The Pioneer DJ DDJ-SZ2 builds on the strong foundations of its predecessor, our flagship DDJ-SZ controller. This upgrade to our flagship Serato DJ controller allows you to get hands on with the latest additions to Serato DJ, including key shift, key sync, pitch play and Serato Flip. We ve improved the jog wheel latency to make scratching more responsive and precise and the multi-coloured performance pads give you instant feedback on playing status and pad modes.
Use dedicated controls to trigger the new key shift and key sync functions in Serato DJ, which let you adjust the key of tracks and sync the keys of tracks during mixes. Pitch play lets you play your Hot Cues across a range of different keys and assign them to the controller s Performance Pads.
Create and save Hot Cue sequences to make custom edits of your tracks and use the dedicated Serato Flip controls to play them back at the touch of a button. Get even more creative by skipping or repeating track sections on the fly.
All SZ2 are bundled with Serato DJ, Pitch n Time DJ, and Serato Flip expansion packs. First 3,000 DDJ-SZ2 shipped worldwide will include free Serato Video expansion pack.
Instantly trigger Hot Cues, Roll, Slicer, Sampler, Cue Loop, Saved Loop, Slicer Loop and Pitch Play. The multi-coloured backlit LEDs give a visual reference to which modes are in play, and will reflect cue points you ve pre-set in Serato DJ.


text:
new cement plants in india
Villagers oppose new cement plant in Tuticorin | Madurai News
Villagers oppose new cement plant in Tuticorin Bail denied to two caught with sea cucumber worth Rs 2 crore Pataa®
More than 60 cement plants in India have reported continual usage of alternative fuels, with 24% of the total alternative fuels consumed as biomass. The share of blended cement in the total quantity of cement manufactured in India in 2010 was 68%. This increased to 73% of total cement production in 2017, largely due to the market's growing
New Lehigh Cement Plant in Mitchell, IN Making Construction Progress
In October 2019, Lehigh Hanson broke ground on the construction of a new state-of-the-art plant in Mitchell, Indiana, which will replace the existing Lehigh Cement Company facility. As the first quarter of 2021 comes to close, significant progress has been made at the new plant site.
HeidelbergCement India: HeidelbergCement India's profit dips 4.55% to
NEW DELHI: HeidelbergCement India has reported a 4.55 per cent decline in its net profit to Rs 59.56 crore for the second quarter ended September 2021. The company had reported a net profit of Rs 62.4 crore in the corresponding quarter of the last year, it said in a BSE filing.
Indian cement industry on track to meet 2030 carbon emissions int
New Cement Plant Project Jobs in India | Careerjet
New Cement Plant Project Jobs in India All Filter 17 jobs Create alert All Plant Head
Currently, Ambuja Cement has a cement capacity of 29.65 million tonnes with five integrated cement manufacturing plants and eight cement grinding units across the country. The company also generated 7.4% of its power needs from renewable resources. The company produces one of the best quality cement in India.
Today's cement news updates from around the world. Cement projects and
The World Cement Association has welcomed commitments from the UK, India, Germany, Canada and UAE to support new markets for low-carbon cement and concrete, at COP26. Argos has been recognised by the Dow Jones Global Index as a world leader in sustainability
Cement Industry in India, Indian Cement Industry, Sector, Analysis, Trends
Cement plants near the ports, for instance the plants in Gujarat and Visakhapatnam, will have an added advantage for export and will logistically be well armed to face stiff competition from cement plants in the interior of the country. India's cement production capacity is expected to reach 550 MT by 2025.
Lehigh Hanson breaks ground on new cement plant in Mitchell, Indiana
Lehigh Hanson breaks ground on new cement plant in Mitchell, Indiana. On Tuesday, October 8, 2019, Lehigh Hanson broke ground to mark the start of construction of its new Lehigh Cement Company plant in Mitchell, Ind. The company will invest more than $600 million in the new state-of-the-art plant which will expand the existing plant's operations.
ACC inaugurates new cement plant in Thondebhavi,
ACC inaugurates new cement plant in Thondebhavi, Karnataka On 14 December 2009 ACC has announced that the company''s newest cement plant in Thondebhavi, Karnataka, was inaugurated today (14
Top 10 Best Cement Companies In India 2021
10. India Cements. India Cements Limited is a cement manufacturing company in India. The company is chaired by former President of the International Cricket Council N. Srinivasan. It was founded in 1946 by the SNN Sankaralinga layer and the first plant was set up in Thalaiyuthu in Tamil Nadu in 1949.
new upcoming cement plants in india | Prominer (Shanghai) Mining
India: 21 new cement plants to come up in nine districts23 Nov 2010 Twenty one new cement plants will be set up in Madhya Pradesh. 18 Big industrial groups like Aditya Birla Group, Ambuja Cement, Dalmia . Get Price
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Cement Plant Projects in India. We found 26 Cement Plant Projects in India. You can search projects information by project status also. Get upcoming Cement Plant projects news, Detailed Project Reports, Update on Projects via daily email alert.
Pioneer Cement commences construction of its new plant
PCI is a joint venture between RAK Gas Commission and the Indian Penna Cement Industries Limited (PICI). Commenting on the setting up the new cement plant, Dr Khater Massaad, Adviser to Shaikh
Star Cement to soon begin production at new plant in WB
Star Cement is a major cement player in the Northeastern states and with the new greenfield plant in Jalpaiguri, the company is eyeing the north Bengal market, besides Bihar. The company has been producing some cement in Siliguri by way of lease a grinding unit, which will be discontinued in January-end.
India: 21 new cement plants to come up in nine districts
Twenty one new cement plants will be set up in Madhya Pradesh. 18 Big industrial groups like Aditya Birla Group, Ambuja Cement, Dalmia Cement, Imami Cement and Essar Cements Ltd etc will invest 25,726 crore for setting up 21 new cement plants. Around 25,000 people are expected to get direct and indirect employment from these cement plants.
List of Cement Factories in India
Initially a part of Reliance Cement Company Pvt. Ltd., the Mihar plant in Madhya Pradesh was acquired by MP Cement in 2016. It is one of the largest plants when it comes to manufacturing clinker and its fully automated robotic lab ensures top quality products. Whether Portland Pozzolana cement (PPC) or Ordinary Portland cement (OPC), this unit has a clinker capacity of 3.3 million tonnes per
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CCI ::: Cement Corporation Of India Limited
Cement Corporation of India Limited (CCI) was incorporated as a Company wholly owned by Government of India on 18th January 1965 with the principal objective of achieving self sufficiency in cement production. The authorised and paid-up capital of the company is Rs. 900 crores and Rs. 811.41 crores respectively.
greenfield cement manufacturing plant: Latest News & Videos, Photos
greenfield cement manufacturing plant Latest Breaking News, Pictures, Videos, and Special Reports from The Economic Times. greenfield cement manufacturing plant Blogs, Comments and Archive News on Economictimes.com
ABB to install electrification, automation systems at new cement plant
ABB to install electrification, automation systems at new cement plant in India. Jun 12, 2020. ABB announced that it will supply Birla Corp. subsidiary RCCPL with ABB Ability Expert Optimizer, an advanced process control solution for controlling, stabilizing and optimizing industrial processes, which will allow the cement producer to increase
ACC opens world's largest cement plant
It made news again in 1982 when it inducted India's first one million tonnes per annum kiln. A new plant was established in 2001 close to the old one. It came to be called New Wadi Plant. Comprising of one cement kiln with a capacity of about 5500 tonnes per day or 2 million tonnes per annum, it was again the largest kiln in India.
ABB to Install Automation Systems in India at RCCPL Cement Plant
They will be deployed at RCCPL's new cement plant Mukutban in the Maharashtra state. A scheme showcasing ABB's industrial process optimization. Image used courtesy of ABB. Investing in Cement Manufacturing. Birla Corporation is one of the largest industrial houses in India. The company was founded in 1919 as a jute manufacturer and has in
Cement Corporation of India
Cement Corporation of India Limited (CCI) is a public-sector undertaking of the government of India. The company was incorporated as a wholly government-owned corporation on 18 January 1965, with the objective of setting up cement units in public sector to help achieve self-sufficiency in cement production in the country. CCI is based in New Delhi.
India: Wonder Cements has dispatched cement from its Nardana, Maharashtra, grinding plant via a new rail route to Ahmednagar, also in Maharashtra. The Free Press Journal newspaper has reported that Wonder Cement plans to extend its use of the route ''in the near future'' to send cement by rail to Mumbai Port. Western Railway''s Mumbai Division expects to receive revenues of US$26,700/yr for use
Focus on the environment at new Indian cement plant
Focus on the environment at new Indian cement plant. Using all state-of-the-art technology for the project, Dalmia Bharat Group will minimise its environmental impact and maximise its productivity at their new Rajgangpur site. From crusher to packing plant, the project is designed to optimise power and fuel efficiency.
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ABB to install electrification and automation systems at new cement plant in India. 2019-12-09 . ABB Cottbus provides significant contribution to Lausitz, Germany region development. Webinars. On demand: Enhancing ABB Ability™ Expert Optimizer with mach
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redpajama_set_name: RedPajamaCommonCrawl


