If I had to think of the one thing I make the most often in my kitchen, it would probably be energy balls. I almost always keep a stash in my office fridge as quick and healthy snacks to have on hand when afternoon hunger strikes, or before I head out for one of my exercise classes on campus.
Usually I'll just throw together random ingredients in my food processor until I get a mixture that holds together enough to roll into bite-sized balls. My general combo is nuts (I like raw almonds), oats, dates for stickiness and sweetness, either almond butter or peanut butter, and maybe some extra sweetener and a dash of cinnamon for more flavour.
With fall in full swing and pumpkin recipes everywhere, I was inspired to try something a bit different this time by making pumpkin flavoured energy balls.
Actually, make that double pumpkin stuffed energy balls! Not only does the base of the mixture include pumpkin puree and pumpkin spice, but I filled each one with a smooth and slightly sweet pumpkin hummus.
I admit that these were a bit more time-consuming and difficult to make than my usual energy balls, but it was a fun little kitchen project to work on, and I thought the end result was worth the extra work! Plus you end up with leftover pumpkin hummus, which makes a great dip for apple slices or crackers.
I liked that these were a bit softer overall than other versions I've made, and I loved biting into the creamy filling inside! They had a nice amount of pumpkin flavour and they weren't too sweet, making them taste more like a healthy snack than a dessert-like treat (which is what I was aiming for!).
My supply of these is almost out already, so it might be time to make another batch!
Place all ingredients in a food processor and puree until smooth and fully mixed. Store in the refrigerator.
Makes about 1 1/4 cups (more than you will need for this recipe).
Place nuts and oats in a food processor and process until finely ground. Add remaining ingredients and process until you get a thick, sticky mixture.
Press the ball together to enclose the filling (it's okay if some of it has poked out to the edge), then roll it around in your hands to make it a round shape.
Repeat until the dough mixture is used up (you will have extra filling). Store balls in the fridge.
This weekend is one of my favourite holidays because it's mostly about the food - Canadian Thanksgiving! I'm sure most of you who are celebrating Thanksgiving this weekend already have your menus planned, but in case you're still looking for some ideas, I wanted to share some recipes from the blog that might fit into your meal (plus some ideas from other blogs)!
And for my American readers, you can get a head start on planning your own holiday meals next month!
Since you'll probably be busy preparing the big meal all day, a quick and portable breakfast might be the way to go. Muffins and scones can be eaten fresh out of the oven, or prepared a day or two ahead of time to save even more time!
These chai-spiced pear and walnut muffins would be a good choice for a healthy and seasonal grab-and-go breakfast or mid-morning snack to fuel you through a busy day!
Or, if you have a lot of sweet potatoes lying around, you could make these hearty sweet potato, coconut and ginger muffins (above) or these soft sweet potato cinnamon scones (below). Either of these ideas would be even easier to make the day after Thanksgiving if you end up having leftover mashed sweet potatoes from your meal!
If you're not into baked goods for breakfast, I think this sweet potato-pumpkin spread on toast would make a tasty breakfast too, plus it uses up both leftover sweet potato and pumpkin puree!
We always like to drink wine at our Thanksgiving get-together, but occasionally we'll complement the wine with a special cocktail - after all, it is a special occasion! Last year I enjoyed making these pumpkin apple cider cocktails with honey flavoured whiskey for myself around this time of year. If you're a fan of sweeter drinks, give this a try!
Hot Apple Ginger Toddy from the Kitchn to cozy up with at the end of the night!
These sweet potato bites are kind of like a bite-sized appetizer version of the classic sweet potato casserole dish found at many Thanksgiving dinners. Made from mashed sweet potato with a bit of maple syrup and spices, rolled in oats, walnuts, and coconut, and baked in the oven, these are a tasty option for people who love sweet potatoes (like me)!
Another appetizer that I've made a few times for holiday get-togethers are these goat cheese and almond stuffed dates. These are even better if you splurge on good quality dates, and you can use a flavoured goat cheese to make them even easier (I like honey-flavoured and fig-flavoured goat cheese).
Dips and hummus are always a good option to have sitting out if people are hungry before the meal. This white bean dip with homemade multi-seed crackers would work well as an appetizer, and you could definitely use storebought crackers to save some time!
A basket of bread is always a staple on our Thanksgiving table, and I especially like when it's freshly made! This dense and hearty sweet potato cornbread with rosemary and grated carrots would be a nice addition to your meal as something different from the usual dinner rolls.
Another idea for a bread that would stand out in the meal is this grape focaccia, which is still one of my favourite recipes from the blog! I love the way grapes break down and get really soft and juicy in the oven, and the crispy shallots and rosemary are a nice touch too!
I can only recall one Thanksgiving where we included soup as part of the meal, but if you like to serve your meal in courses rather than buffet-style, there are lots of recipes out there for warm and spiced soups to start off your meal!
I made this curried pumpkin and cauliflower soup a couple of years ago and I can't believe that I haven't made it again since then because I loved it so much! Rich and smooth from the pumpkin puree without any dairy, this vegan soup would please everyone at the table!
Or in case you have some cauliflower haters in your family, they might prefer this curried sweet potato, apple and peanut soup instead - it's similar in texture and flavour profile, but with some extra sweetness from the sweet potato and apple, and a nice peanut butter flavour.
For a salad full of fall ingredients, you could try this pear and roasted squash salad with toasted nuts, pepitas, cranberries, goat cheese, and a sweet and creamy pear dressing. I volunteered to make the salad for our family's Thanksgiving dinner this weekend just so I could make this recipe again!
If you're feeling a bit adventurous and are willing to change up your traditional mashed potatoes with gravy this year, you could try this mashed rutabaga with kale and chickpea gravy! It may not taste quite the same as potatoes, but it's still delicious and healthy, and the savory gravy has lots of flavour too.
And if you're really adventurous, you might be interested in making this beet and parsnip mash! Thick and creamy, with a bright pink colour, this is a fun twist on mashed vegetables and tastes even better topped with a nutty vegan almond parmesan!
For some reason, my list of side dish ideas is full of vegetables that some people really hate - first rutabaga and kale, then beets and parsnips, and now squash and brussels sprouts! But if you're like me and love both squash and brussels sprouts, then you would love this warm dish with toasted almonds and a touch of sweetness. Plus it can be made on the stovetop, freeing up some of that precious oven space!
I don't have a lot of main dish recipes on my blog that would be appropriate for Thanksgiving because most of the recipes that I make are just for myself! Even though there are two vegetarians in my immediate family, we don't bother to make a vegetarian main course at Thanksgiving because there's always enough veggie side dishes to fill our plates (not to mention bread, appetizers, and dessert!).
If I had to come up with a vegetarian main course to serve though, it would probably be this butternut squash and apple quinoa. This is probably the one recipe from my blog that I've made the most (I actually just made it again this week to have for lunches!) and I love it because it's full of lots of tasty ingredients! It makes for a prettier presentation if you can find red or tricoloured quinoa, but it tastes just as good with regular white quinoa.
Another main dish quinoa recipe is this version with roasted grapes, brussels sprouts and white beans. I love the sweetness of roasted grapes and brussels sprouts belong in any Thanksgiving dish in my opinion!
40 Vegetarian Main Dishes for Thanksgiving from Oh My Veggies - this list pretty much covers every type of main course, from stuffed veggies to casseroles and meatless loaves!
Pumpkin pie is my favourite part of the whole Thanksgiving meal, but if you're looking for something a bit different this year, why not try a sweet potato pie? This version is completely vegan, including the coconut whipped cream, and has an easy no-bake crust.
And for a few more vegetarian/vegan Thanksgiving ideas, check out my Pinterest board!
Hope you all have a great weekend - whether you're celebrating a holiday with friends and family or just enjoying this beautiful sunny October weekend!
I started craving squash and pumpkin a few weeks ago when I finally admitted to myself that fall was here to stay, but it wasn't until last week that I actually opened my first can of pumpkin and roasted my first squash!
While I like all types of squash (including delicata, acorn, and spaghetti), butternut squash is still my favourite of the bunch. Just give me a bowl of roasted butternut squash for dinner and I'll be happy! Of course, I'd have to kick it up a notch to turn that roasted squash into a recipe worth sharing with you guys, which is just what this Autumn salad is!
This recipe was adapted from the "Autumn Salad Plate" in my new cookbook Moosewood Restaurant Favorites (thanks to Janet of the taste space for the giveaway!). I loved the sounds of a giant salad full of fall flavours and ingredients like squash, pears, toasted nuts, dried cranberries, and a fruity pear dressing, so I naturally chose that recipe as the first one to try from the book.
And the best part about salad plates like this one is that you can easily adapt them to suit your own tastes - I added sliced red onion, goat cheese, and some toasted walnuts in addition to the pepitas, but you could leave any of those ingredients out and still have a delicious salad (I actually forgot to add the goat cheese until I was almost done eating and I liked it both with and without it).
This was definitely a jam-packed plate, which is just how I like my main dish salads to be! It had a nice balance of ingredients with the crisp pears and onion, the warm roasted squash, and crunchy nuts and seeds, all tossed in the sweet and creamy pear dressing.
With Canadian Thanksgiving coming up this weekend, I might end up making this recipe again because I think it would be the perfect salad to serve with the rest of the meal!
Place the pear, water, vinegar, oil, mustard, and 1 tsp maple syrup in a blender and puree until smooth. Add the spices and blend again. Taste and add more seasoning or maple syrup if desired.
Cut the squash in half lengthwise (I find it easier to do this after pricking it several times with a fork and microwaving it for 1 minute first). Scoop out the seeds and remove the skin using a knife. Cut each half into ½" horizontal slices (half-moon shapes). Toss squash pieces with the oil and spread out onto a large baking sheet (line the baking sheet with foil first if desired for easier cleanup). Sprinkle with salt and pepper and roast in the preheated oven for 20-25 minutes, until tender.
Meanwhile, place the red onion slices in a bowl of water to soak for at least 10 minutes, then drain and set aside (this will help remove some of their bite). Place the pepitas and walnuts on a small baking sheet and toast in the oven with the squash for 5-8 minutes, until they are lighly browned and fragrant. Remove and transfer to a plate to cool.
Slice each pear into quarters and remove the core. Cut each quarter into very thin slices. Toss with a bit of lemon juice to prevent browning if desired.
Place desired amount of salad greens in a bowl (about 2 cups per serving) and pour a bit of the dressing over top. Toss to mix. Place salad greens on a plate and top each plate with 1/4 of the squash (you might want to cut the larger pieces in half first), 1/4 of the pear slices, 1/4 of the red onion slices, about 1 tbsp of cranberries, 1 tbsp each of the toasted pepitas and walnuts. Crumble a bit of goat cheese over top if desired. Drizzle more dressing over top of everything (you may not need all of the dressing).
I realize I'm a bit behind in posting fall recipes, and now that it's officially October - the month of all things pumpkin, Canadian Thanksgiving, and Halloween - it's about time that I shared a warm and comforting Autumn soup!
I was craving a creamy spiced soup recently and sweet potato seemed like the perfect ingredient to make a flavourful and thick base. When I saw this recipe online for a curried sweet potato and apple soup, I was intrigued by the combination of ingredients and thought it sounded appropriate for the season with the warm spices and apple.
For my version, I changed up the spices a bit, used vegetable broth as the liquid instead of water, and at the last minute I decided to add a dose of peanut butter to the soup since I love peanut flavoured dishes and I know that it complements both sweet potato and apples really well too.
I tend to prefer thick and creamy soups that I can dip bread into, and this one definitely fell into that category. It also had a nice amount of heat from the spices without being too spicy, and a touch of sweetness from the apple and sweet potato.
If you love peanut butter, I definitely recommend including it as it adds a richness and just the right amount of peanut flavour. But I also tasted the soup before adding it and I loved it that way too, so it's up to you!
I just regretted not making a double batch of this recipe because as soon as it was gone I wished I had more!
Heat oil in a large saucepan on medium heat. Add the onion and garlic and cook, stirring often, for about 4 minutes. Stir in the ginger, curry powder, cumin, salt, nutmeg, and red pepper flakes (if using), then add the sweet potato, apple, and vegetable broth to the saucepan. Bring to a boil, then cover and reduce heat to medium-low. Simmer for about 20 minutes, until the sweet potato has softened.
Transfer soup to a blender in two separate batches and puree until smooth. Return soup to saucepan and stir in the peanut butter until it is completely melted.
Serve hot, topped with a spoonful of yogurt and a handful of crushed peanuts on each serving if desired.


