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Last day, there was a bunch of Google Search Console notifications around the websites that were making the switch to mobile-first indexing processes. You need to keep in mind that you are already in the mobile-first indexing process for quite some time by the time the notification reaches you.
John Mueller from Google validated this occurrence on Twitter. He said that the switch happens before and the messages are sent later on.
Google need not stop sending the notifications are they are really useful. But the notifications come delayed by a week or more than that when a site transitions to mobile-first indexing process.
It is still time before Google starts to move all of the websites to the mobile-first indexing process.
See the forum discussion at Twitter.
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text:
In this Monday, Sept. 23, 2019 photo, Two Israeli Arab women overlook the Mediterranean sea, in the mixed Arab and Jewish city of Jaffa, near Tel Aviv, Israel. Electoral gains made by Arab parties in Israel, and their decision to endorse one of the two deadlocked candidates for prime minister, could give them new influence in parliament. But they also face a dilemma dating back to Israel's founding: How to participate in a system that they say relegates them to second-class citizens and oppresses their Palestinian brethren in Gaza and the occupied West Bank.
Electoral gains revive old dilemma for Israeli Arabs
The results left the two biggest parties deadlocked, but marked a victory for the Arab bloc and put Ayman Odeh in a strong position to become the first Arab opposition leader.
By Joseph Krauss And Mohammed DaraghmehThe Associated Press
Sun., Sept. 29, 2019timer5 min. read
NAZARETH, Israel - When election results confirmed that an Arab alliance had emerged as the third largest bloc in Israel's parliament, its leader Ayman Odeh reached for the Old Testament, tweeting in Hebrew from Psalm 118 that the stone which was rejected had become the cornerstone.
His message: The Arab community, long shunted to the margins of Israeli society, is going to use its newfound influence to set the country on a more equitable path.
The results left the two biggest parties deadlocked, but marked a victory for the Arab bloc and put Odeh in a strong position to become the first Arab opposition leader, an official role that would allow him to receive high-level security briefings and meet visiting heads of state. Outraged at what they see as Prime Minister Benjamin Netanyahu's racist policies and incitement, most of the bloc recommended his opponent, former army chief Benny Gantz, as prime minister, the first time Arab parties have backed an Israeli candidate since 1992.
The potential for newfound influence has forced Arab citizens to confront a dilemma going back to Israel's founding: Working within the system might secure social gains for the marginalized community, but risks legitimizing a state that many feel relegates them to second-class status and oppresses their Palestinian brethren in the occupied territories.
"We truly want to support Gantz," said Abed Abed, a food wholesaler in the Arab town of Nazareth in northern Israel. "But at the same time we are Arabs, and the people in Gaza and the West Bank are our brothers. If Gantz goes to war in Gaza tomorrow, then we can't be part of it. So we're in big trouble."
Israel's Arab citizens make up 20% of the population of 9 million and are descended from Palestinians who remained in Israel following the 1948 war that surrounded its creation. They have citizenship and the right to vote, they speak Hebrew and attend Israeli universities, and have increased their presence in a wide array of professions, from medicine to tech startups.
But they still face widespread discrimination, particularly when it comes to housing, and accuse Israeli authorities of ignoring crime in their communities, contributing to soaring homicide rates. They also have close family ties to Palestinians in the occupied West Bank and Gaza, and largely identify with the Palestinian cause.
That has led many Israelis to view them as a fifth column allied with the country's enemies, fears Netanyahu has repeatedly exploited to whip up his right-wing base in election campaigns.
The Joint List of Arab parties has vowed to use its political influence to address day-to-day struggles while remaining outside any government. No Arab party has ever sat in an Israeli government, and none of Israel's main parties have invited them to do so.
The issues Arab leaders face, and the limited means available to address them, were on display Wednesday in the northern town of Shefa Amr, known in Hebrew as Shfaram, where Israeli forces demolished two homes that had been built without permits. That ignited clashes between local youth and Israeli police, who detained around a dozen people.
"They consider us second-class citizens," said Sabri Hamdi, one of several angry residents who gathered outside the police station. "They want us to despair and leave the country, but we will not."
Aida Touma-Sliman, an Arab lawmaker from Odeh's party, arrived shortly after the clashes ended. The crowd outside the police station parted to let her through, and she met with Israeli officers inside to press for the release of the detainees. After about 15 minutes, she emerged with what she said was a commitment from the police to process the cases quickly.
"Change is not going to happen in a few days. It's a long battle," she told The Associated Press. "We gained three seats but the political situation in Israel hasn't changed. The racism is still there."
Rights groups say systematic discrimination in planning and approvals has restricted the growth of Arab communities for decades, forcing those with growing families to build without permits and leaving them vulnerable to home demolitions.
Odeh listed housing equity among the Joint List's top demands in a New York Times op-ed in which he endorsed Gantz while refusing to join his government.
He called for more resources for law enforcement, better access to hospitals, a rise in pensions for all Israelis and programs to combat domestic violence. He also called on the next government to revive the peace process with the Palestinians and to repeal a controversial law passed last year declaring Israel the nation-state of the Jewish people.
"Arab Palestinian citizens can no longer be rejected or ignored," Odeh wrote. "The only future for this country is a shared future."
A poll carried out by the Israel Democracy Institute at the start of the year, before Israel's unprecedented back-to-back elections, found that 76% of Arab citizens were in favour of their parties joining an Israeli government and 65% were proud to be Israeli, the highest rate recorded since 2003. The nonpartisan think-tank polled 536 Arab citizens, with a margin of error of plus or minus 4.5 percentage points.
It also found that 58% of Arab citizens were dissatisfied with their leaders, something the pollsters attributed in part to their prioritizing the Palestinian cause over domestic issues. But for many Arab citizens, the two are inseparable.
"Domestic concerns cannot be separated from the general political oppression exercised over the Palestinians," says Nijmeh Ali, a political analyst at Al-Shabaka, a Palestinian think-tank . To do so is an attempt to undermine the political legitimacy of Arab leaders and "depoliticize" what is seen as institutionalized discrimination, she said.
The dilemma over how much to engage in politics continues to divide Arab citizens. The three lawmakers from the hard-line nationalist Balad party, which is part of the Joint List, refused to endorse Gantz.
"It's clear that Palestinians inside (Israel) want more influence," said Heba Yazbak, a newly elected Balad lawmaker who recently completed a Ph.D. in sociology at Tel Aviv University. "But if you ask any Palestinian in this country if they want us, as the Arab parties, to join a government of occupation, a government whose budget is devoted to the occupation, to besieging Gaza, the answer will be no."

