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text:
Application number HPK/2012/0205 Application type Outline - Small-scale MAJOR apps
Site address Capital Garage, High Street, Chapel-En-Le-Frith, Derbyshire, SK23 9SS Proposal Application to Replace Extant Planning Permission HPK/2009/0110 for new Outline Planning Permission for Residential development of 10 apartments
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High Peak 4X4 Ltd Agent name
Applicant address High Street, Chapel en le Frith, High Peak, SK23 9SS Agent address
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Temp permission expiry date Permission expiry date
Chapel-En-Le-Frith P.C. Town Hall, Market Street, Chapel-En-Le-Frith, High Peak, SK23 OHP
Cllr Stewart Young Chapel West Ward,
The Owner / Occupier 24, HIGH STREET, CHAPEL-EN-LE-FRITH, SK23 0HD
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redpajama_set_name: RedPajamaCommonCrawl


text:
Cao Fei's La Town (Trailer 2014)
Title: La Town
Creator: Cao Fei
Music: Dickson Dee
Rights: Courtesy the artist and Vitamin Creative Space, Beijing, Photo by Alessandra Chemollo; Courtesy: la Biennale di Venezia
Medium: HD video, color, sound, (42')
At a place called the "Night Museum", open only after dusk, various artifacts about "darkness" are on display. There is the American horror film "30 Days of Night", Chinese artist Chu Yun's installation "Constellation", and surprisingly, there is even the iPad app game for "The Godfather." The current exhibition is about La Town.
Everyone has heard the myth of La Town. The story first appeared in Europe, but after traveling through a space-time wormhole, reappeared in Asia and Southeast Asia. It was last seen near the ocean bordering the Eurasian tectonic plate, vanishing in its midst as if a mirage.La Town, struck by unknown disaster - where without sunlight, time froze. Polar night was all encompassing, so the few instances of white nights have been momentously recorded in the town's history. Yet, through the drifting of time and space, various countries have rewritten La Town's history, and details have been neglected. Now, the story of the small town's past - love affairs, politics, life, demons and disasters - have all been sealed beneath the museum's vitrines, the historical "specimens" becoming an authoritative but limited interpretation of this town's history.
Night town; is there something happening? What kind of story does it carry? What forces caused such distortions in space and time?
Visitors quietly wander between the displays. This is just the first exhibit of the summer; there will be more interesting shows to come
At this moment, from the cinema screen of the "Night Museum" drifts a few lines of dialogue:
The Stranger: "Bar the windows. Try to hide. They're coming."
Eben Olemaun: "They? Who are they?"


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(Top) Pen Argyl's Michael Borst is tackled (Below) Bangor Alumni Cheerleaders perform on the sidelines during the first-ever Bangor-Pen Argyl Alumni football game played at Paul Farnan Field in Bangor Memorial Park Friday night before a crowd approaching 3,500 fans. Please see these photo galleries. PHOTO GALLERY 1 (from the Bangor side by Larry Cory) PHOTO GALLERY 2 (from the Pen Argyl side by Jennifer Trinkley Photography.
If you got pulled over in Billings, Montana this week, you may have gotten a turkey instead of a ticket.
Officers Brandon Ihde, Andrew Sanders and Eric Schnelbach of the Billings Police Department's traffic enforcement team pulled over drivers Wednesday and let them go with a warning, along with a frozen bird.
Lieutenant Neil Lawrence told ABC News that this was the first year that the department made the Thanksgiving gesture.
"The individuals that received the warnings and the turkeys have been very happy," Lawrence said. "Our Facebook page has received a lot of positive comments regarding it. So far its been a very positive thing for the community."
Only drivers who committed minor traffic violations were let off the hook with a Thanksgiving turkey.
"The turkeys were handed to, let's say, someone going over the speed limit a few miles an hour or rolling through a stop sign," Lawrence explained.
Lawrence said a local businessman, who is remaining anonymous, donated 20 turkeys for police to hand out for families in Billings.
Kara Hartzell will be performing at the Bangor Elks Thanksgiving Eve tonight from 8-11pm.
There will be free drinks and snacks. The goodies, drinks and gifts are being donated by local businesses and Pen Argyl Borough Council. In case of inclement weather the event will be held Sunday, December 3rd at 1:00 P.M. For more information or if you would like to make a donation contact the Pen Argyl Borough Manager, 610-863- 1822.


text:
package com.huawei.esdk.fusionmanager.local.model.user;

import com.huawei.esdk.fusionmanager.local.model.FMSDKResponse;

/**
 * 删除角色返回消息。
 *
 * @since eSDK Cloud V100R003C30
 */
public class RemoveRoleSingleResp extends FMSDKResponse
{

}

redpajama_set_name: RedPajamaGithub


text:
St John the Baptist, Chester
Situated to the South of the city of Chester, and only a few hundred feet from the North shores of the River Dee, the imposing Norman church of St John the Baptist is to be found, nestled behind the half excavated Roman amphitheatre.
The huge Western tower of the old cathedral of Chester, whilst not built as a defensive structure, was used by Parliamentarian forces during the English Civil War against the Royalist garrison confined within the city walls. Initially used as an observation post, the church was almost transformed into a garrison or fortress towards the end of September 1645. Under Colonel Michael Jones and Major James Lothian, the Parliamentarian army overran and captured the Eastern outworks of the city, along with the Eastern suburbs right up to Eastgate. A cannon battery was established in the church yard, possibly with some lighter cannon being stationed on the tower's summit. From here, the Parliamentarian besiegers were able to bring cannon fire not only onto the city walls, but also beyond and into the very city itself. A breach in the walls was finally made on the 22nd of September, near to the Newgate, but it had taken over thirty cannon shots to do the damage. The Royalist defenders however, managed to fend off the assault, blocking the breaches in the wall with anything that came to hand. Charles I arrived on the 23rd with reinforcements to aid the city's defence. His army engaged the Parliamentarian forces the next day (24th September 1645) at Rowton Moor, where it was was soundly defeated. Charles left the city immediately.
The Parliamentarian forces issued a summons for surrender on the 26th of September, but this was rejected. The battery at St Johns was re-enforced, with additional guns brought to bear on the city walls. The battery was used to destroy the defender's cannon on the North walls, and another breach was finally made. The guns at St Johns were used against the Dee Mills, Bridgegate waterworks and the South East corner of the city's walls, causing a great amount of destruction. The tower, in an old print from the early 1800, looks to be around one hundred feet tall, so would have offered the attackers an excellent view into and over the city. A few carefully stationed cannon here would have been well placed to pick and choose their targets within the city. Indeed, the commander of the Royalist defenders gave orders "for the pulling down of St John's steeple, which (in case the enemy should possess the suburbs) would be very prejudicial to the city as overlooking it all, and from whence (in the ensuing siege) was received our greatest annoyance" (thanks to www.chesterwalls.info) How right he was to be concerned. The mayor, upon whom the responsibility for demolition was bestowed, failed to carry out his orders, no doubt under pressure from the towns folk to preserve their parish church. The five month occupation of the church proved most destructive. Some reports state that all the church furniture and all of its memorials were shot up and destroyed and were in a state of desolation when the towns folk took possession of their church again. On the 8th of October, another attempt to storm the city was made, via several more breaches in the walls. After heavy fighting the attack was thwarted.
No more attempts to take the city were made after October 1645. The Parliamentarian forces decided to sit and wait, occasionally engaging the defenders and attempting to persuade them to surrender. Packets of papers were shot over the city walls, encouraging the towns folk to surrender. When this failed, snipers were placed at the church tower's summit. From here they were able to take pot shots at anyone seen in the streets beneath them, and succeeded in shooting and killing Sheriff Randle Richardson. Finally, on the 31st of January the city of Chester surrendered, agreeing terms on the 1st of February.
The tower stood for another two hundred and thirty six years, before finally falling down on Good Friday 1881.
Above. Antique floor plan of the church, showing surviving buildings and ruins and remains.
Above. 17th century engraving.
See the Cumbrian Churches blog for further information on the church.


