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This is an archive of a past election.
See http://www.smartvoter.org/ca/state/ for current information.
League of Women Voters of California Education Fund
State of California June 8, 2010 Election
Limits on Property Tax Assessment. Seismic Retrofitting of Existing Buildings
Legislative Constitutional Amendment - Put on the Ballot by the Legislature - Majority Approval Required
Pass: 4,310,719 / 84.9% Yes votes ...... 764,423 / 15.1% No votes
See Also: Index of all Propositions
Results as of Jun 29 4:19pm, 100.0% of Precincts Reporting (22894/22894)
Information shown below: Summary | Fiscal Impact | Yes/No Meaning | Impartial Analysis | Arguments |
Should the California Constitution be amended to provide that all earthquake safety upgrades be exempt from property tax reassessment until the property is sold?
Summary Prepared by the State Attorney General:
Provides that construction to seismically retrofit buildings will not trigger reassessment of property tax value. Sets statewide standard for seismic retrofit improvements that qualify.
Fiscal Impact from the Legislative Analyst:
Minor reduction in local property tax revenues related to the assessment of earthquake upgrades.
Meaning of Voting Yes/No
A YES vote on this measure means:
Earthquake safety improvements made to unreinforced masonry (such as brick) buildings would not result in higher property taxes until the building is sold.
A NO vote on this measure means:
Earthquake safety improvements made to unreinforced masonry buildings would continue to be excluded from property taxes but for only up to 15 years.
Impartial Analysis from the Legislative Analyst
Local property taxes are based on each property's assessed value. When a property is purchased, it is generally given an assessed value equal to its purchase price. As long as a property has the same owner and there is no new construction on the property, its assessed value generally remains the same, except for a small annual increase for inflation. New construction generally causes a reassessment if it adds a building, adds space, converts a building to a new use, or renovates the building to make it like new. The property's assessed value is increased to reflect the value added by the new construction. In contrast, the assessed value is not increased for normal maintenance and repair, such as replacing a leaky roof.
Currently, there are several specific exclusions in the State Constitution from the new construction rule. Among them are two separate provisions regarding earthquake safety modifications on existing buildings. The first one excludes earthquake safety upgrades on "unreinforced masonry buildings" (such as those made of brick or cement blocks) that are required by local ordinances. Such upgrades are excluded from reassessments for a period of 15 years. The second excludes from reassessment other earthquake safety modifications to any type of building and has no time limit. Both exclusions apply only until the property is sold.
This constitutional amendment deletes both of the existing exclusions and replaces them with a single exclusion for all earthquake safety upgrades. The exclusion would not be time-limited and would last until the property is sold. This amendment has the practical effect of removing the 15-year limit to the exclusion for safety upgrades on unreinforced masonry buildings.
Fiscal Effects
This measure would allow properties with masonry buildings currently receiving an exclusion from reassessment of 15 years for earthquake upgrades to extend this exclusion. It would also allow any properties with future masonry upgrades to receive exclusions with no time limits. This would reduce local property tax revenues to the extent that properties are no longer reassessed at higher values after 15 years. Many county assessors, however, have indicated that they either: (1) do not track the number of years that unreinforced masonry upgrades have received an exclusion or (2) classify these upgrades as maintenance or repair. In addition, many properties sell before the 15-year period is up, which triggers a reassessment of the entire property. For these reasons, the loss to local property taxes as a result of this measure is probably minor.
Arguments Submitted to the Secretary of State
Summary of Arguments FOR Proposition 13:
Proposition 13 makes a necessary change to our state's constitution in order to eliminate a dangerous disincentive for property owners to upgrade un-reinforced masonry structures in order to improve earthquake safety. This proposition promotes fairness by eliminating the unequal treatment of different types of property which undergo seismic safety improvements.
Summary of Arguments AGAINST Proposition 13:
No argument against Proposition 13 was submitted.
Contact FOR Proposition 13:
Senator Roy Ashburn's Support Proposition 13 Committee
Contact AGAINST Proposition 13:
No contact information was provided.
What is Prop 13?
Analysis of the Ballot Measure - produced by LWV Cupertino/Sunnyvale (3 min video)
Pros and Cons - a nonpartisan explanation of this state proposition, with supporting and opposing arguments. Also available in Spanish (PDF)
Easy Voter Guide - brief summary of this state proposition
Official Voter Information Guide
Official Title and Summary
Full Arguments and Rebuttals
Full Text of Proposed Law [PDF]
Legislative Analyst's Office
Full Impartial Analysis of This Measure
- Also Available in Audio Version [MP3]
Follow the money for Prop 13 - Who contributes money and how is it spent?
From Other Organizations
CaliforniaChoices.org - Pros/Cons, polling data, in-depth, multimedia, endorsements, news and opinion
Ballotpedia on Prop 13 - from the free, collaborative, online encyclopedia
American Leadership Forum Silicon Valley - See a list of newspaper and organization endorsements on all propositions (PDF file)
Message to News Reporters
If you use our website for your research, please encourage your readers to go to smartvoter.org!
This election is archived. Any links to sources outside of Smart Voter may no longer be active. No further links will be added to this page.
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Created: August 20, 2010 21:46 PDT
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Fill a plastic bag with ice and wrap a towel around it. Lie down, and place the towel-wrapped bag over your eyes. When you wake up with a puffy face or eyes, turn to simple, cold water to remedy the problem. Folic acid commonly known as vitamin B9 has the ability to help reduce dark circles around the eyes. This is cause for the sagging of our under eyes (and also the skin below our eyebrows). In case if the concern about dark circles, puffiness and fine lines doesn't cure with regular usage of home remedies then it is best suggested to consult a dermatologist or skin specialist. After meals, wash hands and rub the wet hands together for a while and keep on the eyes. Consume only moderate amounts of salt to help reduce the puffiness around your eyes. Assuredly, things will look a little less puffy when you check the mirror once more. In the best circumstances, a person should only use Preparation H under eyes on those rare occasions where they must look their absolute best and for whatever reason, losing weight dark circles under eyes puffiness and dark circles under eyes are present. In addition to the above drugs for eye bags, you also need to maintain adequate sleep patterns. Prepare a mixture of lemon juice, lanolin cream and cucumber juice and apply around the eye for 10-15 minutes.
Adequate iron and protein in your diet is very useful in restricting the formation of dark circles. Before we look at how to get rid of dark circles under eyes, let us examine the main causes. Again, the coldness of the teabags can help to increase circulation in your face. Some hair loss is caused by genetics, but other factors may also cause you to lose your hair. My Opinion: - Eye Creams are a necessity for me as I am sleep deprived at times and therefore puffiness and dark circles are regular problems I face. If you have bloodshot eyes, pain in your eyes, or your eyes are watering profusely for any length of time, you might have a small injury that you didn't notice at the time.
losing under dark eyes circles You can minimize the appearance of bags - and maybe even reduce them - by using natural essential oils. Be Inspired A consistent client of yours schedules an appointment for a routine facial. You would be surprised that this can be used to relieve puffy eyes in the morning. Typical fat that helps bolster the eyes can then move into the lower eyelids, creating the covers to seem puffy. It wasn't looking as smooth as it had, and was suddenly seeming quite dry, and twice as puffy in the mornings. The concocted blend must be placed beneath the eyes and leave it there approximately for 10 minutes. Consumer Search considers Factor-A Eyes - a Jan Marini product - a good choice for banishing dark circles. If you have chronic itching in eyes and nasal blockage, take the appointment with Eye and ENT specialist respectively. To tighten skin and improve skin tone, which can decrease the appearance of undereye bags, you can get a skin treatment that is traditionally used to treat wrinkles. When you're tired, your skin can get dull and dehydrated, causing hollow areas below your eyes and allowing dark blood vessels and tissue beneath your skin to show through, according to dark circles under eyes after losing weight the New York Times.
Its anti-inflammatory and antioxidant properties help to clear the dark circles. Dark circles make you look older than you really are, they shadow your face from its natural glow. Settle down for two to five minutes with a chilled, steeped chamomile or green tea bag over each eye. If you have dark circles, there is a good chance that others in your family also have them. Recent studies show that yeast extract is effective at reducing both puffiness and dark circles. There are any number of puffy eye remedies, but first it only makes sense to take a closer look at your lifestyle and see if there are any clues as to the cause for your puffy eyes. Some of them are temporary, though, so in order to be free of panda eyes for the rest of your life, try avoiding too much salt. Sometimes one cream will do everything and other times you may have to combine products to get the results you want.
Parsley is packed with chlorophyll which helps fade darkness, while the ice cubes reduce the swelling. If you do sleep, place a pillow-or several pillows-under your head as a means to better allow water to move from the face and head. Manuka honey moisturizes and helps reduce the appearance of lines and wrinkles from its antioxidant properties. Raw fruits and vegetables may be a source of pollen, according to a 2013 article published in Today's Dietitian, which may cause a reaction that affects the eye. Infographic- 7 Wonderful Benefits Of Cucumber For Healthy Skin Fade Dark Circles, reduce puffy eyes and banish Cellulite with Cucumber. As you age, the under-eye skin thins even more - making dark can losing weight cause dark circles under eyes circles more prevalent. An eye cream that contains a mint herbal base or rosemary will help reduce the puffiness around your eyes. When used with Botox, the fillers would be able to make eye bags disappear and your skin may look many years younger. As the skin weakens, the blood vessels become more noticeable and hence, dark circles gradually emanate from the skin. losing dark circles under eyes It can also be caused you feet up and remove the circles.
This makes for a prime place for makeup to slide into and create a caked, creased surface. Beauty Match's anti-aging reviews focused on Teamine's Eye Complex for Dark Circles. Under-eye bags, or puffiness under the eyes, is a common occurrence as you age, says Tissues around the eyes weaken with age, and fat that supports the eyes can migrate into the lower eyelids along with fluid, causing bags. Take these suggestions into consideration and you should be on your way to vibrant, rested eyes in no time. Doing this can reduce puffiness under the eyes, since the body will not feel the need to store excess water. If your child is not getting adequate sleep, she may develop bags under her eyes. The most basic of puffy eyes causes is simply retention of fluids around the eye. I think my eye bags although its more puffiness under the eye by the cheekbone, is due to stress and lack of sleep, loosing my mum 2yrs ago could be a contributing factor. Heavy night losing weight and dark circles under eyes creams are one of the biggest and most secret culprits of puffy eyes, women put night cream on that is too thick and heavy and wonder why they are waking up to puffy eyes. It will be a wise move as you do not want to leave a legacy of billions of plastic bags behind for future generations. We list down some easy and doable home remedies which will help you to get rid of dark circles. There are many things that can cause dark circles to appear including lack of sleep, poor diet, vitamin deficiency, and allergies. To restore fluid flow and reduce puffiness and inflammation, our eye gel includes the highly effective Eyeliss. Rubbing a little of almond oil, around your eyes before you go to bed, would keep the skin soft and glowing.
For the treatment of puffy eyes, it is best to place moistened tea bags over your eyes. But puffy eyes are also symptoms of other eye conditions that may require examination by an eye-care professional. I'm not wanting to point fingers at anyone but am curious as if he has an allergy to anything in theatre I think it's important to know. Patrick Bateman may not be the best life coach, but the guy had a hell of a morning routine—one that included wearing an ice mask to reduce eye puffiness. ColoreScience - High quality luxury mineral cosmetics for the skin, eyes and lips made with advanced pigments and protective antioxidants. This is an infection most common in infants that causes inflammation and excess tearing. How To Fix Puffy Eyes After Crying There's nothing like having a big event coming up—a job interview, first date, or wedding—and looking in the mirror, only to see tired, puffy eyes looking back. These are just a few of the ways you can help take down the puffy eye bags that might have formed under your eyes. While we may not be able to rid ourselves of any or all of these issues, we can definitely try some tricks to alleviate their result of puffy and swollen eyes. Not only can this help reduce puffy eyes, it can be very relaxing which adds to a youthful appearance.
losing dark circles under eyes In the event that your under-eye bags are dark, you could additionally go one shade lighter. The Vitamin K helps to make sure that the blood around the eyes clots properly, eventually preventing seepage. Use an over-the-counter eye drop designed for allergies-it will soothe your eyes and relieve redness. For this, we have listed out some of the easiest and highly effective home remedies that will help in getting rid of this issue faster. These are factors that begin the comprehensive aging process that we observation in the form of lines and wrinkles but they can also be a cause of what are known as dark circles under eyes losing hair baggy or puffy eyes.
Some people will have eye bags irrespective of their age because they have this issue in their genes. You may choose from cold circles of strawberries, chilled spoons, ice cubes wrapped in a towel, or even just a cool washcloth to lessen the swelling or puffiness. I came across DermalMD serum online and order it to try it its working great the dark circles have been clearing quick.


