Pixel Toys raises the bar for real-time PVP battle games on mobile with stunning 3D graphics and innovative AR features.
Warhammer Age of Sigmar: Realm War will debut for mobile and tablet devices this autumn/fall. Players will experience the thrill of action packed fantasy combat in a whole new way, truly bringing the Warhammer miniatures to life as never before.
fandomfare gaming – Pixel Toys announced today that Games Workshop's Age of Sigmar universe will be brought to life in video games like never before. Launching later this year, Warhammer Age of Sigmar: Realm War is a new real-time, head-to-head battle game featuring full 3D dynamic cameras, cinematic action, intense battles and graphical detail previously unseen on mobile devices.
Players will collect and build their own unique warband decks, designed to defeat real opponents with cunning and creative strategies in this PvP action battler.
The first gameplay trailer showcasing Warhammer Age of Sigmar: Realm War'sstunning visuals and jaw dropping battles is now available at www.realmwar.comor https://www.youtube.com/channel/UCem1ZJfEn5yj_p5kCg84-zA?
"Warhammer Age of Sigmar: Realm War really feels like a leap forward in the ambitions of Pixel Toys as a developer," said Andy Wafer, co-founder of Pixel Toys, "We've built our team and our reputation around bringing our experience in console development to bear in the mobile gaming space. With our last release, Warhammer 40,000: Freeblade, we set out to create the most exciting, high impact action title for touch screen devices and now we're set to do the same for tactical action games with Realm War".
"The Warhammer Age of Sigmar universe is renowned for its elaborate and intricate character design," Wafer continued, "and our team has been working tirelessly to bring the Age of Sigmar fantasy world to life in incredible detail in a way it's never been seen before".
Realm War promises deep, involved gameplay in fast-moving & intense battle arenas which fans of Games Workshop, Real-time action Card Battlers and Strategy games alike will find instantly familiar and appealing. Players will build their own unique decks around 3 principle unit types - Generals, Heroes and Summons - and will need to tailor their tactics to meet each new challenge across the games ever-expanding universe.
Wafer added "Pixel Toys has always taken pride in being at the forefront of mobile gaming technology whether it be our early adoption of Augmented Reality or being one of the first games to make full use of 3D touch & the A9 chip with Freeblade. With Realm War we're very much still in that space with our unique AR free camera replay system which we think online content creators and casters are going to have a lot of fun with. In fact, we are keen to make Realm War a player driven game and intend to work closely with the community to build on it over time".
Since their early days as a two-man studio in September 2012, Pixel Toys has grown to fully formed development force and a real start-up success story for the Leamington Spa digital entertainment hub. Following the success of their initial release, Gunfinger, which has seen over 3m installs and the multi award winning launch of Warhammer 40,000: Freeblade in 2015, Pixel Toys continues to enjoy year-on-year growth and has plans to further expand its development team.
The announcement gameplay trailer is now available at https://www.youtube.com/channel/UCem1ZJfEn5yj_p5kCg84-zA?
Members of the Pixel Toys team will be attending GamesCom 2018 in Cologne next week so if you'd like to make an appointment to meet the team & see Realm War in action for yourself please reach out using the details below.


The Institute of Cardiology is the main Polish clinical center of cardiology and cardiosurgery with the highest reference score and ISO 9001:2000 (Quality Management System) certificate. Being a dynamically developing academic and research center, it plays an important role in postgraduate training and education in cardiology.
During the 35 years of its existence as a research centre, the Institute has contributed to the development of Polish cardiology and cardiosurgery by initiating and propagating numerous new methods of treatment and also by educating and training specialists in cardiology.
Of particular importance is the role played by the Institute as the country pioneer in introducing and propagating new methods of cardiac diagnosis and treatment. All main innovative interventional methods of non-surgical cardiac therapy now used in Poland have been introduced by the Institute of Cardiology specialists. The Institute has a long record of clinical trials conducted by this institution.
– over 2200 procedures performed by the Clinical Electrophysiology Lab.
1. Full set of biochemical analysis, also peptide hormones assays. Modern methods of drug serum consternation analysis with chromatography tests HPLC and immunochemical assays EMIT, MEIA, FPIA.
2. Modern devices for medical imaging with 384-multislice CT-scanner, Magnetic Resonance (MRI), Nuclear Medicine Imaging and ultrasound diagnostics devices.
In the Institute of Cardiology there are two intensive care units fully equipped to perform immediate resuscitation as well as extracorporeal life support. There are also interdisciplinary units like Department of Medical Biology or Department of Cardio-Oncology co-founded with the Institute of Oncology.
Institute of Cardiology is a pioneer institution on the field of Telemedicine, actively using and contributing to further development of the remote patients control in the home conditions.


