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Michigan Humanities Announces Acting President & CEO
The Michigan Humanities Board of Directors is pleased to announce that Jennifer Rupp will serve as Acting President & CEO for the organization while the search for a permanent President & CEO gets underway.
Shelly Hendrick Kasprzycki will leave Michigan Humanities on September 17, after six years as President & CEO to become the leader of the Fremont Area Community Foundation. The Michigan Humanities Board of Directors will embark on a national search for her replacement by October 2021.
In the meantime, Jennifer Rupp will be serving as Michigan Humanities' interim leader. "We are very pleased to have Jennifer Rupp serve as Acting President & CEO over the next several months," said Celeste Diehm, Michigan Humanities Board Chair. "Jennifer has served Michigan Humanities for the last four years, maintaining excellent relationships with national, statewide, and community partners. Jennifer is a trusted staff member and has long-time leadership experience with the Brass Band of Battle Creek and the Marshall Historical Society."
"We anticipate continuing our grants and programs with quality and connection, as Michigan Humanities has always done," said Diehm. "The entire Board and Staff are committed to our mission and its success."
Lenconnect: Latino heritage project looks to preserve history of community in Lenawee County
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The company chartered the vessels in on a 50-50 basis with Stena Bulk earlier this year, three vessels in May and an additional vessel in July, placing them in the Stena Sonangol Suezmax Pool.
With a much stronger market, Concordia has sold its position in the period charters from January 1, 2019 through to the end of the charter period. The difference between the cost of the period charter and the estimated income from the sale of the positions is around $5.3m.
"It is very pleasing that our exposure to the suezmax market turned out so well. The value of the chartered suezmax vessels has risen considerably since the contracts were signed. It is therefore our assessment that the level and timing are now right to realise the value. Our main focus is product tankers, where we still have considerable exposure to the sport market, with both owned and chartered tonnage. However, conducting business with suezmax vessels is an important complement that can offer good opportunities, as shown by this particular deal," commented Kim Ullman, CEO of Concordia Maritime.


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text:
{-# LANGUAGE DeriveAnyClass #-}

module Network.Wai.Ghcjs.Compiler where

import           Control.Monad
import           Control.Monad.IO.Class
import           Data.Default ()
import           Data.Foldable
import           Development.Shake as Shake
import           System.Directory
import           System.Environment
import           System.FilePath

import           Network.Wai.Ghcjs.Internal

data Paths
  = Paths {
    jsExeDir :: FilePath,
    shakeDir :: FilePath,
    targetIndexFile :: FilePath
  }
  deriving (Eq, Show)

withPaths :: BuildConfig -> (Paths -> IO a) -> IO a
withPaths config action = inCurrentDirectory (projectDir config) $ do
  let jsExeDir = buildDir config </> takeBaseName (mainFile config) <.> "jsexe"
      paths = Paths {
        jsExeDir = jsExeDir,
        shakeDir = buildDir config </> "shake",
        targetIndexFile = jsExeDir </> "index.html"
      }
  action paths

data Compiler
  = Compiler (BuildConfig -> Paths -> IO Result)

data Result
  = Success
  | ErrorIndex

runCompiler :: Compiler -> BuildConfig -> IO (FilePath, [FilePath])
runCompiler (Compiler compiler) config = withPaths config $ \ paths -> do
  let options = shakeOptions{
        shakeFiles = shakeDir paths
      }
  haskellFiles <- findHaskellFiles (getSourceDirs config)
  withArgs [] $ shakeArgs options $ do
    want [targetIndexFile paths]
    targetIndexFile paths %> \ _ -> do
      need haskellFiles
      result <- liftIO $ compiler config paths
      case result of
        Success -> do
          forM_ (customIndexFile config) $ \ customIndex -> do
            copyFileChanged customIndex (targetIndexFile paths)
        ErrorIndex -> return ()
  dependentFiles <- mapM canonicalizePath
    (haskellFiles ++ toList (customIndexFile config))
  return (jsExeDir paths, dependentFiles)

redpajama_set_name: RedPajamaGithub


text:
Pilgrim Baxter Names Bullock President
NU Online News Service, July 15, 2003, 12:11 p.m. EDT -- Pilgrim Baxter & Associates, Wayne, Pa., has named David Bullock president and chief ...
NU Online News Service, July 15, 2003, 12:11 p.m. EDT – Pilgrim Baxter & Associates, Wayne, Pa., has named David Bullock president and chief operating officer.
Pilgrim Baxter serves as an investment advisor to the PBHG Funds, a unit of Old Mutual P.L.C., London.
Bullock previously was president of Transamerica Capital Inc., a unit of AEGON N.V., The Hague, Netherlands. At Transamerica, Bullock was responsible for developing and marketing variable annuities from Transamerica Life Insurance Company as well as IDEX mutual funds.
Bullock has a bachelor's degree in financial and estate planning from Brigham Young University.
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NASAA Names an SEC Veteran as General Counsel
Melanie Waddell | January 22, 2020
Vincente Martinez replaces Valerie Mirko, who left NASAA in October.
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John Graham | January 22, 2020
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text:
The Future Bites (stylised as THE FUTURE BITES™) is the sixth studio album by British musician Steven Wilson. The album was initially set for release on 12 June 2020 through Caroline International, (his second and final album on the label) but later was pushed back to 29 January 2021 due to the COVID-19 pandemic, which affected the marketing and production related to the album. It was co-produced by Wilson and David Kosten and recorded in London.

Background and themes
The album deals with "two recurring themes" of Wilson's musical output, identity and technology, with a press release noting that it "picks apart our 21st century utopia, while also allowing for moments of personal growth and optimism". It was also called "less a bleak vision of an approaching dystopia, more a curious reading of the here and now", and lead single "Personal Shopper" was noted to expand on the electronic elements of Wilson's previous work, "fully diving into dance and neo-disco while somehow keeping a rock edge".

Marketing and promotion
The marketing campaign of the album is based around The Future Bites, a fictional high end designer brand primarily inspired by Off-White, Supreme and Virgil Abloh. The Future Bites also has its own website and social media profiles, including an online store that acts as both a storefront for the album's various editions and fake products supposedly created by the brand.

Wilson has released several promotional videos that feature The Future Bites and there is a loose narrative concept that spans multiple timeframes.