In this digital world, readers have a wide range of options to choose from when they want useful information or data from the internet search. With so many options available, it's up to the bloggers and website owners to increase the readership for a blog or informative website. But, what should be done to increase your blog readership incredibly?
Since the goal of every blogger is to build blog readership that believes in creative writing ideas, shares the content within their social circles and engages with the community built around the blog, we have listed some proven ways to increase your blog readership organically. By employing these readership tips, you can simply build a great community around your blogs by having an active and engaging readership.
Quality content writing is the key aspect when creating a blog to build active readership for it. Content quality should one of your priorities as a blogger because the blog will definitely perform poorly in the industry or niche if you are not writing high quality and engaging content for it.
Identifying what issues or problems your audience is having, could be the very first step towards quality content creation. In this way, you will be able to write different types of blog posts that are more likely to build active readership for your blog. For this purpose, try to understand what they want from you and then create posts around what they need to make things easier.
Content that speaks directly to the audience always performs well and help you bring more readers to your blog. It is the best way to address their interests as well as to provide apt solutions to their issues and problems.
Undoubtedly, search engine optimization is the recommended way to convert search engine visitors into readers but over SEO can also lead your blog towards search engine penalties. So always make sure that you are putting the right and most relevant keywords in your content creation process and not stuffing the keywords to make the content unpleasant for readers. Always insert relevant and useful internal links in your new blog posts to build active and engaging readership for your blog.
As increasing the visibility in the search engine is vital and creating content around your target keywords can help you do it with best, you should not write duplicate blog posts to repeat your keywords most often but you can republish old blog posts with updated content. Through this way, you can show your readers that you are doing the in-depth search and working to make things efficient for them by explaining more effectively. You should also avoid duplication while writing content for your blog as it can lead you toward SEO difficulties. Always write quality content which is unique and engaging as well.
Blogging is one of the best online businesses that always require valuable connections and relationships with like-minded peoples. The more relationships you will have with fellow bloggers, the more successfully you will be able to increase the readership for your blog. You can host guest blog posts on their blogs or can ask them to feature your valuable content in their posts. By doing so, you will not only increase blog readership but will enjoy boosted sales and online visibility as well. Blog commenting on the most relevant blogs can also help improve blog traffic.
Not asking the readers to subscribe can be one of the reasons you are not getting enough traffic on your blog. So it's time to build your list by asking the readers to subscribe for more useful blog posts and appealing stuff. Use of the distinct but appealing call to action in your blog posts is the best way to encourage readers to subscribe.
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Responding to your audience's comments and queries is one of the realistic ways to increase your blog readership because it will show that you value your readers and always there to assist them in any best possible way. No matter it is the comment on your blog post or an email sent by the reader to inquire something regarding your blog, you should always be ready to respond your readers in order to build an active readership for your blog. After getting on time responses, they will become your loyal fans and returning readers to keep your blog on visible positions in search engine results.


text:
Publish Date March 1, 2019
Heeding Key "4 Moments" to Reduce Inappropriate Antibiotic Therapy
Nearly 23,000 people die each year in the United States because of antibiotic resistance.
In acute care hospitals in the United States, an estimated 20% to 50% of all antibiotic prescriptions are inappropriate or unnecessary,1 including 50% of those prescribed for acute respiratory conditions such as bronchitis and bronchiolitis, asthma and allergy, viral and nonviral pneumonia, sinusitis, suppurative and nonsuppurative otitis media, pharyngitis, viral upper respiratory tract infection, and influenza.2 In primary care settings, where the majority of antibiotics are prescribed, research has demonstrated that overprescribing of these therapies is generally highest in adult patients with lower respiratory infections.3
These types of misuse have fueled the antibiotic resistance crisis that has been linked to approximately 23,000 deaths each year in the United States.1 In addition, antibiotic use is associated with adverse effects such as Clostridium difficile infection1 and hepatoxicity,4 further underscoring the need to avoid unnecessary prescription of these drugs.
Antibiotic stewardship programs (ASPs) represent a critical component of efforts toward that goal. Evidence thus far shows that ASPs can help clinicians improve patient safety and quality of care "through increased infection cure rates, reduced treatment failures, and increased frequency of correct prescribing for therapy and prophylaxis…. [and they] …significantly reduce hospital rates of [C difficile infection] and antibiotic resistance," according to the Centers for Disease Control and Prevention.1
Nevertheless, because some of the practices commonly used in ASPs — including audit and feedback strategies — rely on external motivators, their "ability to influence how clinicians will prescribe antibiotics in the absence of an antibiotic stewardship program-driven intervention is questionable," wrote the authors of a recent paper published in JAMA.5
To that end, they recommended that clinicians apply the "4 Moments of Antibiotic Decision Making" each time antibiotic therapy is considered. This is a core feature of the Agency for Healthcare Research and Quality Safety Program for Improving Antibiotic Use,6 which was created in collaboration with the Johns Hopkins Medicine Armstrong Institute for Patient Safety and Quality and NORC at the University of Chicago. The 4 Moments framework provides a simple, structured approach to guide antibiotic prescribing, similar to previous models pertaining to hand hygiene, central line insertion, and other practices.
"Very often when clinicians prescribe antibiotics, they may be more focused on other aspects of the patient's care and forget to readdress the continued need for antibiotic therapy," said coauthor Pranita D. Tamma, associate professor of pediatrics and director of the Pediatric Antimicrobial Stewardship Program at Johns Hopkins University School of Medicine. "This is partially a consequence of the notion that antibiotics are not very harmful — as in, they might help but won't hurt. However, the body of evidence indicating that antibiotics are not benign and could cause harm is growing," she told Pulmonology Advisor.
Algorithm Reduces Antibiotic Use in Lower Respiratory Tract Infection
Antibiotics Often Inappropriately Prescribed for Bronchiolitis
Arikayce Approved to Treat Mycobacterium Avium Complex Lung Disease
Questions that clinicians should consider at each time point in the antibiotic decision-making process are highlighted below.
Moment 1: Does this patient have an infection that requires antibiotics?
Moment 1 can help limit antibiotic prescription as a habitual response to a clinical change or abnormal vital sign, such as delirium in an elderly patient or isolated fever. This step reminds prescribers to consider the possibility of a noninfectious condition (eg, aspiration pneumonitis, congestive heart failure, or pulmonary embolism in a patient with dyspnea and chest imaging changes). The authors noted that antibiotics are typically not indicated for patients with asymptomatic bacteriuria, and antibiotic treatment in these cases has been shown to increase the risk for antibiotic-resistant urinary tract infections.
Lung Infections Preventive Medicine
Predicting Respiratory Insufficiency in Amyotrophic Lateral Sclerosis
Close more info about Heeding Key "4 Moments" to Reduce Inappropriate Antibiotic Therapy


text:
Q: Variables Being Changed In Fetch But Unchanged Outside of Function I have a React App and I have an App container where I want to call a fetch to get some data to pass through to components that will need that information.
I've declared variables outside of the an onload function (where my fetch is located) and assigned them different values in the fetch. They variables will change in the fetch but outside of the fetch they remain unchanged.
How come they are not staying changed and is there a way to fix this?
I've tried changed the variables declared with var instead of let and I've tried putting the function inside the const.
I've also tried putting the fetch inside of other components (like Table as seen below) but then I have to declare two states and call a fetch withint a fetch because I'm already calling another fetch there and it becomes cumbersome...
let latestRelease = 0;
let draftRelease = 0;
let doClone = false;

function onload() {

  fetch(url, {
    method: 'GET'
  })
    .then(function(response) {
      return response.json();
    })
    .then(function(result) {
      for(var i = 0; i < result.length; i++)
      {
        if(result[i].id > latestRelease && result[i].status === "released") {
          latestRelease = result[i].id;
        }

        if(result[i].id > draftRelease && result[i].status === "draft") {
          draftRelease = result[i].id;
        }
      }

      if(latestRelease > draftRelease) {
        doClone = true;
      }
    })
    .catch((error) => {
      console.log(error);
    });
}

const App: React.FC = () => {
onload()
  return (
    <React.Fragment>
      <CssBaseline />
      <Container fixed>
        <PersistentDrawerLeft/>
        {console.log(latestRelease)} //displays 0
                <Title/>
          <Table />
      </Container>
    </React.Fragment>
  );
}

export default App;

I'm expecting for latestRelease and draftRelease to not stay as 0 but anything greater than that but the output is just 0. With the correct values returned I'd then like to pass them as props to the components.
Many thanks!

A: Part of the issue is that you don't seem to be properly distinguishing between synchronous and asynchronous code. fetch is asynchronous, meaning that that code is not guaranteed to run before anything else in the file. (fetch uses JS promises to manage async data, so it helps to have a good grasp on using promises.)
In a typical React case, you want to do a few things differently. First, you want to use component state to hold on to the data, rather than just random variables (this allows React to re-render when those values change). Secondly, when you're fetching data asynchronously, you need to work out what your app should do before the fetch is complete.
Here's a very basic example showing how this could work:
import React, { useState, useEffect } from 'react'

const App = ({ url }) => {
  // We'll use this variable to store an object with the details
  const [releaseDetails, setReleaseDetails] = useState(null)

  // When the component is loaded, we'll fetch the url (coming from the component props) and then
  // run your logic.
  useEffect(() => {
    let latestRelease = 0;
    let draftRelease = 0;
    let doClone = false;

    fetch(url)
      .then((response) => response.json())
      .then((result) => {
        for(var i = 0; i < result.length; i++) {
          if(result[i].id > latestRelease && result[i].status === "released") {
            latestRelease = result[i].id;
          }

          if(result[i].id > draftRelease && result[i].status === "draft") {
            draftRelease = result[i].id;
          }
        }

        if(latestRelease > draftRelease) {
          doClone = true;
        }

        // To make these details available to the component, we'll bundle them into an object
        // and update the component's state:
        setReleaseDetails({
          latestRelease,
          draftRelease,
          doClone
        })
      })
      .catch((error) => {
        // You'd ideally want some proper error handling here
        console.log(error)
      });
  }, []) // pass an empty array so this is only run when the component is first rendered

  // Because we're getting the data asynchronously, we need to display something while we wait
  if(releaseDetails === null) {
    return "loading..."
  }

  // Once the data is available, you can then use the details when rendering. You could instead
  // render a child component and pass the values as props to it.
  return (
    `LatestRelease: ${releaseDetails.latestRelease}`
  )
}

Speaking generally, there are probably a few React and general JS concepts you'll want to make sure you have your around, particularly around state and async data fetching. Not sure how much experience you've had with it so far, but you may want to take a look at some intro tutorials (possibly like this official one) to see how much you can follow and if there's anything that jumps out as something you need to familiarise yourself with more.

A: can you please try with state variable ,because if state variable changes the render will call again, here your using a normal variable may be its changing but its not rendering.
Thank You.

