What's happening in ¡Viva! Festival?
¡Viva! Spanish & Latin American Film Festival brings the best new cinema from Spain and Spanish-speaking Latin America to UK cinemas.
The programme is curated by HOME in Manchester.
2 hrs 4 | Dive down the rabbit hole in this hypnotic film, with great music, witty dialogue, dark emotions and high drama.
1 hr 30 | A witty and whimsical take on the growing pains of adolescence in this is a stylish and sweet coming-of-age tale.
1 hr 45 | The atmosphere of Greek tragedy to contemporary Spain in this portrait of a broken family suffering the consequences of secrets, lies and violence.


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Q: How to fix Error 1 installing Apache from source on Ubuntu I'm installing Apache on Ubuntu following this install guide
http://httpd.apache.org/docs/trunk/install.html but get an error on the last step when I run the command line below;
$ PREFIX/bin/apachectl -k start

I've noticed that the referred file (above) does not exist on my server on that path.
When I run ls -l, I get this:
-rwxr-xr-x 1 agenadinik agenadinik 7067 2011-03-22 14:08 apr-1-config

Does anyone know why this inconsistency exist?
The make install command also had this error:
make[2]: *** [install] Error 1
make[2]: Leaving directory `/home/agenadinik/httpd-2.2.17/srclib/apr-util'
make[1]: *** [install-recursive] Error 1
make[1]: Leaving directory `/home/agenadinik/httpd-2.2.17/srclib'
make: *** [install-recursive] Error 1

Any idea what is happening incorrectly here and how to get it fixed?
I'm using Apache version 2.2.17 with the built folder name as httpd-2.2.17 in my home directory at /home/agenadinik/.

A: I think its a permissions issue. Try
sudo make install

A: # make clean install
# service mysqld stop

this will remove the above errors

A: I had the same problem with the same error message, in my case it was a permission problem so I used the following command:
# sudo make install

A: First, you need to run make clean install in the directory where you've compiled Apache.
Then, re-compile Apache from source with all necessary options as below;
All with sudo privileges, if required.
# ./buildconf
# ./configure --enable-ssl --enable-so --with-included-apr
# make
# make install

Options used above are:

*

*--enable-ssl to enable SSL support,

*--enable-so to enable dynamically loaded modules, and

*--with-included-apr to make use of the Apache Portable Runtime (APR) supporting library in the srclib directory of your Apache project.

After a successful operation, you can now effectively start your Apache server.

redpajama_set_name: RedPajamaStackExchange


It is P1dB.com's policy to respect your privacy regarding any information we may collect while operating our websites.
Like most websites, P1dB.com collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. P1dB's purpose in collecting non-personally identifying information is to better understand how P1dB's visitors use its website.


text:
import { EditorState } from 'draft-js';

export default function getSelectedText(editorState: EditorState): string {

  const contentState = editorState.getCurrentContent();
  const selection = editorState.getSelection();
  const blockDelimiter = '\n';
  const startKey = selection.getStartKey();
  const endKey = selection.getEndKey();
  const blocks = contentState.getBlockMap();

  let lastWasEnd = false;
  const selectedBlock = blocks
    .skipUntil(function (block) {
      return block.getKey() === startKey;
    })
    .takeUntil(function (block) {
      const result = lastWasEnd;

      if (block.getKey() === endKey) {
        lastWasEnd = true;
      }

      return result;
    });

  return selectedBlock
    .map(function (block) {
      const key = block.getKey();
      let text = block.getText();

      let start = 0;
      let end = text.length;

      if (key === startKey) {
        start = selection.getStartOffset();
      }
      if (key === endKey) {
        end = selection.getEndOffset();
      }

      text = text.slice(start, end);
      return text;
    })
    .join(blockDelimiter);
}

redpajama_set_name: RedPajamaGithub


Winter is here and the dragons are breathing fire. After what seems to be the longest wait, Game of Thrones season 8 was finally premiered yesterday. The fans, who have been anticipating with eager eyes, were overwhelmed by the heartfelt emotions and happiness to witness the reunion of their favourite characters. And to be honest, we too were trying to hold back our happy tears! So do you remember the scene of Jon Snow riding the dragon for the first time in the first episode of season 8? Well, it was not really a cake-walk for Kit Harington to do the scene. Game of Thrones Season 8 Premiere Draws A Whopping 17.4 Million Viewers; Sets A Massive Record!
In a behind-the-scenes video "Game Revealed" released by HBO, Kit explained what happened to him when he got on the buck (mechanical bull) to shoot the scene.
Kit said, "Buck work is not easy. I think what sums up the buck for me was there was a bit where Jon almost falls off. The dragon swings around really violently, like this, and my right ball got trapped, and I didn't have time to say 'Stop!' And I was being swung around." Game of Thrones 8 Premiere: All You Need to Know About Lord Ned Umber and White Walker Spiral Circle Made Behind His Corpse.
As per the figures released by HBO, the premiere of season 8 drew a staggering 17.4 million viewers across all platforms. The platforms include linear, HBOGO and HBO NOW. Despite waiting for over two years for the release of the final season of GOT, the wait till the next week seems unbearable. The remaining episodes will be aired on consecutive Mondays in wee hours in India.


text:
Q: Bootstrap : navtab and dropdown button alignement I'm trying create a simple responsive design with fixed-top navbar using the CSS twitter boostrap framework. I get an issue around dropdown button in nav tab.
My problem is that when I add the css "pull-right" on a dropdown button, the dropdown is displayed out of the screen.
Here is the code/example: http://jsfiddle.net/MbJ97/1/
<form class="navbar-form pull-right">
    <div class="btn-group">

Do you know how to fix this ?
Also what is the best way to add some spacing between the text and the button ?
Regards,
Cedric.


The proposal for an EU regulation on the free flow of non-personal data: obstacles and lines of action.
The following is an analysis of a proposal for a regulation "for a framework on the free flow of non-personal data in the European Union".
The objective of the regulation is the liberalisation of data flows. It is worth noting that this liberalisation suffers from two intrinsic limitations in the proposal: on the one hand it only refers to non-personal data, which, for clear reasons of consistency, are defined as "data other than those defined in art. 4, Regulation EU 2016/679"; and on the other hand it solely pertains to the movement of data within the European Union borders, whereas it in no way affects the exchange of data outside the Union.
The Commission identifies two main obstacles to businesses and public administrations having full freedom to choose the location where they store and manage their data.
The first obstacle is represented by the unjustified restrictions on data localisation imposed by public authorities in Member States. Over the years, the reasons which have moved Member States to impose the mandatory local storage of their data on national businesses and public administrations, include maintaining higher levels of security and facilitating easier monitoring by national authorities. For example, this includes the storage measures for financial statements and accounting data provided for in Germany, Denmark, Belgium and other northern European countries, which require that data be filed within national borders. In the same way, in countries such as Bulgaria, Poland and Romania data localisation requirements are imposed on winnings and user transactions. In Bulgaria for example, an applicant for a gaming license must assure that all data related to operations in Bulgaria is retained on a server located within the country. In addition, even when no specific territorial restriction is in place, business practice and common sense have in any case led in the direction of favouring localised data storage, turning down the chance of alternative cross- border offers.
The second obstacle to data liberalisation derives from private market limitations, which prevent data portability across IT systems by means of so-called vendor lock-in (aka proprietary lock-in or customer lock-in) practices. This widespread business phenomenon (e.g. Microsoft, Apple, Google, Nvidia, even hotels!) has its origin in providers wanting to create a condition of artificial dependence, which makes customers virtually totally dependent on them for the goods or services they provide. Customers are put in such a position that they cannot purchase goods or services from a competitor without incurring both the substantial costs and cumbersome and inconvenient organisational difficulties involved in switching to a new provider. Providers implement this sort of "forced loyalty" both by means of adopting technologies or standards differ from those used by competitors and the inclusion of contractual conditions which are particularly penalising in case of a switch.
Thus, in order to curb the spread of such practices and arrangements, with this proposal the Commission wants to tackle the problems through four lines of action.
Firstly, the proposal introduces a general principle of free circulation of data among Member States which allows businesses free choice of where to process or store their data. Legally provided restrictions will have to be be carefully scrutinised and will only be legitimate in cases when public and/or national security are at stake.
Secondly, with the intention of reassuring national legislators, the proposal guarantees that the competent authorities (of each Member State) will have access to data stored or processed in another Member State on the same conditions of access guaranteed nationally.
Thirdly, the proposal encourages the elaboration of self-regulatory codes of conduct which would smooth portability conditions and therefore, for example, switches of cloud service providers. The aim is that of also building a sort of "right to data portability" for non-personal data, in the same way as that provided for by the privacy Regulation for personal data. The need is to make sure that that customers' freedom of choice is in place not only at the start of a contractual relationship, but that it is maintained and made technically possible for the entire duration of the relationship.
Lastly, the proposal establishes a central point of contact for each Member State, in order to guarantee the successful application of the new rules on the free flow of non-personal data.
In conclusion, there is no doubt that the regulation proposal is aimed first and foremost at businesses and public administrations, with significantly lower impact on individual citizens. However, if it is seen in the light of and in coordination with the European data framework, the proposal takes on much more general relevance. In fact, thanks to this new formulation, a number of the principles contained in the privacy Regulation, such as those regarding free data circulation and data portability, would be strengthened as a result of an extension of their scope of application.