For example, the music video for "Eminent Sleaze" depicts a post-apocalyptic dystopian future in the year 2032 where The Future Bites have become the world's largest global corporation and through excessive consumerism cause the earth's population to rapidly decline. The Black Mirror inspired music video for "Personal Shopper" is set in a present-day shopping mall and features a dark narrative twist - in order to purchase products in the shopping mall, the consumer must sacrifice a body part that corresponds to the product they are buying. Director Lucrecia Taormina said of the concept for the video that she "wanted to create a fictional world in which people buy goods and the transaction would not only be money but also a part of their body, alluding to the concept of the more you look for answers outside, the more you disappear on the inside."

A music video for "Self", released on 1 February 2021, makes use of deepfake imagery to transform Steven Wilson into Donald Trump, Joe Biden, Robert Downey Jr., Scarlett Johansson, Mark Zuckerberg, David Bowie, Harrison Ford, Paul McCartney, Daniel Radcliffe, and many more notable public figures.

Critical reception

The Future Bites was met with "generally favorable" reviews from critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 74 based on 13 reviews.

Mojo awarded the album 4 out of 5 and described it as "a great grown up pop record", opining that "(Wilson's) solo work has seen him embracing dance, electronica and pop, and becoming all the better for it." Uncut awarded the album 8 out of 10, noting its "beautifully falsetto-iced vocal hooks" and "maverick meta pop". Classic Rock gave the album 9 out of 10, "Wilson has never before packed such a rollercoaster ride into a single album...Another triumph", and Rocks Magazine in Germany commented "Unpredictability remains Wilson's credo" whilst rating the album 8 out of 10.

Track listing
Initial announcements featured a slightly different track listing with "Man of the People" and "Personal Shopper" swapping places and "Anyone But Me" being the final track before the song was removed, and replaced with "Count of Unease". The song "Anyone But Me" later released as a standalone singles. The limited edition deluxe box set features an additional CD with 10 bonus tracks, including six unused songs from the album recording sessions.

Personnel
Adapted from Discogs.

Performers
Steven Wilson – vocals, guitars, keyboards, sampler, bass, percussion, programming
David Kosten - programming, synthesizers, drone on "Count of Unease"
Michael Spearman – drums, percussion
Nick Beggs – bass guitar on "Personal Shopper", stick on "Eminent Sleaze"
Adam Holzman – keyboards on "Eminent Sleaze" and "Follower"
Richard Barbieri – synthesizers on "Self"
Jason Cooper - cymbals and percussion on "King Ghost"
Blaine Harrison, Jack Flanagan - backing vocals on "12 Things I Forgot"
Elton John – spoken word on "Personal Shopper"
Bobbie Gordon, Crystal Williams, Wendy Harriott, Fyfe Dangerfield, Rou Reynolds, Rotem Wilson – background vocals
The London Session Orchestra on "Eminent Sleaze"

Additional personnel
David Kosten – producer, programming, mixing, engineering
Andrew Hobbs – album cover photography
Simon Moore – art direction

Charts

References

2021 albums
Steven Wilson albums
Caroline Records albums
Albums produced by Faultline (musician)
Albums postponed due to the COVID-19 pandemic

redpajama_set_name: RedPajamaWikipedia


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| Don't eat the 'Black Snow' in the USSR
Don't eat the 'Black Snow' in the USSR
With a script that has substantial basis in historical fact, it seems strange that Yale Repertory Theatre's "Black Snow" is so distanced from reality.
The play, adapted by Keith Reddin, is based on a novel written by Mikhail Bulgakov in the 1930s. Aptly titled "Theatrical Novel" in Russian, the book recounts the difficulties of a young writer adapting his first novel into a play. Truly the epitome of "meta," this production adapts Bulgakov's book — about adapting his novel, "The White Guard," for the Moscow Art Theatre — for the stage.
Even through the layers of adaptation, Bulgakov's experiences remain very present in the pseudo-autobiographical "Black Snow." The story follows novelist Sergei Leontievich (Adam Stein), a character modeled after Bulgakov himself, as he attempts to adapt his novel, "Black Snow," into a play for the Independent Theatre. In doing so, he must follow the aesthetic principles of the Theatre's Ivan Vasilievich (veteran Yale Rep performer Alvin Epstein), a thinly-veiled stand-in for Konstantin Stanislavsky, co-founder of the Moscow Art Theatre. Stanislavsky is highly regarded for his creation of the "Method of Physical Action," in which actors use personal psychology to inform a role.
"Black Snow" certainly presents compelling concepts; the anxiety of being the underdog, the difficulties of collaboration and the creation of artistic vision are all ideas captured in the script, pleading to be explored.
Perhaps even more intriguing are questions of a historical nature. Bulgakov, a staunch opponent of the Soviet regime, constantly dealt with governmental censorship of his work. Ultimately, he asked for permission to emigrate if he could not practice his work — a request that was denied. Sergei goes through the same trials, with little more success than his creator.
The Yale Rep's production flourishes when examining these issues. Scenes between Epstein and Stein are captivating. Their negotiations over Sergei's controversial material are at once hysterical and sobering; behind the hilarious absurdity of the arguments lies the grim reality of the oppressive era.
Yet this absurdity is often taken too far by the other members of the company, many of whom play multiple roles. Rather than bring out the humor — though it is dark — inherent in the situation, the characters become ridiculous caricatures, mugging to the audience. In one example, Rudolphi (Brian Hutchison) unexpectedly visits Sergei and requests to publish his book. Not only is his stomping entrance announced with thunder and lightning, but his voice is altered to rumble so loudly that it visibly shakes those on stage. (Incidentally, the reasons for Rudolphi's desire to help Sergei are never explained.)
Although these exaggerated gestures may be an attempt to heighten the contrast between Sergei and the new, unusual characters he encounters, it is unnecessary; this disparity is clear in their mere words and attitudes. The ultimate effect is that the reality behind the play's historical and artistic questions is glossed over in a rush to get a laugh.
The visual presentation of this reality, however, is flawless. The costumes designed by Rachel Myers DRA '07 are striking representations of the period and the lighting, by Stephen Strawbridge, is artfully designed. Dustin Eshenroder's DRA '07 sets are particularly effective in convincingly evoking the play's numerous locations through the use of a few key pieces, such as cloth panels and a chandelier for a luxurious party or a bulletin board and telephones to create a box office. Most stunning is the use of a backdrop painted to resemble the view of a theater from onstage, as if the audience is looking back on itself.
The opening announcements also attempt to involve the audience through Soviet references and jokes. Before the lights go up, an announcement urges, "You will enjoy the play." But perhaps it's more realistic that you don't — in Soviet Russia, wouldn't the play enjoy you?
Yale Repertory Theater
Through Dec. 23.
Tues.-Fri., 8 p.m.
Sat., 2 p.m. and 8 p.m.


