On June 26, 1997, the world was introduced to a boy living under the staircase at 4 Privet Drive, Little Whinging.
Whether you're an avid Harry Potter fan or not, there is no doubt that its popularity has caused the whole world to be familiarized with "the boy who lived," the game of Quidditch, butterbeer drinks, and the four famous houses of Hogwarts: Gryffindor, Ravenclaw, Hufflepuff, and Slytherin.
And now, with the selection of Harry Potter as the 2018 Homecoming Theme, Greenhill has transformed itself into the world of Hogwarts.
Since the debut of the first book, Harry Potter and the Sorcerer's Stone by British writer J.K. Rowling has attracted a global audience of adults and young readers. This seven-book series is often referred to as a cornerstone of modern young adult literature. Warner Bros Pictures has adapted the stories to an eight-part film series, transforming the ideas that were once imaginations into scenes of magic and adventure before your eyes.
The three main characters of the series—Harry, Hermione, and Ron—have captivated audiences around the world since 1997. Through their antics, they have introduced readers to a world of magic many have never dreamed of before. The books have sold more than 500 million copies worldwide, making them the best-selling series in publishing history, and they have been translated into 80 languages. The film series is the third highest-grossing film series of all time.
Although the seventh and final book in the original series, Harry Potter and the Deathly Hallows, was released more than 10 years ago, Harry Potter's popularity has not decreased. The success of the books and films expanded the Harry Potter franchise, resulting in many derivative works. This includes spin-off films such as "Fantastic Beasts and Where to Find Them" (released in November 2016), and A Cursed Child, a two-part play by Jack Thorne that premiered July 30, 2016. Additionally, "The Crimes of Grindelwald", a sequel to "Fantastic Beasts and Where to Find Them", is being released on Nov. 16.
Recently, themed attractions based off the Harry Potter series have been built at amusement parks around the world. There is a full Harry Potter World at both Universal Studios Hollywood and Universal Studios Orlando.
Now, the popularity of Harry Potter has reached Greenhill, and everyone will have the chance to channel their inner magic with the new homecoming theme. The Wizarding World of Harry Potter has come to life in the Upper School, with decorations and dress-up days.
Greenhill (or shall we say Hogwarts) students: Expelliarmus!


