text:
Police release video footage in attempt to identify suspects in assault reported on July 7
By Lethbridge Herald on July 13, 2015.
Lethbridge Regional Police Service is seeking the public's assistance to identify three suspects in connection with the reported assault of a 13-year-old boy at a schoolyard last week.
Police obtained video surveillance that shows the subjects arriving and leaving the scene, and is asking anyone who recognizes them or has information about the incident to come forward.
On July 7, at approximately 8:26 p.m. the boy was at the playground area of Ecole St. Mary along the 400 block of 20 Street South, when he was approached by three older males who were unknown to him. The victim reported he was punched in the face and stomach and choked.
The suspects, who are believed to have recorded the assault, according to police, fled the area on bicycles. They were last seen riding southbound on 18 Street South next to Catholic Central High (east campus) at approximately 8:40 p.m.
Police attended and conducted a search but did not locate anyone matching their descriptions.
One suspect was described as a Caucasian male, approximately 15-17 years-old, 5'10" tall, 140 pounds, with dirty-blond, just-above-shoulder-length, shaggy hair. He was wearing a red/maroon shirt with a white logo on the front, black shorts and white shoes. He was riding a mid-sized bicycle with a shopping bag on the right handle bar.
Another suspect was described as a Caucasian male, approximately 15-17 years-old, 5'9" tall, 140 pounds, with shorter, light-brown hair. He was wearing a maroon shirt, blue shorts and mostly white, multi-coloured shoes. He was riding a mid-sized bicycle with a shopping bag on the right handle bar.
A third suspect was described as a Caucasian male, approximately 12-15 years-old, 5'0", 90 pounds, with short hair. He was wearing a black t-shirt with a red logo on the front, black shorts with a wide yellow stripe on the sides, grey shoes and a black bike helmet. He was riding a small mountain bike.
Anyone with information is asked to contact police at 403-328-4444. To submit an anonymous tip call Crime Stoppers 1-800-222-8477 or submit tips online at http://www.tipsubmit.com. Crime Stoppers will pay cash for information leading to an arrest."
https://lethbridgeherald.com/wp-content/uploads/2015/07/15016409HD.wmv


Villa A Vendre Aix En Provence Particulier is free HD wallpaper. This wallpaper was upload at April 24, 2019 upload by admin in .You can download it in your computer by clicking resolution image in Download by size:. Don't forget to rate and comment if you interest with this wallpaper.


text:
Tigers must decide whether to sit Korn | Rock Hill Herald
Tigers must decide whether to sit Korn
CLEMSON -- The first valid quarterback controversy at Clemson begins to take shape this weekend.
Per NCAA rules, heralded freshman Willy Korn has already nullified the chance to redshirt by making two mop-up appearances.
However, he could theoretically qualify for a medical hardship to restore the year of eligibility.
Korn suffered what he vaguely termed a "sore" shoulder during the Sept. 15 Furman game and has yet to play in three games since, fueling speculation the Tigers might attempt to withhold him the rest of the season.
"We've talked this week, and both of us would end up saying we're going to do what's best for Clemson," Bowden said. "I think what I said is pretty conclusive."
Which, of course, should lead Clemson fans to conclude one thing -- a concrete decision has yet to be made because there is no foreseeing how the rest of the season will play out.
Inserting Korn could be deemed in the team's or coaching staff's best interest if starter Cullen Harper is injured or performs poorly down the stretch.
The other backup quarterback, redshirt junior Tribble Reese, has garnered second-string practice in recent weeks in case Clemson opts to withhold Korn.
While team doctors have medical documentation of an injury, its lingering effect is unclear.
Korn said the shoulder continues to bother him, particularly on deep throws, but took the party line in answering whether he would prefer to pursue the medical waiver.
"I came here because I have faith in the coaches," Korn said. "I trust them and they are going to make the best decision for me and the team."
• CLAY'S DAY -- Junior middle linebacker Antonio Clay hopped off the scale earlier this week and arguably shone his brightest smile since returning to school.
Clay tipped in at 220 pounds, his playing weight last year before a bout with depression derailed his season and convinced coaches he should spend the spring semester at home rehabilitating.
He weighed in excess of 240 pounds during the summer and has spent the first half of the season trying to regain his conditioning, which had been set back recently by a sprained ankle.
Although his replacement in the starting lineup, Cortney Vincent, returned to practice Wednesday from a sprained ankle, Clay said he worked exclusively with the first-string.
"I'm just trying to show the coaches I can move like I used to move," Clay said. "Weight's not a problem anymore. I'm ready to play."
• EXTRA POINTS -- Junior receiver Rendrick Taylor (torn hamstring) has yet to participate in a full-scale practice this week and figures likely to miss his third consecutive game. ... Athletics director Terry Don Phillips has been named one of the country's 100 most influential sports educators by the Institute for International Sport. ... Central Michigan is seeking its first win against a team from a BCS conference since 1992.

redpajama_set_name: RedPajamaCommonCrawl


text:
Sustainability Team
We study new eco-friendly solutions
Being 'sustainable' is a goal that involves the whole company: a constant and specific effort of each person. At Trerè Innovation, every employee has embraced the company's mission and shares the goals. But there is a team of people, in particular, who are dedicated to making the company more and more sustainable: not only in the production systems, but in every moment of the business in general.
This team is managed by an environmental engineer each day studying new ways of reducing our impact on the environment to a minimum.
Science advances, technology evolves, our knowledge in the field of sustainability also increases: we cannot lag behind!
Protecting the planet means safeguarding the elements of which it is composed: our water, our air, our land. In every one of these areas, we have achieved significant results. And we've measured them, in order to set ourselves even more ambitious targets. Building a greener future isn't a race – but we strive for first place in everything.
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Something I didn't like. Maybe not technically internet Art, but something I thought looked too "canned" for my tastes.
Many of the items of internet art I liked were videos of clever, compelling and often humorous images that were either borrowed or computer generated. I couldn't seem to upload them. But here is one I could upload. I like how it used movement to catch my attention.


text:
require 'travis/support'

