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text:
The Darkness: A Thriller
Hidden Iceland Series, Book 1
Autor: Ragnar Jonasson, Victoria Cribb - translator
Sprecher: Amanda Redman
Serie: Hidden Iceland, Titel 1
Spanning the icy streets of Reykjavik, the Icelandic highlands and cold, isolated fjords, The Darkness is an atmospheric thriller from Ragnar Jonasson, one of the most exciting names in Nordic Noir.
The body of a young Russian woman washes up on an Icelandic shore. After a cursory investigation, the death is declared a suicide and the case is quietly closed.
Over a year later Detective Inspector Hulda Hermannsdóttir of the Reykjavík police is forced into early retirement at 64. She dreads the loneliness, and the memories of her dark past that threaten to come back to haunt her. But before she leaves she is given two weeks to solve a single cold case of her choice. She knows which one: the Russian woman whose hope for asylum ended on the dark, cold shore of an unfamiliar country. Soon Hulda discovers that another young woman vanished at the same time, and that no one is telling her the whole story. Even her colleagues in the police seem determined to put the brakes on her investigation. Meanwhile the clock is ticking.
Hulda will find the killer, even if it means putting her own life in danger.
©2015; 2018 Text copyright Ragnar Jonasson; Translation copyright Victoria Cribb (P)2018 Penguin Books Ltd
Kritikerstimmen
"Narrator Amanda Redman gives an adept performance as she takes on the various characters in this Icelandic thriller." (AudioFile Magazine)
Autor: Ragnar Jónasson
Detective Inspector Hulda Hermannsdóttir is sent to the isolated island of Elliðaey to investigate and soon finds haunting similarities with a previous case - a young woman found murdered 10 years ago in the equally desolate Westfjords. Is there a patient killer stalking these barren outposts? As Hulda navigates a sinister game constructed of smoke and mirrors she is convinced that no one is telling the truth, including those closest to her.
Children's House, Book 1
Autor: Yrsa Sigurdardottir, Victoria Cribb - translator
Sprecher: Lucy Paterson
The only witness to a shocking murder is the victim's 10-year-old daughter, Margret. The police turn to the Children's House for their expertise in childhood trauma. The manager, Freyja, doesn't much like the police - especially the detective in charge, Huldar. But she does want to help them protect Margret. And when more people die - their murders heralded by strange messages, texts, and strings of numbers - they will have to work together to crack the riddle before they become targets themselves.
Dark Iceland, Book 3
Autor: Ragnar Jonasson
Sprecher: Leighton Pugh
On the shores of a tranquil fjord in Northern Iceland, a man is brutally beaten to death on a bright summer's night. As the 24-hour light of the arctic summer is transformed into darkness by an ash cloud from a recent volcanic eruption, a young reporter leaves Reykjavik to investigate on her own, unaware that an innocent person's life hangs in the balance. Dark, terrifying and complex, Blackout is an exceptional atmospheric thriller from one of Iceland's finest crime writers.
ganz ok
Von Sbtlea Am hilfreichsten 02.07.2017
Autor: Yrsa Sigurdardottir
Sprecher: Katherine Manners
A standalone thriller from the prizewinning queen of Nordic noir and author of the Thora Gudmundsdottir series. A chilling thriller from the author of The Silence of the Sea, winner of the 2015 Petrona Award for best Scandinavian Crime Novel. A journalist on the track of an old case attempts suicide. An ordinary couple return from a house swap in the states to find their home in disarray and their guests seemingly missing.
A terrifying ghost story from the Queen of Icelandic crime, Yrsa Sigurdardottir, author of the Thora Gudmundsdottir novels. The crunching noise had resumed, now accompanied by a disgusting, indefinable smell. It could best be described as a blend of kelp and rotten meat. The voice spoke again, now slightly louder and clearer: Don't go. Don't go yet. I'm not finished.
The Undesired
Autor: Yrsa Sigurdardóttir
Sprecher: Nick Underwood, Karen Cass
The light spilling in from the corridor would have to do. Though weak, it was sufficient to show Aldís a boy sitting in the gloom at the farthest table. He had his back to her, so she couldn't see who it was but could tell that he was one of the youngest. A chill ran down her spine when he spoke again without turning, as if he had eyes in the back of his head. 'Go away. Leave me alone.' 'Come on. You shouldn't be here.' Aldís spoke gently, fairly sure now that the boy must be delirious. Confused rather than dangerous.
The Secrets She Keeps
Autor: Michael Robotham
Sprecher: Lucy Price-Lewis
Everyone has an idea of what their perfect life is. For Agatha, it's Meghan Shaughnessy's. These two women from vastly different backgrounds have one thing in common - a dangerous secret that could destroy everything they hold dear. Both will risk everything to hide the truth, but their worlds are about to collide in a shocking act that cannot be undone.
Von Sibylle Am hilfreichsten 31.07.2017
The Shadow Killer
Autor: Arnaldur Indridason, Victoria Cribb
Sprecher: Sean Barrett
Random House presents the audiobook edition of The Shadow Killer by Arnaldur Indridason, read by Sean Barrett. Reykjavík, August 1941. When a travelling salesman is found murdered in a basement flat, killed by a bullet from a Colt .45, the police initially suspect a member of the Allied occupation force. The British are in the process of handing over to the Americans, and the streets are crawling with servicemen whose relations with the local women are a major cause for concern.
The Dry
Autor: Jane Harper
Sprecher: Stephen Shanahan
I just can't understand how someone like him could do something like that. Amid the worst drought to ravage Australia in a century, it hasn't rained in small country town Kiewarra for two years. Tensions in the community become unbearable when three members of the Hadler family are brutally murdered. Everyone thinks Luke Hadler, who committed suicide after slaughtering his wife and six-year-old son, is guilty.
The DCI Ryan Mysteries, Book 1
Autor: LJ Ross
Sprecher: Jonathan Keeble
Detective Chief Inspector Ryan retreats to Holy Island seeking sanctuary when he is forced to take sabbatical leave from his duties as a homicide detective. A few days before Christmas, his peace is shattered, and he is thrust back into the murky world of murder when a young woman is found dead amongst the ancient ruins of the nearby priory. When former local girl Dr. Anna Taylor arrives back on the island as a police consultant, old memories swim to the surface, making her confront her difficult past.
Fully recommendable
Von Henrik Claesson Am hilfreichsten 03.06.2018
The Scarred Woman
Department Q, Book 7
Autor: Jussi Adler-Olsen
Sprecher: Saul Reichlin
The international number one best seller returns with his most captivating and suspenseful novel yet - perfect for fans of Stieg Larsson and Jo Nesbo. In a Copenhagen park, the body of an elderly woman is discovered. Though the case bears a striking resemblance to another unsolved homicide from over a decade ago, the police cannot find any connection between the two victims. Across town a group of young women are being hunted down. The attacks seem random, but could these acts of violence be related?
Bisher das schlechteste Buch aus dieser Reihe
Von joelbackman Am hilfreichsten 03.01.2018
Scrublands
Autor: Chris Hammer
Sprecher: Rupert Degas
A dead river. A dying town. A killer's secrets.... In an isolated country town ravaged by drought, a charismatic young priest opens fire on his congregation, killing five men before being shot dead himself. A year later, journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals don't fit with the accepted version of events. Just as Martin believes he is making headway, a shocking discovery rocks the town.
The Killing House
Paula Maguire, Book 6
Autor: Claire McGowan
Sprecher: Joanne King
Forensic psychologist Paula Maguire returns in The Killing House, the sixth novel in Claire McGowan's series. When a puzzling missing persons' case opens up in her hometown, forensic psychologist Paula Maguire can't help but return once more. Renovations at an abandoned farm have uncovered two bodies: a man known to be an IRA member missing since the '90s and a young girl whose identity remains a mystery.
Two brothers meet at the remote fence line separating their cattle ranches in the lonely outback. In an isolated belt of Western Australia, they are each other's nearest neighbor, their homes a four-hour drive apart. The third brother lies dead at their feet. Something caused Cam, the middle child who had been in charge of the family homestead, to die alone in the middle of nowhere. So the eldest brother returns with his younger sibling to the family property and those left behind. But the fragile balance of the ranch is threatened.
I'll Keep You Safe
Autor: Peter May
Sprecher: Anna Murray, Peter Forbes
Husband and wife Niamh and Ruairidh Macfarlane co-own Ranish Tweed: a Hebridean company that weaves its own special variety of Harris cloth, which has become a sought-after brand in the world of high fashion. But when Niamh learns of Ruairidh's affair with Russian designer Irina Vetrov, then witnesses the pair killed by a car bomb in Paris, her life is left in ruins. Along with her husband's remains, she returns home to the Isle of Lewis bereft.
The Gap of Time
The Winter's Tale Retold (Hogarth Shakespeare)
Autor: Jeanette Winterson
Sprecher: Ben Onwukwe, Mark Bazeley, Penelope Rawlins
"I saw the strangest sight tonight." New Bohemia. America. A storm. A black man finds a white baby abandoned in the night. He gathers her up - light as a star - and decides to take her home. London. England. After the financial crash. Leo Kaiser knows how to make money, but he doesn't know how to manage the jealousy he feels towards his best friend and his wife. Is his newborn baby even his?
Kontrastreiche moderne Shakespeare-Adaption
Von papercuts1 Am hilfreichsten 12.12.2016
When five colleagues are forced to go on a corporate retreat in the wilderness, they reluctantly pick up their backpacks and start walking down the muddy path. But one of the women doesn't come out of the woods. And each of her companions tells a slightly different story about what happened. Federal Police Agent Aaron Falk has a keen interest in the whereabouts of the missing hiker.
Even better than The Dry
Von AmazonCustomer Am hilfreichsten 18.02.2018
The Crossing Places
Autor: Elly Griffiths
Sprecher: Jane McDowell
When she's not digging up bones or other ancient objects, Ruth Galloway lectures at the University of North Norfolk. She lives happily alone in a remote place called Saltmarsh overlooking the North Sea and, for company; she has her cats Flint and Sparky, and Radio 4. When a child's bones are found in the marshes near an ancient site that Ruth worked on ten years earlier, Ruth is asked to date them.
Gelungener Auftakt für eine Krimi Serie
Von BaS Am hilfreichsten 12.05.2017