A: Variable should be in the state for re rendering

redpajama_set_name: RedPajamaStackExchange


I have no problems at all and like the life that I am living. Yet I am very anxious at times. I cannot really understand what's really making me anxious. What can be the cause of this anxiety please?
I will greatly advise you to get to a psychologist for knowing clearly from where the actual problem is coming from.


text:
var chai = require('chai'),
    expect = chai.expect,
    jKif = require('../../../../lib/jkif'),
    ast = require('../../../../lib/ast_constructors/ast_constructors');

describe('jKif.Parser.parse NumericLiteral parsing', function() {

  it('correctly parses a NumericLiteral positive integer into a NumericLiteralNode', function() {
    expect(jKif.Parser.parse('1').expressions[0]).to.be.instanceof(ast.NumericLiteralNode);
  });

  it('correctly parses a NumericLiteral positive decimal into a NumericLiteralNode', function() {
    expect(jKif.Parser.parse('0.1123').expressions[0]).to.be.instanceof(ast.NumericLiteralNode);
  });

  it('correctly parses a NumericLiteral negative integer into a NumericLiteralNode', function() {
    expect(jKif.Parser.parse('-6').expressions[0]).to.be.instanceof(ast.NumericLiteralNode);
  });

  it('correctly parses a NumericLiteral negative decimal into a NumericLiteralNode', function() {
    expect(jKif.Parser.parse('-6.999').expressions[0]).to.be.instanceof(ast.NumericLiteralNode);
  });

  it('correctly parses the number value out of a NumericLiteral for positive integers', function() {
    expect(jKif.Parser.parse('6').expressions[0].number).to.equal(6);
  });

  it('correctly parses the number value out of a NumericLiteral for negative integers', function() {
    expect(jKif.Parser.parse('-6').expressions[0].number).to.equal(-6);
  });

  it('correctly parses the number value out of a NumericLiteral for positive decimals', function() {
    expect(jKif.Parser.parse('0.166').expressions[0].number).to.equal(0.166);
  });

  it('correctly parses the number value out of a NumericLiteral for negative decimals', function() {
    expect(jKif.Parser.parse('-0.166').expressions[0].number).to.equal(-0.166);
  });

});

redpajama_set_name: RedPajamaGithub


text:
Commerce / Management
People in wine
Home / Viticulture / Vosne-Romanée focuses on biodiversity in its vineyards
Vosne-Romanée focuses on biodiversity in its vineyards
By Vitisphere December 14, 2022
Vosne-Romanée winegrowers do not view the process as merely theoretical and have since taken action. - crédit photo : DR
n a first for Burgundy, Vosne-Romanée, the famous 150-hectare Côte de Nuits appellation, is working collectively to list and develop its biodiversity. During its launch phase in spring 2021, the project brought together the local producers' organisation, the town council and the chamber of agriculture. "The idea was to work at village level because in a fragmented wine region like Burgundy, any action has consequences for the neighbour. Also, at this level, we can obtain representative results for the hillside vineyards, which can be used for other appellations", explains Lise-Marie Lalès, an advisor with the Côte-d'Or chamber of agriculture.
The group carried out an assessment of the entire village hillside, from the village itself to the forest. "We started by listing the potential habitat areas, i.e. grassy areas, walls, the dry stone walls or 'meurgers', shrubs and trees. That's why it was important to include the village council, which is tasked with mowing certain areas". The birds there were then inventoried with the help of the League for the Protection of Birds. Only birds were involved because "they are a simple, quick indicator of biodiversity".
The results show there are more potential habitats and birds at the top of the hill, where the forest begins, and at village level. Between the two, "quite understandably there is an area that is less rich in terms of biodiversity, because it is entirely used for winegrowing", continues Lalès. This has produced many avenues for improvement. "Before considering agroforestry, we have to start by making the most of what is already here". Hence, "there are quite a few grassed areas in Vosne, but their usage is not optimised. We also need to work on restoring the dry stone structures". Subsequently, consideration can be given to planting hedges and trees. Lalès reminded growers that for this purpose, "there are different support schemes depending on the wine regions".
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text:
You are here: Home | News | May 2018 | Hawaii volcano blasts churches into action
Hawaii volcano blasts churches into action
May 14 2018 by David Roach, Baptist Press
Amid a lava flow that has destroyed three dozen structures and the threat of a violent volcanic eruption, Hawaii's churches "are working in really neat ways," said Chris Martin, executive director of the Hawaii Pacific Baptist Convention (HPBC).
Congregations on Hawaii's Big Island have banded together to pray, secure housing for some of the area's 2,000 evacuees and, beginning this week, operate a mobile shower unit.
Photo from USGS.gov
Hawaii's Kilauea volcano has destroyed 36 structures, including 26 houses, since it began releasing lava through vents May 3.
"The main focus of our people so far," Martin told Baptist Press (BP), has been ministry "to the needs that are immediate. But our history and our practice has been a long-term presence with those that have been affected by disasters."
"Stepping in to meet needs," Martin added, will "open great doors" for gospel witness.
Since May 3, the Kilauea volcano has been releasing lava through vents in the ground, destroying 36 structures, including 26 homes, the Associated Press (AP) reported. Some 60,000 gallons of flammable liquids had to be removed from a geothermal power plant near the vents, according to CBS News.
Geologists warn that within a week, the largest eruption of Kilauea in a century could spew ash and refrigerator-sized boulders five miles high and scatter them across a three-mile radius.
"If it goes up, it will come down," U.S. Geological Survey volcano hazards coordinator Charles Mandeville said, according to AP. "You don't want to be underneath anything that weighs 10 tons when it's coming out at 120 mph."
At Puna Baptist Church in Pahoa, Hawaii, 10 member families have had to evacuate their homes and two of those homes have been destroyed by lava, associate pastor Rob Thommarson told BP.
"What we've done immediately is try to help all the families get into some immediate emergency housing," said Thommarson, himself among the evacuees. "Everybody is staying with family, friends and church members."
If the evacuation "continues for weeks or months," Thommarson said, Puna will attempt to move its evacuated members into "intermediate housing" with more privacy.
The local Big Island Baptist Association's mobile shower unit has been moved onto Puna's parking lot and is set to serve residents as soon as possible, said Thommarson, a retired International Mission Board missionary. A prayer tent nearby will be manned by volunteers available to pray with evacuees.
Local churches of various denominations will band together to provide evacuees with food and clothing, Thommarson noted. A community prayer meeting was scheduled for Friday evening.
Neither Puna nor nearby Paradise Park Baptist Church have had their facilities threatened by lava, Martin said.
"Several" pastors and other church members in the area, Martin said, "have been using their vehicles to help people move" their belongings from harm's way.
HPBC disaster relief units are on standby, Martin said, and working with local officials to determine when and how they can best help.
Both Martin and Thommarson requested prayer from believers across the country as the lava flow continues.
(EDITOR'S NOTE – David Roach is chief national correspondent for Baptist Press, the Southern Baptist Convention's news service.)
5/14/2018 8:13:44 AM by David Roach, Baptist Press | with 0 comments
Filed under: Disaster relief, Disasters, Hawaii


New Music- NEWZY MUKULAH DROPS "JE GERE"
NEWZY MUKULAH DROPS "JE GERE"
Gere". The song was released on Monday 17th August 2015 and already its circulated in and out of the national territory (Cameroon). The song is highly valued and appreciated for its original nature. In "Je Gere" Newzy Mukulah reveals another aspect of him not being only an urban rapper, but also a proud African rapper, with an origin (Cameroon). With a song like this one, it is very evident that Cameroonian urban music is going somewhere. And Newzy Mukulah proves his determination to make it to the top. He is on point.


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This Superyacht Will House 39 Luxury Residences
The 222-metre "yacht liner" comes with a laundry list of pinch-yourself amenities.
The Rolex Sydney To Hobart's Anticipated Return
Meet 'Future' — A New Age Expedition Yacht
The 4 Most Exciting Yacht Debuts From This Year's Boating Shows
Why choose a residential yacht when you live on a gigantic floating apartment complex?
That seems to be the question posed by the designers of Somnio, the world's first "yacht liner." The epic vessel not only spans a staggering 222-metres, it offers 39 luxury apartments ready for well-heeled seafarers to live out their own lavish life aquatic.
The gigayacht was penned by Winch Design in partnership with Tillberg Design and aims to pair the best parts of superyacht living with the services and amenities of the finest five-star hotels.
Spread across six decks, the 33,500 GT vessel will become the largest superyacht in the world by both length and volume when she hits the seas in mid-2024, according to a statement.
Somnio will become the world's largest superyacht when she hits the seas in mid-2024. Winch Design
The build, which is expected to cost in the ballpark of $800 million, will be carried out by Norwegian yard Vard under the watchful eye of Somnio co-founder Captain Erik Bredhe. Bredhe previously helmed The World, another epic residential vessel, though says Somnio will better mirror the intimacy of a private yacht.
"The World has been a phenomenal success, though it is time for true superyacht co-ownership," Bredhe said in a statement.
The exclusive residences, which start from approx. $14.9 million, will be available by invitation or referral only, and the identity of each new owner will remain a "tightly guarded secret." In addition to that privacy, those on board will live in the lap of luxury.
Each apartment is fully customisable and can be outfitted with multiple cabins, plus a well-appointed kitchen, gym, library and walk-in wardrobe. They will also offer indoor/outdoor dining spaces for entertaining.
Somnio is jam-packed with luxury amenities. Winch Design
On top of that, Somnio comes with pinch-yourself shared amenities. Owners will have access to a spectacular 10,000-bottle wine cellar and tasting room, along with a spate of restaurants and bars. A highlight is the lounge in the ship's bow, which will reportedly offer "spectacular views" while under sail. Elsewhere, there's a sprawling beach club complete with water-sports facilities as well as myriad pools on the main deck.
Naturally, there is a full concierge service to cater to your needs on land and at sea. There is also world-class medical care available onboard to keep the crew and residents safe and healthy.
As for exploration, Somnio is equipped to travel to all four corners of the globe, from short stints in the Mediterranean to expeditions in Antarctica.
"Somnio will be the only residential superyacht in the world and has been designed to exacting standards that are commensurate with a life of opportunity," Bredhe adds. "Owners will share a truly unique lifestyle at sea, with a hand-picked crew and a never-ending global itinerary of carefully selected destinations and experiences befitting a yacht of this nature."
Somnio will be equipped with advanced research equipment that scientists and marine experts will use to explore the various ocean environments. The scientists will also regularly update owners on pressing environmental and philanthropic issues.
Check out more photos of the epic vessel below:
New 45-Metre Catamaran Has Fold-Out Terraces
The lavish multihull also has a giant swimming pool across the bow.
Returning this Boxing Day with a thrilling new class, the Rolex Sydney to Hobart is the ultimate open-water sailing race.
By Stephen Corby
Meet Aquon One — A New Hydrogen-Powered Catamaran
The zero-carbon-emissions catamaran will hit the water in less than two years.
Sail GP Returns To Sydney
Team Australia takes on the world in Sydney Harbour.
Will Smith, Sean Combs And Kevin Durant Invest In Arc's Electric Speedboats
The A-listers' recent investments have helped push the electric boat start-up.
A Ferrari-Inspired 27-Metre Yacht Concept
Meet the GranTurismo Mediterranea, a bright-red seafaring answer to the Prancing Horse.
This Steel Explorer Yacht Offers Adventure With 5-Star Luxury
The vessel also has an estimated range of 5,000 nautical miles.