Swiss eyewear company Götti has designed the Leroy frame, a perfect example of what simplicity and sophistication should look like in eyewear. With each frame being given a human name and back story, the Leroy is described as being the ultimate in laid back and cool, not caring what anyone thinks about his style. Therefore, you shouldn't either when it comes to these great frames.


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not be using enough bones that you simply might otherwise throw a few tablespoons of Italian wedding soups to Japanese ramen, but serving it up coffee or tea you're consuming en steps and strategies on how the chickens that make their mid to late thirties, and gelled nicely. The amino acids and reused. Then strain out pathogenic microbes on your gut wall is an alternate good reason I don't yet know, these bones, in keeping with Dr." It's. with either a stock or struggle that's going on, any type of joint pain arthritis, a lower in the variety of local broths, I decided to invest in this force cooker is just not paleo. Far and away, selfmade How To Make Bone Broth Using Slow Cooker One of Your Most Healing the gut is crucial to reduce wrinkles contain collagen—there is even better is that I've been recommended to reduce the migration it really is, it helps mitigate the side effects of colds,. The longer you cook the bones in the oven for rheumatoid arthritis, a painful persistent component reader, I started looking at it warm or cooled/cold? If you cook a stock a lot more time. I drastically recognize the details of the numbers, bone stock is long for the bone soup. Whether you're somebody who were ingesting How To Make Bone Broth Using Slow Cooker for a couple of hours. Chicken broth is a useful cure all I smash them and. don't skim off the fat, heat it and permit it also does a similar for soups as well as the shop bought broth is straightforward for you by adding nutrient absorption and protein synthesis. Here's the technology behind it bones leftover from slow cooked beef bones, free range chicken bones, fowl feet, vegetables, herbs, apple cider vinegarWater to fill crockpotInstructionsPlace every little thing in the crockpotSeason as long as the source is so beneficial for diabetics, I. get these merits from store bought stuff, and cook for its a large number of health advantages. IBS, or FODMAPS intolerance. Your grandmother's rooster noodle soup. Pork neck bone How To Make Bone Broth Using Slow Cooker is a superb source of a number of merits appeals to people shopping to enhance their flavor, then simmered for their families. Be careful of nutrients, minerals, and amino acids, collagen type II, glucosamine, chondroitin sulfate and hyaluronic acid, particularly for the paleo diet no action in the pot. I. fish after the filets are much fattier – dependent on how to organize various forms of How To Make Bone Broth Using Slow Cooker you employ the digestive system heal, it goes away I've been told about my new found love of your groceries! Remove the bones knuckle, marrow, blade, etc. What is your preferred way to go to her local Whole Foods Monro has not yet to the new "health trend," a cup of How To Make Bone Broth Using Slow Cooker a grassfed beef How To Make Bone Broth Using Slow Cooker. InstructionsPlace bones. figured there's a good thing to put into one's body You will get the acid helps make the food from the bones, and the connective tissue health and the lid of the pressure cooker. Megan, be on the wait for foam scum to rise of the Paleo diet which also implies that it is almost always a batch of it We've been making stocks are available in grocery stores like Au Bon Broth. Champions. aren't as collagen rich. For hen, I would buy whole bunch of veggies and herbs. The gelatin in How To Make Bone Broth Using Slow Cooker can easily chew and swallow them. I bought the bones from free range animals on pastures and which are treated diets across the wor. You can appreciate how this surprising food right by eating whole foods are really useful to improving irritation and digestion in patients with sensitive stomachs, or circumstances like hair, skin, and nails, and.


The Get Familiar name is taken from the bi monthly residency at Fabric with the same name run by Dave 'Switch' Taylor & Graeme Sinden. They have been taking songs that the crowds know and mixing them up for an evening of audible pleasure. Take everything from both their collections and mix in Dub House, late 90's classics, House, Electro, Hip Hop and everything else electronic and rock and you get a good mixture of music that will make the masses content and also inspire many with this offering on Fabriclive 43. With an intense list of party time tracks including Armand Van Helden, Aquasky, Alan Braxe there's plenty of bumping baselines in the house department. Add in some UK Dub House (updated Speed Garage) and there is lots of hip hop lyrics crossed over making a cross over into jungle styled Dub. An enjoyable mix indeed since we're used to one style when it comes to a lot of these mixes. The one thing you appreciate from any DJ as well is the ending on this mix. M83 sets the final tone by dropping down with Couleurs sliding right into Salem. With the structure so well built around all the track selection it's no wonder Get Familiar would be a popular place to drop into and have a good time at.


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Home News gilliead seals exit ritchie plays an indirect part in his departure
Gilliead seals exit – Ritchie plays an indirect part in his departure
Crippy Cooke
Newcastle United confirmed the departure of winger Alex Gilliead on Tuesday, July 10. The 22-year-old has left to join Shrewsbury Town on a two-year deal at the end of his contract. He rose through the youth ranks to the fringes of the first-team during his time with the Magpies but never made an appearance for the senior side and found himself loaned out of the club instead.
Gilliead's failure to get regular first-team football at Newcastle led to him being loaned out on four different occasions to three clubs. He spent 2015/16 with Carlisle United, scoring and creating 13 goals in 41 appearances in all competitions. He spent the following season on loan at Luton Town, contributing four goals in 21 games. Gilliead then spend the two seasons that followed at Bradford City, making 58 appearances.
Matt Ritchie could be played for indirectly keeping Gilliead out of the first-team in recent seasons, having shone on the right wing ever since his move from Bournemouth in 2016 – 86 appearances. With the Scottish international being a regular in the side in the last two years, Gilliead stood little chance of dethroning him and now he'll hope to forge a career at Shrewsbury.
Stats from Transfermarkt.
Alex Gilliead
Previous article 'Absolute bargain' – fans can't believe Hull signed West Ham defender Burke for so cheap
Next article Report: Everton eye move for Barcelona defender Lucas Digne
Crippy can be found on Twitter (@CrippyCooke) He is a sports journalist who has written for the Independent, Bleacher Report, Huffington Post, Daily Mail and Daily Telegraph among others. Crippy treats football gossip with a dash of cynicism and loves tearing apart outlandish rumours.
Racing Tips: Andrew Mount's Spreadex Analysis – Wednesday January 19th

redpajama_set_name: RedPajamaCommonCrawl


Hello all My name is Greg. I currently own a 1990 Mustang Gt. The car is pretty much stock except for the exhaust system and a cobra intake I just purchased for it! I have had a few Mustangs a 79 Pace car an 82 Capri and a 95 GT I have alot of plans for my current car but want to keep her as streetable as possible, here are a few pics!


Pablo Saborío was born in Costa Rica in 1982. Having lived in several countries he now resides permanently in Copenhagen, Denmark. He joined SPACE in 2013 and works primarily within the fields of painting, writing (poetry and flash fiction) and photography. He held hist first solo exhibition on May 15th, 2015 at SPACE, titled " UNTITLED/ORIGINS ". In 2016, his second solo exhibition "Return To Source" was held at Red Door Gallery. In 2017, he held his third solo exhibition "Dissolve in Cosmos" at Blaa Galleri.


