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Vitamin E is a vital ingredient for soft, supple skin. Vitamin E has been shown to play an important role in protecting skin from environmental and oxidative damage. Vitamin E acetate is a stabilized Tocopherol precursor. Vitamin E is often called the "protection vitamin" of the skin. It shows anti-inflammatory properties and positively influences skin moisture properties and wound healing. Vitamin E prevents the skin from premature aging induced by UV irradiation and lipid peroxidation. Revolution Delivery System transport the precursor of Vitamin E to the target skin layers where it protects the cell membranes from damage of free oxygen radicals, and at the same time, acts as a skin moisturizer.
A worldwide innovator in specialty ingredients has just patented the chemistry to deliver the highest amount of actives deep into the layers of the skin. The "Revolution" delivery system offers unprecedented penetration and efficacy of Actives! Revolutions deliver actives efficacy that is 100 times that of non-encapsulated actives!!
Carrier systems have been developed to transport cosmetic actives into the skin. These systems ease the transport of actives through the skin barrier and, furthermore, deliver these actives in a sufficient concentration to the site of interaction. In times past, the cosmetic incorporation of vitamin additives has scarcely been more than a label claim. Why? Because the particle size was much too large to penetrate the skin. Yesterday's answer? Liposomes. Liposomes are actives microencapsulated for higher skin penetration. This scientific advance offered some penetration, but the molecules were still too large for optimal delivery. Enter the "Revolution" system. This system encapsulates a lipid core by a phospholipid/co-surfactant monolayer membrane. The membrane consists of cylindric (phospholipid) molecules and cone-like (co-surfactant) molecules. These constituents create a very densely packed membrane of small sized, stable particles. Such particles are highly resistant against surface-active molecules and tolerant to elevated ionic strength. These properties are in contrast to those of the Liposome and consequently, Revolution A, E & P are compatible with many emulsifiers and surfactants and tolerant to electrolytes and pH. Carrier systems are more effective if they provide an even and homogenous particle size distribution to the skin surface. If an active is offered to the skin by a particle of a size of 160 nm (as in a conventional carrier), 500 times more particles are needed to transport the same amount of an active, than if the particles have a size of 20 nm (as in the Revolution products).


Designer and owner Elena spoke to me when I visited Deka where I could not help but "ooh" and "ah" over every single piece of jewelry, or should I say art. Elena, originally from Greece, felt there was a need for a jewelry store in the neighborhood when she and her husband moved to the area, and Deka reflects her Greek origins – most of the jewelry is imported from Europe, specifically Greece and Italy. However, there are also many pieces showcased by local designers.


text:
package com.example.weathertest.db;

import org.litepal.crud.DataSupport;

/**
 * Created by yf on 2017/3/13.
 */

public class City extends DataSupport {
    private int id;
    private String cityCode;
    private String cityName;
    private int provinceId;

    public void setId(int id) {
        this.id = id;
    }

    public void setCityCode(String cityCode) {
        this.cityCode = cityCode;
    }

    public void setCityName(String cityName) {
        this.cityName = cityName;
    }

    public int getId() {
        return id;
    }

    public String getCityCode() {
        return cityCode;
    }

    public String getCityName() {
        return cityName;
    }

    public void setProvinceId(int provinceId) {
        this.provinceId = provinceId;
    }

    public int getProvinceId() {
        return provinceId;
    }
}

redpajama_set_name: RedPajamaGithub


St. Patrick's Day, Academic Style!
What a phenomenally Irish weekend!
I didn't do the things a tourist to Dublin normally does on St. Patrick's Day (which seems to include a lot of roaming the streets while intoxicated). Instead, I packed my schedule full of St. Patrick's Day Festival events. My friends an I pooled out ticket allotment so we could see many shows.
I've pictured some of the events below (I didn't even take photos at every event, believe it or not). The photos show how academics enjoy St. Paddy's! You can see my brainy friends and me enjoying short films in the Examination Hall of Trinity, for instance.
The group that coordinates the St. Patrick's Day Festival did a fabulous job! I send my heartfelt thanks to them!
Incidentally, you'd be amazed to see the streets of Temple Bar on Sunday night: wall to wall people dressed in green velvet!?!! I elbowed my way through at 7 PM (I don't even want to think what the place was like by midnight). Even at 7, I was clutching my belongings so tight that I forgot to take a photo!
Turtle delivered his lecture at Marsh's Library.
I brought Toni Gray, Giuseppe Conte, and (former Fulbright scholar) Nancy Stenson along with me to the "I _ My City" film viewing.
Nancy and I enjoyed a tasty late-night dinner at Café en Seine on Dawson Street.
At the Chester Beatty Library, the show TEMPO fused Irish and Brazilian rhythms.
I finally visited the Smock Alley Theater, for performance art (film+clarinet solos) that brought the eclectic space to life.
I purchased a CD of "Zoë Conway Live" following this performance by the fillde player and her husband, John. She is a professional musician who plays with Riverdance (among other groups).
The show included performances by one of Riverdance's lead dancers, Zara Curtis.
A past parade in Dublin, downloaded from Jim Small's ND Go Irish Blog.
Things are hectic here in Dublin. Almost as soon as Pam flew out two new guests arrived, Toni Grey and Giuseppe Conte. Unfortunately, plane tickets were so costly for travel to and from St. Patrick's Day that they won't be staying to partake in all the festivities.
St. Patrick's Day falls on 17th March. Originally, the day of celebration marked the arrival of Christianity in Ireland. That happened way back in 432. Today St. Patrick's Day is a big party that celebrates all things Irish.
This will be my first St. Patrick's in Ireland and I'm excited to be a part of it all. I've been lucky to get some tickets for the St. Patrick's Festival, thanks to the diligence of Tess who handled all the on-line reservations.
The high point of the 17th will be the People's Parade. It's to have hundreds of carnival-type floats with people from the area on board. The parade will pass right by my apartment block.
Stay tuned for pictures of this year's events as they unfold….


List Rules Vote for the video games that legit scared you when you played them in the '90s.
What are the scariest horror video games from the '90s? The 1990s were a great time for video games, horror games in particular. As PC gaming was picking up steam, new graphical technology made it possible for both PC and console game designers to incorporate more realistic visuals and sophisticated play dynamics into '90s games. Suddenly, scary video games didn't have to be awkward point-and-click adventures or text-based multiple choice stories. The result was the first wave of truly scary, gory, and atmospheric horror video games, a wave that included fan favorite franchises like Silent Hill, Alone In the Dark, and the Resident Evil.
Zombies and survival horror became big during the '90s. There was also an upsurge of weird, scary role-playing games, mostly for PC. These games often relied on real shot-on-video footage of actors and were inspired by the ultra-gory slasher films that had dominated the '80s. Some were surrealistic or sci-fi influenced, like H.R. Giger's Dark Seed and the legendarily bizarre System Shock.
Whether you like your horror games gore-drenched and full of bloodthirsty zombies or low-key eerie and sure to keep you awake until the sun comes up, vote on the most terrifying horror video games of the 1990s.
List Rules: Vote for the video games that legit scared you when you played them in the '90s.


