text:
Carl Eduard Hellmayr (* 29. Januar 1878 Wien; † 24. Februar 1944 in Orselina) war ein österreichischer Ornithologe, Kurator und Autor.

Leben
Schon im frühen Alter beobachtete er Vögel in der Umgebung des Stifts Seitenstetten. Am Stift legte er im Jahr 1897 schließlich seine Matura ab. 1898 erschien seine erste Veröffentlichung: Muscicapa parva im Wienerwald. Schon im Alter von 16 Jahren begann er im Jahr 1894 mit der Recherche für seine zweite Publikation Beiträge zur Ornithologie Nieder-Österreichs, die 1899 im Ornithologischen Jahrbuch erschien und in der er Victor Ritter von Tschusi zu Schmidhoffen (1847–1924) für seine Hilfe dankte. In den Jahren 1899 und 1900 schrieb er sich in Berlin ein. Des Weiteren studierte er in Wien, brachte es aber nie zu einem akademischen Abschluss. Trotzdem bekam er während seiner Zeit am Bayerischen Nationalmuseum in München den Ehrendoktortitel verliehen.

Bei einem Treffen der Deutschen Ornithologen-Gesellschaft 1900 in Leipzig traf Hellmayr erstmals auf Graf Hans Hermann Carl Ludwig von Berlepsch. Es wurde eine innige Freundschaft, in der Berlepsch ein wichtiger Mentor wurde. Zum Tode seines Freundes Berlepsch schrieb Hellmayr 1915 im Journal für Ornithologie einen Nachruf. 1903 wurde ihm am Zoologischen Institut in München die Aufgabe übertragen, eine ornithologische Abteilung für das Nationalmuseum aufzubauen. Hier wurde er Kurator. Schon bald studierte er die Vögel Brasiliens, die von Johann Baptist von Spix gesammelt worden waren. Das Ergebnis erschien 1905 unter dem Titel Revision der Spix'schen Typen brasilianischer Vögel. 1905 ging er ans Walter Rothschild Zoological Museum in Tring. Hier traf er auf seinen nächsten Förderer Ernst Hartert. 1908 kehrte er nach München zurück, wo er bis zum September 1922 verblieb. In dieser Zeit wurde er Generalsekretär der Ornithologischen Gesellschaft in Bayern. Zusätzlich katalogisierte und sortierte er das Wiedemann Archiv für Zoologie und Zootomie. Für das Muséum national d'histoire naturelle analysierte er seit 1904 Vögel, die Alcide Dessalines d'Orbigny in Südamerika gesammelt hatte. Im Jahr 1922 kehrte er Europa den Rücken und zog in die Vereinigten Staaten. Da Charles Barney Cory vom Field Museum of Natural History gerade gestorben war, übernahm er im Oktober 1922 die begonnene Arbeit für das mehrbandige Monumentalwerk Catalogue of the Birds of the America. Der Katalog wurde eines seiner bedeutendsten Werke.

Im Juni 1931 kehrt er nach Europa zurück. Nach der Machtübernahme der Nationalsozialisten in Österreich im Jahr 1938 wurde er verhaftet. Die Hintergründe der Verhaftung sind unklar. In der Haft wurde er schwer krank und in ein Krankenhaus verlegt. Doch die schweren Misshandlungen und Verhöre gingen weiter. Nach der Entlassung gelang ihm die Flucht in die Schweiz, in der er bis zu seinem Lebensende blieb. Nachdem er sich kurz von den Strapazen der Gefangenschaft erholt hatte, reist er für kurze Zeit zu Studienzwecken an das Natural History Museum in London, kehrte aber bald wieder zurück nach Genf. Der Krieg hatte seine Spuren hinterlassen und Hellmayr musste 1942 wegen einer Operation ins Krankenhaus in Chur. 1943 zog er mit seiner Frau Katherina nach Orselina. Ihr widmete er auch eine Unterart der Grüntangare, Tangara gyrola catharinae Hellmayr, 1911 (ursprünglich Calospiza gyroloides catharinae). Neben Vögeln waren er und seine Frau auch passionierte Liebhaber von Orchideen.

Ehrungen
Im Jahr 1903 wurde Hellmayr ein Fellow der American Ornithologists' Union. Bereits 1911 wurde er zum Ehren-Fellow ernannt. 1929 wurde ihm die William-Brewster-Medaille für seine Verdienste am Catalogue of the Birds of the America verliehen. Der Deutschen Ornithologen-Gesellschaft trat er 1901 bei, verließ diese aber wieder 1908.

Dedikationsnamen
Der Entomologe Wilhelm Albert Schulz beschrieb 1904 eine Grabwespen-Art (Ampulex hellmayri) zu Ehren Hellmayrs. Mit dem Hellmayrpieper (Anthus hellmayri) machte Hartert im Jahre 1909 Hellmayr seine Aufwartung. Im Englischen wird diese Art als Hellmayr's Pipit bezeichnet. Auch Outram Bangs widmete Hellmayr mit dem Santa Marta-Baumschlüpfer (Cranioleuca hellmayri) 1907 eine neue Art. Kustos Otmar Reiser bedachte ihn 1905 mit dem Rotschulter-Dickichtschlüpfer (Gyalophylax hellmayri). 1907 benannte auch sein Freund Berlepsch ein Taxon nach ihm: Mecocerculus hellmayri, den Fahlbinden-Tachurityrannen. Jean Stanislaus Stolzmann widmete Hellmayr in seinen Annales Zoologici Musei Polonici Historiae Naturalis 1926 sogar eine eigene Gattung namens Hellmayrea.

Weitere Autoren benannten Unterarten zu Ehren Hellmayrs:
 Unterart des Streifenkehl-Attilatyranns (Attila rufus hellmayri) (, 1935)
 Unterart des Rotrücken-Sensenschnabels (Campylorhamphus trochilirostris hellmayri , 1930)
 Unterart des Fahlkopfspechts (Celeus elegans hellmayri) (, 1908)
 Unterart des Purpurnaschvogels (Cyanerpes caeruleus hellmayri) (, 1945)
 Unterart des Tyrannenbaumsteigers (Dendrocincla tyrannina hellmayri) (, 1913)
 Unterart des Hochland-Schnäppertyranns (Empidonax occidentalis hellmayri) (, 1935)
 Unterart des Patagonienerdhackers (Geositta cunicularia hellmayri) (, 1925)
 Unterart der Gelbbürzeltangare (Hemithraupis flavicollis hellmayri) (, 1912)
 Unterart des Südlichen Weißbauch-Baumsteigers (Lepidocolaptes angustirostris hellmayri) (, 1925)
 Unterart des Schieferkappen-Laubtyranns (Leptopogon superciliaris hellmayri) (, 1929)
 Unterart der Rotachseltaube (Leptotila rufaxilla hellmayri) (, 1915)
 Unterart des Larvenwaldsängers (Myioborus miniatus hellmayri) (, 1936)
 Unterart des Rostschwingen-Maskentyranns (Myiozetetes cayanensis hellmayri) ( & , 1917)
 Unterart des Eichhornkuckucks (Piaya cayana hellmayri) (, 1938)
 Unterart des Augenring-Breitschnabeltyranns (Rhynchocyclus brevirostris hellmayri) (, 1932)
 Unterart des Lachsschnabelsaltators (Saltator aurantiirostris hellmayri) ( & , 1939)
 Unterart des Schmuckpfäffchen (Sporophila caerulescens hellmayri) (, 1939)
 Unterart des Schwarzschulterpapagei (Tanygnathus megalorynchos hellmayri) (, 1944)
 Unterart des Rotschwanztyranns (Terenotriccus erythrurus hellmayri) (, 1907)
 Unterart der Schleiereule (Tyto alba hellmayri) ( & , 1937)
 Unterart des Streifenschwanz-Baumspähers (Xenops tenuirostris hellmayri) (, 1925)

Erstbeschreibungen
Hellmayr war der Erstautor von vielen Gattungen, Arten sowie Unterarten.

Gattungen
Folgende Gattungen hat Hellmayr beschrieben:
 Jabiru , 1906
 Oreophylax , 1925
 Cnemotriccus , 1927
 Neoxolmis , 1927
 Tolmomyias , 1927
 Neothraupis , 1936

Vogelarten
Viele Arten beschrieb er alleine, doch arbeitete er auch mit Henry Boardman Conover, Josef Graf von Seilern sowie Henri Auguste Ménégaux zusammen. Mit Conover schrieb er am Catalogue of Birds of the Americas. Mit Ménégaux publizierte er Étude des espèces critiques et des types du groupe des Passereaux. Folgende Taxa wurden u. a. von Hellmayr zu erst beschrieben:

 Rotgesichtguan (Penelope dabbenei) ( & , 1942)
 Schwarzschopf-Ameisenvogel (Percnostola lophotes) ( & , 1914)
 Tepuiameisenfänger (Herpsilochmus roraimae) (, 1903)
 Olivmantel-Ameisenpitta (Hylopezus berlepschi) (, 1903)
 Hochland-Ameisenwürger (Thamnophilus aroyae) (, 1904)
 Rio de Janeiro-Ameisenfänger (Cercomacra brasiliana) (, 1905)
 Östlicher Schwarzkopf-Mückenfresser (Conopophaga roberti) (, 1905)
 Reiserkleintyrann (Phyllomyias reiseri) (, 1905)
 Graustirncanastero (Thripophaga berlepschi) (, 1905)
 Weißkragenpipra (Corapipo altera) (, 1906)
 Ockerbürzel-Ameisenfänger (Drymophila ochropyga) (, 1906)
 Kolumbianischer Tüpfelguan (Ortalis columbiana) (, 1906)
 Großer Grauameisenvogel (Schistocichla caurensis) (, 1906)
 Schwanzbindenpipra (Pipra fasciicauda) (, 1906)
 Südliche Zwergpipra (Tyranneutes stolzmanni) (, 1906)
 Chapmansegler (Chaetura chapmani) (, 1907)
 Méridazaunkönig (Cistothorus meridae) (, 1907)
 Gelbkinn-Faulvogel (Nonnula sclateri) (, 1907)
 Blutstirnkardinal (Paroaria baeri) (, 1907)
 Weißbrust-Ameisenvogel (Rhegmatorhina hoffmannsi) (, 1907)
 Weißstirn-Ameisenvogel (Skutchia borbae) (, 1907)
 Rußkappen-Faulvogel (Bucco noanamae) (, 1909)
 Parábaumsteiger (Dendrocolaptes hoffmannsi) (, 1909)
 Schiefergrauer Ameisenfänger (Formicivora iheringi) (, 1909)
 Palmer-Tangare (Tangara palmeri) (, 1909)
 Goldringtangare (Bangsia aureocincta) (, 1910)
 Blauschultertangare (Bangsia melanochlamys) (, 1910)
 Schuppenbauch-Baumschlüpfer (Cranioleuca muelleri) (, 1911)
 Westlicher Strichelameisenschlüpfer (Myrmotherula pacifica) (, 1911)
 Blaugrauer Würgerling (Thamnomanes schistogynus) (, 1911)
 Cordillera Real-Canastero (Asthenes berlepschi) (, 1917)
 Tepuibaumspäher (Automolus roraimae) (, 1917)
 Graugesicht-Laubtyrann (Leptopogon taczanowskii) (, 1917)
 Gelbbrustkotinga (Pipreola pulchra) (, 1917)
 Brustband-Grundschnäpper (Ficedula timorensis) (, 1919)
 Nördlicher Weißstirntapaculo (Scytalopus atratus) (, 1922)
 Caracastapaculo (Scytalopus caracae) (, 1922)
 Meridatapaculo (Scytalopus meridanus) (, 1922)
 Kurzschwanz-Todityrann (Todirostrum viridanum) (, 1927)
 Bergameisenfänger (Formicivora serrana) (, 1929)
 Weißkehl-Erdhacker (Upucerthia albigula) (, 1932)
 Yucatánzaunkönig (Campylorhynchus yucatanicus) (, 1934)
 Stirnfleckenorganist (Euphonia imitans) (, 1936)
 Weißbauch-Ameisenfänger (Drymophila devillei) ( & , 1906)
 Flussufer-Ameisenwürger (Thamnophilus cryptoleucus) ( & , 1906)

Schriften (Auswahl)

Literatur

Einzelnachweise

Ornithologe
Wissenschaftlicher Mitarbeiter am Field Museum of Natural History
Österreicher
Geboren 1878
Gestorben 1944
Mann


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Reliance Entertainment | Release Date: June 10, 2016 | Not Rated
Summary: It's been 8 years since John Biswas lost his granddaughter, Angela, in a tragic kidnapping incident that scarred him & his wife Nancy forever. But eight years later, while the world has moved, John hasn't given up his relentless quest for justice. He continues to visit the police station where he's shunned & ignored every day. He continuesIt's been 8 years since John Biswas lost his granddaughter, Angela, in a tragic kidnapping incident that scarred him & his wife Nancy forever. But eight years later, while the world has moved, John hasn't given up his relentless quest for justice. He continues to visit the police station where he's shunned & ignored every day. He continues to revisit the spot where Angela breathed her last, hopelessly looking for clues. The only person whose help he seeks is Martin Das, an ex-cop turned priest who has one thing in common with John – the death of Angela had a life altering impact on both men. When John accidentally stumbles upon a clue in a busy market, his hope for justice and revenge are once again ignited. He seeks the help of a reluctant Father Martin. But the clue leads them nowhere, leaving John heartbroken and Martin disillusioned. But then, 1 day, 8 years after that tragic incident, there's another kidnapping and everything about it echoes of similarity with the kidnapping of Angela. Father Martin is once again dragged into the investigation by cop Sarita Sarkar. While the priest and the cop tackle the new kidnapping, John doggedly pieces together the identity of Angela's kidnapper from little bits of information that he collects through his own investigation.… Expand
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This review contains spoilers, click expand to view. Among all the **** Tamil/Telegu movie remakes and the **** Hollywood remakes, comes a South Korean remake, and to be honest, it's good. The problem with Bollywood thrillers, I think, is pacing issues. They tend to be unnecessarily slow and more often than not bore me to death. This movie didn't have them, although the old people still spoke a little slower than usual. Coming to the twists and turns, some of them were jaw dropping, while some were completely predictable. But here's my problem with the movie, it has a lot of exposition. The flashbacks in the movie are over-explanatory, and that made me mentally check out a couple times.
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DogeGamer2015
La trama es lenta y compleja; sin embargo, es entretenida y logra captar la atención del espectador.
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Category Archives: In the Grip of Circumstance (US: Essanay 1914)
Changing the Entertainment Geography of the City: The Bohemian Picture Theatre Opens
Posted on June 9, 2014 by EarlyIrishCinema
Ad for the opening of the Bohemian Picture Theatrre. Dublin Evening Mail, 6 Jun. 1914: 7.
"Glasnevin has fallen into line – it has not merely one Picture House, but two. Handsome buildings they are, both of them," observed the Evening Herald's Man About Town at the end of May 1914. He also noted developments in cinema far from Dublin, in the west coast Aran Islands: "Kilronan, Islands of Arran, too, has 'joined the movement.' Kilronan people to the number of 400 turned in on Saturday week last to their Picture Palace, and, as our Arran correspondent adds, 'thoroughly enjoyed the films shown'" ("Thing Seen and Heard"). However accurate may have been his intriguing information on cinemagoing on islands far from the city that was his beat, he was wrong about the location of the two new Dublin picture houses; they were in the north-city district of Phibsborough, a mile from the more remote village of Glasnevin.
Letterhead from 1916 featuring image of Bohemian Picture Theatre. Courtesy of the National Library of Ireland.
On 9 June 1914, the Irish Times somewhat more accurately reported that the "Bohemian Picture House, in Phibsborough road, was opened yesterday afternoon under conditions which promise well for the future success of the entertainment given there" ("Bohemian Cinema"). The location was right here, as the Bohemian – taking its name from the local soccer club – was built on the site of two demolished houses at 154 and 155 Phibsborough Road. However, as the controversy over the recently opened Phibsboro Picture House's showing of In the Shadow of the Throne continued into the week beginning 8 June, conditions looked a little less auspicious than the writer would have his/her readers believe. The British trade journal Bioscope's detailed account of the incident only appeared on 11 June, describing it as "A Catholic Protest" that had been counterproductive because it had "evoked a desire in other people to see [the film] and judge for themselves" ("'In the Shadow of the Throne').
Two small shops flanked the entrance to the Bohemian, which was approached by a set of steps.
Nevertheless, both the Times and Herald rightly agreed that the Phibsborough picture houses were handsome, well-equipped buildings. The plans for the Bohemian were drawn up by Dublin's most prominent cinema architect, George L. O'Connor. Having already prepared the plans for the Mary Street Picture House and the Rathmines Picture Palace (opened in March 1913 and soon afterwards named the Princess), O'Connor was said to be making "a speciality of designing cinema theatres" ("Another New Cinema Theatre for Dublin"). His design for the Bohemian resembled that of the Rathmines Picture Palace in incorporating two shops on either side of the entrance, each only a single storey in order not to block the view of the theatre itself ("More Cinema Theatres for Dublin"). The facade was "finished in red brick and chiselled limestone dressings, gables and finials" ("Building News"). Although set back from the street, the picture house announced itself with a canopy that extended between the shops. Patrons entered the auditorium by climbing a set of steps to the lobby. Inside, a wide stairs led to a spacious gallery, while an auditorium 104 feet by 38 feet was furnished with seats and carpets in shades of blue and topped by an elliptical ceiling finished in decorative fibrous plaster (ibid).
While noting the comfortable furnishings and the lighting and ventilation systems, the Irish Times also took an unusual interest in the details of the cinematic equipment. The projection box held two Ernemann Jubilee projectors, in which
the film is entirely enclosed throughout its length, thus giving complete immunity from fire risks. From lens to screen is a distance of 105 feet, and the screen, 20 feet by 15 feet, is slightly inclined from the vertical in order to give a proper view from every part of the house ("Bohemian Cinema").
"The Bohemian Boy": Caricature of Bohemian owner Frederick Sparling. Irish Limelight Aug. 1917: 1.
The 24-year-old Bohemian owner Frederick Arthur Sparling chose to compete with the more experienced proprietors of the Phibsboro Picture House located just 50 yards away with a very similar entertainment. Both venues offered continuous performances from 3 to 10:30, but the Boh's prices of 3d, 6d and 1s were slightly higher than the Phibsboro's 3d, 6d and 9d, and on Sundays, the cost of 3d seats increased to 4d. The ad for the Boh's opening promised "refinement, good music and clear, steady pictures," with its programme for the first six days headed by the four-reel British racing drama In the Hands of London Crooks (Barker, 1914). On Sunday 14 June, the main film was the two-reel In the Grip of Circumstance (US: Essanay, 1914), followed on Monday, 15 June, by Lieutenant Daring and the Stolen Invention (Britain: British and Colonial Kinematograph, 1914), and on Thursday, 18 June by The Drudge (US: Vitagraph, 1914). Sparling likely left the choice of "exclusive" films to his manager W. O. Ashton, who had recently been working for the Dublin branch of the distribution company Films, Limited (Paddy,18 Jun.). Musical director Percy Carver supervised the accompaniment, which "plays during the whole of the performance" ("Bohemian Picture Theatre").
Map showing the main Dublin picture houses and theatres showing films by 1914, with the location of the Bohemian and Phibsboro indicated.
The Times put the number of seats at 900, while other sources estimated 860 ("More Cinema Theatres for Dublin"), 1,000 ("Building News") and 1,200 (Paddy, 4 Jun.). Taking even the lowest estimates for the two Phibsborough picture theatres (the Phibsboro with 570 and Bohemian with 860), early June 1914 saw this suburb on the northern edge of the city gain more than 1,400 cinema seats in just over two weeks. To ensure healthy profits, the picture houses would have had to have induced patrons to travel to Phibsborough, perhaps on one of the two tram lines that served the area. This was an extraordinary development because it showed the degree to which cinema had changed the entertainment geography of the city by bringing professionally produced theatrical entertainment into the suburbs.
"Another New Cinema Theatre for Dublin." Irish Builder 31 Jan. 1914: 72.
"Bohemian Cinema." Irish Times 9 Jun. 1914: 5.
"Bohemian Picture Theatre," Dublin Evening Mail 13 Jun. 1914: 3.
"Building News." Irish Builder 19 Dec. 1913: 868.
"'In the Shadow of the Throne': A Catholic Protest." Bioscope 11 Jun. 1914: 1106.
"More Cinema Theatres for Dublin." Irish Builder 16 Aug. 1913: 536.
Paddy. "Pictures in Ireland." Bioscope 4 Jun. 1914: 1069; 18 Jun. 1914: 1261.
"Thing Seen and Heard: Glasnevin." Evening Herald 25 May 1914: 5.
Posted in Bohemian Picture Theatre, Canopy, Dublin, Electric lighting, Fibrous plaster, Films Limited, Frederick Arthur Sparling, Furnishings, George L. O'Connor, Glasnevin, In the Grip of Circumstance (US: Essanay 1914), In the Hands of London Crooks (Britain: Barker 1914), Kilronan (Aran Islands), Lieutenant Daring and the Stolen Invention (Britain: British and Colonial Kinematograph 1914), Location, Man About Town (Evening Herald), Number of seats, Percy Carver, Phibsboro, Phibsboro Picture Theatre, Projectors, Suburbs, The Drudge (US: Vitagraph 1914), Ticket Prices, Ventilation, W. O. Ashton	| Tagged Evening Herald, In the Shadow of the Throne (1914), Irish Times, Map, Paddy (Bioscope), Princess Cinema (Rathmines	| 5 Replies


