The name given to the lines on an orienteering map that show there is a hill is contour.
This PE quiz is called 'Adventurous Activities' and it has been written by teachers to help you if you are studying the subject at elementary school. Playing educational quizzes is an enjoyable way to learn if you are in the 3rd, 4th or 5th grade - aged 8 to 11.
When you are outdoors, it's important to keep yourself and those you are with safe, and there are skills needed for these activities. It's so easy to wander off the beaten path because you've spotted something exciting or interesting. Before you know it, you could be very lost and not be able to find your way home.
See if you can get full marks in this quiz and enjoy your outdoor pursuits!
How should large pieces of equipment be moved?
How should you behave in a playground?
What is the name given to the activity of following maps and trails?
What are the two most important pieces of equipment when orienteering?
In which direction should you orientate your map?
What color is a building on an orienteering map?
What color is a lake on an orienteering map?
What is the name given to the lines on an orienteering map that show there is a hill?
When should you orientate your map?
Where should you place your thumb on the map?


Thank you for visiting Mucho, The Gourmet Sandwich Shoppe. We are a family owned and operated restaurant, proud to be serving Santa Fe the finest gourmet sandwiches for the past 21 years.
We have received multiple awards from The Santa Fe Reporter over the years for the "Best Sandwich" category as voted on by you, our customers. Our services include: Phone Call-In, Delivery, In-Door and Patio dining, & Catering services for your next party or company event.
For your convenience , we accept all major credit cards, Business checks, and we also have Corporate Accounts available. We would like to thank you in advance and look forward to serving you soon.


Welcome to Holly Lodge, Longhorsley.
SPECTACULAR ECO HOUSE! This recently constructed SIPS built house is the ideal home for the eco friendly family.
Located 3 miles outside of the popular village of Longhorsley with local shops, school and village pub. Built on a 1/4 acre plot with years of planning and attention to detail rarely seen on a self build property. Designed with the environment in mind and finished a high standard.
Briefly comprising of entrance hallway with exposed oak stair case. Reception room with 2 storey windows, vaulted ceiling and mezzanine gallery. Modern kitchen, utility room, cloakroom with WC and amazing bathroom with double height ceiling over a glass shower area. Two double ground floor bedrooms with a further large double and shower room to the first floor. Potential for a further 2 bedrooms to the first floor with little effort required.
Externally offering large triple garage, driveway and gardens with mature trees and decked area to make the most of the countryside views of the cheviot hills. A truly unique property only to be understood by visiting.


Fred Evans signed a 1 year, $1,000,000 contract with the Minnesota Vikings, including an average annual salary of $1,000,000. In , Evans will earn a base salary of , a signing bonus of , a roster bonus of , a signing bonus of , a restructure bonus of , a workout bonus of and a incentive bonus of , while carrying a cap hit of and a dead cap value of .
To see the rest of Fred Evans contract information, plus gain access to all of Spotrac's Premium tools, sign up today.


Many of us don't take good care of the air inside of our cars and we need car air purifiers. It seems that in no time at all amongst our busy lifestyle we leave empty water bottles, fast food bags, and who knows what else littered over the floors and seats. It creeps up on us and we find ourselves to the breaking point when we don't have a place to put our feet when we get inside.
It is easy enough to know when to clean out all of this trash – but not so easy when it comes to removing the many smells that enter the car. Between the things we bring into the car mixed in with the pollutants in the outside air the inside of your car is bound to have a crazy smell every now and again. One of the best ways that you can remove these smells is to have car air purifiers.
It is true that cars are built with special air filters – but these will only filter the air that is entering into the car. This keeps dust and debris from entering into the car – but they do not take care of the smaller and slightly more dangerous particles contained within the air. However, using the right type of car air purifier will help you and your children to breathe better. Especially those who have allergies or other breathing problems.
A car air purifier works in the same way that other air purifiers do. They will filter out the dust, mold, fumes, odors, and gases out of the air that is entering into the car. This reduces how bad your car will become filthy (due to dust) and helps to keep the air clean and fresh. The difference between a car purifier and a regular home air purifier is that the one for cars is portable.
You have the option of placing the car air purifier anywhere that you want. Most are built with special straps that allows it to connect to the neck of seats. Others may be built with clips that will secure it to the door. But the most common will sit in between the seats and will be out of the way of people and their things.
There are many different types of car purifiers to choose from including the popular Ionic model. Though they might differ in their size and efficiency and price they all work the same way.
Car Air Purifiers is ©2006-2019 BlogSavy.com, all rights reserved.


HCM CITY — The HCM City Public Transport Management Centre has launched a pilot programme to use fingerprint scans on school buses to enable schools to better manage school ridership.
The Nguyễn Bỉnh Khiêm primary school in District 1 will initially implement the programme with 37 students on four 16-seat buses operated by the Youth Volunteers Public Services single-member limited liability company.
Lâm Hồng Lãm Thúy, the school principal, said, because of privacy concerns, she must receive parents' approval before the centre collects students' fingerprints.
Trần Chí Trung, head of the centre, said fingerprint scans were widely used in businesses, mainly for employee attendance checks, but this was the first time the technology had been applied in transport in the city.
The use of fingerprint scans makes it easier for the school to check attendance by bus than by the traditional way when students are counted when they hop off and on the bus.
The city has around 2,000 schools with a total of 2 million students. Trung hopes that with this programme the number of students going to school by bus will increase.
A principal of one primary school told Thanh Niên (Young People) newspaper one of the biggest concerns is privacy because the students' name, date of birth and fingerprints are collected and stored in the centre's system.
The principal, whose name was not revealed, said schools and parents would accept the programme only if the centre and technology company committed to data security and did not use the data for other purposes.
Trung said after assessing the impact of the programme, the centre would expand it to all schools in the city.


One of the most exciting things to do in life is to purchase something and call it your own. When you purchase a property, it is so much more than calling it your own; It is an investment and it could also be a form of securing your future financially. The MUXE team recognizes that buying a property is very exciting but, when the purchase is complete, the buyer may feel negatively overwhelmed. The buyer faces a dilemma where they ought to be happy about what they have purchased; otherwise, it was a waste of time and money.
For example, there are situations in the United States where the buyer is ready to purchase a property and they decide to put down an Earnest Money Deposit (EMD). For some reason, the buyer may feel uncomfortable about the property purchase and they decide to retract their contract. Unfortunately, according to the earnest money deposit rules, the buyer will lose their EMD. They end up facing the consequence of either losing their EMD or they are coerced into purchasing a property they do not want, just so they do not lose their deposit.
The cost of purchasing a property involves time, money, and emotional strain. The MUXE team has a high regard for the purchaser of the property and we want them to feel confident in finding the property they desire. The buyer should not have to be caught in a "catch 22" situation. Meaning, they want to purchase the property because of all the benefits it comes with, however, they do not want to stress out about the buying process.
With the Peer-to-Peer (P2P) solution we are offering, the buyer will have the option to contact the seller and formulate a plan on how they want the property purchase to occur from start to finish. We prefer that the buyer has a multitude of options but not too many where they cannot make a decision; inevitably reducing the cost of the buying or selling process.
Blockchain technology is gradually making its presence in all types of industries. There have been several big-name news sites that have highlighted the significance of real estate and blockchain. As most of us understand, the real estate market is already complicated and now the use of 'blockchain' technology only makes is sound a lot more 'techie'.
From MUXE's perspective, we understand that most people would not understand why anyone would include blockchain technology in real estate and why it makes real estate less complicated. Blockchain was basically created to reduce risk and to cut costs for everyone involved in it.
Let's face it, despite blockchain making things easier and cost effective, real estate is still complicated. Our goal is to make the understanding of the real estate market easier than most people would assume. The MUXE team has started a project with every user in mind, especially individuals who cannot afford to sell their home because they have to pay many recurring listing fees. MUXE is offering listings for free*. There will be no need to pay relisting fees.
Everyone deserves the opportunity to have a fair chance in the real estate market. Why does it only have to benefit people who can afford it? On the other hand, for the investors who can afford to operate in the real estate market, they can present an opportunity to someone who may not be aware of the kinds of properties that are available at their fingertips. This is why we are making our real estate listing platform accessible to everyone who may want to relocate or invest in a property they see fit.
We find that different areas of the real estate market tend to be discriminative against people of different backgrounds and experiences. We want everyone to have the opportunity to afford a place to call their own; whether the property seems as if its unaffordable or not. Studies have shown that property owners have buyer's remorse due to the substantial fees they pay. MUXE wants to change that for the global community and we accept the challenge.
For more on muxe, visit our homepage www.muxe.io/ and you can check out our Core Values at www.muxe.io/organisation. We currently have a PRE ICO going on, feel free to participate in the Real Estate Revolution and help us make a difference for everyone.
*There are 5 packages on the MUXE Real Estate Listing Platform. The basic package is free.
We have a New Logo !
We are happy to announce that we are finally able to showcase our new logo! It is certainly more representative of how dynamic we are and how far we have come. In about a month, we have accomplished so much and we are so close to finishing our new feature updates for our MUXE platform.
Our new logo features four symbolic colors with different shades of vibrant orange and a bold color of black. If you look closely within the logo, you will notice a small outline of a home in the corner of the emblem. This symbolizes the perspective that we have for how users will enjoy the user-friendly platform, with a clear understanding of what the user may be searching for.
Though some concerns have been raised about MUXE, we strive to portray an identity like no other. We want everyone to understand that we are a legitimate company with legal rights and we are authentic. MUXE is completely different from any other organization.
Our primary focus is communication, transparency and the ability to great deliver results. We are an organization of people with various experiences and expertise with a vision of helping clients and modernizing the way of buying and selling property. Everything we do embodies what we represent and we are very excited for the road ahead of us.
Now that we have a better logo that represents us, we can really dig deep into making our MUXE platform much better and more interactive. We would love to hear more about what you think and any suggestions that you deem important are welcome. You can communicate with us and view our new and improved logo at muxe.io/forum or follow us @MUXEproject.
Stay informed with more announcements and updates. You have to admit, it is fun seeing something growing from nothing!
can market globally and offer more investors more opportunities while simultaneously offering the sellers more chance to sell their property. This becomes a win-win for both sides as quicker matching of buy and sell sides will keep money flowing and will allow people to cash in on their investments quicker than usual in the Real Estate Listings market. In addition, people can buy and sell with more methods than usual with the option to pay in cryptocurrency. The MUXE team believes that cryptocurrency is not going anywhere anytime soon and therefore plan our Real Estate listings platform long-term. MUXE hopes to ensure clients the best experiences and the best quality in Real Estate listings. The White paper will go in-depth about the types of listing products we will offer and the philosophy driving our business. In addition to that, MUXE will also make sure that clients know exactly what product they are getting. Transparency and clarity is very important to us.
In addition to the White paper, we will also list a roadmap that to us is very realistic. We even scaled the road map back a bit to ensure that we did not miss deadlines. MUXE believes in credibility as well as achievement, if we cannot meet the goals we set for ourselves how can we credibly say that we will create a valuable product for our investors and clients?
It goes without saying that the best products are the ones that require less effort to maintain in the day to day and the most focus on client satisfaction. That will ultimately make ours a great platform that people will be able to use easily and with confidence knowing someone is there for them in case they need it. That is our goal from a business perspective.
MUXE also wishes to further cryptocurrency as a whole. To do this we are creating a product that will add value to the crypto market. We feel that Real-Estate listing is still a relatively untouched market in crypto and will lead to significant advances as we move forward and hopefully people will accept crypto as a normal means of transacting in Real Estate. That is our goal for the future.


