text:
@class WUXDBlockCollection, WUXDInlineCollection, WUXDTextPointer, WUXDTypography, WUXDTextElement, WUXDBlock, WUXDInline,
    WUXDInlineUIContainer, WUXDLineBreak, WUXDParagraph, WUXDRun, WUXDSpan, WUXDBold, WUXDItalic, WUXDUnderline, WUXDHyperlink,
    WUXDHyperlinkClickEventArgs, WUXDGlyphs;
@protocol WUXDITextPointer
, WUXDITypography, WUXDITypographyStatics, WUXDITextElement, WUXDITextElementOverrides, WUXDITextElementStatics, WUXDITextElementFactory,
    WUXDITextElement2, WUXDITextElementStatics2, WUXDIBlock, WUXDIBlockStatics, WUXDIBlockFactory, WUXDIInline, WUXDIInlineFactory,
    WUXDIInlineUIContainer, WUXDILineBreak, WUXDIParagraph, WUXDIParagraphStatics, WUXDIRun, WUXDIRunStatics, WUXDISpan, WUXDISpanFactory,
    WUXDIBold, WUXDIItalic, WUXDIUnderline, WUXDIHyperlinkClickEventArgs, WUXDIGlyphs, WUXDIGlyphsStatics, WUXDIGlyphs2,
    WUXDIGlyphsStatics2, WUXDIHyperlink, WUXDIHyperlinkStatics, WUXDIHyperlink2, WUXDIHyperlinkStatics2;

// Windows.UI.Xaml.Documents.LogicalDirection
enum _WUXDLogicalDirection {
    WUXDLogicalDirectionBackward = 0,
    WUXDLogicalDirectionForward = 1,
};
typedef unsigned WUXDLogicalDirection;

// Windows.UI.Xaml.Documents.UnderlineStyle
enum _WUXDUnderlineStyle {
    WUXDUnderlineStyleNone = 0,
    WUXDUnderlineStyleSingle = 1,
};
typedef unsigned WUXDUnderlineStyle;

#include "WindowsFoundationCollections.h"
#include "WindowsUIXamlMediaAnimation.h"
#include "WindowsApplicationModelDataTransfer.h"
#include "WindowsUIXamlMedia.h"
#include "WindowsUIXamlInput.h"
#include "WindowsUIXaml.h"
#include "WindowsFoundation.h"
#include "WindowsUIText.h"
#include "WindowsUICore.h"
#include "WindowsUIXamlData.h"
#include "WindowsUIInput.h"
#include "WindowsUIXamlAutomationPeers.h"
#include "WindowsUIXamlMediaMedia3D.h"
// Windows.UI.Xaml.DependencyPropertyChangedCallback
#ifndef __WXDependencyPropertyChangedCallback__DEFINED
#define __WXDependencyPropertyChangedCallback__DEFINED
typedef void (^WXDependencyPropertyChangedCallback)(WXDependencyObject* sender, WXDependencyProperty* dp);
#endif // __WXDependencyPropertyChangedCallback__DEFINED

// Windows.UI.Xaml.DragEventHandler
#ifndef __WXDragEventHandler__DEFINED
#define __WXDragEventHandler__DEFINED
typedef void (^WXDragEventHandler)(RTObject* sender, WXDragEventArgs* e);
#endif // __WXDragEventHandler__DEFINED

// Windows.UI.Xaml.Input.DoubleTappedEventHandler
#ifndef __WUXIDoubleTappedEventHandler__DEFINED
#define __WUXIDoubleTappedEventHandler__DEFINED
typedef void (^WUXIDoubleTappedEventHandler)(RTObject* sender, WUXIDoubleTappedRoutedEventArgs* e);
#endif // __WUXIDoubleTappedEventHandler__DEFINED

// Windows.UI.Xaml.Input.HoldingEventHandler
#ifndef __WUXIHoldingEventHandler__DEFINED
#define __WUXIHoldingEventHandler__DEFINED
typedef void (^WUXIHoldingEventHandler)(RTObject* sender, WUXIHoldingRoutedEventArgs* e);
#endif // __WUXIHoldingEventHandler__DEFINED

// Windows.UI.Xaml.Input.KeyEventHandler
#ifndef __WUXIKeyEventHandler__DEFINED
#define __WUXIKeyEventHandler__DEFINED
typedef void (^WUXIKeyEventHandler)(RTObject* sender, WUXIKeyRoutedEventArgs* e);
#endif // __WUXIKeyEventHandler__DEFINED

// Windows.UI.Xaml.Input.ManipulationCompletedEventHandler
#ifndef __WUXIManipulationCompletedEventHandler__DEFINED
#define __WUXIManipulationCompletedEventHandler__DEFINED
typedef void (^WUXIManipulationCompletedEventHandler)(RTObject* sender, WUXIManipulationCompletedRoutedEventArgs* e);
#endif // __WUXIManipulationCompletedEventHandler__DEFINED

// Windows.UI.Xaml.Input.ManipulationDeltaEventHandler
#ifndef __WUXIManipulationDeltaEventHandler__DEFINED
#define __WUXIManipulationDeltaEventHandler__DEFINED
typedef void (^WUXIManipulationDeltaEventHandler)(RTObject* sender, WUXIManipulationDeltaRoutedEventArgs* e);
#endif // __WUXIManipulationDeltaEventHandler__DEFINED

// Windows.UI.Xaml.Input.ManipulationInertiaStartingEventHandler
#ifndef __WUXIManipulationInertiaStartingEventHandler__DEFINED
#define __WUXIManipulationInertiaStartingEventHandler__DEFINED
typedef void (^WUXIManipulationInertiaStartingEventHandler)(RTObject* sender, WUXIManipulationInertiaStartingRoutedEventArgs* e);
#endif // __WUXIManipulationInertiaStartingEventHandler__DEFINED

// Windows.UI.Xaml.Input.ManipulationStartedEventHandler
#ifndef __WUXIManipulationStartedEventHandler__DEFINED
#define __WUXIManipulationStartedEventHandler__DEFINED
typedef void (^WUXIManipulationStartedEventHandler)(RTObject* sender, WUXIManipulationStartedRoutedEventArgs* e);
#endif // __WUXIManipulationStartedEventHandler__DEFINED

// Windows.UI.Xaml.Input.ManipulationStartingEventHandler
#ifndef __WUXIManipulationStartingEventHandler__DEFINED
#define __WUXIManipulationStartingEventHandler__DEFINED
typedef void (^WUXIManipulationStartingEventHandler)(RTObject* sender, WUXIManipulationStartingRoutedEventArgs* e);
#endif // __WUXIManipulationStartingEventHandler__DEFINED

// Windows.UI.Xaml.Input.PointerEventHandler
#ifndef __WUXIPointerEventHandler__DEFINED
#define __WUXIPointerEventHandler__DEFINED
typedef void (^WUXIPointerEventHandler)(RTObject* sender, WUXIPointerRoutedEventArgs* e);
#endif // __WUXIPointerEventHandler__DEFINED

// Windows.UI.Xaml.Input.RightTappedEventHandler
#ifndef __WUXIRightTappedEventHandler__DEFINED
#define __WUXIRightTappedEventHandler__DEFINED
typedef void (^WUXIRightTappedEventHandler)(RTObject* sender, WUXIRightTappedRoutedEventArgs* e);
#endif // __WUXIRightTappedEventHandler__DEFINED

// Windows.UI.Xaml.Input.TappedEventHandler
#ifndef __WUXITappedEventHandler__DEFINED
#define __WUXITappedEventHandler__DEFINED
typedef void (^WUXITappedEventHandler)(RTObject* sender, WUXITappedRoutedEventArgs* e);
#endif // __WUXITappedEventHandler__DEFINED

// Windows.UI.Xaml.RoutedEventHandler
#ifndef __WXRoutedEventHandler__DEFINED
#define __WXRoutedEventHandler__DEFINED
typedef void (^WXRoutedEventHandler)(RTObject* sender, WXRoutedEventArgs* e);
#endif // __WXRoutedEventHandler__DEFINED

// Windows.UI.Xaml.SizeChangedEventHandler
#ifndef __WXSizeChangedEventHandler__DEFINED
#define __WXSizeChangedEventHandler__DEFINED
typedef void (^WXSizeChangedEventHandler)(RTObject* sender, WXSizeChangedEventArgs* e);
#endif // __WXSizeChangedEventHandler__DEFINED

#import <Foundation/Foundation.h>

// Windows.UI.Xaml.Documents.ITextElementOverrides
#ifndef __WUXDITextElementOverrides_DEFINED__
#define __WUXDITextElementOverrides_DEFINED__

@protocol WUXDITextElementOverrides
- (void)onDisconnectVisualChildren;
@end

#endif // __WUXDITextElementOverrides_DEFINED__

// Windows.UI.Xaml.Documents.BlockCollection
#ifndef __WUXDBlockCollection_DEFINED__
#define __WUXDBlockCollection_DEFINED__

WINRT_EXPORT
@interface WUXDBlockCollection : RTObject
@property (readonly) unsigned int size;
- (unsigned int)count;
- (id)objectAtIndex:(unsigned)idx;
- (NSUInteger)countByEnumeratingWithState:(NSFastEnumerationState*)state objects:(id __unsafe_unretained[])buffer count:(NSUInteger)len;

- (void)insertObject:(id)obj atIndex:(NSUInteger)idx;
- (void)removeObjectAtIndex:(NSUInteger)idx;
- (void)replaceObjectAtIndex:(NSUInteger)idx withObject:(id)obj;
- (void)addObject:(id)obj;
- (void)removeLastObject;

@end

#endif // __WUXDBlockCollection_DEFINED__

// Windows.UI.Xaml.Documents.InlineCollection
#ifndef __WUXDInlineCollection_DEFINED__
#define __WUXDInlineCollection_DEFINED__

WINRT_EXPORT
@interface WUXDInlineCollection : RTObject
@property (readonly) unsigned int size;
- (unsigned int)count;
- (id)objectAtIndex:(unsigned)idx;
- (NSUInteger)countByEnumeratingWithState:(NSFastEnumerationState*)state objects:(id __unsafe_unretained[])buffer count:(NSUInteger)len;

- (void)insertObject:(id)obj atIndex:(NSUInteger)idx;
- (void)removeObjectAtIndex:(NSUInteger)idx;
- (void)replaceObjectAtIndex:(NSUInteger)idx withObject:(id)obj;
- (void)addObject:(id)obj;
- (void)removeLastObject;

@end

#endif // __WUXDInlineCollection_DEFINED__

// Windows.UI.Xaml.Documents.TextPointer
#ifndef __WUXDTextPointer_DEFINED__
#define __WUXDTextPointer_DEFINED__

WINRT_EXPORT
@interface WUXDTextPointer : RTObject
@property (readonly) WUXDLogicalDirection logicalDirection;
@property (readonly) int offset;
@property (readonly) WXDependencyObject* parent;
@property (readonly) WXFrameworkElement* visualParent;
- (WFRect*)getCharacterRect:(WUXDLogicalDirection)direction;
- (WUXDTextPointer*)getPositionAtOffset:(int)offset direction:(WUXDLogicalDirection)direction;
@end

