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BATTLE FOR THE SWEETLANDS
Caitlin Duennebier and Nicole Duennebier
Apr 25, 2015 – Aug 7, 2015
An Interview with the Duennebier Sisters
This new window installation, titled "Battle for the Sweetlands," is by sisters Nicole Duennebier and Caitlin Duennebier and consists of three dioramas, one set behind each pane of glass in the window.
The sisters are placing their own narrative on the traditional battlefield diorama. The "Sweetlands" in question are in reference to Caitlin Duennebier's 2013 project "Journey to Candied Mountain," in which the region was first discovered. Now, years later, the territory is embroiled in a violent turf-war among recent settlers. The center diorama "Massacre near Gumdrop Mountain" depicts these shirtless bandits, delirious with sugar and greed, fighting for the rich bounty of the mountain. Quieter scenes accompany the battle; a lonely camp in the Licorice forest in which we find the settlers vulnerable to the candied creatures that reside there. And a portrayal of the crazed message in the stars which appeared before General Gingersnap, and led to the eventual conflict at Gumdrop Mountain.
Caitlin Duennebier received her Bachelor of Fine Arts in Photography at Massachusetts College of Art & Design in 2009 and studied on scholarship at London University of Arts. Duennebier lived in London between 2009-2014 where OH PAPA was created. She currently lives and works in Boston, MA USA. www.ohpapa.co.uk/
Nicole Duennebier received her Bachelor in Fine Arts at Maine College of Art with a major in painting. Her BFA thesis work was most influenced by research about the coastal ecosystems of Maine. In 2006, she was awarded the Monhegan Island Artists Residency. On the island she continued her work with sea life. Duennebier saw a natural connection between the darkness and intricacy of undersea regions and the aesthetic of 16th century Dutch still-life painting. In 2008 she moved to Boston. She is currently exhibiting with the 13FOREST gallery in Arlington, Massachusetts. http://www.nicoleduennebier.com/


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Galaxy Girls is a 5-day residential program for current 8th and 9th-grade students, that we refer to as cadets! During the program, cadets will live in University housing, tour campus and become immersed in aerospace engineering and space science. Cadets will have the opportunity to work closely with college students and aerospace faculty by building real rockets for a culminating launch presentation. Learn more about Galaxy Girls.
SCEEP (Summer College Engineering Exposure Program) is a 10-day residential program for 40-60 current 11th graders. SCEEP will expose participants to various engineering disciplines. Participants work in teams to solve a real-life multifaceted problem using engineering concepts. SCEEP also gives participants a head start on the college application process and a glimpse into life as a Michigan Engineering student. Discover the Michigan Difference and explore engineering to see if it's your passion! Learn more about SCEEP.
Qcamp for Kids in STEM is a one-week STEM camp for girls and boys entering 7th and 8th grade, which provides hands-on engineering project experience at Qualcomm's Thinkabit Lab @ the MEZ.
Qcampers will learn new skills while strengthening their scientific and mathematical understanding through hands-on engineering projects. You will have the opportunity to meet professional engineers, learn about engineering tools and their applications, explore the engineering design process, build your own projects, and meet new friends! Learn more about Thinkabit.
Electrify Tech Camp consists of three non-residential summer camps for high school students that are sponsored and run by Electrical and Computer Engineering (ECE) at the University of Michigan. Camp participants will be introduced to college-level topics at an introductory level suitable for high school students. Program content is developed and taught by U-M faculty and graduate students, ensuring the highest quality of academic learning. Recreational activities will be incorporated into the activities of each day. Come ready to learn and to have fun!
The Summer Engineering Exploration (SEE) Camp is a one week, residential camp for high school students interested in engineering. Hosted by the Society of Women Engineers at the University of Michigan, SEE Camp provides opportunities for the campers to discover the possibilities of engineering.
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Centre for Multidisciplinary Research on Religion and Society (CRS Uppsala)
RESPOND in a nutshell
Migration Governance Networks
Uppsala University Centre for Multidisciplinary ... Research Finalised research projects RESPOND Researchers
GLASGOW CALEDONIAN UNIVERSITY
SWEDISH RESEARCH INSTITUTE
ÖZYEGIN UNIVERSITY
UNIVERSITY OF FLORENCE
UNIVERSITY OF AEGEAN
INSTITUTE FOR URBAN AND REGIONAL RESEARCH OF THE AUSTRIAN ACADEMY OF SCIENCES
LEBANON SUPPORT
HAMMURABI HUMAN RIGHTS ORGANISATION, IRAQ
Önver A. Cetrez
Scientific coordinator of RESPOND
Associate Professor and lecturer in Psychology of Religion and Cultural Psychology at Uppsala University, is the Principal Investigator of the Swedish team and the coordinator of RESPOND. Dr. Cetrez has profound expertise in studies of migration, refugees, health and acculturation. He is also a member of the Regional Ethical Board in Uppsala. He has led two similar research projects, both financed by the Swedish Research Council, one among Iraqis in Sweden (2010-2013), the other among Syrians in Turkey (2014-2016). Dr. Cetrez held the position as Deputy Director of the Swedish Research Institute in Istanbul during the years 2014-2016.
Soner O. Barthoma
Administrative coordinator of RESPOND
Independent researcher with a background in political science. Research fellow, project coordinator of the Erasmus+ Surayt-Aramaic Online Project (2014-2017) at Free University Berlin. Soner has broad research interest in various inter-disciplinary topics, amongst forced migration, governance and discourse theories, European politics, Turkish foreign policy, late Ottoman period and genocide studies, history of the modern Middle East and its political regimes, identity politics, cultural heritage and revitalization of endangered languages. He is board member of Inanna Foundation (NL) and Mor Ephrem Stiftung (DE); initiated and coordinated various international projects, and edited two volumes on the 1915 genocide, published various articles on identity, migration and integration related topics.
Valerie DeMarinis
Ph.D., Psychologist. Full Professor in Psychology of Religion and Cultural Psychology, Uppsala University. Gäst Professor in Public Mental Health at the Institution for Public Health and Clinical Medicine at Umeå University (Medical Faculty), Sweden. Research Professor in Public Mental Health Promotion, Innlandet Hospital Trust, Norway. DeMarinis has extensive experience in both research and clinical work with refugees and other migrant groups in the healthcare system in Sweden, in both mental health- and somatic contexts. In the clinical context, she is responsible for developing the meaning-making assessment framework, including existential meaning, used in mapping patient worldviews.
RESPOND_Karin Borevi
Associate Professor and senior lecturer in Political Science at Södertörn University and researcher at the Uppsala Religion and Society Research Centre (CRS), is a member of the Swedish team of the Horizon 2020 EU RESPOND project. She has long and profound experience in studying immigration, integration, citizenship, multiculturalism and the welfare state. She is leader of theme 1 "Religious and social change" within the Linneaus Center of Excellence and research program The Impact of Religion: Challenges to Society, Law and Democracy at Uppsala University and is part of the Oslo-based research project When poverty meets affluence: Migrant street workers in Scandinavia (Fafo, Norway).
Jennifer Mack
Postdoctoral fellow at the Institute for Housing and Urban Research at Uppsala University, and a researcher at the School of Architecture at KTH. She combines history, ethnography, and formal analysis to study social change and the built environment. Using her theory of "urban design from below", her forthcoming book investigates the collision between Swedish design norms and the built projects and spatial practices of Syrian Orthodox Christians in one town. Jennifer holds a PhD in architecture, urbanism, and anthropology from Harvard University and a March and MCP from MIT.
RESPOND_Mudar Shakra
PhD candidate in Psychology of Religion at Uppsala University; member of the Swedish RESPOND team. He has a law degree from Damascus University (2000-2006) and MA from Stockholm University (2011-12). He worked as a lawyer (2006-11) and as Senior Protection officer for UNHCR (2007-11) before emigrating from Syria to Sweden. In Sweden he worked in several positions related to the migration, refugee law and integration issues and as a research-assistant at Uppsala University in two research projects among Iraqi newly arrivals in Sweden and Syrian refugees in Turkey (2013-14).
Jenni Wirman
Political Science student at Uppsala University, is the Research Assistant of the Swedish team of the Horizon 2020 EU RESPOND project. She has a bachelor's degree in Political Science from Uppsala University (2014-2017), and has experience in studying migration governance in the Swedish parliamentary context. Most recently she concluded an internship at the Afghanistan unit at the Swedish International Development Cooperation Agency (SIDA), where her main focus lied on education and empowerment issues.
Sabine Hess (Principal Investigator).
Alexander-Kenneth Nagel
J. Eduardo Chemin
Bernd Kasparek
Umut Korkut (Principal Investigator ).
Simone Baglioni
Lena Karamanidou
Kyle Taggart
Daniel Gyollai
Project web page
Naures Atto (Principal Investigator)
Catherine Hirst
Ayhan Kaya (Principal Investigator)
Asli Aydin
SWEDISH RESEARCH INSTITUTE ISTANBUL
N. Ela Gokalp Aras (Principal Investigator)
Zeynep Sahin-Mencutek
Elif Çetin
Justyna Szalanska
Susan Rottman (Principal Investigator)
Ginevra Cerrina Feroni (Principal Investigator)
Veronica Federico
Chiara Favilli
Cecilia Corsi
Silvia D'Amato
Electra Petracou (Principal Investigator)
Athanasios Yannacopoulos
Ursula Reeger (Principal Investigator)
Ivan Josipovic
Karolina Sobczak-Szelc (Principal Investigator)
Marta Pachocka
Monika Szulecka
Anita Brzozowska
Nils Holtug (Principal Investigator)
Georgiana Turculet
Marie-Noëlle AbiYaghi (Principal Investigator)
Amreesha Jagarnathsingh
William Khamo Warda (Principal Investigator)
Ayad C. Samooel
Hameed Shihab Ahmed
Youhanna Yousif Toma
Nahla Arif
Daniel Tarschys (Prof. emeritus in Political Science, Stockholm University)
Anders Bäckström (Prof. emeritus in Psychology of Religion, Uppsala University)
Peter Scholten (Associate Professor, Erasmus University of Rotterdam)
Murat Sömer (Associate Professor, Koç University, Istanbul)
Ethics Advisor
Hannah Bradby (Professor of Sociology, Uppsala University)
This project has received funding from the European Union's Horizon 2020 Research and Innovation Programme for the period 2017-2010 under Grant agreement No [770564].
Martha Middlemiss Lé Mon, Director CRS, phone: +46 (0)18-471 2171
Anna-Sara Lind, Scientific leader CRS
Cecilia Nahnfeldt, Scientific leader CRS
Visiting address: English Park Campus - Centre for the humanities, Thunbergsvägen 3C, Uppsala.
Postal address: Uppsala Religion and Society Research Centre,
Box 511, SE-751 20 Uppsala
E-mail: Martha.Middlemiss@crs.uu.se
Researchers at CRS
Registration number: 202100-2932 VAT number: SE202100293201 PIC: 999985029 Registrar About this website Privacy policy Editor: Jeannette Escanilla


