text:
AXCELLA HEALTH INC. : Costs Associated with Exit or Disposal Activities, Change in Directors or Principal Officers, Regulation FD Disclosure, Other Events, Financial Statements and Exhibits (form 8-K)
Item 2.05 Costs associated with eviction or disposal activities.
upon December 12, 2022Board of Directors ("Board of Directors") Axela Health Co., Ltd. Doing business as "Axcella Therapeutics" (the "Company" or "Axcella") is re-prioritizing its COVID-19 long-term fatigue and non-alcoholic steatohepatitis (NASH) program and developing a streamlined set of priorities Approved the restructuring of operations to support As part of this restructuring, the Board of Directors has authorized a reduction of approximately 85% of the Company's workforce. Robert Craneour Chief Financial Officer, and Virginia Deanour Senior Vice President, Chief People Officer It was each part of the power reduction. Headcount reductions are aimed at maximizing opportunities available to Axela as the Board considers strategic alternatives to maximize shareholder value, control costs and conserve cash resources It is a means for
Our company is up to $2.1 million It is expected to consist of employee severance and other restructuring-related charges and expenses related to workforce reductions in the fourth quarter of 2022. Our management will continue to reassess the estimated costs and expenses described above and may revise our restructuring charge estimates as necessary consistent with generally accepted accounting principles.
Item 5.02 Retirement of Directors or Certain Officers. election of directors;
Appointment of Certain Officers; Compensatory Arrangements of Certain
As part of the force reduction, Robert Craneour chief financial officer and principal financial officer, and Virginia Deanour Senior Vice President, Chief People Officer effectively resign from their position December 14, 2022.
Section 7.01 Regulation FD Disclosure.
upon December 14, 2022, the company issued a press release, "Accela Announces Program Reprioritization and Corporate Restructuring." The press release is attached to this present report on Form 8-K as Exhibit 99.1 and is incorporated herein by reference.
The information in this Section 7.01 and the attached Schedule 99.1 shall not be deemed to have been "filed" for the purposes of Section 18 of the Securities Exchange Act of 1934, nor shall such information, even if amended, be considered subject to liability under that Section. will do. Incorporated by reference into filings under the Securities Act of 1933, as amended, or the Securities Exchange Act.
upon December 12, 2022The Board approved the immediate termination of the EMMPACT Phase 2b clinical trial of AXA1125 for the treatment of NASH, allowing Axcella to focus on AXA1125 for the treatment of Long Covid.
upon December 14, 2022the Company announced that it has reached an agreement with SLR Investment Corp. (f/k/a Solar Capital Ltd.) ("SLR") to repay the remaining obligations under the Loan and Security Agreement. Did.
Item 9.01 Financial Statements and Materials.
Number                                  Description
99.1       Press Release issued by Axcella Health Inc., doing business as
"Axcella Therapeutics," dated December 14, 2022
104        Cover Page Interactive Data (embedded within the Inline XBRL document)
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Upcoming Library activities | Columns
Christmas Village activities continue in Soufriere – SRDF


Do we, in Canada, do enough to protect our children's privacy interests? I personally think there's a lot of work still to be done in this area, starting with the need to educate parents about what is and what is not appropriate to post on social media outlets when wanting to share info about their kids. Haven't we all seen that one parent disclose WAY too much information about their child? It's embarrassing and potentially very damaging.
This week, the Office of the Privacy Commissioner (OPC) released its findings relating to the annual GPEN sweep. The focus of the sweep, as announced back in the spring, was on websites that collect personal information of children. Clearly, from the breadth of the participation from around the world, DPAs care about this topic. The OPC, I think it's safe to say, was one of the leaders in terms of getting important work done in the area of youth privacy.
In terms of whether or not the sweep results in meaningful enforcement, you probably already know what I ultimately think. You've heard me speak before about how I think it's odd that our anti-spam legislation contains administrative monetary penalties but our general privacy law that ostensibly must be used to protect the privacy interests of children contains no such enforcement mechanism. In fact, the most that can be done is through the creative reporting adopted by the OPC in this instance.
While I applaud the work that went into the sweep, and the various reports that the OPC drafted—which I know have historically resulted in relatively meaningful impacts considering the tools available—I still lament the fact that those who violate the privacy rights of our children face, at the most, some negative publicity that results from being mentioned in a blog.