redpajama_set_name: RedPajamaCommonCrawl


text:
Roadtrip! Here Are The Top 5 Most Beautiful Small Towns in Texas
Lisa Lindsey Published: September 12, 2022
Cooler temperatures are coming and that makes for excellent road trip weather. It's fun to check out new places or revisit old favorites for a weekend road trip. Texas is full of fun places to explore but if you're looking for a fun laid-back road trip you definitely need to visit one of these beautiful small Texas towns.
Recently attractionsofamerica.com listed the most beautiful small towns in Texas and the number one most beautiful small town is just a short drive from Texarkana.
Here are the Top Five Most Beautiful Small Towns in Texas
#5 Wimberley, Texas
This town, actually considered a village, is located between Austin and San Antonio. It may be small with a population of less than 3,000, but it's full of adventure. From ziplining to the home of the Blue Hole Regional Park which has won the Tripadvisor Travelers' Choice 2022 Award two years in a row and Jacob's Well swimming hole. Plus fun antique and boutique shopping in Wimberley Square.
#4 Marfa, Texas
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This small town of under 2,000 residents is located in West Texas. It's known for its art galleries. It also is home to the Marfa Army Air Field a great site for WWII buffs because a lot of WWII pilots were trained there. There are also the mysterious Marfa Lights out in the desert.
#3 Hunt, Texas
This is an incorporated area in the middle of Hill County and has a population of 1,500 residents. Hunt is located on the banks of the Guadalupe River about 20 miles from Kerrville, Texas. It's popular with tourists and campers especially in the summer for water sports. You'll have to stop by the famous Hunt Store, it's the area's grocery store, bank, local pub and restaurant. Plus there is also the Crider's Rodeo and Dance Hall and a YO Headquarters where you can see giraffes.
#2 Fredericksburg, Texas
Google Maps, Canva
Fredericksburg is bigger than the other towns on the list with a population of 10,000. Located in the Hill Country and right in the middle of Texas Wine Country. It was established in the mid-1800s by german immigrants. Now it's popular for, you guessed it... all the wineries. But it also has the WWII National Museum of the Pacific War, beautiful churches, shopping, a living history farm, and the Lyndon B Johnson State Park. Oh, and I hear this is a great place to celebrate Oktoberfest.
#1 Jefferson, Texas
If you live in east texas then you know about Jefferson, Texas. With a population of only 1,875, this little town has a lot to offer. Tons of antique shopping and great restaurants too. But it also has a lot of Texas state history. Jefferson was once the most important port town in Texas. It has the oldest continuously run hotel in the state, the Excelsior House Hotel and it's haunted. You'll love checking out the Jefferson General Store and all the fun little shops around the center of town. There is also a great little nature walk close to town.
If you want to see more great beautiful small towns to visit in Texas be sure to see the entire list here
LOOK: The oldest cities in America
Though the United States doesn't have as long of a history as some Old World countries, it still has plenty of historical charm. Stacker brings you a list of the 50 oldest cities in America.
LOOK: Famous Historic Homes in Every State
Source: Roadtrip! Here Are The Top 5 Most Beautiful Small Towns in Texas
Filed Under: small towns, Texas Towns, travel
Categories: Lifestyles, Misc. Videos, Shopping, Travel, Videos
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Change from v.7.3.1! The OS Deployments section has been completely reworked.
The "OSD" window displays all OSDs created in the EM.
The first step of creating a new OS deployment is to select on which computers the deployment shall be applied, which OSD configuration shall be used (OSD configurations are created in EM under Packages - OSD).
As of version 7.3.1, the time limitation and the start mode are no longer applicable.
In the second step you can optionally add one or more EM rollout plans. These are executed directly after the rollout plans that are part of the OSD configuration.
Step three determines when the packages used by the task sequence are downloaded before or for execution.
In the fourth and last step you must specify who is allowed to view the OSD in the EM console.
The task is saved in the background after pressing "OK" in the user interface. For this, a hash is calculated, which consists of the ID of the task sequence and the parameter Download (see Step 3). This value will later be used to create the collection and the advertisement.
Non-existent computer objects are created both in EM and in SCCM with the corresponding MAC address. In addition, the PXE flag is removed from the SCCM computer object if one exists. The variables that are additionally stored in the EM are stored in SCCM directly on the computer object.
A collection is then created in SCCM (unless it already exists). The computer object is then added as a Direct Membership Rule.
The SCCM Advertisement is only created if it is not already available.
An EM Task is only optionally created if EM rollout plans are available through the OSD configuration or through the selection in Step 2.
First, the status of the SCCM job for the existing computer objects is determined. This is done via a database query on the view <<Sitecode>>_ClientAdvertisementStatus . The status values are read out and converted into an EM format.
Succeed = Successful and the computer object is removed from the SCCM collection (collection remains in place).
Failed = Incorrect and the computer object is removed from the SCCM Collection (Collection remains unchanged).
Waiting, Running, Retrying and Rebbot pending = Deployment is running and the computer object remains in the SCCM Collection.
Then the EM Task status is queried when the computer object is finished with the SCCM Task (Task Sequence).
If both tasks are completed successfully, the computer object will be displayed as Successful in the OSD Task. If a task of both is faulty, it will be categorized as faulty.


The most impressive piece of modern architecture in Iceland, Harpa is a beautifully designed concert hall on Rekjavik's waterfront. It was rescued by the Icelandic government and City of Reykjavik in 2008, after the financial crisis led to the original private developers pulling out.
The building is full of references to Iceland's nature, including the basalt rock like exterior shell, the lava like interior of the foyer, and lava and Northern Lights themed concert halls. The exterior is a free standing box of steel and thousands of glass panels, 5% of which are coloured, and all of them can be colour controlled through embedded LED lights. The foyer area is open to the full height of the building, and extends out to the waterfont. The main concert hall is lava red, something of a surprise when I opened the door, but perfectly apt for an Icelandic concert hall. Beside the hall are echo chambers that help ensure a consistent sound quality throughout the hall, and allow for some special musical moments, when far off sounds are required. This Northern Lights inspired concert hall was also rather wonderful. Next door, in the middle of the city, is a rather large hole in the ground that has been there for nearly a decade. It will be the home of a long promised five star hotel, which aided by the tourism boom, is now planned to be completed in the next couple of years.
One has to marvel at the feat of engineering with the steel and glass to withstand the wide temperature gaps that stretch and shrink them!