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Q: M2.4.2 | Credit Memo multistore returning with an mysql exception over xdebug I have been debugging this issue for a while, I am getting this error when I am trying to create a credit memo for any order:
"SQLSTATE[42000]: Syntax error or access violation: 1103 Incorrect table name ''"

A: The issue was caused by a space added to the entity_type which is used to formulate the query to the DB, and this can be debugged & traced by adding breakpoints to the following file Magento\SalesSequence\Model\ResourceModel\Meta line 87
What I figured, the query was like this:
SELECT meta_id FROM sales_sequence_meta WHERE entity_type = 'creditmemo' AND store_id =1;

When I ran this query in my DB, I was getting no result, and the query was failing when I used to issue a credit memo from the Magento backend, eventually, I checked from the entity_type and the store_id in that particular table and the end result was the entity_type had an extra space like 'creditmemo  ', and that what made it fail.
I hope it helps someone in need with a similar issue.

redpajama_set_name: RedPajamaStackExchange


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Court is a 2014 Indian legal drama film, written and directed by Chaitanya Tamhane in his directorial debut. The film examines the Indian legal system through the Mumbai Sessions Court trial of an aging protest singer, Narayan Kamble (Vira Sathidar), who is accused of encouraging a manhole worker to commit suicide through one of his folk songs. It also stars Geetanjali Kulkarni, Pradeep Joshi and Shirish Pawar.

The film's music was composed by Sambhaji Bhagat while Mrinal Desai and Rikhav Desai served as its cinematographer and editor, respectively. Tamhane was curious to see the difference between the real courtrooms and the way they were depicted in films. He wanted to explore the "judicial nightmare" in an Indian setting after coming across several real-life cases. His friend Vivek Gomber agreed to produce the film and also acted in it. The crew consisted of newcomers and the actors were non-professionals. There are four languages spoken in the film: Marathi, Hindi, Gujarati and English. Most of the dialogue is in Marathi as it is set in Maharashtra. Laws are read out in English. The defense lawyer is a Gujarati and speaks Gujarati language.

Court premiered at the 71st Venice International Film Festival in 2014, where it won the Best Film in the Horizons category and the Luigi De Laurentiis award for Tamhane. The film went on to win 18 other awards at several film festivals. It premiered in India at the International competition section of the 2014 Mumbai Film Festival and was released theatrically on 17 April 2015. Upon release, the film received critical acclaim and went on to win the National Film Award for Best Feature Film at the 62nd National Film Awards.

Plot
Narayan Kamble is a teacher, social activist and protest singer. He is arrested on the charge of prompting Vasudev Pawar, a manhole worker who allegedly committed suicide after being influenced by one of Kamble's protest songs. Lawyer Vinay Vora defends Kamble, who is tried in the court and granted bail. Kamble admits to have sung several songs about suicide, but cannot remember if he sang any on the day of the suicide. He also denies any intention to provoke someone to commit suicide. A witness testifies that he saw the manhole worker singing Kamble's song.

In the next hearing of the case, the investigating officer links Kamble with an incarcerated man, Ashwin Bhagat, through a letter, accusing them of planning illegal activity in the city. Vora explains to the court that Bhagat was requesting Kamble to take care of his ailing mother while he was in jail. Nutan, the public prosecutor, informs the court that Kamble possessed two banned books. Vora replies that one book is on Yoga and the other one is a critique of certain rituals of the Goyamari sect. Vora is later beaten by some Goyamaris.

Pawar's widow confesses in court that her husband used to clean the manholes without any safety equipment and had lost one eye from exposure to poisonous sewer gases. She further confesses that he was also an alcoholic, but never talked about committing suicide. She denies his intentions of suicide or having heard Kamble's name before. Vora reads the autopsy report which indicates Pawar died as a result of respiratory failure due to inhalation of hydrogen sulphide, with no sign of self-harm. He also says that the witness who testified against Kamble is a stock witness who has been testifying in several other cases.

Considering Kamble's deteriorating health and the lack of evidence, Kamble is granted bail in the amount of , which Vora pays on his behalf. Kamble is then subsequently arrested on charges of conducting seditious camps under the cover of folk-artist workshops, and is remanded to police custody. Kamble claims the charge and the evidence against him are fabricated and Vora pleads to reconsider the arrest as it will pose a severe risk to Kamble's health; the judge tells Kamble to appeal to the High Court. Later, the judge is shown enjoying a holiday with his family. Some children mischievously shout and wake him from his afternoon slumber, he slaps of one the kids as the rest run away.

Cast
 Vira Sathidar as Narayan Kamble
 Vivek Gomber as Vinay Vora
 Geetanjali Kulkarni as public prosecutor Nutan
 Pradeep Joshi as Judge Sadavarte
 Usha Bane as Sharmila Pawar
 Shirish Pawar as Subodh

Production

Development
Director Chaitanya Tamhane made a short film called Six Strands at the age of twenty three, which was well received at several international film festivals. The project left him "broke and jobless" and under pressure to earn money, but he did not want to assist another director. Tamhane was watching a "typical" conventional courtroom drama on Doordarshan one day when he thought of making a real courtroom drama and started developing the idea for Court.

Tamhane wanted to explore the "judicial nightmare" in an Indian setting after coming across the case of Jiten Marandi, a cultural activist from Jharkhand. Marandi was arrested as a suspect in the Chilkari massacre, which occurred on 26 October 2007, where nineteen people were killed by Naxalites at a public function. Marandi became a suspect because his name was similar to the actual suspect whom the police could not find. He was arrested and tried, but was released in 2016 after proven not guilty. The action against activist singers of the cultural organisation, Kabir Kala Manch on allegations of links with the left wing also inspired the film's narrative. Tamhane was curious by the idea of a realistic court trial unfolding in a lower court of Mumbai after attending some of them, recalling:

Tamhane found the incidents that occur in a lower court to be "bizarre" and saw the potential for drama and humour. Another incident which prompted Tamhane to make the film was when a friend had gone to a police station for document submission and had to wait two hours for a printout because the constable did not know how to connect the cable of the printer.

