthistorikerin Adina Gheorghiu. Er hat einen jüngeren Bruder, Max.

Er spricht fliessend Deutsch, Schweizerdeutsch, Englisch und Rumänisch. Französisch versteht er sehr gut. Er bezeichnet sich als Sozialist.

Er liebt das Velofahren. Im Sommer 2017 unternahm er eine Velotour von London nach Marokko. Er habe dabei viel aufsaugen können, das er nachher habe musikalisch ausdrücken wollen.

Laufbahn

Ausbildung
Gheorghiu begann seine Pianistenkarriere im Alter von fünf Jahren bei Daniel Höxter und besuchte ab seinem neunten Lebensjahr die Purcell School in London, ein Internat für musikalisch hochbegabte Kinder unter der Leitung von Simon Rattle, wo er bei William Fong Klavier studierte.

Er studierte am Curtis Institute in Philadelphia bei Gary Graffman und kehrte später nach London zurück, um an der Royal Academy of Music weiter zu studieren. Dort lernte er seinen Lehrer und Mentor Hamish Milne kennen, der nach Gheorghius Aussagen «seine Leidenschaft für die Musik wieder entfachte». Er studierte fünf Jahre bei Milne und schloss mit dem Bachelor ab.

Konzerte
Sein Konzertdebüt gab er 2004 in der Tonhalle in Zürich mit Robert Schumanns Klavierkonzert a-Moll op. 54 (wo das Filmmaterial für die letzte Szene des Films Vitus live aufgenommen wurde). Im Mai 2007 wurde seine Interpretation des Klavierkonzerts Nr. 2 von Sergei Rachmaninoff mit dem Musikkollegium Winterthur mit Lob aufgenommen. Im gleichen Jahr gab er Konzerte mit dem Tokyo New City Orchestra, dem Zürcher Kammerorchester und dem Berner Symphonieorchester. 2008 spielte er Konzerte in Tokio, Istanbul, London, Sankt Petersburg und Potsdam. 2009 tourte er in Zürich, Gstaad, Fribourg sowie in Harrogate, Bad Saarow, Bukarest, Bonn, China und Taiwan.

2010 gab er sein Rezital-Debüt in der Zürcher Tonhalle mit Bachs Englischer Suite g-Moll, Mozarts Fantasie c-Moll und Chopins zweiter Klaviersonate. 2012 spielte er am Lucerne Festival. Er nahm mehrere Male an Klassik Bülach und der Lenzburgiade auf Schloss Lenzburg teil. 2017 spielte er am Schumannfest in Bonn und an der Tchaikovsky Gala des Royal Philharmonic Orchestra in London, ausserdem mit dem Bournemouth Symphony Orchestra und bei den Istanbul Recital Series in Istanbul. 2018 nahm er u. a. an den Schlosskonzerten Thun als Artiste Etoile teil und spielte Beethovens 5. Klavierkonzert mit dem Musikkollegium Winterthur unter Roberto González-Monjas in Winterthur. Weiter spielte er beim Piano aux Jacobins in Toulouse sowie mit der Mecklenburgischen Staatskapelle Schwerin und dem Sinfonieorchester Wuppertal.

Vitus
In dem Schweizer Film Vitus von Fredi M. Murer spielt er einen hochbegabten Jungen; hierfür erhielt er 2007 den Undine Award als bester Filmdebütant. Die Schlussszene des Films verwendet Liveaufnahmen aus seinem ersten Konzert von 2004 in der Tonhalle Zürich, in dem er das Klavierkonzert von Robert Schumann interpretierte.

Auszeichnungen
 2004: Erster Preis beim Klavierwettbewerb San Marino für Zwölfjährige
 2005: Erster Preis beim Internationalen Franz-Liszt-Klavierwettbewerb von Weimar für Zehn- bis Dreizehnjährige
 2010: Beethoven-Ring der «Gesellschaft Bürger für Beethoven» für die Interpretation der Sonate für Klavier Nr. 13 Es-Dur op. 27/1 beim Nachwuchswettbewerb 2009 in Bonn

Diskografie
 Franz Schubert: Impromptus op. 90 (D 899) Nr. 1–4, Wanderer-Fantasie op. 15 (D 60); Franz Liszt: Vallée d'Obermann für Klavier solo, aus Années de pèlerinage, Première Année: Suisse, Nr. 6; Musikkollegium Winterthur unter Douglas Boyd, «Excursions», Sony Classical 88875010832, 2015
 Antonín Dvořák: 2. Klavierquintett op. 81, 12. Streichkonzert op. 96 («Amerikanisches Quartett»), Carmina Quartett, Sony Classical 88875015512, 2014
 Robert Schumann: Klavierkonzert a-Moll op. 54; Ludwig van Beethoven: Klavierkonzert Nr. 3 c-Moll op. 37; Deutsche Grammophon 476 6824, 2009
 Robert Schumann: Klavierkonzert a-Moll op. 54, 1. Satz; Franz Liszt: Ungarische Rhapsodie Nr. 6; Maurice Ravel: Alborada del gracioso; Domenico Scarlatti: Sonate K 263; Johann Sebastian Bach: Goldberg-Variationen (BWV 988) 29, 30, Aria; Franz Liszt: La Campanella; Wolfgang Amadeus Mozart: Requiem d-Moll (KV 626), Lacrimosa; Rondo a-Moll (KV 511); Robert Schumann: Klavierkonzert a-Moll op. 54, 3. Satz; «Vitus Soundtrack», Sony Classical 82876859022, 2007

Weblinks
 Website von Teo Gheorghiu

 Teo Gheorghiu auf der Musikdatenbank von Radio Swiss Classic
 Teo Gheorghiu in der Sendung Aeschbacher von SRF
 Teo Gheorghiu auf Facebook

Einzelnachweise

Klassischer Pianist
Filmschauspieler
Kanadier
Geboren 1992
Mann


text:
Institut sociologických studií (zkráceně ISS) vznikl v roce 1993 sloučením bývalé Katedry sociologie a sociální politiky a Ústavu sociálně politických věd spadající pod Fakultu sociálních věd Univerzity Karlovy. Institut sídlí v budově Fakulty sociálních věd v Jinonicích. Ředitelem Institutu sociologických studií je PhDr. Ing. Petr Soukup, Ph.D. a jeho zástupkyní je doc. Ing. Gabriela Vaceková, Ph.D. ISS odpovídá za vzdělávání ve studijních oborech v oblasti sociologie na bakalářském, magisterském a doktorském stupni. Podílí se rovněž na vědecké činnosti ve spolupráci se Sociologickým ústavem Akademie věd České republiky a dalšími organizacemi.

Obory

Bakalářské

 Sociologie a sociální politika
 Sociologie se specializací sociální antropologie
 Sociologie se specializací studia současných společností

Magisterské

 Sociologie
 Veřejná a sociální politika

Doktorské

 Sociologie
 Veřejná a sociální politika

Katedry

Katedra sociologie
Katedra sociologie (zkráceně KSOC) je sociologickým pracovištěm zaměřujícím se na výuku a vědeckou práci v oblastech sociologie a sociální antropologie. Nabízí výuku jak na bakalářském a navazujícím magisterském stupni, tak i na doktorské úrovni. Bakalářské studijní programy se zaměřují na metodologii sociologického výzkumu, vědecké metody a reflexi širších kontextů sociálně-vědního výzkumu.

V současné době se katedra sociologie podílí na dvou mezinárodních výzkumných projektech SIRIUS a RECONNECT.

Vedoucí katedry
doc. Mgr. Jakub Grygar, Ph.D.

