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Kin turns to SC in a bid to release rights activist held by military
Bulatlat Contributors September 23, 2019 Alexa Pacalda
Arnulfo Pacalda, father of Alexa, files a motion for habeas corpus at the Supreme Court. (Photo courtesy of Quezon Reels)
By JUSTIN UMALI
MANILA – The family of human rights activist Alexandrea Pacalda filed a motion for writ of habeas corpus with the Supreme Court, September 23, in an attempt to release her from military captivity.
Pacalda, 23 years old, has been under the custody of the 201st Brigade in Calauag, Quezon for nine days now without any charges filed against her. The Armed Forces of the Philippines insists that she is a New People's Army guerrilla who voluntarily surrendered to authorities.
Her father Arnulfo said, "I'm worried because my daughter has been detained for so long with the [201st] Brigade. I don't know what they'll do to her. I hope they release her immediately."
"She was only helping farmers; is that a crime? Please release my child," he added.
In an open letter written by the Pacalda family dated September 20, Arnulfo said that her daughter was deprived of sleep and of food for more than 24 hours before she was coerced to sign a document stating that she is a rebel returnee.
Arnulfo's open letter also insisted that Alexa was "taken by four men in civilian clothes while she was in one of the farmers' houses. She was made to be an NPA surrenderee when she is actually a human rights worker conducting a consultation in the area."
Pacalda was taken by elements of the 201st Infantry Brigade of the AFP on September 14 in barangay Magsaysay, General Luna, Quezon. The state-owned Philippine News Agency reported that Pacalda "voluntarily surrendered" two days later, on September 16.
An investigation by the Commission of Human Rights concluded that as there were no charges filed against Pacalda. The CHR has called on the commanding officer of the 201st Brigade to release her to her family immediately.
Despite this, the Pacalda family has been told that Alexa will only be released "once the insurgency in Quezon is finished."
Human rights group Karapatan supports the Pacalda family and stated that the AFP's "baseless attempts at holding people captive" have been discovered.
Nimfa Lanzanas, spokesperson of Karapatan Southern Tagalog, said, "The AFP continues to lie through its teeth, now that its inconsistency has been unveiled following Alexandrea's personal statement. The military's lies blew in their faces, and has now wanted to go on its old ways of filing trumped-up charges."
"The public should know that Alexandrea's case is one of the actual faces of Oplan Kapanatagan in the countryside. Farmers and townsfolk are forced to surrender by the military, while local governments are forced to sign templates of persona non grata declarations that have also targeted people's organizations in the areas", Lanzanas added.
Pacalda's arrest comes at the height of AFP operations in Quezon under the scope of Oplan Kapanatagan, which has already resulted in the evacuation of coconut farmers due to fears of being branded as communist sympathizers or members of the NPA.


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Most Luvale art is in the form of masks, many of which are danced during initiation ceremonies to educate the initiates and to mark the territory where the ceremonies take place.
Luvale (Lwena in Angola) peoples are closely related to Chokwe, and their history is interconnected with both Chokwe and Lunda political movements, which have historically dominated the region. Between 1600 and 1850 they were under considerable influence from the Lunda states and were centrally located in Angola. In the second half of the 19th century, considerable development of the trade routes between the Chokwe homelands and the Angolan coast led to an increased participation in trade of ivory and rubber. Wealth acquired from this allowed the Chokwe kingdom to expand, eventually overtaking the Lunda states that had held sway over them for so long.
The mainly agrarian Luvale economy is centered around the staple crops of manioc, cassava, yams, and peanuts. Tobacco and hemp are also grown for snuff, and maize is grown for beer. Domesticated livestock is also kept and includes sheep, goats, pigs, and chickens. Meat supplements are garnered through hunting. There is a exclusive association of big game hunters (Yanga), but everyone contributes to the capture of small game animals. The farming and processing of agricultural products is done almost exclusively by women among the Luvale. Slash and burn techniques and crop rotation are practiced to naturally conserve the land.
Luvale do not recognize a paramount leader, but instead offer allegiance to local chiefs who inherit their positions matrilineally from the maternal uncle. Mwana nganga (chiefs) consult with a committee of elders and ritual specialists before making decisions. Villages are divided into manageable sections, which are governed by family headmen. All members of Luvale society are divided into two categories, those who are descended from the founding matrilineal lines and those who are descended from former enslaved populations.
Luvale recognize Kalunga (a god of creation and supreme power) and a series of mahamba (nature and ancestral spirits). These spirits may belong to the individual, the family, or the community, and neglecting them is sure to result in personal or collective misfortune. Evil spirits may also be activated by " orwanga (sorcerers) to cause illness, and this must be counteracted to regain health. In order to accomplish this, individuals normally consult with a nganga (diviner), who attempts to uncover the source of the patient's problem. The most common form of divination among Luvale involves basket divination, which consists of the tossing of up to sixty individual objects in a basket. The configuration of the objects is then "read" by the diviner to determine the cause of illness.