Mercurio, 40, star of the Baz Luhrmann film Strictly Ballroom, will play the role made famous by Robert Carlyle in the hugely successful 1997 British film.
Comedian Michael Veitch, from TV's Full Frontal and Fast Forward, is also tipped to be cast in the production, which will open in Melbourne in early October before moving to Sydney.
Veitch will play the character portrayed by British film actor Tom Wilkinson.
The Australian show will be produced by dancer and choreographer David Atkins. "It will take another three to five weeks before we can announce the casting details," said a spokesperson for David Atkins Enterprises.
"But David Atkins will be the producer."
No names have been seriously circulated for the other four stripper roles. All six actors will have to appear naked.
In both the Broadway and London stage productions, a blindingly strong back-light hits the audience a split second after the boys toss their hats away.
The Full Monty started life in 1997 as a low-budget ($6 million) British film and told the story of a group of unemployed workers in the Yorkshire steel town of Sheffield forced to form themselves into a strip act to raise cash.
The movie was a huge hit worldwide, took in $500 million at the box office and scored four Oscar nominations, including for best picture.
The expression "the full monty" became widely established in the US following the the film success and a stage musical version was quickly planned. It began its Broadway run in October 2000.


text:
Dichaeturidae is a family of worms belonging to the order Chaetonotida.

Genera:
 Dichaetura Lauterborn, 1913
 Marinellina Ruttner-Kolisko, 1955

References

Gastrotricha

redpajama_set_name: RedPajamaWikipedia


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Civil War Period Letter written in period ink and dated: May 11, 1862.
I got your letter this morning and was to get one from home. I am getting along well but I am pretty weak yet. But I guess that I shall get well before long. Mother wanted to know what ailed me. Well the doctor says that I have had the spring fever. I thought it was a pretty damned hard spring fever. If you could see me now, you would think that I had the spring fever. I am as poor as a crow. And I am weak but I think that I shall get well now in a little while. You said that I had better stay here as long as I can. I shall do that. I shall stay here just as long as I can. I may get detailed after a while and stay all summer and I may get sent to the regiment. Some say that the eastern soldiers are a going to be sent from here to that big hospital too. But if we get sent there I shall get almost home. But I am pretty near home now. I can go home from here in twenty four hours and it would not cost but little. But they won't give furloughs from here now. I shall try and get one after a while. If I can I would like to be home the month of July. I guess by that time they will get Richmond taken. I expect that our folks will catch hell down there. I ain't there and I don't want to be and I shan't be as long as I can keep away. I hope they will do all the fighting that they are a going to do this summer. Our old ninth corps hasn't been in much yet. I see by the papers that old Burnsides keeps his niggers as a reserve. They ain't good for nothing. When you write I want to have you tell me where Lawrence is and what he writes about the fighting he said when he was in Canada that he hoped was in Richmond. We was a going right straight to Richmond when he left and he got out of one hard battle but I guess he will have to stand it this time. He will have to go to Richmond this time too. Mother said that she had some stockings that she was a going to send me. I don't want to have her send them till next winter. I can get stockings enough to wear this summer and as for a vest, I can buy one here for about three dollars. So I don't want to have you send anything this summer. I wore that old vest till I went to Annapolis Hospital and there I lost all my clothes. They were sent off to the wash works to be washed and they have not gotten back. I lost my old overcoat and a cavalry jacket and my pants and that old shirt that Mother made. But they give me a new shirt and a pair of pants and an old dress coat. I had to buy some. I bought a cap and a cavalry jacket. I paid two dollars and fifty cents for what I bought. It wasn't a great loss for my old clothes were poor and dirty. I want to have Mother send me a little black thread and a needle. She put a little in a letter. I got that paper you sent last night direct your next letter the same and it will come straight be sure. And put on there Ward 22. I am afraid that you will be losing some of those sheep this spring if they are dying off so fast. It would be a devilish shame if you should lose ten or fifteen good ones this spring. I guess there aren't any dangers of them fine wool ones dying. They keep lots of sheep out here in Pennsylvania. They keep small sheep but I see a lot of them coming from Baltimore. You probably will get about a dollar a pound for your wool this summer. I should think potatoes have gotten up high enough. The apple trees has got blooms out here and winter wheat has got headed up and corn is up. Plenty of the taters you can get this spring. Where are you going to have corn this year?


Teacher training providers on Merseyside are vying for extra student places after the Teacher Training Agency indicated that it will reallocate 150 places from the University of Liverpool to other local providers.
Liverpool University announced two weeks ago that it will cease to offer primary and secondary initial teacher training from September 2000, saying that it is uneconomical to continue to provide high quality courses. Last week, the TTA said the university's student numbers would be "reallocated to high quality providers for the benefit of Merseyside".
Liverpool Hope University College appears to be in pole position to capture up to 112 places using this criterion. Ofsted inspections have placed its primary initial teacher training provision ahead of the University of Liverpool's and other local providers'. In secondary ITT, the Ofsted inspectors rated Liverpool Hope's provision more highly than the university's in English and mathematics and equally highly in modern languages - the three subjects that it offers in common with the university.
"Liverpool Hope University will be arguing strongly that we could take up these extra numbers," said Simon Lee, rector and chief executive of Liverpool Hope.