Pracovníci

Katedra veřejné a sociální politiky
Katedra veřejné a sociální politiky (zkráceně KVSP) vznikla v roce 1994 a zajišťuje realizaci studijního oboru Veřejná a sociální politika v navazujícím magisterském studiu a v doktorském studiu v české i anglické verzi (Public and Social Policy). Na katedře je možné rovmněž složit rigorózní zkoušku. Zároveň se katedra podílí na realizaci bakalářského programu Sociologie a sociální politika ve spolupráci s Katedrou sociologie a bakalářského programu Politologie a veřejná politika s Katedrou politologie Institutu politologických studií. Kromě výuky členové katedry v rámci výzkumné činnosti participují či participovali na řadě českých i mezinárodních projektů (např. GAČR, OPPA, grant UC Berkeley).

Vedoucí katedry
PhDr. Vilém Novotný, Ph.D.

Pracovníci

Odkazy

Reference

Externí odkazy
 Stránky Institutu sociologických studií FSV UK
 Stránky Fakulty sociálních věd Univerzity Karlovy

Údržba:Články s referencemi v nadpisech
Univerzita Karlova
Fakulta sociálních věd Univerzity Karlovy


text:
site: fantasynews | arena: nfl | pageType: stories | section: | slug: | sport: football | route: player_news_by_position | 6-keys: media/fantasynews/nfl/reg/free/playernews
Roster Trends
Fantasy Hub
Two-Start Pitchers
Men's Brackets
Women's Brackets
Dazz Newsome WR | SF
49ers' Dazz Newsome: Inks future deal
By RotoWire Staff
The 49ers signed Newsome to a reserve/future deal Tuesday, Nick Wagoner of ESPN.com reports.
Newsome signed with the 49ers' practice squad in mid-November and spent the remainder of the campaign there. The North Carolina product was selected by the Bears in the sixth round of the 2021 Draft and made three appearances for Chicago during his rookie season. He spent time with Kansas City before latching on with San Francisco this year and will get to stick around the 49ers' organization during the offseason.
Tay Martin WR | SF
49ers' Tay Martin: Sticks with San Francisco
The 49ers signed Martin to a reserve/future deal Tuesday, Nick Wagoner of ESPN.com reports.
Martin signed with the 49ers' practice squad after failing to make the initial 53-man roster. He saw two elevations during the regular season, but he played nearly exclusively on special teams. With his new contract, he'll be able to stick around the organization and compete for a larger role during the offseason.
Devin McCourty FS | NE
Patriots' Devin McCourty: Rehabbing from shoulder surgery
McCourty recently underwent shoulder surgery and is currently in the rehab process, Mike Reiss of ESPN.com reports.
McCourty appeared in all 17 regular-season games for New England and played every single defensive snap in all but four of those contests. The veteran safety is believed to have suffered the shoulder injury that required surgery in Week 14 against the Cardinals, but he didn't miss a snap from Weeks 15-18. Per Evan Lazar of the Patriots' official site, the 35-year-old hasn't made a decision on if he'll play next season.
DaRon Bland CB | DAL
Cowboys' DaRon Bland: Emerges as ballhawk
Bland recorded 54 tackles (38 solo) with five interceptions on seven passes defended across 17 regular-season games in 2022.
An unheralded fifth-round pick out of Fresno State in the 2022 NFL Draft, Bland played exclusively on special teams for the first three games of the season until injuries began to open up snaps for him on defense. The 23-year-old cornerback seized his first opportunity by intercepting Carson Wentz in Week 4, and by the second half of the year he was a fixture in defensive coordinator Dan Quinn's secondary, grabbing four picks in a four-game stretch between Weeks 13 and 16. Bland also made an impact in the playoffs with 18 tackles in the Cowboys' two postseason contests. Trevon Diggs is locked into one starting spot on the outside for Dallas, but Bland figures to head into 2023 either lined up opposite Diggs in place of free agent Anthony Brown (Achilles), or replacing Jourdan Lewis (foot) in the slot.
Trevon Diggs CB | DAL
Cowboys' Trevon Diggs: Only three picks in 2022
Diggs recorded 59 tackles (50 solo) and three interceptions on 14 passes defended, plus a forced fumble, over 17 regular-season games in 2022.
The third-year cornerback wasn't able to repeat his turnover magic from the year before, when he turned 21 passes defended into an incredible 11 INTs, but Diggs also allowed 349 fewer passing yards and 2.6 fewer yards per attempt in coverage. With one more year remaining on his rookie contract, the Cowboys may look to lock up their No. 1 corner with an extension this offseason, but if not he'll be playing in 2023 for a free-agent payday the following spring.
Jayron Kearse SS | DAL
Cowboys' Jayron Kearse: Takes step back in 2022
Kearse recorded 77 tackles (55 solo), including two sacks, while adding five passes defended with an interception, two fumble recoveries and one forced fumble across 14 regular-season games in 2022.
The veteran safety posted strong numbers, but they paled in comparison to his 101-tackle campaign from the year before. Instead it was Donovan Wilson who took a lead role in Dan Quinn's scheme among the Cowboys' safeties, with Kearse and Malik Hooker delivering more modest IDP production. Wilson's a free agent this offseason however, and if he heads elsewhere, Kearse could be in position to take a run at triple-digit tackles again in 2023.
Malik Hooker SS | DAL
Cowboys' Malik Hooker: Puts together solid season
Hooker recorded 62 tackles (44 solo) with three interceptions and a fumble recovery for a touchdown over 16 regular-season games in 2022.
The 26-year-old safety stayed mostly healthy, missing only a Week 8 contest against the Bears due to a hamstring strain, and as a result Hooker put together the most productive season of his career. The Cowboys' trio of safeties (Hooker, Donovan Wilson and Jayron Kearse) all posted strong numbers in Dan Quinn's defense, but with Wilson a free agent and potentially headed elsewhere, Hooker could see an increased workload in 2023.
Donovan Wilson FS | DAL
Cowboys' Donovan Wilson: Career-best campaign
Wilson recorded 101 tackles (77 solo), including five sacks, across 17 regular-season games in 2022. He added two passes defended with one interception, two forced fumbles and one fumble recovery.
The fourth-year safety had trouble staying healthy in 2021, but he avoided injuries the following year and emerged as a true IDP star in defensive coordinator Dan Quinn's aggressive scheme. It was good time for Wilson to post career highs in tackles and sacks too, as he's an unrestricted free agent this offseason. The Cowboys have some depth at safety with both Jayron Kearse and Malik Hooker under contract through 2023, but the team may make re-signing Wilson a priority given how good a fit he is for Quinn's defense.
Leighton Vander Esch MLB | DAL
Cowboys' Leighton Vander Esch: Puts together strong campaign
Vander Esch recorded 90 tackles (54 solo) including one sack, with one pass defended and one forced fumble, over 14 regular-season games in 2022.
The 26-year-old linebacker once again dealt with some neck issues, missing the final three games of the regular season due to a pinched nerve, but he returned for the playoffs and racked up 20 tackles across the Cowboys' two postseason contests. The late absences cost Vander Esch a chance to hit triple-digit tackles for the second time in his career, but it was still a good season overall. After playing 2022 under a one-year, $2 million prove-it deal, Vander Esch may have done enough to earn a bigger payday this offseason, whether from Dallas or another team.
Trey Lance QB | SF
49ers' Trey Lance: Will be 100 percent for OTAs
Lance (ankle) said Tuesday that he's 3-4 weeks away from being cleared for practice and will be 100 percent for OTAs this summer, Matt Barrows of The Athletic reports.
Lance opened the season as the 49ers' starting quarterback but fractured his fibula and suffered a ligament disruption in his right ankle during Week 2. He was ruled out for the remainder of the campaign and underwent a procedure at the end of December to extract hardware from his initial ankle surgery in September. The 2021 first-round pick remains on track to be healthy for offseason work and the 2023 campaign, which is an encouraging update seeing as Brock Purdy is expected to miss at least six months with a torn UCL in his right elbow and Jimmy Garoppolo is headed toward free agency.

redpajama_set_name: RedPajamaCommonCrawl


text:
Menodotos von Nikomedeia (* wohl um 100) war ein antiker griechischer Arzt und Philosoph.