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Deep Purple's 1974 albums
Buy Burn
Buy Stormbringer
In 1974, Deep Purple released their only two albums with the "Mark III" lineup, Burn and Stormbringer. With these records, the group not only replaced vocalist Ian Gillan (who quit) and bassist Roger Glover (who was fired), but also made a stylistic shift towards the popular early seventies style funk rock. Critical response to this new endeavor was mixed (Burn generally received more favorable reviews) while commercial sales remained strong for both albums worldwide.
After Gillan and Glover joined Deep Purple in late 1969, the group's popularity exploded with each of the initial three "Mark II" albums – Deep Purple In Rock (1970), Fireball (1971), Machine Head (1972) – being more popular and better received than the last. An extensive world tour in 1972 resulted in the double-live album, Made in Japan, which went on to become one of rock's highest selling live-concert recordings. The 1973 studio album Who Do We Think We Are was an instant gold record but ultimately is a less than spectacular record overall. Exhausted with the frantic pace, Gillan requested a break, but was pushed by management to complete another tour. The resulting tensions ultimately led to Gillan quitting Deep Purple in the summer of 1973, shortly followed by the dismissal of Glover.
In August 1973, former Trapeze bassist/vocalist Glenn Hughes joined the group, originally intended to take on the duo roles vacated by Gillan and Glover. However, the band came close to bringing in former Free vocalist Paul Rodgers, before he decided to start Bad Company. The idea of remaining a five-piece but with dual lead vocalists persisted and, after several auditions, the group chose David Coverdale, a then-unknown vocalist from Northeast England.
Burn by Deep Purple
Released: February 15, 1974 (Warner Bros.)
Produced by: Deep Purple
Recorded: Rolling Stones Mobile Studio, Montreux, Switzerland, November 1973
Might Just Take Your Life
Lay Down, Stay Down
Sail Away You Fool No One
What's Goin' On Here
Mistreated
'A' 200
Stormbringer by Deep Purple
Released: November 1974 (Warner Bros.)
Produced by: Martin Birch & Deep Purple
Recorded: Musicland Studios, Munich, Germany & The Record Plant, Los Angeles, August-September 1974
Love Don't Mean a Thing
Holy Man
Hold On Lady Double Dealer
You Can't Do It Right
High Ball Shooter
Soldier of Fortune
Group Musicians (Both Albums)
David Coverdale – Lead Vocals
Ritchie Blackmore – Guitars
Jon Lord – Keyboards
Glenn Hughes – Bass, Vocals
Ian Paice – Drums
The self-produced album Burn was recorded in Montreux, Switzerland during November 1973. All members of the group participated in the songwriting but Hughes was not initially given any credits due to past contractual obligations. The title track kicks things off as a hyper-paced mini-epic which frequently returns to the signature riff by Ritchie Blackmore, who later trades off leads with keyboardist Jon Lord. "Might Just Take Your Life" was the lead single from the album and it starts with Lord's sloshy organ riff before settling into a fine rock groove topped by Coverdale's soulful vocals.
On the upbeat "Lay Down, Stay Down" Coverdale and Hughes trade off lead vocals resulting in a heavy Doobie-Brothers-like song, while "Sail Away" is a clavichord-driven rocker with contrasting vocals by the two singers and a later psychedelic-type synth by Lord. "You Fool No One" features a wild drum and percussion ensemble by Ian Paice before it breaks into a pure classic rocker with some sixties influence.
The album concludes with three songs of very differing styles. The blues rocker "What's Goin' On Here" features thumping rhythms, a generous use of piano by Lord and crisp guitars by Blackmore for an overall effect that should've made this track a hit. "Mistreated" is an extended, droning song that only really comes to life later with another fine guitar lead. The odd, synth driven instrumental "'A' 200" closes things out with a rhythm making this sort of a more modern adaptation of the Jeff Beck classic "Beck's Bolero".
Burn sold over a million copies worldwide and fared well on the charts, hitting the Top 10 in the UK and the US and reaching #1 in several European countries. In April 1974, this lineup of Deep Purple co-headlined the California Jam festival in Ontario, CA, which drew an audience of more than a quarter million and was broadcast on national Television in the US.
Following another world tour, the group returned to the studio in the late summer of 1974 to record Stormbringer. Co-produced by Martin Birch, the album was recorded in both Munich, Germany and Los Angeles and it musically displays Deep Purple even more fully embracing soul and funk elements with Hughes and Coverdale exerting much more influence and Lord providing an exceptionally strong and versatile effort.
The title track "Stormbringer" opens the album strongly as a perfect junction where Coverdale's and classic Deep Purple's styles intersect. The song features heavy rhythms, judicious synths, a soaring guitar lead and doomy lyrics to make it a mid-seventies metal classic. The second track, "Love Don't Mean a Thing", offers a sharp contrast to the first with duo lead vocals and a cool, bluesy vibe overall. The next two songs are the only not to include Blackmore in composing and they show this stylistically. "Holy Man" is, perhaps, furthest away from Purple's core – a pleasant enough ballad with plenty of mid-seventies ear candy – but it sounds nothing like traditional Deep Purple. The keyboard-driven "Hold On" closes the original first side by displaying Lord's skills at both electric piano and clavichord.
Side two starts with a return to thumping hard rock on "Lady Double Dealer", along with some funk elements in the bridge. "You Can't Do It Right (With the One You Love)" is so funk that it is almost pre-disco, while "High Ball Shooter" is a hybrid of harder blues rock and soulful vocals along with a fine extended organ lead and "The Gypsy" features harmonized guitars and lead vocals. The album concludes with the straight-forward acoustic ballad "Soldier of Fortune", a quiet and haunting way to wrap things up.
Unhappy with the stylistic shifts in the band he co-founded and named in 1968, Blackmore left Deep Purple following the subsequent Stormbringer tour in 1975. Blackmore then formed Rainbow with Ronnie James Dio while Deep Purple replaced him temporarily with guitarist Tommy Bolin and recorded the forgettable Come Taste the Band. They called it quits in early 1976 and would not reunite for nearly a decade to come.
Slide It In by Whitesnake
Buy Slide It In
Whitesnake made its first real splash with the release of their sixth album, Slide It In in 1984. Although the album was far from a blockbuster hit, a second version of the album finally established Whitesnake in America and set the stage for greater future success. Under the tutelage of producer Martin Birch, the group found the perfect sound for the mid-eighties hard rock audience. However, this pivotal album for the band was actually constructed during a time of shifting personnel for Whitesnake, with lineup shifts around founder and front man David Coverdale before, during, and after the record's production.
In 1978, Coverdale founded Whitesnake as a solo project following his brief gig as Deep Purple's lead vocalist. The new band's earliest sound utilized some of the blues-rock basics of British groups years earlier. Joining Coverdale in this new band was fellow Deep Purple member Jon Lord on keyboards, guitarist Micky Moody, and a rotating rhythm section. Whitesnake's first four albums did well in the UK but failed to make any waves in the US. In 1981 guitarist Mel Galley, who had spent a dozen years with the band Trapeze, became the group's second guitarist and was on board for the recording of the 1982 release Saints and Sinners, the most critically acclaimed and commercially successful album to date.
First recorded in late 1983, Slide It In cam out as two distinct mixes, each with differing personnel. After the group's new American label Geffen objected to the "flat sounding" mix on the UK release, Coverdale fired Moody and bassist Colin Hodgkinson and had their parts re-recorded by new members John Sykes and Neil Murray respectively, before the entire album was re-mixed and re-sequenced for a U.S. release. While the newer mix was sonically superior overall, some fans lament that it diminishes the presence of Lord's keyboards and the overall bass guitar.
Released: January 1984 (Geffen)
Produced by: Martin Birch
Slide It In
Slow and Easy
Love Ain't No Stranger
Gambler Guilty of Love
Give Me More Time
Standing In the Shadow
Mel Galley – Guitars, Vocals
Neil Murray – Bass
Cozy Powell Drums
An AC/DC inspired riff and beat on the opening title song is contrasted by Coverdale's distinctly non-AC/DC vocals on this track of rock raunch to the core with not-so-subtle lyrics. "Slide It In" is really an entertaining and melodic musical showcase with a good guitar lead by Moody under an alternate chord structure. Co-written by Moody, "Slow an' Easy" is a track of pure rock drama, slowly unfolding with every note, breath, and rudimentary beat. Built on a diverse collection of guitar motifs, the track takes nearly two and a half minutes until it finally gets to the hook, which contains claps and chants, perfectly setting it up for future arena shows. Held together by Powell's precise drumming, once fully realized this song never relents from its drive, which helped propel the song into the Top 20 of the Billboard Mainstream Rock chart.
Next up in the parade of classic rock gems is "Love Ain't No Stranger", which starts with long synths accompanied by an acoustic guitar, before ultimately kicking into a steady rocker, While there are no real "power ballads" on Slide It In, the short intro verses on this track may be as close as the group gets. "All or Nothing" is pure hard rock in the spirit of groups like Rainbow, solidly built on a heavy metal riff by Galley with dramatic vocal wails by Coverdale and a consistent jam drive throughout. The fine first side closes with "Gambler", which may be the perfect Whitesnake song as a moody track with rotating riffs and great keys. Vocally, Coverdale shows much range within each verse, while the lead section contains back-to-back solos by Lord and Galley, continuing the great hard rock parade.
Unfortunately, the second side is not as potent as the first. It starts with "Guilty of Love", an upbeat rock song which was the first recorded for the album and released as a single in mid 1983. With this, the song was the only one produced by Eddie Kramer. The similarly titled "Hungry for Love" is slightly better than its predecessor due to a better rock jam by the musicians and cool bluesy riff lines by Galley and Murray. "Give Me More Time" is very melodic and well put together and sounds like it should have been a hit song. Constructed in pristine fashion from verse to pre-chorus to chorus, with a great lead section that contains a harmonized lead by Galley over wild drumming by Powell.
"Spit It Out" continues where the previous song left off, but with the sharp return to sexual gratuitousness. Still, the song is solid musically with nice mid-section built on a rapid hi-hat beat by Powell and slight guitar strumming by Galley before it explodes back for the guitar lead. The album concludes with the apt, steady, and slightly dark rocker, "Standing In the Shadow". While the track pales in comparison to songs earlier on the album, it is probably the best of Coverdale's several solo compositions on the album.
Slide It In did squeak into the Top 40 in America, while reaching the Top 10 in the UK, eventually reaching double platinum in sales. However, the personnel shifts continued as Lord joined a reunited Deep Purple and Powell joined the revamped super group Emerson, Lake, and Powell. Coverdale and Sykes later composed and recorded the blockbuster 1987 album Whitesnake, but Coverdale then fired the entire band for the more "photogenic" younger group that appeared in all the late eighties videos.
Part of Classic Rock Review's celebration o 1984 albums.
Coverdale-Page
Buy Coverdale-Page
Coverdale/Page was a collaboration featuring former Led Zeppelin guitarist Jimmy Page and former Whitesnake and former Deep Purple lead vocalist David Coverdale. The union of these two seemed like an odd one when it started in 1991, as Page was considered a top-notch guitarist for all time and Coverdale had been criticized as being a knock-off (even rip-off) of Zeppelin's vocalist Robert Plant. However, Coverdale's commercial currency was riding high at the beginning of the nineties, due mainly to the recent commercial heights of Whitesnake while Page's post-Zeppelin success had been sluggish in the 1980s, save for a brief run with The Firm.
Since Led Zeppelin disbanded after the death of John Bonham in 1980, rumors of a reunion were always present. By the early 1990s, these rumors had reached a fevered pitch and it appeared as though a reunion may finally come to fruition. However, Plant reportedly began to have reservations which ultimately nixed the plan. Because of this, many have suggested that Page collaborated with Coverdale in order to somewhat "irk" Plant, by collaborating with this "newer model" of the singer. It may have worked, as Plant expressed some derision at the guitarist's collaboration with Coverdale in interviews at the time.
The project officially began with some low grade recordings by the Coverdale-Page duo in 1991. The album tracks for the eponymous album were then recorded in several studios on both sides of the Atlantic over the winter of 1991/92. However, the album itself was delayed in post production for over a year until it was finally released in March 1993.
Coverdale-Page by Coverdale-Page
Released: March 15, 1993 (EMI)
Produced by: Jimmy Page, David Coverdale, & Mike Fraser
Recorded: Little Mountain Studios, Vancouver, Criteria Studios, Miami, Highbrow Productions, Hook City, NV & Abbey Road Studios, London, Late 1991 to early 1992
Shake My Tree
Waiting On You
Take Me for a Little While
Over Now
Take a Look at Yourself
Don't Leave Me This Way
Absolution Blues
Whisper a Prayer for the Dying David Coverdale – Lead vocals, Guitar
Jimmy Page – Guitars, Bass, Dulcimer, "Electric Dog", Harmonica
Lester Mendez – Keyboards
Denny Carmassi – Drums, Percussion
"Shake My Tree" starts things off as a very Zeppelin-esque, super-charged blues rock anthem. The song builds tension through the first two verses as Page's guitar and Coverdale's voice carry the day until a the rest of the band come in with a "fire one" approach, making this a very formidable opener. The key riff for the song had actually been developed by Page during the sessions for Zeppelin's final album In Through The Out Door, recorded in 1978. It was discarded then and even passed up by Page's mid eighties group, The Firm. The Zeppelin-esque riffing of "Waiting on You" follows with some interesting stop/start rudiments, while the drumming and bass is definitely more Whitesnake than Led Zeppelin.
Speaking of Whitesnake, "Take Me for a Little While" could have fit well on any of their 1980s albums. A very moody power ballad, with just enough arrangement pizazz to keep it from the caricature realm of groups like Poison. "Pride and Joy" is a bit more original. Conceived by Coverdale as a Dr. John-style blues tune before Page brought it to a whole new level with layered guitars and a dulcimer added on top (an instrument Page hadn't recorded since "That's the Way" on Led Zeppelin III). During the second part of the song, Page plays a much stronger electric riff, which nicely counter-balances the song's feel. "Shake My Tree" earned considerable radio airplay at the time.
Slower rock tracks also are prevalent on the album, such as the "Kashmir"-like "Over Now", which sounds like some of the tracks from Page's brief solo career. Former Montrose drummer Denny Carmassi leads a fast rock shuffle behind "Feeling Hot", while bassist Jorge Casas adds some melodic and bouncy bass to "Easy Does It". But there is no doubt that this album is dominated by the two men who give its name. "Take a Look at Yourself" is almost a love song, with measured, strummed guitars by Page, a very melodic vocal hook, and some fine wailing by Coverdale towards the end.
The album ends strong with two quality tracks. "Absolution Blues" is almost a hybrid between Pink Floyd and Deep Purple, with Page providing the fine yet vastly different guitar parts for both sides of the equation. "Whisper a Prayer for the Dying" closes with more strong acoustic guitars and bass before it rips into frenzied part with strong riffs and wailing vocals.
Despite alt-rock dominating the charts and radio at the time, Coverdale/Page initially sold strongly, peaking at #4 in the UK and #5 in the US and eventually going platinum. But the album did soon fade from view, a proposed tour was axed, and the partnership quickly dissolved after this one album. In the end, Coverdale re-formed Whitesnake and Page finally joined up Led Zeppelin front man Robert Plant in 1994 for a couple of new albums in the mid 1990s.
by Classic Rock Review with 10 Comments Album Reviews
Buy Whitesnake
Whitesnake's eponymous 1987 album bears the dual distinction of being the moment where a rock band finally reaches its full commercial promise and assures its own rapid demise. Both of these achievements could be placed on the lap of the group's founder, lead vocalist, and all-powerful decision maker David Coverdale. The band was formed in 1978 and named after Coverdale's first solo album after his short, mid-seventies gig as Deep Purple's front man. Whitesnake had increasing success with its three previous albums released in 1980, 1982, and 1984 respectively before Coverdale decided to go "all in" with the next release. After the moderate success of the group's latest album Slide It In, Coverdale teamed up with former Thin Lizzy guitarist John Sykes to compose new songs with a more aggressive, guitar-oriented sound.
With the exception of two songs that were redone from the 1982 Saints and Sinners album, Sykes co-wrote every song on the the Whitesnake album, which had its release delayed for a year when Coverdale contracted a serious sinus infection which made recording nearly impossible. However, after Coverdale recovered and completed recording, he summarily dismissed Sykes from the band. The subsequent famous music videos would feature new guitarists Adrian Vandenberg and Vivian Campbell "miming" Sykes' guitar parts. The band's rhythm section faced a similar fate, as bassist Neil Murray and drummer Aynsley Dunbar were replaced with younger, more "video friendly" players post album release and keyboardist Don Airey was never considered part of the touring band. To complete the overall lack of integrity with this album, a different version entitled 1987 was released in Europe with a different running order and two extra tracks.
The bluesy experience which made the album a good listen was discarded and leaving Coverdale in front of a hollowed out faux band to pretentiously soak in the fruits of the multi-year studio effort. The album was by far their most commercially successful and received exponential more radio play than all their previous efforts combined. However, it also alienated many of Whitesnake's long-time and loyal fans, who viewed this 1987 album as a pander to the mainstream fads of the time.
Whitesnake by Whitesnake
Released: April 7, 1987 (Geffen)
Produced by: Mike Stone & Keith Olsen
Recorded:September 1985-November 1986
Crying in the Rain
Still of the Night
Here I Go Again Give Me All Your Love
Is This Love
Children of the Night
Straight For the Heart
Don't Turn Away
John Sykes – Guitars, Vocals
Aynsley Dunbar – Drums & Percussion
The album is best known for the MTV videos which featured actress Tawny Kitaen, Coverdale's then-girlfriend who he later married. In spite of all the "style over substance" surrounding this album, it does contain some brilliant musical moments, a few of which where Coverdale does a great job channeling some classic-era Robert Plant. The opener "Crying in the Rain" was originally on Saints and Sinners, with this re-recorded version portraying a much heavier, Zeppelin-esque sound.
"Still of the Night" is the true highlight of the album, with Sykes and Murray reworking an old demo by Coverdale and Ritchie Blackmore from the Deep Purple days over a decade earlier. The song combines the blues origins of the musicians with a crisper, updated, and harder-driving sound. Coverdale's vocal call and response to the riffs are classic Page, Plant, and Jones and Dunbar's hi-hat work during the mid section is pure Bonham, making this song the 1980s heir to classic Zeppelin. Coverdale would later join up with Jimmy Page for a few albums in the early 1990s.
"Here I Go Again" was the second remake from Saints and Sinners, co-written by Whitesnake's then-guitarist Bernie Marsden. It became a #1 hit for the band in America and the peak of their commercial appeal. It was also the point at which the band truly "jumped the shark" as the song was re-recorded yet another time for a watered-down "radio-mix" version, which took away absolutely any edge left on this originally fine composition. Much of the rest of the album is unremarkable and formulaic, with the power ballad "Is This Love" also making waves on pop radio. One standout is the closing "Don't Turn Away", which is a unique rocker reminiscent to some of the band's better material on their previous album Slide it In.
That last song leaves the listener with a taste of the Whitesnake's prior potential which no longer existed even as the band was headlining arenas through 1988. More line-up changes would plague the band moving forward and even with the inclusion of top talent like Steve Vai, the band would never again reach the heights of 1987.