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text:
Disney Just Backtracked On One Move Against 'Canceled' Star Gina Carano
otwadmin May 5, 2021 0
The "woke" mob is collecting one scalp after another.
Both public and private figures live in constant jeopardy of having their livelihoods ended.
But Disney just backtracked on one move against "canceled" star Gina Carano.
Cancel culture has run amok in all parts of society.
It's particularly pernicious in Hollywood, where leftists exert a considerable amount of control.
Actress and former MMA fighter Gina Carano ran afoul of the Left when she voted for Donald Trump and raised legitimate questions about the 2020 election.
Soon after, she was fired from her co-starring role on Disney's The Mandalorian.
Not only did she get fired, she was essentially erased from the Star Wars universe.
From We Got This Covered:
"Disney are clearly going out of their way to erase any trace of Gina Carano from the company's history after firing her from The Mandalorian. Not only has production ceased on the Cara Dune Funko Pop!, but Hasbro have also discontinued action figures bearing the actress' likeness, which is going to cause her to lose out on plenty of residuals and royalty checks, while any of her merchandise stands to increase greatly in value among traders and collectors."
And it got even worse; Carano was removed from Disney-owned properties outside of the Star Wars orbit.
The article continued:
"Earlier this year, the actress took to social media to reflect on her experience filming a future outing of survival series Running Wild with Bear Grylls, which was set to air on the Disney-owned Discovery Channel. However, some online sleuths have uncovered the episode listing for the upcoming run, and the former MMA fighter's name is nowhere to be found."
But after considerable backlash, Carano announced on Facebook that her episode of Running Wild will air after all.
Carano serves as an example of what can happen when people stand up to the "woke" mob; people admired her courage and stood behind her.
Carano signed on with Daily Wire to produce and star in an upcoming feature film, and it will likely do good business based on fan engagement.
If the Left continues to cancel people, then conservative outlets will only grow in numbers and influence.
Conservatives and libertarians will have no choice but to build a parallel economy because total submission to the Left will never happen.
Hollywood is planting the seeds of its own destruction by purging talent in the name of "woke" politics.
According to a survey, only 8% of the population identifies as progressive, but that powerful and vocal minority is dictating to the rest of society.
The silent majority can no longer be silent.
The hard leftists don't really have the numbers behind them, but they control institutions.
If those institutions have been corrupted—and they have—then conservatives have an opportunity to build new ones.
Tags entertainment Gina Carano
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text:
G Reghu's new solo show in Mumbai is all about rustic, evocative sculptures
Stoneware's Rural Rhythms at Jehangir Art Gallery is unique for its modern minimalist idiom
Avantika Bhuyan
Published: Jan 18, 2019 | 14:37:42 IST
Rajeesh Reghu
Photo Caption: G Reghu's show at Jehangir Art Gallery, Mumbai captures the resurgence and interest of one of the most elemental and ancient of art forms in the evolution of clay to stoneware.
There is something rather calming about G Reghu's sculptures. Whether it is two figures, astride on a motorcycle, or one sitting in a meditative pose – or even a set of them simply staring at the sky, basking under the sun – it seems that they inhabit an alternate realm created by Reghu, where time doesn't rush by and things seem simpler. There is also a sense of expectancy in some of the works, with the figures looking ahead, waiting for a sound or a vision. As one walks through the exhibition space within the Jehangir Art Gallery, Mumbai, these doll-like figures, crafted from stoneware and terracotta, seem to reverberate with stories and secrets. They embody a certain earthiness and rusticity of rural India, where they supposedly hail from. It is 100 such evocative compositions that form part of Reghu's solo show, Stoneware's Rural Rhythms, curated by Delhi-based writer, art critic and curator, Uma Nair, bringing Reghu's work to Mumbai after more than two decades.
Photo Caption: There is something rather calming about G Reghu's sculptures on display at Jehangir Art Gallery, Mumbai
G Reghu's Mumbai Show | Clay Play
Uma Nair, who has followed Reghu's practice diligently for the last two decades, says that the show captures the resurgence of one of the most elemental and ancient art forms in the evolution of clay to stoneware. Clay is more than just a material for Reghu, rather a certain bond appears to have been forged between the two. Both the artist and the material seem to be attuned to each other's rhythms and thoughts. "Having worked together for the last 30-35 years, I feel that we cooperate with one another. We share a language, a dialogue. I express an idea of a sculpture, and clay gives me direction to achieve that," says Reghu, adding, "I usually never title my shows. I leave it to the imagination of the public, as they could come up with an even better one."
G Reghu's Mumbai Show | Rustic Wonders
His figures have a certain primeval feel about them – as Nair puts it in her essay: "[they are] born of mingling of Dravidian and African facial features – bulging eyes, thick lips, cabbage ears – evocative of an ancient civilisation and its wisdom." This aesthetic language and affinity for indigenous materials stem from some of the early influences in his life, ranging from Elizabeth and Laurie Baker, and J Swaminathan at Bharat Bhavan.
Photo Caption: Bulging eyes, thick lips, cabbage ears are evident in G Reghu's sculptures on display at Jehangir Art Gallery, Mumbai.
G Reghu's Mumbai Show | It's all in the Details
Nair further states that Reghu's ingenuity lies in the details and the terms of proportions, the figures themselves divided into three-thirds: the head very important, with its large bright eyes and ears, symbolising the power of the persona; a relatively thin trunk that extends the cylindrical neck, and lower limbs of the same magnitude. The pastoral scenes that Reghu seeks to evoke are incomplete without his signature cow figures, who seem to have taken on the same calm and surreal demeanour as the fellow humans populating the space. "My figures and themes stem from the rural areas of Wayanad and Bastar, which fall in the tribal belt," he says.
Photo Caption: Reghu's ingenuity lies in the details and the terms of proportions, the figures themselves divided into three-thirds.
G Reghu's Mumbai Show | The Process
Reghu's process of creation is rather unique. These stoneware creations are created at high temperatures, with the wood-fired kiln blazing at temperatures of 1240 to 1280 degrees Celsius. He shuns glaze to give the figures a muted, earthy finish, and uses processes of hollow-modelling, slabbing, folding, coiling, and pinching to create the face. "I create my own natural process to get different natural colours, I don't use chemicals when I fire my stoneware, I use iron or manganese oxide sometimes for colour variations and work on a matte finish," he explains.
Photo Caption: G Reghu shuns glaze to give the figures a muted, earthy finish. Sculptures are on display at Jehangir Art Gallery, Mumbai
Stoneware's Rural Rhythms can be viewed at Jehangir Art Gallery, Mumbai, till January 21, 2019.
Ravi Mandlik's solo at Tao Art Gallery, Mumbai captures the cosmic spirit in motion
In This Story: Art Gallery India Motorcycle Mumbai Rural