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Beautifully handmade porcelain disc hand decorated with a gorgeous gold heart.
The jewellery is made in our Devon studio and packaged in a reusable glass bottle making it a gorgeous gift or treat for yourself.
Porcelain hearts measure approximately 15mm. The chain is gold plated sterling silver and is adjustable at 16"-18".


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Ascertus Upgrades Danish Law Firm, Bech-Bruun, to Latest Version of iManage Document Management System
Bech-Bruun contracts Ascertus for ongoing support and maintenance
(businesspress24) - London, U.K., 22 October 2019 – Ascertus Limited has successfully upgraded Bech-Bruun, a leading Denmark-based law firm, to the latest version of iManage Work document and email management system (DMS). Over 500 users of the DMS across the firm's offices in Copenhagen, Aarhus, New York and Shanghai are now benefitting from the latest functionality offered by iManage Work 10.2, which in turn is delivering enhanced security and improved productivity across the organisation. Ascertus provides document and information lifecycle management solutions to law firms and corporate legal departments in the UK and across Europe.
Bech-Bruun has also contracted Ascertus for ongoing support and maintenance of the iManage solution. Explaining the firm's reasons for selecting Ascertus, Stefan Winquist, CIO at Bech-Bruun, said, "Ascertus is reputed for being a reliable IT support partner in the market, this was an important consideration for us. On the technical side, the company has in-depth knowledge of the iManage product set alongside a good understanding of how law firms operate as a business. We've seen this first-hand with the upgrade. Ascertus' approach to IT implementation and support is solid from every standpoint – resourcing, knowledge and customer service. Having them look after the ongoing maintenance of the solution was therefore logical."
iManage Work 10.2 users at Bech-Bruun are benefitting from personalised search, enabled by the machine learning and data analytics capability within the solution. Collaboration is enhanced across teams too, which is aiding an increase in productivity. At the back end, the iManage Work platform is built on Common REST-based APIs, that are facilitating better integration with other solutions in the firm.
Roy Russell, CEO of Ascertus Limited, commented, "There is business value in upgrading to the latest version of any application as there are enhancements across the board – from user functionality to security. Given how important a DMS application is for law firms, iManage Work 10.2 opens up many options for law firms, especially for those who are looking to adopt newer technology strategies in the future including cloud and machine learning."
http://https://www.realwire.com/releases/Ascertus-Upgrades-Danish-Law-Firm-Bech-Bruun-to-Latest-Version-of-iManage
ascertus, bech, bruun, imanage,
Ansprechpartner: Courtney Dean
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Alex Blowers appointed as new chair of INCA
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London, UK 14th January 2021 – Small Cell Forum (SCF) today released the first in a series of requirements reports that will inform the development of technical blueprints to speed the delivery of robust cellular connectivity for seaports. The document ...
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Zylpha Launches Latest Pay As You Bundle Version In Recognition of Its First 250 LEAP Customers
Zylpha (www.zylpha.com) has announced a significant new version of its widely acclaimed 'Pay As You Go' integration for LEAP's practice management software (www.leap.co.uk). This new version builds on the success of Zylpha's original LEAP integration, whi ...


Well Woman Yoga….What's that then?
Put very simply it is a wonderfully feminine approach to yoga, a style of Yoga that has been developed especially for Women by Women. The practice combines rhythmic fluid postures (asana) with breath, sound, mudra (gesture), and bandha work (pelvic floor practices) to enhance our awareness of our inner body and our nante inner wisdom.
This style of hatha yoga with its roots in tantra has been developed to maximise comfort, ease and pleasure, making it a fun and enjoyable practice suitable for all women of all ages / at all stages of life to try. Uma Dinsmore Tuli who developed this practice states: This fluid, powerful yoga brings us back to the ancient feminine roots of tantric practices that informed hatha yoga in the first place. We are coming full circle. I've been practicing yoga for forty-three years, and have spent seven years researching the history of women in yoga. I've been delighted to rediscover that yoga's feminine roots nourish women today." – See more here.
Our next Well Woman Course starts on Saturday 17th September 2016. You are welcome to join this course as a complete beginner to yoga or as a very experienced yogini. The course offers something very different; a new perspective, a chance to really connect inside to learn ways in which to support your body and its needs by taking the time to understand the fluctuations that occur for you uniquely through your own cycle – whether that is a cycle that involves menstruation or not. Womanhood is an amazing journey but at times we can all lose our way. Busy, stressful lives, negative thoughts, too much doing and not enough being leaves us disconnected from who we really are and the incredible combination of softness and strength we have inside us. Our Well Woman Cycle awareness course is carefully designed to get us back on the right path and help us to find balance through yoga, meditation, abdominal massage, increased self-awareness and improved self-care.
Wherever you are in your monthly cycle, or in the cycle of life come along; the practice can be adapted to suit all needs and is particularly beneficial to those who are experiencing problems or irregularity within their cycle, looking to improve their fertility or approaching menopause.
The course will be a great opportunity for women to gather together to ground and balance our energies….what's not to Love?


There's probably already a thread on this (shoot me if there is...), but when do you expect Lunar 3 to be released? Or do you even think it is even coming at all?
Heh. There's a Lunar 3 speculation board.
Most people say they'd wait 5 years for it.
Somebody said 3, but we...convinced him...to wait those extra two years.
I have a truckload of 1996 calendars. When it does arrive, I'll be rich.