redpajama_set_name: RedPajamaCommonCrawl


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The Role of Information Organizations in Commodifying the Kings of the Fairies
Christopher Girgenti, MLIS
Abstract: There are many elements that define Celtic culture, though defining Celtic culture is not simple. In short, the cultural traditions of Ireland, Scotland, Wales, Cape Breton, Galicia, and Brittany are condensed into what is known as Celtic, and there are many contributing factors that aid the Celtic phenomenon. How the modern idea of Celtic culture came to be was through cultural unification in the nineteenth and twentieth centuries. Historical accounts recognize how the musical traditions of Celtic regions changed over time; particularly, the nineteenth and twentieth centuries (with their vast modernistic qualities) aided European political discourse to unify colonies. Through unification, the musical traditions of the Celtic diaspora were greatly impacted, resulting in a Celtic culture that today's society views and understands.
One angle of viewing such historical and political accounts is through the commodification of Celtic music. In part, recording technologies in the nineteenth and twentieth centuries allowed more people to access music from the Celtic diaspora, and as the technologies evolved, more people were accessing music at a faster rate. Mass media, then, sought to market Celtic music in ways that conveyed Celtic as one culture. However, mass media is not the only outlier in commodifying Celtic music. Specifically, my paper will discuss these impacts from a library sciences standpoint as I seek to understand how music was acquired, processed, organized, and stored in libraries, museums, and archives (collectively, information organizations) as such institutions helped shape modern Celtic culture.
Keywords: Celtic music; Colonization; Information organization; Library of Congress Classification; Subject Cataloging; Commodity exchanges
2 Historical Context
3 Preservation of Traditional Music
4 Information Organizations: Development and Impact
4.1 Heritage and Folkloric Study
4.2 Information Organizations as Commodities
4.3 Historical Context and Developments of Cataloging
4.4 Representations of Modern Cataloging
There are many elements that define Celtic culture, though defining Celtic culture is not simple. In short, the cultural traditions of Ireland, Scotland, Wales, Cape Breton, Galicia, and Brittany are condensed into what is known as Celtic, and there are many contributing factors that aid the Celtic phenomenon. Technological advancements over the past several decades paved new ways for elements of Celtic culture to be acquired, processed, stored, and shared; in result, it has a much broader (meaning, global) audience because of increased access. While twentieth-century mass media plays a significant role in this increase of access, there are other ways through which access to Celtic culture increased.
Though the mass media's role in Celtic commodification is highly significant, there are other important contributing factors. From a musical standpoint, it is important to acknowledge that music is a social process and is a way of information sharing and exchange. Pre-mass media, informational exchanges required face-to-face interaction; if one wanted to learn (or learn about) a musical tradition one had to either physically attend a live performance or receive lessons from a guru. Today's musical practices still involve physical interactions, but modern developments (specifically, in the library and information sciences) provide other ways which one can study a musical tradition.
With the advent of libraries, museums, and archives in nineteenth-century industrialized England and America, resources about musical traditions became easier to access. Keep in mind that libraries, museums, and archives (collectively, information organizations) have been around since antiquity; however, these types of institutions were not open to everyone and information withheld was not easy to access. Because the modern information organization seeks to make information as accessible as possible, fundamental roles shifted. Several issues arose from this shift as there were no codified standards in how these institutions should be run.
The new roles of information organizations are public service oriented. One aspect of this new foundation is to keep materials organized so patrons can find, access, and use them accordingly. While organizational standards (known as cataloging standards) have been around since information organizations' beginnings, it was difficult to manage materials held in an institution as there was no set of codified standards. Once modern cataloging standards were established, things began to change as information became more readily accessible. How did these standards aid in commodification of Celtic music? First, it is important to note that modern cataloging standards are of Western origin. This is crucial to the examination of the effects of modern cataloging standards as (1) many areas of the Celtic diaspora were colonized, and, (2) modern cataloging standards were developed in England and America. Therefore, through acquisition, processing, organization, and storage of musical materials, information organizations were an avenue all their own for commodifying Celtic music.
Because Celtic is used as the comprehensive term for the musical traditions of many regions, it can be argued that Celtic is an imaginary phenomenon as (1) each region has its own distinctive elements, and, (2) many Celtic musicians do not consider themselves as Celtic but as of their native land. As contemporary views of Celtic culture are commodified, to examine commodification in the entire Celtic diaspora is beyond the scope of this paper (Reiss, 2003, 164 -165). In choosing a specific region to discuss, there were many factors that needed to be considered—mainly, historical and political—and as the development of information organizations took place in England and America, it made sense to focus on Ireland because of its relations with these colonizing forces. Though colonized by the British, many Irish people fled to America due to political and economic troubles, yet still faced discrimination.
The history of Irish discrimination is largely religious, "beginning with Henry VIII's break with the Catholic church in 1532 and his subsequent takeover of property belonging to Irish monasteries" (Hast & Scott, 2004, p. 27). Over the next several centuries, Catholics in Ireland were increasingly marginalized, resulting in the emigration to places such as America (Hast & Scott, 2004, p. 29). However, Irish Catholics were still subject to discrimination in America because of established stereotypes. For example, the Irish were called "white savage[s]" because of their harshness (Williams & O'Laoire, 2011, p. 139). In spite of such marginalization, the Irish were able to (somewhat) preserve their culture through nationalist movements in the nineteenth and twentieth centuries (Hast & Scott, 2004, pp. 36-41). From this preservation, information organizations were/are able to acquire, process, organize, and store information about Irish traditional music.
PRESERVATION OF TRADITIONAL MUSIC
Unfortunately, in preserving their local culture, the Irish people inadvertently (at least, in part) altered it. To preserve a culture, certain alterations are required (e.g. digitizing an aging print resource) though such alterations are problematic. Michèle Valerie Cloonan (2001) reports on how preserving culture, quite frankly, is a paradox because preservation generally requires alterations (p. 235). Essentially, "it is impossible to keep things the same forever," especially in the digital age, as technology continues to evolve (Cloonan, 2001, p. 235). Therefore, preserving a cultural tradition is difficult because traditions change over time.
These changes, as John Miles Foley (2012) argues, are constant, and, "because cultures are emergent—changing right now and then changing again and again without ceasing—they are constantly in the process of becoming something else (p. 69). Perhaps this is why preservation is a "relative rather than absolute concept because objects change over time as do our approaches to viewing and interpreting those objects" (Cloonan, 2001, p. 235). In objectifying culture, then, materials are inappropriately represented. For example, the effects of colonialism are still present in how information is organized because of the taxonomic system that was imposed onto indigenous cultures. Because different cultures "experienced colonization…at different points in a range of histories," understanding colonialism can help information scientists and librarians in the organizational process (Duarte & Belarde, 2015, p. 680).
As for Irish traditional music, "the dynamism…today is reflected in the many paths that musicians take in the approach to its performance" (Hast & Scott, 2004, p. 121). What used to be an "intimate world of house parties among family, friends, and neighbors" is now seen on public stages across the globe (Hast & Scott, 2004, p. 121). In part, the mass media and developments in the music industry created this new avenue for performing Irish music, though nowadays one does not necessarily need to attend a live staged performance as one can view video recordings on websites such as YouTube.
The significance of YouTube and similar sites is beyond commercial, as Robert Gehl (2009) argues that the structural design makes it "an archive awaiting curators" (p. 45). Perhaps because YouTube "[did] not produce any original content of its own"—I insert did here as YouTube has recently began producing original content—it was seen as a way for outside sources to store and share content (Gehl, 2009, p. 45). It is through the storing and sharing of content that YouTube is an outlet for informational exchanges, yet some scholars argue that because the information stored in YouTube is regularly used, YouTube is not a proper archive (Gehl, 2009, p. 46).
I will confess to using YouTube on a regular basis for my ethnomusicological research, perhaps taking advantage of such a site. However, since society is increasingly digital, sites such as YouTube are ever more important because of the types of information stored and shared. Although, not everything housed in YouTube is scholarly material as it "accept[s] just about any media object from users" (Gehl, 2009, p. 47). The acquisition of materials from the user community, though, is what makes a site such as YouTube unique in comparison to other archival sites, but before discussing other archival examples, it is first important to explain the evolution of information organizations.
INFORMATION ORGANIZATIONS: DEVELOPMENTS AND IMPACTS
I. Heritage and Folkloric Study
In addressing the development of information organizations, it is important to discuss heritage and folkloric study as these fields contribute a great amount to the library sciences. Mainly, such studies were originally ethnographic in nature, requiring people to collect data on certain populations and write reports based on those data. While heritage and folkloric study provides information about the past, Noah Lenstra (2014) indicates that heritage is more than the simplistic "dictionary definition of stuff passed down across generations" because people can use heritage information to make connections to the past (p. 3). However, "heritage refers not to historical scholarship, but, rather, to intimate stories…to which one is attached," meaning that heritage is not exactly academic (Lenstra, 2014, p. 3).
Folkloric study, on the other hand, is an academic discipline, though modern technology has caused the field of folklore to dissipate (Blank, 2009, p.1). As Trevor J. Blank (2009) argues, "folklorists [need to] look to the Internet, not only to expand our scholastic horizons but also to carry our discipline into the digital age" (p. 2). Blank (2009) asserts this argument by examining the increasing amount of literature pertaining to folklore and the Internet, yet many scholars in the field of folklore have not changed their practices as they are still too focused on the past (pp. 3-4). However, the need to obtain and use information from the past is on the rise.
Lenstra (2014) examines this trend through the lens of information organizations, commenting on users' increased need for past information (pp. 3-5). In fact, "since the beginning of the public library profession, librarians have innovated with information technology to meet individual, family, and community needs" (Lenstra, 2014, p. 3). Though the need for past information is not new, the way in which users interact with such information is. Technological advancements, then, not only change the way information is acquired, processed, organized, and stored, but also how users are able to find, obtain, and effectively use such information.
II. Information Organizations as Commodities
The role of information organizations (as already mentioned) has become public service oriented because of the increased demand for (and supply of) accessible information. In this sense, information organizations can be viewed as marketplaces because users are able to "shop" for what they need either in-person or online. Because of how modern information organizations are run, I argue that information organizations are commodities. It is through the acquisition, processing, organization, and storage of materials that information organizations act as places of trade and commerce.
To fully understand how information organizations aid commodification, it is necessary to examine how information organizations are run. Usually, there are two broadly defined departments within a typical information organization setting: public services and technical services. The former consists of reference and access services, and employees in these areas directly deal with patrons; in addition, employees in these areas handle materials that have already been processed and organized (as this happens in the latter). Technical services employees, in comparison, do not directly interact with patrons as their job is to acquire, process, and organize information.
While the above describes modern information organizations, an explanation of how things got here is in order. Because of my experiences as a cataloging assistant I will focus on the development of technical services (which will, in turn, provide some insight to the public services sector). To recap the introductory portion of my paper, modern organizational (cataloging) standards developed in the nineteenth and twentieth centuries, though, more importantly, these standards were developed in England and America. Therefore, modern cataloging standards are Western in origin, and the effects of colonialism are still present because of the cataloging process.
III. Historical Context and Developments of Cataloging
Today's cataloging standards are based on the 1961 Paris Principles, though American and British librarians have been in cooperation since the mid-nineteenth century (Taylor & Joudrey, 2009, pp. 73-76). What is significant about the Paris Principles, however, is that it was the first set of international cataloging rules, meaning that information organizations around the world agreed to abide by these standards (Taylor & Joudrey, 2009, p. 76). Furthermore, American and British librarians continued to cooperate in updating the Paris Principles as the mid-to-late twentieth century and early twenty-first century saw a great deal of technological advancements. For example, the Anglo-American Cataloging Rules (AACR) were developed in 1967, and just over ten years later AACR2 was established as it added "non-book materials…to take account for the machine processing of bibliographic records" (Taylor & Joudrey, 2009, p. 77). However, the term non-book materials does not necessarily mean that the resources were electronic; e-resources were taken into account during the development of (what should have been) AACR3, but both the amount and extent of the changes made from AACR2 resulted in a complete overhaul. The new result, Resource Description and Access (RDA) was completed in 2009, and this is what catalogers today use as the basis for organizing information.
