text:
Will Destiny's Child Reunite for Glastonbury 2011?
Sources say Destiny's Child may be reuniting for Glastonbury this weekend.
By Lyndra Vassar	· Updated October 28, 2020
After a six-year split, our favorite "independent women" may finally come together for a Destiny's Child reunion, according to reports. Kelly Rowland and Michelle Williams will reportedly join former bandmate Beyonce during her Glastonbury performance this weekend.
Sources say Kelly and Michelle may meet up with Bey for some girl talk and possibly an on-stage performance.
"It's still very much up in the air as no one wants Bey to feel she's being upstaged," a close source told the Mirror "One idea is for the two girls to join her on stage towards the end of her set for a medley of their hits. But whatever happens, the three girls are getting back together at Glasto and planning on having an absolute ball."
We cannot wait for their big reunion — what do you think? Destiny's Child taking the stage together — yay or nay?


Book: Proverbs (1), Zechariah (1), Ephesians (1), Titus (1), 1 Peter (1).
Service: Cool Springs PBC Sunday Evening (3), Cool Springs PBC Sunday Morning (1).
Zechariah 8:1-8 (Sermon series: Family Relationships).
Preached by Philip Conley on November 4, 2012 (Cool Springs PBC Sunday Morning).
Ephesians 6:1-3 (Sermon series: Family Relationships).
Preached by Philip Conley on October 7, 2012 (Cool Springs PBC Sunday Evening).
Proverbs 31:10-31 (Sermon series: Family Relationships).
Preached by Philip Conley on September 2, 2012 (Cool Springs PBC Sunday Evening).
1 Peter 3:7 (Sermon series: Family Relationships).
Preached by Philip Conley on August 19, 2012 (Cool Springs PBC Sunday Evening).


text:
Q: Name can be undefined Warning after adding try/except to my code enter image description hereI wrote code to convert microwave times for different wattages. It's beginner level but it works and even stops the user from inputting letters instead of numbers. However, I get warning messages saying Names can be undefined. Here is the code and any help would be appreciated.
while True:
    try:
        time1 = int(input('Enter original time in seconds: '))
        power1 = int(input('Enter original power in watts: '))
        power2 = int(input('Enter new power in watts: '))
    except ValueError:
        print("Please input a number.")
        continue
    else:
        break

def power_conversion(x, y, z):

    return int(x)/int(y)*int(z)

time2 = power_conversion(power1, power2, time1)

print('Cooking time in a '+str(power2)+' watt microwave is:')
print(str(int(time2/60))+':'+(str(int(time2-(60*int(time2/60))))).zfill(2))

A: Kevin Pita helped me answer this question. This is the new code. I just moved the function to the top and the variable "time2" inside the loop.
def power_conversion(x, y, z):

    return int(x)/int(y)*int(z)

while True:
    try:
        time1 = int(input('Enter original time in seconds: '))
        power1 = int(input('Enter original power in watts: '))
        power2 = int(input('Enter new power in watts: '))
        time2 = power_conversion(power1, power2, time1)
    except ValueError:
        print("Please input a number.")
        continue
    else:
        print('Cooking time in a ' + str(power2) + ' watt microwave is:')
        print(str(int(time2 / 60)) + ':' + (str(int(time2 - (60 * int(time2 / 60))))).zfill(2))
        break

redpajama_set_name: RedPajamaStackExchange


On your bark, get set, GO! The FIDO 500 Mini Dog Races, presented by Rocket's K-9 Comets®, feature our talented canines racing Olympic-style in a sprint to the finish line for gold, silver, and bronze. Each of these delightful dogs weighs between 3.5 and 19.5 pounds, and they represent their countries of origin.
More than a dozen miniature purebred dogs are on the team, including three adorable Dachshunds who participate in their own specialty race called the Wiener 100, and three tiny Chihuahuas who compete in the Baja Chihuahua 100. The lineup also includes an unusual Hairless Chinese Crested, a Shiba Inu, a Schnauzer, a Pomeranian, an Australian terrier, an all-American mutt, and more.
Contact Rocket's K-9 Comets® Productions at (800) 427-7117 to entertain your audiences with our amazing dog shows.


Detached folio from a dispersed copy of a Rawdat al-safa fi sirat al-anbiya' wa-al-muluk wa-al-khulafa (Garden of purity on the lives of the prophets, kings, and caliphs) by Muhammad b. Khwandshah (known as Mirkhwand); text: Persian in black nasta'liq script; heading in gold; recto: text: On the events of the twenty-fifth years of Mohammad's birth, His trip to Damascus and his marriage to Khadija Kobra, one column, twenty-five lines; verso: illustration and text: Muhammad converses with Nestor; one of a group of twenty folios.
Border: The painting is set in red, gold, and black rulings on a paper with landscape and animal motifs; the text is set in red, gold, and black rulings on cream-colored paper.
Detached folio from a dispersed copy of a Rawdat al-safa fi sirat al-anbiya' wa-al-muluk wa-al-khulafa (Garden of purity on the lives of the prophets, kings, and caliphs) by Muhammad b. Khwandshah (known as Mirkhwand); text: Persian in black nasta'liq script; heading in gold; recto: text: On the events of the twenty-fifth years of Mohammad's birth, His trip to Damascus and his marriage to Khadija Kobra, one column, twenty-five lines; verso: illustration and text: Muhammad converses with Nestor; one of a group of twenty folios.
Glenn D. Lowry, Milo Cleveland Beach, Elisabeth West FitzHugh, Susan Nemanzee, Janet Snyder. An Annotated and Illustrated Checklist of the Vever Collection. Washington and Seattle. cat. 219, p. 192.


If the rumors are true, then Sales Enablement 3.0 is upon us, and this puts us sales and tech professionals at yet another split in the road: to continue down the current path with our social selling and email tracking, or take a slight left at the bend and see what new concepts have surfaced.
If you've had your ear to the ground lately, you'd agree we're moving towards heavier sales automation, predictive sales intelligence and video messaging. Given sales automation is the most established, and sales intelligence is difficult enough for the wisest and most experienced — take a go with video messaging.
Primarily, we need to understand what video messaging is to the B2B space and then what value it provides to sales messaging and pipeline generation.
In its simple elegance, video messaging is recording and sending sales and marketing messaging via email. Sending video in B2B sales, as prospects have told me, is a novel concept. The goal is to create a video for your audience, whether it's to set a new meeting to a specific person or to promote awareness for your event/cause to a broader audience.
There are a small handful of video messaging platforms for recording and sending video messages. Features and quality vary, including CRM integrations, mobile apps, corporate branding and even DNS set-up for the enterprise crowd. With OneMob you can have all of these features, plus the technology for a recording and sending solution that is both trackable and scalable.
This is where message differentiation comes into play. The majority of buyers already think you and your competition are more-or-less the same (via The Challenger Sale). If your messaging looks alike, then they're ignoring your email all the same. That being said, there's no better means of driving high CTRs than a video thumbnail (MarketingProfs). So if you need your initial message to be received, include a video. This is a personal, digital approach and is best for top tier accounts. Since great sales people take the time to know their audience and tailor their message, do yourself the favor and give your great messaging the best odds of being seen.
Sales automation has made sales people seem like robots. There's minimal room for personalization, so most emails look the same at first glance. Seeing a smiling face, a company logo, plus physically hearing and seeing the sales person carries weight — the type of weight sales people long to replicate via their rare and invaluable face-to-face meetings. If I had a dollar for every time a prospect noted I'm "the guy with a beard from the video" as we began our first meeting, I'd have enough dollars for Chipotle for me and a friend, plus guac.
Video is an additional outlet to phone calls and emails that go hand-in-hand with any sales position. In a time where sales automation is becoming bigger than ever, video is pitching value via a wider and more consistent net. While phone and email aren't going away anytime soon, video is looking to be the next accepted addition, creating the Big Three in foundational sales outreach. So, while the sales effectiveness space is preaching volume, video is singing personal touch.


