text:
Featured, Latest News, Press Release
#STEMamericas
Washington, DC (June 17, 2019) — The BMW Group and the Pan American Development Foundation (PADF) will boost STEM education in public schools in Buenos Aires, Argentina, as part of the #STEMamericas initiative.
The booming technology sector has spawned a great need for innovators, engineers and scientists. As the global tech sector continues to grow, machines are gradually replacing traditional manual labor with jobs that require STEM skills. Latin American students continue to rank in the bottom third worldwide in math, reading and science, according to the latest Programme for International Student Assessment (PISA) data.
Through the new partnership with the BMW group, students will learn about science, technology, engineering and mathematics through science fairs and after-school robotics classes and will acquire other important skills to be competitive in the workforce. As part of the unique STEM Americas methodology, teachers will also receive comprehensive training to improve their leadership and capacity to teach STEM subjects.
"The future is requiring a workforce that is knowledgeable in STEM skills," said Katie Taylor, Executive Director at PADF. "We are focused on making STEM education accessible in disadvantaged public schools so that young girls and boys have the opportunity to grow and prosper."
"Innovation is at the heart of the BMW Group, and we believe that innovative education is crucial for a sustainable future," said Guillermo Areas, Head of Government and External Affairs for Latin America and the Caribbean of the BMW Group. "This pilot program was designed to unleash students' creativity and spawn new opportunities, launching them on an upward trajectory when they complete the program."
The BMW Group has a long-established commitment to supporting education throughout the world, with programs that are informative, engaging and accessible to everyone. It is committed not only to creating jobs, but to supporting future technicians and engineers through STEM education and training programs. As such, BMW announced a $50,000 investment over three years to support PADF's initiative in Argentina.
STEM Americas is a public-private initiative developed by PADF to equip students for 21st-century thinking. It seeks to inspire the next generation of engineers and scientists throughout Latin America and the Caribbean by challenging them to solve real-world problems with relevant solutions. In addition to Argentina, PADF has implemented STEM Americas programming in the Bahamas, Brazil, Chile, Colombia, Mexico and Panama, and will soon be expanding to Bolivia, Ecuador and Peru.
About PADF
The Pan American Development Foundation (PADF) seeks to create a just, peaceful, and prosperous hemisphere where every person has the opportunity to thrive – by promoting human development, strengthening democracy and governance, advancing justice and security, and fostering resilience. We include and empower marginalized groups, women, youth, LGBTI, Afro and indigenous people, and migrants. We partner with and enable civil society, governments, and the private sector for the greater good of the region. Join us! www.padf.org
About the BMW Group
With its four brands BMW, MINI, Rolls-Royce and BMW Motorrad, the BMW Group is the world's leading premium manufacturer of automobiles and motorcycles and also provides premium financial and mobility services. The BMW Group production network comprises 30 production and assembly facilities in 14 countries; the company has a global sales network in more than 140 countries.
In 2018, the BMW Group sold over 2,490,000 passenger vehicles and more than 165,000 motorcycles worldwide. The profit before tax in the financial year 2018 was € 9.815 billion on revenues amounting to € 97.480 billion. As of 31 December 2018, the BMW Group had a workforce of 134,682 employees.
The success of the BMW Group has always been based on long-term thinking and responsible action. The company has therefore established ecological and social sustainability throughout the value chain, comprehensive product responsibility and a clear commitment to conserving resources as an integral part of its strategy.
Tagged: STEM, Education
Royal Caribbean and PADF Launch STEM for Oceans Education in the Bahamas
Tagged: Bahamas, STEM
PADF and City of Coral Gables to Promote STEM Education in Latin America, Caribbean
New partnership advances common goal for more employment opportunities, gender inclusion and innovation through STEM education
Coral Gables, FL (June 22, 2018) – The Pan American Development Foundation (PADF) and the City of Coral Gables signed an agreement to promote STEM education in the Americas, co-sponsor STEM-related events and promote fundraising through partners that support common objectives.
"Education in Science, Technology, Engineering and Math is key for the future leaders of our great city," said Raúl Valdés-Fauli, Mayor of Coral Gables, "and advances our mission to make Coral Gables an international hub for innovation and technology."
Envisioned by City Founder George Merrick as "a gateway to Latin America," Coral Gables was designed to be an international city. Now, it contains more than 20 consulates and foreign government offices, 150 multinational corporations and prominent education institutions including the University of Miami, a branch of the Kellogg School of Management Executive MBA Program and Coral Gables High School's flagship STEM academies.
Resulting from the partnership, PADF and the City of Coral Gables plan to hold a joint annual international event to bring stakeholders together to share best practices and experiences in STEM education in the Americas.
"STEM education can help change our future, as STEM students seek to tackle real-world challenges creatively. STEM skills open doors to employment opportunities in infrastructure, technology and engineering," said Katie Taylor, Executive Director of PADF. "Engaging girls and women in STEM can help us shatter glass ceilings. STEM education could be key to helping women secure employment in industries that don't have historical gender biases, thereby bridging the digital gender gap."
Latin American students continue to rank at the bottom third worldwide in math, reading and science, according to the latest PISA survey. The region's poorest students are over two years behind their wealthier counterparts, reports the Inter-American Development Bank. As job markets increasingly demand employees with STEM skills, promoting STEM education is vital to the prosperity of future employees and corporations alike.
Under the #STEMamericas initiative, PADF currently implements STEM education programs in Argentina, Chile, Colombia and Panama. Boeing, the Dart Foundation, Exxon and other institutions have partnered with PADF to advance STEM education in the Americas.
The Pan American Development Foundation is a 501(c)(3) nonprofit organization that unites civil society, governments, and the private sector to promote sustainable livelihoods, strengthen democracy, promote justice and security, and improve disaster resilience in Latin America and the Caribbean. Established by the Organization of American States in 1962, PADF has worked in every country in the region. Last year, more than 10 million people benefited from PADF's work in sustainable community development. To get involved, visit www.padf.org.
Coral Gables, The City Beautiful, stands out as a rare pearl in South Florida. It is a cohesive community built on a grand scale that blends color, detail, and the Mediterranean Revival architectural style to create harmony with the environment. Early city planners and visionaries were influenced by the aesthetics of the City Beautiful Movement that swept across America in the early 1900s. With a population of approximately 51,000 residents, Coral Gables is a world-class city with a hometown feel. For more information, visit www.coralgables.com.
Contact: Luisa Villegas
Pan American Development Foundation
+1.202.458.3969, connect@padf.org
Contact: Maria Higgins Fallon
City of Coral Gables
305-460-5205, mfallon@coragables.com
Featured, Press Release
PADF to Boost Latin American STEM Education with Boeing Grant
With a new grant from Boeing, PADF will teach hundreds of teachers and reach thousands of students across Chile, Argentina, Colombia, and Panama.
Tagged: Education, STEM, Youth, Chile, Argentina, Colombia, Panama
Press Release, Featured
Boeing Grant Supports STEM Academies in Chile
Valparaíso, Chile (April 17, 2017) — With a grant from The Boeing Company, the Pan American Development Foundation (PADF) is working with a nonprofit in Chile to improve science, technology, engineering and mathematics (STEM) training for teachers and students.
Implemented by Chilean nonprofit Fundación Ciencia Joven, the project will establish 20 STEM Academies at schools in the coastal city of Valparaíso. Each academy leads students in a 10-month afterschool STEM program. At the end of the term, students from each Academy will showcase what they've learned at a regional or national science fair. Teachers are also provided with extensive training and support to improve their leadership skills and capacity to teach STEM subjects.
"Boeing is committed to empowering the next generation of thought leaders and we're happy to support this initiative with PADF," says Donna Hrinak, President of Boeing Latin America. "The STEM Academies in Chile reflect the spirit of innovation that drives our company. It's a joy to see kids—especially girls—excited about science and math."
While school enrollment rates in the region have improved in recent years, Latin American students continue to rank in the bottom third worldwide in math, reading and science, according to the latest Programme for International Student Assessment (PISA) survey. PADF and partners identified a need for improved STEM resources in Valparaíso, where less than half of residents complete high school. Students in the city score 20 percent lower than the national average in science and math. Many teachers lack the skills needed to teach science and math, leading to lower student achievement.
The STEM Academies are working to address the need for improved training and equal access to resources. Any child who expresses interest in will be able to participate in the academy. The 10-month program will reach nearly 400 students and teachers.
"Our hope is that students will come away from this program with a passion for learning," says Kathleen Barclay, PADF Treasurer and Principal at Asesorías KCB. "This project with Boeing is a great example of PADF's mission to provide opportunities to underserved communities in Latin America and the Caribbean."
The STEM Academies financed by Boeing are part of PADF's regional public-private initiative called STEM in the Americas, which is working in Latin America and the Caribbean to inspiring the next generation of science and technology students. In addition to Chile, PADF has active STEM projects in Brazil, Mexico and Argentina.
For more information, visit www.padf.org/STEM.
Tagged: Chile, STEM
Dart Foundation Promotes STEM Education Training for Indigenous Teachers in Mexico
Tijuana, Mexico (April, 5, 2017) — With a grant from the Dart Foundation, the Pan American Development Foundation (PADF) supports programs to improve science, technology, engineering and mathematics (STEM) education in schools in Mexico, particularly those that serve indigenous students.
PADF worked with Wiser Education, a publisher and consulting firm in Mexico, to train elementary school teachers in Baja and Mexico states in STEM education techniques. The project emphasized working with teachers in indigenous language schools to build their capacity to teach science and introduce basic concepts of robotics and programing in elementary education.
"We are committed to inspiring students to pursue careers in STEM education," says Emily Matthews, Manager of the Dart Foundation. "By giving teachers in Mexico the tools to teach these subjects, we are helping to equip today's youth with the skills needed to compete in a global economy."
Last week, 60 public school teachers received graduation certificates for completing 120 hours of coursework including lab activities, presentations and technology training for elementary education. At graduation ceremonies in Tijuana and Atlacomulco, teachers demonstrated new skills. They shared comments from students like Hannia Gonzalez of Tijuana, Baja California, who wrote: "We had a class about the aerospace industry and as part of the activities we designed and built three different paper airplanes. I loved the experience of being an aerospace engineer and I hope to build real airplanes one day."
While school enrollment rates in the region have improved in recent years, Latin American students continue to rank in the bottom third worldwide in math, reading and science, according to the latest Programme for International Student Assessment (PISA) survey. PADF and partners identified a need for improved STEM resources in Mexico, where students earn the lowest math scores of all countries monitored by the Organisation for Economic Co-operation and Development (OECD). In science, 48 percent of Mexican students are considered low achievers.
The regional Secretariats of Education of the state of Mexico (SEIEM) and the state of Baja California (SEE) were very supportive of the project and assisted teachers in and registering teachers for the courses.
"Teachers have a key role to play in transforming the national educational system," said Iván Marín Rodríguez, deputy director of Institutional Relationships at Mexico's Secretariat of Public Education. "We are working to adapt to the challenges of the digital era in the twenty-first century."
The STEM training financed by the Dart Foundation is part of PADF's regional public-private initiative called STEM in the Americas, which is working in Latin America and the Caribbean to inspire the next generation of science and technology students. In addition to Mexico, PADF has active STEM projects in Brazil, Chile and Argentina.
Tagged: STEM, Mexico
PADF Launches STEM Program in the Americas
Regional Public-Private Partnership to Inspire Youth to Careers in Science
Washington, D.C. (December 8, 2016) – In honor of Computer Science and Education Week, the Pan American Development Foundation (PADF) and partners announce a new educational initiative in Latin America and the Caribbean called STEM in the Americas: Inspiring the next Generation of Science and Technology Students. The project seeks to promote science, engineering, technology and mathematics (STEM) to young students in Argentina, Brazil, Mexico, Colombia and Chile.
PADF and partners including The Boeing Company and the Dart Foundation in Mexico will launch innovative STEM education initiatives that aim to inspire young students.
Visit www.padf.org/STEM for more information
While school enrollment rates in the region have vastly improved in recent years, Latin American students continue to rank in the bottom third worldwide in math, reading and science, according to the latest Programme for International Student Assessment (PISA) survey. One of the barriers to success is unequal access to education. The region's poorest students are more than two years behind their wealthier counterparts, according to the Inter-American Development Bank, which predicts it would take decades for the region to catch up with higher performing countries in math and science.
"Science and technology education is fundamental to building a highly-skilled, professional work force in Latin America and for driving economic growth," says Marcos Jimenez, CEO of Softtek USA and a board member for PADF. "When taught well, these subjects can inspire a sense of curiosity—which is tied to educational achievement—in even the youngest students."
PADF is committed to furthering the UN Sustainable Development Goals. This program aims to address income inequality, provide quality education and promote gender equality. Whether it's a science fair in Mexico, a nature-based science curriculum in Brazil, supplying books and supplies to schools in Argentina or providing educational support to teachers and students in Chile, PADF and partners are working to bridge the digital divide.
These STEM initiatives aim to engage young children from disadvantaged economic backgrounds who many not otherwise have the opportunity to learn about the field. The programs are designed to promote greater student engagement in science and technology, particularly among communities that are disproportionately underrepresented in these fields, including girls and indigenous youth.
STEM in the Americas recognizes the critical role that teachers play in promoting science and technology and will create custom curricula based on each country's needs.
STEM in the Americas is a member of the Latin American and Caribbean Network for the Popularization of Science and Technology (RedPOP), an interactive network, which promotes regional cooperation to further education in science and technology.
"Improving the scientific and analytical skills of students can solve a range of socioeconomic problems and help Latin American countries take a leading role in finding solutions to the region's most challenging issues," says Luisa Villegas, Deputy Senior Programs Director for PADF.
Often, teachers are not well-equipped to promote STEM education. The STEM in the Americas project will address the need for increased educational opportunities for vulnerable youth both inside and outside of the classroom. In all three countries the project will build teacher capacity as well as that of students.
Tagged: STEM