text:
All good things in time (I know we'll be fine) (2080 words) by targaryen_melodrama
Chapters: 1/1
Fandom: Marvel Cinematic Universe, Captain America (Movies)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Steve Rogers/Sam Wilson, Minor or Background Relationship(s), James "Bucky" Barnes/Sam Wilson, James "Bucky" Barnes/Steve Rogers
Characters: Sam Wilson (Marvel), Steve Rogers, James "Bucky" Barnes
Additional Tags: POV Sam Wilson, Pre-Serum Steve Rogers, Not Avengers: Endgame (Movie) Compliant, the two other relationships are basically just alluded to- SamSteve is the main pairing
Summary:
"You came back."

Sam had known, consciously, what had happened, what Steve had traded to get Natasha back. He'd known what it would and wouldn't look like, how he should and shouldn't react considering he was a goddamn counsellor. He just hadn't know what it would feel like.

"Told you I would," Steve says with a small smile. "You thought I'd lie about something like that? And I had quite a lot to come back to. To come back for."

Fandoms:
Captain America (Movies)
James "Bucky" Barnes/Sam Wilson
POV Sam Wilson
the two other relationships are basically just alluded to- SamSteve is the main pairing
All good things in time (I know we'll be fine)
targaryen_melodrama
"You came back."
Sam had known, consciously, what had happened, what Steve had traded to get Natasha back. He'd known what it would and wouldn't look like, how he should and shouldn't react considering he was a goddamn counsellor. He just hadn't know what it would feel like.
"Told you I would," Steve says with a small smile. "You thought I'd lie about something like that? And I had quite a lot to come back to. To come back for."
Several people/posts on tumblr headcannon that [spoiler alert for Endgame if you somehow still haven't seen it/avoided spoilers] Steve doesn't actually go through that time machine thingy and comes back old, but that he gets de-serumed/pre-serum. This is the universe this fic is set it.
Not beta'ed, feel free to point out typos etc.
(See the end of the work for more notes.)
Work Text:
It's Steve's eyes that do it.
Sam didn't really have the time to take a good look at him during the battle, or during the aftermath. After the literal dust had cleared, he'd immediately headed home, like most of the human, Avenger-adjacent folks. He got dropped off in Atlanta an hour later and spent the week between then and the funeral with his family.
He'd have shown up to Tony's funeral even if he wasn't asked to because it would've been the thing to do, but it felt even more important after getting a call from Rhodey, who hadn't been asking so much as confirming that he'd be there.
The service itself was short and sweet, and that much more bearable with Bucky by his side, but the ease and comfort Sam had felt went out the window after the funeral, the moment he spotted Steve and properly looked at him.
He'd known, consciously, what had happened, what Steve had traded to get Natasha back. He'd known what it would and wouldn't look like, how he should and shouldn't react considering he was a goddamn counsellor.
Sam just hadn't know what it would feel like.
The breath isn't knocked out of him so much as it leaves his lungs slowly and steadily. Like his heart had panicked, not really understanding what he was seeing, but his brain had slowed it all down, knowing that this wouldn't ultimately change a thing. Not between them, anyway. Not in a way that matters.
What truly calms Sam down though, what lets him push insecure and worried thoughts to the side, is Steve's eyes.
They're the only thing that hasn't changed, and they're on him as soon as he steps into view to sit next to Steve on the bench, warm, ocean blue, and comforting.
Loving, Sam thinks, which is how he knows he's rattled. He rarely ever lets his delusions about Steve go that far.
"Told you I would," Steve says with a small smile. "You thought I'd lie about something like that?"
"No," Sam says, "no, I— I don't know what I thought," he explains, because it's true.
"It wouldn't have been right," Steve says. His eyes are on the horizon, his voice is far away. He's speaking to himself, mostly, Sam thinks, at least until he says, "and I had quite a lot to come back to. To come back for."
Sam smiles, even as his heart twists in his chest. "I wouldn't quite call Barnes that," he lies, "but you know. To each their own."
There those eyes are again. Inquisitive, searching Sam's face. Steve must've found what he was looking for, because he settles back on the bench, moves closer to Sam and reaches for his hand.
"I knew I had a lot to come back for," Steve murmurs. His thumb is stroking Sam's knuckles, and Sam's not sure what gets to him the most: the unfamiliar feel of boney fingers and dry skin, or the fact that those fingers are touching him in a way they only do after a mission, when they both need to be out of their heads. "But I needed— I need to figure out how to do it. How to come back."
Sam nods. He's not quite sure where Steve's going with this.
"I can still help, I can still... do some good in the world. Just not like I used to, but I don't think that's a bad thing. It just means that this part of my life is over. For me."
"Okay." Sam nods. He's still confused, but that doesn't mean he can't be supportive. "I'm happy for you, Steve," he adds, and means it.
"Thank you." Steve looks down like he's gathering his thoughts, then takes a deep breath. "But what I did, what it was about— that doesn't have to be over for good."
Sam frowns. "You trust Shield 2.0 with that?"
"I trust you." When even a pointed look doesn't help clarify anything, Steve eyes his shield, then looks back up at Sam. "It's yours, if you want it."
"I—Steve. Steve. What?"
"No one else is more suited. Or worthy. Despite the ups and downs, that legacy deserves to live on, Sam. I see no one better to carry it."
The world feels quiet around them, and Sam tries, best as he can, to focus on the mild breeze that had been rustling tree leaves, the faint tweeting of birds. Anything to get his brain in gear again, and to get his heart to slow the fuck down.
It's not like Sam hadn't thought about…about legacy: it was kinda forced on him when the news that he was the Falcon broke out. He'd been hyper visible as a Black superhero, even more so after coming out, and there wasn't a day he hadn't thought of what being in the public eye meant. What being the Falcon meant.
But this? The shield? Steve's shield?
Captain America's shield?
"Here," Steve says. The gentle smile on his face is one Sam has seen a hundred times, and it feels like time is running its proper course again. He pushes the shield towards Sam. "Try it."
Without thinking about it, he turns towards Bucky before actually lifting the shield off the ground, and finds him leaning against a tree, arms crossed over his chest. At Sam's look, he smiles, his eyes crinkling at the corners, and nods.
Up to him, then.
The shield is both heavier and lighter than it looks. Sam gets his shaky hands to cooperate and moves it along his body, watching the sun glimmer over the white star. He's seen this shield more often than he'd seen his own mother over the past few years, and even held it a few times, often handing it back to Steve. But holding it this way, like a lot of things today, feels different.
"How does it feel?" Steve asks.
Sam laughs, shakes his head and looks up at the sky. "Like someone else's."
Steve nods like he understands, which Sam's not sure he does.
"That won't last long. And I'll be there to help."
Sam puts the shield back down as gently as he can, placing it so it leans on the bench, the same way Steve had, and sits back down.
"What do you mean? I'm still not sure I understand any of this, Steve."
Steve takes his hand again, though he keeps his head down. Sam can see a faint blush make its way across Steve's face and chest, and has to resist the urge to tip Steve's head up so he can get a proper look.
"This means you get the shield, if you want it. We work together, you, me, Buck, Nat, do what we did before it all went south. It means…" Steve clears his throat, and his blush deepens. "It means me, and you, and Bucky, together out there, and um, together, too."
"Like...living together?" Sam's frowning again, and seriously, he's usually not that obtuse, but today feels like every other word Steve is speaking is in another language. They'd lived together already: he and Steve first, then the three of them, then he and Bucky. Why is Steve making a big deal out of this?
"Sure. I mean definitely—if that's what you want. But, I'd want more than that. We could be together, too."
Sam finally gets it, and he wishes he didn't.
"This...it won't look good," Sam says, quietly. He can see how this'll all turn out clear as day, the possibilities, the gossip, the headlines unfurling in front of his eyes.
"I can't take it," Sam says it then and there, quickly, so he's not tempted to do something else. "I can't take the shield."
It's the right thing to do. He's pretty sure he just heard his own heart breaking, and isn't it ridiculous for him to be upset over something he was offered a minute ago, damn it, but he is.
"You can't?" Steve crosses his arms over his chest and looks over at Sam. He's in investigative mode again. "Or you don't want to?"
"I can't. If I take the shield and we live together, it'll look like you've given it to me because—" Sam looks down at his hands. It already feels like he's said too much.
"Because…?"
Because we're friends.
Because we're friends who fucked a few times.
Because we're friends that have fucked a few times and I'm the fool who caught feelings. For my friend. Who fucked me a few times.
"Because of our, ah, relationship. Because you—"
"Because I love you?"
Sam raises his head so fast he feels an ache in his neck.
"You what?"
Sure Sam knows Steve loves him. As a friend. As a partner. As someone who has his back. This...this sounds different though.
Steve's looking him directly in the eye, even as his face is deeply flushed.
"Are you afraid I'm giving you the shield because I'm in love with you?"
Leave it to Steve to get right to the heart of it in so few words and make the situation worse all at once.
"I mean, I don't— I wouldn't have called it love in the first place, but yeah. How do you think it'll look? To other superheroes? To the public?"
What do you think it looks like to me?
Steve grabs both of Sam's hands and squeezes them in his. "I...maybe I could've been clearer. I definitely should have taken the time to tell you out loud, but, we've had a lot on our plate the past few weeks. Hell, the past few years. After tracking Bucky, it was the Accords nonsense, and after that we were heading to Wakanda, and I could see you and Bucky starting something of your own. I didn't wanna disturb that. But Sam. You're incredibly strong, and you don't let your own strength or skills get to your head. You're one of the most level-headed people I know, but you value people, not because of what they bring, but because of who they are. People. With strengths and flaws of their own, which you happen to be incredible at perceiving. You—"
Steve swallows hard, and his blush is back. "You're beautiful. Seriously, one of the most handsome men I've ever seen. Why do you think I wore that shirt at the Mall?"
"'Cause you're a show off?"
"Also that," Steve says with a grin. "But mostly because I had to put all the odds on my side, make sure I got your attention."
Sam has to smile at that, even though his heart and brain still haven't fully recovered. "I think it worked."
"Good. I think so too." Steve's smile softens a touch. "I don't— I don't think I could ever really finish listing all the reasons I love you. I don't think I even wanna try. I don't need to. But some of those reasons on that list also happen to be great reasons for you to carry the shield, and that's okay. It's just the way things are. Anyone who has a problem with that can come see me."
After that last sentence, Steve's chin is raised high, his eyes taking in a hard glint. Sam finds he has no trouble at all seeing the Steve Bucky grew up with. More importantly, he has no trouble seeing the guy who lapped him at the Mall. Seeing the guy he's in love with.
Speaking of which.
"I— I love you too, Steve." Steve grins again, his entire face lighting up. "And..." Sam says, taking a deep breath. What he needs to say next is life-changing. But so was meeting Captain America, and Sam doesn't regret where it's brought him. Couldn't if he tried. "And I'll take the shield."
Soon as the words are out, Steve jumps into his arms and kisses him, hot and sweet all at once, his hands clutching Sam's collar to keep him close.
"First Barnes wearing jeans at a funeral," Sam says once he has his breath back, "and now us making out. You two don't know how to act at all, huh?"
Steve huffs out a breath and smiles. "And you love us anyway."
"I do," Sam says, and it feels just as tentative as the shield in his hands, just as precious, but just as right. "I really fucking do."
Any thought/idea I had about SamSteve left my brain after Endgame and I thought I was done writing those two together, but apparently I'm not, thank God. One less thing the Russos took from me.
Title from You are all I see by Active Child.
Hope you enjoyed, I am on Tumblr if you wanna drop by!
Natsywatsy, nineteen_ninety6, a_majesti, molliquin, robbstzrk, cherryb0mb, phaetonschariot, Calamity_Bebop, FanGirlHeart, Llixale, JustAboveWater, lunaaltare, Nightfire18, imwithtony, cinnamon_spoon23, msilverstar, cinni, daredeviltrash, HipsterXena, hanbrough, PlagueBirbizzle, Vicky12Sangeun, helpihavetoomanyOTPs, saeglopur23, 99sandthe2000s, arobynsung, Jayneoc, wilsonsnest, and sweetjellies as well as 12 guests left kudos on this work! (collapse)