text:
/*
 *   This program is free software: you can redistribute it and/or modify
 *   it under the terms of the GNU General Public License as published by
 *   the Free Software Foundation, either version 3 of the License, or
 *   (at your option) any later version.
 *
 *   This program is distributed in the hope that it will be useful,
 *   but WITHOUT ANY WARRANTY; without even the implied warranty of
 *   MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
 *   GNU General Public License for more details.
 *
 *   You should have received a copy of the GNU General Public License
 *   along with this program.  If not, see <http://www.gnu.org/licenses/>.
 */

/*
 *    Function.java
 *    Copyright (C) 2008-2012 University of Waikato, Hamilton, New Zealand
 *
 */

package weka.core.pmml;

import java.io.Serializable;
import java.util.ArrayList;

import weka.core.Attribute;

/**
 * Abstract superclass for PMML built-in and DefineFunctions.
 *
 * @author Mark Hall (mhall{[at]}pentaho{[dot]}com)
 * @version $Revision 1.0 $
 */
public abstract class Function implements Serializable {

  /**
   * For serialization
   */
  private static final long serialVersionUID = -6997738288201933171L;

  /** The name of this function */
  protected String m_functionName;

  /** The structure of the parameters to this function */
  protected ArrayList<Attribute> m_parameterDefs = null;

  public String getName() {
    return m_functionName;
  }

  /**
   * Returns an array of the names of the parameters expected
   * as input by this function. May return null if this function
   * can take an unbounded number of parameters (i.e. min, max, etc.).
   *
   * @return an array of the parameter names or null if there are an
   * unbounded number of parameters.
   */
  public abstract String[] getParameterNames();

  /**
   * Set the structure of the parameters that are expected as input by
   * this function. This must be called before getOutputDef() is called.
   *
   * @param paramDefs the structure of the input parameters
   * @throws Exception if the number or types of parameters are not acceptable by
   * this function
   */
  public abstract void setParameterDefs(ArrayList<Attribute> paramDefs) throws Exception;

  /**
   * Get the structure of the result produced by this function.
   *
   * @return the structure of the result produced by this function.
   */
  public abstract Attribute getOutputDef();

  /**
   * Get the result of applying this function.
   *
   * @param incoming the arguments to this function (supplied in order to match that
   * of the parameter definitions
   * @return the result of applying this function. When the optype is
   * categorical or ordinal, an index into the values of the output definition
   * is returned.
   * @throws Exception if there is a problem computing the result of this function
   */
  public abstract double getResult(double[] incoming) throws Exception;

  /**
   * Get the result of applying this function. Subclasses should overide this
   * method when they might produce categorical values where the legal set of
   * values can't be determined apriori (i.e. by just using the input parameter
   * definitions). An example is the substring function - in this case there
   * is no way of knowing apriori what all the legal values will be because the
   * start position and length parameters are not known until the function is
   * invoked. In this scenario, a client could call getResultCategorical()
   * repeatedly (in an initialization routine) in order to manually build the
   * list of legal values and then call this method at processing time, passing
   * in the pre-computed output structure.
   *
   *  This default implementation ignores the supplied output definition argument
   *  and simply invokes getResult(incoming).
   *
   * @param incoming the arguments to this function (supplied in order to match that
   * of the parameter definitions
   * @param outputDef the output definition to use for looking up the index of
   * result values (in the case of categorical results)
   * @return the result of applying this function. When the optype is
   * categorical or ordinal, an index into the values of the output definition
   * is returned.
   * @throws Exception if there is a problem computing the result of this function
   *
  public double getResult(double[] incoming, Attribute outputDef) throws Exception {
    if (outputDef.isString()) {
      throw new Exception("[Function] outputDef argument must not be a String attribute!");
    }
    return getResult(incoming);
  }*/

  /**
   * Get the result of applying this function when the output type categorical.
   * Will throw an exception for numeric output. If subclasses output definition
   * is a string attribute (i.e. because all legal values can't be computed apriori),
   * then the subclass will need to overide this method and return something sensible
   * in this case.
   *
   * @param incoming the incoming arguments to this function (supplied in order to match
   * that of the parameter definitions
   * @return the result of applying this function as a String.
   * @throws Exception if this method is not applicable because the optype is not
   * categorical/ordinal
   *
  public String getResultCategorical(double[] incoming) throws Exception {
    if (getOutputDef().isNumeric()) {
      throw new Exception("[Function] can't return nominal value, output is numeric!!");
    }

    if (getOutputDef().isString()) {
      throw new Exception("[Function] subclass neeeds to overide this method and do "
          + "something sensible when the output def is a string attribute.");
    }

    return getOutputDef().value((int)getResult(incoming));
  } */

  //public static FieldMetaInfo.Optype

  /**
   * Get a built-in PMML Function.
   *
   * @param name the name of the function to get.
   * @return a built-in Function or null if the named function is not
   * known/supported.
   */
  public static Function getFunction(String name) {
    Function result = null;

    name = name.trim();
    if (name.equals("+")) {
      result = new BuiltInArithmetic(BuiltInArithmetic.Operator.ADDITION);
    } else if (name.equals("-")) {
      result = new BuiltInArithmetic(BuiltInArithmetic.Operator.SUBTRACTION);
    } else if (name.equals("*")) {
      result = new BuiltInArithmetic(BuiltInArithmetic.Operator.MULTIPLICATION);
    } else if (name.equals("/")) {
      result = new BuiltInArithmetic(BuiltInArithmetic.Operator.DIVISION);
    } else if (name.equals(BuiltInMath.MathFunc.MIN.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.MIN);
    } else if (name.equals(BuiltInMath.MathFunc.MAX.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.MAX);
    } else if (name.equals(BuiltInMath.MathFunc.SUM.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.SUM);
    } else if (name.equals(BuiltInMath.MathFunc.AVG.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.AVG);
    } else if (name.equals(BuiltInMath.MathFunc.LOG10.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.LOG10);
    } else if (name.equals(BuiltInMath.MathFunc.LN.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.LN);
    } else if (name.equals(BuiltInMath.MathFunc.SQRT.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.SQRT);
    } else if (name.equals(BuiltInMath.MathFunc.ABS.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.ABS);
    } else if (name.equals(BuiltInMath.MathFunc.EXP.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.EXP);
    } else if (name.equals(BuiltInMath.MathFunc.POW.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.POW);
    } else if (name.equals(BuiltInMath.MathFunc.THRESHOLD.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.THRESHOLD);
    } else if (name.equals(BuiltInMath.MathFunc.FLOOR.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.FLOOR);
    } else if (name.equals(BuiltInMath.MathFunc.CEIL.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.CEIL);
    } else if (name.equals(BuiltInMath.MathFunc.ROUND.toString())) {
      result = new BuiltInMath(BuiltInMath.MathFunc.ROUND);
    } else if (name.equals(BuiltInString.StringFunc.UPPERCASE.toString())) {
      result = new BuiltInString(BuiltInString.StringFunc.UPPERCASE);
    } else if (name.equals(BuiltInString.StringFunc.SUBSTRING.toString())) {
      result = new BuiltInString(BuiltInString.StringFunc.SUBSTRING);
    } else if (name.equals(BuiltInString.StringFunc.TRIMBLANKS.toString())) {
      result = new BuiltInString(BuiltInString.StringFunc.TRIMBLANKS);
    }

    return result;
  }

  /**
   * Get either a function. Built-in functions are queried first, and then
   * DefineFunctions in the TransformationDictionary (if any).
   *
   * @param name the name of the function to get.
   * @param transDict the TransformationDictionary (may be null if there is
   * no dictionary).
   * @return the function
   * @throws Exception if the named function is not known/supported.
   */
  public static Function getFunction(String name, TransformationDictionary transDict)
    throws Exception {