In 2011, Tamhane met with his friend Vivek Gomber, who he had directed in a theatrical play called Grey Elephants in Denmark in 2009. Tamhane told Gomber that he wanted to write a courtroom drama but did not have the money to finance his project. Gomber then expressed his interest in producing the film and offered to pay him  a month to write the script. Tamhane wrote the script in a year after interviewing several lawyers, academics and activists, reading books and newspaper clippings, and discovering "the world of protest music and the legal world". Gomber found the script "very funny", he also mentioned that visiting courts for the film was "quite sad and disheartening".

While Tamhane was writing the script, the character of the public prosecutor was male for a long time and he felt the film was "too male", with all main characters being men. Later, he changed that character to a woman.
Tamhane saw Anand Patwardhan's documentary Jai Bhim Comrade (2011), when he was about to finish writing the script and cited it as an "invaluable resource" for the reference of the film. Tamhane had written all the scenes outside the courtroom but lacked the main case until he read about the condition of manhole workers in a Tehelka book, which he incorporated into the script. He also read books of Fali Sam Nariman, V. R. Krishna Iyer and watched Krzysztof Kieślowski's 1966 short film The Office for reference. Tamhane wrote scenes about the domestic lives of the lawyers in the film as he was interested in depicting the kind of life they lived outside the courtroom while also juxtaposing their professional lives with their personal one.

In 2012, Tamhane submitted the script of Court to the National Film Development Corporation of India for financing, but it was rejected. He applied for the Hubert Bals Fund in 2012, given by the International Film Festival Rotterdam where his short film Six Strands was screened in 2011. He received a sum of  for script and project development. Gomber invested his own money for the remainder of the budget.

Casting
Court took three years to complete. The film's planning and pre-production was done in a year. The crew had to build court sets as shooting inside a real court is not allowed. Tamhane and casting director Sachit Puranik would sneak into the Bombay High Court and stay there for almost three hours a day. They researched and observed the real protest singers and activists, and made notes for references on the surroundings and costumes.

Tamhane did not want to make the film in a "conventional manner" and hence opted to have newcomers for the cast and crew. It was the first film for much of its crew, including the production designers, editor and casting director. The film's cinematographer, Mrinal Desai, had a documentary background. Tamhane had previously worked with the film's production designers, Pooja Talreja and Somnath Pal, on his play Grey Elephants in Denmark. Tamhane chose to work with mostly newcomers as he did not wish to have anybody from a Bollywood background: "we wanted people with hunger and passion who would go out of their way to get things done." The film also features first time actors like Pradeep Joshi, Usha Bane and Shirish Pawar.

Vira Sathidar, the editor of Marathi magazine Vidrohi, was cast in role of Narayan Kamble just three weeks before the shoot. Gomber played the role of a defence lawyer and was selected after auditioning for the part. The rest of the cast were also selected after auditions including Geetanjali Kulkarni, who is an alumnus of the National School of Drama. The auditions were conducted over the course of nine months with nearly 1,800 people auditioning for several roles. Tamhane borrowed the idea of using non-professional actors from the Iranian filmmaker Abbas Kiarostami. According to him, 80 percent of the cast were non-professional actors who had not been filmed before. Tamhane and his crew members went to banks, railway offices, schools, tea sellers, snack vendors, auto and taxi drivers, and asked people if they would like to act in the film.

Filming
Court was shot in 45 days and recorded in sync sound. The entire film was shot without camera movements and background score for a realistic feel. Tamhane and Desai chose real locations in Mumbai for shooting the film based on their look and feel and decided not to tamper with them. He decided to shoot long takes with no cuts and scripted lines in a controlled manner. Scenes involving the non-professional actors were shot in 30–35 takes on an average and some scenes even took 60 takes to shoot because of the actors inexperience. Only one scene per day was shot due to the long takes that were done without any cuts or improvisations.

Kulkarni followed a real prosecutor's body language, mannerism and manner of speaking. A scene in the film showed a public prosecutor cross-examining the accused, which is not allowed in real trials. Tamhane said that this was a deliberate decision as he had taken "creative liberty" to avoid "hampering the narrative of the film". He also expressed his interest towards the essence of a scene instead of its technical detail.

During production, members of the Anti-Terrorism Squad came on the sets claiming that there was a Naxalite from Nagpur in the film and searched for him. Sathidar was from Nagpur and, like his character, was a human rights activist thereby making him, according to Tamhane, "politically involved". The crew hid him as he had not finished shooting the film's main sequences, and they were worried that his arrest would prevent the film's completion. The ATS had mistaken Sathidar for a Naxalite.

Themes
When asked about whether Court is an actual depiction of the Indian judiciary or an exaggerated one, Tamhane said: "[the film] actually talks about the people who comprise the system; the people who run the system and the structural and human failings in not just the Indian judiciary but any institution, or any kind of a place with power dynamics." According to him, the film also highlights the aspect of immigrants snatching the jobs of locals in Mumbai. Court also has elements of black comedy, like a scene where one of Vora's speeches is interrupted by a man putting a pedestal fan. A critic from The New Republic called the film a welcome addition to critiques of the judiciary and favorably compared it to the novels Bleak House (1853) and The Trial (1925). He elaborated that the absurdity of the case is similar to The Trial.

Baradwaj Rangan stated in his review that the film is about "teeming metropolis". He also noted the contrasting lives of Vora and Nutan, where one lives alone, speaks fluent English and drives a car; the other has a family, does not speak fluent English and uses public transport. Through this analysis, Rangan says that the film shows how people despite being from different genders, classes and ethnicities "converge in court."

The film is multilingual, with four languages spoken in it: English, Hindi, Gujarati and Marathi. Most of the dialogues are in Marathi as it is set in Maharashtra and the laws are read out in English. The defence lawyer is a Gujarati and speaks Gujarati language. The Marathi lawyers for the prosecution speak in Marathi and English. Since the Gujarati lawyer does not understand Marathi, they speak with him in Hindi. Tamhane said: "Court is set in Mumbai where people speak all four languages, so it was natural to keep that in the film."

Premiere and release

Both Tamhane and Gomber had been applying to film festivals from March 2014 and were rejected by the Cannes Film Festival, Locarno International Film Festival and San Sebastián International Film Festival. Court later had its world premiered at the 71st Venice International Film Festival. The film was screened at several festivals after its premiere including the Auteur Film Festival Serbia, the Washington DC South Asian Film Festival, Kyiv International Film Festival "Molodist", Minsk International Film Festival, Singapore International Film Festival, International Antalya Film Festival, BFI London Film Festival, Vienna International Film Festival, Hong Kong Asian Film Festival, Buenos Aires International Festival of Independent Cinema, FICUNAM International Film Festival and 2morrow Film Festival.

Court was acquired by Artscope Films of French producer-distributor-sales agent Memento Films in late August 2014, after producer Alexa Rivero saw the film. In December 2014, they sold the film in four countries: Canada, Greece, the Middle East, and Hong Kong. On 3 February 2015, American independent film distributor Zeitgeist Films announced that they had acquired the film for exhibition in the United States. It had its US premiere at the 44th edition of the New Directors/New Films Festival at New York City on 18 March 2015. Ron Mann, a Canadian documentary filmmaker, who was one of the jury members at the Venice Film Festival, acquired the Canadian distribution rights for the film.

The film premiered in India at the international competition section of the 2014 Mumbai Film Festival. It was released independently by Gomber's Zoo Entertainment Pvt Ltd, with the assistance of Long Live Cinema. A 33-second teaser of the film was launched on 13 March 2015. It was followed by the launch of its theatrical trailer on 23 March 2015. The Central Board of Film Certification gave Tamhane a choice to cut or mute a dialogue from the film, which he decided to mute. The film was released theatrically in India on 17 April 2015, across 150 screens in Maharashtra and select metro cities. It was made on a budget of  and collected an estimate of $22,898 domestically and $57,416 overseas. Court was released on DVD on 16 December 2015. The film was selected as India's official submission for the 88th Academy Awards in the Best Foreign Language Film category, but was not nominated.

