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Blues Hockey Can You Take Cameras Into Scottrade Center
"You can take a little bit of the rust off after not being in the net for a while," he said. One of the biggest questions for the Hawks heading into Wednesday's playoff opener against the Blues is.
Apr 18, 2016. Switch camera. "I thought you were either really keen on Bruce Springsteen coming tonight, which. Let's see if Blues fans find a way to make this into a rally cry, like they did when. "It's not a f*cking hockey game, so shut the f*ck up" – Mumford and Sons, trying to do an acoustic set at Scottrade Center.
There's a lot to be proud of but when you put all your will and all your being into something and you get so close you can taste and then. including a loss in Game 5 at Scottrade Center in which.
St Louis Blues Jokes. Back to: Sports Jokes:. Why do ducks fly over Scottrade Center upside down? A. There's nothing worth craping on!. Because then St Louis would want one. Q: Did you hear that St Louis's hockey team doesn't have a website? A: They can't string three "Ws" together. Q: What's the difference between a Scottrade Center.
Some people consider him a St. Louis blue blood because of his roots, but really it's St. Louis Blues blood that is flowing for him. "I'm proud of where I'm from and it's the one place I can show.
Enterprise Center is an 18,400-seat arena located in downtown St. Louis, Missouri, United States. Its primary tenant is the St. Louis Blues of the National Hockey League, but it. The Blues had played in the St. Louis Arena prior to moving into Kiel Center in 1994; however, The facility will host the 2020 NHL All-Star Game.
"You'll go back to Peoria again for doing shit like this!" More than two decades later, Chase, now the radio color commentator for the Blues, laughs as he sits in his office at Scottrade Center. to.
Who Was In The Wheelcair In The Beginning Of Phantom Of The Opera The show kicked off with a real "pop" as the first contestant to take the stage was the straightjacket. a history of performing in a mask — he was seen wearing a Phantom of the Opera mask in the. MANILA, Philippines — Andrew Lloyd Webber's The Phantom of the Opera is back. singer Josh Groban's
Jobs with St. Louis Blues/Scottrade Center are just one example of the. As the most trusted source for job openings in the sports industry, you can count on us.
Nov 06, 2018 · Scottrade Center: Scotttrade Center – St Louis Blues Hockey Venue – See 328 traveler reviews, 92 candid photos, and great deals for Saint Louis, MO, at TripAdvisor. Parked on roof walked in elevator lobby down half flight of stairs into arena. Seats were located just a.
At the end of the American national anthem is the lyric "the home of the brave"; however, at Scottrade Center in the heart of St. Louis it's become "the home of the Blues".
"Every year, you. ease into the season, so he's going to mostly play five on five. But he's a young guy that looks like he's going to have a big season for us and a big career." The Blues will have.
Plus you can basically get a huge free dinner in before the game starts. There's two small areas on the main floor. One is larger with TVs and seating and the other is a little area with just food and a small bar.
So why should you invest an hour of precious time into watching? Even if you're not a hockey fan in general. has been a part of the Blues for their entire history and will soon take a more.
Dec 30, 2017. Angella Sharpe may be the face of the St. Louis Blues home game. At that time, they were playing at the Scottrade Center, so you also meet a lot of people who are doing the Blues games. The camera guys and production. Buffa: One of the good things you do, being a public face, is use social media.
If you are looking for any information on the arena which you cannot find on this site, do not hesitate to contact us. Age Restrictions. All Blues games. Camera Policy. Non-flash. Hockey Etiquette 101 – Guest Rules for St. Louis Blues Hockey. The St. Louis. Enterprise Center (formerly Scottrade Center) 1401 Clark Ave
Hop on the bandwagon with today's Groupon to see the St. Louis Blues play live at Scottrade Center as they simultaneously and oxymoronically out-cool and melt the. Hockey is like the magnificent mutt of the sporting world. the elegance of ice skating, and the utter brutality of golf all combined into one action-packed event. Take your.
Who Is Singing National Anthem Oct 15 2019 New York Jets broadcast from what looked like Yang's bedroom on Oct. 7 to some of her 2 million followers on the "Huya" app, lasted barely 10 seconds. But it was enough to have violated China's new national anthem. Who Was In The Wheelcair In The Beginning Of Phantom Of The Opera The show kicked off with a
Blues bring back experienced Upshall By Jim Thomas St. Louis Post-Dispatch. at the Scottrade Center in St. Louis. The addition of Upshall would give the Blues 27 players. They will take 23.
Venue Particulars. SIZE: The 664,000 square foot Scottrade Center seats 21,000 for hockey and nearly 22,000 for basketball, concerts and other floor-seating events. PARKING: Parking is plentiful in the area surrounding Scottrade Center.
Edmonton proved little more than a speed bump Tuesday for the Blues, who returned home with a flair from a weeklong trek to western Canada, steam-rolling the Oilers 8-3 before a sellout crowd of.
The chatter among them echoed throughout the empty Scottrade Center. The Blues had won three. granting them time to grow into contributing members of the club at their own pace. "They were just.
Blues game operations director Jason Pippi takes pride in bringing gay community to Scottrade Center. As Pippi shares his personal story with The Athletic at Tuesday's game between the Blues and Minnesota Wild, wearing a headset he pauses to give instruction to his staff to play a video on the Jumbotron.
Scottrade Center. #47 of 228 things to do in Saint Louis. Ok if you live here. on her first road trip. I can take.More. Date of experience: February 2019. It was primarily built for the St Louis Blues hockey team but is also used for rock.
The last unbeaten team at home in this NHL season fell by the wayside Thursday before 17,162 at Scottrade Center. The Blues had. but if you're here, there's certainly things to take from it," coach.
The Blues' much-maligned special teams, both penalty kill and power play, came through on Wednesday night as the Blues beat the Flames 5-2 at Scottrade Center. The power play. second goal of the.
The St. Louis Blues' home arena, the Scottrade Center, has a new L-Acoustics Kara audio system which covers the team's rabid 18,724 fans in hockey action. March 26, 2018 Robert Archer Providing audio support for the St. Louis Blues playoff push is the team's home building, Scottrade Center, and its new L-Acoustics Kara sound system.
The Blues. what you can put off until the third," pulled out one of their sweetest wins of the season on Tuesday night, scoring three goals in 2 minutes, 30 seconds of the final period to grab a.
Weddings On Video With Singing Of Song From Dirty Dancing PJ and Noah were celebrating their typical first dance at their wedding. "Dirty Dancing" to (I've Had) The Time Of My Life" by Bill Medley and Jennifer Warnes. "We seriously did have 'the time of. Stacy Widelitz wrote "She's Like the Wind" with Patrick Swayze, and the song eventually found its way to "Dirty Dancing."
Sep 21, 2017. After more than 20 years in downtown St. Louis, Scottrade Center. of HD gear that would bring Scottrade Center into the 21st century. For the live in-game production, the Blues integrate eight broadcast-camera. at Scottrade Center from one of the NHL's smallest to the one of the league's five largest.
August is the worst month of summer even when you don't take hockey into consideration. It's hotter than hell outside, school is back in session which means more traffic, the earth is roughly the same temperature as the center of the sun, and also, it's hot.
He also showed one investor a Scottrade balance sheet for his Facebook stock that shows he owns 18,000 shares at a price of $142.05 for a grand total of $2.565 million.
Sep 22, 2015. LOUIS (KTVI) – The St. Louis Blues and Scottrade Center have. new security measures required by the National Hockey League for all teams. Fans will have to walk through metal detectors at all public. Surging Blues get 5th straight win, 3-2 over Predators. Notice: you are using an outdated browser.
Get directions, reviews and information for Scottrade Center in Saint Louis, MO. It hosts nearly 200 events annually, including St. Louis Blues hockey games, roughly 20 dollars to park in the main garage and 10-15 to park in one of the outer lots. Seven dollars roughly will fetch you a 12-ounce A-B brew, with full- sized.
After the game, a 3-0 Blues win, Ken Hitchcock had the line of the night. "You found out. of water on top the ice that can cause a slushier, slower surface. To try to keep the ice as good as.
CHICAGO • The atmosphere in the Blackhawks' dressing room at Scottrade Center after. the swings are you can't get a bigger discrepancy from high to low and you want to keep that middle ground and.
Nov 06, 2018 · Scottrade Center: Some really bad seats – See 327 traveler reviews, 92 candid photos, and great deals. All reviews blues game louis blues hockey season hockey team basketball tournament great concert venue sight lines no bad seats parking garage union station arena nhl fans. (poured into a cup) was $5.50. Date of.
Stand out from the crowd at the Scottrade Center with the largest selection of tees in town. Choose from popular brands including Retro Brand, 47′, Reebok and Antigua.Represent with an officially licensed jersey, hat or sport the latest looks from the NHL Center Ice Collection. Take your Blues fanhood into the office, all while following the company dress code.
If You Wear a Hat, Make Sure You Throw It On The Ice if a Hat Trick Ensues Getty Images Actually, I encourage you to bring a hat anyways just in case this happens.
St. Louis Blues Personalized Hockey Family Cheer 8"x24" Framed Art Print Add Your. St. Louis Blues Dictionary Art Print – Scottrade Center – Print on Vintage.
Guest Services. Enterprise Center attracts millions of visitors a year, from all over the region and across the nation. This area of our website provides some basic.
In the second period of Washington's 4-3 win at Scottrade Center, Wilson was assessed a five minute major for boarding and a game misconduct his hit on Blues winger. overhead angle, you could.
It took two triumphs in overtime, including a 4-3 victory in Game 5 Saturday at Xcel Energy Center. with Blues goalie Jake Allen, but then the forward was pushed further into the netminder by Jori.
Steen did suit up and take a twirl. After the workout, Blues coach Ken Hitchcock said they'll both be game-time decisions for the 7 p.m. start at Scottrade Center. we can maintain good play there,
Two-a-day practices are now extinct in the National Football League, but they're alive in the National Hockey League, at least in St. Louis. The Blues' camp roster has been split into two squads.
The home of the Blues will look much different when it reopens to the public. The massive 12-week renovation of the old Scottrade Center is in full swing.
Feb 12, 2008. Scottrade Center defines professional lens cameras as a camera. For Blues games, most other sporting events and family shows, still. CAMERAS with lenses under 80MM are allowed into Joe Louis Arena on game and event days. I believe the hassling you get at the Joe has to do with team market.
Mar 26, 2018. The St. Louis Blues' home arena, the Scottrade Center, has a new L-Acoustics Kara audio system which covers the team's rabid 18724 fans in hockey action. Our new guide shows you how to attract these elusive IT sales prospects Download your. How to Bring Multiple UC Services into One Solution.
A reprinted third party ticket does not guarantee entry into the event. If you have purchased tickets through Enterprise Center or Ticketmaster and need your. injuries sustained while on the arena premises, currently known as Scottrade Center, The St. Louis Blues Hockey Club, L.P., Kiel Center Partners, L.P., Enterprise.
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Q: Sequence asymptotically approaching multiplication by one constant if the previous term is odd and another if it is even Say we have an integer sequence $G_k$, which in reality are the values of $$P(n)=5n^2+14n+1$$ for integers $n$ where $P(n)$ is a perfect square. Studying the values of this sequence, $$G_1=2\\
G_2=5\\G_3=21\\G_4=42\\G_5=152\\G_6=296$$ I noticed that the ratio between successive terms seems to approach two constants $a=3.53532228$ for the ratio between an odd and an even term and $b=1.93874$ for the ratio between an even and an odd term. Does anyone have any insight into this sequence? Particularly, is there a closed form expression for the values of these constants?