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The Value of a Song?
A major music hosting site commented a very brief, typically generic click bait email concerning the "Value" of a song, -- what constitutes it's value?
Some here, recently, appear to confuse/collate click count comment-feedback to the "value" of their songs.
So rather than hear from me, -- you? Thoughts? What constitutes the $-value of your song ("art" in general?)..., if any, or define value if not via $?
Does this song make me feel?
If it does that, it has value to me.
Muzak makes me feel nothing. But the 50/90 output almost universally does *something*.
I like to think that every time a song it played, it sends vibrations out into the universe, and although those vibrations may quickly fall beneath our ability to detect them, nonetheless they have forever changed everything.
When it comes to my own songs: Does it help me communicate? Do I feel better? Was it fun?
When it comes to other's songs: Was it interesting? Did it hold my attention? Did I care about the story?
The value of my own songs come from their creation. I have created valuable music that made me feel much better, as it communicated things I was feeling but couldn't quite express. Then, having expressed it, the song ceased having value to me and I don't relisten to it. I have a song about being a sandwich at a lynching that's like that. At the time, I was musically blocked until I could get that out.
Note, too, that I create songs for _me_. If other people enjoy them, that's cool, but I am the primary audience, even while any audience at all is secondary to the creation.
Basic economics. The $-value of a song, like anything else, is what someone will pay for it. The social or artistic value is anyone's subjective judgement.
For me, music has always created a connection, --time, place, experience. Since many of mine are based on real things, though songafied (not "reality), they are the only thing that may resemble a "diary", of sorts, so to speak; so, they have that value, especially if survive in my song-book.
With each song, as well, I remember many things, who was around when I wrote it and elements like that; other people liking a song that I may not prefer myself (ironic?), then takes on value and appreciation, i.e., my keep/delete songs. I usually wait a year or even two before I purge a song into my "krappe-pile" since many times, -- a year later, disconnected from the artistic critic while creating it, -- see it better for what it then may be. I have "impressed" myself in that regard (in a self satisfaction meaning, not "ego"). However, much like with my, e.g., Paintings, -- once I am at a certain point with them, I openly show them if even not finished since at that point anyone can say anything, good/bad and it just does not affect/effect me; for that I am very grateful since an artist heart, demeanor, as I've observed can be otherwise "miserable".
As far as what the email that prompted this meant, -- to get paid for you work is extremely validating and can be quite a rush; however for me the creation and ongoing carrying forward and teaching of others as I was taught is why I do it, "art" in general. I could not have paid for the education(s) I've had in my life, -- "value".
Very infrequently in my life have I ever been otherwise "helped", other then within the arts/music; therefore it can and does mean allot to me. For example, there was a time when I had no money, zero and as always never expected any living human being to do anything for me, at all, what's so ever... so much so, to this extreme. However, another musician, an acquaintance, not really "close" understood just how bad it was. He was well enough off, a member of an orchestra and married to a very controlling partner... meaning, he gave me his spare 19th Century, Czech made violin to sell, -- only he knew he had this spare instrument. His wife would never know he "gave away money", or this instrument. It confused me, almost like learning someone died, -- took it and said nothing as he strongly, urgently insisted.
I have that violin even today, -- as evidence that at least one time, someone helped me, (helped me). I think I would've rather fainted from malnutrition than sell that thing. So, years later when I am sure life has beaten all the hope out of me, and even my own songs don't heal me, -- I pull out that violin and know better.
@JWHanberry, I reject the marginalist analysis (which is subjective!) and substitute a labor theory analysis! Clearly the value of any given song can be measured by the amount of socially necessary labor time that is required to produce it!
Dang it, TomS. I was going post about how value is subjective and you go and ruin it by beating me to the punch.
Seriously, though. If I make a dog house and no-one values it enough to pay for it, does it have value? I don't value the typical rap song nearly as much as the typical Americana song (to be overly generalizing.) You would have to pay me to listen to certain songs where as I've actually bought extra copies of certain albums to share with others because I liked them so much.
So I value a song differently than you do. And that's probably true of each song. Sometimes what we perceive as a lack of value is merely not finding the right audience.
Well, Adam Smith basically said that the value of an item is worth the average labor that the purchaser is willing to spend on it. Marxist thought tends to equate value with the amount of labor to create it. As a way to describe value I think it might have some *cough* value *cough* but as an economic principle I think it can be dispelled fairly easily.
