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Bridge Bank Increases Sysorex Credit Line and Extends an Additional Term Loan for up to $12 Million in Financing
May 07, 2015 09:00 ET | Source: Bridge Capital Holdings
SAN JOSE, CA--(Marketwired - May 7, 2015) - Bridge Capital Holdings (NASDAQ: BBNK), whose subsidiary is Bridge Bank, a full-service professional business bank headquartered in Silicon Valley and with offices located nationwide, announced today that its Capital Finance Banking team has amended its revolving credit facility with Sysorex (NASDAQ: SYRX), a leading provider of Big Data software analytics and infrastructure solutions, to increase the credit limit from $6 million to $10 million and extend a new term loan in an aggregate principal amount of $2 million.
"By providing turnkey, end-to-end data analytics and IT infrastructure solutions, Sysorex is able to assist its clients by driving value and simplifying an increasingly complex business environment," said David Feiock, vice president in Bridge Bank's Capital Finance banking group. "We are thrilled to continue our partnership with the Sysorex team as they execute on their technology roadmap and growth initiatives, and expand their customer base," added Feiock.
Sysorex is a developer of big data analytics, mobile device solutions for enterprise and government customers worldwide. Its products include the AirPatrol location-based security and services platforms for cellular and WiFi devices, and the LightMiner Big Data Analytics solutions. It also offers a range of professional services focused on the development of custom cloud and converged infrastructure solutions.
"Bridge Bank is a true partner when it comes to reaching key milestones in our growth strategy," said Nadir Ali, Chief Executive Officer of Sysorex. "Its flexibility and creative approach to banking allows us to focus on delivering innovative solutions to an expanding global customer base with the knowledge that we have a committed banking partner behind us," he added.
About Sysorex
Through focused, custom technology solutions, Sysorex (NASDAQ: SYRX) provides cyber security, data analytics, cloud solutions, Mobile/BYOD solutions and strategic outsourcing to government and commercial clients in major industries around the world. From identifying security risks to helping clients realize value from their big data strategies, Sysorex has the experience, technology, partners, and agility to be your trusted IT partner. Visit www.sysorex.com, follow @SysorexGlobal and Like us on Facebook.
About Bridge Bank, National Association
Recognized by The Findley Reports as a Super Premium Performing Bank, and designated "Superior" by BauerFinancial and IDC, Bridge Bank is a full-service professional business bank founded in the highly competitive climate of Silicon Valley in 2001. From the very beginning, our goal has been to offer small-market and middle-market businesses from across many industries a better way to bank. Our technology banking division provides a broad range of financial solutions to venture-backed and non-venture-backed companies, enabling us to meet our clients' varied needs across all stages of business life. It's how we go about doing so that differentiates us from our competition. Bridge Bank's product offering includes growth capital, equipment and working capital credit facilities and treasury management solutions, along with a full line of international products and services and financing secured by domestic, government and foreign receivables. Learn more at the new www.bridgebank.com. Follow us @BridgeBank.
About Bridge Capital Holdings
Bridge Capital Holdings is the holding company for Bridge Bank, National Association. Bridge Capital Holdings was formed on October 1, 2004 and holds a Global Select listing on the NASDAQ stock market under the trading symbol BBNK. Bridge Bank Holding Company was recently admitted to Sandler O'Neill's Class of 2014 "Sm-All Stars" -- a select group of 35 top-performing publicly traded banks and thrifts from throughout the U.S. with market capitalization of up to $2.5 billion. For additional information, visit the Bridge Capital Holdings website at www.bridgecapitalholdings.com.
Certain matters discussed in this press release constitute forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995, and are subject to the safe harbors created by that Act. Forward-looking statements can be identified by the fact that they do not relate strictly to historical or current facts. They often include the words "believe," "expect," "anticipate," "intend," "plan," "estimate," or words of similar meaning, or future or conditional verbs such as "will," "would," "should," "could," or "may." Forward-looking statements describe future plans, strategies and expectations. Forward-looking statements are based on currently available information, expectations, assumptions, projections, and management's judgment about the Company, the banking industry and general economic conditions. These forward-looking statements are not guarantees of future performance, nor should they be relied upon as representing management's views as of any subsequent date. Future events are difficult to predict, and the expectations described above are necessarily subject to risk and uncertainty that may cause actual results to differ materially and adversely.
Forward-looking statements involve significant risks and uncertainties and actual results may differ materially from those presented, either expressed or implied, in this press release. Factors that might cause such differences include, but are not limited to: the Company's ability to successfully execute its business plans and achieve its objectives; changes in general economic, real estate and financial market conditions, either nationally or locally in areas in which the Company conducts its operations; changes in interest rates; new litigation or changes in existing litigation; future credit loss experience; increased competitive challenges and expanding product and pricing pressures among financial institutions; legislation or regulatory changes which adversely affect the Company's operations or business; loss of key personnel; changes in accounting policies or procedures as may be required by the Financial Accounting Standards Board or other regulatory agencies; and the ability to satisfy requirements related to the Sarbanes-Oxley Act and other regulation on internal control.
The reader should refer to the more complete discussion of such risks in Bridge Capital Holdings' annual reports on Forms 10-K and quarterly reports on Forms 10-Q on file with the Securities and Exchange Commission. The Company undertakes no obligation to publicly revise these forward-looking statements to reflect subsequent events or circumstances.
Bridge Capital Holdings


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Apply for a grant with the Tudor Trust
Sep 13, 2021 | Funding News
The Tudor Trust is an independent charitable trust which supports work which tries to meet the many different needs of people at the margins of our society.
Tudor makes grants, and provides other types of support, to voluntary and community groups working in any part of the UK. They particularly want to help smaller, community-led organisations that work directly with people who are at the margins of society: organisations that support positive changes in people's lives and in their communities. They want to respond flexibly to your ideas and energy, and provide support in a way which is helpful and enabling.
The Tudor Trust funding guidelines are broad because they want to support the work that you really want to do. They aim to give you the opportunity and practical tools to do the work that you know is needed.
They aim to be flexible, which means that they are in a good position to support organisations which are in transition, whether they are entering a period of growth and development or are responding creatively to challenging circumstances as so many are at the moment.
An independent grant maker
As an independent grant maker an important part of their role is to support work which is untried and which has uncertain outcomes. However, they are not interested in innovation for innovation's sake: they also recognise the need for sound, practical work which seeks to bring stability and wellbeing into difficult places and situations.
Trusting the groups we fund
They trust the groups they fund and aim to build open and straightforward relationships with the groups they support. They try to offer high levels of support and engagement when this is helpful and appropriate.
The two-stage application process gives more time to engage with applicants who reach the second stage. There are no forms at second stage. Instead, through careful listening and constructive dialogue, they hope to give you the opportunity to think about your options and develop a proposal that focuses on the real needs of your organisation and the people you are working with.
Because they to respond to the needs identified by organisations themselves, most grants take the form of core funding: funding which goes towards the core costs of running an organisation, including salaries, overheads and day-to-day running costs. Last year 92% of grants, by value, went towards core funding.
When a charity is funded, they are increasingly looking to make unrestricted grants, on the basis that we trust the charity's trustees to decide how funding can be used most effectively in pursuit of their charitable objectives.
Their experience as a core funder means that they want to fund in a way which contributes to the health and strength of organisations, and which supports their ability to be flexible and adaptable. While they can make project grants this is increasingly unusual – our focus on the whole organisation, and their interest in building a relationship with the groups they fund, means that it doesn't usually make sense to fund time-limited, contained projects.
Capital grants, for building improvements or purchase, also have a role to play in strengthening organisations, helping them to deliver their work more effectively. Owning an asset can give increased stability and security to an organisation, and its community, and this is something the trustees are keen to support.
How much can you apply for?
There is no maximum or minimum grant, though in practice it is unusual to make a grant of less than £10,000. This reflects the fact that they seldom make small project grants.
At the first stage of the application process doesn't ask you to specify exactly how much you are looking for, though it is fine to do so if you wish: if your application progresses to the second stage your funding requirements will be discussed in more detail then.
How long can we fund you for?
Grants usually run for one, two or three years. They understand that tackling deep-rooted problems takes time so they sometimes fund over a longer period than this, usually by making a further grant following on from the original one. Last year 36% of grants were for continuation funding.
However, their interest in supporting work in the longer term has to be balanced against our need to encourage new groups and new thinking. This means that funding can't continue indefinitely.
For more information visit the Tudor Trust Website

redpajama_set_name: RedPajamaCommonCrawl


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PHO vs. BOS 7:00 PM
Kyrie Irving Reveals When He Expects To Return From Shoulder Injury
by Abigail Adams on Thu, Jan 9, 2020 at 8:12PM
It's been quite a while since Kyrie Irving has played in an NBA game — 25 games, to be exact.
But the Brooklyn Nets star doesn't see his absence lasting too much longer.
"Hopefully I get some game reps in addition to practice probably in the next week or so," Irving said Thursday, via ESPN. "It could be less than that, but I'll give myself a week."
Irving had a cortisone shot on Dec. 24 in hopes of avoiding surgery, and appears more optimistic about his reaction to the shot now than he was then. Though there's no real deadline for his return, it seems it won't be long until Irving makes his official return.
"We just see where we end up in the next few days," he said. "Realistically, we will reevaluate tomorrow. See how I feel tomorrow. Then go Saturday — probably another practice."
Get ready to hear Irving's name a whole lot more in the near future.
Check out ESPN's full report >>>
Thumbnail photo via Jerome Miron/USA TODAY Sports


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Erika Salumäe (nascida em 11 de junho de 1962) é uma ex-ciclista estoniana que ganhou a primeira medalha de ouro olímpica para a Estônia em 1992, depois que o país recuperou a sua independência no ano de 1991.