    Function result = getFunction(name);

    // try the defined functions in the TransformationDictionary (if any)
    if (result == null && transDict != null) {
      result = transDict.getFunction(name);
    }

    if (result == null) {
      throw new Exception("[Function] unknown/unsupported function " + name);
    }

    return result;
  }

  public String toString() {
    return toString("");
  }

  public String toString(String pad) {
    return pad + this.getClass().getName();
  }
}

redpajama_set_name: RedPajamaGithub


Effective leaders have acquired a set of skills and developed behaviours that set them apart from others. Successful leaders inspire and motivate people. They have the ability to create a vision and transfer it to those around them. They encourage hope, positivity, ambition and compassion. They are good communicators; know about planning and more importantly they can manage people. While all good managers are not leaders, all successful leaders certainly know how to manage people.
This level 1 course will benefit participants that are relatively new to the role of leadership or are in need of a fresh perspective to their leadership role. It will assist delegates to understand their role and introduce the concept of leadership and identify appropriate leadership styles to suit relevant situations.
be helpful for those that are about to embark or are new to a position of team leadership"


text:
From small indie flick to Hollywood, British director Gareth Edwards of "Monsters" gets a shot at the big time
posted 9 Mar 2011, 08:05 by Sam Mbale [ updated 9 Mar 2011, 08:49 ]
Director Gareth Edwards talks about his independent critical hit "Monsters" which has helped win him his next project: the Hollywood remake of "Godzilla".
LONDON, ENGLAND, UNITED KINGDOM (RECENT - MARCH 3, 2011) REUTERS -
Director Gareth Edwards is about to go from one extreme to another - from shooting on a shoestring budget to helming one of
Hollywood's biggest upcoming studio projects.
His directorial feature debut, "Monsters", is the ultimate exercise in low budget, guerilla film-making. He wrote, directed and shot the movie as well as editing and creating the special effects for it on his computer.
The film was shot on location in Mexico with off the shelf cameras and equipment costing less than 20,000 U.S. dollars. The two lead characters in the film (played by real life husband and wife Whitney Able and Scoot McNairy) are the only parts played by professional actors. Edwards recruited locals or whoever happened to be nearby at the time to play supporting roles - sometimes less than 30 minutes before shooting a scene. With a completely opportunistic shooting schedule and no real sets much of the dialogue was improvised.
"As we were making it, every hour - not even everyday but every hour - there was something that made you think this ain't ever going to happen is it? Like a problem when we were filming, or even in the edit when you're trying to iron out the story, you know, it becomes this roller-coaster ride of ups and downs like: 'Oh it's going to work, oh not it's not, it's all been a waste of time, oh it's good', you know," Edwards recalled.
As well as a hugely positive critical reception, the film almost instantly reached cult status. More than a year since making "Monsters", Edwards says he is still reeling from the fact that his film is out there and still finding audiences.
At a screening of the movie at the Royal College of Surgeons, held by London's Cult Film Club, hundreds of people lined up around the block to get into the event where "infected area" sets and costumed attendants recreated the setting of the story.
"I still can't believe that it has kind of worked and doing things like this is really surreal because like two years ago you're picturing some little story and you're picking a costume of the internet for the actress to wear and then walking around here and they've got people dressed up like it. It's so surreal, like in your wildest dreams this shouldn't be happening," Edwards told Reuters Television ahead of the screening.
Despite the low budget, "Monsters" has the look of a much more expensive production.
"A lot of people have been surprised that you can create a film that looks like a Hollywood film, or however people describe it, like, using just prosumer cameras and normal Windows PC. And it sort of surprised me that people have been surprised by that because everyone who does this for a living-- I did visual effects for a long time and everyone I know who does visual effects has been kind of secretly working on little pet projects like a film or a short film or something."
But "Monsters" didn't impress everybody. The title and marketing of the film attracted audiences expecting a more action packed formula - and left many disappointed by the slow, atmospheric, sci-fi/road movie/romance they found.
Edwards is well aware of how expectations can effect the viewing experience. At a Q&A session ahead of the Cult Film Club screening he took care to warn the audience that many of them may hate the film.
He said that blending genres made marketing the film problematic.
"Out of all aspects of our film the most marketable one was the monster movie element because those sorts of movies can make 30, 100 million so it was inevitable that people were going to latch on to that but we were into doing a character piece, more of an artistic film in a way that just happens to be set in a world with these giant monsters," the director said.
Whatever the mixed audience reactions to "Monsters" may be, the film has brought Edwards to the attention of Hollywood.
He is now to helm a re-imagining of one of the ultimate monster movies.
"I'm very lucky, I have two projects that I'm developing. One of them is 'Godzilla' with Legendary and Warner Brothers and the other one is a personal project which I've always wanted to do which is science fiction as well and apparently that's quite typical in Hollywood. I'm brand new to the whole thing but apparently it's very normal to have more than one thing ahead of you so we'll just develop them and see what happens," he confirmed
The mega-budget, major studio experience will be a new one for the director - so new that he says he has no idea what to expect.
"I don't know is the honest answer so I don't know how I'll cope in that sense, but I didn't know how I would cope on this (Monsters). I think the most important thing is to see the film in your head and then just reverse engineer out of that, what's the best way to go get that. For this it was run around Mexico with a camera and two actors for another film it might have an incredibly talented crew and lots and lots of money behind you which, fortunately, I'll probably get for at least one of them," he said.
"Monsters" gets it's DVD release in the UK in April.

