moved it to the pan to thicken and then mix with a hand mixer..it really looked like gooey pudding…kind of gross!!..I added vanilla and loads of powdered sugar and a bit of salt.. I added quite a bit of cornstarch and so that's maybe what made it gooey…idk..I don't have the heart to experiment again just yet..
Previous Post searching for cream….and then came meringues!
😦 sorry it didn't work out but I'm proud of you for attempting it! And way to go- you made almond flour!
Thanks:) I tried…so down it didn't work out..going to try again w double boiler method and less cornstarch…I fear I will still achieve the same gooey mess!


Children's Day will be celebrated in the state with the annual Children's Day rally and a public meeting tomorrow.
This year Abhinavamirag S S, student of Carmel school, will be the children's Prime minister. Adwaith P R of Christ Nagar central school will be the president. Archa A J of St Thomas HSS will be the speaker.
Students selected for welcome speech and vote of thanks are Ashlyn Clarence and Alina A P respectively.
Chief minister Pinarayi Vijayan will deliver the Children's Day message at SMV Higher Secondary School at 2.30pm. The Children's Day stamp designed by Athul S Raj, 10th standard student of M D Seminary School, Kottayam will be released in the meeting.
The Children's Day rally will be taken out from SMV Higher Secondary School till University College at 3.30pm and end at University College.


The competitively priced base model in the Sigma range is the BC 7.16. This bike computer uses cables. The BC 7.16 shows you the total riding time and average speed op top of all the basic functionality. A large display wrapped in a sleek casing makes this a great companion on any trip.
Values such as the total distance and total time are hidden during your ride. This keeps the number of clicks required to cycle the menu down, and ensures the display only shows what you need. With a ride time of up to 100 hours, you can easily log and save your entire cycling holiday.
The service interval mode automatically alerts you after a pre-set number of miles that it's time to service your bike. The service interval can only be programmed or (de)activated by your local dealer. The dealer can set the desired interval range using the UNIVERSAL FAST SETTING BOX. The service interval-mode is deactivated upon delivery of the computer.
duidelijk display, maar best lastig in te stellen met dat mini drukknopje aan de achterkant, de montage met rubber stiekjes ?? als die maar niet snel verduren .
Prima apparaatje voor het geld. Doet wat er beloofd wordt.


Just when things couldn't get any hotter than the triple digit temperatures that hit Los Angeles over the weekend, a head-on collision between a car and a tanker truck hauling carbon dioxide resulted in a massive fiery explosion downtown. The accident left one person in critical condition and caused fire damage to a nearby building.
The accident occurred Monday morning about 3:30 a.m. in the 1500 block of South Central Avenue, near the 10 Freeway. The preliminary investigation has so far revealed that a man in his 20's was driving a silver Honda Accord about 70 mph the wrong way down East 16th street. The Honda then struck a dip, lost control and went airborne before barreling into an oncoming tanker truck carrying carbon dioxide. According to investigators, the 61-year-old truck driver had seen the car speeding towards him and tried to swerve to avoid being hit but it was too late. The impact immediately caused the tanker to burst into flames but thankfully the truck driver managed to escape from his cab.
A security camera from a nearby business caught the accident on video and showed the Honda become airborne through the intersection and then land in a blast of sparks. The video also shows a few cars approach the scene and one person who came running on foot to the crash site to help the victims. "I saw like an explosion, so I came this way and saw it was a car crash," said the witness, Josue Morales. "I ran to the car and saw someone was in the car. I was trying to help, you know, but it was too smashed, so I couldn't do anything."
The Honda driver was trapped inside his vehicle until firefighters arrived on the scene and worked to extract him from the wreckage. The driver was taken to the hospital in critical condition and his status on Monday was reported to still be in critical condition with life-threatening injuries. The truck driver was also taken to the hospital but was listed in fair condition and treated for back pain. The explosion caused a nearby building to catch fire but firefighters were able to get the fire under control before causing any interior damage.
The intersection of Central Ave and East 16th Street was shut down on Monday as crews continued the difficult job of clearing the wreckage and investigators surveyed the scene.
the link to the security camera video is highlighted in the article "caught the accident on video"
Too bad the wrong way driver survived. I really hate these idiots that do that.
Why would you wish death on them?
Because they are killing too many people out here on the roads including one of my family members who was killed by some stupid old man going the wrong way on a interstate.
No they didn't as he didn't have any assets. And he had no insurance either.
4 wheelers are killing us.
Thank goodness everyone is okay. Could have killed both drivers. Surely that truck driver had an Angel riding with him. These new trucks go up like a roman candle. Fumes from the fire itself are deadly. If your truck starts on fire please don't try and get anything out but yourself. And lord have mercy if you have a co-driver in the sleeper. All trucks should have an escape door in the sleeper for that exact reason. All b safe out there.
It's the trucker's fault. Sarcasm.


I absolutely love a pretty red dress for the holiday's but I feel like green gets sidelined when it comes to dressing up for Christmas time! So I decided to switch it up and go with this fun green number from [Shein]!
I love this shade of green, and my favorite part is ....wait for it..Velvet !! ofcourse it had to be velvet. I have totally lost count on how many velvet pieces I have in my closet haha but hey who is counting. I love how simple this dres is. the back is amazing and the this is just the right length for me. I got this in a xs because It runs kinda big. The slit is so daring so you have to be really careful when you walk so you dont have any wardrope mishaps that the paparazzi might catch lol This would be a perfect look for a black tie holiday party, especially with a red carpet and all, but you can also wear it wherever, whenever, Its up to you!! Throw on some red lipstick and you are good to go!
I hope you all have a wonderful Christmas!
Till next time, Stay stylish and be you!
Jan 3 HAPPY NEW YEAR!!!!!!!!!!!!!!!!


It is rare that this reviewer actually states out loud, while a fashion show is in progress, that she wants to own every piece in an upcoming collection. But that was exactly what happened at the LIE Fall 2015 runway show at Seoul Fashion Week. Drawing from the styling of the 1960's, creative director Lee Chung Chung integrated geometric shapes into skirts, sweaters and trench coats in a "Reconstitution" collection that was equal parts playful and sophisticated.
Rather than overwhelm the wearer with prints, Lee cleverly mixed materials and patterns to create the illusion of dimension. A black and white polka-dotted pattern on one short-sleeved top was broken up by transparent horizontal stripes, whereas the otherwise solid-colored squares and partial circles on other pieces featured subtle bumps and ridges. Other items, when deconstructed from their layered runway styling, proved to be suitable for year-round wear. Particularly effective was Lee's usage of camel, bright red, blue and even solid white, a visually appealing contrast to the shades typically seen in wintertime.
LIE (pronounced Lee) is designer Lie Sangbong's contemporary line intended for a younger consumer segment than his ready-to-wear line shown in New York, Paris and Seoul. It targets women in their 20's and 30's, and is available at the Doota shopping mall in Seoul, among other retail locations.


The Minister of State for Petroleum Resources, Dr Ibe Kachikwu, has challenged the Nigeria LNG Limited to expand its Liquefied Natural Gas production capacity to 40 million tonnes per annum over the next 30 years.
He said this would enable the country to secure a significant share in the global LNG market, and help with domestic supply of the commodity in line with the company's vision to help build a better Nigeria.
The minister, according to a statement, stated this during a visit to the NLNG Plant on Bonny Island, Rivers State, to assess the company's state of preparedness for the construction of a new train that will lift the country's LNG production output by 35 per cent from 22 MTPA to 30 MTPA.
Kachikwu was quoted as saying, "Train 7 doesn't have a good history in terms of operations. President Muhammadu Buhari will tell you when they started this project, they targeted 12 trains. Through no fault of yours, Train 12 has not happened, but Train 7 is coming. Now, you have Train 7 largely ready to go. What excites me is that this train will be bigger than the other individual trains but in your 30 years outlook, you have to begin to look at Train 8. We need to catch up.
The minister added, "Although your market today is focused on externalisation, you will soon see government policies drive you towards internalisation very rapidly. So, you need to grow those volumes for the teeming population we have. I challenge you to look at this and grow from the 30 MTPA you are talking of now to about 40 MTPA over the next 30 years.
While briefing the minister on NLNG's operations, the Managing Director, Mr Tony Attah, said it was time for Nigeria to use gas as a catalyst for industrial and economic transformation.
He said, "With the support of the NNPC, our ambition remains to grow through Train 7. We built six trains fast because every 18 months, we were adding a train. But from 2007 to date, we have not been able to move. But with your support and that of the Federal Government, we have the full backing of all critical stakeholders.
Expressing appreciation to the Federal Government for the support on Train 7, NLNG Deputy MD, Sadeeq Mai-Bornu, said the minister's visit to Bonny was a boost towards the final investment decision.
He said, "In the long run, the benefit of a bigger market share in that space will translate into more revenue for our nation through taxes and shareholding for the Federal Government through the NNPC, which currently holds 49 per cent shares in NLNG.