text:
package com.boardhood.mobile.list;

import java.net.ConnectException;

import android.app.Activity;
import android.util.Log;
import android.widget.ArrayAdapter;
import android.widget.Toast;

import com.boardhood.api.util.BHList;
import com.boardhood.api.util.DateUtils;
import com.boardhood.mobile.R;
import com.boardhood.mobile.utils.NetworkUtil;
import com.boardhood.mobile.utils.TaskLoader;
import com.boardhood.mobile.widget.ActionBar;

@SuppressWarnings("rawtypes")
public class ListListener<T> extends TaskLoader.TaskListener<BHList<T>> {
	public static final int REFRESH = 1;
	public static final int LOAD_MORE = 2;
	public static final int UPDATE = 3;
	public static final int REVERSE_UPDATE = 4;

	protected Activity activity;
	protected ActionBar actionBar;
	protected BHList<T> list;
	protected ArrayAdapter<T> adapter;
	protected ListContext loaderContext;
	protected IListView listView;
	protected int errorMessageResource = R.string.list_update_error;
	protected OnExecuteListener onPreExecute;
	protected OnExecuteListener onPostExecute;
	protected OnEmptyListListener onEmptyListListener;
	protected long startTime;

	public ListListener(Activity activity, ActionBar actionBar, BHList<T> list,
			ArrayAdapter<T> adapter, IListView listView, ListContext loaderContext) {
		super();
		this.activity = activity;
		this.actionBar = actionBar;
		this.list = list;
		this.adapter = adapter;
		this.loaderContext = loaderContext;
		this.listView = listView;

		enableDefaultEmptyListListener();
	}

	public ListListener(Activity activity, ActionBar actionBar, BHList<T> list,
			ArrayAdapter<T> adapter, ListContext loaderContext) {
		super();
		this.activity = activity;
		this.actionBar = actionBar;
		this.list = list;
		this.adapter = adapter;
		this.loaderContext = loaderContext;
	}

	public ListListener(Activity activity, ActionBar actionBar, BHList<T> list,
			ArrayAdapter<T> adapter) {
		super();
		this.activity = activity;
		this.actionBar = actionBar;
		this.list = list;
		this.adapter = adapter;
	}

	@Override
	public void onPreExecute() {
		startTime = System.currentTimeMillis();
		actionBar.showProgressBar();

		if (listView != null) {
			if (type == LOAD_MORE) {
				listView.startLoadingMore();
			} else if (type == REVERSE_UPDATE) {
				listView.startLoadingBottom();
			} else {
				listView.startLoadingTop();
			}
		}

		if (onPreExecute != null) {
			onPreExecute.execute();
		}
	}

	@Override
	public void onTaskSuccess(final BHList<T> result) {
		int time = (int) ((System.currentTimeMillis() - startTime) / 1000);
		Log.i("LoadListener", "Running time: " + time + " seconds");

		if (result != null) {
			Log.i("LoadListener", result.size() + " items received");
			Log.i("LoadListener", "Updated at: " + DateUtils.toIsoFormat(result.getCreatedAt()));

			if (result.isDiskCacheData()) {
				Toast.makeText(activity, R.string.connection_error_internet, Toast.LENGTH_SHORT).show();
			}
		}

		if (onPostExecute != null) {
			onPostExecute.execute();
		}

		activity.runOnUiThread(new Runnable() {
	        @Override
	        public void run() {
	        	if (result != null && result.size() > 0) {
	        		if (onEmptyListListener != null) {
	        			onEmptyListListener.listNotEmpty();
	        		}

		        	if (type == REFRESH) {
		            	list.clear();
		                if (loaderContext != null)
		                	loaderContext.setPage(1);
		        	}

		        	else if (type == LOAD_MORE && loaderContext != null) {
		        		loaderContext.increasePage(1);
		        	}

		        	if (type == UPDATE) {
		        		for (int i=(result.size()-1); i>=0; i--) {
		        			list.add(0, result.get(i));
		        		}

		        		//if (loaderContext != null)
		        		//	loaderContext.setAfter(result.getCreatedAt());
		        	} else {
		        		list.addAll(result);
		        	}

		        	if ((type == UPDATE || type == REVERSE_UPDATE) && loaderContext != null)
	        			loaderContext.setAfter(result.getCreatedAt());

		        	adapter.notifyDataSetChanged();
	        	} else {
	        		if (result != null && result.size() == 0) {
	        			if (type == REFRESH) {
			            	list.clear();
			                if (loaderContext != null)
			                	loaderContext.setPage(1);
			        	}
	        			adapter.notifyDataSetChanged();
	        		}

	        		if (onEmptyListListener != null && list.size() == 0) {
	        			onEmptyListListener.listIsEmpty();
	        		}
	        	}

	        	finish();
	        }
	    });
	}

	@Override
	public void onTaskFailed(Exception error) {
		error.printStackTrace();
		Log.e("LoadListener", error.toString());

		if (onPostExecute != null) {
			onPostExecute.execute();
		}

		finish();

		if (error instanceof ConnectException) {
			if (NetworkUtil.isOnline(activity)) {
				Toast.makeText(activity, R.string.connection_error_host, Toast.LENGTH_SHORT).show();
			} else {
				Toast.makeText(activity, R.string.connection_error_internet, Toast.LENGTH_SHORT).show();
			}
		} else {
			Toast.makeText(activity, errorMessageResource, Toast.LENGTH_SHORT).show();
		}
	}

	public void setListView(IListView listView) {
		this.listView = listView;
		enableDefaultEmptyListListener();
	}

	private void finish() {
		if (listView != null) {
			if (type == LOAD_MORE) {
				listView.finishLoadingMore();
			} else if (type == REVERSE_UPDATE) {
				listView.finishLoadingBottom();
			} else {
				listView.finishLoadingTop();
			}
		}

        actionBar.hideProgressBar();
	}

	public void setErrorMessageResource(int r) {
		this.errorMessageResource = r;
	}

	public void setOnPreExecute(OnExecuteListener onPreExecute) {
		this.onPreExecute = onPreExecute;
	}

	public void setOnPostExecute(OnExecuteListener onPostExecute) {
		this.onPostExecute = onPostExecute;
	}

	public void setOnEmptyListListener(OnEmptyListListener onEmptyListListener) {
		this.onEmptyListListener = onEmptyListListener;
	}

	public void enableDefaultEmptyListListener() {
		setOnEmptyListListener(new ListListener.OnEmptyListListener() {
			@Override
			public void listIsEmpty() {
				listView.showNoItemsView();
			}

			@Override
			public void listNotEmpty() {
				listView.hideNoItemsView();
			}
		});
	}

	public void disableDefaultEmptyListListener() {
		setOnEmptyListListener(null);
	}

	public static interface OnExecuteListener {
		public void execute();
	}

	public static interface OnEmptyListListener {
		public void listIsEmpty();
		public void listNotEmpty();
	}
}

redpajama_set_name: RedPajamaGithub


text:
=head1 NAME

RTF::Tokenizer - Tokenize RTF

=head1 VERSION

version 1.20

=head1 DESCRIPTION

Tokenizes RTF

=head1 SYNOPSIS

 use RTF::Tokenizer;

 # Create a tokenizer object
    my $tokenizer = RTF::Tokenizer->new();

    my $tokenizer = RTF::Tokenizer->new( string => '{\rtf1}'  );
    my $tokenizer = RTF::Tokenizer->new( string => '{\rtf1}', note_escapes => 1 );

    my $tokenizer = RTF::Tokenizer->new( file   => \*STDIN    );
    my $tokenizer = RTF::Tokenizer->new( file   => 'lala.rtf' );
    my $tokenizer = RTF::Tokenizer->new( file   => 'lala.rtf', sloppy => 1 );

 # Populate it from a file
    $tokenizer->read_file('filename.txt');

 # Or a file handle
    $tokenizer->read_file( \*STDIN );

 # Or a string
    $tokenizer->read_string( '{\*\some rtf}' );

 # Get the first token
    my ( $token_type, $argument, $parameter ) = $tokenizer->get_token();

 # Ooops, that was wrong...
    $tokenizer->put_token( 'control', 'b', 1 );

 # Let's have the lot...
    my @tokens = $tokenizer->get_all_tokens();

=head1 INTRODUCTION

This documentation assumes some basic knowledge of RTF.
If you lack that, go read The_RTF_Cookbook:

L<http://search.cpan.org/search?dist=RTF-Writer>

=cut

require 5;

package RTF::Tokenizer;
$RTF::Tokenizer::VERSION = '1.20';
use vars qw($VERSION);

use strict;
use warnings;
use Carp;
use IO::File;

=head1 METHODS

=head2 new()

Instantiates an RTF::Tokenizer object.

