text:
Jamshedpur Public School
Online Adm/Fees
XI Admission
Instruction for fee
Nursery Admission Notice
School Vision and Mission
Board Toppers
Staffs & Faculty
Innovation in technology
Alumni Reg
Feedback about teacher
Nursery Result Out
Nursery Results Out
Jamshedpur Public School was founded in March 1988, under the aegis of A.I.W.C( All India Women's Conference), a Non Profit organization. The school is a coeducational school and is affiliated to the CBSE. The motto of the school is SHEELAM PARAM BHUSHANAM .The school strives to impart quality education that encourages thinking and not just learning. . The school operates from classes Nursery to XII (with 2317 students).The school is proud of its dedicated and competent teaching faculty, well qualified and experienced to guide the students and develop their innate talents and potential. JPS is located in Jamshedpur and has one of the lowest fee structures among comparable schools in town . The curriculum of the school is directed towards the all round development of young boys and girls so as to produce intellectually well informed, socially concerned, morally upright, confident, self reliant and responsible citizens of the country. The school believes in an educational system that blends the modern methodology & technology with MORAL VALUES to prepare students to be global students of tomorrow. The school promotes cultural programmes conducted by SPIC MACAY , and conducts programmes such as Annual Prize Night, Sports Day, Science Exhibition, Commerce Fest , Quiz,debates etc .
Warning: mysqli_fetch_assoc() expects parameter 1 to be mysqli_result, boolean given in /home/www/jamshedpurpublicschool.in/index.php on line 253
School 25th year celebration 12.08.17
Work Started on ATAL TINKERING LAB 12.08.17
SCIENCE SAFARI 2K17 12.08.17
>> RECENTS <<
X1 Admission
XI admission open
Information About admission
Nursery Admisson
Nursery admission open
Nursery Result out-1
We would like to see our students grow up to be responsible citizens who will always remember the core values i.e; Honesty Sincerity and Integrity.
Mrs.Namita Agarwal
Principal(2010-till date)
Jamshedpur Public School is an English Medium Co-educational Institution affilated to C.B.S.E (Central Board of Secondary Eduaction)New Delhi.The School is owned and run by the All India Women's Conference. An Executive Committee with representation from A.I.W.C,parents,educationists and social workers run the school.The responsibility for the day to day running of the school is vested in the Principal.
Syllabus & Sample papers
Feedback & Suggestion
Panchvati Road,New Baridih,Jamshedpur
Contact: 0657-2285405.
E-mail-jpsaiwc1988@gmail.com
Copyright © All Rights Reserved | JPS
Designed by - Anish prakash & Manish kumar (2015)


A new imaging strategy shows promising results in improving the diagnosis and treatment of people with pulmonary fibrosis (PF). The study, "Type I collagen-targeted PET probe for pulmonary fibrosis detection and staging in preclinical models," appeared in the journal Science Translational Medicine.
Scientists at Massachusetts General Hospital (MGH) have developed a probe that specifically targets collagen, which is produced in excess in fibrotic tissue. The collagen-targeting probe, called 68Ga-CBP8, is to be used in peptide-based positron emission tomography (PET).
Researchers showed that the probe bound to scar tissue in the lungs of two animal models of PF, including the well-established bleomycin-induced mouse model.
The amount of probe binding in the animals' lungs correlated with the amount of collagen present. Scientists also showed that the 68Ga-CBP8 probe not only determines the extent of fibrosis, but also reduces it in mice treated with an anti-fibrotic drug. Therefore, it can also be used to monitor response to treatment.
Researchers corroborated their findings in human lung samples, demonstrating that the newly developed probe was also capable of differentiating between stable disease and progressive fibrosis — which is important when considering what type of treatment to use.
"Increased collagen production is a hallmark of fibrosis in the lungs and in other organs," Peter Caravan, PhD, said in a press release. Caravan is the study's co-corresponding author at the Athinoula A. Martinos Center for Biomedical Imaging and co-director of MGH's Institute for Innovation in Imaging.
PET technology is much better at diagnosing PF than conventional CT scanning, because PET can detect and quantify collagen molecules, while CT scanning just measures structural abnormalities, which may be caused by conditions other than PF. In addition, the team's findings showed that 68Ga-CBP8 only bounded to collagen in a mouse model of PF, while no signal was detected in the lungs of healthy animals.
Now, scientists are drafting the required documentation to test 68Ga-CBP8 in patients. That trial will likely begin later this year, with funding from the National Heart, Lung and Blood Institute (NHLBI) of the National Institutes of Health.
Tagged 68Ga-CBP8, anti-fibrotic drugs, collagen, CT scanning, diagnosis, PET, positron emission tomography, probe.
I would like to find out when and where will these trails be for the PET 68 GAC-Bp8.
What is the difference between collagen produced by the body and Collagen taken as a supplement.
Should IPF patients avoid Taking Collagen or a high protein diet?


Brides of Beverly Hills follows the daily antics of bridal store owner Renee Strauss and her colourful team of stylists as they navigate the dramatic personalities and demands of Beverly Hills brides.
Renee has been outfitting famous brides and movies for over three decades, and knows that, when it comes to her customers, nothing is too big or too outrageous. From glitz and glam, to botoxed faces and temper tantrums, this series gives viewers an intimate and up close view of the bridal business.