text:
$100K fine over free-to-roam claim
January 23, 2012 — 11.19am
Chicken group La Ionica has admitted to misleading and deceptive conduct over descriptions of birds raised in its barns as "free to roam".
The company behind La Ionica, Turi Foods, will pay a $100,000 penalty and take out a newspaper advertisement as part of a deal that ends legal action brought by consumer watchdog the Australian Competition and Consumer Commission.
'Free to roam' chickens produced by La Ionica get space as big as an A4 piece of paper, the Federal Court has heard. Credit:Angela Wylie
Turi Foods included the "free to roam" claim in promotional material, including a poster featuring celebrity chef Geoff Jansz, produced since 2004.
Last month, the Federal Court in Melbourne heard that each chicken had a space equivalent to an A4 sheet of paper in which to move around.
Two other chicken suppliers that also made the "free to roam" claim, Bartter Enterprises and Baiada Poultry, and peak industry body the Australian Chicken Meat Federation, continue to fight the ACCC's lawsuit.
In a judgment handed down today, Federal Court judge Richard Tracey said Turi, which supplies about 9.5 per cent of the chicken eaten in Australia, had co-operated with the ACCC by removing signs from delivery vehicles as soon as the watchdog raised its concerns.
He said La Ionica attempted to gain an advantage over its competitors "by advertising that, as they have grown, the chickens have been free to roam around the sheds in which they were held".
"La Ionica has acknowledged that its statements to this effect have been misleading and deceptive," he said.
"Its customers and potential customers should be disabused."
Justice Tracey said the $100,000 penalty agreed between the ACCC and Turi Foods was "towards the lower end of the proper range" of up to $1.1 million.
"It is, however, within the permissible range and I would not depart from the proposed amount simply because I might have been minded to impose a higher figure within the range but for the agreement of the parties," he said.
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redpajama_set_name: RedPajamaCommonCrawl


text:
Christopher Ekka is an Indian politician. He was elected to the Lok Sabha, the lower house of the Parliament of India from Sundargarh, Odisha as a member of the Indian National Congress.

References

External links
Official Biographical Sketch in Lok Sabha Website

Living people
1943 births
Lok Sabha members from Odisha
India MPs 1980–1984
Indian National Congress politicians
Indian National Congress politicians from Odisha

redpajama_set_name: RedPajamaWikipedia


I took matters into my own hands to find out information about the Imperial Agent. Bioware isn't going to give us information about the class and i'm willing to bet that they definately won't give us the progression video until after Swtor is released.
How much are you willing to bet?
Snipers (and Gunslingers) have a range of 35 meters for most of their abilities, which is the longest range class for player abilities available. Troopers for examples have a maximum range of 30 meters on their long range abilities.
Correct. Cover protects from Force Leap, being pulled via grapple, etc.
Using Entrench (An ability increasing the effectiveness of cover temporarily) will also make the Agent immune to any other kind of control (CC),. They become an unmovable object that cannot be charged, pushed, lifted, frozen, Force choked or in any other way incapacitated.
You rarely see them leading the charge onto an objective, but they are masters of area denial. It's not just that you have to bridge 35 meters to them, with them getting the alpha strike. They got tools that will temporarily root you (Leg Shot), the force of impact from their Ambush ability pushes close range enemies back and their cover generator is fitted with the a pulse detonator that pushes attackers out of melee range (Cover Pulse). They can also become faster and faster the more they hit you (Sniper Volley). And did I mention that they can call down a powerful orbital satellite strike to protect the area around them?
How is it balanced? Carefully… We force you to be smart about moving into the area protected by these guys. If you're not smart about it and think you can charge into the fray, that's the wrong class to try that on. Their weakness is the fact that their most powerful abilities require them to be entirely static, that they have little ability to kite or establish range against a close range attacker.
You want to sneak up on them, distract them or eject them from cover (there's a very limited number of abilities that can do that), utilize environmental features to avoid line of sight, hit them with long range DOTs and wear them down, or gang up on them. If you manage to catch them close range without having lost too much of your health, they are in a lot of trouble and without Stealth generator or any kind of active escape ability, they are likely dead.
The whole post is a long one, but if you're interested in the Sniper/Gunslinger class, I highly recommend that you check it out.
To elaborate on this: If you try to outdamage any of the melee DPS classes at close range. 2 lightsabers > 1 lightsaber; Heavy Armor > light armor; Tons of powerful melee moves > small number of melee moves.
Sure, most of your abilities will still work close range, but you have a distinct advantage when they are at range, so you're going to have to make sure these guys don't make it into melee range or, if they make it, don't make it with enough health or stay there long enough to get their really powerful attacks off.
Jedi do not receive any military rank or authority simply by being Jedi. If a Jedi is involved in a military operation, his or her position is essentially determined by the Republic authorities involved–a general might request a Jedi advisor when going up against a Sith Lord, but turning command of an entire army over to even a Jedi Master would be a rare decision. Jedi expecting immediate cooperation from Republic military personnel may get it–even in these relatively dark times, many people still honor and respect the Jedi–but such cooperation is ultimately voluntary.
There may be a few Jedi out there with military ranks, but they've earned them specially.
Man I cannot believe the Warrior cannot at least force leap onto the IA's shield. I understand entrench holding off the accompanying stuns but to negate the charge completely? Grrrr.
Happy this does not make me hmmm?
I think the whole force leap not working on a IA is more about balance over realism. No one would want to play an agent if they are that easy of a target.
(c)2011 - Ask A Jedi. All rights reserved. This site is in not endorsed by or affiliated with LucasArts, BioWare, or Electronic Arts.
Trademarks are the property of their respective owners. LucasArts, the LucasArts logo, STAR WARS and related properties are trademarks in the United States and/or in other countries of Lucasfilm Ltd. and/or its affiliates. (c)2008-2011 Lucasfilm Entertainment Company Ltd. or Lucasfilm Ltd. All Rights Reserved. BioWare and the BioWare logo are trademarks or registered trademarks of EA International (Studio and Publishing) Ltd. You may not copy any images, videos or sound clips found on this site or "deep link" to any image, video or sound clip directly. Game content and materials copyright LICENSOR. All Rights Reserved.


text:
The Summer Transfer Window Starts on July 1st, 2013
The summer transfer window in the five major European football leagues starts on July 1st and ends on August 31st.
This is a very exciting time in European football as clubs have the opportunity to strengthen their squads and attempt to bring in star players that will help them get results on the pitch and sometimes off the pitch for marketing and business reasons.
England, France, Germany, Italy and Spain are Europe's biggest football markets and their leagues account for the majority of the biggest transfers. Some of the signings have already been negotiated and can be made official during the transfer window, but most of the business gets done in July and August.
What will the biggest signings of this year be?


text:
Q: multi row update using cursors PL SQL anonymous block How to we write a PL SQL block for updating multiple rows at a time. The scenarios is, there are two tables TABLE1,TABLE2 both have a common column  COLUMN1. In the anonymous block the cursor is defined on the TABLE1.
On running the block for the first time i.e with v_run:=1 and v_offset:=2 ,the first two rows will be in cursor. On running the block for the second time   v_run:=2 and next two rows from TABLE1 will be in the cursor and so on.
What should be v_SPECIAL_VARIABLE in the sample code be so that
on the first run i.e v_run:=1, first two rows(row no 1,2) are fetched in the cursor and their corresponding COLUMN2 values in TABLE2 are updated to 'N' and the rest of the rows in TABLE2 are updated to 'n'.
On the second run i.e v_run:=2  next two rows (row no 3,4) are fetched from the TABLE1 in the cursor and their corresponding COLUMN2 values in TABLE2 are updated to 'N' and the rest of the rows in TABLE2 are updated to 'n'.
On the third run i.e v_run:=3  next two rows (row no 5,6) are fetched from the TABLE1 in the cursor and their corresponding COLUMN2 values in TABLE2 are updated to 'N' and the rest of the rows in TABLE2 are updated to 'n'.
Table1 contains
id | COLUMN1     | total
-------------------------
 1 | 1256480     | 5
 2 | 1256481     | 3
 3 | 1256482     | 2
 4 | 1256483     | 1
 5 | 1256484     | 3
 6 | 1256485     | 2
 7 | 1256486     | 1
 8 | 1256487     | 3

Table2 contains
   | COLUMN1     | column2
-------------------------
  | 1256480     | N
  | 1256481     | N
  | 1256482     | N
  | 1256483     | N
  | 1256484     | N
  | 1256485     | n
  | 1256486     | n
  | 1256487     | n

Sample code
declare
v_offset number:=2;
v_run    number:=1;
cursor curv1 is
select column1 from
(select rownum rowcol,column1 from table1)
where rowcol between (v_run-1)*v_offset+1 and v_offset*v_run;
begin

open curv1 ;
fetch curv1 into v_SPECIAL_VARIABLE
----- first update
update table2 set column2='N' where
column1=(' ALL the values in v_SPECIAL_VARIABLE');
----- second update
update table2 set column2='n' where
column1 not in (' ALL the values in v_SPECIAL_VARIABLE');
close curv1 ;
end;

A: Cursors are designed to be processed one row at a time. If you want a collection of values, use a collection, not a cursor.
Have you considered doing it without cursors or multiple statements?
declare
  v_offset number:=2;
  v_run    number:=1;
begin

  -- one update
  update table2 set column2= CASE WHEN
    rowcol between (v_run-1)*v_offset+1 and v_offset*v_run
    THEN 'N' ELSE 'n' END
  ;

end;

If performance is an issue you'll also want to add a where clause to only update the necessary 4 rows each time, instead of all rows in the table.