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Vitamin D in the Management of Asthma
|By Natural Partners
By TAP Integrative
Asthma is a dangerous condition whose prevalence is on the rise in the United States. More than 18 million American adults and 7 million American children suffer from the condition, which is characterized by repeated exacerbations of breathlessness, chest tightness, wheezing and cough. These exacerbations are the major cause of morbidity and mortality in asthmatics.
Some studies have found that inadequate vitamin D status is associated with increased risk of asthma exacerbations. Research has shown that supplementing with vitamin D can prevent exacerbations and improve symptom control—both independently and in combination with corticosteroids. However, meta-analyses including only double-blind, randomized, placebo-controlled trials of vitamin D as an asthma intervention are lacking.
Researchers aimed to fill that gap with a 2016 meta-analysis published in the Cochrane Database of Systematic Reviews. The objective of the review was to evaluate the efficacy of vitamin D—administered by any route and at any dose—in reducing severe asthma exacerbations and improving control of symptoms. For the primary analysis, the authors selected seven trials that included 435 children and 658 adults. Of those, they analyzed one trial involving 22 children and two trials including 658 adults to determine the rate of exacerbations that required systemic corticosteroids. The trials ranged in length from four to 12 months.
The findings showed that vitamin D administration reduced the rate of severe exacerbations. It did not have an effect on the risk of serious adverse events nor on measures of asthma control. In one of the trials, two participants—one taking low-dose and one taking high-dose vitamin D—experienced hypercalciuria. No other adverse effects were reported.
This meta-analysis provides modest evidence that vitamin D may reduce severe asthma exacerbations. However, it's unclear whether the effects are limited to people with low vitamin D status. Further research is necessary to determine that, as well as whether children and people with frequent severe exacerbations (two groups underrepresented in this sample) will benefit from vitamin D supplementation.
Martineau AR, Cates CJ, Urashima M, et al. Vitamin D for the management of asthma. Cochrane Database Syst Rev. 2016 Sep 5;9:CD011511. [Epub ahead of print]
This content has been provided exclusively to Natural Partners by TAP Integrative. To learn more about TAP as well as details on how you can attain a discounted TAP Integrative membership, click here.
*These statements have not been evaluated by the Food and Drug Administration. This product is not intended to diagnose, treat, cure or prevent any disease

redpajama_set_name: RedPajamaCommonCrawl


Summer is a crazy travel time for me at work. It seems all my clients love to have their meetings in the late summer early fall so I travel frequently. Luckily, Dan totally embraces this extra bonding time with Aiden and always plans fun adventures. Usually, they end up taking a day-trip to one of the many small towns that are within an hour or two from our home. On my most recent trip, Dan took the little guy and his new Maxi-Cosi Magellan 5-in-1 Convertible Car Seat for a fun adventure to Harpers Ferry, West Virginia. He helped me write this post on how to plan a fun father and son adventure to Harpers Ferry.
Harpers Ferry is only an hour from us but we have never been so Dan took my business trip as the perfect opportunity to check it out. Plus, we just received our Magellan car seat so how better to test it out than a road trip? The first thing Aiden said when he got in the Maxi-Cosi Magellan, was "oh comfy". Having the Maxi-Cosi definitely made the journey (and all our everyday adventures) safe and comfortable.
Maxi-Cosi is the top-selling baby car seat brand worldwide. Over the past 30 years, Maxi-Cosi car seats have carried over 50 million babies home from the hospital. I love the Maxi-Cosi Magellan 5-in-1 Convertible Car Seat because it is an investment that lasts. The innovative new 5-in-1 convertible car seat accommodates children from birth to age 10 (5 lbs. to 120 lbs.). As with every Maxi-Cosi car seat, the Magellan has been designed with comfort and style in mind, incorporating premium fabrics that are machine washable, while providing a contemporary, yet timeless look — this is perfect for road trip drinks and snacks. Aiden especially loved the cup holders. They held his water bottle and snacks perfectly. You can learn more about the Maxi-Cosi Magellan 5-in-1 Convertible Car Seat here.
The coolest thing about Harpers Ferry, WV is that the whole town is considered a National Park. We have a dream to take Aiden to all the US National Parks so it was great to check this one off our list. Aiden and I just went for the day so we didn't get to do everything but that just means there is an excuse to go back. I know Melissa will want to see it, plus we have this comfy new Maxi-Cosi Magellan 5-in-1 Convertible Car Seat so we know Aiden will be comfortable!
One thing to keep in mind when visiting Harpers Ferry is that you are going to do a lot of walking. I also wouldn't say it's stroller friendly! When we arrived we parked in the main Visitor's Center. This is several miles from the lower town of Harpers Ferry where most of the touristy stuff is. There are hikeable trails that you can follow to get from the Visitor's Center to the lower town, but there is also a shuttle which we decided to take.
The shuttle makes a stop at Bolivar Heights during the summer so we stopped there first. Bolivar Heights is known for having more battle action than any other location at Harpers Ferry including the first battle of the Civil War at Harpers Ferry. Here we saw beautiful views of the water gap in Harpers Ferry and walked along the Schoolhouse Ridge North which was lined with cannons. Aiden had plenty of space to run around and get some of his energy out from the car ride.
The shuttle runs about every 20-minutes so we got back on and went to Lower Town. Our next stop was lunch! We ate at Almost Heaven Pub and Grill. We were able to eat outside on the deck that overlooks the train. I knew Aiden would love watching the trains pass. We saw an old freight train and an Acela during our time there.
After lunch, it was time to explore. Harpers Ferry has a lot to look at. We walked up the stairs to St. Peter's Catholic Church. Since the stairs are steep we walked down Public Way back to the main road (High Street) and hit up True Treats candy store. True Treats claims to be the nation's only researched-based historic candy store specializing in candy from the first in history through the mid-1900s. We got some gummy bears for the trip home.
From there we followed High Street down past John Brown's Fort and the Arsenal to The Point. The Point is the confluence of the Potomac and Shenandoah rivers. From this location, you can see three states – Maryland, Virginia, and West Virginia.
It was beautiful but didn't hold Aiden's attention for very long. He wanted to walk along the Harpers Ferry Railroad Bridge. This bridge crosses the Potomac River near its confluence with the Shenandoah River. The bridge is part of the Appalachian Trail. We just walked the bridge and then returned to Lower Town for ice cream.
After ice cream, we walked back to the shuttle to head home. We had enough adventure for one day. Aiden fell asleep in his Maxi-Cosi Magellan 5-in-1 Convertible Car Seat almost before we left the parking lot. It's great to have a car seat that keeps the little adventurer safe and comfortable.
If you are in need of a car seat for long trips or everyday adventures, you should definitely check out the Maxi-Cosi Magellan 5-in-1 Convertible Car seat which retails for $349.99. It comes in five sophisticated colors: Night Black, Midnight Slate, Blue Opal, Emerald Tide and Violet Caspia. You can find it at Amazon, Target.com, Buy Buy Baby, Nordstrom.com, and Albee Baby.


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Die União das Freguesias de Troporiz e Lapela ist eine portugiesische Gemeinde (Freguesia) im Kreis (Concelho) Monção im Nordwesten Portugals.

Geschichte
Die Gemeinde entstand im Zuge der Gebietsreform vom 29. September 2013 durch die Zusammenlegung der ehemaligen Gemeinden Troporiz und Lapela. Troporiz wurde Sitz der neuen Verwaltung.

