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Hey Buddy!, I found this information for you: "Curso de Facebook Marketing no Rio de Janeiro – ComSchool". Here is the website link: https://ecommercenews.com.br/agenda/curso-de-facebook-marketing-no-rio-de-janeiro-comschool-3/. Thank you.


<,p>NELL BENJAMIN received 2007 Tony and Drama Desk nominations for her work on LEGALLY BLONDE. She is the author of PIRATES!, an adaptation of THE PIRATES OF PENZANCE, developed at Goodspeed Opera House and Paper Mill Playhouse. She wrote CAM JANSEN with Laurence O'Keefe (produced by Theatreworks/USA), wrote lyrics for SARAH, PLAIN AND TALL and THE MICE, won a Kleban Award and a Jonathan Larson Foundation grant and is a member of ASCAP and the Dramatists Guild of America.


text:
namespace Qowaiv.IO;

/// Extensions to create <see cref="IO.StreamSize"/>s, inspired by Humanizer.NET.
public static class NumberToStreamSizeExtensions
{
    /// Creates a <see cref="StreamSize"/> as bytes.
    [Pure]
    public static StreamSize Bytes(this int bytes) => new(bytes);

    /// Creates a <see cref="StreamSize"/> as bytes.
    [Pure]
    public static StreamSize Bytes(this long bytes) => new(bytes);

    /// Creates a <see cref="StreamSize"/> as kilobytes.
    [Pure]
    public static StreamSize KB(this int kb) => StreamSize.FromKilobytes(kb);

    /// Creates a <see cref="StreamSize"/> as kilobytes.
    [Pure]
    public static StreamSize KB(this long kb) => StreamSize.FromKilobytes(kb);

    /// Creates a <see cref="StreamSize"/> as kilobytes.
    [Pure]
    public static StreamSize KB(this double kb) => StreamSize.FromKilobytes(kb);

    /// Creates a <see cref="StreamSize"/> as megabytes.
    [Pure]
    public static StreamSize MB(this int mb) => StreamSize.FromMegabytes(mb);

    /// Creates a <see cref="StreamSize"/> as megabytes.
    [Pure]
    public static StreamSize MB(this long mb) => StreamSize.FromMegabytes(mb);

    /// Creates a <see cref="StreamSize"/> as megabytes.
    [Pure]
    public static StreamSize MB(this double mb) => StreamSize.FromMegabytes(mb);

    /// Creates a <see cref="StreamSize"/> as gigabytes.
    [Pure]
    public static StreamSize GB(this int mb) => StreamSize.FromGigabytes(mb);

    /// Creates a <see cref="StreamSize"/> as gigabytes.
    [Pure]
    public static StreamSize GB(this long mb) => StreamSize.FromGigabytes(mb);

    /// Creates a <see cref="StreamSize"/> as gigabytes.
    [Pure]
    public static StreamSize GB(this double mb) => StreamSize.FromGigabytes(mb);

    /// Creates a <see cref="StreamSize"/> as kibibytes.
    [Pure]
    public static StreamSize KiB(this int kib) => StreamSize.FromKibibytes(kib);

    /// Creates a <see cref="StreamSize"/> as kibibytes.
    [Pure]
    public static StreamSize KiB(this long kib) => StreamSize.FromKibibytes(kib);

    /// Creates a <see cref="StreamSize"/> as kibibytes.
    [Pure]
    public static StreamSize KiB(this double kib) => StreamSize.FromKibibytes(kib);

    /// Creates a <see cref="StreamSize"/> as mebibytes.
    [Pure]
    public static StreamSize MiB(this int mib) => StreamSize.FromMebibytes(mib);

    /// Creates a <see cref="StreamSize"/> as mebibytes.
    [Pure]
    public static StreamSize MiB(this long mib) => StreamSize.FromMebibytes(mib);

    /// Creates a <see cref="StreamSize"/> as mebibytes.
    [Pure]
    public static StreamSize MiB(this double mib) => StreamSize.FromMebibytes(mib);

    /// Creates a <see cref="StreamSize"/> as gibibytes.
    [Pure]
    public static StreamSize GiB(this int gib) => StreamSize.FromGibibytes(gib);