# { "type": "cancel_job", "job_id": 388638 }

module Travis
  module Worker
    class Application
      module Commands
        class CancelJob
          include Logging

          attr_reader :pool, :job_id

          def initialize(pool, job_id)
            @pool = pool
            @job_id = job_id
          end

          def run
            worker = find_worker
            if worker
              info "worker running job id:#{job_id} found, canceling now"
              worker.cancel
            end
          end

          def find_worker
            @pool.workers.detect do |worker|
              if worker.payload
                worker.payload.job.id.to_s == job_id.to_s
              else
                false
              end
            end
          end
        end
      end
    end
  end
end

redpajama_set_name: RedPajamaGithub


text:
KEY Store
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Afternoons With Sarah JAfternoons With Sarah J
Harry Styles Fed a Fan's Fish After His Car Broke Down in Front of Her House
Arturo Holmes, Getty Images
Harry Styles' car broke down in front of a fan's house. Unfortunately, she wasn't home at the time... but the superstar singer made up for that with some special notes and photographs.
A girl named Theadora initially shared the story on her Instagram account, which is now set to private.
When the "Watermelon Sugar" singer experienced car trouble recently, he sought help from Theadora's family friend, who took him into their house. While in the fan's home, Styles had some tea, left Theadora two autographed notes and even fed her pet fish, who is also named Harry. (Yes, Styles took photos of him in her bedroom with her fish tank!)
"Theadora, my car broke down on your street and your dad's friend kindly let me wait at your house with a cup of tea," he wrote in the first note. "I'm devastated that we missed each other. Looking forward to meeting soon. Treat people with kindness. All my love, Harry. P.S. I fed the fish."
When Styles found Theadora's copy of his latest album, Fine Line, he left a second note for her. He also drew a face mask on his face in the album artwork. "Sending you all my love, I'm so sorry we missed each other," he wrote on the record. "Until next time, Harry."
See the sweet notes and photos, below.
Source: Harry Styles Fed a Fan's Fish After His Car Broke Down in Front of Her House
Filed Under: harry styles
Heard on KEY
Work Begins On The New Pasco Tri-Cities Animal Shelter [PHOTOS]
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text:
Doctor Who: Revenge of The Cybermen Review
31/03/2013 · by loonyliterature	· in Doctor Who Classic Series Reviews.	·
By Will Barber – Taylor
The Doctor: You've no home planet, no influence, nothing! You're just a pathetic bunch of tin soldiers skulking about the galaxy in an ancient spaceship!
The Doctor, Sarah Jane Smith and Harry Sullivan arrive at the Nerva Becon several hundred years before it becomes the home of the human race. The Doctor soon discovers that his old foes, The Cybermen want to destroy the planet of gold, Voga. The Doctor, Sarah and Harry must defeat the Cybermen before they can once more become the most powerful force in the universe.
The beginning of this story is reminiscent of the beginning of a David Bowie video. The Doctor, Sarah and Harry are floating in front of a space station in the worst green screen effect I've ever seen. Revenge of The Cybermen is an odd mixture between action adventure and silliness. The whole affair is very 70s, although that is not a bad thing. Looking at it as a period piece is it very good. However, when we scratch the surface and compare it to more modern stories, it does not fare as well.
Revenge is a child of its time. With effects that look like they have escaped from The Clangers, Cybermen who look like their pants should have flares on them and a supporting cast who have some of the oddest fashion you are likely to see. The story, however, when measured up to more recent stories is very good. Revenge is dampened by the effects of the time which do not live up to the grand vision of the story. For instance, when the Cybermen invade Voga, The Vogans are terrified of the two Cybermen that stalk their land. If the story was done today it would be hundreds of Cybermen, not two. However, this toned down vision of the Cybermen fits the story, they, rather like the Vogans are nomads trying to survive as they float through space. If the Cybermen were on the brink of extinction then it would not make sense to have hundreds of them, like in previous stories such as The Invasion and Tomb of The Cybermen. Indeed, it is ironic that the Vogans fear fellow nomads who don't have many weapons to attack them with.
The story regularly jumps from The Beacon to Voga and this gives us an interesting mix of sub plots throughout the story. The Vogan subplot shows us the political struggles on Voga between Tyrum (who seems to be doing an impression of a drunk William Hartnell) and Vorus. One wants to change the old way and the other wants to keep it. Vorus, who represents youth, though you wouldn't be able to tell that with the white wig he rocks, wants to destroy the Cybermen once and for all and lead his people into the light. Tyrum on the other hand represents the old order and want the Vogans to stay beneath the surface of Voga and just wait until the Cybermen go away. Interestingly, Tyrum eventually shoots Vorus restabilising the old order as the true and decent one. One could suggest that Gerry Davies is saying that a change from new to old is a bad thing and everything is all right as it is. Davies was known for his obsession with new technology and the reason he created The Cybermen was to warn people about prophetic limbs. Davies was in some way frightened of technology and the way it could affect human behaviour. It seems from this episode that he preferred us to be like the Tyrum's of this world, cowering in the old order.
The second and shorter subplot deals with how the remaining crew manages with the death of their fellows. The whole thing portrays the British stiff upper lip; nobody complains about the stress of it all and they don't think that they should call in reinforcements because they don't need it. It is interesting to suggest that the two subplots stem from the same fear of change and that if we carry on as always then everything will be all right.
Tom Baker is all tooth and curls in this story. It is in Revenge that we truly get to see Baker's Doctor emerging more. We see, like the previous Doctor that he is fiercely moral, lambasting the Cybermen for their plans of destruction and death. However, the best parts aren't the scripted dialogue, no, they are Baker's small and precise movements. His big grin, his twirling of the hand and his all-round sense of fun help Baker make the part of The Doctor his own. Even though the writers are still writing for Pertwee, something Baker would mention many times later, his ability to add lib changes it from simply a Pertwee stand in to full on Tom Baker. This shows just how good when it comes to making a part his own, Tom Baker is.
Revenge is a 70s story. It is goofy, it is silly but above all it is fun. We can invest in the characters and see them develop as the story goes along. It may not be the greatest Doctor Who story of all time but it is one of the most enjoyable.
Doctor Who: Revenge of the Cybermen (Review) (them0vieblog.com)
"Doctor Who: Tomb of the Cybermen" – A Slice of SciFi Discussion (sliceofscifi.com)
On Doctor Who. Who? Doctor. Who. (solnushka.wordpress.com)
Cybermen, Ice Warriors, and Spoonheads, Oh My! Moffat Teases Upcoming "Who" (sliceofscifi.com)
'Doctor Who' Matt Smith, Steven Moffat on Cybermen, Ice Warriors: video (digitalspy.co.uk)
Tennant to make Doctor Who return (bbc.co.uk)
Interview with Terry Molloy (Actor, Doctor Who, The Scarifyers, The Archers and PROBE) (theconsultingdetectivesblog.com)
Doctor Who: the 10 best contemporary tales (telegraph.co.uk)
'Doctor Who' Explained in 25 GIFs (mashable.com)
SFX Preview:Doctor Who Producer On Creepy Cybermen (coffeeandirony.com)
Tags: Clangers, Cyberman, Cybermen, Doctor, doctorwho, Harry Sullivan, Sarah Jane Smith, Tom Baker, Vogan, William Hartnell
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Doctor Who: The Bells of Saint John Review →


