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May 7, 2019·13 min read
Calvin Trent wants to found a magazine that can rival Rolling Stone and Vanity Fair, and he just might pull it off. Their British friend, Jeremy, tries to duck the racism of cops patrolling the Brixton neighbourhood and be the voice of sensible business values behind the others' grand design. Beth, a quirky, talented musician and photographer is trying to get over her past creative failures, but she just may escape her depression in the arms of Ram Talbott. Ram the narrator, who loves too much, who feels too much and who needs to make sense of it all after the dream falls apart.
THE NEW BOHEMIANS is a story about an era that was more vibrant, more complicated and more exciting than today's nostalgic references. By turns lyrical and comic, it's a love letter to the writers and artists who are the also-rans, the ones who don't get movies made out of their lives or who have courses taught on their forgotten works. But for a short while, they had their brilliant moments…
A scene from an early section of the novel:
All the colour's been leached out of the place. Jeremy told me he had a similar thought as he sat in one of his favourite wine bars on a Thursday night. His father had died only a few days before, and the "miserable old exile" as Jeremy often referred to him had only bequeathed to his son a broken antique desk. Jeremy had sold it cheap, and now he was determined to spend part of the modest profit on a couple of glasses of Californian white. "I was thinking, Damn the Exile. And damn this wet country."
A group of Yank tourists in the bar was getting increasingly rambunctious, and the only safe harbour was a stool next to a man dressed in what Jeremy says was a Crombie suit. The guy looked about thirty. The suit was impeccable. His chestnut hair was elegantly brushed in one of the latest styles, and even his eyebrows looked exquisitely trimmed. With his chiselled features, he could have been an actor or model.
One of the Americans screamed at the top of his lungs, "Reagan's the greatest fuckin' president ever! Fuckin' solid, man!"
"Yes, he is," muttered Jeremy. "Hewn from the finest lumberyard."
"Petrified and patriotic," said the model.
It could have been left at that, a couple of quips, but they were also each other's best prospect for decent conversation. The model extended a hand to shake. "Tristan Foxworth."
"Jeremy Hartnell."
He had confided to me how he had been toying with the idea of a convenient surname switch when he needed it, and now was as good a time as any to test it out.
Pretty soon, they were talking about the news, and this and that, and picking on Sloanies (it was the heyday of the empty-headed Sloane Rangers making all the society pages). They agreed that yes, the striking coal miners should not have had their heads bashed in, but they were still living with those same heads stuck in the 1840s anyway and why couldn't they recognize their industry was dying? They agreed that the Falklands had been a shitty little place to start a war, but Argentina had started it and had had it coming, so fuck the bastards. They agreed that Labour had cocked it up and had brought the Winter of Discontent down on everyone, and that the Liberal Democrats had ensured their own irrelevancy. They surprisingly agreed on a lot.
"You know," remarked Foxworth after about half an hour. "This place is getting rather tiresome and stuffy. I was going to skip this party, but you've put me in a better mood. Feel like going?"
"What kind of party?"
"It'll be great fun. People who think like us. Not too far, just a drive over to Knightsbridge."
Jeremy thought why not, since it wouldn't hurt to know some people with dosh — those who could turn into clients or at least helpful friends. He asked his brand new friend if he could bring along some friends of his own. If he invited me along, he knew I might want to bring Peter, and if Peter came, why not Beth? Beth, who had taken an instant shine to Nadine when I'd introduced them to each other, and Beth, who wouldn't want to be the only girl in this caravan anyway. Foxworth said of course, the more, the merrier, and so Jeremy had rung me up. "You have to see this fellow," Jeremy whispered on the bar phone. "Positively leonine in features." Leonine — he used the word twice. Dress sharp, he ordered, and gather the troops.
I didn't have much to dress sharp with, but I still had a French-cut, wool blazer Cal had passed along on permanent loan, and an old, slim, genuine 1940s tie I'd rescued from a costume shop in Winnipeg's Market district. I rounded up Peter while Beth promised to collect Nadine, and we all gathered at my flat. With Jeremy riding shotgun, Tristan Foxworth picked us up in a vintage Jaguar Mark 2, and most of us tried our best to play it cool until Beth squealed, "Oh, my gawd, your car's nicer than my apartment!"
None of us had any idea where we were going, or what we were in for. Tristan Foxworth — Mister Leonine Model — just said the party was a "regular thing" and that "the boys like to call these things Boss nights." Oh, said Peter after a moment with his usual deadpan timing, so I guess that means S & M games and lots of riding crop spankings? Tristan guffawed like a good sport and said something like, Well, he wouldn't be surprised if some of that went on with these posh types, but probably not tonight. He was doing a pretty good job, affecting this pose of wiser, more sophisticated Hip Guy to our giggling band of twenty-somethings, and I hoped we weren't embarrassing Jeremy too much. Then we pulled up and parked somewhere near Herbert Crescent, and we stepped into the eerily quiet network of rust-red houses. Tristan led us into one, and we ran into a wall of cigarette smoke and ear-splitting music.
"No worries," he said over his shoulder. "Place was completely sound-proofed five years ago by the owners. People round here like to party hard, but they are mindful of the little courtesies."
Fine. We ventured in, and there was something…off. Everyone was sharply dressed, but I don't mean like us. Smart suits, fashionable dresses. Tristan was the oldest one there, the rest of them our age, and they were supposed to be partying. But all of them looked like they had to race off in an hour for the most sombre family reunion with the most fucking uptight relatives who would hiss at them "not to make a scene." Too many guys for girls in the mix, but you can often have parties like that. There were guys in the kitchen, talking and laughing loud, smoking thick cigars and looking like ten-year-old boys raiding their daddys' closets. We finally figured it out. We'd wound up at a party of Young Conservatives.
"Most of these boys are here for the beer," joked Tristan, and he led us around, introducing us to his mates, who smacked their lips over the girls and were cordial enough to Peter, Jeremy and me. Jeremy thought he saw William Hague float by, still a legend to the younger members of the party with a full head of hair and steam, and Tristan Foxworth gazed across the room but couldn't confirm the sighting. Instead, he muttered back to Jeremy and with me within earshot, "Clever as shit, but he's been passed over. The Lady thought having him as a special advisor or something would look like a stunt — you know, because of his youth."
We discovered that the reason why they called these things "Boss Nights" is because they cranked select tunes of Springsteen every so often in their music mix. I stood in the kitchen with Peter, and we watched a girl with horsey teeth and a rare plunging neckline sing along off key to "The Promised Land." Someone flipped the LP and put on "Badlands," and the whole joint went nuts. It was a pub anthem to this crowd, all of them singing along even to the mm-mms after the saxophone and guitar solos. Springsteen belted at the top of his lungs about working in the fields, and these posh types in their tailored kit, armed with double-barrelled names and legacy memberships for private clubs, jumped and down as if they were at a Manchester United rally.
I looked in horror to Peter, who offered his best, world-weary private eye expression. "Forget it, Jake. It's Chinatown."
"This is how a Stephen King novel would start if he were British," I put in.
Jeremy drifted up to us in that moment as if he couldn't believe what he had gotten us into. He whispered how it was bloody surreal, but before he could go on, Tristan Foxworth was at his elbow, introducing him to his sister, Penelope, whom he added quickly, would be running in the constituency of Fuck-knows-on-Thames in the next election. We all got a really weird vibe. Tristan's sister looked like him — model-pretty, with brunette hair dyed purple, which was probably daring for her crowd. But she also had this unsettling, predatory sexuality, and she was clearly interested in whisking Jeremy off to a private room. Whether he had his head bitten off after her eggs were fertilized was of primary concern to us. A scene from Caligula, wardrobe by Hugo Boss.
He managed to extricate himself after the right amount of conversation, but I think he spent the rest of the night dodging her, and that also meant dodging Tristan, which looked bad, because he had brought us. Meanwhile, Nadine was getting her quota of assholes who really loved her accent, and somehow, word got around that Peter was an artist. That's brilliant, said a cluster of sloppier, drunker types. Do caricatures of us! Peter shrugged and said he didn't have his pencils and gear. No, no, they insisted, surely you can use a pen? And someone brushed the bottles, crisp packets and plates from a side table and said, Do it here, right here! Jesus, bet you're good! Bet we can frame the fucking tablecloth and sell it for 200 quid one day! Come on!
"No," Peter said gently.
"Awww, come on, why not?"
"Same reason I don't balance a beach ball on my nose or dive out of the water and do somersaults in the air." He turned to me. "Leaving, right?"
"Oh, hell, yeah," I said.
But it took us another hour to find the girls and then Jeremy, whom I later learned had taken a politically confused but decisively gay young member of the elite into a guest room, and we think the guy might have had a role in the Cabinet of David Cameron decades later. Anyway, the tryst put Jeremy back in a good mood, so that he really didn't want to leave with the rest of us. But then a few other guests approached him, saying they needed his help with girls.
"Well, just get some confidence," replied Jeremy, trying to be polite, "and go talk to them. There are some nice ones here, I'm sure."
They conceded his point, and yes, they could do that, but it was a bloody pain with the supposedly "nice" ones, because a proper date would cost dinner, booze, parking, etc. and of course, it really meant an estimated minimum of three dates before they put out, and he must know the other type. Good ones. Ones that wouldn't prove too expensive, yes? Real fit types, yes?
Jeremy stared at them. "Am I understanding you correctly? You think that I can get you…?"
"Professionals," chirped one of them, nodding his head vigorously. "Yeah."
I wish I could say there was an awkward silence. But I had strolled over and caught this last part, so I know it wasn't awkward. It was an angry silence. It was an ignorant silence. I could only imagine the outrage behind my friend's eyes. They had sought him out. They had asked him — not Peter or me. Him. And we all knew why.
"You fucking assholes," I said, because I felt I had to say something. In retrospect, I know I didn't have to show off my liberal conscience.
Before they could respond, Tristan ambled over, saying, "Oh, marvellous, you're talking! The boys thought you might be able to help them out, or have you got to that bit yet?"
"It's why I'm here, isn't it?" asked Jeremy.
Tristan made one of those annoying laughs you get where there's no sound, just a series of faint wheezes. And then he said, "Well, it's one reason. We're not that mercenary, are we, boys?"
"No, of course, not," Jeremy answered. "I think I can set you up. But I need to borrow your car. Make some preparations. Is that all right?"
This got the idiots all-a-tingle with excitement and lecherous hope, and Tristan, looking awkward but not wanting to be a killjoy said yes. A single look from Jeremy told us we ought to squeeze him into the back seat between Peter and Beth so that he couldn't easily change his mind and jump out. Jeremy gunned the engine, switched on the radio, and we roared off to the cymbal crashing and garage band dudda-dudda, dudda-dudda of Joe Jackson's "I'm the Man" at full blast. We knew that pretty soon now, we were going to take our host all the way to Brixton for a real party.
I think the guy went as white as his bed silks when he stepped out on the pavement, even more so when we steered him into a club with vintage reggae pounding out of the speakers. It was all rum and one drop rhythm, artists like Yellowman and the Maytals playing, and guys checking out Beth and Nadine, dancing together with abandon. Jeremy introduced us around to a few people he knew — folks working on stencil and street art, others working on poetry, friends creating scenes that we didn't have a clue about. If Tristan Foxworth got a lesson that night, he wasn't the only one. Peter didn't mind, because he was having a blast. I teased him later, asking him if he'd become a convert to the insipidly patronizing notion that there was a sublime Negro wisdom higher than our own, the same sort of bullshit that certain deluded hippie types liked to give Cree or Mohawks, wanting to connect with Nature.
Peter made his hyaw-hyaw-hyaw laugh and replied, "You are a saintly, cynical son of a bitch, born and raised, aren't you?" Being Welsh in descent, he knew how to make a put-down sound like poetry. "I don't give a shit how much melanin they got, some of these guys are doing cool stuff. You can see a couple of their pictures out in the lobby. Really vibrant colours. Some of it's didactic, sure, but… maybe Dale was on to something after all. Maybe if you're ground down and hard up, it forces you to be more inspired."
"Hey, gimme twenty pounds," I said.
"Just give it to me."
He handed me a twenty-pound note, and I said, "Any new ideas yet?"
He laughed and called me an asshole and snatched his money back. We danced for a bit with Nadine and Beth, and then tired and sweaty, I parked myself into a corner by Jeremy, sipping a rum and Coke. Peter was working on a tall pale ale.
"I like it here," I shouted over the music.
"You sound surprised," he said.
"No, no," I said defensively. I pointed to a bewildered Foxworth, afraid to stay and talk to anyone, afraid to walk out into the street. The Tube had long closed by now, and it's not like he'd be able to catch even a gypsy cab.
Jeremy and I laughed together, and Peter said to him, "We're a bunch of expat, cracker, privileged snots to you, aren't we?"
His tone wasn't hostile. I think Peter was seriously trying to figure out our places in the world. How he ought to properly behave, especially in a milieu like this, which really meant how could he relax. Whether he should be a good person or just not give a shit and make art. The deep stuff.
Jeremy looked vaguely hurt, and then he smiled. He used to like to quote an aphorism of one of his better teachers, which I borrowed and still do: Never ascribe to malice what can be written off to ignorance.
"Peter, I don't take expat, cracker, privileged snots to places like this."
"You brought him," I said. I meant Foxworth.
"Oh, that's a mercy job. He's luggage. I will let our host off with a — let's call it an educational exercise. He's probably wet himself, and tomorrow he'll feel bad because he'll realize it was for nothing. But I was this close to driving his car out to Epsom and leaving him there."
Peter grinned, satisfied with his answer. He wandered off with his pint.
Then Jeremy turned to me. "Now. See that lovely girl with the cornrows? She's checking you out, I think. You or maybe Peter. But he's not paying attention. Go wander over there and claim you're American."
"But I'm not American."
He rolled his eyes at me. "Your friends are correct. It is a small miracle that you manage to get laid at all, do you know that?"
© Copyright Jeff Pearce and Gallivant Books
THE NEW BOHEMIANS is available to buy in Kindle and paperback from Amazon here.
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redpajama_set_name: RedPajamaCommonCrawl


