text:
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Sena workers damage 'Adani Airport' signboard in Mumbai
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As India watches, China grows powerful in Sri Lanka
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France offers India world's top torpedoes
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Govt, VVIPs owe Air India Rs 498 crore
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What Pranab thought about Modi
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Tata group companies outshine the market under N Chandrasekaran
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Swamy's plea seeking to set aside Air India divestment dismissed
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Air India handover to Tata Group delayed by a month till Jan
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CCI clears Tata-Air India deal
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When Bollywood took the bus!
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text:
package com.softwaremill.groovy.data;

public class CrazyAttendee extends Attendee {

    private Integer bottlesOfBeer;

    private Integer bottlesOfVodka;

    private Integer snacks;

    public CrazyAttendee() {
    }

    public CrazyAttendee(String name, String email, Integer bottlesOfBeer, Integer bottlesOfVodka, Integer snacks) {
        super(name, email);
        this.bottlesOfBeer = bottlesOfBeer;
        this.bottlesOfVodka = bottlesOfVodka;
        this.snacks = snacks;
    }

    public Integer getBottlesOfBeer() {
        return bottlesOfBeer;
    }

    public void setBottlesOfBeer(Integer bottlesOfBeer) {
        this.bottlesOfBeer = bottlesOfBeer;
    }

    public Integer getBottlesOfVodka() {
        return bottlesOfVodka;
    }

    public void setBottlesOfVodka(Integer bottlesOfVodka) {
        this.bottlesOfVodka = bottlesOfVodka;
    }

    public Integer getSnacks() {
        return snacks;
    }

    public void setSnacks(Integer snacks) {
        this.snacks = snacks;
    }

    @Override
    public String toString() {
        return "CrazyAttendee{" +
                "bottlesOfBeer=" + bottlesOfBeer +
                ", bottlesOfVodka=" + bottlesOfVodka +
                ", snacks=" + snacks +
                '}';
    }
}

redpajama_set_name: RedPajamaGithub


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text:
pkgs="
xserver-xorg-video-fbdev
xserver-xorg xinit
gstreamer1.0-x gstreamer1.0-omx gstreamer1.0-plugins-base
gstreamer1.0-plugins-good gstreamer1.0-plugins-bad gstreamer1.0-alsa
gstreamer1.0-libav
epiphany-browser
lxde lxtask menu-xdg gksu
xserver-xorg-video-fbturbo
xpdf gtk2-engines alsa-utils
netsurf-gtk zenity
desktop-base lxpolkit
weston
omxplayer
raspberrypi-artwork
lightdm gnome-themes-standard-data gnome-icon-theme
qt50-snapshot qt50-quick-particle-examples
"

# Edu-related packages
pkgs="$pkgs
idle python3-pygame python-pygame python-tk
idle3 python3-tk
python3-rpi.gpio
python-serial python3-serial
python-picamera python3-picamera
python3-pygame python-pygame python-tk
python3-tk
debian-reference-en dillo x2x
scratch nuscratch
timidity
smartsim penguinspuzzle
pistore
sonic-pi
python3-numpy
python3-pifacecommon python3-pifacedigitalio python3-pifacedigital-scratch-handler python-pifacecommon python-pifacedigitalio
oracle-java8-jdk
minecraft-pi python-minecraftpi
wolfram-engine
libreoffice
"
# Because of of https://github.com/RPi-Distro/raspberrypi-ui-mods/issues/2 (thanks @robertely)
apt-get -y remove raspberrypi-ui-mods

# Remove packages
for i in $pkgs; do
	echo apt-get -y remove --purge $i
done

# Remove automatically installed dependency packages
echo apt-get -y autoremove

# Remove all packages marked rc (thanks @symm)
dpkg --list |grep "^rc" | cut -d " " -f 3 | xargs dpkg --purge


Good reason – I am now a Certified Scrum Master (CSM).
Bad reason – I am feeling really, really old….one of my co-workers was using a number of chat-like responses to me in email. I could easily go off on a rant about the negative effect SMS has had on business communications etiquette and the maturity usage implies about the sender, but I prefer to focus on the end result of this encounter.
I realized I am not up on the latest "net" lingo, but I am familiar with "standard" instant communications lingo, I have a link or two bookmarked to help me out. When I checked for the acronym tossed my way in the above mentioned encounter, the symbols used are not recognized; so I asked for a definition. I got one – this specific symbol set is exclusive to this person's previous employer and has absolutely no translation in this ecosystem.
Thus why I feel old…..
1. Submit time-sheets/time-cards. – You know how you get paid.
This one is so basic. Every time you do a job, you have to tell someone what they are paying you to do. If you are hourly, you have to submit a time-sheet/time-card.
When you show up to do your shift, you clock in. When you leave at the end of your shift, you clock out.
At the end of the time period, someone collects the time data and submits for payment.
This is pretty basic for anyone who has ever worked anywhere.
As someone who wants to be paid, you know how to do this task.
2. Check your email. – You understand communications.
Enterprise email systems can be a little bit different than your internet service provider's email account.
Know who you are, where you are, when you are, and what you are trying to do.
The answer to everyone of the above questions should become rote memory at the end of the first week.
3. Execute your resume. – Do your job.
Everyone boasts about their abilities on their resume.
I know I glance at the listings and make general assumptions about basic capabilities.
I am allowed to make assumptions about your abilities and capabilities by the fact you have made it this far through the reviewal process.
I am allowed to assume you know basics and if you are provided with the information locations, you can apply some of the knowledge you espoused on the resume submitted.


