This past weekend I made the road trip down the 401 to the September 15th Montreal Grappling Competition. This was the third Montreal Grappling event that I have attended this year, and I have to say, It keeps getting better and better, while the drive is getting worse and worse. I can't wait until all that construction on the 401 is done!
Filling in forms and weigh ins went smoothly, the scale was accurate and we were in and out in about 10 minutes. The staff at Montreal Grappling are always friendly and efficient. The AGQ is the association used for insurance and whatnot and their form is simple. They have a nice system of being $10 for a day or $35 for the year. So if you are competing only once or twice it's a better option to do the $10, but if you compete a lot, like me, you can do the $35 and be done with it for the next 365 days. This also speeds up the registration process in the morning.
The tournament started at about 10:05, which qualifies as right on time for me! There were a few people who did not respect they schedule set out by the tournament but they managed to get them weighed in and started quickly. I know there can always be traffic, or whatever, but do your part to keep tournaments on time and show up early. It's hard to plan exactly how traffic will affect your drive, so plan for a worse case scenario. For me, a drive to Toronto could take anywhere between 35 minutes to an hour and a half. So I leave home 2 hours before I'm supposed to be there. If traffic is great, I'll have lots of time to relax and enjoy watching some competition before I fight, If it's horrible, I'm still there on time. it's so disrespectful to the tournament organizers, and your fellow competitors to show up late!
The refereeing this weekend was top notch! It was obvious that they paid attention during the IBJJF course and took away a lot of information from it. They were right on the ball, and maybe almost to on the ball with catching reaping the knee. Stalling was called quickly and not tolerated. I saw at least one DQ for it and lots of warnings. I wish stalling was called even quicker then then 20 seconds the IBJJF rules allows for. This past weekend was the debut of the new score boards and they worked great. They allowed for the table workers to enter the names of the competitors so they could easily keep the fighters straight. The boards were clear, and it was nice to see the match time. I would like to see them add speakers, and have the score boards make a noise, instead of them having to throw something into the ring at the end of the match. But that is pretty minor and I think having the boards is a huge step in the right direction.
The advanced No-Gi divisions were stacked this time around. i really enjoyed watching these divisions. Alex Fraser, the +190 winner ended up squeaking past Dainis Ng, the -170 winner in the final to win the trip. I don't think I've seen so many leg attacks in one morning then i did watching the -150 and -170 divisions on Saturday.
On the ladies side of things it was great to see so many people out! In No-Gi, the advanced and Beginners were combined into one division so everyone would get 4 fights. There were a lot of greats subs, and some very close matches. I hope all these ladies keep coming out to these events because they are the future of the sport! In gi, white and blue were separated because there was so many white belts! The white belts really put it all on the line and were fighting hard all day. I was really impressed with their display of heart and tenacity. In the blue belt division it was just the two of us, but we had a great match anyway. I hope more blue and up girls start to come out and reap the rewards from the amount of experience you can get at these events.
Another interesting thing I observed this weekend was the amount of judo to bjj cross over athletes that attended this event! They were everywhere, and they were doing very well. I love seeing judo in BJJ tournaments! Nothing beats a sweet throw to start off a match. I might be a bit bias about that though, coming from a judo background myself.
The super fight was non-stop action between Jon-Taine Hall and Kajan Johnson. It started out with Kajan controlling Jon-Taine, almost getting a guillotine and Jon-Taine escaped! They both were working hard the entire match. Jon-Taine ended up on his feet and slapped on an insanely fast and tight straight ankle lock for the win! Congrats to both of these athletes on a great performance!
Next up from Grappling Industries is the first Toronto Grappling Grand Prix! This event is going to be huge, and if you're anywhere near the GTA you need to be there. They are giving away 4 trips to the IBJJF Pans (8 if they get 500 people registered). The round robin format is amazing and they run a smooth event.
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Gradski Stadion Kavadarci (Macedonian Cyrillic: Градски Стадион Кавадарци) is a multi-use stadium in Kavadarci, North Macedonia. It is used mostly for football matches and is currently the home ground of GFK Tikvesh. The stadium was built in the late 1940s and the first match played was on 19 March 1950 between FK Tikvesh and NK Rudar Trbovlje from Slovenia, qualification for the Yugoslav Third League, the final score was 1–4 for the visitors from Slovenia.

The stadium has hosted the first ever Macedonia U-21 international fixture, a 7–0 win over Estonia U-21 played on 31 May 1994, and also the Macedonian Cup final between FK Sileks and FK Sloga Jugomagnat (4–1) on 28 May 1997.

Although used primarily for football, the stadium has hosted many concerts in the past as well.

The expansion of the new South Stand is now underway, and work is expected to be completed by the summer of 2023. Once development is completed will result in a further 1000 covered seats and improved facilities.

References and notes

External links
Stadium Profile
Kavadarci
Macedonian Football
Football Federation of Macedonia

Football venues in North Macedonia
Stadium
Sport in Kavadarci

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Any small business, especially related to online sales or wholesaling, may face huge problems in managing its inventory stock while growing in size. At the beginning, the number of orders could be small, but once the company takes off, the inventory should be kept in a perfectly optimized state – something that cannot be done with just human force. By automating different internal processes, crucial human mistakes would be reduced, leading to a positive impact on the company as a whole.
Wholesalers and online businesses can better manage their product listings, prices and sales channels. Thanks to special software tools companies could automate many operations, allowing them to focus on growth, rather than simple operations.
Effective inventory management is crucial for keeping a perfect balance between happy customers, who always get their orders on time, and warehouse space. As the real inventory in the warehouse and the stock levels in the program are synchronized, the managers can better forecast demand and orders, without having too much stock in the warehouse. Moreover, the inventory becomes more visible as some programs could track movement between locations.
Price updates can be done easily through the software dashboard. This saves hours of manager work, especially when the company sells its product through different channels and platforms.
Quarter and annual reports become more accurate and reliable, which is important for investors and government.
Integrating the inventory management software with the accounting system gives any business the ability to further minimize cost and labor for manual calculations and tax reports. ROI goals are easily monitored, while inventory is always accurate in the reports.
EMERGE app is one of the cloud-based software solutions suitable for both small and large enterprises. It easily integrates with Magento, WooCommerce, Amazon, Ebay, and other popular platforms. You can read more about EMERGE on its web page at emergeapp.net.
To sum it up, the benefits of inventory management software are many, and they can't be neglected. If you run a business, you should definitely implement such a tool to improve the overall profitability of your company.


How to protect yourself from an email hack?
AlexHarry: With this regularly speeding online threats, there is a for sure fear of losing personal data. In the case of emails, this comes up to be a matter of great concern. Here, in the bl...og, we will be studying how a person can safeguard himself from the emerging email hack incidents.
AlexHarry: There is a great need of protecting personal and important information from the eyes of hackers. For this, it is important to learn some basic tips that can help in retaining the i...nformation on your favorite social media platform.
MozillaTechs: Because of the massive attacks and scams round the world, Microsoft is hereby pushing out triple features at once to help secure users and their data in its home and personal versi...on of office 365 suite.
How to Protect your Computer with Norton? What are Benefits of availing Norton Technical Support Services?
taylorolivia183: Norton the leading antivirus brand is widely used by the computer users. Ideal for both home and office computers it provides security to the device from malware, spyware, Trojan h...orse and other threats.
taylorolivia183: The user may face the technical issues when the malicious programs enter into the system. Some errors occur in application that enables them to take more time in responding while s...ome in programs that does not allow them to work properly.
How You Pick the Right Antivirus Program to Protect Your Data?
taylorolivia183: The data residing on your device hard disk comprise your financial data and digital identity, so it's valuable enough to be secured. Antivirus software secures data, and that's... why you must spend in it so that your data remains yours only.
SafeForMens: Among all health sector fitness sector is the one have got the strongest hold on the market and millions of people are getting into fitness zone to tone their body or just to burn unwanted fats.
taylorolivia183: Ransomware is one of the fastest growing malware threats for the PC, phones, and tablet users. The amount of attack of ransomware has increased dreadfully 350 percent in less than a year.
taylorolivia183: A password is required on a number of cases every day – while using ATM, Email, or an online bank transaction. It can prove to be quite a task to recall all the passwords at the simultaneous time.
taylorolivia183: Till now, you have heard and got warnings about cybercrimes like Data breaches, ransomware, malware, and phishing attacks, but now hackers have even started targeting appliances li...ke Wi-Fi light bulbs and smart locks. You have never thought that hackers may attack an appliance like refrigerator and can use it against you.
taylorolivia183: Some of these applications have age conditions that kids mostly ignore. If an online application has a minimum age necessity, you should make sure that your kids follow to it.
prpritam: For working professionals there is hardly anything as bad as a recession! It brings along a lot of negative developments and insecurity. As it is, companies affected by recession ...resort to aggressive cost cutting measures to stay afloat and maintain profit margins. One of the cost cutting measures has invariably been layoff.
struttura: Il nebbiogeno Protect è sviluppato e costruito interamente in Danimarca, un prodotto di alta qualità estremamente sicuro ed affidabile che Struttura offre con un estensione di Ga...ranzia fino a 5 anni. Oggi sempre più negozi e attività commerciali scelgono questi sistemi per proteggere i loro ambienti e attività dall'azione dei ladri. Ecco alcune informazioni su come averlo.
struttura: Struttura è installatore Certificato Nebbiogeni Protect. Molte sono le domande che ci pongono riguardo a questo sistema di antifurto. Ecco che vi riportiamo alcune delle domande p...iù frequenti con le relative risposte.


