With today's advanced medical technology, the life expectancy rate is higher than ever. Life expectancy would increase if the retirement age is fixed at the current age. In effect, there will be more people living on pension while there will be less workforce to offset the difference in income tax which increases the dependency ratio. Increased government spending on pensions and healthcare will result into debt. Higher tax rates will lose potential investors and discourage workforce productivity which leads to the decline in economic growth. Also, the shortage of workers will increase wages which will cause wage inflation. However, businesses linked to elderly such as retirement homes will see an increase of profits. On the other hand, one solution could be the increase of retirement age. Also, incentives such as lower tax rates on late retirement could be implemented.
Japan is suffering from the problem with an aging population due to low fertility rate and good healthcare. Low fertility rate is due to late marriages as more people are focusing on their careers. It is projected by 2060, 60% of Japan's population will be elderly people. Also, the demand for health care and pension are expected to increase which means that tax rates must also be increased. According to a demographic expert, the current pension and social security programs in Japan are not designed to meet ends with an aging population. The government has combated this situation by allowing more immigrants to work in Japan for jobs required for the aging population such as in healthcare. Japan's consumer spending GDP has also been stagnant for the past few months.
I believe the reason for the stagnant consumer spending is because of the elderly as they don't often shop. As a result, decreased spending will affect's Japan's GDP. This will also contribute to long term recessions as most of the money is stagnant in retirement funds. Also, the increased demand for healthcare and pension will cause Japan to increase in spending which will lower Japan's GDP. To combat Japan's flawed retirement funds, local 3rd party investment funds such as mutual and bonds should enter the market. These funds could be used to establish better healthcare facilities that are in need by the rising elderly population. The increase of skilled immigrants will keep the aging population down and maintain needs but it could also mean that Japan's money is going out of the country. This could contribute to a deficit in Japan's workforce trade. However, Japan could set up trade agreements such as workforce exchange for technology with other countries to maintain a healthy GDP.
As a result of increasing elderly population, Japan is set to decline from the world's 2nd largest economy in place for China. Since 2010, Japan's workforce will decline 1% for the next 30years. The national debt in Japan is already 200% of GDP as of 2004 and is projected to rise. European countries such as Italy (1.1birthrate), Bulgaria (1.2birthrate), Russia and Germany (1.35birthrate) are suffering from low fertility rates. It's predicted that the economic will shift from elder countries to emerging countries such as India and China.
As a result of Japan's declining workforce, the GDP is set to drop and the country's debt will increase. The increasing debt will even worse in the future because of the decreased workforce income tax. This will cause long term recessions. The problem of the elderly is also suffered by developed countries typically in Europe. This is due to the well-established healthcare and economic systems. This problem will contribute to the shrinkage of their economies. This will result in the economic growth shift to developing countries such as India and China. Unlike Japan and Europe, China is overpopulated. To combat the future elderly problem, China has acted by controlling birth rates in order to prevent overpopulation.
Canada's healthcare expenditure has been substantially increasing. By 2020, it's projected to cost CAD147billion which is an 83% increase from year 2000. As a result, Canada is one of the top spenders for healthcare on GDP. The majority of the spenders are the elderly. Due to the high demand of healthcare, Canada is currently facing a shortage of medical workers. It is also expected that Canada will have a shortage in other skilled workers. By 2050, it is predicted that the dependency ratio will increase to 4.4 workers for every 10 workers. Canadians are also investing more in risky investments such as stocks and mutual funds compared to 20 years ago. On the other hand, when baby boomers withdraw their pension funds, tax will be generated in the progress.
The increasing dependency ratio will be a complete burden to Canada's workforce, debt and GDP. To decrease the ratio, healthcare benefits should be reduced. This could allow the privatization of healthcare services which will generate income tax. However, there will be serious negative social outcomes. Canada's tax rates should be revised to compensate for the increased demand to prevent debt. In addition, the retirement fund programs should also be reviewed. To combat the lack of skilled workforce, Canada could loosen immigration laws or restrict early retirement age. On the other hand, the predicted tax generated from pension funds withdrawal could partially compensate for the increased expenditures. The decrease of younger population will be beneficial as expenditures on education will be reduced. Furthermore, the increase spending in retirement associated items such as retirement homes could generate more tax. In the long run, Canada could increase funding on medical advances to allow for cheaper and more sustainable healthcare alternatives. Also, the public should also be continually encouraged to invest in privately owned funds.
Europe and other developing countries are suffering for unanticipated changes in fertility rates and aging issues. As a result, the workforce has been decreased and is burdened with higher age dependency ratios. In effect, higher tax rates are required to sustain the increased demand. Predictions suggest living standards per capita in Japan, US and Europe will be on a decline over the next 50 years. Europe would suffer a 20% increase GDP debt in the next 50 years while Japan and US would suffer from 21.5% and 10%. It is also expected that workforce productivity rates will decline.
Generally, developed countries have higher elderly population as their healthcare systems have been established. Also, the lower fertility rates could be blamed on education as people are putting off marriages to a later age due to further studies. Another reason is the increased youth dependency ratio. Compared with 3rd world and certain developing countries, it is not sensible to reproduce as children are a liability instead of an asset. For example, children can be used as labor in farms while in developed countries, sending them to school requires cost and time. Also, many couples put off having children because of their demanding career. However, because of this short term microeconomics demands, the long term microeconomics will suffer. Developed countries debt rate are projected to rise, and workforce and productivity rates are set to decrease due to the decrease of income tax. To combat the low workforce rates, countries should invest in technology to increase work efficiency. This will also control wage inflation. Also, countries could encourage immigration to balance out the elderly.
To combat the issue of rising elderly population and low fertility rates, France has acted by increasing children incentives. This policy was launched in the 70s and also aims to keep more women in work. As a result, France has succeeded to be Europe's 2nd highest fertility rate with 1.9children per woman compared to Ireland's 1.4. Also, France has Europe's highest female employment rate. Incentives include 3 year paid parental leave, free full time preschool, subsidized day care, fixed wage for nannies, and monthly childcare allowances. In addition, middle class mothers could receive up to 1000 Euros for having a third child. That's almost like the minimum wage of 1200 Euros. This incentive policy is also seen in other European countries such as Germany cand UK but it's not as beneficial as France's. In the future, France plans to increase the grants to keep the birth and women employment rates healthy.
Due to France's low population rate, an incentive policy to keep fertility rates up is worth the high cost of expenditures. The costly benefits offered to women who work and reproduce is worth it as it keeps the workforce healthy and growing. As a result of increased income, the country's GDP growth rate would increase as more people are spending their money. That will lead to decreased country debt which means tax rates could be lower. Once the tax rates are lower, local and international investments will bloom which increases a country's GDP. Also, the extra money could be used to invest that will potentially improve a country's production cost and productivity efficiency. However, this is only sensible as a long term investment as if it is short termed, the country's GDP would be greatly affected. France's plan should be replicated in other underpopulated developing countries to prevent the grey problem.
Projection data says that ageing population in Australia is set to double in 40 years. Average work force age is expected to decline. The problems are blamed on low birth rates that unable to sustain the replacement rate. It is also blamed on longer life expectancy. Australia has addressed this issue by creating a program for young skilled immigrants to enter the country. This will relive with the growth of the workforce and the workforce's skill and productivity levels. However, this is not a viable solution as the immigrants will also age in the future which will force Australia to allow more immigrants in yearly to balance the deficit.
This inevitable issue of the grey population is affecting most industrialized countries. Apart from the decrease in workforce members and productivity and skill levels, low birth rates are unable to sustain the replacement rate. This would result into the drop of Australia's economy and wage inflation which could drive off potential global investors. Even worse, the wage in Australia is already higher than other countries. The effects of wage inflation are already seen with major automobile companies such as Ford moving away from local manufacturing to other developing countries such as Thailand. Again, the solution of young skilled immigration workforce would not be viable as it's a short term solution. To truly solve this unprecedented issue, Australia should follow France's footsteps of providing with children benefits.
The rising rate of the greying population in emerging countries are posing a problem as they are getting old before they get rich. It has created problems such as pension plans that are turning non-sustainable. In addition, developing countries tend to suffer more due to the majority in informal labour sector that salaries do not contribute to the country's pension plans. In a life cycle's perspective, the economic needs and income making vary over the course of life. Due to the increasing greying population, the elderly consumes more savings than generated during youth. This is critical as the country will result in slower growth compared to a country with more working youth people. This will also result into debt.
Again, increasing woman's participation in workforce by providing flexible working hours or government funded day care could increase workforce participation. Also, the government can reduce citizen's benefits or increase the tax to save costs. In contrast, a country without debt will likely experience reduced tax and more growth as it encourages business to invest. Thus, investments in technology will increase efficiency on the country's production possibilities frontier. Also, it will increase competition which is beneficial for the GDP growth. However, problems related to less income generated from the youth than used by the elderly could pose a serious problem. This will directly result in debt and could possibly start a long and painful recession. To only solution is to generate increased revenue. However, I believe developing countries that do not have established pension plans might not suffer as much as developed countries with high return pensions. Although we cannot learn about this problem from the past, we still can make long term decisions that will save us from unexpected economy situations in the future.
"Impact and Solutions to the Global Elderly Workforce." UKEssays.com. 11 2018. All Answers Ltd. 04 2019 <https://www.ukessays.com/essays/employment/impact-solutions-global-elderly-9891.php?vref=1>.
"Impact and Solutions to the Global Elderly Workforce." All Answers Ltd. ukessays.com, November 2018. Web. 23 April 2019. <https://www.ukessays.com/essays/employment/impact-solutions-global-elderly-9891.php?vref=1>.
UKEssays. November 2018. Impact and Solutions to the Global Elderly Workforce. [online]. Available from: https://www.ukessays.com/essays/employment/impact-solutions-global-elderly-9891.php?vref=1 [Accessed 23 April 2019].
UKEssays. Impact and Solutions to the Global Elderly Workforce [Internet]. November 2018. [Accessed 23 April 2019]; Available from: https://www.ukessays.com/essays/employment/impact-solutions-global-elderly-9891.php?vref=1.