Re: A Song. If it takes me a year and many hours to create song A and it only takes me thirty minutes to create song B does that immediately make song A more valuable? In a pay what you want type of store, if song A is averaging .50 per download and song B is averaging .51 a download does that make song B more valuable? If a listener listens to song A and then song B and they feel that song A expresses an emotion they are currently feeling very well, but song B fails to hit the mark.... then ten months later listens to song A and then song B but this time feels that song B has a greater connection than song A .. but decides to download both songs from the internet without paying at all... does either song have value?
It's an interesting concept, value. And ultimately I do believe it's subjective. Just like my kid was the smartest kid in the world when she was learning to walk and talk and not crap herself. As I'm sure many other parents felt the exact same way about their kids. Or as I'm willing to spend 15 bucks on the new Halestorm CD but I won't pay a dime for the new (insert a pop artist) album.
I think there are two senses of value. One is a monetary value and then the other is the importance we place on an item. If I have a family heirloom that is worth $10 and a gold ring I bought for myself that cost $200 it is not unreasonable that if one ring were to get lost, I'd hope it was the more expensive.
I have a visual artist buddy who once explained to me his formula for what he charges for a piece - mainly labor hours, materials, but also the time spent thinking about and conceptualizing the piece. So I suppose that means you could factor in the hour you spend cutting the grass and thinking about the piece. But you also have to have an hourly rate in mind to do that.
But songs aren't like that, of course. If I considered the rate I charge to teach yoga (I'm going with private session rate here) and then applied it to time spent on a song, even my quick skirmish songs would be worth about $75. But then who do I charge and how do I earn that $75? Selling downloads? Performing the song?
Still, this was fun to think about - a good morning brain exercise with my coffee.
After finishing video production school in the 90's, I did music for videos for money. Good money. It lasted about two years. It was the sweetest job. I didn't feel I had to sell my soul or compromise my "artistic integrity". I'm pretty adaptive, able to adjust that way.
Now the music I make has some kind of social and entertainment value here and with my friends. It's impossible to measure that value but I can't say it's meaningless. Sure would be nice to get some money from songs too.
When I was younger I thought that music will basically always be the same: good melody is always a good melody. How was I suppose to know that popular music would change so much. The hit song aesthetics are totally different today. I just can't adapt to that. It's interesting to watch this change, how certain musical values have transformed into something else that I can't even recognize as values anymore.
And when I say it's interesting I mean it's awful, wrong and depressing.
With that term, often, comes two titles, -- "Extraordinary Popular Delusions and the Madness of Crowds", C. Mackay, and "Confusion de Confunsiones" J. De La Vega.
There was a time in global history when we had "Tulip Wars", or Mania. It examples what I'll call, Want, Need, Gotta-have. I need food/water, I want a cheeseburger, I gotta have my friends... -- Context is everything.
"Here", now, over time as I get to know people and know how they did this song or that song and I see a large body or work, -- their stuff has value to me. If they played at a local bar that had a cover charge I'd go, pay, by a CD I'd likely never unwrap.
On the news this morning was a "Ticketmaster" fiasco thing again... -- people want the SOCIAL in person thing so badly they'll pay $190 for a Paul Simon ticket? Uh, no, not me, not to mention the cost and hassle of getting into that sewer called NYC. Not fun.
In my State, you can't swing a stick and not hit famous, almost famous, or otherwise accomplished artists musicians. Coffee houses, Festivals, folks hanging out in the park jamming? -- Un, no. Folks complain, but rather sit at home and Bluetooth to their Headphones. It's a very disfunctional thing for something everyone wants so badly.
So, when I skimmed the original email and read their click count validation, following, -- I thought we'd have a great time with it here, in some manner of speaking. The thing is, folks who are "liked" or perceived as can be "used" to pull theirself up/forward get the "clicks". So we wind up with many who are great at attempting to fool folks, -- "hey, I'll make you a star"... thing.
When I was a kid, the golden age of "Rock", people lived Face to Face and the Music got associated with that experience, so we bought the Albums. I never purchased a Zep album until after a few prolific parties where it was blasted over 700 Watts of prolific sound equipment, -- when the levee breaks baby... I get drunk just thinking about it, u no? It's hard to deny that, ~~purely bull annecdote coming next, hahhh.... but, ---- the less Face to Face we became, the less Value Music had.
Now, unless some $4M mind altering Music Video ships to create that association, -- sales languish. Anyone here NOT see "shake it off"? Not HEAR it, SEE it, the video I'll bet $1, not one person has not seen the video. And, many bought it, -- magic... adorable blonde chick walks a fine line of pop marketability and is now worth $200M?
I've said this many times, our greatest value is in our artistic relationships; it is all we really "have"; -- be nice to everyone always, it's a long road, have no regrets.
re: $200M - That's just it. If some piece of crap sells at a dollar a download and someone buys it then it was worth that dollar. If 200M people do it then it IS worth the $200M. Even if it's widely accepted as crap. Even if 199.9M people regret it later. It is/was worth that amount. Monetarily. Cotton candy melts almost immediately upon taking a bite. But it's still worth what you're willing to pay for it. A drink of water is worth what you are willing to pay for it. In the public space drinking fountain you get it for free. I doubt you'd pay for the ability to drink from that fountain since you don't have to. If you're in the middle of the desert then suddenly you're willing to pay far more for that same 12 oz of water.
