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Wednesday, October 21, 2020 | History
5 edition of Ray Bradbury Review found in the catalog.
Ray Bradbury Review
by Ray Bradbury
Published April 1988 by Blood & Guts Press .
Fahrenheit is the best dystopia science fiction composed by Ray Bradbury in According to the Fahrenheit book review, it has won several awards as well as film producers have produced a film based on its story. Bleak, shocking and in places unsettling, there are the embers of a prescient message of optimism to be found in Ray Bradbury's dystopian classic, Fahrenheit First published in , Ray Bradbury's novel stands in western literary culture as one of the pillars of dystopian fiction, alongside Orwell's and Huxley's Brave New World.
John J. Miller is joined by Robert M. Woods of the Veritas Christian Academy to discuss Ray Bradbury's Something Wicked This Way Comes.. Latest Episodes From The Great Books. The October Country is a collection of nineteen macabre short stories by American writer Ray reprints fifteen of the twenty-seven stories of his collection Dark Carnival, and adds four more of his stories previously published elsewhere.. The collection was published in numerous editions by Ballantine hardcover and and softcover versions featured.
Description The New Ray Bradbury Review is designed principally to study the impact of Bradbury's writings on American culture and is the chief publication of The Center for Ray Bradbury Studies—the archive of Bradbury's writings located at Indiana University-Purdue University, Indianapolis. Like its pioneering predecessor, the one- volume review published in by William F. Nolan. This article appears as "What Ray Bradbury Foresaw" in the November 2, , print edition of National Review. Something to Consider is the author of the forthcoming book Author: Peter Tonguette.
From arsenic to DDT
A Journey Upward
Prevention of Laboratory Acquired Infection (Public Health Laboratory Service monograph series ; no. 6)
The grand Indian tour
Secret of Ella and Micha
Alone with God
Japan Statistical Yearbook 2006 (Japan Statistical Yearbook)
Fire, Water, Heaven and Earth
summary of the law relating to corporations
Diseases in free-living wild animals
The 2007-2012 Outlook for Household Cleaning Products in Japan
Footing It in Franconia
science of health and disease
At large in Germany
Mail and passenger steamships of the nineteenth century
The emperors embrace
Ray Bradbury Review by Ray Bradbury Download PDF EPUB FB2
Ray Bradbury, Author Avon Books $ (p) ISBN PW called this collection of 21 stories by the septuagenarian godfather of SF a ""hopeful, introspective addition to his oeuvre. Ray Bradbury, selects of his most celebrated tales from a lifetime in print twice the length of Poe's.
This will quite likely go down as grandmaster Bradbury's magnum opus in lieu of an acid-free trove by Library of America. FahrenheitRay Bradbury Fahrenheit is a dystopian novel by American writer Ray Bradbury, published in Fahrenheit is set in an unspecified city at Cited by: 1. Book Review – The Halloween Tree by Ray Bradbury.
This wasn't my first Bradbury book, but it was the first I've read aimed at a younger audience by him, and I really love that this is so accessible both to younger audiences as well as older ones (like me!).
Book Review: Fahrenheit by Ray Bradbury. Fahrenheit is a dystopian novel by the American writer Ray Bradbury. It was published in and was considered as one of Bradbury's best works.
It is divided into three major parts: Part1: The Hearth and the Salamander, Part 2: The Sieve and the Sand and Part3: Burning Bright. The New Ray Bradbury Review and the multivolume Collected Stories of Ray Bradbury are the primary publications of the Center for Ray Bradbury Studies, the major archive of Bradbury's writings located at Indiana University–Purdue University, Indianapolis (IUPUI).Author: Jeffrey Kahan, Jonathan Eller.
Montag lives in a world where books are to be burned, where firemen exist to start fires, not put them out. In fact, a world where firemen would exist to extinguish fires is out of living memory for almost all of the characters of Ray Bradbury's famous Fahrenheit – reportedly (untruthfully) the temperature at which books burn.
Montag's universe – written by Bradbury in 's. My introduction to the fiction of Ray Bradbury is Dandelion Wine, his much-loved ode to small towns, summers and strangeness as only a twelve-year-old boy could discover hed inthe book is not a short story collection per se but of the twenty-seven vignettes, ten had been published before: "Season of Disbelief" and "The Window" appeared in Collier's in"A Story About Love /5.
The Martian Chronicles, his second book, was embraced by the science-fiction community as well as critics, a rare achievement for the genre. Christopher Isherwood hailed Bradbury as "truly original" and a "very great and unusual talent." Three years later Bradbury published the novel for which he is best known, Fahrenheit Book Review: 'A Sound of Thunder and Other Stories,' By Ray Bradbury | We saw a lot of dystopias in both films and books this year.
Author Jason Sheehan has had enough. He plans to Author: Jason Sheehan. THE BEST OF RAY BRADBURY: THE GRAPHIC NOVEL is a softcover reprinting of selected tales from Topps Comics' excellent earlys RAY BRADBURY CHRONICLES series. RBC combined classic EC adaptations of Bradbury's work (by Jack Davis, Johnny Craig, and others) with modern adaptations by top comic and fantasy artists (Corben, Moebius, Muth, VanFleet /5.
An annual dedicated to the life and writings of one of America's most prolific and popular authors. Like its pioneering predecessor, the one-volume review published in by William F. Nolan, The New Ray Bradbury Review contains articles and reviews about Bradbury but has a much broader scope, including a thematic focus for each issue.
Since Nolan composed his slim volume at the Author: William F. Touponce. The impossibility of pigeon-holding Ray Bradbury as a science fiction writer is once again emphasized in this charming philosophical study of adolescence.
Douglas Spaulding at twelve is suddenly excitingly aware of the world around him, of the magic and wonder and understanding that had passed him by. His neighbors take on new dimensions.
Death and old age as universal factors of. The Greentown series, Book 2 Ray Bradbury William Morrow (HarperCollins) Fiction, MG. Fantasy/Horror Themes: Classics, Country Tales, Demons, Sideshows **** Description.
In the graying October of a younger America, two small-town boys - Will Halloway and Jim Nightshade - are thrilled when they catch wind of a carnival coming to Greentown. On this day 64 years ago—Octo —Ballantine Books first published Fahrenheit by Ray Bradbury.
Praised by science fiction fans and literary critics alike, the novel bridged the supposed chasm between genre writing and "serious" literature, winning awards from both the American Academy of Arts and Letters, as well as the World Science Fiction : Arvind Dilawar.
Having never read a Ray Bradbury book before I had no idea what to expect, however I was not quite expecting this. This book is absolutely awesome. One Halloween night, somewhere in the United States, Tom Skelton, a year-old boy and 8 of his friends go out trick-or-treating for innocent fun and by: 2.
Description. An annual dedicated to the life and writings of one of America's most prolific and popular authors.
Like its pioneering predecessor, the one-volume review published in by William F. Nolan, The New Ray Bradbury Review contains articles and reviews about Bradbury but has a much broader scope, including a thematic focus for each issue.
Since Nolan composed his slim volume at. J • Ray Bradbury's classic has been adapted for a new medium. Graphic novelist Tim Hamilton reimagines the book in a classic comic book visual style. The Illustrated Man is a collection of eighteen science fiction short stories by American writer Ray Bradbury.A recurring theme throughout the eighteen stories is the conflict of the cold mechanics of technology and the psychology of people.
It was nominated for the International Fantasy Award in The unrelated stories are tied together by the frame device of "The Illustrated Man. The shadow of the Cold War looms over the plot, which may confuse some younger readers, but the truths Ray Bradbury unearths are timeless. The novel won the National Book Award and has been adapted for film, radio, stage, and graphic novel, and it's likely to be read widely for a 5/5.
Included is a checklist of Bradbury's extensive fragments, compiled by Donn Albright and Jonathan R. Eller. Fans and scholars alike will welcome The New Ray Bradbury Review, as it will add to the understanding of the life and work of this eminent author, whose work has received both a National Book Award and a Pulitzer : William F.
Touponce. Like its pioneering predecessor, the one-volume review published in by William F. Nolan, The New Ray Bradbury Review contains articles and reviews about Bradbury but has a much broader scope, including a thematic focus for each issue.
Author: William F. Touponce.Dandelion Wine by Ray Bradbury is a one-of-a-kind novel, beautiful, poetic and thought-provoking from start to finish. A real work of classic American literature, it captures a time likely gone forever and offers profound insight into human life.
If this sounds like it's up your alley, I can only urge you to read this timeless book.
maybom247.com - Ray Bradbury Review book © 2020


British actor Luke Evans who is known for his films like Immortals, The Three Musketeers and The Hobbit rings his 40th birthday today on April 15. On this occasion, let's have a look at some facts about him.
Born on April 15, 1979, Luke George Evans is an English actor who began his career on the stage by performing many London's West End productions such as Rent, Miss Saigon and Piaf before getting into Hollywood. The actor celebrates his 40th birthday today and on this occasion, scroll down to see some interesting facts about him.
Luke made his Hollywood debut in 2009 by portraying the role of the Greek god Apollo in the remake of Clash of the Titans.
Following his debut, Evans was cast in several action and thriller movies such as Immortals, The Raven and the remake of The Three Musketeers.
In 2013, Evans got his big breakthrough when he featured as the main antagonist Owen Shaw in the blockbuster film Fast & Furious 6.
He earned a lot of popularity when he played the character of Bard the Bowman in Peter Jackson's three-part adaption of J.R.R. Tolkien's The Hobbit.
Another interesting fact about the actor is that in 2015, he was named among the 50 Best Dressed British Men by GQ magazine.
Did you know Luke lost almost thirty pounds in seven weeks for his role as Zeus in the movie Immortals? That's quite some determination! Isn't it?
As a teenager, Luke had a keen interest in Biology and it is said that if not an actor he would have become a forensic pathologist.
The Hobbit star has always been open about his sexual orientation and identifies himself as a gay.
Evans has loved singing since childhood and has also taken lessons for the same. We wish the actor a very happy birthday!


