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text:
Director of Campus Security Outlines Importance of Safety As Cases Rise
Post author:James Bell
As we near the crux of this semester, ensuring safety in our community is of the utmost importance.
While the college has maintained a steady stream of information on resources and services available to students that have helped to keep COVID-19 cases relatively low throughout the semester, the recent rise in cases across the country casts an eerie shadow as we approach the finish for this semester.
"As it relates to next semester, I am nervous because people will be coming from an extended break.", said Areial Thomas, a senior and president of the Pan-Afircan Student Alliance (P-ASA).
While Thomas said she was satisfied with the college's isolation policy and the fact that we are staying on campus, since the environment is better for her workload, she expressed concern about what could follow when students return once more.
"The college has already requested that we quarantine upon our arrival back— which is good… but I just don't know. Hopefully the world doesn't get shut down again," she said.
As of Monday, November 23, the cumulative total of cases on campus among students is 57, a relatively low number compared to the overall student population. John Conway , director of Campus Safety, outlined that these low numbers are indicative of a greater student response to protocols for social distancing, wearing masks in public, sanitization and others. He states this has helped both security and the college administration as the pandmeic has raged on.
Conway is but one part of the larger array of committees the college put together around March, when the news of the rapid spread of the virus first began to emerge, specially the readiness committee that was responsible for formulating and implementing proper safety protocols for when students returned.
Although neither he nor campus security are wholly responsible for the enforcement of the college's policies – which include a strict mask mandate, spread out seating, proactive reooriing of potential symptiics, etc. – he explained the procedure for students who break these policies.
"Let's take an egregious case: we'll take a student who tested positively for the virus, and then refused to stay in an isolated area. Or again, as I said, we looked up and all of a sudden he was walking around the college center or doing things like that", he said.
"Well obviously that would place our whole community at risk. On a scale of one to ten that would be a nine or ten violation, so we would ask that student to leave campus. He or she might still be able to remotely learn for the semester, but otherwise we would remove them."
In terms of the plan for spring, Conway hopes that students will continue to adapt to a new normal and understand the scope of the pandemic is beyond "them just getting a virus), and that safety is in the best interest of our whole community.
In addition to continuing to follow directives provided by the city of Jackson and the state, students – and faculty – are expected to continually monitor their symptoms on a daily basis, as limiting the spread will largely depend on personal responsibility.
"I think to some degree it's also been that students realize that it's in their own best interest to keep our campus safe. It allows them a better environment to study. For student athletes certainly it allows them the chance to practice and do the thing they love doing as an extracurricular activity. It's just the best overall in the big picture", Conway said.
Remote and hybrid class opportunities will still be made available for students come Spring 2021.
Previous PostThe Final Countdown: Why Students Should Remain Cautious as Election Day Approaches
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redpajama_set_name: RedPajamaCommonCrawl


text:
An auspex, or augur, was an interpreter of omens in ancient Rome.

Auspex may also refer to:
 Auspex International, a London-based data analytics company
 Auspex Pharmaceuticals, an American pharmaceutical company acquired by Teva
 Auspex Systems, a defunct American computer storage company

Persons with the name
 Pollienus Auspex (consul under Commodus) (fl. 3rd century), Roman military officer, senator, and suffect consul
 Pollienus Auspex (consul under Marcus Aurelius) (fl. late 2nd century and early 3rd century),  Roman military officer, senator, and suffect consul
 Tiberius Julius Pollienus Auspex (fl. 3rd century), Roman senator and suffect consul

See also
 Haruspex

redpajama_set_name: RedPajamaWikipedia


text:
Joel Knox is traveling to his father's at Skully's Landing. He has never met his father, and after his mother dies, he lives with his Aunt Ellen in New Orleans. She treats him kindly, but he feels abandoned. When a letter comes from his father asking Joel to live with him, he wants to go. Ellen allows it, saying she loves him and to come back if he becomes unhappy. On his eventful trip, he meets the twin adolescents Idabel and Florabel Thompkins, neighbors to his father.
Download Other Voices, Other Rooms Study Guide
Joel's father is ill, and Joel has to wait to meet him. He meets Amy, his stepmother, and Zoo, who nurtures him. Exploring the grounds, he sees a "queer lady" staring down at him from a window. At dinner with Cousin Randolph and Amy, he mentions the lady. Randolph says that to Joel she is a ghost. While Amy plays the pianola, Randolph holds Joel's hand. He finds that distasteful.
Joel writes Ellen, telling her he hates the Landing. As he puts stamp money in the mailbox with the letter, he notices Little Sunshine giving Zoo a charm. Joel, headed for the twins', asks the hermit for a protective charm. Little Sunshine tells him to come to the Cloud Hotel for one. At the twins' house, Idabel and Florabel begin brawling, and Joel leaves. Back home, the mail arrives; he assumes his letter to Ellen was delivered, though he finds his coins spilled on the ground.
Joel finally meets his partially paralyzed father who, seemingly, has lidless eyes. He begins feeding and reading to him, but feels nothing for him. By now, Joel and Idabel have become friends. One day as they fish and talk, Joel learns Idabel yearns to be male. Feeling tender, he kisses her cheek. She beats him up, but he forgives her. One day in Randolph's room, Joel notices a snapshot of Randolph, Ed, another man, and a woman. Randolph tells a sordid story about the group's relationships, which explains how he realized his homosexuality, how he happened to shoot Ed, and how his cousin, Amy, a nurse, came to help him with Ed and bring him to the Landing.
Idabel asks Joel to run away with her. She and Florabel had fought, and Idabel had broken her twin's teeth and nose. Joel agrees to go, but gets a sword Zoo had given him and says they first have to go to Little Sunshine's and get his charm. As they cross Drownin' Creek on a rotting log, Joel spies a cottonmouth staring at him, and freezes. Already, he feels stung with the snake's poison, seeing in it the adults who had betrayed him, especially Ed's staring eyes. Idabel grabs his sword, steps past him, and kills the snake. Having survived the snake, Joel refuses to go after the charm, saying he no longer needs it.
After dinner, Randolph sends Joel to his room for a bottle of wine. There, he sees a letter Randolph is writing and realizes that Randolph, not Ed, had sent for him. He tells his father good-bye, and runs off with Idabel. They plan to stop, in their flight, at the fair in town. On their way to town, Idabel and Joel see a black couple tenderly making love. Instinctively, Joel knows such a union defines "making love": It means "withness." Idabel...
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Is it possible to inteprete the ending with Joel leaving rather than staying in "Other Voices, Other Rooms"? The last paragraph is ambiguous. It...
A Christmas Memory
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My Side of the Matter
A Tree of Night
The Headless Hawk


Revive your body as stress and tension are released with this intensive and restorative treatment. Fast-paced and firm Swedish massage techniques boost circulation, relieving tightness and strain and alleviating persistent aches and pains. You'll emerge feeling lighter-limbed and re-energized.
The CPT (Current Procedural Terminology) code used for a medical massage in our office is 97124. The rate billed to insurance is $45.75 / unit. There is a maximum of 4 units billed per day.
Let go of deep tension, ease sore muscles and restore body and mind. Powerful, specialized massage techniques target areas most in need of attention–relaxing and releasing a stiff neck, aching lower back or tight shoulders.
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Following an initial visit, the practitioner is beneficial in reducing non-emergent health concern. Acupuncture is the cornerstone of traditional Chinese medicine; during a typical treatment very fine needles are inserted into precise acupuncture points, muscle tissue, trigger points, or neuromuscular motor points.
Gua She is a healing practice in traditional Chinese Medicine. Modern research shows the transitory therapeutic petechiae produce an anti inflammatory and immune protective effect that persists for days following a single Gua sha treatment accounting for the immediate relief that patients feel from pain, stiffness, fever, chill, cough, wheeze, nausea and vomiting etc.
A valuable treatment method used in traditional Chinese medicine. Traditional cupping therapy involves creating a vacuum-suction in a glass commonly to eliminate pain-related disorder. People get it for many purposes, including to help with pain, inflammation, blood flow, relaxation and well-being, and as a type of deep-tissue massage.
The seeds are placed on specific points of the ear following auriculotherapy which holds the belief that the ear is a microsystem of the entire body. Seeds are applied to the ear to provide constant pressure. Ear seeds are non-invasive, meaning, unlike needles or tacks, they are affixed on the surface of the ear and do not puncture the skin.


text:
package org.apache.sysml.runtime.matrix.data;

import java.util.Arrays;