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« Back to article Print this article
Tax returns go hi-tech
February 05, 2019 09:16 IST
Within the next two years, verification and scrutiny of returns will happen electronically through anonymised back offices manned by tax experts and officials.
It will function without any personal interface between taxpayers and tax officers.
Both the taxpayer and the tax officer will not know each other -- who is scrutinising whose return, and at which place, points out Kuldip Kumar, partner and leader personal tax, PwC.
Photograph: Kind courtesy Presidio of Monterey/Creative Commons
The government has been using technology extensively to make taxpayers's lives easier.
Even during the interim Budget, the finance minister highlighted the progress that has been made on the increased use of technology by the tax department.
Many functions such as returns, assessment, refunds and queries are now undertaken online.
With a massive increase in the number of tax return files -- almost 68.5 million -- it is not easy to deliver a taxpayer-friendly experience.
Strong technology support is required to process returns without errors and to carry out other functions online.
The government is moving ahead fast.
As the FM announced in his speech, the government has approved a technology-intensive project wherein tax returns will be processed within 24 hours and refunds will be issued simultaneously.
This is certainly music to the ears of taxpayers.
It means if they have refunds, they will get it back almost immediately.
Questions and queries will be raised by the income tax department sooner, making it easier for taxpayers to respond, as the details will be fresh and handy.
More transparency, lower corruption
The road map for the future is equally exciting.
The FM mentioned that within the next two years, verification and scrutiny of returns will happen electronically through anonymised back offices manned by tax experts and officials.
Both the taxpayer and the tax officer will not know each other -- who is scrutinising whose return, and at which place.
Exchange of information will happen electronically in a faceless manner.
This will certainly boost the confidence of taxpayers as the latter still fear visiting tax offices.
It will also help reduce corruption.
The government will also be able to utilise its workforce optimally.
The tax authorities will be able to use tax experts to add to the knowledge domain in processing assessments.
This will in turn help bring in more transparency and reduce litigation.
Electronic scrutiny has already become a reality as it has been made mandatory.
The recent cycle of scrutiny of returns for assessment year 2016-2017 was completed electronically on December 31, 2018.
However, both the jurisdictional assessing officer and the taxpayer know each other.
In certain circumstances, the assessing officer also has the authority to call on the taxpayer to appear in person.
Escaping the tax net is difficult
After demonetisation, it was the use of technology that enabled the tax authorities to identify individuals whose deposit of money in their bank accounts was not corroborating with their income level and other details available with the tax authorities.
Hence, further information was sought to cross check the details.
Even now, those who are yet to file their tax returns for financial year 2017-2018 have been sent a communication to file them or submit a response through the compliance portal online.
There is a mandatory levy of penal fee if the taxpayer failed to file the tax return for FY 2017-2018, within the due date of July 31, 2018.
The penal fee is Rs 5,000, where the return was filed by December 31, 2018, otherwise it is Rs 10,000 (Rs 1,000 where taxable income does not exceed Rs 5 lakh).
Taxpayers will not be able to file their tax returns at all if they miss filing it before March 31, 2019.
The purpose of introducing this penal fee was to enforce discipline among taxpayers to complete their tax filings on time.
Although a few weeks are left for March 31, communication has been sent to taxpayers who are yet to file their tax returns.
This shows the government's seriousness about enforcing compliance discipline.
One goal on which the government has remained focused over the years is expanding the tax base.
Be it linking Aadhaar with PAN, bringing in the provision of withholding tax on payment of rent by individuals exceeding Rs 50,000 per month, or tax collection at source on purchase of car, and so on -- all such changes in previous Budgets show that the tax authorities needed to have details of individuals to track their financial transactions, and to strengthen the compliance level to check tax avoidance.
Technology easing filing of returns
This thought process was seen in this Interim Budget as well, where the FM announced that those having taxable income not exceeding Rs 5 lakh will no longer have to pay income tax.
This change will benefit almost 30 million taxpayers.
But such taxpayers will still need to file their tax returns unless their taxable income falls below the taxable threshold of Rs 2.5 lakh (Rs 3 lakh for senior citizens and Rs 5 lakh for super senior citizens).
In other words, the tax authorities will always maintain and have their tax records in their system.
Managing such a large number of taxpayers's records, even though they are not contributing to taxes, is not cheap and would also not be possible without the use of robust technology.
That speaks of the confidence of the government to serve such a large taxpayer base, which may continue to grow in future.
While technology helps to check non-compliance, it has also begun to help in bringing down the compliance burden on taxpayers, providing ease of filing return, or interacting with the tax authorities.
Whether you are in India or abroad and you need to file return or submit any details, all this can now be done practically anytime and from anywhere.
Even pre-filled return forms can be downloaded when you file your tax return.
It automatically captures your personal details and details of taxes deducted or paid, and so on.
You just need to review the details and modify and provide other current details to complete your tax filing.
Compliance requirements are declining
Even the Interim Budget contained a few proposals which show how the government is trying to bring down compliance burden.
For example, raising of the tax withholding threshold on interest on bank/post office deposits from Rs 10,000 to Rs 40,000, and also for rent payments from Rs 180,000 to Rs 240,000 will help small taxpayers.
They need not wait now until the year-end to file their tax returns and claim the refund of taxes withheld, if their income is below the taxable threshold.
Such taxpayers can also submit form 15G or 15H, whereby the payer of interest may not deduct TDS.
Now they will be relieved of submitting such forms if their interest income is below Rs 40,000.
The government's focus on automation and use of high-end technology thus raises the hope that taxpayers will enjoy a more user-friendly experience in the times to come.
It may not be surprising if at some point in future even the requirement of tax filing may go away altogether for taxpayers having simpler returns.
With a high tech and interconnected compliance environment, the chances of hiding income will reduce considerably.
It will help India move towards becoming a more tax-compliant society.
And as compliance levels improve, we may even witness the lowering of tax rates.
Kuldip Kumar


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Chart Beat Meet & Greet: Laura Warshauer (Video, Exclusive Song Premiere)
By Alex Vitoulis | March 01, 2012 5:55 PM EST
Every once in a while, we come across an artist that we just can't wait to tell the world more about.
Laura Warshauer is one such artist.
Born and raised in Red Bank, N. J., and now residing in Los Angeles, the singer/songwriter mixes powerhouse vocals with stark, insightful lyrics.
Her catchy hooks don't hurt, either.
" Alanis Morissette's 'Ironic' and Joan Osborne's 'One of Us' inspired me to write songs," Warshauer says. "When those songs were first popular, I was struck by their simplicity, yet the power of their lyrics and messages."
Warshauer credits that mid-'90s female singer/songwriter era as an inspiration to her creating music. "Those singers had a very unique sound and it felt like their voices were true representations of their lives, stories and struggles. In the actual sound of their voices, I could feel what it was they were trying to convey."
Laura Warshauer performs "Heaven Above," with Ned Cameron on piano, at Billboard's New York offices.
A Warshauer-penned song draws upon those influences, with lyrically vibrant, compelling, picturesque imagery that makes it clear why, in 2010, she was awarded Songmasters' and the Songwriters Hall of Fame's inaugural Holly Prize for original songwriting (named for rock pioneer Buddy Holly). Fittingly, Warshauer joined the 2011 PBS tribute concert, "Buddy Holly: Listen to Me," singing "That'll Be the Day." Veterans on the bill - with whom she shared the stage for a rousing finale performance - included Lyle Lovett, Shawn Colvin, Michelle Branch, Chris Isaak and Paul Anka.
Warshauer explains that the bulk of her songs stem from a "subconscious place, where I just start writing without thinking first about what it is that I want to say. I play my guitar and come up with melodies and lyrics together, somehow tapping into emotions that I haven't yet necessarily put into words.
"I feel like I'm bottling lightning with a song, capturing a moment in time that the song allows me to revisit, and listeners a glimpse into stories that hopefully reflect their own lives."
To fully grasp the true artistry of Warshauer, however, you have to hear her live. From her commanding voice to her warm stage persona, it's evident why, at a Grammy Awards after party, Jay-Z once told her, "You are fantastically talented." Prolific country songwriter/producer Keith Stegall has said simply that Warshauer "can stop time."
Warshauer says that her live presence has been influenced by U2 and Bruce Springsteen concert experiences. "Each has this epic feel, where the music seems to transport everyone to a higher place and sensibility."
If 2012 is anything like 2011, it may be difficult for Warshauer to carve out the time to find her "subconscious place" and write new material. Highlights of last year included a headlining set at the Official MPressFest CMJ Showcase; tour dates with Bob Schneider, Frankie Moreno and Scars on 45; and, an appearance at the WXPN World Cafe. She was also interviewed for and performed her song "To Will and Kate, Meet Me at Exit 109" on E!'s "True Hollywood Story: Kate and Pippa Middleton."
(What are Warshauer's ties to the British throne? She lived in the same dormitory with the world-famous couple during her freshman year at the University of St. Andrew's in Scotland).
Already this year, Warshauer has played at Sunset Sessions, a star-studded industry rock festival in San Diego, and is planning to reprise dates opening for Schneider.
Hear the exclusive premiere of Laura Warshauer's "That Game."
Warshauer's new song "That Game," a Chart Beat exclusive on Billboard.com, was produced by Bleu (whose set "Watched Pot" was a top 10 Regional Heatseekers chart hit in 2009). She wryly describes it as the "'Sex and the City' of songs.
"I feel like it captures the young woman trying to make it in the world, finding herself while looking for love along the way."
Warshauer's forthcoming album, tentatively titled "Wicked Wicked," is set for a spring release.
Joan Osborne's 'One,
Jay-Z,
Ned Cameron,
Michelle Branch,
Bob Schneider,
Laura Warshauer,
Frankie Moreno,
Bruce Springsteen,
Artists in this Article
Bob Schneider
Keith Stegall
Michelle Branch
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Die RC149 war ein Rennmotorrad des japanischen Motorradherstellers Honda, das von 1965 bis 1966 eingesetzt wurde. Die Honda RC149 ist bis heute das einzige Motorrad mit Fünfzylinder-Reihenmotor.