The .NU Top-Level Domain was initially assigned to the Pacific island country of Niue. On account of the phonetic resemblance with the word 'new', .NU is being used by a large number of website owners around the world. It is available for registration to everybody. Furthermore, given that .NU is still not that popular, you have a greater possibility of registering a really interesting .NU domain for your personal or corporate site.At i-webhost, you can get a low-priced .NU domain for as low as $18.00 a year.
You've arrived at the right place if you're looking for a home for your .NU domain names. Being fully featured yet easy to navigate at the same time, our Domain Manager interface will put domain name management at your fingertips. You will be the sole master of all essential DNS and WHOIS controls for your domain name. Would you like to have many domains? Not an issue! Handling many domain names is really as easy as pie with this priceless instrument, it's a guarantee.
Furthermore, if you're a hosting account user too, you are already aware of the fact the Domain Manager is in fact incorporated into our Web Hosting Control Panel, which contains a different website administration section too. Yup! With us, web sites and domain names are handled from one and the same place and customers don't need to adapt to multiple interfaces.


text:
Q: Enable compression/gzip on the ajp-connector in jBoss I have a Apache load balancer and a jBoss cluster serving it.
Now I would like to add compression/gzip to the responses but so far I've only found how to enable it on the load balancer or on the http-connector in jBoss. Nothing about enabling it on the ajp-connector.
I don't want to do the compression on the load balancer as I think it should do as little as possible save load balancing.
Is it possible?

A: If you are using AJP to connect from JBoss to your proxy there is no need for compression, do the compression in your virtualhosts configuration or in your httpd.conf.
http://tomcat.apache.org/connectors-doc/ajp/ajpv13a.html
It's not even supported.

A: As mentioned AJP doesn't support compression.
For scenarios where you want JBoss to do the compression you should just have to do the proxy over http:
<Proxy balancer://mycluster>
BalancerMember http://192.168.1.50:8080
BalancerMember http://192.168.1.51:8080
</Proxy>
ProxyPass /test balancer://mycluster

Where 192.168.1.50 and .51 are your JBoss servers, configured to use compression on http.

redpajama_set_name: RedPajamaStackExchange


text:
Pride and Prejudice Review
Custom «Pride and Prejudice Review» Essay Paper Sample
Pride and prejudice is a novel by Jane Austen that was originally published in 1813. Being one of the most early works by the author, the story follows the life of the main character Elizabeth Bennet in her attempt to deal with life changing issues such as manners, upbringing, morality, education and marriage in the society of the landed gentry of early 19th-century England. In the story, Elizabeth is the fifth born daughter of a country man that lives near the fictional town of Meryton in Hertfordshire, near London. Despite the fact that literature has changed a lot particularly in the 19th century, this story continues to retain its fascination for modern readers. The book has continuously topped the list of the most favorite book while at the same time becoming one of the most popular English literature novels. Due to its adoption in the modern society, a number of dramatic adaptations have been written as well as novel and stories seen to depict the idea of Austen's memorable characters or themes.
One of the characters in the story is Elizabeth Bennet. Elizabeth appears to be the most intelligent and quick witted member of the Bennet family. Elizabeth is the protagonist of Pride and Prejudice and one of the most well-known female characters in English literature. In the story, Elizabeth has various admirable qualities including being portrayed as cleaver, lovely, and a character who converses in a brilliant manner. She is also famed for her honesty virtue and her ability to rise above the social evils and moral situation in the society that she is living in. Nevertheless, Elizabeth has another side to her personality one which she is sharp tongued and has the tendency to make irrational and hasty decisions with regards to the situations that affect hr life and that of her loved ones. Pride and Prejudice is therefore written on the basis of Elizabeth Bennet and the love of her life Darcy and how the two beat all odds to achieve romantic happiness. For Elizabeth, she does not only have to cope with a distant father but she has also to put up with a hopeless mother and siblings who are portrayed as badly behaved. As if this is not enough, Elizabeth has to also put up with a few snobbish antagonizing females and her own mistaken impressions. In relation to her role in the story, Elizabeth rejects Darcy's proposal for marriage as a result of her mistaken impression of Darcy. However, her relentless charms succeed in keeping Darcy interested longer than expected. With time, she is able to recognize Darcy's noble character which leads her to realize her earlier misconception of Darcy's personality hence her previous prejudice against him.
Mrs. Bennet on the other hand is portrayed by the author as a miraculously tiresome character. This is going by the underlying factors that depict her personality as being noisy, foolish and overly consumed by the desire to see her daughters get married. She strikes out as a woman who is not concerned about the welfare of the people that matter to her the most but rather, she only seems to concentrate on the things that directly affect her. This is one of the main reasons why she would go to any level just to make her wishes come true for example that of seeing her daughters get married. However, her single-minded pursuits seem to always back fire a situation brought about by the fact that her lack of social graces alienates the very people (Darcy and Bingley) whom she tries desperately to attract. The author uses Mrs. Bennett try and show the necessity of marriage in young women.
Another role that is played by Mrs. Bennet in the play is that she serves as a middle class a middle-class counterpoint to such upper-class snobs as Lady Catherine and Miss Bingley. This is seen as indirectly implying that foolishness can exist at almost every level of the society. In a general context, Mrs. Bennet comes out as a very unattractive character who is more concerned about her general welfare as compared to the wellbeing of those that surround her. She is seen to lack in any redeeming characteristics a situation that has led many literary critics accuse Austen of unfairness in portraying Mrs. Bennet. Critics argue that the author may have actually been taking perverse pleasure in poking fun at a woman already scorned and shunned by the society around her as a result of her unattractive qualities and selfish characteristics.
Hurry up! Limited time offer
Use discount code
Mrs. Bennet is a direct contrast of Elizabeth. She seems to contain all the negative qualities while on the other hand; Elizabeth is the admirable character who has the aura of goodness and compassion to every person that she comes across. Mrs. Benet as portrayed by the author in the story is frivolous, excitable, and narrow-minded, and is imagines herself susceptible to attacks of tremors and palpitations Her selfish motives come out in the part where she tries to influence Lizzie's decision regarding marriage "From this day, you must be a stranger to one of your parent, your mother will never see you again if you do not marry Mr. Collins, and I will never see you again if you do" (pp.119). This is going by the fact that her main ambition in life is to marry off her daughters well. Elizabeth Bennet on the other hand despite having the tendency of judging on first impression is intelligent, lively, attractive, and witty.
Related Book Review essays
The Case Against Perfection
Plato's Book
The Plight of a Girl Child in America
Camille's Use of Euphemism
Dante's Presentation
"Howards End"
"Sonny's Blues" by James Baldwin
"The Story about Stuff"
"Fugitive Pieces" by Anne Michaels
Most popular orders
Saving the World We Have… While We Still Have It
Qantas Airlines Formal Report
Role of Government in Social Norms and Dilemmas
Food Safety Brochure
[SAMPLE] Annotated Bibliography
The Influence of Media on Our Daily Life
Passion for Pharmacist
Strategic Brand Management of International Fashion Retailers
[SAMPLE] Case study
Nestlé and Alcon Case Study
[SAMPLE] Editing
Old Media vs. New Media: Staying in Touch with Family Members who Live Nearby and Far Away
[SAMPLE] Formatting
THE EFFECTS ON THE LAKOTA SIOUX: THE MASSACRE OF WOUNDED KNEE CREEK
[SAMPLE] Multiple choice questions
Political Science Final
[SAMPLE] Online test
[SAMPLE] Proofreading
The Transformation of China during the Early Imperial period
Texas and Texans
[SAMPLE] Thesis proposal
Immigration and Median Income of Metropolitan Areas
We provide excellent custom writing service
Our team will make your paper up to your expectations so that you will come back to buy from us again.