Inspired by the primary colors of Mark Rothko's vibrant No. 15 painting, these poems give life to the canvas of the rural Ozarks. Chiefly love poems, the book explores not only the rugged Ozark and Rothko landscape, but also romantic yearnings, relationships, despair, and togetherness.
View from the North Ten is available at Amazon and other retailers. For an autographed copy, you can purchase directly from the author.
To live in a world in which diversity and robust personal independence are applauded, we can be curiously averse to disagreement in publishing these days.
We tend not to appreciate those who don't ratify our opinions. We may not trust those whose observations don't line up with our own. We sometimes shut out people whose tweets and updates and posts don't reflect our own images of what's what.
I found myself writing, in Tuesday's Ether for Authors: What Happens When Everybody's a Critic? at Publishing Perspectives, that anger, bitterness, rancor seem to drive too many exchanges.
The heat generated by displeasure with reader reviews and authors at Goodreads (and now directed at the site, itself, for enforcing its review-books-not-people policy) is close to preposterous.
After all, these are book reviews.
People are screaming at each other about book reviews.
On any day of the week, publishing can look like a condo association fighting over the color of the new hallway carpet.
One of the ironies here, of course, is that these are people of literature, people some would think understood the gray areas of human nature, the complexities of which our best characters are made.
But not even in the word "literature" may we all feel any kinship.
I ran into a reader recently who thought "literature" referred only to literary fiction. She had a chip on her shoulder the size of Ether sponsor and poet Dave Malone's Ozarks, feeling disenfranchised in the assumption that her work in genre fiction meant she wasn't part of the community of literature.
Explaining to her that "literary" is simply an industry term for one kind of literature did no good. She preferred to sulk about this and to bite back if someone tried to make her feel better with a little clarification.
If anything, our discussions can seem fueled by a need to "win." Success can appear to be yours only when you change a mind to agree with yours. The idea of saying, "Here is one view, and here is another view," and letting them rest side by side for quiet consideration?—we just don't do that much in the industry! the industry!
But we can do it here on the Ether.
And in three recent instances of somewhat contrarian commentary, we have a chance to let someone else's concept affect ours with a little texture, a different color light.
The great benefit of opening yourself up to a contrarian look at something is not that you necessarily jump up shouting about having seen the light and converting to some previously unthinkable option.
No, in truth, a good contrarian look at something may help you articulate your own beliefs. It can provide a foil to your own views, contrast that helps you get more securely in touch with your own opinions.
And folks secure in their opinions tend to do less screaming at each other. About book reviews and carpet selection.
The person behind those potentially unpopular words is literary agent Rachelle Gardner.
It is not the publishing industry that has created this society of ubiquitous electronics, Internet noise, YouTube, X-Box, Facebook, Twitter, Instagram, Pinterest, Vine, and the decline of reading. It is not the publishing industry who put a computer in more than half of all American households, allowing millions of folks just like yourself to write books they want to sell.
The fact is, publishers are doing everything they can dream up, and everything they can afford, when it comes to marketing books. They have the same limitations you do: Time and Money. But they're coming up with new ideas and innovations all the time.
Many might disagree with Gardner's appraisal of how publishers are handling the situation, but surely almost anyone in the business can identify with the kind of saturation point she seems to be reaching in terms of the complaints and blame flying back and forth each day.
To those who are frustrated by the ways it seems publishing can't meet your expectations, I commiserate with you and I apologize that things aren't the way we wish they could be.
Accidentally dressed as a little drummer boy this morning.
There's a message here about blame vs. crisis management. And that may have something to do with the tendency that many in publishing seem to share: to focus on finding a culprit more than on tackling problems.
I want to point out that publishers are still in business because of the value they bring to the table — not just in marketing but in every aspect of the editing, production, and selling of books.
Agree or disagree; this kind of point can help you to refine your own position.
The best bookshops are not humdrum utilitarian outlets selling beans or nails, they are the stuff dreams are made of: literally.
True, The Bookseller's Philip Jones never lets the wrecking ball swing too closely to the bricks and the mortar without raising the alarm. He's been a staunch ally of bookshops.
And even as many others seem ready to describe bookstores' struggles as a protracted, losing battle, Jones, in Run, bookseller, run, comes out of the Booksellers Association's annual meeting willing to talk intangibles.
While Jones is focused here primarily on UK bookstores, those shops' counterparts in other countries know all too well what he's saying. Data this and data that? Not here. Jones is willing to talk intangibles as some of best advantages of the beleaguered bookstores.
That's not to say that Jones isn't willing to look at fiscal realities and hold some feet to fires.
So what is bookselling [after Amazon] like? It is certainly less profitable: many of the indies I've been speaking to just about cover their costs, but few draw a salary. It is little wonder that Booksellers Association president Patrick Neale began the conference saying that "more needs to be done" by publishers to bring the core financial model of the bookselling supply chain up to date. Publishers, he said, need to look again at what can be done, and quickly.
But at a time when many observers want to emphasize those numbers, most of which aren't adding up, Jones is also willing to consider the value of spirit, of an allure that might even now seem more a memory in some communities than a still-viable corner location in the neighborhood.
It never fails to amaze me how blithe some pundits are about this. As if the disappearance of all those windows displaying books, and all those knowledgeable enthusiasts for the book, its content and the people who write and read them, all those environments where authors and readers meet, would be only a minor disruption to the landscape…Amazon is a warehouse and an algorithm: there's no world we know where the latter is an adequate replacement for the former.
And by the simple fact of his own contemplation of bookstore efforts in which "return of investment was part of the creative process but it could never lead it," Jones invites others to reflect on whether balancing the books at this point is as important as hand-selling them.
We don't resolve this by moaning about it, but let's not deny it either. If we want bookshops we need to speak up for them.
I'm an extreme extrovert, which is really great after I write a book and I have to go out into the world and talk to people about it, but not so great when I need to sequester myself long enough to actually get some real writing done.
And you thought all writers were introverts.
All notifications on my iPhone.
As for meditation, it's pretty simple: I put my kid down for a nap, sit at the top of the stairs, set my iPhone timer for 10 minutes, and close my eyes. That's it. I've been doing it on and off for about a month and a half and I've felt less angry, less stressed, lighter.
And that gets us back to the anger, the stress…and couldn't we all do with a little less of it in our interactions in publishing?
What do you think? Any contrarian views of your own that might show us some not-so-usual ways of looking at the issues?
Posted in Writing on the Ether and tagged agents, Amazon, ebooks.


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We Won't Back Down
Written by: Jose Angel Gutierrez
Narrated by: Paco Lopez
Number of Chapters: 8
On December 9, 1969, change was in the air. The small town of Crystal City, Texas would never be the same. After weeks of petitioning for a hearing with the Crystal City school board, students of Crystal City High and their parents descended on the superintendent's office. The students had been threatened with suspension and even physical violence. Powerful members of the community had insisted they would fire the parents of students if they went in front of the school board, and still, they came. Finally, the school board removed the chairs in the gallery, and the parents and students stood until members of the school board fled to avoid the confrontation.
As the students and their parents stood in front of the building, a cry rose from the crowd. "Walk out. Walk out." So began the Crystal City High student walk out. At the center of the fervor was Severita Lara. Called la cabezuda, or stubborn girl, by her mother, Lara bore the mark of a leader from an early age. She was not afraid to stand up to anyone: girls or boys, teachers or superintendents. She always followed her father's advice, "If you know it's right, do it."
José Angel Gutiérrez, the famous civil rights leader, chronicle's Lara's ascent from a willful child to the mayor of Crystal City. From her father's doting support to her mother's steel-rod discipline, Gutiérrez offers a detailed portrait of the early family life of the woman whose continuing struggle against segregation and discrimination began while she was still a high school student in Crystal City. He also follows her attempts as a single mother to achieve her dream of being a doctor and providing for her sons. This is the story of la cabezuda, Severita Lara, who has made an indelible imprint on American history.


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Villagers gather around a felled rosewood tree at a pagoda in Siem Reap City's Kokchak district on Sunday. (Fresh News)
Two Apsara Officials Detained Over Spirit Tree Destruction
by Aun Pheap
Police in Siem Reap province on Wednesday arrested two officials from the Apsara Authority for the unauthorized felling of a centuries-old rosewood tree revered by villagers who routinely prayed to the spirit believed to reside inside.
Chhor Thanart, a deputy director-general for Apsara, which manages the Angkor Archaeological Park, and his subordinate, Chev Phal, head of the authority's forestry management office, were being held on Wednesday at the provincial police headquarters, provincial environment department director Phuong Lina said.
"We arrested the two officials because they gave orders to their subordinates to cut down the tree," Mr. Lina said. "The two officials committed a mistake because they cut the tree without asking permission from the upper level."
Mr. Lina said others were being sought, including those who used chainsaws to cut the tree into pieces.
The felling of the tree in Siem Reap City's Kokchak commune drew about 300 residents to the scene on Sunday.
They accused the Apsara Authority of intending to sell off the valuable timber, which can go for thousands of dollars per square meter, and sought to prevent officials from hauling away the pieces.
The Apsara Authority, however, contended that it merely removed the tree on Saturday after an unidentified group of loggers had already made deep cuts into the base of the tree on Friday night, and feared it could cause damage if it were to fall.
Mr. Thanard, the Apsara Authority's deputy director-general, wrote a letter of apology on Tuesday and asked his boss to pardon him for having ordered his subordinates to remove the tree.
"I am grieving because I ordered the staff to cut down the tree without discussing and asking permission," he said in the letter. "Every consequence, accusation and criticism from people for the leaders of the Apsara Authority from logging the tree is my fault and it is not the responsibility of the Apsara Authority."
Meuk Rith, chief of Kokchak commune's Nokor Krao village, said the timber had been transported on Wednesday to commune's Damrey Senchey pagoda, pleasing villagers who had been upset about losing the spirit tree.
"They were happy when they saw the tree was returned to the pagoda this afternoon," he said.
Mr. Rith said villagers had held Neak Ta ceremonies at the tree every December, when they prayed for peace and a good harvest, and offered food to the spirit.
"I think that the spirit staying inside the rosewood tree has strong power because two people were arrested after the tree was cut and felled," he said.
Hang Sophat Phearom, chief of the provincial police's minor crimes bureau, said the two Apsara Authority officials would be sent to court today, but declined further comment.
Police Officer To Sue Timber Trader Over Bribe Claim
Angel Investors Enter Cambodia's Startup Scene


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Heat Vision Box Office Reviews Archives
Sony: Film Unit on Track for Full-Year Profit Despite Quarterly Loss
6:55 AM PDT 10/31/2013 by Georg Szalai
UPDATED: On a conference call, CFO Masaru Kato tells a rep for activist investor Daniel Loeb that "Smurfs 2" and "White House Down" came in below hopes, but touts the outlook for the TV programming business.
Sony Corp. may have seen its film unit post a loss in its latest quarter, but management said Thursday that that was not the sign of deteriorating trends in the broader entertainment business.
"It was unfortunate that we recorded a huge loss," CFO Masaru Kato told an analyst call. That was "quite understandable because some of the major films underperformed at the box office," he added, citing White House Down and Smurfs 2.
But he said that Captain Phillips and Cloudy With a Chance of Meatballs 2 were performing according to the company's expectations.
Overall, he said the company remains on track to bring in roughly the same level of profitability in the film unit for the current fiscal year as last year. "This quarter was unfortunate, but this is not because of a structural change," he said.
Last quarter, Daniel Loeb, the activist investor and head of hedge fund Third Point, which owns a roughly 7 percent stake in Sony, was on the Sony call to ask a question and highlight that a music publishing catalog sale was what allowed the film unit to post a profit then. On Thursday, Tim Lash, head of Third Point's tech, media and telecom group, was on to ask if movies were the main reason for the film unit loss. "The motion picture [results were] the cause of this," Kato confirmed.
Asked if the TV networks business was on an upward profit trajectory and had higher margins than the film business, he said: "Basically, yes."
Earlier on the call, Kato had said that TV production and licensing was looking to continue on its growth path long-term, with 13 new series in the 2013-14 U.S. TV season.
Asked if Sony was looking to own networks in the U.S., Sony Corp. of America CFO Steven Kober said that was not part of the company's current strategy. It would continue to focus on providing programming to various networks. Asked about owning U.S. channels, he said, "That is not part of our strategy at the present time. "
Loeb previously pushed for an IPO of Sony's entertainment arm, but has of late taken more of a wait-and-see approach after Sony vowed to disclose more details about its film unit and focus on improving its margins. "Dan Loeb and Third Point shed a light on the entertainment properties that we've been trying to shed a light on for the longest time,"Sony Corp. president/CEO Kazuo Hirai recently said.
Sony is scheduled to hold investor events focused on its entertainment assets in November.
Kato on Thursday also signaled that Sony could eye more asset sales in the future, although not on the scale of last year.
E-mail: Georg.Szalai@THR.com
Twitter: @georgszalai
Georg Szalai
THRnews@thr.com georgszalai


This entry was posted by faridmouhous on 17 décembre 2012 at 16:16, and is filed under Citoyenneté. Follow any responses to this post through RSS 2.0. You can leave a response or trackback from your own site.


Sometimes you just need a salad. After my birthday celebration this past weekend that lasted a day longer than we all anticipated, I need several salads. And several more after that. My problem is: I. just. don't. like. salad. I do like salads at restaurants that have bad stuff, like crispy chicken, fatty dressing, tons of cheese and nary a vegetable anywhere. You know. The ones nutritionists and dietitians tell you in magazines that you should never order? Fortunately, the building where I work not only has a cafe with a large salad bar, but one floor up from that is another salad spot where you can have someone make one for you. Unfortunately, I hate those salads. I don't know if it's the dressing, the lack of options or what, but each time I get one of these salads, I'm miserable and disappointed. I have figured out though, I like salads I make myself, where I control the ingredients and only put in what I know I like. And I since I don't really like bottled dressing, I like simple vinaigrettes where I can control the fat and the flavor. So after work last night, I stopped at the store and started filling my basket with both fruits and veggies that I knew would not only be tasty but would also take advantage of summer's colorful (and local!) produce. Hence, the homemade Summer Salad with White Wine Vinaigrette.
A simple butter lettuce/red leaf lettuce combination is topped with Jersey plum tomatoes, baby carrots, avocado, red pepper, mango, and toasted almonds before being drizzled with a vinaigrette of white wine vinegar, extra virgin olive oil, salt and pepper. The almonds, carrots and red pepper give a yummy crunch while the avocado provides a creamy texture. And the mango…oh the mango. Some people don't like fruit in their salads but I think nothing is better. The slightest bit of sweetness in the mango mixes so well with the other produce and gives this salad the perfect ending note. The vinaigrette is simple and light and especially good with a dash or two of garlic powder. Use any vinegar you like and as little or as much oil as you prefer. This salad didn't leave me feeling unsatisfied or unhappy. It's one salad I can definitely get behind!
Combine extra virgin olive oil, white wine vinaigrette, salt, pepper, and garlic powder (if using) in a jar or bowl. Shake or whisk to combine. Divide lettuce between two plates, and top with even amounts of tomato, carrot, red pepper, avocado and mango. Top each plate with one tablespoon of toasted almonds. Drizzle each plate with dressing, using as little or as much as you like. Finish with additional salt and pepper, if desired.
Combine extra virgin olive oil, white wine vinaigrette, salt, pepper, and garlic powder (if using) in a jar or bowl. Shake or whisk to combine.
Divide lettuce between two plates, and top with even amounts of tomato, carrot, red pepper, avocado and mango.
Top each plate with one tablespoon of toasted almonds and drizzle each plate with dressing, using as little or as much as you like.
Finish with additional salt and pepper, if desired.


text:
Stories - 3
Gaining Corporate Work Experience
FOLLOW AHS
Today's summer students are leaving a lasting impression
Originally published on Jobpostings.ca, Canada's largest job board for students and recent graduates
Story by Meghan Lafferty
For many people, a summer position is the start of their career journey. For ones that enter into an internship with Alberta Health Services, it can be the start of a healthcare path that shapes both their personal and professional lives.
Tani Omorogbe, Janine Poersch, and Christina Little are all employees of AHS and are either recent graduates or are currently in university. Each of these individuals are working in a position that directly affects their career path and complements their schooling. The experience and knowledge gained by these three summer students will set them down the career path that's right for them.
First off, each of these summer students agreed that the job posting is what drew them to their current position.
"When I read the duties and what they were looking for in the job description, I believed I could do those duties," said Tani. "They were things I believe I was trained well for in university."
The job description aside, Alberta Health Services is a name that stood out.
"I wanted to work for AHS because it is such a vast and well-known organization. I knew that I would be getting to work on a variety of different projects and programs that would help me grow as an individual getting ready to enter the workforce," said Christina.
Another draw was that these summer students entered into a position that complemented their schooling. Janine, a Communications graduate, earned a Communications Advisor position. Tani, a Global Business and Digital Arts major, into a graphic designer position, and Christina, a current Business Administration student, was granted a position as Talent Acquisition Student involved in Student Engagement, Diversity, and Inclusion.
"Working for AHS gives you such a depth of knowledge, it's a massive organization with so much to learn," said Janine. Assuring us that it's possible for a young graduate to make a difference in such a large organization, Janine shared, "I'm just out of school, and I can say that I am helping to coordinate brand standards for an organization of 108,000. I don't know too many people that can say the same thing."
As a forward thinking organization, AHS fosters it's relationships with young professionals and encourages them to gain the skills needed to succeed.
"AHS is helping me grow because it's enabling me to think and act professionally. This is my first corporate job, and it has allowed me to learn the corporate culture," said Tani. Organizations like AHS understand that young students bring fresh ideas to the table, come equipped with a contemporary mindset and acknowledge that students are the workforce of the future.
These positions allow students the opportunity to build and strengthen their resumes. AHS recognizes the benefits of developing employee skill sets to help them develop and flourish in the workforce.
"I am always kept busy, whether it's because I am learning and shadowing a mentor or getting to do some of the hands-on planning involved in my tasks," said Christina.
Already Tani, Janine and Christina have made a significant impact in the workforce. Hard work and determination have helped these individuals get their start within a well-recognized organization, one that is encouraging their professional development by building on skills learned in post-secondary schooling.
Managing Mental Illness
Paths in Oncology Nursing
Putting the Patient First


text:
package com.github.twitch4j.helix.domain;

import com.fasterxml.jackson.annotation.JsonProperty;
import lombok.AccessLevel;
import lombok.Data;
import lombok.NoArgsConstructor;
import lombok.NonNull;
import lombok.Setter;

import java.util.List;

@Data
@Setter(AccessLevel.PRIVATE)
@NoArgsConstructor
public class BannedEventList {

    @NonNull
    @JsonProperty("data")
    private List<BannedEvent> events;

    private HelixPagination pagination;

}

redpajama_set_name: RedPajamaGithub


text:
Hinckley Rail Freight Interchange
Full details regarding the plans for the Rail Freight Interchange, including consultation event dates can be found on the official website.
The Hinckley National Rail Freight Interchange is a large proposed development in the south of the District of Blaby. The site is proposed to include:
Industrial and Storage/Distribution units
A rail port and the lorry park
Dedicated road access directly from Junction 2 of the M69 and associated highway works
Landscaping including footpath and cycle links
The site is wholly within the east of Blaby District's boundary with Hinckley and Bosworth, and to the south-west of the village of Elmesthorpe.
Who is deciding this application?
The development is considered to be a Nationally Significant Infrastructure Project and as such the Council will act as a statutory consultee in the process and will not be responsible for determining the application.
A formal application will be made by Tritax Symmetry (formerly DB Symmetry) to the Secretary of State for a Development Consent Order through the Infrastructure Planning Unit which is administered through the Planning Inspectorate.
What will the process of this application look like?
The project is already registered with the Infrastructure Planning Unit and so is currently in the pre-application stage. All timescales are based on the revised submission date of June 2020, which is the latest date given by the applicant. It is a six stage process made up of:
Pre-application (current and ongoing until Spring 2020)
Submission of application and acceptance by the Planning Inspectorate – June 2020
Pre-examination (including pre-examination meeting) – Summer 2020
Examination – late 2020
Recommendation and decision – Spring to Summer 2021
Post decision – late 2021
Formal public consultation and statutory consultations – November and December 2019
An additional first stage of public consultation has taken place during October to December 2018 and a second informal public consultation with a focus on highways considerations has been undertaken during July to September 2019 with a range of public exhibitions in Hinckley, Barwell, Elmesthorpe, Sapcote, Stoney Stanton and Burbage.
When will Blaby District Council get involved?
During the pre-application stage, there is a statutory duty on the applicant to consult local residents and interested parties. We have had an opportunity to input into the Statement of Community Consultation which sets out how the consultation with the community will be undertaken (August 2018)
We will also submit an "Adequacy of Consultation Representation" confirming if the consultation was adequate. The applicant has a duty to take into account all consultation responses received and they must demonstrate to the Secretary of State how they have done this
Formal public consultation and statutory consultations are due to be undertaken by the applicant in November or December 2019. The applicant has already undertaken an additional first stage of public consultation from October to December 2018, and a second informal public consultation with a focus on highways considerations was undertaken from July to September 2019, which included a range of public exhibitions
A letter dated 06 September 2019 has been sent to the promoters of the Hinckley National Rail Freight Interchange proposal, in respect of the informal public consultation which has recently been undertaken. The letter can be downloaded at the bottom of the page
We will produce a "Local Impact Report" setting out what the anticipated impacts on the authority's area (or any part of that area) and the communities affected will be in Summer 2020. This will be reported to Council for Councillor approval
The Council will also be required to agree on a Statement of Common Ground with the applicant (based on evidence-based assessments)
We will provide a formal written representation as a statutory consultee in the procedure
We will also attend and participate at any hearings and accompanied site visits taking place
It will be necessary for the Council to negotiate and enter into a Section 106 agreement with the owner/developer securing relevant planning obligations
In the event of the Development Consent Order being granted, the Council will be required to discharge and monitor the formal requirements and provide an enforcement function accordingly
The applicant has set up a Community Information Line operated by Lexington Communications on 0844 556 3002 for members of the public to raise the question
To date, we have received a Scoping Consultation from the Planning Inspectorate. The development is classed as an "Environmental Impact Assessment Development." As a result, the submission will be supported by an Environmental Statement.
Our response, along with the Planning Inspectorate's formal Scoping Opinion and additional information, can be found on the Planning Inspectorate webpage below.
Archaeological trial trenching commenced towards the end of September 2018 and it has now been completed.
Planning Inspectorate
Hinckley Rail Freight Interchange Masterplan (4.5mb) Uploaded 19 February 2019
Hinckley National Rail Freight Interchange Informal Consultation (205.1kb) Uploaded 26 September 2019
Last updated 7 January 2020
In this section Local Plan Major Developments -Castle Acres Retail Development -Everards Meadows -Hinckley Rail Freight Interchange -New Lubbesthorpe -New Lubbesthorpe Strategic Forum -Whetstone Pastures Planning Applications Guidance and Policies Planning Enforcement Conservation


January was more like a free trial month for me. Now its over , it is time to work.
I remember that time in the fashion week, it was pretty busy for me as I was working as an intern for AboutThatCurvyLife Collective, and I was just clueless as to what to wear that Saturday. Then I randomly scrolled through Instagram , and saw the pieces by Nigerian menswear designer Kamsi T'Charles showcased at Glitz Fashion Week of that year.
And that was where the inspiration for my outfit was drawn from. As fashion and style creatives, it is imperative to never underestimate the influence of social media on fashion and style.
If there's one thing i love about this look, it has to be the fact that Western style can be switched with the fusion of African identity to make an overall formidable look.
In contrast to the inspiration and the actual look for fashion week, I switched the white Converse shoes for Black Brogues to bring uniformity to the whole ensemble, since i had a black blazer on. I also made an artistic switch by switching up my gold reindeer chained collar tips as a lapel pin, and just kept other accessories minimal.
My simple advice to pulling off African Prints into your style is to first select prints, cuts and colors that exude artistry. The beauty of Ankara fabric is that there are diverse, mind-blowing prints out there. Its a question of using your discretion to decipher if any print of choice you select looks good on you.
Also, the cut of the proposed outfit should be one that fits accurately, but I'd like to believe the designer in question has the eye for that, so you shouldn't necessarily bother about that.
Now, on styling the finished product, ensure that your accessories (shoes and bags) should be in cohesion with the outfit, be it a full regalia or an Ankara piece (with Ankara pants, in my own case).
If you're on the creative and adventurous side, you can mix and match prints. The most important factor to consider is comfort, and elegance in style.
To round this off , I suggest that accessories (especially for we the male folks) should be conservative. If you are fusing Ankara with a blazer or a waistcoat or something Western or formal, keep the accessorizing simple so that emphasis would be placed on the styling, color and fit of the entire ensemble.
"The art of Afrocentrism is the creative ability to incorporate a mix of African culture into one or two proponents of Western culture, be it in artistry or fashion. It is an ideology that is to be embraced worldwide in order to appreciate the creativity and diversity of African Culture"
I believe you've caught one or two tips on how to style your Ankara fabric and why you should incorporate ethnic prints to your wardrobe. I'd appreciate it if you can share your opinion of my style and ideas on how you'd style your Ankara prints.
Thank you for reading and have a great day ahead .
Love how the lapel pin added a classy feel to the outfit. Love the prints too.
You should get one . I can't wait to see how you pull off the look..


