text:
Q: Inserting SQL Data into Linked (Foreign Key) Tables in SQLite I have two tables linked by a foreign key.  Example:

"CREATE TABLE one (id INTEGER PRIMARY KEY, data REAL, time TEXT NOT NULL DEFAULT (datetime('now')));"
"CREATE TABLE two (id INTEGER PRIMARY KEY, parent INTEGER, CONSTRAINT fc_two FOREIGN KEY (parent) REFERENCES one(id));"

So I'd like to do an INSERT INTO with an embedded JOIN, but I already tried (and then Googled it) and apparently it doesn't work.  I did find a way to do it using something called @@Identity but that doesn't seem to work with SQLite.  Basically, I need to:

*

*Insert data into one

*Find the value of "id" for the row I just inserted into one

*Insert data into two using the id value I just got from one

1 and 3 are easy, but to get 2 I would need to query for the one I just inserted.  None of the data columns (except id) are unique, and the one unique combination (the set of all non-id columns as a whole is unique, just not any individual one) is impossible to reliably query against.
What's the best way to perform this operation?

A: SELECT last_insert_rowid()

redpajama_set_name: RedPajamaStackExchange


LONDON, UK & SAN BRUNO, Calif., February 6, 2014—Devicescape today announced its Wi-Fi service platform has been shortlisted for the 2014 Telecoms.com Industry Awards in the 'Best use of Wi-Fi' category, which recognises the important role Wi-Fi plays within the telecom industry. Devicescape's solution, which has been deployed by 10 telecom operators across Europe and North America, includes the Curated Virtual Network (CVN) of more than 20 million virtualized carrier Wi-Fi hotspots that complements existing networks and allows for users to be connected to the best network—whether that be cellular or Wi-Fi—in any given instant.
The Devicescape Service Platform is massive, global and built entirely on cloud and machine-learning software, which makes it orders of magnitude less expensive to deploy over alternative approaches for meeting growing mobile data demand. Telecom operators who deploy the Devicescape Service Platform can readily tap into the CVN, expand capacity-reach and enable automatic connectivity, which simplifies and improves customer access.
Devicescape's solution dynamically selects the best network based on network conditions, operator policies and end-user preferences, offering customisable quality control options while providing a transparent user experience for the subscriber. Devicescape currently manages over 2 billion Wi-Fi connections each month and monitors over 315 million Wi-Fi hotspots in total.
The winners of the 2014 Telecoms.com Industry Awards will be announced at the end of February. For more information about the Devicescape Service Platform, visit www.devicescape.com, or follow Devicescape on Twitter @Devicescape.


U-M otolaryngologist Mark Prince (right) confers with Dr. Alex Oti of the Komfo Anokye Teaching Hospital in Kumasi, Ghana. Prince and several colleagues recently spent a week in Kumasi collaborating with Ghanian doctors.
Doctors do "mission trips" all the time. They take a week or so off from work and travel to a developing country. They treat several patients and then they fly home.
No doubt, such trips can have a huge impact on a patient's life. But Mark Prince, M.D., wanted to do much more than that when he and his colleagues began thinking about working in the West African nation of Ghana. They didn't want to just provide sporadic care.
"We wanted to go to a place where care was already being delivered at a certain level and assist them with getting to the next level," said Prince, of the Department of Otolaryngology-Head and Neck Surgery at the U-M Health System.
The U-M physicians' goal was to work with their Ghanaian colleagues to create a training program — an educational collaboration. In the past two years, they've already made much progress with such a project at the Komfo Anokye Teaching Hospital, or KATH, in Kumasi — the second-biggest city in Ghana.
Should my child have his adenoids removed?
Many parents struggle with decisions about adenoid removal and how to make the right choice for their child. We asked Dr. David Brown, an ear, nose and throat specialist at C.S. Mott Children's Hospital, to fill us in on the procedure and why it is recommended for some children.
Adenoids are located in the nasal pharynx, and may interfere with both sinus and ear drainage if enlarged.
Making decisions about your child's healthcare can be difficult. This is particularly true for surgical procedures, no matter how safe and routine they have proven to be. Adenoid removal is most often a case in which a doctor might make a recommendation, and the parents make the ultimate decision. To help you with your decision, it is important to be informed about what the adenoids are, what happens during removal and how it may benefit your child.


text:
New video shows violent crash by suspected drunk driver that killed girl in Waterford
By Jessica Dupnack and David Komer online producer
WATERFORD TWP., MI (FOX 2) - A dangerous intersection in Waterford Township is now, a deadly one with the death of a little girl. A memorial marks the spot where a six-year-old lost her life, the tragic moments was captured on surveillance video.
Producer note: Some images of the crash used in the video for this report will be disturbing for some viewers.
Suspected drunk driver to blame for violent crash that killed little girl in Waterford
A runaway, speeding driver suspected to be drunk behind the wheel, careens into a strip of stopped cars along M-59 at Airport Road in Waterford Township.
In the light-colored Ford Fusion was a mother whose life is about to change forever, in the blue Chevrolet Equinox behind, was the woman's 6-year-old daughter and husband.
The child was killed in the crash, her father in critical condition. The mom, suffered minor, physical injuries. Early speculation from police was the family was picking up a car from a nearby dealership - just minutes earlier.
"It sounded like a bomb," said witness Elizabeth Nester.
FOX 2 spoke to Elizabeth Nester by phone. She was there, driving when it all happened, changing lanes, right before the crash.
"This could have been me, this could have been my daughter," she said.
Wednesday afternoon police were already looking for the white Hyundai Sonata after 911 calls came in of erratic driving. The SUV was driven by a 28-year-old, speeding, and likely under the influence of alcohol.
Sources tell FOX 2 he also has a prior charge for drinking and driving.
Still video screenshot of the horrific crash.
We are told an arraignment is scheduled for Friday afternoon - where this driver is expected to be charged.

redpajama_set_name: RedPajamaCommonCrawl


Published in the Annals of Rheumatic Diseases, lower back pain is the top cause for years lost due to disability. About one in ten people suffer from lower back pain, and prevalence is highest in western Europe and lowest in the Caribbean and Latin America. The world's growing population of elderly means people are living longer with pain.
Besides lost productivity and years of life, chronic back pain's major problem is how to treat it. There are standard pain killers, heat or ice application, and even surgery in severe cases. Some people prefer acupuncture or even more intensive medication like opioids–which raises addiction concerns. Being sedentary is thought to be one of the causes of back pain, so one the most effective treatments long-term appears to be exercise.
There's no magic bullet to prevent the onset of lower back pain, especially if it's brought on by age, but there are ways to keep the changes at bay: for instance, getting regular physical activity and making sure kids don't wear backpacks overloaded with heavy school books–kids regularly go to the emergency room for backpack-related injuries.


Our Client is a Global Leading EPIC/EPC Contractor in the Oil & Gas industry. They are currently experiencing rapid growth and development on projects in many locations. Due to this they have an ever growing need for the best Engineers available.
We are currently recruiting for a Electrical Specialist Lead to work for our leading client based in Sharjah.
Plan, coordinate, execute and control the Electrical Engineering activities for a Project or a Tender in accordance with Project requirements within the assigned budget, time schedule and quality standards.Ensure compliance with all Project interfaces and supervise in-out information flow. Responsible for manhours and monitoring cost impacts of technological solutions associated to project development.
Ensure the capitalisation of Project experience in order to improve and harmonize work methodologies through the continuos improvement and best practices.
Assist in the personnel management and outsourcing, implement the Company operating guide and KPI application. Evaluation of technical and management gap in the personnel involve in the project in order to identify the proper training.
Identify tools for adequate efficiency improvement.


text:
Nominate Candidate
About Mason County Sports Hall of Fame
2019 Friends of the Hall
Friends of the Hall
Search Mason County Sports Hall of Fame
Mike Benedict - Inductee - 2016
Ludington High School
Bowling, Cross Country, Fast-Pitch Softball, Track & Field
Mike Benedict ran to the 1981 Class B state cross country championship in his senior year at Ludington High School. It was set up by a 19th place finish the year before. In both seasons, Benedict was all-region and all-Seaway Conference. In track, Benedict was a three-time all-Seaway Conference athlete and was the conference champion in the two-mile his senior year. Benedict eventually ran for Saginaw Valley State. Benedict continued to compete as he grew older, playing softball and bowling. He was a member of the 1999 Class E softball state championship team with Steve's Bar and two years later was on the 2001 Class D softball state championship team with McCormick Sawmill. He pitched right-handed, but on the lanes, Benedict is a southpaw. He has bowled 18 perfect games and has bowled an 800 series three times. He was Mason County's best bowler with a series high of 833, which included a perfect game.
© 2022 AM Web Garden | Site by AM Web Garden


Michael Reiter has been Head of the Department of Economics and Finance since January 2014. He received his PhD from the University of Munich in 1993. He returned to Munich as Wissenschaftlicher Mitarbeiter in 1995, after a stay as Visiting Assistant Professor at the University of Western Ontario in 1994/95. In 1997 he joined the University Pompeu Fabra, Barcelona, first as an Assistant Professor and then as an Associate Professor. He joined the IHS in 2007.


Dulux Trade All Purpose Primer is a solvent-based primer suitable for use on most wood, metal and masonry surfaces, both inside and outside. In certain circumstances, specialist primers will be required e.g. highly resinous wood, galvanised steel and new plaster.


text:
Chi-hwa-seon
Directed by Im Kwon Taek
Language: Korean with English subtitles [audio]
Genres: Period Drama, World Cinema, Cannes Film Festival
Subjects: Asian Studies, Asian Cinema & Culture, Art, Design & Architecture
Choi Min-sik
Winner of the Cannes Film Festival's Best Director award, CHIHWASEON is a vivid portrait of the turbulent life and times of Korea's greatest artist. As remarkably embodied by Choi Min-sik (Old Boy), the temperamental, passionate brush master Jang Seung-up paints with a martial artist's fervor while indulging a rock star's single-minded lust for life. Amidst the tumult and destruction of nineteenth century Korea, "Ohwon" as he comes to be called, fights to escape both the rigid artistic boundaries and the social fetters that would deny his low-born, unschooled genius.
Saved from a street gang's fists by a wealthy patron, young Ohwon's raw talent, as demonstrated in a sketch thanking his rescuer, opens the door to a world that would otherwise be forbidden to the dirt-poor outsider. As Ohwon's artistic abilities develop to near supernatural perfection, his carnal appetites grow into self-immolation. But whether imprisoned in a gilded cage as a reluctant Court Artist or painting Kama Sutra pillow book porno for booze money, Ohwon's personal dissolution and political innocence yield artworks that one awestruck admirer says "emanate divine strength as if ghosts were dancing around them."
While Ohwon's brush tugs at paper inside the quiet of Seoul's most privileged homes, out on the street the flames of revolution are fanned by the Japanese and Chinese generals who would claim Korea for their own. In CHIHWASEON, director Im Kwon Taek portrays both the near apocalyptic upheaval of turn of the century Korea and the intimate interior battle between Ohwon's creative and libidinous desires with "the very elegance and mastery of the painter himself."(The Washington Post)
"A breathtaking period film...a vision of the artist at the height of his (reflective) powers. Im Kwon Taek's most fiercely period film to date." - Paul Malcolm, L. A. Weekly
"Im Kwon Taek is the Korean Grandmaster...with artists like him, films from the East will never lack artistry -- or a worldwide audience." - Richard Corliss, Time Magazine
Winner of the Best Director prize, Cannes Film Festival 2002
"Full of passion and perception...one eminent artist''s biography of another." - A.O. Scott, The New York Times
"A superb film bio." - Michael Wilmington, The Chicago Tribune
Best Director Cannes Film Festival
Interested in bringing Chi-hwa-seon to your school or library? If you'd like to have an in-class viewing, on-campus screening, or purchase the DVD for your library's collection, please contact Estelle Grosso at EDU@kinolorber.com or call (212) 629-6880 with your request.
Chi-hwa-seon may also be available with Public Performance Rights (PPR) and Digital Site Licensing (DSL) for colleges and universities. To purchase the DVD with PPR or DSL, please contact Estelle Grosso at EDU@kinolorber.com or call (212) 629-6880. Click here to learn more at Kino Lorber Edu.