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← Death at the museum
Bus stops and Brockwell Park: exhibition in Herne Hill →
Peter Hitchens on drugs and the moral, opium-eating, Victorians
Peter Hitchens is a very clever man. I'm sure he's also sincere – I can't believe British newspapers would employ somebody to say stupid and provocative things just to get attention, after all – but judging by the interviews he's conducted for his new book about drugs, The War We Never Fought, he's a little bit daft.
Hitchens theory is that there has never been a war on drugs. 'Drug-taking was, in effect, decriminalised by the Misuse of Drugs Act 1971,' is how Decca Aitkenhead paraphrases. Instead, he harks back to the golden age of the Victorians, when there was 'increasing self-imposed moral conduct' (Hitchens' words.)
Where to begin with this nonsense? Well, let's just stick to the last bit, those morally virtuous Victorians. In a sense, he's right: the Victorians didn't take illegal drugs. That's because they were too busy snaffling down the legal ones – things like opium, cocaine and cannabis – which were available to just about anybody who needed them until 1868, and then over the counter from chemists until 1926. This was the golden age of drug-taking in Britain, with opium being consumed on a scale we could scarcely now believe.
Victorian London was awash with opium, not in semi-mythologised Chinese opium-smoking dens in Limehouse (of which there were very few), but in pubs, chemists, general stores and markets, where it was sold in bottles, powders, pills, lozenges, on plasters, in sweets and much else besides. The centre of trade was in Mincing Lane, London, where 90 per cent of transactions occurred. It was most commonly taken as laudanum, a tincture of opium and red wine, with saffron and cinnamon.
This was not thrill seeking. In the days before aspirin, opium was one of the few reliable painkillers available to Victorians, especially especially fever and diarrhoea, but also malaria, smallpox, syphilis and TB. And it was effective as well. As anybody who has taken codeine or morphine will confirm, opiates have a tendency to block you right up – something that was particularly helpful when the next cholera or dysentery epidemic was just around the corner.
However, opium was also used on children, particularly when teething, in specially formulated sweet concoctions like Godfrey's Cordial and Mrs Winslow's Soothing Syrup, and thus surely led to the deaths of many by overdose. It also, believes the drug's historian Martin Booth in Opium: A History, 'provided an escape from the misery and vicissitudes of working-class life.' This was especially the case in the Fens, where 'many never take their beer without dropping a piece of opium into it.'
Because of these two factors, opium was belatedly seen as a physical and spiritual danger, and Victorian abstinence advocates put it right up there with alcohol and tobacco as serious threats to British life. What's interesting, though, is the way – anecdotally at least – users were able to effectively and relatively painlessly self-medicate, living normal decent lives despite their addiction, without resorting to crime. This is true for the working classes, it's true of the famous opium-eating writers like Coleridge, Shelly, Keats, Collins and De Quincey, and it's also true of the many great statesmen – the sort of people who shaped the British Empire so beloved by Peter Hitchens – who took the drug. You see, because opium was the only halfway reliable painkiller around, everybody took it – including people like William Wilberforce, the great Christian abolitionist, and William Gladstone, who popped some in his coffee before speaking in Parliament to improve his rhetorical powers – even if not all of them became addicted.
In later years, opium – and especially its stronger derivatives morphine and heroin – began to be used by those simply seeking a pathway to an altered consciousness, a shortcut perhaps to the sort of transcendent mystical experience some people get from religion. In doing so, they were merely following pattern taken by mankind in all civilisations since the dawn of time, however much Hitchens may wish that weren't the case.
As restrictions were introduced – for opium, not alcohol and tobacco – drug-use declined massively and by 1960 there were less than 100 registered heroin addicts in the UK. They received their drugs from doctors, cheap and undiluted, and were largely able to enjoy a normal existence (at least in comparison with their criminalised counterparts in America). However, as drug use increased in the 1960s, restrictions were imposed, culminating with Hitchens hated Misuse of Drugs Acts in 1971, after which drug supply passed almost completely into the hands of the criminal and use immediately rocketed. A far cry indeed from those morally virtuous days of the 1850s, when Britain's great and good could simply pick up a bottle of premium laudanum from their nearest general store and retreat into blissful opium dreams.
This entry was posted in Blogging, Books, Celebrity, Counterculture, Crime, Drugs, History, Journalism, London, Mumbo jumbo, Poetry, Rant, Secret London, Sleaze, Superstition and tagged coleridge, de quincey, fens, godfrey's cordial, hitchens, laudanum, laws, Limehouse, opium, restrictions, shelley, wilberforce. Bookmark the permalink.
2 responses to "Peter Hitchens on drugs and the moral, opium-eating, Victorians"
Mike Paterson | October 24, 2012 at 10:24 | Reply
Good post. Hitchens is sound on a lot of things and I do quite like him, but he has a terrible blind spot when it comes to narcotics. I can't believe he's now published a whole book about something on which he's so off-beam.
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text:
Ricky Byrd
Label: Kayos Records
Released: February 5, 2013
Reviewed: February 3, 2013
I know that I don't speak alone when I say that, as a baby boomer, sometimes I just want straightforward, good ol' rock and roll. Guitarist/Singer-Songwriter Ricky Byrd will release his solo debut Lifer on February 5, 2013 (Kayos Records), and will deliver just that kind of rock and roll that baby boomers crave. Recorded in Nashville and New York City, Executive Produced by Ray Kennedy(five-time Grammy Winner, Steve Earle, Ray Davies, Sheryl Crow) and co-produced by Byrd and Bob Stander, it features Byrd's knack for classic hooks and jagged riffs, which gloriously sets the table for cut after meaningful cut.
The former longtime Blackhearts guitar slinger whose monstrous power chords helped define Joan Jett & the Blackhearts "I Love Rock & Roll", is a restless New York City poet who carries a torch for the town he loves, along with enough handbags and glad rags to make you feel like it's 1974 all over again.
But of course, it's not, it's 2013, soByrd has created his defining musical statement, Lifer, which features 11 original odes to what got him here in the first place; British rock and roll, soul, R&B, AM radio, FM radio, the Honeymooners, Groucho Marx and Dorothy Parker, to name a few things. You've got to understand: Ricky Byrd is a slave to what he loves, and we all reap the rewards with Lifer.
Byrd states, "My main goal with this record was to try and craft the songs with the same heart and soul that filled the music I listened to as a kid in my parents Bronx apartment -- the music that even at that young age, made the hair go up on my arms."
The early Rolling Stones are what gave him the original reason to believe, and their misfit awkwardness was something he related to. It's what he felt and they were what he wanted to be. It's what The Who and Mott The Hoople did to him. So he grows up and ends up playing with Daltrey, Ian Hunter and lots of other idols. Now the circle completes. The kid from the Bronx finally creates the record he was put here to make, on his own terms, by his own rules and with all the swagger, attitude and street smarts he first honed as a punk kid hanging out in the back room at Max's Kansas City.
Awash in the warmth of organs, pianos and guitars woven together with the jaded, wasted elegance of all the best Faces records, Lifer reflects the best elements of what made his favorite music so special in the first place. Spoken asides and soaring choruses punctuated by the Stax-flavored horns and the most soulful of backing vocals blend into one funky rock 'n' roll stew.
We're also reminded across each track that Byrd is a guitarist first. He never overplays, choosing instead to weave tasteful, tuneful solos that are as efficient as they are inspired; all bluesy, boozy and backroom.
The album kicks off with "Rock 'n' Roll Boys," an over-the-shoulder tribute to the old glitter glam haunt Max's, whereByrd got his first real taste of the other side of life. "Foolish Kind" in particular is a time-machine all its own, replete with sunny organ fills and Byrd's whiskey-soaked guitars weaving rich tapestries together as one as they do throughout the entire album. The soulful plea "Wide Open," the tongue in cheek "Married Man" and the driving "Harlem Rose" all stay true to Byrd's vision of making the music that first captivated him, but it's the closer, "Turnstile '01" that may give the listener the deepest pause. It's Byrd coming to grips with post-9/11 New York City, his chiming valentine to the Big Apple, a poignant, plaintive downtown tribute that rings things out exquisitely.
Subways are running slow, still I've got to smile
I'm heading downtown to you; my heart won't stop beating wild
Girl I'll meet you
By the turnstile
I'll say it again: this is rock and roll for people that miss this kind of rock and roll.
All rights reserved. Permission for use may be obtained by contacting This email address is being protected from spambots. You need JavaScript enabled to view it. . To receive reminders and advance notices of upcoming additions to Boomerocity.com, e-mail This email address is being protected from spambots. You need JavaScript enabled to view it..
Ricky Byrd Discusses Sobering Times
Boomerocity Buzz
Kasim Sulton Talks About "3"
Ricky Byrd, Lifer


