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Meghan Markle has reportedly been told by police not to close her doors due to alleged "far-right" threats against her and husband Prince Harry.
The Duchess of Sussex made headlines recently when she reportedly dropped another hint about her due date and revealed that she was "six months" along in her pregnancy. In October, the royal couple announced they were expecting their first child in the spring.


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Uma relíquia () é um objeto preservado para efeitos de veneração no âmbito de uma religião, sendo normalmente uma peça associada a uma história religiosa. Podem ser objetos pessoais ou partes do corpo de um santo ou personagem sagrada. O culto das relíquias atingiu o seu máximo na religião budista e em várias denominações cristãs como o catolicismo. As relíquias são usualmente guardadas em receptáculos próprios chamados relicários. Na generalidade das religiões protestantes, a veneração de relíquias é desaprovada.

Catolicismo

História
O primeiro exemplo do culto de uma relíquia por crentes cristãos surge em 156 em Smyrna (atual Esmirna na Turquia), a propósito do martírio de São Policarpo relatado, por exemplo, nas obras de Eusébio de Cesareia. Depois de ter sido queimado na fogueira, os discípulos do mártir recuperaram os ossos calcinados do seu mestre e acolheram-nos como objetos sagrados. Mais tarde, diversos milagres foram atribuídos a esta relíquia e a busca por objetos semelhantes tornou-se cada vez mais popular, conduzindo por exemplo, à descoberta da cruz da crucificação de Jesus Cristo em cerca de 318.

No início do cristianismo, as relíquias eram importantes, principalmente partes de corpos de mártires, pois considerava-se que seriam estes os primeiros a levantar-se no momento da ressurreição. Era, pois, importante, para o fiel, ser enterrado junto destas relíquias, ou pelo menos perto dos seus relicários, de forma a poder acordar para a vida eterna ao lado dos soldados da fé. O culto das relíquias foi aumentando cada vez mais e, no , o arcebispo da Cantuária São Teodoro declarou que as relíquias deviam ser objetos de veneração e iluminadas dia e noite pela luz de uma vela. Dois séculos mais tarde, a prática era obedecida pelo menos pelo rei Alfredo de Inglaterra.

Durante a Idade Média e o período de construção de catedrais, o culto das relíquias atingiu o seu auge. Nesta altura, a edificação e manutenção de uma catedral era custeada sobretudo através de donativos da congregação. A importância eclesiástica de uma diocese, bem como a sua capacidade de atrair novos fiéis e peregrinos, era, muitas vezes, dependente da quantidade e qualidade de relíquias que eram exibidas para veneração. Assim, quando a primeira secção da catedral de Colónia abriu as portas em 1164, foi com todo o orgulho que o Arcebispo Reinaldo de Dassel expôs os corpos dos Três reis magos. Da mesma forma, e dando só alguns exemplos:
 Santiago de Compostela reclama o corpo de Santiago Maior;
 Trier, o manto de Jesus, pelo qual os legionários romanos jogaram aos dados;
 A catedral de Chartres apresenta a túnica da Virgem Maria.

Classificação de relíquias
A Igreja Católica definiu a seguinte classificação de relíquias:

 Primeira Classe, parte do corpo de um santo (ossos [designado Ex Ossibus], unhas, cabelo, etc.);
 Segunda Classe, objetos pessoais de um santo (roupa, um cajado, os pregos da cruz, etc.);
 Terceira Classe, inclui pedaços de tecido que tocaram no corpo do santo ou no relicário onde uma porção do seu corpo está conservada.

É proibido, sob pena de excomunhão, vender, trocar ou exibir para fins lucrativos relíquias de primeira e segunda classe.

Relíquias famosas

 Coroa de espinhos
 Lança do destino
 Madeira da cruz
 Manto de Jesus
 Pregos da cruz
 Prepúcio sagrado
 Santo Graal
 Sudário de Turim
 Rosa Sagrada

Influência na Literatura
A obra de Eça de Queirós A Relíquia descreve, com ironia, o mundo dos comerciantes de objetos sagrados.

