text:
Paper: A causal mechanism for gravity
By rjbeery,
May 14, 2020 in Speculations
Yanchilin, Yanshmilin.
Haven't we been over this before? c2 or phi.
You need more variables!!!
Mordred 39 posts
joigus 33 posts
rjbeery 92 posts
Because - as I have attempted to explain - time dilation is a relationship between distant clocks, whereas a field assigns a particular object (a tensor of spinor of any rank) to each local event in s
This is irrelevant, as it still cannot model tidal effects, for reasons already explained numerous times. The necessary information content just isn't there in a scalar field, and it won't magically a
Just to be extra clear - the scenario can of course be treated via GR, it's just that it's not possible to do so via pen-and-paper methods. You would need to feed this into specialised software, and l
I have some questions regarding black holes. Which forum channel would be appropriate, and do we happen to have any astrophysicists on this forum?
4 minutes ago, rjbeery said:
I would say the Relativity section, probably: https://www.scienceforums.net/forum/10-relativity/
Unless it is more about their formation and role in galaxies, in which astronomy might be better: https://www.scienceforums.net/forum/7-astronomy-and-cosmology/
There are at least two or three people with a good level of knowledge.
In this paper, we show that the time dilation field of mass-energy is sufficient to predict gravitational effects on light. Essay written for the Gravity Research Foundation 2021 Awards for Essays on Gravitation.
Free-falling into Black Hole
We start with a black hole, B, possessing a Schwarzschild radius (rs) of 3000 m, giving it a mass of roughly one solar-mass (~2*10^30 kg). We take a body, A, of negligible mass, initially resting at a great distance (PEi = KEi = 0), and allow it to free-fall towards B.
To calculate A's coordinate velocity at a given distance, r, from the center of B, we start with
Integrating gives us:
We evaluate the equation for the final 1000 meters of A's path before reaching the event horizon (i.e. r = 4000..3000, see Fig 2)
Here we take note of the proper velocity of A at r = 4000 (see Fig 2)
We also note that
where t0 is the proper time of events for A, tf is the coordinate time of those same events (for a distant observer), and the radical value is the time dilation factor which approaches 0 as r approaches the event horizon at rs.
Light passing through a graded refractive index
A refractive index of a medium is defined as the dimensionless number
where v is the measured velocity of light through that medium. In other words, n can be treated as the reciprocal of an apparent time dilation factor (from the remote observer's point of view). If we consider a gravitational field as the medium being traversed, then we can use (12) to represent that medium's refractive index as
where ys is analogous to the Schwarzschild radius of B above.
We see that as a light ray R approaches a height of ys the "time dilation factor" approaches zero, and n diverges to infinity. Light in this area is effectively frozen, and, for all intents and purposes, the horizontal boundary of y = ys is an event horizon. Now we take Snell's Law
where k is a constant determined by the initial angle and location in the medium of an incident ray. Combining (14) with (15) we now have
In Figure 1 we are considering theta to be the angle between R and the normal to the x-axis, therefore
We can combine (16-18) to get
We now want to determine k. Since we know from (11) that the body A is approaching B at a velocity of .866025c at r = 4000 (see Fig 2), we choose theta such that the light ray R is approaching B at the same rate at y = 4000. A light ray with a vertical component moving downward at .866025c is doing so at pi/6 radians off the y-axis
All such k-values will be unity when the vertical component of R is equal to a radial free-fall velocity, such as A's, at a given height. Plugging k = 1 into (19) we have
We now calculate the length of R's spatial path from y = 4000 to the so-called event horizon ys = 3000.
which is the same value we calculated in (10).
Gravity and refraction equivalence
We can verify the relationship between (8) and (27) by adjusting (7)
where of course the constants of integration are irrelevant to the integral.
In conclusion, we have shown that the time dilation field of mass-energy predicts gravitational effects on light. Parsimony and equivalence would suggest that this mechanism is sufficient to explain gravitational forces on massive objects as well, possibly in the form of EM mass.
42 minutes ago, rjbeery said:
In this paper, we show that the time dilation field of mass-energy is sufficient to predict gravitational effects on light.
Moderator Note
Merged with existing thread
swansont, I feel that this paper is a completely different angle on a similar subject. Please consider letting it remain in its own thread.
equation (19) should read:
Since time dilation and deflection of light are both effects that derive from GR, it seems unsurprising that they would be correlated.
1 hour ago, rjbeery said:
I feel that this paper is a completely different angle on a similar subject.
Effects based on time dilation being the cause, and gravity as refraction. No, you don't get a new thread.
Explain how time dilation makes me fall down.
You asked for an explanation 11 months ago, and now you seem to be saying that it's obvious.
2 hours ago, rjbeery said:
You asked for an explanation 11 months ago,
Really? Provide a link to the post.
and now you seem to be saying that it's obvious.
No, I didn't say it was obvious. I said it would be unsurprising.
I copied your post above, but here's a direct link: https://www.scienceforums.net/topic/122084-paper-a-causal-mechanism-for-gravity/page/2/?tab=comments#comment-1141752
I'll be curious to see if others find this result unsurprising as well. I think it is very significant.
I was asking for the causal mechanism (i.e. how time dilation is a force), not an explanation of what you were deriving.
I was just thinking of the case where one has a constant gravitational acceleration, and the fractional frequency shift is gh/c^2, so g is right there in the equation, as my thought for why I would be unsurprised that time dilation might have a correlation with another effect that depends on g. It seems it would be trivial to rearrange the equation. The general description is that time dilation depends on the gravitational potential. So basically you're surprised that the gravitational potential depends on gravity and that you could parameterize some other effect that depends on gravity. OK.
According to this paper, "constant gravitational acceleration" would not induce forces at all. I mean, intuitively, we would expect it to (because we are accustomed to using g for convenience) but, as the paper outlines, time dilation would be constant in a field of "constant gravitational acceleration" and therefore would not refract light. If gravitational forces still existed in such a field then equivalence would be broken.
Also, you are asking for the causal mechanism, but that is literally what the paper is about. Time dilation is the mechanism. If you're driving on a dirt road and you hit the shoulder of sand, your car turns in that direction; drop a straw in water (where light moves more slowly) and the straw appears to "bend down". It's all the same thing.
So much for your earlier claim that this is consistent with GR.
Can you derive the time dilation effect without using GR, and making it consistent with this claim?
i.e. that there is no time dilation with constant g. Can you predict the Pound-Rebka experimental results?
Also, you are asking for the causal mechanism, but that is literally what the paper is about. Time dilation is the mechanism. If you're driving on a dirt road and you hit the shoulder of sand, your car turns in that direction;
Yes, and there are Newtonian forces acting on the car that make it do this.
drop a straw in water (where light moves more slowly) and the straw appears to "bend down". It's all the same thing.