Demographie

Einzelnachweise

Weblinks

Monção
Gemeindegründung 2013

redpajama_set_name: RedPajamaWikipedia


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The Last of Us Part II: (PS): Release Date and Everything we know
Tagged: Games, The Last of Us
The most admired action epic game ever 'The Last Of US' is all set to release its next version The Last of Us Part II. After remarkable success of its first version now The Last of Us Part II already has huge fan following who are eagerly waiting for its release. The game mainly constructed to work on Sony PlayStation gaming console. The release date has not been confirmed yet, but the game is set to release on Feb, 20. The release date is further pushed due to Corona virus pandemic. The version is developed by very well-known game makers called 'naughty Dog'.
As world is struggling with Corona pandemic, the game could remind it more.The Last of Us Part II story line is based upon the pandemic emerged in the US and further Ellie and Joel were settled in the isolated community which is very well protected. When the situation goes out of the hand, Ellie takes the way forward and embarks the restless journey to hunt those who were responsible. The action packed journey of Ellie would make gaming users stick to their gaming console. The Last of US Part 2 would be equipped with further more gaming scenarios and action scenes and improved weaponry.
The news is not confirmed but there are rumors that Sony has pulled The Last of Us Part II from the Play Store. The Sony has handed over the pre-order refunds to buyers.
Related Video –
Some Other Topics – https://www.peopleninfo.com/blog/category/entertainment/
Tailor – https://www.youtube.com/watch?v=II5UsqP2JAk
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Art Education for Social Justice (No. 311)
Transforming City Schools Through Art: Approaches to Meaningful K-12 Learning (No. 319)
Impact of Early Art Experiences on Literacy Development (No. 297)
Aesthetics and Criticism in Art Education (No. 269)
Artful Teaching: Integrating the Arts for Understanding Across the Curriculum, K-8 (No. 257)
Connecting Creativity Research and Practice in Art Education: Foundations, Pedagogies, and Contemporary Issues (No. 328)
Curriculum Inquiry and Design for School- and Community-Based Art Education (No. 333)
Disciplining Eros: (homo)Sexuality Subjects Explored Through Art Education (No. 334)
From Periphery to Center: Art Museum Education in the 21st Century (No. 298)
Histories of Community-Based Art Education (No. 280)
Including Difference: A Communitarian Approach to Art Education in the Least Restrictive Environment (No. 322)
Interdisciplinary Art Education: Building Bridges to Connect Disciplines and Cultures (No. 243)
Learning Things: Material Culture in Art Education (No. 344)
Memory & Experience: Thematic Drawings by Qatari, Taiwanese, Malaysian, and American Children (No. 300)
Pathways to Art Appreciation: A Source Book for Media & Methods (No. 291)
Professional Standards for Visual Arts Educators [e-Book] (No. 306)
Reaching and Teaching Students with Special Needs through Art (No. 296)
Remembering Others: Making Invisible Histories of Art Education Visible (No. 274)
Student Art Exhibitions: New Ideas and Approaches (No. 268)
Studio Thinking from the Start: The K–8 Art Educator's Handbook (No. 339)
Teaching and Learning Emergent Research Methodologies in Art Education (No. 317)
The Heart of Art Education: Holistic Approaches to Creativity, Integration, and Transformation (No. 315)
Transforming Our Practices: Indigenous Art, Pedagogies, and Philosophies (No. 335)
Using Art to Teach Writing Traits (No. 340)
Why Our High Schools Need the Arts (No. 318)
Art Matters Apron (No. 521)
Art Matters T-Shirt - Womens MEDIUM (No. 522)
Art Matters T-Shirt - Womens LARGE (No. 522)
Community-Based Art Education Across the Lifespan: Finding Common Ground (No. 345)
Art Matters T-Shirt - Mens X-LARGE (No. 523)
Through the Prism: Looking into the Spectrum of Writings of Enid Zimmerman (No. 304)
Barkan (No. 287)
Using Art to Teach Reading Comprehension Strategies: Lesson Plans (No. 324)
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Safety in the Artroom (No. 240)
Readings in Discipline-Based Art Education: A Literature of Educational Reform (No. 220)
Inquiry in Action: Paradigms, Methodologies, and Perspectives in Art Education Research (No. 327)
InCITE/InSIGHT/InSITE: Journal of Social Theory in Art Education (No. 303)
Art Matters T-Shirt - Mens MEDIUM (No. 523)
Standards for Art Teacher Preparation (No. 412)
Art Matters Tote Bag (No. 520)
Art Matters T-Shirt - Womens SMALL (No. 522)
The Autobiographical Lectures of Some Prominent Art Educators (No. 284)
Why Our Schools Need the Arts (No. 302)
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Studio Thinking 2: The Real Benefits of Visual Arts Education (No. 325)
Purposes, Principles, and Standards for School Art Programs (No. 330)
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Sin Imps are minor devils, typically summoned to lead the weak-willed into temptation. They were bred in a dark corner of the Pit where the sins of the damned are drawn out of their souls, so as to become sin made physical. Each is thus the embodiment of a single Vice. Their small humanoid figures have diminutive wings that do not let them achieve actual flight, but which do allow them to leap great distances. They usually never appear visibly, prefering to be simply a voice that cajoles and draws out the Vice which gave them birth.
There is really only one "strain" of sin imp, but they can be further categorized by their associated Vice. All sin imps are small (around 2-3' tall) and look like tiny devils (many even have horns, claws or a barbed tail, as well as their non-functional wings). The distinction shows in their faces; a sin imp's face is a caricature of a human face, displaying the sin to which it is attached. For instance, a Lust Imp has a leering face with an obscenely suggestive tongue, while a Blood-thirst Imp will have an expression of unbridled battle-frenzy, and even be spattered with dried blood. Their faces are frozen in these grotesque forms, so it often looks like they are wearing a mask—when they speak, their mouths remain immobile, though their voice is unhindered. If a Hunter is able to pierce their natural invisibility, the expression can quickly inform him or her what the imp's 'specialty' is.


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What happens when two voracious power players at the top of their fields go head to head? Brilliant hedge fund titan Bobby "Axe" Axelrod and brash U.S. District Attorney Chuck Rhoades play a dangerous, winner-take-all game of cat and mouse where the stakes run into ten figures. Both are ultimately forced to answer the question: what is power worth?
STREAM THIS SEASON Watch Episode for Free
Episode 1: Pilot
Original Air Date: Jan 17, 2016
Chuck Rhoades, a powerful U.S. Attorney for the Southern District of New York, is tipped to a case of insider trading with links to billionaire hedge fund king Bobby "Axe" Axelrod. While it could be a career-defining case for Chuck, he must tread carefully, because his wife, Wendy, is the in-house performance coach at Axe Capital and Axe's key confidante. But a costly purchase by Axe gives Chuck the opening he needs, setting off a cat and mouse game where the stakes are high and intensely personal. Series premiere.
STREAM THIS EPISODE Watch Episode for Free
Episode 2: Naming Rights
Axe installs rigorous compliance measures to gird the company against the US Attorney's office investigation. When Wendy questions Axe's methods, he compels her to prove her loyalty. Chuck's probe is temporarily derailed when he has to divert resources to a case against an Axe rival, billionaire Steven Birch. Hall, Axe's fixer, develops a mole inside the US Attorney's office, while Axe makes an aggressive move under the guise of a charitable contribution in order to settle an old score.
YumTime
Episode 3: YumTime
Chuck discovers that while he pursued Steven Birch, the rival Eastern District has made inroads in the Axe case and that he needs to get it back. Axe makes an activist play for a family owned bakery corporation - a move reverberates back to Chuck by way of a very personal connection. Meanwhile, Wendy is thrown into a moral dilemma during a confidential session. And Lara Axelrod tries to protect her husband's reputation from a potentially damaging "tell all" book.
Short Squeeze
Episode 4: Short Squeeze
Original Air Date: Feb 7, 2016
Axe takes a spontaneous trip to see Metallica with his childhood friends and meets a woman who makes him face the limits of his own freedom. He also must fend off a short squeeze - an attack on one of his important holdings - led by Chuck's father. Back in New York, Chuck learns about the inner workings of Axe Capital, but he must also take action against his father for stock manipulation. Plus, Axe reckons with a betrayal and upon his return makes a momentous decision about the direction of his firm.
Episode 5: The Good Life
Original Air Date: Feb 14, 2016
Axe orders his traders to unload their positions, and he unceremoniously disappears from Axe Capital. As Axe questions his life choices and plans a trip on his new yacht, Wags and Wendy struggle to maintain morale and order amid the chaos. Meanwhile, Chuck intensifies his investigation in response to Axe's disappearance and is led to a farm in Iowa, where he discovers a key witness to a questionable trade. Armed with the damning evidence, Chuck sends the FBI into Axe Capital to make a surprising arrest.
Episode 6: The Deal
Axe plans a scorched-earth defense against the public attack on his company - threatening his relationship with Wendy in the process. Chuck's interrogation of Dollar Bill does not go as planned, and political pressure mounts for him to recuse himself in the face of a protracted legal battle. Wendy, caught in the middle, engages in deft shuttle diplomacy to facilitate a deal in the best interests of both men. But everything hinges on a face-to-face meeting between Chuck and Axe to finalize the agreement.
The Punch
Episode 7: The Punch
Original Air Date: Mar 6, 2016
The pressure from the US Attorney starts to affect Axe, who gets into a physical altercation with an acquaintance over an incident involving his kids. Chuck continues to conceal his involvement with the case while using the past to get the upper hand. Wendy meets with an attractive headhunter to consider a career change - and more than just job opportunities arise. And the case against Axe Capital gains a powerful weapon when Connerty turns a member of Axe's inner circle into an informant.
Boasts and Rails
Episode 8: Boasts and Rails
Axe receives a tip about a mole inside his company, throwing the US Attorney's case into jeopardy. Connerty faces a moral dilemma in how to respond, leading to conflict with Chuck, who finds himself reconsidering his position as both he and Wendy look toward a future without Axe Capital looming between them. As the investigation begins to encroach on Lara's private life, a secret from Axe's past surfaces, threatening everything he has built.
Where the F*ck is Donnie?
Episode 9: Where the F*ck is Donnie?
The repercussions of the revelations come home to roost with public demonstrations, inside insurrection, and fleeing investors. A sudden and mysterious disappearance sends both Axe and Chuck spinning. Connerty, Chuck and the FBI go into manhunt mode. Meanwhile, Lara has to contend with the brotherhood of firefighters who are furious about Axe's behavior - and in an effort to circle the wagons, makes a painful sacrifice.
Episode 10: Quality of Life
The death of a member of the Axe Capital family forces both Axe and Wendy to do some soul searching, while creating a devastating setback for Chuck. Much to the dismay of the Southern District, they take another loss when an insider trading case is dismissed by a corrupt judge. In a brilliant counter move, Chuck enlists Lonnie Watley to expose the judge, while greasing the rails for a future move. Axe takes his revenge on some of his defecting employees.
Episode 11: Magical Thinking
Axe loses hundreds of millions of dollars on a bad trade and turns to Wendy for help. Chuck sets out on an odyssey to secure powerful allies in the fight against Axe. Lu balks at Lara's suggestion she become the new chef at Axe Capital -- and takes her sister back to the old neighborhood to remind her of their roots. Meanwhile, Sacker and Connerty close down the Axe Capital investigation just as Chuck finds evidence -- right in his own home -- that could salvage the case.
Episode 12: The Conversation
Axe learns that Chuck has new evidence against him that could land him in prison. As Lara makes plans for the Axelrod family to flee the country, Axe accuses Wendy of leaking the info to Chuck. A defiant Wendy realizes how far Chuck has gone in his pursuit of Axe and threatens to expose him. Having sacrificed so much to this case - including possibly his marriage - Chuck finds Axe for an explosive confrontation. Season finale.


