text:
Internet Providers in Lynnville, KY
Internet Providers Available in Lynnville, KY
In Lynnville (Graves County), KY, the total number of households is 17,362
Households in Lynnville (Graves County), KY have an average income of $37,508.
The total population in Lynnville (Graves County), KY is 36,432
Around 99.13% of consumers in Lynnville (Graves County), KY have access to DSL service
Around 48.78% of consumers in Lynnville (Graves County), KY have access to fiber-optic service.
Around 58.18% of consumers in Lynnville (Graves County), KY have access to cable service.
Around 100% of consumers in Lynnville (Graves County), KY have access to mobile broadband service.
For residents in Lynnville, KY, the county-wide average upload speed is 5 Mbps
For residents in Lynnville, KY, the county-wide average download speed is 10 Mbps.
Locate all of the best top-rated Internet providers in Lynnville, KY
With Wirefly, it's incredibly easy to find new Internet service in your city. Wirefly's comprehensive comparison tools enable you to search for Internet providers, plans, and packages in Lynnville, KY. Wirefly also allows you to compare by a myriad of features like connection speed and more. Check out the benefits of each Internet service plan, and also check the rating score by the providers' current and former users to see how well each Internet provider is rated, and how much their Internet plans cost when compared to other providers.
In this day and age, it's extremely important to have a fast and reliable Internet connection. Whether you need Internet for leisure or work, online teleconferencing, online gaming, or streaming video, your Internet connection needs to have enough bandwidth and speed to support your online activities. There are a host of Internet service providers available to you to choose between in Lynnville, KY.
Search for the best television plans from leading providers in Lynnville, KY
Do you want to simplify your television service by switching to a basic television plan? Or do you wish to upgrade to a premium TV package for more channels and movies? Either way, finding the perfect TV plan and provider in Lynnville, KY has never been easier thanks to the tools here on Wirefly. We've collated a list of the most popular TV plans from trusted service providers to make comparing and shopping simple. No need to browse from one provider site to another. All you need to do is type your postcode into the search box above, and we'll show you the very best deals from all providers that suit you.
For consumers living in Lynnville, KY, they can choose from a number of providers that offer the best television packages with the best channels. Aside from delivering an incredible range of content and channels, consumers like you can also get offers on plans to make for affordable monthly rates. Check out whether what they're offering suits you.
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When it comes to getting your home connected, combining multiple services into a single bill makes the most sense. Getting your internet, phone, and TV service from one service provider is often cheaper and more convenient. But with the variety of bundling options offered today, how can you zero in on the best package in Lynnville, KY? Here on Wirefly, we can help you find the latest and most popular deals based on your location. Enter your postcode now to see bundle offers in your area.
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Finally, he broke his gaze to look down into his empty glass, and made his way clumsily up the stairs (his limbs groping about in the unlit well like a labour of moles) to his room where he collapsed on his bed, still trying to barricade his senses from her lashing waves. He tired after several minutes and the dam burst, flooding his mind with a muddle of memories and fantasies. Her gossamer hair falling in the sun, playful laughs in an Oxford meadow... Plucking a weathered book from the shelf, he flicked a clasp with his thumbnail and pulled from its hollowed innards a sheaf of photographs. His gaze roamed the glossy prints, taking in her glowing form, admiring the diaphanous dresses which hung loosely from her petite frame. Leafing slowly, he came upon a pale pure snapshot he had taken many years ago and, though he felt his body leap to attention, he moved quickly on, looking for that image which was already emblazoned onto his retina; the image that haunted his Cartesian theatre, projecting itself unexpectedly onto the tapestry of his mind at any mention of her.
Alice is gathered in his arms, her lips slightly parted as she seeks his affection, her hand caressing his collar. She breathes gently and her sweet exhalations make him shiver. He grasps her slender waist, but casts his eyes downward as if to shield them from her beauty. He suddenly realises how fleeting this moment is, and how everything must end. The thought reaches his face and the camera clicks.
Miss Alice Liddell whirled across the stage, playing a caricature of her former self. She skipped and let slip a three-note giggle before engaging in a long soliloquy on the absurdity of imaginary numbers. Though very much a woman now, she had the entire audience riveted and convinced of her childish age. Dodgson sat in the auditorium, outwardly pulling taut an engaged smile at what he hoped were the right moments, but inwardly fighting his own ghastly Jabberwocky. He told himself that the surges of pride, threatening to make waterfalls of his eyes, were for the play – an adaptation of his own chef-d'œuvre – and that the anger and frustration, betrayed by the white knuckles of his clenched fists, had been brought on by the scriptwriter's insolence and insensitivity in the handling of his precious story. Glancing down at the programme he spotted the culprit's name – Pat Marvin – and made a mental note to seek him out later. How anyone had managed to twist such a tale to allude to the suffragettes, whilst amputating all his carefully constructed mathematical fancies, was utterly beyond him.
Of course, he wouldn't really seek out Marvin – mainly because he couldn't care less about this amateur production. The pride he was feeling was for Alice Liddell, the star of the show, and the one person he thought he still knew. So great was the anger and frustration which now overwhelmed him that he thought he might get up and leave. It was too hot. He tugged at his collar and tried to shrug off his tweed jacket, but the punter on the bench beside him gave no room to manoeuvre. It struck him that the actress who now pranced about on stage was no longer the sweet and thoughtful girl he had once adored – still adored – which made her character all the more cruel.
Miss Liddell was being hoisted aloft by two other members of the cast who were visibly melting under the fresnels and Dodgson began to feel sick as the room began to swim. He tried to focus his vision elsewhere, but their hands on her bare thighs drew his eyes like moths to a flame. The theatre was sweating; he was burning inside and out, and he feverishly surmised that he might have tumbled headlong into Hades. The inferno was upon him, and his eternal punishment was to watch as she drifted further from him, spiraling down the rabbit hole.
A distant bell tolled midnight as Dodgson made his way slowly up the hill towards his house. Most of the street lamps were broken and the moon was far from gibbous, casting its lacklustre glow weakly towards a dark world. He tapped his umbrella on the tarmac as he walked and leaned on it heavily from time to time for seemingly no reason at all. The umbrella had been useless, as had the tweed jacket which he carried now under one arm; it had been the hottest day of the year. Tap, tap, ta-tap, tap, ta-tap, tap, ta-tap. A pattern emerged and rang out along the muffled street, and Dodgson began to hum a tune which wasn't to be composed for another fifty years.
He contemplated the meaning of his life, the supposed existence of his God, the Stygian afterlife he might expect… then became bored. How did any of this matter when she did not care for him? How could one ponder the great mysteries of existence with half of their fragile identity missing? Perhaps a part of his being was forever lost, preserved only in his written reflections from all those years ago. She had grown so fast; eat me. He smiled bitterly to himself and realised he had stopped walking. Tap, ta-tap, tap, ta-tap; he clicked half a league onward, muttering Tennyson under his breath in a vain venture at diversion. The dactylic rhythm lulled him into a madman's respite, and for the first time all evening he felt safe from himself. The valley of death could wait. A sigh escaped his lips as he swung open the gate to his humble abode and resigned himself to living.
He stood, drink in one hand, umbrella in the other, trying to look nonchalant and suave all at once. He waited to congratulate his starlet (not his) on her performance. After several minutes of awkward glances at her fellow troupers and muttered congratulations which sounded lame even to his ears, Alice appeared. She waltzed by as if he were not there, but took the drink he proffered as if he were one of the theatre's many ushers.
Dodgson stood at the edge of the room, shrinking with embarrassment as he tried not to be noticed; drink me! He downed the foul firewater that clung to the belly of his glass and left it on a windowsill. Waiting was a game he was well-acquainted with, though he didn't much care for it; he preferred a game of riddles any day. Fortunately, it wasn't long before one of the young thespians at the bar took an interest in the odd tweed-trussed fellow who leant upon his umbrella like a cane and, having graciously donated another dram of liquor to The Dodgson Maudlin Charity upon discovering his nom de plume, was demanding to know the answer to a nonsensical conundrum which had survived the adaptation.
"Why is a raven like a writing desk?", the Transfigured Hatter asked. He thought he knew the answer. Is it perhaps that they both have inky quills? No? Maybe that some macabre American wrote on both? Oh, what a pity… He was out of guesses, though clearly more chuffed with his own attempts at a solution than interested in the Creator's. Dodgson recalled Alice's tireless interrogation upon hearing it for the first time; she too had missed the allusion, thinking there to be an answer. Finally, her eyelashes had coaxed one (improvisation) from his lips.
"A raven is like a writing desk, my dear, because it may bring forth a few notes (though they are very flat) and it is nevar put with the wrong end in front." This latter half had puzzled her for long enough – though his clever nymph twigged at once when it was written down. She thought it silly though and soon had erased it from her memory.
That was a talent of hers. Young Alice relished control, not recognising her complete lack of it, and strove constantly to "be herself" – as if their were other options! So much did she rein in her identity, she might almost be thought incurious. Curiouser and curiouser grew he; Dodgson was dangerously curious. Nothing could blunt the edge on a curiosity like his, and it glinted now, his eyes like daggers dripping with his own hamartia. He had to know her. He had to know love.
He stepped closer to the edge, floating across the yellow line towards the void. His body felt light and flimsy as he listened to the train gliding along the track. It would be so easy… It was only the guilt inspired by a glance at the driver that stopped him. Through the murky windscreen the weathered old face grew and grew (eat me!) as the locomotive slid alongside the platform, evoking a haunting melancholy in Dodgson, almost as though the ghoulish operator had known his thoughts in moments previous. Two doors soundlessly slid apart in an alarming fashion and he stepped aboard.
In fact, everything around Dodgson was utterly alien to him, but he seemed to take no notice, examining a brightly coloured plan of the train's stops and working out the quickest route home, away from all this – away from her. He walked a way down the carriage and sat down opposite a pretty businesswoman in a slate-grey suit. His eyes wandered vacantly over her face and the pulp paperback she held in her delicate hands before she looked up and he was forced to avert his gaze.
The eerie sound of train on track and the low hum of the engine combined to produce a sinister minor third which niggled into Dodgson's psyche as he journeyed onwards in the dark. He noticed only when the train slowed and the rumble dropped, creating a tritone which raised hairs on his neck and turned his knees to gooseflesh. Checking his watch to cover his shivers, he realised he wouldn't be home for a long while and hopelessness overwhelmed him. Suddenly caught up in a net of lassitude, he was left slumped in the arms of Morpheus to be carried through the night by the otherworldly vehicle.
He rounded the corner and was sick into a gutter. Late-night revellers looked at him with a mixture of disgust and pity as he sat down against a wall to collect his bearings. He was glad that she could not see him now – that she was out of sight. Couples sat on the opposite side of the street, nuzzling each other's necks and preening each other's hair. Ornamented soprano giggles rose over dull baritone murmurs, and for an instant Dodgson made out their song. He listened for a while, trying to think of nothing. Finding that a more difficult subject than he had supposed it might be, he stood and walked unsurely towards the end of the road. She was quite an actress and he supposed she always had been. He silently gave thanks that the moving picture business wouldn't take off until the next century, as he reckoned if it had he would only ever see her in two dimensions (and he rather admired her third). That might not be such a bad thing, but Dodgson was broken, stuck going around and around trying to impress a faded memory of Alice. A memory which was incandescent with disaster. He knew nothing could change now. He looked about for a bridge to hurl himself from. He saw the station. He made for it with a new swiftness and surety. This time – this time he would do it.
Dodgson died of pneumonia (or heartbreak) on the 14th of January, 1898.