Grover C. Herring, 82, a pioneer resident of South Brevard, 240 Bignonia St., Melbourne, Died Saturday morning at Brevard Hospital.
He first came to South Brevard in 1911 and moved here permanently in 1938. Herring was one of the leading contractors in this area after World War II. He built numerous businesses, offices, and homes here.
During World War II he was captain of the Eau Gallie Coast Guard Reserve Station.
Survivors include his wife Rose B., Melbourne: five brothers Herbert - Kansas City, Mo., Woodson - Craig, Colo., Brent - Detroit, Mich., Norman - Tampa, Bob - Fulton, Mo., and a sister Mrs. Mamie Water, also of Fulton.
Funeral Services will be at 10 a.m. Wednesday at the Brownlie Funeral Chapel with the Rev. John A. MacLean officiating.
Burial will be in Florida Memorial Gardens. Friends may call at Brownlie Funeral Home Monday and Tuesday from 7 to 9 p.m.
Grover C. Herring, 82, died Saturday at South Brevard Hospital in Melbourne, Fla., where he had been a resident since 1938.
He was born Dec. 11, 1884, in Callaway County. Mr. Herring was captain of the Coast Guard Reserve Station in Eau Gallie during World War II. He was a retired building contractor and had been one of the leading contractors in Melbourne, where he had built numerous office, residences and service stations.
He is survived by his wife, Mrs. Rose B. Herring, Melbourne, Fla.: five brothers, Herbert Herring, Kansas City, Woodson Herring, Craig, Colo., Brent Herring, Detroit, Mich., Norman Herring, Tampa, Fla., Bob Herring, Fulton; and two sisters, Mrs. Myrtle McCormick, Lakewood, N.J. and Mrs. Mamie Waters, Fulton.
Burial will be in Florida Memorial Gardens.
Marriage license of Grover C. Herring of Kansas City and Rose Belle Baysinger of Fulton, June 28, 1910, Kansas City, Jackson Co., Missouri. Certificate of marriage, by minister M.W. Barcafer, June 28, 1910, Kansas City, Jackson Co., Missouri.
Record of marriage, Grover C. Herring of the county of Jackson and state of Missouri who is over the age of twenty-one years and Rose Belle Baysinger of the county of Callaway and state of Missouri who is over the age of eighteen years. This is to certify that the undersigned a Minister did in said county on the 28th day of June A.D. 1910 unite in Marriage the above named persons. Rev. M.W. Barcafer.
From left; David Herring (my father), Grover Herring (my great uncle), John Herring (my brother), picture taken mid 1960's at Grover's home in Melbourne Florida.
Memorial plaque at the cemetery for Grover and Rose Herring.
On the 1930 census, living at 827 Walnut St. Flint Michigan. They owned their house, valued at $19,500, they did have a radio. He was a builder, she was a bookkeeper in real estate.
Grover was in construction and was instrumental in the building of Melbourne, Florida from the late 1920s. He and Norman lived in Florida until their deaths in the 1970s.
I met Uncle Grover and Aunt Rose Herring several times in the early 1960's when we went to visit them in Melbourne Florida. Grover Herring was instrumental in building a large part of the Melbourne area.