#endif // __WUXDTextPointer_DEFINED__

// Windows.UI.Xaml.Documents.Typography
#ifndef __WUXDTypography_DEFINED__
#define __WUXDTypography_DEFINED__

WINRT_EXPORT
@interface WUXDTypography : RTObject
+ (int)getAnnotationAlternates:(WXDependencyObject*)element;
+ (void)setAnnotationAlternates:(WXDependencyObject*)element value:(int)value;
+ (BOOL)getEastAsianExpertForms:(WXDependencyObject*)element;
+ (void)setEastAsianExpertForms:(WXDependencyObject*)element value:(BOOL)value;
+ (WXFontEastAsianLanguage)getEastAsianLanguage:(WXDependencyObject*)element;
+ (void)setEastAsianLanguage:(WXDependencyObject*)element value:(WXFontEastAsianLanguage)value;
+ (WXFontEastAsianWidths)getEastAsianWidths:(WXDependencyObject*)element;
+ (void)setEastAsianWidths:(WXDependencyObject*)element value:(WXFontEastAsianWidths)value;
+ (BOOL)getStandardLigatures:(WXDependencyObject*)element;
+ (void)setStandardLigatures:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getContextualLigatures:(WXDependencyObject*)element;
+ (void)setContextualLigatures:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getDiscretionaryLigatures:(WXDependencyObject*)element;
+ (void)setDiscretionaryLigatures:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getHistoricalLigatures:(WXDependencyObject*)element;
+ (void)setHistoricalLigatures:(WXDependencyObject*)element value:(BOOL)value;
+ (int)getStandardSwashes:(WXDependencyObject*)element;
+ (void)setStandardSwashes:(WXDependencyObject*)element value:(int)value;
+ (int)getContextualSwashes:(WXDependencyObject*)element;
+ (void)setContextualSwashes:(WXDependencyObject*)element value:(int)value;
+ (BOOL)getContextualAlternates:(WXDependencyObject*)element;
+ (void)setContextualAlternates:(WXDependencyObject*)element value:(BOOL)value;
+ (int)getStylisticAlternates:(WXDependencyObject*)element;
+ (void)setStylisticAlternates:(WXDependencyObject*)element value:(int)value;
+ (BOOL)getStylisticSet1:(WXDependencyObject*)element;
+ (void)setStylisticSet1:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet2:(WXDependencyObject*)element;
+ (void)setStylisticSet2:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet3:(WXDependencyObject*)element;
+ (void)setStylisticSet3:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet4:(WXDependencyObject*)element;
+ (void)setStylisticSet4:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet5:(WXDependencyObject*)element;
+ (void)setStylisticSet5:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet6:(WXDependencyObject*)element;
+ (void)setStylisticSet6:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet7:(WXDependencyObject*)element;
+ (void)setStylisticSet7:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet8:(WXDependencyObject*)element;
+ (void)setStylisticSet8:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet9:(WXDependencyObject*)element;
+ (void)setStylisticSet9:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet10:(WXDependencyObject*)element;
+ (void)setStylisticSet10:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet11:(WXDependencyObject*)element;
+ (void)setStylisticSet11:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet12:(WXDependencyObject*)element;
+ (void)setStylisticSet12:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet13:(WXDependencyObject*)element;
+ (void)setStylisticSet13:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet14:(WXDependencyObject*)element;
+ (void)setStylisticSet14:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet15:(WXDependencyObject*)element;
+ (void)setStylisticSet15:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet16:(WXDependencyObject*)element;
+ (void)setStylisticSet16:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet17:(WXDependencyObject*)element;
+ (void)setStylisticSet17:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet18:(WXDependencyObject*)element;
+ (void)setStylisticSet18:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet19:(WXDependencyObject*)element;
+ (void)setStylisticSet19:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getStylisticSet20:(WXDependencyObject*)element;
+ (void)setStylisticSet20:(WXDependencyObject*)element value:(BOOL)value;
+ (WXFontCapitals)getCapitals:(WXDependencyObject*)element;
+ (void)setCapitals:(WXDependencyObject*)element value:(WXFontCapitals)value;
+ (BOOL)getCapitalSpacing:(WXDependencyObject*)element;
+ (void)setCapitalSpacing:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getKerning:(WXDependencyObject*)element;
+ (void)setKerning:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getCaseSensitiveForms:(WXDependencyObject*)element;
+ (void)setCaseSensitiveForms:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getHistoricalForms:(WXDependencyObject*)element;
+ (void)setHistoricalForms:(WXDependencyObject*)element value:(BOOL)value;
+ (WXFontFraction)getFraction:(WXDependencyObject*)element;
+ (void)setFraction:(WXDependencyObject*)element value:(WXFontFraction)value;
+ (WXFontNumeralStyle)getNumeralStyle:(WXDependencyObject*)element;
+ (void)setNumeralStyle:(WXDependencyObject*)element value:(WXFontNumeralStyle)value;
+ (WXFontNumeralAlignment)getNumeralAlignment:(WXDependencyObject*)element;
+ (void)setNumeralAlignment:(WXDependencyObject*)element value:(WXFontNumeralAlignment)value;
+ (BOOL)getSlashedZero:(WXDependencyObject*)element;
+ (void)setSlashedZero:(WXDependencyObject*)element value:(BOOL)value;
+ (BOOL)getMathematicalGreek:(WXDependencyObject*)element;
+ (void)setMathematicalGreek:(WXDependencyObject*)element value:(BOOL)value;
+ (WXFontVariants)getVariants:(WXDependencyObject*)element;
+ (void)setVariants:(WXDependencyObject*)element value:(WXFontVariants)value;
+ (WXDependencyProperty*)annotationAlternatesProperty;
+ (WXDependencyProperty*)capitalSpacingProperty;
+ (WXDependencyProperty*)capitalsProperty;
+ (WXDependencyProperty*)caseSensitiveFormsProperty;
+ (WXDependencyProperty*)contextualAlternatesProperty;
+ (WXDependencyProperty*)contextualLigaturesProperty;
+ (WXDependencyProperty*)contextualSwashesProperty;
+ (WXDependencyProperty*)discretionaryLigaturesProperty;
+ (WXDependencyProperty*)eastAsianExpertFormsProperty;
+ (WXDependencyProperty*)eastAsianLanguageProperty;
+ (WXDependencyProperty*)eastAsianWidthsProperty;
+ (WXDependencyProperty*)fractionProperty;
+ (WXDependencyProperty*)historicalFormsProperty;
+ (WXDependencyProperty*)historicalLigaturesProperty;
+ (WXDependencyProperty*)kerningProperty;
+ (WXDependencyProperty*)mathematicalGreekProperty;
+ (WXDependencyProperty*)numeralAlignmentProperty;
+ (WXDependencyProperty*)numeralStyleProperty;
+ (WXDependencyProperty*)slashedZeroProperty;
+ (WXDependencyProperty*)standardLigaturesProperty;
+ (WXDependencyProperty*)standardSwashesProperty;
+ (WXDependencyProperty*)stylisticAlternatesProperty;
+ (WXDependencyProperty*)stylisticSet10Property;
+ (WXDependencyProperty*)stylisticSet11Property;
+ (WXDependencyProperty*)stylisticSet12Property;
+ (WXDependencyProperty*)stylisticSet13Property;
+ (WXDependencyProperty*)stylisticSet14Property;
+ (WXDependencyProperty*)stylisticSet15Property;
+ (WXDependencyProperty*)stylisticSet16Property;
+ (WXDependencyProperty*)stylisticSet17Property;
+ (WXDependencyProperty*)stylisticSet18Property;
+ (WXDependencyProperty*)stylisticSet19Property;
+ (WXDependencyProperty*)stylisticSet1Property;
+ (WXDependencyProperty*)stylisticSet20Property;
+ (WXDependencyProperty*)stylisticSet2Property;
+ (WXDependencyProperty*)stylisticSet3Property;
+ (WXDependencyProperty*)stylisticSet4Property;
+ (WXDependencyProperty*)stylisticSet5Property;
+ (WXDependencyProperty*)stylisticSet6Property;
+ (WXDependencyProperty*)stylisticSet7Property;
+ (WXDependencyProperty*)stylisticSet8Property;
+ (WXDependencyProperty*)stylisticSet9Property;
+ (WXDependencyProperty*)variantsProperty;
@end

#endif // __WUXDTypography_DEFINED__

// Windows.UI.Xaml.DependencyObject
#ifndef __WXDependencyObject_DEFINED__
#define __WXDependencyObject_DEFINED__

WINRT_EXPORT
@interface WXDependencyObject : RTObject
+ (instancetype)create ACTIVATOR;
@property (readonly) WUCCoreDispatcher* dispatcher;
- (RTObject*)getValue:(WXDependencyProperty*)dp;
- (void)setValue:(WXDependencyProperty*)dp value:(RTObject*)value;
- (void)clearValue:(WXDependencyProperty*)dp;
- (RTObject*)readLocalValue:(WXDependencyProperty*)dp;
- (RTObject*)getAnimationBaseValue:(WXDependencyProperty*)dp;
- (int64_t)registerPropertyChangedCallback:(WXDependencyProperty*)dp callback:(WXDependencyPropertyChangedCallback)callback;
- (void)unregisterPropertyChangedCallback:(WXDependencyProperty*)dp token:(int64_t)token;
@end

#endif // __WXDependencyObject_DEFINED__

// Windows.UI.Xaml.Documents.TextElement
#ifndef __WUXDTextElement_DEFINED__
#define __WUXDTextElement_DEFINED__

WINRT_EXPORT
@interface WUXDTextElement : WXDependencyObject
@property (copy) NSString* language;
@property (copy) WUXMBrush* foreground;
@property (copy) WUTFontWeight* fontWeight;
@property WUTFontStyle fontStyle;
@property (copy) WUXMFontFamily* fontFamily;
@property double fontSize;
@property WUTFontStretch fontStretch;
@property int characterSpacing;
@property (readonly) WUXDTextPointer* contentStart;
@property (readonly) WUXDTextPointer* elementEnd;
@property (readonly) WUXDTextPointer* elementStart;
@property (readonly) WUXDTextPointer* contentEnd;
@property (readonly) NSString* name;
@property BOOL isTextScaleFactorEnabled;
+ (WXDependencyProperty*)characterSpacingProperty;
+ (WXDependencyProperty*)fontFamilyProperty;
+ (WXDependencyProperty*)fontSizeProperty;
+ (WXDependencyProperty*)fontStretchProperty;
+ (WXDependencyProperty*)fontStyleProperty;
+ (WXDependencyProperty*)fontWeightProperty;
+ (WXDependencyProperty*)foregroundProperty;
+ (WXDependencyProperty*)languageProperty;
+ (WXDependencyProperty*)isTextScaleFactorEnabledProperty;
- (RTObject*)findName:(NSString*)name;
- (void)onDisconnectVisualChildren;
@end

#endif // __WUXDTextElement_DEFINED__

// Windows.UI.Xaml.Documents.Block
#ifndef __WUXDBlock_DEFINED__
#define __WUXDBlock_DEFINED__