redpajama_set_name: RedPajamaCommonCrawl


Hyunchul hyung, Sukjin hyung, and Jiwon nuna.
Or an Asian take on the Friends?
I didn't know it could be so much fun!
A winning place to be on a Saturday afternoon.
Thank you Sukjin hyung for the ride!
two trolley-full of them, in fact.
and also a soap box.
in the most unlikely places!


text:
Q: Vue not updating ARRAY properly using unshift PLEASE HELP ME!!!!!
When my application starts i run an ajax to get all my feeds. These are objects that I then store in my vue variable which is an array.
    props:['id'],
    data(){
        return {
            feedData: []
        }
    },
    created(){
        axios.get('/feeds/'+this.id).then(response =>{
            this.feedData = response.data.data;
        });
    }

After that when the user types and sends a new post i store the new post in the database and then emit an event to capture the new post from the database. The function for this is in my methods.
    methods: {
        captureFeed: function (feedId) {
            const vm = this;
            axios.get('/feeds/'+this.id+'/'+feedId).then(response =>{
                vm.feedData.unshift(response.data);
                console.log(response.data);
            });
        }
    },

The weird thing is that when i successfully get the new feed i just created and try to add it to the array of feeds using unshift for some reason the very first post of the array is duplicated and i never get to see the new post until i refresh the page. When i check the console log, i can see that i got the new feed. The funny thing is that when i use
vm.feedData.push(response.data);

it works just fine, but the post is at the very bottom which is not what i want!
i have images to show:
first post:
picture of the first post
second post:
picture of the second post

A: The main issue here is that when you are looping over a component, you are required to use a key.

In 2.2.0+, when using v-for with a component, a key is now required.

That being the case, your template should look like this:
<feed v-for="feed in feedData" :key="feed.id" :feedContent="feed"></feed>

where feed.id is a unique value in each feed object. This is because of Vue's DOM update strategy. Using a key helps Vue identify which components need to be created/destroyed.

A: Are you using the key param in your template? Like this?
 :key="<An ID>"

For instance:
<div  v-for="(item, index) in array" :key="item.id">
  {{index}} - {{item.name}}
</div>

redpajama_set_name: RedPajamaStackExchange


The class jouele-playlist can be used on html or body . This will make all tracks on a page play continuosly.
The Space key will no longer scroll the page and will control playback. If nothing is playing, pressing Space will continue playback from where it finished (or start the first track on the page). If something is playing, pressing Space will pause it. This is so regardless of where this attribute is used.
You can use the class on any of the predecessors, and it will apply to all the copies of the player within that predecessor.
In the package, there is a file jouele.skin.css that contains the code for the class jouele-skin-dark . Use it as an example to to create your custom theme and link your CSS to the page after the default one.
If there are several players on a page, the controls control the one that was playing previously, or the first one on the page, if nothing was playing before.
The link to the file should match exactly the one that is specified in the player.
If you are using data-href in a control, a separate player, i. e. an a element is not necessary. The control is sufficient for the playback to work.
Starts or pauses playback on click.
A container to display a track's title.
A container to display a track's duration.
A container to display a track's elapsed time.
A container to display a track's remaining time.
A container to display a track's elapsed time. Switches to remaining time and back on click. If several such controls are linked to the same track, the toggle together.
Clicking or dragging inside this control are interpreted as seeking to the corresponding track position (horisontally). An elapsed element is supposed to be used inside this element, see next.
An element, whose width is dynamically changed to display the played part of the track, in percent. This element is supposed to be put inside the timeline element, so that it would "fill" it during playback.
An element, whose left is dynamically changed to display the played part of the track, in percent. This element is supposed to be put inside the timeline element, so that it would move inside it during playback. The width of this element itself is taken into account.
An element to jump to a particular position and to highlight a fragment in text during its playback (there is an example below). If there is an attribute data-to="3:57", then clicking this element will seek the specified time and start playback (by default jumps to zero). If there is only an attribute data-range="13:57...18:19", then clicking this element will seek the beginning of the specified range and start playback. When the track is playing within the specified range, the control gets the class jouele-is-within, whose apperance could be controlled with CSS.
When the track is paused.
When the track is playing or being buffered.
When the track is being buffered (the class jouele-is-playing remains).
When the track is withing a specified range (for seek controls).
When the track is loaded and ready to play.
When the track hasn't played or have finished playing, but is definitely available for playback.
When the user clicks this span, the playhead jumps to 13:57 and the playback starts. If the playhead reaches the range 13:57...18:19 during continuous playback, or the user drags it into this range, the span gets the class jouele-is-within so that you can highlight it when this range is playing. So, independently on how the range was reached, by clicking the span or otherwise, if it's being played, the span is highlighted.
The more technical documentation is available.


The Cornerstone Credit Union Foundation made some recent changes to their grants program. To streamline the grants process, the general training grant request and the CIF credit union development grant request are now the Credit Union Development Grant.
There will only be one grant cycle for Credit Union Development Grants. Previously, grant cycles were held in spring and again in fall. The deadline for this year's grant cycle for Credit Union Development Grants & Chapter Grants is April 27, 2018.
Below is some general additional information about the Foundation's various grant types. There is also a recorded webinar available online about the new grant program. Applications for grants are available on the Foundation's website.
Experiential learning programs: reality fair or retirement fair materials, life simulations, etc.
Disaster Relief Grant requests are accepted year-round.
Disaster relief grants are available to credit union staff and volunteers. Disasters are identified as fire, wind, hail, or flood damages to an individual's primary home and contents and/or vehicle(s).
If you have any questions or would like more information about the Foundation's grants available for credit unions or chapters, please contact Emily Moreno at emoreno@cscuf.coop or 469-385-6483.