My own thoughts: Woodwinds swaying not in a rigid tempo but in a pastoral atmosphere as a free duet.
1st MOVEMENT Bar 1. Horns 1+2 should not bang but swim in at different times. 1st horn rises like the sun, let the light spread, long fermata so the dim can be heard. Exact beat so the swinging of bsn + hrn can pulsate.
From A, 2 bars moving freely. Bar 3 oboe back to p. Here horns are usually too loud. SUGGESTION: subito pp and 4 after A mp not mf.
3 bars before B, clarinets freely. Show only harmonic change.
Same at B: tempo can be taken back and then forward! cresc. to letter C.
2nd after B grace note for flute I and cl.1 is missing. (f-sharp for flute and a-flat for clar.)3 after B:Horns, bsn 2 and timp, quick dim, (probably forgotten). With a small string section (Sibelius time) the violins and violas dive into 'duck-pond' can't be heard.
2 before C: Sibelius writes sempre dolce and rfz.
3 after C: he writes rffz. This can sound too angry.
3 after C: Sibelius uses the solo horn but omits the first note, probably due to uncertain player then. (The same after letters G and H).
1 before D. note meno forte! and then at D hold tenuto on second beat so that dim. to p can be heard, otherwise the cresc. has no effect.
D: strings lots of flautato.
3 after D: trumpets first note is usually not heard, do something!
4 after D: rhythm in winds and violins cannot be heard clearly in a hall with an echo. Those on the stage find this difficult to believe. SO: the first 16th note is inaudible as well as the 16th note at the end of the slur. It sounds like a dog barking. In Ottawa, excellent strings (ZUKERMAN) we separated the 16th at the end of the slur from the dotted 8th.The hall acoustic turned this into legato and the 16th could be heard. On stage it sounds wrong ofcourse, but... !!!
3 before E: notice poco a poco dim. For vla and vlc poco a poco continues right up to the double bar 2 bars before F.
3rd bar after F: strings really pp. also background winds, then oboe pp is exquisite. It anyway reads grazioso.
3 before G: strings have a dangerous cresc. pp is missing on the 4th beat, as oboe.
Half bar before G: strings must write dim.al pp and flautando so the clarinets can be heard.
2 bars after G: 1st basses tritonus must be heard.
Letter I the same as letter D.
Letter J begins poco forte but is followed by 3 bars dim molto.This has to be rehearsed because the different rhythms are not distinguishable. The players concentrate on playing the right notes, which reduces quality and dynamics.
Especially 1 bar before K is always too loud -too much bow.. If ppp doesn't work, reduce the number of strings.
Letter M: dynamic is missing- mp.
5 after M second half: horns mp.
From 6 before N lots to correct so themes can be heard.
6 before N, theme in fl+ob+cl can be reinforced by trumpet last 8th note.
4-1 bars before N same thing. First note in winds with accent and show trumpets cresc.
Two bars later trombone has theme.
At letter N, rhythms in the horns and trombones are not distinguishable.
2 bars before the new letter A the violins often play off the string but it should be on, as Sibelius wanted. What do you think about the articulation at ALLEGRO MODERATO? We often hear the end of the slur over the first bar as dotted (short). Long would be Finnish. Notice the violins cresc before B.
At C: two bar phrases.
8 after C: oboe, write mp marc. because the previous phrase is marked dim. Compare this with the 3rd bar after C and the following flute entry.
9+10 after C are perhaps missing a syncopated slur which happens 2 bars later in the flutes?
10 before F: Missing in fl+bsn dim? Compare this with 2 bars before F.
Letter J: 1st violins first note is in the background and barely audible (ppp). It could be written as an 8th note. The theme starts on the2nd quarter note. Same for the 2nd violins, 4 bars later.
2 before letter K, dim and even accel. as K is marked vivace molto.
7 before M has to be well balanced. Basses and then horns 3+4 are usually too loud.
1 after M, viola accents for 3 bars. The last accent is missing in old editions. Make sure it is marked in the parts. The same thing 10 after M.
7 after M: How is it possible for cl+bsn to play dim from ppp? Same problem for fl+ob 10 before N. I suspect a printing error. Play the same as the violins.
8 before O: meno f rarely happens.
8 after O in the basses. The last note should be d, not c.
from 5 after P: 3rd trombone 8 va basso, down to B-flat. This is possible.
7 + 8 after P trump. 2 doubles 1, so the theme can be heard.
9 after P: 1st trump to play only a quarter note so that the 2nd trump can be heard. Messy.
1 before Q: horns last bar, only mezzo forte- pedal note. Sibelius scores are full of places like this. They must be corrected as I have already mentioned in Memo February 10-87.
Più Presto. Brass and timp cover the violins completely if dynamic markings are followed.
A classical place that needs changing: ff- mf. 4 bars before S. Trumpets? I doubt ff.
Letter S is one hell of a noise unless the theme is brought out: e-flat - f - b-flat, ie. 2 bars timp (not too much horn) 1 bar trump, 1 bar horns, repeated. Then, 1 bar timp (note) -2 trump-1 horns- timp accent on e-flat and 3 last bars 1st trump + 1st tromb in unison.! THIS CREATES A CLEAR MELODY.
This should be like a pastoral polska. The violins first pizzicato notes are not usually heard. On stage it is thought that they are heard but in the hall the echo confuses as in the 1th movement after D. Change mp - mf and when the pizz can be heard make a small dim. This is the same problem for singers who know the text but the audience does not.
7 before B mp missing in flutes.
4 bars before B. bsn, dim - pp. Also for other winds, always to the next dynamic.
B: detaché à la BACH,or?!
2nd bar after B: Is the 3rd note as short as the next? Let's go back to the beginning of the movement. Bar 6, violas. Some tails are up and some are down. Does this mean a change of string? First note open string - long note. The second note should have a dot (vla under and vlc above), but no, it's not like that! Is this Sibelius carelessness or what? Interpretation. If the markings are followed, quasi allegretto, the second note should be short. Marked with a dot. Then the theme becomes a dance= allegretto. The same is true at B.
11 before C: vla+vlc, mp marc, can be played off the string= half spicc. The last note must be short, so mark it with a dot.
5 before C violins detaché. Dynamic is missing - mp.
4th bar after C: 2nd note in vlI, vlII, vla with a dot on top, so that the articulation of the theme is the same. Careless markings and/or playing.
7 after C: a small detail. If vla in bar 3 is to be heard then mark it f. Attention is then drawn to the theme of the finale which can be heard - (not visually, as few conductors will have noticed it or even dare to bring it out) - here. Be brave and mark legato pizzicato - like jazz bass players, for 3 bars and the following g.
D: violas have dots marked, meaning off the string; but for how long and should the violins continue in the same way? Let it be a polska = detaché + stretto.
3 before letter E: Basses last note should be g.
E: 2nd bar. Strings as printed if enough players. If not, take slur out.
3 after E: Last quarternote in vlI, vlII down bow (a) can give the right emphasis with vlc+cb rhythm underneath.
10 after E: Light spicc, dynamic, mp. In some old parts this may still be marked f.
13 after E: Arpeggios should sound like a big harp on the forte. Viola notes can be re-arranged with help from vlc, as the bottom is missing. There are many places in Sibelius where pizzicato has no ring to it. Even though he played the violin himself. Example: 3rd symphony, 1st movement. Do something!
5 after F: Basses, legato pizz with accents until mp (whole of finale theme).
12, 13, 14 after F: chords don't ring even though they are perfect chords. Except vla in bar 3. Old editions are still marked b-natural (otherwise a-minor). 14th bar is empty without e-minor 5ths and b-minor; or is it to be translated as D-major? Yes, of course, because the horns A-a octave resolves it.
11 after G: 4 horns is quite an effect. They will play too loud, no matter how many times you warn them.
7 before H: The poor old 2nd flute tries to make himself heard without any success. What the hell is that c-sharp doing there anyway? If you want it to be heard then you will have to do something. 2nd violins are meant for these kinds of places. The 1st flute e' can be heard. Many composers have written similar places including MOZART, BEETHOVEN to STRAVINSKY.
4, 5, 6 before H: One trumpet is enough, or not, as the case may be.
F1+pizz play against each other and take out the 'molto' in the horns.
Poco largamente after I can be bowed in many different ways. The printed version will work for professionals but remember the printed down bow -think diminuendo. Why not try an up bow?
Flutes, last 3 bars, one long slur. It could be attacca!
If the theme in the violas needs to move then it can be marked half-spicc, otherwise on the string.
A, violas under the 1st violins.
3 bars before B, 2nd violins spicc, ending 3 bars after B.
12 before C flutes also p.
22 before F: Basses can never be heard. Add bassoons to make it sharper.
2 bars before F. 4 horns marked forte. In some old parts there is a repeat that isn't at all similar. This is due to some confusion over a wrong note.
8, 7, 6 before G: 1st bassoon must play accents otherwise the theme is not noticed. The same goes for 3 bars before letter H.
2 before J: 2nd violins divisi. First two bars cresc. Then from J dim. It can't be heard otherwise.
M: Bring out vlc, cresc. The dim is wrong.
From 9 after N to the end, change 3rd trombone part. Mark everything down.
2 bars before letter O: 3rd horn rhythm is strange. It is normally played so quietly that it can't be heard!
4 after P: Brass diminuendo to p.
3 before Q crescendo only to mp. They are normally too loud here.
Now that we have 5-string basses, many places in Sibelius and Brahms can be marked down. Not yet from page 130, but from pages 134-135.
2, 3 after R: trumpets 2+3 are not usually heard and the 1st trumpet cresc. can be erased.
4 after R: add a sounding g1 to the 1st trumpet part. Same as the oboe.
7 after R: add a sounding g2 to the 1st trumpet part. Same as the flute.
UN POCHETTINO STRETTO. Not many conductors take this new tempo. It goes right to the end? There are 4 (four) dynamic markings missing from this page, if you want the trumpets and trombones to interchange. Have a look for yourself!!
Trombones, first bar cresc. On last half note,2nd bar, dim. on last half note.
3rd bar, trumpets, dim. on last half note. 4th bar, trombones, dim. on last half note.
5th bar, 1st, 2nd trumpet can mark accents also on the f, but not on the B-flat: the theme changes to the 2nd trombone. Remember the stretto continues to the very end, otherwise the tension is lost! Good symphony!


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text:
Each part of The Wheel illustration represents a crucial component of a vibrant Christian life. It's a simple, effective way to visually explain a God-glorifying life to someone you're discipling. Sharing can be as simple as drawing it out on a napkin or notepad.
Click here for key Resources from The Navigators such as Bible reading plans, how to study the Bible, and other info.
Topical Memory System
Best Deployment
By NavsMilitary — For 10 years, our family avoided the three most dreaded letters a military family can hear: TDY. During those years, my dad worked at NORAD.
Faithfully Pursuing Biblical Community
In the Digital Age (but Not of It)
By Navs Military — Here's a riddle for you: It knows everything about you But you look down on it; You think you know how to push its buttons
Jesus - A Passion to Know, Love and Become Like Christ
Lessons from the Redwoods
By Dave Yumen, NavsMilitary — Giant Sequoia trees, also known as redwoods, are the biggest living things on earth. Heights of 300 feet and diameters of 30 feet are not uncommon.
The Three F's of Community
By NavsMilitary — Standing tiptoed peaking into God's kingdom a community continues emerging among Marines in Jacksonville North Carolina. Families living within walking distance of one another, seven families, none of which are native to the area are learning to deliberately love on each other. Fifty years ago Navigators began reaching and disciplin
The Word Hand

redpajama_set_name: RedPajamaCommonCrawl


2nd Madrid Shoulder Course is organized by Torrespardo and will be held during Oct 18 - 20, 2018 at Madrid, Spain.
• A Comprehensive Approach to Shoulder Problems: Trauma, Arthroplasty & Arthroscopy.
• Latest Developments in Surgical Techniques.


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In some circumstances, Sri Venkateswara Natya Mandali (Surabhi) may request for some personal information from you, like your name, e-mail address, company name, or telephone number. You are at liberty to respond or not to respond to these inquiries and any and all information provided is strictly voluntary. In general, you can visit our site without disclosing any personal information.
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The Beug Foundation announced CRG group leader Salvador Aznar-Benitah as 2013 winner of the Metastasis Research Prize. The Prize is meant to facilitate the implementation of novel, original approaches to combat cancer metastasis. It is awarded to scientists that convincingly present an original project on cancer metastasis research. Through this prize, the foundation offers a financial seed to obtain the first preliminary data and/or set up the collaborations that are required to convince funding institutions or pharma-industry to further support this project thereby bringing novel initiatives one step closer to the aim to combat cancer metastasis.
The selection committee highlighted his project for being "highly original, innovative and scientifically exciting". They also recognized his excellent expertise to successfully conduct this research project, which will be used for pillar experiments to prepare a large grant application.
The Award ceremony will be on the Nature-CNIO Cancer Symposium "Frontiers in Tumor Heterogeneity and Plasticity" in Madrid on October 28, 2013.


The first semi-annual Drawger Design Awards do not include a buffet lunch, no key note speaker and have no legitimacy what-so-ever as they are based completely on what I think is nifty. For best use of Drawgers clunky and remarkably confusing interface, the top award goes to David Flaherty for his super smooth header.
A close second, receiving nothing what-so-ever except big props and insane jealousy from me is Susan Crawford for her deft melding of background color and banner.
For best use of a frustrating and madly confusing color picker, loud applause and admiration to new-comer Marc Burckardt for the enviable eye candy.
The semi-annual Drawger Design Awards are based on nothing at all except what I personally think is groovy. Anyone who thinks they have been left out, passed over, or unjustly ignored can file complaints in the circular file.
WE ARE WORTHY! WE ARE DRAWGER!!


text:
Home › News › Moscow, Russia: Film Fest Shows Outdoor Movies Around City
Moscow, Russia: Film Fest Shows Outdoor Movies Around City
por Nicholas Bazanov 16 de abril de 2010
The organizers of an international film festival in Russia's second city of St. Petersburg aim to create an alternative to the "pit bull fight" that surrounds the prestigious Cannes film festival, a popular Russian daily said on Wednesday.
"The Cannes festival reminds me of a pit bull fight. It's a dog-eat-dog tussle for influence in the movie industry, and for the vast sums of money that circulate there. Russian movies are almost barred from such events," filmmaker Alexei German, who chairs the St. Petersburg International Film Forum, told the Nezavisimaya Gazeta daily.
This year's Cannes Film Festival opens on May 12, a week after the new St. Petersburg festival closes, and the city's deputy governor said neither could be moved.
"That is why we will fight to gather the best of global cinema in the city. I'm sure we will succeed in the near future," Alla Manilova said.
The first St. Petersburg international film festival is scheduled for May 2-5, and will be devoted to the 65th anniversary of the defeat of Nazi Germany in World War II.
It will feature over 100 movies about war, including films by Russian directors Alexei Uchitel, Alexander Sokurov, Sergei Loznitsa, Mikhail Romm and German himself, as well as Germany's Florian Gallenberger and Poland's Andrzei Waida.
The movies will be shown at numerous locations around the city, including free open-air screens to be erected at St. Petersburg landmarks.
The city's culture committee hopes the festival will make St. Petersburg one of the global cinema capitals, such as Venice, Berlin, Edinburgh and Cannes.
"I fully support this idea, St. Petersburg will become a center of international filmmaking," committee chairman Anton Gubankov said.
During St. Petersburg's "White Nights" season later in the summer, the city will host its 18th annual Festival of Festivals International Film Festival, which it bills as "Russia's largest non-competitive festival of recent outstanding works of International and Russian cinema."
Source-http://en.rian.ru/culture/20100414/158580243.html


As we all know, trying to hold life together in the first few months is tough. Sleep deprivation for a baby who cat naps instead of sleeping, who feeds every two hours like clock work, the purple crying (a post for another day) and the fact baby only wants Mama's love. How lovely you say? Yes it is lovely to cuddle and gorgeous when the giggles come but you're body is no longer you're own.
Fighting with the middle child constantly over stupid things, like why she has to wear clothes to school, eat apples and flush toilets whilst I leak from every crevice.
Trying to be supportive and pretend the redhead has improved on the recorder – pushing that she sticks to singing (or reading). Oh and the Dog… Don't get me started on her flaws! A Husband (who is helpful) is away each week and when he is here he is on a fitness buzz (to climb Kilimanjaro) so I'm being supportive and hiding the fact I eat a minimum of 2 timeout bars a day and when I say eat I mean inhale!
Mamahood is a mental rollercoaster ride! To the point you think you are going to have a break down and then they smile!? Or you go to bed and in the hour you get to sleep you dream about leaving them in a car and feel so awful (mama guilt again) that you wake up sweating and cuddle them for the next hour before they feed!
Extremely #blessed for my kids but Anxiety and Mama Guilt can be a dangerous thing!


The President of Austria, Alexander Van der Bellen called on Europe "not to dance to the tune" of head of the White House Donald Trump, if we are talking about issues on which the positions of the EU and the US diverge. He said this in an interview with Welt.
The same concerns, the President of Austria noted, and many other issues.
Recall that in January, the US Ambassador to Germany sent a letter to a number of German companies, in which he said that participation in the project of the gas pipeline from Russia to Germany on the bottom of the Baltic Sea "Nord stream-2" is fraught with sanctions.


Michael, I can't take my eyes off from you. I can't be sated with you. I want 당신 so much. My 사랑 to 당신 makes me suffer and at the same time I am satisfied with loving you. I am watching the court and I can't believe that it's all about you, my dear my Michael, my lover. For me 당신 are real, 당신 exist, 당신 continue living and my 심장 is open for you. How much I wanna hug 당신 and 키스 you. I still feel your smell, your touch, your presence. 당신 are much 더 많이 close to me then even before. Our affinity still lasts and I am pleased.
I am watching This is it. 당신 are onstage and I am thinking that if we had a chance to meet, 당신 would be attracted to me immediately. Maybe it sounds a bit arrogant but I know for sure 당신 wouldn't miss me. 당신 were definitely my man. I even draw in my imagination the passion that would grow between us. I imagine the way 당신 would look at me and behave with me. It would be the most wonderful interaction. I feel it. This is our bond - I am sending 당신 my 사랑 to 당신 through the screen and get possible 사랑 from it, from you. I 사랑 you. I think I could save you, darling.
Michael, I cannot get over you. 당신 are not the man that possible to get over at all. I got so close to 당신 for the last two years. I have literally lived with 당신 sharing your events, your joy and sorrows and showing to 당신 my excitement, my admiration and my tears. 당신 became another part of me. 당신 got under my skin so I merged with 당신 and I cannot live already without feeling 당신 in me. It happens that I don't sense 우주 and time between us, everything fades away, and only 당신 and I exist in the entire world. It seems that I am reaching 당신 and I am able even to feel the warmth of your body. I devote my thoughts, my poems to 당신 without getting your reaction back. But anyway, I feel our intimate connection. Everywhere I go, everything I do I still feel the presence of you. 당신 seem to me the only one man I could live with and couldn't do without. No matter how worn out I am, since 당신 are with me my spirit lifts up easily. I 사랑 you.
I am very sorry that we didn't have a chance to meet, my dear Michael. 당신 were definitely my man. I can see myself in you. 당신 are my reflection. I wonder how much we look alike in many things we do 또는 we think. My darling, it just hurts me to conceive that it's too late even to hope for our meeting. Why have I found 당신 so late? How could I leave my dream to meet 당신 one 일 that I had when I was a child, forget about 당신 and missed all your life until that horrible June in 2009? And now my mind is full of thoughts of you: every minute, every second. Strange, I have never felt somebody closer to me than you, in spite of we are tremendously far from each other now and we were before in fact. Please, whatever happens, don't go off my hand. I need 당신 and 사랑 당신 very much so, my dear Michael, my baby. And I know 당신 are always for me. 당신 are inside me, deep in my heart, in my soul and that place is only yours. Nobody can replace you. 당신 are my absolutely special secret life I am living along with my other life but both of them I live in different levels. 당신 are my greatest inspiration, my thrilling discovery and my strongest pain.
Michael,you are my sweet 심장 soft and beautiful. It's hard to tell how much i really 사랑 당신 baby. My 심장 is for 당신 to keep. 당신 are my 심장 and soul. when im alone all i can think about is you. I cant take me 사랑 ooh noo. when i look in your eyes i see god inside you.
I touch your soft, smooth, warm skin. My fingers tingle, my 심장 skips a beat. You're blissfully asleep. Your beautiful face arest and calm. Gourgous 초콜릿 cloloured, almond-shaped eyes closed. Full, 베개 lips silghtly opened, breathing quiet breaths. Your cute, silky black curls fall to the side and infront of 당신 앤젤 face.
I wonder what 당신 dream about... Songs, world peace.. all of these beautiful things.
당신 do a deep sigh, slightly making me jump. You're an angel. I trace your perfect jawline. I wonder if 당신 can feel my gentle touches? If 당신 can, do 당신 like it? I gently 옮기기 your hair from your face and behind your ear.
Suddenly, 당신 옮기기 and your big, warm arms 덮개, 랩 around me. Your scent is deliciously intoxicating. Your body is so warm. ... I'm in Heaven. My 심장 is racing. Your heartbeat is musical.
I really wish we could be together. I just want to be able to 키스 your lips. To maybe just 키스 your cheek. And to feel your lips on mine. In just three years... We could be together.
Then you'd give me that Smile... The one that shows your pearly white teeth in contrast with your scruptious mocha skin... 당신 look really good dressed in white, did 당신 know that? It's Heavenly. Maybe you're waiting for me, in that white suit and a 상단, 맨 위로 hat... When I get 집 (to Paradise) I'll look around and you'll say, like in that Pepsi commercial, "You looking for me?"
Michael, I'm addicted to you. 당신 Rock My World. 당신 Are My Life. 당신 make me Smile.
I want to run my finger through your soft, silky curls. I want to see the world in your eyes. I want to feel your 심장 beat. (It must be musical...) I want to feel your breath on my neck. I want to make 당신 feel good.
Will 당신 Be My Valentine?
"It's beautiful, isn't it?" Michael sits in the 잔디 다음 to me. Oh my God, nothing is as beautiful as him... His jheri curls are in a ponytail with some curls hanging in front of his face. He's glowing. I can feel myself get Butterflies.
"Amazing," I reply with a nod of my head, talking 더 많이 about him than the stars. His amazing almond-shaped 초콜릿 brown eyes flick from the stars to me. I shiver.
"You cold?" he asks, scooting up to me, his cinnamion scent flooding my nose, and 나비 filling my stomach as he puts his arm around me.
He does this adorable giggle and squeezes me to him, then sings, "And I will keep 당신 warm... Through the shadows of the night..." then giggles again.
So, Annie Are 당신 OK?
So, Annie Are 당신 Ok, Are 당신 Ok, Annie?
Visitors: 106194 visitors have hited Dirty Diana Lyrics since June 03, 2010.
"I 사랑 you, liberian girl"
Get Your Ticket Right . . .
The Way 당신 Make Me feel Lyrics!
또는 Let It Be . . .
Good 프렌즈 . . .
Just Good 프렌즈 . . .
And She Says "Do 당신 사랑 Me?"
And She Says, "Do 당신 사랑 Me?"


A written or printed communication, generally longer and more formal than a note.
The literal meaning of something, as distinguished from its intended and remoter meaning (often contrasted with "the spirit").
(US) NU A size of paper, 8½ in × 11 in (215.9 mm × 279.4 mm, US paper sizes rounded to the nearest 5 mm).
(Canada) NU A size of paper, 215 mm × 280 mm.
(US, scholastic) Short for varsity letter.
(printing, dated) A single type; type, collectively; a style of type.
(archaic) One who retards or hinders.
VT to print, inscribe, or paint letters on something.
VI (US, scholastic) To earn a varsity letter (award).
muddle up the letters in the word, and try to make new ones.
Has your girlfriend written you a letter yet? She's quite a writer!
Letters of the alphabet are the figurae that comprise a written word.
My correspondent apologized for not answering my letter.
Meaning of letter for the defined word.
문법적으로, 이 워드 "letter" 는 형태소, 좀 더 구체적으로, 접미사. 그것은 또한 명사, 좀 더 구체적으로, 셀 수 있는 명사 및 단수로만 사용하는 명사. 그것은 또한 동사, 좀 더 구체적으로, 자동사 및 타동사.


text:
Q: what the conversion is applied in the expression (double to int) there is an expression (as a part of median calculation):
auto iter1 = std::next(first, floor(size/2) - 1 );
double result  = *iter1 + *(iter1 + 1)) / 2;

where the type of the value under iterators is int.
expected result e.g.:

1.5 = (1 + 2 ) / 2

however , in case of values 1 and 2 the result is 1, looks like implicit conversion to int
please explain, what the rule (or my misunderstanding?) is applied here

A: In your second expression double result  = *iter1 + *(iter1 + 1)) / 2;: as per operator precedence, the evaluation of *(iter1 + 1)) / 2 is done first; and since the operands of the / operator are both ints, the sub-expression will result in integer division. The result of the integer division is then added to *iter1.

there is an expression (as a part of median calculation):
double result  = *iter1 + *(iter1 + 1)) / 2;

Since the common type of the expression in the right hand side is an int. No conversion is done. Having at least one double will fix you problem. (Also note the parenthesis I added to fit your example).
double result  = (*iter1 + static_cast<double>(*(iter1 + 1))) / 2.0;

redpajama_set_name: RedPajamaStackExchange


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Care2 Causes | Chile Passes Historic Trans Rights Law!
Chile Passes Historic Trans Rights Law!
After a five year battle Chile's lawmakers have finally succeeded in passing a gender affirmation law that will allow young trans people to officially change their genders.
Voting 95-46 in favor, Chile's lower chamber of Congress approved the law which will allow people over the age of 14 to apply to have their gender markers and names changed via a simple, official process. The change does not hinge on whether someone has gone through surgical procedures, thereby demedicalizing trans identity.
Activists have worked tirelessly to get this passed since the legislation was first introduced in 2013.
Congrats and kudos to so many amazing activists who worked so hard to improve #trans right.
"We are in the presence of a historic event, which we celebrate with great emotion and joy because it will improve the quality of life of thousands of people who have had their dignity and rights postponed only because of prejudices in relation to gender identity," Alvaro Troncoso, head of Chile's Movement of Homosexual Integration and Liberation, is quoted as saying.
Other activists praised the law but described the moment as bittersweet, because in order to get the bill through Congress, the legislation had to go through a number of compromises.
One such compromise is that the legislation only applies to children over the age of 14. Many people begin to experience gender dysphoria or gender incongruence far earlier, and research shows that their gender identity will remain consistent. For those young people this legislation cannot provide help, and that must change, say activists.
But, for now, the legislation stands as a landmark for Chile's latest slew of progressive reforms. It is not out of danger yet, however.
Center-right President Sebastian Pinera must now accept or reject the law within the next 30 days. Pinera spoke out during the presidential elections last year against laws he said allow minors to change their gender "like a shirt" with no oversight from their parents.
While this would seem to signal Pinera is against the bill, he has also previously stated he would not discriminate against LGBT persons.
It's also worth adding that a previous incarnation of the bill would have allowed persons under the age of 14 to affirm their gender. This clause was removed from the finalized version of the legislation, while children aged 14-18 must first seek permission from their caregiver(s) and will need approval from a family court judge. While this is problematic for a number of reasons, not least of which the caregiver may stand in the way of a child's affirmation, this does apparently answer Mr Pinera's ill-informed concerns.
Activists are quietly optimistic that Pinera will allow the law to stand. The greater challenge now is that right-wing legislators are already reportedly preparing a case to challenge the law via the Constitutional Court.
Unlike in the US, where the courts act as a check on the legislative and presidential branches of government, Chile's Constitutional Court is capable of modifying legislation. Right wing legislators are said to be building a case that the legislation harms the rights of children — though how it does so is unclear.
Chile's Constitutional Court has, however, appeared to lean toward progressive causes in recent years and it would seem that pro-LGBT groups have solid footing for defending the law. If anything, they may wish to argue that the legislation actually discriminates against children younger than 14 and will need to be modified accordingly.
These are not insurmountable hurdles for Chile's new gender identity law. While imperfect, it's undeniable that this legislation is a solid step toward a better future for Chile's trans population and its trans youth, who deserve the right to live their lives affirmed in who they are.
Congratulations to Chile on this important human rights victory!
Kudos, indeed! Sensible, compassionate and just RIGHT! If we weren't strangled by a very small group of religious nut cases....we could enforce laws like these.


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Track Saw vs Table Saw: Which One to Choose?
Track saw or table saw? This is not always an easy question to answer, especially when you're shopping online. While there is a lot of overlap between these two tools, there are some fundamental differences you should consider when shopping so that you get the kind of tool that best suits your needs.
Track saws feature a saw much like a circular saw but designed to run down a track. The first benefit of this is that you ensure you get a perfectly straight cut—no more trying to follow a penciled-on line freehand. The second benefit is that the wood doesn't have to move while you make the cut, meaning that many people will feel more in control of the cut.
Table saws work by running the wood past a stationary blade that emerges from a table. Instead of moving the blade, you move the wood past the blade. This means that you're not limited by the length of the track, as you would be with a track saw. It also works better for cutting lumber, since you don't have to set up a track to do a short cut.
Where these machines differ is where they excel at making cuts. Track saws are generally better for making cuts that are along the outside of a sheet of plywood because the weight will be focused on the outside of the board. If you try to cut down the center, first you have to come up with some kind of support system that allows your blade to run free underneath, and second, the weight is going to be concentrated in the middle, and you run the risk of pinching the blade between the two halves of the board.
Table saws are great for making cuts down the center of plywood boards or lumber, as you can put pressure on the outside of the board as you move it across the blade. In fact, it's the only way to use that kind of machine. If you're making a cut close to the outside of a plywood sheet on a table saw, odds are you'll need to go extra slowly to get a good, straight cut. Those kinds of cuts would be easier on a track saw.
Overall, it's important to note where the majority of your cuts are taking place. If you aren't sure, then the table saw is generally a safer bet, as it is good for more kinds of general cuts.
The Makita SP6000J1 is our favorite track saw. Featuring a powerful 12-Amp motor, it will cut through even the hardest woods with ease. Other models with this much power might have trouble with lighter woods, and end up going too fast, but this track saw comes with electronic speed control, which keeps things running smoothly.
It can cut up to 2-3/16" deep at 90 degrees, but also comes with the ability to cut at angles up to 48 degrees, where it can cut up to a depth of 1-9/16". It also features depth adjustment, allowing you to do preliminary or partial cuts. The guardrail is 55" long, giving you the length you'll need for most projects.
Most people aren't going to be doing angled cuts on this saw, but if you are, be aware that you may need to double check the angles, as they may not be calibrated straight from the factory.
The WEN 36055 is our choice for best for the money. It features a good motor that provides 9 amps of current, which isn't as strong as the previous model, but still respectable. Though it has a weaker motor, it can cut just a bit deeper at angles than the previous model, 2-5/32" at 90 degrees, but 1-5/8" at 45 degrees. It comes with two 27.5" tracks which can be used together to create a 55" rail. One downside to this model is that it comes with one track connector, and many people feel more secure when using two.
One of the best things about this model is that it comes with 1 ½" dust port capable of rotating 360 degrees, which means you can hook it up to a 1 ½" tube leading to a shop vac. This makes cleaning up far easier and can save you a lot of time. The one downside is that dust that doesn't get picked up has a habit of ending up down in your track, which can be a pain. Overall, this model provides good power and a ton of features that you would only expect in more expensive units.
The Shop Fox W1819 is our top choice. It features a 3-hp motor that is powerful enough to tear through any project. Not only is it powerful, but it's also safe. A clear polycarbonate guard allows you to see the blade throughout the cut, and a riving knife prevents kickback that's a common source of injury. It's always nice to have a powerful saw. It's even better to have one that's powerful and safe.
If you have to assemble this machine alone, don't worry. It's easy-to-assemble right out of the box, even for one person. The dust port also works well, funneling most of the dust away from the working area.
The one downside is the poor-quality miter gauge. Cheap miter gauges are common, but it would have been nice to get a better one. That being said, most people end up upgrading theirs anyway. Overall, this is one of the best table saws on the market.
The DEWALT DWE7491RS is our choice for best for the money. This is a saw designed with construction work in mind, which means that it's extremely portable. If you're looking for something to sit in one place in your shop, this model will work fine; it's just that you're missing out on its best feature. It comes with a rolling stand which makes it easy to move around and features extendable legs so that you never have to use it on the ground.
Given how easy it is to move, it's a bit surprising how powerful the unit is. The 15-amp motor is strong enough to complete any job. The dust port is also up to the task and is especially good for when you end up working inside.
The table is a bit below-average in size, but it features an expanding rack and pinion miter gauge system that allows for rips up to 32½". Some people will end up upgrading the miter gauge, as it is lower-quality than many would like. Despite this, you'd be hard-pressed to find a better, more portable, table saw than this one.
The Makita SP6000J1 is our favorite track saw, featuring the most power, electronic speed control, a great track, and high-quality depth adjustment. The WEN 36055 is the best for the money, possessing good power and a great dust port at a fantastic price. The Shop Fox W1819 is our top choice for table saw, due to its power, ease of assembly, great dust port, and excellent safety features. The DEWALT DWE7491RS is the best table saw for the money, in large part due to its unparalleled portability.
Hopefully, we've helped you figure out whether you need a table saw, or a track saw. It's not always easy to shop for tools online, but we've done the hard work for you so that you can buy the tool you need with confidence.


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Right to Health Socio-Economic Rights India
New Legislation Promoting the Right to Health in Karnataka, India
by Jehosh Paul | Jun 29, 2018
About Jehosh Paul
Jehosh Paul is an undergraduate student at School of Law, CHRIST (Deemed to be University). He is a former fellow at Centre for Civil Society, Delhi. He has also worked for Prof. M V Rajeev Gowda, Member of Parliament (Rajya Sabha) as a Research Aide.
Jehosh Paul, "New Legislation Promoting the Right to Health in Karnataka, India" (OxHRH Blog, 29 June 2018)<https://ohrh.law.ox.ac.uk/new-legislation-promoting-the-right-to-health-in-karnataka-india> [Date of Access]
After a long standoff between private doctors and the Government of Karnataka, India, The Karnataka Medical Establishment (Amendment) Bill, 2017 was passed to amend The Karnataka Medical Establishment Act, 2007 which had failed to secure the right to healthcare.
The private healthcare sector in Karnataka lacked any regulation to ensure the minimum standards required of a private medical establishment in terms of its infrastructure and there was no uniform way of charging patients. This led to a situation where many people were unable to afford the cost of private healthcare and had lost confidence in the healthcare system as a whole.
Thus the passing of the Karnataka Medical Establishment (Amendment) Act, 2017 (the KMPE Act) which is aimed at bringing in accountability and transparency in private medical establishments and upholding the right to health which is enshrined in the Directive Principles of the State Policy in Part IV of the Indian Constitution. The KMPE Act was passed in the light of Article 47 of the Indian Constitution and to give effect to international conventions such as – Article 25 of the Universal Declaration of Human Rights , Article 12 of the International Covenant on Economic, Social and Cultural Rights , and the Declaration of the Alma-Ata which creates an obligation on the state to raise the level of nutrition and standard of living of persons as well as to improve public health.
The KPME Act has brought a number of important reforms to healthcare in India. Firstly, patients who need emergency medical care cannot be denied admission to a private hospital, only patients in a stable condition can be asked if they can afford further treatment or whether they wish to go to another hospital. In a case where the patient is not able to meet the expenses incurred during the emergency treatment, the government will reimburse the cost borne by the private hospital.
Secondly, it was a practise by private hospitals to not release the bodies of deceased patients until the cost incurred for treatment was paid. The KPME Act overcomes this inhuman practise by entitling the private medical establishments to reimbursement for the costs incurred in treating the patient from the government of Karnataka. This allows for the release of the body of the deceased even when the claimants to the body are not able to pay the hospital bill.
Thirdly, the KPME Act sets price caps on the fees charged by private medical establishments. This was introduced because under the old Act, private medical establishments could charge their patients what they wanted, there was no mechanism to ensure transparency and uniformity in price. This provision brings accountability to healthcare services and will in turn increase the faith of the people in the healthcare system.
Lastly, the KPME Act also provides for the setting up of a District or Metropolitan Grievance Redressal Committee (with representation from private medical establishments). This committee can be approached if a patient feels that they have been cheated by a private healthcare establishment. Medical establishments found guilty of not complying with the Act could face legal consequences which include stringent penalties up to 10 lakh rupees.
By bringing in the much needed regulations in the private healthcare sector and simultaneously taking the obligation to pay private medical establishments for the cost of care to poor patients, the KPME Act provides for the creation of a win-win situation between the medical establishments and the patients because the needs of the patients are catered for and the medical establishments will recover the cost of care from the government, thereby upholding the right to health as an important human right.
Right to Health Socio-Economic Rights
Meghanath Abraham Belly	on July 25, 2018 at 6:37 pm
Nice chintu… wonderful
Indian Supreme Court Upholds Reasonable Accommodation for Persons with Disabilities
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Right to Education & Emergence of a Digital Divide in Digital India
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By an interim order, a three judge bench of the Indian Supreme Court has stayed the ban imposed on the exhibition ...


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Q: NPCs not moving in in Terraria iOS, despite all room conditions being met Now I have been on plenty of websites but none seem to answer my problem, my NPCs won't move in, I have my layout identical each side but the right side of my house the NPCs won't movie in... I've checked that it's not day, the NPC is requesting to settle down, I am not being invaded so what is it?

A: If they won't move in on one side of the house, and it is identical-on the interior-to a side they will move in on then the answer is almost certainly that the corruption(or crimson) is too close to that side of the house. This can be fixed by removing corrupted tiles, or by moving the house further away.
Or I suppose you could plant a whole bunch (potentially hundreds) of sunflowers next to the house.


Selective Listing: There are too many lousy Elton John collections in print.
This, and the Anthology listed next, are the best Elton John in print. Most, but not all songs, have melody in the keyboard part, so overall the songs can be played as piano solos. But, not all! This type of uneven format is indicative of all Elton John, originally published in and licensed from England, and they do an overall sloppy, inconsistent job. Level ranges from easy to lower advanced, again, inconsistent. All lyrics are provided of course, as well as chord symbols and guitar fretboards above the staff.
Although this collection is below the current standards from most publishers, it is still the best in print for Elton John. Some of the very worst popular music arrangements I have seen in print, are by the hacks that churn out the Elton John songbooks (contracted at the cheapest price, no doubt)! Inexcusable, in that Elton John is certainly one of the greatest singer/composers of the rock era.
Recommend, but with some serious reservations, and you really don't have any other choice if you want these songs. . .
The Anthology is not particularly comprehensive. Matter of fact, there is considerable overlap in contents with the "To Be Continued..." collection above (obvious marketing technique -- obtain publishing rights for a group of songs, shuffle them into two collections with lots of overlap). Similar uneven format as "To Be Continued" above, but again, is the most comprehensive EJ you can get.
As to why "Lucy in the Sky" is in both of these collections, is beyond me. . . This was a cover record by Elton John, and certainly the producers could have chosen an actual Elton John song from the dozens and dozens that are for some reason not in print!!
As with the To Be Continued... above, marginal recommendation for these collections. And unfortunately, there are none better.
Same arrangements as in the above collections, at a better price. Level ranges between easy piano to lower advanced (or perhaps intermediate on steroids). Consistency between songs is as above, marginal (different size music fonts, good clarity on some songs, blurry on others). Some very good arrangements included, but a few lemons to be sure.
This is a good collection!
Consistency is even pretty much throughout, all songs contain complete lyrics as well as chord symbols above the staff. Level is on the easier side of Easy Piano, in that the left hand is fairly transparent (linear). Recommend.
A very good collection, for the intermediate level and above pianist.
This is THE collection to get, if you want to be able to play an Elton John song, and have it sound like it was made for piano solo. Note there are no lyrics in this collection, it's all for piano solo. Recommend.
Exact notes Elton John plays, but when he provides light accompaniment to a solo, this is notated as well! This is an excellent source for his exact notes, but does not work well if you are looking for his music arranged for piano solo. There is a piano solo collection listed above that works better, in my opinion.
But again, if you want to be able to play exactly what Elton John plays, this is the collection that will give you that kind of depth.
The two volumes in this boxed set are not published separately. This is the most authoritative and comprehensive collection of songs in print for Elton John.


This is a mirror. The main file can be found on Nexusmods. Updates will be found, and feedback should be directed, there.
This mod modifies the Mandalorian Armors found in KotOR, and fixes a few of the issues present. Most of these items were cut from the game, and this mod makes no attempt to restore them, however any mod that does will benefit from these fixes. There are 3 files in this mod, and each fixes a seperate issue.
First, the icon for Mandalorian Armor (cut from the game), doesn't resemble the armor at all. It looks like a modified version of Cassus Fett's armor, but the armor doesn't look like Cassus Fett's. It is also a Class 9 style armor icon (i.e. 9 defense, 0 dex bonus), but the Mandalorian Armor is a Class 8 armor (i.e. 8 defense, 1 dex bonus). Class 8 armor icons lack the large shoulders of Class 9 icons.
The icon for Mandalorian Battle Armor (found in various parts of the game) is fine, and resembles the armor, however it is in the style of Class 8 armor, and features very limited shoulders. I have moved this icon to the Class 8 Mandalorian Armor, and made a new icon for the Class 9 Mandalorian Battle Armor. This new icon is a merged and color matched version of the old Mandalorian Battle Armor icon, and the yellow Mandalorian Heavy Armor icon.
Lastly, the Mandalorian Assault Armor (found on the unknown world) now uses its intended appearance (which it also uses in KotOR 2). Normally in the game it is a disguise item, which makes the player into a standard blue Mandalorian. This doesn't make any sense considering it is supposed to be reserved for elite troopers.
If you would like to see more, you can subscribe to my YouTube channel, or follow me on Twitch, where I play a variety of games and showcase a variety of mods.
If you want to discuss any of my work, or just want to hang out, you can join my Discord. If you want to directly contact me, my email address is darth@darthbdaman.com.


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Q: Is Gltf2 Animation supported in Forge Viewer? I've got a Gltf2 model which contains an animation (I checked on sandbox.babylonjs.com and I see the animation, so the gltf is ok). Is it possible to view the animation on the Viewer? I translated to SVF2 and loaded the model, but there is nothing referred to the animation...
Is there something more I should include in the translation or some option to use when creating the viewer?
Thanks for your help

A: glTF animations are not supported, no matter whether you're loading the glTF file into the viewer directly (https://forge.autodesk.com/blog/gltf-20-support-forge-viewer), or converting it to SVF or SVF2 first, as there hasn't been a demand for this feature.
As a potential workaround, you could try loading the glTF file using the standard three.js loader (which I'm guessing does support animations?) and place it inside a viewer overlay.


You're reading part 2 pf above mentioned tutorials: Here we are providing an input date in yyyy-MM-dd format and generating the previous days and next days date from it.
//split year, month and days from the date using StringBuffer.
// convert date present in the String to java.util.Date.
//get the next date in String.
//get the previous date in String.
//get the next date in java.util.Date.
//get the previous date in java.util.Date.


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Edwin Armando Valencia Rodríguez (La Florida, 29 maart 1985) - alias Edwin Valencia - is een Colombiaanse voetballer die bij voorkeur als middenvelder speelt. Hij verruilde in januari 2015 Fluminense FC voor Santos FC. Valencia debuteerde in 2006 in het Colombiaans voetbalelftal.

Clubcarrière
Valencia begon zijn carrière bij de jeugdopleiding van América de Cali. In 2003 kwam hij terecht bij het eerste elftal. Na drie jaar gespeeld te hebben voor América de Cali kreeg Valencia een transfer naar Clube Atlético Paranaense, samen met zijn landgenoot Julián Viáfara. Na een aantal seizoenen te hebben gespeeld in de Campeonato Paranaense, maakte Valencia in 2010 een transfer naar Fluminense.

Interlandcarrière
Valencia maakte deel uit van de Colombiaanse selectie die in 2005 deelnam aan het WK voetbal U20 in Nederland. Daar verloor de ploeg van bondscoach Eduardo Lara in de achtste finales van de latere kampioen Argentinië (2-1).

Erelijst

Atlético Paranaense
 Campeonato Paranaense: 2009

Fluminense
 Campeonato Brasileiro Série A: 2010, 2012
 Taça Guanabara: 2012
 Campeonato Carioca: 2012

Externe link
 Spelersprofiel op footballzz.co.uk

Colombiaans voetballer

redpajama_set_name: RedPajamaWikipedia


text:
Signs of the Recession
There are TV adverts about TV adverts.
"Boss Steve Ballmer admitted the firm had been forced to make the job cuts - the first in its history..."
They've killed off Encarta too...
(and Flight Simulator, alas)
Yeah, FS was killed off a while back. Nobody wants to make complicated games that require the player to read a manual when a sequence of quick-time events and regenerating-health battles on the XBox will sell so much better.
tlrmx.org
"forced to" is an odd choice of words. Microsoft management wanted to do this, and the recession provided an excuse.
Under normal circumstances "culling" the worst performers would be bad for employee morale (Microsoft employs people smart enough to know that they aren't all above average) and more importantly, it would send the wrong message to the stock market. But Microsoft's culture begs for culling. So given a chance, they're obviously going to take it.
Isn't thst more a sign of recursion??
Well yes, obv, but you wouldn't normally see TV adverts for TV advertising because the stations would have managed to sell all of their slots to genuine clients.
gothick_matt
Yes, the moving equivalent of the "BUS ADVERTISING WORKS" posters that I'm increasingly seeing replacing real adverts on the backs of the local buses...
jacint
And the "Advertise your jobs here" adverts taking up more space than job adverts in the Guardian technology section, of which there were only 2 this week...


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ENAIRE, internationally recognised with the Sustainability Award at the 2020 Maverick Awards
Friday, March 27, 2020 11:51 AM - Madrid, Spain.
ENAIRE, in collaboration with CRIDA, its innovation centre, was presented the International Sustainability Award at the 2020 Maverick Awards for an application that can be used to constantly monitor the direct routing authorised by controllers on air routes.
This recognition, announced in a press release from ATCA (Air Traffic Control Association) and CANSO (Civil Air Navigation Services Organisation), is part of the World ATM Congress, which was cancelled as a result of the COVID-19 pandemic.
The award recognises all those initiatives and organisations that are working to reduce environmental impacts and make significant contributions to improve air traffic management.
ENAIRE's commitment to sustainable mobility was recognised ahead of the more than 100 projects that were presented in this inaugural edition of the awards.
The winning project monitors the points of an airway where ENAIRE air controllers offer pilots the possibility of flying more direct routes.
This new application can be used to identify the points where that direct routing is offered and to calculate the distance saved compared to the route contained in the original flight plan. This method can also be used to calculate the atmospheric emissions prevented for each flight.
In 2018, this tool allowed airlines to save 7 million nautical miles thanks to the direct routing authorised in Spanish airspace, thus preventing the emission of 243,000 tonnes of CO2 into the atmosphere and saving fuel for the airlines.
By yielding information of which routes are typically subject to direct routing, this new monitoring method makes it easier to analyse and improve our network of air routes.
CRIDA, ENAIRE's innovation centre
CRIDA is a non-profit economic interest group, established by ENAIRE, the state-owned engineering company Ineco, and the Polytechnic University of Madrid (UPM), and its mission is to improve the efficiency and performance of the air traffic management system.
By developing R&D projects in close collaboration with ENAIRE, the senior partner, it helps to provide innovative solutions for safely developing quality air navigation services efficiently and sustainably.
Friday, March 27, 2020 11:51 AM
Maverick Awards 2020 International Sustainability Award ENAIRE


I bought this bike from an astute club member some 8 or 9 years ago in a sad state of repair & not really knowing what it was.
After doing a lot of research I found out that it was in fact a 1965 BSA Lightning Rocket which were only made in very small numbers for the US market only.
After a lot more research, I found that this bike came direct to the Australian distributors of BSA at the time which was Bennett & Wood in Sydney.
It still retains the original engine in the original frame after all these years. Apart from changing the original 6volt electrics to 12volt & putting and fitting a Boyer ignition the bike is as it left the UK on the 29/6/1965.
As you can imagine it was quite a job locating the correct parts to rebuild this bike, hence it took several years to complete.


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May 21, 2012 | The Jerusalem Post
Israel's Gay Rights Record Touted in NY
Benjamin Weinthal
The alumni association of Birthright Israel placed a mural in Manhattan's West Village neighborhood last week, which juxtaposed the rights of gays in Israel with criminal penalties for gays in such countries as Syria and Iran.
The mural, which appears on a wall in a parking lot in Greenwich Village, has unleashed a mixed set of views on contrasting Israel's record on gay rights with those of Muslim-majority countries that are violently hostile toward same-sex relations.
The mural was launched on Friday and shows the outlines of two men holding hands. It poses the question above the men: "Who would YOU want at your wedding?" The couple hold two balance scales. The pro-Israel scale contains a text saying "Same sex couples can legally adopt children, gay people serve openly in the military and government" and more than 10,000 attended the 2011 Tel Aviv Gay Pride Parade.
The scale for "Israel's neighbors," notes that Iran punishes homosexuality with death and same-sex relations are illegal in Syria. The text continues that "There is no pride parade in Egypt, Jordan or Gaza."
In an email to The Jerusalem Post on Sunday, Stuart Appelbaum, a leading gay rights activist in New York and head of the Jewish Labor Committee, wrote, "The mural is a visible reminder of the realities of life for members of the LGBT communities in the Middle East. Israel is unquestionably the most accepting society for LGBT people – both Arabs and Israelis – in the region. Israel-bashers who refuse to acknowledge this reality, resent the mural. The mural demonstrates that the truth can often get in the way of their opinions."
Yoav Sivan, an Israeli journalist living in New York who writes for the biweekly publication Gay City News, told the Post on Sunday, "Those behind the mural may have meant well, but they ended up belittling and patronizing Israel and Israeli activists.
Ambassador [to the US Michael] Oren got it right when he said that the comparison with Israel's neighbors is a very low bar. Next time choose a more challenging bar for us to aspire. That would show your respect to Israel."
According to the New York Times City Room blog last week, Keren Gelfand, senior press officer for the Israeli Consulate, confirmed to the Times "that all of the statements in the mural regarding gay rights in Israel were accurate.
Israel does not allow same-sex marriage, but it recognizes same-sex marriages performed abroad."
Jayson Littman, the founder of He'bro, an organization that promotes events for secular and cultural gay Jews in New York City, wrote the Post on Sunday," I applaud Birthright for bringing awareness to Israel's gay rights movement, but we must remember: Gay rights in Israel were fought and won in the Supreme Court by LGBT activists over the years. Rights were not given on a silver platter. Also, we must be more aware to compare Israel's progressiveness on gay rights to Western countries as Europe and the USA and not extreme regimes such as Iran or Syria. That is where the scale should be measured against."
The City Room Blog entry titled "A West Village Mural Weighs Gay Rights in the Middle East" quoted the Birthright Israel alumni community director, Rebecca Sugar, saying "Israel is often attacked and maligned for things that aren't true. There is only one country in the Middle East where you can live freely, as you are. The surrounding countries who accuse Israel of prejudice and bias are prejudiced and biased."
The Times cited Adem Carroll, a member of the Muslim American Civil Liberties Coalition for Truth and Justice, who slammed the mural as "blatantly divisive, opposing Israel against its neighbors in the region."
Meanwhile, Iran has stepped up its public executions of gay men over the past two months. According to media reports, one gay man was hanged in April and four men charged with sodomy are slated to be hanged. Last week, the British-based NGO Small Media released a report, "LGBT Republic of Iran: An Online Reality" The study reveals how the "repressive Iranian regime" uses the Internet to entrap LGBT Iranians.
Read in The Jerusalem Post
Iran Iran Human Rights Israel Syria


It's not just the prices that are getting bigger at theme parks. The names that parks choose for their new attractions are growing like the lines on a busy summer weekend.
Universal Orlando's Islands of Adventure theme park last week announced the name for its new Harry Potter-themed roller coaster. Take a breath before you try to say it: Hagrid's Magical Creatures Motorbike Adventure. Yet that mouthful of a name is still one character shorter than the name of the land where the new ride will be found: The Wizarding World of Harry Potter — Hogsmeade.
Universal really seems to like long names, having recently also announced the opening of two new hotels at its Florida resort: Universal's Endless Summer Resort — Surfside Inn and Suites and Universal's Endless Summer Resort — Dockside Inn and Suites. Please tell me that the front-desk clerks won't have to say the entire name when they welcome you. Theme park hotel check-in lines are long enough as it is.
Disney is not immune from name inflation, either. Not with attractions such as Pirates of the Caribbean: Battle of the Sunken Treasure at Shanghai Disneyland and The Muppets Present Great Moments in American History at Walt Disney World's Magic Kingdom. The longest Disney attraction name I could find came from the now-closed For the First Time in Forever: A Frozen Sing Along Celebration that once played at Disney California Adventure.
Many of these super names use colons to try to break up the long text strings, including California Adventure's Guardians of the Galaxy — Mission: Breakout!, which also throws in Disney's beloved exclamation point, which it has been appending to attraction names since Fantasmic! debuted in 1992.
Why are parks doing this? Like with most things these days, it's easy to blame the internet. Longer names allow theme parks to pack their new attractions' titles with popular keywords for search engine optimization, whilemaintaining a unique name that won't get lost among all the results for the movie the ride is based on.
Maybe long names help people find new rides and shows online, but they don't make it easy for fans to talk about them. That's why so many people in the fan community refer to theme park rides mostly with acronyms. That can lead to some awkward moments, though, such as when Disney named its spinner ride in Walt Disney World's new Toy Story Land … Alien Swirling Saucers.
Is there a limit to how long a theme park ride's name can be? I don't know. But at least while theme parks keep raise their prices, they will have the money to pay for longer and longer signs.


Whether you want to show your law enforcement pride at a tailgate, at the precinct or on your front stoop, this Thin Blue Line U.S. flag is a great way to do it. The American flag's traditional colors have been replaced with the black and blue of the Thin Blue Line, with the blue representing the officer and his or her courage to continue on against insurmountable odds. The black represents the fallen officers and commemorates their sacrifice. The flag measures 3 feet tall by 5 feet long, making it a perfect size to be noticed by passersby. Show your support and respect for the camaraderie and courage of officers by buying this flag as a gift or tribute. A portion of all proceeds go towards supporting law enforcement benefits organizations in the United States.


text:
Made for adventures: the Colorado Trail Boss
HAPPY TRAILS. The Chevrolet Colorado Trail Boss presents a tough exterior matched with a powerful engine that can conquer rough terrains. It is also equipped with the necessary tools for easy and efficient navigation, making this the perfect buddy on the road.
2HAPPY TRAILS. The Chevrolet Colorado Trail Boss presents a tough exterior matched with a powerful engine that can conquer rough terrains. It is also equipped with the necessary tools for easy and efficient navigation, making this the perfect buddy on the road.
IMPECCABLE style and unprecedented power come together in Chevrolet's latest iteration of the classic American truck: the all-new Colorado Trail Boss.
The new Chevrolet model was unveiled by The Covenant Car Company Inc. (TCCCI) for the first time on Sept. 13, 2019 during the opening of the 2019 Cebu Auto Show (CAS) at SM Seaside City Cebu's Sky Hall.
It's easy to think that the new Colorado Trail Boss can get by with looks alone—with its hip black and white colorway, slick grille and fender flares, cool decals on the tailgate and on the side, plus 18-inch alloy wheels—but once taken out for a spin, one will realize that there's more to it than just aesthetics.
Designed for adventure seekers, the Colorado Trail Boss is built to effortlessly conquer the roughest of terrains, as its name suggests. It is powered with a 2.8L DURAMAX direct-injection DOHC 4-cylinder, 16-valve diesel engine with Variable Geometry Turbocharger (VGT) and intercooler.
The vehicle is also equipped with smart features such as the Chevrolet MyLink Infotainment System so every drive is a smooth one. With Apple Carplay and Android Auto integration, one can access maps, play his favorite songs and even sync contacts and make hands-free calls by simply pairing a mobile phone with the system.
For safety features, the Colorado Trail Boss comes with Limited Slip Differential, Anti-lock Braking System, Electronic Brakeforce Distribution and Engine Immobilizer.
A purchase of the Chevrolet Colorado Trail Boss entitles owners access to Chevrolet's impressive after-sales services and warranties, which include a five-year warranty, a three-year bumper-to-bumper warranty coverage, 24/7 Chevrolet Emergency Roadside Support for three years (and renewable), and a 24/7 Customer Care Hotline.
In Cebu, Chevrolet has a dealership on M.C. Briones Street, Mandaue City. For more information on the Colorado Trail Boss, log on to www.chevrolet.com.ph. (Photos From The Internet / Chevrolet Philippines
Cebu CBCP issues special prayer for deliverance from coronavirus
Cebu Veterinary office to check markets for wildlife meat
Cebu Church convention eyes 5 environment concerns
Cebu 14 'pushers' nabbed at drug raids; Cebu PB commends Talisay cops
Cebu Anti-drug cop shot dead
Cebu Neda Board approves Cebu-Mactan 4th bridge
Cebu Police nab man for 'sextortion'
Cebu Villages comply with order to clear roads
Cebu Man stabbed to death by neighbor
Cebu Target other markets aside from Chinese, tourism sector told


From April 3 – May 28, receive a $400 bonus each time you sponsor two Gold Enrollments or above on EACH of your right and left legs (four total enrollments).* This is a great way to earn some extra cash, just for doing what you already do. So now's the time to ramp up your networking efforts and put some extra money in your pocket!
*No limit on Gold or above enrollments. All bonuses awarded within 30 days, following the end of this promotion. New Gold or above enrollments must occur during promotion qualifying period (April 2 – May 28). Promotion expires May 28 at 11:59 PDT.


text:
Per la critica dell'economia politica () è un saggio economico, anticipatore de Il Capitale, concernente l'analisi del capitalismo e della teoria quantitativa della moneta, scritto tra l'agosto 1857 e il giugno 1858 da Karl Marx e pubblicato nel 1859. Considerato, da alcuni studiosi, libro fondamentale per comprendere appieno l'idea della crisi strutturale del capitalismo.

Storia
Nell'agosto del 1857 Marx iniziò a sistematizzare il materiale ed a scrivere una grande opera economica. Marx elaborò il primo piano per quest'opera nell'agosto e settembre de 1857. Nei mesi successivi, Marx dettaglia il suo piano e nell'aprile 1858 decide che l'intera opera sarà composta da sei libri. Progettò di dedicare il 1o libro allo studio del capitale (l'autore, inoltre, avrebbe inserito alcuni capitoli introduttivi prima di presentare i problemi del capitale); il 2o libro sulla proprietà fondiaria, il 3o sullo studio del lavoro salariato, il 4o sullo stato, il 5o sul commercio internazionale e il 6o sul mercato mondiale. Si presumeva che il primo libro comprendesse quattro sezioni e il primo comprendesse tre capitoli: 1. valore, 2) denaro e 3) capitale.

Lavorando al primo libro, cioè al libro "On Capital", Marx dall'agosto 1857 al giugno 1858 scrisse un manoscritto di circa 50 fogli a stampa, pubblicato dopo la morte dell'autore in lingua tedesca con il titolo "Grundrisse der Kritik der politischen Ökonomie" noto in italiano come "Lineamenti fondamentali della critica dell'economia politica". In questo manoscritto, contenente un'introduzione generale, una sezione sulla moneta e una sezione molto più ampia sul capitale, Marx ha presentato i primi risultati dei suoi molti anni di ricerca economica, comprese le disposizioni principali della sua teoria del plusvalore. Il Grundrisse è, infatti, la prima versione incompiuta della prima parte dell'opera economica fondamentale concepita contemporaneamente da Marx.

All'inizio del 1858, Marx decise di iniziare a pubblicare la sua opera in edizioni separate. Dopo aver stretto un accordo preliminare con l'editore berlinese Franz Dunker, sta lavorando al primo numero.Tra l'agosto 1858 e il gennaio 1859 Marx ha rivisto il capitolo sul denaro, ha scritto un capitolo sulla merce, ha curato il testo finale di questo manoscritto e, dandogli il titolo "Per la critica dell'economia politica", l'ha inviato a un editore di Berlino il 26 gennaio 1859. Nel febbraio 1859 Marx inviò la prefazione all'editore e l'opera fu pubblicata nel giugno 1859.

Dopo il primo numero, Marx intendeva pubblicarne un secondo, affrontando il problema del capitale. Ulteriori ricerche, tuttavia, spinsero Marx a modificare il piano originale della sua grande opera. Il piano di sei libri è cambiato nel piano di quattro volumi del capitale. Pertanto, al posto della seconda e delle successive edizioni, Marx preparò "Il Capitale", in cui, in forma rivista, inserì anche alcune delle principali disposizioni del libro "Per la critica dell'economia politica".

Durante la vita di Marx, il libro "Per la critica dell'economia politica" non fu ripubblicato. L'eccezione era la prefazione, in forma ridotta pubblicata il 4 giugno 1859, anche sul quotidiano tedesco londinese Das Volk. Un estratto dalla seconda sezione del libro, dedicata alla critica della teoria utopica del denaro da lavoro, Engels includeva oltre alle edizioni tedesche del 1885 e del 1892 le opere di Marx "Miseria della filosofia".

Contenuto
Il tema in generale è sul valore delle merci nella sua duplice forma di rappresentazione del valore d'uso e del valore di scambio, lavoro concreto e astratto, tempo di lavoro come misura quantitativa del lavoro, denaro, metalli preziosi, circolazione, accumulazione, base e sovrastruttura, produzione e crisi commerciali.

In Per la critica dell'economia politica, Marx effettua un'analisi della merce, utilizzandola in seguito come strumento per spiegare il fenomeno della crisi strutturale del capitalismo. Tramite una trattazione rigorosa ed argomentata, il filosofo analizza il tema della produzione in relazione ai suoi effetti e alle sue contraddizioni.
I concetti esaminati in questo saggio si ritroveranno, con un'argomentazione più approfondita, nel terzo volume de "Il Capitale".

Marx descrive anche la concezione sbagliata delle condizioni economiche all'interno della società borghese e tra gli economisti borghesi:

Ci sono lievi differenze tra questo libro e la prima sezione de "Il Capitale": "Merce e denaro" che condensava i contenuti del contributo alla critica dell'economia politica.

Marx inizia parlando della differenza tra valore d'uso e valore di scambio, mentre "Il Capitale" parte dalla differenza tra valore d'uso e valore (sostanza di valore, grandezza di valore), e poi commenta lo scambio di valore.

Si tratta di differenza di ordine nell'esporre: in contribuzione la merce ha valore d'uso, e quando viene scambiata con altre merci o denaro, allora è all'interno dei rapporti di scambio e di conseguenza dei rapporti sociali. E all'interno della società le persone lavorano, e così nasce il valore-lavoro, che è più importante del valore d'uso e del valore di scambio. Questo perché il valore d'uso è determinato dall'utilità, e questo dipende da chi lo utilizzerà: per quella persona, solo quella merce ha quell'utilità, e quindi è insostituibile e unica, rendendo difficile il confronto con altre merci.

D'altra parte, il valore di scambio oscilla in ogni momento nel commercio, a seconda dell'offerta e della domanda, dell'equità o della contrattazione tra commercianti e consumatori. Ma in questo modo, se un venditore di attrezzi vende a caro prezzo, l'acquirente compra gli attrezzi a caro prezzo e con essi produce il suo aggeggio, che risulterà anche più costoso per via degli attrezzi costosi che ha comprato, e quindi chi compra l'aggeggio rivenderà anche il suo prodotto più costoso. o servizio, in modo che l'aumento di prezzo prima o poi colpisca colui che inizialmente ha alzato il prezzo degli strumenti. Pertanto, il valore di scambio è troppo volatile.

Per verificare il prezzo minimo per iniziare la vendita, o, dopo molte vendite e acquisti, per verificare che esista una media attorno alla quale oscillano i prezzi, è necessario un valore che non vari nonostante i prezzi nominali aumentino o scendano nei cambi, ma anche non così unico e difficile da confrontare come il valore d'uso.

I fisiocratici parlavano di valore che veniva dalla natura e quindi le merci valgono più o meno a seconda di quanto siano vicine o lontane dalla natura. Adam Smith e David Ricardo hanno già parlato del valore che viene dal lavoro, che è più appropriato per il capitalismo, e spiegano la generazione di valore anche all'interno di industrie che, dalla materia prima, trattano elementi lontani dalla natura. Ecco, dunque, il valore-lavoro, o semplicemente il valore del lavoro.

Forse è per sottolineare l'importanza del valore che nel "Il Capitale" ha iniziato con la differenza tra valore d'uso e valore, la sostanza di un prodotto come merce è nel suo valore, perché se si esclude il valore d'uso della merce, ciò che resta è il valore-lavoro, e un modo in cui questo valore si manifesta è attraverso il valore di scambio.

È interessante notare che il riassunto de "Il Capitale" di Carlo Cafiero, che è una sintesi scritta per essere più comprensibile, parte dal valore d'uso e dal valore di scambio, come in contributo.

Note

Voci correlate
 Il Capitale
 Lavoro salariato e capitale
 Caduta tendenziale del saggio di profitto
 Filosofia marxista

Altri progetti

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Home ► Publications ► Prescriber Update ► Past Issues
Revised: 6 December 2019
Past Issues of Prescriber Update
Previous issues of Prescriber Update available in PDF format (Acrobat Reader required for viewing):
Answers to the Prescriber Update Quiz - December 2019
Vol. 40. No. 3 - September 2019 (PDF 1.03 MB, 23 Pages)
Vol. 40. No. 2 - June 2019 (PDF 965 KB, 19 Pages)
Vol. 40. No. 1 - March 2019 (PDF 766 KB, 24 Pages)
Vol. 39. No. 4 - December 2018 (PDF 1.24 MB, 16 Pages)
Vol. 39 No. 3 - September 2018 (PDF 1.34 MB, 33 Pages)
Vol. 39 No. 2 - June 2018 (PDF 1165 KB, 16 Pages)
Vol. 39 No.1 - March 2018 (PDF 873 KB, 16 Pages)
Vol. 38 No. 4 - December 2017 (PDF 1.04 MB, 16 Pages)
Vol. 38 No. 3 - September 2017 (PDF 949 KB, 16 Pages)
Vol. 38 No. 2 - June 2017 (PDF 988 KB, 16 Pages)
Vol. 38 No. 1 - March 2017 (PDF 1.5 MB, 16 pages)
Vol. 37 No. 4 - December 2016 (PDF 889 KB, 16 pages)
Vol. 37 No. 1 - March 2016 (PDF 844 KB, 16 pages)
Vol. 36 No. 2 - June 2015 (PDF 1.25 MB, 16 pages)
Vol. 35 No. 2 - June 2014 (PDF 2.26 MB, 8 pages)
Vol. 35 No. 1 - March 2014 (PDF 4.35 MB, 16 pages)
Vol. 34 No. 2 - June 2013 (PDF 3.6 MB, 12 pages)
Vol. 31 No. 3 - September 2010 (PDF 114 KB, 8 pages)
Vol. 31 No. 1 - February 2010 (PDF 121 KB, 12 pages)
Vol. 30 No. 4 - November 2009 (PDF 88 KB, 8 pages)
Vol. 30 No. 3 - August 2009 (PDF 104 KB, 8 pages)
Vol. 30 No. 2 May 2009 (PDF 101 KB, 12 pages)
Vol. 30 No. 1 - February 2009 (PDF 319 KB, 8 pages)
Vol. 28 No. 1 - November 2007 (PDF 410 KB, 28 pages)
Vol. 25 No. 1 - May 2004 (PDF 210 KB, 20 pages)
Vol. 23 No. 2 - July 2002 (PDF 234 KB, 16 pages)
Vol. 23 No. 1 - April 2002 (PDF 196 KB, 20 pages)
No. 22 - October 2001 (PDF 250 KB, 31 pages)
No. 21 - June 2001 (PDF 299 KB, 47 pages)
No. 20 - February 2001 (PDf 361 KB, 63 pages)
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