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Custom «Miles Davis and Jazz Fusion» Essay Paper
Custom «Miles Davis and Jazz Fusion» Essay Paper essay
Jazz fusion was a genre that appeared in the late 1960's, resulting from the blending of rhythm and blues and funk rhythms, along with the addition of electronic effects to rock music and complicated time signatures that came from music, made outside the North America and Europe. The music that appeared was generally instrumental and quite long; taking a jazz approach with group wide improvs that blended brass and wind instruments, focusing on the superior technique. Another term for "jazz fusion" is "jazz rock." Primarily popular during the 1970's, the genre became increasingly experimental and improvisatory during the 1980's and 1990's, and became increasingly eclectic, as time went by. Contributions that Miles Davis made as a pioneer in the field turned it into a crucial genre that is one of the signature elements of the decade of the seventies.
It is necessary to remember that, before jazz fusion began in 1967, the musical realms of rock and jazz had been fully distinct from one another ("Fusion"). This hybridization took place in different ways on the two sides of the Atlantic, as electric R & B was the opposite of modern jazz on the African-American blues spectrum in the United States, and then the two started to slide together; in Great Britain, the rhythm and blues and skiffle that came from such gifted jazz musicians as Chris Barber blended into a different fusion from what appeared in the United States.
Miles Davis' alum Miles in the Sky was the first of several albums that demonstrated the promise of jazz fusion. Featuring Ron Carter on bass and Herbie Hancock on electric piano, this album was his first that included electric instruments. In his album, Filles de Kilimanjaro, he played the trumpet alongside the electric pianist Chick Corea, and bass guitarist Dave Holland. His first true fusion album came out in 1969, In a Silent Way. Rather than a collection of tracks, this album featured just two pieces, each of which took up a whole side of the record. His producer, Teo Macero, went back in and edited each piece considerably; the result was a record that would prove instrumental in the growth of ambient music.
One unique feature of this album was the use of the sonata form in recordings, hearkening back to techniques of classical music. On each side, track features as exposition, a development and a recapitulation, and the last six minutes of each side are the same as the first six minutes, giving a bit more time (and a bit more structure) to each track. This album is considered the start of Davis' "electric period" (Southall). Moving again to new instrumentalists, Davis brought in John McLaughlin on bass guitar, who had just finished his own debut record (Extrapolation) a month earlier. After working with Davis, McLaughlin would go on to lead the Mahavishnu Orchestra, famed for its fusion music.
At the time when it came out, as well as in retrospect, In a Silent Way has been seen as one of main transitional albums that emerged in the late 1960's, as it opened many doors for jazz fusion music. In his review, Chip O'Brien, of PopMatters, wrote that the album was one of the first to "embrace the marriage of music and technology" in a way that "transcends labels." In O'Brien's view, the album was "neither jazz nor rock…it is something altogether different, something universal. There is a beautiful resignation in the sounds of this album, as if Davis has willingly let go of what has come before, of his early years with Charlie Parker, with John Coltrane and Cannonball Adderley, of his early '60s work and is embracing the future, not only of jazz, but of music itself" (O'Brien).
Nick Southall, with Stylus Magazine, would write that the "fresh modes of constructing music that [In a Silent Way] presented revolutionized the jazz community, and the shifting, ethereal beauty of the actual music contained within has remained beautiful and wonderful, its echoes heard through the last 30 years, touching dance music, electronic, rock, pop, all music" (Southall).
To traditional adherents of both jazz and rock, though, the reception of In a Silent Way was somewhat mixed. Veterans of both types of music thought that it sounded like rock, which was a source of joy to rock enthusiasts, but less than pleasing to jazz critics. As Phil Freeman wrote,
"It didn't swing, the solos weren't even a little bit heroic, and it had electric guitars... But though In a Silent Way wasn't exactly jazz, it certainly wasn't rock. It was the sound of Miles Davis and Teo Macero feeling their way down an unlit hall at three in the morning. It was the soundtrack to all the whispered conversations every creative artist has, all the time, with that doubting, taunting voice that lives in the back of your head, the one asking all the unanswerable questions" (Freeman, p. 26-27).
Though, the question as to where the fusion falls in the jazz movement is problematic. After all, giving jazz a formal definition is difficult, at best. If one considers musical techniques or characteristics, such as swing or improv, traditionalists within jazz look at the boundaries in which the music has consistently been situated. When it comes to jazz, one of those structures has long been ethnicity. The African-American culture is deeply connected with the jazz tradition, not only because instrumental techniques stem from folk traditions that go back centuries in the African-American culture, but also that jazz expresses modern experiences of blacks in America. This raises a number of questions when choosing the proper place for fusion in the jazz classification. First of all, the question remains of how should be considered work of white musicians. Besides, no one can say where is the line between jazz and other traditionally black genres of music, such as gospel, R & B, and blues, to be drawn.
The connection between jazz and the economy is another fascinating element to consider when formalizing Miles Davis and jazz fusion's place in the genre. Traditionally, jazz has fallen outside the modern pop music industry, and within jazz there has long been a stigma against making things too commercial, as business would corrupt or disrupt the inspiration behind the music. As Rudi Blesh put it in 1946, "Commercialism [is] a cheapening and deteriorative force, a species of murder perpetrated on wonderful music by whites and those misguided negroes who, for one or another reason, choose to be accomplices to the deed….Commercialism is a thing not only hostile, but fatal to [jazz]." (Blesh11-12)
Blesh was one of a group defending the tradition of New Orlean's jazz and connected that genre with an idealization of folk culture. However, other traditionally black genres, such as bebop had proponents making similar comments: "Bebop is the music of revolt: revolt against big bands, arrangers…Tin Pan Alley – against commercialized music in general. It reasserts the individuality of the jazz musician" (Russell 202). When it comes to attitudes about fusion, jazz traditionalists find it to be the epitome of commercialization. By attacking fusion, purists propagate a notion of jazz as an art form free of limits of commercialism, sort of a "Robin Hood" genre constantly at odds with economic mores of America in the twentieth century. It is ironic, of course, for jazz purists to criticize fusion and other genres for relying too heavily on promises of commercialism. If one thinks about the New Orlean's style of jazz, for example, the ongoing survival of the genre depends on an infusion of money from those buying in to a notion of the music as a priceless throwback to the storied past. Because those who still attack fusion do so with such strength, it is fairly clear that maintaining that opposition to fusion for economic reasons is difficult to keep up. It is true that some capitalist power structures had taken jazz musicians and exploited them, perhaps most egregiously in the days, when racism kept black musicians from receiving a fair competition in the pursuit of albums and other opportunities for exposure. However, as much as jazz musicians may claim to despise capitalism, there is no other way to survive. Ironically, such artists as Wynton Marsalis make a lot of money from their claims that they will never "sell out" to the economic machine, but it is that machine that has brought them their considerable commercial appeal (DeVeaux 530).
One might then wonder what the precise nature of the objection against the jazz fusion would be, if jazz musicians themselves were just as beholden to demands of economics. Indeed, one of the defining features of jazz is the fact that so many of its practitioners are proud that their genre defies definition. However, when definition provides people with the opportunity to exclude, particularly elements that they find distasteful, making those definitions suddenly become much easier. When pressed, jazz purists will decry fusion as "not jazz", because it has taken on several musical characteristics. Specific objections include the use of modern techniques of production, electric instruments, and an aura that feels more like funk or rock, with regard to the rhythm, than the music floating out of New Orleans' Preservation Hall (DeVeaux 528). Even if fusion can claim one of the same genetic ancestors as jazz, namely, modernistic touches of bebop in the 1940s – somehow it is no longer jazz, because it has taken on a stance that is too avant-garde, moving away from structure and form – even farther away than swing. However, if one considers the way that jazz has made music evolve, jumping off the printed page and into a live being that slithers and insinuates itself among us, the longer one listens, it is highly ironic for any practitioner to set up a purist stance and create a hard ending boundary for where jazz must stop. While no one would say that They Might Be Giants, is an example of jazz, the electric sensations that Miles Davis, and those who followed him, added to the genre, are difficult to eliminate from the notion of jazz.
If one had to choose a defining trait of music from the 1970s (not counting leisure suits, of course),it would be the addition of electric instruments to the overall mix. Sounds of keyboards, bass guitars powered by amps, and organs, took existing auras of virtually every genre and gave them a needed jolt, moving music farther away from the simple, acoustic feel and adding the vibe of the modern. While later trends would move back towards acoustic shows and "pure sound," without this new technology, such movements as Miles Davis' jazz fusion would never have arrived, and his desire to bring a classic genre forward into the light of the modern would never have been fulfilled.
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HKUST Receives a Donation from Kingworld Medicines Group to Boost Exchange of Business Students and Research in Chinese Medicine
The Hong Kong University of Science and Technology (HKUST) received a donation from Kingworld Medicines Group in support of the University's Center for Chinese Medicine R&D and student exchange activities of the School of Business and Management.
In recognition of the Group's generosity and support, HKUST named a tiered classroom of the Lee Shau Kee Business Building after the company. A ceremony was held earlier on the campus today. Officiating guests included Mr Zhao Li Sheng, Co-founder and Chairman of Kingworld Medicines Group, HKUST President Prof Tony F Chan and other senior management.
In his remarks, Mr Zhao said he was delighted to be able to contribute to Hong Kong's higher education sector. "HKUST is a world renowned university which pursues innovation and excellence through nurturing talents with a global vision. We share the same vision and hope to build a healthier China by boosting the nation's science and technology advancement in collaboration with leading institutes like HKUST," he said.
HKUST President Prof Tony F Chan expressed his gratitude to Mr Zhao, "Kingworld Medicines Group is committed to promoting the health development in Greater China, which is also a major mission of our University. The donation not only supports our continuous research efforts in Chinese medicine but will also broaden the vision and horizon of our business students."
Prof Karl Tsim, Director of HKUST's Center for Chinese Medicine R & D and Chair Professor of Life Science, hosted a seminar entitled "Development of Traditional Chinese Medicine in Comprehensive Health Industry" after the ceremony, to update an audience of academics and industrial representatives on the latest challenges to the big health sector in Greater China. To address these challenges, the Center continues to develop new technologies that boost the effectiveness and utilization of Chinese medicine in efforts to minimize herbal wastage, which not only helps generate more income for farmers in Mainland China, but may also boost return and output of the entire national health sector in the long run.
In addition to the interests in health related research, the Group also hopes to nurture more talents for the business sector by offering HKUST's business students more exchange opportunities, which is crucial for increasing their international exposure.
Kingworld Medicines Group manages a portfolio of pharmaceutical and healthcare products. It is also a major supplier of general foodstuff and medical products and devices in Mainland China. Mr Zhao, who co-founded the Group, is the Honorary President of Federation of Hong Kong Chiu Chow Community Organizations.
Anita Lam
Email: anitalam@ust.hk
Etta Lai
Email: ettalai@ust.hk
(From left) Dr Eden Y Woon, HKUST Vice-President for Institutional Advancement, Mr Zhao Li Sheng, Co-founder and Chairman of Kingworld Medicines Group, Prof Tony F Chan, HKUST President, Prof Nancy Y Ip, Vice-President for Research and Graduate Studies, and Ms Chan Lok San, Co-founder and Executive Director of Kingworld Medicines Group, officiated at the classroom naming ceremony.
Prof Karl Tsim (on stage) hosted the seminar "Development of Traditional Chinese Medicine in Comprehensive Health Industry".
Seal of Love Charitable Foundation's HK$40m Gift Empowers Students to Solve Real-World Problems Through Technology
Li Ka Shing Foundation's HK$500m Gift Helps HKUST Propel Synthetic Bio-technology Research Forward
HKUST Receives HK$5 Million Donation from Tin Ka Ping Foundation
HKUST Receives HK$100 Million Donation from Yuexiu