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Health professionals group established to oppose fracking
By Mindo - 25th May 2016 | 3 views
Hydraulic fracturing, or "fracking", is the process of drilling and injecting fluid into the ground at a high pressure in order to fracture shale rocks to release natural gas inside.
The new group Concerned Health Professionals Ireland (CHPI) has been established in order to campaign against the introduction of the practice in Ireland.
It is feared that an "exploratory drill" that recently began in Woodburn, Co Antrim, will result in the first fracking operation on the island.
Speaking at the launch of CHPI in Dublin, Cavan GP Dr Carroll O'Dolan said that the health harms caused by fracking are well documented and are reason alone for the practice to be ended.
"We are asking doctors, nurses, medical academics, physios, pharmacists, and anyone who is qualified in working in the healthcare industry to consider reading our documents, signing the petition for the ban in the Republic of Ireland and Northern Ireland based on health issues. There are other issues, but health issues are what we are concerned about."
The group, whose campaign has received approximately 60 signatories to date, is based on the Concerned Health Professionals of New York, which helped convince New York legislators to ban fracking in the State.
The group has cited research showing that infant mortality rose six times above the normal background rate over three years since the introduction of fracking in Uintah, Utah, and an increased risk of congenital heart defects was associated with living within 10 miles of gas wells.
The Colorado School of Public Health, US, has shown an increased risk of ill health, both cancer and non-cancer, of people living near frack pads, while dangerous levels of benzene, which has been linked with cancer risk, has been detected in the air of fracking sites.
<p class="INTROstrapMIstyles">In addition to Dr O'Dolan, the steering committee of the group also includes Dr Paula Gilvarry, a retired community health doctor and former IMO President, and Ms Susan Carton, Lecturer in Health and Disability Studies in St Angela's College, Sligo.
Mercy Sister board member at NRH raised 'assisted death' position
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Impact assessment before disability regulatory reform – HSE CEO
The HSE CEO has written to HIQA stating the importance of a regulatory impact assessment before...
Single model sought to predict PPE demand
The health budget oversight group has suggested the HSE and Department of Health should deploy the...


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In Focus: Edmonton Int. Choral Festival
Pro Coro Canada is launching a new Edmonton International Choral Festival that will wrap with a large gala choir performance.
By	Maureen McNamee
The downturn in the economy is creating tough conditions for arts groups and festivals facing a shortfall in funding from corporate donations and ticket sales. But it didn't stop plans to launch a new international choral festival in Edmonton.
"We started talking about it three years ago at the front end of the crisis," says Michael Zaugg, artistic director and conductor of Pro Coro Canada, a professional choir in Edmonton. "Of course we couldn't foresee that crisis—maybe some economists could, but we couldn't."
Audience support, however, was steady and Pro Coro was able to get grants for the new festival, so they forged ahead with a slightly scaled-back plan and a healthy dose of optimism. "We hope this translates into ticket sales for this festival and general enthusiasm for the next one," Zaugg says.
"Being part of these big choirs at the end, singing beside others, to have that experience—I felt very strongly that Edmonton and Pro Coro would be a great catalyst to provide that," he says.
The first-ever Edmonton International Choral Festival will be held June 1–4 and will include workshops, lectures and performances by three professional choirs: Pro Coro Canada, Halifax Camerata Singers and, from Sweden, Voces Nordicae. On the final day, all three will be joined by 120 amateur singers from across Alberta for a special gala choir performance.
Audiences will hear a range of voices and styles—from jazz to pop to classical—presented visually with actors, musicians and screen projections.
The inspiration for the festival came from Zaugg's experiences growing up in Europe, where he spent summers travelling from one choral event to another. "Being part of these big choirs at the end, singing beside others, to have that experience—I felt very strongly that Edmonton and Pro Coro would be a great catalyst to provide that," he says.
Zaugg was born in Switzerland and started his career as a tenor before becoming a conductor and educator. He was the first Swiss conductor accepted to the Royal Academy of Music in Stockholm, and has since conducted choirs from around the world. In Canada he was previously artistic director of the St. Lawrence Choir in Montreal and the Cantata Singers of Ottawa. In 2012 he joined Pro Coro Canada, which was founded in 1981 and remains one of the few professional choirs in Canada.
Zaugg's pitch for the festival gained support from Pro Coro's board of directors and other choral groups in the province, and the plan took shape. He says it's the only choral festival in Canada produced by a professional organization that invites other professional organizations to participate. He adds that the performances will showcase the high calibre of singing in Alberta.
The gala choir on the final night is the highlight of that effort. Amateur singers from Alberta applied to sing with the professional choirs, and Pro Coro chose 120 applicants as well as some youth singers and emerging artists. The choir will be conducted by Robert Sund, a well-known Swedish composer, teacher and conductor. Sund also chose the repertoire, which will include some Swedish, French and North American songs—"a broad variety of styles and languages," says Zaugg.
Pulling off a new international festival in the midst of a downturn was a big first step, but success ultimately depends on how many people attend. If all goes well, the plan is to host another festival in 2019.
Maureen McNamee is an associate editor at Alberta Views.
Culture, History
Baba's Other Children
Last summer Deron Bilous, Alberta's minister of economic development and trade, announced 2016–2017 would be the year of the Ukrainian-Canadian. Weeks later he declared that every September 7 in Alberta would henceforth be known as Ukrainian-Canadian Heritage Day. At the province's Ukrainian Cultural Heritage Village and again in the legislature, Bilous—himself ...
Ready to Leave Without Warning
Of all the jobs I took that summer," Karen Solie writes in her poem "Park Place," "selling franchise coffee in the mall food court on weekends was the worst." Unfortunately, I can relate. Eight summers ago, like Solie, I too took a job at Park Place, a mall which has ...
Cities, Culture
Profile: Grande Prairie
Guess where the city ends and the county begins," says Bill Given, the two-term mayor of Grande Prairie—the main retail and services hub for northwest Alberta. We're driving past gas stations, hotels and a Superstore. Ahead there's a rail yard, a megachurch, an RV sales lot and a farm equipment ...
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Get the latest on hair and beauty, including tips and tricks on how to live a better and healthier life. At Keri Gold Salon Buckhead we're hair for you!
The wind is blowing, layering is happening, and our hair is getting longer. But, what should we do with the change of season and the change of hair? The answer just may be in taking the extra time to braid your hair. Braiding is not new to anyone, but maybe these can inspire you to try something new and creative.
You have either heard of or seen this type of hair coloring being used by many A-list celebrities and probably you, or your friends, have even tried this technique out. This popular technique has been around for ages but is finally making a comeback in force to give everyone that sun kissed looked year round. But, here is the question, what exactly is it and how does it work?