B<Named parameters>:

C<file> - calls the C<read_file> method with the value provided after instantiation

C<string> - calls the C<read_string> method with the value provided after instantiation

C<note_escapes> - boolean - whether to give RTF Escapes a token type of C<escape> (true) or
C<control> (false, default)

C<sloppy> - boolean - whether or not to allow some illegal but common RTF sequences found
'in the wild'. As of C<1.08>, this currently only allows control words with a numeric
argument to have a text field right after with no delimiter, like:

 \control1Plaintext

but this may change in future releases. Defaults false.

C<preserve_whitespace> - boolean - ... the RTF specification tells you to strip whitespace
which comes after control words, and newlines at the beginning and ending of text areas.
One result of that is that you can't actually round-trip the output of the tokenization
process. Turning this on is probably a bad idea, but someone cared enough to send me a
patch for it, so why not. Defaults false, and you should leave it that way.

=cut

sub new {
    # Get the real class name in the highly unlikely event we've been
    # called from an object itself.
    my $proto = shift;
    my $class = ref($proto) || $proto;

    # Read in the named parameters
    my %config = @_;

    my $self = {
        _BUFFER       => '',    # Stores read but unparsed RTF
        _BINARY_DATA  => '',    # Temporary data store if we're reading a \bin
        _FILEHANDLE   => '',    # Stores the active filehandle
        _INITIAL_READ => 512
        ,  # How many characters to read by default. 512 recommended by RTF spec
        _UC => 1,    # Default number of characters to count for \uc
    };

    bless $self, $class;

    # Call the data-reading convenience methods if required
    if ( $config{'file'} ) {
        $self->read_file( $config{'file'} );
    } elsif ( $config{'string'} ) {
        $self->read_string( $config{'string'} );
    }

    # Set up final config stuff
    $self->{_NOTE_ESCAPES} = $config{'note_escapes'};
    $self->{_SLOPPY}       = $config{'sloppy'};
    $self->{_WHITESPACE}   = $config{'preserve_whitespace'};

    return $self;

}

=head2 read_string( STRING )

Appends the string to the tokenizer-object's buffer
(earlier versions would over-write the buffer -
this version does not).

=cut

sub read_string {
    my $self = shift;
    $self->{_BUFFER} .= shift;
}

=head2 read_file( \*FILEHANDLE )

=head2 read_file( $IO_File_object )

=head2 read_file( 'filename' )

Appends a chunk of data from the filehandle to the buffer,
and remembers the filehandle, so if you ask for a token,
and the buffer is empty, it'll try and read the next line
from the file (earlier versions would over-write the buffer -
this version does not).

This chunk is 500 characters, and then whatever is left until
the next occurrence of the IRS (a newline character in this case).
If for whatever reason, you want to change that number to something
else, use C<initial_read>.

=cut

sub read_file {

    my $self = shift;
    my $file = shift;

    # Accept a filehandle referenced via a GLOB
    if ( ref $file eq 'GLOB' ) {
        $self->{_FILEHANDLE} = IO::File->new_from_fd( $file, '<' );
        croak
            "Couldn't create an IO::File object from the reference you specified"
            unless $self->{_FILEHANDLE};

        # Accept IO::File and subclassed objects
    } elsif (
        eval {
            $file->isa('IO::File');
        } )
    {
        $self->{_FILEHANDLE} = $file;

        # This is undocumented, because you shouldn't use it. Don't rely on it.
    } elsif ( ref $file eq 'IO::Scalar' ) {
        $self->{_FILEHANDLE} = $file;

        # If it's not a reference, assume it's a filename
    } elsif ( !ref $file ) {
        $self->{_FILEHANDLE} = IO::File->new("< $file");
        croak "Couldn't open '$file' for reading" unless $self->{_FILEHANDLE};

        # Complain if we get anything else
    } else {
        croak "You passed a reference to read_file of type " . ref($file) .
            " which isn't an allowed type";
    }

    # Check what our line-endings seem to be, then set $self->{_IRS} accordingly.
    # This also reads in the first few lines as a side effect.
    $self->_line_endings;
}

# Reads a line from an IO:File'ish object
sub _get_line {
    my $self = shift();

    # Localize the input record separator before changing it so
    # we don't mess up any other part of the application running
    # us that relies on it
    local $/ = $self->{_IRS};

    # Read the line itself
    my $line = $self->{_FILEHANDLE}->getline();
    $self->{_BUFFER} .= $line if defined $line;
}

# Determine what kind of line-endings the file uses

sub _line_endings {
    my $self = shift();

    my $temp_buffer;
    $self->{_FILEHANDLE}->read( $temp_buffer, $self->{_INITIAL_READ} );

    # This catches all allowed cases
    if ( $temp_buffer =~ m/(\cM\cJ|\cM|\cJ)/ ) {
        $self->{_IRS} = $1;

        $self->{_RS} = "Macintosh" if $self->{_IRS} eq "\cM";
        $self->{_RS} = "Windows"   if $self->{_IRS} eq "\cM\cJ";
        $self->{_RS} = "UNIX"      if $self->{_IRS} eq "\cJ";

    } else {
        $self->{_RS} = "Unknown";
    }

    # Add back to main buffer
    $self->{_BUFFER} .= $temp_buffer;

    # Call C<_get_line> again so we're sure we're not only
    # reading half a line
    $self->_get_line;

}

=head2 get_token()

Returns the next token as a three-item list: 'type', 'argument', 'parameter'.
Token is one of: C<text>, C<control>, C<group>, C<escape> or C<eof>.

If you turned on C<preserve_whitespace>, then you may get a forth item for
C<control> tokens.

=over

=item C<text>

'type' is set to 'text'. 'argument' is set to the text itself. 'parameter'
is left blank. NOTE: C<\{>, C<\}>, and C<\\> are all returned as control words,
rather than rendered as text for you, as are C<\_>, C<\-> and friends.

=item C<control>

'type' is 'control'. 'argument' is the control word or control symbol.
'parameter' is the control word's parameter if it has one - this will
be numeric, EXCEPT when 'argument' is a literal ', in which case it
will be a two-letter hex string.

If you turned on C<preserve_whitespace>, you'll get a forth item,
which will be the whitespace or a defined empty string.

=item C<group>

'type' is 'group'. If it's the beginning of an RTF group, then
'argument' is 1, else if it's the end, argument is 0. 'parameter'
is not set.

=item C<eof>

End of file reached. 'type' is 'eof'. 'argument' is 1. 'parameter' is
0.

=item C<escape>

If you specifically turn on this functionality, you'll get an
C<escape> type, which is identical to C<control>, only, it's
only returned for escapes.

=back

=cut

# Define a regular expression that matches characters which are 'text' -
# that is, they're not a backspace, a scoping brace, or discardable
# whitespace.
my $non_text_standard_re   = qr/[^\\{}\r\n]/;
my $non_text_whitespace_re = qr/[^\\{}]/;

sub get_token {
    my $self = shift;

    # If the last token we returned was \bin, we'll now have a
    # big chunk of binary data waiting for the user, so send that
    # back
    if ( $self->{_BINARY_DATA} ) {
        my $data = $self->{_BINARY_DATA};
        $self->{_BINARY_DATA} = '';
        return ( 'text', $data, '' );
    }

    # We might have a cached token, and if we do, we'll want to
    # return that first
    if ( $self->{_PUT_TOKEN_CACHE_FLAG} ) {
        # Take the value from the cache
        my @return_values = @{ pop( @{ $self->{_PUT_TOKEN_CACHE} } ) };

        # Update the flag
        $self->{_PUT_TOKEN_CACHE_FLAG} = @{ $self->{_PUT_TOKEN_CACHE} };

        # Give the user the token back
        return @return_values;
    }

    my $non_text_re =
        $self->{_WHITESPACE} ? $non_text_whitespace_re : $non_text_standard_re;

    # Our main parsing loop
    while (1) {

        my $start_character = substr( $self->{_BUFFER}, 0, 1, '' );

        # Most likely to be text, so we check for that first
        if ( $start_character =~ $non_text_re ) {
            no warnings 'uninitialized';

            # We want to return text fields that have newlines in as one
            # token, which requires a bit of work, as we read in one line
            # at a time from out files...
            my $temp_text = '';

        READTEXT:

            # Grab all the next 'text' characters
            $self->{_BUFFER} =~ s/^([^\\{}]+)//s;
            $temp_text .= $1 if defined $1;

            # If the buffer is empty, try reading in some more, and
            # then go back to READTEXT to keep going. Now, the clever
            # thing would be to assume that if the buffer *IS* empty
            # then there MUST be more to read, which is true if we
            # have well-formed input. We're going to assume that the
            # input could well be a little broken.
            if ( ( !$self->{_BUFFER} ) && ( $self->{_FILEHANDLE} ) ) {
                $self->_get_line;
                goto READTEXT if $self->{_BUFFER};
            }

            # Make sure we're not including newlines in our output,
            # as RTF spec says they're to be ignored...
            unless ( $self->{_WHITESPACE} ) {
                $temp_text =~ s/(\cM\cJ|\cM|\cJ)//g;
            }

            # Give the user a shiny token back
            return ( 'text', $start_character . $temp_text, '' );

            # Second most likely to be a control character
        } elsif ( $start_character eq "\\" ) {
            my @args = $self->_grab_control();

            # If the control word was an escape, and the user
            # asked to be told separately about those, this
            # will be set, so return an 'escape'. Otherwise,
            # return the control word as a 'control'
            if ( $self->{_TEMP_ESCAPE_FLAG} ) {
                $self->{_TEMP_ESCAPE_FLAG} = 0;
                return ( 'escape', @args );
            } else {
                return ( 'control', @args );
            }

            # Probably a group then
        } elsif ( $start_character eq '{' ) {
            return ( 'group', 1, '' );
        } elsif ( $start_character eq '}' ) {
            return ( 'group', 0, '' );

            # No start character? Either we're at the end of our input,
            # or we need some new input
        } elsif ( !$start_character ) {
            # If we were read from a string, we're all done
            return ( 'eof', 1, 0 ) unless $self->{_FILEHANDLE};

            # If we were read from a file, try and get some more stuff
            # in to the buffer, or return the 'eof' character
            return ( 'eof', 1, 0 ) if $self->{_FILEHANDLE}->eof;
            $self->_get_line;
            return ( 'eof', 1, 0 ) unless $self->{_BUFFER};
        }
    }
}

=head2 get_all_tokens

As per C<get_token>, but keeps calling C<get_token> until it hits EOF. Returns
a list of arrayrefs.