This mandala reminds us to reach out, try new things, explore beyond our comfort zone always knowing that at any time we can return to the center, our foundation. Let our inner light inspire us and guide us.
Starting this newsletter pushes the envelope for me. What do I know about writing newsletters? I have this inner voice that often says "no one wants to hear what you have to say." Ouch…that's a bit harsh. And yet I proceed anyway knowing that with each newsletter, it will be easier and evolve with each new issue.
If we create a home base for ourselves, a space or action that when we access it, it brings us back to center again, then exploring our horizons, going beyond what we've done before becomes easier, making us stronger and more confident. For me, tapping my sternum (the thymus gland is behind it*), taking a few deep breaths, simply and quickly brings me back "home", clears my head.
When we feel our inner light guiding us, pushing us to branch out, remember that everything we do is just a learning experience and that we can handle anything, and in the end it becomes a win-win situation.
So where do you feel the desire to branch out? Create your "home base", and go for it.


Audio fun at the Personal Finance Society Festival of Financial Planning.
The Glastonbury themed event attracted more than 3,000 financial planning professionals to the NEC Birmingham to hear from keynote speakers, meet with exhibitors and share best practice with colleagues.
Bamford Media produced a series of podcast episodes with speakers and delegates over the course of two action packed days.
Festival Radio kicked off with weekly episodes published over the course of 12 weeks, to help create a buzz in the buildup to the event and encourage a higher number of registrations.
During the event itself, the Bamford Media team recorded more than 40 podcast episodes, edited on site and swiftly published to be made available for the 3,000+ delegates, as well as the wider Personal Finance Society membership.


The League has major support from the Edith Meiser Foundation covering interviews with such notable actresses as Billie Allen, Mercedes Ruehl, Tyne Daly, Patti LuPone, Christin Ebersold, playwright Kia Corthron, Donna Murphy, Frances McDormand, and many others. The ongoing Oral History Project chronicles and documents the contributions of significant theatre women in many fields. The interviews are videotaped and preserved for posterity in the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts at Lincoln Center.
partnership with the City Council.
JUDY KAYE recently appeared on Broadway as the Fairy Godmother in Cinderella . She also appeared on Broadway in Nice Work If You Can Get It for which she won the Tony-Award, Drama Desk, and Outer Critics Circle awards. She won her first Tony-Award for The Phantom of the Opera. Other highlights of her career include Souvenir (Tony-nomination, Theatre LA Ovation Award as Best Actress), Mamma Mia (TONY, Drama Desk nominations), Ragtime (Theatre LA Ovation Award), On The Twentieth Century O (Theatre World Award, Drama Desk nomination), Ms. Kaye has also been Mrs. Lovett in a number of productions of Sweeney Todd including the most recent Broadway production and National Tour and in London with the original Sweeney, Len Cariou. Others include Annie Get Your Gun, Gypsy, Follies, and Tales of the City.
Dramatic credits include productions of Souvenir in ten cities around the country, Lost in Yonkers at the Old Globe in San Diego and Arizona Theatre Company in Tucson and Phoenix. Other roles include Maggie in The Man Who Came To Dinner, Penny in You Can't Take It With You, Shirley Valentine, and Kitty Dean in The Royal Family.
Opera credits include La Boheme, Orpheus In The Underworld, and The Beggars Opera; all for Santa Fe Opera and Brigadoon, Candide, and The Pajama Game for New York City Opera.
Sunday in June, Stephen Sondheim's Saturday Night and the original NY production of Tomfoolery.
Trained at Juilliard, his most recent regional appearances have included The Fabulous Lipitones at George Street Playhouse and My Fair Lady at The Guthrie Theatre, as well as Superior Donuts (Pittsburgh Public Theatre), Black Comedy (Pioneer Theatre Company), The Two Gentlemen of Verona and The Winter's Tale (The Shakespeare Theatre), Animal Crackers (Arena Stage), and A Life in the Theatre (The Goodman Theatre). From 1991-99, Donald was Forensic Technician Medill on NBC's "Law & Order" and has appeared on "Rescue Me", "Law & Order: Criminal Intent", and "Law Order: Trial by Jury." This season, he joined the cast of "Intent", and "Law & Order: Trial by Jury" as well as Syfy Channel's zombie adventure series, ZNation. For more information, please visit www.donaldcorren.com.
The League of Professional Theatre Women is a not-for-profit 501 (c)(3) organization. It presents numerous events each year as part of its mission to promote visibility and increase opportunities for women in the field. None of its work is possible without generous philanthropic support. The League, celebrating its thirty-third anniversary, now boasts a membership of nearly 500 women representing a diversity of theatre professionals in both the for-profit and not-for-profit sectors. League members are actors, administrators, agents, arrangers, casting directors, choreographers, company managers, composers, critics, designers, directors, dramaturgs, dramatists, educators, general managers, historians, journalists, librettists, lyricists, press agents, playwrights, producers, stage managers, and theatre technicians. To find out more about how you can support its endeavors, please visit the website www.theatrewomen.org and click on the "Support Us" tab.