WINRT_EXPORT
@interface WUXDBlock : WUXDTextElement
+ (instancetype)create ACTIVATOR;
@property WXTextAlignment textAlignment;
@property (copy) WXThickness* margin;
@property WXLineStackingStrategy lineStackingStrategy;
@property double lineHeight;
+ (WXDependencyProperty*)lineHeightProperty;
+ (WXDependencyProperty*)lineStackingStrategyProperty;
+ (WXDependencyProperty*)marginProperty;
+ (WXDependencyProperty*)textAlignmentProperty;
@end

#endif // __WUXDBlock_DEFINED__

// Windows.UI.Xaml.Documents.Inline
#ifndef __WUXDInline_DEFINED__
#define __WUXDInline_DEFINED__

WINRT_EXPORT
@interface WUXDInline : WUXDTextElement
+ (instancetype)create ACTIVATOR;
@end

#endif // __WUXDInline_DEFINED__

// Windows.UI.Xaml.Documents.InlineUIContainer
#ifndef __WUXDInlineUIContainer_DEFINED__
#define __WUXDInlineUIContainer_DEFINED__

WINRT_EXPORT
@interface WUXDInlineUIContainer : WUXDInline
+ (instancetype)create ACTIVATOR;
@property (copy) WXUIElement* child;
@end

#endif // __WUXDInlineUIContainer_DEFINED__

// Windows.UI.Xaml.Documents.LineBreak
#ifndef __WUXDLineBreak_DEFINED__
#define __WUXDLineBreak_DEFINED__

WINRT_EXPORT
@interface WUXDLineBreak : WUXDInline
+ (instancetype)create ACTIVATOR;
@end

#endif // __WUXDLineBreak_DEFINED__

// Windows.UI.Xaml.Documents.Paragraph
#ifndef __WUXDParagraph_DEFINED__
#define __WUXDParagraph_DEFINED__

WINRT_EXPORT
@interface WUXDParagraph : WUXDBlock
+ (instancetype)create ACTIVATOR;
@property double textIndent;
@property (readonly) WUXDInlineCollection* inlines;
+ (WXDependencyProperty*)textIndentProperty;
@end

#endif // __WUXDParagraph_DEFINED__

// Windows.UI.Xaml.Documents.Run
#ifndef __WUXDRun_DEFINED__
#define __WUXDRun_DEFINED__

WINRT_EXPORT
@interface WUXDRun : WUXDInline
+ (instancetype)create ACTIVATOR;
@property (copy) NSString* text;
@property WXFlowDirection flowDirection;
+ (WXDependencyProperty*)flowDirectionProperty;
@end

#endif // __WUXDRun_DEFINED__

// Windows.UI.Xaml.Documents.Span
#ifndef __WUXDSpan_DEFINED__
#define __WUXDSpan_DEFINED__

WINRT_EXPORT
@interface WUXDSpan : WUXDInline
+ (instancetype)create ACTIVATOR;
@property (copy) WUXDInlineCollection* inlines;
@end

#endif // __WUXDSpan_DEFINED__

// Windows.UI.Xaml.Documents.Bold
#ifndef __WUXDBold_DEFINED__
#define __WUXDBold_DEFINED__

WINRT_EXPORT
@interface WUXDBold : WUXDSpan
+ (instancetype)create ACTIVATOR;
@end

#endif // __WUXDBold_DEFINED__

// Windows.UI.Xaml.Documents.Italic
#ifndef __WUXDItalic_DEFINED__
#define __WUXDItalic_DEFINED__

WINRT_EXPORT
@interface WUXDItalic : WUXDSpan
+ (instancetype)create ACTIVATOR;
@end

#endif // __WUXDItalic_DEFINED__

// Windows.UI.Xaml.Documents.Underline
#ifndef __WUXDUnderline_DEFINED__
#define __WUXDUnderline_DEFINED__

WINRT_EXPORT
@interface WUXDUnderline : WUXDSpan
+ (instancetype)create ACTIVATOR;
@end

#endif // __WUXDUnderline_DEFINED__

// Windows.UI.Xaml.Documents.Hyperlink
#ifndef __WUXDHyperlink_DEFINED__
#define __WUXDHyperlink_DEFINED__

WINRT_EXPORT
@interface WUXDHyperlink : WUXDSpan
+ (instancetype)create ACTIVATOR;
@property (copy) WFUri* navigateUri;
@property WUXDUnderlineStyle underlineStyle;
+ (WXDependencyProperty*)navigateUriProperty;
+ (WXDependencyProperty*)underlineStyleProperty;
- (EventRegistrationToken)addClickEvent:(void (^)(WUXDHyperlink*, WUXDHyperlinkClickEventArgs*))del;
- (void)removeClickEvent:(EventRegistrationToken)tok;
@end

#endif // __WUXDHyperlink_DEFINED__

// Windows.UI.Xaml.RoutedEventArgs
#ifndef __WXRoutedEventArgs_DEFINED__
#define __WXRoutedEventArgs_DEFINED__

WINRT_EXPORT
@interface WXRoutedEventArgs : RTObject
+ (instancetype)create ACTIVATOR;
@property (readonly) RTObject* originalSource;
@end

#endif // __WXRoutedEventArgs_DEFINED__

// Windows.UI.Xaml.Documents.HyperlinkClickEventArgs
#ifndef __WUXDHyperlinkClickEventArgs_DEFINED__
#define __WUXDHyperlinkClickEventArgs_DEFINED__

WINRT_EXPORT
@interface WUXDHyperlinkClickEventArgs : WXRoutedEventArgs
@end

#endif // __WUXDHyperlinkClickEventArgs_DEFINED__

// Windows.UI.Xaml.IFrameworkElementOverrides
#ifndef __WXIFrameworkElementOverrides_DEFINED__
#define __WXIFrameworkElementOverrides_DEFINED__

@protocol WXIFrameworkElementOverrides
- (WFSize*)measureOverride:(WFSize*)availableSize;
- (WFSize*)arrangeOverride:(WFSize*)finalSize;
- (void)onApplyTemplate;
@end

#endif // __WXIFrameworkElementOverrides_DEFINED__

// Windows.UI.Xaml.IFrameworkElementOverrides2
#ifndef __WXIFrameworkElementOverrides2_DEFINED__
#define __WXIFrameworkElementOverrides2_DEFINED__

@protocol WXIFrameworkElementOverrides2
- (BOOL)goToElementStateCore:(NSString*)stateName useTransitions:(BOOL)useTransitions;
@end

#endif // __WXIFrameworkElementOverrides2_DEFINED__

// Windows.UI.Xaml.IUIElementOverrides
#ifndef __WXIUIElementOverrides_DEFINED__
#define __WXIUIElementOverrides_DEFINED__

@protocol WXIUIElementOverrides
- (WUXAPAutomationPeer*)onCreateAutomationPeer;
- (void)onDisconnectVisualChildren;
- (id<NSFastEnumeration>)findSubElementsForTouchTargeting:(WFPoint*)point boundingRect:(WFRect*)boundingRect;
@end

#endif // __WXIUIElementOverrides_DEFINED__

// Windows.UI.Xaml.UIElement
#ifndef __WXUIElement_DEFINED__
#define __WXUIElement_DEFINED__

WINRT_EXPORT
@interface WXUIElement : WXDependencyObject
+ (BOOL)tryStartDirectManipulation:(WUXIPointer*)value;
@property BOOL isRightTapEnabled;
@property (copy) WUXMProjection* projection;
@property BOOL allowDrop;
@property BOOL isHitTestVisible;
@property double opacity;
@property (copy) WUXMCacheMode* cacheMode;
@property BOOL isDoubleTapEnabled;
@property BOOL isTapEnabled;
@property WXVisibility visibility;
@property BOOL useLayoutRounding;
@property (copy) WUXMRectangleGeometry* clip;
@property (copy) WUXMATransitionCollection* transitions;
@property (copy) WFPoint* renderTransformOrigin;
@property (copy) WUXMTransform* renderTransform;
@property BOOL isHoldingEnabled;
@property WUXIManipulationModes manipulationMode;
@property (readonly) WFSize* renderSize;
@property (readonly) NSArray* pointerCaptures;
@property (readonly) WFSize* desiredSize;
@property WUXMElementCompositeMode compositeMode;
@property (copy) WUXMMTransform3D* transform3D;
@property BOOL canDrag;
+ (WXRoutedEvent*)dropEvent;
+ (WXDependencyProperty*)allowDropProperty;
+ (WXDependencyProperty*)cacheModeProperty;
+ (WXDependencyProperty*)clipProperty;
+ (WXRoutedEvent*)doubleTappedEvent;
+ (WXRoutedEvent*)dragEnterEvent;
+ (WXRoutedEvent*)dragLeaveEvent;
+ (WXRoutedEvent*)dragOverEvent;
+ (WXRoutedEvent*)pointerCanceledEvent;
+ (WXRoutedEvent*)holdingEvent;
+ (WXDependencyProperty*)isDoubleTapEnabledProperty;
+ (WXDependencyProperty*)isHitTestVisibleProperty;
+ (WXDependencyProperty*)isHoldingEnabledProperty;
+ (WXDependencyProperty*)isRightTapEnabledProperty;
+ (WXDependencyProperty*)isTapEnabledProperty;
+ (WXRoutedEvent*)keyDownEvent;
+ (WXRoutedEvent*)keyUpEvent;
+ (WXRoutedEvent*)manipulationCompletedEvent;
+ (WXRoutedEvent*)manipulationDeltaEvent;
+ (WXRoutedEvent*)manipulationInertiaStartingEvent;
+ (WXDependencyProperty*)manipulationModeProperty;
+ (WXRoutedEvent*)manipulationStartedEvent;
+ (WXRoutedEvent*)manipulationStartingEvent;
+ (WXDependencyProperty*)opacityProperty;
+ (WXRoutedEvent*)pointerCaptureLostEvent;
+ (WXDependencyProperty*)pointerCapturesProperty;
+ (WXRoutedEvent*)pointerEnteredEvent;
+ (WXRoutedEvent*)pointerExitedEvent;
+ (WXRoutedEvent*)pointerMovedEvent;
+ (WXRoutedEvent*)pointerPressedEvent;
+ (WXRoutedEvent*)pointerReleasedEvent;
+ (WXRoutedEvent*)pointerWheelChangedEvent;
+ (WXDependencyProperty*)projectionProperty;
+ (WXDependencyProperty*)renderTransformOriginProperty;
+ (WXDependencyProperty*)renderTransformProperty;
+ (WXRoutedEvent*)rightTappedEvent;
+ (WXRoutedEvent*)tappedEvent;
+ (WXDependencyProperty*)transitionsProperty;
+ (WXDependencyProperty*)useLayoutRoundingProperty;
+ (WXDependencyProperty*)visibilityProperty;
+ (WXDependencyProperty*)compositeModeProperty;
+ (WXDependencyProperty*)transform3DProperty;
+ (WXDependencyProperty*)canDragProperty;
- (EventRegistrationToken)addDoubleTappedEvent:(WUXIDoubleTappedEventHandler)del;
- (void)removeDoubleTappedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addDragEnterEvent:(WXDragEventHandler)del;
- (void)removeDragEnterEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addDragLeaveEvent:(WXDragEventHandler)del;
- (void)removeDragLeaveEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addDragOverEvent:(WXDragEventHandler)del;
- (void)removeDragOverEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addDropEvent:(WXDragEventHandler)del;
- (void)removeDropEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addGotFocusEvent:(WXRoutedEventHandler)del;
- (void)removeGotFocusEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addHoldingEvent:(WUXIHoldingEventHandler)del;
- (void)removeHoldingEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addKeyDownEvent:(WUXIKeyEventHandler)del;
- (void)removeKeyDownEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addKeyUpEvent:(WUXIKeyEventHandler)del;
- (void)removeKeyUpEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addLostFocusEvent:(WXRoutedEventHandler)del;
- (void)removeLostFocusEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addManipulationCompletedEvent:(WUXIManipulationCompletedEventHandler)del;
- (void)removeManipulationCompletedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addManipulationDeltaEvent:(WUXIManipulationDeltaEventHandler)del;
- (void)removeManipulationDeltaEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addManipulationInertiaStartingEvent:(WUXIManipulationInertiaStartingEventHandler)del;
- (void)removeManipulationInertiaStartingEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addManipulationStartedEvent:(WUXIManipulationStartedEventHandler)del;
- (void)removeManipulationStartedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addManipulationStartingEvent:(WUXIManipulationStartingEventHandler)del;
- (void)removeManipulationStartingEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addPointerCanceledEvent:(WUXIPointerEventHandler)del;
- (void)removePointerCanceledEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addPointerCaptureLostEvent:(WUXIPointerEventHandler)del;
- (void)removePointerCaptureLostEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addPointerEnteredEvent:(WUXIPointerEventHandler)del;
- (void)removePointerEnteredEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addPointerExitedEvent:(WUXIPointerEventHandler)del;
- (void)removePointerExitedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addPointerMovedEvent:(WUXIPointerEventHandler)del;
- (void)removePointerMovedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addPointerPressedEvent:(WUXIPointerEventHandler)del;
- (void)removePointerPressedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addPointerReleasedEvent:(WUXIPointerEventHandler)del;
- (void)removePointerReleasedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addPointerWheelChangedEvent:(WUXIPointerEventHandler)del;
- (void)removePointerWheelChangedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addRightTappedEvent:(WUXIRightTappedEventHandler)del;
- (void)removeRightTappedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addTappedEvent:(WUXITappedEventHandler)del;
- (void)removeTappedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addDragStartingEvent:(void (^)(WXUIElement*, WXDragStartingEventArgs*))del;
- (void)removeDragStartingEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addDropCompletedEvent:(void (^)(WXUIElement*, WXDropCompletedEventArgs*))del;
- (void)removeDropCompletedEvent:(EventRegistrationToken)tok;
- (void)measure:(WFSize*)availableSize;
- (void)arrange:(WFRect*)finalRect;
- (BOOL)capturePointer:(WUXIPointer*)value;
- (void)releasePointerCapture:(WUXIPointer*)value;
- (void)releasePointerCaptures;
- (void)addHandler:(WXRoutedEvent*)routedEvent handler:(RTObject*)handler handledEventsToo:(BOOL)handledEventsToo;
- (void)removeHandler:(WXRoutedEvent*)routedEvent handler:(RTObject*)handler;
- (WUXMGeneralTransform*)transformToVisual:(WXUIElement*)visual;
- (void)invalidateMeasure;
- (void)invalidateArrange;
- (void)updateLayout;
- (WUXAPAutomationPeer*)onCreateAutomationPeer;
- (void)onDisconnectVisualChildren;
- (id<NSFastEnumeration>)findSubElementsForTouchTargeting:(WFPoint*)point boundingRect:(WFRect*)boundingRect;
- (BOOL)cancelDirectManipulations;
- (void)startDragAsync:(WUIPointerPoint*)pointerPoint
               success:(void (^)(WADDataPackageOperation))success
               failure:(void (^)(NSError*))failure;
@end