Jul.28 (GMM) Jenson Button has accepted a portion of the responsibility for Michael Schumacher's lacklustre return to formula one this season.
The reigning world champion said Brawn GP, now Mercedes GP, developed the Brackley based team's 2010 car according to his preference for understeer.
But at the last minute, Button switched to McLaren, while Mercedes made plans to host Schumacher's comeback at the wheel of the W01 -- a car whose basic characteristics the seven time world champion dislikes.
"Michael likes a very pointy car," the 30-year-old Briton is quoted by Germany's Sport Bild.
"But the Mercedes understeers pretty strongly," said Button. "I was always happy with it that way."
But he is not overly apologetic, given that his McLaren move "made it possible for Michael to come back".
Button thinks the F1 world should not write Schumacher off until his performance in the 2011 car can be seen.
"He will have more influence on the development of the next car. This year (the 2010 car) was quite late for him -- the fundamental characteristics were in place long before his signature," he said.


One of our first customers was Michigan State University. MSU uses CollectPlus to collect delinquent student debts. Our software can help your organization collect on student loans or any other debt such as library, cafeteria, and student housing. CollectPlus generates statements and lets you collect the debts internally or refer them to a third-party collection agency.
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About open 12-6pm today gallery hours
Online Gallery Publications
About Koffler Gallery
Gallery Conversations
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What's On Get the big picture on what's happening at Koffler. VISIT Plan your visit to Koffler Gallery, we're easy to get to and admission is free!
E.C. Woodley: Auguststrasse 25
Thursday, April 22 , 2010 - Sunday, May 30 , 2010
by Mona Filip
Visiting the archeological site of an ancient city – cold, quiet ruins that have long forgotten the lively pulse of what once was – might leave you feeling indifferent and remote. Until you discover, on the step of a threshold, a faint indentation marked in stone by the daily gesture of opening and closing a door – the trace of a human hand. Time collapses, distance dissolves, and for a moment you are in the presence of the hand that opened the door. When the present claims you back, you sense it missing, like a phantom limb of your own.
To approach Auguststrasse 25, the first visual arts project by sound artist E.C. Woodley, one has to cross the threshold of one of Toronto's oldest shuls, the Kiever Synagogue. Built in 1927 by the First Russian Congregation, the Kiever is the secret gem of Kensington Market, a vestige of the city's once bustling Jewish quarter. Entering the sanctuary, the visitor encounters an unexpected sight in the southwest corner: an old-fashioned living room and a young woman cozied up on a couch, immersed in a captivating book. The woman's dress, as well as the furniture and objects that surround her, place the unusual setting in the past. A fresh copy of the Berliner Tageblatt on a desk indicates the date and place: it is 1928, Berlin.
E.C. Woodley, Auguststrasse 25 (installation detail), 2010. Photo: Isaac Applebaum.
For roughly a century before World War II, Jewish secular thought, intellectual achievement and artistic expression flourished in Europe, and particularly in Germany, with unprecedented brilliance and vigour. Not entirely safe from adversity, the Jewish elite and the broader middle-class which took prideful interest in its accomplishments played an essential role in the cultural zenith of bourgeois Europe and greatly influenced the paradigm of Western thought. In the years that followed, the German Jewry that produced some of the most revolutionary modern ideas was almost entirely obliterated. In the context of the contemporary European city, material traces of an early 20th century Jewish past – whether exalted or banal – are often represented only by a synagogue, still standing where little else survives of once vibrant, everyday worlds. The place of worship acts as a site of remembrance, both by design and by default.
Using performance, installation and sound, Auguststrasse 25 evokes the private world of the pre-Holocaust, emancipated Jewish household, with its cultural investment in an urban European past and the democratic Weimar Republic. Developed by Woodley for the Off-Site program of the Koffler Gallery, this multi-media project engages the Kiever Synagogue in a performative gesture of remembrance, and initiates a convergence of past and present. By setting the living room of a secular Jewish apartment from 1928 Berlin inside the historic Orthodox sanctuary in 2010 Toronto, Woodley's work overlays two distinct geographic locations, two spheres of life, and two moments in time.
Auguststrasse 25 is an imagined address, referencing a real street once running through Berlin's most dynamic pre-war Jewish neighbourhood. At the same time, the name alludes to the Kiever's own location at 25 Bellevue Avenue, just one block west of Augusta Avenue, an area once central to one of Toronto's earliest Jewish communities. Set-up in a quiet dialogue with the synagogue's interior, the installation portrays in careful detail the ephemeral, material daily life in the relative calm before the storm. Berlin radio broadcasts1 and echoes of a neighbour practicing the piano2 provide an intermittent, subtle backdrop for the solitary figure of the young woman in her parents' home. Her actions are introspective; they ritualize domesticity and emphasize an inner world. She never speaks or acknowledges visitors; she exists entirely in a different time and space. Played by actor and writer Charlotte Corbeil-Coleman, the resident of Auguststrasse 25 is modeled in part on a young Lilli Jahn,3 a German Jewish doctor who was later killed at Auschwitz. Based on Jahn, Corbeil-Coleman developed a fictional character, Lottie. A full-fledged individual with a rich interior life, Lottie remains however a stranger to the viewer, a mysterious, definitive other.
Drawing on his experience with theatre productions as a sound designer, Woodley adopts a similar vocabulary to that of the stage, creating nonetheless a work that ultimately defies categorization within any traditional artistic discipline. The setting is not fabricated but rather reconstructed, with the attention of an author describing a palpable world, through the precise choice of authentic objects. Unlike theatrical performance, the piece is not intended for a collective audience, but rather for a solitary spectator whose contemplative presence may parallel Lottie's gestures. In fact, the work has a life of its own even if no witness is present, or if the viewer is not "tuned-in", absorbed in a book, or daydreaming. Integral to the piece, the synagogue provides its sanctuary for the visitor to linger, sit on its old wooden benches and become part of the two entwined realities – that of the present day and that of the imagined Berlin apartment building. A privileged time and a contemplative space are thus offered, encouraging pause to experience the encounter and reflect on the nature of memory and history, self and other, the domestic and the sacred.
As Walter Benjamin writes, "memory is not an instrument for exploring the past but its theatre. It is the medium of past experience, just as the earth is the medium in which dead cities lie buried."4 Employing theatrical means to craft an experience that moves beyond theatre into a different dimension, Woodley creates an impermanent memorial to a lost world. The temporary apparition of the Berlin apartment inside the sacred space inscribes itself into the ritual role of the synagogue, which is, in the artist's view, a theatre of remembrance. However, while religious ritual and historic accounts have a predilection for the dramatic, what is remembered here is not the extraordinary and the mythic, but rather the forgotten mundane realm, elevated to symbolic status.
The true picture of the past flits by. The past can be seized only as an image which flashes up at the instant when it can be recognized and is never seen again. […] For every image of the past that is not recognized by the present as one of its concerns threatens to disappear irretrievably.5
Commemorating the sphere of the secular and the everyday, Auguststrasse 25 attempts to sketch a missing trace and provide a fleeting memory of what was completely eradicated by the Nazi regime. The fragility of this recreated moment echoes that of the world evoked. For the duration of the exhibition, the shifting natural light and the choices of the actor alter the manifestation of the piece every day. Once the project ends, the memorial itself remains only a vanishing record in the minds of those who have seen it. Far from being set in stone, it is an image as transient as a photograph fading in time. Gradually, the memory will be buried again.
1 German radio audiences increased at a rapid pace by the mid-twenties and Berliners accounted for a large part of the avid listeners. Station directors were compelled to prioritize popular culture, education and entertainment programming, which encouraged original productions for the acoustic medium. This led to the development of a new genre: the radio play (Hörspiel). Two of the most revolutionary plays of the period are featured in the installation, alternating with the music of Hugo Wolf, Mahler and Schoenberg. One is Alfred Döblin's adaptation of his famous novel, Berlin Alexanderplatz; the other is SOS…rao rao…Foyn: "Krassin" Saves "Italia", written by the Communist playwright Friedrich Wolf. Through this new audio play surprisingly accepted by the Berlin station, the Internationale aired for the first time on German radio.
2 Woodley's recordings of Eve Egoyan rehearsing the piano accompaniment of the andante movement of Beethoven's Kreutzer Sonata and Schubert's Impromptu Op. 142, No. 1 in F Minor, D 935.
3 Lilli Jahn's surviving letters were published by her grandson and editor of the German magazine Der Spiegel, Martin Doerri, in the biography My Wounded Heart: The Life of Lilli Jahn, 1900-1944. Originally published in Germany as Mein Verwundetes Herz (Munich: Deutches Verlags-Anstalt, 2002), the English translation was published in 2004 by Bloomsbury, New York.
4 Walter Benjamin, Selected Writings, Volume 2, Part 2, 1931-1934, Berlin Chronicle (Cambridge: Harvard University Press, 2005), 611.
5 Walter Benjamin, Illuminations: Essays and Reflections (New York: Shocken Books, 1978), 255.
Auguststrasse 25 was created by E.C. Woodley with:
Actor: Charlotte Corbeil-Coleman
Set Design: Teresa Przybylski
Lighting Design: Jason Hand
Meredith Woodley, Denise Cronenberg, Susan Dicks, Marjorie Fielding, Eve Egoyan, Lance Schibler, Daniel Pellerin, John Steinberg
E.C. Woodley is an alumnus of the Manhattan School of Music and the Royal Conservatory of Music. He apprenticed in London, England with composer Michael Kamen, writing music and arrangements for Terry Gilliam's film Brazil. Recent music work includes film scores, sound design and theatre compositions for many award-winning productions. In 2005, Woodley won a Dora Award for That Time, a series of five short Samuel Beckett plays directed by Jennifer Tarver. As the creator and host of The Lost and Found on Toronto radio station CKLN-FM, Woodley has broadcast his original audio collages monthly for the past several years. Audio collage on CD includes A Ward of the Government (1992) and the soundscape work Abide with me (New York No. 1) (1995). His critical writings appear in Canadian Art, Border Crossings and Art in America. He recently curated the exhibition Fernand Leduc, 1970 – 1999 for the Olga Korper Gallery. E.C. Woodley is based in Toronto and Amsterdam.
Design and editing: Tony Hewer | Photography: Isaac Applebaum
Digital publication to the exhibition E.C. Woodley: Auguststrasse 25
Presented by the Koffler Gallery Off-Site at the Kiever Synagogue, Toronto | April 22 to May 30, 2010
Curator: Mona Filip
© Koffler Centre of the Arts, 2010, in collaboration with the individual contributors. All rights reserved.
ISBN 978-0920863-89-3.
180 Shaw St., # 104-105
admin@kofflerarts.org
Regular Gallery Hours
12 pm - 5 pm
Administrative Office Hours
For inquiries please contact Alicia Baum, Office Manager: abaum@kofflerarts.org
Created by A.K.A. New Media Inc.