    /// Creates a <see cref="StreamSize"/> as gibibytes.
    [Pure]
    public static StreamSize GiB(this long gib) => StreamSize.FromGibibytes(gib);

    /// Creates a <see cref="StreamSize"/> as gibibytes.
    [Pure]
    public static StreamSize GiB(this double gib) => StreamSize.FromGibibytes(gib);
}

redpajama_set_name: RedPajamaGithub


text:
Q: PHP email header FROM field not displaying correctly I need help getting the FROM field in the email to be a specific email address.  As of now it is coming out something like this.  Looks like its grabbing info off my hosting companies server.
ipw.xxxxxxxxx@boscustweb1302.eigbox.net
All other features of email work great.  My $headers are as follows:
$to = $email;
$subject = "ORDER # $tranid";
$headers = "From: info@xxxxxx.com";
$headers = "MIME-Version: 1.0";
$headers = "Content-type: text/html; charset=iso-8859-1";

PHP manual sugest this.  Which is pretty much what I am doing, I think.
$headers = 'From: webmaster@example.com' . "\r\n" .
   'Reply-To: webmaster@example.com' . "\r\n" .
   'X-Mailer: PHP/' . phpversion();

They do use implode, but I don't think I need it the way I have mine setup:
mail($to, $subject, $message, implode("\r\n", $headers));

Tried this with no success:
$to = $email;
$subject = "ORDER # $tranid";
$headers .= "From: info@xxxxxx.com";
$headers .= "MIME-Version: 1.0";
$headers .= "Content-type: text/html; charset=iso-8859-1";

A: Found the answer with the help of @chris85
$headers = "From: info@xxxxx.com\r\n".
           "MIME-Version: 1.0" . "\r\n" .
           "Content-type: text/html; charset=UTF-8" . "\r\n";

Keeps HTML format in tack and shows FROM field correctly.