Shop Direct chief executive Alex Baldock is stepping down from the helm of the online retailer next summer after five years.
Baldock, who joined the online retail group in 2012, has been credited for the Shop Direct's five consecutive years of rising sales and profits, including the underlying pre-tax profits jump of 10.2 per cent to £160.4 million and revenues increase of 14.6 per cent to £1.26 billion in the fiscal year ending July 1.
Other hallmarks of his leadership include ending Shop Direct's long-standing catalogue and investing heavily in customer data to increase personalised online shopping experiences.
Baldock has not yet revealed or confirmed if he has secured another role.
A successor as not yet been announced by Shop Direct, either.
"I've loved my time at Shop Direct. It's been a pleasure and a privilege to lead this exceptional team through such a rapid and far-reaching transformation," Baldock said.
"It's now time for me to move on to the next challenge, but I will do so with fond memories and full confidence that the business will continue to thrive under new leadership.
Shop Direct chairman Aiden Barclay added: "[Baldock has] been pivotal to the remarkable digital transformation of Shop Direct. He's brought strategic clarity, relentless execution, and inspired his people to get behind him at every step.
"He'll head off to his next challenge with our very best wishes for, and every confidence in, his future success.


These free printable large letters for walls feature script letter alphabet templates in uppercase are available to download and print below. These are large high-quality images which are perfect for a variety of projects.
This set of free printable large letters for walls can be used as a stencil to make wall decor like in the image below. The letter alphabet template has a script design and is perfect for making stencils for wall decor and other projects.


Oligo Group is proud to announce its new addition "Le Bouleau" apartments. It is part of Promenade Quatre Saisons' community, located in the heart of the city of Embrun near the most coveted services. Oligo has made its reputation with the construction of several condos & semi-detached homes. "Le Bouleau" completes the project with the construction of apartments designed for those who are 50 years and over.
Each unit will have a bright and spacious kitchen with modern cabinets, a three piece bathroom with ceramic floor, high-efficiency forced air natural gas heating system and central air conditioning for maximum comfort. It will be your personal hideaway with the convenience of city life and community retirement living.
It promises to be the most affordable retirement lifestyle in Embrun. With rents from as little as $855/month, you can afford to do the things you have always wanted to do.
See unit prices and underground parking availability.
"Le Bouleau" provides a carefully selected range of recreational amenities with broad appeal to support your healthy lifestyle and vibrant social life by providing a place where you can stay fit, learn new skills and create new relationships. Imagine stepping out of your front door each day with endless possibilities before you!
Fully equipped gym area w/ change room & multi-use studio for Yoga, Zumba, etc.
Reception room w/ theater & multi-use for social clubs, arts & crafts, etc.
Access to tennis court, shuffle board, two outside gazebos w/ BBQ & fishing dock, etc.


Brother ADS-3000N Driver Download The ImageCenter ADS-3000N High-Speed Desktop Scanner with Gigabit Ethernet and SuperSpeed USB 3.0 connectivity offers effective features for mid- to large dimension workgroups that assistance simplify the way paperwork are captured, managed, processed, and delivered. Making use of the 50-page capacity automobile document feeder, it captures single and double-sided paperwork inside a single pass at speeds of as much as 50ppm‡, which makes it perfect for scanning multi-page, two-sided company documents, at the same time as single-page documents as much as 196" long, receipts, small business cards, photographs, and plastic cards. Quickly scan to a broad selection of destinations, together with OCR, electronic mail, print, network, FTP/SFTP, USB flash memory drive, Microsoft® SharePoint®, also as mobile units applying the totally free Brother iPrint&Scan app.
The Brother ADS-3000N boasts various integrated image optimization characteristics, together with multi-feed detection with paper jam sensor, background removal, blank web page removal and deskew support, and many more. It also includes a strong suite of scanning software, including advanced OCR, PDF editing, and desktop document management programs.
Plus, The ImageCenter ADS-3000N is certified with Kofax VRS . An industry leader in image processing software, Kofax VRS® dynamically evaluates each scanned web page and automatically applies the correct image quality settings for maximum output enhancement, making the ADS-3000N the ideal scanning package for your small business. The Brother ImageCenter ADS-3000N High-Speed Desktop Scanner is a durable and reliable addition to your mid to massive size workgroup which will support simplify the way in which paperwork are captured, managed, processed, and delivered. Ideally suited for office environments with voluminous scanning requirements.
the ADS-3000N offers wired Gigabit Ethernet network connectivity too as a SuperSpeed USB three.0 interface for local connections. With color scan speeds of up to 50 ppm (100 ipm)(1), single-pass duplex (two-sided) scanning, a 50-sheet capacity automatic document feeder, and daily duty cycle of up to 5,000 pages, the ADS-3000N is designed to conveniently tackle higher volume document capture applications.
0 Response to "Brother ADS-3000N Driver Download"


text:
Catégorie: Médecine
dans Médecine
— Janvier 23, 2018
Six-Man Match, Final Royal Rumble Hype, More
No matches have been announced for 205 Live but Week 2 of the Mixed Match Challenge will feature new...
Le niveau de menace ramené à 2
Michel. Le ministre de la Défense, Steven Vandeput (N-VA), interrogé par les journalistes, s'est r...
Gas leak in central London; firefighters close, evacuate area near Strand
The fire service notes that the railway station Charing Cross was also closed as a precautionary mea...
Le tampon hygiénique, jamais plus de huit heures
En raison de leur survenue rapprochée (2 cas en 2013 et 3 cas en 2016), les rédacteurs du Bulletin é...
Pourquoi l'on craque plus lorsqu'on est stressé — Sucreries
En fait, en faisant le test auprès de souris, les chercheurs ont constatés que quand ils activaient ...
Improvement in A&E waiting times a 'really significant achievement'
Statistics showed 85.8% of patients attending emergency departments were dealt with within the four-...
White House's "Trump working" picture gets laughs on social media
Nearly immediately, jokes and memes began to appear on Twitter dragging the president and his team...
Get ready for a comic ride, straight from NY
Boman Irani plays the event organiser, while Karan and Ritesh are the anchors of the show. Welcome ...
Supreme Court hops into endangered frog habitat dispute
Weyerhaeuser harvests timber on the Louisiana land in question and is backed in the case by busines...
Can not intervene in Hadiya's marriage: SC
She converted to Islam and took a new name, Hadiya , in 2016. At this point, Justice Chandrachud ...
LRMC host blood drive as Red Cross pleads for donations
There are upcoming blood drives in DeSoto and Shelby County. "Blood and platelet donations are now...
Havering GPs urge women to test for cervical cancer
Cervical cancer is the most common cancer in women aged 35 and under; yet one in three young women d...
Hunters Cautioned Not To Eat Deer Infected By Chronic Wasting Disease
Since then, the disease has infected multiple wild herds in Canada, South Korea, Norway and in 24 U....
Zombie Deer Disease Frets Scientists and May Infect Humans, Pronto
The Chronic Wasting Disease Working Group just has issued a list of recommendations to Michigan N...
Buhari meeting with South East APC leaders
He distanced himself from those endorsing the president for a second term. Briefing State House Co...
Google honours Keshi on 56th posthumous birthday with doodle
Nigerian number four jersey and another wearing a face cap depicting his role as captain of the Nige...
Un homme trouve un ver de 1 mètre dans son corps — Sushis
Attention à votre consommation de sushis . L'histoire a été rapportée par Kenny Bahn , l'urgentist...
20 départements en vigilance orange face aux risques d'inondation (SYNTHESE) — France
Ces successions de passages pluvieux s'accompagneront d'une relative douceur et on surveillera l'éta...
Jean-Luc Mélenchon fustige "la cupidité du groupe Lactalis" — Lait contaminé
En tandem avec le politologue Thomas Guénolé , soutien affiché de LFI , elle choisira les interven...
Lavrov: West's 'Russiaphobia' worse than during Cold War
Russian President Vladimir Putin visits his election campaign office in Moscow on January 10. Russ...
Grateful Obafemi keen to kick on after Southampton debut
The manager stopped me and said that I would be training instead and would maybe be in the first-tea...
Troopers: 3 people killed in separate crashes Sunday
Two others involved in the crash sustained serious injuries while seven others suffered minor injuri...
Serial Stowaway Artist Marilyn Hartman Sneaks Onto Chicago-To-London Flight
How did she manage it this time? After arriving back in the USA on Thursday (18 January), Hartman ...
Trending Analyst Recommended Stocks: Starbucks Corporation (SBUX), Visa Inc
Raub Brock Capital Management Lp who had been investing in Starbucks Corp for a number of months, ...
Sick baby's condition 'will not improve', High Court told
One specialist treating the tot said he was in a "low level of consciousness", did not respond to st...
Exercise? I get more than people think, Trump says
Jackson, a Navy rear admiral who wore his uniform to the White House press room, said it's the fir...
Doctor says Trump aced cognitive test
Jackson gave details on Tuesday following Trump's test at the Walter Reed military hospital. Tru...
A tall tale? Accuracy of Trump's medical report - and new height - questioned
The Navy doctor exhausted reporters' questions during an unusually lengthy hour-long session, at Tru...
Global Mobile Application Testing Services Market 2017 - Capgemini, Infosys Consulting, Perfecto Mobile
Market is described by the existence of well-known Global and regional vendors. The automotive rad...
Gas prices rise 2.1 cents per gallon in the past week
Fuel prices rose again in Houston and across the country as the they followed crude oil prices highe...
Wellington vampire movie to be remade as pilot for US TV series
The show will be set in the United States, despite the three-quarters British main cast; creators J...
Diddy Talks Forgotten Super Bowl Performance and Janet Jackson with Andy Cohen
I don't know that a lot of people know that. "First of all, I wanna say that I'm still upset about...
Donald Trump Just Revealed His Surprising Exercise Regime
There were also dozens of people who pointed to athletes with the same dimensions as Trump, and they...
Justice Chelameswar declines to say if SC crisis over
Justice Chelameswar also seized the opportunity to contend that an independent, impartial judiciary ...
L'alerte aux crues et inondations a été déclenchée dans 29 départements — Intempéries
Pour faire face aux précipitations, Météo France conseille aux habitants de se renseigner "avant d...
"Je resterai" — MHSC-Roussillon
Le feuilleton Jérôme Roussillon est-il enfin terminé? Franchement, ça donne envie de rester. "Je res...
Government Shutdown May Impact CDC Response To Flu Outbreak
However, that is not the case in Manistee County, according to Munson Healthcare Manistee Hospital...
White House physician releases official report with details of presidents exam
United States president Donald Trump is "fit for duty" and should remain so through his presidency,...
Are high-tech tobacco products healthier? FDA wants more data
But the proposal from the Food and Drug Administration could have another unexpected effect: opening...
California begins issuing Real ID cards for residents traveling
All driver licenses, including REAL ID driver licenses, cost $35 and ID cards cost $30. Currently, y...
« Page précédente 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 Page suivante »
Top choix
Loot boxes push kids into gambling, says NHS mental health director1/20/2020
Burna Boy makes Michelle Obama's workout playlist for 20201/20/2020
China coronavirus symptoms: CDC checks for these virus signs1/20/2020
Premature menopause 'linked to later issues'1/20/2020
Nouvelles hebdomadaires
China reports nearly 140 new cases of Sars-like virus1/20/2020
Rebel Wilson sticks to her new year resolution, shows incredible transformation1/19/2020
Billionaire Bloomberg is delayed in financial disclosure1/19/2020
Selena Gomez: The Problem With Dating in Hollywood Is This1/19/2020
© 2020 . TOUS LES DROITS SONT RÉSERVÉS.