text:
How feminism is 'a yearning women are born with to be their truest self '
Book Review by Namrata
Title: The Doctor and Mrs. A.: Ethics and Counter-Ethics in an Indian Dream Analysis
Author: Sarah Pinto
Publisher: Women Unlimited
"How does one remember the future?"
Thus, begins The Doctor and Mrs. A by Sarah Pinto. Based on ethics and counter ethics in an Indian dream analysis, this book is an inspired example of thinking beyond the known.
Just before independence, somewhere in early forties, a young Punjabi woman identified only as Mrs. A decided to be a part of an experiment by a psychiatrist, Dev Satya Nanda, for his new method of dream analysis. Unbeknownst to him, she was in an unhappy marriage with a strong urge for freedom from all the bondage. Through this experiment they discovered hidden layers of her personality which included different reflections on sexuality, trauma, ambitions and marriage. Pinto revisits this conversation and explores it in the context of late colonial Indian society. Juxtaposing the past with the present, she delivers a thought-provoking analysis on gender and power.
The author, Sarah Pinto is a Professor of anthropology at Tufts University and has also authored a few books on women and inequality in contemporary India. She won the Eileen Basker Memorial Prize from the Society of Medical Anthropology for her work Daughters of Parvati: Women and Madness in Contemporary India published in 2012.
Mitali Chakravarty January 9, 2020 2019, Awards, Book Review, Feminist, Uncategorized
'Everything in India, including religion, is a story': Reviving the old tradition of Dastaangoi with Mahmood Farooqui
Mahmood Farooqui in conversation with Gargi Vachaknavi
Dastangoi is the art of Urdu storytelling that was popular all across India and could regale commoners and elites alike. That was in times of Mughal splendour. The performers were artists and writers rolled into one who left behind over 46,000 pages of published fantasies. The Dastans were the stories told by these storytellers, the gois. Unfortunately this art form completely vanished, leaving behind few memories.
Inspired by the scholarship of one of Urdu's greatest living writer S. R. Faruqi, Mahmood Farooqui began its revival in 2005 and has since then trained dozens of other storytellers or Dastangos, staged over a thousand shows all around the world and has composed over a dozen modern Dastans for the genre. With all the innovations that he and his team have spearheaded, a virtually new genre of performance and a new kind of writing for the stage has emerged in our times.
Mahmood Farooqui performing
Farooqui is an award winning writer and performer. He was awarded the Bismillah Khan Yuva Puraskar by the Sangeet Natak Akademi of the Union Government for his efforts in reviving Dastangoi. His book on the 1857 uprising Besieged: Voices from Delhi, 1857, was awarded the Ram Nath Goenka Award for the best non-fiction book of the year by the Indian Express Group. He has been a visiting fellow at the Universities of Michigan, US and Berkeley, California and was a Rhodes scholar at the Universities of Oxford and Cambridge. His latest book is A Requiem for Pakistan: The World of Intizar Husain. He has written over 15 modern Dastans for the stage and has trained nearly 50 people besides performing close to 500 shows himself. His wife, film maker Anusha Rizvi, is not only the producer of the Dastangois but also the award winning writer-Director of Peepli Live, a 2010 satirical comedy with the involvement of greats like Aamir Khan and Raghuvir Yadav.
Mahmood Farooqui and his troupe will be performing in Singapore on the 14thof September. In this exclusive, he talks to Gargi Vachaknavi of his work, of how a Dastangoi performance varies from normal theatre and what he is going to perform in Singapore.
Gargi: Why did you think of reviving Dastangoi, an art of 13 th century storytelling in Urdu? What is the potential you see that makes you feel it is necessary to contextualise it for the present day?
Farooqui: I was a student of history and had been active in theatre for many years when I came across the great S. R. Faruqi's study of the world of Dastans. I had been reading Urdu literature all my life but had never really heard of this incredibly enchanting world. When I dug deeper, I was totally bowled over by the genius of the writers and the of the performers. Here was theatre in its purest form, one or two narrators, sitting still and holding an audience captive, just like our ancient rishis (sages) narrated epics and Shastras to rapt listeners. I felt that this was the most essential art form of the Indian subcontinent. From the word go, it was an instant success perhaps because in India everything, including religion is a story.
The innovation I made was to have not one but two narrators and our designer, Anusha Rizvi, kept the basics very simple so we brought it into the ambit of modern theatre by using techniques of lighting, stage decorum and presentation.
Mitali Chakravarty September 1, 2019 2019, Awards, Drama, India, Interview, Singapore, Theatre, Urdu literature
Short Story: Shantanu's Predicament
By Chirantana Mathkari
Snowed USA
Gandhawati stood stunned looking at the dead salmon in her kitchen sink. With its neck twisted at the edge of the sink and its eye staring at her, it had quite an appalling effect on the vegetarian!
She looked away and took a deep breath — but she just got a strong fishy odour in her nostrils. She rubbed her nose, and convinced herself by saying: "It's someone's food, it's someone's food and you need to respect that." She brisked to the kitchen door and opened it. She inhaled the air in the garden. It was snowing.
Wondering where her husband was, she went upstairs to his study. The room smelt of masala chai (Indian tea with spices). She stood at the door, her arms crossed. Shantanu was too lost in his thoughts to notice her.
"Morning," she said.
As if woken from a dream, Shantanu was startled. He looked at her and blinked his eyes rapidly.
"Are you okay?" she asked a bit awkwardly.
"Yes, of course," he replied, taking his tea cup near his face, hoping the vapours would hide his tears. He took a deep breath slowly. The spicy fragrance of the tea still reminded him of Ganga. He looked away from his wife.
Mitali Chakravarty August 17, 2019 2019, India, short story
How Indonesian Literature is being found with Translation
Amba, a novel from Indonesia, written by award winning writer Lakshmi Pamuntjak, was a modern take on the story of Amba and Bhisma from The Mahabharata, set against the backdrop of the violence of 1965 and the Buru penal colony set up during Suharto's regime. Published in 2012, it became a national bestseller within Indonesia.
It was first translated to German in 2015 and sold 10,000 copies within three months of its launch. Later the English translation renamed it The Question of Red (2016). The novel did win some amount of international acclaim.
Mitali Chakravarty August 11, 2019 2019, Awards, Indonesian literature, Indonesian writing, writers, writing
Manmatha Nath Dutt: The lost hero
(From Open Magazine. Link to the complete article given below) What does the expression 'Elysium Bower' remind you […]
Sucharita Dutta-Asane July 26, 2018 Essay, Indian writing, Mahabharata, Ramayana, Translation
Book Excerpt: Why I am a Hindu by Shashi Tharoor
…. When Buddhism sought to reform Hinduism, Hinduism turned around and sought to absorb it too, by including the Buddha as a reincarnation of Vishnu and his agnostic teachings as merely a nastika form of the mother faith. As a result Buddhism has hardly any strength or presence in the land of its birth, having been absorbed and overtaken by the religion it sought to challenge. Hinduism could well have tried the same with Christianity and Islam, too, had it been allowed to do so; but these faiths were not interested in being embraced by Hinduism, since they saw themselves as the revealed Truth rather than as one among multiple versions of truth.
Hinduism is also unusual in seeing God, Man and the universe as co-related. As the philosopher Raimon Panikkar has explained, in Hindu thought, God without Man is nothing, literally 'no-thing'; Man without God is just a 'thing', without meaning or larger purpose; and the universe without Man or God is 'any-thing', sheer unexisting chaos. In Panikkar's explanation, nothing separates Man from God; 'there is neither intermediary nor barrier between them'. So Hindu prayers mix the sacred with the profane: a Hindu can ask God for anything. Among the tens of thousands of sacred verses and hymns in the Hindu scriptures are a merchant's prayer for wealth, a bankrupt's plea to the divine to free him of debt, verses extolling the union of a man with a woman, and even the lament of a rueful (and luckless) gambler asking God to help him shake his addiction. Prayer and worship, for the Hindu, are thus not purely spiritual exercises: they enhance the quality of his life in the material world, in the here and now.
GANESH, MY ISHTA-DEVTA
Hindus are often asked, during certain ritual prayers, to imagine their ishta-devta, their personal God, or rather that way of imagining the abstraction of the Absolute in an anthropomorphic form that most appeals to them. I pick Ganesh, or Ganapathi, as we prefer to call him in the South, myself, not because I believe God looks like Him, but because of the myriad aspects of the godhead, the ones He represents appeal most to me.
Om maha Ganapathe namaha,
sarva vignoba shantaye,
Om Ganeshaya namaha…
Sucharita Dutta-Asane May 2, 2018 Authors, Book, Book Excerpt, Hinduism, Indian writing, Non-fiction, non-Western
And now, a dapper Ravana: Amar Chitra Katha undergoes makeover
Benevolent kings and their beauteous queens stroll in palace gardens or verdant forests while loyal servants eavesdrop and […]
Sucharita Dutta-Asane December 26, 2017 children's literature, comic books, Essay, Gender
Book Review: Sauptik: Blood and Flowers by Amruta Patil
By Nilesh Mondal
Mythology remains a vast source of interesting and sometimes intimidating stories that writers have constantly been trying to draw from. Whether it is the subtle parallels drawn from mythology, or the more direct approach of retelling or reimagining epics and adapting them into more contemporary narratives, both have been tried by many writers to varying degree of success. However, Amruta Patil's second attempt to combine the tales of Mahabharata and the knowledge from Puranas, after the highly successful Adi Parva: Churning of the Ocean, is neither of the two. It is one which deals with Indian mythology head on; narrating the epic we've known and loved always with glorious precision and straight-forwardness.
This is why Sauptik: Blood and Flowers sets a precedent for a very different kind of mythological retelling, one that is both devastatingly thought-provoking and disarmingly honest, one which depends entirely on the epics themselves to impart readers with lessons on life and justice, and the art of war.
From the very beginning, we know this isn't going to be the usual run-of-the-mill bit of story-telling, since Sauptik is first and foremost, a graphic novel. I'd leave the analytical scrutiny of Amruta Patil's artwork to those more experienced in those fields. To me, the usual reader, the artwork serves both as a reminder of a bygone era of paintings done by artisans in a king's court, done on fabric and papyrus and other media, and a sense of aesthetics that is a complete departure from the prevalent genres of digital manipulation of art. In her art, done as a mixture of techniques ranging from watercolour to acrylic paints to charcoal to collages, battles and scenarios come alive in their entire magnificence. She also drops the conventional rectangular structure used in most comic books, instead experimenting with various alternatives, sometimes splaying the art over the entirety of the pages, sometimes having multiple scenes unfold on the same page, etc. The use of motifs and symbols of importance as depicted in the epic and Puranas are layered and repetitive. All in all, it is a visually stimulating collection of artwork rich in colours and details, which keeps the reader riveted throughout the entire book.
Chitra Divakaruni's next: Ramayan from Sita's point of view
Indian-American author Chitra Banerjee Divakaruni, who had used Draupadi as the narrator for her novel based on the […]
Admin January 30, 2017 Authors, Book
New release: The Serpent's Revenge: Unusual Stories from the Mahabharata
Featuring some of the most interesting but lesser known stories of the Mahabharata, is Puffin Books' new release titled 'The […]
Admin October 18, 2016 Authors, Book, Uncategorized