/**
 * This class contains the different implementation of im2col operation
 */
public class LibMatrixDNNIm2ColHelper {

	static interface Im2colWorker {
		public void execute(int n);
		public void execute(int n, int c);
		public static Im2colWorker getWorker(MatrixBlock input, MatrixBlock im2ColOutBlock, ConvolutionParameters params, boolean allChannels) {
			if(im2ColOutBlock.isInSparseFormat() || im2ColOutBlock.getDenseBlock() == null)
				throw new RuntimeException("im2col output is always in dense format");
			if(allChannels) {
				if(!input.isInSparseFormat()) {
					if (params.stride_h == 1 && params.stride_w == 1 && params.pad_h == 0 && params.pad_w == 0)
						return new DenseIm2colWorkerStride1Pad0AllChannels(input.getDenseBlock(), im2ColOutBlock.getDenseBlock(), params);
					else
						return new DenseIm2colWorkerAllChannels(input.getDenseBlock(), im2ColOutBlock.getDenseBlock(), params);
				}
				else
					return new SparseIm2colWorkerAllChannels(input, im2ColOutBlock, params);
			}
			else {
				if(!input.isInSparseFormat()) {
					if (params.stride_h == 1 && params.stride_w == 1 && params.pad_h == 0 && params.pad_w == 0)
						return new DenseIm2colWorkerStride1Pad0(input.getDenseBlock(), im2ColOutBlock.getDenseBlock(), params);
					else
						return new DenseIm2colWorker(input.getDenseBlock(), im2ColOutBlock.getDenseBlock(), params);
				}
				else
					return new SparseIm2colWorker(input, im2ColOutBlock, params);
			}
		}
	}

	/**
	 * Special case operator for performing dense im2col when stride = [1, 1] and pad = [0, 0] by using System.arraycopy
	 */
	static class DenseIm2colWorkerStride1Pad0 implements Im2colWorker {
		double [] inputArray; double [] outputArray;
		int CRS; int S; int R; int P; int Q; int CHW; int H; int W;
		public DenseIm2colWorkerStride1Pad0(double [] inputArray, double [] outputArray, ConvolutionParameters params) {
			this.inputArray = inputArray;
			this.outputArray = outputArray;
			this.CRS = params.C * params.R * params.S;
			this.H = params.H; this.W = params.W; this.R = params.R; this.S = params.S; this.P = params.P; this.Q = params.Q;
			this.CHW = params.C*params.H*params.W;
		}

		@Override
		public void execute(int n) {
			throw new RuntimeException("Not supported");
		}

		@Override
		public void execute(int n, int cInput) {
			int nOffset = n * CHW;
			int RS = R*S;
			for (int rs = 0; rs < RS; ++rs) {
				int wOffset = rs % S;
				int hOffset = rs / S;
				for (int h = 0; h < P; ++h) {
					int hPadded = h + hOffset;
					int outOffset = (rs * P + h) * Q;
					int inputOffset = nOffset + (cInput * H + hPadded) * W;
					System.arraycopy(inputArray, inputOffset + wOffset, outputArray, outOffset, Q);
					int w = Q - 1;
					int wPadded = w + wOffset;
					if (hPadded < H && wPadded < W)
						outputArray[outOffset + w] = inputArray[inputOffset + wPadded];
					else
						outputArray[outOffset + w] = 0;
				}
			}
		}
	}

	/**
	 * Special case operator for performing dense im2col when stride = [1, 1] and pad = [0, 0] by using System.arraycopy
	 */
	static class DenseIm2colWorkerStride1Pad0AllChannels implements Im2colWorker {
		double [] inputArray; double [] outputArray;
		int CRS; int S; int R; int P; int Q; int CHW; int H; int W;
		public DenseIm2colWorkerStride1Pad0AllChannels(double [] inputArray, double [] outputArray, ConvolutionParameters params) {
			this.inputArray = inputArray;
			this.outputArray = outputArray;
			this.CRS = params.C * params.R * params.S;
			this.H = params.H; this.W = params.W; this.R = params.R; this.S = params.S; this.P = params.P; this.Q = params.Q;
			this.CHW = params.C*params.H*params.W;
		}

		@Override
		public void execute(int n, int c) {
			throw new RuntimeException("Not supported");
		}

		@Override
		public void execute(int n) {
			int nOffset = n * CHW;
			for (int c = 0; c < CRS; ++c) {
				int wOffset = c % S;
				int hOffset = (c / S) % R;
				int cInput = c / R / S;
				for (int h = 0; h < P; ++h) {
					int hPadded = h + hOffset;
					int outOffset = (c * P + h) * Q;
					int inputOffset = nOffset + (cInput * H + hPadded) * W;
					System.arraycopy(inputArray, inputOffset + wOffset, outputArray, outOffset, Q);
					int w = Q - 1;
					int wPadded = w + wOffset;
					if (hPadded < H && wPadded < W)
						outputArray[outOffset + w] = inputArray[inputOffset + wPadded];
					else
						outputArray[outOffset + w] = 0;
				}
			}
		}
	}

	/**
	 * Performing dense im2col (general case)
	 */
	static class DenseIm2colWorker implements Im2colWorker {
		double [] inputArray; double [] outputArray;
		int CRS; int S; int R; int P; int Q; int CHW; int H; int W;
		int stride_h; int stride_w; int pad_h; int pad_w;
		public DenseIm2colWorker(double [] inputArray, double [] outputArray, ConvolutionParameters params) {
			this.inputArray = inputArray;
			this.outputArray = outputArray;
			this.CRS = params.C * params.R * params.S;
			this.H = params.H; this.W = params.W; this.R = params.R; this.S = params.S; this.P = params.P; this.Q = params.Q;
			this.CHW = params.C*params.H*params.W;
			this.stride_h = params.stride_h; this.stride_w = params.stride_w;
			this.pad_h = params.pad_h; this.pad_w = params.pad_w;
		}

		@Override
		public void execute(int n) {
			throw new RuntimeException("Not supported");
		}

		@Override
		public void execute(int n, int cInput) {
			int nOffset = n * CHW; int RS = R*S;
			for (int rs = 0; rs < RS; ++rs) {
				int wOffset = rs % S;
				int hOffset = rs / S;
				for (int h = 0; h < P; ++h) {
					int outOffset = (rs * P + h) * Q;
					int hPadded = h * stride_h - pad_h + hOffset;
					int inputOffset = nOffset + (cInput * H + hPadded) * W;
					if (hPadded < 0 || hPadded >= H) {
						Arrays.fill(outputArray, outOffset, outOffset+Q, 0);
					} else {
						for (int w = 0; w < Q; ++w) {
							int wPadded = w * stride_w - pad_w + wOffset;
							if (wPadded >= 0 && wPadded < W)
								outputArray[outOffset + w] = inputArray[inputOffset + wPadded];
							else
								outputArray[outOffset + w] = 0;
						}
					}
				}
			}
		}
	}

	/**
	 * Performing dense im2col (general case)
	 */
	static class DenseIm2colWorkerAllChannels implements Im2colWorker {
		double [] inputArray; double [] outputArray;
		int CRS; int S; int R; int P; int Q; int CHW; int H; int W;
		int stride_h; int stride_w; int pad_h; int pad_w;
		public DenseIm2colWorkerAllChannels(double [] inputArray, double [] outputArray, ConvolutionParameters params) {
			this.inputArray = inputArray;
			this.outputArray = outputArray;
			this.CRS = params.C * params.R * params.S;
			this.H = params.H; this.W = params.W; this.R = params.R; this.S = params.S; this.P = params.P; this.Q = params.Q;
			this.CHW = params.C*params.H*params.W;
			this.stride_h = params.stride_h; this.stride_w = params.stride_w;
			this.pad_h = params.pad_h; this.pad_w = params.pad_w;
		}

		@Override
		public void execute(int n, int c) {
			throw new RuntimeException("Not supported");
		}

		@Override
		public void execute(int n) {
			int nOffset = n * CHW;
			for (int c = 0; c < CRS; ++c) {
				int wOffset = c % S;
				int hOffset = (c / S) % R;
				int cInput = c / R / S;
				for (int h = 0; h < P; ++h) {
					int outOffset = (c * P + h) * Q;
					int hPadded = h * stride_h - pad_h + hOffset;
					int inputOffset = nOffset + (cInput * H + hPadded) * W;
					if (hPadded < 0 || hPadded >= H) {
						Arrays.fill(outputArray, outOffset, outOffset+Q, 0);
					} else {
						for (int w = 0; w < Q; ++w) {
							int wPadded = w * stride_w - pad_w + wOffset;
							if (wPadded >= 0 && wPadded < W)
								outputArray[outOffset + w] = inputArray[inputOffset + wPadded];
							else
								outputArray[outOffset + w] = 0;
						}
					}
				}
			}
		}
	}

	/**
	 * Performing dense im2col (general case)
	 */
	static class SparseIm2colWorkerAllChannels implements Im2colWorker {
		MatrixBlock input; double [] outputArray;
		int CRS; int S; int R; int P; int Q; int H; int W;
		int stride_h; int stride_w; int pad_h; int pad_w; double [] temp;
		public SparseIm2colWorkerAllChannels(MatrixBlock input, MatrixBlock im2ColOutBlock, ConvolutionParameters params) {
			this.input = input;
			this.outputArray = im2ColOutBlock.getDenseBlock();
			this.CRS = params.C * params.R * params.S;
			this.H = params.H; this.W = params.W; this.R = params.R; this.S = params.S; this.P = params.P; this.Q = params.Q;
			this.stride_h = params.stride_h; this.stride_w = params.stride_w;
			this.pad_h = params.pad_h; this.pad_w = params.pad_w;
			temp = new double[input.getNumColumns()];
		}