There is no force on the straw. You can't make a stronger straw and have it resist the bending, because the effect is not dependent on the straw; the straw doesn't actually bend. The light does.
In Newtonian terms, if I fall, it's because there is an acceleration that is the mechanism (gravity in this case), and thereby a force. If you can't tie your effect back to this concept, then how is it consistent with Newtonian physics (in the regime where Newtonian physics is valid)?
1 minute ago, swansont said:
i.e. there is no time dilation with constant g? Can you predict the Pound-Rebka experimental results?
There's nothing controversial in the paper. It's very straightforward. If you think this paper is inconsistent with GR then you are perhaps misrepresenting what GR predicts.
I don't understand the second statement above. I'm not sure how (or why) I would want to derive time dilation without GR.
Lastly, time dilation would exist in constant g but it would also be constant, and therefore gravitational acceleration would not be present. Consider the inside of a massive, transparent Newton's shell -- time moves slowly, but everything is free-floating.
The claim that there is no time dilation with constant g is inconsistent with GR. Thus, your claims are inconsistent with GR and can't be based on it.
GR claims a frequency shift of gh/c^2, i.e. it varies with h, and you claim it's constant.
There is no gravity inside of the shell. g=0; it's trivially constant, but it's not the general case.
1 hour ago, swansont said:
This isn't true; the frequency shift you're using is a Newtonian approximation. Compare this (the true equation):
to equation (12) in my paper above and you can see that they are clearly just taking the ratio of time dilation at both heights to determine blueshift.
The difference between the equations is well below the precision of the measurement, but the more important issue is you're claiming a different result.
Have you done any calculations?
gh/c^2 = 2.5×10^(−15)
Lots of them
You can punch numbers into a calculator. What's your point?
(also you should show your work in more detail. you only have one significant digit with .009; where did that come from and why isn't there more precision?)
I can't tell if you're being intentionally obtuse, but .009 is the approximate Schwarzschild radius of the Earth. I used that for r_s in the calculation. The above math was my response to you saying
where the ratio of time dilation factors (using rough estimates) is a difference of 3*10^(-15), compared to the gh/c^2 = 2.5*10^(-15). The fact that they could not (at the time) measure the time dilation difference at a distance of 22.5 meters, forcing them to use the approximation you listed, does not mean that the GR answer is anything but correct.
What? You have this backwards. A low-precision doesn't force you to use an approximation. It allows you to, because any difference in their results requires more precision than you can measure.
Meaning that the difference between the two calculations lies somewhere out past the ~10^-16 precision that was measured. Trivially confirmable, too, if you'd bother to investigate (i.e. work through the algebra)
IOW, the effect is because of h, not because of the change in g. Because the potential varies as r, but g varies as r^2
What different result were you referring to here?
To be honest, the things you're saying are just bizarre. This is from the Pound-Rebka wiki page:
In other words, treating g as constant is a known approximation, and the proper calculation is literally listed. I solved that exact calculation to show you that it does not produce a "different result". If we used exact values for r_s and altitude then it would produce an exact result.
Edited April 16, 2021 by rjbeery
To be honest, the things you're saying are just bizarre.
No, you're misreading them.
This is from the Pound-Rebka wiki page:
And the exact result and the approximation are equal at the level of precision of the experiment. They would differ if you carried the calculation out to a higher precision.
You're the one saying that if g were constant there would be no time dilation, and you're quoting a source that confirms you are incorrect. A constant g does predict time dilation varying with h.
I understand now. You think that, because the approximation has varying time dilation with a constant g, then that's proof that GR claims the same thing. This is false, and equivalent to saying that Newton's approximations prove that the speed of light is infinite.
15 hours ago, rjbeery said:
No, it's a claim from GR.
Take the GR equation and expand it. The first term is the contribution from constant g.
Regardless, the problem with Newton was with light, not gravity. GR reduces to Newtonian gravity when gravity is weak, which is the case here, so the results have to agree. The time dilation varies with the gravitational potential, and is going to be gh/c^2 whether g is constant of varies with r.
GM/r is the gravitational potential (it's what shows up in the Schwarzchild radius equation, which is relativistic) and the time dilation is the potential divided by c^2
g = GM/r^2
so GM/r = gr
But over the height of a few tens of meters g is only going to vary by less than a part in 10^10, so this difference in g can safely be ignored in a result that's only good to 10% (as was Pound-Rebka) or 1%, as in the case of the later Pound-Snider experiment. You're only going to have to worry about the variation of g when you go to higher altitudes, such as in Vessot's gravity probe A experiment.
You can see that Pound and Rebka assume constant g
If there was no time dilation in constant g, then the frequency of light would not change with height, and this would violate conservation of energy, which is very much in conflict with mainstream physics
Also, the "no light deflection in constant g" is in direct opposition to the Einstein elevator example of the equivalence principle


Mike Sherlock and his wife, Patti built Fremont Mischief Distillery facing part of the Lake Washington Ship Canal in Seattle, Washington. Designed with wood panels and dark metal crows, its steampunk-y vibe is reflective of Mike's past life as a ship yard owner and commercial fisherman. John Jacob Rye Whiskey is named after Patti's grandfather as it's based on his recipe of 90% PacificNorthwest rye blended with 10% malted barley. The mash is distilled in pot stills, then oak aged. The color is light to medium amber.
"There's some sweet, almost floral heat on the nose--think minty throat drops (in only the best way). The palate emphasizes bold, hot spices such as cinnamon, tempered only slightly by vanilla. The finish is short and hot: fireworks that explode and vanish."


text:
JODY WHITESIDES
All posts in category: In The Studio
March 25, 2014 In In The Studio Tagged as compressed compression discussion distorted distortion george leger III hot jesse stern levels loud loudness mastering recording By Jody Whitesides
One Trick You Didn't Know For Loud Mastering
One thing these days that lots of people have complained about is extremely loud mastering of music and how it tends to kill the song. I'm someone who has heard many a song released where the mastering and/or mix was so brick wall limited that it ends up sounding distorted, lacking dynamics, and it's disappointing. It destroys the vibe of the recording, all in the name of attempting to stand out above all others when broadcast to the world. The end result of these loud mixes that are overly compressed and limited is one of making the song sound small and shitty. Small and shitty is not necessarily the result any self respecting musician would ever want for their releases. However, many record labels now force this concept of "make it LOUD" to the mixing engineers and the mastering guys.
Once in a while, a mistake can lead to a new discovery about how to approach doing something. Said mistake can end up starting a new way to look at a problem. Such is the case with an approach George Leger III stumbled upon while putting his mastering skills to the test for my song Touch. I have a version of Touch that has been mastered by the great John Rodd. But before I end up releasing the song, I'll consider going with a second master based on George's new technique. To put it simply, it's mind shredding loud mastering, without sounding distorted or compressed.
Watch as I get George to discuss the process of super loud mastering he stumbled upon, to my buddy Jesse Stern, who is also the co-writer on "Till We Meet Again."
Loud Mastering
So we can get the low down on all this trickery.
Well really all it is… is this is a 32 bit hard… uh, software mixer right.
But because it's 32 bit, you can crank the crap out of the levels internally. So I can take this fader and ride it up to say +9. And it won't clip.
It chops the top off, but it does it in a way that it doesn't sound dynamically compressed.
Like a soft clipping type thing?
So you can push it up and it sounds loud without sounding [distorted] compressed. Or distorted. Jody was just like: I don't know what you did man, but the file you gave me, the mastering… It's the loudest I've ever heard and it's like doesn't sound bad at all. It sounds great.
Well, yeah. He did a master of Touch.
That he gave back to me and I was like it was just… what did I say? Mind shredding loud?
Yeah. It was super super loud. [it was so loud…] I didn't even realize I had done this when I did it. Until I went back and looked and I went, oh wait a minute I didn't go through this whole thing that I thought I was going through.
And I'm looking at the meters of my thing and my meters are still going up and down with all the dynamics. I'm like how the F^#$ is it so God damn loud!
Yeah. And not like: Phhhhfffftttt! Like crushed. Normally you do that and it gets crushed. What I discovered is that you can actually use this internal little mixer to jack the heck out of your levels, but it doesn't distort.
And it doesn't sound compressed.
It is really cool. Cause it's like you can add 6 to 9 db of limiting without it sounding at all like that's what you did. The nice thing that I like about the master that I did is… The attack of the kick and the snare are still there. Dynamically it's like BAM BAM it just sounds so good. I couldn't believe it. I was like, what the hell.
Okay, are we ready?
We're ready. We're ready. Anybody ready?
Have thoughts on loud mastering for your music – chime in in the comments below. I'm happy to discuss.
December 11, 2013 In In The Studio By Jody Whitesides
Crazy Cold Out But Touch Will Heat You Up Find Out Why
New Song Finished
Touch is in the can! Which means I'm happier to start talking about it. That's right, the mix is off to the mastering engineer and will be back in my nimble lanky fingers within 24 hours! Actually I already hear a mastered version but opted to tweak a few things about the mix before putting the fork in it. Happily the mastering engineer is going to rerun it for mastering.
Who Was Involved
Touch as it's called, was written by yours truly. That means I created all the music and vocal melodies, plus the lyrics.
The rapper is a bloke from Los Angeles who goes by the name Jacarri. He did tweak some of my lyrics I. The bridge to better suit his flow.
The idea for using a rapper in the bridge of the song came from Brian Austin Whitney.
My partner in crime in making the recording sound insanely great is George Leger III.
The awesome mastering is done by the infamous John Rodd.
Who Did What
For the recording of guitars, bass, drum programming, mouth noises, synths and other FX – I put on my alter ego hats and laid down parts for each. I also did an enormous amount of singing over the course of 4 days. Also did the final touches of the releasing mix. It added up to a few tracks north of 100 tracks in the mix. Largest mis I've ever done.
George did some additional drum tweaking, sound switching, vocal engineering, and some other various things. He also did some premixing on the track.
Jacarri brought some rapping skills to the tune.
John Rodd brought the final mastering touches.
I have to thank George, John and Jacarri for putting in some fantastic work on making this song as awesome as possible. Plus I need to thank a bunch of people who took valuable time to sit and listen to various mixes to determine which one should be the released version of the song.
I'm getting a real fuzzy feeling about the whole thing. I get even warmer thinking about how hot the video is going to be.
May 21, 2013 In In The Studio Tagged as chris hellstrom jam live maggie may maggie may cover of rod stewart rod stewart skype By Jody Whitesides
Maggie May Cover Of Rod Stewart
Maggie May Cover
I'm not often prone to doing cover songs. Mostly because I'm usually so busy writing and creating new music. However, I'm being asked more often to realize songs by other people. Thus, right now, you get to witness an experiment utilizing the power (or lack thereof) of the internet. I'm posting a video on YouTube of myself doing a Maggie May cover of Rod Stewart with my friend Chris Hellstrom.
Mind you, be aware neither Chris or I had ever "Jammed" over Skype before. We now know why. It's not an ideal way to play music live, specifically because of the massive delays between participants. Chris and I did our best to make it work and there are a few stumbles. That's to be expected when you're flying blind. There's so many variables that apparently go into this. Connection speed, something that isn't as much an issue for me as it was for Chris. I enjoy a speedy 10Mbps up and 50Mbps down. Chris on the other hand not so much. Video obviously adds a lot of data to the bandwidth. I hear there are other things like data packet loss and such. Either way, if Skype really wants to make it's world domination complete, they will have to figure out how to reduce these delays down to milliseconds. Enjoy our little escapade.
Since I'm a glutton for punishment, I just made arrangements to do this again with another friend. The twist is next time I'll be playing guitar and he'll be singing. My goal is to gather video from both sides so it can be side by side.
For now, I'd be happy to have you share this barebones rendition of the infamous (well, ok, it's famous) song written by Rod Stewart called Maggie May.
– Jody
p.s. – don't tell Rod I screwed some of it up.
p.p.s – this was posted before the video went entirely live on YouTube, so you're an early watcher!
March 4, 2013 In In The Studio Tagged as dub japan metal music pachinko pachinko games am i skype video game vocals By Jody Whitesides
Pachinko Games Am I
In the matter of getting the talent out and into the world, I have a little news about something I've done recently. I was asked to sing on a game soundtrack. I can't tell you the name of the game, if I did, I'd have to kill you, then they'd kill me. Very James Bond 007 type of stuff. I can say it's a game out of Japan and it's the type known as Pachinko. Though I've never see a Pachinko game, I can say Pachinko games am I. Or at least my voice is.
Oddly enough I'm getting known for doing vocals for games in that part of the world. It's interesting. It's fun. It can also be rough on the voice.
The amazing march of technology allows the composers in Japan to Skype in to my studio. Where they can ask, watch, listen, and request for things as we're recording the tracks. Going international thanks to video chatting!
I will say the music for this game is a bit heavier than most of the music I'm known for. Plus it's very much in the heavy video game style of borderline metal mixed with dub.
When I'm allowed to give out the name of the game, I'll happily post an update. Speaking of which, there is another game that I sang on a while back where I'm due to be getting the CD of the music very soon. When I get it in big hands, I'll post about that one.
February 22, 2013 In Fit To Print In The Studio Tagged as finally song eighteen is "I Miss" harmony i miss lyrics queen vocals By Jody Whitesides
Finally Song Eighteen Is "I Miss"
Doling out the news… That's what's happening. Since the last post about song seventeen, I'm now on the final leg of the preproduction stage. That's the word finally song eighteen is "I Miss".
The song underwent a bit of a transformation. I changed the rhythm of the piano part. In a way it's a bit more simplified. It also changes it from feeling too much like a song from the 80's in it's rhythmic value on the piano.
Lyrically it has stayed the same. I'm positive they were right the first time.
Vocally is where the most change happened. I've added an insane amount of vocal harmony. Think Queen, if you're familiar with them. It's going to be vocally HUGE. It will be interesting to see how it vibes out in the studio with extra singers on it. I'm thinking it will have somewhere in the neighborhood of 160 tracks of vocal harmonies. Big big big.
There it is. The last song on the list for the new CD/release. Song eighteen is called "I Miss". Now it's a matter of hunting down that investor money. Once that happens, I'll be heading into the studio and pumping out these tracks with pure awesomeness.
Stay tuned for another update in a few days.
February 16, 2013 In Fit To Print In The Studio Tagged as clavinet drums keyboard rap song seventeen finalized is "you can't hear" you can't hear By Jody Whitesides
Song Seventeen Finalized Is "You Can't Hear"
Call it a momentary lapse of reason. I have realized that I didn't give a timely update on when I got the last couple of songs done. I'm writing it now, song seventeen finalized is "You Can't Hear".
There is no excuse. I got wrapped up in throwing together another tune for fun. I'll give the update about that track in the new few days for sure. Mostly likely Tuesday.
For "You Can't Hear" it got a little bit of lyric treatment. Not much. Minor tweaks and a setup for another section where I'll be bringing in a rapper who'll knock it out of the park.
Sonically the song is getting a bit of a makeover. I'll be tapping a keyboard playing friend that lift the chorus to new heights rather than sticking with the clavinet part I've got. I believe I'll also run with live drums on it instead of the programmed sounds it's set with. Mostly due to the fact that it's hybrid rap and rock.
That's about the size of the changes there. I've got one more song to be talking about in regards to this next release. Stay tuned, but for now, you're in the know with the fact that song seventeen finalized is known as "You Can't Hear".
February 8, 2013 In Fit To Print In The Studio Tagged as arrangement lyrics personal pre chorus song sixteen finalized is stand my ground stand my ground universal By Jody Whitesides
Song Sixteen Finalized Is Stand My Ground
Productive day yesterday. Got a lot of calls made. Emails sent. Even got to finally sit with a bit of a tune and spruce it up. That would be why I can say song sixteen finalized is Stand My Ground.
This particular song underwent a slight transformation. I had to tweak a few of the lyrics. I felt it needed a little more cohesion in the presentation of the words. It's now got that. Such that it remains universal and personal at the same time. Without being overly vague. Though it still has a strong sense of metaphor. Which is to say, I hope it's not too clever in it's telling of a story now.
The arrangement got shortened a little. I decided it didn't need the Pre Chorus going into the second Chorus. It appears only before the first Chorus.
Sonically, I've made my notes of things that I wish to have happen once I hit the studio to be recording the final version. In the meantime, I'll be sitting down to song 17 today, it's got very minor tweaks. Who knows I might be announcing it tomorrow. Then I've saved the toughest song for last…
For now, you're in the know that the sixteenth song finalized is Stand My Ground. Have an awesome day!
February 3, 2013 In Fit To Print In The Studio Tagged as 49's brighter side of success do you want to play imagine life lyrics music ravens song fifteen done before the Super Bowl super bowl By Jody Whitesides
Song Fifteen Done Before The Super Bowl
Bing, bang, boom. Been an interesting few days with a bunch of requests for some music to fit a few commercials. Fingers crossed that at least one of them get's pics for some of the opportunities. Yesterday I got to put the final touches on to a song that got a bit of a major rewrite lyrically. Now I have song fifteen done before the Super Bowl.
This latest in the quest for the final 18 songs is now called "Brighter Side of Success." The original title was "Imagine Life." Fortunately that has changed. Changed in to a much better song lyrically. Stronger. More cohesive. Also, more positive. That's a plus. It was good to reexamine the nature of the tune and what it should have been from a lyric standpoint.
Musically, I didn't have to change much of it at all. In fact, there were only some very minor melody/rhythm of vocals tweaks to accommodate the new lyrics. I think it was pretty darn strong musically. Though I do think I will add some stuff in the studio once all the bed tracks are tracked. Maybe a synth or two here or there. But otherwise, it's to remain a solid uptempo pop rock style tune that stays in the bass, drum, guitar, vocal realm.
Now I can sit for a day and take in the mother of all football games – The Super Bowl. Interestingly enough on iTunes my versions of San Francisco 49's and Baltimore Ravens "Do You Want To Play" are hot on the popular meter right now. I'm making an educated guess that fans of both teams are picking up their respective versions to pump themselves up for the big showdown!
Which team you rootin' for? 49's? Ravens? I'm actually more interested in the commercials and seeing huge plays. My team isn't there, crud.
Enjoy the Super Bowl, and stay tuned for next week should see at least two of the last three, if not all three of the tunes to complete the 18 to be finalized for the recording process. Remember "Brighter Side of Success" is song fifteen done and it's right before the Super Bowl! Hell Yeah.
January 11, 2013 In Fit To Print In The Studio Tagged as chorus fourteenth song finalized is "things we left unsaid" guitar key lyrics rewrite semitone semitones snow sundance things we left unsaid By Jody Whitesides
Fourteenth Song Finalized Is "Things We Left Unsaid"
Gandolf the White has struck! Apparently the Weather Channel decided to start naming winter snow storms. The humor is, this one hasn't been all that insane and yet it has a name, Gandolf. I didn't even get to see the start of the snowing as I was holed up in the den working so I could write this: the fourteenth song finalized is "Things We Left Unsaid". That's right, another song into the fire from the frying pan.
This song is one of those songs that underwent a rather strong amount of changes, comparatively speaking. It got a major facelift on the lyrics so that the words were more focused. Especially the Verses. The tone of it changed from a protagonist and antagonist switch in the Verses to simply a one point of view – that really helped the focus. The Pre Chorus then got a rewrite to make that transition work going into the slightly tweaked Chorus. Mostly because the Chorus had to reflect the change coming from the verse. The other change in the Chorus came from a slight rewrite of the title. Coming from "Things Left Unsaid" going to "Things We Left Unsaid".
Musically speaking, I decided to down-step the song a full two semitones. What brought this part of the rewrite? Well… The Verses stayed the same melodically. The Pre Chorus stayed nearly the same, there was a slight adjustment to the melody and rhythm based on the new words and wanted a better swing into the Chorus. The Chorus ended up getting an entire facelift melodically. The main reason for it was two fold. One, I wanted a way for it to stand out more from the Verses. The original version had some interesting lines but they didn't stand too far apart from the Verses rhythmically. Now, the melody is fashioned to have a much much stronger hook. Not only rhythmically but also melodically. This is where the key change had to happen for the song. Where I took the Chorus melodically was becoming a tad to straining to sound powerful in a full voice fashion. Thus stepping the song down two semitones put it back into a range that gives the Chorus full power.
The added bonus of bringing the key down of the song is that now the guitar parts sound beefier! That helps the vibe of the groove too. I can't explain why, but it feels way better now. Thus the fact that people liked it enough before to vote the song into the final round, now it's become a real contender to make the final cut and be a bonafide hit.
I'm much happier with the overall state of the song. Arrangement-wise the song a way more traditional in it's situation. However, I think once in the studio it will get a little extra window dressing. Though that comes down to how it's reflecting once it's finally re-recorded.
To close out for this update, I'd like to happily send you on a merry way – hopefully you'll be one of the people to enjoy the snow, especially if you're headed to Sundance! Until the next update (coming soon) be in-the-know that the fourteenth song to get finalized is "Things We Left Unsaid".
January 9, 2013 In Fit To Print In The Studio Tagged as jupiter bowl mark luna off-season park city ski resort summer thirteenth song finalized is "jupiter bowl" By Jody Whitesides
Thirteenth Song Finalized Is "Jupiter Bowl"
Cue the twilight zone theme… Cause if you're superstitious, then today is the kind of announcement you might not want to hear. However, I am not superstitious. Thus I'm A. O.K. with writing that the thirteenth song finalized is "Jupiter Bowl".
The song is my first co-write with a musician by the name of Mark Luna. An absolutely fantastic singer and amazing writer. When we first met and chatted on the phone Mark wanted to hear some of my music before agreeing to pen a song with me. After hearing some of my original work his response was: "We could do some serious musical damage together." That phrase sticks with me. What a compliment coming from such a talent like him.
Jupiter Bowl is not about the planet. Nor is it about a bowling alley. No. It's about the place located atop the Park City Ski Resort.
The goal in writing the song was to capture the vibe of Jupiter in the summer. The off-season. What strikes me about this song is that Mark and I discussed every detail in the lyrics, the tempo, and the concept of the arrangement. Way more so than any other co-write I've ever done. It was magical. Much like my early memories of hiking up to Jupiter Bowl.
For the most part I'm sticking pretty strong to the original demo version we did. It's so powerful despite it's lazy acoustic nature. Then again, isn't that what nature is? Powerful with such beauty. Again it's another song that I can't wait to fully realize in the studio with a group of players. Anticipation is the word!
One funny thing I can think of right now, is there there is going to be that "What the hell did he sing?" type of thing that will happen with this song. Much Like "Blinded By The Light" where people think it's saying wrapped up like a douche, when it's actually deuce. I know this because a couple of peeps have already said it. While I understand where they're coming from – I do believe it's going to be alright and I'm going to let it slide. Create the controversy!
Rounding out the beginning of the teens is the thirteenth song finalized, "Jupiter Bowl". Until tomorrow or the next day – Stay tuned.
Kickoff 2020
Billie Eilish Didn't Know Who Van Halen Is
Little Step Back Big Leap Forward
Try It One More Time
Creative Time Cut
© 2020 Too Much Music
There's more to life than just traffic jams

redpajama_set_name: RedPajamaCommonCrawl


Want to tell a friend about Ingersoll-Rand 231-Boot Impact Wrench Boot, w/231C, 231HA, 231HA-2? It's easy. Just enter the information requested below, click the "E-mail a Friend" button, and your message is on its way.


Project Debby Inc. is a non profit national domestic violence program that places victims of domestic violence in complimentary hotel rooms. Our primary purpose is to provide alternative emergency housing options to victims and survivors of domestic violence. We also ask hoteliers & retailers to donate amenities such as soaps, shampoos, toiletries, towels, linens, furniture, mattresses or dishes that will go directly to women in need and to shelters. We have placed thousands of victims are across the country for over fifteen years.
We ask local hotels to donate complimentary rooms based upon their availability. We do not ask for advance room commitments. If we are in need of a room in an area, we will call ahead and request a one to three day stay. A Project Debby representative checks the client into the hotel under an assumed name and stays in touch with her during her stay.
We collaborate with local domestic violence agencies and social service agencies that screen and refer victims to our program. Our clients are instructed on the rules and regulations of their confidential hotel stay.
Project Debby Inc. was started by hotel executive Naomi Potash in 1991. We have programs operating throughout the United States and are currently working with hundreds of hotels across the country. This program has been honored with numerous awards including being the recipient of Oprah's Angel Network, J C Penny Golden Rule Award and The Florida Governor's Peace at Home Award. We have also been positively recognized in many national magazines including "People Magazine", "Readers Digest", "Marie Claire" and "Family Circle"and numerous newspapers.


No matter the season, Seattle is an active city. The mountains, trails, pools, and golf courses will keep you busy during your stay at Talaris.
Just steps from Talaris lies the popular recreational trail for walkers, runners, and cyclists. Take a stroll after a long day of meetings or set out on an all-day adventure.
Located on the shores of Green Lake, just west of the University District, Evans Pool is a relaxing indoor swimming pool. Enjoy a water aerobics class, swim laps, or jump off the diving board.
Meadowbrook Pool, just north of the University District, offers a wide variety of programs and special events. Enjoy the one meter and three meter diving boards along with a rope swing.
From hiking boots to ski gear, REI has all the equipment and information you need for your next Seattle adventure. You can sign up for classes, stop by for repairs, or even take on the 65-foot indoor climbing wall.
Maintain your workout routine and stop in at The Seattle Gym at Laurelhurst. As a Talaris guest, you'll receive health club access for $8 per day or $15 per week.
The Golf Driving Range has 43 tees, two chipping and putting greens, and target greens. Open to the general public, it's the closest golf course to Talaris, just minutes away.
Located next to Husky Stadium on the Montlake Cut, the Waterfront Activities Center offers canoe and rowboat rentals. It's a great way to get on the water and bask in Seattle's natural beauty.


text:
Tag: Randi P'Pool
Randi P'Pool Joins MIW Board of Directors
By TALKERS | January 18, 2023 January 18, 2023 by TALKERS
Mentoring and Inspiring Women in Radio, Inc. (MIW), announces that it is elevating Randi P'Pool to its board of directors. P'Pool previously served three years as a volunteer on the MIW PR committee. She takes over for longtime board member and former national spokeswoman, Denyse Mesnik, who rises to the MIW advisory council. MIW board president Ruth Presslaff says, "We are so lucky to have someone of Randi's caliber join our board. Randi has worked diligently on the PR committee and has earned this board seat. Knowing Randi, I suspect we'll get a lot done and have a whole lot of fun doing it! That said, I will miss working side-by-side with my dear friend and now advisory council member Denyse Mesnik. She has given immeasurably to this organization and can't be thanked enough."


Failure to deliver the best care and services because one person is out sick is not acceptable. It is costly to your practice, and avoidable through cross-training. Our four-OD, 19-support staff practice, which delivers over 6,000 exams per year, has found cross-training to be an effective way of ensuring consistent care.
In addition to consistency of care, cross-training also has allowed us to provide staff with opportunities to grow in our practice. Sometimes we find a staff member has a great desire to learn something new, and occasionally, we may find a staff member has a strength that we didn't realize until they performed another task in our office.
Along with the benefits to our patients, cross-training helps us keep our staff happy, as they feel more valuable, and experience joy when they find something new they can become an expert in.
In deciding what tasks to cross train, we first reviewed the areas where we already had challenges throughout our day, but also looked at situations in which the variables can't be controlled, such as when patients come in late causing a bottleneck in pre-testing.
In those situations, having an additional staff member who can step in and do pre-testing is beneficial. Or having another employee who can pinch hit in the optical when the opticians are backlogged can mean the difference between making and missing a sale.
As another example, it would be great to have everyone trained in all areas, but working with the billing, and reconciling an EOP, is not critical to patient care. So, be sure to prioritize in cross-training areas that most impact patient care, or those that patients perceive to be something that should not include significant waiting, like scheduling an exam or picking up contact lenses.
It is important to continually expose your staff to the secondary tasks you would like them to perform, so the skills stay fresh in their minds.
Our personnel manager is responsible for setting the schedule to ensure each staff member is placed in both their primary and secondary tasks throughout the upcoming week. We always have in place a back-up for key tasks in case an employee is absent. After the daily schedule for primary roles is determined for the upcoming week, we then decide who the back-up employee will be for each of the key roles in the office for each day. It's like having an under-study at all times for each essential role in the office.
It can be challenging when an employee finds their primary task is not what they want to do, and they would rather perform their newly learned task. We prevent this from happening by having a clear conversation with the staff member to set expectations and the purpose for learning the new task.
For instance, we told an employee, who was a scribe and pre-tester, that we needed her to learn contact lenses since one of our contact lens technicians was going on maternity leave. We clearly indicated that she would be working as a scribe, and that was her primary role, but we also were having her learn contacts to ensure we could maintain consistency in patient care for contacts. The other thing we did was to provide scheduling to allow her to work in both roles once the contact lens technician came back from maternity. She was thrilled to be able to work in both roles, and this allowed our practice to maintain the excellent care without the patient suffering or waiting because we couldn't handle their needs.
The importance of cross-training is it ensures there is no change in the care you provide every patient, regardless of who is sick or on vacation.
Staff should always have, at a minimum, a primary task with a secondary task, and possibly other tasks they learn well enough to perform when necessary. What If only one person can take retinal photos, or run ancillary tests, such as a visual field? At the worst moment when a field is needed for patient care, you can be stuck making the patient wait while performing the task yourself. Or what if somebody decides they want to try contact lenses, and needs training, but your primary trainer is gone? It is much better to be able to help the patient right then versus having them come back. This works for all areas, like dispensing glasses or contacts, scheduling patients, or patient pre-testing.
The time needed for cross-training varies, but can be done in many ways. A big thing I do in my office is include training during our weekly meetings. This generally means we break up into groups and the person who has the best knowledge of a primary task will teach someone the task as their secondary responsibility.
We also make sure that whenever an employee is not needed for their primary task, they shadow the employee doing their secondary task. For example, an employee who normally performs contact lens training may follow the visual field tester if there are no fits being done at that time.
There also is continued training during the course of a typical day by the personnel manager in my office, on-the-job, as the need arises.


I want to mirror a directory tree to different drive/location.
I tried COPYand SYNC but both create the new directories with the actual date&time.
Is there a way to preserve the date&time of the original directory ?
Especially with SYNC I hoped that it would be possible.
For me the timestamp of a directory is a useful information and I don't want to lose it.
This one stalls and doesn't come back to the prompt.
where your used-defined function TargetDir maps each source directory path into its corresponding target directory path.
TotalCommander, a file manager program, has an option to copy trees and preserve directory dates.
The reason directory timestamps are not copied is that only files are copied, but directories have to be created new on the target system. When you copy a file, in the various file systems which support long file names in Windows, by default the target file's creation date and access date are when the copy is made, and its modification date is copied from the source. Cf. POSIX - the default modification date of the target is the time the copy is made (I always hated that, and always used the option of the cp command which copies the source's modification date to the target. However, every time another file is copied to the target directory, it changes the content of that special file, so logically its modification time is new.
Stefano and Steve, thank you for your explanation and sample code.
But somehow I'm not so excited with the TOUCH-solution (for ~ 50000 dirs).
It's a pity, but I will fall back on ROBOCOPY.


As part of our stream of work design to strengthen the governance of non-profit organisations, we undertook a practical governance review for The Diana Award. The objectives of the review were to ensure that documents and practice in the organisation relating to governance are fit for purpose and appropriate, and to allow the charity to make practical improvements to its governance and ways of working, in the interests of better meeting its charitable aims.
Key areas within the scope of the review included the governing documents, board structures and working practice, key policies and procedures, communication between Chair and CEO, risk management, and day to day charity management at senior level only. Our work included a review of approximately forty documents provided by the charity and other public information, and interviews with all of the charity trustees and senior managers. Our detailed report included thirty prioritised recommendations, following which we worked with staff and trustees to help develop an implementation plan.


text:
Bike Snob NYC
Systematically and mercilessly disassembling, flushing, greasing, and re-packing the cycling culture.
Millennials Love This Tire Inflation Hack!
How many times have you attempted to inflate your rear tire only to sever your hand at the wrist? Never? Well Bicycling's got you covered anyway:
This simple bike will prevent you from bashing your fingers on your gears pic.twitter.com/tPxUA18HIX
— Bicycling Magazine (@BicyclingMag) May 21, 2018
Evidently this is enough of a problem that they went through the trouble of making a video about it, and the solution apparently is to harness the awesome power of opposable thumbs:
Next up from Bicycling: How to lube your chain without getting your tongue caught in your drivetrain.
Of course I realize that as an old fuddy-duddy my insistence that impaling yourself on your cassette is a non-existent problem could be entirely due to the fact that I am totally out of touch. See, now that everyone's riding gravel bikes with 10-52 cassettes and deep-section cray-bone rims there's now only like two millimeters of clearance between the valve stem and the low gear so maybe it is a real issue. Also, one can't be expected to pay attention to proper valve orientation during inflation when one is so preoccupied with making sure the #whatpressureyourunning is accurate to the .000000th PSI. It's not like the old days where you had a 19-tooth low gear and a rim with the depth of a fingernail and you just kept inflating your 21mm tire until the pump head blew off by iteslf.
Speaking of being out of it, despite a biblical streak of rainy weather I attempted to participate in a bicycle race on Saturday morning. Since it was already raining when I woke up at an hour so grotesquely early I won't even share it I decided to spare the Renovo the indignity of getting dirty and instead rode my Milwaukee, even though it is outfitted for leisurely mixed-terrain rambling and not high-speed park-Fredding:
As I rolled down to the park in the rain I couldn't shake the feeling that my heart simply wasn't in it, and as the race began it became immediately clear that my legs weren't either, and I became detached from the pack as quickly and expeditiously as a bicycle pump head being flicked off the valve by a pair of thumbs in a Bicycling magazine instructional video.
Then I went to retrieve my bag, only to find it had been befouled from above by a bird:
By way of penance (and because it was still barely 6am) I figured I'd head over the GWB for some Fred mileage, but by the time I reached 125th Street I was more or less soaked through and the idea of heading anywhere but home was profoundly unsavory. So I limped home wet and defeated, and in a way I suppose it was punishment from the Great Lobster On High for so flippantly writing about quitting bike races last week:
Though in fairness to myself at no point did I consider pulling a Siskevicius and riding eight laps in Central Park by myself.
Then on Sunday I did decide to head over the GWB to River Road, which turned out to be an incredibly stupid idea since it was the day of the Gran Fondo New York, aka "Attack of the Freds":
As the curator of a local cycling blog I should have known that, but those green jerseys have become so ubiquitous I now seem to automatically tune them out. Therefore, I only realized it was going on when I was already on River Road and I saw signs informing me it was closed for a bicycle race. Naturally I ignored these signs, but then a police officer fired up the ol' megaphone and told me the road was closed "unless you're in the race:"
For a moment I considered telling him I was in the race, but it seemed silly to run afoul of the law just for the sake of riding a road I've traveled roughly eleventy billion times before. So I turned around and made my way back home via the High Bridge, thus capping off a weekend of extremely poor cycling decisions.
Finally, as you may or may not have seen, Outside got lots of ridicule for this tweet:
Marianne Vos is the greatest cyclist you've never heard of. https://t.co/hGx3LDj5e4 pic.twitter.com/3pUfcW5V9A
— Outside Magazine (@outsidemagazine) May 21, 2018
Naturally people were indignant over the notion that nobody's heard of Marianne Vos, but the fact is that most people haven't heard of Marianne Vos...or Peter Sagan, or really any current top-level cyclist for that matter. Maybe they've heard of Chris Froome because he won the Tour de France and he's been in the news a lot for the salbutamol or the somnambulism or whatever, but that's about it.
So it doesn't seem so ridiculous to me, but what do I know, apart from everything?
Posted by BikeSnobNYC at 10:24 AM
Labels: cycling
Podium Fred said...
You are doing the podium comments all wrong.
cdinvb said...
I'm waiting for our first hurricane. Might as well drink V8 shandies. Watch the rain.
Goddamn millenials, hack your life and your bike. Podium?
Late Stroke Bob said...
If you don't have a problem, they'll come up with one for you. And sell you the solution too
Jane from Jamestowne said...
Now, how do I fix my bent valve stem?
Beryl Bainbridge, too. hey nonny mouse
Chazu said...
What if someone wants to insert their tongue into a drivetrain? Is there a video for that?
N/A said...
Unless you have some fat-wallet sponsor dictating your bikecycling comings-and-goings, it is silly to be miserable on a ride. There's other ways to exercise and unless you're commuting to work, what's the point?
Does the Renovo have a problem with getting soaking wet? Does it need re-varnished every spring? Do you need to put a coaster under your water bottles?
I have always put my valve stem at 12-o-clock-ish, but I do it so I don't have to bend over as far to mount/dismount the pump head.
Bicycling: for cyclists not clever enough to realize their wheels rotate so they can spin it around so they don't have to bend over to attach the pump in the first place.
Next week: how to spin your crank backwards so you can start with your crank arms horizontally instead of scootering along to get enough speed to get going.
HDEB said...
I lube my chain with my tongue
BikeSnobNYC said...
N/A,
Sometimes you think the ride's gonna be fun and it ends up not being fun. That's part of the fun of it.
RE: Renovo, I'm sure it would be fine in the rain, I'm just lazy and like to keep one bike clean-ish.
--Wildcat Etc.
ken e. said...
@jane, ask yourself if you feel lucky, and bend it very gently back.
Spokey said...
considered replying to the bieksickling video when i saw it in a tweet. but i'm still too insecure to embarrass myself like that.
i do use the two thumb method of removing the pump head but that's not to keep my knuckles out of my cassette. i figure pushing straight off like that keeps the stem from breaking, getting a tear or something else i wouldn't like.
it might also help if the bicycling babe used a tube with a stem that was shorter than 3 or 4 feet long.
Getting caught in the rain* is one thing, but starting out in the suck tain't for me anymore. I know some people love all varieties of self-flagellation on their rides. S'all good by me, I'll talk bikes with anybody. I recognize I'm mostly a woosie these days.
Also, I was being about 50% silly with my Renovo questions, as I mostly wanted to work that coaster "joke" in there. I really was curious about any care issues, though.
*Yes, I like Pina Coladas.
leroy said...
My dog informs me he tweeted about keeping track of the Gran Fondo signs.
I asked him how he tweeted without opposable thumbs.
Apparently, he dictates.
We accidentally went up River Road during last year's Gran Fondo and got turned back. We picked our way through Fort Lee to 9W and rode up to Piermont before turning around and catching the tail of the Fondo down 9W and River Road before bailing where the Fondo riders split off River Road to head back up to 9W.
You have to be polite when you're only 45 miles into a ride where everyone else has already ridden 90 miles. But I must say getting buzzed by a moto-scooter with a camera person on the back made us feel very pro.
Also....
At the risk of stating the obvious, if you inflate your tires while holding a piece of avocado toast in each hand, you'll never scrape your knuckles.