In Oscar Wilde's An Ideal Husband, Sir Robert Chiltern is perfect in every way, or so his wife believes. Unbeknown to her, he shared inside government information to advance his young political career. Mrs Cheveley comes along threatening to expose and ruin him politically and socially. But if one's going to blackmail, one should have a clean record as well. There is also Lord Goring, who although a close friend of the Chilterns is declined permission to wed Mabel, Robert's sister.
Lady Chiltern: Robert is as incapable of doing a foolish thing as he is of doing a wrong thing.
Lord Goring: Nobody is incapable of doing a foolish thing. Nobody is incapable of doing a wrong thing.
The Importance of Being Earnest is a Wilde take on what's in a name. Jack and Algernon use false names to escape Society and obligations. Jack is known as Ernest by his ward Cecily in the countryside, but Jack when he's in London. Jack's intention to wed Gwendolyn is impeded because his name isn't Ernest nor is he earnest. Her mother, Lady Bracknell, is also opposed because Jack was found in a handbag and his unknown pedigree won't help her rise in Society. In order to meet Cecily, Algernon disguises himself as Ernest's made-up misbehaving brother Jack.
Jack: As a high moral tone can hardly be said to conduce very much to either one's health or one's happiness, in order to get up to town I have always pretended to have a younger brother of the name of Ernest, who lives in the Albany, and gets into the most dreadful scrapes.
Fashion is what one wears oneself. What is unfashionable is what other people wear… Vulgarity is the conduct of other people… Falsehoods the truths of other people… Other people are quite dreadful. The only possible society is oneself… To love oneself is the beginning of a lifelong romance.
Remember to what a point your Puritanism in England has brought you. In old days nobody pretended to be a bit better than his neighbours. In fact, to be a bit better than one's neighbours was considered excessively vulgar and middle-class. Nowadays, with our modern mania for morality, everyone has to pose as a paragon of purity, incorruptibility, and all the other seven deadly virtues- and what is the result? You all go over like ninepins-one after the other.
Wilde's artistic genius lies in using familiar styles to blatantly mock Society. Ideal is similar to the melodramas and farces of the Victorian era. It has stock characters of the virtuous wife, the husband with a secret past, and the "other woman" in a stock storyline with love, sacrifice, forgiveness, and a happy ending. In the earnest comedy of manners, Jack and Algernon are stock characters who are immoral and use disguises. As per the genre, the scandal around them is upstaged by the witty dialogue. One thing I've noticed is that the best and most quoted lines seem to come from supporting characters.
Mrs Cheveley: Morality is simply the attitude we adopt towards people whom we personally dislike. .. Questions are never indiscreet. Answers sometimes are. .. As a rule, everybody turns out to be somebody else.
Lord Goring: Life cannot be lived without much charity. It is love, and not German philosophy, that is the true explanation of this world, whatever may be the explanation of the next.
Algernon: It is absurd to have a hard and fast rule about what one should read and what one shouldn't. More than half of modern culture depends on what one shouldn't read. .. All women become like their mothers. That is their tragedy. No man does. That's his.
One thing that stands out in Ideal is the character descriptions by correlating them with artists and styles. Lady Chiltern is a "grave Greek beauty" and Sir Robert Chiltern's head could be painted by Vandyck while Mrs Cheveley is "a work of art, on the whole, but showing the influence of too many schools".
During Earnest's premiere, Wilde was brought to court by the Marquess of Queensberry for indecent relations. He was prosecuted and served two years with hard labor. I saw a fantastic production of Gross Indecency: the Three Trials of Oscar Wilde by Moises Kaufman a few years ago, but still needfully want to read it.
I liked the plays, but enjoyed An Ideal Husband more than the Importance of Being Earnest. I found it funnier and more interesting, partially because of Lord Goring and Mrs Cheveley. I really like Wilde's writing and will be reading the four plays I haven't yet read, along with some poetry, essays, and possibly children's fiction.
I read Ideal and Earnest back to back in July for the GLBT Challenge hosted by Amanda, which is also why I read some of Wilde's works last year. It was good incentive to read what's been waiting on my shelves for far too long while getting more familiar with Wilde's artistic genius.
If you've read or seen anything by Wilde, what did you think?
Sir Robert Chiltern: Do you really think, Arthur, that it is weakness that yields to temptation? I tell you that there are terrible temptations that it requires strength, strength and courage, to yield to. To stake all one's life on a single moment, to risk everything on one throw, whether the stake be power or pleasure, I care not- there is no weakness in that. There is a horrible, a terrible courage.
Algernon: It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I"ll certainly try to forget the fact.
Ironically, I just read these two plays and posted about them in a double-review just like this a few months ago… They were my first plays by Wilde (I'd only read Dorian Gray before) and I absolutely adored both of them, especially Earnest.
It seems that I think much the same about Wilde as you do. That he can, and must, be quoted at length. You have picked wonderful quotes, which leave me wanting to urgently read more Wilde.
I like the point you make about Wilde valuing art for art's sake. I will try to remember that the next time I get bogged down trying to decipher his morality, because it is probably about art and not morality at all.
The only work of his which I know really well is Dorian Gray, and some of the fairy tales, which I love. I recently purchased the complete works for 50p but it is such an embarrassment of riches that I hardly know where to begin.
Amanda: Funny that. I was on blogosphere hiatus at the time. I'm glad you liked them, now I wonder how much you'll laugh at Lady Windermere's Fan. Wilde's one of my favourites. Eloquently put that "every line in both of these plays was so perfect and poised". I don't think I've seen any of the films, but I've been keeping an eye out. I started working in a theatre a week after Earnest's run ended, royal bummer. It would have been hysterically fun.
Sarah: Yes and thanks about the quotes. I could have easily used more lines. Follow your urge and read more Wilde. You could start with some plays. I'm envious and need the complete works. What I have is not nearly enough.
I've only read Picture of Dorian Gray. Been meaning to read The Importance of Being Earnest forever (ever since I read Dorian Gray some four years ago), but haven't yet – don't ask me why!
Love the quotes, and like Sarah, I think Wilde can be quoted at length. At least three to four of his quotes have made it into my daily vocabulary, including the one I use about compulsive book-buying: I can resist anything but temptation.
Morality saturates Dorian Gray, but I had no idea what, if anything, Wilde was saying on the subject… And ultimately I didn't care, the writing is fantastic, my quest for meaning was happily abandoned.
Sarah: It's the writing and liking something that counts. Sometimes I think understanding what's being said is overrated. Take Ulysses for instance.
Uncertain: I recall you bringing up the temptation quote for Dorian Gray's review. You would like Earnest so stop putting it off.


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Former Supreme Court Justice Wants to Change the Second Amendment for Our "safety and wellbeing"
Kimberly Paxton
In his new book, Six Amendments: How and Why We Should Change the Constitution, former (thankfully) Supreme Court Justice John Paul Stevens outlines the six Constitutional Amendments that he would like to see changed.
According to the book's description on his website, Stevens outlines "six specific ways in which the Constitution should be amended in order to protect our democracy and the safety and wellbeing of American citizens."
Given his liberal background (a 2003 statistical analysis of Supreme Court voting patterns found Stevens to be the most liberal member of the Court) it's probably no surprise that one of the things that Stevens would change to increase our "safety and wellbeing" is the Second Amendment.
As it stands, most of us cherish these words:
A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms shall not be infringed.
Stevens, however, believes that it is implied that these arms should only be kept by members of the militia and would like to see the Second Amendment changed in a way that would seriously limit our constitutional right to keep our firearms.
A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms when serving in the militia shall not be infringed.
If this were to come to pass, I can foresee a whole lot of militias forming across the country.
An obviously biased piece of rhetoric was published on Bloomberg BusinessWeek (it's important to note that this is the website owned by Bloomberg LP, which was founded by the infamous former Nanny Mayor Mike Bloomberg of New York City, a vocal opponent of gun rights). In the article, Stevens is lauded as "brilliant" and "an intellectual force to be reckoned with."
Since Stevens believes that the authors of the Second Amendment were primarily concerned about the threat that a national standing army posed to the sovereignty of the states—as opposed to homeowners' anxiety about violent felons—he thinks the best way to fix the situation is to amend the Second Amendment…
To support the change, he argues: "Emotional claims that the right to possess deadly weapons is so important that it is protected by the federal Constitution distort intelligent debate about the wisdom of particular aspects of proposed legislation designed to minimize the slaughter caused by the prevalence of guns in private hands." (source)
The author of the article then continues to paint a picture of gun owners being members of some sort of fringe of society. "For a significant minority of Americans, firearms represent individualism, independence, and self-reliance."
While personally, I would consider a tome that suggests changing our founding principals to be more of a horror story, The Hachette Book Group, which published the book, says:
Written with the same precision and elegance that made Stevens's own Court opinions legendary for their clarity as well as logic, SIX AMENDMENTS is a remarkable work, both because of its unprecedented nature and, in an age of partisan ferocity, its inarguable common sense. (source)
Stevens was the longest serving member of the Supreme Court, serving from 1975-2010. He is 93.
Gun owners, libertarians, and conservatives across the country must have heaved a deep sigh of relief when Stevens stepped down from his seat on the Supreme Court. We can all be thankful that his book is only his own rhetoric, to be read by nodding pseudointellectual liberals and then discussed at hipster dinner parties, and that he no longer has the ability to personally reshape the laws of this land.
Contributed by Kimberly Paxton of www.TheDailySheeple.com.
Kimberly Paxton, a staff writer for The Daily Sheeple, is based out of upstate New York. You can follow Kimberly on Facebook and Twitter.
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OnePlus 6 Camera Review: Can it Compete with other Flagship in Market?
OnePlus released its latest flagship OnePlus 6 recently and the smartphone is sure the most powerful Android smartphone because of the latest Snapdragon 845 chipset. Performance is essential in a smartphone, but the camera is another feature which makes the smartphone worth the money you spend on it.
Here we are testing the camera of the OnePlus 6 and see if this smartphone can capture flagship level pictures. We will also compare its performance to OnePlus 5T to look at the improvements which OnePlus has done in OnePlus 6.
The camera on OnePlus 6 is the same as its predecessor, OnePlus 5T. It comes with the same 16MP + 20MP dual camera setup with f/1.7 aperture size which is best for low light photography. OnePlus has added the Optical Image Stabilization in the OnePlus 6 which was absent in OnePlus 5T. Another improvement in the rear camera is the addition of the 4K recording at 60 fps frame rate.
The front-facing camera is also similar to the OnePlus 5T; it comes with a 16MP sensor with f/2.0 aperture size. It comes with gyro EIS stabilization as well for sharp images every time, and it can record 1080p FHD videos at 30 fps. OnePlus 6 features a Super Slo-Mo video support which the company has touted about in the pre-launch teasers.
The OnePlus 6 captured beautiful shots when we took it for a spin outside in the daylight. You can see how beautiful those images are, the contrast of the colors makes the pictures even better. The focus is faster on the camera which makes the camera of the OnePlus 6 quicker and snappier.
The smartphone performed really well in daylight conditions, we took some pictures of small figurines, and it comes out really great. The crispness of the photos are not impressive, but the overall performance of the camera in daylight is impressive.
The OnePlus 6 comes with a portrait mode which adds more blur around the subject and makes it pops out from the background. The OnePlus 6 easily takes the portrait pictures and adds a sufficient amount of blur to the environment but the colors in the portrait look a bit oversaturated, and the images are also not well lit.
The camera on OnePlus 6 comes with a f/1.7 aperture size which is suitable for low light photography. When coming to the artificial light, the pictures are well lit, but the color contrast of the photos seems to fade away in artificial lights.
Now coming to low light photography, the smartphone performed amazingly well in low light pictures. The smartphone manages to add a background blur "so-called Bokeh" effect to the photographs taken in the low light conditions.
The front-facing camera is a 16MP sensor and takes pretty amazing selfies from the camera. The camera manages to add a bokeh effect to the selfies too and make the background blur. The smartphone takes some really great selfies even in the low light conditions with background blur.
We are satisfied with the selfie camera performance as well, the color contrast is also excellent, we can clearly see some alteration with the color settings, but it doesn't look over saturated. The selfies also come out well lit, and the beauty mode also works well, and you can lower or disable the beauty mode level in the camera interface.
The smartphone is capable of shooting 4K videos at 60 frames per second, but there is a 5-minute limitation which is the case in most Android smartphones which are capable of shooting 4K at 60 fps. The stabilization in the camera also works great all thanks to the Optical Image Stabilization technology.
The smartphone is also capable of capturing super slo-mo videos at 480 fps which brings some fantastic footage on the table. Check out the fantastic slo-mo video which we created in our office.
The OnePlus 6 is sure the best competitor to the flagship performance because of its price and the latest Snapdragon chipset. But when it comes to the camera quality, it seems that OnePlus didn't work well on it at all. The camera quality is similar to the previous smartphone OnePlus 5T with some additions, and you can expect it to perform a little better.