Rob Hughes (songwriter) Listing for Robert King.
Title Note: Copyright Office records attribute the selection to Henry Dawes and Rob Hughes, "pseud. of R. A. King." It is very likely, but not certain, that R. A. King is Robert King.
10/15/1927 New York, New York C Master Edison 52118 10-in.
Discography of American Historical Recordings, s.v. "Edison matrix 11959. Puttin' on the style / Vernon Dalhart," accessed April 23, 2019, https://adp.library.ucsb.edu/index.php/matrix/detail/2000158788/11959-Puttin_on_the_style.
Edison matrix 11959. Puttin' on the style / Vernon Dalhart. (2019). In Discography of American Historical Recordings. Retrieved April 23, 2019, from https://adp.library.ucsb.edu/index.php/matrix/detail/2000158788/11959-Puttin_on_the_style.
"Edison matrix 11959. Puttin' on the style / Vernon Dalhart." Discography of American Historical Recordings. UC Santa Barbara Library, 2019. Web. 23 April 2019.


text:
Shot Man Flags Down Officer at S. Grand Prairie High School
School was not locked down, dismisses students on normal schedule
By Frank Heinz	• Published February 1, 2013 • Updated on February 1, 2013 at 6:11 pm
A man injured in a shooting drove into the parking lot of South Grand Prairie High School at about 3 p.m. Friday and flagged down an officer for help, school officials say.
Officers called for an ambulance and taped off part of the school's parking lot.
Investigators were later scene examining the car for evidence.
There has been no word on the man's condition or what led to the shooting.
Fort Worth 3 hours ago
1 Killed, Multiple Others Injured in Shooting at Fort Worth Residence: Police
Officials with the school said the kids were never in danger, the school was not locked down and the campus dismissed students at the normal time.