Currently the winter is on its best behavior: Ice cold, but sunny. Walks outside are great now, because the cold air fresh up the lunges and the sunbeams enhances the skin with vitamin D. Nevertheless I also love being at my new home, sitting on the couch enjoying hot chocolate. Comfortably I spare watching TV but look at my walls instead. They're full of pictures: Images of me as a beauty model, of trips, of watercolors and of snapshots. If I looking at them I am back in the time.
Suddenly I'm in the rehearsal room with my ex-classmate Anna again, watching how she stretches her feet delicately. Or I remind myself how warm the day was when I had the shooting. I see the photographer behind his camera and need to smile. It would be the best if I print this picture on a poster. Nowadays everything's possible via internet. And because this area is something new, I found the online picture service by Cewe. Here I can print my favorite pictures as posters as well as on iPhone cases and other cool things. I try it and gonna tell you whether it worked out.
Do you have special memories if you're watching a picture?
Der Winter zeigt sich momentan von seiner besten Seite: Eiseskälte, aber dennoch Sonne. Spaziergänge sind genau jetzt richtig, da die kalte Luft die Lunge erfrischt und die Sonnenstrahlen die Haut mit Vitamin D anreichern. Dennoch liebe ich es auch in meiner neuen Wohnung auf dem Sofa zu kuscheln und auch mal heiße Schokolade zu genießen. Gut und gerne verzichte ich dann auf den Fernseher und schaue mir stattdessen meine eigenen vier Wände an. Und die sind voller Bilder: Fotos von mir als Beauty-Model, von Reisen, von Aquarellen und von Schnappschüssen. Wenn ich sie mir so betrachte, reise ich wieder zurück.
Plötzlich stehe ich im Proberaum meiner ehemaligen Klassenkameradin Anna und sehe ihr beim Balletttanzen zu und wie grazil sie ihre Füße streckt. Oder erinnere mich daran, wie warm es bei meinem damaligen Shooting war. Sehe den Fotografen hinter seiner Kamera und muss lächeln. Am besten ich vergrößere mir das Bild. Über das Internet ist ja heute alles möglich. Da dieser Bereich Neuland für mich ist, habe ich mir den Online Fotoservice von Cewe rausgesucht. Da kann ich mein Lieblingsbild nicht nur als Poster, sondern auch auf iPhone-Hüllen oder andere tolle Sachen drucken lassen. Ich probiere es aus und sage euch, ob es geklappt hat.
Habt ihr auch besondere Erinnerungen, wenn ihr Fotos anschaut?
Lovely collection! Have a nice weekend!
In fact I really love your Instagram gallery!
Ist eine gute Idee, Erinnerungen so aufzufrischen! Und das weisse Bild mit den Schmetterlingen ist toll!!
Lovely pictures! Especially love the piece with butterflies, so pretty and whimsical!
Such an unique selection! These pictures are breath taking! I love them!
I love the idea of spending time admiring old photographs that are personal to me and so these photos of yours look lovely and the concept of the company you've mentioned sounds good too!
How incredible these photos are! I am not surprised that you modeled professionally, you have that lovely and perfect face! I love that shot of surrounded by black, but it small for me to see well.
Let us know if the poster site works.
I also love the ballet image..
LOVELY wall, better than TV, by far.


Insights on Cyber Crime, Cyber Terrorism, Cyber Security and Cyber Counterintelligence.
From keynote addresses to summit presentations, interviews and breakout roundtable discussions, Chicago has it all. Explore our comprehensive agenda below, and see what's coming up.
The Sheraton Grand Chicago welcomes guests to the heart of the city. Overlooking the Chicago River, the hotel's downtown location is within walking distance of Navy Pier, Michigan Avenue, Loop Business District, Art Institute, Grant Park, Buckingham Fountain, architectural river tours, shopping, dining and entertainment.
The Security Leaders Summit Chicago was held on Wednesday, May 18, 2016 at the InterContinental Chicago Magnificent Mile. The Summit brought together a community of senior IT executives for engaging peer-level interaction, discussions on new approaches to managing complexities in Information Security, and provided opportunities to collaborate with leaders in the industry. Throughout the day, the Summit Hosts, representing companies across a diversity of industries and sizes, shared their insights and knowledge with the distinguished group of attendees through their presentations, interviews and breakout roundtable discussions.To all of our amazing attendees and sponsors that made the Chicago Summit a success, Thank You!


What are the properties of Isopro?
How can we combine Isopro?
Isopro by Quamtrax is a Whey Protein Isolate.
It is advisable to mix 1 scoop (30g) with water or skimmed milk. Use after training.
(CFM) PROVON® 90% whey protein isolate, l-glutamine (Kyowa™ Quality), decaf soluble coffee, flavorings, thickener (sodium carboxymethylcellulose), sweetener (sucralose), coffee extract, ß-galactosidose [Lactase (Tolerase® L)]. It can contain traces of crustaceans, egg, fish, peanuts, soy, nuts, lupins and their derivatives.
Mix 1 scoop (30g) with water or skimmed milk.


text:
world itineraries
"Luxury Memories" an upcoming book
Combine a Parisian holiday on both sides of the Seine
October 3, 2019 • World Itineraries
A rewarding way to enjoy Paris is spending several nights on both banks of the Seine, Left and Right, and immerse yourself in two different atmospheres – and Nicolas Nonon, owner of Verneuil and Parister hotels, offers a golden opportunity to do so.
The first hotel, located on the Left Bank's chic Saint-Germain-des-Près neigborhood, is a classified historic building dating from the 17th century, making it one of the oldest in the City of Light. Previously a sailors' inn, it has been a hotel for the last 30 years. Nonon took it over eight years ago and gave it a makeover.
Its 26 rooms over five floors were re-designed by Isabelle Stanislas, who was also involved in renovating the reception hall in Élysée Palace, home of the French President. The hotel was formerly the residence of acclaimed author James Baldwin, whose novel "If Beale Street Could Talk" was adapted into an Oscar-winning film last year.
Marie Antoinette gazes benignly upon you as you sit down at the reception desk, a marble bust of her decorating one corner of the room. Other vintage furnishings include an old clock and a concave mirror.
Adjoining it is a comfy sitting room with a high, beamed ceiling painted white, armchairs, a sofa, smoked mirror, standing lamps, an open fireplace and shelves filled with books, some old and leather-bound. Street-facing windows are festooned with potted plants. The permanent resident here is cute-looking Jean-Sean, an ornamental stuffed sheep.
An intriguing red, white and blue neon with the words 'Regarde les rire' by artist Claude Lévêque adorns one wall. It has an interesting backstory, ask for an interpretation. Enhancing guest leisure here is a D-vine wine dispensing system, as well as a small honesty shelf bar with Cognac, pastis, gin, and even Creme de Cassis de Dijon.
Breakfast is served in an intimate setting in the cellar which features an arched stone ceiling and is reached via a short winding staircase. Photographs throughout the rooms refer to the neighbourhood's history and artists who lived there. The former house of French singer-songwriter Serge Gainsbourg stands in front of the hotel.
Our room, 108, a junior suite, one of three categories, was more than adequate without being spacious, with painted white bare-beam ceilings with street facing windows decorated with flowering plants. It is also interesting to note that a single ground-floor bedroom is suitable for guests with disabilities. Twenty-four-hour reception service is available.
Highlights of the Parister Hotel, located between South Pigalle (SOPI) and Grande Boulelvards, just around the corner from the famed century-old cabaret music hall, Folies Bergère, are a sports area comprising a narrow 20-meter long swimming pool with ceiling skylights, a sauna and gym, with specialised training available including swimming, yoga, boxing and pilates in partnership with CYD (Conquer Your Day), as well as a secluded inner terrace where food and drinks are served. Designed by the architecture firm Beckman N'Thépé, Céline Boullenger advised on the hotel's interior decor.
The lobby is larger than that of the Verneuil, with dried strands of plants entwined around a trellis beside the reception desk, plush green velvet sofas, leather armchairs, an open fireside and stylish wood and metal shelving offering mainly illustrated coffee-table books on arts and artists such as David Hockney, Marie Bovo, Diego Rivera and Paul Outerbridge. One interesting book entitled 'Why LA? Pourquoi Paris?' by Diane Ratican with illustrations by Eric Giriat and Nick Lu highlights what is described as 'the Yin-Yang relationship of everyday life' in terms of architecture, icons, historical legends, fashion trends, and cultural peculiarities between the City of Light and Los Angeles.' There is also intriguing illustrations from 'Treasures from the Wreck Of The Unbelievable' by Damien Hirst to savor.
Furnishings in our room, junior suite 108, included built-in cupboards, a wall-mounted TV, double sink, bathtub and walk-in shower, coffeemaker and a king-size bed and convenient reading lights. Comfortable robes and black plastic flip-flops were provided. Toiletries were Zenology. Floor-to-ceiling windows with blue velvet curtains overlooked the enclosed garden and there was also a Smartphone for free calls and GPS mapping facilities for outdoor use.
My favorite place to relax was the inner courtyard, snug between wings of the hotel. Its natural wood flooring, wicker chairs and garden with hanging strands of ivy created a tranquil atmosphere. Herb boxes with parsley, thyme and mint supply the mixologist with the freshest of flavors for his various concoctions. The bar specialises in French whiskies and often has live music to enjoy.
The surrounding district is one peppered with artists and local film-making studios. A five-minute walk brings one to Cadet Street, semi-pedestrian with cafes and local food shops selling fruit, cheese, meats and pastry.
So, for the Left Bank with the Eiffel Tower, Musée d'Orsay, Paris Catacombs, Montparnasse Cemetery and Luxembourg Gardens, you have the Verneuil. And for the Right Bank with the Champs-Elysées, Louvre Museum, Arc de Triomphe, Tuileries Gardens and Montmartre neighbourhood, you have the Parister.
Posted in Luxury HotelsTagged best hotels grand boulevards, best hotels in sopi paris, best hotels saint germain des pres, historic hotels left bank paris, hotel verneuil paris, parister hotel paris, where to stay in ParisBookmark the permalink.
The St. Regis Washington: lavish, historic and neighbouring the White House
Major new production takes a fresh look at The Playboy of the Western World
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redpajama_set_name: RedPajamaCommonCrawl