Technik
Ausgestattet mit einem Fünfzylinder-Viertaktmotor leistete die Maschine  bei der auch heute noch enormen Drehzahl von 20.500/min. Das entspricht einer Literleistung von 272 PS. Der Motor der RC149 verfügte bereits über vier Ventile pro Zylinder, die über zwei stirnradgetriebene Nockenwellen gesteuert wurden. Bei einer Bohrung von 35,5 mm und einem Hub 25,14 mm kam eine Verdichtung von 12,0 : 1 zu Stande. Die Abgase wurden durch eine Fünf-in-Fünf-Auspuffanlage abgeführt. Der Antrieb entstand durch Modifizierung der Honda RC116, ein Zweizylinder mit 50 cm³ Hubraum, indem der Motor zweieinhalb mal verwendet wurde. Das Motorrad hatte ein Gewicht von 85 kg.

Renneinsatz

Der Schweizer Luigi Taveri war Fahrer der RC149 in der Motorrad-Weltmeisterschaft 1966 und gewann mit fünf Siegen bei zehn Rennen den Titel in der 125-cm³-Klasse der Motorrad-Weltmeisterschaft.

Die Zylinderzahl wurde in den 1960er-Jahren nicht durch das Rennreglement begrenzt, sodass sich gerade aus kleinen Viertaktmotoren hohe Liter-Leistungen herausholen ließen. Auf diese Weise war Honda in der Lage, z. B. auch in der Klasse bis 250 cm³ mit der RC166 und ihrem Sechszylinder-Viertaktmotor, sich gegen die damalige starke Konkurrenz von Zweitaktmaschinen durchzusetzen. Als das Reglement um die Begrenzung der Zylinderzahl ergänzt wurde – Honda hatte eine Dreizylinder mit 50 cm³ vorbereitet – zog sich Honda Ende der Motorrad-Weltmeisterschaft 1967 aus dem Rennsport zurück. Nach dem Wiedereinstieg in den Motorradrennsport im Jahre 1979, mit dem erfolglosen Auftritt der Honda NR 500, war Honda gezwungen von Viertakt- auf Zweitakt-Rennmaschinen umzusteigen.

Weblinks
 Nexialquest: Startende Honda RC 149 (MPG-Datei; 1,31 MB)
 Honda Motorrad-Renngeschichte (englisch)
 Taveri+Honda RC149

Einzelnachweise

RC149
Rennmotorradmodell

redpajama_set_name: RedPajamaWikipedia


Download Batman V Superman Dawn Of Justice Tech Manual ebook PDF or Read Online books in PDF, EPUB, and Mobi Format. Click Download or Read Online button to BATMAN V SUPERMAN DAWN OF JUSTICE TECH MANUAL book pdf for free now.
Departing from the traditional approach of surveying current and future trends and developments, this unique Handbook brings phenomena, theories, and concepts from multiple disciplines together to advance entrepreneurship. With original contributions from authors who are experts in their fields, the collection offers state-of-the-art insights into generating new areas for research, new theories and concepts, and new questions for policy debates – all aimed at advancing entrepreneurship. Divided into four sections and covering perspectives such as neuroscience, theology, organisational behavior and education, The Palgrave Handbook of Multidisciplinary Perspectives on Entrepreneurship is a rich source of information for researchers, educators, entrepreneurs, leaders and managers.


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Q: syntax error in tsquery : parameter with whitespaces I have this Full-Text-Search function:
CREATE OR REPLACE FUNCTION search_questions(psearch text)
  RETURNS TABLE (questionid INTEGER) AS $func$
BEGIN
  return QUERY
  SELECT DISTINCT (questions.publicationid)
  FROM questions
  WHERE to_tsvector(coalesce(questions.title, '')) @@ to_tsquery(psearch)
        OR
        publicationid IN (
          SELECT DISTINCT(publications.publicationid) FROM publications WHERE to_tsvector(coalesce(publications.body, '')) @@ to_tsquery(psearch)
        )
  ;
END
$func$  LANGUAGE plpgsql;

but it only works with a single word parameter. If I search for "user test", it returns
ERROR:  syntax error in tsquery: "user test"
Is there any way to search for texts with whitespaces in it?
Kind regards

A: You can put single quotes around your terms and still use to_tsquery().

A: I found how to solve it.
Here it goes
Replace:
to_tsquery(psearch)
with:
plainto_tsquery(psearch)

redpajama_set_name: RedPajamaStackExchange


I will admit, I am new to this whole going back to school thing. My daughter is only four years old so her "back to school" really only translated to her going across the hall, leaving Pre-J and heading over to Pre-K. Even still, I took first day of school photos and treated it like a really big event. I mean, there were some real changes taking place – new teacher, new classmates, and a more focused environment. I even got her a math tutor to keep her ahead of the numbers game.
We have been two weeks in and to celebrate her transition, I teamed up with the DoubleTree by Hilton in Atlanta to plan a fun staycation. If you have never heard of a staycation before, it's when you find a place in or very near your location and plan a vacay. With children, it is not always easy to get out of town so it can be a real treat to find gems in your local backyard.
To sweeten the deal, I took along two of her sister friends and we drove to Dunwoody to begin our own little Girls Trip (the mini version of course). First, let me just say this, I am a mom to one. I have this crazy idea that when Kamryn is ten years old, I"ll pop out two more babies back to back. I've always wanted a big family but since I didn't have another after Kamryn right away, I figured I would wait a bit before doing it again. So in my fun times, I like to borrow my friend's kids and play pretend like they are all mine. So yea, if you're trying to get rid of your kids, I"m the perfect friend to have. Send them my way!
Anyhow, here we are, driving to Dunwoody for our staycation. This is just the beginning of my weekend and I am already exhausted. The kids in the back are hyped up on energy and my eyes want to pop out of my head. We haven't even reached the hotel yet. When we finally arrive, the receptionist seemed to connect with my pain and she offered me cookies. Yes, she offered me cookies, not the kids. She knew what it was. The first thing I noticed that perked me up a bit was the beautiful artwork through the hotel – check out our video below to see the art. I felt a little spoiled like I was being allowed on a museum tour with children. Fist pump.
We finally made it upstairs and my eyes watered as I saw the double beds sitting there like clouds of heaven. I wanted to climb all the way under the covers and pass out. Of course, my team of minions weren't letting that happen so we unloaded our belongings, got dressed in princess gear and went downstairs to have dinner at the hotel restaurant, Southern Grove.
Being the complete foodie that I am, this was the highlight of my entire trip. Being as Southern as I am, I ordered fried green tomatoes for my appetizer and shrimp and grits for my entree. I have had a many shrimp and grit plates, have made a few my own, and hands down this meal entered into the Top 5 category. The shrimp were so big I wondered if they were little baby chickens and they loaded all my favorite cheeses in the grits. Nah, this isn't a post about eating healthy but it is recognition for some good ole Southern deliciousness.
By this time, it is 10 PM and I just know the girls are ready to wind down, go upstairs and make a pillow fort or something. You know, have an activity that allowed me the most minimal movement. Lies. They wanted to go swimming. At 10 at night, they want to go to the pool. I can't be mad, I made it an option so we got changed and headed to the outdoor pool and splashed around for about an hour. It was warm, the water was clean. I'm a mom, simple, easy, and done. I thought about all the fun things I would have done out there by myself but instead of was stuck making sure my kid didn't drown. Fair enough.
So finally I wrangle a bunch of overly excited miniature humans together and we head upstairs, shower, and ALL of us melt into our respective beds. No fights, no fuss. I looked over and ten minutes in, they were all passed out. I don't know what kind of mattress we slept on but I tried to figure out a way to get the receptionist to let me take it home. BEST SLEEP EVER..
While I started this blog post to tell you all why a staycation is great for curing the Back To School blues, this post is really all about why it's great for you Mom. The kids are occupied, you can mess up someone else's room and have pillow fights, and you get the illusion that you got to travel to some faraway magical land to break up the monotony of parenting.
However you take this, go ahead and book your staycation with DoubleTree by Hilton in your local area. Eat those cookies and get some sleep mama. You deserve it.
This post is sponsored by DoubleTree by Hilton. All opinions expressed are my own.