A: $y^2 = 5x^2 + 14x + 1$ is a slight variant of a (generalized) Pell equation. We can try to turn it into a Pell equation: multiplying by $5$ gives
$$5y^2 = 25x^2 + 70x + 5 = (5x + 7)^2 - 44$$
so setting $z = 5x + 7$ gives the Pell equation
$$z^2 - 5y^2 = 44.$$
There are several ways to understand how to solve these; I'll use algebraic number theory. The LHS factors as
$$(z + y \sqrt{5})(z - y \sqrt{5}) = (u + v \phi)(u + v \varphi)$$
where $\phi = \frac{1 + \sqrt{5}}{2}, \varphi = \frac{1 - \sqrt{5}}{2}$ and $u = z - y, v = 2y$. The point of doing this is that $\mathbb{Z}[\phi] = \mathbb{Z}[\varphi]$ is the ring of integers of $\mathbb{Q}(\sqrt{5})$ so we can appeal to standard facts about rings of integers. The LHS is the norm $N(z + \sqrt{5} y) = N(u + \phi v)$ and we can completely classify the algebraic integers with a fixed norm in $\mathbb{Z}[\phi]$ by first understanding the factorization of $44$ up to units and then understanding the units (generated by $-1$ and $\phi$, which is a fundamental unit).
$44$ is the norm of the element $\alpha = 7 + \sqrt{5} = 6 + 2 \phi = 2(3 + \phi)$, where $N(3 + \phi) = 11$ as expected. Because $11$ is prime, $3 + \phi$ is prime as an element of $\mathbb{Z}[\phi]$, so up to units the elements of norm $11$ are exactly $3 + \phi, 3 + \varphi$. The polynomial $x^2 - x - 1$ (whose roots are $\phi, \varphi$) is irreducible $\bmod 2$ which implies that $2$ is prime in $\mathbb{Z}[\varphi]$ and hence, up to units, the only element of norm $4$. All told, this gives that up to units the elements of norm $44$ are $6 + 2 \phi, 6 + 2 \varphi$, or equivalently $7 \pm \sqrt{5}$. Incidentally,
$$\boxed{ \frac{7 + \sqrt{5}}{7 - \sqrt{5}} = \frac{3 + \phi}{3 + \varphi} = 1.9387 \dots }$$
so we are getting closer to unraveling the mystery.
"Up to units" means the following: the elements of $\mathbb{Z}[\phi]$ of norm $44$ are exactly
$$\pm \phi^{2n} (6 + 2 \phi), \pm \phi^{2n} (6 + 2 \varphi)$$
where $n \in \mathbb{Z}$ (the $2n$ is because $N(\phi) = -1$). Since we're only looking at solutions to the Pell equation we can ignore the global sign of $-1$, and since $\phi = -\varphi^{-1}$ the conjugate of $\phi^{2n} (6 + 2 \phi)$ is $\varphi^{2n} (6 + 2 \varphi) = \phi^{-2n} (6 + 2 \varphi)$ so up to conjugation we can restrict our attention to $n \ge 0$. This gives two infinite series of solutions, namely
$$\phi^{2n} (6 + 2 \phi) = z_n + y_n \sqrt{5}$$
where
$$z_n = \frac{\phi^{2n} (6 + 2 \phi) + \varphi^{2n} (6 + 2 \varphi)}{2} \approx \phi^{2n} (3 + \phi)$$
$$y_n = \frac{\phi^{2n} (6 + 2 \phi) - \varphi^{2n} (6 + 2 \varphi)}{2 \sqrt{5}} \approx \frac{\phi^{2n} (3 + \phi)}{\sqrt{5}}$$
and
$$\phi^{2n} (6 + 2 \varphi) = z_n' + y_n' \sqrt{5}$$
where
$$z_n' = \frac{\phi^{2n} (6 + 2 \varphi) + \varphi^{2n} (6 + 2 \phi)}{2} \approx \phi^{2n} (3 + \varphi)$$
$$y_n' = \frac{\phi^{2n} (6 + 2 \varphi) - \varphi^{2n} (6 + 2 \phi)}{2 \sqrt{5}} \approx \frac{\phi^{2n} (3 + \varphi)}{\sqrt{5}}.$$
We're not quite done solving the original Pell equation: the values of $z, y$ above might a priori be half-integers and we need them to be integers, and furthermore we need $z$ to be congruent to $2 \bmod 5$.
Fortunately, because $6 + 2 \phi, 6 + 2 \varphi$ are divisible by $2$, after expanding out $\phi^{2n} (6 + 2 \phi)$ or $\phi^{2n} (6 + 2 \varphi)$ we always get an element of $\mathbb{Z}[\phi]$ divisible by $2$, which means its coefficients are divisible by $2$ so it can be written $z + y \sqrt{5}$ for integers $z, y$. So the $z, y$ values we get above are always integers. For example,
$$z_0 + y_0 \sqrt{5} = 6 + 2 \phi = 7 + \sqrt{5}$$
$$z_1 + y_1 \sqrt{5} = \phi^2 (6 + 2 \phi) = 8 + 10 \phi = 13 + 5 \sqrt{5}$$
and $z_0 = 7$ corresponds to the "degenerate" solution $G_0 = 0$. Next is to figure out when $z_n, z_n'$ are congruent to $2 \bmod 5$. This can be answered as follows: $z_n$ has initial conditions $z_0 = 7, z_1 = 13$ and satisfies a linear recurrence relation with characteristic polynomial $(t - \phi^2)(t - \varphi^2) = t^2 - 3t + 1$, which gives
$$z_{n+2} = 3 z_{n+1} - z_n.$$
Computing this recurrence $\bmod 5$ gives
$$z_0 \equiv 2 \bmod 5$$
$$z_1 \equiv 3 \bmod 5$$
$$z_2 \equiv 3 \cdot 3 - 2 \equiv 2 \bmod 5$$
$$z_3 \equiv 3 \cdot 2 - 3 \equiv 3 \bmod 5$$
so $z_n \bmod 5$ has period $2$ (this appears to be a lucky accident; $\phi^{2n} \bmod 5$ has period $10$) and we get that $z_n \equiv 2 \bmod 5$ iff $n$ is even, so only the even values of $n$ give solutions to our original equation. For example,
$$z_2 + y_2 \sqrt{5} = \phi^2 (13 + 5 \sqrt{5}) = 32 + 14 \sqrt{5}$$
and $z_2 = 32$ corresponds to your second solution $G_2 = 5$.
Next we want to understand when $z_n'$ is congruent to $2 \bmod 5$. $z_n'$ satisfies the same linear recurrence as $z_n$ above but with different initial conditions given by
$$z_0' + y_0' \sqrt{5} = 6 + 2 \varphi = 7 - \sqrt{5}$$
$$z_1' + y_1' \sqrt{5} = \phi^2(6 + 2 \varphi) = 8 + 2 \sqrt{5}$$
which gives $z_0' \equiv 2 \bmod 5, z_1' \equiv 3 \bmod 5$ as before, so $z_n \equiv z_n' \bmod 5$ which means $z_n' \equiv 2 \bmod 5$ iff $n$ is even as above. For example,
$$z_2' + y_2' \sqrt{5} = \phi^4 (6 + 2 \varphi) = 17 + 7 \sqrt{5}$$
which corresponds to your first solution $G_1 = 2$. Since $z_n$ and $z_n'$ have the same asymptotic growth rate $O(\phi^{2n})$, just differing by a multiplicative constant, they will always alternate in size, which gives the following closed form for your sequence $G$, alternating depending on parity:
$$\boxed{ G_{2n} = \frac{z_{2n} - 7}{5} \approx \phi^{4n} \frac{3 + \phi}{5} }$$
$$\boxed{ G_{2n-1} = \frac{z_{2n}' - 7}{5} \approx \phi^{4n} \frac{3 + \varphi}{5} }.$$
This means your two constants are
$$b = \lim_{n \to \infty} \frac{G_{2n}}{G_{2n-1}} = \frac{3 + \phi}{3 + \varphi} \approx 1.9387 \dots $$
as previously discussed, and
$$a = \lim_{n \to \infty} \frac{G_{2n+1}}{G_{2n}} = \boxed{ \phi^4 \frac{3 + \varphi}{3 + \phi} \approx 3.5353 \dots }.$$
Mystery solved!