redpajama_set_name: RedPajamaCommonCrawl


sit upon a scarlet coloured beast, full of names of blastphemy, having seven heads and ten horns.
The beast that thou sawwest was, and is not; and shall ascend out of the bottomless pit, and go into perdition: and they that dwell on the earth shall wonder, whose names were not written in the book of life from the foundation of the world, when they behold the beast that was, and is not, and yet is.
on which the woman sitteth.
And the beast that was, and is not, even he is the eight, and is of the seven, and goeth into perdition. And the ten horns which thou sawest are ten kings, which have received no kingdom as yet; but receive power as kings one hour with the beast.
and the Lamb shall overcome them: for he is Lord of lords, and King of kings: and they that are with him are called, and chosen, and faithful. And he saith unto me, The waters which thou sawest, where the whore sitteth, are peoples, and multitudes, and nations, and tongues.
Revelation 18:1-24 And after these things I saw another angel come down from heaven, having great power; and the earth was lightened with his glory. And he cried mightily with a strong voice, saying, Babylon the great is fallen, is fallen, and is become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird.
And I heard another voice from heaven, saying, Come out of her, my people, that ye be not partakers of her sins, and that ye receive not of her plagues. For her sins have reached unto heaven, and God hath remembered her iniquities. Reward her even as she rewarded you, and double unto her double according to her works: in the cup which she hath filled fill to her double.
How much she hath glorified herself, and lived deliciously, so much torment and sorrow give her: for she saith in her heart, I sat a queen, and am no widow, and shall see no sorrow. Therefore shall her plagues come in one day, death, and mourning, and famine; and she shall be utterly burned with fire: for strong is the Lord God who judgeth her.
And the merchants of the earth shall weep and mourn over her; for no man buyeth their merchandise any more: The merchandise of gold, and silver, and precious stones, and of pearls, and fine linen, and purple, and silk, and scarlet, and all thyine wood, and all manner vessels of ivory, and all manner vessels of most precious wood, and of brass, and iron, and marble, And cinnamon, and odours, and ointments, and frankincense, and wine, and oil, and fine flour, and wheat, and beasts, and sheep, and horses, and chariots, and slaves, and souls of men.
And the fruits that thy soul lusteth after are departed from thee, and all things which were dainty and goodly are departed from thee, and thou shalt find them no more at all.
The merchants of these things, which were made rich by her, shall stand afar off for the fear of her torment, weeping and wailing, And saying, Alas, alas that great city, that was clothed in fine linen, and purple, and scarlet, and decked with gold, and precious stones, and pearls! For in one hour so great riches is come to nought. And every shipmaster, and all the company in ships, and sailors, and as many as trade by sea, stood afar off, And cried when they saw the smoke of her burning, saying, What city is like unto this great city!
Rejoice over her, thou heaven, and ye holy apostles and prophets; for God hath avenged you on her. And a mighty angel took up a stone like a great millstone, and cast it into the sea, saying, Thus with violence shall that great city Babylon be thrown down, and shall be found no more at all. And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found anymore in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of ALL THAT WERE SLAIN UPON THE EARTH.


Intoxicating night-scented jasmine, with tantalising hints of rose, orange blossom, and ylang ylang.
Category: Candles, Galán De Noche poster, La Montaña Poster.	Tags: FULL SIZE CANDLES.
Galán De Noche – A heady, night scented jasmine candle, with tantalising hints of rose, orange blossom, and ylang ylang.
In August we place a pot of Galán de Noche outside our open bedroom window. Yes, the sound of the all-night village fiestas wakes us, but the divine scent makes it worth it.
To get the most from your candle, trim the wick to 5mm every time before you light it. After burning (1-3 hours to fill your room with beautiful fragrance), re-centre the wick, if necessary, while the candle is liquid, to ensure an even burn. Never leave a lit candle unattended, or in a breeze.
Gorgeous, Delicate, Pungent….just like flowering Jasmine weaving its way through nature.
Beautiful, gorgeously scented candle, simply stunning.
Such a gorgeous floral candle with an exotic jasmine 'woosh' of a scent – I've only smelled the miniature but next time I'm treating myself, I'm buying the big one! Having bought a few previous candles from Montana I can attest that they burn slowly and fill up the room with smell.
Absolutely fantastic – what a smell! Heady, intense and makes the whole room smell wonderful. Just amazing.
The candle burns really well and slowly. Very stylish too.
I can't decide which I love more now; this one or First Light.
Delighted with the scent cards – now I can have a sniffathong and decide which candle to order next!