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What Ever Happened to Baby Jane?
Bette Davis as Baby Jane Hudson
Joan Crawford as Blanche Hudson
Directed and produced by
Lukas Heller
Frank De Vol
Sidney Cutner
Ruby Raksin
Based on the novel by
Henry Farrell
February 16, 2008 |
The staircase should be billed along with the stars in Robert Aldrich's "What Ever Happened to Baby Jane?" (1962). On a claustrophobic set, it dominates many shots, separating the upstairs captivity of the paraplegic Blanche from the downstairs lair of her deranged sister Jane. Although the two sisters live in a "mansion" that allegedly once belonged to Valentino, it is jammed between nosy neighbors and seems to consist only of a living room, a kitchen, a hallway and a bedroom for each sister. In this hothouse a lifelong rivalry turns vicious, in one of Hollywood's best gothic grotesqueries.
The story involves sisters who were once movie stars, played by Bette Davis and Joan Crawford. The casting is one of the crucial successes of the film, although it is hard to imagine how Aldrich convinced the two divas to appear together. Rivals since the 1930s, competitive, vain and touchy, they by all accounts hated each other in real life. Indeed, a book was written about their mutual disdain, Bette and Joan: The Divine Feud (1989). It is claimed on IMDb.com that in the scene where Jane kicks the helpless Blanche, Davis kicked Crawford so hard a cut required stitches. This is surely an urban legend, since the actual contact takes place below frame and Crawford would not have been present for the shot.
What wasn't an urban legend was that the two were fiercely competitive; it's possible that each agreed to do the picture only because she was jealous of the other's starring role. In the event, it was Davis who emerged on top, winning an Oscar nomination as the former child star who was now a shrill gargoyle with makeup pancaked all over her face. Davis was nothing if not courageous, as she abandoned all shreds of vanity and overacted her heart out. Crawford plays the quieter, kinder, more reasonable sister -- and, it must be said, the less interesting.
The movie begins in the days of vaudeville, when Baby Jane Hudson was a child star famous for her saccharine performance of "I've Written a Letter to Daddy" -- a letter she seals with a kiss and mails to heaven. Offstage, she was a spoiled monster, screaming for ice cream, ridiculing her plain sister Blanche. But in their 20s it is Blanche who becomes the Hollywood queen, and Jane whose appeal fades and whose movies flop. Their lives change forever when, in a mysterious incident, their car crushes Blanche against a gate, paralyzing her from the waist down.
Why she is put in charge of the "care" of her sister is hard to understand, despite some mumbling about a studio "coverup." What results is the situation for the rest of the film, with Blanche trapped in a wheelchair in an upstairs bedroom, and Jane calling the shots. Blanche has two contacts with the world: her telephone and their kind maid, Elvira (Maidie Norman). But as Jane's hatred grows more venomous, she rips out the phone, sends Elvira away and beats the maid when she bravely tries to return.
At some point during this descent into madness, "What Ever Happened to Baby Jane?" stops becoming a "camp classic," which is how it's often described, and starts becoming the real thing, a psychological horror story. Davis tilts her performance toward Jane's pathological ego, which is displayed in a macabre adult performance of "I've Written a Letter to Daddy." It also emerges in her behavior toward a peculiar gentleman caller, Edwin Flagg (Victor Buono), who she proposes to hire as a pianist to accompany her during a comeback. She flatters herself that Edwin is attracted to her, failing to see that he is not the marrying kind. (The real Buono famously said, "I've heard about actors being asked 'Why have you never married?' They answer with the immortal excuse 'I just haven't found the right girl.' No one's asked me yet. If they do, that's the answer I'll give. After all, it was good enough for Monty Clift or Sal Mineo.") Edwin towers over his elderly mother, the tiny Marjorie Bennett, in a relationship as closed-off as the sisters'.
Upstairs, Blanche grows more desperate. She tries to toss a note to their next-door neighbor, but Jane finds it in the driveway. She hopes for help from Elvira, but Jane drives her away. She wheels her chair to the top of the staircase, which looms vertiginously below her. Her horrors are only beginning. I will not reveal what her sister serves her at one meal, but the next day, when she complains of hunger, Jane tells her, "You're not gettin' your breakfast because you didn't eat your din-din." When the next meal finally arrives, we stare with as much horror as Blanche does at the silver dome concealing whatever is on her plate.
The impact of "What Ever Happened to Baby Jane?" was considerable in 1962. Today's audiences, perhaps not familiar with the stars, don't fully realize how thoroughly Crawford, and especially Davis, trashed their screen images with the coaching of Aldrich. Imagine two contemporary great beauties -- Julia Roberts and Cate Blanchett, say -- as aged crones. The personal dislike between Crawford and Davis no doubt deepened the power of their onscreen relationship; the critic Richard Scheib observes: "The irony that only came out in later years is that the roles were uncommonly close to the truth upon the parts of both actresses -- Crawford and Davis were both utterly vain, particularly when it came to their own celebrity, both abused their own family members and both had daughters who wrote books about the cruelty of their parents."
The film functions among other things as a demonstration of the need both women had to appear before the camera. In a career that began in 1925, Crawford (1905-1977) was capable of making "Trog" (1970), where she was given top billing as an anthropologist on the trail of a surviving troglodyte. I cannot forget Crawford on hands and knees in a tailored pantsuit, crawling into a cave crying out, "Trog! Here, Trog!"
Davis (1908-1989) had a more suitable image in her next-to-last film, the touching "The Whales of August" (1987), where she and Griffith's silent star Lillian Gish (1893-1993) played sisters. It, too, gave rise to an anecdote. Its director, Lindsay Anderson, told me that one day he said, "Miss Gish, you have just given me a perfect close-up." Davis observed, "She should. The bitch invented 'em."
Robert Aldrich (1918-1983) was a master of Hollywood genres, whose credits include "Vera Cruz" (1954), with Gary Cooper and Burt Lancaster; "Kiss Me Deadly" (1956), a Mickey Spillane classic; "Hush, Hush Sweet Charlotte" (1964), which was intended to reunite Davis and Crawford before Crawford fell ill (one story) or was fired because she fought with Davis (possibly apocryphal); "The Dirty Dozen" (1967); "The Longest Yard" (1974), and the underrated "Hustle" (1975). None of them were art pictures, but most of them were popular, profitable, well-crafted and splendid examples of their genres. He was one of the first mainstream directors to insist on autonomy in selecting stories, actors and editors.
Making "What Ever Happened to Baby Jane?" he possibly thought of Billy Wilder's "Sunset Boulevard" (1950), which starred Gloria Swanson as an aging movie queen, living on in her mansion. He began with a novel by Henry Farrell, which moved its aging queens further down on the artistic and financial scale, and emphasized the violence over the pathos. He knew he was asking for trouble by pairing Davis and Crawford, but he guessed, correctly, that trouble would translate into a better film. And at the end of the day it was Davis who won the ancient battle, by upstaging Crawford, winning the nomination and making the pseudo-sequel "Charlotte." She may not have been a pretty sight mincing her way through an old-age version of "I've Written a Letter to Daddy," but she was a trouper, and no one who has seen the film will ever forget her.
An elaborate two-disc special edition DVD was released in 2006, including a documentary on Davis written by David Anson and narrated by Jodie Foster; a 30-minute British talk show with Crawford; a documentary about their feud; footage of Aldrich directing, and Davis performing a Chubby Checker twist version of the title song on a 1962 Andy Williams Show. There is a commentary track by Davis impersonator Charles Busch and John Epperson ("Lypsinka").
Star Power Almost Justifies "Feud: Bette & Joan"
Bette Davis at 104: Still smokin'
by Jim Emerson
by Roger Ebert


