Hojat Mortezaeian Rajaie Cardiovascular, Medical and Research Center, Iran University of Medical Sciences, Tehran, Iran.
Keyhan Sayadpour-Zanjani Children's Medical Center (Pediatrics Center of Excellence), Tehran University of Medical Sciences, Tehran, Iran.
Elaheh Malakan-Rad Children's Medical Center (Pediatrics Center of Excellence), Tehran University of Medical Sciences, Tehran, Iran.
Background: Despite several reports regarding the use of the Occlutech Figulla® Flex septal occluder (OFFSO) in adults, there are few reports on its use in children. We sought to study the result of the transcatheter closure of atrial septal defect (ASD) using the OFFSO in children ≤ 12 years.Methods: We enrolled 45 consecutive patients, ranging from 2.5 to 12 years of age, in two large pediatric cardiovascular centers. All the children underwent complete echocardiographic examination before the procedure. Defect/device ratio and device/weight ratio were measured. The device diameter to the cardiac diameter ratio (DD/CD ratio) in anteroposterior projection after device release and the DD/CD index were calculated by dividing the DD/CD ratio by the body surface area. Results: Of the 45 enrolled patients, 25 (55%) were female. The range and mean ± standard deviation (SD) of age were2.5 to 12 years and 6.8 ± 2.5 years, respectively. The range and mean ± SD weight were 8.5 to 37.0 kg and 19.7 ± 7.2 kg, respectively. Successful implantation was performed in all the patients. No major complications occurred in any of the subjects. We encountered one cobra head deformity in one patient. Neither residual shunt nor conduction abnormality was observed in any of the cases.Conclusion: Transcatheter ASD closure using the OFFSO was effective in our pediatric patients. Although this device needs relatively larger delivery sheaths, its use is safe while closing even large defects in children.
Mortezaeian H, Sayadpour-Zanjani K, Malakan-Rad E. Transcatheter Atrial Septal Defect Closure Using Occlutech Figulla Device: A Two-Center Experience. J Tehran Heart Cent. 8(4):197-01.


Logic: Inquiry, Argument, and Order is the first book of its kind to frame the study of introductory logic in terms of problems connected to wider issues of knowledge and judgment that arise in the context of racial, cultural, and religious diversity. With its accessible style and integration of philosophical inquiry and real-life concerns, this book offers a novel approach to the theory of logic and its relevance to questions of meaning and value that arise in the world around us.
The book poses four problems for logic: Is logic separate from experience? Does logic require dualisms? Can logic reconcile opposed ways of understanding the world? And when things are divided, does the boundary have a logic? The author begins the exploration of these questions with a discussion of the process of analyzing and constructing arguments. Using the logical theories of C. S. Peirce, John Dewey, and Josiah Royce to frame the investigation, subsequent chapters outline the process of inquiry, the concept of communicative action, the nature of validity, categorical reasoning through the theory of the syllogism, and inductive reasoning and probability. The book concludes with a presentation of modal logic, propositional logic, and quantification.
Logic is presented as emerging from the activities of inquiry and communication, allowing readers to understand even the most difficult aspects of formal logic as straightforward developments of the process of anticipating and taking action. Numerous practice problems use arguments related to issues of diversity and social theory, and the book introduces methods of proving validity that include Venn diagrams, natural deduction, and the method of tableaux.
Logic: Inquiry, Argument, and Order is an ideal book for courses on philosophical methods and critical reasoning at the upper-undergraduate and graduate levels. It is also an insightful reference for anyone who would like to explore a cross-cultural approach to the topic of logic.


text:
Home / General / BHL
BHL
He's a twelfth-rate "intellectual," but he's certainly a world-class asshole. Note in particular the contrast between these two arguments:
I am troubled by a system of justice modestly termed "accusatory," [sic] meaning that anyone can come along and accuse another fellow of any crime—and it will be up to the accused to prove that the accusation is false and without basis in fact.
I hold it against all those who complacently accept the account of this other young woman, this one French, who pretends* [my repulsion-signifying emphasis] to have been the victim of the same kind of attempted rape, who has shut up for eight years but, sensing the golden opportunity, whips out her old dossier and comes to flog it on television.
No matter what the evidence, we must assume that BHL's wealthy buddies are innocent and anyone who accuses them are guilty of something. It was hard to imagine BHL making as arguments as reprehensible as his Polanski apologias, but he's damned near pulled it off.
*Jacob Levy writes to point out that this could be an error of translation, as the French "pretendre" means "claim." The rest of the paragraph is actually consistent with BHL using "pretend" correctly, but I thought it was still worth noting.
bhl, sexual assault, victim blaming, winguttery
The War on Drugs v. the Constitution
This is how Jews work: we say "I am who I am" and we mean it.
mfm420 i (kinda, sorta) can. but only in the sense of "hey, we got 3-4 first round picks each of the next 2 years, let's trade 2 of them for something proven" (and even then, it would be the lowest pick in...
John Elway don't do sunk costs · February 2, 2023
faineg https://uploads.disquscdn.com/images/8f3e352ccf18af6652ec78956f8065e6a605b360b3e53900b281ff0d5695dc2f.jpg
Derelict https://uploads.disquscdn.com/images/cd274d5c80994cd8e424fb1d2df07e5a4f3c253f7bd17a1fa10f31edcbac5a81.png
Cole There are some really sad characters whose liv3s are so pathetic they are obsessed with the personal choices of others and all sorts of trivia that has nothing the fuck to do with them, but they used...
Derelict If you think it's weird for grown men to put on wigs, heels, rouge, and stockings, I have a question for you: Have you ever actually looked at Donald Trump? A man who wears heels (yes, Trump wears...

redpajama_set_name: RedPajamaCommonCrawl


Pleasures of Past Times perfectly describes our stock. Be prepared to find an eclectic mix of treasures from bygone eras.
Established in Notting Hill in 1965, the shop opened in Cecil Court in1967 making it amongst the oldest businesses in the court. The shop reflects our Theatreland location, specialising in books and ephemera relating to the performing arts. The walls are covered with original theatre, Music Hall and Variety playbills, programmes and periodicals dating as far back to the early 19th Century.
My husband and I were browsing around the neighbourhood before a show and discovered this amazing book shop on Cecil Court. You really feel like you taken back in time when you enter the shop. Beautiful 1st additions, poster dating back to the 1800's and some of the most amazing vintage postcards we've ever seen which are perfectly organised by subject. There's little gems everywhere if you look hard enough and we were told that the stock changes frequently due to a huge back stock that they haven't brought to the floor because of space.


Carrickfergus Grammar avenged an early season defeat to Lurgan College on Saturday morning by progressing to the second round of the Danske Bank Schools' Cup at the expenses of the Co Armagh boys.
Carrick were 22-3 home winners against Lurgan and they now face another home tie in the second round on January 24 against Belfast Royal Academy.
The draw was made by Peter Hunniford, Danske Bank Lisburn Branch, along with Stephen Black, Headmasters' Representative on the Ulster Schools' Committee at Friends' School, Lisburn where the host school had lost 16-5 against Portadown College.
The seven winners were joined in the second round draw by nine further teams: Bangor GS, Belfast HS, Belfast Royal Academy, Dalriada School, Down HS, Omagh Academy, Portora Royal School, Rainey Endowed School and Royal School Armagh.
The eight winners from round 2 will be joined in the last 16 by the remaining eight 'top' seeded teams: Ballyclare High School, Ballymena Academy, Campbell College, Methodist College Belfast, Royal Belfast Academical Institution, Coleraine Academical Institution, Wallace High School and Sullivan Upper School.
Meanwhile, the seven defeated teams in the first round, along with Strabane Academy who lost in the premliminary round to Antrim GS, go into the Danske Bank Schools' Trophy.
Ties to be played on Saturday 24th January 2015.


York Bay (York Bay) is a bay (class H - Hydrographic) in (Saint Philip), Antigua And Barbuda (North America) with the region font code of Americas/Western Europe.
Its coordinates are 17°3'0" N and 61°40'0" W in DMS (Degrees Minutes Seconds) or 17.05 and -61.6667 (in decimal degrees). Its UTM position is PD48 and its Joint Operation Graphics reference is NE20-11.


text:
Giwi Tschocheli (, ; * 27. Juni 1937 in Telawi; † 25. Februar 1994 in Tiflis) war ein sowjetischer Fußballspieler und -trainer.

Vereinskarriere
Tschocheli spielte von 1955 bis 1969 bei Dinamo Tiflis. 1964 gelang ihn mit seinem georgischen Heimatverein sogar der Meistertitel in der Sowjetunion. Er beendete seine aktive Vereinskarriere 1969.

Internationale Karriere
Tschocheli nahm an der Fußball-Europameisterschaft 1960 in Frankreich teil und gewann mit der sowjetischen Auswahl den Titel. 1962 nahm er an der Fußball-WM in Chile teil. Im Viertelfinale schieden die Sowjets gegen Gastgeber Chile aus. Insgesamt spielte er 19 Mal für die Sowjetunion.

Nach der aktiven Karriere

Nach seinem Karriereende wurde er Trainer bei Dinamo Tiflis in den Jugendabteilungen und später als Cheftrainer. Nach seiner Trainerkarriere und bis zu seinem Tod war Tschocheli Funktionär und Scout der Georgier. Tschocheli starb am 25. Februar 1994 in Tiflis.

Erfolge
 Europameister 1960 mit der Sowjetunion
 Sowjetischer Meister 1964 mit dem FC Dinamo Tiflis

Weblinks

Fußballnationalspieler (Sowjetunion)
Fußballspieler (FC Dinamo Tiflis)
Fußballtrainer (Sowjetunion)
Fußballtrainer (FC Dinamo Tiflis)
Fußballfunktionär (Sowjetunion)
Fußballfunktionär (Georgien)
Sowjetischer Meister (Fußball)
Fußballeuropameister (Sowjetunion)
Teilnehmer an einer Fußball-Weltmeisterschaft (Sowjetunion)
Sowjetbürger
Georgier
Geboren 1937
Gestorben 1994
Mann

redpajama_set_name: RedPajamaWikipedia


text:
using System;
using MonoDevelop.Components.Commands;
using MonoDevelop.Core;
using Microsoft.Win32;
using System.Reflection;
using System.IO;
using MonoDevelop.Ide;
using System.Security.Cryptography;

namespace MonoDevelop.MicroFramework
{
	class StartupHandler : CommandHandler
	{
		static void DirectoryCopy(string sourceDirName, string destDirName)
		{
			//TNX TO: http://stackoverflow.com/a/8865284/661901
			MonoDevelop.MacInterop.AppleScript.Run("do shell script \"cp -R \\\"" + sourceDirName + "\\\" \\\"" + destDirName + "\\\"\" with administrator privileges");
		}

		private static string GetChecksum(string file)
		{
			if(!File.Exists(file))
				return "";
			using(var stream = File.OpenRead(file))
			using(var sha = new SHA256Managed())
			{
				byte[] checksum = sha.ComputeHash(stream);
				return BitConverter.ToString(checksum);
			}
		}

		protected override void Run()
		{
			if(Platform.IsMac)
			{
				string addInFolder = Path.GetDirectoryName(Assembly.GetExecutingAssembly().CodeBase).Replace("file:", "");
				var registryKey = Registry.CurrentUser.OpenSubKey("Software\\Microsoft\\.NETMicroFramework\\v4.3");
				if(registryKey == null)
				{
					registryKey = Registry.CurrentUser.CreateSubKey("Software\\Microsoft\\.NETMicroFramework\\v4.3");
				}
				if(registryKey.GetValue("InstallRoot") == null)
				{
					registryKey.SetValue("BuildNumber", "1");
					registryKey.SetValue("RevisionNumber", "0");
					registryKey.SetValue("InstallRoot", "/Library/Frameworks/Microsoft .NET Micro Framework/v4.3");
				}
				bool newlyInstalled = false;
				if(!Directory.Exists("/Library/Frameworks/Mono.framework/External/xbuild-frameworks/.NETMicroFramework") ||
				   !File.Exists("/Library/Frameworks/Mono.framework/External/xbuild-frameworks/.NETMicroFramework/v4.3/Microsoft.SPOT.Hardware.PWM.dll"))
				{
					DirectoryCopy(Path.Combine(addInFolder, "files", "xbuild-framework/"), "/Library/Frameworks/Mono.framework/External/xbuild-frameworks/");
					newlyInstalled = true;
				}

				if(!Directory.Exists("/Library/Frameworks/Mono.framework/Versions/Current/lib/mono/xbuild/Microsoft/.NET Micro Framework"))
				{
					DirectoryCopy(Path.Combine(addInFolder, "files", "xbuild/"),
						"/Library/Frameworks/Mono.framework/Versions/Current/lib/mono/xbuild/");
					newlyInstalled = true;
				}

				if(!Directory.Exists("/Library/Frameworks/Microsoft .NET Micro Framework/v4.3/") ||
				   (GetChecksum("/Library/Frameworks/Microsoft .NET Micro Framework/v4.3/Tools/MetaDataProcessor.exe") != GetChecksum(Path.Combine(addInFolder, "files/frameworks/Microsoft .NET Micro Framework/v4.3/Tools/MetaDataProcessor.exe"))))
				{
					DirectoryCopy(Path.Combine(addInFolder, "files", "frameworks/"),
						"/Library/Frameworks/");
					MonoDevelop.MacInterop.AppleScript.Run("do shell script \"chmod +x \\\"/Library/Frameworks/Microsoft .NET Micro Framework/v4.3/Tools/MetaDataProcessor.exe\\\"\" with administrator privileges");
					newlyInstalled = true;
				}
				if(newlyInstalled)
				{
					MessageService.ShowMessage("MicroFramework .Net AddIn succesfully installed. Please restart Xamarin Studio to finish installation.");
				}
			}
		}
	}
}

redpajama_set_name: RedPajamaGithub


Well, you're looking at the permanent home of The Nintendo Nomad! I somehow managed to secure for this domain as well as WordPress hosting. The ideas I've had floating around in my head can finally be shared. I'm excited by the possibilities this opens up for me with regards to creating and presenting content.
The site's going to change themes as I figure out (publicly) what this place is going to look like. So be sure to let me know what you like and don't like! I'm always open to suggestions.
Excuse me while I settle in to my new digs. It's going to be a helluva good time!