text:
Hydro projects sought at dams
Daily Star, Oneonta
By Patricia Breakey
Delhi News Bureau
The Delaware County Electric Cooperative is seeking to harness water spilling from four New York City reservoirs to produce enough electricity to power 20,000 typical homes.
Greg Starheim, DCEC chief executive officer, said an application for a preliminary permit and a pre-application document were submitted to the Federal Energy Regulatory Commission last month.
Starheim said the proposed Western Catskills Hydro Project would involve installing modular design independent intake structures at New York City's Schoharie, Pepacton, Cannonsville and Neversink reservoirs.
"I am very excited about this project," Starheim said Thursday. "We started evaluating the potential to produce electricity at the Gilboa Dam a year and a half ago." The New York City Department of Environmental Protection's $600 million renovation project for the Gilboa Dam was the impetus for the idea, Starheim said.
"The timing seemed appropriate and we began discussing the preliminary engineering with DEP engineers, which led to the decision to formerly approach the DEP about submitting an application to the FERC," Starheim said.
"DCEC has reached out to DEP with an interesting proposal; we look forward to reviewing it and to further discussing it," Michael Saucier, DEP public affairs director, said Thursday.
Starheim said there are no generating facilities at the four dams included in the project.
"There is a tremendous loss of potential energy and the DCEC board is very interested in capturing it," Starheim said. "This has been a missed opportunity for hydro electric generation and in today's energy world, we can't afford to miss opportunities."
The decision to move ahead with the application process came about when DCEC officials became aware that two private international developers were interested in generating projects at two of the reservoirs.
"The way the Federal Energy Regulatory Commission works is that whoever applies first has an opportunity to pursue the project," Starheim said. "We were concerned about local projects being operated by outside companies."
Starheim said obtaining a federal license is a long process that involves numerous studies and structure milestones, but the Co-op is hopeful that the license will be issued as early as 2011. He said construction and operation would take a year or two after that.
"This is the single largest non-developed hydro project in New York and it would help the state achieve its renewable energy quota," Starheim said.
The amount of electricity generated at the dams would be seasonal and dependent on the amount of water being released.
Starheim said there would be different numbers of modular generating devices at each of the reservoirs, with the greatest potential at the Gilboa Dam. The total design potential would be to general 65 megawatts during peak water time in the spring.
The devices would be installed over the top of the dam and would run all the way to the bottom where the water is released into the rivers. Starheim said the Co-op is only interested in using available water and will not be involved in decisions about how much water is released.
The project is part of the Delaware County Electric Cooperative's effort to explore ways to secure its entire electricity supply using renewable local energy sources.
Patricia Breakey can be reached at 746-2894 or at stardelhi@stny.rr.com.
http://www.thedailystar.com/local/local_story_158040031.html

redpajama_set_name: RedPajamaCommonCrawl


text:
<?xml version="1.0" encoding="utf-8"?>
<ImageView xmlns:android="http://schemas.android.com/apk/res/android"
    android:id="@+id/card_thumbnail_image"
    style="@style/card_thumbnail_image"
    android:layout_width="125dp"
    android:layout_height="125dp" />

redpajama_set_name: RedPajamaGithub


The Graphic Design (GDES) Program in the School of Industrial + Graphic Design prepares students to practice visual communication in a competitive global environment. Auburn's nationally regarded Bachelor of Fine Arts in Graphic Design is the only NASAD accredited Graphic Design Program in Alabama. The program emphasizes fine arts, visual/digital interface, packaging, exhibitions, magazine design, logos, and identity development. To view our work visit the Graphic Design Instagram @auburnuniversitygraphicdesign.
Students pursuing the Bachelor of Fine Arts degree (BFA) in Graphic Design (GDES) will enroll in the College of Architecture, Design and Construction as Pre-Graphic Design (PGDE) major for the first year level curriculum. Admission into the BFA in Graphic Design is selective, limited and is based on a multiple step process. The program maintains the right to limit freshmen and transfer enrollment.
Once accepted to Auburn University, students will be designated as Pre-Graphic Design (PGDE) for the first year of the curriculum. Entering freshmen who are admitted as PGDE to the major must begin their program of study in the Fall or Spring term of the academic year after they are admitted, or they will be held to the same admission requirements as transfer students.
After completing the first year level Pre-Graphic Design curriculum, an admission process based on GPA ranking admits qualified students into the Graphic Design second year level program for the GDES 2210 and GDES 2220 courses. Once accepted into the second year level the students will be classified as GDES and be considered probationary.
The admissions process into the second level GDES program is as follows: Pre-Graphic Design students must complete at least 28 semester hours of credit including: GDES 1110 Foundation Drawing; GDES 1210 Foundation Design I; GDES 1220 Foundation Design II; ARTS 2100 Survey of Global Art I, ARTS 2150 Survey of Global Art II; and at least 6 hours of coursework counting toward the University Core Curriculum.
Following completion of the above listed courses, PGDE students will submit an Application to B.F.A. in Graphic Design Degree Program to the CADC office of Student Services. Students will be ranked by GPA, and the top students will be selected. These students will be notified and then registered in the next level courses: GDES 2210 Graphic Processes and GDES 2220 Typographics I by CADC Student Services. Students who are not accepted can reapply in following semesters.
All probationary second-year level GDES students who have achieved a minimum 2.50 GPA in GDES 2210 and GDES 2220 are eligible to apply through a portfolio review process for GDES 2230. The Graphic Design Review Committee conducts entrance reviews at the end of each fall, spring, and summer semester. To gain full admittance as a GDES major, it is required that students submit a portfolio of work from GDES 2210 and GDES 2220 and a one page typewritten statement of intent. Each student is notified in writing of the decision of the Review Committee.
The portfolio will consist of six projects from the two courses (no more than four projects from one course). The statement of intent should include reasons for choosing the Graphic Design major and address career goals.
The Graphic Design Review Committee will evaluate the student's portfolio and written statement in terms of the individual student's skills, artistic perception, conceptualization, and professionalism. Upon successful admission by portfolio review, the student will be required to purchase a laptop computer that meets minimum laptop requirements (see below).
All required coursework must be completed with a grade of C or better. In the event a grade of D or F is received in any required course in the major, a review is required for continuance in the program. Based on the outcome of this review, a student may be required to repeat the course or not allowed to continue in the program. Students receiving a second D or F will be reviewed for continuance in the program. Similarly, a student receiving two or more grades of C in required classes may be reviewed for continuance in the program.
The Graphic Design (GDES) Program maintains the right to limit transfer enrollment based on available resources. On-campus transfer students must file a PGDE Transfer Application form (fall 2016) and meet criteria listed in the application with the CADC Office of Student Services no later than the posted deadline.
The Auburn University School of Industrial + Graphic Design is committed to providing its faculty, staff, and students with outstanding special programs that enable them to succeed with both their educational and career goals.
SIGD is well known for its industry collaborations. GDES regularly collaborates with industry and attempts to make these experiences replicate the true relationship between a graphic design team and a business/industry.
SIGD holds annual events to engage the entire student community. Every Fall semester, industry experts from around the country are invited to speak and participate in class activities during Design Interaction. Designing Green is SIGD's annual sustainable design competition and is held every Spring semester.
GDES students participate in the GDES Juried Student Show Exhibition and are encouraged to take part in various industry competitions, AIGA and AD Club competitions, and to apply for competitive internships.
GDES seniors exhibit their senior project in the GDES Senior Show at the end of each semester.
Visit Auburn University Student Organizations for more information.
The curriculum has been designed to meet accreditation standards set by SACS and NASAD (National Association of Schools of Art and Design) and is structured to provide students with a course of study that ensures growth and development over time.
Your gift ensures Auburn's top-ranked Graphic Design program will have the resources needed to educate students to be leaders in their profession.
Auburn Graphic Design is a treasure trove of talent. I'm delighted with the talent and skill we have hired from Auburn, and now, when we recruit future designers, Auburn is first on our list.


