"ArcGIS is a complete system that enables you to solve your most challenging issues," said Damian Spangrud, ArcGIS product manager. "This release provides greater ease of use, more powerful analysis tools, additional Web GIS applications, and new mobile platforms. It also promotes collaboration via an online system for using, sharing, and organizing geographic content."
Perform GIS Work Faster-ArcGIS 10 dramatically improves and simplifies the user experience, streamlines editing, and integrates productivity tools to support the workflows of GIS professionals. This release makes map creation and production much easier and provides best practice templates to help users get started quickly. Users can search by keywords or data types to find data and maps. They can also use the search function to quickly and easily find symbols to use in their maps and tools for analysis.
Powerful Spatial Analysis-ArcGIS has always been the premier software for spatial analysis, and with this release, Esri continues to advance geographic science with new tools. ArcGIS now includes Python scripting for automating common tasks and analyses. Using Python, the capabilities of ArcGIS can be combined with other scientific programming to create powerful solutions. Among the new analyses offered in ArcGIS is location-allocation, which helps users understand how their facilities' placements in a given network impact their ability to serve their customers.
Improved Imagery Use and Management-ArcGIS 10 enables better use and management of imagery on the desktop and the server. This release lets users efficiently serve dynamic image mosaics to many applications and easily manage massive image collections with dynamic mosaicking and on-the-fly processing. Moreover, users will experience faster performance with accelerated image display and save time by using the new image analysis window for image interpretation and processing.
New Ways to Share-ArcGIS now offers tight integration with ArcGIS Online search and share capabilities, making it easy to create and distribute projects that may include data, layers, maps, tools, scenes, globes, diagrams, and add-ins. Additionally, it is easy to discover and organize geographic data throughout the enterprise via the new Search service in ArcGIS Server. ArcGIS 10 also allows the expansion of volunteered geographic information or user-generated content on the Web.
Cloud GIS-An exciting aspect of ArcGIS 10 is that users can leverage online maps and tools that are a built-in part of the ArcGIS experience, whether they are using ArcGIS Desktop, mobile devices (e.g., smartphones), browsers, or applications developed using the ArcGIS Web Mapping APIs. Users can also now find, share, organize, and use maps, apps, and other resources via the new ArcGIS.com site-a Web-based gateway into the ArcGIS system. Furthermore, users can discover, share, and present geographic information using ArcGIS Explorer Online, a new browser-based version of ArcGIS Explorer.
GIS in the Field-ArcGIS Mobile now has a customizable, ready-to-deploy application that allows users to extend mobile projects to tablet-based PCs. Esri is extending this concept to Apple's iOS platform. Customers will be able to access a mapping application directly from the Apple app store. Esri is also providing an ArcGIS for iOS API so organizations can build their own focused iPhone and iPad applications.
Availability-"By making ArcGIS 10 available as a download, Esri hopes to dramatically reduce the packaging waste that is associated with typical software releases," said Spangrud. "We are hoping that most of our customers will join us in this effort." Those who need to receive the software on media can still request it and expect to receive it in the next few weeks.


text:
Deepak Manhas (born 5 January 1992) is an Indian cricketer who plays for Jammu and Kashmir. He made his first-class debut on 22 October 2015 in the 2015–16 Ranji Trophy.

References

External links

1992 births
Living people
Indian cricketers
Jammu and Kashmir cricketers
People from Jammu