@TomS re: the "labor theory analysis"; this guy knew more about it than I ever will. Hank Williams used to say: "If a song can't be written in 20 minutes, it ain't worth writing".
I think the attention to details both lyrically and melody. Also, a good hook or riff prooves value to me. Many people have "connected" with me through their song or songs. The value of a song is its ability to connect favorably with its audience.
I really don't play out much, cause I don't think I'm good enough. In six years I've written about 300 songs. I co-wrote two songs this year in Nashville with a couple Bluegrass/Country pros and I wrote 14 lyric songs for a musician professor in the UK who just released his album, he used nine of my songs lyrics. All that was fun and I connected with nice folks. I do love to write songs and am always thinking of the next one, the next idea. I'm a creative person and paint also for many years, but I haven't tried to sell many of them, although next year hope to do a show. I want to price them very reasonable so if someone really likes something everyday people could buy it. I think the joy comes in the creating and sometimes frustration as I recently had when I wanted to be better than I was.
I think the value to me is that creativity is like therapy, maybe cheaper. It helps keep me saner in this crazy world. Everything we all do is impermanent, we're all leavin' here someday. 100,000 years in the future, will some archeologist study us and carbon date us, probably thinking we were pretty primitive. Who knows if anyone will care what we wrote or painted or did? Probably not. Hey but it's good for the soul in the present.
This is quite an interesting thread, has remained wide open, -- wonderfully. There's personal value, value to other people, ever kind of value commented. It's all great to read and consider, especially in this context.
For me the "Tulip Wars/Maina" explains human nature as to what one can charge for something and why and why in a day and onion sized bulb could buy a fleet of ships, and the next you could get charged for littering with it.
If there was only what one would pay and no buyers remorse, there could never be "Fraud" or any very human crime of value.
If you ever walked into, e..g, "old age home", other, etc., and are able to gauge the human interaction value FtF as story teller, performer, musician, songwriter, warm body in the moment you'd see -- you are priceless.
As far as selling stuff, ever again, and all the rest; well, unless some time warp occurs within global-culture, me, license it for free, retain all rights and if money is made get some part of it. So, like, was it "Friends", "Two and a Half Men", other... where they went from a few thousand an episode to a few million, -- relativity counts. If I as a Star Quarterback draw 100,000 to a stadium and each buy a beer for $20 a cup, yeah, I get 10% of concession, % of the tickets, % of the "TV"/Cell phone commercial revenue and have a value of $nKazillion per Minute of Play, with franchising and future use.
However, then we got the, what I call "stale mate" contract of *your future value due to their promotion today.... think that are calling it a 180 contract, -- never sign one of those..., imo.
I think as far as the extreme conversations about money and value, and if your song is worth $0.99/download, that's not really even a consideration. I think that in that line of thinking, we all start at minimum wage, flip burgers, people see value and we proceed, if "lucky" so to speak. If we all entertained, e.g. "Indecent Proposals", we be selling our children to the highest bidder, some do. Me, one could offer an obscene amount of money to use a song in a very inappropriate way, and it would never be allowed, -- priceless in that regard.
Someone might say, oh yeah, really... -- yes, really.
For me, the relevant-Value of human interaction is an *accrual; one with which we all take from to get where we are today. All speak of "taking and accrual" of help *from FAWM, 5090 and proceed. -- Priceless, like love, kindness, mercy can't buy it and if you could, couldn't afford it, --authentically. What value does this/these threads afford your songwriting? If at a "University", it'd be part of a $3K tuition course and no better than this, I assure any here who've never been.
Free, is as good or better than paid for, -- really.
@JWHanberry, a codicil from Lou Reed: "One chord is fine. Two chords are pushing it. Three chords and you're into jazz."
The value of any artistic effort is priceless, even the ones you don't like.
For me personal/spiritual/well-being value is all that matters in the end.
The ONLY reason I purchased these from circa '70's was -- association.
So, like when I commented about not paying attention to Led Zeppelin until after a couple of "high school" parties with, really amazing sound systems, ala "1970" ... the FtF parties, good times associated then "caused" me to buy'em, and now so many years later since now actually have $7 to spend this 5 Album bundle.
So, just a "follow up" -- what I learned on my Summer Vacation class report, -- as used to be assigned, 5th Grade and this is first days of school I could be completely off on this, but strikes me as an interesting Thesis where quantitative annecdotals could offer an answer to something that was on my mind from time to time. For decades, an "album" was no less than $5... even in the "dollar" bin, it was $5. Then slowly went back up to $15, then $20 yet again decades later.
-- Thanks to folks this 5090 for interacting in the Forums in such a meaningful way! I post my threads, 'cause I really am wondering, or comment for spawned thoughts of authentic discussion.