A: Iterating a cursor and updating on a row-by-row basis is a recipe for poor performance. Get rid of cursors whenever possible, as in:
declare
  v_offset number:=2;
  v_run    number:=1;
begin
  -- First update

  UPDATE TABLE2
    SET COLUMN2 = 'N'
    WHERE COLUMN1 IN (SELECT DISTINCT COLUMN1
                        FROM TABLE1
                        WHERE ROWCOL BETWEEN (v_run-1)*v_offset+1
                                         AND v_offset*v_run);

  -- Second update

  UPDATE TABLE2
    SET COLUMN2 = 'n'
    WHERE COLUMN1 NOT IN (SELECT DISTINCT COLUMN1
                            FROM TABLE1
                            WHERE ROWCOL BETWEEN (v_run-1)*v_offset+1
                                             AND v_offset*v_run);
end;

Note that in this case the updates could be simplified to:
declare
  v_offset number:=2;
  v_run    number:=1;
begin
  -- Second update

  UPDATE TABLE2
    SET COLUMN2 = 'n'
    WHERE COLUMN1 IS NOT NULL;

  UPDATE TABLE2
    SET COLUMN2 = 'N'
    WHERE COLUMN1 IN (SELECT DISTINCT COLUMN1
                        FROM TABLE1
                        WHERE ROWCOL BETWEEN (v_run-1)*v_offset+1
                                         AND v_offset*v_run);
end;

Best of luck.

redpajama_set_name: RedPajamaStackExchange


SSH is a very powerful technology, though not very user friendly. Sometimes things need to be done at the "root" level. However, for security purposes a regular user cannot simply log in as root using "su -" if not granted access.
How do you add a user to this access? Simple: in WHM when you log in, go to Security Center, then Manage Wheel Group Users. Over there you can add users to this "Wheel Group" to get in as root.
What Happened with USA Today Sports Weekly's Cartoonist Mike Ricigliano?


Garo Batmanian is the World Bank Lead Environment Specialist and Agriculture/Environment/Forestry Sector Coordinator for China and Mongolia based in the Beijing's Office.
funded by the G7. Earlier he worked as the CEO for the World Wide Fund for Nature (WWF), Brazil and as the LAC Program Director of WWF, USA. Garo has extensive experience in environmental management, forestry, carbon finance, and rural development areas and has led or been involved in the Bank's analytic work and lending operations focusing on environmental sustainability in Brazil. In his capacity in China, Garo leads work in a wide array of operations and analyses in the agricultural, environment and forestry sectors, including linkages with the climate change agenda.
Garo holds a Ph.D. in Ecology from the University of Georgia in the USA.


You can become a nursing assistant who is eligible to work as a certified nursing assistant in one of two main ways in the state of Nevada. Prospective nursing assistants need to attend a training program that has been approved by the states. There are various nursing assistant certification training courses in Nevada. After completing a course, you will need to pass all aspects of the nursing assistant competency exam.
You will need to enroll in and pass a training course that has been approved by the state of Nevada if you wish to work as a certified nursing assistant. The course will need to have at least 75 hours of training. You will need to complete at least 60 hours of training time in the classroom and labs. The rest of the hours will be spent in a clinical setting. You will find that some training programs offer even more hours of study.
Your nursing assistant training classes will teach you the skills you need to complete your nursing assistant tasks. The training will also prepare you to communicate well with patients, their families and your own co-workers. After you complete the entire course, you will need to sit for the nursing assistant competency exam.
Every twenty-four months, you will receive forms to renew your certification in the state of Nevada. The forms will provide instructions on how to renew your certification. All sections of the form must be completed accurately before you return them to have your certification renewed. You must have worked for compensation as a nursing assistant for a minimum of 40 hours during the 24-month certification period if you want to renew your certification. It is also necessary to have completed at least 24 hours of continuing education credits in that time period.
You cannot renew your license if you have been convicted of a felony during that time period. The same is true if you were found guilty of abusing a patient or misusing their funds or personal property.
The other primary way to become a certified nursing assistant is through reciprocity. This is a process in which you ask the state of Nevada to review your credentials as a certified nursing assistant from another state. If those credentials match the standards for nursing assistant in the state of Nevada, your nursing assistant certification from the other state will be recognized in Nevada.
Contact the Nevada State Board of Nursing or visit their website at: [block]0[/block] to obtain the forms needed to apply for reciprocity. You will need to complete the forms in their entirety before your application will be considered. If you are approved for reciprocity, you will not need to complete training or testing in Nevada.
You will need to be fingerprinted as part of the application process. You must have your fingerprints done at a Nevada LiveScan location (recommended) or submit two fingerprint cards along with the completed Fingerprint Submission form.
Completed section 1-4 and signed the Application for Initial CNA Certification form.
Copy of your active certificate in your former state. It must show an expiration date.
You must show that you were employed for a minimum of 8 hours by a licensed medical facility during the past 2 years. Acceptable proof includes a Paycheck stub, W-2 form or a letter from your employer on company letterhead with a signature and title of the person writing for the employer.
Don't forget to include a non-refundable $50 application fee.
Return form along with all requested documents to Nevada State Board of Nursing-5011 Meadowood Mall Way Suite 300- Reno, NV 89502-6547.
You must complete the Endorsement Form for Certified Nursing Assistant form for each state you have received certification.
Contact the nursing aide registry where you are certified. See the list of phone numbers provided with the application. Inquire about their specific requirements before you send the form.
Forward your application to transfer your certification to the state where you are currently registered as a nursing assistant.
The nursing aide registry in your state will complete the bottom section of your application. They will send the form to the address provided on the application for the state of Nevada.


A Snooker event from World Championship 2019, World.
The automatic updates don't work if there are more than four Odds pages (tabs) opened with the same browser. If this is not the case try clearing your browser's cache (temporary internet files).


We've been pushing the possibilities of the Invisalign System since 1997. We are the most advanced clear aligner system in the world, constantly imagining and developing new technologies to help people move forward with their lives. It's how we've helped millions of people to find their best smile.
See your journey before it begins.
Become an Invisalign patient and preview your new smile before treatment even begins with our ClinCheck® technology that digitally maps your entire Invisalign journey. Your Invisalign Provider designs a precise, personalised treatment plan, including the exact movements of your teeth and how long your treatment will be.
Movement that's 75% more predictable.
When it comes to your smile, precision and predictability are crucial for a comfortable and efficient experience. Invisalign clear aligners are made of SmartTrack material which provides greater than 75% improvement in overall tooth movement predictability1.
Each aligner change is a small step towards your big transformation, moving your teeth comfortably and efficiently towards their final position.
And if your Invisalign Provider advises that you are suitable to change your aligners every week rather than every two weeks, you could achieve your new smile in as little as 3 months, that's up to 50% faster than before2.
We advanced digital dentistry with the introduction of iTero®. Replacing manual impressions, our intra-oral scanner creates fast, precise 3D digital images of your teeth that are used to develop your treatment plan4.
The future is being 3D printed.
We're leading the digital transformation in dentistry and orthodontics, making metal and analogue a thing of the past as we push the boundaries forward.
We are the world's largest user of state-of-the-art 3D printing technology for making highly accurate, customised aligners3.
Unleash the power of the most advanced technology for your smile.
1Compared to off-the-shelf, single layer 0.30in material. 2Invisalign Go and Invisalign Lite only. With weekly aligner changes compared to two-week aligner changes. Weekly aligner changes are at the discretion of the Invisalign Provider and individual treatment plan. Treatment times vary depending on individual patient needs and must be determined by your Provider. 3Data on file at Align Technology. 4Some Providers may still take physical impressions.


Is New York City prepared for the increase in bike traffic?
On behalf of Martin A. Kron & Associates, P.C. posted in Speeding on Wednesday, October 5, 2011.
Over the next few years, New York City will undergo something of a transformation as more bike lanes are added to city streets and bridges, and city officials roll out a new bicycle-sharing program. However, while this plan is being lauded by both proponents of alternative transportation and environmental advocacy groups, others are worried that the growing number of speeding bicyclists will lead to more pedestrian accidents.


text:
Gears of War 4 official achievement list revealed
Yogscast raised over 2.5 million during it's 2016 December charity drive
Xbox One game exclusives - the best from Microsoft at E3
Batman- The Telltale Series Ep 4 "Guardian of Gotham" Review
Xbox Podcast Episode 3
Nintendo and Unreal partner up for the Switch
Christopher Graf
With the new year upon us, there are plenty of things to look forward to in the coming months. This is especially if you are a gamer. One thing on the horizon in the video gamer industry is the Nintendo Switch, which is said to come out in March of this year. Loyal fans of the Big N will be happy to hear about a great partnership moving forward that is sure to be beneficial all around.
It is hard to be a game developer these days and not know the name Unreal. The engine seems to set the standard for modern AAA titles with each new iteration. Lucky for those looking forward to the Nintendo Switch, Unreal is one of the many partners coming together to help the new console move forward.
In a tweet from Unreal, they stated, "We're thrilled to partner with Nintendo to help Unreal Engine 4 developers bring their games to Nintendo Switch!" The more great software that can come to the new hybrid console the better. The lack of huge titles is what has ultimately led to the downfall of the Wii U. Hopefully the partnership with Unreal and others will lead to a successful launch and lifespan for the Nintendo Switch.
NintendoNintendo SwitchUnreal
Christopher is a passionate gamer who believes video games will help change the future of entertainment as we know it. He hopes to a part of this change some day as a designer himself.