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Indigo Girls In Concert with the Dallas Symphony Orchestra
02/21/2020 12:00 pm - 02/23/2020 01:00 pm
Friday and Saturday at 7:30 pm and Sunday at 2:30 pm
Two decades after releasing their first album and countless U.S. and international tours
later, the Indigo Girls continue to make waves on the music scene. They remain the only
duo with top 40 titles on the Billboard 200 each decade since the 1980s. Paired with the
sound of the symphony, this will be a concert like no other!
Meyerson Symphony Center
2301 Flora street
Ticket Info: http://www.mydso.com
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This wonderfully chic beachfront hotel enjoys a perfect setting alongside the beautiful expansive sands of Negombo. Spend lazy days beside the glorious lagoon pool or on the beach and when in need of some TLC the rooftop Spa is quite simply blissful. The entire hotel was built around a sunset, so at the end of each day raise a glass in the bar as the sun goes down or retreat to your private balcony and drink in the view from there. Dine in the hotel or head across the street to The Banyan, a small square lined with quirky restaurants and bars.
In ocean facing ground or first floor deluxe rooms with air-conditioning, rain shower, iPod dock, mini bar, safe and lanai or balcony.
higher floor superior deluxe rooms, premium rooms (kingsize bed only), junior suites, deluxe family rooms which accommodate 2 adults and 2 children and are essentially two deluxe rooms which are guaranteed interconnecting.
11 Jan-30 Apr 20 receive fruit basket, flowers, one bottle of champagne in the room on arrival and free room upgrade, subject to availability (excluding suites) If you stay at least 5 nights also receive 20% room discount (excluding 23 Dec-10 Jan), one romantic candle-lit seafood dinner and one thirty minute spa treatment per person per stay.


oforth.com • View topic - How does one pause a program using KEY ?
How does one pause a program using KEY ?
Hi Franck, it's been awhile since I was last here and I'm stuck trying to pause a loop and wait for a key to be pressed.
I used import: console to import the #key. I see it's a method of the console class and I'm still a little fuzzy on how it can be used within my class of objects.
As you well know, in ANSI FORTH the word "KEY" waits for a key press and returns it's ascii value. How would you setup oforth's #key to work the same way?
I always get an integer 27 does not understand #key.
Re: How does one pause a program using KEY ?
This will return the key or null if no key is pressed during 1 second.
Greetings Franck, I'm good. Thank you for providing me with #key function usage. I needed to single step a section of the 8 Queens Solver code where I'm getting incorrect backtracking results causing an incorrect tally of solutions.


If you're interested in metal music, or if you want to know about the Middle East we don't see on the news, or if you're just looking for a good way to spend 84 min, I highly recommend checking out the film Heavy Metal in Baghdad.
A Vice/VBS.com documentary, the film investigates the struggles of a - possibly the only - Iraqi heavy metal band as they try to live and to make music in a country that's coming apart around them. Starting with the discovery of Acrassicauda in 2003 after the fall of Saddam Hussein, the doc tracks the band members in 2005 and 2006 as the violence in Baghdad escalates and Iraqis flee the country for comparative safety (but not security).
Metal is at the film's core and clearly unites and drives the members of Acrassicauda and the small metal communities in Baghdad and Damascus. But Heavy Metal in Baghdad ends up being, by extension, about the life of many ordinary Iraqis caught in the middle between insurgents and military forces, displaced from their own country and unwanted anywhere else. And because the revelations about post-Saddam Iraqi life unfold as the film plays out - seemingly as eye-openers for the film-makers as much as for us, the viewing audience - its insight may be more powerful than any partisan statement or overtly humanitarian expose.
Heavy Metal in Baghdad has been doing the festival circuit since last fall, and more recently a university tour. Hopefully the rest of the world will be able to catch it in regular theatres and on DVD soon.


Ravi Sheth is a graduate student in Harris Wang's lab, where he focuses on developing new technologies to understand and engineer microbial ecosystems. He is supported by a Fannie and John Hertz Foundation fellowship, and an NSF Graduate Research Fellowship.
Ravi completed his undergraduate degree at Rice University in 2015, majoring in bioengineering. At Rice, he worked with Jeff Tabor in developing optogenetic systems as synthetic biology tools, and engineering probiotic bacteria to sense and respond to signals in the mammalian gut.
Sheth RU, Cabral V, Chen SP, Wang HH. Manipulating bacterial communities by in situ microbiome engineering. Trends Genet. 2016 Apr;32(4):189-200.
Schmidl SR, Sheth RU, Wu A, Tabor JJ. Refactoring and optimization of light-switchable Escherichia coli two-component systems. ACS Synth Biol. 2014 Nov 21;3(11):820-31.


Quinn, Lori and Gordon, J. 2010. Documentation for rehabilitation: a guide to clinical decision making (2nd ed.). Maryland Heights, MO: W.B. Saunders.
Ensure confident clinical decisions and maximum reimbursement in a variety of practice settings such as acute care, outpatient, home care, and nursing homes with the only systematic approach to documentation for rehabilitation professionals! Revised and expanded, this hands-on textbook/workbook provides a unique framework for maintaining evidence of treatment progress and patient outcomes with a clear, logical progression. Extensive examples and exercises in each chapter reinforce concepts and encourage you to apply what you've learned to realistic practice scenarios.


Any average american will tell you that border protection is one of the major problems facing our Nation today. Over the past decade, studies have found that an average of 1 million immigrants have entered the country annually. As of today, there are roughly 37 million immigrants now residing here in the United States. Recent Presidents have a history of trying to implement comprehensive immigration policies, from George W. Bush's welcoming message to immigrants (much to the dismay of his party), to Barrack Obama's prolific speech acknowledging that the government had failed practices of immigration and that immigration reform needed to happen.
Walking to the beat of an entirely different drum from his predecessors, President Trump ran his entire campaign with the promise of dismantling any immigrant's ability to cross into the U.S. illegally, and throughout his campaign demanded of the government to build a massive 2,000 mile long wall, reinforced with border agents along it's mammoth divide between the United States and Mexico. The Wall is a campaign promise that has yet to be met, and different factions of the government are squabbling with one another to figure out just how this wall is going to be funded.
Although the process is taking longer than President Trump would have liked, it does appear that funds are accumulating.
The Wall has a proposed budget of around $18 billion dollars, yet legislation has never been implemented for a project of this caliber before (except for military projects). Given the sheer size and ramifications of it existing, key officials and lawmakers are still scrambling to find a way to fund the wall without the approval of The Democrats, who currently stand against the construction of the wall and still advocate for immigration reform. A recent proposal by Representative Bradley Bryne, Republican from Alaska, introduces legislation aimed at allowing Republicans to circumvent votes from Democrats to pay for the wall. The proposal has the same build as a proposal from 2017, which was used to pass a Tax Overhaul Bill. If the proposal works, and Republicans are allowed to pass legislation with around 50 votes, a request of funds from The U.S. Treasury at the tune of $25 billion dollars will be allocated to The Department of Homeland Security for both a security trust and border protection.
← Immigration into The U.S.