#endif // __WXUIElement_DEFINED__

// Windows.UI.Xaml.FrameworkElement
#ifndef __WXFrameworkElement_DEFINED__
#define __WXFrameworkElement_DEFINED__

WINRT_EXPORT
@interface WXFrameworkElement : WXUIElement
+ (instancetype)create ACTIVATOR;
@property (copy) WXThickness* margin;
@property (copy) NSString* language;
@property WXHorizontalAlignment horizontalAlignment;
@property double height;
@property WXFlowDirection flowDirection;
@property (copy) RTObject* dataContext;
@property WXVerticalAlignment verticalAlignment;
@property double maxWidth;
@property double maxHeight;
@property double minHeight;
@property double width;
@property (copy) RTObject* tag;
@property (copy) WXStyle* style;
@property (copy) WXResourceDictionary* resources;
@property (copy) NSString* name;
@property double minWidth;
@property (readonly) double actualWidth;
@property (readonly) WFUri* baseUri;
@property (readonly) WXTriggerCollection* triggers;
@property (readonly) double actualHeight;
@property (readonly) WXDependencyObject* parent;
@property WXElementTheme requestedTheme;
+ (WXDependencyProperty*)flowDirectionProperty;
+ (WXDependencyProperty*)actualHeightProperty;
+ (WXDependencyProperty*)actualWidthProperty;
+ (WXDependencyProperty*)dataContextProperty;
+ (WXDependencyProperty*)maxWidthProperty;
+ (WXDependencyProperty*)heightProperty;
+ (WXDependencyProperty*)horizontalAlignmentProperty;
+ (WXDependencyProperty*)languageProperty;
+ (WXDependencyProperty*)marginProperty;
+ (WXDependencyProperty*)maxHeightProperty;
+ (WXDependencyProperty*)minHeightProperty;
+ (WXDependencyProperty*)minWidthProperty;
+ (WXDependencyProperty*)nameProperty;
+ (WXDependencyProperty*)styleProperty;
+ (WXDependencyProperty*)tagProperty;
+ (WXDependencyProperty*)verticalAlignmentProperty;
+ (WXDependencyProperty*)widthProperty;
+ (WXDependencyProperty*)requestedThemeProperty;
- (EventRegistrationToken)addLayoutUpdatedEvent:(void (^)(RTObject*, RTObject*))del;
- (void)removeLayoutUpdatedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addLoadedEvent:(WXRoutedEventHandler)del;
- (void)removeLoadedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addSizeChangedEvent:(WXSizeChangedEventHandler)del;
- (void)removeSizeChangedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addUnloadedEvent:(WXRoutedEventHandler)del;
- (void)removeUnloadedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addDataContextChangedEvent:(void (^)(WXFrameworkElement*, WXDataContextChangedEventArgs*))del;
- (void)removeDataContextChangedEvent:(EventRegistrationToken)tok;
- (EventRegistrationToken)addLoadingEvent:(void (^)(WXFrameworkElement*, RTObject*))del;
- (void)removeLoadingEvent:(EventRegistrationToken)tok;
- (RTObject*)findName:(NSString*)name;
- (void)setBinding:(WXDependencyProperty*)dp binding:(WUXDBindingBase*)binding;
- (WFSize*)measureOverride:(WFSize*)availableSize;
- (WFSize*)arrangeOverride:(WFSize*)finalSize;
- (void)onApplyTemplate;
- (WUXDBindingExpression*)getBindingExpression:(WXDependencyProperty*)dp;
- (BOOL)goToElementStateCore:(NSString*)stateName useTransitions:(BOOL)useTransitions;
@end

#endif // __WXFrameworkElement_DEFINED__

// Windows.UI.Xaml.Documents.Glyphs
#ifndef __WUXDGlyphs_DEFINED__
#define __WUXDGlyphs_DEFINED__

WINRT_EXPORT
@interface WUXDGlyphs : WXFrameworkElement
+ (instancetype)create ACTIVATOR;
@property (copy) NSString* unicodeString;
@property WUXMStyleSimulations styleSimulations;
@property double originY;
@property double originX;
@property (copy) NSString* indices;
@property (copy) WFUri* fontUri;
@property double fontRenderingEmSize;
@property (copy) WUXMBrush* fill;
@property BOOL isColorFontEnabled;
@property int colorFontPaletteIndex;
+ (WXDependencyProperty*)fillProperty;
+ (WXDependencyProperty*)fontRenderingEmSizeProperty;
+ (WXDependencyProperty*)fontUriProperty;
+ (WXDependencyProperty*)indicesProperty;
+ (WXDependencyProperty*)originXProperty;
+ (WXDependencyProperty*)originYProperty;
+ (WXDependencyProperty*)styleSimulationsProperty;
+ (WXDependencyProperty*)unicodeStringProperty;
+ (WXDependencyProperty*)colorFontPaletteIndexProperty;
+ (WXDependencyProperty*)isColorFontEnabledProperty;
@end

#endif // __WUXDGlyphs_DEFINED__

redpajama_set_name: RedPajamaGithub


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Dive Centres in the UK
By Neill Ghosh, 4th November, 2010
Last week I set out on the road to visit a number of PADI 5-star dive centres in the UK. The aim was to meet the people working in our industry face-to-face and to find places where our clients can learn to dive in style.
So at the crack of dawn last Thursday, off I set in my sister's borrowed (and extremely old) Ford KA for the first leg, armed with a box full of Dive in Style books and (thankfully) a satellite navigation system. Over the next 12 hours I visited five dive centres in Kent and Essex spending about four hours at the centres and eight hours driving.
Friday was much the same. A slightly later start was followed by another five dive centres in Surrey, Oxfordshire and Buckinghamshire. A visit to the Dive Show in Birmingham via a night in Peterborough (which for some strange reason I thought was vaguely en route from Oxford to Birmingham… it isn't!) was the icing on the cake.
So what did I learn from this trip? First and foremost I found that there are a lot of passionate people out there running dive centres in the UK and trying to make a living in often tough circumstances. The rise of the online retailer has put a big dent in kit sales, and the recession has stopped people travelling and diving so much. Despite this, the people I met largely remain upbeat and are constantly looking for innovative ways to make their businesses a success.
I also found that the quality of dive centre operations is highly variable. The PADI 5-star rating doesn't necessarily mean that the dive centre is of the highest quality. That may be a little unfair to say as I did not see the dive training in action but it is my impression. The vast majority were great and I would have no problems sending clients there, but for some I would think twice.
All in all, it was a very successful trip. I got to meet some good people I hope to work with in the future and I saw a lot of the country in the most beautiful autumn colours. I think I would quite enjoy being a travelling salesman.
On the downside, I ate a lot of motorway food which is not good for my waistline (but quite fun).

redpajama_set_name: RedPajamaCommonCrawl


IT Conference For Busy Executives CONFERENCE IN A BOX Thursday, October 26th Guest Speaker: Chris Burrows - CISO for Oakland County More Speakers to Be Announced Later. Stay tuned! The conference is complimentary for qualifying participants; spots will be limited. Please click here to reserve and apply for admittance.