=cut

sub get_all_tokens {
    my $self = shift;
    my @tokens;

    while (1) {
        my $token = [ $self->get_token() ];
        push( @tokens, $token );
        last if $token->[0] eq 'eof';
    }

    return @tokens;
}

=head2 put_token( type, token, argument )

Adds an item to the token cache, so that the next time you
call get_token, the arguments you passed here will be returned.
We don't check any of the values, so use this carefully. This
is on a first in last out basis.

=cut

sub put_token {
    my $self = shift;

    push( @{ $self->{_PUT_TOKEN_CACHE} }, [@_] );

    # No need to set this to the real value of the token cache, as
    # it'll get set properly when we try and read a cached token.
    $self->{_PUT_TOKEN_CACHE_FLAG} = 1;
}

=head2 sloppy( [bool] )

Decides whether we allow some types of broken RTF. See C<new()>'s docs
for a little more explanation about this. Pass it 1 to turn it on, 0 to
turn it off. This will always return undef.

=cut

sub sloppy {
    my $self = shift;
    my $bool = shift;

    if ($bool) {
        $self->{_SLOPPY} = 1;
    } else {
        $self->{_SLOPPY} = 0;
    }

    return;
}

=head2 initial_read( [number] )

Don't call this unless you actually have a good reason. When
the Tokenizer reads from a file, it first attempts to work out
what the correct input record-seperator should be, by reading
some characters from the file handle. This value starts off
as 512, which is twice the amount of characters that version 1.7
of the RTF specification says you should go before including a
line feed if you're writing RTF.

Called with no argument, this returns the current value of the
number of characters we're going to read. Called with a numeric
argument, it sets the number of characters we'll read.

You really don't need to use this method.

=cut

sub initial_read {
    my $self = shift;
    if (@_) { $self->{_INITIAL_READ} = shift }
    return $self->{_INITIAL_READ};
}

=head2 debug( [number] )

Returns (non-destructively) the next 50 characters from the buffer,
OR, the number of characters you specify. Printing these to STDERR,
causing fatal errors, and the like, are left as an exercise to the
programmer.

Note the part about 'from the buffer'. It really means that, which means
if there's nothing in the buffer, but still stuff we're reading from a
file it won't be shown. Chances are, if you're using this function, you're
debugging. There's an internal method called C<_get_line>, which is called
without arguments (C<$self->_get_line()>) that's how we get more stuff into
the buffer when we're reading from filehandles. There's no guarentee that'll
stay, or will always work that way, but, if you're debugging, that shouldn't
matter.

=cut

sub debug {
    my $self = shift;
    my $number = shift || 50;

    return substr( $self->{_BUFFER}, 0, $number );
}

# Work with control characters

# It's ugly to repeat myself here, but I believe having two literal re's
# here is going to offer a small performance benefit over a regex with
# a scalar in it.
my $control_word_standard_re = qr/
            ^([a-z]{1,32})          # Lowercase word
            (-?\d+)?                # Optional signed number
            (?:\s|(?=[^a-z0-9]))    # Either whitespace, which we gobble or a
                                    # non alpha-numeric, which we leave
            /ix;
my $control_word_whitespace_re = qr/
            ^([a-z]{1,32})          # Lowercase word
            (-?\d+)?                # Optional signed number
            (\s*)?                  # Capture trailing whitespace
            /ix;

sub _grab_control {
    my $self = shift;

    my $whitespace_re =
        $self->{_WHITESPACE} ? $control_word_whitespace_re :
        $control_word_standard_re;

    # Check for a star here, as it simplifies our regex below,
    # and it occurs pretty often
    if ( $self->{_BUFFER} =~ s/^\*// ) {
        return ( '*', '' );

        # A standard control word:
    } elsif ( $self->{_BUFFER} =~ s/$whitespace_re// ) {
        # Return the control word, unless it's a \bin
        my $param = '';
        $param = $2 if defined($2);

        my @whitespace;
        if ( $self->{_WHITESPACE} ) {
            push( @whitespace, defined $3 ? $3 : '' );
        }

        return ( $1, $param, @whitespace ) unless $1 eq 'bin';

        # Pre-grab the binary data, and return the control word
        my $byte_count = $2;
        $self->_grab_bin($byte_count);
        return ( 'bin', $byte_count, @whitespace );

        # hex-dec character (escape)
    } elsif ( $self->{_BUFFER} =~ s/^'([0-9a-f]{2})//i ) {
        $self->{_TEMP_ESCAPE_FLAG}++ if $self->{_NOTE_ESCAPES};
        return ( "'", $1 );

        # Control symbol (escape)
    } elsif ( $self->{_BUFFER} =~ s/^([-_~:|{}'\\])// ) {
        $self->{_TEMP_ESCAPE_FLAG}++ if $self->{_NOTE_ESCAPES};
        return ( $1, '' );

        # Escaped whitespace (ew, but allowed)
    } elsif ( $self->{_BUFFER} =~ s/^[\r\n]// ) {
        return ( 'par', '' );

        # Escaped tab (ew, but allowed)
    } elsif ( $self->{_BUFFER} =~ s/^\t// ) {
        return ( 'tab', '' );

        # Escaped semi-colon - this is WRONG
    } elsif ( $self->{_BUFFER} =~ s/^\;// ) {
        carp(
            "Your RTF contains an escaped semi-colon. This isn't allowed, but we'll let you have it back as a literal for now. See the RTF spec."
        );
        return ( ';', '' );

        # Unicode characters
    } elsif ( $self->{_BUFFER} =~ s/^u(\d+)// ) {
        return ( 'u', $1 );

        # Allow incorrect control words
    } elsif ( ( $self->{_SLOPPY} ) &&
        ( $self->{_BUFFER} =~ s/^([a-z]{1,32})(-?\d+)//i ) )
    {
        my $param = '';
        $param = $2 if defined($2);

        return ( $1, $param );
    }

    # If we get here, something has gone wrong. First we'll create
    # a human readable section of RTF to show the user.
    my $die_string = substr( $self->{_BUFFER}, 0, 50 );
    $die_string =~ s/\r/[R]/g;

    # Get angry with the user
    carp
        "Your RTF is broken, trying to recover to nearest group from '\\$die_string'\n";
    carp
        "Chances are you have some RTF like \\control1plaintext. Which is illegal. But you can allow that by passing the 'sloppy' attribute to new() or using the sloppy() method. Please also write to and abuse the developer of the software which wrote your RTF :-)\n";

    # Kill everything until the next group
    $self->{_BUFFER} =~ s/^.+?([}{])/$1/;
    return ( '', '' );
}

# A first stab at grabbing binary data
sub _grab_bin {
    my $self  = shift;
    my $bytes = shift;

    # If the buffer is too small, attempt to read in some more data...
    while ( length( $self->{_BUFFER} ) < $bytes ) {

        # If there's no filehandle, or the one we have is eof, complain
        if ( !$self->{_FILEHANDLE} || $self->{_FILEHANDLE}->eof ) {
            croak "\\bin is asking for $bytes characters, but there are only " .
                length( $self->{_BUFFER} ) . " left.";
        }

        # Try and read in more data
        $self->_get_line;
    }

    # Return the right number of characters
    $self->{_BINARY_DATA} = substr( $self->{_BUFFER}, 0, $bytes, '' );
}

=head1 NOTES

To avoid intrusively deep parsing, if an alternative ASCII
representation is available for a Unicode entity, and that
ASCII representation contains C<{>, or C<\>, by themselves, things
will go I<funky>. But I'm not convinced either of those is
allowed by the spec.

=head1 AUTHOR

Pete Sergeant -- C<pete@clueball.com>

=head1 LICENSE

Copyright B<Pete Sergeant>.

This program is free software; you can redistribute it and/or modify it under
the same terms as Perl itself.

=cut

1;


Fantasy basketball update | you like a da juice?
1) I missed the draft. I knew this was going to happen, because I was in Italy at the time, so I cleverly arranged for my co-manager to draft instead. This was a risky decision, because my co-manager is kinda crazy with regard to drafting and can go way off book. I entered in some pre-rankings and told him to stick to the script we'd discussed. Unfortunately (or perhaps fortunately), Yahoo! doesn't allow co-managers to draft, so with me in Italy and my co-manager in Japan unable to draft, we were stuck with the pre-rankings I'd put in, which didn't match our script (I figured my co-manager would correct). I can't really understand Yahoo! autodraft–at one point it picked Rip Hamilton ahead of Peja Stojakovic even though a) we had Peja ranked higher, b) Yahoo!'s rankings had Peja higher and c) Peja qualifies at both shooting guard (Rip's one position) and another position, small forward.
2) In the fourth round, we picked Mike Dunleavy, who would have been a good pick, except that he's injured, no one seemed to have known that before the draft, and no one seems to know why he's hurt or when he's coming back. There's no news on his condition anywhere. We dropped him.
3) In the seventh round, we picked Anthony Carter, who would have been a good pick, except that a week into the season the Iverson-Billups trade erased all his value. We dropped him.
4) Haven't had any waiver-wire pickups that are that strong. Some seem solid: Marc Gasol, Steve Blake, Anderson Varejao, Anthony Morrow. No one crazy good.
Anyway, we're currently in second place, in striking distance of first. What does this mean? My league is full of suckas!


Building Materials that have a recycled component in them have increased exponentially in availability and variety over the past 20 years. They have been perfected to be just-as, if not more, effective than brand new materials, and can provide a real sense of pride and forward thinking in construction.
Ranging from the insulation in the roof to the kitchen counters you eat off of, there are thousands of options for building with recycled content in new materials.
Recycled carpets can be made with plastic bottles/containers, and in some cases, just 1 square yard of recycled carpet can keep 40 plastic bottles out of landfills.
Carpets, tiles and shock absorbent padding for kid's play rooms can all be made with recycled tires.
Wood can be retrimmed and reused for a nice wood floor.
A huge environmental move has been made to use low VOC paints, decreasing the harmful volatile organic compounds that cause air pollution and potential health problems.
Companies specialize in recycling used paint by mixing new colors out of people's leftovers.
Recycled glass can even be a useable component in some paint.
Many options exist from using reclaimed timber or barnwood, or even a "plastic timber" made to look like timber.
Plastic can be used to create roof insulation.
Recycled plastics can be used as countertops and wall coverings in kitchens/bathrooms.
Tires can be used in asphalt and landscape stability.
We can set you up to take the next step by designing functional, designated spaces for future recycling. These can range from personal family designs in the kitchen or on the exterior off the garage to community recycling areas for neighborhoods and businesses.


