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Molly Rothwell
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Antelope | Antelope (Southwark) | Antilope
The Antelope (Southwark) and Suffolk House were the two messuages that King Edward VI kept in Bridge Without Ward after he resigned his right as lord of the manor in 1550 (Cunningham 72). John Stow notes that after 1550, King Edward VI continued to own his park in Southwark, which included the grounds called the Antelope (Stow 1633, sig. 2P5v).
Cunningham, Peter. Handbook of London Past and Present. Vol 2. London: John Murray, 1850. Remediated by Google Books.
Swan Inn (The Strand)
Rothwell, Molly. Antelope (Southwark). The Map of Early Modern London, Edition 6.6, edited by Janelle Jenstad, U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/ANTE2.htm. INP.
Rothwell, Molly. Antelope (Southwark). The Map of Early Modern London, Edition 6.6. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/ANTE2.htm. INP.
Rothwell, M. 2021. Antelope (Southwark). In J. Jenstad (Ed), The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/ANTE2.htm. INP.
A1  - Rothwell, Molly
T1  - Antelope (Southwark)
UR  - https://mapoflondon.uvic.ca/edition/6.6/ANTE2.htm
UR  - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/ANTE2.xml
<bibl type="mla"><author><name ref="#ROTH4"><surname>Rothwell</surname>, <forename>Molly</forename></name></author>. <title level="a">Antelope (Southwark)</title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>6.6</edition>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>, <date when="2021-06-30">30 Jun. 2021</date>, <ref target="https://mapoflondon.uvic.ca/edition/6.6/ANTE2.htm">mapoflondon.uvic.ca/edition/6.6/ANTE2.htm</ref>. INP.</bibl>
Research Assistant, 2020-present. Molly Rothwell is an undergraduate student at the University of Victoria, who is planning to graduate with a double major in English and History. During her time at MoEML, Molly primarily worked on encoding and transcribing the 1598 and 1633 editions of Stow's Survey, adding toponyms to MoEML's Gazetteer, and researching England's early-modern court system.
Battle Bridge (Tooley Street)
Blackman Street
Chapel of St. Thomas on the Bridge
Doctors' Commons (Knightrider Street)
Doctors' Commons (Paternoster Row)
Kent Street
Loke in Southwark
Long Southwark
Rochester House
St. George Southwark
St. Mary (Newington)
St. Mary (Newington) (Parish)
St. Mary Magdalen (Bermondsey)
St. Mary Magdalen (Bermondsey) (Parish)
St. Mary Magdalen (Southwark)
Molly Rothwell is a member of the following organizations and/or groups:
Molly Rothwell is mentioned in the following documents:
Historian and author of A Survey of London. Husband of Elizabeth Stow.
MoEML
John Stow is mentioned in the following documents:
Alderman Bury
Aldgate Bars
Barbican Manor
Barbican Tower
Bartholomew's Lane (West Smithfield)
Bear's Head (Southwark)
Beer Lane
Bell (Southwark)
Benbridges Inn
Bevis Marks (Street)
Blossoms Inn
Boss Alley (Billingsgate)
Bread Street Hill
Bricklayers' Hall
Camomile Street (Lime Street Ward)
Castle (Southwark)
Castle Tavern
Charnel House and Chapel of St. Edmund the Bishop and Mary Magdalen
Chick Lane (Tower Street Ward)
Church Lane (All Hallows)
Clerk's Hall
Cokedon Hall
Convent of the Holy Well
Crane (Southwark)
Cripplegate Conduit
Cross Keys (Southwark)
Crown Court (Warwick Lane)
Crutched Friars
Deep Ditch
Documents relating to John Stow, including digital editions of his texts, biographies, and other critical material.
Dudley's House
Empson's House
Encoding an Underground Text in the Underground
Fleet Bridge Cistern
Fowle Lane (Tower Street Ward)
Gunn (Southwark)
Hart Street
Hog Lane (East Smithfield)
Huggin Lane (Upper Thames Street)
Individual sections in the digital edition of Stow's 1598 Survey. To see the editorial title page created by MoEML, click here.
Jews' Cemetary
King's College Mansion
Leathersellers' Hall
Little Tower Hill
Manor of the Rose
Maypole Socket
Merchant Taylors' School
Mountjoy's Inn (Knightrider Street)
Neville's House and Garden
New Church Haw
Nicholas Lane
Northumberland House (Crutched Friars Lane)
Old Fish Street Hill
Priests' Chambers
Seething Lane
Shaft Alley
Six Clerks' Office
Soke of the Archbishop of Canterbury
St. Andrew Undershaft
St. Audoen (Parish)
St. Augustine Papey
St. Botolph (Aldgate)
St. Christopher's Alley
St. George's Lane
St. Giles Vicarage (Cripplegate)
St. Katherine Cree
St. Margaret (Southwark)
St. Mary Axe Street
St. Mary Spital
St. Mary de Barking
St. Michael (Cornhill)
St. Mildred (Poultry)
St. Nicholas (Parish)
St. Olave (Hart Street)
St. Olave (Silver Street)
St. Pulcher (Parish)
Stew Lane
Stinking Lane
Stoda de Winton
Stodum Bridge
Strand Bridge
Suffolk Lane
Sugarloaf Alley
Swan (Southwark)
The Compter (Bread Street)
The Green Gate
The Old Standard
The Three Tuns
Throgmorton Street
Variant Toponyms Listed by Carlin and Belcher
Watling Street
Winchester Field
Woodroffe Lane
John Stow authored or edited the following items in MoEML's bibliography:
Blome, Richard. Aldersgate Ward and St. Martins le Grand Liberty Taken from the Last Survey, with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. M3r and sig. M4v. [See more information about this map.]
Blome, Richard. Aldgate Ward with its Division into Parishes. Taken from the Last Survey, with Corrections & Additions. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. H3r and sig. H4v. [See more information about this map.]
Blome, Richard. Billingsgate Ward and Bridge Ward Within with it's Division into Parishes, Taken from the Last Survey. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. Y2r and sig. Y3v. [See more information about this map.]
Blome, Richard. Bishopsgate-street Ward. Taken from the Last Survey and Corrected. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. N1r and sig. N2v. [See more information about this map.]
Blome, Richard. Bread Street Ward and Cardwainter Ward with its Division into Parishes Taken from the Last Survey. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. B3r and sig. B4v. [See more information about this map.]
Blome, Richard. Broad Street Ward with its Division into Parishes, Taken from the Last Survey with Corrections and Additions, & Cornhill Ward with its Divisions into Parishes, Taken from the Last Survey, &c. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. P2r and sig. P3v. [See more information about this map.]
Blome, Richard. Cheape Ward with its Division into Parishes, Taken from the Last Survey, with Corrections and Additions. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig.D1r and sig. D2v. [See more information about this map.]
Blome, Richard. Coleman Street Ward and Bashishaw Ward Taken from the Last Survey with Corrections and Additions. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. G2r and sig. G3v. [See more information about this map.]
Blome, Richard. Cow Cross being St Sepulchers Parish Without and the Charterhouse. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. H2v and sig. H3r. [See more information about this map.]
Blome, Richard. Creplegate Ward with its Division into Parishes, Taken from the Last Survey, with Additions, and Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. I3r and sig. I4v. [See more information about this map.]
Blome, Richard. Farrington Ward Without, with its Division into Parishes, Taken from the Last Survey with Corrections & Amendments. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. 2F3r and sig. 2F4v. [See more information about this map.]
Blome, Richard. Lambeth and Christ Church Parish Southwark. Taken from ye last Survey with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. Z1r and sig. Z2r. [See more information about this map.]
Blome, Richard. Langborne Ward with its Division into Parishes. Corrected from the Last Survey. & Candlewick Ward with its Division into Parishes. Corrected from the Last Survey. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. U3r and sig. U4v. [See more information about this map.]
Blome, Richard. A Map of St. Gilles's Cripple Gate. Without. With Large Additions and Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. H2v and sig. H3r. [See more information about this map.]
Blome, Richard. A Map of the Parish of St. Dunstans Stepney, als. Stebunheath Divided into Hamlets. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. F3r and sig. F4v. [See more information about this map.]
Blome, Richard. A Map of the Parish of St Mary White Chappel and a Map of the Parish of St Katherines by the Tower. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. F2r and sig. F3v. [See more information about this map.]
Blome, Richard. A Mapp of Lime Street Ward. Taken from ye Last Surveys & Corrected. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. M1r and sig. M2v. [See more information about this map.]
Blome, Richard. A Mapp of St. Andrews Holborn Parish as well Within the Liberty as Without. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. 2I1r and sig. 2I2v. [See more information about this map.]
Blome, Richard. A Mapp of the Parishes of St. Clements Danes, St. Mary Savoy; with the Rolls Liberty and Lincolns Inn, Taken from the Last Survey with Corrections and Additions. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig.O4v and sig. O1r. [See more information about this map.]
Blome, Richard. A Mapp of the Parish of St. Anns. Taken from the last Survey, with Correction, and Additions. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. L2v and sig. L3r. [See more information about this map.]
Blome, Richard. A Mapp of the Parish of St. Giles's in the Fields Taken from the Last Servey, with Corrections and Additions. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. K1v and sig. K2r. [See more information about this map.]
Blome, Richard. A Mapp of the Parish of St Margarets Westminster Taken from the Last Survey with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig.H3v and sig. H4r. [See more information about this map.]
Blome, Richard. A Mapp of the Parish of St Martins in the Fields Taken from ye Last Survey with Additions. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. I1v and sig. I2r. [See more information about this map.]
Blome, Richard. A Mapp of the Parish of St Pauls Covent Garden Taken from the Last Survey. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. L3v and sig. L4r. [See more information about this map.]
Blome, Richard. A Mapp of the Parish of St Saviours Southwark and St Georges taken from ye last Survey. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. D1r and sig.D2v. [See more information about this map.]
Blome, Richard. The Parish of St. James Clerkenwell taken from ye last Survey with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. H3v and sig. H4r. [See more information about this map.]
Blome, Richard. The Parish of St. James's, Westminster Taken from the Last Survey with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. K4v and sig. L1r. [See more information about this map.]
Blome, Richard. The Parish of St Johns Wapping. The Parish of St Paul Shadwell. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. E2r and sig. E3v. [See more information about this map.]
Blome, Richard. Portsoken Ward being Part of the Parish of St. Buttolphs Aldgate, taken from the Last Survey, with Corrections and Additions. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. B1v and sig. B2r. [See more information about this map.]
Blome, Richard. Queen Hith Ward and Vintry Ward with their Division into Parishes, Taken from the Last Survey. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. 2C4r and sig. 2D1v. [See more information about this map.]
Blome, Richard. Shoreditch Norton Folgate, and Crepplegate Without Taken from ye Last Survey with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. G1r and sig. G2v. [See more information about this map.]
Blome, Richard. Spitt Fields and Plans Adjacent Taken from Last Survey with Locations. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. F4r and sig. G1v. [See more information about this map.]
Blome, Richard. St. Olave and St. Mary Magdalens Bermondsey Southwark Taken from ye last Survey with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. C2r and sig.C3v. [See more information about this map.]
Blome, Richard. Tower Street Ward with its Division into Parishes, Taken from the Last Survey, with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. E2r and sig. E3v. [See more information about this map.]
Blome, Richard. Walbrook Ward and Dowgate Ward with its Division into Parishes, Taken from the Last Surveys. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. 2B3r and sig. 2B4v. [See more information about this map.]
Blome, Richard. The Wards of Farington Within and Baynards Castle with its Divisions into Parishes, Taken from the Last Survey, with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. Q2r and sig. Q3v. [See more information about this map.]
The City of London as in Q. Elizabeth's Time. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Frontispiece.
A Map of the Tower Liberty. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. H4v and sig. I1r. [See more information about this map.]
A New Plan of the City of London, Westminster and Southwark. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Frontispiece.
Pearl, Valerie. Introduction. A Survey of London. By John Stow. Ed. H.B. Wheatley. London: Everyman's Library, 1987. v–xii. Print.
Pullen, John. A Map of the Parish of St Mary Rotherhith. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 2. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. Z3r and sig. Z4r. [See more information about this map.]
Stow, John. The chronicles of England from Brute vnto this present yeare of Christ. 1580. Collected by Iohn Stow citizen of London. London, 1580.
Stow, John. A Summarie of the Chronicles of England. Diligently Collected, Abridged, & Continued vnto this Present Yeere of Christ, 1598. London: Imprinted by Richard Bradocke, 1598.
Stow, John. A suruay of London· Conteyning the originall, antiquity, increase, moderne estate, and description of that city, written in the yeare 1598. by Iohn Stow citizen of London. Since by the same author increased, with diuers rare notes of antiquity, and published in the yeare, 1603. Also an apologie (or defence) against the opinion of some men, concerning that citie, the greatnesse thereof. VVith an appendix, contayning in Latine Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. London: John Windet, 1603. STC 23343. U of Illinois (Urbana-Champaign Campus) copy.
Stow, John, The survey of London contayning the originall, increase, moderne estate, and government of that city, methodically set downe. With a memoriall of those famouser acts of charity, which for publicke and pious vses have beene bestowed by many worshipfull citizens and benefactors. As also all the ancient and moderne monuments erected in the churches, not onely of those two famous cities, London and Westminster, but (now newly added) foure miles compasse. Begunne first by the paines and industry of Iohn Stovv, in the yeere 1598. Afterwards inlarged by the care and diligence of A.M. in the yeere 1618. And now completely finished by the study and labour of A.M. H.D. and others, this present yeere 1633. Whereunto, besides many additions (as appeares by the contents) are annexed divers alphabeticall tables; especially two: the first, an index of things. The second, a concordance of names. London: Printed by Elizabeth Purslovv for Nicholas Bourne, 1633. STC 23345. U of Victoria copy.
Stow, John, The survey of London contayning the originall, increase, moderne estate, and government of that city, methodically set downe. With a memoriall of those famouser acts of charity, which for publicke and pious vses have beene bestowed by many worshipfull citizens and benefactors. As also all the ancient and moderne monuments erected in the churches, not onely of those two famous cities, London and Westminster, but (now newly added) foure miles compasse. Begunne first by the paines and industry of Iohn Stovv, in the yeere 1598. Afterwards inlarged by the care and diligence of A.M. in the yeere 1618. And now completely finished by the study and labour of A.M. H.D. and others, this present yeere 1633. Whereunto, besides many additions (as appeares by the contents) are annexed divers alphabeticall tables; especially two: the first, an index of things. The second, a concordance of names. London: Printed by Elizabeth Purslovv [i.e., Purslow] for Nicholas Bourne, 1633. STC 23345.
Stow, John. A Survey of London. Reprinted from the Text of 1603. Ed. Charles Lethbridge Kingsford. 2 vols. Oxford: Clarendon, 1908. Remediated by British History Online. [Kingsford edition, courtesy of The Centre for Metropolitan History. Articles written after 2011 cite from this searchable transcription.]
Stow, John. A Survey of London. Reprinted from the Text of 1603. Ed. Charles Lethbridge Kingsford. 2 vols. Oxford: Clarendon, 1908. See also the digital transcription of this edition at British History Online.
Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ &nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. 23341. Transcribed by EEBO-TCP.
Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ &nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Folger Shakespeare Library.
Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ &nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. London: John Windet for John Wolfe, 1598. STC 23341.
Stow, John. A SVRVAY OF LONDON. Coteyning the Originall, Antiquity, Increaſe, Moderne eſtate, and deſcription of that City, written in the yeare 1598, by Iohn Stow Citizen of London. Since by the ſame Author increaſed with diuers rare notes of Antiquity, and publiſhed in the yeare, 1603. Alſo an Apologie (or defence) againſt the opinion of ſome men, concerning that Citie, the greatneſſe thereof. With an Appendix, contayning in Latine Libellum de ſitu & nobilitae Londini: Writen by William Fitzſtephen, in the raigne of Henry the ſecond. London: John Windet, 1603. U of Victoria copy. Print.
Strype, John, John Stow. A SURVEY OF THE CITIES OF LONDON and WESTMINSTER, And the Borough of SOUTHWARK. CONTAINING The Original, Antiquity, Increase, present State and Government of those CITIES. Written at first in the Year 1698, By John Stow, Citizen and Native of London. Corrected, Improved, and very much Enlarged, in the Year 1720, By JOHN STRYPE, M.A. A NATIVE ALSO OF THE SAID CITY. The Survey and History brought down to the present Time BY CAREFUL HANDS. Illustrated with exact Maps of the City and Suburbs, and of all the Wards; and, likewise, of the Out-Parishes of London and Westminster, and the Country ten Miles round London. Together with many fair Draughts of the most Eminent Buildings. The Life of the Author, written by Mr. Strype, is prefixed; And, at the End is added, an APPENDIX Of certain Tracts, Discourses, and Remarks on the State of the City of London. 6th ed. 2 vols. London: Printed for W. Innys and J. Richardson, J. and P. Knapton, and S. Birt, R. Ware, T. and T. Longman, and seven others, 1754–1755. ESTC T150145.
Strype, John, John Stow. A survey of the cities of London and Westminster: containing the original, antiquity, increase, modern estate and government of those cities. Written at first in the year MDXCVIII. By John Stow, citizen and native of London. Since reprinted and augmented by A.M. H.D. and other. Now lastly, corrected, improved, and very much enlarged: and the survey and history brought down from the year 1633, (being near fourscore years since it was last printed) to the present time; by John Strype, M.A. a native also of the said city. Illustrated with exact maps of the city and suburbs, and of all the wards; and likewise of the out-parishes of London and Westminster: together with many other fair draughts of the more eminent and publick edifices and monuments. In six books. To which is prefixed, the life of the author, writ by the editor. At the end is added, an appendiz of certain tracts, discourses and remarks, concerning the state of the city of London. Together with a perambulation, or circuit-walk four or five miles round about London, to the parish churches: describing the monuments of the dead there interred: with other antiquities observable in those places. And concluding with a second appendix, as a supply and review: and a large index of the whole work. 2 vols. London : Printed for A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. ESTC T48975.
The Tower and St. Catherins Taken from the Last Survey with Corrections. A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. By John Stow and John Strype. Vol. 1. London: A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, B. Tooke, D. Midwinter, B. Cowse, R. Robinson, and T. Ward, 1720. Insert between sig. H4v and sig. I1r. [See more information about this map.]
Wheatley, Henry Benjamin. Introduction. A Survey of London. 1603. By John Stow. London: J.M. Dent and Sons, 1912. Print.
Suffolk House was located on the west side of Blackman Street near St. George Southwark and was just south of the area depicted on the Agas map (Walford). Stow claims that Suffolk House was built by the Duke of Suffolk, Charles Brandon, during the reign of Henry VIII (Stow 1633, sig. 2Q5v), while Ida Darlington asserts that a residence owned by the Brandon family, known as Southwark Place, existed at this location prior to Henry VIII's reign (Darlington).
Suffolk House is mentioned in the following documents:
Bridge Without Ward or the Borough of Southwark is located outside of the Wall south of the Thames. The ward, like Bridge Within Ward, is named after London Bridge.
Bridge Without Ward is mentioned in the following documents:
Gazetteer (B)
Southwark is mentioned in the following documents:
Gazetteer (H)
Gazetteer (M)
Maiden Lane (Southwark)
Sentlegar House
St. George Fields
White Lion
Documents using the spelling Antelope
Documents using the spelling Antelope (Southwark)
Documents using the spelling Antilope