redpajama_set_name: RedPajamaStackExchange


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HSL Properties Snatches Up Central Ave. Apartments in $53 M Deal
In Deals, News, Recent Deals
HSL Properties Inc. in Tucson (Humberto Lopez, principal) has added to its vast multi-family holdings in Arizona with the $53 million ($128,019 per unit) purchase of The Station on Central, a 414-unit apartment complex at 4140 N. Central Ave. in Phoenix.
The seller was North Central Avenue Apartments LLC, formed by Baron Properties in Greenwood Village, Colo. (J. Jeffrey Riggs, Scott Fisher, T.J. Tarbell, principals).
The transaction was negotiated through Brad Goff and Dave Lord of Apartment Realty Advisors in Phoenix. Maricopa County records show HSL Station on Central LLC (HSL entity) acquired the project with a $39.24 million loan from Compass Bank.
After buying the Central Avenue apartments just over three years ago, the seller made a tidy $16.5 million profit from the sale.
In May 2011, Baron Properties company paid $36.5 million ($88,164 per unit) to buy The Station on Central (then called Empirian on Central apartments). The complex was developed by JPI Properties in 1999 and was originally named Jefferson on Central. Four years ago, a company that acquired the project from JPI Properties lost the apartments to foreclosure after defaulting on a $39.5 million loan that was secured by the multi-family community.
The Class A property is just north of Indian School Road and is adjacent to a METRO light rail station. The luxury one-, two- and three-bedroom units fit in well with HSL Properties 10,000-plus unit multi-family portfolio. With the acquisition of The Station on Central, HSL Properties owns 42 apartment projects in Arizona. Of those, 8 are located in the Phoenix market, 32 are in the Tucson area and the privately-held HSL has 1 multi-family community in Casa Grande and 1 in Yuma.
HSL Properties is looking to buy additional apartment projects in Arizona. Find out more from Omar Mireles of HSL Properties at 520-322-6994. Contact Riggs at 303-290-9007. Contact Goff and Lord at 602-252-4232.

redpajama_set_name: RedPajamaCommonCrawl


When I headed to the mountain to cover the Pikes Peak International Hill Climb a few weeks ago, I wasn't going to cover the story from a plush hotel room in Colorado Springs; as I learned at Speed Week at the Bonneville Salt Flats last year, you really need to show up in weird vehicles and sleep in tents to get the genuine Mountain Time Zone motorsports experience.
For Pikes Peak, I rode with four fellow race fans to the Halfway Picnic Ground campsite in a 1978 Checker Marathon with full roll cage, 383-cubic-inch Chevrolet small-block engine, and four-speed manual transmission. Here's what that experience was like.
The Rocket Surgery Racing Checker Marathon was built to compete in the 24 Hours of LeMons low-budget endurance-racing series (where I work as a race official and review the occasional street car from a race organizer's perspective). Rocket Surgery Racing team captain Rich von Sneidern picked up his '78 Marathon for cheap in Denver (in its previous life, it had been a taxi in Pueblo, Colorado), then found a couple of rusty parts Checkers for below scrap value.
After making one semi-good Checker out of three bad ones and giving it Chevy small-block power and a manual transmission, Rich installed a full rollcage and the other safety gear needed to compete in LeMons racing. The Checker isn't particularly fast on the race track, but it's quite reliable and easy to fix when something does break. In its year of LeMons racing, it has been part of a nightmarish trek to a race in California and has won the coveted Index of Effluency award. Clearly, this was the car to bring up the mountain for the hill climb.
The great thing about the Checker Marathon is that its interior is an enormous, living-room-like box, and so you can install a full rollcage in one and still keep the rear seat. The front bench seat had to go in order to install race-legal one-piece front seats (and make room for the floor shifter), but we still managed to fit five of us plus a vast quantity of camping gear and supplies. Up the mountain we go!
When driving through the pits on the day before the race, down near the starting line, we got a standing ovation from some of the race crews as we passed by. After hauling our camping gear out of the Marathon's cavernous trunk and setting up our campsite, race fans at nearby campsites kept coming by to admire the spectacle of a Checker race car. Everybody loves these cars!
The Checker ended up parked in the midst of a large, fenced-in population of race spectators.
The Checker's 383-cubic-inch Chevrolet V8 (400 crankshaft in a 350 block) was tuned for the thick-as-soup air in 5,280-feet-elevation Denver, not the thin stuff at 12,000 feet, and so it ran pretty rich during the last bit of the climb to the campsite. The red-tailed hawks, meanwhile, didn't seem to mind the altitude.
The highlight of the race itself, once I got situated with my camera a little ways up the hill from Halfway Picnic Ground, was the record-breaking run by Greg Tracy in the Mitsubishi i-MiEV Evolution III. Best of all, the GoPro on the car captured me shooting my photos.


Credit Karma is officially expanding to the U.K with its deal to acquire Noddle from TransUnion now closed.
Credit Karma will welcome more than 30 Noddle employees to the company and has plans to more than triple the team in London and Leeds over the course of the next year, including relocation to a larger office space in Leeds and securing a new premises in London.
Credit Karma is now working to make the transition as seamless as possible for Noddle's four million members. It will provide U.K. members with one of the most up-to-date and personalised experiences in the market, including complete access to all their credit history as well as truly free services to help monitor and build their credit. This includes, in due course, making all formerly premium Noddle products completely free of charge.


Today after finishing my work at the Land & Stamp office, I walk to big Post Office next to Daya Bumi, Kuala Lumpur to have a look see. It's been 8 years since I last step foot in there and boy it's really empty and have an ancient feel to it. I really wanted to get some Pos Laju plastic bags but they said only Brickfield's Pos Laju centre has it. Oh well after posting Serene & Diana's package I went to shop at Pos 2020 haha. I saw some cute boxes that I never see in post office before! rm2 each called mini paks (smaller than the 1kg rm2 box sold at post office) and some bubble wrap envelopes costing rm1-50 each. These will come in handy when I post my garage sale stuffs out to buyers. I don't know about you, but they're so cute aren't they! with the logo and all (can't compare to overseas, but this is better looking & easier to fix up than the 1kg post office box).
Before leaving the post office, I saw a lady sitting at a small glass table smiling at me. Seduced by her smile, I went to her and she told me "Dik, tak mau beli setem Lat? ini cantik la, nanti stok habis" (translated: Kid, don't want to buy Lat stamps? its pretty, out of stock later). Wow the stamp book caught my eye. I am a big fan of Lat when I was a kid and now I'm looking at my favourite Malaysian artist Datuk Mohamed Nor Khalid @ Lat work of art in the form of stamps. I bought 6 pax! hahaha. Each stamp book cost rm3 with 10 x 0.30cents stamp inside (so worth it!). I'm going to like send them to my overseas stamp collector friends and keep one for myself. So far I have the stamps and stamp booklet only.
May be, I'll go ask in post office first, then, if really out of stock, i will get from you, hehehe.
Haha aiyoh uncle r u a big fan of Lat's too??? I got like 6 books here lah (mini books), if u can't find it, let me know. Just give 1 to u lah.
I wanted to buy also... oh well.
got la, glass table on the right section. Infront of the post office counters and next to post 2020 shop.
Description: A shopping search engine where you can find anything from clothing to electronics to books!
ah. i want this too! gosh they were sold out when i went to the post office! still got anymore? please help!
did u got to the post office HQ at daya bumi near central market?
i bought mine from there.