redpajama_set_name: RedPajamaCommonCrawl


Like all of you already know, a traditional harem anime features a male main character, surrounded by a lot of girls, usually fawning over him. But who said only boys deserved to be surrounded by hot counterparts, head over heels for them? Yeah, this is what leads us to the so-called reverse harem anime: those shows featuring a girl, surrounded by hotties who try to win her attention. Even if not popular like the regular harem anime, reverse harem shows are gradually gaining an enthusiastic fandom. In fact, there are a lot of anime that are worth mentioning among all the reverse anime shows out there. In this ranking, we'll talk about 10 Harem Anime for Girls, so stick with us until the end to discover them!
Code:Realize is a reverse harem show full of surprises! Our heroine, Cardia, is not a weakling and helps the rest of the team in every possible way. The hot boys surrounding her are gentlemen who gradually develop deeper feelings toward Cardia. She gets friendly with each of them, but has she a preference? Join Cardia, Lupin, and the rest of the party to discover what will be of their journey!
Tamaki Kasuga moves in a remote village called Kifumura, in order to start living with her grandmother. Upon her arrival in the village, though, strange creatures attack her. Then, she is informed that the blood of the Tamayori Princess runs through her veins. Therefore, she has a duty: she has to keep the otherworldly creatures sealed away. Tamaki is skeptic about the entire story, yet when five handsome men become her guardians, she accepts her role and her adventure begins!
Hiiro no Kakera is a wonderful reverse harem for girls, featuring beautiful guardians surrounding Tamaki. Each of them try to protect, and help her in every possible way. With very different personalities, these five hotties will try to win Tamaki's heart, but will she choose eventually? Give Hiiro no Kakera a shot to find out!
Artistas are people who can inspire passion with their Magic Arts; they attend Hoshinomori Private Magical Arts High School in order to improve their amazing skills. Kohana Aigasaki is a new transfer student, with the duty of planning the school's culture festival. Alongside her, six boys who are specializing in their own Arts aim to make the Hoshinomori Summer Festa a real success; and since once a year, an Artista Prince and a Princess are chosen, each of them dreams to become Kohana's prince!
In Magic-Kyun! Renaissance, our heroine is surrounded by talented artists, who crave Kohana's attention. This show is amazing for both the six idols vying for a girl, which is probably every girl's dream, and the lighthearted atmosphere full of good vibes. Give it a try if you like reverse harem shows, romance, and music!
Yui Kusanagi is a high school girl with a passion for kendo, and martial arts in general. One morning, she wakes up in a place she had never seen before, in a new school. Lost and confused, she gets even more confused when she is summoned by Zeus in person. He explains to Yui what is her mission there: six gods who act selfishly need to understand what bonds and relationships actually are. That's how her adventure begins!
In the shows we mentioned so far, our heroines were surrounded by beautiful boys. Imagine how lucky was Yui to have six handsome gods, with beautiful muscular bodies, fawning over her! Kamigami no Asobi is a wonderful reverse harem which turned out to be popular among the fujoshis, as well. Join Yui, and see how she deals with six selfish gods who eventually show their soft side thanks to her. Kamigami no Asobi is a real feast for the eyes!
Haruka Nanami dreams of becoming a composer, and write music for her idol – Hayato Ichinose. In order to realize her dream, she enrolls the Saotome Academy, which is a vocational school for performing arts. The moment she arrives to the school, though, she immediately understands that the competition among the students is fierce, and what's more, her classmates seem to be much more talented than she is. Yet, one night, a mysterious event will change her life for good, and her dream will get a little closer.
Uta no Prince-sama is probably the most popular show in this ranking. It features a heroine who lacks confidence in her skills, and strive to live up to her talented classmates. Six of them are literally like princes, and attend the school to become idols. They court Haruka, and admire her for her talent as a composer. There's just a problem: she only thinks about her idol, Hayato, who happens to attend the Saotome Academy, as well?!
It's 1860, and Chizuru Yukimura's father – a doctor – leaves her daughter and heads to Kyoto. One day, though, his letters stop coming: worried about her father, Chizuru – disguised as a man – decides to reach him to Kyoto. Upon her arrival, she gets attacked by a strange creature, and right after rescued by one of the members of the Shinsengumi. The man then takes Chizuru to the Shinsengumi's base, where her fate will be decided.
Hakuouki is a wonderful harem anime for girls, featuring the handsome men of the Shinsengumi. Each of them with a strong personality, they will try to protect Chizuru. Hakuouki is a very good show, with a solid plot following historical events, plus supernatural elements. This is a rare reverse harem show where our heroine actually falls in love with one of the handsome men surrounding her. Give Hakuouki a try, to see for yourself who he is!
Aoi Tsubaki is a college student who inherited from her grandfather the ability to see the spirits. When her grandfather died, Aoi started living on her own, but immediately trouble knocked on her door. In fact, Aoi's grandfather had a debt with an ogre called Oodanna. One day, the demon appeared before Aoi's eyes, claiming that she must pay by becoming Oodanna's bride. Aoi strongly refuses, but in exchange, she offers to pay the debt by working for the demon.
Kakuriyo no Yadomeshi is a funny reverse harem for girls, revolving around a kind heroine with the ability to see the spirits. Therefore, the guys she has to deal with belong to Japanese folklore, so stop thinking about ugly, scary monsters, and begin thinking about hotties with fox ears. If you are a fan of ayakashi, and at the same time enjoy reverse harem shows, Kakuriyo no Yadomeshi is what you're looking for. Give it a try!
As a reverse harem show for girls, Akatsuki no Yona boasts a solid plot, and amazing visuals. Throughout the show, our princess Yona turns to a strong woman, and in her escape, she is surrounded by beautiful men, first of all Son Hak who would give his own life to save her. This is an interesting plot line oriented reverse harem, and it's full of romantic moments, adventure, and even comedic part. We highly recommend it!
Kae Serinuma is a chubby high school girl, and an otaku. Her biggest passion, though, is Boys Love, and she even spends time shipping her cool classmates, and daydreaming boy-on-boy actions that only happen in her mind. Due to some (funny) circumstances, Serinuma loses weight, and the chubby girl suddenly turns to a popular teenager, drawing unwanted attentions by the same classmates she used to ship. She has become popular, but her mind is still filled with Boys Love stuff!
Watashi ga Motete Dousunda is a non-conventional reverse harem anime for girls, in which our heroine is very relatable by the fujoshis out there, and at the same time it's still enjoyable by those who like reverse harem, because Serinuma is surrounded by beautiful boys vying for her attentions. Whether you are into BL, or reverse harem, WataMote is a total must-see, as it's lighthearted, full of good vibes, and very amusing!
Kamisama Hajimemashita totally deserved our first position! Firstly, because of a non-conventional heroine who is strong, and determined; secondly, because this show is a rare gem of the genre, with a solid plot, and a big range of amazing characters. Even though Nanami is clearly head over heels for Tomoe, she keeps getting surrounded by the most handsome characters you could ever think of, so it's a feast for the eyes! If you like reverse harem shows full of romance, gags, and good vibes, Kamisama Hajimemashita is really what you're looking for!
Here our ranking of 10 Harem Anime for Girls comes to an end! If you are already fan of reverse harem genre, this ranking will be like a reminder; if you are just about to approach this genre, this chart will help you choose. Either way, if you feel like being surrounded by hotties pick one of these shows: they won't fail you! Now it's your turn: let us know other harem anime for girls which could fit this ranking! See you next time.


Owning a vacant building in California can pose serious liabilities because vacant buildings are more susceptible to vandalism, undetected repairs, fire and other losses. If you own vacant property, it is advisable to purchase Vacant Property Insurance, also known as Vacant Building Insurance or Vacant Dwelling Insurance, to protect against risks. GDI Insurance Agency, Inc. is your source for comprehensive vacant property insurance.
Under certain policies, Vacant Property Insurance can provide protection if your building goes unoccupied for as little as four days. It also protects against liabilities in the event someone is injured on your property and sues for damages. In some cases, it is required when a property owner dies and the property goes to an estate sale. It may also be a viable option if the property is in the process of being sold or if it is under construction and is uninhabitable.
If your occupied property becomes vacant, it is imperative that you notify GDI Insurance Agency, Inc. immediately. If you fail to give us adequate notice (in some cases, the required notice is 60 days after it becomes vacant) and you suffer a loss, coverage may be denied.
We understand that unfavorable incidents can occur, but Vacant Property Insurance can provide necessary protection. Contact GDI Insurance Agency Inc. at 1-209-634-2929 today for more details.