redpajama_set_name: RedPajamaCommonCrawl


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text:
Жоель Бопесу (,  25 січня 1995 року) — французький футболіст, лівий захисник клубу «Жальгіріс».

Кар'єра
На дорослому рівні дебютував за «Арль-Авіньйон», у складі якого зіграв один матч у Лізі 2, вийшовши на заміну замість Теджі Саваньє у грі проти «Орлеана» (4:1) 15 травня 2015 року. В подальшому грав за клуб третього дивізіону «Епіналь», та четвертого — «Кале».

На початку 2018 року відправився до Македонії, де грав за клуби «Скоп'є» та «Работнічкі», а у сезоні 2019 року грав за латвійську «Ригу», з якою став чемпіоном країни.

27 січня 2020 року підписав контракт терміном на два роки зі «Львовом».

Титули і досягнення
 Чемпіон Латвії (1):
 Рига: 2019
 Володар Кубка Литви (2):
 «Жальгіріс»: 2021, 2022
 Чемпіон Литви (2):
 «Жальгіріс»: 2021, 2022
 Володар Суперкубка Литви (1):
 «Жальгіріс»: 2023

Примітки

Посилання

Французькі футболісти
Футболісти «Арля»
Футболісти «Епіналя»
Футболісти «Кале»
Футболісти «Скоп'є»
Футболісти «Работнічкі»
Футболісти «Риги» (2015)
Футболісти «Львова»
Французькі футбольні легіонери
Футбольні легіонери в Північній Македонії
Футбольні легіонери в Латвії
Футбольні легіонери в Україні
Народились 1995
Конголезькі емігранти до Франції