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Tag Archives: shelley
Fated to Die Prematurely
"He was as fated as Byron, Shelley, and Keats to die prematurely, the same as James Byron Dean, Jimi Hendrix, Janis Joplin, and his famous look-alike, the poet-singer of the perverse, Jim Morrison of The Doors"
Jack Fritscher
Mapplethorpe: Assault with a Deadly Camera
Self-Portrait, Robert Mapplethorpe, 1980
Cinema Literature Music Photography Poetry Leave a comment
Hymn of Pan
In the Glade, Fred Holland Day, 1905
The nude model is shown with a statue of Pan, a symbol of Nature. Day placed a statue of Pan in a glade at his property in Maine. He photographed many of his models with the statue, and it became a symbol for the community of friends that Day had built up at his Maine home.
"From the forests and highlands
We come, we come;
From the river-girt islands,
Where loud waves are dumb
Listening to my sweet pipings.
The wind in the reeds and the rushes,
The bees on the bells of thyme,
The birds on the myrtle bushes,
The cicale above in the lime,
And the lizards below in the grass,
Were as silent as ever old Tmolus* was,
Liquid Peneus* was flowing,
And all dark Tempe lay
In Pelion's* shadow, outgrowing
The light of the dying day,
Speeded by my sweet pipings.
The Sileni, and Sylvans, and Fauns,
And the Nymphs of the woods and the waves,
To the edge of the moist river-lawns,
And the brink of the dewy caves,
And all that did then attend and follow,
Were silent with love, as you now, Apollo,
With envy of my sweet pipings.
I sang of the dancing stars,
I sang of the daedal Earth,
And of Heaven, and the giant wars,
And Love, and Death, and Birth—
And then I chang'd my pipings,
Singing how down the vale of Maenalus
I pursu'd a maiden and clasp'd a reed.
Gods and men, we are all deluded thus!
It breaks in our bosom and then we bleed.
All wept, as I think both ye now would,
If envy or age had not frozen your blood,
At the sorrow of my sweet pipings."
*NOTES:
Tmolus: King of Lydia and husband to Omphale. He is the eponymous namesake of Mount Tmolus, which lies in Lydia.
Peneus: In Greek mythology, Peneus was a Thessalian river god, one of the three thousand Rivers (Potamoi), a child of Oceanus and Tethys.
Pelion: In Greek mythology, Mount Pelion (which took its name from the mythical king Peleus, father of Achilles) was the homeland of Chiron the Centaur, tutor of many ancient Greek heroes, such as Jason, Achilles, Theseus and Heracles.
Literature Mythology Nature Photography Poetry Leave a comment
Hymn of Apollo
Apollo, Cy Towmbly, 1975
The sleepless Hours who watch me as I lie,
Curtained with star-inwoven tapestries,
From the broad moonlight of the sky,
Fanning the busy dreams from my dim eyes,–
Waken me when their Mother, the gray Dawn,
Tells them that dreams and that the moon is gone.
Then I arise, and climbing Heaven's blue dome,
I walk over the mountains and the waves,
Leaving my robe upon the ocean foam;
My footsteps pave the clouds with fire; the caves
Are filled with my bright presence, and the air
Leaves the green Earth to my embraces bare.
The sunbeams are my shafts, with which I kill
Deceit, that loves the night and fears the day;
All men who do or even imagine ill
Fly me, and from the glory of my ray
Good minds and open actions take new might,
Until diminished by the reign of Night.
I feed the clouds, the rainbows, and the flowers,
With their ethereal colors; the Moon's globe,
And the pure stars in their eternal bowers,
Are cinctured with my power as with a robe;
Whatever lamps on Earth or Heaven may shine,
Are portions of one power, which is mine.
I stand at noon upon the peak of Heaven;
Then with unwilling steps I wander down
Into the clouds of the Atlantic even;
For grief that I depart they weep and frown:
What look is more delightful than the smile
With which I soothe them from the western isle?
I am the eye with which the Universe
Beholds itself, and knows it is divine;
All harmony of instrument or verse,
All prophecy, all medicine, is mine,
All light of art or nature; – to my song
Victory and praise in its own right belong.
Art Literature Mythology Poetry Leave a comment
Watercolor and gouache on paper by John Singer Sargent, ca. 1898
The unpurged images of day recede;
The Emperor's drunken soldiery are abed;
Night resonance recedes, night walkers' song
After great cathedral gong;
A starlit or a moonlit dome disdains
All that man is,
All mere complexities,
The fury and the mire of human veins.
Before me floats an image, man or shade,
Shade more than man, more image than a shade;
For Hades' bobbin bound in mummy-cloth
May unwind the winding path;
A mouth that has no moisture and no breath
Breathless mouths may summon;
I hail the superhuman;
I call it death-in-life and life-in-death.
Miracle, bird or golden handiwork,
More miraclc than bird or handiwork,
Planted on the star-lit golden bough,
Can like the cocks of Hades crow,
Or, by the moon embittered, scorn aloud
In glory of changeless metal
Common bird or petal
And all complexities of mire or blood.
At midnight on the Emperor's pavement flit
Flames that no faggot feeds, nor steel has lit,
Nor storm disturbs, flames begotten of flame,
Where blood-begotten spirits come
And all complexities of fury leave,
Dying into a dance,
An agony of trance,
An agony of flame that cannot singe a sleeve.
Astraddle on the dolphin's mire and blood,
Spirit after Spirit! The smithies break the flood.
The golden smithies of the Emperor!
Marbles of the dancing floor
Break bitter furies of complexity,
Those images that yet
Fresh images beget,
That dolphin-torn, that gong-tormented sea.
Yeats certainly shares many traits with William Wordsworth, Percy Bysshe Shelley, John Keats, and other, nineteenth century precursors. Nevertheless, despite all the intensity of its emotion and the rich intricacies of its imagery, Byzantium is hardly the sort of effusive outburst one has come to associate with the ode; the speaker seems to be more engulfed in his vision than in any attempt to share its emotional quadrants with the reader.
Yeats never abandoned the Symbolist tradition that shaped him as a poet in his youth. Though Byzantium is a product of his later years, written well after he had transformed himself into a modernist poet, surely the chief device that gives the poem its other-worldly ambiance is the symbol.
Yeats's studies had taught him that the ancient Romans used dolphins to depict the spirit's voyage from this world to the next; that the starry dome was symbolic of the soul's astral destiny in the ancient mystery cults associated with Mithra and Orpheus; that a crowing cock carved on a tombstone was intended to ward off evil spirits and influences; that the Byzantine emperors had mechanical birds that sang to the delight of visitors; that the golden bough signifies that point at which the temporal and eternal mingle their mysteries.
Become Someone Else (Pick Your Hero)
Client: Mint Vinetu Bookstore (Lithuania)
Advertising Agency: Love Agency, Vilnius
Creative Director: Tomas Ramanauskas
Art Director: Gediminas Saulis
Copywriter: Tomas Ramanauskas
Photographer: Cyclopes-Photo.com
Advertisements Literature Photography Leave a comment
There Is No Book So Bad
"There is no book so bad…that it does not have something good in it."
Frankenstein reading Don Quixote
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Rejected By Those He Loved
Steel engraving for frontispiece to the revised edition of Frankenstein by Mary Shelley, published by Colburn and Bentley, London 1831. The novel was first published in 1818.Illustration by Theodor von Holst.
Frankenstein's monster finds Goethe's Werther in a leather portmanteau, along with two others—Plutarch's Lives of the Noble Greeks and Romans, and Milton's Paradise Lost. He sees Werther's case as similar to his own. He, like Werther, was rejected by those he loved.
Illustration Literature Poetry Leave a comment
Monsters and Marilyns
"CS Lewis once said "How monotonously alike all the great tyrants and conquerors have been". This was the primary thought behind the series Monsters and Marilyns. Throughout history Fascists, Communists, Marxists, and Socialists have murdered and oppressed those who were under their rule, yet popular culture and propaganda have tried to make these monsters into heros and icons. Twisting peoples memories and brainwashing them into an Orwellian nightmare.
Andy Warhol's silkscreen painting of Marilyn Monroe is one of the most iconic painting of the Pop Art Movement. Not many people know that the painting was meant to show the mask of popularity that a celebrity wears. On the outside there were different shades of happiness, but under all the paint and smiles there was something darker: depression, drug use, and suicide. I took this idea and reinterpreted it to speak truth into our popular culture. The hair and make-up from the Marilyn Monroe painting is placed on politicians, dictators, public officials, as well as old horror movie monsters that are liars, murderers, and tyrants. By doing this the statement is made that no matter how much popular culture or the mass media tries to dress up and beautify these people, they are still monsters. Saddam Hussein, Barack Obama, Frankenstein, Dracula, Stalin, Lenin, Che Guevara, Ho Chi Minh, Bill Clinton, Pin Head, Leather Face, Barney Frank, Mao Zedong, the Bride of Frankenstein, Hitler, Hannibal Lecter, Jack (the character from Stanley Kubrick's The Shining), and Jesse Jackson are only some of the people that I have Marilynized.
My goal is to force people to look past the media hype and celebrity masks of these people and see them for who they really are. Much like in George Orwell's masterpiece 1984, people are too willing to give up their freedom and liberty to be taken care of and protected by the Government. They will believe anything that they are told to believe even if they know its a lie because they do not want to know the truth. As a society, we want to be lied to, we want to think that everything is normal even when it is crashing down around us. We want to believe in people even though they give us empty promises and lies every time they open their mouths. We need to wake up and realize that lying to ourselves does not change reality. We must recognize and accept truth. The truth will set you free, but it will not make you sleep easy at night.
Therefore, by linking monsters to the mask-wearing Marilyn Monroe that Andy Warhol portrayed, I demonstrate that things are not what they seem. They are a mask, a lie, a perversion of the truth to allow people to lie to themselves in order to feel secure."
Jesse Lenz
Series by Jesse Lenz, 2009
Art Cinema Cross-dressing Literature Muses Politics Leave a comment
An Elegy on the Death of Keats and Brian Jones
Adonaïs: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. /ˌædɵˈneɪ.ɨs/, also spelled Adonaies, is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and most well-known works. The poem, which is in 495 lines in 55 Spenserian stanzas, was composed in the spring of 1821 immediately after 11 April, when Shelley heard of Keats' death (seven weeks earlier). The title of the poem is likely a merging of the Greek "Adonis", the god of fertility, and the Hebrew "Adonai" (meaning "Lord"). Most critics suggest that Shelley used Virgil's tenth Eclogue, in praise of Cornelius Gallus, as a model.
Dressed in a gender-bending white poet's robe, Jagger quoted Shelley in memory of bandmate Brian Jones at the Stones in the Park concert in 1969. Photo by Mike Randolph
Before an audience estimated at 250,000 to 300,000, Jagger read the following verses from Adonais:
"Peace, peace! he is not dead, he doth not sleep
He hath awakened from the dream of life
'Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings. — We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.
The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments. — Die,
If thou wouldst be with that which thou dost seek!
Follow where all is fled!"
Cross-dressing Literature Photography Poetry Leave a comment
More Delight than Fifty Common Years
"I almost wish we were butterflies and liv'd but three summer days – three such days with you I could fill with more delight than fifty common years could ever contain."
Bright Star: Love Letters and Poems of John Keats to Fanny Brawne
Mick Jagger of the Rolling Stones at the Brian Jones memorial concert at London's Hyde Park on 5 July 1969
Jones, founder and guitarist of the Stones, had drowned 3 July 1969 in his swimming pool. Mick Jagger read a short eulogy on stage before the Stones' set began, reading two stanzas of Percy Bysshe Shelley's poem on John Keats's death, Adonaïs, from a calf-bound book.
After this recital, several hundred cabbage white butterflies were released, despite the Royal Parks authority having stipulated before the concert that any butterflies released by the Stones should be sterilized and should certainly not be of the voracious cabbage white genus. 2,500 butterflies were due to be released, but due to the hot weather, many of them died from lack of air in storage. Charlie Watts later said that the butterflies "were a bit sad, there were casualties. It was like the Somme."
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The Most Amusing Package
Sticky Fingers cover. Front and back cover
When The Rolling Stones were recording material for their ninth studio album in the early days of the 1970s, the anticipation and expectations must have been daunting. The 60s had come to a definitive close for the band at the December 1969 Altamont Free Concert, where a member of the Hell's Angels (hired by the Stones as security) knifed a fan to death as the band played on. Five months prior, guitarist Brian Jones had overdosed and was found dead in his swimming pool at the age of 27.
Sticky Fingers was to be their first record of the new decade, their first without Jones, and the first for their newly formed label, Rolling Stones Records. The Beatles had just disbanded, leaving the group no serious rival. The band was presumably eager to maintain their bad-boy status, but at the same time distance themselves from the darker side of their image and move towards a more commercially viable controversy: sex.
Inside cover (LP format)
Knowing that the design of the album had to reflect this, and finally in control of their own marketing after leaving Decca records, Mick Jagger visited the Royal College of Art in London to find a design student to hire. He attended the degree show of John Pasche, and hired him to create a new logo for the group. The resulting lips and tongue logo, based on Jagger's large pout, was intended as "a protest symbol and [to] have an anti-authority feel to it really, so that it would work well with them being the bad boys of rock and roll," Pasche recently told MTV. This being the early days of rock band branding, the iconic logo never appeared on the cover of an album. It did, however, appear on t-shirts, mugs, key chains, buttons, belts and countless other promotional items, including recent urinals at the Rolling Stones Fan Museum in Germany.
The title "Sticky Fingers" was originally a working title for the second Mott the Hoople record. When the band decided on Mad Shadows instead, the Stones took the title, with the blessing of record producer Guy Stephens.
The cover graphic went through a number of possibilities, including having the band dressed in Victorian boating attire. Designer Craig Braun suggested releasing the album in a clear plastic jacket with heat-sensitive liquid crystals inside — "so you could make your own little Joshua Light Show". Another rejected idea was a mammoth foldout cover of Jagger's castle in the south of France (where the band had relocated to avoid paying taxes).
Theatrical poster
Then Jagger recalled that Andy Warhol had remarked to him at a party in 1969 that he thought it would be amusing to have an album cover feature a real zipper. There are differing accounts regarding the initial idea. Some credit songwriter Bob Goldstein, claiming that he proposed the idea for the cover of the soundtrack to Warhol's 1968 film Lonesome Cowboys. Goldstein wrote the title track, which is sometimes credited as being the very first 'disco' arrangement, and an entire LP was conceived, but never completed. Singer and Factory Superstar Ultra Violet has suggested that the idea was Warhol's and was intended for the film's promotional poster.
The Velvet Underground and Nico. Front cover
The Stones agreed that the image of a pair of jeans and zipper would allow the band to retain their 'outrageous' aura, but shift things away from the violent and "satanic" imagery, or what Braun called "the evil thing".
Warhol is credited with cover concept and photography, though some suggest Billy Name might've been behind the camera. Many assumed the cover model was Jagger, which he later denied:
Rolling Stone Magazine: There's underwear on the back. Is that you?
Mick Jagger: No. It's one of Andy's… protégés is the polite word we used to use, I think.
Andy Warhol, Man's Lower Torso, Clothed, 1971
Among the possible candidates, Jed Johnson, Warhol's lover at the time, denied it was his likeness, although his twin brother Jay was considered a possibility. But according to Warholstars site user, Stylissmo:
"Jay Johnson famously has only one testicle, Jed wasn't built like that… Corey Tippin was well known for his endowment… and was also known – along with his friend, the illustrator Antonio Lopez, for 'showing basket' – a real 70's kind of gay display that involved bulging crotches in tight jeans. Attendees at the Sticky Fingers release party mention that of the aforementioned possible models for the cover – only Corey Tippin was at the party. At any rate all this has been told to me in various pieces by Jay Johnson, Corey Tippin, Jane Forth, Paul Caranicas (director of Antonio's estate) and other characters who are still friends and living in and around New York." Also known as Corey Grant, Tippin was the make-up artist for Andy Warhol's L'Amour (1973) and Jay Johnson's best friend.
Warhol with Jay and Jed Johnson
Warhol and Corey Tippin
Factory Superstar Ultra Violet believes that dancer Eric Emerson "who used to walk around the Factory half-naked" is the cover model.
Andy Warhol and members of The Factory, Richard Avedon, New York, October 30, 1969. From left to right: Eric Emerson, actor; Jay Johnson, actor; Tom Hempertz, actor; Gerard Malanga, poet
Art writer and early editor of Warhol's Interview magazine, Glenn O'Brien's has also been named as possible model. He recalls:
"I remember Andy shooting me in my underwear at the Interview office for the Sticky Fingers cover. He paid me a hundred bucks. Fred Hughes kept saying, "Can't you make it any bigger."" In an introduction to an interview O'Brien conducted with Joe Dallesandro for the magazine a few years ago he wrote:
"I always felt a connection to Joe. We were two Warhol scenesters who liked girls. Also, he filled the jeans on the outside of The Rolling Stones' Sticky Fingers album, while I filled the briefs inside—our secret connection."
Without a definitive account of who the front cover model was, Joe Dallesandro seems the most likely. Dallesandro met Andy Warhol and director Paul Morrissey in 1967 while they were shooting Four Stars, and they cast him in the film on the spot. Dallesandro also appeared in Flesh (1968), Lonesome Cowboys (1968), Trash (1970), Heat (1972), Andy Warhol's Frankenstein and Andy Warhol's Dracula (both 1974) also directed by Morrissey. Flesh achieved some mainstream crossover success and Dallesandro became one of the most popular of the Warhol stars.
He explained to biographer Michael Ferguson, "It was just out of a collection of junk photos that Andy pulled from. He didn't pull t out for the design or anything, it was just the first one he got that he felt was the right shape to fit what he wanted to use for the fly."
Joe Dallesandro photographed by Warhol
The inner underwear photograph was a matter of necessity; designer Craig Braun realized there had to be an extra layer of cardboard to protect the record from the scratching of the zipper. Regardless of this, during shipment the zipper ended up pressing into the album stacked on top of it, invariably damaging the song Sister Morphine. Atlantic Records, whose subsidiary Atco Records were distributing the disk in the US, threatened to sue Braun for all the damage. After getting "very depressed and very high," he came up with the solution to pull the zipper down before the record was shipped. This way it would only damage the inner label, and not cause any song to skip.
The solution saved Sister Morphine, but not in Spain, where Francisco Franco's government deemed the song offensive and insisted it be removed from the disk. A Chuck Berry song Let it Rock, originally a b-side from the Brown Sugar single, replaced it. The drug references in the song were not the only concern for the Spanish censors, they also found the cover "too sexually explicit" so it was replaced with the "can of fingers" graphic, severed body parts being more socially acceptable than a man in pants. Many American department stores also found the cover inappropriate and initially refused to stock the disk.
Alternate cover (Spanish version)
For others, the problem with the packaging was not enough package: Wolfgang Fritz Haug, a now-retired professor of philosophy, took issue with the lack of payoff. In his book 1986 book Commodity Aesthetics (Chapter 3: "THE PENIS ENTERS THE COMMODITY ARENA") he writes:
"whoever buys the record, purchases with it a copy of a young man's fly, the package identified by the graphic trick which stresses the penis and stylizes the promised content. It is a reversal of the tale of the Emperor's new clothes: the tale of the buyer's new bodies. They buy only packages which seem more than they are…..the buyer acquires the possibility of opening the package, and the zip and finds… nothing."
These criticisms notwithstanding, the graphic is now considered one of the best album covers of all time. A Rolling Stone Magazine readers poll in 2011 voted it the 6th best album cover of all time. Warhol appeared twice in the top ten, the other being the tenth pic for his Velvet Underground and Nico cover. The recording itself made the #63 slot of another Rolling Stones Greatest Albums of All Time list and in 2003 the design was named by VH-1 as the best album cover of all time.
Jagger called the cover "the most original, sexy and amusing package that I have ever been involved with"
Andy Warhol was paid 15 000 pounds remuneration, which (using a crude conversion of currency and inflation) would amount to approximately $126,000 CDN today. The figure seems on the high side for album cover design, but he was apparently dissatisfied. Warhol biographer David Bourdon writes "In April the album sold a half-million copies, and Warhol liked to think that his cover contributed greatly to the success. 'You know', he later complained, 'that became a number one album and I only got a little money for that'." With the Stones being one of the biggest bands in the world at the time, and the record including the hit songs Wild Horses and Brown Sugar, it is doubtful that Warhol's cover disproportionately contributed to the financial success of the record. His equally acclaimed peelable banana cover for The Velvet Underground and Nico did not propel that record to any financial success – it spent only a few weeks on the Billboard charts, peaking at #171. It's influence would not be felt for years to come, leading Brian Eno to quip "The Velvet Underground's first album only sold a few thousand copies, but everyone who bought one formed a band." Warhol also complained about not receiving compensation for his production and cover graphic for that disk ("I never got a penny for that first Velvet's album").
The promotional photograph may have inadvertently invented what would later become the Sleeveface internet meme, with fans posing with album covers obscuring parts of their body.
Art Cinema Design Homoeroticism Music Photography Sleeve 2 Comments
Different of Himself
"Thou shalt not let thy cattle gender with diverse kind; thou shalt not sow thy field with mingled seed; neither shall a garment mingled of linen and woolen come upon thee."
LEV 19:19
There are three laws Yahweh gave Moses, rejecting unions and mixes practiced by pagan peoples and held by the Jews as aberrations. The first forbids creation of monstrous animals; the second is metaphorically taken to be the banishment of bisexuals. They carry a notion of impurity pointing to the spiritual confusion of the gentiles. Christianity, in turn, interpreted them as laws against wickedness.
These ancient prohibitions are engraved in some of our subconscious, and are the reasons for some of our atavistic fears expressed in "antinatural" visions of monsters and prodigies. These, at the same time, are images of temptation, like the hermaphrodite, the sphinx, the ram with a man's torso, the foetus begot by Frankenstein, today's eugenic beings and clones, creatures of undefined sex, marked beings.
Capricorn it is merely a zodiac sign that combines in its dual image the pull to the mountain (the goat) and the abyss (the fish). But read between the lines of our atavistic fear which the ancient prohibition fosters in us, this sign could also be a mating of two beast of different species, separated by a line: the ram and the fish, in other words… Satan and Christ.
The Shaman's Collection defies bisexuality or hemaphrodytism by attaining an open, almost graceful, almost levitating, almost superhuman asexuality, albeit carnally disquieting and vile. In sealing the male/female partition, the shaman transcends the duality that preys on common man, and sheds it as he would a corpse's shroud.
Medusa, on the other hand, shows the frightening evil version of the androgyne as a bald (masculine) and shaved (obscene) black-mass priestess sporting a fancy shawl at her bosom as if in contempt of the pious mantilla. A sliding drop of semen stains the picture, reminding us –more to our terror, we are not quite sure in what way– of that Levitical prohibition: "Thou shalt not wear a garment mingled of linen and woolen". We find ourselves facing the old supernatural horror that undoubtedly divides us into two: attraction and repulsion which makes us different from ourselves.
The bipartition of the picture we mentioned in the dividing line of Capricorn is also the axis of The Reverend Charles Lutwidge Dogson's Fantasies, in which Arturo Rivera alludes to Alice in Wonderland author Lewis Carroll's passion for photographing little girls. The child figure, now spurious and morbid, discovers her nakedness. She wrenches away the ample piece of clean cloth to reveal on her skin the line of an excrescence. Here, I should like to mention a "magic" experience that appears over and over in Arturo Rivera's painting: significant coincidence. I asked the painter whether the bat drawn in the upper part of this painting referred to Lewis Carroll's photographic studio, where, among an ample collection of toys and dolls for little girl's comfort, was a wing-flapping, flying bat the writer himself had made. No, said Arturo Rivera; he knew nothing about that bat. I record this as one of many coincidences that abound in this artist and his work. I have noticed a whole string of them, one after the other. They apparently are not motives at the same time necessary, and they bring me to a very enigmatic aspect of his painting: nature and the distribution of objects in his pictures.
Updating a myth rather than portraying symbols, the appearance of a wide range of figures like geometric bodies, plants, dissected animals, organs, etc. could hardly be considered a sign of a purely compositive or simply polysemic reasoning or ratio: These figure are synchronized. As in the bones that a soothsayer throws on the ground, or a flight of birds at the moment a question is asked, or the interpretation of a sacrificed animal's entrails, or the three coins disbursed with a consultation of I Ching, the essence is in the coincidence, not in cause. Reading and interpreting Arturo Rivera's pictures cannot, then, be based on artist's intentions so much as on the speculation the paintings inspire. As if before an oracle, one is looking at a conveyance of truth rather than a strict revelation of truth.
Three pictures bear me out on this: The Island of the Dead, an extraordinary conveyance of what Arturo Rivera saw in Arnold Böcklin's homonymous work, a vision. In North, bipartition again mates animals of different species, not to produce a monster but to depict a re-orientation, expressed here by the archetypical change of skin, and the image of mature man overcoming death and ascending to a higher plane of existence. Legatee, conveys androgyny offering milk from the breast. Arturo Rivera's paintings revive one of art's ancient functions: making the viewer experience something that surpasses him in space and time, keeping the myth alive.
Text by Jaime Moreno Villareal
Gesso colors on canvas
The Island of the Dead (Homage to Böcklin), 1997
Oil on paper/linen
North, 1997
Legatee, 1996
Water-colored pencil and water color on paper
Capricorn, 1996
Sanguine on paper
Saturn, 1997
Water color and oil on linen
The Empty Room, 1997
Gesso colors on paper
July 17, 1975, 1 p.m. : On the Docks of New York, 1996
Cold encaustic on canvas
Medusa, 1996
Oil on canvas/ wood
The Temptations of Saint Anthony, 1997
Egg tempera and oil with metal inlay on paper/wood
Epilogue, 1997
Gesso colors and oil on canvas
The Shaman's Collection, 1997
Reverend Charles Lutwidge Dogson's Fantasies, 1997
Arturo Rivera (Mexico City, 1945). Assiduous visitor as a child to the Chopo Natural History Museum, from an early age he coupled his taste for drawing with a passion for dissecting animals and studying bones. He studied painting at the Mexican National School of Plastic Arts, the San Carlos Academy (1963-68), and serigraphy and photoserigraphy at the City Lit Art School of London (1973-74).
Rivera traveled through South America and the Galapagos Islands. He lived four years in New York (1976-79), where he exhibited in the Francis Gallery and the Jack Gallery in Soho, as well as in the Walton Gallery in Chicago. In 1979 he met the Surrealist painter Max Zimmermann who invited him to be his assistant for the courses he was giving in the Kunstakademie of Munich. There he increased his knowledge on traditional painting techniques and how to handle them. During his stay in this city (1980-81), he exhibited in the Haus der Kunst. Rivera returned to Mexico in 1981 at the invitation of Fernando Gamboa to exhibit in the Museum of Modern Art (1982). Since then he has had a number of one-man exhibitions in Mexico and cities abroad.
Anthropology/Sociology Art Cross-dressing Homoeroticism Key Motif Literature Mythology Nature Photography Religion Vanitas Leave a comment
Tales of Doom and Gloom
The video was strategically released when some people were afraid of Mayan prophecies about the world ending. The opening shots of the video images of an Atomic explosion, images of war, and critics to the wrong side of consumerism like a "hellfire and brimstone" preacher would do in front of subdued churchgoers is nothing, if not perfectly timed.
The Rolling Stones' Doom and Gloom video was conceptualized by costume designer and fashion stylist Susie Coulthard, who from 1994 to 2001 designed and built costumes for London's acclaimed Hull Truck Theater. Among the more notorious plays she designed were Tennessee Williams' Glass Menagerie; William Shakespeare's Macbeth and Romeo & Juliet; Mary Shelley's Frankenstein. All of this was accomplished while she studied for her degree in fashion and as she opened her first shop, which she had done by the time she graduated (with honors). She also designed contemporary and period dramas for the BBC. Coulthard supports what is referred to as "ethical fashion" and her editorials have been published in glossies like Wallpaper*, Tatler and 125.
Her design roster includes work with visionary musicians such as Mark Ronson, Dame Shirley Bassie, Kaiser Chiefs, Siouxie Sioux and The Kooks, just to name a few. She has been nominated twice at the UK Music Video Awards, winning Best Stylist for Cops and Robbers performed by The Hoosiers. She has also performed art direction for The Libertines.
Make-up artist Darren Evans assisted Coulthard in capturing all the unique looks that Swedish actress Noomi Rapace rocks throughout the visually stunning video . Rapace is best known for playing the angry heroine, Lisbeth Salander, from the Millenium film series, (The Girl with the Dragon Tattoo; The Girl Who Played with Fire; The Girl Who Kicked the Hornet's Nest).
Listening to Mick Jagger singing lyrics railing against capitalism is certainly ironic. A protest song doesn't ring true coming from Sir Mick's mouth but we appreciate his good intentions and are reminded of Salvador Dali's statement "…Picasso is a communist, neither am I".
D.A. Pennebacker titled his documentary, which featured Bob Dylan and Allen Ginsberg as special guests, "Dont Look back." It may be the best advice for curing any homesick feelings. On the other hand, it's hard for a rebel – no matter what age they are- to take any advice into consideration.
We should remember, Doom and Gloom is almost at the end of the track list of a compilation album and as such it offers us a perspective of the RS' lifetime. There are resemblances to the friends who collaborated with them, by instance, Andy Warhol (Have you noticed the t-shirt wore by Noomi?) and moments made famous or successful by the Stones. The opening riff of Doom and Gloom has a taste of Brown Sugar with a twist of Jumpin' Jack Flash, (a song which was the departure of Beggar Banquet's concept), although finally wasn't chosen for the album. Visually we can feel a likeness to the artwork from that classic Stones' album.
In 2005, Swedish Jonas Åkerlund directed the first music video for the Stones', Rain Fall Down; a single from A Bigger Band. Darkness, filth, pessimism, diluvium and graphic content related to war or sex… those are his remarkable hallmarks. Come Undone (2003) by Robbie Williams; Ray of Light (1998) and American Life (2003) by Madonna; Try, Try Try (2000) by The Smashing Pumpkins; et al. Mick Jagger himself was featured as an actor in the dystopian Sci-Fi movie, Freejack (Geoff Murphy, 1992).
Costume Design Muses Music Sleeve Styling Leave a comment