Eastern North America: Nova Scotia to Florida(2), west to Texas(3), north to Saskatchewan.
Deciduous and mixed woodlands; adults are nocturnal and come to light.
The main flight period is March to August; year round in southern states.
The larvae feed on leaves of ash, basswood, birch, elm, fir, maple, poplar, willow, and other trees.


text:
'Woefully inadequate' SSP preventing workers from self-isolating, report claims
9 Dec 2020 By Lauren Brown
Resolution Foundation calls on the government to use the furlough scheme to encourage exposed employees to stay at home
The government's furlough scheme should be extended to help support employees who need to self-isolate but might choose not to because of the financial burden it poses, a report has said.
The research, published by think tank the Resolution Foundation, has warned that being asked to self-isolate because they may have been exposed to coronavirus can pose a serious financial risk to some workers, which means they may refuse to stay away from work.
It added that the current levels of statutory sick pay (SSP) – which is worth £96 a week – is "woefully inadequate", and that the minimum earnings threshold of £120 a week excludes too many people. The charity estimated some two million employees earn below this – including one in four part-time workers, and one in seven workers in retail, hospitality and leisure – leaving them with no income at all if they self-isolate at home.
Key workers at risk of losing jobs because of sick pay rules, REC warns
Furlough scheme extended until March, chancellor announces
Do self-isolating employees qualify for SSP?
Maja Gustafsson, researcher at the Resolution Foundation and co-author of the report, said asking people to self-isolate was "one of the important tools" the country has for combatting the outbreak. But, she said: "Asking workers to do that often involves a major financial sacrifice – and the UK's sick pay regime has been woefully inadequate in providing the necessary support. Many more Covid infections will have taken place as a result."
Gustafsson added that, although a vaccination programme had started, it would take months for it to fully roll out, meaning more workers will be asked to self-isolate in the months to come.
"Given the failure of the current sick pay regime, the government must turn now to the far more successful job support schemes to provide workers and firms with the financial support they need to do the right thing," she said.
The research found that while the government had acknowledged the limitations of SSP by introducing test and trace support payments – one-off payments of £500 for low earners in England and Wales asked by NHS Test and Trace to isolate – the money hadn't reached enough people, and that just one in eight workers were entitled to receive this benefit.
The report concluded by urging the government to extend the furlough scheme to include self-isolation payments for employees; to offer self-employed workers who need to self-isolate for up to 10 days grants of up to £830 using the self-employment income support scheme; and, for those ineligible, to receive an enhanced employment support allowance of £96 per week.
Alan Price, CEO of BrightHR, backed calls for workers told to self-isolate to be given more support. Employers as well as the government have "a moral duty to support employees in complying with the rules", he said.
Price added that while there is no lawful requirement to provide contractual sick pay, and doing so may be hard for businesses in this current climate, "additional pay can be a great way to retain staff, demonstrating that the company will go the extra mile to help them in difficult situations if it can".
"Providing additional financial support to those self-isolating can serve as an incentive to encourage them to follow the rules, and also encourage the continued loyalty of staff," he said.
The Resolution Foundation said while its proposed measures would help to get Covid infections down, the failure of the UK's SSP regime should not be forgotten once the pandemic has passed and called for permanent reforms to both its eligibility, generosity and operation.
December Covid absences highest since records began, figures show
ONS estimates 3 per cent of the workforce was away because of symptoms or self-isolation during the last month of 2021
Can employers reduce sick pay for unvaccinated staff?
As Ikea joins the growing list of companies opting not to provide company sick pay to isolating unjabbed workers, People Management looks at the legal risks involved
Two-thirds of employers back statutory sick pay increase, CIPD report finds
Experts lament 'broken' system and call for removal of lower earnings limit
Fixer: Manager's sickness is cause for concern
But everyone in the business seems reluctant to tackle the problem


Programs should be organized around desired business outcomes. Programs are typically cross-functional. In other words, programs bring together key players from various organizations to focus on critical organizational goals and objectives – through projects.
Your organization may have a great strategy on paper, but can't make it work in the real world. If so, you are not alone. In fact, Fortune magazine notes that 70% of all strategies fail, largely because of the inability to execute. To achieve results, strategic intent must be turned into implementable projects that are understood and owned by capable teams.
Terry shares a tool, known as "The Logical Framework Matrix," that helps organizations to define projects that are align carefully with the strategy of the organization.


Schroder, R 155th of East Brandywine; state Rep. Dan Truitt, R 156th of East Goshen; state Rep. Chris Ross, R 158th of East Marlborough; and Chester County Commissioners Ryan Costello and Terrence Farrell.
The shelter now has 50 percent more room for dogs, including new kennels and a puppy playroom. There is also 45 percent more space for cats, according to information released by the SPCA.
I want to offer my congratulations on a terrific project, Gerlach said. I was here maybe four or five years ago, and the before and after is stunning.
The renovation added 1,900 square feet to the Phoenixville Pike facility, including an improved visitor entrance and office space, an expanded cat adoption area and a future medical suite for on site vaccinations, testing, and spaying and neutering.
This is a celebration of a new beginning for Chester County s animals in need, SPCA spokesman Rich Britton said. We greatly appreciate all the support we ve gotten to make this much needed expansion and renovations a reality today.
State Sen. Andrew Dinniman, with his poodle Henry at his side, offered both congratulations to the SPCA and thanks to officials for helping the state senate pass Daniel s Law, which makes it illegal for dog owners to put their dogs to death using gas.
the 1960s, cares for about 4,500 animals each year. Officials say the new renovations will allow the shelter s workers to meet a growing demand and increase adoption rates while improving the health and reducing stress of animals that come to the shelter.
difference from then to now, Muhly said. I really think we set the bar for what shelters are supposed to be in the 21st century.
WEST GOSHEN Members of the Chester County SPCA were joined by a number of local elected officials Thursday for a ribbon cutting ceremony to formally unveil a $1.6 million renovation of the shelter s facilities.


text:
Q: How to override the fncatelog.php function in cscart I need to override the fncatelog.php in cscart in my new addon.
 My addon files :-

  1.  app/addons/newaddon/frontend/controllers/frontend/categories.post.php
  2. design/themes/response/templates/addons/newaddon/overrides/blocks/product_filters/original.tpl

  In func.php

          I need to override the fn_get_filters_products_count() this function in my newaddon.

How can I do . Please help me.

A: You can not override the whole function. But you can use hooks to modify input arguments and returning argument.
In your case hooks are

*

*get_filters_products_count_pre to modify input args,

*get_filters_products_count_before_select_filters to change query param

To know more about cscart hooks please use this link -  http://docs.cs-cart.com/4.3.x/developer_guide/core/coding_standards/hooks.html

A: You can use one of the following hook to modify data returning by this function:
get_filters_products_count_pre
get_filters_products_count_before_select_filters
get_product_filter_fields
You can read more about hooks system in CS-Cart at the http://docs.cs-cart.com/4.2.x/addons/hooking/index.html page.