text:
Welcome to Youth Football. The mission of Youth football is to provide a safe, fun environment for learning and playing football. The program is for kids in grades 3-6. Participants do not have to be an East Grand Rapids resident to participate.Youth football is played with full equipment and is a tackling program. We are part of the (WMYFL), which stands for West Michigan Youth Football League. The League is made up of several West Michigan communities. We are very excited about this new league and hope you will be too. Players will play by grade, 3rd/4th and 5th/6th. It is the grade they will be in the fall of 2019. There are seven games over a seven week period. Click on the West Michigan Youth Football League on the right for current game schedules.
YOUTH FOOTBALL FAQ's
Prior to registering for Youth Football all 2019 Youth Football Form must be completed and submitted to the Parks and Recreation Department. You can drop off at our office or fax them to 616-831-6144.
Memorial Field Directions
West Michigan Youth Football League
Concussion Training for Coaches
Youth Football FAQ's


text:
Q: Windows - see active ETW sessions so that I can close one of them I am working with Event Tracing for Windows API, and from time to time,  I run my application and it does not manage to close the ETW trace controller session after opening it.
Basically I do ::StartTrace([out] handle...) and do not close that handle when I'm finished with it (closing done by using ::StopTrace() function)
I'm looking for a tool that shows me the active sessions so I can close it manually. Without it I have to restart my PC in order for the controller session to be closed at shutdown.
Also, i the same ETW area (on Win 7), I understand that I should be able to see the data layouts for public MOF descriptions using wbemtest.exe. There I am supposed to enter in
- Connect -> Namespace = \\root\wmi\EventTrace

to see MOF data. But I get "The RPC server is unavailable". Using in that screen the dafaults values: IWBemLocator(Namespaces), How to interpret passsword = null, Authentication level = packet.
In the credentials area I have user and Password (which I tried) but there is another empty field - Authority. Is there a way to see MOF data ? I runed this elevated under Win 7.

A: The QueryAllTraces function retrieves the properties and statistics for all event tracing sessions started on the computer for which the caller has permissions to query.
May I suggest to post the second part of your question as a seperate question?

A: The tracelog command line utility that comes along the Windows SDK allows you to do the same thing as QueryAllTraceswith the tracelog -l command.

A: You can use the command logman query -ets to see a list of currently running Trace Event Sessions.
For example, on Windows 10, you will see something like this:
C:\>logman query -ets

Data Collector Set                      Type                          Status
-------------------------------------------------------------------------------
AppModel                                Trace                         Running
FaceRecoTel                             Trace                         Running
FaceUnlock                              Trace                         Running
LwtNetLog                               Trace                         Running
Microsoft Security Client WMI Providers Trace                         Running
NtfsLog                                 Trace                         Running
TileStore                               Trace                         Running
WiFiSession                             Trace                         Running
SCM                                     Trace                         Running
UserNotPresentTraceSession              Trace                         Running
CldFltLog                               Trace                         Running
SHS-05042018-095434-7-5f                Trace                         Running
WDSC-05042018-095434-7-20               Trace                         Running
Diagtrack-Listener                      Trace                         Running
8696EAC4-1288-4288-A4EE-49EE431B0AD9    Trace                         Running
Cloud Files Diagnostic Event Listener   Trace                         Running

The command completed successfully.

If you have created you own session, for example by using Microsoft.Diagnostics.Tracing.Session.TraceEventSession,
you will have given the session a unique name, and if it is running, you should see it in the list.
To kill an existing session, do this, as an administrator:
logman stop <SessionName> -ets

There are also some PowerShell Cmdlets, that can do similar things.

redpajama_set_name: RedPajamaStackExchange


text:
Q: If-statement with changing url What is wrong with this function? The first if-statement does work. But the else-statement doesn't work.
function func() {
    if (document.getElementById("pic2").src = "pause.png") {
        document.getElementById("pic2").src = "play.png";
    } else {
        document.getElementById("pic2").src == "pause.png";
    }
}

HTML:

            <video>
                <source src="test.mp4" type="video/mp4">
            </video>

A: There were few things which didn't let you toggle your img src.

*

*Improper condition check. if (document.getElementById("pic2").src = "pause.png") must be if (document.getElementById("pic2").src=="pause.png")

*document.getElementById("pic2").src would give you the full path to your image. Its better to trim it down to the image name (with extension) using img_url.substr(img_url.lastIndexOf("/")+1);

function func() {
    var img_url = document.getElementById("pic2").src;
    var img = img_url.substr(img_url.lastIndexOf("/")+1);
    if (img  == "pause.png") {
        document.getElementById("pic2").src = "play.png";
    } else {
        document.getElementById("pic2").src = "pause.png";
    }
}

function func2(){
 // your func2
}

function func3(){
 // your func3
}

            <video>
                <source src="test.mp4" type="video/mp4">
            </video>

A: single equal signs sign is for assign a value. you have to add two equals to compare two variables or values. like this:-
function func() {
    if (document.getElementById("pic2").src == "pause.png") {
        document.getElementById("pic2").src = "play.png";
    } else {
        document.getElementById("pic2").src = "pause.png";
    }
}

A: Try this one :
    function func() {

        var image = document.getElementById("pic2");// more efficient way

        if (image.src  == "pause.png") { // double equal sign here

            image.src = "play.png"; // equal sign here
        } else {
            image.src = "pause.png";// equal sign here
        }
    }

Good Luck


NCLR offers a wide range of online publications free of charge. If you have legal questions related to your sexual orientation or gender identity and don't find the answer to your questions in our publications, NCLR's helpline can help you find the answers.
NCLR is supported by individuals like you who care about our legal and advocacy work to protect lesbian, gay, bisexual, and transgender people and families. Please consider making a generous tax-deductible contribution so we can continue to serve thousands of LGBT clients each year free of charge.
please read before downloading our publications.
A chart outlining the municipalities in Florida that have Human Rights Ordinances and the extent of their coverage.
A fact sheet on what ENDA does and why it is needed.
A guide by the Sexuality and Gender Law Clinic at Columbia Law School about the New York City Human Rights Law, and about ways you can use it to protect yourself against discrimination.


text:
La formule de Spearman-Brown (parfois présentée en anglais sous le nom «  ») est un calcul statistique utilisé notamment en psychométrie afin d'estimer la fidélité que devrait présenter un test après qu'on en a modifié la longueur, c'est-à-dire après qu'on a augmenté ou réduit le nombre de ses items. Cette formule a été publiée la même année et séparément par Charles Spearman et William Brown.

Définition
La fidélité d'un test dont le nombre d'items a été multiplié par  est estimée par la formule :

,

où  est la fidélité estimée du test après ajout ou retrait d'items,  est le facteur d'allongement et  est la fidélité du test avant ajout ou retrait d'items.

Le facteur d'allongement indique la quantité d'items ajoutés ou retranchés en proportion du nombre d'items contenus dans le test original. Par exemple, un facteur d'allongement de  sera utilisé pour prédire la fidélité d'un test comprenant trois fois plus d'items que le test original. Les valeurs de  comprises entre 0 et 1 correspondent à une situation où on retranche des items au test de départ. Par exemple, l'utilisation de la valeur  estimera la fidélité d'un test comprenant quatre fois moins d'items que le test original.

Utilisation
La formule de Spearman-Brown est souvent utilisée conjointement avec la méthode de bissection. Dans la méthode de bissection, la fidélité d'un test est estimée par la corrélation entre les scores totaux obtenus à chacune de deux moitiés du test. Le coefficient de fidélité ainsi obtenu estimant en fin de compte la fidélité d'un demi-test, la formule de Spearman-Brown peut être employée pour estimer la fidélité du test entier. Dans ce cas,  et la formule est parfois présentée dans la forme simplifiée suivante :

où  est la fidélité estimée du test au complet et  est la fidélité d'un demi-test (dans le cas de la méthode de bissection : la corrélation entre les scores de chacune des moitiés de test).

Un simple réarrangement de la formule de Spearman-Brow isolant  permet par ailleurs d'estimer quel facteur d'allongement conduira à un degré souhaité de fidélité :

.