While the cataloging process organizes information (e.g. determines where information is housed) location is only a small part portion of this process. However, location is significant because the information is organized taxonomically via classification. Taylor & Joudrey (2009) define classification as:
The placing of subjects into categories; in organization of information, classification is the process of determining where an information resource fits into a given hierarchy and often then assigning the notation associated with the appropriate level of the hierarchy to the information resource and to its surrogate (p. 448).
Essentially, classification groups materials of similar subject areas together, making information easier for users to access because like subject areas are in the same vicinity. The notation described by Taylor & Joudrey (2009) is referred to a call number, which is usually found on the spine of a resource for visibility. Depending on the information setting (e.g. public or academic libraries) the call number system varies. Academic libraries use the Library of Congress Classification System, while public libraries use the Dewey Decimal System. However, as my cataloging experiences are in academic library settings, the focus will be on the former, but as I recently discovered, these two systems overlap (Dewey Decimal in the UIUC Bookstacks).
Classification systems have been in development since the early nineteenth century, beginning with the organization of personal libraries as public libraries were not yet established (Taylor & Joudrey, 2009, p. 78). It was not until later in the nineteenth century (when public and academic libraries began to have presence) that the modern classification systems took shape. In America, Melvil Dewey (1851-1931) developed the Dewey Decimal System which "divided all knowledge into 10 main classes, with each of those divided again into 10 divisions, and each of those divided into 10 sections—giving 1,000 categories into which books could be classified" (Taylor & Joudrey, 2009, p. 78). While the Dewey Decimal System is used in public library settings, it is a prominent advancement in cataloging and classification.
In comparison, academic library settings use the Library of Congress Classification System which contains subject divisions "based on letters of the alphabet" (Library of Congress Classification). However, there is overlap in that part of the Library of Congress (LC) call number is based on Dewey Decimal classification. Charles Cutter (1837-1903)—whom the Cutter Number was appropriately named after—designed a system of classification which uses the Dewey Decimal System to organize materials by title (Dewey Decimal in the UIUC Bookstacks). Though the Cutter Number system is effective, there are instances in which materials are organized using an author or editor's last name. Usually, this occurs when there is more than one author or editor attributed to a resource, though this is not always the case.
In discussing the formation of call numbers, it is important to explain the organization of Irish music, but before including the Irish element, a summary of how music is organized is necessary. Musical materials differ from other types of resources because music is organized by what it is rather than what it is about. This type of organization only applies to music scores, meaning that books about music are classified in the same fashion as books in other subject areas.
IV. Representations of Modern Cataloging
The following examples (as they relate to Irish music in some way, shape, or form) should help readers understand why music is organized differently from other materials, and why the effects of Westernized cataloging practices are still present. Firstly, because modern views of Irish music—or any region of the Celtic diaspora, for that matter—are socially constructed, one needs to know that Irish music is not classified as such (Calvo-Sotelo, p. 57). Therefore, per LC Classification, all music within the Celtic diaspora is classified as Celtic music (see Figure 1a).
Figure 1a. Celtic music as the overarching classification for music of the Celtic diaspora.
Source: www.classificationweb.net.
Notice how Figure 1a includes specific geographic reference to Brittany; this is significant because the approved Library of Congress Subject Heading (LCSH) for materials about Celtic music is Celtic music. Figure 1b showcases Celtic music as the approved subject heading, but notice that the subject heading can "subdivide geographically;" this connects back to Figure 1a. (classificationweb.net). Therefore, Irish music is not an approved subject heading because Irish music is classified under Celtic music!
Figure 1b. Celtic Music is the approved LCSH. Source: www.classificationweb.net.
Discussion of specific examples, then, will build upon the call number and subject heading organizational methods. The first textual example to be discussed is Celtic Modern: Music at the Global Fringe, edited by Martin C. Stokes and Philip V. Bohlman. As there are two editors to this book, the Cutter Number could be based on Stokes because he is the first editor listed. However, UNCG's catalog record has a Cutter Number based on the book's title. Figures 2a and 2b represent these possible Cutter Numbers. The subject heading for this book, as the contents are not limited to one specific region of the Celtic diaspora, correlates to Celtic music—History and criticism (refer to Firgure 1a). In putting these elements together, a complete call number is represented in Figure 2c.
.S76 .C36 ML3580 .C36 2003
Figures 2a-2c: Cutter Number for Stokes; Cutter Number for Celtic; full call number.
One other textual example to discuss relates specifically to Irish music. Music in Ireland: Experiencing Music, Expressing Culture is part of the Oxford Global Music Series, which contains twenty-six texts on the musical traditions of specific geographic regions around the world. Because each book is classified based on the geographic region it represents, the series is shelved in various locations. Also, as each book has the same title, the Cutter Number is assigned to the author. As Music in Ireland has two authors, the first author listed receives a Cutter Number (Figure 3a). Figure 3b represents the completed call number.
.H35 ML3654 .H35 2004
Figures 3a and 3b: Cutter Number for Hast (first author listed on the resource); full call number.
While textual materials are about music, it is important to discuss how music scores are classified as the process differs compared to texts. As mentioned earlier, music scores are classified by what they are (essentially, by genre); geographic region is not considered here because the goal is to keep all scores of the same genre together. The example that I am about to discuss, while it highlights this organizational method, does not have a catalog record in UNCG Libraries or Library of Congress. Using my knowledge of cataloging and classification, I created my own call number for this example to showcase 1). the classification, and, 2). a musical selection that represents Irish music in specific.
String Quartet no.3 by Dave Flynn is a significant example to discuss because Flynn is a "leading authority on the interaction between Irish folk music and modern composition, receiving a PhD on the subject through the DIT Conservatory of Music and Drama" (Dave Flynn: About). Flynn is also the founding member of the Irish Memory Orchestra, as his site states (Dave Flynn: About). The orchestra is a mixture of Irish traditional instruments and Western Classical instruments, though no sheet music is used in performances, making it the "first and only orchestra in the Western world to play exclusively from memory" (Irish Memory Orchestra: About Us).
While this is significant in the modern transmission of Irish traditional music, I must first describe the classification for Flynn's String Quartet no.3. Firstly, as shown in Figure 4, all string quartets that consist of two violins, viola, and cello receive the classification M452. From here, each string quartet is organized alphabetically by composer (see Figure 5a for the Cutter Number). In terms of the selection's title, String Quartet is not considered because most string quartets are titled as such. Therefore, no.3 is included as part of the call number so users can find the third string quartet written by Dave Flynn. The completed call number is represented in Figure 5b.
Figure 4: classification for string quartets (two violins, viola, violoncello). Source: www.classificationweb.net.
.F59 M452 .F59 no.3 2007
Figures 5a and 5b: Cutter Number for Flynn; full call number
In the commodification of Celtic music, commercialization's stronghold proves that modern views of Celtic are constructed and therefore an image. It is through image that identity gets lost (or, at the very least, the lines between what is actual and what is imaginary are blurred) (Reiss, 2003, 164-165). Furthermore, Blank (2009) believes that this obscurity resulted from technological advancements:
From the earliest moments of the modern Internet's existence, folklore was a central component of the domain, moderating the intersection of computer professionals with hackers, newfangled lingo, and the dispersal of stories, pranks, and legends. Bruce McClelland notes that as a result, 'the boundary between the actual and the virtual began to become blurred' (p. 2; Jennings, 1990; McClelland, 2000, p. 182).
Because music is a social process, it is a way of information sharing and exchange. To categorize the musical traditions of multiple regions as one commodity is to undermine the localities of each region. The idea of Celtic, then, can only exist in the commercial realm. With increased access to musical materials, more people can listen to Celtic music and believe that it is in fact Celtic; what needs to be made clear is that this is not a truthful way of expressing the musical landscapes of the various places labeled as Celtic. As "individual artists negotiate their creative ideas and their messages through globally mediated products," the differences between real and imaginary will only continue to obscure (Reiss, 2003, p. 164).
Flynn's Irish Memory Orchestra, then, exemplifies the obscurity of boundaries because it blends Irish and Western musical elements. "The Irish Memory Orchestra now represents Ireland internationally as the only orchestra of its kind, focused purely on the presentation of Irish traditional music, old and new, in contemporary orchestral settings and new works inspired by the tradition" (Irish Memory Orchestra: About Us). As the orchestra performs around the globe, a wider audience is reached, providing a greater number of people access to Irish music. Though the orchestra strives to present Irish music in its traditional context, the inclusion of Western instruments is an example of how a tradition can change over time. Such changes, as documented by Daithí Kearney (2012) occur even in present day (p. 136).
To conclude, one final question needs to be addressed: "How can oral traditions, which live to morph and morph to live, ever provide suitable, sustainable support for the unimaginably rich and complex embeddedness we know as 'culture'?" (Foley, 2012, p. 66). In other words, can information organizations successfully document and preserve oral traditions as they constantly evolve? As discussed in this paper, information organization is based on Western, taxonomic thinking; therefore, in order to organize information, it must be codified in some way (e.g. written down). The developments that took place in industrialized England and America prove that modern information organizations still rely on such thinking to effectively operate, though in today's post-colonial society, it is increasingly problematic to continue this method of organization.
Though a problem-solution scenario, information organizations can work with indigenous communities to properly organize their materials (see, Duarte & Belarde, 2015). However, the amount of technological advancements makes information organization a more difficult task as the number of information formats increases in correlation with these advancements. As Sean Williams (2010) states, "What this cluster of timing, market forces, music, and a pervasive need for authenticity has created is an 'everything and nothing' sensibility" (p. 214). The Celtic phenomenon, then, is not only a part of popular culture as information organizations classify materials from the various regions in the Celtic diaspora as Celtic.
Blank, T. J. (2009, Ed.). Toward a conceptual framework for the study of Folklore and the Internet. In Folklore and the Internet: Vernacular Expression in a Digital World (pp. 1-20). Logan, UT: Utah State University.
Calvo-Sotelo, J. C. We're on the Celtic fringe: Music and nationalism in Galicia. Global Popular Music Series (pp. 53-63). Retrieved from http://www.globalpopularmusic.net/?page_id=221.
Cloonan, M. V. (2001). W(h)ither preservation? The Library Quarterly: Information, Community, Policy 71(2): pp. 231-242. Retrieved from http://www.jstor.org/stable/4309507.
Dave Flynn: About. Retrieved from http://www.daveflynn.com/about.html.
Dewey Decimal in the UIUC Bookstacks: The Cutter Number. University of Illinois at Urbana-Champaign. Retrieved from https://www.library.illinois.edu/circ/tutorial/cutter.html.
Duarte, M. E., & Belarde-Lewis, M. (2015). Imagining: creating spaces for indigenous ontologies. Cataloging and Classification Quarterly 53, no. 5-6: pp. 677-702. Retrieved from http://digitalrhetoricandnetworkedcomposition.web.unc.edu/files/2016/01/duarte-and-belarde-creating-spaces-for-indigenous.pdf.
Foley, J. M. (2012). Oral Tradition and the Internet: Pathways of the Mind. Urbana, IL: University of Illinois Press.
Gehl, R. (2009). YouTube as archive: who will curate this digital Wunderkammer? International Journal of Cultural Studies 12(1): pp. 41-60. doi 10.1177/1367877908098854
Hast, D. E., & Scott, S. (2004). Historical Communities: Music, Dance, and the Making of a Nation. In Music in Ireland: Experiencing Music, Expressing Culture (pp. 20-42). Oxford Global Music Series. New York, NY: Oxford University Press.
_____. (2004). Irish Music and the Global Marketplace. In Music in Ireland: Experiencing Music, Expressing Culture (pp. 121-136). Oxford Global Music Series. New York, NY: Oxford University Press.
Irish Memory Orchestra: About Us. Retrieved from http://www.irishmemoryorchestra.com/.
Kearney, D. (2012). Radio and regions in Irish traditional music. In Thérèse Smith (Ed.) Ancestral Imprints: Histories of Irish Traditional Music and Dance (pp. 128-140). Cork: Cork University Press.
Lenstra, N. (2014). Cyberorganizing everyday heritage in and around public libraries: an exploratory study in Illinois. Public Library Quarterly 33: pp. 1-22. doi 10.1080/01616846.2014.877716
Library of Congress Classification. The Library of Congress. Retrieved from https://www.loc.gov/catdir/cpso/lcc.html.
Reiss, S. (2003). Tradition and imagery: Irish traditional music and the Celtic phenomenon. In Martin Stokes & Philip V. Bohlman (Eds.) Celtic Modern: Music at the Global Fringe (pp. 145-169). Lanham, MD: Scarecrow Press.
Taylor, A. G., & Joudrey, D. N. (2009). Development of the Organization of Recorded Information in Western Civilization. In The Organization of Information (pp. 67-87). Westport, CT: Libraries Unlimited.
Williams, S. (2010). New contexts in music and dance. In Focus: Irish Traditional Music (pp. 231-236). New York, NY: Routledge.
Williams, S., & O'Laoire, L. O. (2011). Irish masculinities: The Irish tenor and the sean-nós singer. In Bright Star of the West: Joe Heaney, Irish song-man (pp. 139-155). New York, NY: Oxford University Press.
Library of Congress Classification
ARTICLE AUTHOR
Christopher Girgenti, MLIS is a Library Specialist at Winthrop University (Rock Hill, South Carolina, United States) where he maintains the print and electronic serials catalog. His interest in cataloging began while working as a technical services student employee during his master's degree, which he recently obtained from The University of North Carolina at Greensboro. While pursuing the MLIS degree, Christopher was active in the School of Music and took courses in music theory and ethnomusicology. With his extensive background in music, Christopher hopes to someday become a music librarian.
Written 2018-09-17
CATALOGING CLASSIFICATION SUBJECT


