A short text piece that is part of the work-in-progress for Sea Songs. You can read the text here. The text is effectively a commentary ('audio description') on early rushes for the film that were presented at the Utopgraphies 0.2 symposium at Chelsea College of Art.
"Five Found Files" is a text piece for the show "Writing Sound 2" curated by Daniela Cascella. You can read the text piece here. The website for the show is here.
"Writing Sound 2 summons various approaches to writing, listening and performing sound, through ephemeral and transient collections and recollections. It enacts the resounding qualities of text; the polyphonies that emerge in reading aloud; listening as it affects and is affected by writing, reading and performing. It considers the multitude of ephemeral yet actual spaces that emerge in such processes. With an eye and an ear to the histories of sound in art and text, and another eye and ear wide open to contemporary and living approaches, Writing Sound 2 allows some of these spaces to exist—some of them to be heard, others to be imagined.
"Assembled by Adam Potts, Amelia Ishmael, Angus Carlyle, Aya Kasai, C.D. Rose, Charlie Fox, Christian Patracchini, Christof Migone, Craig Dworkin, David Mollin and Salomé Voegelin, David Toop and Rie Nakajima, Elena Biserna, Elin Øyen Vister, Georgia Rodger, Helena Hunter, Julie Lillelien Porter, Leif Elggren, Lorena Muñoz-Alonso, Mark Peter Wright, Patrick Farmer, Phil Owen, Psykick Dancehall, Richard Skinner, Signe Lidén, Tone Gellein, Ursula Nistrup, Will Montgomery".
At Lydgallereit, Bergen, Norway, 21st November – 14th December.
Twenty episodes – twenty anecdotes, recordings, film clips, excerpts from other peoples' writings and thoughts – find a shared space somewhere between the overheard, the misheard, the crossed wire and the signal – the signal jammed and the signal transmitted.
A cattle auction, an absent skylark, Maher Shalal Hash Baz, the cruel sea, Jane Austen, "prowords", telepathy, conversations on commuter trains, in cafes and in pubs, sub-titles, sheep that speak, Call of Duty and blinking: these are what I'm thinking about now and some of this, perhaps most of it, will make it into my presentation on the 12th . There might even be a magic trick.
'Friday afternoon, I'm walking home from school and I'm watching some men build a new house. And the guy hammering on the roof calls me a paranoid little weirdo. In Morse code'. Emo Phillips.


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I paint energy paintings that can be enjoyed as landscapes or as metaphors of consciousness. They are made from oil on canvas immersive art created around the world, including painting trips to India, China, Brazil, Morocco, and many places in the US and in Europe.
I am a non-linear painter who paints from living things, whether settings or place or persons. It's all completely unpredictable, even to me, and sometimes I am painting years ahead of what I understand. The settings transform the palate and the shapes. I am extremely sensitive, so my energy is part of the process, and I do say that they have minds of their own when I receive the energy to transcribe. My recent studio paintings are generated from all of the 20 years of experience of making art in locations combined, and I still work from individual travel pieces.
See what you see, they are non-linear maps about energy, humor, overcoming, and love of life amidst the vulnerable chaos.