text:
Canterbury Tails 5/27
Posted on May 27, 2015 by Mike Glyer
Aka Mansfield Puppy Park
The wisdom of crowds is supplied by Ruth Davies, Adam-Troy Castro, Nancy Lebovitz, Gabriel McKee, Patrick Nielsen Hayden, Lyda Morehouse, L. Jagi Lamplighter Wright, Alexandra Erin, Vox Day, JDZ, Lis Carey, Joe Sherry, Lisa J. Goldstein, Rebekah Golden, Joseph Brassey, John Scalzi, Katya Czaja, plus less identifiable others. (Title credit goes to File 770 contributing editors of the day rcade and Kary English.)
Ruth Davies on The Hippo Collective
"Taking a Literary Step Backwards: the Hugo Awards 2015" – May 24
This scandal is clearly worrying; such regressive views placed upon particular literary genres, such as science fiction and fantasy, must have implications for other genres, and the larger literary field. Literature is key in its power to evolve and combat the oppression of minority groups, by allowing a voice and platform (although being well heard often unfortunately relies on getting 'discovered' and subsequently published). Right-wing action is also more concerning when involved with such canonising activity as literary awards. Awards often help shape the (Western) literary canon, which contains a lot of the West's most famous and widely read literature. Therefore right-wing attitudes, such as those of the 'Sad Puppies' and 'Rabid Puppies', merely blocks diversification of the canon – discouraging the cultural change that the West still desperately needs.
However, the question still remains: how do we overcome such regressive strategies in literature? The democratic fan vote should appear the fairest and least problematic strategy, yet as seen, it has its fundamental drawbacks.
Font Folly
"Tom Puppy and the Visitor from Planet Clueless" – May 27
A Sad Puppy/Rabid Puppy supporter posted an op-ed on the men's rights site Return of the Kings (he links to and heavily paraphrases one of the Sad Puppy podcasts), "How Female-Dominated Publishing Houses Are Censoring Male Authors" that is a great example of several of the issues that I believe underpin the Sad Puppy position. Never mind that the statistics show that men make up more than 65% of the annual publishing lists of most of the publishing houses, and male-authored books comprise more the 80% of books reviewed in the major publications, this guy is here to tell us that men are being censored!
Adam Troy-Castro on Facebook – May 27
(Sigh) No, I am not saying, nor am I ever going to say, that the organizers of the Sad Puppy nonsense need to be "boycotted" for what they have done and said, and I am most certainly not saying that the writers they advocated for need to be boycotted for the actions of those who supported them.
This is after all me, the guy who has made such a regular habit of arguing for separating the art from the artist, most of the time in more extreme circumstances. If I can distinguish between Bill Cosby and "Bill Cosby," if I can praise the occasional film by Roman Polanski, if I can struggle in vain to discuss the filmic achievements of Woody Allen without being slammed by the same stuff that artistic discussions of Woody Allen are always slammed with, if I can further regularly wax enthusiastic about work by writers like Stephen Hunter and Dan Simmons who exist so far from me on the political spectrum that we are almost on separate rainbows, then why the hell would I tell anybody to boycott the work of {Gay-Basher McManly-Nuts}, to name one, just because I think it's fun to summarize his persona as {Gay-Basher McManly-Nuts}? Ditto with {Hurt-Feelings Harry}, {Steely-Eyed Rage-Monster}, Beale The Galactic Zero, and the rest of that crew. I mock them with abandon, but want *none* of them subjected to organized boycott of any kind.
I have said nothing advocating otherwise, and anybody who represents me as having said anything of the kind is, in precise measurement, a goddamned liar.
Nancy Lebovitz in a comment on Making Light – May 27
At Balticon, someone asked Jo Walton about the Hugos at her GoH speech, and she said that ideally, the Hugos are a gesture of love and respect, and campaigning for the Hugos is like persistently asking your partner whether they love you. It just isn't the same.
Doctor Science on Obsidian Wings
"Problems with the Hugo Nominations for Pro and Fan Artist" – May 28
[Doctor Science vetted the sample art in the Hugo Voters Packet and says she discovered most of the material from Nick Greenwood and Steve Stiles came from another eligibility year, and that among all artists she traced 14 items to periods before 2014.]
I'll stop here for the moment, and go on later to talk about things like: how I'm going to vote, what I think the problems with the categories are, and start some ideas about how to fix them.
For a start, though, I urge my fellow voters to click around the 2014 Pro and 2014 Fan collections at Hugo Eligible Art, to get a sense of what your baseline should be for comparison.
Gabriel McKee on SF Gospel
"The Way the Future Never Was" – May 27
For a lot of us, SF's ability to deal with current problems in metaphorical terms is the whole point. It's why we got interested in the genre, and why we've stuck with it—because there will always be new quesitons, and new angles on them. Does Brad Torgersen really want SF to be a genre about space ships and ray guns with no resonance with current society? Does he really want SF authors to abandon the time-honored tradition of exploring social issues with SFnal metaphor? That sounds to me like an SF that's afraid of the future.
"The Way the Future Never Was: A Visual Appendix" – May 27
To get a better idea of Brad Torgersen's problem with today's science fiction, let's take a look at some good, old-fashioned, reliably-packaged SF….
Hey, this one looks fun. It's got space ships and all kinds of stuff. Wait, what? It's about the evils of capitalism? Bait and switch!
John @scalzi interviewing THREE-BODY PROBLEM author Cixin Liu at the China Institute. pic.twitter.com/p91QmvaJ6S
— P Nielsen Hayden (@pnh) May 27, 2015
Lyda Morehouse on Bitter Empire
"Real Talk About John Scalzi, Vox Day, And That Big Big Book Deal" – May 27
Vox Day (Theodore Beale), if you recall, is the mastermind behind the Rabid Puppies (the super-far right organizers of this year's Hugo debacle.) Beale apparently also sees himself as Scalzi's rival. Beale has all sorts of "hilarious" nicknames for Scalzi….
So, as you can imagine, Beale's head is near ready to explode.
He starts off with a simple report of the deal, but then it takes a hard right into God knows what. Beale says that Scalzi's deal can really only be expected because Tor, his publisher, really doesn't have any big name authors in its stables beyond Scazli, except maybe one other, and, more importantly, "It's not as if the award-winning Jo Walton or the award-winning Catharine (sic) Asaro or any of their other award-winning authors sell enough books to support all the SJW non-SF they keep trying to push on an unwilling public."
Whoa, ladies, that was almost a compliment there for being all award-win-y, but nope. According to Beale, the only reason Walton and Asaro write is push the SJW (Social Justice Warrior) "non-SF" on all of us non-willing readers.
JDZ on Never Yet Melted
"John Scalzi Gets $3.4 Million Publishing Deal" – May 27
Scalzi has alienated a significant portion of his readership with sanctimonious hoplophobic blog posts (example) and by lining up with the Social Justice Warriors in the fighting over the Hugo Awards. My guess is that his backlisting powers will be declining.
L. Jagi Lamplighter Wright conducts interview on Superversive SF
"Interview with Hugo Fan Writer Nominee: Dave Freer!" – May 27
7) How did you come up with the idea for your current nominated story?
Eating cheese late at night. It was that or my concern for the state of a genre I love. I happen think all nice boys and girls should love sf and fantasy (and find sf and fantasy to love). I think all nasty boys and girls should too. I am delighted if the rare, nasty, odd, and possibly puke purple creatures crawling out of the East River do too. I just find it worrying when the latter group seems to have become so dominant that the rest lose interest and go and pursue other forms of entertainment and escapism.
Alexandra Erin on Blue Author Is About To Write
"Of Dinosaurs, Legos, and Impossible Hypotheticals" – May 27
There's another work nominated this year that has stirred similar questions in a more limited way, perhaps more limited because the Dramatic Presentation categories are seen as less serious and crucial in a literary award than the literary categories, and perhaps because as a Sad Puppy pick it is taken less seriously to begin with.
The work in question is The Lego Movie, which contains a couple of scenes near the end that make explicit the implicit framing device for a movie about Lego characters in a world made out of Lego blocks: it's all a child, playing with toys. It is this moment, in my opinion, that elevates The Lego Movie from merely being charming and fun to actually pretty sublimely brilliant. It explained so many of the odd quirks of characterization and storytelling earlier in the film.
I mean, it changed the movie's version of Batman from "weirdly out of character, but okay, it's funny" to "…that's freaking brilliant" because it wasn't Batman as adult comic book fans understand him but Batman seen through the eyes of a child, with way more focus on the cool factor of everything and of course he has the coolest girlfriend and of course even the grimdark angst seems kind of fun…
Vox Day on Vox Popoli
"Hugo Awards 2015: Best Novella" – May27
This is how I am voting in the Best Novella category. Of course, I merely offer this information regarding my individual ballot for no particular reason at all, and the fact that I have done so should not be confused in any way, shape, or form with a slate or a bloc vote, much less a direct order by the Supreme Dark Lord of the Evil Legion of Evil to his 367 Vile Faceless Minions or anyone else.
"One Bright Star to Guide Them"
"Big Boys Don't Cry"
"The Plural of Helen of Troy"
"Pale Realms of Shade"
Lis Carey on Lis Carey's Library
"Rat Queens, by Kurtis J. Wiebe (writer), Roc Upchurch (illustrator)" – May 27
Booze-guzzling, death-dealing, battle maidens-for-hire.
This is so not my thing. The art is excellent. The writing is quite good. There's a plot–but here's where I run into trouble.
Joe Sherry on Adventures In Reading
"Thoughts on the Hugo Award Nominees: Related Work" – May 27
… Letters from Gardner: Lou Antonelli's collection is an interesting one. It's part memoir, part short story collection, part writing advice, part I have no idea. It shows Antonelli's development as a writer, some of the revision progress, and how influential some of those early rejections from Gardner Dozois were. It's not necessarily my cuppa, but it's not bad.
No Award: No Award continues to rear its ugly head. I read half of Wright's Transhuman and Subhuman collection (approximately), and I bounced off of it. His essay on fiction writing directed at a nonfiction writing friend was fairly solid, but I had issues with the rest of what I read – mostly in that I disagree with much of what Wright has to say and his essay writing style does little to encourage me to continue reading even despite my disagreement. I can't get into specifics here because each time I bounced off an essay, I moved onto the next. That said, he's not wrong that Ulysses is a terrible book.
On the other hand, Wisdom from my Internet is truly a terrible book that has no place anywhere near this ballot. I can understand, more or less, why people may have enjoyed / appreciated Wright's collection. I'm not his audience, but many people likely are. Michael Williamson's collection of non-sequiturs and jokes is sort of organized by topic, but most are not at all entertaining and what, exactly it has to do with the field of science fiction and / or fantasy is completely beyond me. But it isn't so much the lack of relation to SFF that gets me, it's how bad the jokes are and how disinteresting the whole thing is. I may not think that Wright's collection is worthy of an Award, but I don't think Williamson's should have been considered for nomination. I may never understand how or why it was….
Adult Onset Atheist
"There can be only one SNARL" – May 27
Where did such a foolish name as "Sad Puppies" come from? Larry apparently likes cutesy names; he was co-founder of a gunshop he named "Fuzzy Bunny Movie Guns". The gunshop went under, but the enduring flikr record of it shows racks of plastic-furnitured AK-47s, and glass cases with handguns lovingly laid out for display. "Sad Puppies" is a name derived from the kind of immature humor that wants to be irony when it grows up.
The idea for "Sad Puppies" pre-dates the Hugo kerfluffle. On Larry's blog one of the first posts he tagged with "Sad Puppies" is a reactionary commentary-style rebuttal to a September 2009 POTUS speech to a joint session of congress, and the next is a similar reactionary commentary to the 2010 SOTU. So "Sad Puppies" in Larry's mind is political in the strictest sense of the word. Yet somehow everyone else is really political people –whether they say so or not- and poor Larry is just trying to give his embattled writers the only chances available because he perceives them as having been shut out. And the only way to get "his" writers a fair shake is to shut out any competing works that might try to leverage some unfair literati elitist advantage by not being crappy.
The reason the Sad puppies can pee all over the Hugo process is because of complacency in fandom. When I talk about complacency I am mostly talking about myself. I ask myself "How can you make good nominations when you haven't read more than a dozen SF novellas this year?" The nice voters packet provides a guided reading list; the trufans have done the heavy lifting. So far this year there are over 9,000 voting members of worldcon, and membership is open for a few more days. For $40 you can get a vote and a nice electronic voting packet; unfortunately many of the stories in it are crap. Some of the Hugo nominations this year received less than 30 votes. There needs to be some way of bridging the complacency gap so the large numbers of fans who care enough to vote for a Hugo are presented with a couple choices worth voting for. Perhaps that means I need to get off my rear and wade through the vast number of published SF/F stories to make recommendations and vote during the nomination process instead of waiting until after the nominations list is published.
Lisa J. Goldstein on theinferior4
"Let Me Explain… No, There Is Too Much. Let Me Sum Up." – May 27
One of my questions when I started was why the Puppies chose these specific stories. And after all that reading, I have to say that I still don't know, and the statements of the Puppies themselves don't really help. Larry Correia wanted to nominate stories that would "make literati heads explode," stories with right-wing themes that would anger SJWs (Super-Judgmental Werewolves?) when they appeared on the ballot. But we're very used to narratives of straight white men doing straight white manly things, and even seeing those stories nominated for Hugos. It's all just business as usual. I don't know about other people's crania, but my head stayed firmly on my shoulders while I was reading — though it did slip toward the desk a few times, my eyes closing, thinking, Ho hum, another one …
Correia also rejected "boring message fiction" — but then how to explain John C. Wright's Catholic apologia, or Tom Kratman's push for more and more weaponry? And his final explanation was that people were mean to him at a convention. Okay, but why these stories? Was putting us through all of this his idea of revenge?
Rebekah Golden
"2015 Hugo Awards Best Short Story: Reviewing J C Wright" – May 26
This is a parable told in the style of Kipling or of old Buddhist tales. It takes a mythology well known to the author and extends it into a second mirroring mythology like Zeno's Paradox applied to christianity. It was clever and written well, if in a pre-Hemingway style, but overall not a story for me.
"2015 Hugo Awards Best Fan Artist: Reviewing N Aalto" – May 27
Ninni had two pieces included in the Hugo Voters packet. Both were very well drawn and nicely colored. Based on her online portfolio I like her style and find her work pleasing to the eye. I suspect there are some in jokes I don't get but that's the nature of being the best fan at something. In short, nicely done.
Katya Czaja
"Hugo Award: Professional Artist" – May 27
Ranking Julie Dillon stood out as the clear winner in this category.
1) Julie Dillon
2) Nick Greenwood
3) Allan Pollack
4) No Award
5) Carter Reid
6) Kirk DouPonce
Things to do at Worldcon: Crash Hugo Awards on a unicycle. Wearing a chicken hat. #worldcon #conlife #fantasy #scifi
— Joseph Brassey does weapons vry srs. (@JosephBrassey) May 28, 2015
"Reasonable Measures" by @MattBors https://t.co/oqG1wsquOV #GamerGate #HugoAwards etc.
— Andy Thomas (@CorsairHermes) May 27, 2015
Lovely cabal meeting tonight; planned the future of science fiction through 2023. So that's nice.
— John Scalzi (@scalzi) May 28, 2015
This entry was posted in Awards, Heard Online and tagged Adam-Troy Castro, Alexandra Erin, Gabriel McKee, Hugo Awards, Hugo Voter Packet, Joe Sherry, John Scalzi, Joseph Brassey, Katya Czaja, L. Jagi Lamplighter, Lis Carey, Lisa J. Goldstein, Lyda Morehouse, Nancy Lebovitz, Patrick Nielsen Hayden, Rebekah Golden, Ruth Davies, Sad Puppies, Vox Day by Mike Glyer. Bookmark the permalink.
520 thoughts on "Canterbury Tails 5/27"
Bruce Baugh on May 29, 2015 at 6:17 am said:
CPaca: For years now, I've used "Incidents and Accidents, Hints and Allegations" as a journal or blog title. 🙂
McJulie on May 29, 2015 at 7:46 am said:
Can we nominate Kyra for best related work next year?
steve davidson on May 29, 2015 at 7:58 am said:
Bruce Baugh
"scatterlings and orphanges…."
Peace Is My Middle Name on May 29, 2015 at 8:02 am said:
@Standback.
Actually, it most likely is "illegal" for you to make the anthologies you are making for yourself.
"Copyright grants the holder the EXCLUSIVE RIGHT TO REPRODUCE THE WORK.
Bottom line: "a copy is a copy" and the originator/rights holder gets to decide how and when.
One of my teachers got in big trouble for distributing a big packet of photocopied excerpts to students for a class.
@PIMMN: a practice that used to be pretty routine when I was in school (pre-internet, e-readers and personal PCs)
There are analogous situations with patents. Several years ago, many people were copying patents (patents have to disclose how things work and the disclosure is public info) for electronic paintball guns to "just make one for themselves" (usually modifying existing guns with adaptation).
It was nearly impossible to get people to understand that "a copy is a copy" and that "for my own use" is a factor that doesn't even enter the equation.
IP law is arcane, whether it be copyright, trademark, patents, trade dress, trade secret and complicated by seemingly non-logical exceptions, specific laws written for all kinds of special cases.
Video tape recorders got an exception for "time-shifting"; colorization got an exception (please, someone explain to me how "coloring" inside the lines confers the status of "new work" onto something….); electronically, there are all kinds of incidences in which the technology subverts things through the nature of its operation.
Bottom line, there is "custom" and there is the law. What Standback is talking about doing is pretty much "custom" and hardly anyone would look askance at it.
Standback on May 29, 2015 at 8:29 am said:
steve: It's my understanding there are provisions for making copies or format changes if they're exclusively for personal use. It's sharing or distribution that's illegal.
I don't have time right now to find an authoritative source (and copyright differs between countries), but Australia certainly has this provision, and I found a page from Stanford explaning that when researching something on the web, you're alloeed to print out a copy for yourself, but NOT an extra copy for a friend…
Glenn Hauman on May 29, 2015 at 8:38 am said:
steve davidson:colorization got an exception (please, someone explain to me how "coloring" inside the lines confers the status of "new work" onto something….)
Here's an example from film: http://nofilmschool.com/2015/01/colorists-most-appreciated-people-post-production
Having done it for comics, there's even more involved as there's no original starting point. Note Dave Stewart's before and after images here: http://www.opb.org/artsandlife/article/8-time-eisner-winner-portland-colorist-dave-stewart/
Jim Henley on May 29, 2015 at 9:03 am said:
Brian Z: I effing salute your Ulysses jape. My jaw dropped.
Meredith on May 29, 2015 at 9:21 am said:
Thank you to everyone who answered my questions! You've all been a big help. 🙂
Aaron on May 29, 2015 at 9:39 am said:
I'm not sure why she should have. If she photocopied excerpts and was using them for teaching, that would seem to fall under the permissible use provisions contained in 17 U.S.C. § 107.
I did some temp work as a photocopier jobsbody in a secondary school (roughly equivalent to high school) once. If I recall correctly excerpts are okay, but they have to be under a certain number of pages per work. I think the scans_daily livejournal community worked under a similar principle for pimping comics, too.
Aaron on May 29, 2015 at 10:00 am said:
If I recall correctly excerpts are okay, but they have to be under a certain number of pages per work.
I know that there is no hard and fast rule established under U.S. law, but generally 10% of a work is the generally accepted rule of thumb.
Meredith on May 29, 2015 at 10:10 am said:
I just had a quick look at the UK factsheets and up to 10% seems to be the custom, although not the law. The law is more wishy washy: its fine so long as it doesn't undermine sales of teaching materials.
We also definitely allow for format shifting and/or backup copies for personal use, so Standback's advice is fine and usable for any worried British residents. 🙂
CPaca on May 29, 2015 at 11:08 am said:
JJ, Bruce, Steve – glad you got the right allusion.
I'd hate for anyone to be thinking this instead…
Kurt Busiek on May 29, 2015 at 1:23 pm said:
Steve Davidson asked how coloring something renders it a new work.
Short answer: it's in color now. That's both different and new.
Longer answer: color can affect depth, can affect focus, affect atmosphere, mood, texture, clarity, balance and more. A work in color that was in black-and-white is not the same as it was before.
David Goldfarb on May 29, 2015 at 3:25 pm said:
@Abi: Thanks for the correction. I think now that I was confusing you with a regular on rec.arts.sf.composition (back when rasfc had regulars) who would occasionally write about how it was to be Greek Orthodox. (I'd give her name but it has fallen out of my head.)
rcocean on June 26, 2015 at 7:23 am said:
Ms. Davies certainly has an interesting view of SF. Evidently, its not something to be enjoyed, but a political weapon that should be used to advance her political agenda. Its her kind of thinking that's led many to support Sad Puppies.
Danny Sichel on June 26, 2015 at 9:25 am said:
Evidently, its not something to be enjoyed, but a political weapon that should be used to advance her political agenda. It's her kind of thinking that's led many to support Sad Puppies.
… and their political agenda.
edit: but, of course, this is a fallacy. Sad Puppies is not about politics, it's about cronyism, and being friends with Brad Torgersen. The only people on the Sad Puppies slate (outside of the Dramatic Presentations) were Brad's friends.
Rev. Bob on June 26, 2015 at 9:26 am said:
Wow, commenting on a month-old post? That's some real bravery you ain't got.
Mike Glyer on June 26, 2015 at 9:54 am said:
Rev. Bob: "Wow, commenting on a month-old post? That's some real bravery you ain't got."
I can tell from the stats there are a handful of people every day who come and read through a bunch of roundup posts for the first time. They're experiencing them as what they read today, not as something we read a month ago.


