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Señor Jesús, Eterno Rey
Author: Isaac Watts, 1674-1748; Epigmenio Velasco, 1880-1940 Appears in 12 hymnals Topics: Llamamiento a Adorar Used With Tune: HURSLEY
Tune authorities
Appears in 430 hymnals Tune Sources: T. Williams' Psalmodia Evangelica, 1789 Tune Key: D Major Incipit: 13455 67151 54321 Used With Text: Señor Jesús, Eterno Rey
[Señor Jesús, supremo Rey, te alaba hoy tu humilde grey]
Composer: L. Mason Appears in 257 hymnals Tune Key: E Flat Major Incipit: 11232 17135 56716 Used With Text: Señor Jesús, supremo Rey
HURSLEY
Appears in 804 hymnals Tune Sources: Adaptada de Katholisches Gesangbuch, Viena, c. 1774 Tune Key: F Major or modal Incipit: 11117 12321 3333 Used With Text: Señor Jesús, Eterno Rey
Published text-tune combinations (hymns) from specific hymnals
Author: Isaac Watts; Epigmenio Velasco Hymnal: El Himnario #204 (1998) Meter: 8.8.8.8 Topics: Reinado de Cristo/Cristo Rey; Jesucristo; Jesus Christ; Reinado de Cristo Rey; Reign of Christ the King Scripture: Psalm 10:16 Languages: Spanish Tune Title: TRURO
Author: Isaac Watts, 1674-1748; Epigmenio Velasco, 1880-1940 Hymnal: Himnos de Vida y Luz #39 (1990) Topics: Llamamiento a Adorar Languages: Spanish Tune Title: HURSLEY
Author: Isaac Watts; Epigmenio Velasco Hymnal: El Himnario Presbiteriano #204 (1999) Meter: 8.8.8.8 Topics: Jesucristo; Reinado de Cristo Rey Scripture: Psalm 10:16 Languages: Spanish Tune Title: TRURO
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Authors, composers, editors, etc.
1674 - 1748 Person Name: Isaac Watts, 1674-1748 Author of "Señor Jesús, Eterno Rey" in Himnos de Vida y Luz Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church
Lowell Mason
1792 - 1872 Harmonizer of "TRURO" in El Himnario Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 19G9. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Epigmenio Velasco
1880 - 1940 Person Name: Epigmenio Velasco, 1880-1940 Translator of "Señor Jesús, Eterno Rey" in Himnos de Vida y Luz Epigmenio Velasco Urda was a choir director, pastor, poet, composer and journalist from Mexico City. Dianne Shapiro from Celebremos su Gloria (Colombia/Illinois: Libros Alianza/Celebration), 1992


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Tech, the Internet, and Everything!
April 11, 2013 Internet Services 4 Comments
Everyone has been talking about Internet Services lately. We thought we would add our own take on it.
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i-Sprint's Solution Helped Enhance Internet Banking Services for BOCHK
11 April 2013 | 5:23 am Bank of China Limited is one of the most renowned banks in Hong Kong and has been recognized as one of the Strongest Banks in the World. To cope with the challenges of Internet safety, BOCHK was searching for reliable security measures with stronger authentication and transaction signing capacity to enhance the security of its Internet banking services. http://finance.yahoo.com/news/sprints-solution-helped-enhance-internet-052300215.html
Critics question wording of Internet freedom bill
10 April 2013 | 10:08 pm Legislation that would make it official U.S. policy to promote a global Internet free from government control could restrict the U.S. federal communications commission from using its authority and prevent law enforcement agencies from taking action against cybercriminals, some critics have said. Democratic members of the U.S. House of Representatives Energy and Commerce Committee objected to … http://www.pcworld.com/article/2033773/critics-question-wording-of-internet-freedom-bill.html
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Should We Incorporate As LLP Or LTD – Plastering Company? Myself and a friend are looking to set up a plastering and decorating business, but we're not entirely sure how we should incorporate the company.
I've read plenty of articles on the internet, but am slightly confused by the vast amounts of opinions and information available.
The business will literally be myself and my friend, we do not intend on taking on additional workers (not for the foreseeable future anyway), we do not intend to sell shares in the business either. We will be providing a Plastering & Decorating service, including other related works.
At the moment I'm kind of swinging towards incorporating as an LLP rather than an LTD company. From what I can make out, with an LLP company there will be less paperwork and administrative work to undertake, and we would pay less tax overall. Am I correct in thinking this?
The only reason we need to incorporate the company is due to the fact that some of the contractors we are trying to attain work from require us to have a company registration number for paperwork etc, we also need to have a company registration number to open a business bank account.
Also, we would like to pay ourselves a salary, that would be variable dependant on the profit we are making; a certain percentage of the profit from each job for example. We would also like to pay ourselves a dividend twice per annum; again, a certain percentage of the capital profit held by the company at that time.
Do we have to pay income tax on the dividends as well as our salary, and if so does the amount of tax payable vary with LLP and LTD companies?
We are really stuck as to what we should do so any advice you can offer us would be greatly appreciated.
T-mobile Internet Is Not Working In Manchester ? Since 4 days ago my internet and blackberry services are not working , i went in the store and they said that the service is not working in all Manchester and that today it suppose that its going to work again but my mobile phone still like the same , anyone here have the same problem ?
thanks for the answers and sorry for me english .
Halo 2 PC Live Error!!! Really Want To Play Before It Gets Over!!!? Friends, I get an error which says that – Live service is unavailable or there is a firewall error and I cant sign into LIVE. And first when I had a non wireless modem (non wifi modem which does not let me set up wifi), the game was working totally fine until when I bought wifi modem and said a person to configure it, Halo 2 PC gives me that error!!! After a month I removed that modem and told that person to configure the non wireless modem and Halo 2 PC again works fine. now I have put the wireless modem and again the problem comes up. And also I am using the wifi modem only for my xbox and Iphone. My pc is connected to the internet through the lan cable. So now what is the solution? is there a setting that does not let me play Halo 2? Please Help. Thanks.
Pdooma
Does The IRS Need A Warrant To Read Your Emails? "The Internal Revenue Service (IRS) has claimed that agents do not need warrants to read people's emails, text messages and other private electronic communications, according to internal agency documents.
The American Civil Liberties Union (ACLU), which obtained the documents through a Freedom of Information Act request, released the information on Wednesday.
In a 2009 handbook, the IRS said the Fourth Amendment does not protect emails because Internet users "do not have a reasonable expectation of privacy in such communications." A 2010 presentation by the IRS Office of General Counsel reiterated the policy.
Under the Electronic Communications Privacy Act (ECPA) of 1986, government officials only need a subpoena, issued without a judge's approval, to read emails that have been opened or that are more than 180 days old.
Privacy groups such as the ACLU argue that the Fourth Amendment provides greater privacy protections than the ECPA, and that officials should need a warrant to access all emails and other private messages."
http://thehill.com/blogs/hillicon-valley/technology/292989-irs-claims-it-can-read-emails-without-a-warrant
http://www.aclu.org/blog/technology-and-liberty-national-security/new-documents-suggest-irs-reads-emails-without-warrant
"Everyone knows the IRS is our nation's tax collector, but it is also a law enforcement organization tasked with investigating criminal violations of the tax laws. New documents released to the ACLU under the Freedom of Information Act reveal that the IRS Criminal Tax Division has long taken the position that the IRS can read your emails without a warrant—a practice that one appeals court has said violates the Fourth Amendment (and we think most Americans would agree).
Last year, the ACLU sent a FOIA request to the IRS seeking records regarding whether it gets a warrant before reading people's email, text messages and other private electronic communications. The IRS has now responded by sending us 247 pages of records describing the policies and practices of its criminal investigative arm when seeking the contents of emails and other electronic communications.
So does the IRS always get a warrant? Unfortunately, while the documents we have obtained do not answer this question point blank, they suggest otherwise. This question is too important for the IRS not to be completely forthright with the American public. The IRS should tell the public whether it always gets a warrant to access email and other private communications in the course of criminal investigations. And if the agency does not get a warrant, it should change its policy to always require one."
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redpajama_set_name: RedPajamaCommonCrawl


text:
Successful Entrepreneur DJ Davids Dishes On His Fun New Fitness App
December 22, 2020 by Ryan Shea
Credit: DJ Davids
If there ever was a guy who fit the whole jack of all trades kind of deal its DJ Davids. The Los Angeles-based cutie has achieved levels of success in a variety of businesses for years that is nothing short of admirable.
Let's get this out of the way first: he's very good looking. Beyond that he's continued to climb the career ladder beautifully in the worlds of sports, advertising, modeling, fitness and writing. And 2021 will more than likely be his biggest year yet as the midwestern-born entrepreneur has quite a lot planned for his massive fan base to enjoy and partake in.
DJ chatted with us at Instinct about his life during COVID, his new fitness app that launches very soon, his dating life as a single gay man and much more below.
Congrats on your new editor gig at Beverly Hills Lifestyle Magazine! How did that come about?
It's definitely an exciting new chapter for me. I met Mark, the owner and publisher of BHL Magazine, at New York Fashion Week a couple years ago and at the time we actually discussed me being a contributor. At that point though I was VP of a tech company and really busy with my work there.
Then, in April when the pandemic struck, I made the decision to leave my job and move back to Los Angeles to build my fitness app so we got back in touch and the men's editor role really was a perfect fit for me at the perfect time.
Between when we first met and now, we stayed in touch about my career in advertising as a writer and creative director, in fitness as a certified trainer on the side, and in modeling really learning the ins and outs of the grooming world. It's not a combination you come across very often, I guess, and he thought I would be a good fit for the reboot of the magazine he was working on.
I saw your piece on 'Grooming For Zooming' which is fantastic. What other kinds of content can people expect from you for BHLM?
I had a lot of fun with that one. I kept laughing at myself when I'd create the "wrong" ways to Zoom.
It's been great so far, since I've been given license to take men's content in a pretty new direction that really fits what the Beverly Hills lifestyle is to me. We all love a little luxury, but this new column of mine, The Weekly Male, really takes on the angle of a more up-and-coming new hood to an otherwise pristinely established Park Avenue (which our other writers and editors do very well). I want to help guys live the Beverly Hills lifestyle with what they already have at home in their closets and cabinets, making the lifestyle more accessible for everyone.
2021 is going to be a great year. I think the world will start opening up somewhat soon, and people will be ready and grateful to have both new and familiar experiences. Until it does I'm hoping my articles help navigate the almost entirely digital world we live in in fun new ways since we've all been doing it far too long. Most of all, I'm hoping what I create is useful and makes people laugh. We all could use more of that right now.
I also know you are big in the fitness world. What inspired you to become a trainer and help others get in tiptop shape?
That's a bigger question than you might think. I grew up playing soccer non-stop until I eventually played in the premier league and on the Olympic development team. I loved it. For a while. But I think most of us gay men have a complicated journey during our childhoods that inevitably has us feeling like an outsider and I think that's particularly true in sports.
Many of my clients have talked about the humiliation of gym classes and athletics. It was no different for me, even though I was a talented athlete. Hearing guys talk in locker rooms about getting laid this and p***y that was just too much to handle as a high schooler figuring my sexuality out.
So, I stopped playing to pursue an education at the University of Miami and eventually a career in Advertising. After being heavily into athletics my entire life and seeing What Women Want as a kid — I wanted to be Mel Gibson, that NYC ad executive working on Nike.
And that's exactly what I did. I worked on a lot of brands like Maserati, Beats by Dre, and of course Nike, winning all sort of advertising awards in the process. After working on a few of their apps, their NYC marathon campaign, and directly with Serena Williams and Lebron James, there came a point where I was like all of this is great and fun — but I wanted to make it more rewarding than selling shoes.
I was training a handful of clients at that point and really enjoyed being a part of peoples' journeys to becoming their best selves from their body to their beard to their mind. That was what I really enjoyed doing more than the thing I thought I always wanted to do.
So I looked at what I was doing working on Nike and building apps, along with the feedback I was getting from the gay community about not knowing where to start on their fitness goals (because even in the Nike app you don't see gay trainers). I realized it was a relatability issue. You want to feel like you've really got someone with you along your journey, especially ones that may have been hard or embarrassing earlier in life. It's the same reason I stopped playing soccer, actually — because I just couldn't relate to any of my teammates anymore.
The same relatability issue exist in the grooming space too, especially for gay men, who dare I say tend to be a bit better groomed than straight men — or at least try to be. And where do we go for grooming information, Sephora? You can find anything scouring the internet but there just wasn't much out there for men all in one place.
So I wanted to use my expertise in app building and in fitness, health, and grooming, to build one app that had it all in one place. And that's how BrütCamp was born — in a pandemic with the ability to train anywhere in mind with a trained pro to guide you every step of the way that just feels like a friend you're working out with. The same way you can DM any questions to or check in with a friends on video calls, you can with me in the app.
What did you find was the hardest part of your job during COVID?
The isolation for sure. It leaves people feeling really unmotivated and even if you've trained your whole life you can only workout where you work, sleep, and eat all day every day so often. And that goes for myself and for my clients.
I think everyone is struggling with that. And as gay men, I think the struggles are even greater, since so many of the ways in which we gather have been canceled — like bars, gyms, parties, circuit parties, sports leagues, etc. So there's an extra bit of isolation that comes from not having the world we get to be ourselves in with the people we love. That has really been tough to keep clients motivated through and on track to reach the goals we know they can reach.
A post shared by DJ Davids (@djnotdiscjockey)
Tell us about your new fitness app that just launched?
I'm really excited about it and proud of the work my team has done to really bring it to life in a way that's like no other app. It's called BrütCamp and it's built to be a lot more than just a fitness app. It centers around workouts for sure and the personalized program every individual receives, but I really wanted to develop an app that made it feel like you were working out with a friend every day and had him (me) along with you through your entire journey to be the best possible version of yourself.
I think most of us have been forced to either spend $500+ per month on a personal trainer, cherry pick what we think is best from programs designed for guys whose bodies just don't work like ours do, or from apps with pro athletes who behave more like drill sergeants. I wanted to make this fun, gamified, and feel like you've got someone with you every step of the way — because you do. I'm always just a click away to take out the guesswork.
Your personalized program comes after telling me your fitness level (beginner, intermediate, advanced), your goal (gain muscle, get shredded, lose weight, or just live healthier), and if you'll be working out from home or in a gym.
The app also includes video tips from me on why your program was set up the way it was for you, videos on health, nutrition, grooming, and fun daily challenges that also serve as helpful tips to keep things interesting and fun. You earn stars as we work toward your goal together as well, so if you've got a friend with the app it ads a little competition aspect.
I had a great team working with me, so shoutout to them, from videographers to a masters level kinesiologist, mental health professionals, and even a medical school dean to make sure we got it all right.
What are the price points for it?
$15 for a standard membership and $25 for a premium membership — a stark contrast to the $500-600 range people normally pay for these really personalized, direct-contact experiences.
Like my work in Beverly Hills Lifestyle Magazine, it was my mission to make getting healthy, feeling your best, and looking your best accessible to everyone — and I think our team has done a really incredible job at that. I'm definitely excited about it.
I'm also going to continue working with private clients that include a really tailored experience, video check-ins every week, and in-person sessions.
Are you single or in a relationship? If single what do you look for in a guy?
Single, and have been for a pretty long time now. I had a couple bad dating experiences that turned me off to all of it for a while and I'm just now starting to test the waters again. In a pandemic that's definitely not easy.
When it comes to what I like in a guy I'm usually attracted to my complete opposite. I just find that in a relationship my opposite really challenges me in areas I haven't been before and I learn a lot in the process. He quite literally is my other half because he possesses all of the qualities I don't. And it also leads to a lot of tension at times which can be pretty hot.
A post shared by Instinct Magazine (@instinctmagazine)
Finally what are you looking most forward to in 2021?
Travel, travel, travel. I love seeing new places, meeting new people, and experiencing new cultures. I love learning, about anything really, and you can only learn so much from reading or seeing something online. I'm a get out there and experience it kind of guy, even if I don't know what I'll be experiencing that day. I'm always up for an adventure.
Tags #beverlyhillslifestylemagazine, #bhlm, #brutcamp, #djdavids, fitness
DJ Logan's Run Talks WorldPride, Hot Guys and Farrah Fawcett
Get to Know More About This Sexy & Super Talented DJ
DJ List is Revealed for the Infamous 2018 Black Party
DJ Qualls Came Out As Gay


text:
LA company options Gaunt's Uptown-set crime thriller
Ed M Koziarski Jun 15, 2014
Thomas Gaunt
NGN PRODUCTIONS (The Mask) of Studio City is developing the thriller feature The End of the Night for production next year on a $1-3 million budget. Associate producer Thomas Gaunt's Black List-selected script is about "a homeless vet living in a Chicago cemetery forced to confront his past when two armed men arrive to bury an unconscious young woman."
"The biggest factor for them (and why it has gone to 'the top of their list') is because it can be produced rather inexpensively for a thriller, yet offer a high rate of return for their investors," Gaunt says. Gaunt made the documentary A Place Called Home: An Adoption Story. He set the script in Uptown and at Graceland Cemetery. "Actual shooting location hasn't been determined yet, but will be set in Chicago and at the very least pick ups and b-roll will be shot here. I am strongly advocating that everything be shot here, but it's to early to tell."
NANCY BECHTOL previewed her documentary Free Speech & The Transcendent Journey of Chris Drew, June 8 at ARC Gallery. Drew was a street artist, founder of the Uptown Multi-Cultural Art Center, who fought city restrictions on the display and sale of art in public places. A felony charge against Drew for audiotaping his own arrest for illegal peddling was pending with the Illinois Supreme Court when Drew died of cancer in 2012.
ALLIE KUNKLER films the horror short Cheap Plastic Mask this summer, about two strangers who meet in a bathroom at a Halloween party that "devolves into a desperate struggle for survival." Kunkler says Cheap Plastic Mask "infuses the genre with a refreshing dose of reality. Grounded in fully-dimensional, relatable characters responding to increasingly dark circumstances, Cheap Plastic Mask explores the horrors that lurk just outside our everyday awareness, with shocking results." She's producing with Moira Begale and screenwriter Jake Carr.
CARLO LORENZO GARCIA, a company member at Mary-Archie Theatre, is producing the comedy web series Cowl Girl. It's adapted from Anna Capunay's play about a fangirl (Yunuen Pardo) who wears a Batman mask as a defense mechanism in her daily life. "This is a love letter to kids who grew up in the 80's and remember what real cartoons, music, and super heroes were like back in the day," Garcia says. With Garcia, Monte LaMonte, Karen Estrada, and Preston Tate, Jr.
KONEE ROCK's video for R&B singer Avery*Sunshine's Call My Name is now in rotation on VH1 Soul. Jason "Intel" Deuchler shot the video, which combine's Rock's animation with classic red-curtain nightclub performance footage of Sunshine. Lighting by Jonathan Young.
NEIL KARSKI, a senior project manager at Halcyon Studio, is beginning post-production on the documentary Street Life: Faces Uncovered, a series of portraits of people who are homeless in Chicago, the U.S., and abroad.


text:
Déjà vu: Boeing seeks concessions from Machinists indirectly
IAM 751's Holden urges members to "stand together" as the company floats the idea of mid-contract concessions via politicians and the media.
SEATTLE (Aug. 24, 2020) — As aircraft demand has plummeted amid the COVID-19 pandemic, the Boeing Co. — already reeling from the extended grounding of its troubled 737 MAX — has slashed production rates and laid off thousands of workers. Then in July, the Chicago-based company announced it may consolidate 787 production, which currently happens in Everett, Wash., and Charleston, S.C., to a single facility.
Given that Charleston is the only plant currently capable of manufacturing the 787-10 because its fuselage sections built there won't fit in the Dreamlifter cargo plane, industry observers are predicting that 30,000-employee Everett plant would likely lose out if such a consolidation takes place. But that hasn't stopped Boeing from proposing contract concessions from the IAM District 751 to influence the "competition."
Boeing has not contacted the union directly about reopening the IAM contract, which doesn't expire until 2024. Instead, the company has floated the idea to elected officials and the media.
Last Wednesday, Boeing executives held a conference call with Washington's congressional delegation about 787 plant consolidation. According to Rep. Rick Larsen (D-WA, 2nd), the executives said Boeing wants to hear from the IAM how its current contract could be changed for further "efficiencies and flexibility in production." Multiple times in recent years, Boeing has sought outside pressure from elected officials, the media and the public for mid-contract concessions from employee unions by saying it could influence the company's decision about where it will locate jobs and increase production.
In response, IAM District 751 President Jon Holden sent the following message to the union's members on Friday:
It is time to stand together. We have been weakened in the past by division from outside pressures. Since that time, we have held many discussions at Local Lodge meetings, town halls and now virtually about our Union, rebuilding it, and preparing for the next negotiations.
The question that always comes up is: "will Boeing attempt to open up bargaining before the expiration of the contract in 2024?" We will not know until it happens; however, it is something that we need to expect and prepare for, and we believe that we may be facing that threat soon.
We fought for and passed the Membership Bill of Rights in our International Constitution in 2016 because we knew that we needed to operate with specific principles if we ever expected to maintain our unity and solidarity. These principles are based on transparency. We committed to the membership that once we were made aware of anything, our members would be the first to know. Transparency would ensure that we would have a foundation of trust that our members could count on. And, finally, that we would always work to place our members in a position of strength going forward. If union leadership determines that negotiations are appropriate, then it will be the members who decide whether to open up the contract for negotiations at any time other than contract expiration. Negotiations will not happen in secret, and our members will not give up their power.
We have been made aware through conversations with elected officials, and notified by the media, that Boeing indicated they want to talk to the IAM about "further flexibilities and efficiencies" they want from the IAM as the Company evaluates its study to consolidate 787 final assembly at one site. We don't have details of what they want from the Union. In order to be transparent, we are sharing what we know. Aside from being notified that there is a study, there have not been any discussions on this topic between Boeing and the IAM.
In typical Boeing fashion, they are talking to everyone else but the Union. It is what they do in these situations. They are attempting to align the politicians and the media in order to exert maximum pressure. This is not new; it is simply more of the same tactics Boeing has used before. Boeing will work to turn the public against us. They threaten our jobs, our families and our community; then work to pressure you. Just know that this Union is not interested in being placed in a position of weakness. They are not talking to us, but you may hear about what Boeing wants in the press. If we are approached by the company with any demands or proposals, you would hear from us directly.
This has every indication of history repeating itself, so let's not forget history.
In 2003, Boeing threatened to launch the 787 somewhere besides Washington State. Our Members worked hard on a campaign to secure public support for tax incentives for Boeing. Right after Boeing received the tax incentives and announced they would locate 787 Final Assembly here, Boeing immediately sent the 787 wings to Japan. In fact, besides final assembly and some interiors, we don't currently produce or fabricate the fuselage, wings, or any major wiring packages for this program.
In 2009, Boeing threatened to move the "second 787 line" outside of Washington State. After surface bargaining with the IAM, they sited the second line in South Carolina.
Boeing threatened to move the 737MAX in 2011.
They threatened to move the 777X in 2014. And what did members get in return? Wage stagnation, a huge health-care cost shift to employees, and the loss of our hard-earned pension.
During these campaigns, Boeing used the media, politicians, and the public to pressure our members to give up reasonable provisions within our contract that our members fought hard to secure over multiple generations. Now, they are threatening our members and the communities we live in once again with the 787 production being completely removed from Washington State. The promise of the 787 may turn out to be the biggest disappointment that our community has invested in and counted on. IAM members should not sacrifice anything more for this or any other airplane program.
JAL 787-9 on final assembly line at Boeing South Carolina. (via Flickr)
Clearly, these jobs mean a lot to us and are critical to our community. We feel strongly that our membership and our community have already earned these jobs. We lobbied for tax incentives in support of landing the 787 final assembly for Washington in 2003. Our members worked through the problems associated with Boeing's far-flung supply chain in order to support the 787's entry into service in 2011. For generations, our community has supported investments in infrastructure and training programs designed to provide the workforce of the future, and we continue to meet every production goal placed before us. After all this effort, investment, and support, it is wrong for Boeing to place these jobs in jeopardy once again, attempting to leverage even more from those who have already sacrificed so much.
Our members and our communities have demonstrated why our State has the most efficient, productive aerospace manufacturing facilities in the world. Start by looking at Richard Aboulafia and the Teal Group's independent and objective 2019 Aerospace Competitive Economics Study (ACES) used to rank each state's manufacturing capabilities, using metrics that matter to companies making siting decisions.
Again, aside from notification, there have been no discussions between Boeing and the IAM related to their study to consolidate the 787 on one site.
Our Union's commitment to the membership is in our Bill of Rights: if the Company approaches us, you will hear from us directly.
We must stand together, united for a stronger future.
Jon Holden, IAM District 751 President
Posted by David Groves on Aug 24 2020. Filed under LOCAL. You can follow any responses to this entry through the RSS 2.0. Both comments and pings are currently closed.


The potential consequences of providing cosmetic treatment to a patient with BDD can extend beyond ethical concerns.
No single solution to address sexual harassment in medicine exists, but physicians of all genders must come together to make progress.
Like most autoimmune diseases, rosacea involves dysregulation of the inflammatory response and may share pathogenesis with several common comorbidities, including cardiovascular, psychiatric, gastrointestinal, autoimmune, and neurologic conditions.


Electrochemical series can be constructed by using displacement reaction of metal from salt solution. A more electropositive (reactive) metal can displace a less electropositive metallic ion (less reactive) from its salt solution.
For example: Reaction between magnesium and copper (II) sulphate produces copper and magnesium sulphate.
I thought hydrogen is in between zinc and iron???


Find your sperm donor in our extensive donor catalogue. Choose the right sperm donor based on, for example, physique, interests or personality. Always MOT20+ high-quality sperm for the best possible chance of success.
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European Sperm Bank offers a wide selection of high-quality donor sperm from both open and anonymous sperm donors. We have helped more than 30,000 families grow worldwide. We are determined to give you the best fertility experience with all the support you and your child need – now and in the future.


text:
Disney Parks - Official Images
Disney Signature Events - Official Images
Marvel Day at Sea
Disney Cruise Line guests will assemble on the Disney Magic to celebrate the epic adventures of the Marvel Universe's mightiest Super Heroes and Super Villains in a brand-new, day-long event: Marvel Day at Sea. The event kicks off on seven special sailings from New York City in the fall of 2017, followed by eight special voyages from Miami departing January through April 2018. The celebration combines the thrills of renowned Marvel comics, films and animated series, with the excitement of Disney Cruise Line entertainment to summon everyone's inner Super Hero for the adventures that lie ahead during this unforgettable day at sea. (Chloe Rice, photographer)


text:
Q: NPOI Excel / C# Need formula to programatically change background for conditional formatting I'm using NPOI to programatically create an Excel file. One of the requirements is that it needs to be able to change the background of cells based on values - green for good numbers, red for bad, etc.  I have everything working perfectly and can create formulas...but I cannot for the life of me find a formula that shows how to change background color. No matter how I try to google for the answer, everything just wants to show how to open Excel and use the conditional formatting wizard.  I'm overlooking something?  Is there a way I can see the formula that the conditional formatting wizard created and just copy and paste it into my code?
Below is a sample I set up to change the field to Pass/Fail...but my peeps like shiny colors to go along with it...
XSSFWorkbook wb = new XSSFWorkbook();
XSSFSheet sh = (XSSFSheet)wb.CreateSheet("ACT");

string cf = "IF(" + engCell + (detailRow.RowNum + 1) + @">17,""Pass :)"", ""Fail :("")";
detailRow.CreateCell(detailIdx);
detailRow.GetCell(detailIdx).SetCellType(CellType.Formula);
detailRow.GetCell(detailIdx++).SetCellFormula(cf);

A: I figured it out!!! I hope this may help others who are using NPOI XSSF for conditional formatting:
XSSFWorkbook wb = new XSSFWorkbook();
XSSFSheet sh = (XSSFSheet)wb.CreateSheet("ACT");

sh.CreateRow(0).CreateCell(0).SetCellValue(14);
sh.CreateRow(1).CreateCell(0).SetCellValue(20);
sh.CreateRow(2).CreateCell(0).SetCellValue(10);
sh.CreateRow(3).CreateCell(0).SetCellValue(23);
sh.CreateRow(4).CreateCell(0).SetCellValue(19);
sh.CreateRow(5).CreateCell(0).SetCellValue(14);

XSSFSheetConditionalFormatting sCF = (XSSFSheetConditionalFormatting)sh.SheetConditionalFormatting;

//Fill Green if Passing Score
XSSFConditionalFormattingRule cfGreen =
    (XSSFConditionalFormattingRule)sCF.CreateConditionalFormattingRule(ComparisonOperator.GreaterThanOrEqual, "19");
XSSFPatternFormatting fillGreen = (XSSFPatternFormatting)cfGreen.CreatePatternFormatting();
fillGreen.FillBackgroundColor = IndexedColors.LightGreen.Index;
fillGreen.FillPattern = FillPattern.SolidForeground;

//Fill Red if Passing Score
XSSFConditionalFormattingRule cfRed =
    (XSSFConditionalFormattingRule)sCF.CreateConditionalFormattingRule(ComparisonOperator.LessThan, "19");
XSSFPatternFormatting fillRed = (XSSFPatternFormatting)cfRed.CreatePatternFormatting();
fillRed.FillBackgroundColor = IndexedColors.Red.Index;
fillRed.FillPattern = FillPattern.SolidForeground;

CellRangeAddress[] cfRange = { CellRangeAddress.ValueOf("A1:A6") };
sCF.AddConditionalFormatting(cfRange, cfGreen, cfRed);

redpajama_set_name: RedPajamaStackExchange


text:
#ifndef SearchBuffer_h
#define SearchBuffer_h

#include "core/CoreExport.h"
#include "core/editing/EphemeralRange.h"
#include "core/editing/FindOptions.h"
#include "wtf/Vector.h"

namespace blink {

// Buffer that knows how to compare with a search target.
// Keeps enough of the previous text to be able to search in the future, but no
// more. Non-breaking spaces are always equal to normal spaces. Case folding is
// also done if the CaseInsensitive option is specified. Matches are further
// filtered if the AtWordStarts option is specified, although some matches
// inside a word are permitted if TreatMedialCapitalAsWordStart is specified as
// well.
class SearchBuffer {
    WTF_MAKE_NONCOPYABLE(SearchBuffer);
public:
    SearchBuffer(const String& target, FindOptions);
    ~SearchBuffer();

    // Returns number of characters appended; guaranteed to be in the range
    // [1, length].
    template<typename CharType>
    void append(const CharType*, size_t length);
    size_t numberOfCharactersJustAppended() const { return m_numberOfCharactersJustAppended; }

    bool needsMoreContext() const;
    void prependContext(const UChar*, size_t length);
    void reachedBreak();

    // Result is the size in characters of what was found.
    // And <startOffset> is the number of characters back to the start of what
    // was found.
    size_t search(size_t& startOffset);
    bool atBreak() const;

private:
    bool isBadMatch(const UChar*, size_t length) const;
    bool isWordStartMatch(size_t start, size_t length) const;

    Vector<UChar> m_target;
    FindOptions m_options;

    Vector<UChar> m_buffer;
    size_t m_overlap;
    size_t m_prefixLength;
    size_t m_numberOfCharactersJustAppended;
    bool m_atBreak;
    bool m_needsMoreContext;

    bool m_targetRequiresKanaWorkaround;
    Vector<UChar> m_normalizedTarget;
    mutable Vector<UChar> m_normalizedMatch;
};

CORE_EXPORT EphemeralRange findPlainText(const EphemeralRange& inputRange, const String&, FindOptions);
CORE_EXPORT EphemeralRangeInComposedTree findPlainText(const EphemeralRangeInComposedTree& inputRange, const String&, FindOptions);

} // namespace blink

#endif // SearchBuffer_h

redpajama_set_name: RedPajamaGithub


A video review is at the bottom of the page for a visual walk through. This unit was sent to me to review with my honest opinion and results below.
The CReader 4001 OBD2 scan tool doesn't have much for appearance, but were it lacks in Looks, it sure makes up in features.
I am use to a great packaging, and appearance of items I purchase. But the operation of such electronics is far from what I expect. However with the CReader 4001 it's the opposite.
Its appearance and screen reminds me of something from a decade ago. My concern was the operation of this code reader was going to be much like its appearance. That could not be so far from the truth.
This is coming from someone who has been turning a wrench for a lot of years and has used multiple code readers. This thing is great.
So in this review I will be going over some of its features that I personally enjoy about it, As well as, how to use it for beginners.
Let's start off by removing it from its package.
I notice in the package there is an USB cord this cord is used to update your c reader 4001. This is a great feature because information changes from year to year, or as any mechanic will tell you, daily.
In 6 months time a new make and model can pop out, and you are ready for it.
On the bottom side of the 4001 you will see the plug for the USB chord.
Just plug it in and visit the website.
The CReader not only performs the task of an OBDII reader, but the EOBD as well. This is huge for mechanics that need this information.
The one thing that I notice is that it does not cover ABS, and while this is important to a lot of mechanics when buying this tool, to the average person wanting to clear the check engine light it does not.
For the value pound for pound, personally I am very impressed.
Why would you buy this tool? There are a few reasons.
1… Because you have a check engine light and want it cleared.
2… You are planning to go to a mechanic and want to make sure you are getting your money's worth and they are not selling you something you don't need.
3… You feel the problem has to be simple and you know you can do it on your own.
For any of these reasons, the CReader 4001 would make a great choice.
Do not get discouraged if your code reader does not power up when you open the package.
The code reader does not take batteries, it powers up on the voltage from your vehicle.
The 4001 will operate from 9-18 volts. Most all vehicles are 12 volt.
After plugging in the reader to your car, you will then turn the key on, but do not crank the engine.
In some applications you may need to look up under the dash to find the port.
Scroll to diagnose and press it again.
You will see the code reader is processing. Unlike most code readers the processing will be rather quick.
If your vehicle does not throw a code this is what you will see.
Your ECU is your computer. It is also sometimes referred to as a engine control unit or ICU or even ECM.
But the ICU refers to the actual program in the ECU. And ECM (electronic control module) and ecu (electronic control unit) are also names that are often confused between vehicle owners and the mechanics. This is another great reason to own this tool. Often times just the communication alone between an owner of a vehicle and the mechanic get you off on the wrong foot. So by owning this tool alone it will save time and money on unnecessary repair.
If you see code on the ECU, you will then scroll to the DTC codes and click the green arrow once again.
Most any OBDII code reader will give you this code. However most of them will not give you a summary of what this code means. The CReader does.
This vehicle shows there is a P0455 code. It also gives a brief sentence of what this code means. No longer will you read the code then go to a chart, or online to get a idea of what it means. In this case most mechanics would know that a P0455 code most commonly is due to a loose gas cap. No back and forth, reading, etc. you are there by the car, and the repair is a matter of min. This is where the average mechanic as well would be excited to own this CReader as I am.
After making any repair you must clear the code. Do not assume because you fixed it the code will vanish. In some cases the ECU will reset, but not in all cases. To do this just follows the on screen display.
Scroll back up to erase codes.
Click on erase codes and follow the directions of turning off then back on the engine. Now you are complete. To be sure that your problem cleared the code. Unplug the code reader and start your vehicle. Let it run a min then shut it off and read the codes again.
Another thing I like about the CReader 4001 is the Pin Out. Notice the pic count between the CReader and another code reader I own.
The OBDII scanner to the left has locations for more pins, but they are not available on that particular model. There will be some vehicles the other scan tool will not read all the codes. There is 9 pins on that model.
The CReader 4001 has a total of 16 pins. It will even read some NPR models. This is a huge plus for any rookie mechanic or master mechanic.
The CReader has another feature that is so important to me. On the go diagnostic. Notice how much longer the chord is.
I can sit in the passenger's seat while someone else drives to read the engine information.
This is important because not all problems happen with your vehicle when sitting and running. Driving it and reading the engines temp, rpm etc. is very important to diagnosing some issues.
This image is of my RPMs while going down the road. There is much more data streaming that can be done with the CReader 4001.
I also enjoy the feature of vehicle info. One simple click and all your vehicles info including the VIN is at your finger tips.
So in closing, if you are looking for a code reader that is easy to use so that you better understands your vehicle, in my opinion for the money, this is the code reader for you.
If you are a journeyman mechanic and wish to trouble shoot a vehicle on the fly, such as C.A.N. or freeze frame, DataStream, DTC specifics ,DTC lookups, and my favorite VIN lookup. Then the CReader 4001 is for you as well.
thanks for the great review. i didn't know what a great tool i had bought. i can't find the manual for this particular model nor can i find updates for it. i looked at the crecorder.com and cnlaunch.com and the dbscar.com link above and didn't see either of those items. let me know if you know.
Please provide the website for a website can be used to download a manual for the Creader 4001.