People often ask for hunting land with 'character'. That usually means lots of ups and downs, good cover and sight lines. Throw in nice, wide trails for getting around, and you're about to have a real good time. Just a few miles south of the Salt Fork of the Red River. The east end is relatively flat, and great for hunting turkey, quail, and dove. There are enough mesquites to provide cover for game, but not so much to impede motion. There is power here for your RV. This was once in wheat and cotton, so it should make for some terrific food plots. Check out the soils map. The west end is where it gets a little wild and woolly. Elevation changes provide excellent spots for deer blinds. Lots of trails, lots of deer.
This property is interesting, in that it can be used for pasture, wheat pasture, and/or hunting. It looks kind of rough right now, but a once over with a shredder would clear that up. There are fences on 3 sides. Electricity and county water are available - the neighbor's tap is right on the road. Just 3-4 miles from the South Fork of the Red River, it's no boast to say whitetail deer and wild turkey are abundant. Dove and quail are frequently seen.


Advertising in Canada industry profile provides top-line qualitative and quantitative summary information including: market size (value 2014-18, and forecast to 2023). The profile also contains descriptions of the leading players including key financial metrics and analysis of competitive pressures within the market.
The Canadian advertising industry had total revenues of USD 8,884.4m in 2018, representing a compound annual growth rate (CAGR) of 2.2% between 2014 and 2018.
The food, beverage & personal/healthcare segment was the industry's most lucrative in 2018, with total revenues of USD 1,948.8m, equivalent to 21.9% of the industry's overall value.
An improvement in the quality and range of broadband access has continued to assist the growth of digital advertising. The number of people with access to the internet is growing which has provided advertising companies with the opportunity to interact and target a wider range of consumers.
- What was the size of the Canada advertising market by value in 2018?
- What will be the size of the Canada advertising market in 2023?
- What factors are affecting the strength of competition in the Canada advertising market?
- What are the main segments that make up Canada's advertising market?


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Flaglia (stylized in all caps) is a Japanese mixed-media project created by Madoka Takadono. A musical titled Flaglia The Musical: Yukite Kaerishi Monogatari ran from February 3–9 at the Nippon Seinenkan hall in Tokyo. A six-episode anime television series by Gaina titled Flaglia: Natsuyasumi no Monogatari aired in January 2023.

Characters
Yuku

Adel

Tagi

Ren

Mel

Kanchi

Tetsu

Silver

Rabu

Nitta

Mythril

Hasshu

Marie

Jango

Iko

Media

Musical
A musical, titled  and taking place in a Middle Ages-like historical setting, ran from February 3–9 at the Nippon Seinenkan hall in Tokyo. The musical is directed by Tsuneyasu Tomoyoshi.

Anime
An anime series produced by Gaina, taking place in the present day, was announced alongside the musical on October 25, 2022. The anime, titled , is directed by Itsuro Kawasaki and written by Madoka Takadono. Original character designs are provided by Jiwataneho, while Eriko Itō adapts the designs for animation. The six-episode television series aired from January 17 to 31, 2023, on Tokyo MX. The anime's theme song "Here is" and the insert songs "Take Me Back" and "Talk About Us" are performed by The Boyz.

References

External links
 Project official Twitter

2023 anime television series debuts
Mass media franchises
Tokyo MX original programming

redpajama_set_name: RedPajamaWikipedia


Jesse Larson sang for his musical life on Tuesday night's (May 16) episode of The Voice, throwing down a smoking cover of Chris Stapleton's "Tennessee Whiskey."
Larson offered up a scorching rendition of Stapleton's "I Was Wrong" on Monday night (May 15), and although it was extremely well-received, the Team Adam member found himself in danger of being cut from the competition just as he had a chance at the final four on Tuesday's results show.
Forced to give an Instant Save performance, Larson offered up another Stapleton cover with "Tennessee Whiskey," which George Jones and even David Allan Coe had previously recorded, but that Stapleton made his own when he released the song as a single from his breakthrough Traveller album.
Larson squared off against Brennley Brown and Hunter Plake from Gwen Stefani's team for the Instant Save performances, with the goal of earning the most fan votes via Twitter. His performance rang true, saving the singer from elimination right when it mattered the most.
15-year-old Brown didn't fare as well, despite a strong cover of Sara Evans' "Suds in the Bucket" and a duet with Lauren Duski on the Willie Nelson and Waylon Jennings classic "Good Hearted Woman." She was eliminated from The Voice on Tuesday night, leaving Larson, Aliyah Moulden, Lauren Duski and Chris Blue to go onto the final four next week. The Voice airs on Monday and Tuesday nights at 8PM ET on ABC.


text:
namespace tao
{
   namespace TAO_PEGTL_NAMESPACE
   {
      namespace internal
      {
         template< typename Head, typename... Rules >
         struct rematch;

         template< typename Head >
         struct rematch< Head >
         {
            using analyze_t = typename Head::analyze_t;

            template< apply_mode A,
                      rewind_mode M,
                      template< typename... >
                      class Action,
                      template< typename... >
                      class Control,
                      typename Input,
                      typename... States >
            static bool match( Input& in, States&&... st )
            {
               return Control< Head >::template match< A, M, Action, Control >( in, st... );
            }
         };

         template< typename Head, typename Rule, typename... Rules >
         struct rematch< Head, Rule, Rules... >
         {
            using analyze_t = typename Head::analyze_t;  // NOTE: Rule and Rules are ignored for analyze().

            template< apply_mode A,
                      rewind_mode,
                      template< typename... >
                      class Action,
                      template< typename... >
                      class Control,
                      typename Input,
                      typename... States >
            static bool match( Input& in, States&&... st )
            {
               auto m = in.template mark< rewind_mode::required >();

               if( Control< Head >::template match< A, rewind_mode::active, Action, Control >( in, st... ) ) {
                  memory_input< Input::tracking_mode_v, typename Input::eol_t, typename Input::source_t > i2( m.iterator(), in.current(), in.source() );
#ifdef __cpp_fold_expressions
                  return m( ( Control< Rule >::template match< A, rewind_mode::active, Action, Control >( i2, st... ) && ... && ( i2.restart( m ), Control< Rules >::template match< A, rewind_mode::active, Action, Control >( i2, st... ) ) ) );
#else
                  bool result = Control< Rule >::template match< A, rewind_mode::active, Action, Control >( i2, st... );
                  using swallow = bool[];
                  (void)swallow{ result = result && ( i2.restart( m ), Control< Rules >::template match< A, rewind_mode::active, Action, Control >( i2, st... ) )..., true };
                  return m( result );
#endif
               }
               return false;
            }
         };

         template< typename Head, typename... Rules >
         struct skip_control< rematch< Head, Rules... > > : std::true_type
         {
         };