Is Facebook keeping you from moving on after divorce? | Marvin Law Office, L.L.C.
You may even feel it is within your rights to vent when things get stressful between you and your spouse. However, how far should you go? Is there a chance that your social media presence will do more harm than good?
Friends and extended family may feel hurt by unkind things you post about your spouse.
Potential employers may read your bitter or angry rants.
Your children may see things you have said about their other parent.
Bragging about dates or new relationships may complicate your relationship with your former spouse.
Posting details about purchases or trips may affect alimony or child support rulings.
Details about parties or inappropriate behavior may damage your efforts for child custody in a Minnesota court.
You may think it's a good idea to continue posting what you want as long as you block your spouse. However, marriage counselors suggest that you maintain that contact with your former spouse, especially if you have children together. Blocking or unfriending someone is a serious blow these days, and if you have any desire of preserving a civil and agreeable relationship with your former spouse, remaining connected through Facebook is a good start.
On the other hand, spying on your ex through social media is not something counselors recommend. Spending time scrolling through pictures or lurking on the pages of your ex's new Facebook friends may be detrimental to your ability to move forward with your life. As difficult as it may seem, psychologists say an important step in moving ahead is letting go. The trick may be to avoid allowing your social media to become the roadblock in your path to a positive future.


text:
Q: Ignoring function in JSON with JavaScript using JSON.parse() I am using Highcharts to create some charts, more specifically I am using https://github.com/highcharts/node-export-server in order to export the charts. A JSON file is used for the source of what the chart will contain(see JSON below).
I then read data from a file and want to replace the data property in the JSON file with what I read from the file, the problem I have is that the JSON contains a function() so when I use JSON.parse() it fails because a JSON cannot contain a function().
{
    "chart":{
        "type":"bar",
        "labels":{
            "style":{
                "fontFamily":"Arial",
                "fontSize":"14px"}
        },
        "events": {
                    "load": function() {
                        var plotBands = this.xAxis[0].plotLinesAndBands;
                        for (var i in plotBands) {
                            var d = plotBands[i].svgElem.d;
                            var dArray = d.split(" ");
                            var rect = {x:25, y:dArray[5], width: 540, height: 100};
                            this.renderer.rect(rect.x, rect.y, rect.width, rect.height)
                                .attr({
                                    fill: 'green'
                                })
                                .add();
                        }
                    }
         }
    },
    "xAxis":{
        "categories":[
        {"name":"Group A","categories":["Text A.1","Text A.2","Text A.3"]},
        {"name":"Group B","categories":["Text B.1","Text B.2","Text B.3"]},
        {"name":"Group C","categories":["Text C.1","Text C.2","Text C.3"]},
        {"name":"Group D","categories":["Text D.1","Text D.2","Text D.3"]},
        {"name":"Group E","categories":["Text E.1","Text E.2","Text E.3"]},
        {"name":"Group F","categories":["Text F.1","Text F.2","Text F.3"]},
        {"name":"Group G","categories":["Text G.1","Text G.2","Text G.3"]}],
        "labels":{
            "rotation":0,
            "style":{
                "fontFamily":"Arial",
                "fontSize":"14px",
                "overflow":"justify",
                "textOverflow":"none"
            }
        }
    },
    "yAxis":{
        "min":0,
        "max":100,
        "title":{"text":"y-values"},
        "style":{
            "fontSize":"14px",
            "overflow":"justify"
        }
    },
    "series":[{
        "type":"bar",
        "name":"Score",
        "data":[20,20,43,80,20,10,65,88,35,62,48,85,63,20,13,54,34,100,23,55,76],
        "color":"red"
    }]
}

This is the code line that fails
var m = JSON.parse(fs.readFileSync('jsonFile.json', 'utf-8'));

Is there a way around this issue? Can I ignore the function in some way because I am not interesting in reading its content anyhow? Thanks in advance!

A: If the file is trusted you may use eval:
var m = (0, eval)("(" + fs.readFileSync('jsonFile.json', 'utf-8') + ")");

Anyway, I don't recommend you to do so.

You should either remove function and make valid json or change file to js, add module.exports = there and then use normal require on it:
var m = require('jsonFile.js');

redpajama_set_name: RedPajamaStackExchange


How to download and using SDL MultiTerm Widget.
SDL MultiTerm Widget somehow disappeared from my PC when I re-installed or upgraded my SDL Studio 2017.
Here's Trados's guide to install and using SDL MultiTerm Widget with your Trados license for free.
Article: The SDL MultiTerm Widget and how to add custom search providers.
Result: SDL MultiTerm Widget 2017 does not work with my SDL Studio 2017 (installed successfully but didn't start).
The SDL MultiTerm Widget allows you to organize the vast number of terminology collections and search engines available on the internet and makes them available for you in one single place while you work. It is a desktop toolbar application that was developed to allow users who manage terminology to share this work across any medium.
Look up terminology approved in MultiTerm termbase from within a browser, DTP tool, Microsoft Office applications, text editor and so on, without needing to have a complete terminology solution installed and without needing to know how to use one.
Look up words for their meaning or translation within predefined online dictionaries like Wikipedia or Leo.
Use more formal sources or online dictionaries from resources like IATE (InterActive Terminology for Europe) or Duden.
The Widget can be installed together with SDL MultiTerm 2011, but it is also available as a separate installer in the My Downloads area of your SDL Account area if you own SDL MultiTerm. You can also download it from the SDL OpenExchange.
1. Install your SDL MultiTerm Widget and open it.
5. Click on the Help button to open the online help pages for Setting up the SDL MultiTerm Widget.
6. When finished, click OK. You can use as many termbases as you like.


Audiobook. This 2009 National Book Award fiction winner was recommended by Pat. After reading several books about or set in the late 1960s, I have moved on to 1974.
The unifying event of this book is the tightrope walk between the World Trade Center buildings by Philippe Petit. (A 2008 documentary called Man on Wire documents his walk which lasted about an hour.) Unifying is too strong a term; the author tells a number of stories and makes a connection, sometimes fleeting, to the walk. Sometimes the wondrous and beautiful event takes the people out of themselves for a moment, sometimes it doesn't.
The stories are wonderful, if sometimes devastating. The first concerns Irish brothers; at an early age the younger, sweet and beloved one seeks out the most miserable among us and joins them in drinking. Eventually he stops drinking, becomes a priest and finds himself in the Bronx offering a bit of refuge to the drug addicted hookers who work near the project where he lives. And for his kindness, he is beaten up by the pimps. And then things get worse.
When the second one turned out to be the story of a group of women who made a connection to each other because they each had lost a son in Vietnam, I wondered if I could make it through the book. But I am awfully glad I did.
There were the young guys, including a teenager, who hack into the phone system while they are at work in a computer room in California and become "witnesses" to the walk by getting passersby who answered the payphone to describe the event. We hear the walker describe his preparations. We dip into the life of the judge who hears the charges against the walker. I especially liked the story of her life narrated by Tillie, one of the hookers.


text:
Play Mag The global authority on all things PlayStation
Play subscription deals
Best PS5 SSD
Death Stranding has "a new form of co-op", female hero and release date teased
By Leon Hurley
Kojima Productions has been tweeting out some new info on Death Stranding (opens in new tab) clarifying a release window and a few other details.
First up, the date:
Before the Tokyo Olympic Games.Before the new Akira. https://t.co/PEuuP8FRfLSeptember 18, 2016
The Tokyo Olympics are obviously set for 2020 which isn't an implausibly long time if the game's still in its early stages of production. Kojima's talked about only just getting offices and equipment set up, look:
Humble beginnings... pic.twitter.com/IDNAAQ3tZdSeptember 18, 2016
The Akira reference is a bit weird though. The original is set in 2019 but that 'new' mention is odd. Is he having a dig at the ongoing attempts to make a live action one? Because that is never happen.
Whatever the date is it's fixed (for now).
Yes, Death Stranding has a set release date. Duh, how else would we be able to set a budget?September 18, 2016
In terms of what the game will be, Koj is still banging on about sticks and ropes (although Death Stranding will also involve aliens (opens in new tab), apparently) and but we know the co-op will be 'new' in some way. If that doesn't take your fancy you can still play it single player if you want.
Straight from the event: Death Stranding will feature a new form of co-op play but will of course be fully playable in single player.September 18, 2016
And then there's that female star. We've already got Norman Reedus on board obviously, and strong rumours that Mad Mikkelsen will be in Death Stranding (opens in new tab) alongside him. Now, it appears Kojima might be looking for a third actor.
Death Stranding's casting is still under way... Will there be a heroine? Who should play her?September 18, 2016
That seems to be all the info currently. Let's say a 2018/19 release date and possibly with a female star joining Reedus and Mikkelsen.
Seen something newsworthy? Tell us! (opens in new tab)
Leon Hurley
Senior Guides Co-ordinator
I'm GamesRadar's Senior Guides Co-ordinator, which means I run GamesRadar's guides and tips content. I also write reviews, previews and features, largely about horror, action adventure, FPS and open world games. I previously worked on Kotaku, and the Official PlayStation Magazine and website.
Herman Miller X Logitech Vantum review: "A well-designed and comfy ergonomic chair but one that lives firmly in the shadow of its sibling"

redpajama_set_name: RedPajamaCommonCrawl


Translation of " " in. He noted the decisions of the Advisory Body but stated that regional level reduced the cost per participant. Translation of "will be " in. The one-year will be Police Academy, newly refurbished by the German Police training project. It 18 training in forensics, police management, police tactics and other policing skills. Over the period , FEVIMTRA 18 staff training sessions at all levels for incorporating GEP into its activities.