text:
Buyer Beware: Aaron Judge Signing with Giants Would Be Big Mistake for Both Sides
Zachary D. RymerNovember 30, 2022
The prospect of Aaron Judge, notable real-life giant, becoming a member of the San Francisco Giants is nothing if not a fun concept.
But a good idea? Less so.
Granted, it's a partnership that could happen anyway. The 6'7", 282-pound Judge—late of an American League MVP Award-winning season with the New York Yankees in which he smashed an AL-record 62 home runs and led MLB in numerous other categories—had a meeting with the Giants last Tuesday. They even tabbed Stephen Curry to help in the recruitment.
The next step is a formal offer, which MLB Network's Jon Morosi said was forthcoming:
My report on Aaron Judge for @MLBNetwork this morning — including his meeting with #SFGiants ownership. @MLB #MLBNHotStove pic.twitter.com/Coo5HbFqPR
The Giants may not have a shot at Judge if they aren't willing to guarantee a nine-figure sum that begins with a three, but they're surely capable of promising such a commitment. Their 2023 payroll projects at $133 million, almost $70 million south of the franchise's high mark.
"From a financial standpoint, there's nobody that would be out of our capability to kind of meet what we expect the contract demands will be," Farhan Zaidi, San Francisco's president of baseball operations, told reporters at the general managers meetings in early November.
What Makes Judge and the Giants a Good Fit
Cody Glenn/Icon Sportswire via Getty Images
Look, even we can acknowledge that the 30-year-old Judge would be a three-for-one solution for the Giants' most outstanding needs.
The four right-handed hitters projected for San Francisco's everyday lineup in 2023 hit six fewer home runs in 2022 than Judge did on his own. He also boasts 61 defensive runs saved for his career, so he'd be quite the salve for an outfield that was last in DRS.
The Giants also have a dire need for a star that goes beyond the voids left by recently departed mainstays such as Buster Posey and Brandon Belt. As Joel Sherman of the New York Post wrote Nov. 11, the Giants need a "marketing centerpiece" as much as anything.
Somebody to sell tickets, in other words. The Giants ranked in the top five of the National League for attendance 17 times in their first 19 seasons at Oracle Park. They've yet to do so since then, even amid a run to a franchise-record 107 wins in 2021.
To this end, the appeal of bringing in the biggest star in baseball—literally as much as figuratively—is obvious.
Though he'd ostensibly be a hired gun, it also wouldn't be overly hard for the Giants to sell Judge as a hometown hero coming, well, home. Say what you will about his hometown of Linden and his alma mater of Fresno State not really being in the Bay Area, but both were apparently approximate enough for Judge to grow up a Giants fan:
Aaron Judge @TheJudge44
@SportsFan85 favorite team is the Giants and my favorite players are Giancarlo Stanton and Albert Pujols.
Even if San Francisco wasn't the least bit familiar to Judge, he could perhaps still find the city more welcoming than the one where he last played. Remember, even the season he just had couldn't stop him from hearing boo birds at Yankee Stadium as opposing pitchers kept him quiet during the playoffs.
What Makes Judge and the Giants a Terrible Fit
And yet how we feel about the Giants going all-in on Judge apparently isn't all that different from how the person who runs baseball operations for them does.
As Sherman also noted, there's an "an industry sense that Zaidi prefers to spread his dollars around and not invest so heavily in one piece." We'll take this as a sign that he can not only see clearly that his team finished an underwhelming 81-81 in 2022 but also that it's more than just one star away from substantial improvement.
Because if FanGraphs' WAR projections for 2023 are any indication, the Giants aren't even the third-best team in the National League West:
San Diego Padres: 50.9 WAR
Los Angeles Dodgers: 48.9 WAR
Arizona Diamondbacks: 34.6 WAR
San Francisco Giants: 34.2 WAR
Colorado Rockies: 26.4 WAR
Clearly, the Giants would have a lot more adding to do even if they were to sign Judge. And whether you're looking at their payroll or a farm system that MLB.com ranked at No. 18 in August, their resources for doing so are less than bottomless.
Building around Judge could thus take the Giants years rather than months. A risky proposition under any circumstances, and that much more so in relation to his age and injury history. To wit, he missed 37 percent of the Yankees' games from 2018 to 2020, and he'll turn 31 on April 26.
There's also a non-zero chance that Judge would find it difficult to hold up his end of the bargain, if for no other reason than Oracle Park is much less friendly to right-handed sluggers than the one in the Bronx that he called home for seven seasons:
Graph via Google Sheets
Judge is, of course, no ordinary right-handed slugger. His batted ball metrics typically hover around the 100th percentile. It's almost as if big guy invariably equals big power.
At the same time, to assume that Judge has been such a great home run hitter—even before 2022, he averaged 46 homers per 162 games from 2017 to 2021—strictly because of his ability to wallop the ball is to undersell how good he was at making good use of Yankee Stadium's dimensions.
Even despite the time he missed with injuries, Judge hit 15 more opposite-field long balls at home than any other right-handed hitter from 2017 to 2022. A fair bunch of those just snuck over the right field wall at Yankee Stadium, whereas they would have been contained by Triples Alley at Oracle Park:
Images courtesy of Baseball Savant
This is to say nothing of what Oracle Park's rather large dimensions could mean for Judge's health over the long haul. Having so much ground to cover defensively would figure to take a toll on anyone's legs, much less the biggest position player in MLB history.
There Are Better Fits for Judge
AP Photo/Noah K. Murray
If finding a place to age gracefully is one of Judge's top priorities, all of the above is indeed as much an endorsement of Yankee Stadium as it is an indictment of Oracle Park.
This would be neither here nor there if the Yankees were out of the running to re-sign Judge, but every indication is that this is not the case.
According to Jon Heyman of the Post, the Yankees "feel pretty good" about their chances to retain Judge even after his meeting with the Giants. It helps their cause that they've already improved on the $230.5 million offer Judge rejected in April, and it can't hurt that they're serious about naming Judge captain:
YES Network @YESNetwork
Hal Steinbrenner tells @M_Marakovits that "they would consider" making Aaron Judge the next Yankees' captain. #YANKSonYES pic.twitter.com/cilljzfhta
Honestly? Why not. Judge is more than just the best player the Yankees have developed since Derek Jeter. He also has a Jeterian ability to handle the pressure that comes with wearing Yankees pinstripes, the likes of which was never more apparent than when he smiled and shrugged off those ill-advised boos in October.
More so than the Giants, the Yankees are also simply one of the best hopes Judge has of winning a World Series or two before he calls it quits. Sure, the Giants have been to and won the Fall Classic three times since the Yankees last appeared in it in 2009. But in the last six seasons, the Yankees have played in 44 playoff games to the Giants' five.
To this end, Judge might leave even less to chance and sign with the Los Angeles Dodgers, for whom the last 10 seasons have consisted of more spending and winning than any other team. They're a fit for Judge, even if it means shifting fellow MVP Mookie Betts back to the infield.
It's up to Judge to whom to say yes. But if he decides he can't do better than the Giants, we will only be able to assume it's because his other options dropped the ball.
Stats courtesy of Baseball Reference, FanGraphs and Baseball Savant.


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Q: Covering number of Lipschitz functions What do we know about the covering number of $L$-Lipschitz functions mapping say, $\mathbb{R}^n \rightarrow \mathbb{R}$ for some $L >0$?
Only 2 results I have found so far are,

*

*That the $\infty$-norm covering number for $L$-Lipschitz functions constrained to map $[0,1]^d \rightarrow [0,1]$ is $\exp\left(\Theta\left( L/\epsilon\right)^d\right)$. And for this I could not find a reference for the proof.

*Another such $\infty$-norm covering number count for $1$-Lipschitz functions mapping an unit diameter metric space to $[-1,1]$ was given in this previously unanswered question here, metric entropy for Lipschitz functions
Even here I can't find the proof anywhere and the link in the MO question seems to go to something else (and the original reference in the Uspekhi Mat. Nauk, 1959,   Volume 14, Issue 2(86), Pages 3–86, is in Russian and hence I can't read it).
Is there some reason why we don't have (is provably impossible?) such counts when either the range or the domain of the function space is unbounded?
It would be great if someone can maybe reference the proofs for the two results quoted here!

A: Here is a reference to a more general result: Lipschitz functions over a doubling metric space (rather than $[0,1]^d$). The $||\cdot||_\infty$ $\epsilon$-metric entropy of such functions is, disregarding log factors, of order $(D/\epsilon)^{ddim}$, where $D$ and $ddim$ are the diameter and doubling dimension of the metric space, respectively. A modern proof may be found in Lemma 4.2 here:
https://www.sciencedirect.com/science/article/pii/S0304397515009469
Edit: As pointed out in the comments, the result above is stated without proof. However, a proof is given in Lemma 6 here:
https://ieeexplore.ieee.org/document/7944658/

redpajama_set_name: RedPajamaStackExchange


text:
Q: How do we use julia to read through each character of a .txt file, one at a time? I am trying to go through a .txt file with Julia, and I need to be able to look at every character as the program reads through the file. What little I have found on the Julia Docs page is how to read line by line. I know that the basic set up should be something like this
file = open("testfile.txt","r");
while !eof(file)
    //look at each character and store it to a variable

Once it is stored into a variable I know how to manipulate it, but I can't figure out how to get it into the variable storage.