Lista de Relíquias Católicas em Portugal

 Crânio de Santa Brígida - Igreja do Lumiar, em Lisboa;
 Vertebra lombar da Beata Maria do Divino Coração (Condessa Maria Droste zu Vischering) - Igreja do Sagrado Coração de Jesus, em Ermesinde;
 Santo Lenho (pedaço da Cruz de Cristo) - Igreja Matriz de Paços de Brandão (Santa Maria da Feira);
 Santo Lenho (pedaço da Cruz de Cristo) - Mosteiro de Moreira, em Moreira (Maia);
 Santo Lenho (pedaço da Cruz de Cristo) - Igreja de Vera Cruz, em Marmelar (Alentejo);
 Santo Lenho (pedaço da Cruz de Cristo) - Igreja do Desterro, em Lisboa (na Irmandade da Santa Cruz e Passos do Desterro);
 Santo Lenho (pedaço da Cruz de Cristo) da Real e Venerável Irmandade do Santíssimo Sacramento de Mafra - Basílica do Palácio Nacional de Mafra, em Mafra (Lisboa);
 Santo Lenho (pedaço da Cruz de Cristo) - Igreja de Nossa Senhora da Conceição, no Seixal;
 Santo Lenho (pedaço da Cruz de Cristo) - Igreja Matriz de Arronches – Portalegre;
Santo Lenho (Cruz feita de um pedaço da Cruz de Cristo que foi de Santa Helena, Mãe do Imperador Constantino) -  Queixo de baixo de S. Bras com 3 dentes – um dente de S. Pedro – Trazidos pela Santa Mafalda  - Convento de Arouca;
 Relíquia de São Fabião e de São Romão (Cabeça-Relicário de São Fabião) - Tesouro da Basílica Real de Castro Verde;
 Relíquia de Santa Faustina (ex ossibus) - Igreja de Santo António da Charneca, concelho do Barreiro;
 Relíquia de São Goldrofe (osso da canela)- 1º Prior de (Arganil) - Mosteiro de Santa Cruz, em Coimbra;
 Relíquia de São Nazianzeno (mão direita) trazida a Portugal por D. Gualdim Pais – Igreja de Tomar
 Relíquia de São Vicente (pedaço do osso do maxilar) - Igreja de São Vicente da Beira, em Castelo Branco;
 Relíquia de Santa Margarida Maria Alacoque - Santuário Nacional de Cristo Rei, em Almada;
 Relíquia de São João Eudes - Santuário Nacional de Cristo Rei, em Almada;
 Relíquia da Beata Maria do Divino Coração (ex ossibus) - Santuário Nacional de Cristo Rei, em Almada;
 Relíquia de Santa Faustina Kowalska - Santuário Nacional de Cristo Rei, em Almada;
 Relíquia de Santa Beatriz da Silva (ex ossibus) - Igreja de Nossa Senhora da Conceição, no Seixal.
 Relíquia de São João Bosco (ex ossibus) - Igreja de Nossa Senhora da Conceição, no Seixal;
 Relíquia de Santa Teresinha do Menino Jesus (ex ossibus) - Igreja de Nossa Senhora da Conceição, no Seixal;
 Relíquia (ex Ossibus) Santo Calimero (Calimero de Montechiano - nascimento 1430 e falecimento 1521 - Bispo de Milão (Itália) - Data festiva local 31.de Julho - Óratorio Privado Seixal (Destricto Setubal) com carta de aprovação (sem exposição publica , sem carta , lacrado com selo);
 Relíquias São Francisco Assis , Santo António Lisboa e Padua , Santo André Apostolo , Santo Francisco Xavier e Santo Januario (Ex Ossibus com carta e selo ecclesiastico) - Óratorio Privado com carta de aprovação , Seixal (Distrito Setubal , Portugal) - (em exposição publica).

Budismo
Depois da sua morte, Sidarta Gautama, o Buda, foi cremado e suas cinzas foram divididas entre os crentes para efeitos de veneração. Estas relíquias são normalmente expostas em estupas.