The winter of 1976-1977 was unusually cold, but in spite of the hostile weather a hopeful vision took shape, grew, and slowly became reality. Lawrence & Mavis Longfellow, with the help of their son Scott, constructed 12 large greenhouses and a sales building on a meadow in Manchester. Barely ready for spring sales that first year, they managed mostly without labor saving equipment. As grower and general manager, Scott brought the benefits of his University of Maine education to complement his parents' years of experience. Mechanization gradually eased some of the laborious production. More greenhouses were added, as well as an employee lounge and conference room. The space between facing greenhouses was covered over, creating a "mall", for more enjoyable shopping.
In 1987 Lawrence and Mavis retired. Scott and his wife Sandy, the new owners, brought fresh ideas to the business. Expansion of the facilities continued with the addition of more growing space, a display building, and new lines of merchandise. Envisioning an even more aesthetic presentation of their products, they erected three connected modern structures in 1995. This provided a much larger salesroom and foliage plant display area, leaving the former sales building available for offices, workshops, and community service.
From the 12 original greenhouses and labor-intensive production, Longfellow's has grown to a much larger, state-of-the-art, 21-greenhouse facility. The largest Greenhouse in the state and a source of pride in the area, it is still dynamically evolving today.
The dedication and cooperation of Lawrence, Mavis, Scott, Sandy, and other family members, and of their loyal and capable staff, have brought beauty and pleasure to people from all over the state and beyond. The years of commitment and hard work have been a labor of love, and we are grateful to our customers who have made it all possible.
We are devoted to helping you have a pleasant and productive gardening experience. Our trained staff of professionals will help you with any cultural questions ranging from planting and aftercare to problems and resolutions.


Striker Benedict Wobenu Damien becomes the third official signing for Inter Allies.
The forward penned a deal with the Capelli boys after terms was agreed.
Inter Allies is delighted to announce that Benedict Wobenu Damien has completed a move to the Club.
The tall and lanky striker joined on a free transfer, after completing his switch on Thursday.
He has had stints with lower tier sides Accra Lions FC, Miracle Land FC and Deportivo FC.
He played a very influential role in Accra Lions' qualification to the Division One League last year.


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Gary Williams Meets Frank Sinatra
JAZZ · 2010
All or Nothing at All (feat. Chris Dean)
I Get a Kick out of You (feat. Chris Dean)
Moonlight Serenade (feat. Chris Dean)
You Brought a New Kind of Love to Me (feat. Chris Dean)
Dancing in the Dark (feat. Chris Dean)
Where or When (feat. Chris Dean)
Brazil (feat. Chris Dean)
The Girl from Ipanema (feat. Chris Dean)
Please Be Kind (feat. Chris Dean)
Day in Day Out (feat. Chris Dean)
How About You? (feat. Chris Dean)
Nancy (With the Laughing Face) [feat. Chris Dean]
I've Got You Under My Skin (feat. Chris Dean)
The Way You Look Tonight (feat. Chris Dean)
They All Laughed (feat. Chris Dean)
Luck Be a Lady (feat. Chris Dean)
Let's Face the Music and Dance (feat. Chris Dean)
January 4, 2010 17 Songs, 53 minutes ℗ 2010 Gary Williams
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Signs Some Guy Has Dropped Curiosity About You – How-To Realize If He However Has Feelings For You – Linco Baxo S.P.A.
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This collectible series features a tin box, a tradable card, and a mini plush T-rex. Each comes with a unique storyline that makes the series all the more enjoyable. The plush toy is made of super soft fabric and designed to be cartoonlike, appealing to collectors of all ages.
These unique collectible tin boxes include a mini plush toy and a tradable card. The inside of the boxes are decorated to be like a home, and each plush comes with a cute embroidered blanket. With one of these, children can have hours of fun. And since it is a series, it allows for groups of kids to keep their very own mini pals. Be ready to embark on a pocket adventure.


Steele Family Farm's BUM BUM CREAM is made using natural ingredients and topped off with goat milk taking advantage of the natural healing properties. Our BUM BUM Cream contains 18% Zinc Oxide and 18% Bentonite Clay to provide a protective barrier against moisture and the two work together to heal rashes.
Zinc Oxide can help treat and prevent rashes by providing a protective layer, block wetness, protect against enzymes, protect and soothe irritated skin.
Bentonite Clay as been well known for clearing the skin from acne because of its ability to remove toxins and impurities, but it can also help heal diaper rash.
Shea Butter is soothing and healing because it contains naturally occurring antibacterial, anti-inflammatory and healing compounds that work to resolve, soothe and clear up skin irritations.
Ingredients: Shea Butter, Beeswax, Coconut Oil, Bentonite Clay, Zinc Oxide, Goat Milk, Lavender Essential Oil, Phenonip.


In this study one commercially available hip impact protective Nike Air Force 2 garment was evaluated in terms of thermo-physiological wear comfort, namely Dry Thermal Resistance, Evaporative Resistance and Permeability Index. Objective evaluation of thermal characteristic of this hip impact protective garment is carried out by means of a Thermal Manikin. The impact protective garment was evaluated in ensemble with other garments. The performance characteristic of an endoreversible Carnot refrigerator is investigated. The relationship between the coefficient of performance and the cooling load of the refrigerator is obtained. The result provides a realistic design criterion for actual refrigerators. The effect of the Bi(Pb) substitution-induced strong increase of circular magneto-optics of iron garnets is theoretically analysed and a quantitative model of this phenomenon is suggested. The substitution is predicted to impart the anisotropic tensor character to the spin-orbit interaction. Results of the experimental magneto-optic spectra fitting confirm the suggested model. The role of Ca2+-permeable AMPA receptors in pain processing has not been extensively studied. In this issue of Neuron, Hartmann et al. show that Air Max 2014 Review altering the levels of these receptors has consequences for inflammatory pain hypersensitivity but not acute pain processing.


Designing a Well-rounded Social Program for a Small College Campus to Meet the Social Needs of All Student Participants.
The purposes of this study are: to endeavor, as many other similar studies have done to point up and emphasize certain key concepts and ideas regarding the social life on a small college campus; to recognize existing problems; to give the students' reactions to these problems and their proposed ways of solving them; finally, to find the needs of the students not reached by the existing program and to plan ways of implanting these in the social whole.
Johnson, Virginia Evans, "Designing a Well-rounded Social Program for a Small College Campus to Meet the Social Needs of All Student Participants." (1949). All Master's Theses. 20.


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Great Decisions
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China & U.S: Two Competing Models Of Economic Development
Dr. Loren Fauchier is currently the Director of Global Education at Providence Day School in Charlotte, and the Vice-President of the Global Education Benchmark Group, a consortium of 150+ independent schools in the U.S., Canada, Britain and Turkey.
He was the 2014 recipient of the NAIS Global Citizen Award. Before coming to Providence Day, he taught 17 years at Queens University of Charlotte in the Department of Political Science and International Studies and before that at the University of Washington.
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IRU presented the Smart Move campaign to Chinese transport stakeholders, at a workshop on "Smart City and Intercity Passenger Transport by Bus and Coach" in Beijing last week.
Oleg Kamberski, who leads IRU's work in passenger transport, highlighted innovative technology, services, and legislation, as three concrete ways to achieve the Smart Move objective of doubling the use of buses and coaches.
IRU's competence in road safety training was also showcased at the event, which was organised by IRU, Busworld Academy and a local partner in Beijing, under the umbrella of the larger-scale 2016 China Transpo conference organised by the Chinese Ministry of Transport, which attracted over 1,000 transport stakeholders from China and abroad.
IRU notably met with its Chinese member, the China Road Transport Association, as well as the China Academy of Transportation Sciences, and Yutong, one of the world's biggest bus and coach manufacturers, to exchanges ideas on Smart Move and other related industry issues.