text:
UNDP RR & PM of St. Vincent and the Grenadines Exchange on Expanded Collaboration
UNDP Resident Representative, presents Letters of Credence to Prime Minister of St. Vincent and the Grenadines, the Honourable Ralph Gonsalves (L-R)
The Prime Minister of St Vincent and the Grenadines, the Honourable Dr. Ralph Gonsalves, received the Letters of Credence of the new UNDP Representative for Barbados and the OECS, Mr. Magdy Martinez Soliman. Mr. Martinez was accompanied by the UNDP Deputy Resident Representative, Mr. Ugo Blanco and the Head of the Sustainable Solutions and Energy Cluster of UNDP Barbados and the OECS, Ms. Danielle Evanson.
St. Vincent and the Grenadines has had a long-standing partnership with UNDP, historically focusing primarily on disaster preparedness. Currently, the programme focuses on climate change adaptation and natural resource protection including through enhancing resilience of key productive sectors such as agriculture, improving justice systems and strengthening disaster mitigation, prevention and recovery. UNDP's programmes have been supported by Japan, the United States, the Global Environment Facility and the European Union.
Mr Martinez congratulated the Prime Minister on the election of Saint Vincent and the Grenadines by the UN General Assembly, on behalf of the Latin American and Caribbean Group, as a non-permanent member of the Security Council, being the fourth CARICOM Member State and smallest country ever to do so.
Prime Minister Gonsalves and the UNDP delegation articulated the mutual desire to expand the collaboration noting key priorities relating to climate change, disasters and sustainable development. The Prime Minister shared the successes to date in leveraging over $20 million through local tax reforms toward a contingencies fund for risk and climate resilience, and expressed keen interest in exploring opportunities in the blue economy. The Prime Minister welcomed UNDP support in applied policy for sustainability and growth that resonates with the context and aspirations of St. Vincent and the Grenadines. He also accepted the invitation to preside over an event on citizen security later in the year, also to be accompanied by the Attorney General.
Following this audience which included the Minister of Foreign Affairs, Trade and Commerce, the Honourable Louis Straker and the Minister of Finance, Economic Planning, Sustainable Development and Information Technology, the Honourable Camillo Gonsalves, Mr Martinez met with the Attorney General and the Director of the National Emergency Management Organisation as key programmatic partners, discussing national thematic priorities and potential avenues for expanding UNDP support.
Mr. Martinez-Soliman had met the previous day with Her Excellency Mrs Susan Dougan, Governor General, where the discussion focused on issues of climate change and disaster risk resilience. He will also have encounters throughout his mission with the Minister for National Mobilisation, Social Development, Family, Gender Affairs, Persons with Disabilities and Youth; the Minister for Agriculture, Forestry, Fisheries, Rural Transformation, Industry and Labour; and the Senior Judge of the High Court.
The UNDP Head will also host a press conference for main media representatives and a discussion with the national Red Cross Society, among other civil society organisations he will meet during his maiden mission to Saint Vincent.
Goal 11 Sustainable cities and communities
Goal 12 Responsible consumption and production
Goal 13 Climate action
Goal 5 Gender equality
Goal 7 Affordable and clean energy


text:
Penner Participated in 2011 Berlin Summer Academy to Hone Teaching Skills
[by Shiela Steinman Wallace]
Dan Penner is a skilled teacher who has devoted himself to learning as much as he can about the Holocaust and imparting those lessons in Louisville to Atherton High School and Bellarmine College students.
A teacher fellow with the U.S. Holocaust Memorial Museum, he often has unique opportunies to travel and continue to increase his knowledge base. Last summer, he traveled to Germany, where he participated in the 2011 Berlin Summer Academy: The Holocaust and Present Day Jewish Life in Germany. His wife, Tami, and daughter, Naomi, traveled with him.
The program, sponsored by the Checkpoint Charlie Foundation, is designed to build U.S.-German relations. The six-day intensive addressed the past, present and future, with the majority of the program connected to the Holocaust.
"As always," Penner said, "my goal is to visit the sites where history took place, which, I feel, makes my teaching more personal and more real."
As the group explored Berlin by train, subway and bus, they learned about Jewish life before and during the Holocaust. Penner believes the program painted an honest and open picture of the events, and the program leaders were knowledgeable.
In 1933, Berlin's Jewish population was about 160,000. It was decimated during the war. Today, Penner observed, "The Jewish population has definitely increased." He estimates it has now reached about 25,000, many of whom are Russian immigrants. "There are some who returned," he noted, "but they're in separate communities. The Jewish community in Berlin has not come full circle, but the numbers are there."
The group went to the house where the Wannsee Conference was held. Details of the Final Solution were explained to Nazi leaders there, "and they went over the topography of terror." The group also visited a museum at the site of Gestapo headquarters and Sachenhausen, the model concentrations camp just outside of Berlin.
They also stopped at the Memorial to the Murdered Jews of Europe in downtown Berlin; the Jewish Museum, which tells the history of the Jews in Berlin from ancient times; and the Parliament building.
"We talked with survivors," Penner said, "and visited the site of Hitler's bunker, which is now a parking lot."
The tour covered the city extensively, and "we were learning everywhere we went," he said. "It's not surprising, but it further solidified the fact that in Berlin, there was no way people could not have know what was happening to their neighbors."
"Today," he added, "there's so much out there to remember the Holocaust, memorials, plaques and art projects. The Germans are not trying to hide anything. Everything's out there.
"For example," Penner continued, "they have little plaques on the streets that tell who lived there and where they were shipped to." Every step the Nazis took is documented, from the Nuremberg Laws "to all the little rules they enacted to make life unbearable, like taking pets away" or the prohibition on Jews from going to drug stores.
The tour pointed out the Nazis' cleverness, Penner explained. "For example, one deportation site is located in the middle of a rich neighborhood." This was done, he continued, "because if you were deported from there, you would think, 'if I'm going to this nice part of town, how can this be bad.'" Also, "very rich Jews, who thought they had the connections, were in the dark about what could happen. They thought they would be taken care of."
Penner received support from Temple Shalom's Rabbi Stanley Miles, Atherton High School and the U.S. Holocaust Museum Teacher Fellow Program for this trip.
Other Agencies


The Wonder Girls are BACK (along with that whisper). It's a great effort from the group finding a balance between being an actual instrument-playing band and their idol image which actually works. Most importantly they achieved something almost unheard of in K-pop: a pitch perfect throwback concept. That eighties electro riff is spot on.
Retro videos are a reoccuring theme this week and this super lo-fi video is probably my favourite on this list. Something about that cardboard box robot prancing around the park tickles me even if the underlying theme of the video is a little melancholy.
The song itself is a bit of a let down though, it doesn't feel like they've moved forward musically since Knock Out.
One of Korea's biggest rock bands, Galaxy Express is finally back releasing two years after lead singer Lee Ju-hyun's marijuana scandal. "It's a shame but time keeps rollin' by" is the message of the song and it's conveyed through a simple but effective video that takes the viewer on a journey through the streets. It doesn't have the energy and immediacy of some other Galaxy Express tracks like Horongbul and Oh Yeah! but it's a nice listen nonetheless.
Another group on a retro kick are B1A4 for with nice little mid-tempo RnB track. It's not ground breaking by any means but it has that sugary pop edge mixed with just enough sincerity to make it palatable that is what B1A4 fans have come to expect from the group.
Yet another throwback concept – this time it's got a cabaret feel. It's got basically everything you would expect from both acts with Solji's showing off her powerhouse vocals and Baechigi sticking with their quirky performances.
This is a nice little chill out summer from Monkeyz. Unfortunately the video doesn't do justice to the band's live performances despite being basically a live video performance. On stage they're much more energetic and upbeat and the lead singer has an infectious happiness that is difficult to ignore (especially with these dance moves).
Another one with a retro feel but this time it's more of a late 60s vibe. The lyrics have a slight surreality to them because they focus on tiny insignificant details of a long relationship which is all enhanced by the simple repetitiveness of the melody.
Here's another lo-fi video just to round off this week's very old school list. It's a simple video featuring a modern dance performance which may not be to everyone's taste but I quite enjoyed it.
That's it for this week. As always, feel free to leave your feedback and suggestions in the comments.
B-Free to BTS: Can prejudice make us lose sight of the music?
Keeping it real: What is authentic about Korean hip hop?


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Blog - Keep the Kids off the Couch during the Grand Final!
Grand Final Day is an unofficial public holiday in Australia and is a great day to get friends and family together to enjoy the match, even if your team didn't make it.
We're sure you'll be planning some great food and drinks, but have you thought about activities for the kids to enjoy on the day too?
You'll find some kids are going to want to watch the game with the adults, while others will need something else to prevent that inevitable boredom and those tiresome complaints.
No matter what your child likes, you can make the Grand Final an exciting day for all!
Make use of the quarter time and half time breaks! Get inspired, get outside and kick the footy around.
Get in the spirit and dress up in team colours. Create an atmosphere of excitment by dressing up for your team. Get out the coloured hair spray and face paints! This sure to be a hit with those who don't usually like the footy.
Teach the rules of the game. Sometimes umpire decisions can be frustrating, so help your child understand the rules.
Teach sportsmanship. This is an important life lesson for us all! We should all know how to lose gracefully and to not take it out on others.
Play some footy after the game. Head down to the local park and kick the ball around. If you've got enough people, why not play a match or get a game of King of the pack happening?
The AFL Grand Final is the perfect day to socialise with your family, friends and kids. The atmosphere is always bursting with the anticipation and excitement of the match. Involving the kids is a great way to introduce them to the sporting community.