Menodotos, der besonders um das Jahr 125 wirkte, stand in der Empirikerschule in hohem Ansehen und wirkte insbesondere stark auf Galen. Durch diesen sind auch alle heute vorliegenden Informationen über Menodotos überliefert worden. Menodotos war Lehrer des Herodotos.

Menodotos verfasste mehrere Bücher von größerem Umfang. Eines, das einem Severus gewidmet war, wurde später von Galen kommentiert. Er war ein Gegner der Methodiker, vor allem von Asklepiades. Er wandte sich gegen medizinische Routine und war der Meinung, ein Arzt solle Ruhm und Profit anstreben. Die Analogie war in seinen Augen nur der Schlüssel zum Möglichen, nicht zum Wirklichen. Einfache Erfahrungen sollten durch weiterführende Erfahrungen ergänzt werden. Das war seiner Meinung nach neben Gedächtnis und Sinneswahrnehmung der dritte Teil der Medizin. Der Aderlass sollte Menodotos zufolge nur bei Fällen von Plethora angewandt werden.

Literatur
 Véronique Boudon-Millot: Ménodote de Nicomédie. In: Richard Goulet (Hrsg.): Dictionnaire des philosophes antiques. Band 4, CNRS Éditions, Paris 2005, ISBN 2-271-06386-8, S. 476–482
 Lorenzo Perilli: Menodoto di Nicomedia. Contributo a una storia galeniana della medicina empirica. München/Leipzig 2004, ISBN 3-598-77818-X.

Mediziner der Antike
Philosoph (Antike)
İzmit
Geboren im 1. oder 2. Jahrhundert
Gestorben im 2. oder 3. Jahrhundert
Mann


text:
Bennet and Biden's Weakness on Energy
By Joe O'Dea
For the last year, Coloradans have watched as the cost of gasoline crept to its highest point in a decade at over $3.50 a gallon and our heating bills soared – some as high as 37%. Meanwhile, a decades-long conflict was bubbling over in Eastern Europe that would exacerbate those struggles for working families. Little did Americans know that the actions of a tyrant some 5,000 miles away would be felt so quickly in our own nation. Worst of all, those impacts could've been avoided.
Now, as nearly two weeks have passed since the invasion of Ukraine, President Biden and his administration finally decided to halt the import of Russian oil. That move is too little, too late.
Since taking office, President Biden has been very successful at increasing our nation's dependence on foreign energy, and before you think that it was all in the name of environmental progress, keep in mind that demand for oil and gas has remained the same, but the source has changed. Instead of harvesting these fuels from our own land – which we do cleaner and more efficiently than any other nation – we now are importing more from nations such as Russia. We've effectively traded energy independence for virtue signaling, and in turn, our dollars are being used to help fund the invasion of a sovereign nation.
Biden should have done an about-face as soon as he realized that the invasion of Ukraine was imminent. The Keystone XL pipeline should have been rebooted (Biden canceled the project as soon as he took office) and federal lands should have been responsibly opened back up for drilling. The President still hasn't done this – and Senator Bennet has failed to call upon him to do so.
To date, Joe Biden, Michael Bennet, and Democrats in Washington D.C. have failed to lead, and that failure has resulted in us inadvertently funding Vladimir Putin's invasion of Ukraine and will result in further hits to our wallet. In November, we need to elect leaders who will recommit to energy independence and ensure that Americans are never put in this situation again.
– Joe o'dea
Senator Bennet stood against the Keystone XL pipeline and he voted against sanctions on the Nord Steam 2 pipeline that would "increase Moscow's leverage over Europe" by allowing more Russian gas into Europe.
With Biden's ban on Russian oil imports – and no willingness to increase domestic production – we have effectively traded one regime for another. Nations such as Saudi Arabia will now fill the void, again undermining our nation's energy independence and potentially our national security.
This isn't just about oil and gas, either. Here in Colorado, Democrats recently killed legislation proposed by Republican State Senator Bob Rankin, a supporter of my campaign, that would have ensured that our state begin exploring small-scale, modular nuclear reactors. While states such as Wyoming, West Virginia, and Indiana take the lead on alternative energy sources, Colorado is again left behind.
Over in Europe, Germans are facing a difficult next few months as nearly 32% of their oil comes from Russia. Just next door, France has remained energy independent, as 70% of its energy comes from domestic nuclear reactors.
Joe O'Dea is a Republican Candidate for United States Senate in Colorado and owner of Concrete Express Inc.