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        this.pinnedTopRows = this.createNodesFromData(rowData, true);
        var event = {
            type: events_1.Events.EVENT_PINNED_ROW_DATA_CHANGED,
            api: this.gridApi,
            columnApi: this.columnApi
        };
        this.eventService.dispatchEvent(event);
    };
    PinnedRowModel.prototype.setPinnedBottomRowData = function (rowData) {
        this.pinnedBottomRows = this.createNodesFromData(rowData, false);
        var event = {
            type: events_1.Events.EVENT_PINNED_ROW_DATA_CHANGED,
            api: this.gridApi,
            columnApi: this.columnApi
        };
        this.eventService.dispatchEvent(event);
    };
    PinnedRowModel.prototype.createNodesFromData = function (allData, isTop) {
        var _this = this;
        var rowNodes = [];
        if (allData) {
            var nextRowTop_1 = 0;
            allData.forEach(function (dataItem, index) {
                var rowNode = new rowNode_1.RowNode();
                _this.context.wireBean(rowNode);
                rowNode.data = dataItem;
                rowNode.rowPinned = isTop ? constants_1.Constants.PINNED_TOP : constants_1.Constants.PINNED_BOTTOM;
                rowNode.setRowTop(nextRowTop_1);
                rowNode.setRowHeight(_this.gridOptionsWrapper.getRowHeightForNode(rowNode).height);
                rowNode.setRowIndex(index);
                nextRowTop_1 += rowNode.rowHeight;
                rowNodes.push(rowNode);
            });
        }
        return rowNodes;
    };
    PinnedRowModel.prototype.getPinnedTopRowData = function () {
        return this.pinnedTopRows;
    };
    PinnedRowModel.prototype.getPinnedBottomRowData = function () {
        return this.pinnedBottomRows;
    };
    PinnedRowModel.prototype.getPinnedTopTotalHeight = function () {
        return this.getTotalHeight(this.pinnedTopRows);
    };
    PinnedRowModel.prototype.getPinnedTopRowCount = function () {
        return this.pinnedTopRows ? this.pinnedTopRows.length : 0;
    };
    PinnedRowModel.prototype.getPinnedBottomRowCount = function () {
        return this.pinnedBottomRows ? this.pinnedBottomRows.length : 0;
    };
    PinnedRowModel.prototype.getPinnedTopRow = function (index) {
        return this.pinnedTopRows[index];
    };
    PinnedRowModel.prototype.getPinnedBottomRow = function (index) {
        return this.pinnedBottomRows[index];
    };
    PinnedRowModel.prototype.forEachPinnedTopRow = function (callback) {
        if (utils_1._.missingOrEmpty(this.pinnedTopRows)) {
            return;
        }
        this.pinnedTopRows.forEach(callback);
    };
    PinnedRowModel.prototype.forEachPinnedBottomRow = function (callback) {
        if (utils_1._.missingOrEmpty(this.pinnedBottomRows)) {
            return;
        }
        this.pinnedBottomRows.forEach(callback);
    };
    PinnedRowModel.prototype.getPinnedBottomTotalHeight = function () {
        return this.getTotalHeight(this.pinnedBottomRows);
    };
    PinnedRowModel.prototype.getTotalHeight = function (rowNodes) {
        if (!rowNodes || rowNodes.length === 0) {
            return 0;
        }
        else {
            var lastNode = rowNodes[rowNodes.length - 1];
            return lastNode.rowTop + lastNode.rowHeight;
        }
    };
    __decorate([
        context_1.Autowired('gridOptionsWrapper'),
        __metadata("design:type", gridOptionsWrapper_1.GridOptionsWrapper)
    ], PinnedRowModel.prototype, "gridOptionsWrapper", void 0);
    __decorate([
        context_1.Autowired('eventService'),
        __metadata("design:type", eventService_1.EventService)
    ], PinnedRowModel.prototype, "eventService", void 0);
    __decorate([
        context_1.Autowired('context'),
        __metadata("design:type", context_1.Context)
    ], PinnedRowModel.prototype, "context", void 0);
    __decorate([
        context_1.Autowired('columnApi'),
        __metadata("design:type", columnApi_1.ColumnApi)
    ], PinnedRowModel.prototype, "columnApi", void 0);
    __decorate([
        context_1.Autowired('gridApi'),
        __metadata("design:type", gridApi_1.GridApi)
    ], PinnedRowModel.prototype, "gridApi", void 0);
    __decorate([
        context_1.PostConstruct,
        __metadata("design:type", Function),
        __metadata("design:paramtypes", []),
        __metadata("design:returntype", void 0)
    ], PinnedRowModel.prototype, "init", null);
    PinnedRowModel = __decorate([
        context_1.Bean('pinnedRowModel')
    ], PinnedRowModel);
    return PinnedRowModel;
}());
exports.PinnedRowModel = PinnedRowModel;

redpajama_set_name: RedPajamaGithub


text:
Film of the Day - Pontypool
Posted on Sunday, January 12th, 2014 at 6:02 am. Written by Steve
Stephen McHattie in Pontypool
A movie for every day of the year – a good one
First public radio broadcast, 1910
On this day in 1910, the first public radio broadcast was … heard is probably the wrong word, since almost no one had a radio set and the quality of the 500-watt transmission was so bad. But the first public radio broadcast was made at any rate, from the Metropolitan Opera House, New York, where Enrico Caruso, then the most famous opera singer in the world, sang arias from Cavalleria Rusticana and Pagliacci along with Czech soprano Emmy Destin. Though both had belting voices, the microphones placed in the footlights were not really up to the job and it was only when off-stage microphones were sung into directly that the few hundred listeners in Newark, New Jersey, in various hotels in New York, and on board a ship moored in New York harbour, could hear anything significant. The transmission was masterminded by Lee De Forest, a remarkable inventor who in his long life (he died in 1961) would be granted more than 300 patents. De Forest was the first man to use the word "radio" for what he was doing, partly as a way of avoiding charges of patent infringement by Marconi and Stubblefield, who appeared, up to this point at least, to have the world of wireless (as they called it) telegraphy and telephony all sewn up.
Pontypool (2008, dir: Bruce McDonald)
Pontypool is a beautifully lo-fi piece of genre misdirection that opens at a tiny local radio station in a church basement where some disgraced former big-noise DJ is on his first day back at the microphone. Grant Mazzy (Stephen McHattie) is a grizzled hard drinker of the old school, all bass rumble and professionalism, who uses the word "folks" a bit too often. Once eased into the chair (both him and us) this simple Canadian film (yes, that Welsh place name is slightly misleading too), treats us to what looks like a muted character piece about someone coming to terms with their new, reduced, circumstances. But then things start going wrong. Just little things at first. Like the fact that the woman who comes in regularly to sing on the show just kind of gets stuck halfway through a line and can't continue. There's an apparition in the snow outside. People start phoning in with bewildering stories. And this is where the film gets interesting, as various genre mood boards are presented, held up for a second, then taken away again. What are we watching? Is this a siege movie? Should we expect zombies? Alien invasion? Or is this just a case of good old fashioned smalltown hysteria? I won't say any more, except that Pontypool shows that all you need to make a film is a simple but pungent idea, that limitations of space (this is shot almost entirely in the radio studio) don't matter if you use that space properly, and that sound can count more in a film than images, because they're suggestive of a huge unseen world. It also really helps that in the shape of Grant Mazzy we have a man who is paid to keep talking, so whole acres of exposition can be laid out without the script ever appearing forced. And that tendency of DJs to just keep talking, regardless of whether they have anything to say, is exploited wickedly towards the end, in a joke that seriously redeems a film just when it was beginning to get a bit silly. A cult gripper.
Why Watch?
Nicely judged performances by husband and wife Stephen McHattie and Lisa Houle
A "how to" of lo-fi film-making
An intelligent offbeat chiller
Network – at Amazon
Tags: 13 january, bruce mcdonald, film of the day, lisa houle, movie of the day, pontypool, review, stephen mchattie
Pontypool (2008)
Run time: 93 min
Genres: Horror | Thriller
Director: Bruce McDonald
Writers: Tony Burgess
Stars: Stephen McHattie, Lisa Houle, Georgina Reilly
Trivia: A psychological thriller in which a deadly virus infects a small Ontario town.
Storyline A psychological thriller in which a deadly virus infects a small Ontario town.
Plot Keywords: virus, doctor, trapped in a building, singing, climbing through a window
Box Office Budget: $1,500,000 (estimated)
Opening Weekend: $1,541 (USA) (29 May 2009)
Gross: $3,478 (USA) (5 June 2009)
- Great Films About Food
Review - U-571
See This - The Beat That My Heart Skipped


The HyperX Cloud Stinger is an ergonomic headset. It is made of lightweight plastic and is pretty comfortable when gaming for a long time. The ear-cup is well cushioned and comfortable. It has "over-ear" design. The plastic used on this headset is lightweight and quite flexible. Black colored padding on the top very well blends with the black design of the headphones and why not, the red-black duo is the signature color of HyperX branding on both ear-cups.
As an analog headset, the Stinger is universally compatible with anything that houses a standard 3.5mm port. The first meter of the cord terminates with a single 3.5mm jack and can connect to mobile devices and games consoles. For use on a PC, the included extension cable ends with two 3.5mm jacks – one for audio, one for the microphone. Unlike on other HyperX headsets, the cables aren't braided, which means they're a little easier to tangle and look less fancy.
Left and Right are marked and according to the design, the noise-cancelling microphone is on the left earcup and can be turned on or off by swiveling up and down which makes an audible 'click' sound. Sadly, it isn't detachable, but it does offer some flexibility.
The ear cups rotate 90 degrees and come in a decent amount of faux leather-coated Memory foam padding. A volume slider is present on the underside of the right cup, which allows for easy adjustment of audio volume.
The Stinger feels surprisingly lightweight. The headband never feels like it's compressing against your head, while at the same time doesn't slip when moving erratically. It's a very comfortable headset even for very long gaming sessions. The padding used throughout the headset provided a nice, soft feel, and it didn't feel like to constantly vent my ears from excess heat.
The HyperX Cloud Stinger is one of the most capable wired gaming headsets you can buy for under 4K INR or $50 USD.