We have advised publishing houses, (bestselling) authors, publishers, editors, and literary agents for many years on the complex legal questions arising in this area – from manuscript preparation through to book tour. We are at home with all types of genres –non-fiction and specialist texts, fiction, illustrated books, children's books, biographies, audio books and e-books.
In that context we work with our clients to develop both established and innovative content models and commercial opportunities to deliver the "written" word to readers and users in digital format, from the now established E-book (enhanced or otherwise) via multimedia text exploitation through to the social media contributions of publishers and authors. Our service naturally includes all-important book-related and ancillary rights such as film rights, merchandising, and theatrical and musical exploitation rights.
Our firm's contact partners are engaged in the subject not only as attorneys and legal representatives. They are also directly involved as professionals - as experts, mediators or independent publishers. As just one example, they advise the North German State branch of the German Booksellers and Publishers Association. Their delivery of over fifty speeches on publishing law and neighbouring legal fields to publishers, authors, literary agents, translators and book production specialists at various book fairs demonstrates the strong connection between acting as a legal representative and advisor on the one hand, and taking part in practical legal activities and exchanges of views within the industry on the other.
Teaching enhances these activities: the founding partners of the firm have many years of experience as lecturers in the subject of "Copyright and publishing law" at the University of Hamburg.
In addition, Alexander Unverzagt is a long-standing member of the Advisory Board of the Literaturbrücke, Berlin and Chairman of the Board of Trustees of the Literaturwerkstatt (Literary Workshop) Berlin.


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The Ward's Bride (Border Series Prequel Novella)
Their marriage is forced. Their passion is real.
The Ward
English knight Sir Adam Dayne is offered the ultimate prize by the earl who raised him: lordship of Langford castle. All he must do is accept a betrothal to the Scottish Marcher warden's beautiful daughter, a match made to keep peace at the tumultuous Anglo-Scottish border. Sir Adam relishes the prospect—until he meets the woman he is to wed.
Lady Cora Maxwell hates everything English, including the self-assured new lord who has claimed her hand in marriage. Desperate to return home to Scotland, Cora displays increasingly outrageous behavior in the hopes of dissuading the Englishman from the marriage. But when Adam proposes a unique challenge, Cora is forced to face her greatest fears and the burgeoning desire he has awakened in her.
The Ward's Bride is a prequel novella in a historical romance series set in 13th century Northumbria. If you like strong female heroines, alpha male types, and sizzling romance, you'll love the first installment of the Border Series. Transport yourself to the medieval world of The Ward's Bride today!
*The Ward's Bride can be read as a stand-alone novel.
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Passport problems strand a family in port. Can Ombudsman navigate a solution?
Dear Ombudsman: My wife, our teenage son, and I were traveling with some friends on a Carnival cruise from Jacksonville, Florida, to the Bahamas last fall. We passed through customs at the Jacksonville cruise terminal and boarded the ship without incident, but as we settled into our cabins, we were told to report to the purser's office. There, we were informed that my wife could not stay on the cruise ship because of insufficient documentation and had to disembark immediately. This meant that I too had to leave, since I did not want to travel without her. We asked if we could notify the friends we were traveling with, and if our son could remain on the ship, but both requests were denied. Since the only foreign ports we were visiting were in the Bahamas, I offered to sign a statement that we would remain on the ship during those stops. This too was rejected. When I tried to arrange for my son to stay on board by sharing a room with someone else in our group, the purser said that this required "prior approval" from us and thus was not allowed. We were not even permitted to retrieve our luggage (it was delivered to us later). To add insult to injury, I later found a $150 gratuity charge on my credit card for a cruise I never took.
I still do not understand what went wrong. To ensure that there would be no boarding problems for my wife, who was born in Mexico but is a lawful permanent resident of the United States, we brought her green card, her Social Security card, letters from Social Security, her driver's license, and her original birth certificate as well as our marriage license. We were well aware of the requirement in the cruise ticket contract: "Any guest traveling without proper documentation will not be allowed to board the vessel." But we were already on board, so we found being removed from our stateroom all the more unconscionable.
All we have received from Carnival so far is 15 percent off a future cruise. We would like a sincere letter of apology to my wife, who sobbed for two days upon our return home; a full refund for our cruise tickets; and reimbursement for parking expenses, the gasoline we used to drive to the terminal, and the gratuity charge on my credit card. Can you help?
That left the matter of the gratuity charges, the parking and gas expenses, and the Shaffers' not being able to retrieve their luggage. Carnival informed Ombudsman that, following our inquiry, the cruise line refunded the $150 gratuity charge (the parking and gas expenses were not reimbursed) and explained why it appeared in the first place. When a guest checks in for a cruise, the gratuities for the voyage are automatically charged to their credit card. Because the Shaffers were not able to remain on the ship, the gratuity charges should have been removed immediately but were not due to an oversight. As for the family's luggage, when passengers check in for a sailing, their bags are brought en masse to a central spot on the ship called the marshaling area. There, as the day progresses, thousands of pieces of luggage are sorted and delivered to the appropriate cabins. It would have been impossible for the crew to locate the Shaffers' bags and get them off the ship prior to departure. The most reliable way to return their luggage to them was to do so after the sailing. Ombudsman can now close this case.
We have received many letters describing how a dream vacation was undone by something as simple as a passport, and yet such problems continue to occur. As most Condé Nast Traveler readers know, it is always the responsibility of the traveler to have proper documentation. Shaffer thought that his wife was covered given the many pieces of paperwork she was carrying, but if this case teaches us anything, it's that quality trumps quantity. Bringing reams of documentation is pointless unless you have the right stuff: Seven incorrect documents will never make up for a missing but essential one. When traveling overseas, never rely solely on a friend, travel agent, or airline or cruise line for the most up-to-date entry and exit requirements. Find out precisely what you will need directly from the source—the country's consulate, embassy, or government-sanctioned tourism Web site. And if in doubt, always take your passport. These simple acts can ensure that your vacation not only starts on the right foot but starts in the first place.
My husband and I had a terrible lodging experience in Paris last summer. We booked and prepaid $1,700 for an apartment for one week on the Left Bank, in St-Germain des Pres, through Paris Apartment Tours, a company that we thought was based in Paris but later learned is run out of New York City. We chose to stay in an apartment so we could have a true Parisian experience, and after seeing photos of this one on the company's Web site, it seemed perfect for our needs, and it was recently renovated.
When we arrived at the apartment, we were met by a friend of the owner of Paris Apartment Tours. He was very unprofessional: He didn't introduce himself, help us with our bags, present a business card or identification when asked for it, or even show us the apartment. He just took our credit card information "for security purposes" (we felt uncomfortable giving it to someone we didn't really know, but what choice did we have?), and after we paid him the $130 check-in and cleaning fee, he gave us the keys and promptly left.
Upon entering the apartment, we were shocked at what we saw. It was not at all what was promised. The futon and kitchen faucet were broken, the shower was moldy, there was no storage space (all the wardrobes were full of the owner's belongings), the furnishings were worn, the air-conditioning wasn't working . . . We could go on.
We felt like we had been taken for a ride, so we e-mailed the owner of Paris Apartment Tours numerous times during our stay, detailing the problems and asking for a 20 percent refund, or $340. This request didn't seem excessive considering the deplorable state of the apartment and the company's lack of professionalism. Not once did the owner reply. We continued our attempts to contact him after our return home and finally received a reply. He said that he was not willing to give us a refund and rebuffed our complaints with curt excuses. For instance, he maintained that mold and wear and tear are normal, and that he never claimed that the apartment was air-conditioned. He concluded by blaming our disappointment on high expectations, saying that an apartment could never provide the comforts of a five-star hotel. All he was willing to offer as compensation was 10 percent off a future stay.
His response was unacceptable. The company's Web site claimed that the apartment was fully renovated, and our experience suggests otherwise. Again we asked for a 20 percent refund, but this time we never heard back. We then complained to the New York Better Business Bureau, but since it never received a response from Paris Apartment Tours, it closed the case. We don't know where else to turn. Can you help?


