People say this bar serves some powerful boos.
Neir's Tavern will host a Mid-Winter Ghost Hunting Course on Friday, Feb. 15, at 8:30 p.m.
The owner, Loycent Gordon, says he's not inclined to believe in paranormal activity, but he had to organize this event after hearing some recent stories. One employee turned off a bathroom light three times while cleaning up on a recent night, but the light managed to switch back on each time.
A cook reported placing a bowl on a kitchen table, but it moved to the other side — twice.
Then there was the flying broom incident.
On Friday, participants will take a crash course on phantom-detection. Then, they will join expert "Ghost Doctors" and search for paranormal activity in every nook and cranny of Neir's, which is located at 87-48 78th St., just south of the elevated train for the J and Z lines. Hunting equipment will include EMF ghost meters, infrared temperature detectors, dowsing rods, electronic voice phenomena, and regular handheld cameras and phones.
Tickets, which cost $25 per person, include a drink.
Neir's is the oldest tavern in the United States that has operated continuously at the same address. There are other currently-operating establishments that were founded before Neir's in Manhattan, Boston, and even Baltimore, but they moved, went out of business during Prohibition, or closed temporarily due to fire damage.
It's also one of a variety of Queens spots where the public has alleged paranormal activity.
Astoria's Hell Gate Bridge spans a treacherous part of the East River where many ships have sunk and a few grisly murders have taken place. Phantom trains allegedly cross the bridge at night, while a crazed troll snatches children and takes them to a hiding spot in one of the stanchions.
George's at Kaufman Astoria Studios, a restaurant previously known as the "Astor Room," was once a hangout for silent film actors in the 1920s. Rudolph Valentino used to dine there, and people say his ghosts sips martinis at the bar sometimes.
Visitors to the Museum of the Moving Image, which is a block away from George's on 35th Avenue, have reported hearing loud voices and murmurs in air vents. An African-American woman in a white dress can be noted near the lobby's security desk after hours on some nights.
Then there's the Caucasian woman with white hair pulled back in a bun who walks around Astoria in a high-collared dress. Some area residents have seen her with a sick child. Others have watched her traipse through backyards on 44th Street. Still more have observed "The White Lay of Astoria" sitting with her brother.


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murderer's plot to escape foiled
Corrections officers at the facility discovered Patrick C. Daniel's plans to escape
murderer's plot to escape foiled Corrections officers at the facility discovered Patrick C. Daniel's plans to escape Check out this story on detroitnews.com: http://detne.ws/1E76Xll
The Muskegon Chronicle Published 6:49 a.m. ET Feb. 13, 2015
Muskegon — Muskegon Correctional Facility workers have foiled the escape plot of a former Ann Arbor man convicted of two murders.
President Tom Tylutki of the Michigan Corrections Organization says corrections officers at the Muskegon facility discovered Patrick C. Daniel's plans to escape from a medium-security unit Wednesday. He says homemade items, including maps of West Michigan, a compass, two flashlights and a yarn rope were found in the man's cell.
The Muskegon Chronicle reports a prison uniform painted white, additional clothing and packaged food also was found in the cell. During a search of the prison auditorium, corrections officers discovered items that could have been used as weapons.
A Michigan Department of Corrections spokesman says Daniel was placed in segregation after the discoveries. He says the Michigan State Police is investigating.
Read or Share this story: http://detne.ws/1E76Xll

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Telemedicine is one of the fastest growing sectors in healthcare. With increased pressure worldwide on improving the efficiency of care delivery and reducing costs, this growth is expected to be even more explosive in the next five years. Here's a look at some the key numbers.
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cc-tapis, Weavers of Stories
They are the ones all of Milan was talking about a few weeks ago. Nelcya and Fabrizio Cantoni are the founders of cc-tapis and, incidentally, winners of the highly coveted prize for the most beautiful stand at the Salone del Mobile cru 2018 Designed by Studio MILO, this space inspired by the columns of the Palais de la Civilisation Italienne turned the couple's creations into true works of art by exhibiting them as if in a museum. A new perspective for these accessories which are taking on more and more stripes, but not really a surprise coming from cc-tapis. Inspired by Maison Chamszadeh – a store run in Strasbourg by Nelcya's father and renowned for its hand-knotted Persian rugs – the duo decided fifteen years ago to revolutionise the world of traditional rugs by collaborating with the greatest. Architects, designers: all work hard together to create designs for these exceptional products woven in Nepal, using shapes and graphics drawn from art history. With total control over the production process and, thus, the skills and knowledge derived from it, cc-tapis can pride itself on being the only company to master many of the original features that make it unique. A luxury that charmed a wide range of customers and that frequently met our eyes in the pages of magazines before we had the opportunity to slip into the Cantoni apartment. A visit rich in beautiful colour, just like their collections.
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Nelcya, Fabrizio, can you tell us about yourselves? What is your background, and what has your career been like so far?
Nelcya
I'm Nelcya and I was born to an Iranian dad and a French mum. I met Fabrizio at hotel management school 25 years ago and we got married in Portofino.
My mother is English and my father is Italian. We met in Lausanne and we started our career in the hotel industry. I was assistant manager at the Excelsior Palace in Portofino, while Nelya worked in Gênes at the Star Hotel. We got married in Portofino, then we left our jobs in the hotel industry and reinvented ourselves. At the beginning, we wanted to head to New York. Our idea was to open a French/Italian crossover deli, but ultimately, we didn't end up doing that. On top of that, Nelcya's father told us that if we wanted to stop by Strasbourg to come and work with him, he'd be happy for us to do so. He was in the carpet industry. Traditional Persian carpets.
How did cc-tapis come about?
Moving from hotels to carpets was a big change for us. The pace of life was very different. But ultimately, we found our way. Everything came together when we travelled to Los Angeles, where we saw a carpet in a Melrose shop window that we had never seen before. We found out more about it and learned that it was a Tibetan carpet, and that it could be customised. The idea was brilliant and it inspired us to develop our own vision for carpets. Fabrizio is really passionate about design, so this vision became a dream for both us. We sorted out our different roles and created cc-tapis in 2001. It started with a single shop, cc-tapis, then another, L'Appart, where we sell everything, from small spoons to full size sofas. In 2006, we decided to focus exclusively on the cc-tapis business in Strasbourg. As Fabrizio had always wanted to work in the design sphere, we decided that it was time for him to go back to school and to come to Milan, where the university was. We only intended to remain for nine months at the start. Ultimately, though, we've been here for ten years. We met Daniele Lora, our current artistic director and business partner. The image, harmony, coherence in our carpets: that all comes from him. We all started working together, then we found a showroom in Brera. In short: we started out and we were incredibly lucky, because there was no grand plan at the start.
What does CC mean?
They are the initials of our surnames: Chamszadeh and Cantoni. When we arrived, we wanted to retain our Frenchness and it's also pretty chic!
Chiara Colombini Applique IC by Micheal Anastassiades 350,00€
Available in brushed brass or chrome. The wall lamp of the IC collection designed by Micheal Anastassiades adapts…
Why did you choose to move from traditional Persian carpets to a more contemporary range?
When we went to work with Nelcya's father, we really learned how to appreciate high quality carpets from Persia or Turkey. We always needed to maintain that spirit of quality and tradition. Then, when we encountered the Tibetan carpet in Los Angeles, the idea came about to develop our own collections. At the time, for instance, there was the Salle de l'Aubette in Strasbourg, which had just opened after being restored. It was an entertainment hall, created in the 1920s by Theo van Doesburg, Sophie Taeuber-Arp and Jean Arp. It felt like we'd walked into a Mondrian painting. It was specacular! Our first collection was therefore inspired by the work of Sophie Taeuber-Arp. It was made entirely from silk. We had it produced in China. That's how it all started! Nothing was really thought through. Then, once cc-tapis arrived in Milan and Daniele joined us, he brought a consistent approach and everything that came with it. We were the first to do designs inspired by the 1950s, while the range of carpets on offer around us was just monotonous. That was a turning point, because we had a recognisable signature of our own. Bit by bit, we started to become well-known in our field and we decided to manage our production line in Nepal. It is a hallmark of quality, because we don't subcontract anything out.
Can you tell us about the process of making a carpet? How does each one differ?
We don't consider carpets to be purely decorative, but then again, we're not the only ones involved. For us, it's important for there to be a holistic message. We always try to stay away from trends, because trends inherently come to an end, whereas our carpets last for a very long time. We have a signature collection – in addition to those created by our creative lab – where designers and fashion design (Faye Toogood), architects, designers (Patricia Urquiola, Martino Gamper, etc.) and artist (Frederico Pepe) can express themselves in their own way. That means that each of our carpets can be very different from the others. What they do have in common is their quality. The fact is that cc-tapis involves a permanent search for new materials and finishes, as with our last collaboration with Bethan Laura. I think that's what sets cc-tapis apart. More generally, we only work with people that we like.
pamono Shiva Vase Ettore Sottsass 680,00€
Shiva Vase Ettore Sottsass BD Barcelona in pink ceramic made in the 70′.
Dimensions : 17 x 7 x 23 cm.
Blending ethics – with your CC-for Education charity – and aesthetics, – was that the plan from the outset?
No, because at the beginning, we needed to do whatever worked. Once we'd stopped working with China (due to the working conditions) we quite naturally started looking in India. Then we fell for Nepal completely. The Nepalese people have a very sunny, positive outlook. It was an obvious choice. After visiting the schools there with our son in 2015, and having experienced the earthquake, we decided to start our charity when we returned. Two weeks later we held a Design for Nepal event. We also appealed to all of Milan's multi-label design retailers, who gave us stock to sell. We donated the funds raised from that first event so that 20 families could have a roof over their heads again. From that moment on, we started Design for Nepal for the schools. We also donate a percentage of our profit each year to the children. At the beginning, in 2015, we helped eight children. Now there are over 45!
What are your graphical and stylistic reference points? What inspires you during the design process?
Daniele really should have been here to answer that question! Personally, it goes by feeling, going with the flow as you discover and learn, by curiosity. Obviously, when I stared out, Gio Ponti! He's the father of Italian design. What he was doing in the 30s and 40s is simply incredible! One of the very latest carpets that I designed is called Lost in the Fifties.When doing my research, I discovered a piece of work Gio Ponti had created in the late 40s for an office, which I liked a lot. Being a little curious, I discovered the Capella Sansevereo in Naples, which is where I think Ponti got his inspiration from for the famous office. The same designs were on the marble and the wooden inlays that he used. In short, our inspiration comes from art, travelling, and artists that we like.
What's your style like at home? Which artists do you particularly enjoy having on display?
We don't really choose artists in fact. It's more about a choice of pieces that we love, things that we've found by exploration, over the last 23 years!
We might have a few things that are starting to go up in value, but apart from that, it ranges from my nephew's drawings and posters by a female friend of ours, and others by Shepard Fairey – with his Obey signature – through to Murakami, Jeff Koons, and a lot of Artoys. I love Kozik, for example. So there are busts of all the despots (with an ironic twist, I have to clarify), which drives Nelcya crazy.
Etsy Wedgewood Porcelain Pot 71,11€
Wedgewood Porcelain Pot.
Material : ceramic.
Color : blue.
How did you choose your furnishings? What kind of atmosphere did you want to create?
Once again, it's a blend of things. Obviously, we like design, so there are lots of pieces with named designers (and lots without!) The first designer pieces we got were a gift from Nelcya's father, our Verner Panton chairs. Then, bit by bit, we gradually collected all our favourite pieces as soon as we could afford them.
The first piece of fine furniture that we bought for ourselves was the Multileg Cabinet by BD Barcelona, which is now in our kitchen. The idea was always to go for something eclectic, because we also had old furniture that belonged to my mother like our writing desk and the console in the entrance hall.
There is also a nod to the hotel industry, with the bistro-style dining room. It features furniture from the Café Marly at the Louvre. We like the warmth that it creates.
You've just won the prize for the most beautiful space at the Salone del Mobile – how did that make you feel?
Fabrizio & Nelcya
We're going crazy, we still can't get over it! It was a surprise and wonderful to be recognised, because we came out of nowhere as it were, which proves that anything can happen.
Even with our 70-square metre stand, while others covered hundreds of square metres. The best thing about all of that is that it was an exceptional piece of teamwork. We work with amazing people, young people. At the start, there were three of us, and now we're a team of 20.
And to top it all off, it's something that we've consciously chosen. We work with people that we have a lot in common with. This is part of the success of cc-tapis, which is in line with its DNA as a bit of an outsider. An international, fresh approach. When people apply for a job with us, we look at their skills, of course, but also how well the person will fit with the team. None of the people we've taken on had a background that immediately suggests they were suited for what they do now! We have guided them towards the potential we saw in them.
Who do you dream of creating a carpet with?
Frankly, with a rock star! I would love that. Lenny Kravitz has already worked with Kartell, so why not work with us?(If you're reading, Lenny, you know where I am.)
We have an amazing project that we can't talk about yet, because we will be launching it at January's Maison & Objet show. It's really big news, because the designer is a dream come true for us. We are delighted to be working with him! Otherwise, speaking personally, as a true fashionista, I wouldn't say no to Alessandro Michele.
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Photography: Constance Gennari – Text: Caroline Balvay – Translation: TextMaster @thesocialitefamily
Pink Velvet Nonna Sofa The Socialite Family 1 290,00€ See product détails
Bishop Stool India mahdavi On demand See product détails
Fornasetti Candle AMARA 174,00€ See product détails
Victoria Ghost Chair Made in Design 278,00€ See product détails
Wedgewood Porcelain Pot Etsy 71,11€ See product détails
Green Miss Marble Pot The Socialite Family 275,00€ See product détails
Red Miss Marble Pot The Socialite Family 275,00€ See product détails
Applique IC by Micheal Anastassiades Chiara Colombini 350,00€ See product détails
Martinique Wallpaper Ixxi 29,50€ See product détails
Blue Paint by Ripolin Leroy Merlin 49,90€ See product détails
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Red Orchestra 2 Request Rockets
May 22, 2019Love Music AlwaysComments: 0
He said there will be ample time to test both the spacecraft and the rocket, before the moon mission. NASA last week announced it was studying the possibility of adding crew to the test flight of its.
"They will be providing updates on the Vulcan Centaur, Atlas, and Delta programs, and advocating for timely execution of the Air Force's Launch Service Procurement/Phase 2 competition," a company.
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Despite these positives, the FY 2020 budget request proposes a $481 million (2.2%) cut to the space agency compared to. In sum it represents the most difficult and exciting effort ever attempted on.
Please use common courtesy, and enjoy using Red Orchestra's forums. Offensive material. The following is a list of some things that MAY be considered "offensive" by the moderators and the team. This is NOT an exclusive list and it does depend very much on context. WWAUT – Bleeding Rockets! 09-28-2017, 03:43 PM. Hello everyone!
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Steve Pearce hit a tying homer in the eighth and a three-run double in the ninth, and the Boston Red. rocket-boosted vehicles and weapons systems London government victims' advocate says sexual.
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A private concert by the Vienna Philharmonic Orchestra is set to follow. where they would then make a "fraudulent asylum request." "Instead of continuing with the administrative procedures related.
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Swedish Pop Music Hits 2019 Moving up five spots to No. 8 is Jung Bum Joon's "In Karaoke." This song is one of the two title songs from his third studio. BTS and TWICE both eyed the top spot with their latest hits "Boy With Luv" and "FANCY," respectively. In the end, "Boy With. This song missed a golden chance
Red Orchestra 2 is a tactical multiplayer WWII shooter. Red Orchestra 2: Heroes of Stalingrad is developed and published by Tripwire Interactive. It was released in 13 Sep, 2011. Red Orchestra 2: Heroes of Stalingrad, the leading tactical multiplayer WWII shooter on the PC, will take the award winning Red Orchestra franchise into the next.
Russia has converted a few old T-55 tanks into fire engines, painted bright red. But what was really impressive was the Impulse 2M, built on a T-62 tank chassis and fitted with a revolving multiple.
Red Orchestra 2 Heroes of Stalingrad is published by Tripwire Interactive. This game is a next part of Red Orchestra Ostfront. This game is totally based on battle of Stalingrad. This game has much improved graphics and sound effects as compared to its previous game. Some new things are also added in this game such as blind firing, tracking and.
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This summer, the 25th season of the D&W Fresh Market Picnic Pops opens much as it did in July 1995 with Ridenour, 'Rhapsody in Blue' and the rockets' red glare as part of a star. for one night only.
Children under 2 are always free. Due to limited parking at Gate #2 and in the interest of safety, all concert parking is limited to the main lot at Gate 1 or the.
The new rocket will carry "not. The budget request maintains NASA's focus on Mars exploration, fully funding the Mars 2020 rover, which will look for signs of past biological activity on the red.
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May 6, 2019. NAS Gulf Research Program Understanding Gulf Ocean Systems (UGOS) Grants 2 Request for Application — The focus of this solicitation is to.
Aug 21, 2013. "A Request for Information released [Aug. The platforms then remained with the rocket on the launch pad, serving as the pedestal from which.
NASA has made it clear they want astronauts back on the Moon in 2024, and now, they are zeroing in on the Red Planet — the US space agency. the major delays in development of its new heavy-lift.
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The Western world will watch a red moon rise on Sunday night. China said it has agreed to a request from NASA to use Chang'e-4, and the innovative "Magpie Bridge" relay satellite which transmitted.
Feb 19, 2016. It could easily be North Korea's latest ode to its growing missile capabilities. But this is the opening to a new music video, released on February.
This on top of the angst created over the weekend in Israel as rockets and missiles lit up the night skies. plenty of sliced garlic cloves – 6+, ¼ c sugar, 1 c Chianti, 1/2 c red wine vinegar, 1/2.
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Product Information: Tripwire Interactive's WWII-era first-person shooter series continues by showcasing what proved to be a turning point in the war, and of the deadliest single engagements in the history of warfare, in Red Orchestra 2: Heroes of Stalingrad.
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Let's talk about the artillery spam (self.redorchestra) submitted 2 years ago by gibonez. Is anyone else bothered by the artillery mechanics in Red Orchestra 2 and Rising storm ?. Morters is 15m and rockets is i think 70 or something but is almost never used anyways.
According to the White House's 2013 budget request. the European Space Agency-led ExoMars missions, which aim to launch an orbiter and a drill-toting rover to the Red Planet in 2016 and 2018,
May 6, 2019. A standard Radio City Music Hall Seating Chart 2. All of the mezzanine sections overhang the orchestra at row K. However, If you have any questions regarding Radio City Music Hall tickets, please feel free to submit a request here. Red Rocks Seating Chart | Red Rocks Amphitheatre Seat Guide.


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How Analytics is changing the Game of Sport
by Sandeep Raut
Digital Transformation, Data Science, Big Data Analytics evangelist.
More about Sandeep Raut
Save time and money securing the right people for maximum impact in your business.
Analytics and Big Data have disrupted many industries, and now they are on the edge of scoring major points in sport. Over the past few years, the world of sport has experienced an explosion in the use of analytics. Up until a few years back, experience, gut feelings, and superstition have traditionally shaped the decision making process in sport.
It first started with the Oakland Athletics' General Manager, Billy Beane, who applied analytics for selecting right players. This was the first known use of statistics and data to make decisions in professional sports. Today, every major professional sports team either has an analytics department or an analytics expert on staff. From coaches and players to front offices and businesses; Analytics can make a difference in scoring touchdowns, signing contracts or preventing injuries.
Big name sporting organizations such as the Chicago Cubs, and Golden State Warriors are realizing that this is the future of sport and it is in their best interest to ride the wave while everyone else is trying to learn how to surf.
The Golden State Warriors, have similarly used big data sets to help owners and coaches recruit players and execute game plans.
SportVu has six cameras installed in the NBA arenas to track the movements of every player on the court and the basketball at 25 times per second. The data collected provides a plethora of innovative statistics based on speed, distance, player separation and ball possession to improve the next games.
Adidas miCoach app works by having players attach a wearable device to their jerseys. Data from the device shows the coach who the top performers are, and who needs rest. It also provides real-time stats on each player, such as speed, heart rate and acceleration.
The Patriots developed a mobile app called Patriots Game Day Live, available to anyone attending a game at Gillette Stadium. With this app, they are trying to predict the wants and needs of fans, special content that can be delivered, in-seat concession ordering and bathroom wait times.
FiveThirtyEight.com provides details into more than just baseball coverage. It has over 20 journalists crunching numbers for fans to gain a better understanding of an upcoming game, series or season.
Motus' new sleeves for tracking a pitcher's throwing motion, measures arm stress, speed and shoulder rotation. The advanced data generated from this increases a player's health, performance and career. Experts can now predict with greater confidence if and when a pitcher with a certain throwing style will get injured.
In the recent Cricket world cup, every team had its own team of Data Analysts. They used various technologies like Cloud Platform and visualizations to predict scores, player performance, player profiles and more. Around 40 years' worth of Cricket World Cup data is being mined to produce insights that enhances the viewer's experience.
Analytics can advance the sports fans' experience as teams and ticket vendors compete with the at-home experience – the thinking being that the better they know their fans, the better they can cater to them.
This collection of data is also used for internet ads, which can help with the expansion and growth of your organization through social media platforms or websites.
What would be the most profitable food served at the concession stand?
What would be the best prices to sell game day tickets?
Determine which player on the team is the most productive?
Which players in the draft will become all-stars, and which ones will be considered role players?
Understand the fans behavior at the stadium via their app and push relevant information accordingly.
In this Digital age, Analytics is the present and future of professional sports. Any team that does not apply them to the fullest is at a competitive disadvantage.
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The Lady Wolves swimming team competed at two different meets and dominated many of the events.
On Friday, the Lady Wolves headed to Lander for its relay event.
"It's kind of a different format," head coach Colleen Seiloff said.
At the Lander Relays, swimmers compete in both relays and individual events. The key is to make sure the team scores well in both areas.
"I thought we did really well. We won a majority of the relays," Seiloff said. "It's really fun to do the relays because you get out there and do it for your team."


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I have just read with interest Ganyana's 'Hunting the Hippo - In The Water', in African Hunter (Issue Number 6 of 2003) and offer the following information and observations to the aspiring hippo hunter.
The anatomy of a hippo is remarkably similar to man. The heart is placed slightly further back than on ungulates but not accesible when the hippo is submerged.
Only two hippos shot by my clients were on dry land, one by Elmer Keith in Tanzania, as described in Elmer's book "Keith", the other in Uganda by Bass Lewis as reported in my book "From Sailor To Professional Hunter" (page 114). All the others were shot in the water in Uganda or Zimbabwe.
In the Uganda Queen Elizabeth National Park in the early 1960s, it was decided that the huge concentration of hippo were eroding the banks of the Kazinga channel between Lake George and Lake Edward, they were also depleting the grazing to the detriment of the other park animals and would have to be culled.
The Nuffield Foundation of England financed this and provided vets and scientists to man the laboratory they set up at the park offices near Mweya Lodge.
The park warden Frank Poppleton now had the job of culling the hippo. This could not be done where the greatest concentration occurred, at Hippo Pool, as the tourists would see it, but on the east shore of Lake Edward. Here the road could be closed to tourist traffic on Tuesday and Friday mornings when the cull was in progress.
Hippo in water seldom offer a suitable body shot. This hippo demonstating with the typical mouth agape warning and has risen out of the water, to make his point. With mouth open he offers little chance of a shot, but as he settles and gazes toward the threat, his head is almost 45° "on the bow" as described.
At first light on these two days every week for several years Frank drove his short wheel base Land Rover down to the water's edge along this road stopping opposite a group of hippo in the lake. With the windscreen down he sat and shot 12 mature hippo. Using a 7mm with solid ammunition, he shot into the ear hole when broadside-on or into the eye when 45 degrees on the bow. He did not use the frontal shot as he did not consider the 7mm bullet was heavy enough to penetrate to the brain every time. He then went home to breakfast.
Two hours later a tractor and truck with a dinghy aboard arrived at the scene followed by 12 butcher's lorries. The dinghy took a line out to the now floating hippos, the tractor winched them into the shore, where the heads were removed and loaded onto the truck for dispatch to the lab where the ivory was removed along with eyes and various glands. The carcasses were then hoisted up on sheerlegs, weighed and sold, one to each butcher.
Before the cull an aerial count showed 32000 hippo in Lake Edward, the Kazinga channel and Hippo Pool, after several years of culling an aerial count showed over 34000 hippo but the number in the park had been reduced. Frank had been shooting 1248 a year! It is believed that the shooting caused an increase in the breeding rate.
In view of Frank's experience I always had my clients shoot for the eye or ear hole when shooting hippos in water. Getting a bull to present the correct angle for the eye shot when he was usually looking straight at you or your hide when he surfaced was a problem, solved by waiting for him to submerge, then sending someone to stand in the open some distance either side. On surfacing the hippo would look at the new threat, giving you the right angle to shoot for the eye, or if the person moved further away - the ear hole.
A bullet placed at the base of the ear is an effective shot from this broadside position.


text:
Q: ERROR: require() of ES Module not allowed Background
I'm making a library.
I tried to set up rollup so that users who use commonjs method and those who use esm can
use my library.
// package.json

{
  "name": "mockito",
  "version": "1.0.4",
  "description": "let's make mock data easy!",
  "sideEffects": false,
  "type": "module",
  "exports": {
    ".": {
      "require": "./dist/commonjs/bundle.js",
      "import": "./dist/esm/bundle.mjs"
    }
  },
  "main": "./dist/commonjs/bundle.js",
  "scripts": {
    "build": "rm -rf dist && rollup -c rollup.config.js",
    "prepublish": "npm run build"
  },
  "dependencies": {
    "nanoid": "^4.0.0"
  },
  "devDependencies": {
    "rollup": "^3.2.3"
  },
}

// rollup.config.js

export default [
  {
    input: "./src/index.js",
    output: {
      format: "cjs",
      file: "./dist/commonjs/bundle.js",
      sourcemap: true,
    },
  },
  {
    input: "./src/index.js",
    output: {
      format: "es",
      file: "./dist/esm/bundle.mjs",
      sourcemap: true,
    },
  },
];

Below is the result of the user downloading this library.
// node_modules

mockito
 ┣ dist
 ┃ ┣ commonjs
 ┃ ┃ ┣ bundle.js
 ┃ ┃ ┗ bundle.js.map
 ┃ ┗ esm
 ┃ ┃ ┣ bundle.mjs
 ┃ ┃ ┗ bundle.mjs.map
 ┣ src
 ┃ ┣ data
 ┃ ┣ mocks
 ┃ ┣ utils
 ┃ ┣ constants.js
 ┃ ┣ generator.js
 ┃ ┣ index.js
 ┣ package.json
 ┗ rollup.config.js

I can import mockito module like this.
import { generate } from 'mockito';

it works!

Problem
But not working with require('mockito');
Error message is this.
Error [ERR_REQUIRE_ESM]: require() of ES Module
 .../node_modules/mockito/dist/commonjs/bundle.js from .../mockito-commonjs-webpack/src/index.js not supported.
bundle.js is treated as an ES module file as it is a
.js file whose nearest parent package.json contains "type": "module"
which declares all .js files in that package scope as ES modules.
Instead rename bundle.js to end in .cjs, change the requiring code
to use dynamic import() which is available in all CommonJS modules,
or change "type": "module" to "type": "commonjs" in /Users/yoon/Desktop/mockito-test/mockito-commonjs-
 webpack/node_modules/mockito/package.json to treat all .js files as CommonJS (using .mjs for all ES modules instead).

    at Object.<anonymous> (/Users/yoon/Desktop/mockito-test/mockito-commonjs-webpack/src/index.js:1:17) {
  code: 'ERR_REQUIRE_ESM'
}

How to fix this ?
Should I change the "type": "module" to "commonjs" ?

A: The reason of this problem is that nanoid v4 support only esm!
So I downgrade to v3.
Here is the issue of nanoid

redpajama_set_name: RedPajamaStackExchange


The New York Times on Sunday reported that Facebook's partnerships with about 60 device makers — including Apple and Samsung — raise "new concerns" about the social giant's privacy practices. In response, Facebook said the article's central allegation that the partnerships allowed unauthorized access to users' friends data is wrong.
The Times report, citing former Facebook engineers and security experts, claimed that the company's device partners had the ability to "override sharing restrictions," giving manufacturers access to information even for Facebook users who had set their accounts to disallow sharing of any information with third parties.
According to the report, the issues "raise concerns about the company's privacy protections and compliance with a 2011 consent decree with the Federal Trade Commission." Under the FTC agreement, Facebook is required to obtain explicit user consent to share data externally.
Facebook says those claims are wrong.
In premarket trading Monday, Facebook stock was down about 1.3%.
Facebook's privacy practices catapulted onto the international stage earlier this year, after the Times and other news orgs revealed that political-consulting firm Cambridge Analytica had improperly obtained accessed on millions of Facebook users. Facebook insisted that the application programming interfaces it created for Apple and other partners were "very different from the public APIs used by third-party developers, like Aleksandr Kogan," the researcher who harvested data via a personality-quiz app without users' consent and then sold it to Cambridge Analytica.
Facebook introduced the API program for mobile-device makers 10 years ago "to help get Facebook onto mobile devices," Archibong noted in the post, titled "Why We Disagree With the New York Times." At the time, companies like Facebook — as well as Google, Twitter and YouTube — had to work directly with operating-system and device manufacturers to provide access to their services, he added.
Over the past decade, Facebook has provided device-API access to companies including Amazon, Apple, Blackberry, HTC, Microsoft and Samsung. Now that Facebook's iOS and Android apps have largely eliminated the need for "bespoke" ways for devices to access the social service, the company is phasing out the program, according to Archibong. Facebook has ended 22 of these partnerships since April, he wrote.


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text:
Monachocrinus mortenseni is een haarster uit de familie Bathycrinidae.

De wetenschappelijke naam van de soort werd in 1938 gepubliceerd door Torsten Gislén.

Haarsterren

redpajama_set_name: RedPajamaWikipedia


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Today, more and more activists, educators, and counseling professionals are recognizing the role that communication plays in mental health management. It's exciting that the professionals of Time to Change are playing an integral role in changing the stigma around mental health. The representatives of Time to Change created Time to Talk Day to help further the conversation. Finding talk therapy through a drug and alcohol rehab can give you the best chance at recovery.
This event helps promote transparent communication about mental health in safe environments. These conversations become the springboard for personal change and community building. Unfortunately, there is still a negative stigma surrounding the reality of mental health disorders. Common disorders like schizophrenia, eating disorders, and post-traumatic stress disorder still receive judgment and Much of the shame and stigmas result from ongoing silence which precludes individuals from gaining knowledge and keeping the lines of communication open with people who are struggling to overcome their mental health issues.
How Does Time to Talk Day Unfold?
The amazing thing about this event is that it operates as an organic process through which individuals and organizations can devise their own communication modalities. The representatives of Time to Change facilitate this process by providing participants with a wide range of free materials, strategies, and resources that can be used to organize and execute a talk session. For example, the officials provide participants with resources they can use as a springboard for real discourse. One resource is the Time to Talk Day Chatterbox, and it includes posters, tip cards, conversation starters, and postcards.
Another tool that the Time to Talk Day professionals utilize to assist individuals in generating real conversations about mental health is conversational packs. There are four types, including the workplace conversation pack. The packs include activity ideas such as campaign films, lunch and learn sessions, and walk and talk events that enable co-workers to get outside as they engage in dialogues about mental health.
People ready to overcome mental health challenges or wanting to help a loved one can find available resources. San Antonio Recovery Center is ready to help you achieve lasting recovery. Our team is ready to provide the services and treatments necessary to achieve your goals of sobriety. Contact San Antonio Recovery Center at 866-957-7885 to begin obtaining the effective care you deserve!


text:
Greenwood, Delaware
Town in Delaware, United States
Location of Greenwood in Sussex County, Delaware.
Location within the state of Delaware
Show map of Delaware
Greenwood (the United States)
Show map of the United States
Donald Donovan
0.72 sq mi (1.87 km2)
1,500.69/sq mi (579.19/km2)
UTC−5 (Eastern (EST))
UTC−4 (EDT)
greenwood.delaware.gov
Greenwood is a town in Sussex County, Delaware, United States. The population was 973 at the 2010 census, an increase of 16.2% over the previous decade. It is part of the Salisbury, Maryland-Delaware Metropolitan Statistical Area.
The Richards Historic District was listed on the National Register of Historic Places in 1983.[4]
Greenwood is located at 38°48′25″N 75°35′29″W / 38.80694°N 75.59139°W / 38.80694; -75.59139.[5]
According to the United States Census Bureau, the town has a total area of 0.7 square miles (1.8 km2) all of it land.
1890 254 133.0%
1930 527 5.4%
1970 654 −14.8%
Est. 2018 1,118 [2] 14.9%
As of the census[6] of 2000, there were 837 people, 335 households, and 211 families residing in the town. The population density was 1,267.2 people per square mile (489.6/km²). There were 394 housing units at an average density of 596.5 per square mile (230.5/km²). The racial makeup of the town was 74.91% White, 22.58% African American, 1.08% Asian, 0.12% Pacific Islander, 0.24% from other races, and 1.08% from two or more races. Hispanic or Latino of any race were 2.87% of the population.
There were 335 households out of which 38.2% had children under the age of 18 living with them, 41.2% were married couples living together, 14.3% had a female householder with no husband present, and 37.0% were non-families. 31.9% of all households were made up of individuals and 14.6% had someone living alone who was 65 years of age or older. The average household size was 2.50 and the average family size was 3.15.
In the town, the population was spread out with 31.8% under the age of 18, 10.6% from 18 to 24, 29.3% from 25 to 44, 15.4% from 45 to 64, and 12.9% who were 65 years of age or older. The median age was 30 years. For every 100 females, there were 94.7 males. For every 100 females age 18 and over, there were 89.1 males.
The median income for a household in the town was $35,588, and the median income for a family was $40,000. Males had a median income of $30,066 versus $21,094 for females. The per capita income for the town was $13,918. About 8.3% of families and 11.5% of the population were below the poverty line, including 16.7% of those under age 18 and 7.6% of those age 65 or over.
Simeon S. Pennewill, politician, Governor of Delaware (1909–1913)
Earle D. Willey, politician, US Congressman (1943–1945)
Hugh M. Morris, attorney, US District Court Judge
^ "2016 U.S. Gazetteer Files". United States Census Bureau. Retrieved Jul 25, 2017.
^ a b "Annual Estimates of the Resident Population: April 1, 2010 to July 1, 2018". Retrieved July 4, 2019.
^ "Greenwood". Geographic Names Information System. United States Geological Survey.
^ National Park Service (2010-07-09). "National Register Information System". National Register of Historic Places. National Park Service.
^ "American FactFinder". United States Census Bureau. Archived from the original on 2013-09-11. Retrieved 2008-01-31.
Municipalities and communities of Sussex County, Delaware, United States
County seat: Georgetown
Milford‡
Henlopen Acres
Slaughter Beach
Former towns
North Laurel
Adams Crossroads
Adamsville‡
Anderson Crossroads
Argos Corner
Bacons
Blackwater Beach
Broad Creek
Bryans Store
Carpenters Corner
Cave Colony
Cedar Beach
Clarksons Crossroads
Cocked Hat
Cool Spring
Coverdale Crossroads
Dublin Hill
Flea Hill
Fowler Beach
Gravel Hill
Gum Crossroads
Gumboro
Hardscrabble
Hearns Crossroads
Holiday Acres
Hollymount
Hollyville
Israel Haul
Jefferson Crossroads
Jimtown
Knowles Crossroads
Lake Pines
Marshtown
Massey Landing
McDonalds Crossroads
Middleford
Middlesex Beach
Midnight Thicket
Morris Mill
North Shores
Oak Orchard
Packing House Corner
Pepperbox
Phillips Hill
Piney Grove
Piney Grove Manor
Portsville
Primehook Beach
Pusey Crossroads
Redden
Reliance‡
Saulsbury Switch
Scotts Corner
Shaft Ox Corner
Springfield Crossroads
Staytonville
Stockley
Sussex Shores
Tussock Pond
Wescoats Corner
Whaleys Corners
Whaleys Crossroads
Wood Branch
Broadkill
Lewes & Rehoboth
Little Creek
Northwest Fork
Owens Station
Saint Johnstown
Retrieved from "https://en.wikipedia.org/w/index.php?title=Greenwood,_Delaware&oldid=904789429"
Towns in Sussex County, Delaware
Towns in Delaware
Salisbury metropolitan area


When viewed from just a few steps remove, the tedium of daily experience takes on a profoundly absurd quality. It's that absurdity which, if I let it, leaves me dazzled and disoriented. Everything, from the everyday little dramas on the one hand to the yawning abyss of the Unknown on the other—I can see the absurdity in it, can see the absurdity in myself and my emotions. And at the same time I feel everything reduced to this very specific and, at times, visceral point—I'm grieving. It's a bodily experience, automatic, unthinking. It's cellular. It seems to move on its own course, its own rhythm, its own progression.
Last month I made a sudden trip back to the US, my first time returning to the Bay Area since I left it three winters ago. I was responding to the quiet crisis of an elderly relative entering hospice care, and simultaneously a messier tragedy was busy unfolding with another loved-one. And none of it could be tidily resolved in the week before I had to return to Berlin. So the result was a weird sort of psychic limbo, a sense of detachment, a preoccupation with mortality, yes, but more acutely an obsession with the passage of time—not so much the running-out-of-it part, but the unrelenting and indifferent forward compulsion of one second after the next. There's such perverse consistency in it: that despite my experience of the fractions in between, whether my perception dilating or contracting, it doesn't matter. Time goes on. Time will leave you behind. I suppose metronomes have always freaked me out for this reason—though paradoxically, the unending 4/4 of the technoclub can fill me with such affirmation, wtf.
But I'm not alone in this thinking. It seems that as mortal creatures we have a lot of anxiety around things that remind us of the finite nature of our existence: think midlife and quarterlife crises, the tick-tick-ticking of the biological clock, the perturbative agitation of FoMO (ie. fear of missing out). There's even a German word in this vein: Torschlusspanik, literally "gate-shut-panic", conjuring images of the clock ticking down, the walls closing in, the winding path called Life growing narrower and the way more occluded. Can you hear the wolves howling? Meanwhile the specter of Mortality begins to insist on longer and more frequent uncomfortable eye-contact, putting a damper on hopes, ambitions, party plans. And in response we frantically share inspirational memes: Carpe diem. Life is short, do it up.
Life is short, yes. But life is also long, and time is sometimes cruel to us and those we love. Or seems to be. Or maybe it's more comfortable to project personality characteristics onto an abstract concept because it makes it easier to wrangle things into a more personal narrative. It makes it less lonely.
Time and Mortality are my adversaries, and I fight them mightily, but they are, alas, more powerful than I.
Revisiting California made me realize I've missed the ocean, the enormity of it, the bleak profundity of it—as if I could really forget. Before moving to Berlin, my partner and I lived for a while at San Francisco's fog-covered western edge looking out daily into the vast grey Pacific. Walking along the edge of the frigid surf always helped me put a lot of things perspective, including myself. On the beach, you can feel time passing in a tangible way, the constant erosion of wind and water, sand and sun grinding things down and polishing them smooth, smoother, until there's nothing left. Toeing little battered fragmented things that used to be alive, or, poor dears, were still caught up in the process of dying. Thinking about Nature's brutal indifference, and how can we, as sentient creatures, imagine ourselves as somehow exempt? I find a lot of weird serenity in those contemplations, inviting internal dialogues about identity and ego, sentiments fringing on both transcendentalism and nihilism.
Alas, Berlin has no beach, no ocean. I'm not generally prone to homesickness, but that's one of the few things I lamented when we decided to move here, the loss of the beach. But lamentation is absurd, especially since a beach in Berlin would most certainly bear no resemblance to the one in my heart. You have to evolve with your surroundings, find other ways to rub elbows with the Eternal. And, truthfully, sometimes I do here in Berlin. Sometimes I hear it like a summons in that immutable 4/4 entombed within graffitied walls of brick and concrete. I recognize this voice: bass pressure like the familiar call of the void washing over me, rattling my core, invoking that same powerful zen of cosmic indifference as once upon a time when immersing myself in the vast roar of the Pacific.
The club and the coast: they both drown out the internal chatter, replacing it with something which is completely indifferent to my existence. I experience relief, a momentary nullification of that cumbersome ego which trips me up in the day to day.
While I was in California, I was sleeping on a little air mattress in the office. Each night I went to bed, thoughts churning. There was a clock ticking thickly in the darkness nearby—used to be when I'd come back to visit my old childhood room I'd have to take the clock down off the wall and stow it in a cabinet so as not to hear it, but this being my grandmother's clock I felt it would be rude to move it. So instead I just listened to it ticking each night, surrendered to its cadence and to that of the distant foghorn sounding its soft trumpet call, a diffuse synaesthetic fuchsia glow against the subtler rhythm of the waves on the beach down the road.
I needed to keep this feeling and take it with me, this soundscape which encapsulated, for me, the very essence of waiting and uncertainty, of relentless progression, and of that silly but tender mortal desire to shape the course of things while knowing there is nothing to be done except simply be present. Rhythms take their own courses.


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UDINESE defender Cristian Zapata claims Arsenal are among the clubs interested in signing him this summer.
The 22-year-old has made 17 league starts for Udinese this season and his performances for the Bianconeri have not gone unnoticed.
He said: "Juventus, Fiorentina, Milan, Arsenal and Villarreal have requested information about me.
"There are many teams that are keen to sign me but an official offer has not been made so far.
"I think if a good offer arrives then Udinese will have to consider it.
Udinese reportedly turned down a £9.5million bid from Arsenal for Zapata last summer.
The Colombia international joined the Italian outfit in 2005 from home club Deportivo Cali. He is under contract with Udinese until June 2013.


how this incredible town event evolved over the years. Many will be surprised to learn that the roots of the Dracut Scholarship Foundation can actually be traced to 1926. There are few towns that can boast such a long commitment to helping students make their way to college.
In 1926, George H. Hovey passed away in Chicago. He was originally from Dracut and had lived on the old Hovey homestead. (The Hovey homestead was located where Hannaford Supermarket is today.) According to his will, he left approximately $160,000 to relatives, hospitals, churches, the Dracut Public Library, the town of Dracut for parks' maintenance, and the city of Lowell for parks' maintenance. In addition, Hovey bequeathed $5,000 to the Dracut Public Schools. The funds were set up in the George H. Hovey Scholarship Fund. Since Dracut did not have its own high school at the time, the purpose of the fund was to pay for tuition for any student wising to attend Lowell High School.
Once Dracut had its own high school (the first graduating class was in 1936), the funds were unable to be used since tuition was no longer paid to Lowell. The Hovey heirs petitioned the courts to alter the original will so that the Dracut School Department could use the funds to provide scholarships to deserving graduates. In June 1938, the court agreed with the Hovey heirs and placed the Superintendent, the Selectmen, and the town Treasurer in charge of distributing the Hovey Scholarship Funds. Students were to be selected based on merit, ability, and scholastic standing. Students were also required to take an exam administered by the Superintendent which tested their general knowledge. After the exams, the committee would decide the distribution of funds. Other restrictions were receiving students must either be natives of Dracut or residents and be graduates of Dracut High School.
In 1939, there was $754.06 in the Hovey Fund to distribute. Scholarships were in the amount of $50. Beginning in 1949, the Dracut Teachers' Association (DTA) decided to help sustain the scholarship fund by having every teacher donate $5 annually. It became a tradition and the annual donation per teacher was increased to $10 and by 1958 the DTA donated $900 to the fund. Two other groups also emerged to help sustain the scholarship fund. The first group was led by Howard Hunting, President of the Dracut Alumni Association, Christos Daoulas, Science teacher, and Edward Moran, Principal of Dracut High School. Their efforts helped raise $3,000 for the scholarship fund in both 1956 and 1957. The second group was the newly formed high school Parent Teacher Organization which raised $2,500 during those same years.
While supporting Dracut scholars, what became apparent to all was that in order to make these scholarships self-sustaining and a permanent fixture at Dracut High, a more formal organization would need to be established. So, in 1958, with the help of town counsel Francis Lappin, Hunting, Daoulas, and Moran wrote a set of by-laws and worked towards incorporating the Dracut Scholarship Foundation as a non-profit entity. They presented the completed by-laws to the entire town for approval and they were accepted.
The first meting of the newly formed Dracut Scholarship Foundation took place on Tuesday, May 27, 1958. Membership was open to anyone for an annual $2.00 donation. The members of the Dracut Scholarship Foundation in 1958 were the Dracut High PTA, Dracut Teachers' Association, Dracut High School alumni Association, Goodhue-Parker Avenue PTA, Dracut Firefighters'' Association, Dracut Center PTA, Kenwood School PTA, Collinsville PTA, Dracut Grange, Dracut School Custodians, Dracut School Bus Drivers, Dracut Retail Liquor Dealers Association, American Legion Post 315, Dracut Police Association, Superintendent Paul Phaneuf, Assistant Superintendent George Englesby, Mr. And Mrs. John Stefan, Eloise Decelle, R.N., Wilfred Turgeon, and numerous Dracut businesses.
The efforts by these individuals helped create a community tradition of providing scholarships to college bound Dracut graduates which continue to this day. Over the years the fundraising techniques have changed, most notably with the annual telethon—the brain child of then principal Bruce Hutchins—but this all began 92 years ago when George H. Hovey bequeathed part of his estate to the town.
Congratulations to the Dracut Scholarship Foundation on another successful telethon!


text:
import pytest

from plenum.common.constants import (
    CURRENT_PROTOCOL_VERSION, TXN_PAYLOAD_METADATA_TAA_ACCEPTANCE
)
from plenum.common.request import SafeRequest

@pytest.fixture
def kwargs_minimal(request, operation):
    return {
        'identifier': '1' * 16,
        'reqId': 1,
        'operation': operation,
        'protocolVersion': CURRENT_PROTOCOL_VERSION
    }

@pytest.fixture
def kwargs_all(kwargs_minimal, taa_acceptance):
    kwargs_minimal['signature'] = 'signature'
    kwargs_minimal[TXN_PAYLOAD_METADATA_TAA_ACCEPTANCE] = taa_acceptance
    return kwargs_minimal

def test_minimal_valid(kwargs_minimal):
    SafeRequest(**kwargs_minimal)

def test_with_signature_valid(kwargs_minimal):
    kwargs_minimal['signature'] = 'signature'
    SafeRequest(**kwargs_minimal)

# TODO suplicates test_minimal_valid
def test_with_version_valid(kwargs_minimal):
    SafeRequest(**kwargs_minimal)

def test_with_taa_acceptance_valid(kwargs_minimal, taa_acceptance):
    kwargs_minimal[TXN_PAYLOAD_METADATA_TAA_ACCEPTANCE] = taa_acceptance
    SafeRequest(**kwargs_minimal)

def test_all_valid(kwargs_all):
    SafeRequest(**kwargs_all)

def test_all_identifier_invalid(kwargs_all):
    kwargs_all['identifier'] = '1' * 5
    with pytest.raises(TypeError) as ex_info:
        SafeRequest(**kwargs_all)
    ex_info.match(r'b58 decoded value length 5 should be one of \[16, 32\]')

def test_all_reqid_invalid(kwargs_all):
    kwargs_all['reqId'] = -500
    with pytest.raises(TypeError) as ex_info:
        SafeRequest(**kwargs_all)
    ex_info.match('negative value')

def test_all_operation_invalid(kwargs_all, operation_invalid):
    kwargs_all['operation'] = operation_invalid
    with pytest.raises(TypeError) as ex_info:
        SafeRequest(**kwargs_all)
    ex_info.match(r'\[ClientNYMOperation\]: b58 decoded value length 1 should be one of \[16, 32\]')

def test_less_than_minimal_valid(kwargs_minimal):
    with pytest.raises(TypeError) as ex_info:
        SafeRequest(**{k: v for k, v in kwargs_minimal.items() if k != 'operation'})
    ex_info.match('missed fields - operation')

    with pytest.raises(TypeError) as ex_info:
        SafeRequest(**{k: v for k, v in kwargs_minimal.items() if k != 'reqId'})
    ex_info.match('missed fields - reqId')

    with pytest.raises(TypeError) as ex_info:
        SafeRequest(**{k: v for k, v in kwargs_minimal.items() if k != 'identifier'})
    ex_info.match('Missing both signatures and identifier')

def test_all_signature_invalid(kwargs_all):
    kwargs_all['signature'] = ''
    with pytest.raises(TypeError) as ex_info:
        SafeRequest(**kwargs_all)
    ex_info.match("signature can not be empty")

def test_all_version_invalid(kwargs_all):
    kwargs_all['protocolVersion'] = -5
    with pytest.raises(TypeError) as ex_info:
        SafeRequest(**kwargs_all)
    ex_info.match('Unknown protocol version value. '
                  'Make sure that the latest LibIndy is used')

def test_all_taa_acceptance_invalid(kwargs_all, taa_acceptance_invalid):
    kwargs_all[TXN_PAYLOAD_METADATA_TAA_ACCEPTANCE] = taa_acceptance_invalid
    with pytest.raises(
        TypeError, match=("should be greater than")
    ):
        SafeRequest(**kwargs_all)

redpajama_set_name: RedPajamaGithub


text:
London Irish T-Shirt Rugby Vintage 1898 Navy
London Irish T-Shirt Rugby Introduction
London Irish T-Shirt Rugby Vintage 1898 Navy design is inspired by the legendary Louis Magee. Who was instrumental in the growth of the London-based club. Since the club's formation. London Irish has been one of the capital's leading rugby clubs. For well over a century. The team's new home is back in West London at Brentford. The Brentford Community Stadium is just a few miles from London Irish's training base and spiritual home at Hazelwood, Sunbury. Also, it is an ideal location to be reached from the club's traditional area in southwest London. For those who have begun following the team in the Thames Valley. And new rugby supporters from across the capital.
Louis Magee a London Irish Rugby Legend
It was of course Louis Magee. The star Irish rugby international was so influential in the club's early history.
Size Choose an optionSmallMediumLargeX Large2X Large3X Large4X Large
London Irish T-Shirt Rugby Vintage 1898 Navy quantity
SKU: ER-TS-1893-NA- Categories: London Irish Rugby Shop, New, Rugby T-Shirts, Rugby Union T-Shirts Tags: Ellis Rugby, Ireland Rugby Union, London Irish, Rugby Union, T-Shirt, Vintage
Ireland Rugby International 1895
Magee first played international rugby for Ireland in the Home Nations Championship of 1895. in an encounter with England. He played alongside his brother Joseph. But, Joseph's international career ended after only two games. He played in only the first two matches of the 1895 season only.
Magee scored his first international try in the game. And, although Ireland narrowly lost the opening game. It was an epic encounter with the old enemy. Magee's form was such he was reselected for the next two games of the Championship. Unfortunately, Ireland lost both narrowly in two tight matches. This left Ireland end bottom of the table for the season.
4 Nations Success for London Irish Rugby star
However, in 1896 there was a turnaround in fortunes for Ireland. They beat both Wales and England. And then drew 0–0 with Scotland. This provided Ireland with its second Championship in three years. Magee played in all three games of the season making him a Championship-winning player.
Exiles Louis Magee selected for the British Lions
Magee was approached by Johnny Hammond towards the end of the 1896 season. To see if he would be interested in joining the British Isles team on their tour of South Africa. Magee along with his brother James accepted the invitation.
Irish players had previously been poorly represented by the Lions. However, there was a notable contingent of Irish players chosen. These included Thomas Crean, Robert Johnston, and Larry Bulger. Also, Jim Sealy and Andrew Clinch. In addition Arthur Meares and Cecil Boyd.
Magee played in all four Test games against the South African Springboks. He was partnered with half-back Matthew Mullineux in the first Test. But, for the final three tests, he was accompanied by Sydney Pyman Bell the Cambridge University player. He played in fourteen of the 21 tour games.
Manufacturing the London Irish T-Shirt Rugby
Manufactured from 100% cotton, the Ellis Rugby, London Irish T-Shirt Rugby features a classic print design. It celebrates the achievement of Louis Magee. The Exiles legend of 1898. Also, this garment includes the Ellis Rugby shield on the arm and herringbone side vents. It also has a tape trim on the neck, plus a decorative woven label.
This T-Shirt is available in sizes S – 4XL.
Also, as well as the London Irish T-Shirt Rugby Vintage 1898 Navy. We offer this design in a Green T-Shirt. In addition a London Irish Rugby Shirt 1898 Green. Also, the Vintage London Irish Rugby Shirt 1898 Navy.
Small, Medium, Large, X Large, 2X Large, 3X Large, 4X Large
Vintage London Irish Rugby Shirt 1898 Navy
London Irish Rugby Shirt 1898 Green
Vintage Australia Rugby T-Shirt Retro Style
Vintage Wales Rugby T-Shirt Retro Style
New Zealand Rugby League T-Shirt Vintage Style
Old Boys Rugby T-Shirt Vintage Style


text:
Hip Hop Nostalgia 101, Session 42: A 25 Year Retrospective, Queen Latifah's "All Hail The Queen" (1989)
This marks Queen Latifah's debut album, the creatively titled "All Hail The Queen."
1. Dance For Me
Produced By DJ Mark The 45 King
To open the album, we got a very good, upbeat song, which would've made you dance, no doubt. Latifah was feeling it here, in true party mode and riding 45 King's beat so nicely.
*Grade- A
2. Mama Gave Birth to the Soul Children
Featuring De La Soul
Produced By Prince Paul
The first word that describes this song is creative, and usually you'll find De La Soul not too far behind when something creative is present. On top of the creativity, it's another song that makes you wanna dance, and it's not out of place at all here.
*Grade- A+
3. Come Into My House
Featuring Quasar
"Give me body!!!"
The "House" style was in full effect here, and trust me this very style would come full circle as the 1990s began.
4. Latifah's Law
Produced By Louie Louie
Latifah makes it clear that you don't have to be a man to lay down the law, lol. She makes her presence felt in the hip hop way.
*Grade- B+
5. Wrath Of My Madness
"This mic in my hand, I'm RULING!"
"Don't try to play me out, cause I ain't the one!"
Those lines above are two of the Latifah's most memorable, coming courtesy of this nice song.
6. The Pros
Featuring and produced By Daddy-O (Stetsasonic)
This one was about 1 minute or so too long, even with its semi reggae styled theme. It's ok for the most part, nothing more.
*Grade- C
7. Ladies First
Featuring Monie Love
Oh man, do I even have to say how excellent this song is? Apply titled, yes indeed, and a true anthem for the ladies, not just for Black women, but women of all races. When is the last time a song like this graced hip hop? It's been a LONG time, and you won't ever see Nicki Minaj or any female artists like her make a song like this. Classic.
8. A King and Queen Creation
Featuring and produced By DJ Mark The 45 King
45 King, in addition to being behind the boards, steps on the mic with the Queen for this one. His verse wasn't bad at all, but Latifah more than held her own her with such a commanding, lady like presence.
9. Queen of Royal Badness
It was interesting to hear another female MC, along with MC Lyte and Salt N Pepa at the time, claiming their superiority (and confidence) on the mic. Latifah does that here and then some.
10. Evil That Men Do
Featuring and produced by KRS-One
Latifah links up with BDP's own KRS-One for this banger. You can listen to this and tell the beat had Latifah in a "boogie down" state of mind and it worked.
11. Princess Of The Posse
She's a queen (of royal badness) and a princess at the same time. This was another dope jam where her presence on the mic (complete with a nice, reggae flavored hook) made it work.
12. Inside Out
Naw, you can't turn this sista inside out. Fast paced, decent song.
*Grade- B
13. Dance 4 Me (Ultimatum Remix)
Produced By Ultimatum
I liked this remix a little more than the original version, although both are equally dope and gets the job done in terms of making you dance.
14. Wrath Of My Madness (Soulshock Remix) Produced By Soulshock
Sample check
This remix was not that different from the original, outside of being a few more minutes longer. Still very good though.
15. Princess Of The Posse (DJ Mark The 45 King Remix)
This doesn't pack the same punch as the original, but again it's good.
Latifah's debut was (and still is) a VERY good album, a fitting debut. It's a good thing her career went as far as it did (which will definitely be touched on as we enter the 1990s), because she was so talented with a style that everyone could love; definitely an album that showed she was indeed here to stay. Also, while "Ladies First," "Wrath Of My Madness," and "Come Into My House" (just to name three) are classics and this album was listed on The Source's Top 100 Best Rap Albums, I feel it was slightly forgotten, likely because of the timing of its release. Overall, this was a job well done. Thank you Ms. Latifah!!!
Final grade: A
Posted by Wayne M. at Friday, November 07, 2014
Labels: Hip Hop Nostalgia 101 Sessions


text:
Yahoo News Singapore
Fake sugar daddy agent De Beers Wong appeals against sentence in tearful plea
Wan Ting Koh
24 September 2021, 4:42 am ·4-min read
A man at his laptop. (PHOTO: Getty Images)
SINGAPORE — A fake social escort agent who cheated women into having sex with him and appealed against his three-and-a-half year jail sentence addressed the judge in a tearful plea at the High Court on Friday (24 September).
After Chief Justice Sundaresh Menon questioned a psychiatric report produced by the defence in support of a shorter jail sentence, De Beers Wong Tian Jun spoke up and said the contents in the report were genuine. He added that speaking to the doctor made him realise why he made "such a bad decision".
Wong was represented by lawyer Riko Isaac Chua, who submitted a psychiatric report on his client's state of mind at the time of the offences to ask for a lower sentence.
The 40-year-old Singaporean had cheated at least 11 women, aged 18 to 24, between April 2015 and January 2016.
As he could not afford to pay for sex, he came up with the idea to advertise on Locanto for "sugar babes" in 2015 and passed himself off as an agent who connected wealthy clients with his sugar babies.
He told the women who contacted him that they had to engage in sexual activity with him or provide him with sexually explicit photographs or videos of themselves in order to evaluate their suitability for his clients. He offered them $8,000 to $24,000 a month but no such clients existed.
Pointing to Wong's psychiatric report, CJ Menon said on Friday that Wong was only assessed some five years after the offences were committed. The report lacked "the slightest explanation" about how the psychiatrist was able to "retrospectively determine" Wong's condition back then, said the CJ.
"I can't see anywhere in the report how (the psychiatrist) was able to come to the view that this was the case at that time," said the judge.
CJ Menon also expressed concern that the psychiatrist did not have sight of the statement of facts produced during Wong's plead guilty mention, but relied on Wong's account. This was "hardly satisfactory" said the judge.
In reply, Chua said that his team of lawyers did not think of sending the psychiatrist the statement of facts as they had felt it was sufficient for their psychiatrist to hear from Wong, together with the corroboration of Wong's counsellor.
As to Wong's report, Chua said that he felt there was "sufficient reasoning", such as how the psychiatrist referred to Wong's mental state at the time of the offences. The lawyer also pointed to Wong's remorse and his clean record. "He was previously grassroots chairman of SengKang West and his only antecedent was back in 1998 for theft," said Chua.
CJ Menon then noted how Wong seemed to blame others in his documents, such as his father, ex-wife and and in-laws. "And in certain respects he even seemed to suggest that the victims had it coming because they were in this for whatever reasons they were in," said the judge.
This did not show a person who admitted to his mistakes and how reprehensibly he had acted, the judge added, pointing out that Wong had replied particularly cruelly to a victim in his exchanges with her.
At this point, Wong, who was present in court asked to address the CJ, who appeared via zoom in court.
Wong said in an emotional voice, "I'm not saying I didn't do anything wrong… when I went to meet the doctor… it was then I realised the amount of stress and depression which I was going through at the time.
"In no way am I blaming my in-laws, father or ex-wife for what I went through in that period of time but it was only after visiting the doctor that I realised why I made such an unsound decision then. Because...I've always been trying to do good and it was only after speaking to counsellor did I realise why I made such a wrong bad decision at that time.
"Given I have a new family, I have my son… I really hope you see that the report is as genuine as it is and it is not something to come up with stories to bluff or cheat anyone."
Wong, who was breathing heavily throughout his speech, added that he had had a stroke a few months ago.
Chua told CJ Menon that Wong's fiancee also wanted to speak but was disallowed by the judge, who did not see how she could contribute.
CJ Menon reserved judgement to be given at a later date.
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