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You are at:Home » News » Irish People » 5 Irish inventions that changed the world
5 Irish inventions that changed the world
By Conor Wickham June 14, 2022 No Comments4 Mins Read
There have been many Irish Inventions created over the centuries that have had a positive and lasting effect and have helped change the world for the better.
The Irish have always been creative and ingenious people. So, perhaps it should come as no surprise that they are responsible for creating so many important inventions that have helped change the world.
From healthcare to alcohol to deep-sea exploration, these Irish inventions have helped to revolutionise and improve many aspects of life throughout the world. This article will list what we believe to be the top five Irish Inventions that changed the world.
5. Submarine – forever changing deep-sea exploration
John Philip Holland's invention forever changed the world's approach to how deep-sea exploration was conducted. From then on, sea warfare would be different.
In 1881, Holland launched his invention, the Fenian Ram, which was a huge success and helped him win three competitions held by the US Naval Department to design and construct submarines.
The US Navy were so ecstatic with his invention that they bought their first submarine from him. Its name was the Holland VII, and they went on to purchase a further six.
Holland's invention had a massive effect on how people explored the sea and provided armies with a new weapon and tool in warfare.
4. Colour photography – adding life to people's photographs
John Joly was an Irish physicist and inventor who worked at Trinity College. He also invented dozens of innovative and genius products throughout his life.
While John Joly was the inventor of many great things, perhaps his most popular and widely used invention would be that of colour photography.
In 1894, John Joly discovered an effective method of producing colour photos from one specific plate.
He used a plate marked with thin coloured lines and glass in the camera that then sat in the front of the photo. This made the photo-taking process simpler and made colour photography a possibility.
3. Portable defibrillator – an invention which has helped to save countless lives
In 1965, professor Frank Pantridge's invention of the emergency defibrillator helped to change and modernise emergency medicine across the world. The first model of his portable emergency defibrillator was purely operated from car batteries and weighed approximately 70kg (154lbs).
His first prototype was installed in a Belfast ambulance and was a huge success. There is a statue of him and his invention in Lisburn, outside Lisburn Conference Centre, Lagan Valley Island.
Ever since emergency defibrillators have literally become life savers worldwide, today, Professor Frank Pantridge is fondly remembered as the 'father of emergency medicine' and the man who invented a device that has helped save millions of people in the past 50 odd years.
2. Hypodermic syringe – a very important medical device
In second place and the second medical-related invention on our list is the hypodermic syringe which Francis Rynd created.
If you have ever had to have a local anaesthetic or an injection, you are one of the billions of people worldwide who have benefited from Francis Rynd's invention, which he invented in 1844.
The Dublin doctor came up with the idea when treating a patient suffering from face pain for years.
As she wasn't getting any positive results from her morphine pills, Rynd came up with the genius and revolutionary idea of inserting morphine directly under the patient's skin to close her nerves and relieve her pain.
It worked, and the world had been gifted with one of the most important medical tools.
1. Guinness – Ireland's most famous export
Finally, in first place on our list of what we believe to be the top five Irish Inventions that changed the world is the most famous alcoholic drink in the world and Ireland's most popular and successful export, which is the one and only Guinness.
So, Guinness was created by Arthur Guinness. He first started brewing it in Leixlip, County Kildare, before moving to the famous St. Jame's Gate brewery, which remains one of Ireland's most popular tourist attractions today.
Arthur Guinness was so confident that his invention would succeed that he amazingly took out a 9,000-year contract in 1759!
That concludes our article on the top five Irish Inventions that changed the world. Are there any other great Irish inventions that you think deserve a position on our list?
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This post is about one of the several contacts I got through skateboarding and this blog. I "met" Eduardo Pigatto when he contacted me because he asked to use a photo I took. More about that later. He introduced himself as a first generation skater from Sao Paulo, Brazil and I learned he is an art designer.
On later date I wanted to have a new logo for sk8boarding4life.com and asked Eduardo if he wanted to create it. I was happy that he agreed and a few weeks later he flooded my e-mail account with ideas. You still see them today in the blog and the T-shirts and stickers.
I decided to write a post about him, which turned into an interview and an interesting look on a skateboarder far away and so near at the same time.
Eduardo is 48 years old, skates and surfs since 35 years. He won the first brazilian championship in street 30 years ago. He has surfed all the main spots in Brazil, surfed in Peru and Mexico, but considers skateboarding as his favorite sport. He is a loving father and husband and still works as and art director and designer.
1. How did you find Skateboarding in the first place and when (or did it find you)?
My first board (like many other guys of my age) was made disassembling a roller skate, nails and a rectangular piece of wood.
I used to visit my dear grandmother and there was a neighbour of my cousin that borrowed me an old board with Sims Pure Juice wheels and good bearings. That was heaven!
It was a such an awesome feeling and i decided that want it for the rest of my life!
2. How was the scene in Brasil back then?
3. So I understand you skate since the beginning. When did your passion for art and design come up?
I like to draw since I was a kid. The skateboard scene from the 80's has strongly influenced me: the colors, graphics, decks, t-shirts, videos and the music. That was what I wanted do "4life"!
I fought against this whole thing until I finally got free!
I started a post-graduation in marketing and the doors opened! Later, I took another path at university: Graphic Design.
In 2006, after got married, I decided to work by myself and opened my own studio, pigattodesign.
There were 8 years of hard work, but pure fun, doing the things I love.
Professionaly, 2012 was a great year. I made good money and some amazing projects. But the world crisis arrived in Brazil and the money I earned wasn't enough to sustain my family.
Today, I work at a communication agency and, eventually, do some freelance work.
4. You are and were doing a lot of projects for the skateboarding industry. Tell us a little bit about your favorite ones.
I must begin with sk8boarding4life, because it was, so far, one of the best projects I have ever developed. I say that for the respect that you have always treated me with.
Our friendship started with a photo of Steve Caballero you took in Scotland. That great shot of a caballerial provocated me to create something cool: 'anaglyph' 3D art! CAB liked it and posted it on his blog.
On a later date, we developed a new identity for sk8boarding4life: logotypes, t-shirts and stickers.
I am so grateful you sent me t-shirts, stickers and a special gift to my little son, Enzo. That was great!
I feel glad and honored and I am proud that you are using those visual solutions I created.
This was another project that made me so glad. I got a great new friend: Jérôme Bevilacqua. He is another man that breathes skateboarding, like us. A Kryptonics fanatic and an experimenter. I would like to say thanks to him for the support and the opportunity.
Drop Dead is one the major skateboard brands in Brazil. It's the first and official sponsor of the talented Pedro Barros. I'm a great fan of the work of Evan Hecox (for Chocolate Skateboards) and always wanted to create a deck series. I like these projects (famous race cars and war planes/air force) because they are really good design works and gave more exposure to my art.
Indy is, for sure, one of the best (and most respected) skateboard truck brands of the world. I know that they have a team of great designers, but one day, I got in contact with them trying to submit some (t-shirt) designs. I sent 18 suggestions. They approved all of them! What a great honor! What achievement!
There are more, like decks and t-shirts to Curva de Hill, from Sergio Yuppie, the "King of Downhill", D1D Skateboard, the skateshop of Douglas Dalua, the World Speedboarding World Champion, and many others.
5. What inspires you? Where do your ideas come from?
6. How is life as a skateboarder/family man/worker in Brasil these days?
I think is God testing our "balance". When you have family, you can't act as a single anymore. It's all for them. Nowadays, my skate sessions are reduced to one or two times a month. But is nice, no complain. Also have broken almost all bones. I have "bionic" knees. I can't go to hospital. Now I'm 48!
I love my beautiful and lovely wife, Suelen. I love my kids, Gianpietro, 8 years old, and Enzo Victorio, 4. They love skateboarding and I try to teach them to ride with style, worth more than tricks. And the rule number one ever: have fun!
But we can't give up!
7. Where do you see skateboarding going?
First of all, skateboarding must be fun! Everybody deserves to feel this awesome sensation. But there's no return: skateboerding became popular. It doesn't mean that I like it "so popular". I have started to skate because it was marginal, a symbol of rebellion, totally "anti-fashion".
8. What lies in the future for Eduardo?
I feel blessed by the way life is going on. Enjoying the good phase. There are still too many things to do and to happen.
I want my art to be better known. But I don't do it to get "likes". To create is a self necessity. Professionally, I want new clients and new projects..
9. Anything closing you want to say?
"never give up your dreams!"
Grind on Eduardo, thanks for being you!


5 Ultimate Tips To Sell Your Property Faster!
Selling a house in the competitive market can be a challenging episode. If you are willing to manage the whole process privately, you must be a pro in dealing with selling and buying the real estate properties, but if not- you are taking a big risk. With the support of any of the real estate agents Mississauga, things can be easier for you all the way.
If you want to experience a hassle-free property selling, nothing can compete with hiring a reputed agency like real estate agent Square One. The agent will help you sell the property for the exact price and time you want.
For a quicker selling, get access to the real estate agents listings in Mississauga. People with properties like you such as Condos and individual houses can easily sell and buy through the genuine listings from the premier real estate agencies. Think about it!
Have you heard about the sales value? You have to make the property alluring the buyers to increase the sale value. It is always suggested to make your property showcased with some attractive features like a mowed and well-maintained lawn in the yard, a deck with wooden flooring, sealed roof to avoid water dampening from the snow and perspiration and so on. Make sure the pictures of house are taken with some of these features to add in the Mississauga real estate listings.
If the house or apartment that you are about to sell is old or has been used for several years, it demands a renovation. After renovating the property, more value is added to it and now you can easily increase the pricing with the help of the real estate agents Mississauga.
Whether you are selling the property with the help of the real estate agents or privately, knowing the current status of the real estate market is required. You do not have to analyze the market like a pro- but being a property owner, knowing about the recent ups and downs in the market can be useful for you to settle the cost and at the same time to predict the exact time to selling the property.
Though, according to many expert realtors- it is not necessary to know the market and plan the property selling accordingly, but with the proper knowledge you will think smartly and will take the decisions correctly that will add benefits. Showcase your house or apartment in the real estate agents listings in Mississauga with the market-friendly rates to get it sold quickly and without making a loss.
Clean the clutter in the property so that the prospect buyers find the place attractive for the cleanliness. Keep the shelves and the cabinets clean along with the other furniture. Make sure that the carpets and rugs are property dusted and cleaned so that no inch of dirt should be there. A professional cleaning is a secret solution to sell the house faster.
Try these tips to sell your property quickly along with adding it to the Mississauga real estate listings of reputed property agents.