Don't forget to pick up your copy of Turf when double Premier League winners Manchester City come to town on Saturday.
The bumper 84-page match-day programme contains an in-depth feature with Clarets' captain and England international Tom Heaton.
On-loan Liverpool full-back Jon Flanagan re-calls his memorable milestones and Burnley League Championship winner Jimmy Robson has the Last Word.
There's also the inside chat from the boardroom, the thoughts of boss Sean Dyche, an extended Fans in Focus feature and all the usual news, views and historical features.
Turf is available for £3 from all usual vendors in and around Turf Moor.


text:
/*
 * To change this license header, choose License Headers in Project Properties.
 * To change this template file, choose Tools | Templates
 * and open the template in the editor.
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package org.redkalex.convert.protobuf;

import java.lang.reflect.Type;
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import org.redkale.util.Attribute;

/**
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public class ProtobufObjectDecoder<T> extends ObjectDecoder<ProtobufReader, T> {

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            member.getAttribute().set(result, ((ProtobufStreamDecoder) decoder).convertFrom(in, member));
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text:
Peter Rosen Productions
Kuhn Foundation
Khachaturian (2003)
Directed by Peter Rosen
Genres - Music | Sub-Genres - Biography, Music History, Politics & Government, Instrumental Music, Social History | Release Date - Oct 17, 2003 (USA - Limited) | Run Time - 83 min. | Countries - United States | MPAA Rating - NR
Synopsis by Andrea LeVasseur
Television producer Peter Rosen directs the feature-length documentary Khachaturian, a profile of the Armenian composer Aram Khachaturian. Born June 6, 1903, in Georgia, Khachaturian became one of the leading composers of the Soviet era. He was president of the Composer's Union of the Soviet Union and gained respect from the Communist party. At the same time, he was allied with artistic composers like Shostakovich and Prokofiev.
Musician's Life
archival-footage, Armenia, artistic-freedom, career-retrospective, classical-music, Communism, composer, dissident, honor [recognition], interview, memoir, Russian [nationality], tribute


text:
7316 Хайду (7316 Hajdu) — астероїд головного поясу, відкритий 30 вересня 1973 року.

Тіссеранів параметр щодо Юпітера — 3,312.

Примітки

Див. також
 Список астероїдів (7301-7400)

Посилання

 http://www.minorplanetcenter.net/iau/lists/NumberedMPs

Астрономічні об'єкти, відкриті 1973
Головний пояс астероїдів

redpajama_set_name: RedPajamaWikipedia


Sometimes people email me with questions about speed reading. I thought I would share with some recent ones with my replies.
People often ask me how quickly they can pick up the skill. How long will it take for them to read as fast as I do?
'A lot depends on how you define reading, what you are reading and the length of time you are reading. Then there are things such as how familiar you are with that type of material, how skilled you are as a reader, etc.
You can glance through a 300 page book and get an overview of what's in it in ten minutes. Most people can scan very quickly in this way. 10,000 wpm is possible.
Reading with comprehension (i.e., knowing what the main ideas are and how they are supported) is a different level of skill. A 7 year old child genius reached 3100 wpm over a minute with 3 hours tuition. I thought he was amazing. He had good understanding of what he read. With a similar amount of tuition, an adult O.U. student reached 3,300 wpm, an exceptionally fast speed for a beginner.
The next stage for beginners is to build the length of time spent speed reading. What is the best way to practise? Find something motivating to read.
For those who love books and reading, practising the skill is fun. I love speed-reading detective fiction. Yesterday I enjoyed Thomas Enger's 'Cursed' at speed. Speed allows me to keep the plot details in mind as the author switches the narrative focus to different characters. A novel with several plot lines and multi viewpoints is a great brain workout!
People can pick up the skill very quickly. It takes time to develop it and there are a lot of things that affect how quickly that happens. Each person is different.
Occasionally people ask about organising speed reading competitions in their own languages. Here is my reply to a recent enquiry.
'First of all, you need at least six would-be competitors.
You will need someone who is not a competitor to contact publishers. You will need copies of an unpublished book for the competitors to read at the competition. Fiction is best, as the competitors would not know what to expect when reading it.
You need someone to write questions. In the MSO competition, there were 30 questions over the entire book. These were not multiple choice questions.
You will need publicity and a venue.
You need to have people to time the competition. Ideally, you will need one stopwatch per competitor.
The competition takes one hour. If someone finishes, he or she raises a hand. The stopwatch is stopped. The competitor hands over the book and receives the sheet of questions.
At the end of an hour, people are told to stop reading. They mark the book where they have finished and each book is identified as that person's book. They hand over their books and are given the questions. They write answers to the questions and hand these in.
The competition is scored by speed in words per minute x percentage of questions answered correctly.
If I were you, I would approach a bookstore or chain of bookstores for sponsorship to cover costs and for help to find a publisher to supply books.
I would suggest you ask a newspaper journalist to write the questions, as this would maybe help with getting publicity.
Looking back over my speed-reading career, I really don't think I would have developed the skill to the level I have, without competitions. I pushed myself beyond what I previously thought possible in order to win those gold medals.


Personalized juicers include a one color imprint, setup and ground delivery. Add additional colors to your logo for increased visibility. Indicate your imprint color now, or select "Match artwork/specify later" and we'll clarify prior to proofing.
The Handy Juicer is a creative personalized juicer that will promote health, wellness and your business. This juicer features a convenient pour spout and easy grip handle to make fresh juice or lemonade with ease. The Handy Juicer meets all FDA requirements and is BPA free. Available in four colors, the price of this juicer also includes a 1-color imprint, setup and ground shipping.
Imprint-Setup Information1-location, 1-color imprint, setup and ground shipping included. Multiple-color imprints available ??????? please call or chat.


In this edition of Free Yourself Friday, we take you to San Francisco, CA where Vaco provides expert consulting, permanent placement, executive search, and strategic staffing.
So, if you find yourself on business or vacation, our local Vaconians have the top five places to Free Yourself in the Bay City.
The Ferry Building Marketplace has it all! Check out Fisherman's Wharf to see the sea lions and enjoy a mini carnival and quaint shops at Pier 39. Explore the world at the Exploratorium! Learn about the lunar eclipse, utilize great teaching resources, view abstract artworks and see how the museum has shifted since its opening in 1969.
Catch a show at the longest running musical revue, dating more than 43 years of production. San Francisco's hysterical pop culture musical revue is in the North Beach District which is an eccentric neighborhood rooted in Italian heritage; compiled of trattorias, coffee shops and unique-spirited bars. Explore Telegraph Hill and take a stroll down the Filbert Steps for a scenic hike to the iconic Coit Tower, to view WPA-era murals and surrounding sights.
Explore two famous San Francisco landmarks, the Cliff House and Sutro Baths. Explore the Sutro Baths' ruins that once provided a rocky ocean pool just North of the Cliff House. There are several trails leading in and around the ruins – one that will lead you to a brilliant view of the iconic Golden Gate Bridge. After hiking to the Sutro Baths, check out Lands End Lookout and Lands End Labyrinth, and then have brunch at the Cliff House's Sunday Champagne Brunch Buffet.
The Mission District is San Francisco's oldest neighborhood and its walls scream with culture and art (literally). Many tourists come to the neighborhood to glance upon the murals that fill the neighborhood's building's walls. Though founded in 1776, the neighborhood has spruced up its scene with new restaurants and art galleries. While in town, don't miss a chance to walk through Dolores Park, to shop in Union Square, or to view the historical and life-saving Golden Fire Hydrant.
Originally a boardinghouse, the Buena Vista transformed into a saloon in 1916 and welcomed many nearby fishermen and dock workers. In 1952, owner of the Buena Vista and Pulitzer Prize-winning San Francisco Chronicle columnist, co-created a now world-famous Irish coffee recipe. To this day, the coffee recipe has not changed!


BEREA, Ohio -- Kendrick Mosley keeps living on the edge, falling off a cliff and climbing back. He fell again Monday.
Kendrick Mosley keeps living on the edge, falling off a cliff and climbing back.
Since making a name in the Mid-American Conference, Mosley has never caught a regular-season pass, but has stuck around on the NFL fringes for four years.
His second training camp with the Browns probably was his last. The former Western Michigan Bronco was one of 11 players cut Tuesday.
He also was the first Browns wideout to bond with Brady Quinn. They threw him in the mix at a rookie minicamp so Quinn had a target who knew what he was doing.
"Quinn came in and one of the first conversations he had was with me," Mosley said. "I was the first receiver he talked to. We had a connection.
"In the rookie minicamp, he was trying to make plays for himself, trying to understand the offense.
Mosley's time, however, is up.
Crennel's job gets tougher. He must deliver the pink slips that get to the roster down to 53 by Saturday.
The team must cut one more player by today to reach the 75-player limit.
Offense: Mosley, WR Efrem Hill (caught Quinn's second TD pass against Detroit), TE Buck Ortega (team-high four catches against Kansas City), WR Mike Mason.
Defense: DL Therrian Fontenot (claimed from the Steelers' practice squad last Dec. 11), DL Alvin Smith, CB Therrian Fontenot, DB Justin Sandy.
Special Teams: PK Jesse Ainsworth, P Kyle Basler.
Nerves will be on edge for players on the bubble.
Chris Barclay won the Kansas City game with an 88-yard kick return and has averaged 14.3 yards as a receiver out of the backfield. Charles Ali is a better blocker than No. 1 fullback Lawrence Vickers. The Browns will keep one or the other, possibly neither.
Veteran linebackers Jason Short and Mason Unck are good special tams players, but the Browns might prefer to keep two young younger linebackers with upside, David McMillan and Kris Griffin. Unck might not be back for a fifth year with the Browns.