text:
Home › Opinion
David Banner Challenges Black America To "Get To Work" Following Trump Election
By Kiyonna Anthony
Source: J. Countess / Getty
In a Facebook Live video, David Banner spoke to his followers, saying Trump being in the White House just might be what the Black community needs.
"This may be the best thing to ever happen to black people, maybe in history because now there's no excuse and I'm starting with me." he said. "People look to me as a leader in so many cases. I try to push it off like 'Nah, I'm just a humble servant' but the truth is I am a leader and I have to become more prepared, be more prepared to speak on our behalf."
Banner says it didn't matter which way the election went because whether Clinton or Trump became president, he thinks the Black community would've had the same problems.
But he encouraged his people not to "freak out," saying, "As a people we need to become more prepared. We need to start today. What's going to happen in our local elections next time? We're going to have to educate ourselves. We're going to have to prepare ballots. We may even have to go as far as creating our own third party. People are always scared about what will happen tomorrow but that's not what I fear. I fear what can possibly happen–or I'm excited about what could possibly happen in the near future."
Check out David Banner's passionate video above.
SOURCE: Twitter | PHOTO CREDIT: J. Countess / Getty
David Banner Challenges Black America To "Get To Work" Following Trump Election was originally published on globalgrind.com
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WHEN WAS CHIAROSCURO MAGAZINE FOUNDED?
Ishmael Annobil, founded the site in 2001, as ciaroscuro.com, after failing to get the correctly spelt domain name (chiaroscuro.com). He first developed a five-page promotional site, which got the site onto the most impressive mailing lists in the arts and culture world. The site became fully functional in 2004, publishing on a monthly basis.
Before Chiaroscuro Magazine, Ishmael Annobil had founded and edited Wales' first serious arts newspaper, CIRCA21, in the mid-Nineties. Though it established the Welsh critical base, it was sidelined for funding by the Welsh Arts Council. Ishmael gave it up and moved to London, determined to find an alternative platform for his brand of arts journalism...the Web was the perfect answer. So, you may say CIRCA21 inspired Chiaroscuro Magazine, in many ways, especially the international scope and the juxtaposition of famous and relatively unknown art and personages.
WHY IS CHIAROSCURO MAGAZINE'S CRITIQUE SECTION NOT CATEGORISED BY SECTORS?
We made this category seamless to reflect that fact that we apply the same level of critical analyses and shibolleth to all art forms. Whereas previews will carry the industry-specific 'speak', Critique is where the differences collapse. Besides, art is over-categorized, and that tends to blind people to the artistic merits of functional forms of expression, and even oratorical forms. This numbing, traditional stance is not organic or even based on real critical analysis. It is merely the diktat of art critics, who aim to niggle real artists into submission—it is in essence the critic's survival strategy. Chiaroscuro Magazine debunks that nonsense. We champion a natural convergence of art forms, and respect all artists for their philosophies, methodologies, and ideologies. Refined furniture deserves to be placed on equal footing with refined sculpture.
WHY THE FREE JOURNALISM INTERNSHIP PROGRAMME?
Journalism is a traditional industry, a craft, however codified or academic it has become. It still maintains a rite of passage that makes it possible for a copyboy to rise to editor-in-chief. Our editor benefitted from the same tradition, on his way to becoming a chartered journalist. However, journalism is regressing fast in many places — graft, nepotism and weird patronage are undermining its great values. To make up for its loss of guts and craftsmanship, journalism has become partisan and populist. Someone had to attempt to do something about it. That is not to say our internship programme is a one-way thing. The intern gains invaluable experience and a portfolio to die for, and Chiaroscuro Magazine gains a wider perspective on cultural matters all over the world.
WHICH DEVELOPERS HELPED BRING CHIAROSCURO MAGAZINE TO ITS PRESENT STATE?
GARY WEST (2001): Film editor and college mate of Ishmael's, Gary developed a five-page promotional site in a single day, in 2001. He now lives in India.
MARCO RUSCHIONI (2004): Italian-South African genius Marco encountered the plans for a CMS based site, while working with Ishmael at iVillage. He liked the project enough to programme its initial template for Joomla migration, subsequently introducing Ishmael and the project to James Bowler of Neo-Technic, and the rest is history. He is really a founding member of the team, though not working with us.
JAHONGIR SIDIKOV (2004 - 2005): Uzbek IT Technician, webmaster and graduate of International Finance, joined us in 2004, to render Ishmael's graphics for a full site to the Web. He used Dreamweaver and, despite his structured Web programming background, he adapted quickly to the constant flux of art journalism and the need for spatial freedom in the design. His sacrifices and willingness to work with an ever-evolving style helped Ishmael establish his exacting editorial base and aesthetics.
JAMES BOWLER (2005 – 2007): Ardent lover of the idea of empowering small communities, London-based American IT ace James Bowler took warmly to the site from day one. He bent his own tight schedule to nurse and manage it round the clock. He has carried out this onerous work for free, initiating Ishmael to the joys of Joomla content management. He also pulled our past issues into frame (one by one) and masterminded a search for better routes into the ether-world. He is a giant of a man.
SEAN CHARLES (2005 – 2007): Plymouth based all-round developer and occasional creative writer, Sean came to the rescue of Ishmael's new design for the site in 2006, as a freelancer. Sean's extensive knowledge of the web and security systems saved the site a few times from hackers. His infectious humour throughout his stint on the site helped our transition a great deal.
RUZANNA HOVASAPYAN (2012 to the present): Armenia-based Ruzanna was responsible for the migration of the site to its new domain Chiaroscuro Magazine, and for the refined re-theming, based faithfully on Ishmael's graphic design. Over the years, she has managed to simplify the functionality of the site by avoiding any geeky bureaucracy, as is evidenced in this our new re-theming. Ruzanna is noted for her desciplined, meticulous work and sensitivity to the aesthetic demands of Chiaroscuro.


"You need less than you think you do," says the saleswoman in the fleece zip-up. She is listening to me explain my packing list and her advice suggests that she's witnessed someone in my predicament before. At my local Mountain Equipment Co-op store, I immediately grab the largest backpack in the place, something no doubt designed for multi-week mountaineering expeditions through the Himalayas. She good-naturedly loads it with a few sandbags and stands by as I struggle to buckle it to myself and carry it around the store. As I sweat and teeter under the weight of a bag that would give a sherpa a hernia, I have an inkling that she might be right.
I'm preparing to embark on a three-month solobackpacking trip through Mexico, seeking whatever enlightenment that might bring. I had initially been concerned about avoiding scorpions and tropical diseases, so the challenge of fitting my closet into a single bag had never even crossed my mind. After years of writing about men's wear, I not only have a sizeable wardrobe, but I have become quite attached to dressing a certain way. Clothes are not just stuff to me; they are a part of me. The impulse, of course, is to bring everything: beach clothes, hiking clothes, lounging clothes, city going-out clothes, a range of shirts and jeans and light sweaters and outerwear for every possible scenario. Something has to give.
Over the years, I've written at length about the value of investing in quality rather than quantity – curating your wardrobe around a few beautiful, wellmade things. I've made analogies between the things we buy and the lives we lead, waxing philosophical about authenticity and beauty and aesthetic purity. I believe it all, of course, but now, through some sort of perverse fashion karma, I'm on the brink of being forced to follow my own advice to a degree with which I am uncomfortable.
As I try in vain to gracefully unharness myself from the giant bag, I know what I have to do. I don't want to be that guy struggling through some foreign airport under a pack twice his size, festooned with dangling sneakers, water bottles and other detritus. I've seen this guy, and he looked like he was neither on his way to enlightenment nor having fun. "I need less than I think I do," I repeat to myself, not really believing it. Then, heeding the gentle advice from the lady in the zip-up, I buy a bag roughly half the size of the first one I'd selected and resign myself to making it work.
Buying luggage is one thing; filling it is another entirely. As my departure date looms, my pile of clothes still dwarfs my bag, which sits empty in a corner, mocking me and my vanity. I enlist the help of a friend, a seasoned traveller who is perfectly happy hitting the road for a month with just a sarong, a folding yoga mat and a pair of light sandals. This degree of austerity both entices and terrifies me – the freedom of traveling light tempered by the anxiety of not being able to dress for every occasion. Sensing the direness of my situation, she suggests we start with something easy.
"How much underwear do I need?" I ask. "Enough for a week," she says decisively. "Should I bring my favourite pair of socks?" "No. You'll wear them out or lose them." And so began my transformation from Stylish Man About Town, to Man With Three Shirts and Two Pairs of Pants. We travel seeking beauty, perspective and inspiration, but in order to find these things it's often necessary to sacrifice some comfort (the familiarity of daily routines, our own beds, a robust selection of footwear). The longer the trip and the less you bring with you, I reason, the more pronounced the rewards.
After chipping away at the edges, I begin to work on the core of my task. I've always liked the idea of men who choose to wear uniforms (think Thom Browne's abbreviated grey suits and Michael Kors's blazers and T-shirts, not Canada Post blues), so I take the opportunity to try this approach. I settle on a pair of dark jeans and a pair of dark blue chinos, accented by a rotation of button-down shirts (one blue linen, one green gingham, one a jaunty yellow graphic print). I choose a varsity-style sweatshirt I like but I'm not emotionally attached to, a packable nylon raincoat and some long underwear for chilly nights.
Five pairs of shoes had initially seemed reasonable, but practical realities suggest that number is, in fact, ridiculous. I have to make do with two. Alongside my trusty runners, I console myself with the purchase of a new pair of tough suede Chelsea boots. In the name of beauty, perspective and inspiration (plus, new shoes!) I decide I can stand to be underdressed for formal occasions, should they arise.
As I look at my travel uniform laid out before me, I like the person it suggests. He is spontaneous but stylish, practical but adventurous – a sort of Indiana Jones by way of J.Crew – and a man who values authentic experiences and beautiful things in equal measure. I haven't fit my outer self into my backpack after all – I've created a new one. And I quite like the way he dresses.


A Grand family Victorian home in the center of Clifton Village with private off-street parking. The house is on 4 floors & boasts 5 substantial bedrooms, 3 family bathrooms, the most fantastic kitchen & social space, plus a separate dining room & a separate lounge. This house is perfect for families wanting a break away or friends getting together in one of the best areas in Bristol. Clifton Village is on your doorstep with many restaurants, cafes & independent shops. A great house to enjoy!
The house dates back to the 1800's and is our family home that's been lovingly restored over the last two years. It is spread over four floors with a great social space downstairs and bedrooms and bathrooms spread over floors 2, 3 and 4. The house is over 3,000 square feet, so if space and grandeur is what you are after, then you've found the right house! The kitchen is very much at the heart of the house and we have a great entertaining space, with large marble worktops and a big fireplace too. We love coffee and have a very fancy coffee machine that you are welcome to use also. We also love entertaining people, so the house is very much set up for this. We have two log burners in the house which are fantastic in the winter heating the entire house and guests are welcome to use these too (we will leave you logs and instructions too). The bedrooms are all large, with plenty of draws and wardrobes to hang your clothes. Two of the bedrooms have super king beds (one a sleigh bed) and all the bathrooms are large with separate baths and showers for you to enjoy. The decor is modern and neutral, with a nod to travelling (we live caving) and there is solid wood flooring in the downstairs rooms and lovely soft carpet in the bedrooms. As such we do ask guests if they can take off their shoes when they are staying.


The American Sociological Association (ASA), founded in 1905, is a non-profit membership association dedicated to advancing sociology as a scientific discipline and profession serving the public good. With over 13,200 members, the ASA encompasses sociologists who are faculty members at colleges and universities, researchers, practitioners and students. About 20 per cent of the members work in government, business or non-profit organizations.