text:
Wadia ist der Familienname folgender Personen:

 Bahman Pestonji Wadia (1881–1958), indischer Theosoph
 Darashaw Nosherwan Wadia (1883–1969), indischer Geologe
 Homi Boman Wadia (1911–2004), indischer Filmregisseur und -produzent
 Jamshed Boman Homi Wadia (1901–1986), indischer Filmregisseur und -produzent
 Lovji Nusserwanji Wadia (1702–1774), indischer Schiffsbauer
 Nina Wadia (* 1968), indisch-britische Schauspielerin

redpajama_set_name: RedPajamaWikipedia


text:
\section{Supplemental Material}

\subsection{Series expansions of the IS attractor}

For Israel-Stewart theory, it is well-known that the late time (fluid-dynamic) expansion in powers of $1/t$,
\begin{align}
x_-(t) &= \frac{1}{3} + \sum_{i=1}^{\infty} \frac{h_i}{t^i}\, , \label{eq5}\\
h_1 = -\frac{1}{3} (16 a)&\, , h_2 = -\frac{176 a}{27}\, , \dots
\end{align}
is an asymptotic, non-convergent but Borel-resummable series~[6].
We contrast this hydrodynamic expansion with the corresponding early-time
expansion of $x_-(t)$. Expansion in  powers of $t$ is possible
since $x_-(t)$ is regular for $t\to0$~[3, 17]
\begin{align}
x_-(t) &= x_-(0) + \sum_{i=1}^{\infty} s_i t^i\, ,  \label{eq7} \\
s_1 = \frac{4  \sqrt{5 a }}{9  \sqrt{ 5 a }+10} &, s_2 =  -\frac{60 \left(2 a+ \sqrt{ 5 a}\right)}{\left(\sqrt{5 a}+2\right) \left(9  \sqrt{ 5 a}+10\right)^2}\, ,  \dots
\nonumber
\end{align}
We have calculated these coefficients to high order.
The coefficients of the series of eq.~(\ref{eq7}) are shown in the upper panel of Fig.~\ref{Pade}. The high-order coefficients determine the convergence properties of the series. That the high-order coefficients seem to saturate to $\sim 0.24^n$ suggests that the radius of convergence is that of a geometric series $\sum (0.24 t)^n$, that is $|t|\lesssim 4$. Consistent with that, the solution continued to complex $t$ shows non-analytic structures away from the real axis at $|t| \sim 4$.Therefore, unlike the late-time expansion, this early-time series is convergent, and inclusion of higher orders leads to a better agreement
within the radius of convergence $\approx 4$, see Fig.~2. Standard Pad\'e analysis shows that the convergence radius is set by a pair of poles at position $\approx \pm 4i$ in the complex $t$-plane, see Fig.~\ref{Pade}.
The early-time expansion can be analytically continued to any finite $t$ beyond its radius of convergence; the green-dashed line in Fig.~2 corresponds to a [10/10]-order Pad\'e  approximant
that---in the displayed $t$-range---is indistinguishable within line-width from the full result.

\begin{figure}[h]
\includegraphics[width=0.4\textwidth]{IScoeffs.pdf}
\includegraphics[width=0.4\textwidth]{ISPadeZeros.pdf}
\caption{Upper panel: The $n$'th root of the $n$'th order coefficient of the convergent single-hit expansion in the IS theory, eq.~(\ref{eq7}). Lower panel: The approximate analytic structure of the attractor solution. The dots correspond to the zeros of the denominator of the [50/50]-order Pad\'e-approximant of the series in eq.~(\ref{eq7}).}
\label{Pade}
\end{figure}

\subsection{Early-time power law decay to the RTA attractor}
For systems with transverse translational symmetry, the Boltzmann equation (7) can be reduced to a tower of moment equations
(see e.g. [8, 18])
\begin{equation}
\partial_{\tau} p_{l}+\frac{1}{\tau}\left[(2 l+1) p_{l}-(2 l-1) p_{l+1}\right]=\frac{-1}{\tau_{\rm R}}\left[p_{l}-\frac{1}{2 l+1} \varepsilon\right]\, ,
\label{eq11}
\end{equation}
where $p_{l} \equiv \int_{-1}^{1} \frac{d v_{z}}{2} \int \frac{4 \pi d p p^{3}}{(2 \pi)^{3}} f  v_{z}^{2l} $; this definition implies $0 \leq \dots \leq p_2\leq p_1\leq p_0$.
According to (\ref{eq11}), evolution of $x=p_L/\varepsilon$ is coupled to higher moments. To characterize
the early-time power law decay to the attractor, we rewrite
the hierarchy of RTA moment equations (\ref{eq11}) for $x_l\equiv p_l/\varepsilon$,
\begin{eqnarray}
	\left(\frac{3}{4}-\frac{x}{4}\right) \frac{d x_l}{d t}&=&
	- \frac{(2l-x)x_l -(2l-1) x_{l+1}}{t}
\nonumber \\
&&	+\left(\frac{1}{(2l+1) }	- x_l\right)\, .
\label{eqa1}
\end{eqnarray}
Here, $x=x_1$; eq.~(8) is the first ($l=1$) of these moment equations.

Fig.~\ref{figRTAapp} shows that the early-time power law decay of $x(t)$ towards the attractor becomes $\delta \sim t^{-8/3}$.
This late-time evolution is insensitive to details of the initial $v_z$-distribution (see [32]) and it thus does not depend on the initialization values of higher moments. We understand this numerical finding from the observation that irrespective of initial conditions, higher moments decay early to their attractor solution. For instance, the early-time decay of $y(t)$ is consistent with $\sim t^{-16/3}$, see also Fig.~\ref{figRTAapp}

\begin{figure}[h]
\begin{center}
  \includegraphics[width=0.4\textwidth]{RTAattractapproach2.pdf}
\end{center}
  \caption{The early-time decay of $x(t)$ to the RTA attractor (thick blue line same as in Fig.~1) follows a power-law
  almost independent of the initial condition for the higher moment $y(t)$ (dashed and straight red line). This power law decay
  seizes when the interaction rate becomes comparable to the expansion rate (see grey line and discussion in text).}
\label{figRTAapp}
\end{figure}
According to the right hand side of (8), we expect the interaction rate (terms independent of $\propto t$) to balance the
expansion rate ($\propto t^{-1}$) as soon as $x(t) \approx \textstyle\frac{1}{6} t \left(1- 3 x(t) \right)$. As seen from Fig.~\ref{figRTAapp},
it is at this time that the power law decay to the attractor seizes to persist. This further illustrates that expansion forces the decay to
the attractor prior to any contribution from the interaction rate.

In complete analogy to IS theory, also the late-time expansion of RTA kinetic theory is a non-convergent
asymptotic and Borel-resummable series.  The early-time expansion results is a convergent series
\begin{align}
x(t) = &\left(1-\frac{3 h_{-5}}{8}  \right) t \\
         &+ \frac{(15 h_{-5}-8) (h_{-5}-2 h_{-2})}{64} t^2 + \mathcal{O}(t^3)\nonumber, \\
         h_n = & \frac{4 \, _3F_2\left(\frac{1}{2},\frac{1}{2},1;\frac{3}{2},\frac{n}{8}+2;1\right)}{n+8}+\frac{4}{n+12}\, ,
\end{align}
that we have evaluated to high order. In complete analogy to IS theory, it can be analytically continued to any $t$ beyond its radius of convergence. Results of this expansion
are displayed in Fig.~2.