About This Quiz & Worksheet. You can use this quiz and printable worksheet to assess your understanding of continuous random variables and their expected values.... CONTINUOUS (but not discrete) random variables. Normal Distributions as Probability Distributions The density curves that are most familiar to us are the Normal curves (from Chapter 2).
Continuous Random Variables A random variable is a function from the sample space into the real numbers. A random variable that can take on at most a countable number of possible values is …... CONTINUOUS (but not discrete) random variables. Normal Distributions as Probability Distributions The density curves that are most familiar to us are the Normal curves (from Chapter 2).
18/03/2017 · RANDOM VARIABLE- continuous r.v with splitted domain/intervals, pdf , pmf ,cdf and sketch graph for continuous random variable. Follow the steps to get answer easily If you like the video please phonics for reading level 3 pdf A random variable is called a discrete random variable is piece-wise constant. Thus is flat except at the points of jump discontinuity. If the sample space is discrete the random variable defined on it is always discrete.
CONTINUOUS (but not discrete) random variables. Normal Distributions as Probability Distributions The density curves that are most familiar to us are the Normal curves (from Chapter 2).


text:
Personally Speaking ep. 131 (Christine Ebersole)
December 01, 2022 Enlighten Productions, LLC Episode 131
Dec 01, 2022 Episode 131
In this episode of Personally Speaking, Msgr. Jim Lisante is joined by the Tony Award winning actress and singer Christine Ebersole. Christine currently stars in the hit CBS sitcom, "Bob Hearts Abishola" and she has a new album out available through Club 44 Records called, "After the Ball" which features American classics by composers Jerome Kern to Joni Mitchell. The new recording finds Christine reflecting on life, love and family, now that the last of her three children has flown the nest. She talks about that, as well as about her career, family, and the faith and values that sustain her.


I didn't find any readymade template in the software. I don't need one to create as i only need a minor change to make the title as tax invoice.
go setting /themes / plain.
If you use one of the UAE tax codes, sales invoices and credit notes are automatically retitled in accordance with the decree-law and implementing regulations. You do not need to change anything yourself.
This is not true unless a tax code is used that requires renaming of invoices.
Yes, you shoud make sure you are up to date. Although the change to Tax Invoice occurred more than a month ago, the change to Tax Credit Note was added within the last week. Update exactly the same way you originally installed, depending on your operating system. Do not uninstall anything first.
Be sure to make a backup of each business before updating, just in case something goes wrong.
The latest version (18.8.1) allows to rename Invoice to Tax Invoice or whatever required without resorting to custom themes.
See the checkbox at the end of the form.


i still feel like she's my "baby girl," so i didn't want to do the actual disney princesses. i wanted to baby it up a little bit. ha! i decided to do everything pink and lavander, which i loved.
i really ended up not spending as much as years past, and also i didn't buy or make tons of decorations. i made this crown with cardboard and tissue paper, and also made the pom poms for outside. the party favors were crowns, wands, candy bars, cookies, and bracelets.
it was super relaxed. i just invited her little friends, and told them to wear swim suits. they played in the little pool, water hose, and sprinklers, and had a blast.
i had the invitation, banner, candy bar wrappers, etc. made from a lady on etsy, and she made my life SO much easier. also, instead of bringing gifts, we asked austin's friends to help out baby ryan's family. we are so excited to meet him in a few weeks and give these to them.
birthday time! austin was SO excited at this point. she LOVES singing happy birthday!!
family pic with grandma and grandpa. i have no clue what that white thing is on bennett. :) you can also see austin's birthday dress of the year.
we had such a fun day!! that night we even went to friends' house for dinner.
we love you so much, austi bug!! happy birthday, princess!!!!