text:
https://sputniknews.com/20170923/flight-japan-russia-kurils-charter-1057630554.html
First Ever Charter Flight from Japan Lands on Russia's Kuril Islands
The first-ever charter plane from Japan to Russia's Southern Kuril Islands landed on Saturday. The historic flight was postponed earlier this summer due to bad... 23.09.2017, Sputnik International
https://cdnn1.img.sputniknews.com/img/102503/68/1025036882_0:123:1982:1244_1920x0_80_0_0_6bf7706e2f46263b62560ca4c9bfdf3a.jpg
kuril islands
https://cdnn1.img.sputniknews.com/img/102503/68/1025036882_0:61:1982:1306_1920x0_80_0_0_468c8ef9a1c26a793533f1bf516f7f6e.jpg
world, russia, news, society, asia & pacific, kuril islands, russia, japan
© Sputnik / Sergey Krasnouhov / Go to the photo bankNew airport opens on Iturup Island of the South Kuril Islands
© Sputnik / Sergey Krasnouhov
Go to the photo bank
The first-ever charter plane from Japan to Russia's Southern Kuril Islands landed on Saturday. The historic flight was postponed earlier this summer due to bad weather conditions.
YUZHNO-SAKHALINSK (Sputnik) — The first ever charter flight from Japan to the Kuril islands landed in Russia's Pacific territory on Saturday morning, the office of the regional governor said in a statement.
"A Bombardier Q400 jet of the Aurora airline left the Nakashibetsu airport in the Hokkaido prefecture this morning. It brought 68 foreign nationals to the islands of Kunashir and Iturup," the office of the Sakhalin region's governor said.
The flight was initially scheduled for June 18 but was put off several times due to bad weather. Aboard the plane was a delegation of former island residents, their descendants, and Japanese diplomats, according to the press release.
The Japanese delegation plans to visit cemeteries where their relatives were buried before World War Two, which ended in the islands' handover to the then Soviet Union in 1945. The plane will depart back to Japan this evening.
Japan to Dispatch Expert Team to Russian Kurils to Look Into New Mutual Projects
20 September 2017, 05:09 GMT
Tokyo and Moscow agreed bilateral visa waivers for Russian island residents and the Japanese in 1992 as a step toward the agreement, but all travel has been previously made by sea.
In April, Japanese Prime Minister Shinzo Abe visited Russia and held talks with Russian President Vladimir Putin, during which the two sides reached an agreement to provide an opportunity for former Kuril Islands' residents to travel to the islands by plane without visas.
Japan lays claims to Kunashir, Iturup, Shikotan and the Habomai group of islets, which it refers to as its Northern Territories. The row over their ownership has prevented the two nations from signing a post-war peace treaty.
visa-free

redpajama_set_name: RedPajamaCommonCrawl


Odds are, your child is going to have to take a test before going into Kindergarten. These days, public schools around the world require them. In the United States, they're usually mandatory. Twenty-six states require kindergarten screeners, and others have plans to make them soon.
It's hard not to get nervous before your child's first standardized test, so it might be good to know that failing one of these things isn't the end of the world. There was a time when kids who couldn't pass kindergarten screeners would be held back, but they're not so cruel anymore. Today, they're only used to help teachers know which children need extra help and to make sure they get it.
Still, it's worth getting ready. A screener is more than just a test – it's a list of everything the school expects your child to be able to do. It's a good idea to know what your child is expected to know before they start school.


text:
Russian Caught Mining Crypto in Covid-19 Clinic
An IT specialist working for a medical institution in Russia's Altai Republic has been detained for illegally mining cryptocurrency at the premises of a Covid-19 hospital. The man minted digital currencies using stolen electricity for almost a year before law enforcement busted his crypto farm.
Altai Resident Apprehended for Running Underground Crypto Mining Operation
An employee of the republican hospital in Gorno-Altaisk, the capital town of the Altai Republic in southern Siberia, has been arrested for setting up a crypto farm at a medical facility. He had been running the mining equipment since early last year, the Russian crypto news outlets Bits.media and RBC Crypto reported.
In February 2021, the man, who worked as a chief information security specialist, installed the coin minting hardware and connected it to the servers of the hospital which was previously used to treat patients with Covid-19, the republic's Ministry of Internal Affairs detailed in a press release.
According to a statement by the regional department of the Federal Security Service (FSB), the mining equipment ran for almost a full year on stolen electricity, causing damages that amounted to over 400,000 rubles (close to $7,000 at current exchange rates).
The law enforcement agency further noted that the IT expert turned to cryptocurrency mining as he experienced financial difficulties. He quickly realized he didn't have the necessary computing power and energy at home and decided to establish the mining operation at his workplace.
During searches conducted at the suspect's home, police and FSB officers seized mining devices and other computer equipment. The crypto miner, whose identity was not revealed, may get up to two years in prison for his offenses under the Criminal Code of the Russian Federation.
The case in Altai has been unraveled amid the rising popularity of crypto mining as an alternative income source for many ordinary Russians. Minting digital coins in basements, garages, dachas, and even government institutions have become a common practice, especially in regions offering cheap, subsidized electricity, including Siberian oblasts like Irkutsk.
Cryptocurrency mining is yet to be comprehensively regulated in Russia, whose abundant energy resources and cool climate are sought by miners. Steps have been taken to raise electricity tariffs for those that mine with household electricity.
In May of this year, authorities in Dagestan shut down two illegal crypto farms, confiscating more than 1,500 mining machines. One of them was located at a pumping station of the Russian republic's water supply company.
The mining facility had been set up there by a resident of the capital Мahachkala who colluded with employees of the water utility. Meanwhile, a crypto mining installation was also discovered at Russia's oldest Butyrka prison. It was allegedly operated by a deputy warden.
Arrest, Crypto, crypto farm, crypto miners, crypto mining, Cryptocurrencies, Cryptocurrency, hospital, illegal mining, IT specialist, miner, Miners, mining, Mining Devices, mining equipment, Mining Farm, mining hardware, mining machines, Russia, russian
Do you think Russia should regulate at-home mining alongside industrial-scale production of cryptocurrencies? Share your thoughts on the subject in the comments section below.
Lubomir Tassev
Lubomir Tassev is a journalist from tech-savvy Eastern Europe who likes Hitchens's quote: "Being a writer is what I am, rather than what I do." Besides crypto, blockchain and fintech, international politics and economics are two other sources of inspiration.
China-backed Blockchain Project Proposes SWIFT Alternative for Stablecoins and CBDCs
Ripple Is Hosting A Panel On The Digital Pound, Here's Why
What is the Bitcoin Loophole, and how does it work?
Singapore Regulator Advocates 'One Regulatory System' for Crypto and Traditional Finance
Ethereum vs. Bitcoin: ETH price risks 20% drop if key support level breaks


With over 30 years of sales, marketing and management experience behind him, Chris has excellent negotiation skills.
His integrity, professionalism and focus on gaining a clear understanding of his clients' needs, ensures that he delivers the highest level of service and results.
Chris's professional approach and personal integrity make the process of buying and selling real estate comparatively stress free. His ability to really listen and respond to any requests, his attention to detail and promptness in dealing with many issues involved in a real estate transaction are just a few of his special qualities.
- Late 2011 built BV home. - 3 bedrooms all with BIR's. - Ensuite and WIR to master bedroom. - Bathroom with separate toilet. - Double garage with remote door. - Open plan living area. - Gas cook top with electric oven. - Island benchtop with dishwasher. - Lockable private rear yard with garden shed. - Established landscaped gardens. - 7.5kw solar system and instantaneous solar/gas hot water.
• Beautiful immaculately maintained home in excellent location. • Large master suite with walk in robe and ensuite. • Two further double bedrooms with BIRs and Study or 4th bedroom. • Very large free flowing lounge room. • Massive open plan family living incorporates dining and kitchen. • Lovely timber kitchen with loads of bench, cupboard and pantry space. • Gas central heating as well as feature solid fuel and reverse cycle split system. • Large covered and paved alfresco area.
"A REAL DELIGHT IN CHURCHILL"
"DEVELOPMENT OPPORTUNITY - MORWELL'S PREMIER RESIDENTIAL ADDRESS"


text:
Stephen Gray, angleški barvar, fizik in astronom, * 26. februar 1666, London,  † 15. februar 1736, London.

Gray se je kot prvi sistematično ukvarjal z raziskavanjem električne prevodnosti teles. Uvedel je razločevanje teles po njihovi električni upornosti na električno prevodne (prevodniki) in zelo slabe prevodnike (izolatorji).