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PDF2 PDF |Add To My Favorites |Track Bill | Version: 10/10/19 - Chaptered 09/10/19 - Enrolled 07/11/19 - Amended Senate 03/21/19 - Amended Assembly 12/03/18 - Introduced
AB-9 Employment discrimination: limitation of actions. (2019-2020)
Current Version: 10/10/19 - Chaptered Compared to Version: 10/10/19 - Chaptered 09/10/19 - Enrolled 07/11/19 - Amended Senate 03/21/19 - Amended Assembly 12/03/18 - Introduced
AB9:v95#DOCUMENT
Bill Start
Assembly Bill No. 9
An act to amend Sections 12960 and 12965 of the Government Code, relating to employment.
[ Approved by Governor October 10, 2019. Filed with Secretary of State October 10, 2019. ]
LEGISLATIVE COUNSEL'S DIGEST
AB 9, Reyes. Employment discrimination: limitation of actions.
Existing law, the California Fair Employment and Housing Act, makes specified employment and housing practices unlawful, including discrimination against or harassment of employees and tenants, among others. Existing law authorizes a person claiming to be aggrieved by an alleged unlawful practice to file a verified complaint with the Department of Fair Employment and Housing within one year from the date upon which the unlawful practice occurred, unless otherwise specified.
This bill would extend the above-described period to 3 years for complaints alleging employment discrimination, as specified. The bill would specify that the operative date of the verified complaint is the date that the intake form was filed with the Labor Commissioner. The bill would make conforming changes in provisions that grant a person allegedly aggrieved by an unlawful practice who first obtains knowledge of the facts of the alleged unlawful practice after the expiration of the limitations period, as specified.
Existing law authorizes the Director of Fair Employment and Housing to bring a civil action in the name of the department on behalf of a person claiming to be aggrieved in the case of failure to eliminate an unlawful practice through conference, conciliation, mediation, or persuasion. Existing law requires the director to bring the civil action within a specified time after the filing of the complaint.
This bill would, for those purposes, define filing a complaint to mean filing an intake form with the department, and would specify that the operative date of the verified complaint relates back to the filing of the form.
This bill would prohibit its provisions from being interpreted to revive lapsed claims.
Digest Key
Vote: MAJORITY Appropriation: NO Fiscal Committee: YES Local Program: NO
The people of the State of California do enact as follows:
Section 12960 of the Government Code is amended to read:
(a) This article governs the procedure for the prevention and elimination of practices made unlawful pursuant to Article 1 (commencing with Section 12940) of Chapter 6.
(b) For purposes of this section, filing a complaint means filing an intake form with the department and the operative date of the verified complaint relates back to the filing of the intake form.
(c) Any person claiming to be aggrieved by an alleged unlawful practice may file with the department a verified complaint, in writing, that shall state the name and address of the person, employer, labor organization, or employment agency alleged to have committed the unlawful practice complained of, and that shall set forth the particulars thereof and contain other information as may be required by the department. The director or the director's authorized representative may in like manner, on that person's own motion, make, sign, and file a complaint.
(d) Any employer whose employees, or some of them, refuse or threaten to refuse to cooperate with this part may file with the department a verified complaint asking for assistance by conciliation or other remedial action.
(e) A complaint alleging a violation of Section 51, 51.5, 51.7, 54, 54.1, or 54.2 of the Civil Code, shall not be filed pursuant to this article after the expiration of one year from the date upon which the alleged unlawful practice or refusal to cooperate occurred. A complaint alleging any other violation of Article 1 (commencing with Section 12940) of Chapter 6 shall not be filed after the expiration of three years from the date upon which the unlawful practice or refusal to cooperate occurred. However, the filing periods set forth by this section may be extended as follows:
(1) For a period of time not to exceed 90 days following the expiration of the applicable filing deadline, if a person allegedly aggrieved by an unlawful practice first obtained knowledge of the facts of the alleged unlawful practice during the 90 days following the expiration of the applicable filing deadline.
(2) For a period of time not to exceed one year following a rebutted presumption of the identity of the person's employer under Section 12928, in order to allow a person allegedly aggrieved by an unlawful practice to make a substitute identification of the actual employer.
(3) For a period of time, not to exceed one year from the date the person aggrieved by an alleged violation of Section 51.7 of the Civil Code becomes aware of the identity of a person liable for the alleged violation, but in no case exceeding three years from the date of the alleged violation if during that period the aggrieved person is unaware of the identity of any person liable for the alleged violation.
(4) For a period of time not to exceed one year from the date that a person allegedly aggrieved by an unlawful practice attains the age of majority.
(a) In the case of failure to eliminate an unlawful practice under this part through conference, conciliation, mediation, or persuasion, or in advance thereof if circumstances warrant, the director in the director's discretion may bring a civil action in the name of the department on behalf of the person claiming to be aggrieved. Prior to filing a civil action, the department shall require all parties to participate in mandatory dispute resolution in the department's internal dispute resolution division free of charge to the parties in an effort to resolve the dispute without litigation. In any civil action, the person claiming to be aggrieved shall be the real party in interest and shall have the right to participate as a party and be represented by that person's own counsel. The civil action shall be brought in any county in which unlawful practices are alleged to have been committed, in the county in which records relevant to the alleged unlawful practices are maintained and administered, or in the county in which the person claiming to be aggrieved would have worked or would have had access to public accommodation, but for the alleged unlawful practices. If the defendant is not found in any of these counties, the action may be brought within the county of the defendant's residence or principal office.
For any complaint treated by the director as a group or class complaint for purposes of investigation, conciliation, mediation, or civil action pursuant to Section 12961, a civil action shall be brought, if at all, within two years after the filing of the complaint. For any complaint alleging a violation of Section 51.7 of the Civil Code, a civil action shall be brought, if at all, within two years after the filing of the complaint. For all other complaints, a civil action shall be brought, if at all, within one year after the filing of a complaint. If the director determines, pursuant to Section 12961, that a complaint investigated as a group or class complaint under Section 12961 is to be treated as a group or class complaint for purposes of conciliation, mediation, or civil action as well, that determination shall be made and shall be communicated in writing within one year after the filing of the complaint to each person, employer, labor organization, employment agency, or public entity alleged in the complaint to have committed an unlawful practice. For purposes of this section, filing a complaint means filing a verified complaint.
(b) If a civil action is not brought by the department within 150 days after the filing of a complaint, or if the department earlier determines that no civil action will be brought, the department shall promptly notify, in writing, the person claiming to be aggrieved that the department shall issue, on request, the right-to-sue notice. This notice shall indicate that the person claiming to be aggrieved may bring a civil action under this part against the person, employer, labor organization, or employment agency named in the verified complaint within one year from the date of that notice. If the person claiming to be aggrieved does not request a right-to-sue notice, the department shall issue the notice upon completion of its investigation, and not later than one year after the filing of the complaint. A city, county, or district attorney in a location having an enforcement unit established on or before March 1, 1991, pursuant to a local ordinance enacted for the purpose of prosecuting HIV/AIDS discrimination claims, acting on behalf of any person claiming to be aggrieved due to HIV/AIDS discrimination, may also bring a civil action under this part against the person, employer, labor organization, or employment agency named in the notice. The superior courts of the State of California shall have jurisdiction of those actions, and the aggrieved person may file in these courts. An action may be brought in any county in the state in which the unlawful practice is alleged to have been committed, in the county in which the records relevant to the practice are maintained and administered, or in the county in which the aggrieved person would have worked or would have had access to the public accommodation but for the alleged unlawful practice, but if the defendant is not found within any of these counties, an action may be brought within the county of the defendant's residence or principal office. A copy of any complaint filed pursuant to this part shall be served on the principal offices of the department. The remedy for failure to send a copy of a complaint is an order to do so. Those actions may not be filed as class actions or may not be maintained as class actions by the person or persons claiming to be aggrieved where those persons have filed a civil class action in the federal courts alleging a comparable claim of employment discrimination against the same defendant or defendants. In civil actions brought under this section, the court, in its discretion, may award to the prevailing party, including the department, reasonable attorney's fees and costs, including expert witness fees, except that, notwithstanding Section 998 of the Code of Civil Procedure, a prevailing defendant shall not be awarded fees and costs unless the court finds the action was frivolous, unreasonable, or groundless when brought, or the plaintiff continued to litigate after it clearly became so.
(c) A court may grant as relief in any action filed pursuant to subdivision (a) any relief a court is empowered to grant in a civil action brought pursuant to subdivision (b), in addition to any other relief that, in the judgment of the court, will effectuate the purpose of this part. This relief may include a requirement that the employer conduct training for all employees, supervisors, and management on the requirements of this part, the rights and remedies of those who allege a violation of this part, and the employer's internal grievance procedures. In addition, in order to vindicate the purposes and policies of this part, a court may assess against the defendant, if the civil complaint or amended civil complaint so prays, a civil penalty of up to twenty-five thousand dollars ($25,000) to be awarded to a person denied any right provided for by Section 51.7 of the Civil Code, as an unlawful practice prohibited under this part.
(d) (1) Notwithstanding subdivision (b), the one-year statute of limitations, commencing from the date of the right-to-sue notice by the Department of Fair Employment and Housing, to the person claiming to be aggrieved, shall be tolled when all of the following requirements have been met:
(A) A charge of discrimination or harassment is timely filed concurrently with the Equal Employment Opportunity Commission and the Department of Fair Employment and Housing.
(B) The investigation of the charge is deferred by the Department of Fair Employment and Housing to the Equal Employment Opportunity Commission.
(C) A right-to-sue notice is issued to the person claiming to be aggrieved upon deferral of the charge by the Department of Fair Employment and Housing to the Equal Employment Opportunity Commission.
(2) The time for commencing an action for which the statute of limitations is tolled under paragraph (1) expires when the federal right-to-sue period to commence a civil action expires, or one year from the date of the right-to-sue notice by the Department of Fair Employment and Housing, whichever is later.
(3) This subdivision is intended to codify the holding in Downs v. Department of Water and Power of City of Los Angeles (1997) 58 Cal.App.4th 1093.
(e) (1) Notwithstanding subdivision (b), the one-year statute of limitations, commencing from the date of the right-to-sue notice by the Department of Fair Employment and Housing, to the person claiming to be aggrieved, shall be tolled when all of the following requirements have been met:
(B) The investigation of the charge is deferred by the Equal Employment Opportunity Commission to the Department of Fair Employment and Housing.
(C) After investigation and determination by the Department of Fair Employment and Housing, the Equal Employment Opportunity Commission agrees to perform a substantial weight review of the determination of the department or conducts its own investigation of the claim filed by the aggrieved person.
(2) The time for commencing an action for which the statute of limitations is tolled under paragraph (1) shall expire when the federal right-to-sue period to commence a civil action expires, or one year from the date of the right-to-sue notice by the Department of Fair Employment and Housing, whichever is later.
This act shall not be interpreted to revive lapsed claims.


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Akala on hip hop, cultural appropriation and why radio stations won't play his music
Hanna FlintThursday 8 Sep 2016 2:50 pm
10 Years Of Akala celebrates the British rapper's decade of music
It's fitting that in the same year the world celebrated the 400th anniversary of the Bard's death, Akala is marking 10 years in the music industry.
'The Black Shakespeare' is releasing a collection of 20 songs, chosen by his fans from his six studio albums (and a new single), to mark the 10th anniversary of the release of his debut album It's Not A Rumour.
Metro.co.uk sat down with the acclaimed rapper and wordsmith to talk about his career, music, politics and what's to come in the next 10 years…
We're celebrating 10 Years Of Akala. How does your music now compare to when you first started?
I think it might be cliched to say, but I've evolved over the last 10 years. When I first started I wanted to be experimental; It's Not A Rumour had alternative samples, a lot of guitar. I didn't want to be boxed in, but my environment, upbringing and background influenced the kind of topics that I used and my world view. As I've got older and travelled more, listened to over a 1000 albums, read over 100 books and been to well over 50 countries, hopefully that's evolved some of the core principles that I held on the first album. I've learnt a lot, I've made a lot of mistakes and I feel like I've got better at my craft.
Talk to me about your new single…
Giants is the indication of where I want to go next. For all these 10 years I haven't really done any reggae influenced music, probably because reggae is the music I most listened to and was most influenced by.
Did you feel that because you love it so much you would do it a disservice?
No, it felt obvious. I wanted to tread new territory for a while. This felt like a homecoming and my next album will be definitely heavily reggae-influenced, and I think it's time for that.
Your music always seems to have a narrative. What story are you trying to tell with Giants?
We always discuss a theme and idea and Giants is about recognising musically, culturally, and politically the shoulders that we stand on. The privileges, influences and challenges the people have met before we came along. It's about ancestors, it's about the veneration of the people before and how we're trying to carry the baton forward.
Music seems to be less politically motivated now than it was in the late Seventies/Eighties – Do you think songs can effect change?
I'm not sure it had the effect people think it had even then. It's not the music that causes the political change. People cause the change. Music can be the soundtrack to it and influencer of it, a consciousness raiser, but the music itself is almost like a provocation. People still need to get out and on the march, organise and campaign, do whatever it is they need to do to affect unjust power. I feel like it's less fashionable nowadays to become that type of artist.
Akala is set to go on tour later this month
Look at it this way, I've not had a single daytime playlist since my first album, yet I've been selling 10-20,000 tickets every year in the intervening 10 years… I can't say categorically that the reason I'm not on the radio is my politics, but there doesn't seem to be a good indication why an artist like myself doesn't get radio play, considering that many other UK rappers who, with the greatest of respect, are less successful than me get support.
Do you think that maybe you don't get played because the people in charge of the playlists are in denial about the issues that you speak on?
Anything that reinforces the dominant narrative is not seen as political. So if you come out and do a song that reinforces materialism, the dominant form of capitalism, that's quite sexist, celebrates murdering other black people, anything that doesn't question the dominant powers in the world is seen as 'radio friendly' or 'mainstream'.
Looking at hip hop, there's an agenda to promote one image of blackness, one particular image of what it is to be an African-American over more diverse images. We have an issue of that here in the UK.
10 quickfire questions
What's your guilty pleasure? UFC
Last fiction book you read? A graphic novel by Alejandro Jodorowsky called Metabarons
And non-fiction? A whole lot of stuff about the Hatian revolution in preparation for a lecture in Liverpool.
What TV do you watch? How To Get Away With Murder
Favourite film? Pulp Fiction
James Bond or Jason Bourne? Jason Bourne
Favourite form of public transport? The Tube
Favourite Line? Jubilee
Favourite part of London? West London
Corbyn or Smith? Corbyn.
There's a lot of talk of cultural appropriation at the moment, recently with Sean Paul calling out Justin Bieber and Drake over dancehall. In this age of sampling and cross-genres is cultural appropriation a thing in music?
I think it is, it's about an attitude. Cultural exchange is beautiful and what has always driven human progress. To me there's nothing wrong with borrowing from anyone's culture. To me it's this history, that mainstream white Britain and America seem befuddled about, in America it wasn't long ago that black people weren't allowed on the radio, and they taught white black people to 'talk black'. Eric Clapton, turned around and said a whole load of racist shit but he made his name with music brought over by Caribbean immigrants.
Look at someone like [Tim] Westwood, a posh boy from Norwich who learns to talk some fake Bronx accent, people could see that as a form of cultural appropriation. That's not to say he hasn't been supportive about hip hop, he's been very selective about what he does and doesn't support. But cultural exchange is beautiful, cultural appropriation is when you deny, delete or obscure the innovators who have paved the way for you.
How would you go about educating people so that they don't culturally appropriate things?
I'm not that bothered, some people are arseholes and you'll never be able to defeat that.
Are you optimistic that we can get to the point where things like this or racism no longer exist?
I think sometimes those of us who are for social justice are confused, we think that because the world isn't perfect or as we want it to be, we think things aren't improving, and that's a miscalculation. Apartheid wasn't supposed to end, and though South Africa still has its issues, that's one systematic form of injustice that's been defeated. Formal colonialism in Africa was a system that was supposed to continue for 1000 years, it lasted barely 70.
Society is a negotiation and, to me, being honest about the brutality in the world, which I do in my music, is liberating.
10 Years Of Akala limited edition vinyl and digital album are out September 23, 2016
The 10 Years Of Akala's UK tour starts on September 23 until October 31, 2016.
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Q: How to subset a list with list comprehension using another list I have a large list of dictionaries I want to subset, which looks like this:
first_list = [{'name':'James','gender':'M','address':'California'},{'name':'Tom','gender':'M','address':'California'},
{'name':'Jane','gender':'F','address':'Utah'},
{'name':'Kim','gender':'F','address':'Wisconsin'},
{'name':'Ron','gender':'M','address':'Montana'}]