text:
Home > node > theartsdesk in Cologne: urban boutique on the Rhine
theartsdesk in Cologne: urban boutique on the Rhine | reviews, news & interviews
theartsdesk in Cologne: urban boutique on the Rhine
c/o Pop festival clouded by uncertainties about Britain's departure from the EU
by Kieron TylerSunday, 09 September 2018
At home amongst the plants: Stereo Naked at c/o Pop 2018Pictures courtesy c/o Pop
The terrace beside the restaurant in Cologne's Stadtgarten – the city park – is heaving. Agreeably so. A bar and a food counter facing onto it are fringed by rows of long tables. Overhanging trees unite in a canopy suggesting this might be forest clearing. And despite the amount of people of all ages and despite the amount of the local Kölsch beer and the Riesling you'd expect in Rhine-straddling city flying around, the atmosphere is relaxed.
On the terrace's bandstand, Tigger-ish Berlin band Champyons bounce through a mix of electro-inclined pop and guitar-focused songs suggesting a punked-up Dodgy (pictured below right). The eccentric inclusion of an accordion in their line-up is no obstacle to the fun. Beneath the restaurant, in the basement bar Studio 672, the winsome Bavarian duo Bruckner thrill an excited, mostly female, audience. Across the road, Club Z thuds to the synth-coloured math rock-ish stylings of Essen's Dote.
Stretching south along Brüsseler Str., the surrounding area embraces the upbeat spirit. Squished against the shelves of the bookshop Stiebter Himmel and hemmed in by keyboards and pedals, Dissolver is a one-man Medicine. The clothes shop Blutsgeschwister is hosting Soeckers, a sort-of Arctic Monkeys. Best of all, and taking it back to the Stadtgarten terrace's bucolia, outside a market hall the local but half-New Zealand bluegrass-influenced duo Stereo Naked sing off-the-wall songs of road kill and thwarted ambition amongst a flower stand's plants.
This is c/o Pop, a four-day festival of music from Germany and elsewhere which is now in its 15th year. After expanding the handle to Cologne on Pop, its purpose becomes clear. "c/o Pop is an urban boutique event," explains Ralph Christoff (pictured below left), head of the festival's strategy and its convention programme. "With a few exceptions, the venue size isn't more than 500. We consider ourselves to be the main hub for German new talent, to present it to international delegates, people from the different sectors of the music business – that's the business part. The pure festival part is the same new talent, for an audience mostly from our region, close to the Dutch border and the Belgian border. But people travel from Berlin, Hamburg, elsewhere in Germany too."
For a Brit abroad, no matter how great the musical discoveries there's a nagging thought that if one of these bands did seem a goer for the UK, would they see any point in giving it a go? Britain's departure from the European Union is accompanied by doubts about any future arrangements – a twin-track hazard.
Amongst c/o Pop's attendees is the German-born Nina Radojewski, who works as a composer-singer but also has a day job with AIM, the British company representing independent music organisations. She knows about crossing borders
Nina says she moved to the UK due to it "being connected to Europe as well as the US, and the Commonwealth countries – it has a bigger network than Germany. Really worrying is that in the UK we may not be able to take full advantage of the European single market, and the uncertainty about the movement of people is also really worrying – losing the ability for artists to tour and develop their foundations. Up-and-coming independent acts are going to have a problem. I hold a German passport, but I'm aware that it may not be possible for British artists to move forward – the possibility of needing a visa, and how expensive that may be. The costs are going to add up. No one knows what is going to happen and no one can tell you if there is an agreement what it is going to look like. It might not be feasible for me to work in the UK any more."
That's the effect of the European Union – easy travelling, easy working, easy to make money
There is, though, a sense that continental Europe is moving on; accepting the UK's choice and not cluttering its collective head with related anxieties. "The good news for us is that only certain types of German music have ever been an export mover in the UK," continues Ralph. "The European music market has changed over the last decade, it's not so dominated by the UK. There is a very strong French music market. Eastern Europe too. Sometimes you find a gateway when a French band is, say, popular in Estonia. There is a strong presence of non-UK music which gives German bands the opportunity to be successful in markets other than the UK. That's the effect of the European Union – easy travelling, easy working, easy to make money."
With this appraisal firmly lodged in the bonce, it's hard not to wonder what a fantastic-as-such band like Essen's International Music might miss out on if the British market becomes less easy to access. Of course, they will find audiences wherever they play but the UK feels a good fit for them as their approach takes "Pink Flag" (the song, not the album) by Britain's Wire and runs with it to the nth degree. Concomitantly, our opportunities to enjoy them may be reduced too.
It's not just Germans flying their musical kites at c/o Pop. The pick of the outlanders are Please The Trees (pictured right), a terrific and terrifically bizarre trio from the Czech Republic who marry American Music Club's desolation with an early Spacemen 3 heft. The Netherlands' The Homesick aren't as extreme, but their spindly post-punk atmospherics have won them interest from America's Sub Pop label. A more subdued but contrastingly moving performance was given by Sweden's Albert af Ekenstam, whose modal songs hint at affinities with the golden, late-Sixties era of Elektra Records.
Aptly for af Ekenstam, one of Cologne's musical children was some-time Elektra signee Nico, who was born in the city 80 years ago and died 30 years ago. The anniversaries are marked by concerts from Nico-simpatico female artists at the design museum MAKK. KÁRYYN, from Los Angeles, was a highlight with her drifting, eerie, operatic compositions with their nods towards the disassociated sensibilities of black-and-white vintage David Lynch. MAKK is also holding a superb in-full exhibition of the surprisingly numerous album sleeves designed by Andy Warhol – did anyone know he began such work in 1949 with an album of the music heard in Eisenstein's Alexander Nevsky? As well as the concerts, Nico is celebrated by a special section of the exhibition and, more informally, in the less lofty surroundings of the congenial brauhaus Päffgen – run by the eponymous brewing dynasty of which she was part.
Nico was a free spirit, and the notion returns – if borders become less easy to cross, will EU citizens bother exporting their art to the UK? Before she hooked up with Warhol and the Velvet Underground, Nico was in Britain in 1965 and issued a single on Rolling Stones' manager Andrew Loog Oldham's Immediate label. Could this happen after Brexit? An opportunity came to put such considerations to another Brit abroad. Lord Timothy Clement-Jones (pictured below left), the Liberal Democrat's spokesman on the digital economy is also in Cologne, taking part in a discussion on Brexit and its potential implications for the music business.
Although he is plain-speaking and has an enthusiastic manner, a talk with Tim proved unsurprisingly sobering. "All the impact is happening our side of the Channel," he declares about Brexit. "We're the ones who are not going to be able to tour Europe unless there are reciprocal agreements. Club owners may regret not having British acts but they'll make agreements and find, say, Dutch bands. We are the ones who have shot ourselves in the foot, which is why very very few people in the British music industry are pro Brexit."
"There will be a slow attrition," continues Tim. "We have a fantastic interchange with the EU in all our creative industries. The status quo prevails for the moment but if artists can't move back and forth easily, London, Liverpool, the rest of the UK, will not be as attractive. Our creative industries will be less attractive. People will move to Berlin, other European cities. It doesn't mean to say that the Brexiteers are cultural philistines, they might see Klemperer but they don't understand the implications for our creative industries whether its gaming, broadcasting, film, music. The recent government White Paper does talk about reciprocal rights, so there's a glimmering that solutions are going to be sought during negotiations. I'm not an optimist about Brexit, but I can see a little tip of a cultural iceberg. I'm hoping that minds will be concentrated as we get closer to Brexit."
Let's hope so. There are many things in the world right now which are depressing, many things to worry about and too much needless animosity, negativity and uncertainty, but within this maelstrom do we really need to risk imperilling mutually beneficial cultural exchanges between ourselves, in the UK, and continental Europe? At c/o Pop, aspects of what could be lost in just one cultural sector are brought into sharp focus.
Read more new music reviews on theartsdesk
Do we really need to risk imperilling mutually beneficial cultural exchanges between the UK and continental Europe?
theartsdesk in Groningen: Uniting Europe with Music
theartsdesk at the Berlin Festival and Music Week
theartsdesk in Hamburg: Reeperbahn Festival 2019 review
theartsdesk in Cologne: Mahler in the Philharmonie
theartsdesk in Prague: Czech Spring with Smetana and Martinů
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Album: Black Lips - Sing In A World That's Falling Apart Atlanta Garage rockers fully embrace their inner country and western souls
Album: Ruby Turner – Love Was Here Go and hear Ruby Turner perform live
Celtic Connections 2020, Glasgow review - fine feast of Scottish music Global traditions come together in Scotland's annual musical melting pot
Album: Pet Shop Boys - Hotspot PSB find nostalgic reveries in the dancefloor's shadows
Reissue CDs Weekly: The Beloved - Where It Is Charming collection of what the electro house-popsters were up to before the hits
Album: Eminem - Music To Be Murdered By Slim Shady's surprise return is patchily potent
Album: Bombay Bicycle Club - Everything Else Has Gone Wrong All grown up now, and back on their bikes
Album: Aoife Nessa Frances - Land of No Junction Irish newcomer's translucent debut album is an early candidate for 2020's best-of lists
theartsdesk in Brussels - jazz, openness and youth at the start of the cultural year A packed cultural calendar and poignant reminders of affection for the British
Album: Las Cobras - Selva Dark, dreamlike psychedelia from Uruguay
Judy Collins, Grand Central Hall, Liverpool review - how sweet the sound, even at 80 A consummate musician takes a trip down the foggy ruins of time
Album: Gabrielle Aplin - Dear Happy Self-love soundtrack to a songwriter piecing herself back together
Get a weekly digest of our critical highlights in your inbox each Thursday!
Simply enter your email address in the box below
Follow @theartsdesk
Doormat Navigation
See our complete archive