\subsection{A rapidly converging approximation to the IS attractor solution}
In the course of the present study, we stumbled upon a rapidly converging, analytic approximation.  While this solution is not needed for any step of the present paper, we document it in this
supplemental material.

The approximation is obtained by inserting into (\ref{eq3}) the Taylor series
\begin{equation}
	x_-(t) = \sum_{l=0}^{l_{\rm max}} c_l(t_*) \left( t-t_* \right)^l\, .
	\label{eqc1}
\end{equation}
 Here, expansion is around an arbitrary time $t_*$. Collecting powers of $t$ in (\ref{eq3}), one can express all coefficients $c_l$, $l\geq 1$, as rational
functions of $c_0$ and $t_*$. Since the derivative $dx/dt $ of the attractor solution must not diverge in the limit
$t \to 0$, one requires
\begin{equation}
	x_-(t=0) = \frac{1}{15} \left(5 - 4 \sqrt{5} \right) = \sum_{l=0}^{l_{\rm max}} c_l(t_*) \left(-t_* \right)^l \, ,
	\label{eqc2}
\end{equation}
where the right-hand side is now an explicitly known rational function of $c_0(t_*)$ and $t_*$. Thus,
(\ref{eqc2}) defines $c_0(t_*)$ implicitly in terms of $t_*$. By construction, see eq. (\ref{eqc1}),
$c_0(t) = x(t)$ is the attractor solution, and (\ref{eqc2}) therefore provides an implicit expression for this solution.
As seen in Fig.~\ref{fighyd}, even for a truncation at the lowest order $l_{\rm max} =1$, the accuracy of this procedure
is comparable to that of the slow-roll approximation \cite{Heller:2015dha}, and it improves rapidly upon including higher orders in the
truncated ansatz (\ref{eqc1}).

\begin{figure}[b]
\begin{center}
    \includegraphics[width=0.4\textwidth]{Fig1attractor.pdf}
  \includegraphics[width=0.4\textwidth]{Fig2attractor.pdf}
\end{center}
  \caption{
 Upper panel: The IS attractor solution, compared to its slow roll expansion, and compared to the approximation $x(t) = c_0(t)$ where $c_0$ is determined from
  expanding (\ref{eqc1}) to first, second and third order respectively. Lower panel: the difference between the full IS attractor solution and the result obtained in
  the various approximations.}
\label{fighyd}
\end{figure}

\end{document}

redpajama_set_name: RedPajamaArXiv


text:
Q: Confidence Interval difference in means Interpretation I have a negative confidence interval ((-35.346,-8.570) for an independent samples t-test.
I understand confidence intervals for the mean. However, I am uncertain about the interpretation of the confidence interval for a difference in means.
Is this an accurate interpretation?
The confidence interval for mean difference in life satisfaction for the two groups is (-35.346,-8.570); as this interval does not contain zero, I can be confident that I have used a method that that will produce significantly different or unequal population means 95% of the time.
Or should I interpret the CI as follows:
The confidence interval for mean difference in life satisfaction for the two groups is (-35.346,-8.570); as this interval does not contain zero, I can be 95% confident that the population means are significantly different or unequal.
Is this splitting hairs?

A: The first interpretation is incorrect, but the second one is correct.
What will happen in multiple studies is dependent on the power and the true difference, not the confidence interval, so saying that something will happen 95% of the time based on this interval is incorrect.
The second paragraph is a correct interpretation, further you can conclude that the 2nd group has a higher mean than the first group (the entire interval is negative).

A: By this confidence interval you are confident that if you draw random samples 100 times that in 95 cases (95%) the mean of the second sample is statistically signifanct larger than the mean of the first sample. Hence, you are 95% confident that the mean of the second sample's population is larger than the mean of the first sample's population. This is, since the test adresses to draw inference from the samples to the population.
Therefore you can also interpret that the two samples do not come from the same population since they have different means.