text:
September 7, 2022 Future Internet
Consumption: The Virtual Concert
Posted by krysply
By Krystal Yearis
One of the professions that got hit the hardest by the pandemic was the live performer, and more specifically, the live musician. When I went to flute lessons shortly after the pandemic started, I recall my flute teacher shaking her head sadly while telling me about how orchestras like the New York Philharmonic had to completely cancel all foreseeable concerts.[1] Their pay had to be severely cut and many were out of a job. Grand concert halls in one of the busiest cities in the world became deserted ghost towns. Could live music truly com0e back to its original importance after such a ruthless shutdown? Though, the feelings of the live performance−the instant audience reaction, the fluidity of musical cooperation−do not seem like it would be the same if it continued over the internet. However, because of the pandemic, the in-person team meeting was replaced by an online Zoom conference out of necessity. Now, even though COVID restrictions have went away significantly, teleconferencing still have stayed a staple in everyday life. Could live music concerts have a viable future on the internet too? In this essay, I will be using tools from the circuit of culture to analyze how virtual concerts have gained popularity and practicality, but ultimately show that even with all the benefits, the internet cannot take live music concerts away from humanity and a virtual concert itself does not fit under the definition of consumption.
To begin, the circuit of culture is a tool to analyze if a certain artifact could be contextualized within its culture.[2] To fully interpret the instance within its general place in our culture, we must look at it through many different perspectives, including signification, identity, production, regulation, and consumption,[3] but we will be focusing on perspective of consumption the most. There is consumption when an audience member attends a concert because the audience is buying and becoming a part of the experience. The audience member would likely value the memory of the singular and meaningful event and incorporate it into their identity, all of which is gained through paying for it, and so the audience member engages in consumption of the musical concert.
One of my closest high school friends was an avid concert goer and shared similar sorrows about the orchestras being shut down because of the pandemic. However, as musical performances adapted to the age of the pandemic, virtual concerts became more innovative. My friend would excitedly tell me about the famed trumpet player in Germany who hosted a virtual concert, a performer she would've otherwise not had the opportunity to see if it wasn't for the necessity for online concerts. Classical performers weren't the only ones getting creative. One pop band called AJR decided to host a huge international virtual concert,[4] streamed through VenewLive, a music streaming platform that gained immense popularity through the pandemic.[5] Through a platform like VenewLive, audience members could react in real-time to the performance through comments, emotes, and likes. Also, there were options that audience members could pay for to enhance their comments or to post special stickers. On top of these special features, watchers could also upgrade their ticket to experience several different camera angles. All these forms of audience engagement, and the broader outreach to an international audience, are unique to a virtual concert. Performers were now able to have many more different avenues for monetary gain. With features like these, virtual music concerts seem to have had the potential to become the new norm even after the pandemic was over. However, now that the world has mostly returned to a pre-pandemic state, bands like AJR quickly have jumped back into the refuge of in-person live performances. Classical performers have abandoned their efforts to stabilize a virtual concert format. Fully streamed virtual performances now seem to just be an irrelevant product of the pandemic. Therefore, even with such apparent benefits, the disadvantages of virtual concerts seem be more significant. But, if virtual music is so convenient and efficient, why are we turning back to in-person performances, and why might it be better for it to remain that way?
After the concert halls started opening again, my friend's sorrows about missed concerts soon disappeared, and she gushed to me about the upcoming live performances. Especially after the age of the pandemic, I wondered why people would still put in the effort to attend in-person concerts when music and video streaming apps like YouTube or Spotify could do it for free. However, I went with her to a concert, and I soon understood why the internet couldn't take live music performances from us. The community, the acoustics of the grand concert hall, the staging of the performers all contributed to the performance, and it is only when all of these factors combine that true consumption is achieved by the customers, or the audience members in this case. These factors cannot be combined in a virtual concert. Online streaming platforms could provide the audio component, but I learned that live music made up only a small portion of the actual experience. The in-person concert is not only an auditory event but also a social and shared event because you experience a sense of community with other audience members as you all experience the same show. It is because of that collective experience that musicians are able to respond to their audience in real-time; there is a connection between each audience member and the performer on stage. However, with virtual concerts, the experience becomes individualistic, and the human connection in this shared experience is no longer felt. Furthermore, the beauty of in-person concerts also lies in the fact that there isn't a way to replay the moment after it happens. One might be able to record it, but the quality and the meaning could not be truly captured. With digital video, the immersion would be completely lost and the connection to a physical event happening right in front of the watcher would then seem so distant, and thus the act of true consumption is lost. All those things can only be experienced if the audience member is in the same room as the performance, and no amount of online software could bring that into true reality. The audience member is still paying for the experience, but in a virtual format, the musical performance isn't able to truly become a part of the audience's identity.
Additionally, a huge limitation of the virtual concert is the inconsistency of the audio quality. Musical performers, especially classical artists, rely heavily on the quality of their sound, so with a concert hall with reliable acoustics is important for ensuring that all the audience members receive the same experience. However, with virtual concerts, the network speeds would vary among the listeners, so the musicians would never be able to truly showcase their whole potential with just the virtual concert. Furthermore, a future problem with online streaming and varying network speeds might boil down to the monetary ability of the listener. The virtual format may be convenient, but if the inconsistency is so dependent on network speeds, a correlation may be drawn in which the more the listener pays to better their network speed, the better their listening experience would be. Therefore, the previously explained avenues for commercial and monetary gain, unique to virtual concerts, and the increased financial pressure on the audience member for better audio quality turn the virtual musical performance into a money competition. This may be favorable for a producer, but this puts a burden on audience members who want to actively engage in consumption. With physical concerts in the same concert hall, the price is most likely the ticket only, and the quality is almost completely consistent among every listener. However, with virtual concerts, the quality of the experience has no upper limit, and is more dependent on the audience member's financial status.
The experience of a concert isn't a physical object or product you could take with you in your everyday life. However, it is the meaning and the memory you can gain from the concert that could be incorporated into your everyday identity. With virtual concerts, there is little derived meaning as it lacks in many aspects that makes the difference between an act of listening to music and an actual concert experience. Therefore, virtual concerts could not be truly mapped onto the circuit of culture under the definition of consumption. Even as malls and movie theaters die out because the world is becoming more reliant on the Internet, hopefully the grand concert halls that have stood there for several decades are still able to live on.
Gay, Paul Du. "Introduction." Introduction. In Doing Cultural Studies: The Story of the Sony Walkman, 1–5. Los Angeles Calif., etc.: Sage, 2013.
Kuffel, Veronica. "'One Spectacular Night' by AJR Brings Interactive Experience to Virtual Concerts." The Badger Herald, January 13, 2021. https://badgerherald.com/artsetc/2021/01/13/one-spectacular-night-by-ajr-brings-interactive-experience-to-virtual-concerts/.
NYPHIL, June 13, 2022. https://nyphil.org/~/media/pdfs/newsroom/2122/Releases/contract-restoration-final.ashx?la=en.
"VenewLive." venewlive.com. Accessed September 6, 2022. https://venewlive.com/artist/.
[1] NYPHIL, June 13, 2022. https://nyphil.org/~/media/pdfs/newsroom/2122/Releases/contract-restoration-final.ashx?la=en.
[2] Gay, Paul Du. "Introduction." Introduction. In Doing Cultural Studies: The Story of the Sony Walkman, 1–5. Los Angeles Calif., etc.: Sage, 2013.
[4] Kuffel, Veronica. "'One Spectacular Night' by AJR Brings Interactive Experience to Virtual Concerts." The Badger Herald, January 13, 2021. https://badgerherald.com/artsetc/2021/01/13/one-spectacular-night-by-ajr-brings-interactive-experience-to-virtual-concerts/.
[5] "VenewLive." venewlive.com. Accessed September 6, 2022. https://venewlive.com/artist/.
Photo by Matheus Viana on Pexels.com
consumptionfuturist
Consumption: Zero-Latency Video/Audio Conferences
Consumption: The Future of Identification Verification


