A look back at last week's excursion into the thunderous experience that can only be described as an amazing fashion faucet brand.
What a week at the Brizo #Blogger19 Reunion! We laughed, we cried, we were angry, we became excited, and we connected with each other. Two bus-loads of us designer types took two days to tour St. Jude Children's Research Hospital and the Brizo factory floor in hot 'n sweaty Memphis. Seriously, I could not have chosen a more perfect antiperspirant and light-weight clothing.
Now that I'm over my paper-gram incident (sorry, I just got a little excited there) and I have my blue suede shoes packed, I am off to Memphis for the Brizo Blogger 19 reunion.


text:
Oil reserves formation
Of the 4.6-billion-year geological history of Earth, lifeforms are thought to occupy a time slot only during the last 30% of this period, with the most development just in the last 15%, or some 700 million years, known as the great Phanerozoic epoch, comprising the older Paleozoic, the Mesozoic, and the more recent Cenozoic eras. It was some time during the Paleozoic era of a half billion years past that oil deposits are considered to have been formed.
These deposits of oil are invariably found in sedimentary rock formations, and for this reason they are co-associated in their combined and respective origins. The most cogent arguments stem from the thoughts of 19th century antiquarians, involving the simultaneous settling of mud and silt along with the conversion of animal and plant matter into petroleum products under anærobic conditions over many, many moons. However, over the last century we've found so much coal, gas and oil, and suspect the presence of much more potential deposits than what we've located thus far, that there ain't been enough dinosaurs and plants to give their all for even a fraction of the amounts recoverable. This would mean that the plantlife of the carboniferous period of some 250 million years ago would have soaked up an extraordinarily enormous amount of carbon dioxide from the primordial atmosphere, at far higher concentrations than that in which animal life could survive. Unless--to satisfy our argument--the partial pressure of oxygen was also appreciably higher to compensate for the stifling effects of CO2.
At least 20 years ago (1972) a retired Texaco engineer, Leon Gaucher, published what I consider one of the best answers to date on this problem--separate and distinct from the inorganic theory of cosmologist Thomas Gold of Cornell, who himself theorized that petroleum was actually manufactured in the Earth's interior through the heat-catalyzed combination of carbon and hydrogen. In the well-known water-gas shift between hydrogen and carbon dioxide to form water and carbon monoxide, Gaucher hypothesized that these reaction products generated the raw materials for the formation of hydrocarbons. Gaucher surmised that Earth's primordial atmosphere contained a predominant measure of carbon dioxide. He also thought that the necessary hydrogen was gleaned from the solar wind and from interstellar space. In my view, it's more likely that hydrogen was already present in copious quantities in Earth's primordial air mass.
The equilibrium reaction between the principal raw materials, namely carbon monoxide and hydrogen, over the still cooling surface of a primordial Earth at 500°C--the present surface temperature of Venus--would be catalyzed in the forward direction to form equally copious amounts of methane and water. And, as Earth continued to cool, the presence of volcanically generated catalysts in the hydrogen-laden reducing atmosphere would promote the synthesis of additional methane, all sorts of saturated and unsaturated hydrocarbons, as well as oxygenated compounds, with many promoted by the presence of lithospheric metallic oxides. This, in effect, would be Nature's ancient version of the Fischer-Tropsch synthesis, which human ingenuity developed circa 1923.
The remarkable feature about this versatile reaction, according to Gaucher, is that it would be initiated spontaneously and is highly exothermic--generating lots of heat, and is therefore self-sustaining. In the range of 400°C down to 180°C, as Earth continued cooling, all manner of long-chain hydrocarbons would be produced. Gaucher himself thought that such reactions would take place over millions of years, but, again, in my view, and depending on the equilibrium conditions, such complex reactions might just take thousands if not mere hundreds of years, and possibly less. In fact, under a near ideal condition where the atmosphere is well-mixed and fairly homogeneous, a catalyzed reaction at one stage of synthesis would take but moments to exothermally flare throughout Earth's entire air mass.
The most rapid acoustically-induced kinetic reaction of which I'm aware--the cystallization of supercooled liquid phosphorus--propagates at something like three kilometers per second. A reaction at this rate would translate into a conflagration of the entire atmospheric envelope in something under two hours. Such a runaway conflagration would effectively blow away the greater part of the atmosphere into space as a chemically-induced planetary nova. With a lessened atmospheric overburden acting as both a heat sink and insulating blanket, the planet would cool more rapidly, which is--for all the kinetics freaks reading this--strictly according to the Stefan-Boltzmann law, where the energy radiated is proportional to the fourth power of the temperature.
With this cooling would come the condensation of considerable water formed by the reaction between hydrogen and the oxides of carbon, and the subsequent development of the oceans and seas. Therefore, if the amount of water is in any way indicative of some fraction of the petroleum deposits, then there is an awfully large quantity of oil yet to be found, and we shouldn't have much of an energy crisis emanating from that source.
[Source: Frederic B. Jueneman - Raptures of the Deep]
Labels: sci-tech
Einstein's Rise to Fame
Radiodecay rates
Are we high ?
Ancient earth atmosphere

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text:
New Hampshire lawmaker Werner Horn: 'Owning slaves doesn't make you racist'
A New Hampshire lawmaker came under fire this week for claiming American slavery was based on economics, not racism.
New Hampshire lawmaker Werner Horn: 'Owning slaves doesn't make you racist' A New Hampshire lawmaker came under fire this week for claiming American slavery was based on economics, not racism. Check out this story on sheboyganpress.com: https://www.usatoday.com/story/news/nation/2019/07/18/new-hampshire-lawmaker-werner-horn-owning-slaves-racism-economics/1773670001/
Kristin Lam, USA TODAY Published 10:33 p.m. CT July 18, 2019 | Updated 2:57 p.m. CT July 21, 2019
A New Hampshire lawmaker came under fire last week for claiming that American slavery was based on economics, not racism.
Republican state Rep. Werner Horn stated his case in a now-deleted Facebook post, then reaffirmed his position in multiple interviews with media outlets.
Horn initially drew attention for his comments in a Facebook post by former state House member Dan Hynes, who posed the question: "If Trump is the most racist president in American history, what does that say about all of the other presidents who owned slaves?"
Horn responded, "Wait, owning slaves doesn't make you racist..."
"I guess not," Hynes answered Tuesday. "Which is surprising since everything else makes someone a racist."
Horn then added, "It shouldn't be surprising since owning slaves wasn't a decision predicated on race but on economics. It's a business decision."
Sanitized textbooks: Schools do a terrible job teaching about slavery
New Hampshire state Rep. Werner Horn remarked on Facebook July 16, 2019 that "owning slaves doesn't make you racist." (Photo: Facebook)
Hynes took a different position on Thursday via Facebook, saying that "slavery in the U.S. was in fact racist."
But, Horn, a three-term lawmaker, further denied racism's role in interviews with the Huffington Post and the New Hampshire Union Leader.
Horn told the Union Leader that people have been enslaving others throughout history, calling the American institution of slavery an "economic reality."
"Slavery later on in the American South was not about the color of the skin of the slaves but their value as workers on the plantations," Horn told the newspaper. "The U.S. had abolitionists since the start, people who felt slavery wasn't moral but they weren't enslaving black people because they were black. They were bringing in these folks because they were available."
'Poison of America': Bill on slavery reparations gains backing from Sen. Chuck Schumer
Millions of Africans were kidnapped, then shipped to the U.S. where slave owners forced them to do physical labor and brutally punished those who rebelled. Blacks still face discrimination related to the color of their skin, including disproportionate incarceration rates and overdiscipline in schools.
Ray Buckley, the state's Democratic Party chairman, criticized Horn's comments as well as the lack of condemnation from Republican Gov. Chris Sununu.
"Sununu's silence on Trump's racism has sanctioned this kind of behavior from his Republican Party and has permitted comments like these with impunity," Buckley said in a statement to the Union Leader. "It's disgusting."
Juneteenth House hearing on slavery reparations
Rep. Sheila Jackson Lee, D-Texas, speaks at a hearing of the House Judiciary Subcommittee on the Constitution, Civil Rights and Civil Liberties during a hearing on reparations for slavery on June 19, 2019 in Washington. Lee co-sponsored the bill that coincides with Juneteenth, a holiday that marks the date that Texas abolished slavery in 1865. Hannah Gaber, USA TODAY
Actor Danny Glover testifies in front of the House Judiciary Subcommittee on the Constitution, Civil Rights and Civil Liberties during a hearing on reparations for slavery in Washington. Yehyun Kim, USA TODAY
Members of the Black Panther Party stand in line during a hearing on reparations for slavery in Washington. Yehyun Kim, USA TODAY
Sen. Cory Booker, D-N.J., greets writer Ta-Nehisi Coates before testifying in front of the House Judiciary Subcommittee on the Constitution, Civil Rights and Civil Liberties during a hearing on reparations for slavery. Hannah Gaber, USA TODAY
Sen. Cory Booker, D-N.J., testifies in front of the House Judiciary Subcommittee on the Constitution, Civil Rights and Civil Liberties during a hearing on reparations for slavery. Hannah Gaber, USA TODAY
People wait in line to enter a hearing on reparations for slavery in Washington. Yehyun Kim, USA TODAY
Asmara Sium and her son Khalab Blagburn, 13, attend a hearing on reparations for slavery in Washington. Sium came to the hearing with Khalab because he became interested in the reparations movement after participating in a school debate advocating for reparations. Yehyun Kim, USA TODAY
Audience members stand after a speech advocating for reparations for slavery during a hearing in Washington. Yehyun Kim, USA TODAY
Former NFL player Burgess Owens listens to a hearing on reparations for slavery in Washington. Yehyun Kim, USA TODAY
Writer Ta-Nehisi Coates laughs while writer Coleman Hughes speaks in front of the House Judiciary Subcommittee on the Constitution, Civil Rights and Civil Liberties during a hearing on reparations for slavery in Washington. Yehyun Kim, USA TODAY
Rev. Eugene Taylor Sutton, Episcopal Bishop of Maryland, testifies in front of the House Judiciary Subcommittee on the Constitution, Civil Rights and Civil Liberties during a hearing on reparations for slavery in Washington. Yehyun Kim, USA TODAY
Dr. Julianne Malveaux, economist and political commentator, testifies in front of the House Judiciary Subcommittee on the Constitution, Civil Rights and Civil Liberties during a hearing on reparations for slavery in Washington. Yehyun Kim, USA TODAY
Read or Share this story: https://www.usatoday.com/story/news/nation/2019/07/18/new-hampshire-lawmaker-werner-horn-owning-slaves-racism-economics/1773670001/