Dr Bronwen Thomas has published on new media narratives, participatory cultures and online reading communities, including a study of a forum dedicated to the contemporary American writer, Mark Danielewski. She has an extensive list of international contacts working with empirical approaches (members of the Poetics and Linguistics Association and the International Society for the Empirical Study of Literature and Media; Salway and Herman who contributed a chapter to a collection of essays she co-edited) and with fans and online communities.
Dr Julia Round has published on cross-media adaptation, television and discourse analysis, the 'graphic novel' redefinition of comics, and the digital transformations apparent in comics publishing. She is editor of the academic journal Studies in Comics and brings expertise particularly in relation to the blurring of boundaries between genres and media, but also in addressing the specific practices and needs of readers of multimodal texts which often lie on the margins of the 'literary'.
© 2019 Researching Readers Online. All Rights Reserved. Created using PressWork.


text:
package com.yjl.javabase.thinkinjava.strings;//: strings/Turtle.java
import java.io.*;
import java.util.*;

public class Turtle {
  private String name;
  private Formatter f;
  public Turtle(String name, Formatter f) {
    this.name = name;
    this.f = f;
  }
  public void move(int x, int y) {
    f.format("%s The Turtle is at (%d,%d)\n", name, x, y);
  }
  public static void main(String[] args) {
    PrintStream outAlias = System.out;
    Turtle tommy = new Turtle("Tommy",
      new Formatter(System.out));
    Turtle terry = new Turtle("Terry",
      new Formatter(outAlias));
    tommy.move(0,0);
    terry.move(4,8);
    tommy.move(3,4);
    terry.move(2,5);
    tommy.move(3,3);
    terry.move(3,3);
  }
} /* Output:
Tommy The Turtle is at (0,0)
Terry The Turtle is at (4,8)
Tommy The Turtle is at (3,4)
Terry The Turtle is at (2,5)
Tommy The Turtle is at (3,3)
Terry The Turtle is at (3,3)
*///:~

redpajama_set_name: RedPajamaGithub


text:
The six best shows you can watch on Netflix now
Sat 3rd Dec 2022 09.00 GMT
2022 is coming to a bittersweet end. A year that was not only ravaged by the pandemic but also a dangerous war, unprecedented violence and several other climate disasters, the future looks more bleak than ever. Tired of the mayhem and chaos, people have often sought refuge in the escapism offered by films and shows on several platforms, including Netflix.
Netflix had a particularly rough start to 2022. After its massive success with the 2021 South Korean dystopian thriller series Squid Game, the streaming giant faced immense competition from its contemporaries. Its business model failed as it prioritized quantity over quality and soon, due to the increase in subscription prices, they faced an unprecedented subscriber loss, falling stock prices and revenue loss.
However, the streamer gained its footing in the final quarter of this year. As it continues to add new content, we must acknowledge some of the best shows that the streamer has produced and/or acquired over the years which tickle our audiovisual senses.
Here are the 6 best shows you can now watch/rewatch on Netflix before the year comes to an end:
The 6 best shows you can watch on Netflix now:
Russian Doll (Natasha Lyonne, Amy Poehler, Leslye Headland, 2019)
One of the greatest and craziest Netflix Originals ever made, the series focuses on the escapades of the frenzied and reckless Nadia, the self-deprecating lead of the show. Caught in a continuous time loop, Nadia's cynicism is put to test as she relives the same events and every decision affects the subsequent outcome.
Caught in a video-game-like maze, Nadia craves escape and navigates the turf with a man named Alan Zaveri. With two seasons to its name, Russian Doll is an absolute delight with a potty-mouthed, hilarious protagonist at the centre and her evolving relationship with New York City.
Bojack Horseman (Raphael Bob-Waksberg, 2014)
Perhaps one of the most insightful shows ever made (with a good dollop of dark humor), Bojack Horseman is a personal favourite. With the titular anthropomorphic self-loathing, cynical and depressed horse in the lead, the show abounds in the utter disillusionment and hopelessness of life and existence via Bojack's tragicomic escapades.
Beautiful and poignant, the show touches on heavyweight material, including alcoholism, substance abuse, depression, childhood trauma, relationships and life. Often heartbreaking and steeped in existential dread, the show is nothing short of profound, philosophical poetry and deserves to be watched and rewatched; its brilliance remains unparalleled.
Wednesday Addams (Tim Burton, 2022)
Starring Jenna Ortega in the centre as the titular morbid anti-hero, Wednesday Addams is perhaps one of the best and most entertaining releases of 2022. Tim Burton serves a teen drama focusing on the iconic unsettling horror icon with the eccentric macabre horror quintessential to him. Ortega lives up to the legacy of Christina Ricci and Lisa Loring, who created a mark with their individual portrayal of Wednesday and adds her own flavour to this fan-favourite character.
Joined by Ricci, Gwendoline Christie, Luis Guzman, Catherine Zeta-Jones and many more, Ortega's Wednesday is sent to Nevermore Academy, which is home to several outcasts like her, including vampires, werewolves, sirens and gorgons. As Wednesday struggles to live up to her mother's legacy, she is caught in a turmoil that involves a bloody murder mystery, her family's dark past and her traumatic psychic visions.
Sex Education (Laurie Nunn, 2019)
Set in Moordale High, Sex Education is one of Netflix's most popular shows. With teenage hormones and sex drive at an all-time high, the series focuses on the awkward Otis teaming up with school baddie Maeve to impart sex education to their misinformed and horny classmates, leading to several adventures and mishaps.
Dealing with critical issues and social taboos in a well-nuanced manner that has equal parts humour and drama, the show addresses abortion, sexual assault, homophobia, erectile dysfunction, safe sex and more. Star Emma Mackey, who plays the absolute feminist icon, Maeve Wiley, revealed how she would rather be remembered as a feminist than "an asshole".
The Crown (Peter Morgan, 2016)
One of the most polarizing shows on Netflix, Peter Morgan's The Crown has inspired several debates, discussions and dissent ever since its inception in 2016. One of Netflix's most viewed shows, The Crown, focuses on the various decades of Queen Elizabeth II's reign, from when she ascended the throne to the present times. While the Queen is dead in real life, her legacy continues to live in the show.
With its fifth season streaming on Netflix, the new cast includes Imelda Staunton, Elizabeth Debicki, Dominic West, Olivia Williams and more. It focuses on some of the darkest years of the Queen's regime and provides an intimate insight into the secrets and scandals of the Royal family against a tumultuous socio-economic backdrop in Britain.
Stranger Things (Ross and Matt Duffer, 2016)
Netflix's very own lucky charm, Stranger Things, was the show that catapulted the streamer to its current popularity and also helped it resuscitate its poor viewership ratings and falling stocks at the beginning of 2021. Created by the Duffer brothers, this show is a nostalgic ode to the grunge aesthetics of the 1980s and pays homage to the Duffers' favourite, the master of horror, Stephen King. From evil bureaucratic conspiracies to dangerous monsters and epic showdowns with brave children saving the day, this sci-fi show has it all.
Starring Millie Bobby Brown, Noah Schnapp, Finn Wolfhard, David Harbour, Winona Ryder, Caleb McLaughlin, Sadie Sink and Joe Keery, among others, the show is a concoction of every child's dream sequence. With four brilliant seasons, the show will come to an end with its fifth and final season, which will feature some epic mayhem and heartbreaking moments, as promised by the cast and crew.


"Quantico" actress Priyanka Chopra once said this about the term Bollywood: "I don't like the word, because we're not a miniature Hollywood. We are the Indian film industry, one of the most prolific producers in the world...It's a ginormous business."
You know what else is ginormous business? Nollywood - also known as the Nigerian film industry.
The Toronto Film Festival is shining it's spotlight on the bright city of Lasgidi. The festival just announced the 8th annual City to City program which showcases filmmakers living and working in Lagos, Nigeria.
"Hundreds of films are made every year in Lagos for a voracious audience around the world. Our City to City spotlight brings some of Nollywood's most popular filmmakers together with new voices who are introducing an alternative, indie spirit to Nigerian cinema," said Cameron Bailey, Artistic Director of the Toronto International Film Festival. "We're excited to share this unprecedented showcase of talent from Lagos with our Toronto audience."
The audience in Toronto is in for a treat as they will get to see eight full length films as part of the series. First up? Kemi Adetiba's rom com "The Wedding Party." The highly anticipated film will get the special honor of being the opening night film. Major congrats to girl boss Kemi. She is such an inspiration! You can check out the film trailer's here.
In addition, Lagos based actors OC Ukeje and Somkele Iyamah-Idhalama will be included in the TIFF Rising Stars program.
And lastly, actress Genevieve Nnaji and actor and director Kunle Afolayan will also join audiences for a talk as part of the Festival's In Conversation With... program.
Past cities featured in the program include London, Seoul, Athens, Mumbai, Buenos Aires, Istanbul and Tel Aviv.
I'm hoping that this will lead to more Nollywood films being released either theatrically or via DVD in the US and North America. Cant wait to see the red carpet pics!!


We are thrilled with the new renovation. At a fraction of the cost of building a new house, we have a new, modern, beautiful house ... that will last for years to come... Throughout the process, we really appreciated the attention you gave us answering questions, being patient with us as we made changes, and working with us to resolve the challenges of updating a 40-year-old house. Our very special thanks to both Gary Klein, our foreman, and Michael Batur, our project manager, who spent so much extra time making sure we had all the information we needed, and wouldn't quit until we were completely happy with the results. We are looking forward to phase 2 of our project in a few years. We will definitely recommend you to others who wish to renovate or build. And maybe someday, we will build that house.
You did a superb job, and we are very happy. We will highly recommend you to everyone we know... Thank you all for building us such a beautiful home! Best to all of you!
The whole Phillips Brothers crew ... did a great job and was a pleasure to work with... Sherrie and I were up at the house the last two weekends. We are really thrilled with how all of the renovation work came out. I really appreciate that all of the items on the final punch list are now complete. The whole Phillips Brothers crew (including Lenny and Mike Pitts) did a great job and was a pleasure to work with. I will keep a list of the next round of projects, i.e., new roof, new deck, etc. and will give you a call when we are ready to move forward. In the meantime, feel free to drop by if you are ever in the neighborhood and want to see the entire finished project with furnishings.
Their committment, understanding, and friendship during the design, build, and completion of our home has exceeded all expectations... We truly love our Phillips Brothers Home! We first heard of the Phillips Brothers through a neighbor in Atlanta... the Phillips Brother built their lake home on Lake Hartwell. They recommended we give Phillips Brothers a call. We were impressed with the homes and design of their new subdivision, Laurel Glen. The attention to detail has won rave reviews from every one that has walked through our front door. We found their employees and contractors to be professional and courteous. We look forward to having Phillips Brothers build our lake home!
You and Gary Klein have been fantastic in your professionalis, honesty and communication. Your frequent emails and phone calls did much to reassure us and involve us in the building process. We always felt that there was excellent communication between us and that our mutual goal was building the house in accordance with our dreams. You and Gary never hesitated to call or email us back on any concern. And you have proven that you stand by your product because after closing we still can call you and Gary on any concerns (which are very few, if any). I have the pleasure of recommending your company to any new prospective home buyer in your area. And I tell everyone I meet about our house and our builder and the satisfaction from your product! This is the relationships that buyers should have with their builder and not like the horror stories you sometimes hear. Thank you again for making our dreams a reality. You, Gary, Cale and your entire company (and all the great subcontractors) are the greatest!!!