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Q: PHP MailScript - Unable to receive email For some reason i cant receive any email from my submit form - is there a problem with my formmail script?
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</select>

Message
<textarea type="text" name="message" class="msg"></textarea>

</fieldset>

<input type="submit" name="submit" value="Submit">
<input type="reset" name="Submit2" value="Reset">

</form>

contact_process.php
<?php
    # bool has_injection (String $var, [String $var, ...])
    function has_injection () {
        $values = func_get_args();
        for ($i=0, $count=func_num_args(); $i<$count; $i++) {
            if ( stristr($values[$i], "%0A") || stristr($values[$i], "%0D") || stristr($values[$i], "\\r") || stristr($values[$i], "\\n")
                || stristr($values[$i], "Bcc") || stristr($values[$i], "Content-Type") ) {
                return true;
            }
        }
        return false;
    }

    $error = '';
    if (isset($_POST) && count($_POST)>0) {
        # The form has been submitted
            $name = $_POST['name'];
            $email = $_POST['email'];
            $subject = $_POST['subject'];
            $EnquiryType = $_POST['EnquiryType'];
            $message = $_POST['message'];

        if ($name && $email && $subject && $EnquiryType && $message) {
            if (has_injection($name, $email, $subject, $EnquiryType, $message)) {
                # You've got another spammer at work here
                $error = 'No spamming';
                exit(0);
            }
            else {
                # It's safe to send the message
                mail('my@email.com', $subject, $message, $EnquiryType, $message,"From: $name <$email>");
            }
        }
        else {
            $error = 'Please fill in all the forms';
        }
    }

?>

A: u send 6 parameters..
i checked that and i get elow error
mail() expects at most 5 parameters, 6 given in C:\xampp\htdocs\parixan\contact_process.php on line 31

see here
update
$message = $_POST['EnquiryType']."\r\n".$_POST['message'];
$headers = 'From: $name <$email>' . "\r\n" .
        'Reply-To: $name <$email>' . "\r\n" ;

then use
mail('my@email.com', $subject, $message, $headers);

A: I made a pretty good PHP email script that sends. I've been programming a website of my own (PHP, HTML) and I'm trying to find a way to receive emails. I've heard about POP3, and others but I can't ever find much on them.
<?php
$to = $_POST['to'];
$from = $_POST['from'];
$subject = $_POST['subject'];
$message = $_POST['message'];
$body = "This email was sent from a no-reply email service. \n\n $message";
$headers = "From: $from";
mail($to, $subject, $body, $headers);
?>

Hope that helps ^^

redpajama_set_name: RedPajamaStackExchange


text:
'My Pen Is Ready': Saint Francis CEO Says They Want To Stay In Blue Cross Network
Public Radio Tulsa | By Chris Polansky
Published May 7, 2021 at 4:57 PM CDT
Chris Polansky
KWGS News
Saint Francis Health System President and CEO Jake Henry Jr. (left) and ASL interpreter Glenna Cooper at a COVID-19 press briefing at Tulsa City Hall on Oct. 27, 2020.
After health insurer Blue Cross Blue Shield of Oklahoma announced Wednesday that Saint Francis Health System would be leaving its network because of failed contract negotiations, Saint Francis issued a news release Friday saying they wish to resume talks.
In a statement, Jake Henry Jr., president and CEO of SFHS, said the two entities had been negotiating since January and reached an agreement on the afternoon of April 30th, the final day of the previous contract.
"While waiting for the contract, BlueCross unexpectedly sent new terms at 10:02 p.m. on Friday night with provisions that had not been agreed on earlier. The added terms materially changed the agreement. It wasn't a contract that I could sign--it wasn't what we agreed to just a few hours earlier," Henry said.
"I am still ready to sign the contract I agreed to that afternoon. Saint Francis Health System is ready to put the issue to rest and move forward," Henry said. "We've all been through a lot this past year. Our patients, healthcare workers and the community have had enough to worry about related to their health and wellness. We're just a few signatures away from being able to put this behind us...my pen is ready."
Saint Francis had declined to comment on the matter before Henry's statement.
In response, BCBSOK said Henry was not telling the truth in characterizing how events transpired.
"On April 30, Saint Francis declined our last two offers and would not agree to a short-term extension to continue negotiations with no disruption in service to our members. Unfortunately, Saint Francis' characterization of our negotiations are not accurate," the insurer said in a statement.
"We want to come to an agreement with Saint Francis. We tried for many months with that goal in mind, but we work for our members. It's their premium dollars that they've entrusted us with. We cannot sign an agreement that could put them in financial harm. When Saint Francis comes to the table with a reasonable agreement that ensures our members are protected from unexpected future costs, we'll sign," said Rick Kelly, BCBSOK Vice President of Health Care Delivery, Provider Network Operations, in the same statement.
BCBSOK said Wednesday they were in the process of informing 59,000 member households that their Saint Francis providers would no longer be in-network effective July 29th.
Local & RegionalHealth InsuranceSaint Francis
Chris joined Public Radio Tulsa as a news anchor and reporter in April 2020. He's a graduate of Hunter College and the Craig Newmark Graduate School of Journalism, both at the City University of New York.
See stories by Chris Polansky
An Update on Arm and a Leg, a Fine Podcast Concerning the Costs of U.S. Health Care
Our guest is Dan Weissmann, a public-radio reporter/editor/producer whose work has appeared on Marketplace, Planet Money, 99 Percent Invisible, and NPR's…
Saint Francis Health System Warns Of 'A Very, Very Dark Winter' For COVID-19 In Oklahoma
Representatives of Saint Francis Health System joined Tulsa officials at a press conference on Tuesday to stress just how dire the COVID-19 situation is…
Blue Cross Blue Shield Says Saint Francis Health System Leaving Network After Failed Negotiations
Blue Cross Blue Shield of Oklahoma said Wednesday that negotiations with Saint Francis Health System had failed and, as a result, Saint Francis will leave…


text:
Q: Different sh interpretation between Solaris and RHEL of a null variable I have a problem with the code below:
-RHEL :
Linux 2.6.32-642.el6.x86_64 #1 SMP Wed Apr 13 00:51:26 EDT 2016 x86_64 x86_64 x86_64 GNU/Linux
$ sh
sh-4.1$ FAX=""
sh-4.1$ if [ "$FAX" -eq "" ]; then FAX="+390000000";fi;echo $FAX
sh: [: : integer expression expected
sh-4.1$ which sh
/bin/sh
sh-4.1$ sh --version
GNU bash, version 4.1.2(1)-release (x86_64-redhat-linux-gnu)

-Solaris:
SunOS 5.10 Generic_150401-13 i86pc i386 i86pc
$ sh
$ FAX=""
$ if [ "$FAX" -eq "" ]; then FAX="+390000000";fi;echo $FAX
+390000000
$ which sh
/usr/bin/sh

the right code should be:
if [ "$FAX" == "" ]; then FAX="+390000000";fi;echo $FAX
the previous developers have released a lot of scripts with the error code above under Solaris and now I need to migrate the system to RHEL.
Is it possible to change some RHEL parameters or RHEL sh version to solve this problem ?
Thanks a lot.
Ruggiero


text:
Tandberg TP41/Portable 41 AM/FM/SW Radio
Tandberg Portable 41 (sometimes referred to as Model 41 or TP41) is a beautifully styled 1970's era portable radio hailing from Norway, in a deluxe wooden case. It measures approximately 11.5″W, 7.5″ H and 3.5″ D. This radio was donated to me by a loyal reader who discovered the model and I thank him for it. I must admit I fell in love with its looks the moment I saw it and my feelings for this radio have not diminished over time. It has a few unusual characteristics as we'll discover, but overall it is one of the nicer radios in my collection because it offers excellent AM reception and sound. It runs on 6 D cells which provide very long battery life, or it can be powered by an external 12-volt power supply. Being a 70's vintage European radio the Tandberg has a DIN connector for audio in and out, a Motorola type jack (a standard US car antenna jack) for an auxiliary antenna for all bands, a 12-volt input jack, ¼" headphone jack and a Euro-style speaker output jack. There was a car adapter for the radio once upon a time…many of these European radios with their dial faces on the top edge were designed for dual use in a car where they slid into an under-dash bracket and pulled out for use as a portable. There is a row of connectors on the bottom of the radio which made contact with the car adapter when the radio was slid into it to automatically connect to the car's antenna, speaker and power. There is a dial light which stays on as long as you press down on the volume knob…this light is on full time when running on external power.
Versions: The Portable 41 is available in at least 2 versions which accounts for the multiple model names I have found while researching this unit online. The unit reviewed here is marked "Portable 41 US Model" on the face plate, while the bottom panel has TP41 molded right into the plastic. It covers MW (AM) from approximately 520 – 1640 KHz, MB (formerly known as the Marine Band) which is shortwave from approximately 1.7 – 4.5 MHz and SW from 6 – 18 MHz. I don't have actual specs on band limits for the US version so I am going by the dial scales and my own test bench measurements. The service manual which is widely available online is for the European version which replaces the Marine SW Band with the Longwave band. This made alignment tricky as some of the indicated LW adjustments affected MW in my radio and some of the MW adjustments affected the Marine Band. After trying to sort out which adjustments were which and making notations in my manual most of the alignments were accomplished. It did benefit from this as the frequency indications were initially too far off to be acceptable – for example an AM station at 1410 KHz came in at about 1350 on the dial. This amount of misalignment is also a good indicator that actual performance won't be up to specs. Fortunately, after I was done the dial scales were very accurate and reception was indeed better.
Note: I was never able to locate a Service Manual for the US version which dispenses with LW and instead has Marine Band (SW 1.7 – 4.5 MHz). If anyone can provide a copy of that service manual to me I would very much appreciate it!
Remove Handle – Pull Trim Strips Outward And Down
Separate At Bottom Then Pull Out From Top Plate
Pull Out These Retainers
I said this radio had a few unusual design features…the first I encountered was a simple yet unique method of assembly/disassembly. After removing two screws on the sides of the handle and removing it, remove two vertically-running metal strips which, when pulled outward and down allow the two halves of the wooden case to separate. Pull them down from under the top panel and remove to expose both sides of the chassis. Remove two more retaining strips as shown. Then you remove 4 screws to pull out the speaker, followed by more screws holding the battery compartment to the chassis to move the battery holder away from the circuit board. You can then pull off all the front panel knobs and remove the top plate. This is all much easier than it sounds – service access is very easy on the Tandberg.
Stabistor In Center With Clear Plastic Sleeve
A more unusual aspect of this radio's design is something called a "Stabistor", an unusual 1.5 volt voltage regulator which controls transistor bias. It is highly failure prone and when it fails the bias voltage increases causing distortion and squealing noises. You may notice a powdery residue near one end. The ideal solution is to replace it with a network consisting of 2 silicon diodes (.6 v each) and a germanium diode (.3 v) in series with a 220 uf electrolytic capacitor across them which will give you 1.5 volts. This is similar to what was done on the following model TP43. Another workable solution is to use a single red led lamp which will provide about 1.8 volts bias. There is some information on the radio in general and the stabistor here: http://www.vintage-radio.net/forum/showthread.php?t=13634
My radio appears to have had its stabistor replaced with a newer one at some point and it still works properly, measuring 1.56 volts, so for now I have left it in place but I have been advised that when these radios are put back into service the stabistor often fails so I will probably have to replace it eventually.
Failed Stabistor – Plastic Sleeve Removed
UPDATE: That's exactly what happened! After almost a year of use, one day the radio was suddenly squealing and distorted…it was completely unlistenable. I opened it up and now measured 3.4 volts across the stabistor and indeed, there was that powdery gunk at its positive end. I replaced it with the diode/capacitor network described above and now the voltage measured 1.56 volts. The radio is now back in service and sounding as wonderful as ever.
Very Good Access For Service
Clean Gunk Around Tuning Shafts
I've also been told to be on the lookout for a binding tuning shaft which can be cleaned and lubricated right where it passes through the top plate if needed. Mine was not binding but I did clean up lots of old lubricant and gunk in that area and I added a drop of lube to the shaft. I recommend a product called Kroil as an excellent all-around solution for removing and replacing failed lubricant. Be careful to keep dial cord clean and free of lubricant.
Unusual Tuning Arrangement (See Text)
Still another very unusual design feature is the Fine-Tuning arrangement on SW and lacking an owner's manual I was at first clueless about it. Notice there are two tuning knobs; one is labeled BC and the other FM-SW. Normally the BC knob tunes all bands except FM which is tuned independently, itself a nice feature as you can leave one band where it is while tuning another. But why is the FM knob labeled FM-SW when SW is normally tuned by the BC Knob? And why is there a triangular linking mark between the FM and SW band selector push buttons? As it turns out, if you depress both the FM and SW buttons you will be in SW mode, with primary tuning still done by the BC tuning knob, but the FM-SW knob now becomes an extremely fine tuning control with the ability to vary the frequency by +/- 5 KHz over the entire length of the slide rule dial and indicated on the small SW scale at the bottom of the FM scale with 0 in the center. Amazing!
Fine Tuning Linkage
Coil Surrounded By Wire Loop & Foam
Even more amazing is the way this fine tuning is accomplished internally. In the picture you see a metal rod attached to the tuning pulley. It is connected through a mechanical linkage to a wire ring which you see in the next picture surrounding a coil supported by a foam collar. My first reaction was, "What the heck is that?" Well as it turns out the foam is there to guide and protect that metal ring which moves up and down along the coil, changing its inductance as the fine-tuning control is operated through its range. This is odd to say the least…this is the only radio I've ever seen which employs such a design, but what can I say…it works and provides extremely fine tuning for SW. Someone worked overtime to come up with this odd but clever design. Just when you think you've seen it all….
Before Refurbishing
Wow! Big Speaker = Big Sound
Freshening The Wood's Appearance With Min-Wax Stain
Performance: OK. Enough about the oddities of the Portable 41…how does it perform? Quite well as it turns out. You will notice that the front panel is literally all speaker…a giant 9" x 5" oval shape far larger than that found in most portable radios. Backed by a powerful amplifier the Tandberg pours forth plenty of pleasing audio and the bass and treble controls have a wide range to suit the program material and your tastes.
While AM audio quality is good – very powerful and clean, the TP41 sounds even better on FM, with wide range frequency response, low distortion, excellent clarity, naturalness and pleasing overall tonal balance. You can get even more audio power when running on external power but it's still very robust sounding on batteries.
Great Dial Lighting
The RF performance is excellent too. AM and SW are quite sensitive and selective although there is an approximate 4.5 – 6 MHz gap in SW coverage. FM, although not as selective as some of today's better DSP-equipped portables is nonetheless relatively sensitive and good enough for most purposes…my usual stations all came in loud and clear. The dial light is a helpful feature too. AM reception earns ****1/2 in my AM Mega Shootout Article.
FM Rates *** In The FM Mega Shootout Article.
Conclusion: The Tandberg Portable 41 is clearly one of the more unique radios in my collection. Many European radios of the era have unusual designs by American standards, especially some of those meant to double as car radios with their beefier-than-usual amplifiers and speakers. The ITT 101-102-103 series (see my review) falls into this category. But the Tandberg is unique unto itself with its innovative and unusual fine tuning arrangement and it's "stabistor" which, although evidently seen as an expedient design back in 1970 seems less forward thinking today than it might have been. At least it's an easy fix once you know what to look for.
But the overall excellent performance of the set was achieved through traditional methods – a large AM ferrite rod antenna, low noise RF design, powerful amplifier and a good quality speaker. It's not surprising the Tandberg performs as as well as it does.
The Tandberg Portable 41/TP41 has become one of my favorite radios. I love its sensitive reception and good sound, lengthy, well-calibrated slide rule dial and in its wooden case its overall appearance makes it a joy to behold.
This one is a keeper!