Salumäe ganhou a medalha de ouro no ciclismo de pista nos Jogos Olímpicos de Verão de 1988 em Seul, competindo pela equipe soviética – 1992 e 1996 competiu para Estônia.

Ciclistas olímpicos da União Soviética
Ciclistas olímpicos da Estônia
Ciclistas nos Jogos Olímpicos de Verão de 1988
Ciclistas nos Jogos Olímpicos de Verão de 1992
Ciclistas nos Jogos Olímpicos de Verão de 1996
Campeões olímpicos da União Soviética
Medalhistas nos Jogos Olímpicos de Verão de 1988
Medalhistas nos Jogos Olímpicos de Verão de 1992
Naturais de Pärnu
Medalhistas olímpicos do ciclismo
Campeões olímpicos da Estônia
Ciclistas de pista

redpajama_set_name: RedPajamaWikipedia


One of the things that can attract visitors, when they come into your home is rugs. This is the main reason why many people believe that this is an important element in the selection of furniture and decorations for their new home. What are your visitors will see on the floor will be installed impression on the kind of lifestyle that you have. However, as with any other decor, these things are very expensive. If you want to find cheap rugs, you have to figure out where you can find them.
If you plan to buy rugs online to make sure they offer the type of high quality carpet products. There are many online retailers of rugs, which get rugs in different forums like from Rugs Wholesale for example, to provide affordable online rugs for your home, but that does not mean that the quality will suffer. The truth is that the online vendors have a distinct advantage over local business, because they do not have to pay as much overhead for their rug business. You can purchase a durable and cheap rugs look good.
Depending on the color and style of your home, cheap rugs can enhance the beauty of this place. Rugs come in two types, rugs of synthetic fibers and the other is made from natural fibers. If you want something that is environmentally friendly and can last longer, then go for the traditional type of rug. They come in different designs and colors that you can choose from. If you are looking for rugs that can be used to design your home you can search the Internet and look for sites that offer a wide range of selection of different types of rugs.
The size and shape of the carpet may affect its use and the area where you place it. Large size rugs can be placed under a lot of furniture, like tables, beds and sofa. They also vary in shape, which can complement the shape of furniture that you want to put in it. These rugs are not only simple flooring; they are also used to make the room more attractive. These rugs can give emphasis on your furniture or can be used to divide the room from each other. Some people use rugs as the main attraction and highlight the color of the room.
Color of the room can also affect the type of carpet that you want to use. If you want to make your living room, you can use a variety of bright colors that complement each other to make the place more creative. If you want to be opposed to the design of your room, you can use a contrasting color.
Rugs found almost everywhere in the house. It has a number of objectives, which includes drying his leg after taking a bath, cleaning his shoes before entering the house, etc. Rugs should ideally be strong and at the same time will serve to decorate the floors of the house. It should not be damaged easily after a short time of use. Attractive and strong Cheap Rugs really do practical things to have. Having these two assets make ideal rug to serve their functions in the house, and it can also serve as decorations in addition to the floor.
Quality, durable rugs that should have is: first, it must have the capacity to withstand for long use, constant exposure to heat and water, and, of course, it has to be stylish enough to add beauty to its surroundings. But the quality rugs come with a much higher price. Ideally, many people wish to have affordable rugs that have the best quality.
Rugs On Sale is a new Australian online rug store, created to make your experience shopping for the perfect rug and Cheap Rugs a whole lot easier and more affordable. Operating as an online company, we have the ability to buy up discontinued rugs and clearance stock from Rugs Wholesale, as well as directly import unique designs, and sell them on to the general public at fantastic prices.


Dixon stops breathing. I totally lose it, hugging him tight against my chest and burying my face into his hair. I reach to touch the cat and she places her paw on my hand.
What? Who said that? I focus my bleary eyes on a young, blond guy who's suddenly kneeling next to us. Where'd he come from? A few feet away is the older man who had helped pull Dixon out of the car. Is this a paramedic maybe?
The composed blond is not trying to revive Dixon, but his full attention is definitely on him. He's ignoring me, but speaks to my brother, while rubbing the cat's head. His other palm flattens on Dixon's chest.
Then I almost pee my pants and gasp to hold back a scream… I blink several times and can only guess that the ghostly image drifting out of Dixon's body is his spirit. The blond guy stands and Dixon (or his spirit) lingers next to him.
I nod repeatedly, glancing down at Dixon's body then up to the filmy version of him and over to the blond.
I shift my gaze and pet the black cat, who purrs from the attention. She's still curled up on Dixon's stomach, but her golden eyes remain glued to me.
Dixon wiggles his fingers and watches them in awe. The bloody gash in his side is gone. He looks so alive, except for the fact I'm nearly able to see through his body.
"What's your name?" I push the reaper for more information. I don't want them to go. And yet I know they can't stay.
I start to stand but Dixon's body weights down my legs. He can't be gone.
And why in the world was I able to see and talk to a reaper? And see Dixon's spirit?
The black cat, Gwennan, steps off Dixon and nudges my arm. The paramedics arrived and rush to us. They lift Dixon off of my lap and begin checking his vital signs.
I only then notice the pain in my neck and back. I reach for my shoulders and mumble something to the paramedic. He starts inspecting me for any injuries.
The EMTs working on Dixon place him on a stretcher and cover him with a white sheet. All of him, including his face. That's confirmation. It's too late. But I already knew that.
They turn their attention to me and wheel out another stretcher. I guess I'm going to the hospital. Normal operating procedure after a car wreck, I'm sure.
The cat padded off when the EMTs arrived, but I see her sitting calmly about thirty feet away. I'm assisted onto the stretcher and wheeled into the back of the ambulance. I keep my eyes locked with hers, wondering if I'll ever see her again. I swear her little head nods at me, although I'm probably not thinking straight. It's so odd how she isn't running off and doesn't break our mutual stare.
Riley the Reaper – I can't get his image out of my thoughts. And Dixon… my brother is dead. I can't believe what's happened.
On the other side of Dixon's wrecked car, another ambulance is parked in the middle of the street. EMTs administer CPR to the lady who had been thrown from the pickup truck that crashed into us. Her husband, boyfriend, whoever he is clenches his fists and drops his head to his chest.
It doesn't look good for her, either.
With tonight's tragedies (and mysteries), everything will change. I can feel it in my bones.


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Ace Montana
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Learning about Seeds at San Pedro Elementary!
Spotting a Tertiary Consumer at San Pedro Elementary!
The young gardeners over at San Pedro Street noticed that there green bean plants, that they have planted from seed is begging to flower. Very shortly we will have little beans popping out!
Here's a peek inside San Pedro Street Elementary School's Compost Bin. Last week the students learned about Green and Browns and how they break down to make compost. We recycle the nutrients from old plants to become food for our new plants.
It is amazing to see things emerge from the ground. These beans were planted as an experiment and popped beautifully in no time.
After we got to know our plants a little better, the students were sent off into the garden. Using all of their knowledge, the students explored the wonderful plants growing in our garden.
Renovation of the San Pedro Street Elementary Garden!
The garden at San Pedro Street Elementary, which was built about 3 years ago, recently went through an amazing renovation!
A visit to San Pedro Elementary is pleasant and harmonious abuzz with many butterflies and pollinators. Growing right now are herbs, kale, chard, squash and believe it or not, tomatoes. They will be having a planting and maintenance day come December, look under the volunteer section of the website to sign up.
Fall crops at San Pedro!
The end of the summer growing season has come and all the gardens are getting a make-over! At San Pedro, old tomato plants have been removed and new beet seeds have just begun to sprout!