redpajama_set_name: RedPajamaStackExchange


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text:
In Context: The Master Builder
Katherine Borowitz, John Turturro, and Wrenn Schmidt. Photo by Graeme Mitchell.
Henrik Ibsen's The Master Builder runs at BAM through Sunday, June 9. Context is everything, so get even closer to the production with this curated selection of articles, videos, and original blog pieces related to the show. For those who've already seen it, help us keep the conversation going by telling us what you thought below.
"Kindred Spirits: Ibsen, Maeterlinck, and Freud"
Symbolism reigns in Ibsen, a fact that wasn't lost on a two turn-of-the-century intellectual giants.
"John Turturro: The Mid-Eighties Hat Trick"
Nate Gelgud provides an illustrated look at the pre-Spike Lee, pre-Coen Brothers John Turturro.
"A Sam Waterson-Inspired Tour of Brooklyn Architecture"
A tour of great Brooklyn buildings with Columbia professor Andrew Dolkart, inspired by a classic scene from Woody Allen's Hannah and Her Sisters.
"To Each His Own Hilde"
Read what early reviews had to say about The Master Builder's Hilde Wangel, at once a "victim of nymphomania" and a "healthy, buoyant creature of the mountains.
BAM Trailer for The Master Builder (YouTube)
Get a taste of BAM's shadow-dappled take on The Master Builder.
On Set with Santo Loquasto (YouTube)
John Turturro isn't the only master builder featured in BAM's production.
BAM Artist Talk: The Master Builder with John Turturro and Andrei Belgrader (YouTube)
Turturro and Belgrader discuss their time at Yale, the task of distilling Ibsen, and much more.
"That Period Look, Ringlets and All" (The New York Times)
The Master Builder's Wrenn Schmidt talks about playing Hilde Wangel, the perfect tattoo, and more.
"Ibsen's The Master Builder" (The Guardian)
The master builder as Ibsen in disguise? Hilde as a Nietzschean übermensch? A critic looks for subtext.
"10 Actresses to Watch in 2013 (IndieWire)
Boardwalk Empire's Wrenn Schmidt, who plays Hilde in The Master Builder, made the cut.
"The Pack Rat Who Supplies the Scenic Illusion" (The New York Times)
A profile of the "inveterate hunter-gather" Santo Loquasto, set designer of The Master Builder.
A Town Hall with John Turturro (YouTube)
Turturro reflects on telling Michael Bay to blow his nose, being terrified of Endgame, pitching a sequel for "The Jesus," and much more.
An 1893 Review of the The Master Builder at London's Trafalgar Square Theater (Ibsen.net)
"The blunder has been made. "Master-Builder Solness" has been played upon the London stage," blustered the Pall Mall Gazette in 1893.
The Master Builder by Henrik Ibsen (Gutenberg.net)
Download a free version of the play to read on your Kindle or online.
Leon Trotsky on Ibsen's Women (Marxists.org)
Can the seeds of revolution be found in The Master Builder's Kaja Fosli or Hedda Gabler? Trotsky opines.
Worthwhile Words
Belgian symbolist poet Maurice Maeterlinck, writing in a New York Times article from 1894 about The Master Builder:
[Hilde and Solness's] talk resembles nothing which we have heard until now, because [Ibsen] has tried to mingle in the same expression the interior and the exterior dialogue. There reign in the somnambulic drama I know not what new powers. Everything that is said in it hides and discovers at the same time the sources of an unknown life. And if we are astonished, we must not lose sight of the fact that our mind is often, in our poor eyes, a very foolish power, and that there are in men many regions more fecund, more profound, and more interesting than those of reason or of intelligence.
Now Your Turn . . .
So what's your verdict? Once you've seen the show, tell us what you thought about the play, the sets, John Turturro's climbing skills, or anything else that might be on your mind in the comments below.
Labels: John Turturro, Leon Trotsky, Nate Gelgud, Santo Loquasto, The Master Builder, Wrenn Schmidt
Master builder May 16, 2013 at 8:07 AM
I have not seen the show but it is a nice article about master builder.Thanks for sharing it.Master builder
I just saw the play today. I agree with some of the previous postings. Mr. Turturro made the play & he needed to be in the company of actors as skilled as he is. Ms. Schmidt was a horrible match, and yes, she got on my nerves too. The themes toyed with were wonderful & awakening, I loved them (as a woman in her mid-50's). But sadly, the master builder, a man in middle age crises was paired with a young adolescent woman, as if they could bond by sharing a similar yearning. The master builder, a now tired & once a driven man, can only attach himself to Hilde because of his narcissistic/insecure need to hear her continued praises of him. He grieves for a legacy he could have had, & sees the hope to plant such a seed via Hilde...but she is too immature & as self-absorbed as he is to understand his longing need. Instead, he must prove himself to her as if he is still a virile man & in the end, it is futile....a very appropriate theme for today's man, or for any man in every generation (as viewed by Ibsen). As an aside, the set was very imaginative & did convey the theme dealt with throughout the play. Thank you.
John Turturro is brilliant, as always, Katherine Borowitz is excellent is her controlled anguish. Whoever Wrenn Schmidt is, she's dreadful in this role of Hilde. She's not seductive or engaging, speaks in an uncomfortable monotone and we couldn't wait to get away from her. I was disturbed that some scenes sparked laughter in the audience when I don't believe it was meant to be funny. That speaks to a problem in the translation. The other characters were benign. Sorry to say the production was disappointing. When I think about Kate Blanchett as "Hedda," a searing performance, or "John Gabriel Borkman," I'm sorry to say "Master Builder" pales as an evening of theater.
I agree with "Anonymous", however I thought that Katherine Borowitz could have been any other actor. In the scene when she is talking to Hilde about the babies and her nine dolls, nothing could have been more underplayed. Hilde frankly, just got on my nerves. Turturro's acting was outstanding. Is there something known as an "uneven cast"?
Saw the show last night. The performance felt like a rehearsal. The cast was certainly uneven in my opinion. Hilda played sexual and childish instead of embodying those qualities. As a result, she never really played her objectives. The director along with the actors skimmed the surface of the play. The real danger that hounds 'The Master Builder' was never quite embrace and unfortunately I never felt any awe or grief at the end of play. I was kinda like..."Oh, it's 9:43...that was a waste of time."
This is a master work and along with that comes a level of complexity and difficulty that cannot be seized upon in such a blase manner let alone in 3 weeks of rehearsal!
I am a huge fan of BAM and have seen so many amazing performances, but this was awful. Hilda was TERRIBLE and the doctor was also horrible, though luckily played a small part. It was overacted and just plain awful. John Turturo was fine, not great. I looked at my watch at least 5 times, waiting for it to be over.
As a new member of BAM, this is the 3rd production that I have been to in the last 3 months. None of them were worth the price of admission including this one. The worst part of the experience was the seating. In the Sharp Building the seats are unbelievably uncomfortable with terrible sight lines. In the Harvey Theater my seat was behing a pole. Those seats should not be given away FREE, never mind charged for.
REALLY BAM
Best in cast but all too brief: Julian Gamble. Otherwise, a dreadful production: misinterpreted, sometimes shrill (Hilde), the leads every move practiced and bizarre,the final THUD, comic relief.
BAM deserves better.
I was there Friday night. Full house. No walkouts that I could tell from my perch in the balcony. The translation is full of humor and life and the audience got that and seemed to appreciate it very much. The production was well cast and well played ... I'm not sure what all the carping is about - I thought it was one of the best Ibsens I've seen. Certainly far better than the bloated Borkman of a couple of years ago.
I'm afraid that I have to agree with the negative comments. I saw the production Sunday evening. I also thought that Wrenn Schmidt was dreadful but we have to criticize the director. I guess he wanted the little girl voice and she was about as sexy as an old crutch. Totally unbelievable that Solness could find her attractive in any way. I went specifically to see John Turturro who I admire very much. But even he seemed lost in this production.
Frank Braio May 20, 2013 at 4:37 AM
The BAM production of 'The Master Builder' is a masterpiece. There has been an amazing contraction of a much longer text to its minimal but
essential meanings. The rotating, off-center stage and the minimalist addition of music to portions of the dialogue deepen the action of the play that is itself ever a-tilt. The Solness and Hilde characters are magnificently played by Turturo and Wrenn. The portrayal of the self-destructiveness behind their yearnings for immortal achievement, control over secret powers and kingdomly love are haunting. As are their concluding cathartic falls from their imaginary heights.
Robert @ BAM May 20, 2013 at 2:22 PM
If anyone is interested in hearing more about the "contracted" script that Frank mentions, listen to John Turturro and director Andrei Belgrader discuss it here.
A poor adaptation of the original work; and an uneven performance at best; but, in a way, glad I saw it
It was a fantastic and accessible translation very well acted. amazing set!
Hilde is played as a tramp not an ominous and destructive muse, consequently her ability to invade and inhabit the mind of the masterbuilder is beyond comprehension.
I must agree with the negative comments here. As a long time BAM lover, this must have been my worst experience. It seems like BAM did not take enough time in the choice of this play, or perhaps it was just a period play meant to please, rather than move?
The actors were empty cardboard shells lavished in their costuming and the set....
Elena Ouspenskaia May 25, 2013 at 10:58 PM
One of the most mysterious of his plays.
Could not be better fit for the lead role of Halvard Solnes than than John Turturro. It is indeed good! Wonderful Katherine Borowitz as Aline Solnes - plays perfect!!! And the other actors are very convincing.
Big disappointment is Hilda. The young actress with doll's voice, and the doll look. She plays a young lady, who every now and then spreads her legs, so wanting to grab the attention of Solnes. In Ibsen's play this is a second most important character, which makes a big change in Halvard's life and his wife, a pretty strong character. And we don't see it. I assume, that It's hard to play with a partner who does not give any momentum. Looks like John Turturro in some scenes actually played for two.
Design, music, light - as always impeccable.
And even with a weak Hilda, it's a very good show! Although questions remain, same like they stay after reading the play. But still worth watching. Big thanks to all - I really enjoyed it!
Too much emphasis on the sexual dimension of the play (e.g., sprawling on the floor)and too little on the Nitzchean dimension (freedom for the superman). But I enjoyed the play very much and thought it was a great production.
Loved the production. Beautiful performances, Especially Katherine Borowitz. I'm so glad I saw this. I love Ibsen and this, for me , was a wonderful experience.
Master Builder was pretty bad. I was embarrassed for all the actors in the production. I saw Macbeth the following day and THAT was brilliant.
Saw it Sat. matinee. Hilde was seductive but not bewitching; the Master Builder was not possessed in mind and soul. The production was engaging but missing the soul wrenching depth Ibsen surely intended.