Enfin, la formule de Spearman-Brow exprime formellement la fonction croissante monotone non linéaire qui relie la fidélité d'un test au nombre d'items qui le composent.

Postulats
La formule de Spearman-Brown offre une estimation valide de la fidélité d'un test dont le nombre des items a été modifié dans la mesure où les items ajoutés ou retranchés sont parallèles à ceux compris dans le test de départ. Cette exigence du parallélisme est une condition d'utilisation commune des techniques développées dans le cadre du modèle de l'erreur de mesure.

Références
.
.
.
.

Notes

Voir aussi
Psychométrie
 Formule 20 de Kuder-Richardson

Psychométrie
Statistiques

redpajama_set_name: RedPajamaWikipedia


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If you think available file transferring tools are adequate, let me ask you if you work much with video? S-L-O-W.
Since becoming a proud papa, I now take and share more photos and videos than I ever dreamed. I have some family that insists on using WhatsApp, others DropBox, still others Google Drive. I'm constantly shuttling media between applications and devices – and I need transfers to be smarter and faster.
Sign up with email or a Facebook account and you're ready to accelerate your transfers into warp speed. What's more, Uncord aims to protect your privacy; your information isn't stored on their servers or relayed elsewhere.
Dissatisfied with current file transferring services? Visit getuncord.com and become a tester.
I'll save the bulk of my outrage for a more suitable space and say that the behavior of big banks appalls me. I've been eager to see an alternative to the familiar players emerge – a bank that doesn't impose extortionist fees (until forced by law to alter policy), doesn't aid and abet global financial meltdowns. A bank that makes routine banking easy without sneaky fees or shenanigans.
BankMobile, as the name suggests, is a mobile bank, one that doesn't charge any fees and that pays a higher savings rate than top banks. No branches, no bureaucracy, and – in case you missed it or don't believe it – no fees!
Camera-driven banking allows individuals to set up an account through the BankMobile app by photographing their driver's license. Deposit checks and pay bills using photos as well. Send money to family and friends via email address or cell number.
Slick technology allows you to view your account with a 4-digit pin, while you can unlock or lock debit cards with a swipe.
Anyone else not buying the line that secure banking and easier banking are incompatible? Lead the way, BankMobile. Along the way, we'll enjoy using ATMs without paying fees for withdrawing cash and delight in greater freedom to bank where we please.
Ready to put your bank in your pocket, on your phone? No amusement park line or drive through necessary. Dash over to bankmobile.com to learn more.


A study of how impression and literature work together within Virginia Woolf's work to define her literary impressionism.
Veyna, Alejandra, "Virginia Woolf and Literary Impressionism" (2014). Scripps Senior Theses. 440.


text:
Baker and the Browns look to be Giant-killers on Sunday
After spectacular shootout vs. Ravens, they can't afford a stumble in New York
Cleveland Browns quarterback Baker Mayfield throws before an NFL football game against the Cincinnati Bengals, Sunday, Oct. 25, 2020, in Cincinnati. (AP Photo/Michael Conroy) (Source: Michael Conroy)
By Tony Zarrella | December 16, 2020 at 4:47 PM EST - Updated December 16 at 4:53 PM
CLEVELAND, Ohio (WOIO) - Two first-year head coaches. Two 38-year olds from Philly. And yeah, Kevin Stefanski and Joe Judge know each other.
"We crossed paths years ago," Stefanski said, referring to the Giants head coach. "Played with his brother Jim in high school. Great person. I've been able to follow Joe's career. Kind of had different paths. He went to college, made his way up to New England, and has three Super Bowl rings to show for it."
Stefanski says no decision yet on TE Austin Hooper (neck), who will practice today, but "he's trending in the right direction"
— Tony Zarrella (@Tony_Zarrella) December 16, 2020
Well, a Super Bowl ring is a long way off for Judge and the Giants. They started their season by losing seven of their first eight, but now, like the Browns, have won four of their last five. In the the pathetic NFC East, that means they're still in the hunt, and this game suddenly looks a bit tougher than it did two months ago.
"They play hard," running back Nick Chubb said. "They're a very physical bunch. They play extremely hard, they play for each other. We know they're a great team, no matter what their record says."
Mayfield on @obj missing out on game vs. Giants: "Yeah, I'm gonna talk to him this week for sure. This one would have meant a ton to him, not in a revenge way, but ... it means a lot. We're gonna play for him" #Browns
We'll also have our franchise quarterback. The Giants? Maybe not.
Daniel Jones is dealing with another leg injury, meaning we could see our old friend Colt McCoy.
But I'm not worried about their offense. And the Browns have proven they can hang with, if not beat, anybody. They just can't afford to stumble now.
"Every single game is the most important one," Mayfield said. "We have a big-picture mindset, but the singular focus is just so vital right now to get into the postseason playoff race. We know we have to take care of business this week."
Tony Zarrella
Drummond has 33 points, 23 boards as Cavs top Knicks 106-103
"He was awesome"
Cleveland Heights native and Chiefs TE Travis Kelce admits 'I'm the enemy' ahead of Browns game
Celebrate ahead of the Cleveland Browns playoff game with a drive-thru rally at FirstEnergy Stadium
Browns activate Joel Bitonio from COVID-19/Reserve list
Former Ohio State Head Coach Urban Meyer takes over Jacksonville Jaguars


Ken and Shirley DeVore, Rockwood recently celebrated their 50th wedding anniversary. The couple was married by Rev. Carlson at the Lutheran Church in Friendsville, Md. on July 2, 1954.
The former Shirley Harned is the daughter of the late Robert and Eva Harned of Ursina. She retired in 2000 after 24 years in the Somerset County Bureau of Elections Office in the Courthouse. She served 14 years as the Chief Clerk of Elections for the county.
In retirement she enjoys gardening, sewing, crafts and spending time with her grandchildren.
Ken is from Rockwood and is the son of the late Oscar and Kathryn DeVore. He is retired from Columbia Gas Company where he served as a customer serviceman for 36 years.
Ken enjoys gardening, hunting, fishing, helping out with the local scout troop and spending time with the family.
The couple has two children. Ed, married to the former Pernelle Hoenke, Friedens and Tim, married to the former Heidi Wolk, Rockwood. There are three grandchildren.
Their anniversary was celebrated with an open house at the Rockwood Mill Shoppes. A dinner with family members followed at Oakhurst Tea Room. Ken and Shirley also took a trip to Hawaii with family members.


For more than 20 years Adobe's Flash Player has played a pivotal role in helping to advance the boundaries of what is possible within the presentation of interactive and creative web content. Changing the world through digital experiences is our company's mission statement, and core to this vision has been the invention of technology formats and standards where none previously existed.
Today we announced, with the support of many of our technology partners including Apple, Facebook, Google, Microsoft, and Mozilla, that Adobe plans to end-of-life the Flash Player by the end of 2020. The significant progress that has been made on the open web in terms of standards, capabilities, and maturity makes us feel confident that these factors will soon come to provide a viable alternative for Flash content in the browser moving forward.
Adobe remains committed to maintaining our leadership position in the development and advancement of web standards. Our continued contribution to the HTML5 standard and WebAssembly Community Group will include a focus on the underlying technology that will be necessary to support large scale web conferencing from within the browser in the future.
Adobe and Macromedia provided innovation to the web, through browser plug-ins, before the underlying web standards could support the interactivity and creativity our digital media publishers and consumers craved. By the end of 2020, we firmly believe that all of these required media capabilities and standards will be widely deployed and natively available to users within browsers.
That being said, there is still uncertainty on the timeline for when these open web standards will mature to the point where they can support the one-to-many real time communication with video and voice that is central to Adobe Connect users' everyday workflow.
In order to navigate the sea change currently at hand, we are releasing Adobe Connect 9.7, which will offer users a standalone executable desktop application completely independent from the Flash Player in the browser. With this desktop application in place we will be simultaneously pursuing the creation of a native web-application. This version of Adobe Connect is currently being developed and tested in a private beta environment and it will ultimately come to take full advantage of the evolving open standards of tomorrow.
This two-pronged approach will ensure users are able to enjoy the rich features of Adobe Connect with seamless entry to meeting rooms through the 9.7 desktop application while we simultaneously move the product, and the necessary underlying web standards, towards supporting browser-based web conferencing with full feature parity to today's product.
As an additional resource we have prepared a brief FAQ specific to Adobe Connect to help provide additional context and information on what today's Flash announcement means for our end users. Be sure to keep an eye on this blog topic moving forward as we will continue to share updates on our expansion of the HTML5 beta program and more news on product releases that leverage open standard web technology.
How will this affect Adobe Connect's learner module? Specifically, the curriculum that is running entirely within the Flash environment?
The curriculum object won't be affected in 9.7, though it will eventually be transitioned to HTML. The homepage in 9.7 which includes the training you've been enrolled in as well as a Training Catalog for open enrolment has been converted to HTML. All functionality has stayed intact (in fact, some new features around filtering and accessibility have been added).


text:
Q: Count distinct records from child table for each user in MYSQL I have a competition which counts how many species each user has collected.
this is managed by 3 tables:

*

*a parent table called "sub" with collection,each collection is unique, has an id and is associated to a user id.