Buddy's Prairie features restorations in various stages from a recent planting to a well-developed 20+ year old prairie. There are many habitat features as well: a shallow pond, open water marsh and tamarack bog complex, black oak savanna, and dry-mesic prairie. Join us for a walk as we discuss the site's history, stages of restorations, bird and plant identification, and more!
Parking is located at Buddy's old farmstead and along Highway 89.


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Photo by veeterzy / Unsplash
More and more fossil fuels, especially CO₂, are being pumped into the atmosphere. In an increasingly urgent effort to get the Earth back on course for normal atmospheric conditions, scientists' attention turned to carbon sequestration. Carbon sequestration is a natural process and one of the most reliable methods available to capture and store CO₂ from the atmosphere.
Hemp plants in particular stand out from other crops because of their impressive carbon sequestration abilities. In this way, the plant could make a major contribution to air purification.
Photo by Matteo Paganelli / Unsplash
Hemp does an amazing job of building up a lot of carbon in its roots and stems. Interestingly, the carbon that hemp pulls from the atmosphere binds permanently to the plant's fibers when it operates photosynthesis. These fibers are used in the production of everything - from textiles to construction materials. Currently, they are also used by BMW in Germany to replace plastics in automobile construction. Unless the hemp plant is burned or composted, the sequestered carbon remains permanently inside its fibers.
Signature Products & sustainability - becoming CO2-neutral by 2025
We have made it our goal to produce and operate in a CO2-neutral manner by 2025 at the latest. Of course we do not rest on the fact that the hemp plant itself is already an extremely sustainable plant.
Signature Products BlogTeresa Martinez
What's more: Hemp production is carbon negative, meaning it absorbs more carbon from the atmosphere as it grows than is emitted by the equipment that harvests, processes, and transports it.
Photo by Stefan Widua / Unsplash
Hemp's carbon uptake can be accurately validated annually through calculations derived from dry weight yield. According to a study, one hectare of industrial hemp can absorb up to 22 tons of CO2. Converting carbon to CO₂ shows that for every ton of hemp, an average of 1.63 tons of carbon is removed from the air.
Not only that: hemp can also incorporate CO2 back into the soil through biosequestration. This is because harvested hemp produces charcoal-like biochar when slowly smoldered after harvest. Mixing this biochar with the soil means returning the carbon to the soil instead of releasing it into the atmosphere. Industrial hemp should therefore be seriously considered as a crop that can make a significant contribution to reducing global atmospheric carbon dioxide.
Furthermore, hemp is a very environmentally friendly plant as it is naturally insect resistant and no herbicides are required to grow it. This is another benefit of the plant, since one can further ensure cleaner air by reducing the burden of pesticides on the environment. Furthermore, hemp grows very quickly and can reach 4 meters in 100 days. The plant therefore begins to absorb CO2 almost on the same day it is planted. This makes it one of the fastest available tools for converting CO2 into biomass - more efficiently than any other commercial crop. Couple this with the fact that hemp enriches the soil and is the regenerative farmer's dream, and it's no surprise anymore that hemp has been dubbed a "miracle plant."
Improving human beings' health with hemp in harmony with nature and people.