Rojeni leta 1666
Umrli leta 1736
Angleški obrtniki
Angleški fiziki
Angleški astronomi
Člani Kraljeve družbe
Prejemniki Copleyjeve medalje
Angleški akademiki

redpajama_set_name: RedPajamaWikipedia


New qualifications have been developed to support Curriculum for Excellence, which introduced a new way of learning to schools and Colleges in 2010.
In Schools the new qualifications will run alongside some of the current qualifications initially. The final exam results for Standard Grade were issued in August 2013. The final results for the old Highers were issues in August 2015.
The Scottish Credit and Qualifications framework provides an overview of these qualifications and their level in relation to other qualifications and a timescale for implementation.
Some schools also have links with Colleges and other Learning Providers to offer distance learning opportunities additional to those available in school - for further information check out distance learning in our learning choices section.


Just sharing some photos of Mia's 8th birthday party.
Using lots of gold, pink, mint green and purple, I styled the party simply, but stylish + colourful! Paper plates were from larkmade.com.au, customized noisemakers + customized wooden spoons. I also used home-made confetti, made by chopping up lots of paper streamers. Tablecloth from Marimekko.
I'm by no means a baker, but I tried to make a crazy cake for the occasion, inspired by Katherine Sabbath's amazing cakes & also the Unhappy Birthday Bakery. (see cake photos below). The cake was decorated with strawberry icing, gold sprinkles, jelly beans + home-made bark with m&ms + love hearts.


text:
package eu.bcvsolutions.idm.core.api.dto;

import java.io.ObjectInputStream;
import java.io.ObjectInputStream.GetField;
import java.text.MessageFormat;
import java.time.ZonedDateTime;
import java.util.Collections;
import java.util.IllegalFormatException;
import java.util.LinkedHashMap;
import java.util.Map;
import java.util.UUID;

import org.apache.commons.lang3.StringUtils;
import org.springframework.http.HttpStatus;
import org.springframework.util.Assert;

import com.fasterxml.jackson.annotation.JsonInclude;
import com.fasterxml.jackson.annotation.JsonInclude.Include;

import eu.bcvsolutions.idm.core.api.domain.ResultCode;
import eu.bcvsolutions.idm.core.api.utils.DtoUtils;
import eu.bcvsolutions.idm.core.notification.api.domain.NotificationLevel;

/**
 * Detault response model.
 *
 * @author Radek Tomiška
 */
@JsonInclude(Include.NON_NULL)
public class DefaultResultModel implements ResultModel {

	private static final long serialVersionUID = 7396789300001882593L;
	private UUID id; // TODO: orchestrate with transaction id
	private ZonedDateTime creation;
	/**
	 * Idm error / message code
	 */
	private String statusEnum;
	/**
	 * internal message
	 */
	private String message;
	/**
	 * Parameters - for localization etc.
	 */
	private Map<String, Object> parameters = new LinkedHashMap<>();

	/**
	 * Module (e.g. for localization resolving).
	 */
	private String module;
	/**
	 * Http status code
	 */
	private int statusCode;
	/**
	 * Http status name
	 */
	private HttpStatus status;
	/**
	 * Message level - override level by http status code.
	 */
	private NotificationLevel level;

	public DefaultResultModel() {
		this.id = UUID.randomUUID();
		this.creation = ZonedDateTime.now();
	}

	public DefaultResultModel(ResultCode resultCode, Map<String, Object> parameters) {
		this(resultCode, null, parameters);
	}

	public DefaultResultModel(ResultCode resultCode) {
		this(resultCode, null, null);
	}

	public DefaultResultModel(ResultCode resultCode, String message) {
		this(resultCode, message, null);
	}

	/**
	 * @param resultCode
	 * @param message Overrides automatic resultCode message
	 * @param parameters Linked hash map is needed - use ImmutableMap.of(..) or construct LinkedHashMap for preserve params order.
	 */
	public DefaultResultModel(ResultCode resultCode, String message, Map<String, Object> parameters) {
		this();
		Assert.notNull(resultCode, "Result code is required.");
		//
		this.statusEnum = resultCode.getCode();
		this.module = resultCode.getModule();
		this.status = resultCode.getStatus();
		this.statusCode = resultCode.getStatus().value();
		this.level = resultCode.getLevel();
		//
		String messageFormat = (StringUtils.isEmpty(message)) ? resultCode.getMessage() : message;
		try {
			// Linked hash map is needed - use ImmutableMap.of(..) or construct LinkedHashMap for preserve params order.
			this.message = String.format(messageFormat, parameters != null ? parameters.values().toArray() : null);
		} catch(IllegalFormatException ex) {
			this.message = messageFormat;
		}
		if (parameters != null) {
			this.parameters.putAll(parameters);
		}
	}

	public String getMessage() {
		return message;
	}

	@Override
	public ZonedDateTime getCreation() {
		return creation;
	}

	public Map<String, Object> getParameters() {
		return Collections.unmodifiableMap(this.parameters);
	}

	@Override
	public UUID getId() {
		return id;
	}

	@Override
	public String getStatusEnum() {
		return statusEnum;
	}

	@Override
	public String getModule() {
		return module;
	}

	@Override
	public HttpStatus getStatus() {
		return status;
	}

	@Override
	public int getStatusCode() {
		return statusCode;
	}

	@Override
	public String toString() {
		return MessageFormat.format("[{1}:{2}:{0}] {3} ({4})", id, module, statusEnum, message, parameters);
	}

	/**
	 * Message level - override level by http status code.
	 *
	 * @return level
	 * @since 10.7.0
	 */
	public NotificationLevel getLevel() {
		return level;
	}

	/**
	 * Model is serialized in LRT, WF etc.
	 * We need to solve legacy issues with joda (old) vs. java time (new) usage.
	 *
	 * @param ois
	 * @throws Exception
	 */
	@SuppressWarnings("unchecked")
	private void readObject(ObjectInputStream ois) throws Exception {
		GetField readFields = ois.readFields();
		//
		id = (UUID) readFields.get("id", null);
		creation = DtoUtils.toZonedDateTime(readFields.get("creation", null));
		statusEnum = (String) readFields.get("statusEnum", null);
		message = (String) readFields.get("message", null);
		parameters = (Map<String, Object>) readFields.get("parameters", null);
		module = (String) readFields.get("module", null);
		statusCode = readFields.get("statusCode", 0);
		status = (HttpStatus) readFields.get("status", null);
		level = (NotificationLevel) readFields.get("level", null);
    }
}

redpajama_set_name: RedPajamaGithub


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Which Guy Might You Be?!