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Panel: Make statins trial data available
4th August 2014|
The side effects of statins would be clearer with more data. This was illustrated very recently by the report of an independent panel which looked at two papers published by The BMJ that contained errors. Click here to read the background on the panel. The panel called for data from clinical trials on statins to be made available for independent scrutiny. From the panel's report:
It became very clear to the panel that the fact that the trial data upon which this controversy is based are held by the investigators and not available for independent assessment by others may contribute to some of the uncertainty about risks and benefits. Different investigators may come to different conclusions with the same data. In fact, a particularly germane example occurred recently in which two experienced Cochrane groups were charged with evaluating a particular intervention and, despite being given the same instructions, data and resources, did not arrive at identical results or conclusions. The panel strongly believes that the current debates on the appropriate use of statins would be elevated and usefully informed by making available the individual patient-level data that underpin the relevant studies.
Dr Fiona Godlee, Editor in Chief, The BMJ and co-founder of AllTrials:
I echo the panel's call for the individual patient data from the statins trials be made available for independent scrutiny. Patients and their doctors need access to all relevant information to make informed decisions about their health.
Dr Ben Goldacre, author and co-founder of AllTrials:
Sharing individual patients' data from clinical trials poses modest privacy challenges, because participants can sometimes be identified from that data, if someone accessing it chooses to be malicious. But this risk can be managed, and it should never be used to prevent legitimate work by serious academics. Doctors and patients need to know the risks and benefits of treatments to make informed decisions: that is how we save lives in medicine. This can only happen when we have good data, from fair tests, analysed transparently, and communicated clearly.


text:
Global Patent Prosecution Newsletter - May 2017
Paul Calvo, Ph.D., Jeremiah Frueauf, Matthew Smith, Ph.D.
Sterne, Kessler, Goldstein & Fox P.L.L.C.
Public Disclosure Grace Periods Around the World -
Public disclosure prior to a patent application filing can present a significant hurdle to patentability in most countries because of absolute novelty requirements. However, to soften these requirements, many countries have grace period provisions that cover some form of inventor originated or derived public disclosures. The May 2017 issue of Sterne Kessler's Global Patent Prosecution Newsletter includes information on grace periods and also provides a comprehensive table and map outlining these provisions around the globe.
Please see full newsletter below for more information.
May 2017 A U.S. Perspective on Global Strategy VISIT WEBSITE CONTACT US SUBSCRIBE FORWARD TO A FRIEND Public Disclosure Grace Periods Around the World Public disclosure prior to a patent application filing can present a significant hurdle to patentability in most countries because of absolute novelty requirements. However, to soften these requirements, many countries have grace period provisions that cover some form of inventor originated or derived public disclosures. The May 2017 issue of Sterne Kessler's Global Patent Prosecution Newsletter includes information on grace periods and also provides a comprehensive table and map outlining these provisions around the globe. Sterne Kessler's Global Patent Prosecution Newsletter is designed to help meet the needs of biotech/pharmaceutical companies regarding global patent prosecution strategies. For more information, please contact Paul Calvo or John Covert. If you wish to unsubscribe from this and other newsletters, please click on the unsubscribe link below. Editor: Paul A. Calvo, Ph.D. Director pcalvo@skgf.com Authors: Jeremiah B. Frueauf Director jfrueauf@skgf.com Matthew A. Smith, Ph.D. Associate msmith@skgf.com Andrea Yates Paralegal ayates@skgf.com In this issue ■ Patent Grace Periods and Public Disclosures: Finding a Saving Grace (Period) to Minimize Impact of Pre-Filing Public Disclosures ■ Patent Grace Period Laws in the IP5 Patent Offices: Some Similarities But Largely Different ■ Worldwide Public Disclosure Grace Periods - May 2017 ■ Grace Periods Around the World DOWNLOAD Patent Grace Periods and Public Disclosures: Finding a Saving Grace (Period) to Minimize Impact of Pre-Filing Public Disclosures By: Jeremiah B. Frueauf and Matthew A. Smith, Ph.D. We have all been there. Despite best efforts to minimize public disclosures from the company, you get an email (likely on a Friday at 5 PM) that a company scientist submitted an abstract to a conference without notifying the IP department. And it gets worse: the abstract published in the conference proceedings a week ago. This public disclosure can present a significant hurdle to patentability in most countries because most apply an absolute novelty requirement. Read more Patent Grace Period Laws in the IP5 Patent Offices: Some Similarities But Largely Different By: Matthew A. Smith, Ph.D. and Jeremiah B. Frueauf Life science and other high technology companies most frequently file patent applications in five IP offices (IP5), namely: the United States Patent and Trademark Office (USPTO), the European Patent Office (EPO), the Japanese Patent Office (JPO), the Korean Intellectual Property Office (KIPO), and the State Intellectual Property Office (China) (SIPO). Several factors, including consumer purchasing power and more advanced healthcare systems, make these countries/regions attractive for procurement and enforcement of IP. Read more Worldwide Public Disclosure Grace Periods - May 2017 By: Paul A. Calvo, Ph.D. and Andrea Yates Read more Grace Periods Around the World By: Paul A. Calvo, Ph.D. and Andrea Yates Read more The information contained in this newsletter is intended to convey general information only, and should not be construed as a legal opinion or as legal advice. Sterne Kessler disclaims liability for any errors or omissions, and information in this newsletter is not guaranteed to be complete, accurate, and updated. Please consult your own lawyer regarding any specific legal questions. © 2017 Sterne, Kessler, Goldstein & Fox P.L.L.C
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Global Patent Prosecution Newsletter - August 2017
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Grace Periods Around the World
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Patent Grace Period Laws in the IP5 Patent Offices: Some Similarities But Largely Different
Patent Grace Periods and Public Disclosures: Finding a Saving Grace (Period) to Minimize Impact of Pre-Filing Public Disclosures
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text:
// See http://www.boost.org/libs/iostreams for documentation.

#include <cassert>
#include <string>
#include <boost/iostreams/stream.hpp>
#include <libs/iostreams/example/container_device.hpp>

namespace io = boost::iostreams;
namespace ex = boost::iostreams::example;

int main()
{
    using namespace std;
    typedef ex::container_source<string> string_source;

    string                     input = "Hello World!";
    string                     output;
    io::stream<string_source>  in(input);
    getline(in, output);
    assert(input == output);
}


Ken Hunts Food: Han Sang Korean Well-Being Food @ Prima Tanjung, Tanjung Tokong, Penang.
Han Sang Korean Well-Being Food @ Prima Tanjung, Tanjung Tokong, Penang.
An explosion of Korean restaurants opened in Pulau Tikus/ Tanjung Bungah area lately. A continuation from my quest to check out all these new Korean food outlets, Han Sang Korean Well-Being Food is a hidden gem that awaits to be unearthed. Unlike the conventional sit-down Korean restaurants, Han Sang skews towards the semi fast-food version instead. The restaurateur operates the mini Korean market next door as well; it has a small kitchen and that justifies the limited variety on their menu. It specializes in serving Bibimbap and a couple variants of Toppoki. Prices are generally more affordable than the upscale Korean establishments and we were also given advises on how we should eat the Korean delicacies (though I am quite well-acquainted, I can't say no to the hospitable host can I?). Han Sang's location is rather obscure, well-hidden on the first floor of Prima Tanjung, on top of Korean E Mart; facing the same side as K Pot Korean Food.
Cheese Toppoki Set (Rm 19) was served on a sizzling pan, together with Korean Fish Cake and a hard-boiled Egg. The Toppoki/ Korean Rice Cake was carefully cooked to the right texture- slightly resilient but not hard to the bite. However, we thought the sauce could be slightly thicker. The diluted Toppoki sauce barely clung to the Rice Cake, as a result of that, flavors were a little soft. Also, the sweetness in the sauce was somewhat pallid either.
I was blown away by their Sashimi Bibimbap Set (Rm 20), a Japanese-influenced dish. Generously cut Tuna and Salmon Sashimi were placed atop of White Rice, completed with julienned greens and jeweled with Shrimp Roe. Han Sang was trying to keep things simple by adding some sweet Korean Chili sauce with a gentle heat to the Bibimbap. Boy oh boy, it was golly good! The fish Sashimis were fresh and sweet, even better with the juicy crunch of greens. The trick is to mix everything together so that the Roe could infiltrate into every bite of the Rice. One bite of the Sashimi Rice allows you to understand the word: Umami. A dish not to be missed by Sashimi lovers.
Address: 98-1-43A, Prima Tanjung, Jalan Fettes, 10470, Tanjung Tokong, Penang.