		@Override
		public void execute(int n, int c) {
			throw new RuntimeException("Not supported");
		}

		@Override
		public void execute(int n) {
			// Using a temporary array improves performance by not requiring binary search for getValue
			// Since the access pattern depends on ConvolutionParameters, this serves as a temporary fix.
			fillTemp(input, n);
			// final int nOffset = n * params.C*params.H*params.W;
			for (int c = 0; c < CRS; ++c) {
				int wOffset = c % S;
				int hOffset = (c / S) % R;
				int cInput = c / R / S;
				for (int h = 0; h < P; ++h) {
					int outOffset = (c * P + h) * Q;
					int hPadded = h * stride_h - pad_h + hOffset;
					int tempOffset = (cInput * H + hPadded) * W;
					// int inputOffset = nOffset + tempOffset;
					if (hPadded < 0 || hPadded >= H) {
						Arrays.fill(outputArray, outOffset, outOffset+Q, 0);
					} else {
						for (int w = 0; w < Q; ++w) {
							int wPadded = w * stride_w - pad_w + wOffset;
							if (wPadded >= 0 && wPadded < W)
								outputArray[outOffset + w] = temp[tempOffset + wPadded];
							else
								outputArray[outOffset + w] = 0;
						}
					}
				}
			}
		}
		// Returns the row of matrix in dense format
		private void fillTemp(MatrixBlock input, int n) {
			if(input.getNumColumns() != temp.length) {
				throw new RuntimeException("Invalid parameters");
			}
			// Use temporary array to avoid binary search
			if(input.isInSparseFormat()) {
				Arrays.fill(temp, 0);
				if( !input.sparseBlock.isEmpty(n) ) {
					int apos = input.sparseBlock.pos(n);
					int alen = input.sparseBlock.size(n);
					int[] aix = input.sparseBlock.indexes(n);
					double[] avals = input.sparseBlock.values(n);
					for(int j=apos; j<apos+alen; j++)
						temp[ aix[j] ] = avals[j];
				}
			}
			else {
				System.arraycopy(input.getDenseBlock(), n*input.getNumColumns(), temp, 0, input.getNumColumns());
			}
		}
	}

	/**
	 * Performing dense im2col (general case)
	 */
	static class SparseIm2colWorker implements Im2colWorker {
		MatrixBlock input; double [] outputArray;
		int CRS; int S; int R; int P; int Q; int H; int W;
		int stride_h; int stride_w; int pad_h; int pad_w; double [] temp;
		public SparseIm2colWorker(MatrixBlock input, MatrixBlock im2ColOutBlock, ConvolutionParameters params) {
			this.input = input;
			this.outputArray = im2ColOutBlock.getDenseBlock();
			this.CRS = params.C * params.R * params.S;
			this.H = params.H; this.W = params.W; this.R = params.R; this.S = params.S; this.P = params.P; this.Q = params.Q;
			this.stride_h = params.stride_h; this.stride_w = params.stride_w;
			this.pad_h = params.pad_h; this.pad_w = params.pad_w;
			temp = new double[input.getNumColumns()];
		}

		@Override
		public void execute(int n) {
			throw new RuntimeException("Not supported");
		}

		@Override
		public void execute(int n, int cInput) {
			// Using a temporary array improves performance by not requiring binary search for getValue
			// Since the access pattern depends on ConvolutionParameters, this serves as a temporary fix.
			fillTemp(input, n); int RS = R*S;
			for (int rs = 0; rs < RS; ++rs) {
				int wOffset = rs % S;
				int hOffset = rs / S;
				for (int h = 0; h < P; ++h) {
					int outOffset = (rs * P + h) * Q;
					int hPadded = h * stride_h - pad_h + hOffset;
					int tempOffset = (cInput * H + hPadded) * W;
					// int inputOffset = nOffset + tempOffset;
					if (hPadded < 0 || hPadded >= H) {
						Arrays.fill(outputArray, outOffset, outOffset+Q, 0);
					} else {
						for (int w = 0; w < Q; ++w) {
							int wPadded = w * stride_w - pad_w + wOffset;
							if (wPadded >= 0 && wPadded < W)
								outputArray[outOffset + w] = temp[tempOffset + wPadded];
							else
								outputArray[outOffset + w] = 0;
						}
					}
				}
			}
		}
		// Returns the row of matrix in dense format
		private void fillTemp(MatrixBlock input, int n) {
			if(input.getNumColumns() != temp.length) {
				throw new RuntimeException("Invalid parameters");
			}
			// Use temporary array to avoid binary search
			if(input.isInSparseFormat()) {
				Arrays.fill(temp, 0);
				if( !input.sparseBlock.isEmpty(n) ) {
					int apos = input.sparseBlock.pos(n);
					int alen = input.sparseBlock.size(n);
					int[] aix = input.sparseBlock.indexes(n);
					double[] avals = input.sparseBlock.values(n);
					for(int j=apos; j<apos+alen; j++)
						temp[ aix[j] ] = avals[j];
				}
			}
			else {
				System.arraycopy(input.getDenseBlock(), n*input.getNumColumns(), temp, 0, input.getNumColumns());
			}
		}
	}