      }  // namespace internal

   }  // namespace TAO_PEGTL_NAMESPACE

}  // namespace tao

#endif

redpajama_set_name: RedPajamaGithub


text:
csyphrett
csyphrett last won the day on April 16 2018
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Quackhell reacted to a post in a topic: Create a Villain Theme Team! June 18
Quackhell reacted to a post in a topic: Create a Hero Theme Team! June 18
The June 2019 Superdraft: Children of the Gods
csyphrett replied to csyphrett's topic in Non-Gaming Discussion
I'm sorry. Some personal things came up. I'll look at it tonight when I get home. Remember Gods + regular mortals = original demigod kids. CES
Create a Hero Theme Team!
csyphrett replied to Cygnia's topic in Champions
Arlen Gould is the super powered Jet Stream. His control of the air is absolute and deadly in every way. He spends most of his time on rescue work preventing tornadoes from touching down and moving debris so victims can be saved. CES
Create a Villain Theme Team!
csyphrett replied to BoloOfEarth's topic in Champions
Quail Huxley is the villain known as Gundown. He's a superfast draw and a dead shot with any gun or knife. His reputation as a professional mercenary is assured and most people on both sides of the law know that he has never missed. CES
The One Million Word Project
Push All the Buttons 2017- Tanner Lerner paused in front of the television screen in the Fro Yo dining room. He put his tray down on a nearby table, and started rolling up his sleeve. He started toward the door. "Where are you going, squirt?," asked Darla Huitt. She wore a sweatshirt with their school name on it, and shorts. A headband covered the tattoo over her eyes, and her temples. "There's an emergency in New York," said Tanner. "I have to get out there and lend a hand." Darla looked at the screen. She looked at her cousin. "What do you think you're going to do that the Mark can't?," she asked. "I don't know," said Tanner. "Maybe they'll need someone who can do rescues really good. See you." "What do I tell your folks?," asked Darla. "Tell them I had some volunteer work to do," said Tanner. "I'll be home as soon as I am done." "I don't think so," said Darla. She followed him out into the parking lot. He ran his finger over his forearm as he walked away. He didn't turn around as she grabbed his sleeve. He would have shrugged her off except he had stepped to somewhere in Missouri, and dragged her along with him. "What are you doing, Darla?," asked Tanner. "What are you doing?," asked Darla. She looked around. "Where are we?" "I'm headed for New York," said Tanner. "Not without me," said Darla. "You can't leave me in the middle of nowhere." "Take a bus back home," said Tanner. "I've got things to do and not enough time." "No," said Darla. "Either we both go home, or neither of us do." "I'm good with that," said Tanner. He started walking again. Darla grabbed his arm as he crossed a variety of landscapes and they wound up on a building in the middle of New York. She looked around. A guy in a mask pointed a bow and arrow at her face. "Keep pointing that at me, and I'll shove it so far up inside you, a proctologist couldn't find it, buddy," said Darla. "Don't mind her," said Tanner. He glanced at his forearm. "She's moody." "I'm not," said Darla. "I can't have you civilians up here," said the bowman. "There's an invasion going on." "I know," said Tanner. "I'm here to lend a hand as soon as my timer runs out." "I, the Queen of Genn, the Sister of the Destroyer, the Mother of the Myriad, the Sun of a Million Lands, pronounce sentence on this miserable place for the crime of accepting my rebellious daughter as one of your own." The image of a burning tree held up its prize in its grasp. The image covered the world so everyone could see what was going to happen. "You will all be exterminated just like this hero who tried to stop me." The net around the Mark caught fire as magic poured down on him. He felt the green spark in his body being ripped out. Then he blew apart in a cloud of ash and smoke. "And you want to take that on?," asked Darla. "Nobody else can," said Tanner. "The Lamplighters have a plan," said the bowman. "I don't know what the two of you think you can do, but the Scouts and everyone else we can round up are trying to keep the enemy forces from overrunning the city while they do what they do." "Timer is almost done," said Tanner. "Give the Scout a hand, Darla, until I get back. If I don't make it back, tell the folks what happened." "Don't be crazy," Darla said. "You don't have a chance against that thing." "Sure I do," said Tanner. He looked up at a streak of light descending from the sky. "It looks like I'm not the only one joining this party. Try not to get hurt. Your mom will have kittens." Tanner counted down the last of his circular clock on his forearm. He knew what he had to do, but didn't know what would happen. His body might explode from the power he was going to summon up. He hoped the Scouts gave Darla a ride home after this was over. He doubted she wanted to explain how she got to New York if he didn't make it. "What are you going to do?," asked the bowman. "I'm going to push all the buttons," said Tanner. He ran his finger on all the buttons on the keyboard tattooed to his forearm. Each one lit up at his touch. He had kept his power output to three keys because that was all that was usually needed in the situations he faced back home. Now as the giant tree and the giant hero in a space suit swung at each other. He needed more than the usual amount of power. He paused before he pushed the activate key. His cousin looked furious, but she almost always did. The bowman looked confused, but that might have been because he wore what looked like a scarecrow outfit with the bag over his head under a jacket with the Hazard Scout hourglass on it. He smiled. Then he pushed the button. Tanner exploded upward, becoming metallic and huge in flight. He slammed into the Queen of the Genn as she knocked the other hero away. He punched her in the face as energy blew against her body. He didn't have long. The Scout said they had a plan in operation. All they had to do was hold the Queen in position. His timer said he only had three minutes at best. He hoped he lived long enough to see what the side effects were. A hundred wooden hands smashed into his metallic face. That sent him stumbling back. He grimaced as energy struck at him. He raised a shield and let the beam wrap around it without touching him. He noted that Darla had started using her eyebeam. It was perfect for knocking down the mooks while he went toe to toe with the big cheese. Purple splashes of color sent flying machines to the ground with a couple of hits. Tanner retaliated with explosive splinters. He didn't get to use that power too often. It felt good to give the Queen a face full of spikes. And then the spikes blew up. He would have laughed, but something caught him in the chest and he started worrying where he was going to land. Tanner brought himself up from crashing into a few skyscrapers. He winced at the cracking of some of the windows. He couldn't help that. Thunder shook the air. A giant bipedal lizard stalked the streets. Fins on its back glowed with fury. It roared, then emitted a beam of fire from its mouth. Then it charged right at the Queen. "What the heck is that?," Tanner asked himself as the giant lizard and giant burning tree met. The biting and roaring that followed was enough to deafen people. Tanner and the other giant added to the havoc by blazing away at the Queen as the reptile bit and tore. The burning tree blasted them away with a wave of her arms. Her bark regrew as they watched. They didn't have anything to shut her down, even with the giant lizard helping out. How could they win this? A mental beeping went off in Tanner's head. He looked down at his arm. His power was about to shut off. He looked around for a building he could land on before his combined abilities went away altogether. He grabbed a roof with one hand. Once his power went away, he would have to wait before he could use it again. He had never used all of the buttons at one time. He didn't know how long it would take to power up again. He could be dead by the time he could use the keyboard again. The other giant slammed into the Queen, combining his attack with the lizard. He covered his face as the counter attack ripped at his metallic skin. He burned the air as he stood there. The lizard exhaled at point blank range. The dragon fire burned against a hastily erected shield, blowing it apart. It followed that with a headbutt. Someone had taught the monster some wrestling moves before it came out to save the world, thought Tanner. His power burned up. He shrank as his body returned to normal. He pulled himself on his target roof and rolled away from the edge as he looked up at the sky and wondered what else he could do. A jet of blue flame hit the Queen. Tanner looked back at the source of it. He saw something like a cannon in the distance. Blue lights flicked on in a spider's web as the jet burned through the wooden body and the green energy roiling within. The animated tree stumbled from the almost lethal attack. The remaining giant slammed a fist into the tree, pushing her back into the clouds that formed the door between their realms. Tanner had been too busy to notice, but other flying heroes were on the scene. Had they been there the whole time. He realized that he had been caught up in the struggle and had not noticed other displays of power while trying to hold the Queen back. Light from the street extended into the air in letters, combining into a symbol of light. It capped the cloud cover. Then it shrank, taking the door with it. Tanner sat on the roof for a second. He looked at his arm. The keys were cold. He couldn't get home until the keyboard became warm again. He shook his head. How was he going to get down? He could already hear Darla complaining now. He wished the best of luck to the bowman Scout. That and some earplugs might be enough to salvage the rest of his night. "It's transformer boy," said a familiar voice. He turned as a costume in red and silver dropped out of the sky. "It's Scarab Girl," said Tanner. He smiled. "How's your dad?" "Grounding me when this is all over," said Scarab Girl. She looked out over the city. The lizard had turned into a thunderstorm heading out over the ocean. She pointed at the lightning arcing to the water. "I have to pick up my cousin," said Tanner. "And then I have to wait for the keyboard to activate again. I used up a lot of juice doing what I did." "The Scouts are regrouping on their command point," said Scarab Girl. "They live out your way. Maybe you can hitch a ride." "I doubt they want tagalongs like me and Darla," said Tanner. "Especially since I left Darla with one of their guys, and she is not the friendliest person