Reception

India
Court received mostly positive response from critics upon release. Mayank Shekhar described it as an "anti-genre film" and a "deeply humanistic account" of those who "comprise the system". He also listed it as his favourite Indian film of the year. Firstposts Deepanjana Pal called the film "ludicrous, hilarious, and heartbreaking." Meenakshi Shedde reviewing for Mid-Day, wrote: "Apart from highlighting our antiquated laws, Tamhane's strength lies in his even-handedness: he humanises and empathises with his protagonists, even as he lampoons them." Shubhra Gupta, writing for The Indian Express, gave the film four stars out of five, calling it an "unmissable film" and "the best you will see this year". Rajeev Masand praised the "Kafkaesque absurdity", the dark humour and realism of the film: "Compelling and all-too relevant, Court punches you hard in the gut. No rating can do this film justice." Anupama Chopra, in her positive review, wrote: "It's a lot to say in one film but Tamhane, who also wrote the film, does it with impressive economy and elegance."

Suhani Singh of India Today called it the "finest film of 2015 so far", further writing: "Assuredly directed and intelligently written by debutant Chaitanya Tamhane, Court is a riveting watch." Saibal Chatterjee of NDTV cited the film as an "exceptional cinematic achievement". Renuka Vyavahare of The Times of India, mentioned in her review: "[Court ] breaks the stereotypes in the most understated manner to give you the biting reality of our country's flawed judicial system". Writing for Reuters, Shilpa Jamkhandikar termed it as a rare film "that creates drama out of the humdrum lives of ordinary people, whose limited world view and biases affect the lives of others in more ways than they can imagine." A review carried by Suparna Sharma of Deccan Chronicle wrote: "Court doesn't caricature our reality, nor does it harangue us with prescriptive chalk talk. It simply trains its lens on real-life parody as it plays out and shows us our world as is, without exaggeration or artifice." Anuj Kumar of The Hindu found the film to be "an accomplished piece of work". Surabhi Redkar of Koimoi called it the "best representation of a court room drama so far in India".

Contrary to the positive responses, some critics were concerned with the non-professional actors and the western treatment of the film. Raja Sen felt that the film was "better in parts than as a whole". He also pointed out the problem with the non-professional extras: "A constant problem with Court, however, lies in just how ghastly the film's extras are, with almost every person in a non-speaking role doing a jarringly bad job." Baradwaj Rangan felt that the "western eye" was evident in the filmmaking, with its wide shots: "In the absence of camera movement, we rely on other things to enliven the frames – people crossing roads and walking past doors, traffic on streets, the fluttering of paper flags above a stage, a boy practicing on Roman Rings."

Overseas

Jay Weissberg of Variety wrote: "Managing to be both extremely rational and extremely humane, the film works so well thanks to an intelligent, superbly understated script and a feel for naturalism that extends beyond mere performance." Neil Young of The Hollywood Reporter stated that the film was a "compellingly clear-eyed indictment of modern-day India's institutional dysfunction". Reviewing for Le Monde, Jacques Mandelbaum called it "a major movie on the worrying state of freedom of speech in the Indian democracy" and praised the "intelligence and sensitivity" of Tamhane. In his positive review of the film, Mike McCahill of The Guardian complimented Tamhane: "Here's a film-maker training a sharp, prosecutorial eye on those harsh homefront realities Bollywood has traditionally permitted audiences to escape."

Stephen Holden, writing for The New York Times, gave a positive review to the film and wrote: "The wheels of justice grind slowly and mercilessly in Court, Chaitanya Tamhane's quiet, devastating critique of the antiquated Indian legal system." Laya Maheshwari of RogerEbert.com called it a "masterpiece" and "one of the best films of the year". She also noted that it offered none of the tropes of a courtroom drama. Tara Brady of The Irish Times deemed the film to be a "magnificent, maddening drama" and said that the film reminded her of Satyajit Ray. Ken Guidry of IndieWire mentioned in his review that Court "borders on brilliance" at times, adding: "Often, it's not about what's happening in the scene, but the implications behind it."

Accolades
Court won 18 awards in its screening at several film festivals. At the 62nd National Film Awards, the film won Best Feature Film Award. It received the Orizzonti Award and the Luigi De Laurentiis () award at its premiere at the 71st Venice International Film Festival. At its Indian premiere at the 16th Mumbai Film Festival, Court was awarded the Golden Gateway of India for Best Film in the International Competition section and a Special Jury Mention for the cast. It won the Siyad International Feature Film Award at the 51st International Antalya Golden Orange Film Festival, the FIPRESCI Award at the 52nd Vienna International Film Festival, the New Talent Award at the Hong Kong Asian Film Festival, The Best Picture and Best Screenplay Award at the 2morrow Film Festival, Best Film at Listapad, and the FIPRESCI Prize and Best Actor for Gomber at the Buenos Aires International Festival of Independent Cinema. It also went on to win the Best Film Award and Best Director Award for Tamhane at the Singapore International Film Festival, the Grand Prix and FIPRESCI Prize at the Auteur Film Festival, and special mentions at the Kyiv International Film Festival "Molodist" and FICUNAM International Film Festival.

See also
 List of submissions to the 88th Academy Awards for Best Foreign Language Film
 List of Indian submissions for the Academy Award for Best Foreign Language Film

References

External links

2014 comedy-drama films
2010s legal films
2014 films
Best Feature Film National Film Award winners
Films about singers
Films set in Mumbai
Indian black comedy films
Indian courtroom films
Indian drama films
Indian legal films
Indian satirical films
Legal drama films
2010s Marathi-language films
Indian multilingual films
2014 directorial debut films

redpajama_set_name: RedPajamaWikipedia


text:
Trains from High Street (Glasgow) to Coatbridge Central
High Street (Glasgow)
Coatbridge Central
Home Destinations Coatbridge Central Trains from High Street (Glasgow) to Coatbridge Central
There are up to 48 trains from High Street (Glasgow) to Coatbridge Central.
If you don't need to catch a train at rush hour to Coatbridge Central, then you can save money by purchasing an Off-Peak ticket. After rush hour the train will be quieter too, so you can relax and enjoy the sights of Scotland while you travel.
When you buy your tickets directly from ScotRail, there are no booking fees or hidden charges. Book through our website or app to get the best deals.
If you're keen for a bargain, then visit our Railcards page. You can save up to a third off rail fares every time you travel with a Railcard.
Train journey information from High Street (Glasgow) to Coatbridge Central
How much is a train ticket from High Street (Glasgow) to Coatbridge Central?
Trains from High Street (Glasgow) to Coatbridge Central start at £2.45 one-way based on a return fare. Plan your journey online to see the cheapest train tickets to Coatbridge Central for your chosen travel times.
How long does it take to travel from High Street (Glasgow) to Coatbridge Central by train?
The average journey time from High Street (Glasgow) to Coatbridge Central is 1 hour 32 minutes. Journey times might be slightly longer on weekends and Bank Holidays. Use our online journey planner or download a timetable for more details.
How many trains a day are there from High Street (Glasgow) to Coatbridge Central?
There are up to 48 trains per day from High Street (Glasgow) to Coatbridge Central.
Are there any direct trains from High Street (Glasgow) to Coatbridge Central?
No, we don't operate any direct trains between High Street (Glasgow) and Coatbridge Central. Use our online journey planner to find out where you'll need to change.
What time is the first train from High Street (Glasgow) to Coatbridge Central?
The first train leaves at 06:07 from High Street (Glasgow) to Coatbridge Central. Buy your tickets in advance online or from our app and you'll have one less thing to do before you board.
What time is the last train from High Street (Glasgow) to Coatbridge Central?
The last train from High Street (Glasgow) to Coatbridge Central leaves at 00:07.
Can I book assistance for my journey from High Street (Glasgow) to Coatbridge Central?
Yes, we offer Passenger Assist services at the station and on-board between High Street (Glasgow) and Coatbridge Central. You'll need to book at least 2 hours before you travel, or before 22:00 if you're travelling early next day. You can book assistance online or by calling our Assisted Travel team on 0800 912 2901.
More trains from High Street (Glasgow)
High Street (Glasgow) to Kirkconnel
High Street (Glasgow) to Roy Bridge
High Street (Glasgow) to Stepps
High Street (Glasgow) to Cowdenbeath
High Street (Glasgow) to Monifieth
More trains from Coatbridge Central
Coatbridge Central to Burnside (South Lanarkshire)
Coatbridge Central to Loch Awe
Coatbridge Central to Wester Hailes
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Crosshill to Fort William
Stromeferry to Mount Florida
Chatelherault to Cupar
Port Glasgow to Kirkcaldy
More tickets types between High Street (Glasgow) to Coatbridge Central


text:
Q: query posts and split meta information into separate div's I'm trying to replicate the functionality of the content showcase/slider seen here:
http://stylewatch.stelladot.com/
From what I see in the HTML, it appears that there's 2 divs, one with the post images and one with the post titles.
I'd like to use something like wp_list_pages to return the 4 most recent posts and put them in the slider, but I'm not quite sure how to do it. It seems that they're in separate div's - how would I query the posts and split the set of images from the set of post names? I guess I could make 2 queries and have one query images while the other queries titles but it seems that isn't the most efficient way to do so.
EDIT: Adding sample desired markup - the content of media-0 and title-0 should be from the same post.