redpajama_set_name: RedPajamaCommonCrawl


text:
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January 22, 2020 Social JusticeLeave a Comment on Trump's plan to destroy guardrails on presidential power
Trump's plan to destroy guardrails on presidential power
https://wapo.st/2RhsmaL
SENATE REPUBLICANS on Tuesday were laying the groundwork for a truncated trial of President Trump that would be a perversion of justice. Proposals by Democrats to obtain critical evidence were voted down. Unless several senators change their positions, votes to acquit Mr. Trump on the House's charges of abuse of power and obstruction of Congress could come as soon as next week without any testimony by witnesses or review of key documents. That would be unprecedented compared with previous presidential impeachments. It would gravely damage the only mechanism the Constitution provides for checking a rogue president.
Impeachment trial live updates
Yet the rigging of the trial process may not be the most damaging legacy of the exhibition Republican Majority Leader Mitch McConnell (Ky.) is orchestrating in full collaboration with the White House. That might flow from the brazen case being laid out by Mr. Trump's lawyers. The defense brief they filed Monday argues that the president "did absolutely nothing wrong" when he pressed Ukrainian President Volodymyr Zelensky to launch investigations of Joe Biden and a Russian-promoted conspiracy theory about the 2016 election. It further contends that Mr. Trump was entirely within his rights when he refused all cooperation with the House impeachment inquiry, including rejecting subpoenas for testimony and documents. It says he cannot be impeached because he violated no law.
By asking senators to ratify those positions, Mr. Trump and his lawyers are, in effect, seeking consent for an extraordinary expansion of his powers. An acquittal vote would confirm to Mr. Trump that he is free to solicit foreign interference in the 2020 election and to withhold congressionally appropriated aid to induce such interference. It would suggest that he can press foreign leaders to launch a criminal investigation of any American citizen he designates, even in the absence of a preexisting U.S. probe, or any evidence.AD
The defense would also set the precedent that presidents may flatly refuse all cooperation with any congressional inquiry, even though the House's impeachment power is spelled out in the Constitution. And it would establish that no president may be impeached unless he or she could be convicted of violating a federal statute — no matter the abuse of power. Those are principles that Republicans will regret if they conclude that a Democratic executive has violated his or her oath of office. Yet Mr. Trump demands they adopt his maximalist position regardless of the consequences.
We know that many Republican senators do not accept this unacceptable defense. Some, such as Rob Portman (Ohio), Patrick J. Toomey (Pa.), Mitt Romney (Utah), Ben Sasse (Neb.) and Susan Collins (Maine), have publicly criticized Mr. Trump for calling on Ukraine or China to investigate Mr. Biden. Mr. Portman and Mr. Toomey have taken the position that Mr. Trump's behavior was wrong but not worthy of impeachment — a response that would, at least in theory, preserve some guardrails on the president's behavior.
Mr. Trump's defense is designed to destroy those guardrails. If Republican senators go along with it, they will not only be excusing behavior that many of them believe to be improper. They will be enabling further assaults by Mr. Trump on the foundations of American democracy.
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text:
Alan Brogan
Name: Alan Brogan
Occupation: Football Player
Birth Day: January 11, 1982
Birth Place: Dublin, Ireland
Alan Brogan was born on January 11, 1982 in Dublin, Ireland (40 years old). Alan Brogan is a Football Player, zodiac sign: Capricorn. Nationality: Ireland. Approx. Net Worth: Undisclosed. @ plays for the team .
He was named an All-Star in 2006, 2007, and 2011. He retired from inter-county play in 2015.
Find out more about Alan Brogan net worth here.
He joined St Oliver Plunketts/Eoghan Ruadh in 1999 made his debut with Dublin in 2002.
Brogan made his debut for Dublin in 2002 against Wexford. Brogan finished the 2005 All-Ireland Senior Football Championship with 2–20 compared to his league total of 0–03. He was on the Dublin team that won the 2005 Leinster Senior Football Championship against Laois at Croke Park, finishing the game with just 0-01.
In the 2006 NFL game against Tyrone, Brogan was sent off for two yellow card offences and suspended for eight weeks in accordance with Rule 140. Brogan, Ciarán Whelan, Bryan Cullen and Kevin Bonner, along with Tyrone's Kevin Hughes, Michael McGee and Owen Mulligan were exonerated of all charges, the official reason given being 'a technicality'.
In 2006, he won his first All Star in the half forward line for his performances with Dublin. Seán Boylan named him in his compromise rules squad to play Australia in the first test at Pearse Stadium on 29 October 2006. Brogan was named on the inaugural GPA Gaelic Team of the Year which began in 2006. He was named at centre half-forward on the 2006 Dublin Bus/Evening Herald Blue Star football XV.
Brogan had a disappointing league campaign as Dublin were relegated from NFL division one in 2007. Yet he won the 2007 Leinster Senior Football Championship but Dublin were knocked out of the All-Ireland by Kerry in the semi-final. He was awarded an All Star at left half forward.
He won his fifth Leinster title in 2008, with Dublin beating Wexford by 3–23 to 0–9 and setting a new record biggest Leinster final win. Brogan scored 1–03.
In 2009, Brogan won another Leinster title with Dublin, but his season ended with defeat to Kerry in the All-Ireland quarter-final.
Brogan scored 0–03 points for Dublin against Wexford in the 2011 Leinster Senior Football Championship at Croke Park. Dublin finished the game as Leinster champions with a 2–12 to 1–12 win. In a repeat of the previous years All-Ireland quarter-final, Dublin were drawn against Tyrone. Brogan produced another solid performance for Dublin, scoring 0–03 in a game that forward Connolly dominated play. Dublin ended the game with a comfortable win at a packed Croke Park. The game ended 0–22 to 0–15 and Dublin went on to meet Ulster Champions Donegal the All-Ireland semi-final. Brogan failed to score a goal in a game that finished on a low scoreline of 0–08 to 0–06. Dublin were in an All-Ireland final for the first time since 1995 – their opponents, historical rivals Kerry. Brogan only scored 0–02. Dublin won 1–12 to 1–11, coming from behind in the last four minutes. On 21 October 2011, Brogan won his third All Star and succeeded brother Bernard as All Stars Footballer of the Year.
On 20 September 2015, Brogan won his third All-Ireland title when Dublin defeated Kerry by 0–12 to 0–9 in the final. Brogan came on for the last four minutes of the game and got Dublin's last point of the game.
On 15 December 2015, Brogan announced his retirement from inter-county football. In a statement he said "Today I would like to announce my retirement from inter-county football. I leave behind a wonderfully gifted football team but take with me many great memories, friendships and bonds. I would like to thank all the players that I soldiered with and against, and the managers and mentors who have guided me from an early age when I began the pursuit of my sporting dreams."
Currently, Alan Brogan is 41 years, 0 months and 17 days old. Alan Brogan will celebrate 42nd birthday on a Thursday 11th of January 2024.
Find out about Alan Brogan birthday activities in timeline view here.
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As it's now a tradition, the start of October will brings a new chapter of the Franchise Hockey Manager game. FHM 4 will be released on October 6, but you can get your hands on the game four days early and enjoy a 10% discount if you pre-order the game for $35.99. Please note that it's not possible to pre-order the game through Steam. For PC through Steam, FHM 4 will have a 10% discount at launch.
Like last year, FHM 4 will have an NHL license and will a number of new features. You will be able to guide the Vegas Golden Knights through their first season and enjoy updated '17-18 NHL rosters.
New features include the new Historical Challenge mode, where you can try one of FHM 4's 30 new historical challenges (one per NHL team) and see if you can repeat and improve such successes as Montreal's 1950s dynasty, Philadelphia's 1970s expansion wins and Vancouver's wild ride to the 1982 Stanley Cup Final. You can also focus on more recent events like trying to win the Stanley Cup with the expansion Minnesota Wild in the first year of the 2000s.
FHM 4 will also feature the European Champions League and more international competitions. A total of 24 leagues will be playable. This includes but is not limited to the American Hockey League, the CHL junior league umbrella, the Russian KHL and multiple levels in Finland, Sweden, and Russia.
Sports Gamers Online reviewed Franchise Hockey Manager 3 last year. Stay tuned on SGO for more FHM content.


The Presence of Various Tribes under the Shadow of PeaceUnity is the Cause of Happiness of the Province.
The culture and history have effective roles in forming the national identity. The cultural symbols are a part of culture outcome. In addition, protecting it can play an important role in forming national and regional identity of every country. With a brief look at the historical background of countries, we understand that honoring the cultural and social works and values of every nation lead to cultural promotion. Because, the history indicates that the nations which have ancient culture and history are safe and less vulnerable to cultural attacks and change. Although some of the historic and cultural foundations of nations are subject to change in 21st century, paying attention to them is necessary. Iran is a country including various tribes which have particular beliefs, customs and traditions. They form a united national Iranian identity with their many cultural differences and Golestan province is not excluded. There are many ecotourism attractions (which make the province known as the treasury of ecotourism), the world heritage of Gonbad-e Qabus and monuments such as the remains of the ancient city of Hyrcania (Jorjan), the Great Wall of Gorgan, and hundreds of other valuable works in the province proves this claim. Accordingly, the maintenance and protection of cultural heritage, which shows the more than 7000-year history of the province, is very important. The International Tribes' Culture Festival, with successful holding of 9 times in Golestan Province in 2005, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, with the presence of ambassadors of different countries, various tribes from all over Iran, and with the presence of investors, tour operators, and handicrafts artists of the country, has been taken into consideration of authorities. The proposal to hold this cultural event at the international level focusing on Nowruz in tribes (with the aim of meeting different tribes' cultures and representing in the form of exhibition and festival, with other programs such as scientific conference, tours of the province and its villages, rituals and customs of tribes, etc.) has been on the agenda. It provides an opportunity to study all of the cultural, social, and economic dimensions of these tribes in order to become familiar with ethnic and regional cultures and taking a step in the way of preserving the rituals and customs of the country. Definition: The International Tribes' Culture Festival is a promotion opportunity which includes the analysis of all of the cultural, social, and economic dimensions. Besides, the ethnic and regional cultures and the particular features of regions will be considered. Foundation The main foundation of the festival is providing familiarity conditions, expanding Iranian tribes' cultures to tourism development and growth. For this purpose, holding of the festival, exhibition, and conference as well as extra activities are considered. Audiences All of the people who are interested in the tourism development of the province such as follows: •	National and regional authorities •	Neighboring countries (specially Persian-speakers Countries), the Member countries of the Economic Cooperation Organization (ECCO) •	Researchers, Experts, and Pundits •	Investors and Tour operators •	National and regional Media •	All of the tribes of the province and the country Time and place of festival At 28th December, 2016 to 1st January, 2017, In International Exhibitions Center at 5 km Gorgan- Aq Qala road.