ITS has four Biaxial Fatigue test machines equipped to test wheels, spindles, hubs and bearings. Having co-developed the SAE J2562 passenger car and light truck load files, our experience includes developing sports car wheels, forensic evaluation of wheel fastening systems and A-to-B comparison testing to find inboard flange hacksaw cracks. We are now approved to perform the AKR Biaxial load file and we are working with SAE to develop a North American heavy truck load file.
The two machines with tri-axial capability can impose torsion simultaneous to lateral and radial loads. This application is used in motorcycle wheel development. Our machines can impose forces up to 60kN in both directions.


Since last October's Mennonite Church Canada Assembly, more than 12 new congregations have contacted the Winnipeg office requesting information on how to develop an international Witness relationship! We give thanks for these interested congregations and for the many others who might be considering developing a more global connection through our Witness workers. If your congregation is interested in learning more about a Witness partnership and developing that international connection, please contact your Regional Church office.
Busy wrapping up activities and preparing for their transition to life in Canada, moving to Lethbridge, Alberta, Greg Rabus & Jennifer Otto expressed recently great appreciation for the care and support of Lethbridge Mennonite Church. Members from the congregation have already contacted Greg and Jennifer with offers to help. One couple in particular, Kevin & Noreen Neufeld actually came to visit the Otto/Rabus family in Ludwigshafen while traveling in Germany to visit their son and partner, "which was really nice" said Greg. We give thanks for the wonderful care demonstrated by members of Lethbridge Mennonite Church towards the Otto/Rabus family as they make the significant transition this summer from Germany to Canada.
1) Prayer for his safe itinerary travel in each city and to develop good relationships with people.
2) For Sook Kyoung (his wife) as she provides good care for children in her classes. Sook Kyoung is also having a good time with Daniel (their son) while he visits South Korea until end of August.
Tom & Christine Poovong's prayer request is that the Lord will continue to use them to be a blessing to: their home church, their partner churches, to the wider Mennonite church to their families and friends. As we're doing the Lord's work in His field and teach other people about our Anabaptist/Mennonite faith, we pray that many people will become Jesus' disciples living and walking with him every day. Our prayer is that for the next three years we will have one thousand disciples in Thailand and Laos. Tom relates the following story: "Just a few weeks ago I was at the photo shop to take my passport photo the owner asked me where I am going. When I told her I am a Mennonite Christian she was surprised and told me that she never knew any Asian Mennonites. So I had a chance to tell her my great story about our Anabaptist/Mennonite history including my own - how I became a Mennonite Christian. I believed we need to tell people more about our Mennonite faith including Asian Mennonite." Thank you Tom and Christine for reminding us that we all have a great story to tell!


text:
Every Harry Potter Movie, Ranked From Worst to Best
Posted on November 24, 2016 November 24, 2016 by Dylan Clark-Moore	Posted in MoviesTagged Fantastic Beasts and Where to Find Them, Harry Potter, Harry Potter and the Chamber of Secrets, Harry Potter and the Deathly Hallows, Harry Potter and the Deathly Hallows - Part 1, Harry Potter and the Deathly Hallows - Part 2, Harry Potter and the Goblet of Fire, Harry Potter and the Half-Blood Prince, Harry Potter and the Order of the Phoenix, Harry Potter and the Philosopher's Stone, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Sorcerer's Stone
There are few pop culture entities as pervasively beloved as Harry Potter. It's a story of hope and acceptance that has resonated with millions of people, whether on the page or on the screen. But this is NetFlakes and we don't talk about books here. The best we can do is to take a look at the Harry Potter movie franchise, which recently launched its first spin-off in Fantastic Beasts and Where to Find Them.
The ranking below is meant to be an objective look, informed by multiple sources, including but not limited to, the Rotten Tomatoes critics scores and IMDb user rankings listed. I include these as an illustration of quality and consensus. The attached opinions, on the other hand, are biased as hell.
Regrettably, as of the compilation of this list, none of these movies is currently available on Canadian Netflix but, if you're itching to watch them again, you can always pick up the box set from Amazon on Blu-ray or DVD.
9. Harry Potter and the Order of the Phoenix
Rotten Tomatoes: 78% | IMDb Score: 7.5
I'm a little shocked to see this one at the bottom. I'll admit that I may have some held-over goodwill for Order of the Phoenix since it's my favourite book of the series but, even if this movie isn't the cream of the crop, I still think it deserves better than the last place spot.
8. Harry Potter and the Philosopher's Stone
The first movie (which some brutes call Harry Potter and the Sorcerer's Stone – I mainly avoid doing so because I can never spell Sorcerer right the first time) can be a bit of a strange artifact, especially when you see where the franchise has ended up. Each of the actors grew into various degrees of talent, so it can sometimes feel a bit silly to watch these baby versions play acting the book that started it all. I've seen this one a good half-dozen times and have yet to be able to get through Neville winning the House Cup for Gryffindor without shedding a tear.
7. Harry Potter and the Chamber of Secrets
I am shocked… shocked that this isn't the bottom entry on the list. The weakest book of the franchise was also the weakest movie of the franchise. I have no associations with this story other than feelings of underwhelm…ment.
6. Harry Potter and the Goblet of Fire
The movie that launched a thousand 'ships. This movie and the next one are the ones that feel the most like they were just ticking the boxes in adapting the movie. As a result, all I really remember is how much Harry's hair wanted us to know that he felt misunderstood.
5. Harry Potter and the Half-Blood Prince
As I said before, Half-Blood Prince feels like it's got a job to do in telling its story so it grinds away at the task, making sure to hit all of the important narrative points. I'm one of the people who has struggled with Michael Gambon as Dumbledore. As a result, the big emotional thing that happens near the end that's supposed to leave you feeling hollow and hopeless just felt like another plot point to get through.
4. Fantastic Beasts and Where to Find Them
This may be the most controversial opinion I'll share today but I really loved this movie. It may, in fact be my #2 from the franchise. It's absolutely incredible to look at and I believe the performances were utterly endearing. I also appreciated how deftly morality was passed around by different characters, particularly in the final confrontation in the subway. Of all the movies, this one is the most magical.
3. Harry Potter and the Deathly Hallows – Part 1
Harry Potter and the Deathly Hallows – Part 1 is my favourite movie from the franchise. Its darker tone was earned, compared to Goblet of Fire's hairstyle shortcuts. Dobby's demise left me heartbroken. And, most importantly, this movie felt the most willing to use the medium of film in different ways to tell its story, particularly when Ron's fears are laid bare for the audience and when Xenophilius recounts the story of The Three Brothers.
Prisoner of Azkaban was the rightful standard-bearer of the series for a good long while. Like with Deathly Hallows – Part 1, it had artistic merit outside of being just a paint-by-numbers adaptation of the book.
I'm a little surprised to see this one at the top. While it was the biggest spectacle of the franchise (at least until Fantastic Beasts), it never quite caught me the same way Part 1 did. Granted, Part 2 had a lot of business to take care of in wrapping up the story but that doesn't mean it shouldn't be able to stand on its own legs. Obviously, though, both critics and audiences had a different opinion.
So what do you think? What's your favourite or least favourite of the Harry Potter movies? Even better, what does your ranking look like?
Why 'Penn & Teller: Fool Us' May Be My Favourite Reality Show Ever
Every Golden Globe Nominee You Can Watch Right Now On Canadian Netflix


