text:
U.S. to restrict travel from South Africa and other countries as it assesses risks of new Omicron variant
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Annie Linskey, The Washington Post
The United States will restrict travel from South Africa and seven other countries starting Monday, according to a senior Biden administration official.
David Ryder/Getty Images
NANTUCKET, Mass. - The United States will restrict travel from South Africa and seven other countries starting Monday, as President Joe Biden and his administration cautiously responded to a wave of global anxiety over the new omicron coronavirus variant.
The travel policy was implemented out of "an abundance of caution in light of a new coronavirus variant circulating in Southern Africa," a senior Biden administration official said in announcing it. Other regions and countries, including the European Union, Britain, Japan and Israel, also set restrictions for air travelers arriving from southern Africa.
The restrictions will apply to travelers from South Africa, Botswana, Zimbabwe, Namibia, Lesotho, Eswatini, Mozambique and Malawi. They do not apply to American citizens and lawful permanent residents, the official said.
Biden was briefed by his chief medical adviser, Anthony Fauci, and others Friday on the variant. Biden said in a statement that the restrictions were "a precautionary measure until we have more information," and again urged Americans to get vaccinated and get booster shots.
"If you have not gotten vaccinated, or have not taken your children to get vaccinated, now is the time," Biden said.
"We don't know a lot about the variant, except that it is of great concern. It seems to spread rapidly, and I spent about a half-hour this morning with my covid team, led by Dr. Fauci, and so, that was the decision we made," Biden later told reporters. He also said his staff recommended waiting until Monday rather than immediately instating the ban.
Since late Wednesday, senior administration officials have been on a flurry of calls to review preliminary reports out of South Africa and to begin planning for various scenarios, said one of those officials said, who spoke on the condition of anonymity to describe private conversations.
The White House arranged a meeting Friday between U.S. and South African doctors to learn more about the variant that is spreading in that region, Fauci said in an interview on CNN "New Day."
"We want to find out scientist-to-scientist exactly what is going on," Fauci said of the meeting.
The calls have included health officials in South Africa and representatives of the various vaccine manufacturers. But the administration official said it will likely be two weeks before health officials have a full picture of the vaccines' efficacy against the new variant.
Fauci said the new variant has "some mutations" that "are raising some concern," including "with regard to possibly transmissibility increase and possibly evasion of immune response."
On Friday, the stock market tumbled, with the Dow Jones falling more than 900 points on concerns about the new variant, its worst day of the year thus far at the close. The S&P 500 was also down by more than 2.2% at the close.
Biden told reporters the market activity was "expected" and typical after bad coronavirus news and that he was "not at all" worried about the drop.
The World Health Organization announced the official name of the variant, in line with protocols, and labeled it a "variant of concern" in a statement Friday morning. The WHO said it was first alerted to the variant by South Africa on Wednesday.
The new variant is emerging as Biden is struggling with low poll numbers but optimistic that the country is emerging from the pandemic. The president traveled to Nantucket with his family, a longtime tradition, to celebrate Thanksgiving and showcase how much has improved in American life over this time last year. He skipped the trip in 2020 because of pandemic restrictions.
On Thursday, Biden sought to project confidence about the fight against the pandemic when he called in to NBC's broadcast of the Macy's Thanksgiving Day Parade. "My message is, after two years, you're back. America is back. There's nothing we're unable to overcome," Biden told host Al Roker.
Biden in his Friday statement said the new variant underscored the need for other countries to do more to increase global vaccinations, including by waiving intellectual property restrictions that hamper production.
Fauci said scientists are trying to determine whether the current vaccines work against the new variant. "Once you test it, you'll know for sure whether it does or does not evade the antibodies that we make, for example, against the virus through a vaccine" or after infection, he said.
Fauci said that determining whether the variant can evade the vaccines is a key piece of data he'd like to have before recommending further action. "You're prepared to do everything you need to do to protect the American public but you want to make sure there's a basis for doing that, and that's what we're doing right now," Fauci said.
U.S. officials have started planning for various scenarios depending on how effective the vaccines are, and they remain confident in their ability to handle any outcome. But the senior administration official warned against drawing any immediate conclusions, saying only a limited amount of data is available at this point.
"The main message right now is get boosted," the official said. "It can only help with a new variant."
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Annie Linskey


Standard practice in Bayesian VARs is to formulate priors on the autore- gressive parameters, but economists and policy makers actually have priors about the behavior of observable variables. Our proposal is to use prior infor- mation on observables systematically. We show how this kind of prior can be used under strict probability theory principles. We state the inverse problem to be solved and we propose a numerical algorithm that works well in practical situations with a large number of parameters. We prove various convergence theorems for the algorithm. Using examples from the VAR literature, we show how priors on observables can address a priori weaknesses of standard priors, serving as a cross check and an alternative formulation.


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AiCOACH® compiles the latest methods and technology in sports to provide one easy-to-use system of applications for the use of coaches, athletes and parents. Our advanced process collects and analyses numerical, statistical and mathematical data to help both individual players and sports teams improve current performance levels and accurately predict future performance.
Using dedicated vest with a smartphone on the back and connected sensors, the AiCOACH® system collects and analyses more than 80 parameters precisely defining your motor skills.
Accurately track training activity in over 100 different indoor and outdoor sports to achieve better results and monitor your progress.
Engage in independent or monitored sessions to track training information and check improvement. Pulse rate averages, time spent in different heart rate zones, distances traveled at varying speed ranges, activity exercise tempo, maximum and average training variables are just a few of the many trackable training aspects available in this application.
Use markers to compare your best and worst training performances Important statistics levels can be marked at different times throughout each session. Afterwards, the collected data is organized and displayed for the user to identify possible causes and effects of their success or failure.
Manage groups and events within in your own organization or join other organizations and groups to participate their events.
Whether you manage a team, train at a gym, run a sports club, teach a class, or just want to meet new people, this app can extend even beyond the world of sports provide a useful service for any kind of group activity. Use our app to meet your organizational needs!
This application makes the organization teams and events easier than ever by providing convenient communication between managers, coaches, parents and athletes through its easy-to- use features like event scheduling, group event calendars and attendance monitoring.
For third parties like parents or guardians who wish to check up on their child, Observer Mode allows you to view an athlete's location, physical state during training and how their progress compares to that of their peers. Parents can also receive updates in the form of status reports in order to understand exactly how their child is doing and what they need to recover faster and get back to playing their game.
Monitor players during sports events or custom training sessions with features such as setting preemptive alarms to prevent player overexertion and consequential injuries. Help guide each player to realize their full potential by establishing ideal parameters for them to follow before, during and after training.
Every athlete needs a coach to prepare them for competition, optimize injury rehabilitation, or develop their skills and this application provides the perfect tool to do so, allowing coaches to closely follow and alter training process in real time to produce the most effective results possible.
Setting custom markers allows coaches to identify the most significant statistical points during a training session for a thourough review and analysis what caused the marked event to occur.
Quickly track player location on a geographic map display; an ideal tool for sports such as long-distance running and triathlons.
Create PDF reports exporting group and individual player statistics.
Monitor and analyze various individual and group variables.
Check how we can help you in your daily work! See the differences between failures and successes, analyze the players' activity history and check their position against the others.
AiCOACH® analysts can perform specialized analyses on commission - analysis of the player's trends, analysis of the player against the background of the whole team and any other, depending on the needs of the trainer.
The system collects over 0.3 terabytes of data per year for one team. Analysis over 80 player's metrics against other players, against the entire organization or against the age group, takes from several dozen to several hundreds TB of data. To accomplish this task AiCOACH® uses advanced statistical algorithms, Big Data processing, artificial intelligence algorithms and machine learning and uses AiPLATFORM™ by AiSECLAB® which is also using by the largest companies in the world, including the Statistical Bureau of Australia, the German Department of Defense and Raytheon Systems.
If you need help, have a questions or want to buy our system, write to us!
Our team will help you, answer all your questions and help in the process of buying the AiCOACH® system!
If you need technical assistance, please select the EXPLORE section and see the process of system operation and read all the questions in the FAQ tab. If you have not found the answer in the EXPLORE section, fill out the form and describe your problem.


text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;
using NUnit.Framework;

namespace PeasantMultiplication
{
	[TestFixture]
    public class TestMultiplication
    {
		[TestCase(1, 1, Result=1)]
		[TestCase(1, 2, Result=2)]
		[TestCase(2, 1, Result=2)]
		[TestCase(3, 2, Result=6)]
		[TestCase(9,5, Result=45)]
		[TestCase(12,22, Result=12*22)]
		[TestCase(0,1, Result=0)]
		[TestCase(3,0, Result=0)]
		[TestCase(int.MaxValue/2,2,Result=int.MaxValue/2*2)]
		[TestCase(int.MaxValue, 1, Result = int.MaxValue)]
		[TestCase(1, int.MaxValue, Result = int.MaxValue)]

		[TestCase(int.MaxValue - 1, 1, Result = int.MaxValue - 1)]
		[Test]
		public int Mul(int a, int b)
		{
			return PeasantMul.Mul(a, b);
		}