Once I took the point of view that the characters were intended as symbols, not real people, I got a lot out of the play. As an artist, I identified with what the Master Builder was going through, and I took the Hilde character as a kind of succubus/muse who leads him back to the libido, as in life force, of his early career and inspiration. I didn't see the ending as automatically tragic, as far as he was concerned. I didn't care for the performance of the actor who played Hilde, but in seeing her as a symbol, I could view her as absurdly stylized with a purpose. I kind of wondered about Mr. Turturro's portrayal of the climactic scene... specifically the sound he makes... I don't want to give anything away, but those who have seen the play may have some thoughts on this?
I love John Turturro's work. I was there Sunday with my Mom who was visiting from Boston. We both loved it! Thank you for a great performance!
Carole Di Tosti May 29, 2013 at 11:33 PM
Well, I have to respectfully disagree with Anonymous...all of them who are negative and unidentifiable. I saw the performance Wednesday, May 29th. I always shudder when I attend performances on Wednesday...a different crowd, often older, often from the burbs with less intellectual savvy and patience for depth and gut wrenching life onstage. The audience was OK, though...this was BAM, not Broadway, after all. I was thrilled with this production. Saw the play with a truly rotten translation starring Patrick Stewart who did the best he could, but there was no life and the lackluster muddied production lay there like a dead fish.
I knew this would be different because of the translation and the direction and the actors. Turturro's stilted, affected portrayal in the beginning was off putting (as it should be) and then in his portrayal, he allows through the cement walls of this man cracks through which glimpses of light peak through, grow and expand gradually as the play progresses, of course, brought out by Hilde who relentlessly chisels and hammers away to bring him to truth. Nuanced relationship and wonderful work by Turturro and Wrenn. Above all clear and precise translation makes for a brilliant rendering of characters. Thought Wrenn was phenomenal; a combination of seductress, siren, muse, child, fairy, and La Belle Dame Sans Merci, driven by her own passions for kingdoms whether of heaven or hell matters not...but the kingdom indeed is hers and she owns The Masterbuilder by the end and has achieved her possession. Turturro's litany describing when as the Masterbuilder he climbed to the steeple top in defiance of God and as his equal...andachieves freedom...is truly anointed. I never felt God more... Turturro's passion spot on...what an irony, c'est vrai? Borowitz was wonderful, repressed, poignant, transcendent in tragically becoming the stereotypic woman of that time, long suffering, doing her duty. In her sensibility she has no other choice-amazing. The audience liked her for the dark/tragic ironic humor.
Loved the ending... thought it was much more powerful than in the other production/translation I had seen. And what color is the tower he climbs? Ah ha! (loved the turn table set...round and round and round...functional to be sure...yet the characters going in circles and caught in the turnings of whatever)...as Masterbuilder says, this is what I am (implying he can't change). But he is transformed, is he not by the play's end? Truly memorable...the other production so forgettable...(sorry, I do not mean to compare, but I can't help it). I will be seeing this again. I'm a huge theater goer. The production joined the ranks of rare productions of living theatre that lifted me rather Greek-like to a catharsis...Bravo actors and director.
Susan May 30, 2013 at 8:39 PM
I loved the production. This play compelled me to start studying Norwegian almost 40 years ago since its interpretative possibilities are so vast. In this production I was thrilled with the use of the audience as witness to Solness--the sun's--climb and fall. I loved the proliferation of plants made so apparent. I was transfixed by the stage cracking open into the cosmos where time and space coalesced with verdant forests and the full moon and stars on the autumnal equinox. Transcendent. Congratulations.
Left at the end of act one. Couldn't hear, much of the acting dreadful, just not a good play or production.
My mom came in from Boston to see the show with me last Sunday. We loved it. John Turturro is amazing. Thanks to all for a powerful performance!
Roger Benington June 3, 2013 at 11:02 AM
Overall I was very disappointed in this production. Lead by John Turturro, and no doubt sanctioned by Anrei Belgrader, the acting style felt declamatory in an old-fashioned way. I wondered at first whether this mode of performance might in fact have been chosen to support the heightened, symbolic and expressionistic text. There were elements of this in the design, too. However, ultimately, I did not feel that such loud emphatic delivery was of much use, or necessary, in communicating the deeper ideas of the play. Many of the performances suffered as a result, John Turturro's being the first. He seemed quite adept at playing the egomaniacal hubris of Solness, but I never truly saw the fear that grips that character's core, the fear of his power being usurped by youth. Early in the first act, there are ample opportunities to convey the shaky confidence on which this man's career is built. I never once saw the fear crack through in Mr. Turturro's performance, or detected his alarm when he learns that his clients would prefer his assistant's work to his own. Regularly, the actors (it seemed to me) had been directed to walk downstage and "open up" to the audience. This robbed them of many moments of authentic discovery, and smacked of an old-fashioned performance mode. Again, while this is a style that probably harks back to the theatrical conventions employed when the play was first written, it seems now outdated and disconnected with the contemporary audience that BAM serves. (I could not help remembering the thrilling spontaneity that Janet McTeer achieved in A Doll's House on Broadway several years ago.) Wrenn Schmidt, while delightful in the role of Hilde, similarly missed many opportunities to play the other layers that psychology suggests might be present in a young girl whose innocence was essentially robbed by the Materbuilder when she was a child of 13. Where, in her performance was the anger and the need for retribution? It seemed that the dial on her performance was set only to seduction, and in fact as played, her final achievement in the production was an orgasmic climax.
Certainly for my taste this production did not mine the work to it's fullest. I felt as though many of the minor roles were performed without must lustre, with the text being declared rather than originating in an inspired impulse.
I would praise the set, for it's simplicity and the perfect way that it conjured the framework of both construction scaffolding and the lines of draftsman's blueprint in a metal structure that towered and loomed symbolically and forebodingly over the Solness house. But all admiration for the design disappeared in the final moments when the steeple was revealed upstage. Sure it was leaning at an angle with the rest of the set, but it suddenly felt so literal while the design up until that point had been abstract. Worst of all though it pulled the eye to Solness in a moment where Hilda's triumph ought to have been the focus. (And did we really need to hear the body thud as it "hit" the ground, which just felt comic?)
The Masterbuilder is one of the greatest plays ever written in my opinion. It is full of ambiguity and meaning and so richly open to interpretation. Sadly I don't think this production gave us any more than the surface of those possibilities. And yet, I love that I got to see it. I love that I was disappointed by the production. I love that I reacted to what in my opinion were poor choices on the part of the director, scenic designer and actors. And I thank the producers for giving me the chance to dialogue with Ibsen's text, to hear possibilities even when I am not seeing them on stage.
We were later than we expected to be, but were welcomed, and supported by all the BAM staff both inside and outside the theatre to get to our seats (in the front row) before the play began. We thought the play and the actors marvelous, and the set fantastic. It was thoroughly enjoyable.
Great play, but a really disappointing production. The acting was truly horrible, with the sole exception of Katherine Borowitz, who seemed to telegraph the kind of Xanaxed-out sleepwalking that must have gone into the 'directing.' The audience was actually laughing; the final scene was especially inane. The live music was a nice touch, but seemed to serve as a kind of apology for the lack of anything else to focus on. The set could not have taken more than 10 minutes to conceive. It might have worked with less superficial performances, but this was an embarrassment to the New York stage, BAM.
Gayle June 5, 2013 at 11:18 PM
Thank you, Santo Loquasto, for the brilliant set. It was there for me to enjoy when the play went off the rails. I thought the direction concentrated way too much on the "Ibsen as pre-Freudian" that the director mentioned in his commentary on the play, and used every scene between Halvard and Hilde as foreplay to a consummation that never comes. Honestly, I would have been more entertained by a more thoughtful examination of the individual characters and what they say and mean to each other. Stunned by a very brief appearance of Julian Gamble in a small part...he managed to get the period, the character, and I was actually moved by his performance. But thank you, BAM, for presenting such interesting, not-seen-all-that-often theater.
Makeover Games July 17, 2014 at 3:03 AM
I really loved the production. Beautiful performances, Especially Katherine Borowitz. I'm so glad I saw this. I love Ibsen and this, for me , was a wonderful experience.Thanks.
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Third-Party Claims Require Proof of Privity of Contract
Indiana court outlines the criteria needed to allow a third-party claim against a subcontractor
Privity of contract is required to successfully pursue a claim for breach of contract.
An issue that often arises is whether an owner can file a claim against a subcontractor who has contracted with the prime contractor but not directly with the owner.
Courts decide this issue based upon whether an owner is a third-party beneficiary. Kent Holland's article in ConstructionRisk.com outlines the reasoning of the U.S. District Court for the Northern District of Indiana in finding that privity of contract did exist in City of Whiting v. Whitney, Bailey, Cox & Magnani, LLC, (U.S. District Court, N.D. Indiana, March 20, 2018).
The city entered into a contract with American Structurepoint, Inc. to provide engineering "to develop a waterfront property along Lake Michigan."
American Structurepoint "subcontracted with Whitney … to design a rock revetment along the shoreline for protection. The revetment failed three times according to the city's complaint."
The city, after settling with Structurepoint, filed suit against Whitney "to recover additional damages." Whitney filed for summary judgment claiming lack of privity of contract. The court rejected the defendant's argument.
It explained that there are three things that must be proven to allow a complaint for breach of contract to go forward. "'A plaintiff must show: (1) [a] clear intent by the actual parties to the contract to benefit the third party; (2) [a] duty imposed on one of the contracting parties in favor of the third party; and (3) [p]erformance of the contact terms is necessary to render the third party a direct benefit intended by the parties to the contract.'"
The court found the city provided evidence that met the burden of proof for all three criteria.
Third Party Beneficiary Claim against Subcontractor, Kent Holland, ConstructionRisk.com, June, 2018