text:
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31 books about 1830-1886
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At the Brink of Infinity: Poetic Humility in Boundless American Space
James E. von der Heydt
University of Iowa Press, 2008
Library of Congress PS310.V57V66 2008 | Dewey Decimal 811.00922
From popular culture to politics to classic novels, quintessentially American texts take their inspiration from the idea of infinity. In the extraordinary literary century inaugurated by Ralph Waldo Emerson, the lyric too seemed to encounter possibilities as limitless as the U.S. imagination. This raises the question: What happens when boundlessness is more than just a figure of speech? Exploring new horizons is one thing, but actually looking at the horizon itself is something altogether different. In this carefully crafted analysis, James von der Heydt shines a new light on the lyric craft of Emily Dickinson, Robert Frost, Elizabeth Bishop, and James Merrill and considers how their seascape-vision redefines poetry's purpose.
Emerson famously freed U.S. literature from its past and opened it up to vastness; in the following century, a succession of brilliant, rigorous poets took the philosophical challenges of such freedom all too seriously. Facing the unmarked horizon, Emersonian poets capture—and are captured by—a stark, astringent version of human beauty. Their uncompromising visions of limitlessness reclaim infinity's proper legacy—and give American poetry its edge. Von der Heydt's book recovers the mystery of their world.
Choosing Not Choosing
Library of Congress PS1541.Z5C287 1992 | Dewey Decimal 811.4
Although Emily Dickinson copied and bound her poems into manuscript notebooks, in the century since her death her poems have been read as single lyrics with little or no regard for the context she created for them in her fascicles. Choosing Not Choosing is the first book-length consideration of the poems in their manuscript context. Sharon Cameron demonstrates that to read the poems with attention to their placement in the fascicles is to observe scenes and subjects unfolding between and among poems rather than to think of them as isolated riddles, enigmatic in both syntax and reference. Thus Choosing Not Choosing illustrates that the contextual sense of Dickinson is not the canonical sense of Dickinson.
Considering the poems in the context of the fascicles, Cameron argues that an essential refusal of choice pervades all aspects of Dickinson's poetry. Because Dickinson never chose whether she wanted her poems read as single lyrics or in sequence (nor is it clear where any fascicle text ends, or even how, in context, a poem is bounded), "not choosing" is a textual issue; it is also a formal issue because Dickinson refused to chose among poetic variants; it is a thematic issue; and, finally, it is a philosophical one, since what is produced by "not choosing" is a radical indifference to difference. Extending the readings of Dickinson offered in her earlier book Lyric Time, Cameron continues to enlarge our understanding of the work of this singular American poet.
Concordance to the Letters of Emily Dickinson
Cynthia MacKenzie
University Press of Colorado, 2000
Library of Congress PS1541.Z49M33 2000 | Dewey Decimal 811.4
This valuable resource for Dickinson scholars is based on the Thomas H. Johnson three-volume edition of the letters (published in 1958 and 1965) as well as the 1998 one-volume paperback edition. The primary importance of the concordance pertains to the poetic quality of the letters themselves. As editor of both the poems and the letters, T.H. Johnson recognizes this link when he writes: "the letters both in style and rhythm begin to take on qualities that are so nearly the quality of her poems as on occasion to leave the reader in doubt where the letter leaves off and the poem begins."
The similarities between the letters and the poems makes the typical concordance search for the poet's thematically significant words and biographical references particularly relevant. Tracing Dickinson's thoughts through her correspondence complements the ideas within her poetry and thus provides a more comprehensive insight into the poet's personal and artistic development. The concordance will facilitate an understanding of words or concepts that may be obscure in the poetry by itself. Research into Dickinson's problematic style, characterized by gaps, disjunctions, and ellipses, will be greatly enhanced.
By listing Dickinson's words together with their contexts and frequencies, the concordance provides the scholar with the ability to answer confidently questions of a statistical or stylistic nature. Finally, one of the most important functions of this concordance is to provide scholar, student, and general reader alike with endless opportunities to make exciting and unexpected discoveries by way of browsing.
Helen Vendler
Harvard University Press, 2010
Library of Congress PS1541.A6 2010 | Dewey Decimal 811.4
Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare's Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems. In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson's work as a poet, "from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath." Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler's selection reveals Emily Dickinson's development as a poet, her astonishing range, and her revelation of what Wordsworth called "the history and science of feeling." In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, "the inventive conceiver and linguistic shaper of her perennial themes." All of Dickinson's preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet's startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as "a master" of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.
Dickinson and the Boundaries of Feminist Theory
Mary Loeffelholz
University of Illinois Press, 1991
Library of Congress PS1541.Z5L596 1991 | Dewey Decimal 811.4
Poetry written by the gifted recluse Emily Dickinson has remained fresh and enigmatic for longer than works by her male Transcendentalist counterparts. Here Mary Loeffelholz reads Dickinson's poetry and career in the double context of nineteenth-century literary tradition and twentieth-century feminist literary theory.
"Mary Loeffelholz has written a book that actually performs what it promises. . . . It illuminates our understanding of Emily Dickinson with readings both elegant and useful, and as importantly suggests modified direction for feminist-psychoanalytic theory."
-- Diana Hume George, author of Oedipus Anne: The Poetry of Anne Sexton
Dickinson in Her Own Time: A Biographical Chronicle of Her Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates
Jane Donahue Eberwein, Stephanie Farrar, and Cristanne Miller
Library of Congress PS1541.Z5D494 2015 | Dewey Decimal 811.4
Even before the first books of her poems were published in the 1890s, friends, neighbors, and even apparently strangers knew Emily Dickinson was a writer of remarkable verses. Featuring both well-known documents and material printed or collected here for the first time, this book offers a broad range of writings that convey impressions of Dickinson in her own time and for the first decades following the publication of her poems. It all begins with her school days and continues to the centennial of her birth in 1930.
In addition, promotional items, reviews, and correspondence relating to early publications are included, as well as some later documents that reveal the changing assessments of Dickinson's poetry in response to evolving critical standards. These documents provide evidence that counters many popular conceptions of her life and reception, such as the belief that the writer best known for poems focused on loss, death, and immortality was herself a morose soul. In fact, those who knew her found her humorous, playful, and interested in other people.
Dickinson maintained literary and personal correspondence with major representatives of the national literary scene, developing a reputation as a remarkable writer even as she maintained extreme levels of privacy. Evidence compiled here also demonstrates that she herself made considerable provision for the survival of her poems and laid the groundwork for their eventual publication. Dickinson in Her Own Time reveals the poet as her contemporaries knew her, before her legend took hold.
Cristanne Miller
Library of Congress PS1541.Z5M48 1987 | Dewey Decimal 811.4
Emily Dickinson in Love: The Case for Otis Lord
Walsh, John Evangelist
Rutgers University Press, 2012
Library of Congress PS1541.Z5W25 2012 | Dewey Decimal 811.4
From the award-winning author of Poe the Detective: The Curious Circumstances Behind "The Mystery of Marie Roget" comes a compelling argument for the identity of Emily Dickinson's true love
Proud of my broken heart
Since thou didst break it,
Proud of the pain I
Did not feel till thee . . .
Those words were written by Emily Dickinson to a married man. Who was he?
For a century or more the identity of Emily Dickinson's mysterious "Master" has been eagerly sought, especially since three letters from her to him were found and published in 1955. In Emily Dickinson in Love, John Evangelist Walsh provides the first book-length treatment of this fascinating subject, offering a solution based wholly on documented facts and the poet's own writings.
Crafting the affair as a love story of rare appeal, and writing with exquisite attention to detail, in Part I Walsh reveals and meticulously proves the Master to be Otis Lord, a friend of the poet's father and a man of some reputation in law and politics. Part II portrays the full dimensions of their thirty-year romance, most of it clandestine, including a series of secret meetings in Boston.
After uncovering and confirming the Master's identity, Walsh fits that information into known events of Emily's life to make sense of facts long known but little understood—Emily's decision to dress always in white, for instance, or her extreme withdrawal from a normal existence when she had previously been an active, outgoing friend to many men and women.
In a lengthy section of Notes and Sources, Walsh presents his proofs in abundant detail, demonstrating that the evidence favors one man so irresistibly that there is left no room for doubt. Each reader will decide if he has truly succeeded in making the case for Otis Lord.
Emily Dickinson's Approving God: Divine Design and the Problem of Suffering
Patrick J. Keane
University of Missouri Press, 2008
Library of Congress PS1541.Z5K36 2008 | Dewey Decimal 811.4
As much a doubter as a believer, Emily Dickinson often expressed views about God in general—and God with respect to suffering in particular. In many of her poems, she contemplates the question posed by countless theologians and poets before her: how can one reconcile a benevolent deity with evil in the world?