Perform a callout to receive data from an external service.
Perform a callout to send data to an external service.
REST callouts are based on HTTP. To understand how callouts work, it's helpful to understand a few things about HTTP. Each callout request is associated with an HTTP method and an endpoint. The HTTP method indicates what type of action is desired.
The simplest request is a GET request (GET is an HTTP method). A GET request means that the sender wants to obtain information about a resource from the server. When the server receives and processes this request, it returns the request information to the recipient. A GET request is similar to navigating to an address in the browser. When you visit a web page, the browser performs a GET request behind the scenes. In the browser, the result of the navigation is a new HTML page that's displayed. With a callout, the result is the response object.
To illustrate how a GET request works, open your browser and navigate to the following URI: https://th-apex-http-callout.herokuapp.com/animals. Your browser displays a list of animals in a weird format, because the service returns the response in a format called JSON. Sometimes a GET response is also formatted in XML.
The following are descriptions of common HTTP methods.
GET Retrieve data identified by a URL.
POST Create a resource or post data to the server.
DELETE Delete a resource identified by a URL.
PUT Create or replace the resource sent in the request body.
If you have some free time, browse the exhaustive list of all HTTP methods in the Resources section.
In addition to the HTTP method, each request sets a URI, which is the endpoint address at which the service is located. For example, an endpoint can be http://www.example.com/api/resource. In the example in the "HTTP and Callout Basics" unit, the endpoint is https://th-apex-http-callout.herokuapp.com/animals.
When the server processes the request, it sends a status code in the response. The status code indicates whether the request was processed successfully or whether errors were encountered. If the request is successful, the server sends a status code of 200. You've probably seen some other status codes, such as 404 for file not found or 500 for an internal server error.
If you still have free time after browsing the list of HTTP methods, check out the list of all response status codes in the Resources section. If you're having a hard time sleeping at night, these two resources can help.
In addition to the endpoint and the HTTP method, you can set other properties for a request. For example, a request can contain headers that provide more information about the request, such as the content type. A request can also contain data to be sent to the service, such as for POST requests. You'll see an example of a POST request in a later step. A POST request is similar to clicking a button on a web page to submit form data. With a callout, you send data as part of the body of the request instead of manually entering the data on a web page.
It's time to put your new HTTP knowledge to use with some Apex callouts. This example sends a GET request to a web service to get a list of woodland creatures. The service sends the response in JSON format. JSON is essentially a string, so the built-in JSONParser class converts it to an object. We can then use that object to write the name of each animal to the debug log.
Before you run the examples in this unit, you'll need to authorize the endpoint URL of the callout, https://th-apex-http-callout.herokuapp.com, using the steps from the Authorize Endpoint Addresses section.
Delete the existing code and insert the following snippet.
After the debug log opens, select Debug Only to view the output of the System.debug statements.
The names of the animals are displayed.
The JSON for our example is fairly simple and easy to parse. For more complex JSON structures, you can use JSON2Apex. This tool generates strongly typed Apex code for parsing a JSON structure. You simply paste in the JSON, and the tool generates the necessary Apex code for you. Brilliant!
Another common use case for HTTP callouts is sending data to a service. For instance, when you buy the latest Justin Bieber album or comment on your favorite "Cat in a Shark Costume Chases a Duck While Riding a Roomba" video, your browser is making a POST request to submit data. Let's see how we send data in Apex.
This example sends a POST request to the web service to add an animal name. The new name is added to the request body as a JSON string. The request Content-Type header is set to let the service know that the sent data is in JSON format so that it can process the data appropriately. The service responds by sending a status code and a list of all animals, including the one you added. If the request was processed successfully, the status code returns 201, because a resource has been created. The response is sent to the debug log when anything other than 201 is returned.
Delete any existing code and insert the following snippet.
When the debug log opens, select Debug Only to view the output of the System.debug statement. The last item in the list of animals is "mighty moose".
There's good news and bad news regarding callout testing. The bad news is that Apex test methods don't support callouts, and tests that perform callouts fail. The good news is that the testing runtime allows you to "mock" the callout. Mock callouts allow you to specify the response to return in the test instead of actually calling the web service. You are essentially telling the runtime, "I know what this web service will return, so instead of calling it during testing, just return this data." Using mock callouts in your tests helps ensure that you attain adequate code coverage and that no lines of code are skipped due to callouts.
Before you write your tests, let's create a class that contains the GET and POST request examples we executed anonymously in the "Send Data to a Service" unit. These examples are slightly modified so that the requests are in methods and return values, but they're essentially the same as the previous examples.
For the class name, enter AnimalsCallouts and then click OK.
// Deserializes the JSON string into collections of primitive data types.
To test your callouts, use mock callouts by either implementing an interface or using static resources. In this example, we use static resources and a mock interface later on. The static resource contains the response body to return. Again, when using a mock callout, the request isn't sent to the endpoint. Instead, the Apex runtime knows to look up the response specified in the static resource and return it instead. The Test.setMock method informs the runtime that mock callouts are used in the test method. Let's see mock callouts in action. First, we create a static resource containing a JSON-formatted string to use for the GET request.
In the Developer Console, select File | New | Static Resource.
For the name, enter GetAnimalResource.
For the MIME type, select text/plain, even though we are using JSON.
In the tab that opens for the resource, insert the following content. Make sure that it is all on one line and doesn't break to the next line. This content is what the mock callout returns. It's an array of three woodland creatures.
You've successfully created your static resource! Now, let's add a test for our callout that uses this resource.
For the class name, enter AnimalsCalloutsTest and then click OK.
Replace the autogenerated code with the following test class definition.
Select Test | Always Run Asynchronously. If you don't select Always Run Asynchronously, test runs that include only one class run synchronously. You can open logs from the Tests tab only for synchronous test runs.
To run the test, select Test | New Run.
From the Test Classes list, select AnimalsCalloutsTest.
Click Add Selected | Run.
The test result is displayed in the Tests tab under a test run ID. When the test execution finishes, expand the test run to view details. Now double-click AnimalCallouts in the Overall Code Coverage pane to see which lines are covered by your tests.
Now add the class that implements the HttpCalloutMock interface to intercept the callout. If an HTTP callout is invoked in test context, the callout is not made. Instead, you receive the mock response that you specify in the respond method implementation in AnimalsHttpCalloutMock.
For the class name, enter AnimalsHttpCalloutMock and then click OK.
In your test class, create the testPostCallout method to set the mock callout, as shown in the next example. The testPostCallout method calls Test.setMock, and then calls the makePostCallout method in the AnimalsCallouts class. It then verifies that the response that's returned is what you specified in the respond method of the mock implementation.
Modify the test class AnimalsCalloutsTest to add a second test method. Click the class tab, and then add the following method before the closing bracket.
// from the class that implements HttpCalloutMock.
Select Test | New Run.
The test result displays in the Tests tab under a new test run ID. When the test execution finishes, expand the test run to view details about both tests.
Learn about using callouts in triggers and in asynchronous Apex, and about making asynchronous callouts.
When making a callout from a method, the method waits for the external service to send back the callout response before executing subsequent lines of code. Alternatively, you can place the callout code in an asynchronous method that's annotated with @future(callout=true) or use Queueable Apex. This way, the callout runs on a separate thread, and the execution of the calling method isn't blocked.
When making a callout from a trigger, the callout must not block the trigger process while waiting for the response. For the trigger to be able to make a callout, the method containing the callout code must be annotated with @future(callout=true) to run in a separate thread.