Often Laos is the country ignored when planning a trip across Asia, however almost everyone comes back highlighting Laos as their fondest memories. With such natural beauty and some real life changing experiences to be had, Laos is perfect if you are considering travelling to Asia. I have written this list of things to do in Laos to help inspire your trip and ensure you have the greatest holiday experience ever.
To anyone that has been to Laos, you will undoubtedly hear story after story of how they floated down the river with a beer in hand. Tubing is hugely popular among tourists in Laos, however the danger should not be ignored as a number of people die every year from drinking too much and drowning. The Mekong river is perfect for tubing and there are many bars that coat the river, allowing you to pick up a drink as you float along. You can also take a cruise along the Mekong river, which can last a couple of days, but personally I would prefer the tubing.
This hill does not require a disturbing amount of walking, making it possible for anyone (within limit) to gain a great view of the unbeatable Laos sunset. As to be expected, there is a temple at the top of the hill, while you should give yourself plenty of time so you have a great view of sunset when it happens.
The Plains of Jar is a peculiar sight, with rocks located all over the terrain and weighing up to 6 tonnes each. The plains are in Xieng Khouang, near Phonsavan, with over 400 separate sites to explore, therefore this can easily take up an entire day.
Swimming in the pools of Khouang Sy waterfalls, also known as the Kuang Si falls, you can't help but feel a sense of tranquility and harmony. The waterfalls are located 19 miles from Luang Prabang, therefore you might want to leave early in the morning for Kuang Si, so you can spend a whole day relaxing and playing in the water. Another good alternative is the hot springs located in Bo Noi and Bo Yai. Another alternative if you love visiting waterfalls is the Tad Sae Waterfalls.
I am a fish to water and it takes a lot to keep me away for long, therefore I was always going to have kayaking or white water rafting on this list (or both in this case) and there is no better place for kayaking than the Nam Song River. Located in Vang Vieng, the view will look like something out of a postcard, while I can promise you, it is all you will think about when back in the office.
This will be the experience you will notice all over the travel guides and destination brochures, the Gibbon Experiences should be on everyone's bucket list.
You can stay in a tree house in the Bokeo Nature Reserve, which is enough to make you consider this experience alone. You will then explore the area via zip-wire, along the forest canopies. Zip Wiring is right near the top of my bucket list, while the idea of seeing Cornwall via zip-wire hasn't fully intrigued me, however zip-wiring across a forest in Laos to your bed in a tree house is beyond a dream. While zip-wiring through the jungle, you will also get to see some beautiful waterfalls as well as some eye catching sights of wildlife and some stunning landscapes. If you are a bit scared of heights, you can also trek through the forest, which is also recognised as a popular alternative.
Make sure you time this right as the area completely shuts during wet season, therefore check before you book as you will strongly regret visiting the country and missing out on one of the most extreme experiences you can live through.
Not one for people trying to avoid the tourist traps, Luang Prabang is a popular destination for good reason and is recognised as a UNESCO World Heritage Site. One of the highlights of Luang Prabang are the markets, especially the night market, which is open every day. This is a great place to pick up a souvenir for your family and friends back home. The jewellery and clothes are of a pretty decent standard considering the price, while I would highlight this as a definite if you are on a Luang Prabang holiday.
Luang Prabang is a former capital of Laos with some amazing temples located all over the place, with the ancient monastery of Wat Xieng Thong being a particular highlight. While in town, I would also recommend watching the Alms Ceremony.
Who fancies a dare? If you are taking a boat trip and happen to be passing through Ban Xang Hai, make a stop off and try some of the bizarre whiskies which are produced in the area. Some examples are whisky fermented with snakes and cockroaches. A number of fabrics are also sold for cheap in the area, if you are looking for a new piece of clothing or something nice for the curtains.
If you are travelling to Asia, make sure you check out my list of things to do in Thailand.
Let me know, did you have an amazing experience in Laos that I haven't listed above or is there anything you feel deserves to be ahead of the items in my list? Let me know in the comments below.


text:
package ru.job4j.start;

import ru.job4j.tracker.Input;
import ru.job4j.tracker.Tracker;

/**
 * Maps a selection of menu item by user.
 */
public interface UserAction {
	/**
	 * Number of action user have to select.
	 *
	 * @return Number of menu item.
	 */
	int number();

	/**
	 * Description of an action which user selects.
	 *
	 * @return Description of menu item.
	 */
	String description();

	/**
	 * Performs an action which was chosen by user.
	 * !!! Actually parameters are included here to study
	 * outer class which is in the same file where MenuTracker is.
	 * In future we can delete these parameters everywhere in descendants.
	 *
	 * @param tracker Task tracker.
	 * @param input Type of input.
	 */
	void execute(Tracker tracker, Input input);

	/**
	 * Prints out information about performed action.
	 *
	 * @return Show description of action that will be done.
	 */
	String info();
}

redpajama_set_name: RedPajamaGithub


The player controls Strangeloop the super hero. He has to destroy aliens, robot and a CPU in order to blow out a spatial factory. Strangeloop has to escape from this maze before the final explosion. The player has also to verify how many fuel, oxygen and munitions are left at any time. During the mission, he must to collect objects and avoid traps.


text:
Q: TypeError: null is not an object (evaluating 't.forEach') Firebase React Native My application was working normally, to my surprise, after some update, the system stopped working.
The moment the app tries to query some data in the database, it displays the error below.
com.facebook.react.common.JavascriptException: TypeError: null is not an object (evaluating 't.forEach'), stack:
<unknown>@736:531
<unknown>@787:4798
value@47:1279
<unknown>@758:1112
value@47:1279
<unknown>@768:1597
value@47:1279
value@27:3544
<unknown>@27:840
value@27:2798
value@27:812
value@-1

    at com.facebook.react.modules.core.ExceptionsManagerModule.reportException(ExceptionsManagerModule.java:79)
    at java.lang.reflect.Method.invoke(Native Method)
    at com.facebook.react.bridge.JavaMethodWrapper.invoke(JavaMethodWrapper.java:372)
    at com.facebook.react.bridge.JavaModuleWrapper.invoke(JavaModuleWrapper.java:151)
    at com.facebook.react.bridge.queue.NativeRunnable.run(Native Method)
    at android.os.Handler.handleCallback(Handler.java:883)
    at android.os.Handler.dispatchMessage(Handler.java:100)
    at com.facebook.react.bridge.queue.MessageQueueThreadHandler.dispatchMessage(MessageQueueThreadHandler.java:27)
    at android.os.Looper.loop(Looper.java:224)
    at com.facebook.react.bridge.queue.MessageQueueThreadImpl$4.run(MessageQueueThreadImpl.java:226)
    at java.lang.Thread.run(Thread.java:919)

Following code for analysis, noting that there was no change, I did several searches but without success.
Code *****
import React, { useState, useEffect } from 'react';
import {
  Container, Title, Form, Input, Submit, List, Name, Header, BackButton,
  ContainerList, Stats, Buttons, Conferencia, NameList, Edit, EditName,
} from './styles';
import { Image, ActivityIndicator } from 'react-native';
import Icon from 'react-native-vector-icons/MaterialIcons';
Icon.loadFont();
import logoImg from '../../assets/darmand.png';
import { useNavigation } from '@react-navigation/native';
import firestore from '@react-native-firebase/firestore';

export default function Lists() {
  const navigation = useNavigation();

  const [loading, setLoading] = useState(true);
  const [lists, setLists] = useState([]);
  const [search, setSearch] = useState('');
  const [filteredList, setFilteredList] = useState([]);

  function navigateToListProduts(list, name, user, date) {
    navigation.navigate('ListProducts', { list, name, user, date });
  }

  function navigateToProdutsAdd() {
    navigation.navigate('ListAdd');
  }

  //COMO CONSULTAR OS DADOS DE UMA SUBCOLEÇÃO. EXEMPLO ABAIXO:

  //.collection('Lists').doc('LOJA-MAO1').collection('LOJA-MAO1')
  useEffect(() => {

    const subscriber = firestore()
      .collection('Lists')
      .onSnapshot(querySnapshot => {
        const lists = [];

        querySnapshot.forEach(documentSnapshot => {
          lists.push({
            ...documentSnapshot.data(),
            key: documentSnapshot.id,
          });
        });

        setLists(lists);
        setLoading(false);
      });

      setFilteredList(
        lists.filter(list => {
          return list.name.includes(search)
        })
      )

    // Unsubscribe from events when no longer in use
    return () => subscriber();
  }, [search, lists]);

  if (loading) {
    return <ActivityIndicator />
  }

A: You can change your firestore rules

rules_version = '2';
service cloud.firestore {
  match /databases/{database}/documents {
    match /{document=**} {
      allow read, write: if true;
    }
  }
}

redpajama_set_name: RedPajamaStackExchange


Carbs are not always good but eating healthy carbs are essential for our body. One can find many vegan sweet potato recipes so I decided to mix carbs with proteins, yes you read it right carbs with proteins because in this salad I will combine sweet potatoes with bacon and eggs. This colorful bowl of health contains many flavors and textures that will fascinate your taste buds.
Heat one sauce pan with ½ litre of water and let it boil. Once boiling, place the eggs inside the water for 7 minutes.
Fry the bacon in a stainless steel pan.
Chop the fried bacon slices.
Peel and dice the sweet potato. Add it to the pan and cook until the potato is tender.
Peel the eggs, dice and stir them with the parsley, sweet potato, bacon and lemon juice.
You can substitute bacon with 4 ounces of chicken breast.
This cold sweet potato salad is a treat for everyone who always wanted to start their day healthy carbs and proteins as well. This recipe is gluten-free, mayo-free, and oil-free that's why it is completely suitable for the people on weight loss plan.


Williamsburg 30-Second Mystery Theatre: Who Stole the Alt-Lit Writer's Adderall?
Williamsburg 30-Second Mystery Theatre: Who Took Molly (The Bodega Cat, Not The Drug)?
Williamsburg 30-Second Mystery Theatre: Who Murdered the Co-Founder of Vice Media?
Williamsburg 30-Second Mystery Theatre: Marone! Who Tore Down Our Old Italian Restaurant?
Williamsburg 30-Second Mystery Theatre: Why Does the L Train Mispronounce 'Lorimer Street'?
Williamsburg 30-Second Mystery Theatre: What Happened to Elmo's Cool Comic Books?


2:42 pm BJ's Wholesale Club Holdings Inc. BJ Eddy Robert W.
2:39 pm BJ's Wholesale Club Holdings Inc. BJ Werner William C.
1:08 pm BERRY GLOBAL GROUP INC BERY Greene Jason K.
10:08 am TOLL BROTHERS INC TOL Connor Martin P.
8:50 pm EBAY INC EBAY Doerger Brian J.
7:59 pm PROTEOSTASIS THERAPEUTICS Inc PTI Gilmartin Geoffrey S.
7:01 pm ROKU INC ROKU Wood Anthony J.
7:00 pm ROKU INC ROKU Wood Anthony J.
6:05 pm IONIS PHARMACEUTICALS INC IONS O'NEIL PATRICK R.
6:04 pm TiVo Corp TIVO Sergeeff Pamela A.
5:10 pm Axalta Coating Systems Ltd. AXTA Lannon Sean M.
5:02 pm NOBLE ENERGY INC NBL Fisher Kenneth M.
4:53 pm T2 Biosystems Inc. TTOO Lowery Thomas J.
4:42 pm Performance Food Group Co PFGC Hagerty Patrick T.
4:41 pm Horizon Pharma plc HZNP CURTIS GEOFFREY M.
4:39 pm Western Union CO WU Agrawal Rajesh K.
4:28 pm Medpace Holdings Inc. MEDP Troendle August J.
4:18 pm Element Solutions Inc ESI Pershing Square Capital Management L.P.
4:17 pm ASPEN TECHNOLOGY INC AZPN Whelan Jr. Robert M.
4:16 pm NovoCure Ltd NVCR Ambrogi Michael J.
4:15 pm EXP World Holdings Inc. EXPI Goldman Alan M.
4:13 pm PAYCHEX INC PAYX Vossler Jennifer R.
4:09 pm KLA TENCOR CORP KLAC Trafas Brian M.
4:07 pm Mondelez International Inc. MDLZ Gruber Vinzenz P.
4:06 pm KIRBY CORP KEX O'Neil Christian G.
4:04 pm KIRBY CORP KEX Husted Amy D.
Sun, 21 Apr 2019 07:28:02 -0500 SEC is the U.S. Securities and Exchange Commission. EDGAR is a trademark of the SEC. SecForm4.Com is not affiliated with or approved by the U.S. Securities and Exchange Commission (SEC).


Partners in Building a Love for Nature!
The Department of the Interior Opens a new window is the lead agency for former First Lady Michelle Obama's Let's Move! Outside initiative. The Department was joined by the YMCA of the USA and the National League of Cities (NLC) to coordinate efforts to bridge the growing disconnect between young people and the great outdoors by creating meaningful connections to nature through four pillars: play, learn, serve and work.
Through this partnership, the YMCA and National League of Cities Opens a new window, with support from American Express Opens a new window, are advancing the Department of the Interior's goal of seeding and supporting efforts that bring the four pillars of play, learn, serve and work alive for millions of children, young adults and veterans in communities across the country. Read more about this work in action Opens a new window.
Youth and families from across the country will learn new skills, engage with others and develop dedication to the great outdoors through service projects, recreation and environmental education. By offering consistent access to these public lands, Let's Move! Outside is helping to inspire and foster nature lovers for life.
From Birmingham to Baltimore, Detroit to Denver, St. Louis to Los Angeles—and everywhere in between—natural wonders and historical monuments are just beyond our doorsteps. Every Kid In A Park encourages America's youth to explore and appreciate our nation's astounding beauty, its rich history, and its diverse culture by granting fourth graders FREE access to 2,000 federally managed lands, waters, and historic sites.
Together, we can make exploring these places a natural rite of passage for generations to come. Visit everykidinapark.org Opens a new window to learn more.
Through our summer camps the Y partnered with the National Park Service Opens a new window(NPS) in 2015 to create a special summer play, learn, serve, work (PLSW) outdoor program for thousands of low-income, minority youth to have their first National Park experience.
This national, multi-site initiative is introducing children and youth to opportunities to play, learn, serve and work with the National Park Service.
Contact a participating Y below for more details, or download a list of participating locations Opens a new window to see if there is a participating Y in your area.
Enter your city, state, or zip code to locate a participating open site for the Let's Move! Outside in your community.


The Geocenter is a national center of geoscientific research, education, consulting, innovation and publishing at a high international level.
Geocenter Denmark was established with the purpose of strengthen the bonds between basic and applied research and the collaboration between the partners, as well as improving the quality of geological and geographical studies to the highest international level.
Geocenter Denmark is a formalised cooperation between Geological Survey of Denmark and Greenland (GEUS), Department of Geoscience at the University of Aarhus and Department of Geosciences and Natural Ressource Management (IGN) and The Natural History Museum of Denmark at the University of Copenhagen.
You are welcome to contact Geocenter Denmark's partners.


text:
Q: Plotting hundreds of hours of data with gnuplot I am trying to plot data from a simulation that tracks simulation time in (hours):(minutes):(seconds) format, but does not turn (hours) into days - so (hours) can be in the hundreds. When gnuplot plots data by time, however ("set xdata time"), it only plots up to 99 hours in one continuous plot; after that, it loops back around and starts overplotting hour 100+ near the beginning (and even then, does weird stuff). Does anyone know why this happens and/or how to get around it?
I also looked into reading the components of the time column (which is the 3rd field of data on each line, but not necessarily a fixed number of characters into the line) in as 3 simple numbers (integers), then converting to a real number, which happens to be a decimal version of the time (e.g., 107:45:00 -> 107.75), which would be fine for the plot, but I haven't been able to figure out how to get gnuplot to do that, either.
Any other ideas are welcome.  (I would rather not alter the original file, due to the additional complexity of multiple versions of each file, having to teach others how to convert the file and how to figure out the plot didn't work because they didn't convert the file, etc.)

A: Version 2 of MathGL (GPL plotting library) have time ticks which can be set as you want (using standard strftime() format). However it is in beta version now -- stable version should appear at October 2011.