A: Use read function like this:
file = open("testfile.txt","r")
while !eof(file)
    c = read(file, Char)
    # your stuff
end
close(file)

This will read it character by character using UTF-8.
If you want to read it byte by byte then use:
file = open("testfile.txt","r")
while !eof(file)
    i = read(file, UInt8)
    # your stuff
end
close(file)

Note that you can use do block to automatically close a file when you leave it:
open("testfile.txt","r") do file
    while !eof(file)
        i = read(file, UInt8)
        # your stuff
    end
end

For a more complete example you might want to have look e.g. at this function https://github.com/bkamins/Nanocsv.jl/blob/master/src/csvreader.jl#L1 that uses pattern read(io, Char) to parse CSV files.


What color are the autographs signed in? If I send this in to an authentication service and it fails, will you issue a refund?
Thank you for your interest in the Top Gun Signed Movie Poster, 11 Autographs. The autographs may be in different colors depending on where they are on the poster, but are primarily black. This item does come with our One-Year Guarantee.


At Esslingen's Medieval and Christmas Market, from 25th November to 21nd December 2014, merchants in historical costumes will peddle their wares just as they did.
Directions. How to get here; Parking; Information. Brochure; Impression. The Esslingen Medieval Market and Christmas Market. 28 November - 22 December 2017 The Esslingen Medieval Market and Christmas Market is unique – and "more full of adventure than any other in Germany". With more than 200 booths, the Esslingen Market is also one. Directions Transfers during the Esslinger Medieval Market and Christmas Market With the shuttle bus of our partner Omnibus Fischle – a shuttle bus operates on the weekends in Advent.
May 18, 2018 · Christmas and Medieval Market, Esslingen am Neckar: Address, Phone Number, Christmas and Medieval Market Reviews: 4. 5/5. Europe; Germany; Baden-Wurttemberg;. At its core, this is a Christmas market full of German Christmas ornaments from near and far. Yes, you even can buy Gluehwein in special festive cups. On top, it is a. Christmas market in Esslingen Medieval spectacles including jesters, minstrels, fire acrobats, vagabonds, and the tradesmen and artists in their Christmas ambience conjure up a mystique in the alleyways and are fascinating for adults and children alike.
Christmas and Medieval Market, Esslingen am Neckar: See 265 reviews, articles, and 358 photos of Christmas and Medieval Market, ranked No. 1 on TripAdvisor among 27. A series of photos of the Esslingen Christmas Market, just outside of Stuttgart, Germany. The Esslingen Medieval Market and Christmas Market (9) 28 November - 22 December 2017 The Esslingen Medieval Market and Christmas Market is unique – and "more full of adventure than any other in Germany".
With more than 200 booths, the Esslingen Market is also one of the largest in the region. Directions. Welcome to Esslingen.
Food. Nov 23, 2008 · Re: Trip from Stuttgart to Ludwigsburg for Christmas market Nov 23, 2008, 10: 59 AM We easily visited both the Esslingen am Neckar and Ludwigsburg markts on the same day.
Enjoy the Esslingen Christmas and Medieval Market in southern Germany. Take a trip through time and admire medieval crafts, food and performers! 36 reviews of Esslinger Mittelaltermarkt& Weihnachtsmarkt - Temp.
CLOSED" Esslingen Medieval and Christmas Market is a unique historical attraction! More than 180 wonderful stands, fascinating attractions such as open air concerts with music. The medieval christmas market in Esslingen consists of numerous stalls offering baked goods and hot food to the visitors.
Hot wine and brandy punch are served against the cold. While in Esslingen, you'll also find a more traditional Christmas Market with modern gifts, stalls and Glühwein which can be bought from a lovely stall with a Christmas pyramid similar to Heidelberg's. You'll find doilies, nutcrackers and so much more here.
The Esslingen Medieval Market and Christmas Market is unique – and "more full. With more than 200 booths, the Esslingen Market is also one of the largest in. At its core, this is a Christmas market full of German Christmas ornaments from near and far. Yes, you even can buy Gluehwein in special festive cups. On top, it. The Esslinger Medieval Market is so unbelievably full of events like almost no other.
Don't forget the festive Christmas market with all of its delicacies and the. The Esslingen Medieval Market and Christmas Market is unique – and "more full of adventure than any other in Germany". With more than 200 booths, the. The Esslingen Medieval Market and Christmas Market is unique.
attractions, medieval music and a broad cultural program the Esslingen Market is one of the. Medieval christmas market in Esslingen.
In 77 Days. Christmas market 2018 Esslingen am Neckar. Cycle: annually. Audience:. Display e-mail address Dec 4, 2017. Esslingen Medieval Christmas Market | Esslingen Mittelaltermarkt | Esslingen Weihnachtsmarkt | Unique Christmas Markets in Germany.