text:
'I'm going to be here in the state over and over again': Andrew Yang prepares for final push before Iowa caucus
COUNCIL BLUFFS, Ia. — Andrew Yang has been running for president for almost two years.
The founder of Venture for America, a nonprofit designed to help entrepreneurs start businesses has been to Iowa 23 times, including two Iowa State Fairs and two Wing Ding dinners, the first he headlined.
On Saturday, over 100 supporters packed into Lincoln's Pub in Council Bluffs sporting MATH hats, pins, and shirts. MATH is an acronym for "Make America Think Harder," a slogan of the campaign and an answer to President Donald Trump's "Make America Great Again" mantra.
And earlier this month, hundreds gathered in Des Moines to see Yang and supportive performers before the Iowa Democratic Party's annual dinner.
That's some improvement from an event at the University of Iowa's Iowa Memorial Union over a year ago on Sept. 24, 2018. There, Yang spoke to a small handful of curious students in a small meeting room at the IMU.
"I enjoyed it still when the crowds were smaller and everything was more intimate but certainly it's even more fun when there are crowds of hundreds of people you know have already heard your message and are excited to make it real," Yang told the Des Moines Register at his Council Bluffs campaign office, which opened Saturday morning prior to his rally across the street at Lincoln's Pub.
In September 2018, Yang told The Daily Iowan that he needed to introduce himself to voters because "for most people, I'm going to be quite new."
But now, Yang is in the midst of $1 million in advertising buys in Iowa, pushing the idea of giving $1,000 a month to every U.S. citizen age 18 and older into Iowans' TVs.
Yang now has more than a dozen campaign offices in Iowa, including two opened Saturday in Council Bluffs and Sioux City.
Going from intimate conversations with a few students to being one of the candidates gathering strength in various polls, Yang said he has seen the switch flip. He saw it specifically earlier this month in Des Moines.
"Giving a speech in front of 14,000 Iowans," Yang told the Register regarding the Liberty and Justice Dinner. "That was certainly one of the days where you look up and see how far you've come, but we're not content. The plan is to win. I believe we can compete and win here in Iowa."
After the debate earlier this week, hosted by MSNBC and The Washington Post, Yang complained on Twitter about his lack of speaking time. He then rejected an on-air interview with MSNBC on Saturday.
But through all the serious campaigning, Yang is also having good time on the trail.
"I'm having a great time because of all the energy and enthusiasm around the campaign," Yang told the Register. "If you show up and you see that folks see the vision clearly and are energized to create a new way forward for the entire country, that energizes me."
The fun was evident in Council Bluffs. As he walked through the shoulder-to-shoulder crowd in the pub, giving hi-fives and taking selfies with supporters, his typical walk-out song, "Return of the Mack," the 1996 R&B hit by Mark Morrison blasted through the room.
Yang told members of the Yang Gang, the name his supporters call themselves, and curious Iowans and Nebraskans who came to see him speak that he appreciates how seriously Iowans take the caucuses.
"The downside (in Iowa is) you get bombarded by political ads," Yang said to the crowd in Lincoln's Pub. "Upside is that person will march into your local bar or living room and be like 'Hey I'm here too.'"
As he has before, Yang focused on the loss of jobs through automation and his plan for a universal basic income. His supporters have the answers to his crowd questions memorized as he shouts them out throughout his speech.
"How many Californians is each of you Iowans worth?"
1,000!
"How many of you noticed stores closing here in Iowa?... Why are they closing?"
Amazon!
"And how much did Amazon pay in taxes last year?"
Zero!
"Which state already has a universal basic income?"
Alaska!
"How do they pay for it?"
"And what's the oil of the 21st Century?"
Technology!
"I'm a tech guy, so everything he says makes sense," Cody Watzen of Council Bluffs said. "He's speaking about real issues ... I was more Republican growing up, but I wrote in Bernie in 2016."
Michael Swanson lives outside of Omaha in Nebraska and is a former Republican who didn't vote in 2016. He voted for Mitt Romney in 2012, but said Yang has a lot of problem-solving ideas.
"I think he's interesting," Swanson said of Yang. "As I've matured, I've realized you can't be partisan your whole life. I like his spirit."
Genesis Corral, who works in GIS, said she is tired of the same politicians running for president, except for Bernie Sanders, she said. Corral also likes U.S. Rep. Tulsi Gabbard of Hawaii.
"I like Yang's ideas on AI and data," Corral said. "My job won't be automated anytime soon but we integrate AI in what I do."
Swanson, Watzen and Corral all found out about Yang after listening to the Joe Rogan Experience podcast, where Yang was a guest. The only other candidates to sit down with Rogan? Sanders and Gabbard.
Yang said the plan in Iowa is to keep showing up between now and Feb. 3.
"We've hired new staffers and activated more volunteers," he told the Register. "I'm going to be here in the state over and over again between now and February 3. You're going to see us growing and growing and peak right when the voting starts."
He also mentioned, if elected, that he would come back to Iowa to thank Iowans for their support. And what will the first day of a Yang presidency look like?
"The first thing I'll do is meet with legislators both parties and push the dividend forward," Yang said. "Donald Trump has left us with a lot of work to do ... I'm laser-focused on solving the problems of the American people and the most effective way we can do that is by writing the rules to work for us and putting $1,000 into the hands of every American.
"I have a clear vision for the country and as more Iowans find out about it, they get more excited, then we can make this vision work quickly."
'We don't have time to correct every error': Iowa Democrats vote 26-14 to certify caucus results Iowa Caucuses 2020: Full Democratic results and alignment tallies Iowa Democratic Party Chairman Troy Price to resign after caucus chaos Inside the Iowa Democratic Party's 'boiler room,' where 'hell' preceded the results catastrophe Sign up for our Politics Newsletter and get the latest caucus news delivered to your inbox.
Gage Miskimen is a news reporter mostly covering West Des Moines, Waukee, and Clive for the Register. Reach him at gmiskimen@dmreg.com or 515-284-8234.
Your subscription makes work like this possible. Subscribe today at DesMoinesRegister.com/Deal.


text:
Q: How to create a React Modal (which is appended to ) with transitions? There is a modal in this answer https://stackoverflow.com/a/26789089/883571 which is creating a React-based Modal by appending it to . However, I found it not compatible with the transition addons provided by React.
How to create one with transitions(during enter and leave)?