}

redpajama_set_name: RedPajamaGithub


Thinking about beginning Home Health Aide training in Bay City, TX? Find both classroom and online CNA and HHA classes here. Search by zip code.
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text:
ArtistsExhibitionsFairsNewsAboutContact
Amsterdam Art Fair
Fair artworks
Booth 9
Kunsthal Koper, Huidekoperstraat 28, Amsterdam
SOLO PRESENTATION | MOHAU MODISAKENG (SA, 1986) uses material, metaphor and the black body as tools to explore the influence of South Africa's violent history that has been ignored in today's society. The works explore our cultural, political, and social roles as human beings in post-colonial Africa and in particular post-apartheid South Africa.
Represented through film, large-scale photographic prints, installations and performances, his work "doesn't start off with an attempt to portray violence but it becomes mesmerising because although we might recognise history as our past, the body is indifferent to social changes, so it remembers." (Mohau Modisakeng)
Literally translated as The Legacy of my Father or Inheritance from my Father – The photographic series Lefa La Ntate represents a poignant moment of grieving, catharsis and a critical response to the historical legacy of exploitation and current lived experience of many black South Africans.
In Lefa, Modisakeng makes specific reference to the Marikana massacre. The massacre took place in 2012 when the South African police (supposedly under instruction of one of the mine directors) opened fire on a group of miners protesting for a living at Lonmin mine in 2012. The brutal actions of the police resulted in the death of 41 miners, the families of whom are still seeking legal recourse and compensation. Modisakeng uses his body as an avatar for the slain miners and universally for labouring black bodies - literally buried by the fruits of their labour, the position of the figures evokes almost religious iconography, symbolising both sacrifice and transcendence.
In the film To Move Mountains, Modisakeng reflects on the legacy of colonialism and its effect on post-independence societies in Africa. The social, political and economic systems inherited from colonial rule have remained entrenched, with the result that the lives of most of the population, other than those of the new elites, have not changed markedly. Economic resources continue to be in control of a small minority, with the overwhelming majority of people struggling to make a living in a climate in which the odds remain stacked against them.
Modisakeng lives and works between Johannesburg and Cape Town. He completed his undergraduate degree at the Michaelis School of Fine Art, Cape Town in 2009 and worked towards his Masters degree at the same institution. We are delighted to announce that Mohau Modisakeng has been chosen to represent South Africa during the Venice Biennale 2017. His work is included in many public collections such as the Johannesburg Art Gallery, the IZIKO South African National Gallery in Cape Town, and SAATCHI Gallery in London as well as signi cant private collections such as Zeitz MOCAA. His work has also been exhibited at Dak'Art Biennale (Dakar) in 2012, Focus 11 (Basel) in 2011, and Stevenson Gallery (Cape Town) in 2010. In 2011 Modisakeng was awarded the 2011 SASOL New Signatures Award, and in 2016 he won the Standard Bank Young Artists Award.
ABOUT Mohau Modisakeng
Material, metaphor and the black body are the tools that Mohau Modisakeng uses to explore the influence of South Africa's violent history that has been ignored in today's society, on how we understand our cultural, political, and social roles as human beings in post-colonial Africa and in particular post-apartheid South Africa.
Represented through film, large-scale photographic prints, installations and performances, his "work doesn't start off with an attempt to portray violence but it becomes mesmerising because although we might recognise history as our past, the body is indifferent to social changes, so it remembers."
Born in Soweto, an epicentre of black urbanity and cosmopolitan culture, the multi-award winning Mohau Modisakeng is a product of Cape Town's Michaelis School of Fine Art. Mentored by Jane Alexander and predominantly working and training in sculpture, he completed his undergraduate degree in 2009 then completed his Masters degree at the same institution. He was awarded the SASOL New Signatures Award for 2011 and has exhibited at Armory Show, New York (2016); Saatchi Gallery, London (2012); Dak'Art Biennale, Dakar (2012); Focus 11 and Basel (2011). In 2013 Modisakeng produced an ambitious new video work in association with Samsung as a special project for the 2013 FNB Joburg Art Fair. His work is included in public collections such as the Johannesburg Art Gallery, IZIKO South African National Gallery, Cape Town and SAATCHI Gallery, London as well as significant private collections such as Zeitz MOCAA. He currently lives and works between Johannesburg and Cape Town.
GO TO THE ARTIST PAGE
Prinsengracht 282, 1016 HJ Amsterdam
Wed – Sat: 12am – 6pm
IN THIS ARTWORK
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Twenty-one years ago this week, just a few minutes short of 11 p.m. on September 17, 1992, Hezbollah and Iranian operatives opened fire with some 30 gunshots at a Berlin restaurant, brutally ending what had been a quiet dinner. A German court would later determine that Abdolraham Banihashemi and Abbas Rhayel carried out the assassination plot at Iran's behest, killing three members of the Democratic Party of Iranian Kurdistan, the largest Iranian-Kurdish opposition to the regime in Tehran. The two gunslingers were assisted by other Hezbollah members, including Kazem Darabi, "the boss of Hezbollah in Berlin." Darabi and Rhayel were given life sentences, but were released in a 2007 prisoner exchange. Youseff Amin, another co-conspirator, and Mohammad Atris, a document forger who assisted the attackers, were given terms of eleven years and about five years, respectively. Banihashemi, on the other hand, fled the country and made his way back to Iran where he was rewarded with a Mercedes 230 and profitable businesses for his role in the successful operation. Unfortunately, his case is more the rule than the exception.
Truth be told, cases in which Hezbollah operatives have been captured and imprisoned for their crimes are far and few between. Recently, law enforcement and intelligence successes have yielded a series of Hezbollah arrests (Hezbollah operatives are now standing trial in Nigeria and Thailand) and one conviction (Hussam Yacoub was sentenced to four years in prison by a Cypriot court). But even discounting the many Hezbollah operatives never even to be indicted for their crimes, there is a disturbing number of wanted Hezbollah fugitives—like Banihashem—who continue to evade justice.
More often than not, wanted Hezbollah operatives evade capture by fleeing to Iran or just staying in Lebanon. That appears to be the case now with Hassan El Hajj Hassan and Meliad Farah, the two surviving members of the terrorist squad that perpetrated a deadly attack on Israeli tourists in Burgas, Bulgaria, in July 2012 and who were both recently added to the list of the FBI's most wanted terrorists. Both reportedly escaped back to Lebanon after the bus bombing in Bulgaria last summer and are allegedly hiding in Southern Lebanon. Bulgarian authorities recently announced their plans to try these fugitives next year, in absentia if necessary.
If recent history is any indicator, finding and arresting the Burgas bombers so they can stand trial in person will prove difficult. Four Hezbollah members believed to be hiding in Lebanon are wanted by the U.N.'s Special Tribunal for Lebanon (STL), where they have been indicted on charges of carrying out the assassination of former Lebanese Prime Minister Rafiq Hariri. The most prominent of the four wanted individuals, Mustafa Badreddine, has apparently not allowed his status as an international fugitive to hinder his activities. Following the 2008 assassination of Imad Mughniyah—himself wanted by Interpol before his demise—Baddreddine was promoted to the top militant commander in Hezbollah. In this capacity, the U.S. Treasury revealed, he is believed to be providing support to Hezbollah's "terrorist activities in the Middle East and around the world." The STL plans to try the four defendants, whether or not they are in the country.
In 2009 Argentina issued an arrest warrant for Lebanese-Colombian dual-national Samuel El Reda. Described by Argentinean authorities as "the coordinator of [Hezbollah] sleeper cells" in Buenos Aires and the Tri-Border Area in South America in the period leading up to the 1994 bombing of the AMIA Jewish community center, El Reda is also believed to be evading capture by hiding in Lebanon.
Ahmed Al Mughassil and Hussein Mohamed Al Nasser are wanted for the 1996 bombing of the Khobar Towers military complex in Saudi Arabia that killed 19 US Air Force personnel, wounded 372 other Americans as well as killing an unknown number of Saudi citizens who were unfortunate to be in the vicinity of the complex. Al Mughassil and Al Nasser are believed to be in Iran.
There are some rare exceptions, however, including one in which the FBI penetrated a Hezbollah criminal enterprise with nodes in North America and Europe that was raising (dirty) money and procuring weapons for the group's operatives in Lebanon. A sophisticated FBI dragnet—a story right out of Hollywood—led to the arrest of several senior operatives who ventured out of Lebanon. Others, including one Hezbollah operative nicknamed "Mr. Lebanon" for his refusal to venture beyond Lebanon's borders, within which he knows he is safe from capture or arrest, remain fugitives. This investigation led to the November 2009 arrest of Dani Tarraf, a German-Lebanese arms procurement agent for Hezbollah who maintained homes in Lebanon and Slovakia and had significant business interests in China and Lebanon. A few months later, in June 2010, another Hezbollah operative tied to this case, Moussa Ali Hamdan, was taken into custody by Paraguayan officials in Asuncion. Hamdan escaped arrest by fleeing the United States for Lebanon, but calculated he could travel to the Paraguayan side of South America's Tri-Border area without risking arrest, given Hezbollah's strong presence in the area. But in February 2011 Hamdan was extradited to the US and made his first court appearance; in July 2013, he received an eleven-year sentence.
Mohammad Ali Hamadi is still wanted by U.S. authorities for his role in one of Hezbollah's earliest terrorist acts. In June, 1985, Hamadi and another Hezbollah operative hijacked TWA Flight 847. For 15 days the story dominated headlines as the plane crisscrossed the Middle East, making Hezbollah a household name. Hamadi is believed to be the one who shot U.S. Navy diver Robert Stetham in the head and tossed his body onto the tarmac. That November, Hamadi was indicted by the U.S. government for his role in the hijacking and Stethem's murder. In 1987, German authorities arrested Hamadi at Frankfurt airport and found liquid explosives in his luggage. He was imprisoned in Germany until 2005, when he was released on parole and returned to Lebanon.
Today, Hezbollah is in deep trouble. The self-described "resistance" organization pledged to Israel's destruction is tied down in a brutal sectarian war in Syria where it is "resisting" fellow Muslims, including fellow Lebanese citizens. Hezbollah's role in the Syrian war has cost it tremendous grassroots and political support at home, where the sectarian fighting is bleeding across the border and risking renewed civil war. But Hezbollah is also suffering from a series of arrests and prosecutions that are peeling away the organization's "resistance" facade and exposing the group as the terrorist network and criminal enterprise that it is. And as Hezbollah's standing in Lebanon continues to implode, perhaps in time the country might not be the comfortable and guaranteed safe-haven for Hezbollah fugitives it has been for decades.
Matthew Levitt directs the Stein program on counterterrorism and intelligence at The Washington Institute for Near East Policy and is the author of Hezbollah: The Global Footprint of Lebanon's Party of God.


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A data set listing details of registered and de-registered charities in Ireland. Information is also provided on all annual reports submitted to the Charities Regulator.
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The Charities Regulator complies with the European Communities (Re-Use of Public Sector Information) Regulations 2005 (S.I. No. 279 of 2005) (as amended) and encourages re-use of the information falling within the scope of those regulations (the "Public Sector Information"), including materials made available on this website. The regulations are available at www.psi.gov.ie. You are permitted to re-use Public Sector Information in accordance with and subject to compliance with the terms of the latest "PSI license", available at www.psi.gov.ie, and in any event subject to the the following conditions (together, the "Licence"): the source and copyright must be acknowledged in cases where the information is supplied by you to others; the information must be reproduced accurately; the information must not be distorted or otherwise modified; the information must not be used in a misleading way; the information must not be used in a way that suggests or otherwise implies that the Charities Regulator endorses any product, service or other use of the materials by you or any other party; the information must not be used for, or in support of, illegal, immoral, fraudulent, or dishonest purposes; the information must not be used in a manner that would imply endorsement by the Charities Regulator or in a manner likely to mislead others; and any Charities Regulator crest, logo or mark must not be reproduced except where such crest, logo or mark forms an integral part of the document being re-used. In the event of a conflict between the terms of the PSI licence and these conditions, these conditions shall take precedence. For the avoidance of doubt, the Licence does not apply to Public Sector Information which is the property of, or in which the copyright is held by, a third party. By way of example, and subject always to the above conditions, the rights granted to you under the Licence include the right to do the following: browse Public Sector Information materials on our website and copy Public Sector Information for the purposes of viewing them; print out hard copies for personal, commercial and non-commercial use; save files, distribute and reproduce Public Sector Information provided that the source of the Public Sector Information is clearly identified and copyright is acknowledged; and create links to the website of the Charities Regulator, provided that any Public Sector Information accessed on the Charities Regulator's website through such links are displayed as the sole element of the browser window.