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Die Pfarrkirche Tumeltsham steht im Ort Tumeltsham in der Gemeinde Tumeltsham in Oberösterreich. Die römisch-katholische Pfarrkirche hl. Veit gehört zum Dekanat Ried im Innkreis in der Diözese Linz. Die Kirche steht unter .

Geschichte
Eine Kirche wurde 1122 urkundlich genannt.

Architektur
Beim ursprünglich gotischen zweischiffigen Langhaus wurden 1776 die Pfeiler entfernt und ein neues Gewölbe eingebaut. Das heute einschiffige dreijochige Langhaus hat ein Stichkappentonnengewölbe. Der gotische zweijochige Chor mit einem Fünfachtelschluss ist erhalten. Der Westturm aus 1845 erhielt einen Helm nach dem Muster der Pfarrkirche Ried im Innkreis. Vor dem spätgotischen Südportal steht eine netzrippengewölbte Vorhalle.

Ausstattung
Den Hochaltar aus 1763 schuf wohl Johann Peter Schwanthaler der Ältere. Der Hochaltar hat ein neueres Altarbild. Die Seitenaltäre haben neuere Statuen und Seitenstatuen um 1700 aus der Werkstatt von Thomas Schwanthaler. Es gibt eine Holzstatue Altöttinger Muttergottes in der Art des Franz Schwanthaler. Die Kanzel aus 1697 ist von Thomas Schwanthaler.

Der gotische Taufstein trägt eine Aufsatzgruppe Taufe Christi aus der Mitte des 18. Jahrhunderts.

Literatur
 Tumeltsham, Pfarrkirche hl. Veit. S. 341. In: Die Kunstdenkmäler Österreichs. Dehio Oberösterreich. Von Erwin Hainisch, Neubearbeitet von Kurt Woisetschläger, Vorworte zur 3. Auflage (1958) und 4. Auflage (1960) von Walter Frodl, Sechste Auflage, Verlag Anton Schroll & Co., Wien 1977.

Tumeltsham
Tumeltsham
Tumeltsham
Tumeltsham
Gotisches Bauwerk in Oberösterreich
Tumeltsham
Tumeltsham
Baudenkmal (Oberösterreich)
Tumeltsham
Bauwerk im Bezirk Ried im Innkreis
Tumeltsham


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Q: Handle message again aiogram I need to replace 1 special character in the message
I have this function
@dp.message_handler(Text(contains='-g'))
async def g_replace(message: types.Message):
    message.text = message.text.lower().replace('-g', '').replace('г', 'ґ')
    # handle message again

After that I want to handle this message again with other handlers. Is it possible?
UPD: I don't want to handle message with the same handler, so I need the same result as if user have sent modified message.
So I can't use constructions like other_handler(message) or this_handler(message) because I don't know exactly which handler would handle that message

A: I have solved this problem with middlewares, wich are somthing like handlers before handlers. First of all - import middleware class:
from aiogram.dispatcher.middlewares import BaseMiddleware

After that, define class for middleware
class GPreFilter(BaseMiddleware):
def __init__(self):
    super(GPreFilter, self).__init__()

async def on_process_message(self, message: types.Message, *args):
    if '-g' in message.text.lower():
        message.text = message.text.lower().replace('-g', '').replace('г', 'ґ')

Aiogram automatically calls on_process_message when it is a new message. Then setup this middleware
dp.middleware.setup(GPreFilter())

Now all the messages will be handled by middleware, and then by handlers

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Favorite memories of my Pop and PawPaw?
He is always sitting in his recliner. It has been the same recliner for a long time. He likes to talk. He likes to show us his figs when they are in bloom. He loves hearing about how we are doing.
He was a talker as well. He was always interested in hearing about our days. He liked to go for walks. He loved sitting outside under his oak tree watching the kids play in the leaves we had raked up.


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Marvel Studios Head Kevin Feige Talks Ant-Man And A Death In 'The Avengers' Film
Posted April 16th, 2012 by Ben Silverio
Head of Marvel Studios Kevin Feige
I've got more 'Avengers' news for you. I know we're adding to the huge pile of things rolling out to promote the movie, but trust me, this is HUGE. Since there's so much coming at you in the form of interviews, clips, featurettes, and photos, I'm doing my best to bring you the most important stuff that you need to know. Even if it might be a tad spoilery. So consider yourself warned and move on to a different article if you are avoiding spoilers.
In a recent article by the Toronto Sun, producer and head of Marvel Studios, Kevin Feige spoke about excluding Edgar Wright's version of Ant-Man and a DEATH in 'The Avengers'. For the benefit of those who are trying to avoid spoilers, I'll keep the death bit at the end so you can remain spoiler free until you see the movie on May 4th.
As most of us know, 'Shaun of the Dead' and 'Scott Pilgrim Vs The World' director Edgar Wright has been tapped to develop a movie based on the incredible size-altering Avenger who can control ants. However, due to schedule conflicts, among other things, the movie has yet to be shot. Some speculated that Hank Pym and Janet Van Dyne would make appearances in 'The Avengers' to set up for Wright's movie, but that doesn't look like that's the case, despite the fact that both characters were founding members of the team back in the 60s. That's not to say that the superhero alter ego of Pym couldn't have been in the Avengers movie. Feige had this to say about Ant-Man being excluded:
"Edgar's still working on that project, and it's closer than ever. But it's been eight years we've been working with him, and we finally decided we couldn't keep putting more people in. If Ant-Man had come out four years ago, it would certainly have been part of the puzzle."
We got a small glimmer of hope a few days ago when we received news that the cast got together to shoot one more scene the day after the premiere. Edgar Wright tweeted on April 5th, "Was just back behind the camera for the first time in nearly two years. Can't say on what, but it was cool…" Could this mean that he was prepping to shoot a post-credits scene for 'The Avengers' featuring Ant-Man? After all, Joss Whedon shot the post-credits scene for 'Thor' months after the film had wrapped.
Well, in an interview with Collider, Fiege debunked our speculation, cleared up Wright's involvement in the bonus scene business, and gave us a vague update on 'Ant-Man'. On whether or not the director shot something for Marvel recently, Fiege said:
"He did not. But I saw that tweet as well and thought, 'Did he do something for us? No?' No, it wasn't for us. But pay attention to his tweets in the coming months; that answer might change."
It really is a shame that the stars couldn't align for Ant-Man to take his rightful spot among The Avengers, but that just leaves a greater possibility that we'll see the hero in 'Avengers 2'.
Will one of these Avengers die?!
And now for the spoiler. I'll say it again for good measure: ***SPOILER ALERT*** There. That was your last chance to bail.
In the same interview with Toronto Sun, Feige said that it was his idea to kill off a favored character from the Marvel Cinematic Universe. Here's the quote:
"We wanted the audience to understand the stakes and not just assume because it's a franchise, no one will ever get hurt. So I was watching J.J. Abrams' Star Trek movie – and I'm a big Star Trek nerd so this may have hit me more than other people – but when they killed Spock's mom, I was like, 'We have to do that!' "
When Joss Whedon was first announced as the director of 'The Avengers', a lot of people joked that one of our beloved heroes would probably kick the bucket because he's known for killing off characters that the audience loves. Apparently, that joke has now become a reality.
I don't know about you, but I'm dreading the scene where we find out who dies. I'd like to think that it won't be a member of the team, but like Feige said, we shouldn't assume that no one will ever get hurt.
I'll bet that Agent Phil Coulson, Hawkeye, or Maria Hill are the most at risk, but that's just my own speculation. Even though the old adage goes that no one ever really dies in comics, I don't think it applies for comic book movies, does it?
Who do you think will die in 'The Avengers'? Are you excited for Edgar Wright's 'Ant-Man'? Let us know in the comments!
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text:
Heimdal er en af fire administrative bydele i Trondheim i Norge. Bydelen blev oprettet som en administrativ enhed d. 1. januar 2005, og er den største af de administrative bydele.