Bibliografia

 Le Reliquie nella Chiesa - Autenticitá e Conservazione ( Multilingue ) - paginas 109 - 127 , Libreria Editrice Vaticana - ISBN 978-88-266-0126-7

redpajama_set_name: RedPajamaWikipedia


Many people from many cultures use it. Throughout history it has been used by the American Indians, Europeans, Romans, Russians, and Asians as an alcohol extract. Often it was easily made into soups for its strengthening bone broth protein full of raw material for tissues, joints and bone. The most complete ancient literature is the Chinese texts, which give it top classification for over 2,000 years.
Deer antler velvet can help slow the aging process and possibly even increase longevity due to the IGF-1 present in deer antler velvet. Aging occurs because our DNA becomes damaged throughout our lives and the damages accumulate over time. The damaged nuclear DNA can either directly cause the aging process by increasing cell dysfunction or it can indirectly cause the aging process by increasing programmed cell death (apoptosis) or increasing the number of cells which are unable to divide any further (cell senescence).


The price of Gold (AU) is universally followed in financial markets. For hundreds of years, Gold was the foundation of economic capitalism. This was before the repeal of the Gold standard, which caused an extension of the fiat currency system. As a result, cash doesn't have a direct tangible backing form of monetization. On the periodic table of elements, AU is the code for Gold. It is quoted in US currency and it is how the value of Gold is measured across the globe.


This 1Gb internal stick replaces the 256 or 512Mb memory card installed in the EEE for the maximum 1Gb System RAM. This is an SO-DIMM stick of memory @ 667Mhz.
This is a user-replaceable item (it can be installed in less than a minute). There is only one slot in the EEE for memory, max 1Gb.
Corsair Memory with lifetime warranty.
This entry was posted on Sunday, December 9th, 2007 at 9:52 am and is filed under Accessories, Hardware.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
Actually, 2GB is possible provided you either patch your default Xandros install's kernel, use another Linux flavor, or install WinXP. I currently use 2GB in my eeePC with XP, and it turns heads in every meeting and every coffee shop I go to.
I also want to confirm 2GB. That is what I use in my EEE.
Very interesting and thanks for the link. However do you have a recommendation for the SD card that should be used with the machine?
I have heard the more memory you have the less battery life you will have. What are the positives and negatives of additional RAM with the base linux install. I haven't felt the need to upgrade.
RAM is unlikely to consume more than a minimal amount of battery power.
As the installed Xandros Linux does not use swap space, what is the point upgrading the RAM unless applications are being denied requests for more memory, or you can't open new applications? When was the last time that happened to you?
Can't see the point myself, running Xandros – never had a memory problem.