Hi, this is a sponsored story! I'm glad you are here, take a read through and let me know what you think of the outfits I found! You can find my full disclosure at the bottom of this post.
Do you have a color hue that you have been wanting to add to your wardrobe but have been a little hesitant? That is how I have been with the coral/peachy spectrum sensation. Since my skin is so fair, I have been fearful to try such delicate yet bold colors. But then I look at the latest fashion trends on Pinterest and I have found myself pinning more and more of these colors, especially paired with white. Oh white, talk about another color I am scared to wear. Not because of the color itself but because I seem to always get something on my clothes.
In just a couple of weeks it will be Mother's Day. The kids and I used to have a tradition where we would travel to Sedona, AZ for the weekend. We haven't done that in a few years and I miss it so much, I have been planning a trip back this year. I decided to spoil myself for an early Mother's day present and buy some new clothes for Mother's Day weekend. I went shopping at Sears and found myself falling in love with these colors in person. There were so many bright orange hue colors that I just loved. Plus Sears has affordable fashions, perfect for this mom's budget!
My first find was a sheer top in a bright coral color for only $10.99! I wasn't sure how I would feel about the high low top but I actually love it, especially since it will cover the top of the white skinny jeans! Yes, I bought a pair of white skinny jeans. The deal was too good, only $12.99! Plus they fit perfectly in my opinion!
My next find was this maxi dress. A little background on my love/hate relationship with maxi dresses. I love them, I think they look gorgeous on women. My problem is that typically they are a knit material and they "gather" in the middle of my body which is not an area I want to draw attention to. I was happy to find this belted maxi that was 55% off and was not a knit! This dress was only $21.99!
I also treated myself to a necklace/earring combo set from Sears that would pair perfectly with both outfits.I absolutely love the spectrum of blue/turquoise! All in all I spent only around $51 for 2 complete outfits and the accessories thanks to the fabulous sales at Sears and the Shop Your Way Rewards program. It's a program that gives you a certain percentage of your purchases back to use on a future purchase! I love when there are bonus points on certain items too!
Of course there are some other things I have been eyeballing like new cowboy boots. Check out these boots from Sears! While real deal cowboy boots are out of my budget for now but maybe someone will get me a pair for Mother's Day *hint hint*.
I actually found a cute pair of heeled boots for $29.99!
Here's a clever tip: Never shop looking at the hanger for sizes. I should know better, I really should. I had to go back and exchange my shirt because it was 2 sizes off! Remember to examine the clothes, even better take a minute or two to try them on and save yourself all kinds of trouble.
You look fabulous!! I really love the maxi dress, the color is perfect on you. I never used to shop at Sears for clothes, but I do now because they have great stuff!
As a Texan, I like the cowboy boots the most.
I love these fun outfits you put together from Sears! And the coral color looks great on you and is so on trend right now. I think I need to take a trip to Sears very soon!
You look amazing in that color and I adore that dress!
Great color choice and those boots are amazing at $29.99! Makes me want to go shopping right now.
I don't know which piece I love the most! Those boots are pretty awesome and would work so well with so many of the pieces I already have!