text:
Cinema advertising revenue in the UK 2011-2020
This statistic shows the development of cinema advertising revenues in the United Kingdom (UK) from 2011 to 2018, and a forecast to 2020. In 2018, cinema ad revenues amounted to 254 million British pounds. Advertising revenues saw an increase from 172 million British pounds in 2011 and were forecasted to grow further over the following two years to approximately 286 million British pounds in 2020.
Cinema advertising revenue in the United Kingdom (UK) from 2011 to 2020 (in million GBP)
Revenue in million GBP
* Data for 2019 and 2020 calculated on the basis of WARC/AA percentage growth forecasts.
Figures for years previous to 2018 were published earlier by the source.
Advertising in the United Kingdom
Advertising spending in the world's largest ad markets 2019
Leading advertising campaigns in the United Kingdom (UK) 2019
Advertising spending in the United Kingdom (UK) 1999-2019, by media
Television advertising revenue in the UK 2011-2020
Statistics on "Advertising in the United Kingdom (UK)"
Advertising spending in the United Kingdom (UK) 2006-2019
Advertising spending in the United Kingdom (UK) 2017, by industry sector
Advertising spending growth in the United Kingdom (UK) 2018, by media
Highest spending advertisers in the United Kingdom (UK) 2017
Billings of leading creative advertising agencies in the United Kingdom (UK) 2017
National newsbrands advertising revenue in the UK 2011-2020
Magazine advertising revenue in the UK 2011-2020
Magazine advertising expenditure in the United Kingdom (UK) 2012-2018, by platform
Outdoor advertising revenue in the United Kingdom (UK) 2000-2018
Digital advertising spending in the UK 2008-2018, by format
Digital Market Outlook: digital advertising revenue in the UK 2016-2022, by format
Digital Market Outlook: digital advertising revenue in the UK 2016-2022, by device
Social media advertising spending in the UK 2011-2018
Content and native ad share of digital display advertising spend in the UK 2014-2017
Programmatic advertising buying in the United Kingdom (UK) 2017, by channel
Ad block usage penetration in the United Kingdom (UK) 2015-2019
Leading digital & specialist ad agencies in the United Kingdom (UK) 2019
Cinema ad spending growth APAC 2010-2022
Cinema advertising spending growth in the United Kingdom (UK) 2010-2015
Global cinema advertising expenditure 2015-2017
Cinema advertising spending in Central and Eastern Europe 2000-2022
Ranking of cinema advertisers in Sweden 2016, by ad spending
Cinema advertising year-on-year growth in France 2008-2015
Cinema advertising spending in Western Europe 2000-2022
Cinema ad spending APAC 2010-2022
Cinema advertising year-on-year growth in Germany 2013-2015
Latin America: cinema ad spend 2010-2022
Brazil: cinema ad investments 2009-2018
Cinema advertising spending change in Morocco 2013-2015
Cinema advertising expenditure in Italy 2008-2015
Cinema advertising spending share in Morocco 2012-2015
Cinema advertising spending change in India 2008-2015
Advertising expenditure in Estonia 2007-2019
U.S. meat packing plants ad spend 2010-2016
Magazine advertising spending share in Singapore 2008-2015
U.S. computer peripheral equipment: ad spend to sales ratio 2011-2015
Actions taken to improve local sporting and cultural facilities in England 2014/15
Advertising in the United Kingdom Global advertising market UK Digital Advertising Digital Advertising Formats
WARC. (April 30, 2019). Cinema advertising revenue in the United Kingdom (UK) from 2011 to 2020 (in million GBP) [Graph]. In Statista. Retrieved January 22, 2020, from https://cdn1.statista.com/statistics/262726/cinema-advertising-revenue-in-the-uk/
WARC. "Cinema advertising revenue in the United Kingdom (UK) from 2011 to 2020 (in million GBP)." Chart. April 30, 2019. Statista. Accessed January 22, 2020. https://cdn1.statista.com/statistics/262726/cinema-advertising-revenue-in-the-uk/
WARC. (2019). Cinema advertising revenue in the United Kingdom (UK) from 2011 to 2020 (in million GBP). Statista. Statista Inc.. Accessed: January 22, 2020. https://cdn1.statista.com/statistics/262726/cinema-advertising-revenue-in-the-uk/
WARC. "Cinema Advertising Revenue in The United Kingdom (Uk) from 2011 to 2020 (in Million Gbp)." Statista, Statista Inc., 30 Apr 2019, https://cdn1.statista.com/statistics/262726/cinema-advertising-revenue-in-the-uk/
WARC, Cinema advertising revenue in the United Kingdom (UK) from 2011 to 2020 (in million GBP) Statista, https://cdn1.statista.com/statistics/262726/cinema-advertising-revenue-in-the-uk/ (last visited January 22, 2020)


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text:
5 plugins that every producer wishes existed
By Tim Cant 2016-12-26T09:30:00.36Z
Allow us to indulge our deepest instrument and effect fantasies...
"Now, if someone could just invent an auto beat-making/arranging/mixing/mastering plugin I'd be all set..." (Image credit: Michael Prince/Corbis)
Just like normal people, producers have fantasies. But while a regular person's crazy dream might involve meeting a potential romantic partner they have the slightest thing in common with, or having a job that doesn't reduce them to tears on a daily basis, producers are much more likely to fantasise about plugin instruments and effects that would make creating music a less dreary, soul-crushing task.
So, to inspire developers to get coding, here are our top five non-existent plugins that would have us excitedly waving wads of cash at our computer screens. Here's hoping they become a reality before too long!
1. The Collaborator
Here at MusicRadar we're big fans of dance music, but the sad truth is that practically everyone we end up working with is either a drug-addicted hippie, a criminal, or both.
Collaborations with these types quickly dissolve into a horrific kaleidoscope of unanswered texts, missing audio files, and accidentally deleted projects: just the sort of thing to drive your average mild-mannered, OCPD producer to distraction. If only there was a way to avoid this sort of unpleasantness?
Enter The Collaborator. No, it's not an instrument that synthesises garage MCing (getting the accent right is an art in itself), rather an insert effect that sits on the empty channel where the vocals are supposed to be.
The straightforward interface is easy to use - simply click the large button labelled 'FFS' at the centre of the interface, and The Collaborator automatically sends an SMS, BBM or iMessage to the errant artist urging them to proceed with haste.
These start out innocuous ("I can't wait to get this vocal!"), gradually become more plaintive ("I know you're busy but I don't want to lose the momentum on this project") then quickly descend into despair ("At this point I'm almost certain you've spent the recording budget on a refurbished PS4").
Naturally, none of these communiques will elicit anything at all, making them just as effective as if you'd written them yourself.
2. Auto-Auto-Tune
The only problem with singers is that they can't sing. Sure, Auto-Tune and Melodyne can do a great job of correcting pitch and timing errors, but if you want natural-sounding results you've got to put a significant amount of time into tweaking things to perfection.
Depending on the idiosyncrasies of the vocal you're dealing with, this can take hours, but why should it? Surely if your vocalist can't be bothered singing it right in the first place, you shouldn't have to spend the best part of a day knocking the hideous waveforms that they've created into shape?
"Surely if your vocalist can't be bothered singing it right in the first place, you shouldn't have to spend the best part of a day knocking the hideous waveforms that they've created into shape?"
What we need is an automatic Auto-Tune, a plugin that will spend 12 hours straight tuning up a vocal, freeing you up to scour Facebook for the rarest, dankest of memes which can be shared for magnitudes more likes than your music would get anyway.
Once you're done examining images of what Kylo Ren would look like reimagined as a sexy female cat you can return to your DAW, only to discover that Auto-Auto-Tune has listened to the take one too many times and now has no idea what music should sound like any more - just like the real thing!
3. Physically Modelled Pneumatic Waveguide
Like the pair of overpriced sunglasses on a douche, airhorn sounds are the icing on the cake of any half-decent pump-up jam. Their message to the listener is essentially "you need to get turnt brah, so finish dabbing and sink those shots!", and they communicate this more elegantly than even the most intense riser or ear-piercing white noise sweep. But what happens when you can't locate your copy of Reggaetone Air Horn.wav?
Well, you're screwed, unless you're lucky enough to be the proud owner of Physically Modelled Pneumatic Waveguide, the world's most sophisticated and indeed trillest airhorn emulation. Load the effect onto a track in your DAW and its intuitive, no-button interface will display inspirational images of ripped torsos, premium alcoholic beverages and young women as it plays Reggaetone Air Horn.wav repeatedly at random intervals.
Physically Modelled Pneumatic Waveguide's output is automatically set to +36dB to give you the clipping that gets people stripping, so put it on individual tracks, busses, masters and sends for that authentically ignant sound.
4. The Urbanizer
It would be foolish to try and argue that we live in a post-racial society, but the fact is all white men born after 1975 idolise Dr. Dre and Ice Cube. Of course, making convincing sounding gangsta rap, grime or dancehall is tricky when you live in a sleepy village and your name is Andrew, but thankfully The Urbanizer is ready and waiting to turn your lacklustre though decently-enunciated delivery into the street smart drawl of a hustler who was born and bred in the hood.
"A fun feature of The Urbanizer is the 'invert' mode, which turns Snoop Dogg records into detailed accounts of his interest in mountain biking and craft ales.
As well as making you sound like someone who has had experience of street life (and all that that entails), it'll also replace incongruous references in your lyrics - eg, switching 'debit card' to 'gat', 'Co-op' to 'Magic City' and so forth.
A fun feature is the 'invert' mode, which reverses the process, turning Snoop Dogg records into detailed accounts of his interest in mountain biking and craft ales.
5. Chemically Addictive Drums
Sure, there are tons of virtual drummer plugins on the market, but they all have one problem: they sound like actual drums.
Cast your ears back to the golden age of funk and take a listen to those beats again: none of those classic breaks actually sounds anything like it was played on a real-life drumkit. We're not sure what those guys were on back in those days - though we've got a fair idea - but the beats they produced were on another level.
Soundware developers have made various attempts to create new vintage-style breaks, and while some of them are rather good, nothing quite captures the feel of the classics. Our ultimate fantasy plugin would be an instrument hat emulates the drummers, kits, studios and most importantly, the amazing '70s drugs responsible for making those incredible beats happen.
NAMM 2020: Blipblox After Dark is an adult version of the kid-friendly synth