I have another list, with names:
second_list = ['James', 'Tom']

I want to get the list where 'name' in the first list is not a part of the second list, which is simply removing James and Tom dictionaries.
[{'name':'Jane','gender':'F','address':'Utah'},
{'name':'Kim','gender':'F','address':'Wisconsin'},
{'name':'Ron','gender':'M','address':'Montana'}]

I tried using list comprehension, but I don't think this works with different lists:
third_list = [x for x in first_list if x['name'] != (y for y in second_list)]

This won't work, will return the same list as the first list. Is my syntax wrong?

A: Use not in that will work for you.
third_list = [i for i in first_list if i['name'] not in second_list]

Result
[{'address': 'Utah', 'gender': 'F', 'name': 'Jane'},
 {'address': 'Wisconsin', 'gender': 'F', 'name': 'Kim'},
 {'address': 'Montana', 'gender': 'M', 'name': 'Ron'}]

A: Your code doesn't work , because (y for y in second_list) is a generator, x['name'] is a string , which means it will return False all the time, I suppose what you want is this:
>>> first_list = [{'name':'James','gender':'M','address':'California'},{'name':'Tom','gender':'M','address':'California'},
... {'name':'Jane','gender':'F','address':'Utah'},
... {'name':'Kim','gender':'F','address':'Wisconsin'},
... {'name':'Ron','gender':'M','address':'Montana'}]
>>>
>>>
>>> second_list = ['James', 'Tom']
>>>
>>> [x for x in first_list if x['name'] not in second_list]
[{'gender': 'F', 'name': 'Jane', 'address': 'Utah'}, {'gender': 'F', 'name': 'Kim', 'address': 'Wisconsin'}, {'gender': 'M', 'name': 'Ron', 'address': 'Montana'}]

Pythonic way to do this , try to use filter method:
>>> filter(lambda x:x["name"] not in second_list,first_list)
[{'gender': 'F', 'name': 'Jane', 'address': 'Utah'}, {'gender': 'F', 'name': 'Kim', 'address': 'Wisconsin'}, {'gender': 'M', 'name': 'Ron', 'address': 'Montana'}]

A: Use
third_list = [x for x in first_list if x['name'] not in second_list]


When the weather warms in spring across Georgia and the South, motorcycles are everywhere on our roads. That is why May is recognized as National Motorcycle Safety Awareness Month. This month with warm, sunny weather is an appropriate time to remind all drivers to be on the alert for motorcyclists. With so much motorcycle traffic on the roads, serious accidents are more likely.
Motorcycles are only 3% of all registered vehicles in the U.S., but account for 13% of all fatal accidents.
26% of motorcyclists who died in 2016 were under the influence of alcohol.
91% of motorcyclists who died in 2016 were men.
One of the biggest causes of motorcycle accidents is that other drivers simply do not see them. Most of the vehicles on our roads, after all, are cars, trucks and SUVs – big vehicles that are (usually) easy to see. Motorcycles are much smaller, and sometimes other drivers fail to see them.
This is illustrated by the fact that most serious motorcycle accidents are caused by a non-motorcycle driver who violates the motorcyclist's right of way. A common scenario is for a car driver to turn in front of a motorcyclist because he didn't see the cycle. Also, car drivers often do not properly anticipate the movements of the motorcyclist, leading to a serious accident. Another common problem is when a motorcyclist is in the driver's blind spot.
So, it is important for car and truck drivers to be on the look out for motorcycles. They have the same right to the road as any other vehicle.
Motorcyclists also have a part to play in staying safe this spring in Georgia and throughout the country. First, statistics show that riders age 50 and older constituted 36% of motorcyclist deaths in 2016. These may be riders who first rode decades ago and are taking it up again in their older years. The problem is there is more traffic, motorcycles are more powerful, and distracted driving is worse than ever. Older cyclists may be out of practice, as well. If you are an older rider who has not been on a bike in years, it is smart to take it slow and get your skills up to speed before hitting the open road.
Wear a full coverage helmet.
Look for a DOT sticker on your helmet that signifies it meets the toughest safety standards.
Do not buy a used helmet — ever!
Make sure you have a bike with antilock brakes.
Take a motorcycle safety course if you are a new rider.
Never consume alcohol before riding.
If motorcyclists and other drivers work together, we can prevent most motorcycle accidents across the country.
Motorcycle accidents can be catastrophic. Injuries can include head trauma, spinal cord damage, broken bones, road rash and more. If you have been hurt in a motorcycle accident or lost a loved one, The Mann Law Firm can help. For years, our law firm has been helping Middle Georgia residents who have been injured in motorcycle and car accidents. You could be entitled to compensation for medical bills, lost earnings and pain and suffering. Please contact The Mann Law Firm for a free consultation today.


The ICG Nxtlink Series ICS-220A Iridium Communications System is designed specifically to provide an aircraft flight crew with reliable communications facilities for both AoC and AtS messaging. The ICG Nxtlink Series ICS-220A Iridium Communications System is a three transceiver device which combines dual channels of global voice and 2400 BPS data service with a third "Short Burst Data" (SBD) channel in a single 2MCU LRU. this device is a comprehensive communications system that provides the Flight Crew with an exclusive global voice channel and a dedicated Datalink channel to support ACARS, FANs messaging, ADS-C and CPDlC.
This CTU features include intercom calling, call transfer, conferencing and follow-on dialing. The device is simple to operate offering standard dialing conventions and PABX operations with familiar call progress tones. It is the ideal solution for aircraft requiring no more than six telephony connections and seamless global communications services without the inconveniences of hand-offs or no service areas. The ICS-220B has a connection for an optional ICG External SIM Card Reader making them a true LRU.


text:
Engineering & Physical Sciences
Doctoral Theses (Engineering & Physical Sciences)
Investigations into parameters affecting purity in the oscillatory baffled crystallizer and stirred tank crystallizer
McLachlanHR_0217_eps.pdf (3.386Mb)
McLachlan, Hannah Ruth
Previously completed industrial trials suggested that the purity of crystals which were produced in an oscillatory baffled crystallizer (OBC) had a higher purity than those produced from the stirred tank crystallizer (STC). The results from these trials were obtained when the vessels were operated at similar experimental conditions and power densities. This thesis work initially aimed to confirm these results for a model compound (urea) and find possible scientific reasons for the noted purity differences between the two vessels. Following this the effect of the addition of a specific impurity (biuret) was investigated to see whether the OBC would still produce higher purity material and how the impurity affected the monitored system parameters. It has been shown from the work included in this thesis, that the OBC produces higher purity crystals than the STC under comparable experimental conditions. Investigations into these purity improvements were monitored using an in-situ FTIR system and the resulting data indicated that a lower supersaturation was required to induce nucleation in the OBC. This lower supersaturation corresponded to a higher nucleation temperature within the OBC. It has been proposed that the higher supersaturation in the STC leads to an increased nucleation rate consequently producing smaller single crystals which are more likely to agglomerate. In the STC this increase in the number of agglomerates led to a decrease in purity, as more mother liquor or impurity could become trapped within the crystals. This agglomeration in the STC was apparent at all three impurity levels investigated, with it being particularly apparent with 0 % added impurity. At this level of added impurity there was only evidence of mother liquor entrapment. Experiments completed with 5 wt. % added impurity also indicate impurity incorporation as well as mother liquor entrapment, leading to the production of more 'cubic' crystals with lower purities as well as agglomeration in both vessels.