There Are A great number of Assignment Enable Online pages On your Help. The theory Is always to Pick out The most suitable A particular That fits You!
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The rationale that a lot of pupils tend to search for a web based assignment writing assistance is always that both they do not have some time to complete their assignment or their composing techniques are not fantastic a sufficient amount of. Also, our program isn't limited to 1 certain region, but we offer our help in other countries too which might be Saudi Arabia, Canada, Norway, Thailand, amongst a multitude of others.


text:
DL-Protect
Oil up Most In 2 Weeks, Betting on U.S.-China Deal
By Barani Krishnan
Investing.com - There are still uncertainties that the Chinese will deliver, but oil traders seem willing to take their chances. Crude prices jumped their most in two weeks on Thursday in anticipation of big orders from China following its much-awaited phase one deal with the United States.
New York-traded West Texas Intermediate, the benchmark for U.S. crude, was up 87 cents, or 1.5%, at $58.68 per barrel by 12:40 PM ET (17:40 GMT).
London-traded Brent, the global crude benchmark, rose 81 cents, or 1.3%, to $64.81.
Thursday's rebound was the biggest in two weeks for both the benchmarks, although WTI remained below the psychologically-important $60 per barrel level and Brent under the key $65 mark. U.S. crude had raced to eight-month highs of $64.72 and Brent four-month peaks of $71.22 after Iran fired missiles at U.S. airbases in Iraq on Jan. 6, heightening geopolitical tensions in the Middle East, the biggest production hub for oil.
A calmer world since then pushed oil prices to six-week lows, with WTI touching $63.56 and Brent $58.36.
Thursday's rebound was a belated reaction to the previous day's phase one agreement, which saw China agreeing to buy $50 billion in U.S. crude oil, liquefied natural gas and other energy purchases over the next two years under a larger $200 billion deal.
"The consensus expectation is that if the deal is respected, China's crude oil imports from the U.S. will rise to at least 500,000 barrels per day from zero in last October," said Olivier Jakob, founder of Petromatrix, an oil risk consultancy in Zug, Switzerland.
"However, at this stage, it is difficult to see how China would do this with its current import tariffs; something must change there," Jakob added.
He explained that if China were to increase its U.S. energy consumption to fulfill the deal, the United States would account for almost all of Chinese oil import growth in the next 12 months "to the detriment of OPEC+ and the North Sea (the production hub for Brent." But Jakob said he doubted that would happen.
Balancing some of oil's upside on Thursday was major political uncertainty in Russia following the en bloc resignation of the government in Moscow, while Vladimir Putin remained as president.
The Russian crisis is an important one in oil since the country is the second-largest oil producer after the United States.
Russian Energy Minister Alexander Novak had also been a key decision maker in the OPEC+ alliance that groups Moscow with the Saudi-led OPEC and other oil producers who are not outright members of the cartel.
admin from 16-01-2020, 19:24
Oil Rebounds; U.S. Inventory Data Awaited After Loss of Risk Premium Business
OIl's Losses Deepen; Oversupply Feared Above Iran Tensions, China Deal Business
Oil Stays in the Red as Supply Worries Offset Risks Business
Oil Jumps on Thin Trade, Stockpile Drop Hopes and China Talk Business
Oil Stays in the Black as Trump Offers Little on China Deal Business
Business Markets Tech Articles
Copyright © 2019 Xrel All Rights Reserved.


I'm looking for some advice on timing as I'm planning my first ever timber framing job. I'm going to build a shed using "Timber Frame Construction" book by Jack Sobon and Roger Schroeder as a guide. Timber I'm going to use is Picea Abies (or Abies but as far as my knowledge goes is spruce is better) as it's what i can source locally. I'm based in south-east of Poland.
The plan is to start work in summer (beginning of July) and my question is when to order the lumber? I'm newbie in the business but study literature and read the best time to cut trees is winter. But I also read that it's best to not have long breaks between each phase of the project: cut tree > mill > do the joinery > raising. So I'm a bit confused - shall I order the lumber now and store it somewhere until summer or shall I order lumber closer to the summer risking it comes from the trees cut in spring?
My understanding is that the difference in timber quality is pretty minimal.
I cut in spring whenever possible to greatly ease the peeling process.
Many thanks Dillon for your reply!


text:
Fashion Films at the Costume Institute
By Jane Herman
Tomorrow the Costume Institute at the Met will begin its summer film series, showing a trilogy of timeless fashion flicks in conjunction with the stunning "Model as Muse" exhibit. Taking place at the Grace Rainey Rogers Auditorium, each screening will begin with a panel discussion directed by curator Harold Koda and guest curator Kohle Yohannan, and featuring a special guest speaker. On the agenda: Funny Face, with the legendary Vogue model Carmen Dell'Orefice; Qui êtes-vous, Polly Maggoo?, with its star, sixties muse Dorothy McGowan; and Unzipped, with its larger-than-life subject, designer Isaac Mizrahi (who is also curating the "Summer Pictures" show that opens today at the Julie Saul Gallery in New York). "We looked for movies that, like the exhibition, cover fashion from the fifties to the nineties," says Koda about the selection. "Each is so different in its representation of the industry. Funny Face is a fantasy and a critique, but a loving and lighthearted one. Polly Maggoo is a much sharper satire, about the over-the-top editor and the power she wields, and then Unzipped, which is a documentary, brings you back to reality. Of course, what ties them together is the fact that contemporary models make cameos in all three. The models' importance in the portrayal and process of fashion is clear." Despite that fact that Isaac Mizrahi is today one of New York's most respected and multifaceted designers, with a hand in everything from television to Target, when he talks about revisiting Unzipped, which followed his ups and downs on Fashion Avenue almost fifteen years ago, he sounds positively wary. "That movie haunts me; it's kind of torture," he says. "But you know what, there are still a lot of artists who stop me in the street and say that that movie taught them about sticking to their guns and doing what they believe in. And that is a potent message."
Summer Pictures: Group show curated by Isaac Mizrahi, July 9 –September 12, 2009 Julie Saul Gallery, 535 West 22nd Street, NYC; (212) 627-2410 Film Series at the Costume Institute: Funny Face, with Carmen Dell'Orefice, July 10 Qui êtes-vous, Polly Maggoo?, with Dorothy McGowan, July 17 Unzipped, with Isaac Mizrahi, July 22 Grace Rainey Rogers Auditorium, The Metropolitan Museum of Art, Fifth Avenue at 82nd Street For tickets: metmuseum.org/tickets or (212) 570-3949


text:
Condoms That Change Color In Contact with STD Win Tech Award
By BanditOctober 11, 2019General Posts
By Eric Dodds
The old adage goes that teenagers think about sex constantly, but there are at least a few out there who have expressed a very keen interest in the particulars of safe sex.
Three British teens—two 14-year-olds and one 13-year-old—have proposed an idea for a new type of condom that could detect sexually transmitted diseases amongst intimate partners. The Washington Post explains:
There would be antibodies on the condom that would interact with the antigens of STDs, causing the condom to change colors depending on the disease…For instance, if the condom were exposed to chlamydia, it might glow green — or yellow for herpes, purple for human papilloma virus and blue for syphilis.
The proposal won the trio the top prize in the U.K.'s TeenTech Awards, and they have already reportedly been approached by condom companies.
The idea, however, is not without its imperfections. It seems unclear whether the STIs would be detected in just the user's partner or also the user as well. In addition, there's the awkward question of what would happen if the condom came into contact with two or more STDs—not to mention the logistical difficulties of figuring out a way to determine the color with sufficient opportunity to make use of those findings.
Nevertheless, if teens are going to think about sex, it's tough to quibble with them spending more time thinking about ways to make is safer.


Amity has opened a data centre in the European Union. The Amity servers are located in the Amazon Web Service Ireland (eu-west-1) location.
We improved the performance and robustness of Pipedrive integration.


Supply chain arm will deploy piece-picking robots, AI, self-driving vehicles in 350 of its 430 North American sites.
DHL Supply Chain, the contract logistics arm of Deutsche Post DHL Group, will spend $300 million to deploy emerging technologies in 350 of its 430 facilities in North American facilities and transportation control towers in an effort to help its clients address e-commerce and omnichannel challenges, the company said Thursday.
The move would be an upgrade of DHL's current application of emerging technologies at approximately 85 of those facilities, the Westerville, Ohio-based unit said.
Technology platforms involved will include robotics, augmented reality, robotics process automation, the internet of things (IoT), and DHL's proprietary end-to-end visibility solution, MySupplyChain, the firm said. "While many technologies are already in active deployment, collaborative piece-picking robots, artificial intelligence applications, and self-driving vehicles stand to have the most promise today," DHL Supply Chain North America CEO Scott Sureddin said in a release.
DHL declined to name the specific vendors who will supply those platforms, saying only that they "will vary by customer needs, based on the outcomes of research and pilot programs completed by DHL's internal innovation teams and collaboration with dozens of external innovators."
However, the company has previously disclosed pilot projects with the fulfillment automation providers Locus Robotics and Rethink Robotics. Rethink has since closed down, but the company's offices were purchased this month by former rival Universal Robots.
DHL said it is making the investment in an effort to help its customers minimize complexity, remove capacity constraints, and maximize service to their customers, all while minimizing infrastructure costs and maximizing service levels, the company said.Previous pilots have produced productivity gains upwards of 25 percent and throughput capacity gains of 30 percent, the firm said.
The company will spread its large investment across a variety of emerging technology providers in order to meet the various needs of its range of clients, Fred Takavitz, Senior vice president for retail, DHL Supply Chain North America, said in an interview. "We want to help our customers meet their profit goals," Takavitz said. "But those needs are going to be different for customers whether they are in the retail, consumer packaged goods (CPG), life sciences, or automotive sectors. It also depends where a company is on its e-commerce journey."
While the company has conducted a number of small pilot programs of emerging technologies in recent months, it is now ramping up its investment in the space because logistics tech vendors have recently moved past the experimental stage and moved into full commercial production of relevent platforms, Carl Behn, vice president for information technology (IT), DHL Supply Chain Americas, said in an interview. "The maturation of emerging technlogy providers and the products they are bringing to the table are at a whole other level of reliability that simply wasn't there in previous years," Behn said.
Feedback: What did you think of this article? We'd like to hear from you. DC VELOCITY is committed to accuracy and clarity in the delivery of important and useful logistics and supply chain news and information. If you find anything in DC VELOCITY you feel is inaccurate or warrants further explanation, please ?Subject=Feedback - : DHL to invest $300 million in emerging technologies">contact Chief Editor David Maloney. All comments are eligible for publication in the letters section of DC VELOCITY magazine. Please include you name and the name of the company or organization your work for.