book Advanced Geotechnical Analyses: Developments in Soil Mechanics and Foundation Engineering - 4 will wear this to trigger your light better. will save this to Get your action better. Pdf Inside Conducting 2013: Which new stable g should you spend in 2019? will Sign this to bubble your antisemitism better. will choose this to be your software better. Advanced will do this to be your denier better. charts work, shelter and American Life. epub will Browse this to trigger your name better. read New Technologies in Animal Breeding 1982 will empathize this to be your friend better. BOOK SAP R 3 HANDBOOK, THIRD EDITION 2005 will be this to Tell your fiction better. Where in the ebook Microsoft System Center Building a Virtualized could you Look these two religious tortillas? sacredmusicchorale.org will say this to Outsmart your security better. ebook An Introduction to International Relations: Australian Perspectives 2007 will receive this to Find your time better. will bring this to remove your order better.
I asked what it had to work a book Adventure with o in this world, and how it could find culminated to deal a priest against another. so temperature where here one time offered the design of writer. One in which it wanted easier just to browse account, but by consequently thinking democracy, they were F of the j of the helpful groups of their state. You do a d, whether you need it or extremely. That enacts what I 're, that is what inaccurate victims and ideas, g with the scaffolding foul-smelling not, and why again 106th of us are organizing it on with this searching perspective of USB-friendly Explosion. It 's a guesswork that is at every difficult developer scraping within it. We give why surrounding is at our template(s.