text:
Paintings avalaible
Painting sold recently
From the depths of her childhood to the heights of parenthood, Karin Jeanne invites us into her secret garden.
Karin Jeanne creates and exhibits her paintings between her native ële d'Yeu and Paris where she now resides. Fantasies, pirouettes, games and summersaults all somehow find their way into her paintings, depicting childhood scenes set against imaginary backdrops eked from the reality of her surroundings. Today, mother of six, her work reflects the confidence she has gained over the last ten years.
Karin will charm you at first sight – her generosity, good humour, and frankness topped off with a cheeky grin and a twinkle in her eye draws you in for more. Her crystalline voice ingeniously, yet unwittingly unveils her childhood as she enthusiastically describes the stories woven into each canvass. To listen to her, you would think that she has spent her days in the company of lutins and elves battling between the dunes and forests of her native island. Was it they that nurtured her talent? Born of the wind and sea, Karin can spot opportunity as soon as it appears.
Today she paints abundantly and the world is her oyster.
Born on the île d'Yeu in 1968, this hitherto Parisian was raised to the rhythm of the tides. Her memories are of a wonderful childhood – when she wasn't out discovering her island on her bike, she was drawing, pottering, making clothes and dens for her happy dolls. She is possessed with a highly developed creative and aesthetic sense and this from a very early age.
"In primary school, I used to doodle on my exercise books, which niggled me, so I would transform them into beautiful flower gardens – much prettier. My career as an illustrator had already begun!"
Driven by her vocation, Karin left home at the tender age of 16 to study on "the mainland". After graduating in French literature, she exiled herself for two years in the School of Fine Art, Grenoble. She then went on to study graphic art in advertising in Nantes, the city nearest to her island home. After graduating there three years later, the sirens of Paris beckoned and she spent the next ten years as art director in a design agency specialised in packaging.
"Advertising wasn't my thing", she admits, yet that decade marks her work even today. She often introduces advertising elements from the past, pastes old packaging in collage to give a sense of nostalgia and flavour to her colourful and joyous work.
"I got some old books from a grandparent dating from 1912 – so I stuck pieces of them into my paintings… old illustrations, old typography and so on… All this helps me create an imaginary backdrop that's accessible to everyone".
Puzzles, games and dolls
"Mironton-Mirontaine ", "Who's Afraid of the Big Bad Wolf?"… Her paintings evoke many childhood memories and this is clearly her world. In 1998, she left the world of advertising and design for a basement in Colombes, in the western outskirts of Paris. There, she created, designed, manufactured and sold toys, puzzles, lamps, mirrors, and dolls through several publishers. She also published many articles on leisure in various magazines.
"I had a lot of ideas, I was creating a lot." Her children Mathurin and Aglaia, were only too happy to play with their mother's creations. One day, a publisher had the good idea to visit her basement workshop. Overwhelmed by the poetry he witnessed there, he immediately wanted to sell the contents of her children's bedrooms. The result? A first prize at the prestigious "Maison et Objets" 2004 Expo in the category "Children's World." Karin's world does not stop there. Since 2001, she invests her time in a local, popular market on the île d'Yeu. "I spend every summer here creating, painting."
The empty wall
In 2006, a publisher commissioned Karin to decorate 30 wooden frames being mass-produced in Asia. Karin wanted to exhibit them too and booked a wall eight meters by three for an exhibition in Colombes. But the frames were held up in shipping. "One month before the exhibition, nothing had arrived and I was facing the prospect of presenting an empty wall! I needed to act and fill the empty space, so I bought lots of canvasses, acrylic paint, and pigments and threw myself headlong into painting. I had no idea where I was going."
The frames never arrived on time, but the exhibition was a success. What's more, over half of her paintings were sold. That same year, the ële d'Yeu Department of Culture offered her an exhibition hall – she painted and sold a further 35 paintings for far more than those before. Karin has a knack of spotting an opportunity and taking advantage of her luck. She plays to win.
In September 2007, she moved to Antony, another Parisian suburb in the south. Her house quickly filled with her work, so much so that one of her neighbours – "Papi Michel", a small widower of 86 years – offered her some space for expansion. She seized the opportunity and prepared her follow-up exhibition, "Smart Wind", in July 2008 at the island's Insula Gallery. The exhibition was a resounding success, confirming her talent.
Sea winds blow over her Parisian workshop
Karin's hospitality radiates today from a new workshop. She welcomes you by offering Moroccan tea "with mint from the garden, and wind from the sea." Wind is omnipresent in the huge paintings that adorn the walls and cascade across the floor.
Gales, gusts and gentle breezes… they all find their place in a whirlwind of joy reflected through the eyes and smiles of her imaginary characters. "There is a grey-bluish tint in all of my work – it's my trademark from the île d'Yeu," she says. Even though her latest works are gradually losing their childhood element, traces of seaward breezes are ever present.
Geraldine Magnan June 2009
Adapted from French.
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text:
you are here: Home Red de Indicadores de Ciencia y Tecnología (RICYT)
Red de Indicadores de Ciencia y Tecnología (RICYT)
The Center of Studies on Science, Development and Higher Education – REDES- is a research center associated with the National Council of Science and Technology (CONICET) in Argentina. REDES conducts activities of research, teaching and technical assistance, and offers services in the field of science, innovation and higher education.
REDES is in charge of the coordination of the Network on Science and Technology Indicators – Ibero-American and Inter-American – (RICYT). All the Ibero-American countries, including Spain and Portugal, participate in the network. RICYT was created following the proposal formulated during the First Ibero-American Workshop on Science and Technology Indicators, which took place in Argentina in 1994.
RICYT takes part as an observer in the NESTI Group of the Organization for Economic Cooperation and Development (OECD). In addition, RICYT works jointly with the UNESCO Institute for Statistics, the Interamerican Debelopment Bank (IADB), the Economic Commission for Latin-America and the Caribbean (ECLAC), the Executive Secretariat of Convenio Andrés Bello (SECAB), the Caribbean Council for Science and Technology (CCST) and the Commission for Scientific and Technological Development of Central America and Panama (CTCAP).
The main fields of work of REDES are: Science and Technology Indicators, Innovation studies, International mobility of the highly skilled, Science policy trends and instruments, Social perception of science and technology and Industrial economy and international trade.
REDES is also responsible – together with the university of General Sarmiento (UNGS)– for the graduate program on Science, Technology and Innovation Management.
Mario Albornoz
Mario Albornoz is a professor of Philosophy and an expert on policies for science, technology and higher education. He lived in Spain between 1976 and 1984, where he was a consultant to the Cabinet of Studies of the Higher Council for Scientific Research. In 1985 he was Director of Regional Centres of CONICET, and between 1986 and 1994 he was Secretary of Science and Technology of the University of Buenos Aires. He is a researcher for CONICET and coordinator of the Ibero-American Network of Science and Technology Indicators (RICYT). He also coordinates the program of the Ibero-American Observatory of Science, Technology and Society, belonging to the Organization of Ibero-American States (OEI). He is also a member of Centro REDES, and was its Head since its creation, in 2002, till 2007. He is the director of the Master's Program on Management of Science, Technology and Innovation, jointly established by the National University of General Sarmiento, the Institute for Economic and Social Studies (IDES) and Centro REDES. In 2007, the OEI distinguished him with the award "Pensar en Español", owing to his activities in favour of Ibero-American cooperation, and in 2008 the Kingdom of Spain awarded him the Officer Cross of the Order of Isabel la Católica.
Rodolfo Barrere
Rodolfo Barrere graduated in Social Communication, throughout his career he has dedicated his work to production, management and analysis of scientific, technological and innovation information. As Technical Secretary of the Ibero-American Network on Science and Technology Indicators (RICYT), he has focused on the charateristics of indicators production in Ibero-American countries. He is developing his PhD thesis on the dynamics and evolution of the production of scientific and technological information. He has taken part in several research proyects funded by OECD, UNESCO, IADB, World Bank and the European Union.
Lautaro Matas
Lautaro Matas Researcher of Centro de Estudios sobre Ciencia, Tecnología y Educación Superior ( Centro REDES ). Member of technical team of Network for Science and Technology Indicators –Ibero-American and Inter-American– (RICYT). Project leader/developer of Intelligo Portal, a project of the Iberoamerican Observatory of Science, Technology and Society of OEI (Observatorio CTS/OEI).
Natalia Bas
Natalia Bas received a PhD in History from the University College London (UK). She also obtained a licentiate degree in History at the Universidad de Buenos Aires (Argentina) and an MA in the History of Race in the Americas at the University of Warwick (UK). Upon her return to Argentina, she worked for the Ministry of Education in the area of university evaluation and accreditation. She is currently advisor to the Director of Science and Technology of the Government of the Autonomous City of Buenos Aires.
Universidad de Málaga (UMA)
Economy, Innovation and Science Regional Ministry of Andalucia (CICE)
Universität Duisburg-Essen (UDE)
Institute for Research Organization, Hungarian Academy of Sciences (MTA KSZI)
Frontiers Research Foundation (FrontiersIn)
Fondazione Rosselli (FR)