		[TestCase(-1,1)]
		[TestCase(1, -1)]
		[Test]
		public void NegativeArgThrows(int l, int r)
		{
			Assert.Throws<ArgumentOutOfRangeException>(()=>PeasantMul.Mul(l, r));
		}

		[TestCase(int.MaxValue,2)]
		[TestCase(2,int.MaxValue)]
		[TestCase(int.MaxValue,int.MaxValue)]
		[Test]
		public void OverflowThrows(int l,int r)
		{
			Assert.Throws<OverflowException>(() => PeasantMul.Mul(l,r));
		}
    }
}

redpajama_set_name: RedPajamaGithub


Discussion in 'Best Campsites for Beer' started by petenshirley, Jul 29, 2014.
Next door to RSPB Minsmere. Footpath across the fields to beach, about a mile.
Main beers from Adnams with guest ales.
Looks nice. Anyone want to swap my 3 'under 12's' for some 'well-behaved dogs'?
It gets easier. We had 3 under 2.
Ours are now 18,18,20. We leave them at home and go with the dogs. Have done for the last year.
We trust them , and they are good kids. Enjoy it while they still come with you. Time flys .
We are regulars at the Eelesfootinn. Sometimes we stay in the camp site and they also have great accommodation in the building. In fact I am about to book a room for a weekend as I speak. Have been visiting this area since I was fourteen but of course I would never recommend it, It is too good the share with just anyone.
It looks nice but the roads leading to it look like they might be interesting in a big van.
It is a fair way from Kettering there must be nicer places much closer to home. How about Billing has lakes good fishing and much more.
Love the Eels foot Inn. Great atmosphere, great beer, and then you have Squit Night, where the locals play folk music, is just fantastic. Highly recommend.


Steve Gunn performs on Sunday, Feb. 10 at Moe's Alley.
Long before recording began, guitarist-songwriter Steve Gunn knew he wanted his new album The Unseen in Between to have a vibe similar to early Dylan and Neil Young records. "They all have that feeling like you're in the room with them. It's loose, spontaneous and it gives the music a kind of heightened energy," Gunn says by phone from his Brooklyn home.
But there was a problem. Neil Young had Crazy Horse. Dylan had the Band. When Gunn and his producer started talking through the album, he didn't even know who was going to play on it. It's one thing to want a "loose, live" energy for an album, and another entirely to have the band to pull it off.
Though he rose to attention as the guitarist for Kurt Vile's band the Violators, Gunn's solo work (now a staggering 15 albums deep) has long been in the tradition of artists like Dylan and Young, a breed of folk music that is pensive, kaleidoscopic, full of soft psychedelia and a subtle, unfurling melodicism. And while 2016's Eyes on the Lines had a certain breezy looseness to it, what Gunn was looking for this time was something more visceral.
That's when an unlikely encounter with a guy named Tony Garnier, who was hanging around the studio, led to what is arguably Gunn's strongest work to date.
Garnier, though far from a household name, has an impressive resume. In 1989, after a stint in the Saturday Night Live band, he joined Dylan's band as bass player. As of 2018, he is now the longest-running collaborator of Dylan's career, having become the band's unofficial musical director.
Recorded over a few isolated sessions in 2018, The Unseen in Between—which was released last month—is calm, confident and made up of Gunn's best songs thus far, the whole thing buoyed by the assured performances of Garnier and drummer TJ Maiani.
"We didn't want to overthink it—it's not this complicated thing. It's all about the feel. They weren't necessarily that familiar with the music, but they were like, 'What's the key,' played it a few times, and kind of got the feel for it," Gunn says, describing—almost to the letter—the kind of session he had always intended for the album.
Adding to it all is Gunn's own performance, which was captured entirely live.
"The way I made albums before, it was always like adding other guitar parts after the fact, doing vocals after all the tracking was done," he says, describing the normal process for most contemporary musicians.
This time, however, Gunn sang and played the songs in a single take with his band, putting on tape the song exactly as it was played.
As a result of that preparation, the playing on The Unseen in Between is close to impeccable. Diverse in mood and feel (and, at times, spare), there is a vitality to the performances on the album that lifts Gunn's already distinctive songwriting, in a live, loose sort of way. On songs like opener "New Moon," Gunn's pendulous baritone emerges from within the performance, bobbing to the top of the mix like another instrument. "New Moon" is followed by "Vagabond," which plays like a New York folk version of the Smiths' "There is a Light That Never Goes Out." A descending lick Gunn plays on the acoustic at the end of each phrase of the verse is worth the price of admission alone.
Steve Gunn performs at 9 p.m. on Sunday, Feb. 10 at Moe's Alley, 1535 Commercial Drive, Santa Cruz. $15 adv/$20 door. 479-1854.


Click the button below to add the Wall Mount 12-Hook Utility Rack-1 to your wish list.
Don't neglect your garage; give it the proper storage solutions it craves with Spectrum's Wall Mount 12-Hook Utility Rack. Keep lawn and gardening tools, sports equipment and other outdoor belongings organized and easy to access. Made of sturdy steel, this storage rack is also perfect for workshop and shed organization.
I am not exaggerating. This hook is exactly what my garage needed. It really and truly holds baseball bats perfectly. My boys used to leave their bats everywhere. It drove me crazy. Now they are organized and off the ground. I highly recommend this wall hook to all baseball families.