redpajama_set_name: RedPajamaWikipedia


text:
Pagad denies rumours of leadership rift
31 July 2015 • News, VOC News	• No Comments
The leadership of the People Against Gangsterism and Drugs (Pagad) will be meeting with their legal team to discuss possible action against fifty expelled members, amid a vicious mudslinging campaign aimed at fracturing the organisation. At a press briefing on Thursday, Pagad spokesperson Haroun Orrie claimed that members have been collecting money from the public under the banner of Pagad for their own personal gain, which contradicts the organisations constitution.
Last month, VOC News was made aware of rumours circulating on social media which alleged that the current Pagad leadership will be stepping down. These rumours were confirmed to be untrue by the organisation's national Co-ordinator, Abdus Salaam Ebrahim, who claimed the allegations were part of a smear campaign by the suspended members.
Through tip-offs from members of the public, Orrie said the organisation then conducted a full investigation and found evidence of some of its members extorting money from gangsters, drug lords and business people in the cape flats.
After unsuccessful efforts to try and address the matter internally, Orrie added that the expelled members have gone on to threaten Pagad's executive members.
"Despite the attempts by a self-appointed, independent and objective arbitrator, Mr Aslam Toefy, having met with them to discuss possible reconciliation, they continue with their relentless onslaught against this noble movement. Shame on them!" the organisation said in a statement.
"We are consulting with our legal team and once there is enough evidence, we will be laying criminal charges against the expelled members," Orrie continued.
The reason behind not allowing legal intervention at this point stems from the organisation's attempts to first allow those expelled members to correct their wrongs and pledge their commitment to change, said Orrie. The identities of the members in question were not disclosed at the press briefing.
Orrie has warned the public to be aware of individuals asking for money on behalf of Pagad. All members will have an authorised letter before seeking any donations from the public.
"These people have no right to speak for Pagad, do not represent us, cannot use the logo and cannot collect funds on behalf of the organisation." VOC (Ra'eesah Isaacs)


text:
Visit Our Website Dulwich Prep London
WELCOME TO DULWICH PREP LINK
Join the Dulwich Prep Link community today to find and network with friends and and receive invitations to events, the latest news and updates.
There is no membership fee and all former pupils, parents and staff are welcome.
A very warm welcome to DPLink
This is the Dulwich Prep Link community portal, a valuable addition to our online presence; connecting you to our vast network of members here in the UK and across the globe.
We are excited to launch DPLink with the wider DPL network, including former pupils, staff and parents as well as current staff and parents (Friends). It is our hope that this portal will become the new home of your global alumni community, making connecting easier than ever.
With this in mind, we invite you to create your profile and to explore everything in the DPLink portal. Get in touch with old friends and access an array of resources on offer to you; news stories, photos, and videos as well as opportunities to get involved with mentoring, events, volunteering, and lifelong learning.
You will always be part of the Dulwich Prep London story and we hope to remain part of your life, wherever you are in the world.
I hope DPLink will prove an invaluable resource for creating opportunities and supporting one another, and I very much look forward to hearing from you.
Louise Davidson
Alumni Reunion Lunch
Please join us for our Alumni Reunion Lunch on Saturday, 4 March 2023. The event will take place at our Alleyn Park site. Tickets are priced at £50 per adult over 25yrs old and £35 per adult under…
Gap Assistant Vacancies
Meet our Head Boy for Autumn 2022
Early Years Refurbishment


text:
Q: How to add footer to ReorderableListView in flutter Trying to make a ui that contains Header and Footer with rearrangeable content items. There is a property called header from which we can add header item. But what to do if I want to add footer item as well.
import 'package:flutter/material.dart';

class MyStickyHeader extends StatefulWidget {
  @override
  State<StatefulWidget> createState() {
    return _MyStickyHeaderState();
  }
}

class _MyStickyHeaderState extends State<MyStickyHeader> {
  List<Widget> _list = [
    Text("Apple"),
    Text("Ball"),
    Text("Cat"),
    Text("Dog"),
    Text("Elephant")
  ];

  @override
  Widget build(BuildContext context) {
    return Container(
      margin: EdgeInsets.only(top: 30, left: 10),
      color: Colors.white,
      child: showData(),
    );
  }

  Widget showData() {
    return Container(
      child: ReorderableListView(
        header: Container(
          height: 100,
          color: Colors.red,
        ),
        children: _list
            .map((item) => Container(
                  padding: EdgeInsets.all(10),
                  key: Key("${(item as Text).data}"),
                  child: Row(
                    children: <Widget>[
                      Icon(Icons.ac_unit),
                      Expanded(
                        child: item,
                      )
                    ],
                  ),
                ))
            .toList(),
        onReorder: (int start, int current) {
          // dragging from top to bottom
          if (start < current) {
            int end = current - 1;
            Widget startItem = _list[start];
            int i = 0;
            int local = start;
            do {
              _list[local] = _list[++local];
              i++;
            } while (i < end - start);
            _list[end] = startItem;
          }

          // dragging from bottom to top
          if (start > current) {
            Widget startItem = _list[start];
            for (int i = start; i > current; i--) {
              _list[i] = _list[i - 1];
            }
            _list[current] = startItem;
          }
          setState(() {});
        },
      ),
    );
  }
}

A: Last element of your list can be a footer. It has to be a widget with onLongPress property. For example:
ReorderableListView(
      onReorder: (int oldIndex, int newIndex) {},
      children: List.generate(someList.items.length + 1, (index) {
        if (index < someList.items.length)
          return ListTile(
            key: Key(someList.items[index].description),
          );
        else
          return RaisedButton(key: Key('footer'), onPressed: () {}, onLongPress: (){}, child: Text('Button'));
      })),

A: If you wrap your ReorderableListView with a Column and an Expanded widget, you can add a Container at the bottom to act as a footer:
Column(
  children: <Widget>[
    Expanded(
      child: ReorderableListView(
        header: Container(
          height: 100,
          color: Colors.red,
        ),
        children: _list
          .map((item) => Container(
          padding: EdgeInsets.all(10),
          key: Key("${(item as Text).data}"),
          child: Row(
            children: <Widget>[
              Icon(Icons.ac_unit),
              Expanded(
                child: item,
              )
            ],
          ),
        )).toList(),
        onReorder: (int start, int current) {
          // dragging from top to bottom
          if (start < current) {
            int end = current - 1;
            Widget startItem = _list[start];
            int i = 0;
            int local = start;
            do {
              _list[local] = _list[++local];
              i++;
            } while (i < end - start);
            _list[end] = startItem;
          }