The best practice managers are those who truly understand the specific needs of GPs and other healthcare professionals, and there's no better way to learn than by having first-hand experience. Marites Cross, managing director and practising ultrasonographer at East Anglia Ultrasound Services tells us all about what it takes to provide the ultimate in patient satisfaction.
How did you start your career in healthcare? What took you from being solely a practitioner to setting up and running your own clinic?
I was in the last month of my placement as a radiographer trainee in one of the ambulatory diagnostic centres in the Philippines when I was approached by a Cardiologist and asked if I would like to be trained to become an ultrasonographer and cardiac physiologist. As it was difficult to find a job in the Philippines, I did not hesitate to accept the offer even though I was already enrolled in the last year of my bachelor degree in radiologic technology.
It was hard work as I had to work during the day from 08:00 to 17:00 and go to university for evening classes from 18:00 onwards, but it was worth it in the end because I completed my degree in four and a half years. From there, I developed my career through working with patients in different healthcare management organisations. I worked mostly with private companies while in the Philippines, and that's where I got all my ideas.
I then had an opportunity to work in Saudi Arabia, which I took as I wanted to build on my experience, skills and knowledge. I enjoyed working in Saudi Arabia for 5 years. However, working there was difficult. Although I loved the job, my freedom was limited and the opportunity for my professional development was non-existent. Hence, I moved to Europe.
I loved the first job I was offered here in Cambridge even though it was a great challenge in the beginning on account of the different culture and being a foreigner. When I gained some confidence, I realised that I should continue until I had all the confidence that needed. Over time, things started to change, and I could no longer give the best care to my patients because of staffing issues. What I enjoy most about my job is giving the best quality of care that I would like to deliver to all patients, but this level could no longer be maintained at that time.
I started thinking about starting a private diagnostic clinic, and it took me two years before it all went through. I wrote down all my ideas, but it was hard because I was still working full-time. I approached two of my colleagues and they were interested in helping. We discussed and shared our ideas and the machines we would have liked to use, but then one of them gave up. The other one just encouraged me to go on and do everything we needed to do, and that's how I started.
Having successfully started your clinic a few years back, what would you say you have learned from the experience? Is there anything that new practice managers should watch out for?
I learned that if you would like to achieve something, then you should never give up. No matter what the challenges are in front of you, don't stop because this is how you build your strength.
When I started, I went to the bank to open a business account and applied for a business loan, but they refused and asked whether I was contracted to any hospital, private organisation or insurance company. They wondered how they could find out whether the business would be successful. I went to the bank twice, but they turned me down.
That was not it for me, and I didn't give up. Instead, I financed myself and got the job done. We started with personal capital, and that's how we got all the machines and everything else sorted like finding premises. It took us 6 months before we started trading, so new practice managers should be willing and prepared for challenges and failures.
You shouldn't treat failure as a reason not to carry on. Instead, treat the experience as a challenge. You can do it!.
However, once you've set up your clinic, you can't just sit back. You must watch what's going in and out, looking at how your clinic is growing and progressing. Especially with all the development and progress that's being made, you must be innovative. You must be able to multitask and learn new technologies. For example, I didn't know about social media or how to create adverts on Google. I had to learn these.
Another thing to remember is communication, because you'll be talking not just to patients but to other businesses. In fact, business skills in general are very important. Just like a celebrity, you must make the effort to be nice to everyone.
Private healthcare is a small world, and if you're not very nice to other people or businesses, then of course you will lose opportunities. Remember to always be professional, polite and approachable.
I know that you have your patients' needs at the front of your mind at all times. In your experience, what are the key things to think about when it comes to engaging and satisfying patients?
It's interesting because you can't just let them in and get on with the appointment. Communication is number one again, and before you start any procedure, you have to explain the examination you're doing and ensure they understand the limitations of it. Patients come to the clinic with the highest expectations because it's in the private sector, but there are always going to be limitations to given examinations and tests. Just make sure that you do meet most of their expectations.
See how Medesk facilitates your work with patients and helps you track your whole interaction with them - all the way from acquisition channel to successful treatment.
What you should do when they first arrive is to address their concerns and reasons for visiting. Make sure you listen to them and make them feel at ease. A lot of patients are anxious before their examination, and once you've got a better window to their concerns and have made them feel comfortable, you can start a real conversation and they won't be too worried. Continuing to explain what you're doing throughout the appointment is essential to making patients feel reassured.
Knowledge is also very important. We see a lot of professionals like scientists and lawyers, so we really need to know what we're doing. If you're asked a difficult question, you need to answer smartly, but be honest if you don't know. Giving them information about the examination and their concerns is how you make them feel reassured and confident that you know what you're doing. You also need to be passionate, so they can see that you love what you do.
Another thing that is crucial is patient feedback. We send out an email asking them about their recent experience with us, and the majority of feedback is good to excellent! But we still accept any negatives as we can then improve our service. We audit our feedback and learn from it.
Even if negative feedback is seemingly trivial and a patient complains about the water being offered, we still take that on board. For us, it's personal, so we always introduce ourselves to new clients and offer them a hot drink or some water while they wait. The first thing your client will realise is that you are nice and welcoming, and this works towards changing the attitude of even very anxious patients.
Combining your clinical duties with running your practice surely takes plenty of work. Do you have any advice to share with other private practitioners who are trying to juggle clinical work with the business of operating a practice?
My top piece of advice is that you have to be well organised. It's about communication too, and you shouldn't ignore emails. Make sure you reply to people as soon as possible. Don't delay, as you might put your business at risk if you miss something important because you're not opening emails.
Using a checklist every day should be part of your organisation, and you have to set it up starting from top priorities down to tasks of the least priority.
At least separate tasks into things that need to be done immediately and those which can be done later. I also set a target time for tasks, and time management itself is all about organisational skills.
Decisions need to be made, and you shouldn't delay them. You have to think and weigh the situation up. Study the situation and see whether you can justify your decision. It's all about learning how to expedite your decision making. Consider whether the outcome will be beneficial or less so, and think whether it will increase the quality of the service and the clinic's income. If something is beneficial to the business, it's easy to decide.
I would also say that you ought to be highly able in terms of using computers and performing clinical skills. After all, you have to train your staff. You can't rely on someone else if you're the one who is deciding what applications you're going to use, and you should know how they are going to be effective. Once you have learned this yourself, you have to pass it on to your staff, all of whom will be different. That's why you need patience and a passion for teaching as well. There are some who find it easy to learn and some for whom things will take a little longer.
Another thing is to stay updated, especially when it comes to technology, because we are always moving forwards.
Not all clinics are able to acquire and retain the optimum number of patients to match their practitioners' capacity. In your view, what is the best way to attract patients and then keep them loyal to your practice?
You must always provide the best quality of care, and make sure you meet most of their expectations. They are paying for your quality, and if you don't meet their expectations, they'll be disappointed, make complaints, and they'll tell their friends. They'll discourage other service users if you can't give the optimum service.
If your patients are happy and satisfied, they come back and will advise their family and friends to go to your clinic. The best advertisement is free – it's word of mouth!
Drop us a line and we'll get right back to you. We'll answer all your questions and help you to choose the best subscription model for your needs.
Done! Please check your email for correspondence from Medesk.


The socio-economic factors that are impacting the development of solar energy in India.
This research is based on solar energy development in India. As demands of energy are increasing day by day, it's very important that government should start looking for some alternate ways to fulfil the requirements in the future. India's geographical conditions are in favour of solar energy because India received around 250-300 days of clear sunlight in a year. The purpose of this study is to find out the barriers that are impacting the development of solar energy in India.
The methodology on which this research was based on is qualitative approach and open-ended questionnaire were used to fulfil the aim and objectives. The researcher has asked 18 questions in the survey and the survey was sent to 60 people, from which researcher gets the reply of 44 respondents. The questionnaire has been sent in four different categories to know the barriers that are impacting in each sector.
Through the research, many factors come out that can be considered as barriers and policies are the most important area which play a vital role in development, so government should more focus on policies. Another important factor that plays a vital role in development changes in policies by new government and it leave a bad effect on a sector of solar energy. One more thing on which government should focus is a promotion of new and advanced policies via print media or social media so that people will know the improvement in solar energy.


Your Highness, I know my wrongs. -Chapter 56.
And lastly, I am going to stop the Chinese lessons for now because I am stressed. Maybe I will resume in November. Sorry. If you really want to learn very badly, message me the word or phrase and I will personally respond back to you.
"It was obvious. Firstly, the knife the old man had was not sharp enough. Even if he wanted to, it wouldn't be able to cut through a major artery. Therefore, he clearly didn't plan to end your life. Secondly, they had dried meat hanging from above. Those two elders would not be able to bite through it. They have no teeth.
After Lian Feng explained himself, Lin Shan couldn't help but felt a great sense of pride in her man. While she was slow and senseless, Lian Feng had already noticed so many clues on his own. Could he be the legendary "skillful king"*? He was too adorable! At that moment, Lin Shan felt like she was floating.
Now that they have an idea of where to go, they could ignore a lot of other paths and focus on their targetted direction. In order to maximize their efforts of finding the Princess, Lian Feng decided to disband his group. He wanted his subordinates to contact others around the black forest to form small teams as they all head towards the same direction. As for him and Lin Shan, they will be the first to go in for the search with the help of Wu Ying.
Based on the old couple's descriptions, Du Ming Yue left two to three days ago. However, since the terrain of the black forest was unusual and it was filled with numerous plants, Du Ming Yue most likely wouldn't be too far off.
As expected, Lian Feng and Lin Shan found some clues after searching for a day. One of the clues was a torn piece of yellow fabric. The material obviously came from the Palace. Lin Shan was positive that Du Ming Yue was nearby.
Author gchan7127Posted on October 3, 2016 October 6, 2016 Categories WuxiaTags Comedy, Novel translation, Romance, translation, Wuxia, Xianxia16 Comments on Your Highness, I know my wrongs. -Chapter 56.