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Emmanuel Santos
A second-rate planet
During Emmanuel Santo's visit to Buenos Aires in order to present his series Sandugo: a blood pact (Teatro de la Rivera) and Danzas Sagradas (Fundación'ace) as official exhibitions of the XVII Open Encounters / Festival of Light, he will also be completing a residency within the 'acePIRAR Program during the month of August.
Santos is a documentary and artistic photographer based in Australia. Actually curator of Art Gallery Obscura. Melbourne, he has made several trips creating photographic essays about tribal traditions, highlighting the universality of human existence. In the past three decades most of his work has focused on Judaism, the Greek Diaspora, and ancient cultures. His work deals with the subject of nomadic portraits, visual interpretations of ancient myths and legends and the continuous evolution.
During his residency, the artist will carry out a photographic exploration of the impact of modernization and colonization on a society through a common protagonist who is dressed in a spatial trajectory.
ARTIST'S TESTIMONY
The project consists of humanity's concern towards the rapid degradation of the environment and natural resources as a result of the modern way of life and the evolution of society towards industrialization and globalization.
The project was conceived with the aim of increasing awareness of the moral values of modern society and its intense emphasis on materialism that creates a huge disparity between the rich and the poor, urban areas and rural people and between privileged and excluded.
Buenos Aires is one of the selected locations, among other places around the world, due to its history of colonization, migration, and rapid industrialization.
1957 | Philippines.
2011 | Observances. Patiño Cultural Center. Santa Cruz, Bolivia.
2010 | Observances. Recoleta Cultural Center. Buenos Aires, Argentina.
2009 | The Book of Enlightenment. Silverlens Gallery. Manila, Philippines.
2008 | The passage of light. Primo Marella Gallery. Milano, Italy.
2007 | The passage of light. Silverlens Gallery. Manila, Philippines.
2006 | The passage of light. Monash Art Gallery. Australia.
2005 | Observances, Cultural Center of Federal Justice. Rio de Janeiro Brazil.
National Gallery of Victoria, the National Library and the Australian Jewish Museum; the Museum of Jewish Art and History in Paris, the National Library of France and the Beth Hatefutsoth Museum in Israel. Santos has been selected by private, public and commercial institutions to produce various photographic projects and publications.
Festival de la Luz
Sacred dances
During August and September we presented the exhibition Sacred Dances, produced by the Australian photographer Emmanuel Santos (Born in Philippines). He will be completing a residency within the ´acePIRAR program (International Program of Artistic Residences) during the month of August, producing a series of new photographs in Buenos Aires.
SACRED DANCES (by Alicia Candiani)
In the vast series Sacred Dances -which the artist exhibited in the Sala Políglota of the ´ace house- the humanitarian and universal attitude with which Santos has witnessed and captured (and has been allowed to do) a sacred ceremony of the Aurukun community from Cape York, Queensland in Australia is clearly manifested.
"Without dreams of hope, dignity and pride, Humanity vanishes" says one of the songs of this ceremony that expresses the deep and diverse wealth of a culture that flourished for more than 50,000 years. The Aukurum suffered continual desecration through carelessness and insensitivity in today's world. However, in their own way, they survived, and their sacred dances express their ancient wisdom and passion for protecting and preserving it.
Aboriginal genesis.
"Without dreams of hope, dignity and pride, humanity fades away …"
This phrase from a song by Australian Aborigines expresses the eternal richness of a culture that flourished for over 50,000 years. This culture, deep and diverse culture has suffered a continuous desecration through carelessness and lack of sensitivity of the current world … however, in their own way, they survived.
Their sacred dances allow us, from our time, to penetrate through a resonance in a dreamed time, a dim light in the darkness that the tribe preserves. It is one of the aspects of their ancient wisdom that they protect and bring to the present in ways that our world can understand and respect.
I am honored to have witnessed these universal rites of life and to have been able to photograph a mere glimpse of them, in order to share with you this experience and in certain way, promote greater awareness for the good of humanity.
´aceNITE, Encounters, Exhibitions
XVII Open Get Togethers - Festival of Light
Fundación ´ace para el Arte Contemporáneo has been invited to join the XVII Open Get Togethers – Festival of Light 2012. Under the theme of The Passion the 2012 edition of this event underscores a vast topic that allows a vast visual exploration as it evokes the image of love, obsession, fanaticism, or even of pure madness and is one of the most intense human beings emotions.
Curated by Alicia Candiani, the Foundation together with ´acePIRAR (International Artisti-in- Residence Program) presented four exhibitions that highlight the theme of Passion from various perspectives and affinities, among them, two images taken by photographers who are also displaying their work at the biennial official selection.
Sacred Dances by Emmanuel Santos (Australia), Official Selection, sponsored by the Embassy of Australia. Políglota Hall.
And the associate exhibitions:
By the Force of Blood by Erika Diettes (Colombia).
No Expiration Date by César Damián (Mexico).
The Passion According to Jiménez by Micaela Trocello (Cordoba, Argentina).
Organized as a visual counterpoint theme, the exhibition Sacred Dances by Emmanuel Santos (exhibition in the official selection with Sandugo: a Pact of Blood) will be in dialogue with The Passion According to Jiménez by the young artist Micaela Trocello. Both bodies of work focus on the theme of dance and dancing in segregated communities and social groups: while Santos captures a sacred ceremony in the Aurukun community in Australia, and its passion for the preservation of its spirit and traditions, Trocello´s photographs investigate the passion in the lyrics of Cordoba`s cuartetos and the representation of women through them.
Meanwhile, in the Central Hall and in the Mezzanine, Erika Diettes of Colombia (artist invited to the festival's official selection with Shrouds) will set By the Force of Blood another dialogue with the installation No Expiration Date by the Mexican artist César Damián. Both photographers work poetically with water (which carries things and makes everything clean) and the memory of the disappeared in Colombia and Argentina, representing the Passion in a direction of intense suffering.
ABOUT XVII Open Get Togethers -Festival of Light 2012
Held biannually in museums, cultural centers and art venues through Argentina, the Light Festival (Festival de la Luz) presents exhibitions by national and international artists working in the medium of photography. The event also serves as an international meeting place for photographers, curators, critics, collectors and directors interested in the role of the photographic image as a means of artistic, cultural and social relevance.
Argentina's Light Festival is part of a collaboration of 27 festivals on five continents, in Aleppo, Atlanta, Ballarat, Bamako, Braga, Brasilia, Bratislava, Buenos Aires, Derby, Cracovia, Houston, Kaunas, Lodz, Luxemburgo I, Luxemburgo II, México, Montreal, Moscú, Odense, Paris, Portland, Porto Alegre, Tampere, Tenerife, Thessaloniki and Toronto.
We thank Pato Parodi for the photos of the 'aceNITE event
Erika Diettes
Group exhibition ´ace Collection
Territories is an exhibition curated by Adriana Moracci among artworks from the 'ace collection. The aims of this selection is to allow us to reflect upon political, economic, linguistic and corporal territories. They have been interpreted by contemporary artists through photography, performance and printmaking.
ABOUT TERRITORIES (by Adriana Moracci
Territory is a defined, outlined and demarcated place that provides belonging and identity to whom occupy it. In some cases it is a place to access or emigrate. The territory notion goes beyond a determined border. Although the etymology of the word indicates land or field not every community has its own physical territory, but yes, all have their own idiosyncrasy, language and culture that unites and links. The body is also a territory, one that is always present and constantly changing. A territory that contains and links us with the other, through verbal and corporal language. A territory that enables encounter with the ancestral and the primary.
John Hitchcock
Jessica Kingdon
Maritza Dávila
Waléria Américo
Laura Pawson
Julie Krone
Groana Meléndez
Fred Clarke
Ayanah Moor
Jackie MacRae
Víctor Vázquez
Mauricio Herrero
Javier Barrera
Adriana Moracci
Marta Mabel Peréz