text:
Blu-ray: Recommended
Release Country: Canada
COLLAPSE INFO -
From Dusk Till Dawn (Canadian Import)
Review Date May 6th, 2011 by Nate Boss
Portions of this review also appear in our coverage of the disastrous domestic Blu-ray release of 'From Dusk Till Dawn.'
See Full Rating Breakdown
TECH SPECS & RELEASE DETAILS
Technical Specs: Blu-ray
BD25 disc
Region A locked
Video Resolution/Codec: 1080p/AVC MPEG-4
Length:0
Release Country:Canada
English Descriptive Audio: English DTS-HD Master Audio 5.1
English Dolby Digital 5.1
French DTS-HD Master Audio 5.1
French Dolby Digital 5.1
Subtitles/Captions: English, French
Special Features: None
Movie Studio: Alliance Entertainment
Story Review Storyline: Our Reviewer's Take
I have a hard time believing that 'From Dusk Till Dawn' didn't have any sequences with Quentin Tarantino behind the camera calling the shots. Always have. The Robert Rodriguez flick, based on his outline of the story, was adapted for the screen by the recent Academy Award winner, and features a number of his trademark shots. The film, which starts out as a fugitives on the run story that quickly turns into a supernatural splatterhouse, acts as a meshing of the styles of the two fan favorite helmers, and the result is a memorable, if uneven little actioner that has a great sense of humor, plenty of guts and gore, and some great, memorable characters, featuring the breakthrough performance of Hollywood staple George Clooney.
The story of a pair of brothers (Clooney and Tarantino as Jacob and Richard Gecko) on the wrong side of the law, seeking asylum in El Rey, Mexico, 'From Dusk Till Dawn' may very well be one of the best constructed genre defying flicks ever. We have the story of the men on the lam, who could not be any more different if they were from different parents. We have the police efforts to stop them, and the family (Harvey Keitel, Juliette Lewis, Ernest Liu) who accidentally cross paths with the Gecko brothers and prove to be the catalyst they needed to make their way across the border away from the US Agents hunting them down after their murder spree and bank robbery. There's the element of black comedy in the way that all five of the major characters interact, on their micro-road trip to lands below the border.
And then there's vampires, strippers, and a battle between survivalists and the demonic forces seeking to feed on their bodies and steal their cargo. The twist in the story couldn't be more out of the blue if it were a random outbreak of zombies in the works of Shakespeare (though they do fit in 'Pride & Prejudice'), as the film makes a sharp turn and a massive detour. The grass isn't always greener on the other side, I suppose you could say. Especially not in the sandy, dirty Mexican underground.
'From Dusk Till Dawn' was my first exposure to Rodriguez's filmography, and due to the clever uniqueness, it made me seek out the works of the director who, much like Tarantino, made films that obviously appealed to him, critics be damned. A year removed from 'Desperado,' and featuring a few of the same faces (like Cheech Marin, an almost baby faced Danny Trejo, and the gorgeous Salma Hayek), Rodriguez made what may be his most forgotten mainstream non-children's film (yeah, we're not counting those damned 'Spy Kids' flicks), an unforgiving, unrelenting two toned romp that doesn't fall short of entertaining. It's a fascinating, bizarre work, to be sure.
Say what you will about Clooney, he proved here that he could handle the role of the leading man, even if he didn't get top billing, losing out to the grizzled Keitel playing the pastor who lost his faith. Clooney may not have been the first (or sixth) choice to play the part of Seth Gecko, but the thief/killer with a conscience (at least compared to his brother) fit him perfectly, as his dominating voice is perfect for barking orders and taking charge, while Tarantino makes the psychopathic Richard seem like more of a layered character than a one note dick. Keitel could bring a paper bag to life, so it's obvious that he acts the part of the rock in the film, while Lewis (and her career) seemed to peak here, that final interesting hurrah following 'Natural Born Killers,' 'Cape Fear', and 'Kalifornia,' before seemingly slumming it in forgettable or bit roles for the better part of a decade.
'From Dusk Till Dawn' is to B cinema what the 'Grindhouse' films were to their respective film sub-culture, with a few stars (including makeup genius Tom Savini and Fred Williamson) and numerous references making this a fitting, interesting homage. It's full of interesting kills, action and excitement, witty dialogue, believable, fleshed out and realized characters, and, lest we forget, a certain bar south of the border named after a certain maneuver sure to land one in a sexual harassment or assault case, chock full of hard characters, harder monsters, and plenty of eye candy. As the film stops, so that we can see Hayek's prolonged provocative dancing, right before the shit hits the fan, we have a film that ran the gamut, hitting that hot and sweaty sex appeal in a memorable sequence featuring the world's luckiest snake.
Tarantino and Rodriguez's collaboration may start to lose steam once the vampire onslaught begins, and becomes dependent on some silly contrivances, but there's no denying the fun to be had here. 'From Dusk Till Dawn' is a film that wants to get you as invested as possible in the story prior to the moment the bar appears, and tries its best to keep its hooks in you when it does the Kansas City Shuffle. It's sure to lose some, including those who weren't fully into the characters, but if you go into this film expecting some savage, nasty undead slaughtering, you'll be fine and dandy.
The Disc: Vital Stats
The Alliance release of 'From Dusk Till Dawn' has been out on Blu-ray for a few years now, but it seemed forgotten, until a little birdy named Nate Boss spread the word about the disgraceful domestic Blu-ray release recently excreted by Echo Bridge. As the little birdy made very clear, the domestic release is a monumental turd, especially when compared to the Alliance version. The Alliance release is Region A locked, but for those unaware, Canadian discs will all play in USA players, so no worries there. The BD25 disc has no pre-menu content...and no menu, either. The packaging may upset some, primarily due to the bilingual (read: ugly) spine, but at least there isn't a photo from the wrong film on the back.
Video Resolution/Codec:
1080p/AVC MPEG-4
Aspect Ratio(s):
English DTS-HD Master Audio 5.1
Subtitles/Captions:
"We're having a bikini contest...and you just won."
The early bird got the worm. I made no secret in my review for the domestic release of 'From Dusk Till Dawn' that I heavily favored the Canadian import, which was released over two years earlier. I gave a few hints as to what I liked about it, but here's the straight dope on why Alliance proved to be the better of two evils...and why Echo Bridge needs to be thrashed so thoroughly that the hate lobbed at them actually gets to the people who matter.
The 1080p/AVC MEPG-4 encode at 1.78:1 (from 1.85:1) on this release is pretty damn good. Compared to the American release, it's likely to earn sainthood. It's not perfect, and in the time between when I last viewed this film, I've noticed a few more errors, and have seen more than a few more impressive discs. I'm still soundly in the corner of this release, though.
The Alliance release has a fair sprinkling of dirt, no question, in what may be the biggest issue with the disc. It's never heavy, it's just damn near constant. There's also some slight noise, a few vertical lines (in the hotel scene with Tarantino and Lewis), a couple ugly shots due to the explosion and disintegration effects, and some light artifacting, which is particularly noticeable (again) in Clooney's black jacket, as well as the shot where the trunk is opened.
All that said, contrast levels are solid, there's nary a soft shot to be found in the mix, edges seem natural, grain is unimpeded, and black levels don't crush. In fact, blacks show great clarity and detail levels! Clarity and sharpness are constant, close up or not, save for a few hard focus shots, which will forever have some level of blurriness to them. Picture depth is constant and pretty damn impressive. Skin tones, ah skin tones, this time around, they make the characters look like humans instead of Oompa Loompas with bad spray on tans, like they were rejects from that stupid Jersey show. Hair is finely detailed, constantly leaping off heads, while even stubble and sweat shine and catch the eye. Pores? Pores galores! Whites aren't busy, and colors are bold, without any banding issues.
I cannot lower the score for the video due to the heavy edge enhancement in the video news segment, as that sequence is meant to look terrible... and it still looks better than the domestic release in many instances. The rest of the film looks far from it, here. There is no comparing. There is no question, no doubt. Canada wins the war, this time. Echo Bridge, take your ball and go home. You just got trumped by the most notoriously poor Blu-ray distributor, and their release has years on yours, years where quality has improved noticeably. In the kingdom of the blind distributors, the one eyed Canuck is king.
"Hey monkey man! Anything you gotta say to them, say to me first!"
The Alliance release of 'From Dusk Till Dawn' has a misprint in the audio tech specs on the cover. This is no DTS 5.1 track. Instead, the default track is a DTS-HD Master Audio 5.1 mix, and there is a French dub with the same lossless prowess. There are also Dolby Digital 5.1 tracks for both language, and subtitles for both, as well. Take that, Echo Bridge.
Of course, the inclusion of subtitles isn't the only reason this release has a leg up on the competition. The lossless track has power, lots and lots of power. Scenes in the domestic release that lacked huevos have suddenly found their little friends here. Dialogue is clean, dynamics are accurate (though there is a stunted line reading with Clooney's yelling in the opening shootout that is far too soft, compared to the peaks of the scene), and range is pretty much left unchecked, free to hit the highs and lows at its will. Volume spikes are dramatic at times, so watch out! The movement through channels is seamless and believable, while localized effects are believable, rather than forced. Rear activity isn't overly strong, and the scenes in the Titty Twister aren't as lively as they appear on screen, but it was nice to have random dialogue coming from all angles in these sequences.
Gunfire? Not only does it have a pop, this time it has a roar, as well. The shootout in Benny's is phenomenal, powerful as hell, unforgiving and unrelenting, balls to the wall kick ass. The LFE isn't overwhelming, as it mostly accentuates moments, but it is an ever present, albeit light at times, factor in the sound mix. Explosions have thunder and the soundtrack has legs. Prioritization is not an issue, as the elements never overpower each other, and the important parts all come through perfectly. This track is fantastic, and while it isn't non-stop demo material, it is definitely top tier.
Fans have been waiting for a good release of 'From Dusk Till Dawn' on Blu-ray...they just didn't know it already existed, courtesy of our neighbors up North. I'm not a fan of Alliance...heck, I quasi-hate them for their sloppiness and regular errors...but their 2008 release of the Tarantino/Rodriguez tag team film may be one of the best releases they ever made. The video isn't sparkling, but it's solid, and is still a thousand miles ahead of the Echo Bridge release? The audio? Near reference, not a weak willed wussy. Collectors, grab an empty three disc case, and throw your two discs from the special edition DVD inside it, alongside this Canadian release. It's the only way you'll see all those goodies together for some time.
This is a recommended import!
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Portions of this review also appear in our coverage of Dunkirk on Blu-ray. This post features unique Vital Disc Stats, Video, and Final Thoughts sections.