redpajama_set_name: RedPajamaStackExchange


text:
Sullivan, John L.
John L. Sullivan
American boxer
John L. Sullivan was the last of the "bare-knuckle" boxing champions. Heavyweight champion of the world from 1882 to 1892, he lost his title to Jim Corbett in the first heavyweight boxing championship to be fought with gloves. Considered by many to be the first American sports star, Sullivan was undefeated in his twenty-seven-year career until his bout with Corbett. He was inducted into the International Boxing Hall of Fame in 1990.
The First Boxing Celebrity
John L. Sullivan was born in 1858 in the Roxbury section of Boston, Massachusetts to Irish immigrant parents. If his parents had had their way, their son would have become a Catholic priest. But he showed a propensity for fighting at an early age, and boxing was a natural career choice for him. He became champion of Massachusetts in 1879. In 1882, he challenged the reigning heavyweight champion, Paddy Ryan, and they fought in Mississippi City, Mississippi. Sullivan scored a knockout in nine rounds, becoming the new heavyweight champion of the world.
Reveling in his new role as heavyweight champion of the world, Sullivan toured around the United States fighting in matches and performing in theatres. He was knocked down for the first time in his career when he fought Charley Mitchell in 1883. Sullivan rallied, however, and gave Mitchell a thorough hammering in the third round before the fight was stopped by police. They fought again in 1888 in a bare knuckle contest that lasted more than three hours in a freezing drizzle on an estate in France. The fight was finally declared a draw.
An actor as well as a boxer, Sullivan depended on his standing as reining heavyweight champion of the world to draw crowds to the plays he appeared in. Therefore it was with some reluctance that he accepted Jim Corbett's challenge to the boxing crown in 1892. But accept it he must; to reject a legitimate challenge would spell the end of his career just as surely as to lose.
It had been three years since Sullivan had last defended his title. That was when he defeated Jake Kilrain in a punishing three round bout. The fight, like all other heavyweight fights before it, had been fought with bare knuckles. After this match, Sullivan vowed never to fight with bare fists again; from then on, he would fight under the Marquis of Queensbury Rules, which required the use of gloves. This made the bout with Kilrain the last heavyweight championship to be fought with bare fists.
With public pressure growing for the champion to defend his title, Sullivan finally issued a challenge, which was published in the New York World in March, 1892. But he shrewdly insisted that the challenger put down a $10,000 bet that he would match. This effectively weeded out most challengers. But Jim Corbett and his manager raised the required amount from backers, and met the challenge.
Sullivan was said to intensely dislike Corbett, not just because he was a serious challenge to his jealouslyguarded title, but because Corbett represented a new breed of fighter—socially refined, well-dressed and groomed, and a "scientific" fighter who relied more on finesse and speed than on the brute strength that was then the norm in the ring. Sullivan was also given to hard drinking and hard living, in contrast to Corbett who preferred a more discrete lifestyle.
Sullivan and Corbett squared off on September 7, 1892 at New Orleans's Olympic Club. The winner was to take away $25,000 in addition to the stake money of $10,000, with the loser to receive nothing. Betting odds were four to one in Sullivan's favor; the Boston Strong Boy, as Sullivan was then called, had never been defeated.