text:
As virus surges in key battleground states, election officials fear chaos, exposure
Updated: 7:03 AM EDT Oct 19, 2020
by SCOTT BAUER, Associated Press
>> CAMPAIGN VOLUNTEERS GATHERED FRIDAY AFTERNOON, AHEAD OF SATURDAY'S RALLY, TO MAKE SIGNS WELCOMING PRESIDENT TRUMP TO JANESVILLE. >> TURN WISCONSIN RED AGAIN IN NOVEMBER. >> YES. [APPLAUSE] >> BUT NOT EVERYONE WELCOMED THE TIMING OF THE RALLY, AS THE JANESVILLE AREA EXPERIENCES A RECORD SPIKE IN CORONAVIRUS CASES. DO YOU THINK IT'S A GOOD IDEA TO BE HOLDING A RALLY RIGHT NOW? >> WITH RONA, CORONA? NO. >> THE EVENT WILL TAKE PLACE AT THE SOUTHERN WISCONSIN REGIONAL AIRPORT. THAT'S WHERE WE SPOKE VIRTUALLY WITH A TRUMP CAMPAIGN SPOKESPERSON, ABOUT THE RALLY DURING THE COVID CRISIS. DOES IT MAKE SENSE HAVING A LARGE CAMPAIGN EVENT IN THE MIDDLE OF THE PANDEMIC? >> WE WANT TO MAKE SURE EVERY AMERICAN, WISCONSINITES, CAN EXERCISE THEIR FIRST AMENDMENT RIGHT TO PEACEABLY ASSEMBLE AND LISTEN TO THE PRESIDENT OF THE UNITED STATES. >> ON CNN, FRIDAY, MILWAUKEE MAYOR TOM BARRETT CALLED OUT THE PRESIDENT FOR HIS DECISION TO HOLD THE RALLY. >> HE JUST IS IGNORING IT FRANKLY AND CREATING THESE SUPER-SPREADER EVENTS. WE SAW IT AT THE ROSE GARDEN JUST A COUPLE WEEKS AGO, AND WE COULD SEE ANOTHER SUPER-SPREADER EVENT IN JANESVILLE TOMORROW. >> DO YOU THINK IT'S A GOOD IDEA TO HOLD THE RALLY? >> ABSOLUTELY. WE HAVE TO GET ON WITH OUR LIVES. >> EVEN SOME AVID TRUMP SUPPORTERS BRISTLED AT THE IDEA OF A LARGE EVENT. >> THERE'S A LOT OF PEOPLE. I'M NOT GOING TO GO NEAR THOSE PEOPLE. THERE'S NO REASON TO EXPOSE MYSELF TO A WHOLE BUNCH OF PEOPLE UNNECESSARILY IF I CAN WATCH IT ON TV. >> IN JANESVILLE, I'M KENT WAINSCOTT, WISN-12 NEWS. PATRICK: THE OUTDOOR RALLY IS SET FOR TOMORROW NIGHT AT A 6:00
Rising coronavirus cases in key presidential battleground states a little more than two weeks before Election Day are the latest worry for election officials and voters fearing chaos or exposure to the virus at polling places despite months of planning. Related video above: President Trump still holding Janesville, Wisconsin, rally in spite of coronavirus numbersThe prospect of poll workers backing out at the last minute because they are infected, quarantined or scared of getting sick has local election officials in Midwest states such as Iowa and Wisconsin opening more early voting locations, recruiting backup workers and encouraging voters to plan for long lines and other inconveniences.Confirmed virus cases and COVID-19 deaths are on the rise in the swing states of Iowa, Michigan, Minnesota, Pennsylvania, Ohio and Wisconsin.Wisconsin broke records this week for new coronavirus cases, deaths and hospitalizations, leading to the opening of a field hospital to handle overflow patients. Gov. Tony Evers said he plans to activate the Wisconsin National Guard to fill any staffing shortages at election sites. While holding a competitive presidential election during a pandemic is "tricky business," the governor said, "People are ready to have this election over, and I think it will be a successful election with very few hiccups."In Iowa, Scott County Auditor Roxanna Moritz opened additional early voting sites in and around the Davenport, the state's third-largest city, to try to reduce the number people casting ballots on Election Day and the virus from spreading in large precincts."We have to remember that there is this thing called COVID," Mortiz said. "Our numbers aren't getting any better. The more people I can get to early vote, the better."The pandemic's recent trajectory close to home has led some residents who have always voted in person on Election Day to reconsider a lifetime tradition.Retiree Ray Lohse, 68, voted Thursday at a library branch in Davenport that election officials opened to early voting. He said he was concerned about long lines and getting exposed to the coronavirus on Nov. 3, and considered voting by mail but instead took advantage of extended in-person option. "I kind of like the idea of still going in and actually doing it," Lohse said.In some states, voting early still has carried health risks. Voters in Georgia, Texas and elsewhere encountered hours-long lines that required congregating with hundreds of other people this week. In Georgia, nearly a quarter of the workers in a warehouse where election supplies are kept and voting equipment is readied tested positive for COVID-19.Related video: President Trump talks about Hunter Biden, COVID-19, trade during Iowa visitThe positive tests for 13 of the 60 workers at the Fulton County election preparation center shouldn't delay election operations, county elections director Rick Barron said. Barron said Georgia's most populous county is working to hire replacement staff and implement additional safety measures, including daily rapid testing.Despite the rebound of the coronavirus, voters in several Midwest lined up Friday to cast their ballots early. Robert Baccus, 52, an independent contractor from Columbus, Ohio, was among hundreds in line at the Franklin County Board of Elections early voting center. He said he doesn't trust voting by mail, so early voting was his best option for casting a ballot while trying to safeguard his health. "It's a choice between life and death, really," said Baccus, a supporter of Democratic nominee Joe Biden. "We could not do it and our votes won't be counted. It's a choice I've got to make for my children and grandchildren."Vickie Howard-Penn, 50, a TSA worker from Columbus, said it was obvious Friday that the record virus cases Ohio reported this week had not deterred fellow voters."Did you see the lines? There are three lines trying to get up this way," Howard-Penn said outside the Franklin County election board. She also planned to vote for Biden.In Iowa, Tim Tompkins, a welding engineer, took the day off work to cast an early ballot at the Bettendorf Community Center. Tomkins, 62, said he and his wife, Pat, were concerned about coronavirus exposure in bigger crowds and brought their own sanitizer, but were determined to vote. "We'd go through a vat of boiling COVID to get the current president out of office," Tomkins said.Election officials in Wisconsin said the state's presidential primary provided lessons they were guiding current preparations. Wisconsin held its presidential primary early in the pandemic after Democratic attempts to delay the April voting were thwarted. Voters waited in long lines in Milwaukee and elsewhere because a worker shortage meant there were fewer polling places. Several election officials said they were confident they would have enough poll workers, sanitation supplies and protective gear to ensure Election Day goes smoothly and safely. But they are also encouraging voters to cast their ballots early, if they can."Our clerks and communities have learned a lot since the April election," Waukesha County Clerk Meg Wartman said. "Our community members, our voters, are a lot more confident about how they can be out (safely)….I wouldn't want people to be afraid to go to the polls because I think we're better prepared."Wisconsin voter Jon Gausewitz, 37, still plans to vote in person on Election Day. He said that could change if the virus situation worsens where he lives outside Madison, the state capital."I'm just watching the numbers and rates and hospitalizations, that sort of thing, to see where we're at," Gausewitz said. "I'm still feeling pretty safe about it."In Ohio, county election boards have put elaborate plans in place to keep voters safe during in-person voting that began Oct. 6, Ohio Association of Election Officials spokesman Aaron Ockerman said.Republican Secretary of State Frank LaRose updated a 61-point health and safety plan in late September that provides boards with detailed guidance on sanitation, use of personal protective gear, social distancing and other measures. Anxiety among older Ohio voters may have helped drive the huge turnout at an online AARP-sponsored town hall with the secretary of state this week. More than 15,000 people dialed in, peppering the elections chief with technical questions about voting by mail. As reassurance, LaRose provided his personal email address to participants and urged them to write with questions. Elections officials are preparing lists of reserve poll workers who are willing to be called on at the last minute. Minnesota election officials have recruited all 30,000 poll workers they believe are needed to run the general election. They have cross-trained numerous others, including county and city workers, as reserves in case they're needed, Risikat Adesaogun, a spokeswoman for Minnesota Secretary of State Steve Simon, said.Officials in the battleground states reported no plans to close polling places, even if virus cases continue to spike. "Obviously, we would try to open as many polling places as possible," said Nick Custodio, a deputy commissioner for Philadelphia's election office. "We don't want to close polling places unless that is what is advised."___Associated Press writers Kate Brumback and Christina A. Cassidy in Atlanta; Ryan J. Foley in Iowa City, Iowa; Steve Karnowski in Minneapolis; Geoff Mulvihill in Davenport, Iowa; Anna Nichols in Lansing, Michigan; David Pitt in Des Moines, Iowa; and Julie Carr Smyth in Columbus, Ohio, contributed to this report.
MADISON, Wis. —
Rising coronavirus cases in key presidential battleground states a little more than two weeks before Election Day are the latest worry for election officials and voters fearing chaos or exposure to the virus at polling places despite months of planning.
Related video above: President Trump still holding Janesville, Wisconsin, rally in spite of coronavirus numbers
The prospect of poll workers backing out at the last minute because they are infected, quarantined or scared of getting sick has local election officials in Midwest states such as Iowa and Wisconsin opening more early voting locations, recruiting backup workers and encouraging voters to plan for long lines and other inconveniences.
Confirmed virus cases and COVID-19 deaths are on the rise in the swing states of Iowa, Michigan, Minnesota, Pennsylvania, Ohio and Wisconsin.
Wisconsin broke records this week for new coronavirus cases, deaths and hospitalizations, leading to the opening of a field hospital to handle overflow patients. Gov. Tony Evers said he plans to activate the Wisconsin National Guard to fill any staffing shortages at election sites.
While holding a competitive presidential election during a pandemic is "tricky business," the governor said, "People are ready to have this election over, and I think it will be a successful election with very few hiccups."
In Iowa, Scott County Auditor Roxanna Moritz opened additional early voting sites in and around the Davenport, the state's third-largest city, to try to reduce the number people casting ballots on Election Day and the virus from spreading in large precincts.
Swing states: Key areas to watch in the 2020 presidential election
"We have to remember that there is this thing called COVID," Mortiz said. "Our numbers aren't getting any better. The more people I can get to early vote, the better."
The pandemic's recent trajectory close to home has led some residents who have always voted in person on Election Day to reconsider a lifetime tradition.
Retiree Ray Lohse, 68, voted Thursday at a library branch in Davenport that election officials opened to early voting. He said he was concerned about long lines and getting exposed to the coronavirus on Nov. 3, and considered voting by mail but instead took advantage of extended in-person option.
"I kind of like the idea of still going in and actually doing it," Lohse said.
In some states, voting early still has carried health risks. Voters in Georgia, Texas and elsewhere encountered hours-long lines that required congregating with hundreds of other people this week. In Georgia, nearly a quarter of the workers in a warehouse where election supplies are kept and voting equipment is readied tested positive for COVID-19.
Related video: President Trump talks about Hunter Biden, COVID-19, trade during Iowa visit
The positive tests for 13 of the 60 workers at the Fulton County election preparation center shouldn't delay election operations, county elections director Rick Barron said. Barron said Georgia's most populous county is working to hire replacement staff and implement additional safety measures, including daily rapid testing.
Despite the rebound of the coronavirus, voters in several Midwest lined up Friday to cast their ballots early.
Robert Baccus, 52, an independent contractor from Columbus, Ohio, was among hundreds in line at the Franklin County Board of Elections early voting center. He said he doesn't trust voting by mail, so early voting was his best option for casting a ballot while trying to safeguard his health.
"It's a choice between life and death, really," said Baccus, a supporter of Democratic nominee Joe Biden. "We could not do it and our votes won't be counted. It's a choice I've got to make for my children and grandchildren."
Vickie Howard-Penn, 50, a TSA worker from Columbus, said it was obvious Friday that the record virus cases Ohio reported this week had not deterred fellow voters.
"Did you see the lines? There are three lines trying to get up this way," Howard-Penn said outside the Franklin County election board. She also planned to vote for Biden.
Record avalanche of early votes transforms the 2020 election
In Iowa, Tim Tompkins, a welding engineer, took the day off work to cast an early ballot at the Bettendorf Community Center. Tomkins, 62, said he and his wife, Pat, were concerned about coronavirus exposure in bigger crowds and brought their own sanitizer, but were determined to vote.
"We'd go through a vat of boiling COVID to get the current president out of office," Tomkins said.
Election officials in Wisconsin said the state's presidential primary provided lessons they were guiding current preparations.
Wisconsin held its presidential primary early in the pandemic after Democratic attempts to delay the April voting were thwarted. Voters waited in long lines in Milwaukee and elsewhere because a worker shortage meant there were fewer polling places.
Several election officials said they were confident they would have enough poll workers, sanitation supplies and protective gear to ensure Election Day goes smoothly and safely. But they are also encouraging voters to cast their ballots early, if they can.
Voter fraud is rare, election experts say
"Our clerks and communities have learned a lot since the April election," Waukesha County Clerk Meg Wartman said. "Our community members, our voters, are a lot more confident about how they can be out (safely)….I wouldn't want people to be afraid to go to the polls because I think we're better prepared."
Wisconsin voter Jon Gausewitz, 37, still plans to vote in person on Election Day. He said that could change if the virus situation worsens where he lives outside Madison, the state capital.
"I'm just watching the numbers and rates and hospitalizations, that sort of thing, to see where we're at," Gausewitz said. "I'm still feeling pretty safe about it."
In Ohio, county election boards have put elaborate plans in place to keep voters safe during in-person voting that began Oct. 6, Ohio Association of Election Officials spokesman Aaron Ockerman said.
Republican Secretary of State Frank LaRose updated a 61-point health and safety plan in late September that provides boards with detailed guidance on sanitation, use of personal protective gear, social distancing and other measures.
Anxiety among older Ohio voters may have helped drive the huge turnout at an online AARP-sponsored town hall with the secretary of state this week. More than 15,000 people dialed in, peppering the elections chief with technical questions about voting by mail.
As reassurance, LaRose provided his personal email address to participants and urged them to write with questions. Elections officials are preparing lists of reserve poll workers who are willing to be called on at the last minute.
Minnesota election officials have recruited all 30,000 poll workers they believe are needed to run the general election. They have cross-trained numerous others, including county and city workers, as reserves in case they're needed, Risikat Adesaogun, a spokeswoman for Minnesota Secretary of State Steve Simon, said.
Officials in the battleground states reported no plans to close polling places, even if virus cases continue to spike.
"Obviously, we would try to open as many polling places as possible," said Nick Custodio, a deputy commissioner for Philadelphia's election office. "We don't want to close polling places unless that is what is advised."
Associated Press writers Kate Brumback and Christina A. Cassidy in Atlanta; Ryan J. Foley in Iowa City, Iowa; Steve Karnowski in Minneapolis; Geoff Mulvihill in Davenport, Iowa; Anna Nichols in Lansing, Michigan; David Pitt in Des Moines, Iowa; and Julie Carr Smyth in Columbus, Ohio, contributed to this report.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Remove DataTable From DataSet doesn't work I have problem with "undeletable" DataTable.
Step 1: I create DataTable
DataTable dt = dtProgPoints_Template.Clone(); //Create table
dt.TableName = "Program points 0"; //Rename it
dsProgPoints.Tables.Add(dt); //Add it to DataSet
dsProgPoints.AcceptChanges(); //I found it in this forum, so I tried it