text

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A: You'll have a difficult time doing that with wp_list_pages(). You will need to create a custom query loop, using either WP_Query() or get_posts().
Custom loop with 4 most recent posts
<?php
$recent_posts_query_args = array(
    'posts_per_page' => 4
);
$recent_posts = new WP_Query( $recent_posts_query_args );

// Open custom loop
if ( $recent_posts->have_posts() ) :
    while ( $recent_posts->have_posts() ) :
        $recent_posts->the_post();

        // Normal post template tags can be used here, just like constructing a normal loop

    // Close custom loop
    endwhile;
endif;

// Be kind; reset postdata
wp_reset_postdata();
?>

The actual markup you use is up to you. The custom loop markup/output is like any other loop at this point.


With Forewords by Paddy Ashdown and Ben Pimlott. This book brings together the biographies of over 200 individuals who have made major contributions to the Liberal Party, or to British Liberalism. Significant essays have been contributed by senior academics on some of Britain's most important historical figures, including nineteenth century politicians such as Gladstone and Palmerston, liberal thinkers such as Bentham and Keynes and post-war politicians such as Jeremy Thorpe and Jo Grimond. The Dictionary of Liberal Biography is a unique source of reference for anyone requiring information on the contribution of Liberals and liberalism to British politics – past and present.
The Dictionary of Liberal Biography is now out of print, but should be available through second-hand-book sellers such as AbeBooks.


Cannawell 5% Organic Hemp Balance Oil is available in both a 10 ml and 30 ml bottle. This is a Medium Strength CBD Product.
Cannawell Organic Hemp Balance Oil 5% uses a full-spectrum hemp extract produced with CO2 extraction that ensures the product is rich in cannabinoids, terpenes, flavenoids and ketones with the most prevalent being CBD and CBD-A. Once the extract has been produced it is then blended with organic hemp seed oil for consumption. 10 ml and 30 ml bottle sizes are available with a total cannabinoid content of 5%.
The recommended dose is 15 drops (13.5mg+) per day although Cannawell suggests that consumers experiment to find the dose that is suitable for themselves. It tastes quite strong and some people prefer to add it to smoothies, shakes etc. in order to disguise the taste.
Cannawell Organic Hemp Balance Oil should be stored in a cool dry place - a refrigerator is ideal. Keep out of direct sunlight.


How would you like to travel the entire world, with your own eyes, using only your smartphone? Google Map's Street View mode gives us a glimpse of this concept, but it doesn't really take us there. It does not give the sensation or the experience that we are actually in these locations.
That, my friends, is now the responsibility of Cardboard—you know, that nifty little DIY gadget that Google has been tinkering with for quite some time now. Google made a rather exciting announcement last month that their revolutionary DIY VR project will now support Google's Street View. The revelation aroused mixed feelings among the tech crowd, but looking at Cardboard as it is, most of us have probably already seen it coming.
The Google Cardboard, as weird as it may seem to be, has proven to us that with just a little tweaking and some DIY folding, anyone can get a taste of the VR experience with his or her own Android smartphone. The existence of Cardboard pre-dated the announcement of various other upcoming VR machines, such as Samsung's Gear VR and Sony's Morpheus, and at the time, it was the (only) cheapest option available for people to experience modern VR. Its existence also pre-dated some of the later VR gimmicks that Google would eventually announce, such as Youtube 360, so it was indeed very revolutionary for that brief period of conceptual monopoly (of a certain VR device).
To use Cardboard for Street View, open Google Map's Street View mode first with the smartphone oriented horizontally. Then, double-tap the icon at the lower right of the location that you have chosen, and it will switch into stereoscopic mode. Now, all you need to do is insert the smartphone properly inside the Cardboard and—voila!—3D VR viewing is available on any Street View-able location around the globe.
Needless to say, it doesn't take you to the area live. (That's at least a few more sci-fi decades away.) Navigating through it as if one is walking on a 3D landscape is also not possible, but there is at least the option to move a step forward using the action button of your Cardboard unit. Additionally, there is a nifty option that allows users to take 360-degree photos of the area they visited with Street View, allowing for some great custom panoramic photos that can be very different for each user.
If you have a Cardboard and haven't tried it yet, go and try it right now! Trust us, as simple as it may seem to be, it is a breathtaking experience that you might soon get addicted to.
Check out this video to get an idea of what it actually looks like.


Converse® dresses up a timeless style with the Chuck Taylor® All Star - Ox Classic.
Low-top silhouette with a plush, suede upper.
Faux-fur toe cap and tongue for a truly luxurious feel.
Lace-up closure with metal, gold-tone eyelets.
Product measurements were taken using size Men's 8.5, Women's 10.5, width Medium. Please note that measurements may vary by size.