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Review of Selected Saudi Textbooks 2020-21
By Eldad J. Pardo
Saudi Arabia|Religious Freedom|Palestinian Textbooks
IMPACT-se published a report examining the 2020-2021 curriculum in Saudi schools, which found that many problematic examples had been removed from textbooks, but some remained. Overall, the report regarded the changes "as a significant improvement and an encouraging development, understood as representing a step toward moderation."
This is a summary of the findings:
Among the problematic examples removed for the 2020–2021 curriculum is an infamous Hadith which teaches students that a war between Jews and Muslims is inevitable in which Muslims will kill the Jews. Historically, this Hadith has considerably influenced anti-Semitic attitudes in the Muslim world so its removal from the 2020 Saudi textbooks is hugely significant.
Other examples removed include a text describing the nefarious means utilized by Zionist forces, such as money, women and drugs, lending to the common anti-Semitic trope. Another alleges that Jews have no religious-historical rights as they refused to accept Muhammad. An entire chapter focused on commentary and analysis about a verse from the Qu'ranic Surah al-Baqarah that also contained a warning against those "resembling the people of Moses" was also removed from the textbooks.
The Islamic idea of killing the Jews during the Day of Resurrection was removed as too was the glorification of violent Jihad: "Jihad in the way of Allah is the climax of Islam." This example was removed alongside an entire textbook unit that taught verses 41–68 from the Qur'anic at-Tawbah ("the Repentance") Surah.
Remarkably, a graphic passage, condemning homosexuality and stating that gay people should be punished by death for performing the "crime of Sodomy," was removed representing a dramatic and progressive shift towards greater tolerance and openness. Also removed was a passage that attributed disease and calamity to homosexuality.
An example discussing apostasy, describing it as punishable by death and eternity in Hell, was not found in the textbooks along with a passage that described "faith's firmest bond" as being hostile towards infidels.
Much of the anti-Israel content that previously appeared in the textbooks has now been removed including Israel as plotting to expand its territory from the Nile to the Euphrates to secure "Greater Israel" (The 2019 version already omitted an addition to this description that had previously been included: "The global Jewish government, to control the entire world"). The description of Zionism as a racist movement was removed in one place, but still exists in another. A polemic delegitimizing Israel's right to exist was also removed. All of the above examples were part of a chapter titled "The Zionist Danger" that has now been entirely removed.
It might be perceived as unrealistic to expect a complete change in the Saudi worldview overnight. We should also note that some of the most egregious examples had already been removed from the textbooks examined in our main 2016–2019 Saudi Curriculum Research. Moderation was found to be introduced and removed from the curriculum in a seemingly pendulum-like fashion however, the main direction in recent years points toward growing moderation, while serious problems persist.
Problematic examples still remained in the 2020–2021 editions. These include conservative Islamic views that infidels will be punished on Resurrection Day; A Jewish boy converted to Islam by the Prophet is saved from hell; and Jews are demonized in an example showing the generosity of Muhamad.
In what appears to be an attempt to moderate terminology in the 2019 edition, the term "Jews and Christians: has been replaced by the generic "enemies of Islam" in some areas. The text is part of an analysis of verses 119-123 of the Al-Baqarah Surah, which specifically refer to Christians and Jews. These verses still appear in 2020. Non-Qur'anic praise for martyrdom is still taught and there are still emphatic warnings against "polytheists," including a decontextualized and ambiguous story with anti-Semitic implications about "Jewish wrongdoers" who are described as monkeys.
Israel is still not represented on maps and is still demonized in the curriculum in many ways. Zionism is presented as a racist political movement (although one example of this had been removed), and Jews as settlers, occupiers and aggressors. The First Intifada is praised as exposing Israel's "falseness of democracy." Allusions to the "State of Israel" appearing in 2017 were replaced by the pejorative "Zionist" or "Zionist Enemy" in the 2019 and 2020 editions. The libel that Israel burned the Al-Aqsa Mosque in 1969 continues to be taught. There are a number of examples emphasizing the anti-Israeli position taken by the Saudi Kingdom. A polemic about the "Arab Gulf" and other anti-Iranian material remain as do anti-Ottoman descriptions.
Source: IMPACT-se. Reprinted with permission.


Tarak Das Baul, also known as Tarak Khyapa, passed away in the morning on 10 October 2017. He was 56.
We first heard Tarak Das Baul at our Baul Fakir Utsav, perhaps in the third year? Him and Lakshman Das Baul. Both came from Joydeb Kenduli, but brought very different sounds and temperaments to the festival. Lakshman Das was gentle, sweet, even-tempered and bhodro. Tarak Das Baul was as much sound as sight, and he seemed come to wildly conquer the stage. Both Lakshman Das' 'Gour kalpabriksha moole' song and Tarak Das' 'Murho mon' song have remained imprinted in my head all these years. Satyaki Banerjee, a beautiful musician and an organiser of the festival, much younger then, was so impacted by Tarakda's style of the dotara that slowly Tarak Das Baul came to rest on his deft fingers, along with others, as he formed his own style of playing and singing (https://www.youtube.com/watch?v=H0ELT4tXIac).
Amit Roy, another organiser of the festival, had made a film on the festival in its fifth year, and in it you catch a glimpse of Tarakda, playing with Bishwanath Das Baul, of the generation before Tarak Das and Lakshman Das Baul. The film catches moments of the festival when it was at its finest—more organised than the first years, but still fresh and full of promise. That festival, and many who came to it, including many who are seen in Amit's film, are no more. Many who are still around are not as they were. With Tarakda's passing, we know that a time in the sound of a music has come to an end.
I wrote a post on Facebook after Tarakda's death and had a message from Aparna Subramanian, of Sound Expeditions (http://soundexpeditions.com), a group of fellow field recordists, in which she recounted a trip they had made to Joydeb Kenduli in 2013 and had recorded him. We were connected in a way with that trip, as their contact person in Kolkata, Arpita Chatterjee of ITC-SRA, had asked us for suggestions about whom they could record in West Bengal, for baulgaan, and Sukanta had suggested Tarakda's name.
Some friends had formed a group called "Boyan", I think back in 2009. Tarak da, Lakshman, Radheshyam da and some other musician friends were part of that group. Uttam da, a musician and Mukul da, an enthusiast of folk music, were the two main members of the group, who had been insisting that I make some recording of Boyan. So I agreed. Though I was not very keen to do the recording in a sound studio in Kolkata, I ended up doing so because my friends thought it would be easier to bring the musicians over to the city than us going to the village. I was not very happy with the result of that recording session, neither were my friends. So next year, we went to Nitai da's house near Suri in Birbhum. Nitai da had built a nice round-shaped thatched mud-house just outside his village to peacefully practice his own music and he called the house his "Ashram".
That was beginning of March 2011; winter was almost gone. I hired six Shure SM 58 mics and took my desktop computer and sound card, an M-audio Delta 1010, with me. Ayan, a sound recordist friend and my junior from SRFTI, joined me on this trip. Mukul da hired an old white Ambassador for us, because it would be rather cumbersome to carry my heavy desktop computer and all the other stuff on the train.
We hired a computer monitor from Suri.
When we reached Nitai da's village after a long slow journey, his ashram was already full of musicians and they were getting into the mood by smoking weed. Someone 'hooked' an electric wire on the nearest electric pole and ran the cable all the way to the mud-house to power up our recording system! I decided to set up my workstation outside the house. So I placed six mics inside the room and ran all the cables through the small window, to my computer.
We started recording. Everyone was in the mood for a picnic. Nitai da's bhaktas were cooking khichuri as Tarak da started singing with high energy. When I check my log now, I see Tarak da was in such a mood that day! He sang seven songs non-stop right at the beginning! And that energy set the mood for the whole session. Everyone sang with a lot of enthusiasm and we ended up recording fifty-one songs in that session!
When I think of Tarak da, this is something which comes in my mind first—his energy, which he emitted in all his performances. He was a robust man with a strong voice and a performer with a delicate hand on the dotara.
I have recorded him many times in different settings—on stage, in the recording studio, for documentary films, in informal gatherings. He always stood out with his trademark dotara playing and energetic singing.
Tarak da was surely a blessed musician; he had been blessed by "what they call absolute power in English"!
Here are two songs from the session in the mud-house. Nitai Das (Barun) was playing the khol, Tarak da himself played the dotrara and Lakshman Das was probably also playing along. Or maybe it was Uttam Das. Moloy Bhattacharya was the violinist (the violin is called the behala or byala in Bangla) and there was also a bamboo flute or banshi, played by Tarun Chowdhury. Raju Das was playing the mandira. Also present were Shyamsundar Das Baul and Shanti Babaji and Baridbaran Das Baul, and of them must have played the khamak and another the ektara.
Returning to the story of Sound Expeditions and Tarak Das Baul, since his passing, Aparna and I have been talking about keeping their recordings from their 2013 trip on this website, to share with a wider audience.
Sound Expeditions, previously called the GE-OS Project, is led by Greg Simmons, a writer, educator, traveller and sound recordist with over 30 years of professional audio teaching experience. Greg combines his writing, teaching and recording skills with his passion for travelling, and spends most of his spare time on location, recording the music and sounds of Asia and the Himalayas. Since 2005 he has taken over 40 audio students on educational recording expeditions through Nepal, Tibet, India and Thailand.
Aparna is an alumnus of Film and Television Institute of India in sound recording. She also holds a master's degree from the Department of Media and Communication Studies, Pune University, having first graduated in Electronics from Fergusson College. Her work experience is a blended mix of various roles, including training with institutions in community and audiovisual archive projects; sound recording expeditions across India; IT and technical support roles in MNCs, as well as startups. She was one of the location sound recordists for RV Ramani's documentary Santhal Mill to Family Re-Call, which won the Silver Conch at Mumbai International Film Festival in Feb 2018.
In January 2013, when Sound Expeditions visited Joydeb, some of their key members were with them: George Makras, Dil Gurung, Aparna Subramanian, Jesse Betteley, Joe Finnerty, Tristan Forbes, Damien Boog and Steve Ward.
Such a great and fond memory of that session, and it's one I have looked back on many times as I re-define what I'm doing. It's the main example I use for going back to a simple direct-to-stereo approach in future, and staying away from studios and cities and doing many more recordings such as that one. That's the stuff I really love… We also remember the banquet his family had prepared for us in that little hut, and how awkward it was because we didn't have the time to eat it and so on… That whole day, and my enjoyment of it, is typified in one photo clicked by Aparna, where Tarak Das is standing in front of me with a big cheesy grin on his face, and I think Arpita is in the background. He is listening to a playback of the recording, it's one of my all-time favourite pics.
The first time I heard this music was the album 'Real Sugar' by Paban Das Baul and Sam Mills in early 2006 (https://realworldrecords.com/release/98/real-sugar/). Most songs had a message related to humanity. In 2012, while I worked at ARCE Gurgaon (https://www.indiastudies.org/ethnomusicology/), I had the chance to log videos of the collection 'The Traveling Archive'. When I reached Kolkata, I had no idea what the plan was. Arpita Chatterjee was our facilitator on this trip. But when revealed, I was excited about seeing a Baul musician perform live! Tarak Das can be termed as an infectious persona. We had a train travel from Howrah to Bolpur, and took taxis further to the village. It was a day or two before Poush Mela in 2013. Words fail to describe the enjoyment we had that day, and he also took us to the Radha-Binod temple. Post-lunch, our day had some (mis)adventures of reaching our hotel and Howrah station and we were fortunate not to miss our train to Jodhpur. That's another episode altogether.
There was a lot of great energy flying around that day; it almost didn't get captured! We were always finding a different option and another way to record a song but the whole time was supported with positive thoughts and on such a lovely day too.
I personally like the photo in which Arpita is in the background and Greg and I are listening. So tired, but so content!
Written by Moushumi, June 2018.
Tarak Das' elder son, Sadhu, sings. The younger, Kangal, is playing the khol.