+----+---------+
| id | user_id |
+----+---------+
|  1 |       1 |
|  2 |      10 |
|  3 |       1 |
|  4 |       3 |
|  5 |       1 |
|  6 |      10 |
+----+---------+

*the child table called "sub_items" contains multiple unique records of the specs and is related to the parent table by the sub id to id.(each sub can have multiple records of specs)

+----+--------+---------+--+
| id | sub_id | spec_id |  |
+----+--------+---------+--+
|  1 |      1 |    1000 |  |
|  2 |      1 |    1003 |  |
|  3 |      1 |    2520 |  |
|  4 |      2 |    7600 |  |
|  5 |      2 |    1000 |  |
|  6 |      3 |      15 |  |
+----+--------+---------+--+

*a user table with associated user_id

+--------+-------+--+
| usename | name    |
+---------+-------+--+
|      1 | David    |
|     10 | Ruth     |
|      3 | Rick     |
+--------+-------+--+
i need to list the users with the most unique specs collected in a decsending order.
output expected:
 David has a total of 2 unique specs.Ruth has a total of 2 unique specs.

+--------+---------+
| id     | total   |
+----+-------------+
|  David |    2    |
|  Ruth  |    2    |
|  Rick  |    2    |
+----+-------------+

so far i have this,it produces a result. but its not accurate, it counts the total records.
im probably missing a DISTINCT somewhere in the sub-query.

SELECT s.id, s.user_id,u.name, sum(t.count) as total
FROM sub s
LEFT JOIN (
    SELECT id, sub_id, count(id) as count FROM sub_items GROUP BY sub_id
 ) t ON t.sub_id = s.id
 LEFT JOIN user u ON u.username = s.user_id
 GROUP BY user_id
 ORDER BY total DESC

i have looked at this solution, but it doesn't consider the unique aspect

A: You'll first have to get the max "score" for all the users like:
    SELECT count(DISTINCT si.id) as total
    FROM sub INNER JOIN sub_items si ON sub.id = su.sub_id
    GROUP BY sub.user_id
    ORDER BY total DESC
    LIMIT 1

Then you can use that to restrict your query to users that share that max score:
SELECT u.name, count(DISTINCT si.id) as total
FROM
    user u
    INNER JOIN sub ON u.usename = sub.user_id
    INNER JOIN sub_items si ON sub.id = su.sub_id
GROUP BY u.name
HAVING total =
    (
        SELECT count(DISTINCT si.id) as total
        FROM sub INNER JOIN sub_items si ON sub.id = su.sub_id
        GROUP BY sub.user_id
        ORDER BY total DESC
        LIMIT 1
    )

A: this worked for me, i have to add the
COUNT(distinct spec_id)

to the sub-query
SELECT s.id, s.user_id,u.name, sum(t.count) as total
FROM sub s
LEFT JOIN (
    SELECT sub_id, COUNT(distinct spec_id) as count FROM sub_items group by sub_id
 ) t ON t.sub_id = s.id
 LEFT JOIN user u ON u.username = s.user_id
 GROUP BY user_id
 ORDER BY total DESC