Laurel is a visual artist who draws her inspiration from the sea and nature. She creates custom one of a kind hand painted hats (which can be found at the CV Collective Store + Studio in Cumberland or ordered through her website) and enjoys photography, graphic & logo design, oil painting and illustration. When she isn't creating something by the oceans edge she enjoys spending time with her husband fishing, surfing or exploring this beautiful island we call home with their two dogs.


Autobahn Tires in Vaughan offers a wide range of wheel tire and rim packages including repair services as well as a variety of automotive solutions customized to meet the demands of different cars. Wide selection of tires and wheels from Brands.
Address: 3059 Victory Cres, Mississauga, ON, L4T1L5, Mississauga. See full address and map.
Address: 1464 Spitfire Place, Port Coquitlam. See full address and map.
Address: 232 6 rang, QC, J0B2V0, Anjou. See full address and map.
Address: 8 Bramwin Crt, Brampton, ON, L6T5G2, Brampton. See full address and map.


What is the address where I should send my hair donation?
Can I donate my hair if it is layered?
All donated hair must be at least 8 inches long. If your shorter layers are less than 8 inches, then we suggest that your shorter layers be pinned up so you can cut and donate your longest layer only.
Do you only support breast cancer?
Pantene Beautiful Lengths supports all types of cancer. Any woman that has lost her hair due to cancer treatments is eligible to receive a wig from the American Cancer Society.
Am I able to send in my hair from overseas?
Yes, we accept international donations as Pantene Beautiful Lengths currently only exists in North America.
When can I expect to receive a thank-you letter?
Once hair is received and processed, you will be keyed for a thank-you letter. Because the process is so extensive, this may take several months.
Can I donate my hair if it's been colored?
Hair may be colored with vegetable dyes, rinses, and semi-permanent dyes. It cannot be bleached, permanently colored, or chemically treated (if unsure, ask your stylist).
How many inches does the ponytail need to be?
Donated hair must be a minimum of 8 inches long (measured from just above the elastic band of the ponytail to the ends).
Can I straighten my hair before cutting it?
Wavy or curly hair may be straightened before measuring.
How should I send in the ponytail?
Hair should be freshly washed and completely dry, without any styling products. Hair must also be donated in a binded ponytail.
Do you have a list of salons that participate in the Beautiful Lengths program?
No, we don't currently have a list of salons. Most donors go to their regular stylist with our list of instructions for how to make the cut and mail the donated ponytail themselves.
Do you donate wigs to children?
There are separate organizations that work with children needing wigs, so this Pantene program was designed to help women battling cancer. Unfortunately, our wigs are created for adult head sizes and not suitable for children's small heads. Older teenagers are welcome to contact the American Cancer Society to inquire about local availability of wigs.
Why is the Pantene Beautiful Lengths ribbon pink?
The Pantene Beautiful Lengths program was created to support all women living with cancer and all cancer research, including but not exclusive to breast cancer. The ribbon logo created for the program incorporates both lavender, which is a symbol to represent general cancer awareness, and pink, to represent the Pantene Beautiful Lengths product collection.
Pantene Beautiful Lengths has always accepted hair donations but why is the program now accepting monetary donations too?
Since 2006, Pantene Beautiful Lengths has continued to grow stronger due to the incredible kindness and passion of its donors. Over the past 8 years, Pantene Beautiful Lengths has received numerous requests from people who would like to support the cause through monetary donations in lieu of a hair donation. As a result, Pantene Beautiful Lengths has implemented a monetary donation component to the program, allowing everyone who wants to participate in the program a way to show their continued support and help create even more wigs for women undergoing cancer treatments.
When I donate money to the Pantene Beautiful Lengths Fund, how is that money being used?
Every penny donated to Pantene Beautiful Lengths is used to create real-hair wigs for women undergoing cancer treatments. The wigs are distributed through select American Cancer Society® wig banks, free of charge to women who have lost their hair due to cancer treatments.
Is there a minimum amount needed to donate money to the Pantene Beautiful Lengths Fund?
There is no minimum amount needed to make a monetary donation to the Pantene Beautiful Lengths program. Every penny counts!
Why does the donation link take me to The Greater Cincinnati Foundation, what is this organization?
Pantene Beautiful Lengths has partnered with The Greater Cincinnati Foundation, a nonprofit organization, to facilitate charitable donations made to the Pantene Beautiful Lengths Fund. All information provided to The Greater Cincinnati Foundation is confidential. For more information about the Greater Cincinnati Foundation, please check out their website www.gcfdn.org.
Do you accept check or cash donations to the Pantene Beautiful Lengths Fund?
Your donation is made to a public charity and, as such, represents a charitable income tax deduction to the extent provided by the law. Please consult your tax advisor with any questions.
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Belgium cops in desperate hunt for Brussels airport attackers.
In grainy images from surveillance footage, a man wearing light-colored clothes and a hat pushing a baggage cart through the airport was seen with the other two suicide bombers and is now being sought by the Belgian police. All three men were shown walking side by side.
Two of the men, wearing black in surveillance images, are believed to be the suicide bombers who died in the two explosions at the Brussels airport and another at a busy metro station in the Belgian capital Tuesday that killed at least 30 people and wounded 230 others.
They are so to have each had a 'dead man switch' inside their black gloves. With the switch, even if they had been discovered and gotten shot, the bomb would have still gone off.
According to reports, the man in the light coloured clothes was supposed to make sure the other two carried out their evil deed.
Investigators believe the one in the light-colored clothing planted a bomb at the airport, then left but the bomb didn't go off. Authorities called him a wanted man and asked for the public's help tracking him down.
A break in the investigation may have come from a taxi driver who said he took the suspects to the airport.
The driver contacted authorities after seeing surveillance video of the three men and gave them the address where he picked the men up, according to two U.S. officials briefed on the investigation.
Investigators found a nail bomb, chemical products and an ISIS flag during a house search in the northeast Brussels neighborhood of Schaerbeek., Belgium's federal prosecutor said in a statement.


text:
Avatar: Legenda o Aangovi (v anglickém originále Avatar: The Last Airbender) je americký animovaný televizní seriál. Vysílán byl v letech 2005–2008, na stanici Nickelodeon. Ve třech řadách (označeny jako "knihy" – voda, země a oheň) má 61 dílů, jedna epizoda trvá okolo 20 minut.

Děj

Seriál se odehrává ve světě čtyř národů, které umějí ovládat živly - Vodní kmeny, Království země, Národ ohně a Vzdušní nomádi. Rovnováhu mezi těmito národy už od pradávna udržoval Avatar, vládce živlů, který je schopen vládnout všem čtyřem elementům. Rovnováhu světa začíná ovšem ohrožovat Národ ohně, který za pomoci Sozinovi komety zahájí genocidu Vzdušných nomádů s cílem zabít současnou inkarnaci Avatara a rozpoutá tak nejhorší válku v historii. Vypadalo to ovšem, že Avatar ze světa zmizel a Pán ohně Sozin stráví zbytek svého života pátráním po největší hrozbě pro Národ ohně - Poslední vládce vzduchu.