Examining Dickinson's perspectives on the role played by a supposedly omnipotent and all-loving God in a world marked by violence and pain, Patrick Keane initially focuses on her poem "Apparently with no surprise," in which frost, a "blonde Assassin," beheads a "happy Flower," a spectacle presided over by "an Approving God." This tiny lyric,Keane shows, epitomizes the poet's embattled relationship with the deity of her Calvinist tradition.
Although the problem of sufferingis usually couched in terms of natural disasters or human injustice, Dickinson found new ways of considering it. By choosing a flower as her innocent "victim," she bypassed standard "answers" to the dilemma (suffering as justified punishment for wickedness, or as attributable to the assertion of free will) in order to focus on the problem in its purest symbolic form. Keane goes on toprovide close readings of many of Dickinson's poems and letters engaging God, showing how she addressed the challenges posed—by her own experience and by an innate skepticism reinforced by a nascent Darwinism—to the argument from design and the concept of a benevolent deity.
More than a dissection of a single poem, Keane's book is a sweeping personal reflection on literature and religion, faith and skepticism, theology and science. He traces the evolving history of the Problem of Suffering from the Hebrew Scriptures (Job and Ecclesiastes), through the writings of Paul, Augustine, and Aquinas, to the most recent theological and philosophical studies of the problem. Keane is interested in how readers today respond to Emily Dickinson's often combative poems about God; at the same time, she is located as a poet whose creative life coincided with the momentous changes and challenges to religious faith associated with Darwin andNietzsche.Keane also considers Dickinson's poems and letters in the context of the great Romantic tradition, as it runs fromMilton throughWordsworth, demonstrating how thework of these poets (perhaps surprisingly in the case of the latter)helps illuminate Dickinson's poetry and thought.
Because Dickinson the poet was also Emily the gardener, her love of flowers was an appropriate vehicle for her observations on mortality and her expressions of doubt. Emily Dickinson's Approving God is a graceful study that reveals not only the audacity of Dickinson's thought but also its relevance to modern readers. In light of ongoing confrontations between Darwinism and design, science and literal conceptions of a divine Creator, it is an equally provocative read for students of literature and students of life.
Emily Dickinson'S Gothic: Goblin With A Gauge
Daneen Wardrop
Emily Dickinson should stand as a major gothic author among her nineteenth-century American contemporaries, but two factors have previously prevented her inclusion in such company. Perhaps the most obvious is the problem of the genre: Dickinson writes gothic poetry, whereas gothic fiction defines the genre. In addition, her poetic personae have served over the decades to prompt critics to "protect" her; traditional critics concentrated on the sweet, romantic elements of her oeuvre. More recent readers, notably Sandra Gilbert and Susan Gubar, Jane Egerwein, and Cynthia Griffin Wolff, have begun studying Dickinson's gothic traits; Emily Dickinson's Gothic explores Dickinsonian gothicism with the systematic rigor it demands and deserves.
Emily Dickinson's Gothic also addresses sociohistorical concerns, from hallowed gothic conventions dating from Horace Walpole's eighteenth century to such modernist neogothic topics as rape, the void, and disjunctive language that appear in the latter nineteenth and early twentieth centuries. Wardrop recognizes the full extent to which the gothic pervades Dickinson's canon and the means by which the gothic determines her aesthetic. Such full consideration of women's gothicism allows the placement of Dickinson within a literary context, both in terms of American writers and in terms of women writers.
Emily Dickinson's Open Folios: Scenes of Reading, Surfaces of Writing
Marta L. Werner
University of Michigan Press, 1996
Library of Congress PS1541.A6 1995b | Dewey Decimal 811.4
Emily Dickinson's Open Folios: Scenes of Reading, Surfaces of Writing is a fine facsimile edition and aesthetic exploration of a group of forty late drafts and fragments hitherto known as the "Lord letters." The drafts are presented in facsimile form on high-quality paper alongside typed transcriptions that reproduce as fully as possible the shock of script and startling array of visual details inscribed on the surfaces of the manuscripts.
Werner argues that a redefinition of the editorial enterprise is needed to approach the revelations of these writings-- the details that have been all but erased by editorial interventions and print conventions in the twentieth century. Paradoxically, "un-editing" them allows an exploration of the relationship between medium and messages. Werner's commentary forsakes the claims to comprehensiveness generally associated with scholarly narrative in favor of a series of speculative and fragmentary "close-ups"--a portrait in pieces. Finally, she proposes the acts of both reading and writing as visual poems.
A crucial reference for Dickinson scholars, this book is also of primary importance to textual scholars, editorial theorists, and students of gender and cultural studies interested in the production, dissemination, and interpretation of works by women writers.
This publication has been supported by a grant from the National Endowment for the Humanities.
Marta L. Werner received her Ph.D. from the State University of New York-Buffalo. She is an independent scholar and a member of the Emily Dickinson Editing Collective.
Emily Dickinson's Poems: As She Preserved Them
Library of Congress PS1541.Z5M483 2016 | Dewey Decimal 811.4
Cristanne Miller's major edition of Dickinson's poems presents the 1,100 poems the poet retained during her lifetime, in the form she retained them. Dickinson took pains to copy these poems onto folded sheets in fair hand, arguably to preserve them for posterity. Included are Dickinson's alternate phrases and the editor's notes and Introduction.
Emily Dickinson's Reception in the 1890s: A Documentary History
Willis J. Buckingham
University of Pittsburgh Press, 1986
Library of Congress PS1541.Z5E44 1989 | Dewey Decimal 811.4
This work reprint, annotates, and indexes virtually all mention of Emily Dickinson in the first decade of her publication, tripling the known references to the poet during the nineties. Much of this material, drawn from scrapbooks of clippings, rare journals, and crumbling newspapers, was on the verge of extinction.
Modern audiences will be struck by the impact of Dickinson's poetry on her first readers. We learn much about the taste of the period and the relationship between publishers, reviewers, and the reading public. It demonstrates that Dickinson enjoyed a wider popular reception than had been realized: readers were astonished by her creative brilliance.
The Gardens of Emily Dickinson
Judith FARR
Library of Congress PS1541.Z5F265 2004 | Dewey Decimal 811.4
In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality.
Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today.
Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere.
1. Gardening in Eden
2. The Woodland Garden
3. The Enclosed Garden
4. The "Garden in the Brain"
5. Gardening with Emily Dickinson
Louise Carter
Epilogue: The Gardener in Her Seasons
Appendix: Flowers and Plants Grown by Emily Dickinson
Index of Poems Cited
Reviews of this book:
In this first major study of our beloved poet Dickinson's devotion to gardening, Farr shows us that like poetry, gardening was her daily passion, her spiritual sustenance, and her literary inspiration...Rather than speaking generally about Dickinson's gardening habits, as other articles on the subject have done, Farr immerses the reader in a stimulating and detailed discussion of the flowers Dickinson grew, collected, and eulogized...The result is an intimate study of Dickinson that invites readers to imagine the floral landscapes that she saw, both in and out of doors, and to re-create those landscapes by growing the same flowers (the final chapter is chock-full of practical gardening tips).
--Maria Kochis, Library Journal
This is a beautiful book on heavy white paper with rich reproductions of Emily Dickinson's favorite flowers, including sheets from the herbarium she kept as a young girl. But which came first, the flowers or the poems? So intertwined are Dickinson's verses with her life in flowers that they seem to be the lens through which she saw the world. In her day (1830-86), many people spoke 'the language of flowers.' Judith Farr shows how closely the poet linked certain flowers with her few and beloved friends: jasmine with editor Samuel Bowles, Crown Imperial with Susan Gilbert, heliotrope with Judge Otis Lord and day lilies with her image of herself. The Belle of Amherst, Mass., spent most of her life on 14 acres behind her father's house on Main Street. Her gardens were full of scented flowers and blossoming trees. She sent notes with nosegays and bouquets to neighbors instead of appearing in the flesh. Flowers were her messengers. Resisting digressions into the world of Dickinson scholarship, Farr stays true to her purpose, even offering a guide to the flowers the poet grew and how to replicate her gardens.
--Susan Salter Reynolds, Los Angeles Times
Cuttings from the book: "The pansy, like the anemone, was a favorite of Emily Dickinson because it came up early, announcing the longed-for spring, and, as a type of bravery, could withstand cold and even an April snow flurry or two in her Amherst garden. In her poem the pansy announces itself boldly, telling her it has been 'resoluter' than the 'Coward Bumble Bee' that loiters by a warm hearth waiting for May." "She spoke of the written word as a flower, telling Emily Fowler Ford, for example, 'thank you for writing me, one precious little "forget-me-not" to bloom along my way.' She often spoke of a flower when she meant herself: 'You failed to keep your appointment with the apple-blossoms,' she reproached her friend Maria Whitney in June 1883, meaning that Maria had not visited her . . . Sometimes she marked the day or season by alluding to flowers that had or had not bloomed: 'I said I should send some flowers this week . . . [but] my Vale Lily asked me to wait for her.'" "People were also associated with flowers . . . Thus, her loyal, brisk, homemaking sister Lavinia is mentioned in Dickinson's letters in concert with sweet apple blossoms and sturdy chrysanthemums . . . Emily's vivid, ambitious sister-in-law Susan Dickinson is mentioned in the company of cardinal flowers and of that grand member of the fritillaria family, the Crown Imperial."
Letters of Emily Dickinson