text:
TJRWrestling WWE NXT Takeover: Brooklyn 4 Preview
By Kurt Zamora • Published 17th August 2018
Kurt: Welcome one and all to a special edition of the NXT Spotlight here at TJRWrestling. I am joined by our fearless leader, John Canton, for a preview of the huge Takeover event from Brooklyn. This is the 4th venture to Brooklyn, and this show has become their biggest show of the year. The card for this show lives up to that stature, as it could be the best card in Takeover history. It feels like we've said that a lot this year, but that just goes to show the level of talent on this brand. There's a lot to get to on this show, so let's get right to it!
John: First of all Kurt, thanks for having me and second of all, stop calling me fearless. I have a lot of fears like sharks, snakes, big dogs and political discussions on social media, but I do appreciate the sentiment. As for this card, I am pumped. It's a great lineup that is arguably the greatest card that there's been for a NXT Takeover to date. I honestly think all five matches can reach the four star level (out of five) or higher and I can't think of a card in the history of wrestling that has matches that good. Will they all make it to that level? I don't know. It depends on the work of the performers, the timing of the matches and the booking. I'm optimistic about it because of the proven track record of these NXT Takeover events.
The Velveteen Dream vs. EC3
Kurt: With NXT sticking to only 5 matches for Takeover, it's obviously hard to find a spot on the card. When you see this match and it's the only non-title match on the card, it just speaks to the amount of talent on the show. It's beyond insane. The only negative I have for Velveteen Dream is that none of his storylines last past one Takeover. So no matter how much more you want to see of him vs. Black or Ohno or Ricochet, you don't end up getting it. This storyline with EC3 is no different. I feel they're just starting to scratch the surface with one another, as "The Dream Experience" showed on NXT last week and especially their in ring segment this week, but I'm afraid after this is over that both men will go their separate ways.
I'd like to see Dream have a little longer in his rivalries and hopefully this will be that rivalry for him. EC3 is more natural as a heel, but comes across as such a start in NXT that it's impossible to boo him, so I have no problem with NXT booking him as a babyface thus far. Another issue with Dream that I brought up at the last Takeover with Ricochet is that he hasn't won a big match yet. He needs a win. Since this is EC3's first rivalry in NXT, I think he'd be ok taking a loss here, especially if the feud were to continue. It's vital for Dream to pick up some big wins so the fans don't start to lose interest if it becomes predictable that he's not going to win ultimately.
Prediction: The Velveteen Dream
John: This match could go either way and it feels like both guys "need" the win in terms of boosting one of them to the next level where they challenge for the North American Title or maybe the NXT Title by the time we get to the next Takeover. I could also see either guy losing a match here and then showing up on the main roster very soon too. Since Velveteen Dream is still in his early 20s and EC3 is in his 30s, that makes me lean more towards Dream as a winner in that scenario.
I was thinking about this in terms of faces and heels, but in NXT nearly everybody is cheered except for Ciampa these days. It's not like being a heel or face matters that much. Fans are so into the show that they just want to cheer everybody that's in the ring, including both of these guys. I say give them 15 minutes, let Dream show off and put EC3 over because I think he's a guy that should go after the NXT Title. If it's Dream that wins, that is fine too. I don't think there's a "wrong" choice here.
Winner: Velveteen Dream
NXT North American Title Match
Adam Cole (c) vs. Ricochet
Kurt: On any other Takeover without Ciampa vs. Gargano, and this match could easily be the main event. Even with Gargano & Ciampa, I think this will steal the show and ultimately be match of the night. The only thing that could keep that from happening is Ricochet having a nagging back injury, which has kept him out of the ring for a few weeks now. I'm sure with the lights bright in Brooklyn and a highly advertised match such as this, he'll be full go for this one and it'll be a sight to see. With no one knowing how long Aleister Black will be out, and no guarantee that he'll return to NXT when healthy (see Drew McIntyre), there's a top spot on the roster that's up for grabs and I know both of these guys want it and could easily have it. Adam Cole is a rockstar and Ricochet is so smooth and flawless, it's sometimes beyond comprehension. This is the first North American Title defense on a Takeover, and even though it was a shame it wasn't on the last Takeover card, I know these two will make sure this is a title match not soon forgotten. To establish a new title, you have to make it feel important. These two will do just that and much more. A title change wouldn't surprise me because Ricochet is so special, but with a new title, I think you need to establish the first champion for a lengthy reign.
Prediction: Adam Cole retains
John: This is another match where the heel/face doesn't matter that much. Cole is a heel in the traditional sense, but fans cheer him and chant "Adam Cole BAY BAY" as if he's the most popular guy on the show, so is he really a heel? Not in today's NXT. Since Cole won the title he's had a few title defenses, but nothing that memorable. I think if Ricochet wins the title then Cole could move up to the NXT Title, but if Richochet fails then they can probably do a rematch and have Ricochet win the title the next time they wrestle.
It's funny thinking about this match because whenever I do Q&As I always get asked questions about what guys are going to be huge in WWE one day. For years I said Adam Cole and Ricochet as the answers. Now they're having a big match at a Takeover and I still think both are going to be huge on the main roster even though neither man is big in terms of their size. They are both too good to be ignored. Anyway, I get the feeling that Cole is going to be needed in the main title picture (or in the Wargames match at the November Takeover show), so I am picking Ricochet here. I think Triple H wants to book Ricochet as a huge star in NXT, he can win this title, hold it for a long time and maybe win the NXT Title at some point next year too. Ricochet is a guy that is perfect for NXT.
Winner and New North American Champion: Ricochet
NXT Women's Title Match
Shayna Baszler (c) vs. Kairi Sane
Kurt: It's taken Sane almost a year since winning the Mae Young Classic to finally get to this spot as the sole #1 contender for the women's title. Injuries and other women getting hot during that time (Ember and Nikki specifically) had left Kairi feeling in purgatory and almost an afterthought. Her renewed energy and slight character change (the changes are subtle, but definitely there if you've paid attention) has been a lot of fun to witness and she comes across as someone who REALLY wants this win. I love title matches where the title feels important, and this match is one of those type of title matches. Shayna is clearly proud to be champion and feels untouchable. Kairi clearly wants the title for her own personal satisfaction and to know she belongs here, while also wanting to put Shayna in her place since she knows that she can beat Shayna.
I know that this is another loaded card, but I really hope they can find 10-15 minutes for this match at least, and it's not another short encounter like Baszler's defense against Nikki was. Especially in Brooklyn, which was the home to possibly the greatest women's match under a WWE banner ever, these two need to be allowed to have their own classic. I think since Kairi won at MYC, Shayna will win this encounter and we can have a rubber match in November (Even though on TV this week, they made this come across as the rubber match. But no one remembers the 2nd match they had). Gargano/Ciampa have proven that rematches at Takeover are ok.
Prediction: Shayna Baszler retains
John: I think these two women are destined to have two major matches. This one and another one at the Evolution pay-per-view in October, but that match could also involve multiple women to get more of the NXT women on the show. Anyway, I think Sane has to win the title at some point. I think the story has been pretty good with Sane trying to prove she's tough enough to take down the bully Baszler, who is a very good traditional heel champion. I think it's very possible that Baszler gets called up to the main roster in the near future, though, so it's time to put the title on Sane.
My pal Kurt makes a good point because the women's matches at previous Takeover events have felt too short. I hope they get in the 12-15 minute range to have a great match like we used to get with Asuka. I feel like they'll do a story where Baszler works on the arm of Sane all match, then Sane managed to hit her top rope elbow, but it causes her pain and then Sane has to do it again to finish her off. It would be a cool moment for Sane.
Winner and New NXT Women's Champion: Kairi Sane
NXT Tag Title Match
The Undisputed Era (c) vs. Moustache Mountain
Kurt: Everyone is talking about how jacked Dean Ambrose looks now and I'm over here still trying to figure out what the hell has gotten into Tyler Bate. That guy has gone from someone that didn't even look like a professional wrestler to someone that looks like they know how to kill me with just their pinky and then sail away on their hundred thousand dollar yacht. He's like the wrestling version of Bruce Wayne. I remember when Tyler & Pete Dunne had their first match at Takeover: Chicago and I just wasn't interested at all in the UK scene (I just wasn't knowledgeable at the time) and now here we are and those two along with Tyler's partner Trent Seven, are three of my favorite performers in any promotion.
The two matches these two have had thus far have been impossible to keep up with as they are balls to the wall action. It's hard to top what The New Day & Usos did last year, but if these guys top what they've already done here in Brooklyn, they may just do that. This match should be the catalyst for War Games in November, because if they hold true to the form they used last year with 3 teams of 3, then it should be Undisputed Era and British Strongstyle as two of the three teams. I don't think Bobby Fish will be cleared by November, so I don't see a traditional 4 on 4 War Games match happening.
Prediction: The Undisputed Era retains
John: This feels like match three in a best of three series similar to the main event. I loved the match they had during the last WWE NXT UK special and then they had an even better match on NXT TV. This match will be amazing based on the previous matches they've had with Trent Seven likely selling the knee injury the whole match. They'll make a big deal out of a hot tag because of how the last match ended. When Bate gets going, the crowd should come alive and the action will be off the charts. This could definitely be the match of the night. As long as they get 15 minutes, it's going at least four stars and has a chance to near the five star range. My expectations for this match are very high because of how special these guys are. When you have a special mix of talent, plus chemistry and a good storyline, that's where you can really see the magic happen in the ring.
The way things have been set up on NXT TV makes it look like the War Raiders will be the next challengers. I think it makes the most sense to put them against The Undisputed Era. I know with the next Takeover being Wargames that means the Undisputed Era could be in that double cage match, but maybe they will drop the titles to the War Raiders on NXT TV before that. There are a lot of options for it.
Winners: The Undisputed Era
NXT Title Match – Last Man Standing
Tommaso Ciampa (c) vs. Johnny Gargano
Kurt: First and foremost, shout out to Aleister Black and I am very hopeful that this is a quick injury for him and nothing serious. He didn't have the strongest reign as champion, especially with the expectations a lot of fans had for him, but he's still an incredible performer with massive amounts of potential. As I wrote earlier, I would not be surprised if he didn't come back to NXT. I'm sure though that HHH would like to get one last feud out of him with whomever they pick to say injured him. As for the match itself, I said last week in my TV recap that I felt this was a bad break for Gargano. (As much as a bad break can be when you're main eventing your third straight Takeover.)
It seemed almost a certainty that Ciampa would pin Black in this match, after Gargano seemingly had it won, which would lead to the finale in LA at the next Takeover, where Gargano would finally win the title. Now that it's been pushed up, I don't know that they want to take the title off Ciampa this soon. So to me, the only logical thing to do in this match is do the St Valentine's Day Massacre finish with Rock and Mankind where neither man ends up getting up at the count of 10. That way it's still 1-1 and we can still get to November, where I would brush off the 3 Stages of Hell concept to finally put this rivalry to bed. I've seen some people complain that this is basically the same match they've already had twice, (Unsanctioned, Street Fight, Last Man Standing), but anyone that thinks they're going to have the same match they've already had, clearly hasn't been paying attention to this feud. This will be unlike anything we've seen between these two. They know what's on the line and they will deliver.
Prediction: Neither man answers the count of 10
John: It's a shame that Aleister Black suffered the groin injury and was storyline written out of the match due to a mystery attack. It's not like I'm complaining about Gargano vs. Ciampa again because they have two five star matches this year already, but I was looking forward to the triple threat. Like Kurt said, I think Ciampa pinning Black was likely going to be the finish. Now that Black isn't involved, what do they do? It's a tough call.
I think it's too soon to put the title on Gargano because Ciampa just won it a few weeks ago. The end of the story should be Gargano winning the title, but it just feels too soon for this to be the end. I wonder if there will be something cheap for the ending like maybe somebody shows up to help Ciampa beat Gargano. Since it's a Last Man Standing match, there can be interference from somebody, but I don't know who it would be.
An idea I had for the finish involves Aleister Black. When he lost the title, it was due to Gargano "accidentally" hitting him with the NXT Title during Black's title match against Ciampa. What if Black appears out of nowhere and hits Gargano in the back of the head with the title when it looks like Gargano was about to win the match. Black can help Ciampa back to his feet and Ciampa can win. Black had surgery on his groin, but he can probably walk and maybe he will be on crutches. After Black knocks out Gargano, he can yell at him and say that Gargano was the one that attacked him in the parking lot. It would turn Black heel, Gargano can feud with him and they can go back to Gargano vs. Ciampa at another time. Black isn't expected to be out for that long, so why not utilize him in the finish of the match to keep the story going? Gargano likely won't be the guy that did attack Black, but if you turn Black heel then it's a way to continue the story because Gargano is the one that cost Black the title. It's all about setting a new feud.
I'll go with Ciampa retaining the title. I don't know how and I have my doubts that it will be clean, but I think the chase for Gargano needs to continue. Keep the title on Ciampa now. He will make an entertaining heel champion for the rest of the year and maybe Gargano gets the title at the Royal Rumble Takeover or maybe WrestleMania. There's no rush. Their last two Takeover matches were five stars out of five in my ratings. Can they do it again? I don't doubt them. They are too good at this and I fully expect another classic match this Saturday night.
Winner: Tommaso Ciampa
That's a wrap for us. I will have a review of the show up late on Saturday night. I don't think I'll be able to write about it live because I have a family commitment I can't get out of, but I should be able to get it posted late on Saturday. Kurt will probably write a review with his thoughts too, so we'll let you know what we thought of the show.
Follow Kurt on Twitter @KTankTJR and follow me on Twitter @johnreport as well. Thanks for reading!