Hello everyone! I am looking to get a job doing home health, but I am not sure what company to go through. Any information would be greatly appreciated. Thanks!
Maxim operates here and hires LPNs. They require one year of experience (doesn't have to be home health) for employees.
SouthCentral and Prov also do home health. But you will have to check their requirements.
There is HH through FMH in Fairbanks.


text:
WHO and Monaco join together to end malaria in Africa
The World Health Organisation Regional Office for Africa and the Principality of Monaco have joined together to fight malaria on the African continent. The problem is critical, as 93% of reported deaths by the disease occur there.
Carole Lanteri, Ambassador, Permanent Representative of the Principality to the United Nations Office at Geneva and Dr Matshidiso Moeti, WHO Regional Director for Africa © DR
The partnership, signed on 28th May at the World Health Assembly in Geneva, aims to eradicate malaria from the continent completely. The Principality has donated two million euros to be paid out over a five year period to reach this end.
Funding will go toward assistance in eight Sahel region countries: Cape Verde, Burkino Faso, Mali, Gambia, Niger, Mauritania, Chad and Senegal. With more than 374 million people at risk in this area, providing fast, available treatment options will save many lives. The disease is both preventable and curable, and the funding provided by Monaco will be instrumental in ensuring those who need treatment will get it when they need it, as well as providing technical and delivery support.
"Grants like the one from the Principality of Monaco help to ensure that we continue to make progress, especially in the countries most affected by this disease," says Dr Matshidiso Moeti, WHO Regional Director for HIV and AIDS Africa.
Mr. Gilles Tonelli, Government Counselor-Minister of Foreign Affairs and Cooperation of the Prince's Government stated that "this new investment is a recognition of the enormous burden that malaria places on African countries, paralyzing effect of this disease on the socio-economic development of the region."

redpajama_set_name: RedPajamaCommonCrawl


This is a placeholder page for Joy Diamond, which means this person is not currently on this site. We do suggest using the tools below to find Joy Diamond.
You are visiting the placeholder page for Joy Diamond. This page is here because someone used our placeholder utility to look for Joy Diamond. We created this page automatically in hopes Joy Diamond would find it. If you are not Joy Diamond, but are an alumni of Glen Oak High School, register on this site for free now.


text:
2019 Local Election Manifesto
Young Conservatives
Sunderland Conservative Association AGM
The Sunderland Conservative Association has announced that its annual general meeting (AGM) will take place on the 15th March 2018. This will take place in Sunderland Civic Centre.
Members will have the opportunity to elect, or re-elect, members of the Association Management Board.
The Sunderland Conservative Association will hold a CPF on the 30th January.
The meeting will commence at 6pm in the Group Rooms, Sunderland Civic Centre.
Our theme on this occasion is Skills for the 21st Century.
Conservative Women's Organisation Christmas Lunch
12.30pm onwards
The North East Region Conservative Women's Organisation is holding its Christmas Lunch event on Sunday 26th November. It will be held in The Gold Room of the Vermont Hotel, Newcastle, NE1 1RQ.
Conservative Policy Forum: Youth Issues
The Sunderland Conservative Association is hosting its next Conservative Policy Forum on Thursday 16th November.
Conservative Women's Organisation Autumn Fayre
The Sunderland Conservative Women's Organisation is holding its Autumn Fayre at St. Aidan's Church hall on Saturday 28th October.
The fayre takes place between 10am and 12noon - and it will include a series of stalls.
Christmas Social
7.00 p.m.
Join the Sunderland Association for a Christmas night out with James Wharton M.P. our special guest. James will provide a speech on the Northern Powerhouse before socialising with guests. The venue is the Yacht Club, Old North Pier, Sunderland.For further information please contact secretary@sunderlandconservatives.org.uk
The Conservative Women's Organisation has arranged a Christmas Lunch to be held at Lumley Castle, Chester le Street, on Sunday 29th November. James Wharton, M.P. will be our guest speaker. Places are limited and cost £26.00 for a three course meal.Please get in touch via secretary@sunderlandconservatives.org.uk for more information.
St Michaels Ward Surgery
10.00 - 11.00 a.m.
St Michaels will be holding a ward surgery at St Nicholas Church Hall, Queen Alexandra Road, Barnes between 10 and 11 a.m.
Please come and join us at this event, organised on behalf of the Conservative Women's Organisation.We meet for an informal chat and catch up over an Italian meal at Mama Italia in Grangetown, opposite the Community Centre. Pay on the evening. For more information, please contact Stephanie at secretary@sunderlandconservatives.org.uk
President's Night
Meet the Association's President, Mr Tim Brown, CBE and other Association members at the West End Conservative Club, 110 Hylton Road, Millfield.For more information contact hils.johnson@btinternet.com
Sunderland Conservatives Building a Sunderland fit for the future
Promoted by Dr Antony Mullen on behalf of Sunderland Conservatives, both at PO Box 1922, Sunderland, Tyne and Wear, SR5 9BZ.
Copyright 2020 Sunderland Conservatives Building a Sunderland fit for the future. All rights reserved.


text:
Red Bull: Honda relationship "stronger" than Renault
Red Bull's Christian Horner says the Formula 1 team's partnership with its 2019 engine manufacturer Honda is already "way stronger" than its relationship with Renault.
Honda's work with Red Bull sister outfit Toro Rosso has shown signs of promise in 2018, with Pierre Gasly taking the best result of its F1 return to date with fourth in the Bahrain Grand Prix.
Its latest specification engine helped Brendon Hartley qualify sixth for Honda's home race at Suzuka ahead of his team-mate, leading Renault driver Carlos Sainz Jr to admit Honda's gains were "worrying".
Red Bull's Max Verstappen said he was optimistic about the Honda partnership, marking a contrast to Red Bull's relationship with Renault, which has increasingly been acrimonious after winning every title in 2010-13 ahead of the current V6 turbo-hybrid era.
Horner said of the relationship with Honda: "It already is way stronger. It is far more integrated."
"The last few years, it has been a very difficult relationship [with Renault], a strained relationship.
"It is a very different relationship because rather than as a paying customer, it is a true partnership and technical partnership.
"Through our entire career with Renault we've always been a customer.
"Around 2011-12, at the peak of the exhaust blowing, the integration between chassis and engine was very strong.
"That has been diluted during 2014 and '15 and then stopped totally when they had their own team in '16."
Carlos Sainz Jr, Renault Sport F1 Team R.S. 18 and Pierre Gasly, Scuderia Toro Rosso STR13
Photo by: Mark Sutton / Sutton Images
Toro Rosso believes that Honda's newly upgraded engine is already more powerful than Renault's current engine.
Asked what that meant for Red Bull's prospects in 2019, Horner said: "Month by month they are getting stronger and stronger, and the engines that they are bringing to the circuit now are getting closer and closer to the front of the field.
"There is still obviously some way to go, but it is really encouraging to see the progress and commitment that is coming out of Japan, and that hopefully will benefit us going into 2019.
"There is still a long way to go, but it has put a real energy into the whole factory in Milton Keynes and there is a real sense of optimism around the whole team."
Horner believes if Honda can help bridge the power deficit that Red Bull currently has to Mercedes and Ferrari, the team can make up the remaining difference through its chassis.
"We've got a reset on regulations and some teams will get it right and some teams will get it wrong," said Horner about 2019 chances. "We hope we are in the earlier part of that sentence.
"Our Achilles heel for the last five years has been power differential and, if we can start to really close that gap down to the Ferrari and Mercedes ahead, then we have the strength in depth as a team to take the fight to them."
F1 drivers want cameras and screens to replace mirrors
Live: Follow Mexican GP practice as it happens
Teams Red Bull Racing Shop Now
Author Jonathan Noble


Upcoming Nigerian artist, Official Bad Boy JP has taken to social media to call out popular musician Ibrahim Ayodeji Balogun known as Wizkid and singer, Teniola Apata AKA Teni for allegedly stealing a yet to be released song which belongs to him.
Wizkid had on Wednesday, March 20, 2019 played his latest collaboration with singer, Teni titled "Pansa" on his Instagram Live video.
In reaction to Wizkid's Instagram story, Official Bad Boy JP took to his Instagram page to share a snippet of his own song.
He wrote: "Pls people one of my favorite music idol @wizkidayo & the talented @tenientertainer are about to release a song that I cracked my head & put in massive work in the studio to creatively compose with my then producer @northboitheoracle who was hired and paid fully by my label @ubrecordsltd as our in house producer.
"This song in question is one of the many songs that our then in house producer @northboitheoracle produced for me and yet he went contrary to his agreement with my label to send both the beat and my vocals to @wizkidayo which inspired our superstar to collaborate with @tenientertainer and is even about to drop the song, which I plan to release after my next single featuring Wande Coal which is about to drop next week.