This originally one-and-a-half-storey log building was altered to form a two-storey building which housed a shop and café downstairs.
Three flats, each comprising one room and a kitchen, were squeezed into the top floor. The entrance to the flats was interesting in its complexity: an internal staircase rose first to a side balcony which gave access to an entrance corridor with the flat doors opening from it. One important and expressive detail was the balcony on the south side with its beautifully formed console-like supports.
This exhibition opens a window on some of Alvar Aalto's realised and unrealised visions in Jyväskylä.


Peebles Carpets has moved to bigger, brighter premises at 4a Cavalry Park Business Centre, Peebles – just next door to their previous showroom.
Come along and see the extensive product portfolio of existing and new ranges of carpets and Luxury Vinyl Tiles. Plus a wide selection of cushion vinyls and rugs to choose from.


It gives me great pleasure to endorse Diabetic's Journey: How Type 2 Diabetes Can Be Reversed and Cured, written by Ernest Quansah. As a professor who specializes in this field, I was delighted to read this compelling autobiographical account of a determined individual who successfully self-cured his diabetes. The number of cases of diabetes mellitus has been increasing at an alarming rate across the globe and this unique and informative book is greatly needed.
Soon, every household will have a member suffering from type 2 diabetes. Diabetic's Journey will bring about greater awareness of the condition and bring to light the fact that sufferers can reverse it through natural, non-medical means.
As a senior diabetologist with more than 36 years of experience, I am really impressed with how the author shares his knowledge with others in a practical and lucid way. People will easily relate to his journey since it is written with great sincerity by a former sufferer of the condition.
Regarding the million-dollar question of whether type 2 diabetes can be cured or reversed, my answer is yes. As an experienced diabetologist, I acknowledge that diabetes can be cured. If the people are made aware of the causes of diabetes, and if they remove those causes, then diabetes can be reversed.
The author rightly points out that type 2 diabetes is mainly caused by lack of awareness of what one should and should not eat, plus a lack of exercise. He also rightly points out that one should never allow the diabetes to rule the body; rather, one must rule the diabetes. Definitely DIET AND EXERCISE will keep away diabetes, and as in Ernest's case, bring about a cure. Ernest explains these facts with clear reason and proof.
I have immense appreciation for this wonderful, inspiring book, which will benefit type 2 diabetics and those wanting to learn about the condition. His main message—to modify lifestyle rather than depend on drugs— will certainly have a great impact.
I thank Ernest for his great contribution to society.
Prof. S.M. RAJENDRAN. M.D., FRCP(GLAS), D.Sc.