text:
15 Entertainment Headlines We're Thankful For In 2012
Kirsten Acuna
Nov. 22, 2012, 5:35 PM
Kate Upton, Katie Holmes, and "Star Wars" all make the list.
Screengrab
With Thanksgiving upon us, it's time to give thanks to the things that matter most - families, friends, a roof over our heads, and the slew of Hollywood A-listers that keeps us entertained day in and day out.
To celebrate the holiday, we've decided it's also time to reflect on some of the great Entertainment moments of the past year.
From Kate Upton to Katie Holmes, here are the stories of 2012 we couldn't get out of our heads.
15. "Saturday Night Live" election coverage.
Courtesy of NBC
From Jay Pharoah speculating on Obama's odd behavior during the first live presidential debate, up until Jason Sudeikis as Mitt Romney secretly chugging milk after his defeat, Saturday Night Live nailed the 2012 election coverage.
14. Rihanna's 7th album rocking.
We're not sure if we're more impressed that the Barbados native released seven albums in seven years or that the last four have been million-dollar successes.
When Rihanna announced a new album earlier this year, we were wondering if she could pull off yet another album so quickly ("Talk That Talk" came out last November); however, "Unapologetic" is an inviting change from the singer's sex-infused album of last year with another collaboration from David Guetta "Right Now" and emotionally charged ballads in "Stay" and "What Now?"
The third Eminem collaboration aside - the track "Numb" introduces the repetition of the same lyric 30+ times before featuring a brief Em cameo - Rihanna's seventh serving offers some of her best tracks yet.
Our picks?
Check out " Loveeeeeee Song" (yes, there are seven e's), " Nobody's Business," - Rihanna's eyebrow-raising Chris Brown collaboration - "Jump," and, we can't stop listening to " Stay."
13. Lindsay Lohan and Amanda Bynes always keeping us on our toes.
Trying to follow the child stars' run-ins with the law, including alleged DUIs and hit-and- runs, has been tougher than keeping up with the Kardashians.
12. Three "Hobbit" films.
Warner Bros. / MGM
While the verdict's still out on whether it was a good idea to split one "Hobbit" book into three films, we trust the "Lord of the Rings" director Peter Jackson will give us a fresh take on the book considering he's using 125 pages of appendix notes from LOTR's "The Return of the King" to expand the story.
11. Everyone's favorite AMC shows return to DISH.
AMC screencap
After a $700 million settlement, AMC returned for DISH customers just in time for the best season of "The Walking Dead" yet.
(Not that we ever disliked the show, but it was beginning to lack in zombie killings.)
10. South Korean pop sensation PSY taking over America.
Getty Images / Isaac Brekken
We may have heard " Gangnam Style" one too many times by now; however, there's no denying a man who was able to get more than 700 million views on YouTube in four short months.
9. Daniel Craig returning for three more Bond films.
Sony Pictures / Francois Duhamel
After seeing "Skyfall" - and the film became the highest-grossing Bond film of all time - we can't see anyone else take over as 007 at the moment.
8. "The Dark Knight Rises" actually being good.
Warner Bros. / The Dark Knight Rises
Debate about the ending all you want; however, "The Dark Knight Rises" lived up to audience expectations.
Though it wasn't "The Dark Knight," and was overshadowed by theater shootings, Christopher Nolan's final bow to the Caped Crusader still wowed audiences with $160.8 million opening weekend, and went on to earn more than $1 billion worldwide.
7. Kate Upton's controversial "Sports Illustrated" cover.
Despite blog feedback referring to her as " a squishy brick," we had no qualms with Upton landing the cover of 2012's swimsuit issue.
6. The "Hunger Games" doing so well after Jennifer Lawrence was critiqued for not looking the part.
After the release of "The Hunger Games" in March, the actress' weight became the topic of conversation after critics claimed her womanly figure didn't look "hungry" enough for the lead of Katniss Everdeen.
The film went on to make $686.5 million for Lionsgate worldwide.
Lawrence reportedly laughed off people's criticisms for "looking normal" when actresses often get accused of looking rail thin.
Recently, Lawrence went on the defense again in her cover issue of "Elle," telling the magazine she allows herself to indulge.
"I'm never going to starve myself for a part," she says. "I don't want little girls to be like, 'Oh, I want to look like Katniss, so I'm going to skip dinner.'"
5. The end of the "Twilight" franchise ...
Unless we get a spin-off with Taylor Lautner.
4. ... and the end of MTV's "Jersey Shore."
It took six seasons, but the rest of Jersey finally bid adieu to Snooki and the gang with the ultimate fist pump!
3. Donald Trump's Twitter angst against Obama.
The best of Trump was his meltdown after Obama's re-election.
While we're speaking about election coverage, we're also thankful for Clint Eastwood.
2. The TomKat breakup.
Getty Images / Andrew H. Walker
After Katie Holmes blindsided her husband of five years when she filed for divorce in June, the breakup allowed Holmes to refocus her attention on her fizzling career.
After a few years out of the spotlight and in small films / TV spots, we get to see Holmes back on her feet designing her own clothing line, acting on Broadway, and even trying her hand at co-producing.
1. A New "Star Wars" film in 2015.
StarWars / YouTube screencap
... that won't be directed by George Lucas.
Whether you greeted the news of a new "Star Wars" film in 2015 with cheers or groans, there was one thing many could agree over - their glee that Lucas would not be directing the film.
Appointed " creative consultant," he'll have more or less no say in the direction of the on-going franchise.
The jury's still out on our ultimate feelings on an impending future film; however, with Kathleen Kennedy at the helm (the woman responsible for bringing us "Jurassic Park," "Lincoln," and "Schindler's List"), we're feeling hopeful.
BONUS: Brad Pitt's hilariously bizarre Chanel ad
Now learn about another Thanksgiving tradition ...
Daniel Goodman / Business Insider
The 88-year evolution of the Macy's Thanksgiving Day Parade >
More: People Features Entertainment Lindsay Lohan