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Less than 1% of India's 1.2 billion population has access to palliative care. The efforts by pioneers over the last quarter of a century have resulted in progress, some of which may hold lessons for the rest of the developing world. In recent years, a few of the major barriers have begun to be overcome. The South Indian state of Kerala, which has 3% of India's population, stands out in terms of achieving coverage of palliative care. This has been achieved initially by non-government charitable activity, which catalysed the creation of a government palliative care policy. The non-government action by involving the community serves to strive for quality of care as the government system improves coverage. On the national level, recent years saw several improvements, including the creation of a National Program for Palliative Care (NPPC) by the government of India in 2012. The year 2014 saw the landmark action by the Indian Parliament, which amended India's infamous Narcotic Drugs and Psychotropic Substances Act, thus overcoming many of the legal barriers to opioid access. Education of professionals and public awareness are now seen to be the greatest needs for improving access to palliative care in India.
Home to one-sixth of the World's population, India has a huge burden of suffering from life-limiting diseases. Less than 1% of its population has access to pain relief and palliative care (1). It has a federal system of Government, health and drug control being responsibilities of its 29 states and six Union Territories. Provision for health care and for opioid access varies from state to state, and as can be expected, this created difficulties especially when one state had to depend on a manufacturer of opioids in another state or when palliative care provisions had to be made a part of Government's health system.
Palliative care was born in India as the Shanti Avedna Sadan in Mumbai, a hospice, in 1986 (2). Over the next five years, it established two more branches, one in Delhi and one in Goa; but patients outside these institutions had no access to palliative care. Two major developments occurred in the 1990s. One was the formation of the Pain and Palliative Care Society (PPCS) in Calicut in the South Indian state of Kerala in 1993. The other was the formation of the Indian Association of Palliative Care in 1994.
PPCS was formed as a registered charitable trust. It followed the work of the author over the previous six years to provide a pain management service in the Government Medical College Hospital. It was obvious that for any person with pain, the suffering goes way beyond pain as a symptom. They often have other symptoms along with psychological, social and spiritual issues often complicated by impoverishment. Typically, all treatment costs were out of pocket for the patient. It was not easy to watch families getting destroyed, including the generation that follows the patient. This experience and teachings of visiting pioneers, particularly Ms Gilly Burn, a British nurse, brought to light the need for total care of the patient. Two doctors and one layman got together to form PPCS (3). From the point of involvement of this lay person, Mr Asok Kumar, the community was seen as an integral part of palliative care in Kerala.
The organization was started practically with no resources and was done purely based on volunteerism. As more volunteers got involved, PPCS grew as an out-patient service later adding on a home visit programme as the need became apparent. Dr Jan Stjernsward, then Chief of Cancer and Palliative Care at the World Health Organization (WHO) and Dr Robert Twycross, the director of the WHO Collaborating Center, Oxford, were major catalysts in this process.
This duo also catalyzed the formation of the Indian Association of Palliative Care (IAPC). Doctors from various parts of India, with a predominance of anesthetists involved in pain management, formed the majority of founding members. From the beginning, the association envisaged a multi-disciplinary approach and welcomed volunteers as members.
Over the next few years, in the latter part of 1990s, several new palliative care initiatives were started such as the Guwahati Pain and Palliative Care Society in Assam, the Jivodaya Hospice in Chennai, Cansupport in Delhi, the Lakshmi Palliative Care Trust in Chennai and the Karunasraya Hospice in Bangalore. Some regional cancer centres like Trivandrum, Bangalore and Delhi which already had pain management programmes, also included palliative care in their service. Though every year a few centres were added, the growth was limited considering the enormity of Indian population.
At this time, access to opioids was not easy. Possibly as a response to the global war on drugs, India had formed, in 1985, the Narcotic Drugs and Psychotropic Substances (NDPS) Act (4). This draconian legislation brought in stiff penalties which could even be applicable for minor clerical errors and gradually pharmacies stopped stocking morphine. This Act also mandated several different licenses, typically four to five, all of which needed to be valid at the same time. Typically again, these licenses had to be issued with the concurrence of several Government departments making the system next to non-functional. In the 13 years which followed the enactment of the NDPS Act, morphine consumption in the country fell by an alarming 92% – from around 600kg to a mere 48kg. In 1997, India's per capita consumption of morphine ranked among the lowest in the world (113th of 131 countries). During the same period, global consumption of morphine had increased by 437% (5).
In 1995, Mr David Joranson, the Founder Director of Pain and Policy Studies Group in Madison Wisconsin, another WHO Collaborating Centre, entered into a partnership with palliative care pioneers in India. They analyzed the NDPS Act, identified barriers and submitted a proposal to the Government of India for simplification. Health as well as control of opioid medicines are both "state subjects" in India's federal system of governance; it was necessary for each state to act independently (6).
In 1998, the pharmacologist Ravindra Ghooi approached the Delhi High Court seeking access to morphine for his mother in pain from cancer. The High Court passed an order expressing sympathy for the cause and asking Delhi Government to take prompt action. Following this and representations from Pain and Policy Study Group, the Government of India prepared a model rule for the modification of existing state regulations and asked all states to change their regulations accordingly. By India's constitution, the state government is not obliged to follow the central governments in this matter. Most states did nothing. The collaborators namely, the Pain and Policy Studies Group and Indian palliative care activists worked together through state governments. Eighteen workshops were organized in various states resulting in many of them changing the state regulations following the central government instruction.
Of these, Kerala showed a remarkable improvement in access to opioids during the subsequent years. Some states like Tamil Nadu, Karnataka and Delhi showed a modest improvement while in most other states the change was minimal. It appears that wherever there was existing palliative care activity resulting in a demand for pain relief and for morphine, the amendment of the state rules did improve the situation. It also became very clear that without such activity, the regulatory reforms make no impact.
Since the beginning of Pain and Palliative Care Society in 1993, the community's involvement in palliative care was steadily growing in Kerala. By the turn of the century, this was given structure and growth with the name "Neighborhood Networks in Palliative Care" (NNPC) (7). An international conference on community participation in palliative care gave great visibility to NNPC, the media were supportive, public interest grew and truly the people of Kerala embraced palliative care. Trained volunteers are involved in palliative care, organizing palliative care services, doing nursing chores, educating families in care and in spreading awareness. Questions have been raised about the quality of services that such community-based services can give (8), but the system has indeed succeeded in providing a link between the patient and medical institutions (9), adding the "meso" element of the social capital that is being eroded in much of the world (10).
In 2003, the charitable organization called Pallium India was created to improve access to palliative care outside Kerala. Since then, palliative care centres have been established in 11 states where until then practically no such service existed. Whether they followed the complicated old "narcotic" rules or the simpler new ones in some states, access to morphine became a reality in all these centres soon after the initiative.
In 2005, Pallium India submitted a representation to the Government of Kerala and to the Government of India for the creation of palliative care policy. The Kerala state government acted on it and created a task force to formulate a draft policy. Many meetings and discussions later, in 2008, the Government of Kerala declared a palliative care policy integrating it into health care (11). This has since then been a huge success so that today each of about 900 local self-government institutions called panchayats employ one nurse trained in palliative care. The funds for this came through the National Rural Health Mission which, by the very function of its being, had to serve rural areas and therefore had to restrict their activities to community health centres and primary health centres. No budget allocation, unfortunately, was made for much of the activities envisaged in the palliative care policy, namely, the creation of palliative care centres in district hospitals and in tertiary referral centres. This has resulted in the anomalous situation in which the patient has to go through intolerable pain and other distress for weeks, months or years of treatment in major hospitals, to get palliative care only in the last few weeks at home through the primary health centre. The monitoring committees planned in the state policy were also not established and hence there was no forum for review and modification of strategy.
The Government of India formed a committee in 2006 involving experts from various parts of the country to create a national policy for palliative care. The committee worked together to create a draft policy document. However, following a change in one official, this did not see the light of the day. Representations to the Medical Council of India and Indian Nursing Council for the incorporation of palliative care into the undergraduate curriculum also were unsuccessful during that decade.
palliative care must be made a part of undergraduate medical and nursing curricula. During periodic hearings of the case which is yet to be settled, the court's questions to the central and state governments have been a significant factor in catalyzing action.
A further development occurred in Kerala between 2005 and 2008. Acting on a request from Pallium India, the Government of Kerala appointed a committee to draft the Palliative Care Policy for the state. The policy came into being in April 2008. It accepted palliative care as an essential part of health care in the state. However, the Government made no budget allocation for palliative care and the implementation of palliative care was left to the National Rural Health Mission (NRHM). This has been largely successful.
Kerala, though it covers only 1% of India's land mass and cotains 3% of India's population, has now more palliative care services than the rest of the country put together. In a study published in 2008 (12), McDermott E et al found Kerala to have 83 palliative care services as against 139 in the whole of the country. As of 2014 in Kerala, more than 170 institutions stock and dispense oral morphine.
International Advocacy has always had a major role in supporting palliative care efforts in India. In 2009, the Human Rights Watch published the results of their research, namely "Unbearable pain: India's obligation to ensure palliative care" (13). One of its recommendations was to International Narcotics Control Board (INCB) to plan a fact-finding mission to India, with the availability of controlled substances for medical and scientific purposes as one area of focus. INCB did take up the suggestion and a delegation came to India and interacted with Government officials and representatives of palliative care associations. Its recommendations had a major role in persuading further government action. India, till around this time, did not have a proper system in place for assessing opioid consumption and reporting it to INCB and for many years, it either failed to send reports or sent clearly inaccurate reports. Following the INCB visit, the Government put into place a new functional system and from that year, we have had reasonably reliable statistics on consumption of opioids.
Recognizing that education of professionals was the key to improvement of palliative care in the country, palliative care activists had, from the beginning, conducted educational programmes. After several trials with courses of two, four and six weeks, the six week courses in Palliative Medicine and Nursing started by PPCS became widely popular and has been replicated in several institutions in the country. A one-year fellowship programme also was started by several institutions, though none had the approval of the Medical and Nursing Councils of India.
Continued advocacy by the palliative care community bore fruit in 2010, when the Medical Council of India accepted palliative medicine as a medical specialty and announced a post graduate course in the subject. Subsequently, in 2012, the first Doctor of Medicine (MD) course was started at the Tata Memorial Hospital in Mumbai with two places per year. Unfortunately, most of palliative care service available at this time was in the charitable sector, and there are not many academic institutions with the capacity to start palliative care courses.
Designation of the Institute of Palliative Medicine at Calicut, Kerala, as a WHO Collaborating Centre for Community Participation in Palliative Care and Long Term Care in 2010 and of Pallium India's Trivandrum Institute of Palliative Sciences (TIPS) as a WHO Collaborating Centre for Training and Policy on Access to Pain Relief in 2012 were two significant events contributing to further progress.
In 2013, following his attendance of a side-event held at the World Health Assembly in Geneva organized by Human Rights Watch and others, the Principal Secretary of Health of Government of India, Mr Keshav Desiraju, called a meeting to create a palliative care strategy for the country's five-year plan. Health ministry officials and palliative care activists worked together to create this strategy, the National Program in Palliative Care (NPPC), which was declared in 2012. Unfortunately, the proposed budget allocation did not materialize and hence, the implemented part of NPPC turned out to be a skeleton of the envisaged programme, with about 2% of the originally proposed budget, some money being allocated to a minority of states by the Government of India for implementing some of the parts of the NPPC.
Pallium India found the resources and organized a working group to create an implementation framework for NPPC, spelling out strategies, action items, and timelines. This was submitted both to the WHO India Office with a request for undertaking operational analysis and to the Ministry of Health. Though the operational analysis did not materialize, the document continues to be available for guidance in implementation of NPPC (14).
In addition to implementing the establishment of palliative care services, the NPPC had recommended undergraduate medical and nursing education as one of its targets. Pallium India subsequently organized a working group involving experts from various parts of the country, Ministry of Health officials and representatives of the Medical Council. The committee, over a six-month period of time, developed curricula for undergraduate medical and nursing education, and prepared a scheme for its inclusion in the existing medical and nursing curricula. Action on this by the respective councils is yet to happen.
The Pain and Policy Studies Group at Madison, Wisconsin, in 2012, included three fellows from India in its fellowship programme and also invited two officials from Government of India, Mr Rajesh Nandan Srivastava, Director of Narcotics in the Department of Revenue, and Dr Sudhir Gupta, Deputy Director General of Health Services. Their interactions had a positive impact, and in the subsequent year, the department of revenue, working with palliative care activists, developed a draft document for amendment and simplification of the existing NDPS Act. The voluntary services of a lawyer, Ms Tripti Tandon of the non-governmental organization "The Lawyers' Collective" had given precious input in to the drafting of this document. The Amendment would have the effect of uniform NDPS rules for the whole country, as it would shift the powers of legislation from the state government to the central government. The resultant document was placed before the Parliament of India in 2013. It was on the agenda for all three sessions of the Indian Parliament during 2013, but never got the required priority to be dealt with, despite advocacy campaigns by the palliative care community. Finally, during an extended winter session of the Parliament in February 2014, the Parliament passed the NDPS Amendment Act. The new Act transferred the powers for legislation on "essential narcotic drugs" (ENDs) from the state governments to the central Government. It is necessary now for the Government of India to announce the uniform simplified state rules. These rules and the standard operating procedures were already prepared by the government, in consultation with the department officials with the support of Ms Tripti Tandon of Lawyers' Collective and palliative care activists. In May 2015, the Government of India concluded the process with notifications regarding the rules to be followed by the state governments. It is up to palliative care activists and state governments to ensure that the amended rules are implemented.
If we take morphine consumption in the country as the index of access to palliative care, there has been little progress in last several years as can be seen in Figure 1 (15).
Considering that the official reporting of data to INCB has been erratic until recently, this graph has made use of officially communicated record of the quantity of morphine sold by the Government opium and alkaloid factory to manufacturers of formulations of morphine. Considering that morphine is the only oral opioid belonging to step III of the WHO analgesic ladder, these figures are likely to be representative, with some exceptions. In 2000, the peak was caused by a large scale purchase of morphine by the Government of India using funds from World Health Organization for free distribution to Regional Cancer Centres. We know for a fact that the bulk of it was never used and was eventually destroyed after expiry date. The drop in consumption from 2002 to 2006 was caused by a breakdown in the Government Opium and Alkaloid Factory, following which production of morphine was reduced.
There has been a lot of progress in palliative care in India, but the fact remains that despite the passing of almost a quarter of a century of palliative care activity in the country, even today palliative care reaches only about 1% of the people in India. If we take per capita consumption of opioids belonging to the step III of the WHO ladder as a criterion, this has been on a plateau for many years now.
The NDPS Amendment Act is simplified now, but needs to be implemented by state governments. Non-government palliative care organizations, who already are struggling with paucity of resources, will have to take the onerous task of finding funds and personnel for catalyzing government action, state by state, through 29 states and six union territories.
Despite a submission before the Supreme Court of India expressing willingness to incorporate palliative care in undergraduate curricula, and despite the palliative care community preparing the curricula and giving a framework for implementation, the Medical Council of India and the Indian Nursing Council are yet to act on the matter.
Though the National Program in Palliative Care was created in 2012, due to lack of budget allocation, only a tiny part of the programme has been implemented. Even for the part that is funded, considerable catalytic work is needed with the state governments to ensure that proper plans are made and implemented.
In short, some major barriers to access to palliative care in India have been overcome, but implementation of created policies and laws still requires massive efforts by both the government system and non-government organizations. The non-government organizations do have the commitment but would need international support to effectively facilitate government activity.
Dr Mr Rajagopal is the Director of the WHO Collaborating Centre for Policy and Training on Access to Pain Relief and the Founder-Chairman of Pallium India. He has contributed significantly to the Amendment of India's NDPS Act in 2014, the development of the Kerala Government's policy on Palliative Care and Government of India's National Palliative Care Strategy in 2012. In 2014, Human Rights Watch honoured Dr Rajagopal with the Alison Des Forges Award for Extraordinary Activism.
1. Rajagopal MR and Joranson DE. India: opioid availability – an update. J Pain Symptom Manage 2007; 33:5: 615-622.
4. Joranson DE, Rajagopal MR, Gilson AM. Improving access to opioid analgesics for palliative care in India. J Pain Symptom Manage. 2002;24(2):152-9.
5. Joranson DE, Rajagopal MR, Gilson AM. Improving access to opioid analgesics for palliative care in India. J Pain Symptom Manage. 2002;24(2):152-9.
6. Joranson DE, Rajagopal MR, Gilson AM. Improving access to opioid analgesics for palliative care in India. J Pain Symptom Manage. 2002;24(2):152-9.
7. Kumar SK. Kerala, India: a regional community-based palliative care model. J Pain Symptom Manage. 2007 ;33(5):623-7.
8. Gupta H. How basic is palliative care? Int J Palliat Nurs. 2004 Dec;10(12):600-1.
9. Smith R. A way to provide palliative care globally. Available at http://blogs.bmj.com/bmj/2012/06/25/richard-smith-a-way-to-provide-palliative-care-globally/. Accessed 25 February 2015.
10. Lewis MJ, DiGiacomo M, Luckett T, Davidson PM. A Social Capital Framework for Palliative Care: Supporting Health and Well-Being for People With Life-Limiting Illness and Their Carers Through Social Relations and Networks. J Pain Symptom Manage. 2013, 45:1. 92-101.
11. Government of Kerala. Pain and Palliative Care Policy for Kerala. Available at http://www.kerala.gov.in/docs/policies/pain.pdf Accessed on 25 February 2015.
12. McDermott E, Selman L, Wright M, Clark D. J Pain Symptom Manage. 2008 Jun; 35(6):583-93. Epub 2008 Apr 18.
13. Human Rights Watch: 2009. Unbearable pain: India's obligation to ensure palliative care. Available at http://www.hrw.org/reports/2009/10/28/unbearable-pain-0. Accessed 25 February 2015.
14. Pallium India. National Palliative Care Strategy. 2012. Available at http://palliumindia.org/cms/wp-content/uploads/2014/01/National-Palliative-Care-Strategy-Nov_2012.pdf. Accessed 25 February 2015.
15. Pallium India. Morphine Consumption in India. 2014. Available at http://palliumindia.org/2014/02/morphine-consumption-in-india/. Accessed 25 February 2015.
16. World Health Organization. 2014. Strengthening of palliative care as a component of integrated treatment within the continuum of care. Available at http://apps.who.int/gb/ebwha/pdf_files/EB134/B134_R7-en.pdf. Accessed 25 February 2015.
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text:
DVD REVIEW: TETRO
• Full End Credits
• Audio Commentary with Director Francis Ford Coppola and Actor Alden Ehernreich
• "Music Born from the Film" Featurette
• "The Cinematography" Featurette
• "The Ballet" Featurette
• "The Rehearsal Process" Featurette
• "La Colifata: Siempre Ful Loco" Featurette
• "Fausta: A Drama in Verse" Featurette
Francis Ford Coppola gets back to his roots and makes the type of New Wave-inspired film that American Zoetrope was created for.
This is a Francis Coppola film, you say?
Written and Directed by Francis Ford Coppola
Starring: Vincent Gallo, Alden Ehrenreich, Maribel Verou, Klaus Maria Brandauer, Carmen Maura
Bringing Argentina to life with a tale of family, pain, and art, Francis Coppola's new film is worth seeking out. It is shot beautifully, wonderfully acted and quite original. Touted as his best film since Apocalypse Now, it is definitely recommended to fans of French New Wave cinema and Powell and Pressburger's The Red Shoes.
Uncle Fester's Spring line was to die for.
Francis Ford Coppola disappeared from directing for a full decade until he made Youth Without Youth in 2007. Obviously that film sparked renewed interest in making the films he always wanted to make, as he is now back with Tetro, another self-written and directed passion project in just a few short years. Tetro's box art features a pull-quote about it being Coppola's best film since Apocalypse Now, strong words even if the director has been hit and miss for the last 30 years. However, this reviewer may be inclined to agree.
Bennie (Alden Ehrenreich, in his first feature film) comes to Buenos Aires aboard a cruise ship he is working on after quitting school. While the ship is being repaired he visits his long lost brother Tetro (Vincent Gallo, Buffalo '66). Tetro lives with his girlfriend Miranda (Maribel Verou, Y Tu Mama Tambien) who quickly develops a rapport with young Bennie and together they try to break through the melancholy, moody exterior Tetro has built for himself since abandoning the family in America. Slowly, Tetro's reasons for distancing himself so strongly from their father, a world famous symphony conductor reveal themselves when Bennie finds a half finished autobiographical play Tetro wrote.
Argentinian women are the breast.
Tetro begins with the title-character staring into a lightbulb with a moth buzzing around it. The theme of blinding lights unravels over the course of the film as car headlights, reflected sunlight, and spotlights all connect to Tetro's character. The black and white cinematography in the film makes the consciousness of light all the more apparent and the film looks absolutely gorgeous all the way through. A strong film noir influence is balanced with day-lit neorealist-style street scenes. Like Coppola's 1983 film Rumble Fish, every once in a while a color scene is inserted to show flashbacks or dreams. The two styles harken back to the 1940's, an era where one might see just as many black and white noirs as Technicolor marvels on the big screen.
Music, dance, and theater play essential parts of the narrative. Much like the opera as used in The Godfather Part III, Coppola is again using various forms of art to enhance the film-going experience. Directly referencing Powell and Pressburger's The Red Shoes and The Tales of Hoffman (both are available in Criterion edition DVDs and are worth seeking out if you haven't seen them), the dance sequences in particular are miniature marvels in themselves. They are worked beautifully into the overall film and never feel too out of place, despite literally being a departure from the main narrative.
Coppola and a hamburger's The Green Shoes.
Tetro is a distinctly Coppolaian film in the way it uses its setting and time period, handles a story centered on family conflict, and integrates various art forms. As usual, the director has mixed experienced actors and unknowns to create a cast that brings the story to life wonderfully. Were it not for a weak ending, this film could have been a modern classic. But considering some of the weaker output from him in the last several decades, this truly is Coppola's best film since Apocalypse Now.
Tetro comes in a standard amray case with a holofoil stamped slipcover featuring the same artwork. The film is presented in 2.35:1 Widescreen format with 5.1 Dolby Digital audio. The Special Features begin with an audio commentary from Francis Ford Coppola and star Alden Ehrenreich. Recorded separately, the commentary is a mix of facts and inspiration on Coppola's part combined with the fresh perspective from Ehrenreich, who had never been on a film set before. There is some repetition with the behind the scenes featurettes.
"The call is coming from inside the amazing cinematography!"
The ample featurettes cover a variety of the behind the scenes for Tetro. Each segment focuses on a different unique aspect, whether it is the music, cinematography, or ballet contributions, all of which yielded wonderful results, key to the finished product of the film. "The Rehearsal Process" covers parts of the preproduction, and shows how Coppola's rehearsal heavy method clashed with Gallo's improv style which he employs on his own productions. "La Colifata" show s how they shot the scene at the mental patient's radio show mostly as a documentary and inserted their own fictional characters into it. Overall these are excellent featurettes that truly delve into the varied aspects of the production, and at around 10 minutes each, are succinct but informative. Also included is the complete version of the "Fausta" scene, slightly longer than it appears in the final film.
Everything is rounded out with the complete end credits sequence. In the film the end credits are a brief few seconds, mimicking the style of an old Hollywood production. Here you get the complete, minutes long credit roll that modern films are expected to have. This is fascinating because as Coppola mentions in his commentary, he invented the long end credits sequence for THX-1138 as a way to thank everyone who worked so hard on the small production. There are also trailers for other Lion's Gate DVDs.
One last stunningly composed shot.