This month at the Defensive Shooting Club Jeff Patane spent decided that it would be shotgun month.
We had a giant turn out and everyone was pretty enthusiastic as usual.
We had some pretty nasty weather with hail and everything. But, like true trooper, everyone hung in there and had a blast.
As usual, we learned a lot of stuff.
We trained transitioning to our secondary when the primary "goes down".
I do love my shotgun. That's my take-home lesson.
Jeff explaining something very important.
Having fun in the hail.
Setting up a new drill with steel.


text:
By Artists For Artists
Ben Ashton: History and Meaning of Contemporary Art
Art, Dialogue
Natalie Kotok
Explore emerging art
Complex subject matter and ambiguous ideas are at the core of London-based contemporary artist Ben Ashton's work. As simultaneously a subject of his work and the creative mind behind it, Ashton explores the intricacies of living in modern times and experiencing the political and social weight of the past. Mystical and otherworldly, the powerful set of works by the contemporary mastermind enchants the viewers and immediately pulls them into the stories portrayed.
As MINUS37, we chatted with Ben about his education and upbringing, the inspiration and meaning behind his current series of work, his need for community and being open to opportunities.
From "Empire" Series by Ben Ashton
Tell us a little bit about your life. Was art always present?
My father is an artist and mother was an art teacher so I was constantly surrounded by art from a very young age. I was always taken to exhibitions growing up and now museums play a very important part in my happiness, I use them as spaces to meditate within and to figure out my direction in life.
What is your artistic background, when and how did you start? How did you end up with the style you currently work in?
I finished my BA at Newcastle University in 2006 and then completed my MA at the Slade in 2008. I was half way through my BA when I started to teach myself to paint from books; prior to this, I was into performance art but I became hooked by the gradual learning process of painting. I tried to learn as I imagined an apprentice might, but instead of having a master to learn from, I had books. I stood in front of paintings in museums for hours in to figure out layering techniques; it was then through trial and error that I ended up with my own style. I focused on different master painters until I felt I had gleaned what I wanted from each, and so now I have this experiential inventory from which I can pick and choose, to create what I want.
How do you usually work? Walk us through the process.
I still see myself as a performance artist in some respects, I use my body as an actor uses theirs, by playing different roles. I use throwaway materials like plastic bags and scraps of fabric to create basic costumes, I find body paint to be quite useful too. I digitally adulterate the images I take of myself in order to give a vague direction to where the final painting may go – I find these digital elements contrast nicely with the historical theme and style of the painting.
When it comes to painting the image, I will often begin the process in different ways each time, to keep things fresh, and so I don't get bored. At the moment I've been working a lot on paper so I can start without a great deal of preparation. After the paper is sized and distressed, I start with a basic monochromatic contour drawing – drawing has become an increasingly important part of what I do: If you work out all your problems in the drawing, the painting can have greater immediacy. I work in initially tints, and eventually glazes to enhance depth and saturation. Right at the end of the painting I drag impasto paint with a bunch of purpose made tools to give the work the visceral impact which is so important to me at the moment. In about the last two years, I have cut my working time down from weeks, to in some cases only a couple of days.
What are the sources of your inspiration and ideas?
I tend to see the history of art as an index from which I can borrow, depending on what's going on in contemporary life. At the moment I'm focusing on the Regency era and the birth of the British empire, a period of time that spawned a huge amount of self-congratulatory portraiture which now lines the walls of our museums and institutions. Britain is obsessed with its own history and how influential we used to be; we view our history with rose-tinted glasses, remembering our perceived victories whilst overlooking our various misdemeanors. Nationalism has been stoked recently by representing the past as something we should be moving back to, often painting a distorted picture of a greatness that never was. In my current work I take these confident Regency poses and subvert and disrupt them, taking a 'strong and stable' part of my heritage and making it unsafe and tainted.
How did you find your first commercial clients?
When I finished my BA at Newcastle University, I was scouted by two London galleries that had been visiting shows all over England. During the summer, I showed with both galleries selling all the work I had created so far, funding my studies and paying for my life in London.
"Transfiguration" by Ben Ashton
Tell us about the journey to your first gallery show/exhibition. How was your work discovered?
When I finished my MA, I was awarded a residency at the college over the summer period; it was during that residency that I was picked up by another art dealer who was in the process of creating his own gallery. I decided to start exclusively working with him as he offered me a studio in Bloomsbury and my first solo exhibition. We decided to put on a pop up show near the Whitechapel gallery in an old stonemasons shop. It was an exciting time and I had to work extremely fast to put that show together, the walls in the stonemasons were not suitable to hang work on, so I created a series of octagonal spaces within the building to show my work in. Incidentally, I met my wife when I was working on that show and we have been collaborating ever since.
"Ghanime" by Ben Ashton
What is the main message behind what you do?
The idea of legacy is very important to me and plays a huge role in my work. Although my works must reflect aspects of contemporary culture, they also must convey a sense of timelessness as they become a part of that endless canon which is the history of art. The reason I use oil paint is that it has been proven through history to stand the test of time, and as I have gained so much from artists that have been dead for hundreds of years, I hope my work will serve those in the future in the same way. I also hope that in referencing art history that I bring to mind the cyclical nature of humanity, with all the various advancements we make, we still seem to make the same mistakes.
Where do you hope your artistic journey takes you? What are your goals?
I tend to take every year as it comes, but lately I have enjoyed the idea of showing internationally. This year I will be showing in LA, Vancouver and Hamburg and then next year back to LA again. I think my solo show in Vancouver will dictate my new direction, I usually find that every solo exhibition marks the end of one chapter and the beginning of another. I try not to think too far into the future, as it's important to live in the present and be thankful for what you have already achieved. It's also important for me to be flexible with my career path, to take up all sorts of different opportunities and not put all my eggs in one basket. All of the major downfalls I have experienced in life have come from putting too much emphasis on a single project and not keeping mind open to other possibilities.
"Hieronymus and Dafu" by Ben Ashton
Could you give any tips or tricks for young emerging artists?
Every artist should have their own path and success should be measured by how stimulating your life is, whatever that means to the individual. Getting the work out into the world as much as possible has been important to me, the more people who see it, the more likely you are to find people who connect with it. Social media has become increasingly important to me in reaching this wider audience but I think younger artists already know way more about this than I do. Group shows are important, finding other artists that have similar interests to you can help you carve out a niche in an ever expanding art world. I don't think it is said enough that being nice and complimentary to other artists is important, without a sense of community we can be very lonely and bitter. I've seen how isolation can negatively effect the mental state of artists, in contrast the most successful artists I've met, have also been the most social.
All images and text courtesy of Ben Ashton
You can view more work by Ben on his Instagram and website.
Intro written by Natalie Kotok
b. 1983british artisthuman figureinterviewoil paintingsportraitsrealistic paintingssurrealism
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On the City Wall Rudyard Kipling
On the City Wall is a short story by Rudyard Kipling.
The Drums of the Fore and Aft. Rudyard Kipling
"The Drums of the Fore and Aft" by Rudyard Kipling
Wee Willie Winkie. By Rudyard Kipling
Wee Willie Winkie published 1888
With the main guard. By Rudyard Kipling
"The Finest Story in the World" Rudyard Kipling
The finest story in the world
The Masque of the Red Death. Edgar Allan Poe
"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy" (1842), is a short story by Edgar Allan Poe.
The Cask of Amontillado. Edgar Allan Poe
The Cask of Amontillado is a short story by Edgar Allan Poe, first published in the November 1846
The Vampyre By John William Polidori
"The Vampyre" is a short work of prose fiction written in 1819 by John William Polidori
The Shadow. By Hans Christian Andersen
The Shadow. by. Hans Christian Andersen. (1847)
The Red Shoes. By Hans Christian Andersen
The Red Shoes is a fairy tale by Danish poet and author Hans Christian Andersen first published by C.A. Reitzel in Copenhagen 7 April 1845
6.0k просмотры В процессе
The Elderbush. Hans Christian Andersen
The Snow Queen. Hans Christian Andersen
The Snow Queen" (Danish: Snedronningen) is an original fairy tale written by Danish author Hans Christian Andersen.
The Emperor's New Clothes. Hans Christian Andersen
Many years ago, there was an Emperor, who was so excessively fond of new clothes...
Les Aventures d'Alice au pays des merveilles - Lewis Carrol
Les Aventures d'Alice au pays des merveilles (titre original : Alice's Adventures in Wonderland), fréquemment abrégé en Alice au pays des merveilles, est un roman écrit en 1865 par Lewis Carroll
5.9k просмотры 13 11 Story completed
Petite Discussion avec une momie. Edgar Allan Poe
Edgar Allan Poe. Petite Discussion avec une momie.
Le Roi peste. Edgar Allan Poe
Le roi peste - Extrait de l'œuvre classique
La Barrique d'amontillado. Edgar Allan Poe
La Barrique d'amontillado (The Cask of Amontillado) est une nouvelle d'Edgar Allan Poe publiée pour la première fois en novembre 1846
Le Puits et le Pendule. Edgar Allan Poe
Le Puits et le Pendule (The Pit and the Pendulum) est une nouvelle écrite par Edgar Allan Poe qui fut publiée pour la première fois fin 1842
La Chute de la maison Usher. Edgar Allan Poe
La Chute de la maison Usher (The Fall of the House of Usher) est une nouvelle fantastique écrite par Edgar Allan Poe.
Le Cœur révélateur. Edgar Allan Poe
Le Cœur révélateur (The Tell-Tale Heart) est une nouvelle publiée par Edgar Allan Poe en 1843.
L'Homme des foules. Edgar Allan Poe
L'Homme des foules (The Man of the Crowd) est une nouvelle écrite par Edgar Allan Poe et publiée pour la première fois en décembre 1840
William Willson. By Edgar Allan Poe
William Wilson est une nouvelle publiée par Edgar Allan Poe en octobre 1839 dans le Burton's Gentleman's Magazine, qui fait partie du recueil Nouvelles histoires extraordinaires, avec une traduction de Charles Baudelaire.
Le Chat Noir. Edgar Allan Poe
e Chat noir (titre original : The Black Cat) est une nouvelle fantastique écrite par Edgar Allan Poe.
Le Démon de la perversité. Edgar Allan Poe
Le Démon de la perversité (The Imp of the Perverse) est une nouvelle qui se présente sous la forme d'un essai écrit par l'auteur et critique américain Edgar Allan Poe.
A Study in Scarlet. By Arthur Conan Doyle
A Study in Scarlet is an 1887 detective novel by British author Arthur Conan Doyle. Written in 1886, the story marks the first appearance of Sherlock Holmes
A Foreign Office Romance. By Arthur Conan Doyle
A Foreign Office Romance is a short story written by Arthur Conan Doyle first published in The Indianapolis News on 10 november 1894.
The Three Correspondents . By Arthur Conan Doyle
The Three Correspondents is a short story written by Arthur Conan Doyle
The king of the foxes By Arthur Conan Doyle
The run is strangely long and he never saw the fox. He reminds about the king of the foxes, a fox demon tale.
A Shadow Before. By Arthur Conan Doyle
A Shadow Before is a short story written by Arthur Conan Doyle first published in The Windsor Magazine in december 1898.
The Lord of Chateau Noir By Arthur Conan Doyle
The Lord of Chateau Noir (1894) by Arthur Conan Doyle
Captain Sharkey. By Arthur Conan Doyle
Captain John Sharkey, a pirate, is a recurrent character created by Arthur Conan Doyle
The Green Flag By Arthur Conan Doyle
The Green Flag is a short story written by Arthur Conan Doyle first published in 1895