Boxing at the time was barely tolerated by law enforcement officials. Boxers, and even spectators, were often arrested for attending matches. Boxing with bare fists was particularly frowned upon, and it was partly for this reason that fighting with gloves eventually became the preferred method of fighting. The Marquis of Queensbury Rules brought other improvements to the game, for example, specifying time limits for rounds. The rules also forbade wrestling and head butting.
Thousands of spectators turned out to watch the match between Sullivan and Corbett, and reporters from most of the major newspapers in the country were present, along with many from around the world. Fifty Western Union telegraph operators sat ringside to send blow-by-blow accounts to pool halls and bars around the country.
The championship bout lasted an hour and twenty minutes, twenty-one rounds, and Sullivan was solidly beaten by the younger, faster man. Unable to land a punch in the first round, Sullivan got two strong shots in at Corbett's head in the second. Corbett came back in the third round, however, landing a solid left to Sullivan's nose, breaking it. Now seriously worried, Sullivan tried to rush Corbett, and get in the powerful punch that could end the match. But Corbett, a "scientific" boxing master, successfully avoided Sullivan's best punches, and darted in for quick, hard jabs that gradually wore Sullivan down. Puffing and bleeding, Sullivan was ripe for the final blow in the twenty-first round that sent him to the turf floor of the ring.
1858 Born October 15 in Roxbury, Massachusetts
1879 Becomes boxing champion of Massachusetts
1882 Defeats Paddy Ryan to become heavyweight champion of the world
1883 Knocked down for the first time in his career, by Charley Mitchell, before the fight is stopped by police
1888 Fights Mitchell again in an outdoor fight that lasts more than three hours and ends in a draw
1889 Defeats Jake Kilrain in the last bare-knuckle championship bout
1892 Loses title to Jim Corbett in the first championship bout fought under modern boxing rules
1918 Dies of a heart attack in Abington, Massachusetts
1990 Inducted into the International Boxing Hall of Fame
After Corbett was declared the new world heavyweight champion to an exultant crowd, Sullivan staggered to his feet and held up a hand for silence. "Gentlemen, all I have to say is that I came into the ring once too often, and if I had to get licked I'm glad it was by an American," he told the spectators, according the Patrick Myler in Gentleman Jim Corbett. "I remain your warm and personal friend, John L. Sullivan."
Last of the Bare-Knuckle Champions
Sullivan was reportedly devastated at losing his title, according to one account, sobbing in his dressing room afterwards, and drinking heavily through the night. To add insult to injury, Sullivan took home no money from the fight that cost him his title; he had insisted on "winner take all" rules. He did, however, recoup some of the money he lost betting on himself in the fight by sparring in an exhibition match with Corbett ten days later at New York's Madison Square Garden. The exhibition was organized as a benefit for the hard-up ex-champion, who earned $6,000 for it.
Sullivan stayed in the game for few more years sparring in exhibition matches before hanging up his gloves for good to become an advocate for the prohibition of alcohol. He died in 1818 of a heart attack and was buried in Boston. Jim Corbett served as an honorary pall bearer.
Awards and Accomplishments
In his 27 years as a professional boxer, Sullivan was defeated only once, when he lost his world heavyweight title to Jim Corbett in 1892.
1879 Champion, State of Massachusetts
1882 World heavyweight champion
John L. Sullivan, the Boston Strong Boy, ended an era when he was defeated in the first heavyweight boxing championship in which the participants wore gloves. A heavy drinker and a barroom brawler, Sullivan also represented the end of boxing's street fighting days; with his defeat he helped to usher in the modern era of professional boxing, in which skill and strategy are as highly valued as strength.