text:
MCLEOD, EDNA thru MCLEOD, EDWARD F
MCLEOD, EDNA was born 7 April 1924, and died 2 June 2004, according to New Jersey, U.S.A. death index entry number 20040027250
Check the source file (free) and then check Archives for EDNA MCLEOD.
MCLEOD, EDNA who was 44 (born ABT 1922) married 14 OCT 1966 in HARRIS COUNTY, TEXAS, U.S.A. a groom named EDWARD HENRY TARGAC who was 53 (born ABT 1913). 100829514
MCLEOD, Edna was born ABT 1889;; died 5 Dec 1908 in Moundsville, West Virginia. 100829515
McLeod, Edna was born in 1910 according to a Massachusetts vital record for Everett, Volume 591, Page 453. 100829516
MCLEOD, Edna Alice was born, died at age 0 years, and was buried 22 February 1928 in Mountain View Cemetery in Vancouver, British Columbia, Canada. 100829517
Check the source file (free) and then check Archives for Edna Alice MCLEOD.
MCLEOD, EDNA B. was born 12 October 1919, received Social Security number 472-16-8195 (indicating Minnesota) and, Death Master File says, died 21 June 2002 100829518
Check the source file (free) and then check Archives for EDNA B MCLEOD.
McLeod, Edna B. died in 1896 according to a Massachusetts vital record for Cambridge, Volume 464, Page 139. 100829519
Check the source file (free) and then check Archives for Edna B. McLeod.
McLeod, Edna Belle was born in 1895 according to a Massachusetts vital record for Cambridge, Volume 449, Page 101. 100829520
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MCLEOD, EDNA ELIZABETH died at age 82, and was buried in the plot of MALCOLM SEYMOUR MCLEOD, Block 18 Section M of Queens Park in Calgary, Alberta, Canada. 100829521
Check the source file (free) and then check Archives for EDNA ELIZABETH MCLEOD.
MCLEOD, Edna Elizabeth was born 12 September 1892, died at age 31 years, and was buried in Mountain View Cemetery in Vancouver, British Columbia, Canada. 100829522
MCLEOD, EDNAH J. was born 14 January 1911, received Social Security number 073-07-6697 (indicating New York) and, Death Master File says, died 08 February 2000 100829523
Check the source file (free) and then check Archives for EDNAH J MCLEOD.
MCLEOD, Edna Isobel died at age 0 years, and was buried in Mountain View Cemetery in Vancouver, British Columbia, Canada. 100829524
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MCLEOD, EDNA L. was born 06 August 1907, received Social Security number 241-01-2228 (indicating North Carolina) and, Death Master File says, died 20 February 1998 100829525
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MCLEOD, EDNA M. married STEPHEN G. PROSSER on 3 May 1996 using a marriage license issued in Johnson County, Indiana, United States of America. 100829526
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MCLEOD, EDNA M. was born 08 March 1904, received Social Security number 181-20-2202 (indicating Pennsylvania) and, Death Master File says, died 02 October 1989 100829527
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MCLEOD, EDNA M. was born 12 March 1922, received Social Security number 264-12-1456 (indicating Florida) and, Death Master File says, died 26 March 1989 100829528
McLeod, Edna May was born in 1908 according to a Massachusetts vital record for Boston, Volume 577, Page 221. 100829529
Check the source file (free) and then check Archives for Edna May McLeod.
MCLEOD, EDNA SUE who was 17 (born ABT 1951) married 6 MAY 1968 in HANSFORD COUNTY, TEXAS, U.S.A. a groom named JIMMY VARDELL who was 18 (born ABT 1950). 100829530
Check the source file (free) and then check Archives for EDNA SUE MCLEOD.
MCLEOD, EDNA V. was born 09 August 1906, received Social Security number 298-44-1045 (indicating Ohio) and, Death Master File says, died 22 January 2006 100829531
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MCLEOD, EDNA V. was born 13 December 1916, received Social Security number 480-03-0325 (indicating Iowa) and, Death Master File says, died 16 June 2000 100829532
MCLEOD, EDNA V. was born 25 July 1900, received Social Security number 542-44-9842 (indicating Oregon) and, Death Master File says, died 19 July 1990 100829533
MCLEOD, EDNA W. was 66 years old, residing in residence code 2701, when she died on 27 November 1959 in New York, U.S.A. 100829534
Check the source file (free) and then check Archives for EDNA W. MCLEOD.
MCLEOD, EDNA W. was born 17 October 1917, received Social Security number 241-18-6711 (indicating North Carolina) and, Death Master File says, died May 1996 100829535
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MCLEOD, EDRIS was born 01 May 1912, received Social Security number 555-28-6402 (indicating California) and, Death Master File says, died May 1977 100829536
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MCLEOD, EDSEL F. was born 16 May 1928, received Social Security number 241-36-1456 (indicating North Carolina) and, Death Master File says, died 10 November 2006 100829537
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MCLEOD, EDSON J. was born 24 March 1925, received Social Security number 359-16-2166 (indicating Illinois) and, Death Master File says, died 20 September 1992 100829538
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MCLEOD, EDUARDO was born 22 September 1954, received Social Security number 221-54-1741 (indicating Delaware) and, Death Master File says, died 03 February 2007 100829539
Check the source file (free) and then check Archives for EDUARDO MCLEOD.
MCLEOD, EDUARDO was born 14 August 1978, and died in New Jersey, United States of America 30 May 2013, according to New Jersey death index entry number 20130030875
MCLEOD, EDUARDO A who was 45 (born ABT 1951) married 21 DEC 1996 in EL PASO COUNTY, TEXAS, U.S.A. a bride named STEPHANIE D DEAL who was 30 (born ABT 1966). 100829541
Check the source file (free) and then check Archives for EDUARDO A MCLEOD.
MC LEOD, EDWARD married a bride named FORTUNATA UNA MARRAZZO in the year 1958 on license number 9541 issued in Brooklyn, New York City, New York, U.S.A. 100829542
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MC LEOD, EDWARD married a bride named JANIE PRATT in the year 1972 on license number 16282 issued in Brooklyn, New York City, New York, U.S.A. 100829543
MC LEOD, Edward was born ABT 1845 in OH; was in the 1850 census in Marhall County, Kentucky. 100829544
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MCLEOD, EDWARD married a bride named IRENE FRELEWICZ in the year 1960 on license number 14836 issued in Brooklyn, New York City, New York, U.S.A. 100829545
MCLEOD, EDWARD was born 02 January 1923, received Social Security number 420-16-4613 (indicating Alabama) and, Death Master File says, died December 1980 100829546
MCLEOD, EDWARD was born 02 September 1923, received Social Security number 362-22-0836 (indicating Michigan) and, Death Master File says, died June 1979 100829547
MCLEOD, EDWARD was born 03 March 1897, received Social Security number 523-05-9071 (indicating Colorado) and, Death Master File says, died September 1972 100829548
MCLEOD, EDWARD was born 07 April 1881, received Social Security number 425-26-9767 (indicating Mississippi) and, Death Master File says, died August 1963 100829549
MCLEOD, EDWARD was born 09 December 1924, received Social Security number 192-16-1523 (indicating Pennsylvania) and, Death Master File says, died 14 December 1999 100829550
MCLEOD, EDWARD was born 10 December 1908, received Social Security number 248-42-0956 (indicating South Carolina) and, Death Master File says, died February 1987 100829551
MCLEOD, EDWARD was born 10 June 1932, received Social Security number 250-52-5028 (indicating South Carolina) and, Death Master File says, died 12 January 1996 100829552
MCLEOD, EDWARD was born 10 March 1895, received Social Security number 718-12-0964 (indicating Railroad Board) and, Death Master File says, died July 1973 100829553
MCLEOD, EDWARD was born 11 January 1908, received Social Security number 405-34-8885 and, Death Master File says, died April 1976 100829554
MCLEOD, EDWARD was born 11 October 1929, received Social Security number 026-22-3017 (indicating Massachusetts) and, Death Master File says, died March 1981 100829555
MCLEOD, EDWARD was born 14 January 1882, received Social Security number 550-03-4186 (indicating California) and, Death Master File says, died April 1965 100829556
MCLEOD, EDWARD was born 15 August 1923, received Social Security number 253-26-2525 (indicating Georgia) and, Death Master File says, died September 1972 100829557
MCLEOD, EDWARD was born 17 August 1906, received Social Security number 043-09-7306 (indicating Connecticut) and, Death Master File says, died August 1984 100829558
MCLEOD, EDWARD was born 17 March 1924, received Social Security number 239-24-4117 (indicating North Carolina) and, Death Master File says, died 04 May 1998 100829559
MCLEOD, EDWARD was born 19 March 1899, received Social Security number 147-07-6759 (indicating New Jersey) and, Death Master File says, died April 1965 100829560
MCLEOD, EDWARD was born 19 October 1919, received Social Security number 244-12-4956 (indicating North Carolina) and, Death Master File says, died February 1970 100829561
MCLEOD, EDWARD was born 21 July 1935, received Social Security number 386-34-3088 (indicating Michigan) and, Death Master File says, died 25 June 2010 100829562
MCLEOD, EDWARD was born 21 March 1909, received Social Security number 549-07-0394 (indicating California) and, Death Master File says, died August 1977 100829563
MCLEOD, EDWARD was born 21 March 1913, received Social Security number 250-07-2657 (indicating South Carolina) and, Death Master File says, died February 1974 100829564
MCLEOD, EDWARD was born 22 October 1893, received Social Security number 470-12-1076 (indicating Minnesota) and, Death Master File says, died April 1970 100829565
MCLEOD, EDWARD was born 23 January 1923, received Social Security number 025-18-3392 (indicating Massachusetts) and, Death Master File says, died August 1981 100829566
MCLEOD, EDWARD was born 23 September 1884, received Social Security number 023-07-0638 (indicating Massachusetts) and, Death Master File says, died April 1968 100829567
MCLEOD, EDWARD was born 24 March 1882, received Social Security number 237-62-2981 (indicating North Carolina) and, Death Master File says, died December 1963 100829568
MCLEOD, EDWARD was born 26 April 1905, received Social Security number 251-54-8999 (indicating South Carolina) and, Death Master File says, died June 1958 100829569
MCLEOD, EDWARD was born 26 December 1913, received Social Security number 219-90-6063 (indicating Maryland) and, Death Master File says, died 31 July 2008 100829570
MCLEOD, EDWARD was born 26 June 1923, received Social Security number 191-16-0064 (indicating Pennsylvania) and, Death Master File says, died 03 December 1994 100829571
MCLEOD, EDWARD was born 28 July 1907, received Social Security number 053-28-0973 (indicating New York) and, Death Master File says, died September 1969 100829572
MCLEOD, EDWARD was born 30 September 1901, received Social Security number 250-26-1723 (indicating South Carolina) and, Death Master File says, died February 1953 100829573
MCLEOD, EDWARD was born 31 May 1896, received Social Security number 373-10-4943 (indicating Michigan) and, Death Master File says, died September 1974 100829574
MCLEOD, Edward was born ABT 1814 in Pa; was in the 1850 census in Adams County, Indiana. 100829575
MCLEOD, Edward was born ABT 1846 in Florida; was in the 1850 census in Madison County, Florida. 100829576
MCLEOD, Edward was born ABT 1849 in Ind; was in the 1850 census in Adams County, Indiana. 100829577
MCLEOD, Edward was born ABT 1858 in So Ca; was in the 1860 census in Marlboro County, South Carolina. 100829578
MCLEOD, Edward was born ABT 1862 in Mississippi; was in the 1870 census in Greene County, Mississippi. 100829579
MCLEOD, Edward was born ABT 1903 in Co Cork, (son of James McLeod) was in the 1911 census for Raheen and Cooleen, Blackrock, County Cork, Ireland 100829580
MCLEOD, Edward died at age 0 years, and was buried in Mountain View Cemetery in Vancouver, British Columbia, Canada. 100829581
McLeod, Edward married in 1903 according to a Massachusetts vital record for Marlborough, Volume 537, Page 512. 100829582
McLeod, Edward was born in 1872 according to a Massachusetts vital record for Chelsea, Volume 243, Page 214. 100829583
McLeod, Edward was born in 1896 according to a Massachusetts vital record for Boston, Volume 459, Page 168. 100829584
McLeod, Edward was born in 1896 according to a Massachusetts vital record for Lincoln, Volume 458, Page 203. 100829585
McLeod, Edward was born in 1898 according to a Massachusetts vital record for Easton, Volume 475, Page 157. 100829586
McLeod, Edward, Rank: PFC, Branch: US ARMY, War: WORLD WAR I, was born 22 October 1893, died 9 April 1970, and was buried in Section N, Site 1813 in Ft. Snelling National Cemetery in Minneapolis, Minnesota, United States of America. 100829588
McLeod, Edward, Rank: PFC, Branch: US ARMY, War: WORLD WAR II, was born 1 April 1927, died 4 April 2012, and was buried in Section A, Site 429 in Beaufort National Cemetery in Beaufort, South Carolina, United States of America. 100829589
MCLEOD, EDWARD A who was 23 (born ABT 1966) married 4 AUG 1989 in GALVESTON COUNTY, TEXAS, U.S.A. a bride named LESLIE A LAURSEN who was 19 (born ABT 1970). 100829590
Check the source file (free) and then check Archives for EDWARD A MCLEOD.
MCLEOD, EDWARD A. was born 20 December 1922, received Social Security number 297-14-7819 (indicating Ohio) and, Death Master File says, died 26 June 1999 100829591
MCLEOD, EDWARD A. was born 23 February 1935, received Social Security number 172-26-0971 (indicating Pennsylvania) and, Death Master File says, died 06 May 2000 100829592
MCLEOD, EDWARD A. was born 24 June 1926, received Social Security number 246-24-0563 (indicating North Carolina) and, Death Master File says, died 27 April 1998 100829593
MCLEOD, EDWARD A. was born 24 May 1922, received Social Security number 091-18-6107 (indicating New York) and, Death Master File says, died 21 September 2005 100829594
MCLEOD, Edward A. married 17 Mar 1923 in Harrison, West Virginia, U.S.A. a bride named Della Bowers. 100829595
Check the source file (free) and then check Archives for Edward A. MCLEOD.
McLeod, Edward A. married in 1910 according to a Massachusetts vital record for Everett, Volume 595, Page 454. 100829596
McLeod, Edward A., Rank: PFC, Branch: US ARMY, was born 23 February 1935, died 6 May 2000, and was buried in Section T, Site 38 in Philadelphia National Cemetery in Philadelphia, Pennsylvania, United States of America. 100829597
MCLEOD, EDWARD B. was born 24 October 1950, received Social Security number 244-86-9199 (indicating North Carolina) and, Death Master File says, died 09 May 2012 100829598
Check the source file (free) and then check Archives for EDWARD B MCLEOD.
MCLEOD, EDWARD B. was born 28 July 1975, received Social Security number 243-19-7642 (indicating North Carolina) and, Death Master File says, died 26 August 2013 100829599
MCLEOD, EDWARD B. was born 29 October 1936, received Social Security number 520-36-5503 (indicating Wyoming) and, Death Master File says, died 27 June 2012 100829600
MCLEOD, EDWARD C. was born 20 December 1927, received Social Security number 250-48-9273 (indicating South Carolina) and, Death Master File says, died 02 February 2013 100829601
Check the source file (free) and then check Archives for EDWARD C MCLEOD.
MCLEOD, EDWARD C. was born 23 May 1905, received Social Security number 017-09-8190 (indicating Massachusetts) and, Death Master File says, died 04 May 2002 100829602
MCLEOD, EDWARD C. was born 26 September 1936, received Social Security number 255-56-9363 (indicating Georgia) and, Death Master File says, died 15 July 2001 100829603
McLeod, Edward C. was born in 1905 according to a Massachusetts vital record for Worcester, Volume 552, Page 519. 100829604
Check the source file (free) and then check Archives for Edward C. McLeod.
McLeod, Edward Crosland, Rank: MSG, Branch: US ARMY, War: KOREA, was born 21 December 1927, died 2 February 2013, and was buried in Section 18, Site 613 in Florence National Cemetery in Florence, South Carolina, United States of America. 100829605
Check the source file (free) and then check Archives for Edward Crosland McLeod.
MCLEOD, EDWARD D. was born 13 March 1914, received Social Security number 408-07-5248 (indicating Tennessee) and, Death Master File says, died 05 May 1999 100829606
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MCLEOD, EDWARD E was born 22 Oct 1893 (child of GORDON (mother)) died 09 Apr 1970 in STEARNS COUNTY, MINNESOTA, U.S.A. 100829607
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MCLEOD, EDWARD E. was born 07 February 1935, received Social Security number 426-70-2155 (indicating Mississippi) and, Death Master File says, died 29 September 2013 100829608
MCLEOD, EDWARD E. was born 15 May 1940, received Social Security number 427-68-2358 (indicating Mississippi) and, Death Master File says, died 11 January 2011 100829609
McLeod, Edward E. married in 1880 according to a Massachusetts vital record for Boston, Volume 318, Page 82. 100829610
Check the source file (free) and then check Archives for Edward E. McLeod.
MCLEOD, EDWARD F. was born 02 November 1911, received Social Security number 093-10-6934 (indicating New York) and, Death Master File says, died 15 December 1988 100829611
Check the source file (free) and then check Archives for EDWARD F MCLEOD.
MCLEOD, EDWARD F. was born 11 March 1931, received Social Security number 007-28-4932 (indicating Maine) and, Death Master File says, died 11 February 1999 100829612