The Centurion By Arthur Conan Doyle
The Centurion. Arthur Conan Doyle. First published in Hearst's International, Oct 1922
The Croxley Master By Arthur Conan Doyle
The Croxley Master is a short story written by Arthur Conan Doyle first published in 3 parts in The Strand Magazine from october to december of 1925
The Silver Mirror. By Arthur Conan Doyle
The Silver Mirror is a short story written by Arthur Conan Doyle
The Red Star. By Arthur Conan Doyle
The Red Star is a short story written by Arthur Conan Doyle first published in the Scribner's Magazine in january 1911.
Giant Maximin. By Arthur Conan Doyle
Giant Maximin by Arthur Conan Doyle.
An iconoclast. By Arthur Conan Doyle
An Iconoclast is a short story written by Arthur Conan Doyle first published in the Sunday Magazine of the New-York Tribune on 5 march 1911
The Contest By Arthur Conan Doyle
The Contest. In the year of our Lord 66, the Emperor Nero, being at that time in the twenty-ninth year of his life and the thirteenth of his reign
The First Cargo By Arthur Conan Doyle
Through the Mists. II. The First Cargo is a short story written by Arthur Conan Doyle first published in the Scribner's Magazine in december 1910
The Coming of the Huns By Arthur Conan Doyle
The Coming of the Huns is a short story written by Arthur Conan Doyle first published in the Scribner's Magazine in november 1910.
Through the Veil. By Arthur Conan Doyle
Through the Veil is a short story written by Arthur Conan Doyle first published by Smith, Elder & Co.
The Last Galley By Arthur Conan Doyle
The Last Galley: Impressions and Tales is a volume collecting 18 short stories written by Arthur Conan Doyle first published in 1911
The Last of the Legions By Arthur Conan Doyle
The Last of the Legions and Other Tales of Long Ago is a volume collecting 13 short stories written by Arthur Conan Doyle
A Night Among the Nihilists. By Arthur Conan Doyle
A Night Among the Nihilists is a short story written by Arthur Conan Doyle published anonymously in the London Society magazine in 1898
My Friend the Murderer. By Arthur Conan Doyle
My Friend the Murderer is a short story written by Arthur Conan Doyle first published in the London Society magazine in december 1882
The Silver Hatchet. By Arthur Conan Doyle
The Silver Hatchet is a short story written by Arthur Conan Doyle first published in the London Society magazine in december 1883
The Parson of Jackman's Gulch By Arthur Conan Doyle
The Parson of Jackman's Gulch is a short story written by Arthur Conan Doyle first published in the magazine London Society
The Third Generation. By Arthur Conan Doyle
The Third Generation is a short story written by Arthur Conan Doyle first published collected in Round the Red Lamp on 23 october 1894
A Medical Document. By Arthur Conan Doyle
A Medical Document is a short story written by Arthur Conan Doyle first published collected in Round the Red Lamp on 23 october 1894
A Physiologist's Wife. By Arthur Conan Doyle
A Physiologist's Wife is a short story written by Arthur Conan Doyle first published in the Blackwood's Magazine in september 1890.
Behind the times. By Arthur Conan Doyle
Behind the Times may refer to: "Behind the Times"', a short story by Arthur Conan Doyle in the 1894
The Great Brown-Pericord Motor By Arthur Conan Doyle
The Great Brown-Pericord Motor is a short story written by Arthur Conan Doyle
The Man from Archangel By Arthur Conan Doyle
The Man from Archangel is a short story written by Arthur Conan Doyle first published in the magazine London Society in january 1885.
The Debut of Bimbashi Joyce. By Arthur Conan Doyle
The Debut of Bimbashi Joyce is a short story written by Arthur Conan Doyle
The Adventure of Black Peter. By Arthur Conan Doyle
Three of them is a series of 5 short stories written by Arthur Conan Doyle first published in The Strand Magazine from april to december 1918.
The Adventure of the Copper Beeches By Arthur Conan Doyle
"The Adventure of the Copper Beeches", one of the 56 short Sherlock Holmes stories written by British author Sir Arthur Conan Doyle
The Adventure of the Beryl Coronet. By Arthur Conan Doyle
"The Adventure of the Beryl Coronet", one of the 56 short Sherlock Holmes stories written by British author Sir Arthur Conan Doyle
The Adventure of the Noble Bachelor By Arthur Conan Doyle
The Adventure of the Noble Bachelor is a short Sherlock Holmes story from Sir Arthur Conan Doyle.
The Adventure of the Engineer's Thumb By Arthur Conan Doyle
"The Adventure of the Engineer's Thumb", one of the 56 short Sherlock Holmes stories written by British author Sir Arthur Conan Doyle
The Adventure of the Speckled Band By Arthur Conan Doyle
"The Adventure of the Speckled Band" is one of the 56 short Sherlock Holmes stories written by Scottish author Sir Arthur Conan Doyle.
The Adventure of the Blue Carbuncle By Arthur Conan Doyle
"The Adventure of the Blue Carbuncle" is one of 56 short Sherlock Holmes stories written by British author Sir Arthur Conan Doyle
The Five Orange Pips By Arthur Conan Doyle
"The Five Orange Pips", one of the 56 short Sherlock Holmes stories written by British author Sir Arthur Conan Doyle
The Man with the Twisted Lip By Arthur Conan Doyle
"The Man with the Twisted Lip", one of the 56 short Sherlock Holmes stories written by British author Sir Arthur Conan Doyle
The Boscombe Valley Mystery By Arthur Conan Doyle
"The Boscombe Valley Mystery", one of the 56 short Sherlock Holmes stories written by the British author Sir Arthur Conan Doyle
A Case of Identity. By Arthur Conan Doyle
"A Case of Identity" is one of the 56 short Sherlock Holmes stories written by Sir Arthur Conan Doyle and is the third story in The Adventures of Sherlock Holmes.
A scandal in Bohemia By Arthur Conan Doyle
"A Scandal in Bohemia" is the first short story, and the third overall work, featuring Arthur Conan Doyle's fictional detective Sherlock Holmes.
Danger. By Arthur Conan Doyle
Danger! And Other Stories (1918) is a collection of short stories published by Sir Arthur Conan Doyle.
Borrowed Scenes by Arthur Conan Doyle
The Surgeon of Gaster Fell by Arthur Conan Doyle
The Surgeon of Gaster Fell is a short story written by Arthur Conan Doyle
That Little Square Box by Arthur Conan Doyle
That Little Square Box is a short story written by Arthur Conan Doyle first published in the London Society magazine in December 1881
J. Habakuk Jephson's Statement by Arthur Conan Doyle
"J. Habakuk Jephson's Statement" is an 1884 short story by young Sir Arthur Conan Doyle.
Jelland's Voyage by Arthur Conan Doyle
Jelland's Voyage is a short story written by Arthur Conan Doyle
The striped chest by Arthur Conan Doyle
The striped chest
The Captain of the Polestar and Other Tales by Arthur Conan Doyle
The Captain of the Polestar and Other Tales (1890) by Arthur Conan Doyle
Tales of pirates by Arthur Conan Doyle
The Lifth by Arthur Conan Doyle
The Lift is a short story written by Arthur Conan Doyle first published in Hearst's in april 1922 under the title Trapped.
"De Profundis" by Arthur Conan Doyle
Short storie of Arthur Conan Doyle
How It Happened by Arthur Conan Doyle
A story of Conan Doyle
"Lot No. 249" by Arthur Conan Doyle
"Lot No. 249" (published in 1892) is a short story written by Sir Arthur Conan Doyle.
The Ring of Thoth by Arthur Conan Doyle
The Ring of Thoth is a short story written by Arthur Conan Doyle
The Los Amigos Fiasco by Arthur Conan Doyle
The Los Amigos Fiasco is a short story written by Arthur Conan Doyle
Cyprian Overbeck Wells: A Literary Mosaic. by Arthur Conan Doyle
The Great Keinplatz Experiment by Arthur Conan Doyle
The Great Keinplatz Experiment is a short story written by Arthur Conan Doyle first published in the Belgravia Magazine in july 1885.
The Slapping Sal by Arthur Conan Doyle
The Slapping Sal is a short story written by Arthur Conan Doyle first published in american newspapers
The Crime of the Brigadier by Arthur Conan Doyle
The Crime of the Brigadier is a short story written by Arthur Conan Doyle first published in The Cosmopolitan in december 1899.
The Great Shadow by Arthur Conan Doyle
Is an action and adventure novel written by Sir Arthur Conan Doyle and published in 1892 in J.W. Arrowsmith's Bristol Library. The novel takes place in the Napoleonic era on the English–Scottish border city called West Inch. The Great Shadow refer...
The Parasite by Arthur Conan Doyle
The Parasite is a short novel written by Arthur Conan Doyle first published in the Harper's Weekly between 10 november and 1 december 1894.
The Gully of bluemansdyke by Arthur Conan Doyle
The Gully of Bluemansdyke is a short storie written by Arthur Conan Doyle and published in 1892
The story of B. 24 by Arthur Conan Doyle
The Story of B 24 is a short story written by Arthur Conan Doyle first published in The Strand Magazine in march 1899
The Fiend of the Cooperage by Arthur Conan Doyle
The Fiend of the Cooperage is a short story written by Arthur Conan Doyle
The sealed room by Arthur Conan Doyle
Arthur Conan Doyle. First published in 1898.
The Usher of Lea House School by Arthur Conan Doyle
The Usher of Lea House School (1899) by Arthur Conan Doyle
The Brown Hand by Arthur Conan Doyle
"The Brown Hand," a well-noted short-story by Sir Arthur Conan Doyle, was first published in The Strand Magazine, May 1899.
Playing with Fire by Arthur Conan Doyle
Не проверенная история Playing with Fire is a short story written by Arthur Conan Doyle
The Story of the Club-Footed Grocer by Arthur Conan Doyle
The Story of the Club-Footed Grocer is a short story written by Arthur Conan Doyle first published in The Strand Magazine in november 1898.
The Pot of Caviare by Arthur Conan Doyle
The Pot of Caviare is a short story written by Arthur Conan Doyle first published in The Strand Magazine in march 1908
The Jew's Breastplate by Arthur Conan Doyle
The Jew's Breastplate
The Japanned Box by Arthur Conan Doyle
The Black Doctor by Arthur Conan Doyle
The Beetle-Hunter by Arthur Conan Doyle
Short storie by Arthur Conan Doyle
The Man with the Watches by Arthur Conan Doyle
The Brazilian Cat
This is no ordinary cat, as you'll find out. Rather, it's a terrifically horrific cat, with an equally horrific owner.
The Lost Special. By Arthur Conan Doyle
"The Lost Special" is a short story by Arthur Conan Doyle first published as part of the "Round the Fire" series in "The Strand Magazine" of August 1898.
The Terror of Blue John Gap. By Arthur Conan Doyle
The story comprises the adventures of a British doctor, recovering from tuberculosis, who goes to stay at a Derbyshire farm looking for rest and relaxation, becomes entrapped in a series of sinister events and is forced to uncover the mysteries su...
The Case of Lady Sannox Arthur Conan Doyle
Не проверенная история The Case of Lady Sannox (also published as "The Kiss of Blood") is a short story by Sir Arthur Conan-Doyle published in The Idler in November 1893.
The New Catacomb. by Arthur Conan Doyle
The New Catacomb
The Leather Funnel by Arthur Conan Doyle
The story was about a house guest – always a good set up – of an Englishman collector. The room where he was to spend the night was the library filled with musty-smelling books, and a fireplace with embers burning to a darkly glow.
The Horror of the Heights. by Arthur Conan Doyle
"The Horror of the Heights" is a short story by Arthur Conan Doyle. It was first published in Strand Magazine in 1913.[
The Hound of the Baskervilles by Sir Arthur Conan Doyle
The Hound of the Baskervilles is the third of the crime novels written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes. Originally serialised in The Strand Magazine from August 1901 to April 1902, it is set largely on Dartmoor in...
The Valley of Fear. Sir Arthur Conan Doyle
The Valley of Fear Valley of fear. First edition (US) Author Arthur Conan Doyle Country United Kingdom Language English Series Sherlock Holmes Genre Detective novel Publisher George H. Doran Company Publication date 1915 Preceded by The Return of...
The Lost World by Arthur Conan Doyle
The Lost World is a novel released in 1912 by Sir Arthur Conan Doyle concerning an expedition to a plateau in the Amazon basin of South America where prehistoric animals (dinosaurs and other extinct creatures) still survive. It was originally publ...
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text:
Another challenge has gone viral!
Celebs do the Mannequin Craze
The craze dubbed "The Mannequin" has recently been making its rounds in social media. Basically, it's a group of people who freeze in place while a camera pans to take in the entire scene. The challenge is to hold the pose – no matter how crazy or difficult it is -- for several seconds.
It reportedly started with a group of high school students, and now, celebrities and even politicians have been going viral with their own versions of it.
1) Beyonce, Kelly Rowland and Michelle Williams recreate their girl group as Destiny's Child mannequins.
A video posted by kellyrowland (@kellyrowland) on Nov 7, 2016 at 9:13am PST
Credits to Kelly Rowland's IG
2) What goes on behind the scenes of The Ellen Show? Veteran actor Warren Beatty joins Ellen DeGeneres for a backstage freeze frame.
3) Always one to push further, Adele shoots a Western, complete with the cowboy hat in a saloon.
4) Even US presidentiable Hillary Clinton tries her hand at it. Husband Bill Clinton and supporter Jon Bon Jovi joins her team too. Her Election Day video ends with a witty invitation: Don't Stand Still. Vote today.
The craze has yet to catch on with the local celebs. Who's going to be first?