ever." "You can see if their guy took her to their command post," said Scarab Girl. "I'll give you a lift over there myself." "Thanks, Scarab Girl," said Tanner. He looked at his forearm. "That'll be a great help." "Does your parents know you're out saving the world?," asked Scarab Girl. She fired a line to the next building over. "No," said Tanner. "Just Darla, and I wouldn't have told her except she got something too." "Mutual blackmail of silence?," said Scarab Girl. "Exactly," said Tanner. Scarab Girl grabbed Tanner under one arm and swung out from the roof. She descended to the street and dropped him on the sidewalk. "It's this way," she said. She pointed at the glow in the air. "Better hurry if you don't want your cousin messing things up for you." "As long as she doesn't splatter anybody, it should be good," said Tanner. He walked down the street. Others joined him. He looked at the masks and costumes. They were as cut up and torn as his own clothes. He nodded at a man in a suit and hat with a clay mask over his face. The other nodded back. "Do you want to have something to eat after we check in?," Scarab Girl asked. "I don't think your dad likes me," said Tanner. He thought the expression under the full mask could be a smile, but he couldn't tell for sure. "Hey, kid," said a man in a dun coat. He puffed on a cigar as he came out of a side street. "I didn't expect to see you here. Scarab Girl. How's it going?" "It's going fine, Mr. Nobody," said Scarab Girl. "How are things with you?" "No mister," said the smoker. He smiled, eyebrows in a quizzical lift over his eyes. "I think things will settle down for a while." "Seen Darla?," asked Tanner. "She flew over with the Scarrow and Emerald," said Nobody. "I expect she's waiting for you to show up." "I can't take her home yet," said Tanner. "I'm sure she'll understand," said Nobody. He opened the door for them to head up to the roof. "Have you met my cousin?," Tanner said. He walked across the lobby, checking the keyboard as he went. "I don't think understanding is what she does best." "It'll be fine," said the man in the coat. He smiled around his cigar. Tanner and Scarab Girl exchanged a look. They both knew empty assurances when they heard them. The three of them made their way to the roof. The man in the coat opened any doors that stood in their way. Scarab Girl saw her father talking to the Mark's daughters. He looked up when she arrived. She could tell he wasn't happy that she was still in working clothes. And then he saw Tanner and the man in the coat. He definitely didn't look happy despite the mask. "I think your dad is mad," said Tanner in a low voice. "Really?," said Scarab Girl. "What was your first clue, Sherlock?" "You," said Darla. "Where have you been? How could you leave me with someone stupid enough to call themselves Scarrow? What is your problem? Is this your girlfriend? Can we go home?" "Not yet," said Tanner. "This is my cousin, Darla. Darla, this is the Scarlet Scarab, and Scarab Girl. Scarab Girl was asking if we would like to eat with them, and anybody else who wanted to go now that the emergency is over." "Are you crazy?," asked Darla. "No, I don't want to eat with bug people. I have to get home before my curfew, dipstick." "That's not going to happen anytime soon," said Tanner. "I busted the keyboard." "What did you say?," said Darla. Her hands reached for the headband concealing her third eye. "Who did we lose?," asked Tanner. "Marty Morgan, the Animal, and the Mark," said the Scarlet Scarab. "We lost a couple of others fighting in the street. We're hoping they'll show up some time and let us know they're still out there." "So we didn't save everybody," said Tanner. "Couldn't be expected to," said the man in the dun coat. "You two still did okay considering." "If you can call running across the country and nearly getting killed fighting someone that killed the Mark okay," said Darla. "What the frack was that?" "It needed doing," said Tanner. "Exactly," said the man in the dun coat. "Some things need doing. Have a safe trip back home. I doubt things will be this bad for a while. This Earth has beaten two menaces from beyond. The others might decide to leave us alone for a bit." "What if they don't, Mister Mysterious Mister Who Likes Crappy Smelling Smokes?," asked Darla. "You're the heroes who have to fight for the world," said the man in the dun coat. "I'm just a nobody comedy relief." He raised his cigar in a goodbye gesture and walked away. "That guy gets up my nose," said Darla. "Especially those cigars and the mysterious mystery act. What's next? He's pulls a rabbit out of his coat and says presto." "The city is going to be cleaning up for a while," said the Scarlet Scarab. "None of us seem to have the ability to help with that. And the Scouts are going to want to bury their dead. We can get a meal while we wait on your power to come back." "If it ever does," said Tanner. "We may be stuck here for a while." "What did you say?," said Darla. "I said let's grab something to eat while we can," said Tanner. "Then we can talk about getting home, and covering for leaving like we did." "This is all your fault," said Darla. "No one asked you to come along," said Tanner. "Act like a decent person and let's have a dinner with two of the best heroes in the city without embarrassing ourselves." "This isn't over," said Darla. She glared at the three of them. "Let's go." The four of them walked down the stairs in silence.
Old Man reacted to a post in a topic: The June 2019 Superdraft: Children of the Gods June 16
I have to do the update later. CES
Human mates. Neither of these are humans. CES
I am going to have to put on my ref hat for a second. You're supposed to be coming up with 1 original kid for your new godlings. CES
What Fiction Book (other than Science Fiction or Fantasy) have you recently finished?
csyphrett replied to Bozimus's topic in Non-Gaming Discussion
Present Tense by Child Mark Reacher is trying to set up the most dangerous game for pay. What he doesn't know is that his cousin, Jack, is in town and digging into family history CES
Nobody picked for Sunday. That means two picks for us in under 12 hours. Let me look back at what we picked and what I think about it. Here we go. Csyphrett: Day One I picked the court of the jade emperor as my home base. It's like Olympus but at the top of Five Element mountain in China. Day Two Hephaestus and Agatha Heterodyne got together to bring their offspring Gilgamesh Hercules Tarvek Heterodyne into the world. Two mechanically inclined people get together to bring their little inventor in the world. Day Three Heimdall the guardian of Bifrost and Rachel Summers, the Phoenix have Nathan Scott Summers. This is a god who can see anything with a telepath and telekinetic to reach anywhere with a son who is named after two heroes. Day Four: Maui is the father. His immortal wife is Ran, goddess of the sea. Their daughter is Moana Ran, goddess of the sea in training Day Five Day Six Death Tribble Day One The Great Pyramid of Cholula Day Two Tezcatlipoca and the Invisible Woman have the Hidden Jaguar. DT stated that this romance took place before the final stages of the war happened and the renewal strategy was agreed on. Day Three Tlazolteotl and Bruce Wayne have Tarinda the Bat Day Four Quetzalcoatl and Shayera Hol have Snake Hawk which I assume combines a feathered dragon with thangarian tech Day Five Day Six DT has rebuilt part of the Incan/Mayan/Aztec Pantheon in his choices. Cancer Day One Rarotonga Day Two Tangaroa, Maori god of the Sea, whose image The Needle includes, and Luornu Durgo, Triplicate Girl have all the Lizard folk at the same time. Day Three Deity: the Minoan Snake Goddess, name not known (because we haven't managed to read Linear A yet) and Peter Quill, Star-Lord. hatch a replacement Rainbow Serpent, from Australian Aborigine collective mythology. Day Four Day Five Day Six Cancer has some sea faring people gods and space heroes going on to produce reptiles. Using the any god not named is dead rule allows the replacement Serpent. If somebody picks the original, RS jr is coming in as his apprentice. The Old Man Day One Eden Day Two Eris, Greek Goddess of Discord, lay with Nightmare, ruler of the Dream Dimension, and begot Bellastrid, the goddess of Conflict and Fear, Hatred and Rage Day Three Gullveig, Norse Goddess of Greed and Wealth, slept with Victor von Doom, ruler of Latveria, and bore Autoregis, the god of Ambition, Money, Greed, and Power Day Four Day Five Day Six The Old Man seems to be putting together a pantheon of evil. I am letting Nightmare slide on this because I don't know where he stands on the god scale. If I had an idea, I would be like get a real man, not some pasty faced clown that be beat by a minotaur. Bazza Day One The Greek Underworld Hades Day Two Hades and Diana Prince have Pluton Prince, the prince of the underworld Day Three Hero #2: Set (Egyptian god) + Power Girl (Karen Starr) = Seth Starr. Day Four Day Five Day Six Bazza also seems to be putting together a darker pantheon for the next time the multiverse nearly ends. Psybolt Day One Location: Scholomance (central Romania (modern Sibiu, Romania, called Nagyszeben in Hungarian) Day Two: Cthulhu and Wanda Maximoff (Scarlet Witch) have Victor Maximoff, the Dragunkind Day Three Isis (Egyptian goddess of fertility) and Thanos have Cleo Adom Day Four Day Five Day Six Psybolt comes out and boom elder god. I would have put down Cthulhu for wrecking things as the villain but I guess even madness creating fish gods can be good parents. That's where we stand rolling into day six. This is your moderator saying good picking CES
(I am working on a hazard scout for my project. I might as well put him here so I remember the name.) Josh Tiptree is Power Man. He has the ability to control electricity, but not make it. Essentially he can take the power from a building and turn that into an arc, or to run some piece of equipment that can't be plugged in, or drain batteries. CES
Custard seemed like a joke villain with his weird suit and happy V mask, but then came the explosions, the screaming, the hyena laugh. Then the silence CES
Maui is the father. His immortal wife is Ran, goddess of the sea. Their daughter is Moana Ran, goddess of the sea in training CES
Some of these are pretty good, or at least interesting. I'm letting the lizard folk slide since this could be the same as the norse dwarf situation where the mother has all the kids at the same time. CES
Political Discussion Thread (With Rules)
csyphrett replied to Simon's topic in Non-Gaming Discussion
Did they do tests where the block was secured? It looked like some of the rounds hit but they said the bullets didn't go in the wood. And this was cool, PG. Thanks for the video. CES
God: Heimdall the guardian of Bifrost The Mortal: Rachel Summers, the Phoenix. The Child: Nathan Scott Summers. CES