text:
Education Environment Media
Cal J-School Snags Top Award, Makes History
by Jonathan Kaminsky
The George Polk Awards, which were announced today, typically highlight the exceptional work done by reporters from media giants like The New York Times and NBC News, each of which won in separate categories this year. More often than not, a smaller publication gets the nod too, like High Country News, which won this year for political reporting. But this year's winner for radio reporting was unprecedented. That is because it went, for the first time, to a journalism school. More specifically, the UC Berkeley Graduate School of Journalism, which won for "Early Signs: Reports from a Warming Planet," a student-reported series about global warming. It is the first time in the sixty-year history of the awards that a journalism school has been so honored, said Peg Byron, PR director for Long Island University, which administers the awards. The stories, which can be found at the Polk Web site, ran on Public Radio International's Living on Earth, and were coproduced by American Public Media's American Radio Works, both of which shared in the award.
Rob Gunnison, director of school affairs for the j-school, said the year-long class, taught by Sandy Tolan, took advantage of experts on the Berkeley campus. "It's kind of like having an amazing newsroom when you have access to people like that," he said.
"How a school can do something like this and put something together of that quality is pretty remarkable," he continued. "You don't think of 'student work' as being like that."
Here's the J School press release:
Berkeley -- A University of California, Berkeley, team of reporters from the Graduate School of Journalism has earned a George Polk Award for their 2006 series of reports on the early signs of global warming from spots around the world, including Mt. Kilimanjaro, the Andes, Bangladesh and the world's so-called polar bear capitol in Hudson Bay, Canada.
The group, financed by the journalism school and led by veteran investigative reporter Sandy Tolan and UC Berkeley climatologist John Harte of the Energy and Resources Group, received the award designated for radio reporting. Student reporters included Pauline Bartolone, Alexandra Berzon, Kate Cheney Davidson, Durrell Dawson, Jori Lewis, Felicia Mello, Nick Miroff, Jon Mooallem, Emilie Raguso, Aaron Selverston and Sandhya Someshekhar.
The prestigious Polk Awards are issued each year by Long Island University in New York City in remembrance of George Polk, a CBS correspondent killed covering the Greek Civil War, which took place from 1946-1949. Among previous winners: Lowell Bergman, a professor at UC Berkeley's Graduate School of Journalism and an investigative reporter; Walter Cronkite; Dana Priest; Ed Bradley; Thomas Friedman; Adam Gopnik; Frank Rich; Anne Garrels; Seymour Hersh; Ted Koppel; I.F. Stone; and Edward R. Murrow.
"We're thrilled at this wonderful recognition. This crew worked as hard as I've ever seen a team of journalists work -- from the weeks of poring over documents, to shaping their stories in remote places they had never been, to bringing back human stories from the front lines of climate change," said Tolan. "I'm extremely proud of this team."
Tolan called the project a "wonderful collaboration between journalism and science," and noted that the crew "benefited immensely from the steady, experienced hand of John Harte, our science advisor and my co-teacher. This helped give the series a depth and breadth it wouldn't have had otherwise."
Student journalist Bartolone said that while "it was exciting to push the media coverage beyond 'the debate,' it was an incredible challenge to report on it before science can fully explain the impacts we are seeing." Bartolone reported on drought and dwindling water supplies around Quito, Ecuador.
Another student reporter, Kate Cheney Davidson, reported on the negative consequences of a changing climate in the farming communities on Mt. Kilimanjaro. She said "the power of these stories and the importance of moving the global warming story forward was a no-brainer, but to be recognized in this way is truly humbling and I think indicative of a sea-change in the way we think about this issue."
The UC Berkeley team's stories ran on Salon.com, with radio versions airing on stations that broadcast National Public Radio's Living on Earth program and appearing on the show's Web site.
The series is the product of a two-semester seminar during the 2005-2006 school year and reporting workshop taught by Tolan and Harte. Students fanned out to six countries to explore eight separate issues of climate change.
"We wanted to get beyond the 'debate' about whether global warming exists to document actual changes on the planet," Tolan said as the project concluded. "The time was right, and we had the team to do it."
The reports looked at the political, social and environmental impact of melting glaciers, sea level rise, and warming lakes and savannahs, while focusing on the human impact.
"This (climate change) is an important, and under-told story -- not the issue of global warming itself necessarily, but looking at how people in places around the world are impacted right now, in their everyday lives, by either actual or expected changes, and what they do to respond," said Alexandra Berzon, now a writer with Red Herring magazine.
Berzon was assigned to report on immigrants from the tiny Pacific island of Tuvalu, who are emigrating to New Zealand because of concern that their island is going to drown due to global warming. She said she spent around two weeks in Auckland with a community of Tuvaluans there. "They really opened up their lives to me, and the trip was definitely the best experience of my reporting career," Berzon said.
"Climate change has dominated Tuvaluan political life since the 1990s, so most Tuvaluans are very much aware of the dangers their islands face," she said. "The government continues to run occasional workshops to educate citizens on the predicted impacts of global warming and how it will affect them. Consequently, many Tuvaluans use the term 'global warming' to describe the environmental changes they're starting to notice on their islands."
A central premise of the class, Tolan said, was the scientific consensus that human activity is contributing to global warming, a concept endorsed recently by an acclaimed international panel of scientists.
Harte said that by getting the students well-grounded in the scientific fundamentals of global warming, they avoided something for which he's often criticized the media - creating a false balance through the use of "dueling experts" and essentially giving equal weight to unequal sides.
A complete list of this year's Polk Awards is on [the organization's Web site].
The awards will be presented officially on Thursday, April 12, in Manhattan. The radio reporting award will be given to the journalism school team, American Public Media and NPR's Living on Earth.
NOTE: Professor John Harte is available at (510) 642-8553 or jharte@berkeley.edu. Sandy Tolan is available at sandytolan@gmail.com.