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Q: convert the date into a specific format using moment js? I have an date string as :  Wed Aug 30 2017 00:00:00 GMT+0530 (IST) and I want to convert it into like this: 2017-8-30
Now I am doing this:
moment($scope.date.selectedDate).format('YYYY-M-DD') and it is giving the right time but throws a warning as :
moment construction falls back to js date

A: As the input is JS date so you need to pass input format as well. This can be done by:
moment('Wed Aug 30 2017 00:00:00 GMT+0530', 'ddd MMM DD YYYY HH:mm:ss GMT+-HH:mm').format('YYYY-M-DD');

https://jsfiddle.net/o01ktajp/1/

A: Relative to the warning you can refer to this post Deprecation warning: moment construction falls back to js Date.
The easiest solution would be to pass the date string in the ISO format.
As for the date, if you simply want to display the date in the UI with that format you can use the 'date' angular filter: https://docs.angularjs.org/api/ng/filter/date.
In your case you could use it like this:
$scope.date.selectedDate | date: 'YYYY-M-DD'

Br,

A: You can do:
var d = new Date('Wed Aug 30 2017 00:00:00 GMT+0530');

var formated = moment(d).format('YYYY-M-DD');

redpajama_set_name: RedPajamaStackExchange


text:
The Transformer Model
Author: Shantun Parmar Published Date: November 3, 2021 Leave a Comment on The Transformer Model
We have already familiarized ourselves with the concept of self-attention as implemented by the Transformer attention mechanism for neural machine translation. We will now be shifting our focus on the details of the Transformer architecture itself, to discover how self-attention can be implemented without relying on the use of recurrence and convolutions.
In this tutorial, you will discover the network architecture of the Transformer model.
How the Transformer architecture implements an encoder-decoder structure without recurrence and convolutions.
How the Transformer encoder and decoder work.
How the Transformer self-attention compares to the use of recurrent and convolutional layers.
Photo by Samule Sun, some rights reserved.
This tutorial is divided into three parts; they are:
The Transformer Architecture
The Encoder
The Decoder
Sum Up: The Transformer Model
Comparison to Recurrent and Convolutional Layers
For this tutorial, we assume that you are already familiar with:
The Transformer architecture follows an encoder-decoder structure, but does not rely on recurrence and convolutions in order to generate an output.
The Encoder-Decoder Structure of the Transformer Architecture
Taken from "Attention Is All You Need"
In a nutshell, the task of the encoder, on the left half of the Transformer architecture, is to map an input sequence to a sequence of continuous representations, which is then fed into a decoder.
The decoder, on the right half of the architecture, receives the output of the encoder together with the decoder output at the previous time step, to generate an output sequence.
At each step the model is auto-regressive, consuming the previously generated symbols as additional input when generating the next.
– Attention Is All You Need, 2017.
The Encoder Block of the Transformer Architecture
The encoder consists of a stack of $N$ = 6 identical layers, where each layer is composed of two sublayers:
The first sublayer implements a multi-head self-attention mechanism. We had seen that the multi-head mechanism implements $h$ heads that receive a (different) linearly projected version of the queries, keys and values each, to produce $h$ outputs in parallel that are then used to generate a final result.
The second sublayer is a fully connected feed-forward network, consisting of two linear transformations with Rectified Linear Unit (ReLU) activation in between:
$$text{FFN}(x) = text{ReLU}(mathbf{W}_1 x + b_1) mathbf{W}_2 + b_2$$
The six layers of the Transformer encoder apply the same linear transformations to all of the words in the input sequence, but each layer employs different weight ($mathbf{W}_1, mathbf{W}_2$) and bias ($b_1, b_2$) parameters to do so.
Furthermore, each of these two sublayers has a residual connection around it.
Each sublayer is also succeeded by a normalization layer, $text{layernorm}(.)$, which normalizes the sum computed between the sublayer input, $x$, and the output generated by the sublayer itself, $text{sublayer}(x)$:
$$text{layernorm}(x + text{sublayer}(x))$$
An important consideration to keep in mind is that the Transformer architecture cannot inherently capture any information about the relative positions of the words in the sequence, since it does not make use of recurrence. This information has to be injected by introducing positional encodings to the input embeddings.
The positional encoding vectors are of the same dimension as the input embeddings, and are generated using sine and cosine functions of different frequencies. Then, they are simply summed to the input embeddings in order to inject the positional information.
The Decoder Block of the Transformer Architecture
The decoder shares several similarities with the encoder.
The decoder also consists of a stack of $N$ = 6 identical layers that are, each, composed of three sublayers:
The first sublayer receives the previous output of the decoder stack, augments it with positional information, and implements multi-head self-attention over it. While the encoder is designed to attend to all words in the input sequence, regardless of their position in the sequence, the decoder is modified to attend only to the preceding words. Hence, the prediction for a word at position, $i$, can only depend on the known outputs for the words that come before it in the sequence. In the multi-head attention mechanism (which implements multiple, single attention functions in parallel), this is achieved by introducing a mask over the values produced by the scaled multiplication of matrices $mathbf{Q}$ and $mathbf{K}$. This masking is implemented by suppressing the matrix values that would, otherwise, correspond to illegal connections:
text{mask}(mathbf{QK}^T) =
text{mask} left( begin{bmatrix}
e_{11} & e_{12} & dots & e_{1n} \
vdots & vdots & ddots & vdots \
e_{m1} & e_{m2} & dots & e_{mn} \
end{bmatrix} right) =
begin{bmatrix}
e_{11} & -infty & dots & -infty \
e_{21} & e_{22} & dots & -infty \
end{bmatrix}
The Multi-Head Attention in the Decoder Implements Several Masked, Single Attention Functions
The masking makes the decoder unidirectional (unlike the bidirectional encoder).
– Advanced Deep Learning with Python, 2019.
The second layer implements a multi-head self-attention mechanism, which is similar to the one implemented in the first sublayer of the encoder. On the decoder side, this multi-head mechanism receives the queries from the previous decoder sublayer, and the keys and values from the output of the encoder. This allows the decoder to attend to all of the words in the input sequence.
The third layer implements a fully connected feed-forward network, which is similar to the one implemented in the second sublayer of the encoder.
Furthermore, the three sublayers on the decoder side also have residual connections around them, and are succeeded by a normalization layer.
Positional encodings are also added to the input embeddings of the decoder, in the same manner as previously explained for the encoder.
The Transformer model runs as follows:
Each word forming an input sequence is transformed into a $d_{text{model}}$-dimensional embedding vector.
Each embedding vector representing an input word is augmented by summing it (element-wise) to a positional encoding vector of the same $d_{text{model}}$ length, hence introducing positional information into the input.
The augmented embedding vectors are fed into the encoder block, consisting of the two sublayers explained above. Since the encoder attends to all words in the input sequence, irrespective if they precede or succeed the word under consideration, then the Transformer encoder is bidirectional.
The decoder receives as input its own predicted output word at time-step, $t – 1$.
The input to the decoder is also augmented by positional encoding, in the same manner as this is done on the encoder side.
The augmented decoder input is fed into the three sublayers comprising the decoder block explained above. Masking is applied in the first sublayer, in order to stop the decoder from attending to succeeding words. At the second sublayer, the decoder also receives the output of the encoder, which now allows the decoder to attend to all of the words in the input sequence.
The output of the decoder finally passes through a fully connected layer, followed by a softmax layer, to generate a prediction for the next word of the output sequence.
Vaswani et al. (2017) explain that their motivation for abandoning the use of recurrence and convolutions was based on several factors:
Self-attention layers were found to be faster than recurrent layers for shorter sequence lengths, and can be restricted to consider only a neighbourhood in the input sequence for very long sequence lengths.
The number of sequential operations required by a recurrent layer is based upon the sequence length, whereas this number remains constant for a self-attention layer.
In convolutional neural networks, the kernel width directly affects the long-term dependencies that can be established between pairs of input and output positions. Tracking long-term dependencies would require the use of large kernels, or stacks of convolutional layers that could increase the computational cost.
In this tutorial, you discovered the network architecture of the Transformer model.
How the Transformer self-attention compares to recurrent and convolutional layers.
Ask your questions in the comments below and I will do my best to answer.
← The Transformer Attention Mechanism
Using CNN for financial time series prediction →