redpajama_set_name: RedPajamaCommonCrawl


The Plunge Camisole is a bias cut low 'V' neck camisole. Features shoestring straps that delicately cross over to a low cut back and side splits with an extended rear hem.
Features invisible zipper at back.
Care: Cold hand wash or Dry Clean (Red/Black Dry Clean Only).


text: .. cmake-module:: ../../Modules/CheckCXXCompilerFlag.cmake

redpajama_set_name: RedPajamaGithub


text:
Q: No module named 'tensorflow.contrib' even on tensorflow 1.13.2 I cant import a gpt_2_simple package due to an error
ModuleNotFoundError: No module named 'tensorflow.contrib'

I have installed python 3.7 and tried to install tensorflow 1.15.5, 1.15.2 and 1.13.2 and all of them were gaining this mistake. Im using windows.

A: Works with python 3.6 and tensorflow 1.15.2

redpajama_set_name: RedPajamaStackExchange


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Bolivia's Surprisingly High Tech Relations With China
by merlinlinehanPosted on October 8, 2013
The bleak, lunar like Uyuni salt flats in Bolivia are the focus of the one of the most intriguing examples of Chinese engagement with Latin America. Beijing recently signed an agreement with La Paz to build a $2.9 million lithium processing plant; a pilot project, which if successful could be expanded and make the country the world's leading supplier of the metal. The Uyuni region contains one of the world's largest reserves of lithium, a silver white metal which is the lightest in the periodic table, highly unstable, it is often remembered as fizzing across water in a chemistry class. Lithium is a key component in cars, computers and phones, which are all made in huge numbers in the factories of China. Bolivia had been keen to develop its own indigenous lithium industry, but it appears a lack of technical knowledge has pushed them towards receiving assistance from China.
Bolivia like many other countries has seen its natural resource wealth benefit its elite, rather than the majority of its population, and the Morales' government has understandably tried to ensure there is "value added" to the lithium production so it is not merely extraction. The Bolivian government also spoke with Japanese companies, as well as others from around the world regarding the project, but many firms are concerned about working in the country after the Morale's administration nationalised other industries. In contrast Chinese companies appear to be comfortable working in state led economies, already being highly active in Venezuela and Ecuador. Chile and Argentina already have established lithium industries and because of the difficulties of extraction there is no guarantee that Bolivia's superior reserves will translate into a sustainable industry, so the jury is out on whether the industry will be a success.
Another Sino-Bolivian connection is the Chinese built Tupac Katari satellite, which is currently being tested before being launched into space. Named after an indigenous hero that expelled the Spanish from the country for a short while before it was finally reconquered. The satellite will help Bolivia improve its communications as well as detect natural resources across the country. The project is also an indication of the strong ties between the left-leaning and anti-American Morales and its new ally Beijing. It is interesting to note this pattern is repeated across Latin America, with left leaning governments like Ecuador, Venezuela and Argentina all borrowing funds from and allying themselves more and more with China, while economies percieved as more free market such as Colombia and Chile remain politically closer to the US. Although nearly all countries in the region have developed strong trade links with China. This scenario begs the question, could Latin America split politically, between states favouring China, and those the US?
Posted in Investing on the FrontierTagged Bolivia, China, Commodities, Emerging markets, FDI, Geo-politics, Investment, Latin America, Lithium, South - South trade
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Great ResignationDiversity and InclusionCompensationCEO DailyCFO DailyModern Board
Leadership ·Panera
Why Panera's CEO Stepped Down
BYBeth Kowitt
November 10, 2017, 9:10 PM UTC
During his more than 30 years in the food business, Panera CEO Ron Shaich has focused his attention on big picture issues that extend beyond the company, including healthy eating and food access.
Now he's stepping down as CEO of the fast casual restaurant company—in large part to focus on a problem that extends beyond the restaurant realm: what Shaich says is short-term thinking in capital markets and the national debate.
"People used to own companies," he told Fortune. "Today they rent stocks." He added that with pressure from activists, "the life of a public company CEO is measured in weeks and months. How is that productive?"
Shaich sold Panera to investment fund JAB Holdings in April, telling Fortune at the time, "I spend about 20% of my time explaining what I do and what I'm about to do," he said. "I think being private, for Panera, doesn't give us anything other than it frees us up."
He was also ready to stop dealing with activist investors, saying that JAB gave the company "safe harbor and protection to do what we do and do the work to satisfy the guest."
Shaich was on the board of Whole Foods until it was acquired by Amazon this summer. Whole Foods was under significant pressure from activist investor Jana Partners.
Shaich, who has spoken out on political issues and initially wanted to go into politics, is also concerned about the gridlock in Washington. "We're competing with China, which has a 20-year plan," he said. "We can't get a budget passed. When asked if he would run for office, Shaich said, "I won't deal with hypotheticals."
He says his plan is "simply broadening his work." "Here's the reality: I don't have enough time in the day and there aren't enough days in the week." Beyond his personal interests and investments, and the work he'll continue to do with Panera (where he will remain chairman when the handoff takes place in January), he said that he'd been asked by JAB to help with some of their initiatives.
Shaich stepped down as CEO of Panera once before, leaving in 2010 and then returning to the top job in 2012 after realizing that he was still spending most of his time on the company. When asked how this time will be different, Shaich said, "We're all more experienced," adding that he's now worked with incoming CEO Blaine Hurst for seven years.
The same day the leadership transition was announced, Panera also said that it had agreed to acquire bakery and café chain Au Bon Pain for an undisclosed sum. Shaich said that the announcements were not connected—that it "just happened to work out that way."
Shaich founded Au Bon Pain in 1981. The company went public in 1991, and was acquired in 1993 by St. Louis Bread Company—the predecessor to Panera. In 1999 the company sold Au Bon Pain to focus exclusively on Panera.
"A lot of people's first reaction has been that this is the closing of the circle," Shaich said in reference to his co-founding of Au Bon Pain. He said the deal is "not about me or desire for closure." He said Au Bon Paid has "wonderful real estate" in hospitals, universities, and transportation centers across the country. Those real estate locations fit well with Panera's reputation for wellness, he said.
The deal is being done through Panera—but it adds to the growing coffee empire of JAB, which acquired Panera over the summer for more than $7 billion. Brands including Krispy Kreme, Einstein Noah, Peet's Coffee, and Stumptown. "They are a very good owner," Shaich said. "They've been great for us."