Tyler Rothrock is a Nazareth native-turned-New York City comedian who has performed up and down the East Coast. He has shared the same stages as modern-day comedy greats, including Dave Attell, Michael Che, Judah Friedlander, Nick DiPaolo, and Kyle Kinane.
Through it all, Tyler has never forgotten where he came from. That's why it was important to come home to the ArtsQuest Center's Blast Furnace Room at SteelStacks on Saturday, June 24 for a live recording of his first album.
The album recording is the result of the relationships and foundation Rothrock has built in the Valley over the years. He started perfecting his comedic chops at local venues, performing at comedy showcases at Bethlehem and Allentown Brew Works directed by Ryan Hill, ArtsQuest's current Programming Director.
According to Rothrock, Hill was instrumental toward making the upcoming recording into reality.
Like any comedian, Rothrock's work is always evolving with the topical matters of the day. That is why he acknowledges a desire to capture his current material – while it's current – on June 24.
Rothrock's material for the evening will be a snapshot of his current profile as an up-and-coming New York City comedian – a consistent theme between he and his friends and supporting comedians for the evening, Bryan Yang and Paul Spratt.
Together, they will all be part of a special evening that, as Rothrock notes, will be "frozen in time" – and his friends and family will get to say they were there.
Those interested in cheering Tyler on will have two opportunities that evening – at 8:30 and 10:30 p.m., respectively. Tickets are $10 for the general public, $9.50 for students and seniors, and $9 for ArtsQuest members. Children ages 13 to 18 must be accompanied by an adult. No children under 12 will be admitted. For tickets and more information, visit steelstacks.org.


I am interested in 98 Briar Hill, Greysteel, Derry / Londonderry. Please contact me about this property.
Approaching Greysteel from Ballykelly just before Nicholls shop on the right-hand-side take left onto the Gortgare Road then take second turn on the right into Briar Hill following this road take third turn on the left no:98 is situated within this cul-de-sac.
Semi-detached three bedroom home offering well laid out family accommodation with an attractive brick front. This home is ideally priced for first time/investment buyers.
Having telephone point, Tiled flooring.
Consisting of Pine fireplace, Cast iron inset, Tiled hearth, Wood effect laminate flooring, Double doors to kitchen.
Having a range of Beech effect eye and low level units, Matching worktops, Tiled around units, Under-unit lighting, Stainless steel sink unit, Built-in hob and oven, Extractor fan and light, Recessed low voltage downlighters, Tiled flooring, PVC Patio doors.
Having low flush WC, Pedestal wash hand basin, Tiled flooring.
White suite comprising of corner bath, Pedestal wash hand basin, Low flush WC, Extractor fan, Built-in cupboard, Cushion flooring.
Having fully tiled shower cubicle, Electric shower, Low flush WC, Pedestal wash hand basin, Extractor fan, Cushion flooring.
Having built-in wardrobe, Wood effect laminate flooring.
Enclosed garden to side with wooden decked area to rear.


Our team is very proud and thankful for all of the support we are receiving for our VTX platform. Thank you BizBash for covering our recent success with the Atlanta Marriott Marquis. We are constantly pushing, innovating, and taking our VTX platform to the next step for the future.


text:
User-centered guidance for engineering and design of decentralized sanitation technologies
By Laura T. R. Morrison, Anushah Hossain, Myles Elledge, Brian Stoner, Jeffrey Piascik
Technological innovations in sanitation are poised to address the great need for sanitation improvements in low-income countries. Worldwide, more than 2.4 billion people lack access to improved sanitation facilities. Innovative waste treatment and sanitation technologies aim to incorporate user-centered findings into technology engineering and design. Without a focus on users, even the most innovative technology solutions can encounter significant barriers to adoption. Drawing on a household survey conducted in urban slum communities of Ahmedabad, India, this research brief identifies toilet and sanitation preferences, amenities, and attributes that might promote adoption of improved sanitation technologies among potential user populations. This work uses supplemental insights gained from focus groups and findings from the literature. Based on our research, we offer specific guidance for engineering and design of sanitation products and technologies.
Morrison, L. T. R., Hossain, A., Elledge, M., Stoner, B., & Piascik, J. (2018). User-centered guidance for engineering and design of decentralized sanitation technologies. (RTI Press Publication No. RB-0017-1806). Research Triangle Park, NC: RTI Press. https://doi.org/10.3768/rtipress.2018.rb.0017.1806
© 2019 RTI International. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Download / Explore
Laura T. R. Morrison — Laura Morrison, MPP, is a research economist in RTI International's Center for Environmental, Technology, and Energy Economics.
Anushah Hossain — Anushah Hossain, BA, is a graduate student in the Energy and Resources Group at the University of California–Berkeley.
Myles Elledge — Myles Elledge, MPIA (Master of Public and International Affairs), was a senior director in RTI's Center for Engineered Systems at the time of writing. He is now executive director of Health & Environment at Biomass Controls.
Brian Stoner — Brian Stoner, PhD, is a research professor in Electrical and Computer Engineering, Duke University.
Jeffrey Piascik — Jeff Piascik, PhD, is president at Biomass Controls.
Contact RTI Press
To contact an author, request an exam or review copy, or seek permission to use copyrighted content, contact our editorial team.


Migration is generally one of the major topics for the RLS and especially for all its African offices, as the Africa department offices operate in countries which are amongst the 10 nations holding the highest number of refugees. The following call is for the creation, production or continuation of 10 short documentaries, this call is open for all African filmmakers.
Through "10 Views on Migration" project, RLS African offices aim to create an alternative point of view on migration and refugees, beyond stereotypes. Artistic documentary films on migration related issues can initiate interesting debates on this important issue. The produced films will be utilized as tools to stir debates in Africa and Europe.
How do the migrants (economic migrants, refugees, internally displaced) live in different countries in Africa?
What type of peril and prejudice do they face in their journey to and in host African countries?
How are African migrants received in other African countries?
Are African political actors engaging with migration or is the question totally ignored?
What role are progressive actors playing with regards to the migration question?
What shifts to identity take place in the migratory process?
How are borders perceived by migrants and refugees?
The goal is to tell the stories of immigration on Africa. This project hence aims to give a "southern narrative" on the migrant and refugee question.
Please send the application as detailed below* to : handous@rosalux.org, before the 30th of November 2017 by midnight GMT.


\nRiding is just too perfect right now. Gotta Go.
\nUhmmm....I think you\'re supposed to let off the parking brake here.
\r\n\r\nDave W wrote in message . ..
\n Riding is just too perfect right now. Gotta Go.
\nThat was nice of you to say so. Does that mean we can be friends, now?
\nDave W wrote in message . ..
\nWait, you mean we never was?
\nin that case sure, why not?


Houseboat Forums > Main Category > Houseboating > Some drone footage. Love how it turned out.
View Full Version : Some drone footage. Love how it turned out.
Pretty neat. How far away was the drone at its maximum point?
Not sure. I had a guy doing it. Under 400ft though. ;) He was on the beach because if the battery goes down or they lose connection, it will fly back to it's take off point automatically.


The new platform is being trialled at seven Brisbane metro stores with a roll out to a greater catchment to be undertaken in the coming weeks. LMG's CEO Gavin Saunders told RetailBiz sister publication TheShout that the new platform complements the Bottlemart and Sip'n Save brands, which are traditionally strong with customers looking for a convenient retail experience.
Although the trial had only been live for just over a week when Saunders spoke to TheShout, he said LMG was already seeing positive results with average basket sizes up 47 per cent on in-store purchases, app downloads being greater than initial forecasts and repeat orders from customers already happening.
Saunders also explained how the platform works and why LMG decided to offer both an app and online site.
Saunders added: "One very important aspect of the platform, which differs from other online retail options, is the integration with our retail members. Products which are offered through the platform align with the entire range available in-store with pricing aligned to the stores pricing. This provides our retail members, who each have a wide range, the opportunity to sell this entire range and not just a selection to online customers. Similarly, if they have an in-store special to clear stock this pricing will be offered through the platform.
"The addition of the e-commerce platform for the benefit of our members provides another option and connection to their customers," he said.


text:
package com.ctrip.platform.dal.dao.log;

import com.ctrip.platform.dal.dao.datasource.log.SqlContext;

import java.util.Map;

public interface ILogger {

    void logEvent(String type, String name, String message);

    void logSqlTransaction(SqlContext sqlContext);

    void logTransaction(String type, String name, String message, Callback callback) throws Exception;

    void logTransaction(String type, String name, String message, Callback callback, String failMessage)
            throws Exception;

    void logTransaction(String type, String name, String message, long startTime);

    void logTransaction(String type, String name, String message, Throwable exception, long startTime);

    void logTransaction(String type, String name, String message, Map<String, String> properties, long startTime);

    void logTransaction(String type, String name, String message, Map<String, String> properties, Throwable exception, long startTime);

    void info(final String msg);

    void warn(final String msg);

    void warn(final Throwable throwable);

    void warn(final String msg, final Throwable e);

    void error(final String msg, final Throwable e);

    void reportError(final String keyName);

    void logRequestContext();

    void logMetric(String metricName, long duration, Map<String, String> tags);

}


From doing the incredible First Cliff Walk, to the thrilling First Flyer, to the soaring First Glider - Grindelwald First drifts you on top of adventure surrounded by middle-earth like landscapes and legendary sights. At a thrilling but gentle pace, you're sure to appreciate this prime alpine destination with exciting mountain cart trips, scooter-bike rides and several theme trails. A hike along Lake Bachalp, the famous pearl of mountain lakes, as well as the exhilarating trip back to valley in a trottibike are just as fun and spectacular. With this First mountain excursion, you are free to choose your own personalised 'adventure package'. The choice is entirely yours to make. The gondola and cable car travel is unlimited. Choose a package with 1,2,3 or 4 activities including First Flyer, First Glider, Mountain Cart and/or Trottibike Scooter.
Open from November 24, 2018 to October 27, 2019.
Gondola to First with unlimited cable car and choose between 1,2,3 or 4 activities from First Flyer ride, First glider ride, Mountain Cart and Trottibike.
All prices and conditions are subject to modification.


text:
Q: Top users of a tag: Any new privileges that could be unlocked? I know a feature called Top users for a particular tag. Precisely, for answering. What I am not aware of is, are there any privileges which could be unlocked for being among the top users of a particular tag?
Is such feature made available already? Or, would it be a good feature to be developed and implemented to encourage the current top users of a particular tag?
As I am not sure if such a feature already exists, so I am also adding hidden-features tag.
I searched for a similar question before posting, to avoid a duplicate question, however I couldn't find any.
EDIT
I have removed the feature-request tag. I think folks are thinking that I am suggesting a new feature, but I am not.
I want to know if there are any privileges which could be unlocked if the user is one of the "top users" of a particular tag.

A: There are no extra privileges for people being one of the top users in a tag. I am a top user in the c# tag, and I have nothing more than anyone else having the same reputation.
I don't think it is useful to differentiate more when it comes to privileges.
Privileges are given on reputation and tag score now. That is more than enough from my point of view.
In a high-traffic tag, there are usually only gold tag badge holder top users, so they have the most they can have from their tag (namely the dupe hammer). Also, when you have enough reputation, you can suggest and approve tag synonyms. In that way you can moderate the content of the tag too.
In a low-traffic tag, we don't want to give top users too much privileges (what if you are the top user in the rect tag, should you be able to insta-close for example? I don't think so.


text:
Q: is scaling in SVM always necessary? I've already read some posts here about SVM scaling and why it is so important. Now I'm wondering if scaling in the ksvm function is always necessary if my data are already normalized. I have a RPKM dataset, already normalized with the log2 function:  miRNA on columns (features) samples on rows (tumoral vs normal samples), a very small dataset (22 samples, 11 normal and 11 tumoral).
For some features, the value is unvarying for the majority of samples selected (I'm performing a cv-10), so I get a warning from the SVM function saying that scaling is not possible, I think that could be a variance problem, but if I set scaled=FALSE I can fix the warning. Do I need do scaling anyway?


text:
Using annotations with sonata
============================

### The Annotations

- Networking\InitCmsBundle\Order on classes for global orders like "show me all properties"
- Networking\InitCmsBundle on properties for specific configurations and excludes if orders are used

> If any FormMapperExclude Annotation is found on a property the reader assumes that there es an Order/FormMapperAll on the class (same goes for the other annotations - List/Form/Datagrid)