text:
Interview, Music, Profile
Interview | Jerome Thomas [Nov 2016]
Whenever we think of Soul music, we often refer to eras gone by, forgetting the fact that the genre has transcended generations, making it a crucial part of multiple forms of modern music. Someone who is very mindful of this is Jerome Thomas – the east London bred artist who aims to recapture certain elements of Soul for a contemporary audience. "I just want to bring the old days back, when you would go out and buy the music and you'd be excited for it", describes the singer. "I'm only interested in making things that are timeless".
Over the past few years, Jerome has made an impression through numerous singles and features, working with a diverse range of artists, leading to the eventual development of his debut EP, Conversations, which will be available from November 16th. On the cusp of this first release, it seemed appropriate to start by discussing the beginnings of his association with music that have brought him to this point.
Jerome explains how he has been writing all of his life, referencing a talent show at the Hackney Empire ("I think it was at around 9 [or] 10 [years old]") in which he performed a song he had written himself. Finding a form of expression has been a fascination of Jerome's from an early age and contributed to the branding of his music. "I brand my music as 'FOE' – Freedom Of Expression, Fusion of Everything", he says. "The music I make stems from Soul – Soul is the core – but that's not the only genre I make. I like to play with different genres of music because I grew up listening to a lot of music, so I don't feel like it's me being true to myself if I just stick to one genre".
Escaping the boundaries of genres, the most impactful artists of Jerome's formative years were the likes of D'Angelo, Donnell Jones, Marvin Gaye and Amy Winehouse, whose diverse adaptations of Soul music helped to cultivate his style. "At the time when I was really getting into making music, I didn't really know who my influences were, so I was just doing. I like to do that now – not think too much about trying to sound like anyone, because if I do sound like someone, it's not intentional, I guess it's just in me now. It's what I've grown up listening to and they've sort of taught me how to sing and taught me about music, to a certain extent". Although his influences may have aided his growth as an artist somewhat, it was Jerome himself who had to realise his own motivations for creating music. "For me, it's the biggest release, it's the most freest space you'll ever be", he states in a genuine tone, once again alluding to his adage of freedom of expression.
Jerome's writing techniques – which were assisted by studying creative writing at Roehampton University – are manifested in distinctive ways, with the vocalist sharing, "There are times where I'll just write down a line that'll come to my head at some point and then I'll come back to it and form a song from that. Or, there are times where I'll just play the beat and I'll freestyle and see whatever words come from that and form the story out of that".
Despite releasing a collection of exciting singles, Jerome admits that he encountered difficulties drawing attention to his music. "I feel like it's always hard to get people to plug in and listen because there's so much [music] out there right now, especially with the type of music I'm trying to put out there, it's not the stuff you'd normally hear. I found it hard, but I find that the people that do feel it really feel it". With that being said, Jerome is cautious when speculating over his following, clarifying, "I don't see it as a fan base, I just see it as a community of people that like the same music as me. It's a strange subject to think about for me, because in all honesty, I don't feel like I have a strong fan base yet".
He continues, "I feel like what's deterred that is that there's not been cohesion. There's not been one piece of work to show and the stuff that has been brought out has been in drips and drabs and not consistent enough, so I feel like that's probably where things could have been improved. I feel like this EP will help establish a core fan base".
As a musician, commercial platforms such as radio can be significant in broadening an artist's reach, something that Jerome is aware of. "It is important, in a certain aspect, but for me, it doesn't play a part in how I create", he stresses. "If something I do isn't for the radio, but it's for me and it makes sense to my branding and who I am as an artist, then I'm cool with it not getting that platform. I feel like my music can transcend both commercial and alternative".
Based solely on the high quality of music on the Conversations EP, Jerome will have no difficulty attracting commercial attention in the near future. "I'm talking about conversations I've either had with myself, friends or family", he explains when speaking on the creation of the project. "I did stay away from the topics of love, because it's all we hear on the radio, so I just wanted to come from a different standpoint and talk about some other things that we should be discussing a bit more. I've got one feature on there, that's Coops, and three producers, Talos, Hurricane and El Train. I don't want to put any sound on it, and say 'It sounds like this', I just want people to hear it and grasp their own opinion from it. It's nostalgic but new school at the same time".
Jerome tells me he has been aiming to put together an EP for the past six years, although the tracks that Conversations consists of have all been recorded in the past twelve months. He speculates on the reasons why the process has been a measured one, "All types of doubts creep in, but I feel like everything has divine timing", he insists. "Everything is going to come when it's supposed to come. If I look at the time when I thought I was ready to bring out an EP, I wasn't. I feel like now is my time".
One of the reasons Jerome believes he and his music are in a better position to prosper is due to the fresh, worldwide attention that some UK artists have been receiving recently. "I do think [emerging UK artists] are starting to get a lot more shine", he confirms. "I feel like it's a shame that if you're from the UK, sometimes we wait for the US to approve before we do, even though it's ours. I think it's great [that UK artists are being recognised] because there's so much talent in the UK that's slept on and its worldwide talent, it's stuff that the world need to hear and can be affected by".
Looking ahead to the unveiling of his EP, Jerome confesses that he's eager, but also nervous. "I just want to see where this EP takes me. It's the first time I'll have [a project] out, so I'm anxious to see how people respond to it". He hopes its success can launch him on to bigger platforms on which to share his music, divulging that he has ambitions to perform on the festival circuit next year. "Ideally, I'd like to ride this EP as long as I can, because I want to shoot videos for it, as well, but I want to see what the feedback is and what tunes people are feeling".
Jerome already has further plans in place for 2017, mentioning other upcoming projects. "Me and Warren Xclnce have been doing some tracks, so we're releasing a project together next year" he reveals. "I've got a bunch of tracks that I've been working on over the past however many years, so that's another EP for the summer, hopefully. And yeah, just more features – takeover, innit". Jerome's proposed takeover will commence on November 16th with the Conversations EP release party at The Old Queen's Head in Islington.
Naye Fshr November 14, 2016 October 6, 2017 Amy Winehouse, Conversations EP, Coops, D'Angelo, El Train, Hurricane, Jerome Thomas, Marvin Gaye, Talos, Warren Xclnce
7 thoughts on "Interview | Jerome Thomas [Nov 2016]"
Pingback: Music | Jerome Thomas – Conversations [EP] – Naye Music Journal
Pingback: Interview | Talos [Jan 2017] – Naye Music Journal
Pingback: Music | Jerome Thomas – Company (Sofar London) [Video] – Naye Music Journal
Pingback: Music | Jerome Thomas – The Stone [Video] – Naye Music Journal
Pingback: Music | Jerome Thomas & Warren Xclnce Ft. Joe Armon-Jones – Didn't Know – Naye Music Journal
Pingback: Music | Jerome Thomas & Warren Xclnce – Take The Risk – Naye Music Journal
Pingback: Music | Jerome Thomas – Lovesick
Previous Previous post: #NayeTuneOfTheDay | Warren Xclnce Ft. Etta Bond – Examine Me
Next Next post: Music | Talos – Lowlight EP