Losing excessive fat and getting into one's most ideal shape may require some oxygen-consuming movements and physical activity. The scope of high-impact strategies accessible and the distinctive manners by which to participate in cardio are many – enough to make disarray for those needing shed sufficient weight to uncover their hard-won muscles.
The real question is: what are the best techniques for a high-impact workout? Is there an ideal method to lose fat through cardiovascular means, and provided that this is true, what's going on here? Oxygen is consuming workouts, by its exceptional nature, expects fat to be utilized as an essential fuel source, with sugars and protein being used to a little degree.
In this way, apparently with a specific end goal to lose fat, some level of oxygen-consuming work should be finished.
Yes, jogging is the first thing we think of when we think of exercise! Maybe the least complex, as well as most accessible exercise around is jogging. Jogging is the most popular cardio exercise. Jogging isn't just an extraordinary method to consume calories, but on the other hand, it's also a low-energy consuming exercise, so nearly anybody can do it.
Truly extraordinary compared to other cardio practices for weight reduction is a typical jump rope! It's a calorie blaster as well as enables work to bone thickness, fortifies your legs and makes your heart more grounded. As indicated by WebMD, you'd need to run an eight-minute mile to work off a more significant number of calories than you can consume bouncing rope.
Stressed over the effect of jumping? Dwindle Schulman, MD, educator of Cardiology/Pulmonary Medicine at the University of Connecticut Health Center in Farmington says that a jump rope is something that fit grown-ups can add to their wellness schedule.
Done legitimately, it has a more bring-down effect than running. Jump rope is additionally an incredible type of plyometric exercise, where the two feet are off the ground. This exercise can get your heart pumping fast and burn off calories like none another! This is one fantastic Cardio workout you can even perform at home.
moreover if you find jump rope great workout for yourself,then you can also try battle rope workout for better health as it is much more intensive and great cardio exercise when compared to normal jump ropes.
Swimming is an aggregate body exercise that begins the second you start treading water. "You're battling gravity, so your muscles are buckling down to keep you above water without getting a break until the point you're out of the water" says an expert. "Truth be told, with only one moment of quick swimming, you'll consume 14 calories." Keep in mind that the kind of stroke has any effect, another expert says. The ideal approach to consume fat while swimming: A simple method to consume calories in the water is to tread water.
You can complete a couple of laps, at that point have a water-treading interim, at that point rehash. In case you're quite willing to swim at a fast rate, at that point, you should swim quick as you can for whatever length of time that conceivable, to boost up your speed and make the exercise more effective. In case you aren't such a solid swimmer, do swimming interims. Alternate these interim for the span of your workout.
Could you ask for anything better about strolling? It's free. It's anything but difficult to do, and it's simple on the joints. Also, doubtlessly that strolling is beneficial for you. Strolling is a vigorous exercise; a University of Tennessee investigation found that ladies who strolled had less muscle to fat ratio than the individuals who didn't walk. It likewise brings down the danger of blood clumps, since the calf goes about as a venous pump, contracting and directing blood from the feet and legs back to the heart, diminishing the heap on the heart.
The individuals who frequently practice in their sixties are thirty-five percent more averse to bite the dust throughout the following eight years than their non-strolling partners. That number shoots up to forty-five percent more outlandish for the individuals who have hidden wellbeing conditions. It conditions your leg and stomach muscles – and even arm muscles if you draw them as you walk.
This expands your scope of movement, moving the weight and weight from your joints and muscles – which are intended to deal with weight – decreasing joint pain torment. High-impact strolling and opposition practice projects may diminish the rate of inability in the exercises of day by day living of individuals who are more established than 65.
A stair climbing offers another prominent method to consume fat and calories, yet just around 500-600 calories for a 180-lb. The man at a right pace. "Due to the higher leg lift included, climbing stairs utilizes fundamentally a greater number of muscles than simply Jogging—reinforcing your legs practically," says an expert. The essential downside: Stair climbers can put a great deal of weight and weight on your joints, so it tends to be troublesome for individuals with terrible knees.
The most ideal approach to consume fat on a stair climbing is: "Have a go at fusing at least 90% exertion on the stair climber for 30 seconds with a one-to-two-minute 'dynamic recuperation,' as an agriculturist convey with medium-weight iron weights or dumbbells to fuse abdominal area and center quality," says another expert. Completing 10-15 rounds of this exercise will zest up your exercise route over the normal scope of calories consumed.
To get benefits of stair climbing you can also buy a stair stepper as it helps to do all kinds of stair related exercises easily and take your fitness to next level.
This Interval Training is one of the more current and more powerful approaches and gives a concentrated oxygen-consuming alternative, which sets aside a small amount of the opportunity to finish contrasted with the more conventional cardio techniques.
As the name proposes, HIIT consolidates both high force high-impact work with a high-power segment to give a maximal fat consuming impact, and an expanded metabolic rate that can keep going for more than 24 hours in the wake of preparing.
General oxygen-consuming preparing (albeit advantageous for fat consuming) can put the body into a constant state in that a similar pace is kept up all through. This implies the body has balanced itself to the speed it is going and will endeavor to preserve calories. With HIIT, the consistent state issue can stay away from as the force is moved each moment or something like that.
You realize that machine toward the edge of the exercise center that very regularly sits unused? The paddling device is something you should utilize! Individuals may avoid this machine since they don't know how to use it, or maybe because they wrongly accept it is only an abdominal area work out! That idea couldn't be more confused. Paddling on a rowing trainer is a full body practice that works the biceps, triceps, shoulders, back, glutes, quads, hamstrings and corer body.
Notwithstanding this quality preparing, remember that the cardio advantages of paddling are exceptional! As indicated by Harvard Health Studies paddling consumes between about three hundred calories in a half-hour session. Try a portion of these cardio exercises out to consume calories, keep your heart sound, and accelerate your weight reduction. Matched with quality preparing, it's a unique mix that will make them feel sound and stable.
A person's heart is merely a muscle just like some other; to keep it sound and stable it must be worked! By working out day in and day out, you aspire to follow your heart in a healthy position and decline your danger of coronary illness and other dangerous conditions.
To enhance by and sizeable cardiovascular wellbeing, the American Heart Association, prescribes at least two and a half hours out of each seven day stretch of direct oxygen consuming activity, or one hour of fiery exercise.
Cardiovascular exercise makes your cerebrum discharge endorphins, the vibe great synthetic substances in charge of adjusting your state of mind and keeping depressive considerations under control. Numerous individuals refer to starting an activity regimen as one stage they've taken to encourage their general psychological wellness. Indeed, even an energetic walk can observably adjust your state of mind.
Except if you are running through the brown haze, the idea that you're hurting your safe framework by getting in cardiovascular exercise outside is drivel. Despite what might be expected from workouts, cardio practice makes your secure framework more protected in quite some situations, helping you lower your body's danger of bacterial contamination and anticipate any infection.
Cardiovascular exercise enhances your blood dissemination, which enables your body to free itself of poisons better and keeps you sound. Poor course long haul can prompt issues, for example, heart assault or stroke, yet keeping your dissemination working can help shield these issues from happening.
Of course, we know that cardio exercises enable you to get more fit and slim like none other! When you begin another cardio regimen along with the current one, you can get results rapidly. Indeed, you require quality preparing to keep up solid digestion, however in case you're driving yourself to a direct to high force, you'll consume calories and fat successfully amid every single cardio exercise. What you should bear in mind is that weight reduction is not an over-night process, it needs a lot of patience and tolerance to get into shape.
To get into fantastic shape, it is by, and large acknowledged that some high-cardio exercises would be required. In any case, the sort of workout and the techniques utilized will contrast from individual to individual, and to accomplish better outcomes for better life, it is essential than select an action that will work to one's best favorable position. It is trusted this article will have clarified the advantages high-impact exercise routines and the strategies accessible.


We are open from 6:30am to 6:30pm Monday – Friday! Parents or guardians can drop off and pick up kids at anytime within that window!
Our food menu features breakfast, lunch, an afternoon snack, & dinner! We have 3 different menus that we cycle through every 3 weeks! We make sure your child is fed a healthy and diverse diet ensuring they never go hungry or thirsty. All children will be offered portable drinking water throughout the day, and will be available upon their request. If you would like to see the menus please just email us or call (281) 436-9588, we would be happy to send them over. If you have special food requests we are sure that we can accommodate.
Don't miss a moment with the HiMama App! With the HiMama App parents can stay tuned with exactly what their child is up to while at preschool or daycare. Receive photos of your child and celebrate developmental milestones all with one interface. The HiMama App is an immensely powerful service the Kid Scholars Academy is proud to provide for parents. Learn how it works here!
Access The HiMama App While on the go!
We also believe in celebrating the joys and wonders of childhood in everything that we do. We inspire the love of learning through laughter. There are so many reasons to choose Kid Scholars Academy, discover your reason today.
As children enter preschool or pre-kindergarten, it is critical that our curriculum shifts to accommodate a structure that is more planned, which prepares preschoolers for the type of academic schedules they will encounter in elementary school.
Kid Scholars Academy recognizes most discussions about 21st-century skills emphasize the need for preschools and pre-kindergartens to be focused on character traits and soft skills such as curiosity and critical thinking in addition to cognitive skills including critical analysis, problem-solving, core subject knowledge numeracy and early literacy.
We can't imagine what the world is going to be like in 20 or 30 years from now when your children are adults in the workforce, but we can imagine that the basic skills they learned in preschool/pre-kindergarten, including reading, writing and arithmetic, will have had a major influence in their ultimate success.
Even as children grow through our curriculum, we still follow the philosophy of hug first, then teach. Preschoolers and pre-kindergarteners need praise and encouragement as they learn to share, respect their parents and peers and problem-solve. We offer that solid foundation, which begins with a loving environment, that is essential for every child's success.


Yes, we've noticed. In particular, my husband, who likes dark skies, worries that the increased population will make night time star gazing more difficult. We may eventually retire to a population 2578 town with very little lighting.
Yesterday I thought up a plot that takes place in a town that size, a railroad bust town. I'm thinking it could be my NaNoWriMo book this year!
Priscilla, have a go at it. BTW, the population of that town has almost tripled since I left--almost. Yes, the march of civilization reaches to every corner of our state.