Binghamton, N.Y. – The Comets surrendered four goals in the opening frame as they fell 5-1 to the Binghamton Devils Saturday night at the Floyd L. Maines Veteran's Memorial Arena. Lukas Jasek scored the lone goal for the Comets. Ivan Kulbakov took the loss in net, stopping 8 of 11 shots before being replaced by Connor LaCouvee.
Nick Lappin put Binghamton up 1-0 just 1:17 into the game. Marian Studenic made it 2-0 five minutes later. Curtis Gabriel continued the push a minute and a half later, tipping a shot past Kulbakov. LaCouvee replaced Kulbakov in net after the goal. The onslaught continued as John Ramage's shot leaked through LaCouvee a minute later. Jasek got the Comets on the board with three minutes remaining in the first, pushing a rebound past Devils goalie Mackenzie Blackwood. Tanner MacMaster and Michael Carcone tallied the assists.
Ryan Schmelzer capitalized on a turnover to put Binghamton back up by four at the 4:11 mark of the second period. The Comets were unable to find the net in the middle frame despite outshooting Binghamton 12-4.
The Comets fought hard in the third to attempt a comeback but were shutdown by Blackwood and the Devils' defense.
The Comets return to the ice Wednesday night as they faceoff against the Belleville Senators. Puck drop at CAA Arena is a 7 p.m. The game can be heard on 94.9 KROCK and viewed on AHL TV.


text:
How Do Podcasts Make Money? How To Make Money From A Podcast
Business / By Gennaro Cuofano / October 14, 2022 October 15, 2022
Podcasts make money in several ways. The primary sources of revenues from podcasting come from affiliate marketing, advertisements (in the form of pre-roll, mid-roll, post-roll), sponsorships, selling your own products, or by using podcasting to sell consulting services. Podcasting is an effective marketing and distribution channel, and it can be integrated within a business model.
Pre-Roll Ads
Mid-Roll Ads
Post-Roll Ads
Actively selling yourself to brands
Podcast Networks
Related Business Concepts
Affiliate marketing describes the process whereby an affiliate earns a commission for selling the products of another person or company. Here, the affiliate is simply an individual who is motivated to promote a particular product through incentivization. The business whose product is being promoted will gain in terms of sales and marketing from affiliates.
Affiliate marketing basically is a digital marketing model that businesses employ, which involves paying a third party (a person or a business) to promote their products and services on their website, blog posts, Vlog, Podcasts, and other content creation, and rather than pay for clicks, the business pays a commission to that third party, for traffic or sales that that third party has referred. In this case, you are a third party.
You can advertise for businesses that render services related to your Products. For example: if your Podcast reviews cars you sell, you can be an affiliate partner with an auto repair service provider.
Everyone who books a session with them using your unique link gets some sort of discount when they visit the auto repair.
Now, you can make money from this on a commission basis; on every person that visits their shop, you get a 4-5% of the revenue generated, or you just get a fixed amount, depending on your deal with the business owner of course.
You can also be an affiliate marketer for goods that you do not personally sell, maybe because you do not have a manufacturer for it yet.
You don't just want to add it to your portfolio for many reasons, you can decide to sell via affiliate marketing.
Suppose your Podcast talks about fashion – which of course, should be in your line of business. In that case, you can have an affiliate link for selling clothes, shoes, bags, and other fashion items from websites like Amazon that reward you for driving sales traffic to their website.
On websites like Amazon, you get a specific link tailored for just you, which ensures that as long as the customer follows your link, you will get the commission for the sale, even if the buyer closes the browsing session and resumes later, as far as the buyer doesn't clear his internet cookies.
Cookies are small files on your browser that hold tiny bits of data usually specific to the website, accessible to your computer and the web server.
There are a million products on Amazon. If you want to do affiliate marketing, select a product that matches your podcast topic.
Modern advertising was born back in the early 1900s intended as the use of madd media (from Radio going forward) enabled companies to communicate at scale with a simplified message. With the advent of the Internet, digital advertising with all its facets took off, and it enabled companies to reach small audiences with customized messages.
This is also a popular way to make money off your Podcast, although it is something you should consider only when your Podcast has grown to a sizeable level because adverts ruin the pleasure of the Podcast.
It can get annoying when you lose your small listeners because of adverts, putting the real reason you started the Podcast (your business) in jeopardy.
Companies also typically contact podcasts with many listeners and subscribers for advertisements as it will give them a better reach due to a larger audience.
In today's market, an advertisement can make you a minimum of $70 per month on a weekly show if you have 1,000 listeners; of course, this number grows exponentially with more listeners, so you can make over $700 in a month if your weekly show can boast of 10,000 listeners.
There are three kinds of adverts that you can provide on your Podcast. They are:
These ads, typically 15 seconds long, are usually played at the beginning of a podcast. Standard rates are worth $18 per 1000 downloads
These ads, typically 60 seconds long, are usually played midway through a podcast; it can sometimes be annoying to the listener. It breaks the flow of information, especially when the listener is not interested.
Although the listener is interested, it easily catches their attention because the listener is deeply listening with almost no distraction, increasing the chances of the ad to stick.
The standard rate for a mid-roll Ad is $25 per 1000 downloads.
Typically, 30 seconds long, these ads are played at the end of a podcast. They are worth $10 per 1000 downloads.
The counting system typically works with downloads; whether or not the episode was played after the download doesn't matter; as long as that episode has been downloaded, it makes a count.
Sponsorship is a mouthwatering way of monetizing your Podcast, as thousands of potential sponsors are looking for a way to increase their reach.
The difficult part is looking for a sponsor that fits in your podcast's narrative and, at the same time, strike a deal good enough for you.
Sponsors always want to ensure that they don't give you money and products without any tangible increase in revenue. Sponsors can come on your show at any time.
Still, it is usually better for you and the sponsor to have a decent amount of audience before inserting adverts from your sponsors to your show, as it could cause a U-turn in the entire monetization goal.
There are a few ways to get sponsors for your Podcast, some of which include:
As a small podcaster, you most likely will not have sponsors knocking around your door, looking for advertisement opportunities.
Instead, you can pitch yourself to them, showing them statistics from your Podcast, which tells them that you are a growing brand, and in no time, you will be bigger than you are, which is why analytics is an important service podcast host needs to render you.
This will help you convince the brand that investing in you holds financial value and will not be a waste, with statistics to back you up.
You can join a podcast network that links up sponsors with podcasters, which exposes your content to more brands, and the ones who love your content and feel their services are a fit for your audience will reach out to you. Although you have to split your earnings with the network.
Read Next: Marketing Strategy, Business Strategy, Business Models.
Read Now: Top 12 Business Ideas with Low Investment and High Profit, Business Startup Ideas To Launch.
How do TikTokers Make Money
TikTok, owned by the Chinese tech giant ByteDance turned as among the most successful native micro-video platforms, and it became the go-to platform for millions of young users. Thus, the "TikToker" has already become the evolution of the "influencer" from platforms like Instagram. Those TikTokers make money in a few ways, such as monetary gifts, sponsorships, advertising agreements, affiliations, and more.
How Do YouTubers Make Money
Online influencer marketing is a relatively new creation, but it has fundamentally changed how brands communicate with consumers. People with targeted audiences are now the focus of advertising efforts. Influencers can tap from small to larger audiences thus, giving companies another way to promote their products. Indeed, influencers make money by selling digital products via sponsorships and affiliations, brand ambassadors programs, and physical products.
How To Make Money From A Podcast
What Is Influencer Marketing
Influencer marketing involves the marketing of products or services that leverages the popularity, expertise, or reputation of an individual. Influencer marketing is often associated with those who have large social media followings, but popularity should not be confused with influence. Influence has the power to change consumer perceptions or get their audience to do something different.
How Does Instagram Make Money
Instagram makes money via visual advertising. As part of Facebook products, the company generates revenues for Facebook Inc. overall business model. Acquired by Facebook for a billion dollar in 2012, today Instagram is integrated into the overall Facebook business strategy. In 2018, Instagram founders, Kevin Systrom and Mike Krieger, left the company, as Facebook pushed toward tighter integration of the two platforms.
How Does TikTok Make Money
TikTok makes money through advertising. It is estimated that ByteDance, its owner, made over $17 billion in revenues, for 2019. While we don't know the exact figure for TikTok ads revenues, given it counted over 800 million users by 2020, it is a multi-billion company, worth anywhere between $50-100 billion and among the most valuable social media platforms of the latest years.
Read Next: What Is Influencer Marketing, How To Become An Influencer, Types Of Influencers, Instagram Marketing, How Does Instagram Make Money, How Does TikTok Make Money, TikTok Marketing.
podcast/" data-a2a-title="How Do Podcasts Make Money? How To Make Money From A Podcast">
Top Business Podcasts To Listen to In 2023
The History of AOL with Gerry Campbell [FourWeekMBA Podcast]
The History of PayPal with Jimmy Soni [FourWeekMBA Podcast]
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The Ethereum Story With Matthew Leising [FourWeekMBA…
The History of SpaceX With Eric Berger [FourWeekMBA Podcast]
What Is Trader Joe's? The History of Trader Joe's With Patty…