text:
Thomas Maitland Cleland
The last of that triumvirate of creative American typographers who were born in 1880, and about whom I have been writing in this department, is Thomas Maitland Cleland—a man whose personality was completely at variance with that of either Carl Rollins or W.A. Dwiggins. Whereas Rollins brought to his work an almost evangelical persuasion, and Dwiggins a philosophical whimsy, Cleland tended to express himself with forthright candor and was not at all backward about differing with the conventional wisdom of his era.
All three however, were representative of what Joseph Blumenthal recently termed "a highly creative period in the history of the printed book." Blumenthal, the most distinguished of living American printers and whose own career overlapped that of the three whose centenary we are celebrating, has writing that along with Goudy, Bradley, Ruzicka and Nash they "earned the right to be called a heroic generation."
Naturally enough, most great printers who came on the scene after Benjamin Franklin were practically unknown outside of the craft in which they labored. I was reminded of this recently when an item in the press referred to the honoring of W.C. Fields on his centenary with a commemorative postage stamp.
As far as I know, the only printer ever to appear on a stamp besides Franklin was Warren G. Harding, who reached that peak of eminence by his short occupation of the White House. The fact that he could lock up a form was forgotten, once he decided to trade in his comp stick and seek political fame. In 1964 an effort was made to get Fred Goudy on a postage stamp for his 1964 centenary but not even the Public Printer had sufficient clout to influence the Post Office Department. It was thus unlikely that a mere typographer will ever make the grade.
T.M. Cleland (he preferred the initials rather than his full name) was a doctor's son, born in Brooklyn, N.Y., and brought up across the river in Manhattan. We know very little about his early life, but it must have been reasonably affluent. However, by the age of 15, he prevailed upon his father to allow him to drop out of school and enroll in what was then a down-at-the-heels art school called the Artist Artisan Institute. Not at all a good student, Cleland remained but a few months.
However, while there, by sheer accident he happened to observe a fellow student at work upon an ornamental drawing. Upon enquiring, he was told of the method of reproduction by which such a drawing became a printing plate.
Apparently intrigued by this information, he immediately went home and began work on a set of ornamental initial letters. This ld to a trial submission of his project to John Clyde Oswald, then editor of the American Bookmaker, who thought enough of it to publish it in the periodical. Cleland was so pleased by his first appearance in print that he decided to pursue further what looked like a most exciting career prospect.
It was the circumstance of this early recognition of an inherent skill which set Cleland's direction toward ornamental design, a field in which he became pre-eminent among American graphic artists. His first commission came a short time later—an ornamental border for the cover of a small sports magazine. While it took him almost three weeks to produce this border—drawing and re-drawing—the five dollars which he received in payment convinced him that he was now a professional, at the age of 16. Whereupon he left the art school and purchased a cop of Walter Crane's The Decorative Illustration of Books, then on display in Macmillan's Fifth Avenue book shop. A whole new world was opened up to him in the pages of this fine book. He became acquainted with the work of contemporary designers, such as William Morris and Aubrey Beardsley, and most important, the American ornamentalist and practical printer, Will Bradley.
Cleland now became involved in the work of a small print shop through a piece of work which he brought to it. He very quickly took to typesetting and the operation of a platen press. It wasn't long before he was thoroughly familiar with all the activities of the printing plant—owned fortunately, by a friend of his family. With youthful enthusiasm he sought out work which he could personally produce. He was soon allowed access to the shop at night, and in this way became fully involved in every step of production.
The next connection he made was as designer for a short-lived shop called the Caslon Press, owned by Frederic T. Singleton, a disciple of Will Bradley. Upon its demise he acquired his own treadle press along with a few fonts of type and set up for himself in the cellar of his home. With such limited facilities, he did not produce anything of importance, but one small book did attract attention as far away as Boston. He was induced to move to that city to set up what was called The Cornhill Press. However, the sponsors never did provide the funds which has been promised, and as a result he attempted to continue on his own, a dubious decision considering his relative inexperience.
Cornhill Press lasted but a year, but one important outcome of his stay in Boston was meeting Daniel B. Updike, who took an interest in his work and commissioned small jobs from him. Updike attracted by the dedication which Cleland brought to his designs, gave valuable aid by providing constructive criticism of the young man's efforts.
Although Cleland found it necessary to return to New York, Updike continued to supply commissions for work at the Merrymount Press and remained his firm friend until his own death in 1941. In fact, the Boston printer mentioned Cleland in his great book, Printing Types (1922). In his discussion of Bodoni type he wrote: "it can be utilized for short addresses, circulars and advertising; with great success—as in the charming use of it by Mr. T.M. Cleland. To printer-designers as skilful as Cleland it may be recommended."
Updike, of course, did not mention in his book the typefaces which Cleland designed upon his return to New York. And Cleland would have been the first to admit that it did not belong in Updike's pages. The type was drawn at the request of the Bruce Type Foundry, then in its last days. Called Della Robbia, it was cut in 1903 and made its first appearance under the aegis of American Type Founders Co., which had purchased the Bruce firm in 1900. The type was extremely successful, and as recently as 1977 it was revived for phototypesetting. But it never aroused in Cleland anything but distress when in later years he was asked about it.
The only positive effect on the life of the artist of his one and only attempt to design a printing type was that the royalties from its production financed his first trip to Italy, where he became more fully involved in the study of Renaissance ornamentation, in addition to painting and sculpture. The result of such exposure was a firming of his resolve to continue as a graphic designer and to remain in the studio rather than to make further attempts to be a practical printer. Marriage and a second voyage to Italy the following year brought him to the maturity which was to result in his attainment of a position of first rank in American typographic design.
Cleland spent the next few years in freelance design, producing a variety of printed pieces and bindings and even venturing into the painting of an altarpiece for a church in Glens Falls N.Y. In 1907 he accepted an offer to become art editor of McClure's Magazine. This gave him the opportunity to embark upon a consistent daily effort, very soon resulting in numerous designing innovations which revitalized the pages of that periodical to a point far beyond that of its competition. Although he remained with the magazine only two years, he acquired a reputation for his insistence upon the highest levels of craftsmanship.
A great contemporary of Cleland was Bruce Rogers, at this period establishing himself with the work at the Riverside Press in Cambridge. Whereas Rogers specialize in the art of the book, Cleland brought to commercial printing the same high standards of accomplishment. It was not until the last half of his life that Cleland ventured into book design, first as an illustrator, and then as designer-illustrator.
Next month I will complete this short account of the life of an outstanding American printer.
This article first appeared in the "Typographically Speaking" column of the August 1980 issue of Printing Impressions.
Posted on 8 May 2014 under Typographically Speaking.
Tags: profile, Thomas Maitland Cleland
« Rollins: Master Printer in the Best Tradition Of His Craft
T.M. Cleland: Outstanding American Typographer—II »


A therapeutic hydrating tonic that calms, restores and hydrates.
1. Forms a protective layer on the skin, providing calming relief to skin dryness and irritations.
2. Promotes skin repair and wound healing.
3. Balances skin's pH, enhancing absorption of skincare that follows.
All skin types especially sensitive, damaged skin.
Panthenol (Vitamin B5) – A good moisturiser as it has humectant-like properties; it is easily absorbed into the skin. Improves skin hydration and epidermal healing as it contains antimicrobial properties. Helps reduce itch and inflammation.
Purified Water (Aqua), Poloxamer, Panthenol.
Alcohol free. Fragrance free. Preservative free.
Store away from direct sunlight and heat. Discontinue use if you experience unusual irritation and redness.
As a final step to the cleansing regime, spray onto cotton pad and gently swipe over face and neck. After application of serum, spray onto face to form a protective layer before moisturiser.
For instant refreshing relief in drying conditions, spray directly onto face and tap gently.
For immediate skin calming (eg. after laser or sunburn), wet cotton pads with tonic and place on affected area for 10-15min or mix with Skin Oasis to form a restorative mask.
Lightens and prevents pigmentation. Reduces acne formation.
Helps maintain optimal skin moisture by regulating hydration according to changing skin conditions.
The anti-aging cell activator that instantly restores radiance of dull, dehydrated skin.