Charting the impressive rise of the medtech sector in Ireland.
Two prominent US-based businessmen have been appointed to chair a new group that will advise the Northern Ireland Executive on trade and investment opportunities.
The first and deputy first ministers made the announcement on a US visit.
Shaun T Kelly will advise on east coast opportunities and John Hartnett will advise on the west coast and Silicon Valley.
Mr Kelly, from Belfast, is the New York-based chief operating officer of professional services firm KPMG.
Mr Hartnett is the founder of SVG Partners, a technology investment company.
The men will assist Invest NI in developing opportunities as part a renewed effort investment effort that involves lower corporation tax.
The tax rate in Northern Ireland is due to be cut to 12.5% in 2018.
Mr Kelly said Northern Ireland was working in a "very competitive environment" but does stand out to potential investors.
"[Companies] are also looking at eastern Europe, India, Asia," he said.
"Yes, Northern Ireland is definitely on the map, but it's competitive and that's where the lower corporation tax is going to really help.
"It makes [Northern Ireland] a much more attractive proposition."
First Minister Arlene Foster said it was important to have "two men who know Northern Ireland very well, situated here in the United States to advocate for us".
"We will come to the United States and talk to people of influence, but they are here all the time and we felt they could help us bring more jobs to Northern Ireland."
Deputy First Minister Martin McGuinness said the two men were "doing this because they are emotionally and intellectually engaged in trying to assist our process".
Calling All AgTech and FoodTech Entrepreneurs!
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THRIVE Accelerator is an 8-week program for startup companies in the Ag Tech or Food Tech space from around the world. It begins in Spring 2016 and culminates with ten finalists highlighted at the Forbes AgTech Summit in the Summer of 2016.


text:
Evonik Industries - Get News & Ratings Daily
Enter your email address below to get the latest news and analysts' ratings for Evonik Industries with our FREE daily email newsletter:
Boyd Gaming Co. (NYSE:BYD) Given Consensus Rating of "Buy" by Analysts
UBS Group Reiterates "€23.00" Price Target for Evonik Industries (FRA:EVK)
Posted by Don Miller on Jul 14th, 2019
UBS Group set a €23.00 ($26.74) price target on Evonik Industries (FRA:EVK) in a research report released on Thursday morning, Borsen Zeitung reports. The firm currently has a sell rating on the stock.
Several other equities analysts have also weighed in on the stock. Morgan Stanley set a $165.00 price objective on shares of Caterpillar and gave the company a buy rating in a research report on Wednesday, April 10th. Sanford C. Bernstein set a €68.00 ($79.07) price objective on shares of Basf and gave the company a neutral rating in a research report on Tuesday, June 25th. Goldman Sachs Group reaffirmed a hold rating and set a $8.40 price objective on shares of Deutsche Bank in a research note on Monday, July 8th. Independent Research set a €215.00 ($250.00) price objective on shares of Munchener Ruckvers and gave the company a neutral rating in a research note on Wednesday, May 8th. Finally, Credit Suisse Group reaffirmed a hold rating on shares of Imperial Oil in a research note on Friday, April 12th. Three equities research analysts have rated the stock with a sell rating, nine have given a hold rating and ten have assigned a buy rating to the stock. Evonik Industries presently has a consensus rating of Hold and a consensus target price of €30.90 ($35.93).
Get Evonik Industries alerts:
FRA:EVK opened at €25.32 ($29.44) on Thursday. Evonik Industries has a twelve month low of €26.78 ($31.14) and a twelve month high of €32.97 ($38.34). The firm's 50-day simple moving average is €24.82.
About Evonik Industries
Evonik Industries AG engages in the specialty chemicals business worldwide. It operates through Nutrition & Care, Resource Efficiency, Performance Materials, and Services segments. The Nutrition & Care segment offers specialty chemicals, including amphoteric surfactants, ceramides, phytosphingosines, oleochemicals, quaternary derivatives, polyurethane additives, organically modified silicones, superabsorbents, amino acids and amino acid derivatives, synthesis products, pharmaceutical polymers, and DL-methionine for use in consumer goods, and animal nutrition and healthcare products.
Recommended Story: Hold Rating
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text:
Q: How to use the absolute path in the head Is there a way to get the absoulte path in the head of html?
I want to use for the absoulte path a variable. I did not find anything for this case. Is something like this possible?
 <!-- Bootstrap Core CSS -->
<link href="{absolutePATH}/css/bootstrap.min.css" rel="stylesheet">

...
<body>
<script> var absolutePATH = windows.location.href;</script>

I don´t know how can I put the var in the head. Normally we can use document.write...But in the head? There is no value, or id in the link tag.
thanks!

A: You don't need absolute path anymore, / will do the trick
   <link href="/css/bootstrap.min.css" rel="stylesheet">

A: You can use a slash (/) to references the root directory.
  <head>
    <link href="/css/bootstrap.min.css" rel="stylesheet">
  </head>

Here a list as quick reference:
   /   = Root directory
   .   = This location
   ..  = Up a directory
   ./  = Current directory
   ../ = Parent of current directory
   ../../ = Two directories backwards

If you need a client side solution in ES6 you can use this code:
  var path = window.location.href,
      sourceNode = document.createElement('link');
  sourceNode.rel = "stylesheet";
  sourceNode.href(`${path}/css/bootstrap.min.css`);
  document.head.appendChild(sourceNode);

A: You can load this CSS manually:
<html>
  <head>
    <script>
      var absolutePath = window.location.href;

      var link = document.createElement('link');
      link.rel = "stylesheet";
      link.href = absolutePath + "/css/bootstrap.min.css";
      document.head.appendChild(link);
    </script>
  </head>

Note that it will create an element targeting /css/bootstrap.min.css file, relative to the current page.
For example, if you execute this code at this page, it will try to load http://stackoverflow.com/questions/38993155/how-to-use-the-absolute-path-in-the-head/38993218/css/bootstrap.min.css.
If you want to load it using absolute path from web-site root, then simply use /css/bootstrap.min.css URL.


text:
NGC 4184 ist ein offener Sternhaufen (Typdefinition "I1p") im Sternbild Kreuz des Südens. Er wurde am 8. März 1837 von John Herschel entdeckt.

Weblinks
Simbad

Einzelnachweise

redpajama_set_name: RedPajamaWikipedia


text:
Portrait of Joachim Frederick (1546-1608), Elector of Brandenburg (1598-1608), Administrator of Magdeburg (1566-1598), 1600
Joachim Frederick (German: Joachim Friedrich) (27 January 1546 – 18 July 1608), of the House of Hohenzollern, was Prince-elector of the Margraviate of Brandenburg from 1598 until his death. Joachim Frederick was born in Cölln to John George (1525-1598), Elector of Brandenburg, and Sophie of Legnica (1525-1546). He served as administrator of the Archbishopric of Magdeburg from 1566 to 1598 and then succeeded his father as Elector of Brandenburg in 1598. Joachim Frederick's first marriage on 7 March 1570 was to Catherine of Brandenburg-Küstrin, daughter of John, Margrave of Brandenburg-Küstrin, and Catherine of Brunswick-Wolfenbüttel. Joachim Frederick's second marriage, on 23 October 1603, was to Eleanor of Prussia, born 12 August 1583, daughter of Albert Frederick and Marie Eleonore of Cleves. He became regent of the Duchy of Prussia in 1605. By the death of George Frederick of Prussia, Joachim Frederick became regent of the duchy of Prussia (ruled nominally by the mentally retarded Albert Frederick), but he had some difficulty in asserting his position (the position being established more firmly by his son and heir John Sigismund, who eventually became duke of Prussia). Joachim established the rule of primogeniture for the Hohenzollern electorate by a family agreement known as the Gera Bond (1598), which confirmed the practice begun by Albert III Achilles whereby Brandenburg formed the inheritance of the elector's eldest son. In Brandenburg he made concessions to the nobles at the expense of the peasantry and admitted the right of the estates to control taxation.


text:
Insurer Allegedly Sends Coverage Denial Letter to 9-month-old with Brain Cancer
By Anna Eliopoulos
A New York family discouraged, after getting a letter from their insurer, that their nine-month-old's cancer treatment is denied.
Connor Richardson is the newborn of a retired NYPD officer, Wayne. He tells Fox News Radio, that up until two months ago, he was a smiling normal baby.
But then he was rushed to a Long Island hospital after exhibiting symptoms that Richardson says weren't normal for his son... and that's when they found out about the cancer
"He was in the operating room. They had to relieve the fluid," Richardson says." The tumor in his brain was preventing the fluid from circulating to his spine."
A cat scan and MRI confirmed that an aggressive and rare form of cancer was affecting Connor.
"They made an attempt to remove the tumor the first time and they got approximately 85% of it, bleeding started by the pituitary gland, and they had to wait approximately a week to go back in, and the doctor believes he got it all."
However, doctors at Saint Jude's Childrens Hospital in Memphis, who had accepted him for chemo, said that they noticed that the cancerous cells had come back.
Connor continues to remain in their care, and to receive treatment.
Richardson says though that on October 11, he didn't expect to get a letter from his insurance provider that coverage for his son's treatment was denied.
"They're not covering because one of the chemo treatments is clinical," he says.
The experimental trial that their son was undergoing, with a mix of medications was considered by the letter "investigational" with no evidence of being effective.
"It's like a form letter, and the bold faced part is the part they fill on their own, and it wasn't medically necessary."
Saint Jude's provides free care to patients. So while no one is really footing the bill for treatment, Richardson says it's the principal that bothers him.
"I believe Saint Jude's should get paid for this. It's going to come out to millions of dollars I'm sure."
And Richardson adds that money is crucial to finding out how to treat and prevent cancer and other life-threatening diseases in children.
"It's taking literally millions of dollars away from their research development."
Richardson says he plans on contesting the denial.
"You have insurance but you don't really. It's really for disasters and this is a disaster and they're not willing to cover it."
According to Richardson, Connor is responding well to treatment.
Guns N' Roses Bassist Duff McKagan Releases New Song 'Tenderness' as Tease to Upcoming Solo Album
The Deplorable Choir Aiming to Make America Laugh Again
Pink Floyd's Guitarist David Gilmour is Auctioning of His Guitars
10-Year-Old Boy Goes Viral for Science Project Claiming Patriots QB Tom Brady "Cheated"; Says He Would Take QB advice from Brady