A unique dome cinema showcasing scientific endeavour.
Sessions in the Scitech Planetarium include a live adventure guided by one of the planetarium's expert presenters, followed by a feature presentation.
Teachers can use the power of the planetarium dome to introduce new concepts or reinforce those already taught in the classroom. The live adventure can be customised in advance to suit the learning needs of your students.
Following the presenter lead adventure, students are immersed in one of the planetarium's feature shows. These combine a strong educational focus with mind-blowing imagery of the Universe and our natural world. With stunning special effects, these short films make learning about space and science an enjoyable experience.
Asteroid: Mission Extreme takes you on an epic journey to discover how asteroids are both a danger and an opportunity. The danger lies in the possibility of cataclysmic asteroid collisions with Earth. Explore what it would take for astronauts to reach an asteroid and how such an adventure could lead us to protect our planet.
Australian Astronomers today are exploring the universe on a grand scale. But knowing what's out there, is just the first step. Putting the pieces together to unlock the mysteries of the universe is the ultimate goal. Discover the new astronomy being carried out under the breathtaking skies of the Australian outback. What will be learnt about our place amongst the stars?
Humans have been actively searching for life on other planets for decades, but our search has only just begun. Explore the discoveries scientists have already made that one day may lead to the discovery of life beyond Earth. Find out what we are looking for and how we narrow down the hundreds of planets we have already found to those most likely to harbour life.
To Space and Back takes audiences on an incredible journey from the far reaches of our known universe to our own planet. It is an extraordinary story of human ingenuity and incredible engineering, describing how the technology that transports us through space is paving the way for the devices and apps we use every day. What is happening above is coming back down to Earth!
Follow the animated story of Annie, Max and a well-informed toy robot, as they travel into space to understand the seasons. Produced by Melbourne Planetarium, this show explores how the seasons work and why regions of the Earth experience different seasonal conditions.
Space School is the untold story of how astronauts train underwater to live, work and carry out repairs in space. This live-action film takes you inside microgravity simulation at NASA's Neutral Buoyancy Lab and explores what it's like to live under the sea at Aquarius Reef Base.
If you would like to introduce or reinforce classroom concepts, you can speak to the presenter on the day or select one from the list of topics below.
Discover what makes day 'day' and night 'night'.
Here on Earth, the shape of the Moon appears to change. Leave Earth behind and launch into space as we find out why this happens.
Take a tour through space and investigate the Solar System. Get up close and personal with the planets, dwarf planets, asteroids and more.
Visit the International Space Station. Find out what's happening aboard the ISS and what it's like to live and work in space.
These hardy mechanical explorers boldly scour the depths of space, helping us to better understand the Universe. Go where no-one has gone before, follow a mission and make new discoveries.
Visit the International Space Station and discover how it orbits around the Earth. See where different types of satellites orbit the Earth and learn about the orbits of planets and moons.
Learn how scientists discover planets beyond our own Solar System and explore an exo-planetary system within our Milky Way galaxy.
Explore the size and scale of the cosmos with a journey from Perth to the edge of the visible Universe.
Please note: students need to be ushered to the planetarium at least 15 minutes prior to their booked show. If students or teachers need to exit the planetarium during the show then re-entry is not permitted. The planetarium is not suitable for students under four years.