Step 2: I display it in DataGridView
dtgProgPoints.DataSource = dsProgPoints; //dtgProgPoints is my DataGridView
dtgProgPoints.DataMember = "Program points 0";

Step 3: Remove DataTable
dsProgPoints.Tables.Remove("Program points 0"); //Remove DataTable from dataset
ds.AcceptChanges();//I found it in this forum, so I tried it

And now, the mystery is coming.
If I check dsProgPoints.Tables.Count;, Table is removed, number of tables is smaller than before removing.
When I try delete it again, exception occurs.
But when I try dtgProgPoints.DataMember = "Program points 0";, All data are displayed in DataGridView. Table still is not a member of table collection in DataSet, because if I Try to read it dsProgPoints.Tables["Program points 0"].Rows[0][0] an exception is fired, because table "Program points 0" is not a member of table collection.
When I create it again using dsProgPoints.Tables.Add("Program points 0"); Table is created. It means, it really does not exist in DataSet
It looks like there is some problem with DataGridView?
Tahnk You, Pavel

redpajama_set_name: RedPajamaStackExchange


text:
Q: How to set a variable layout in Jade? I want to set a customisable layout path in Jade.
I get the path from my app and put it in Express in res.locals._layout like it (app.js is under /lib):

app.set('views', __dirname + '/../views');
app.set('view engine', 'jade');
res.locals._layout = layout_path;

Then I try to pass it to extends in my view like it:

extends _layout

I also tested extends #{_layout}, with also bad results...
Here is the error I get for the last one:

ENOENT, no such file or directory '/root_path/views/#{_layout}.jade'

The doc is not verbose on such a point.