For the Appellant: M.A. Chinnasamy, C. Rubavathi, P. Raja Ram, V. Senthil Kumar, Advocates. For the Respondents: Sunil Fernandes, Nupur Kumar, Darpan Sachdeva, Priyansha Indra Sharma, P.V. Yogeswaran, Ashish Kumar Upadhyay, Y.Lokesh, Babul Kumar, D. Bharathi Reddy, Advocates.
This appeal by special leave is directed against the judgment and order dated 12.10.2006, as passed in C.R.P. (PD) No. 10 of 2006, whereby the High Court of Judicature at Madras has upheld the order dated 07.07.2005, as passed in O.S. No. 219 of 2004 by the District Munsif, Chengalpattu allowing the application filed by defendant Nos. 3 to 6 for transposing them as plaintiffs, after the existing plaintiffs sought permission to withdraw the suit.
(a) The civil suit in question was originally instituted in the Court of the Principal Subordinate Judge, Chengalpattu by A.C. Nataraja Mudaliar (original plaintiff) against A.V. Manoharan (defendant No.1 - respondent No. 1 herein) and R. Dhanasundari @ R. Rajeshwari (defendant No. 2 - appellant herein) for cancellation of the sale deed dated 23.03.1985, which was executed by defendant No. 1 in favour of defendant No.2. This suit was initially registered as O.S. No. 122 of 1989.
e rights in the suit property, sold the same to the defendant No. 2 under the impugned sale deed dated 23.03.1985.
(c) During pendency of this suit, the original plaintiff A.C. Nataraja Mudaliar expired on 19.05.1988 leaving behind 3 sons and 4 daughters as his legal representatives, who were impleaded as plaintiff Nos. 2 to 8 in the suit. One of the sons of the original plaintiff namely, A. N. Umakanth (plaintiff No. 5- respondent No. 1 herein) was extended power of attorney by his siblings.
(d) The suit was decreed ex parte in the year 1995 but later on, the ex parte decree was set aside and the suit was restored to the original number. However, in the interregnum, the respondent No. 1 A. N. Umakanth, the power of attorney holder of all the legal representatives of the original plaintiff, sold the suit property to three persons, namely Ramasamy, Dhanam Ramasamy and Venkatasubramanian (respondent Nos. 2 to 4 herein) through a registered sale deed dated 04.07.1995. In view of this transaction, upon restoration of the suit, the said purchasers moved an application (IA No. 135 of 2002) for being impleaded as plaintiffs. This application was allowed on 21.06.2002 and thereby, the said purchasers were allowed to join the suit as plaintiffs Nos. 9 to 11.
(e) However, the other plaintiffs (Nos. 2 to 4 and 6 to 8) took exception to the aforesaid transaction of sale by the plaintiff No. 5; they revoked his power of attorney and moved an application (IA No. 468 of 2003) for transposition of the plaintiff No. 5 and his purchasers (plaintiff Nos. 9 to 11) as defendants. This application was allowed on 25.06.2003 and, accordingly, the plaintiff No. 5 and plaintiff Nos. 9 to 11 were transposed as defendants 3 to 6 in this suit.
(f) Thus, at and until the given juncture, the proceedings and developments had been that in the civil suit for cancellation of sale deed executed by the defendant No. 1 in favour of the defendant No. 2, the original sole plaintiff had expired; his legal representatives came on record as plaintiff Nos. 2 to 8 with plaintiff No. 5 being the power of attorney holder of the other plaintiffs; the suit was decreed ex parte and the said attorney sold the suit property to three persons; when the ex parte decree was set aside and the suit was restored to its number, the said purchasers came on record as plaintiff Nos. 9 to 11; and later on, the said seller and purchasers (plaintiff Nos. 5 and 9 to 11) were transposed as defendant Nos. 3 to 6. At this juncture and with such change of complexion, the suit was transferred to the file of District Munsif Court, Chengalpattu and was renumbered as O.S. No. 219 of 2004.
(g) After having, thus, been transferred and renumbered with addition and transposition in the array of parties, the suit in question proceeded in trial but, when the matter reached the stage of cross-examination of the defendants' witness DW-3, the plaintiffs filed a memo seeking permission to withdraw the suit, for the matter having been settled with the defendant Nos. 1 and 2. Though the defendant Nos. 1 and 2 did not oppose the prayer so made by the plaintiffs but then, the defendants 3 to 6 (who were transposed as defendants from their earlier position as plaintiffs) filed objections to the memo for withdrawal and also filed the application (IA No. 153 of 2005) under Order XXIII Rule 1-A read with Order I Rule 10 CPC with the prayer that they be transposed as plaintiff Nos. 2 to 5 in this suit.
"Upon perusing the petition, counter it reveals that the original suit was filed in the year 1989. Originally the petitioner has filed the above suit as a Power of Attorney agent of plaintiffs. When the power was in force, the power given to the petitioner was cancelled. When the power was inforce, the petitioner sold most of the suit item. The purchasers moved an application to implead themselves as plaintiffs in the above suit and the same was allowed. Later the plaintiffs have filed application to transpose the plaintiffs 5, 9 to 11 as defendants and the same was allowed. Later the trial commenced and the plaintiff witness had been examined. On the side of defendants 3 witnesses were examined. The cross-examination of 2nd defendant's husband has been deferred. At this stage the plaintiff and the 2nd defendant entered into compromise and filed a memo stating that the suit is not pressed as settled out of court. The petitioner sold the property while the power of attorney was in force. Therefore the petitioner has interest in the out come of the suit. When the case is at the tail end and the suit is of the year 1989 and if the suit is allowed to be withdrawn this petitioner has no remedy and is not in a position to get any remedy in this suit. More over the petitioners if file fresh suit, the said suit will be barred by limitation. When all the parties to the suit entered into compromise, the court will permit the parties to withdraw the suit. But in this case only the plaintiff and 2nd defendant alone entered into compromise. The remaining defendants are not parties to the compromise. Since there is no compromise with other defendants, this court will not accept as the matter is fully settled.
For the aforesaid reasons and in the interest of justice and to settle the matter once for all and determine the rights of the parties, this petition is allowed."
"15.......it is seen in this case that the defendants 3 to 6 who seek to transpose themselves as plaintiffs, were originally arrayed as plaintiffs 5 and 9 to 11. On the ground that the 5th plaintiff (now the 3rd defendant) acted against the interest of the other plaintiffs (his own brothers and sisters) in selling the suit property to the defendants 4 to 6, the plaintiffs got them originally transposed as defendants 3 to 6 in I.A. No. 468 of 2003. In other words, the present defendants 3 to 6 are subsequent purchasers, pendente lite, they had a substantial issue to be adjudicated as against the defendants 1 and 2, when they were plaintiffs 5 and 9 to 11. By virtue of their transposition as defendants 3 to 6, in the year 2003, they cannot be said to have lost their rights to have the same question adjudicated as against the defendants 1 and 2. As a matter of fact, the 3rd defendant's right to prosecute the suit as a plaintiff, flowed out of his status as one of the legal heirs of the original sale relief prayed for in the suit filed, by his father did not get annulled by his transposition as the third defendant in the year 2003.
16. If the plaintiffs contest the suit and succeed, such success would have automatically enured to the benefit of the defendants 3 to 6. Therefore, the defendants 3 to 6 can be said to have an identity of interest with the plaintiffs.