text:
Home/Sports/Awkward chats, payoffs and WhatsApp
Awkward chats, payoffs and WhatsApp
Emma BowmanOctober 6, 2022
We're approaching the time in the European domestic season where clubs start to think seriously about their future direction. The English Premier League is well known for "sacking season" — a glut of managerial movement which can occur any time from September until late November in the run up to the January transfer window.
Already this season, three Premier League managers have lost their jobs: Thomas Tuchel (Chelsea), Scott Parker, (Bournemouth) and, last week, Bruno Lage (Wolves.) Last season, a record was set in the English top flight when Manchester United's Ole Gunnar Solskjaer became the sixth boss to be sacked by Nov. 21.
European clubs aren't averse to an early sacking either, with Domenico Tedesco leaving German Bundesliga side RB Leipzig on Sept. 7 to be replaced a day later by ex-Borussia Dortmund head coach Marco Rose, who had lost his own job over the summer. Meanwhile, sources have told ESPN that Spanish LaLiga side Sevilla have reached an agreement with former boss Jorge Sampaoli to replace Julen Lopetegui and Bayer Leverkusen sacked manager Gerardo Seoane to bring in Xabi Alonso.
Sometimes it's an easy decision based on results; sometimes it comes out of the blue completely. But what goes into the decision to sack a manager or head coach? Someone who has been there and done it is former sporting director of Monaco, Tor-Kristian Karlsen. Here, he answers some of the key questions over how a club chooses to part ways with the person in charge.
– Stream on ESPN+: LaLiga, Bundesliga, MLS, more (U.S.)
Q. Already we've used the terms "manager" and "head coach" … What's the difference between them? Is there a different protocol for sacking each one?
A. Manager is the traditional British definition of an all-compassing, omnipotent figure who would typically be in charge of all matters related to the sporting side of a football club. From the running of the academy, to scouting and recruitment, the medical department through to the daily preparation, coaching, composition of the first team, the manager would have the final say — or exercise a strong influence, at the very least — in all matters.
Tor-Kristian Karlsen is a Norwegian football scout and executive and is the former chief executive and sporting director at AS Monaco. He will write regularly for ESPN on the business of soccer and the process of scouting.
Often exemplified by long-reigning figureheads such as Sir Alex Ferguson (Manchester United) and Arsene Wenger (Arsenal), the manager is arguably on the verge of becoming obsolete as most clubs — even in the U.K. — are adopting a more diversified approach in which most of the non-training ground/matchday responsibilities are taken by a sporting director.
A head coach tends to work under (or with) a sporting director and is generally tasked with matters related to coaching the team, such as preparing and picking the side for matches and leading them during games. Though hybrid versions of the role also exist, the head coach usually focuses on the tactical aspects around the first team, while they rarely get involved (though are often consulted) on financial or strategic matters.
On a structural level, a manager usually reports directly to the owner/board, whereas the head coach in most instances reports to the sporting director. In the event of a sacking, the process doesn't necessarily have to differ, with the exception being that the sporting director may be the instigator and the deliverer of the bad news to the head coach, while the owner or chairman may break it to the manager.
Editor's note: For the rest of the piece, we shall refer to the position as head coach to avoid confusion, unless talking about a specific example of a manager.
Chelsea sacked Champions League winner Thomas Tuchel last month, citing that it was the right time for a change of direction. Jurij Kodrun/Getty Images
Q. What are some of the reasons why a head coach and club will part ways? Is it always just about results?
A. While poor results are the most common catalyst of a sacking, there can be other reasons for an early goodbye, such as a lack of alignment with the club's overriding sporting structure — a reason most recently trotted out by Chelsea about the surprise removal of Tuchel.
Manchester City parted company with Roberto Mancini in 2013 as they favoured a more "holistic" approach to their sporting structure; the Italian had enjoyed a role more akin to the manager prior to the arrival of sporting director Txiki Begiristain, but was practically demoted to the status of head coach during his final season before being replaced by Manuel Pellegrini.
A clash of personalities or a failure to sing from the same hymn sheet — like Parker's repeated public complaints over a lack of transfer funds at Bournemouth — may also contribute. That said, if the results are satisfactory then internal disagreements or a lack of rapport between key decisions-makers are often glossed over. The real tensions come to the surface after a few defeats.
Q. How long can it take to come to a decision? Who is involved in making that decision and who makes the final call?
A. In reality, the evaluation of a head coach's work is a continuous, permanent process. After a four or five-game run of poor results, doubts start to manifest and unless the club have a particularly patient owner or sporting director who appreciates that carrying out a long-term strategy entails ups and downs, then things can happen quickly.
With the financial repercussions of missing targets such as qualifying for the Champions League or avoiding relegation being so vast, tough decisions are never far from the table. In today's environment of wealthy, hands-on owners, who often originate from a culture or business climate far removed from football, it's often the people who pick up the bills (and who, in the end, will have to cover the compensation fees or severance payments too) that make the final call.
In certain cases the sporting director would be consulted and may even recommend a change — though few sporting directors have the mandate to see through the process — but it's normally discontent at ownership/boardroom level that sets the ball rolling.
Q. Do players ever get involved? If so, how and why?
A. Players at a club rarely get directly involved in the evaluation of their boss. It's beyond their brief to appraise their own leader and encouraging them to voice their concerns — though some modern head coaches are happy to receive feedback under their own initiative — could send a signal of doubt which in turn may affect the results or focus. However, the rapport between the head coach and players is subject to continuous observation and there are multiple ways of handling this in a less obvious manner.
Exceptions do happen and there have been instances where a player (or their agents) have enjoyed a close relationship with the senior leadership of a club and, as a result, have helped plot the head coach's downfall. Of course, such a setup is clearly not a healthy one and undermines the club's entire chain of command.
Craig Burley debates how Graham Potter will handle Chelsea's senior players.
Q. Do clubs ever make the decision in the boardroom and then not tell the manager until the end of the season? Does it ever get awkward?
A. It happens. At times a head coach's position is even less secure than it transpires from the outside. If a season peters out into a disappointing lower-midtable finish, or certain objectives haven't been reached despite staying clear of relegation, then clubs can find themselves actively looking to revamp the coaching team for next season as early as February or March.
Such circumstances constitute a particularly delicate "hidden transition" for the club's key decision-makers. The sporting director — who is typically responsible for succession planning and generally the closest ally of the head coach — will have little option but to play the acute balancing act of convincingly supporting the current incumbent while covertly (the process should only be shared with a select few within the club's top hierarchy) looking for their replacement.
In such circumstances there's often an eerie atmosphere at the club as an air of suspicion spreads. Questions may be asked as to why the sporting director is flying to meetings across Europe at unprecedented rates? Or suddenly becoming unrecognisably elusive? All the while, potential new candidates are continuously linked in the media — often by agents as it's virtually impossible to keep a lid on a search which involves sounding out multiple candidates.
This double act is one of the less attractive aspects of the sporting director's brief and one which entails moral dilemmas as well as practical implications. But it is sometimes necessary to achieve the goal of having a new coaching team in place for the new season.
Q. How does the termination conversation go? What sort of things are said and, in the modern world, is it always done in person?
A. While having to inform someone they've lost their job is never pleasant, most experienced head coaches have either previously gone through a similar drill, can see the writing on the wall, or stoically accept that being let go is a part of a cut-throat industry.
Others, however, when the termination comes out of the blue, can be rather emotional. No two such meetings are ever the same; some take it personally and will refuse to say a word before a legal advisor has been consulted or called to the scene, while others simply feel relief at being put out of their misery.
Whereas most clubs have the class and decency to break the news in a scheduled meeting, one does hear of head coaches who have been informed via email or other means. In one recent example, one top league head coach was relieved of his duties and told not to report for work via a WhatsApp voice message.
Ole Gunnar Solskjaer says farewell to the fans of Manchester United after departing as manager.
Q. They get a financial payoff/settlement though, right? Is it usually the length of their contract or a set amount?
A. It varies. While some managers already have their termination terms clearly outlined in the contract, others will rely on their legal advisors to thrash out a deal or insist on being paid for the remainder of their contracts (where they will be put on "gardening leave" until a settlement is reached.)
To give you some idea of figures for the big-name bosses, Manchester United's accounts showed that Jose Mourinho received around £15 million when he was sacked in December 2019, while Chelsea spent around £26m on payoffs to Antonio Conte and his backroom staff, alongside legal expenses, to sack him in 2018. Clearly, those figures are a loss less the further down the football pyramid you go.
National labour laws may come into play as an outright sacking without a due process can get clubs into trouble in certain countries, though few cases reach a court as head coaches tend to favour a termination settlement at the point of departure. Partly in order to negotiate a one-off lump sum, partly so things don't drag on, and partly to not hinder any future opportunities that arise.
Q. Once they've been sacked, do they have to sign agreements to stop them writing a book? Or telling reporters all about how it happened?
A. Most high-profile coaches would let their legal advisers work out the settlement with the club's chief executive once their fate has been decided. There's usually an embargo which restricts them speaking out before a certain time period has passed, while in some countries clauses preventing a book deal or warts-and-all interviews are entirely possible. However, such clauses can be overlooked amid the honeymoon atmosphere when they arrive and are later used as a bargaining chip at termination.
In these days of leaks and media briefings, the truth often reaches the public domain in one way or the other. But in general terms it's rarely in the interests of a coach's future job prospects to be too vociferous about a past employer.
Q. Do clubs have a list of possible replacements lined up already? Does the availability of unemployed managers play a factor in speeding up a decision? And if it's amicable, can a manager ever help find their successor?
A. As disloyal as it may seem, most top clubs tend to keep a watchful eye on up-and-coming head coaches even in the absence of an imminent change. It's a sensible business practice for such a key position as you can never tell when your own promising employee may have their head turned by a bigger, wealthier and better club. Preparation is paramount. At the top end, the availability of a long-desired candidate may potentially trigger early action, but in a well-functioning, stable club which cares about its employees and reputation, it would take something extraordinary to try to fix something which isn't broken. Absolutely no-one comes with a guarantee of success.
Amicable exits do happen, but discussing potential successors isn't a scenario any of the parties would entertain unless they are retiring (as Sir Alex Ferguson did with David Moyes at Man United in 2013 — though that didn't work out too well in the end!)
Football is an emotional business and a sacking can be compared to the ending of a troublesome marriage, so neither the club nor outgoing head coach would be in the right state of mind on the back of tiring, all-consuming days to focus on anything other than untangling the relationship with the minimum of aggravation. Besides, would it really be in the interest of the outgoing boss to recommend someone who's likely to make an instant or lasting improvement?
https://www.espn.com/soccer/soccer-transfers/story/4761733/how-clubs-sack-a-boss-awkward-chatspayoffs-and-whatsapp Awkward chats, payoffs and WhatsApp
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text:
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Gymnopédies No. 1 – Another Woman – Music Of Woody Allen Films
January 8, 2018 1 Comment
Music Of Woody Allen Films – an irregular feature about the musical compositions that have helped to make Allen's films sing.
Woody Allen is so reliant on American jazz in his films, when he moves away from it, it always feels like a big change. But in the late 80s, Allen was desperate for change, from his comedy roots. With 1988's Another Woman, Allen made his most personal effort to change his image to audiences. And he opened the film with the work of the French avant-garde – Gymnopédies No. 1 by Erik Satie.
Erik Satie is definitely not American Jazz. He was a French avant-garde composer, born in 1866, and lived in the time that Allen's characters would travel to in Midnight In Paris – where music, literature, art and culture were all thriving. Although in his early years he was a failure. Having tried performing piano and going to music schools, he found that perhaps he could earn a living writing for others. The Gymnopédies were his first major works.
That unusual title refers an Ancient Greek dancing ceremony. Although it is unknown if Satie really took that meaning for his title, and if he just simply liked the word as it sounded like a musical term. Satie was an eccentric to say the least – he wore the same clothes for most of his life, he lived in the same apartment, and had crazy habits like only eating white foods (apparently). There are so many weird and wonderful stories.
Musically, at this time, Satie stripped it all back. Unusually minimal, and rigidly structured, Gymnopédies was a haunting, unusual work – even to this day. Every note counts, and the stillness and the space are part of what makes the music. He was looking for what he called a "New Simplicity". Seeing the sheet music for Gymnopédies, it is easy to see the piece as mathematical and ordered. It was also free from previous conventions of romantic music. Like it's title, it was something new.
That stillness is reflected in Marion Post, the lead character in Another Woman, played by the incredible Gena Rowlands. In a far cry from the zany Chaplin-esque characters that led Allen's comedies, Post was an intensely quiet, intensely private person, on her way to a breakdown. She has pushed away her loved ones for a life of rigid stillness. And Gymnopédies is her theme, used in several important moments in the film.
For many years, Allen has said the character that most reflects him in all his films is Marion Post. In her, he put all his anxieties of getting older (and specifically turning 50), his family, having children, and more. And it's easy to see Marion in Allen, in particular Allen at the time.
By the late 80s, Allen was at his most reclusive, and eccentric. He had given up interviews, appearing in his films, or making any concessions at all. He was starting to abuse his full creative control – reshooting, recasting and rewriting films at a whim, in the middle of production, costs be damned (up to a third of Another Woman was finished in reshoots). His life was rigid schedule, working with the same people, eating at the same places – and getting smaller.
It is the dichotomy of Allen's work that it veers from loose and freewheeling (like his much loved New Orleans jazz) to minimal and avant-garde (like this, and his future work with Phillip Glass). That tension between wild comedies and cold dramas that define Allen's career. It is also roughly reflected in Allen's American tastes (Bob Hope, etc) and his European (Ingmar Bergman, etc).
Who knows what Satie would make of Gymnopédies today, which is used as new aged relaxation music (thanks to more than a century of watered down imitators). He would go on to make much more daring and experimental work. It's really a shame that Gil did not bump into Satie as well with Gertrude Stein in Midnight In Paris. His story, and his personality, is a biopic in the waiting. Gymnopédies would be only the first act.
One other connection between Satie and Allen. In Everyone Says I Love You, Allen's character rents an apartment pretty much across from the place where Satie's famous flat in Montmartre, where he live for most of his life, alone and with no. I store ever.
There are a million versions of this piece. In film, along with Another Woman, there is a great use of Gymnopédies in the wonderful film Mississippi Grind. Well worth checking out.
Read the entire series on the Music Of Woody Allen Films.
Another WomanBob HopeErik SatieEveryone Says I Love YouGena RowlandsGertrude SteinGymnopédiesIngmar BergmanMidnight In ParisMississippi GrindPhilip Glass
Woody Allen Looking At Film Set In Sweden
Magic In the Moonlight Website Launched
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Sandy Bates says:
This is a great post. In my opinion, the most effective way to increase the intensity and seriousness of a film is to have the piano accompanied by very few instruments, or best, just a solo piano. Its as if the solo piano, being played by itself, isolated, with no other instruments reflects the loneliness and isolation of the character as well. Like no other instrument, the solo piano really compels the listener to take an introspective examination of their own quandary. I'm a big Dudley Moore fan. We lost that guy way too soon. He was a remarkable pianist and I always hoped he would work with Woody one day. Dudley sure could "tickle the ivories."
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Roger Ashton-Griffiths was born on 19 January 1957. He appeared in You Will Meet A Tall Dark Stranger.
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i got my pc in i5 processes, 8gb RAM, and intal GPU SO I will able to gta 5 game?
Is that the Intel iGPU? It will not be a pleasant experience if you run it off the iGPU.
It will be playable in crappy settings from anything HD 4000 on up.
Broke something in the process of taking the video cable out of the screen. Need urgent help!
When i attached usb mouse or dongleto my asus x54h laptop then it just supply power and no driver installation process start.
what happen if I shut down the PC when reset process in going on?
What sort of laptop spec will be best for image processing?
I can't access to Windows.Just Dell logo appears and reboots...this process keeps happening..