We often hear, in public and private conversations, that Pakistani culture and politics will become better with the increase in access to education. This is nothing new: almost all nations offer "education" as a panacea: as something that can solve most of their socio-economic problems. In the last decade or so, huge investments have been made in higher education in Pakistan, but a shift in public culture is not so visible. In fact, the culture has become markedly more violent and troubled. So, why is the rise in education not leading to a more egalitarian and progressive culture? And why is it that in some cases, some of the most highly educated youth end up being terrorist sympathizers, like those who murdered Sabeen Mahmud?
Besides other reasons, it is the lack of a humanistic education that causes so many of our ideological and material problems. But let me clarify my terms: What do I mean by humanistic education? Simply stated, a critical humanistic education focuses on the humanities disciplines that include, but are not limited to: literature, history, and philosophy. But simply including these subjects in our college curricula is not enough. Humanities must be taught to encourage critical thinking, to learn to accept cultural differences, and to encourage the habits of questioning all master narratives. Very rarely are humanities taught in such a way or with this aim in Pakistani universities.
Furthermore, like in the US, most of the higher education funding in Pakistan is reserved for Science-Technology-Engineering-Match (STEM) disciplines. I guess the idea behind this investment is to train and develop a workforce that can compete globally and contribute locally. But if this workforce does not develop the habits of critical thought, then no amount of scientific knowledge would make them into the kind of enlightened and tolerant citizens that any modern nation-state absolutely needs to sustain itself.
There is a vast corpus of research on the role of humanities in what Gayatri Spivak, the renowned postcolonial scholar, calls "training the imagination" of our students. In such a didactic model, students not only learn the subject matter, but also learn the habits of democratic life.
On the day of the successful testing of the US atomic bomb, Oppenheimer, who headed the Manhattan Project, said, "I am become death: the destroyer of worlds." So, on the day that he had achieved his scientific mission, which was the creation of the bomb and its successful launch, Oppenheimer does not speak like a scientist. As a scientist he should have been proud of his accomplishment. He speaks as a humanist.
Thus while science can give one the knowledge to build or to destroy, only a humanistic education can equip one to know the difference between destructive and salutary acts.
Both Pakistan and India became independent nations because of the hard work of their leaders (and of course their followers) who understood the functioning of the British political system and thus could challenge the British within the rhetorical logic of their own system. Jinnah and Nehru are both good examples of this. These leaders were a product of the British humanistic tradition, but sadly they failed to replicate the very educational system that had produced them.
Now, in the early education sector, private schools do encourage critical thinking and focus a lot on humanities, but in most of the cases, these schools rely on a purely Western curriculum. The students are not really trained to be responsible citizens within Pakistan, but are trained to perform better in foreign universities. A culturally grounded humanistic education would enable the students to know the world but without developing a disdain for their own culture. Thus, a critically aware humanistic education would enable the students to encounter cultural differences without feeling threatened by the difference itself. And this capacity to live with differences is crucial to all modern democracies, but especially for Pakistan where sectarian, regional, gender, and other differences are currently being mobilized to pit our citizens against each other.
But of course, there is yet another question that I must answer. Precisely, how is literature supposed to make us better human beings? In his book Radical Pedagogy, Dr Mark Bracher asserts that we all, in one way or the other, attempt to safeguard our identities and move about in the world with an imperceptible knowledge of all threats to our identities. In order to bring about change in our worldviews, knowledge alone is not enough. We must alter our self-serving narrative through attentive didactics. It is in this attempt to reshape our personal and collective narratives that a humanistic education becomes crucial.
For an average Taliban foot soldier, the narrative is oversimplified: the world is divided between the followers of their own sect and "the rest". The rest are evildoers and wrong – a threat to the purity of one's faith. No amount of uninformed education can alter this worldview. Only an informed education that slowly displaces this exclusivist narrative with a more inclusive narrative has some hope of transforming such destructive subjectivities.
Now, all these individuals with a purist view of faith and culture can be trained to be scientists, doctors, and engineers and all that knowledge would probably not alter the narratives upon which the edifices of their selves are built. Only a critically informed humanistic education would have some hope of altering and transforming the core narratives of such people.
On the whole then, for a country like Pakistan, while it is absolutely necessary to develop technological, medical, and other scientific expertise, it is also extremely important to revitalize education in the humanities so that we can produce the kind of human subjectivities that are, besides their scientific training, also trained to imagine and practice life in an increasingly diverse and complex world.
First published in The Friday Times.


text:
Ronald Clay "Ronnie" Usrey
Anson Memorial Park
WADESBORO - On Sunday, August 8, 2022, Mr. Ronald Clay "Ronnie" Usrey, 74, of Myrtle Beach and formerly of Wadesboro, passed away at Waccamaw Community Hospital.
Services will be 3:00 PM Friday, August 12, 2022, in the Chapel of Leavitt Funeral Home. Interment will follow in Anson Memorial Park.
The family will greet friends following the service at the cemetery.
Ronnie was born March 1, 1948, in Anson County, NC and was a son of the late Harold Clay "Sonny" Usrey and the late Mary Geraldine Lee Usrey. He was a graduate of Wadesboro High School and had studied culinary arts at Central Piedmont Community College in Charlotte and business administration at the University of Florida at Miami. He was a veteran of the United States Army.
He worked as a chef in both Myrtle Beach and Charlotte and later worked with Lewis F. Harrelson Automobile Dealerships, retiring after more than 25 years of service.
He enjoyed hunting, fishing and especially times shared with his family and friends. A world traveler, Ronnie visited, Italy, British Isles, Paris, Caribbean Islands, U.S. Virgin Islands, including St. Thomas, just to name a few.
Those left to cherish his memory are his brother and sisters, Thomas Lee 'Rock" Usrey of Myrtle Beach, SC, Brenda Usrey Pegram of Lilesville and Patty "Kitty" Usrey Montgomery (Eddie) of Kansas City, MO; his nieces and nephews, Michelle Dennis (Matt) of Norwood, Todd Pegram of Lilesville, Lisa Andrews (Joe) of Blue Springs, MO, Kimberly Fuller (Jason) of Smithfield, MO, Max Usrey of Myrle Beach, SC and Miles Usrey of Morgantown, WV and his great-nieces and nephews, including Lee Ann Dennis, Ashley Steagall (Wes) and Natalie Davis; his step-children, Tim Whisont of Sacramento, CA and Deanna White of Rock Hill, SC; his special friend and companion, Shannon Wilder of Myrtle Beach, SC, and his uncle, Tom Usrey (Toma) of Clearwater, FL.
In addition to his parents, he was preceded in death by his wife, Suzanne Usrey, his sister, Mary Lynn Usrey and his brother-in-law, Milton Pegram.
In lieu of flowers, memorials may be made to Amedisys Hospice Care, 402 Singleton Ridge Rd., Suite C, Conway, SC 29526 or to Wounded Warrior's Project, P.O. Box 758516, Topeka, KS 66675-8516.
The arrangements are in care Leavitt Funeral Home and online condolences may be made at www.leavittfh.com
To order memorial trees or send flowers to the family in memory of Ronald Clay "Ronnie" Usrey, please visit our flower store.
2207 NC Hwy 742 South, Wadesboro, NC 28170
Visitation following the service.