I met Laura at church when we were babies. I was thrilled when she contacted me to shoot her wedding. Laura and Eric are high school sweethearts and have been together for a decade. They are still so giddy around each other. On the wedding Eric surprised Laura with the sign that he asked her to go to prom. The sign reads "Wanna make the bomb out of prom with me. If so, take these roses as a little token bcuz Laura, you are the one I have chosen". What a poet!
Laura and Eric's wedding ceremony and reception were held at Summit House Restaurant in Fullerton. They chose Summit House because of their fantastic food, service, and reception area. They also loved the gazebo and park area for the ceremony. Their wedding was classic themed. The weather was absolutely perfect, making every photo flawless. Laura and Eric dance the night away with their loved ones. I really got to witness a deep love between these two.


I'm a Capricorn as is my husband yet our level of patience are polar opposites. It strikes me as odd that this is true but I guess perhaps that's tied to our gender. He's very much an Alpha Male. Likes things a certain way, doesn't embrace change. Hoards like Doomsday is looming. I'm nothing at all like that. Well, let me amend that. I do like things a certain way, yes, but it's just a matter of simplification for the process I'm about to proceed with. But I race headlong into change. Change is good. It's indicative of growth and learning as well as a sign of engagement with the world at large. I am definitely not a hoarder either. I can't stand clutter and will discard, sometimes to the detriment of a day to day need. Too much clutter stifles my work process so things must be tidy before I can function in the workspace.
Within the context of the bath & body creations, patience is always in high demand as the next paragraph will illustrate. I work exclusively with CP soap - for now. I'd do hot process if there's a need for it, but it's not as much fun to do as the flexibility of swirling & design is a bit more complex yet limited. I love the swirling aspect followed by the element of surprise when the loaf is cut and expectations are met, exceeded or missed entirely. That is why I prefer CP soap despite the long cure time and the wait that's often necessary before it's firm enough to cut.
A cold process soap's design is not immediately obvious when using a loaf mold. All I see is the top of the loaf. None of the design is visible and the motions I went through to make the design is a bit like flying blind. I'm moving around with whatever tool of choice was used but that motion tells me nothing about what the design looks like. I might be aiming for a butterfly swirl with a hanger tool, going through the steps to achieve that, but it might not be anything at all like a butterfly when it's finally cut. Finding out what it looks like generally takes 2 to 5 days to discover.
Not every batch takes beyond 2 days. It all depends on the fragrance oil, the soft and hard oils used and the ratio of those in the recipe, humidity and ambient temperature, whether it includes certain extras in the recipe (or not) and how much water is used. All of those will impact how long you have to wait for a batch to be firm enough to cut without destroying your design. If it's too soft, the design smears. If it's too firm, it can crumble or even break the cutter's wires.
Now you have a clearer idea of the challenges we soap makers face with every batch we make. Other products have their own unique set of challenges as well but that's a tale for another day. With everything we love to create for our customers, know that our patience is pushed to its limits sometimes but we still wouldn't change a thing because we love our work. There's nothing more gratifying than to make something for others that gives them the satisfaction of a smooth shaven face, soft clean skin or a pampered delicate face. We have the patience to create it all and will happily do it all over again.


Welcome to Palm Manor Resort!
A different beach and golf course every day!
Palm Manor Resort is located in the picturesque town of Englewood Florida. Located on Lemon Bay and the Gulf of Mexico, Englewood is halfway between Sarasota and Fort Myers. Palm Manor Resort is less than five minutes by car from the beautiful beaches of the Gulf of Mexico and close to several shops and restaurants. In a two minute walk, you reach a shopping center with a supermarket, pharmacy, various shops and restaurants. Whether you enjoy fishing, golf, boat trips or just relaxing, Englewood will satisfy everyone's needs.
Palm Manor Resort offers a condominium with an area of approximately 1280 square feet and includes a fully equipped kitchen, dining room, living room, two bedrooms, two bathrooms and a washer, dryer, etc. This condominium can accommodate up to six people, thanks to a sofa a bed in the lounge.
In the reception pavilion, you have access to wireless Internet, a pool table, table tennis, library, tables for board games, etc.
Outside, a swimming pool with sun lounges awaits you. A picnic area with charcoal grills are available as well as a tennis court and shuffleboard.
Enjoy your holidays swimming, collecting shells, golfing or fishing. Enjoy your evenings relaxing on your lanai or in one of the many restaurants in Englewood, or go to the beach in Englewood to admire the sunset over the Gulf of Mexico. There are a number of golf courses for all levels of golfer and for all budgets within 30 minutes of Englewood.


text:
Q: Name being inserted, but file is not being uploaded I've an upload input field in a form. the problem that the name of the file is being inserted in the database but the file is not being uploaded to the server, and the same code is working on the same server in a different file in the same directory but in a different query. form is set to enctype="multipart/form-data",
here is the code where its not working
<!DOCTYPE html>

<?php require_once("includes/session.php"); ?>
<?php require_once("includes/dbc.php"); ?>
<?php require_once("includes/functions.php"); ?>
<?php confirm_logged_in(); ?>
<?php find_selected_post(); ?>

<?php
 $target = "../upload/";
 $target = $target . basename( $_FILES['post_photo']['name']);

    if (intval($_GET['cat']) == 0) {
        redirect_to('cat_posts.php');
    }

    include_once("includes/form_functions.php");

    if (isset($_POST['submit'])) {
        $errors = array();

        $required_fields = array('post_title', 'position', 'visible', 'post_content');
        $errors = array_merge($errors, check_required_fields($required_fields, $_POST));

        $fields_with_lengths = array('post_title' => 30);
        $errors = array_merge($errors, check_max_field_lengths($fields_with_lengths, $_POST));