What is Sales Psychology and how do I use it in my business?
The use of psychological techniques in small business sales and negotiations is a fascinating topic, and the knowledge and strategies it provides can be immensely beneficial to salespeople in every industry.
Sales psychology is about understanding and relating to your customer or clients needs, rather than forcing your product or service on a prospect.
The last time you purchased a product or service, did you ponder the decision and rationalize that purchase, or was it more of an emotional decision? The vast majority of people, when making a purchase decision, buy on emotion and then later rationalize their decision with logic.
Knowing this, and many other psychological reasons that influence how sales work (and don't work) will help you enjoy increased sales, no matter if what you're selling is a physical product, an intangible product, or a service.
There are so many aspects of the psychology of sales, that there are volumes upon volumes written on the subject. In this post we will focus on a few places to start in understanding and applying the psychology of sales.
The first thing is to know your audience. Who are you selling to? What keeps them up at night? Where does their pain lie? And how does what you offer help to alleviate that stress and pain? Truly getting inside the mind of your customer and how they think will give you the key elements to a successful sales pitch when you do finally have their attention.
The person you sell to needs to know that you understand what their problem or issue is. As human beings, we need to feel validated, understood, and cared for. Addressing this in your sales copy, or your sales script will help it become much more effective, resulting in more conversions, and a distinct advantage over your competitors.
Don't be afraid to address your ideal client's fears in a way that will wake them up! Sometimes, your buyer will be more afraid of what they could possibly lose, than what they could gain. Use that tip to your advantage when talking to clients.
The human brain is wired to focus on emotions before logic, and first impressions have a major influence on what your customer ultimately decides about your product or service. This is why it's crucial to focus on making customers feel comfortable and feel good, on an emotional level first, before following up with facts and rationalizations.
Your customer's perception is the key. How they view you – whether they trust you or view you with suspicion – will make or break your sale. So don't just try to act trustworthy…actually BE trustworthy and credible. Don't just try to act as if you care…you really do need to care.
Similar to the idea that emotions are more powerful than logic, anecdotes work better than statistics in convincing customers to purchase your product or service. In other words, sharing the story of a single satisfied customer can have more impact than citing statistics from a multitude of clients.
In our current societies, we are being sold to nearly every waking minute of the day. By honing in on the major aspects of the psychology of sales, relating better to your customer or client, you'll find that you are received more warmly, that you sell more of what you're offering, and that you are more fulfilled while selling it!


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text:
Q: how to submit a form with file uploading using ajax...? i created a form. Thats shown below...
<script type="text/javascript" src="http://ajax.googleapis.com/ajax/libs/jquery/1.10.2/jquery.min.js"></script>

    <script>
$(document).ready(function(){

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$.ajax({
            type: "POST",
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            data: $("#data").serialize()+ '&photo=' +re,
            success: function(data) {

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                  alert('error handing here');
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Ajax response page
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echo "<pre>";
print_r($_POST);

var_dump($_FILES);
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All input values are returned.but file is not uploaded.I don't know how to upload file using ajax. Please help me...

A: Try This
$("#sbt").click(function(){
var pht = $("#ph").val();
var str2 = "your_folder/"; // destination folder, if needed
var upvid = str2.concat(pht);

var data = new FormData();
data.append( 'photo', $('#photo')[0].files[0] );
data.append( 'pht', pht );

$.ajax({
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<?php
$a = $_POST['pht'];
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A: You have to use a plugin for this, jQuery doesn't support this out of the box. The best know plugin is ajaxForm
This will post the form to the given url in the form action field using ajax. There are events available to add validations and post-submit funcions.

A: you can also do like this:
function upload() {
    // id of the form "documentUploadForm"
    var form = document.getElementById("documentUploadForm");
    var formData = new FormData(form);
    var xhr = new XMLHttpRequest();
    var url = '<c:url value="/loadajax.php"/>';
    xhr.open('POST', url, true);
    xhr.onload = function(e) {
        if (xhr.status === 200) {
            outputData = JSON.parse(xhr.responseText);
            console.log("Response:" +outputData);
        }
    };
    xhr.send(formData);
}

redpajama_set_name: RedPajamaStackExchange


A journey orchestrated by NOW – New Operation Wave setting off from La Montagne de Venise in the Venice Lagoon and leading to No Man's Land in Loreto Aprutino. Both interventions by Yona Friedman with Jean-Baptiste Decavèle, that have had the active participation of NOW, are connected with the territory through their adaptable nature. They are not defined locations, nor are they pre-established architectural models, but rather they constitute a background for the development of a new vision of art and architecture. On the boundary between the two is born the willingness to create new images, far from the idea of a building or the mere object of a work of art in a world overflowing with constructions.
The NOW Check-point is set up as an extemporaneous residency where young architects, artists and curators are involved in the creation of a choral site-specific project based on the single modules making up the Montagne. The four days include discussions and moments of experimentation via simple actions.


text:
Q: Basic Shapes Union / Intersection / Difference : too blind to see? I'm new to ARKit and after inspecting some example code like https://developer.apple.com/sample-code/wwdc/2017/PlacingObjects.zip I wondered if there is any posibility to construct geometries in a "union / intersection / difference"-manner from primitives.
The following pseudo code should illustrate:
SCNBox *boxGeometry = [SCNBox boxWithWidth:1.0 height:1.0 length:1.0];
SCNSphere *sphereGeometry = [SCNSphere sphereWithRadius:0.6];

SCNGeometry *sphereUnionBox = [SCNGeometry union:sphereGeometry with:boxGeometry];
SCNGeometry *sphereAndBoxIntersection = [SCNGeometry intersect:sphereGeometry and:boxGeometry];
SCNGeometry *sphereSubstractedFromBox = [SCNGeometry substract:sphereGeometry from:boxGeometry];
SCNGeometry *boxSubstractedFromSphere = [SCNGeometry substract:boxGeometry from:sphereGeometry];

which should lead (after construction nodes from these geometries and adding them to the scene) to the well-known and familiar combinations:

Any broad hint would be appreciated, I'm really stuck here.

A: SceneKit doesn't offer APIs for constructive solid geometry (CSG). There are SCNGeometry APIs to build completely custom geometries, but you would have to figure out the list of vertices and triangles yourself.


text:
Lifting Lives Golf Classic
Lifting Lives Music Camp
Lifting Lives Club Benefit Shows
Visit ACM
DARIUS RUCKER TO HOST 2012 ACM LIFTING LIVES® CELEBRITY GOLF CLASSIC TO BENEFIT THE DIANE HOLCOMB EMERGENCY RELIEF FUND
SATURDAY, MARCH 31, 2012 AT TPC LAS VEGAS PART OF THE WEEK VEGAS GOES COUNTRY®
BENEFICIARY QUIETLY SUPPORTS THE COUNTRY MUSIC INDUSTRY HOW & WHEN THEY NEED IT MOST
ENCINO, CA (March 26, 2012) – The Academy of Country Music announced today that chart-topping country music star Darius Rucker will host the ACM Lifting Lives® Celebrity Golf Classic on Saturday, March 31, 2012 as part of The Week Vegas Goes Country® – the week leading up to the 47th Annual Academy of Country Music Awards, a star-studded event produced for television by dick clark productions that will be broadcast LIVE from the MGM Grand Garden Arena in Las Vegas Sunday, April 1, 2012 at 8:00 PM live ET/delayed PT on the CBS Television Network. The following night Rucker will join an all-star ensemble for ACM Presents: Lionel Richie and Friends – In Concert, the once-in-a-lifetime concert event taping Monday, April 2, 2012 at the MGM Grand Garden Arena. Rucker will collaborate with the legendary Lionel Richie for a performance of "Stuck On You." The special will air Friday, April 13, 2012 on the CBS Television Network.
The Golf Classic—the sixth held since 2004—brings together country music artists, record label executives and other members of the music community in a star-studded scramble tournament to raise funds and awareness for ACM Lifting Lives' Diane Holcomb Emergency Relief Fund, which provides immediate relief to those in need in the music industry.
Rucker, an avid golfer, has been very involved with ACM Lifting Lives. In 2011, on the 46th Annual Awards telecast, he performed the original song "Music From the Heart" with campers from the ACM Lifting Lives Music Camp, to bring awareness to a national audience about those with developmental disabilities. Rucker also penned the song "Together, Anything is Possible" to raise money for the PGA's charitable initiatives.
"After a three year break, I'm delighted the tournament will take place again and that Darius will host," said Gayle Holcomb, who donated seed money to the Diane Holcomb Emergency Relief Fund in 2006, in honor of her mother. "The industry has been served by the Fund in so many ways we don't publicize, helping music industry professionals when they need it most, meeting private financial urgent needs."
"ACM Lifting Lives is honored to have Darius host the 2012 ACM Lifting Lives Celebrity Golf Classic," said Lisa Huddleson, Executive Director for ACM Lifting Lives. "His continued generosity and support of our organization has been instrumental in our growing success and his golf game is sure to challenge his fellow country artists."
The golf tournament will exclusively cater to a golfers at TPC Las Vegas, a par 71, 7,063-yard golf course designed by architect Bobby Weed and player consultant Raymond Floyd. The TPC Las Vegas Golf Course is recognized as a Certified Audubon Cooperative Sanctuary by the Audubon Cooperative Sanctuary System. Featuring stunning views of Red Rock Canyon and the famed Las Vegas skyline, the course is located within the nation's largest master-planned community of Summerlin and is just minutes from the world-famous Las Vegas strip.
About ACM Lifting Lives
ACM Lifting Lives® is the philanthropic arm of the Academy of Country Music dedicated to improving lives through the power of music. Each year, ACM Lifting Lives provides grants to music therapy and music education programs. Other giving includes serving members of the country music community who face unexpected medical or financial hardship through the Diane Holcomb Emergency Relief Fund and partnering with artists to improve lives through music. Since 2009, the ACM Lifting Lives on-stage moment has raised over $200,000 for designated charities. Downloads and direct donations of Toby Keith's performance on the 45th annual telecast, and Darius Rucker's performance on the 46th annual telecast raised funds and awareness for Stand Up to Cancer and Vanderbilt Kennedy Center respectively. For more information, please visit www.ACMLiftingLives.org.
About the Academy of Country Music Awards
The 47th ACADEMY OF COUNTRY MUSIC AWARDS is dedicated to honoring and showcasing the biggest names and emerging talent in the country music industry. The show is produced for television by dick clark productions and will be broadcast LIVE from the MGM Grand Garden Arena in Las Vegas Sunday, April 1, 2012 at 8:00 PM live ET/delayed PT on the CBS Television Network. Orly Adelson and R.A. Clark are executive producers. Barry Adelman is producer, and Bob Bardo is the executive in charge of production. Bob Romeo is executive producer for the Academy of Country Music. For more information, please visit www.acmcountry.com.
Copyright © ACM Lifting Lives. All Rights Reserved.