redpajama_set_name: RedPajamaWikipedia


text:
Founded in 2001, the Whitney's conservation department preserves works of art in the Museum's collection so that they may be exhibited and made accessible to scholars and the general public. From the outset, it was designed to be both a treatment and research center; it embraces innovative approaches to the treatment and technical study of works of contemporary and modern art. Conceived as a partner with the Center for the Technical Study of Modern Art at the Harvard Art Museums, it shares in the Center's dissemination of information through teaching, lecturing, and publication.
Carol Mancusi-Ungaro and Yve-Alain Bois on Art Conservation
October 6, 2016: Carol Mancusi-Ungaro presents a lecture entitled "The Falsification of Time," a term used by artist Sol LeWitt. The lecture positions complex issues associated with the art of our time, including replication and 3D printing, in the historical context of art conservation. Yve-Alain Bois, Professor of Art History at the Institute for Advanced Study, joins Mancusi-Ungaro in conversation after the lecture.
Conserving Calder's Circus
Whitney conservators Carol Mancusi-Ungaro and Eleonora Nagy, archivist Anita Duquette, and art historian Joan Simon describe the process of restoring one of the most beloved works in the Whitney's collection, Calder's Circus.
Whitney Stories: Carol Mancusi-Ungaro
Associate director for conservation and research Carol Mancusi-Ungaro discusses the importance of the artist's voice in contemporary art conservation and the development of the new building's Conservation Center.
The conservation department makes and implements decisions regarding treatments through constant review of the collection, and in response to requests to display specific works. The goal of every treatment is to present the work as originally intended insofar as we know through artist interviews and other avenues of research. In some cases, works that are known to be unstable are considered for treatment regardless of exhibition priorities.
These two paintings by Arshile Gorky, The Artist and His Mother, 1926–36 (left), and Painting, 1936–37 (right), were treated in preparation for inclusion in a retrospective of the artist's work. Surface grime and discolored varnish had formerly obscured the original colors and altered the variation in gloss and saturation as intended by the artist. Some passages of Painting were structurally unstable and required local consolidation before travel. Freed from temporary disfigurements, the newly restored paintings engender a greater understanding of Gorky's materials and painting technique.
Arshile Gorky, The Artist and His Mother, 1926-c. 1936. Oil on canvas, 60 × 50 1/4 in. (152.4 × 127.6 cm). Whitney Museum of American Art; gift of Julien Levy for Maro and Natasha Gorky in memory of their father 50.17 © 2017 The Arshile Gorky Foundation/Artists Rights Society (ARS), New York, NY
Arshile Gorky (1904–1948), Painting, 1936–37. Oil on canvas, 38 × 48 in. (96.52 × 121.92 cm). Whitney Museum of American Art, New York; purchase 37.39
Both Whitney staff and artist Claes Oldenburg had long considered Ice Bag–Scale C problematic. Technical problems had plagued the giant mechanized sculpture since shortly after its creation in 1971. In consultation with the Oldenburg, a team of conservators, engineers, and other specialists corrected mistakes that had been made in both its initial fabrication and in later attempts at restoration. The piece now operates as the artist had intended for the first time in decades. This innovative treatment was discussed by The New York Times on May 15, 2009.
In 1909 Edward Hopper painted these paintings, Bridge on the Seine (left) and Le Pont Royal (right), while living in Paris. Over time, accumulated dirt and discolored varnish had obscured the paint layers. In addition, the varnish that had been applied was felt to be too glossy and out of keeping with the sensitive tonality of the paintings. Removal of these layers revealed the true colors of the brighter palette that Hopper was developing at this time, and the application of a more sympathetic layer of varnish resulted in a more appropriate surface. The treatment of these Hopper works was done in conjunction with ongoing research within the Whitney's collection into the artist's materials and technique.
Edward Hopper (1882–1967), Le Pont Royal, 1909. Oil on canvas, 24 × 29 in. (60.96 x 73.66 cm). Whitney Museum of American Art, New York; bequest of Josephine N. Hopper 70.1175 © Heirs of Josephine N. Hopper/Licensed by VAGA, New York, NY
Edward Hopper (1882–1967), Bridge on the Seine, 1909. Oil on canvas, 23 9/16 × 28 13/16 in. (59.85 x 73.18 cm). Whitney Museum of American Art, New York; bequest of Josephine N. Hopper 70.1176 © Heirs of Josephine N. Hopper/Licensed by VAGA, New York, NY
Donald Judd's Untitled, 1965, had been severely altered due to an inappropriate repainting of the piece at some point in the past, prompting Judd to declare it unexhibitable.
All three of the Whitney's George Segal sculptures—The Bus Station, 1965 (left),Walk, Don't Walk, 1976 (middle), and Girl in a Doorway, 1965 (right)—have required treatment for a variety of reasons over time. Recently, the figures were stabilized, minor surface grime was reduced, and the proper alignment of the forms within their formats was researched and documented. Despite sundry individual problems, they were treated as a group because a unity of vision and goals during the undertaking positively impacted the result.
George Segal (1924–2000), Girl in Doorway, 1965. Plaster, wood, glass and aluminum paint, 112 3/16 × 65 1/8 × 33 3/16in. (285 × 165.4 × 84.3cm). Whitney Museum of American Art, New York; purchase 65.49a-b
George Segal, Walk, Don't Walk, 1976. Plaster, cement, metal, painted wood and electric light, 109 1/8 × 72 × 74 3/8in. (277.2 × 182.9 × 188.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Louis and Bessie Adler Foundation, Inc., Seymour M. Klein, President, the Gilman Foundation, Inc., the Howard and Jean Lipman Foundation, Inc. and the National Endowment for the Arts 79.4a-f Art © The George and Helen Segal Foundation, Licensed by VAGA, New York, N.Y.
George Segal (1924–2000), The Bus Station, 1965. Plaster, wood, melamine laminate, metal, vinyl, cardboard and leather, 96 1/4 × 59 1/8 × 29 3/4in. (244.5 × 150.2 × 75.6cm). Whitney Museum of American Art, New York; gift of Howard and Jean Lipman 81.22a-f
Carol Mancusi-Ungaro interviewing Ed Ruscha in front of Large Trademark with Eight Spotlights (1962), part of the Whitney's permanent collection. Photograph by Heather Cox
Artists Documentation Program
The Artists Documentation Program (ADP) interviews artists and their close associates in order to gain a better understanding of their materials, working techniques, and intent for conservation of their works. The ADP was established in 1990 at The Menil Collection, Houston, by Carol Mancusi-Ungaro, the former chief conservator at the Menil and currently the Melva Bucksbaum associate director for conservation and research at the Whitney and founding director of the Center for the Technical Study of Modern Art at the Harvard Art Museums. The program is supported by the Andrew W. Mellon Foundation and in partnership with the Whitney Museum of American Art and Harvard Art Museums.
Visit the ADP Website
Conservation Fellows
Conservation Fellows is a support group that focuses on the Whitney's research involving artists' materials and techniques. Participants engage in ongoing discussions regarding trends and challenges specific to the preservation of works included in current exhibitions or unconventional works of art in the Whitney's collection.
The Conservation Fellows examine an infrared reflectogram of Thomas Hart Benton's Poker Night (from A Streetcar Named Desire)
Carol Mancusi-Ungaro discusses Number 27 (1950) by Jackson Pollock
Janurary 16, 2018
Art as Process: Jimmie Durham: Materials and Meaning
Led by Carol Mancusi-Ungaro, Elisabeth Sussman, and Margo Delidow
Art as Process: Activating Calder
Led by Carol Mancusi-Ungaro and Eleonora Nagy
Art as Process: The 2017 Whitney Biennial: Unpacking the Technical Challenges
Led by Carol Mancusi-Ungaro
Art as Process: The Preservation of Time-Based Media in Dreamlands: Immersive Cinema and Art, 1905-2016
Led by Carol Mancusi-Ungaro with special guest artist Anthony McCall
Art as Process: The Challenge of Ephemeral Art
Art as Process: Frank Stella: A Retrospective
Art as Process: Archibald Motley and the Diversity of Oil Paint
Led by Carol Mancusi-Ungaro and Carter Foster
Private Viewing of the new Bucksbaum, Learsy, Scanlan Conservation Center and Sondra Gilman Study Center
Art as Process: Exclusive Visit to the Cy Twombly Foundation
Tour and lecture by Carol Mancusi-Ungaro
Art as Process: Jeff Koons
Led by Scott Rothkopf, Joshua Rosenblatt, and Margo Delidow
Art as Process: Visit and Tour of Donald Judd's Studio
Led by Eleonora Nagy
Art as Process: Hopper Drawing
Led by Carter Foster and Matthew Skopek
Art as Process: Looking at Jay DeFeo: A Retrospective through the lens of artist and conservator
A Spotlight on Conservation: Conserving Calder's Circus
Led by Carol Mancusi-Ungaro, Eleonora Nagy, Joan Simon, and Anita Duquette
A Spotlight on Conservation: Singular Visions
Led by Carol Mancusi-Ungaro and Scott Rothkopf
A Spotlight on Conservation: Paul Thek
Dialogues on Materiality: In Conversation with Artist Dario Robleto
Led by Carol Mancusi-Ungaro and Dario Robleto
Dialogues on Materiality: Conserving the Whitney Biennials
Dialogues on Materiality: Presenting Georgia O'Keeffe
Led by Carol Mancusi-Ungaro and Dale Kronkright
Restoring a Twelve-Foot Ice Bag
Mark Rothko's Mural Commissions
Encountering Jackson Pollock
The Lure of the Object: 2008 Biennial
Led by Carol Mancusi-Ungaro and Matthew Skopek
An Investigative Eye into the Practice of Jackson Pollock and Donald Judd
Led by Carol Mancusi-Ungaro, Narayan Khandekar, and James Martin
The Falsification of Time
October 6, 2016 at the Whitney Museum of American Art
Carol Mancusi-Ungaro presented her revised Forbes Prize lecture delivered at the IIC Conference Congress the previous month. Yve-Alain Bois, Professor of Art History at the Institute for Advanced Study, joined Mancusi-Ungaro in conversation after the lecture.
September 12, 2016 at The International Institute for Conservation of Historic and Artistic Works (IIC) Congress
Carol Mancusi-Ungaro delivered this lecture after being awarded the Forbes Prize for outstanding work in the field of conservation at the IIC Congress, held in Los Angeles, California.
Innovative Conservation Collaborations
May 6, 2013 at the Annual Meeting of the Association of Art Museum Curators
Matthew Skopek paticipated on a panel during the 12th annual meeting of AAM
The Replication Committee: A Collaborative Effort to Address the Role of the Replica at the Whitney Museum of American Art
June 10, 2013 at the Institute of Fine Art at New York University
Matthew Skopek was a lecturer at the Summer Institute in Technical Art History
Whom Do We Fail?
December 6–8, 2013 at Hamburger Kunsthalle
Eleonora Nagy gave a lecture as part of "Fail Better: Verband der Restauratoren Symposium about Conservation Practice and Decision Making in Modern and Contemporary Art"
Donald Judd: The Multicolored Works: A Conservator's Approach to Color and Color Science
October 19, 2013 at The Pulitzer Foundation of Arts
Lecture delivered by Eleonora Nagy
Remediation of Impact Damage on Modern And Contemporary Sheet Metal Sculpture: Conservation Treatment of Donald Judd's Stack