The construction of the complex hosting apartments and the Hotel 5* allows the creation of a multifunctional building in the heart of Moscow, related with the rich surrounding. A building that thanks to its architecture, distributions of volumes and various functions, transparent and interconnected from different points, becomes a Gate of interconnectedness between the park and the city; the park gets inside the new building creating a vertical garden: Zelenie Vorota (Green Gate) is the synergic synthesis between the park and the city. Zelenie Vorota combines at the same volumetric body two different images, in harmony between each other. The Hotel overlooks the historical city and presents facades with a strongly urban approach, respectfully to the surrounding buildings. The building overlooking Zaryadye Park is characterized by a rich volumetric composition, it hosts Suites apartments oriented towards the Kremlin and the Moscow river.
The building overlooking Zaryadye Park is characterized by a rich volumetric composition, with large windows opening facing the park proved multiple views.
Zelenie Vorota related with the rich surrounding: from Kitai-Gorod Wall, to the complex of the Kremlin with the Red Square, till area along the Moscow River.
The façade toward the city, a glass continuing wall, is characterized by a modular repeated element, that with its rhythm highlights the flexibility of the internal distribution and the views of the city.


Seamlessly adds SEPA Direct Debit support to WooCommerce. Easily collect IBAN and BIC of your customers during checkout and export SEPA-XML-files ready for upload to your bank.
Supports WooCommerce Subscriptions 2.0 including multiple subscriptions (note that Subscriptions 1.x is no longer supported!).
See all open payments in an overview before exporting XML. Easily navigate to orders to check details.
Multiple payments in one XML-file.
Creates XML-files that are 100% compliant to PAIN.008.003.02 standard.
Basic fraud prevention: highlights mismatching shipping name and account holder.
Dynamic real-time validation of IBAN and BIC.


text:
MLB reclassifies Negro Leagues as major league
Baseball will count the statistics and records of the league's 3,400 players as part of its history.
Leroy "Satchel" Paige is shown in action during the Negro American League 29th East-West All Star game at Yankee Stadium. Major League Baseball has reclassified the Negro Leagues as a major league and will count the statistics and records of its 3,400 players as part of its history. [ HARRY HARRIS | AP ]
Updated Dec. 16, 2020
NEW YORK — Willie Mays will add some hits to his record, Monte Irvin's big league batting average should climb over .300 and Satchel Paige may add nearly 150 victories to his total.
Josh Gibson, the greatest of all Negro League sluggers, might just wind up with a major league record, too.
The statistics and records of greats like Gibson, Paige and roughly 3,400 other players are set to join Major League Baseball's books after MLB announced Wednesday it is reclassifying the Negro Leagues as a major league.
MLB said Wednesday it was "correcting a longtime oversight in the game's history" by elevating the Negro Leagues on the centennial of its founding. The Negro Leagues consisted of seven leagues, and MLB will include records from those circuits between 1920-48. The Negro Leagues began to dissolve one year after Jackie Robinson became MLB's first Black player with the Brooklyn Dodgers in 1947.
Those leagues were excluded in 1969 when the Special Committee on Baseball Records identified six official "major leagues" dating to 1876.
Related: A Negro League player from Tampa is gone, but he leaves an important legacy behind
"It is MLB's view that the Committee's 1969 omission of the Negro Leagues from consideration was clearly an error that demands today's designation," the league said in a statement.
The league will work with the Elias Sports Bureau to review Negro Leagues statistics and records and figure out how to incorporate them into MLB's history. There was no standard method of record keeping for the Negro Leagues, but there are enough box scores to stitch together some of its statistical past.
For instance, Mays could be credited with 17 hits from his 1948 season with the Alabama Black Barons. Irvin, a teammate of Mays' with the New York Giants, could see his career average climb from .293 to .304 if numbers listed at Baseball-Reference from his nine Negro League seasons are accurate. And Paige, who currently is credited with 28 major league wins, should add at least 146 to his total.
While some have estimated Gibson slugged over 800 homers during 16 Negro League seasons, it's unlikely that enough records exist for him to officially pass Barry Bonds for the career record at 762.
Depending on what Elias and MLB rule, though, Gibson could wind up with another notable record. His .441 batting average in 1943 would be the best season mark ever, edging Hugh Duffy's .440 from 1894. Gibson's line came in fewer than 80 games, however, far short of the modern standard of 162.
"We couldn't be more thrilled by this recognition of the significance of the Negro Leagues in Major League Baseball history," said Edward Schauder, legal representative for Gibson's estate and co-founder of the Negro Leagues Players Association. "Josh Gibson was a legend who would have certainly been a top player in the major leagues if he had been allowed to play."
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Columnist John Romano will send the latest Rays insights and analysis to keep you updated weekly during the season.
MLB said it considered input from the National Baseball Hall of Fame and Museum, the Negro League Researchers and Authors Group and studies by other baseball authors and researchers.
"The perceived deficiencies of the Negro Leagues' structure and scheduling were born of MLB's exclusionary practices, and denying them major league status has been a double penalty, much like that exacted of Hall of Fame candidates prior to Satchel Paige's induction in 1971," baseball historian John Thorn said. "Granting MLB status to the Negro Leagues a century after their founding is profoundly gratifying."
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Python is the hot new language used for a variety of applications: program scripting, big data manipulation, web servers, and even the Raspberry Pi. Whether you are a new or experienced programmer, this path will provide you with a complete overview for coding in this exciting new language.
Learn to construct and run a simple Python program.
Analyze sample problems in Python with expert guidance.
Master core programming concepts and why they are used.
Preview the first video
Part of your Lynda.com membership.
30 Hours of expert-created video tutorials
Practice to reinforce what you learned
Certify your achievement
Programming Foundations: Algorithms with Joe Marini
Algorithms are the universal building blocks of programming. Learn the most popular and useful programming algorithms for searching and sorting data, counting values, and more.
1h 45m • COURSE
Programming Foundations: Object-Oriented Design with Barron Stone
Good software starts with great design. Get a fun and fresh introduction to object-oriented design and analysis—from defining requirements to diagramming classes.
Learning Python with Joe Marini
Get started with Python, the popular and highly readable object-oriented language.
Python Essential Training with Bill Weinman
Learn the essentials of Python scripting. Review the syntax of this simple yet powerful programming language, and learn how to write scripts, create modules, and integrate a database with Python 3 and the Python database API.
Learning the Python 3 Standard Library with Kathryn Hodge
Explore the Python 3 standard library. Learn how you can take advantage of the library's built-in modules to calculate statistics, format dates and times, get content from the Internet, and more.
2h 9m • COURSE
Python GUI Development with Tkinter with Barron Stone
Learn how to build a graphical user interface (GUI) for your Python applications with Tkinter.
Learning Python Generators with Josh McQuiston
Python generators are the best way to iterate through large and complex data sets. Find out how to use generators in your own code, in these Python tutorials.
44m 23s • COURSE
Code Clinic: Python with Barron Stone
Practice coding with Python. Explore common Python programming challenges, and then compare the results with other programming languages in the Code Clinic series.
Python: Design Patterns with Jungwoo Ryoo
Explore 15 essential design patterns that will help you solve common coding challenges in Python.
Programming Foundations: Real-World Examples with Barron Stone
Learn how to connect programming theory to practice. This series of training videos explains basic programming concepts such as functions, variables, and loops by comparing them to real-life scenarios.
Advanced Python with Joe Marini
Develop advanced Python scripting skills. Learn to leverage next-level Python features such as object-oriented special class methods.
Python: Advanced Design Patterns with Jungwoo Ryoo
Explore some advanced design patterns as applied to Python. This course helps you examine how these patterns work at the code level by walking through sample scripts.
You'll learn python development with these experts.
Joe Marini is a senior developer advocate at Google and a developer of Dreamweaver and Windows Phone.
Joe Marini is a senior developer advocate at Google, and has worked in the web and software industries for more than 20 years. He was an original member of the Dreamweaver engineering team at Macromedia, and held prominent early roles in creating products such as QuarkXPress, Microsoft Expression Blend, mFactory's mTropolis, and Extensis QX-Tools. He is regularly a featured speaker at industry conferences and has authored or co-authored several publications on web and software development. Prior to Google, Joe was responsible for the mobile web developer platform for Windows Phone 7 at Microsoft. His book, The Document Object Model, is widely regarded as the definitive resource for working with the DOM.
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Barron Stone is an electrical engineer experienced in both low-level digital hardware and high-level software.
He earned his bachelor of science in electrical engineering from Rice University and his master of science in electrical engineering from the Air Force Institute of Technology. He spent several years as an applications engineer and product-marketing engineer at National Instruments, where he developed marketing and training content for the FPGA-based NI FlexRIO modular instruments. Today, Barron is serving as an officer in the United States Air Force.
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Bill Weinman is a tech advocate, entrepreneur, and expert in a programming languages such as C++ and Python.
Bill Weinman is the author of several books and online courses on the technical aspects of the World Wide Web. He has earned a reputation for his ability to explain complex topics in clear, concise terms. Mr. Weinman built his first computer in 1973, and has been involved with technology ever since. He has run a successful consulting practice, been a computer manufacturer, and most recently headed a hosting company. An accomplished guitarist, Bill performs and records music when he's not writing about computers. You can learn more about Bill, his projects and his music at http://bw.org/.
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Kathryn Hodge
Kathryn Hodge works as a software developer at a media company.
In addition to her work as a developer, Kathryn runs a YouTube channel for people wanting to learn how to code. Before graduating college, she worked for three years as a computer science teaching assistant. She is very interested in the intersection of media, entertainment, and technology, and is focused on creating software that makes an impact.
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Josh McQuiston
Josh McQuiston is a software engineer residing in Portland, Oregon.
Josh loves many things, including biking to work, reading interesting books, writing code, and collecting good vinyl records. He is currently a software engineer at Comscore. He has a lot of experience dabbling in various front- and back-end technologies, as well as Raspberry Pi and electronics. He is a proficient developer with experience in Ruby, Python, Jupyter, Git, Linux, Bash, Jenkins, AWS, Scala, and Spark. He works hard to contribute back to the community by helping to run a local Toastmasters chapter to help people with public speaking and leadership skills. Josh organizes and attends various Meetup events in order to meet new people and learn new things.
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Jungwoo Ryoo
Jungwoo Ryoo teaches IT, cyber security, and risk analysis at Penn State.
Jungwoo is a professor of information sciences and technology (IST) at the Pennsylvania State University (Altoona College). He is also a graduate and affiliated faculty member of the College of Information Sciences and Technology at Penn State, and a tenured faculty member of the B.S. degree program in security and risk analysis at Penn State Altoona.
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