Imagine it's National Hugging Day and you miss it! With this ad-free app you'll never miss any of these federal and funny holidays! Of course all federal holidays are the basic component of the app, so you'll never find yourself all alone at work... Apart from that there is information about official awareness days and commemoration days as well as about religious feasts, seasons, lunar phases, school holidays, beginning of seasons, bridge days, and daylight saving time. Also, loads of crazy fun holidays and delicious food holidays wait to be discovered.
After starting the app all holidays and events of the day are presented to you neatly arranged in a list. Additionally there is an appealing picture, fitting one of the holidays from the list. Within this pro-version you can also deactivate pictures to save bandwith. You can jump back and forward in the calendar or you can use the datepicker to jump directly to any date you wish – like for example your birthday. If you like to find out more about a certain event you can navigate to some brief information. You can open single events and find more information, share it with friends, browse the very category or transfer the event to your personal calendar.
Another exclusive pro-version feature are the name days of the current date and a quote or saying for each day. Decide, which additional information shall be provided for you by using the settings. You can choose from cinema releases, concerts & festivals, fairs & congresses as well as funfairs. Only with the pro-version you get access to the last 500 days and can discover the next 500 days – instead of 300 days, using the free app. More information is provided on our website www.cute-calendar.com.
• Shows current events and holidays in a list after starting the app.
• Overview of public holidays and school holidays.
• Daily calendar: date, Islamic and Jewish calendar, sunrise/sunset and the zodiac sign of the date.
• Detailed information about any event (short description).
• Selection of certain dates with the datepicker.
• Sharing of holidays by e.g. WhatsApp, Facebook, Snapchat, Twitter, Threema, Bluetooth, Google+, SMS or e-mail.
• Category overviews show the next holidays of a certain type of event.
• Individualizing of the event screen in the settings by choosing cinema releases, concerts & festivals, fairs & congresses as well as funfairs.
• Transferring events to personal calendar.
• Add personal calendar notes to the overview.
• Push-notifications for the recent day.
Không có đánh giá nào trên Cute Calendar PRO, hãy là người đầu tiên!