text:
Teletype Disting EX integration
Monome
teletype
ParanormalPatroler January 8, 2021, 5:04pm #52
a773:
I totally see the pain with doing note offs by hand, but I've been programming some stuff (csound comes to mind) that works with note lengths, and doing this from code always felt very backwards. Deciding at note-on time how long the note is to be held always felt like a decision I'd rather not make…
I see your point. That's why my suggestion was for an additional op and not a replacement of the original EX.M.N. I am sure there are valid uses for EX.M.N as well. I went with EX.M.LN for (Length or Long Note).
Additionally, I'd like to raise a few points:
"shortly" will have to be defined one way or another, and that is note length. Unless you want to set the length of the note as a separate op, which is absolutely fine (could even be a better solution to be honest), but that requires two additional ops (1).
Sending a NoteOff automatically when a new NoteOn is sent means the recipient will only play monophonically. Maybe I need more than one NoteOn at a time, or maybe I need pauses between my NoteOn's without having to explicitly send a NoteOff after X amount of time, after every single note.
I don't see how the suggested scenario works much differently to TR.P for which you set the length with TR.TIME . On the contrary, for me at least, such an op creates zero dissonance to how gates are already implemented in TT, and as such makes some sense. But again I'm open to other solutions if they don't limit usage.
I can imagine that if EX.M.LN indeed had length as a parameter, it would be super easy to set that as a variable and use that to determine the length of your notes separately. Patterns seems like a good candidate That is still a more practical approach than eating up scrip space by having two lines, such as:
EX.M.N X Y
DEL A: EX.M.NO X
The above is the use case right now. I tried condensing this into a single line but I can't come up with something that would give the same flexibility and would still fit. This also eats up DEL space, which, as we know is at a premium.
Just an idea, of course. I'm super interested to hear what others think.
(1) Another way would be to just introduce a EX.M.TIME op which would set the length of the notes for that particular channel, and then change the way EX.M.N works to adhere to the values of that op, in the exact same manner that TR.TIME and TR.P work. In that scenario EX.M.NO would still act the same way if the note was still active, essentially allowing you to cut notes before their time.
attowatt January 8, 2021, 8:26pm #53
I like your proposal @ParanormalPatroler. I came across the same issue myself recently. Taking care of noteOffs manually via TT seems very cumbersome to me, especially with polyphony.
I found, the solution using "DEL A: EX.M.NO X" does not work when the script is triggered faster than A.
For true polyphony one would have to store the pitches for a certain number of notes somehow, maybe in a pattern or queue, and then send out corresponding noteOffs later… but I have not yet explored that idea further.
Regarding the two discussed solutions:
I would personally prefer a new OP that adds duration to pitch and velocity, e.g.:
EX.M.NL pitch velocity duration
Two reasons for that:
I feel "duration" is a property of a single musical tone, much the same as "velocity" and "pitch". So it would make sense to me to define these three values together when sending a note. That solution would allow different and independent duration values in polyphony situations as well.
Triggers and the way their length is handled currently, feels like a different thing to me. I'm not really sure it can be compared to note duration. A trigger output is per se monophonic, and the trigger length feels more like a "setting" to me, that is usually not changed for every trigger. Therefore the separate OP seems appropriate. Note duration on the other hand feels less than a setting and more like a parameter that is defined/changed dynamically for each note.
I'm looking forward to your thoughts!
scanner_darkly January 8, 2021, 9:58pm #54
i'm afraid it's not really feasible. in order to have a variable note length for MIDI note on ops, teletype would need 127 additional timers (since you'd need one for each possible note). this would affect performance, and i don't think it's a good idea to sacrifice some performance to support functionality that not everybody will use. and what about voice ops? they would also need something similar to keep it consistent, so even more timers required.
TR supports it but this is a much more general use case, so warrants dedicating timers to it. telexo also supports it, but that's because telexo itself keeps track of note trigger length. just friends doesn't support it - you either set it to trigger mode and control the envelope length on jf, or you set it to gate and then you have to take care of sending a note off.
ParanormalPatroler January 9, 2021, 11:53am #55
scanner_darkly:
i'm afraid it's not really feasible.
That is understandable. It's a pitty, but the reasoning is clear so thanks for explaining it.
I guess I'll have to work with
DEL A : EX.M.NO X; EX.M.N X 127
which happens to be exactly 31 characters! The caveat, as @attowatt pointed out, is that this can be an issue if the script is triggered faster than A.
A workaround could be using MIDI CC 123 All Notes Off, which:
mutes all sounding notes. Release time will still be maintained, and notes held by sustain will not turn off until sustain pedal is depressed.
I guess this will also need to be timed correctly, but at least it doesn't require storing the pitches for a certain number of notes, and can be used in combination with MIDI CC 64 to hold other notes. NB: MIDI CC 123 is channel specific, in case you didn't know.
Another solution I'm thinking of @attowatt is to use a pattern as a source for X which could essentially be re-addressed later by DEL A, or another script (???), to stop the notes.
Worth a shot I guess.
@scanner_darkly Makes sense.
Would it help to limit the number of timers to, let's say, 8 timers?
As I understand it, that would give us 8-tone polyphony, which would be more than enough for me personally.
Each of the eight timers take notes in the order they arrive.
Once the 9th note arrives and no other timer is yet finished ("free"), the 1st note gets a noteOff and its timer resets.
it would still be 8 timers dedicated to a specific device though - and then the question would be, why not do something similar for just friends? er-301? this would also mean that any future device would also need to get its own triggers.
i think a better solution would be the generic NOTE op i proposed here: NOTE teletype op (which could also provide various voice allocation options).
attowatt January 9, 2021, 10:39pm #58
I didn't know about this thread and your proposal.
I just read through it and think it's a great, even better, solution.
ParanormalPatroler January 11, 2021, 2:51pm #59
Is the NOTE op something that has any chance of being implemented? Seems like the idea hasn't been revisited since 2018. It's a good idea regardless of whether this would apply to EX and the aforementioned MIDI issue.
scanner_darkly January 12, 2021, 3:02am #60
i might consider adding it - tbh since there didn't seem to be much interest i put the idea on hold. i do think it would be a good addition in that it follows the teletype philosophy of language expressing musical ideas well. no promises though.
Mad86 February 9, 2021, 12:41am #61
I am having troubles for sending notes with TT out from the ExpertSleepers Disting EX midi breakout.
I am using, for example,
DEL A: EX.M.NO X; EX.M.N X 127
But there is nothing out the midi.
I know the connections are goods; i2c work and midi also (it's work with Kria in midi mode)
Is there something I forgot in the code ?
If someone use it, it will cool to have some details about the configuration and the script.
Maybe I forgot something, somewhere ?
scanner_darkly February 9, 2021, 12:52am #62
does it work when you send other commands from teletype to disting? is it just midi that is not working?
Mad86 February 9, 2021, 1:33am #63
@scanner_darkly Yes all work excepted just the midi commands from TT.
I am able to sequence and control the algorithms with i2C.
Do I have to select a specific algorithm for the midi ? Or does it pass thru the Algorithm ?
scanner_darkly February 9, 2021, 1:49am #64
you should be able to use disting MIDI ops regardless of which algorithm is currently selected, as long as it's a single algorithm.
if the disting is receiving i2c okay and you can use the disting midi mode from ansible then i'm not sure why it's not working. have you tried just sending notes without using variables and delays? also, check if you're on the correct midi channel, you can set it with EX.M.CH channel.
ParanormalPatroler February 9, 2021, 8:12am #65
Does the Disting have any option to filter incoming MIDI messages? Sometimes devices are able to cut the stream of incoming MIDI. Also channel is a good place to look. Gah knows how many times I've had that problem!
Mad86 February 10, 2021, 6:25pm #66
Thanks for the help @scanner_darkly and @ParanormalPatroler ,
Maybe my error was trying to write the entire line,
I try with two line with delay note off command first and now it's work.
But I find it not as stable as Ansible midi…
Sometimes there is strange behavior.
And sometimes it's mess with the delay note off.
scanner_darkly February 10, 2021, 6:30pm #67
this indicates that the i2c bus is not 100% stable, try turning the pullups on disting on and off and see if that makes a difference.
Ok yes or do you think maybe it's not enough stable because in the same scene I also send sequence to Disting Ex Multisamples, Just friends, Er-301, CV, Gate teletype, and read some SweetSixteen faders.
Same notes and triggers out at same times ( I use it for make out of a sequence on all these modules)
Maybe it's too much ?
i would definitely qualify that as very heavy usage! not to say it's impossible to get reliable performance with this but yeah it would likely require more work getting a reliable configuration. one thing you could do is just create a scene for stress testing, something where you could hear easily if commands are being dropped, then run it with one device for 30-60 minutes at a high metro rate and then add more devices one by one.
And I forgot to precise that I send all of this on 5 voices of these modules…
I think I don't really need all of this but I wanted a script with all devices setup for live improvisation and not to have to delete lines before start performing.
For having a scene ready to use with all devices.
But yeah ! It's definitely too much…
Your suggestion is perfect, I will try to stress my system for to know the limit of it…
Edit : @scanner_darkly I understand now, for finding the problem I delete line after lines and for realize that the problem come from midi script. The note X variable was to high…
But the problem still occur in some state of use, like fast trig
It flavor like some probability on notes…
klingklangmatze April 5, 2021, 6:39pm #72
Quick question… how do I use EX.M.CLK? I would like to sync my Digitakt with the Teletype and then control the patterns via EX.M.PRG.