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SNOHOMISH COUNTY, Wash. – The Snohomish Health District recently made updates on how daily case counts are reported to help answer frequently asked questions. These include:
Number of residents hospitalized with confirmed and suspected COVID
Number hospitalized that require ventilators
Change in totals from previous day's reporting
In addition to case counts, new maps and an outbreak summary were published this week:
Two-week case rates by Zip code (November 1-14)
Heat map of cases in a two-week period (November 1-14)
Heat map of total cases to date (January 21 – November 14)
COVID-19 Transmission Risk Factor and Outbreak Data
With the Thanksgiving holiday, daily case counts will not be posted until Monday, November 30. The Health District's next "weekly" data report is not expected to be posted until Wednesday, December 1 to allow for extra time to sort through lab reports received over the weekend. While the Health District will be closed to the public, contact tracing and other essential response functions will continue to happen.
The Washington State Department of Health (DOH) worked with healthcare system partners and Microsoft AI for Health to improve the hospitalization data in the risk assessment dashboard. The updated hospitalization data show occupancy of ICU beds, where capacity is likely to be exceeded first. The new data include:
Number and percent of adult staffed beds occupied by any patients
Number and percent of all staffed beds occupied by COVID-19 patients
Number and percent of adult ICU staffed beds occupied by any patients
Number and percent of adult ICU staffed beds occupied by COVID-19 patients
This information is now available on the state's Risk Assessment dashboard under the Healthcare System Readiness tab. Snohomish County is included within the North region.
Added Days and Locations for Testing
The Health District's testing locations will be closed November 26 and 27, but the 3900 Broadway site will be open from 9 a.m. to 4 p.m. over the weekend.
Beginning the week of November 30, the Health District will double the number of its testing sites to four locations with varying schedules. The locations and schedules for next week are as follows:
3900 Broadway site in Everett – now open seven days a week from 9 a.m. to 4 p.m.
Lynnwood Food Bank site at 5320 176th St SW – open Tuesday from 10 a.m. to 4 p.m. and Thursday from 9 a.m. to noon
Sultan Elementary School site at 501 Date St – open Friday from 10 a.m. to 3 p.m.
Testing is by appointment only and registration is now open for both Everett sites. Appointments for the Lynnwood location will open Friday, and Sultan's slots will open on Monday. All information can be accessed at www.snohd.org/testing.
Those without internet access or needing language assistance can reach the Health District's call center at 425.339.5278. The call center is staffed 8:30 a.m. to 4:30 p.m. Monday through Friday. Callers after hours or on weekends can leave a message, which will be returned on the next business day.
COVID Vaccine Distribution Planning
Hope for an eventual return to more normalcy appears to be in the distant horizon, with news of several vaccines nearing the finish line in their trials. The Snohomish Health District and Snohomish County Department of Emergency Management have been collaborating with the Washington State Department of Health (DOH), local first responders, healthcare systems, pharmacies and other stakeholders to prepare for this since late-July, and that work is ongoing.
An interim COVID-19 vaccine distribution plan for Snohomish County and a plan overview were published Wednesday, aligned with the interim plan published by DOH. To see more about Washington's interim plan and frequently asked questions about the COVID vaccine, go to www.covidvaccinewa.org
The first limited supplies of vaccine will target health care workers and first responders at high-risk for exposure, highly vulnerable populations liken nursing homes, and older people with risk factors for severe disease.
As vaccination of those groups is achieved and the supply expands, efforts will broaden to include critical infrastructure and public safety personnel, other adults with medical risk factors for severe disease, and ultimately, the general population.
This will all take about 6-9 months to unfold. Although there is hope ahead, a vaccine will not resolve the current problem or get our communities back closer to "normal" for many, many months come. This means mid- to late-2021 before vaccines are broadly available for the general public.
Until then, everyone needs to continue masking up, maintaining physical distance, limiting social gatherings, keeping hands and surfaces clean, and staying home if sick.
Looking Back at History to Inform the Present and Future
Historians have shared how the second and third waves of the influenza pandemic in 1918-1919, now a century ago, were far more severe when people grew tired of the mask mandates and restrictions, letting their guards down.
A Crosscut article last week highlighted the severe consequences when people threw caution to the wind in November 1918 and celebrated Thanksgiving and other holidays with abandon. The cases piled up and the death tolls climbed.
For several weeks now, public health officials, elected leaders, scientists, business owners, doctors, nurses and countless others have been pleading with the community to curb social gatherings and mask up. Restrictions were put in place to try to slow the building crisis in our healthcare system about 10 days ago.
Unfortunately, Snohomish County and the state are breaking record after record. Daily case counts. Two-week case rates. Numbers of outbreaks. Long-term care facilities are scrambling to respond and control while straining to care for residents with critical staffing shortages.
Hospitals are rapidly approaching the levels in back in March, which peaked at around 120 residents hospitalized due to COVID. There has been a 400% increase in just six weeks, currently hovering at 75-80 hospitalized and on pace to surpass the March peak in the several weeks if the recent trajectory continues.
Back in the spring, there were other hospitals in the region to help absorb the acute care capacity that was comprised by that spike. That's not the case today.
A surge in travel suggests that many people have plans to gather with people outside their household this coming Thanksgiving. If more people don't cancel their holiday plans this week, some of those guests—or their loved ones or coworkers will become ill, some severely.
This will worsen the existing hospital surge that will compromise care, not just for COVID patients but also for people having heart attacks, strokes, appendicitis, and trauma. Everyone's access to acute care will be compromised. That's the sober truth being dealt with today.
Give thanks, not COVID. This isn't forever. Just for now.
⇐Previous Updates on Long-term Care, Testing and Vaccine PlanningNext⇒ COVID Updates and Reminders for Safer Holidays


General resources on household hazardous wastes and recycling opportunities include www.earth911.org and www.obviously.com/recycle/. Earth 911 lists by state and county HHW facilities, collection details and collection event information. Obviously.com provides a recycling guide that provides a starting point for consumers in the USA and Canada searching the net for recycling information. The information is for regular folks with regular household quantities of materials to recycle. The goal is to help make recycling so easy and automatic that it blends into the flow of everyday life.
Locally, the Tri-County Health Department has valuable information about recycling on their web site @ www.tchd.org, and lists Round Up Days and information for what local jurisdictions are doing for household hazardous waste collection and recycling opportunities.
Arapahoe County and the City of Centennial utilize Waste Managment At Your Door Special Collection (http://www.wmatyourdoor.com) for their Household Hazardous Waste (HHW) collection service. If you live in unincorporated Arapahoe County or in the City of Centennial, Waste Managmement offers a standard door-to-door HHW collection program for the proper disposal and recycling of leftover household hazardous materials. With a professional collection like At Your Door Special Collection, the County and City can work towards maximizing the recycling of HHW. For example, all small batteries collected, including rechargeable, one-time-use, hearing aid and watch batteries, are actually recycled into new materials, with some of the metals used to make new batteries. Small battery collection by Waste Mangement is a true recycling program, where none of the batteries are landfilled. Check out the pdf (below) of the Waste Management At Your Door Special Collection Flyer that has information on how to use this service.
Other cities and towns in Arapahoe County also use Waste Managment At Your Door Special Collection for their collection service. These are indicated in the contact information provided for each jurisdiction on the Home page: click the "SPLASH Members" button, and scroll down to your location and check out hte details for their programs.
Additionally, if you have friends or relatives living in either Adams or Douglas counties, check out Tri County Health (www.tchd.org) for details on their HHW Round Up activities.
If you need the software to read these pdfs, please go to www.adobe.com and get a free Acrobat Reader from the Adobe website; load the free software and you'll be able to view the flyers.


text:
Q: How does an inequality with respect to norms indicate linear independence? Denote $e_1,...,e_n$ an orthonormal basis of a finite-dimensional inner product space $V$, and $v_1,...,v_n$ a family in $V$ with $$\vert\vert e_i-v_i\vert\vert^2<\frac{1}{n}$$ holds for every $i\in \{1,...,n\}$. How do I show that $v_1,...,v_n$ is linearly independent, thus also a basis of V?