September 16-20, 2013 at the ICOM- Metal Interim Conference, Edinburgh, Scotland
Lecture presented by Eleonora Nagy and W. Zahner
Cues from Cy Twombly
April 17, 2013 at the Institute of Fine Arts, New York University
Lecture presented by Carol Mancusi-Ungaro, the Institute of Fine Art's Judith Praska Distinguished Visiting Professorship in Conservation and Technical Studies
Twenty Years of documenting the Artist's Voice
March 7-8, 2013 at the Solomon R Guggenheim Museum, New York
Carol Mancusi-Ungaro was a key speaker at the International Network for the Conservation of Contemporary Art – North America (INCCA-NA) Artist Interview Methodology Workshop
Conversation about Barnett Newman
September 24, 2011 at the Rothko Chapel, Houston, Texas
Lecture presented by Carol Mancusi-Ungaro related to the history, presence and preservation of Newman's sculpture Broken Obelisk, which stands in a reflecting pool south of the Rothko Chapel's main entrance
The Elusive Original
February 22, 2011 at the Institute of Fine Arts, New York University
Carol Mancusi-Ungaro spoke as part of the Daniel H. Silberberg Lecture Series program
October 16, 2010 at the Kawamura Memorial Museum of Art
Carol Mancusi-Ungaro lectured about Barnett Newman and the discoveries made during the process of compiling his catalogue raisonne
Collection Documentation Initiative: Conservators' Perspective
September 18, 2010 at the Western Association for Art Conservation, Seattle, WA
Whitney contract conservators Claire Gerhard and Megan Berkey presented a paper at WAAC's annual meeting with an overview of their 3-year project reviewing the Whitney's17,000 works of art on paper and photographs
Is Art Timeless?
April 22, 2010 at Smith College, Northampton, MA
Carol Mancusi-Ungaro gave a lecture at the symposium "Telling Time: It's Meaning and Measurement"
The Ultimate Painting
September 13, 2009 at the Solomon R. Guggenheim Museum
Panel co-moderated by Carol Mancusi-Ungaro as part of the symposium, "Imageless: The Scientific Analysis and Experimental Treatment of an Ad Reinhardt Black Painting"
Artist's Voice: History's Claim
January 24–16, 2008 at the Getty Center in Los Angeles
Panel moderated by Carol Mancusi-Ungaro as part of "The Object in Transition: A Cross-Disciplinary Conference on the Preservation and Study of Modern and Contemporary Art"
Encountering Newman
Lecture presented by Carol Mancusi-Ungaro and Yve-Alain Bois as part of "The Object in Transition: A Cross-Disciplinary Conference on the Preservation and Study of Modern and Contemporary Art"
Modern Paints Uncovered Symposium
May 16–19, 2006 at the Tate Modern in London
Narayan Khandekar presented research done by a team of Whitney conservators and Harvard scientists on the Whitney's Donald Judd, Untitled, 1965
On Myth and Physical Fact
By Carol C. Mancusi-Ungaro, in Getty Research Journal: Examining Pollock: Essays Inspired by the Mural Research Project. Number 9, Supplement 1, 2017 (Los Angeles, CA).
Re-thinking the cleaning of Claes Oldenburg's Floor Cake (Giant Piece of Cake)
By Margo Delidow and Cynthia Albertson, in the American Institute for Conservation of Historic and Artistic Works. Objects Specialty Group Postprints, Volume 17 (2010).
The Conservation of Christo/Paik Wrapped TV (1967): Documentation and Treatment of a Collaborative Artwork
By Margo Delidow, Jessica Pace and Eric Meier, in the Journal of the American Institute for Conservation, Volume 55, Number 4, (November 2016).
Remediation of Impact Damage of Modern and Contemporary Sheet Metal Sculpture: Conservation Treatment of Donald Judd's Stack
By Eleonora E. Nagy and William Zahner in In print; ICOM-CC Metals 2013 (Edinburgh, Scotland, 2013).
Disfiguring organic residues on industrially produced sheet metal coupons simulating copper and brass works of art by Donald Judd: attenuated total reflectance Fourier transform infrared spectroscopy analysis and treatment recommendations
By Eleonora E. Nagy, Karlis Adamsons, and Kate Moomaw in Studies in Conservation (January 2013).
By Carol C. Mancusi-Ungaro in Cy Twombly Gallery, The Menil Collection (Houston, TX, 2013).
Disfiguring organic residues on industrially produced sheet metal coupons simulating copper and brass works of art by Donald Judd
By Eleonora E. Nagy; Karlis Adamsons; Kate Moomaw in Studies in Conservation (January 2013).
When Material Becomes Art
By Carol C. Mancusi-Ungaro in Jay DeFeo: A Retrospective, Whitney Museum of American Art (New York, NY, 2012).
Landmarks Preservation: Conserving the Monochrome
By Carol Mancusi-Ungaro in Artforum (Summer 2011).
Treatment of Claes Oldenburg's Ice Bag—Scale C, An Interdisciplinary Approach
By Eleonora E. Nagy, Steven Berger, Ken Parker, Vladimir Schuster, Julian Miller, Jan Girard, and Carol Mancusi-Ungaro in International Council of Museums, Committee for Conservation, 16th Triennial Conference Abstract (Lisbon, Portugal, 2011).
Le Pèlerinage en Peinture de Barnett Newman
By Carol C. Mancusi-Ungaro. in Barnett Newman Écrits, Éditions Macula (Paris, France, 2011).
Treatment of Donald Judd's Untitled 1977: Retention of Original Acrylic Sheets
By Eleonora Nagy, Bettina Landgrebe and Shelley Smith in American Institute for Conservation of Historic and Artistic Works (Philadelphia, 2011).
Delicate Matter: Two Conservation Case Studies on the Work of Paul Thek
By Eleonora E. Nagy with an introduction by Carol Mancusi-Ungaro in Paul Thek: Diver, A Retrospective, Whitney Museum of American Art (New York, NY, 2010).
A Technical Analysis of Three Paintings Attributed to Jackson Pollock
By Narayan Khandekar, Carol Mancusi-Ungaro, Harry Cooper, Christina Rosenberger, Katherine Eremin, Kate Smith, Jens Stenger and Dan Kirby in Studies in Conservation; The Journal of the International Institute for Conservation of Historic and Artistic Works. Volume 55, Number 3 (London, England, 2010).
Guidelines for the Care and Handling of Donald Judd's Works in Metals
By Eleonora Nagy (2009).
Online manual for recommendations regarding care and handling of Donald Judd's metal works
Golden MSA Colors
By Matthew Skopek in Painting Conservation Catalogue, Volume III: Inpainting, American Institute of Conservation, 2009.
A Sum of Corrections
Carol C. Mancusi-Ungaro in Jasper Johns: An Allegory of Painting, 1955-1965, National Gallery of Art (Washington, D.C., 2007).
Material and Process: Gordon Matta-Clark's Object Legacy
By Christian Scheidemann in Gordon Matta-Clark: You are the Measure, Whitney Museum of American Art (New York, NY, 2007).
The Re-restoration of Donal Judd's Untitled, 1965
By Narayan Khandekar, Eleonora E. Nagy, Julian Miller, Pia Gottschaller, and Carol Mancusi-Ungaro in Modern Paints Uncovered, The Getty Conservation Institute (Los Angeles, CA, 2006).
Matthew Barney's Stadium; A Treatment of Replacements
By Margo Delidow, Roger Griffith, Scott Gerson, Plastics: Looking at the Future, Learning from the Past, edited by Brenda Keneghan and Louise Egan. Archetype Publications (London, 2008).
Calder's Once and Future Circus: A Conservator's Perspective
By Eleonora Nagy and Carol C. Mancusi-Ungaro, in Alexander Calder: The Paris Years, 1926–1933, Whitney Museum of American Art (New York, 2008).
The Rothko Chapel Paintings: A Personal Account
By Carol C. Mancusi-Ungaro, in Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series, The Rothko Chapel (Houston, 2007).
Marden's Materiality: The Monochromes
By Carol C. Mancusi-Ungaro, in Plane Image: A Brice Marden Retrospective, The Museum of Modern Art (New York, 2006).
The Re-restoration of Donald Judd's Untitled, 1965
By Narayan Khandekar, Eleonora Nagy, Julian Miller, Pia Gottschaller, and Carol C. Mancusi-Ungaro, Modern Paints Uncovered, The Getty Conservation Institute (Los Angeles, CA, 2006).
Material and Method in Modern Art: A Collaborative Challenge
By Carol C. Mancusi-Ungaro, in in Scientific Examination of Art: Modern Techniques in Conservation and Analysis, National Academy of Sciences (Washington, D.C. 2005).
In Search of Permanence: Oscar Bluemner's Materials and Techniques
Ulrich Birkmaier, in Oscar Bluemner: A Passion for Color, Whitney Museum of American Art (New York, 2005).
The Paintings of Barnett Newman: "Involved Intuition on the Highest Level"
By Carol C. Mancusi-Ungaro, in Barnett Newman: A Catalogue Raisonné, The Barnett Newman Foundation and Yale University Press (New York, 2004).
Embracing Humility in the Shadow of the Artist
By Carol C. Mancusi-Ungaro, in Personal Viewpoints: Thoughts on Painting Conservation, The Getty Conservation Institute (Los Angeles, 2003).
Time and Change: A Discussion about the Conservation of Modern and Contemporary Art
By Carol Mancusi-Ungaro, Jim Coddington, and Kurt Varnedoe, moderated by Jeffrey Levin in Conservation: The Getty Conservation Institute Newsletter. Volume 17, Number 3 (Los Angeles, 2002).
Jackson Pollock: Response as Dialogue
By Carol C. Mancusi-Ungaro in Jackson Pollock: New Approaches, edited by Kirk Varnedoe and Pepe Karmel, Museum of Modern Art (New York, 1999).
Material and Immaterial Surface: The Paintings of Rothko
By Carol C. Mancusi-Ungaro, in Mark Rothko, National Gallery of Art (Washington DC, 1998).
Nuances of Surface in the Rothko Chapel Paintings
By Carol C. Mancusi-Ungaro, in Mark Rothko: The Chapel Commission, The Menil Collection (Houston, 1996).
Replication Committee Meeting, May 5, 2015. Photograph by Heather Cox
Replication Committee
The Replication Committee addresses issues related to the duplication of works of art in the permanent collection and/or related collections for various purposes associated with the Museum's program. It meets monthly to discuss pressing issues of replication and associated matters of refabrication, exhibition copies, and authentication. The intent is to institute a more rigorous and consistent approach in terms of policy and practice through critical review of precedent within the institution with an eye toward resolution of current issues.
The Replication Committee is made up of curators, conservators, the Head Registrar, the Manager of Rights and Reproductions, the Director of Research Resources, and General Council. The work done by the committee was recently featured in The New Yorker magazine.
"The Custodians: How the Whitney is transforming the art of museum conservation."
"No Preservatives | Preservation, Perfection and Patina: Eleonora Nagy Discusses Conserving Judd's Art"
Audio: "Conserving Digital Art"
—WNYC, The Leonard Lopate Show
"Material & Method in Modern Art"
—NYU Institute of Fine Arts, Newsgram Issue 28
"Retter für Kaputte Kunst"
Audio: "After Decades In Storage, Damaged Rothko Murals Get High-Tech Restoration"
—NPR, All Things Considered
Video: "Restoring Rothko"
Video: "Using Science to Preserve Art"
"The Improvised Remedies of an Art Healer"
"Art Pick: Tale of the Tape"
"A Low Cost Show Reinflates a Big Bag"
"Going Softly Into a Parallel Universe"
"With a Coat of New Paint, Revealing the True Judd"
"'What Happens when I die?' The Whitney Museum is interviewing artists on video to document their instructions for the conservation of their art"
—The Art Newspaper (International Edition)
"Chiedere agli artisti come conservare le loro opre d'arte"
—la Repubblica/The New York Times
"Giving the Artists a Voice in Preserving Their Work"
To make a contribution to the conservation department, please call (212) 570-3642.
Support for Conservation at the Whitney Museum of American Art is provided by the Whitney's Conservation Fellows with endowment support provided by the Andrew W. Mellon Foundation.