A: I don't think what you're trying to do is supported by jade. The extends is resolved when the template is compiled, before any res.locals state can be applied. But there are some workarounds mentioned in this thread.
https://github.com/jadejs/jade/issues/520


text:
Amazon Watch is protecting rainforest and advancing the rights of Indigenous peoples with help from CREDO members
by Nikki Nemerovski
For 25 years, Amazon Watch has worked to protect the Amazon rainforest and advance Indigenous rights in solidarity with Indigenous and environmental organizations in campaigns for human rights, corporate accountability and climate justice.
In March 2021, CREDO members voted to distribute a $58,290 grant to Amazon Watch, and since 2018, we've been able to donate $144,840 to help the organization fight for Indigenous peoples in the Amazon, elevate Indigenous women's voices, and demand climate justice.
Since their March grant, Amazon Watch has secured a number of victories and launched new programs, with help from CREDO members. Here's a quick sample of some of their recent work:
Recent Amazon Watch Victories
After months of sustained campaigning in solidarity with Amazon Watch's partners, including the Association of Brazil's Indigenous Peoples (APIB), in July British mining company Anglo American withdrew 27 mining research permits in Indigenous lands in Brazil, including the Munduruku territory of Sawre Muybu. These permits posed a significant threat to Indigenous peoples and their withdrawal is a major win for Indigenous self-determination and climate justice.
In response to the current trend toward the tipping point of the Amazon, when ecosystem destruction will push the rainforest to ecological collapse, as well as the calls from Indigenous peoples for allies to show solidarity, Amazon Watch hosted a Global Week of Action for the Amazon (GWOA) from September 5-11 in coordination with its coalition partners. The group organized online and in-person actions against a multitude of threats and amplified Indigenous-led solutions including the campaign to protect 80% of the Amazon by 2025 (80×25).
While Brazilian President Jair Bolsonaro made false claims downplaying the severity of Amazonian deforestation to the United Nations General Assembly (UNGA) in September, Amazon Watch and its partners at Amazon in Flames Alliance released aerial photographs showing the real-time destruction of the rainforest to counteract these falsehoods.
CREDO's grants supported Amazon Watch's work to hold governments and leaders accountable for rainforest destruction and harm to Indigenous communities.
Amazon Watch's recent work to avert the tipping point
Excitingly, on September 10, the International Union for Conservation of Nature (IUCN) approved Motion 129, the 80×25 initiative proposed by Indigenous leaders and bolstered by Amazon Watch and its partners. This decision is monumental for Indigenous solutions and for avoiding the point of no return for the Amazon.
80×25 is a visionary proposal that Amazon Watch is committed to seeing across the finish line. Following the notable victory at the IUCN, Amazon Watch and its allies are amplifying the call of Indigenous peoples to safeguard the rainforest on the global stage. In November, Amazon Watch is attending the 26th United Nations Climate Change Conference of the Parties (COP26) to accompany Indigenous leaders to advance the 80×25 campaign. The IUCN approval of 80×25 sets the stage for advancing this proposition at COP26 and attaining commitments from key international stakeholders.
This is a critical time for the Amazon. CREDO's support has allowed Amazon Watch to respond to threats as they arise, and effectively move these unprecedented opportunities for ecosystem protection and Indigenous self-determination forward.
To learn more or get involved, visit the Amazon Watch website to take action on a recent campaign, or follow them on Facebook, Twitter or Instagram.
Category: CREDO Donations Tags: Amazon Watch, Climate Action, climate change, climate justice, Environment
← Women are the largest voting group in the country — Supermajority is making sure our leaders don't forget it.
CREDO funding is helping UltraViolet drive feminist cultural and political change →
Most companies go into business to make money. Thirty-five years ago, we went into business to make change, offering services like mobile and energy to make it easy for you to make a difference. That's why, since day one, we've donated a portion of our revenue to progressive causes — over $92 million since our founding in 1985.
CREDO Energy


text:
Luca Beccari (ur. 29 października 1974 w San Marino) – sanmaryński polityk. Kapitan regent San Marino od 1 kwietnia do 1 października 2014 roku razem z Valerią Ciavattą. Mieszka w Serravalle i jest byłym urzędnikiem Banku Centralnego San Marino. Od 1993 roku był członkiem Chrześcijańsko-Demokratycznej Partii San Marino i w 2012 roku został członkiem Wielkiej Rady Generalnej.

Przypisy

Urodzeni w 1974
Kapitanowie Regenci San Marino
Ludzie urodzeni w San Marino (miasto)
Sanmaryńscy parlamentarzyści

redpajama_set_name: RedPajamaWikipedia


Some cancer patients require specialized health care assistance. This might happen during or after cancer treatment. Home health care services can provide certain types of temporary or ongoing medical care at home. The goal is to make it possible to remain safe and comfortable at home while having a good quality of life.
A member of your health care team might suggest adding home health care services to your treatment plan. This type of care is usually less expensive than care provided in a medical facility, but you will still have access to hospitals or other health care facilities.
Use of medical supplies or equipment.
Help with personal needs such as bathing.
Administering medications such as antibiotics.
Would home health care services be helpful in my situation?
Will you prescribe home health care services?
What types of services do you suggest?
Do you recommend specific home health care providers?
Will my insurance cover all of the expenses of home health care?
Short-term (or acute) care helps you take care of yourself. It helps you to be as independent as possible.
Long-term care helps you adjust to and manage changes caused by health issues. It supports you to be at the highest level of function and health.
Talk with your health care provider if home health care services are needed. Discuss any problems you are having with daily activities. Ask about the types of health care services that may be available to you at home. Your physician must prescribe the services in order for insurance to pay. Also, talk with your insurance provider to find out about your plan's home health care coverage. Ask the insurer to put information in writing for you.
Your physician, nurse, patient navigator or social worker can recommend specific, quality home health care service providers in your area. Friends and loved ones may also have information to share.
What is your experience in the health care field and where did you previously work?
What specific skills and training do you have?
Are you physically able to transfer someone from one place to another?
Are there any tasks listed in the job description that you are uncomfortable performing?
Can you provide personal and work-related references?
Home health care services can be costly. You might have to pay for some long-term home care with personal funds. Private health insurance or disability policies may cover some of the expenses. State and federal Medicaid and Medicare programs may pay some of the costs. Contact your local human service programs for more information. Your local Area Agency on Aging should also be able to provide information about help in your area.
Some families use a formal caregiver contract to hire a loved one to do home care for a family member. This is called a personal service or personal care agreement. If you're thinking about doing this, get legal guidance from an attorney who specializes in this area.
In certain cases, you may need to find a companion and not someone skilled in medical care. It can cost less to hire on your own. However, it can take a lot of time to find the right caregiver, and it may be more complex than you think. For example, you may be legally required to pay taxes or purchase insurance for the caregiver. Talk with an expert about what is required if you employ the caregiver yourself. You will also want to carefully check references if you do not already know the caregiver.


text:
package com.intellij.ide.actions;

import com.intellij.icons.AllIcons;
import com.intellij.ide.IdeBundle;
import com.intellij.internal.statistic.UsageTrigger;
import com.intellij.openapi.application.ApplicationManager;
import com.intellij.openapi.fileTypes.FileType;
import com.intellij.openapi.fileTypes.FileTypeManager;
import com.intellij.openapi.fileTypes.ex.FileTypeChooser;
import com.intellij.openapi.project.DumbAware;
import com.intellij.openapi.project.DumbModePermission;
import com.intellij.openapi.project.DumbService;
import com.intellij.openapi.project.Project;
import com.intellij.openapi.ui.InputValidatorEx;
import com.intellij.openapi.ui.Messages;
import com.intellij.openapi.util.SystemInfo;
import com.intellij.openapi.util.io.FileUtilRt;
import com.intellij.openapi.util.text.StringUtil;
import com.intellij.openapi.vfs.VfsUtil;
import com.intellij.openapi.vfs.VirtualFile;
import com.intellij.psi.PsiDirectory;
import com.intellij.psi.PsiElement;
import com.intellij.util.IncorrectOperationException;
import org.jetbrains.annotations.NotNull;
import org.jetbrains.annotations.Nullable;

import javax.swing.*;
import java.io.File;
import java.util.List;
import java.util.StringTokenizer;

public class CreateFileAction extends CreateElementActionBase implements DumbAware {

  public CreateFileAction() {
    super(IdeBundle.message("action.create.new.file"), IdeBundle.message("action.create.new.file.description"), AllIcons.FileTypes.Text);
  }

  public CreateFileAction(final String text, final String description, final Icon icon) {
    super(text, description, icon);
  }

  @Override
  public boolean isDumbAware() {
    return CreateFileAction.class.equals(getClass());
  }

  @Override
  @NotNull
  protected PsiElement[] invokeDialog(final Project project, PsiDirectory directory) {
    MyInputValidator validator = new MyValidator(project, directory);
    if (ApplicationManager.getApplication().isUnitTestMode()) {
      try {
        return validator.create("test");
      }
      catch (Exception e) {
        throw new RuntimeException(e);
      }
    }
    else {
      Messages.showInputDialog(project, IdeBundle.message("prompt.enter.new.file.name"),
                               IdeBundle.message("title.new.file"), null, null, validator);
      return validator.getCreatedElements();
    }
  }