text:
Archive for the 'Compilations' Category
The Beatles release newly-restored videos for 'Penny Lane' and 'We Can Work It Out'
The Beatles' updated and expanded version of their best-of collection, The Beatles 1, has just been released in a variety of formats.
The deluxe version (known as The Beatles 1+) includes a DVD or Blu-Ray of newly-restored videos for all of the songs featured on the original album.
According to Apple Corps, an 18-person team of film and video technicians and restoration artists spent months undertaking painstaking frame-by-frame cleaning, colour-grading, digital enhancement and new edits for the videos.
After the videos for 'Revolution' and 'A Day in the Life' were recently made available to the public for the first time, this week sees the release of the newly-restored videos for 'Penny Lane' and 'We Can Work It Out' …
Inspired by real events, "Gilbert's Gift" tells the story of Gilbert Shilling—a rock star back in the Swinging Sixties—who becomes a living lung donor to save the life of a dying boy he has never met.
"Gilbert's Gift" is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon's Kindle Store. It is also available from Apple's iTunes Store (Books/Fiction & Literature/Brian Will Oliver), Barnes & Noble's Nook Store, and from KoboBooks.
You can read a FREE sample of "Gilbert's Gift" HERE (USA) or HERE (UK).
Tags:1960s, baby boomers, Brian Will Oliver, Gilbert's Gift, oldies, over-50s, over-50s music magazine, Sh-Boom, Sh-Boom Magazine, The Beatles, The Beatles 1+
Posted in Compilations, music of the 1960s, Pop | Leave a Comment »
The Kinks launch double CD featuring original versions of songs from hit musical 'Sunny Afternoon'
Union Square Music has launched a new double-CD compilation which features the original versions of the Kinks classics performed in the award-winning stage musical Sunny Afternoon. All the tracks were specially selected by The Kinks' Ray Davies.
The musical Sunny Afternoon – named after The Kinks' 1966 hit – uses songs by the band to tell the story of Ray Davies's early life as well as the rise of the band he founded with his brother Dave in 1964. The musical has won four Olivier Awards.
Titled Sunny Afternoon – The Very Best of The Kinks, the new compilation contains nine of The Kinks' UK Top Five hit singles, including three Number Ones. It features tracks such as 'You Really Got Me', 'Waterloo Sunset', 'Sunny Afternoon', and 'Lola'. It also includes Kinks interviews and session tracks from the BBC's archives.
The Kinks' influence is now seen across a wide range of rock acts, such as The Who, Bruce Springsteen, The Jam, The Pretenders, Tom Petty, XTC and Elvis Costello – all of whom have paid homage to The Kinks at some point in covers or accolades.
The Who's Pete Townshend was particularly influenced by the group's sound: "Dave Davies was a real innovator and Ray was a gobsmacking genius," he once remarked. "I desperately hope they work together again."
Tags:1960s, baby boomers, Brian Will Oliver, Dave Davies, Gilbert's Gift, heartwarming books, over-50s, over-50s music magazine, Pete Townshend, Ray Davies, Sh-Boom, The Kinks, The Who
Posted in Compilations, music of the 1960s, Pop, Rock | Leave a Comment »
New Bobby Vinton greatest hits album: 'The Ultimate Epic Singles Collection'
Bobby Vinton fans are being offered a new 2CD set which contains 40 of his greatest hits, B-sides and cover versions of classic songs from the 1960s. Titled Bobby Vinton – The Ultimate Epic Singles Collection, it is said to be "the most comprehensive Bobby Vinton 'hits' package ever released".
Released on 12 August 2013, the collection features all of his hits, including 'Roses Are Red (My Love)', 'Blue Velvet', 'Blue On Blue' and 'Mr. Lonely', along with his take on songs like 'Take Good Care of My Baby', 'Half Way to Paradise' and 'Sealed With A Kiss'.
Bobby Vinton, now aged 78, has been called "the most successful love singer of the rock era". From his first hit record 'Roses Are Red (My Love)' in 1962 through to 1972, he had more Number One singles than any other solo male artist.
Read more stories about the stars of the 1950s, 1960s, 1970s and 1980s at: http://www.sh-boommagazine.com
Tags:baby boomers, Bobby Vinton, music magazine, oldies, oldies music magazine, over-50s, over-50s music magazine, Sh-Boom, Sh-Boom Magazine
Posted in Compilations, Easy Listening, Pop, Rock and Roll, Sixties | Leave a Comment »
ZZ Top to release 10-album box set
All 10 studio albums recorded by ZZ Top between 1970 and 1990 are to be released in a 100-track deluxe box set titled ZZ Top: The Complete Studio Albums.
The set will begin with ZZ Tops' First Album (1971) through to 1990's Recycler. Each album comes in a wallet sleeve featuring the original artwork.
"We're gratified that the albums from the first 20 years of the band are going to be made available in this set," said the band in a statement. "We're especially delighted to note the restoration of ZZ Top's First Album, Rio Grande Mud and Tejas."
Tags:baby boomers, music magazine, oldies, oldies music magazine, over-50s, over-50s music magazine, Sh-Boom, Sh-Boom Magazine, Sh-Boom! digital magazine, ZZ Top
Posted in Blues, Compilations, Rock | Leave a Comment »
New Jimi Hendrix album, 'People, Hell and Angels', to be released in March
A new Jimi Hendrix album, People, Hell and Angels, is to be released in March. It will feature 12 previously unreleased tracks recorded in 1968 and 1969.
It is believed Hendrix originally planned to include the tracks on First Rays of the New Rising Sun, the planned double-album follow-up to Electric Ladyland which he was working on when he died.
The tracks are said to show he was developing "new, experimental directions" and exploring fresh diversions from his legendary guitarwork.
## # #
Tags:baby boomers, digital magazine, digital music magazine, Electric Ladyland, First Rays of the New Rising Sun, Jimi Hendrix, music magazine, oldies, oldies music magazine, over-50s, over-50s music magazine, People Hell and Angels, rock music, Sh-Boom, Sh-Boom Magazine, Sh-Boom! digital magazine
Posted in Blues, Compilations, Rock, Singer-songwriters, Sixties | Leave a Comment »
The Searchers mark 50th anniversary with 'Hearts In Their Eyes' 4CD box set
The Searchers are set to mark their 50th anniversary this year with the release of a 121-track 4CD box set titled Hearts In Their Eyes – Celebrating 50 Years of Harmony 'n' Jangle.
Released on June 25, it is the first Searchers collection to feature a complete retrospective of the group's career. The box set includes all of the classic hits that the group recorded for Pye Records between 1963 and 1967.
Find out more and watch a VIDEO…
How important are favourite songs from your past in bringing back happy memories to cheer you up in these worrying economic times?
Vote in our SH-BOOM! Poll HERE…
Tags:baby boomers, digital magazine, digital music magazine, music magazine, oldies, oldies music magazine, over-50s, over-50s music magazine, Sh-Boom, Sh-Boom Magazine, Sh-Boom! digital magazine, The Searchers, The Sixties
Posted in Compilations, Pop, Sixties | Leave a Comment »
New Donovan compilation marks induction into Rock and Roll Hall of Fame
Donovan's induction into the Rock and Roll Hall of Fame on 14 April is to be celebrated with the release of a comprehensive 2CD compilation, titled The Essential Donovan.
Available from 17 April, the 36-track collection will include all of the Scottish folk-pop star's hits between 1965 and 1973, plus additional album tracks and four rare early songs.
FIND OUT MORE AND WATCH A VIDEO HERE…
Tags:1960s, baby boomers, digital magazine, digital music magazine, Donovan, folk-pop, music magazine, oldies, oldies music magazine, over-50s, over-50s music magazine, Rock and Roll Hall of Fame, Sh-Boom, Sh-Boom Magazine, Sh-Boom! digital magazine, The Essential Donovan
Posted in Compilations, Folk, Folk-Rock, Pop, Singer-songwriters, Sixties | Leave a Comment »
Deluxe editions of classic Small Faces albums from 1965 to 1969
To celebrate the Small Faces' induction into the Rock and Roll Hall of Fame on 14 April 2012, there are plans to release deluxe editions of all four of the classic albums that the short-lived group recorded between 1965 and 1969.
The remastered new editions will include a 3CD version of the band's classic psychedelic pop album from 1968, Ogdens' Nut Gone Flake.
Universal Music claims the new releases will be "the most complete editions to date of the Small Faces' four classic albums" and "a testimony to a truly original group whose influence is as great today as it was during its lifetime".
Find out more about the albums and watch a VIDEO here …
How important are your favourite songs from the 1960s in bringing back happy memories to cheer you up in these worrying economic times?
Read more about the music and artists of the 1950s, 1960s, 1970s and 1980s at: http://www.sh-boommagazine.com
Tags:1960s, baby boomers, digital magazine, digital music magazine, Ian McLagan, Immediate Records, Jimmy Winston, Kenney Jones, music magazine, Ogdens' Nut Gone Flake, oldies, oldies music magazine, over-50s, over-50s music magazine, pensions, retirement, Rock and Roll Hall of Fame, Ronnie Lane, Sh-Boom, Sh-Boom Magazine, Sh-Boom! digital magazine, Small Faces, Steve Marriott, The Sixties, Universal Music
Posted in Compilations, Pop, Reissues, Sixties | Leave a Comment »
Willie Nelson lines up five new albums for 2012
Country music legend Willie Nelson has announced plans to release five brand new albums, with the first album of new material set to be released this spring.
The albums will include newly recorded songs and live performances, as well as new compilations of classic tracks from all phases of his career.
The new collections will also include previously unreleased tracks, some of which will be available as bonus material on new editions of existing albums.
Read more stories like this at: SH-BOOM! Magazine…
Check out our SH-BOOM! digital magazine. It's FREE! You can read a sample HERE…
If you'd like to receive a FREE personal copy of each issue, simply SIGN UP at http://www.sh-boommagazine.com/.
Tell your friends about us too!
Tags:baby boomers, country music, digital magazine, digital music magazine, Legacy Recordings, music magazine, oldies, oldies music magazine, over-50s, over-50s music magazine, pensions, retirement, Sh-Boom, Sh-Boom Magazine, Sh-Boom! digital magazine, Willie Nelson, Willie Nelson 2012
Posted in Compilations, Country, Singer-songwriters | Leave a Comment »
Gilbert O'Sullivan lines up major UK tour and 'A Singer And His Songs' greatest hits album
Gilbert O'Sullivan is lining up a 17-date UK tour in March and April to coincide with the 5 March release of a new greatest hits collection titled A Singer And His Songs: The Very Best Of Gilbert O'Sullivan.
The singer-songwriter will be performing many of the songs from the new album on his A Singer And His Songs tour which starts on 17 March and ends on 15 April. It will be his biggest UK tour for many years.
A remastered and expanded version of his 1972 album Back To Front will also be released on 20 February.
Read more and get the full tour dates HERE…
How important are favourite songs from your past in bringing back happy memories to cheer you up in these worrying economic times? Vote in our SH-BOOM! Poll HERE…
Read more stories like this at: http://www.sh-boommagazine.com
Tags:A Singer And His Songs, baby boomers, Back To Front, digital magazine, digital music magazine, Gilbert O'Sullivan, Gilbertville, Himself, music magazine, Nothing Rhymed, oldies, oldies music magazine, over-50s, over-50s music magazine, Sh-Boom, Sh-Boom Magazine, Sh-Boom! digital magazine
Posted in Compilations, Concerts, Pop, Singer-songwriters | Leave a Comment »
You are currently browsing the archives for the Compilations category.