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12 Days of Getaways begins! 2 drawings today.
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One random winner will be drawn for both of these prizes at about 4pm CST. The names winners will be posted on our 12 Days of Getaways web page!


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Bitcoin Rich Mt. Gox Trustee May Have Crashed Crypto In Early-2018
Theories have flown around regarding what catalyzed the crypto sell-off seen in 2018. While proposed triggers include stringent regulation, the lack of publicly-tradable Bitcoin (BTC) exchange-traded funds brought to market, or a simple case of waning interest from the common Joes & Jills of the world, a new hypothesis has just hit the mainstream.
The Mt.Gox Bitcoin 'Dumpening"
Nobuaki Kobayashi, the trustee of now-disgraced Bitcoin exchange Mt. Gox, has purportedly gone AWOL. Per damning evidence released by GoxDox, a publication dedicated to supporting the victims of the ~$470 million Mt. Gox imbroglio, the five-year debacle of the Japan-based exchange, which was hacked for hundreds of thousands of BTC, has unfortunately continued.
In GoxDox's first post following a multi-year hiatus, the authors released an array of supposedly official bank statements that pertained to Kobayashi and BitPoint, a crypto upstart centered around the Japanese market. The bank statements, of which there were more than ten, purportedly outlined a handful of fiat transactions made from late-February 2018 to early-June. The transactions from BitPoint pushed the trustee's bank balance up by ¥34.346 billion ($310 million U.S.).
While none of the documents, obtained from an anonymous source, mentioned the sale of cryptocurrency, it assumed that the Mt. Gox trustee saw the colossal influx of funds after liquidating thousands, if not tens of thousands of BTC at spot prices. GoxDox, named in an evident jab at exposing a shadowed, yet well-known event in crypto's history (so far), quipped:
"Unless BitPoint is being really generous, we'd wager the reason they are depositing billions [of] JPY into the trustee's bank account is because they were hired to sell the MtGox Estate's BTC/BCH."
The investigators, who began their efforts after the Mt. Gox hack shocked the globe, went on to touch on the irregularity and spontaneity of BitPoint's dozens of deposits into the account of Kobayashi. GoxDox remarked that the trustee himself was wary of a second Mt. Gox, thus mandating BitPoint to send the fiat it garnered from selling Bitcoin at market immediately, even if it meant issuing deposits each and every day. And as such, it was concluded that much of Kobayashi's holdings were released to the wind in May, not earlier as other reports suggest.
Yet, NewsBTC does see some parallels between the price action seen in late-February and the sale of BTC (a.k.a. the deposit of Japanese Yen into Kobayashi's account). While this could just be an untimely coincidence, from February 20th to February 26th, BTC fell from $11,900 to $9,500 — somewhat lining up with the dates indicated in the GoxDox paper. The same could be said with the May sell-off, with BTC losing 20% during the presumed period of liquidation.
Again, this tumult could have just been a byproduct of the unraveling of 2017's parabolic run-up. Yet, even the anonymous authors behind the study seem convinced that BitPoint's involvement in this whole situation changed the underlying market conditions when they concluded:
"An auction of the MtGox Estate's BTC/BCH would have resulted in less damage to the value of its remaining assets, not to mention the entire crypto market. It's a shame the trustee and BitPoint didn't see that."
Kraken CEO Bares Fangs
Case closed? No, far from. According to GoxDox, if Kobayashi actually did employ the aforementioned Japanese exchange to liquidate much of his holdings, he went directly against the advice offered by Jesse Powell, the chief executive of Kraken, about this fiasco.
According to a comment made on Reddit, Powell overtly told the Mt. Gox estate that it shouldn't sell its coins. If Kobayashi was to go ahead with securing fiat for the cryptocurrency, Powell explained that his company could either facilitate a formal auction or make a transaction via an over-the-counter (OTC) platform. The American Bitcoin pundit supposedly added that he and his team made it clear that Mt. Gox shouldn't dump a large amount of BTC en-masse and on spot exchanges.
Powell's comments don't seem to be fabricated either, as the San Francisco-based technology entrepreneur took to Twitter on Tuesday to weigh in. The Kraken CEO, who seems to agree with the analysis that the liquidation played a noticeable role on the broader cryptocurrency market, expressed his disbelief that Mt. Gox didn't enlist the use of a public auction or OTC sale.
Hinting that insiders may have profited off of BitPoint and Kobayashi's decision to sell much of the cryptocurrency owned by Mt. Gox estate, he remarked that exchanges will need to "launch investigations into who took out massive shorts ahead of this dumping."
Powell wasn't the only industry commentator to erupt into a clamor after this exposé spread like wildfire. David Gerard, a blockchain-centric author that recently had a field day with the QuadrigaCX situation, noted that this situation exemplifies the lack of liquidity in this market.
Upset investor analyses Mt. Gox BTC bankruptcy sale data. Thinks he's demonstrated incompetent dumping by the trustee – actually shows that an 18m BTC "market cap" can be crashed by selling 60k BTC, over months, at market prices => there is no market https://t.co/eULoggRrx2 — David Gerard (@davidgerard) February 5, 2019
Others questioned Kobayashi's intentions, asking if he meant ill on the nascent crypto market. I am Nomad even pointed out that BitPoint apparently has an OTC desk, likely questioning why the Mt. Gox estate didn't go ahead with using that medium of exchange.
As Kobayashi didn't technically do anything illegal, the release of this information likely isn't going to materially change the Mt. Gox case. And as such, the creditor repayment plan is likely still in play.