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The main SDL library, which can be found here if you don't already have it.
Actually getting a SDL window up and running is fairly painless, in keeping with the simple in SDL, especially in comparison to what you have to do to get a windows API window up. Unfortunately WordPress makes posting actual code nigh impossible as it refuses to maintain whitespace (I shudder to think the amount of work required to get the code highlighting). I will post the completed source files at the end of each post.
Gives you a 640 x 480 window that you have to kill with task manager because of the infinite loop, but still… Simple!
SDL_Surface, which is a structure we use to hold image data in SDL. Pretty much every function uses pointers to surfaces, not the actual surface data.
main(). You need to have those arguments (int argc, char *argv) or else the compiler is going to scream at you.
Fun Fact: You don't actually need SDL_Init() to get this program to run. This surprised me because I was under the assumption that you needed SDL_Init to do anything at all. It might be interesting to see how much you can actually accomplish without it, but we will always need what this enables (since we presumably want to do more than just draw a window). Attempting to use functions that depend on SDL_Init without calling it will cause your program to crash.
SDL_SetVideoMode(). What this essentially does is creates a special surface in memory that is usually referred to as the framebuffer, and we're taking the returned pointer to the data and assigning it to 'screen'. The data in the framebuffer is what shows up on screen in our window. We'll cover the nitty gritty details of the different arguments and flags in a 'SDL !SCIENCE!' section.
SDL_Flip(). This tells SDL that we're done messing around with the current frame and it can be shown to the user.
SDL_Quit() just cleans up everything gracefully.
Now that was the quick and dirty way of getting things done. We're attempting to create a robust modular framework that we can use in every project, this means we're going to have to do this the slow and (hopefully) stable way (thus saving lots of work in the long run).
This is where my coding style and yours might begin to clash. I don't use exception handling; if I've done something stupid I want it to crash hard, it's a big noticeable effect instead of a bug I can forget that may become annoying to track down and fix later. I use classes more as code organization than any specific implementation of object orientation (and you'll probably never see inheritance in my code). I don't use switch statements. I name things fairly verbosely, because I've already learned that lesson the hard way. Yes, I know STL exists, I prefer to make lists and queues myself for the most part, as it helps keep my C++ memory-fu above "that was incredibly stupid" levels.
If you want to have the big header file with every function in it and a bunch of globals, you should be able to do that. If you want to adapt the code to use STL or Boost, that shouldn't be too hard. If you want to object orient the heck out of it, that should be possible too. Making this code your own will do wonders to your understanding of it, and prevent you from grumbling at me because it isn't perfect.
Not too much has changed here, most of the big stuff is out in our new files. I've formalized the program initialization and cleanup so we keep the main() nice and clean when we start adding in more libraries. The two main changes here are I've added a function called event update (which we'll go over next), which is our default event handler, and I've stuck all the SDL initialization stuff in a specific class that I call sdl(which we'll go over after). Also present is SDL_Delay() which we are using so that this simple program doesn't use up as much CPU as it can get its hands on.
The SDL events system is incredibly flexible and useful, and I'll go into it in detail in another post. For now we're just using it to catch when we press the close button on the window and when we hit escape. SDL_PollEvent() pulls SDL_Events from the event queue and sticks it in our newly declared 'event_handler', which we then parse.
Here is the image for the last file (Base_SDL.h) in it's entirety, as you can see, we may have made a few small additions. We'll break it down below, but it can be useful to have the entire view available for context.
Defines! These are just the default values the program falls back on if things go wrong or there's no configuration file. Be sure that your computer will actually create a window with these settings.
The next bunch of stuff should be pretty simple to understand. Resolution is a struct we use in our linked list of available resolutions. The sdl class is the object I store everything SDL initialization related in. write_config() saves current settings to our config file. revert_defaults() does what it says on the tin and creates a screen using the default values. read_config() does what you'd expect and pulls data from our config file. resolution_add() adds a valid resolution combination to our resolution linked list.
This one we actually have to talk about.
The resolution_check() function is slightly less straightforward. We're using SDL_ListModes() and sticking the results in an array. This function can also return NULL or -1, which makes it dangerous if you assume you're getting back an array of pointers to SDL_Rects. It also blatantly lies to you, but we'll get into that in SDL !SCIENCE! #1. For now, accept that it does this particular job decently and has limited usefulness otherwise. We run through the array of returned resolutions and ignore any ones smaller than 800 pixels wide and any really weirdly scaled resolutions like 900 x 1200. You may want to change these. Any ones that meet our criteria are added to our linked list of resolutions for later usage.
After this function we have set_video(), which is where we've moved our SDL_SetVideoMode() stuff from earlier. We then have get_resolution_list() which returns the pointer to our linked list of resolutions. change_resolution() is our public facing way to affect the window after its been initialized. Finally init() is where we've put SDL_Init() and it drives the whole thing. You may notice that we've added a function called SDL_WM_SetCaption() into the mix, all this does is set the text in the window title.
We've increased our line count by about a factor of ten… and the results look pretty much the same as they did before. Welcome to the wonderful world of frameworks.
Our program isn't much to look at right now, but after the next post… It'll still look pretty much the same. Frameworks aren't exactly the most fun when you're building them, but the payoff in work saved is immense.


Drain the chickpeas. Cut the aubergine into 2cm dice and the pepper in half then into fine strips.
Put a touch of water in a pan and add the diced aubergines. Pour over the sesame oil evenly.
Turn the heat onto medium and add 50ml hot water and put the lid on. Steam fry, stirring occasionally with a wooden spoon.
When the aubergines has softened, add the chickpeas, dashi stock, strips of pepper and seasoning ingredients. Simmer mixing with the wooden spoon until the sauce is reduced.
●You can add garlic or Gochujang or Chinese chilli bean sauce for heat if you like.


This entry was posted in Uncategorized and tagged fineartfriday, learning by alivingpencil. Bookmark the permalink.
Ah then my friend there is the Rijksmuseum in Amsterdam, with it's Vermeer blues and the spectacular larger than life Night Watch, not to mention a Rembrandt thrown in here and there. Loved this post. treasure you.
@roseteacup – See? I needed you to tell me! (she adds Amsterdam to her list.) Actually, my maternal grandma spent her first ten years in the Netherlands. I have reasons to go there, too. I treasure you too!
And my maternal grandmother was in Broek op Langendijk about the same time. fun that.
In Henri Nouwen's book "The Return of the Prodigal" he tells the story of getting special permission to sit and look at Rembrandt's painting for a day. His insights on the painting and the story it tells are wonderful.
@jackug – Thank you! I will have to look that up. You are always ready with a wonderful link!
Vivoli's gelato stand in Florence is probably the high point of European culture, after that St. Pete.
@Karen Glass@facebook – Karen, it was amazingly ridiculous of me to have omitted Krakow from my original list. I've wanted to go to Krakow ever since I read The Trumpeter of Krakow. And I can tell you that I've read a boatload of Holocaust memoirs. I must look up DaVinci's Lady with an Ermine. Here's what I wrote in 2007 about a friend's visit to our house:Lingering around the table, Mark told us about his recent trip to Poland, his three week course in Polish and the idiosyncrasies of that language. His mom lives four blocks from Schindler's factory in Krakow. Mark said that you could see bullet holes in the walls around the holding area where they rounded up the Jews.Mark gave us several recommendations of foreign films to watch. We're ready to check out Robert Bresson's filmsand particularly eager to watch Dekalog, one hour filmsinspired by each of the ten commandments.Have you heard of the Polish poet Czeslaw Milosz?God has been surprising me a lot lately, along the lines of "exceedingly above all you could ask or think." So don't you be surprised if I show up on your doorstep one day! Thanks for the comment, Karen.
The Hermitage was …. gloriously strange. A roomful of Monets — not temperature controlled, open windows, humidity dripping down the walls… The Prodigal was…. spectacular. Haunting. My favorite. St. Petersburg was, by far, my favorite part of our summer in Minsk [we took two train trips – one to St. Petersburg, one to Moscow. I was far more smitten with St. P.] I will go back someday. I was so focused on Anastasia and the Romanovs that I missed much of the other parts of the gorgeous town.