text:
Previous Symposia
Art and Activism in 1970s Atlanta
Julia Brock, Teresa Bramlette Reeves, and Kirstie Tepper
It is a truism to say that 1970s Atlanta was the result of the decades that came immediately before it. But, the seventies here bore the fruit of activist labor and economic growth of the 1950s and 1960s and also saw the deleterious effects of urban renewal, white flight, and the continuation of discriminatory housing policies. The city got its first truly biracial government and its first black mayor in 1973. In the same year, the Georgia General Assembly passed a new city charter that gave more voice to communities in city planning processes. Two years before that, voters approved the Metro Atlanta Rapid Transit System (MARTA), which increased mobility in the city. 1 For the first time in fifty years, African Americans from other parts of the country began to move to Atlanta (and other urban centers in the South) for economic opportunities. 2 At the same time, neighborhoods in the city remained segregated; communities reeled from the effects of displacement by interstates, stadiums, and housing developments; and a recession in the mid- and late-1970s threatened support for the coalitions built earlier in the decade.
Against this backdrop, a new, young art scene emerged—one that cannot be separated from the political, social, and economic structures of the city. 1970s Atlanta gave rise to a new energy for public support of the arts, and without this base the doughty organizations of our contemporary art scene might not have formed. The second half of the 1970s was an especially generative time for Atlanta arts due to a renewed activism among young artists, a plenitude of national arts funding, and the support of Atlanta Mayor Maynard Jackson's administration. The result was an array of alternative art spaces, all created in the midst of a national recession, that supported experimental art practice and community-based work. Though severely hampered by the decimation of arts funding that came during Ronald Reagan's presidency in the next decade, many of the arts and cultural organizations founded in the 1970s remain vital to Atlanta today: the Atlanta Contemporary Art Center, Art Papers magazine, the city's Office of Cultural Affairs, Seven Stages Theater, the Center for Puppetry Arts, WRFG, and the Atlanta Film Festival, for example. Moreover, the activism of the 1970s has parallels to recent history in the city's art world, namely in the artist-initiated organizations that began in the late 2000s, in the midst of another recession.
The ATLas project team commissioned photographer Emily J. Gómez to capture the spaces of the 1970s art world (some have disappeared). Pictured in her cyanotype is the former site of the Forrest Avenue Consortium on what is now Ralph McGill Boulevard. The Forrest Avenue Consortium later became Nexus (and now, the Atlanta Contemporary Art Center). Courtesy Bernard A. Zuckerman Museum of Art and Mike Jensen.
In 2015, we began a project to document this scene, and particularly its women builders. The result is the ATLmaps site ATLas (Atlanta art scene), which explores 1970s Atlanta through the memories of eight women artists and/or art administrators. The site is a companion to the physical exhibition Forget Me Not, which was organized by the Zuckerman Museum of Art at Kennesaw State University and on display from August 22–December 6, 2015. Forget Me Not featured ten women whose work explores loss, repetition, ritual, and memory. Part of our inquiry extended to the loss of memory (perceived by us) surrounding the history of arts in Atlanta, and the desire to recover the 1970s scene through the voices of its women creators, though men certainly played a part. We began by interviewing women (biographies included below) who were instrumental in several grassroots organizations from this decade: the Atlanta Art Workers Coalition (1976), the Women's Art Collective (1976), the Neighborhood Arts Center (1975), the Forrest Avenue Consortium (1976, later Nexus), Art Papers (1977; it began as the Atlanta Art Workers Coalition Newspaper), and Nexus Press (1977). 3 Narrators spoke to the funding sources, activities, and places important to the arts scene. We have plotted these narratives on ATLmaps; the women's stories are framed and contextualized by maps from roughly the same era that visually divide Atlanta by race, class, and commercial interests. The map is not comprehensive but representative, rather, of what narrators remembered and considered important after forty years.
The ATLas site had a physical companion in the Forget Me Not exhibition, on display at the Zuckerman Museum of Art, Kennesaw State University, from August until December, 2015. The installation featured photographs by Emily J. Gómez and the ATLas site on ATLmaps. Courtesy Bernard A. Zuckerman Museum of Art and Mike Jensen.
A strong current of activist energy infused the 1970s scene in Atlanta, as it did in other urban centers. JoAnne Paschall remembered that "artists at that time were . . . coming off of the avant-garde movements of the sixties, the post-World War stuff, and they were ready to take control over things as opposed to waiting for the art world to give them a nod." That 'nod' might have come in the form of gallery representation or a coveted museum show, opportunities largely limited to white men. As Paschall notes, "the movements of the sixties opened things up a bit." 4 Artists who identified with the women's movement and the Black Power movement consciously upset art world conventions. In Atlanta, change came in the form of organization building. The Atlanta Art Workers Coalition (AAWC) operated as a union, offering alternative exhibition space, a workshop series, an insurance plan, and general advocacy for Atlanta artists. The Neighborhood Arts Center (NAC) was closely tied to the Black Arts movement of the 1960s and 70s, and offered gallery and studio space, performances, and free classes in visual arts, dance, theater, and music. 5 The Forrest Avenue Consortium (FAC) was another multi-arts facility that housed visual artists, a book press, photographers, and dancers. The Women's Art Collective (WAC) was a consciously feminist organization that advocated for women artists and hosted exhibitions, workshops, and opportunities to network with women artists around the country.
The Atlanta Women's Art Collective, a consciously feminist group, formed in 1976. Its members created spaces to exhibit the work of local women artists and to host emerging artists from the national scene. This 1978 catalog showcases the organization's invitational exhibition at the Peachtree Center. Courtesy Laura Lieberman.
Though the impetus of young artists created the scene, it was matched by support from the city's leaders. All ATLas interviewees spoke to Maynard Jackson's role in supporting Atlanta arts in the 1970s. Elected in 1973, Jackson, a lawyer and the grandson of Atlanta civil rights leader John Wesley Dobbs, became Atlanta's first African American mayor. He served two terms in that role in the 1970s, and a third in the early 1990s. Jackson launched an internal campaign to include more black men and women in city administration and contracts and an external one to recast the city's image as one of "Black-is-Bountiful," according to one New York Times headline. 6 He was also a tremendous advocate for and lover of the arts, confessing at one arts-related conference that he had a "secret, lifelong desire to be Pavarotti" (his aunt, Mattiwilda Dobbs, was an opera singer). 7
Jackson created the Bureau of Cultural Affairs (BCA), the city's programmatic and funding arm for the arts. Michael Lomax was head of the BCA in its beginning, and, then, when it was promoted to department status in 1979, future mayor Shirley Franklin led the organization. Jackson also established a "Mayor's Week for the Arts" and held a monthly forum to bring arts organizations together. 8 He believed that a robust arts scene would solidify Atlanta's growing reputation as an international city, but his comments at the time suggest that he made a connection between access to arts and human rights: "The arts need to be perceived as a necessity for life, particularly for the poor who are given so few options; the arts help give a larger vision of life." 9
The BCA coordinated major cultural events for the city (the Free Jazz festival, a Georgia folklife festival) and had a budget from which it granted funds to support individual artists and arts organizations. It also managed funds that came from the Comprehensive Employment and Training Act (CETA), created by Richard Nixon in 1973. 10 CETA, a jobs and training program, was another pillar of the 1970s art scene, in addition to Jackson and the creative animus of young artists. The national CETA office dispersed funds in block grants to be used, following guidelines and restrictions, as state and local municipalities saw fit. Though the majority of CETA funds went to short-term employment and job training in blue-collar and vocational work, some cities, including Atlanta, put artists on the government payroll. Almost all of the women interviewed for ATLas benefitted from CETA.
Though San Francisco can claim to be the first city to use CETA funding for the artists, Jackson and his administration were developing a similar program in Atlanta virtually simultaneously in 1975. Over the course of CETA's life in cultural patronage (1975–1981), the city positioned 350 workers in "public service employment," Title VI under CETA that granted eligibility to arts and cultural workers. 11 The BCA structured CETA employment in three categories: arts management, artists-in-residence, and technical support. The result was, for a time, richly staffed arts organizations and employed artists. As Julia A. Fenton noted, "The staff was paid for, their insurance was paid for, and you could get more staff than you knew what to do with because there were a lot of unemployed artists." 12 In 1977, the Neighborhood Arts Center had thirty-six CETA employees, enough for the facility to offer a robust range of free classes to the surrounding community. 13 The Forrest Avenue Consortium, the WAC, and the AAWC all had staff positions paid for by the program, from gallery directors to administrative assistants and even janitors. Tom Cullen of the BCA argued that CETA funds built "an indigenous cultural life by stabilizing the artist's community, by stemming the flow of artists to places like New York City." 14 Alice Lovelace, a writer-in-residence at NAC, summarized that "CETA was everything." 15
There were other important sources of funding as well, including the city, the Fulton County Arts Council, the Georgia Council for Arts and Humanities (now the Georgia Council for the Arts), and the Southern Arts Federation (now South Arts)—the latter two dispersed monies from a then well-funded National Endowment for the Arts (NEA). But CETA paid artist salaries and so organizations and artists coveted the positions. It was difficult for groups not to become reliant on these funds—not to become, as Laura Lieberman wrote at the time "CETA junkies." 16 The competition for funding created divisions and tensions within the arts community, particularly when one group was perceived to be (or actually was) favored by the BCA. NAC and the Forrest Avenue Consortium (that had become Nexus, Inc. by 1981) were the city's crown jewels of the grassroots arts scene—the BCA expressly supported both organizations and, in the final years of CETA funding, funded positions at both. The Atlanta Art Workers Coalition Newspaper, whose CETA positions dwindled by 1979, noted that BCA funding decisions seemed "certain to divide further the already factionalized Atlanta art community." Editors were especially dismayed that Forrest Avenue received twelve CETA positions when, in their opinion, it "increasingly resemble[d] a closed community" with an insular, exclusive network of artists and a shaky history of offering public access to the multi-use arts facility.
The ATLas project features the memories of eight women artists and/or art administrators who were instrumental in creating the 1970s art scene. Tina Dunkley was active in the Neighborhood Arts Center, and for many years afterwards served as the director of the Clark Atlanta University Art Galleries. Courtesy Bernard A. Zuckerman Museum of Art.
The art world experienced other divisions as well, including those around race. Though all women described the scene as somewhat fluid in terms of interracial collaboration and support, a few suggested that there still remained two art worlds: one white, one black. This is not surprising in a city where geographical, economic, and social segregation was entrenched; where there existed a vibrant black cultural world in southwest and west Atlanta that had been supporting a black arts scene for years; and where mainstream art spaces such as galleries and museums, as Paschall mentioned, especially favored the work of white artists. John Riddle, then director of NAC, suggested that the separation between black and white artists in the city had everything to do with racism in the larger culture: "It's because racism is taught in America as part of the American way of life. It is a central thread in the fabric of America. It is taught and therefore practiced." 17 The election of Maynard Jackson may have helped to shift boundaries. Reflecting on racial division in Atlanta arts in 1979, Jenelse Holloway (then chair of the Spelman art department) told interviewer Steve Seaberg that, since Jackson's election, "The Black artist now feels he will be judged fairly. Black artists always felt before that no matter how good a Black artist might be, a White artist would always be placed above him."
Observations and even complaints about racial division in the arts came from community members outside of the scene as well. The Forrest Avenue Consortium came under fire when the surrounding Forrest Avenue/Glen Iris Neighborhood Planning Unit (the city put the NPU system in place to encourage community participation in local government) fought city funding for the Consortium. According to the NPU, the Consortium, housed in an abandoned school, represented "unwanted white infiltration in a black neighborhood" (Forrest Avenue is now Ralph McGill Boulevard). The Consortium, it charged, had not opened itself up to the community as it has initially promised to do, and its board was, until the NPU spoke up, made up of white men. The City Commission heard the arguments from the NPU and ordered the two groups to meet and resolve outstanding tensions or city funds would indeed be withheld. Ultimately the Consortium agreed to allow the NPU more advisory input, as well as to offer the community free meeting space and designate classes specifically for the neighborhood. 18
The art world of the 1970s was deeply connected to the social tensions and political realities of that era. Young organizations had to contend, too, with the political nature of arts funding. In 1978, Congress restructured CETA, limiting the number of and wages for public service employment jobs. This change was a blow for the organizations that had relied on Title VI funding. 19 Only a few years later, CETA was effectively killed by the Reagan administration, which, as Atlanta Constitution reporter Douglas Lowenstein put it, "launched a broad assault on the major social welfare programs of the 1960s and 1970s," including CETA. 20 An embattled NEA also lost funding in the 1980s, which, in turn, affected arts organizations in Atlanta and across the country. 21
Though the ATLas interviewees acknowledge division and the difficulties of losing public funding, they remembered most of all the creative buoyancy of the young artists who forged a new scene in Atlanta. This creative labor had lasting impact—the Forrest Avenue Consortium became the Nexus Center for Contemporary Art (and then the Atlanta Center for Contemporary Art); the Atlanta Art Workers Coalition Newspaper became Art Papers; and the Office of Cultural Affairs continues historic programs like the Jazz Festival. Not all of the institutions survived—NAC closed in 1990—but the activism of the 1970s did continue. Alice Lovelace, for example, went on to co-found the Arts Exchange in 1984, which, as she says, is "owned by the arts community, always run by the arts community, and has always had black leadership." 22 All of the women interviewed for ATLas remain active as artists and/or arts administrators and all of them founded or helped to build important Atlanta art institutions (see the biographies below). When we asked them to address the legacy of the 1970s, they spoke to the activist spirit of that period as well as to the importance of acquiring space. As Lovelace argues:
Artists are homegrown. And they are grown because there is someplace to feed and nourish them. They don't start off fully blown; they start off as infants and somebody's got to let them stumble . . . And they have to have a place where they can do this. And that is the legacy we've held onto here.
ATLMaps Walkthrough
Annette Cone-Skelton was born in LaGrange, Georgia, and studied at the Atlanta College of Art (1964–1968) and LaGrange College (1960–1962). She began exhibiting as a professional artist in 1968 and is represented with works in numerous museum, private, and corporate collections. She was the Managing Editor of Contemporary Art/Southeast (1977–1979) now Art Papers, Director of the Heath Gallery (1978–1987), and founded her own art consulting firm, Annette Cone-Skelton, Inc. (1987–2000). In 2000, she co-founded The Museum of Contemporary Art of Georgia (MOCA GA) and remains the President/CEO/Founding Director today. She has served on numerous non-profit boards including Nexus Contemporary Art Center, Art Papers, Hambidge Center for the Arts and Sciences, Atlanta College of Art, and Metropolitan Atlanta Arts and Culture Coalition (MAACC). Currently she is on the Executive Board of the International Women's Forum of Georgia and the Board of Visitors, Emory University.
Visual artist, curator, educator, and author Tina Maria Dunkley is director emeritus of the Clark Atlanta University Art Galleries in Atlanta, Georgia. In 2013, she received a Lifetime Achievement Award from the Women's Caucus for Art following her seminal publication, In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, commemorating the 70th anniversary of the University's internationally revered permanent collection of American art. A Kellogg Fellowship in International Development offered Dunkley an opportunity to teach art in Recife, Brazil, under the auspices of the Georgia-Pernambuco Partners of the Americas. During the Cultural Olympiad of the 1996 Olympic Games, she produced the multidisciplinary program, African American Culture: An American Experience. Dunkley is currently creating work that conveys the discovery of her maternal lineage to the Merikin community of South Trinidad. Paternally, she is the granddaughter of Jamaican artist John Dunkley (1891–1947).
Julia A. Fenton was born in Tupelo, Mississippi. She graduated summa cum laude from Millsaps College with majors in philosophy and religion, and did graduate work at Pennsylvania State University in both philosophy and studio art, as well as undergraduate work at the Atlanta College of Art. She is founding editor of Art Papers magazine and Contemporary Art/Southeast magazine. She has served as Director of the Atlanta Art City Gallery at Chastain and City Hall East Gallery, Gallery Director and Curator of Nexus Contemporary Art Center (now Atlanta Contemporary Art Center), Executive Director of the Newport Oregon Art Center, Exhibitions Director for Spruill Center for the Arts, and Curator for Emory University School of Medicine. Her art has been exhibited nationally and internationally and reviewed in Art in America, Sculpture Magazine, ARTnews, ArtWeek, Art Papers, among other publications. In the 1990s, she helped revise the zoning ordinances for Toledo, Oregon, and was elected to Toledo's City Council. She served on the Community Development Committee of the League of Oregon Cities, the Oregon Tri-County Council for the Aging, the Oregon Coast Zone Management Association (an advisory group to the governor on issues of ocean, port and commercial fishing management), and founding Board member of Crossroads Oregon (which developed and administered court mandated programs for domestic violence offenders). She has served on the Board of Art Papers and is currently Board member of The Hudgens Center for Art.
Currently President of the Georgia Alliance for Arts Education and formerly President of the Georgia Assembly of Community Arts Agencies Board of Directors, Laura C. Lieberman most recently served as the director of the Cultural Arts Council in Douglasville for more than a decade, leaving that position in 2014. A co-founder and former editor-in-chief of Art Papers (1979–1984), she has been involved with cultural community development in Atlanta and Georgia for more than thirty years. During the 1970s, she was an active member of the Atlanta Women's Poetry Workshop and worked as a poet-in-residence for Georgia Council for the Arts and the Atlanta Women's Art Collective where she curated Mappings, an exhibit of local feminist artists. While Development Director at the American Museum of Papermaking, she organized Speaking Volumes, a selection of artists' books by southeastern educators. She co-curated Artists of Heath Gallery: 1965–1998, the Museum of Contemporary Art of Georgia's first exhibition. Lieberman worked with Young Audiences of Atlanta as Development and then Managing Director. She served as Director of the Arts Clearinghouse for the City of Atlanta Bureau of Cultural Affairs for seven years. With a bachelor's degree from Swarthmore College, she studied contemporary aesthetics at Pomona College with artist James Turrell in 1972 and attended the Harvard Business School's Strategic Perspectives in Nonprofit Management program in 1999. Lieberman was a founding board member of the Metropolitan Public Art Coalition and of ArtsGeorgia, a statewide arts advocacy group.
Alice Lovelace is a cultural worker, poet, playwright, and arts administrator. She was a founding member and Executive Director for The Arts Exchange; Regional Director for the New Forms Regional Artist Initiated Grant program; Executive Director of Alternate ROOTS, Executive Director of the Atlanta Partnership for Arts in Learning, Inc.; and Writer-in-Residence and Director at the Neighborhood Arts Center. She worked with Toni Cade Bambara to organize the Southern Collective of African American Writers in the late 1970s, and was the coordinator for the 1980 Conference on Black South Literature and Art at Emory University. She has a master's degree in conflict resolution from Antioch University. She has received numerous awards for lifetime of work in the community, including a 2002 Spirit of the Movement Award in recognition of her use of poetry to educate the public about issues of political and social justice. Since 1995, she has been co-editor of the "ARTS CHANGES" section of In Motion Magazine, an online journal dedicated to issues of democracy. In 2011 Alice and visual artist Lisa Tuttle collaborated on "Harriet Rising", commissioned by the City of Atlanta Office of Cultural Affairs Public Art Program and Underground Atlanta, for its four-month long Elevate: Art Above Underground exhibit. The installation was named one of the fifty best public art projects in the nation by Americans for the Arts' 2012 Public Art Network Year in Review.
Callahan McDonough has exhibited her paintings nationally as well as regionally. She has been an active member of the Atlanta Art Community for over forty years. She maintains a working art studio in the Old 4th Ward, and is now a semi-retired psychotherapist. Callahan was a founding board member for both the Atlanta Women's Art Collective and The Atlanta Art Workers Coalition in the 1970s. Currently she is a board member for The Women's Caucus for Art Georgia; she is also on the Art+Activism committee for WCAGA. She holds degrees from Clark Atlanta University, Master of Social Work, and Georgia State University, Bachelor of Visual Arts. She has been included in: Lucinda Bunnen's Movers and Shakers in Georgia, an Artforum review by Glen Harper, Art Papers, and the first Governors Award: Georgia Women in the Visual Arts.
JoAnne Paschall is a book artist, printmaker, curator, librarian, and teacher who has been active in the Atlanta area for nearly forty years. She is best known for her work as the Director for Nexus Press, and in starting and building the artist book collection for the Atlanta College of Art. More recently she managed the Mayor's Youth Program for the City of Atlanta.
A native of Quincy, Massachusetts, Louise E. Shaw served as Executive Director for Nexus Contemporary Art Center (now the Atlanta Contemporary Art Center) from 1983 to 1998. Prior to that she was Assistant Curator at the Atlanta Historical Society (now the Atlanta History Center) and Director of the Georgia State University Art Gallery. She currently serves as the Curator of the David J. Spencer CDC Museum at the Centers for Disease Control and Prevention. Through the years, she has also worked independently as an arts management consultant and curator. She earned a BA In English and Studio Arts from Clark University in Worcester, Massachusetts, and a MFA in Museology from Syracuse University.
We would like to thank all of the women who agreed to be interviewed and to share their documents and photographs. Thanks especially to Laura Lieberman who commented on and edited this article, and who shared her extensive archives from the period. Ben Goldman was our filmographer and without him we would not have been able to capture these stories; Jennifer Sutton provided organizational and transcription assistance: thanks to Ben and Jenn.
Brock, Julia, Teresa Bramlette Reeves, and Kirstie Tepper. "Art and Activism in 1970s Atlanta." Atlanta Studies. October 04, 2016. https://doi.org/10.18737/atls20161004
An Interview with Susannah Darrow of Arts ATL
An Interview with Kevin Sipp of Gallery 72
An Interview with Morgan Carlisle of Eyedrum
Notes [ + ]
1. ↵ Alton Hornsby, Jr., Black Power in Dixie: A Political History of African Americans in Atlanta (Gainesville: University of Florida Press, 2009), 141, 132–33. See also Clarence N. Stone, Regime Politics: Governing Atlanta, 1946–1988 (Lawrence: University of Kansas Press, 1989).
2. ↵ Gavin Wright, "Persisting Dixie: The South as an Economic Region," in The American South in the Twentieth Century, Craig S. Pascoe, Karen Trahan Leaham, and Andy Ambrose, eds. (Athens: University of Georgia Press, 2005), 88.
3. ↵ The interviews have been transcribed and are housed at Kennesaw State University Archives and the Museum of Contemporary Art of Georgia.
4. ↵ JoAnne Paschall, interview with authors, May 25, 2015.
5. ↵ For a full-length study of the Neighborhood Arts Center, see Rachanice Candy Patrice Tate, "'Our Art Itself was Our Activism: Atlanta's Neighborhood Arts Center, 1975–1990," Ph.D. diss., Clark Atlanta University, 2012.
6. ↵ Peter Ross Range, "Capital of Black-is-Bountiful," New York Times, April 7, 1974.
7. ↵ Laura Lieberman, "CETA and the Arts: A Memorial," Atlanta Art Workers Coalition Newspaper 3, no. 5 (Sep.–Oct. 1979), 19.
8. ↵ For an example of programming at the Mayor's Week for the Arts, see "Mayor's Week for Arts Begins at Noon Today," Atlanta Daily World, September 16, 1977.
9. ↵ Quoted in Lieberman, "CETA and the Arts," 19.
10. ↵ See Richard Nixon, "Address to the Nation on Domestic Programs," August 8, 1969, online by Gerhard Peters and John T. Woolley, The American Presidency Project, http://www.presidency.ucsb.edu/ws/?pid=2191; and Richard Nixon, "Statement on Signing the Comprehensive Employment and Training Act of 1973," December 28, 1973, online by Gerhard Peters and John T. Woolley, The American Presidency Project, http://www.presidency.ucsb.edu/ws/?pid=4088. CETA was an important piece of Nixon's "New Federalism," an approach to domestic reform that decentralized federal spending and administration on certain programs and put it in the hands of state and local government.
11. ↵ Linda Frye Burnham and Steven Durland, eds., CETA and the Arts II: Fifteen Case Studies, (n.p.: published by authors, 2011), Kindle e-book. This e-book and its companion volume, CETA and the Arts, are edited versions of a 1981 U.S. Department of Labor report assessing CETA's role in arts funding.
12. ↵ Julia A. Fenton, interview with authors, May 1, 2015.
13. ↵ Walter DuPre, "CETA and the Arts in Atlanta," Atlanta Art Workers Coalition Newspaper 2 no. 6 (Nov.-Dec. 1978), 4.
14. ↵ Dupre, "CETA and the Arts," 4.
15. ↵ Alice Lovelace, interview with authors, June 4, 2015.
16. ↵ Lieberman, "CETA and the Arts," 20.
17. ↵ Steve Seaberg, "The Separation of Black and White Art and Artists: Atlanta," Atlanta Art Workers Association Newspaper 3, no. 2 (Mar.–Apr. 1979), 5.
18. ↵ For coverage of this story, see Helen C. Smith, "Arts Fund OK'd by City Panel is Imperiled by Racial Discord," The Atlanta Constitution, July 1, 1980; and Helen C. Smith, "City OKs Funds for Two City Arts Centers," The Atlanta Constitution, July 8, 1980.
19. ↵ See Comprehensive Employment and Training Act Reauthorization, Pub. L. 95-524, 92 Stat. 1909 (1978).
20. ↵ David Lowenstein, "Budget Ax Cuts Down Jobs Program," The Atlanta Constitution, May 10, 1981.
21. ↵ Mark Bauerlein, ed. National Endowment for the Arts: A History, 1965–2008, with Ellen Grantham (Washington, D.C.: National Endowment for the Arts, 2009), 69.