  @Override
  @NotNull
  protected PsiElement[] create(String newName, PsiDirectory directory) throws Exception {
    MkDirs mkdirs = new MkDirs(newName, directory);
    return new PsiElement[]{mkdirs.directory.createFile(getFileName(mkdirs.newName))};
  }

  public static class MkDirs {
    public final String newName;
    public final PsiDirectory directory;

    public MkDirs(@NotNull String newName, @NotNull PsiDirectory directory) {
      if (SystemInfo.isWindows) {
        newName = newName.replace('\\', '/');
      }
      if (newName.contains("/")) {
        final List<String> subDirs = StringUtil.split(newName, "/");
        newName = subDirs.remove(subDirs.size() - 1);
        boolean firstToken = true;
        for (String dir : subDirs) {
          if (firstToken && "~".equals(dir)) {
            final VirtualFile userHomeDir = VfsUtil.getUserHomeDir();
            if (userHomeDir == null) throw new IncorrectOperationException("User home directory not found");
            final PsiDirectory directory1 = directory.getManager().findDirectory(userHomeDir);
            if (directory1 == null) throw new IncorrectOperationException("User home directory not found");
            directory = directory1;
          }
          else if ("..".equals(dir)) {
            final PsiDirectory parentDirectory = directory.getParentDirectory();
            if (parentDirectory == null) throw new IncorrectOperationException("Not a valid directory");
            directory = parentDirectory;
          }
          else if (!".".equals(dir)){
            final PsiDirectory sub = directory.findSubdirectory(dir);
            directory = sub == null ? directory.createSubdirectory(dir) : sub;
          }
          firstToken = false;
        }
      }

      this.newName = newName;
      this.directory = directory;
    }
  }

  @Override
  protected String getActionName(PsiDirectory directory, String newName) {
    return IdeBundle.message("progress.creating.file", directory.getVirtualFile().getPresentableUrl(), File.separator, newName);
  }

  @Override
  protected String getErrorTitle() {
    return IdeBundle.message("title.cannot.create.file");
  }

  @Override
  protected String getCommandName() {
    return IdeBundle.message("command.create.file");
  }

  protected String getFileName(String newName) {
    if (getDefaultExtension() == null || FileUtilRt.getExtension(newName).length() > 0) {
      return newName;
    }
    return newName + "." + getDefaultExtension();
  }

  @Nullable
  protected String getDefaultExtension() {
    return null;
  }

  protected class MyValidator extends MyInputValidator implements InputValidatorEx {
    private String myErrorText;

    public MyValidator(Project project, PsiDirectory directory){
      super(project, directory);
    }

    @Override
    public boolean checkInput(String inputString) {
      final StringTokenizer tokenizer = new StringTokenizer(inputString, "\\/");
      VirtualFile vFile = getDirectory().getVirtualFile();
      boolean firstToken = true;
      while (tokenizer.hasMoreTokens()) {
        final String token = tokenizer.nextToken();
        if ((token.equals(".") || token.equals("..")) && !tokenizer.hasMoreTokens()) {
          myErrorText = "Can't create file with name '" + token + "'";
          return false;
        }
        if (vFile != null) {
          if (firstToken && "~".equals(token)) {
            final VirtualFile userHomeDir = VfsUtil.getUserHomeDir();
            if (userHomeDir == null) {
              myErrorText = "User home directory not found";
              return false;
            }
            vFile = userHomeDir;
          }
          else if ("..".equals(token)) {
            vFile = vFile.getParent();
            if (vFile == null) {
              myErrorText = "Not a valid directory";
              return false;
            }
          }
          else if (!".".equals(token)){
            final VirtualFile child = vFile.findChild(token);
            if (child != null) {
              if (!child.isDirectory()) {
                myErrorText = "A file with name '" + token + "' already exists";
                return false;
              }
              else if (!tokenizer.hasMoreTokens()) {
                myErrorText = "A directory with name '" + token + "' already exists";
                return false;
              }
            }
            vFile = child;
          }
        }
        if (FileTypeManager.getInstance().isFileIgnored(getFileName(token))) {
          myErrorText = "'" + token + "' is an ignored name (Settings | Editor | File Types | Ignore files and folders)";
          return true;
        }
        firstToken = false;
      }
      myErrorText = null;
      return true;
    }

    @Override
    public String getErrorText(String inputString) {
      return myErrorText;
    }

    @Override
    public PsiElement[] create(String newName) throws Exception {
      UsageTrigger.trigger("CreateFile." + CreateFileAction.this.getClass().getSimpleName());
      return super.create(newName);
    }

    @Override
    public boolean canClose(final String inputString) {
      if (inputString.length() == 0) {
        return super.canClose(inputString);
      }

      final PsiDirectory psiDirectory = getDirectory();

      final Project project = psiDirectory.getProject();
      final boolean[] result = {false};
      DumbService.allowStartingDumbModeInside(DumbModePermission.MAY_START_BACKGROUND, () -> {
        FileTypeChooser.getKnownFileTypeOrAssociate(psiDirectory.getVirtualFile(), getFileName(inputString), project);
        result[0] = super.canClose(getFileName(inputString));
      });
      return result[0];
    }
  }
}