text:
Active Ingredient: deltamethrin
MOA: Sodium channel modulators, Pyrethroids, Pyrethrins, DDT
Group: PYR CAS #: 52918635 Shaugnessy Code: 97805
Lahore Khan, H., Akram, W., and Iqbal, N. (2015). Selection and Preliminary Mechanism of Resistance to Profenofos in Field Strain of Musca domestica (Diptera: Muscidae) from Pakistan. Journal of Medical Entomology , 52 1013-1017.
Punjba--
Lahore Ali Khan, H., Akram, W., and Haider, M. (2015). Genetics and mechanism of resistance to deltamethrin in the house fly, Musca domestica L., from Pakistan. Ecotoxicology, 24(6) 1213-1220.
Multan Khan, H. A. A., Akram, W., and Shad, S. A. (2013). Resistance to conventional insecticides in Pakistani populations of Musca domestica L. (Diptera: Muscidae): a potential ectoparasite of dairy animals. Ecotoxicology, 22 522-527.
Faisalabad Khan, H. A. A., Akram, W., and Shad, S. A. (2013). Resistance to conventional insecticides in Pakistani populations of Musca domestica L. (Diptera: Muscidae): a potential ectoparasite of dairy animals. Ecotoxicology, 22 522-527.
Sargodha Khan, H. A. A., Akram, W., and Shad, S. A. (2013). Resistance to conventional insecticides in Pakistani populations of Musca domestica L. (Diptera: Muscidae): a potential ectoparasite of dairy animals. Ecotoxicology, 22 522-527.
Jinlin Wang, Q., Li, M., Pan, J., Di, M., Liu, Q., Meng, F., Scott, G S., and Qiu, Xinghui. (2012). Diversity and frequencies of genetic mutations involved in insecticide resistance in field populations of the house fly (Musca domestica L.) from China. Pesticide Biochemistry and Physiology, 102 153-159.
beijing Wang, Q., Li, M., Pan, J., Di, M., Liu, Q., Meng, F., Scott, G S., and Qiu, Xinghui. (2012). Diversity and frequencies of genetic mutations involved in insecticide resistance in field populations of the house fly (Musca domestica L.) from China. Pesticide Biochemistry and Physiology, 102 153-159.
Shandong Wang, Q., Li, M., Pan, J., Di, M., Liu, Q., Meng, F., Scott, G S., and Qiu, Xinghui. (2012). Diversity and frequencies of genetic mutations involved in insecticide resistance in field populations of the house fly (Musca domestica L.) from China. Pesticide Biochemistry and Physiology, 102 153-159.
Shanghai Wang, Q., Li, M., Pan, J., Di, M., Liu, Q., Meng, F., Scott, G S., and Qiu, Xinghui. (2012). Diversity and frequencies of genetic mutations involved in insecticide resistance in field populations of the house fly (Musca domestica L.) from China. Pesticide Biochemistry and Physiology, 102 153-159.
Guangdong Wang, Q., Li, M., Pan, J., Di, M., Liu, Q., Meng, F., Scott, G S., and Qiu, Xinghui. (2012). Diversity and frequencies of genetic mutations involved in insecticide resistance in field populations of the house fly (Musca domestica L.) from China. Pesticide Biochemistry and Physiology, 102 153-159.
G5285	 1990 Field Evolved Resistance
Japan Shono, T., and J.G. Scott. (1990). Autosomal Sex-Associated Pyrethroid Resistance in a Strain of House Fly (Diptera: Muscidae) with a Male-Determining Factor on Chromosome Three. Journal of Economic Entomology, 83(3) 686-689.
Hungary Szabo, L. (1987). Insecticide resistance of houseflies (Musca domestica) on pig farms.. Magy Allatorv Lapja, 42 531-536.
Canada--
Alberta Harris, C. R., Turnbull, S. A. and Whistlecraft, J. W. (1982). Multiple resistance shown by filed strains of house fly, Musca domestica (Diptera: Muscidae) to organochlorine, organophosphours, carbamate, and pyrethroid insecticides.. Can. Entomologist., 114 447-54.
Ontario Harris, C. R., Turnbull, S. A. and Whistlecraft, J. W. (1982). Multiple resistance shown by filed strains of house fly, Musca domestica (Diptera: Muscidae) to organochlorine, organophosphours, carbamate, and pyrethroid insecticides.. Can. Entomologist., 114 447-54.


Lark was born 15 years ago this month and we're going to celebrate! Join us for a party to toast this town and our community for years of support, fine food, good wine and great times. Lark is filled with gratitude and we want to give something back, so half of the proceeds from this celebration will be donated to Northwest Harvest. We'll be serving favorite Lark snacks, sparkling wine and other treats. Tickets can be purchased here. We'll see you on the 16th!


text:
FOCUS Login
Industry Impact Watch
Government Affairs & Legal Counsel
Charles (Chuck) Storrow | Partner
Chuck Storrow is a lawyer/lobbyist in the Vermont Statehouse with deep experience in environmental policy, energy/utilities, telecommunications, insurance and health care. Chuck combines versatility with an eye for detail and a comprehensive understanding of Vermont's political, economic and social landscape. Chuck grew up in an old farmhouse on a dirt road in Jericho, Vermont. Prior to joining Leonine Public Affairs in 1989, Storrow practiced law with a Burlington, Vermont firm specializing in civil and administrative litigation. He served on the Vermont Environmental Board from 1989 to 1992. In 1982-83 he served as a judicial law clerk for the Hon. Sterry R. Waterman, Senior Judge, U.S. Court for Appeals for the 2nd Circuit. He has a B.A. in history from the University of Maine and his J.D. from Vermont Law School, where he served on the Vermont Law Review and graduated with the highest academic ranking in his class.
1 Blanchard Court Suite 101 Montpelier VT 05602
WeWork c/o FOCUS, a Leonine Business 1201 Wilson Blvd, 27th Floor Arlington VA 22209
© 2016 Leonine Public Affairs
Coalition & Association Management
FOCUS regulatory and legislative tracking & reporting
Issue Campaigns


The wealth of the Church of Jesus Christ of Latter-Day Saints is not known as current tax laws allow religious institutions to keep their financial information private. However, a corporate spokesman for the worldwide church known colloquially as the "Mormon Church" has announced that a $585 million deal in Florida will allow the institution to purchase an additional 382,834 acres of Florida land.
The land in question is not developed and often times does not even have paved roads for access. Currently, the land largely belongs to St. Joe's timberlands and is spread across Gulf, Gadsen, Bay, Jefferson, Liberty, Leon, and Wakulla counties in the state's panhandle area.
One of the church's vast corporate holdings, AgReserves Inc., will manage the land for its timber. AgReserves claims it has been a wise steward over its land holdings and will operate on the land responsibly. When the deal is completed, the Church will own 685,000 acres of land in the sunny state which amounts to 2% of the Florida's land mass. No other private organization owns a swath of land that large in Florida. St. Joe's will remain in operation with 185,000 acres of land after the sale.
Black Friday Deals: Walmart, Target Amazon Who Has The Best Deals?
Sears Vacation Layaway A Good Idea?


The Finnish Forest Industries Federation (FFIF) recently issued a report regarding Finland's exports in January-March 2013. According to the report, paper and paperboard production came to 2.7 million tonnes in the first quarter of 2013, up 2.8% from the corresponding period of 2012.
Some 750,000 tonnes of paperboard were produced in January-March, up almost 17% from the first quarter of 2012. This increase was due to an increase in Finnish paperboard production capacity as well as the low level of output recorded in the corresponding quarter of the previous year.
Graphic paper consumption fell 5.5% in Europe during the early part of the year. Finnish graphic paper production came to 1.6 million tonnes, down 3.4% from January-March 2012. Export prices have been falling since last autumn. The situation remains extremely difficult in the market for printing and writing papers as the structural change continues.
January-March pulp production came to 1.8 million tonnes, up 3.7% from the corresponding period of 2012. More pulp was processed domestically than in the previous year, and the volume of export deliveries fell 20.5% compared to 2012. The market price of pulp has been increasing since last autumn.
The recession is weakening demand for sawn timber in Europe. Furthermore, harsh winter weather in Central Europe held off the start of the construction season and this has caused sawn timber deliveries to be postponed beyond their usual dates.
Some 2.5 million cubic metres of sawn timber were produced in the first quarter of 2013, up about 10% from the previous year. Around 270,000 cubic metres of plywood were produced; this is 8% more than in the corresponding period of 2012. Plywood demand has been showing signs of recovery and plywood mills have been calling off layoffs.
A recent report on the construction industry of Finland estimates that Finnish building activity will continue to decline by 3% in the current year. Growth is not expected before 2014.
The forest industry purchased 6.7 million cubic metres of timber in January-March, up about 7% from the corresponding period of 2012. Sawlog purchase volumes increased to 2.9 million cubic metres and pulpwood procurements to 3.6 million cubic metres. Stumpage prices rose.
Finland cannot retain a competitive forest industry, says FFIF, unless the cost of wood raw material remains reasonable relative to the prices fetched by end products. The competitive ability of sawmills in particular is under strain because of high raw material costs.