Driving drunk is simply wrong. And it is a crime. When you or a family member are injured by a driver under the influence of alcohol or drugs, you need a lawyer who understands the emotional and physical trauma as well as the costs in terms of injury, medical expenses and loss of income these types of accidents can cause. Recovery of compensation is vital to your ability to obtain quality medical care for yourself and financial security for your family. The quality of the rest of your life and the lives of your family may depend on the compensation you receive now. You deserve full compensation for your not only medical bills and lost wages but also for your injury, pain and suffering.
Dan Dannheisser has a thorough understanding of Florida law, and he locates and uses witness testimony, reconstruction and expert opinions, and medical evaluations to recover the costs of medical bills, lost income, emotional distress and punitive damages. He has represented victims of impaired driving collisions in Sarasota for over 30 years, and promises to personally handle your case, to diligently represent your interests - and only your interests - and give you his highest quality legal representation to secure all the compensation to which you are entitled. If you or someone you love has been injured, you need the help of a personal injury lawyer like Dan Dannheisser.
All drunk driver accident cases are handled on a contingency fee basis, which means you pay no lawyer fee for our representation until you receive compensation for your injuries and damages.
Contact Dan at 941.702.2103941.702.2103 for a free personal consultation.


text:
Woodwork by Jeff Williams
Interview with Pam Galvani
Radio Play by Odyssey Students
Torii Gates by David Grant
Creative Combos
Fabric & Mixed Media Art
2020 Hindsight: Breathe
Calm as the Night
Have you ever had ghosts?
The Aging Apple Pie Lover
Letter from the editors
Mission & Archive
Photo by Veronica Gomez Ibarra on Unsplash
calm as the night
Kassia Sing
The rough bark scraped her stomach while she shimmied up the tree trunk. Mary-Francis was running out of daylight, but she had to climb higher this time. A scratch on her arm puffed up like a pink worm—she licked it and tasted blood and dirt and salty sweat. Like a distant train whistle, her mama's voice rang in her head, "Don't get distracted by them scratches. You grab that branch there and pull yourself up. No shaking—be calm as the night. Now hold onto that branch on the left. We're gonna do this, alright?"
Yes, this time Mary-Francis Hyde was going to do it.
Teetering on the bough, she exhaled, "They'll never find me here." Her head swelled when she looked down and she clutched the branch above her. Mama'd be pleased.
"Mary-Francis!" the voices rose from below and beyond.
She found a nook between boughs and twisted her slight frame to wedge herself in. All those kids who teased her about how odd she was, how she was a "tree elf," how she looked twelve-years-old and not her age, seventeen. Well, now—she smiled to herself—none of those kids would be able to squeeze into this crook in the tree.
She scanned the red-and-blue streaked horizon through the forest's patchwork of green leaves, brown branches and black trunks. Had she climbed high enough?
The frayed ends of her hair stuck to the sap oozing from a crack in the bark. She pulled the clump of pine-pitched hair toward her and sucked on the strands. She liked the tart bitterness crying from the tree— it tasted nothing like the sugary maple syrup from the plastic bottle shaped like a woman. The one that the other kids hogged at breakfast.
"This syrup's not from those pine trees you climb, dummy," a girl had laughed at her one breakfast, pouring half the bottle on her waffle. Mary-Francis sunk in her seat and said she knew that already.
Down below, voices were getting louder and coming closer— they began bouncing off the trees next to her. If only her pounding heart could be as silent as the sap dribbling down the trunk.
A few feet away from her, a broken branch dangled from the bough. Its' fanned-out fingers clung to the tree. Mary-Francis reached out and yanked the branch toward her. There were just enough needles and twigs to cover her from the hunters' eyes. Her dirty brown tee shirt blended into the bark but her yellow shorts glowed in the dark and would give her away, even from twenty-five feet below. A laugh echoed across the forest. They were near.
"Mary-Francis! Come out now. This isn't a game." She didn't know if it was Larry or Barry. Not that it mattered since the result would be the same—they'd get her to climb down and she'd miss dessert for a week again. They were saying something to each other but she couldn't make out what. She had trouble breathing let alone hearing.
She pushed her butt further into the nook. A bulbous knob dug into her spine but she didn't care about the pain. It'd be far worse if and when they'd find her, if she had the guts to actually follow through on her plan this time. If she did what her mother had wanted her to do. She adjusted the dead branch and tucked the bent fingers around her. She pictured her mother in the casket with the blanket tucked into the sides and the puckering of the bright white pillowed fabric around her head. She looked like one of those movie stars with a white fluffy hat on.
"You did this to her," her aunt's hiss sprayed across the casket. "And you're gonna pay for it." Someone shushed her aunt from behind. The smell of noodle casserole distracted MaryFrancis from her aunt's anger.
"Can we eat now?" Mary-Francis blurted out. The slap was quick and didn't hurt right away. She wanted to ask her aunt to slap her other cheek since it bothered her that one side was hot and the other cold. Then the man in the dark suit took her away before she had even one bite of whatever smelled so good.
The old woman wearing the black dress and black-and-white head-thing at the door slipped her a cookie on her way to the car. "Let her have it. She's just a child," she said to the man when he glared at her. "It's not her fault. Her mother was not right in the head."
He told the woman that the girl only had two hours leave from the school and tugged on Mary-Francis's arm and led her away. With the cookie.
"Mary-Fraaaancis." It was Barry. He sang her name more than Larry, who just yelled it over and over again.
"You know we're gonna find you so you might as well come out." That was Larry.
She sat stone still. A blue jay jumped from a branch and came dangerously close to her.
"You don't want to get near me," she told him. "You'll end up dead."
"Jump," she told Mary-Francis. "We can fly."
Mary-Francis froze. "People don't fly, Mama."
"Course they can. Now, you jump." She grabbed at Mary-Francis's arm. Everyone said her mother was crazy. Maybe they were right.
She swatted her mother's hand away while balancing on a branch, high up in the tree. Her mother lurched at Mary-Francis again but Mary-Francis moved just far enough away from her mother's desperate fingers. She was close enough to see the dry skin on her mother's boney hands. But now the branch was bending from her weight—her knees and hands shook more fiercely than the branch. Mary-Francis stepped back toward the trunk when her mother grabbed at her for the third time. She lunged toward Mary-Francis but tripped and went flying off the bough. Upwards then downwards.
The crunching of leaves and twigs was right below her now. Larry's smoke-brittled breath skipped up the branches to her. Calm as the night, she thought while pine needles trembled on her arms. That's what her mama always told her. Calm as the night.
Barry's keys jingled; twenty-two of them were forever together on a large ring that hung on the second loop of his white pants. Her room key was one of them. "It's gonna get dark soon. And cold. And the wolves will be out, smelling for ya."
"No wolves live here," the words escaped her before she could stop them.
"Ah, there she is. You come down now, Mary-Francis Hyde." Larry walked to where the tree roots stuck out like knee joints. He and his round belly looked up the tall trunk at her, "How'd you get so far up there? We can barely see you."
That was the point.
The blue jay fluttered on the branches. He came closer and looked at Mary-Francis with his head twitching back and forth. He took off into the air, soaring upwards then downwards. Just like her mother had done from another tree in another forest. Mary-Francis rubbed her shins to push away the goosebumps.
"Now, why did you climb way up there? You're scaring me, girl. You come down, now." Barry drummed the trunk, ka-thunk ka-thunk.
Nobody believed Mary-Francis—that her mother tried to get her to jump off the tallest tree in town. Everyone believed her aunt—that she had pushed her mother off the tree.
"That child is evil," her aunt would say, over and over again.
"Dim, yes. Evil, no." The man in the dark suit said in the courtroom, her lawyer who was "appointed." Whatever that meant. He never could remember her name. Mary Jane. Mary Ellen. Mary Louise. Even the judge kept correcting him. "Her name's not important—she needs help," the lawyer had said.
Five years of "school" at Mercy Woods was some kind of help. People kept telling her that time was coming for her, "growing too old for here." She'd have to move in a few months to another place. With mean people. And scary ones. Adults. She thought of her mother— Mary-Francis was only twelve when she died. She still felt twelve but somehow seventeen crept up on her. Why did she have to move? A lump clogged her throat.
Jump, her mother had said. Fly, she told herself.
"You coming down, or are we gonna have to call the PO-lice again?" Barry's white uniform looked grey in the darkening woods beneath her. "If you come down now, we might be able to sneak by the kitchen for ice cream. Wouldn't that bee-hee nice."
Jump. Fly.
With minutes ticking by, Larry sighed. "You comin' down, girl? You're a pain in my ass for doing this again."
Mary-Francis had pain in her ass, too—and gimpy legs from being twisted into a knot. She tossed aside the dead branch, crawled out and stood up. She tried to shake off the pins and needles that pricked her legs. Her body tingled all over, too. Maybe from the calm of the night. She imagined her mother standing on the next bough, imagined her hands reaching out but not able to touch her. "Fly," she had said that night five years ago.
The breeze blowing between the goosebumps on Mary-Francis's body whispered, "It's time." The light was just dark enough to hide the ground below. The blue jay bounced and chattered like a cheerleader at a pep rally.
"I'm coming down." She stepped off the bough and soared like her mother. After a moment of feather-like floating, the forest stopped moving, breeze stopped blowing, birds stopped chirping. This was the calm her mother told her about. Suddenly, she fell downwards in a roaring whoosh—like lightning and thunder had collided. It was anything but calm. Loud. Frightening.
It surprised her more than Larry when she landed on top of him. Not in his arms like some Disney movie. But on his chest and shoulder. His body toppled over like a sack of feed falling off the back of a truck, with her on top of him.
"Good God, mother of mercy," he grimaced as he laid flat on the path. Later she'd learn that he broke his wrist and dislocated his shoulder because of her.
Mary-Francis sat next to him in the dirt and moss and could not help but grin, "Did you see me fly?" She exhaled and expelled whatever fear lingered in her lungs.
"Nobody's flying today or any other day," Barry told Mary-Francis in the hospital waiting room. "You coulda killed yourself and Larry. You're both damn lucky. But, you gotta stop climbing those trees, Mary-Francis." His large brown eyes begged at her. "Promise?"
She nodded at him. She looked down at her boney hands and thought of her mother.
The doctor said it was a miracle— Mary-Francis only had a few bruised ribs, and lots of scrapes. She poked the pink and puffy lines on her arms and they sprung back like marshmallows. People kept saying she was in shock; whatever that meant.
"She doesn't understand what's going on," a woman in a white coat pointed to her from across the waiting room while talking to Barry.
"That's why she's at Mercy Woods Academy," Barry told her. "But they want to move her out."
"If she's anything like her mother, make sure she stays there," the woman said.
"That's where I need your help. . ." Barry followed her down the hall.
Mother. Stay. Help.The words evaporated in the air.
 Mary-Francis kept her butt in the waiting room's seat and kept her thoughts to herself. Mama was right—people can fly.
Only she and her mama knew that sensation—that moment when the air went still, the sounds stopped, the trees froze. She promised she wouldn't jump again, but she'd remember that flying feeling forever. Calm as the night.
Kassia has been a storyteller her entire life. She writes both long form and short fiction. She enjoys the characters that rattle around her brain when she writes a novel and the adrenaline shot she gets from birthing a short story. She is a proud member of the Sound Writers Group based in Kitsap County, WA
About This story crept out of my head during a Tuesday BARN Word Sprint session. I wrote most of it during the two- hour session and completed it in the Thursday session. It's taken me a few months to clean it up and edit, mostly during Word Sprint Tuesdays and Thursdays. Stories flow out of me, some with more clarity than others. This one came in a more complete process from start to end.