By Orla Stafford | December 3, 2013.
Public transport users have been struck another blow as bus, rail and Luas ticket prices have increased yet again.
The National Transport Authority (NTA) confirmed a hike in ticket prices on public transport services including Bus Éireann, Dublin Bus, Iarnród Éireann and the Luas.
According to the NTA, in order to "protect service delivery", monthly, annual, and tax-saver tickets had to be increased from 1st November while cash, Leap cards and pre-paid tickets soared in price from 1st December.
A reduction in Government payments to main public-transport companies added to the need for price hikes.
Holders of monthly and annual tickets are reported to have been hit the hardest.
The NTA revealed that prices on the DART were to be increased by more than eight per cent while Dublin Bus fares rose by 9.3 per cent to 10.3 per cent. Bus Éireann tickets had an additional six per cent added onto their costs.
From 1st November, annual and monthly ticket prices for Dublin Bus and Dart soared by 10 per cent.
Leap fares on Irish Rail and Dublin Bus increased by just 3 per cent from 1st December.
The biggest blow to commuters was the increase to Irish Rail short hop zones and Dublin Bus fares for over 13 stages.
The NTA is encouraging all commuters to purchase a Leap Card over paying cash as the cards work out considerably cheaper.
Information on the adjusted fares is available on the NTA website detailing the amendments and the reasons for them.


Shade-O-Matic most sophisticated shade – Custom made Shadow Magic Horizontal Shadings. Soft sheer panels of fabric with center horizontal vanes that can be adjusted to control the amount of light or privacy required. Shadow Magic Horizontal Shadings are suitable for any type of room and living space. Whether it is modern, contemporary or art deco, these shadings will add simplistic beauty and sophistication to your home.
Seamless beauty with patterns in soft neutral tones that are light filtering for elegant privacy without total darkeness, or room darkening patterns for greater privacy.
Available in a choice of 2″ or 2 1/2″ vane.
Cover large expanses of glass without any seams.
Color coordinated headrails and bottomrails.
Unique headrail design – The design of the headrail creates a very smooth and elegant self-valance. When shade raises, it disappears inside the headrail.
Hi-Rise Continuous Cord Loop System (Standard) – This system easily lifts the shade and stops it exactly where you want it to. Very easy to operate.
Cord tensioner is a Child Safety Feature. It eliminates loose cords, as the tensioner keeps things tight.
Universal snap in brackets for easy installation.
Energy Efficiency Information: Winter R-value double-glazing: 2.4; Open vane UV reduction: 63%; Closed vane UV reduction: 98%.
Regular light dusting with a feather duster or the fabric may be vacuumed – Low suction is recommended. Dirt and dust can be blown away by using a hair dryer on a "cool temperature" setting. Particular care must be used to prevent wrinkling of the fabric.
Headrail -Limited Lifetime Warranty on headrail and hardware under normal use.
Fabric – We warranty fabrics against manufacturing defects in materials and workmanship. However, we do not warranty materials against loss of colour intensity, due to long exposure to sun, loss of colour over time or exposure to salt air or normal wear and tear.