redpajama_set_name: RedPajamaGithub


text:
E02 - I Don't Clap My Hands (David)
Put your hands together for David, who does not put their hands together! They will snap their fingers, and even play hand drums. But don't expect them to clap. Listen to their story here.
Ocho: Welcome back to I Don't Do That, a podcast with me, Ocho. This is where we talk to people about things that they don't do. And hopefully in the end, we understand each other better. Enjoy.
Ocho: Episode 2. You want to snap our fingers?
David: Yeah, I guess we can.
[finger snaps]
Ocho: Episode 2 is "I Don't Clap My Hands." We're talking with David, who does not clap their hands. David is in their mid-30s. They work for a college in the upper Midwestern United States. They identify themselves as Black, and non-binary. David, it is a pleasure to have you on the show, and I'm ready to talk about this.
Ocho: So I don't clap?
David: Yeah. That's the long and short of it.
Ocho: What does that mean?
David: So like I just basically am not super into it and so I really just don't…like and I'll still like give applause like if a performance is really worth it but I usually default to the snapping kind of thing that I guess some people are into…
Ocho: So you snap your fingers.
David: Yeah, but yeah, clapping I'm just like, I hate it. I'm not really into it. Not like a strong hate, but I'm opposed to it. And I'd rather that it didn't happen.
Ocho: What is it about it? Is it the sound, or the tactile sensation or what ?
David: I think it is, just like the tactile sensation of ramming your hands together. At like I high velocity. It's just like, why are we doing that? And like, it was definitely something like as a kid…
Ocho: Like it stings?
David: Yeah to some degree. And like if I'm actually going to get a sound , thin it's just like, you're going to be doing like one consistent point of damage to your hands like, a D&D reference kind of situation
Ocho:
Sure, sure…
David: You're doing some small damage to your hands to just basically say, yeah, I'm going to do this over and over again. And it's just like there are other ways to like show, like, hey, I really enjoyed your performance and so, I probably default to one of those.
Ocho: M-hmm, do you ever find that you are masochistic in any way or are you more just into trying to feel good and bolster yourself and experience pleasure?
David: Um, I don't know. Like and I think that there are other ways where I'm like, I'm not opposed to spicy foods. I like sour candy. I love sour candy and and it gets to the point where Tasha's like this is so absurd, like "why do you even like this?" So I definitely think there are things where I can recognize like, this is an unpleasant experience, but I'm open to that one, and I think like there are other ways where I'm like, "this is this isn't really doing anything for me and I hate it," so I'm going to be done with it for the most part.
Ocho: So It isn't just that one point of damage, but that's part of it.
David: Yeah, and I think as well like okay so one of the things that, I was mentioning is like I grew up in the church, you know? And specifically, a fairly decent-sized, like, Black church. With like, one hell of a choir program, which is where I learned how to sing. And all of the songs they do in there, there's like a typical, you're clapping on 2 and 4 beats, pretty much consistently throughout the entirety of the song and with our church that I grew up in as a kid, where I was baptized, and all that good stuff, they were known during the time that I went there for their choir program. And so it wouldn't be just like one or two songs, it would be like whole concerts, you know? And so you're there for like an hour and a half. My Grandmother taught Sunday school, so it wasn't just like a…You're there for choir practice, you're there for the actual performance itself. You get there like 6:00 in the morning for Bible study. And then you're like serving food afterwards and things of that nature so like, church was an all-day event. And a large portion is I was just like, all right, here in a choir performance, here's three hours consecutively of just clapping on the 2's and the 4's and so I was just like "I'm so over this." And so it was like so repetitive and I was just like, oh my God, like
Ocho: Maybe it's just being made to do it, right? So…
David: Yeah, I think for the most part it was probably more so that and then I was just like, oh, it kinda…
Ocho: No one ever made you eat Sour Patch Kids for three hours. And if they did that, you probably wouldn't want to do that either.
David: Yeah. I will say like on the sour candy situation, sour Skittles are terrible. And like, they're very, they're pretty sour, but like they've got that like hard crystalline and sugar on it that just like destroys the roof of your mouth. It's not…avoid those.
Ocho: Yeah, it tears up your pallet. This program is not brought to you by Skittles, I'm just gonna say that.
David: Well, I like other Skittles…
Ocho: Anyway, let's get back to the clapping though.
David: Yeah, I'm not into it. And it's weird it's like bled over into like just day-to-day life too, you know? Because it definitely started as like an aversion to like the mandatory like rhythmic clapping that just goes along with these marathon church sessions.
David: Then I was just like, you know what? Actually, I just don't like it across the board and I think, when I was coming up I ended up going to a couple like, poetry slams or whatever, and they were like "oh yeah, we're just gonna do the snapping thing instead," right? And like rhythmically sonically or whatever, like the sound of like a hundred people in a room snapping is so much like better than like an applause.
Ocho: Yeah, that makes sense. I mean, it's like, it's a softer kind of sound.
David: Yeah, it's not nearly as abrasive. It's just like, I dunno, I feel like you can definitely get like…I've been in places where there's an overwhelming applause where I'm just like, yo, I'm low-key uncomfortable being in this space. And like, I just have never experienced that when it's like "oh yeah, we're just gonna do the clap thing to like show support, like let's just do it that way instead." And I think in places where that's the culture, and just that's the vibe, it's also a lot friendlier to like people were like apt to get overwhelmed for various reasons.
Ocho: Yeah I certainly am too. Like if I'm in a big…even if it's not big…honestly, sometimes if it's small, is the thing, but if it's like a very, like reflective space with the sound, and just like all these walls, and a lot of noise, just bouncing around the room, that can really stress me out. Like, a lot of the venues that we play at…but I gotta ask because related to that because like, okay, so I'm with you, and you're playing hand drums and you're literally, like, slapping something with your hand and make noise. You're not slapping them together, right? and you're doing it on 2 and 4, ya know?
David: Yeah it's definitely like a lot of the same things, biut I think like, #1 is just like, oh yeah, like I think like with the church situation you're in the audience, so like you're not actually a part of the musical performance, you just happen to also be clapping and like I get the crowd participation to some degree, and like I thrive on that when I'm actually on stage, so like it makes sense and I appreciate it when it's happening but at the same time like being a part of that crowd participation in that way, is not really my thing but yeah the hand drum? Eh, it's not the thing in the world. Now my hands are pretty darned raw at the end of that though. And so I'm sitting here, and I'm like "agh, this sucks," and I can't quite put my wedding rings back on, for probably about a half an hour after we play, or something like that. So that's really the extent of it. So like I'm definitely doing a lot more damage to my hands playing hand drum. Than I would be just like applauding for 5 seconds after a show. But yeah, I definitely find the applause a lot more like detestable than playing hand drum for three hours, even if I am literally doing way more damage playing hand drums.
Ocho: Well, it sounds like that may be a sacrifice that you made, for the reward?
David: Right. And yeah and I mean like you know, we've talked about it before, but like, playing music on a stage isn't for me, like a vanity project. To some degree it is, like, it's cool, but I enjoy being a part of, you know, the band because you know, we are playing music together. And so I know we mentioned it, but even if there's a horrible audience, you know, there's still the four of us on stage playing together. And if…you know, getting to be a part of that and being able to create with that group of people means I have to do a little bit of damage to my hands, like, 100 % every day I'll make that trade. Not even a question. I'm not really getting the same camaraderie out of being part of a crowd and just like applauding at the end of a performance. I'm not doing that for the fellow people of the audience in the same way that I'm like, slapping my hand against the drum for the fellow people on the stage with me.
Ocho: Yeah I imagine there's a lot of people at church who get more out of it. That's their equivalent, maybe, that they're willing to sacrifice that and feel his kind of burn and what not and maybe they come to enjoy it. I don't know; I was raised in a church where we didn't do that so I don't really know what that would be like. I sort of think, speculating, that your kind of church would be more fun, you know, but I don't know.
David: Yeah, I mean, if you've seen like Blues Brothers, like take the cartwheels in the aisles out, and you've pretty much got that. You know, especially the church that we grew up in because like their music program was what they were known for, and so they did a fantastic job of it, and so like there was definitely a lot more celebration.
Ocho: So if you're not clapping, is it ever conspicuous? I mean, especially at church, if people expect that you'd be doing it and you're not.
David: See, yeah, it super would be and yeah, it 100% is. And I think that's like, the issue and like if I'm at church with my mom or something like that, then it's just like, look, I would much rather suffer the like, the situation of actually clapping as opposed to, like, just being like, yo, "You just not into it? Like this is Jesus we're talking about, right? And It was like you're just you're just not into it? You're not interested in any of this? And I'm like, no, I'm interested in the Jesus part. Just I would rather not clap. And then I'd have to have a conversation in the middle of church [laughs]
Ocho: "Do what he did for you, David?"
David: Right. The least you could do…and I'm like sure. I mean, I don't want to have that conversation in the middle of a church. service with like 200 people like…it's a whole thing.
Ocho: That's fair so you just do it anyway
David: Yeah I just suffer through. But I'm like, this sucks.
Ocho: So if it's going to lead to problems. You'll just clap. Even if you don't want to. Sometimes we do things we don't want to.
David: Basically. Yeah.
Ocho: That makes sense. I feel like I understand it pretty well like the origin and the physical experience.And there are exceptions. And that makes it meaningful to sacrifice and to actually do something that you ordianrily don't take pleasure in doing. Are you ever snapping your fingers when other people are clapping, like maybe that makes up for the fact that you're not clapping?
David: I like to think so, but I've never actually taken a poll of like people in a general space.
Ocho: Yeah, yeah.
David: I'm definitely probably snapping if like everyone else is applauding and I'm hoping at that point that everyone is so focused on like the performance that is just taking place that like nobody's seeing me over here just being like all right, let's do this. Like here we go. They would get the double hand action. And I'm assuming people are so focused ahead of them that they're not being like what's this guy doing? Here's hoping, but there might be one or two people that are like, what's happening there? I doubt it though.
Ocho: Yeah, you don't really know. I don't know how you would, unless someone told you or whatever.
David: And it's not like I can snap super loud. And so it's not like someone's gonna hear my snapping and be like "that's not a clap. What's happening there?" You know.
Ocho: You want to snap our fingers?
[arhythmic finger snapping]
David: Yeah, that's not going to like drown out of clap. It just isn't.
Ocho: Yeah there's differences too, because I notice, having been performing on stage for some decades, that, in this time and place, that applause is harder to get than it used to be. It used to be that I'd be at a Coffee shop and I'd play acoustic guitar and people would be very quiet and then when I was done playing a song, sort of regardless of what happened people would clap. They might no even look up or whatever. They might be on their laptop reading a book, or like, having a conversation, whatever, and they would still keep talking, but they would clap, you know. So like now when I'm at a performance sometimes it's on me to be the only one clapping or the one to start it to be like, "yo, this is a norm, and we're following this, and I'm just gonna be out front and do it. I find of don't care if you join me but…
David: "I'm hoping that you do…"
Ocho: I hope you do. And I believe in this. And I'm making a statement. And I clap loudly. I'm not trying to clap as loud as I can, but I have a good technique that makes a sound. It isn't like a quiet polite thing where I'm not trying to let anyone know that I'm clapping. I'm clapping when I'm clapping. So I wonder, where do you stand on that? Would you be one to initiate some applause or nah?
David: Ah, probably not. If for no other reason that I'm like, in that case I guess I'm probably like in the audience if I'm on stage, then like…
Ocho: Yeah, I'm talking about in the audience.
David: Probably not. Like I think it's cool and very cinematic to be the slow clap that starts the round of applause that actually happens, and there is still a small part of me that's like, I want to be that person and the someone always beats me to it. [both laugh] And I'm like, God, you over there you're an early clapper and like, if I'm not going to get that, then probably I'm just not going to clap at all.
Ocho: Yeah, you need to have the payoff…
David: Right? Like if I can't be…It's just the movie everything. Like, every time, something climactic is happening…
Ocho: Like, tf it's silent and no one's clapping are you probably just not going to then?
David: Oh, probably not
Ocho: Even if you really kind of enjoy what's going on
David: I might like Snap still though. But I don't think anyone's gonna hear that. Like it's not going to start the…
Ocho: They might I mean if it's quiet? If you're in a quiet room and like
David: It might work out…And honestly I can't say I've ever been in like that exact exact situation. But I have noticed like what you're talking about is like a trend of like, people just don't seem to be engaged in the same way and I think that's also an unfortunate thing too so, like, You know maybe we fix that, but I don't really know how to do that. Maybe your way is the best way? Just like, alright. You know what? We know how to do this. Let's go.
I'm also kind of in a vacuum, as well in a lot of that stuff because like I play, open mic nights which, everyone there is pretty much supportive because you're not just going to have a seceond open mic night if everyone there's just being a burden and then the second week no one shows up because everyone was really just terrible. So like I think that audience is probably like just slightly different. And then like my only other experience playing music is really with you, in a pretty well-established band. And so like that's probably the easiest atmosphere to kind of come up. And so I'm like, oh, I dunno everything seems pretty chill. Like most of the time. Like most of the time when we play, our audiences are pretty into it. Especially like New Ulm and Stuff like that. I comment on New Ulm all the time they're fantastic.
Ocho: There is a thing too that, probably, I want more attention and I also like as a front man, I feel like I am trying to get it. You know what I mean? So, it's like
David: And that's fair because I think like my personality and like, my attitude toward this changes, because I sing a couple of songs in our sets. And I think if I'm singing and like, I'm stepping into the role of front person. Oh yeah. Whole different vibe. Like now, give me, give me, give me. Whereas like if I'm like on drum then it's like oh, I'm back here. It's cool; I'm a part of the ensemble. And there's definitely a part of me that's like ah, man, I'm singing to use two songs? I'mma just stay here. This is a fantastic.
Ocho: Yeah, it seems like Higher just a higher level of excitement. I guess. Because I've definitely been a drummer too, and it's pretty laid back. Like, yeah, especially, you're in the back of the stage and you're behind something big
David: I'm usually obstructed by something or another?
Ocho: I mean, if you're playing a drum kit, you're in the back of the stage, behind a bunch of furniture sitting down, like you don't feel like the audience like you do if you're up front. You can smell people's breath and stuff and, you know, maybe not an individuals breath…
David: Yeah, you're getting the waft…
Ocho: Yeah, people's bodies and stuff like yeah. Sometimes you can hear what people are saying to each other up front and stuff like that. Like, it's way different.
David: Yeah, I just got the waft of the guy that keeps driving past when we play downtown. It reeks.
[both laugh]
Ocho: Is that the same guy?
David: I don't know. But it's happened twice now. So I'm assuming it might be and it's so strong.
Ocho: Yeah. I think we've probably talked about what we set out to.
David: Yeah I think so.
Ocho: Unless you have other things you want to say about it. No
David: Not really. I'm just not into it.
Ocho: Well, it's been enlightening. I'm delighted to have you on.
David: Fantastic.
Ocho: Thank you all for listening, as well. If you like what you hear, please take a moment to visit ko-fi.com/ocho you can make a donation in any amount there, it would help a lot. It will also give you access to exclusive digital content including bonus episodes and original music. You can find the find the website right in the episode description. ko-fi.com/ocho
Thanks for listening to I Don't Do That. I'm Ocho, your host, chief engineer and producer. I also composed and performed the theme song. Background music in today's episode performed by Tyler Watson. Shout out to canvasrebel.com for the press, and to our sponsor Anders with PrimeTime Web. Thanks again to David, today's guest.
[song] "I Don't Do That…"
David (sampled): Right. Yeah, I'm not into it.
Ocho: Hey, do you have an interesting, heartfelt, or entertaining story about something you don't do? If you'd like to be a guest on I Don't Do That, please visit ochotunes.com/guest to apply to be a guest on our show.
Want to support independent music by supporting the podcast? You can subscribe at ko-fi.com/ocho. Have a bookings question, press request, or want to send Ocho a message? Complete the form below, and someone will get back to you as soon as possible.