Po sto letech, kdy má Národ ohně vítězství na dosah, objevuje na Jižním pólu vládkyně vody Katara a její bratr Sokka ledovec, ve kterém je někdo zamrzlý. Společně tak objevují posledního vládce vzduchu, a současnou inkarnaci Avatara, Aanga s jeho vzdušným bizonem Appou. Aang zpočátku vůbec netušil, že v ledovci zůstal po sto let, postupně tak zjišťuje, že zůstal posledním vládcem vzduchu a objevuje se před ním nelehký úkol - Musí se naučit ovládat ostatní tři živly dřív, než v létě znova přiletí Sozinova kometa a Pán ohně Ozai využije její moci k definitivnímu vítězství Národa ohně.

V první knize se Aang společně se Sokkou a Katarou vydávají do Severního vodního kmene, aby se Aang a Katara naučili ovládat vodu. Tuto cestu jim ovšem komplikuje korunní princ Národa ohně Zuko, který byl svým otcem popálen a vyhoštěn do světa, aby vystopoval Avatara a byla mu tak navrácena jeho čest i trůn, který mu náleží. Během jejich cesty Aang objevuje svůj vzdušný chrám, kde nalézá mrtvolu Gyatsa a uvědomí si tak, že když ho svět jako Avatara potřeboval, zmizel. Když nakonec Tým Avatar dorazí na Severní pól, kde se Aang učí ovládat vodu, je Severní Vodní kmen napaden nájezdem Národa ohně, který vede Admirál Zhao, odhodlaný zbavit svět vládců vody. Tento útok ovšem Severní vodní kmen za pomoci Aanga, který se v Avatarském stavu spojí s duchem oceánu, odráží a porážejí Národ ohně.

Aang se dále musí naučit ovládat zemi, proto se v druhé knize Tým Avatar vydává do Království země, kde Aang zahajuje pátrání po svém učiteli. Mezitím do Království země mají namířeno i Zuko a Iroh, tentokrát ovšem jako zběhové Národa ohně. Ve stopách Týmu Avatar, ale i svého bratra a strýčka, je Princezna Azula, chladnokrevná vládkyně ohně, a její kamarádky Ty Lee a Mai. Aangova cesta přes Království země vede i přes město Gaoling, kde nachází svou učitelku ovládání země, v místních zápasech zvanou jako slepou banditku, Toph Beifongovou. Společně se pak dostávají přes poušť, kde Aanga na pár dílů ztratí svého bizona, až do města Ba Sing Se, kde chce Tým Avatar varovat Krále země před blížícím se Národem ohně a poprosit jej o pomoc. To ovšem komplikuje fakt, že městu de facto vládne tajná policie Dai Li s královým poradcem Long Fengem včele a král díky nim věří, že žádná válka není. Do Ba Sing Se je ovšem následuje i Azula, která má v plánu město dobýt, v čemž jí nakonec pomůže její získaný vliv v Dai Li. V posledních okamžicích pádu Ba Sing Se se Zuko přidává na stranu Azuly, kdy společně zadrží svého strýce Iroha, snažícího se získat čas pro utíkající Tým Avatar, který se s Aangem, jehož v Avatarském stavu zabila Azula, snaží dostat do bezpečí.

V útěku před Národem ohně potkává Tým Avatar válečníky Jižního vodního kmene a Katara se Sokkou se tak spatří se svým otcem, náčelníkem Hakodou. Společně získají jednu loď Národ ohně a v maskování se tak na jeho území skrývají. V tento okamžik mají před Národem ohně výhodu překvapení, jelikož celý svět věřil, že Avatar je mrtev... Aanga ovšem zpět k životu přivedla Katara za pomocí léčivé vody z Oázy duchů ze Severního vodního kmene. V přestrojení se v Národu ohně chtějí všichni skrývat až do dne Černého slunce, kdy vládci ohně ztrácí svou schopnost. Během této události mají v plánu dobýt hlavní město Národa a ukončit tak válku. Plán se ovšem podaří odhalit Princezně Azule, která jejich naději na poražení Pána ohně Ozaie během zatmění překazí. Po neúspěšném útoku se za Avatarem znova vydává princ Zuko, tentokrát ovšem odhodlán přidat se k Týmu Avatar a naučit Aanga ovládat oheň, aby tak mohli ukončit stoletou válkou.

Všichni ostatní, bez vědomí Zuka, chtějí ovšem počkat na okamžik, kdy vymizí vliv Sozinovy komety, jelikož věří, že svět už ve větším chaosu nebude... Z tohoto omylu je ovšem vyvádí Zuko, který zná plán svého otce. Ten chce využít moc komety ke zničení současného světa. Aang tak nemá na výběr, musí se postavit Ozaiovi dřív, než naplní svůj plán, a zabít jej. Ten ovšem den před příletem komety, plný vnitřního rozporu, kdy se není jist, zda dokáže zabít, zmizí... Během vlivu komety se na Ba Sing Se vydává Řád bílého lotosu včele s Irohem, aby město osvobodili od Národa ohně. Mezitím se ostatní Aangovo přátelé musí postavit flotile vzducholodí Národa ohně a Katara se Zukem se vydávají do hlavního města Národa ohně, aby překazili korunovaci Azuly novou Paní ohně. Na hranicích Království země se ale objevuje Aang, odhodlaný se nyní postavit Pánu ohně. Aang ovšem od událostí v Ba Sing Se není schopen vstoupit do Avatarského stavu a jeho boj s Pánem ohněm začíná prohrávat. Vše se obrací ve chvíli, kdy Aang utrpí úder do své smrtelné rány a opět se aktivuje jeho Avatarský stav. Ozai v obavách před takovou mocí se před Aangem vydává na útěk. Ten ovšem Pána ohně nakonec dopadá a pomocí ovládání energie, které ho naučila Lví želva, zbaví Pána ohně Ozaie vlády nad ohněm.

Pán ohně Ozai je nakonec uvězněn za válečné zločiny a Princezna Azula je díky své mentální nestabilitě umístěna do ústavu. Princ Zuko, který je korunován novým Pánem ohně zahajuje ve spolupráci s Avatarem novou éru míru a lásky.

Hlavní postavy

Aang
Aang je vzdušný nomád narozený 12 let před Sozinovo kometou. Aang je Avatarem po Avatarovi ohně Rokovi a Avatarem před Avatarkou vody Korrou. Jakožto Avatar se musí naučit ovládat zbylé tři živly- vodu, zemi a oheň. Vzhledem k jeho zamrznutí v ledovci během celých 100 let války má nelehkou úlohu - do léta se musí tyto živly naučit ovládat a porazit tak Pána ohně Ozaie a nastolit ve světě mír. Aang je jedním z mála Avatarů, kterým byla ukázána technika ovládání energie a taky možnost ovládat energii druhých a zbavit je jejich vládnutí, od Aanga se tuto techniku později naučí Korra. Aang je zamilovaný do Katary.

Katara
Katara je vládkyně vody z Jižního vodního kmene, kde vyrůstala s jejím bratrem Sokkou, a kteří byli společně vychováváni její babičkou Kannou. Katara je dcerou náčelníka Jižního vodního kmene Hakody a jeho manželky Kyi, je také posledním vládcem vody z celého jižního polu. Během jejího dětství žila Katara zprvu poklidný život, dokud ji Národ ohně nepřipravil o její maminku, v naději, že zabili posledního vládce vody. Když byla Katara společně se Sokkou starší, objevili posledního vzdušného nomáda, Avatara Aanga, který byl uvězněný v ledovci po sto let. Protože se Aang potřeboval naučit ovládat vodu a Katara hledala mistra pro ovládání vody, vydali se sourozenci a Aang společně na Severní pol. Katara a Sokka se nakonec stali velmi blízkými přáteli Aanga a pomohli mu najít mistry pro naučení ovládání se dalších elementů a pomoci mu tak zastavit Pána ohně Ozaie v jeho snaze o ovládnutí světa, a následně obnovit mír ve světě.