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Wiatrak z Domaradza – mały kozłowy młyn wiatrowy zbudowany w 1926 w Domaradzu, a znajdujący się obecnie w Parku Etnograficznym Muzeum Budownictwa Ludowego w Sanoku.

Nieduże drewniane chłopskie wiatraki gospodarskie były charakterystycznym akcentem krajobrazu Pogórza w prawie całym XX w.

Historia
Drewniany wiatrak używany do przemiału zboża, zbudowany w Domaradzu w 1926 reprezentuje grupę małych chłopskich młynów wiatrowych masowo powstających na początku XX w. na Pogórzu. Na obszarze obejmującym kilkadziesiąt miejscowości w okolicach Gorlic, Jasła, Krosna, Strzyżowa i Brzozowa w czasie jednego półwiecza zbudowano blisko 2000 wiatraków. W okresie międzywojennym w samym tylko Domaradzu było 67 takich wiatraków, a w pobliskiej Orzechówce około 200.

Elektryfikacja wsi spowodowała, że razem z nadejściem trzeciej ćwierci XX w. niemal wszystkie pogórzańskie wiatraki odeszły do historii.

W zimie 1967 wiatrak został zakupiony od jego ostatniego właściciela Stanisława Knurka przez Muzeum Budownictwa Ludowego w Sanoku i przewieziony na teren Parku Etnograficznego na specjalnie skonstruowanych saniach.

Opis
Pogórzańskie wiatraki różniły się od dużych tego typu młynów wiatrowych przede wszystkim wielkością budynku, jego konstrukcją, rozwiązaniem technicznym skrzydeł oraz wyposażeniem wnętrza. We wszystkich detalach widać było daleko idące uproszczenia i tendencję do miniaturyzacji.

Wiatrak z Domaradza reprezentuje typ kozłowy. Zbudowany jest na rzucie kwadratu o długości boku 210 cm. Ściany konstrukcji szkieletowej zwężające się ku górze, oszalowane pionowo deskami. Nakryty dachem dwuspadowym. Wysokość całkowita budowli wynosi 400 cm. Wiatrak jest zawieszony na dębowym słupie, zwanym królem wkopanym w ziemię. Na wierzchołku słupa znajduje się metalowy trzpień stanowiący oś obrotu budowli, osadzony luźno w otworze poziomej belki zwanej mącznicą. Dzięki temu można go obracać wokół tej osi i ustawiać w zależności od kierunku wiatru.

W wiatraku zamiast skrzydeł zastosowano udoskonalony sposób poboru mocy wiatru za pomocą koła wiatrowego. Pojawił się on w latach 20. XX w. i wyparł wcześniejsze młyny skrzydłowe. Koło wiatrowe o średnicy 500 cm składa się z promieniście rozchodzących się żerdzi przytwierdzonych do grubej prostokątnej metalowej blachy osadzonej na głowicy wału skrzydłowego, dwóch przybitych do nich okręgów z wygiętych żerdzi oraz szeregu drewnianych łopatek umieszczonych na tych okręgach. Łopatki o wymiarach 110x20 cm zgrupowane są po 3, z odstępami pomiędzy każdą z grup, a każdą ustawiono ukośnie do płaszczyzny koła wiatrowego za pomocą trójkątnej podkładki. Wklęsła forma koła wiatrowego przypomina współczesną antenę satelitarną.

System transmisji siły wiatru na kamienie żarnowe wykonano z drewna. Wewnątrz na wale skrzydłowym umieszczono koło paleczne zwane też palczastym ze względu na drewniane kołki – "palce" osadzone na jego bocznej stronie. Koło paleczne wraz z zazębiająca się z nim latarnią (drążkiem trybowym) tworzy układ przekładni przenoszący ruch obrotowy wału koła wiatrowego na ruch pionowy sztangi zwanej sochą, która wprawia w ruch górny kamień żaren. Optymalną prędkość sochy czyli żaren uzyskiwano za pomocą odpowiedniej ilości palców na kole palecznym i cywi w latarni. Tutaj uzyskano sześciokrotne zwiększenie szybkości żaren. Żarna umieszczone na obudowanym stolcu składają się z dwóch kamieni. Dolny kamień z niewielkim otworem w środku jest nieruchomy, a górny grubszy tak zwany biegacz, z większym otworem obraca się. Odległość pomiędzy kamieniami regulowana jest za pomocą klinów. Ziarno zsypywano pomiędzy kamienie żarna z umieszczonego nad nimi kosza z przymocowanym do niego elastycznym prętem zwanym przykładem. Drgania przykładu zapewniały równomierny strumień zboża. Mąka z żaren, pomieszana z otrębami wsypywała się do podstawionej skrzyni.

Przy sprzyjającym wietrze można było tym wiatrakiem w ciągu doby zmielić 2 kwintale żyta.

Kamienie żarnowe były drogą częścią wiatraka, bo w okresie międzywojennym kosztowały około 30 zł. Wyrabiano je między innymi w Bartnem, Bodakach, Przegoninie, Jaśliskach, Puławach, Cieszynie.

Przypisy

Domarad
Wiatrak z Domaradza
Wiatrak z Domaradza
Wiatraki kozłowe w Polsce


Bydlení Poruba - TRIMEX REALITY, a.s.
PORUBA – the ideal place for life. Municipal district without industrial load, projected for living with complex infrastructure. Green, free time areas, natural swimming pool, indoor and outdoor sports fields, University hospital, policlinic, a network of kindergartens, primary, secondary and high schools, shopping centres, transport network – this is PORUBA.
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Cream tea is as big in Ireland as it is in England and Scotland and there are just as many great locations in which you can enjoy this British specialty. In this afternoon tea in Dublin guide we'll focus on the finest fare right in the country's capital, with no shortage of top venues and menus to take in.
With a header that rolls of your tongue as smoothly as that, you know you're in for a treat. This is the grandest and most luxurious place to enjoy afternoon tea in Dublin. It's their equivalent of The Ritz, and that's as true of the decor and the menu as it is the price.
Afternoon tea at the Westbury will set you back close to €50 per person, a sizeable fee in anyone's book. You get a lot of great food and drink for that money though and there is also a grand open fireplace and live piano music accompanying you as you drink and eat.
You can book afternoon tea at the Westbury between 1:30pm and 5pm everyday and its central location in Dublin means it's just a short walk from the main shopping areas.
This is a 5-star hotel that offers up a true 5-star experience for diners looking for the best. The hotel has a long history and has stood for nearly 200 years, offering fine dining and hospitality in the heart of Ireland's capital. There are over 260 recently renovated bedrooms and some grand dining rooms in which you can enjoy breakfast, lunch and, best of all, afternoon tea!
According to the hotel's official website, their afternoon tea is popular with famous local celebs and considering this is one of the must-see locations in the city and one that draws many celebs into its five-star suites, that doesn't surprise us.
Afternoon tea at the Shelbourne Hotel Dublin costs €49 per person and there is also a children's version if you have little ones in tow. There is also a steakhouse and seafood restaurant in the building called The Saddle Room and the No. 27 Bar & Lounge.
This one is a little cheaper than the options above, coming in at just over €30 per person. It's still more than you pay in many smaller tearooms across England, including many of the menus we discussed in Northumberland, but for a top hotel in a capital city it's fantastic.
The best offering here is The Mad Hatter's Tea Party, where you can take a trip down your own rabbit hole and enjoy cute and crazy creations alongside a soothing cup of black tea. Everything in this cream tea is unique and a little quirky, from the handmade cups and saucers to the treats and sandwiches. It reminds us of some of the quirky establishments we visited (and loved) in York, Solihull and Wiltshire.
If you want something a little less traditional but still crave the quality food, service and surroundings, this could be just what you need.
Ariel House: This one offers a historic take on a traditional experience. It's Victorian cream tea, taking you back in time to enjoy the best of British.
Morrison Hotel: You will pay just €20 to €25 per person here, making it one of the most affordable places to enjoy a great high tea menu in Dublin.
The Beacon Hotel: This one usually caters for large groups and is a good option if you have a large family or group of friends with you. They have a traditional tea menu for a group of 10 that will ensure everyone is well fed.


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text:
Q: Generate Windows Compatible Binary from Xcode C++ Console Application I am using XCode for developing a C++ Console Application. After compiling XCode generates the Unix Executable File, which run on Mac perfectly. But doesn't work on windows. I have tried changing the active architecture as well from x86_64 to i386 but no luck.
Is it possible anyway to generate executable like Borland C, or Turbo C compilers does. ?

A: XCode does not generate Windows binaries.  Processor architecture isn't the only thing that is different - executable format, names of import libraries, ABI, etc., etc.
Use a Windows compiler, like Visual C++ Express, to generate a Windeows binary.

A: Although the compiler will compile for different CPU architectures, building for another OS is not supported (with iOS being the exception).


is a quality certified, premium canned fish product from Namibia.
most inaccessible and remote markets in Africa.
and is available in three flavours: Chilli, Tomato and Curry Sauce.
distinguishable with bright colour differentiators and picture graphics.


This resource, developed by Rebecca Newburn of Richmond Grows Seed Lending Library, is designed to be used as a template for seed libraries. This document can be edited with your library name and information, printed, and placed next to the seed library check-out station. The disclaimer aims to help patrons understand the nature of a seed library and understand that germination testing and labeling may not exist with the same standard as commercially sold seeds.


text:
Abad Faciolince, Héctor
Angosta
Bogota: Seix Barral, (Col. Biblioteca Breve), 2003. first edition. Hardcover. 374p., wrps. Angosta is a violent, erotic and political summary of a fictional city, which is the best image of the entire real world. Halfway between science fiction and social hyperrealism. A novel starring a bookseller and set in a...... More about Angosta
Blum, Liliana (México, 1974)
Cara de liebre
México: Seix Barral, Editorial Planeta Mexicana, 2020. First Reprint. Paperback. 291p., wrps. Liliana Blum (born 1974) is a Mexican short story writer. She is one of the first Mexican writers of her generation to be translated into English. She is the author of the novels El monstruo pentápodo (Tusquets Editores..... More about Cara de liebre
BRICEÑO, CRISTHIAN
SU SEGURO SERVIDOR
Lima: Editorial Planeta Perú, SEIX BARRAL, 2021. First Edition. Paperback. 164p., wrps. Cristhian Briceño he has published the collection of poems Brief history of English lyric poetry and the set of prose pieces La trama invisible. In 2012 he won first place in the XXV edition of The Story of..... More about SU SEGURO SERVIDOR
Cuenca Sandoval, Mario (Spain, 1975)
Barcelona: Seix Barral, 2021. First Edition. Paperback. 367p., wrps. Mario Cuenca has published the novels Boxeo sobre hielo (2007, Young Andalusia Prize for Narrative), The morphine thief (2010), The hemispheres (Seix Barral, 2014), The gift of fever (Seix Barral, 2018, Ciutat de Barcelona Prize) , Todos los miedos (2005), which..... More about Lux
EIELSON, JORGE EDUARDO
PRIMERA MUERTE DE MARÍA
Lima: Seix Barral, Editorial Planeta, 2020. First Edition. Paperback. 154p., wrps. "Primera muerte de María" is a hybrid book that transits between the novel, the essay and the personal diary.	More about PRIMERA MUERTE DE MARÍA
Fabbri, Camila
El día que apagaron la luz
Ciudad de México: Almadia Ediciones, 2020. First Edition. Paperback. 192p., wrps. Novel authored by Argentine playwright and actress Camila Fabbri. Previously, Fabbri has written and drirected the plays "Brick", "Mi Primer Hiroshima", and "Condición de buenos narradores"	More about El día que apagaron la luz
JARQUE, FIETTA
DONDE DENNIS HOPPER PERDIÓ EL PONCHO
Lima: Editorial Planeta Perú, SEIX BARRAL, 2020. First Edition. Paperback. 224p., wrps. Chronicle of the filming of "The Last Movie" in Chinchero, Cusco, 1970.	More about DONDE DENNIS HOPPER PERDIÓ EL PONCHO
Lemebel, Pedro
Háblame de amores
Buenos Aires: Seix Barral, Editorial Planeta Chilena, 2021. 3rd Edition. Paperback. 287p., photos, illus., indices, wrps. Pedro Lemebel was a writer and visual artist. His narrative work is made up of the collection of stories "Incontables" (1986), "Tengo miedo torero" (2001), "La esquina es mi corazón" (1995), "Loco afán. Crónicas..... More about Háblame de amores
Lemebel, Pedro (1955-2015)
De perlas y cicatrices
Buenos Aires: Seix Barral, 2021. First Edition. Paperback. 288p., wrps. Pedro Lemebel was a writer and visual artist. His narrative work is made up of the collection of stories "Intocables" (1986), "Tengo miedo torero" (2001). "La esquina es mi corazón" (1995), "Loco afán. Crónicas de sidario" (1996) and "De perlas..... More about De perlas y cicatrices
Loco afán. Crónicas de sidario
Buenos Aires: Seix Barral, Editorial Planeta Chilena, 2021. 2nd Edition. Paperback. 252p., indices, wrps. Pedro Lemebel was a writer and visual artist. His narrative work is made up of the collection of stories "Intocables" (1986), "Tengo miedo torero" (2001). "La esquina es mi corazón" (1995), "Loco afán. Crónicas de sidario"..... More about Loco afán. Crónicas de sidario
Magnus, Ariel (Buenos Aires, 1975)
El desafortunado
Barcelona: Editorial Planeta, Seix Barral, 2020. First Edition. Paperback. 272p., wrps. Ariel Magnus is an Argentine writer. He studied Spanish literature and philosophy at the Friedrich Ebert Stiftung in Germany. Has published the books: Sandra, Emecé Editores, Buenos Aires, 2005, La abuela, Planeta, 2006, Un chino en bicicleta, Norma, 2007..... More about El desafortunado
Mastretta, Ángeles
Yo misma : Antología
México, D.F: Seix Barral, Editorial Planeta, 2019. 1st Edition. Hardcover. iii, 245p., wrps. An anthology of poetry by Ángeles Mastretta. Contents include: "Me comprometo","La escritura y la felicidad","Tal vez nada", etc.	More about Yo misma : Antología
Mendoza, Eduardo (Barcelona, 1943)
Barcelona: Seix Barral, 2021. First Edition. Paperback. 370p., wrps. Eduardo Mendoza has published the novels The King Receives (2018); The yin and yang business (2019); the book of stories Three Lives of Saints (2009), Reunido Theater (2017) and What's Happening in Catalonia (2017), always in Seix Barral, Cat Fight. Madrid..... More about Transbordo en Moscú
Muñoz Molina, Antonio (Jaen, 1956)
Barcelona: Seix Barral, Editorial Planeta, 2021. First Edition. Paperback. 343p., wrps. Antonio Muñoz Molina is a Spanish writer and, since 8 June 1995, a full member of the Royal Spanish Academy. He received the 1991 Premio Planeta, the 2013 Jerusalem Prize, and the 2013 Prince of Asturias Award for literature.....	More about Volver a dónde
Olmos, Alberto (Segovia, 1975)
Irene y el aire
Barcelona: Editorial Planeta, Seix Barral, 2020. First Edition. Paperback. 185p., wrps. Alberto Olmos was a finalist for the Herralde Award with his first novel, "Abordo del naufragio", in 1998. Afterwards, he published the novels "Trenes hacia Tokyo", "El talento de los demás", Tatami, El status (RNE Critical Eye Award). He..... More about Irene y el aire
Ospina Obando, Diana (Bogotá, 1974)
Parece que Dios hubiera muerto
Bogotá: Seix Barral, 2021. First Edition. Paperback. 124p., wrps. Diana Ospina has written about film books for Arcadia, Kinetoscopio, El Malpensante, among other publications. She has written the books: "La Aldea, historias para pensar el país (2018)", "De otra manera, fábulas sobre acuerdos en Colombia (2018)", "Guerra a voces" (2020).....	More about Parece que Dios hubiera muerto
Roncagliolo, Santiago (Lima, 1975)
Y líbranos del mal
Buenos Aires: Seix Barral, 2021. First Edition. Paperback. 400p., wrps, Santiago Roncagliolo is the author of several children's books such as Rugor, the enamored dragon (Alfaguara, 1999), La guerra de Mostark (Santillana, 2000) or Matías y los imposibles (Siruela, 2006). His first novel was The Prince of the Alligators (Ediciones..... More about Y líbranos del mal
Saer, Juan José
Ensayos. Borradores inéditos 4.
Buenos Aires: Seix Barral. Biblioteca Breve. 2015. First Edition. Paperback. 207p., facsimiles, wrps. "Ensayos. Borradores inéditos 4" is a series of previously-unpublished essays by Juan José Saer, through which the Argentine writer's development and commitment to his craft is revealed.	More about Ensayos. Borradores inéditos 4
Sumalavia, Ricardo (Lima, 1968)
Historia de un brazo
Lima: Seix Barral, 2019. First Edition. Paperback. 94p., wrps. Ricardo Sumalavia has published the storybooks Rooms (1993) and Family Portraits (2001), the micro-story books Minimum Encyclopedia (2004) and Plastic Encyclopedia (2016), and the novels May the earth be light for you (2008), and While el huya el body (2012).	More about Historia de un brazo