CMS is updating select electronic clinical quality measures (eCQMs ) that eligible professionals and eligible hospitals will electronically report in 2016. These versions of the measures were posted on CMS' website on May 1, 2015 for the annual update of the 2014 measure set. Errors have been found in the XML renderings of 12 eligible professional eCQMs and 4 eligible hospital eCQMs. Corrections for these measures should affect only those who are electronically consuming the Healthcare Quality Measures Format (HQMF).
The measures that are affected in this update are listed below.
CMS has posted corrections on this site and the eCQM Library Page on CMS.gov.


text:
Our primary interest is in the safety of our patients who undergo anesthesia, pain management, and critical care under our direction daily.
Anesthesiology is the practice of medicine dedicated to the relief of pain and total care of the surgical patient before, during and after surgery.
Welcome to the Alabama State Society of Anesthesiologists
You must be logged in to view this page
Annual Meeting Info
Insufficient anesthesiologist staffing tied to increased surgical patient morbidity, mortality
Anesthesia Care Team model for GI procedures saves time, increases access to care, compared to nurse-administered sedation model
Updated Medicare Anesthesia Conversion Factors for 2022
Updated Medicare Conversion Factors for 2021
End of Year Congressional Legislation and ASA Priorities
The mission statement of the ASSA from the originators of our By-Laws
The Mission of the Alabama State Society of Ansesthesiologists is to associate and affiliate into one organization all of the reputable doctors of medicine in the State of Alabama who are engaged in the practice of, or otherwise specifically interested in anesthesiology; to promote the highest level of patient safety through the general elevation of the standards of this medical specialty; to encourage specialization in this field; to raise the standards of the specialty by fostering and encouraging continuing medical education, research and scientific progress in anesthesiology; to disseminate information in regard to anesthesiology; to protect the public against irresponsible and unqualified practitioners of anesthesiology; to safeguard the professional interest of its members and in all ways develop and further the specialty of anesthesiology.


Built to withstand the rigors of any busy workplace, Toshiba IP Business Telephones combine slim profile design with sophisticated features and call-handling enhancements for increased productivity in any business environment. Use your private intranet or the Internet to extend full telephone system functionality to any location in the world. Plus, the unique 8-angle tilting base will improve your office ergonomics.


text:
Q: Correct User Input in Java Am working on a problem, basic code is shown below, takes 4 possible inputs from the user, and produces a response based on which one is input. However I need to add a test to validate that the only 1 of the 4 possible answers has been input.
I know how I could compare 2 of the 4 inputs however not all 4 at once, can someone give me an idea? Would prefer to figure out the actual code myself but a pointer in the right direction would be beneficial.
So to clarify How to - If input is anything except "Bill, Circular, Postcard or Letter" produce Error Message X
    System.out.println("What type of Letter has been received?");
    System.out.println("Bill, Circular, Postcard or Letter");
    String Letter = kybd.nextLine();

        {
            if (Letter.equalsIgnoreCase("Bill"))
            {
                System.out.println("Bills must be paid");
            }
            else if (Letter.equalsIgnoreCase("Circular"))
            {
                System.out.println("Circulars are thrown away");
            }
            else if (Letter.equalsIgnoreCase("Postcard"))
            {
                System.out.println("Postcards are put on the wall");
            }
            else if (Letter.equalsIgnoreCase("Letter"))
            {
               System.out.println("Personal letters are read and have replies written for them");
            }
        }

A:             if (Letter.equalsIgnoreCase("Bill"))
            {
                System.out.println("Bills must be paid");
            }
            else if (Letter.equalsIgnoreCase("Circular"))
            {
                System.out.println("Circulars are thrown away");
            }
            else if (Letter.equalsIgnoreCase("Postcard"))
            {
                System.out.println("Postcards are put on the wall");
            }
            else if (Letter.equalsIgnoreCase("Letter"))
            {
               System.out.println("Personal letters are read and have replies written for them");
            }else{
            System.out.println("ERROR");
            }

A: You want to throw an 'else' conditional statement in there, and you may want to look at try and catch blocks, or simply 'throw' a NoSuchElement exception in your 'else' conditional.
Looking at this may be useful to you:
http://docs.oracle.com/javase/tutorial/essential/exceptions/throwing.html
Throwing an exception in an else statement would be a lot like the answer before mine, whereas a try...catch block is pretty much the test you're talking about.  So, it could look something like this:
try
{
  Letter != "Bill"  //not exactly how it'd look, but this is a general idea on what you'd do here
}
catch (NoSuchElementException e)
{
   System.out.println("Not a valid input.");
}