Sokka
Sokka je 15letý bojovník z vesnice jižního vodního kmene, byl vychováván společně s jeho mladší sestrou Katarou jejich babičkou. Sokka se touží stát stejně statečným a vynikajícím bojovníkem a skvělým vojevůdcem jakým je jeho otec Náčelník Hakoda, má také na starost za jeho otce celou jejich vesnici, na důkaz důvěry v Sokku a jeho schopnosti. Po svém otci zdědil Sokka také inteligenci a smysl pro humor. Ze začátku neměl Aanga moc v lásce a pokládal ho i za špiona Národa ohně.

Toph Beifongová
Toph Beifongová, známá také jako "Slepá banditka" při soutěži zvané Kamenování, je jedna z nejlepších vládkyň země a Aangova učitelka ovládání země. Toph pochází z bohaté rodiny Beifongů a přišla na svět slepá, kvůli čemuž jí její otec nechával na každém kroku hlídat strážemi. I když je slepá, s viděním problém nemá. Ovládání země se naučila od zemních krtků, kteří jsou prvními vládci země na světě. Od nich se naučila také vnímat svět pomocí nohou - vidí pomocí vibrací, které se šíří po zemi. Dokázala také jako první ovládat kov.

Appa
Appa je loajální vzdušný bizon a zvířecí průvodce Avatara Aanga, jedná se o velké, několikatunové zvíře. Appa je z poslední generace vzdušných bizonů ještě před jejich vyhlazením společně s vládci vzduchu. S Aangem se setkali jako malí, když si mladí vládci vzduchu vybírali svého vzdušného bizona. Díky jeho schopnosti létání je Appa hlavním dopravním prostředkem týmu Avatar.

Momo
Momo je okřídlený lemur, jedná se o druh lemura, který byl typický v oblastech vzdušných chrámů. Je společníkem Aanga a jeho přátel. Momo se také s přátelil s Appou a navykl si na něho jako na nepostradatelnou část jejich týmu, díky tomuto vztahu se pak v Ba Sing Sei snaží najít Momo ztraceného Appu, pomocí zbytku chlupů Appovi srsti. Jedná se o inteligentní zvíře, i když má problémy chápat lidskou řeč.

Suki
I když vypadá Suki jako obyčejná dívka, jedná se o vůdkyni skupiny ženských bojovnic - Bojovnice Kyoshi. Jejich skupina i jejich ostrov je pojmenován dle Avatarky Kyoshi - Avatarka země před Rokem. Se svým trénováním jakožto bojovnice začala ve svých 8 letech. Po setkání s Avatarem a jeho přáteli trénovala během jejich návštěvy ostrova Kyoshi, Suki se zamilovala do Sokka.

Iroh
Iroh byl generál Národa ohně ve výslužbě, původní Princ národa, Velmistr řádu Bílého Lotosu, mistr ovládání ohně a moudrý mentor jeho synovce Zuka. Byl starším synem Pána ohně Azulona a Ilah, a starším bratrem Ozaie. Irohova dobře známá schopnost Ohnivého dechu a jeho údajné zabití posledního draka mu vynesli uznávaný titul Drak Západu.

Zuko
Zuko je mistr ovládání ohně, narozený jako princ královské rodiny Národa ohně, který držel titul Pána ohně od roku 100 po Sozinově kometě do roku 167 po Sozinově kometě. Původně jako hlavní nepřítel Týmu Avatar, Zukův časný život se točil okolo pokusu dopadnout dlouho ztraceného Avatara, aby se mohl vrátit do své země a získat zpět svou čest jako korunní princ. Nakonec se však k avatarskému týmu připojí a pomůže Aangovi porazit Pána ohně. Lze jej snadno poznat dle jeho jizvy na levé části obličeje, kterou získal od svého otce, krátce před jeho vyhoštěním, jako výsledek jeho neúmyslného zneuctění svého otce, když promluvil během válečné porady a když s ním odmítl bojovat v Agni Kai.

Azula
Azula byla princezna Národa ohně, dcera Pána ohně Ozaie a Ursy, sestra Zuka a neteř Iroha. Byla klíčovým protivníkem Týmu Avatar, pronásledovala Avatara Aanga a svého vyhoštěného bratra daleko napříč Královstvím země, doprovázena svými dvěma tehdejšími nejlepšími kamarádkami, Mai a Ty Lee.

Ozai
Syn pána ohně Azulona a mladší bratr Iroha. Ozai se k moci a své pozici pána ohně dostal díky výmluvnému přesvědčení svého otce Azulona, že Iroh po smrti svého jediného syna Lu Tena není schopný nadále vést svůj Národ. Azulon mu tak pro získání této pozice přikáže, aby zabil svého syna. To ovšem zjistila jeho matka a na obranu Zuka se, dle slov Ozaie, dopustila hanebných a zrádných činů za což byla vyhoštěna. Ozaiovo jediným cílem je naplnit sny pána ohně Azulona a Sozina a dostat tak svět pod nadvládu Národa ohně.

Řady a díly

Reference

Související články
 Legenda Korry, seriálové pokračování zachycující svět 70 let po válce s novým Avatarem.

Externí odkazy

Americké animované televizní seriály
Americké dobrodružné televizní seriály
Americké rodinné televizní seriály
Americké fantastické televizní seriály
Animované televizní seriály ovlivněné stylem anime
Televizní seriály vysílané od roku 2005
Televizní seriály vysílané do roku 2008
Televizní seriály televize Nickelodeon


text:
Q: Can't map to second share on remote computer PC1 & PC2 are both running Windows 7 Professional. 64-bit & 32-bit respectively.
PC1 contains a secondary internal HDD, as D:\
PC1 also has an external HDD as E:\
D & E are shared on PC1.
On PC2, I can map to \\PC1\E, using the credentials of PC1's admin user.
On PC2, if I attempt to map to \\PC1\D, using the credentials of PC1's admin user, I receive an error:

The network folder specified is currently mapped using a different
  user name and password.
To connect using a different user name and password, first disconnect
  any existing mappings to this network share.

If I open cmd and run net use, I see that \\PC1\E is mapped, but \\PC1\D is not mentioned.
Why can't I map to \\PC1\D on PC2? Thanks.

A: On Windows 7, once you've authenticated against a server, you don't have to reauth for other mappings.
In fact, if you map a share to a drive letter, and then try to map a different share on the same server to a different drive letter, and then enter on the Map Network Drive dialog the same username and password used on the first drive mapping, you get this confusing error message:

The network folder specified is currently mapped using a different user name and password.

Despite the network folder not being mapped at all, and the username and password used not being different.

This baffled me for a while until I realized that once you have mapped to "server1" using those credentials, you can map to different shares on the same server without re-specifying the credentials.

(source)

A: Go to PC1 and inside D: > Properties > Security > Advanced > Owner - is the same as on C:, if not, change that.
If this does not help,
open cmd
Enter net use * /delete in the dos box
than try again

A: I've seen this before. Here's what you need to do:
Instead of mapping to \\PC1\D and \\PC1\E respectively, try mapping to the admin shares
The admin shares that you will want to connect to are \\PC1\D$ and \\PC1\E$. To do this, open Command Prompt, and type this (you could also save this to a .bat file on your desktop, such as connect.bat to execute at any time):
net use H: \\PC1\D$ /user:\\PC1\foobar 123456
net use I: \\PC1\E$ /user:\\PC1\foobar 123456

Simply replace H: and I: with drive letters you want, change foobar to the admin user, and change 123456 to the password of said admin user

A: You might have a spurious network share to \\PC1\D.
This is easy to verify by entering into a command-line the command :
net use

If you see any other share in addition to \\PC1\E,
which might even be that of the administrative share of D,
just enter the command :
NET USE /DELETE \\PC1\share-name

You should now be able to connect to \\PC1\D without problem.
If this doesn't work, try to connect to <PC1 IP address>/D,
entering the credentials as
<PC1 IP address>/user-name.

A: I suggest you try to list the folders being shared and mapping each one of them, but at the same time, instead of giving the full path using the "map network drive" option.

redpajama_set_name: RedPajamaStackExchange


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