text:
Q: how to show toast message in angular for last 6 month list If I select more than 6 month list then, it showing error toast messsage.
if (this.fromDate >=6 && this.toDate) {
  if (new Date(this.fromDate).getTime() > new Date(this.toDate).getTime()) {
    this.isError = true;
    this.errorMessage = "Select 6 month assets.";

    setTimeout(() => {
      this.isError = false;
    }, 3000);
  }}


text:
Next Up D.L. Hughley Shades Kanye West For Being Same As Trump: 'They're Narcissists Who Don't Read'
July 17, 2020 1:00PM EDT
Your Grandparents Detail How New Song 'So Damn Fly' Pays 'Homage' To A Classic Era Of Soul
Jason Brow
Music & Sports Editor
Get ready, because Your Grandparents just made one of the freshest songs of the year. Really. The group talks with us about 'So Damn Fly,' their upcoming album, and who'd win if OutKast battled A Tribe Called Quest in a Verzuz.
You're about to fall in love with Your Grandparents because Your Grandparents are the coolest. Your Grandparents can be sexy, they can be funky, and they can be smooth. In fact, Your Grandparents have found the sweet spot between the classic sound of 1970s soul and modern hip-hop. This group – vocalists DaCosta and Jean Carter and producer ghettoblasterman – are virtuosos when it comes to melding the past with the present. That unrivaled talent is at the heart of their new song, "So Damn Fly."
Like the title implies, "So Damn Fly" is precisely that. It is a celebration of soul music, of classic R&B, and mainly, the beauty of Blackness. It's not a pastiche of the 1970s, but an authentic, modern tribute to the sound and culture that paved the way for hip-hop, R&B, and everything that could be qualified as 'fly.' Those who pick up a Curtis Mayfield vibe on the track aren't that far off since the band tells HollywoodLife EXCLUSIVELY that they were listening to the original score to 1973's Super Fly when inspiration hit.
The LA group released Been Cold in 2019, and their fusion of classic sounds have drawn comparisons to OutKast, A Tribe Called Quest and The Fugees. The band spoke with HollywoodLife through email about "So Damn Fly," about what fans can expect on the upcoming debut album, and who they'd think would win if OutKast went up against ATCQ.
HollywoodLife: "So Damn Fly" sums up the sound of this song. It's pure 100% coolness. What was the inspiration behind this song's production? Did you just want to make a track that embodied the idea of "fly"?
Your Grandparents: When we were working on the song, I remember us all being in a big 70's soul era and listening to Curtis Mayfield's score on the original Super Fly movie. I feel like "So Damn Fly" was us embodying and paying homage to that era.
Whose idea was it to include the sitar? Have there been any clashes over instruments – like, did things get heated over putting a marimba on a song?
Not really, there aren't too many disagreements over instrumentation; we all have a very similar but diverse taste in music, so whatever happens usually just happens.
@xoxohadas
You're about to release your debut album. Do you see this as the natural continuation of your breakout EP, or has your sound shifted a bit since Been Cold?
The sound has definitely shifted a good deal, but what we've kept is the fluidity between different sounds and genres.
You've said that you're "somewhere in the realm of A Tribe Called Quest or OutKast." So, the question is – who wins in a Verzuz? Follow-up – if you could work on a member from one of those groups, who would you pick?
That's a loaded question! Haha, Tribe lasted longer, and OutKast had more hits but wasn't nobody doing what they was doing when they was doing it, so we're gonna have to say Outkast.
"So Damn Fly" is out now.
H.E.R. Makes Charlie Brown Proud With Soulful Rendition Of 'Christmas Time Is Here' – Listen
Kayla Tiffany 'Gives Reassurance' To Those Struggling With 'Toxic Relationships' In New R&B Jam 'Therapy'
Luh Kel Reveals The Personal Inspiration Behind His New R&B Song & Video, 'Y.O.U.' -- Watch


text:
A Sound and Music Computing Conference, frequentemente abreviada para SMC, é uma conferência internacional que ocorre anualmente, criada em 2004 pela Music Computing Network (SMCN), uma associação que inclui pesquisadores, professores, estudantes, profissionais da indústria e musicistas interessados nas relações entre as áreas da informática, eletroeletrônica, acústica, artes e música. O evento conta com a publicação de artigos científicos e artísticos, palestras de profissionais da área, festival musical e a Escola de Verão, destinada a ofertar cursos principalmente para mestrandos e doutorados que desenvolvem trabalhos na área, mas com potencial de expasão para os demais interessados.