redpajama_set_name: RedPajamaStackExchange


text:
MTS Chart | Top 100 - So behind on charts, lol
MTSChart21
4x Platinum Member
"My Name's Blurryface"
"Melodies stuck inside your head, a song in every breath"
Joined: October 2015
MTS Chart | Top 100 - So behind on charts, lol Oct 13, 2015 0:22:31 GMT -5
Post by MTSChart21 on Oct 13, 2015 0:22:31 GMT -5
Updated 3/8/2016: Hello, I am MTSChart and this is my personal chart. Here are some parts of history (like number ones of 2015 for example) you can look back on.
Click on the spoilers of whatever info you would like to view below (WORK IN PROGRESS)
{Number Ones Of 2014}06/22/2014: Paramore - "Ain't It Fun" (1st Week)
06/29/2014: MKTO - "Classic" (1st Week)
07/06/2014: Paramore - "Ain't It Fun" (2nd Week)
07/13/2014: Paramore - "Ain't It Fun" (3rd Week)
07/20/2014: Clean Bandit ft. Jess Glynne - "Rather Be" (1st Week)
07/27/2014: Sia - "Chandelier" (1st Week)
08/03/2014: Sia - "Chandelier" (2nd Week)
08/10/2014: MAGIC! - "Rude" (1st Week)
08/17/2014: Sam Smith - "Stay With Me" (1st Week)
08/24/2014: Charli XCX - "Boom Clap" (1st Week)
08/31/2014: Ariana Grande - "Break Free" (1st Week)
09/07/2014: Taylor Swift - "Shake It Off" (1st Week)
09/14/2014: Meghan Trainor - "All About That Bass" (1st Week)
09/21/2014: Iggy Azalea ft. Rita Ora - "Black Widow" (1st Week)
09/28/2014: Iggy Azalea ft. Rita Ora - "Black Widow" (2nd Week)
10/05/2014: Iggy Azalea ft. Rita Ora - "Black Widow" (3rd Week)
10/12/2014: Iggy Azalea ft. Rita Ora - "Black Widow" (4th Week)
10/19/2014: The Script - "Superheroes" (1st Week)
10/26/2014: The Script - "Superheroes" (2nd Week)
11/02/2014: Echosmith - "Cool Kids" (1st Week)
11/09/2014: Echosmith - "Cool Kids" (2nd Week)
11/16/2014: Charli XCX - "Break The Rules" (1st Week)
11/23/2014: Taylor Swift - "Blank Space" (1st Week)
11/30/2014: Taylor Swift - "Blank Space" (2nd Week)
{Number Ones Of 2015}05/31/2015: Ed Sheeran - "Thinking Out Loud" (1st Week) [1st #1 In Season 2]
06/07/2015: Taylor Swift ft. Kendrick Lamar - "Bad Blood" (1st Week)
06/14/2015: Wiz Khalifa ft. Charlie Puth - "See You Again" (1st Week)
06/21/2015: Wiz Khalifa ft. Charlie Puth - "See You Again" (2nd Week)
06/28/2015: Wiz Khalifa ft. Charlie Puth - "See You Again" (3rd Week)
07/05/2015: Tove Lo - "Talking Body" (1st Week)
07/12/2015: Tove Lo - "Talking Body" (2nd Week)
07/19/2015: Jason Derulo - "Want To Want Me" (1st Week)
07/26/2015: OMI - "Cheerleader" (1st Week)
08/02/2015: Demi Lovato - "Cool for The Summer" (1st Week)
08/09/2015: The Weeknd - "Can't Feel My Face" (1st Week)
08/16/2015: Ed Sheeran - "Photograph" (1st Week)
08/23/2015: R. City ft. Adam Levine - "Locked Away" (1st Week)
08/30/2015: R. City ft. Adam Levine - "Locked Away" (2nd Week)
09/06/2015: Justin Bieber - "What Do You Mean?" (1st Week)
09/13/2015: Meghan Trainor ft. John Legend - "Like I'm Gonna Lose You" (1st Week)
09/20/2015: R. City ft. Adam Levine - "Locked Away" (3rd Week)
09/27/2015: R. City ft. Adam Levine - "Locked Away" (4th Week)
10/18/2015: Fetty Wap ft. Remy Boyz - "679" (1st Week)
10/25/2015: Drake - "Hotline Bling" (1st Week)
11/01/2015: Adele - "Hello" (1st Week) [DEBUT AT #1]
11/08/2015: Fetty Wap ft. Monty - "My Way" (1st Week)
11/15/2015: Rudimental ft. Ed Sheeran - "Lay It All On Me" (1st Week)
11/22/2015: Justin Bieber - "Purpose" (1st Week)
11/29/2015: Justin Bieber - "Purpose" (2nd Week)
12/06/2015: Justin Bieber - "What Do You Mean?" (2nd Week)
12/13/2015: Skrillex & Diplo ft. Justin Bieber - "Where Are U Now" (1st Week)
12/20/2015: Skrillex & Diplo ft. Justin Bieber - "Where Are U Now" (2nd Week)
12/27/2015: Shawn Mendes - "Stitches" (1st Week)
{Number Ones Of 2016}01/03/2016: Justin Bieber - "Sorry" (1st Week)
01/10/2016: The Weeknd - "The Hills" (1st Week)
01/17/2016: twenty øne piløts - "Stressed Out" (1st Week)
01/24/2016: twenty øne piløts - "Stressed Out" (2nd Week)
01/31/2016: ZAYN - "PILLOWTALK" (1st Week) [DEBUT AT #1]
02/07/2016: ZAYN - "PILLOWTALK" (2nd Week)
02/14/2016: ZAYN - "PILLOWTALK" (3rd Week)
02/21/2016: ZAYN - "PILLOWTALK" (4th Week)
03/06/2016: ZAYN - "PILLOWTALK" (6th Week) [Ties The Record]
03/13/2016: ZAYN - "PILLOWTALK" (7th Week) [NEW RECORD]
03/27/2016: twenty øne piløts - "Stressed Øut" (3rd Week)
04/03/2016: Mike Posner - "I Took A Pill In Ibiza (Seeb Remix)" (1st Week)
04/10/2016: Mike Posner - "I Took A Pill In Ibiza (Seeb Remix)" (2nd Week)
ORIGINAL POST FROM 10/13/2015
Well, here I am. I decided to make an account and post my chart on here, I have already done 19 weeks of my chart (this will be the 20th week) but don't worry, if you want to see any of the weeks from 1-19 just look up MTS Chart on YouTube. I am currently in Season 2 because Season 1 just randomly ended for some reason. Enough with the introduction, let's get to the chart. Oh and btw, I have a points system, but it is based off nothing, it just what I decide the points should be and it is only here to show the gaps between 1 song and another, after a while, I may develop some kind of points system but for now, this what I have.
Now for the chart highlights (which will be posted weekly on this thread on Saturdays while the whole chart will be up on Sundays)
LOCKED AWAY HOLDS OFF FETTY WAP AND REMY BOYZ IN CLOSE RACE FOR #1
Locked Away was able to hold on to the top spot for the 4th week in a row, but Fetty Wap and Remy Boyz are closing the gap with their hit, 679.
679 was able to shrink the gap to just a 1k point difference. There is a good possibility that 679 will be able to take that #1 spot next week, but it will be really close.
Meanwhile, at the bottom of the top 3, Lay It All On Me jumped to #3 this week after debuting at #8 last week (which is the 2nd highest debut in Season 2 history. The highest debut was Ellie Goulding's new hit, On My Mind, which debuted at #3) but it is still not close enough to be a contender for #1 quite yet. Maybe a music video could help it.
Because of the jump that Lay It All On Me had, it was able to push Photograph down from #3 to #4. It also pushed down 2 other top 5 songs from last week, My Way (4-5) and Where Are U Now (5-6)
Outside of all that, Stitches and One Call Away had a close battle for the #7 spot, but Stitches was able to hold on to that #7 spot. Despite One Call Away losing the battle, it was still able to rise 9-8. Stitches and One Call Away were strong enough to beat What Do You Mean? which was forced down to #9. What Do You Mean did peak at #1 on it's 2nd week on the chart, which set the record for the biggest jump and the biggest jump to #1 in chart history. It jumped from it's debut position of #54 up to the top spot.
Rounding out the top 10 this week is The Weeknd's 2nd hit, The Hills. The Hills didn't really gain any points this week, but it was able to rise 12-10 because of losses by Levels (which fell from 10-12) and On My Mind (which dropped to #14 from the #11 spot)
A few other highlights outside of the top 10. That's How You Know and Nothing But Trouble had a very close fight for #22. In the end, "Nothing But Trouble" was able to beat "That's How You Know" by 0.03k (or 30) points, which is the new record so far. About You and Hula Hoop also made good jumps up the chart this week. Hula Hoop is OMI's 2nd hit and after only 3 weeks, it has reached the top 30 after jumping 36-30 this week. About You has already had a good start. It started at #70 and then jumped to #44 and this week, it lands at #32. This would be Trey Songz' 2nd hit of Season 2 [He had NaNa as a hit in Season 1 back in Summer of 2014 and he had Slow Motion earlier in Season 2] and it is racing with Hula Hoop up the charts. It will be interesting to see which one ends up getting the higher peak.
One other thing, Thinking Out Loud was the first number 1 of season 2 (it was #1 on week 1 of season 2) and it is still going strong as it barely gets back in the top 20. It jumped 22-20 this week and beat RGF Island by 0.6k (600) points this week.
Now for the full chart
TW SONG ARTIST LW PEAK WKS POINTS NOTES
#1 Locked Away R. City ft. Adam Levine 1 1(6) 12 205.5k 4 Consecutive Weeks at #1
#2 679 Fetty Wap ft. Remy Boyz 2 2(3) 14 204.2k Fetty Wap's Highest Peaking Song
#3 Lay It All On Me Rudimental ft. Ed Sheeran 8 3 2 187.7k
#4 Photograph Ed Sheeran 3 1(1) 16 166.0k
#5 My Way Fetty Wap ft. Monty 4 4(2) 14 163.9k
#6 Where Are U Now Skrillex & Diplo ft. Justin Bieber 5 4 20 155.3k
#7 Stitches Shawn Mendes 7 7(3) 17 149.6k
#8 One Call Away Charlie Puth 9 8 5 149.3k
#9 What Do You Mean? Justin Bieber 6 1(1) 7 133.3k
#10 The Hills The Weeknd 12 4 15 119.8k
#11 Hotline Bling Drake 16 11 6 118.2k
#12 Levels Nick Jonas 10 10 7 109.4k
#13 Growing Up Macklemore & Ryan Lewis ft. Ed Sheeran 15 13 10 107.4k
#14 On My Mind Ellie Goulding 11 3 3 99.0k
#15 Same Old Love Selena Gomez 20 15 5 98.8k
#16 Like I'm Gonna Lose You Meghan Trainor ft. John Legend 13 1(1) 14 96.5k
#17 Bad Girls MKTO 25 11 20 96.2k Biggest Rebound In History
#18 Timebomb Tove Lo 17 10(3) 15 95.1k
#19 Magnets Disclosure ft. Lorde 30 19 2 94.9k
#20 Thinking Out Loud Ed Sheeran 22 1(1) 20 94.0k The First #1 Of MTS Season 2
#21 RGF Island Fetty Wap 14 14 4 93.4k
#22 Nothing But Trouble Charlie Puth ft. Lil Wayne 24 22 6 89.07k
#23 That's How You Know Nico & Vinz ft. Kid Ink, Bebe Rexha 28 23 6 89.04k
#24 Nobody Love Tori Kelly 27 20 15 87.4k
#25 Should've Been Us Tori Kelly 26 22 17 87.0k
#26 Zero Chris Brown 32 26 4 85.4k
#27 Follow Me Hardwell ft. Jason Derulo -- 27 1 84.7k HOT SHOT DEBUT
#28 Five More Hours Deorro & Chris Brown 31 28 13 83.5k
#29 Cheyenne Jason Derulo 18 4 15 81.0k
#30 Hula Hoop OMI 36 30 3 79.9k OMI's 2nd Hit On The Chart
#31 How Deep Is Your Love Calvin Harris ft. Disciples 21 2 10 77.3k
#32 About You Trey Songz 44 32 3 77.0k
#33 Tell Your Friends The Weeknd 19 5 7 72.4k
#34 Trap Queen Fetty Wap 23 3 20 71.9k
#35 Can't Feel My Face The Weeknd 33 1(1) 16 70.5k
#36 Alive Sia 37 36 2 69.9k
#37 Moments Tove Lo 38 37 8 69.1k
#38 Cool For The Summer Demi Lovato 34 1(1) 15 66.7k
#39 Downtown Macklemore & Ryan Lewis ft. Eric Nally,
Melle Mel, Kool Moe Dee, and Grandmaster Caz 42 39 7 65.3k
#40 Do It Again Pia Mia ft. Chris Brown, Tyga 29 9 12 61.7k
#41 Again Fetty Wap 41 29 9 59.9k
#42 Renegades X Ambassadors 40 31 13 59.6k
#43 Unbreakable Smile Tori Kelly 39 24 13 59.3k
#44 Good For You Selena Gomez ft. A$AP Rocky 35 6 16 52.6k
#45 Body On Me Rita Ora ft. Chris Brown 43 21 8 52.2k
#46 El Perdón (Forgiveness) Nicky Jam & Enrique Iglesias 49 39 9 51.7k
#47 Talking Body Tove Lo 50 1(2) 20 47.8k
#48 Confident Demi Lovato -- 38 3 46.9k RE-ENTRY
#49 Writing's On The Wall Sam Smith 54 49 2 46.6k
#50 Hold My Hand Jess Glynne 55 50 3 44.5k
#51 Powerful Major Lazer ft. Ellie Goulding, Tarrus Riley 52 51 3 44.3k
#52 I Was Made
For Loving You Tori Kelly ft. Ed Sheeran 45 25 13 42.5k
#53 Runnin' (Lose It All) Naughty Boy ft. Beyoncé, Arrow Benjamin 58 52 4 41.1k
#54 Sugar Robin Schulz ft. Francesco Yates 56 54 3 38.7k
#55 Roots Imagine Dragons 47 47 2 38.5k
#56 Cheerleader OMI 48 1(1) 20 38.1k
#57 Dark Times The Weeknd ft. Ed Sheeran 51 17 6 30.9k
#58 Jugg Fetty Wap ft. Monty 46 20 3 29.5k
#59 I Don't Like It,
I Love It Flo Rida ft. Robin Thicke 57 23 14 27.6k
#60 Run Away With Me Carly Rae Jepsen 62 49 12 27.4k
#61 Ghost Town Adam Lambert 53 35 13 23.5k
#62 Wildest Dreams Taylor Swift 59 5 10 22.3k
#63 White Iverson Post Malone 68 63 3 21.9k
#64 Here Alessia Cara 74 64 4 21.3k
#65 Hold Each Other A Great Big World ft. FUTURISTIC 69 65 2 21.2k
#66 Today's The Day P!nk 75 66 2 20.8k
#67 Firestone Kygo ft. Conrad Sewell 71 67 3 19.1k
#68 Back To Back Drake 60 38 5 16.1k
#69 Area Code Nick Jonas -- 69 1 15.8k DEBUT
#70 Uma Thurman Fall Out Boy 61 41 13 12.4k
#71 One Man Can Change
The World Big Sean ft. Kanye West, John Legend 63 44 9 11.1k
#72 See You Again Wiz Khalifa ft. Charlie Puth 64 1(3) 20 10.7k
#73 Lean On Major Lazer & DJ Snake ft. MØ 65 8 20 8.2k
#74 Right Hand Drake 66 61 3 6.9k
#75 Marvin Gaye Charlie Puth ft. Meghan Trainor 73 31 13 6.7k
#76 All Eyes On You Meek Mill ft. Nicki Minaj, Chris Brown 70 17 13 4.2k
#77 Where Ya At Future ft. Drake 76 76 3 3.9k
#78 Around The World Natalie La Rose ft. Fetty Wap 77 4 13 3.2k
#79 Shut Up And Dance WALK THE MOON 78 6(2) 20 2.6k
#80 Want To Want Me Jason Derulo 79 1(1) 20 2.5k
Drop-Outs:
Disclosure ft. Sam Smith- Omen: [LW:80|Peak:17|Wks:10]
Majid Jordan ft. Drake- My Love: [LW:72|Peak:66|Wks:2]
Chris Brown- Liquor: [LW:67|Peak:59|Wks:2]
Bubbling Under:
Ellie Goulding- Something In The Way You Move (1.6k Points)
Becky G- Break A Sweat (1.1k Points)
Little Mix- Love Me Like You (0.9k Points)
K. Camp- Comfortable (0.6k Points)
Pharrell Williams- Freedom (0.5k Points)
Last Edit: May 8, 2017 14:13:00 GMT -5 by MTSChart21
MTS Chart | Top 100 - So behind on charts, lol Oct 17, 2015 23:58:36 GMT -5
Post by MTSChart21 on Oct 17, 2015 23:58:36 GMT -5
WEEK 21 OCTOBER 18, 2015
CHART HIGHLIGHTS [PREVIEW]
Fetty Wap and Remy Boyz barely grabbed the #1 spot this week over Locked Away
This week's battle for #1 was the closest battle for #1 in chart history. 679 barely passed Locked Away. 679 is Fetty Wap's first #1 out of his total of 6 songs to chart. On the full release of the whole chart, you will see that all of those 6 are still charting. As for the Remy Boyz, this is also their first #1 and their only song to chart with the name of Remy Boyz. Monty has had 3 total songs to chart (all of them being with Fetty Wap) and those would be 679, My Way, and Jugg, while P. Dice has had nothing, except for 679.
[10/20/2015 UPDATE: Now that I have brought back the points system, I can now announce that 679 has beaten Locked Away by 3 points, which is a new record. 679 had 208,567 points this week, while Locked Away came up short with 208,564 points.]
Now on to #2, Locked Away by R. City and Adam Levine. Locked Away came so close to having a 7th week at the top spot, but it came up just short to 679. As of October 18th 2015, Locked Away holds the records for most total weeks at #1 (6 weeks) and most consecutive weeks (4 weeks) at #1.
Outside of the extremely close battle, between Locked Away and 679 for #1, is My Way by Fetty Wap and Monty (1 of the 3 charting songs that Monty is in) which places in at #3 this week. This now means that #3 is the new peak for My Way. My Way is Fetty's 3rd top 3 hit and Monty's 2nd top 3. 679 (as mentioned earlier) peaked at #1 and was Fetty's 2nd (and Monty's 1st) top 3 hit. Trap Queen, which was Fetty's first top 3, peaked at #3 earlier this year.
Because of the jump by Fetty and Monty, Lay It All On Me slides down (3-4) but meanwhile at the #5 spot, Justin Bieber returns to the top 5 yet again with Where Are U Now, which peaked at #4 a couple months ago. So, Where Are U Now slides (6-5) and reclaims a place in the top 5. Maybe Where Are U Now can finally pass it's peak of #4 in a few weeks, we will have to see.
After the close battle for #7 and #8 last week, we had another close battle between the same 2 songs, Stitches and One Call Away, except this time, Stitches was able to expand the gap over One Call Away a bit more. Stitches went up (7-6) while One Call Away was behind it and moved up (8-7) giving both the songs a new peak. Those 2 songs were able to move up a position because of Photograph falling (4-8) and not gaining anything this week, but Photograph was close to placing at #6 this week, which would've kept Stitches and One Call Away at the same positions that they were at last week, but Photograph didn't have enough to do so.
Jumping into the top 10 at #9 this week is Same Old Love by Selena Gomez. Same Old Love rises (15-9) and it reaches another new peak. This week is a pretty big week for Selena because of her album being released. You should see a few songs from her album on the chart when the whole chart is released.
Rounding out the top 10 this week is Justin Bieber's 2nd charting hit, What Do You Mean? and it went down to (9-10) this week.
Other chart highlights: Bad Girls, by MKTO, rises (17-14) this week. Bad Girls has had the biggest and best rebound in chart history. It peaked at #11 back on Week 4 in June and after week 4, it started falling rapidly down the chart and it went down to #66 on week 11 and then it started to rebound and go up the chart and now it is back in the top 15, at #14 this week, and it could be getting a new peak very soon.
At #16 this week is Area Code by Nick Jonas. Last week, Area Code entered at #69 and it went up 53 places (69-16) this week. This ties the record set by Justin Bieber when What Do You Mean? jumped 53 positions from #54 up to #1.
Check back later today (Sunday, October 18, 2015) to see the full chart and see where the other Fetty Wap and Selena Gomez songs are at.
Mikey likes this
Last Edit: Oct 20, 2015 9:08:38 GMT -5 by MTSChart21
MTS TOP 80 SONGS | OCTOBER 18, 2015 | WEEK 21 | SEASON 2
Well, I know I am late, but here is the chart [As of October 20th 2015, I am bringing back the points system. The points in the chart below were added on October 20th, not on October 19th (PTSLW means Points Last Week and PTSTW means Points This Week)]
SONG ARTIST LW PEAK WKS PTSLW PTSTW
#1 ▲
679 Fetty Wap ft. Remy Boyz 2 1(1) 15 204.2k 208.567k
#2 ▼
Locked Away
1 1(6) 13 205.5k 208.564k
Fetty Wap ft. Monty
5 3 15 163.9k 193.7k
Lay It All On Me
Rudimental ft. Ed Sheeran
3 3 3 187.7k 187.9k
Where Are U Now
Skrillex & Diplo ft. Justin Bieber
Shawn Mendes 7 6 18 149.6k 155.1k
One Call Away Charlie Puth 8 7 6 149.3k 154.8k
Photograph Ed Sheeran 4 1(1) 17 166.0k 153.2k
Same Old Love Selena Gomez 15 9 6 98.8k 143.7k
#10 ▼
Justin Bieber 9 1(1) 8 133.3k 142.3k
#11 ►
Hotline Bling Drake 11 11(2) 7 118.2k 139.3k
#12 ▲
Growing Up Macklemore & Ryan Lewis ft. Ed Sheeran
13 12 11 107.4k 122.7k
The Hills The Weeknd 10 4 15 119.8k 121.7k
Bad Girls MKTO 17 11 21 96.2k 118.6k
Levels Nick Jonas 12 10 8 109.4k 107.3k
Area Code Nick Jonas 69 16 2 15.8k 99.7k
Like I'm Gonna Lose You
Meghan Trainor ft. John Legend 16 1(1) 15 96.5k 98.3k
Magnets Disclosure ft. Lorde 19 18 3 94.9k 97.8k
On My Mind Ellie Goulding 14 3 4 99.0k 93.8k
Timebomb Tove Lo 18 10(3) 16 95.1k 93.2k
Nothing But Trouble Lil Wayne & Charlie Puth 22 21 7 89.07k 92.5k
That's How You Know Nico & Vinz ft. Kid Ink, Bebe Rexha
23 22 7 89.04k 92.3k
RGF Island Fetty Wap 21 14 3 93.4k 89.5k
Should've Been Us Tori Kelly 25 22 18 87.0k 89.2k
20 1(1) 21 94.0k 87.4k
Nobody Love Tori Kelly 24 20 16 87.4k 86.5k
About You Trey Songz 32 27 4 77.0k 86.2k
Hula Hoop OMI 30 28 4 79.7k 86.0k
Five More Hours Deorro & Chris Brown
28 28 14 83.5k 83.5k
Follow Me Hardwell ft. Jason Derulo 27 27 2 84.7k 83.1k
Cheyenne Jason Derulo 29 4 16 81.0k 78.7k
Zero Chris Brown 26 26 5 85.4k 77.3k
Trap Queen Fetty Wap 34 3 21 71.9k 76.9k
Renegades X Ambassadors 42 31 13 59.6k 74.5k
Downtown Macklemore & Ryan Lewis ft. Eric Nally,
Melle Mel, Kool Moe Dee, and Grandmaster Caz 39 35 8 65.3k 73.7k
Confident Demi Lovato 48 36 3 46.9k 72.6k
Good For You Selena Gomez ft. A$AP Rocky 44 6 17 52.6k 71.8k
El Perdon (Forgiveness) Nicky Jam & Enrique Iglesias 46 38 10 51.7k 70.2k
Hold Each Other A Great Big World ft. FUTURISTIC 65 39 3 21.2k 69.7k
Moments Tove Lo 37 37 9 69.1k 68.9k
Body On Me Rita Ora ft. Chris Brown 45 21 9 52.2k 65.7k
Hold My Hand Jess Glynne 50 42 4 44.5k 61.7k
Alive Sia 36 36 3 69.9k 60.6k
Powerful Major Lazer ft. Ellie Goulding, Tarrus Riley 51 44 4 44.3k 59.8k
Runnin' (Lose It All) Naughty Boy ft. Beyoncé, Arrow Benjamin 53 45 5 41.1k 58.6k
Can't Feel My Face The Weeknd 35 1(1) 17 70.5k 57.4k
#47 N Better When I'm Dancin' Meghan Trainor -- 47 1
Again Fetty Wap 41 29 10 59.9k 55.7k
Cool For The Summer Demi Lovato 38 1(1) 15 66.7k 54.8k
Jugg Fetty Wap ft. Monty 58 20 4 29.5k 52.1k
#51 N
Break A Sweat Becky G -- 51 1 1.1k 50.0k
Run Away With Me Carly Rae Jepsen 60 49 13 27.4k 47.5k
Here Alessia Cara 64 53 5 21.3k 45.9k
Camouflage Selena Gomez -- 54 1
White Iverson Post Malone 63 55
How Deep Is Your Love Calvin Harris & Disciples 31 2 11 77.3k 41.3k
Something Better Audien ft. Lady Antebellum -- 57 1
Rise Selena Gomez -- 58 1
Unbreakable Smile Tori Kelly 43 24 14 59.3k 39.5k
Do It Again Pia Mia ft. Chris Brown, Tyga 40 9 12 61.7k 39.2k
Sober Selena Gomez -- 61 1
Me And The Rhythm Selena Gomez -- 62 1
Tell Your Friends The Weeknd 33 5 8 72.4k 37.7k
#64 N Perfect Selena Gomez -- 64 1
Talking Body Tove Lo 47 1(2) 21 47.8k 36.8k
Roots Imagine Dragons 55 47 3 38.5k 35.6k
I Was Made For Loving You Tori Kelly ft. Ed Sheeran 52 25 14 42.5k 34.3k
#68 R Don't Bryson Tiller -- 68 2
Something In The Way You Move Ellie Goulding -- 69 1 1.6k 32.1k
Cheerleader OMI 56 1(1) 21 38.7k 26.5k
See You Again Wiz Khalifa ft. Charlie Puth 72 1(3) 21 10.7k 19.6k
Cologne Selena Gomez -- 72 1
Back To Back Drake 68 38 8 16.1k 16.2k
Where Ya At Future ft. Drake 77 74 4 3.9k 11.6k
Shut Up And Dance WALK THE MOON 79 6(2) 21 2.6k 7.5k
Want To Want Me Jason Derulo 80 1(1) 21 2.5k 7.3k
#77 N Love Me Like You Little Mix -- 77 1 0.9k 6.9k
#78 N Kill Em With Kindness Selena Gomez -- 78 1
#79 N Revival Selena Gomez -- 79 1
Lean On Major Lazer & DJ Snake ft. MØ 73 8 21 8.2k 4.6k
Drop-Outs (14)
Sam Smith- Writing's On The Wall [LW:49|Peak:49|Wks:2]
Robin Schulz ft. Francesco Yates- Sugar [LW:54|Peak:54|Wks:3]
The Weeknd ft. Ed Sheeran- Dark Times [LW:57|Peak:17|Wks:6]
Flo Rida ft. Robin Thicke, Verdine White- I Don't Like It, I love It [LW:59|Peak:23|Wks:14]
Adam Lambert- Ghost Town [LW:61|Peak:35|Wks:13]
Taylor Swift- Wildest Dreams [LW:62|Peak:5|Wks:10]
P!nk- Today's The Day [LW:66|Peak:66|Wks:2]
Kygo ft. Conrad Sewell- [LW:67|Peak:67|Wks:3]
Fall Out Boy- Uma Thurman [LW:70|Peak:41|Wks:13]
Big Sean ft. Kanye West, John Legend [LW:71|Peak:44|Wks:9]
Drake- Right Hand [LW:74|Peak:61|Wks:3]
Charlie Puth ft. Meghan Trainor- Marvin Gaye [LW:75|Peak:31|Wks:13]
Meek Mill ft. Nicki Minaj, Chris Brown- All Eyes On You [LW:76|Peak:17|Wks:13]
Natalie La Rose ft. Fetty Wap- Around The World [LW:78|Peak:4|Wks:13]
This Week's Debuts (13)
Meghan Trainor- Better When I'm Dancin (#47) [HOT SHOT DEBUT]
Becky G- Break A Sweat (#51)
Selena Gomez- Camouflage (#54)
Audien ft. Lady Antebellum- Something Better (#57)
Selena Gomez- Rise (#58)
Selena Gomez- Sober (#61)
Selena Gomez- Me And The Rhythm (#62)
Selena Gomez- Perfect (#64)
Ellie Goulding- Something In The Way You Move (#69)
Selena Gomez- Cologne (#72)
Love Me Like You (#77)
Selena Gomez- Kill Em With Kindness (#78)
Selena Gomez- Revival (#79)
This Week's Re-Entries (1)
Bryson Tiller- Don't (#68)
Halsey- New Americana (4.2k)
Nelly ft. Jeremih- The Fix (3.3k)
Travi$ Scott- Antidote (1.7k)
Lil Dicky ft. Fetty Wap, Rich Homie Quan- $ave Dat Money (1.1k)
K. Camp- Comfortable (0.4k)
Pharrell Williams- Freedom (0.2k)
Selena Gomez has 10 songs on the chart this week. Which is the most for one artist in history. 2nd place is Fetty Wap with 7 songs (All of them are still charting) on the chart.
Surfboardt, yuh, and 1 more like this
Last Edit: Oct 20, 2015 10:04:57 GMT -5 by MTSChart21
markg94
MTS Chart | Top 100 - So behind on charts, lol Oct 20, 2015 17:12:12 GMT -5 via mobile
Post by markg94 on Oct 20, 2015 17:12:12 GMT -5
Great chart! Especially happy to see Same Old Love reach top 10!
yuh
you got me some type of way
Joined: August 2015
Post by yuh on Oct 21, 2015 11:04:14 GMT -5
Great #1! Also glad that Same Old Love is top 10!
Great chart!
#1 songs per year:
2014: Iggy Azalea ft. Rita Ora "Black Widow"
2015: Selena Gomez ft. ASAP Rocky "Good For You"
2016: Ariana Grande "Into You"
2017: Koit Toome & Laura "Verona"
2018: Ariana Grande "no tears left to cry"
2019: Ariana Grande "break up with your girlfriend, i'm bored"
Oct 21, 2015 11:04:14 GMT -5 yuh said:
Thanks, I will be releasing the top 10 on Saturday. (HINT: Justin Bieber's "Sorry" and Adele's "Hello" could leave a big impact on next week's chart. Not Sunday's chart but the week after Sunday since they were released too late in the week to be counted)
yuh likes this
Last Edit: Nov 4, 2015 16:10:08 GMT -5 by MTSChart21
Drake is heating up the chart because his song "Hotline Bling" is claiming #1 this week
In another close battle for #1, Drake's "Hotline Bling" roars up (11-1) this week and stops 679 from getting a 2nd week at #1.
Hotline Bling is our #1 for this week and it sure is a great song to "dance" to. The dance reference is from Drake's Hotline Bling music video (Drake's moves became a vine sensation) that was released on Monday, October 19, 2015. Speaking of Drake's video, it helped Hotline Bling fly past Locked Away and 679 (and every song in the top 10 last week) and reach #1 this week.
679 almost got another week at #1 this week, but Drake obviously claimed it this week. If Drake didn't release the music video this week, 679 would've beaten Locked Away in another close battle for #1. Next week should be an easy week for 679 to get back to #1 since Drake will lose a bit of points since the music video got alot of points this week (and first-week video points are usually more than second-week since the hype of the video draws in more viewers on the first week) and also since Locked Away hasn't been gaining as much as 679 recently.
With 679 moving down (1-2) because of Hotline Bling, Locked Away (as mentioned earlier) was close to passing 679 this week. Locked Away moved down (2-3) this week and still stays right behind Fetty Wap and Remy Boyz.
With the trend of songs moving down by 1 position, My Way by Fetty Wap and Monty moves down (3-4) after reaching it's new peak of #3 last week. The video is the only thing that is keeping this song in the top 5.
Well, finally, we get a song that isn't going down this week. Stitches by Shawn Mendes slides up (6-5) and gets a new peak this week. Right behind it, once again, is One Call Away by Charlie Puth which also slid up this week (7-6) and also gets a new peak. Next week could be the week where One Call Away passes Stitches because a new remix was released of One Call Away with Tyga.
Look at what is still staying strong in the top 10. Photograph by Ed Sheeran actually got some gains this week and moved upward (8-7) this week. This is surprisingly holding up longer than expected and it is really making a statement. If I am not mistaken (I could be wrong because I dont officially know yet) Photograph has spent more weeks in the top 10 than any other song that has reached the top 10.
A song that I thought could get to the top 3 may or may not be almost on its way out. Where Are U Now tumbles down (5-8) and lost a bit in points this week, but not as much as a regular song with 22 weeks on the chart would lose. It appears that even though it is sliding down the top 10, it is still gaining and still has a chance to get into the top 3.
We have a new song in the top 10 and this one is very interesting. MKTO's hit song Bad Girls finally has a new peak. So, back in week 4, Bad Girls peaked at #11 and started its downfall. On week 11, it got to its lowest charting position, #66. Just when it was about to drop out, it rebounded up to #53 and was quite a shocker, but it didn't stop there. It kept making jumps (Jumps of 5-10 places every week) up the chart. It kept going up, until week 18, it went down from 23 to 28, but that was because of the songs that passed it. After that it went up to 25, then 17, then 14. And now, this week, it finally got to the top 10 and redeemed itself. It moved up 5 places (14-9) and this is basically a mission complete (come back and get top 10) for this song. This will be very hard to beat since rebounding from a hard and quick fall to beat its former peak of 11 and get to #9.
Now, on to #10. Lay It All On Me falls (4-10) as it loses a bit of points (Again, not that many points. No song in the top 10 really lost much points at all) and it just couldn't beat the songs that passed it this week. This isn't done yet, but I am not sure if it will reach top 2.
Other notable movements from outside the top 10: Same Old Love fell (9-12) but is not close to being done yet. OMI passes Trey Songz in the race for the higher peak. Hula Hoop jumps (28-18) while About You also makes a jump (27-19) and it looks as if this race will end up being close. It also looks like these 2 songs are on their way to the top 10.
Thank you, come back on Sunday (October 25, 2015) for the full chart.
Taking the long view...
Post by House Lannister on Oct 27, 2015 8:05:20 GMT -5
Oct 23, 2015 8:48:06 GMT -5 MTSChart21 said:
Thanks, I will be releasing the top 10 on Saturday. (HINT: Justin Bieber's "Sorry" and Adele's "Hello" could leave a big impact on next week's chart. Not Sunday's chart but the week after Sunday since they were released to late in the week to be counted)
Pretty much that's the same thing I'm doing for my chart. Want to give both songs a week to impact fully. Although I'm probably going to give Sorry another week or two to give What Do You Mean a chance to grow some more before falling.
I'm a fan of all top 3 songs on your chart. And it's nice to hear that Bad Girls is getting a legitimate second chance to do some damage.
Those are some nice charts, by the way, and look forward to your newest one.
You play the Game of Thrones or it plays you...
Well, I was late (again) but here is the full chart.
TW SONG ARTIST LW PEAK WKS LWPTS TWPTS
#1 Hotline Bling Drake 11 1(1) 8 139.3k 214.6k
#2 679 Fetty Wap ft. Remy Boyz 1 1(1) 16 208.567k 214.5k
#3 Locked Away R. City ft. Adam Levine 2 1(6) 14 208.564k 214.4k
#4 My Way Fetty Wap ft. Monty 3 3 16 193.7k 199.8k
#5 Stitches Shawn Mendes 6 5 19 155.1k 165.4k
#6 One Call Away Charlie Puth 7 6 7 154.8k 164.3k
#7 Photograph Ed Sheeran 8 1(1) 18 153.2k 161.0k
#8 Where Are U Now Skrillex & Diplo ft. Justin Bieber 5 4 22 157.5k 153.7k
#9 Bad Girls MKTO 14 9 22 118.6k 152.3k
#10 Lay It All On Me Rudimental ft. Ed Sheeran 4 3 4 187.9k 151.7k
#11 What Do You Mean? Justin Bieber 10 1(1) 9 142.3k 142.3k
#12 Same Old Love Selena Gomez 9 9 7 143.7k 139.8k
#13 Confident Demi Lovato 36 13 5 72.6k 137.7k
#14 The Hills The Weeknd 13 4 16 121.7k 130.8k
#15 Growing Up Macklemore & Ryan Lewis ft. Ed Sheeran 12 12 12 122.7k 118.6k
#16 Like I'm Gonna Lose You Meghan Trainor ft. John Legend 17 1(1) 16 98.3k 101.5k
#17 Better When I'm Dancin Meghan Trainor 47 17 2 56.7k 100.9k
#18 Hula Hoop OMI 28 18 5 86.0k 100.8k
#19 About You Trey Songz 27 19 5 86.2k 100.6k
#20 Levels Nick Jonas 15 10 9 107.3k 100.2k
#21 That's How You Know Nico & Vinz ft. Kid Ink, Bebe Rexha 22 21 8 92.3k 99.4k
#22 Moments Tove Lo 40 22 11 68.9k 97.6k
#23 Area Code Nick Jonas 16 16 3 99.7k
#24 Magnets Disclosure ft. Lorde 18 18 4 97.8k 94.7k
#25 On My Mind Ellie Goulding 19 3 5 93.8k 93.6k
#26 Nothing But Trouble Lil Wayne & Charlie Puth 21 21 8 92.5k 92.9k
#27 Should've Been Us Tori Kelly 24 22 19 89.2k 91.2k
#28 Timebomb Tove Lo 20 10(3) 17 93.2k 90.1k
#29 Thinking Out Loud Ed Sheeran 25 1(1) 22 87.4k 88.2k
#30 Nobody Love Tori Kelly 26 20 17 86.5k 85.7k
Melle Mel, Kool Moe Dee, and Grandmaster Caz
35 31 9 73.7k 85.5k
#32 RGF Island Fetty Wap 23 14 6 89.2k 83.1k
#33 Renegades X Ambassadors 34 31 15 74.5k 82.9k
#34 Five More Hours Deorro & Chris Brown 29 28 15 83.5k 81.4k
#35 Hold Each Other A Great Big World ft. Futuristic 39 35 4 69.7k 81.2k
#36 Good For You Selena Gomez ft. A$AP Rocky 37 6 18 71.8k 79.5k
#37 El Perdon (Forgiveness) Nicky Jam & Enrique Iglesias 38 37 11 70.2k 79.1k
#38 Trap Queen Fetty Wap 33 3 22 76.9k 77.7k
#39 Follow Me Hardwell ft. Jason Derulo 30 27 3 83.1k 71.6k
#40 Hollow Tori Kelly -- 40 1
#41 Hold My Hand Jess Glynne 42 41 5 61.7k 69.9k
#42 Cheyenne Jason Derulo 31 4 17
#43 Powerful Major Lazer ft. Ellie Goulding, Tarrus Riley 44 43 5
#44 Cool For The Summer Demi Lovato 49 1(1) 16
#45 Alive Sia 43 36 4
#46 Zero Chris Brown 32 26 6
#47 Body On Me Rita Ora ft. Chris Brown 41 21 10
#48 Can't Feel My Face The Weeknd 46 1(1) 18
#49 Again Fetty Wap 48 29 11
#50 Run Away With Me Carly Rae Jepsen 52 49 14
#51 Stone Cold Demi Lovato -- 51 1
#52 Waitin For You Demi Lovato ft. Sirah -- 52 1
#53 Camouflage Selena Gomez 54 53 2
#54 Runnin (Lose It All) Naughty Boy ft. Beyonce, Arrow Benjamin 45 45 6
#55 Jugg Fetty Wap ft. Monty 50 20 5
#56 White Iverson Post Malone 55 55 5
#57 Here Alessia Cara 53 53 6
#58 Talking Body Tove Lo 65 1(2) 22
#59 Don't Bryson Tiller 68 59 3
#60 Kingdom Come Demi Lovato ft. Iggy Azalea -- 60 1
#61 Love Me Like You Little Mix 77 61 2
#62 Unbreakable Smile Tori Kelly 59 24 15
#63 Something In The Way You Move Ellie Goulding 69 63 2
#64 Break A Sweat Becky G 51 51 2
#65 Shut Up And Dance WALK THE MOON 75 6(2) 22
#66 Roots Imagine Dragons 66 47 4
#67 The Fix Nelly ft. Jeremih -- 67 1
#68 Want To Want Me Jason Derulo 76 1(1) 22
#69 How Deep Is Your Love Calvin Harris & Disciples 56 2 12
#70 Something Better Audien ft. Lady Antebellum 57 57 2
#71 Where Ya At Future ft. Drake 74 71 5
#72 Cheerleader OMI 70 1(1) 22
#73 See You Again Wiz Khalifa ft. Charlie Puth 71 1(3) 22
#74 $ave Dat Money Lil Dicky ft. Fetty Wap, Rich Homie Quan -- 74 1
#75 Antidote Travis Scott -- 75 1
#76 Do It Again Pia Mia ft. Chris Brown, Tyga 60 9 12
#77 New Americana Halsey -- 77 1
#78 Sober Selena Gomez 61 61 2
#79 Rise Selena Gomez 58 58 2
#80 Lean On Major Lazer & DJ Snake ft. MØ 80 8 22
The rest of the post will be finished later
MTS Chart | Top 100 - So behind on charts, lol Nov 2, 2015 12:41:11 GMT -5
Post by MTSChart21 on Nov 2, 2015 12:41:11 GMT -5
WEEK 23 NOVEMBER 1, 2015
Say "Hello" to Adele! Adele debuts at #1 and has a huge gap over 2nd place.
Adele is back and better than ever. Adele's Hello debuts at the top spot this week and becomes the 1st song in the history (including season 1 and season 2) of MTS Chart to debut at #1. Not only did she debut at #1, she has a huge lead over the rest of the songs on the chart. Stay tuned later today to see the amount of points that Hello got.
At #2, is Justin Bieber's new song Sorry. This means that this is the first week in history for 2 songs to debut at #1 and #2 on the same chart. Hello and Sorry both beat the previous record for highest debut in history. The record was previously held by Ellie Goulding's On My Mind which debuted at #3 a couple months ago. Speaking of On My Mind, Ellie Goulding's hit song On My Mind falls (25-32) but somehow doesnt lose much points at all.
Now for the rest of the top 3, Locked Away stays at #3 this week and this means that Locked Away was able to pass 679 and Hotline Bling. Locked Away still has a chance to return to #1 if the top 2 songs dont last much longer. Locked Away is still gaining in points and it isn't stopping
Another brand new song and another brand new record that has been set. #4 goes to One Direction brand new hit song Perfect. This now sets a record for most debuts in the top 5, most debuts in the top 10, 4th highest debuting song (tied with Taylor Swift's Shake It Off) in history. And with this debut, they have passed their previous highest peaking song. Drag Me Down peaked at #10 a few months ago.
Closing the top 5 this week is 679 by Fetty Wap and Remy Boyz. 679 falls (2-5) this week but still hasnt lost much points. It mainly fell because of the 3 debuts above it.
At #6 is a very surprising rise by Ed Sheeran. Photograph moves up (7-6) and it seems to be holding on strong as the weeks go by. Back to the songs that moved down this week, Drake's Hotline Bling falls from the top spot (1-7) this week and that isn't much of a surprise because the video hype was mostly here last week. What is a surprise is how far it fell. It fell all the way to #7 and it almost was able to stay in the top 5, but 679 and Photograph had a bit of an edge over Hotline Bling. My Way falls (4-8) and like the other songs above it, it didnt really lose points, it's just getting held back by the other songs above it. Same goes for #9 and #10, Stitches (which falls 5-9) and One Call Away (which falls 6-10)
Check back later today for the full chart
Surfboardt likes this
MTS TOP 80 SONGS | NOVEMBER 1, 2015 | WEEK 23 | SEASON 2
Achievements Of The Week
Highest Debut: Hello- Adele (#1)
Highest Re-Entry: Back Together- Robin Thicke ft. Nicki Minaj (#58)
Biggest Jump: $ave Dat Money- Lil Dicky ft. Fetty Wap, Rich Homie Quan (74-29) (Up 45)
Biggest Drop: Zero- Chris Brown (46-74) (Down 28)
-Song points, drop outs, and bubbling under will be added later.
Joined: July 2014
MTS Chart | Top 100 - So behind on charts, lol Nov 3, 2015 17:53:29 GMT -5 via mobile
Post by Narwhals on Nov 3, 2015 17:53:29 GMT -5
Nice chart, 80 songs is a lot to rank, I have a hard enough time ranking 25.
Your top two is the same as the latest Hot 100.
$ave dat money is hilarious and nice to see so many Fetty Wap songs. "Roots" is a great song too nice to see it on the chart!
jakelmmrs44
Post by jakelmmrs44 on Nov 5, 2015 15:48:08 GMT -5
You posted your first post the exact same way I did 367 days ago. Your top 2 and Focus' starting rank is the EXACT same as mine, lol, and I like it.
Great chart.
Nov 5, 2015 15:48:08 GMT -5 @jakelmmrs44 said:
Wow, that has to be the best coincidence I ever saw. LOL. Just a bit better than the other coincidence that occurred earlier this week. It was 12 days ago (10 days before Week 23) that I decided the top 2 for the week 23 chart. Then, 9 days later, Hello is announced at #1 and Sorry is announced at #2. So let's just say that Billboard read my mind and stole my top 2 before I uploaded my chart. XD
@jakelmmrs44
@markg94
Tell me if you would like me to tag you in this chart every week.
Also, if you want, I can tag you in both of my charts every week. Just tell me and I will
Post by yuh on Nov 5, 2015 16:32:30 GMT -5
You can tag in both
Ok, I will
Sorry for being late again, I had this post almost finished on Saturday but I didn't have enough time to finish it, so here we go again. Btw, the chart should be up later today and it may (or may not, idk yet) be a top 100 chart.
WEEK 24 | NOVEMBER 8, 2015
Fetty Wap gets his 2nd #1, Ariana Grande jumps into top 10, Justin Bieber debuts in top 20
Well, Adele has gotten knocked off the top spot this week, and it wasn't by a song we'd expect. Fetty Wap and Monty's hit song, My Way, jumps up to #1 (8-1) and it is because of one unexpected reason. It had a random spark in points. Even though I didnt keep track of points last week, I think My Way would've had about 160k points, but this week, it has 367k points and it barely beats Adele.
Speaking of Adele, her brand new hit song, Hello, debuted at the top spot last week. Even though I didnt do points last week, I only did points for 1 song, Adele's song, and that's because it got 1,276,000 points. This week, Hello has 364,000 points (which is expected because of Hello being on its second week.) I think Adele can regain number 1 next week if 1 certain song doesnt get there first. (That song will be mentioned later)
At #3, which was #3 last week, is Locked Away. The hit song by R. City and Adam Levine that spent 6 weeks at #1 seems to be holding on strong. Quite frankly, it still has a chance to get more weeks at #1.
As you see, near the top of the post, Ariana Grande jumped into top 10. Ariana's new song Focus jumps up (22-4) and it appears that she is doing something right. This may not be one of her best, but she got to the top 5, so that is good for her.
Ranking in at #5 is Fetty Wap's other current top 10 song, 679. Fetty Wap and Remy Boyz got to #1 a few weeks ago with this song and it is showing no signs of going away. That's good news for Fetty wap fans.
Justin Bieber debuted at #2 last week with his new song, Sorry. With that #2 debut and Adele's #1 debut, last week may have been the only time we will see a #1 and #2 debut in the same week. But back to the song, Sorry slides down (2-6) basically because it got alot more points last week than it did this week. I am guessing that Sorry would've gotten around 573k points last week. To see it's points for this week, check back later for the full chart, it will have the points.
Drake's Hotline Bling stays put at #7 this week and is still holding on strong. Speaking of songs holding on strong, Ed Sheeran's Photograph is having one of the most impressive runs and is still in the top 10 after all these weeks. Another impressive thing is that it looks like this could be in the top 10 for at least 10 more weeks.
Now to the uninteresting part. The songs between #9 and #12 have all stayed the same. Stitches at #9, One Call Away at #10, What Do You Mean at #11, Where Are U Now at #12.
Lets bring up the topic of the impressive runs. Where Are U Now is still in contention for #1 after 24 weeks. You must be thinking "How does it have a chance if it is back at #12?" well there are 2 things. 1, JB's album release should easily push this up to top 5 and most likely past it's peak of #4. 2, pretend there is no album release. It still has a good chance since it is still gaining on points and it seems determined to get to the top 3.
Other chart highlights:
Yes, the race between Trey Songz and OMI is still happening. Trey Songz' song, About You, rose (14-13) while OMI's song, Hula Hoop, slid down (18-20) The thing is, OMI didnt lose points and is still gaining so he could still get a higher peak than Trey Songz.
The Hills by The Weeknd is not giving up yet as it rises (16-14) and can possibly get back in the top 10 for a couple weeks.
Tove Lo's new single from her album, Queen Of The Clouds, rises (17-15) to a new peak. The single is called Moments and it has been charting on this chart for 13 weeks now.
"All alone as you look through the door, nothing left to see" are some of the lyrics in Rudimental's hit, Lay It All On Me. The reason I wrote that is because without the music video, that may have been true for this song. But now that music video is out, the song is expected to turn around and jump straight into the top 10. This is where I bring up the topic from earlier. Yes, this song (which I must remind you, is featuring Ed Sheeran) is that 1 certain song that can beat Hello for #1 next week. It will be interesting for the top 2 spots next week as Hello and Lay It All On Me will be the obvious contenders.
Justin Bieber's 4th single and 4th hit on this chart is here. I'll Show You debuts at #19 and it should be an easy top 10 hit. It has the music video, the hype, and the album release.
Tags: yuh @jakelmmrs44 House Lannister
Zedd, yuh, and 1 more like this
MTS Chart | Top 100 - So behind on charts, lol Nov 10, 2015 13:46:31 GMT -5
Post by MTSChart21 on Nov 10, 2015 13:46:31 GMT -5
IMPORTANT NEWS!!! I wanted to say this before the chart so I can answer any confusions. Since this is a top 100, I had to change the name from top 80 to top 100. If you know, I have another chart called "MTS Hot 100 Song Chart." I will make this clear. This chart is called My Top 100 and the other one is called Hot 100. Also, this chart (the TOP 100) is the only 1 of my 2 charts that is named "MTS Chart."