text:
Home » Norman Ollestad » French Girl with Mother
French girl with mother, p.6
Norman Ollestad
The following afternoon, I finished the drawing—the vulnerable eyes contradicted by her flipping me off—and it was the most compelling work I'd ever done.
Before the paint was dry I took a photograph of it with Anaïs's phone. I still hadn't gotten a new card. I sent the photo to Janet, with a message explaining who it was.
I contemplated a second drawing, inspired by images of Anaïs floating down the river. While I let the idea marinate, Anaïs doodled away on her iPad, mapping out her school project. It was a small structure, "a love nest," she called it, which would theoretically stand in the middle of the river. Her class wouldn't meet until the end of the fall term when they'd each make their presentation. Every year, her professor chose three students as candidates to be considered for a summer internship at one of the biggest firms in Paris. "It's something I want," she said firmly.
Soon she had worked through the basic mechanics, pages upon pages of formulas, scratched out on graph paper and sometimes on her iPad. I enjoyed watching her lose herself in that abstract realm, so far out of my reach.
The next morning, I started on the second drawing. Rendering her in water was difficult and I pushed her hard. In the drawing, her black pubic hair was again prominent, a kind of symbol of her vitality and femininity and her kinship to the forest, with her body bleeding into the water. Something about the way she clutched her hand over her eyes, though, the elbow bent toward the sky, fending something off, was what made the picture resonate. I realized that in the past, before she was in my life, I would have minimized the hand over the face, the taut, bent elbow, perhaps even dismissed it altogether.
I brought her into the room and showed her the new piece. She studied the portrait for no more than ten seconds and said, "It's time to show Bernard."
"You think it's good enough?"
She nodded emphatically.
"I owe it to you, Anaïs. Everything you've helped me see."
She took my hand. "I love this about you," she said with a slight smirk. "Not too greedy."
But, still, I was greedy. Greedy for her affection and validation, and concurrently for anything she could give me to make my work ascend; and this was how she was telling me that it was okay.
Standing with her back to us, Anaïs turned around, the corners of the drawing hanging from her fingers. With the ceiling shades open, ambient sunlight wafted down through glass panels, canted toward the north, Bernard had explained, so that it only caught indirect light, which now illuminated the portrait I'd made of her floating down the river. The viewing room, a sort of atrium, used to be part of the living room. Bernard had built a rock-and-mortar wall, opened and lofted the ceiling, and painted everything but the sandstone floor white, turning the back third of the space into a gallery. It was embarrassing to see my work next to a Bartoli, Dequene, and Genis—the Small Masters.
Bernard pressed his calloused fingers over his eyelids, pulling at them, before blinking and approaching the portrait. The Doberman was at his side and hadn't paid any attention to me when I'd arrived with Anaïs, licking her and squealing for her affection.
Now Bernard edged up within millimeters of the drawing. He turned his head so that his ear was parallel with his shoulder, following the line where her body met and sometimes melted into the water. He took three deliberate steps backward and studied the portrait from there.
"Who represents you?" he said, taking another step back, squinting at the drawing as if uncertain.
"No one at the moment," I said.
He looked back at me in surprise.
I shook my head. He returned to the portrait and his shoulders slumped.
Here comes the bad news, I braced.
"Wine or tea?" he said, moving toward the kitchen, the Doberman trailing him.
Anaïs and I followed him under an archway, crossing into a fully loaded commercial kitchen. Large stoves and ovens and heavy-duty cupboards with dozens of pots and pans ranging every size. As if to mock all the pyrotechnics, he flipped on a small electric kettle for the tea.
"I'm going to open a bottle of wine," he said, moving toward the back of the kitchen. He stopped in front of a cast-iron gate and the Doberman circled around him while he rummaged a key from his pocket. He unlocked the gate, vanishing down a stairwell that I assumed led to the cellar, but the Doberman didn't follow; instead he sat on his haunches in the middle of the doorway, blocking entrance.
"He's more serious about his wine than his paintings," I said to Anaïs.
"It's a statement."
She pulled a tea bag from a drawer, a mug from a hook, poured in the hot water, and steeped the bag in it.
"He was a very good painter like you," she said, "but never recognized."
I groaned with empathy.
"Yes, it drove him mad. Now he has tremors so he can't really paint, which I believe is a kind of relief for him."
"What are tremors?"
"In the hands. They shake if he tries to hold something steady."
"I didn't notice."
The iron gate clanged and Bernard appeared, held up a bottle. "Let's celebrate your fine work."
After he poured two glasses, during which I took notice of his trembling fingers, Anaïs lifted her tea mug and we all clinked.
"Unfortunately," he said, "I only sell old stuff; otherwise I would makes some calls about your work. They won't listen to me if it isn't from the dead."
"I'm just grateful that you like it."
"This is a good attitude." He took a long swill. "It's quite risky for an American to draw like Schiele, no?"
I nodded. "Been called lewd, sexist, even misogynistic."
"Ces connards," he called out like a bear roused from his cave. "But if I sign it Hockney or Saville then they would swoon with accolades."
"Of course," I said, wanting to wrap an arm around his shoulder.
"Yes, the artist must be good," he told me. "But at the top, who gets in and who's left out, well, that's up to the devil." Bernard brushed away the grey hair above his forehead. "See the horn growing?" he said, laughing. "It's from doing business with him for too many years."
"At least you're doing business," I said.
He lifted his wine glass. "I'll drink to that . . ." He took a healthy sip. "You've been at this for how long?" he asked.
"Since I was a kid, really . . ."
"Who got you into it?"
"My grandparents. They took me to an Andrew Wyeth retrospective when I was eight or nine, probably because I was always doodling, and my parents wouldn't really notice or appreciate something like that. So I blame my grandparents for leading me down this road." I smiled to belie any lack of gratitude.
"Wyeth was severely out of fashion back then," Bernard said. "I remember the critics lambasting him for doing those paintings of some woman in secret . . ."
"The Helga paintings," I chimed in. "He met her when she was the nurse for a dying friend who lived on a farm close by."
"I recall that even Wyeth's wife didn't know about their secret sessions that lasted twenty years . . ."
"Twenty years?" Anaïs exclaimed.
"Unbelievable . . ." I said, "His wife, who ran the business end of things, seemed remarkably understanding though. She said that his work with Helga was 'the well' to which he repeatedly went for the visual and emotional power he needed for his other, public work. Wyeth never let anyone watch him paint. I don't want to be conscious of myself, he said in some interview."
"Did you try to imitate Wyeth after you saw the show?" Bernard asked rhetorically, one artist to another.
I flashed him a knowing look. "Then I moved on to the usual suspects. The only one that threw everyone off was my Schiele phase. Still, it got me int
o CalArts."
Bernard rested his big bear paw on the top of my head, his fingertips flinching before he lifted it off. "Our paths are not so different. But," he raised his pointer finger, "you're young and you've struck on some very good fortune." He steered his eyes across his nose over to Anaïs.
She made a face, playing what I guessed was the French gangster, leaning back with her elbows on the countertop, mugging it up, more anachronistic and therefore farcical than it needed to be, a facet of French humor that I never fully connected with. It was nevertheless endearing and I laughed.
"What are you working on now?" Bernard said.
"Well, my gut tells me there's another level or two to what I'm doing. What that means I'm not sure. I'm searching. But I feel that it's just around the bend, you know."
"This is exactly what I felt when I was in the cellar getting the wine, thinking about the portrait. There's something waiting to happen. One more step and voilà."
A quick gaze like a parent to his prodigal son and then he poured the last of the wine. Anaïs snuggled closer, the two of them sandwiching me, the man of the moment, and we talked about the history of Grez-sur-Loing where many of the well-known Impressionists had come to paint. It led to stories of his brother and him hunting in the surrounding forest and fishing the once-trout-filled river.
"It's a little paradise," I said.
"Yes, that's why I've never left."
The next day, boosted by Bernard's vote of confidence, I worked hard, making dozens of sketches, harboring the secret hope that he might eventually show my work to some of his clients.
Anaïs posed for me, relaxed and easy in her body language; even her skin appeared smoother, expressions more supplicant. We held hands at every opportunity, moving from the willow tree to the stables, from the stables to one of the big windows in the house, and then curled up together for a nap in a hammock slung between two trees at the river's edge.
Clouds moved in and the evening descended with drops of rain, a hint of fall. We ambled hand in hand across the lower lawns and up the back stairs entering through the back patio. In the kitchen, Anaïs closed the window against "the fucking grey," but I loved the change. "It was fresh," I argued. Just like the change in me, now that I was beginning to believe in myself again.
She didn't eat anything at dinner and I asked her what was wrong. She rested her eyes on me, as if that was enough of an answer.
"Tell me," I said.
"When it's grey like this, and I have something to lose, it makes me crazy."
"What do you have to lose?"
Ever so faintly I discerned a sour taste in her mouth as she stared at me with an implied superiority that I didn't like. I sighed, letting her know that there was an easier, more direct way to get to the bottom of whatever was wrong. But that wasn't how she worked.
She stood, her face pulled into a grimace, and marched up the stairs.
Am I supposed to go after her, or does she want to be alone? I wasn't sure. Even if I chased her down, what would I say when I got there? Her sudden mood swing, followed by her abrupt departure, was an unsustainable way to communicate, much less resolve our differences, and I didn't want to yield to it.
Taking my time, I hand-washed the pots and pans, the dishes and utensils, and I towel-dried them and put them away. Rain beat on the stone windowsill and I saw the dark outline of the willow tree swinging in the wind. I'd light a candle for her and we'd talk and then make love sheltered from the storm.
The third-floor-hallway lightbulb was out. I fumbled between the walls until I found the bathroom and switched on that light. A white rectangle fell into the hallway and I made my way toward the dark room on the end. Easing onto the bed, I felt her body, curled into a ball. Folding around her, I whispered in her ear. "Talk to me. I want to know what's bothering you."
She didn't respond. I didn't let go. After a while, her skin turned cold and her body had become no less rigid. I faulted myself for not leaving her alone, for pestering her. I stepped out of the room and into the hall, looking for another bed.
A hard object struck the back of my head. An acute throbbing in my skull. I turned, glimpsing the cell phone Anaïs had hurled at me on the floor.
"Where is this violence you promised?" she yelled, standing naked in the hallway. "I thought you would kill for me."
"You want violence?" I said, dizzy, feeling the tight knot swelling on my head.
She spun away as I charged. Grabbing her by the armpit and hair, I lifted her off her feet and dropped her down on the wooden floor. The thud, meat and bone against the wood, startled me for a moment. I'd never grabbed a woman, much less thrown her to the ground.
"You only want me for your work," she snarled.
"That's not true," I said, my head aching, her snarl sending a disorienting signal.
"Why did you leave me?" She thrust her chin at me.
"I thought you wanted to be alone."
"No . . ." You idiot.
Her body was limp, sprawled across the floor, with one knee jammed against the stone wall, eyes wide and alive. She wanted to be taken. No matter what, she seemed to implore, no matter my mood or mixed signals, you need to cut through all the noise and ground me.
That easy smile, rare for her to give, washed over her face.
"Show me that you want me," she taunted.
I lowered on top of her and went as deep as I could. She glared at me, vexed, insulted.
"Make me yours, Nathan."
I thrust harder, kissed her ravenously.
"No," she said. "Prends-moi le cul . . ." Her Gallic timbre gave it an eloquent ring, but the translation left no doubt about where she wished to be claimed.
Afterward, we lay in silence and I craved a hint of gravity, any sort of boundary, something to define us, this new territory.
"It's because of spending time in Brittany with my father's mother," she offered. "It was always grey and he would leave after a few days. Maman refused to come because Grand-Mère was a real bitch to her. I would be stuck there, alone in her dreary house, with that ugly sky, for weeks." Her hand tightened into a fist. "That's why I hate the grey."
Piecing together her train of thought, I asked, "It reminds you of being abandoned?"
"Worse. I can remember what it was like to be unloved."
Grey skies and old houses brought back the dark feelings for her. Like those times when I was hit with a wave of sadness just from watching an older man walk across the street or sitting at a bench—Grandfather—but it didn't make me erupt like it did her.
Rolling onto my side, I faced her. "Why not just tell me this before it gets out of control between us?"
"Maybe I need you to see it, to go through it with me a little bit."
I recognized how a violent argument with your lover ending in sex could bring you closer together, but here there was something else at work. I felt myself crossing a threshold, where my intimacy with how abandonment must feel for her—the disorientation and loneliness—allowed me to converge with her experience of it. She'd had the courage to take me there, and now I had an empirical understanding of an important part of her. From the outside, we must look crazy, I pondered, but from the inside it felt authentic and vital.
She rested her palm on my forehead.
"Thank you for giving me both," she said. "I know it must be difficult to possess me and to let me be. It's a rare gift you seem to have."
Then she wound herself around me.
I lost track of the time. We made love seemingly all night and all day. Had only a few days or more than a week gone by? Somewhere in between, I guessed. We made love in the kitchen, on the wooden deck, the lawn, in the river, the horse stables, and we were both raw, but unable to stop, un
able to resist each other.
I attempted to work again, culling through the recent sketches in pursuit of stripping down the barrier between the artist and the model, two lovers melding, scraping bones. Unable to grasp it, I revisited the overhead sketches of her on the deck, eyes tracking me, a sweep of caramel and cinnamon and the two islands of black hair. But none of the forms revealed anything original or undiscovered, and I knew something was lost. My faith was kept alive by the sprawl of her attention and uncharted terrain, and the new world I found in its wake—the antithesis of rejection, of failure. No doubt a good drawing would soon materialize.
Nothing came, and by the end of the week, I was beginning to worry, preoccupied by the fact that Janet hadn't responded to the photos I'd sent of the two portraits. I tried to keep the anxiety to myself and drank an entire bottle of wine with dinner. Then Anaïs presented a chocolate mousse for dessert.
"What's the occasion?"
"It's our last night alone. Maman and Papa arrive tomorrow."
I forced a smile. She slid the dessert under my nose.
"Are you upset?" she said.
"I just wish we had a little more time to ourselves."
"That's why I need you to be strong," she said, and clutched my wrist. "Like the shepherd in the storm, okay?"
I didn't understand what that had to do with her parents' arrival, but I nodded.
twenty-three
After I finished the chocolate mousse, we drank another bottle on the back patio. Loosened up, I let out my frustration about not being able to come up with a new portrait and about not hearing back from Janet.
"Maybe you need to diversify," Anaïs said. "So all your eggs aren't in one basket."
Diversify? As in start finding a new career? I gave her a harsh look.
She was undeterred. "I've always wanted to have my own business, something that I could control. And now you have inspired an idea. Bernard is going to help me create a business selling high-quality reproductions of famous paintings." She reached across and filled my glass. "There's huge demand for this from major hotel chains, luxury cruise liners, interior-design firms, even the royal family buys this stuff. And I plan to open a shop in Paris."
French Girl with Mother by Norman Ollestad / History & Fiction have rating 4 out of 5 / Based on32 votes
French Girl with Mother