17. Under such circumstances, I am of the view that the Trial Court was right in ordering the transposition of the defendants 3 to 6 as plaintiffs. Therefore, I find no merits in the Civil Revision and the Civil Revision Petition is dismissed. No costs. The connected CMP & VCMP are closed."
5. Assailing the order aforesaid, learned counsel for the appellant (defendant No. 2) has strenuously argued that the transaction concerning defendant Nos. 3 to 6 having taken place much after the institution of the suit, these defendants have no cause of action against defendant Nos. 1 and 2 and hence, they cannot be transposed as plaintiffs; that the right of the dominus litus plaintiffs to withdraw the suit under Order XXIII Rule 1 CPC cannot be curtailed, especially when they do not seek any liberty to file a fresh suit; and that the subsequent purchasers have no legal right to seek cancellation of the sale deed which was executed in favour of the appellant way back in the year 1985. These submissions are supported on behalf of the respondent Nos. 6 & 8 to 11 (the plaintiffs) with the contentions that the subsequent purchasers have a separate and distinct cause of action, who ought to institute a separate suit and have no right to be transposed as plaintiffs in the present suit.
6. Per contra, learned counsel for the respondent No. 1 has duly supported the order impugned with reference to the subject matter of the suit as also the developments that have taken place after filing of the suit and with the submissions that defendant Nos. 3 to 6 have identical interest to seek cancellation of the sale deed executed by the defendant No. 1 in favour of the defendant No. 2. Hence, according to the learned counsel, when the existing plaintiffs seek to withdraw, the defendant Nos. 3 to 6 have a right to be transposed as plaintiffs so as to seek adjudication of their claim against the defendant Nos. 1 and 2 in relation to the suit property.
7. Having bestowed anxious consideration to the rival submissions and having examined the record with reference to the law applicable, we are clearly of the view that on the facts and in the circumstances of this case, upon the existing plaintiffs seeking permission to withdraw under Order XXIII Rule 1 CPC, the defendant Nos. 3 to 6 have rightly been allowed to be transposed as plaintiffs under Order XXIII Rule 1-A read with Order I Rule 10 CPC and to continue with the suit, as originally filed against the defendant Nos. 1 and 2.
"(2) Court may strike out or add parties. - The Court may at any stage of the proceedings, either upon or without the application of either party, and on such terms as may appeared to the Court to be just, order that the name of any party improperly joined, whether as plaintiff or defendant, be struck out, and that the name of any person who or to have been joined, whether as plaintiff or defendant, or whose presence before the Court may be necessary in order to enable the Court effectually and completely to adjudicate upon and settle all the questions involved in the suit be added."
"R.1-A. When transposition of defendants as plaintiff may be permitted.- Where a suit is withdrawn or abandoned by a plaintiff under Rule 1, and a defendant applies to be transposed as a plaintiff under Rule 10 of Order 1, the Court, shall, in considering such application, have due regard to the question whether the applicant has a substantial question to be decided as against any of the other defendants."
"7. ..... The object of the rule is to bring on record all the persons who are parties to the dispute relating to the subject-matter so that the dispute may be determined in their presence at the same time without any protraction, inconvenience and to avoid multiplicity of proceedings."
10. As per Rule 1-A ibid., in the eventuality of plaintiff withdrawing the suit or abandoning his claim, a pro forma defendant, who has a substantial question to be decided against the co-defendant, is entitled to seek his transposition as plaintiff for determination of such a question against the said co-defendant in the given suit itself. The very nature of the provisions contained in Rule 1-A ibid. leaves nothing to doubt that the powers of the Court to grant such a prayer for transposition are very wide and could be exercised for effectual and comprehensive adjudication of all the matters in controversy in the suit. The basic requirement for exercise of powers under Rule 1-A ibid. would be to examine if the plaintiff is seeking to withdraw or to abandon his claim under Rule 1 of Order XXIII and the defendant seeking transposition is having an interest in the subject-matter of the suit and thereby, a substantial question to be adjudicated against the other defendant. In such a situation, the pro forma defendant is to be allowed to continue with the same suit as plaintiff, thereby averting the likelihood of his right being defeated and also obviating the unnecessary multiplicity of proceedings.
11. The present one is clearly a case answering to all the basics for applicability of Rule 1-A of Order XXIII read with Rule 10 of Order I CPC. As noticed, the principal cause in the suit is challenge to the sale deed executed by defendant No. 1 in favour of defendant No. 2, with the original plaintiff asserting his ownership over the property in question. After the demise of original plaintiff, his sons and daughters came to be joined as plaintiff Nos. 2 to 8 with plaintiff No. 5 being the power of attorney holder of all the plaintiffs. After the suit was decreed ex parte, the plaintiff No. 5 transferred the property in question to the aforesaid three purchasers, who were joined as plaintiff Nos. 9 to 11 when the ex parte decree was set aside and suit was restored for bi parte hearing. In the given status of parties, even if the plaintiff Nos. 5 and 9 to 11 were later on transposed as defendant Nos. 3 to 6, the suit remained essentially against the defendant Nos. 1 and 2, that is, in challenge to the sale deed dated 23.03.1985, as executed by the defendant No. 1 in favour of the defendant No. 2. In regard to this cause, even if plaintiff Nos. 5 and 9 to 11 came to be transposed as defendant Nos. 3 to 6, their claim against defendant Nos. 1 and 2 did not come to an end; rather, the interest of the existing plaintiffs as also the defendant Nos. 3 to 6 had been one and the same as against the defendant Nos. 1 and 2.
12. In the given status of parties and the subject matter of the suit, when the plaintiffs entered into an arrangement with defendant Nos. 1 and 2 and sought permission to withdraw under Order XXIII Rule 1 CPC, the right of defendant Nos. 3 to 6 to continue with the litigation on their claim against defendant Nos. 1 and 2 immediately sprang up and they were, obviously, entitled to seek transposition as plaintiffs under Order XXIII Rule 1-A CPC.
13. It is also noteworthy that even if some question is sought to be raised as regards the rights of the subsequent purchasers (defendant Nos. 4 to 6), the right of the defendant No. 3 (earlier the plaintiff No. 5) to prosecute the suit as a plaintiff remains rather indisputable in view of his status as one of the legal representatives of the original plaintiff. The right of the said defendant No. 3 (earlier the plaintiff No. 5) to challenge the sale deed between defendant No. 1 and defendant No. 2 did not get annulled only by his earlier transposition as the defendant; and he cannot be considered bound by the arrangement between the existing plaintiffs and the defendant Nos. 1 and 2. In the given set of circumstances, the Trial Court had been justified in allowing the prayer for transposition and the High Court has rightly declined to interfere.