BIRMINGHAM, Ala. — Dan McNeil, president of McNeil & Co., discusses McNeil & Co.'s 25 years in business with Professional Carwashing & Detailing Assistant Editor Maria Woodie.
BIRMINGHAM, Ala. — In a special podcast exclusive, Professional Carwashing & Detailing Assistant Editor Maria Woodie speaks with Dan McNeil, president of McNeil & Co., on the company's celebratory 25 years in business, "McNeil Minutes" and the importance of risk management, the future of the carwash/insurance industry and a little history of how he got started in this business.
In regards to risk management, he explains, "I often like to refer to ourselves as risk-management consultants, and 'oh, by the way we sell insurance.' But we are committed, and that is the way to drive costs down in the long haul. How you can sustain affordable insurance for a long period of time is to be committed to reducing losses by developing innovative risk-management processes which are basically tailored to the individual client and [his/her] operations, procedures and possibly potential problem areas.
And to conclude the podcast, McNeil shares how he felt driven to insure the carwash industry since he was eight years old, when his dad opened a carwash in upstate New York.
You can also find the podcast here.


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Robert Anderson invented the first crude electric carriage. Electric vehicles have come a long way since then. Robert Anderson was a 19th-century Scottish inventor, best known for inventing the first crude electric carriage in Scotland around the time of 1832–1839. The carriage was powered by non-rechargeable primary power cells. Electric vehicles have come a long way since then, and promise a sustainable and eco-friendly future. Electric vehicle chargers are installed at many public places and buildings to support this initiative.
Know More.
In 1823, brothers John and Charles Deane invented a smoke protecting apparatus for firemen that was later modified for underwater divers. In 1823, brothers John and Charles Deane invented a smoke protecting apparatus for firemen that was later modified for underwater divers. John Deane once rescued horses which were trapped by fire in a stable. To get through the smoke and fire fumes he put on a medieval knight-in-armour helmet air-pumped by a hose from a fire brigade water pump. Over the years, smoke protection and breathing apparatus have saved innumerable lives
Alexander Graham Bell is credited with inventing and patenting the first practical telephone.Know more. Alexander Graham Bell was a Scottish-born scientist, inventor, engineer, and innovator who is credited with inventing and patenting the first practical telephone. With the advent of the internet, and emergence of technologies like VOIP and SIP, internet telephony is proving to be the future of voice communication. Claypot Technologies is at the forefront of Voice and Network telephony, with state-of-the-art infrastructure and devices.
Click here to know more.
Fotomile is a recognized name in video surveillance industry for providing vandal proof, corrosion & explosion resistant security cameras. Fotomile's rugged and tamper-proof cameras have found applications in many sensitive locations where security and continous surveillance is of top priority.
Fotomile also provides innovative solutions to many business problems in the fields of business process monitoring, construction imaging, asset surveillance, and surveillance and threat detection.
Based in the UK, Fotomile has customers worldwide and leads the way in pioneering customer-focused innovations and solutions.
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Home / Projects and Campaigns / Measuring Sustainability
TEDxSustainableFoodTrust – Global Farm Metric
The Global Farm Metric
We are pleased to have launched the Global Farm Metric. You can learn more on the website.
If we are to truly transition to sustainable food and farming systems, we need to measure our impact. This is why we have been working to establish the Global Farm Metric (GFM), a whole-farm framework for measuring sustainability on all farming systems and landscapes.
When adopted, the GFM will align existing sustainability assessments to establish a common language that enables all stakeholders in food and farming to drive positive change.
The Global Farm Metric has now evolved into a coalition of over 50 partners, including farming and environment groups, certifiers, food companies, financial services, and government.
We stand at a critical moment in history for food and farming. During the last century, our extractive farming practices have depleted nature and brought us to the brink of a planetary emergency, resulting in climate change, catastrophic biodiversity decline and a crisis for public health. With half of our land now used for agriculture, farmers across the globe have become the primary stewards of nature, climate and health. Yet their delivery of public goods depends on redesigning our businesses and industries away from systems based on extraction and growth and towards approaches based on the principles of regeneration, sustainability and the circular economy.
At the moment, there is no common way to measure the sustainability of food and farming systems across the world, making it very hard for farmers and land managers to know the impact of their practices and what they can do to improve. This means the costs of food and farming systems remain hidden and displaced as those that pollute are not held financially accountable for the damage caused. This makes it difficult for governments to know which food production systems to support, food companies to know which producers to source from and consumers to understand what the most sustainable and healthy options are. We believe this is a critical barrier slowing the transition towards sustainable food and farming systems.
To address these challenges and make meaningful steps towards healing people and the planet, we must measure the sustainability of food and farming systems in a way that is meaningful, inclusive, and developed by farmers. Further, such a measure should take a holistic, whole-farm approach and be owned by all to ensure the delivery of public goods. These are some of the key principles that have guided the development of our Global Farm Metric (GFM).
To ensure the metric embodies these principles, like the financial accounting standards, the GFM measures social, economic and environmental impacts in a common way that is comprehensive and compatible with existing assurance and certifications schemes (see the 11 categories of assessment). The GFM is also driven and developed by farmers in collaboration with experts and other key stakeholders in the food and farming industry to save farmer's time; ensure cross-sector consensus; create a common language; and facilitate communication across global food systems.
Central to this is keeping measures inclusive and applicable to all farm levels, so all farmers can internalise those hidden costs and make incremental steps towards becoming more resilient, sustainable, regenerative and ultimately a climate change solution.
This global measure of sustainability could be used by governments to deliver public goods, food companies to aid supply chain transparency, the finance community as a basis for sustainable investment and consumers to better understand the relative sustainability of food products they purchase. This way, we can reward producers who are delivering genuine benefit to the environment and public health and subsequently shift the balance of financial advantage towards more sustainable production on a global scale. Further, the GFM could be used to set international targets for agriculture and monitor progress towards these goals.
The Sustainable Food Trust has been consulting with farmers for over 4 years to help design the first iteration of a harmonised Global Farm Metric and begin the transition towards a more sustainable future. We have now built a coalition with multiple stakeholders to prove the idea in practice, understand how the metric could be used, and gain support for a global food and farming sustainability assessment.
To read more about the Global Farm Metric, head to the GFM website.
Another way? Why sustainability metrics and land sharing should be DEFRA policy
Patrick Holden says Defra are sitting on the fence of land sparing vs land sharing argument
Measuring and valuing on-farm sustainability
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Sustainability Assessment: The Case for Convergence report
This report demonstrates a significant opportunity for convergence in sustainability assessment t...
Accounting for racism and sexism on the farm
In collaboration with the SFT and Women Forward International, a group of Cornell University rese...
Assessing farm sustainability to reflect the true cost of food
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More than Soil, Seeds and Water: Measuring gender and racial equity on farms
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The harmonisation of on-farm sustainability assessment
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Building a Global Farm Metric: The ELMs trial report
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Global Farm Metric consultation
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The power to expose the invisibility of Nature: What else can the Global Farm Metric do?
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The Prince of Wales sends message to milestone event calling for global framework to measure farm...
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We provide an update on our sustainability metrics work
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The Sustainable Food Trust welcomes historic Dimbleby report
We respond to Henry Dimbleby's National Food Strategy
The TED Talks | Farming and Climate Change: Measuring Success
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Measuring and valuing sustainability: Project update 2018
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"True" Costs for Food System Reform: A new report highlighting key true cost accounting initiatives
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Webinar Recording: Measuring biodiversity
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Forced farm labour: Exposing the hidden cost
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«The Beach Boys Medley» es un sencillo que contienen un medley con canciones de The Beach Boys de los años 60, fue editado por John Palladino. Editado a mediados de 1981, capitalizó la manía que existía por el medley, que había comenzado con los medleys de Stars on 45. "The Beach Boys Medley" alcanzó el número 12 en Billboard Hot 100, convirtiéndose en el mejor corte de la banda en los Estados Unidos en más de cinco años. Además el sencillo alcanzó el puesto número ocho en Cash Box. "The Beach Boys Medley" fue editado en el álbum de compilación Sunshine Dream de 1982.

Capitol editó este medley luego de la notoriedad que ganó otro medley creado alrededor de 1981 en South Florida por el ingeniero y músico Chuck Kirkpatrick. Irónicamente fue Kirkpatrick, un exartista de Capitol quién llevó su máster como novedad a Rupert Perry (cabeza de A&R) como una idea novedosa. La respuesta de Perry fue: "Somos dueños de los masteres. Si pensamos que iba a vender, queremos liberar nuestra propia versión". No fue hasta meses más tarde, cuando la mezcla de Kirkpatrick comenzó a captar y obtener radiodifusión que Capitol decidió hacer su propia versión.