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Geomagnetic storm over Alaska right now.
Hey, what's up there in Alaska that could affect the geomagnetic field (besides the sun)?
Look at both charts, HAARP and the USGS chart. Note particulary activity spiking about 2100 UTC which began to increase since 1600 UTC.
Say, what kind of technology can start a geomagnetic storm?
nOW - wait for the earthquakes . . .
I have honed it down a bit more, some countried have naturally rock formations that are "magnetic" and susceptible to interference by geomag storms.
more digging to be done here.
Sun "Fireworks" Responsible for the Mass Killing of Birds?
Since the highly published occurrence of 3,000 to 5,000 blackbirds falling to their death on January 1st 2011, more bird and fish mass suicides have occurred. Just yesterday, a new report telling of millions of dead fish surfaced in Maryland's Chesapeake Bay.
On Tuesday, similar unexplained mass fish deaths occurred across the world in Brazil and New Zealand. On Wednesday, 50 birds were found dead on a street in Sweden.
The latest mass suicide is found in England where more than 40,000 Velvet swimming crabs have wound up dead on England beaches. The Thanet shoreline is littered with the crabs, along with dead starfish, lobsters, sponges and anemones.
So far the list of mass suicide events have taken place in Arkansas, Texas, Louisiana, Kentucky, Maryland - then onto to Sweden, England, Brazil, and New Zealand.
You might have noticed I used the words "mass suicide". I used this term to reflect the official explanations for most of these events. The Texas massacre was said to be "birds flying into cars". The Louisiana deaths were caused by "hitting power lines or cars". The Sweden incident "was caused by difficulty finding food". And of course the Arkansas suicidal occurrence was caused by "fireworks and they flew into homes and cars".
The above explanations is not conjecture or satire, it is factual "official statements" presented by area authorities such as the Parks and Wildlife Department.
The Kentucky event and their official explanation I believe to be the most promising. Mark Marraccini of the Kentucky Department of Fish and Wildlife said: "The deaths could have been caused by weather or another natural event."
I would suggest there could only be two reasonable answers to the recent string of bird and fish deaths. 1) Man-made. This is to say some sort of new military weaponry which emits a form of geo-magnetic pulse. If so, the next question would be ... was it intentional or unintentional? Either way, this is one scary scenario. Either they don't know what the hell they're doing -or- they don't have our best interest in mind. Of the two, I would hope for "idiots-at-work."
The second two answer is no less frightening. 2) The deaths were caused by a "natural occurrence". This is to say it was caused by a geo-magnetic flux from the Sun, and its possible chain-reaction with the Earth's core.
A recent occurrence could be the explanation to this unusual and sudden chain of events. On December 31st 2010, a vast coronal hole opened up in the Sun's atmosphere. When this occurs, the solar magnetic field opens up and allows solar wind (charged particles) to escape. The initial hit from this pulse could hit Earth within 8 minutes to 24 hours. The following stream of charged particles flowing from this coronal hole reached Earth late January 2nd 2011.
I don't think this merely was a "natural occurence." Not at all.
Is HAARP at full blast right now?
its been like that since last night I noticed - there is increased solar activity right now though it could be the cause . . .
I wish they would say when the damned thing is "on"
Eiscat will tell you, haarp will not.
WHY NOT if its doing no harm?
Yes, could be solar activity.
I`m working out a way to know if this thing is on, it`ll involve checking with other ionospheric recorders, but its probably possible.


Smerdon's research suggests that rising temperatures connected to climate change — not necessarily a decrease in precipitation — will boost the risks of drought far beyond that caused by historic natural variability. In the last half of the 21st century, Smerdon says to expect a surge of dryness he and his co-authors call "unprecedented." In the worst-case scenario climate pathway — the one the world is currently on — the new research suggests a greater than 80 percent risk of megadrought after 2050.
To come to this conclusion, Smerdon and his colleagues used a range of soil moisture indicators and 17 different climate models to calibrate future global warming-influenced droughts based on the past. "The surprising thing to us was really how consistent the response was over these regions, nearly regardless of what model we used or what soil moisture metric we looked at," said lead author Benjamin Cook in a press release. Cook's father, Edward, helped create the North American Drought Atlas, a collection of tree rings that forms the basis for the historical analysis in the new study.
"The future looks as bad or worse as even the most severely dry intervals — the paleoclimate intervals — encompassing these megadrought periods that we've seen," said Smerdon. Smerdon notes that although some of the models they examined show a slight increase in precipitation by the end of the century, that signal is "overwhelmed" by the increase in evaporation due to warmer temperatures.
The new study is generally in line with a broad consensus of research from the last 10 years, though it comes with added certainty given the robust methods the authors used. "I'd like to say that this is a surprise, but the evidence has been growing for years now," said Peter Gleick, a hydroclimatologist at the Pacific Institute in Oakland, Calif., who was not involved in the research.
The work is the clearest evidence yet that worsening drought in the West and Midwest will inflict fundamental changes on the American landscape, with implications for tens of millions of people from San Francisco to Las Vegas and from Dallas to Des Moines. Though the ongoing California drought continues to dominate headlines — 2014 was the state's warmest year on record by a wide margin — Smerdon and his colleagues show that we should be equally concerned about fundamental risks to agricultural sustainability in the heartland, too.
"All the things we were hoping wouldn't happen 5-10 years ago are happening and I don't think we have sounded the alarm fast enough," said Stephanie Castle, a researcher at the University of California–Irvine whose recent work focuses on western groundwater depletion, in an email to Slate.
This article is part of Future Tense, a collaboration among Arizona State University, New America, and Slate.


Will I need to apply a second application of Weedkiller?
Most weeds will be killed outright but some well established perennial weeds may produce some re-growth a few weeks after treatment.
How do I apply the Weedkiller?
Can I use your Weedkiller on sizes of weeds?