Tammy Loos had just turned 51 and was getting ice cream to celebrate her birthday with fiance Matt Burroughs when the red van – with three people inside – struck their SUV as they drove down 53rd Street in Moline.
"I just remember grabbing ahold of her hand – like I always do – and I held her hand and just kept telling her I love her ... until they took her out of the car," Burroughs told WQAD.
Friday was his first day out of the hospital after suffering a broken hip, broken ribs, and a broken pelvis. Still, Burroughs said nothing hurts more than losing his soulmate.
"They took the life of the most beautiful person I've ever known ... My best friend is gone," Burroughs said.
The couple were preparing to spend the rest of their lives together. Burroughs said they were beginning to finalize plans for their wedding this fall.
"They took that from me ... they took that from her," he said. "I can't get that back. So am I angry? Yes. You took that from me."
"Everybody has said that somebody was going to get killed," Burroughs said. "They said it over and over. The car thefts around here need to stop."
He added that it hurts even more because it was so senseless.
"I have to come home every day – without her here now – because of a choice they made," Matt said. "They need to be held accountable for it."
The three occupants of the van face multiple charges.
The alleged driver, 24-year-old Armand Cannon, has been charged with reckless homicide, possession of a stolen vehicle and aggravated driving.
Alexander Garrels, 25, was charged with unlawful possession of a weapon by a felon and possession of a stolen vehicle, and 27-year-old Amy Taylor faces one count of possession of a stolen vehicle.
Friends and family of Matt and Tammy's have set up a GoFundMe page to help assist with the medical and funeral costs.


text:
Vodafone confirms talks to sell Verizon stake
Aug 29, 2013 at 12:01 AM Aug 29, 2013 at 8:30 AM
LONDON (AP) - Vodafone, one of the world's largest mobile phone companies, has confirmed it is in discussions with Verizon Communications to sell its operations in the United States.
LONDON (AP) � Vodafone, one of the world's largest mobile phone companies, has confirmed it is in discussions with Verizon Communications to sell its operations in the United States.
The British wireless provider is mulling its options for its 45 percent stake in the U.S.'s Verizon Wireless, of which Verizon Communications owns the other 55 percent.
Analysts have suggested that Verizon wants to pay around $100 billion for Vodafone's stake, although reports have said that U.K. group is pressing for as much as $130 billion.
Vodafone, which has wide-ranging interests and is expanding in Europe, has long been rumored to be interested in a U.S. exit.
Net income at Verizon Communications was $2.25 billion last year.


text:
From Wikipedia, the free encyclopedia Katherine Jenkins (born 29 June 1980) is a Welsh lyric mezzo-soprano. She is a classical-popular crossover singer who performs across a spectrum of operatic arias, popular songs, musical theatre and hymns. After winning singing competitions in her youth, Jenkins studied at the Royal Academy of Music, modelled and taught voice. She came to wide public attention in 2003 when she sang at Westminster Cathedral in honour of Pope John Paul II's silver jubilee. Since 2004, she has released numerous albums that have performed well on UK and foreign charts. In both 2005 and 2006, her albums received Classic Brit Awards as Album of the Year. She has also been seen widely in concert, including concerts for UK troops in Iraq and Afghanistan, and has sung at sporting events, on television shows and in support of many charities. In Spring 2012, she competed on the US television show Dancing with the Stars, finishing in second place, behind NFL Super Bowl champion Donald Driver. Description above from the Wikipedia article Katherine Jenkins, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jun 29, 1980	In Neath, Glamorgan, Wales, UK
In the movie Live 8 2005-11-07
Movie Under Milk Wood 2014-06-01
Katherine Jenkins Movies Filmography
Under Milk Wood
Polly Garter 2014-06-01
Doctor Who: A Christmas Carol
Abigail 2010-12-25
Popstar to Operastar
Children in Need Rocks the Royal Albert Hall
The Week We Went To War
Herself - Presenter 2009-09-07


There are hundreds of good causes to support but for a surfer,the thought of having to catch a wave everyday for 28 days seems too easy to be a challenge. In 2018 the inaugural Sutherland Shire SurFebruary campaign raised over twenty thousand dollars for the Chris O'Brien Lifehouse Cancer Centre and this year the mission is to aim for fifty thousand. With an annual campaign in February, participants are encouraged to catch a wave a day to raise life-changing funds for cancer patients, carers and their families. To participate you can surf solo, join a team of surfers to tag-team,which is perfect for those with a busy schedule or start your own team. Although the main image for the charity is surfing, there is no discrimination against which activity you choose to partake in, so long as it is water-based. You don't have to surf if it isn't your thing. Swimming, kayaking or go for a beach run every day- the options are endless,you can just log on and sponsor a participant,it all helps . After a trying time in their life, husband and wife team Aaron and Jenna-Lea Clark along with Mike Durante decided to harness the power of this natural phenomenon for the good of others by launching SurFebuary. Jenna-Lea was diagnosed with an aggressive form of cervical cancer seven weeks after the birth of her first daughter, Summer. After being informed the duo would not be able to have any more children, Jenna-Lea underwent three years of medical care and multiple surgeries including a modern trachelectomy procedure, and now lives a cancer-free life with Summer, Arron, and her miracle baby boy Vander who was conceived after her life-saving treatment. After this transformative experience the Clark's decided to give back, and so SurFebruary was born. SurFebruary partners with Chris O'Brien Lifehouse, a world-class not-for-profit integrated cancer treatment centre, and fully operational cancer hospital. They share a mission to educate the population about cancer, provide diagnosis and treatment, care for sufferers and their families, and to soon prevent cancer once and for all. It's easy to get on board before 1st February, the joining site is: http://donate.mylifehouse.org.au/campaign/11/surfebruary For more info people can go to out facebook page: https://www.facebook.com/surfebruary/ There are plenty of options, and registration is free. You'll receive your very own Surfer Page to share with your family and friends, as well as a social media pack to help you tell others about your journey.
There are hundreds of good causes to support but for a surfer,the thought of having to catch a wave everyday for 28 days seems too easy to be a challenge.
In 2018 the inaugural Sutherland Shire SurFebruary campaign raised over twenty thousand dollars for the Chris O'Brien Lifehouse Cancer Centre and this year the mission is to aim for fifty thousand.
To participate you can surf solo, join a team of surfers to tag-team,which is perfect for those with a busy schedule or start your own team.
Although the main image for the charity is surfing, there is no discrimination against which activity you choose to partake in, so long as it is water-based.
You don't have to surf if it isn't your thing. Swimming, kayaking or go for a beach run every day- the options are endless,you can just log on and sponsor a participant,it all helps .
After a trying time in their life, husband and wife team Aaron and Jenna-Lea Clark along with Mike Durante decided to harness the power of this natural phenomenon for the good of others by launching SurFebuary.
Jenna-Lea was diagnosed with an aggressive form of cervical cancer seven weeks after the birth of her first daughter, Summer. After being informed the duo would not be able to have any more children, Jenna-Lea underwent three years of medical care and multiple surgeries including a modern trachelectomy procedure, and now lives a cancer-free life with Summer, Arron, and her miracle baby boy Vander who was conceived after her life-saving treatment.
After this transformative experience the Clark's decided to give back, and so SurFebruary was born.
There are plenty of options, and registration is free. You'll receive your very own Surfer Page to share with your family and friends, as well as a social media pack to help you tell others about your journey.


When I was asked to have a show of my iPhoneography at the Cherry Branch Gallery, I was thrilled.
Little did I know that saying yes to that show would send me spiraling into a year filled with self-doubt and questions about who I thought I was and how the hell would I pull it off and the secret shame of knowing that I had never, not once, printed one of my images.
A full year of agony over whether what I saw on my iPhone and my Mac would be as clear and lovely and vibrant on paper and even if it was…who would care?
All the while I took more and more photos, which led me down the path of torment…which one? Which one of my 20,000 photos would make it to the show.
Can you show 100 images, should it be 20, do you frame them?
Omigod if I frame them, how will I frame them? Can I clip them to a wire and forget the frame? And why owhyowhy did I ever say I would do this, say yes to this childhood dream of mine, to have an ART SHOW in a GALLERY!
Then 2 months before the show the inevitable happened.
I dropped my Mac on my kitchen floor. From a great height. The floor is a radiant heat floor made of concrete. Dropping it did that thing that dropping a Mac does…the world went all slow motion as it floated to the ground and a voice (not my own) inside my head was screaming, mnooowwahhnooooo!
I was in a fugue state for the next three days as my hard drive died. It was a slow decline at first. The first sign was my beloved iPhoto wouldn't open. OMG! ARTSHOW!
I kept trying, pushing buttons and restarting (a no no, we learn) over and over in a panic.
I was in deep denial.
The nearest Mac store was an hour and 15 minutes away. I just kept watching the wheel go round. Yes, I called to Apple hot line, which is not, by the way, the Mac Magic line- they do not have super powers and they always present with the obvious…"you should have backed your computer up".
Yeah and I should have been born rich and important, perhaps a few inches taller…and YOU Apple Genius are anything BUT!
Anyway, long story short, I went to a local computer guy who pulled what he could off of my hard drive and I got a new hard drive from Apple (thank you Vicki for the extended Apple Care) and then spent the next 2 months pulling photos out of recovered files in the hopes that I was getting the original photos and not the iPhoto'd or instagrammed photos or corrupted photos. It was a mess.
But I pushed on, my April 6 deadline loomed.
All is well that ends well, as they say, and in the end (with the extreme help of Kristen, the gallery manager) I gathered about a thousand pictures, then narrowed it down to 33 pictures. This was an ordeal in itself that I can't relive right now. I'm still tender.
But this missive is about a hero, this is a love letter to a gallery owner I have never met.
The James Geras of Geras Tousignant Gallery in San Fransisco.
My day job is wholesale director for Beekman 1802. The Fabulous Beekman Boys have fans all over the world and they should, they are wonderful, tireless supporters of farmers, human rights, sustainable living, diva-like lamas, baby goats and all lovely living things.
One of those fans is James Geras and he became my client when he decided to share Beekman 1802 products with his gallery clientele at an opening.
In our back and forth I discovered that he is a photographer, a high-end photographer who sells his prints to collectors for thousands.
Desperate, I told him about my gallery show in Cherry Valley and asked for advice about printing, hanging and framing. As if I could afford anything he was going to tell me.
Well, he got it, not only did he get it but he was a fountain of information, immediately sending me ideas for hanging pictures for next to zero dollars…he sent links to catalogs, web pages, pictures of ways he had hung up photography exhibits elegantly and on the cheap.
He was wonderful, a dream come true, an amazing person, like some fairy godbrother that the Universe blessed me with!
And, he turned me on to his printer which was the turning point in my search for resources. This printer was above top-notch, fast and they printed on metal, which, until I saw a print of mine on it, I didn't know I needed but indeed I needed very much.
James Geras, I LOVE you!
Not only did he help me with the printer who made my show a resounding success but he called the gallery before my show went up and bought a piece AND he sent me opening night flowers!
An Angel, that is who.
I will never ever forget his generosity.
James Geras has an open invitation to visit and stay at Dunga Brook. Forever.
Of course, The American Hotel might be more fun and right in the middle of the haps in the middle of nowhere.
But even if he doesn't stay with me, I will pick him up at the airport (an hour and 15 minutes away…a hop skip and a jump away from the nearest Apple store) and give him a personal CNY tour.