text:
D.C.'s Restriction on Hookah Bars in Phase II Reopening
In Hospitality, Legislation by Richard Bianco September 28, 2020
The Department of Health recently closed a Georgetown hookah bar, which has sparked questions from restaurant owners if offering hookah during Phase II reopening is legal? Clearly, DOH takes the position that it is not.
Of the roughly 100 citations issued by ABRA through September 19, 2020, none have identified hookah as a violation. The Department of Health has issued far fewer citations and the recent closing marks the only hookah violation since Phase II began. (As reported by the Washington Post)
The Mayor's Order 2020-075 governing the Phase II reopening provides that "[h]ookah bars, cigar bars, and any other businesses operating pursuant to an exemption from the anti-smoking laws of the District of Columbia shall remain closed." On the other hand, ABRA's emergency rulemakings with respect to the reopening, do not mention hookah or smoking in any way. This makes sense, since, pre-pandemic, the Department of Health and not ABRA is charged with enforcement the District's anti-smoking laws.
ABRA has robust enforcement machinery, and investigators have been a constant since the reopening. So many restaurants openly offering hookah, reasonably believe that it is permissible in Phase II. The text of Mayor's Order does not necessarily clarify, as it merely requires that "hookah bars," an undefined term, remain closed. The Order is silent on whether licensed restaurant's exempt from the anti-smoking laws may offer hookah to diners.
It is important to understand that ABRA, if it chooses to, can issue citations/violations to restaurants for violating non-alcohol related laws. Typically, but not always, coordinate agencies of the District government stay in their lane and enforce laws within their regulatory purview. ABRA has done so on the smoking issue but, their position can change.
Per the Mayor's Phase II order, hookah bars must remain closed. DOH's most recent enforcement action suggests that this includes offering hookah to diners at establishments allowed to operate in Phase II. To date ABRA has not encroached on DOH's regulatory turf, but, that is not to say that they won't in future.
If you have questions about Phase II operations, or any other regulatory compliance issues for restaurants, we'd be glad to speak with you in greater detail. Contact us, visit our website for additional resources, or use our online scheduling tool to book an appointment to speak with one of our lawyers.


text:
Casablanca-Settat (in arabo: الدار البيضاء - سطات, in berbero: ⵜⴰⵏⴱⴰⴹⵜ ⵏ ⴰⵏⴼⴰ - ⴰⵥⵟⵟⴰⴹ ⵅⵏⵉⴼⵔⴰ) è una delle dodici regioni del Marocco in vigore dal 2015.

La regione comprende le prefetture e province di:

 prefettura di Casablanca
 prefettura di Mohammedia
 provincia di Benslimane
 provincia di Berrechid
 provincia di El Jadida
 provincia di Mediouna
 provincia di Nouaceur
 provincia di Settat
 provincia di Sidi Bennour

Note

Altri progetti

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


text:
Edwards is UW Bothell's First Fulbright Student Scholar
CONTACT: Laura Mansfield, 425-352-5461, lmans@uw.edu
BOTHELL, Wash. – Graduate student Tyrell (Ty) Edwards has received a Fulbright award from the Fulbright U.S. Student Program. He is the University of Washington Bothell's first Fulbright Student Scholar.
The Fulbright U.S. Student Program provides grants for individually-designed research projects. The awards are highly competitive and are intended to foster "international good will through the exchange of students in the fields of education, culture and science."
Edwards is a student in the Master of Cultural Studies Program in UW Bothell's School of Interdisciplinary Arts and Sciences. He will graduate in June with a master of arts degree. Beginning in September, Edwards will live on-campus at the University of British Columbia (UBC) in Vancouver, Canada. He will conduct research on international student development and retention at UBC, which is considered to be a leader in the field.
Edwards' Fulbright Award is the fruition of UW Bothell's recent investment in student support services that help students identify and apply for scholarships, says Hung Dang, associate vice chancellor of enrollment and student affairs. "This award honors Ty, and also recognizes our institution as a place to nurture students to be successful academically and to be engaged in meaningful ways," he says. Two additional UW Bothell students are finalists for a Fulbright Award and are waiting to learn if they have been selected.
At UW Bothell, Edwards founded an international student facilitators group that helps international students transition to life in the U.S. and to campus life. The group began with five people but has grown to 30 with four paid positions. "I wanted to make sure there would be support for international students after I graduated," Edwards says.
Edwards has also been active in student government and assorted campus committees. He started the Husky Pantry, which provides food staples to students who live in Husky Village, one of the campus residence halls. "As a resident advisor, I heard students talk about their financial struggles," Edwards says. "It's hard to get good grades and focus without having enough food."
Edwards is a native of Visalia, Calif. He is a graduate of North Seattle Community College and attended UW Bothell as an undergraduate student, earning a B.A. in culture, literature and the arts. He hopes to return to UW Bothell after studying in Canada to continue his work with international students.
About UW Bothell: The University of Washington Bothell is one of three campuses of the University of Washington. With more than 30 degrees, options, certificates and concentrations, its curriculum emphasizes close student-faculty interaction, interaction and critical thinking. UW Bothell builds regional partnerships, inspires change, creates knowledge, shares discoveries and prepares students for leadership in the state of Washington and beyond. For more information, visit www.uwb.edu.


text:
Statement on Diversity
In the Department of Radiology, we embrace differences in race, ethnicity, gender, gender identity, sexual orientation, religion, experience, age, class, and cultural background. We feel enriched by the diversity of individuals and celebrate all that we have in common as people. As James Baldwin said, "No label, no slogan, no party, no skin color, and indeed no religion is more important than the human being."
We foster inclusion in our department, the institution, and the community. By seeking to remove barriers that stand in the way of the growth of the members of our department and those around us, we help create a fairer society. The Department of Radiology is committed to overcoming racism, discrimination, and bias, both unconscious and overt. We seek to eliminate diffuse inequities that stem from human differences, regardless of whether these are real or represent artificial labels. Through these efforts, we are committed to enhancing the care of all patients and meeting the needs that arise from what makes them unique.
The Department of Radiology is committed to creating a diverse community of faculty, fellows, residents, and staff. We believe that bringing together people with different backgrounds, experiences, and beliefs helps us meet the challenges of healthcare and fosters new ideas and innovation. We are committed to attracting the best individuals with the brightest minds to our department by making everybody applying feel welcome.
Department Enrichment Programs
Women in Radiology Group
Our Women in Radiology Group welcomes faculty, fellows, and residents to regular meetings designed to expose, discuss, and help women navigate the issues particular to women in the medical field.
Diversity Seminars
Our Diversity Seminars are designed to train members of the department to understand and recognize unconscious bias and become more attuned to health disparities.
Radiology Book Group
Our Radiology Book Group meets three times a year to discuss books selected through a department-wide vote. All faculty, fellows, residents, administration, and technicians are invited to participate and provided with a book. Books represent a diverse range of authors and subjects, with one discussion per year focused on diversity.
Community Outreach Initiatives
Gerald E. Thomson Undergraduate Pre-Medical Program (GET-UPP)
A pre-medical mentorship program designed to supplement students' academic trajectory as they pursue medical school admission. GET-UPP serves undergraduate students from Columbia University, Barnard College, and the City University of New York schools. Members of our department provide advisory support, mentoring, and clinical shadowing.
Summer Health Professions Education Program (SHPEP)
SHPEP is a summer pre-medical program that exposes minority students to a mini medical school curriculum including classes and clinical shadowing experiences. Members of our department participate by allowing these students to shadow them in the hospital and at clinics.
Columbia Black Men in Medicine (CBMIM)
Columbia Black Men in Medicine (CBMIM) is a group designed to maximize healthcare equity and community through the mobilization, education, and support of Black men at Columbia University Irving Medical Center. The group provides infrastructure for every Black man at Columbia to feel supported, empowered, and encouraged to succeed. Both residents and faculty in our department participate with the group.
The Diversity Committee provides support and mentorship to members of the department who come from under-represented minorities, as well as support for faculty recruitment, community outreach initiatives, and departmental initiatives.
Diego Jaramillo, MD, MPH
Vice Chair of Diversity; Co-Chair, Diversity Committee
Ernst Garcon, MD
Co-Chair, Diversity Committee
Stuart Bentley-Hibbert, MD, PhD
Elise Desperito, MD
Richard Ha, MD
Eleanor Kim, MD
Second-Year Radiology Resident
Angela Lignelli, MD
Jasnit Makkar, MD
Carrie Ruzal-Shapiro, MD
Joshua Weintraub, MD
Scott Widemon, MD
Third-Year Radiology Resident


text:
FRANÇOIS DE CASTELNAU COOPTED AS NEW BOARD MEMBER BY SRP GROUPE'S BOARD OF DIRECTORS
La Plaine Saint Denis, December 16, 2022 – On December 15, 2022, The Board of Directors of SRP Groupe, chaired by M. David Dayan, Co-Founder, Chairman and CEO of SRP Groupe, has decided to coopt François de Castelnau as Member of the Board of Directors, replacing Thierry Petit who informed the Board of his decision to leave his position as Board member.
Cooptation of M. François de Castelnau, Deputy-CEO and Group Chief Finance Officer, as Member of the Board of Directors
The cooption of M. François de Castelnau has been decided in order to fill the position left by Thierry Petit, who has decided to leave his position as Board Member effective on December 1st, 2022, for the remaining duration of the initial appointment of Thierry Petit, until SRP Groupe's shareholders' meeting to be convened on June 21st, 2023 to approve the accounts of fiscal year 2022. The Board of Directors chose someone whose skills have been widely recognized since he joined the Group over 3 years ago. This cooption will be submitted for approval at the earliest SRP Groupe's shareholders' meeting.
David Dayan, co-founder of Showroomprivé, Chairman and CEO of SRP Groupe, stated: "I am glad that François is joining the Board and that his appointment is submitted to the shareholders. Thanks to his deep experience of the sector and his very good knowledge of the business, he will be able to fully contribute, as a Board Member, to the Group's strategy."
François de Castelnau, 53, began his career in 1995 as an auditor at Deloitte. He became in 1999 Director of Internal Audit and then Chief Financial Officer at ERMEWA Group, the world leader in tank container and wagon rental. In 2013, he joined the Philippe Ginestet Group, which notably owns the Gifi, Tati and Besson brands, as the Group's Chief Administrative and Financial Officer. François de Castelnau joined Showroomprivé in June 2019 as Chief Financial Officer. In January 2022, he is appointed as deputy-CEO of SRP Groupe.
With extensive experience in the financial and retail sectors, François de Castelnau brings to the Board of Directors his proficiency over technical subjects regarding business management and investments.
Composition of the Board of Directors
SRP Groupe's Board of Directors now includes the following 11 members:
David Dayan, Chairman-CEO
Sophie Moreau-Garenne, Independent Director, Chairman of the Audit Committee
Olivier Marcheteau, Independent Director, Chairman of the Nomination and Compensation Committee, Member of the Audit Committee
Cyril Vermeulen, Independent Director, Member of the Audit Committee, Member of the Nomination and Compensation Committee
Michael Dayan, Director, Member of the Nomination and Compensation Committee
Clémence Gastaldi, Independent Director
Eric Dayan, Director
Brigitte Tambosi, Director
Emilie Patou, Director
François de Castelnau, Director
Benoît Camps, Non-voting member of the Board (censor)
SRP Groupe, holding company of the Showroomprivé Group, is listed on Euronext Paris (code: SRP). The Group reported gross revenue of almost €1 billion incl. VAT in 2021, and net revenue of €724 million. The Group is headed by David Dayan, the co-founder, and employs over 950 people.
For more information: https://showroomprivegroup.com
Investor relations Communication
Sylvie Chan Diaz, Relations Investisseurs
investor.relations@showroomprive.net Anne Charlotte Neau-Juillard, Communication
anne-charlotte.neau-juillard@showroomprive.net
Taddeo
presse.showroomprive@taddeo.fr
- SECURITY MASTER Key: x2qbZppqlpjFl2+dZMeYnGpqmGZikmXIm2Gbm2qcmJbKbGxgyWlkZ5iZZnBom21u


Bedtime Digital Games has announced that Figment will release on Nintendo Switch next month, a musical action-adventure game that is set in the recesses of the human mind.
This strange and surreal world is filled with the many voices that we hear in our heads, such as our deepest thoughts, urges, and memories. But, while this mind has been calm for many years, something has changed.
With new thoughts starting to emerge that take the shape of nightmarish creatures that spread fear wherever they go, it falls to the grumy Dusty, the mind's former voice of courage, to get back to his old self and help the mind to face its fears.
In Figment, you will join Dusty and his ever-optimistic friend, Piper, on an adventure through the different sides of the mind – solving puzzles to set things straight and beating back the nightmares as you look to restore the courage that's been lost.
Figment will release on the Nintendo eShop for Nintendo Switch on May 31st.