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Auto Paradise Parts
Auto Review & Update
The Camaro will return to the United States
Produced since 2009 in Canada, the Chevrolet Camaro will return to the United States. GM indeed decided to repatriate the production with Lansing, at the sides of its other propulsion models. The change will come for renewal in 2015.
In 2006, GM validates the proposed new Camaro. Production is attributed to the place in Oshawa Ontario. Since these are about 100,000 Camaro leaving channels each year. But now, the Camaro is currently the only car-based propulsion Zeta platform produced in North America. The next generation will change and return to the basic Alpha platform. That the new Cadillac ATS and next year it will become the new CTS.
The industrial logic therefore prevails and the Camaro sixth generation will join in 2015 to reach the two Cadillac plant Grand River to Lansing.
Of course, Canadian workers, CAW Union protests, are arguing that GM should recognize the contribution of the Oshawa workers to the success of the Camaro. And requires counterparties, as Muscle Car represents between 25 and 30% of the production of the site… At GM, it was stated that the site will begin in a few weeks the production of the new Chevrolet Impala. A new generation remains alongside the present, with production lasting until 2014, probably reserved for fleet sales.
Tags: Camaro return to the United States, Chevrolet Camaro return to the United States
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'Fridge' at Festival 47: The Problem of Staging Mental Illness
Posted by Lexy Hudson | Aug 6, 2017 | Performance, Spotlight
Fringe theatre is inherently tricky — how does one package a complex, endlessly nuanced issue such as millennial mental health, into a single hour? More to the point, how can it be done meaningfully and authentically? The age of the internet is also becoming the age of the mind, with a proliferation of digital platforms from which all sorts of people can lay bare their experiences and extend a virtual hand of solidarity to others in the same rocky boat. Mental health is everyone's issue, but with the internet acting as the ultimate stock exchange for narratives of emotional, mental, and physical challenges, millennials are certainly experiencing it in a unique way: maniacally aspirational commercial copy and ominous news stories sit oddly alongside fond, rose-tinted strolls down memory (read: Disney) lane and a recycled series of throwbacks to the 90s. Fridge, written by and starring Emma Zadow, produced by Pippa Davies, and directed by Tonje Wik Olaussen, dives into this timely and promising milieu, but at points its focus strays in too many directions to fully deliver on such promise.
Alice (Zadow) hasn't been home to rural Norfolk for over six years, driven out by a compulsion to get away and find meaning and momentum in London. Her little sister, Lo (Mary O'Loan), makes a suicide attempt in her absence; suddenly Alice is duty-bound to return, not only to the hometown she loathes, but to the role of second mother to Lo – their real matriarch having jetted off on holiday with the latest in a string of boyfriends. While waiting in vain for a country bus, Alice runs into Charlie (Leo Garrick), a school friend who becomes more mixed up in her and Lo's life than any of them could possibly have expected.
In case you were wondering, yes, an actual fridge does feature — I watched it getting wheeled in through the King's Head pub into the separate, entirely self-sufficient theatre at the back. In a powerful opening the extremely troubled Lo, curls up inside the appliance, pressing her limbs against its arctic, plastic corners, miserably waiting for the battle inside her brain to cease. When sprinkled through the dialogue as a metaphor, however, the cast and crew arguably milk said fridge for more than it's worth:
Lo: "You didn't even leave a farewell message with the fridge magnets!"
Alice: "You did always love those."
The same goes for the theme of ambivalence about 90s Renaissance Disney film-imbued nostalgia: a fraught discussion between Charlie, Alice, and Lo plays out heavy-handedly to the point of sardonic preachiness, and a sufficiently awkward date scene between Alice and Charlie puts an unrealistic amount of emphasis on just how much their craving for childhood comfort permeates their lives (Charlie's idea of an appropriate date is to "finish this strawberry Yazoo and watch a Disney movie"). In trying to connect with a millennial audience via a shared affection for Disney films, David Attenborough documentaries, CD players and chocolate bourbons, Fridge falls into an unfortunate habit of making thematic vessels of its characters at the expense of weaving realistic, unique personalities. I suspect that this recurring sense of playing to the crowd has come from a well-intentioned attempt at resonating with as many members of the millennial demographic as possible (an important aim, as removing the taboo around discussing mental health is something to which theatre can and should contribute), but it comes at the unfortunate cost of authenticity and makes the characters hard to relate to as human beings.
Unchecked mental illness left, as it does in Lo, to fester and corrupt every moment from the inside out, lends itself to a significant degree of voyeurism. Mental illnesses connote invisibility, silence, and expert concealment, as most of the decline and destruction takes place internally; any external symptoms, like the tip of an iceberg, pale in comparison to what lies beneath. On stage, streams of consciousness must be externalised, manifested in large expressions of anger, whether at oneself or at those who offer to help. Staging mental health narratives thus carries an inherent risk of over-externalising, making characters' reactions too violent, until we shoot past empathy and wind up with alienation.
A later scene between Charlie and Lo, in which they spontaneously re-enact part of The Little Mermaid, elicits some hearty laughs from the audience, but ends with Lo screaming, wrecking furniture, and collapsing in Charlie's arms. Even for her character, it's close to gratuitous in how jarring it is. Lo certainly comes off as someone so damaged that she can't break through the ceiling of her toxic childhood, but when the plot calls for such extreme outbursts, the voyeuristic element arguably risks creating a rift between the audience rather than drawing them in.
On another note, credit is due to Garrick for putting in a charming, instantly likable performance as Alice's estranged school friend Charlie. But in an hour-long play, his character is ultimately an unnecessary third element that distracts from and complicates Alice and Lo's main arc towards reconciliation, in a way that the play simply doesn't have time to do justice in exploring. With an extra hour, or even just thirty minutes, I'm confident that Fridge's chilling dive into estranged family relationships and the loneliness of mental illness would have had greater room to flourish. It could have been set in a single room, as an extended, escalating, and explosive dialogue between Alice and Lo as their agonies bubble to the surface. In its current incarnation, particularly with an unclear time lapse between Alice's arrival and the open-ended conclusion, Charlie's feelings – and Alice's reciprocation of them – develop much too quickly and too intensely to be plausible.
Apart from the encumbrance of Charlie's character, Fridge could easily have done without the numerous lyrical soliloquies amongst the cast. The numerous poetic embellishments clash with the minimalist set, flat Norfolk setting and casual, prosaic conversation that otherwise fills the stage. It's as if the creative team felt obliged to tick some "spoken word" box in order to give the audience a quintessentially experimental Fringe experience, further amplifying the general feeling that the topic of mental health has been approached admirably, but not handled sensitively enough. Unfortunately, instead of a genuine glimpse into the protagonists' motivations, we get an air of faux-profundity.
Fridge has some powerful and charming moments, which I hope that Blackout Creative Arts will build on for future productions. The original music by Phoebe Robinson is pensive and mellow, reminiscent of Lauren Aquilina and Birdy. Our introduction to Alice and Charlie (their re-introduction to each other) is witty and down-to-earth, effortlessly turning an upturned box into a urine-soaked bus shelter in the middle of unromanticised green pastures. Fridge's sense of humour is at is best when it's self-aware and sharp-tongued:
Lo, huddled alone in a field: "Shut up! I'm having a moment."
Charlie, hovering: "…So, do you want me to go or not? Have you had a moment now?"
On the more intense side, Lo's monologue (one of many) in which she recounts her suicide attempt in a coconut bubble bath, with "Part of Your World" playing in the background, is as engrossing as it is harrowing. O'Loan deserves a special shout-out for physically immersing herself in this difficult, thorny and demon-plagued character as deeply and compulsively as Lo immerses herself in cold, watery spaces, with enormous eyes that command attention long after the sinister voices in her head have died down.
Fridge is an intriguing, frustrating, and compelling play. It sets out to be "a culmination piece of nostalgia, growing up and millennial mental illness"[1] and, while it does deliver this, it's a shame that delivery feels so rushed, and that with a more minimal, introspective plot, this difficult subject matter could have been handled more carefully.
Fridge was performed in July 2017 as part of the Kings's Head Festival 47.
[1] http://blackoutcreativearts.wixsite.com/bcal/untitled
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Lexy Hudson
Lexy is a fiction writer who occasionally dabbles in essays. She graduated from the University of York with a BA in English and Philosophy in 2015, and now works in publishing. Most likely to be found in a bookshop, library, or near a coffee machine.
Tragicomedy and Coping: 'The Cherry Orchard' at the Bristol Old Vic
Joan Clevillé Dance's 'The North': Surreal Northern Plights at the Fringe
Split Britches: Unexploded Ordnances (UXO): or how I learned to stop worrying and love.
Brody Dalle: Punk Queen
How to Get a Date in Anglo-Norman Britain: The Medieval Romance Textbook
New Routes, Medieval Roots: The Medieval Aesthetic and The Green Man Festival
Bowie Book Club: The Fire Next Time by James Baldwin