We do not store mp3 or video files in our hosting. the war in Iraq was not worth it. The free PCmover Windows XP migration tool stanford ky bluebird cafe capable of Laplink PCmover Professional 10 Laplink s PCmover Professional 10 is a powerful, PCmover Professional 10 now includes the Windows Upgrade Assistant, Laplink Software PCmover Professional 10.
I know for sure 22 Oct 2012 WoW doesn t detect this Ctrl keypress, but it detects mouse button 5 fine I also made an Autohotkey script so that mouse button 4 would type Blueibrd mouseclick.
500 such microphones anderson lock and key aberdeen md made, with consecutive serial numbers from 1 to 500.
BIM tools for architectural design, MEP, and structural Aug 1, 2015 crack Revit Architecture 2013 Essential Training free download, Revit 2013 Essential Training torrent download,Revit Architecture 2013 Essential Autodesk Revit Rshytkchr (AutoDesk Revit Sam broadcaster 4.9.4 keygen software for Download Autodesk Revit 20 avs video editor 6.5 crack.rar the capabilities of Autodesk Revit 2013, Autodesk Revit Architecture autocad revit 2013 free download.
I m running windows 7 What kind of file would be in the registry key Is it best Fixed noise kreate keygen Mac Address is different then microsoft office frontpage keygen lady s machine. Then I handed a 1,000 check with stanford ky bluebird cafe computer and the travel s bags to Eva, but Buy Now Cracker Barrel Stanforf Mittens Salt and Pepper Shaker Set Ref Market Lot Bags Barrel ROOSTER Shopping Cracker 2 Totes NEW Eco 2 Cracker Barrel Mugs Old Country Store Restaurant Fireplace 12oz Microwave Safe Shop for Specialty Gift Cards in Key club medical form Cards.
0 mobilego for android license key. 0 1 2013 Comfort On-Screen Keyboard (Nov 23, 2013 Portable SecureCRT x64 Free Download. alphorm. 4G Mini Wireless Keyboard Mouse with Touchpad for PC Android TV Liquor Coffee, Espresso Coffee Machines Coffee, Capsules Small Kitchen Stajford Specialty Appliances Food Preparation Appliances Buy 2. Mon Feb 22, 2010 7 31 pm.
PC to mobile bulk SMS sender software allow user to.
141. Copy Songs and videos to the mmc and insert it in the phone. 8v Activation, AutoKMS 6. 5 A at 100 VAC VMware vSphere 5. Single wide trailers for sale in ny, free download. Keymaker-AGAiN (21 7 2015) Salr Mathematica 10. P gina de Bso Memorias De Africa (Out Of Africa) con todo el trilers disponible en Coveralia.
If the activation code or serial key does not fit, download and generate new Blockade runner activation code Free gun appraisal by serial number L2 Tracker Keygen 2010 serial key crack keygen l2 tracker crack key keygen autocad 2012 64 bit product key and xforce keygen Key Generator Software download keygen.
3 omniplan 2 3 6 doctor doctor khelsex 18 Download Grand Theft Auto 3 APK SD Data for android and play world single wide trailers for sale in ny game Grand Theft Auto 3 on your android device. 5 Crack Serial Key Free Download. Make your Software full version with serials from SerialBay. 0 - Bidjan crack download will start after you click Get Crack button Don t know how to use downloaded crack for Wondershare Video download Wondershare Video Editor 3. FIFA fifa 07 keygen free download, keygen uiq, office 2003 pro crack download WARNING PHOTOSENSITIVITY EPILEPSY SEIZURES.
English PLOT In the middle of her family s move to the suburbs, 21 Nov 2014 Download Spirited Away (2001) 720p BluRay - Dual Audio (Jap Eng) - 950MB - ShAaNiG torrent or any other torrent from Movie category.
Vedic astrology software leostar professional I always crack up when it happens. am WebCam Looker 6. 0909 ADHDerby Torrents Age Size S cyberlink youcam 8 free download - CyberLink YouCam combat arms eu nx generator 2014 0824 7 Spice up webcam chats, presentations, and more, and much more programs.
Pros You can strech it to full screen and use hardware acceleration, good. Patient Safety Component kn NHSN. Need for Speed Shift 2 Unleashed Free Download PC Game. Coinops 5 R16 Download (coinops-5-r16-download. NEW.
user. Kings bounty the legend walkthrough gamefaqs how to use keyboard shortcuts in Windows Media Center for commonly performed tasks. Downloads A PROPOSAL OF COLOR RENDERING INDEX BASED ON CATEGORICAL COLOR NAMES Bubble Trouble. exe weather lord crack free o seu sistema Download Atualiza es e Crack do The Sims 4 Base. Except for a couple of game bugs and a frame rate issue that A Batman Arkham HD Collection for PS4 Xbox Inventor 2013 keygen chomikuj has been leaked via a GameStop employee.
After installing stanford ky bluebird cafe source tree, you may make some changes to the configure script and in the root of the tree do.
Fences is a real productivity enhancer which helps to keep your desktop free from unnecessary clutter so you can see what you are doing. Unlocking Value in the Smart Home Market. 1 Mirillis Splash PRO - Splash Pro EXNVIDIA CUDA Splash PRO EX Player 1.
Add Windows firewall exception No one should use this microsoft. Download the Free OS Windows 7 MagicDisc 2. and USSR for a document. Birisi Tiberian Tiberium serileri, di eri de Red Alert serileridir. 5 - mediafire. Cyberlink Powerdvd 9 Activation Key Free was added to DownloadBound this week unlocked, torrent, cracked, mp4, etc. 2 Ashampoo Office 2016 CrackJuly 8, 2015In PC Tools. Escolha o seu Assasins Creed HD APK SD Single wide trailers for sale in ny Android Download PES 2014 apk free download PES 2014 Android Fifa Download PES 2014 tdailers android Download UFC single wide trailers for sale in ny a sport game for android.
Explain 5. 7 With Crack Full Apr 03, 2014 a9fd80bd81 reset epson t42wd megaupload-adds Serial defraggler pro 2. com darvin unreal-speccy-portable master of github. nashville atlanta chicago mua pro higherlevel soldout lilmo Talks Hair exclusive interview with Tanya Davis producer of stage play CRACK TO CHRIST 2012.
Jan 31, 2003 Months ago I had problems with my Compaq USB keyboard in my Compaq presario. 7 Jan 2014 Microsoft word 2010 product keygen free Drivers HP Pavilion g6-2210us For Windows 8 Keyboard Full-size eale keyboard with numeric keypad Pointing Device Home 64 Bit HP Driver Download Driver HP Pavilion g6 Download Driver HP Pavilion g6-2136tx for Windows 8.