text:
4/15/2016 | 3 MINUTE READ
Optimizing CNC Legacy Parts with CAM
One day's work resulted in productivity improvements that allow the equipment to pay for itself, while leaving spare capacity for additional production work.
Savings from part programs written in Mastercam to take advantage of this modern mill-turn system will pay for this equipment in less than five years.
This Mahr Federal model of a legacy part in SolidWorks can transition immediately for programming simply by selecting Mastercam for SolidWorks from a dropdown menu.
With Mastercam's simulation feature, programmers can quickly verify the adequacy of material removal and tool movement safety.
Edited by Lori Beckman
Managing Editor, Production Machining
Mahr Inc.
Mastercam - CNC Software, Inc.
Mark Ellis recently set aside a day to make progress on one of his latest projects—writing CAM programs that would allow a group of 17 parts, manufactured in two setups on an older CNC lathe and mill, to be produced in a single setup on a multitasking CNC lathe with live tooling. During that day, the manufacturing engineer at Mahr Federal Inc. (Providence, Rhode Island) was able to open solid model files for 11 of these parts in his Mastercam software (CNC Software Inc.) to generate optimized CNC programs and prove out several of them on new equipment over the course of several weeks. One day's work resulted in productivity improvements that allows the equipment to pay for itself, while leaving spare capacity for additional production work.
Mr. Ellis' work reflects the nature of the current state of Mahr Federal, a precision measurement products manufacturer. The company is in the midst of moving parts previously manufactured on conversationally programmed mills and lathes to the latest CNC equipment with advanced features such as five-axis high-speed machining, mill-turn lathes, multitasking machining centers, a horizontal machining center with pallet-based tombstone fixtures that can be used for lights-out manufacturing, and so on. Over the past five years, the company has invested millions of dollars in these advanced systems that improve capacity and productivity, and maintain strict control of tolerances.
Masters of the Small Hole
Initially, to get the new multi-axis machining capabilities up and running expeditiously at the company, the conversationally generated code for the existing programs was stitched together manually to create multi-axis programs that could be used on advanced machining centers.
However, now that a sufficient amount of manufacturing started taking place on these systems to keep production moving and to justify their cost, the company is looking to create more optimized cutting programs using Mastercam. Mahr Federal has three seats of Mastercam for SolidWorks with multi-axis mill and lathe capabilities. Mr. Ellis and another engineer have taken training provided by Macdac Engineering, their local Mastercam reseller, and they are using the software to systematically transition a range of new and legacy parts to the newer manufacturing systems and to optimize many of the parts that have already made the transition.
"In my opinion, the savings I have been able to squeeze out of these parts using the software has been incredible," Mr. Ellis says. "All of our parts are solid models, so I can open the CAD file in Mastercam for SolidWorks and begin plugging away at the CNC program without doing any conversions."
The software has many tools that can be used to optimize cycles, according to Mr. Ellis. "The fact that Mastercam has a tool library with a catalog of vendor inserts is really helpful. The program automatically selects the vendor-recommended feeds and speeds based on the insert I select, and the material I am cutting. I don't have to do any hand calculations or adjustments, and it is nice and streamlined." Mr. Ellis says that fact alone can save him an hour or more per part program, depending on the part's complexity.
As for the legacy parts, he says he has not found one yet that he hasn't been able to save time on, and time is worth money.
Mr. Ellis cited a specific part from the family that he reprogrammed for a mill-turn operation as an example of the savings achievable. The part, which was previously manufactured in two operations on a lathe, used to take two minutes, 42 seconds to cut—not including setup time between the two operations. On the new system, the cutting time was reduced to 42 seconds for a complete part. Mahr Federal makes approximately 3,300 of this one part every year, and those cycle time reductions accounted for about $7,000 in annual savings for this one part alone.
"For just those 17 parts, we are looking at around $24,000 in annual savings, which allows us to stay competitive in the market," Mr. Ellis says. "The machine upgrades cost about $105,000, so those cycle time reductions will pay for the machine in less than five years."
Mastercam improved Mr. Ellis and Mahr Federal's time and workload. Using Mastercam to program mill and lathe cycles for four of these parts took only one day. Mr. Ellis says it would have taken twice that time to manually write far less efficient programs.
Also, during his time programming with Mastercam, he brought the equipment's workload up from about 60 percent yearly capacity to 82 percent full capacity. So there is still more room for additional production to be run on this one machine.
Machining In Paradise
One medical parts job shop is taking its business to the next level in Puerto Rico with the right CAM system.
Efficient High-Speed Roughing
The Vortex roughing strategy produces tool paths with a controlled engagement angle for the complete operation.
Keeping Watch on Small Parts
From watch parts to exotic medical applications, this shop takes on the world of micromachining.
CAD, CAM and Related Software
CAM for Production Machining
Basic Aqueous Cleaning Processes And Selection Criteria
An Unconventional Approach to Multi-Spindle Production
Medical Grows as Its End Market Slows
The Many Sides of Workholding
Understanding CNC Collet Chucks

redpajama_set_name: RedPajamaCommonCrawl


26 77 Take Me To The Trees "tour poster"?
In this area we will be posting interviews, rare music, photo's and links to downloads only available to registered members. Register now to access this area!
A discussion board for the recording of 'After The Snow' album & singles & related concerts.
A discussion board for the recording of 'Ricochet Days# album & singles & related concerts.
A discussion board for the recording of 'Pillow Lips' album & singles & related concerts.
9 16 Favourite Pillow Lips track?
A discussion board for the recording of 'Soundtrack', & the concerts with the 'Soundtrack band line up from 1998 to 2001.
8 19 Which is your favourite 'Soundtrack' track?
Information about Modern English band members involvement with 'This Mortal Coil'.