        $category_id = mysql_prep($_GET['cat']);
        $post_title = trim(mysql_prep($_POST['post_title']));
        $post_content = mysql_prep($_POST['post_content']);
        $post_description = mysql_prep($_POST['post_description']);
        $post_keywords = mysql_prep($_POST['post_keywords']);
        $post_tags = mysql_prep($_POST['post_tags']);
        $post_photo =($_FILES['post_photo']['name']);
        $position = mysql_prep($_POST['position']);
        $visible = mysql_prep($_POST['visible']);

        if (empty($errors)) {
            $query = "INSERT INTO ss_posts (
                        post_title, post_content, post_description, post_keywords, post_tags, post_photo, position, visible, category_id
                    ) VALUES (
                        '{$post_title}',  '{$post_content}', '{$post_description}', '{$post_keywords}',  '{$post_tags}', '{$post_photo}', {$position}, {$visible}, {$category_id}
                    )";
            if ($result = mysql_query($query, $connection)) {
                $message = "Successfully Created.";
                $new_post_id = mysql_insert_id();
                redirect_to("cat_posts.php?post={$new_post_id}");
            } else {
                $message = "The Post Could Not Be Created.";
                $message .= "
" . mysql_error();
            }
        } else {
            if (count($errors) == 1) {
                $message = "There was 1 error in the form.";
            } else {
                $message = "There were " . count($errors) . " errors in the form.";
            }
        }
    }

?>
    <?php
error_reporting(E_ALL);

echo "
";
print_r($_FILES);
echo "
";

echo "
target: " . $target;

if (!move_uploaded_file($_FILES['post_photo']['tmp_name'], $target)) {
    echo "
Upload failed.";
} else {
    echo "
Upload done.";
}
?>
    <meta charset="utf-8"/>
    <title>New Post - Administration Panel</title>

    <link rel="stylesheet" href="js/ckeditor/sample.css">
    <link rel="stylesheet" href="css/layout.css" type="text/css" media="screen" />
    <link rel="stylesheet" href="css/form.css" type="text/css" media="screen" />
    <link rel="stylesheet" href="css/button.css" type="text/css" media="screen" />

        <hgroup>

Administration Panel

New Post

            View Site

        </hgroup>

Hello, <?php echo $_SESSION['username']; ?> (Logout)

Administration Panel

            New Post

Pages

Add a New Page

Edit/Delete a Page

Users

Add New User

View Users

Blog

Create a Category

Create/Edit a Post

Home Blog Settings

Blog Settings

Settings

Settings

Site Logo

Logout

Copyright © 2013 Sky Define

Powered by Sky Define

                            <?php

                                move_uploaded_file($_FILES['post_photo']['tmp_name'], $target);
            // output a list of the fields that had errors
            if (!empty($errors)) {
                echo "
";
                echo "Please review the following fields:
";
                foreach($errors as $error) {
                    echo " - " . $error . "
";
                }
                echo "
";
            }
            ?>

New Post

Adding New Post

            <?php if (!empty($message)) {echo "
" . $message . "
";} ?>
            <?php if (!empty($errors)) { display_errors($errors); } ?>

            <form class="mws-form"  enctype="multipart/form-data"  action="new_post.php?cat=<?php echo $sel_category['id']; ?>" method="post">

                            <?php $new_post = true; ?>
            <?php if (!isset($new_post)) {$new_post = false;} ?>

                                    Post Name:

                                        <input type="text" name="post_title" id="post_title"   class="mws-textinput" placeholder="Post Name Goes Here." />

                                    Post Description:

                                        <input type="text" name="post_description" id="post_description"  class="mws-textinput" placeholder="Post Description Goes Here." />

                                    Post Keywords:

                                        <input type="text" name="post_keywords" id="post_keywords"  class="mws-textinput"   placeholder="Post Keywords Goes Here, Separated By Commas!" />

                                    Post Content:

                                    <textarea name="post_content" id="post_content" class="ckeditor" > </textarea>

                                    Post Tags:

                                        <input type="text" name="post_tags" id="post_tags"  class="mws-textinput"   placeholder="Post Tags Goes Here, Separated By Commas!" />

                                    Edit Post Photo:

                                        <input type="file"  name="post_photo"  id="post_photo" />

                                    Position:

                     <select name="position">
                    <?php
                    if (!$new_post) {
                        $post_set = get_posts_for_category($sel_post['category_id']);
                        $post_count = mysql_num_rows($post_set);
                    } else {
                        $post_set = get_posts_for_category($sel_category['id']);
                        $post_count = mysql_num_rows($post_set) + 1;
                        }
                    for ($count=1; $count <= $post_count; $count++) {
                    echo "<option value=\"{$count}\"";
                    if ($sel_post['position'] == $count) { echo " selected"; }
                    echo ">{$count}</option>";
                    }
                    ?>
                    </select>

                                    Visible:

                    <input type="radio" name="visible" value="0"<?php
                    if ($sel_post['visible'] == 0) { echo " checked"; }
                    ?> /> No

                    <input type="radio" name="visible" value="1"<?php
                    if ($sel_post['visible'] == 1) { echo " checked"; }
                    ?> /> Yes

                                </form>

                        <input type="submit" name="submit" value="Add Post" class="mws-button green" />
            Cancel

A: Your $target should contain the root path
$target = $_SERVER['DOCUMENT_ROOT']"/upload/";
$target = $target . basename( $_FILES['post_photo']['name']);

A: The way I would try to find the error:
make your errors visible:
<?php error_reporting(E_ALL); ?>

$target should be a full path.
Check your HTML form. Did you add the enctype attribute?
<form enctype="multipart/form-data" method="POST" action="script.php">

Is your Input correct?
<input type="file" name="post_photo"/>

What does the $_FILES array contents?
<?php echo print_r($_FILES); ?>

Edit
Please let us know the data these lines return:
<?php
error_reporting(E_ALL);

echo "
";
print_r($_FILES);
echo "
";

echo "
target: " . $target;

if (!move_uploaded_file($_FILES['post_photo']['tmp_name'], $target)) {
    echo "
Upload failed.";
} else {
    echo "
Upload done."
}
?>

Edit 2 (Solution):
Your submit-button is outside the form-Tag. That's why. Fix it like this:
<form>
    <input type="submit" name="submit" value="Add Post" class="mws-button green" />
</form>


text:
Witness History
By BBC World Service
London's first black policeman
Monday, 4 October
Norwell Roberts joined the Metropolitan police in 1967. He was put forward as a symbol of progressive policing amid ongoing tensions between the police and ethnic minorities in the capital. But behind the scenes, Norwell endured years of racist abuse from colleagues within the force. Norwell Roberts spoke to Alex Last about growing up in Britain and his determination to be a pioneer in the police. (Photo: London's first black policeman PC Norwell Roberts beginning his training with colleagues at Hendon Police College, London, 5 April 1967. Credit: Hulton Archive/Getty Images)


text:
Q: Aurelia repeater renders different from same hard coded content I'm trying to work with an example of a css grid. But when I use it with Aurelia repeater it renders odd in the browser.
I tried to isolate everything into only simple styles but still the same problem. First it is the repeater and then I have hard coded the exact result of the repeater below. Notice that it doesn't matter which order you place them.
Tried to create an example over here:
https://gist.run/?id=0dbb9921dd8997e0ddbbeeba8bca9dd6
The only thing you need to put in your app.js is:
export class App {
  constructor() {
    this.styleString = "width:25%;display:inline-block;min-height:1px;vertical-align:top;padding-left:20px;margin-right:-.25em;box-sizing:border-box;";
  }
}

And in you app.html:
<template>

      ${i}

      0

      1

      2

      3

</template>

Can anyone clarify what I'm doing wrong?
EDIT
Sorry. The odd behavior is that in my browser the width of the four columns is not as wide as the four columns I have hard coded. It is not full length.
I am able to reproduce the error if I copy the OUTER HTML of the outer div in developer tools and paste it into my app.html. But if I format that correctly in terms of indentation and correct line breaks it renders what in my opinions is correctly.
EXPLANATION
As Fabio points out in his comment it is the white space that is the difference. The css grid I'm evaluating is taking this into account and adds this style margin-right:-.25em; because it is expecting you to have white spaces between your divs. You can actually read about that in the link provided by Andrew.
The simplest solution might be to just add a class if I generate these grid columns with Aurelia repeater that overrides the margin-right and set it to zero.

A: You have an interesting problem indeed :)
Your issue lies in how having div's with inline-block attributes causes an 'unexplained' gap. More details about that can be found here (Why is there an unexplainable gap between these inline-block div elements?).
This is definitely an interesting situation, and might be worth reporting at the aurelia templating repo (https://github.com/aurelia/templating) so that they can get their repeat.for binding to behave exactly like the browser.
To answer your question specifically, you have two options (also, you're not "doing anything wrong", don't worry).
 1. You can add a class to the
's that are using the repeat.for syntax to add the small pixel gap, making it similar to how the browser behaves.
 2. You can remove the pixel gap on the regular browser
's as explained in the previously linked Stack Overflow post.
 3. As per this comment, you can also just remove the whitespace and it should work fine in both situations.
Hope this helps.


the Larkspur Landing hotel in Folsom, CA.
and separate living and sleeping areas in our Folsom, CA hotel.
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During staying at one of best extended stay hotels in Folsom, explore the charming and historic city of Folsom right at your doorstep, or the California capital of Sacramento, just minutes away. For those on business, we're close to the corporate offices of companies like Agilent Technologies, Intel, and the Sierra Nevada Corporation. And for vacationers heading to or from South Lake Tahoe or Folsom Lake, we're the perfect stopping point. No matter what brings you here, our staff always looks forward to welcoming you back at our Folsom CA hotel—and your home away from home.
Book Direct and Save!Book directly with us, save 15%, and avoid the penalties!
In addition to providing luxurious all-suite accommodations, the Larkspur Landing Folsom hotel is the perfect place to hold your next meeting or event. Plus, with our full range of amenities, you can be sure that every stay is as comfortable as home.