Bydelen omfatter områder:
Heimdal, det denne by, som bydelen er opkaldt efter. Byen voksede from som stationsby efter Dovrebanen blev åbnet, og var kommunecenter for de tidligere herreder Tiller og Leinstrand.
Byneset, en gammel og frugtbar jordbrugsbygd. Byneset Kirke der også erkendt som Mikalskirken i Stein, er en stenkirke fra 1100-tallet, en af de ældste i Trøndelag.
Tiller, et af Trondheimområdets nyere boligområder, der også har en del erhvervsmæssig bebbyggelse, med blandt andet indkøbscenter og industriområder.
Kattem, et boligområde bebygget på starten af 1970'erne.
Kolstad/Saupstad, også boligområder fra slutningen af 1960'erne.
Klett, et større jordbrugsområde. Navnet er fra gården Klett som tilhørte Elgeseter kloster i 1500-tallet og som i 1647 var krongods.

Bydele i Trondheim


T.M. Lewin's reputation is for first class shirt tailoring – they were one of the first to make shirts with buttons down the front, no less! The store caters for the business wardrobe of both men and women, including brightly coloured, striped and floral patterned shirts and a large accessory range.


text:
Q: Limit property of second derivative of bounded monotone function Suppose $f:\mathbb R \rightarrow \mathbb R$ is twice continuously differentiable, bounded and monotone. Is it possible to show that $\lim\inf_{x\rightarrow \infty} x^{2}f''(x)\leq 0$?
This is established in the following question when $\lim_{x\rightarrow \infty} xf'(x)= 0$:
Limit property of second derivative of bounded function.
The proof offered here relies on this property of the first derivative. I am wondering if it is possible to show without this property?

A: Suppose that $f$ is twice continuously differentiable, monotone and bounded on $\mathbb R$ (although it's enough for $f$ to have this property on $[a,\infty)$ for any $a$).
Suppose, by way of contradiction, that $\liminf_{x \to \infty} x^2f''(x)>0$. This implies that there exist $R,\epsilon>0$ such that for $r>R$, $r^2f''(r)>\epsilon$. This is because if this were not the case, then inductively one can find a sequence of points $r_n$ such that $r_n^2f''(r_n)< \frac 1n$ for each $n$ with $r_n \to \infty$, and therefore $\liminf x^2f''(x) \leq 0$, a contradiction.
Now, if $R,\epsilon$ exist as above, then in particular, $f''(r)>0$ for $r>R$. Since $f'' = (f')'$ , the positivity of $f''$ implies that $f'$ is monotone increasing on $[R,\infty)$.
Fix some $T>R$.
Now, note that $f$ is bounded and monotone. Therefore, we know that $\lim_{x \to \infty} f(x) = L$ exists and is finite. From the FTC , we get $L-f(T) = \int_T^{\infty} f'(t)dt$. Now, as $f'$ is monotone, $\lim_{x \to \infty} f'(x)$ exists as a possibly infinite number : however, note that $\int_T^{\infty} f'(t)dt$ also exists. Combining these two facts, it must happen that $\lim_{x \to \infty} f'(x) = 0$.
Now, as $f'$ is monotone increasing, it follows that $f'(x) \leq 0$ for all $x \in [T,\infty)$. Therefore, $f$ is monotone decreasing on $[T,\infty)$, if the contradiction holds.

We've actually not used the complete strength of the hypotheses present to us. We will use it, soon enough. I now present a part of an argument that I saw in the lead-up to the Karamata monotone density theorem.
Fix $b>1$ and let $x$ vary over large enough values such that $x,bx \in [T,\infty)$. Now, we use the FTC to write $$
\int_{x}^{bx} f'(t)dt = f(bx) - f(x)
$$
By the monotonic increasing nature of $f'$, we get that $$
(b-1)x f'(bx) = \int_{x}^{bx} f'(bx)dt \geq \int_{x}^{bx} f'(t)dt \geq \int_{x}^{bx} f'(x)dt = (b-1)xf'(x)
$$
for all $x$, from where we get $$
xf'(bx) \geq \frac{f(bx) - f(x)}{b-1} \geq xf'(x)
$$
for all $x$. Taking the $\limsup$ as $x \to \infty$ for the second inequality yields $$
\limsup_{x\to\infty} xf'(x) \leq \limsup_{x \to \infty} \frac{f(bx)-f(x)}{b-1} = \frac 1{b-1}\left[\lim_{x \to \infty} f(bx) - \lim_{x \to \infty} f(x)\right] = 0
$$
Take the first inequality and rewrite it as $$
(bx)f'(bx) \geq \frac{b(f(bx) - f(x))}{b-1}
$$
Now, we get by taking the $\liminf$ as $x \to \infty$ on both sides : $$
\liminf_{x \to \infty} xf'(x) = \liminf_{x \to \infty} bxf'(bx) \geq \liminf_{x \to \infty} \frac{b(f(bx) - f(x))}{b-1} \geq 0
$$
(The first equality is true by using the very simple $y = \frac xb$ or $y=xb$ substitution for any sequence leading to the smallest limit point). Therefore, the hypothesis imply that $\liminf_{x \to \infty} xf'(x) \geq 0 \geq \limsup_{x \to \infty} xf'(x)$ i.e. that $\lim_{x \to \infty} xf'(x) = 0$.
From here, one can finish using the linked MSE post, which proves that $\lim_{x \to \infty} xf'(x)=0$ implies a contradiction to the statement $\liminf_{x \to \infty} x^2f''(x)>0$. Hence, we are done.


The panel will examine emerging care models for complex patient populations and their potential for improving outcomes while reducing costs. Additionally, panelists will share examples of organizations that are leveraging innovative care management solutions to better identify when interventions are needed, thereby improving care team productivity and enhancing patient satisfaction in a value-based environment.
Ramamurthy will offer insights on how healthcare organizations leverage VirtualHealth's cloud-based population health and care management solution to track not only social determinants of health, such as transportation and nutritional needs, but also medication adherence, behaviors and movement between care environments.
"Providing quality care for vulnerable populations requires processes and technologies that effectively capture both clinical and nonclinical patient data," said Ramamurthy. "By creating intelligent workflows based on the data, organizations can ensure that care gaps are identified and addressed in real time, resulting in lasting improvements to patients' quality of life."
Joining Ramamurthy on the panel are moderator Carl Tapia, MD Medical Director of Texas Children's Health Plan and Assistant Professor of Pediatrics at Baylor College of Medicine, Manik Bhat, CEO of Healthify, and Holly Arbuckle, Director of Business Development of Outreach Health Services.
"Ensuring equal and timely access to the right level of care is a leading priority across the healthcare continuum," said Adam Sabloff, CEO of VirtualHealth. "VirtualHealth's track record with Medicaid populations exemplifies how the combination of forward thinking healthcare organizations and innovative healthcare IT products can enable the provision of cost-effective, high-quality care to our most vulnerable populations."
VirtualHealth will showcase its award-winning platform for integrated value-based care in Booth #103 at the TAHP Managed Care Conference and Trade Show taking place October 23-25 in Houston.


text:
María Jesús Cuadra Pérez (Madrid, 26 de diciembre de 1936), más conocida como María Cuadra, es una actriz española de cine, televisión y teatro, que ha protagonizado varias producciones españolas e internacionales de alto perfil, entre ellas: Platero y yo, Último encuentro, Vuelve San Valentín, Marinai, donne e guai , Buenas noches Bettina o La canción del olvido. Ha trabajado junto a actores como Van Johnson, Fernando Rey, Giuliano Gemma —en el filme Il Prezzo del Potere, una versión spaghetti western ítalo-española del asesinato del Presidente de EE.UU. James A. Garfield−, y con actrices como Anita Ekberg (Les Trois etc. du colonel).

Es hija del torero Antonio Cuadra Belmonte. Se casó y más tarde se divorciaría con el actor y productor italiano Eduardo De Santis, habiendo tenido tres hijos de ese matrimonio (Natasha, Nicolas y Antonella). Maria Cuadra reside en Madrid, y es muy activa en el trabajo caritativo para organizaciones internacionales, incluyendo servir como embajadora de UNICEF y de la Cruz Roja Internacional.

Filmografía

Fuentes

Referencias

Enlaces externos

Actrices de cine de España
Actrices de televisión de España
Actores de Madrid
Actrices de teatro de España
Nacidos en Madrid
Españolas del siglo XX


text:
I Modi – Italiaans voor: "De manieren" of "De standjes" – ook bekend als "De Zestien Genoegens" of onder de Latijnse titel "De omnibus Veneris Schematibus", is een erotisch boek uit de Italiaanse renaissance waarin een serie seksuele posities expliciet op gravures zijn afgebeeld. Terwijl de oorspronkelijke uitgave schijnbaar volledig door de katholieke kerk werd vernietigd, zijn er toch fragmenten die dit hebben overleefd voor een latere uitgave. De hierop volgende uitgave werd begeleid door sonnetten van Pietro Aretino, die de seksuele daden op de afbeeldingen beschreef. De oorspronkelijke bewaarde illustraties zijn vermoedelijk door Agostino Carracci gemaakt.

De oorspronkelijke uitgave
De oorspronkelijke uitgave was van de graveur Marcantonio Raimondi, gebaseerd op een serie van zestien afbeeldingen van seksuele standjes op de erotische schilderijen die Giulio Romano in opdracht van Federico II Gonzaga voor diens nieuwe Palazzo del Te in Mantua gemaakt had.
De gravures werden door Raimondi in 1524 gepubliceerd en leidden tot zijn gevangenschap op last van Paus Clemens VII, die wilde dat alle kopieën van de illustraties zouden worden vernietigd.
Romano was zich niet bewust van het bestaan van de gravures totdat de dichter Pietro Aretino speciaal daarvoor bij hem kwam kijken naar deze originele schilderijen, waar Romano overigens nog steeds aan werkte.
Romano werd niet vervolgd omdat zijn werken, in tegenstelling tot die van Raimondi, niet voor de verkoop waren bedoeld. Aretino stelde toen zestien openhartige sonnetten samen om de gravures te begeleiden en kon op die manier de vrijlating van Raimondi uit de gevangenis garanderen. Een deel uit een van die sonnetten luidt: ...beide, in uw poesje en van achteren, mijn haan zal me gelukkig maken en u gelukkig en zalig.