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Chicago Suburbs Restaurants
Chicago North Shore Restaurants - What's Cookin'? An Interview with Co-Creator Alisa Bay
A Community of Support for Local Restaurants Blooms with Chicago North Shore Restaurants - What's Cookin'? Created by Alisa Bay and Mary Manning
While times have been challenging, engaging and supportive community efforts have been springing up helping navigate these unusual waters. Alisa Bay and Marcy Manning recently created the Facebook Group Chicago North Shore Restaurants - What's Cookin' ? and the group has really taken off to become a positive spot where we all can share our favorite local restaurants and enjoy a little comradery. Recently, I interviewed Alisa for a little background on how this engaging group got started. Learn a little more about Chicago North Shore Restaurants - What's Cookin'? and why you should check it out:
Image Credit Alisa Bay.
What was the inspiration for starting Chicago North Shore Restaurants - What's Cookin'?
My co-admin (Marcy Manning) and I have a lot of friends in the restaurant business. We also handle PR and marketing for several local restaurants. And, my husband owns Love's Yogurt. With the stay-at-home order in place, we saw, first-hand, the many challenges that restaurant owners were facing. They were genuinely concerned with how the Governor's order would affect their business and some were fearful that they might need to close.
We created the Facebook group with two goals in mind. The first was to help restaurant owners promote their businesses by giving them a place to share their news, their menus, their special offers, etc. And, the second, was to give the community a place to show their support for their favorite restaurants, while sharing their positive experiences. Ultimately, we wanted to do something to help the local restaurants stay afloat during these uncertain times. We hope it's working!
Marcy and Alisa the creators of Chicago North Shore Restaurants - What's Cookin? Image credit Alisa Bay.
How has the community been using this new group?
When we first launched, we weren't sure what to expect. Almost immediately, restaurants began posting their specials and the community began posting photos of the food they were ordering. The photos would then prompt other members to comment on the pictures and then post their own photos. It's been really fun to see what people are ordering and from where. Members are also asking each other for recommendations, which is really cool.
Mesa Urbana Salmon Al Carbon - Grilled Salmon, Mango, Papaya and Avocado Puree
Is there anything that has surprised you about the group?
Well, the first thing that surprised both Marcy and me is how quickly the group has grown. In less than 3 weeks, we've gone from two members (just us) to 3000! Neither of us expected this kind of immediate reaction. We're excited that the community has jumped on board, and, like us, wants to support local restaurants.
Popular Meal Deal from Backyard Grill Highland Park and Grill House Northbrook - Chicken Trio Meal Deal
Why do you think it is important to have this type of connection?
Now more than ever we all need to be there for each other and support one another. This group is connecting restaurant owners with the public and giving them an opportunity to share their passion and hopefully grow their customer base. It's wonderful to see restaurant owners engaged with group members - commenting on photos and answering questions - and it's equally exciting to see the way that members are communicating with one another and rallying around their favorite restaurants. We are building a wonderful, supportive community that I hope lasts for years to come.
The Palm Court's Bone in Rib Eye.
Where are the restaurants located?
When we created the group, our intention was to keep it localized to restaurants on the North Shore. But, with everything going on and so many restaurants outside of the North Shore needing help and support, we haven't been super strict about enforcing the North Shore location. I'd say 80% are North Shore-based restaurants and the others are from the surrounding areas - Vernon Hills, Buffalo Grove, Arlington Heights, Schaumburg - even Grayslake. There are also some restaurants from Chicago that have joined, for those in our group who might want to take a road-trip for their carry-out or curbside.
Sassy Sweets Bake Shop - Basket of Cookies
What is your favorite part of Chicago North Shore Restaurants - What's Cookin'?
My favorite part is knowing (or at least hoping) that this group is helping restaurant owners in a time of need.
Thank you so much to Alisa for this wonderful interview and insight about Chicago North Shore Restaurants - What's Cookin'? This group is so much fun and a fabulous way for the community to support local restaurants while sharing ideas. Head on over and check out Chicago North Shore Restaurants - What's Cookin'? on Facebook. You will enjoy it and find some new local restaurants to try out!
**Disclosure: No compensation was received for this post. All opinions are 100% my own and those of the interviewee.


Members of the Fall Within band just don't want to perform their Christian music.
They desire to be ministry-oriented and "spread hope and love in more of a tangible way," said co-founder Blue Davis, who writes the lyrics and plays rhythm guitar.
"Our goal is not so much to preach to the choir," Davis said.
That's why the four-man group will launch their goal with a benefit for the Nashville Rescue Mission during their debut concert at 7:30 p.m. Tuesday, Sept. 2 at Main Street Live at 527 W. Main St. in Murfreesboro. Concert-goers who donate to the Mission will receive the Fall Within debut CD or a download card.
Three of the four band members daily meet the needs of less fortunate people in their fulltime jobs. Davis is a team leader for a hospital's registration department who deals with homeless people needing medical care. Rutherford County Sheriff's Patrol Lt. Ty Downing, the drummer, and School Resource Officer Markell Draine, who plays bass, serve citizens with needs. Lead guitarist Jacob Slater works at Firestone.
Davis grew up with passionate Christian bands but didn't want to be limited because of contracts and legalities.
"Our desire is to be ministry and evangelism," Davis said. "We like to get behind something that helps and bring hope, education and second change."
Downing and his wife, Ericka, support the Nashville Rescue Mission and mentioned donating their cause.
"This is what we care about to bring hope in people's lives and bring hope of God," Davis said. "What I like about the rescue mission it that it exists wholly on donations from churches and people and organizations not subsidized by government."
The Rescue Mission does more than housing men who live on the streets. They help families, single women, single mothers and children. People come to the mission from all walks of life. Some of their clients are people abused or torn down by life or hurting and let down by society. The mission gives many homeless people a place to stay and builds their futures back up.
They follow the Bible's James 1:27, which reads in part, "to visit the fatherless and widows in their affliction."
"We're commanded to look after the less fortunate, especially the widows and children," Davis said.
Fall Within wanted to get behind the mission and turn their first release into a benefit.
"Our music is kind of a melting pot of harder rock, the West Coast Indy sound merged with UK bands," Davis explained. "Jacob and Ty have metal and punk backgrounds. Somehow it works."
Concert-goers can enjoy the music and hear a talk about Nashville's Rescue Mission. Davis hopes people who are blessed will be generous with their donations.
"We want our focus to be on the Lord and what this organization is doing for people," Davis said. "We hope to raise a good amount for the mission. That's our hope."