Mountain Plumbing - MT4321X/SC - Bull Nose Rigid Supply Tube- 3/8'' X 30'' Annealed.
Hubbard Pipe and Supply Inc is proud to present this satin chrome finished sink part, by Mountain Plumbing. The MT4321X/SC is made from premium materials, this Sink Part offers great function and value for your home. This fixture is part of Mountain Plumbing's decorative Collection, so make sure to check out other styles of fixtures to accessorize your room.


text:
Adventure / Travel, Disability, Inspirational, Motivation & Inspiration, Motivational Speaker, Overcoming Adversity
Travels from Arizona, USA
Jessica Cox's speaking fee falls within range:
Check Jessica Cox's Availability and Fee
Have you seen Jessica speak? Leave a review.
Speaker Topics: Adventure / Travel, Disability, Inspirational, Motivation & Inspiration, Motivational Speaker, Overcoming Adversity
Jessica Cox Profile
Despite being born without arms due to a birth defect, Jessica has lived an otherwise normal life. After overcoming her self-esteem issues, Jessica earned a degree in psychology and got her airline pilot's certificate.
Earning her pilot's certificate also earned her meetings with heads of state, an entry in the Guinness Book of World Records, and even a meeting with the Pope. Putting an emphasis on the way we think versus our physical limitations, Jessica has shared her positive message in her travels to more than 20 countries.
Jessica Cox has famously eliminated the words "I can't" from her vocabulary.
Although born without arms as the result of a birth defect, she has never allowed that to be a limiting factor. While she suffered from self-esteem issues early on and physical challenges throughout her life, Jessica managed to overcome and achieve — earning a college degree and a Taekwondo black belt, learning to drive a car with her feet, type with her toes, and in 2008 fly an airplane. That feat landed her in the Guinness Book of World Records and led to an audience with the Pope, meetings with heads of state, and a great deal of media attention.
Recently married, Jessica continues her journey.
In the present, she has turned the tables on her so-called "disability", allowing it to enable her as a motivational speaker and advocate in the USA and beyond. In the future there is no telling where her feet will take her
Jessica Cox Speaking Videos
Jessica Cox Speech Excerpt
At this speaking engagement at the AOPA Aviation Summit, Jessica demonstrates to the audience the physical challenges she had to overcome to get her pilot certification. By "thinking outside of the shoe", Jessica taught herself different ways to succeed by focusing on her ultimate goal.
Jessica Cox Speaking at AOPA Aviation Summit Pt 1
Jessica Cox, International Keynote Speaker
Jessica Cox Interview
Bring Jessica Cox to Speak Live at Your Event
Jessica Cox's Speech Descriptions
Never seeing herself as a victim, Jessica shares her inspirational stories of success and overcoming failures in a "two-handed" world. Jessica's seminars help people find inner strength and overcome their own challenges in business or any walk of life.
Using the four elements of creativity, desire, fearlessness, and persistence, Jessica's speaking engagements encourage her audiences to overcome the seemingly impossible.
RIGHTFOOTED™
Motivational Speaking Services
Turning the "Impossible" into "Accomplishment"
What limits people in your group from attaining their highest potential? How can they push limitations aside?
Jessica believes in combining creativity, desire, persistence and fearlessness; with them, nothing is impossible. In her presentation, she digs deep into her experiences living armless in a two-handed world and how these four elements helped her achieve the seemingly impossible.
Think Outside The Shoe™
Are you letting fears stand in the way of your opportunities?
Is it easier to come up with an excuse than a creative solution to a challenge?
What handicaps do you and others harbor that you do not need?
How soon should you give up when confronted with a difficult challenge?
Scott Burrows
Nick Friedman


Drawing inspiration from ancient churches and antique crosses, layers of paint and gold leaf are applied to wooden blocks to create a gorgeous look. These crosses can be placed on a shelf of hung on the wall. Each wooden piece is hand painted and includes a scripture reference on the back.


Consult a Co-operators Insurance Advisor about critical illness insurance in Summerside today!
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Critical illness coverage is a must-have. In fact, your and your family's wellbeing and quality of life could depend on it. So when you're in the process of browsing quotes online, you have to take the price tag, as well as what is included in your critical illness coverage, into consideration. Through our network of committed advisors in Summerside, we provide the kind of excellent customer service and insightful advice you need. You can also expect us to always prioritize the needs of our members and communities—after all, we've been a co-operative for more than 70 years!
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Summerside has a public critical illness insurance policy system that provides a minimum level of mandatory coverage to vehicle owners when they purchase license plates.


text:
De Landing bij Anzio op 22 januari 1944 tijdens de Italiaanse Veldtocht van de Tweede Wereldoorlog, was een geallieerde amfibische landing tegen de as-strijdkrachten bij Anzio en Nettuno in Italië. De operatie werd geleid door majoor-generaal John P. Lucas en was bedoeld om de Gustav-linie te omtrekken en een aanval op Rome te forceren.

De landing kreeg de codenaam Operatie Shingle.

Inleiding

|We wilden een wilde kat aan land zetten, maar zitten met een gestrande walvis - Winston Churchill.
|}
Aan het eind van 1943 stokte de geallieerde opmars op het Italiaanse vasteland bij de Gustav-linie, ook bekend als de Winterlinie. Deze Duitse verdedigingslinie blokkeerde een verdere Brits-Amerikaanse opmars richting Centraal-Italië, met als hoofdprijs Rome. Psychologisch gezien zou de inname van Rome van groot effect zijn, aangezien het de eerste hoofdstad van een van de grote asmogendheden was die door de geallieerden zou worden ingenomen. Het landschap van Midden-Italië was ideaal voor de verdediging en veldmaarschalk Albert Kesselring - belast met de verdediging van Italië - bleek in staat hier goed gebruik van te maken.

Er waren een aantal voorstellen geweest om deze patstelling te doorbreken. Winston Churchills voorstel voor "Operatie Shingle" werd door Franklin D. Roosevelt en Jozef Stalin geaccepteerd. Een belangrijke aanval in het zuiden door het Amerikaanse 5e leger en het Britse 8e leger zouden Duitse eenheden uit de reeds dun verdedigde omgeving van Rome en de heuvels ten zuiden van Rome weglokken naar de Gustav-linie.

Op het moment dat de Duitse troepen uit de regio waren weggetrokken, zou er een verrassingsaanval door het Amerikaanse 6e korps in het gebied van Anzio en Nettuno plaatsvinden. Het korps stond onder leiding generaal John P. Lucas en moest via de Albaanse Heuvels oprukken om zo de Duitse verbindingen af te snijden. Bovendien was het zaak om de Duitse troepen die gelegerd waren aan de Gustav-linie van achteren te bedreigen.

Het plan
Volgens de geallieerden kon de landing voor twee situaties zorgen:
 De Duitsers verlieten de Gustav-linie om zich zo tegen de landingen achter hun linies te verdedigen en deze terug in zee proberen te werpen. De Duitse troepen bij de Gustav-linie zouden hierbij niet omsingeld kunnen worden.
 De Duitsers bleven gelegerd aan de Gustav-linie om de geallieerde troepen daar tegen te houden. Daarbij riskeerde de Duitsers dat de troepen aan de linie werden omsingeld en verloren gingen. Bovendien lag de weg naar Rome voor de geallieerden in dat geval open.

Als Duitsland voldoende strijdkrachten zou aanvoeren om zowel Rome te verdedigen als de Gustav-linie, dan zou de operatie nog steeds een succes zijn, omdat deze Duitse strijdkrachten niet op andere fronten konden worden ingezet.

Lucas had geen volledig vertrouwen in zijn superieuren of in het operationele plan. Een paar dagen voor de aanval schreef hij nog in zijn dagboek: "Tenzij we kunnen krijgen wat we willen, wordt de operatie naar mijn mening zo'n wanhopige onderneming dat we hem niet zouden moeten willen." En: "Deze operatie riekt sterk naar Gallipoli en het lijkt er sterk op dat dezelfde amateur op de bok van de koets zit". Met deze 'amateur' kan alleen Winston Churchill bedoeld zijn, minister van Marine tijdens de rampzalige landing bij het Turkse Gallipoli in 1915 en vurig pleitbezorger van operatie Shingle.

De aanvankelijke operatie werd op 18 december 1943 afgelast, maar kort daarna werd besloten deze toch te laten doorgaan

Beschikbaarheid van marine-eenheden
Een van de problemen bij het plannen was de beschikbaarheid van voldoende landingsschepen. Vooral de Amerikaanse bevelhebbers waren erop gespitst dat de landing in Normandië niet zou worden vertraagd, evenmin als de ondersteunende landing in Zuid-Frankrijk (Operatie Dragoon). Operatie Shingle vereiste de inzet van landingsschepen die later voor deze operaties ingezet zouden worden. Oorspronkelijk zou Shingle deze schepen op 15 januari weer vrij moeten geven, maar toen deze datum niet haalbaar bleek, gaf president president Roosevelt toestemming dat de schepen tot 15 februari beschikbaar waren voor Shingle.

Oorspronkelijk waren er overigens slechts voldoende landingsschepen beschikbaar voor één divisie. Op aandringen van Churchill werden er voldoende landingsschepen beschikbaar gesteld voor de landing van twee divisies. Volgens de geallieerde inlichtingendiensten waren er vijf of zes Duitse divisies in het gebied aanwezig.

Samenstelling geallieerde strijdmacht

De geallieerde strijdmacht voor deze aanval bestond uit 5 kruisers, 24 fregatten, 238 landingsvaartuigen, 62+ andere schepen, 40.000 soldaten en 5000+ voertuigen.

De aanval werd in drie groepen uitgevoerd, één Britse en twee Amerikaanse.