I Modi werd zo voor de tweede keer uitgegeven in 1527, nu met de gedichten. Zodoende zijn hier voor het eerst erotische afbeeldingen met tekst als één geheel samengebracht. Desondanks probeerde het pausdom alle kopieën te achterhalen.
Raimondi ontsnapte zo dus wel aan de gevangenis, maar de druk op beide uitgaven was veelomvattend.
Geen van de oorspronkelijke edities - met uitzondering van enkele fragmenten die nu in het British Museum liggen, en twee kopieën van de eerste druk - hebben het overleefd. Een van die kopieën is vermoedelijk een geplagieerde versie met ruwe illustraties in houtsnede en ingekorte teksten, dat in 1550 in Venetië gedrukt werd. Dit exemplaar werd in 1920 werd ontdekt. Het omvatte vijftien van de zestien "houdingen". De afbeeldingen in deze uitgave lijken het tegendeel te zijn van de fragmenten uit het  British Museum.
Het blijkt heel duidelijk dat zij niet van de oorspronkelijke schilderijen zijn gekopieerd, aangezien graveurs en houtsnijders van de periode gewoonlijk geen herdrukken van hun beelden maakten terwijl hun kwaliteit zo is dat betwijfeld wordt of die kunstenaar ze zelf gemaakt zou kunnen hebben.

Ondanks het ogenschijnlijke verlies van de originelen van Raimondi, lijkt het erop dat ten minste één verzameld werk overleefde. Al zijn zowel de houtsneden uit 1550 als wel de zogenaamde Carracci suite afdrukken (zie hieronder) in overeenstemming met de compositie en stijl met de fragmenten die hebben overleefd.
In de 17de eeuw waren de vrienden van All Souls College, Oxford, bezig met een clandestiene uitgave aan de Universiteitspers van de Aretine houdingen, ofwel Aretino's De omnibus Veneris schematibus met de "onfatsoenlijke" gravures van Giulio Romano. De leiding aldaar confisqueerde echter de koperplaten en dreigde de betrokkenen met uitwijzing. De tekst van de sonnetten van Aretino overleefde het.

In de 19e eeuw publiceerde Jean-Frédéric Waldeck een nieuwe uitgave van het werk. Deze zou gebaseerd worden op een stel doordrukken die hij maakte van I Modi, afdrukken welke hij naar eigen zeggen had gevonden in een klooster nabij Palenque in Mexico. Maar waarschijnlijker is het een rechtstreekse kopie van Carracci's uitgave, in combinatie met de fragmenten uit het British Museum. Aangezien niets erop duidt dat het klooster in Mexico bestaan heeft, is het onwaarschijnlijk dat juist dit materiaal in de bibliotheek ervan bewaard zou zijn.

Latere uitgaven
Een nieuwere serie grafische expliciete gravures van seksuele houdingen werd door Camillo Procaccini of waarschijnlijker door Agostino Carracci voor een latere herdruk van Aretino's gedichten geproduceerd.

Hun bijdrage was - ondanks de artistieke werking in een post-Tridentien tijdperk - beperkt tot religieuze kunst in een seculiere omgeving die openbare kunst aanmoedigde.
Zij zijn het best bekend van de uitgave uit 1798. Deze is gedrukt in Parijs als "L`Aretin d`Augustin Carrache ou Receuil de Postures Erotiques, d`apres les Gravures a l`eau-forte par cet Artiste celebre" ("De "Aretino's" van Agostino Carracci. Een overzicht van erotische houdingen naar gravures van de bekende kunstenaar Carracci".) Deze bekende kunstenaar zou Jacques Joseph Coiny zijn, die van 1761 tot 1809 leefde.

Agostino's broer Annibale Carracci vervolledigde de uitvoerige fresco The Loves of the Gods voor de Palazzo Farnese in Rome. Deze afbeeldingen van de Metamorfoses van Ovid omvat naakten, maar in tegenstelling tot de seksuele gravures van zijn broer, zijn deze niet expliciet. In plaats daarvan vertelt het indirect de seksuele daad.

Klassieke schijn
Verschillende zienswijzen werden ingezet om deze gravures met een klassiek geleerde achtbaarheid te omhullen.

De afbeeldingen beeldden bekende minnende koppels uit zoals Marcus Antonius en Cleopatra of het
man-en-vrouw godenkoppel Jupiter en Juno uit de klassieke geschiedenis en mythologie, bezig zijnde met hun seksuele activiteit. Waarmee werd uitgedrukt dat het op deze wijze hoorde.

Verschillen met klassieke kunst

Het werk wijkt op verschillende punten af zoals voorgesteld in de klassieke literatuur, erotiek, mythologie en kunst. Het kan daardoor onjuiste informatie weergegeven. Hierdoor zou het meer als een moderne uiteenzetting gezien kunnen worden.
De mannen die hier seks bedrijven hebben grote penissen. Dit is een interpretatie van de kunstenaar. De geïdealiseerde penis in de klassieke kunst was klein. Grote penissen werden als komisch beschouwd. Priapus valt hier buiten de beschouwing.
Bij Polyenus en Chryseïs paart de fictieve Polyenus met het mythologische karakter Chryseïs.
De historische figuren Alcibiades en Glycera paren met elkaar terwijl zij uit verschillende perioden stammen. Namelijk de 5e respectievelijk de 4e eeuw BCE.
In de klassieke mythologie bestaan geen vrouwelijke satyrs. Toch komen deze tweemaal voor in zowel Sater en zijn vrouw als De Cult van Priapus.
Alle vrouwen en godinnen hebben geen schaamhaar. Het meest duidelijk is dit bij Venus Genetrix. Ook wordt de vagina uitdrukkelijk getoond.
Meubilair en hulpmiddelen,
 Kussens en krukken worden gebruikt om de personen in de juiste positie te brengen.
 Seksspeeltjes zoals de roede.
 Bedden uit de 16e eeuw, sierlijke gordijnen, houtsnijwerken, kussens met franje en dergelijke.

Onderstaande tabel toont de her-creaties naar de originelen uit eind 18e eeuw. De afbeeldingen hebben latere erotische kunst beïnvloed, zoals die van Édouard-Henri Avril.

Referenties

Renaissance
Sekspositie
Erotica


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text:
Q: Remove observations if string part already occurs in another observation in the same group I am working with a biological data set with species sampled at different stations and dates. Species names consist of genus and species. If the species is not known, then only the genus is given and instead of species name a "sp." or "indet." is given.
The question is: How do I remove all rows containing "sp." and "indet." in species, if the genus name has already been detected at that station and date with a species name given?
(I prefer a tidyverse solution if possible)
station <- c("green", "green","green","green","green","green","green","green","blue","blue","blue","blue")
date <- as.Date(c('2010-11-1','2010-11-1','2008-3-25','2008-3-25','2008-3-26','2008-3-26','2008-3-26','2008-3-26','2010-11-1','2010-11-1','2008-3-25','2008-3-25'))
species <- c("x t","x sp.","y c","y sp.","x a","d sp.","x indet.","p indet.","x v","x indet.","l k","y indet.")
action_for_row <- c("keep",
                    "remove, since x occurs in same station and date",
                    "keep",
                    "remove,since y occurs in same station and date",
                    "keep",
                    "keep, since d is not represented at this station and date",
                    "remove, since x occurs in same station and date",
                    "keep, since p is not represented at this station and date",
                    "keep",
                    "remove, since x occurs in same station and date",
                    "keep",
                    "keep, since y is not represented at this station and date")
df <- data.frame(station,date,species,action_for_row)

A: Try this dplyr solution:
library(dplyr)
df %>%
  mutate(
    genus = gsub(" .*", "", species),
    no_species = grepl("\\b(sp|indet)\\.", species)
  ) %>%
  group_by(station, date, genus) %>%
  filter(!no_species | all(no_species)) %>%
  ungroup() %>%
  select(-genus, -no_species)
# # A tibble: 7 x 4
#   station date       species  action_for_row
#   <chr>   <date>     <chr>    <chr>
# 1 green   2010-11-01 x t      keep
# 2 green   2008-03-25 y c      keep
# 3 green   2008-03-26 x a      keep
# 4 green   2008-03-26 d sp.    keep, since d is not represented at this station and date
# 5 blue    2010-11-01 x v      keep
# 6 blue    2008-03-25 l k      keep
# 7 blue    2008-03-25 y indet. keep, since y is not represented at this station and date

Walk-through:

*

*I'm assuming that the species field is always "genus <space> species", where the species is either "real" or one of sp. or indet.; the space is important in how I split them, though other patterns can probably be handled as well

*I create two new variables: genus (the first portion of species combo-field) and no_species, meaning it contains one of your "sp|indet" patterns

*I group by station, date, and genus, hoping that that is sufficient grouping

*I keep only those that have a species (i.e., !no_species) or where all have no species

*(then some group/column cleanup)


text:
Q: Strapi issue /i18n/locales 404 Bug report
Required System information

*

*Node.js version: v16.17.1

*NPM version: 8.15.0

*Strapi version: 4

*Database: mysql

*Operating system: o2switch

Describe the bug
I'm trying to deploy a strapi app on o2switch using Nodejs (and Mysql) for a Nextjs app.
Steps to reproduce the behavior
Each time I connect to my admin panel this error appears
Screenshots

Before log in

Code snippets
.env :
APP_HOST=127.0.0.1
PORT=1338

./config/server.js:
module.exports = ({ env }) => ({   host: env('APP_HOST', '0.0.0.0'),   port: env.int('PORT', 1337),   app: {     keys: env.array('APP_KEYS'),   }, });

I've tried to configure server.js and .env but nothing changed


Her long journey to healing takes hold as Darby begins to see Russ's brother Ben through new eyes. Suddenly love blooms in the place of grief and Darby faces the challenge of reuniting Ben with his estranged father -- if they can get through the conniving schemes of Ben's social climber stepmother. Like the custom dollhouses Darby creates with tender care and patience, she begins to understand that loss can build new life -- and love truly can conquer anything.
I enjoyed this one. Entertaining and fun. Families stick together and the Aunts are a riot.
I'm sure many people would enjoy reading this book. But I found it to be unconvincing romantic tosh. Even the narrator was so sappy that I wanted to slap some sense in to her. The Aunts with their silly names (Diddy, Dodo and Ducky - good grief!), were irritating and the so called "hold" Bella had over Marcus was excrutiatingly weak. Not Fern Michael's best work.