Encyclopedia of World Biography. Detroit: Gale Group, 1998.
Myler, Patrick. Gentleman Jim Corbett: The Truth Behind a Boxing Legend. London: Robson Books, 1998.
St. James Encyclopedia of Popular Culture. Detroit: St. James Press, 2000.
"Bareknuckle Boxing in America." Hickok Sports.com. http://www.hickoksports.com/history/boxing02.shtml (October 30, 2002).
"John L. Sullivan (the 'Boston Strong Boy')." Cyber Boxing Zone. http://www.cyberboxingzone.com/boxing/sully.htm (October 15, 2002).
"John L. Sullivan." Infoplease.com. http://www.infoplease.com/ipsa/A0109684.html (October 15, 2002).
"Paddy Ryan." Cyber Boxing Zone. http://www.cyberboxingzone.com/boxing/ryan-p.htm (October 30, 2002).
Sketch by Michael Belfiore
Notable Sports Figures
"Sullivan, John L. ." Notable Sports Figures. . Encyclopedia.com. 14 Jan. 2021 <https://www.encyclopedia.com>.
"Sullivan, John L. ." Notable Sports Figures. . Encyclopedia.com. (January 14, 2021). https://www.encyclopedia.com/sports/encyclopedias-almanacs-transcripts-and-maps/sullivan-john-l
"Sullivan, John L. ." Notable Sports Figures. . Retrieved January 14, 2021 from Encyclopedia.com: https://www.encyclopedia.com/sports/encyclopedias-almanacs-transcripts-and-maps/sullivan-john-l
Gene Tunney , Tunney, Gene 1897-1978 American boxer Considered one of the giants of sports in the 1920s, Gene Tunney became heavyweight boxing champion of the worl… Rocky Marciano , Marciano, Rocky 1923-1969 American boxer Rocky Marciano is the only heavyweight boxing champion ever to retire without being defeated. With a perfect… Floyd Patterson , Patterson, Floyd 1935– Professional boxer Floyd Patterson was born on January 4, 1935 in Waco, North Carolina—the third of 11 children. He grew up in… Marvin Hagler , 1954- American boxer Marvelous Marvin Hagler was a hard-hitting lefty who could switch his stance and also box right-handed. The world middleweight c… Larry Holmes , Holmes, Larry 1949– Professional boxer Larry Holmes, "the Easton Assassin," is known as much for his retirements and comebacks as his skill in the bo… Joe Frazier , Frazier, Joe 1944– Professional boxer, entertainer, businessman Joe Frazier had many moments in boxing history. It began in 1964 when he won the Olym…
Corbett, Jim
Moorer, Michael 1967–
Sardiñas, Eligio: 1910-1988: Boxer
Willie Pep
Frazier, Joseph William ("Joe")
Forrest, Vernon 1971–
BAER, MAX
Mosley, Shane 1971–
Sullivan, John Jeremiah 1974-
Sullivan, John F. 1939-
Sullivan, John
Sullivan, Joe (actually, Joseph Michael)
Sullivan, Jean (1923–2003)
Sullivan, James 1965-
Sullivan, Ira (Brevard Jr.)
Sullivan, Hon. Loyola Joseph, B.Sc., B.Ed. (Ferryland) Minister of Finance and President of Treasury Board
Sullivan, George E(dward)
Sullivan, George (Edward) 1927-
Sullivan, Garrett A., Jr.
Sullivan, Faith 1933- (Faith Scheid)
Sullivan, Faith
Sullivan, Erin (1947-)
Sullivan, Eric Per 1991–
Sullivan, Edward Vincent ("Ed")
Sullivan, Ed (1902-1974)
Sullivan, Dolores P.
Sullivan, Dean A(lan) 1963-
Sullivan, David M.
Sullivan, Cynthia Jan (1937–)
Sullivan, Claudia
Sullivan, Carryn (1955–)
Sullivan, Camille
Sullivan, C. Gardner
Sullivan, John L. (1858-1918)
Sullivan, Kathryn
Sullivan, Kathryn (1951–)
Sullivan, Kathryn A. 1954-
Sullivan, Kyle 1988–
Sullivan, Leon Howard
Sullivan, Leonor Kretzer (1902–1988)
Sullivan, Louis
Sullivan, M(ichael) J(ustin)
Sullivan, Mark J., III
Sullivan, Mary Quinn (1877–1939)
Sullivan, Maxine
Sullivan, Maxine (1911–1987)
Sullivan, Maxine 1911–1987
Sullivan, Michael J(oseph), (III)
Sullivan, Michael J(oseph), III 1941-
Sullivan, Nicole 1970–
Sullivan, Otha Richard 1941-
Sullivan, Paul
Sullivan, Randall
Sullivan, Randall 1951-
Sullivan, Robert 1963-
Sullivan, Robert Baldwin
Sullivan, Roger J.