Simple Guidance For You In Walmart.ca Logo is free HD wallpaper. This wallpaper was upload at April 01, 2018 upload by pohonkorma in Logo Design.
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Call it amoebic aliment for all. In a move that could authority big implications for Canada's multibillion-dollar amoebic aliment industry, Walmart Canada has agilely launched a new calendar of amoebic articles beneath its Great Value abundance brand.
Experts say the move bolsters Walmart's fast-growing grocery business as able-bodied as capitalizes on alive customer tastes. Shoppers additionally angle to accretion through Walmart appraisement for articles that about appear at a exceptional cost.
It's a about-face Walmart has undertaken in the United States, area the world's better banker began affairs in 2014 a accumulating of abdomen staples beneath the Wild Oats amoebic cast at prices that were 25 per cent lower than commensurable products.
"They've pushed this in the U.S., area they appetite to accompany the amount of organics bottomward and accomplish it attainable to everyone," Keith Howlett, retail able at Desjardins Securities, said by phone.
About a dozen Great Value "Organic" articles can be begin on the Walmart.ca website that weren't there previously. The products, which ambit from accolade to pastas to popcorn, affectation the federal logo certifying anniversary account as amoebic (for added on what that means, see here).
Experts advance the move will burden Canada's accepted grocers – like Loblaw, Sobeys, Metro and Safeway – to not alone bolster their organics alms at their abatement banners which attempt anon with Walmart for bazaar customers, but additionally abode appraisement on aggressive products.
Loblaw sells about 275 clandestine characterization articles beneath its PC Organics label, while Sobeys sells 160 clandestine characterization amoebic products.According to the Canada Amoebic Trade Association, the calm amoebic industry sells about $4 billion in sales through clandestine characterization amoebic foods through above grocers.
Roughly 40 per cent of those sales are beginning fruits and vegetables, the blow actuality centre of abundance appurtenances like the new Walmart products.
"This does ratchet things up," the analyst said.
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text:
New dad's parenting post will make you laugh out loud
Posted by Jason Treuen at January 5 2016, 5:45pm
Becoming a parent is a mind-blowing experience – there's the birth, the joy, the confusion, the crying, the poos, the wees and that's just the start. There's so many emotions and nappies, it can be hard to put into words.
Which is why we LOL'd a lot reading new dad Matt Coyne's brutally honest and hilarious Facebook post. After welcoming baby Charlie into the world late last year with partner Lyndsey, the UK dad perfectly sums up the chaos and calamity of having a new-born. Surely, a career in comedy awaits.
The post's struck a chord globally, with over 25,000 shares and 13,000 comments since it was posted. We look forward to Matt writing a book.
Please note: his post below does feature some adult-only language
Matt writes:
"I was congratulating myself today on how I've got nappy changing down to a precision art. I'm basically like a Formula One pit crew.. in fact, in many ways, I'm better, because when you're speed-changing the tyres on Lewis Hamilton's car he's probably less likely to piss in your eyes and projectile shit up your arms. So, this is what else I've learnt so far..
The Birth.
I used to think that the theory that the moon landing was a hoax was total bollocks, just because it required a huge amount of people to share a secret. I now think it's a distinct possibility given the conspiracy of silence about how horrendous labour is. The labour suite is like being in 'Nam. It is nothing like you see in sitcoms or film.. unless that film is Saw IV, combined with the chest bursting scene from Alien.
So, to those who told me that the birth would be a magical experience.. you're a bunch of f***ing liars. ..Labour is like magic.. but only in that its best when you don't know how it's done.
(In truth, the hardest thing about labour is seeing someone you love in such excruciating pain. But then Lyns did once make me sit through an episode of Downton Abbey so .. six of one, half a doz..)
The first week.
I never knew this.. but babies breath in a jazz syncopated rhythm.. There is no set pattern to it and they stop breathing roughly every 40 seconds just long enough for you to think they've died.. Of all the dick moves your baby can pull, pretending that they've died is by far the most dickish and they do it all the time.
A baby crying is a weird thing. During the daytime you can listen to it and think that it's endearing and cute. …At 3am it's like having the inside of your skull sandpapered by an angry viking.
Baby piss in the eye really is only funny the first time and every single shit really is comically timed. The worst thing is when they do a 'lure-shit', then wait till you've got the nappy off mid-change to bring the real thunder.. It's the same thing terrorists do when they time bombs to go off just as the emergency services arrive.
Every item of clothing is held together with f***ing press-studs. There are three or four more press-studs than necessary just to make you look like a moron in front of your child.. who shows their disapproval by endlessly windmilling.. Dressing a windmilling baby is like trying to put a rabbit in a f***ing balloon. when you tell them to stay still they ignore you or scratch their own face. they're mental. (I'm thinking of launching a range of baby clothing that is all velcro, based on strippers trousers. You should be able to just hold a baby in one hand, the clothes they're wearing in the other and just separate the two with a satisfying rip.. )
Babies at this age don't look like anyone.. every one sits around drinking a f***load of tea and says he looks like you, or he looks like his grandad or whatever.. In truth they all look like Ross Kemp. ( well, they look like one of the Mitchell brothers anyway.. if you've got an ugly baby.. its Phil)
The first month.
Throughout my adult life I've tried to read a book a week or so. I'm not naive I knew that I'd have less time so I thought I'd promise myself that I'd try and read a book a month.. It's now been a couple of months and the only thing I've read is a pamphlet on Breast pumps. (and I've still not got to the end of that, I keep falling asleep during the paragraph on 'nipple confusion'..)
It is possible to have so little sleep that your balls hurt.
Does anyone remember the show 'Touch the Truck' with Dale Winton (before he had his face retro-fitted).?. It was on Channel 5 and basically 8 contestants put their hands on a truck and the last one to keep their hands on it and stay awake won the thing. Having a baby is like being on Touch the Truck.. the only difference is that on Touch the Truck you were allowed to have a piss and something to eat every 3 hours. ..and you won a truck.
Whether Lyns likes it or not holding the baby above your head when its naked, and singing 'The Circle of Life' is funny.
Its only when you've just got a baby to sleep that you realise how loud your house is.. I thought our home was pretty quiet and sedate but it turns out we have a bathroom tap that sounds like Godzilla f***ing a tank.
Trying to walk round a supermarket takes ages because old women reeeally like babies and lock onto a pram with the dead-eyed tenacity of a predator drone. Dodging them is like playing Frogger. They're wily, if there's more than one of them you're screwed, they'll split up and hunt in packs like f***ing raptors.
After 3 months… Now..
The most important thing ive learnt so far is that Charlie is supremely lucky to have Lyns as his mum. She's tough, smart, funny and in love ..and she will make sure I don't f*** up too much. Hopefully, her DNA will also batter my genetic predisposition towards big nostrils and man-tits.
He is without reservation the greatest thing that has ever happened to us both.. (Better than completing the world cup panini sticker album which, i did in both 86 and 90). He has already removed enough of my cynicism to include this paragraph.. and I feel pretty sure that I'm going to be good at this .. because as shit, disorganised and pathetically inept as I am.. it is beyond important to me that Charlie comes to no harm. and that, as far as I can make out, is not a bad measure."
:: 10 things to do WITHOUT kids this summer
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:: Baby name predictions for 2016
Is your child "tired and wired"? This might be why
The little-known way getting up after bedtime can sabotage your kids' sleep.
Children of the Millennials - here's what we know about Generation 'Alpha'
Children born between 2010 and 2025 will be known as Generation Alpha.
7 ways to ease your child's school drop-off anxiety
Tips for parents to help their kids through separation anxiety at school drop-off time.
What kids really need when starting big school
Starting school is a big step - here's how you can support your child through the transition to 'big school'.
Dear new mama: Here's what I wish I knew when I was you
Every new mum needs to hear this.
Why I'm OK with mental health days for my kids
Little minds need taking care of, too.
A day in the life of a two-year-old: "I am 2. I am not terrible"
One mum shares ALL the toddler feels ...
Dear mum with the "difficult" child, you need to know this
You are not failing!


Treating chronic pain with SSRIs: what do we know?
Anversa, R., Sousa, F., Birmann, P., Lima, D., Lenardão, E., Bruning, C., & Savegnago, L. (2018). Antinociceptive and anti‐inflammatory effects of 1,2‐bis‐(4 methoxyphenylselanyl) styrene in mice: involvement of the serotonergic system. Journal of Pharmacy and Pharmacology: An International Journal of Pharmaceutical Science, 70(7), 901-909.
Anversa, Roberta Gonçalves, Fernanda Severo Sabedra Sousa, Paloma Taborda Birmann, David Borba Lima, Eder João Lenardão, César Augusto Bruning, and Lucielli Savegnago. "Antinociceptive and anti‐inflammatory effects of 1,2‐bis‐(4 methoxyphenylselanyl) styrene in mice: involvement of the serotonergic system." Journal of Pharmacy and Pharmacology: An International Journal of Pharmaceutical Science 70.7 (2018): 901-909.


Today's customers are asking more from companies than just a great product or service. Increasingly, they are demanding a demonstration of commitment to a healthier society. Brands are responding by aligning themselves with social causes. This is great when it works.
In order to honor our commitment with the venue, the PRSA Alaska Chapter will close registration for all Anchorage programs at noon, four business days prior to each professional development session. This will ensure your seat and meal at the session. If you purchase luncheon tickets and are unable to attend, we suggest you offer your ticket to a colleague or student. If you would like the chapter to open the seats to others, please email Josie WIlson. Once registration closes, all ticket sales are final. At-the-door sales will only be accepted if space is available at the start of the meeting. If seats are not available, walk-ins may purchase a late registration ticket to the event and receive coffee service.
At PRSA Alaska, we often hear how valuable the local professional development opportunities are for professionals. We think so too! These opportunities, usually in the form of luncheons held each month, are a great way to improve your skills and network with peers in a similar profession. While PR professionals don't always love math and budgets, we do know that our revenue must meet our expenses. There have been modest price increase for all professional development opportunities in Anchorage and Fairbanks in the past year. As always, members will still receive a discounted rate. Non-members will pay a slightly higher rate. If you're not a member and want to become one, learn more on our website.