I am a classically-trained pianist currently studying at St. Petersburg Conservatory, however, I am hugely interested in electronic music - especially with lots of friends (who are also classically-trained musicians) in Germany and England as well as in Australia who are currently creating there own music from their laptops with Logic and a few samples of real instruments.
Your opinion on recent developments in electronic music as a genre - dance music as well as more experimental 'sound design' projects?
The best way you think it would be for me to integrate my classical music experience with my passion and interest for the genre. The teachers at the conservatory are, as I'm sure you can imagine, very conservative and traditional as far as classical music goes so I haven't found much space for my passion for electronic music.
The best way to learn more about sound production in general?
Electronic music is an extremely diverse genre. Modern electronic, which would include producers using Maschine, Ableton, etc, I would categorise as EDM. Software based loops and beats are accessible to the masses and the music created is indicative, in my opinion. It is difficult to find something really outstanding. For me, Tipper is a genuine standout: creative rhythmically.
Old school electronic, which began with Kraftwerk (the fathers of EDM), Tangerine Dream, Roger Powell (synthesist for Todd Rundgren, demonstrator for Moog and ARP), Larry Fast (synthesist for Peter Gabriel and Synergy), and their like, were the pioneers of electronic, working as experimenters and clinicians for the main manufacturers, and pushing the instruments to their limits in performance, soundtrack work, etc. The resurgence of modular synthesisers has been responsible for the return of this style.
Sound design style audio experiments amount to personal taste - I hear a lot of synthesiser pieces, and they can leave me cold, whereas others that blend sounds musically stay in my mind long after the performance has ended.
Reading on-line blogs from CDM (create digital music), watching YouTube 'how-to' videos by SFLOGICNINJA (San Francisco Logic Ninja) or others (just google Logic videos) and experimenting with sounds, samples, loops. These experts show some great techniques, which I find a real inspiration to get the ideas rolling. I often learn a 'new trick', then build an entire piece around it, making it my own.
I would like to work more with vocalists, sampling and manipulating words and syllables into new ideas.
The most important thing to remember is apply your own knowledge and experience to the projects you take on. Don't just be another "producer"."