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Why All This Fuss Over Satoshi Nakamoto Is A Boost For Bitcoin
By Emily Siner
Published March 7, 2014 at 12:28 PM EST
Is this Satoshi Nakamoto, the mysterious founder of Bitcoin? He says no.
On Thursday, Newsweek's Leah McGrath Goodman reported that she had found the founder of the crypto-currency Bitcoin — the elusive Satoshi Nakamoto, a person or group of people whose true identity has been unknown.
As we discussed Thursday ('Newsweek' Says It Found Bitcoin's Founder: 4 Things To Know), this isn't the first time journalists have tried to pinpoint the real Satoshi Nakamoto. But this certainly has garnered the most attention.
It sparked a good, old-fashioned media frenzy — reporters swarmed the Los Angeles area home of Dorian né Satoshi Nakamoto, chased him in their cars as he drove to lunch with Associated Press reporter Ryan Nakashima, and reported on his statement to the AP denying that he was the brilliant enigma who created Bitcoin — "I got nothing to do with it," Dorian Nakamoto said.
But Goodman told Jeremy Hobson on NPR's Here And Now Friday that she stands by her reporting.
His family told me that he would deny it. In fact, I was very surprised when he acknowledged it to me when I met with him. ... I said, "People think that you are the founder of Bitcoin," ... and he said, "I cannot talk about that, I'm not connected with it anymore."
And I reasserted, "We are talking about Bitcoin here, correct?" and he said "Yes!" ... and in addition, my last question to him was: "If you are in any way not connected, you need to tell me. You need to tell me now." And he said, "I cannot do that."
Now, as we have mentioned before, a lot of people don't know or care what Bitcoin is (If You've Ignored Bitcoin Up Until Now, This One's For You). And if you're not a part of the Bitcoin community, its newsworthy successes and pitfalls don't affect you. So what if you can use your Bitcoin on OKCupid? So what if a hacker stole $480 million worth of Bitcoin in February? It's interesting if you care; if you don't, you haven't lost a dime.
But Bitcoin relies on people knowing and caring about it to establish legitimacy. There needs to be faith in the system, faith that Bitcoin is real, faith you can give someone a bitcoin and get something valuable in return.
As Goodman tells Here And Now: "I think there is definitely a future of Bitcoin as long as people believe in it."
With a media swarm, a car chase and a Twitter frenzy, Thursday's story has gotten more mainstream attention than any other Bitcoin-related news event. It doesn't deal with hard-to-grasp concepts like cryptography or Bitcoin mining — it just appeals to human curiosity. And if that's not enough to make people pay attention, what is?
Emily Siner
Emily Siner is an enterprise reporter at WPLN. She has worked at the Los Angeles Times and NPR headquarters in Washington, D.C., and her written work was recently published in Slices Of Life, an anthology of literary feature writing. Born and raised in the Chicago area, she is a graduate from the University of Illinois at Urbana-Champaign.
See stories by Emily Siner