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text:
Q: Left padding integers (non-decimal format) with zeros in Java The question has been answered for integers printed in decimal format, but I'm looking for an elegant way to do the same with integers in non-decimal format (like binary, octal, hex).
Creation of such Strings is easy:
String intAsString = Integer.toString(12345, 8);

would create a String with the octal represenation of the integer value 12345. But how to format it so that the String has like 10 digits, apart from calculating the number of zeros needed and assembling a new String 'by hand'.
A typical use case would be creating binary numbers with a fixed number of bits (like 16, 32, ...) where one would like to have all digits including leading zeros.

A: How about this (standard Java):
private final static String ZEROES = "0000000000";

// ...

String s = Integer.toString(12345, 8);
String intAsString = s.length() <= 10 ? ZEROES.substring(s.length()) + s : s;

A: Printing out a HEX number, for example, with ZERO padding:
System.out.println(String.format("%08x", 1234));

Will give the following output, with the padding included:
000004d2

Replacing x with OCTAL's associated formatting character will do the same, probably.

A: For oct and hex, it's as easy as String.format:
assert String.format("%03x", 16) == "010";
assert String.format("%03o", 8) == "010";

A: Here's a more reuseable alternative with help of StringBuilder.
public static String padZero(int number, int radix, int length) {
    String string = Integer.toString(number, radix);
    StringBuilder builder = new StringBuilder().append(String.format("%0" + length + "d", 0));
    return builder.replace(length - string.length(), length, string).toString();
}

The Guava example as posted by ColinD is by the way pretty slick.

A: With Guava you could just write:
String intAsString = Strings.padStart(Integer.toString(12345, 8), 10, '0');

redpajama_set_name: RedPajamaStackExchange


Hariri & Hariri House - Sagaponac, Long Island, NY.
Forest Crossing, Sagaponac, Long Island, New York, USA. Night shot, Pool, living room & kitchen area.
Forest Crossing, Sagaponac, Long Island, New York, USA.
Forest Crossing, Sagaponac, Long Island, New York, USA. Master bathroom suite.
Annabel Selldorf House - Sagaponac, Long Island, NY.
Forest Crossing, Sagaponac, Long Island, New York, USA. Room adjoining lounge.
Forest Crossing, Sagaponac, Long Island, New York, USA. Rear elevation.
Forest Crossing, Sagaponac, Long Island, New York, USA. Front entrance area.
Forest Crossing, Sagaponac, Long Island, New York, USA. Front entrance.
Forest Crossing, Sagaponac, Long Island, New York, USA. Walkway along front of building.
Forest Crossing, Sagaponac, Long Island, New York, USA. Lounge area.
Forest Crossing, Sagaponac, Long Island, New York, USA. Courtyard in centre of house with doors to lounge area.
Forest Crossing, Sagaponac, Long Island, New York, USA. Dining room & kitchen area.
Forest Crossing, Sagaponac, Long Island, New York, USA. Front lounge with door to garden.
Forest Crossing, Sagaponac, Long Island, New York, USA. Exterior view, front & pool.
Forest Crossing, Sagaponac, Long Island, New York, USA. General view from pool terrace.
Henry Cobb House, Sagaponac, Long Island, NY.


I am delighted to report that our students have achieved an excellent set of GCSE results for the second successive year.
Nishkam's values led approach to education has helped shape the character of our year 11 students and those self-same values, such as optimism, diligence and determination have also provided GCSE results that should make all those associated with the school feel humble but proud.
I am indebted to the tremendous work of all the staff at Nishkam High School that helps guide and inspire our students. I am a fortunate school Principal to work with and lead such a talented group of people.
My thanks also to parents and the wider community who have helped our children steer a path through what are regarded as the most demanding examinations of recent times. I look forward to seeing many of our students extend their journey with Nishkam by returning into our sixth form when the new academic year commences in September.


text:
Participation in adult literacy programmes and social injustices
Lyn Tett
Department of Education and Community Studies
School of Education and Professional Development
This chapter discusses different approaches to equality and their impact on policy and pedagogy. It then uses the lenses offered by Nancy Fraser's (2008) concepts of redistribution, recognition and participatory parity to investigate if participation in literacy education contributes to alleviating social injustices. It draws on data from case studies of adult literacy programmes in Scotland to demonstrate that these learners have experienced changes that have lessened social injustices in all three areas. However, it points out that there are many countervailing forces that privilege a narrow, skills-focused, pedagogy that reinforce an individual deficit approach to learners. It concludes that although education is not a panacea for all social ills and cannot compensate for the inequities of society it can make a difference in creating more equitable conditions for those that have already experienced the greatest injustice.
The Palgrave International Handbook on Adult and Lifelong Education and Learning
Marcella Milana, Sue Webb, John Holford, Richard Waller, Peter Jarvis
10.1057/978-1-137-55783-4Licence: Unspecified
Link to publisher's website
Fingerprint Dive into the research topics of 'Participation in adult literacy programmes and social injustices'. Together they form a unique fingerprint.
participation Social Sciences
redistribution Social Sciences
privilege Social Sciences
deficit Social Sciences
School of Education and Professional Development - Emeritus Professor
Tett, L. (2017). Participation in adult literacy programmes and social injustices. In M. Milana, S. Webb, J. Holford, R. Waller, & P. Jarvis (Eds.), The Palgrave International Handbook on Adult and Lifelong Education and Learning (pp. 359-374). Palgrave Macmillan UK. https://doi.org/10.1057/978-1-137-55783-4
Tett, Lyn. / Participation in adult literacy programmes and social injustices. The Palgrave International Handbook on Adult and Lifelong Education and Learning. editor / Marcella Milana ; Sue Webb ; John Holford ; Richard Waller ; Peter Jarvis. Palgrave Macmillan UK, 2017. pp. 359-374
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Participation in adult literacy programmes and social injustices. / Tett, Lyn.
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These engraved cuffs are beautiful examples of Afghani tribal jewelry from the Nomadic Kutch people. They are a silver composite often used in these pieces. Two cuffs are available. They are made for smaller sized wrists and must be turned sideways to be put on and then turned.
Very dramatic statement pieces and also timeless.


text:
The Federal Court of Appeal () is a Canadian appellate court that hears cases concerning federal matters.

History
Section 101 of the Constitution Act, 1867 empowers the Parliament of Canada to establish "additional Courts for the better Administration of the Laws of Canada". In 1971, Parliament created the Federal Court of Canada, which consisted of two divisions: the Trial Division (which replaced the Exchequer Court of Canada) and the Appeal Division.

On July 2, 2003, the Courts Administration Service Act split the Federal Court of Canada into two separate courts, with the Federal Court of Appeal succeeding the Appeal Division and the new Federal Court succeeding the Trial Division.

Appellate jurisdiction
The Federal Court of Appeal hears appeals from the Federal Court and the Tax Court of Canada.

Original jurisdiction

The Federal Court of Appeal has original jurisdiction over applications for judicial review and appeals in respect of certain federal tribunals.

Salaries

Salaries are determined annually by the Judicial Compensation and Benefits Commission. As of 2020, the Chief Justice's salary is $344,400 and the other judges, including the supernumerary judges, earn $314,100 annually.

Notable decisions
In April 2014, the court ruled in favour of the Métis people in a case involving extending protections to Aboriginal peoples in Canada who lived off-reserve.

In September 2015, the court dismissed an appeal by the Government of Canada over a ruling by the Federal Court that found a rule banning the Niqāb at citizenship ceremonies to be unconstitutional.

Appointments

See also

 List of notable Canadian Courts of Appeal cases

References

External links

 Federal Courts Act

Canadian appellate courts
Federal Court of Canada
2003 establishments in Canada
Courts and tribunals established in 2003


The hexadecimal color code #114374 is a medium dark shade of cyan-blue. In the RGB color model #114374 is comprised of 6.67% red, 26.27% green and 45.49% blue. In the HSL color space #114374 has a hue of 210° (degrees), 74% saturation and 26% lightness. This color has an approximate wavelength of 475.89 nm.