Uma breve história do SMC
A conferência nasceu de uma parceria entre a Associazione Italiana di Informatica Musicale (AIMI) e a Association Française d'Informatique Musicale (AFIM) para substituir as conferências nacionais organizadas por ambas, de modo a alcançar uma dimensão internacional para o novo evento que nascia.

Desde sua criação já foram definidos os focos de interesse de pesquisa, passando por trabalhos educacionais, industriais e socioculturais que envolvessem métodos científicos, tecnológicos e artísticos para produzir, modelar e compreender as artes sonoras criadas a partir de sistemas computacionais. Além disso, a conferência busca debater os desafios de pesquisa para o campo e elaborar estratégias e propostas para enfrentá-los.

Tópicos de Interesse
O SMC é um campo de pesquisa que estuda a música e o som em sistemas computacionais a partir de um ponto de vista multidisciplinar. De tal maneira, ele aborda diversos subcampos que auxiliam neste processo, como:

 Acústica e psicoacústica
 Inteligência Artificial
 Internet das Coisas Musicais
 Síntese de voz
 Aplicativos para áudio e música
 Tecnologias assistivas para áudio
 Realidade aumentada e virtual
 Reconhecimento de áudio
 Recuperação de informação musical
 Acompanhamento e composição musical
 Musicologia
 Etnomusicologia
 Teoria matemática da música
 Linguagens de programação orientadas à música
 Sonificação de dados
 Sistemas digitais de afinação
 Ética e novas tecnologias
 Gesto, movimento e música
 História e estética da música eletroacústica
 Paisagem sonora
 Robótica
 Tecnologia musical na educação
 Musicoterapia
 Música e neurociências
 Novas interfaces para expressão musical
 Percepção e cognição musical
 Música para jogos

Edições Anteriores
Desde sua criação em 2004, o SMC ocorreu de forma anual para intensificar os debates e inovações na área. Apesar de ter sido sediado somente no continente europeu, ele está se expandindo e aceita contribuições de pesquisadores e artistas ao redor do globo. A lista abaixo apresenta todas as edições que ocorreram até o momento:

 SMC 2021 – de 29 de junho a 01 de julho, em ambiente online
 SMC 2020 – de 24 a 26 de junho, em ambiente online
 SMC 2019 – de 28 a 31 de maio, em Málaga, Espanha
 SMC 2018 – de 04 a 07 de julho, em Limassol, Chipre
 SMC 2017 – de 01 a 04 de julho, em Helsinque, Finlândia
 SMC 2016 – de 31 de agosto a 03 de setembro em Hamburgo, Alemanha
 SMC 2015 – de 26 de julho a 01 de agosto em Maynooth, Irlanda
 SMC 2014 – de 14 a 20 de setembro em Atenas, Grécia
 SMC 2013 – de 30 de julho a 03 de agosto em Estocolmo, Suécia
 SMC 2012 – de 11 a 14 de julho em Copenhague, Dinamarca
 SMC 2011 – de 06 a 09 de julho em Pádua, Itália
 SMC 2010 – de 21 a 24 de julho em Barcelona, Espanha
 SMC 2009 – de 23 a 25 de julho em Porto, Portugal
 SMC 2008 – de 31 de julho a 03 de agosto em Berlim, Alemanha
 SMC 2007 – de de 11 a 13 de julho em Lêucade, Grécia
 SMC 2006 – de 18 a 20 de maio em Marselha, França
 SMC 2005 – de 24 a 26 de novembro em Salerno, Itália
 SMC 2004 – de 20 a 22 de outubro em Paris, França

Referências
Ciência da computação

redpajama_set_name: RedPajamaWikipedia


text:
George inspired by Andre on World Champs debut
03.06.2019 - HAMBURG, GERMANY
Brazilian George Wanderley will compete at the World Championships for the first time and he wants to follow Andre's footsteps and take gold in Hamburg
Brazil will field a strong and experienced roster at the men's tournament of the FIVB Beach Volleyball World Championships Hamburg 2019 presented by comdirect and ALDI Nord with seven of the country's eight players entered to compete at the Rothenbaum combining for 24 appearances and nine medals won at the event.
The only exception is 22-year-old George Wanderley, an Under-19 and Under-21 world champion who's set to make his debut in the senior version of the tournament in Hamburg with reigning champion Andre Loyola.
George's presence at the tournament was only secured at the conclusion of the World Tour three-star event in Kuala Lumpur, just the second tournament Andre and him played together, when they finished ninth and secured the fourth and final berth in Hamburg among the Brazilians.
"It was hard to believe we made it because all five Brazilian teams had pretty much the same amount of points before Kuala Lumpur and we just knew we were in when it ended," explained defender George. "I am a very anxious person and I try not to think too much about it, especially because we still have a few other tournaments before, but it's hard. I talk to Andre about it and he keeps telling me a lot of great things, so I cannot wait to go out there and play."
Andre and George qualified for the World Championships in Kuala Lumpur
His senior World Championship debut will, of course, mark the Campina Grande-native's career, but when analyzed in context, it looks like just another expected step forward on his beach volleyball trajectory.
George featured in the youth World Championships, winning the Under-19 in 2014 and the Under-21 in 2016, both with Artur Lanci, who was also his partner in the fifth-place campaign at the 2014 Youth Olympics.
In 2018, he impressed on his first true appearance among the beach volleyball elite, finishing fourth at the Fort Lauderdale Major with Pedro Solberg after starting from qualification.
Now, with Andre by his side, he just wants to keep climbing.
"It's nice to see the progress of my career," the Brazilian reflected. "I started playing at a very young age under the influence of my father and I feel that since I really started taking it seriously, as a real job, things started to go well for me. It has always been one step at a time and I hope it continues this way."
The World Championships, however, have always been in his sights. George made his first beach volleyball moves at the CT Cançaco, a traditional training center in Joao Pessoa, where he still practices and shared sessions with several of Brazil's top players, including Ricardo Santos, Harley Marques, Vitor Felipe and Alvaro Filho.
#Repost @waske19 ・・・ Finalizando a fase de grupos com 03 jogos e 03 vitórias para a dupla @alvarofilho_saymon na etapa de Gstaad 🇨🇭 #swatchmajorseries ! Amanhã começa a fase eliminatória da competição! @ctcangacovoleidepraia #ctcangaco #cangacovoleidepraia #beachvolleyball #bbnosesportes #beachvolleyball #volei #korpus24h #korpusjp #bancodobrasil #geapsaude
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Known in Brazil as a beach volleyball junkie, he watched closely when his best friends played in previous editions while he eagerly wanted to be there as well. Now, his time has finally arrived.
"I always followed the tournament on TV, especially after Alvaro and Vitor, who are very close friends, started playing on it and I have some really nice memories about it ," he added. "It will be very nice to finally take part on it and an honor to be there with Andre, who's the defending champion."
His partner is actually a source of inspiration for him. In Vienna 2017, it was Andre who was making his World Championship debut and being a first-timer didn't stop him from winning the gold medal with former partner Evandro Goncalves.
At the time, Andre became the youngest player to be ever crowned world champion at the age of 22. But that could be about to change shortly. Or maybe not.
"That's actually funny because he already noticed that if we win the tournament in Hamburg, I'll take his spot as the youngest world champion ever," George told us laughing. "So he keeps saying that he doesn't know if he really wants us to do it, but I hope I can convince him until there because I really believe we are good enough to compete with the best."
Well, it's time to show it…