text:
Capital North East
Sam Lavery 4pm - 7pm
Happier Marshmello & Bastille Download 'Happier' on iTunes
Puppies Found Dead In Sunderland Port
Three puppies have been found dead in a suitcase, weighed down with stones, in the Port of Sunderland
The Staffordshire bull terrier types all had a severe skin condition and appear to have been poisoned.
The dogs were aged four or five months, and are believed to be from the same litter.
Vets suspect the skin condition to be demodectic mange, and that they may have been poisoned with rat poison.
RSPCA inspector Helen Bestwick said:
"They had blue staining on their bodies and around their bottoms and there were signs of vomiting.
We don't know whether they were already dead when they went into the case (pictured below), which was weighted down with two large stones, and into the water.
Vets believe one of them died before the others.
There were no scratch marks inside the case but it's possible they were too ill to struggle, or unconscious."
The rest of the photographs from the RSPCA were too graphic to publish.
The dogs are described as a white and tan male with black markings on his face, a white and tan female and a white and tan male.
They were wrapped in a pale blue dressing gown, with no tags, a leopard print fur coat which was a size 18 from Peacocks and a white tea towel from Primark.
The suitcase was dark green plastic with the words "American Tourist" on the lock.
They were found by water patrol officers at the port on Barrack Street on Wednesday 6th August.
None of them were wearing any collars or identification tags and were not microchipped.
RSPCA inspector Bestwick said:
"These puppies have suffered a great deal and I'm appealing for anyone who knows who they belong to, or who saw anything that might help my investigation, to get in touch.
It's likely the mum of these pups is also suffering from demodectic mange, and requires treatment.
If you think you can help, please call the inspector appeal number on 0300 123 8018 and ask to leave a message for me."


text:
Hello 2016! Hello Interns!
Interns At Incubator Hub 2017
You are here »Home
Dr Egg Digital Transmedia Project
In a magical world of scientific discoveries where even the impossible seems real, three children with special powers discover the greatest lessons of all...
Click here to explore the transmedia project based on the AWGIE Award-winning theatre show by Catherine Fargher.
Dr Egg and the Man With No Ear
After a man loses his ear in a freak accident with a snappy bull terrier, a mysterious scientist called Dr Egg offers to grow the man a new one.
An interactive story for 21st century families.
The Merchant: A Sydney Document
A re-contextualisation of Shakespeare's The Merchant of Venice, centring on Sydney's financial and legal fraternities, with the Sydney Harbour Bridge as the city's own Rialto.
Bio Home: the Chromosome Knitting Project
BioHome: The Chromosome Knitting Project is a hybrid performance/installation incorporating live 'wet biology' practices in a contemporary biotech display home. The installation features video,...
Future Tense: Performance Texts for a Technological Age: Art and Working Life Performance Installations in Shopping Malls
Lovely Mothers Poster Project
A family is a family is a family.
The Body Ophelia Installation
The Body Ophelia explores the uncharted territory of one of Shakepeares' most enigmatic characters, mapping the psyche and explorations of Ophelia off the stage, the time and space
The Jetty
The Violin Player
The Battle of the Somme, 1918… A young man with a violin… Recreation leave and mustard gas… A great uncle lost… His diary discovered… A young man busking in Paris, 1981… His great uncle's v
The Woman Who Knitted Herself a Child
The Woman Who Knitted Herself a Child, a bio-ethical fable, is a sound and text production following an ordinary scientist as she does an extraordinary thing: she is knitting hers
Contemporary Performance
Artistic Team
Project Initiation, Research and Performance Texts Catherine Fargher
Installation Concept and Performance Direction Peggy Wallach
Sound and Computer Applications Sandy Indlekofer O'Sullivan & Ali Smith
Video and In-store Footage Maria Barbagallo & Tina Stephens
Performers Robert Douad, Jai McHenry, Rolando Ramos, Victoria Spence, Meme Thorne
Vocal Workshops Bernadette Pryde
Production Manager Damien Leonard
Sound Patrick Jury & Richard Montgomery
Sidetrack Performance Group
Future Tense is the name which underpinned a public event which put Sidetrack Performance Group, and a collaborating computer, video, performance and sound artists into the largest of NSW's regional shopping malls for a full shopping day of performance and installation. It combined computer applications, performance, sculptural installation, and live video footage in a constant process.
The event explored the implication of new technologies in women's public and private lives. The technologies in the show, which include computer applications and video, were developed to encourage interaction and demystify some of the concerns which women workers may have about new technologies.
The project was funded as an artist initiated project (initiated by Catherine Fargher) under the Art and Working Life priorities of the Community Cultural Development Board of the Australia Council for The Arts. It was researched and developed with many women workers from Wollongong, Newcastle and Sydney, with the assistance of the South Coast Labour Council and the Newcastle Trades and Labour Council and the Newcastle Workers Cultural Action Committee. Unions consulted included the Communication Workers Union, Australian Services Union, Public Service Association, Public Services Union, Federated Clerks Union, and the Miscellanious Workers Union.
Shopping centres were chosen as a site for performance where the largest number of people, especially women, (both employed and unemployed) would be able to see the show. We chose to work with contemporary performance and multi media forms to compliment and subvert the shopping centres dual atmospheres of leisure and consumerism, provoking an encounter between the intimate and the social, the show took place over a whole shopping day and included a central 'homebase' installation featuring whitegoods and video technology displays, in which a 'showtime 'performance happened three times during the day, as well as creating a series of moving and fixed installations throughout the store.
Future Tense occured in Penrith Plaza, Newcastle's Charlestown Square, Bankstown Square, and Wollongong's Crown Central, from August 16-24 1995, through the support of Lendlease Pty Ltd. The project was funded by the Community Cultural Development Board, the Performing Arts Board of the Australia Council, and the NSW State Government.
Art and Working Life


Scientific cooperation is a key element to tackle this issue that deals with various scientific fields. In this regard, the Third United Nations World Conference on Disaster Risk Reduction, held in Sendai in 2015, was an important milestone that built an international framework for the disaster risk reduction. In this context, France and Japan could foster their cooperation in order to better understand disaster risk by sharing their scientific outcomes.
Please note that due to security considerations, some professional workstations might block the access to the form. If that is the case, please try to access the registration form from your smartphone or personal computer.
This field trip is organized by IRIDeS. Please find all the information relevant to the field trip to Sendai in the following document Invitation only.
Attendance to the different workshops requires first to register on our online form. Registration is mandatory.


The Club has been instrumental in developing mixed martial arts in Russia. It is widely known for its team comprising internationally known talents. Alkimija Design developed its brand identity, website, and ring and equipment design.


text:
GoPro boss keeps 10-year promise, costs him $280 million
By nine.com.au staff
Neil Dana was Mr Woodman's roommate at University of California and GoPro's first employee. (Facebook/Twitter)
GoPro founder Nick Woodman has shaved $280 million off his personal wealth after keeping a 10-year promise to his university roommate.
Mr Woodman's bank account has swollen to more than $2 billion since founding the camera maker in 2002 following a surfing holiday in Australia.
Yet, despite having more money than the average 39-year-old, he hasn't forgotten a pact he made with his friend and GoPro's first employee, Neil Dana.
During the early years of the company, Mr Woodman promised to give Mr Dana 10 percent of any proceeds he received from the sale of the company's shares.
Bloomberg reports that to honour the agreement, GoPro issued Mr Dana more than 6 million full-vested options in June 2011 and then 270,000 restricted shares six months later. Mr Woodman promised to pay the company back the money when Mr Dana's options matured.
Mr Dana, who is the company's director of music and speciality sales, reportedly spent $4.4 million to exercise the shares.
At the close of trading in the US yesterday, the shares were valued at $280 million.
Aussie economy weighs on NZ manufacturing
Auckland housing market `like a buffet'


text:
A stately manor crafted in limestone
Old World charm and French Normandy style were the inspirations for a residential design in Bloomfield Hills, MI. Contributing to the dramatic look and feel of the home is the presence of natural stone throughout interior and exterior applications. Most notable is the roughly textured limestone facade, which consists of a custom blend of materials quarried at two different Wisconsin sites.
"It's a beautiful home that is Old World with Gothic flair," said architect Louis DesRosiers of Louis DesRosiers Architects in Bloomfield Hills, MI. "The design goal was to have a magnificent traditional house with a castle feeling, but still be warm and cozy. The owners also wanted it to have a dramatic entranceway."
The 9,800-square-foot house sits on a very restrictive parcel of land, with steep slopes, an irregular shape and strict setbacks, explained the architect. As a result, the structure is low in the front due to the slope in the rear, and a tall two-story limestone entrance was designed to create balance.
"We always felt that natural limestone was the perfect choice," said DesRosiers. "It has terrific abilities to withstand the weather in Michigan, which can be warm one day and drop to zero the next."
The limestone veneer was supplied and fabricated by Genesee Cut Stone & Marble of Flint, MI. The company sent the architect three separate mock-up samples to be considered for the facade. "They didn't like any one in particular," said Jessica Kenyon of Genesee Cut Stone & Marble. "They liked parts of each, so they mixed them together and came up with a custom blend."
Approximately 215 tons of the custom-blend limestone was supplied for the project. The materials were quarried by two companies based in Wisconsin, Buechel Stone Corp. of Fond du Lac and Halquist Stone in Sussex. The blend consisted of 30% Gray Halquist sawn height rockfaced pieces that were 7 3⁄4, 10 1⁄2 and 13 1⁄4 inches high; 10% Buff Halquist bedface pieces measuring between 6 and 16 inches high; 40% Fond du Lac Buechel Country Squire pieces between 7 and 14 inches high; and 20% Fond du Lac Buechel Country Squire pieces measuring 2 to 7 inches high.
"The blend of Fond Du Lac stone was a custom blend for this house," said DesRosiers, adding that the mixture was appropriately named after the homeowner. "We intermixed two or three pre-made blends and came up with our own. We often try to use indigenous materials. It's a warm, cozy, taupe-looking stone."
According to Kenyon, this project posed somewhat of a challenge for Genesee Cut Stone & Marble. "It was very involved," she said. "Normally, we send out a sample and they say, 'Okay, that's good.' We didn't know what they were looking at. The mason mostly put it together."
Customizing the blend
A ratio of the varying limestone pieces was used within 3- x 3-foot blocks, explained Scott Albaugh of Albaugh Masonry Stone & Tile in Waterford, MI, which completed the exterior installation work. "As a rule of thumb, no more than three stones of one style was used with the rest of them," he said. "In other ways, we were kind of selecting by eye. As the blend went up, we would look if pieces were too square or large."
In creating the custom blend, Albaugh collaborated regularly with DesRosiers Architects at the start of the project. "They were very decisive as to what they wanted in style and stone patterning," said the installer. "We were then left to our own resources until the end of the job. I have to credit the builder and architect on how they both worked together. I think that's how it turned out so well."
To secure the limestone pieces to the facade, type M mortar was used, and then the normal code for wall ties and flashing was followed, according to Albaugh. A total of nine workers were on the jobsite for this project. "In a job like that, we can't really get done at one time," said Albaugh. "As areas were not ready for us, we sometimes even pulled off the job for a while. It took about a year to finish." In addition to the exterior stonework, Albaugh Masonry Stone & Tile also installed seven split brick herringbone fireboxes with 50-foot block chimneys as well as the stone arches inside the hot tub area.
Further adding to the aesthetics of the exterior, pieces of Indiana limestone were implemented as trim, including for window surrounds, chimney caps and the large doorframe. "It is this magnificent castle, cathedral look," said the architect. "Quite large pieces of honed limestone were used. We used materials that will last through the rest of time." Additionally, large slabs of Indiana limestone - supplied by Dixie Cut Stone & Marble Inc. of Bridgeport, MI.- were employed for the front patio.
"The Indiana limestone trim pieces ranged from 12 inches thick on the chimney caps to panels that were 3- x 7-foot tall, and even the casings were 12 inches wide and 6 inches thick and weighed in excess of 1,000 pounds," said Albaugh. "We actually had to make a stone gantry in the entrance. We had a series of chainfalls and hoists to install the pieces." Due to the large scale of these pieces, they were mechanically hung, and the clips were welded to the sealed structure that was provided, according to the installer.
In addition to the large pieces, the steep-sloped site also made the installation more difficult. "The front entrance and heights of the chimneys and size of the pieces with the terrain made it challenging," said the installer. "We had combining factors in complications. It was really a tough installation, but I think it made us better. We do a lot of big stone pieces now."
Interior stone use
Continuing the heavy presence of limestone in the design, the same custom blend was used for a portion of an interior wall in the breakfast nook. DesRosiers explained that this space was designed as a glass-enclosed conservatory that was made to look as if it were an addition to the home. "We brought the outside wall in," said the architect, who went on to say that the back of the property overlooks a lake, and the large glass windows in the breakfast nook allow the homeowners to take advantage of their beautiful surroundings.
The limestone palette continues with seven fireplaces custom-carved from the material. They can be found in the living room, study and great room among other areas in the home.
Complementing the limestone, tumbled marble floor tiles were chosen for the foyer, dining room and kitchen. In the foyer, the 16- x 16-inch tiles are accented by a perimeter border of mosaic tile insets. Additionally, a decorative mosaic medallion was used for the master bath floor design. Marble was also employed for "his and her" vanities as well as trim for the tub.
Architect: DesRosiers Architects, Bloomfield Hills, MI
Builder: Mosher Dolan Cataldo and Kelly, Birmingham, MI
Stone Installer: Albaugh Masonry Stone & Tile (exterior and herringbone fireboxes); Thompson Marble and Tile, Milford, MI (interior)
Stone Quarriers: Buechel Stone Corp., Fond du Lac, WI (custom blend); Halquist Stone, Sussex, WI (custom blend)
Stone Suppliers: Dixie Cut Stone & Marble Inc., Bridgeport, MI (Indiana limestone); Genesee Cut Stone & Marble, Flint, MI (custom blend and fireplaces)


St. John's Cognitive Health offers a new session of Brain Works Boot Camp, an innovative program inspired by mounting evidence that lifestyle changes can keep your brain healthier longer. The program is led by St. John's Cognitive Health founder, Martha Stearn, MD.
Additional instructors include cooking master Annie Fenn, MD, of Brain Health Kitchen; yoga instructor Molly Armour; movement specialist Stacy Fisher; neuropsychology technician Holly Richert, MA; and dietitian Sarah Peterson, LD, RDN.
Held Monday, February 25–Friday, March 1, the course will include a variety of activities, including lectures, computer exercises, yoga, cooking classes, and more. The course meets Monday–Friday, 8:00–10:00 am; Tuesday and Thursday, 5:00–8:00 pm; and Friday, 3:00–4:30 pm. The cost is $350/person. Please register by February 20 by calling 307.739.7589.
Cognitive Health is also offering cognitive screenings on Tuesday, February 19 for people who are concerned about their memory and thinking skills. Each screening is confidential and requires about 30 minutes. Please call 307.739.7589 to schedule an appointment. Follow-up resources and educational materials are available at the screenings or online at tetonhospital.org/cognitive.
St. John's Cognitive Health is part of St. John's Physician Practices. An administrative division of St. John's Medical Center, St. John's Physician Practices also offers: Family Health, Internal Medicine, Urgent Care, General Surgery, Child & Adolescent Psychiatry, Audiology & Hearing Aids, Plastic & Reconstructive Surgery, Urology, Clinic at Teton Village, and Ear, Nose, Throat & Allergy. The mission of the group is to ensure accessible, quality, patient-focused healthcare that responds to community need.


While infant mortality has declined in this country, the United States still ranks last among 17 developed nations, and near the bottom in child mortality and low birth weight. Meanwhile, pregnancy-related deaths among women have actually risen by 60% since 1989.
There are also severe racial and socioeconomic inequalities in birth outcomes. In 2009, black women died from childbirth at rates 67% higher than white women. Black women were also 55% more likely to lose a baby during childbirth than white women.
Ensuring the health of mother and child depends on prenatal and postpartum care, as well as many health and social factors. High-risk pregnancies are more likely for women who are in stressful circumstances or unstable housing, have physical or mental health conditions, lack education or transportation, are unemployed and have other babies.
After birth and as children grow up, their health and well-being can still be affected by the nutrition, health and behaviors of their mothers during pregnancy.
To help ensure healthy pregnancies and birth outcomes, the Foundation launched a program to expand the use of Best Practices for Maternal & Child Health Systems in 2009. The program focuses on geographic "hot spots" across our regions – areas with high poverty rates that have a high risk of poor maternal and child health outcomes.
Build sustainable business models for key Maternal and Child Health services and programs.
To identify the hot spots where we focus our work, the Foundation first conducted an environmental scan, beginning in the central New York region, to identify needs and gaps in the maternal and child health system. In a follow up, we drilled even deeper into issues affecting birth outcomes to get data at the zip code level. We then conducted interviews with pregnant and parenting mothers to gain their perspective on the experience of childrearing in the communities we serve. We replicated that same process when we expanded the program to western New York.
In an independent evaluation, the R/E/D Group examined our approach to improving maternal and child health in central New York, featuring case studies on three projects.
One of the grantees in the first phase of the Best Practices for Maternal & Child Health Systems program was a hospital that implemented the CenteringPregnancy® model at their Prenatal Clinic.
What evaluators found was promising – there were improvements in prenatal care delivery and in postpartum education and support services.
The first CenteringPregnancy cohort, beginning in June 2013, had a 92% attendance rate at their first post-partum visit, compared to the clinic's 80% attendance rate. Also encouraging were breastfeeding rates. At the post-partum visit, 50% of the CenteringPregnancy cohort were breastfeeding compared to 25% of their clinic counterparts.
The majority of participants found the educational discussions to be very helpful and patients felt CenteringPregnancy's group care model was a positive and comfortable experience, with 92% reporting that they felt prepared for labor, birth and parenting.


text:
package org.drools.simulation.fluent.simulation.impl;

import java.util.Date;
import java.util.List;
import java.util.concurrent.TimeUnit;

import org.drools.core.command.GetVariableCommand;
import org.drools.core.command.NewKieSessionCommand;
import org.drools.core.command.SetVariableCommandFromLastReturn;
import org.drools.simulation.fluent.session.KieSessionSimulationFluent;
import org.drools.simulation.fluent.session.impl.DefaultStatefulKnowledgeSessionSimFluent;
import org.drools.simulation.fluent.simulation.SimulationFluent;
import org.drools.simulation.fluent.test.impl.AbstractTestableFluent;
import org.drools.simulation.fluent.test.impl.MapVariableContext;
import org.drools.simulation.impl.SimulationImpl;
import org.drools.simulation.impl.SimulationPathImpl;
import org.drools.simulation.impl.SimulationStepImpl;
import org.drools.simulation.impl.Simulator;
import org.kie.api.builder.ReleaseId;
import org.kie.api.command.Command;
import org.kie.internal.fluent.VariableContext;
import org.kie.internal.runtime.StatefulKnowledgeSession;
import org.kie.internal.simulation.Simulation;
import org.kie.internal.simulation.SimulationPath;
import org.kie.internal.simulation.SimulationStep;

public class DefaultSimulationFluent extends AbstractTestableFluent<SimulationFluent>
        implements SimulationFluent {

    private Simulation simulation;
    private VariableContext variableContext;

    private SimulationPath activePath = null;
    private int pathCounter = 0;
    private SimulationStep activeStep = null;

    protected String activeKieSessionId = null;

    protected static final String DEFAULT_ID = "__DEFAULT__";

    public DefaultSimulationFluent() {
        super();

        simulation = new SimulationImpl();
        variableContext = new MapVariableContext();
    }

    public <P> VariableContext<P> getVariableContext() {
        return variableContext;
    }

    public SimulationFluent newPath() {
        String pathId = "path" + pathCounter;
        pathCounter++;
        activeKieSessionId = null;
        return newPath(pathId);
    }

    public SimulationFluent newPath(String id) {
        activePath = new SimulationPathImpl(simulation, id);
        simulation.getPaths().put(id, activePath);
        activeStep = null;
        return this;
    }

    public SimulationFluent getPath(String id) {
        activePath = simulation.getPaths().get(id);
        if (activePath == null) {
            throw new IllegalArgumentException("There is no path with path id (" + id + ") created yet." +
                    " Call newPath(id) first.");
        }
        List<SimulationStep> steps = activePath.getSteps();
        activeStep = steps.get(steps.size() - 1);
        return this;
    }

    private void assureActivePath() {
        if (activePath == null) {
            newPath();
        }
    }

    public SimulationPath getActivePath() {
        return activePath;
    }

    public SimulationFluent newStep(long distanceMillis) {
        assureActivePath();
        activeStep = new SimulationStepImpl(activePath, distanceMillis);
        activePath.getSteps().add(activeStep);

        return this;
    }

    public SimulationFluent newStep(long distanceMillis, TimeUnit timeUnit) {
        return newStep(timeUnit.toMillis(distanceMillis));
    }

    public SimulationFluent newRelativeStep(long relativeDistanceMillis) {
        if (activeStep == null) {
            return newStep(relativeDistanceMillis);
        }
        return newStep(activeStep.getDistanceMillis() + relativeDistanceMillis);
    }

    public SimulationFluent newRelativeStep(long relativeDistance, TimeUnit timeUnit) {
        return newRelativeStep(timeUnit.toMillis(relativeDistance));
    }

    protected void assureActiveStep() {
        if (activeStep == null) {
            newStep(0L);
        }
    }

    public SimulationStep getActiveStep() {
        return activeStep;
    }

    public SimulationFluent addCommand(Command command) {
        activeStep.getCommands().add(command);
        return this;
    }

    public String getActiveKieSessionId() {
        return activeKieSessionId;
    }

    public KieSessionSimulationFluent newKieSession() {
        return newKieSession( null, null);
    }

    public KieSessionSimulationFluent newKieSession(ReleaseId releaseId, String id) {
        assureActiveStep();
        activeKieSessionId = id == null ? DEFAULT_ID : id;
        addCommand( new NewKieSessionCommand( releaseId, id ) );
        addCommand( new SetVariableCommandFromLastReturn( StatefulKnowledgeSession.class.getName() ) );

        return new DefaultStatefulKnowledgeSessionSimFluent( this );
    }

    public KieSessionSimulationFluent getKieSession() {
        if (activeKieSessionId == null) {
            throw new IllegalStateException("There is no activeKnowledgeSession. Call newStatefulKnowledgeSession() instead.");
        }
        return new DefaultStatefulKnowledgeSessionSimFluent( this );
    }

    public KieSessionSimulationFluent getKieSession(String id) {
        activeKieSessionId = id;
        addCommand(new GetVariableCommand(id));
        addCommand(new SetVariableCommandFromLastReturn(StatefulKnowledgeSession.class.getName()));

        return new DefaultStatefulKnowledgeSessionSimFluent( this );
    }

    public Simulation getSimulation() {
        return simulation;
    }

    public void runSimulation() {
        runSimulation( new Date().getTime() );
    }

    public void runSimulation(long startTimeMillis) {
        Simulator simulator = new Simulator( simulation, startTimeMillis );
        simulator.run();
        simulator.dispose();
    }

}

redpajama_set_name: RedPajamaGithub


text:
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lapack

Functions/Subroutines

ssygv.f File Reference

Functions/Subroutines

subroutine 	ssygv (ITYPE, JOBZ, UPLO, N, A, LDA, B, LDB, W, WORK, LWORK, INFO)

 	SSYGST

Function/Subroutine Documentation

          subroutine ssygv
          (
          integer
          ITYPE,

          character
          JOBZ,

          character
          UPLO,

          integer
          N,

          real, dimension( lda, * )
          A,

          integer
          LDA,

          real, dimension( ldb, * )
          B,

          integer
          LDB,

          real, dimension( * )
          W,

          real, dimension( * )
          WORK,

          integer
          LWORK,

          integer
          INFO

          )

SSYGST

 Download SSYGV + dependencies

 [TGZ]

 [ZIP]

 [TXT]

Purpose:

 SSYGV computes all the eigenvalues, and optionally, the eigenvectors
 of a real generalized symmetric-definite eigenproblem, of the form
 A*x=(lambda)*B*x,  A*Bx=(lambda)*x,  or B*A*x=(lambda)*x.
 Here A and B are assumed to be symmetric and B is also
 positive definite.

Parameters

[in]	ITYPE
          ITYPE is INTEGER
          Specifies the problem type to be solved:
          = 1:  A*x = (lambda)*B*x
          = 2:  A*B*x = (lambda)*x
          = 3:  B*A*x = (lambda)*x

[in]	JOBZ
          JOBZ is CHARACTER*1
          = 'N':  Compute eigenvalues only;
          = 'V':  Compute eigenvalues and eigenvectors.

[in]	UPLO
          UPLO is CHARACTER*1
          = 'U':  Upper triangles of A and B are stored;
          = 'L':  Lower triangles of A and B are stored.

[in]	N
          N is INTEGER
          The order of the matrices A and B.  N >= 0.

[in,out]	A
          A is REAL array, dimension (LDA, N)
          On entry, the symmetric matrix A.  If UPLO = 'U', the
          leading N-by-N upper triangular part of A contains the
          upper triangular part of the matrix A.  If UPLO = 'L',
          the leading N-by-N lower triangular part of A contains
          the lower triangular part of the matrix A.

          On exit, if JOBZ = 'V', then if INFO = 0, A contains the
          matrix Z of eigenvectors.  The eigenvectors are normalized
          as follows:
          if ITYPE = 1 or 2, Z**T*B*Z = I;
          if ITYPE = 3, Z**T*inv(B)*Z = I.
          If JOBZ = 'N', then on exit the upper triangle (if UPLO='U')
          or the lower triangle (if UPLO='L') of A, including the
          diagonal, is destroyed.

[in]	LDA
          LDA is INTEGER
          The leading dimension of the array A.  LDA >= max(1,N).

[in,out]	B
          B is REAL array, dimension (LDB, N)
          On entry, the symmetric positive definite matrix B.
          If UPLO = 'U', the leading N-by-N upper triangular part of B
          contains the upper triangular part of the matrix B.
          If UPLO = 'L', the leading N-by-N lower triangular part of B
          contains the lower triangular part of the matrix B.

          On exit, if INFO <= N, the part of B containing the matrix is
          overwritten by the triangular factor U or L from the Cholesky
          factorization B = U**T*U or B = L*L**T.

[in]	LDB
          LDB is INTEGER
          The leading dimension of the array B.  LDB >= max(1,N).

[out]	W
          W is REAL array, dimension (N)
          If INFO = 0, the eigenvalues in ascending order.

[out]	WORK
          WORK is REAL array, dimension (MAX(1,LWORK))
          On exit, if INFO = 0, WORK(1) returns the optimal LWORK.

[in]	LWORK
          LWORK is INTEGER
          The length of the array WORK.  LWORK >= max(1,3*N-1).
          For optimal efficiency, LWORK >= (NB+2)*N,
          where NB is the blocksize for SSYTRD returned by ILAENV.

          If LWORK = -1, then a workspace query is assumed; the routine
          only calculates the optimal size of the WORK array, returns
          this value as the first entry of the WORK array, and no error
          message related to LWORK is issued by XERBLA.

[out]	INFO
          INFO is INTEGER
          = 0:  successful exit
          < 0:  if INFO = -i, the i-th argument had an illegal value
          > 0:  SPOTRF or SSYEV returned an error code:
             <= N:  if INFO = i, SSYEV failed to converge;
                    i off-diagonal elements of an intermediate
                    tridiagonal form did not converge to zero;
             > N:   if INFO = N + i, for 1 <= i <= N, then the leading
                    minor of order i of B is not positive definite.
                    The factorization of B could not be completed and
                    no eigenvalues or eigenvectors were computed.

Author

Univ. of Tennessee

Univ. of California Berkeley

Univ. of Colorado Denver

NAG Ltd.

Date

November 2011

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Generated on Mon Jul 14 2014 18:28:49 for Lighthouse by

 1.8.2
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text:
Stjärnkikarfisk (Uranoscopus scaber) är en fiskart som beskrevs av Carl von Linné 1758. Stjärnkikarfisk ingår i släktet Uranoscopus och familjen Uranoscopidae. Inga underarter finns listade i Catalogue of Life.

Utseende
Arten når en längd upp till 40 cm men de flesta exemplar blir 30 cm långa. Liksom andra medlemmar av samma släkte har stjärnkikarfisken ett avplattat och ungefär fyrkantigt huvud. Vid varje axel börjar en giftig tagg som är fyra gånger längre än huvudet. Den främre ryggfenan har 3 till 4 taggstrålar, den andra ryggfenan har 13 till 15 mjukstrålar och analfenan har en taggstråle och 12 till 14 mjukstrålar. Arten är på ovansidan gråbrun med ljusare mönster och undersidan är gulgrå.

Utbredning
Denna fisk förekommer i havet nära kustlinjerna i östra Atlanten från södra Biscayabukten till Mauretanien samt över Medelhavet till Svarta havet och Röda havet. Stjärnkikarfisken vistas i områden som är 15 till 400 meter djupa.

Ekologi
Arten gräver sig ner i havets botten som utgörs av sand eller slam. När den gömmer sig ligger endast ögonen och munnen utanför sanden. Födan utgörs av små fiskar och kräftdjur som kompletteras med havslevande blötdjur, tagghudingar och ringmaskar. Äggläggningen sker mellan mars och september och de flesta ägg läggs under maj. Nykläckta ungar lever före könsmognaden i det öppna havet.

Hot
Stjärnkikarfisken fångas och säljs färsk eller torkad samt saltad på marknader. Omfattande fiske förekommer vid Egyptens kustlinjer. Andra hot mot beståndet är inte kända och arten är fortfarande vanligt förekommande. Den listas av IUCN som livskraftig (LC).

Källor

Externa länkar

Abborrartade fiskar


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