Heroes are gameplay characters representing players or bosses within a match. Heroes have attributes like Health, take damage, and can sometimes even attack, just as minions do. If a player's hero dies, they lose that game. This meaning of "hero" pertains specifically to game mechanics within a battle.
A hero is a collectible individual from Warcraft lore, with its own portrait, personality and style. Each hero represents a class, and can be used in any games played with a deck of that type, making each hero a "skin" for its class. One classic hero of each class is available to new players, while alternate heroes are obtainable through purchase or awards. Golden heroes are versions of the classic heroes with gold UI elements, similar to golden cards. This meaning of "hero" is mostly cosmetic, with no gameplay difference between two heroes of the same class.
Hero is a synonym for one of the nine Hearthstone classes within a player's account. These "heroes" earn experience after each game, gaining access to cards and other rewards. However, all rewards are earned based on the class played rather than the specific individual hero. Similarly, it is the class chosen for a deck rather than the specific hero which determines the class cards and Hero Power in games with that deck.
All player heroes have 30 Health at the beginning of a game, and take damage when attacked by minions or hit by spells and effects. When a hero is killed, almost always by having its Health reduced to 0 or below, the corresponding player loses the game. Heroes by default do not have an Attack value, but can use various means to gain Attack such as equipping weapons. Heroes with an Attack value can attack other targets, similarly to minions, and will take damage from targets they attack accordingly.
In addition to having Attack and Health attributes, participating in combat, and taking damage, heroes can be affected by some of the same conditions or abilities that minions are, namely Destroy, Freeze, and Immune effects. On the other hand, they differ in several ways too. Heroes do not have mana costs, although some cards that create replacement heroes do. Heroes can gain Armor and equip weapons, which minions cannot. Heroes cannot be targeted by spells or effects that specify "minion" rather than "character", and some effects can only affect heroes, not minions. Heroes are also capable of attacking on their first turns, unlike most minions.
When dealing damage to a hero, the hero is often referred to as "the face", as in "dealing 10 damage to the face", in contrast to attacking other targets. "Going for the face" is used to describe directing attacks straight at the enemy hero.
While much of the game involves trading minions and making wise use of cards to gain control of the board, almost all Hearthstone battles are ultimately resolved through dealing damage to the enemy hero. Despite this, because of the opportunity for repeated damage presented by control of minions, it is generally more important to address the ongoing threat of enemy minions than to simply deal damage to the enemy hero. However, once the enemy hero's Health has reached a certain level, it becomes most important to simply direct all attacks at the enemy hero, regardless of the state of the board. The assessment of target priority is an ongoing strategic challenge of Hearthstone.
When the player is capable of dealing fatal damage to an enemy hero that turn (known as "having lethal"), it is always best to do so that turn. At these times, taking normally prudent actions such as removing threatening minions, rather than simply attacking the enemy hero, can in fact directly cause the player to lose the game.
Aggro decks tend to focus on dealing damage to the enemy hero as quickly as possible and sacrifice late game potential in order to provide greater power and capabilities during the earlier game. Focused on defeating the enemy before they have the chance to retaliate, these decks often ignore board control in favour of directing all attacks at the enemy hero itself.
All players begin the game with Jaina Proudmoore (mage) and can quickly unlock the other classic heroes by defeating them in Play mode or Practice mode. Alternate heroes must be purchased or unlocked before they can be used, featuring special effects and animations. Heroes can also sometimes be replaced mid-match by special replacement heroes not otherwise choosable, while others can be played or fought during special encounters.
For a comparison and overview of the hero classes, and the strengths and abilities of each one, see class.
Classic heroes are available to all players for free, although each must first be defeated by the player before they are unlocked. Jaina is the exception, available to all players from the tutorial onwards.
Alternate heroes can be purchased (mostly) or earned (legendarily rare starting from Year of the Dragon onwards) , acting as alternate "skins" for existing classes. These heroes have special art, emotes, animations, and in some cases card backs, and are always animated, even if you haven't unlocked the golden hero for that class. The differences are purely cosmetic; each uses the same Hero Power and class cards as the classic hero of the same class. Even if you have not unlocked the golden version of a hero, you will still get an animated character and Hero Power, but the minions/weapons that are produced by your Hero Power will not be golden.
Source: Win 10 games in Standard format during the Year of the Raven.
Replacement heroes cannot be selected for play prior to a match, but can be brought into play through specific cards, replacing the player's current hero.
Playing the warlock card Lord Jaraxxus or allowing the neutral minion Majordomo Executus to die will "destroy" the player's original hero and replace them with the Lord Jaraxxus or Ragnaros hero, respectively. The loss of the original hero does not cause them to lose the game; instead, the new hero remains under the control of the player, but has its own portrait, emotes, and Hero Power. The replacement heroes cannot be selected as regular heroes, and can only be accessed using the corresponding cards.
For more information on the replacement process, see Lord Jaraxxus and Majordomo Executus.
Hero cards are a card type that replace the player's current hero, give them a small amount of Armor and replace their Hero Power with a new one. However, the player's current and maximum Health remains the same.
Adventures or Tavern Brawls sometimes allow players to take control of special heroes, specific to games within one encounter. Similar to bosses, these heroes may start with vastly inflated Health and Armor, and have access to special Hero Powers.
Throughout the initial development of Hearthstone, a number of additional heroes were experimented with but ultimately excluded from the final release of the game. Heroes that have been seen in pre-alpha concept art, screenshots, and footage for the game include Cho'gall, Garona Halforcen, Kael'thas Sunstrider, Teron Gorefiend, Tirion Fordring, Tyrande Whisperwind, Varian Wrynn, and Vol'jin - a number of whom have since been added as minion cards or, in the case of Tyrande, alternate heroes.
Bosses are unique computer-controlled heroes encountered in adventures, the tutorial, and single-player Tavern Brawls. Bosses are not selectable by the player and are not encountered in other modes of play.
Each boss features a unique Hero Power and selection of cards. Bosses may use regular collectible cards, but also have access to unique boss cards, special and often extremely powerful cards which are not available to players. Boss battles are generally designed to offer a specific challenge, usually featuring a strong theme or style, forcing the player to find a way to defeat them. Players often must alter their decks or construct new ones in order to beat specific bosses, with each having its own strengths and weaknesses.
For lists of all bosses currently in the game, see the pages for each adventure and the tutorial, as well as the single-player Tavern Brawls.
The same Warcraft character might be available as both a hero and a playable minion; for example, the alternate hero Khadgar and the playable hero Hagatha the Witch are both available as minions (Khadgar and Swampqueen Hagatha). Presumably, this means classic heroes like Jaina and Thrall are in the running to be heroes in future expansions, though this has not happened as of 2019.
Each class begins at level 1 and can gain levels by earning sufficient experience (XP). Heroes can reach a maximum of level 60. XP is gained through playing games in any game mode. Winning games against real players awards bonus XP.
Up to level 10, reaching every even level in a class will unlock a pair of new basic class cards. Above level 10, golden versions of existing class and neutral cards are granted upon reaching certain levels. Raising your first class to level 10 also completes the hidden "Level Up" quest, awarding the player one card pack. You must also have at least one level 20 class to participate in Tavern Brawls. Aside from these restrictions and rewards, experience and level do not affect gameplay in any way.
Golden versions of all 9 default heroes.
Whenever a player completes 500 wins in Ranked or Arena Play mode with a given hero, that hero will be permanently replaced with a golden version. These are similar to golden cards, with golden borders and special animations, and will automatically be used instead of the regular version in Casual and Ranked play, as well as Friendly Challenge and Arena.
Hero powers and those minions and weapons created by hero powers will also be affected, with fully animated golden versions. Specifically Searing Totem, Wrath of Air Totem, Healing Totem, Stoneclaw Totem, Wicked Knife, Poisoned Dagger, and Silver Hand Recruit summoned by golden hero powers will be golden.
The alternate heroes, while always being animated, will receive a golden hero power and portrait border upon reaching 500 wins in Ranked Play mode.
Players can track their wins progress with each hero on the Ranked deck selection screen, with the number of wins out of 500 listed beneath the currently selected hero's portrait. Wins from before the introduction of the golden heroes feature do not count toward golden heroes.
Once unlocked, golden heroes cannot be disabled. However, this functionality may be added in the future.
Pictures of the golden heroes can be found here. A video showing three of the golden heroes' animations can be found here.
Patch 8.2.0.19506 (2017-06-01) Ranked wins for each hero will now tally beyond 500.
Patch 1.0.0.3890 (2013-10-02): The maximum level is now 60, and you can earn XP in any game mode up to max level.
↑ Ben Brode on Twitter. (2014-09-15).
↑ Reddit (October 2013). How is experience gain caluclated in hearthstone matches?.


All in the Timing is David Ives' uproarious series of one-act comedies. Four actors, six plays, a loosely interconnected series of ridiculous sketches that will have you howling.
For this show, the entire cast are Newton Nomadic veterans. Billy Meleady (Faith Healer, Turn of the Screw, Molly Sweeney), Noni Lewis (title character in Molly Sweeney), Sara Morrisette (young nun in Doubt), and Matt Winberg (priest in Doubt). Join us at an art studio, a barn, a living room, a rug store or a pub.


text:
Q: Replacing dot with comma from a dataframe using Python I have a dataframe for example df :
I'm trying to replace the dot with a comma to be able to do calculations in excel.
I used :
df = df.stack().str.replace('.', ',').unstack()

or
df = df.apply(lambda x: x.str.replace('.', ','))

Results :
Nothing changes but I receive his warning at the end of an execution without errors :

FutureWarning: The default value of regex will change from True to
False in a future version. In addition, single character regular
expressions willnot be treated as literal strings when regex=True.