          // dragging from bottom to top
          if (start > current) {
            Widget startItem = _list[start];
            for (int i = start; i > current; i--) {
              _list[i] = _list[i - 1];
            }
            _list[current] = startItem;
          }
          setState(() {});
        },
      ),
    ),
    Container(
      height: 40,
      alignment: Alignment.center,
      child: Text('Footer'),
      color: Colors.orange,
    ),
  ],
),

A: To implement such view i recommend using Slivers.
benefits:

*

*Sticky header/Footer.

*infinity body/content scroll.

check the code below:
import 'package:flutter/material.dart';

class MyHomePage extends StatelessWidget {
  @override
  Widget build(BuildContext context) {
    return Scaffold(
      body: CustomScrollView(
        slivers: [
          SliverList(
            delegate: SliverChildListDelegate(
              [
                Container(
                  width: double.infinity,
                  height: 50,
                  color: Colors.orangeAccent,
                  child: Center(
                    child: Text(
                      'Header',
                      style: TextStyle(color: Colors.white, letterSpacing:4),
                    ),
                  ),
                ),
                ListView.builder(
                  shrinkWrap: true,
                  itemCount: 100,
                  itemBuilder: (BuildContext context, int index) {
                    return ListTile(
                      title: Center(child: Text('$index')),
                    );
                  },
                ),
              ],
            ),
          ),
          SliverFillRemaining(
            hasScrollBody: false,
            child: Align(
              alignment: Alignment.bottomCenter,
              child: Container(
                width: double.infinity,
                height: 50,
                color: Colors.blueAccent,
                child: Center(
                  child: Text(
                    'Footer',
                    style: TextStyle(color: Colors.white, letterSpacing: 4),
                  ),
                ),
              ),
            ),
          )
        ],
      ),
    );
  }
}

For more detail take a look here:
https://itnext.io/create-a-header-footer-with-scrollable-body-view-in-flutter-5551087270de

redpajama_set_name: RedPajamaStackExchange


text:
UMass Lowell Library Resources on Racism in the United States
Slavery Stories
Juneteeth
Missing History
Civil Rights and Voting
African Americans in Lowell
Racial Disparity
Racial Disparity in Health Care
Criminal Justice, Policing and the Prison System
Finding eBooks in the UML Library
The Importance of Juneteenth from Harvard Business School
Juneteenth: What You Need to Know from the History Channel
National Museum of African American History: Juneteenth Events
National Museum of African American History: Juneteenth Historical Legacy
"The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of personal rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and hired labor."
— General Orders, Number 3
Headquarters District of Texas, Galveston, June 19, 1865, from the Texas State Library and Archive Commission
The Emancipation Proclamation was issued January 1, 1863. African Americans in Texas did not find out they were free until 1865, when a Union general, Gordon Granger, came to Galveston Texas with 2000 troops and informed the people of the state that the Civil War had ended and ALL the people were now free. There were 250,000 enslaved persons in Texas. General Granger's arrival in Texas took place on June 19, 1865. The Emancipation Proclamation was put in effect in Texas after this date.
Juneteenth was celebrated on that day, and on June 19th ever since.
Sources: National Museum of African American History, The New York Times
Video: History of Juneteenth: How people came to celebrate in the U.S.
If you cannot access the above video, you can watch it here
Books: Juneteenth
Jazz Country
The first book to reassess Ralph Ellison after his death and the posthumous publication of Juneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison's writings and views on American culture through the lens of jazz music.
South of Tradition
With characteristic originality and insight, Trudier Harris-Lopez offers a new and challenging approach to the work of African American writers in these twelve previously unpublished essays. Collectively, the essays show the vibrancy of African American literary creation across several decades of the twentieth century. But Harris-Lopez's readings of the various texts deliberately diverge from traditional ways of viewing traditional topics. South of Tradition focuses not only on well-known writers such as Zora Neale Hurston, Ralph Ellison, James Baldwin, and Richard Wright, but also on up-and-coming writers such as Randall Kenan and less-known writers such as Brent Wade and Henry Dumas. Harris-Lopez addresses themes of sexual and racial identity, reconceptualizations of and transcendence of Christianity, analyses of African American folk and cultural traditions, and issues of racial justice. Many of her subjects argue that geography shapes identity, whether that geography is the European territory many blacks escaped to from the oppressive South, or the South itself, where generations of African Americans have had to come to grips with their relationship to the land and its history. For Harris-Lopez, "south of tradition" refers both to geography and to readings of texts that are not in keeping with expected responses to the works. She explains her point of departure for the essays as "a slant, an angle, or a jolt below the line of what would be considered the norm for usual responses to African American literature." The scope of Harris-Lopez's work is tremendous. From her coverage of noncanonical writers to her analysis of humor in the best-selling The Color Purple, she provides essential material that should inform all future readings of African American literature.
Trauma and Race
African American identity is racialized. And this racialized identity has animated and shaped political resistance to racism. Hidden, though, are the psychological implications of rooting identity in race, especially because American history is inseparable from the trauma of slavery. In Trauma and Race author Sheldon George begins with the fact that African American racial identity is shaped by factors both historical and psychical. Employing the work of Jacques Lacan, George demonstrates how slavery is a psychic event repeated through the agencies of racism and inscribed in racial identity itself. The trauma of this past confronts the psychic lack that African American racial identity both conceals and traumatically unveils for the African American subject. Trauma and Race investigates the vexed, ambivalent attachment of African Americans to their racial identity, exploring the ways in which such attachment is driven by traumatic, psychical urgencies that often compound or even exceed the political exigencies called forth by racism.
<< Previous: Slavery Stories
Next: Images >>
Last Updated: Dec 22, 2021 3:41 PM
URL: https://libguides.uml.edu/racism
Subjects: African American History, Criminal Justice, Economics, History, News & Current Events, Political Science, Sociology
Tags: antiracism, Black Lives Matter, environmental racism, institutional racism, law enforcement, police brutality, racial profiling, racism, segregation, systemic racism