text:
Cowardly bias blights attitudes on Israel
By Isi Leibler
November 28, 2009 — 12.00am
I recently met a group of Australian journalists, including editors of some of the leading dailies. In the course of discussions, one elegantly phrased question, not intended to offend, was put to me, which I have been mulling over: Did I ever take into account that if almost the entire world has concluded that Israel is the principal cause for the Middle East impasse, perhaps they are right?
The question is particularly pertinent in relation to Europe, which has turned so dramatically against Israel. In these "enlightened", postmodernist secular societies, which shun all manifestations of nationalism, Israel is no longer considered a revival of Jewish nationhood, but as a colonial implant which many would be happy to see somehow disappearing as a national entity.
And, of course, there is the "new anti-Semitism" in which demonisation of Israel has become the surrogate for traditional Jew hatred - just as Jews in the Middle Ages were blamed for all the ills of mankind, so today the Jewish state is increasingly held responsible for the principal woes facing humanity.
In this environment, the left and many liberals now focus their rage against Israel and have succeeded in hijacking human rights groups to serve as vehicles to undermine the Jewish state. In the international arena, the automatic majority of Islamic and other radical states guarantees the passage of all anti-Israeli resolutions initiated at the United Nations, no matter how absurd. The so-called United Nations Human Rights Council (UNHRC), which includes some of the worst tyrannies among its leading members, is just one example.
Simultaneously, the realpolitik imposed by oil-producing countries when securing energy has become the national priority for most nations, together with the growing empowerment of radical Islamist groups throughout Europe, has resulted in many countries siding against Israel, rather than confront the jihadists within their own borders.
It is in this context that Israel remains the only country in the world whose very right to exist is challenged.
It also highlights the dilemma facing Israel: the more concessions Israel has made over the past decade to reach an accommodation with its neighbours, the greater has been the terror unleashed against it and the more its international standing has eroded.
Yet Israel remains the only democracy in the region; 20 per cent of its inhabitants are Arab citizens, who enjoy equality of rights, freedom of expression and elect their representatives to the Israeli parliament. By contrast, Israel's despotic neighbours are autocracies or dictatorships which deny freedom of religion and many other basic human rights. They also include the only countries in the world that deny Jews the right of domicile. But it is Israel that is depicted as a racist state.
Even under a right-wing government, a broad consensus in Israel supports a two-state solution and is desperate not to rule over the Palestinians. Two Israeli prime ministers offered to cede nearly all of the territories gained in wars initiated by Israel's enemies seeking to destroy it. The offers were rejected both by Yasser Arafat and his successor, Mahmoud Abbas.
The Sharon government unilaterally disengaged from Gaza and dismantled long-standing settlements. Yet the moment the settlements were evacuated, they were converted into launching pads for intensified missile attacks that culminated in the Gaza conflict.
Israel is confronted by two Palestinian entities. Hamas, ruling Gaza, unequivocally demands the total destruction of the Jewish state and unashamedly calls for the physical extermination of Jews.
The other is the Palestinian Authority in the West Bank, headed by Abbas, who we are told represents a moderate partner for peace. Yet Abbas still honours suicide bombers as martyrs and provides their families with state pensions. The PA-controlled media, education system and mosques continue to promote rabid anti-Semitism and demand the rejection of the Jewish state.
Fully aware of these realities, most European states nevertheless apply double standards against the Jewish state. Many either applauded or stood by while the Arabs and their allies accused Israel of committing war crimes. This despite the fact that the conflict against Hamas was launched only after thousands of missiles had been directed at Israeli civilians for years, and the submission to the UNHRC by the former commander of British forces in Afghanistan, Colonel Richard Kemp, who stated that Israel "did more to safeguard the rights of civilians in a combat zone than any army in the history of warfare".
It is frequently alleged that Israel is responsible for the world turning against it. We are told that Israel's military superiority has created sympathy for the Arab underdog. There is no disputing Palestinian misery and suffering, but it is rarely pointed out that this is a consequence of the intransigent policies adopted by their leaders. Israel is admonished to negotiate with Hamas; would anyone seriously suggest that the US negotiate with al-Qaeda?
Any objective evaluation would morally validate Israel's broad efforts to achieve peace in the face of Palestinian intransigence. It would also demonstrate how the false Islamic narrative of the conflict and constant portrayal of Israel as a rogue state by the UN and other purportedly reputable international organisations controlled by Arabs and their supporters, became embedded in the public consciousness. This has been facilitated by the realpolitik, bias and cowardice of much of the "enlightened" world.
Isi Leibler is a former leader of the Australian Jewish community who now lives in Israel.


While phone screens and shapes have continued to increase in size, our hands haven't. And committing two hands to smartphone use isn't always practical. Of course, you can always use that weird pinky finger balancing act, but that can often result in a dropped phone. A smarter answer to the one-handed problem is the FlyGrip Phone Holder.
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Forget trying to balance your smartphone on top of your pinky finger and enjoy the stability and security provided by this handy phone case addition.


Jean de Luc was a noted Swiss natural philosopher from 1773 to 1817. He made England his home and became reader to Queen Charlotte. In 1809, he presented the operative action of the Volta pile to the Royal Society of London, and separated its chemical action from its electrical action.
He also built his own version of a pile. Extensive dry pile experiments were performed in England between 1806 and 1811 by J.A. de Luc, a natural philosopher of Swiss extraction. Appointed reader to Queen Charlotte, the consort of George III, he had a long career as an experimenter and had travelled widely. Apart from having been for a time professor of philosophy and geology at Gottingen, he lived in Berlin, Hanover and Brunswick, before finally settling at an advanced age in London.
The results of his experiments communicated to the Royal Society were not published in their Philosophical Transactions. He expanded his account and added some new results for papers to be printed in A Journal of Natural Philosophy, Chemistry, and the Arts [Nicholson's Journal] in 1810. The reason why his papers were not printed in the journal of the Royal Society de Luc makes clear in a letter he addressed to the editor. In 1806 he deposited in the library of the Royal Society two papers written in Berlin and printed in Paris. The second one entitled Trait elementaire sur le Fluide electro-galvanique deals de Luc's ideas on the properties of the voltaic pile.
His analysis was left unfinished because of geological studies undertaken in various parts of Germany, so he took the pile up again on his return to England. What spurred him on was Humphrey Davy's Bakerian lecture on "some chemical agencies of electricity" which contained observations already disproved by de Luc in his paper deposited in the Society's library. This resulted in a new paper being presented to the Royal Society on May 30, 1808. On being told that his paper was too long to be read at a meeting, he asked Joseph Banks for its return in early 1809 so that he could shorten it. By suppressing in his new account all the experiments that contradicted Davy, he managed to reduce it by twenty-three pages, but his less controversial version, presented to the Society on February 25, 1809, fared no better.
On March 7, de Luc presented a new paper "On the Electric Column, and Aerial Electroscope", but the door remained firmly closed. The following summer he received a letter signed by Davy that "the Committee of Papers, although they did not think it proper to publish my papers at present, had directed that they be deposited in the Archives of the Society". De Luc must have felt that the intention was to suppress his results that seemed to be contrary to Davy. A request by de Luc for the return of his drawings, so that he could get them engraved for papers to be published elsewhere, elicited no response. At the same time he felt that his "electric column" was no longer a novelty as he had shown it to Davy and many other "experienced philosophers" from July 1808. Nicholson responded in a footnote to de Luc's letter that "he will print the learned author's communications which my duty as a Journalist, and the nature and importance of those writings, may demand".
In the first two papers in this series he described his "dissection" of the "galvanic pile". Small tripods of thin brass wire were interposed between the units of the pile in three different ways. They were either placed between the zinc and silver plates (first dissection), between the silver plate and the wet cloth (second dissection), and finally between the zinc plate and the wet cloth (third dissection). Only in the case of the 'uninterrupted' pile (that is when de Luc did not separate the units or pairs by brass tripods) and in the first dissection were shocks felt and did chemical action take place (such as a litmus solution changing colour). The second dissection produced electrical, but no chemical effects and the third neither effect. He furthermore observed that only in the first dissection did the zinc plates show signs of corrosion ("oxidation").
De Luc concluded that it was through the process of oxidation that the electric fluid experienced a change in nature, and it was this change that made the electric fluid capable of bringing about further chemical action (as shown by the effects exhibited). In order to ascertain if a liquid was essential, de Luc made up a pile with pieces of cloth not moistened, and he found the electrical effects still present but in a weaker state. This induced him to conduct a series of experiments, trying out different animal and vegetable substances between the metal pairs instead of the moistened cloth.
His preferred method was writing paper. His pile was made up of discs of sheet zinc and Dutch gilt metal separated by paper in such a way that the gilt side of the paper was in contact with the zinc. The discs were pressed together in a glass tube by a brass cap and screw connected at each end to a wire. He found that his apparatus had the same "electrical indications" as the common voltaic pile, but that it produced no chemical effects, nor was any oxidation of the zinc observed, even after protracted action. He concluded that what he had constructed was a "kind of perpetual electrical machine" in which the opposite electrical states perpetually exist, without any new excitement.
To distinguish it from the conventional voltaic pile, he proposed to call it the "Electric Column". The column de Luc presented to the Royal Society was made up of 300 pairs. It showed identical effects to those produced by the frictional electrical machine, by applying all the standard tests for determining electricity. The dry pile's intensity was measured with a gold leaf electroscope. When the intensity was sufficiently high, the gold leaf struck the side of the electroscope and then immediately collapsed as its charge was neutralized (earthed). The gold leaf was quickly recharged by the column and would thus strike the sides of the electroscope more or less continuously.
De Luc found that the speed of striking depended on several factors: the number of pairs in a column, the number of columns connected in the circuit, temperature and humidity. This led to his "aerial electroscope" (Figures 1 and 2) arranged in such a way that a pith ball covered with gold leaf and suspended from a silk thread was made to oscillate between two spheres connected to the poles of the pile.
In another version (similar to the specimen still active in the Clarendon Laboratory) he replaced the spheres by two brass bells, so that the rate of striking could be heard. This modification (Figure 2) was probably suggested by B.M. Forster (1764-1829), whose inspiration could well have been the "electric chimes", a popular eighteenth century didactic device sold as an accessory in the electrostatic kits.
De Luc observed that the variations in the rate of striking of the dangling bob were according to the state of the atmosphere. It was reported that with a column of 20,000 pairs of silver, zinc and double discs of paper, a continuous ringing was maintained for more than two years. With this version he obtained sparks, and a Leyden jar was charged in ten minutes with sufficient electricity to produce shocks and to fuse an inch of thin platinum wire.
Over the next few years there was a flurry of activity repeating de Luc's observations, in particular those relating to the apparent influence of the weather on the activity of the dry pile. Notable among these minor players were B.M. Forster, his unrelated namesake Thomas Foster and Thomas Howldy. A Mr J. Tatum suggested that the chief cause for variations in the ball's oscillations was not moisture but owing to the increased temperature of the atmosphere.
There was also a brief exchange of papers between de Luc and Francis Ronalds (1788-1873) on this matter in 1814, which appeared to have been based on a misunderstanding. As it happened, both identified two different sources of the effect of humidity on the pile. Firstly, a certain degree of moisture was needed inside the column (that is of the "conducting" material interposed between the metals) for the pile to work. Variations in this moisture content affected the pile's degree of activity. Secondly, the pile was affected by another source of moisture as indicated by the behaviour of the electrometer connected to the pile. Moisture deposited onto the outer glass tube, containing the column of the dry pile, reduced its electrical tension, as part of this was leaked away by the conducting film of moisture. The exchange was terminated by Ronalds with a rhetorical question about the cause of the dry pile's electrical action: "Mr De Luc's valuable experiments and observations lead to the conclusion that the presence of water, or some conducting fluid, in the substances which have been hitherto interposed between the metals, is necessary to the accumulation of electricity.
"It therefore appears indispensably necessary to the chemical power of the Voltaic apparatus, that a liquid be interposed between each pair of its plates, whilst for the pure electrical effects, the only condition appears to be the association of the two metals; and the connexion of the different pairs, by some conductor that does not interfere with the electro-motive power." Singer's intention was to test this by means of a very powerful dry pile consisting of 60,000 pairs, but this was not ready when his book was published.