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The Golden Gate Bridge, Highway and Transportation District voted on Friday to reaffirm a policy banning special activities on the iconic roadway. (Jessica Christian/S.F. Examiner)
Golden Gate Bridge bans roadway usage for marathons, special events
Joe Fitzgerald Rodriguez
Sep. 23, 2017 12:00 a.m.
Runners will tread the iconic Golden Gate Bridge no more — at least, not on the bridge's roadways.
A vote of the Golden Gate Bridge, Highway and Transportation District on Friday "reaffirmed" the bridge's existing policy that its roadways will not be shut down for special events like marathons or "expressive activities" like protests.
This ban on roadway use does not affect marathons that use the bridge's sidewalks.
Though this rule already existed, the bridge district granted permitted exemptions for 14 years for the San Francisco Marathon and the U.S. Half Marathon to allow runners on the roadway.
Now, with the reaffirmation of the existing rule, the district has sturdier legal ground to deny exemptions moving forward, Golden Gate Bridge District General Manager Denis Mulligan said.
Steve Miller, deputy general manager of the Golden Gate Bridge, told the Board of Directors on Friday that recent terrorist attacks using vehicles in countries like England and France drove the need to shut down pedestrian activities on the roadway.
"We know the world has changed," Miller said.
Miller was also seemingly referring to the vehicular violence at a Charlottesville, Va., protest that claimed the life of 32-year-old protester Heather Heyer on Aug. 12. "We are no longer comfortable having the event on the roadway," Mulligan said, since "vehicles are now used as weapons."
San Francisco Marathon staff and others argued that people flock from all over the world to The City for the pleasure of running across the Golden Gate Bridge.
Larry Chow, an assistant head coach of marathon runners, said, "I was born here," and enjoyed when runners from Poland told him, "'There's nothing like running in San Francisco across the Golden Gate Bridge.'"
District staff also worried about traffic impacts. Two traffic lanes are dedicated to race participants during the San Francisco Marathon with a buffer lane between runners and vehicles.
The Board of Directors, comprised of representatives from San Francisco to Sonoma counties, vigorously debated the merits of closure. Some, like local labor leader Michael Theriault, wished for the marathon to continue running on the bridge's roadways. Still, he said, "I'm not so concerned at three hours of lost traffic, but I am about safety."
Board member Gina Belforte, of Sonoma County, said that Boston did not stop running its marathon in the wake of its infamous bombing incident, and argued the district was exercising too much caution.
Board member London Breed, who is president of the San Francisco Board of Supervisors, expressed concern that directors were being asked to superfluously vote a second time to affirm a rule already on the books.
But Mulligan said that the repeated exemptions granted for various marathons spurred a need to "reaffirm" existing rules, to make ending the exemptions more legally defensible.
Mulligan also raised the stakes on the safety discussions and warned that exemptions would apply to far more entities than just the San Francisco Marathon.
"The folks like the ones planning activities in Berkeley and in Crissy Field would have the same right or the same access," he said, seemingly describing the right-wing group Patriot Prayer.
The board ultimately voted to reaffirm the prohibition, with four dissenting votes: Theriault, Belforte, Breed and Elbert Hill.
Sam Singer, a spokesperson for the San Francisco Marathon, told the San Francisco Examiner they're not throwing in the towel just yet. "We're going to continue to look for ways to work with the bridge district to try and get the race back on the bridge," Singer said. Transit
SFPD seeks help finding stolen jewelry worth nearly $1M
SF police rescue wife and kids from hostage situation, fatally shoot suspect


text:
PERVY EX-POL GUILTY – SODOMIZED GIRL, 13
By Hasani Gittens
June 18, 2004 | 4:00am
A Brooklyn jury convicted a former Democratic Party district leader of sodomizing the 13-year-old sister of his ex-fiancée – rejecting denials the disgraced official made during sworn testimony.
Anibal Ortiz, 41, faces up to seven years behind bars when he is sentenced for sodomy, sexual abuse and endangering the welfare of a child on July 29.
The girl, who is now 16 years old, took the witness stand in Brooklyn Supreme Court last week to testify that Ortiz performed oral sex on her in the Brooklyn apartment he shared with his former fiancée in January 2002.
She told the jury that her sister had gone to a church function, and Ortiz seized the opportunity to lure his young victim into the bedroom to watch a movie that turned out to be porn.
The perverted former politician sodomized her while the flick was playing, and then declared his love for the girl.
He also offered to show her an "intimate" videotape of him and her sister made while on vacation in Puerto Rico, but she declined.
The girl's sister testified last week that the porno scene was consistent with the tapes she and Ortiz owned.
An ex-cop and former district leader of the 54th Assembly District, Ortiz previously rejected a deal from prosecutors that would have landed him behind bars for one to three years.
Ortiz took the witness stand in his own defense earlier this week to deny the disturbing allegations.
"Did you ever have sexual contact with [the girl]?" his lawyer, Martin Munn, asked.
"No," Ortiz replied in a calm voice.
Ortiz also indicated that his young victim knew about the "intimate" tape because she grabbed their video camera and started watching footage of their trip.
He was arrested in February 2002 after the victim went to a school guidance counselor with her story.
Male DNA was found on the panties the girl had been wearing the day in question.
(p. 13 in metro)
MADONNA 'CALL ME ESTHER' RICKS N.Y.


Connor is a Director at BTY with 14 years of industry experience. He joined BTY in 2014.
Connor's areas of expertise include Cost Management and Project Controls services for major blue chip clients in the airport, healthcare, education, real estate and retail sectors on projects across North America and major international mandates. Connor is a member of the Canadian Institute of Quantity Surveyors (CIQS) and the Royal Institution of Chartered Surveyors (RICS).
How does BTY rank in your professional career?


As is well known, fiber cabling work like cutting, polishing, terminating is time-consuming. Is there any simple and quick method to save installation time and space for your fiber optic system? MTP/MPO cassettes can offer you an easy plug-and-play solution in high density data center.
Frequent configuring fiber optic euipment is too much trouble. Then you need adtek MPO/MTP cassettes to build interconnection or cross connection for 10G connectivity. For high-density fiber cabling system over short distance, you're suggested to use multimode type and our series rack or wall mount enclosures to get more flexibilities and meet future network growth.
As to long distance fiber cabling system, adtek offers single mode MTP/MPO cassette for fast and easy installations with its Plug-and-Play design. It allows you to quickly add new devices to your system without having to manually install or reconfigure other devices. You can also apply it with our rack mount enclosures for more efficient cable management.


Edinburgh : Printed for Archibald Constable and Co. ; London : and Hurst, Robinson, and Co., 1823.
Quentin Durward, a young Scottish archer, is sent to France on a minor mission but then becomes embroiled in the rivalry between Louis XI of France and Charles the Bold, Duke of Burgundy.
Louis -- XI, -- King of France, -- 1423-1483 -- Fiction.
Charles, -- Duke of Burgundy, -- 1433-1477 -- Fiction.
by the author of "Waverley, Peveril of the peak," &c.
Add tags for "Quentin Durward". Be the first.
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schema:publisher <http://experiment.worldcat.org/entity/work/data/574632#Agent/printed_for_archibald_constable_and_co> ; # Printed for Archibald Constable and Co.
schema:publisher <http://experiment.worldcat.org/entity/work/data/574632#Agent/and_hurst_robinson_and_co> ; # and Hurst, Robinson, and Co.
<http://experiment.worldcat.org/entity/work/data/574632#Agent/and_hurst_robinson_and_co> # and Hurst, Robinson, and Co.
<http://experiment.worldcat.org/entity/work/data/574632#Agent/printed_for_archibald_constable_and_co> # Printed for Archibald Constable and Co.
<http://experiment.worldcat.org/entity/work/data/574632#Organization/archibald_constable_&_co> # Archibald Constable & Co.
schema:organizer <http://experiment.worldcat.org/entity/work/data/574632#Agent/and_hurst_robinson_and_co> ; # and Hurst, Robinson, and Co.
schema:organizer <http://experiment.worldcat.org/entity/work/data/574632#Agent/printed_for_archibald_constable_and_co> ; # Printed for Archibald Constable and Co.


text:
Jennifer Aniston Confirms That the Friends Theme Song Is Actually the Worst
Jennifer Aniston Interview on BBC The One Show 2016
November 25, 2016 by Quinn Keaney
There are certain things that will instantly make us think of Friends (lobsters, armadillos, anyone named Phoebe), but few things about the iconic sitcom are as memorable as its theme song, "I'll Be There For You" by The Rembrandts. While you might love the catchy, clap-filled opening, there are a few people who really can't stand it: the cast of Friends. While promoting her new movie Office Christmas Party on BBC's The One Show this week, Jennifer Aniston revealed that the cast is none too fond of the song. "No one was really a big fan of that theme song," she said while noticeably cringing. "We felt it was a little . . . dancing in a pond, dancing in a fountain . . . it felt odd, but we did it." Despite dropping that bombshell, Jennifer did note that she can't help but stop and watch the show when she's flicking through channels on TV, saying, "You get sucked into the nostalgia of it." Celebrities, they're just like us.
20 Reasons Friends Always Had the Best Thanksgiving Episodes
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Matthew Perry Just Dropped a Chandler Bing Merch Collection — Could This BE Any More Amazing?
There's a Brideshead Revisited Television Remake in the Works Courtesy of the BBC and HBO
by Eve Crosbie 11/30/20
Courteney Cox Gives Fans a Thanksgiving Treat by Dancing With Her Head Stuffed in a Turkey
by Kara Kia 11/27/20
by Camila Barbeito 11/20/20