A coincidence about the number 9 today that Wayne noticed by accident. It's interesting how certain numbers seem to play a part in our lives over and over again.
"I wonder if you will think this is a coincidence or not? I didn't notice it until I was doodling with a pencil, when I should have been working.
These significant dates all equal 18 and then reduce down further to 9. This is what I saw as a coincidence. There are two more coincidences for me attached to 9.
I met my wife on the 9th September - 9/9 - and at the time I lived at number 9 A******* Road with my parents. We now live at 9 C********** Court.
There are a lot of number 9s in my life. I think, having discovered this, I ought to try to do important things on the 9th of the month."
Wow, that's a lot of 9s! Mathaddict should give her interp!
Think I may have been conned with this one - see anonymous comment below!
Wayne wrote"my wife was born on the 4th of June 1980 (she introduces me as her toy boy!) and we got married on the 4th of March 1992"
Did your wife get married when she was 12 years old?
Thanks for that anonymous. I hadn't noticed this! Must get back to Wayne.
Maybe 18 is the number you should be looking at here?
"Nine Kinds of Naked" that you might enjoy.
Darren, I don't think this is a genuine coincidence - see above. I didn't notice this!
Hmmm? If you google September 11, you'll come up with really strange things. Usually a date known for violence.


The Triad finds the German tech house blue blood at full wingspan, flanked by a coterie of collaborators in pursuit of an intricately textured, absorbing blend of pop songwriting and dancefloor suss finely wrought from electronic and acoustic instrumentation.
The ten tracks chime, prod and curl in all the right places, sashaying along with an elegant gait and weight distribution that's key to P d P's buoyant, radiant vibes since his earliest transmissions on Hamburg's Dial over ten years ago, and ever since he broached indie-pop spheres with the move onto Rough Trade.
It's a sound he pretty much owns right now, and is most impressive in the likes of Dream Yourself Awake with its spacious mix of coiled, electro-acoustic groove mechanics and tantalising pop melancholy, or likewise with the solemn, Wire-like harmonics and post punk-meets-house sophistication of Islands In The Sky feat. Bendik Hk, or done to the most mercurial, almost psychedelic degrees alongside Kassian Troyer and Joachim Schütz in the smudged dub matrices of Chasing Vapour Trails.


text:
Interview: Omung Kumar talks about Bhoomi, Sharad Kelkar's grey character and Malang with Sanjay Dutt
Omung Kumar shared his mind on Bhoomi, Sharad Kelkar and gave an insight to Malang with Sanjay Dutt and his upcoming projects
Shivani Mishra
Sanjay Dutt and Aditi Rao Hydari-starrer Bhoomi is all set to hit the theatres this Friday. Before the release, team Bhoomi seems to be on full throttle to promote the film. Helmed by Omung Kumar, the film is an emotional revenge drama based on a father and daughter relationship. As the film marks the comeback of Baba on the silver screen, the director of the film talked about how Bhoomi struck and how Sanjay choose the film over others to return to the silver screens. Omung also shared his mind on the negative lead, Sharad Kelkar, in the film, gave an insight into Malang with Sanju Baba and his upcoming projects.
While talking to us in a group interview, Omung, known for directing films like Mary Kom and Sarbjit, revealed how Sanjay pushed him to direct Bhoomi. He said "He was going ahead with other scripts, but he backed them out and said this will be my comeback film. At that time I was about to direct another film and he said wo push kar, ye direct kar. Why you are not directing this. I said, I'll surely direct this film."
"It's a dream come true, if an actor like Sanjay Dutt chooses you and ask you to direct the film," he further added.
Also read: Bhoomi: Prasoon Joshi led CBFC orders 12 cuts including word 'Asaram' in the Sanjay Dutt film
Sanjay Dutt, Bhoomi Trailer(Courtesy-Youtubegrab)
He also spoke about Sharad Kelkar, the negative lead of the film. Omung said,
He has done a fabulous job in the film. We wanted somebody who could look and stand as tall as him and he has done justice to the character. He has done a negative role in the past but in this film you all will really feel for him, even the Censor Board praised him.
Omung also stated his mind on teaming up with Sanjay Dutt again for Malang. He said, "the film is a romantic thriller set in the backdrop of Banaras and goes on floor in December this year," adding that the love story was not completely dark but had shades of grey. "Sanjay Dutt plays his age in the movie and it is a kind of love story that has never been seen before," he added.
He also revealed that he was working on an epic drama The Good Maharaja. The film will be set in the backdrop of Poland and Jamnagar on Maharaja Jam Sahib Digvijaysinhji Ranjitsinhji. The plot of the film is set on how an Indian King adopts Polish kids.
Check out the trailer of Bhoomi here:
Sanjay Dutt's Bhoomi is scheduled to release on September 22.
For more interesting content, visit YouTube.com/InUthdotcom


We understand how our services can have a huge impact on your business and recruitment. This is why we have revised our Service Level Agreements (SLAs) for new contracts, to clearly define the level of service you will receive from us and the time frames in which we will endeavour to turn around applications.
The table below shows the type of vetting service and the maximum number of working days we would expect to complete this.
Please note: an SLA will only start once a complete and comprehensive application has been received by a Case Officer. If a Case Officer has to contact the applicant for additional information the SLA will start when the Case Officer has received all the required information.


LALYdesigns.com Presents - DESTINATIONS, a Summer SOLZtice™ Celebratio – SOLZ, Inc.
DESTINATIONS - Friday June 22nd from 7 pm - 11 pm Newport Beach Auto Gallery.
The summer solstice is the astronomical event when the sun reaches its highest position in the sky and we enjoy the longest day of the entire year. Literally meaning the time when the "sun stands still", the solstices have been celebrated across cultures and throughout history and form the basis of many of our modern holidays. As soon as they discovered that the Earth was spherical, the ancient Greeks devised the concept of the "celestial sphere" and embedded the solstices in an understanding of celestial navigation that still holds true. Today, summer signifies vacation, a chance to navigate our small globe and celebrate in the sunshine. In a modern version of the traditional pagan "midsummer" festival, LALY designs wants to share a night celebrating summer, luxury, travel and an explosion of fashion.
A glamorous evening in beautiful Newport Beach at the incredible Newport Beach Auto Gallery. Sip summer inspired cocktails and mingle while our photographers snap photos of you with our models and some of the most amazing automobiles you have ever laid eyes on. You can also test drive some of these amazing high end vehicles down the coastline of Newport. It will be a night of high end cars and fashion!
A signature LALY Designs show featuring travel-friendly Summer 2012 collections by designers SOLZ®, J.X., Earth's Ellements, Victor Tung, DeeFind, Shawnell O Shea Swimwear and many more!
Your very own pair of our featured SOLZ active lifestyle shoes! (Retail $60). SOLZshoes ™ are ultra-convenient and versatile shoes for both women and men that fold up and come in their own travel pouch. Designed for "barefoot" fitness and leisure, SOLZshoes are also water-friendly and machine washable. Already the craze in the San Francisco bay area, this is SOLZ debut appearance in Southern California. Trust us, your feet are about to get a new best friend. Go to www.lalydesigns.com to select your color and size.
Please email your preference to brad@solzshoes.com by Tuesday, June 19. Shoes will be presented at the show. Do not miss this exciting offer and great value.
You will receive an exclusive 30% off coupon for LALYdesigns.com selected items from the runway show for the remaining month of June and entire month of July.
DESTINATIONS will also be the official Southern California unveiling of the brand-new SOLZbag™. SOLZbag is a solar powered backpack that functions as a personal portable power station for smartphones tablets and other small electronics. SOLZbag will help you stay organized, active, green, connected and charged. This is sure to be the hit of the summer season and you will have the opportunity to be among the very first to get your hands on one as we will auction a bag at the event with the proceeds going to charity!
Summer is everyone's favorite season and we can't wait to celebrate with you at this unbelievable night of fashion, fun, and festivities!