Common mistakes are mistakes that even native speakers make on a regular basis. The most common of these common mistakes include 'its or it's', 'two, to or too', 'would of instead of would have', and more. The best way to not make these common mistakes is to become familiar with the through a wide variety of examples.
You can use each of these pages as a starting point to practice not making these common mistakes in the future. Each page has a clear explanation with example sentences. Each common mistake page is followed by a quiz to help you check your understanding. Here are a few suggestions for how you can use these pages to reduce these common mistakes. Remember that each language has its own common mistakes.
Make sure to completely understand the common mistake. Look at the examples and ask yourself if you have made these common mistakes. Think about reading, writing and speaking and how the influence each other. For example, the common mistake 'would of' rather than 'would have' is often made because of the way 'would have' sounds in connected speech. In other words, when people speak quickly they run the words together and the form 'would have' SOUNDS like 'would of'. When people then go to write this form they think back to what they have heard and make the common mistake of writing 'would of'.
NOT CORRECT! – He would of come to the party if he had had time.
CORRECT – He would have come to the party if he had had time.
Take time to write down the common mistakes on a piece of paper or in a separate document on your computer. Spend the time to write five or more sentences practicing the correct form of the common mistake in question. Take the time to really think about the mistake when practicing. Chances are you will never make the mistake again!
Listen to / read other people for these common mistakes. Once you understand the common mistake, start listening to other people or reading their texts. Can you spot the common mistakes they make?
How Many Common Mistakes are There?
You might wonder how many common English mistakes exist. That's a difficult question to answer. There are certain mistakes made in grammar, common mistakes made in pronunciation, and there are many common mistakes made because of confusing words.
Common mistakes are mistakes. However, it's (not its!) important to remember that the most important thing about using a language is communication. If you are able to communicate in English you are on the road to success. If you make a few common mistakes, you can certainly correct those mistakes.
Will People Understand Me if I Make a Common Mistake?
Generally, but not always, people will understand you if you make a common mistake. Context (what is happening around the situation) often makes it clear what you really mean. People fill in the blanks, understand that you mean something else, etc. Have confidence and try to eliminate common English mistakes, but make sure to continue speaking and writing English as much as you can!


HUNTINGTON — Spring Valley and Huntington High lock up in the Class AAA football quarterfinals at 7:30 p.m. Friday in the Wolves Den.
Second-rated Spring Valley (11-0) massacred No. 15 Spring Mills in a Friday first round game, 77-7. No. 7 Huntington High (8-3) won Friday against No. 10 Cabell Midland, 14-7.
The Spring Valley Timberwolves won at home against the Highlanders in the regular season, 28-16.
Point Pleasant, rated No. 8 in Class AA, faces a challenge on the road against No. 1 Fairmont Senior (11-0) at 1:30 p.m. Saturday. Point Pleasant (9-1) advanced Saturday with a victory at home against No. 9 Mingo Central (8-3), 65-36, and Fairmont Senior rolled past No. 16 Lewis County (6-5) by a 56-5 count.
Wheelersburg (11-1) plays in the Ohio Division V, Region 20 finals at 7 p.m. Saturday against Middletown Madison (12-0) at Hilliard Darby Stadium. Wheelersburg is rated No.1 in the region ahead of Middletown Madison.
Ashland (11-1) has a Kentucky Class 4A third-round game at 7:30 p.m. Friday at Johnson Central (11-1) in Paintsville. Johnson Central won its regular season home game against the Tomcats, 47-24.
Russell (8-4) is at home against Louisville Central (10-2) in a Kentucky Class 3A home game at 7:30 p.m. Friday.
Raceland (10-2) is at Paintsville (10-2) for a Kentucky Class A clash at 7:30 p.m. Friday. Paintsville won at Raceland in the regular season, 6-0.
Williamsburg visits Pikeville in a Kentucky Class A matchup of 9-2 teams while Boyle County (12-0) travels to Belfry (10-2) in Kentucky Class 3A, with both games at 7:30 p.m. Friday.


All dressed up, ready to head for the auditorium and for my first big public recital at age 11.
For me, painting is all about music. I spent years learning classical piano–practicing scales, getting all the notes right, learning to interpret Bach, Mozart, Beethoven, et al. I was pretty adept at at. Good enough that one of my teachers said, "One day you could teach piano." What? That didn't sound so good to me. What I wanted to do was to be able to play the way the greats of jazz and blues play.
I wanted to be free of the notes on the page. I wanted to leave behind the years and centuries of "this is the way it's meant to be" and simply let the music take me where it wanted to go.
At the piano this was impossible for me. I was tied to those black and white keys and the notes on the page. As a child, even in my early forays into the art world, my teachers tried to tie me to the notes. There were rules for drawing and painting, just as there were for playing classical piano.
I don't paint what I see. I paint what I hear. When you look at my paintings, I hope you, too, will hear the music.


Four large drawers to showcase and store your make up collection. The strong, clear organiser takes the stress out of keeping you make up collection in one place.
The transparent view means you can look inside and easily find your items.


text:
Inazuma Eleven Strikers
Spectacular Special Moves and instant action combine to create a totally new kind of football experience in Inazuma Eleven Strikers on Wii. Get ready for the beautiful game as you've never seen it before - this is battle football!
Step into the boots of Mark Evans, Axel Blaze and other familiar characters and use their spectacular skills to bamboozle your opponents. From the epic Almighty Cannon to the immense Wyvern Crash, more than 200 Special Moves ignite the beautiful game with vibrant animations that transport you into the world of the anime series!
A range of gameplay modes offer plenty of exhilarating football action for up to four local players on one Wii console. Rather than the RPG-style gameplay of the Nintendo DS games, the focus is firmly on non-stop action in Inazuma Eleven Strikers. With just one Wii Remote each you can settle long-running rivalries - or start new ones! - in a knock-out tournament or one-off exhibition match. Divide your players into 2 vs. 2, 3 vs. 1 or 4 vs. a computer-controlled team and see who's the ultimate football champ!
Club Room mode takes you back to the beginning of the Raimon team's adventure for 12 of their most famous matches, taken straight from the anime. Each victory brings you closer to ultimate glory, boosting your players' capabilities and letting you scout new talent too, with over 150 characters to discover and recruit. Keep improving your squad and you can defeat even the toughest teams!
Not only do you have the on-pitch action, but you can take your team to the training area to work on their skills and strengthen their friendship bonds in a range of enjoyable minigames. Up to four players can work together in quick-fire events like the Tyre Punch and Bus Pull!
Each match and training minigame brings your team's players closer together. The stronger their bonds, the better they'll play together, and you can even unlock amazing Co-op Moves that will blow the opposition away!
If you come up against a team in Club Room mode you just can't beat, get a friend to give you a hand! Your friend can become part of the action as a coach or manager: shake the Wii Remote controller to cheer the team on from the dugout, and help them to victory!
With 3D graphics and thrilling animations, Inazuma Eleven Strikers puts you right in the middle of the action - it's just like being in the cartoon!
More than 200 over-the-top Special Moves inject more action into football than ever before!
Over 150 of your favourite characters to recruit and train - create your perfect starting 11!
Amazing animations and voice acting put you right in the centre of the action!
Category: Action, Football
Multiplayer Mode: Simultaneous
Languages: English, French, German, Italian, Spanish
Inazuma Eleven Strikers reviews verified by reevoo
Scores 9.3 out of 10 based on 3 reviews
kelesha
Bought as a birthday present for my son who is a big inazuma fan. He absolutely loves this game, plays it for hours!