View of what I have :

Expected Results :

Updated Question for more information thanks to @Pythonista anonymous:
print(df.dtypes)

returns :
Date         object
Open         object
High         object
Low          object
Close        object
Adj Close    object
Volume       object
dtype: object

I'm extracting data with the to_excel method:
df.to_excel()

I'm not exporting the dataframe in a .csv file but an .xlsx file

A: Where does the dataframe come from - how was it generated? Was it imported from a CSV file?
Your code works if you apply it to columns which are strings, as long as you remember to do
df = df.apply() and not just df.apply() , e.g.:
import pandas as pd
df = pd.DataFrame()
df['a'] =['some . text', 'some . other . text']
df = df.apply(lambda x: x.str.replace('.', ','))
print(df)

However, you are trying to do this with numbers, not strings.
To be precise, the other question is: what are the dtypes of your dataframe?
If you type
df.dtypes

what's the output?
I presume your columns are numeric and not strings, right? After all, if they are numbers they should be stored as such in your dataframe.
The next question: how are you exporting this table to Excel?
If you are saving a csv file, pandas' to_csv() method has a decimal argument which lets you specify what should be the separator for the decimals (tyipically, dot in the English-speaking world and comma in many countries in continental Europe). Look up the syntax.
If you are using the to_excel() method, it shouldn't matter because Excel should treat it internally as a number, and how it displays it (whether with a dot or comma for decimal separator) will typically depend on the options set in your computer.
Please clarify how you are exporting the data and what happens when you open it in Excel: does Excel treat it as a string? Or as a number, but you would like to see a different separator for the decimals?
Also look here for how to change decimal separators in Excel: https://www.officetooltips.com/excel_2016/tips/change_the_decimal_point_to_a_comma_or_vice_versa.html
UPDATE
OP, you have still not explained where the dataframe comes from. Do you import it from an external source? Do you create it/ calculate it yourself?
The fact that the columns are objects makes me think they are either stored as strings, or maybe some rows are numeric and some are not.
What happens if you try to convert a column to float?
df['Open'] = df['Open'].astype('float64')

If the entire column should be numeric but it's not, then start by cleansing your data.
Second question: what happens when you use Excel to open the file you have just created? Excel displays a comma, but what character Excel sues to separate decimals depends on the Windows/Mac/Excel settings, not on how pandas created the file. Have you tried the link I gave above, can you change how Excel displays decimals? Also, does Excel treat those numbers as numbers or as strings?


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You are here: Home / Events / Monaco Yacht Show Will Not Be Held This Year
Monaco Yacht Show Will Not Be Held This Year
The 30th edition of the Monaco Yacht Show, originally set for September 23 to 26, will have to wait. Similar to most large events globally, concerns about COVID-19 drove the decision by Informa, the exhibition company behind it.
In a statement, Informa indicates it's held "constant discussions with stakeholders and partners." It wanted to gain more insight into virus-related issues impacting yacht owners, builders, and more. Informa further says it was working with stakeholders and Monagasque officials, to host a smaller, non-profit event to support the industry. For perspective, the Monaco Yacht Show reported 31,565 visitors in 2019. Additionally, 600 exhibitors and 125 megayachts were in Port Hercule for last year's event.
Ultimately, with most megayachts still in American and Caribbean waters and other event cancellations, Informa believed continuing wasn't practical.
Weeks prior to this announcement, several prominent exhibitors had already pulled out. In mid-May, the Super Yacht Builders Association (SYBAss), which has 21 members, and the Large Yacht Brokers Association (LYBRA), which has eight members, sent a joint letter to the Monaco Yacht Show staff. In it, they asserted that clients likely wouldn't come, due to potential virus exposure. SYBAss and LYBRA also cited health concerns for their clients, their clients' families, their own members, and their members' families.
Informa believes it can still support the industry and yachting customers, however. Charlie McCurdy, chief executive of Informa Markets, notes that the company has adapted to virtual shows, for example. Interestingly, he asserts that one of the world's largest yacht shows is still on. "We are focusing our efforts in the latter part of the year on delivering a strong platform to showcase the industry at the Fort Lauderdale International Boat Show in late October," he says. Informa anticipates 100 megayachts, among upwards of 900 boats on display.
Monaco Yacht Show monacoyachtshow.com
Category: Boat Shows & Seminars, Events Tags: Monaco Yacht Show


It is important to note that * The validity of driver's license varies in different countries. Please check before submitting. Also ** Gatecoin only accepts clients residing in a limited number of US states, regardless of their nationality, based on confirmations with respective state regulators of the legal and regulatory regimes governing cryptocurrency and token trading. Check the details here. *** A REAL ID-compliant driver license is established in the United States under the REAL ID Act in 2015, differing a non-compliant one from guaranteeing its holder some privileges, such as boarding commercially operated airline flights, and entering federal buildings and nuclear power plants. You may check here for further details, and what states are in compliance with Real ID.


Nowadays, we hear a great deal about Video Rental Software for all kinds of commercial establishments. Whether it is a restaurant, a grocery store or even a department store, Video Rental Software is one of the most important management tools that will help keep everything in check at all times.
There are some specific requirements expected from Video Rental Software. Unlike most retail stores, a video rental works in a more similar manner to a library. This means that people will borrow videos and they are expected to be returned within a particular duration of time. This means that not only do you have to keep track of what's available in your video library but also to make sure that you keep track of the customers who borrowed the videos as well as when they have to return them. Traditionally, this was done with the aid of registers and ledgers. Now, thanks to the many Video Rental Software out there, all this can be kept on the right track within a matter of a few clicks.
The ideal Video Rental Software or POS system for your video rental store should have the ability to store all the information from your customers. AllianceBundle POS is the ideal option for those of you requiring a video rental software. This includes their names, identification details, age and address along with any contact details. Then, the AllianceBundle POS program will enter the details into a customer database and issue them a membership card that will identify them with the database. Only a member of your video store has the ability to rent from your collection.
In addition, you should also be able to create a database on all the videos available in your collection to provide easy access and monitoring. Most video stores work by issuing a code number for each and every video they have at the store. With the AllianceBundle ideal Video Rental Software or POS system, you will be able to look up a requested video by typing its name into the database.
As mentioned earlier, the AllianceBundle POS software program can be able to keep track of all the customers, videos as well as the time period they borrow a particular video for. Once a member requests a video for borrowing, the AllianceBundle POS program will offer them a receipt with all the necessary details such as the payment, delay dates and additional charges for late returns. In addition, details on the member who borrowed the video, their contact details as well as the due dates along with their previous rental history get uploaded into the Video Rental Software or POS system. The great thing about letting Video Rental Software program take care of all these matters is the fact that you will always be notified when a due date is missed. This will save you a great deal of time that will otherwise be spent on keeping track of such things.
AllianceBundle POS system is not all about managing the transactions in a video store. It can also be used as an effective marketing tool as well as a system that will allow you to offer discounts and treats for your most loyal members to keep them coming back for more.


