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PostnBid.com
Stay connected with Business Trends, Tips, Information & Breakthroughs
Return of the iPad Air Makes Pro More Accessible
Post author:BusinessGuy
Post category:Technology
Although they were briefly discontinued in 2017, Apple has relaunched the iPad Air with their 2019 model in March, and the reviews are in: it's a winner. It's bigger (with a 10.5-inch screen) and better than the 2017 version, with many new features as Apple has been developing its technology over the years.
However, it is no longer the top-of-the-line iPad like the Air used to be. Instead, the iPad Air 2019 is more like a pared-down version of the current iPad Pro. It follows the same design as the 2017 iPad Pro in many ways, but with fewer features, high-performance features so that it remains below Pro status.
What is great about the iPad Air though is that it makes many of the Pro's features that it does possess more accessible to those who cannot afford the top-of-the-line model. It also offers a better option for those who want to upgrade form the $325 basic iPad but don't have a grand to drop on the Pro. The iPad Air's price truly reflects this mid-range quality by being set at $499.
The Air is aptly named as a slim and light device: it is thinner than a centimetre and weighs less than a pound. Great display and performance are among its strongest points, as is its long battery life, all of which differentiate it from the lower-end iPad. It has a larger screen than the basic iPad, as well as more storage and better compatibility with the Apple Smart Keyboard and the Apple Pencil, making it especially useful for artists and graphic designers.
The screen itself is better designed than the one used on the standard iPad. It is antireflective and is able to display more of the colour spectrum. It also uses Apple's True Tone technology, which adjusts the colours on the screen according to the lighting in your environment, causing less strain for your eyes. It also has a laminated screen that eliminates the gap between the screen and front glass that can often be seen on the standard iPad and other lower-end digital devices. This is more of an aesthetic feature, but it is more immersive by making what is on the screen feel and look closer to your fingertips.
What makes the iPad Air different from the pro, though, are some downgrades that you may find you don't want to live without. Instead of the Pro's four speakers, the Air has two, which means music and videos you play on the iPad will be without stereo separation. It is also missing Apple's ProMotion Technology, which is a large selling feature of the Pro. This feature matches the iPad's display speed to video content, which makes visuals appear to move much more smoothly.
In the end, if you want superior sound and visuals for watching movies, the Pro is the best choice of iPad. However, if your goal is to get an iPad that is lightweight and offers great working conditions, the iPad Air has better features over the standard iPad without drying out your bank account.
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If you experience "bad beats" on several tables at once, the risk on going on "tilt" is greater Occasionally you might hit the raise button when you were supposed to fold and vice versa.
Mistakes like the ones mentioned here will decrease your hourly winning rate. Therefore it's very important that you're focused and mentally prepared when you play at multiple tables.
If you decide to play many tables at once you should be aware of the advantages and disadvantages of doing so. Playing multiple tables concurrently increases your likelihood of making mistakes. This is because you will not know your opponents as well and will have less time to make your decisions. Also, there is a greater risk of hitting the wrong button because you are switching back and forth between. tables. Sometimes you might hit the raise button when you were supposed to fold and vice versa. Such mistakes will decrease your earning rate.
Playing in this manner also requires a greater level of concentration, so you should only do it when you feel focused and refreshed. It is quite common to become less focused when playing this way because it is markedly more difficult to follow the play and evaluate the players. Consequently, you may develop a mechanical style of play, where you fail to adjust your strategy in accordance with the game. This can take away some elements that make the game fun and interesting and may contribute to a decreased level of focus.
It is possible that playing at multiple tables might make your game more solid. This is because you will be playing more hands, so the risk of growing impatient will be reduced. On the other hand, if you experience "bad beats" on many tables at once, the risk on going on "tilt" is greater.
The greatest advantage to playing multiple tables is the possibility of increasing your overall hourly earning rate. If you are a player who normally makes one big bet an hour at one table, you could expect to win three big bets an hour by playing at three tables. This is true even if you were to only make one half of a big bet an hour because of the aforementioned disadvantages: Your hourly win rate would still have increased to 1.5 big bets an hour compared to 1 big bet an hour when playing a single table.


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Home Sevens #RWC7s – Ireland 7s programme paying 'big dividends'
#RWC7s – Ireland 7s programme paying 'big dividends'
Meadhbh Lewis
PARIS, FRANCE - JUNE 09: Ireland players pose with the Trophy after winning the Challenge Trophy during match between Ireland and Russi at the HSBC Paris Sevens, stage of the Rugby Sevens World Series at Stade Jean Bouin on June 9, 2018 in Paris, France. (Photo by Aurelien Meunier/Getty Images for HSBC)
Irish Rugby will have two teams competing at the Rugby World Cup Sevens (RWC7s) in San Francisco this weekend. While both the Ireland Men's 7s and Ireland (IRE) Women's 7s have competed at the World Cup previously, they have never competed simultaneously at a pinnacle event.
With the eyes of the rugby world watching, this weekend provides a great opportunity for Anthony Eddy and Stan McDowell to catapult the Irish 7s programme onto the world stage.
Ireland will be banking on the speed of rookie Jordan Conroy to lay the platform for the men's group, as will Aimee-Leigh Murphy-Crowe with the Women's. Both sides can never be underestimated as they have really grown in the game. The Irish flair within will be their driving force.
The Ireland Men's and Women's 7s squads have been confirmed for the Rugby World Cup Sevens in San Francisco.#IreM7s #IreW7s #RWC7s pic.twitter.com/MWLnqyGheD
— Irish Rugby (@IrishRugby) July 9, 2018
The three day tournament will be from the July 20-22 at the AT&T Park. 16 women's and 24 men's sides will compete across the three-days, all chasing the ultimate prize; both held currently by New Zealand.
IRE Women 7's
The Irish women, led by Lucy Mulhall finished 10th in the HSBC World Rugby Sevens Series this season, probably not reaching their full potential as a squad. However, head coach Anthony Eddy blooded a number of new women's (W7s) players throughout the World Series; perhaps with one eye on this World Cup.
Newcomers like Deirbhile Nic A Bhaird, Eve Higgins and Kathy Baker have all added real substance to the squad. Combine that with the likes of Stacey Flood, Ashleigh Baxter, and Katie Fitzhenry and it's not hard not to imagine, that this Irish W7s team are capable of a big upset.
'Challenging' opening tournament match
The Irish women open their campaign against England on Friday. The winners progress to the Cup semi-finals, while the losers enter the Challenge Trophy side of the draw. In their most recent clash, it saw Ireland run out 39-7 winners to claim the bronze medal, at the Rugby Europe Grand Prix in Marcoussis.
England have a huge amount of quality in their squad though, but recent results should fill the Irish camp with confidence. "We have had several close games with England this season so it is set to be a challenging way to start the tournament, but the players are very focused," was the attitude of Anthony Eddy, the IRFU's Director of Women's and Sevens Rugby said.
Congratulations to Ashleigh Baxter and Claire Boles who have been named in the Ireland Women's 7s squad for next week's Rugby World Cup Sevens.
It will be a 4⃣th World Cup for Baxter, a fantastic achievement 👏
Full squad ➡ https://t.co/E2If6v11ay pic.twitter.com/5sdubMdh0T
— Ulster Rugby (@UlsterRugby) July 10, 2018
As fans know, anything can happen at an RWC7s!
IRE Men 7s
The Ireland Men's team (M7s) will compete in their first World Cup since 2009, and have a realistic chance of collecting some silverware. Ireland are no longer coming into this tournament as 'underdogs', with recent outstanding performances.
As the invitational side to the HSBC London 7s, the men beat the home nation England, to claim a historic bronze medal. And a week later at the HSBC Paris 7s, the side again showcased the dangerous talent this squad possesses.
Having missed out on securing a World Series core-team spot in the Hong Kong qualifying event earlier this season, head coach Stan McDowell has thus turned his squad's focus to San Francisco this weekend. He is wary of the competition, and the knock-out format introduced for 2018. He told the 42.ie,
"we're expecting to come up against a lot of strong sides over the course of the competition".
Ireland take on Chile in the Preliminary-round of 16. Should they pass that test, the M7s meet current Sevens Series champions South Africa, in the formal round of 16. Only winners progress to the quarter-final Cup stage, and the losers enter the Challenge Trophy draw.
RWC7s Ireland players to watch
Ireland have a number of notable players in their squad; Jordan Conroy burst onto the World Stage, with his blistering pace and finishing ability in both the XVs and 7s fields. Many will be watching Conroy; which could allow room for others to shine brightly.
Munster coach Johann Van Graan described Shane Daly as an "exceptional player" and believes he'll soon be seen on the International stage in the XVs game. An Under 20's player, this is the perfect stage to display his range of skills.
While the M7s squad has been dented slightly by the injury to Mark Roche, captain Billy Dardis, Harry McNulty and Jimmy O'Brien are all capable of stepping-up and producing when needed.
Day 2 in San Fran and the Ireland Men's 7s took to the training pitch for their first session at the @SanFranciscoGAA Grounds.
Ireland face Chile in their opening game of the @WorldRugby7s World Cup on Friday.#IreM7s #RWC7s pic.twitter.com/O1W2uf3dYZ
— Irish Rugby (@IrishRugby) July 17, 2018
From the women's squad, Flood, Murphy Crowe and Louis Galvin are three players to watch for within the W7s. All are key to Ireland both creating, and finishing, scoring opportunities that arise.
Injuries have forced new youngsters to join the side but the core of the experienced Sevens Series team remains. They need to be more ruthless in attack and defence, and with the knock-out format, each seven minute half needs to be maximized, if the women want to go deep into this weekend.
What to expect from Ireland at RWC7s
Every game is a knockout in the new World Cup format which will make the games interesting to watch. The Irishmen start their campaign against Chile. The ladies start their tourney against arch rivals England.
Both squads display a huge amount of grit and determination in the way they play, however, a question remains over consistency of performances. An opening win for the Ire W7s against England would provide a useful shot of confidence, and from there anything is possible.
While currently, they may not be able to compete regularly with the bigger names like Australia and New Zealand, the underdog title may suit them. They are certainly capable of upsetting any teams who may be complacent with the prospect at facing Ireland.
The Ire M7s lack the element of surprise (after their performance in London), but this doesn't make them any less dangerous. They've shown that they are capable of beating the best on the World Series. And should they make it to the round of 16, they will certainly challenge the almighty Blitzbok.
The Ireland 7s programme is now paying 'big dividends'. Silverware is a realistic and achievable goal for these Irish 7s squads this weekend in San Francisco. Something many are sure that they'll have their sights firmly set on.
Follow all the action at this Rugby World Cup Sevens tournament with Last Word on Rugby. Join in the social media discussion, share your pics to @LWOSRugby and join the conversation on Facebook.
"Main photo credit"
Anthony Eddy
Deirbhile Nic A Bhaird
Ireland 7s
Irish Rugby
Jordan Conroy
Lucy Mulhall
Rugby Sevens
Rugby World Cup Sevens
Stan McDowell
Previous articleFinals hope for Australian Super Rugby Conference
Next article#RWC7s: Wales men's side look to restore Pride
https://sugarcoated.blog
Meadhbh is an Sports and Exercise Sciences Student at the University of Limerick. British and Irish Lions Youth Ambassador to New Zealand. Type 1 Diabetic blogger.

redpajama_set_name: RedPajamaCommonCrawl


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Quaternary Fault and Fold Database of the United States
qfaults web comp
As of January 12, 2017, the USGS maintains a limited number of metadata fields that characterize the Quaternary faults and folds of the United States. For the most up-to-date information, please refer to the interactive fault map.
Concord fault, Ygnacio Valley section (Class A) No. 38c
Last Review Date: 1998-08-18
Compiled in cooperation with the California Geological Survey
citation for this record: Bryant, W.A., and Cluett, S.E., compilers, 1998, Fault number 38c, Concord fault, Ygnacio Valley section, in Quaternary fault and fold database of the United States: U.S. Geological Survey website, https://earthquakes.usgs.gov/hazards/qfaults, accessed 07/16/2019 03:36 PM.
Synopsis General: Holocene active dextral strike-slip fault. Fault is characterized by aseismic creep at a rate of 3.0–3.5 mm/yr (Galehouse, 1999 #5500). Several site-specific studies in compliance with the Alquist-Priolo Act have documented the location and approximate time of the most recent faulting (Wills and Hart, 1992 #5340; 1992 #5341). Detailed studies at Galindo Creek yielded a preliminary slip-rate of 3.7±2.0 mm/yr (Borchardt, 1998 #5334).
Sections: This fault has 3 sections. Sharp (1973 #508) defined three segments based on differences in geomorphic expression and amount of fault creep. Due to reconnaissance nature of his report, Sharp's segments are herein considered as sections.
Name comments General: Concord fault was first mapped and named by Poland (1935 #5337) based on groundwater data. Tolman (1931 #5322) previously referred to the Concord fault as the Sulpher Springs Mountain fault. The Concord fault extends from Suisun Bay south to the northwestern slope of Mt. Diablo.
Section: Defined as the Ygnacio Valley segment by Sharp (1973 #508). Extends southeast from the westward flowing section of Pine Creek at the base of Lime Ridge. The southeastern extent is not known; Sharp (1973 #508) placed the southern end of the surface trace just north of the mouth of Walker Canyon. Wills and Hart (1992 #5341) mapped the southern end of the surface trace just north of Arroyo Del Cerro. Dibblee (1980 #5335) mapped a connection between the Ygnacio Valley section and thrust faults in the Mt. Diablo area
Fault ID: Comments: Refers to number 160 (Concord fault) of Jennings (1994 #2878) and number C3 (Concord fault) of Working Group on Northern California Earthquake Potential (1996 #1216).
County(s) and State(s) CONTRA COSTA COUNTY, CALIFORNIA
Physiographic province(s) PACIFIC BORDER
Reliability of location Good
Compiled at 1:24,000 scale.
Comments: Location of fault traces based on digital revisions to Jennings (1994 #2878) using original mapping by Sharp (1973 #508) and Wills and Hart (1992 #5341) at 1:24,000 scale.
Geologic setting This dextral strike-slip fault traverses the town of Concord and borders the western side of Lime Ridge. The northern end of the fault probably connects with the Green Valley fault [37] along an approximately 1-km-wide extensional jog north across Suisun Bay. The southern extent of the fault is conjectural. One possibility is that slip is transferred to the Greenville fault [53] across a complex compressional jog characterized by the Mt. Diablo uplift (Unruh and Sawyer, 1995 #5339). Alternatively, slip may be transferred to the northern part of the Calaveras fault [54] across a complex extensional jog (Oppenheimer and Lindh, 1992 #5336; Wills and Hart, 1992 #5340). Maximum dextral offset along the fault is unknown, but may be several kilometers based on geomorphic expression.
Length (km) This section is 15 km of a total fault length of 20 km.
Average strike (for section) versus N28°W (for whole fault)
Sense of movement Right lateral
Comments: Sense of displacement is inferred based on association with the northern sections of the Concord fault and the linearity of the southwestern side of Lime Ridge. The Ygnacio Valley section lacks evidence of fault creep (Sharp, 1973 #508; Wills and Hart, 1992 #5340; Galehouse, 1999 #5500).
Dip Direction V
Comments: Dip not reported, but assumed to be near vertical, based on linear strike and geomorphic expression indicating strike-slip displacement.
Paleoseismology studies
Geomorphic expression The Ygnacio Valley section is marked by a southwest-facing escarpment along the western side of Lime Ridge, a linear drainage, and a linear tonal contrast possibly due to ground-water barriers. Geomorphic evidence of latest Pleistocene and Holocene surface faulting is less distinct along the Ygnacio Valley section and may be characterized by a broad zone of distributive faults in late Quaternary alluvium.
Age of faulted surficial deposits This section of the fault offsets late Pleistocene alluvium as determined from trench investigations done in compliance with the Alquist-Priolo Act (Wills and Hart, 1992 #5340). Radiocarbon dates from detrital charcoal and the unfaulted soil overlying the fault (7.6 ka) suggest a lack of middle to late Holocene displacement (Wills and Hart, 1992 #5341).
Historic earthquake
Most recent prehistoric deformation latest Quaternary (<15 ka)
Comments: Time of most recent paleoevent not determined. Geomorphic expression of fault and offset alluvium suggests latest Pleistocene to Holocene displacement (Wills and Hart, 1992 #5340; 1992 #5341).
Recurrence interval
Slip-rate category Between 1.0 and 5.0 mm/yr
Comments: Slip rate is assumed to be similar to Concord section [38b] on the basis of generally similar, but somewhat less well defined geomorphic expression.
Date and Compiler(s) 1998
William A. Bryant, California Geological Survey
Sereyna E. Cluett, California Geological Survey
References #5334 Borchardt, G., 1998, Holocene slip rate of the Concord fault at Galindo Creek in Concord, California: U.S. Geological Survey National Earthquake Hazards Reduction Program, Annual Summaries, v. 39, USGS Contract No. 1434-HQ-97-GR-03102, (electronic version on line at http://erp-web.er.usgs.gov/).
#5335 Dibblee, T.W., Jr., 1980, Preliminary geologic map, Clayton quadrangle: U.S. Geological Survey Open-File Report 80-547.
#5500 Galehouse, J.S., 1999, Theodolite measurement of creep rates on San Francisco Bay region faults: U.S. Geological Survey, Summaries of National Earthquake Hazards Reduction Program, v. 40, USGS Contract 99-HQ-GR-0084 (electronic version available on line at http://erp-web.er.usgs.gov).
#2878 Jennings, C.W., 1994, Fault activity map of California and adjacent areas, with locations of recent volcanic eruptions: California Division of Mines and Geology Geologic Data Map 6, 92 p., 2 pls., scale 1:750,000.
#5336 Oppenheimer, D.H., and Lindh, A.G., 1992, The potential for earthquake rupture of the northern Calaveras fault, in Borchardt, G., and others, eds., Proceedings of the second conference on earthquake hazards in the eastern San Francisco Bay area: California Division of Mines and Geology Special Publication 113, p. 233-240.
#4860 Petersen, M.D., Bryant, W.A., Cramer, C.H., Cao, T., Reichle, M.S., Frankel, A.D., Lienkaemper, J.J., McCrory, P.A., and Schwartz, D.P., 1996, Probabilistic seismic hazard assessment for the State of California: California Department of Conservation, Division of Mines and Geology Open-File Report 96-08 (also U.S. Geological Open-File Report 96-706), 33 p.
#5337 Poland, J.F., 1935, Ground-water conditions in Ygnacio Valley, California: Stanford University, M.A. thesis, 83 p.
#508 Sharp, R.V., 1973, Map showing recent tectonic movement on the Concord fault, Contra Costa and Solano Counties, California: U.S. Geological Survey Miscellaneous Field Studies Map MF-505 (U.S. Department of the Interior and U.S. Department of Housing and Urban Development Basic Data Contribution 55), 1 sheet, scale 1:24,000.
#5322 Tolman, C.F., 1931, Geology of upper San Francisco Bay region with special reference to a salt water barrier below confluence of Sacramento and San Joaquin Rivers (Appendix D): California Department of Water Resources Bulletin No. 28, 309-360 p.
#5339 Unruh, J.R., and Sawyer, T.L., 1995, Late Cenozoic growth of the Mt. Diablo fold and thrust belt, central Contra Costa County, California, and implications for transpressional deformation of the northern Diablo Range [abs.]: American Association of Petroleum Geologists, 1995 Pacific Section Convention Abstracts, 47 p.
#5340 Wills, C.J., and Hart, E.W., 1992, Progress in understanding the Concord fault through site specific studies, in Borchardt, G., and others, eds., Proceedings of the second conference on earthquake hazards in the eastern San Francisco Bay area: California Division of Mines and Geology Special Publication 113, p. 311-317.
#5341 Wills, C.J., and Hart, E.W., 1992, The Concord fault, Contra Costa County, California: California Division of Mines and Geology Fault Evaluation Report FER-231, 37 p., scale 1:24,000.
#1216 Working Group on Northern California Earthquake Potential (WGNCEP), 1996, Database of potential sources for earthquakes larger than magnitude 6 in northern California: U.S. Geological Survey Open-File Report 96-705, 40 p.
Design Ground MotionsSeismic Hazard Maps & Site-Specific DataFaultsScenarios


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M.I And Vector Settle Long Term Beef
Oct 7, 2020 #MI Agbaga, #Vector #Henessey
Viper have decided to sheath their swords and end their famous beef which dominated the Nigerian rap scene last year.
In the third and final part of "The Conversation", a Hennessy Nigeria documentary series based on the rivalry between M.I and Vector, the duo met face-to-face and discussed what transpired between them.
The episode started with both rappers previewing what the other had said during the course of the series.
At one point, M.I said he had the impression that Vector just doesn't like him, while Vector said he believes M.I is cunning and deceptive.
Later, M.I and Vector were invited into the same room.
Vector first addressed the M.I reference in his first single "Kilode" in which he rapped "What the heck do you want from me? Asking if I could kill M.I, why would I?" to which Vector said he didn't think M.I would take an offence.
They also talked Headies Lyricist on the Roll reference in M.I's "NotjustOk/Savage" track.
M.I rapped:-
"To the headies wassup wassup… You've been a blessing to the game to lots of us, but that lyricist award mehn we got to talk. Not tryna say I deserve to play cause I f*ck with everyone who emerged in that. The criteria of the win it doesn't favour the men spitting new raw shit that's word and facts…"
The beef reached a climax in 2019 in which both rappers released a slew of diss tracks at each other.
When asked by the interview if there is the possibility of a collaboration, Vector replied: "If this energy is pure, then there is no way I don't see a collaboration happening"
Watch Below:-
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My Relationship With Ozo Is Nobody's Business" – Nengi Speaks
[Interview]: The stardom of a Star (Bobby Chant)
Meet lady with the biggest backside in West Africa
[Watch Video]: He refused paying me 130,000 that I must bang him till his satisfaction.


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Arbroath RFC is a rugby union club based in Arbroath, Scotland. The Men's team currently plays in .

History

There was originally a rugby union club in Arbroath in the 19th century, and although this club was first known as Arbroath RFC, the side quickly changed their name to Arbroath Wanderers. From the Dundee Evening Telegraph of 24 September 1879:
The annual meeting the Arbroath Rugby Football Club was held in the George Hotel on Monday evening, when the following office-bearers were elected :—Peter Mitchell, Captain ; James Napier, Lieutenant; David Bruce, Secretary and Treasurer, Street; and Alexander Greig, Alexander M'Gregor, James Kinnimont, and William Dickson, members of Committee. It was also agreed to change the name of the Club to that of the Wanderers. And as the Club has arranged for several good matches some well-contested games may be expected.

That season Arbroath Wanderers were found playing cricket and association football; but not rugby union - and it is likely that the name switch of Arbroath RFC to Arbroath Wanderers was pre-empted by a change of sport.

In 1948 an Arbroath rugby union club was again mooted; the Broughty Ferry Guide and Advertiser of 8 May 1948 concluding:
RUGBY CLUB MOVE. An effort is to be made to stimulate interest in rugby football in Arbroath. It is believed that there are a number of enthusiasts in the town district to justify the formation of an Arbroath Rugby Club. It was decided form a club at a meeting held in High School on Monday evening. The move has been instigated by School former and present pupils, but is intended to widen the scope to include all who are interested. Another meeting will be held soon to discuss fixtures and to elect office-bearers. The interim committee is R. Tollerto, F Morgan, W. Hutchinson, I. McEwen and S. Mentiply.

There was a notice of another meeting at the start of the 1948–49 season, as reported by the Arbroath Herald and Advertiser for the Montrose Burghs of Friday 3 September 1948.
meeting of the recently formed Arbroath Rugby Club is to be held in the High School on Monday first at 7.30 p.m. A number of attractive fixtures have been offered and the Committee is anxious to make final arrangements. It is hoped, therefore, there will be a good attendance on Monday of prospective players. The organisers feel that if the response is not enthusiastic the project may have to abandoned it would be unfair to the opposing clubs to arrange fixtures which they would not be in position to fulfil.

The club shares its clubhouse with the Arbroath Cricket Club.

Sides

The club trains weekly at Victoria Park.

References

Rugby union in Angus, Scotland
Scottish rugby union teams

redpajama_set_name: RedPajamaWikipedia


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A great turnout on Sunday 4 May for our Taste Tasman with over 1500 people turning up. The weather behaved and a lovely day out was had by all with great entertainment, relaxing in the sun, listening to music, sampling lovely food and maybe a glass of wine or cider for the adults. Kids had fun with the bouncy castle and the self driven jeeps.


Bibliography: Bartsch 72; Hind 198; Münz 214; BB. 42 B; White and Boon's first state (forehead of Lazarus unshaded, "very faint crosshatching" on forehead in "earliest impressions").
The Raising of Lazarus: the smaller plate, . Etching on cream laid paper. First state. Plate: 146 x 111 mm (5.7 x 4.4 in.). DAC accession number 1941.D1.32. Gift of George W. Davison (B.A. Wesleyan 1892), 1941. Open Access Image from the Davison Art Center, Wesleyan University (photo: R. Lee).
http://dac-collection.wesleyan.edu/obj11999 is a persistent link to this page with no user-session information.


There are 29 photo albums.
Grassroots Nursery come to visit us at All Hallows Church where Rev. Jon told us how God had made the world, we made a collage and then had a bug hunt.
Little Sunbeams Christmas Party 2013 - with a special visitor!
The lunch was held in Ringstead Village School on October 7th after the Harvest Festival Service in church where we gave thanks for all God's gifts to us. We had an auction of all the harvest gifts and £65 was raised and donated to charity.
Little Sunbeams meets every Tuesday at 9:30-11:00 (term time only). We enjoy story time, making crafts, playing and of course snack time.


text:
Le Oblate dell'Assunzione Religiose Missionarie (in francese Oblates de l'Assomption Religieuses Missionnaires) sono un istituto religioso femminile di diritto pontificio: le suore di questa congregazione pospongono al loro nome la sigla O.A.

Storia
La congregazione venne fondata da Emmanuel d'Alzon (1810-1880), vicario generale del vescovo di Nîmes. Nel 1850 aveva fondato gli Agostiniani dell'Assunzione che, su invito di papa Pio IX, iniziarono a lavorare per la riunione delle Chiese d'oriente e d'occidente: necessitando di collaboratrici per tale opera, il 24 maggio 1865 a Le Vigan diede inizio alle Oblate dell'Assunzione. Dal 1867 venne assistito nella direzione dell'istituto da Marie Correnson (1842-1900), ritenuta cofondatrice della congregazione.

Le Oblate dell'Assunzione si diffusero inizialmente in Bulgaria, dove aprirono scuole, ospedali e dispensari, e poi anche in Italia, in Belgio, nei Paesi Bassi e in Inghilterra.

Dopo la morte di Alzon, sorse un forte contrasto tra la Correnson e il nuovo superiore generale degli assunzionisti, François Picard, che voleva che le religiose dipendessero strettamente dal ramo maschile e chiedeva il trasferimento del noviziato da Le Vigan a Parigi. Le divergenze portarono alla divisione della congregazione in due rami autonomi: quello di Nîmes, soggetto alla Correnson, e quello di Parigi, diretto da Picard (la scissione fu sanzionata da François-Marie-Benjamin Richard, arcivescovo di Parigi).

Il ramo di Nîmes ricevette il pontificio decreto di lode il 14 febbraio 1893: negli anni successivi, grazie alla mediazione del nuovo superiore generale Gervais Quénard, si giunse al superamento delle divisioni tra i due rami della congregazione e la Santa Sede approvò la riunione il 22 giugno 1926.

Le Oblate dell'Assunzione vennero approvate il 3 giugno 1934 e le loro costituzioni definitivamente il 27 ottobre 1947. Nel 1963 confluirono nell'istituto le disciolte Suore Norbertine di Le Mesnil-Saint-Denis.

Attività e diffusione
Le Oblate dell'Assunzione si dedicano all'istruzione e all'educazione cristiana della gioventù, all'apostolato della stampa, alla pastorale parrocchiale e ad altre attività di carattere sociale e sanitario. Al centro di ogni loro opera vi è l'impegno missionario.

Sono presenti in Europa (Belgio, Bulgaria, Francia, Italia, Paesi Bassi, Regno Unito, Romania, Russia), in Africa (Burkina Faso, Repubblica del Congo, Repubblica Democratica del Congo, Costa d'Avorio, Ruanda, Tanzania), in Asia (Corea del Sud, Israele, Turchia) e nelle Americhe (Brasile, Paraguay); la sede generalizia è in rue Lecourbe a Parigi.

Al 31 dicembre 2008 la congregazione contava 487 religiose in 79 case.

Note

Bibliografia
 Annuario Pontificio per l'anno 2010, Libreria Editrice Vaticana, Città del Vaticano 2010. ISBN 978-88-209-8355-0.
 Guerrino Pelliccia e Giancarlo Rocca (curr.), Dizionario degli Istituti di Perfezione (DIP), 10 voll., Edizioni paoline, Milano 1974-2003.

Collegamenti esterni

Oblate, 00, Assunzione
Assunzione di Maria


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Sage Cohen wants to rev up your writing. She's the author of Fierce on the Page, The Productive Writer, Writing the Life Poetic, and the poetry collection Like the Heart, the World.
"Words are the tools I use to pry the lids off of old ideas," she writes on her blog. "I write in hopes of recognizing myself and seeing you more clearly. I want to know when truth turns from solid to liquid to gas in the alchemy of language. Who do we become when we say something new? Where does beauty live, and to what name does it answer?"
As she set out to write her latest book, Fierce on the Page, she cleared a space on the bookshelf facing her desk.
"There I carefully curated what I call my ancestor pile of fierce books that have inspired and informed me about what's possible in the craft and practice of writing."
These books, she says, shaped her, "in the way that water shapes stones, almost imperceptibly over time. These are the poets and writers whose work whispers directly into my ear to penetrate my being and reveal what I need to know about being a person and a writer."
"The three books that I consider the most important markers on the path of my evolution as a fierce writer are the ones that have taught me how to integrate my writing practice with my life practice — and steer myself intentionally in writing."
I read this in my mid-20s when I was just starting to investigate and inhabit my identity as a writer. With Lamott's signature mix of extreme intimacy, vulnerability, hilarity, and scathing insight, this book illuminated a path through my own fear and uncertainty. It invited me into the realm of writing and publishing. In Lamott's exquisite company, I felt a new kind of belonging. Like I could be a writer, too. I had permission. I didn't understand until recently how significantly the imprint of Lamott's personal essay style has informed my own practice of telling stories about my life as a means of inviting writers to move from impossible to inevitable in their work.
This book initiated me into the practice of freewriting which has been the anchor of my writing practice for 25 years. I spent years studying her examples and following her prompts into the wilderness and freedoms of my own, unedited subconscious. This has been an essential practice in discovering my themes, my truths, my words that are as yet undisturbed by my editing and sculpting mind. Wild Mind taught me to inhabit the unknown, become receptive to what is coming through, and honor it by getting it down on paper as a daily discipline. I don't know if I'd still be writing poems today if I hadn't established this direct line to my own source.
This is a more recent but equally important discovery. Despite the fact that I've spent 30+ years saving my own life again and again with poems, this book deepened, affirmed, and illuminated my lifelong practice of poetry as sacred medicine, as a path of inquiry, and as the threshold through which we reach deeper into universal human truths. I fell in love all over with the practice of learning a poem by heart, with the alchemies of allowing language all the way in to our nervous system, and thereby more completely inheriting ourselves. Rosen's voice in my ear invites stillness and steeping in the poems that matter most to me. This book is one of my favorite ways to inhabit grace.


Dutch producer Chamon released the video for the third single off of his upcoming Unlimited Creativity album. "Real" features iLLvibe, who also directed the video.
Produced by XVVIXR. Directed by iLLvibe.
Off the mixtape Cloud 9 & Falling.
Directed by iLLvibe and produced by iLLvibe Studios, "Girl (Boom Boom Pump)" is the second video from Dan-e-o's third album, "Inevitable" and the fourth from the EP, "Immortal" – both are out now on URBNET Records.
Dan-e-o's smoky-jazz-club ode to a relationship gone bad, "Girl (Boom Boom Pump)" doubles as a classy display of quick-tongued lyricism. The music video also co-stars rising superstar singer/model, Misha.
Directed by iLLvibe. Produced by CHill.
Kington's Dan Doesn't Sleep releases the third video off of his Wanna Be EP featuring – and directed by – iLLvibe.
Art of Fresh (D.O. and Slakah The Beatchild) are preparing for the release of their upcoming LP, Good Morning Yesterday, and have recently released their new video, "Amerika," which was directed by iLLvibe.
Art of Fresh returns with their latest single "Amerika" from their upcoming album "Good Morning Yesterday". Earlier this year, Art of Fresh ( D.O. And Slakah the Beatchild) released "Where I Go" which not only hit #1 on the US College charts but also had over one million views on Youtube. The duo is coming off an action packed summer where they hit Europe and rocked Fresh Fest in Croatia alongside Snoop Dogg, ASAP Rocky and KRS One. Then they returned home to Toronto, Canada where they rocked Unity Fest alongside Talib Kweli. "Good Morning Yesterday" is set for release in Spring 2014.
Saskatchewan native and producer Rayne Drop has released his debut EP, Phantom Of The Chopera. The project features emcees from across Canada, from Toronto (iLLvibe, Truth Willis and Mickey Ulster) to Vancouver, Edmonton, Barrie and Prince Albert.
The dirty instrumental introduction, with it's dark synths and crunching kicks, will make any rapper worth his or her salt want to jump on it; the path for this project has been clearly laid from the beginning. From the early Kanye-esque string sample of 'The Revolution'; the stabbing horns of 'Real'; the eerie vocal sample on 'Pride'; the mid-90s New York vibe of 'Basic'; the bouncy 'A Little Rain' (Fun Fact: the beat was picked by Rayne Drop's son); the gritty cinematic 'Confirmed Kill' and the anthemic 'Air Jordans', 'Phantom Of The Chopera' truly appeals to fans of every facet of the genre.


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Pharaoh The Longest Night
The Longest Night (Only Fools and Horses)
The Longest Night (song)
The Longest Night (1983 film)
Spider (disambiguation)
WN Shopping
Pharaoh the longest night album The Longest Night
Provided to YouTube by Ingrooves The Longest Night · Pharaoh The Longest Night ℗ 2006 Pharaoh Released on: 2006-02-21 Composer, Writer: Christopher Kerns Auto-generated by YouTube.
Provided to YouTube by Ingrooves Sunrise · Pharaoh The Longest Night ℗ 2006 Pharaoh Released on: 2006-02-21 Composer: Matthew Wayne Johnsen Composer, Writer: Timothy Lee Aymar Auto-generated by YouTube.
Disclaimer: I do not own the material in this video, all copyright belongs to Cruz Del Sur Music and Pharaoh. Copyright ©℗ 2012 Cruz Del Sur Music srl. SUPPORT THE ARTIST: http://www.solarflight.net/index.php _______________________________________________ _______________________________________________ Band: Pharaoh Album: Bury The Light Release year: 2012 Genre: Progressive / Power Metal Tracklist: 1. 00:00:00 Leave Me Here To Dream 2. 00:04:54 The Wolves 3. 00:09:47 Castles In The Sky 4. 00:14:50 The Year Of The Blizzard 5. 00:22:34 The Spider's Thread 6. 00:26:39 Cry 7. 00:31:01 Graveyard Of Empires 8. 00:37:45 Burn With Me 9. 00:41:45 In Your Hands 10. 00:46:52 Untitled Personnel: Tim Aymar - vocals (Former singer of Control Denied) Chris Kerns - bass Matt Johnson - electric guitar Chris Black - drums Produced by Matt Crooks and Matt Johnsen. Engineered and mixed by Matt Crooks at MCR Studios. Source: Booklet.
Performed Jan 4, 2013 at Rock and Roll Hotel
Album: The Longest Night Lyrics: Deep within the desert One race of mortal men The gods have given to us A rich and fertile land Adorned with greatest splendor The dawning of a time Where all men pledge their honor And some pay with their lives We are a people like none were before A civilization that demanded more A craftsman by trade, I've seen it all start From floods of the Nile to the beauties of art The voices of heroes cry out from the sands Their spirits call out to me, I hear them call to me Drive on, guided by the night sky As in the heavens shall now be on Earth We go on guided by the night sky Stone by stone we prepare for rebirth of the king Divine revelation, a king and his pride To build such a tower to reach the sky His guidance is crucial, we must heed the call For the strong can build many, but the dead none at all They say that our destiny's drawn in the stars It's all so clear to me, everything's clear to me Drive on, guided by the night sky As in the heavens shall now be on Earth We go on guided by the night sky Stone by stone we prepare for rebirth of the king Oh, twenty years have come and gone Thousands, they did what can't be done They gave their lives, their sweat and blood So, born is a gateway to the sky A passage to meet with the light To reap the fruits of the afterlife To the king we give this symbol of our loyalty For when he will descend amongst the gods And in the end he'll give us immortality For we have kept the faith and we are strong The tomb of the pharaoh, a well hidden vault Safe from the tides, within thick walls Stacked well with fortunes and lined with respect Preserved there for ages, for the life that comes next The quest of the Pharaohs, they walk with the sun For this we gave everything, we've given everything Drive on, guided by the night sky As in the heavens shall now be on Earth We go on guided by the night sky There'll come a time when we will live again Drive on, guided by the night sky As in the heavens shall now be on Earth We go on guided by the night sky Stone by stone we prepare for rebirth of the king
Artist: Pharaoh Song: The Spider's Thread Album: Bury The Light Year: 2012
Pharaoh fighting album The Longest Night
Pharaoh by the night sky album The Longest Night
An original short by Christopher D. Lusk.
band: Pharaoh album: Bury the light track: The wolwes genre: Progressive metal, power metal
A Short Animation about the end of Planet Earth. Questions like, What will we Remember...Where will be Love.'' Pictures taken in France. Music, TH. trio. Clip, mats logen.
The longest night of the year occurs at the Winter solstice. It may refer specifically to a Longest Night Service offered by some Christian churches.
Longest Night or The Longest Night or The Longest Nite may also refer to:
The Longest Nite, a 1997 Hong-Kong film
The Longest Night in Shanghai, a 2007 Chinese/Japanese film
The Longest Night (1936 film), a 1936 American film
The Longest Night (1965 film) (最長的一夜), a 1965 Hong Kong film
The Longest Night (1972 film), a 1972 American television film
The Longest Night (1983 film) (最長的一夜), a 1983 Taiwanese film
The Longest Night, an upcoming American film set to be directed by Frank Marshall based on the 2008 GQ article of the same name
"The Longest Night" (Only Fools and Horses), a 1986 episode of the BBC sitcom Only Fools and Horses
UNIT: The Longest Night, an audio drama
The Longest Night (Angel novel), a novel based on the television series Angel
Longest night, Peter David
Longest night, Christopher Golden
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Longest_Night
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
"The Longest Night" is an episode of the BBC sitcom Only Fools and Horses. It was the third episode of series 5, and was first screened on 14 September 1986. In the episode the Trotters are accused of shoplifting at a local supermarket and taken up to the manager's office. Whilst there they are held hostage by an armed robber who, ironically, shares a connection with Del.
During their weekly shopping trip at their local supermarket, Del Boy, Rodney, and Albert are summoned by head security officer Tom Clark to the manager Mr. Peterson's office. They initially assume they've won an advertised £1,000 cash prize for being the store's millionth customer, but instead are accused of shoplifting. At the same time, a 20-year-old man enters the supermarket and shoplifts several items. Mr Clark catches him in the act and takes him up to the manager's office. In the office, the young man brandishes a handgun at everyone in the room, including the Trotters, and demands that the manager opens the safe. Unfortunately, he comes up short because the safe is fitted with a time lock and won't unlock until the following morning. To make matters worse, the young man has a faulty watch (sold to his mother by Del). Instead of following Albert's suggestion of returning the next morning, the thief locks the office door, forcing everyone to stay in the office overnight.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/The_Longest_Night_(Only_Fools_and_Horses)
"The Longest Night" is a ballad number performed by the Bee Gees, with lead vocals by Robin Gibb. This song was written by Barry Gibb, Robin Gibb and Maurice Gibb, and was released in September 1987, from the album E.S.P..
On this song, it features Robin Gibb on the lead vocal, with Barry's guitar all over it; the variety of the melody, the flow of the lyric, and the structure with two verses but no chorus all set a contemplative mood. The second time around, as it hits the second verse section, Robin goes off into a few lines of new melody as if he's been distracted by his thoughts. The musicians who played on this song were Barry Gibb and Nick Moroch on guitar, Maurice Gibb and Robbie Kondor on keyboards, drums programmed by Rhett Lawrence and Marcus Miller on bass.
Robin Gibb – lead vocal
Barry Gibb – backing vocal, guitar
Maurice Gibb – backing vocal, keyboards
Robbie Kondor – keyboards
Rhett Lawrence – drum programming
Marcus Miller – bass
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/The_Longest_Night_(song)
The Longest Night is a 1983 Taiwanese war film directed by Chin Ao-hsun, based on a small-scaled battle between the invading People's Liberation Army and the resisting Republic of China Armed Forces on a few small islands (including Dadan Island) in the Taiwan Strait in late July, 1950.
The English title used in Hong Kong was The Night Ever So Long, so as to distinguish this film from the 1965 Hong Kong film The Longest Night.
The Night Ever So Long at the Hong Kong Movie DataBase
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/The_Longest_Night_(1983_film)
The Longest Night is a 1972 television film written by Merwin Gerard and directed by Jack Smight. The plot concerns the kidnapping of Karen Chambers (Sallie Shockley), daughter of wealthy Alan Chambers (David Janssen). The kidnapper (James Farentino) holds her underground in a homemade coffin. He leaves her there (with a fan for air and a gallon of water) until he receives the ransom money. Her family frantically searches for her.
This movie was originally shown as an ABC Movie of the Week on September 12, 1972. It is based on the 1968 Barbara Mackle kidnapping by Gary Steven Krist.
The Longest Night at the Internet Movie Database
The Longest Night is a 1965 Hong Kong film directed by Evan Yang, set in China during the Second Sino-Japanese War.
A senile Chinese man and his blind wife, whose son went off to fight in the brutal war against Japan, mistakes a wounded Japanese man (Akira Takarada) for their son. Their daughter-in-law (Betty Loh Ti) now has to make a decision on whether to kill the Japanese, who, as would turn out, is actually a journalist against the Japanese invasion.
The Longest Night at the Hong Kong Movie DataBase
Zui chang de yi ye at the Internet Movie Database
A spider is a type of arthropod.
Spider or Spiders may also refer to:
Spider, Kentucky
Spider crater, Western Australia
"The Spider", another name for the Pantheon Fossae surface formation on Mercury
Spider (nickname), a list of people
Spider Robinson, science fiction writer
The Spiders (comic), a webcomic by Patrick S. Farley
Spider (British comics), a 1965–1969 British comic book character, later reprinted in Vulcan
Spider (DC Comics), a character introduced in 1940
Spider (Middle-earth), a creature in The Hobbit universe
Spider (pulp fiction), a 1933–1943 pulp magazine hero
Scarlet Spider, an alias used by a number of Marvel Comics characters
Spider Girl, a DC Comics character
Spider Jerusalem, the protagonist of the comic book Transmetropolitan
Spider-Boy, an Amalgam Comics character combining Scarlet Spider and Super Boy
Spider-Girl, a Marvel Comics character from an alternate future
Spider-Man, a Marvel Comics character
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Spider_(disambiguation)
Pharaoh - Bury The Light [Full Album HD]
Ballad Of - The Longest Night
Pharaoh - By the Night Sky ( + Lyrics ).
Pharaoh - The Spider's Thread
Pharaoh - fighting
Pharaoh By the Night Sky
Pharaoh - The Wolves
Pharaoh - Castles In The Sky
band: Pharaoh album: Bury the light track: Castles in the sky genre: Progressive metal, power metal
Bury the Light released: 2012
Be Gone released: 2008
The Longest Night released: 2006
After the Fire released: 2003
play album in full screen add album to playlist
Bury the Light
add to main playlist Play in Full Screen Leave Me Here to Dream
add to main playlist Play in Full Screen The Wolves
add to main playlist Play in Full Screen Castles in the Sky
add to main playlist Play in Full Screen The Year of the Blizzard
add to main playlist Play in Full Screen The Spider's Thread
add to main playlist Play in Full Screen Cry
add to main playlist Play in Full Screen Graveyard of Empires
add to main playlist Play in Full Screen Burn With Me
add to main playlist Play in Full Screen In Your Hands
add to main playlist Play in Full Screen The Spider's Thread (reprise)
Be Gone
add to main playlist Play in Full Screen Speak to Me
add to main playlist Play in Full Screen Dark New Life
add to main playlist Play in Full Screen No Remains
add to main playlist Play in Full Screen Red Honor
add to main playlist Play in Full Screen Buried at Sea
add to main playlist Play in Full Screen Rats and Rope
add to main playlist Play in Full Screen Cover Your Eyes and Pray
add to main playlist Play in Full Screen Telepath
add to main playlist Play in Full Screen Be Gone
add to main playlist Play in Full Screen Sunrise
add to main playlist Play in Full Screen I Am the Hammer
add to main playlist Play in Full Screen In the Violet Fire
add to main playlist Play in Full Screen By the Night Sky
add to main playlist Play in Full Screen Endlessly
add to main playlist Play in Full Screen The Longest Night
add to main playlist Play in Full Screen Fighting
add to main playlist Play in Full Screen Like a Ghost
add to main playlist Play in Full Screen Up the Gates
add to main playlist Play in Full Screen Never Run
add to main playlist Play in Full Screen Unum
add to main playlist Play in Full Screen After the Fire
add to main playlist Play in Full Screen Flash of the Dark
add to main playlist Play in Full Screen Forever Free
add to main playlist Play in Full Screen Heart of the Enemy
add to main playlist Play in Full Screen Solar Flight
add to main playlist Play in Full Screen Now Is the Time
add to main playlist Play in Full Screen Never, Not Again
add to main playlist Play in Full Screen Slaves
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Disclaimer: I do not own the material in this video, all copyright belongs to Cruz Del Sur Music and Pharaoh. Copyright ©℗ 2012 Cruz Del Sur Music srl. SUPPORT THE ARTIST: http://www.solarflight.net/index.php _______________________________________________ _______________________________________________ Band: Pharaoh Album: Bury The Light Release year: 2012 Genre: Progressive / Power Metal Tracklist: 1. 00:00:00 Leave Me Here To Dream 2. 00:04:54 The Wolves 3. 00:09:47 Castles In The Sky 4. 00:14:50 The Year Of The Blizzard 5. 00:22:34 The Spider's Thread 6. 00:26:39 Cry 7. 00:31:01 Graveyard Of Empires 8. 00:37:45 Burn With Me 9. 00:41:45 In Your Hands 10. 00:46:52 Untitled Personnel: Tim Aymar - vocals (Former singer of Cont...
Album: The Longest Night Lyrics: Deep within the desert One race of mortal men The gods have given to us A rich and fertile land Adorned with greatest splendor The dawning of a time Where all men pledge their honor And some pay with their lives We are a people like none were before A civilization that demanded more A craftsman by trade, I've seen it all start From floods of the Nile to the beauties of art The voices of heroes cry out from the sands Their spirits call out to me, I hear them call to me Drive on, guided by the night sky As in the heavens shall now be on Earth We go on guided by the night sky Stone by stone we prepare for rebirth of the king Divine revelation, a king and his pride To build such a tower to reach the sky His guidance is crucial, we must heed the call For ...
https://hi.wn.com/Pharaoh_The_Longest_Night
Provided to YouTube by Ingrooves The Longest Night · Pharaoh The Longest Night ℗ 2006 Pharaoh Released on: 2006-02-21 Composer, Writer: Christopher Kerns ...
https://hi.wn.com/The_Longest_Night
Provided to YouTube by Ingrooves Sunrise · Pharaoh The Longest Night ℗ 2006 Pharaoh Released on: 2006-02-21 Composer: Matthew Wayne Johnsen Composer, Write...
https://hi.wn.com/Sunrise
Disclaimer: I do not own the material in this video, all copyright belongs to Cruz Del Sur Music and Pharaoh. Copyright ©℗ 2012 Cruz Del Sur Music srl. SUPPOR...
https://hi.wn.com/Pharaoh_Bury_The_Light_Full_Album_Hd
https://hi.wn.com/Ballad_Of_The_Longest_Night
Updated: 25 Feb 2012
Album: The Longest Night Lyrics: Deep within the desert One race of mortal men The gods have given to us A rich and fertile land Adorned with greatest splend...
https://hi.wn.com/Pharaoh_By_The_Night_Sky_(_Lyrics_).
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A Short Animation about the end of Planet Earth. Questions like, What will we Remember...Where will be Love.'' Pictures taken in France. Music, TH. trio...
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Album: The Longest Night Lyrics: Deep within the desert One race of mortal men The gods ...
band: Pharaoh album: Bury the light track: The wolwes genre: Progressive metal, power meta...
A Short Animation about the end of Planet Earth. Questions like, What will we Remember....
band: Pharaoh album: Bury the light track: Castles in the sky genre: Progressive metal, po...
Pharaoh The Longest Night...
The Longest Night...
Sunrise...
Pharaoh - Bury The Light [Full Album HD]...
Ballad Of - The Longest Night...
Pharaoh - By the Night Sky ( + Lyrics )....
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Pharaoh - fighting...
Pharaoh By the Night Sky...
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Pharaoh - Castles In The Sky...
Lyrics list:
The Night, Ruth Lorenzo
play karaoke
The Night, Twinemen
The Night, Klaxons
The Night, Jam
The Night, Accused
The Night, Soft Cell
The Night, Perishers
The Night, Eric Burdon & The Animals
The Night, Violent Force
The Night, Rob Dickinson
The Night, Frankie Valli
The Night, Not Available
The Night, The Accüsed
The Night, Valerie Dore
The Night, Voltaire
The Night, Crown Of Thorns
The Night, Scooter
The Night, Latin Quarter
The Night, Princessa
The Night, Heart
The Night, Byron
The Night, Australian Crawl
The Night, Lene Lovich
The Night, Kukl
The Night, Merciful Fate
The Night, Romina Cohn
The Night, Bates
The Night, The Accüsed
The Night, Mercyful Fate
The Night, Goodnight Nurse
The Night, Disturbed
The Night, Aion
The Night, The Perishers
The Night, Morphine
The Night, Daryll
The Night, Saviour Machine
The Night, Brightwood
The Night, Fifth Angel
Fly, as high as you can
Don't you fear the night
The night belongs to us
Even last out last
When you fall down to the floor
Don't hide the tears away
Look right deep inside of you
Through the dark, you'll see the light
Wherever you'll go, whatever you'll do
I'll be standing right beside you
No matter how far, no matter how long
I will follow where you go
Cause I believe in you
Run, as far as you can
You can reach the stars
And through the midnight sky
Love will rise again, and it will shine
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December 20, 2012 – Mexico City. From the office of WBC President Dr. José Sulaimán.
The 50th anniversary convention of the World Boxing Council concluded. They returned to the five continents, the more than 1,500 attendees who traveled across the seas to the Mexican paradise: Cancun.
The image of Muhammad Ali, my endearing friend of so many fights, will remain, along with the spilled tears to see that giant of boxing. It is the gratitude for so many people in boxing, who have worked so hard to make the image of Mexico for the world as it is: a country of work, hospitality, rosy faces, and good faith.
We also recognize the great help of my friend Roberto Borge, Governor of Quintana Roo, to whom we owe gratitude for his great hospitality, without which we couldn't do our great convention. Perhaps it was the best, most positive, with more Mexican style, with more union and unwavering friendship, in history. I cannot leave out my friend Egidio Torre Cantu, Governor of Tamaulipas, who was kind enough to help us. His parents were close friends of my family since our youth in the land of my love, Ciudad Victoria, Tamaulipas.
I was elected again as President, when I had already decided to close the pages of my passage through the organization and sport of my love. 37 years is a lifetime in which I've seen everything. Since my childhood in the Sierra Tamaulipas in Jaumave, where I heard the triumph of the great Joe Louis, who later became my friend. Being a close friend of immortal Sugar Ray Robinson. Jack Dempsey, whom I visited in his restaurant in New York. Also of Mike Tyson, who I visited many times. The most popular and largest promoter of all, Don King. Many Mexican idols who went through the daily pages of my life.
When I listened to the affection of the people at the time of my re-election, moments in my life came to mind that made me commit my body and soul to boxing. When as a child another kid broke my nose and mouth in the ring. To have known in my very early youth and adolescence the deceit, abuse, exploitation of boxers. Seeing that they went out injured, without having any help to take them to the doctor.
When I reached to the WBC, I decided to implement safe hospitalization. To take care of medical expenses of boxers. Create intermediate divisions, like super bantamweight. Bring four ropes to the ring instead of three, after the death of Davey Moore, who died because he hit his skull on the top rope after a punch from Ultiminio Ramos. The implementation of the glove with attached thumb, after countless retina detachments by the illegal use of the thumb on the eyes of the opponent. Change the official weigh-in to 24 hours before the fights, when before it was done six hours before the bout, with the boxers totally dehydrated. The obligation of anti-doping tests to avoid damage to the health of boxers with stimulants or dangerous drugs. Championship fights lowered to 12 rounds. Announcing every four rounds the cards of judges. The instant review of fouls with video to bring clarity and justice. There are many other things that have helped us to change dramatically the well-being of the sport of professional boxing. Although sometimes I was condemned, as when in Reno, Nevada, the first championship fight was held over 12 rounds, the public booed me as never before, or later, when my name was announced.
Now our plan is to intervene and revive amateur boxing, which is currently in the worst crisis in history. We also need to impose an international visa, to avoid the use of boxers for their exploitation, organize a professional boxing World Cup, for the first time in history, and many more things.
I take this election as a humble and modest opportunity to serve in what I love the most, boxing.


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CARTA: Human Origins and Humanity's Future: Past, Present and Future of the Anthropocene with Mark Moffett, Charles Kennel & Martin Rees
Speakers Mark Moffett, Charles Kennel and Martin Rees discuss humanity's past, present and future of the Anthropocene. Moffett examines the effects of the most aggressive ants on the environment, arguing that certain invasive species resemble humans in their capacity for global conquest and environmental destructiveness. Kennel speaks about the connections between past and present human exploitation of the environment, the coming crisis of the Anthropocene and what we humans can do to alleviate the crisis. Rees explores potential utopian and dystopian futures for humans on Earth. (#37934)
Charles Kennel
Mark Moffett
CARTA: Past Present Future of the Anthropocene Leslie Aiello Michael Purugganan Vanessa Ezenwa


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Home/News/Yvonne May releases 'When You Hear The Beat' ft Kingdmusic
Yvonne May releases 'When You Hear The Beat' ft Kingdmusic
Thato Siyabonga4 November 2022
Yvonne May is a Nigerian Born singer, songwriter, recording Artist and a Vocal Coach residing in Johannesburg South Africa. She released her first album Songs from The Book in 2014 after the loss of her husband Olumide Obafemi Oduwole. She has worked with the Voice Nigeria seasons 1 & 2 and has written songs for many South African artists like Nqubeko Mbatha, Michael David, Desiree Ramaila just to mention a few.
"When you Hear the Beat is a song written by my late husband Olumide Obafemi Oduwole who passed on in October 2012. He wrote the song in 2005 and he made me learn it in minutes and I fell in love with the song, and it remained in my heart ever since. 19th October 2022 made it 10years since he passed on and I wanted to honor his memory in a different way, so I decided to record the song on his behalf. I could not have asked for the perfect person to collaborate on this song with other than Kingdmusic himself who graciously jumped on this with me and brought in an amazing second verse colored with the South African Venda language lines that just gave it extra beauty. The song was originally a rap song, but I just fell in love with the Amapiano vibe and decided to get on it and switch it up a bit. So, you will enjoy a classy Amapiano vibe on this song. It's a vibe, it's a praise and a thanksgiving song to God for the journey all these years and what other way to praise Him than to dance and glorify Him."
Yvonne May's goal as a minister is to serve God and humanity and preach the gospel through heartwarming and passionate spirit filled music.
Top 20 South African Social Media Influencers
Yvonne Chaka Chaka Enlists Amanda Black For "Umqombothi" Version 2.0
Stream/ Buy the song here: https://distrokid.com/hyperfollow/yvonnemayandkingdmusic/when-you-hear-the-beat
https://www.ubetoo.com/wp-content/uploads/2022/11/yvonne-may-releases-when-you-hear-the-beat-ft-kingdmusic-2022_11_04_12_34_56-ubetoo.mp3
Instagram: https://www.instagram.com/yvonnemaymusic/
Facebook: https://www.facebook.com/yvonnemaymusic
Twitter: https://twitter.com/reignb27
YouTube: https://
Kingdmusic Yvonne