text:
NEG and NIOSH basis for an occupational health standard; 2-diethylaminoethanol
DHHS publication	; no. (NIOSH) 96-104
Torén, Kjell
National Institute for Occupational Safety and Health	. Nordic Expert Group for Documentation of Occupational Exposure Limits	.
National Institute for Occupational Safety and Health	. Nordic Expert Group for Documentation of Occupational Exposure Limits	Less ▲
Diethylamines
Occupational Exposure
Diethylamines/Toxicity
"Health effects associated with occupational exposure to 2- diethylaminoethanol (100378) (DEAE) were reviewed as part of the agreement between NIOSH and the Nordic Expert Group for Criteria Documentation of Health Risks from Chemicals to exchange information and expertise in the area of occupational safety and health to provide a scientific basis for the establishment of recommended occupational exposure limits. The occurrence, use, pharmacokinetics, toxicology, immunotoxicity and organ systems, mutagenic, genotoxic, carcinogenic, and reproductive effects of DEAE were reviewed. Three reports of clusters of cases associated with DEAE exposure were described, as were studies examining the dose response relationship of DEAE in humans and experimental animals. The author concludes that DEAE appears primarily to be an mucous membrane irritant in experimental animals, and limited data indicate it has similar properties in humans. A dose response relationship has been supported by findings in rats." - NIOSHTIC-2
Guidelines and Recommendations
urn:sha256:45eaf553170a26839ce7dd27eb1245aee0127b63526d85c2ba7f5d589eb3d9ab
NIOSH skin notation(SK) profiles : 2-diethylaminoethanol [CAS No. 100-37-8]
Dotson, G. Scott; Hudson, Naomi; Niemeier, Todd; Yucesoy, Berran;
National Institute for Occupational Safety and Health.
DHHS publication ; no. (NIOSH) 2014-140
This skin notation profile presents (1) a brief summary of epidemiological and toxicological data associated with skin contact with 2-DAE and (2) the rationale behind the hazard-specific skin notation (SK) assignment for 2-DAE. The SK assignment is b...
NIOSH recommendations for occupational safety and health; compendium of policy documents and statements
National Institute for Occupational Safety and Health, Division of Standards Development and Technology Transfer.
DHHS publication ; no. (NIOSH) 92-100
"A compilation of NIOSH documents that contain recommendations for safety and health standards in the workplace was provided. Section- A listed all NIOSH documents containing recommendations for chemical, physical, and other hazards in the workplace....
Interim guidance for medical screening and hazard surveillance for workers potentially exposed to engineered nanoparticles
Schulte, Paul S.; Trout, Douglas; Zumwalde, Ralph D.;
National Institute for Occupational Safety and Health. Nanotechnology Research Center (National Institute for Occupational Safety and Health).
NIOSH current intelligence bulletin ; 60
Concerns have been raised about whether workers exposed to engineered nanoparticles are at increased risk of adverse health effects. The current body of evidence about the possible health risks of occupational exposure to engineered nanoparticles is ...
MMWR. Morbidity and mortality weekly report, Vol. 41, no. 9, March 6, 1992
Centers for Disease Control (U.S.)
MMWR. Morbidity and mortality weekly report ; v. 41, no. 9
HIV-risk behaviors of sterilized and nonsterilized women in drug-treatment programs--Philadelphia, 1989-1991. -- Medicare influenza vaccine demonstration--selected states, 1988-1992. -- Medicare influenza vaccine demonstration--selected states, 1988-...
MMWR. Morbidity and mortality weekly report, Vol. 39, no. 47, November 30, 1990
World AIDS Day 1990. -- AIDS in women--United States. -- Risk for cervical disease in HIV-infected women--New York City. -- Update: acquired immunodeficiency syndrome--Europe. -- Update: public health surveillance for HIV infection--United States, 19...


text:
Q: Adding autolayout constraints to navigation controller programmatically I am trying to add constraints to a UI label I added on a navigation bar. The UI label shows a running timer
Here is my code,
self.label = [[UILabel alloc] initWithFrame:CGRectMake(550, 15, 150, 14)];
self.label.text = @"Label";
[self.label setTranslatesAutoresizingMaskIntoConstraints:NO];
[self.navigationController.navigationBar addSubview:self.label];

[self.navigationController.navigationBar addConstraint:[NSLayoutConstraint constraintWithItem:self.label
                                                       attribute:NSLayoutAttributeTrailing
                                                       relatedBy:NSLayoutRelationEqual
                                                          toItem:self.navigationController.navigationBar
                                                       attribute:NSLayoutAttributeTrailing
                                                      multiplier:1.0f
                                                        constant:-20.0f]];

But I get the error 'Cannot modify constraints for UINavigationBar managed by a controller' when I run the app.
How do I add this constraint?

A: In short: you can't.

The navigation controller manages the creation, configuration, and display of the navigation bar and optional navigation toolbar. It is permissible to customize the navigation bar's appearance-related properties but you must never change its frame, bounds, or alpha values directly ... A navigation controller builds the contents of the navigation bar dynamically using the navigation item objects (instances of the UINavigationItem class) associated with the view controllers on the navigation stack

Source: Apple Docs
You would need to subclass the UINavigationBar and then instantiate the UINavigationController using initWithNavigationBarClass:toolbarClass: to do something further.
Though if you're looking for ways to customize the navbar, UIKit User Interface Guide is a good start to know what you may be able to do. But if it's going to be a text label, consider setting the bar's title property, for example.

A: Another way, after adding your custom view as a subview to UINavigationBar, manually setup position and size with an old fashion way by updating .frame property. It isn't a "flexible" solution, but simple and fast.

A: I ended up adding the timer label as a right button bar item on the navigation bar. It is a hacky way to do it. But since adding constraints is not possible, it is a workaround.


Nominated for the Dublin IMPAC Award.
IN THIS autobiographical novel, an Irish-American woman who had lived in the West African country of Niger as the wife of an academic and the mother of three small children returns after seventeen years to visit her eldest daughter, Zara, who has herself returned to Niger during a season of devastating drought. Zara now works in a village clinic and treats children suffering from starvation. As the narrator reacquaints herself with her daughter and with the Africa of her own past, she meets other mothers and their children. Her own resurrected memories of young motherhood strong, she becomes aware of the strikingly similar ways in which the impassioned and often difficult bonds between mothers and daughters are revealed across the divide of cultures. Guided by Zara, she encounters hunger not only in its literal and most devastating form, but in other guises as well: the hunger of memory when she and Zara return to the desert city of Zinder in search of the house where they had once lived; and finally hunger for what is nearest and furthest away in her solitary encounters with a one-legged boy who befriends her and offers a startling and inestimable gift.


text:
Women's Success Network Celebrates Strong Women
March 2010 | Published in The Bellingham Bulletin Newspaper
"The real story is what happened next." So said a longtime member of the Women's Success Network (WSN) who spoke at their recent event entitled "Strong Women/Safe Women." The meeting was held on February 3 at the Highland Country Club in Attleboro, and the speaker (name withheld for obvious reasons) was sharing the very personal account of her experiences in an abusive relationship. The story she related, however, was a story that was less about victimization and more about resolve, resilience, and the power of a helping hand.
The turning point for her came, she said, when she confided in a neighbor and was met with concern and support. She successfully left her husband, taking her children with her, and was ultimately able to build a healthy, safe, and successful life for them all.
Her success, not the abuse, was the defining feature of her life.
WSN Chairperson Michelle Raymond (pictured right) added her insights on the issue of domestic abuse from her perspective as an attorney who practices family law."When people tell us things," she said, "we need to be aware of what they're really saying— it's important for us as professionals and as friends to listen." She also noted that there are now far more resources available to survivors of abuse than in previous times, both within and outside the court system. Groups like New Hope, an Attleboro-based organization, offer assistance such as emergency shelter, help in obtaining restraining orders, counseling, and more.
Following the discussion, Dena Paolino of Striking Beauties, a new women's boxing gym in Attleboro, treated the attendees to a very different demonstration of female power. Dena, an attorney and entrepreneur, became interested in boxing as a way of de-stressing at the end of the day. She established Striking Beauties in 2009 in an effort to make boxing more accessible to women.
She currently has members that range in age from six to sixty. Boxing, she said, not only develops physical strength, but builds self-confidence as well.
"It's not about violence; it's a skill," she said. "It's a very technical sport, and it's the number-one calorie-burning exercise." Dena and Jaime (the Hurricane) Clampitt, a Striking Beauties instructor and competitive boxer, gave a demonstration of boxing technique. Several WSN members joined in, exhibiting impressive spirit and enjoying themselves immensely.
Strong Women/Safe Women was a fitting theme for an organization such as the Women's Success Network, which was established 25 years ago for the purpose of helping women to help women, both personally and professionally. As the speaker said, "We are all stronger than we realize, and as women we are here to support each other." For more information on the Women's Success Network, visit www.wsinc.org.For information on New Hope, call 1-800-323- HOPE (1-800-323-4673), or visit www.New-hope.org.
This article originally appeared in the Bellingham Bulletin March 2010 newspaper.