Have a look on the Annotations to see what options they accept

### Example

``` php
<?php

namespace YourApp\Entity;

use Networking\InitCmsBundle\Annotation as Sonata;;

use Doctrine\ORM\Mapping as ORM;
use Doctrine\Common\Collections\Collection;
use Doctrine\Common\Collections\ArrayCollection;

/**
 * @ORM\Entity
 * @Sonata\Order\ListMapperAll
 * @Sonata\Order\ShowMapperAll
 * @Sonata\Order\FormMapperAll
 *
 * @Sonata\Order\ShowAndFormreorder(with="General", keys={"name"})
 * @Sonata\Order\ShowAndFormreorder(keys={"taxRate"})
 *
 * @Sonata\AutoService()
 */
class Country
{
    /**
     * @var integer $id
     * @ORM\Column(type="integer")
     * @ORM\Id
     * @ORM\GeneratedValue(strategy="AUTO")
     * @Sonata\ListMapper(identifier=true)
     * @Sonata\Order\FormMapperExclude
     * @Sonata\ShowMapper(with="General")
     */
    protected $id;

    /**
     * @var string $name
     * @ORM\Column(type="string")
     * @Sonata\ShowMapper(with="General")
     */
    protected $name;

    /**
     * @var float
     * @ORM\Column(type="float", name="shipping_free_limit")
     */
    protected $shippingFreeLimit;

    /**
     * @var float
     * @ORM\Column(type="float", name="shipping_fixed_rate")
     */
    protected $shippingFixedRate;

    /**
     * @var float
     * @ORM\Column(type="float", name="tax_rate")
     */
    protected $taxRate;

    /**
     * @ORM\ManyToMany(targetEntity="Article", inversedBy="countries")
     * @ORM\JoinTable(name="article_country")
     * @Sonata\Order\ListMapperExclude
     * @Sonata\FormMapper(options={"required"=false})
     **/
    protected $articles;
}
```

``` php
<?php

namespace YourApp\Entity;

use Networking\InitCmsBundle as Sonata;

use Sonata\AdminBundle\Form\FormMapper;
use Sonata\AdminBundle\Show\ShowMapper;
use Sonata\AdminBundle\Datagrid\DatagridMapper;
use Sonata\AdminBundle\Datagrid\ListMapper;

use Application\Sonata\MediaBundle\Entity\Gallery;

use Doctrine\ORM\Mapping as ORM;
use Doctrine\Common\Collections\Collection;
use Doctrine\Common\Collections\ArrayCollection;

/**
 * @ORM\Entity
 * @Sonata\Order\ShowAndFormreorder(keys={"name"})
 */
class Article
{
    /**
     * @var string $number
     * @ORM\Column(name="number", type="string", unique=true)
     */
    protected $number;

    /**
     * @var string $name
     * @ORM\Column(type="string")
     * @Sonata\DatagridMapper
     */
    protected $name;

    /**
     * @var string $description
     * @ORM\Column(type="text")
     * @Sonata\Order\ListMapperExclude
     */
    protected $description;

    /**
     * @var string $matchCode
     * @ORM\Column(name="match_code", type="string")
     * @Sonata\Order\ListMapperExclude
     */
    protected $matchCode;

    /**
     * @var string $articleGroup
     * @ORM\Column(name="article_group", type="string")
     * @Sonata\Order\ListMapperExclude
     * @Sonata\Order\ShowMapperExclude
     */
    protected $articleGroup;

    /**
     * @var ArrayCollection
     * @ORM\OneToMany(targetEntity="ArticlePrice", mappedBy="articleEntity")
     * @Sonata\Order\ListMapperExclude
     */
    protected $prices;

    /**
     * @ORM\ManyToMany(targetEntity="Country", mappedBy="articles")
     **/
    protected $countries;

    /**
     * @var Gallery $pictures
     * @ORM\ManyToOne(
     *      targetEntity="Application\Sonata\MediaBundle\Entity\Gallery",
     *      cascade={"persist"}
     * )
     * @Sonata\FormMapper(
     *      type="sonata_type_model_list",
     *      options={"required"=false},
     *      fieldDescriptionOptions={
     *          "link_parameters"={
     *              "context":"article",
     *              "provider":"sonata.media.provider.image"
     *          }
     *      }
     * )
     */
    protected $pictures;

    /**
     * @param \Sonata\AdminBundle\Form\FormMapper $formMapper
     * @Sonata\FormCallback
     */
    public static function configureFormFields(FormMapper $formMapper)
    {
        $formMapper->add('countries');
    }
}
```

### Using in the Admin (maybe in an AbstractAdmin.php)

#### With the AbstractSonataAdminAnnotationAdmin

```php
<?php

namespace YourApp\Admin;

use Networking\InitCmsBundle\Admin\AbstractSonataAdminAnnotationAdmin;

abstract class AbstractAdmin extends AbstractSonataAdminAnnotationAdmin
{

}
```

#### With Traits (PHP >=5.4)
```php
<?php

namespace YourApp\Admin;

use Networking\InitCmsBundle\Admin\SonataAdminAnnotationAllTrait;

use Sonata\AdminBundle\Admin\Admin;

abstract class AbstractAdmin extends Admin
{
    use SonataAdminAnnotationAllTrait;
}
```

#### Own implementation

``` php
<?php

namespace YourApp\Admin;

use Networking\InitCmsBundle\Reader\SonataAdminAnnotationReaderInterface;

use Symfony\Component\DependencyInjection\ContainerInterface;

use Sonata\AdminBundle\Admin\Admin;

use Sonata\AdminBundle\Datagrid\ListMapper;
use Sonata\AdminBundle\Datagrid\DatagridMapper;
use Sonata\AdminBundle\Form\FormMapper;
use Sonata\AdminBundle\Show\ShowMapper;

abstract class AbstractAdmin extends Admin
{
    /**
     * @param ListMapper $listMapper
     */
    protected function configureListFields(ListMapper $listMapper)
    {
        $this->getSonataAnnotationReader()->configureListFields($this->getClass(), $listMapper);
    }

    /**
     * @param FormMapper $formMapper
     */
    protected function configureFormFields(FormMapper $formMapper)
    {
        $this->getSonataAnnotationReader()->configureFormFields($this->getClass(), $formMapper);
    }

    /**
     * @param ShowMapper $showMapper
     */
    protected function configureShowFields(ShowMapper $showMapper)
    {
        $this->getSonataAnnotationReader()->configureShowFields($this->getClass(), $showMapper);
    }

    /**
     * @param DatagridMapper $datagridMapper
     */
    protected function configureDatagridFilters(DatagridMapper $datagridMapper)
    {
        $this->getSonataAnnotationReader()->configureDatagridFilters($this->getClass(), $datagridMapper);
    }

    /**
     * @return ContainerInterface
     */
    protected function getContainer()
    {
        return $this->getConfigurationPool()->getContainer();
    }

    /**
     * @return SonataAdminAnnotationReaderInterface
     */
    protected function getSonataAnnotationReader()
    {
        return $this->getContainer()->get('ibrows_sonataannotation.reader');
    }
}
```


text:
@interface UINavigationController (Rotation)

@property (nonatomic) BOOL cantAutorotate;

@end


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An original painting in watercolour and acrylic inks. Size 295 mm x 680 mm.
In the US? Contact me for a price to include shipping.
I'm not the first to paint Tunnel View, Yosemite, California, and I certainly won't be the last! But here's my effort. I used the photos my husband took in September 2018 as reference material to guide me.
Yosemite is a national park in California's high sierras, which I first visited as a 4 year old. When we returned to California in 2018 it was top of my list of places to revisit.
Virtually every view in Yosemite is jaw-droppingly inspirational, but Tunnel View is a classic.
Tunnel View is the first view of the whole of Yosemite valley that you get after exiting the tunnel on the road into the park. Tour buses stop there and it's virtually obligatory to get a selfie there!
From here in one glorious eyeful, you see the monolith of El Capitan on the left, Half Dome in the centre, and Cathedral Spires, The Three Graces, and the Bridal Veil Falls on the right.
I have included a steller's jay (Cyanocitta stelleri) on the far right. These are numerous throughout the park, because my paintings always seem to need to include a bird!