Description: The number of people with chronic conditions is rapidly rising. Between 2000 and 2030, the number of Americans with one or more chronic conditions will increase 37 percent, an increase of 46 million people. Chronic conditions are conditions that last a year or more and require ongoing medical attention and/or limit activities of daily living. They include both physical conditions such as arthritis, cancer, diabetes, COPD, heart failure, and HIV infection. Also included are mental and cognitive disorders, such as ongoing depression, substance addiction, and dementia. This workshop will cover the In-Home aide's role in assisting client's with the most common chronic conditions.


text:
Iowa State Patrol trooper injured in serious crash
Updated: 12:11 PM CDT Oct 15, 2021
WITHDRAWAL JUST SIX WEEKS O. WHILE RESPONDING, HE GOT INTO A CRASH ON HIGHWAY 51 X MILES NORTH OF POSTVILLE IN NORTHEASTERN IOWA. A HELICOPTER FLEW
The Iowa State Patrol on Friday said a trooper was injured in a serious crash in northeast Iowa Thursday night.According to the patrol, Trooper Ted Benda was assisting the Clayton County Sheriff's Office with a call for service at 11:30 p.m.The patrol said Benda was involved in a single-vehicle collision on Highway 51 about 6 miles north of Postville. "He was airlifted to Gunderson Lutheran Hospital in La Crosse, Wisconsin, where he remains in critical condition," the Iowa State Patrol said through a news release.The crash remains under investigation. No other details were immediately released.
POSTVILLE, Iowa —
The Iowa State Patrol on Friday said a trooper was injured in a serious crash in northeast Iowa Thursday night.
According to the patrol, Trooper Ted Benda was assisting the Clayton County Sheriff's Office with a call for service at 11:30 p.m.
The patrol said Benda was involved in a single-vehicle collision on Highway 51 about 6 miles north of Postville.
"He was airlifted to Gunderson Lutheran Hospital in La Crosse, Wisconsin, where he remains in critical condition," the Iowa State Patrol said through a news release.
The crash remains under investigation. No other details were immediately released.


text:
La  est une ligne ferroviaire des compagnies JR Central et JR West au Japon. Cette ligne relie directement l'aire urbaine de Nagoya à la région de Hokuriku, suivant pendant une grande partie de son parcours le fleuve Kiso. La ligne dessert les sites touristiques de l'ancienne province de Hida, comme les sources chaudes de Gero, la ville de Takayama ou le village de Shirakawa-gō (à distance).

La partie sud de la ligne principale Takayama entre Gifu et Inotani est exploitée par la JR Central. La partie nord entre Inotani et Toyama est exploitée par la JR West.

Histoire
La ligne principale Takayama a été ouverte en 1920 entre Gifu et Kakamigahara. Elle a été prolongée à Toyama en 1934.

Caractéristiques

Ligne
 longueur :
 écartement des voies :
 vitesse maximale : 110 km/h
 nombre de voies : voie unique

Services et interconnexion
Certains trains de la ligne Taita empruntent la ligne entre Mino-Ōta et Gifu.
A Gifu, les services Limited Express Hida continuent sur la ligne Tōkaidō jusqu'à la gare de Nagoya.

Liste des gares

Section Gifu - Inotani

Section Inotani - Toyama

Matériel roulant

Actuel
Section Gifu - Inotani (JR Central)

Section Inotani - Toyama (JR West)

Ancien

Notes et références

Voir aussi

Lien externe
  Tracé de la ligne sur OpenStreetMap

Ligne de chemin de fer dans la préfecture de Gifu
Ligne de chemin de fer dans la préfecture de Toyama

redpajama_set_name: RedPajamaWikipedia


text:
COVID-19 drug
UK approves GSK COVID-19 drug that firm says appears effective against Omicron
Agency - December 2, 2021 0
British regulators on Thursday approved a GlaxoSmithKline drug to treat those at high risk of developing severe COVID-19 symptoms, with the manufacturer saying it appears effective against the new Omicron variant. The antibody treatment, Sotrovimab, "was found to be safe...
Gates Foundation allots $120m for poor nations to get COVID-19 drug
healthwise - October 20, 2021 0
The Gates Foundation will allocate up to $120 million to help lower-income countries get an experimental COVID-19 drug being developed by United States drugmaker Merck & Co Inc in the battle against coronavirus, the foundation said on Wednesday. According to...
Anti-microbe drug shows promise against COVID-19 –Study
An affordable anti-microbial drug used to treat stomach ulcers and bacterial infections has shown promise in combatting the coronavirus in animals, scientists in Hong Kong announced Monday. Researchers set out to explore whether metallodrugs – compounds containing metal that are...
US begins clinical trial of antibody-drug for COVID-19
Agency - August 4, 2020 0
The United States has started late-stage clinical trials into a drug formulated to fight COVID-19, officials said Tuesday. The medicine is an antibody against the new coronavirus called LY-CoV555, which was identified in the blood sample of a recovered patient...
Dexamethasone: How Nigerians use COVID-19 drug for weight gain
Adebayo Folorunsho-Francis - July 19, 2020 0
Adebayo Folorunsho-Francis Health care providers in Nigeria have warned members of the public against unethical use of Dexamethasone, a drug used in the management of severe COVID-19 infection. PUNCH HealthWise reliably gathered that the anti-inflammatory drug is being used for weight...
Togo slates September for human trials of local COVID-19 drug
Adebayo Folorunsho-Francis - July 6, 2020 0
Adebayo Folorunsho-Francis Researchers at the University of Lomé, Togo, say they will begin human trials of local drugs to combat the novel coronavirus on September 1, 2020. The news, which was relayed in a tweet by Le Temple du Savoir, comes...


text:
package main

import (
	"fmt"
)

func processGodownloader(repo, path, filename string) ([]byte, error) {
	cfg, err := Load(repo, path, filename)
	if err != nil {
		return nil, fmt.Errorf("unable to parse: %s", err)
	}
	// hacky way for when the project has multiple archives.
	// for now this only handles the first archive.
	// nolint: godox
	// TODO: support this once multiple archives is done on goreleaser side.
	if len(cfg.Archives) > 0 {
		cfg.Archive = cfg.Archives[0]
	}
	// get archive name template
	archName, err := makeName("NAME=", cfg.Archive.NameTemplate)
	cfg.Archive.NameTemplate = archName
	if err != nil {
		return nil, fmt.Errorf("unable generate archive name: %s", err)
	}
	// get checksum name template
	checkName, err := makeName("CHECKSUM=", cfg.Checksum.NameTemplate)
	cfg.Checksum.NameTemplate = checkName
	if err != nil {
		return nil, fmt.Errorf("unable generate checksum name: %s", err)
	}

	return makeShell(shellGodownloader, cfg)
}

// nolint: lll
const shellGodownloader = `#!/bin/sh
set -e
# Code generated by godownloader on {{ timestamp }}. DO NOT EDIT.
#

usage() {
  this=$1
  cat <<EOF
$this: download go binaries for {{ $.Release.GitHub.Owner }}/{{ $.Release.GitHub.Name }}

Usage: $this [-b] bindir [-d] [tag]
  -b sets bindir or installation directory, Defaults to ./bin
  -d turns on debug logging
   [tag] is a tag from
   https://github.com/{{ $.Release.GitHub.Owner }}/{{ $.Release.GitHub.Name }}/releases
   If tag is missing, then the latest will be used.

 Generated by godownloader
  https://github.com/goreleaser/godownloader

EOF
  exit 2
}

parse_args() {
  #BINDIR is ./bin unless set be ENV
  # over-ridden by flag below

  BINDIR=${BINDIR:-./bin}
  while getopts "b:dh?x" arg; do
    case "$arg" in
      b) BINDIR="$OPTARG" ;;
      d) log_set_priority 10 ;;
      h | \?) usage "$0" ;;
      x) set -x ;;
    esac
  done
  shift $((OPTIND - 1))
  TAG=$1
}
# this function wraps all the destructive operations
# if a curl|bash cuts off the end of the script due to
# network, either nothing will happen or will syntax error
# out preventing half-done work
execute() {
  tmpdir=$(mktemp -d)
  log_debug "downloading files into ${tmpdir}"
  http_download "${tmpdir}/${TARBALL}" "${TARBALL_URL}"
  http_download "${tmpdir}/${CHECKSUM}" "${CHECKSUM_URL}"
  hash_sha256_verify "${tmpdir}/${TARBALL}" "${tmpdir}/${CHECKSUM}"
  {{- if .Archive.WrapInDirectory }}
  srcdir="${tmpdir}/${NAME}"
  rm -rf "${srcdir}"
  {{- else }}
  srcdir="${tmpdir}"
  {{- end }}
  (cd "${tmpdir}" && untar "${TARBALL}")
  test ! -d "${BINDIR}" && install -d "${BINDIR}"
  for binexe in $BINARIES; do
    if [ "$OS" = "windows" ]; then
      binexe="${binexe}.exe"
    fi
    install "${srcdir}/${binexe}" "${BINDIR}/"
    log_info "installed ${BINDIR}/${binexe}"
  done
  rm -rf "${tmpdir}"
}
get_binaries() {
  case "$PLATFORM" in
  {{- range $platform, $binaries := (platformBinaries .) }}
    {{ $platform }}) BINARIES="{{ join $binaries " " }}" ;;
  {{- end }}
    *)
      log_crit "platform $PLATFORM is not supported.  Make sure this script is up-to-date and file request at https://github.com/${PREFIX}/issues/new"
      exit 1
      ;;
  esac
}
tag_to_version() {
  if [ -z "${TAG}" ]; then
    log_info "checking GitHub for latest tag"
  else
    log_info "checking GitHub for tag '${TAG}'"
  fi
  REALTAG=$(github_release "$OWNER/$REPO" "${TAG}") && true
  if test -z "$REALTAG"; then
    log_crit "unable to find '${TAG}' - use 'latest' or see https://github.com/${PREFIX}/releases for details"
    exit 1
  fi
  # if version starts with 'v', remove it
  TAG="$REALTAG"
  VERSION=${TAG#v}
}
adjust_format() {
  # change format (tar.gz or zip) based on OS
  {{- with .Archive.FormatOverrides }}
  case ${OS} in
  {{- range . }}
    {{ .Goos }}) FORMAT={{ .Format }} ;;
	{{- end }}
  esac
  {{- end }}
  true
}
adjust_os() {
  # adjust archive name based on OS
  {{- with .Archive.Replacements }}
  case ${OS} in
  {{- range $k, $v := . }}
    {{ $k }}) OS={{ $v }} ;;
  {{- end }}
  esac
  {{- end }}
  true
}
adjust_arch() {
  # adjust archive name based on ARCH
  {{- with .Archive.Replacements }}
  case ${ARCH} in
  {{- range $k, $v := . }}
    {{ $k }}) ARCH={{ $v }} ;;
  {{- end }}
  esac
  {{- end }}
  true
}
` + shellfn + `
PROJECT_NAME="{{ $.ProjectName }}"
OWNER={{ $.Release.GitHub.Owner }}
REPO="{{ $.Release.GitHub.Name }}"
BINARY={{ (index .Builds 0).Binary }}
FORMAT={{ .Archive.Format }}
OS=$(uname_os)
ARCH=$(uname_arch)
PREFIX="$OWNER/$REPO"