redpajama_set_name: RedPajamaCommonCrawl


text:
Eriszum – imię trzech władców Asyrii:
 Eriszum I
 Eriszum II
 Eriszum III

redpajama_set_name: RedPajamaWikipedia


text:
February 12, 2015 Guest of Honor
Marion Cotillard Explores the Isolating Nature of Society
French movie star Marion Cotillard may be best-known to U.S. audiences for her roles in blockbusters like Christopher Nolan's "Inception" and Woody Allen's "Midnight in Paris." She won an Oscar for playing Edith Piaf in 2007's "La Vie en Rose," and now she's up for another Oscar, for the movie "Two Days, One Night."
Photo: Eliott Bliss
French movie star Marion Cotillard may be best-known to U.S. audiences for her roles in blockbusters like Christopher Nolan's "Inception" and Woody Allen's "Midnight in Paris." She won an Oscar for playing Édith Piaf in 2007's "La Vie en Rose," and now she's up for another Oscar, for the movie "Two Days, One Night."
In the film by the great Belgian filmmakers Jean-Pierre and Luc Dardenne, she plays Sandra who returns to her factory job after battling depression, only to find her workplace is holding a vote about whether she should keep her job. If her co-workers vote to fire her, they will each get a bonus of 1000 euros. Sandra has one weekend to convince them each to vote for her.
Rico Gagliano: Why did the role of Sandra appeal to you?
Marion Cotillard: First of all, I never expected that the Dardenne brothers, who I admire so much, would want to work with me, because they usually work with Belgian actors. When I read the script, it made sense for me to be a part of this project, because of the questioning that I always had about how our society creates isolation and pushes people to think that they are useless, they are worthless.
Rico Gagliano: Why is that such an important issue to you? It's true, a previous film you made, "The Immigrant," touches on similar issues.
Marion Cotillard: Well, because I think if we are on Earth, there's a reason, and I think it's really our society that created this. I don't think in Indian tribes, they questioned their place in their society. I've always been interested in what we create. Society has created needs that turn us against each other. If everybody would just show solidarity and look at each other, I think we would live in a much better world.
Rico Gagliano: Actually, this speaks to something that I noticed while watching the film. Every time your character, Sondra, visits a co-worker and tries to convince them to vote for her to keep her job, particularly the people who are thinking of voting against her, they always ask "How is everyone else voting?" and it feels to me like the message is, if enough people opted to help their fellow men, everyone would follow suit.
Marion Cotillard: Yeah, of course. I mean, deeply inside, we're all good people, and then a lot of things take us away from this connection of love that we all have when we come to this world. Sometimes, it doesn't take much to reconnect this link of love.
Rico Gagliano: It is such a beautifully simple idea, this story. It's basically the same scene, enacted over and over, of this desperate woman arguing for her job with a succession of people. But, that's also a risk, right? It can boring and rote. I was never bored while watching it, and I was trying to figure out why.
Marion Cotillard: When I first read the script, I saw that it would be a challenge to create something different each time. Yes, she goes to see all those people and say almost the same thing. But then, in this 'almost,' I saw all the differences. When she gained confidence, when she loses it, and I really worked on all those little differences to keep it alive.
Rico Gagliano: What would you do, I wonder, if you were one Sandra's low-income workers, faced with this decision?
Marion Cotillard: There's something that I love in this movie, is that there is no judgment of all those people she goes to see. They're not bad guys. They've chosen their bonus because they really need it, and she knows it. Going to see them, it's very hard to go and see them, because she knows what it means. A thousand euros. Of course, the question came to my mind, and I questioned myself. But then, this is kind of hard to compare. I come from a family where there are a lot of factory workers and people that are sometimes struggling with finding money, but there's nothing in my life that can be compared to her situation. I was never in that situation where I struggled to feed my kids. I would say of course, I would have given my bonus, but…
Rico Gagliano: It's not so easy.
Marion Cotillard: It's not so easy.
Rico Gagliano: A little more of a frivolous question. This is your second Oscar nomination?
Marion Cotillard: Yes.
Rico Gagliano: Is it actually fun if you are nominated, to be at the Oscars? You won your first time. I'm sure that part was fun, but I remember reading a David Mahmood essay, where he said the whole thing is basically a chance for regular folks to see stars squirm for a change.
Marion Cotillard: I'm not stressed. It puts a light on this Belgian movie I'm so proud of. No, I'm not stressed at all.
Rico Gagliano: Maybe it's okay to squirm.
Marion Cotillard: Yeah. It's okay.
Rico Gagliano: I'll take it. We have two questions that we ask everyone on this show.
Marion Cotillard: Yeah?
Rico Gagliano: And, the first one is pretty straightforward. I may have just asked it, actually. What question, if we were to meet you at a dinner party, are you tired of being asked?
Marion Cotillard: "What is the difference between French or European cinema and American cinema?"
Rico Gagliano: Well, they both involve cameras.
Marion Cotillard: There is as much difference between two American movies, let's say, from Woody Allen and Chris Nolan, than between two French movies, Jacques Audiard or Jean-Pierre Jeunet. I mean, what is amazing in this job is every movie is unique. Every director is unique.
Rico Gagliano: Well, actually, this maybe leads well into our second question, which is usually "Tell us something we don't know", but I'm actually a big fan of the Dardenne brothers, and I think a lot of people in the States are not familiar with them. Maybe you could tell us something unique about them?
Marion Cotillard: Well, they're geniuses, but what was interesting, when I started working with them, the first and the second day, they would talk about the audience all the time. When sometimes, on a set, and for some directors, the 'audience' word is a bad word.
Rico Gagliano: Like, a four-letter word. They have this grand, artistic vision and the audience is disdained.
Marion Cotillard: Yeah, yeah, but they always talk about the audience. I thought that was kind of a relief, because we do movies for them. We tell them stories, the three of us, because we love human beings.
Episode: 292 308 316
Tags: movies
Abbi Jacobson Finds Inspiration From Great Art and Self-Confident Artists
Abbi Jacobson and her co-writer and co-star Ilana Glaser created the Comedy Central hit "Broad City." She's also an artist and merges that training with her comic sensibilities on her podcast, "A Piece of Work" -- produced in conjunction with New York's Museum of Modern Art. She talks to Brendan about doing an audio show about a visual medium, how her life has changed since "Broad City" (and how it hasn't), and more.
Willem Dafoe: Not Just 'The Bad Guy'
Willem Dafoe has lit up the big screen for three decades, from his Oscar-nominated performance in "Platoon," to playing Jesus in "The Last Temptation of Christ," to great character roles in "Wild At Heart" and "The Grand Budapest Hotel." His latest is "The Florida Project," directed by Sean Baker. Willem talks with Brendan about working alongside screen newbies in the film, the moment when an actor becomes creative artist and not just an interpreter, and maybe reveals a little too much answering one of our standard questions.


Create assorted patchwork blocks either by hand or using a sewing machine with these templates.
This set of 6 assorted acrylic templates creates 10 different patchwork designs and a step-by-step instruction book. You'll also get 50cms of Vlieseline H250.