redpajama_set_name: RedPajamaCommonCrawl


We invite you to join us from 5:30 - 8 pm on Thursday, March 21st as we welcome speakers Teri Elliott-Burke PT, DPT, MHS, WCS, PRPC, PMD-BCB & Thomas Dillon PT, DPT, OCS to share their knowledge and expertise on "Physical Therapy & the Postpartum Woman"
This 90-minute seminar will introduce several concepts regarding the postpartum physical therapy patient. The instructors will introduce relevant history questions and possible red flags during the evaluation. Lumbo-pelvic-hip complex conditions related to this population will be reviewed, including common assessment and treatment techniques. This will include SIJ dysfunction, diastasis recti, and pelvic floor dysfunction. Cesarean scar management will be discussed, as well as common peripheral nerve injuries following pregnancy and delivery. The goal of this short presentation is to provide therapists with clinically relevant information useful in treating the postpartum client.
Describe common musculoskeletal issues for postpartum women and associated evaluation and/or treatment considerations.
Teri Elliott-Burke, PT, MHS, WCS, PRPC, BCB-PMD Assistant Professor and Academic Clinic Coordinator at Midwestern University (MWU), received her undergraduate degree from North Central College, an entry-level physical therapy degree from Northwestern University, a Master of Health Science degree from the University of Indianapolis, and a transitional Doctor of Physical Therapy from the College of St. Scholastica. Dr. Elliott-Burke has more than 40 years of patient care and managerial experience in outpatient physical therapy. Her teaching responsibilities include administration, management, and men's and women's health. She is certified by the American Board of Physical Therapy Specialists in Women's Health, by the Herman & Wallace Pelvic Rehabilitation Institute as a Pelvic Rehabilitation Provider, and by the Biofeedback Certification International Alliance in Pelvic Muscle Dysfunction Biofeedback. She is a member of the American Physical Therapy Association, the APTA Section on Women's Health, and the International Pelvic Pain Society. Her research interest is in lumbo-pelvic girdle complex disorders and associated pelvic floor dysfunction.
Thomas Dillon, PT, DPT, OCS Clinic Instructor at Midwestern University Multispecialty Clinic, received his Doctorate of Physical Therapy degree from Midwestern University. He has 9 years of experience in the out-patient orthopedic/sports medicine setting. He has worked closely with several orthopedic surgeons developing pre- and post-operative care programs to improve surgical outcomes. Currently he focuses on student clinical education, clinical research involving the lumbo-pelvic-hip complex, and treating the community. Dr. Dillon is a member of the American Physical Therapy Association and the APTA Orthopedic Section.


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The Hikvision DS-7616NI-I2/16P is a 16 channel network video recorder with 16 built-in PoE ports for plug and play systems. This NVR has two spaces for hard drives and can hold 20TB of storage.
With the help of H.265+ compression, the DS-7616NI-I2/16P supports IP cameras up to 12MP. There are HDMI and VGA outputs so monitors can be easily connected, alternatively, the NVR can be accessed remotely through a browser or through the Hik-Connect app.
The DS-7616NI-I2/8P is ready for Hikvision's Automatic Number Plate Recognition Cameras (ANPR) and supports two way audio among other features. A power supply is included with this.


Discussion in 'Apple Watch' started by planetf1, Aug 19, 2017.
The repair looks good, it all seems to work fine. Except for one thing. For the life of me I cannot get Apple Pay to work. I used this extensively prior to the repair, and I use it on phone too.
do you have wrist detection enabled on the watch?
if it's disabled, you can't use apple pay.
all the card info is stored in the "secure element" chip in the watch. (there's another one in your phone).
maybe a trip to a genius bar?
Did you have Apple Pay working on the iOS 11 beta with the older Watch, or was it an earlier version? Might be a beta issue.
I recently shattered my Apple Watch , should I proceed on getting it repaired $70+ or should I hold off and use that money towards appple watch 3.
* Yes I was using apple pay on the watch alongside IOS 11. However I can't say for sure I actually added a card during the beta, and certainly I didn't on the existing build as the watch broke over 2 weeks ago. It is therefore possible it's a IOS 11/Watch 3.2.3 interop bug. Options include a) seeing if next new ios beta fixes it b) upgrading the watch to the os4 beta c) trying to find a friends IOS 10 device I can retry on. c) is clearly the most sensible whilst b) I shouldn't do but..
looking at the teardown at https://www.ifixit.com/Teardown/Apple+Watch+Series+2+Teardown/67385 it's clear the soc-nfc connection is a possible fault.. if the screen has been replaced but connector is bad or unplugged.
Does AW2 have any diagnostics I can run?
I've now had exactly the same issue on a different phone - IOS 10, different iCloud id, different cards etc... so it's pretty conclusive now that the watch is faulty.
Will be contacting the insurance company and arranging bank shortly to complain.
Thanks for the OP. I have exactly the same problem via the same route as well (a repair through Barclays' insurance company LSG).
I should also mention that I have an issue with force touch as well since the repair.
Before I get going with LSG I was wondering if you had any joy with them or Barclays?
Same with me with a Series 1 SS 42mm. Watch display cracked (strange for sapphire - but it did...). I took it to a repairer and everything was fine except for NFC.
You made a point, I have the same issue. And it's unbelievable even I came to Genius Bar and they send the watch to the factory and they doesn't find anything wrong.
It is a point and, in fact, a known issue.
If you replaced your screen outside of Apple (third party), the NFC antennae is now disabled. iFixit ha a warning on their site about it if you buy a screen from them. Most likely it is due to being mismatched and my guess is that there is no solution.
When replacing the screen with a different part, it disables the NFC antenna, used for things like Apple Pay. There appears to be no easy fix for this right now.


This tutorial will help you start modeling Flowchart diagrams in GenMyModel.
Note : GenMyModel is an modeling tool (with intelligence algorithms behind), not just an drawing tool.
This is one of the unique GenMyModel features. Mostly useful in UML diagramming, Flowchart benefits too of this very unique feature - multi-diagramming. What does it mean ? It mean, that you can add the same shape / object by dragging it from the Project tab multiples times in the same diagram and even in multiple diagrams. They can have different visual representation (color, position, dimension), but they all will have same properties, like the name or custom properties.
For example, renaming one shape / object, will instantly rename all the others and in all the others diagrams.
There are several ways to create elements in GenMyModel.
When the 1st shape is created, following ones can be created a lot easier and faster, using the contextual toolbar.
Select a shape > use any of available shapes from the contextual toolbar. And like you can see on the video below, this way flows are created automatically.
Not all of shapes can be created through the contextual toolbar. Only the most commun of them : Start, Database, Stored Data, Document, Multiple Documents, Flow, End, Action, Decision, Alternate Process, Merge.
Drag&Drop a Flow tool from the toolbar OR select it from the toolbar > click on the shape > click on another shape to relate it.
Select a shape > use any of available shapes from the contextual toolbar.
To move and adjust a relationship line, select it and play with the horizontal toolbar that will appear above (see picture below) OR move it manually by dragging the line bold points.
To move a relationship label, select it and drag to the needed position.
Select a relationship > double-click on the label to rename it.
Select the shape element > select the Custom Properties tab from the Properties side panel (see pictures below) > click on Add Property button.
Fill the Key and Value fields > press the Valid button.


text:
Q: mysql: Change the column name to the value of data I would like to create another table with column name is one of the value of the table. I want column name changes dynamically.
For example,
+-----------------+------------+------------+--------------+---------------+
| name            | continent  | area       | population   | gdp           |
+-----------------+------------+------------+--------------+---------------+
| Afghanistan     | Asia       | 652230     | 25500100     | 20343000      |
| Albania         | Europe     | 28748      | 2831741      | 12960000      |
| Algeria         | Africa     | 2381741    | 37100000     | 188681000     |
+-----------------+------------+------------+--------------+---------------+

+-------------+
| Asia        |
+-------------+
| Afghanistan |
+-------------+

+-------------+
| Europe      |
+-------------+
| Albania     |
+-------------+

+-------------+
| Africa      |
+-------------+
| Algeria     |
+-------------+

Is this possible in mysql? I don't know how to start this one.

A: I can provide an algorithm

*

*Create a trigger after insert to the table

*check the table exists with the name of continent using below mysql query

SELECT * FROM information_schema.tables WHERE table_schema = 'yourdb'
 AND table_name = 'continentName' LIMIT 1;

*if exists, insert into that table with the new value of name

*else create table with continent and insert the value

Hope it helps

redpajama_set_name: RedPajamaStackExchange


text:
2023 Election:Cleric slam APC Over Muslim-Muslim ticket, says, it's an error
Rev.Nathan Nwachukwu,Senior Pastor of Shallom Baptist Church
Eagle Eye News24
Rev.Nathan Nwachukwu is the Senior Pastor and pioneer leader of Shallom Baptist Church based in Jos with global influence.
The charismatic preacher with over 40 years in ministry, shared his thoughts with the Eagle Eye News24 Editorial team last Wednesday in Jos.
He spoke on his travails in ministry vis-à-vis challenges while delving into the controversial murky waters of Nigerian politics amongst other contending issues including the APC choice of a Muslim-Muslim ticket. Excerpts:
Speaking on the contending political issue of the All Progressives Congress(APC)Muslim-Muslim ticket decision by the party's presidential candidate Bola Ahmed Tinubu on the choice of his Vice-Presidential candidate Kashim Shettima,the cleric slammed the party's decision, describing it as an error and deceit which has played in recent times in Nigerian politics.
In his words:"It is an error and this has been part of the deceit in recent times in Nigerian politics".
Adding that it's not only Christians that are condemning the decision, positing that the APC did not considered the intricate diversities of Nigeria.
"It's not only Christians that are condemning the APC decision because the party didn't consider the diversities of the country.Nigeria is different from many countries of the world, for instance many people make the comparison of what happened in 1993 when the -acclaimed winner of the annulled June12 presidential election in Nigeria, Chief MKO Abiola chose a Muslim running-mate in Babagana Kingibe".
He said that to take the 1993 scenario as a template with today's Nigeria will be wrong because of the high level of religious bigotry, insecurity in the country.
"I think that was where the ruling party got it wrong by simply implying that there is no competent Christians in the north to act as Vice-Presidential candidate. I mean it is a slap on Christians in Nigeria even the noted Islamic Cleric Sheik Ahmad Gumi recently condemned the decision by the APC".
On the issue of whether Christians or clerics should go into politics, he said there is no crime for Christians to join politics.
"They ought to join politics, play it in a godly way. The era has gone when people see Christians in politics and they are been derailed. So at the same time if a cleric ventures into politics he or she must define the purpose, I know that there are some so called Christians and ministers that had ventured into politics in the past and disappointed us.
Nonetheless, Christians venturing into politics are to contribute to national development and at the same time ,they must define their purpose that it is not for selfish and mundane gains".
The full text of the press interview will be publish in our tabloid
Previous '419-corps member' gets two years jail-term for internet fraud
Next AG Church invasion: Plateau Police set to arrest perpetrators


text:
Q: PostgreSQL jsonb - searching string through array elementrs Case 1 (works fine) : my db entry is a simple object
employee_id | data (jsonb)
4           | {"name":"john"}

SELECT *
FROM employee
WHERE data ? 'john';

It will correctly find the whole entry
Case 2 : my db entry is an array of elements
employee_id | data
4           | [{"name":"john"},{"city":"rio"}]

I can't manage to use a jsonb function to find rows that match 'john' anywhere. At best I can use WHERE data->0 ? 'john' but this is not supposed to depend on the index of the array entry
Thx!