text:
Irene Elizabeth Ann Ponsch
Irene Elizabeth Ann Ponsch of Shohola, a home health aide who worked at the Pike County Center for Developmental Disabilities, died Tuesday, August 1, 2000. She was 65.
Daughter of the late Percy and Helen DeLee Delanoy, she was born in White Plains, NY.
Survivors include two sons, Donald of East Hampton, CT and John Markey, Jr. of Cape Vincent, NY; two sisters, Virginia Steffenhagen of Matamoras, and Connie DeFrancesco of Shohola; four brothers, William Delanoy of White Plains, NY, Percy DeLanoy of Elmsford, NY, Robert DeLanoy of Shohola and Joseph DeLanoy of White Plains, NY; three grandchildren; 14 nieces and nephews; and great-nieces and nephews.
A Mass of Resurrection was celebrated at St. Ann's Church in Shohola. The Rev. David Kramer officiated.
Memorial contributions may be made to the Pike County Unit of the American Cancer Society, 110 W. Harford St., Milford, PA 18337.


It all began when my son gave me a Sirius satellite radio for my birthday. Let me tell you this is truly serious radio and it has been trouble with a big "T".
First off, forget the price of gasoline – I find any excuse to get in the car and drive around just so I can listen to the radio. For a person who gets car sick, this is a remarkable departure from my mode of operendi.
My son set up all my favorite stations on auto punch so I could move seamlessly from 40s tunes to 50s and 60s. He also programmed an Elvis station, a health and fitness talk station, Fox news, CNN, show tunes, and as an afterthought – the Martha Stewart network. I'm not much of a Martha fan, but she does offer some good cooking programs.
That's where the trouble began. After chewing on a steady dose of 50s music, I decided to listen to something new, so I punched up Martha Stewart. Got tired of her fast, so I punched Elvis. Martha continued to talk. I tried the fitness channel and Martha still droned on. I later found out I had punched the buttons too hard and reset every station to Martha Stewart. So that's all I listen to these days and it's addictive.
Earlier this week I caught her interview with a woman who is into grilling outdoors big-time. That interested me, so I went around the block five more times.
It was a delightful show. She challenged women everywhere to leave the kitchen and experience the joys of cooking outside. She described how to "brine" your meat before putting it on the grill so it tastes like heaven and is fork tender. She suggested women go out and buy a big he-man grill and reclaim their rightful place at the barbeque grill.
"Why should men have all the fun?," she declared. I knew then and there I wanted to bridge the gender gap and become barbecue queen of my neighborhood..
One small problem – I don't own a grill. The last one rusted from disuse and it looked ugly, so I gave it away. On line I found a honking' big truck driver's grill that had all the bells and whistles. It even had a smaller grill I could use when I was cooking for Rebel and Lucky.
Unfortunately this monster grill had to be ordered and I couldn't get it by Memorial Day. That was my target date for launching my new career as grill queen.
So yesterday I drove to Columbus, (listening to Martha all the way) – she had a chef talking about how you could do an entire meal right down to the dessert on your outdoor grill. My mouth was watering and I envisioned my friends gathered around as I turned out platters of burgers, marinated pork tenderloins and skewered shrimp – all brined of course.
Lowe's in Columbus had a good substitute candidate – it was not the entire kitchen, but it had a rotisserie, two extra eyes for the corn and beans and drawers for my tongs and spatulas. It had more square footage than my guest room and it was a site to behold – shiny stainless steel.
I rushed home and went on line to check out this product. I found a whole site dedicated to discussing grills. It turns out that "My Chosen" was made in China and one person said it rusted within two weeks and the handles fell off. Incidentally you're supposed to take a magnet with you when you go grill shopping. If the magnet won't stick, that's a good thing (See, I'm even talking like Martha) That means it's "fake" stainless steel.
My hopes were dashed. Maybe I should go out and invest in a simple charcoal grill for $19.99 for my Memorial Day cookout and make absolutely certain I like grilling.
Besides, men can do so little in the food preparation area, maybe grilling should remain their domain.
Now I'm listening to the fitness station and preparing to go out and shop for some big manly barbells. I've not given up on grilling yet. But with a set of good triceps, I'll look better standing at the grill.
This entry was posted in General Stuff and tagged barbeque, grill, martha stewart, sirius, sirius radio, stainless steel by Emily Jones. Bookmark the permalink.
I guess Braddock will have to reset your channels. What would you do without him? Please explain "brine" further.


text:
Made with Podpage
The Gritty Nurse Podcast
Apple Podcasts Spotify Google Podcasts Overcast Castro iHeartRadio PocketCasts Castbox YouTube RSS Feed
"I was punched in the face several times by my patient": Addressing Online Hate and Violence in Healthcare
In this episode, Amie & Sara address the rising level of online hate and death threats in social media towards healthcare professionals. We also discuss the increasing violence in nursing and towards healthcare staff. When will this stop? We need...
In this episode, Amie & Sara address the rising level of online hate and death threats in social media towards healthcare professionals. We also discuss the increasing violence in nursing and towards healthcare staff. When will this stop? We need protection. The government needs to step up and protect healthcare workers.
Disclaimer: In the following episode we will discuss a violent attack that occurred with a healthcare worker. She has allowed us to tell her story. Please note the details of her account can be triggering to some. We recommend listening at your discretion.
https://www.ona.org/news-posts/expert-panel-southlake/
https://www.nbcnews.com/news/us-news/florida-man-accused-attacking-pregnant-nurse-resulting-death-unborn-baby-n1283261
https://www.assp.org/news-and-articles/house-passes-bill-to-protect-healthcare-and-social-service-workers-from-violence
https://www.ajmc.com/view/violence-against-healthcare-workers-a-rising-epidemic
https://jamanetwork.com/journals/jama/fullarticle/2779310
https://www.nationalnursesunited.org/press/nurses-applaud-passage-legislation-protecting-health-care-social-service-workers
https://www.sun-sentinel.com/local/broward/coral-springs/fl-ne-woman-coral-springs-murder-20200728-qdwwga3wejck7c4ugom3ttu3jy-story.html
https://nursesunions.ca/campaigns/violence/
https://ohsonline.com/articles/2019/11/25/congress-bill-works-to-protect-health-care-workers-from-violence.aspx
Thank you to our sponsor Samuel Merritt University! If you're interested in getting more information on their MSN and DNP programs and scholarships visit them at https://smumsn.com and show them how much you appreciate them for sponsoring our podcast!
Ep. 24- Gay, Black and Proud to be a Nurse: Laughter and Lessons!
Ep. 14 Advocacy in Nursing & Healthcare -Wheres your voice?
Ep. 7 What happens on nights, stays on nights- The Gritty Nurse Podcast
Doctors and Nurses Who Kill: Behind the Murder Curtain with Special Agent Bruce Sackman
Monoclonal Antibodies, New Therapies & How Omicron Has Changed The Game
One of the Most Powerful Voices in the ICU: Birgit Umaigba's Experience of Grit, Poise and Advocacy in the ICU
What's the secret sauce? Children's Mental Health, Equity and Enriching Nursing Education
49 episodes, 23 Countries, 2000+ mins: This has been a Gritty Nurse Year!
From Bedside to CEO: Interview with Christine Buckley
The Surgical Safety YELL List: Creating a Language of Mutual Respect in the Operating Room
From the Bedside to the Courtroom: Why former ICU Nurse Jennifer Groenewold became a Lawyer
Co-hosts Amie and Sara are experienced nurses, former co-workers, and friends. Together they tackle hot topics related to nursing and healthcare, with grit!
© 2022 The Gritty Nurse Podcast


Eileen H. Lepori, 78, Loyal, died Monday, Nov. 24, 2003, in the Palliative Care Unit of St. Joseph's Hospital, Marshfield. Funeral services were held at 11 a.m., Wednesday, Nov. 26, at St. Anthony's Catholic Church. The Rev. Roman Kaiser officiated. Burial was in the Neillsville Catholic Cemetery. Pallbearers were Mike Lepori, Angie Malkovec, Ian Malkovec, Bob Anderegg, Jack Anderegg, and Garret Casperson.
Eileen H. Hoeft was born May 21, 1925, in Tigerton, to Frank and Ottelia (nee Monicke) Hoeft. She grew up in the Granton area, attended school in the Town of Lynn, and graduated from Granton High School in 1943. After graduation, she worked in the Milwaukee area until her marriage. She married Stephen Lepori in April, 1945 at St. Mary's Catholic Church parsonage. After their marriage, they farmed in the Town of York, and she also worked at Northern Auto, Marshfield, for 27 years. Following their reetirement, she traveled and worked for many convents as an interpreter through the Peace Corps in Costa Rica. She moved to Loyal to be near her twin sister in 1998, and resided here until her death. Her interests included writing stories and riding her bicycle.
Survivors include one sister, Frances Drescher, Loyal; her children, Patty (Stephen) Pilsner, Madison, Mary (Patrick) Rupinski, Birmingham, Ala., and Stephen (Kathy) Lepori, Spencer; her grandchildren Dustin and Dayna Pilsner, Andrew and Jennifer Rupinski, Angela (Frank) Malkovec, and Michael Lepori; her great-grandchildren, Ashley, Mason, and Garret casperson, and Ian and Elizabeth Malkovec; and her nieces and nephews.
Preceding her in death were her parents; her husband, in 1986; her twin sister, Arlene Anderegg, in 1998; her brother, Ray, in 2000; and her brother, Ewald, in 1967.
Cuddie Funeral Home, Loyal, assisted the family with arrangements.


text:
When the show can't go on
Live event venues struggle under economic loss of shows canceled by coronavirus, uncertainty of reopening
Jennifer Toland
jennifer.toland@telegram.com
Last July, the Palladium Outdoors drew upward of 8,000 fervent fans for Have Heart's reunion concert, which was regarded as the "biggest hardcore show ever," and the following weekend, more than 5,000 turned out to the parking lot stage behind Worcester's historic concert hall for the Sad Summer Festival.
This year, the Palladium's mainstage, upstairs and outdoor venues have been silent and empty since the COVID-19 shutdown in mid-March.
"We are rescheduling as many events as we possibly can," Palladium general manager Chris Besaw said, "but one of our biggest problems now is not having any idea when we will be able to reopen. We were the first to close and we'll be the last ones to reopen, but we don't have a date yet as to when we will be able to resume concerts."
Like many industries, live entertainment has been ravaged during the pandemic.
According to #WeMakeEvents, a coalition of trade bodies, businesses, unions, and live event workers, live events employ over 12 million people and contribute over $1 trillion annually to the U.S. economy.
Additionally, according to the group, 95% of live events have been canceled because of COVID-19, 96% of companies have cut staff and/or wages, and 77% of people in the live events industry have lost 100% of their income.
Besaw said about 95% of the Palladium's staff has been furloughed, and the Palladium's lost revenue this year is "definitely in the millions."
On Tuesday night, the Palladium, as well as Worcester venues such as the Hanover Theatre and DCU Center, illuminated the outside of their buildings in red light as part of the #WeMakeEvents and #RedAlertRESTART nationwide effort to encourage Congress to pass the Restart Act, which would provide much-needed assistance for the live-entertainment industry and other hard-hit businesses.
"One of the biggest things is there is not funding or help for us right now," Besaw said. "The PPP (Paycheck Protection Program) money has run out. One of the things we're trying to bring to the public's attention is the Restart Act and #SAVEOURSTAGES National Independent Venue Association trying to push through legislation to get us more funding and grants so that the entertainment industry can stay afloat until we can reopen."
The summer is the slower season at Hanover Theatre, but with 40 or 50 performances postponed since March, Hanover Theatre president and CEO Troy Siebels estimates a $6 million loss in revenue by year's end.
"The most important thing is we will weather the storm," Siebels said. "We were one of the first to close and will be one of the last to reopen just because of the nature of what we do; we bring together 2,000 people at a time to see live events and that's something we can't do right now."
Under Massachusetts reopening guidelines, large capacity event venues must continue to remain closed until Phase 4.
The last live show at the Hanover Theatre was Brit Floyd, a Pink Floyd tribute band, on March 11. The theater closed the next day. With uncertainty about reopening, some shows were postponed multiple times. "Menopause the Musical," for example, was moved from March 18, to June 18, to Nov. 14, and now May 22, 2021.
"We've been closed since March 12," Siebels said, "and, at this point, the earliest possible reopening would be January, and we don't have much clarity whether that will be possible or not."
The Hanover Theatre Resiliency Fund has raised a little over $400,000 to date, Siebels said.
A PPP loan and repurposed capital contributions helped the Hanover Theatre keep a lot of staff employed through July, Siebels said. "Now," he said, "most are on furlough until we're able to come back."
The Palladium had eight outdoor events lined up for this summer.
The addition of Palladium Outdoors in 2018 bolstered the Palladium's annual attendance numbers the last two years, Besaw said.
"Touring bands like to play outdoor festivals during the summer," Besaw said. "Now that we can do that it brings us a whole new business model."
The Palladium is also rescheduling indoor and outdoor events for next year.
Indian Ranch, the outdoor music venue in Webster, had to call off the 18 shows in its 2020 summer concert series, including Josh Turner, Los Lobos, Ziggy Marley, and CountryFest, but all have been rescheduled for 2021, president Suzette Raun said, when Indian Ranch will celebrate its 75th anniversary.
"Most of the ticketholders kept their tickets for next year, so we're lucky in that sense," Raun said. "We were able to move all those shows to our 2021 summer concert series and we're thankful for everyone supporting us and looking forward to having everyone back next year."
In addition to the concert venue, Indian Ranch did not operate its Indian Princess historic paddlewheel boat this summer. The Indian Ranch campground and Samuel Slater's Restaurant are open with restrictions (and live music on the beach for diners to enjoy, "because that is who we are," Raun said) and the banquet facility has hosted "maybe 10%" of what was on the original books this season, Raun said.
"We're a multifacet business," said Raun, whose family has owned Indian Ranch since 2004, "and every part has been hurt. We're hoping to weather the storm this winter and stay open as long as we can, and then kind of come back stronger next spring when everything – cross our fingers – opens back up again. We're hoping by next May we're into Phase 4 and we can resume our concerts, banquets and events, and all the other items that have been shut down completely."
From a concert standpoint this year, Raun estimates a lost revenue of "well over a million or more dollars."
Despite the challenges and uncertainty, Raun remains optimistic about next year and marking Indian Ranch's diamond anniversary. Additional shows will also be announced for the 75th anniversary season.
"I'm really excited," Raun said. "Everything got pushed forward, concerts, weddings, events. As long as everything is back up and going, I think we'll be able to recover. Maybe not completely from the loss from this year – I think it's a two-year process to get back to where we were – but all I can do is be optimistic that we can move forward next year and things carry on like they did in the past."
Lost Summer is a series of stories that looks at the social and economic impacts of the COVID-19 pandemic of Central Massachusetts.


Type the name of the unit here.
Discover The Best Vacation Rentals Salt Lake City, Utah has to Offer!
Welcome to BeaUTAHful Utah! If you've never been to the Wasatch Front or the Uintas, you are in for a treat. Our vacation rentals span from Downtown Salt Lake all the way to Park City, from Logan to Utah County. View beautiful ski chalet rentals, family homes, and gathering places perfect for seminars or conventions. Relax in Cottonwood Heights at the foot of Little Cottonwood Canyon in our Canyon Racquet Club properties, stay near main street between Park City mountain resort and the incredible Deer Valley runs, explore Heber Valley, Brighton, and Solitude with all of its hiking and biking in the Summer. Regardless of what kind of accommodations you're looking for, you'll find them here at PMI Utah.
PMI Utah is all about blending professional management with local experiences. We want you to make memories with your family, have a relaxing vacation, and keep coming back to stay with PMI. Whatever you need, we've got your back! Feel free to call or email us with, and we will help find the perfect place for you to hang your hat while here in Utah.


text:
<?xml version="1.0" encoding="utf-8" ?>
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">

<meta http-equiv="Content-Type" content="text/html; charset=utf-8" />
<meta name="generator" content="Docutils 0.7: http://docutils.sourceforge.net/" />
<title>The MPL Reference Manual: BOOST_MPL_ASSERT_MSG</title>
<link rel="stylesheet" href="../style.css" type="text/css" />

Prev Next | Back Along | Up Home | Full TOC
Front Page / Macros / Asserts / BOOST_MPL_ASSERT_MSG

BOOST_MPL_ASSERT_MSG

Synopsis

#define BOOST_MPL_ASSERT_MSG( condition, message, types ) \
    unspecified token sequence \
/**/

Description

Generates a compilation error with an embedded custom message when the condition
doesn't hold.

Header

#include <boost/mpl/assert.hpp>

Parameters

<colgroup>
<col width="15%" />
<col width="36%" />
<col width="48%" />
</colgroup>

Parameter
Requirement
Description

<tt class="literal">condition</tt>
An integral constant expression
A condition to be asserted.

<tt class="literal">message</tt>
A legal identifier token
A custom message in a form of a legal C++
identifier token.

<tt class="literal">types</tt>
A legal function parameter list
A parenthized list of types to be displayed
in the error message.

Expression semantics

For any integral constant expression <tt class="literal">expr</tt>, legal C++ identifier <tt class="literal">message</tt>, and
arbitrary types <tt class="literal">t1</tt>, <tt class="literal">t2</tt>,... <tt class="literal">tn</tt>:

BOOST_MPL_ASSERT_MSG( expr, message, (t1, t2,... tn) );

<col class="field-name" />
<col class="field-body" />

Return type:
None.

Precondition:
<tt class="literal">t1</tt>, <tt class="literal">t2</tt>,... <tt class="literal">tn</tt> are non-<tt class="literal">void</tt>.

Semantics:
Generates a compilation error if <tt class="literal">expr != true</tt>, otherwise
has no effect.

When possible within the compiler's diagnostic capabilities,
the error message will include the <tt class="literal">message</tt> identifier and the parenthized
list of <tt class="literal">t1</tt>, <tt class="literal">t2</tt>,... <tt class="literal">tn</tt> types, and have a general form of:

... ************( ...::message )************)(t1, t2,... tn) ...

BOOST_MPL_ASSERT_MSG( expr, message, (types<t1, t2,... tn>) );

<col class="field-name" />
<col class="field-body" />

Return type:
None.

Precondition:
None.

Semantics:
Generates a compilation error if <tt class="literal">expr != true</tt>, otherwise
has no effect.

When possible within the compiler's diagnostics capabilities,
the error message will include the <tt class="literal">message</tt> identifier and the list of
<tt class="literal">t1</tt>, <tt class="literal">t2</tt>,... <tt class="literal">tn</tt> types, and have a general form of:

... ************( ...::message )************)(types<t1, t2,... tn>) ...

Example

template< typename T > struct my
{
    // ...
    BOOST_MPL_ASSERT_MSG(
          is_integral<T>::value
        , NON_INTEGRAL_TYPES_ARE_NOT_ALLOWED
        , (T)
        );
};

my<void*> test;

// In instantiation of `my<void*>':
//   instantiated from here
// conversion from `
//   mpl_::failed************(my<void*>::
//   NON_INTEGRAL_TYPES_ARE_NOT_ALLOWED::************)(void*)
//   ' to non-scalar type `mpl_::assert<false>' requested

See also

Asserts, BOOST_MPL_ASSERT, BOOST_MPL_ASSERT_NOT, BOOST_MPL_ASSERT_RELATION

Prev Next | Back Along | Up Home | Full TOC

Copyright ©  2001-2009 Aleksey Gurtovoy and David Abrahams

Distributed under the Boost Software License, Version 1.0. (See accompanying
file LICENSE_1_0.txt or copy at http://www.boost.org/LICENSE_1_0.txt)

redpajama_set_name: RedPajamaGithub


Interim Transition Manager / Boer & Croon Management B.V.
International interim assignment for a Private Equity owned group active in global maritime handling, storage and transport services. Head office in Hoofddorp (Netherlands) and affiliates in Belgium, Brazil, Bulgaria, China, Dubai, Finland, France, Germany, Italy and Spain. A profitable cyclic activity with significant capital expenditure and differentiated customer base of industrial companies and shipping lines. Assignment to develop the 5-year strategic plan and to define and manage various transition projects in IT and Finance.
International interim assignments for a Business Unit of an American public company active as manufacturer of machinery and equipment for production lines in automotive, aerospace, nuclear and food. European head office in Frankfurt and affiliates in Germany, France, Netherlands, UK and Spain. A profitable niche activity with stagnating sales growth, a small market share and a fragmented product portfolio.
The developed plan of transferring operational activities to Eastern Europe has been abandoned, due to my insights and advice.
Assignment to gain control over the plant in France (6 months), the improvement of the financial departments in Europe, optimization of the ERP-system Oracle, integration of the European entities and the finance role in winning long-term contracts with Daimler-Benz and BMW.
Realisations: support to General, Financial, Human Resources and Risk management; optimization of ERP-systems; set-up of Business Controlling; definition of Reporting and Strategic Planning; Cost Price definition; reorganisation of commercial / industrial organisations; integration of European entities; long-term contracts with Daimler-Benz and BMW.
Chief Financial Officer / Rexel Nederland B.V.
Realisations: solving the root causes of significant accounting differences; integration of Business Units (Rexel/ Hagemeyer); structural improvement of the financial organisation; optimization of IT-systems; implementation of a new ERP-system (M3/ Lawson); margin improvement programs; professionalisation of cashflow and working capital management; savings in operational expenses; financing by means of Securitization; transformation of 7 regional Distribution Centres to one central DC; set-up of new activities in sustainable energy solutions and international projects.
Various management and specialized training, including IMD Lausanne, Krauthammer, IFRS/ USGAAP requirements, international tax matters and IT developments and applications.
Role: Reliable partner for shareholders, management team and employees of the organization.
Available for international assignments requiring temporary housing and traveling.