This is just something I have been thinking about lately, as a mom and as an American. We have so much stuff! If one is good, then 10 must be better...but you know what, maybe none is better. I have been thinking about how much stuff we have around our house, how we accumulate it and what that is teaching Ruby. This picture is a great example of how this happens. Over the weekend, I took Ruby to Trader Joe's and when we went through the checkout, the cashier offered Ruby some stickers and I said it would be fine. I have to stop for a minute and say that this post is not attempting to say anything against TJ's, you know that I am a loyal fan. Anyway, she ended up with six stickers, which she quickly stuck to her shirt and then later to the bathroom cabinet, before they got thrown out. The thing is, she would have been just as happy with one sticker, just like one birthday present would be enough. It seems we are training our children from an early age that they should have a lot of stuff. I think next time I'll just ask for one sticker or if I'm brave enough, I might even pass, what do you think?
Great post. I wonder about this often as well, but I also think about what it would mean for my child to be raised so 'differently' from others...like if she only got one sticker or no sticker when all other kids got six. Does it help her to create a lifestyle that hopefully more people will follow, or does it outcast her and make her unable to cope with the society that will be surrounding her?
Beth, I love that you think on this......it is definitely something to consider. A while back a friend who was going on a mission trip asked for clothes, particularly dresses for sunday school for little girls. I thought, how great! My girls can go pick a dress each from their closet to pass on to someone in need. I really wanted this to be a lesson for them but guess what? As we stood in the closet, I was humbled to discover that it was my own attitude that needed adjusting. I kept hoping they wouldn't pick the cutest dresses!!I was also humbled to discover that while we were giving a dress to a little girl so that she could have ONE dress to wear on sundays, my girls had SEVERAL! When we talked about why we were doing what we were doing, my girls amazed me even more, they not only pick their favorite dresses but they wanted to pick more! How could I say no? I was so thankful to God for that experience.
I think it is very wise of you as a momma to consider such things.
We have a friend who has parties for their little girl and ask that if people want to bring gifts they should bring them for the local shelter. Their daughter gets to keep one gift on her birthday and then they make a fun outing to the shelter where she gets to give the rest to others who have needs.
As far as the sticker.....I try to find ways to bring God's word into every part of our lives and I suppose having one or none would teach self control. I try to gauge what is going on in my kids lives, for instance, if they start asking for things when we shop (gum, cookies, dolls, even free stickers or balloons), instead of being offered things, then I stop allowing them to have them for a bit. I think it is good to help them learn that life is not all about instant gratification, delayed gratification or even gratification at all.
I just realized this is a terribly long-winded post. Sorry, I love to consider things about raising my children and teaching them about our Saviour.
Oooops, totally wa signed in to my Military MOPS account when I posted.
so hard, i know! i'm naturally a bit of a packrat, but having five kids has partially cured me of that.
i find that i just get really TIRED of all the stuff we seem to accumulate, and the fact is that the kids' birthdays, and Christmases, keep coming. SO i try to pare things down.
i'm all about simplicity and really, children just do not NEED all the things we think they do. i so want to cultivate contentment in my kiddos but i know it has to start with me.
anyway, such good things to think about. and ruby is aDORable!!!! miss you guys!
I keep trying to remind myself- "Less is More".
Great thoughts everyone, this is why I wanted to post about it. It's nice to have people affirm, but also push back. Tracy, I think you make a very good point and I do think we have to think of social ramifications. In the case of the stickers, she had no one to compare to. If she were to have friends over and they complained that she didn't have enough toys, then I would be ok with that. When I was a kid, I always had apple slices and my friends had fruit snacks, I was jealous and even embarrassed sometimes, but I grew up a very healthy eater and I'm pretty sure I'm not socially scarred. I think thoughtfulness trumps avoidance or being extreme.
Find here free b2b directory for your kids clothing business. This directory helps you to find out suppliers and manufacturers from all over world.
she will learn a lot of that herself, too. Kyle used to like getting a balloon at the grocery store. they give them out to kids, and they're just regular balloons with helium. so they last less that a day. Kyle doesn't want them anymore - why get one if it won't last? and i could apply that to sooooo many things!


Thomas, Sr., Eddie 2/4/2019 Jackson Eddie Thomas, Sr. passed away on 2/4/2019, at the VA Hospital in Ann Arbor, MI. Visitation 2/15/2019 at the House of Johnson Funeral Home at 235 W. Prospect, Jackson, MI. from 2-8pm. February 16, 2019, Family Hour 11:00am. Services following at 12:00pm. Second Missionary Baptist Church 304 E. Prospect, Jackson, MI.
"To the entire Family, My sincere condolences to each of..."
"My condolences to the family of Eddie Thomas Sr.. God..."