text:
numares and Oxford University sign exclusive license agreement for novel multi-marker diagnostics in multiple sclerosis
Regensburg, Germany, and Oxford, UK – October 28, 2021. Leading NMR diagnostics company numares AG today announced that the company signed an exclusive licence agreement with Oxford University Innovation. This allows numares to translate and exploit preliminary work of Oxford University on Multiple Sclerosis (MS) biomarkers for the development of an urgently needed in-vitro diagnostics (IVD) test able to detect disease progression earlier to improve patient management and outcome. The exclusive licence enables numares to further develop the biomarkers into a multi-marker based diagnostic test and commercialization thereof.
In about 85% of patients with MS, the disease initially takes a relapsing-remitting course. Most patients with "relapsing remitting multiple sclerosis (RRMS)" will eventually transition to "secondary progressive multiple sclerosis (SPMS)" with continuous worsening of symptoms. This transition occurs subtly and is difficult to define clinically, requiring retrospective evaluation of the disease course over the past 12 months. This delay in diagnosis prevents timely adoption of treatment regimens for effective patient management and improved long-term clinical outcomes.
The collaboration between Oxford University and numares began in 2017 with a common goal to validate a set of biomarkers, which had been previously identified by Oxford researchers, for detecting transition from RRMS to SPMS. This used clinical data acquired from a multi-centre cohort collected by Oxford's partners.
numares provided its proprietary AXINON® IVD System that delivers standardized Magnetic Group Signaling (MGS®) measures of metabolite levels in patient samples from Nuclear Magnetic Resonance spectroscopy (NMR). Based on such NMR data, the company develops multi-marker algorithms for several diagnostic tests, by combining relevant biomarkers into "biomarker constellations" and applying machine learning and other modelling approaches.
"We are enthusiastic to enter the next phase of the collaboration and utilize Oxford's excellent preliminary scientific work and numares' expertise for the development of an MS IVD test based on the multi-marker approach," comments Volker Pfahlert, CEO of numares. "Our mission is to improve patient care by providing better diagnostic tools to help physicians better manage their patients. This fruitful collaboration with Oxford researchers gets us closer to our mutual goal to bring first class research to the bedside of MS patients."
Professor Daniel Anthony, Head of Experimental Neuropathology Laboratory, Department of Pharmacology at the University of Oxford and lead scientist on the project, adds:
"We are very pleased to have such an experienced industrial partner in numares to commercialize our research findings as a breakthrough test, which enables early detection of the transition from RRMS stage to SPMS stage for the first time. This will have a significant impact on the care of individuals living with MS. The test opens up the possibility to monitor the condition more closely and thus improve therapeutic decision making."
The IVD development will start in 2022. In early 2021, both parties also agreed to extend their partnership for another two years and expand the approach of multi-marker use in diagnostics to the field of Alzheimer's disease.
numares AXINON® IVD System: The AI-driven AXINON® Software, in combination with advanced NMR technology, is expected to allow evaluation of a multi-marker algorithm for early detection of disease progression in Multiple Sclerosis.
Further numares' tests* can be implemented on AXINON®: e.g. to identify early kidney rejection in post-transplant surveillance, assess kidney function by improved determination of glomerular filtration rate (GFR), and determine risk for cardiovascular disease (CVD).
About Magnetic Group Signaling(MGS®)
Nuclear Magnetic Resonance (NMR) has been used as a research tool for determining the structure of chemical compounds for many years. However, in the past, this technology was too complex to be used in metabolomics-based medical research or routine diagnostics owing to technical limitations.
numares developed its proprietary Magnetic Group Signaling (MGS®) technology to enable NMR to answer demanding questions in metabolomics. With MGS®, important prerequisites like standardization and qualification can be fulfilled through technical processes and procedures. For the first time systematic processing and use of diagnostic information from metabolism is possible. Thanks to MGS®, numares' in vitro diagnostic system (IVD) AXINON® is able to generate reliable and reproducible data of highest quality – independent of the NMR device or the user. This enables fully automated analysis of patient samples without any human intervention.
About Oxford University Innovation
Oxford University Innovation is the research commercialisation arm of Oxford University, supporting innovation and entrepreneurial activities across all University Divisions. We are helping the University to create a world-leading innovation ecosystem with Oxford University at its heart.
OUI seeks partners for ideas and technology from Oxford, which we deploy through intellectual property licensing, spinout and social venture company formation, and material sales. We also provide access academic expertise for industry and other organisations through our Consulting Services team. We're home to the OUI Startup Incubator supports members and alumni of the University who wish to start or grow startups, and have created over 50 such companies since 2011. We also work with investors through our New Venture Support & Funding team, which galvanises early-stage support for world-changing Oxford ideas.
In 2020/21, we created 31 new companies based on Oxford ideas (making Oxford the most prolific creator of university companies in the UK and the US), and saw over £1.1bn invested into our companies, making Oxford one of the most attractive locations for investors looking to change the world through impactful technology.
Oxford University Innovation is the highest university patent filer in the UK and is ranked 1st in the UK for university spinouts, having created over 270 new companies since 1988.
For updates on innovations from Oxford, follow Oxford University Innovation on LinkedIn and Twitter or subscribe at http://innovation.ox.ac.uk/about/contact-us/#enquiry
About numares
numares AG, based in Regensburg, Germany, is an innovative diagnostics company that applies machine learning to metabolomics and other biomarker data to develop advanced tests for high-throughput use in clinical diagnostics. The AXINON® System employs advanced nuclear magnetic resonance (NMR) spectroscopy to evaluate metabolic constellations. Magnetic Group Signaling (MGS®) is a proprietary technology that enables NMR for highly standardized and rapid throughput testing. Metabolic tests stand as an important pillar in precision medicine to address unmet needs in cardiovascular, kidney, liver, and neurological diseases. You will find more information at https://www.numares.com/ and on our social media channels: LinkedIn, Facebook, YouTube and Twitter.
numares
Christiane Proll
Tel.: +49 941 280 949-14
E-Mail: christiane.proll(at)numares.com


Underwriting cycles are believed to pose a risk management challenge to property casualty insurers. The classical statistical methods that are used to model these cycles and to estimate their length assume linearity and give inconclusive results. Instead, we propose to use novel Time Series Data Mining algorithms to detect and estimate periodicity on U.S. property-casualty insurance markets. These algorithms are in increasing use in Data Science and are applied to Big Data. We describe several such algorithms and focus on two periodicity detection schemes. Estimates of cycle periods on industry-wide loss ratios, for all lines combined and for four specific lines, are provided. One of the methods appears to be robust to trends and to outliers.
This is an Accepted Manuscript of an article to be published by Taylor & Francis in North American Actuarial Journal, to be available online: http://www.tandfonline.com/toc/uaaj20/current.


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Bowler Off Road Ltd. ist ein britischer Kleinserienhersteller, der sich auf geländegängige Fahrzeuge für den Wettbewerbseinsatz spezialisiert hat. Wachsender Beliebtheit erfreuen sich die Konstruktionen der Firma bei privaten Teilnehmern des Africa Eco Race und der Rallye Dakar sowie anderen Rallye-Raid-Veranstaltungen, wie das Anwachsen der Zahl an Teilnehmern mit Bowler-Fahrzeugen von 8 bei der Rallye Dakar 2004 auf 21 im Jahr 2006 zeigt. Als Gründe hierfür werden zumeist die vergleichsweise günstigen Preise sowie der entfallende Umrüstungsaufwand für Rallye-Veranstaltungen genannt.

Geschichte
Im Jahr 1984 stellte Bowler seinen ersten Prototyp auf Basis des Land Rover Defender vor; zwei Jahre später realisierte er ein Kundenfahrzeug, das neben der Basis auch den Radstand von 88 Zoll (ca. 2235 mm) mit dem Prototyp gemeinsam hatte.

In den folgenden Jahren wurde dieses Grundkonzept unter dem Aspekt einer stärkeren Ausrichtung am Motorsport zu verschiedenen Serienmodellen (siehe Abschnitt Modelle) weiterentwickelt. Das erste davon abweichende Fahrzeug der Firma ist der 2006 vorgestellte Bowler Nemesis, dessen Basis der Range Rover Sport bildet.

Bowler Off Road wurde im Dezember 2019 von Jaguar Land Rover übernommen.

Modelle

88″ Tomcat
Dieses 1989 vorgestellte Modell markiert das erste Serienprodukt der Firma Bowler; es war bereits für den Wettbewerbseinsatz konzipiert worden. Die Zahl 88 im Namen dieses Fahrzeuges steht für seinen Radstand, der 88 Zoll beträgt.

100″ Tomcat
1995 wurde diese Variante des 88″ Tomcat mit 100 Zoll (2540 mm) Radstand entwickelt. Diese Maßnahme hatte das Ziel, die Fahrstabilität bei hohen Geschwindigkeiten – auf Kosten der Wendigkeit – zu verbessern.

Wildcat 100

1997 stellte Bowler mit dem Wildcat 100 das erste Modell vor, das als Neuwagen zugelassen wurde. Erstmals wurde beim Wildcat 100 der stabile, aber schwere Leiterrahmen des Land Rover Defender durch einen Gitterrohrrahmen ersetzt. Der Radstand von 100 Zoll des 100″ Tomcat wurde beibehalten, durch die neue Rahmenkonstruktion wurde das Fahrzeug jedoch leichter.

Wildcat 200
Dieses Modell wurde im Jahr 2000 vorgestellt, basiert wie seine Vorgänger zum Großteil auf dem Land Rover Defender und wird neben der für den regulären Straßenverkehr zugelassenen Variante mit speziellen Modifikationen für bestimmte Motorsportklassen bzw. -veranstaltungen angeboten.

Im Einzelnen sind dies:
 Wildcat 200 Rally Raid
 Wildcat 200 European Baja
 Wildcat 200 Dakar

Der Radstand beträgt beim Wildcat 200 106 Zoll (ca. 2692 mm). Zentrales Element dieses Modells ist wie bereits bei seinem Vorgänger ein Gitterrohrrahmen, auf dem eine aus Verbundwerkstoffen gefertigte Karosserie ruht. Als Motoren kommen Land-Rover-V8-Aggregate mit 4,0 und 4,6 Litern Hubraum zum Einsatz, eine 5,0-Liter-Variante befand sich im Januar 2007 in der Versuchsphase. Auch der ebenfalls von Land Rover stammende 2,5-Liter Turbodiesel-Motor (Bezeichnung: TD5) wird für den Bowler Wildcat 200 angeboten. Für die Benzinmotoren bietet Bowler Leistungssteigerungen in vier Stufen an. Vorder- und Hinterachskonstruktionen des Wildcat 200 stammen aus dem Land Rover Discovery S11.

Nemesis

Der Nemesis wurde Januar 2007 vorgestellt. Er basiert auf dem Range Rover Sport. Als Motoren kommen zwei Benzin-Aggregate zum Einsatz: ein 4,4-Liter-Saugmotor und eine aufgeladene 4,2-Liter-Variante.