Cover of Tom Rubython's "Jesse Livermore — Boy Plunger: The Man Who Sold America Short in 1929."
Photo of South Acton, Massachusetts.
A Paine Webber office in 1920. Livermore would start off his career as a board boy at a Paine Webber office in Boston.
The inside of a bucket shop would look something like this, with a board boy writing numbers on a board that had been telegrammed in, and speculators watching anxiously.
Jesse Livermore, "Boy Plunger of Wall St," himself could never quite grow a beard.
The earlier days of the New York Stock Exchange.
Union Station in St. Louis, the largest and busiest train station in the world when it opened in 1894. Livermore would've likely passed through the station upon entering the city.
An image from 1901 of Pierrepont Morgan as a bull blowing bubbles to hungry investors. Morgan was credited with creating the bull conditions.
The lavish Breakers Hotel in Palm Beach, where Livermore would spend vacations gambling and socializing with Beach Club owner, Ed Bradley.
A Union Pacific 9043 locomotive, built in 1929.
Edward Francis Hutton in 1916.
John Pierpont Morgan, who would put millions into banks in order to prop up the economy. He was one of Livermore's personal heroes.
JP Morgan's yacht, Corsair. Livermore would buy a railcar in order to emulate Morgan.
An 1881 cartoon titled "How the Inexperienced Lose their heads," showing the cut-throat Wall Street culture which took Livermore time to learn.
The Ziegfeld Follies on stage. In later years, Livermore would have affairs with several of the dancers.
Dorothy Livermore and her sons, Jesse Jr. and Paul in Santa Barbara after 1933.
They were moneyed, high-society, and wanted nothing. It was a period of overwhelming happiness for the family.
Panoramic picture of Armour & Co.'s General Office, Union Stock Yards, Chicago, c. 1900. Livermore's own offices likely resembled the setup — though on a smaller scale.
Wall Street, 2 a.m., broker's office: Clerks sleeping in office because of excessive work caused by heavy stock business.
Dorothy Livermore with her two sons, Paul, right, Jesse Jr., center right, and her younger husband, Walter Longcope.
Dorothy asked for quick divorce and received the modest settlement of $10 million. She took custody of the boys as well as the house. On the same day, she married a younger man — a former prohibition officer.
Harriet Metz and Jesse Livermore not long after meeting in 1934.
Display in an action window, 1938.
Bankers are shown in a huddle during a recess when they were testifying before the Securities and Exchange in 1937.
Jesse Livermore Jr. was shot by his mother, Dorothea Longcope, Thanksgiving night, here shown with his mother on his return home in 1936. Their attorney is pictured center.
Jesse Livermore with wife, Harriet Metz the day before his death.
"No man can always have adequate reasons for buying or selling stocks daily — or sufficient knowledge to make his play an intelligent play," he said to Lefevre.
Central Park Plaza at the pond in New York. The Sherry Netherland is the second-tallest building in the picture.
Jesse Livemore Jr. arrives at a New York hotel, November 28, 1940, where his father, 62-year-old onetime "boy wonder" of Wall Street and then went bankrupt, was found shot to death.
Jordan Kessler, son of trader Glenn Kessler, uses his father's mobile phone and badge on the floor of the New York Stock Exchange, November 28, 2014.
Want to know what else Wall Street is reading?


Ann D. was born 1 about 1829 in Scotland. She died after 1880.
F ii Mary SMITH was born 1 about 1858 in Ontario, Canada. She died after 1880.
Hugh Clifton WALKER was born about 1894 in Teeswater, Ontario, Canada. He married 1 Annie Elizabeth SMITH on 21 Sep 1921 in Hamilton, Wentworth, Ontario, Canada.
Annie Elizabeth SMITH [Parents] was born 1, 2 on 29 Sep 1894 in Hamilton, Wentworth, Ontario, Canada. She died after 1920. She married 3 Hugh Clifton WALKER on 21 Sep 1921 in Hamilton, Wentworth, Ontario, Canada.
William SMITH died before 1868. He married 1 Christian BROWN on 9 Dec 1797 in Pitsligo, Aberdeen, Scotland.
Christian BROWN died before 1868. She married 1 William SMITH on 9 Dec 1797 in Pitsligo, Aberdeen, Scotland.
John SANGSTER.John married Isabel WILSON.
Isabel WILSON.Isabel married John SANGSTER.
Alexander SANGSTER was born about 1728. He died 1 on 17 Jan 1798 in Gamrie, Banff, Scotland. He married Margaret WILSON.
Margaret WILSON was born about 1728. She died 1 on 5 Sep 1806 in Gamrie, Banff, Scotland. She married Alexander SANGSTER.
Elizabeth PATERSON [Parents] was born 1 in 1908. She died 2 in 1980.
John James SMITH [Parents] was born 1, 2 on 1 Nov 1865 in Lea, Hereford, England. He died after 1880. He married 3 Mary Hepzibah COE on 22 Jan 1896 in Sydney, New South Wales, Australia.
Mary Hepzibah COE died 1 in 1954 in Parramatta, New South Wales, Australia. She married 2 John James SMITH on 22 Jan 1896 in Sydney, New South Wales, Australia.
Peter MITCHELL.Peter married Gertrude SMITH in 1923.
Gertrude SMITH [Parents] was born 1 in 1897 in St. Marys, New South Wales, Australia. She died after 1975. She married Peter MITCHELL in 1923.


Shoji Kawamori is finally getting an exhibition in Tokyo covering 40 years of his career.
The wonderfully talented mecha designer, director and world builder Shoji Kawamori has a new exhibition planned for this Summer.
Called the Shoji Kawamori Expo it plans to celebrate 40 years of Kawamori's work, from the original Macross to Escaflowne and even the likes of Ghost in the Shell, among many others.
The exhibition will be held at Gallery AaMo in Tokyo and will run from the end of May until the end of June.
What makes this exhibition somewhat different is that Kawamori's work is very varied as to its output. With someone like Kunio Okawara, who had a wonderful exhibition a few years ago, it's clear that he is a mecha designer.
Kawamori is a bit different, as he is not only a mecha designer but also a world builder, a director and all manner of other things. Trying to show this multifaceted aspect of Kawamori's work I think will be a real challenge.
Considering that Kawamori also has a big international following, not only across Asia but also in the U.S. and Europe, it will be interesting to see if this exhibition will cater to these international fans, as most of these kinds of exhibitions in Japan tend to overlook this.
In any case, I am just happy that Kawamori is being given an exhibition of his work finally. It really is about time.


There is an extensive size guide and an FAQ section on the website to make sure you get the right size. Garments will be delivered to your home address. Below is the compulsory kit package and any optional items that you would like to add.
Alternatively you can also purchase the kit in store from our retailer Pullens who have shops in Stanmore and Northwood at the following addresses.
If you decide to buy direct from Pullens please note that the sports clothing will be slightly more expensive.
Please can parents ensure that all items of clothing are clearly named.


text:
Q: Grails: Prevent Contents of the foreign key getting Updated I have the domain classes as shown below
class College implements Serializable
{
    String name
    String description
}

class Student implements Serializable
{
    String name
    College college
}

And I have UpdateStudent action in StudentController, which accepts Student object and updates the data in MySQL database, the problem I'm facing is the foreign key "College" is getting updated too along with "Student", which is undesirable, I just want Student object to be updated ignoring the foreign keys.
As a workaround I'm using
student.college.refresh()

in the action, which fetches college object from database and ignores the college object in student, but with big codebase it is difficult to call refresh() on college object everywhere. How can I address this problem?
I'm using Grails 3.
Sample Student Object
{
    "id":1,
    "name":"Arjun",
    "college":{
     "id":1,
     "name":"XYZ College",
     "description": "Test description"
    }
}

Here the contents of the college object should not be updated when I update Student object.

A: I'm not clear with your question but you can try following:
while saving your Student Object add deepValidate:false
student.save(deepValidate:false)

OR try following
You can add constraints to Student domain class:
static constraints = {
        college blank: true, nullable: true
    }

By default, all domain class properties are not nullable (i.e. they have an implicit nullable: false constraint).
Hope this will helps you

A: I've addressed this problem using transients in Domain, now the domain looks like
 class College implements Serializable
{
    String name
    String description
    boolean update

    transients = ['update']

    def beforeUpdate()
    {
       if(!this.update)
          return false
    }}

Now if I want to update the object voluntarily, i'll call college.update = true before college.save()


text:
Roman Vitàliovitx Kononenko (en ucraïnès Роман Віталійович Кононенко; Simferòpol, 13 d'abril de 1981) és un ciclista ucraïnès, que competeix tant en carretera com en la pista.

Palmarès en pista
 2002
  Campió d'Europa sub-23 en Persecució per equips (amb Volodymyr Zagorodny, Vitali Popkov i Volodymyr Dyudya)
 2003
  Campió d'Europa sub-23 en Persecució per equips (amb Volodymyr Zagorodny, Vitali Popkov i Volodymyr Dyudya)

Resultats a la Copa del Món
 2004-2005
 1r a Moscou, en Persecució per equips

Palmarès en ruta
 2008
 Vencedor d'una etapa a la Volta a Turíngia

Enllaços externs
 Fitxa a sitiodeciclismo.net
 Fitxa a museociclismo.it
 Fitxa a cyclebase.nl
 Fitxa als Jocs Olímpics

Ciclistes de Simferòpol
Esportistes ucraïnesos als Jocs Olímpics d'estiu de 2004
Alumnes de la Universitat Nacional d'Educació Física i Esports d'Ucraïna