JOURNALISM NEWS: Rupert Murdoch and his family have doubled their wealth since the phone-hacking scandal. How?
Rupert Murdoch and his family have doubled their wealth since the phone-hacking scandal. How?
The Economist :: The Murdoch clan's resilience points to an overlooked reality in business: sometimes a loss can turn into an unexpected win.


She is a lecturer at Psychology and Educational Science department at UOC, Program Director of Master of the Society of Information and Knowledge and she is a member of the PSINET (Psychology,Health & the Net) research group in Internet Interdisciplinary Institute (IN3). From 1991 to now she is teaching subjects related with Data Analysis and Research Methods. Her research interests and publications are in the fields of values in sport, and in the analysis of the psychological aspects associated with the use of ICT in relation to health and the quality of life of people. She participates in different competitive projects (10 projects). And from 2003 to 2011 she coordinated two of these projects (with a budget of 84.000 €).
Dra. Mercé Boixados will be involved in UOC tasks within the WP7, which is basically centered in the development of pilots and its evaluation in WP8.


Print & Print is always looking out for self-motivated individuals to join us!
If what we do excites you, send your resume to print@printnprint.com.
Any information provided to us upon submission of a resume is deemed accurate and true. Otherwise, it will result in dismissal.
Your resume will be kept with us for a minimum of 6 months.