The UK's Finest Tribute Acts, Bands & Singers For Hire - Book Now!
Able to perfectly replicate the exact appearance and stage presence of the star they are impersonating, booking tribute acts could not be simpler.
Whilst everyone would love to be able to book the likes of Adele, ABBA and Ed Sheeran for their event, sometimes it's better to hire a tribute act so authentic you'll hardly be able to tell the difference.
We have a range of tribute acts for hire who are ideal for a range of events. Able to perform all the hits from the superstars you know and love, from The Beatles to Madonna, Queen to Bruce Springsteen, Little Mix to Coldplay - there are few entertainment options that offer such anticipation. Everything down to the costumes worn to the choreography they expertly execute help the tribute acts on our roster to offer unrivalled authenticity. Alongside an ability to play famous songs, take requests and engage with audiences, a tribute act can bring you all the benefits of the real thing.
We pride ourselves on providing bands and singers for every possibility. Whether a pop, soul, rock, Motown tribute band, Elvis tribute act or a tribute to the songs of any specific decade feature at the heart of your event entertainment plans - we have it all covered. Don't fret if you can't choose the best acts for your wedding, function or corporate events - our expert team have been recommending the best talent for many years and will be happy to help you find the perfect act covering the genre and songs you love.
Whether you need tribute acts for a wedding, private party or corporate event, you can be sure we have someone who fits the bill. With acts available across a range of genres, whether you want a tribute to a star from the past like Elvis Presley or Whitney Houston or someone more contemporary like Taylor Swift or Bruno Mars, we have the perfect act for you. If a band is more your speed - you can enjoy the sights and sounds of a live tribute to famous acts from The Beatles to One Direction, The Rolling Stones to The Drifters, Rat Pack to ABBA tribute bands. Suitable for events across the country our tribute acts for hire will not leave you disappointed.
In delivering acts for over 3000 events every year, our management team work with world-class talent every day. Able to recommend the best tribute acts for any brief and budget, we can ensure you get it right for your private party or corporate entertainment. Our experts have scoured the finest tribute acts for hire in the UK and abroad to handpick a selection for your viewing pleasure. As proud organisers of the National Tribute Music Awards, we have access to all the top tributes offering elite talent, authenticity and showmanship.
We can connect you with winners from our amazing 2018 award ceremony as well as all the acts that lit up the show. You can view any tribute singers or tribute band's profile and video today to get a better idea of what you're looking for. Alternatively, you can speak to a member of our team who will be able to put you in touch with the best tribute acts around.
Are There Tribute Acts Near Me & How Much Are They?
We work with tribute acts from all corners of the UK, as well as the best from Europe and the USA, so without a doubt, you can rest assured there is a tribute act near you. That though, should not feature as a limitation, as all of our tributes are available to travel to events around the country. But with a vast selection of acts available in London, Edinburgh, Birmingham, Manchester, Cardiff, Brighton, Nottingham and many more locations, just ask a member of our team and we can sort out the ideal act near you.
The price of a tribute act can vary depending on the experience and renown of the band members. Many are seasoned session musicians and professional singers, others are local talents who have been making a name at holiday parks, corporate and hospitality events, functions and cruise ships. The bigger the band, the more expensive is also a general rule, and if they have to travel far there will be a slight premium attached.
Whatever you are looking for, whether your budget is in the hundreds or the thousands, we can find you an act worthy of the big stage.
For more information or to hire a tribute act suited to your every need, call 0207 078 78 76 to speak with a member of our expert team, or email us at agents@championsukplc.com and we will get back to you.


text:
Overcoming the Gender Gap: Women Entrepr...
Overcoming the Gender Gap: Women Entrepreneurs as Economic Drivers
By Lesa Mitchell
Read: "Overcoming the Gender Gap: Women Entrepreneurs as Economic Drivers"
Research shows that startup companies – particularly high-growth startups – are the most fruitful source of new U.S. jobs and offer the economy's best hope for recovery. However, despite the fact that about 46 percent of the workforce and more than 50 percent of college students are female, and that women have risen to top positions in corporate and university hierarchies, they represent only about 35 percent of startup business owners. Their firms also tend to experience less growth and prosperity than do firms started by men.
"Overcoming the Gender Gap: Women Entrepreneurs as Economic Drivers," a paper from the Ewing Marion Kauffman Foundation, explores the reasons behind lower business startup rates among women and proposes actions that would help to realize the promise of female entrepreneurs in escalating the economy.
In fact, early in the startup process, women take fewer steps to position themselves to start high-growth companies, according to "Gender Differences in Patenting in the Academic Life Sciences," a landmark study released in 2006 that tracked the careers of more than 4,000 life science research faculty at U.S. universities over 30 years.
While women tended to produce research that was equal to or slightly better than men's, on average, female faculty patented their research at only about 40 percent of the rate of their male colleagues, the study showed. They also tended to rely on formal university conduits to help them commercialize their research, rather than making connections and seeking guidance from private industry. In addition to more actively reaching out to establish new networks – a critical step for would-be entrepreneurs – men had more exposure to industry earlier in the process, with 93 percent of them serving on science advisory boards of high-tech companies, as compared to only 6.5 percent of women.
Other studies show that women might be more inclined to seek work/life balance and therefore shy away from establishing innovative firms that aim for global scale. On average, they also have greater difficulty raising investment capital than men do.
Three steps to boost female entrepreneurship in the United States:
Not-for-profit initiatives that advance opportunities for high-growth women entrepreneurs need greater funding and support from women executives, philanthropy leaders and industry. Networking and collaborative events between startup founders and big companies are critical to provide women entrepreneurs access to networks that can produce potential customers.
Successful women entrepreneurs and inventors should make themselves visible and available. Role models are critical to young women considering entrepreneurship.
Women must be invited at a much higher rate to join science advisory boards of high-tech companies.
View a full-sized PDF of this infographic
Keeping Talent in America: NFAP Policy Brief
Starting Smaller; Staying Smaller: America's Slow Leak in Job Creation
Lesa Mitchell


text:
About TURKPA History Activities Chairman Council of Assembly National parliaments National delegations Commissions Secretary general Secretariat Activities
Plenary sessions Meetings of the commissions Other events 2020 ACTIVITY CALENDAR
TURKPA OBSERVATION MISSION
About Mission Presidential and parliamentary elections Referendums DOCUMENTS Declarations of the Assembly Reports of the commissions Recommendations of the commissions Other documents Speeches Publications COOPERATION
TURKIC COOPERATION
Turkic Council TURKSOY Turkic Academy Turkic Culture and Heritage Foundation Bilateral cooperation Interaction with other institutions
Observers in TURKPA TURKPA as observer Cooperation with other international organizations News TURKPA news In mass media Media Videos Photos Contacts
Monday, 17 January 2022, 05:51:45 — Baku (UTC+4)
Parliamentary Assembly of Turkic Speaking Countries
EN AZ KZ KG TR
About TURKPA
History Activities Chairman Council of Assembly National parliaments National delegations Commissions Secretary general Secretariat
About Mission Presidential and parliamentary elections Referendums
Declarations of the Assembly Reports of the commissions Recommendations of the commissions Other documents Speeches Publications
Observers in TURKPA TURKPA as observer Cooperation with other international organizations
TURKPA news In mass media
80th anniversary of Kyrgyz Parliament marked by conference
News / TURKPA news
Secretary General Altynbek Mamaiusupov participated in the research-to-practice conference dedicated to the 80th anniversary of the Jogorku Kenesh of the Kyrgyz Republic and took place on 21 December 2018 in Bishkek under the theme "80 years of Jogorku Kenesh: analysis and prospects of legislation". The opening part of the conference was addressed by the President of the Kyrgyz Republic Mr. Sooronbai Jeenbekov, Chairman of the Jogorku Kenesh of the Kyrgyz Republic Mr. Dastanbek Dzhumabekov and other dignitaries.
Mr. Mamaiusupov conveyed a message on behalf of the TURKPA Chairman-in-Office and Speaker of the Grand National Assembly of Turkey Mr. Binali Yildirim. In his message, GNAT Speaker noted that Turkey is one of the first countries recognized Kyrgyzstan's independence in 1991 and bilateral relations between the two countries during these 27 years has only been rapidly developing, including growing interaction between the parliaments. Head of the Turkish Parliament also praised an important role of the Jogorku Kenesh at national and international levels and underlined that legislative body is a basis of the constitutional form of government.
The Conference ended with adoption of Resolution that points out the necessity to further develop legislative activity of the Jogorku Kenesh, increase the role of citizens in the work of parliament and study best practices of other countries.
Current TURKPA Chairmanship
Parliament of the Republic of Kazakhstan
TURKPA Chairman-in-Office
H.E. Mr. Nurlan Nigmatulin
© TURKPA. All rights reserved. Reference and hyperlink required.
Address: 106 S.S.Akhundov str, 7 microdistr., AZ1116
Binagadi / Baku / Azerbaijan
Phones: +99412 5635835/5635836/5635837
E-mail: info@turk-pa.org
It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing
Turkpa Chairman in office
H.E. Mr. Dastanbek Dzhumabekov
It is a long established
It is a long established It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and web
It is a long established It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and web.It is a long established It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and webIt is a long established It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and web


text:
Dichromodes niger är en fjärilsart som beskrevs av Butler 1877. Dichromodes niger ingår i släktet Dichromodes och familjen mätare. Inga underarter finns listade i Catalogue of Life.

Källor

Mätare
niger


With emphasis on warm, organic living spaces, natural light and integrated indoor and outdoor living environments, Aspen by Élan Builders redefines modern living. This home includes four bedrooms, four full bathrooms, and one half bathroom. Additional features include a separate casita/guest room, swimming pool and spa, outdoor kitchen and modern European gourmet kitchen. The upstairs bedrooms and bathrooms flank an open loft entertaining space .
From I-95, Exit 191, head West on N. Wickham Rd. At traffic circle, take the 2nd exit and stay on N. Wickham Rd. Turn Right onto Stadium Pkwy, then Left onto Judge Fran Jamieson Way. Community is on the Left opposite to Breslay Drive.