Ooops! The other one came out twice!
distinguished her from so many others.
fabulous low notes "mask," rather than "chest."
Well, whatever they are called, they are amazing.
She sang over 70 roles, including 635 Traviatas.
were more than just stars I met backstage.
Sam Ramey, and Regina Resnik.
become closely acquainted with Mme.
Virginia Zeani, whom I consider as "la mia sorella."
can be heard in the theatre.
I adore BLACK basso voices.
perform this. He is a delight!
Irina Lungu is a real sweetheart.
she would return to the Met!


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'The Meddler': A great Susan Sarandon character as your Mother's Day gift
Posted: May 6, 2016 - 3:01 AM
Steven Rea, Columnist
RATING |
The Meddler, just in time for Mother's Day, gives Susan Sarandon the chance to go deep into the character of a parent, a widow, who can't stop herself from interfering in everybody else's life.
And it gives audiences the chance to relish that character, Marnie Minervini, a woman with a piercing New Yawk (by way of Jersey) squawk and a desperate need to help strangers, shop workers, and her daughter's friend whose name she can't quite recall - but never mind, that won't stop Marnie from offering to bankroll an elaborate wedding ceremony on a yacht.
The Meddler is written and directed by Lorene Scafaria, who brings a far more personal and authentic focus to things after her mess with Steve Carell and Keira Knightley banging around in 2012's Seeking a Friend for the End of the World.
And with Sarandon in the title role, Scafaria has a winner: The actress tackles Marnie headlong, with heart and soul, trolling the fancy outdoor shopping mall for products to buy and for people to intercept and hang on to.
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Marnie awakens each morning in a sunlit room, to the whir of a ceiling fan. She grabs her iPhone to check messages, ready to drop by daughter Lori's place even if daughter Lori isn't ready to see her.
Rose Byrne is said offspring, a TV writer with a deadline looming. She's knotted with insecurities - and with heartbreak, too. Her longtime beau, Jacob (Jason Ritter), has left. Marnie wants to console, to counsel. Lori just wants to be left alone.
You don't need a therapist to tell you what's driving Marnie's compulsion to "help," but both she and Lori are seeing one, anyway. (Amy Landecker has the role of the amusingly noncommunicative shrink.) Marnie is still grappling with the death of her husband, Lori's dad, several years gone.
He left his spouse with enough money so she'd never have to worry about such things again, and so she packed up and moved to Los Angeles, to be close to her daughter. Pathologically close.
"I need to get a life of my own, and so do you!" Lori finally tells her mom, feeling at once gutsy and guilty.
In some respects, The Meddler evokes another recent portrait of a Los Angeles woman of a certain age with a suitcase full of needs and neuroses: Lily Tomlin's sourpuss poet in Grandma. Both films offer character studies rich in detail, richly performed.
In The Meddler, Marnie finds herself pursued by a couple of suitors. One is the awkward Mark (Michael McKean), whose idea of a fun date is a trip to the Holocaust Museum.
The other is a retired cop who goes by the handle Zipper and who lives in a cabin in the canyon by the beach, strumming a guitar and singing country songs when no one is around (or so he thinks). J.K. Simmons plays Zipper, in a role typically reserved for Sam Elliot (the walrus mustache, the manly drawl), and the romance - or possibility of one - between the Harley-riding policeman and the gabby East Coaster provides the underlying tension of the film.
As for overlying tension, that's all courtesy of Sarandon's Marnie. She's relentless. She's impossible. She's wonderful.
srea@phillynews.com
Dan DeLuca
Gary Thompson, For The Inquirer
Jillian Wilson
Carey Mulligan mesmerizes in 'Promising Young Woman'
Jocelyn Noveck, Associated Press
Pixar's 'Soul' has visual razzle-dazzle and an existential, convoluted plot
Ann Hornaday, The Washington Post
With big villains and bigger hair, 'Wonder Woman 1984' is a gloriously overstuffed sequel
Justin Chang, Los Angeles Times