text:
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IPL 2020: Twenty20 Cricket
Twenty20 cricket or Twenty-20 (often abbreviated to T20), is a shortened format of cricket. At the expert level, it was originally introduced by the England and Wales Cricket Board (ECB) in 2003 for the inter-county competition. In a Twenty20 game both teams have one innings every, which is restricted to a max of 20 overs.
Together with first-class and List A cricket, Twenty20 is just one of the 3 current forms of cricket recognised by the International Cricket Council (ICC) as being in the greatest international or domestic level.
IPL 2020 Mid-Season Preview
The 2020 Indian Premier League season started on September 19 and will finish on November 10. The season was supposed to begin in late March but was temporarily suspended due to the COVID-19 outbreak. In May, the tournament was suspended indefinitely, but the league's organizers announced that it would be held in the United Arab Emirates.
As of right now (October 8), the Mumbai Indians are the favorites to win the competition with 13/5 odds. They are currently placed at the top of the standing with four wins and two losses, although they have played one more game than the Delhi Capitals who have a 4-1 record. The Capitals are second-favorites according to bookies, with the current odds of 10/3.
The Sunrisers Hyderabad, Kolkata Night Riders, and RC Bangalore are placed between third and fifth place, each with six points. The Chennai Super Kings, Rajasthan Royals, and Kings XI Punjab are at the bottom of the table and with very high odds to win the tournament.
The Mumbai Indians are title defenders and the most likely team to win another trophy, led by their captain Rohit Sharma, as well as a powerful roster of other players, including Hardik Pandya, James Pattison, Ishan Kishan, Chriss Lynn, Trent Boult, and others. Of course, the absence of Lasith Malinga leaves a gaping hole in their line-up.
Nevertheless, the Indians are an excellently led team with plenty of experience and young talent. They have won their last three matches and will be facing the second-placed Delhi Capitals in the next one. That match could be a nice preview of the eventual final matchup between the two best teams. Mumbai won its last matchup in IPL 2019 but lost three straight games prior to that.
The Capitals have also started their season on a good note, losing only one of five matches. Their most interesting game of the season so far was in the first round when they tied against the Kings XI Punjab but won the Super Over. It looks like this will be another playoff year for them. The team has never managed to go to the finals but maybe this year they'll finally make a breakthrough. Will they be successful? We'll have to wait and see.
IPL 2020 Players Auction
Pat Cummins became the most expensive overseas player in IPL history when the Australian was bought at auction by the Kolkata Knight Riders for 15.5 crore ($2.1 million).
After a relatively quiet auction last year because many top players had international duties to see too, but this year the money was flowing ahead of the 2020 IPL season.
Luke Cummins, Glenn Maxwell and Chris Morris also hit the 10 crore-mark.
Lets see who went for big money in the 2020 IPL Auction:
Pat Cummins to Kolkata Knight Riders for 15.5 crore
Glenn Maxwell to Kings XI Punjab for 10.75 crore
Chris Morris to Royal Challengers Bangalore for 10 crore
Sheldon Cottrell to Kings XI Punjab for 8.5 crore
Nathan Coulter-Nile to Mumbai Indians for 8 crore
Shimron Hetmyer to Delhi Capitals for 7.75 crore
Piyush Chawla to Chennai Super Kings for 6.75 crore
Sam Curran to Chennai Super Kings for 5.5 crore
Eoin Morgan to Kolkata Knight Riders fo 5.25 crore
What was said?
Defending champions Mumbai Indians kicked off proceedings by securing the signing of Chris Lynn for the power-hitting Australian's base price of 2 crore.
Soon after, England's ODI World Cup-winning captain Eoin Morgan (who hasn't competed in the IPL since 2017), when he played for Kings XI Punjab, was snapped up by Kolkata,. This is not the first time Eoin has played for Kolkata as he the left-hander played for them between 1022 – 2012Cricket commentator Harsha Bhogle thought it was a shrewd move from KKR:
Harsha Bhogle@bhogleharsha
"#KKR have got the player they wanted at a good price #EoinMorgan"
Maxwell became the first millionaire of the 2020 auction when he went back to Kings XI Punjab for more than double Morgan's price, after they won a bidding war with the Delhi Capitals.
Royal Challengers Bangalore and Kolkata had similar reactions to the purchase:
Royal Challengers@RCBTweets
"Glenn Maxwell right now! #IPLAuction #BidForBold #PlayBold "
KolkataKnightRiders@KKRiders
"Glenn Maxwell right now! KXIP picks him for INR 1075L #IPLAuction #KorboLorboJeetbo #IPL2020"
According to cricket statistician Sampath Bandarupalli, over the course of his IPL career, Maxwell has earned around 31 crores at auction, the biggest cumulative total of any overseas player.
The Australian most recently turned out for Delhi in 2018, but he played for Punjab from 2014-17. In 69 matches in the IPL, the all-rounder has produced 1,397 runs and 16 wickets.
Punjab CEO Satish Menin said:
"Maxwell was someone who was very much on our radar. We needed that X-factor player in our line up.
"He has been with us in the past so he knows our exact layout. We've done a lot of tracking on him.
"We certainly wanted him and that slot had to be filled at any cost. He has the capacity to really blast on a good day."
Maxwell's price exceeded the top bids from last year—8.4 crore was spent on both Varun Chakravarthy and Jaydev Unadkat—but he was soon overtaken by compatriot Cummins.
Bangalore and Delhi had been bidding back-and-forth on the 26-year-old before Kolkata made a late swoop to snatch him up.
One of the world's top-ranked fast bowlers, Cummins played for KKR in 2014. In 2017 he turned out for Delhi, while the following year he was bought at auction by Mumbai but missed the entire season with a back injury.
His price saw him come close to matching Yuvraj Singh's all-time record of 16 crore, which was set in 2015 by Delhi.
Sports writer Chetan Narula felt it unwise to bid so heavily for him:
Chetan Narula@chetannarula
"Franchises should save money and not bid on Pat Cummins. Given his international workload, he is more likely to pull out of IPL like other Australian pacers. "#IPLAuction2020
The anticipating his return to Kolkata is an all-time high, though:
ESPNcricinfo@ESPNcricinfo
Pat Cummins is "absolutely pumped" to be returning to @KKRiders!
Morris became the third millionaire of the day when he went to the Royal Challengers for 10 crore.
ESPNcricinfo's Sreshth Shah offered some insight into his move:
Sreshth Shah@sreshthx
Chris Morris reaping the benefits of a promising T20 season ahead of the #IPL2020Auction. He was off colour in the IPL last season, but his stocks have risen since. RCB get him for 10crore, more than 5x from his base price of 1.5cr.
The South African has taken 69 wickets and 517 runs from 61 Indian Premier League matches.
Unadkat, who was the joint-most expensive player in 2019 and went for 11.5 crore in 2018, saw his value fall again as the left-handed quick went for just 3 crore. Chakravarthy fared a little better, moving to KKR for 4 crore.
IPL Betting: FAQ
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Everyone needs to get out and VOTE! It is important that we all vote because every vote counts so please go vote! Every woman should be voting, no excuses. Our Grandmothers and Great Grandmothers fought and some even died for our right to vote. We need to honor them by voting.
A mother's love is like no other. She loves you no matter what you do, good or bad she loves you the same. She teaches you right from wrong in a loving way. You are the delight of her life. She is there for you when you are sick, sad, angry or happy. When you are sad there is no place as good as being in Mom's arms. Mom always wants the best for you in life. She wants you to be happy. Mom is a special gift from God just for you. We have a special place in our hearts just for Mother's. We wish all Mother's a very happy, loving and peaceful Mother's Day.


NASA's lunar orbiter uses a high-bandwidth connection to send back hundreds of gigabytes of data per day.
NASA's newest robot mission to the moon launched on June 18 and it has so far been a success, even sending back images of the Apollo lunar landing sites.
The Lunar Reconnaissance Orbiter (LRO) is using new sensing technology to scan the moon's surface, helping scientists search for resources such as ice, and assess the threat that radiation in the environment could pose for humans. The project is part of NASA's Vision for Space Exploration and is the first step towards returning humans to the moon.
The orbiter will spend the next year collecting data, gathering more information than any previous spacecraft. To accomplish this, NASA had to build a powerful communications system that can transmit nearly 461 gigabytes of data per day more than 238,800 miles back to Earth.
The device uses electrodes in a vacuum tube to amplify microwave signals to high power. It's ideal for sending large amounts of data over a long distance because it provides more power and more efficiency than its alternative, the transistor amplifier.
As the orbiter collects information about the moon's geography, climate and environment, the communication system transmits this information to a receiver at a Ka band antenna network at White Sands Test Facility in New Mexico. Scientists are using the data to compile high-resolution, 3D maps of the lunar surface.
"We're sending back more data than ever, faster and it's nearly real time," said Glenn project manager Todd Peterson.
While the new amplifier has been used for other planetary missions, previous designs were less powerful and efficient. For the moon the amplifier had to be custom designed and handmade. Without such a system, it would be nearly impossible to gather the necessary data to find a safe landing site or to properly understand the environmental characteristics relavent to future human missions.


Every picture of her is...beautiful!
"crashed" is right...you've got the talent!
no words are needed, the picture speaks for itself. superb!
I love the lighting it's grand, was it taken under controlled lighting or just natural?
Malex = Marissa + Alex (From The OC).
By the way... I love her shirt.
Olivia, I love you too!
And, by the way ... I have chosen the name because I love Alex and Marissa in "The O.C." and because I love Olivia...she has played Alex you know!
Hey Tao... Great work, but I think you should try to make a forum especially for all of those malex fans b4 they start invading your blog. Anyway, what a proud man you should be: great artist; you have a beautiful, talented and intelligent wife… and many other things I'm sure people around you know. Amazing and creative pics, thank you.
"(...)you should try to make a forum especially for all of those malex fans (...)"
amazing amazing photographer right here mr. ruspoli. and such a beautiful picture of your wife.
I don't knwo why, and I can't explain. But I would call this picutre: honest. it's so intense. and i've never seen an photographer capturing this feeling as good as you did with this work.
If that Wonder Woman movie ever gets made she should be Artemis - Wonder Woman's ferocious Amazon sister. She has the look!