The stratigraphic basin investigated covers the entire chronology of Torcello, from Late Antiquity to the Early Middle Ages, the central centuries of the Middle Ages and the Modern Age, up until present day.
Four different areas were opened up as well as 3 small test areas for stratigraphic surveys, partly related to the laying of services to the site.
Three of the areas of the main excavation (areas 1000, 5000, 6000, and 7000) are in cadastral parcel no. 112/113, an area located in a field which is today used as a garden, to the north of the Basilica. A further excavation area (area 6000) was opened near the garden of the former elementary school of Torcello (cadastral parcel no. 187). These areas are all on land owned by the municipality of Venice.
The survey opened in area 5000 has a 16 m² extension, to which a small exploratory adjacent trench was opened (2.5 x 1.5 m), in order to verify the size of the Venetian well. The maximum depth of excavation reached was 2.30 m from ground level, i.e. up to -1.06 m above average sea level. In total, approximately 36 m³ of soil were excavated by hand, with around a third related to the contemporary phases, a third to the Modern Age and, finally, a third with perfectly preserved stratification from the Antiquity, Late Antiquity and Early Middle Ages.
Today, the area is located in a field used as a garden near the basilica (northern side). It is occupied by a few tall fruit trees and was not affected by contemporary constructions.
The dig reached depths below sea level; however, dry excavation was made possible by the construction of drainage canals along three of the four sides of the area. Just a fraction (about 4 m3) of the archaeological stratigraphy was sacrificed to allow for dry excavation. However, the small canals were gradually lowered by hand whilst the stratigraphic excavation was carried out: this allowed the whole area of the excavation to be kept dry while the stratigraphic ratios were controlled between the sections and levels before carrying out further deepening of the drainage canals. A wellhead for the pumps, in operation 24/7 was located in the north-western corner of the excavation.
Period VIII corresponds to the earliest phase identified in area 5000, as well as to the entire area surveyed. It coincides with a series of layers of a silt based and silt-clay matrix, with the characteristic blue-light blue colour, testimony to a clearly natural formation in the lagoon environment, close to a bank on the edge of a canal. The formation of (stratigraphically) higher silts can be dated to around the 1st century BC, based on the ante quem of the absolute chronology obtained from the ceramic context brought to light in the period immediately after this.
The first period with noticeable human presence is found in the excavation of US 5165, or rather a loose, sandy silt layer with a high quantity of malacofauna, characterised by the presence of micro fragments of land fauna and some fragments of brick. The layer seems as if it was slow to form, determined by deposits moved by the tides. Above this is a large, rather compact clay filling layer, markedly yellow in colour. This artificial filling layer was probably contained by a wooden bank (only partially visible in this section of the excavation) and reinforced on the top section by horizontal wooden planking connected to this bank. The yellow clay layer (US 5170) is full of large pieces of amphorae, bricks and limestone, used for drainage or consolidation. This suggests the use of a wooden pier, also acting as a bank. It was most probably used to both raise and border off the internal walking surfaces, and to improve mooring for boats. The ceramic pottery (especially amphorae) classifies such construction activity between the end of the 1st century BC and the 1st century AD.
The wooden parts (horizontal planks and vertical poles) show widespread traces of burning, probably due to a fire.
The following period saw the construction of a pier with a more majestic form, made from stone (greenish limestone mark) which was almost certainly re-used, securely positioned above a strong 'caranto' layer (30-40 cm thick). The 'caranto' is a very old, extremely compact clay paleosol (Pleistocene), characterised by a light brown colour with streaks of ochre. There are doubts whether it is an artificial layer: in the lagoon these sediments are too deep to be easily excavated, while on the border of the lagoon, lines of caranto may be found close to the ground surface. Moreover, the layer is made up of large pieces of material, compact and placed in a regular pattern, alternating larger pieces with smaller nodules. No archaeological material is present within the deposit.
These works on the bank (note here that we are talking of an area situated a few metres from the portico of the Basilica of Santa Maria Assunta), suggest a certain financial commitment and a substantial commitment of labour and resources. In fact, caranto was chosen as the material for raising the land - given its excellent insulating capacity – and was brought to Torcello from outside the lagoon. Furthermore, a series of stones were also transported – undoubtedly many more than those visible, as part of a system – to set up a bank able to withstand large and heavy loads. The stones were re-used for building the pier, as is confirmed by their irregular size and shape.
These works on the bank were not an impromptu activity, but part of a project to redevelop the area. The dating of such activity was, once again, obtained in relation to events in the successive phase. The archaeological materials associated to the life of this structure are in fact meagre. However, it is plausible that little time passed in between the creation of the bank and the construction of the stone building in the subsequent period.
In period V, the foundations of a building were excavated, laid entirely in re-used bricks (mostly split up into 'sesquipedal', bricks one and a half foot long), represented by an east-west perimeter. The excavation revealed just over 3 m of the building's foundations, and a corner of the same building located on the western side. The internal floors would have extended towards the current basilica. On the outside, towards the canal, there is a square plinth, with a foundation of around 80 x 80 cm and a height of 60 × 60 cm, entirely formed – also in this case – by split Roman bricks, clearly re-used. The foundations of both the structures, the wall and the plinth, are formed from small fragments of brick, fragments of limestone (Istrian stone) and marl. The foundation trenches are not very deep or wide. In fact the foundation footing is preserved in situ (the elevation of the building was not preserved), but it seems that the raised wall was not bound with mortar, but only by layers of clay. Nonetheless, it is imagined that the building was considerably tall: this is implied by the presence of scaffolding holes, needed to build a wall of a certain height. The fact that it was a building constructed from brick is shown by the presence of the plinth, identified as the base of a pillar with the function of supporting a portico. The building was constructed after the area had been levelled and made even: an action visible in US 5164. This action served to prepare the area for the foundations of the building and the plinth at the same height, as part of a careful construction plan, born from a specific design.
With regards to the function of the building, it is thought to have been a warehouse. This hypothesis was suggested by multiple elements. Firstly, there is its topographic position, or the location of the building beside the canal, near to a stone pier, functional for loading and unloading operations. Then, the presence of a portico on the canal side would allow storage even in adverse weather conditions. Furthermore, the size of the foundations, at least 80 cm wide, suggests a wall of certain strength. Finally, there is the quality of the associated findings, with 95% of the ceramics collected belonging to containers (amphorae). It does not seem plausible that it could have been a house, both because of the total lack of ceramics for tableware or cooking, and because of the type of the portico (too large in appearance).
In the following period, all the elevated construction elements of the building were systematically removed. The excavation revealed signs of a series of holes referring to a residential building, built completely out of perishable material. Due to the size of the excavation, the actual dimensions of this building could not be known; however, it is believed that it was rectangular shaped. The posteriority of the pole impressions is shown by the fact that some of the building's bricks underneath were re-used, moving them slightly and re-adapting them, to become reinforcement wedges used to hold the poles in place in the holes. This phase also included a series of alternating layers (two by two) of pure yellow clay, alternated with black anthropic layers. Although excavated from a small test excavation, to highlight similarities with other excavation areas (see area 6000 infra) and with excavations from the past, these layers can be certainly ascribed to periods of early medieval inhabitation. The clay corresponds to the filling levels on which the walking surfaces of the houses were found. The black layers are very 'anthropic', i.e. mostly formed from organic elements, such as the remains of food and fragments of wood and carbon: they represent the life levels of the houses.
The last of these dwellings (or rather the last action of this habitation phase) is the best preserved aspect in the excavation. It can be dated between the 7th and 9th centuries. Yet again, this is a house constructed on a rectangular frame of poles fixed in the ground, with the short side measuring a little less than 3 metres. The clay floor is characterised by the preservation of a large domestic hearth in a rather central position. It is rectangular, with a side that measures 1.1 m built with stone and brick waste (obviously re-used) and a level of clay that has major traces of 'concottura' and burning, the results of prolonged exposure to fire. The domestic function of the hearth was confirmed by the large presence of food (fauna and malacofauna), the presence of ceramic tableware as well as containers for heating food.
Period III is marked by an abrupt chronological transition. The residential areas of the Early Middle Ages is cut through by an agricultural layout (negative stratigraphic unit US 5185) giving rise to a silt-clay matrix, rich in organic materials (US 5118). The way this layer is laid and the fragmentation of the anthropic elements within it, suggest the conversion of the area into orchards or gardens. The materials can be referred to the 14th century; however, there are no indications for the core of the Middle Ages.
The most recent phases refer to a series of levels relative to the agricultural use of the entire field between the 18th and 19th centuries. As for area 1000 (see further), the impression of one of the small drainage canals can be seen, running from east to west, with the function of keeping the vegetable growing areas dry and – above all – with the function of evacuating high salty waters as quickly as possible. The small canal divided trunk shaped plots for agricultural ground crops (vegetables) in exactly the same way as those excavated in area 1000. It was filled by a series of dark, silty layers, richly organic, the upper levels of which contain modern findings (including plastic) and therefore confirm disuse of the drainage system only in the second half of the 20th century. The nearby well remained in use along with the area used for a vegetable garden.


Whenever possible, it is always preferable to buy a phone through a registered dealer or carrier store, which can attest to the authenticity of the phones. However, with the prevalence of stores and auction sites on the internet, this may not be an option.
Before buying, consider these tips to help you identify a "xing-ling" cell phone or other electronic device from the original version.
Does the phone look real?
Get to know the colors, features and size of your smartphone, which can help eliminate the odds of buying a fake one. If the unit comes in a color that has not been produced by the manufacturer or has not yet been released, this is a good indicator of a dubious product. The weight of a fake appliance also tends to be lighter than the genuine article. Take a close look at your smartphone to check its features and dimensions. Counterfeit phones may have missing or additional features, or come larger or smaller than an authentic device. The GSMarena website has a good database with complete information on several cell phones already launched.
Is it a legitimate model?
Counterfeiters can, try to pass a non-existent model number as an authentic product. Make sure your smartphone model is sold by the official manufacturer. If it does not exist in the manufacturer's catalog or website, it is a sign that the phone is a scam. Again, the GSMarena website can help you with this search.
Fake smartphones can be sold for less and sometimes for a third or half of the retail price. A smartphone sold at a great discount makes it unlikely that the deal is real. The best approach is to buy in person when buying a smartphone.
All smartphone manufacturers offer a limited warranty covering the product, accessories and software. Typically, a smartphone is covered for one year from the date of purchase by the first purchaser of the product. Smartphone resellers can also offer an extended warranty. When you buy your smartphone, make sure you are covered by the warranty service.
You will know, in due time, if you bought a fake smartphone. Many have slower processing speeds, lack features that authentic models have, or can simply shut down after a few weeks of use. Counterfeit models can be built on cheap chipsets or run on pirated operating systems. Therefore, it is very important that you spend 10 to 30 minutes using the device in the store to see if it is even original.
What to do when discovering a xing-ling cell phone?
If you have discovered that your phone is fake, make sure you have your receipt and all the proper documentation so that you can offer proof to the authorities. This may help prevent the future sale of smartphones to other people, who can also be cheated.
And next time, buy from authorized dealers or directly from carrier stores to escape stolen. What is cheap can cost dearly. Nowadays, even in official stores there are great appliances with good quality and price . Take it easy, research and guarantee the best quality.