A: At react conf 2015, Ryan Florence demonstrated using portals. Here's how you can create a simple Portal component...
var Portal = React.createClass({
  render: () => null,
  portalElement: null,
  componentDidMount() {
    var p = this.props.portalId && document.getElementById(this.props.portalId);
    if (!p) {
      var p = document.createElement('div');
      p.id = this.props.portalId;
      document.body.appendChild(p);
    }
    this.portalElement = p;
    this.componentDidUpdate();
  },
  componentWillUnmount() {
    document.body.removeChild(this.portalElement);
  },
  componentDidUpdate() {
    React.render(
{this.props.children}
, this.portalElement);
  }
});

and then everything you can normally do in React you can do inside of the portal...
    <Portal className="DialogGroup">
       <ReactCSSTransitionGroup transitionName="Dialog-anim">
         { activeDialog === 1 &&

              This is an animated dialog

 }
       </ReactCSSTransitionGroup>
    </Portal>

jsbin demo
You can also have a look at Ryan's react-modal, although I haven't actually used it so I don't know how well it works with animation.

A: I wrote the module react-portal that should help you.
Usage:
import { Portal } from 'react-portal';

<Portal>
  This text is portaled at the end of document.body!
</Portal>

<Portal node={document && document.getElementById('san-francisco')}>
  This text is portaled into San Francisco!
</Portal>

A: I think this code is more or less self explanatory and covers the core solution of what most people are looking for:
ReactDOM.render(
  <Modal />,
  document.body.appendChild( document.createElement( 'div' ) ),
)

A: React 15.x
Here's an ES6 version of the method described in this article:
import React from 'react';
import ReactDOM from 'react-dom';
import PropTypes from 'prop-types';

export default class BodyEnd extends React.PureComponent {

    static propTypes = {
        children: PropTypes.node,
    };

    componentDidMount() {
        this._popup = document.createElement('div');
        document.body.appendChild(this._popup);
        this._render();
    }

    componentDidUpdate() {
        this._render();
    }

    componentWillUnmount() {
        ReactDOM.unmountComponentAtNode(this._popup);
        document.body.removeChild(this._popup);
    }

    _render() {
        ReactDOM.render(this.props.children, this._popup);
    }

    render() {
        return null;
    }
}

Just wrap any elements you want to be at the end of the DOM with it:
<BodyEnd><Tooltip pos={{x,y}}>{content}</Tooltip></BodyEnd>

React 16.x
Here's an updated version for React 16:
import React from 'react';
import ReactDOM from 'react-dom';

export default class BodyEnd extends React.Component {

    constructor(props) {
        super(props);
        this.el = document.createElement('div');
        this.el.style.display = 'contents';
        // The
 is a necessary container for our
        // content, but it should not affect our layout.
        // Only works in some browsers, but generally
        // doesn't matter since this is at
        // the end anyway. Feel free to delete this line.
    }

    componentDidMount() {
        document.body.appendChild(this.el);
    }

    componentWillUnmount() {
        document.body.removeChild(this.el);
    }

    render() {
        return ReactDOM.createPortal(
            this.props.children,
            this.el,
        );
    }
}

Working example

A: The fundamental problem here is that in React you're only allowed to mount component to its parent, which is not always the desired behavior. But how to address this issue?
I've made the solution, addressed to fix this issue. More detailed problem definition, src and examples can be found here: https://github.com/fckt/react-layer-stack#rationale

Rationale
react/react-dom comes comes with 2 basic assumptions/ideas:

*

*every UI is hierarchical naturally. This why we have the idea of components which wrap each other

*react-dom mounts (physically) child component to its parent DOM node by default

  The problem is that sometimes the second property isn't what you want
  in your case. Sometimes you want to mount your component into
  different physical DOM node and hold logical connection between
  parent and child at the same time.
Canonical example is Tooltip-like component: at some point of
  development process you could find that you need to add some
  description for your UI element: it'll render in fixed layer and
  should know its coordinates (which are that UI element coord or
  mouse coords) and at the same time it needs information whether it
  needs to be shown right now or not, its content and some context from
  parent components. This example shows that sometimes logical hierarchy
  isn't match with the physical DOM hierarchy.

Take a look at https://github.com/fckt/react-layer-stack/blob/master/README.md#real-world-usage-example to see the concrete example which is answer to your question:
import { Layer, LayerContext } from 'react-layer-stack'
// ... for each `object` in array of `objects`
  const modalId = 'DeleteObjectConfirmation' + objects[rowIndex].id
  return (
    <Cell {...props}>
        // the layer definition. The content will show up in the LayerStackMountPoint when `show(modalId)` be fired in LayerContext
        <Layer use={[objects[rowIndex], rowIndex]} id={modalId}> {({
            hideMe, // alias for `hide(modalId)`
            index } // useful to know to set zIndex, for example
            , e) => // access to the arguments (click event data in this example)
          <Modal onClick={ hideMe } zIndex={(index + 1) * 1000}>
            <ConfirmationDialog
              title={ 'Delete' }
              message={ "You're about to delete to " + '"' + objects[rowIndex].name + '"' }
              confirmButton={ <Button type="primary">DELETE</Button> }
              onConfirm={ this.handleDeleteObject.bind(this, objects[rowIndex].name, hideMe) } // hide after confirmation
              close={ hideMe } />
          </Modal> }
        </Layer>

        // this is the toggle for Layer with `id === modalId` can be defined everywhere in the components tree
        <LayerContext id={ modalId }> {({showMe}) => // showMe is alias for `show(modalId)`

 showMe(e) }> // additional arguments can be passed (like event)
            <Icon type="trash" />

 }
        </LayerContext>
    </Cell>)
// ...

A: I've written a library to help with this. I avoid the DOM insertion hacks used by Portal strategies out there and instead make use of context based registries to pass along components from a source to a target.
My implementation makes use of the standard React render cycles. The components that you teleport/inject/transport don't cause a double render cycle on the target - everything happens synchronously.
The API is also structured in a manner to discourage the use of magic strings in your code to define the source/target. Instead you are required to explicitly create and decorate components that will be used as the target (Injectable) and the source (Injector). As this sort of thing is generally considered quite magical I think explicit Component representation (requiring direct imports and usage) may help alleviate confusion on where a Component is being injected.
Although my library won't allow you to render as a direct child of the document.body you can achieve an acceptable modal effect by binding to a root level component in your component tree.  I plan on adding an example of this use case soon.
See https://github.com/ctrlplusb/react-injectables for more info.

A: As other answers have stated this can be done using Portals. Starting from v16.0 Portals are included in React.