text:
package io.primeval.aspecio.internal.service;

import java.util.Set;

import org.osgi.framework.ServiceReference;

import io.primeval.reflex.proxy.Interceptor;

public final class AspectInterceptor implements Comparable<AspectInterceptor> {

    public final String aspect;

    public final Interceptor interceptor;

    public final ServiceReference<?> serviceRef;

    public final int serviceRanking;

    public final Set<String> extraProperties;

    public AspectInterceptor(String aspect, Interceptor interceptor, ServiceReference<?> serviceRef, int serviceRanking,
            Set<String> extraProperties) {
        super();
        this.aspect = aspect;
        this.interceptor = interceptor;
        this.serviceRef = serviceRef;
        this.serviceRanking = serviceRanking;
        this.extraProperties = extraProperties;
    }

    @Override
    public int compareTo(AspectInterceptor o) {
        return serviceRef.compareTo(o.serviceRef);
    }

    @Override
    public int hashCode() {
        final int prime = 31;
        int result = 1;
        result = prime * result + ((serviceRef == null) ? 0 : serviceRef.hashCode());
        return result;
    }

    @Override
    public boolean equals(Object obj) {
        if (this == obj)
            return true;
        if (obj == null)
            return false;
        if (getClass() != obj.getClass())
            return false;
        AspectInterceptor other = (AspectInterceptor) obj;
        if (serviceRef == null) {
            if (other.serviceRef != null)
                return false;
        } else if (!serviceRef.equals(other.serviceRef))
            return false;
        return true;
    }

}

redpajama_set_name: RedPajamaGithub


text:
5:33am Beth Orton - "Concrete Sky" - Daybreaker (Heavenly)
5:29am Mercury Rev - "Ode to Billie Joe" - Bobbie Gentry's The Delta Sweete Revisited (Partisan)
5:25am Bridal Party - "Tylenol" - Too Much (Tiger Bomb)
5:22am New Pornographers - "Falling Down the Stairs of Your Smile" - In the Morse Code of Brake Lights (Concord)
5:16am Flying Horse Big Band - "The Serpent's Tooth" - Flying Horse Band (Flying Horse)
5:10am Y La Bamba - "Entre Los Dos" - Entre Los Dos (Tender Loving Empire)
5:04am John Santos & the Machette Ensemble - "S.F. Bay" - S.F. Bay (Machete)
4:56am Twin Peaks - "Casey's Groove" - Lookout Low (Planetary)
4:55am My Little Hum - "Subway Song" - Pioneer (MLM)
4:52am The Bonzo Dog Band - "The Intro and the Outro" - The Best of the Bonzo Dog Band (Rhino)
4:48am Mosquito Cabaret - "Lost In a Maze" - Modern ife of Insects (Deadrun)
4:45am The Flamin' Groovies - "I Want You Bad" - Fantastic Plastic (Sonic Kicks)
4:42am Rubinoos - "Phaedra" - From Home (Yep Roc)
4:35am Jenny Hval - "Accident" - The Practice of Love (Sacred Stones)
4:30am Sleater-Kinney - "Combat Rock" - One Beat (Kill Rock Sars)
4:25am Carrie Brownstein - "Youth" - Hunger Makes Me a Modern Girl (Penguin Random House)
4:22am The B-52's - "She Brakes for Rainbows" - Bouncing Off the Satellites (Warner Bros.)
4:17am Dave Brubeck Quartet - "Three to Get Ready" - Time Out (Columbia)
4:08am Steely Dan - "Third World Man" - Gaucho (MCA)
4:04am Marvin Gaye - "Third World Girl" - Midnight Love (Legacy)
4:02am They Might Be Giants - "Number Three" - Then (Restless)
3:58am Brian Eno - "Surbahar Sleeping Music" - Music for Installations (Astralworks)
3:55am The Needs - "Hey Wake Up" - Hey Wake Up (Jansen)
3:51am Ginger Baker Trio - "I Lu Kron" - Going Back Home (Atlantic)
3:51am Ginger Baker Trio - "I Lu Tron" - Going Back Home (Atlantic)
3:48am Garbage - "Sleep" - Garbage 20th Anniv (S/R)
3:44am Corinne Bailey Rae - "Trouble Sleeping" - Corinne Bailey Rae (Capital)
3:41am Bedouine - "Under the Night" - Bird Songs of a Killjoy (Spacebomb)
3:39am Leo Kottke - "Sleepwalk" - The Essential Leo Kottke (Chrysalis)
3:31am Camel - "The Sleeper" - Breathless (Deram)
5:53am Passport - "Looking Thru" - Looking Thru (Atco)
5:50am Sufjan Stevens - "Concerning The UFO Sighting Near Highland, Illinois" - Come Feel the Illinois (Asthmatic Kitty)
5:46am Yo La Tengo - "Stupid Things" - Fade (Matador)
5:42am Lemonheads - "Become the Enemy" - The Lemonheads (Vagrant)
5:38am NRBQ - "It Was an Accident" - Kick Me Hard (Rounder)
5:34am Hank Williams - "Hey Good Looking" - The Ultimate Collection (Mercury)
5:29am Leona Naess - "New York Baby" - Comatised (MCA)
5:26am The Cranberries - "All Over Now" - In the End (BMG)
5:22am Liz Phair - "Go West" - Whipsmart (Capital/EMI)
5:19am Al King - "My Name Is Misery" - Together (Ace)
5:14am Dead South - "Diamond Ring" - Sugar & Joy (Six Shooter)
5:09am Uncle Tupelo - "Anodyne" - Anodyne (Sire)
5:04am Evie Ladin Band - "California I Cry" - Caught on a Wire (Evil Diane)
5:00am Cuco - "Do Better" - Par Mi (Interscope)
4:55am Jay Som - "Peace Out" - Anak Ko (Polyvinyl)
4:50am Hot Chip - "Melody of Love" - A Bathfull of Ecstasy (Domino)
4:46am Bird and the Bee - "Jump" - Interpreting The Masters Volume 2: A Tribute to Van Halen (Release Me)
4:42am The Flaming Lips - "How Many Times" - King's Mouth: Music and Songs (Warner Bros.)
4:35am Cars - "Moving in Stereo" - The Cars (Elektra)
Charley Varrick
Porridge Radio- "-"
Shadowy Men On A Shadowy Planet- "Running Meredith"
Dry Cleaning- "Anna Calls From The Arctic"


Commissioners of the U.S. Securities and Exchange Commission (SEC) and the Commodity Futures Trading Commission (CFTC) have come together to discuss their regulatory approaches to bitcoin futures contracts and bitcoin exchange-traded funds (ETFs). The two regulators are also open to collaborating on their oversight of crypto investment products.
At a Bipartisan Policy Center event entitled "The Year Ahead for Capital Markets" last week, SEC Commissioner Hester Peirce and CFTC Commissioner Brian Quintenz discussed their agencies' approaches to regulating crypto investment products.
We have a process in the Commodity Exchange Act that allows the exchanges to self-certify a contract if they believe it meets the requirements of the Act.
My concern about our approach in that area is it looks a little bit like a merit-based approach judging the underlying bitcoin markets.
We only have fraud and enforcement jurisdiction over the commodity space. Our oversight jurisdiction is over the commodity derivatives space, so the trading of commodities themselves like things like Ebay we don't have any type of oversight over that.
There [are] questions about where your jurisdiction ends and ours begins and again we don't want to have overlap there so you know my main concern has been that I think we need to do a better job providing guidance.
What do you think of the differences between how the CFTC and SEC approach bitcoin investment products? Let us know in the comments section below.


Google's CEO Sets Out Its Vision For The Future And Justifies Online Personal Data Collection.
Posted on 18th April 2012 at 13:32.
Google has rightly or wrongly been in the news a lot recently.
Unfortunately, the search giant has been making all the wrong headlines, particularly in relation to online privacy and so-called 'personal data mining'. The issue of user privacy has been much discussed on both sides of the Atlantic, and sadly for Google the debate could not have come at a worse time. Google is about to announce its first quarter earnings this week, and would, no doubt, prefer to concentrate on that, assuming things have gone according to plan of course. In an effort to switch the focus back to where Google's would like it to be, chief executive, Larry Page, who is celebrating his first year anniversary, has published an open letter setting out the company's vision for the future.
Larry Page has promised to deliver what he terms 'next generation search'.
In essence what he means is personalised search in which query results become less generic and more tailored to every individual user. Effectively what this means is that the company will allow private data to be collected by each of its services, and shared with its other platforms. This has been the controversial issue that has divided opinion. Some industry experts believe the changes will revolutionise search and make it more responsive and valuable: other, however, see the move as invasive and slightly sinister. Last month the European Union's justice commissioner, Viviane Reding, suggested that "transparency rules" had not been applied. Data regulators in France also cast doubt on the move's legality. Google said at the time that it believed it complied with EU law.
The truth probably lies somewhere between the two extremes. Mr Page shied away from discussing the more controversial aspects of personalised search, and preferred to concentrate on the positives, claiming that the company's changes would make internet searching a more targeted and intuitive experience. Google has consistently argued that it believed it had complied with EU law.
In his letter, Mr Page defended the move and suggested that users will in fact appreciate the changes Google is now making.
So what is Google's long term vision for search?
Is Social Media Right For Your Business?Why Is Video Marketing So Popular On Social Media Channels?