Britse strijdmacht
Deze strijdmacht viel op een strand tien kilometer ten noorden van Anzio aan:
 Britse 1e divisie
 46th Royal Tank Regiment
 2nd Special Service Brigade (deels)
 No.9 Commando
 No.43 Commando (RM)

Noordwestelijke Amerikaanse strijdmacht
Deze strijdmacht viel de havenstad Anzio aan:
 1st Ranger Battalion
 3rd Ranger Battalion
 4th Ranger Battalion
 509th Parachute Infantry Regiment (509th PIR)
 83rd Chemical Battalion
 93rd Evacuation Hospital

Oorspronkelijk bevatten het plan hier ook een luchtlanding van het 504th Parachute Infantry Regiment, maar deze werd geschrapt.

Zuidwestelijke Amerikaanse strijdmacht
Deze strijdmacht viel 6 km ten oosten van Anzio aan:
 3e Infanteriedivisie

Zuidelijke aanval
Het vijfde leger begon op 16 januari 1944 met een nieuwe aanval op Monte Cassino. Hoewel de operatie er niet in slaagde de berg in te nemen, slaagde het strategische doel, want generaal Heinrich von Vietinghoff, commandant van de Gustav-linie, vroeg om versterkingen en Kesselring stuurde hem de 29. en 90. Panzer-Grenadier-Division uit Rome.

Initiële landingen
De landingen begonnen op 22 januari 1944. Hoewel er op tegenstand was gerekend, zoals bij Salerno in 1943, verliepen de landingen aanvankelijk zonder enige tegenstand, met uitzondering van een aantal aanvallen door de Luftwaffe.

Tegen middernacht waren er reeds 36.000 soldaten en 3200 voertuigen op de stranden geland. De geallieerde verliezen bedroegen dertien doden en zevenennegentig gewonden, terwijl ongeveer tweehonderd Duitsers krijgsgevangen werden gemaakt.
De 1e divisie drong 3 km landinwaarts door, de rangers namen de haven van Anzio in, het 509th PIR nam Nettuno in en de 3e divisie drong 5 km landinwaarts binnen.

Na de landingen
Het is duidelijk dat Lucas' superieuren een of andere offensieve actie van hem verwacht hadden, mogelijk zelfs een aanval op Rome. Het doel van de landing was om óf Duitse troepen uit de Winterlinie weg te trekken, óf gebruik te maken van zwakheid in het gebied achter de Duitse linies. Wat Lucas echter deed was meer mensen en materiaal zijn kleine bruggenhoofd binnen pompen, en zijn verdediging versterken. Lucas' beslissing bleef een controversiële. John Keegan meent dat "Als Lucas het had geriskeerd om op de eerste dag naar Rome te racen, zijn voorhoede waarschijnlijk gearriveerd zou zijn", hoewel die snel verslagen zou worden. Wel had hij snel "meer terrein kunnen claimen".

Duidelijk was dat Lucas niet veel vertrouwen had in de strategische plannen van de operatie. Zijn orders van zijn directe superieur generaal Clark waren: "landen, bruggenhoofd veilig stellen en optrekken". Met slechts twee divisies aan land, tegenover een overmacht van Duitse troepen, is het niet onredelijk te veronderstellen dat Lucas zijn bruggenhoofd niet als veilig beschouwde. Volgens Keegan bereikten Lucas' acties "het slechtste van twee werelden, zijn strijdkrachten blootstellend aan de vijand en geen dreiging op de vijand uitoefenend". Lucas werd op 23 februari van zijn commando ontheven en werd vervangen door generaal Lucian Truscott.

Kesselrings antwoord
Kesselring werd om 03:00 uur 's nachts op de 22e geïnformeerd. Om 05:00 gaf hij opdracht de 4e  Parachutistendivisie en vervangingseenheden van de Parachutisten-Pantserdivisie "Hermann Göring" om de wegen vanuit Anzio naar de Albaanse heuvels te blokkeren. Verder vroeg hij van het OKW versterkingen uit Frankrijk, Joegoslavië en Duitsland. Later die ochtend gaf hij aan Generaloberst Eberhard von Mackensen (14e Leger) en Gen. von Vietinghoff (10e Leger - Gustav Linie) opdracht om hem extra versterkingen te sturen.

De Duitse eenheden in de onmiddellijke omgeving waren in feite enkele dagen tevoren vertrokken om de Gustav linie te versterken.
Alle beschikbare eenheden aan het zuidelijke front, of op weg daarheen, werden met spoed richting Anzio gedirigeerd.
Dit inclusief de 3e Pantsergrenadierdivisie, de 71e Infanteriedivisie en de bulk van de Parachutisten-Pantserdivisie "Hermann Göring". Kesselring meende eerst dat een succesvolle verdediging onmogelijk zou zijn wanneer de geallieerden een belangrijke aanval op de 23e of 24e zouden uitvoeren. Maar tegen het eind van de 22e had het ontbreken van agressieve actie hem overtuigd dat een succesvolle verdediging mogelijk moest zijn.

Het 14e leger onder bevel van Gen. von Mackensen nam de coördinatie van de verdediging op 25 januari op zich. Elementen van acht Duitse divisies werden rondom het bruggenhoofd ter verdediging ingezet, met nog vijf andere divisies onderweg. Op 28 januari gaf Kesselring bevel tot een aanval op het bruggenhoofd, maar dit werd uitgesteld tot 1 februari.

Lucas lanceerde op 30 januari een aanval op twee plaatsen. Terwijl een strijdgroep snelweg 7 overschreed bij Cisterna alvorens naar het oosten te trekken, zou een tweede langs de Albano weg optrekken.

Verder verloop van de strijd
Het Duitse leger wist vier maanden lang te voorkomen dat de geallieerden uit het bruggenhoofd braken. Op 23 mei 1944 slaagden dezen er uiteindelijk in om uit te breken en twee dagen later konden de beide geallieerde legers in Italië verenigd worden. De Duitsers werden toen teruggeworpen op de Gotische Linie tussen La Spezia en Rimini.

Veldslagen tijdens Operatie Shingle
 Slag bij Cisterna

Zie ook
 Gustav-linie
 Krupp K5
 Lo sbarco di Anzio

Externe links
 U.S. report on German Defense Area on the Anzio Front
 MilitaryImages.Net Images and Discussion Anzio

1944
Anzio
Anzio
Anzio
Anzio
Anzio
Tweede Wereldoorlog in Italië
Geschiedenis van Lazio

redpajama_set_name: RedPajamaWikipedia


text:
Why Donald Trump is the Houdini of Bad Business
What's next for President Donald Trump once he leaves the White House? And what's next for his business? And what's he being investigated for again? And by whom?
We take a step back and break it all down with Andrea Bernstein, co-host of the WNYC & ProPublica podcast Trump Inc., about Trump's finances, his mounting debt and how, after decades of bad business, he has always managed to find a way out.
Louder Than A Riot: 'The Badder, The Better: Bobby Shmurda (Pt 1)'
Mon November 16
The rapper Bobby Shmurda had a big viral hit in 2014, and it looked like he was going to be a star. But just months later, Bobby and his friends were arrested and charged in connection with a murder and several other shootings. Our friends at NPR Music podcast Louder Than A Riot trace the interconnected rise of hip-hop and mass incarceration, and they take a look at Bobby's story in this episode.
Biden's Coronavirus Response, Plus Comedian Matt Rogers
Fri November 13
What could a new president mean for the coronavirus pandemic? Sam talks to Ed Yong, staff writer at The Atlantic, about President-elect Joe Biden's coronavirus task force and how much the federal government can do to change the course of the pandemic. Then, Sam chats with comedian Matt Rogers, whose projects this year include competition show Haute Dog on HBO Max, Quibi's Gayme Show and the podcast Las Culturistas (which he hosts with SNL's Bowen Yang). They talk about pop culture and what's giving them joy in 2020.
White Supremacy And Its Online Reach
Talia Lavin went undercover in white supremacist online communities, creating fake personas that would gain her access to the dark reaches of the internet normally off-limits to her, a Jewish woman. That research laid the groundwork for her book, Culture Warlords: My Journey Into the Dark Web of White Supremacy. Lavin talks to Sam about what it was like to infiltrate those online spaces, what she learned, and how white supremacy cannot exist without anti-Semitism.
What's Next For Biden And Democrats?
Joe Biden appears to be inching closer to a victory, but there wasn't a blowout for Democrats this election. Sam talks to New York Times national political reporter Astead Herndon about what we know, what we thought we knew, and what the results could mean for the left moving forward.
What's Next For Trump And Republicans?
Wed November 04
With the election still too close to call, The Atlantic reporter McKay Coppins joins Sam with the latest on what we know about the results, what they mean for President Trump, and how much Trumpism will live on in the Republican Party.


Balboa dancers in Berlin are lucky, and that is a fact. Compared to other cities, not only are they spoiled by the choice of events to go to during the week, a list that keeps growing, but they also have an opportunity to dance some more during the hot summer days in near vicinity of a beautiful little lake. Tycho, the man who is famed to have brought Balboa to the city, organizes these hugely popular outings a few times a year, and I have been lucky enough to take part in one as well in August 2015. If you're interested in having a dance and enjoying a swim after, check out their Facebook group for more info.
Posted on August 25, 2015 by Olga Baczynska and tagged dance camp dance workshop balboa balboa dancing balboa workshop tanzwekstatt balboa am badesee.


text:
Kurt Voigt ist der Name folgender Personen:

* Kurt Voigt (Politiker), deutscher Politiker (SED), MdV
 Kurt Voigt (MfS-Mitarbeiter) (1927–2009), deutscher Abteilungsleiter des Ministeriums für Staatssicherheit
 Kurt Voigt (Fußballspieler) (1928–1973), deutscher Fußballspieler


text:
namespace rpg_Game_V1
{
    using System;
    using System.Collections.Generic;
    using System.ComponentModel;
    using System.Data;
    using System.Drawing;
    using System.Linq;
    using System.Text;
    using System.Threading.Tasks;
    using System.Windows.Forms;

    public partial class LooseWindow : Form
    {
        public LooseWindow()
        {
            InitializeComponent();
            this.pictureBoxLooser.Load(@"../../../Media/LooseScreen.jpg");
        }

        private void buttonRestart_Click(object sender, EventArgs e)
        {
            this.Hide();
            Program.InitialiseGame();
        }

        private void buttonExit_Click(object sender, EventArgs e)
        {
            this.Close();
        }
    }
}