MTS TOP 100 SONGS | NOVEMBER 8, 2015 | WEEK 24 | SEASON 2
Highest Debut: #19 | I'll Show You- Justin Bieber
Highest Re-Entry: #83 | Back To Back- Drake
Biggest Jump: #33 | Hollow- Tori Kelly (62-33) (+29)
Biggest Fall: #84 | Five More Hours- Deorro & Chris Brown (45-84) (-39)
yuh @jakelmmrs44 House Lannister Surfboardt
Surfboardt, World top 40, and 2 more like this
Last Edit: Nov 10, 2015 13:48:15 GMT -5 by MTSChart21
WEEK 25 NOVEMBER 15, 2015
Ed Sheeran snags a 3rd number 1 and stops Adele from returning to #1.
Another interesting week on this chart. Adele had an easy shot at a 2nd week at #1 until... The release of Rudimental's new music video for Lay It All On Me. This has helped Lay It All On Me jump to #1. It beat Adele by 2k points. This is Rudimental's first #1 and Ed Sheeran's third #1. Ed Sheeran previously had "Photograph" and "Thinking Out Loud" at #1.
As mentioned, Adele barely missed #1. She stays at #2 this week with her first single from her upcoming album, "25" That single is her brand new hit, Hello. Hello was the only song in the history of MTS Chart to debut at #1. Hello is also Adele's first charting song since my chart started back in June 2014 and season 2 started in May 2015.
Staying at #3 once again is Locked Away by R. City and Adam Levine. Nothing much to talk about here. No real big gains in points but it is staying strong. Also staying strong is 679. Fetty Wap's biggest hit on this chart rises (5-4) this week and seems to not want to die. Hotline Bling by Drake is also not wanting to die and quite frankly is still gaining a decent amount of points after hitting number 1 about a month ago.
I mentioned earlier that Ed Sheeran had 3 #1's on this chart. Photograph was one of those. Photograph rises (8-6) and is continuing that impressive run. It has spent 21 weeks on this chart and has spent 16 weeks in the top 10. Which (I think, I don't officially know) is the most weeks in the top 10 for any song in season 2. The most official weeks in the top 10 for one song goes to Paramore's hit "Ain't It Fun" which set that record in season 1. Photograph should easily break that record at this rate.
Speaking of Ed Sheeran, another song that is holding strong is his biggest hit, Thinking Out Loud. Thinking Out Loud rises (27-25) and it has been charting since week 1 of season 2.
Sorry by Justin Bieber slips (6-7) but it won't be slipping next week. Well, if it does slip, it will be slipping into the top 3. The release of Justin Bieber's brand new album "Purpose" should easily send all of his charting songs up the chart and we will probably see quite a few new song by him on the chart next week. Let's look at his 3 songs that should easily be in the top 10 next week. What Do You Mean? (which slides up 12-11) Where Are U Now by Skrillex & Diplo ft. Justin Bieber (which swapped with WDYM and slid 11-12) and his brand new hit song I'll Show You (Sliding up 19-14)
2 songs that moved up by 1 this week are Stitches by Shawn Mendes (9-8) and One Call Away by Charlie Puth (10-9) and it seems that One Call Away just can't pass Stitches.
Rounding out the top 10 is Trey Songz' hit About You. Trey Songz is still beating OMI in the race for the highest peak as About You jumps (13-10) and Hula Hoop by OMI returns to its peak as it moves up (20-18) and spend its 3rd week at #18.
Come back on Monday or Tuesday for the full chart.
MTS Chart | Top 100 - So behind on charts, lol Nov 18, 2015 2:00:12 GMT -5 via mobile
Post by MTSChart21 on Nov 18, 2015 2:00:12 GMT -5
Sorry for the wait. I had the chart finished Tuesday (yesterday) afternoon but I wasn't able to get the points done so the chart will be up in the morning.
MTS CHART | MY TOP 100 SONGS | NOVEMBER 15, 2015 | WEEK 25 | SEASON 2
Yeah, I'm late again, but hopefully week 26 will be up on time. It won't be easy since Sunday is in 4 days, but I will try.
Now to avoid confusion, as you see in the chart, there are the colors of dark gray and light gray. Dark Gray = Bullet and Light Gray = No Bullet. As you see, there are songs that have a bullet but lost points, that's because of the following: It either didn't lose enough to not have a bullet, or it gained but it didn't gain enough to make it get more points than last week. I know it seems weird, but yeah. And for the songs that gained points but don't have a bullet. Either: It's about to begin falling in the next few weeks, or it didn't really gain much this week but still got more points than last week. It kind of doesn't make sense but whatever.
In about 15 minutes, there will be a post regarding next week's and a possible takeover by 1 artist.
Now here is the chart:
Highest Debut: #52 | The Feeling- Justin Bieber ft. Halsey
Biggest Jump (Tie):
#67 | 1Hunnid- K. Camp ft. Fetty Wap (90-67) (+23)
#76 | Hold Me Up- Conrad Sewell (99-76) (+23)
Biggest Fall: #90 | Confident- Demi Lovato (71-90) (-19)
Purple = Highest Debut
Light Blue = Debut (Any song that debuts but isn't the highest debut)
Dark Blue = Re-Entry
Green (White Text) = Biggest Jump
Red (White Text) = Biggest Fall
Dark Gray = Bullet
Light Gray = No Bullet
@jakelmmrs44 yuh Narwhals Surfboardt House Lannister
Week 26 (Sunday) is shaping up to be a crazy week. Justin Bieber released his new album "Purpose" on Friday and all the songs will count for week 26. Purpose (the song) only made it on week 25 because of having barely enough points to make it. The Feeling and Love Yourself debuted on week 25 because they were previewed earlier in the week so they had enough points.
Justin Bieber could break alot of records. All of his charting songs will most likely jump next week and he could break the record for highest jump int he process. He may also break Selena Gomez's record for most songs on the chart in 1 week. The record is 10.
With that record being possibly broken next week, that means the songs at the bottom of the chart are trying to fight to stay on the chart. It will be the most active week in MTS Chart history.
Stay tuned on Saturday for the chart preview. And stay tuned for the full chart on Sunday (or Monday or Tuesday)
Post by jakelmmrs44 on Nov 19, 2015 14:45:51 GMT -5
Love your #1!
Nov 19, 2015 14:45:51 GMT -5 @jakelmmrs44 said:
Thanks, hopefully you will like my #1 for next week. Next week's chart (week 26) will be crazy and the number 1 will be unexpected.
Post by House Lannister on Nov 19, 2015 22:17:34 GMT -5
Enjoying your top 8.
Definitely need to check out One Call Away and Again.
Wow, Perfect has fallen hard.
Glad to see that I'm not the only one who preferred Growing Up to Downtown.
I'm hoping to chart Sugar, Runnin', and Hold Each Other sooner rather than later. Glad to see all 3 are on your chart.
Good chart!
MTSChart21 likes this
MTS TOP 100 SONGS | NOVEMBER 22, 2015 | WEEK 26 | SEASON 2
Justin Bieber gets his 2nd number 1 and breaks many records
We have an unexpected number 1, but since I started liking this song a lot more than I thought I would, it has beaten #2..... by a lot.
Justin Bieber recently released his brand new album, Purpose. We will talk about that alot in this post. I am posting the commentary late because I wanted to explain the entries and then you can see the chart.
So, on to the top 10. #1 is Justin Bieber's song, Purpose. Let's look at the records it broke.
-Biggest Jump In History (100-1) (+99) And obviously that cannot be beaten since 100 is the lowest number on the chart and #1 is the highest. It can only be tied.
-Most points by any song in 1 week (4,737,000)
-Biggest gain in points (2,000-4,737,000) (+4,735,000)
But Justin Bieber isn't done breaking records just yet.
At #2 is Justin's single, Sorry. It rises (7-2) this week with huge points gains. Justin also claims #3 and #4 this week as Where Are U Now jumps (12-3) and What Do You Mean? rises (11-4). After many weeks, Where Are U Now has finally passed its previous peak of #4.
Taking a break from the Justin Bieber takeover, we have then very strong single by R. City and Adam Levine. Locked Away charts another week in the top 5 and is still not dying. Before we talk about the other 2 songs (that aren't by Bieber) that managed to stay in the top 10, let's talk about the other Justin Bieber top 10 entries.
#6 goes to I'll Show You by Justin Bieber, it jumps (14-6) this week. #10 is Love Yourself by Justin Bieber (co-written by Ed Sheeran, we'll talk about Ed in a bit) and this claims the 2nd biggest jump in chart history as it jumps (74-10) this week. Adding on to that, Justin also gets a top 10 debut. At #8 is No Pressure by Justin Bieber and Big Sean.
Now on to the 2 songs that somehow managed survive the top 10 wrath of Justin Bieber. Adele's Hello falls (2-7) and if it wasn't for Justin, it would've stayed at #2. And with Justin's takeover, the following song still managed to continue its long run in the top 10. Ed Sheeran's hit single Photograph survives and after a close call, it keeps its amazing run in the top 10. If it could stay in the top 10 this week, I think it will be here for a few more weeks at least.
Outside of the top 10 is crazy. A bunch of songs went down because of JB and most of those song that went down still had gains this week.
Let's look all of Justin's new entries:
#11- All In It
#13- Hit The Ground
#19- Children
#23- Mark My Words
#24- Life Is Worth Living
#33- We Are (ft. Nas)
#35- Company
#36- Get Used To It
#37- No Sense (ft. Travi$ Scott)
#40- Trust
#41- Been You
And there's a song by Justin that debuted last week. The Feeling (ft. Halsey) jumps (52-16).
This means that Justin broke Selena Gomez's record for most songs on the chart by 1 artist. He has 19 songs on the chart. Every song from the deluxe version of his album is on this chart, except the What Do You Mean? remix. Since it is a remix, it was included in WDYM?'s points. And he has "Hit The Ground" from the Japan version.
This makes him the first artist to have every song from his album on the chart.
Also, this is the 3rd week in a row that Justin Bieber has gotten the highest debut. Justin also broke the record for most songs in the top 10 (and the record for most songs in the top 5) by 1 artist.
yuh @jakelmmrs44 Surfboardt @markg94 House Lannister
Highest Debut: #8 | No Pressure- Justin Bieber
ft. Big Sean
Biggest Jump: #1 | Purpose- Justin Bieber (100-1) (+99)
Biggest Fall: #98 | Waitin' For You- Demi Lovato ft. Sirah (48-98) (-50)
Surfboardt and yuh like this
MTS Chart | Top 100 - So behind on charts, lol Nov 23, 2015 21:13:14 GMT -5 via mobile
Post by Zedd on Nov 23, 2015 21:13:14 GMT -5
Tag me
www.last.fm/user/GucciGangGone
MTS Chart | Top 100 - So behind on charts, lol Nov 24, 2015 9:32:06 GMT -5
Nov 23, 2015 21:13:14 GMT -5 Zedd said:
Alright, no problem.