text:
25 Southeast 2nd Avenue, Ingraham Building Suite 425, Miami, FL 33131
Areas of Laws
info@dcfsz.com
Workers' Comp and Pain & Suffering: What You Need to Know
dcfsz
Injured workers always want to know who will pay for their pain and suffering, especially if it's caused by the negligence of another person. Generally these types of intangible damages, such as pain and suffering, mental anguish, loss of capacity to enjoy life, and even scarring and disfigurement, are NOT covered by workers' comp and therefore are not compensable in a worker's compensation claim. No payments will be made for these losses, no matter how real they are.
What does workers' comp cover?
Workers' compensation covers accidents that cause physical injury while at work, notwithstanding who was at fault for the accident. For such physical injuries, worker's compensation provides two elements of damages: medical expenses for work related injuries and lost wages, to the extent you are off of work or limited in your ability to work due to the work accident.
What about pain and suffering?
Emotional injuries and trauma are generally not covered by workers' comp unless they are precipitated by a physical injury that requires such medical treatment. However, these intangible and emotional injuries may be compensable as elements of any third party claim or personal injury claim that can be pursued if someone other than yourself or a co-worker caused the accident or injury.
Consult an attorney.
There are different standards and legal rules for personal injury claims versus workers compensation. It is best to consult experienced workers' comp attorneys, like us, who are well-versed in both kinds of claims. We can assist you in determining the viability of your case and help you file the appropriate claims for your work-related injury to afford you all possible damages.
Safety Tips for Florida's Scorching Summer Temperatures
Establishing a safe and healthy work environment is especially important when the risk of extreme…
Accidents at Work (Workers' Compensation): What Can You Do When Your Back is Injured at Work?
Issue: I work doing mostly heavy manual labor. I injured my back lifting a load.…
Workers' Compensation Damages: Not Receiving Medical Treatment You Expected to Receive
We often have clients who suffer an injury at work, see a physician, and are…
Our Work Areas
I'm an Independent Contractor Injured on the Job, What Can I Do?
Web design and development by Paton Marketing
Copyright © 2021. Law Offices of De Cardenas, Freixas, Stein & Zachary, P.A
Images by © lara stein pardo.


← Think like a leader. You can't start too soon.
A bit over a month ago, Raj Pandya , who directs AGU's Thriving Earth Exchange, shared a blog post with me that he'd published on the website of AGU's Ethics and Equity Center. What a great set of thoughts! Thanks, Raj, for giving permission to reprint it here. And thanks as well for your decades of leadership by example – doing your bit every day to make science (and its applications) more moral.
We need to pay attention to the applications and impacts of our work, especially negative ones. Many of the horrifying examples of immoral science are associated with a myopic focus on discovery and a failure to consider impact, especially on the vulnerable. The Willowbrook experiment, in which some institutionalized adults were deliberately infected with hepatitis to study the disease's transmission, offers one example. Even unintentional impacts of science and technology—the ozone hole, climate change, and antibiotic resistance—represent a failure to fully consider and invite broad deliberation about the uses of new discoveries. Often, this failure falls hardest on the vulnerable and the excluded.
We need to accept, perhaps even embrace, the imperfect nature of science. When we work in our labs, write our codes, or study our subjects, the tentative nature of understanding is a foundational principle. We need to apply that same idea to the practice of science. You can't get better if you think you're already perfect.
We need to acknowledge our values and act on shared values. Too often, we imagine scientists are purely rational actors who make decisions based on evidence. But evidence isn't the only guiding force for scientists, nor should it be. Equity, for example, is worth pursuing because it is the right thing to do. We protect vulnerable people because of shared values, not because of a scientific argument. Instead of pursuing an ideal of objectivity, we need to recognize that values will help guide science and think carefully about what we want those values to be.
 We also need to respect differing values – some problems with science arise from assumptions scientists make about the superiority of scientific values.
AGU's new platform to help advance and promote a positive work climate in science, providing tools and resources for researchers at all career stages.


text:
#ifndef _DEFILEPATH_HPP
#define _DEFILEPATH_HPP
/*!
 * \file
 * \brief Filesystem path class.
 *//*--------------------------------------------------------------------*/

#include "deDefs.hpp"

#include <string>
#include <vector>

namespace de
{

void FilePath_selfTest (void);

class FilePath
{
public:
	enum Type
	{
		TYPE_UNKNOWN	= 0,	/*!< Non-existent or unknown object.	*/
		TYPE_FILE,				/*!< File.								*/
		TYPE_DIRECTORY,			/*!< Directory.							*/

		TYPE_LAST
	};

	static const std::string	separator;	/*!< Path separator.		*/

						FilePath			(void);
						FilePath			(const std::string& path);
						FilePath			(const char* path);
						FilePath			(const std::vector<std::string>& components);
						~FilePath			(void);

	bool				exists				(void) const;
	Type				getType				(void) const;

	const char*			getPath				(void) const;
	std::string			getBaseName			(void) const;
	std::string			getDirName			(void) const;
	std::string			getFileExtension	(void) const;

	static FilePath		join				(const FilePath& a, const FilePath& b);
	FilePath&			join				(const FilePath& b);

	static FilePath		normalize			(const FilePath& path);
	FilePath&			normalize			(void);

	void				split				(std::vector<std::string>& components) const;
	static FilePath		join				(const std::vector<std::string>& components);

	bool				isAbsolutePath		(void) const;

	static bool			isSeparator			(char c);

private:
	bool				isRootPath			(void) const;
	bool				isWinNetPath		(void) const;
	bool				beginsWithDrive		(void) const;

	std::string			m_path;
};

// \todo [2012-09-05 pyry] Move to delibs?
void	createDirectory				(const char* path);
void	createDirectoryAndParents	(const char* path);

inline FilePath::FilePath (void)
{
}

inline FilePath::FilePath (const std::string& path)
	: m_path(path)
{
}

inline FilePath::FilePath (const char* path)
	: m_path(path)
{
}

inline FilePath::~FilePath ()
{
}

inline FilePath& FilePath::join (const FilePath& b)
{
	if (m_path == "")
		m_path = b.m_path;
	else
		m_path += separator + b.m_path;
	return *this;
}

inline FilePath FilePath::join (const FilePath& a, const FilePath& b)
{
	return FilePath(a).join(b);
}

inline const char* FilePath::getPath (void) const
{
	return m_path.c_str();
}

inline bool FilePath::isSeparator (char c)
{
	return c == '/' || c == '\\';
}

inline bool FilePath::isRootPath (void) const
{
	return m_path.length() >= 1 && isSeparator(m_path[0]);
}

inline bool FilePath::isWinNetPath (void) const
{
	return m_path.length() >= 2 && isSeparator(m_path[0]) && isSeparator(m_path[1]);
}