It's gonna be a sizzling summer at the La Jolla Playhouse: political relevance, two world premieres, one West Coast premiere and a new managing director.
Artistic director Christopher Ashley is still basking in his 2017 Tony Award win for his stunning direction of the heart-rending musical, "Come From Away" (still playing on Broadway, and selling at 101 percent capacity). But he's by no means standing still.
He's bidding a sad farewell to managing director Michael Rosenberg, who's been his partner for nine of his 10 years at the Playhouse. And he's offering a jubilant welcome to Debby Buchholz, a 15-year veteran at the theater, most recently as general manager.
"Michael is fantastic," says Ashley. "And he's been an amazing partner. He truly is a theater visionary. And he has a terrific sense of humor. He's a treasure to the American theater. The McCarter Theatre Center [in New Jersey] is lucky to have him. I'm sad about Michael leaving and completely delighted that Debby is stepping into that role." (More on Debby next month; my July theater feature will focus on her exclusively).
It's a busy time all round, for Ashley and the Playhouse.
In the past year, five productions that were launched in La Jolla went on to New York. In addition to "Come From Away," there was John Leguizamo's "Latin History for Morons," which was nominated for a Tony Award for Best New Play. The wired, highly charged funnyman Leguizamo receives a Special Tony this year.
Ayad Akhtar's "Junk" was also nominated for Best Play, and "Summer: The Donna Summer Musical" snagged Tony nominations for two performers who played the Queen of Disco at different ages/stages: the knockout LaChanze (Best Lead Performance by an Actress in a Musical) and Ariana DeBose (Best Featured Performance by an Actress in a Musical). Only "Escape to Margaritaville," a jukebox musical created around the songs of Jimmy Buffett, came away from the Tony noms empty-handed.
Overall, it's a pretty heady time at the Playhouse heading into summer, and the work doesn't shy away from the state of the nation.
The three summer offerings concern issues of immediate relevance: income inequality, immigration, race, gender, the political divide in America and the abuse of power.
And there will be royalty. "queens" is the second show up this summer, and "Seize the King" is the third. Later this year, the Playhouse premieres a new musical about Princess Diana.
"That was totally accidental," Ashley says with a chuckle.
First up is "Squirrels," a quirky new play from the quirky, Tony Award-nominated Robert Askins, who wrote the hilariously irreverent "Hand to God," wonderfully produced last year at the San Diego Repertory Theatre. In that piece, a hand puppet turns into a foul-mouthed Satanic mischief-maker.
In "Squirrels," the 38-year-old Askins has moved from animalistic puppets to, well, animals, presumably representing the animal instincts in us all. Every character in the play is, yes, a squirrel.
The off-the-wall creation pits the rich, hoarding Gray Squirrels against the starving, outcast Fox Squirrels. Winter is coming; distrust is mounting. And a wily outsider wreaks havoc.
"It really is a story about squirrels," says Ashley, "but there's a parallel between the Gray and Red squirrels and the current socio-political issues. It's also Shakespearean – with contemporary resonances to 'King Lear,' 'Othello' and 'Richard III.' And it's a comedy. Then, of course, there's the strangeness that only exists in Rob Askins' mind.
Although Ashley and the Playhouse have been involved in several readings of the play, this is the first time it will be 'on its feet,' so there will continue to be revisions throughout the process. Mere days before rehearsals began, a new draft re-framed the piece from a three-act to a two-act play.
Among the challenges of bringing this imaginary world to life are creating appropriate costumes, set and movement. A stellar design team to the rescue.
Anjanette Maraya-Ramey will choreograph the physical movements of these humanimals, who will cavort in "a 24-foot high jungle gym of a tree," as Ashley puts it, a set that springs from the inventive imagination of two-time Tony-winning scenic designer Beowulf Boritt.
Moving on from the animal kingdom, the Playhouse will present the West Coast premiere of "queens," by 33-year-old Martyna Majok, who recently won the Pulitzer Prize for Drama, for her play, "Cost of Living." Her breakout drama, the searing/funny immigrant story, "Ironbound," received an excellent production at Moxie Theatre last year.
Majok's "queens" (reason for the lower case title unknown) is set in 2017, in a rundown tenement basement in the borough of Queens, New York.
One concern about that first production was that it tried to cover too much territory. It spanned 16 years and introduced 11 different refugee/immigrant women, each escaping something dreadful in her home country, a diverse geographical array that included Ukraine, Belarus, Afghanistan, Syria, Honduras and Poland, Majok's own birthplace.
The final summer offering (8/21-9/16) is the world premiere of "Seize the King," by Will Power, a highly regarded playwright, performer, rapper, composer and lyricist, known for his innovative writing and exploration of new theatrical forms.
Shakespeare described the highly ambitious, mistrustful King Richard as "rudely stamp'd" and "unfinish'd." He has an insatiable desire for power, and once he has it, he wields it tyrannically, and will quash any perceived threat. Over the course of the history play, he becomes increasingly paranoid and unhinged.
Any resemblance to current leaders is purely intentional.
"Jaime brought this play to me," says Ashley, referring to his associate artistic director since 2014, who will helm the new piece. Jaime Castañeda, who has demonstrated his humor and humanity in "Tiger Style" and "At the Old Place" at the Playhouse, will direct the Power play.
So, gear up for a summer in La Jolla – with squirrels and sovereigns and immigrants.
The world premiere, "The Squirrels" runs June 6-July 8. The West Coast premiere of "queens" plays from July 3-29. "Seize the King," another world premiere, runs August 21-Sept. 16. Information and tickets are available at 858-550-1010 or lajollaplayhouse.org.


Solving multiple issues, this brush has the perfect texture to deliver color in and above the crease using very little product. It glides product exactly where you want using proper technique. I love how it contours the color to the eye with uplifting shape. And so easily it makes you feel like an artist. Pays off to invest in this line of brushes. Great quality and performance for under thirty dollars.
Lana Stow has rated on date 01/08/19 as A27pro brush small firm shaderSolving multiple issues, this brush has the perfect texture to deliver color in and above the crease using very little product. It glides product exactly where you want using proper technique. I love how it contours the color to the eye with uplifting shape. And so easily it makes you feel like an artist. Pays off to invest in this line of brushes. Great quality and performance for under thirty dollars. with 5star.
Anastasia Beverly Hills A27 Pro Brush is a small, short, rounded brush with firm, synthetic fibers that provides maximum product application when detailing the eyes or lips.
A27 Pro Brush can be used with both cream or powder products.
Using a brush with synthetic fibers, press shadow onto the lid to evenly deposit ultra-matte shades and ensure maximum payoff and less fallout.
Use the flat, tapered fibers to precisely place and detail for quick application with intense color pay off.


text:
CHILI COOK-OFFS
As enthusiasm for chili grew so did the competition. Chili cook-offs started cropping up locally and nationally. It's believed the first one took place in Texas in the early 1950s, although some accounts say it was in Terlinga, Texas in 1967.
The International Chili Society was spawned about 48 years ago to motivate competition. Today, the society, which has 2,000 active members, puts on 150 to 200 cook-offs each year mainly in the U.S. but occasionally in Canada and Europe. Chili cooks can win as much as $25,000 for their best rendition of red chili. Check out their site at ChiliCookOff.com for more info.
Home Chili History Recipes & Ingredients Facts and Trivia
Marks and logos referenced herein belong to their respective companies. © 2019 Contact us at: info@NationalChiliDay.com


text:
{% extends "base.html" %}

{% block contents %}
<p>{{message}}</p>
{% endblock contents %}

redpajama_set_name: RedPajamaGithub


text:
extern "C" {
#include <sys/types.h>
#include <fcntl.h>
#include <unistd.h>
#include <string.h>
#include <stdlib.h>
#include <dirent.h>
}

#include "libclient/KfsClient.h"
#include "libclient/KfsAttr.h"

using std::cout;
using std::cerr;
using std::endl;
using std::ifstream;
using std::string;
using std::vector;

KFS::KfsClient *gKfsClient;

// generate sample data for testing
void generateData(char *buf, int numBytes);

int
main(int argc, char **argv)
{
    string serverHost = "";
    int port = -1;
    bool help = false;
    char optchar;

    while ((optchar = getopt(argc, argv, "hp:s:")) != -1) {
        switch (optchar) {
            case 'p':
                port = atoi(optarg);
                break;
            case 's':
                serverHost = optarg;
                break;
            case 'h':
                help = true;
                break;
            default:
                cout << "Unrecognized flag " << optchar << endl;
                help = true;
                break;
        }
    }

    if (help || (serverHost == "") || (port < 0)) {
        cout << "Usage: " << argv[0] << " -s <meta server name> -p <port> "
             << endl;
        exit(0);
    }

    //
    // Get a handle to the KFS client object.  This is our entry into
    // the KFS namespace.
    //

    gKfsClient = KFS::Connect(serverHost, port);
    if (!gKfsClient) {
        cerr << "kfs client failed to initialize...exiting" << "\n";
        exit(-1);
    }

    // Make a directory /ctest
    string baseDir = "ctest";
    int res = gKfsClient->Mkdirs(baseDir.c_str());
    if (res < 0 && res != -EEXIST) {
        cout << "Mkdir failed: " << KFS::ErrorCodeToStr(res) << endl;
        exit(-1);
    }

    // What we just created better be a directory
    if (!gKfsClient->IsDirectory(baseDir.c_str())) {
        cout << "KFS doesn't think: " << baseDir << " is a dir!" << endl;
        exit(-1);
    }

    // Create a simple file with default replication (at most 3)
    string tempFilename = baseDir + "/foo.1";
    int fd;

    // fd is our file-handle to the file we are creating; this
    // file handle should be used in subsequent I/O calls on
    // the file.
    if ((fd = gKfsClient->Create(tempFilename.c_str())) < 0) {
        cout << "Create failed: " << KFS::ErrorCodeToStr(fd) << endl;
        exit(-1);
    }

    // Get the directory listings
    vector<string> entries;

    if ((res = gKfsClient->Readdir(baseDir.c_str(), entries)) < 0) {
        cout << "Readdir failed! " << KFS::ErrorCodeToStr(res) << endl;
        exit(-1);
    }

    cout << "Read dir returned: " << endl;
    for (size_t i = 0; i < entries.size(); i++) {
        cout << entries[i] << endl;
    }

    // write something to the file
    int numBytes = 2048;
    char *dataBuf = new char[numBytes];

    generateData(dataBuf, numBytes);

    // make a copy and write out using the copy; we keep the original
    // so we can validate what we get back is what we wrote.
    char *copyBuf = new char[numBytes];
    memcpy(copyBuf, dataBuf, numBytes);

    res = gKfsClient->Write(fd, copyBuf, numBytes);
    if (res != numBytes) {
        cout << "Was able to write only: " << res << " instead of " << numBytes << endl;
    }

    // flush out the changes
    gKfsClient->Sync(fd);

    // Close the file-handle
    gKfsClient->Close(fd);

    // Determine the file-size
    KFS::KfsFileAttr fileAttr;
    gKfsClient->Stat(tempFilename.c_str(), fileAttr);
    long size = fileAttr.fileSize;

    if (size != numBytes) {
        cout << "KFS thinks the file's size is: " << size << " instead of " << numBytes << endl;
    }

    // rename the file
    string newFilename = baseDir + "/foo.2";
    gKfsClient->Rename(tempFilename.c_str(), newFilename.c_str());

    if (gKfsClient->Exists(tempFilename.c_str())) {
        cout << tempFilename << " still exists after rename!" << endl;
        exit(-1);
    }

    // Re-create the file and try a rename that should fail...
    int fd1 = gKfsClient->Create(tempFilename.c_str());

    if (!gKfsClient->Exists(tempFilename.c_str())) {
        cout << " After rec-create..., " << tempFilename << " doesn't exist!" << endl;
        exit(-1);
    }

    gKfsClient->Close(fd1);

    // try to rename and don't allow overwrite
    if (gKfsClient->Rename(newFilename.c_str(), tempFilename.c_str(), false) == 0) {
        cout << "Rename  with overwrite disabled succeeded...error!" << endl;
        exit(-1);
    }

    // Remove the file
    gKfsClient->Remove(tempFilename.c_str());