EXR
Der EXR ist eine Weiterentwicklung des Nemesis und wurde 2010 eingeführt. Er verfügt über einen 5,0 l großen V8-Motor und erfüllt, wie die Vorgänger, die Erfordernisse der T1-Klasse der FIA. Unter der Bezeichnung EXR S ist erstmals auch eine Version für den Alltagseinsatz verfügbar. Der EXR S verfügt über Komfortdetails wie Zweizonen-Klimaanlage, Ledersitze, Funkschlüssel und wahlweise Verzicht auf den Überrollkäfig.

CSP 575
Die Form des 2016 eingestellten Land Rover Defender nutzt das im November 2020 vorgestellte Projektfahrzeug CSP 575. Der 4-sitzige Geländewagen wird von einem Supercharged 5,0 l V8-Motor mit 423 kW (575 PS) vom Range Rover Sport SVR angetrieben. Es ist geplant die ersten Fahrzeuge der limitierten Kleinserie im zweiten Halbjahr 2021 auszuliefern, der Kaufpreis wird bei etwa 220.000 € liegen.

Weblinks

 Internetseite des Unternehmens (englisch)

Einzelnachweise

Pkw-Hersteller (England)
Unternehmen (Derbyshire)

redpajama_set_name: RedPajamaWikipedia


The release of Lucrecia Martel's La Ciénaga heralded the arrival of an astonishingly vital and original voice in Argentine cinema. With a radical and disturbing take on narrative, beautiful cinematography, and a highly sophisticated use of on- and offscreen sound, Martel turns her tale of a dissolute bourgeois extended family, whiling away the hours of one sweaty, sticky summer, into a cinematic marvel. This visceral take on class, nature, sexuality, and the ways that political turmoil and social stagnation can manifest in human relationships is a drama of extraordinary tactility, and one of the great contemporary film debuts.


There is no doubt in anyone's mind at this point that drug and alcohol addiction abuse is definitely on way up and that it has been on its way up for some time now. Contrary to popular belief as most people understand it, alcohol abuse and addiction are actually far more damaging to one's health than the abuse of most drugs is, except for heroin. However, just the simple act of consuming alcohol excessively contributes to well over two-hundred different known diseases and overall injury-related health conditions in humans' bodies.
To show a statistic on this, in the year 2012 over five percent of the entire, combined, worldwide burden of disease and injury all across the planet and in every single country on this world was attributable to simple alcohol consumption and alcohol abuse. Sadly, South Dakota has big problems with both alcohol and heroin.
A serious problem that comes along with prescription drug abuse is sudden heroin abuse. Prescription drug abuse and tandem heroin abuse is very relevant and very real in South Dakota. When a prescription drug addict cannot obtain prescription pills for their addiction crisis, he or she will usually turn to heroin instead. Heroin abuse or heroin dependency is actually statistically speaking no less than a full forty times more likely to occur in people who abuse or are dependent upon prescription opioid painkillers than it is to occur in someone who has nothing to do with pain pills.
In South Dakota, this creates a dual addiction and makes getting clean much more difficult for the stricken residents in this state. Sadly, about six out of ten addicts admit upon entering treatment that they are only there because they ran out of drugs and needed a place to detox. With opiate addicts, they are much less likely to seek out treatment because they can go back and forth and back and forth between heroin and opiate pain drugs indefinitely, which is another big problem in South Dakota, tandem drug use.
What this all leads to in South Dakota is one thing, death. In fact, death is a common occurrence all across the nation now thanks to drug and alcohol abuse, especially thanks to opiate abuse. For example, deaths occurring in the United States from drug abuse are now at literally unprecedented levels. To understand the exact and trying impact of drug abuse in general in the United States as a whole, approximately 120 people die each day in the United States of a drug overdose. Several die in South Dakota every day because of this.
The key and the saving grace of addiction in South Dakota is that thankfully there are South Dakota inpatient heroin rehab centers to address the addiction crisis there. With the help of South Dakota inpatient heroin rehab centers, addiction can actually become a thing of the past. South Dakota inpatient heroin rehab centers work to detox those who come to them whether they are addicted to heroin, pills, alcohol, or anything else for that matter. South Dakota inpatient heroin rehab centers also work to provide rehabilitation to those who need to address the mental and psychological aspects of drug and alcohol addiction and all that goes into these problems too.
If it were not for South Dakota inpatient heroin rehab centers, the addicts in South Dakota would be far worse for the wear. With these rehab centers, though, it is possible for those addicted here to reach out and find a new future and a new life.


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Portmarnock School are World Champions for #MapLesotho
14 August 2017 | DeBigC
All #MapLesotho and OpenStreetMap enthusiasts will be aware that Portmarnock Community School are enthusiastic mappers of Lesotho and have entered their activities into the SAGE World Cup for Social Innovators under a project titled "Global Citizens Mapping the Future". This year the competition took place in the city Of Odessa, The Ukraine.
The project that was entered proved that mapping Lesotho makes data, and these data is re-usable for good social ends in several ways like:
planning infrastructure, showing locations where the population merits higher provision
managing the climate, showing and suggesting ways in which tree planting could assist seasonal floods and soil erosion
supporting better rapid responses to emergencies, developing a mobile phone app prototype which allows a more rapid response
The competition had 32 teams, and the semi finals were hotly contested with Canada, the USA and Israel. The Portmarnock students were grilled by enterprise dragons after making a short pitch for why using OpenStreetMap leads to other innovations.
"What is impressive about this is that the students went from simply learning how to map everything, to thinking of the whole thing as a database. Soon after they were making applications, and writing reports for the Lesotho Government about soil erosion. We knew that was something special before the award, but this victory confirms beyond any doubt that this was something special and helped them apply what they learned", said Ms Colette Cronin Maths teacher at the school.
To win the Sage World Cup for Social Innovation using this kind of technology is much deserved and very prestigious. Mr Niall FitzGerald, who is the Development Education mentor for these students explains further the significance of the win: "this award shows that there is talent in Fingal's young people for emerging opensource technologies and the application of that to social entrepreneurship causes. Right now the students are exhausted by the intense scrutiny and focus of competition that they have been through, and are taking a well deserved but short break and will return home on Wednesday."
This achievement is a credit to the school community, the teachers, the board of management, the partners and sponsors and Fingal County Council who introduced mapping to the school in 2014. However, full credit goes to Colin McAndrew, Ravikanth Gollapalli, Ahmed Jouda and Luke Peyton who did all the work and preparation for this win.


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Bertan > Bertan 18 Fortificaciones en Gipuzkoa: siglos XVI-XIX > Ingeles bertsioa: Modern fortifications
Modern fortifications
57. Hondarribia. The Queen's Bastion with its sentry box.© Gorka Agirre
Gipuzkoa had two fortified towns with bastion fortifications: Hondarribia and San Sebastian. The former was the more important in the sixteenth and seventeenth centuries because it overlooked the French border; the latter became particularly relevant in the eighteenth century. The port of Getaria and the overlooking hill of San Anton were also the subjects of modern military engineering, but the work was minor.
58. Plan of San Sebastian drawn in 1724 by Juan de Landaeta. In this project, the fortifications on Mount Urgull are arranged in three concentric areas overlooked by Holy Cross Castle.© Carlos Mengs
Experience had shown that if artillery shells were to be stopped, the original walls would have to be more than doubled and military engineers began to design walls over 15 metres in thickness.
There were significant technical and financial drawbacks to building such constructions in stone, and the usual arrangement consisted of a thick outer wall of ordinary masonry (sometimes reinforced with buttresses) dressed on the outside with ashlar stonework. Behind the stone wall there was a large mass of earth (terreplein) ending in a slope or, if there was not enough room, a containing wall.
59. Western section of the fortifications of San Sebastian. The piles used in areas exposed to incursions from the sea can be seen:
B) Imperial Turret;
C) St. Philip's Bastion;
E) Counterguard with sentry box;
M) St. Charles' Hornwork;
N) Ravelin;
F) Tierra [Land] Gate;
G) Sea wall.© Hergara S.A.
On top of this thick wall a parapet, some 5 or 6 metres thick and 2 metres high was erected, leaving enough room (adarve) to install the guns and for troops to move about. Outside, the wall and the beginning of the parapet were completed with a semicircular moulding known as a cordon or stringcourse.
60. Drawing of the sentry box on the Governor's Bastion in San Sebastian (1735).© Hergara S.A.
The parapet had trapezoidal gun emplacements, to allow the guns, positioned on platforms, to be fired in different directions. A banquette adjoining the parapet was another frequent feature.
The towers of the mediaeval wall were replaced in these new fortifications by turrets (or cubos) - large round towers no higher than the wall. In general, they were designed to house several guns. Examples of this feature are the Amezketa and Los Hornos turrets in San Sebastian, the cubo of Bamba in Hondarribia and the turrets on the Gazteluzar castle in Irun. The drawback of these turrets was that they created areas which could not be defended, and they were soon replaced by bastions. Modern fortifications are consequently known as bastioned fortifications.
A typical bastion is pentagonal in shape, and lower than the wall into which it is set; this allows defenders to fire over it and offers less of a target to enemy gunners. Each of the walls of the bastion facing the area outside the fortified area is known as a face while the walls perpendicular to the main wall are called flanks. The latter could be used to prevent an enemy from approaching the wall, either by firing from the adarve, or from casemates in the flanks with gun emplacements. On occasions the faces were extended slightly towards the wall, to form an orillion which protected the flank from the impact of enemy artillery. The fifth side, imbricated in the wall, is known as a gorge. If the bastions were properly positioned, they could defend each other, thus preventing the dead angles created between towers and turrets.
62. 'Plaça de Fuenterrabía' / Leonardus Ferraris faciebat. - 1640.© Martín Izagirre
When the terrepleins of the bastions were very thick they completely filled the inside. Otherwise, they formed an empty central space, occupied by doors, gardens, barracks, powder stores, etc.
Bastion fortifications were surrounded by a fosse and by the outer fortifications. The purpose of these constructions was to delay any assault on the main part of the stronghold, so that if the enemy was on the point of taking an outer section, the defenders occupying it could move back to another of the outer fortifications or ultimately to the main area of the stronghold, thus allowing the final assault to be put off and helping to exhaust the besieging troops.
The outer fortifications had to fulfil on main rule: in the event that enemy troops succeeded in taking them, it must be entirely impossible for them to use the outer fortifications to attack the inner ones - or the main wall itself. For this reason, outer ramparts never had parapets facing inwards towards the stronghold, and the enemy were therefore at the mercy of defensive fire from the fortifications further back. The outer fortifications were linked to the rest of the structure by stairs, ramps, double caponiers, bridges, posterns, etc., to allow rapid advance or retreat.
61. Plan of the town of San Sebastian (1775) by Carlos Agustín Giraud.© Carlos Mengs
The most common features of the outer fortifications are: counterguards, hornworks, ravelins, covered ways and glacis.
The countergaurds were formed of two curtains facing away from the faces of the bastion. The hornworks consisted of two demi-bastions (also called half bastions) joined by a curtain from which curtain walls (wings) ran towards the main fortification, without actually extending as far as it. The ravelins were designed to protect the curtains and were formed by two faces (and normally by two flanks). The demilunes played a similar role. They had no flanks but had a curving terreplein running towards the stronghold.
The covered ways consisted of a narrow slope running along the outermost part of the outer fortifications. On their inside there was a fosse, and on the outside a fusiliers' parapet surmounting the glacis. Generally they are interrupted (at least partially) by traverses (earthen mounds to prevent enfilade fire from the enemy) and small parade squares.
The glacis is a gentle slope running down from the parapet of the covered way towards the exterior. It was of vital importance that it should be kept free of obstacles, so that the enemy would be unprotected at all times and the defenders could rebuff any approach by firing on it.
Fortified towns often contained a strongly fortified enclosure used exclusively for military use, known as a citadel. This was intended to serve as the last stronghold of defending troops or to control the civil population at times of popular uprising. Citadels are commonly pentagonal in shape (as is the case of the magnificent example in Pamplona). Others, however, are irregular in shape, as is the case in San Sebastian, where the fortifications on Mount Urgull acted as an unofficial citadel.