Canciones
 «Good Vibrations»
 «Help Me, Rhonda»
 «I Get Around»
 «Little Deuce Coupe»
 «Shut Down»
 «Surfin' Safari»
 «Barbara Ann»
 «Surfin' U.S.A.»
 «Fun, Fun, Fun»

Véase también
 Discografía de The Beach Boys

Referencias

Sencillos de 1981
Canciones de 1981
Sencillos de The Beach Boys
Canciones de The Beach Boys
Canciones en inglés
Canciones de pop rock
Medleys musicales


An organic cotton pad soaked in fresh Greek yogurt culture (the cotton pad has absorbed the unique bacterias and will be put into a jar of milk to incubate and proliferate and make more yogurt. Once first batch of milk is turned to yogurt, discard of the cotton pad and continue to make yogurt by putting a spoon of your new yogurt into new milk > pasteurized milk is fine!) To get a thicker yogurt, use a nut-milk bag!
This Greek yogurt starter has been past directly from the Greek yogurt makers on Crete to Edible Alchemy. This culture is a heritage (i.e. heirloom) culture.
Unlike many store bought or packaged yogurt starter cultures, which are single-batch use cultures in which the bacterial strains have been isolated in a lab, a heritage culture is left in its original form so it is re-usable, meaning, that with the proper care, storage and usage, this is a lifetime supply!
Use this culture for batch after batch!
Keep in mind, to achieve the thick, Greek yogurt consistency, you will need to strain the whey from your yogurt after it's cultured. Use the active whey for more projects! It too will be loaded with probiotic goodness.
Greek yogurt is traditionally strained three times! This is what gives Greek yogurt its' thicker consistency and stronger flavors compared to other yogurts you may be familiar with. Because Greek yogurt is more concentrated and dense in milk solids, it is also loaded with protein. Strain it until its reach the thickness of your liking.
Some honey drizzled on top and crushed walnuts and you've got a probiotic, protein rich, nutritious snack!


text:
Zemire et Azor - Pantomime Andre Gretry Download 'Zemire et Azor - Pantomime' on iTunes
Little Women movie: who composed the soundtrack, and when is the film released?
18 December 2019, 10:29 | Updated: 18 December 2019, 11:08
The latest remake of 'Little Women' is set to be released two days after Christmas – here's all you need to know about the film, including how Mozart and David Bowie influenced the soundtrack.
Louisa May Alcott's Little Women is receiving a new movie remake, this time by American director Greta Gerwig (Lady Bird).
Alcott's novel takes place during the mid-19th century and follows the coming-of-age story of the March sisters – Meg, Jo, Beth and Amy.
Gerwig's adaptation stays true to the story, but strays slightly from Alcott's original by beginning halfway through the novel when the sisters are adults.
Read more: Little Women trailer: first look at Greta Gerwig's movie adaptation starring Saoirse Ronan >
Little Women will be released in cinemas on 27 December. Picture: Sony Pictures Entertainment / YouTube
Who's in the cast of Little Women?
Saoirse Ronan plays the lead role of Jo March, taking the baton from Winona Ryder who played the beloved character in the 1994 film.
Meg is played by Emma Watson, with Florence Pugh as Amy and Eliza Scanlen as Beth. Adopting the role of their mother Marmee is Laura Dern, while strict Aunt March is played by Meryl Streep.
Timothée Chalamet also joins the cast as the boy-next-door, Laurie.
Alexandre Desplat (The Shape of Water) has composed the film's score. Picture: Sony Pictures Entertainment / YouTube
Who composed the soundtrack?
Back in April it was announced that Alexandre Desplat would be composing the score to Little Women.
The French composer has already received critical acclaim for previous movie soundtracks, with two Academy Awards to his name for the scores of The Grand Budapest Hotel and The Shape of Water.
Read more: Alexandre Desplat: Ten Best Movie Soundtracks >
"To capture the life of these four young girls on their path to adulthood, I have called in the four hands of two pianists," Desplat said. "They are surrounded by a chamber orchestra, which keeps us in the intimate world of these 'little women'.
"We recorded the score in New York City with the most wonderful musicians whose musicality and virtuosity went beyond my expectations."
See the movie tracklist below, or listen to the full soundtrack on Spotify.
Louisa May Alcott's Little Women is receiving a new movie remake. Picture: Sony Pictures / YouTube
How did Mozart and David Bowie influence the soundtrack?
In a recent interview with Billboard, Desplat recalls the instructions Gerwig gave him when creating the soundtrack: "I always try to ask, 'What do you expect from me as the composer? Do you want me to do something grand? Melancholic? Lush? Huge? Small?'
"And she said with enthusiasm, 'I'd like the music to be a mix of Mozart meeting Bowie.' It doesn't mean anything, but it does mean something if you let the energy come into your system and you get something of that and this opening is about that," he added.
When Gerwig referenced Mozart and Bowie, Desplat said he thought "energy, pulse, melodies, joy and rhythm because Mozart has a lot of rhythm. And Bowie, of course, there's something pop about the art direction of this film.
"There's a youth about Mozart, because we know Mozart was a child all his life, and for Bowie, there's something extravagant about him that we see in their characters -- they want to be different, they all want to be artists, except for Meg maybe."
The full tracklist for Little Women
2. Plumfield
4. Christmas Morning
5. Dance On The Porch
6. Ice Skating
7. The Book
8. Father Comes Home
9. Christmas Breakfast
10. Amy
11. Friedrich Dances With Jo
13. Theatre In The Attic
14. Laurie Kisses Amy
15. Friedrich
16. Laurie And Jo On The Hill
17. Young Love
18. Meg's Dress
19. Carriage Ride
20. Laurie
21. The Letter
22. Snow In The Garden
23. Jo Writes
24. Amy, Fred, Meg And John
25. Dr March's Daughters
26. It's Romance
The album is available to purchase from 13 December, and is available for pre-order now.
What's the release date?
The movie will be released in the UK on 27 December, and in the US on Christmas Day.


Kim kneels with service dog Cash on a beach.
As Kim Ripoli ascended the ranks of the U.S. Navy, she became "engrained in the warrior ethos," providing leadership as a Senior Chief Hospital Corpsman with the Fleet Marine Force. Throughout three combat tours, six deployments, a stint at the Pentagon, and numerous decorations, medals, and awards, Kim maintained fierce professionalism. Retiring after 26 years in 2012, she became the Associate Director of Veteran's Affairs for Rhode Island before retiring again.
Despite the outward bravado, Kim's family noticed behavior changes stemming from PTSD. She became excessively reclusive, avoiding public places or crowds. "You need to get a dog," they said, and her healthcare provider agreed.
"Being senior in rank, you don't want to appear weak," she shares. "I should have gotten a dog years ago but I didn't want people to know." Kim has been matched with her new service dog, a black goldador named Cash, a "soulful dog with the most empathetic eyes I've ever seen." Kim has been "blown away" by her experience with Cash. After avoiding any mall for nearly a decade, the pair successfully navigated the mall, department stores, and restaurants during training. She is trusting Cash to restore a sense of calm as she emerges from reclusiveness and attends law school at Roger Williams University.


Cover of the latest NGO New Economics Foundation report.
Sweden ranks first in an annual list of European Union (EU) Member States whose fishing quotas exceed those recommended by scientists, compiled by a non-governmental organization in the United Kingdom.
The NGO New Economics Foundation (NEF) states that the EU will not reach its 2020 target of sustainably caught fish if EU ministers continue to lobby for quotas beyond limits urged by scientists.
In its report, titled 'Landing the Blame', NFE claims that ignoring scientific advice on total allowable catch (TAC) for mackerel in Ireland contributed to the MSC's certification suspension, which estimated a downward trend in the health of the spawning mackerel stock in the north-east Atlantic. This decision affected Ireland, among other EU countries, and also Norway and the Faroe Islands.
For the fifth year on a row, NFE has prepared briefings to identify which Member States are standing in the way of more fish, more profits, and more jobs for European citizens.
The NOG insists that, if EU waters were properly managed, with damaged fish stocks rebuilt above levels that could support their maximum sustainable yield (MSY), their full potential could be enjoyed within a generation.
According to NFE, the historical analysis of agreed TACs for EU waters between 2001 and 2018 shows that, on average, two-thirds of TACs were set above scientific advice. While the percentage by which TACs were set above advice declined throughout this period (from 42 percent to 8 percent in all EU waters), the proportion of TACs set above advice did not.
In its report, the NGO notes that during the December 2018 negotiations, ministers set TACs for most EU commercial fish species for 2019. This analysis covers 120 TAC decisions taken and shows that, when had comparable scientific advice, 55 TACs were set above the recommended limits, representing an excess of around 312,000 tonnes.
NFE says that this continues the trend of permitting overfishing in EU waters with Northeast Atlantic TACs set 16 percent above scientific advice on average, a 9 percent increase from the 2018 TACs. The earlier negotiations for the 2019 Baltic and deep sea TACs were also set above scientific advice, with 5 out of 10 and 8 out of 12 TACs exceeding advice, respectively.
For the 2019 Northeast Atlantic TACs, Sweden, the United Kingdom, and Ireland are at the top of the table of Member States with the highest percentage of their TAC in excess of scientific advice. These Member States were involved with TAC decisions that allow fishing at 52 percent, 24 percent, and 22 percent, respectively, above scientific advice, the report states.
The UK, Denmark, and Ireland are the worst offenders in terms of the total tonnage of TAC set above advice. Ministers representing these Member States have received the largest TAC increases above scientific advice in terms of tonnes and are therefore the most responsible for impeding the transition to sustainable fisheries in the EU, NFE reports.


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