A: You can use the jsonb "contains" operator @> like this:
... WHERE data @> '[{"name": "john"}]'

That will find all rows where data has an array on the top level that contains this entry.


text:
Student self-publishes children's book to broaden Asian American representation
Daily Bruin
Children's books have told stories with heartwarming lessons for decades, but many have failed to include minorities.
In 2018, 77% of characters depicted in children's books were either white people or animals and objects, whereas only 7% were Asian or Pacific Islander.
Graduate student Angel Trazo said she
Representation for white women increased in 2019 movies, but intersectional inclusion remains elusive
Despite continued calls for representation and gender parity in recent years, moviegoers are still nearly twice as likely to see a male character in a speaking role than a...
The Los Angeles Times 2020-01-08
Two states. Eight textbooks. Two American stories.
By Dana Goldstein, The New York Times American history textbooks can differ across the country, in ways that are shaded by partisan politics. Here's one example: On an...
Denver Post 2020-01-12
Revisiting the Seminal (and Controversial) Anthology that Named the Asian American Canon
Before Twitter, the most intense literary battles took place in the introductions of anthologies. Editors would clump writers together, or writers would clump themselves...
The Stranger 2020-01-08
Women In Hollywood Are Getting More Roles — If They're White
On-screen representation for women in Hollywood has improved steadily over the last few years — but not all progress is equal, a new study has proved. The number of female...
Huffington Post 2020-01-09
Alumna author imbues fiction with scientific rigor, feminist principles
Catherine Asaro said she needs to mentally restrain herself from putting mathematical functions in her novels. The alumna, who often joins science and feminism in her work, is best known for exploring an intergalactic empire at war in her series, "Saga of the Skolian Empire." However, she said she didn't originally intend to write hard science fiction. Asaro said she discovered...
BRAUN: Queering The Script highlights importance of visibility, inclusiveness
Even before any winners' names are announced, the Golden Globes are already a big disappointment. There is zero diversity in the nominations. Why does this matter so much? When movies and television show you — over and over again —evil South American drug lords, cruel stepmothers, annoying airheads competing for some smirking bachelor, the annoying airheads known as Rachel,...
Producer Effie T. Brown Named CEO of Female-Focused Film Financing Fund Gamechanger
Effie T. Brown, the veteran producer of "Dear White People," "Real Women Have Curves" and "But I'm a Cheerleader," has been tapped as CEO of the female-focused film financing fund Gamechanger, the fund announced on Tuesday. Now with Brown at the helm — she also appeared in Season 4 of HBO's "Project Greenlight" as a producer — Gamechanger is broadening its scope to include...
Women made strides in 2019's films, but it's still a 'Man's (Celluloid) World,' new study shows
This week's study of female representation in the movie business finds that women headlined almost as many of 2019's top films as men did. The annual report from San Diego State University's Center for the Study of Women in Television and Film found that a recent record 40% of last year's highest boxoffice grossers featured female protagonists. That was up from 31% in 2018....
The Press Enterprise
From \'Captain Marvel\' to \'Little Women,\' Record Number of Female Protagonists in 2019 (Study)
LOS ANGELES (Variety.com) – Change has come to the multiplex. In 2019, "Captain Marvel," "Little Women," "Us," and "Frozen 2" helped usher in a banner year for female protagonists. Women made unprecedented gains as the stars in the top grossing films with the percentage of female leads rising from 31% to 40%, according to a new study by the Center for the Study of Women in...
Canada Dot Com


text:
using System;
using System.Collections.Generic;
using System.Linq;
using DeviceProviders;
using System.Collections.ObjectModel;

namespace AllJoynClientLib.Devices.AllPlay
{
    /// <summary>
    /// A media entry item
    /// </summary>
    public class Media
    {
        /// <summary>
        /// Initializes a new instance of the <see cref="Media"/> class.
        /// </summary>
        /// <param name="url">The URL.</param>
        /// <param name="title">The title.</param>
        /// <param name="artist">The artist.</param>
        /// <param name="thumbnailUrl">The thumbnail URL.</param>
        /// <param name="duration">The duration.</param>
        /// <param name="mediaType">Type of the media.</param>
        /// <param name="album">The album.</param>
        /// <param name="genre">The genre.</param>
        public Media(string url, string title = null, string artist = null,
            Uri thumbnailUrl = null, TimeSpan? duration = null,
            string mediaType = null, string album = null, string genre = null)
        {
            Url = url;
            Title = title;
            Artist = artist;
            ThumbnailUrl = thumbnailUrl;
            Duration = duration == null ? TimeSpan.Zero : duration.Value;
            MediaType = mediaType;
            Album = album;
            Genre = genre;
        }

        internal Media(AllJoynMessageArgStructure s)
        {
            // "(ssssxsssa{ss}a{sv}v)
            Url = s[0] as string;
            Title = s[1] as string;
            Artist = s[2] as string;
            ThumbnailUrl = s[3] is string ? new Uri(s[3] as string) : null;
            Duration = TimeSpan.FromMilliseconds((long)s[4]);
            MediaType = s[5] as string;
            Album = s[6] as string;
            Genre = s[7] as string;
            var otherDataArg = s[8] as IList<KeyValuePair<object, object>>;
            OtherData = new Dictionary<string, string>();
            foreach (var item in otherDataArg)
            {
                OtherData.Add((string)item.Key, (string)item.Value);
            }
            var mediumArg = s[9] as IList<KeyValuePair<object, object>>;
            MediumDesc = new Dictionary<string, object>();
            foreach (var item in mediumArg)
            {
                MediumDesc.Add((string)item.Key, item.Value);
            }
            UserData = s[10] as AllJoynMessageArgVariant;
        }

        internal IList<object> ToParameter()
        {
            var t = AllJoynTypeDefinition.CreateTypeDefintions("(ssssxsssa{ss}a{sv}v)").First();
            var argument = new AllJoynMessageArgStructure(t);

            // var count = paramDef.Fields.Count;
            // string[] types = paramDef.Fields.Select(f => f.Type.ToString()).ToArray();
            // List<object> argument = new List<object>();
            argument.Add(Url);
            argument.Add(Title ?? " ");
            argument.Add(Artist ?? " ");
            argument.Add(ThumbnailUrl?.OriginalString ?? " ");
            argument.Add((long)Duration.TotalMilliseconds);
            argument.Add(MediaType ?? " ");
            argument.Add(Album ?? " ");
            argument.Add(Genre ?? " ");

            // Other data: a{ss}
            var otherData = new Dictionary<object, object>();
            if (OtherData != null)
            {
                foreach (var item in OtherData)
                {
                    otherData.Add(item.Key, item.Value);
                }
            }

            argument.Add(otherData.ToList());

            // medium desc: a{sv}
            var mediumDesc = new Dictionary<object, object>();
            if (OtherData != null)
            {
                foreach (var item in OtherData)
                {
                    mediumDesc.Add(item.Key, item.Value);
                }
            }

            argument.Add(mediumDesc.ToList());

            // AllJoynMessageArgVariant v = new AllJoynMessageArgVariant();
            // var arg = new DeviceProviders.AllJoynMessageArgVariant(AllJoynTypeDefinition.CreateTypeDefintions("v").First(), 0);
            // arg.Value = "upnp";
            argument.Add(UserData ?? "upnp"); // Variant: userdata
            return argument;
        }

        /// <summary>
        /// Gets the url to the item
        /// </summary>
        public string Url { get; }

        /// <summary>
        /// Gets the title
        /// </summary>
        public string Title { get; }

        /// <summary>
        /// Gets the artist
        /// </summary>
        public string Artist { get; }

        /// <summary>
        /// Gets the media thumbnail url
        /// </summary>
        public Uri ThumbnailUrl { get; }

        /// <summary>
        /// Gets the duration
        /// </summary>
        public TimeSpan Duration { get; }

        /// <summary>
        /// Gets the type of media
        /// </summary>
        public string MediaType { get; }

        /// <summary>
        /// Gets the album
        /// </summary>
        public string Album { get; }

        /// <summary>
        /// Gets the genre
        /// </summary>
        public string Genre { get; }

        /// <summary>
        /// Gets or sets additional data.
        /// </summary>
        /// <value>The additional data.</value>
        public IDictionary<string, string> OtherData { get; set; }

        /// <summary>
        /// Gets or sets additional media descriptors.
        /// </summary>
        /// <value>The medium desc.</value>
        public IDictionary<string, object> MediumDesc { get; set; }

        private object UserData { get; set; }
    }
}

redpajama_set_name: RedPajamaGithub


Amazon Price: $39.00 (as of June 5, 2017 6:28 am – Details). Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on the Amazon site at the time of purchase will apply to the purchase of this product.
Strengthen info of essential NCLEX examination information with this updated PN-Review book – the 6th model! Shortly discover and provides consideration to essential NCLEX examination particulars, improve confidence with confirmed concepts and strategies, and be prepared for surprises with NCLEX examination survival concepts notably for PN school college students!
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Specialized dilemmas One problem on eBook readers with LCD screens is that it WOn't take long before you strain your eyes from reading. To help prevent this, you need to use the "white on black" feature of your iPad or similar features to other eBook readers. This will definitely help make reading easier.
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Note: If you're looking for a free download links of NCLEX-PN Exam Essentials Review Book, 6th Edition Pdf, epub, docx and torrent then this site is not for you. Ebookphp.com only do ebook promotions online and we does not distribute any free download of ebook on this site. The download link provided above is randomly linked to our ebook promotions or third-party advertisements and not to download the ebook that we reviewed. We recommend to buy the ebook to support the author. Thank you for reading.


text:
Q: how to expand or "zoom" pandas plot() figure? I am plotting with pandas plot() functions as follows:
In:
from matplotlib.pyplot import *
from datetime import date
import matplotlib.dates as mdates
import matplotlib.pyplot as plt

fig, ax = subplots()
df['session_duration_seconds'].sort_index().value_counts().plot(figsize=(25,10), fontsize=24)
ax.legend(['session_duration_seconds'],fontsize=22)
ax.set_xlabel("Title", fontsize=22)
ax.set_ylabel("Title", fontsize=22)
ax.grid()

However, my plot looks very "behind" I would like to expand the plot in order to show in more detail the following section of the figure:
Out:

Thus, my question is how can I expand or getting more close with pandas plot over that portion of the image?

A: Just an example to show how this could work:
df = pd.DataFrame({'Values': [1000, 1, 2, 3 , 4 , 2, 5]})
df.plot()

Now let's restrict the y-range
import matplotlib.pyplot as plt
df.plot()
plt.ylim(0, 10)

and we see the details of the curve.
Note that the curve is so steep near 0 due to the huge slope induced by the first y-value of 1000.
Also you can just scale the y-axis directly form within pandas plot functions:
df.plot(logy=True)


text:
Bematist ( derivat din βῆμα "pas") era cel care, în perioada clasică și elenistică, măsura distanțele de la un loc la altul prin numărarea pașilor, numiți bemi (unitate de măsură, echivalentul a 0,74 m). Activitatea de bematist exista deja în timpul lui Herodot (secolul VI.C.) în Imperiul Persan în domeniul construcțiilor de drumuri, fiind menționată inclusiv la construirea , care făcea legătura între Susa și Sardes (Herodot, Istorii, V, 32).

Bematiști în campania lui Alexandru Macedon în Asia
Bematiștii l-au însoțit pe Alexandru cel Mare în expediția lui în Asia. Regele macedonean nu a fost primul care a adus o armată în Asia, soldații greci după moartea lui , în încercarea de a-l răsturna pe regele Persiei, au trebuit să se consulte cu niște ghizi locali pentru a depăși dificultățile de a găsi drumul de întoarcere. Pentru evitarea blocajelor în înaintare, Alexandru a adus cu el bematiști, topografi, geografi și chiar și cercetași. Măsurătorile realizate  de către bematiști în timpul înaintării arată un grad ridicat de precizie, atât de mare încât s-a emis ipoteza utilizări unora dintre primele odometre, chiar dacă nu există mențiuni despre asta.

Tabelul de mai jos arată rutele măsurate de către bematiștii lui Alexandru: Baeton și Diognetus. Măsurătorile sunt menționate în lucrarea lui Plinius cel Bătrân (Naturalis historia, VI, 21-22) și, de asemenea, în opera geografului Strabon (Geografia, XI, 8, 9) care citează date conținute într-o operă pierdută a lui Eratostene, care, la rândul său, a folosit informații importante furnizate de bemantiști pentru propria sa operă cosmografică.

Câțiva bematiști
Istoria amintește numele a cinci bematiști: Diognetus, Baeton, Amintas, Archelaus și Filonide din Creta, fiecare dintre aceștia fiind menționați în lucrări antice.
 Filonide din Creta (fragment, FGrHist 121) a fost un mesager și un bematist. De mai multe ori Plinius (Naturalis historia, II, 4, 5) menționează opera lui Filonide, din care nu au rămas decât fragmente.

 Baeton și Diognetus sunt cunoscuți datorită mărturiei lui Plinius (VI, 61) și a unor fragmente de text (FGrHist 119 și 120). Despre munca lui Baeton, a rămas titlul: Σταθμοὶ τῆς Ἀλεξάνδρου πορείας (FGrHist 119 F-1).

 De asemenea, despre Amintas rămâne titlul lucrării: Ἀσίας σταθμοί (FGrHist 121 F-1) sau Περσικοὶ σταθμοί (F 4), din cel puțin trei cărți. Din conținutul fr. 1, este ușor de înțeles că opera lui Amintas a fost mai mult decât o simplă listă de distanțe; el a descris și costumele locuitorilor și monumente ale locurilor pe unde a trecut.

 Archelaus din Cappadocia (probabil regele ) pare să fi avut preocupări despre pietre prețioase și a scris, de asemenea, un Σταθμοί (FGrHist 123 F-1) menționat de către  (Varia historia, XVII, 17 = FGrHist 123 F 3), care rămâne o lucrare cu caracter general cu adnotări și asupra florei și faunei.

Note

Bibliografie

Geografi ai Greciei antice
Istorie geografică
Topografie
Alexandru cel Mare


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Guide to Alpha Sphere
Nu Desine, a British company, had designed and developed a hexagonal electronic musical instrument called AlphaSphere. This musical instrument has two available models, the elite series and the nexus series. Its primary concept is to increase the electronic musical player's level of expression. Interestingly, the AlphaSphere has been used worldwide, even before it was fully developed. Its appearances include the events, namely, the Musikmesse, an international fair focused on the music industry, TEDx conferences, the NAMM Show, a European event counterpart to Musikmesse, and many other worldwide events. Aside from that, it also received press from organizations like MusicRadar, the Wired magazine, BBC, and Sound and Sound technology magazine in the UK.
Initially, the concept of this instrument is conceived by Adam Place, while he was still studying at the Nagoya University of Arts in Japan. It was also then when he produced the initial prototype of the AlphaSphere. Subsequently, Place was commissioned by the Media Sandbox to further developed his invention in September 2010. After it had gone through further research, this had soon caused the birth of Nu Desine. This team specializes in electronic engineering, music technology, product design, user interface design, and software development.
By April 2012, the Nu Desine team announced that they started to take pre-order of their limited-edition Elite Series AlphaSphere. A year after that, in July, the team announced the release of AlphaSphere standard version, the Nexus Series. In the same year of 2013, AlphaSphere became available in retail stores in Japan, the United Kingdom, Europe, and the United States. Some notable artists known to use the AlphaSphere are the Enter Shikari rock band and Talvin Singh, a producer and composer.
The Nexus Alpha Sphere Series
The Nexus series is indeed designed with musicality in mind. It is the standard AlphaSphere series that features a series of logical notational arrangements which can be mapped around its spherical hexagonal form. This electronic instrument is composed offorty-eight tactile pads that allow the sound to be manipulated and triggered subtlety for the real-time modulations of audio.
Each of these pads is sensitive to velocity, pressure and fully compatible with MIDI (Musical Instrument Digital Interface) polyphonic aftertouch. Since it is MIDI compatible, it can be used and connect to music-related software. Also, it is supported by the HID (Human Interface Device). This musical instrument is advanced enough to take input and gives off output to its user.As well as that, it was OSC (Open Sound Control) supported and can be used to control lightings and other visual applications.
Furthermore, the AlphaSphere has a custom software known as the AlphaLive, which can be used as the instrument's MIDI mapping editor. It also has a sequencer and sampler capabilities, as well as allowing MIDI messages to be converted to OSC.Both of the firmware and software used in AlphaSphere are open source. Besides its above characteristics, the AlphaSphere is also infinitely programmable. Although there is no fixed note of function for each pad, there are several numbers of suggested notational arrangements for each.
Notes and scales layout can be set in the pad as desired. In addition to that, the modes of each pad and the parameters that pressure modulates are also customizable. AlphaSphere is also useful for alternative notational layouts, including the Harmonic Table note-layout or Tonal Array. It can also be used for the Wicki-Hayden note layout, a musical layout that differs from the traditional musical keyboard layout. These note layouts are well suited to the hexagonal lattice pad layout of the AlphaSphere.
The Limited Edition Elite Alpha Sphere Series
The limited edition of the AlphaSphere Elite Series is a high-end electronic musical instrument. Much like the Nexus Series, the Elite Series gives us pretty much the same features offered by the Nexus. However, there are still lots of differences between the two. Although both series have a forty-eight soft-touch finish tactile pads, the color variation of black AlphaSphere is only available on the limited-edition Elite Series.
Moreover, the Elite features a MIDI port to connect the AlphaSphere to an external MIDI hardware. When it comes to multi-channel MIDI compatibility, the AlphaSphere elite also allows multiple instruments to be played at the same time. Additional features of the Elite Series also include the 2x Assignable Dials, along with its 3x Assignable Buttons.