text:
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Home » News » Press Release: Parliamentary meeting to ask, "What is the future for our conservation areas?"
Press Release: Parliamentary meeting to ask, "What is the future for our conservation areas?"
FOR IMMEDIATE RELEASE 4 May 2018
Call comes ahead of meeting to launch a new report and website highlighting conservation areas at risk
Civic Voice – the national charity for the civic movement – has today called for communities to join the Big Conservation Conversation campaign by sharing examples of conservation areas at risk. The call comes ahead of a Parliamentary meeting to discuss the future of conservation areas.
The meeting will take place in The Attlee Suite, Portcullis House on 8th May. Registration is required to attend. You can register your place at https://www.eventbrite.co.uk/e/appg-for-civic-societies-future-of-conservation-areas-tickets-44510417858
Joan Humble said; "We are gathering evidence through the Big Conservation Conversation to ensure conservation areas are given greater resources and protection because we want to see improved community awareness and understanding of the nature and value of Conservation Areas. With stronger support for Conservation Areas among politicians and policy makers, national and local more Conservation Areas protected from damaging change."
Between 2017-2020 and with the support of Laura Sandys, the civic movement is raising awareness of conservation areas and we want community groups across the country to join us and show your support.
Laura Sandys said; ""A report, new website to be launched at the meeting will be a fantastic one-stop shop for civic societies and other community groups to find out how hey can play a greater role in reducing heritage at risk. We want communities to go on the website and share examples of conservation areas at risk."
NOTES FOR EDITORS
• Civic Voice is the authoritative voice of the civic movement and represents 75,000 individual members affiliated to 275 civic groups across England. More information at http://www.civicvoice.org.uk
Ian Harvey .(JavaScript must be enabled to view this email address)
T 0121 792 8177 / 07877096968
Follow us on Twitter: @civic_voice
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← Going to Pieces
Potter Revisited →
Posted on March 15, 2015	by What would Julia do?
I started writing this post in February, and have been looking at it, tinkering with it, and adding to it ever since. Watching the Academy Awards this year, and clicking, during and afterward, through the electronic diaspora of comments on my phone, I pondered the common denominator in these posts and comments that Birdman (or blah, blah, blah) was the leading contender for best picture for the very fact that it was about show business. I have not seen Birdman and it's not on my list. For better or worse, I'm just not a big fan of Michael Keaton. (My favorite of his performances is his Monty Python cast impersonation in Kenneth Branagh's adaptation of William Shakespeare's Much Ado About Nothing.) In any case, this story of Broadway won Best Picture, to no one's surprise, except perhaps Richard Linklater's. (Boyhood is another movie I'm unlikely to see, as I'm no fan of children, but Patricia Arquette's speech was pretty fucking amazing. An unnamed friend has loaned me a screener, but I'm thus far untempted.)
I will admit that I was largely apathetic towards the awards while I watched them, and had only seen two of the major nominees: Into the Woods (really, really good if you haven't seen it onstage; pretty, pretty good otherwise, but Meryl of the blue hair was stellar, as much as Bernadette Peters will always hold a tender centimeter in the blackness of my heart) and The Grand Budapest Hotel (just heartbreakingly wonderful, Mr Anderson appears to be neglecting Sturges for Lubitsch these days and watching it win the technical awards it won was kind of weird until I realized that Anderson creates his own worlds on earth as well as–or better than– George Lucas creates them in outer space.) Close to a month later, I'm still pretty apathetic to the awards: the most emotionally moving moments of the evening for me were the commercials for the last season of Mad Men and the blind girl watching The Wizard of Oz. (Lady Gaga, though, can certainly sing, and if she can act, I'd love to see her in Funny Girl on Broadway. Also, fucking JULIE ANDREWS!!!) I've since seen The Imitation Game, and thought that Benedict Cumberbatch did an amazing job of reprising his astonishingly brilliant performance of Sherlock Holmes. If only Dr Watson had been there before the chemical castration.
Me watching the Oscars
And can I just say that the awards are getting very commercial without sounding like Charlie Brown? Back in the day when Johnny Carson hosted them, they seemed really grand and important and true, but that might be because the '70s was the last truly great decade of film. Or, because I was a child, and everything seemed grand and important and true. And are the classic award winners of the past great because they're great, or because they won awards? Both, probably: How Green Was My Valley beat out Citizen Kane for best picture, but I think more people regard the latter more highly. That said, John Ford still holds some caché for the former. So Birdman's a headscratcher, but maybe not as egregious as Chariots of Fire over ET, the Extraterrestrial.
Which, in my typically circuitous route, brings me to the awards of 1950.
1950 was the year of All About Eve and Sunset Blvd. Other movies, too, but really, All About Eve and Sunset Blvd. Both movies are about the business of show, one on the east coast, one on the west. Both are beloved and are ranked high in the annals of American film. All About Eve holds the record, with Titanic, as the most nominated film of all time, Sunset Blvd is arguably the greatest film ever made about Hollywood.
You can always put that award where your heart ought to be.
All About Eve may be the most erudite movie ever written: not a word of its screenplay would be out of place at Downton Abbey, even the Dowager Countess would approve. All About Eve romanticizes the bitchiness of Broadway, often mistaken as a drama, it is truly a comedy of manners. Joseph Mankiewicz audaciously uses 3 narrators to tell the story of a viciously ambitious actress. Though not filmed in New York, the movie offers much location shooting to add to its verisimilitude. The film, starring Bette Davis, Anne Baxter, Celeste Holme, Thelma Ritter, George Sanders, Garry Merrill, Hugh Marlowe, Gregory Ratoff, and a scene-stealing Marilyn Monroe, is perfectly cast, and is one of the best ensembles of all time. Bette Davis gives a performance that is equally truthful, bombastic, and honest. Among other Oscars it won the awards for best picture, best adapted screenplay, best costumes, and best supporting actor (George Sanders.)
Who do they come to see? Me…Norma Desmond!
Sunset Blvd is often looked upon as black comedy, but it's truly high tragedy with a hearty sense of humor. It is an indictment of the studio system so dark that at its premiere, Louis B Mayer apocryphally accosted writer/director Billy Wilder with the words " How dare you do this to the industry that fed you?" to which Wilder succinctly replied "Fuck you." It is the apex of noir cinema, yet it reaches toward Euripidean tragedy. In many ways it was groundbreaking: no other film before it was narrated by a corpse; it is also the genesis of "grande dame Guignol," a sub-genre that lasted two decades, showcasing actresses of a certain age in roles both camp and heartwrenching. Mostly Bette Davis. It is not surprising that Sunset Blvd did not fare as well as All About Eve at the Oscars–it does indeed bite the hand that feeds it harder than the shark in Jaws bites Alex Kintner–but Wilder won (with longtime collaborator Charles Brackett and someone called DM Marshman Jr) best original screenplay. Gloria Swanson, William Holden, and Eric Von Stroheim lead the cast, supported by Nancy Olson, Fred Clark, and Dragnet's Jack Webb. Like Mankiewicz, Wilder chose a non-traditional, though linear, narrative, including cameos by real life Hollywood figures such as Buster Keaton, HB Warner, and director Cecil B DeMille, (a conceit Robert Altman homaged in The Player, another ombre Hollywood tale) and filmed largely on location. Sunset Blvd has influenced most films made about the industry since.
Sunset Blvd ranks as 12th in AFIs greatest films of all time, and All About Eve ranks as 16th. My introduction to both was on the Carol Burnett Show, where Carol lampooned both characters with her impeccable aplomb. I saw All About Eve for the first time when I was a sophomore in high school, on a rainy day at the Nuart, in a double feature with The Man Who Came to Dinner. I'd previously seen The Man Who Came to Dinner onstage, and was more excited at the prospect of that, but soon forgot about Kaufman and Hart once introduced to Margot Channing. Once obtaining it on VHS, I watched it in a loop, devouring lines like "Fasten your seatbelts, it's going to be a bumpy night," "Remind you to tell me about the time I looked into the heart of an artichoke," and "I wouldn't worry too much about your heart. You can always put that award where your heart ought to be." I am happy to say that I've been able to work all those lines seamlessly into conversation over the last 30 years. I saw Sunset Blvd on the VHS right out of high school and wore it out. I've probably seen this movie more than any other, save The Wizard of Oz and Jaws. I often scream, Tourettelike, lines such as "We had faces then!" "Any laws against burying him in the garden?" "Tell him without me, he wouldn't have any job, because without me, there wouldn't be any Paramount Studios" and, of course, "and now, Mr DeMille, I'm ready for my close-up." At my first job, I had a co-worker whose name I thought was Max, and I always greeted him with a frantic "Max! MAAAAAXXXX!!!" His name wasn't Max, by the way, but he never corrected me, and was gracious enough to put up with my screaming. I never did call him anything but Max. Both these movies were anchored by Bette Davis and Gloria Swanson, whether an ensemble, such as Eve, or an intimate story, such as Sunset, neither film would be viable without Davis or Swanson.
Margot at the Club Room.
And yet, neither Bette nor Norma, I mean Gloria, won the Oscar!
Judy Holiday took home the Best Actress Oscar that year. I bear her no resentment. No, that's a lie. I bear her a lot of resentment because, as good as her performance was in Born Yesterday, the character of Billie Dawn is not comparable to Margot or Norma. In 2005's Capote, Philip Seymour Hoffman, in the title role, has this marvelous moment of self awareness: "It's as if [he] and I grew up in the same house. And one day he stood up and went out the back door, while I went out the front." In many ways, Margot and Norma are opposite sides of the same coin. Margot's 40 and Norma's 50. Anyone in Hollywood–who isn't Katherine Hepburn or Meryl Streep–will tell you how hard it is to get work once the years pile on. Broadway is more accepting, but it's still harder. It's easy to see how each character is obsessed with their diminishing youth, and that while with Margot, it's ostensibly "paranoic," with Norma, it becomes the stuff of madness.
Billie Dawn, on the other hand, is a spunky, young, blonde pulling herself up from the bootstraps as she's tutored by a hunky, hornrimmed William Holden.
You're just not couth.
Speaking of whom… Margot and Norma share another similarity in that they are both involved with younger men. Granted, Margot and Bill are in love with each other, while Norma has Joe stuck in her web like the spiderwoman, but they suffer the same lack of self confidence: for Margot, with her insecurities of aging, it is easy to believe that Bill might stray: "Bill's thirty-two. He looks thirty-two. He looked it five years ago, he'll look it twenty years from now. I hate men." Norma's megalomania precludes her from thinking that her lover could stray from her: "Of course you wouldn't. I wouldn't let you." Whereas Margot and Bill end up together, with Norma and Joe, it never can be.
Margot and Norma are both "aging stars", but while Margot, on stage, still commands packed houses, Norma, on screen, is but a distant memory to all but the oldest extras and stagehands at Paramount; she has a quixotic vision of playing the teenage Salome as a "triumphant return." The stage is more forgiving than the screen: Margot, at 40 is still successfully playing a character half her age. Once again, we see the masks of tragedy and comedy before us. Billie Dawn is a character of depth in a role that was written for Judy Holiday, and Billie experiences great change, rising above an abusive relationship to educate herself, and Judy Holiday is marvelous in the role. But the part could have been played just as well by Ginger Rogers or Shirley Maclaine or Marilyn Monroe, and even Melanie Griffith managed not to embarrass herself in the remake (she was basically replaying her Working Girl role, but still…) But Norma and Margot weren't written for Swanson and Davis, respectively, and they weren't the first or even the second choices. That said, and all due respect given to Lauren Bacall and Patti Lupone, it's truly impossible to picture anybody but Bette Davis and Gloria Swanson in those parts. (Except Carol Burnett.) Their performances are INDELIBLE.
Fasten your seatbelts…
Yet neither Bette nor Gloria took home the Oscar. Anne Baxter would say that this is because Margot is a supporting role, but I don't think that's true. I think a protagonist is a character that experiences change in the course of their story, and between Margot and Eve, Margot experiences the greatest change: she becomes self aware and self accepting; she abandons the "barroom, Benzadrine standards of this megalomaniac society" to accept love and to age gracefully. One has no impression that Margot has forgone the limelight at the end of All About Eve, it simply matters less to her because there is more in her life. Bette Davis expresses Margot's insecurities eloquently, both in her comedic kitchen scene with Gregory Ratoff and Hugh Marlowe and in her raw "Funny business, a woman's career…" speech with the double-crossing Celeste Holm. Eve is the same character at the end of the film that she was at the beginning, except "successful;" the audience has indeed learned "all about Eve" and we have learned that she is a hollow being. Baxter's performance is magnificent (and she'd have probably taken home gold, were she nominated for supporting) but she's not the lead, not the star.
A dozen press agents working overtime can do terrible things to the human spirit.
Many would argue that Norma Desmond does not change from beginning to end of Sunset Blvd, but her change and Gloria Swanson's performance is just more subtle than that of Bette's masterwork in All About Eve. That may be a brash statement given the amount of shouting she does throughout the movie, but it's the truth. Unlike Margot, Norma is not a sympathetic character: she personifies megalomania, she has a relationship based on sadism and dysfunction with both her faithful butler/husband, and poor (I won't say innocent, because this is Billy Wilder) Joe Gillis, who ends up like John the Baptist, not beheaded, but still dead, floating in a pool with "two shots in the back and one in his stomach." We're watching a slow descent into madness. Margot's ability to change is what saves her, Norma's inability to do so is her tragic flaw. Her war cry of "We didn't need words, we had faces then!" is worthy anything sung on the barricades of Les Misérables. The expression of disgust on Swanson's face as she brushes away the hated microphone at Paramount Studios is one that can only be envisioned by a silent film actress. The fact that her dilemma is both of her own making and that of the society she lives in makes Norma one of the great tragic heroes of the 20th century: the fact that she can't accept herself and her age as Margot ultimately does is both her own flaw and the culpability of the business that offers her a living and authenticates her life. This is why Sunset Blvd is a tragedy and All About Eve is a comedy.
"It's as if [he] and I grew up in the same house. And one day he stood up and went out the back door, while I went out the front."
And if you've read this far, you must like a good shaggy dog story. I have no idea why Judy Holiday won Best Actress over the more deserving Bette or Gloria except that she got more votes. It's like Bush/Gore, but with actual votes. Many people say that Bette and Gloria cancelled each other out, and that's how Judy won. It's another headscratcher. Not as odd as Roberto Benigni winning for Life is Beautiful over Ian McKellan in Gods and Monsters, or Marlee Matlin beating out Kathleen Turner in Peggy Sue Got Married or Siguourney Weaver in Aliens. But a headscracher, nonetheless.
The truth is, does it really matter? Even today, people speak of All About Eve and Sunset Blvd who know nothing of Born Yesterday. But even these films are really known by people of a certain age, cinéastes, and homosexuals like myself. Jaws, Chinatown, and The Godfather are considered classics now. Some people aren't that familiar with them. I even know people who have never seen The Wizard of Oz. The Fucking Wizard of Oz. Never seen it. Oh, well. I love Norma. I love Margot. I even kind of like Billie Dawn. They'll live with me as long as I'm around. Still and all, Gloria should've taken home the gold.
Ready for my close up in glorious Technicolor!
As usual, I haven't bothered researching this post–any errors come from the cobwebs of my mind.
About What would Julia do?
Being timid and meek like Dorothy Gale, I have surprised myself by starting this blog. But a few people have suggested I do so, so there it is. I love to eat and I love to drink, so although this blog could be about almost anything I choose to type, there's likely to be a lot about what you put in your mouth. Why the title? Anyone who knows me knows my reverence for Julia Child. I don't think it's hyperbolic to say that our country's interest in the culinary arts would be all but non-existent but for Her. I would not attempt to count the number of people who have cited Her influence in their lives and careers. What Atticus Finch is to lawyers, Julia Child is to the cook, be s/he servantless or professional. Honesty demands me to say that it is not simply Her advocacy of GOOD FOOD that has immortalized her; She had the happy circumstance of coming into her own at a time when media was in her favour. We can all be thankful for that. I would name Julia Child as the patron saint of second starts, but I'm a happy heretic. Julia's dogma goes beyond the kitchen: She has famously stated that "[y]ou've got to have the courage of your convictions..." Her statement applies as equally to any part of one's life as it does to flipping a potato gallette. I will conclude by noting I have my own personal trinity of Js--Julia, Judy Garland, and Joanna Rowling. Please refer back to that part about my being a happy heretic.
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This entry was posted in Uncategorized and tagged Academy Awards, All About Eve, best actress Oscar, Bette Davis, Birdman, Born Yesterday, Boyhood, Gloria Swanson, Grand Budapest Hotel, Judy Holliday, Oscars 1950, Oscars 2015, Sunset Blvd, Wes Anderson. Bookmark the permalink.
1 Response to Waves of Love from Those Wonderful People Out There in the Dark
thistle says:
Very well done post Padric. I couldn't agree with you more. Bravo.


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