Normally, when you return an element from a component's render method, it's mounted into the DOM as a child of the nearest parent node, but with portals you can insert a child into a different location in the DOM.
const PortalComponent = ({ children, onClose }) => {
  return createPortal(

      {children}

,
    // get outer DOM element
    document.getElementById("portal")
  );
};

class App extends React.Component {
  constructor(props) {
    super(props);

    this.state = {
      modalOpen: false
    };
  }

  render() {
    return (

        <Hello name="CodeSandbox" />

Start editing to see some magic happen {"\u2728"}

        <button onClick={() => this.setState({ modalOpen: true })}>
          Open modal
        </button>
        {this.state.modalOpen && (
          <PortalComponent onClose={() => this.setState({ modalOpen: false })}>

This is modal content

          </PortalComponent>
        )}

    );
  }
}

render(<App />, document.getElementById("root"));

Check working example here.

A: Hope it helps. This is my current implementation of a transition modal based on the anwser above:
  React = require 'react/addons'

  keyboard = require '../util/keyboard'
  mixinLayered = require '../mixin/layered'

  $ = React.DOM
  T = React.PropTypes
  cx = React.addons.classSet

  module.exports = React.createFactory React.createClass
    displayName: 'body-modal'
    mixins: [mixinLayered]

    propTypes:
      # this components accepts children
      name:             T.string.isRequired
      title:            T.string
      onCloseClick:     T.func.isRequired
      showCornerClose:  T.bool
      show:             T.bool.isRequired

    componentDidMount: ->
      window.addEventListener 'keydown', @onWindowKeydown

    componentWillUnmount: ->
      window.removeEventListener 'keydown', @onWindowKeydown

    onWindowKeydown: (event) ->
      if event.keyCode is keyboard.esc
        @onCloseClick()

    onCloseClick: ->
      @props.onCloseClick()

    onBackdropClick: (event) ->
      unless @props.showCornerClose
        if event.target is event.currentTarget
          @onCloseClick()

    renderLayer: ->
      className = "body-modal is-for-#{@props.name}"
      $.div className: className, onClick: @onBackdropClick,
        if @props.showCornerClose
          $.a className: 'icon icon-remove', onClick: @onCloseClick
        $.div className: 'box',
          if @props.title?
            $.div className: 'title',
              $.span className: 'name', @props.title
              $.span className: 'icon icon-remove', @onCloseClick
          @props.children

    render: ->
      $.div()


text:
Jennifer Lopez's Production Company Is Being Sued For $40 Million By The Woman That Inspired 'Hustlers'
Jennifer Lopez Has Revealed The One Piece Of Relationship Advice Her And Alex Rodriguez Live By
Harvey Weinstein, Alleged Rapist, Wants Praise For Casting Women In Films
Emily Ratajkowski Has A Message For Harvey Weinstein
Cuba Gooding Jr. Has Been Accused Of Sexual Misconduct By 7 More Women
Jennifer Lopez Takes To The SNL Runway in *That* Versace Dress
Jennifer Lopez Has Had A Dramatic Hair Transformation
Alex Rodriguez Proposed To Jennifer Lopez (Again) Mid-Workout
Students Fight To Get University To Respond To Alarming Campus Sexual Assault Findings
Emilia Clarke Says She Was Pressured To Do Nude Scenes To Not "Disappoint" 'Game Of Thrones' Fans
Jennifer Lopez Has Been Announced As The New Face Of Coach
Jennifer Lopez's New Haircut Is The One Hairstyle You Need This Party Season
E. Jean Carroll Is Suing Trump For Defamation Following Sexual Assault Allegations
Rose McGowan Is Suing Harvey Weinstein For Trying To Conceal Her Rape Allegations
Jennifer Lopez Recounts Me Too Moment Of Being Asked To Take Her Top Off By A Director
"I remember being so panicked" - by Isabelle Truman
Jennifer Lopez is now one of the most famous women in the world, dominating both the movie and music scenes, but early on in her career the 50-year-old reveals she was panicked when a film director asked her to take her top off.
Lopez first briefly mentioned the Me Too moment in 2018, but was asked about the situation in more detail by Scarlet Johansson during The Hollywood Reporter's actress roundtable with Laura Dern, Lupita N'Yongo, Awkwafina, Renee Zellweger and Johansson.
"A director at a fitting asked me to take my top off," Lopez told the group. "Because I was supposed to do nudity in the movie."
"He wanted to see my boobs. And I was like, 'We're not on set,'" she continued.
"I said no. I stood up for myself. But it was so funny because I remember being so panicked in the moment. And by the way, there was a costume designer in the room with me. So there was another woman in the room and he says this and I said no."
She went on to say, "Luckily a little bit of the Bronx came out, and I was like, 'I don't have to show you my — No. On the set, you see them.'"
Johansson pointed out that "not everybody would feel that way" when placed in a similar situation with a powerful man.
Lopez agreed: "That's the thing, because if you give in, in that moment, all of a sudden that person is off and running, thinking they can do whatever they want. And because I put up a little boundary right there and said no, he laid off and then later on apologised."
"But the minute he walked out of the room the costume designer was like, 'I'm so sorry, I'm so sorry that just happened,'" she continued.
The actresses went on to talk about how "inappropriate" it was that lots of auditions when they were younger were held in hotel rooms with Zellweger saying, "It just kind of afforded an opportunity to be inappropriate if you were so inclined."
Isabelle Truman
Isabelle Truman is a freelance writer based out of London, UK. She specialises in fashion, lifestyle and travel and knows a thing or two (read: everything) about both Meghan Markle and 'Sex and the City'.


text:
The Huntsman: Winter's War: The Gleefully Glitzy Female-Driven Blockbuster Summer-Movie Season Deserves
Theron vs. Chastain vs. Blunt: Who needs superheroes in the face of these three?
Is there a sequel in recent memory that so little resembles its original, and so successfully makes it seem to matter not at all? The Huntsman: Winter's War is ostensibly a sequel to Snow White and the Huntsman, a moderately liked 2012 riff on the Snow White fairy tale. And while Charlize Theron and Chris Hemsworth have reprised their roles, and the whole thing still takes place in the same vaguely metal faraway kingdom, the vibe of Winter's War could not possibly be more different—or more spectacular.
The idea seems to essentially be "cast as many great actresses as you can find and let them go totally over the top," which is how Emily Blunt and Jessica Chastain have found their way into this world as two very different icons of female power. Blunt, looking like an angrier version of Frozen's Elsa, wields her powers with a wicked grin not unlike the one that made Theron such a standout in the original Huntsman. Chastain, on the other hand, is the ever-capable warrior partner of the Huntsman, running through the forest like she owns the damn place. And don't think that Theron will yield one inch in the face of these newcomers; Furiosa herself, even when glammed up as the gorgeous Queen, still knows how to hold the screen.
Arriving in April, just before the usual testosterone-jammed crop of summer movies, Winter's War looks to be one of the most gleefully female-driven projects of the coming months. 2015 was a great year for women in blockbuster movies; is it possible to start dreaming that we can top it already?
14 Heartbreaking Hollywood Breakups Followed by On-screen Makeups
© ABC/Getty Images.
Michael Vartan and Jennifer Garner
Garner's chemistry with her Alias co-star was so palpable that she was even nominated for an award for it—thanks Teen Choice Awards—but attraction does not yield longevity. After a brief courtship, Garner declared herself single in [2004] (http://www.people.com/article/jennifer-garner-past-romances), while the pair continued filming the J.J. Abrams series for another two years.
Katey Rich is VF.com's deputy editor.