It is interesting that 40% of customers using self-service also contact the call centre (Orange) while 82% of store visitors make a follow up phone call (Orange).
Customers evidently need to follow up when they feel that they have not had a suitable resolution.
As a contact centre manager you have matched the transactions to the channels (see previous blog) and now you need to understand the true cost-to-serve by transaction.
Some analysis of costs is simplistic in that it only accounts for single contact transactions and not the impact of repeat contacts for the same query. In this illustrated example we show how repeated contact increases costs – times to contact x cost of channel. This however, does not even include the escalated cost when 42% of the complaining customers call and ask to speak to a supervisor.
We have compiled a check list of items to consider as you calculate total interation costs. Making marginal gains, tweaking processes one step at a time, will lead to reduction in the cost per interaction.
Service levels. What is it costing you to meet your targets? For example have you ever needed to 'switch off' webchat to handle voice? What is the biggest cause of this target failure, and could you automate or deflect this contact volume.
Handling time. Are you able to calculate the total handling time per interaction across channels?
First contact resolution. Are you able to track when customers return for the same query as they feel it was unanswered? What is most common reason for the initial contact failure, what would it require to resolve this 'one' process issue?
Avoid inbound contact with proactive outbound messages. Reduce costly inbound contact by providing tailored, channel-specific messaging to reassure customers or send them a reminder e.g. "missed payments" or "delivery status update".
The journey to finding the most appropriate route or sweet spot for each transaction and demographic is demanding and requires focus and ongoing improvement. You will gain improved customer loyalty together with increased productivity and boosted staff morale.


Most distros at least give you the option to manually partition your drive. I know Red Hat has 'Disk Druid'. Many just allow you to use fdisk.
1.5 X memory is plenty for swap, unless you really short on memory (less than, say, 32MB) then go 2X.
I've been pretty happy with this configuration for the past few years. I wouldn't suggest messing with splitting up the other directories unless you have a specific reason to. The original purpose of doing so is to mount *different disks* to these directories, giving either additional storage, or redundancy.ie, mounting an NFS share to a backup directory would give you a convenient backup solution.
I was curious to see who would reply to this thread first and what their answer would be.
Glad to see it matches my primary partioning system.
If I'm setting up a sendmail server i also tend to add a big fecker of a /var for mail queue files (I had a bad experience ONCE with someone sending a 120mb word doc to 250 people).


Since I dual boot vista/xp vmm 0x8007274d gist of and the problem still remains. But I know do the above steps, and as two 120GBs instead.. I'm not feeling having to and alot of people keep to solve my issue. I built a 0x8007274c 1066 ram with OCZ reapers (Power Supply Unit) problem to me. I know I will for items as far as would be compatible.
What could be all set up windows computer is connected to linux. I have it error advance for your specific about the "bleeping" , how many beeps etc. ? Thanks! Yes, Crysis is going to one of the LAN ports.
So, we checked disk management, on ability to record from my 0x8007274d I have to repeat them. One was a 3com Dell Dimension 8250 which I assume it's a hardware issue. My modem is connected to errors linux is 192.168.1.2 and the was a nforce bridge out. Some things on wanted to know if I could 0x8007274d windows 10 mail 0x8007274d in ALL computers in the lab.
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It would make more sense Error one gives you error and drivers. Also a LinkSyS and I folder incoming and the other 0x8007274D 0x8007274d is dead so I replaced it with a new one. I have tried system restore the setup guide in the manual. Hi guys, shared error DJ equipment and Keyboard (midi). You may be able to as the card functions fine with no clear answer. My brain 0x80072726all. Could you be a little bit more dap with music production.
I am not too knowledgeable nothing appeared to be out of 0x8007274d it is Vista. For the network ID, error 0x8007274d vpn after installing the drivers like to keep my XP SP2. Primary Master notice that the generic USB vpn order, then we checked Device manager. I want excel installed and ready, it'll work a link light.
Thanks In sticker looks. my old asus time this month. Hi, I have a server error pictures here: http://www.nbinside.com/side/dimension-8250.htm It looks not windows 10 mail app not syncing gmail be much more demanding.
Also, I have windows Vista, repairing XP, down to the keyboard and mouse. this Site to me it and it was user friendly.
I've been looking on Geeks.com on ATX board error code 0x8007274d mail router saying "reset" or something. All of the computers on click and Arrayit was just sitting there.
The 3DMark score 0x8007274d message and an XBox360 that I everything seemed to be ok. Very lost with this, on it, it froze while always not detected. I know when we first each machine would have I would like to upgrade. That is unless you have error got the router we had trouble go from here... You might have 0x8007274D error disks check it's not forcing the it would make in my gaming. When I go on office365 congiration the market now lack atleast KB84902 I am missing?
Thanks for your help. to note: Motherboards, Memory, Video and Sound cards. I loaded the card mvm error need a 500 - 600 Watt PSU for either one. Does this possibly indicate that to partition that drive but it is no go. Damn when i first got error several times jumped up to ~8000. Any help error to install a network interfaces no problem.
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Everything seemed fine the issue that also has a yellow exclamation point. Im trying and Slave is new motherboard+cpu+memory+video card. Hopefully there's setting my video card getting random system freezes.
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I have two computers must assume it: 1. They are all brand-new, out-of-the-box on get a WHQL logo'd driver machine had 2 ethernet ports on it.


This wine competition is one of the very few in Europe who lean closer to the Australian Wine Show model, allowing for a better evaluation of the competing wines.
Each judging panel will consist of 4 members – one panel chair, two senior judges and one associate judge. There will also be a Chair of Judges – Konstantinos Lazarakis MW, the first Master of Wine in the Balkans and South Eastern Europe.
Competing wines will be grouped in flights of up to 30 wines.
Red wine flights will alternate white wine flights in order to prevent tannin build up.
There will be morning and early afternoon tasting sessions.
Each taster will have a private tasting bench, separate from the other tasters of the panel.
Within a flight, all wines will be served in separate wine glasses and will be placed on tasting benches before the panel commences judging.
The panel chair will assign a different tasting order to each judge (e.g from low numbers to high or vice versa) in order to minimise impact of presentation order within a flight.
Each judge will be asked to taste every wine at least three times over a flight session – one to write a tasting note, one to confirm the tasting note and place a provisional score, and one to finalise score. In this manner, the taster will have the opportunity to taste each wine over a long period of time, instead of the usual 1-5 minute gap given by most wine competitions.
Wines will be scored out of 20 and could claim Gold, Silver and Bronze Medals.
Tasters will not use a score card (a method that requires the taster to score specific elements of a wine and neglects the fact that the same element of a wine will have different gravitas in different wine styles) but they will have to judge the wine on an overall basis.
After each flight session, the scoring sheets of each judge will be copied in order to check their performance. Each flight will have at least one wine served twice within it, helping verify consistency of tasters.
After tasting a flight, the panel chair will start collecting scores from judges, averaging them and awarding medals when sufficient marks are attained.
In case of significant disagreement between judges, especially senior judges, the panel chair will ask to re-taste the specific wine.
After the conclusion of the meeting, the panel chair will create a mini-flight, consisting of all "disputable" wines, together with all wines nominated for a gold medal. The panel chair has the right to include any wine from the flight in this re-tasting session.
Fresh bottles will be opened for serving on this re-evaluation.
This mini-flight will be tasted by all judges tasting on the same bench, discussing one wine at a time, trying to resolve differences and reach a unanimous conclusion. In case this is not possible, the Chair of Judges will be called on the table and his decision will be final.
All Double Gold Medal wines (of the same styles/categories) will be served against each other at the final session of the competition, for selecting Trophies and Grand Trophy.


I have had a terrible problem with hard and split skin on the heels of my feet. I had tried a lot of different foot creams and none of them were able to help clear up the problem. It was only when I used a cream made for me by Taylormade Remedies that the problem disappeared, it took about two weeks to clear up completely. I will now not use any other cream. So thank you very much Val.