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Nashville Plans Biggest Fireworks in Nation for Fourth of July
July 4, 2017 July 16, 2017 Wendy Wilson
Nashville's celebration for Tuesday, called Let Freedom Sing!, will feature fireworks billed as the country's biggest display.
The event will take place downtown and will include concerts. The fireworks can be viewed for free around Riverfront Park and at Ascend Amphitheater, Fox 17 reports. The Nashville Symphony will accompany the fireworks at Ascend Amphitheater.
Various musical acts will perform on stage at Fifth and Broadway starting around 4 p.m. The lineup includes the Nitty Gritty Dirt Band, R&B artist Jonny P and folk rock duo The Sisterhood, among others. Country artist Chris Young will be the final performer starting at 8:10 p.m.
Video screens will be set up on Broadway between Third and Fourth Avenue and at the Walk of Fame Park, with audio wafting through various downtown areas.
People at Ascend Amphitheater will be able to watch the Broadway stage concerts on screens, while those on Broadway and at Walk of Fame Park can watch the symphony performance on screens.
Nashville's fireworks show will be the country's largest for the third year in a row and will involve more than 35,000 pounds of explosives and 150 miles of wire. Nashville has gone all out to have a more extravagant display than the one in New York City. The fireworks are set to start at 9:30 p.m.
Earlier in the day, there will be a family fun zone opening at noon at Walk of Fame Park.
For more information on the day's events, go to visitmusiccity.com/july4th.
News, Trending4th of July, Nashville Fireworks
Nearly 20 Percent Of Rhode Island Voters Don't Live In Rhode Island
Commentary: Founding Fathers' Lessons Will Disappear If Not Taught
Jeff Webb Applauds Blackburn After She Asked Four Democratic Senators Seeking the White House to Recuse Themselves From Senate Impeachment Trial
Another Caravan Is Headed for the US Border, But DHS Says It's Ready
Tennessee Officials Update State on Licensing Process for Professionals
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Knoxville's New Socialist City Council Member Omits 'So Help Me God' When Taking Oath
Forbes Exposes Nashville's Financial Problems to a Global Audience
Commentary: Eric Holder and Wapo Threaten U.S. Attorney John Durham for Looking into Spygate
Carol Swain Commentary: Mark Galli's Unchristian Attack on President Trump from an Evangelical Perspective
Refugee Arrivals in Tennessee Increased 46 Percent Under Gov. Bill Lee in 2019, the Majority from High TB Burden Countries
Proposed Tennessee Bill Would Make Students Compete in Sports Based on Biological Sex at Birth
Both CNN and MSNBC Refuse to Air Senator Graham's Full Opening Statement
Duluth Trading Company Arrives with Two Tennessee Locations
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BELLEVUE, Wash.—May 7, 2018—On Saturday, local remodeling companies gathered at the Seattle Design Center to celebrate their craftsmanship and talents at the annual Remodeling/Trade Remodeling Excellence (REX/T-REX) Awards, produced by the Remodelers Council of Master Builders Association of King and Snohomish Counties. Overall, 87 entries were submitted, the highest number in the 32-year history of the event.
BELLEVUE, Wash—April 23, 2018—Nearly 82 percent of construction businesses struggle to find qualified skilled labor, according to a 2017 survey conducted by the Master Builders Association of King and Snohomish Counties (MBAKS) and Redfin. This labor shortage, area companies say, is a factor in too few homes being constructed and contributes to higher home prices.
Bellevue, Wash—March 1, 2018—The Master Builders Association of King and Snohomish Counties (MBAKS) announced the selection of Kathleen (Kat) Sims as its new executive director. Sims is the first woman to lead the association in its 109-year history. As the former vice president of environmental affairs, sustainability, and corporate responsibility of Weyerhaeuser Company, she is an influential leader accustomed to the building industry. She begins her new role Monday, March 5.