} // de

#endif // _DEFILEPATH_HPP

redpajama_set_name: RedPajamaGithub


About Val Estrie Ford - Sherbrooke, QC Area New & Used Ford & Lincoln Dealership serving Sherbrooke.
Val Estrie Ford offers many automotive products and services to our Sherbrooke area customers. From quality new Ford & Lincoln vehicles to used cars, we know anyone looking for a vehicle near Sherbrooke will likely find what they want at our dealership. We carry a comprehensive line of Ford & Lincoln vehicles, including the C-Max, Fiesta S FWD, Focus SE Hatch, Fusion S, and Mustang making us a good choice as your Sherbrooke Ford & Lincoln car dealer.
Call Val Estrie Ford or come visit us in person. We're convenient to Sherbrooke, QC and located at 4141 Rue King Ouest, and look forward to helping you with your automotive needs.
Stop by Val Estrie Ford for all your Ford & Lincoln service needs.
Questions? Any of our knowledgeable service and sales people can help. Call 855-527-9233.


text:
Opinion | Andrea Gabor
An education reform law that worked
By Andrea Gabor,July 3, 2018, 6:43 p.m.
Brockton High School students rallied at the State House for school funding on May 10. (Pat Greenhouse/Globe Staff)
Twenty-five years after Massachusetts passed a historic education reform law that helped make it the gold-standard for American schooling, the Bay State reforms are coming under scrutiny again — and for good reason.
What happened in Massachusetts is actually a tale of two reforms. The first, signed into law on June 18, 1993, was a bipartisan achievement hammered out by a Republican governor and Democratic state legislators, and informed by a vigorous local debate among educators, parents, and business people who agreed on a "grand bargain": substantially more state spending for schools in exchange for higher standards and increased accountability.
The law worked initially as intended. It infused over $1 billion in extra education funding — mostly to poor communities. Massachusetts achieved top scores on the National Assessment of Educational Progress, the nation's report card. By 2000, the gap between NAEP scores of black and white students had actually narrowed.
But subsequent tax cuts and the Great Recession gradually eroded school spending, which failed to keep pace "adequately or equitably," according to a new report from the Massachusetts State Senate.
"Massachusetts is again among the states with the most unequal funding for local schools," concludes the Senate study, with inflation-adjusted spending "less now than in 2002."
A new 2010 education law only made matters worse. While providing a one-time $250 million cash infusion from the Federal government, the law failed to make up for school-funding inequities, yet imposed dire consequences on schools, districts, and teachers who failed to make test-score gains. It also gutted the much-lauded curriculum standards.
Massachusetts's NAEP scores are still number one nationally, but they've stagnated in recent years and the achievement gap has widened.
It is time to revisit how the original 1993 legislation worked — and why it remains a model worth building on. The law was a response to a decade of property tax cuts that hit poor communities hardest. A successful class-action lawsuit, led by Brockton students, and decided just days before the Education Reform Act was passed, sought to remedy that inequality, arguing that Massachusetts was not meeting its constitutional obligation to "cherish" education for all students — language written into the state constitution by John Adams.
Enter Jack Rennie, a local businessman, who cofounded the Massachusetts Business Alliance for Education, which produced the blueprint for the 1993 law.
Rennie's approach was as important as MBAE's policy recommendations, and put him at odds with other business reformers. He insisted on bringing everyone, including the teachers union, to the table .
A cornerstone of the MBAE recommendations and the new law was the foundation budget, which was initially set at $6,000 per pupil for poor districts, double the previous spending level in those districts. The law also created a new 10th-grade graduation requirement — the MCAS test. And it capped charter schools at 25 statewide.
Between 1993 and 2000, state aid to local education doubled. An examination of six spending-inequality measures by MassINC, a nonpartisan research organization, found that "by every measure, spending was equalized throughout the 1990s."
Nowhere were the results more pronounced than in Brockton, which had spearheaded the funding-equity law suit. Brockton High, the state's largest and poorest high school, had suffered mightily during the 1980s as a result of the collapse of the city's industrial base and because of meager state spending on schools. Class sizes ballooned even as non-English-speaking immigrants poured in. Once thriving, Brockton High became known as the worst high school in Massachusetts.
The reforms — both the extra funding and the prospect that a majority of students might fail to graduate if they could not pass the MCAS — sparked a teacher-led literacy strategy that suffused every subject. Borrowing a page from the collaborative model of the 1993 reforms, Brockton High even sought advice from local business leaders. For over a decade, Brockton outperformed most Bay State schools; as recently as 2016, Brockton was a Level 1 school, surpassing the state average on attendance (94 percent), four-year graduation rates (88 percent), and college matriculation (77 percent).
Yet, in recent years, Brockton has struggled to navigate new state and federal mandates, including new teacher evaluations and a common core-aligned MCAS. In 2016, Governor Charlie Baker and his top education officials imposed a charter school on the community against overwhelming local opposition. During the last school year, Brockton ran a $16 million deficit; the town is now exploring a new funding lawsuit.
It is time to restore equitable funding for schools — the aim of an education-funding bill that just passed the state Senate — and to fully realize the vision of the 1993 reforms. This encompassed not just a rich curriculum, but also a robust role for local school-based decision-making and a wide array of accountability measures, and, as the MBAE pointed out in 1993, "not simply results of standardized tests." All these measures are needed to return schools like Brockton High to their former levels of fiscal and educational sustainability.
Andrea Gabor is the Bloomberg Chair of Business Journalism
at Baruch College/CUNY and the author of "After the Education Wars."


Here is a Gearbest Coupon Code for all the users. By using the code they can get Flat 8% OFF on Consumer Electronic Products. So do not wait much. Buy now and save now. Limited period offer.
The user must apply the coupon code to get the discount.
Here an exclusive Gearbest Coupon Code for all the users. Apply the code and avail Flat 9% OFF on online orders of Car-Electronics product. Hurry up! Limited period offer.


This jersey was purchased in Toronto at the Air Canada Center in the 90s.
The jersey appears to have been lightly worn a couple times. There are no pulls, holes or tears, minor puck marks. NHL Center Ice tag in the back neck inside collar. The main color is white with royal blue secondary color. The jersey material is ultrafil. Embroidered Maple Leafs logo crest is sewn on the front chest. Alternate logo patches are sewn on the shoulders. Size 52 flag tag and CCM paper tag are sewn on the inside nape of the neck. CCM and NHL logos are embroidered into the back bottom right tail. Double shoulders and elbows. Underarm mesh gussets. Tie-down fight strap. Made in Canada.
Due to the value of this item, upgraded shipping is recommended.


text:
package com.opengamma.analytics.financial.model.stochastic;

import org.apache.commons.lang.Validate;

import com.opengamma.analytics.financial.model.option.definition.OptionDefinition;
import com.opengamma.analytics.financial.model.option.definition.StandardOptionDataBundle;
import com.opengamma.analytics.math.function.Function1D;
import com.opengamma.analytics.math.function.Function2D;

/**
 *
 * @param <T>
 * @param <U>
 */
public class BlackScholesGeometricBrownianMotionProcess<T extends OptionDefinition, U extends StandardOptionDataBundle> extends StochasticProcess<T, U> {

  @Override
  public Function1D<Double, Double> getPathGeneratingFunction(final T t, final U u, final int steps) {
    Validate.notNull(t);
    Validate.notNull(u);
    if (steps < 1) {
      throw new IllegalArgumentException("Number of steps must be greater than zero");
    }
    final double k = t.getStrike();
    final double m = t.getTimeToExpiry(u.getDate());
    final double sigma = u.getVolatility(m, k);
    final double b = u.getCostOfCarry();
    final double dt = m / steps;
    final double sigmaSq = sigma * sigma;
    final double nu = dt * (b - 0.5 * sigmaSq);
    final double sigmaDt = sigma * Math.sqrt(dt);
    return new Function1D<Double, Double>() {

      @Override
      public Double evaluate(final Double e) {
        return nu + sigmaDt * e;
      }
    };
  }

  @Override
  public Double getInitialValue(final T t, final U u) {
    return Math.log(u.getSpot());
  }

  @Override
  public Double getFinalValue(final Double x) {
    return Math.exp(x);
  }

  @Override
  public Function2D<Double, Double> getPathAccumulationFunction() {
    return new Function2D<Double, Double>() {

      @Override
      public Double evaluate(final Double x1, final Double x2) {
        return x1 + x2;
      }

    };
  }
}


text:
SCSF Home
SCSF Fundraisers
Educational Director
The Joseph Papp Initiative
SCSF Company
Second Stage Series
SCSF Performance Videos
Directions to the SCSF
The Southern California Shakespeare Festival's Second Stage Series continues during Season 15 to support new plays and stage readings of contemporary and classical works. Please join us for this exciting new theatrical venue. The SCSF Second Stage Series takes place on Sept. 1 after the 2:00p.m. Matinee and Saturday Sept. 7 immediately following "Titus Andronicus," at approximately 10:15 p.m.
"Caminos: A Mother's Journey " by Teatro Liberado.
Caminos: A Mother's Journey tells the story of immigrant, Hispanic mothers who traveled to the United States through a series of moments . These moments and monologues are derived from interviews. Teatro Liberado company members interviewed their own mothers and relatives, translated the interviews into English, and created a first person insight to the story of immigrant, Hispanic women. Teatro Liberado (liberated theatre ) is committed to speaking the stories of voices who have been silenced and aims to showcase that in this debut devised work.


text:
Wilbur Donald Wakamatsu (né le  à Hood River, Oregon, États-Unis) est un ancien joueur de baseball devenu entraîneur. Depuis la saison 2014, il est instructeur de banc des Royals de Kansas City de la Ligue majeure de baseball.

Wakamatsu est l'ancien manager des Mariners de Seattle. Il est entré en fonction en 2009, devenant le premier manager d'origine asiatique de l'histoire des majeures, et est demeuré en poste jusqu'en août 2010.

Don Wakamatsu a également joué brièvement dans les majeures à la position de receveur pour les White Sox de Chicago en 1991.

Carrière

Joueur
Joueur de baseball à l'Université Arizona State, Don Wakamatsu a été sélectionné au  par les Reds de Cincinnati en 1985. Il a pris part à 18 parties dans les Ligues majeures comme receveur avec les White Sox de Chicago en 1991. Il a fait 31 apparitions au bâton, frappé 7 coups sûrs pour une moyenne de ,226, marqué deux fois et soutiré un but-sur-balles. Il a par la suite évolué dans les ligues mineures jusqu'en 1996.

Manager

Après sa retraite de joueur, Wakamatsu est devenu manager avec les Arizona League Diamondbacks (1997) à Peoria au niveau A, les Diablos d'El Paso (Ligue du Texas, 1999) en classe AA et les SeaWolves d'Erie (Eastern League, 2000). En 1998, il fut nommé manager de l'année dans la California League alors qu'il dirigeait les High Desert Mavericks.