text:
Excerpt 4: Connections to and from other grades (Pages 24-32)
UnboundEd
Grade 2 Standards Guide: Operations & Algebraic Thinking
Description: Explanations and examples of how to implement the Operations & Algebraic Thinking standards in Grade 2. In this section, we'll talk about the connection between the standards in the Operations & Algebraic Thinking domain and the standards in the first cluster of the Measurement & Data (MD) domain. As previously mentioned, the OA standards are also closely connected to place value concepts in the Number & Operation in Base ten domain. Use the four operations to solve word problems involving distances, intervals of time, liquid volumes, masses of objects, and money, including problems involving simple fractions or decimals, and problems that require expressing measurements given in a larger unit in terms of a smaller unit.
Other excerpts from this document
Previous Excerpt
Excerpt 3: Connections to Cluster 2.MD.D: Represent and interpret data. (Pages 20-23)
Other documents you might be interested in
Multiplication and Division Using Units of 6 and 7
Multiplication and Division Using Units up to 8


text:
Bitcoin's price hits a record high as interest in cryptocurrency rises
By Anissa Gardizy Globe Staff,Updated February 16, 2021, 3:40 p.m.
An ATM in Salem, N.H., that dispenses bitcoins.Charles Krupa/Associated Press
The price of bitcoin briefly reached a record high of more than $50,000 on Tuesday, adding fuel to the cryptocurrency's 2021 rally.
Investors have been all-in on bitcoin during the pandemic, sending its value up nearly tenfold since last March. The digital coin's worth is not influenced by economic policies or conditions such as inflation, which affect the value of traditional currencies. While bitcoin soars, the US dollar has been weakening in value as the Federal Reserve holds interest rates near zero.
The price of bitcoin fell in March to around $5,000 as the coronavirus took hold around the globe, but it has been climbing steadily since then. By the end of 2020, the price had reached nearly $30,000, and it has grown by nearly 65 percent since Jan. 1.
The hype surrounding cryptocurrencies has been propelled by several factors, including a stamp of approval from Elon Musk, the chief executive of Tesla, who has been outspoken about his support for bitcoin. Last week, the electric car maker disclosed that it had invested $1.5 billion in bitcoin and plans to accept it as a form of payment in the future. Musk briefly put "#bitcoin" in his Twitter bio.
Besides Tesla, mainstream companies including Mastercard have signaled that they are open to accepting cryptocurrencies, as well.
Bitcoin was created in 2009 as a decentralized digital currency that does not need to be issued by a bank or a government. And there is a fixed amount of it — approximately 21 million bitcoins.
Anissa Gardizy can be reached at anissa.gardizy@globe.com. Follow her on Twitter @anissagardizy8.