text:
/* See COPYING.txt for the full license governing this code. */
/**
 * \file SDL_visualtest_variators.h
 *
 * Header for all the variators that vary input parameters to a SUT application.
 */

#include "SDL_visualtest_exhaustive_variator.h"
#include "SDL_visualtest_random_variator.h"

#ifndef SDL_visualtest_variators_h_
#define SDL_visualtest_variators_h_

/* Set up for C function definitions, even when using C++ */
#ifdef __cplusplus
extern "C" {
#endif

/**
 * Struct that acts like a wrapper around the different types of variators
 * available.
 */
typedef struct SDLVisualTest_Variator
{
    /*! Type of the variator */
    SDLVisualTest_VariatorType type;
    /*! union object that stores the variator */
    union
    {
        SDLVisualTest_ExhaustiveVariator exhaustive;
        SDLVisualTest_RandomVariator random;
    } data;
} SDLVisualTest_Variator;

/**
 * Initializes the variator object pointed to by \c variator of type \c type
 * with information from the config object pointed to by \c config.
 *
 * \return 1 on success, 0 on failure
 */
int SDLVisualTest_InitVariator(SDLVisualTest_Variator* variator,
                               SDLVisualTest_SUTConfig* config,
                               SDLVisualTest_VariatorType type,
                               Uint64 seed);

/**
 * Gets the next variation using the variator.
 *
 * \return The arguments string representing the variation on success, and
 *         NULL on failure. The pointer returned should not be freed.
 */
char* SDLVisualTest_GetNextVariation(SDLVisualTest_Variator* variator);

/**
 * Frees any resources associated with the variator.
 */
void SDLVisualTest_FreeVariator(SDLVisualTest_Variator* variator);

/* Ends C function definitions when using C++ */
#ifdef __cplusplus
}
#endif

#endif /* SDL_visualtest_variators_h_ */

/* vi: set ts=4 sw=4 expandtab: */

redpajama_set_name: RedPajamaGithub


text:
package com.tmac.zhdaily.api;

import com.tmac.zhdaily.model.ArticleDetail;
import com.tmac.zhdaily.model.BeforeArticle;
import com.tmac.zhdaily.model.LatestArticle;
import com.tmac.zhdaily.model.MenuListEntity;
import com.tmac.zhdaily.model.SplashImage;
import com.tmac.zhdaily.model.TopicEntity;

import retrofit2.http.GET;
import retrofit2.http.Path;
import rx.Observable;

public interface DailyApiService {

    @GET(ApiConfig.LATEST_NEWS)
    Observable<LatestArticle> latestData();

    @GET(ApiConfig.BEFORE + "{date}")
    Observable<BeforeArticle> beforeData(@Path("date") int date);

    @GET(ApiConfig.THEMES)
    Observable<MenuListEntity> menuData();

    @GET(ApiConfig.SPLASH_IMAGE)
    Observable<SplashImage> splashImageUrl();

    @GET(ApiConfig.THEMENEWS + "{id}")
    Observable<TopicEntity> topicData(@Path("id") String id);

    @GET(ApiConfig.CONTENT + "{id}")
    Observable<ArticleDetail> articleDetail(@Path("id") int id);
}


Gerber Collision & Glass North Olmsted - 26618 Brookpark Rd Ext repair center offers quality collision auto body repair services backed by our industry leading National Lifetime Guarantee for as long as you own your vehicle. We repair all makes and models and provide free written repair estimates. Contact our North Olmsted / Brookpark Rd Ext auto body shop for all of your collision repair requirements.
Gerber Collision & Glass North Olmsted / Brookpark Rd Ext services include collision repair, auto body repair, dent / scratch repair / removal, frame straightening, auto paint repair, paintless dent repair (PDR), bumper repair, and more, to bring your vehicle back to pre-accident condition. We are your full service auto collision body shop, located in North Olmsted.
Always in touch with me regarding my repairs and when my vehicle would be ready. Never had that done before. Car looks and runs great would definitely come back again and refer friends.
Our Mercedes Sprinter Van looks Brand New, Thank you!!
I can't begin to sing the praises of the employees at Gerber. everyone was so very kind and sympathetic. My car looks perfect thanks to the wonderful guys who put it back together. Thanks for making this experience less stressful!
Gerber Collision & Glass North Olmsted - 26618 Brookpark Rd Ext location provides auto glass / windshield replacement and auto glass / windshield repair. We install high quality auto glass and auto glass installation materials, ensuring a quality glass repair backed by a lifetime guarantee.