Library of Congress PS1541.Z5A4 1986b | Dewey Decimal 811.4
Loose Ends: Closure and Crisis in the American Social Text
Russell Reising
Duke University Press, 1996
Library of Congress PS169.S57R45 1996 | Dewey Decimal 810.9
In this study of American cultural production from the colonial era to the present, Russell Reising takes up the loose ends of popular American narratives to craft a new theory of narrative closure. In the range of works examined here—from Phillis Wheatley's poetry to Herman Melville's Israel Potter , from Henry James's "The Jolly Corner" to the Disney Studio's Dumbo—Reising finds endings that violate all existing theories of closure and narratives that expose the the often unarticulated issues that inspired these texts.
Reising suggests that these "non-endings" entirely refocus the narrative structures they appear to conclude, accentuate the narrative stresses and ideological fissures that the texts seem to suppress, and reveal "shadow narratives" that trail alongside the dominant story line. He argues that unless the reader notices the ruptures in the closing moments of these works, the social and historical moments in which the narrative and the reader are embedded will be missed. This reading not only offers new interpretive possibilities, but also uncovers startling affinities between the poetry of Phillis Wheatley and the fiction of Henry James, between Charles Brockden Brown's Wieland and Melville's least-studied novel, and between Emily Dickinson's poem "I Started Early—Took My Dog" and Disney's animated classic.
Pursuing the implications of these failed moments of closure, Reising elaborates on topics ranging from the roots of domestic violence and mass murder in early American religious texts to the pornographic imperative of mid-century nature writing, and from James's "descent" into naturalist and feminist fiction to Dumbo's explosive projection of commercial, racial, and political agendas for postwar U. S. culture.
The Networked Recluse: The Connected World of Emily Dickinson
Mike Kelly, Carolyn Vega, Marta Werner, Susan Howe, Richard Wilbur
Amherst College Press, 2017
Library of Congress PS1541.Z5N48 2017 | Dewey Decimal 811.4
The image is so well known it is practically iconic: The reclusive poet, feminine and fragile, weaving verse of beguiling complexity from the room in which she kept herself sequestered from the world. The Belle of Amherst, the distinctive American voice, the singer of the soul's mysteries: Emily Dickinson.
Yet that image scarcely captures the fullness and vitality of Dickinson's life, most notably her many connections—to family, to friends, to correspondents, to the literary tastemakers of her day, even to the unnamed, and perhaps unknowable, "Master" to whom she addressed three of her most breathtaking works of prose. Through an exploration of a relatively small group of items from Dickinson's vast literary remains, this volume—an accompaniment to an exhibition on Dickinson mounted at The Morgan Library & Museum in New York—demonstrates the complex ways in which these often humble objects came into conversation with other people, places, and events in the poet's life. Seeing the network of connections and influences that shaped Dickinson's life presents us with a different understanding of this most enigmatic yet elegiac poet in American letters, and allows us more fully to appreciate both her uniqueness and her humanity.
The materials collected here make clear that the story of Dickinson's manuscripts, her life, and her work is still unfolding. While the image of Dickinson as the reclusive poet dressed only in white remains a popular myth, details of Dickinson's life continue to emerge. Several items included both in the exhibit and in this volume were not known to exist until the present century. The scrap of biographical intelligence recorded by Sarah Tuthill in a Mount Holyoke catalogue, or the concern about Dickinson's salvation expressed by Abby Wood in a private letter to Abiah Root, were acquired by Amherst College in the last fifteen years. What additional pieces of evidence remain to be uncovered and identified in the attics and basements of New England?
Published to accompany The Morgan Library & Museum's pathbreaking exhibit I'm Nobody! Who are You? The Life and Poetry of Emily Dickinson—part of a series of exhibits at the Morgan celebrating and exploring the creative lives of significant women authors—The Networked Recluse offers the reader an account of the exhibit itself, together with a series of contributions by curators, scholars of Dickinson, and poets whose own work her words have influenced.
Nimble Believing: Dickinson and the Unknown
James McIntosh
"The most subtly intelligent discussion of Dickinson's spirituality."
--Harold Bloom, Genius
" . . . a truly literary study in the largest, most humane, sense. Instead of subjecting poems to the distortions of theory, it brings biography, theology, psychology, and cultural history to bear on the intricacies of language, where all the issues of the poet's life and work converge, contend, and seek resolution."
--Albert Gelpi, American Literature
" . . . insightful readings of many of Dickinson's difficult poems and . . . a significant contribution to Dickinson studies."
---Choice
"McIntosh shows the power of Dickinson's religious quest in word, in verse, and in truth. He shows that she was much more than an ever-adolescent angry rebel trying to subvert the religious oppression of benighted Amherst neighbors."
---Emily Dickinson Journal
On Dickinson: The Best from American Literature
Edwin H. Cady
Library of Congress PS1541.Z5O6 1990 | Dewey Decimal 811.4
A Place for Humility: Whitman, Dickinson, and the Natural World
Christine Gerhardt
Library of Congress PS3242.N2G47 2014 | Dewey Decimal 811.00936
Emily Dickinson and Walt Whitman are widely acknowledged as two of America's foremost nature poets, primarily due to their explorations of natural phenomena as evocative symbols for cultural developments, individual experiences, and poetry itself. Yet for all their metaphorical suggestiveness, Dickinson's and Whitman's poems about the natural world neither preclude nor erase nature's relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones.
Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture's view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.
A Place for Humility examines Dickinson's and Whitman's poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture's growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson's "letter to the World" and Whitman's "language experiment," but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.
Poets Thinking
Library of Congress PR502.V465 2004 | Dewey Decimal 821.009
Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation; although they may prefer different means, she argues, all poets of any value are thinkers. The four poets taken up in this volume--Alexander Pope, Walt Whitman, Emily Dickinson, and William Butler Yeats--come from three centuries and three nations, and their styles of thinking are characteristically idiosyncratic. Vendler shows us Pope performing as a satiric miniaturizer, remaking in verse the form of the essay, Whitman writing as a poet of repetitive insistence for whom thinking must be followed by rethinking, Dickinson experimenting with plot to characterize life's unfolding, and Yeats thinking in images, using montage in lieu of argument. With customary lucidity and spirit, Vendler traces through these poets' lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking. Her work argues against the reduction of poetry to its (frequently well-worn) themes and demonstrates, instead, that there is always in admirable poetry a strenuous process of thinking, evident in an evolving style--however ancient the theme--that is powerful and original.
Proofs of Genius: Collected Editions from the American Revolution to the Digital Age
Amanda Gailey
Library of Congress PS88.G35 2015 | Dewey Decimal 810.9
Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author.
In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself.
Queer Optimism: Lyric Personhood and Other Felicitous Persuasions
Michael D. Snediker
University of Minnesota Press, 2008
Library of Congress PS310.H66S64 2009 | Dewey Decimal 811.009352664
Reading the Fascicles of Emily Dickinson: Dwelling in Possibilities
ELEANOR HEGINBOTHAM
The Ohio State University Press, 2003
Library of Congress PS1541.Z5H44 2003 | Dewey Decimal 811.4
Heginbotham's book focuses on Emily Dickinson's work as a deliberate writer and editor. The fascicles were forty small portfolios of her poems written between 1856 and 1864, composed on four to seven stationery sheets, folded, stacked, and sewn together with twine. What revelations might come from reading her poems in her own context? Are they simply "scrapbooks," as some claim, or are they evidence of conscious, canny editing? Read in their original places, each lyric becomes different—and more interesting—than when read in isolation.
We cannot know why Dickinson compiled the books or what she thought of them, but we can observe what she left in them. What she left is visible only by noting the way the poem answers in a dialogue across the pages, the way lines spilling onto a second page introduce the next poem, the way openings suggest image clusters so that each book has its own network of concerns and language—not a story or philosophical preachment but an aesthetic wholeness.
This book is the first to demonstrate that Dickinson's poetic and philosophical creativity is most startling when the reader observes the individual lyric in the poet's own, and only, context for them. For teacher, student, scholar, and poetry lover, Heginbotham creates an important new framework for understanding one of the most complex, clever, and profound U.S. poets.
Shifting the Ground: American Women Writers' Revisions of Nature, Gender, and Race
University of Virginia Press, 1997
Library of Congress PS147.S74 1997 | Dewey Decimal 810.99287