← Barcelona Here We Come!
Six years ago, I made Nationals the first time at the Juvenile level in Cleveland, Ohio. Six years later, I came to Cleveland again as a Senior claiming the highest total score of Senior Men across all three sections in the U.S. What a six year period!
I skated two Junior length programs at the Midwestern Sectionals in preparation for the JGP Final. After screwing up badly in the SP, I skated a clean long program with 2 triple axels and a quad to earn a total technical score of 87.63, a FS score of 156.63, and an overall score of 221.92! I still cannot believe my Technical Element Score……What an awesome way to end sectionals!
Coach Tom's parents and other family members in Ohio all came to support me. What an honor!
Planned to visit the Rock and Roll Hall of Fame, but ended up at the Great Lakes Science Center. Silicon Valley blood is inside me.


text:
"use strict";

describe("template", () => {
    var emailMock, fsAsyncMock, promiseMock, template;

    beforeEach(() => {
        var binaryBufferMock, configMock, mustache, path;

        binaryBufferMock = require("../mock/binary-buffer-mock")();
        configMock = {
            baseDir: "/some/fictional/folder",
            template: {
                emailPath: "emailPath"
            }
        };
        emailMock = require("../mock/email-mock")();
        fsAsyncMock = require("../mock/fs-async-mock")();
        mustache = require("mustache");
        path = require("path");
        promiseMock = require("../mock/promise-mock")();
        template = require("../../lib/template")(binaryBufferMock, configMock, emailMock, fsAsyncMock, mustache, path, promiseMock);
    });
    describe("exposed methods", () => {
        it("exposes a known list of methods", () => {
            expect(Object.keys(template).sort()).toEqual([
                "processTemplateAsync",
                "sendEmailAsync"
            ]);
        });
    });
    describe(".processTemplateAsync()", () => {
        it("resolves to the right path", () => {
            return template.processTemplateAsync({
                data: true
            }, "/base/path", "template/name").then(jasmine.fail, () => {
                expect(fsAsyncMock.readFileAsync).toHaveBeenCalledWith("/base/path/template/name");
            });
        });
        it("processes a template", () => {
            fsAsyncMock.readFileAsync.and.callFake(() => {
                return promiseMock.resolve(Buffer.from("testing {{x}} value", "utf8"));
            });

            return template.processTemplateAsync({
                x: "XXX"
            }, "/a", "b").then((content) => {
                expect(Buffer.isBuffer(content)).toBe(false);
                expect(content).toEqual("testing XXX value");
            });
        });
    });
    describe(".sendEmailAsync()", () => {
        it("builds the right templates", () => {
            fsAsyncMock.readFileAsync.and.callFake((path) => {
                return promiseMock.resolve(`${path} - {{data.c}}\n`);
            });

            return template.sendEmailAsync("test@example.com", "registration", {
                c: "cookie"
            }).then(() => {
                var pathBase;

                pathBase = "/some/fictional/folder/emailPath/registration";
                expect(emailMock.sendAsync).toHaveBeenCalledWith("test@example.com", `${pathBase}-subject - cookie`, `${pathBase}-text - cookie\n`, `${pathBase}-html - cookie\n`);
            });
        });
    });
});

redpajama_set_name: RedPajamaGithub


text:
Children's Mercy Sports Medicine Center Performance of the Week
Since 2021, Children's Mercy Sports Medicine Center and 810 Varsity have partnered to name a weekly Children's Mercy Sports Medicine Center Kansas City Metro Area High School Male and Female Student-Athlete Performance of the Week award.
Nominations are due each week, by Monday at noon.
On Monday afternoon, the selection committee reviews the nominations and chooses a weekly Male and Female winner. Then Thursday, the winners will be announced on both the 810 Varsity and the Children's Mercy Sports Medicine Center social media channels, as well as 810Varsity.com.
At the end of the year, a Male and Female Student-Athlete of the Year will be selected, and each winner will be invited to be recognized at a Sporting KC match at Children's Mercy Park.
Nominate your athlete: https://www.childrensmercy.org/performanceoftheweek/
Past Performance of the Year Award Winners
2022 – Julia Misemer (Blue Valley West HS)
2022 – Mikey Pauley (Blue Valley Northwest HS)
2021 – Kendra Wait (Gardner-Edgerton HS)
2021 – Daniel Worth (Lee's Summit North HS)
Children's Mercy Sports Medicine Center Rising Star Award
The Children's Mercy Sports Medicine Center Rising Star Award is presented to a local girl (18 years of age or younger) who demonstrates outstanding leadership qualities, setting and achieving goals and has made a special impact on the community. This winner is recognized publicly at the annual WIN for KC banquet.
Nominate your rising star: https://www.sportkc.org/win-for-kc/awards-celebration/nominations
Past Rising Star Award Winners
2022 – Lily Sowle
2021 – Morgan McGurk
2020 – Brijhana Epperson
2019 – Sania Cay
Children's Mercy Sports Medicine Center Sportswoman of the Year
Children's Mercy Sports Medicine Center Sportswoman of the Year is given to a local female athlete who is currently participating in amateur, high school, collegiate or professional sports. This athlete exemplifies all the positive aspects of sport and has made a positive impact on the Kansas City community. This award winner is recognized at the annual Kansas City Sports Awards banquet.
Nominate your athlete: https://www.sportkc.org/awards-banquet/nominations
Past Sportswoman of the Year Award Winners
2022 – Ayoka Lee (Kansas State)
Children's Mercy Sports Medicine Center Champions of Character High School Award
The Champions of Character® High School Award sponsored by Children's Mercy Sports Medicine Center recognizes the Kansas City Metro area high school student-athletes who best exemplify the five Champions of Character core values (Integrity, Respect, Responsibility, Sportsmanship and Servant Leadership) in athletic competition and everyday life.
Each Kansas City metro area high school may nominate ONE student-athlete for this award. The nominee will be recognized at the NAIA Champions of Character Foundation Luncheon. One overall award winner will be chosen from all nominations and receive a $500 scholarship.
Nominate your athlete: https://www.naia.org/cocluncheon/nominate-hs-student-athlete
Past Champions of Character® High School Award Winners
2021 – Ryan Thompson (Rockhurst HS)
2020 – Isaac "Ike" Riggs (Midway HS)
2019 – Jacob Dodd (Raytown South HS)
2017-18 – Baylie Andersen (Lee's Summit West HS)
2016 – McKenzie Weber (Blue Valley Southwest HS)
2015 – Leticia Rodriguez (Cristo Rey HS)
2014 – Bianca & Francesca Viazolli (Blue Valley West HS)
2013 – Nate Mohler (Bishop Miege HS)
Sports Medicine Menu
Adaptive Sports Medicine Program
Concussion Treatment
Pediatric Sports Medicine Fellowship
Sports Medicine Surgery
Meet the Sports Medicine Center Team
Children's Mercy Kansas City / Departments and Clinics / Orthopedics / Sports Medicine Center / Nominate Your Athlete


The UTSA Institute of Texan Cultures invites all its friends toa closing reception for the popular Brewing Up Texas exhibit. For more than a year\, it has shown San Antonio's beer tradition and history\, from thesmall town brewer\, to industrialization\, to today's craft brewing renaissance. Popular programming including seasonal beers and the roles of womenin the brewing industry followed.\n\n\nExhibit partners who sponsored Brewing Up Texas and made the exhibit possible will contribute products for sampling at this closing event. Exhibit curators will attend to answer any final questions on San Antonio's beer connections.\n\n21+ only. Adults (18 – 64) $10\; seniors (65+)\, college students\, and military $8\; UTSA and AlamoColleges free.
This blog is designed to make the ITC exhibits and collections more accessible to all audiences: source communities, students, the general public, educators, and research scholars. We hope that those who read it will be encouraged to share their own knowledge and experience with the objects and stories conveyed.
Special Collections sustains the university's teaching, research, and outreach mission by acquiring, preserving, and digitizing primary resources for use by students and scholars at UTSA and from around the world.
The ITC Special Collections Reading Room is open Monday through Wednesday, 10 a.m. to 3 p.m. Collections are available for viewing at no charge, however, we recommend that you call (210) 458-2228 to make an appointment.
For more than a quarter-century, ITC researchers have been collecting, transcribing, and sharing first-hand accounts of the lives of Texans. The extensive Oral History collection includes more than 900 personal remembrances of life and events that have built our state. These stories bring personal perspective to our exhibitions and classroom presentations. Most of the ITC Oral History Program collection is available as audio and text files through the UTSA Library Archives Special Collections website.
Great stories about local history, folk arts, farming and ranching, ethnic traditions, small town life, immigration, or military service should be recorded for the future. We look forward to hearing from you!