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www.byzcath.org Forums General Discussions Town Hall whither the Anglo-Catholics
whither the Anglo-Catholics
Byzantine TX OP
Byzantine TX
A quick poll to see what people think will happen to those dismayed by the continued problems in the Anglican Communion.
Future for Tiber swimmers
single choice
personal prelature
expansion of pastoral provision
sui iuris status
each parish taken in as a "normal" parish
I don't think anyone is going anywhere
Votes accepted starting: 07/11/08 04:34 PM
You must vote before you can view the results of this poll.
Re: whither the Anglo-Catholics
Byzantine TX #294906 07/11/08 06:50 PM
Elizabeth Maria
Hopefully, many Anglicans will come home to Orthodoxy and will find a warm welcome in the many Western Rite parishes located throughout the world.
Secret Squirrel
Byzantine Secret Service
I don't think any number for what matters will be going anywhere. Those that did not leave 30 years ago over women priests will not be going due to women bishops. I use the US as an example that has had women bishops for years and hardly a ripple. When this is finally instituted in 7 years, almost no one will notice I am sure. This threat has been played out repeatedly with little notice anymore.
Secret Squirrel #294911 07/11/08 08:12 PM
Takoma Park, MD
Two Lungs
I think most Anglicans in the UK and US who are upset by these developments probably have left already for new spiritual homes.
Evidence for this is the sharp decline in attendance over several decades. There was a time when the Episcopal Church was referred to as "the Republican Party at prayer"? That was long ago.
But I think there are groups in other Anglican provinces, such as Africa, as well as England's flying Bishops, who may seek some form of collective reunion with Rome. (Western Rite Uniatism?)
I have come to a conclusion from my own observations and will probably make a few enemies over this. In the Episcopal church people constantly complain, but never leave familiar surroundings. In the BCA Church, people leave but continue complaining even though they have no real stake in the church anymore. If anyone wants to leave any church, I believe they should do as God commanded Lot to do - go and don't look back.
byzanTN #294920 07/11/08 09:20 PM
The young fogey
There's a lot of rancour and misinformation flying around about this story. Anglican and RC liberals hate these Anglo-Catholics for being Catholic; conservative RCs accuse them of not being Catholic enough.
People who don't understand the situation or know about Anglo-Catholicism in England think these are liturgical Protestants who use the Book of Common Prayer for Communion and believe the Thirty-nine Articles and, because they stayed after women priests came in, accept women priests but not women bishops (which wouldn't make sense), none of which is true!
Most English ACs are Anglo-Papalists, RCs in all but name who use the Roman Rite.
For 15 years they had a church-within-a-church being served by 'flying bishops' (so no women priests) but now that shelter is being taken away.
ACs are about 15 per cent of practising C of E people so if most of them quit it would be major damage to that church.
I think Pope Benedict welcomes these people and their culture as part of his Catholic restoration in his church. (When a cardinal says Rome wants a weekly Tridentine Mass in every Roman Rite parish something's up.) And he may go over the heads of the disloyal liberals including the bishops in his shop to make it happen.
Their culture: immutably English even though it loves to dress in 19th-century Italian finery, a sense of good-natured fun, excellent artistic, musical and liturgical taste and tolerant never of heresy but always of people's failings.
A good number will follow Bishop Andrew Burnham to Rome. He'll be 'demoted' to priest, there'll be conditional ordinations for all the clergy... beyond that I don't know. I'm less optimistic about their keeping their parishes together (but Pope Benedict might pull that off) and even less so about them bringing their buildings with them. (I don't think they'll try to do that.) If the C of E are anything like the Episcopalians, no way, Jos�!
I do think fewer people will leave than threatened, just like 15 years ago.
In America this is over: all that's left of ACism in the Episcopal Church are two dioceses that probably will make a run for it soon and isolated eccentric parishes: ritualist congregationalism.
Which is what will happen to the ACs who stay in the C of E. People who didn't want to leave familiar surroundings.
The young fogey #294923 07/11/08 10:11 PM
Fr Serge Keleher
As to trying to bring their real estate, forget it. The courts in England would not permit it.
Fr. Serge
Fr Serge Keleher #294947 07/12/08 02:41 AM
Eparchy of Van Nuys
A Simple Sinner
Originally Posted by Serge Keleher
One wonders if it would be possible to formulate a good legal argument that the CofE had finished "borrowing" those churches and was just returning it!
(I do recall that a handful of parishes "came with" in 1994... No idea how many attempted that... I seriously doubt any landmark or major architectual jewels would be handed over... Those will be turned into mosques before given over to so much "popery" I am sure.)
A Simple Sinner #294948 07/12/08 02:59 AM
I do know that there is a court case in Virginia betwwen the Episcopal Diocese and some parishes.
A court ruled in favor of the seceding parishes, sayng that a state law about division of religious organizations overrules the canon law and diocesan structure asserted by the Bishop.
Apparently, some parishes are organized as separate corporations for property ownership.
Elizabeth Maria #294952 07/12/08 03:15 AM
Originally Posted by Elizabeth Maria
Certainly some TEC folks have made homes in the 2 dozen missions and parishes in the US. Anyone have any numbers as to how many chapels and parishes are in the UK and who they are with?
Most of the two dozen missions and chapels in the US are made up of former Episcopalians.
Orthodoxy [home.att.net] in the UK is Byzantine Rite, end of story.
The young fogey #295170 07/15/08 04:08 AM
Irondale,AL
Pani Rose
Here the one church we had is closed.
My understanding is most of them have already become Catholic.


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Living in the arid Southwest, most Arizonans have heard of Valley Fever caused by inhalation of the wind-borne spore of the mold called Coccidioides. The fungus thrives in dry, desert soils, and affects more people in Arizona than in any other state, including more than double those in California, the state with the second highest number of reported cases of this illness. Each year 100,000 patients might become infected with Valley Fever and 30,000 will become ill.
Sonora Quest Laboratories has partnered with Arizona Department of Health Services and The University of Arizona's Valley Fever Center for Excellence to develop an early warning system for when Valley Fever is active in the state.
Sonora Quest Laboratories tests thousands of patient specimens every month to diagnosis Valley Fever and is a valuable resource, working closely with public health epidemiologists and clinicians at the Valley Fever Diagnostic Center bringing together the interdisciplinary expertise needed to guide this effort.
Collaborations directed toward improvement of Valley Fever detection and accurate infection diagnosis including: ASU BioDesign Institute, Mira Vista and TGen.
Funding/Awards for Coccidioides studies have included: PathoGene (DxNA, Inc.), TGen/NIH/NIAID/Applied Bio Systems.
Publications, Abstracts & Lectures include: Journal of Clinical Microbiology, Arch Intern Medicine, Open Forum Infectious Disease, Annual Meeting of the Coccidioidomycosis Study Group, Surprise Arizona, New York City Branch of the American Society for Microbiology, Southern California Branch of the American Society for Microbiology, Arizona Department of Health Services, Phoenix, AZ and University of Arizona College of Medicine, Tucson, AZ.
It is imperative to evaluate all aspects of infectious diseases diagnostics and not only to verify and validate their sensitivities, specificities and robustness but to also document their effect on actual outcomes of patient care. Our studies have involved design and utility of diagnostic testing from the tests themselves to specimen collection, transportation and test utilization by clinicians.