I told my dog he was crazy when he suggested it.
But it works.
It really works.
And it's only obvious in houndsight.
Jason said...
Nobody has heard of Chris Froome either. Lance could maybe crack 30% (and only because it is a popular derogatory term for cyclists) and only Peewee Herman would crack 50%.
1904 Cadardi said...
I liked the coaster joke.
bad boy of the south said...
Leroy@152p.
Groan,but in a good way.
dear mr leroy
just out of curiosity (which must mean something i suppose), without opposable thumbs just how does your dog remove his pump head?
oh, and a second question if i may. does he use a tube with a nice reasonable stem? say about a 1/2 to 3/4 inch long? or does he use one like that video requiring a 10 lb weight on the opposite side for balance?
attack of the killer green jerseys.
Question said...
Is Grand Fondo New York a cycling team with its own kit? Is one allowed to race in the Grand Fondo with a different kit?
Will anyone be wearing that limish-green kit next year?
And, the variety of socks on the GFNY team memebrs totally klls the vibe.
GOod for you, Snobby, to take another path!
BamaPhred said...
I don't always rotate my valve stem to the top position, but when I do, I always paint my nails Cherry Red.
Are you sure a bird befowled your package? There were rumors of a Cipollino sighting in NYC for the big race. Also high levels of synthetic T kills your baby cells making it chalky white.
Grump said...
19 tooth low gear?...…….HaHaHaHa…….That was funny because I still have an old 12-19 7 speed DA freewheel that I used to race on, back in the dark ages. (That was back when men were men.....(and so were women))……...PS. I use tubes with two valve stems, and I just use the one farthest away from the cassette.
Sammy said...
At the risk of being the noob, yeah I've cracked my fingers like that (including this weekend), and honestly, I'm happy for this "hack" even though I hate the term "hack".
Dear Mr. Spokey -
My dog removes the pump head without opposable by telling me to do it - much like the New Year's Day Ride GWB Gran Fondo Fred encounter Mr. BSNYC had a while back.
http://bikesnobnyc.blogspot.com/2014/01/2014-year-of-fred.html
My dog says I'm kind of like his Shabbos Goy, but for bike maintenance.
As for stems, I think he uses all different sizes. At least that's what I surmise from the stems he leaves around the house in little baggies with a bunch of seeds.
I'm not sure why he does that, but he claims it all works out because I patch our tubes using glue products in a poorly ventilated area.
Hee Haw the barista said...
Of course I've heard of Marriane Vos ... she did a bitchin cover of White Punks on Dope.
They need to keep in mind that the tire pressure will be slightly* higher at the top of the tire than the bottom. Hopefully there's a table to compensate for that, for each tire size.
*about 0.001 PSI
With these wooden bykes how do you deal with woodworm? Do you just use regular wood filler or is it best to use a synthetic resin filler for added compliance?
livingjetlag said...
Shouldn't we all be changing our tires by Bluetooth (TM) or something? I can't keep up with the tech.
Andy; is the tire pressure higher or just lower atmospheric pressure.
Snobby; your writing is close to par with that of mary karr, and you share similar opinions on "do not go gently" according to a recent tweet.
That's a pretty piss weak hack. And the music is crap too.
dop said...
I confess: I found that video informative. (Slaps forehead)
art said...
21mm? Back in the day it was 19 for sewups and 20 for clinchers. Nobody broke out anything anything as fat as 21 was for ripping single track like Jobst Brandt. Narrow is aero.
Fredder said...
Dear Snob,
After reading your "Dignity of Quitting" article, which I enjoyed, I finally realized that you mis-named yourself. I have never found you to be much of a snob, but more a (likable) curmudgeon (or the yiddish equivalent). Bike Curmudgeon NYC.
As to the pump 'hack', it does not matter. With my arthritic thumbs there is no painless way to fill tires.
DaveD said...
I thought "everybody" used a screw on pump head. Seems a whole lot easier anyway...
The Bicycling video is about 8 years too late as I have hit the back on my hand on the cassette many times. I blamed the old pump, but mostly it was due to me being (a) weak enough to require a large cassette (b) nevertheless vain enough to remove the pie plate. Luckily I'm also too cheap for deep-section carbon wheels, otherwise I would have ended up seriously injured.
When Leroy speaks, I listen.
I thought Marianne Martin was the greatest cyclist no one ever heard of.
(Before her, it was Beryl Burton.)
"The Greatest Cycling Manual Ever Written"--Eben Weiss, author of "Bike Snob"
BikeSnobNYC
While I love cycling and embrace it in all its forms, I'm also extremely critical. So I present to you my venting for your amusement and betterment. No offense meant to the critiqued. Always keep riding!
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(1) Oct 27 (1) Oct 26 (1) Oct 25 (1) Oct 24 (1) Oct 21 (1) Oct 20 (1) Oct 19 (1) Oct 18 (1) Oct 17 (1) Oct 14 (1) Oct 13 (1) Oct 12 (1) Oct 11 (1) Oct 10 (1) Oct 07 (1) Oct 06 (1) Oct 05 (1) Oct 04 (1) Oct 03 (1) Sep 30 (1) Sep 29 (1) Sep 28 (1) Sep 27 (1) Sep 26 (1) Sep 23 (1) Sep 22 (1) Sep 21 (1) Sep 20 (1) Sep 19 (1) Sep 02 (1) Sep 01 (1) Aug 31 (1) Aug 30 (1) Aug 29 (1) Aug 24 (1) Aug 23 (1) Aug 22 (1) Aug 19 (1) Aug 18 (1) Aug 17 (1) Aug 16 (1) Aug 15 (1) Aug 12 (1) Aug 11 (1) Aug 10 (1) Aug 09 (1) Aug 08 (1) Aug 05 (1) Aug 04 (1) Aug 03 (1) Aug 02 (1) Aug 01 (1) Jul 29 (1) Jul 28 (1) Jul 27 (1) Jul 26 (1) Jul 25 (1) Jul 22 (1) Jul 21 (1) Jul 20 (1) Jul 19 (1) Jul 18 (1) Jul 15 (1) Jul 14 (1) Jul 13 (1) Jul 12 (1) Jul 11 (1) Jul 08 (1) Jul 07 (1) Jul 06 (1) Jul 01 (1) Jun 30 (1) Jun 29 (1) Jun 28 (1) Jun 27 (1) Jun 24 (1) Jun 23 (1) Jun 22 (1) Jun 21 (1) Jun 20 (1) Jun 17 (1) Jun 16 (1) Jun 15 (1) Jun 14 (1) Jun 09 (1) Jun 08 (1) Jun 07 (1) Jun 06 (1) Jun 03 (1) Jun 02 (1) Jun 01 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