Food, drink, quiz, art, music – what a weekend!
Come and help us raise £3,000 as the last instalment for the wonderful Deeble grand piano whose purchase was inspired by Ruth being left a legacy by long-time friend Liz Deeble who died in 2018. The gorgeous shiny black piano will be on permanent loan to St Matthias Church.
Gather up your family, your friends, your neighbours and, in fact, anyone you know, to join in and make the fundraising even more fun.
All-Day cafe hosted by You Had Me At Halloumi 11am-4.30pm St Matthias Hall.
Pianothon 2 1-4pm – all budding pianists welcome to come and play the fabulous Deeble grand piano, serenading the cafe clientele. Curated by Jennie Barham. Bring a cash donation to have a go.


text:
2. The impact of coronavirus
1. Why are pubs disappearing in London?
3. The changing community role of London's pubs
4. Community ownership models in London – challenges and possibilities
5. Key findings and principles
The point of pubs
Principles for policymakers
Community ownership
The future of London's pubs
13 May 2021 | Richard Brown, Jack Brown
The pandemic has brought restrictions on meetings indoors and out, and has seen pubs forced to close, reopen, recalibrate and adjust to new rules, only then to close, and re-open again, most recently for outdoor table service only, but with the aim of fuller re-opening in May 2021. This has caused huge difficulties for hospitality in general, but arguably pubs in particular. Whilst the crisis has seen pubs back in the news, the news has mainly been bad. The British Beer and Pub Association estimated that 90 per cent of UK pub staff were on furlough at one point in the crisis. 10 Many pubs are struggling, and it seems likely that many will not survive.
London's pubs have been particularly hard hit: takings for July 2020 were down 10 per cent more in the capital than the UK average. 11 In September 2020, when pubs and restaurants were open again, sales were 28 per cent below the previous year's, compared to a small increase across the country. 12
Business rate relief and the furlough scheme have helped, and VAT discounts and 'Eat Out to Help Out' offered some limited help to pubs serving food, but not 'wet-led' pubs. The more recent offer of a £1,000 grant for such pubs over the Christmas period also seemed unlikely to prove adequate to sustain them through a long winter. Our roundtable participants pointed to the time, money and expense incurred in making pubs 'covid-secure', damaging the viability of those pubs which have been able to open even when permitted to do so in 2020/21.
One specific factor in the capital has been that central London's economy has been hit especially hard. Even when the economy 'reopened' in summer 2020, workplace trips and footfall remained significantly down in central London, compared to pre-pandemic levels, and compared to other world cities. 13 The collapse of both tourism and commuting, alongside a reduction in non-essential travel into central areas, meant that city centre pubs have struggled. That so many pubs in the City of London, for example, are 'wet-led', with little space and no capacity to provide food, has compounded this problem. Early signals suggest that April 2021 saw a sharp rise in footfall in the West End of London, but levels are still some way below where they were pre-pandemic.
Outer London pubs tended to do better. Londoners' new working and living habits mean that some outer London pubs have the potential to draw in more customers, especially during the traditional working week, once lockdown measures are lifted. It is possible that we will see a 'rebalancing' towards outer London, at least in the short-to-medium term. The future of central London's pubs is especially uncertain.
Whilst many pubs have attempted to adapt and to further diversify their offering during the periods in which they have been permitted to open in between lockdowns, many found this impossible, and simply stayed closed throughout.
Interviewees considered that the government's legislation and guidance towards pubs has been inconsistent, often short term in its nature, and frequently poorly communicated, causing confusion as well as practical difficulty in making pubs covid-compliant. It has not always been clear as to what is guidance and what is a legal requirement. There is a sense that the guidance has also been driven by public opinion or presentational concerns rather than a practical understanding of how pubs really operate, and how this affects customers.
Both roundtable participants and interviewees expected that when the government's furlough and other support schemes come to an end, there will be a great deal of fallout. A large amount of loan finance has been provided, and it is likely that these debts will increase insolvencies. Many pubs operate at extremely tight margins, and struggle to build up reserves. Those without large reserves have struggled to stay afloat in the pandemic. It seems likely that there will be many casualties and many independently-run or small-chain pubs that will be taken over by larger chains.
Previous chapter Top Next chapter
10 https://beerandpub.com/2020/07/08/chancellors-positive-summer-support-package-is-a-welcome-first-step-on-the-long-road-to-recovery/
11 https://www.theguardian.com/business/2020/aug/13/covid-halves-july-sales-in-uk-pub-bar-and-restaurant-chains
12 https://www.ft.com/content/1941942f-c836-4704-a87e-3ddf84f38386
13 https://www.centreforlondon.org/publication/the-london-intelligence-nov-2020/


How Do Social Security Attorneys Get Paid? | Miller & Drozdowski P.C.
Many people wonder how a Social Security lawyer in Maryville gets paid, and the legal team at Miller & Drozdowski think that's a fair question. If you don't know the full story, there seems to be a lot of mystery surrounding how disability attorneys are compensated. We're here to fill you in.
Social Security lawyers work on contingency, charging nothing up front. If you hire a disability lawyer, you will sign a contingency fee agreement granting the Social Security Administration (SSA) permission to pay your attorney for their services, if you're approved. Fortunately, this makes it significantly easier to access legal assistance for already cash-strapped applicants.
Disability attorneys are not paid unless the client wins their disability claim. Even if their client does win, a Social Security lawyer in Maryville is only entitled to a certain percentage or amount of any back or past-due benefits a client receives from the SSA.
Instead of sending their clients bills, Social Security lawyers file for legal fees with the SSA. After fee agreements are diligently reviewed, these fees are then paid out by the SSA. Payments come from the back benefits you're due at the time of your disability benefits approval. Consequently, if you aren't awarded any past-due benefits, the attorney is not entitled to fees.
Some applicants decide to fight their disability claim alone, while others seek the help of an experienced lawyer. If you find yourself searching for a helping hand, don't hesitate to contact our Social Security lawyer in Maryville.


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Home News & publications News 2016 OGA launches 29th Offshore Licensing Round
27 July 2016 - Announcement
OGA launches 29th Offshore Licensing Round
Companies can now apply for new licenses to drill for offshore oil and gas in a number of frontier areas of the UKCS, some of which were part of last year's UK Government funded seismic campaign. The £20 million programme targeted under explored areas of the UKCS and significantly improved the previously sparse data coverage in the Rockall Trough and Mid-North Sea High regions. The data packages were downloaded more than 3,000 times after being made freely available to industry in April 2016 as part of the OGA's wider plan to revitalise exploration.
The 29th Round marks the launch of the 'Innovate Licence' concept. This offers a flexible and pragmatic approach to licensing which was developed by an industry task group set up by the MER UK Exploration Board. The new approach will allow licensees to work with OGA to design an optimal work programme. This enables more appropriate phasing of activity, rental fees and competency tests and implements a stage-gate process for better monitoring of progress than the previous licensing regime.
This latest round follows on from the successful 28th Round in 2015, one of the largest licensing rounds since offshore licensing began in 1964. Companies have until 14:00 on 26th October 2016 to apply for blocks on offer in the 29th Round.
Andy Samuel, Chief Executive of the OGA, said: "Since the OGA was established, we have worked very closely with government and industry with the aim of revitalising exploration. We recognise that market conditions are currently very difficult but nevertheless we have a shared goal of making the basin as attractive as possible for exploration. We've listened to industry feedback and have introduced more flexibility in the licensing regime and opened up potential new areas for licensing.
"The £20 million Government-funded seismic acquisition programme sparked interest in the Rockall Trough and Mid-North Sea High areas and this licensing round now makes these under-explored frontiers available.
"The combination of, for the first time, freely available seismic data and the flexible 'Innovate Licence' is a compelling package and the result of many months of collaboration between the OGA and industry to stimulate further drilling and maximise economic recovery of the UK's oil and gas resources."
Baroness Neville-Rolfe, Minister of State at the Department for Business, Energy and Industrial Strategy, said: "I welcome these new opportunities for our important oil and gas industry and the associated supply chain. The £20m seismic campaign funded by this government has highlighted more of the opportunities that are still out there in the UK continental shelf. We now look forward to companies taking advantage of these newly discovered sites and all the potential that they offer."
The Round closes for applications at 14:00 on the 26th October 2016
1261 blocks are on offer in all.
A full list of the blocks on offer can be viewed on the licensing rounds page
The Department for Business, Energy and Industrial Strategy (BEIS) (formerly Department of Energy and Climate Change) undertook a Strategic Environmental Assessment (SEA) to help inform offshore energy licensing and leasing decisions by considering the environmental implications of the plan / programme. The SEA was subject to an 8-week public consultation during March and April 2016. On 13th July 2016 BEIS published the Post Consultation Report and Post Adoption Statement concluding the SEA process.
The SEA concluded that there are no overriding environmental considerations to prevent the achievement of the plan / programme. However, the SEA has made a number of recommendations regarding precautions, with the area offered restricted spatially through the exclusion of certain areas together with a number of mitigation measures to prevent, reduce and offset significant adverse impacts on the environment and other users of the sea. The excluded areas will not be part of the offer.
BEIS will carry out a screening exercise in accordance with the Habitats Directive (Council Directive 92/43/EEC of 21 May 1992 on the conservation of natural habitats and of wild fauna and flora) to determine whether the activities proposed to be carried out under the prospective licences are likely to have a significant effect on the management of a Special Area of Conservation (SAC) or Special Protection Area (SPA). Where the screening exercise determines that a significant impact is likely, BEIS will undertake an Appropriate Assessment to determine whether the activities could have any adverse effects on the integrity of such SACs or SPAs. Licences will only be awarded where it has been ascertained that that there will be no adverse effect on the integrity of such SACs and SPAs. BEIS and HSE will also consider the safety and environmental requirements of the Offshore Safety Directive, and will make recommendations accordingly for or against the award of each licence.
Licences that are awarded in the round may contain conditions to protect environmental sensitivities, and the interests of other sea users. In addition, activities carried out under the licences will be subject to a range of legislation which is designed to protect the marine environment and other users of the sea, including regulations which apply the Environmental Impact Assessment and Habitats Directives in relation to offshore oil and gas activities.
The former Chancellor of the Exchequer, the Rt Hon George Osborne MP, announced the £20 million funding for the 2015 seismic programme in the March 2015 Budget, as part of a £1.3 billion package of measures to drive investment in the UKCS.
The programme acquired 8,896km of full-fold seismic in the Rockall Trough area, 10,849 km of full-fold seismic acquired in Mid-North Sea High which was published under the Open Government Licence on 31st March 2016.
Data is available to download via Common Data Access (CDA)
Common Data Access (CDA) is an operating subsidiary of Oil & Gas UK, set up in 1995 to provide cost-effective data management services to its members and to the UK oil industry in general.
The additional £20 million for the 2016 seismic acquisition programme was announced by the then Prime Minister, David Cameron, during a visit to Aberdeen in January as part of a wider package of measures to support the oil and gas sector.
The 2016 seismic programme will focus on South West Britain and the East Shetland Platform. Contracts were awarded to WesternGeco and PGS respectively
Leona Minellas
Press and Media Advisor
Oil & Gas Authority
Email: oga.pressoffice@ogauthority.co.uk
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Registered office: 21 Bloomsbury Street, London, United Kingdom, WC1B 3HF.
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Quick Bible Quiz is by Jeanne Dickson. Jeanne has permitted me to share the ideas, questions and answers and make and share the printables for you!
There are over 20 different topics and each topic has 20 questions each. That is a lot of Bible knowledge! Because of the size of the PDF and the amount of work, I have separated them into 5-6 topics per post. Each post will show Jeanne's photos of how she uses the cards for those that start at a link other than this second one.
12. How Old Am I?
Click here to download the Quick Bible Quiz question cards Part 2.
She makes a score sheet like this.
When the class had to switch rooms, Jeanne designed a new box out of an envelope box to hold the questions instead of using the poster board on the wall/door.
Each of the topics would make a great lesson! So, I created these black & white worksheets to use for Bible study. A teacher's answer sheet is included also. The scriptures are listed and can be looked up and students can fill in the blanks. Then, use the Quick Bible Quiz cards for review. Click here to download.
Both of these songs are a one-page song and each has the black & white and color flipchart.
Click here to download Love Thy Neighbor.
Click here to download The Greatest is Charity.