The W3C Music Notation Community Group met in the Logos/Genius rooms (Hall 9.1) at Messe Frankfurt during the 2017 Musikmesse trade show, on Friday 7 April 2016 between 2.30pm and 4.30pm.
The meeting was chaired by CG co-chairs Joe Berkovitz, Michael Good, and Daniel Spreadbury, and was attended by about 40 members of the CG. A complete list of the attendees can be found at the end of this report, and the slides presented can be found here.
The audio files are available at https://soundcloud.com/musescore/sets/musicxml-meeting-musikmesse-2017.
Daniel Spreadbury (Steinberg, CG co-chair) presented a SMuFL 1.2 update. 33 of 42 issues are already fixed. The largest remaining issues implementation of Kahnotation and Spatialization Symbolic Music Notation (SSMN).
Michael Good (MakeMusic, CG co-chair) presented a MusicXML 3.1 update. 60 of 68 issues are already addressed. This is the last chance for a while to include anything not currently in scope, because after this most efforts will be focused on MNX. SMuFL 1.2 and MusicXML 3.1 should be released at the same time.
SMuFL coverage is one of the main goals in MusicXML 3.1. SMuFL glyphs can now be represented in MusicXML either using new elements, new entries in existing enumerations used by existing elements, or a means of specifying a glyph for an existing element using the new smufl attribute.
MusicXML 3.1 is adding a unique ID attribute to around 40 elements (e.g. measures, notes, directions, etc.) to allow unique identification of specific elements.
Musical symbols embedded in text can now be represented more cleanly using the new symbol and credit-symbol elements. These use SMuFL canonical glyph names as their values. You can't use them by themselves: they must be used within a sequence of words or credit-words elements.
Grace cue notes can now be specified in MusicXML 3.1. This was a limitation of MuseData previously carried over to MusicXML.
You can now have ties in metronome marks. You can specify height and width values for embedded images. The new time-only attribute for lyrics allows you to specify which lyric is used on which pass through the music in repeats. The tied element can now have a let-ring type instead of requiring separate tied elements with start and stop types as used before. You can now use non-unique numbers for bar numbers to be displayed, which is helpful for scores that include multiple works.
Remaining work includes decisions on media types, UTIs for macOS and iOS, and media/MIME types. Michael asked if there were any objections to making this constellation of changes. Reinhold Hoffmann (Notation Software) asked if there were any real additional value in changing the recommended file extension for uncompressed MusicXML files, since it could cause some user confusion. Mogens Lundholm suggested that we should use .musicxml since there is no reason to stick to three character suffixes either. The meeting reached consensus that we should make these changes, and a preference for .musicxml as the recommended file extension. Michael will update the GitHub issues after the meeting.
A consideration of some things not currently in scope then followed. Is it OK to leave the remaining glyphs in the SMuFL ranges for plucked, string, and wind techniques as being only indirectly represented in MusicXML and instead leave them in the other-technical element using the smufl attribute? Some remaining documentation issues are due to lack of clarity in the MusicXML specification which have caused implementations to differ, and Michael doesn't want to make changes to the documentation that will make existing applications wrong.
Michael is looking for implementations other than Finale and the Dolet for Finale/Sibelius plug-ins. James Sutton raised his hand as being likely to want to implement it soon. Gustaf, Soundslice, and Komp will all try to be among the initial implementations.
Reinhold asked whether it would make sense to participate only on the import side rather than also on the export side. Reinhold would want files from other applications to verify the import. He will discuss the schedule and see if this is possible.
Joe Berkovitz (Hal Leonard / Noteflight, CG co-chair) presented the current state of the MNX proposal. The current state of the proposal is a rough draft with a lot of gaps. It's not a spec as it's not rigorous enough, but the idea was to get something out to the community as quickly as possible.
There is a trade-off between three desirable qualities: semantics, interoperability, and generality. You can only have two of the three. A lot of the current discussion is around the ability to encode more music. Rich semantics and large vocabulary means an enormous spec and therefore a big implementation surface, which means a lot fewer implementations. A lot of generality and operability means worse semantics, instead using a general way of describing your subject matter, where you try not to model so much and let things speak for themselves. MusicXML occupies the middle ground between generality and interoperability, but MNX is going to allow a sense of compliance that can be clearly stated, which means a much tighter specification to prioritise interoperability.
The roadmap therefore looks like this: now, we're looking at a way of encoding idiomatic Common Western Music Notation (CWMN), in the ballpark of what you see in works between 1600 and 1900. This does leave out many works, but it is intended to roughly as expressive but more interoperable than MusicXML.
As a corollary to this, we also need to take on the responsibility of developing a more general approach that would allow (more or less) any graphical approach to music that has time as an element of it. This will probably necessitate the graphics having to speak for themselves. We don't yet have any recommendations on this: we should study some of the precedents (e.g. SMIL – Synchronized Multimedia Integration Language).
What about the middle ground? Scores that use many aspects of CWMN but which go outside of the conventions: we could call these "CWMN-inspired". Ligeti is one example, but you could go a long way beyond Ligeti to include things that include invented notations alongside CWMN. Should we try and shoehorn this into the same structure we use for idiomatic CWMN, or should we instead move it towards the more general effort? The chairs think it has to go the second way, in order to protect interoperability and avoid having to build out the semantics further and further.
Dominik Hörnel asked about music that doesn't fit cleanly into these two approaches, e.g. other music written before 1600 that isn't specifically CWMN. Joe suggested that we might want to develop other profiles that draw upon some of the concepts we use in CWMN where appropriate. For dialects that have a shared understanding in the world, we can have idiomatic representations within the MNX family. Michael said that, when feasible, we could share the commonalities between different repertoires and allow the differences to be different.
Mogens Lundholm asked what are examples of things outside CWMN? Joe and Michael suggested Berio, Cage, aleatoric music where the performer has great freedom to play or not play various notes, etc.
Alexander Plötz asked whether we have a hard definition for idiomatic CWMN: can we describe what the boundaries are? We are going to have to decide what they are. We seek consensus but in the end we might not get there on everything.
Alexander also asked whether it would be appropriate to tackle the more general or more obscure notations, e.g. the Okinawan notation, now rather than later? Joe thinks that these might be good test cases for the MNX(graphics+time).
James Ingram said that it's a mistake to think that CWMN has stopped developing: there are more general forms of CWMN that could be accommodated. James said that all symbols in music notation have "event symbols" which have meaning and a temporal element. CWMN has well-formed and efficient event symbols that we should build on rather than stating that evolution has come to an end.
Joe said that some time from now we will be able to identify the shared understandings that have emerged from the latter-day developments of western music, and address them with encodings that convey their spirit and meaning, but it's the shared understanding that we don't yet have in order to fulfil that goal. James responded that CWMN has been developed over hundreds of years to become very efficient and legible, and it would be a mistake to think that we need to forget this tradition and develop something else. As a composer it seems stupid that you can only put symbols in particular places: why not put them between them? James would prefer to generalise rather than to constrain.
Alexander asked whether MNX(graphics+time) should have a timeline with goals? Joe responded that we plan to include a rough timetable in the roadmap. Alexander said he would be more reassured if there were a timetable.
Alexander said that we are focused on interoperability: but who settled that? Michael replied that it's in the charter of the W3C Music Notation Community Group. MEI is not as focused on interoperability, for example, as MNX is.
Hans Vereyken (neoScores) said that it's very important to focus on as narrow a focus as possible. When you think about how it's going to be adopted, narrowness is important in order to speed adoption. We won't catch everything, but if the focus is there, we can develop more profiles. If we start too broad then we can't get implementations.
Johannes Kepper (MEI) seconded this appeal to focus on a core subset, then only add things when there is a consensus from a larger group. Only when there is substantial need should you include it later. Johannes says that this is a learning from the development of MEI. Laurent Pugin (RISM) added that it would be a good idea to look at the other modules in MEI as a means of adding things to MNX: don't make a new niche from an existing niche.
Christof Schardt (Columbus Soft) commented from the viewpoint of the implementer. Software exists because we accept limits. In order to make MNX a success, we have to agree on the constraints. Supporting idiomatic CWMN is enough. In the discussion group, some of our voices are slowing down the process. Expressed trust in the chairs and the ability to set the limits.
Alon Shacham (Compoze) said the group's responsibility is to minimize the number of symbols, to make constraints.
Adrian Holovaty (Soundslice) suggested that since our focus is on interoperability, should we perhaps survey (say) the capabilities of the 30 top scoring programs to find the boundaries of what interoperability really means in a more scientific way?
Shifting to interoperability, why are we doing another format for CWMN? How do we achieve interoperability? Profiles and content types are mechanisms to prevent application developers from having to do everything: even within CWMN there will need to be a core profile that will exclude some more esoteric features.
We haven't yet talked much about the MNX rendering model, but we need something that will help us to specify whether a rendering is conformant. L. Peter Deutsch and Christof Schardt have brought this up many times over the years. We need to allow enough wiggle room for applications to do what they think is right but hopefully we can arrive at something that allows us to specify what the baseline is.
Joe said that CSS is one of the hot button aspects of the spec. You could do MNX without CSS, but it's the chairs' view that it would be more painful without it. CSS is not there because CSS is a "webby" technology, though of course it is. It's there because it's a rule-based approach to styling in a way that is orthogonal to the structure of the mark-up language itself. Because it's orthogonal it's easy to ignore if need be. Also consider the use of CSS for the performance information: CSS can replace various sound-related elements in MusicXML. It could even inject specific MIDI-like interpretations that override the semantic representation.
The CSS selector/rule system may not capture the way that appearance of items are defined in scorewriter software. So maybe we should step away from it, at least from the point of view of exchange.
Matt Briggs (Semitone) said that as a C++ programmer, he is not very familiar with CSS. It could be written in XML elements rather than as a CSS string. Ad hoc styles look like "stringly-typed data". If interoperability is a goal, then "easy to ignore" should not be a selling point. How do you constrain CSS content? It's basically a list of properties that each element can have. Can we generate code from CSS like we can from XML schemas? Joe will follow up.
James Sutton asked about temperament. Michael replied that MusicXML does not support temperament directly: it does it by allowing you to specify precise MIDI pitches for each part. Could it be handled as part of the performance rules via CSS? James thinks it should be defined in an intrinsic manner for the pitch of each note.
James Ingram commented that the CSS could go into the SVG produced by the scoring application.
Christof expressed support for CSS because it can be applied to a standard set of data in lots of ways, e.g. to change the appearance of an existing score, in a powerful way. Producing variations of a single score is a key use case and using CSS makes that possible.
Joe realizes that the compact syntaxes in MNX could be controversial given that MusicXML has a very fine-grained element approach. For cursors and positioning, there are many possibilities for positioning directions in arbitrary places and we will need to decide.
Christof said we should avoid events having positions. He likes the fact that sequences don't have positions, and thinks we should restrict positions to only non-event items. Offset vs. position: Christof thinks that offsets are semantically stronger than positions.
Michael agreed with Christof and mentioned that ticks can provide a high-resolution offset that is simpler than MusicXML's divisions concepts. Daniel said he could not disagree more with what Christof and Michael have both said. Joe said that we will need to discuss this issue on the list; as you can see even the co-chairs disagree on this point.
Alexander proposed nesting sequences within an event to allow the positioning of non-note events within a longer note event.
Matt said that it could all be done without cursors. Events could be listed in sequential order, but with their position in time specified. Johannes says that this is how MEI also works, via "control events".
Joe said our next steps are to apply course corrections based on this discussion, provide more MNX examples, and create and approve a roadmap document. After this we need to establish "beachhead" specifications for MNX(cwmn) elements and style properties, and begin reference implementation. We will continue open design discussion of MNX(graphics+time) in the background.
Joe said it should be possible to associate regions with arbitrary graphics with a progression of time, coupled with audio resources such as MP4 and MIDI data. In one set of applications, a semantic format could be converted into a graphics/audio format: compiling a score in a way that could be rendered by simple applications, with the graphics markup tracing back to the semantic data.
James Ingram discussed the Fauré "Après un reve" MNX example. The system element could represent tempo by specifying that the bar is 3000ms long, because 3/4 * 60 beats per minute, means that each bar is 3 seconds long. Instead of specifying durations in terms of length in quarter notes, instead specify duration in milliseconds so that it's 1000ms. Could specify the duration as e.g. 980ms or add an additional event that is a grace note. The bar doesn't have to add up in terms of CWMN, it just has to add up in time. Could have 5 quarter notes in there, even with different lengths, provided they add up to 3000ms. Tuplets are like beams: if a tuplet lasts for 2 eighths, it lasts for 1000ms, so you can add up the elements inside the tuplet with any values provided they add up to 1000ms. It's useful to make them look like how they do in CWMN because they're easier to read, but they could use any other symbols. So far this has been about metronomic time, but with recordings measures are at all different lengths, so this can be adjusted.
James Sutton commented that you're basically throwing away all the higher order information in order to make something that looks like MIDI.
Christof asked about the score container mechanism. We expect that applications will not accept every content type. MusicXML doesn't provide a means of handling collections of music. The opus document type is not implemented by anybody. So multi-movement works of the same type, and different pieces of different types, can also be handled within the same container.
The meeting then moved on to a reception sponsored by Steinberg. Thanks to Daniel Spreadbury for arranging the sponsorship and taking the meeting minutes.


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https://lebronwire.usatoday.com/2020/03/05/alex-caruso-and-anthony-davis-probable-to-play-friday-vs-bucks/
Alex Caruso and Anthony Davis probable to play Friday vs. Bucks
The Los Angeles Lakers have a huge showdown tomorrow night against the league-leading Milwaukee Bucks, as the two teams will meet for the second and final time in the regular season. And the Lakers will be full-strength when they take on the reigning MVP Giannis Antetokounmpo and the Milwaukee Bucks.
After missing the last two games, Lakers guard Alex Caruso is listed as probable for Friday's highly anticipated showdown while Anthony Davis, who made his return to the lineup on Tuesday, is also considered probable to play, according to Mark Medina of USA TODAY. Caruso has started to find more minutes for himself and become a more important part of the Lakers team since the last meeting between the two teams back in December.
In addition to having Caruso and Davis, the Lakers will also have Kyle Kuzma in this match-up. Kuzma missed the last game against Milwaukee, a 111-104 Bucks win. Milwaukee's Eric Bledsoe, who also missed the last game, is expected to play on Friday as well. So both sides should be at full strength for Friday's highly-anticipated game.
Giannis says LeBron paved the way for next generation of NBA stars
Former Lakers guard Troy Daniels agrees to join Denver Nuggets


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Home » Investing » Canadian Investors: Earn Over $400/Month With These 3 Cheap Dividend Stocks
Canadian Investors: Earn Over $400/Month With These 3 Cheap Dividend Stocks
Given their stable cash flows, excellent track record, and high dividend yield, these three dividend stocks could boost your passive income.
Posted by Rajiv Nanjapla Published December 15, 2021 EST
| More on: ENBPBAENBKEYPPL
Amid rising Omicron infections worldwide, it is better to supplement yourself with passive income. Investing in high-yielding dividend stocks is one of the cheaper and convenient ways to earn passive income. The following three cheap Canadian stocks currently pay dividends at a healthier yield of over 6.5%. So, if you invest the entire permitted amount of $76,500 in these three Canadian stocks through your TFSA account, you can earn a tax-free passive income of over $400 per month.
Enbridge
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Last week, Enbridge's management provided the guidance for the next year, with its adjusted EBITDA and DCF per share expected to grow by 9% and 10%, respectively. Meanwhile, the company also raised its monthly dividend by 3% to $0.86 per share, marking the 27th-year of a consecutive dividend hike. Its forward yield currently stands at an impressive 7.16%. Given its predictable cash flows due to highly-regulated business, planned investment in secured growth projects and a healthy liquidity position of $10 billion, I believe its dividends are safe.
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Meanwhile, Pembina Pipeline's growth prospects look healthy, with around $5 billion of current or potential projects. The company's management expects its adjusted EBITDA to come in the range of $3.35 – $3.55 billion compared to $3.3 – $3.4 billion in 2021. With its healthy liquidity of $2 billion and a payout ratio of 61%, the company could continue paying dividends at a healthier yield.
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Keyera
Keyera (TSX:KEY), an energy infrastructure company, has lost over 22% of its stock value from its June highs. Income-seeking investors should utilize the correction to accumulate the stock given its healthy growth prospects and attractive dividends. Currently, the company earns around 70% of its cash flows from fee-for-service and take-or-pay contracts, thus providing stability to its cash flows. Supported by these stable cash flows, the company has raised its dividends at a CAGR of 7% since 2008. Its forward yield currently stands at a juicy 6.94%.
Meanwhile, in July, Keyera started its Wildhorse crude oil storage and blending terminal, adding 4.5 million barrels of storage capacity. It is also building a KAPS pipeline project, which could become operational in early 2023. These investments could boost its financials in the coming years. With liquidity of $1.4 billion and minimal debt maturities over the next five years, the company is well-equipped to fund its growth initiatives and pay dividends.
The Motley Fool recommends Enbridge, KEYERA CORP, and PEMBINA PIPELINE CORPORATION. Fool contributor Rajiv Nanjapla has no position in any of the stocks mentioned.
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Rhea is designed to be minimal and less cluttered but still offers quite a bit of customization to make the interface more usable. There are no application specific settings such as UI panel colors etc.. available as of writing this article but we expect such settings to be available as the software is evolves over time. But Rhea offers customization of lot of fields specific to the attached devices.
Each connected device has an associated Device Information panel. This panel can be viewed by simply clicking on the device name in the device tree on the left. Device information panel displays all relevant information about the selected device such as name, IP/Port etc.. This panel also allows the user to edit several of the fields as well. One of the most useful fields is the device name field. This field allows the user to change the device name to something that makes more sense in the specific context. For example, naming a relay module used for controlling lighting "Floor Lighting Controller" makes more sens that simply leaving the name "8 Channel USB Relay Module". This is especially helpful when there are several devices connected to the same PC and is being controlled by Rhea.
Editable fields will have a pencil icon next to them. The field can be edited by clicking the pencil icon. After making changes, click the save icon or press ENTER key to save the changes.
For USB devices the port information is customizable. For Ethernet and WiFi devices, IP address is customizable. User ID can be changed only if connection to the device is active. This is because User ID is stored in the device itself and will require sending a command in the background to the device in order to update the device ID.
To add relays and customize them, connect a device that has relays and navigate to the "RELAY" sub item under the device in the device tree. This will display the Relay Control page. The title of this page can be customized to suit the purpose as shown in the video below. Add relays by clicking the add button on the page. Any number of relays can be selected on the object selection dialog box to add. After adding the relays, each relay can be renamed by clicking the pencil icon on the row corresponding to the relay. Click the save icon to save the name.
Rhea has separate pages for GPOs (General Purpose Output) and GPIs (General Purpose Input). It is important to note that the GPIOs available on devices has both GPI and GPO functionality on same physical pins/contacts. But on Rhea, GPOs and GPIs are presented on separate pages for ease of management. To add GPI/GPO simply visit the corresponding page, click add button and select the required GPIOs in the object selection window. Please note that since individual GPIO pin/contact GPI and GPO functionality, GPIOs corresponding to any GPI added to the GPI page will not be available on GPO page and vice versa. The page titles and individual GPI/GPO names can be edited by clicking corresponding pencil icons.
GPOs can be controlled by clicking the buttons on individual rows on the GPO page. Status of GPIs will be displayed on GPI page with different colors on buttons on individual rows. Clicking the buttons on GPI rows has no effect.
You might have already guessed by now how this is done! That is right, just add the analog inputs to the ADC Status page and rename them as necessary. The values corresponding to the voltages present on analog inputs will be displayed on corresponding rows. Since Analog Inputs are shared with GPIO pins, any GPIO pin used in GPI or GPO page cannot be used here. Analog inputs corresponding to those used pins will not be visible in the list of available analog inputs.
Hi! Please send a mail regarding this behaviour to [email protected]. We will try to figure out the issue.
I'm not test other model only test with 32 ch.


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Tricholomataceae es una familia de hongos Agaricales. Los elementos identificadores de las especies del grupo según esquemas sistemáticos antiguos, grupo constituido como «cajón de sastre», eran la posesión de esporas blancas, amarillas o rosadas y la pertenencia a géneros de Agaricales no incluidos en las familias Amanitaceae, Lepiotaceae, Hygrophoraceae, Pluteaceae, o Entolomataceae. Arnolds (1986) y Bas (1990) incluyeron en su clasificación a los géneros de Hygrophoraceae en la familia; no obstante, los taxónomos actuales no aceptan dicha clasificación.

Géneros

La familia agrupa a 78 géneros entre los que están Tricholoma (el género tipo), Clitocybe,  Pleurotus, Armillaria, Mycena, o Marasmius.

Filogenia

Los análisis de filogenia molecular determinaron un grupo monofilético de Tricholomataceae. Más aún, mediante cladística es posible definirlo aún con más precisión que mediante sistemática puramente linneana. No obstante, dichos análisis han permitido segregar pequeñas familias más lejanamente emparentadas del taxón, como Marasmiaceae, Omphalotaceae, Physalacriaceae y Pleurotaceae.

Nomenclatura

El género Tricholoma da lugar al nombre del grupo, definido como el de hongos semejantes a aquel y con un origen monofilético. El International Botanical Congress, en 1988 y 2006, ha determinado que el nombre de la familia se conserve por tradición frente a las alternativas propuestas McNeill, et al. 2006) . Dicha decisión, no obstante, no invalida la segregación de las nuevas familias antes descritas; simplemente, permite el uso del nombre Tricholomataceae para hacer referencia a ellas.

Referencias

Citadas en el texto

Referencias generales
 Alexopolous CJ, et al. (2004). Introductory Mycology (4th ed.) Hoboken NJ: John Wiley and Sons.  ISBN 0-471-52229-5
 Arnolds Eef. (1986)
 Kuo M. (2004). The Tricholomataceae. MushroomExpert.Com (website).