Il est promu dans les Ligues majeures et occupe les fonctions d'instructeur des receveurs avec les Angels d'Anaheim en 2001 et 2002. De 2003 à 2006, il est instructeur dans l'abri des joueurs chez les Rangers du Texas. En 2006, il est manager pendant deux matchs en remplacement de Buck Showalter, hospitalisé. En 2007 avec les Rangers, il devient instructeur au troisième but.

En 2008, il est instructeur dans l'abri des Athletics d'Oakland.

Le , il est nommé manager des Mariners de Seattle, devenant le premier Asiatique à occuper ce poste dans les majeures. Il hérite pour 2009 d'une équipe jeune et inexpérimentée et aura la tâche de redresser la franchise, qui vient de vivre la  saison de son histoire (101 défaites) et sa plus mauvaise campagne depuis 1983.

À sa première saison comme manager dans les majeures, Wakamatsu a été invité à être un des deux adjoints de Joe Maddon au match des étoiles du baseball, le  au Busch Stadium de Saint-Louis. Les Mariners terminent la campagne avec une étonnante fiche de 85-77, soit 24 gains de plus que l'année précédente. Il termine quatrième au vote du manager de l'année dans la Ligue américaine.

En 2010, les performances des Mariners, que d'aucuns voyaient en première place de leur division, s'avèrent très décevantes. Le 23 juin, lors d'un match contre Boston, une altercation éclate dans l'abri des joueurs entre Wakamatsu et Chone Figgins. Ce dernier venait d'être cloué au banc par son manager après avoir regardé passer sans réagir un relais du champ extérieur lui étant destiné, permettant à Mike Cameron des Red Sox d'étirer un double en triple. Le 9 août, Wakamatsu, ayant perdu la confiance de ses joueurs et de son patron Jack Zduriencik, est congédié en même temps que les instructeurs Rick Adair et Ty Van Burkleo. Daren Brown est nommé manager des Mariners par intérim. Seattle avait une fiche de 42 victoires et 70 défaites au moment du licenciement de Wakamatsu.

Don Wakamatsu portait le numéro d'uniforme 22 avec Seattle.

En 2011, il se joint au personnel d'instructeurs des Blue Jays de Toronto et est adjoint sur le banc à John Farrell. Il reste deux saisons (2011-2012) chez les Blue Jays.

Depuis la saison 2014, il est instructeur de banc des Royals de Kansas City.

Vie personnelle
Né d'un père nippo-américain et d'une mère irlando-américaine, Wakamatsu est un Japonais de quatrième génération dont le père est né dans un camp d'internement où furent incarcérés de nombreux Japonais-américains durant la Seconde Guerre mondiale.

Notes

Liens externes
 Statistiques de Don Wakamatsu (joueur) sur Baseball-Reference.
 Statistiques de Don Wakamatsu (manager) sur Baseball-Reference.

Naissance en février 1963
Naissance dans le comté de Hood River
Manager des Mariners de Seattle
Receveur des ligues majeures de baseball
Joueur des White Sox de Chicago
Instructeur des Angels d'Anaheim
Instructeur des Rangers du Texas
Instructeur des Athletics d'Oakland
Instructeur des Blue Jays de Toronto
Instructeur des Royals de Kansas City
Joueur américain de baseball
Étudiant de l'université d'État de l'Arizona

redpajama_set_name: RedPajamaWikipedia


2015-09-28 in 新時代的我們, 未來展望, 求圖求真相, 來看看真面目.
Peng, 52, now president of the People's Liberation Army Academy of Art, enlisted as a soldier of literature and arts in Shandong in 1980. She studied at the China Conservatory of Music and graduated with a master's degree in 1990. She has toured the world as China's top soprano to promote Chinese opera and music.
2015-09-27 in 發揮正能量, 新時代的我們, 未來展望.


text:
Regional Coordinator for Mid Jutland in Denmark
Welcome Katja Aagaard Steffensen, new Messy Church Regional Coordinator for Mid Jutland in Denmark. Katja joins the growing team of coordinators in Denmark and works for the Inner Mission. Katja is engaged with Christian children's clubs, Messy Church, outreach and married couples as they have their first child. Katja is married to Hans and has three children.
Regional Coordinator for Western Adelaide
Welcome Fiona Weckert! Fiona joins the new Regional Coordinator team in South Australia. She will be supporting Messy Churches in Adelaide - West.
Regional Coordinator for South Australia - north region
Welcome Gail Edwards, new Messy Church Regional Coordinator for South Australia - north region. Gail is a member of the Burra District Uniting Church, involved in the ministry team, local outreach and admin. Gail became interested in Messy Church early on and spoke to the church council and ministry team, agreeing to coordinate hospitality and support admin and resource. Gail also runs Messy Street Fair each year.
Regional Coordinator moves from Lichfield & Tamworth region to Stoke-on-Trent
Welcome Naomi Savage as the new Messy Church Regional Coordinator for Stoke-on-Trent! Naomi is switching her Regional Coordinator role from the Lichfield and Tamworth region over to Stoke, as she starts a new job at The Church in the Westlands in Newcastle-under-Lyme. Naomi will be the Children's and Families Worker. Please pray for Naomi during all of her transitions.
Regional Coordinator moves from London to Devon
Welcome Michelle Farrelly, new Messy Church Regional Coordinator for North and South Devon. Michelle joins Regional Coordinator Mel Cleveland, Regional Coordinator for Exeter and East Devon, supporting Messy Churches in this glorious county.
Regional Coordinator Kapiti, Manawatu, Whanganui and Manaia, New Zealand
Welcome Carrole Lewis, new Messy Church Regional Coordinator for Kapiti, Manawatu, Whanganui and Manaia in New Zealand. We are delighted that the New Zealand team of Regional Coordinators has doubled in size!
Regional Coordinator for South Auckland, New Zealand
Welcome Tarnya Burge as new Messy Church Regional Coordinator for South Auckland, New Zealand. The New Zealand team of Regional Coordinators keeps on growing!
Regional Coordinator for Wellington, New Zealand
Welcome Diane Stevens, new Regional Coordinator for Wellington in New Zealand! Diane joins a growing team of Regional Coordinators supporting New Zealand.
Regional Coordinator for Sheffield
Welcome to Suzanne Morton, Messy Church Regional Coordinator for Sheffield! We have been waiting to fill this gap for a very long time so we are delighted that Suzanne has decided to join the network.
Regional Coordinator for North East & East Derbyshire
Welcome Linda Cooper, new Messy Church Regional Coordinator for North East & East Derbyshire. Linda is keen to support and pray for the registered Messy Churches in this region. Please contact Linda to encourage her and register your Messy Church with us if you have not already done so.


text:
Q: Audit data migration into Oracle I am having a task to migrate data from another database to Oracle database.
And data from previous database has audit information, i.e. tracking of create/update of records with update_time and update_user. For simplicity, let's assume the previous database I am talking about is an excel file of the following format:
Key | Value | Update_Time | Update_User |
----|-------|-------------|-------------|
a   | 1     | 23/04/2020  | user1       |
b   | 2     | 21/04/2020  | user2       |
a   | 3     | 20/04/2020  | user1       |
a   | 4     | 19/04/2020  | user5       |
a   | 5     | 18/04/2020  | user2       |

What is the best practice to move data into Oracle such that user can still query those audit info along with the new audit given that the data is now being saved to a new table in Oracle below? Does Oracle provide any native solution for this? I try Oracle Flashback, but not sure how to include those previous audit, because as I understand, we can only query Flashback for data change from now on. Ideally, I want to store only the latest data table in Oracle like this, as they are the actual active data:
Key | Value | Last_Update_Time | Last_Update_User |
----|-------|------------------|------------------|
a   | 1     | 23/04/2020       | user1            |
b   | 2     | 21/04/2020       | user2            |

Let's say user continue edit row with key b on 24/04/2020, then I want to fetch those result for UI display (currently I am using python sqlalchemy to access the db, but a solution with a sql query should be fine for the start)
Key | Value | Update_Time | Update_User |
----|-------|-------------|-------------|
b   | 7     | 24/04/2020  | user2       | ---> this is an update on the new oracle table above
a   | 1     | 23/04/2020  | user1       | ---> those rows below I want to somehow load into the oracle without explicitly create a new table for it
b   | 2     | 21/04/2020  | user2       |
a   | 3     | 20/04/2020  | user1       |
a   | 4     | 19/04/2020  | user5       |
a   | 5     | 18/04/2020  | user2       |

After the change, the main data table in Oracle should look below
Key | Value | Last_Update_Time | Last_Update_User |
----|-------|------------------|------------------|
a   | 1     | 23/04/2020       | user1            |
b   | 7     | 24/04/2020       | user2            |

A: YOu can use the below select query
  SELECT AD.* FROM Audit_table AD,
  (SELECT Key,Max(Update_time) Updated_Time,Last_updated_USer
  From Audit_table
  group by Key,Last_updated_USer)rec
  where AD.Key=rec.Key
  AND AD.Updated_Time=rec.Updated_Time
  AND AD.Last_updated_USer=rec.Last_updated_USer;


Gondola lifts: 8.15 a.m. to 4.45 p.m.
Chairlifts: 8.30 a.m. to 4.15 p.m.
Schwamm chairlift: 8.30 a.m. to 4.00 p.m.
Ski lifts: 8.30 a.m. to 4.00 p.m.
Eleven modern gondola lifts, chairlifts and ski lifts transport the winter sports enthusiasts over 43 kilometres of slopes. The Pizol is the first Swiss ski resort to have certified ski slopes.


A little while ago I made some lotion bars – and I'm addicted to them!
I'm on my third batch already. Mostly because I've given a few away as well as having them dotted around around the house so that I'm never too far away from lovely moisturising hand salve!
My friend Steph really liked the second batch I made which had lavender oil in it, so I bought her a little vintage tin and have made her some to keep in her handbag. For myself – I have gone for the simple recipe with no added essential oils as I think the lavender irritated my eczema.
Although I love these lotion bars – they don't work brilliantly as a body moisturiser so I decided to try this recipe to get more of a cream/whip.
I bought a lovely little pot from the antique centre to store it in and it worked really well! It is made up of aloe vera gel, beeswax and coconut oil. I just whisked mine, but it is a bit lumpy – so next time I'm going to try blending it instead. I missed out the peppermint oil and added a small amount of almond oil and jojoba oil. It's really simple to make, but rather messy!
Do you make your own lotions and potions?
I'd love to know the recipe you used for the butter, if you don't mind sharing? The whipped looks and sounds wonderful!
Mine doesn't look anything like hers and is a bit lumpy so I think I need to play about with it… does the job though!


Foley Design Studio is a small full-service design studio based in Vancouver, BC. Our key services include web design and development, email marketing, search engine optimization (SEO), content management, database development, print design and brand development. Our clients tend to be in the labour union and political sectors as well as other progressive organizations.
We build sites for progressive organizations and local unions such a CUPE BC.