New Horizon Bus Company may collect information, such as your e-mail address, name, and phone number. Information about your computer hardware and software also may be automatically collected. This Information can include but may not be limited to: your IP address, browser type, domain names, access times and referring website addresses. This information Is used by New Horizon Bus Company for the operation of the service, to maintain quality of the service, and to provide general statistics regarding use of our website.
We collect and use your personal information to operate our website and deliver the highest quality services possible to you. We may also send periodical service offers and updates by email. Your personal privacy and trust is of the utmost importance to us. We DO NOT sell, rent or lease our customer information to third parties.
New Horizon Bus Company welcomes your questions, comments, and feedback. Please contact us at any time by email nhb747@cox.net or visit out contact page to reach us by phone.


As your bedroom is your refuge from long day's work and activities it's a must that you keep it in good ambiance, peaceful to feel at and a good place for resting your body. If you think your room is not giving you peaceful slumber with worn out beddings and old decors it's time to redecorate your bedroom. It's easy if you have the right resources to get your ideas and products like ShopBedding who are able to provide all your needs to turn your simple bedroom into a beautiful place of resting.
Shop Bedding offers a way to improve the look of your bedroom with their wide variety of bedroom products that can make your bedroom beautiful with just an addition of some accessories and decors. With a simple addition of ruffled bedding sets and some pretty decors your bedroom will surely be nicer than your previous one as it can also enhance anything that you want hidden under your bed.
They offer various colors so you can choose which one will best suit your bedroom color theme or you could add up new colors for a complete new look. So whatever ambiance you may have in your mind or you might want for your house you can achieve it through Shop Bedding.


Considering these subjects, I put together a checklist of five points to think about regarding your innovations.
Every invention or terrific idea aims to solve a problem. Day-to-day people recognize issues often. Developers decide to fix them.
Prior to pursuing your suggestion, clearly understand the problem your invention will certainly fix. Does your service work? Does your invention require a little help? Is it as well made complex? Collaborating with a trusted company that understands layout and design helps clear up issues as well as expose solutions.
Once you understand the trouble your suggestion will certainly fix begin considering the marketplace in which you invention would offer. Is it a home product? Perhaps it's an automobile invention? Will certainly it stand alone in its own category.
Recognizing your innovation's market, will certainly help you in every action you take. You can currently compare it to various other items in that category as well as the companies that make those items. This will help you later on when identifying a business you want to see permit your invention.
If you decide to disclose your invention idea with somebody, whether it be family, an attorney or a firm you wish to work with, protection must constantly be on your mind. A creator's biggest worry is losing their innovation suggestion to someone else.
One of the most dangerous times can be when you manage an outdoors business to assist you with your invention Always ensure they have safety measures in place to shield you and also your invention. Don't sign anything unless it clearly specifies it's there for your security.
Here we shield client inventions with a discretion contract that every staff member should authorize. As well we make sure our clients authorize an Idea Security Contract with us. This is an additional layer of security for their invention.
When dealing online, you must guarantee it's a reputable company. Always seek to see if they have established safety systems. Some invention business exists solely online, lacking roots in an area. Before sending your invention info out, ensure you understand they make use of a trusted safe server or safety system like VeriSign.
4. Item sales sample - A functioning innovation.
I believe that an item sample is vital to the success of a invention. Without an item example, you will not truly be able to recognize the innovation's function, manufacturability as well as you'll have problem holding a company conversation.
Constructing the product example takes good style work, design and prototyping, each which can come to be fairly expensive by themselves. As well, leaping between these entities causes confusion that can harm the value of your invention. It's much like the telephone video game we played in elementary school with our peers. With each additional person representing you, your invention's message gets lost. Maintaining all these necessary procedures together, keep your vision aligned.
Frequently the first thing on a creator's mind when they complete their invention is ways to patent. Probably a more pertinent inquiry should be "When should I patent?" or "Am I truly done developing?"
There are great deals of companies that press creators to patent their invention concept right away. Regrettably, patenting is a pricey and time-consuming process that much too often leads to aggravation when an inventor uncovers they have to alter their invention to either passion a purchaser or make it manufacturable.
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Rodriguez - Cold fact LP
Etusivu > Vinyylit > Country/Folk rock/Blues
Cold Fact is the debut album from American singer-songwriter Rodriguez. It was released in the United States on the Sussex label in March 1970. The album sold very poorly in the United States (Rodriguez was himself an unknown in the U.S.), but managed to sell well in both South Africa and Australia, with Rodriguez touring Australia in 1979.
In 1971 the album was released in South Africa by A&M Records. In 1976, several thousand copies of Cold Fact were found in a New York warehouse and sold out in Australia in a few weeks. It went to No. 23 on the Australian album charts in 1978, staying on the charts for fifty-five weeks. In 1998 Cold Fact was awarded a platinum disc in South Africa, and was five-times platinum in Australia. Rodriguez has since toured South Africa and Australia with much success, but remained relatively unknown in his native country of the US. This began to change after the reissues of his albums in the US by Light in the Attic Records in 2008 and 2009, and even further in 2012 with the Academy Award winning documentary film Searching for Sugar Man, which soon led to appearances on major American television shows like 60 Minutes and The Late Show with David Letterman..
1 Sugar Man - 3:48
2 Only Good for Conversation - 2:17
3 Crucify Your Mind - 2:31
4 Establishment Blues - 2:05
5 Hate Street Dialogue - 2:28
6 Forget It - 1:49
7 Inner City Blues - 3:25
8 I Wonder - 2:32
9 Jane S. Piddy - 2:53
10 Gommorah (A Nursery Rhyme) - 2:17
11 Rich Folks Hoax - 3:01
12 Like Janis - 2:33
Rodriguez - Cold fact CD
Cold Fact is the debut album from American singer-songwriter Rodriguez. It was released in the United States on the Sussex label in March 1970. The album sold very poorly...
Coming from Reality is the second and (to date) final studio album to date from American singer and songwriter Rodriguez, originally released by Sussex Records in 1971. It...
Rodriguez - Coming from reality CD