Enlaces externos

Plantas descritas por R.Heim

redpajama_set_name: RedPajamaWikipedia


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Reaction to spider bite sends Stuy Town man to hospital
Roommates and friends Mohammed Tavakoli (left) and Andrew Garber (Photo courtesy of Mohammed Tavakoli)
For Mohammed Tavakoli, a Stuyvesant Town resident and law student, last Wednesday evening started out as a typical weeknight. The 24-year-old was at home with his two roommates, who are also his friends and fellow students at New York Law School, and had been watching a movie. At one point, the roommates headed outside for a smoke, Tavakoli joined them and then they went back inside.
About a half hour later, Tavakoli started to break out in hives. At first no one noticed, even him, since it was dark in the room. But then Tavakoli started to feel short of breath, and figured he would just go to bed. His roommate, Andrew Garber, was more concerned, thinking the symptoms pointed to an allergic reaction, and he suggested that Tavakoli go to the hospital. But he refused.
"I hate hospitals," Tavakoli admitted in an interview with Town & Village this week, "and I'm stubborn. He was persistent, but I didn't want to do it."
Instead, Tavakoli figured he would just take some Benadryl. But in just 15 minutes, which is the time it took for Garber to return from the store with the medicine, Tavakoli had taken a turn for the worse. His airway was blocked. Garber "wanted to call me an ambulance, but I didn't want one," said Tavakoli, who insisted on walking to the hospital himself. "It's across the street."
He quickly changed his mind once they got outside, though, since the men spotted a cab dropping someone off in Stuy Town and hailed it. At this point, "I was about to black out," said Tavakoli. "I was gasping for air." The next things that happened were a blur. Within seconds, Garber had asked the driver to pull over.
Then, he warned Tavakoli he'd be feeling a punch and jammed an EpiPen into his friend's thigh. Garber happened to have the pen because of his own severe allergy to nuts and he suspected Tavakoli might need it, too.
This was fortunate since it likely helped save his friend's life. Tavakoli recalled that though he started to black out, a few seconds after being shot with the pen, he felt fine again.
Still, a few minutes later he was being admitted to Beth Israel hospital, and this time he didn't try to refuse medical attention. It was at Beth Israel, where doctors gave Tavakoli anti-venom and kept him at the hospital overnight for observation.
"The doctors said that if I hadn't received the EpiPen when I did, my life could have been in serious danger," said Tavakoli.
They also explained to him that he'd gone into anaphylactic shock, which was the result of being bitten four times on the arm by a spider. With the hives that had appeared earlier having gone down, Tavakoli was able to see that the spider's fangs had left marks that looked like large mosquito bites. No one at the hospital could tell Tavakoli exactly what kind of spider it was, other that it was a big one.
"Never in a million years did I think I'd get bitten by a spider," said Tavakoli who suspected it happened outside his building. "We've ever noticed any spiders inside."
Not having previous known he was allergic to spider bites, he was naturally grateful for Garber's knowledge of allergy symptoms and how to treat them in an emergency.
"It's unfortunate," said Tavakoli, "but he can never eat a cupcake without fear there could be a trace of nut in it. We ended up joking about it, like, 'Who knew your allergies would come in handy some day?'"
Though the experience left Tavakoli somewhat shaken up, he said he's doing fine today. He contacted T&V, he explained, to make sure his friend gets some recognition for his actions.
"So far, the only recognition Andrew has received for his quick thinking is a few pitchers of cheap beer and a Batman cupcake," said Tavakoli.
Mohammed Tavakoli, Andrew Garber and Danilo Castelli at a recent event at the 69th Regiment Armory that Tavakoli and friends were hosting
But odds are Garber is aware of Tavakoli's gratitude. The men, along with being roommates, are best friends, despite their religious differences. Tavakoli is Muslim and Garber is Jewish. Additionally, their other roommate, Danilo Castelli, who is also a good friend, is Catholic.
Not shy about poking fun at their different faiths, the invitation on their housewarming party read like the opening line to a joke. "What happens when a Jew, a Muslim and a Catholic get together?"
As for how they deal with the prickly subject of Middle Eastern politics and the current Israeli incursion in Gaza, Tavakoli admitted he and Garber generally just try not to bring it up. Instead, the three roommates often spend their free time cooking dinner in their apartment, listening to oldies in their extensive record collection or playing Area 51, a 90s-era arcade game they also have at home.
"We're a bunch of grown men, so it's a little sad, but we shoot aliens together," said Tavakoli.
Other times, they just make the most of living in Stuy Town.
"There are squirrels and chipmunks," said Tavakoli. "We have friends who are a few apartments over so we have each other over. We really love it."
Tavakoli, a native of Toronto, Canada, met Castelli, 25, and Garber, 24, at New York Law. The third year students moved to the community two months ago, after previously living in a dorm and now live in a converted three-bedroom apartment.
Posted in Hospitals, This week in history
Tagged Mount Sinai Beth Israel, spiders, Stuyvesant Town
Gramercy food tasting festival to return
Paella is served at the Casa Mono table at the 2013 Taste of Gramercy event. (Photos by Sabina Mollot)
Taste of Gramercy Neighborhood, a food festival and fundraiser that debuted last year by the Gramercy Neighborhood Associates (GNA), will soon return for a second helping on Irving Place.
The event, which was attended by over 400 people last year and had 20 restaurants participating, will be held this year on Saturday, September 13 from 11 a.m.-3 p.m. This time, there are 22 restaurants that will be offering tastings of their signature dishes, including the new Indian restaurant A Spice Lane and Almayass, a Lebanese restaurant. Also involved for the first time is Farm to Me, an organization that distributes farm products to retailers and consumers. The name, too, is new. Originally, the event was just called Taste of Gramercy.
Like last year, Taste will take up one block, Irving Place between 17th and 18th Streets. How much the event costs depends on how much attendees want to eat. A $30 ticket will buy tastings from six booths. (This is the early bird price through August, though. Tickets go up to $40 in September and $50 on the day of. An $80 ticket on the day of the event entitles an attendee to have a tasting from every restaurant. Proceeds from the event will then go towards expanding the healthy lunch options at two neighborhood schools: PS40 and School of the Future. Any unserved food will be brought to the Bowery Mission.
Alan Krevis, president of the GNA, said he's hoping that the event will appeal to foodies around the city as well as people living within walking distance. "I think there are already more than just local people," he said. "What we saw a lot of last year, because it was such a beautiful day, people would just happen to walk by and say, 'This looks great.' They were primarily neighborhood people, but we also saw a lot of people staying at the W."
Gramercy Neighborhood Associates volunteers at last year's event including Gary Horowitz, GNA President Alan Krevis and Antonella Napolitano
The tasting menus have not yet been decided on by the participants, but last year popular dishes included the meatballs, gnocci and eggplant rollatini from Paul & Jimmy's, tuna tartare cannoli from The Stand and shrimp paella from Casa Mono, all of whom are returning in September. A few other participants are Ichabod's, Giorgio's of Gramercy, Ainsworth Park, Jack's Sliders and Sushi and ExKI NYC. Water will be provided by sponsors Watermelon Water, Fogo and Trader Joe's and coffee will flow at the 71 Irving stand.
What there won't be are alcoholic beverages, with GNA board member Ellaine Day explaining the permits were just too difficult to get.
"That's a nightmare of permits," she said. "It's very expensive to sell alcohol."
"We don't want to grow too fast," Krevis added. "That's why we stayed at the one street level, because we want to keep a handle on it."
Meanwhile, Taste of Gramercy Neighborhood almost didn't happen at all. Last year, when a GNA board member first suggested the idea to Krevis, he initially shrugged it off, thinking it would be way too big for a small organization like his to handle. "Honestly, it is a lot of hours for us to put in," he said, "so we're just focused on this event right now."
As a result, another fall event the GNA is known for putting on each year, the Canine Comedy Parade, has been put on hiatus. "It needed a rest," said Krevis. Instead, the GNA will be organizing an event with Baruch High School and College in October.
For tickets to Taste of Gramercy Neighborhood, visit gnaonline.org.
Posted in Entertainment, Events, Gramercy Park
Tagged 71 Irving, A Spice Lane, Ainsworth Park, Almayass, Casa Mono, ExKi NYC, Farm to Me, Giorgio's of Gramercy, Gramercy Neighborhood Associates, Ichabod's, Irving Place, Jack's Sliders and Sushi, Paul & Jimmy's, restaurants, Taste of Gramercy, Taste of Gramercy Neighborhood, Trader Joe's, W Hotel