text:
March Madness Beyond the Ultimate
March 25, 2007 by Keith Seabourn 3 Comments
March Madness has struck our house. How about yours?
Kay really gets into March Madness — both women's and men's brackets. She has her bracket pages printed out and is faithfully recording winners as they advance. We're watching more basketball than we do at any other time.
Campus Crusade for Christ is the #3 ranking among corporate networks in Facebook's March Madness contest. If you have a Facebook account, log in then go here to see the updated rankings. I didn't participate, but it's interesting to watch others.
Back at Superbowl time, I mentioned the BeyondTheUltimate.org evangelistic outreach sponsored by Athletes in Action, the athletic ministry of Campus Crusade for Christ.
They are doing it again. This time it's March Madness. Visit BeyondTheUltimate.org. Watch some videos and read personal stories from John Wooden (won 10 national titles coaching UCLA, including 7 consecutive titles 1967-1973), Clark Kellogg (CBS Sports broadcaster), Ruth Riley (center for Detroit Shock), Luke Ridnour (guard for Seattle Supersonics) and others.
But even better, tell your friends at work and at achool about BeyondTheUltimate.org. Oh, and they can also watch Tony Dungy and Lovie Smith talk about their personal faith journeys. Good stuff. God stuff.
Jonathan says
Actually, I haven't been into the March Madness this year…kinda weird. I was sorry to see A&M lose (what am I doing?? this can be saved and held against me for years to come!)…there comes a certain point – mainly when one's alma mater is ousted from the competition – when one roots for one's conference. Well, I guess it is up to Kansas for the men's and Oklahoma for the women's!
GO BIG 12!!!
Sheldon Kotyk says
March Madness huh.
All this madness over a sport they don't even wear skates in?
Go Florida!
Perhaps a hockey referee hasn't seen it, but some people don't need skates go mad! Do hockey players get mad when they don't have their skates on?


Publication information: Book title: Scarring the Black Body: Race and Representation in African American Literature. Contributors: Carol E. Henderson - Author. Publisher: University of Missouri Press. Place of publication: Columbia, MO. Publication year: 2002. Page number: *.


text:
Casablanca Filmes Ltda. é uma produtora audiovisual independente, localizada em São Paulo, que também possui filial no Rio de Janeiro. Antigamente, foi sede das gravações do game show Um Contra Cem, apresentado por Roberto Justus no SBT.
Atualmente, produz telenovelas e séries em parceria com a RecordTV. Em novembro de 2015, arrendou por 5 anos o RecNov, complexo de estúdios da emissora, alterando o seu nome para Casablanca Estúdios. Através da Casablanca Online, também fornece suporte em eventos esportivos e coberturas jornalísticas, dispondo da maior frota de unidades móveis de transmissão da América Latina.

É dona de uma estrutura de altíssimo padrão, principalmente em São Paulo, onde possui vários prédios numa valorizada região da cidade. Seu proprietário, Pedro Siaretta, chegou a ocupar a função de Diretor Geral na teledramaturgia da Record, na época de telenovelas e séries como Turma do Gueto e Metamorphoses.

A produtora, que é especializada em finalização audiovisual, já foi responsável pela finalização de filmes conhecidos, como Meu Nome Não é Johnny, e séries como 9mm: São Paulo e Na Mira do Crime.

Produções

Ligações externas

Empresas produtoras de televisão do Brasil
Empresas de São Paulo (estado)


text:
Vascular G-Proteins in Genetic Hypertension: Levels and Function in Two Rat Models
Clark, Catherine Jane (1993) Vascular G-Proteins in Genetic Hypertension: Levels and Function in Two Rat Models. PhD thesis, University of Glasgow.
The cause of human essential hypertension is not known, but it is characterised by increased vascular smooth muscle (VSM) contractility. Similar changes are present in rodent models of genetic hypertension, which have been extensively studied in order to elucidate their pathogenetic mechanisms. The work of this thesis has utilised two such models, namely the spontaneously hypertensive rat (SHR) and the Milan hypertensive strain (MHS). .Altered regulation of adenylyl cyclase, the enzyme which produces the second messenger and vasodilator, adenosine 3',5'-cyclic monophosphate (cAMP), has been reported in SHR vascular tissues; however, the roles of its guanine nucleotide regulatory proteins, G-proteins, (stimulatory, GS, and inhibitory, Gi) in this abnormality have not been examined in detail. The regulation of adenylyl cyclase activity (ACA) has not been studied in any tissue from the MHS. Hence, it was of interest to investigate the regulation of ACA in VSM from the SHR and MHS, and examine the contribution from GS and Gi to any abnormalities found. The pathogenetic mechanisms leading to hypertension in the SHR and MHS are probably different, and it was also of interest to compare the alterations in the regulation of ACA in the two models. Altered regulation of ACA was shown in VSM from both hypertensive models. No significant differences were shown in the levels of the various G-protein subunits among SHR, Wistar-Kyoto (WKY) and Wistar VSM membranes. The function of Gi was also similar in these three strains; however, data suggest that the activity of GS may be decreased in the SHR, and alterations in the level/activity of the adenylyl cyclase catalytic subunit may also exist in this strain. The adenylyl cyclase system was studied in VSM from two age-groups of MHS rats. Significant reductions in the levels of Gsa (44 and 42kDa forms), Gi3? and the beta-subunit were observed in both young (prehypertensive) and adult (hypertensive) MHS rats in comparison to age-matched controls. The function of Gi was similar in MHS and Milan normotensive strain (MNS) membranes from both age-groups. As Gi function was unchanged in the presence of a substantial reduction in the level of Gi3alpha, it appears that Gi3 does not contribute to the inhibition of adenylyl cyclase in these rat VSM membranes, and instead may participate in altered transmembrane ion fluxes in the MHS. It was observed that GS function may also be decreased in the MHS, and this may, in part, be explained by reduced levels of its alpha-subunits. Again, as in the SHR, data suggest that changes are likely in the level/activity of the catalytic subunit of adenylyl cyclase in the MHS. The stimulatory responses of ACA to isoproterenol in the two hypertensive models were contrasting. In adult SHR membranes, a decreased response to isoproterenol was observed in comparison to controls. Membranes prepared from young MHS rats also exhibited a decreased stimulatory response to isoproterenol in comparison to, age-matched controls; however, this effect was reversed with age, and an increased response to isoproterenol was measured in adult MHS membranes. This difference in response to isoproterenol with age was paralleled by appropriate alterations in beta-adrenergic receptor number in the MHS. It is unlikely that these alterations in isoproterenol response (and beta-adrenergic receptor number) are primarily responsible for the hypertension in MHS rats, as if this were the case, the trend would be expected to be reversed, as in the SHR. A more likely explanation is that these alterations represent some form of compensatory mechanism to the increasing blood pressure and possible increased VSM contractility in the MHS. Alterations in isoproterenol response may play varying roles in the pathogenesis of hypertension in these models, being of primary importance in the SHR, but serving as a compensatory relief to increasing blood pressure in the MHS.
Adviser: John Connell
Biochemistry, Genetics