text:
"""
WebDAV data store for Twisted.
"""


Dress has bias neck and armhole binding, semi-fitted ruched bodice, midriff, self-lined, interfaced front overlay with corset-style lacing, gathered skirt and back zipper.
Broadcloth, Linen, Dotted Swiss, Chambray. Designed for lightweight to medium-weight woven fabrics.


🌿 A simple PHP API extension for DateTime.
🌿 The Doctrine Reflection project is a simple library used by the various Doctrine projects which adds some additional functionality on top of the reflection API that comes with PHP. It allows you to get the reflection information about classes, methods and properties statically.


text:
author: robmyers
comments: true
date: 2007-04-01 10:19:08+00:00
layout: post
slug: links-for-2007-03-31
title: links for 2007-03-31
wordpress_id: 1255
categories:
- links
---

  *

[Stay Free! Daily: Target Market Cross Reference](http://blog.stayfreemagazine.org/2007/03/target_market_c.html)

"Alexis Lloyd has created a mini-database of outdoor advertising in different New York neighborhoods;"

(tags: [demographics](http://del.icio.us/robmyers/demographics) [advertising](http://del.icio.us/robmyers/advertising) [nyc](http://del.icio.us/robmyers/nyc) [research](http://del.icio.us/robmyers/research))


Established in 1953, Abena is a Danish manufacturer involved in the delivery of health care solutions and related products. Its main focus is incontinence but it also markets a variety of similar items such as disposables, protective wear, gloves, waste management, paper and cleaning supplies.
Abri-San pads are specifically crafted to suit body contour and are created for all levels of incontinence from light to very heavy. They are available in 14 different absorbency levels, thus satisfying every individual need.
Abri-Light is a line of thin pads for light to moderate incontinence. It provides exclusive protection against leakage with super soft and flat barriers. You will be able to adjust it by using the self-adhesive strips on the back of the pad. Abri-Light is easy, discrete and hygienic with individually wrapped pads.
Abri-Form diapers are manufactured for moderate to heavy incontinence created to give the best security for high- demanding situations. This line also offers a full selection of special sizes and functionality.
Abri-Flex are modern pull-ups that can be used like a normal underwear. Available in 5 sizes and 4 absorption levels to supply all types of needs.
Abri-Flex is fashioned with more elastic threads, fits to your body and stays in place for active use.
Super soft Non-woven material Made of elastic threads for a firm, flexible fit.
Wetness indicator with graduation scale indicates capacity use.
Abri-Man is a specialized line of male incontinence products. These pads are specifically shaped to fit the male body. The design will provide a discreet solution that will let the user enjoy a normal and active life. The breathable Air Plus backing is soft and allows the skin to breathe and reduces the risk of dermatological conditions.
Secure fixation by self-adhesive strip.
Abri-Wing are belted products for moderate to heavy incontinence. You can find 4 different sizes and 3 absorption levels. The exceptional fitting properties make it the best solution for individual users who want to adjust the position of the diaper often.
Wetness indicator with graduation scale.
Abri-Let is a line of absorbing rectangular pads with a soft fine core and is fully breathable. It can be used as a booster to reach extra absorption. It can also be used as a maternity pad or an absorbing pad in case of wound-care.
As a preferred distributor, Drip Armor provides affordable access to all Abena Supplies.


Nightingale Night School is an independently run, architectural thesis subject taught by Breathe Architecture at the Melbourne School of Design at the University of Melbourne. It was inaugurated in the latter half of last year, and its students are passionate about changing urban environments for the better.
Night School students have created some incredible designs for future housing, showing how they can be paradigm shifters able to think differently and more sustainably about the cities they live in.


Gracie Barra Northridge just added another elite black belt to their roster. Victor Silverio has been a standout of GF Team for years, going white to black under the fiercely competitive team's banner. He has been running his own GF Team acamdey in Florida until now, but confessed that the lack of regular elite training partners and running a school distracted him from being a full-time athelte.
Siliverio has told that he is leaving GF Team under good terms and spoke with leader Julio Cesar Pereira before making up his mind.
"I'm really thankful for everything that gfteam did for me. And I'm really grateful for Romulo opening the doors of his gym for me. I had an opportunity that I couldn't waste and I will be a full time athlete, something that I couldn't be in Florida".
Silverio's training predicament is swiftly removed on the mats at Gracie Barra Northridge. Romulo Barral's academy is absolutely stacked with talent, featuring Gabriel Arges, Edwin Najmi, and AJ Agazarm- plus regular visits from Otavio Sousa, Felipe Pena, and more. It's tough to find a more elite room anywhere on the planet.
It's clear that SIlverio is joining a team that he believes facilitates the training needed to win a World Championship, but what remains to be seen is how Silverio will fit in the team's competitive rotation- Gabriel Arges and Otavio Sousa are already installed at middleweight for Gracie Barra – Silverio's normal division, and the in-house competition doesn't get any slimmer at lightweight or medium-heavy. At first glance it seems Silverio could be on the losing-end of closeouts wherever he goes, but only time will tell how that plays out.
ZR Team in London – Ukrainian fighters won gold!