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Heritage Insight: Derbyshire's South African connection
Throughout the year, Derbyshire supporters have been sending in their memories and questions. Here, Wouter Swart, from Cape Town, who wrote; "Since the days of Peter Kirsten and Eddie Barlow I have been a fan of Derbyshire, following their results. I was a club player in my day and played for Malmesbury Cricket Club which used to be a Premier League side in the Boland Province. Three players with Derbyshire connections played for Malmesbury in my time, i.e., Eddie Barlow, Kim Barnett, and Iain Anderson.
Heritage Officer, David Griffin, replies;
Derbyshire's South African connection began in 1911 when Eric Murray played three games for the county as an 18 year-old. He captained Repton School's First XI the following year, but never played for Derbyshire again.
Murray was the first of 28 South African-born cricketers to play for Derbyshire although it was to be a further 59 years before anyone born in South Africa would play for Derbyshire, when Chris Wilkins, an occasional wicket-keeper, a useful one-day bowler, and a regular striker of a cricket ball, arrived in Derbyshire during the club's centenary season of 1970.
Wilkins scored nine centuries and 27 fifties during his three-year stint as Derbyshire's first formal overseas player, the county having decided against an overseas recruit during the first two seasons when such signings were permitted.
Wilkins was relatively unknown compared to players like Sobers and Procter, but supporters weren't disappointed with the club's choice. Wilkins was always eager to dominate, was immensely powerful and added a touch of glamour to the batting line-up, which was not the strongest in the county's history. He excelled in both forms of the game, and one suspects that he would have been a star in Twenty20 cricket.
Derbyshire opted for the Indian off-spinner Srinivas Venkatraghavan and then West Indian batsman Lawrence Rowe over the next three seasons, but then it was to South Africa that Derbyshire turned once more when, in the winter of 1975, it was announced that Eddie Barlow was joining the club on a three-year contract beginning in 1976.
At the time, it was reputed that Garry Sobers was being paid £5,000 for a summer at Trent Bridge, and that he was the highest-paid cricketer in the country. Derbyshire, with an ebullient new Chairman in George Hughes, guided by Charlie Elliott, a 1936 County Championship winner, offered Barlow £10,000.
The cricket world was staggered by this audacious move, although Hughes, addressing the 1976 Annual General Meeting in The Grandstand Hotel said; "…these gentlemen (pointing at Elliott and committee colleagues on the front row), have assured me that Barlow will make up ten places in the championship…"
Derbyshire were truly in the doldrums, but Barlow arrived and brought about a change in both attitude and fortunes, never seen before or since in Derbyshire. He did take the team from bottom to seventh in the championship – making good on Elliott's promise – and a Lord's final in the Benson and Hedges Cup.
He scored a remarkable 217 against Surrey at Ilkeston in 1976, including 138 runs off his own bat between lunch and tea. He also took 111 wickets at an average of just 16 in three seasons of one-day cricket, but it was his inspired leadership which is still fondly remembered today by anyone who saw or met this great cricketer.
In more simple terms, Eddie Barlow made Derbyshire – players, staff, supporters – believe that anything was possible.
Whilst at Derbyshire, Barlow recruited another South African, the diminutive, and inexperienced, Peter Kirsten.
Over the course of five seasons, Kirsten would demolish bowling attacks in both first class and one-day cricket, scoring a county record six double centuries, five of which were unbeaten. It was arguably only the ludicrous first innings limitation of 100 overs which prevented Kirsten from becoming the first Derbyshire batsman to score a triple hundred.
His greatest season was in 1982, when he scored eight centuries in the county championship (another county record which still stands), while New Zealander John Wright scored seventh. At times, in 1982, it seemed as if they were the only two players batting for Derbyshire, such was their dominance.
The next South African to make a significant impact was Adrian Kuiper, who was described by the then-Derbyshire Chairman at that years' AGM as; "…the South African Botham…", and from the opening game of the Refuge Assurance Sunday League against Sussex at Hove in 1990, he set about living up to the reputation.
Derbyshire needed ten an over from the last seven overs – difficult even by modern standards, but almost impossible nearly 30 years ago. However, Kuiper and a noticeably young Chris Adams smashed the ball to all parts of the ground to bring about an unlikely victory.
Over the course of that campaign, Kuiper produced several other match-winning knocks, amassing 775 one day runs at an average of 43, including a nerveless pull for 6 out of the ground at Taunton when one run was needed from the final ball of the match.
Whilst the 1990 triumph was undoubtedly a team effort, Kuiper was the clear catalyst for the success. He was immensely strong and capable of clearing any boundary with what seemed the minimum of effort.
Daryl Cullinan stepped into the overseas berth in 1995, replacing Mohammad Azharuddin. He was unflappable at the crease and scored five first-class hundreds and a further one in one-day cricket. The best tribute that can be paid to Cullinan, is that when he scored a quite brilliant 134 against Sussex at Derby on his debut, he drew comparisons to Kirsten, such was the brilliance of his stroke-play.
As the 21st century dawned, Derbyshire turned to Australia for overseas players, but retained an interest in signing players from South Africa, either as Kolpak-registered, or on a qualifying basis, while some South African-born players were eligible to play in England without any qualifying period.
Chris Bassano produced a debut performance unmatched in county championship cricket, scoring a hundred in each innings against Gloucestershire at Derby in 2001.
Bassano played at Derbyshire for five seasons, becoming a highly effective one day batsman, scoring four List A hundreds in 2003.
Ant Botha scored masses of runs and took plenty of wickets whilst qualifying in league cricket in Derbyshire before making his debut for the county in 2004. A left-handed middle-order batsman and slow-left arm bowler, Botha could be highly effective in all forms of the game, scoring over 3,000 runs and taking almost 250 wickets.
Greg Smith first played for Derbyshire in 2006 and was a very stylish middle-order batsman and a useful bowler of both seam and, latterly, off-spin, too. His explosive hundred against Yorkshire at Headingley in 2008 was Derbyshire's first in Twenty20 cricket and is still one of only three for Derbyshire in that format.
Charl Langeveldt had two spells at the club, although his first was infinitely more profitable than the second, when he took 55 first-class wickets at an average of just over 22 in 2008.
Garry Park, although South African-born, had played all his competitive cricket in England and joined Derbyshire from Durham. He scored almost 3,000 runs for the county in all forms of the game, including 1,000 first class runs in 2009, averaging just over 42 with two hundreds and 8 fifties. He was also one of the finest fielders ever to play for Derbyshire; lightning fast across the ground and with a fast, low, accurate throw. He fielded for England as 12th man on several occasions, including, in 2008, against South Africa.
Tim Groenewald joined Derbyshire from Warwickshire and was a hugely instrumental figure in the 2012 County Championship Division Two winning side. He opened the bowling throughout that season alongside Tony Palladino, taking 42 wickets at an average of 25 and scoring crucial runs on several occasions.
All-rounder, Robin Peterson spent just one season at Derbyshire, in 2010, taking 51 wickets with his left arm spin, and scoring 484 runs batting in the lower middle order. A popular figure, a longer tenure might have reaped significant rewards in time, such was Derbyshire's need for a good quality spinner at the time.
Loots Bosman arrived as a specialist Twenty20 player with a reputation for aggressive batting and fast scoring and delivered at Headingley in just his second outing for the club, scoring 94 against Yorkshire in an innings which lasted just 49 minutes, facing 50 balls, and hitting six sixes. I can't recall a more brutal short innings played by a Derbyshire batsman.
Several South African-born players had short stints at the club, often, but not exclusively, as Twenty20 specialists, including Hashim Amla, James Bryant, Mornanteau 'Nantie' Hayward, Stephen Moore, Albie Morkel, Dominic Telo, and Stephen Jefferies.
In 1982, Jefferies played just a single match – against the touring Pakistan side at Chesterfield. Six years later, when Jefferies was playing for Hampshire, he destroyed Derbyshire's batting in the Benson and Hedges Cup Final at Lord's, taking 5-13 from ten overs.
In 2009, a young man arrived from South Africa keen to play county cricket following a stint in the Lancashire League, and after impressing in the Second XI, was handed a first team debut at Cheltenham in July of the same year. Wayne Madsen scored 170 not out in the Second innings, the highest debut score in Derbyshire's history, and began a run – largely unbroken – of consistent, heavy scoring in all forms of the game.
With 30 first class hundreds for Derbyshire, he sits third on the all-time list for the club, and broke records galore with the bat in the 2017 Nat West t20 Blast competition which saw Derbyshire reach the quarter finals for the first time since 2005.
Madsen captained the side when Derbyshire won the 2012 Division Two title and has now scored over 17,000 all formats runs. and he seems set to continue challenging the Derbyshire batting records in the years to come.
Daryn Smit and Hardus Viljoen both arrived in 2017, and in only his fourth first-class game for the county Viljoen recorded match figures of 15-170 in the win against Sussex at Hove. These are the fifth best match figures ever for Derbyshire, and the best since 1952, when Cliff Gladwin took 15-84 against Worcestershire at Amblecote.
Smit – signed ostensibly as a middle-order batsman – impressed observers with his fielding and wicket-keeping, as throughout the season he took a series of amazing catches both in the slips and with the gloves on.
Conor McKerr, on loan from Surrey, and in only his second-ever first-class match, took 10-141 in the match against Northamptonshire at Northampton, and at the start of 2018 Duanne Olivier arrived bringing with him an outstanding first class record. He took 31 wickets in only seven first class games but couldn't be tempted to return, opting instead to join Yorkshire.
A year later, Derbyshire followers got their first sighting of a diminutive left handed batsman in the form of Jacobus (Leus) du Plooy. It's still early days but most of his 1,760 all formats runs in 45 matches have been accumulated in real style, and he looks like a batsmen of high quality. His 130 against Nottinghamshire at Trent Bridge in August 2020 was outstanding and ranked comparison with the best of Kirsten.
The final South African – to date – to appear for Derbyshire was the left arm quick bowler, Michael Cohen. He made his debut for the county in 2020 and over the course of just seven matches so far has taken important wickets and bowled genuinely fast at times.
The full list of players born in South Africa and who have played (in chronological order) for Derbyshire is as follows;
Chris Wilkins
Eddie Barlow
Peter Kirsten
Stephen Jefferies
Adrian Kuiper
Daryll Cullinan
Chris Bassano
Ant Botha
James Bryant
Dominic Telo
Charl Langeveldt
Garry Park
Tim Groenewald
Mornanteau Hayward
Robin Peterson
Loots Bosman
Albie Morkel
Daryn Smit
Hardus Viljoen
Conor McKerr
Duanne Olivier
Jacobus du Plooy
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Bougainvillea Perfect Keys Getaway! This 3 bedroom 2 bath home is in a quiet neighborhood, located on Big Pine Key. Minutes from Pine Channel, spend the day in the boat fishing, lobstering or exploring the back country. Have dinner out on the porch then take a dip in the pool. This is the perfect home to spend your vacation in.


text:
è un brano musicale di Masami Okui scritto da Yabuki Toshiro e dalla stessa Okui, e pubblicato come singolo il 7 febbraio 2001 dalla Starchild. Il singolo è arrivato alla ventottesima posizione nella classifica settimanale Oricon, vendendo  copie. Il brano è stato utilizzato come sigla d'apertura della serie televisiva anime Tales of Eternia: The Animation, mentre il lato B I'd love you to touch me come sigla di chiusura.

Tracce
CD singolo KIDA-207
 Sora ni Kakeru Hashi (空にかける橋)
 I'd love you to touch me
 Sora ni Kakeru Hashi (off vocal version)
 I'd love you to touch me (off vocal version)
Durata totale: 22:44

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Colonne sonore di anime