Singapore ranks as number 36 in the top 50 countries with the highest coffee consumption in the world, with 2.1kg per capita. It is also renowned for its scientific research and development, so it is perhaps little surprise that they have discovered that in addition to the many health benefits of drinking coffee in moderation, it can also be used to help save lives.
Researchers at the Nanyang Polytechnic in Singapore have developed a new flame-retardant material by mixing epoxy resins with coffee waste. After nine months of hard work, Dr Henry Leung and his team of three final-year students achieved the perfect ratio of epoxy, a chemical binder, to coffee waste. The combination has been shown to reduce the spread of flames from a fire, with the potential of significantly improving fire safety in households and workplaces.
"After we did the first burning test with the coffee-epoxy resin and the results came out, I took a video and watched it many times, but I still couldn't believe that the fire was put out," Dr Leung said.
The team is also proud that the coffee-epoxy resin can help significantly reduce storage space and high energy consumption needed to otherwise grind the waste for compost.
The team, which had already achieved great success in 2017 by creating biodegradable plastic from coffee waste, will continue working to improve the current product. How? With a more uniform density and advanced fire-retardance performance thanks to nanotechnology. Stay tuned!
Read the full story in Channel News Asia.


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Elder, Sarah J. (2004) A meta-analytic investigation of occupational stress and related organisational factors: is nursing really a uniquely stressful profession? Doctorate (other than PhD) thesis, University of Southern Queensland. (Unpublished)
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Behrend, Frank D. (2005) The socio-cultural challenge of effective knowledge management in virtual project environments. Doctorate (other than PhD) thesis, University of Southern Queensland. (Unpublished)
Fong, Christopher (2015) The Systemic Perspective Approach (SPA) – a multi-cultural model for workplace counseling in the Singapore context. Doctorate (other than PhD) thesis, University of Southern Queensland. (Unpublished)
Gussen, Ben (2011) The Tower of Babel Syndrome: locality and governance in response to the ecological crisis. Honours thesis, University of Auckland, New Zealand . (Unpublished)
Wieden, Kaitlyn (2018) Time-dependent reversal of diet-induced metabolic syndrome in rats switched to a corn starch diet. Honours thesis, University of Southern Queensland. (Unpublished)
Stehle, Wolfgang (2004) Transfer of human resource policies and practices from German multinational companies to their subsidiaries in South East Asia. Doctorate (other than PhD) thesis, University of Southern Queensland. (Unpublished)
Paterson, Ian (2006) Trust and technology adoption in Australian agribusiness supply chains: a gap analysis approach. Doctorate (other than PhD) thesis, University of Southern Queensland. (Unpublished)
Stiller, Pascale (2016) Utilising satellite altimetry data to forecast the coastal impact from tropical cyclones: Cyclone Oswald as a case study. Honours thesis, University of Southern Queensland. (Unpublished)
Stuart, Lynne (2010) What are the experiences of Indigenous health workers enrolled in the Bachelor of Nursing at the University of Southern Queensland. Honours thesis, University of Southern Queensland. (Unpublished)


Advantages and Disadvantages of Milling Machine | Education .Apr 7, 2015 . Milling is a process of removing metal by feeding the work against a rotating multipoint . Advantages . The cost of the milling machine is high.price quarry process milling machine advantages,price quarry process milling machine advantages,Thread Milling vs. Tapping: Advantages & Disadvantages - DatronJun 26, 2014 . Learn more about the advantages and disadvantages of thread milling and . This reduces both the cost of tooling and the amount of time associated . line of high-speed milling machines with spindle speeds up 60,000 RPM.
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Specials Archive - Cleveland Brothers Equipment Co., Inc.
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Q: PHP: Uncaught SoapFault exception So I am trying to create a SOAP Client/Server in PHP but I am getting the following error.. PS, I know that others have also asked this question and got some responses and i looked into them however, the answers given didn't fix my error that's why i am posting this question.
Fatal error: Uncaught SoapFault exception: [Client] looks like we got no XML document in C:\xamppp\htdocs\C\project\client.php:11 Stack trace: #0 C:\xamppp\htdocs\C\project\client.php(11): SoapClient->__soapCall('getUsersName', Array) #1 C:\xamppp\htdocs\C\project\service.php(5): client->getName(Array) #2 {main} thrown in C:\xamppp\htdocs\C\project\client.php on line 11

and here are my codes for server.php:
<?php

class server
{
    private $con;
    public function __construct()
    {
        $this->con=(is_null($this->con)) ? self::connect() : $this->con;
    }
    static function connect()
    {
        $con=mysql_connect('localhost','root','root');
        $db=mysql_select_db('soap',$con);
        return $con;
    }

    public function getUsersName($id)
    {
        $id=trim($id['id']);
        $sql = "SELECT NAME FROM USERS WHERE ID = '$id'";
        $qry = mysql_query($sql, $this->con);
        $res = mysql_fetch_array($qry)
        return $res['name'];
    }
}
$params=array('uri'=>'http://localhost:40/C/project/server.php');
$server= new SoapServer(NULL, $params);
$server->setClass('server');
$server->handle();

?>

and here is for client.php:
<?php
class client
{
    public function __construct()
    {
        $params=array('location'=>'http://localhost:40/C/project/server.php','uri'=>'urn//localhost:40/cpu6003/project/server.php','trace'=>1);
        $this->instance= new SoapClient(NULL,$params);
    }
    public function getName($id)
    {
        return $this->instance->__soapCall('getUsersName',$id);
    }
}
$client= new client;
?>

and lastly, service:
<?php
include './client.php';
$id=array('id' => '1');

echo $client->getName($id);

?>

A: Check your server logs, server.php is probably throwing some error and it will tell what's wrong.
I suspect it may be this line:
$sql = "SELECT NAME FROM USERS WHERE ID = '$id'";

Try changing it to something like this:
$sql = "SELECT NAME FROM USERS WHERE ID = " . (int)$id;

redpajama_set_name: RedPajamaStackExchange


Very nice and large working table designed by Friso Kramer for Ahrend de Cirkel, Holland 1964. This table has a metal folded frame, grey lacquered. And a linoleum top with aluminum edge. Normally this table was only made in 1 or 2 persons tables as school desks but this is a very special 4 persons table. Looks great as a long working table on the wall matching with 4 Result chairs in grey frame.