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You are currently browsing the Music is Good blog archives for March, 2012.
Troubadour influences
By Stephen J. Nereffid. Posted in A History of Classical Music, Classical | No Comments »
A History of Classical Music through Recordings: Part 4
"Rosa de las Rosas: Cantigas de Santa Maria". Música Antigua/Eduardo Paniagua. Pneuma (link)
Troubadours fleeing Provence in the aftermath of the Albigensian crusade would have found welcome at the court of King Alfonso X of Castile and Léon in northwestern Iberia. Alfonso, known as El Sabio or 'the Wise', gathered together Christian, Muslim, and Jewish scholars and artists during his reign from 1252 to 1284. He introduced various social and legal reforms and encouraged the work of astronomers and astrologers, but his great contribution to music was his commissioning – and possible co-authoring – of a vast collection of songs called the Cantigas de Santa Maria. Compiled over three decades and now surviving in four manuscripts, the Cantigas comprises some 420 poems pertaining to the Virgin Mary; the songs are grouped in tens, nine of each group being narratives describing miracles attributed to Mary (one song recounts how Alfonso himself was healed), with the tenth being a hymn of praise. The poems are in Galician-Portuguese, the forerunner of modern Portuguese, and the music is related to popular songs of the day as well as troubadour and trouvère melodies. The Cantigas manuscripts come with numerous miniatures depicting musicians playing more than 40 different kinds of instruments, a boon to modern academics and performers seeking inspiration for how the music might have been performed. Given the presence of Arabs and Moors at Alfonso's court, not to mention some Moorish instruments shown in the miniatures, musicologists have been tempted to speculate on an Arabic influence on the music.
Classical highlights: UK magazines, Mar 2012
By Stephen J. Nereffid. Posted in Classical, Classical Highlights | No Comments »
These are the best-reviewed discs in the latest issues of the three U.K.-based classical review magazines – Gramophone, BBC Music Magazine, and International Record Review.
International Record Review Outstanding Recordings, March 2012
Nørgård: Helle Nacht; Borderlines; Spaces in Time. Peter Herresthal (vn); Ida Mo (p); Stavanger Symphony Orchestra/Rolf Gupta. BIS CD1872
"Both of the violin concertos [Helle Nacht and Borderlines] have been recorded previously, but to have them performed by the same musician is an ideal way to get to know two works, which, written 15 years apart, shed revealing light on the evolution of a composer whose determination not to repeat himself with each major work has helped make him one of the most significant figures in contemporary music." – Richard Whitehouse
Ó Riada: Orchestral works. Cathal Breslin (p); RTÉ National Symphony Orchestra, RTÉ Concert Orchestra/Robert Houlihan. RTÉ lyric fm CD136
"the music on this CD dates from a mere five years, 1955-59, and its sheer quality rubs lemon juice in the wound left by Ó'Riada's ridiculously early death… I urge you to investigate this splended release with uncommon haste." – Martin Anderson
Ruders: Symphony no.4; Trio Transcendentale; Songs and Rhapsodies. Frode Andersen (accordion); Flemming Dreisig (org); Nicholas Wearne (org); Athelas Sinfonietta Copenhagen; Odense Symphony Orchestra/Robert Minczuk. Bridge 9375
"It contains an exhilarating range of emotions, from whimsical humour to barnstorming grandeur, and the sheer craftsmanship of Ruders's writing is a joy in its own right… Bridge has managed to release this CD while much of the music is still damp on the page, and the sense of freshness attends also the performances and the works themselves." – Martin Anderson
Peter Broderick – "Float"
By Dave Sumner. Posted in Ambient, Indie | No Comments »
The music of multi-instrumentalist Peter Broderick should be much busier. Bouncing from guitar to strings to keyboards to horns (to name a few), and shifting from folk to classical to indie pop to ambient drone (to name a few), the expectation is that the end result would be music with so many moving parts that its main appeal would be as a spectacle of incomprehension. But the thing of it is, he finds a way to fuse all of these disparate elements into a cohesive cloud of serenity. And those disparate elements? They're all there, but masked in subtlety and hinted at just enough for the ear to pick up on them without ever feeling overwhelmed. This is beautiful music, with a densely packed emotional center.
Let's talk about that music.
Interview: Makunouchi Bento
By Craig McManus. Posted in Electronic, Experimental, Interviews | No Comments »
A popular act with the MiG staff, Makunouchi Bento is an experimental electronic duo out of Romania that has been active since 2001. Made up of Felix Petrescu, a/k/a Waka X, and Valentin Toma, a/k/a Qewza, Makunouchi Bento create soundscape stories using organic sounds that are processed, filtered, dubbed and overdubbed until they form a cohesive whole. When exploring the world of Makunouchi Bento it becomes clear very early on that not only does their sound not fit into any single genre, but that it is music which must be heard to be understood. While one can discuss the group's IDM influence, point out that the use of space feels descended from minimalist composers, or note the range of emotions they are able to create in a beatless environment, these words would still fail to adequately describe Makunouchi Bento's work. In fact, the above illustration of Makunouchi Bento is probably the best written description of their music I have seen.
In anticipation of the release of Makunouchi Bento's new EP, Rinbo, we spoke with the group via e-mail and discussed the new album, the group's influences, both musical and otherwise, and their desire to collaborate with other artists of various mediums. We also learned how a couple 30-somethings from Romania imagine King Tubby would react to their work.
Review: Tele by Pjusk
By David Smith. Posted in Ambient, Electronic, Experimental, Reviews, World | No Comments »
Pjusk - Tele
Like a whole swathe of ambient music, Pjusk's work relies on a scaffold of cues for the imagination to add a representational dimension to the raw sounds. Once one has learned that Pjusk are Rune Sagevik and Jostein Dahl Gjelsvik from the west coast of Norway, that their music is composed in a small cabin high in the mountains, and that their characteristic one-word track titles translate as "twilight", "fog", "hollow", and the like, it is nigh impossible not to hear the murky atmospheres and dank rhythms of their music as evoking contemplation of a lonely landscape wreathed in mist and locked in a stasis measured in geological time. These associations are woven more literally than ever on their newest release, Tele. The album is released on the Glacial Movements label, a label that is single-mindedly dedicated to "glacial and isolationist ambient" and offers a growing series of releases that set out to evoke "places that man has forgotten…icy landscapes…fields of flowers covered eternally with ice… The cold and silent night that falls upon the glacial valleys…" The album's title, Tele, is a Norwegian word for frozen underground water, and the track titles this time have also moved down into the cold earth, invoking gneiss, flint, slate, granite, crystal. It is thus not too big a surprise that the album's opening is the most darkly monolithic of the Pjusk catalog to date; the surprise is that it ends with one of their brightest moments.
Anders Koppel – "Everything Is Subject to Change"
By Dave Sumner. Posted in Jazz | No Comments »
Marking Anders Koppel's first solo Hammond organ release, Everything Is Subject to Change is an intriguing mix of atmospherics and organics. Pianist Kenny Werner and saxophonist Benjamin Koppel imbue the music with an austere elegance, whereas Anders Koppel's organ and Jacob Andersen's percussion brings an earthy element to the music. The balance between the two makes for an album that equally engages head and heart.
Your album personnel: Anders Koppel (organ), Benjamin Koppel (saxophones), Kenny Werner (piano & Fender Rhodes), and Jacob Andersen (drums & percussion).
Kate Campbell: Two Nights in Texas
By Kezzie Baker. Posted in Blues, Folk | No Comments »
When country/folk-roots singer songwriter Kate Campbell opens her mouth to sing, you definitely know she's from the Deep South – telltale signs ooze from her every syllable. But this southern bred artist from Mississippi is no country bumpkin. Her inherited country twang is tempered by a polished refinement and beautiful expression that adds irresistible charm to her voice, captivating audiences and drawing them into her southern world which is the birthplace of such notable writers as Harper Lee, William Faulkner, Eudora Welty and Flannery O'Connor. Kate's formative years were spent in Sledge, Mississipi during the height of the civil rights movement and much of her music is inspired by her coming-of-age experiences as a young middle-class white girl during those tumultuous times. As the daughter of a Baptist minister, she was exposed to a heavy dose of spiritual singing, having grown up singing hymns out of the Baptist Hymnal that proclaimed a love for God and fellow man at a time and locale where paradoxical community attitudes abounded. She also grew up listening to a melting pot of music on the radio, including country, folk, pop, R&B and southern rock – all played on the same radio station. Her songwriting is a hodge-podge of all these diverse influences. Many of her compositions are autobiographical yet presented in a way that reveals the bigger picture of universal humanity, and her talent for singing her stories is every bit as evident as the talents of the authors previously mentioned whose works she admires and to whom she is often compared. Her CD booklets frequently include some of her favorite quotes from these literary giants and others.
Interview: Sebastian Plano
By David Smith. Posted in Classical, Electronic, Interviews, Neo-Classical, Reviews | No Comments »
Sebastian Plano (Picture by May Xiong)
Have you ever been moved by the yearning blends of classical motifs with electronic atmospheres composed by the likes of Max Richter, Ólafur Arnalds, Jóhann Jóhannsson, Nils Frahm, and Peter Broderick? Does the thought of what their aesthetic might sound like if relocated to warmer climes and infused with the passion and counterpoint of the tango sound intriguing? If so, then you need to listen to Sebastian Plano's debut album.
The Arrhythmical Parts of Heart was released last year with little fanfare, but is an album that should not be allowed to slip quietly by. Across seven short tracks Plano, a young San Francisco-based composer and multi-instrumentalist who plays everything on the album himself, weaves together an array of sounds including cello, keyboards, bandoneón, wordless vocals, and electronic effects and percussion into a compelling and emotive suite of compositions charged with tantalizing twists and turns.


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Keep updating your pharma knowledge
Sandoz to commercialize proposed multiple sclerosis biosimilar natalizumab
Tagsbiosimilar of sandoz, MAB, natalizumab, sandoz
Sandoz, a Novartis division and a global leader in biosimilars, announced that it has entered into a global commercialization agreement for a proposed natalizumab biosimilar. The medicine is in Phase III clinical development for the treatment of relapsing-remitting multiple sclerosis (RRMS).
RRMS affects ~85% of MS patients and can create a substantial social and economic burden on patients, their families and healthcare systems.
Under the agreement, Polpharma Biologics will maintain responsibilities for development, manufacturing and supply of proposed biosimilar natalizumab. Sandoz will commercialize and distribute the medicine in all markets upon approval, through an exclusive global license. Other specific terms of the agreement are confidential. Polpharma Biologics is a European biopharmaceutical company with a fully integrated R&D and manufacturing footprint.
Reference medicine natalizumab is a disease-modifying therapy (DMT) that was approved for use over 10 years ago, offering patients a valuable therapeutic option for treating RRMS.
Natalizumab was originally approved for treatment of multiple sclerosis in 2004, through the FDA's accelerated Fast Track program, due to the drug's efficacy in one-year clinical trials. In February 2005, four months after its approval, natalizumab was withdrawn voluntarily by the manufacturer after two cases of progressive multifocal leukoencephalopathy.
In April, 2006 the Committee for Medicinal Products for Human Use recommended authorizing natalizumab to treat relapsing-remitting MS, and several weeks later the European Medicines Agency approved natalizumab in the European Union for highly-active relapsing remitting MS.
Health Canada added natalizumab to Schedule F of the Food and Drug Regulations on April 3, 2008 as a prescription drug requiring oversight from a physician.
In 2007 the EMA rejected the application to market natalizumab for Crohn's disease due to concerns over its risk/benefit ratio. In January 2008, the FDA approved it for the induction of remission and maintenance of remission for moderate to severe Crohn's disease.
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