I've gotten a good amount of feedback and questions about my makeup artist background and kit. Therefore, I thought that I would do a series of posts related to my makeup kit and other MUA information.
I posted my video about pursuing my passion for makeup artistry and some people have assumed that I just started doing makeup. This isn't the case, I've been doing makeup for over 7 years (although I have never had professional training and I am self taught).
I also have never taken makeup artistry seriously as a business. I didn't have an extensive kit, I didn't have a budget, I didn't have a portfolio or marketing material. Usually I would only do makeup for referrals or people I knew personally who would ask me to do it for them. Now, I've decided to actually pursue this as a business and possible career. I already have a degree in Economics, I just recently received my German business license, I am working on my portfolio and I have my budgeting plan all set. So see, that is what I mean by taking it seriously!
Now on to the fun stuff, what's in my kit!
I use these mainly to set concealer under the eye and anywhere I put concealer to highlight . I also use it to go underneath contour to emphasize the contour and sometimes as a setting powder on super oily clients.
This is my go to setting powder over foundation. I love the way it sits on the skin, I love the glow it gives. I also like to use it as a foundation, by itself, by using it with a slightly damp brush for a natural look.
I use this to set foundation when I want to set very lightly and want the skin to look like there is no foundation on it. I also use this on my sensitive skin clients and as an alternative to MAC because some people prefer other brands.
I use this to set undereye concealer on my really fair clients that don't need much concealer and don't need a heavy setting powder. This can also be used alone as a concealer but I never do that.
I use this to set undereye concealer on my really fair clients that need very little concealer but have more yellow undertones. This can also be used alone as a concealer but I never do that.
I use this to set foundation on my really fair clients who don't like a lot of makeup on their skin.
I generally like to carry a variety of products and brands so that I can have options and it also helps when someone may have had an allergic reaction to a certain product because then I have alternatives! I know I should probably condense my kit but for now, I like having options as I haven't learned every tip and trick yet!
Let me know if you guys have any questions! Also, I'm an eternal student so let me know if you have any feedback and/or suggestion as I love to hear new ideas on things.


Mottled red over white, freestone, sweet flavor.
Average diameter 2-5/8" to 2-7/8"
Rich with flavor, the Arctic Queen white-fleshed nectarine has moderate size and mottled red over white skin color. The freestone flesh of Arctic Queen is low in acid yielding a delicious, sweet flavor.
Arctic Queen can develop corky flesh in certain conditions.


The two Kyriopaschas don't coincide, but eventually, they will.Again, from Orthodox Wiki: There has as yet been no single year in which Kyriopascha was celebrated on both the Julian and Gregorian Calendars, though 232 would have been such a year had the two methods of calculation been in use at that time.That is, the rule that Christians are not to go along "with the Jews" in setting the date of Pascha has been confused with the fear that if Passover happens to coincide with an independently determined Pascha, Christians would be wrongfully praying "with the Jews" just because both are praying on the same day. And he also doesn't seem to remember that Passover is more than one day.It's not like the Jewish feast is over on the first day.
The last Gregorian Kyriopascha was in 1951, and the next one will be in 2035.So, if Pascha has to follow Passover, it certainly is doing it badly.In 2014, for instance, Pascha was on April 20, while Passover was April 14 (evening) to April 22 (morning).This state of affairs continues to the present day, even though the Jewish calendar suffers from a slight solar drift of its own, because the Julian calendar's errors accumulate more rapidly than the Jewish calendar's.The 12th century canonist Joannes Zonaras seems to have been the first to state the principle that Pascha must always follow Jewish Nisan 15, so the principle is called the "Zonaras Proviso" after him.


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We have all had to accept Facebook friend requests from individuals we 'd rather not share intimate details of our everyday lives with, whether that's your boss, a slightly scary acquaintance, or even your mother - How to Restrict On Facebook.
Did you recognize you could establish a "restricted" list on Facebook that prevents list participants from seeing material you intentionally reveal?
The restricted list is a special friend list every Facebook users has by default (you don't have to develop it). Individuals you include the your restricted friend list will just see your public posts as well as status updates. So if you are friends with colleagues and also employers and do not desire them to see any of your posts besides public updates, the restricted list is the means to go.
1. Login to your Facebook account, click the "inverted triangle" icon as well as pick "settings".
4. When you click "Edit", you will be able to add or get rid of Facebook friends to your restricted list. You would certainly likewise be able to review which of your existing freinds were already contributed to this list and also are prohibited from seeing any one of your updates that are not public.
Go to the Facebook account page of the individual you intend to Add to your restricted list. Click the "Friends" drop-down box that appears near the bottom right of their cover picture. Select the alternative "Add to another list"
Currently, click the "restricted" setting that shows up on the next menu. This ought to enbolden the message as well as put a check mark alongside it.
Currently, when you next post content, you can decided whether you desire it to be public content or just for the eyes of your Facebook friends.
To change this personal privacy setup as you upload, click the drop-down box below your pending post and select the choice that matches your content.
If you select "Friends", individuals on your restricted list will not see the post. If you choose "Public" they will.
This is an excellent technique of making certain certain individuals only see posts you want to make public.


The rules and penalties for DUI chemical test refusals in Alabama.
Alabama's implied consent law specifies that any person who operates a vehicle within the state is deemed to have consented to a blood, breath, or urine test to measure blood alcohol content (BAC). However, a driver is required to test only if lawfully arrested for driving under the influence (DUI). In other words, the officer must have reasonable grounds to believe the person was driving under the influence to request a BAC test. These chemical BAC tests are used to determine if a person is safe to drive or over the legal BAC limit and for evidence in DUI trials.
Implied consent can be withdrawn and a driver can refuse to submit to any requested chemical test. (Though there are consequences of doing so.) If a driver refuses to take a blood test, the officer will request a different chemical test, breath or urine. And if the driver still refuses a different test, certain consequences will follow. However, an officer can't force a driver to test unless supported by some other authority—such as a warrant.
License suspension. Drivers who refuse a lawful request by an officer to take a breath or urine test are subject to driver's license suspension. A first refusal will result in a 90-day suspension. A second or subsequent refusal within a five-year period will result in a one-year suspension. The suspension for a test refusal is separate from any criminal consequences resulting from a DUI conviction and can be imposed even if the DUI charge is ultimately dismissed.
Evidentiary uses. A driver may refuse a chemical test in hopes that a DUI conviction can be avoided. Some people believe that without the test results, a DUI conviction isn't possible. However, Alabama law allows the evidence of the refusal to be admitted in any civil or criminal case related to the DUI. In other words, the prosecution can tell the jury that the defendant refused to take a BAC test. The jury can then consider the refusal as evidence of guilt—namely, that the defendant was trying to hide his or her intoxication. Thus, even without BAC test results, a person may still be convicted of driving under the influence.
Depending on the circumstances, drivers who are convicted of a DUI may be required to use of an ignition interlock device (IID) for a period of time. But for DUI offense involving a BAC test refusal, IIDs are mandatory, and the time period the driver must have the IID is longer than for non-refusal cases. For example, persons convicted of a first-offense DUI—who aren't normally subject to a mandatory IID requirement—will be subject to a two-year IID requirement if they refused testing. And for second DUI offenders, the normal two-year IID requirement is doubled to four years for an offense involving a refusal.
Whether you are wondering if consent or refusal is wiser, or if you have already made the decision, a seasoned DUI attorney can help. License suspensions stemming from a chemical test refusal are separate from the criminal case and are handled in a separate proceeding. A DUI attorney can help you navigate both aspects of your case.


Well, I am a cheerful, kind-hearted, easygoing, goal-oriented and active woman. I like bowling, tennis, theater and cinema. Also I like time in company of friends, picnics, I love dancing and singing karaoke. As you see I am not a boring kind of girl and have great sense of humor!
I would like him tone wise, serious, responsible, strong, understanding and caring. I want to find a man with kind heart and open soul. I am honest and I expect honesty from people.
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