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Funeral Resolutions Athens GA 30612
Call it the lighter side of dying. Not that most undertakers aren't serious about their work. We can cremate up to 300lbs, call for pricing over 200 lbs. Additional fees apply for She not only served, she received commendations, such as the Legion of Merit award. Our site's content partners and other relationships may also use cookies, scripts and/or web beacons to track users on this web site in order to display advertisements and additional useful info. Used 2015 Cadillac CTS for sale in West Chester, PA 19382 for $34,999, 3801 miles and other end-of-life details. Families keep costs down by managing these details themselves, but for some families, it's worth the cost to have someone else help take care of these particulars. Families are the compass that guide us, let our family guide your family Cremation Funeral Athens.
the family was there and they sat with the body and they took the time and they pushed the button to send the body into the flames; it was an incredibly powerful experience because they took responsibility for that body. One medical certificate is required. We will coordinate this on your behalf. A charge is made by the medical practitioner for this. Ns especializamos nosso site para sua regio! Voc gostaria de ir para E! Online Brasil? Plus its close enough to visit and just a wonderful place! Gold Members: If you do not see the icon or your member benefits, please sign out and sign in again with your FTD account.
If you are interested in sending sympathy flowers to a family who has a loved one here, you can send funeral flowers to Cremation Society of Massachusetts now. Average time on market: 24 days Certified Pre-Owned: No Transmission: 4-Speed Automatic Color: Gold Description: Used 2006 Cadillac DTS for sale - $7,900, 101,594 miles with Leather Seats, Alloy Wheels As Massapequa's first funeral home, we feel a deep sense of connection with the community. This personal relationship helps us support and assist you when sorrow strikes. Afterwards, he can exit his own wake and continue on in his quest to get back in his own body, as before. cremated remains be mailed to them. Once received, the cremated remains can be buried in Athens Georgia 30612
It is home of the famous War Dog Memorial, the first memorial to pay tribute to the canines that served in our military. (erected in 1923) Funeral service has changed over the years with cremation becoming the funeral service of choice. With this mind, we have many options to offer in which cremation is the final disposition. Who is to conduct and speak at the funeral service We invite you to bring in your gently used books to any of our 4 funeral home locations, weekdays between 10:00am - 3:00pm to fill this lending library.
Operate a Massachusetts based company that the public can trust to maintain the highest quality standard and ethics when it comes to providing cremation services. Therefore, it is advisable to purchase the prepaid burial arrangements for both spouses after the date of separation out of the institutionalized spouse's exempt assets, but before the institutionalized spouse is spent down to $1,500. Cremation Funeral Athens GA 30612 Harrison County, Texas Fletcher, Nathaniel Lee Sr., of Waskom, Texas, died Dec. 29; services at 2 p.m. today at Downs Funeral Home, Marshall, Texas; burial in Evergreen Cemetery, Panola County. In all cases we offer families a detailed quotation of the estimated costs of their chosen funeral. has the most exclusive selection of high-end luxury and exotic car rental options in the Houston area. Contact us today at (832) 457-5000, or request a reservation online Ultimately, the Jewish father was comfortable with his son's choice. The cremains were divided between the life partner and the family, who wished to bury the cremains with other family members. When he died, the co-op took care of handling the body and all cremation details and sent the urn with his remains to California for a total cost of less than $800. With a low cost Funeral Director however this is not the case and we provide dignified sendoffs for the low cost of just £975. Our story began a few months ago, when we got an email from a listener named Jon Remkus:
The procession will come to an end at Cave Hill National Cemetery, the largest cemetery in Louisville. The area has been around since 1848 and hosts Union soldiers from the Civil War in addition to Colonel Harland David Sanders of KFC fame. one would be high on demand. Assassin's Creed Brotherhood, sims freeplay cheat We give dogs the time we can spare, the space we can spare and the love we can spare. And in return, dogs give us their all. Meditation/Homily - A brief reflection given by the minister. Suggested topics include: the gift of life, the power of God over death, the victory of Christ, the final trumpet, the free gift of salvation, a lesson from the life of the deceased. The funeral service is a brief and simple service designed primarily as yekara d'schichba-for the honor and dignity of the deceased. We can cremate up to 300lbs, call for pricing over 200 lbs. Additional fees apply for
She wanted to care for her family, not be cared for. Sandy always seemed to have a quiet stubbornness about her that wouldn't give up. Looking for a Funeral Program Template that's beyond your imagination? You can create a one-of-a-kind funeral program that will always be treasured. The operator will then brush the fragments of the body out from the retort and into a cremulator that disintegrates the remains further, and turns them into the familiar appearance of ashes or sand. A Fort Lauderdale police officer was injured on Saturday when he was struck by a car while escorting a funeral procession in unincorporated Broward County. If you have questions about our service options, or, if you would like to prearrange your own burial or cremation plans, we're your best choice. We ensure that the client is provided with a comprehensive range of options and choices regarding funeral arrangements while our funeral directors are trained to respect and adhere to the clients choice of funeral arrangements, whether simple or elaborate.
the umbrella charity for end of life care in England, Wales and Northern Ireland. The remains are allowed to cool for several more hours and then all remaining items, like metal from clothing, implants, and dental work, are separated from the cremated remains. Funeral Resolutions Athens GA Hand Spray - A small bouquet placed in the hands of the deceased. Around the country almost every funeral director will have the mortal remains of a number of people shut away in their 'Ashes Cupboard' - people whose families have been unable or unwilling to decide what should be done with their 'ashes'. In addition, certain states have laws about who may coordinate a cremation, and in some state a funeral director at a funeral home must legally handle the arrangements. GROSS: And so will you be, like, part-undertaker and part-teacher and hand-holder?
Niche fronts may be constructed using clear or stained glass, bronze, marble, granite or wood. Some niche fronts may be part of a mosaic wall, and glass-front niches allow for personalization through the placement of photos and mementos with the urn. Complete & total responsibility for the cremation process You can purchase a cardboard casket for under $100 or you can spend a few hundred dollars on inexpensive wood caskets. Most commonly used woods are veneer, plywood and fiberboard. As Ecclesiastes 12:7 notes: Then the dust will return to the earth as it was. All physical bodies decay after death. The verse concludes with the words, and the spirit will return to God who gave it. Because we are in such close proximately to many of the Twin Cities medical centers, having dual licensure is a good practice and our families take comfort knowing their loved one comes directly into our care, not via another out of state funeral home. the umbrella charity for end of life care in England, Wales and Northern Ireland. Since the proposed crematorium falls under special acceptance standards of the Connecticut public health statute section 19a-320, the business could be stationed within 500 feet of any surrounding neighborhoods.
How Much Do Funerals Cost Cremation Funeral


text:
Q: Style weeks using the Bootstrap Datepicker I'm using the bootstrap datepicker and suppose I wish to apply styles to the calendar that appear when the calendar opens:

*

*Highlight 3/1/17 3/7/17 red

*Highlight 3/9/17 3/17/17 blue

How can I use CSS to do this? Is there a feature in the API that allows for this?

A: There is no direct API for this feature, but you can use option debug: true to inspect component HTML.
One way to target a specific day is using a CSS selector based on data-day attribute value, for example: [data-day="03/01/2017"]. Here a full live example:

$('#datetimepicker1').datetimepicker({
  debug: true
});
[data-day="03/01/2017"], [data-day="03/07/2017"]{
  background-color: red;
}

[data-day="03/09/2017"], [data-day="03/17/2017"]{
  background-color: blue;
}
<link href="//cdnjs.cloudflare.com/ajax/libs/twitter-bootstrap/3.3.7/css/bootstrap.css" rel="stylesheet"/>
<link href="//cdnjs.cloudflare.com/ajax/libs/bootstrap-datetimepicker/4.17.37/css/bootstrap-datetimepicker.css" rel="stylesheet"/>

  <input type="text" class="form-control" />

Here you can find a similar example.

redpajama_set_name: RedPajamaStackExchange


text:
#region License
//   Copyright 2015 Brook Shi
//
//   Licensed under the Apache License, Version 2.0 (the "License");
//   you may not use this file except in compliance with the License.
//   You may obtain a copy of the License at
//
//     http://www.apache.org/licenses/LICENSE-2.0
//
//   Unless required by applicable law or agreed to in writing, software
//   distributed under the License is distributed on an "AS IS" BASIS,
//   WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
//   See the License for the specific language governing permissions and
//   limitations under the License.
#endregion

using Brook.ZhiHuRiBao.Common;
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;

namespace Brook.ZhiHuRiBao.Authorization
{
    [AttributeUsage(AttributeTargets.Class, Inherited = false, AllowMultiple = true)]
    sealed class AuthoAttribution : Attribute
    {
        readonly LoginType loginType;

        public AuthoAttribution(LoginType loginType)
        {
            this.loginType = loginType;
        }

        public LoginType LoginType
        {
            get { return loginType; }
        }
    }
}


text:
Лян Кай () — мастер фигуративной живописи, один из классиков «лапидарной кисти» (цзянь-би 減筆), монах школы чань. Будучи одним из величайших художников своего времени, оказал сильное влияние на развитие китайской живописи. Родился в уезде Цяньтан Линьаньской управы, а годы жизни попадают в период примерно с 1140 по 1220 годы.