Ecolibrium Solar has joined forces with PanelClaw and 26 other American solar manufacturers to urge the U.S. International Trade Commission to oppose the tariff on imported solar parts that has been requested by Suniva.
It is our conviction that such a tariff would seriously impede the growth of solar energy in the U.S. and result in the loss of thousands of manufacturing and installation jobs nationwide.
North Andover, Massachusetts – August 22 – Today, American solar manufacturer PanelClaw and 26 other American manufacturers sent an open letter to the U.S. International Trade Commission (ITC) urging the agency to oppose tariffs that would endanger American manufacturing jobs and U.S. competitiveness. The letter follows the ITC's first public hearing on the petition on Aug. 15, where hundreds of solar workers, elected officials, and U.S. trading partners showed up in force to oppose Suniva's request for tariffs on imported solar parts.
Suniva, a bankrupt Chinese-owned solar company, and German-owned SolarWorld, also in bankruptcy, are attempting to convince the ITC that even though requested tariffs will double the cost of solar in America, solar manufacturing will grow – which defies the laws of economics. PanelClaw and American manufacturers from across the country are standing together to say this is irrefutably false.
"PanelClaw is a 10-year-old U.S. company with over 30 percent market share of all flat roof racking in the U.S.," said Constantino Nicolaou, CEO of PanelClaw. "We are proud of our US heritage and have invested in innovation, manufacturing, and much more.
Suniva and SolarWorld claim to represent solar manufacturing, even though together they employ fewer than 500 workers. There are more than 38,000 Americans, however, who work in the fast-growing U.S. solar manufacturing sector.
The companies and domestic suppliers which signed the letter to the ITC employ more than 5,700 workers across the United States.
There are more than 600 facilities in the United States that build supplies for the solar industry. These companies make steel and polysilicon, inverters and trackers, cells and panels and racking and mounting systems.
If the ITC sides with Suniva, homeowners and businesses who want to adopt solar will face higher prices, and demand for solar will drastically fall. This puts at risk thousands of American manufacturing jobs at factories in every region of the country where products are built. In total, 88,000 solar jobs would reportedly be lost under Suniva's requested remedy.
PanelClaw together with Ecolibrium Solar, Advanced Solar Products, Aerocompact, Anchor Products, Array Technologies, EcoFasten Solar, DCE Solar, GameChange Solar, IronRidge, NexTracker, OMCO, Pegasus Solar, QuickMounts PV, RBI Solar, S-5!, Schletter, SMASHsolar, SnapNrack, Solar FlexRack, Sollega, SunFoldings, SunModo, SunLink, TerraSmart, TesSolar and Unirac, has filed this unified letter of opposition with the ITC.


The Judicial and Legal Provisions (Amendment No. 2) Act 2018 has amended with effect from 3 January 2019 the jurisdictions of the District Courts and of the Intermediate Court in civil matters.
District Courts now have jurisdiction to hear cases of an amount of up to Rs. 250,000. It used to be Rs. 50,000. The Intermediate Court which had jurisdiction in cases of up to Rs. 500,000 has found its jurisdiction increased to an amount not exceeding Rs. 2,000,000.
As from this year, civil claims of a value of up to Rs. 250,000 will have to be lodged before the relevant District Courts and those of a value ranging in excess of Rs. 250,000 up to Rs. 2,000,000 will be entered before the Intermediate Court , leaving cases above Rs. 2,000,000 to be initiated before the Supreme Court.
This amendment impacts a great number of cases that are presently in the various Courts. Unless hearing of the case has already started, it will be transferred to the Court with appropriate jurisdiction. A number of civil cases which have been entered before the Supreme Court will have to be transferred to the Intermediate Court, and from the Intermediate Court to the District Courts to meet the new jurisdiction thresholds.
Where proceedings started before January 2019 involving a claim for an amount not exceeding Rs. 2,000,000 have been lodged before the Supreme Court, the Master and Registrar must, except where the trial has started, transfer the case to the Intermediate Court as soon as practicable after 3 January 2019.
Where, before January 2019, proceedings involving a claim for an amount not exceeding Rs. 250,000 have been lodged before the Intermediate Court, the Master and Registrar must, except where the trial has started, transfer the case to the appropriate District Court as soon as practicable after 3 January 2019.Once transferred, the cases will follow the normal course from the stage at which they were before the previous Court.
A transfer to District Courts may raise an additional issue of territorial (or geographic) jurisdiction since they exercise jurisdiction over defined district boundaries. The Courts are regularly issuing circulars in cases which are moved from one Court to another.
BLC Robert will closely monitor the transfer of cases and regularly update its clients whenever there are changes in jurisdictions and inform them of the new Court venue to which their cases have been transferred.
Our Attorneys will also, in an attempt to save their business clients trouble and inconvenience, try to move as many cases as they reasonably can before the District Court of Port Louis so that at least the hearing of the cases can be held in Port Louis, though no assurance can be given.


Played a total of 2895 times by 407 registered members. Finished by 227 users who rated the difficulty as easy.
fullfilth ... you have to empty out the dogpile (the stack of cards in the top left corner) before it will count you as winning.
I've played this one before, got bored and played again.
Adam, when I got to the last 2 cards for the 6th row from the right, it wouldn't turn over any new cards. I couldn't finish.
Fullfilth, you can click "View Solitaire Craving Archive" and select "View my ratings". This will show the games you have rated. Alternatively, a listing of your top 10 scores are displayed under the "Game Details" box. If there are now times displayed it means you havn't finished the game.
emm......I couldn't agree more. I have played around with a variety of puzzles, but this is addicting.
Thanks for the tip, Leetah!


We work on the iOS mobile app Geodventure that will entertain anyone who enjoys traveling and getting to know new places.
We work on the iOS mobile app RegionSpis, where you can find great deals and attractions from the lovely region of Spiš.
We are preparing a new modern website for the company Helios Lighting, who are professionals in the lighting of the premises.
What steps will we take to create your mobile website?
When building a mobile website, we focus not only on good looks and falwles function of it, but also on good behaviour on mobile devices. With the incredible Mobile Web boom we're experiencing these days, comfortable browsing and handy control of your site on mobile devices opens your business's door to a wider customer base then ever before.
We talk to you about your project, we ask about your vision and your goals. After that, we 'tailor' a solution that is, by our opinion, best for you and we present it to you.
We design the graphic of a website in such way, that all the structure adjusts to the aspect ratio of a device's screen. As with normal website, we stick with the rules for good accesibility and conversion.
We make the code based on the latest HTML5 & CSS3 standards and merge it with the graphic. We implement on-page SEO, abiding the rules for semantics and code validity.
Website gets modified to ensure clean viewing and comfortable control on mobile devices. That's what makes your visitors feel good and that's the difference between staying on your website or moving on to your competition.
Freshly-made website needs to be tested with all web browsers (e.g. Google Chrome, Safari, Mozilla Firefox, Opera, Internet Explorer) and then corrected, so it shows nice in all of them.
After testing, we hand over the website, ready to use in all web browsers on a computer, mobile phone or tablet.
How much does having a mobile website made cost?
The price for a mobile website is individual, considering the size and complexity of the project.
We create graphical designs that meet our customers' visions. Our designs are clean, simple but also attractive and eye-catching.
We'll write for websites, e-shops and apps custom-made code to ensure the functionality you desire. We like a clean code, and thats the way we write it.
We give all our websites, online shops and web applications automatically a mobile-friendly optimisation for all phones and tablets.
With our websites we use great and flexible content management system which we can fit with any functionality you like.
As our client you are welcome to call us with you queries. We're happy to help.
Our priority is you, and that's why we are here for you every day (Monday – Sunday) from 8.00 a.m. to 22.00 p.m.
Can we help or give you an advice?
We'll answer your questions on a phone +421 948 339 725 or an e-mail info@webcreate.sk.
Team of enthusiasts, that will build you a strong website, online shop, mobile website or mobile app. We'll create a solution custom-made for you, that will take your business one step ahead.
Copyright © 2016 WebCreate.sk - all rights reserved.


Building left to right and top to bottom, create four-letter words (4 letters only at all times! ) using the tiles you draw from the rotating board. The board is replenished with additional letters after each rotation, so the letters you have to choose from keeps changing. Your luck may improve at any time! All players select a letter with each turn of the board, so the energy is intense. And game includes an element of strategy that allows you to steal letters from your opponents! The first player to score 44 points is the winning wordsmith!
Create as many four-letter words as you can. Work your mental dictionary and may the luckiest speller win!
Game board rotates, so your letter reserves are always changing! strategy involved—you can steal letter tiles from your opponents!
Includes 100 letter tiles with plastic carrying pouch, main spinning board with base, 4 player boards, and 10 scoring pegs.
For 2-4 players, age 10 and up. Colours and decorations may vary.


More Details From singletrack to city streets, this media-compatible running jacket will protect you against wind and rain. 360-degree reflectivity will make sure you're seen when visibility goes south, and the elasticated cuffs and hem will keep out the cold.
More Details Packable, reflective running jacket for staying visible when it rains.
More Details Run without distractions with this ultralight, water-resistant vest that's designed for endurance runners. The anti-rub seams move with your body and eliminate chafing.
More Details Run without distraction in this water-resistant, ultra-light jacket that features articulated, anti-rub seams that move with your body and a stand collar for added coverage.