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Oro-facial clefts are among the most common birth defects.
Cleft lip with or without cleft palate is approximately twice as common as isolated cleft palate.
The majority of cleft lip deformities are associated with a varying degree of nasal deformity.
Oro-facial clefts can occur in isolation or as a component of an identifiable syndrome.
The aetiology of cleft lip and palate involves a variety of genetic and environmental factors that result in variable expressions of oro-facial clefting.
Comprehensive care involves a multi-disciplinary cleft team with specialists from fields such as facial plastic surgery, genetics, nursing, speech-language pathology, orthodontics, dentistry, oral surgery, audiology, and paediatrics.
An oro-facial cleft is an abnormal opening secondary to developmental failure in utero. Cleft lip with or without cleft palate can be unilateral or bilateral, and occurs in a variety of combinations with variable expression in the nose, lip, alveolus, and primary and secondary palates. Diminutive expressions of cleft lip and/or palate are known as microform, occult, minor, or forme fruste (aborted form).
TTT is an author of studies referenced in this monograph.
DAS declares that he has no competing interests.
OF declares that he has no competing interests.


text:
Afonso Anes de Brito "o clérigo de Évora" (Évora – Évora) foi um fidalgo e Cavaleiro medieval do Reino de Portugal. A alcunha de "o clérigo de Évora" deve-se ao facto de ter tido dois dos seus filhos com o cargo de Bispos..

Relações familiares
Foi filho de João Anes de Brito e de Madalena da Costa, filha de Gonçalo da Costa. Casou com Ousenda Pires de Oliveira, filha de Pedro de Oliveira e de Elvira Anes Pestana, de quem teve:

D. João Afonso de Brito (? - Lisboa, 25 de Julho de 1341), foi bispo de Lisboa.
D. Martinho de Brito, foi bispo de Évora.
Constança Afonso de Brito (c. 1280 -?) casou com Mem Rodrigues de Vasconcelos  (1275 -?), senhor da Torre de Vasconcelos.
Leonor Afonso de Brito, casou com Gil Roiz de Iola

Bibliografia
Nobiliário das Famílias de Portugal, Felgueiras Gayo, Carvalhos de Basto, 2ª Edição, Braga, 1989. vol. III-pg. 67 (Britos).

Fidalgos de Portugal
Família Brito


for our guests we can arrange transfers from the airport Split to the Holiday home and we also offer a car for rent.
Overlooking the city of Split, in the mountain pass between Mosor and Kozjak, lies the small village of Klis speckled with vineyards and olive groves. At the center of this hillside village is a medieval fortress built into a rocky ridge giving visitors an incredible birdseye view of the entire Split "metropolitan" area, Adriatic Sea and surrounding islands.


text:
Racing World Championships
Australia and New Zealand score victories on eve of Oceania BMX titles
The stage has been set for a cracking Oceania BMX Championships tomorrow, as Australia's Matt Juster and New Zealander Sarah Walker took out victories in the men and women's Probikx UCI Series in Bathurst, NSW…
The stage has been set for a cracking Oceania BMX Championships tomorrow, as Australia's Matt Juster and New Zealander Sarah Walker took out victories in the men and women's Probikx UCI Series in Bathurst, NSW this evening.
Rain had threatened to make life difficult for riders on the behemoth Bathurst supercross track from the outset of racing, and as the finals neared the precipitation fell, turning the track into a slick battleground for competitors.
In the men's race Juster continued his purple patch of form to claim his second win from three rounds in the Probikx UCI series. The Northern Territory local has seemingly entered 2017 with renewed vigour, today edging out Wollongong's Kai Sakakibara who is still looking for his first win of 2017.
After crossing the line, Juster simply said that the opportunity to win only presented itself in the second to last corner when Sakakibara left the door ajar.
"I had a good start, but it's been raining so the start was very slick and I was cautious from there," Juster recalled.
"I had a good lead and came across on Kai at the first corner and I thought I had shut him out, so took the corner cautiously because it was wet. But I left the door open and Kai shot back out from underneath me. He's great on this track.
"But then he left the door open on the second last turn and I knew that was my chance. I was so close to crossing over the white line and I thought he would come back at me, but I pulled it off."
Meanwhile the elite women's race looked to be the first of two key encounters between Australian champion Leanna Curtis and London Olympic silver medallist Walker.
The pair, as well as Australia's Tyler-Lea Thorley, who is placed second in the women's Probikx series, raced down the front straight shoulder to shoulder. However Walker was able to use her experience to edge ahead and win her first race after a nine-month injury hiatus.
"I have done very hard training on the velodrome in the lead up to this weekend, that helped a lot for the fitness on this track. I have just turned up and done my best, and that was enough to win so I'm stoked," Walker said.
"I am still nervous about this track. The wind was very strong this afternoon, so I just focused on doing the best start I could and tried to be smooth around the track. I threw in a few extra jumps and manuals in the final, so that helped.
"Unfortunately I didn't get to race against Leanna nor Tyler-Lea until the final, and I knew they had done fast laps all day. So I had to try my hardest and seeing them by my side down the first straight gave me a rush I have been missing for nine months!"
In the junior elite competition Australia's Saya Sakakibara tightened her stranglehold on the women's series lead with her third victory on the trot. In the junior elite men's race Kiwi Maynard Peel signalled his intentions ahead of the Oceania Championships, beating Queensland's Izaac Kennedy to the line.
A number of standout performances highlighted the Chambikx series, with Molly McGill (16-years girls), Des'ree Barnes (15-years-girls), Buddha Baum (14-years-boys), Paige Harding (14-years-girls) and Dirk Winter (17-29 men) all claiming wins to remain undefeated in this series for 2017.
Other victorious riders were New Zealand's Cailen Calkin in the 16 boys, Corey Talor of Western Australia in the 15 boys, Kiwi Toni James in the 17+ women and Victoria's Andrew Jackson in the 30+ Masters race.
CLICK HERE for full Chambikx/Probikx Series round three results
CLICK HERE for updated Probikx Series standings
CLICK HERE for updated Challenge/Chambikx Series standings
UCI BMX World Championships in Houston postponed
UCI release championship class quotas for World Championships
Race Plates in 2020
A year off for the NSW Young Star


The organization Lastochki got a full member of the federation of ICYE | Центр волонтерского движения "Ласточки"
With pleasure we can tell you that we today finally got a full member of the federation of ICYE.
There was a vote in the setting of the General Assembly of ICYE National Committee of Russia.
Thanks to all, which have been for us and are for us! Everybody is very glad and proud! This is our overall win!