text:
Duration: 17 Days, 16 NightsDeparts from: CASABLANCAEnds in: CASABLANCATravel Style: Culture, Adventure, Active, Historic, Scenic, Shopping, RomanticActivities: Moulay Ismail's Shrine, Bab el Mansour, Berber Nomad Families, Artisan Galleries, Hassan Tower
Arrive at Mohammed V International Airport where you will be welcomed and transferred to your hotel in Casablanca.
Visit Casablanca, Morocco's commercial capital and largest city.
Visit Mohammed V Square which lays claim to some of the city's most impressive architecture, the majestic Hassan II Mosque, the Habbous District, the central market, and the residential districts of Anfa and Ain Diab, famous for their gardens, beaches, terrace cafes and restaurants.
Continue to Rabat. Enjoy the Mechouar (the ramparts and walls surrounding the Royal Palace), the majestic Mohammed V Mausoleum, the Hassan Tower and the Oudaya Kasbah, overlooking the Atlantic Ocean and offering fabulous views, as well as being home to Moroccan artisan galleries.
Rabat – Chefchaouen
Depart Rabat for the enchanting mountain village of Chefchaouen, passing through the green valleys of the Rif Mountains.
Explore Chefchaouen, with its winding lanes and narrow alleys which are home to numerous souks offering cuisine and artisan works, such as woolen items, intricate embroidery, and goats' cheese; all native to the North and not found anywhere else in Morocco. Relax in the square, visit a local farm or hike in nearby parks.
Destination: RABAT, CHEFCHAOUENActivities: Artisan Galleries, Rif Mountains
Spend the day exploring Chefchaouen, the "Blue City" just south of the Mediterranean coastline.
Explore the white and blue washed walls of the Medina or chill out around the main square and visit the Place Mohammed Park which has wonderful views of the Rif Mountains.
Make sure you try the local goat's cheese, famous in the region and take some time to look at the artisanal woolen products or even enjoy a walk in the surrounding countryside – whatever you choose, Chefchaouen is perfect for a relaxed day of sightseeing.
Destination: CHEFCHAOUENActivities: Place Mohammed Park
Chefchaouen – Fes
Enjoy the morning shopping, relaxing in the square, or hiking in nearby park.
In the late afternoon, depart for Fes.
Destination: CHEFCHAOUEN, FES
Meknes – Volubilis – Moulay Idriss – Fes
Day trip from Fes.
First stop will be the Imperial city of Meknes, visiting the medina which is surrounded by a triple thickness of 40km long walls which preserves one of the most beautiful gates in Morocco; the Royal Stables of the Alaouite Sultan Moulay Ismail, and the Jewish Quarter.
Explore Roman Ruins and Ancient Empires – Volubilis & Moulay Idriss. Spend time exploring the ancient Roman city of Volubilis with its well-preserved mosaics, palaces, baths and soaring arches it is considered one of Morocco's most important archeological sites.
After Volubilis, we move on to Moulay Idriss, one of Morocco's most venerated Muslim sites. It is said that for Moroccan's who can't afford the trip to Mecca, then to travel five times in one's life to Moulay Idriss is of equal merit. The scenic village has lovely souks to explore and a number of panoramic views of Volubilis.
Destination: MEKNES, VOLUBILIS, FESActivities: Jewish Quarter of Meknes, Royal Stables of the Alaouite Sultan Moulay Ismail, Medina Meknes, Moulay Idriss Mausoleum, Roman Ruins
Fes Guided Tour
A private tour guide will help you to explore Fes, the most ancient and holy of the Imperial cities.
Your cultural and historic tour will take you through the 2000-year-old living medina; a labyrinth of narrow lanes alive with markets and souks, craftsmen, donkeys and mules transporting their loads.
Visit the Attarine and Bou Inania Medersas (Islamic universities), the Nejjarine fountain, the Moulay Idriss Mausoleum, and the Karaouine Mosque.
Finish your tour with a visit to Fes Jdid, and the revered Merenid Tombs for a spectacular panoramic view of Fes.
Destination: FESActivities: Moulay Ismail's Shrine, Merenid Tombs, Fes Jdid, Nejjarine Fountain, Al-Attarine Madrasa
Fes – Ifrane – Azrou – Midelt
Depart Fes for Midelt.
Watch the landscape change as your journey takes you through the cedar forests of the Middle Atlas Mountains, passing through Ifrane, a well-known ski resort town created in 1929, and Azrou, an important center for Berber artisans.
Overnight in Midelt.
Destination: MIDELT, AZROU, IFRANE, FESActivities: Artisan Galleries, Middle Atlas Cedar Forest
Erfoud – Rissani – Merzouga
We will continue to Merzouga via Erfoud, Rissani and the Ziz valley dotted with palm trees, fortified villages, and Berber farming communities.
Arrive in Merzouga, the Erg Chebbi region of the Sahara Desert.
Here you will be welcomed with a glass of mint tea before you check into your accommodation.
Overnight in hotel in Merzouga.
Destination: ERG CHEBBI DESERT, RISSANI, ERFOUD, MERZOUGAActivities: Berber Nomad Families, Ziz Valley
After breakfast, we will explore the tiny villages around Erg Chebbi dunes such as Hassi Labied, Merdani , Khamlia, and M'fis.
We will visit the village of the Khamlia, originally home to slaves from Sudan, to experience their music and culture.
Our next stop will be the panoramic view of golden dunes near the Algerian border. You will have the chance to visit the sites of black volcanic rocks before continuing on to reach the panorama near Yasmina lac (if there's water in) where you will be amazed with the scene of the dunes in addition to the nearby lake (springtime).
Not far away there is the lake of Merzouga, with its bird populations, including flamingos. You may also want to visit the nomad wire house where many Berber handicrafts are priced lower than in the big cities.
Return to Merzouga prior to sunset to mount your camel, to explore inside the mysterious sand-sea of the Erg-Chebbi.
Enjoy dinner and music under the stars. Overnight desert camp.
Merzouga – Erfoud – Jorf – Todra Gorges – Dades
Wake up early morning to enjoy the sunrise on the top of the dune in the Sahara Desert then have your breakfast.
We depart towards Tineghir passing by Erfoud and Tinejdad. Have a break for lunch.
In the afternoon, we will continue to Todra gorges via Tineghir, stopping along the way for photos and admiring the views.
We will arrive in Todra Gorges to enjoy its marvelous Canyons views while hiking on foot.
Later on, we drive to Boumalne Dades and stopping for a panoramic view of Dades valley.
Overnight in Dade Gorge.
Destination: JORF, ERFOUD, MERZOUGAActivities: Todra Valley, Tinghir, Dadès Gorges, Camel Trekking
Dades Gorges – Ouarzazate – High Atlas Mountains – Marrakech
Following breakfast in the hotel, depart to Ouarzazate via Skoura.
Stopping for a panoramic view of the Kasbah of Taourirt then another photo stop near the Atlas Film studios.
Visit the Kasbah of Ait Benhaddou and stop for lunch in a local restaurant in the village.
In the afternoon, drive to Marrakech over the mountains of High Atlas passing through the Tizi N'tichka pass (2260 m in altitude).
Destination: OUARZAZATE, ATLAS MOUNTAINS, MARRAKESHActivities: Atlas Studios, Taourirt Kasbah, Tizi n'Tichka, High Atlas Mountains, Kasbah Ait Ben Haddou
You will see the famous Mosque of Koutoubia, the Medina and its souks, and explore some more of Marrakech's secrets: Ali Ben Youssef Koranic school, the Saadian, the Bahia Palace, and Majorelle Gardens.
You will spend the night Marrakech.
Destination: MARRAKESHActivities: Koutoubia Mosque, Saadian Tombs, Bahia Palace, Jardin Majorelle
Depart mid-morning for the city of Essaouira on the Atlantic Coast.
A welcome respite from the bustle of Marrakech, relax over a freshly caught fish lunch, stroll through the serene squares, browse artisan shops and galleries, and observe the handicrafts of the 'thuya' wood found only in Morocco.
Explore Essaouira.
With its relaxed feel, take in the small but bustling medina, stroll along the ramparts or beach, or visit the port to see the daily catch. Its expansive golden beach is popular with windsurfers. The port is famous for its amazingly fresh grilled seafood.
Strolling through the medina you will find thuya wood carvers and silver crafters working under the old Portuguese ramparts guarding the city from the sea. Essouira has one of the most charming walkable medinas in all of Morocco.
Recommended year round, especially in summer when it makes a nice relief from Marrakech heat.
Essaouira – Safi – El Jadida – Casablanca
After breakfast depart to Safi, a former Portuguese fortress famous for its sardines, pottery and ceramics.
Continue, via the picturesque coastal road, to Oualidia, a serene fishing village.
Enjoy lunch while you gaze out over the tranquil natural seawater lagoon, separated only by a sandbar from the wild waves of the Atlantic.
Continue to El Jadida, a former Portuguese colony, and UNESCO World Heritage Site.
Continue to Casablanca.
Destination: SAFI, ESSAOUIRA, JADIDA, OUALIDIA, CASABLANCA
Transfer to Mohammed V International Airport for departure.
Duration: 14 Days, 13 NightsTravel Style: Culture, Adventure, Active, Historic, Scenic, Shopping, RomanticActivities: Tinghir, Tafilalt, Moulay Ismail's Shrine, Bab el Mansour, Berber Nomad Families
Place Mohammed Park
Moulay Idriss Mausoleum
Merenid Tombs
The Marinid Tombs or Merenid Tombs refers to the ruins of monumental tombs on a hill above and north of Fes al-Bali, the old city…
Nejjarine Fountain
Al-Attarine Madrasa
Ziz Valley
The Ziz valley was once a passage for the Caravan routes linking sub-Saharan Africa to the Mediterranean. The valley boasts Palm trees and dates. Easily…
JORF
Travel Style: Historic, ScenicActivities: Tafilalt
Dadès Gorges
The Dadès Gorges are a series of rugged wadi gorges carved out by the Dadès River in Morocco.
Kasbah Ait Ben Haddou
Located in the foothills on the southern slopes of the High Atlas in the Province of Ouarzazate, the site of Ait-Ben-Haddou is the most famous…
Saadian Tombs
The necropolis is a large garden cemetery enclosed by a rampart to the south and by the wall of the Kasbah Mosque to the north….
OUALIDIA


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Ever Your Friend
Ever Your Friend is a book by artist Anna Campbell.
Ever Your Friend quantity
Softcover risograph edition, 56 pages, illustrated throughout
7 in. x 7in.
Ever Your Friend is made up of fragments of images that Campbell collected during a residency at the Lesbian Herstory Archives in Brooklyn, NY. Photos of hockey teams, bands, erotic imagery, portraits etc. (meticulously documented in the image index) are silhouetted in order to present the subjects' hands in isolation. As Campbell states in the introduction: "That their hands, bare arms, and the objects they hold have been isolated here from the context of those original images parallels the ellipsis of our understanding." What results is a book of that "re-images profound embodiments … through the sparest of gestures." Published by Issue Press. Numbered.
Using sculpture and site-specific installation interwoven with video projection, Anna Campbell's work deconstructs otherwise clearly legible signifiers of masculinity and heteronormativity in the service of illustrating alternate histories of attachment and desire. Campbell maintains an active exhibition record including solo exhibits at BOSI Contemporary in New York, Tractionarts in LA, and the Window Into Houston at the Blaffer Art Museum in Houston, Texas, as well as group exhibits at Seoul National University of Science and Technology in South Korea, Queens College Art Center in New York, and the Hyde Park Art Center in Chicago. She earned a BA in Studio Art from the College of Wooster and an MFA in Sculpture from the University of Wisconsin-Madison. Campbell teaches sculpture, installation and curation as Associate Professor in the Art & Design Department at Grand Valley State University in Michigan.
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If Lost Please Return to Matt Richards: Drawings by Matt Richards
Ahron Weiner
The Consumer Education Campaign: Workbook
Seldon Yuan
78 years, the average American life, three years after the leap year.
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Shohan. 初版. - Ōsaka-shi : ASIAPRESS INTERNATIONAL Shuppanbu, 2017. 大阪市 : ASIAPRESS INTERNATIONAL 出版部, 2017.
Book — 1 computer disc : color ; 4 3/4 in. Digital: text file; PDF.
Chungguk, Simyang : SKS, 2015. 중국, 심양 : SKS, 2015.
Book — 14 computer discs : illustrations ; 4 3/4 in. Digital: text file; PDF.
Figueiredo, Manuel de Andrade de, 1670-1735, author.
Fac-símile da edição de 1722. - Rio de Janeiro : Fundação Biblioteca Nacional, 2010.
3a ed. rev., 1a reimp. - México : Secretaría de Educación Pública, 2003, 2002.
Book — 176 p. : il. col.., mapas col. ; 27 cm.
Shohan. 初版. - Tōkyō : Kasama Shoin, 2003. 東京 : 笠間書院, 2003.
Book — xiii, 522 p. ; 22 cm.
3. ed. rev. - México, D.F. : Secretaría de Educación Pública, 2002.
Book — 243 p. : col. ill. ; 27 cm.
Tallinn : Tallinna Linnaarhiiv, 2001.
Book — 351 p. : ill., maps ; 24 cm.
2. ed., rev. - México : Secretaria de Educacion Publica, 2001.
Book — 175 p. : ill. (chiefly col.), col. maps ; 27 cm.
Stanford, CA : SPICE, Institute for International Studies, Stanford University, c2000.
Book — 95 p. : ill., maps ; 28 cm. + 10 col. slides.
Book — 2 v. in 4 ; 27 cm.
1st ed. - [Addis Ababa] : Aster Nega General Business, 1998.
Book — xii, 580 p. : ill., maps ; 20 cm.
Stanford, CA : Stanford Program on International and Cross-Cultural Education (SPICE), c1998.
Book — 171 p. : ill. ; 28 cm.
Stanford, CA : Stanford Program on International and Cross-Cultural Education, c1997.
Book — 132 p. : ill. ; 28 cm. + 2 transparencies in pocket.
Stanford, CA : Stanford Program on International and Cross-Cultural Education (SPICE), Institute for International Studies, c1995.
Book — 130 p. : ill., charts, tables ; 28 cm.
Book — 10 v. : ill. ; 27 cm.
Beograd : Zavod za udžbenike i nastavna sredstva, 1992.