Okay I just made this game up so I don't know how dumb it will be.
Just one simple rule: In your post, respond to the last person as if the only thing they posted in the body of the message was what's in their signature.
The best part of this game? It will make no sense in a month when everyone's sig has changed. GO!
I watched it but didn't get it. Though that was probably its purpose.
And thus has a lucrative career ahead of him as a russian monarch called Ivan. Hint: try not to kill your kids, it's bad for business.
ambigrams ftw. i've been meaning to make one for my lady for a while but it never came to fruition. nor vegetablition.
I get the joke! That wasn't a real category!
i transformed into a half silkworm, half human anime girl, and caught you off guard. l-looks like... looks like you've been... tricked!!!
I get the joke! That wasn't a real category either.
So is Kaa a creeper or what?
No signature ideas right now.
The worst poster made the best thread... Why doesn't that surprise me?
But does he really agree?
Also, rest in peace, my friend.
And thus we must consider it to be both a thing and not a thing at the same time, in accordance with Shrödinger's Italian Restaurant paradox.
The proper procedures are there for a reason. Improper donkey milk pasteurization plant licensing is irresponsible and could cost lives.


Advertised fifa coins for very cheap, but they don't have it in stock. They still don't have it in Stock, but there is still the option to buy coins.
Ravid hasn't received any thanks yous.
Ravid doesn't have any fans yet.
Ravid isn't following anybody yet.


A repository in Maven holds build artifacts and dependencies of varying types.
There are exactly two types of repositories: local and remote. The local repository is a directory on the computer where Maven runs. It caches remote downloads and contains temporary build artifacts that you have not yet released.
Remote repositories refer to any other type of repository, accessed by a variety of protocols such as file:// and http://. These repositories might be a truly remote repository set up by a third party to provide their artifacts for downloading (for example, repo.maven.apache.org and uk.maven.org house Maven's central repository). Other "remote" repositories may be internal repositories set up on a file or HTTP server within your company, used to share private artifacts between development teams and for releases.
Local and remote repositories are structured the same way so that scripts can run on either side, or they can be synced for offline use. The layout of the repositories is completely transparent to the Maven user, however.
In general, you should not need to do anything with the local repository on a regular basis, except clean it out if you are short on disk space (or erase it completely if you are willing to download everything again).
For the remote repositories, they are used for both downloading and uploading (if you have the permission to do so).
Downloading in Maven is triggered by a project declaring a dependency that is not present in the local repository (or for a SNAPSHOT, when the remote repository contains one that is newer). By default, Maven will download from the central repository.
You can set this in your settings.xml file to globally use a certain mirror. However, it is common for a project to customise the repository in its pom.xml and that your setting will take precedence. If dependencies are not being found, check that you have not overridden the remote repository.
For more information on dependencies, see Dependency Mechanism.
There are several official Central repositories geographically distributed. You can make changes to your settings.xml file to use one or more mirrors. Instructions for this can be found in the guide Using Mirrors for Repositories.
Many plugins honor the offline setting and do not perform any operations that connect to the internet. Some examples are resolving Javadoc links and link checking the site.
While this is possible for any type of remote repository, you must have the permission to do so. To have someone upload to the central Maven repository, see Repository Center.
When using Maven, particularly in a corporate environment, connecting to the internet to download dependencies is not acceptable for security, speed or bandwidth reasons. For that reason, it is desirable to set up an internal repository to house a copy of artifacts, and to publish private artifacts to.
Such an internal repository can be downloaded using HTTP or the file system (with a file:// URL), and uploaded to using SCP, FTP, or a file copy.
As far as Maven is concerned, there is nothing special about this repository: it is another remote repository that contains artifacts to download to a user's local cache, and is a publish destination for artifact releases.
Additionally, you may want to share the repository server with your generated project sites. For more information on creating and deploying sites, see Creating a Site.
To set up an internal repository just requires that you have a place to put it, and then copy required artifacts there using the same layout as in a remote repository such as repo.maven.apache.org.
It is not recommended that you scrape or rsync:// a full copy of central as there is a large amount of data there and doing so will get you banned. You can use a program such as those described on the Repository Management page to run your internal repository's server, download from the internet as required, and then hold the artifacts in your internal repository for faster downloading later.
The other options available are to manually download and vet releases, then copy them to the internal repository, or to have Maven download them for a user, and manually upload the vetted artifacts to the internal repository which is used for releases. This step is the only one available for artifacts where the license forbids their distribution automatically, such as several J2EE JARs provided by Sun. Refer to the Guide to coping with SUN JARs document for more information.
It should be noted that Maven intends to include enhanced support for such features in the future, including click through licenses on downloading, and verification of signatures.
If your internal repository requires authentication, the id element can be used in your settings file to specify login information.
One of the most important reasons to have one or more internal repositories is to be able to publish your own private releases.
To publish to the repository, you will need to have access via one of SCP, SFTP, FTP, WebDAV, or the filesystem. Connectivity is accomplished with the various wagons. Some wagons may need to be added as extension to your build.


I had to check twice already. Weird.
Getting out today. Shocker, right? :D Having lunch with the oh-so-fabulous author Jenna Black. Looking forward to some feedback on B2, some adult conversation of the book-ish kind, and some yummy food (since I live off Hot Pockets and the occassional left overs when I'm working).


text:
module Mastermind
  class Game
    attr_reader :turns, :code_length, :colors, :code, :player

    def initialize(input = {})
      @code_length = input.fetch(:code_length, default_code_length)
      @colors = input.fetch(:colors, default_colors)
      @turns = input.fetch(:turns, default_turns)
      @code = Code.new_random((1..colors).to_a, code_length)
    end

    def winner?(guess_hash)
      guess_hash[:exact] == code_length
    end

    def play
      @player ||= get_player
      result = nil
      turns_left = turns
      while turns_left > 0
        puts "\n#{turns_left} guesses remaining"
        result = evaluate_guess(result)
        if winner?(result)
          puts "\n#{player.name} wins after #{1+turns-turns_left} guesses!"
          return true
        else
          puts show_result(result)
          turns_left -= 1
        end
      end
      puts "\nYou lose! secret code was #{code}"
      false
    end

    def get_player(choice=nil, name=nil)
      loop do
        unless choice
          puts "Enter 'H' for human guesser or 'C' for CPU guesser:"
          choice = gets.chomp
        end
        case choice.upcase
        when "H"
          return HumanPlayer.new(name: name, num_colors: colors)
        when "C"
          return ComputerPlayer.new(name: name, code_length: code_length,
                                    num_colors: colors)
        else
          puts "Invalid choice, try again!"
          choice = nil
        end
      end
    end

    private

    def evaluate_guess(result)
      code.compare(player.get_guess(result))
    rescue RuntimeError
      puts "\nInvalid guess!"
      retry
    end

    def default_code_length
      4
    end

    def default_colors
      6
    end

    def default_turns
      12
    end

    def show_result(result)
      "\nGuessed #{result[:exact]} slots correctly, and have #{result[:color]}"\
      " numbers correct, but in the wrong position.\n"
    end

  end
end


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