In Shifting the Ground, Rachel Stein adds a feminist slant to the field of ecocriticism. Americans have historically defined themselves in terms of their conquest of "virgin land." Unfortunately, this identification has often proved disastrous to groups such as women, Native Americans, and African Americans, who were regarded as nature incarnate, part of the ground that must be mastered in the name of nation. From a perspective of ecofeminist theory, Stein suggests that selected writings by Emily Dickinson, Zora Neale Hurston, Alice Walker, and Leslie Marmon Silko cannily revise intersections between American conceptions of nature and problematic formulations of gender and race. Writing from diverse social positions, each author examines a historical instance of this colonial conjunction: Dickinson grapples with the forces of Victorian Puritanism; Hurston interrogates Afro-Caribbean and African-American women's abuse as "beasts of burden"; Walker examines black mothers' struggles in the Jim Crow South as the legacy of their history as slave "chattel"; and Silko treats social ills of Native Americans as stemming from their objectification by white settlers. In order to alleviate these oppressive conditions, Stein argues, each writer incorporates an alternative conception of nature from popular and indigenous traditions such as sentimentalism, Voodoo, African-American animism, and Laguna Pueblo story cycles. By reinterpreting nature, they transform their characters from social objects into self-empowered subjects. Recasting these authors against the backdrop of conquest rhetoric, Stein offers provocative new readings of their texts. Her book paves the way for further development of ecocriticism and ecofeminist theory with regard to American women writers. Reviews "Shifting the Ground examines the ways in which four women writers--Dickinson, Hurston, Walker, and Silko--subvert the destructive American mythos of 'nature's nation' and replace it with alternative visions of egalitarian interrelations between nature, gender, and race. Stein's study is well-informed, cogently written, and intelligent. Shifting the Ground is ecofeminist literary criticism at its best." --Cheryll Glotfelty, University of Nevada, Reno The Author Rachel Stein is Assistant Professor of English at Siena College.
"Theatricals of Day"
Sandra Runzo
University of Massachusetts Press, 2019
Library of Congress PS1541.Z5R78 2019 | Dewey Decimal 811.4
"In her own private ways, Emily Dickinson participated in the popular entertainments of her time. On her piano, she performed popular musical numbers, many from the tradition of minstrelsy, and at theaters, she listened to famous musicians, including Jenny Lind and, likely, the Hutchinson Family Singers. In reading the Atlantic Monthly, the Springfield Republican, and Harper's, she kept up with the roiling conflicts over slavery and took in current fiction and verse. And, she enjoyed the occasional excursion to the traveling circus and appreciated the attractions of the dime museum. Whatever her aspirations were regarding participation in a public arena, the rich world of popular culture offered Dickinson a view of both the political and social struggles of her time and the amusements of her contemporaries. "Theatricals of Day" explores how popular culture and entertainments are seen, heard, and felt in Dickinson's writing. In accessible prose, Sandra Runzo proposes that the presence of popular entertainment in Dickinson's life and work opens our eyes to new dimensions of the poems, illuminating the ways in which the poet was attentive to strife and conflict, to amusement, and to play."
Visiting Emily: Poems Inspired by the Life and Work of Emily Dickinson
Sheila Coghill
Library of Congress PS595.D5V57 2000 | Dewey Decimal 811.4
This unique anthology gathers work by eighty poets inspired by Emily Dickinson. Beginning with Hart Crane's 1927 poem "To Emily Dickinson" and moving forward through the century to such luminary figures as Archibald MacLeish, John Berryman, Yvor Winters, Adrienne Rich, Richard Eberhart, Richard Wilbur, Maxine Kumin, Amy Clampitt, William Stafford, and Galway Kinnell, Visiting Emily offers both a celebration of and an homage to one of the world's great poets.
If there was ever any doubt about Dickinson's influence on modern and contemporary poets, this remarkable collection surely puts it to rest. Gathered here are poems reflecting a wide range of voices, styles, and forms—poems written in traditional and experimental forms; poems whose tones are meditative, reflective, reverent and irreverent, satirical, whimsical, improvisational, and serious. Many of the poets draw from Dickinson's biography, while others imagine events from her life. Some poets borrow lines from Dickinson's poems or letters as triggers for their inspiration. Though most of the poems connect directly to Dickinson's life or work, for others the connection is more oblique.
Whitman & Dickinson: A Colloquy
Eric Athenot and Cristanne Miller
Library of Congress PS3238.W4 2018 | Dewey Decimal 811.3
Whitman & Dickinson is the first collection to bring together original essays by European and North American scholars directly linking the poetry and ideas of Walt Whitman and Emily Dickinson. The essays present intersections between these great figures across several fields of study, rehearsing well-established topics from new perspectives, opening entirely new areas of investigation, and providing new information about Whitman's and Dickinson's lives, work, and reception.
Essays included in this book cover the topics of mentoring influence on each poet, religion, the Civil War, phenomenology, the environment, humor, poetic structures of language, and Whitman's and Dickinson's twentieth- and twenty-first–century reception—including prolonged engagement with Adrienne Rich's response to this "strange uncoupled couple" of poets who stand at the beginning of an American national poetic.
Marina Camboni
Andrew Dorkin
Vincent Dussol
Betsy Erkkilä
Ed Folsom
Jay Grossman
Jennifer Leader
Marianne Noble
Cécile Roudeau
Shira Wolosky
Whitman's & Dickinson's Contemporaries: An Anthology of their Verse
Edited and with an Introduction by Robert Bain
Southern Illinois University Press, 1996
Library of Congress PS607.W455 1996 | Dewey Decimal 811.308
Emily Dickinson and Walt Whitman were not the poetic stars of their day; only a few friends knew that Dickinson wrote, and Whitman's following was minuscule, if influential. But the contemporaries who eclipsed these major poets now have largely disappeared from our literary landscape.
In this distinctive anthology, Robert Bain gathers together thirteen other scholars to re-present the poetry of these former luminaries, allowing readers to rediscover them, reconstruct the poetic contexts of their age, and better understand why Whitman and Dickinson now overshadow other poets of their time.
Arranged chronologically according to the birth dates of the poets, this anthology introduces each poet's work, providing biographical information and discussing the major forms and themes of the work. Each introduction places the poet in a literary and historical context with Whitman and Dickinson and provides a bibliography of secondary sources.
This remarkable book recovers a part of our literary heritage that has been lost.
Winds of Will: Emily Dickinson and the Sovereignty of Democratic Thought
Paul Crumbley
University of Alabama Press, 2010
In this study, Paul Crumbley asserts that, contrary to popular opinion, Emily Dickinson consistently communicated political views through her poetry. Dickinson's life of self-isolation—today her most notable personal characteristic—by no means extended into the political sphere, he argues. While she rarely addressed political issues directly and was curiously disengaged from the liberal causes and female reform movements of her time, Dickinson's poems are deeply rooted both in matters of personal sovereignty and reader choice. The significant choices Dickinson extends to the reader underscore the democratic dimensions of reading her work, and of reading itself as a political act.
Crumbley employs close readings of Dickinson's poems and letters, highlighting the many changing—and often contradictory—voices in her work, both throughout her oeuvre and in individual poems themselves. In Dickinson's letters Crumbley finds just as many unique and conflicting voices; thus, both her personal correspondence and the poems make political demands by placing the burden of interpretation on the reader.
Rather than reflecting explicit political values, Dickinson's work chronicles an ongoing decision-making process that magnifies the role of individual choice, not the advocacy of specific outcomes. In the end, Dickinson's readers must either accept an isolated lyric subjectivity or invest that subjectivity with the substance necessary for engagement with the larger world.
Writing for the Street, Writing in the Garret: Melville, Dickinson, and Private Publication
Library of Congress PS201.K43 2010 | Dewey Decimal 810.9003
Although Herman Melville and Emily Dickinson differed dramatically in terms of their lives and writing careers, they shared not only a distaste for writing "for the street" (mass readership) but a preference for the intimate writer–reader relationship created by private publication, especially in the form of manuscripts. In Writing for the Street, Writing in the Garret: Melville, Dickinson, and Private Publication, Michael Kearns shows that this distaste and preference were influenced by American copyright law, by a growing tendency in America to treat not only publications but their authors as commodities, and by the romantic stereotype of the artist (usually suffering in a garret) living only for her or his own work.
For both Melville and Dickinson, private publication could generate the prestige accorded to authors while preserving ownership of both works and self. That they desired such prestige Kearns demonstrates by a close reading of biographical details, publication histories, and specific comments on authorship and fame. This information also reveals that Melville and Dickinson regarded their manuscripts as physical extensions of themselves while creating personae to protect the privacy of those selves. Much modern discourse about both writers has accepted as biographical fact certain elements of those personae, especially that they were misunderstood artists metaphorically confined to garrets.
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Today with increased access to Information Computer Technology, one may not have to go to a physical school to attain an education. There is definitely a place for personal interaction in discipling or educating someone. But this can significantly be supplemented and enhanced by on-line type of learning too. MIE is preparing to provide such services which will help people to carry out their teaching and learning without necessarily going to a physical school but of course with significant personal interactions between the teacher and the learner.
The goal in all of this is to break the un-necessary routine for most families today where every member, irrespective of their age, wakes up early in the morning and leaves home for some place out there and that is where their lives happen. We desperately need to restore the value of a home and a family institution in our society. It used to be a meaningful adage that 'east to west, home is best', but one wonders if it still applies today. Virtual schools could be the solution to this problem in this day and age. And as far as MIE is concerned, we commit by God's grace to develop materials and systems which will support and allow this form of teaching and learning to happen.