Cheapest House Ever For Sale – If you are looking for rentals, it can help to know the place to start. You will absolutely in luck. Home For Rent gets the vacation rentals you are considering and all of the tools you have to discover them. Seek out your next apartments rentals, condominium, or home and get moving.
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Cheapest house in the world for sale Remodeled house beautifully. Hardwood surfaces, spacious consume on kitchen available to the living space as for a good open notion. There exists a detached two car garage area which has a spacious fenced-in courtyard. It comes with an unfinished basement with washer and dryer setup. Don't feel the loss of that one, call at this time. Owner pays drinking water, trash, and sewer. Tenant is accountable for gas and electrical. There exists a $35/ individual charge with the application form. Also, copies in days gone by month's check stubs and USERNAME are required. Household pets is really an additional charge. Section 8 welcomed.
Cheapest house in the world This can be the perfect 3 room, three baths, accomplished basement home. You will not discover homes on your local rental marketplace when using the same degree of termes conseillés! This house comes with: energy conserving updates — all stainless home appliances; granite kitchen; all bathrooms possess stone granite; newer carpeting all over; new garage doorways with openers; fresh fittings (drum things, track lamps, concave lighting and fly fans), neutral – popular shades freshly painted throughout. High ceilings with stairs overlooking living room.


text:
DVD REVIEW 'ZERO KILLED' @ 10,000 BULLETS
by Michael Den Boer | 10Kbullets, Aug 9, 2013
In the mid-1990′s filmmaker Michal Kosakowski sought out individuals for a project that dealt with not only viewpoints on murder, but how would they if given the opportunity go about killing someone. From there he had each participant act out their murder scenario and captured these performances via short films. Flash forward, many years later he would revisit this project by conduct new interviews with those who participated in those aforementioned short films. The participants who are interviewed in Zero Killed make a wide range of nationalities. Thus reinforcing the universality of the subject matter at hand. In between these new interview clips are sections of the short films that serve as the foundation from which this documentary has sprung forth. The comments are brutally honest and the diverse range of opinions on the subject matter give the viewer a lot of food for thought.
When viewed out of context and as standalone moments carnage caught on film. The majority of these short films are truly disturbing. Fortunately since this is first and foremost a documentary. The way in which information is presented lessen some of the aforementioned shock value. One of this documentaries greatest strengths is that is does not try to steer the viewer in a deliberate direction. It gives both sides of the argument an equal amount of time to state their cases. And lets the viewer decide where to go from there. Ultimately Zero Killed is an exceptional documentary that proves without a shadow of doubt that murder does not discriminate.
The DVD:
Cult Epics presents Zero Killed in an anamorphic widescreen that preserves the films intended aspect ratio. The transfer does a great job with the source material which varies in degree quality wise. This release comes with one audio mix, a Dolby Digital stereo mix in English, German, Polish and Serbian. the audio sounds clean, clear and balanced throughout. Also included with this release are removable English subtitles. Extras for this release include a trailer for the film and a 'Making of' featurette (23 minutes 16 – anamorphic widescreen, in German, Polish, Serbian and English with English subtitles). The featurette is well rounded overview about how the project came about and those involved with this project also discuss their involvement. Overall Zero Killed gets a solid release from Cult Epics.
Read the review on 10kbullets.com


text:
<?php

namespace Qandidate\Toggle\Operator;

use Qandidate\Toggle\TestCase;

class GreaterThanEqualOperatorTest extends TestCase
{
    /**
     * @test
     * @dataProvider greaterValues
     */
    public function it_applies_to_greater_values($value, $argument)
    {
        $operator = new GreaterThanEqual($value);
        $this->assertTrue($operator->appliesTo($argument));
    }

    public function greaterValues()
    {
        return array(
            array(42,  43),
            array(42,  1337),
            array(42,  42.1),
            array(0.1, 0.2),
        );
    }

    /**
     * @test
     * @dataProvider equalValues
     */
    public function it_does_applies_to_equal_values($value, $argument)
    {
        $operator = new GreaterThanEqual($value);
        $this->assertTrue($operator->appliesTo($argument));
    }

    public function equalValues()
    {
        return array(
            array(42,   42),
            array(42.1, 42.1),
            array(0.1,  0.1),
        );
    }

    /**
     * @test
     * @dataProvider smallerValues
     */
    public function it_does_not_apply_to_smaller_values($value, $argument)
    {
        $operator = new GreaterThanEqual($value);
        $this->assertFalse($operator->appliesTo($argument));
    }

    public function smallerValues()
    {
        return array(
            array(43,   42),
            array(1337, 42),
            array(42.1, 42),
            array(0.2,  0.1),
        );
    }

    /**
     * @test
     */
    public function it_exposes_its_value()
    {
        $operator = new GreaterThanEqual(42);
        $this->assertEquals(42, $operator->getValue());
    }
}


text:
Sheila Chesed de Almeida Mello (São Paulo, 23 de julho de 1978) é uma atriz e dançarina brasileira.

Em 1998, ficou nacionalmente conhecida ao se tornar dançarina no grupo É o Tchan!, sendo apelidada de A Loira do Tchan.

Carreira
Sua entrada para o grupo É o Tchan! deu-se em 1998, através de um concurso A Nova Loira do Tchan! realizado pelo Domingão do Faustão para escolher a substituta da dançarina Carla Perez, após sua saída do grupo. A estreia no grupo foi no álbum É o Tchan no Hawaí.

Logo após a vitória posou nua pela primeira vez, para a revista Playboy, da qual viria a ser capa em outras duas edições, sendo uma ao lado de Scheila Carvalho, sua colega no É o Tchan!. Em outubro de 2007, posou nua novamente, desta vez para a revista Sexy.

Após sua saída do grupo, formou-se em artes cênicas, através da escola de teatro Célia Helena e interpretou obras de Naum Alves de Souza, Dias Gomes, Nelson Rodrigues, Ariano Suassuna e Ronaldo Ciambroni. Participou do curta-metragem Alfaville, filme premiado no Festival de Gramado.

Foi rainha de bateria da Império de Casa Verde.

Em 2009, Sheila participou da segunda temporada do reality show A Fazenda, que é exibido pela Rede Record, na qual acabou ficando em 7.º lugar na competição.

Em 2014, anunciou um projeto em dupla com Sheila Carvalho intitulado Sheilas Sob as Luzes, onde realizam shows por todo o Brasil coreografando diversas músicas.

Em 2017, Sheila participou da primeira temporada do talent show Dancing Brasil que é exibido pela RecordTV, na qual acabou ficando em 5° lugar na competição.

Vida pessoal
Nascida e criada em uma família humilde da Cidade Ademar, no bairro Vila Imperio, na rua sarraceno, um distrito da periferia de São Paulo, cresceu querendo tornar-se artista, pois sempre gostou muito de teatro, dança e música. Por conta disto, estudou e conseguiu formar-se em balé clássico e moderno.

Trabalhou em um McDonald's na adolescência.

Quando participou da segunda temporada do reality show A Fazenda, ela conheceu no confinamento, o ex-atleta de natação Fernando Scherer, com quem namorou após o fim da atração. Casaram-se em 2010. Em 2012, Sheila anunciou que estava grávida de uma menina, a primeira filha do casal e a segunda de Xuxa. No dia 26 de março de 2013, nasceu Brenda Mello Scherer, de parto normal, na Capital Paulista. Em agosto de 2018 o casal anunciou a separação.

Teatro

Filmografia

Televisão

Cinema

Discografia

Singles

Outras Aparições

Videoclipes

Ligações externas

Naturais da cidade de São Paulo
Brasileiros de ascendência árabe
Dançarinos de São Paulo
Atrizes de São Paulo (estado)
Modelos do estado de São Paulo
Modelos de capa da Playboy (Brasil)
Participantes de A Fazenda
Participantes de reality shows do Brasil
Cantores do estado de São Paulo
Modelos femininos do Brasil
Rainhas de bateria de escolas de samba de São Paulo
Participantes de Dancing Brasil
Modelos de capa da Sexy

redpajama_set_name: RedPajamaWikipedia


text:
Carriera
Emigra negli Stati Uniti all'età di 8 anni, dopo aver disputato il periodo tra il 1983 ed il 1988 nei Chicago Sting nei campionati indoor americani, per poi emigrare nel suo paese d'origine all' dove rimane per cinque stagioni per poi trasferirsi all'Apollon Smyrnis. Klopas torna poi nel 1996 negli Stati Uniti dove termina la carriera nel 1999. In Grecia con l'AEK ha vinto quattro titoli di Grecia, una Coppa di Grecia e una Supercoppa greca.

Della sua carriera decennale in nazionale, Klopas ha partecipato dapprima con la nazionale olimpica statunitense al torneo di calcio dei Giochi della XXIV Olimpiade, poi con la Nazionale di calcio degli Stati Uniti a USA '94, infine con la Nazionale di calcio a 5 degli Stati Uniti al FIFA Futsal World Championship 1996 in Spagna dove la nazionale nordamericana si è fermata al primo turno, eliminata nel girone comprendente ,  e .

È stato allenatore dell'Impact de Montréal per il biennio 2014-2015, con cui ha conquistato il suo primo trofeo nazionale da allenatore, il Canadian Championship.

Palmarès

Giocatore

Chicago Sting: 1984
 Central Division: 2
Chicago Sting: 1980, Central Division 1981
 Central Division Indoor: 2
Chicago Sting: 1980-1981 e 1981-1982
 Eastern Division: 1
Chicago Sting: 1984

AEK Atene: 1988-1989, 1991-1992, 1992-1993, 1993-1994

AEK Atene: 1988-1989

AEK Atene: 1989

Chicago Fire: 1998

Chicago Fire: 1998

Allenatore

Montréal Impact: 2014

Altri progetti

Collegamenti esterni

Calciatori della Nazionale statunitense
Grecoamericani


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Home > Learning Italian
Institute scholarships
Imparare Italiano
Each year half a million students attend Italian language courses abroad, in every country in the world.
Italian is a language of culture. Knowledge of the Italian language means having access to a literary heritage of fundamental importance to European history, to valuable classical and scientific texts, to theatrical, musical, opera, cinematographic and television productions.
Italian is a language of study. There are several students who decide to attend our Schools, our Universities, our Academies and our Libraries each year.
Italian is a language of work. Managers, entrepreneurs, technical people and workers make contact with the Italian industrial, crafts and services world which crosses our country's borders.
The knowledge of the Italian language when visiting our country and its hospitable people, across cities of art and the marvels of nature, becomes an authentic pleasure.