    // Re-open the file
    if ((fd = gKfsClient->Open(newFilename.c_str(), O_RDWR)) < 0) {
        cout << "Open on : " << newFilename << " failed: " << KFS::ErrorCodeToStr(fd) << endl;
        exit(-1);
    }

    // read some bytes
    res = gKfsClient->Read(fd, copyBuf, 128);
    if (res != 128) {
        if (res < 0) {
            cout << "Read on : " << newFilename << " failed: " << KFS::ErrorCodeToStr(res) << endl;
            exit(-1);
        }
    }

    // Verify what we read matches what we wrote
    for (int i = 0; i < 128; i++) {
        if (dataBuf[i] != copyBuf[i]) {
            cout << "Data mismatch at : " << i << endl;
        }
    }
    delete[] dataBuf;

    // seek to offset 40
    gKfsClient->Seek(fd, 40);

    // Seek and verify that we are we think we are
    size = gKfsClient->Tell(fd);
    if (size != 40) {
        cout << "After seek, we are at: " << size << " should be at 40 " << endl;
    }

    gKfsClient->Close(fd);

    // remove the file
    gKfsClient->Remove(newFilename.c_str());

    // remove the dir
    if ((res = gKfsClient->Rmdir(baseDir.c_str()) < 0)) {
        cout << "Unable to remove: " << baseDir << " : " << KFS::ErrorCodeToStr(res) << endl;
    } else {
        cout << "Tests passed!" << endl;
    }
}

void generateData(char *buf, int numBytes)
{
    int i;

    srand(100);
    for (i = 0; i < numBytes; i++) {
        buf[i] = (char) ('a' + (rand() % 26));
    }
}


PS4 ISO PS4 Games in PKG Format that works on CFW!
Welcome to PS4 ISO Net! Our goal is to give you an easy access to complete PS4 Games in PKG format that can be played on your Jailbroken (Currently Firmware 5.05) console.
All of our games are hosted on rapidgator.net, so please purchase a premium account on one of our links to get full access to all the games.
If you find any broken link, please leave a comment on the respective game page and we will fix it as soon as possible.
PS4 ISO © 2018. All rights reserved.


These Bonito shoes by Betsey Johnson offers the ultimate in comfort. Made with faux leather materials, these Betsey Johnson shoes make a definitive statement. The stylish zipper and textured leather features provide the shoe with a classic look.


A young hod carrier who attacked a bricklayer on a Milton Keynes building site by smashing a scaffold pole over his head was jailed for 12 years yesterday.
At Luton crown court 23 year old Kieran Fowler from Luton was found guilty of two charges of causing grievous bodily harm with intent.
His 49 year old father Alan Fowler also from Luton was cleared of the single charge of causing grievous bodily harm to the bricklayer, Stuart Levitt.
Mr Levitt suffered sickening injuries in the attack which took place on the morning of Sunday October 26 last year at the Ben Bailey Buiding Site at Rowditch Furlong, Redhouse Park, Milton Keynes.
His skull was fractured, and his nose was smashed with such forced his facial bones were shattered and his nose was split.
Such was the severity of the wound the roof of his mouth was split.
After being flown by helicopter from the site to the trauma unit at the John Radcliffe Hospital in Oxford, Mr Levitt remained in an induced coma for weeks.
He has lost the sight in one eye and his vision in the other is affected and he still cannot work.
Mr Levitt was angry that there didn't appear to be any work for him to do at the spot where Kieran Fowler, his bricklayer dad and another brickie were working.
Passing sentence, Judge Michael Kay said he accepted Mr Levitt might have been angry and sworn and he said the father had then gone to speak to him.
The judge said when the son followed behind and found his father of Lollard Close, Luton and Mr Levitt engaged in "fisticuffs" he went to intervene.
"I am satisfied that either with a brick or a scaffold pole, it matters not which, you launched that weapon into the face of Stuart Levitt," said the judge.
He said Mr Levitt was no doubt incensed having been hit and chased after the son but didn't catch him.
That led to a second fight between him and the father, but the judge said it was not a major altercation.
The judge said the son had gone up to Mr Levitt from behind with the scaffold pole and then struck him over his head.
The judge even now Mr Levitt is suffering from the emotional, physical and psychological effects of what happened to him that day.
He jailed Kieran Fowler for 12 years.


I was the 19th President of the United States (1877–1881). As president, I oversaw the end of Reconstruction and the United States' entry into the Second Industrial Revolution. I was a reformer who began the efforts that led to civil service reform and attempted, unsuccessfully, to reconcile the divisions that had led to the American Civil War fifteen years earlier.


A vocal booth should generally have a dry sound. It's common practice to cover the walls and ceiling with absorbers, to prevent any reflections from reaching the microphone. Vicoustic can provide you with everything you need, from a simple price efficient set up to a more luxurious and complete solution.
Vicoustics' professional line of products can help get your sound just right! For more portable solutions, we often recommend the Flexi Panel and the Flexi Screen line of products.


It's that time of year again when the streets of a tiny island off the shores of Saudi Arabia come alive with an array of outdoor activities after a long smouldering summer. One of the more unique activities taking place in Bahrain is an initiative organised by local gallery, Al Riwaq Art Space.
Market 338 is a gathering of innovators, creatives and artists in all their forms. Named after the area of Adliya's, Block 338, the market is showing mostly home made products ranging from fashion, jewellery, art and food in stalls that spread all across the restaurant district of Adliya.
With the support of the Bahrain Economic Development Board and the British Council, the initiative has given the chance for local talents to shine including Bahraini architect Sara Kanoo, who used recycled street signs, street railings and other objects to design the entire facade of the market.
Starting from the 29th of November and ending on the 15th of December, the two week market is also hosing a number of workshops with top creative industry professionals from the GCC speaking including Dubai based editor of WTD magazine Lujain Abulfaraj, Jeddah-based Design magazine editor Kholoud Attar, Haraka's Muna Yateem and Bahraini based Jewelery designer Azza Al Hujairi. Musical performances by local talents are also scheduled for each weekend.
The market is open Thursdays & Fridays from 5 to 11pm, Saturdays 11am to 5pm, and Sundays to Wednesdays 5 to 9pm. For more information on the market please visit http://www.alriwaqartspace.com/.
This entry was posted on Sunday, December 2nd, 2012 at 3:47 pm and is filed under Culture, spotlight.


Are you thinking to renovate your house? Then, before starting you need to have a good plan. When you have a lot of money, then there is no need to make a budget, but if you don't have that huge amount and want to finish the task of renovation within a fixed amount then there is a need of making a budget. This budget will depend on your plan. Make sure what type of renovation will suit to your budget. According to your budget now start planning. So, here are some tips for planning a home renovation project.
Hire the right contractor –Do you have any idea about house renovation? If not, then it is better to hire renovation contractors for decking Adelaide or other jobs. They will not charge high and moreover they will take care of the house properly. Besides, when you have a fixed budget he will help in completing the renovation perfectly because he knows how much money you have to spend for renovating only a single room. On the basis of that single room, he will tell you total budget.
Renovate on the basis of your need – When you have a fixed budget, certainly it will be quite impossible to do a big renovation. However, you can fulfil your requirements. Perhaps you want to install a bathtub in your bathroom and you need it badly then before other renovation, let's install the bathtub first. After that think about second important renovation, like carports Adelaide, which you are in immediate need of. Remember, kitchen is another important area which you can't ignore during renovation. Make sure that you have included all the important areas which need renovation badly.
Time period – As you are hiring a contractor so it is better to complete the work as soon as possible. If you can give the contractor a time limit and tell them to complete the task within the given time period, then you can save money. But if you live in the house, then it may disturb renovation. So we recommend you to live for that particular time in a rented house because when you are out from the house then the renovation contractor can work fluently and you can have the keys of your newly renovated house early and also save money.


text:
Q: Radio Button Validation not working on IE I have following code which validate the questionnaire form and post answers on the next page if all the required answers are entered by the user. This code works perfectly on the Chrome and Other browsers except IE(internet explore). It shows the alert message "Answer All Question" even selecting options all question. This thing is happening only in IE.. Can someone tell me why its behaving like this?
<script type="text/javascript">

//---------------Method for validating the Question whole form --------------//
function checkRadio(name)
{
  var radio = document.forms.myForm[name];
  for (var option in radio)
  {
    if(radio[option].checked)
    { return true; }
  }
  return false;
}

function ValidateQuestions()
{
  if (checkRadio("question1") && checkRadio("question2") && checkRadio("question3") && checkRadio("question4") && checkRadio("question5") && checkRadio("question6") && checkRadio("question7") && checkRadio("question8") && checkRadio("question9") && checkRadio("question10") && checkRadio("question11") && checkRadio("question12") && checkRadio("question13") && checkRadio("question14") && checkRadio("question15") && checkRadio("question16") && checkRadio("question17") && checkRadio("question18") && checkRadio("question19") && checkRadio("question20") )
  { return true; }
  else{ return false; }
}

//-----------------------------------------------------------------------------//

jQuery(document).ready(function($)
{
    jQuery('#submitFormC').click(function()
    {
     var str = $("#questionnaireForm").serialize();
     var data = {
                 action: 'myajax-submit',
                 s: str,
                 beforeSend: function(){
                    $( "#tab" ).empty();
                    $("#tab").append("<img id='busyImg' src='busy.gif'/>");
                    }
                };

        if(ValidateQuestions())
        {
        jQuery.post("thankyou.php?t=<?php echo $sid;?>", data,  function(response) {
        //alert('Got this from the server: ' + response);
        $( "#tab" ).empty().append( response );
        } );
        }
        else { alert("Answer all questions"); }
     return false;
    });
});
</script>

A: Try this: Fiddle: http://jsfiddle.net/eNt3c/4/
function checkRadio(name)
{
       if($("input[name='"+ name + "']").is(':checked'))
       { return true; }
        alert("Please select " + name);
        return false;
}