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text:
4 edition of 150 years of baseball found in the catalog.
150 years of baseball
Published 1989 by Publications International in Lincolnwood, Ill .
Baseball -- United States -- History -- Chronology.
Other titles One hundred fifty years of baseball.
Statement contributing writers, Stephen Hanks ... [et al.] ; photo researcher, Mark Rucker.
Contributions Hanks, Stephen., Rucker, Mark.
LC Classifications GV863.A1 A16 1989
If it was , instead of hitting your local baseball diamond tonight, you'd be grabbing a few friends and heading to a competitive walking match. Yes, walking was a national pastime. Shop for Baseball & Softball Kids' Books in Sports & Recreation Kids' Books. Buy products such as Baseball Activity Book For Kids Ages Fun Baseball Activities For Kids Featuring Baseball Word Search, Maze And Work Scramble (Paperback) at Walmart and save.
Where Do I Put My Toys (Pocket-Play Board Book)
Millers daughter
Fables.
Tenebrae in [...] or, The eclipses of the sun & moon calculated for twenty years.
Valuable paintings and sculptures by the old and modern masters
Music, Culture, and Society
A spring story
Geology of the Karalar-Yesller area, northwest Anatolia, Turkey. by Richard D. Krushensky [and others]
Environmnetal Protection
Mark, the match boy; or, Richard Hunters ward.
Eyewitness Travel Guide to Egypt
Ponsonby estate and Mr. Smith-Barry, M.P.
Jails and justice
The paradox of self-denial
The Readers companion to world literature.
The Two Houses (Pop-Up Parables)
Oil shale and tar sands
150 years of baseball Download PDF EPUB FB2
Out of 5 stars Years of Baseball. Reviewed in the United States on Septem Verified Purchase. One of the great baseball fact books of all time. It is a must for all baseball enthusiasts who love the history of the game and all of the greats (and not-so great) who performed throughout the late 19th and 20th centuries.
It is 5/5(3). This book is very accurate description of the first years of baseball in the U.S. THe book follows the major leagues in incriments of 10 years up until Moreover, the book adds important information about how important times in history effected the game. For example- 5/5(5). COVID Resources.
Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this 's WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus.
Baseball book. Read reviews from world's largest community for readers. Baseball book. Read reviews from world's largest community for readers. Start your review of Baseball: More than years. Write 150 years of baseball book review.
Bob Lipartito rated it it was ok Bill Braun rated it it was amazing /5(9). Learn about the inspiration for the commemorative logo and journey back through the history of Reds logos over the years. Learn More The th anniversary celebration honors the Red Stockings as baseball's first professional team, but that's far from the only time the Cincinnati Reds have set new standards in the game.
The first book devoted entirely to baseball, The Base Ball Player's Pocket Companion, was published in Boston in Score one for Bean Town. What I didn't know was that years ago there were two sets of rules for the sport. The "Massachusetts" game used stakes instead of bases and had a now-peculiar ball field.
All in all, "Cincinnati's Year Opening Day History" is a big winner, a book about which, to paraphrase Marty, we might say "And this one belongs to Reds' fans." The oversized soft cover book is from Cincinnati Book Publishing and retails at $ (soft) and $ (hard). That Time Years Ago When Thousands of People Watched Baseball on Christmas Day During the Civil War, two regiments faced off as spectators, possibly as.
Topps Years of Baseball Set Details. One crucial difference for Topps Years of Baseball is the pricing. While collectors have become very familiar with the $ cost per card in the Now arena, Years of Baseball drops that to $ like Topps Living Set.
Each card comes printed on point stock.5/5(2). Celebrating Cincinnati Baseball: Years of the Cincinnati Reds activities adult african american african american history art audiobook author black history black history month book book club book list books career caregiver children cincinnati cincinnati history cincinnati museum center community coronavirus covid19 craft dani.
She is co-author of "Lead Me Out to the Ballgame," a leadership book based on two years of interviews with over people in Major League Baseball. She frequently blogs about the San Diego Padres as co-founder of Padre and also discusses all things baseball as TheBaseballPHD.
One Hundred Fifty Years of Baseball by Random House Value Publishing Staff; Stephen Hanks. Random House Value Publishing, Hardcover. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact.
Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. An ex-library book and may have standard library stamps and/or stickers.
Sesquicentennial Celebrating Years. Home Sesquicentennial. F rom the fall of through HomecomingGustavus celebrated its th academic year; the Sesquicentennial. Emphasis was placed on creating numerous opportunities for alumni, parents, friends, students, and employees to reflect, celebrate, and engage.
Get this from a library. Baseball: more than years. [David Nemec; Saul Wisnia]. Red Smith on Baseball: The Game's Greatest Writer on the Game's Greatest Years () By Red Smith It's hard to argue with this book's subtitle, even if.
Years of Who's Who in Baseball is a colorful, must-have book of baseball nostalgia for fans of the American Pastime. The start of the baseball season brings with it a host of annual traditions and reminders, and one of the most beloved—the annual Who's Who in Baseball—arrives on newsstands across the country every Spring : Rowman & Littlefield Publishers, Inc.
As Topps kicks off the baseball season with the launch of its flagship Series 1 card collection, it does so with a historic look at years of professional baseball. : Baseball: More Than Years: An apparently unread copy in perfect condition.
Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. At ThriftBooks, our motto is: Read More, Spend Less/5(9). Baseball book suggestions for Red Sox fans while on COVID internment. Both offer some insight into how things may not have changed that dramatically in almost years.
The beauty of both. Pedro Martinez~ Topps Years of Baseball Greatest Seasons Card#(M) $ Topps UPDATE Baseball EXCLUSIVE Hanger CASE-8 Factory Sealed Boxes Card. Love this list. Hoping one day we can start a "21st Century Best Baseball Books" or better yet, "s Best Baseball" and "s Best Baseball" something like it soon, because a lot of really good books that came out the last years get buried.
Celebrating Years of College Football In honor of the sport's th year, we've put together 15 lists of college football's greatest—everything from programs to pizza joints to.
Baseball and America have been united for years. The sport of Baseball is embedded in America's toughest times and helped it heal when not much else would do, so it's also responsible for uniting people of all ages, races, and religions across the nation to support a favorite team.
This book is a. A pitcher throws underhand in this illustration of the early game of professional baseball, which celebrates years in Batters could actually call for a high or a low pitch in the early : Fred Bowen.
A Brief History of the Baseball continue to produce the official baseball of the National League for years. then 53 yards of fine gray wool and finally yards of fine white cotton. Author: Jimmy Stamp. Baseball: Then to WOW. shows readers how baseball has evolved from the early days of the s to the game it is today.
Using MLB action photographs, illustrations, stories, and trivia, the book is a journey through time both for baseball fans and those new to the : Sports Illustrated Books.
Baseball has always been an old-school game, but the fact that many players are still swinging bats designed years ago is pretty crazy. Luckily. We are all heirs to a dynamic past and stewards of a promising future. For years, our spirit has proved as durable as the rocks from which our mid-century modern campus is carved, and still remains in motion.
So, as we celebrate our history, we're still looking ahead. Join us, as we accelerate what comes next.
State of the Baseball Subreddits - Week 3 68 comments [Auditor] From Yesterday: Umpire Lance Barrett called a strike on a pitch that missed the strike zone by inches 50 Years of Oakland A's Baseball book now on sale from the team.
submitted 1 year ago by Philadelphia Athletics Sfer. 51 years ago they broke a little. This chapter book series by Dan Gutman is a more advanced version of the Magic Tree House series where the historical adventures are all baseball focused. Joe "Stosh" Stoshack discovers he can use old baseball cards to travel through time and find out the history behind his baseball heroes like Mickey Mantle, Jackie Robinson, Babe Ruth, Satchel Paige, and more.
Topps MLB Sticker Collection Baseball upgrades the album, as well. Increasing from 32 pages to 44 pages, the album has specific sections for Years of Professional Baseball, Home Run Heroes, League Leaders, MLB All-Stars, Rookies & Future Stars, and World Series Highlights.
This is in addition to the normal team pages/5(3). Details about June 19 THE SPORTING NEWS Magazine Years Of Baseball. June 19 THE SPORTING NEWS Magazine Years Of Baseball.
Item Information. Condition: Good. Price: US $ Good: A book that has been read but is in good Rating: % positive. Get ready for College Football () All throughESPN will be celebrating the th anniversary of college football, highlighting the top teams, players, coaches and games in college Author: Ivan Maisel.
Over the nearly years between then and the current TinCaps era, Fort Wayne has Believe it or not, Fort Wayne's baseball history is as rich as just about any city's. years ago today Rutgers played its 1st intercollegiate sports event (Vintage photos) Updated ; Posted Rutgers year anniversary baseball game.
During its years of existence, the Villanova baseball program has amassed more than 1, victories, made seven NCAA Tournament appearances and won at least a share of five BIG EAST regular season or conference tournament titles. A member blue-ribbon panel ranks the greatest players in the sport's entire history and the running backs are the clear stars.
Two quotes from the book "The Heisman: Sixty Years of. Major League Baseball's opening day has arrived—and so has PM's new book, Why a Curveball Curves—so it's high time to check in with the supreme geek of.
celebrating nine red sox world championships and years of boston baseball. By Herb Crehan | T October 29th, | DEREK LOWE REMEMBERS Years of Baseball. Publications International, The Ultimate Encyclopedia of Baseball.
HarperCollins, (book and disk edition) Tygiel, Jules. Baseball's Great Experiment. years ago, 12 men in Cincinnati took a chance on baseball and changed the world. The Cincinnati Red Stockings did something brand new inand it worked, for a year.Renowned baseball artist Graig Kreindler is creating 20 paintings for use on Topps' ongoing th Anniversary of Baseball set.
The first card is already up for sale. / Topps Years of Baseball Set Gets Graig Kreindler Touch. Topps Years of Baseball Set.
For more than years, the game of baseball has created many opportunities for players from around the world. Today, the National Pastime is more culturally diverse than ever before. Thirty percent of players on big league rosters were born outside the United States.
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