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Home Politics Uhuru, Raila to speak on building bridges in Washington DC
Uhuru, Raila to speak on building bridges in Washington DC
President Uhuru Kenyatta and ODM leader Raila Odinga are expected to address the 68th National Prayer Breakfast Meeting in the US
KABUI MWANGI
President Uhuru Kenyatta, left, and ODM leader Raila Odinga during the March 2018 handshake deal. The two have been invited to issue an address in the US [Photo/ The Standard]
– The March 2018 unity deal between President Kenyatta and ODM leader Raila Odinga seems to have attracted global attention.
– The two have been invited by the US Congress to give an address at the National Breakfast meeting.
– Raila boarded yesterday en route to the US
President Uhuru Kenyatta and his long-time political rival now turned ally, ODM leader Raila Odinga, have been invited to attend and address the 68th National Breakfast Meeting in the United States. The invitation, according to State House spokesperson Kanze Dena, was extended to the two leaders by the US Congress, with the meeting expected to run from 5th to 6th February 2020.
The address by Kenyatta and Odinga is scheduled for an international luncheon organized just before the Prayer Breakfast. Odinga has left for the US, his flight having taken off on Sunday.
Uhuru wins big in UK visit
A statement issued by Odinga's personal assistant Dennis Onyango indicates that the ODM party leader will focus on reconciliation in his address, seeing as he has been instrumental in calming down political and ethnic rivalry in Kenya through his unity deal with President Kenyatta.
Trump starts mobilizing, organizing, to secure second term
Onyango's statement mirrored the one issued by State House, Kanze Dena stressing that the high-stake invitation is a demonstration that the world recognizes the two leaders' resolve to bring to an end the conflicts and division in Kenya and foster peace in their place.
"His Excellency the President and the former PM have been invited to attend the US national prayer breakfast due to their demonstrated commitment to peaceful and constructive resolution of internal conflicts in Africa, particularly the example the Government of Kenya has set in deepening democratic values, rule of law and inclusive pro-poor development-friendly policies," Kanze Dena said.
US finds new economic ally in longtime rival that is China
During the visit, President Kenyatta is also expected to hold meetings with US government officials, the US Congress, and leaders in the private sector.
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Beer Can Chicken is a summer barbecue staple, but for this recipe, we switch it up a bit, using lemon ice tea, and a ton of fresh herbs for some fresh summer flavours.
Take chicken out of fridge about an hour before grilling.
Once chicken has been out for an hour, turn barbecue on to high heat.
While your barbecue is preheating, begin preparing the herb rub.
In a mortar and pestle, add thyme leaves from 5-7 sprigs, parsley, lemon balm, chives, lemon zest, 4 cloves of chopped garlic, a couple pinches of coarse salt, and a few pinches of freshly ground pepper.
Grind with pestle until herbs begin to combine, then add olive oil, continuing to grind until herbs have broken down into a paste.
Add additional herbs to taste.
Rub your chicken with salt and pepper, then rub with herb mixture.
Drink half of your can of beer/soda, then place a couple sprigs of thyme into it, along with two cloves of mashed garlic into the can.
Place the chicken onto the can, on a barbecue safe baking tray, then place on the barbecue off heat. In my case, I ran the two side burners of my barbecue on medium-high heat, and placed the chicken in the middle of the barbecue with the middle burner turned off.
Barbecue until chicken breast reaches 165F and thigh registers 180F. The chicken will take about 15 minutes per pound.
Once chicken has finished, get someone to hold the can with tongs, and using oven gloves, pull the chicken off the can.
While chicken is resting, chop up a handful of fresh parsley and chives, combining and sprinkling over the chicken. Grate more lemon zest over the chicken.


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Q: Ensuring that methods inside a block finishes executing before calling another method I currently have the following two methods, the first of which is only called when the user is new and perform initial setups by saving user preferences to the cloud, and the second is called every time when the user uses the app by performing queries based on the user's preferences.
[self doInitialSetupsForNewUser]; //Only happens for new user.  Performs query on a block
[self getUserPrefsAndDoStuff]; //For all users

While the method getUserPrefsAndDoStuff works fine, it fails to do its job if the user is brand new and the set up method must be called first.  Inside doInitialSetupsForNewUser, I make the following call to Facebook using the block:
FBRequest *request = [FBRequest requestForMe];
[request startWithCompletionHandler:^(FBRequestConnection *connection, id result, NSError *error) {
        if (!error){ ... }
}];

My issue is, due to the block structure, getUserPrefsAndDoStuff is called prematurely before the user's preferences are downloaded and saved in the block in doInitialSetupsForNewUser, and therefore is pulling incorrect data.  How do I ensure that the setup block completes execution prior to getUserPrefsAndDoStuff.

A: If you modify doInitialSetupsForNewUser to take its own completion block then it is prety easy to do. It would look something like this.
- (void)doInitialSetupsForNewUser:(void (^)(BOOL, NSError *))completion
{
    FBRequest *request = [FBRequest requestForMe];
    [request startWithCompletionHandler:^(FBRequestConnection *connection, id result, NSError *error) {
        if (!error){
            ...
            completion(YES, nil);
        } else {
            completion(NO, error);
        }
    }];
}

Then you just need to change the code that calls it so that is uses the completion block to get the prefs.
if (newUser) {
    [self doInitialSetupsForNewUser:^(BOOL success, NSError *error) {
        if (success)
            [self getUserPrefsAndDoStuff];
        else
            NSLog(@"oh no!  %@", error);
    }];
}
else {
    [self getUserPrefsAndDoStuff];
}


This article has a look at the options available to databases when designing concurrency control, from simple to more advanced.
This is an interesting post because I'm going to lay down some of the options that we have for concurrency inside the database engine while not really discussing them in depth. In particular, even with concurrency control, you get into… strange situations with databases (see transaction isolation levels and what problems each is trying to solve) because of the nature of the beast.
The ideal is, of course, that each client feels like they are the only client touching the database, and no one can touch the database while it is running. The easiest way to do that is to allow just a single client at a time to enter the database. That is actually something that happens frequently, but in practice, that isn't something that you really want to do. Even embedded databases allow at least multiple readers, so that isn't really something that we'll deal with.
Before we get into the actual concurrency discussion, we first need to figure out what we are talking about with regards to concurrency inside the database engine. The Holy Grail is writers that don't hold up readers and readers that don't hold up writers, allowing both reads and writes to proceed without blocking.
Before we get to the actual complexities involved in implementing that, though, let's see what kind of problems we have after we've solved this. In particular, the issue is when we have multiple clients reading/writing to the same value concurrently. What are we supposed to do then? If we have W1 and W2 both trying to mutate the same record, which one will win? Do we serialize the accesses? What happens if we have a W1 and R2 both modifying and reading from the same record? Until the write transaction is completed, do we give the reader the new value, make it wait?
The classic model in databases used to be that the database would take locks. You can think about them as reader/writer locks whenever it read/wrote a particular value. The release schedule for those locks would impact the transaction isolation level, but that isn't really important for this discussion.
Note that a lock per value is pretty expensive, so one of the things that a database engine would do was to escalate the lock. If it noted that there were too many locks in a particular page, it would escalate to a page lock (and onward until the entire tree/table was locked).
That exposed a pretty nasty issue to users.
If you had a hotspot in your database (recently modified records), it was easy to get into a situation where all the clients were waiting for the same lock, effectively causing a train. Note that in this case, both readers and writers are waiting for each other, and the idea is that we gain concurrency by spreading the locks around in the hope that they won't contend so much.
Another way to handle this is called MVCC (Multi-Versioning Concurrency Control), in this manner, instead of overwriting a record immediately after a change, we keep the old value so readers don't have to wait for the end of the transaction to get it. Writers still need to wait for each other if they modify the same record, but we just ensure that writers and readers don't need to wait for one another. MVCC is a bit complex because you need to maintain multiple concurrent versions, but it is a very common choice today.
But a lot of the complexity around reader and writer locks is actually embedded in the notion of having a conversation with the database. The ability to issue multiple statements to the database in the same connection, with potentially human reactions behind that, makes for a much more complex system. You have to hold all the locks for the duration of the connection. In most newer databases, there is no such concept — a write transaction is held for the duration of a single command (or a batch of commands), which is processed independently and then committed immediately.
Under that scenario, it actually makes a lot more sense to skip the notion of concurrency writers and move to a concurrent readers/single writer mode. In that mode, there can be only a single write transaction, and the only concurrency you have to deal with is with the readers, which can be solved efficiently with MVCC. That makes for a much simpler database design. Combine that with the serial nature of I/O, which databases depend on for durability (more on that in a future post), and this actually makes a lot of sense, since it removes a lot of the complexity from the database code.
RavenDB, LMDB, MongoDB, and CouchDB are all built with a single concurrent writer in mind. In fact, even databases such LevelDB or RocksDB are effectively single writer (they just do concurrent transaction merges).
So, let's talk about transaction merging for a while, shall we? LevelDB in particular is an interesting case because you can use the notion of WriteBatch to write to it and multiple threads can submit WriteBatch at the same time, giving us concurrent writes. The way it is implemented, though, is quite interesting. All those threads submitting all those WriteBatch instances will add their batch to a queue, then compete on a lock. The first one that wins will run through all the WriteBatch in the queue and commit them all.
It is a simple, attractive model, but I seriously dislike it. The problem is that it is you might have two WriteBatches that modify the same record without really having a good way of knowing that. So you can't really reason about it. Because a single lock is taken anyway, I much prefer the single writer model, in which the write transaction knows that it is the only one that can modify things, so it doesn't need to worry about concurrency with other transactions that might have different ideas about what is supposed to be in the database.
When we implemented transaction merging, we did this with explicit optimistic concurrency in mind, and it worked. But it was a complex model, and switching to a single writer made the whole thing much simpler.