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Die Aufnahme der GdP in den DGB hat einen langen Weg hinter sich und reicht bis in die September in Mainz faßten Gewerk- schaftsvorstand und. Seit nunmehr über Jahren bereichern wir das närrische Treiben in Mainz. Besonders freuen wir uns, dass für junge Menschen die Brauchtumspflege der. The following article sorts the urban districts (Kreisfreie Städte – cities that constitute 32, Mainz · Rhineland-Palatinate, , 57,, 77,
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The population in the early was , An further 18, people live mainly elsewhere but have a second home in Mainz. The city is part of the Rhein Metro area of 5.
Mainz can easily be reached from Frankfurt International Airport in 25 minutes by commuter railway Line S8.
Mainz is a river port city as the Rhine which connects with its main tributaries, such as the Neckar , the Main and, later, the Moselle and thereby continental Europe with the Port of Rotterdam and thus the North Sea.
Mainz's history and economy are closely tied to its proximity to the Rhine historically handling much of the region's waterborne cargo.
Today's huge container port hub allowing trimodal transport is north of the town centre. The river moderates climate. It makes waterfront neighborhoods slightly warmer in winter and cooler in summer.
After the last ice age , sand dunes were deposited in the Rhine valley at what was to become the western edge of the city. The Mainz Sand Dunes area is now a nature reserve with a unique landscape and rare steppe vegetation for this area.
Historical sources and archaeological findings both prove the importance of the military and civilian Mogontiacum as a port city on the Rhine.
Mainz experiences an oceanic climate Köppen climate classification Cfb. As related by Suetonius the existence of Mogontiacum is well established by four years later the account of the death and funeral of Nero Claudius Drusus , though several other theories suggest the site may have been established earlier.
Main is from Latin Menus , the name the Romans used for the river. Linguistic analysis of the many forms that the name "Mainz" has taken on make it clear that it is a simplification of Mogontiacum.
However, it had also become Roman and was selected by them with a special significance. The Roman soldiers defending Gallia had adopted the Gallic god Mogons Mogounus, Moguns, Mogonino , for the meaning of which etymology offers two basic options: "the great one", similar to Latin magnus, which was used in aggrandizing names such as Alexander magnus , "Alexander the Great" and Pompeius magnus , "Pompey the great", or the god of "might" personified as it appears in young servitors of any type whether of noble or ignoble birth.
Mogontiacum was an important military town throughout Roman times, probably due to its strategic position at the confluence of the Main and the Rhine.
The town of Mogontiacum grew up between the fort and the river. Mainz was also a base of a Roman river fleet, the Classis Germanica. A temple dedicated to Isis Panthea and Magna Mater was discovered in [9] and is open to the public.
Among the famous buildings were the largest theatre north of the Alps and a bridge across the Rhine. The city was also the site of the assassination of emperor Severus Alexander in Alemanni forces under Rando sacked the city in From the last day of [11] or , the Siling and Asding Vandals , the Suebi , the Alans , and other Germanic tribes crossed the Rhine , possibly at Mainz.
Christian chronicles relate that the bishop, Aureus, was put to death by the Alemannian Crocus. The way was open to the sack of Trier and the invasion of Gaul.
Throughout the changes of time, the Roman castrum never seems to have been permanently abandoned as a military installation, which is a testimony to Roman military judgement.
Different structures were built there at different times. The current citadel originated in , but it replaced previous forts.
It was used in World War II. One of the sights at the citadel is still the cenotaph raised by legionaries to commemorate their Drusus.
Through a series of incursions during the 4th century Alsace gradually lost its Belgic ethnic character of formerly Germanic tribes among Celts ruled by Romans and became predominantly influenced by the Alamanni.
The Romans repeatedly re-asserted control; however, the troops stationed at Mainz became chiefly non-Italic and the emperors had only one or two Italian ancestors in a pedigree that included chiefly peoples of the northern frontier.
By that time the army included large numbers of troops from the major Germanic confederacies along the Rhine, the Alamanni, the Saxons and the Franks.
The Franks were an opponent that had risen to power and reputation among the Belgae of the lower Rhine during the 3rd century and repeatedly attempted to extend their influence upstream.
In the emperor Julian bought peace by giving them most of Germania Inferior , which they possessed anyway, and imposing service in the Roman army in exchange.
He used Hunnic troops a number of times. Attila went through Alsace in , devastating the country and destroying Mainz and Trier with their Roman garrisons.
As far as the north was concerned this was the effective end of the Roman empire there. His father was a Suebian; his mother, a princess of the Visigoths.
Ricimer did not rule the north directly but set up a client province there, which functioned independently. The capital was at Soissons.
Even then its status was equivocal. Many insisted it was the Kingdom of Soissons. He was succeeded by his son, Syagrius, who was defeated by Clovis in His son, Merovaeus , fought on the Roman side against Attila, and his son, Childeric , served in the domain of Soissons.
Meanwhile, the Franks were gradually infiltrating and assuming power in this domain from Txxandria northern Belgium which had been given to them by the Romans to protect as allies.
They also moved up the Rhine and created a domain in the region of the former Germania Superior with capital at Cologne.
They became known as the Ripuarian Franks as opposed to the Salian Franks. Events moved rapidly in the late 5th century.
After the fall of the Western Roman Empire in , the Franks under the rule of Clovis I gained control over western Europe by the year Clovis, son of Childeric, became king of the Salians in , ruling from Tournai.
In he defeated Syagrius , last governor of the Soissons domain, and took northern France. He extended his reign to Cambrai and Tongeren in —, and repelled the Alamanni in Also in that year he converted to Catholicism from non- Arian Christianity.
Clovis annexed the kingdom of Cologne in Thereafter, Mainz, in its strategic position, became one of the bases of the Frankish kingdom.
Mainz had sheltered a Christian community long before the conversion of Clovis. His successor Dagobert I reinforced the walls of Mainz and made it one of his seats.
A solidus of Theodebert I — was minted at Mainz. Charlemagne — , through a succession of wars against other tribes, built a vast Frankian empire in Europe.
Mainz from its central location became important to the empire and to Christianity. Meanwhile, language change was gradually working to divide the Franks.
Mainz spoke a dialect termed Ripuarian. On the death of Charlemagne, distinctions between France and Germany began to be made. Mainz was not central any longer but was on the border, creating a question of the nationality to which it belonged, which descended into modern times as the question of Alsace-Lorraine.
The first archbishop in Mainz, Boniface , was killed in while trying to convert the Frisians to Christianity and is buried in Fulda.
Boniface held a personal title of archbishop; Mainz became a regular archbishopric see in , when Boniface's successor Lullus was granted the pallium by Pope Adrian I.
Harald Klak , king of Jutland, his family and followers, were baptized at Mainz in , in the abbey of St.
From the time of Willigis until the end of the Holy Roman Empire in , the Archbishops of Mainz were archchancellors of the Empire and the most important of the seven Electors of the German emperor.
Besides Rome, the diocese of Mainz today is the only diocese in the world with an episcopal see that is called a Holy See sancta sedes.
The Archbishops of Mainz traditionally were primas germaniae , the substitutes of the Pope north of the Alps. In , Archbishop Siegfried III granted Mainz a city charter, which included the right of the citizens to establish and elect a city council.
The city saw a feud between two archbishops in , namely Diether von Isenburg , who was elected Archbishop by the cathedral chapter and supported by the citizens, and Adolf II von Nassau , who had been named archbishop for Mainz by the pope.
In , the Archbishop Adolf raided the city of Mainz, plundering and killing inhabitants. At a tribunal, those who had survived lost all their property, which was then divided between those who promised to follow Adolf.
Those who would not promise to follow Adolf amongst them Johannes Gutenberg were driven out of the town or thrown into prison.
The new archbishop revoked the city charter of Mainz and put the city under his direct rule. Ironically, after the death of Adolf II his successor was again Diether von Isenburg, now legally elected by the chapter and named by the Pope.
The Jewish community of Mainz dates to the 10th century CE. It is noted for its religious education. Rabbi Gershom ben Judah — taught there, among others.
He concentrated on the study of the Talmud , creating a German Jewish tradition. Mainz is also the legendary home of the martyred Rabbi Amnon of Mainz , composer of the Unetanneh Tokef prayer.
The Jews of Mainz, Speyer and Worms created a supreme council to set standards in Jewish law and education in the 12th century.
The city of Mainz responded to the Jewish population in a variety of ways, behaving, in a sense, in a bipolar fashion towards them. Sometimes they were allowed freedom and were protected; at other times, they were persecuted.
The Jews were expelled in , after which they were invited to return , and in Jews were attacked in and by mobs in Outbreaks of the Black Death were usually blamed on the Jews, at which times they were massacred, such as the burning of 11 Jews alive in Nowadays the Jewish community is growing rapidly, and a new synagogue by the architect Manuel Herz was constructed in on the site of the one destroyed by the Nazis on Kristallnacht in On 18 March , the Jacobins of Mainz, with other German democrats from about towns in the Rhenish Palatinate , proclaimed the ' Republic of Mainz '.