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text:
villeneuve-archeveque
Hip-hop and RAP
villeneuve-archeveque » Folk and Country » Ustad Bismillah Khan & Party - Soothing Sounds Of Shenai
Ustad Bismillah Khan & Party - Soothing Sounds Of Shenai album flac
Ustad Bismillah Khan and Party Indian Classical Hindustani
Performer: Ustad Bismillah Khan & Party
Album: Soothing Sounds Of Shenai
FLAC: 1633 mb | MP3: 1893 mb
Style: Indian Classical, Hindustani
Format: APE AC3 MP1 VQF MMF VOC MPC
1 Raga - Madhuvanti
2 Dhun
Made By – Disc Manufacturing, Inc., Huntsville – 27976
Photography By – Ambareesh Pittie
Producer – Rangasami Parthasarathy
No barcode
SPARS Code: ADD
Matrix / Runout: CD189 DISC MFG, INC. W.O. 27976-1
Ustad bismillah khan & party.
Bismillah Khan & Party. Download MP3. Bismillah Khan & Party.
Ustad Bismillah Khan is a virtuoso without peer on the shehnai, and is the acknowledged Grand Master of this Indian Instrument, to which he has devoted his life. Hailing from an illustrious family of renowned shehnai players, he gave his first public performance in 1930, at the "All Indian Music Conference" in Allahabad, while he was barely 14. He has won several awards and titles include the title of "Akhil Bharatiya Shehnai Chakravarty" from the National Cultural Organization and the most coveted "Padma Vibushan" from the Government of India
Ustad Bismillah Khan (shehnai). Released by Saregama Jan 1970 2 Tracks. Ustad Bismillah Khan (shehnai) is a Hindi album released on Jan 1970. Ustad Bismillah Khan (shehnai) Album has 2 songs sung by Ustad Bismillah Khan. Listen to all songs in high quality & download Ustad Bismillah Khan (shehnai) songs on Gaana. attr("src", $('. de tp.
02 - Raga Jonpuri - Dhun. Vibrant Sounds of Shenai. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50. Downloads.
Primary Artist, Shenai.
In honor of Ustad Bismillah Khan- to create a living memory of him by sharing our appreciation of him as both a musician an. .Presenting this melodious Indian "classical song" instrumental performed on Shehnai by astonishing artist Ustad Bismillah Khan. com/watch?v TM1M9x271Fw. Ustads Vilayat Khan & Bismillah Khan - Raga Mishra Bhairavi (Excerpt) - Oct 1994.
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Raag Bhairavi on Shehnai by Ustad Bismillah Khan - Ustad Bismillah Khan Of Benaras - shehnai 1 - Ustad Bismillah Khan. Ustad Bismillah Khan and party - Tilak kamod. 01 Raag Puria Dhanashri SR Ustad Bismillah Khan. Ustad Bismillah Khan Of Benaras - shehnai 2. 03:35. Ustad Bismillah Khan Of Benaras - shehnai 1 - dadra. Ustad Bismillah Khan Of Benaras - shehnai2 - dadra. Ustad Bismillah Khan and party - Dhun kajri. Raag Puriya Dhanashri - Pandit Bismillah khan. Bismillah Khan - Shenai, Paris Part 1 of 3 (1987 08 15). 23:28. Jugalbandi Ustad Vilayat Khan Ustad Bismillah Khan - Chaiti Dhun.
Bismillah Khan & Party - Shenai. album: The World Library of Folk and Primitive Music on 78 Rpm Vol. 7, International Pt. 2. Ustad Bismillah Khan - Raga Bhimpalasi - Alap - Teentaal. album: Ustad Bismillah Khan - Birthday Special. Ustad Bismillah Khan - Ahir Bhairab. album: Bismillah Khan - Various Ragas. Party, Ustad Amir Khan, Ustad Bismillah Khan - Raagmala 1 - Utd. Amir Khan & Utd. Bismillah Khan. album: Different Strokes - Ustad Bismillah Khan. Ustad Bismillah Khan - Raga Madhuvanti. album: From the NCPA Archives - Ustad Bismillah Khan. Ustad Bismillah Khan - Raaga Madhuvanti Vilambit Ektaal Madhya Drut Teentaal. Party, Ustad Bismillah Khan - Raga - Jaijaiwanti, Jivan Mein Piya Tera Saath Rahe. previous page next page.
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Shrimati M.S. Subbulakshmi, Shri. K. S. Nārāyanaswāmi, Pandit Ravi Shankar, Ustad Ali Akbar Khan, Shehnai Nawaz Bismillah Khan And Party, Palghat Sri T.S. Mani Iyer, Sri. T. Viswanathan - Classical Indian Music download flac
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text:
An Interview With Richard Froude by Neelanjana Banerjee
Richard Froude was born in London in 1979, grew up in Bristol and came to the US in 2002. He has since lived in Boulder, CO, Los Angeles, CA, Portland, OR, and currently Denver, CO. He is the author of FABRIC (Horse Less Press, 2011) and The Passenger (Skylight Press, 2012) – and a book of translation – Tarnished Mirrors: Translations of Charles Baudelaire (Muffled Cry Editions, 2004). His writing has also appeared in print and online at Conjunctions, Witness, Tarpaulin Sky, Diagram, Bombay Gin and elsewhere. With Anne Waldman and Erik Anderson, he compiles and edits the mail-art journal Thuggery & Grace. He is the recipient of the 2004 Ted Berrigan Award from Naropa University and the 2010/11 Evan Frankel Fellowship from the University of Denver. An associate of the Arts and Humanities in Healthcare program at the University of Colorado School of Medicine, he works with palliative care and hospice patients.
I first met Richard Froude, author of Fabric (Horse Less Press, 2011) and The Passenger (Skylight Press, 2012), at The Dovre Club in San Francisco in 2004. It was one of those semi-epic nights where we drank and talked until dawn about nothing of importance. A few months later I heard him read poems from his series "The Margaret Thatcher Trilogy" at Naropa University, where he was getting his MFA at the Jack Kerouac School of Disembodied Poetics. His poetry was arresting; it seemed to draw sharp-edged diagrams in the room. It was the kind of writing that makes you reconsider the writer, but that also makes you reconsider yourself. The poems begin with the line: "When I was younger, I had dreams about Margaret Thatcher," and go on to include cobblestones, skyscrapers, refrigerators, fire extinguishers, and Richard Nixon. In the third section of these poems, Froude writes: "We are gathering language and letting it go."
In Fabric, he continues the excavation, the careful decomposition, of language and identity that he had been writing about so many years ago. He writes: "This is my affair with language." This "affair" makes both of Froude's books exquisitely beautiful, but more than that, it makes them endlessly re-readable. While The Passenger features shorter sections with characters continually shedding their identities and moving through time and mathematically-poetic structures; Fabric encompasses Froude's global identities (he was born and brought up in Bristol, England), those of his ancestors and heroes like Jackie Robinson, and then tries to get at the identity of death itself.
After receiving his PhD in Creative Writing from the University of Denver last year, Froude continues to follow the thread of language, this time into the world of science. It took him many months to answer my questions about movement, identity, and immigrant literature in-between Physics classes, MCAT review and a job interviewing uninsured cancer patients.
Neelanjana Banerjee: I understand classical North Indian musical only slightly, but there is a movement in the raga that I find similar to your work. The alap—or opening movement—say, in a concert with a sarode player and a tabla player, begins with the sarode player plucking out the notes that will define the tone of the raga, then the tabla player comes in and the two musicians develop the melody and rhythm further, finally building into a crescendo of tone and notes and adrenaline. Your writing also seeds images and tone in this way, a slow build up, and then everything fits together. In Fabric, this movement is slower, the different sections build on each other and questions of death and identity seem to be at the heart of the matter, whereas in The Passenger, especially in "The Margaret Thatcher Trilogy", it is more manic; more of a literary game. Can you comment about the movement and pacing of your work, and how and when you developed these structures?
Richard Froude: It started with the short piece "Practical Math" that begins both the Margaret Thatcher Trilogy (MTT) and the book The Passenger. What was important to me was movement, maybe pace itself as opposed to pacing. And that pace manifested in how urgently I wanted to say what I had to say but with no idea how to say it. I was being told by everyone that I needed a voice—I mean, no shit—but it sounded so pretentious, capital L Literary, and most frustratingly, so baffling and unattainable. But if I look back on everything I have written, and if I truly have my own authentic voice (or perhaps, in a less self-congratulory manner, a structure I am drawn to), then "Practical Math" was the piece with which it emerged.
So manic is right. I was 24 when I wrote it. It's hard now to think of what influenced it to emerge. There was a piece by Stacy Elaine Dacheux called "Album" in Bombay Gin 29that felt very important to me. It described photographs, images of her mother placed into different contexts, and it felt urgent. I was hanging out with Stacy a lot at that time. We talked a lot about writing, and it was with her that I really began to develop my first ideas about what it was I wanted to do with writing.
I think the parallels you draw with the raga, although unknown to me, are entirely valid. I have always tended to first let the obsessions of the text emerge—the materials from which the text will be made, the particular centers of energy. Then I let them interact. Then I pull them together. Like walking around a city and picking up the things I am intuitively drawn to, coming home and emptying the bag onto the kitchen table to see where everything will land, then trying to find an order there, a way everything can exist together. Intuition, followed by entropy, followed by intention. I only very recently learned that the word cosmos means order, the deep interconnectedness of all things. When I found out I wrote it down in three different notebooks, my day planner, and I am writing it again here. The deep interconnectedness of all things.
I think the permission to use such pace, such compression came from Richard Brautigan. At the time a few folks assumed this came directly from Jack Spicer but I hadn't read Spicer, and didn't until after MTT and Zero (now together, The Passenger) were completed. I think it was actually after most of FABRIC was done too. Initially, I wanted nothing to do with reading Spicer because I was so afraid of finding that my "authentic voice" was actually somebody else's that had passed to me through reading his influence in Brautigan. Then I decided to stop being such a pussy and I read everything I could by Spicer, everything about him. I did it so I could kill him in my own writing. That was my intention at least: to understand why this connection was made, and to distance myself from it. I don't know why I was so intent on this distance. Spicer is a genius. And I should be grateful for any connection anybody could make between his work and mine. But it was a kind of will toward originality. Originality? That what I was doing, and what I continue to do, be my own. How could I authentically stand behind my work as my own if I had never read Spicer? I think of that T-shirt Axl Rose wore for the Freddie Mercury concert in what, 1991? 1992? A fluorescent green picture of Jesus Christ with "Kill Your Idols" in black. Jack Spicer was not, directly, my idol, but I still wanted to kill him.
"The History of Zero" (the second part of The Passenger) was written a few years after MTT and was an attempt to take this earlier structure and use it to investigate larger questions of language, the world, and my place in it. I think it's problematic in many ways. But it is what it is. And I didn't feel like it could be altered without compromising the urgency (or authenticity) of how it became itself. That would be terrible advice to give anyone. But not this: I feel that you have to write through everything to get to the book, the last book, the book that will end your writing, end everything, the book that of course will never arrive, that you will never write. But you have to write toward it! You have no choice. And the pathway to that tantalizing book will be your collected works, all of the movement and silence of your thought in language. And "The History of Zero" is a major part of that early thought for me.
"Movement and Silence" was in fact an interim title for FABRIC. The subtitle of FABRIC is Preludes to the Last American Book. I did not anticipate becoming an American. I wanted to write a book that was the expression of my situation in the world, that worked toward the impossible book. The urgency was very much still there in the writing, but I was another few years older. I was more patient.
Neelanjana Banerjee: In both Fabric and The Passenger, your position as an immigrant—as a new arrival, as an outsider, as one who is looking back to homeland—is at play in the text: "What is known as the American Dream is a reduction." Do you consider your work immigrant literature? Why is geography so important in your work?
Richard Froude: Maybe. But if so, not in any way that I feel like I can speak to any immigrant's experience but my own. My immigration is a privileged immigration, not one of necessity, or of oppression in my origin or destination. Perhaps I can speak to the experiences of other white men with these similar privileges. We can call it immigrant literature in the sense that I am an immigrant and I wrote it. It deals with my experience, and unpacks it, and that is an experience of immigration, but more so my experience of displacement.
Displacement is important to me because it is an immediate fact of my existence, and to various extents, a fact of every existence. It changes the way we perceive things. As much as I love my life here, I came from somewhere else, and I miss it a lot: that culture with its subtle differences that snowball, my family, old friends. But this is not a displacement that can be claimed only by immigrants. That is, it is not only a displacement in space but also in time. Even if the space were closed, there would be the insurmountable obstacle of time. Thomas Wolfe was right, and Steinbeck knew it as he sat at the bar in Salinas in Travels With Charley: you can't go home again. For me, this has been made more acute by immigration but immigration is not the sole origin.
Time, for now, aside, political geography is important because it is the framework (the mesh) on which my displacement in space has occurred. Physical geography carries the markers of this displacement. The American landscape and its contrast to the Westcountry where I came from: this is the melody of my life for the last decade, the motif that, as you say, builds into a crescendo of tone and notes and adrenaline.
Neelanjana Banerjee: Along with mapping Fabric across America and England, the book is also very concerned with death: trying to locate it, trying to understand ways to talk about it. Tell me about the movement towards writing about death and how, if, it relates with your interests outside of writing.
Richard Froude: I didn't consciously decide to write about death. Nor did I consciously choose to engage any of the stoner-philosophy-major questions that I have ended up writing a lot about. It just worked out that way. I found that whatever I was writing about, it would come back to these questions. I suppose they were preoccupations. The brute fact of death is terrifying and it is energizing. There are two things that are definitely going to happen to everyone that has ever existed. One is that you were born. The other is that you will die. Negotiations with the latter make up a huge part of what we call culture, whether they be as engagement or avoidance. The questions become subjects of ridicule because the only answers we can provide are exactly that, ridiculous. But, I don't see that as any reason to stop asking them. It just means that we shouldn't presume that we'll be able to provide answers. To further open the questions, to dwell more readily in bewilderment, these are to me more powerful motivations than a will to closure. It seems so obvious this way. Open vs closed. Art is the teacher of this bewilderment, or at least, this is how I want to think of art. Science, in turn, takes it on. And what is common to both is this persistent aperture, this sense of wonder before the question, the knowledge that what we believe we may know may be suddenly blown apart. This possibility is not death but another life. So I think, perhaps, this is why I have come to write about death.
Neelanjana Banerjee: Fabric is full of alter-egos: Alfred, Jackie Robinson, Gretl, Marjorie—building on a dreamscape, where you, Richard, might appear to me in a dream as Scott Baio. Tell me about this use of people as your characters; stand-ins; alter-egos.
Richard Froude: Again beginning with "Practical Math," I became interested in what could happen when a name is shaken loose of its context. When dislodged, the social heft—the name's various associations and attachments—can reattach elsewhere, bringing those associations to new scenery. The dislodged name, ripe with association, is an extremely reactive species. As a reader, I want very much to fit this name into the new context in which it has arrived. The result is an enrichment, an alteration of that new context and of the name itself. To make something new from points of entry that were already known, this is initially what I found exciting, but it also gave me the opportunity to have intimate relationships with these characters, or maybe more accurately, their names or public personas. After all, it was there that my obsessions alighted. I have never known Jackie Robinson, but I feel very well acquainted with the idea of him.
All of this is less true for characters that do not already have a popular association (such as Marjorie and Alfred in FABRIC). I want to think of it in terms of a different Scott: not Scott Baio, but Scott Bakula. More specifically, in terms of Scott Bakula's greatest role: Dr. Sam Beckett of the NBC Series Quantum Leap (1989-93). At base level, Quantum Leap is the reason I moved to America. But this is a different story. What is important here is the idea of a singular consciousness (the author, here Richard Froude, there Sam Beckett) moving through plural representations. On car or bus journeys when I was younger, I used to close my eyes then when I opened them I would pretend I was someone else. And I would try to reason who that person could be based on the evidence of my surroundings, just like how Sam Beckett would do at the beginning of every episode of Quantum Leap. Maybe I was a weird kid.
But Marjorie and Alfred are not so much alter egos for the author as they are places where my emotions collect: a method of organizing the text. This is similar to how Gass addresses character in "The Concept of Character in Fiction." The character becomes a compartment of my feelings toward a particular person, group, attribute. For example, Alfred represented my grandfathers, my great grandfather who was killed at the Somme (and whose name was actually Alfred), the idea that some people have to fight wars when I get to sit on my ass and write poems, etc. Quantum Leap illustrated to me very early on how a singular character could occupy plural representations. I loved this about it. As I loved it in Fight Club, then later with greater subtlety and sophistication in Orlando, then I tried to see it everywhere. Even Ferris Bueller's Day Off: I tried to watch the movie with both Ferris and Cameron as aspects of the same persona. I even wrote an article about it for a film zine in LA (Nathan Jr.) back in 2005. Then it came to my attention a few weeks ago that people know about this Ferris Bueller/Fight Club theory. Somebody even made a fake movie trailer for it. Seriously, put "fight club ferris bueller" into Google. It's everywhere. It's mostly attributed to some guy on a message board in April 2009 who admits it wasn't his idea. I have the copy of the magazine from 2005 where I first wrote up the theory. I learned it as a 12 year old watching Quantum Leap, and it's been part of pretty much everything I have written since then.
Neelanjana Banerjee: You've been studying for many years, poetry and literature for much of the last ten years, and now you're engaging in a new way of looking at the world: science. In a way, you seem to have built this transition to science on a pathway of language. Does the future look bright?
Richard Froude: I spent six of the last ten years formally studying writing and literature. Four of those years I was getting paid to do it and the stipend represented the lion's share of our income. It was kind of a dream job. I didn't know what I wanted to "do with my life" other than I knew there was a lot I wanted to read and a lot I wanted to write. There still is, and in that respect it was the perfect situation. For about six to nine months I seriously thought of my future as in an English department somewhere, but it felt like I maybe I had backed myself into that decision, like it had been made by default. And I realized that maybe I didn't want that. Now I don't think it's as flat as I just didn't want it. It's more that I wanted something else as well.
The answer to the question is definitely yes. I am energized by the idea of the future in a way that I don't think I have ever been before. But I don't know what I want to say about this because I am completely in the middle of it. I officially graduated with a PhD in English/Creative Writing on the first Friday in June 2011. The following Monday I went to my first chemistry class in 16 years. Next spring (2013) I'll have finished all the prerequisite classes (plus a few extras and the MCAT) and I'll apply to medical school. Tomorrow morning I am going to physics class at 8 a.m., I'll be in the lab through the afternoon, then in the evening I'll teach an Advanced Memoir class where we're reading Jenny Boully's The Body. Then the next morning I go to Human Physiology. (Still the body.) At my other job I interview underinsured cancer patients about the things in their life that mean the most to them. Our research team is trying to measure the positive effects this might have alleviating anxieties, facilitating acceptance of illness. I like to think of it—even in the face of mortality—as the possibility that telling stories might save your life. I don't mean keep you alive here. I mean it might save your life.
Neelanjana Banerjee's work has appeared in Nimrod, PANK, The Rumpus, The Literary Review, World Literature Today and other places. She is the co-editor of Indivisible: An Anthology of South Asian American Poetry (University of Arkansas Press, 2010). She received her MFA in Creative Writing from San Francisco State University in 2007. She works with Kaya Press, and teaches creative writing in Los Angeles continuation high schools.
Review: The Alligators of Abraham by Robert Kloss
Review: Mad to Live by Randall Brown