text:
©2019 by Forum Dvorah
מאגר מומחיות
Martial Law, Laws of Occupation, international law, Israeli-Palestinian conflict
Pnina Sharvit Baruch
Col. (Res.) Adv. Pnina Sharvit Baruch is a Senior Research Fellow and Head of the Law and National Security Program at the Institute for National Security Studies (INSS). Pnina retired from the Israel Defense Forces in 2009, after serving in the International Law Department there for twenty years, five of which (2003 - 2009), she was head of the Department. In this capacity, Adv. Sharvit Baruch was a senior legal advisor responsible for advising IDF commanders and decision makers at the governmental level on a wide variety of issues relating to international law and administrative law, among them: the laws of armed conflict and occupation of territory; naval law; counter-terrorism; security liaison; border demarcation; and conflict resolution. Adv. Sharvit Baruch served as a legal advisor in Israel's delegations to negotiations with the Palestinians, from the early contacts and thereafter. In 2000, she also participated in the negotiations with Syria. Following her retirement from the IDF with the rank of colonel, Adv. Sharvit Baruch joined the faculty of the Tel Aviv University Law School, where she taught courses on international law and the Israeli-Israeli-Palestinian conflict. Pnina also taught international law at the National Security College. She has also published numerous articles on issues relating to these topics as well as briefing journalists and decision makers in Israel and around the world. Adv. Sharvit Baruch holds an LL.B. degree (magna cum laude) and an LL.M. degree (magna cum laude), both from Tel Aviv University. She is currently the Chairperson of the Steering Committee of Forum Dvorah: Women in Foreign Policy and National Security.


Democratic Governor; previously Representative (HI-1): Click here for 14 full quotes OR click here for Neil Abercrombie on other issues.
Republican Challenger: Click here for Duke Aiona on other issues.
Republican candidate for governor of Hawaii: Click here for John Carroll on other issues.
Democratic candidate for Hawaii Governor: Click here for 3 full quotes OR click here for Colleen Hanabusa on other issues.
Democratic Governor: Click here for the full quote OR click here for David Ige on other issues.
Republican candidate for governor: Click here for Bob McDermott on other issues.
Republican candidate for governor of Hawaii: Click here for Andria Tupola on other issues.
Republican candidate for Senate (declined): Click here for John Carroll on other issues.
Republican Senate candidate: Click here for Ron Curtis on other issues.
Democratic Challenger: Click here for 3 full quotes OR click here for Colleen Hanabusa on other issues.
Democratic challenger; Representative (HI-2): Click here for 11 full quotes OR click here for Mazie Hirono on other issues.
Republican Governor (HI): Click here for 2 full quotes OR click here for Linda Lingle on other issues.
Republican candidate for Hawaii U.S. Senator: Click here for the full quote OR click here for Eddie Pirkowski on other issues.
Republican Governor challenger (District 1): Click here for Charles Djou on other issues.
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Republican Challenger: Click here for Cam Cavasso on other issues.
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Democratic Sr Senator (HI): Click here for 16 full quotes OR click here for Daniel Inouye on other issues.
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The moment you step off the plane into a foreign country, a rush of adrenaline is bound to consume you. Not only are you in for an adventure and as appreciation for cultures other than your own, but you must be aware of safety and rules abroad as well. This article contains a multitude of travel tips to keep you safe while away from home.
If your travel budget is somewhat elastic, consider splurging in ways you normally wouldn't. Pamper yourself a little. An uncharacteristically lavish expenditure can form the memorable core of your vacation. It is simply a fact that some of the finest services, most exciting experiences and most memorable sights cost a good bit of money. On a vacation, indulge yourself by taking advantage of some of them.