Led by Georg Forster , representatives of the Mainz Republic in Paris requested political affiliation of the Mainz Republic with France, but too late: Prussia was not entirely happy with the idea of a democratic free state on German soil although the French dominated Mainz was neither free nor democratic.
Travel to Mainz. Climate in Mainz. Economy of Mainz. Culture of Mainz. Religions of Mainz. Education in Mainz.
Map of Mainz. Mainz is one of the centers of the German wine economy as a center for wine trade and the seat of the state's wine minister. Due to the importance and history of the wine industry for the federal state, Rhineland-Palatinate is the only state to have such a department.
Since , the city is also member of the Great Wine Capitals Global Network GWC , an association of the most exclusive and well-known wineculture-cities of the world.
Many wine traders also work in the town. Lower Saxony. Saarbrücken district. Ludwigshafen am Rhein. Halle an der Saale.
Mülheim an der Ruhr. Kempten Allgäu. Weiden in der Oberpfalz. Brandenburg an der Havel. Frankfurt an der Oder. Landau in der Pfalz.
GdP-Büro Mainz. Anschrift: Nikolaus-Kopernikus-Str. 15 · Mainz Erreichbarkeit: Montag bis Donnerstag von Uhr bis Uhr und von 00 Uhr. Termine nach Vereinbarung in der GdP-Geschäftsstelle Mainz GdP-Phone: - Postanschrift: Am Mönchspfad 24, Schornsheim. Gewerkschaft der Polizei - GdP Rheinland-Pfalz, Mainz. Gefällt Mal. Facebook Auftritt der GdP Rheinland Pfalz. #hermitmehr Sabrina Kunz auf der Kundgebung in Mainz: 3. Ein frohes und gesegnetes Weihnachtsfest! Die Gewerkschaft der Polizei (GdP) RLP. Jews were attacked in and by mobs in Dynamische Navigation ausblenden. Mainz has Casino Hagen number of different names in other languages and dialects.
This is a list of cities and/or their metropolitan areas in the world by GDP per capita, a ranking of subnational entities from members of the Organisation for Economic Co-operation and Development (OECD) by gross domestic product at purchasing power parity prices per capita. METRO_ID Metropolitan areas GDP per capita (USD, constant prices, constant PPP, base year ) .
Mainz is a river port city as the Rhine which connects with its main tributaries, such as the Neckar, the Main and, later, the Moselle and thereby continental Europe with the Port of Rotterdam and thus the North Sea. Mainz's history and economy are closely tied to its proximity to the Rhine historically handling much of the region's waterborne. GDP per capita (USD, constant prices, constant PPP, base year ) Mainz USA17 St. Louis UK Guildford DE Mannheim-Ludwigshafen. GDP is perhaps the most closely-watched and important economic indicator for both economists and investors alike because it is a representation of the total dollar value of all goods and services. Gewerkschaft der Polizei - GdP Rheinland-Pfalz, Mainz, Germany. K likes. Facebook Auftritt der GdP Rheinland Pfalz. Economy: Wiesbaden is well aligned for the future. Thanks to the business-friendly climate of the regional capital, city is firmly anchored at the top of the ranking of German cities. Further to well-known big corporations, there are many medium and small enterprises. A distant mirror. Abgerufen am 4. Random House Digital, Inc. Most of the city is upstream of the Kaufmich.Comhttps://Www.Google.De before it flows west. Main is from Latin Menusthe name the Romans used for the river. From Wikipedia, the free encyclopedia. As the loyalty of the Vangiones was unquestioned and Drusus was campaigning Lapalingo Promo Code the Rhine, it is unlikely Mogontiacum would have been built to collect taxes from the Vangiones, who were not a Roman municipium. On the afternoon Forge Of Empires Diamanten Farmen 18 Novembera huge explosion rocked Mainz when the city's powder magazine, the Pulverturmexploded. Those who would not promise to follow Adolf amongst them Johannes Gutenberg were driven out of the town or thrown into prison. Harald Klakking of Jutland, his family Aldi Spiele De followers, were baptized at Mainz inin the abbey of St. Mainz Gdp Mainz Station or Mainz Hauptbahnhof Bubblez Online Spielen, is frequented by 80, travelers and visitors each day and is therefore one of the busiest 21 stations in Germany. Historical sources and archaeological findings both prove the importance of the military and civilian Mogontiacum as a port city on the Rhine. Since it has competed in the Bundesliga First Online Casino Blackjack soccer Gdp Mainz except a break in second level in —08 season. From the time Schneller Kassieren Tipps Willigis until the end of the Holy Roman Empire inthe Archbishops of Mainz were archchancellors of the Empire and the most important of the seven Electors of the German emperor.
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Host a Competition
Zhihu • 507 Team • 508 participants
(practice) Zhihu Machine Learning Challenge 2017
2017-08-16 - Launch
2018-01-19 - Team Merger Deadline
2017-11-16 - Close
Home Competitions
timeprize
Make a final submission
Final Leaderboard
Background Introduction
Launched in January 2011 in China,Zhihu is currently the world's largest knowledge-sharing platform. More than 200 million users everyday access Zhihu's service to present their professionality, to find quality content to facilitate their decision making, and to connect with people from whom they seek help, collaboration or partnership. Since thousands of hundreds of high quality UGC is generated per day in Zhihu, how to understand the created contents and distribute them in a highly effective way has become an important topic within the closed loop of Content Production-Content Distribution that Zhihu has created.
So far, Zhihu machine learning team has developed a basic set of ecosystem. By using machine learning technologies. , the team realized User Profiling, Content Profiling, Customized News-Feed, etc. The processing efficiency raised by dozens of times comparing with previous manual operations. In Zhihu's idea, the value for algorithm is that there is a high possibility to understand people's potential needs with less obstacles for content acquisition, thus enhancing the learning efficiency. Zhihu's machine learning team is not only eying on fulfilling users reading interests, but also to satisfy the needs for acquiring good information that will improve oneself. With the support from Zhihu machine learning, high quality information will be routed to users in a highly effective, automatic and intelligent way.
Currently, an important content distribution channel of zhihu is the feed stream per "Focus" relationship. The "Focus" relationship could be based on user, or on topic tags. Recommending contents to users per the focused topic tags will better fulfill users' needs on knowledge per different areas and types. Therefore, automatic and accurate tagging topics for Zhihu contents will play a very important role in enhancing user experience and content distribution efficiency. Meanwhile, interpreting meanings of text and automatically tagging them, especially in the scenario of the tag volume is large, and the tags are interrelated, is a cutting the edge study trend for natural language processing. For the above reason, Zhihu algorithm team, together with IEEE Computer Association and IEEE China office, host Zhihu Machine Learning Challenge 2017, so as to revolutionize or even totally reproduce the way people gets information.
This contest is also known as the China Artificial Intelligence Contest.
Participants should achieve an automatic tagging model for untagged data, per training data based on the bonding relationship between questions and topic tags that Zhihu provided.
There are 3 million questions within the tagged data. 1 question has 1 or more tags. All in all, there are 2 thousand tags. 1 tag matches with 1 topic in Zhihu. The tags may have parental relationship , based on which the topics will form into a Directed Acyclic Graph (DAG).
Considering user privacy and data security, this contest will not provide original texts to describe questions and topics, but will use numbered codes and numbered segmented words to represent text messages. Meanwhile, considering the vast use of Distributed Representation in natural language processing, the contest will provide embedding vectors at character level and word level. These embedding vectors will be get by conducting training with google word2vec and taking the advantage of the mega text corpora that Zhihu provides.
Except for case conversion, full-width half-angle conversion and removing special characters (e.g. emoji expressions and invisible characters), the training data and forecasting data will not go through any case of cleansing.
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Q: Formula of snubber capacitor capacitance for SCR dV/dt protection I have a formula here for finding the suitable value of shunt capacitance to be put on an SCR snubber:
$$ C=\frac{1}{2L}\left(\frac{0.546 V}{\frac{dV}{dt}} \right)^2 $$
L is the snubber inductor, V is the DC supply voltage and \$\frac{dV}{dt}\$ the maximum allowable surge voltage. My question is about the derivation of the said equation—if it is a correct one. The formula looks bizarre to me when considering the equation for getting the right inductor, \$V = L\frac{di}{dt}\$, which is more straightforward. Moreover, I'm puzzled why choosing the capacitor value would depend on the series snubber inductor.

A: Interesting question.
The inductor stores energy in the current: 0.5 * L * I^2
The snubber capacitor needs to store that same amount of energy, as voltage across the capacitor: 0.5 * C * V^2
Equate the two energy equations, and have fun.


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8 × I/O ports in a single module – Configurable for many uses.
The IO8 module features 8 × I/O ports, each configurable for a variety of input and output functions.
The CommandFusion IO8 module features 8 x I/O ports, each configurable for a variety of input + output functions. Comes with spring terminals for quick and easy, yet secure connections to external inputs/sensors/outputs. Plug it into a modular controller to add I/O ports to your system.
2-4 × Serial ports in a single module – configurable for RS232/422/485 modes.
The CommandFusion COM4 module features 2 to 4 user configurable serial ports, and comes with spring terminals for quick and easy, yet secure connections to control external serial devices. Plug it into a modular controller to add serial port control to your system.
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