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Changi Airport Group (CAG) and the Singapore Economic Development Board (EDB) have partnered up to launch a new programme worth SG$50 million to drive innovation over the next five years.
Called the "Changi Airport Living Lab Programme", the programme will see CAG collaborating with "innovation-drive" companies and start ups in order to develop and demonstrate the use of new technological solutions in a "live airport environment".
The programme is also created with the support of the Civil Aviation Authority of Singapore, and serves as a platform for CAG and other partners in the airport community. This includes government agencies, ground-handlers, concessionaires, security providers and cleaning companies, to name a few, to co-create, test and demonstrate new solutions to future proof the airport.
According to CAG, the move comes amidst an increasingly complex operating environment where travellers' needs are quickly evolving. Currently, there are more than 55 million passengers passing through Changi Airport each year, generating over SG$2 billion in concession sales.
Some technology areas which will be focused on including automation and robotics, data analytics and the Internet of Things (IoT), non-intrusive security technologies and smart infrastructure management. This is in a bid to raise productivity, consumer analytics and strengthening safety and security standards.
Start ups can also find an opportunity in the Living Lab Programme to collaborate with Changi Airport to develop and deploy their solutions. It also aims to give companies a head start in accessing new market opportunities and exporting their solutions internationally.
"Building innovation today is critical to transforming our business and operations for the future. We look forward to partnering established companies and enterprising start-ups to develop cutting-edge technologies for the airport. Through our Living Lab collaborations, I believe that we can add value to our partners in helping them scale up their solutions for real-world applications," Lee Seow Hiang (pictured second from left), CEO of CAG said.
"We are pleased to partner Changi Airport Group on this new programme which will see them collaborate with industry players to develop and test next generation airport solutions. The Living Lab is aligned with EDB's goals of fostering a vibrant eco-system of technology providers driving innovation and creating new businesses from Singapore," Beh Swan Gin (pictured centre), EDB's chairman, said.
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The Fuji X10 camera is currently on sale for $299 at Amazon – that's 50% off the original price.
The winner of the "Photographer's Guide to the Fujifilm X10" book giveaway is Alejandro Valderrama. Congratulations! If you did not win, the book can be purchased from Amazon US and Amazon UK.
The two new firmware updates for the X10 and X100 cameras can be downloaded at fujifilm.com: X10 firmware update ver.1.03 X100 firmware update ver.1.13 The X10 update should fix the "sensor blooming" issue.