Благодаря тому, что он родился в семье чиновников, молодой Лян Кай беспрепятственно попал в Академию Живописи (Хуа-Юань 畫院), где стал одним из учеников Цзя Шигу 賈師古. По её окончанию был принят в штат и уже через несколько лет лично от императора получил высочайшую для живописца награду — «Золотой пояс». Однако — и именно с этого момента биография художника показывает его отход от академической живописной традиции — он не воспринял это, как нечто значимое для него, а просто повесил Золотой пояс во дворе императорского сада и удалился восвояси. Тем не менее, император простил его выходку, назначив его на пост дай-чжао («ожидающий императорских указаний» 待詔) — редактора докладов на высочайшее имя.

Этот, «академический», период жизни Лян Кая характеризуется приверженностью классическому живописному стилю. Художник становится мастером жанра жэнь-у («люди и вещи» 人物) и продолжателем стиля Ли Лунмяня (Ли Гунлиня 李公麟), одного из знаменитейших живописцев эпохи Северная Сун, со свойственной ему линеарной техникой, которая характеризуется тонкими графическими линиями и детализированной проработкой внешности персонажей. Этот стиль, который называется си-би («тонкая кисть» 細筆), у Лян Кая приобретает самобытные черты.

Для начала рассмотрим картину «Шакьямуни, спускающийся с горы» («Шицзя чу шань ту» 釋迦出山圖). Этот свиток полагается одним из лучших произведения Лян Кая с точки зрения его художественной композиции — господство плавного и изящного линеарного рисунка над уточненными узорами ветвей дополняется размывами одеяний буддийского пророка. Но помимо художественной характеристики произведения интересна и его концептуальная сторона. Шакьямуни в поисках просветления отправился в горы, чтобы там ввергнуть себя в суровую аскезу. После 6 лет блужданий на грани смерти, он обнаружил, что суровые аскетические испытания лишь изнуряют тело и затуманивают разум, это заставило его очень глубоко задуматься. Именно в таком состоянии изображает Лян Кай пророка, вселенская грусть и раздумья о достижении просветлении не могут оставить Шакьямуни, стоящего у скалы. А асимметрия, созданная Лян Каем вокруг фигуры Шакьямуни, наводит на мысль, что пророк уже почти достиг своей точки равновесия, но внешние силы (ветер, холод), отбрасывают его в сторону.

«Древние истории о восьми прославленных монахах» («Ба гао сэн гуши ту» 八高僧故事圖) — состоящий из восьми полотен горизонтальный свиток, каждый из которых связан с чань-буддизмом. Эта картина выполнена в полихромной технике с употреблением ярких красок.

Но примерно в 1205—1206 гг. Лян Кай, известный доселе неукротимым характером и склонностью к алкоголю (за что и получил прозвище «Сумасшедшего Ляна» Лян Фэн-цзы 梁瘋子), неожиданно для всего китайского придворного общества, разрывает всякие отношения с академической и столичной средой и отправляется жить в монастырь, основанный Му Ци 牧谿. Одновременно с этим происходит ломка и живописного стиля мастера, его категорический отход к стилю се-и («выражение идеи-сути» 寫意), на что наложило свой отпечаток увлечение мастера чань-буддизмом, так как, как указывает ПАПАПА, для работы в этом стиле требуется мастерство художественной техники и высокая концентрация с одновременной возможностью добавления красоты случайных эффектов.

Однако если говорить точнее, то стилистика Лян Кая представлена скорее лишь одним из приемов, а именно — цзянь-би («сокращенная кисть» 減筆), который иногда также называют «лапидарной кистью». Этот прием характеризуется упругими гибкими линиями, которые напоминают траекторию полета брошенного предмета, образованными не графически тонким рисунком кисти, но растушеванным поворотом тугой кисти, выделяющей нажимом только часть рисунка.

В рамках этого приема справедливо говорить о двух аспектах в работах Лян Кая: нервно-экспрессивный стиль, характеризующийся быстрыми, резкими мазками кисти и стиль пе-на («отброшенные отпечатки» 撇捺), которому свойственна предельная эскизность изображений.

Нервно-экспрессивный стиль представлен у Лян Кая двумя работами, которые по праву считаются ярчайшими образцами жанра се-и. Обе работы написаны на темы деяний Шестого Патриарха Чань — Хуэйнэна. «Хуэйнэн, очищающий бамбук от листьев» («Люцзу чжо чжу ту» 六祖斫竹圖) — отсылка к высказыванию Шестого Патриарха: «Зеленый бамбук — это одно из тел Будды» (青青翠竹,盡是法身), что значит, что в каждом человеке есть природа Будды. Зритель застает Хуэйнэна с ножом в руке, усевшись на корточки, он очищает бамбук от листьев. «Хуэйнэн, разрывающий сутры» («Люцзу по цзин ту» 六祖破經圖) застает Шестого Патриарха, разрывающим сутры, что, по сути, является вульгарнейшим поступком для буддиста. Однако в этом кроется глубокий смысл: просветления можно достичь и без беспрестанного чтения буддийского канона. Нервность линий, резкость мазков и отсутствие текстуры на обеих картинах наводит зрителя на мысль о мгновенности, непостоянстве человеческих эмоций. Лицо Хуэйнуна выражает ярость, протест против традиционных буддийских устоев.

С другой стороны, «Бессмертный» («Помо сяньжэнь» 潑墨仙人) и «Ли Бо, сочиняющий стихи» («Ли Бо син инь» 李白行吟) являют собой противовес нервно-экспрессивному стилю, выражая некую умиротворенность. Обе картины нарисованы в эскизной манере (стиль пе-на) словно намеренно небрежно проведенными линиями. Возникает такое чувство, что художника волнует только ритмика изображения, а вовсе не художественно-живописная сторона творчества. «Ли Бо, сочиняющий стихи» также относится к одной из лучших работ художника, выполненная буквально несколькими мазками, она показывает нам Ли Бо 李白, великого Танского поэта, который ходит из стороны в сторону (на что указывает легкий наклон тела и изображение ног). При этом в этой работе нет никакого постоянства движения кисти, то она сильным нажимом прорисовывает разрез глаз, то медленным и плавным, но легким движением прорисовывает контур накидки поэта.

Примечания

Литература
 Муриан И.Ф. Картина Лян Кая «Поэт Ли Бо» в сб. "Сокровища искусств стран Азии и Африки", вып.2 М. 1976. С. 87-98

 Cahill J. The Art of Southern Sung China. N.Y.-Tokyo, 1962 С.66
 Munsterberg H. Zen and Oriental Art. Tokyo, 1965. C. 53
 Siren O. Chinese Painting. Leading Masters and Principles. Vol. 2, L., 1958. C.133-134

Ссылки

 https://web.archive.org/web/20120524061111/http://arts.cultural-china.com/en/77Arts6694.html
 https://www.youtube.com/watch?v=O2owLWZ7IJU
 http://www.hudong.com/wiki/%E6%A2%81%E6%A5%B7

Культура Китая
Чань-буддизм
Художники Китая
Родившиеся в Ханчжоу


Note, must be logged into your Google Play/iTunes account to purchase.
Google Play.com has To the Moon (Android App) on sale for $1.99.
Google Playstore and iOS App Store have To The Moon on sale for $1.99.
The soundtrack is also outstanding. I was up until about 3AM playing completely through.
Spoiler alert: The final scene is just you standing alone in a room full of food processors chopping onions.
Great storyline. I played this on PC.
What about the mobile version?
I played this on PC as well. You're not really there for gameplay. Just story.
I'd call it a great interactive story.
For $2, I'm prepared to cry again.
Played on pc +1. Great story.
So sick of story driven experiences. Telltale games especially.
One of the best and memorable games I've ever played. I cannot recommend this more.
NIce! I was waiting for a sale on this.
I love the game, it's still in my phone.
Yes this game! This is one of the most emotionally jarring stories in all of gaming once it all comes together. It's delivered in a fantastic manner too. Has a bit of humor poking fun at other popular game mechanics and overall a crazy adventure with relatively low input by the user. I normally dislike story driven games but this is the definitive if you're trying to get into the genre. Even if you don't like the games in this category, this one is worth it. Great price for this.


It was a typical school night for us. Will had Girls On the Run practice until 5:15. I took the opportunity to do a little Valentine shopping. While I was out and about, I picked up a rotisserie chicken and some Brussels sprouts.
Upon arriving home, I trimmed the Brussels sprouts, halved them and tossed them with olive oil, salt, pepper and red pepper flakes. They spent 30 minutes in a 400 degree oven. As they roasted, I microwaved some frozen peas and cut up the chicken.
Fancy? No. Really good? Yes.