# use in logging routines
log_prefix() {
	echo "$PREFIX"
}
PLATFORM="${OS}/${ARCH}"
GITHUB_DOWNLOAD=https://github.com/${OWNER}/${REPO}/releases/download

uname_os_check "$OS"
uname_arch_check "$ARCH"

parse_args "$@"

get_binaries

tag_to_version

adjust_format

adjust_os

adjust_arch

log_info "found version: ${VERSION} for ${TAG}/${OS}/${ARCH}"

{{ .Archive.NameTemplate }}
TARBALL=${NAME}.${FORMAT}
TARBALL_URL=${GITHUB_DOWNLOAD}/${TAG}/${TARBALL}
{{ .Checksum.NameTemplate }}
CHECKSUM_URL=${GITHUB_DOWNLOAD}/${TAG}/${CHECKSUM}

execute
`


When it comes to frosting cakes, my favorite type of frosting to use is Swiss Meringue Buttercream!
It is super silky and smooth.
It's better in flavor and texture than regular American buttercream.
It keeps really well overnight at room temperature.
What is Swiss Meringue Buttercream (SMBC)?
SMBC is a type of buttercream made by heating egg whites and sugar, whipping it into a stiff meringue, then adding in softened butter. It creates a creamy, delicious, and super silky buttercream that is perfect for frosting and creating smooth cakes.
American Buttercream, on the other hand, is made by whipping softened butter, powdered sugar, and either milk or heavy cream. It's super easy to make, but can tend to be on the sweeter side.
If you've ever been intimidated by SMBC or if you've had issues before, I've got you covered! My recipe is foolproof, and as I've mentioned before, super forgiving!
The ingredients are very simple as well - you just need egg whites, granulated sugar, salt, butter, and vanilla or any other flavoring you'd like! I definitely recommend making this in a stand mixer, but it is possible with a hand mixer as well.
To get the FULL RECIPE + GUIDE, filled with all my tips and tricks, get the downloadable PDF HERE!
1. Start with cold large eggs. Cold eggs are easier to separate. Crack your eggs on a table or flat surface. Cracking on a flat surface creates larger indentations into the egg and you will be less likely to get shells into your bowl.
2. Your mixing bowl should be free of any grease! You can rub a lemon all around the bowl, or dampen a cloth with a little vinegar and wipe. Just make sure you wipe it dry.
3. Your butter should be softened in order to create a silky smooth texture. If your butter is too cold to add to your meringue, place on a plate, and pop it in the microwave for 5-10 second intervals. Your butter should be ready when you can easily slice through with a butterknife.
Have you tried making Swiss Meringue Buttercream yet? What are your thoughts?
If you have any questions at all, leave a comment below! Also, if you try this recipe out, let me know what you think. Better yet - take a picture and tag me on social media @justbakecause!


text: Q: Conflict in 2 different customization projects We have an existing project that includes customizations to SO101000 and SO301000.  I am trying to publish the AmazonIntegration2017Dec project and I get an error indicating a conflict on SO301000.  I assume SO101000 would also conflict.  Is there an easy way to override the conflict?  How do I publish two different projects that customize the same base forms?

redpajama_set_name: RedPajamaStackExchange


DES MOINES, Iowa – The Iowa Department of Education has no pre-filed bills for the 88th Iowa General Assembly but is looking for budget requests.
Director for the Iowa Department of Education Ryan Wise said one request is asking for state funding to support the Iowa Learning Online initiative.
"This funding will ensure that we are able to offer those courses primarily in the areas of world languages. We know many schools struggle to find and keep teachers in those areas. Particularly rural parts of the state," Wise said.
Wise said teacher shortages and children's mental health are his priorities during the session.
"We think that there are some adjustments that can probably be made to allow first year teachers who maybe have not yet quite achieved the required score for their entrance exam to get in and build their skills. Some flexibility we can give to out of state teachers moving to Iowa. As well as creating a more consistent passing score for the exams required to become a teacher in Iowa," Wise said.
There are currently over 50 pre-filed bills for the 2019 session. Two are from the College Student Aid Commission about Iowa Opportunity Scholarship and Skilled Workforce Shortage Tuition Grant.
"I think this year you'll see an effort during the legislative session to fund scholarships that encourage and enable students to go in to high demand career fields. I also anticipate a continued focus on computer science and on work-based learning, which are two areas that we really have supported at the department as well," Wise said.
Governor Kim Reynolds and the state have a goal set of having 70 percent of the workforce educated by 2025. It is part of her Future Ready Iowa program.


text:
Adinkerke Churchyard Extension is een Britse militaire begraafplaats met gesneuvelden uit de Eerste Wereldoorlog, gelegen in het Belgische dorp Adinkerke, een deelgemeente van De Panne. De begraafplaats is een onderdeel van de Belgische militaire begraafplaats van Adinkerke en ze ligt achter de dorpskerk. De twee perken met de Commonwealth-doden zijn samen 222 m² groot en worden onderhouden door de Commonwealth War Graves Commission.

Er worden 67 Britten herdacht waarvan er 8 afkomstig zijn uit Brits-West-Indië.

Geschiedenis
Het Britse XV Corps werd van juni tot november 1917 ingezet tussen de kust en Sint-Joris. De 1st Canadian Casualty Clearing Station (dit is een medische hulppost) bevond zich voor een korte periode in juni te Adinkerke. Van juli tot november 1917 bevonden de 24th en de 39th Casualty Clearing Stations zich aan de Oosthoek (een gehucht tussen Adinkerke en Veurne). De doden die hier begraven zijn waren bijna allemaal afkomstig uit deze hulpposten.

De begraafplaats werd in 2008 als monument beschermd.

Onderscheiden militairen
 koporaal Arthur Brain (King's Own Yorkshire Light Infantry) werd onderscheiden met de Distinguished Conduct Medal (DCM).
 matroos E.C. Aslett (Royal Navy Naval Siege Guns (France)) werd onderscheiden met de Distinguished Service Medal (DSM).
 sergeant G.W. Peck (Royal Engineers) en kanonnier C. Smith (Royal Field Artillery) werden onderscheiden met de Military Medal (MM).

Externe links

 Adinkerke Churchyard Extension op wo1.be

Begraafplaats van de CWGC in België
Begraafplaats van de Eerste Wereldoorlog
De Panne
Beschermd monument in Vlaanderen


Ecobunk 2009, TEA on Transit, Two Big Steps Forward for Sustainable Energy in Toronto, Progress for Local Food at City Hall!
Our annual fundraiser comedy show pokes fun at the most outrageous corporate green advertising of 2009. Sometimes we even point the finger at ourselves.
We present nominated ads under different categories and reveal the winner. The laughter lasts for two full hours.
Come celebrate with us! Ecobunk is a popular and favourite event among the environmentally-minded in Toronto, Hamilton, Waterloo and points beyond.
A return to a minimum 50/50 cost share of the TTC operating budget subsidy between the Province and the City.
A fare box ratio of 60% by 2015. This target strives to move the fare box ratio closer to the North American average rather than North America's highest ratio.
A detailed explanation of how a new funding plan will support the service improvements and standards established by the Official Plan, the Ridership Growth Strategy, and the Transit City plan.
A five year forecast of expected fare increases.
Direct staff to consider and report back on possible options and costs for extending the discount fare program to riders that are underemployed and on social assistance for discussion during the 2010 Operating Budget process.
The only other bright spot at the meeting was the extension of the high school Student MetroPass fare discount to students in colleges and universities. The Canadian Federation of Students did a superb job and should be commended for winning this important victory for all students in Toronto.
On October 27th, Toronto Hydro finally got approval from the Province to install a wind measuring device in Lake Ontario, 1.2 km off shore. The device will collect data for about two years and will help Toronto Hydro determine whether there is enough wind to propose an offshore wind project that could provide Torontonians with renewable power.
On November 2, the City's Executive Committee adopted a new Sustainable Energy Strategy that will finally see real action on energy conservation and renewable power installation. The Strategy includes a proposed partnership with the City, Toronto Hydro and Enbridge Gas to deliver energy retrofits, water conservation and green power installations to homes and businesses across the City. This would see significant reductions in greenhouse gas emissions, savings to consumers, and lots of economic activity supporting green jobs. TEA also convinced the Executive Committee to promote local green jobs and manufacturing by adopting our recommendations that will give a priority to local businesses and workers who produce the products required for implementation of the Strategy.
Some of TEA's hard work on local food procurement paid off at Monday's Government Management Committee meeting. With the help of Councillor McConnell and Councillor Heaps, the committee directed the General Managers of City Divisions (Children's Services, Long Term Care Homes and Services, Hostel Services, Facilities and Real Estate and Parks, Forestry and Recreation), to develop implementation strategies, including timelines and potential financial and operational implications for achieving Council's 50% local food purchasing target.
This will lead to a significant investment (millions of dollars) for local farmers and food producers; not to mention a significant reduction in greenhouse gas emissions from trucking food from around the world. TEA will continue to monitor the progress of the Local Food Procurement Policy and we encourage TEA members to speak with your Councillors about the importance buying local food.