A: Let $\sum_{i=1}^na_iv_i=0$, where $\sum_{i=1}^n|a_i|^2=1$. Note that $|a_i|\leq 1$ for every $i$.
Thus
$1=\sum_{i=1}^n|a_i|^2=\|\sum_{i=1}^na_ie_i\|^2=\|\sum_{i=1}^na_ie_i-\sum_{i=1}^na_iv_i\|^2\leq (\sum_{i=1}^n|a_i|\|e_i-v_i\|)^2<(\sum_{i=1}^n\frac{|a_i|}{n})^2\leq 1$.
Absurd.

redpajama_set_name: RedPajamaStackExchange


8 Bank Court is an excellent investment opportunity, complete with HMO License, situated in the heart of Galashiels, which now benefits from a station on the new Borders Railway that runs from Tweedbank to Edinburgh.
A double upper flat which occupies the first and second floor of a larger building it provides a strong gross yield, with six letting rooms and is ideal as a student let with Heriot Watt University and Borders College campuses located in the town.
On full occupancy, the property has the potential to provide a gross yield of around 13% based on the current Home Report valuation of £115,000. It should be noted that the flat currently has five rooms let out and is bringing in a monthly income of: £1,260 - at a gross yield of around 10%.
Alternatively, the internal layout could be altered, subject to the necessary permissions, to provide a spacious apartment in a very central location.
Double glazed, with gas fired central heating the property is in good condition, and is easily maintained. There is on-street parking nearby and local amenities are in the immediate vicinity.
From Melrose take the A7 into Galashiels and onto the Abbotsford Road. Continue over the first small roundabout and proceed forward to the next roundabout and take the second exit. Continue for around two hundred yards and turn first left onto Albert Place and continue forward onto Bank Street, and over the pedestrian lights. Turn right onto Bank Close and you will come to Number 8 Bank Court which sits on the left corner and is accessed by a small path leading to the stone staircase.
From the North follow the A7 through the centre of Galashiels, passing ASDA and Tesco and turn right onto Albert Place and follow the above directions.


text:
Green Papaya and Mango Seafood Salad
By Pamela Hunt-Cloyd, Oct. 7, 2009
What the Chef Eats
Recipe by Gerald Warner, executive sushi chef, Café Japengo
Cooking is a family thing for me. We live in a cul de sac, so sometimes the neighbors come over, too. A lot of times, I cook on the grill. I do steaks and chicken dishes that go with what we grow in our garden. Every night we have a cheese board with dinner. We do some melted Brie and sharp Parmesan before dinner with good wine. Sometimes we have fresh artichokes or other vegetables in season. It's just family time. It's how I grew up.
The kids grew up with me in the garden, planting seeds. My kids pick green beans and cucumbers and I give them a butter knife so they can help prep salads and cut up vegetables. They love to help. In our garden we grow carrots, asparagus, cucumbers, peas, green beans, corn, and peaches and oranges. We also have chickens so we can always have farm-fresh eggs. I go out with the kids and they have a partnership with what they are eating. Anytime I need to plant I have the kids help. I say, "This is your corn. These are your green beans." I say, "Go get me some carrots," and they feed the tops to the rabbits. Once I told my kids that if they ate beets it would turn their pee pink. They try things and like them and vegetables become the norm.
I grew up in Poway with a big garden and loved to cook with my mom, slicing and dicing in the kitchen. I was always big into the outdoors, too, and got a degree in fitness from Humboldt State. I started making sushi because my Japanese history professor at Humboldt had a Japanese restaurant and he hired me. I love to fish and bring in abalone, so making sushi fit right in. When I started at Japengo, I was a little tempura boy in the back of the restaurant and the sushi chefs bossed me around. But I worked my way up the ranks and now I'm the executive sushi chef at Japengo. I love the interaction with people in the restaurant. I ask, "Hey, what do you like?" and when they tell me, I make new combinations of sushi for them.
I love to cook. Even when I am off work, I cook.
1 cup shredded green papaya (shoestring style)
1 cup shredded English cucumber (shoestring style)
1/2 cup strips of fresh mango
1/4 cup cleaned cilantro leaves
1/3 cup ponzu (citrus soy sauce)
1/2 teaspoon grated or minced ginger (not pickled
ginger)
1 teaspoon toasted sesame seeds
1 teaspoon chili sauce (optional)
1/2 cup chuka seaweed salad (sometimes called "ocean salad," available in Asian markets)
1 cup assorted sashimi grade fish (tuna, fresh salmon, yellowtail, octopus, crab)
Slice papaya and cucumber into very thin, shoestring-size slices or run through a mandolin. Slice fresh mango and chop cilantro. In a medium bowl, mix the ponzu, ginger, sesame oil, sesame seeds, and chili sauce (if desired). Add vegetables, chuka seaweed salad, and fish and gently combine. Serve in bowls or on beveled plates.
NOTE: Sushi ingredients can be purchased at:
Catalina Offshore Products.
5202 Lovelock St. San Diego, CA 92110
More stories by Pamela Hunt-Cloyd
Stick with the sushi — Jan. 14, 2016
Ahi Poke — March 24, 2010
Melon Gazpacho — Jan. 6, 2010
Thai Grilled Steak Salad — Oct. 14, 2009
Soba Noodle Salad — Dec. 3, 2008
Oct. 14, 2009 @ 9:54 p.m.
I have eaten at Jerry's many times and the food is always wonderful. He is a great Chef. Keep the food going Jer. You always make everyone feel welcome whether it is at his home or at Cafe Japengo.