This section is about the raku workshop we offered on September 24, 2005. If you have a topic that you would like covered or a presenter you would like to see, please let me know.
at MISSA. Below are three pots that were fired during the workshop.


On occasion, motivational golden texture flower yellow abstract image drawing can assit for you to go through your bad feels. The original, brilliantly photoshoped golden texture flower yellow abstract image drawing can change your atmopshere and creates sensation for you to be perfect. There are assorted recommends in desktop ilustrations, but you can choose few of them as claimed by your soul and enchant. You need to download image drawing, prepared for your poor days or sorrowful afternoons and download collection of feeling turning desktop ilustrations to have for your mini computer? We got abnormal amount of premium class, perfect resolution and high definition desktop ilustrations to recommend from that you believably will truly like.


text:
Q: Why OpenMP runs only with one thread? I started to learnd MPI, and i try to run a simple MPI programm from VS Unit Test.
Version:Visual Studio 2017 (v141)
 Processor: Intel Core i3 CPU 540 @ 3.07GHz, 2 cores
 Everythin set to 64

 #include "stdafx.h"
#include "CppUnitTest.h"
#include <xmmintrin.h> // Contain the SSE compiler intrinsics
#include <intrin.h>
#include "mathutils.h"
#include "stringbilder.h"
#include <ctime>
#include <intrin.h>
#include <omp.h>
#include <sstream>

using namespace Microsoft::VisualStudio::CppUnitTestFramework;
using namespace std;

namespace tensorlearn
{
    TEST_CLASS(noob_tutorials2) {

public:
    TEST_METHOD(OMP_HEllo)
    {
#ifdef _OPENMP
        if (_OPENMP >= 201107) {
            Logger::WriteMessage("Openmp supported");
        }
#endif

#pragma omp parallel num_threads(4)
        { stringstream ss;
        ss << "hello from MPI: thread " << omp_get_thread_num() <<
            " of " << omp_get_num_threads() << " \n";
        Logger::WriteMessage(ss.str().c_str());
                /* barrier and join*/
        }
        Logger::WriteMessage("barrier and join");
    }

    };
}

Howewer i got  like there is only one thread running:
hello from MPI: thread 0 of 1
barrier and join

I checked the configuration of the project:

*

*in additional Include Directories:
$(MSMPI_INC);$(MSMPI_INC)\x64;$(VCInstallDir)UnitTest\include;%(AdditionalIncludeDirectories)

*Enable Sdl Check and Multi-Processor compilation

*Linker additional dependencies : msmpi.lib;%(AdditionalDependencies)

*Linked additional library dependencies $MSMPI_LIB64;$(VCInstallDir)UnitTest\lib;%(AdditionalLibraryDirectories)

What can it cause - did i forget something, or maybe its because of starting from unit tests?
I launch it not from command promt but from the VS -> "run selected test", is that a problem?
Also ,_OPENMP is not set

redpajama_set_name: RedPajamaStackExchange


text:
namespace juce
{

AudioProcessorEditor::AudioProcessorEditor (AudioProcessor& p) noexcept  : processor (p)
{
    initialise();
}

AudioProcessorEditor::AudioProcessorEditor (AudioProcessor* p) noexcept  : processor (*p)
{
    // the filter must be valid..
    jassert (p != nullptr);
    initialise();
}

AudioProcessorEditor::~AudioProcessorEditor()
{
    splashScreen.deleteAndZero();

    // if this fails, then the wrapper hasn't called editorBeingDeleted() on the
    // filter for some reason..
    jassert (processor.getActiveEditor() != this);
    removeComponentListener (resizeListener.get());
}

void AudioProcessorEditor::setControlHighlight (ParameterControlHighlightInfo) {}
int AudioProcessorEditor::getControlParameterIndex (Component&)                { return -1; }

bool AudioProcessorEditor::supportsHostMIDIControllerPresence (bool)           { return true; }
void AudioProcessorEditor::hostMIDIControllerIsAvailable (bool)                {}

void AudioProcessorEditor::initialise()
{
    /*
      ==========================================================================
       In accordance with the terms of the JUCE 6 End-Use License Agreement, the
       JUCE Code in SECTION A cannot be removed, changed or otherwise rendered
       ineffective unless you have a JUCE Indie or Pro license, or are using
       JUCE under the GPL v3 license.

       End User License Agreement: www.juce.com/juce-6-licence
      ==========================================================================
    */

    // BEGIN SECTION A

    splashScreen = new JUCESplashScreen (*this);

    // END SECTION A

    setConstrainer (&defaultConstrainer);
    resizeListener.reset (new AudioProcessorEditorListener (*this));
    addComponentListener (resizeListener.get());
}

//==============================================================================
void AudioProcessorEditor::setResizable (bool allowHostToResize, bool useBottomRightCornerResizer)
{
    resizableByHost = allowHostToResize;

    const auto hasResizableCorner = (resizableCorner.get() != nullptr);

    if (useBottomRightCornerResizer != hasResizableCorner)
    {
        if (useBottomRightCornerResizer)
            attachResizableCornerComponent();
        else
            resizableCorner = nullptr;
    }
}

void AudioProcessorEditor::setResizeLimits (int newMinimumWidth,
                                            int newMinimumHeight,
                                            int newMaximumWidth,
                                            int newMaximumHeight) noexcept
{
    if (constrainer != nullptr && constrainer != &defaultConstrainer)
    {
        // if you've set up a custom constrainer then these settings won't have any effect..
        jassertfalse;
        return;
    }

    resizableByHost = (newMinimumWidth != newMaximumWidth || newMinimumHeight != newMaximumHeight);

    defaultConstrainer.setSizeLimits (newMinimumWidth, newMinimumHeight,
                                      newMaximumWidth, newMaximumHeight);

    if (constrainer == nullptr)
        setConstrainer (&defaultConstrainer);

    if (resizableCorner != nullptr)
        attachResizableCornerComponent();

    setBoundsConstrained (getBounds());
}

void AudioProcessorEditor::setConstrainer (ComponentBoundsConstrainer* newConstrainer)
{
    if (constrainer != newConstrainer)
    {
        constrainer = newConstrainer;
        updatePeer();

        if (constrainer != nullptr)
            resizableByHost = (newConstrainer->getMinimumWidth() != newConstrainer->getMaximumWidth()
                                || newConstrainer->getMinimumHeight() != newConstrainer->getMaximumHeight());

        if (resizableCorner != nullptr)
            attachResizableCornerComponent();
    }
}

void AudioProcessorEditor::attachResizableCornerComponent()
{
    resizableCorner = std::make_unique<ResizableCornerComponent> (this, constrainer);
    Component::addChildComponent (resizableCorner.get());
    resizableCorner->setAlwaysOnTop (true);
    editorResized (true);
}

void AudioProcessorEditor::setBoundsConstrained (Rectangle<int> newBounds)
{
    if (constrainer == nullptr)
    {
        setBounds (newBounds);
        return;
    }

    auto currentBounds = getBounds();

    constrainer->setBoundsForComponent (this,
                                        newBounds,
                                        newBounds.getY() != currentBounds.getY() && newBounds.getBottom() == currentBounds.getBottom(),
                                        newBounds.getX() != currentBounds.getX() && newBounds.getRight()  == currentBounds.getRight(),
                                        newBounds.getY() == currentBounds.getY() && newBounds.getBottom() != currentBounds.getBottom(),
                                        newBounds.getX() == currentBounds.getX() && newBounds.getRight()  != currentBounds.getRight());
}

void AudioProcessorEditor::editorResized (bool wasResized)
{
    // The host needs to be able to rescale the plug-in editor and applying your own transform will
    // obliterate it! If you want to scale the whole of your UI use Desktop::setGlobalScaleFactor(),
    // or, for applying other transforms, consider putting the component you want to transform
    // in a child of the editor and transform that instead.
    jassert (getTransform() == hostScaleTransform);

    if (wasResized)
    {
        bool resizerHidden = false;

        if (auto* peer = getPeer())
            resizerHidden = peer->isFullScreen() || peer->isKioskMode();

        if (resizableCorner != nullptr)
        {
            resizableCorner->setVisible (! resizerHidden);

            const int resizerSize = 18;
            resizableCorner->setBounds (getWidth() - resizerSize,
                                        getHeight() - resizerSize,
                                        resizerSize, resizerSize);
        }
    }
}

void AudioProcessorEditor::updatePeer()
{
    if (isOnDesktop())
        if (auto* peer = getPeer())
            peer->setConstrainer (constrainer);
}

void AudioProcessorEditor::setScaleFactor (float newScale)
{
    hostScaleTransform = AffineTransform::scale (newScale);
    setTransform (hostScaleTransform);

    editorResized (true);
}

//==============================================================================
typedef ComponentPeer* (*createUnityPeerFunctionType) (Component&);
createUnityPeerFunctionType juce_createUnityPeerFn = nullptr;

ComponentPeer* AudioProcessorEditor::createNewPeer (int styleFlags, void* nativeWindow)
{
    if (juce_createUnityPeerFn != nullptr)
    {
        ignoreUnused (styleFlags, nativeWindow);
        return juce_createUnityPeerFn (*this);
    }

    return Component::createNewPeer (styleFlags, nativeWindow);
}

} // namespace juce

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