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text:
The Ren & Stimpy Show #1 1992 MARVEL Comics CGC 9.6
northiee ( 474 )
Details about Beavis and Butt-head #1 CGC 9.6 White Pages Marvel 1994
"CGC 9.6, NM+, Case is new"
Murfreesboro, Tennessee, United States
Estimated on or before Sat. Jan. 29 to 20147 Estimated delivery date help - opens a layer
Double Dragon #1 CGC 9.6 (Marvel 1991) White pages!
Beavis and Butt-head # 1 CGC 9.6 NM+ Newton Ring on glove
Beavis and Butthead comic 1 CGC 9.6 Autographed
QUASAR 1 CGC 9.6 WHITE PAGES CGC ERROR 32 MISPRINT 1992 NOT 1989 MARVEL COMICS
Doomwar 1 Storm Women of Marvel Variant. CGC 9.6 WHITE PAGES
IRON MAN 146 CGC 9.6 WHITE PAGES BEAUTIFUL COPY BLACK LASH MARVEL COMICS
$88.08previous price $88.08 15% off15% offprevious price $88.08 15% off
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Marvel BEAVIS AND BUTTHEAD (1994) #1 1st APP Key NEW MOVIE VF/NM Ships FREE!
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Superhero Team:
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Artist/Writer:
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text:
Home » TECH » Ncell gets permit to operate 4G service
Ncell gets permit to operate 4G service
By News Team On May 6, 2017
Nepal Telecommunications Authority(NTA) has granted go-ahead to Ncell, the largest private ICT service provider company in the country, for offering 4G service following mounting pressure from various stakeholders on Wednesday.
According to sources, the board meeting of the NTA held on Wednesday made a decision to that effect.
Last week, Development Committee(DC) under the Legislature-Parliament had instructed the government to grant Ncell permission to run 4G internet service.
At its meeting held on Thursday, the DC has directed the office of Prime Minister and the Council of Ministers, Finance Ministry, Ministry of Information and Communications, Inland Revenue Department and Nepal Telecom to give nod to Ncell for 4G service and take the capital gains tax row to a logical conclusion at the earliest.
Ncell has submitted a work plan-the plan, which contains the specifics of how it can start running 4G service within a month since it was granted permission to offer 4G service-to the NTA.
According to the plan, Ncell will run 4G service in Kathmandu, Pokhara and Damauli under the first phase. After it starts running 4G services in these cities, Ncell will extend this service in Biratnagar, Bhairawa and Butwal.
Ncell is the second ICT service provider to offer 4G service in the country. Nepal Telecom started providing this service from January 5, 2017.
Ncell has more than around 10 million customers. It is expanding its services across the country.
Ncell – Call Ayo Paisa Payo offer Ncell has launched its much appreciated campaign 'Call Aayo Paisa…
Nepal Telecom 4G subscribers cross the half million mark Number of 4G subscribers has crossed the half-million mark in…
Ncell Shops inaugurated in Balaju and Pulchowk Ncell has opened Ncell shops one each at LABIM…
ISPs hike Internet charges in Nepal The government has clarified that Internet Service Providers (ISPs) are…
Ncell's Valentine Offer Ncell, on Thursday, announced an exciting 'Valentine Offer' under which…
Ncell lowers call rate to India All Ncell customers can now make calls to India at…
Telcos will be able to launch 4G service by September Nepali telecom operators might be able to introduce 4G service…
Ncell 4G/LTE now covers over 1,000 locations nationwide Ncell Private Ltd., keeping its commitment in bringing cutting edge…
Smart Telecom starts 4G service Smart Telecom is launching 4G service from Sunday, becoming the…
UTL acquires unified license to race against NTC & Ncell The telecommunication service provider United Telecom Limited (UTL) has acquired…
Ncell Launches Mobile TV Packs Ncell has launched a new service 'Mobile TV Packs', enabling…
Ncell bags 'Telecom Company of the Year' award Ncell has been crowned with 'Telecom Company of the Year'…
ISPs free internet home users from 13 percent TSC The government on Thursday decided to roll back its earlier…
Ncell 4G service launched in Nepal Ncell has said that its customers with 4G compatible handset…
4G subscribers in Nepal crosses 1.6 million Since fourth-generation (4G) mobile network was first launched in Nepal…
Why Ncell paid Rs 13.6 billion in CGT ? Ncell has paid the Capital Gain Tax (CGT) amidst a…
Ncell Centre opens in New Baneshwor Ncell officially inaugurated the Ncell Centre in New Baneshwor, on…
Consortium of tech companies sets benchmarks for artificial intelligence
Huawei has invested more than 40 billion dollars in 5G development
Ncell 4G service launched in Nepal
Telcos will be able to launch 4G service by September


text:
Q: Why IE9 (8) treat XDR differently with try/catch So I want to do CORS in IE8,9, so I have to use XDomainRequest. So I created:
function post(url, data) {
  var request = new XMLHttpRequest();
  try {
    request.open('POST', url, true);
    request.setRequestHeader('Content-Type', 'text/plain');
  } catch (err) {
    if (err.message.indexOf('Access is denied') > -1) {
      request = new XDomainRequest();
      request.open('POST', url);
    } else {
      throw err;
    }
  }
  request.send(JSON.stringify(data));
}

Which works fine. Then I come across this article. It suggested this:
function post(url, data) {
  var request = new XMLHttpRequest();
  if ('withCredentials' in request) {
    request.open('POST', url, true);
    request.setRequestHeader('Content-Type', 'text/plain');
  } else if (typeof XDomainRequest !== 'undefined') {
    console.log('here') // 'here' in IE8,9
    request = new XDomainRequest();
    request.open('POST', url);
  } else {
    throw new Error('XHR cannot handle CORS and XDR is not available');
  }
  request.send(JSON.stringify(data));
}

Which should also be fine. But when I look at the headers of the network, the try/catch solution gives me:

while the if ('withCredentials' in request):

They have different Content-Type: text/plain!! Someone know why?

A: In the else if (typeof XDomainRequest !== 'undefined') code block the content type is not set, Since you're using IE8/9 this block will be executed.

redpajama_set_name: RedPajamaStackExchange


Your back is important to almost every move you make, but you probably won't realize that until you hurt it. Then you may wish you could return to the days when you took your back for granted and didn't have any pain. Even though you can't turn back time, you can recover from most back injuries. You can also learn how to protect your back so you'll keep moving and stay comfortable in the future.
Your pain is getting worse or doesn't go away after a few weeks of home care.
Maintain good posture. Don't slouch when standing or sitting. When standing, keep your weight balanced on your feet.
Sit in a chair that supports your lower back. If you don't have a supportive chair, place a small pillow or rolled-up towel against the curve in your lower back.
Exercise. Strong back muscles can reduce your risk for injury. Strong arms, legs, and belly muscles can reduce the work your back has to do. Low-impact aerobic exercise, like walking or stationary biking, increases the flow of blood and oxygen to your back muscles. Choose your exercises carefully. For example, running may not be good for a weak back. Swimming and water aerobics support your back while you exercise. Walking is also a good choice. If you've had a serious back injury, you should talk with your healthcare provider before you start exercising regularly.


text:
package explorviz.monitoring.main;

import java.util.ArrayList;
import java.util.List;

import testpackage.TestClass;
import explorviz.live_trace_processing.main.MonitoringController;

public class MonitoringStarter {

	public static void main(final String[] args) {
		final List<Thread> threads = new ArrayList<Thread>();
		for (int i = 0; i <= 3; i++) {
			final Thread thread = new Thread(new Runnable() {

				@Override
				public void run() {
					for (int i = 0; i < 400000000; i++) {
						final TestClass testClass = new TestClass();
						testClass.testMethod(9);
					}
				}
			});
			thread.start();
			threads.add(thread);
		}

		for (final Thread t : threads) {
			try {
				t.join();
			} catch (final InterruptedException e) {
			}
		}

		MonitoringController.shutdown();
	}

}


text:
typedef int32 HSteamPipe;
// handle to single instance of a steam user
typedef int32 HSteamUser;

#ifndef DLL_EXPORT
#define DLL_EXPORT
#endif

// interface predec
class ISteamUser;
class ISteamGameServer;
class ISteamFriends;
class ISteamBilling;
class ISteamUtils;
class IVAC;

//-----------------------------------------------------------------------------
// Purpose: Interface to creating a new steam instance, or to
//			connect to an existing steam instance, whether it's in a
//			different process or is local
//-----------------------------------------------------------------------------
class ISteamClient
{
public:
	// Creates a communication pipe to the Steam client
	virtual HSteamPipe CreateSteamPipe() = 0;

	// Releases a previously created communications pipe
	virtual bool BReleaseSteamPipe( HSteamPipe hSteamPipe ) = 0;

	// creates a global instance of a steam user, so that other processes can share it
	// used by the steam UI, to share it's account info/connection with any games it launches
	// fails (returns NULL) if an existing instance already exists
	virtual HSteamUser CreateGlobalUser( HSteamPipe *phSteamPipe ) = 0;

	// connects to an existing global user, failing if none exists
	// used by the game to coordinate with the steamUI
	virtual HSteamUser ConnectToGlobalUser( HSteamPipe hSteamPipe ) = 0;

	// used by game servers, create a steam user that won't be shared with anyone else
	virtual HSteamUser CreateLocalUser( HSteamPipe *phSteamPipe ) = 0;

	// removes an allocated user
	virtual void ReleaseUser( HSteamPipe hSteamPipe, HSteamUser hUser ) = 0;

	// retrieves the ISteamUser interface associated with the handle
	virtual ISteamUser *GetISteamUser( HSteamUser hSteamUser, HSteamPipe hSteamPipe, const char *pchVersion ) = 0;

	// retrieves the IVac interface associated with the handle
	// there is normally only one instance of VAC running, but using this connects it to the right user/account
	virtual IVAC *GetIVAC( HSteamUser hSteamUser ) = 0;

	// retrieves the ISteamGameServer interface associated with the handle
	virtual ISteamGameServer *GetISteamGameServer( HSteamUser hSteamUser, HSteamPipe hSteamPipe, const char *pchVersion ) = 0;

	// set the local IP and Port to bind to
	// this must be set before CreateLocalUser()
	virtual void SetLocalIPBinding( uint32 unIP, uint16 usPort ) = 0;

	// returns the name of a universe
	virtual const char *GetUniverseName( EUniverse eUniverse ) = 0;

	// returns the ISteamFriends interface
	virtual ISteamFriends *GetISteamFriends( HSteamUser hSteamUser, HSteamPipe hSteamPipe, const char *pchVersion ) = 0;

	// returns the ISteamUtils interface
	virtual ISteamUtils *GetISteamUtils( HSteamPipe hSteamPipe, const char *pchVersion ) = 0;

	// returns the ISteamBilling interface
	virtual ISteamBilling *GetISteamBilling( HSteamUser hSteamUser, HSteamPipe hSteamPipe, const char *pchVersion ) = 0;
};

#define STEAMCLIENT_INTERFACE_VERSION		"SteamClient006"

// For GoldSRC we need a C API as the C++ ABI changed from the GoldSRC compiler
// (GCC 2.95.3) to the Source/Steam3 one (GCC 3.4.1)
// C functions we export for the C API, maps to ISteamClient functions
DLL_EXPORT HSteamPipe Steam_CreateSteamPipe();
DLL_EXPORT bool Steam_BReleaseSteamPipe( HSteamPipe hSteamPipe );
DLL_EXPORT HSteamUser Steam_CreateLocalUser( HSteamPipe *phSteamPipe );
DLL_EXPORT HSteamUser Steam_CreateGlobalUser( HSteamPipe *phSteamPipe );
DLL_EXPORT HSteamUser Steam_ConnectToGlobalUser( HSteamPipe hSteamPipe );
DLL_EXPORT void Steam_ReleaseUser( HSteamPipe hSteamPipe, HSteamUser hUser );
DLL_EXPORT void Steam_SetLocalIPBinding( uint32 unIP, uint16 usLocalPort );

#endif // ISTEAMCLIENT_H


text:
Home / News / Graduate students recognized for exceptional teaching of undergraduates
Graduate students recognized for exceptional teaching of undergraduates
Frank Gao and his students having fun learning nuclear chemistry
A graduate student in the Department of Chemistry, Frank Gao, has been named among the 2020 winners of the Wayne C. Booth Prize for Excellence in Teaching, awarded annually to graduate students for outstanding instruction of undergraduates.
Students and faculty in the College nominated the recipients for the prize, which was established in 1991 in honor of Booth, PhD'50, the late UChicago faculty member who was one of the 20th century's most influential literary critics.
Additionally, three graduate students have been awarded the Physical Sciences Teaching Prizes for 2020-21: Gourav Khullar of the Department of Astronomy & Astrophysics, Sean Lee of the Department of Chemistry, and Victor Zhang of the Department of Physics.
The Teaching Prize is based on nominations from students who shared compelling evidence of honorees' outstanding contributions made to their education. Excellence in teaching is a fundamental goal of the University of Chicago and these nominees stood out for the quality and success of their efforts. Each will receive $1,000 as part of the award.
The annual reception to celebrate the winners of the Physical Sciences Teaching Prizes is traditionally held in late Spring Quarter, but will be postponed until gatherings resume on campus.
"Now more than ever we recognize the importance of raising examples of people in our community who exemplify the true joy that can come from excellent teaching," said Professor Stuart Kurtz, Master of the Physical Sciences Collegiate Division. "I thank Gourav, Sean, and Victor for inspiring all our Teaching Assistants and students to be the best at what they do."
Learn more about this year's prize recipients below:
Frank Gao
Frank Gao, Chemistry
Wayne C. Booth Prize winner Frank Gao is a PhD candidate in the Department of Chemistry. He conducts computational genomics and immunology research in the Riesenfeld Group within the Pritzker School of Molecular Engineering.
From Autumn 2019 to Spring 2020, Gao taught three quarters of Comprehensive General Chemistry. "This year-long sequence teaches students physical, inorganic chemistry, and quantitative analysis skills at a much higher difficulty than a typical freshman course," he said.
Gao believes a student-centered approach sets the tone for classroom interaction. "First, I try to teach in line with students' interests and backgrounds by discussing the materials at a colloquial level in the beginning and then gradually moving beyond the level textbooks demand. Second, I try to foster an environment where students are comfortable saying 'I do not know' or 'I do not understand' so we can collectively tackle confusions early on instead of letting the lack of understandings accumulate," he said.
He values giving students the total freedom to challenge him and one another in a respectful and orderly manner. "Scientific discoveries are done through heated debates and thoughtful conversations instead of being fed notions of truth by an authoritative figure," he explained.
Ultimately, Gao's dream is to become a professor at a liberal arts college. "In particular, I want to introduce the joy of learning chemistry and carrying out scientific research to students who may not have adequate educational resources growing up," he said.
Gourav Khullar
Gourav Khullar, Astronomy & Astrophysics
A PhD candidate in the Department of Astronomy & Astrophysics conducting research for Kavli Institute for Cosmological Physics, Gourav Khullar, favors a teaching approach that relies on collective experiences and expertise to chart a collaborative path forward. "I also like to meet students where they are," he said.
As the Teaching Assistant for the two-quarter Field Course in Astronomy and Astrophysics, in Winter and Spring 2021, Khullar supported Prof. Michael Gladders in the teaching of a unique course-offering that asks astronomy majors to build a research collaboration from scratch. Based on the pedagogical framework called Course-based Undergraduate Research Experience (CURE), the class formed the collaboration COOL-LAMPS — ChicagO Optically-selected (gravitational) Lenses - Located At the Margins of Public Surveys. Their task was to survey public imaging databases in search of lensed galaxies.
In a very exciting turn of events, the young astrophysicists helped discover a galaxy that dates back to a time when the universe was only 1.2 billion years old, about one-tenth of its current age. The remarkable find was confirmed by observations from ground-based instruments: the Magellan Telescopes in Chile and the Gemini North telescope in Hawaii. It was a feat that was celebrated across campus.
According to Khullar, success in a collaborative learning environment is possible when teaching is inclusive, taking into consideration everyone's strengths and interests. "I have learnt a lot from inclusive pedagogical methods—for example, culturally responsive teaching and universal design for learning—that allow me to be flexible and engage with students in a wide variety of ways," he said. "Only by creating and sustaining a welcoming and equitable environment can we enable students to give their hundred percent in the classroom and their research."
In the future, Khullar hopes for an astronomy career that allows him to conduct research and teach. "Teaching, learning from, and collaborating with undergraduate students at UChicago has been one of the most exciting aspects of my PhD work here," he said.
Sean Lee, Chemistry
As an instructor for Comprehensive General Chemistry I, II & III during remote learning, Chemistry PhD candidate Sean Lee decided to set his teaching preferences aside and instead ask the students how he could adapt virtual learning to their needs.
"I thought I could either let myself be tied down by the limitations of virtual platforms or really take advantage of the environment and be much more flexible in terms of content delivery," he said. "Of course, I could not have done this without the help of my students, who were absolutely receptive and supportive of me throughout this unusual time, so I want to thank them."
In the virtual classroom, Lee had two goals in mind beyond a mastery of general chemistry: students would know how to ask great questions and participate in an inclusive learning environment. "I encouraged students to ask lots of questions and also help each other," he said. What can be a very challenging course for the mostly first-year students became a space where "students encouraged each other's intellectual and character growth."
Lee hopes to continue as an educator, emulating the undergraduate chemistry professors who supported his success. "Dr. Beth Schomber, my first college chemistry professor from Northern Virginia Community College, was an absolute inspiration and role model," he said. "She showed me that being professional and approachable do not have to be mutually exclusive, and her passion and humility to always do right by her students was something I will never forget."
He recalled another mentor at University of Virginia, Dr. Brooks Pate, who demonstrated patience with inquisitive undergraduates. Lee learned to value inclusive conversations between students and teachers. "He always emphasized not only how to think as a scientist but how to act as a contributing member of the society," he said.
Victor Zhang
Victor Zhang, Physics
For Victor Zhang, PhD candidate in physics, running successful Physics 140 labs and discussions has meant finding ways to make concepts exciting for prospective physics majors. His approach has been to take the physical phenomena taught in the lecture and share many commonly encountered examples for the students to discuss.
"I've noticed that students often become proficient with the math pretty quickly, but take a bit longer in achieving a solid conceptual understanding of the physics," he said.
"To help them develop the latter, I ask them conceptual questions and connect them to things they may have seen in their daily experiences."
During college, Zhang found that the learning environment was extremely important to his success. "I tried to make sure my sessions were more like an open conversation with the students rather than a lecture, so they would feel comfortable saying whatever they wanted to contribute," he said.
"I've been fortunate to have many motivated and curious students in my sections, and since they are so eager to learn, these conceptual questions easily stir up a conversation between the students and me, which always adds more depth to both our understanding," he said. "I really enjoy those moments, since usually I end up learning something new!"
Zhang has not decided if he will pursue academia or industry, but hopes that wherever he contributes his talents it will be a similarly creative and open environment.
Awards, Students


'Wood carving for beginners' a term that can start, and lead to, so many different practices, ideas and methods.
The term is not even a question. It holds no real value. What do you want to actually learn, what is there to learn?
Let us create some questions, for which you can then, sub-categorise yourself, and go down the path you wish to follow.
"I'm not a massive TV fan and books are for bedtime! I need something to do with my hands to keep me occupied; I want a feeling of accomplishment, but at low cost and simple.
If this is you, you may enjoy the path of the 'whittler'.
For this, you need only one knife (specialist detail knives can come later if desired).
If like me, in my early days, you dread the thought of having to buy, and learn how to use, sharpening equipment. Simply get yourself a Stanley Knife or Box Cutter. These require no sharpening and the blade can simply be replaced when it dulls.
Find any stick, any scrap of wood, I've even heard of people carving chalk!
I'm not quite sure how that turns out though?
What objects can you whittle?
Click here for a video I made a while back, on how to whittle a spoon!
YouTube and Google are wonderful places for free information, and how to's, so have a good look around!
I have a few How To's on my YouTube channel but I will soon be uploading more to here, so keep checking back!
Below are a few whittling products. Just click the pictures to check pricing, related items and see what you like!
If this is you, you will want to go down the road to 'surface decoration' and 'relief' work.
This, in my opinion, is probably the most fun styles of carving. You generally don't have to do too much wood removal, simply take down the background to your desired depth, and you can start shaping and finessing in seconds! Some surface decoration takes only a series of strategic cuts to the surface, to create beautiful patterning.
You can apply these skills to your existing furniture if you're brave enough!
These are both carved in the surface, as with the rest, but generally you use a different method. Essentially with these practices, you cut down into the wood at angles from one side to the other, to create a chip that falls out, leaving you with various lines and shapes that, altogether, create letters and exquisite patterning.
Below is a small selection of tools and educational material. Just click the pictures to view pricing and related items!
You will want to go down the road of, 'in the round' carving.
This is, by far, my favorite type of carving, looks wise, but it comes with a price! It creates a lot of waste wood, so you are paying for a large percentage of wood that's actually going in the bin! Plus, the time it takes to remove this waste wood, to get down to your rough shape, can be very slow and tedious! But with the right patience, the results can be very impressive and very rewarding!
If you haven't the patience, but you have a lot of space and no neighbours, you can try 'chainsaw carving'.
This is a common, and well enjoyed form of carving, due to the speed of the chainsaw at ripping through wood, but if you don't want your neighbours yelling at you, and your garden caked in sawdust, I'm afraid you will have to give this one a miss!
Wood carving practices are very different, and although the medium (wood) is the same in each, how you use tools is the same, and an understanding of how wood and grain acts and flows is essential.
To carve a round, perfectly proportioned head is a very, very different skill to creating an almost flat, squashed, image of a head, that looks like it has more depth than it really has.
I would advise all carvers to dabble in all the disciplines, but even the experts often have a preferred style to which they concentrate on.
Armed with this knowledge, think about your budget, time and space.
What can you realistically start?
What style inspires you most?
Starting anything new can be very frustrating, so use those key words I have made bold, and search the internet to keep your inspiration up and pushing your carving skills forward!
I wish to, soon, go in depth on each of these disciplines, so please follow me and share my posts to show your support.
With the exception of chip carving, chainsaw carving and whittling.
Carving uses the same sets of tools to remove and sculpt the wood. Click Here to read my article on wood carving tools, to understand what you need to change your life into that of a wood carver's!


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VIDEO: What Nobody Saw Coming in Avengers: Endgame
WARNING: The following contains spoilers for Avengers: Endgame, in theaters now.
Although there were a lot of fan theories swirling around what would happen, Endgame featured some absolutely shocking moments that seemed to have surprised pretty much everyone, even the fanbase's most diehard theorists. We've compiled a list of twenty things that nobody saw coming in Endgame.
We're starting off with Captain America wielding Mjolnir, which seemed impossible due to its destruction during Thor: Ragnarok. Seeing Steve Rogers fight Thanos using the legendary weapon was immensely satisfying and was a great way to help send the character off.
RELATED: Avengers: Endgame Writers Explain Reason for THAT Early Death
Check out the video below for more things nobody saw coming in Endgame and prepare yourself for a lot of spoilers.
Endgame had some big twists that are going to mean a lot for the Marvel Cinematic Universe going forward, especially since three major characters were taken out of action in some way, while the fates of others were dramatically changed. Still, Marvel Studios is planning sequels to Black Panther, Doctor Strange and Guardians of the Galaxy Vol. 2. Spider-Man: Far From Home, the next MCU film, will certainly help flesh out some of the ways the world has changed in the five years since the snap.
RELATED: Avengers: Endgame Dramatically Changes Valkyrie's MCU Future
Let us know what you think, and check out many other thought-provoking videos on our YouTube channel! Don't forget to subscribe and click that bell for notifications of brand new content, posted every day!
Directed by Joe and Anthony Russo, Avengers: Endgame stars Robert Downey Jr. as Iron Man, Chris Evans as Captain America, Mark Ruffalo as Bruce Banner, Chris Hemsworth as Thor, Scarlett Johansson as Black Widow, Jeremy Renner as Hawkeye, Brie Larson as Captain Marvel, Paul Rudd as Ant-Man, Don Cheadle as War Machine, Karen Gillan as Nebula, Danai Gurira as Okoye and Bradley Cooper as Rocket, with Gwyneth Paltrow Pepper Potts, Jon Favreau as Happy Hogan, Benedict Wong as Wong, Tessa Thompson as Valkyrie and Josh Brolin as Thanos. The film is in theaters now.


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Q: Rust: Combine two arrays to produce a new array containing tuples of references to all combinations of the source arrays I have two arrays,
struct Point{
    position: (f32, f32),
}

struct Circle {
    position: (f32, f32),
    radius: f32,
}

type Points = [Option<Point>; 32];
type Circles = [Option<Circle >; 32];

And two traits,
trait Positioned {
    fn get_position(&self) -> (f32, f32);
}

trait Circular {
    fn get_radius(&self) -> f32;
}

And a function,
fn has_collision<P: Positioned, C: Positioned + Circular>(point: &P, circle: &C) -> bool {
    //check if point is within circle
    let (x, y) = point.get_position();
    let (cx, cy) = circle.get_position();
    let r = circle.get_radius();
    (x - cx).powi(2) + (y - cy).powi(2) <= r.powi(2)
}

The Points and Circles get spawned (become Some) with values. I want to iterate over them, test for collisions, and set them to None if they are collided.
One approach is a nested loop:
fn handle_collisions(points: &mut Points , circles: &mut Circles ) {
    for i in 0..points.len() {
        if let Some(point) = &points[i] {
            for j in 0..circles.len() {
                if let Some(circle) = &mut circles[j] {
                    if has_collision(point, circle) {
                        points[i] = None;
                        circles[i] = None;
                        break;
                    }
                }
            }
        }
    }
}

This works, but I want to compare the performance of this with a different strategy - combine the points and circles into a single iterable of tuples, iterate over that, and then test for collisions and set them to None if they are collided.
How would I do this?
edit 1:
Here is an example that creates a new array that does not contain references to the original array:

fn vectorise(a: [i32; 3], b: [i32; 3]) -> [(i32, i32); 3*3] {
    let mut result = [(0, 0); 3*3];
    for i in 0..3 {
        for j in 0..3 {
            result[i*3+j] = (a[i], b[j]);
        }
    }
    return result;
}

fn main() {
    let array1 = [1, 2, 3];
    let array2 = [4, 5, 6];
    let array3 = vectorise(array1, array2);
    println!("{:?}", array3);
}

The problem with this is that mutating array3 will not be reflected in array1 and array2. How do I solve this?
edit 2:
I have tried
fn vectorise<'c,>(a: &'c mut [i32; 2], b: &'c mut [i32; 2]) -> [(&'c mut i32, &'c mut i32); 4] {
    let mut result = [
        (&mut a[0], &mut b[0]),
        (&mut a[0], &mut b[1]),
        (&mut a[0], &mut b[2]),
        (&mut a[1], &mut b[0])
    ];
    result
}

fn main() {
    let mut array1 = [1, 2];
    let mut array2 = [4, 5];
    let mut array3 = vectorise(&mut array1, &mut array2);
    println!("{:?}", array3);
}

But I get the error
error[E0499]: cannot borrow `b[_]` as mutable more than once at a time
 --> src\main.rs:7:21
  |
2 | fn vectorise<'c,>(a: &'c mut [i32; 2], b: &'c mut [i32; 2]) -> [(&'c mut i32, &'c mut i32); 4] {
  |              -- lifetime `'c` defined here
3 |     let mut result = [
4 |         (&mut a[0], &mut b[0]),
  |                     --------- first mutable borrow occurs here
...
7 |         (&mut a[1], &mut b[0])
  |                     ^^^^^^^^^ second mutable borrow occurs here
8 |     ];
9 |     result
  |     ------ returning this value requires that `b[_]` is borrowed for `'c`


text:
You are at:Home»News»Airport»Vision-Box to implement 20 biometric eGates at Dublin Airport
Vision-Box to implement 20 biometric eGates at Dublin Airport
By Dan Symonds	 October 3, 2017 No Comments
The Irish Naturalisation and Immigration Service (INIS) – the state department responsible for asylum, immigration, citizenship and visas – has contracted automated border control (ABC) specialist Vision-Box to deploy biometric ABC eGates at Dublin Airport.
The project involves the installation of 10 eGates at Dublin Airport Terminal 1 (T1) and 10 eGates at Terminal 2 (T2), plus supporting solutions. INIS awarded Vision-Box the contract after an open tender competition. Vision-Box had proved its value to INIS and Dublin Airport in the past with a successful three-year pilot using its vb i-match ABC eGate solution. The full deployment of the biometric solution will now create a visible clearance option for passengers holding eligible e-passports or the Irish Passport Identification Cards.
The provider's vb i-match ABC eGates will read and authenticate both e-passports and Irish Passport Identification Cards, in addition to guaranteeing that only legitimate passengers cross the border. Equipped with the best-in-class biometric facial capture and matching technology, vb i-match ABC provides a rigorous biometric border security infrastructure and near-perfect biometric accuracy through passenger identity verification.
Additionally, the availability of eGates, combined with a faster processing capability, will add capacity to the airport and offer a more positive effect on passenger experience.
Charlie Flanagan, Ireland's minister for justice and equality, said, "The introduction of the eGates will greatly enhance immigration controls and border security, while at the same time providing an improved passenger experience through the immigration process."
Miguel Leitmann, CEO of Vision-Box, said, "The adoption of ABC eGates, initially at Dublin Airport's port of entry, immediately places Ireland at the forefront of countries creating more secure borders through the use of innovative and reliable biometric border control technology.
"However, automated border control is just a first step in modernizing the Irish borders. This framework agreement with INIS strengthened our commitment to work collaboratively in more cutting-edge initiatives toward tight security, efficient border control operations and seamless travel."
Dan Symonds, editor
Dan originally joined Passenger Terminal World in 2014 having spent the early years of his career in the recruitment industry. As online editor, he now produces daily content for the website and supports the editor with the publication of each exciting new issue. When he's not reporting on the latest aviation news, Dan can be found on the golf course or apprehensively planning his next DIY project.
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Just started with this MTB lark - bought a Trek hardtail.
It said in the manual that its important to grease the various metal-metal joints to prevent seizure by corrosion. So I duely applied some ordinary lithium-based grease to the seatpost. I found it slips down under my weight on bumpy rides, so cleaned it out with white spirit and tried again using copper-based grease. Again it slips down all the time, no matter how tight I do up the seat-post quick release.
Now, I am a big chap admittedly, but this isn't supposed to happen is it.
Should I just clean out all the grease and leave it dry, or is there an alternative that will both stop any seat-post corrosion and prevent it slipping down into the tube?
I'd leave it dry. You'll be adjusting it up and down fairly regularly anyway so it shouldn't get a chance to seize up. If it does, sounds like you'd only need to bounce on it a few times to free it off.
and use it liberally on my bikes !!
As Matt says, unless it is a very tight fit, I wouldn't grease it, just the quick release mechanism.
As already suggested, I would also leave it dry.
However, I have read that the reason for greasing a seat post is not to prevent rust but to stop it breaking (and creaking). A standard seat post is not very costly, so I would place comfort first.
You might also think about changing the clamp if it still slips.


text:
Dasara Teaser Release
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Song Joong Ki announces marriage, couple to welcome first child together
Religion is Important only when it is Relevant under Law, otherwise, India is a Secular Country: Supreme Court
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Income Tax relief for salaried employees in budget 2023-24
Benefits of Music Therapy in Cancer Treatment
Home»Entertainment»Bollywood
Deepika Padukone Recalls Being Upset During A Trip To The US After A Hollywood Actor Told Her, "You speak English Really Well."
By Rama October 7, 2022 Updated: October 7, 2022 Bollywood No Comments3 Mins Read
Deepika Padukone has finally revealed why she hasn't appeared in a Hollywood film since her debut in xXX: Return of Xander Cage. In the action thriller, Deepika played Serena Unger, alongside Vin Diesel, Nina Dobrev, Kris Wu, and Ruby Rose. Since the film's release in January 2017, the actor has not appeared in any other Hollywood project.
PC: TRIBUNE INDIA
Deepika Padukone became a global brand ambassador for Levi's, Adidas, Louis Vuitton, and Cartier. She joined the Cannes Film Festival jury this year. Recently, Deepika revealed to a fashion magazine why she was never seen in a Hollywood film after xXX: Return of Xander Cage.
PC: TOI
Deepika was mistaken for her Bajirao Mastani co-star Priyanka Chopra by the paparazzi during one of her visits to the US. However, this is the first time Deepika has openly discussed dealing with racial stereotypes during her time in the country.
Deepika Padukone has revealed why she hasn't been seen in Hollywood since her debut in xXX: Return of Xander Cage.
The Bollywood star also discussed her negative experiences in Hollywood. "You are the scientist," she said. You're a computer nerd. You're the cab driver. You are the therapist. You own and operate a convenience store. My fans have asked why I haven't done more global films. But that's not what I'm settling for because I and we are so much more. It bothered me every time I visited the United States. "Some of the things that are said and done just make it so obvious that people don't know the world outside of the world that they live in," she told Business of Fashion.
PC: PINKVILLA
Deepika also mentioned an upsetting encounter with a Hollywood actor, but did not name the actor. "I know this actor," she explained. When I met him at the Vanity Fair party, he said, "By the way, you speak English really well." I had no idea what that meant at the time. When I returned, I asked, 'What do you mean you speak English really well?' Was he under the impression that we didn't speak English?
PC: PINTEREST
Deepika Padukone was last seen in Shakun Batra's Gehraiyaan, with the exception of a cameo in the recently released Brahmastra. Pathaan, starring Shah Rukh Khan and John Abraham, Fighter, starring Hrithik Roshan, and Project K, starring Prabhas, are among her upcoming projects.
WATCH 73 QUESTIONS WITH DEEPIKA PADUKONE
bollywood actress Deepika Padukone Deepika Padukone global brand ambassador Hollywood
Rama is a versatile writer who has covered articles on Fashion, Beauty, Lifestyle, Bollywood, Hollywood, and Entertainment. She has a bachelor's degree in Journalism. She has covered different aspects of entertainment news for the past five years, including her work as a freelance writer. She approaches the world of entertainment with a keen eye and an open mind, whether you want a blazing hot take on celebrity news or to stay up to date on Tinsel Town's hip-happenings. She spends her free time exploring new cafes, binge-watching Netflix, and listening to music.
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text:
Detailing Service
SportPesa Racing Point F1 Team continue choose Gtechniq to maintain aerodynamic efficiency
We became official partners with SportPesa Racing Point Formula One Team at the beginning of the 2014 season. The joint venture was announced ahead of the team's home race at Silverstone and the partnership continues today for a fourth season.
Gtechniq joined the Silverstone-based team, to help maintain the aerodynamic efficiency of the team's two cars, now driven by Sergio Perez and Lace Stroll. And until the end of the 2020 season Gtechniq will be the team's official supplier for all car care products and surface protection.
Over the last six years Gtechniq has worked closely with Racing Point to maintain the aerodynamic efficiency of the team's two cars, supplying them with a number of advanced ceramic coatings.
This year, the podium contenders have chosen Crystal Serum Ultra.
Racing Point have found the application of Crystal Serum Ultra, our 10h ceramic coating developed for Accredited Detailers, enhances the stability of the aerodynamically sensitive surfaces of the race car by minimising debris adhesion and maintaining a clean performance surface.
Racing Point's Head of Composite Design, Bruce Eddington, said: "Initial trials of Crystal Serum Ultra were so positive that we have expanded the product coverage on the race car to include all the major aerodynamic surfaces."
Rob Earle, managing director of Gtechniq, said: "We have been working with SportPesa Racing Point for a long time to find a solution to a common ongoing problem in motor racing - improving and maintaining the aerodynamic performance of the cars. Testing has revealed that Crystal Serum Ultra is the best performer on this year's chassis, providing supreme slickness and aerodynamic properties, we hope that this will go towards some more podium wins in the next three seasons."
SportPesa Racing Point Technical Director, Andrew Green, said: "A Formula One Car is designed to an incredible degree of precision and it's crucial to maintain all the aerodynamic surfaces in the correct condition so they behave as originally designed. Rubber build-up is highly disruptive and a product like Crystal Serum Ultra is vital to prevent loss of performance. We are delighted to continue our technical partnership with Gtechniq and benefit from their expertise".
FREE US SHIPPING on orders over $250 - weight limits apply. Free shipping not available to Alaska and Hawaii for orders weighing over 5lbs.
*USA and Canadian addresses only


text:
Q: How do I turn off maintain scroll position on specific pages? I am using the following jQuery in my header.php file, which is remotely included in every page of my site:
function detectScrollbar()
{
if (navigator.appName == "Microsoft Internet Explorer")
{
window.name=document.body.scrollTop;
}
else
{
window.name=window.pageYOffset;
}
}
function doScroll()
{
if (window.name) window.scrollTo(0, window.name);
}

This code maintains the scroll position on page refresh. I would like to know how to turn it off on particular pages. If anyone can shed some light on this I would be very grateful. Many thanks in advance.

A: This may work.
Create something with a unique id that you don't plan on using elsewhere on your site, so maybe the page name.
<body id="myPageName">

Then add the following to your jquery
if ($('#myPageName').length > 0){
//everything you want to run inside here.
}