Dolph Lundgren and Jean-Claude Van Damme are titans within the action genre. While many contend that their respective heydays were the machismo fueled classics of the '80s, the actors reappeared together in Stallone's Expendables 2 and John Hyams renegade masterwork Universal Soldier: Day of Reckoning, showing that they are still able to deliver memorable, even thought-provoking performances. Their most recent collaboration is Pasha Patriki's Black Water, an inventive low budget thriller that makes the best of a meager budget with nautical anomalies, painfully inaccurate assassins, and mercifully edited fight scenes, ultimately delivering a loving homage to the full muscled films of its stars' beginnings.
Wheeler(Van-Damme) is a CIA agent who has been imprisoned by his government aboard a submarine that doubles as a moving penitentiary for high valued targets. Wheeler, with the aid of another prisoner and a sympathetic guard, attempts to clear his name and find out who betrayed him. Chad Law's screenplay is a been there, done that affair, but fans of this kind of picture know that the plot does not matter. Of import is the action and every scene that features the two leads on screen together. Van Damme's performance is an odd mixture of classic swagger and bored surrender. His chemistry with Lundgren in their precious few scenes is nostalgic bliss, however all of Van Damme's dark charisma is nowhere to be seen. Lundgren, however, in what could be classified as an extended cameo, is clearly having a lot more fun chewing the scenery. While his inclusion is essentially fan service, Lundgren's performance is one of the many guilty pleasures that await within Black Water.
The set design is an interesting animal. While at first glance, most of the sets appear synthetic, their presence is an essential piece of the throwback vibe that Patriki is creating. Framed tough-guy heroes on a mission of revenge movies are what Van Damme and Lundgren cut their teeth on, so it is fitting that they would find themselves returning to yet another throwaway film with cartoonish action and cardboard compositions and it is this truth that is undeniably Black Water's greatest asset. Patriki doubles down on this with gloomy cinematography that is saturated by deep shadows and blinking lights, reminding the viewer that this is yet another dungeon filled with guns and blood. The action however, leaves much to be desired, most likely due to budget constraints and the age of its two protagonists. The result is a lot of bullets that pierce neither the heroes or (thankfully) the hull of the sub.
Coming to digital tomorrow, Black Water is exactly what any viewer of Van Damme's recent filmography would expect. While the story itself is lacking, the combination of Van Damme and Lundgren together in even one frame is enough to entice any action connoisseur to give this film a chance.
Article: Stranger Danger: Where Can Stranger Things Go Next?
Stranger danger!!! Where can Stranger Things go next? Here's a few ideas.
Here are a few examples of some noteworthy problem children of cinema which pushed the buttons of studio heads.
Have you ever heard of a spiritual remake? We're here to explain.
The Expanse will be renewed for a third season on Syfy.


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Young and it Feels So Good is the full-length studio album released by the Long Beach, California band, Boris Smile. The album was self-released in 2008.

Track listing
All songs written by A. Wesley Chung and Boris Smile, except "Seasons" (written by A. Wesley Chung, Jon Palsgrove, and Stevie Kugelberg).
"Young and It Feels So Good" - 2:43
"Seasons" - 4:13
"A Cruel Time in Life" - 3:21
"Leper King" - 4:00
"False Words and Hummingbirds" - 4:01
"Birthday" - 1:51
"Home [Sing Along]" - 4:41
"Keep It Safe" - 3:56
"Beartooth" - 3:45
"Marco Polo" - 2:57
"Love's Gotta Come from the Heart" - 4:25
"Megan Eve of Destruction" - 2:09
"Kids Wearing Business Casual" - 2:05
"Will It Last" - 2:17
"Las Aventuras Con Cohetes" - 6:35
"True Colors" - 2:50
"Goodnight Moon (Revisited)" - 2:26
"When We Found the Truth" - 7:12

Tracks "Love's Gotta Come from the Heart," and "Seasons" have been used on PBS's Roadtrip Nation.

Personnel
A. Wesley Chung: vocals, guitar, percussion, piano, tape recorder
Abigail Davidson: vocals, clarinet
Adam Edwards: trombone
Alan Archambault: electric guitar, lap steel, dobro
Andrew Chen: violin
Avi Buffalo: electric guitar, vocals
Brad Lindsay: mandolin, guitar
Brian Chung: piano
Christian Turner: bass clarinet, bass
Ed Keller: French horn
Hannah Davis: vocals
Jason Chung: bass
Jon Carman: keys, vocals, flute
Jon Palsgrove: drums, vocals
Matt Proffitt: trombone, vocals
Meagan Christy: trumpet, vocals
Rebecca Rivera: bassoon
Rory Felton: bass
Seth Shafer: tuba, keys
Stevie Kugelberg: bass

References

2008 albums

redpajama_set_name: RedPajamaWikipedia


PBGC now provides prefiling assistance to representatives of underfunded pension plans that must file controlled-group financial and plan actuarial information under ERISA Section 4010, the agency announced last week. PBGC staff will help filers understand the 4010 filing process and offer helpful tips on how to use the e-filing software and avoid common errors. Filers can request prefiling consultations by sending an email to ERISA.4010@pbgc.gov or calling +202 326 4000, ext. 3075.
More information about ERISA 4010 filing requirements is available on PBGC's 4010 Reporting webpage.


Two students at Missouri Southern have received scholarships from Phi Eta Sigma, the national honor society for first-year college and university students.
The annual scholarships are awarded to students who are pursuing undergraduate degrees. Based on the size of the chapter at MSSU, the university was allowed to nominate two members.
Junior Kennedee French, a biology major from Columbus, Kan., and Angelica Macias, sophomore elementary education major from Carthage, received the Founders Fund Scholarship. The $1,000 award goes toward the recipients' cost of education.
French, who serves as president of MSSU's Phi Eta Sigma chapter, and Macias, the vice president, were required to submit resumes, applications and letters of recommendation in order to be considered for the award. The materials were reviewed by a committee, which also considered the applicants' community service, creativity, resourcefulness and leadership as part of their decision.


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