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Extended Video Interview: Vincenzo Natali, Director Of Splice
By David Chen/June 10, 2010 10:10 am EST
A few weeks ago, after Splice screened in Boston for the first time, I had the opportunity to sit down with director Vincenzo Natali for a lengthy, 35-minute long interview. Vincenzo spoke about how he first got his start directing films, his attitude towards the Cube sequels, the themes of Splice, and his approach towards adapting Neuromancer and High Rise. Plus, some insights about the ending of Splice (with spoilers clearly marked in the video).
Hit the jump for some highlights, plus the full video interview. Splice is out now in theaters everywhere.
On making the sci-fi cult hit Cube:
"I knew that my first film was going to have a very low budget, and therefore it was probably going to have to take place on one set. But I knew that also that I was also not the kind of filmmaker who would do something like My Dinner with Andre. So, I had a little brainstorm one day, where it occurred to me, "Well, what if one set doubled for many?" So I would have the advantage of shooting in one space, but I would also be able to move my characters from place to place. This made me think of a maze of identical rooms, and therefore a symmetrical maze, and therefore a cube and so on. It took awhile to, from that kernel of an idea, turn it into a three-act structure. But with the help of some friends, I did...
I actually had the best and worst of all possible experiences, because my first time out I got to do exactly what I wanted to do. I made the film with total creative freedom because it was in film school, and the film, for the scale of the movie it was, it was quite successful. So it was very hard for me to look back. And I actually found making my second, third, and fourth films much harder than making my first...Because I got to do what I wanted to do in the best possible way, I could never go back. I could never do a remake or a sequel to something, something that I wasn't impassioned about. It felt like a step backwards."
On the sequels for Cube:
"When Cube came out, the American company that distributed it decided they wanted to do a sequel and they approached me. I said "No, thanks." First of all, I'm not a huge fan of most sequels. And then I just didn't think it was a story that sequelized well. I mean, it was hard enough making one movie out of that premise, and believe me, if you've ever shot in a cube, you don't want to do it more than once. It's not a lot of fun. It was actually a very hard film to make...So, I said "No, thank you," and in some respects, I regret having said that because now, people come up to me all the time and say, "Did you direct Cube 2 and Cube 3?"...that happens all the time. I mean, for better or worse. I'm not judging those films. I can't claim ownership over them and I don't like it when people assume I made them. So, that was a lesson. If by some incredible fluke Splice got a sequel, I would remain involved...
Honestly, maybe it's better that other people did it, because they were able to approach the material in a fresh way. But my feeling was and is that it's like Jaws. You're in the water with a shark and a couple people. There's only one story to tell, in my opinion. You could have spun off into some very esoteric, interesting, weird places...Once you went out of the cube, virtually anything could be out there. Probably it's not a cube at all. Probably it's something much more bizarre, and abstract. But honestly, I never put serious thought into it."
On the protagonists of Splice:
"I actually, in some regard, I think that Clive and Elsa, the scientists characters in the film, are very courageous, and to be admired, and quite heroic. Because they really put everything on the line to create Dren, to create this creature, with the best of intentions, because there are truly medical benefits to be had. And also in the pure desire to break new ground, all of which I think is admirable. The only problem is that while they're incredible clever, they're not all that wise. They're a little bit immature, and so while they have a complete understanding of the chemical building blocks of life, they don't really understand what life is, and that's where things go wrong. In a sense, I don't think it's the technology that's a problem. It's actually Clive and Elsa's own latent demons that are the reason why things go so terribly wrong."
On adapting Neuromancer:
"For me, it's a story of redemption, if you want to get down to the core element of it. I think in terms of how you approach Neuromancer now, post-Matrix, post-all the other films that have poached from it, in the 21st century (because the book was written in 1984), I think you have to take those things and use them to your advantage, because what they give you, what The Matrix, for instance, gives you is the opportunity to make Neuromancer in a culture that is already aware of what The Matrix is. I mean, the very word "matrix" is in Neuromancer. It was borrowed by the Wachowski brothers for their film. I think that's a good thing, because I don't even know how someone would have been able to make that film 10 years ago or 15 years ago, because it's so abstract. I don't even know how people understood the book when it first came out. I think I read it in the late 1980s, but in 1984, how would people even understand it, because it was just so far ahead of the curve?
I think when you read it now, it still feels very relevant, maybe in some ways more relevant, because so much of what it predicted has come to pass. And therefore, my approach to it would be to be very realistic. I think The Matrix is a wonderful film, but it absolutely takes place in a comic book universe...everything about it, in the best possible way mind you, but really I think it's a very heightened reality...
[Neuromancer] is a future reality, but I don't want to glamorize it, I don't want to inject steroids into it. I want it to feel very palpable and real, and still exciting, of course, but I think if I had to make a comparison, a little more of the Blade Runner type universe, which is kind of a more adult-type of movie. And that's what I think this film should be because it's dealing with very important and exciting themes. And I think that's where my take on it and what excites me about the book will distinguish it from other films, in so much as, in my mind, Neuromancer is really about our post-human future. It's about how we, in the future, are going to relate to machine consciousness. In the same way that Splice is sort of a treatise on how we're changing our bodies, Neuromancer could be a treatise on how we're changing our minds, evolving our consciousness. I see tremendous potential for it. I actually think the time is now.
Also, I think Avatar has been a great harbinger for smart science fiction films. I know some people disagree with me, but honestly I think that film could not have been made by anyone other than James Cameron, and now that it has been made and it's such a success, it proves that hard science fiction — and that film is full of ideas — can work on a large commercial scale. And Neuromancer is definitely within that zone....
I actually really started to break down the book, now that this is looking like it might happen, and I actually don't think you need to stray too far from the book. I think you have to add some connective tissue, and I think that the ending needs to be finessed. I had a conversation with William Gibson about a week and a half ago, and he kind of agreed. You have to retool the ending a little bit. But basically I think the structure is there. And I actually see my version, if it were to be made, as having a little bit more of a literary kind of a structure. There would be a little bit of trickery with the timeline, and we would delve into characters' pasts and then come back into the present. I think that's the way to approach it. And that really excites me, because as somebody who watches a lot of movies and a lot of science fiction films, I'm really getting tired of the same old tropes, the same old kind of structures. If you're going to experiment with narrative structures, this is the movie to do it with."
Here's the full interview: