text:
Q: Jquery Autocomplete Rendering Undefined For Item I've been using JqueryUI autocomplete for my website and everything was working well when suddenly it stops working.
I'm using ajax to fetch the source data (json output). To this point everything is working well. But when I'm rendering the results, it turns out to be "undefined"
Here's my code :
$("#autocomplete_user_field").autocomplete({
            source: function (request, response) {
                $.ajax({
                     type: "post",
                    url: "/user/autocomplete_search_user",
                    data: {
                        user_input: request.term
                    },
                    success: function(data) {
                        if (data.length == 0) {
                            $('.search-query').popover('show');
                        }
                        //alert(JSON.stringify(data));
                    response(data);
                    }
                });
            },
            minLength: 2,
            appendTo: "#menu",
            autoFocus: true
       }).data("ui-autocomplete")._renderItem = function( ul, item ) {
        return $( "
" )
            .data( "ui-autocomplete-item", item )
            .append( "" + ""  + item.label + "
" + item.mutualfriends + " <%= t 'friends.mutual_friends' %>" +  "" )
            .appendTo(ul);
        };

Under the _renderItem function, If I do alert("item.slug"); the output is "undefined" even though the data I'm retrieving from my ajax POST is correctly loaded (when I do alert(JSON.stringify(data));)
Anyone has an idea?
I've download the latest jquery-ui for autocomplete but it still doesn't work.

A: The data you're returning is not compatible with autocomplete. You should return the array of objects having label property rather than returning the whole response as it is:
$("#autocomplete_user_field").autocomplete({
  source: function(request, response) {
    $.ajax({
      type: "post",
      url: "/user/autocomplete_search_user",
      data: {
        user_input: request.term
      },
      success: function(data) {
        if (data.length == 0) {
          $('.search-query').popover('show');
        }
        response(data.users); // return the array
      }
    });
  },
  minLength: 2,
  appendTo: "#menu",
  autoFocus: true
});

You also seems to be missing dataType:'json'. If you omit that, the response will be a string, which you need to parse manually. As of now it looks like you're checking the length of response string.
Other than that, the response seems to have weird characters in it:

So when you try accessing "slug", there is no such thing in the response...

redpajama_set_name: RedPajamaStackExchange


text:
Bruno Mars Set To Star In a Music-Driven Move For Disney
11-time Grammy winner Bruno Mars is set to star and produce a music-themed movie for Disney. After multiple reports, Mars confirmed the news on Instagram while playing a sweet rendition of "When You Wish Upon A Star" from Disney's own Pinocchio.
"If your heart is in your dream  No request is too extreme  When you wish upon a Star"🎶 #MarsMeetsTheMouse #ImGoingToDisneyland #YESSS!!😜
A post shared by Bruno Mars (@brunomars) on Feb 6, 2020 at 9:34am PST
This will be Mars's third role in a movie, as he was featured in the Nicolas Cage and Sarah Jessica Parker comedy Honeymoon in Vegas as a child in 1992 and also had role in the 2014 Dreamworks Pictures movie Rio 2
(PEOPLE)

redpajama_set_name: RedPajamaCommonCrawl


By far our largest self-contained water feature, Extra-large self-contained (XLWP-002) rock formation with 3 water outlets, this truly is a statement for any home or business.
You will need a flat wall to back the water feature up against.
No digging necessary. To complete landscaping use plants mulch, rocks and pebbles.
-but don't forget pond and garden lights to help complete your feature garden.


The Board of Regents will hold its monthly meeting May 15 at the Henry Ford Estate on the U-M-Dearborn campus. Public comments will open the meeting at 1:30 p.m. Individuals with disabilities who wish to attend the meeting and need assistance should contact the Office of the Chancellor at (313) 593-5330.
The deadline for nominations for the James Neubacher Award is May 31. Each October during Investing in Ability Week, the Neubacher Award is presented to a faculty or staff member, student or alumna/alumnus for significant achievements in any of the following areas: promoting acceptance and awareness of people with disabilities; advocating for the civil rights of people with disabilities; removing barriers to full participation in programs and services by people with disabilities. The award includes a stipend from Office of the President. For more information or nomination forms, visit http://www.umich.edu/~hraa/ability/neubacher.htm.
President Mary Sue Coleman will testify before the Michigan State Senate Appropriations Subcommittee on Higher Education at a hearing May 16 at U-M in the Gerald R. Ford Library, Conference Room 132. The event is open to the public.
Members of the subcommittee will hear testimony from Coleman (10-10:30 a.m.), President Irvin Reid, Wayne State (10:30-11 a.m.), President Samuel Kirkpatrick, Eastern Michigan (11-11:30 a.m.), Chancellor Daniel Little, U-M-Dearborn (11:30 a.m.-noon) and Chancellor Juan Mestas, U-M-Flint (noon-12:30 p.m.).
Subcommittee members are senators Michael Goschka, chair (R-Brant), Shirley Johnson, vice-chair (R-Royal Oak), Deborah Cherry, minority vice-chair (D-Burton), Bill Hardiman (R-Kentwood) and Michael Prusi (D-Ishpeming).
The U-M Credit Union (UMCU) opened a new branch April 28 on the lower level of the Michigan Union. The fourth UMCU location in Ann Arbor, and second on campus, the facility is a full-service branch with an automated teller machine and remote teller systems.


text:
Monday, Jan. 30: Icy and dangerous conditions
Thurs., Jan. 26 Weather: Cold & blustery after snow
Winter storm to impact the Ozarks later today
Calm before the winter storm arrives
What's happening with the Springfield Cardinals?
Arrowhead opens parking lots early due to crowd
European Union foreign policy chief Josep Borrell speaks with journalists as he arrives for a meeting of EU foreign ministers at the EU Council building in Brussels,…
European Union foreign policy chief Josep Borrell speaks with journalists as he arrives for a meeting of EU foreign ministers at the EU Council building in Brussels, Monday, Nov. 14, 2022. EU foreign ministers will hold exchanges of views on the Russian aggression against Ukraine, the Great Lakes region and Western Balkans. (AP Photo/Geert Vanden Wijngaert)
EU, UK target senior Iran officials over protest crackdown
by: LORNE COOK, Associated Press
BRUSSELS (AP) — The European Union and Britain on Monday imposed sanctions on two Iranian ministers and several senior police and military officials, including members of Iran's Revolutionary Guard, over their alleged roles in the security crackdown against massive anti-government protests.
Iranian women — and some men — have been protesting the government's severe restrictions on their daily life since late September after the death of 22-year-old Mahsa Amini following her arrest for allegedly violating the Islamic Republic's strict dress code.
"The EU strongly condemns the unacceptable violent crackdown of protesters. We stand with the Iranian people and support their right to protest peacefully and voice their demands and views freely," EU foreign policy chief Josep Borrell said after the bloc's foreign ministers endorsed the sanctions.
The move will see asset freezes and travel bans imposed on 29 Iranian officials, including Interior Minister Ahmad Vahidi, who the EU says is "responsible for serious human rights violations in Iran" due to police actions during the protests.
The EU also targeted Iranian state television broadcaster Press TV, saying it was "responsible for producing and broadcasting the forced confessions of detainees."
In what appeared to be a coordinated move, Britain also said Iranian Communications Minister Issa Zarepour and several local law enforcement and Islamic Revolutionary Guard Corps officials would face similar restrictions in the U.K. for their roles in the protest crackdown.
Zarepour and the head of Iran's Cyber Police, Vahid Mohammad Naser Majid, were targeted "for shutting down the internet in Iran, including disabling Whatsapp and Instagram, and banning the use of the Google Play app and Virtual Private Networks (VPNs)," a statement said.
It noted that 22 other Iranian political and security officials were also listed in the U.K. over the "brutal violence aimed at protesters."
The EU called on Iran to end the violence, free those detained, allow a free flow of information, including via the internet, and demanded an independent investigation into Amini's death. It's the second raft of sanctions the 27-nation bloc has imposed on Iran over the protests.
In a broadcast earlier Monday, French President Emmanuel Macron praised the women of Iran for making their voices heard.
"Women in Iran fight this fight with exceptional courage under the threat to their lives and the lives of their loved ones," Macron told public radio FranceInter.
Their rebellion against the cleric-led state has "burst the ideological bubble" that Tehran has been sending to the world, Macron said, namely that Iranians don't want Western values and that women there "were somehow happy to live in this constant state of obstruction."
His comments were recorded after his meeting Friday in Paris with four activists campaigning for Iranian women's rights from exile.
Iran Foreign Ministry spokesman Nasser Kanaani blasted Macron for meeting with the activists, who included two U.S.-based Iranian dissidents, Masih Alinejad and Ladan Boroumand. Kanaani on Monday warned Macron that supporting Iranian dissidents "whose true nature is known by the Iranian people" is a "wrong, short-sighted policy" that could endanger France's "long-term interests" in the region.
Jill Lawless in London contributed to this report.


text:
Q: Can't get the children of root element in xml file I have an xml file, structured like this:
<textureatlas xmlns="http://www.w3.org/1999/xhtml" imagepath="someImage.png">
  <subtexture name="1" x="342" y="0" width="173" height="171"></subtexture>
  <subtexture name="2" x="0" y="346" width="169" height="173"></subtexture>
  <subtexture name="3" x="0" y="173" width="169" height="173"></subtexture>
  <subtexture name="4" x="0" y="0" width="169" height="173"></subtexture>
  <subtexture name="5" x="342" y="171" width="169" height="173"></subtexture>
  <subtexture name="6" x="169" y="0" width="173" height="171"></subtexture>
  <subtexture name="7" x="169" y="173" width="173" height="171"></subtexture>
  <subtexture name="8" x="169" y="346" width="173" height="171"></subtexture>
  <subtexture name="9" x="342" y="346" width="173" height="171"></subtexture>
</textureatlas>

And I want to iterate through every subtexture element, using Linq in C#. However, my code doesn't work:
var document = XDocument.Load(pathToXml);
var root = document.Root;

if (root == null)
{
    throw new Exception();
}

var subtextureElements =
    from element in root.Elements("subtexture")
    select element;

foreach (var element in subtextureElements)
{
    Debug.WriteLine("okay");
}

The Debugger doesn't print anything. And when I add a breakpoint, I see that subtextureElements is empty. What am I doing wrong? I searched the internet and the approach with root.Elements("subtextures) isn't working either.

A: This call
root.Elements("subtexture")

asks for elements called subtexture with no namespace. Due to namespace defaulting with the xmlns=... attribute, they're actually in the namespace with the URI http://www.w3.org/1999/xhtml. Fortunately LINQ to XML makes it really easy to use namespaces, using the implicit conversion from string to XNamespace, and then the + operator to combine a namespace with an element name to create an XName:
XNamespace ns = "http://www.w3.org/1999/xhtml";
var subtextureElements = root.Elements(ns + "subtexture");

(There's no benefit in using a query expression here, by way. I suspect XDocument.Root will never be null for a document loaded with XDocument.Load, either.)


text:
Q: Jquery to get the url of a link B0011 is a link on my page
B0011

So when I click this link, I need to get the href for this link. I hv tried it with jquery
jQuery(".ms-listlink").click(function() {  alert($("a", this).attr("href"));});

But this does not work..

A: Try to give:
href="http://demo/sites/Dev/_layouts/15/listform.aspx"

only the page name rest you can call dynamically.  Hope this helps.


Harvey's Army would like to invite you to our Pawsome Pooch Party on Sunday 6 May, 11:00am-4:30pm.
Lots of thing to see and do. Fun activities for the pooches and their humans, lots of stalls selling lots of fab things, food and drink and fairground rides. All this and more at Manor Heath Park, Halifax. For more information email events@harveysarmy.com.
Harvey's Army are united in a love of animals and animal welfare. They have microchip scanners and a team of fantastic volunteers who will scan alive and deceased pets outside the hours of availability for vets and animal wardens in order to reunite owners with their pets as soon as possible.


text:
Q: making object movement smooth in a java applet Hi friends i'm trying to write a simple program that will move a little square right,left,up, and down smoothly.
As is, the square will indeed move in the four directions but there is a noticeable delay when trying to change the direction of the square. I plan on eventually writing a little game similar to the 'brick' game but in order to do that my object has to move smoothly. Can someone give me some advice on how to achieve this?
import java.applet.Applet;
import java.awt.Color;
import java.awt.Graphics;
import java.awt.event.KeyEvent;
import java.awt.event.KeyListener;
import java.awt.event.MouseListener;

public class FutureGame extends Applet implements KeyListener{

int deltax;
int deltay;

public void init(){

    deltax = 0;
    deltay = 0;
    this.addKeyListener(this);
}

@Override
public void keyPressed(KeyEvent ke) {

    if(ke.getKeyCode() == ke.VK_RIGHT){
        deltax = deltax +10;
    }

    if(ke.getKeyCode() == ke.VK_LEFT){
        deltax = deltax - 10;
    }

    if(ke.getKeyCode() == ke.VK_UP){
        deltay = deltay - 10;
    }

    if(ke.getKeyCode() == ke.VK_DOWN){
        deltay = deltay +10;
    }
    this.repaint();
}
@Override
public void keyReleased(KeyEvent arg0) {
    // TODO Auto-generated method stub

}
@Override
public void keyTyped(KeyEvent arg0) {
    // TODO Auto-generated method stub

}

public void paint(Graphics g){

    g.drawRect(deltax, deltay, 10, 10);
}

}

A: If your thread(games's main calculations) sleeping/waiting time is very small, your key-listeners could not catch your keystrokes within that small time. Make those thread waiting times bigger and try again. I mean the things in try-catch blocks.
You are drawing directly. Use buffering/doublebuffering.
Changing the buffer is much more faster than changing the contents of screen.

A: First of all use paintComponent() as drawing method, then cast Graphics g to Graphics2D - make it more "Swingy", and last but not least follow the code as in java2s.com site java2s.com - Advanced Graphics - Smooth Moves


In modem life, our hands are locked by computers. Could we make computers smarter by designing a better human-computer interface? In this tutorial, we present a solution with pcDuino. Gathering gesture signals by various Arduino compatible sensors, pcDuino can achieve all functions of current keyboards and mouse.
We need to modify the kernel by adding some structures and few lines of code in to file: linux-sunxi/drivers/usb/gadget/hid.c.
For how to build kernel, please refer to other articles.
We're going to use the test program from linux-sunxi/Documentation/usb.
Now you can see something showing up on the screen of PC.
when you are running this, it acts like left button of mouse.
when you are running this, it acts like right button of mouse.
when you are running this, it acts like moving mouse around.
Then run the program at output/test/usb.
Connect your joystick module to pin A4 and A5 on pcDuino, as there is a delay(500), it won't work perfectly when moving it around.


To get a better idea of the characteristics of women already in the trade workforce, we compare these characteristics with men in the same workforce. Our analysis uses census data as this gives the most accurate like-for-like comparison between male and female tradespeople. We generally find differences are small, but can be common across sectors.
Across sectors, women in the trades tend to be slightly older than men, with relatively fewer workers in their twenties and thirties and more in their forties. The sectors that buck this trend are Painting and Decorating, Mechanical Engineering and Electrotechnology, where the female workforce is slightly younger. For Painting and Decorating this may reflect the increased proportion of women among recently trained workers.
If someone works in a core industry and a compatible occupation, they are classified as working in the sector. Occupations are more specific in identifying people as part of a trade workforce so anyone with a core occupation is classified as working in the sector.
The chart below compares the ethnicities of men and women in the trades. In a number of sectors, particularly Electrotechnology, Engineering and Manufacturing, women in the trades are more ethnically diverse than men. The distribution of ethnicities varies between different sectors. For example, Forestry has a particularly high proportion of Māori at over 30%.
Women in the trades tend to be self-employed at slightly lower rates than men, though this varies from sector to sector.
Women in trades tend to be slightly older and more ethnically diverse than their male counterparts. The relative lack of younger women in the trades workforce may be due to the difficulty in attracting young women to the trades.
We also find that women are self-employed at rates slightly lower than men. We should keep these facts in mind as we investigate the experiences of women in trades.


text:
Arno Breker (* 19. Juli 1900 in Elberfeld; † 13. Februar 1991 in Düsseldorf) war ein deutscher Bildhauer und Architekt. Künstlerische Prägung und erste Erfolge hatte er in Frankreich erfahren, bevor er sich ab 1936 in Deutschland zu einem der prominentesten Künstler des nationalsozialistischen Staats entwickelte, protegiert unmittelbar durch Adolf Hitler. In dessen Auftrag wirkte er vor allem am Skulpturenwerk für die geplante Welthauptstadt Germania. Sein markanter Stil wurde prägend für die Ästhetik des NS-Systems. Hitler veranlasste 1944 die Aufnahme von Brekers Namen in die Gottbegnadeten-Liste. Trotz des großen Stellenwerts seines Werks und seiner Person für das NS-Regime wurde Breker nach Kriegsende (1948) nur als Mitläufer eingestuft. Noch lebenslang hochumstritten, blieb ihm besonders der Vorwurf fehlender Reue anhaften. Vor und nach der NS-Zeit machte der Künstler sich vor allem mit der Gestaltung von Porträtbüsten einen Namen. Sie brachten ihm internationale Anerkennung ein, insbesondere unter Künstlerkollegen wie Aristide Maillol, Ernst Fuchs oder Salvador Dalí.

Leben und Wirken

Ausbildung
Arno Breker wurde als ältester Sohn des Steinmetz-Meisters und Grabmalkünstlers Arnold Breker und dessen Frau Luise im Jahre 1900 in Elberfeld geboren. Hans Breker, der auch ein Bildhauer werden sollte, war sein jüngerer Bruder. Arno Breker besuchte die Oberrealschule, erlernte im elterlichen Betrieb schon früh das Steinmetz-Handwerk, besuchte die Handwerker- und Kunstgewerbeschule Elberfeld und beschäftigte sich mit den Werken Auguste Rodins und Michelangelos. Nachdem er eine Zusammenarbeit mit dem Künstler und Professor Adolf von Hildebrand (München) aus wirtschaftlichen Gründen nicht hatte verwirklichen können, begann Breker 1920 ein Studium an der Düsseldorfer Kunstakademie. Dort begegnete er den revolutionären Künstlern des Jungen Rheinland, von denen er sich aber nach einiger Zeit distanzierte. Er schloss sich der Rheingruppe an, die sich 1923 vom Jungen Rheinland abgespalten hatte. Sein Vorbild wurde Rodin, weil eine Skulptur des französischen Bildhauers bei ihm einen starken Eindruck hinterlassen hatte. Er studierte Architektur bei Wilhelm Kreis und Plastik bei Hubert Netzer, einem Schüler Adolf von Hildebrands.

Er beteiligte sich erfolgreich an mehreren Architekturwettbewerben und Wettbewerben für Ehrenmale, so etwa 1922/23 an einem Wettbewerb für die Gestaltung des Ehrenfriedhofs seiner Heimatstadt Elberfeld (Mutter-Sohn-Gruppe, Pietà-Typus). Der Kunstverein für die Rheinlande und Westfalen beauftragte ihn mit der Gestaltung von Jahresgaben. 1924, kurz vor dem Ende seines Studiums, unternahm er seine erste Reise nach Paris, dem damaligen Zentrum der modernen Plastik. Dort begegnete er dem Schriftsteller und Maler Jean Cocteau, dem Filmregisseur Jean Renoir, dem Kunsthändler Daniel-Henry Kahnweiler und dem Kunsthändler und Publizisten Alfred Flechtheim. Auch lernte er dort Pablo Picasso kennen. Flechtheim nahm Breker unter Vertrag und machte ihn in der Pariser Kunstszene bekannt.

Im Jahr 1925 schloss Breker sein Studium in Düsseldorf ab. Die zur Ausstellung GeSoLei im Auftrag von Wilhelm Kreis geschaffene Monumental-Figur der liegenden Aurora auf dem Dach des Ehrenhofes in Düsseldorf verdeutlicht Brekers Begabung für baugebundene Bildhauerei. Arno Breker erhielt den Wanderpreis des Regierungspräsidenten in Düsseldorf verliehen.

1926–1934
1927 bekam Breker von der Stadt Budberg (Rheinberg/Niederrhein) einen Auftrag für die Gestaltung eines Kriegerdenkmals. Ein 1928 eingeweihtes Denkmal bei Kleve-Kellen, das an Übergriffe belgischer Truppen während der Besatzungszeit nach dem Ersten Weltkrieg (1918–1926) erinnert, stammt ebenfalls aus seinem Atelier. Dies waren Arbeiten, die er wahrscheinlich – ebenso wie die Aurora – der Vermittlung seines ehemaligen Lehrers Wilhelm Kreis verdankte. So folgten Porträtbüsten, etwa die des Malers Otto Dix, oder im Regierungsauftrag eine Büste Friedrich Eberts, des im Februar 1925 verstorbenen ersten Reichspräsidenten der Weimarer Republik. Er unternahm eine zweite Reise nach Paris und begegnete dort unter anderem Alexander Calder.

Breker beschloss, sich in Paris niederzulassen. Er knüpfte zahlreiche Kontakte – darunter lebenslange Freundschaften – zu Künstlern und Intellektuellen wie Aristide Maillol, Charles Despiau, Maurice de Vlaminck, Robert Delaunay, Emile Antoine Bourdelle, Constantin Brâncuși, Jules Pascin, Jean Fautrier, Isamu Noguchi oder Man Ray und bereiste Nordafrika. Dabei begegnete er der Griechin Demetra Messala, genannt "Mimina", die seine Lebensgefährtin wurde. Demetra war die Tochter eines griechischen Diplomaten, die bereits für Pablo Picasso und Aristide Maillol Modell zu stehen pflegte. Breker fertigte 1933 von ihr eine Skulptur an. Es entstanden zahlreiche Skizzen und Zeichnungen sowie die Radierungs- und Lithographienfolge Tunesische Reise. 1927 stellte er gemeinsam mit Alf Bayrle aus, der ebenfalls in Paris lebte. Daraus entstand eine langjährige Freundschaft, die auch durch einen regen Briefaustausch belegt ist.

Brekers plastische Arbeiten wurden in diesem Zeitabschnitt stark von Aristide Maillol, Charles Despiau und Auguste Rodin beeinflusst. Breker versuchte bei seinen Akten, Torsi und Porträtbüsten die unterschiedlichen Stile, auch die Oberflächenbehandlungen seiner Vorbilder zu verschmelzen. Außerdem entwickelte er das Gussverfahren der reinen Form – ohne Unebenheiten an den Oberflächen seiner Figuren –, das später für seine Darstellungen zur Zeit des Nationalsozialismus kennzeichnend wurde.

Die Verbindung nach Deutschland riss jedoch nicht ab. So erhielt er Aufträge für eine Großplastik für die Matthäikirche in Düsseldorf und für das Denkmal Conrad Röntgens in Remscheid. Es fanden Ausstellungen seiner Werke statt, er nahm an Wettbewerben in Deutschland teil, unter anderem am Wettbewerb der Stadt Düsseldorf für ein Heinrich-Heine-Denkmal (Standort seit 1983 vor dem Kurtheater Norderney).

Im Jahre 1932 erhielt er den Rom-Preis der Preußischen Akademie der Künste. Mit diesem Preis war ein Stipendium verbunden, das Breker für sieben Monate, von Oktober 1932 bis Mai 1933, in die Villa Massimo zu einem Studienaufenthalt brachte. Hier war einer seiner jüdischen Bekannten, der Künstler Felix Nussbaum, sein Ateliernachbar. Während seines Romaufenthaltes gestaltete Breker unter anderem eine Rekonstruktion der ersten Fassung von Michelangelos Pietà, die auch in Fachkreisen Erwähnung fand, und beteiligte sich an einem Wettbewerb für einen Soldatenfriedhof in Frankreich (Fricourt/Departement Somme). Seine Zeit in Rom sah Breker selbst als "Vorbereitung auf die monumentale Arbeit großen Ausmaßes, die mich erwartete".

1933 folgten Studienaufenthalte in Florenz und Neapel. Die hier aufgenommenen Anregungen von der Skulptur der Antike und der Renaissance – insbesondere Michelangelos – beeinflussten nachhaltig Brekers mittlere als klassische Periode bezeichnete Zeit des Nationalsozialismus.

1934–1945

Im Jahr 1934 verließ Breker Frankreich und kehrte nach Deutschland zurück. Nach Brekers eigenem Bekunden war es das Drängen von Wilhelm Hausenstein, Grete Ring und Max Liebermann, das ihn dazu bewog, Paris zu verlassen, um sich in Berlin niederzulassen. Liebermann vermittelte Breker am neuen Wohnsitz das Atelier des 1921 verstorbenen Bildhauers August Gaul. Es entstand eine Büste von Liebermann. Zu dessen Tod 1935 nahm Breker ihm die Totenmaske ab.

Breker galt den Nationalsozialisten zunächst als dekadent und zu frankreichorientiert, und so erhielt er in der ersten Zeit nach seiner Rückkehr vor allem Porträtaufträge von Industriellen, Militärs oder auch Künstlerkollegen. Erste öffentliche Aufträge führte er 1935 aus: die Hoheitszeichen am Berliner Finanzministerium, Steinreliefs am Gebäude der Nordstern-Lebensversicherung in Berlin-Schöneberg, figürlicher Schmuck am Hauptportal der Deutschen Versuchsanstalt für Luftfahrt, Berlin-Adlershof, die Plastik Der Flieger für das Hauptgebäude der Dresdner Luftkriegsschule, doch erst im Jahre 1936 begann sein rasanter Aufstieg zum prominentesten Bildhauer des Dritten Reiches. Am 10. September 1937 beantragte er die Aufnahme in die NSDAP und wurde rückwirkend zum 1. Mai desselben Jahres aufgenommen (Mitgliedsnummer 5.379.989).

Für die von 1936 bis 1938 durchgeführten Umbauten der Gruft von Heinrich dem Löwen im Braunschweiger Dom fertigte Breker ein Löwenkopf-Relief.

Sein Entwurf, den er anlässlich eines Wettbewerbs zur Gestaltung der Torpfeiler der Dietrich-Eckart-Freilichtbühne auf dem Reichssportfeld einreichte, wurde angekauft. Im Anschluss daran erhielt Breker den Auftrag für zwei Monumentalfiguren für das Haus des Deutschen Sports (Zehnkämpfer und Siegerin), die insbesondere Hitlers Aufmerksamkeit erlangten. Für beide Figuren erhielt er bei der olympischen Kunstausstellung in Berlin 1936 im Plastik-Wettbewerb die Silbermedaille des Internationalen Olympischen Komitees.

Zur Gestaltung der Olympischen Spiele 1936 beschloss die NS-Regierung die stilistische Orientierung an der Antike. Brekers Anlehnung an Plastiken der griechischen Antike kam diesen Bestrebungen entgegen. In seinen Figuren sahen die Nationalsozialisten die ästhetischen Ideale ihrer Rassenlehre, den "gesunden, arischen Menschentyp", versinnbildlicht.

So wurde Brekers Ausdrucksform als "gestaltete Gesinnung, formgewordene Weltanschauung", als richtungweisend für den neuen deutschen Stil proklamiert. Rückblickend bezeichnete Breker selbst das Jahr 1936 als Wendepunkt seiner Existenz. In der Folgezeit wurde er von der NS-Propaganda vereinnahmt, zum "bedeutendsten deutschen Bildhauer der Gegenwart", gar zum Vorkämpfer der nationalsozialistischen Revolution stilisiert, schienen seine monumentalen Figuren doch hervorragend geeignet, den Kampf des Neuen Reiches gegen die Verfallserscheinungen in der Kunst (Entartete Kunst) und der Gesellschaft insgesamt visuell fassbar zu machen.

Breker gewann zunehmend Einfluss in kunstpolitischen Gremien. So war er Juror für die Abteilung Plastik der ersten Großen Deutschen Kunstausstellung, die im Juli 1937 (dann jährlich bis 1944) im Haus der Deutschen Kunst in München stattfand. An der Seite des Präsidenten der Reichskammer der bildenden Künste, Adolf Ziegler, nahm Breker die Auswahl der plastischen Werke vor. Zugelassen wurden nach staatlicher Anweisung ausschließlich Künstler, die nicht im Sinne der entarteten Kunst arbeiteten. Breker selbst war auf der Ausstellung mit vier Plastiken vertreten. Bis Kriegsende konnte er zweiundvierzig seiner Werke auf dieser bedeutendsten Ausstellung nationalsozialistischer Kunst zeigen. So passte Breker nicht nur seinen eigenen Stil dem künstlerischen Ideal des Regimes an, sondern förderte in seiner Eigenschaft als Juror diejenigen Künstler, die im Sinne der Machthaber arbeiteten.

Weitere öffentliche Aufträge folgten, beispielsweise für die Großplastik Prometheus für das Propagandaministerium in Berlin, den Ikarus für die Dresdner Luftkriegsschule, die Rosseführer für die Bauten der Wehrmacht in Dessau, für die Stadt Hannover die Löwen am Maschsee.

Im selben Jahr wurde Breker zum Professor einer Bildhauerklasse an der Hochschule für Bildende Künste Berlin berufen. Er heiratete die Griechin Demetra Messala. Ende 1937 erhielt er den Auftrag zu den beiden Monumentalfiguren Partei und Wehrmacht für den Ehrenhof der Neuen Reichskanzlei (Einweihung am 9. Januar 1939). Gleichzeitig arbeitete er an fünf Figuren (Wager, Wäger, Anmut, Psyche, Eos) und zwei Marmorreliefs (Genius, Sieger) für den Runden Saal dieses Gebäudes. Diese Aufträge bildeten den Beginn der engen persönlichen Zusammenarbeit zwischen dem Bildhauer und Albert Speer, seit 30. Januar 1937 Generalbauinspektor für die Reichshauptstadt, der die "Neugestaltung Berlins zur Hauptstadt des Großgermanischen Reiches" planen und durchführen sollte. Breker wurde die Aufgabe übertragen, die Neubauten mit seinen Plastiken zu schmücken. Gefördert wurde Brekers Aufstieg vermutlich von Wilhelm Kreis, Brekers ehemaligem Lehrer für Architektur an der Düsseldorfer Kunstakademie, mit dem Breker zeitlebens eine enge Freundschaft verband. Es entstanden Entwürfe Brekers für den Brunnen am Runden Platz, Reliefs für die geplante Soldatenhalle, für einen 240 Meter langen Relieffries an der geplanten Nord-Süd-Achse, eine Reihe heroisierender Darstellungen mit den Titeln Fackelträger, Opfer, Rächer, Wächter, Vergeltung und Kameraden, dann Reliefs für den Großen Triumphbogen und den Führerbau.

Für diese Aufgabe ließ die NS-Regierung Breker in Berlin-Dahlem ein Großraumatelier einrichten, das nach Plänen von Hans Freese 1939 bis 1942 am Käuzchensteig entstand, Breker nutzte es wegen der nahenden Kriegsfront jedoch nur ein knappes Jahr. Der Berliner Senat hat das erhaltene Gebäude 1990 unter Denkmalschutz gestellt. Seit 2015 ist es das Kunsthaus Dahlem, in dessen Garten 2020 bei Bauarbeiten zwei Marmorplastiken von Breker gefunden wurden. Eine von ihnen zeigt das überlebensgroße Abbild eines Roma-Jungen, den Romanichel, geschaffen 1940 (zu einer Zeit, als die Deportationen von Sinti und Roma begannen).

Im Frühjahr 1938 wurde in Warschau und Krakau die Ausstellung Deutsche Bildhauer der Gegenwart mit Breker, Georg Kolbe und Richard Scheibe ein großer Erfolg. 1940 erhielt Breker als erster bildender Künstler den Mussolini-Preis der Biennale in Venedig. 1941 wurde Breker Vizepräsident der Reichskulturkammer der Bildenden Künste.

Am 23. Juni 1940, einen Tag nach Unterzeichnung des Waffenstillstandsabkommens mit Frankreich im Wald von Compiègne, nahm Breker im Gefolge von Adolf Hitler, zusammen mit den Architekten Albert Speer und Hermann Giesler, an einer nur wenige Stunden dauernden Visite des besetzten Paris teil. Besichtigt wurden die Pariser Oper, Champs Elysées, Trocadéro, Eiffelturm, Invalidendom (Grabstätte Napoleons I.), Panthéon und Sacré Cœur. Wenig später erhielt Breker – vermutlich vermittelt von Speer – das arisierte Luxusapartment von Helena Rubinstein auf der Île Saint-Louis (Quai de Béthune 24) zu seiner Verfügung.

Zum 40. Geburtstag Brekers, 1940, hatte Hitler ihm das ehemalige Gut Jäckelsbruch in Eichwerder (Wriezen) in "dankbarer Anerkennung seiner schöpferischen Arbeit im Dienste der deutschen Kunst" zum Geschenk gemacht. Die Schenkung umfasste das Schloss mit Park sowie die gesamte Ausstattung des Hauses und ein vom Architekten Friedrich Tamms neu erbautes Atelier. Die Innenausstattung entstand nach Entwürfen von Paul von Waldthausen.

Im April 1942 erwähnte Hitler bei einem Tischgespräch, dass er persönlich dafür gesorgt hätte, das Jahreseinkommen Brekers von einer Million RM bei einem Steuersatz von 15 % zu belassen. In Wriezen befand sich seit Mitte 1941 ein großes Werksgelände mit Gleisanschluss und Kanalhafen – die Steinbildhauerwerkstätten Arno Breker GmbH. Die Dotation hatte einen Wert von 800.000 Reichsmark.

Bei den Steinbildhauerwerkstätten handelte es sich um eine Einrichtung des Generalbauinspektors für die Reichshauptstadt Berlin, was es Speer ermöglichte, Aufträge jedweder Größenordnung ohne Genehmigungsverfahren direkt an Breker zu vergeben. In den Werkstätten entstanden Bildhauerarbeiten für die Neugestaltung Berlins und für das Parteitagsgelände in Nürnberg. Die Werkstätten wurden in den folgenden Jahren mit Millionenbeträgen kontinuierlich ausgebaut. Gegen Ende des Krieges wurden bis zu 50 Kriegsgefangene und Zwangsarbeiter für Arbeiten an den Figuren eingesetzt. Im benachbarten Wriezen wollten die Nationalsozialisten sogar eine eigene Künstlerkolonie aufbauen, deren ausgewählte Künstler Monumentalwerke für Berlin, München, Nürnberg und Hamburg herstellen sollten. Dafür waren 1941 bereits erste Hallen fertig geworden, die nach dem Krieg bis in das 21. Jahrhundert teilweise erhalten blieben. Steine für die geplanten Großaufträge waren schon in Franken gebrochen und per Schiff über die Oder nach Wriezen transportiert worden. Darüber hinaus wurden in einer Gastwirtschaft des Ortes nach 1945 vier große Webstühle entdeckt, die zur Herstellung großer Gobelins vorgesehen waren. Insgesamt sollten in dieser Kolonie rund 10.000 Menschen an der Verherrlichung der NS-Herrschaft arbeiten.

Im Mai 1942 eröffnete die Vichy-Regierung eine Arno-Breker-Einzelausstellung in der Orangerie des Tuileriengartens im besetzten Paris mit einem Staatsakt – in Anwesenheit von Abel Bonnard, Fernand de Brinon, Jacques Benoist-Méchin, Georges Scapini, zahlreichen französischen Künstlern, wie Charles Despiau, Jean Cocteau, dem deutschen Botschafter Otto Abetz und weiteren Vertretern der deutschen Besatzungsmacht und anderen ausgewählten Gästen. Erziehungs- und Unterrichtsminister Abel Bonnard und Staatssekretär Jacques Benoist-Méchin hielten hierbei die offiziellen Ansprachen.

Weitere Einzelausstellungen während des Krieges fanden statt 1943 im "Haus der rheinischen Heimat" in Köln und von Juni bis September 1944 im Potsdamer Garnisonsmuseum Lustgarten – veranstaltet von Albert Speer und dem Gauleiter für die Mark Brandenburg, Oberpräsident Emil Stürtz.

1944 folgte Breker dem Ruf an die Preußische Akademie der Künste als Vorsteher eines Meisterateliers und wurde in den Senat der Akademie aufgenommen. Ebenfalls 1944 entstand der Dokumentarfilm Arno Breker – Harte Zeit, starke Kunst. (Regie: Arnold Fanck, Hans Cürlis; Produktion: Riefenstahl-Film GmbH, Berlin). Angesichts dieser zahlreichen Aktivitäten wurde der Bildhauer von Adolf Hitler selbst in die Sonderliste der Gottbegnadeten-Liste mit den "unersetzlichen Künstlern" aufgenommen, was für ihn die Freistellung vom Kriegsdienst bedeutete. Zahlreiche Monumentalplastiken Brekers wurden durch Kriegseinwirkung zerstört, andere Werke verschwanden in Depots oder befinden sich in privaten Sammlungen, einige seiner Werke stehen jedoch nach wie vor auf Sockeln in Museen, in Parks oder an Portalen und Plätzen, ohne auf den ersten Blick als Plastiken von Arno Breker erkannt zu werden.

Ab Mitte 1944, als die Luftangriffe auf Berlin zu heftig wurden, suchte der Arbeitsstab für den Wiederaufbau bombenzerstörter Städte in einem Barackenlager in Wriezen Unterschlupf.

Zahlreiche Bildbände und Fotopostkarten sind in dieser Zeit entstanden, fotografiert von Charlotte Rohrbach.

Nachkriegszeit
Noch während der letzten Kämpfe im Frühjahr 1945 zog Breker nach Wemding in Bayern.

1948 wurde Breker bei der Entnazifizierung durch die Spruchkammer Donauwörth in der damaligen amerikanischen Besatzungszone trotz seines massiven künstlerischen Engagements für den nationalsozialistischen Staat als Mitläufer eingestuft, da er sich nachweislich für verfolgte Künstler eingesetzt hatte: In Paris hatte er nach eigener Darstellung während der deutschen Besetzung den Maler Pablo Picasso vor dem Zugriff der Gestapo bewahrt. Picasso war Sympathisant der Kommunisten und sei so der Deportation in ein Konzentrationslager entgangen. Arno Breker wurde auch die Rettung des deutschen Verlegers Peter Suhrkamp zugeschrieben, der 1944 unter dem dringenden Verdacht des Widerstandes gegen Adolf Hitler inhaftiert worden war und im Konzentrationslager schwer erkrankte. Breker hatte Suhrkamp im Gestapo-Gefängnis besucht und sich bei Albert Speer und Hitler für die Entlassung des Verlegers eingesetzt.

Es wird angenommen, dass Breker während der Zeit in Wriezen durch seine Kontakte zum Kreis des Generalbauinspektors bzw. des Arbeitsstabes für den Wiederaufbau über die Nachkriegsplanungen der NS-Bauverwaltung gut informiert war. Als Friedrich Tamms 1948 zum Leiter des Stadtplanungsamtes Düsseldorf ernannt wurde und in enger Zusammenarbeit mit Rudolf Wolters begann, ehemalige Mitarbeiter des Generalbauinspektors der Reichshauptstadt Berlin nach Düsseldorf zu ziehen, hielt offensichtlich auch Arno Breker den Zeitpunkt für gekommen, seinen Wohnsitz hierher zu verlegen. Er ließ sich 1950 in Düsseldorf nieder, wo neben Tamms und Wolters bereits andere ehemalige Mitarbeiter des Arbeitsstabs – darunter Wilhelm Kreis, Helmut Hentrich, Hans Heuser, Karl Piepenburg, Hanns Dustmann und Kurt Groote, später auch Julius Schulte-Frohlinde – Fuß gefasst hatten.

Arno Brekers Bruder Hans, der wie Arno als Bildhauer für das NS-Regime tätig gewesen war (Bronzerelief des Marineehrenmals in Laboe 1935/36, Ährenlesergruppe und Sämann für die Ausstellung Schaffendes Volk in Düsseldorf 1937, Plastik für das NS-Mutterheim in Meisenheim am Glan 1939), zog 1954 ebenfalls nach Düsseldorf. Arno Breker bezog das frühere Atelier des Tierbildhauers Josef Pallenberg an der Niederrheinstraße 239 in Düsseldorf-Lohausen und heiratete 1958 – zwei Jahre nach dem Tod seiner ersten Frau Demetra – die 26 Jahre jüngere Charlotte Kluge, mit der er zwei Kinder bekam (Sohn Gerhard, geb. 1959, und Tochter Carola, geb. 1962).

Nach 1945 erhielt Breker kaum noch öffentliche, jedoch zahlreiche private Aufträge: Er porträtierte einflussreiche Industrielle – wie Hermann Josef Abs, Hugo Henkel, Günther und Herbert Quandt, Rudolf-August Oetker, Paul Girardet und Gustav Schickedanz –, Politiker – wie Konrad Adenauer, Ludwig Erhard –, Künstler – wie Jean Cocteau, Jean Marais, Salvador Dalí, Ernst Jünger, Ezra Pound – oder Kunstsammler wie Irene und Peter Ludwig, und bezog angeblich Gagen von bis zu 150.000 Mark. Er war befreundet mit Salvador Dalí und Ernst Fuchs. Über die Freundschaft der drei Künstler, die sich als Goldenes Dreieck bezeichneten, sagte Dalí: "Breker-Dalí-Fuchs. Man kann uns wenden wie man will, wir sind immer oben." Über Breker, den er als einen großen Künstler ansah und in seiner Fernsehsendung über Künstler lobte, sagte er: "Breker hat meine Seele eingefangen."

Seit 1970 arbeitete Breker auf Wunsch König Hassan II. von Marokko an einem Denkmal zur Befreiung Afrikas, das auf dem Großen Platz der Vereinten Nationen in Casablanca stehen sollte. Den Auftrag hatte er durch Vermittlung von Jacques Benoist-Méchin bekommen, der mit dem König befreundet war. Brekers bekannter Löwe war eine Studie für dieses Projekt. Nach dem Attentat auf den König 1971, bei dem auch Benoist-Méchin und Breker anwesend waren und wie der König nur knapp dem Tode entgingen, wurde das Denkmalprojekt aufgegeben.

Breker behielt seine Vorliebe für Porträtbüsten und athletische, meist männliche Körper. Bis in die 1980er Jahre arbeitete er, der nach eigenen Angaben "von Muskeln nie genug kriegen" konnte (Breker 1980), nach Sportlermodellen. Der Zehnkämpfer Jürgen Hingsen, die Hochspringerin Ulrike Nasse-Meyfarth sowie die Schwimmer Walter Kusch und Peter Nocke standen ihm Modell. Hingsen wurde als "griechischer Apoll" verewigt.

Breker als Architekt
Breker hatte sich zeitlebens mit Architekturprojekten befasst. Sein früheres Fachstudium in Düsseldorf war nach Angaben von Albert Speer auch hilfreich für die Pläne der Neugestaltung Berlins. Nach 1945 wirkte er unter anderem bei der Gestaltung der Gerling-Konzernzentrale in Köln mit. Wegen des monumentalen Charakters der Bauten, die Erinnerungen an die Kolossalgebäude Albert Speers weckten, wurde das Gebäude-Ensemble von der Bevölkerung schon bald "Kleine Reichskanzlei" genannt. Hier geriet Breker schon allein deshalb in Kritik, weil die beteiligten Architekten und Bauleiter (Kurt Groote, Karl Piepenburg, Helmut Hentrich, Hans Heuser) wie die unterstützenden Gutachter Friedrich Tamms und Hans Mehrtens bereits im "Dritten Reich" führend tätig waren. Nach Dissonanzen mit Hans Gerling, dem Sohn des Konzern-Gründers Robert Gerling, legten die Architekten Helmut Hentrich und Hans Heuser ihren Auftrag nieder und das Gebäude wurde unter der formalen Leitung Brekers von Hans Gerling in eigener Regie vollendet. Breker war hier aktiv als Bildhauer tätig. Die Figuren auf dem zentralen Brunnen am Gereonshof stammen von ihm, ebenso mehrere an den Wänden der Gebäude angebrachte Reliefs: Darstellungen der Heiligen Drei Könige, St. Georg und St. Martin, St. Christophorus sowie andere Figurengruppen.

1955/1956 entwarf Breker das inzwischen denkmalgeschützte Büro- und Wohngebäude für den Gerling-Konzern in der Körnerstraße 45 in Hagen, 1957 das heute ebenfalls denkmalgeschützte Bürogebäude Jägerhofstraße 21 in Düsseldorf-Pempelfort.

Nach der deutschen Wiedervereinigung stellte Breker Rückübertragungsansprüche bezogen auf das Rittergut Jäckelsbruch, besuchte das Objekt jedoch nicht wieder. Die Ansprüche wurden abgelehnt, die Immobilie befindet sich im Eigentum der Stadt Wriezen, bis auf das eigentliche Ateliergebäude und das Wohnhaus von Brekers Eltern.

Ehrungen, Würdigungen
Nach einem Bericht der Zeitschrift Stern nahm Breker in den 1970er Jahren den Goldenen Ehrenring des rechtsextremen Deutschen Kulturwerkes Europäischen Geistes entgegen. 1986 lobte Breker den "kulturell anspruchsvollen Stil" des rechtsextremen Blattes Deutsche Monatshefte und veröffentlichte hier in Heft 12 einen Beitrag über den französischen Bildhauer Aristide Maillol. Nach Brekers Tod trauerte das antisemitische Blatt Die Bauernschaft (Verleger Thies Christophersen) um seinen Leser Breker.

Umstritten in Person und Werk, erfuhr Breker auch vielfache Würdigung weit jenseits der nationalsozialistischen Geisteswelt, insbesondere durch Künstlerkollegen und Kunstkenner. Zitieren lassen sich:
 Charles Despiau: "Breker eröffnet neue Dimensionen in der Darstellung des Menschen." (1937)
 Aristide Maillol: "Breker ist der deutsche Michelangelo des XX. Jahrhunderts." (1942)
 Ernst Fuchs: "Arno Breker ist der wahre Prophet des Schönen." (1972)
 Salvador Dali: "Gott ist die Schönheit und Arno Breker sein Prophet." (1975)
 Peter Ludwig: "Ich finde, dass Breker ein interessanter Künstler ist, ein großer Porträtkünstler. Auch er gehört zu denjenigen, deren Leistung einfach mit Schlagworten zur Seite gedrückt wird." (1986)

Werk (Auswahl)

Bis 1934

1935–1945

Ab 1946

Denkmale
 Remscheid-Lennep: Wilhelm-Konrad-Röntgen-Denkmal
 Rheinberg-Budberg: Kriegerdenkmal 1914–1918, auf dem Friedhof (enthüllt 6. November 1927)

Architektur
 Schwelm: Grabmal der Familie Albano Müller (Bild), 1950, evangelischer Friedhof Schwelm
 Hagen: Bürohaus des Gerling-Konzerns (Bild), 1955/56, Körnerstraße 45
 Düsseldorf: Bürohaus des Gerling-Konzerns (Bild), 1957/58, Jägerhofstraße 21

Schriften, Bildbände
 Albert Buesche: Arno Breker: Einführung und Geleit durch die Ausstellung in der Orangerie des Tuileries. Desfossés, Paris 1942. Fotos Charlotte Rohrbach, Marc Vaux.
 Im Strahlungsfeld der Ereignisse 1925–1965: Leben und Wirken eines Künstlers. Porträts, Begegnungen, Schicksale. Waldemar Schütz, Preußisch Oldendorf, 1965, 1972
 Paris, Hitler et Moi. Presses de la Cité, Paris 1970
 Bildnisse unserer Epoche. Arno Breker. Podzun-Verlag, Dorheim 1972
 André Müller: Entblößungen. Interviews. Wilhelm Goldmann, München 1982, ISBN 978-3-442-03887-9 (verschiedene Interviewpartner Müllers, darunter Breker; Volltext siehe unten bei den Weblinks, bei Perlentaucher.de).
 Volker Probst (Hrsg.): Breker, Schriften. Marco, Bonn 1983, ISBN 978-3-921754-19-1.
 Begegnungen und Betrachtungen. Marco, Bonn 1987, ISBN 3-921754-27-5.
 Über allem Schönheit. Skulpturen, Reliefs, Medaillen, Druckgraphik. Galerie für gegenständliche Kunst, Kirchheim unter Teck 2000. ISBN 3-935172-02-8.
 Arno Breker – Zeichnungen, Dessins, Drawings. Hg. Uwe Möller, Marco, Bonn 2000 ISBN 3-921754-37-2.
 Arno Breker – Sculpteur, Dessinateur, Architecte. Ronald Hirlé, Paris 2006, wieder 2010, ISBN 978-2-914729-83-3.
 Diesem Regime durfte man keine Denkmäler bauen ... Der Briefwechsel zwischen Arno Breker und Albert Buesche. Carola Breker, Rainer Hackel (Hg.). Traugott Bautz, Nordhausen 2018. ISBN 978-3-95948-349-0.

Ausstellungen: Einzel- und Gemeinschaftsausstellungen nach 1945

Überblick

Auf Schloss Nörvenich (Kreis Düren) – seit 1980 im Besitz der Bodenstein-Familie – befindet sich das Museum Europäischer Kunst, das im Wesentlichen der Arbeit Arno Brekers und Arbeiten seiner Künstlerfreunde Salvador Dalí und Ernst Fuchs gewidmet ist.

In England wurde 2001 vom Henry-Moore-Institute in Leeds eine Ausstellung konzipiert. Anschließend wurden die Originale, nachdem zuvor hauptsächlich Fotografien zu sehen waren, in Berlin und Bremen gezeigt. Die Ausstellungen liefen unter dem Namen: Talking Positions.

In Schwerin fand vom 22. Juli bis 22. Oktober 2006 die erste Ausstellung von Werken Brekers nach 1945 in einem deutschen städtischen Ausstellungshaus, dem Schleswig-Holstein-Haus, statt. In der Ausstellung wurden die expressiven frühen Plastiken ebenso wie die Entwürfe der 1930er und 1940er Jahre und Arbeiten zwischen 1945 und 1991 gezeigt. Die umstrittene Ausstellung war mit 35.500 Besuchern ein großer Erfolg.

Werke Brekers stehen in The Tokyo Museum, Japan, im Centre Pompidou, Paris, sowie in einigen deutschen Museen.

Hans-Jürgen Breuste entnahm die in Eisenbändern gefangene Faust seines Kunstwerks Bogside 69 aus einem Steinbruch, in dem zuvor der im Nationalsozialismus tätige Bildhauer Arno Breker und seine Schüler an ideologischen Großskulpturen arbeiteten. Der Künstler verknüpfte mit seiner Skulptur die Menschenrechtsorganisation Amnesty International, die Gewalt im Nationalsozialismus und die Verletzungen der Bürgerrechte im Nordirlandkonflikt in der Bogside 1969 – auf die sich der Titel der Skulptur bezieht – zu einem globalen Assoziationsraum. Breuste verband sein historisches Fundstück mit seinem künstlerischen Schaffen so, dass die Betrachter – selbst ohne Kenntnis der Herkunft der Faust – assoziativ die Verbindung zu den Zielen und Idealen von Amnesty International spüren.

Ausstellungen nach 1945 – Auswahl

Brekers Meisterschüler
 Bernhard Heiliger (1915-1995)
 Gregor Kruk, Ukraine (1911–1986)
 Erwin A. Schinzel (1919–2018)
 Manfred Welzel (1926–2018)
 Alfred Sachs (1907–1990)

Arno Breker-Gesellschaft
Die Arno Breker Gesellschaft 1979 (ABG) hat das Ziel, Leben und Werk in kunstgeschichtlicher und historischer Sicht zu bewahren. In den USA gibt es die Arno Breker Society International. Ihre Zuständigkeitsbereiche sind Amerika, insbesondere die USA, und Australien. Die ABG hat einen Freundeskreis, dem jedermann beitreten kann. Die in aller Welt lebenden Mitglieder, die sich wegen der Distanz nicht regelmäßig treffen können, üben kein Stimmrecht aus. Sie verstehen sich als Förderer der Schönen Künste. ABG-Präsident ist durch Wahl seit 2010 der Deutsche Sigurd K. Kuepper.

Dokumentarfilme
 Zeit der Götter. Der Bildhauer Arno Breker, Regie: Lutz Dammbeck, SWF, 1993.
 Arno Breker – Skulpturen und Musik, Marco J. Bodenstein, 20 Minuten, Marco-Edition Bonn.
 Arno Breker – Deutsche Lebensläufe, Farbfilm 60 Minuten, Regie:Dagmar Wittmers SR, 2002
 Paris-Rom-Berlin und Arno Breker, mit Interview von Albert Speer. Farbfilm, 60 Minuten, EKS Museum Europäische Kunst, Schloss Nörvenich (NRW)

Siehe auch
 Kunst im Nationalsozialismus
 Die Kunst im Deutschen Reich
 Architektur im Nationalsozialismus

Literatur
 Joe F. Bodenstein: Arno Breker – une biographie. Èditions SÉGUIER Paris, französische Erstausgabe 2016, ISBN 978-2-84049-690-8
 Birgit Bressa: Nachleben der Antike. Klassische Bilder des Körpers in der NS-Skulptur Arno Brekers. Dissertation, Universität Tübingen 2001, . [PDF]
 Rudolf Conrades (Hrsg.): Zur Diskussion gestellt. Der Bildhauer Arno Breker. CW-Verlagsgruppe, Schwerin 2006, ISBN 3-933781-50-7 (Zur Ausstellung in Schwerin).
 dsb. (Hrsg.): Das Schweriner Arno-Breker-Projekt. Dokumentation. CW-Verlagsgruppe, Schwerin 2007, ISBN 3-933781-56-6
 Charles Despiau: Arno Breker. Flammarion, Paris 1942. Bildband zur Ausstellung, Musée de l'Orangerie
 Dominique Egret (Hrsg.): Arno Breker. Ein Leben für das Schöne. Grabert, Tübingen 1996 ISBN 3-87847-157-2.
 Ernst Fuchs: Klassiker der Neuzeit – Arno Breker-Der Prophet des Schönen. Skulpturen aus den Jahren 1920–1982. (Hrsg.)Richard P. Hartmann, München 1982, Hartmann-Verlag/Marco-Edition (Bonn), ISBN 3-923450-01-X
 Rainer Hackel (Hrsg.): Im Irrlicht. Arno Breker und seine Skulpturen. Büchse der Pandora, Wetzlar 2013, ISBN 978-3-88178-250-0
 Ronald Hirlé, Joe F. Bodenstein, Sandrine Woelffel: Arno Breker – Sculpteur – dessinateur – architecte, deutsch-französisch, Editions Hirlé, 2010, ISBN 2-914729-83-9.
 Hans Klier: Arno Breker. Form und Schönheit. Marco Edition, Bonn 1978 (Hrsg. Salzburger Kulturvereinigung)
 Fides Krause-Brewer: "Als Hitler kam...:Erinnerungen von Arno Breker, Manfred von Ardenne" u. a. Herder Verlag Freiburg 1982, ISBN 3-451-07978-X
 Hermann Leber: Rodin, Breker, Hrdlicka. Georg Olms, Hildesheim 1998, ISBN 3-487-10722-8.
 Uwe Möller: Arno Breker. Zeichnungen. Drawings. Dessins 1927–1990. Edition Museum Europäische Kunst.
 Paul Morand, Salvador Dalí, Ernst Fuchs: Hommage à Arno Breker. Zum 75. Geburtstag des Künstlers. Mourlot/Marco, Paris 1975.
 Patrick Neuhaus: Die Arno Breker-Ausstellung in der Orangerie Paris 1942. Auswärtige Kulturpolitik, Kunst und Kollaboration im besetzten Frankreich. Neuhaus Verlag, Berlin 2018, ISBN 978-3-937294-08-7
 Jonathan Petropoulos: The Faustian Bargain. The Art World in Nazi Germany. London 2000, ISBN 0-7139-9438-X (online ansehbar)
 Joachim Petsch: Kultur- und Kunstpolitik des "Dritten Reiches" im besetzten Frankreich von 1940–1944 am Beispiel Arno Brekers. S. 134–142 in Wolfgang Drost (Hrsg.), Géraldi Leroy, Jacqueline Magnou, Peter Seibert: Paris sous l'occupation. Paris unter deutscher Besatzung. Universitätsverlag C. Winter, Heidelberg 1995 ISBN 3-8253-0246-6 (Reihe: Universität Siegen, Romanistische Abteilung, 124)
 Alexander Martin Pfleger: "Der Geist prägte das Überwirkliche". Gerhart Hauptmann und Arno Breker. In: Klaus Hildebrandt / Krzysztof A. Kuczynski (Hg.): "Habt herzlichen Dank für Eure Freundschaft...." Menschen um Gerhart Hauptmann. Wissenschaftlicher Verlag der Staatlichen Fachhochschule in Wloclawek. Wloclawek 2011, ISBN 978-83-60607-26-8, S. 303–330 (Literaturverzeichnis S. 328–330).
Roger Peyrefitte: Hommage à Arno Breker. Marco, Paris 1980
 Volker G. Probst: Das Pietà-Motiv bei Arno Breker. Marco, Bonn 1985, ISBN 3-921754-25-9.
 dsb.: Der Bildhauer Arno Breker. Eine Untersuchung. Marco, Bonn 1978, ISBN 3-921754-07-0.
 dsb.: Das Bildnis des Menschen im Werk von Arno Breker. Marco, Bonn 1981, ISBN 3-921754-13-5.
 dsb. (Hrsg.): Arno Breker. Schriften. Marco, Bonn 1983, ISBN 3-921754-19-4.
 Uta Ranke-Heinemann: Arno Breker 90 Jahre. Edition Tolbiac (Hrsg.), Verlag NRW-Kunstkreis Düren 1990. ISBN 3-923399-17-0
 Hans Sarkowicz: Hitlers Künstler: Die Kultur im Dienst des Nationalsozialismus. Insel, Frankfurt 2004
 Hans Dieter Schäfer: Das gespaltene Bewusstsein. Über deutsche Kultur und Lebenswirklichkeit 1933–1945. München 1981
 Klaus Staeck (Hrsg.): Nazi-Kunst ins Museum? Steidl, Göttingen 1988, ISBN 3-88243-090-7.
 Jürgen Trimborn: Arno Breker. Der Künstler und die Macht. Aufbau-Verlag, Berlin 2011 ISBN 978-3-351-02728-5
 Rezension, Inhaltsangabe: Bernhard M. Hoppe, 30. August 2012. In: socialnet  online, Datum des Zugriffs 19. Oktober 2016
 Walter Vitt, Christoph Zuschlag (Hrsg.): Der Fall Arno Breker. Ein Kritiker-Disput zur Schweriner Ausstellung 2006. Steinmeier, Nördlingen 2007
 B. John Zavrel: Arno Breker. His Art and Life. West Art, New York 1985, ISBN 0-914301-01-2
 dsb.: Interview with Arno Breker. The divine Beauty in Art. West Art, New York 1982, ISBN 0-914301-04-7

Weblinks

 Museum Arno Breker im Schloss Nörvenich
 Arno Breker Gesellschaft 1979 e. V. in Bonn, NRW
 Birgit Bressa: Dissertation über Breker mit umfangreichem Bildmaterial. (PDF; 4,5 MB).
  (Interview von André Müller, 1979).
 Arno Breker Grab in Düsseldorf geschändet, auf unserort.de, vom 19. Oktober 2018

Einzelnachweise

Hochschullehrer (Universität der Künste Berlin)
Bildhauer (Wuppertal)
Bildhauer (Düsseldorf)
Bildende Kunst (Nationalsozialismus)
Architekt (Deutschland)
NSDAP-Mitglied
Mitglied der Preußischen Akademie der Künste
Mitglied der Sonderliste der Unersetzlichen Künstler
Deutscher
Geboren 1900
Gestorben 1991
Mann

redpajama_set_name: RedPajamaWikipedia


The Collier County Board of County Commissioners is seeking applications for positions on several advisory committees. Members of committees must reside in and be registered to vote in Collier County. Instructions on how to apply are below.
The Affordable Housing Advisory Committee has four vacant seats in the following categories related to affordable housing: Labor engaged in home building, Banking and Mortgage industry, For-Profit Provider of Affordable Housing, representative of the local planning agency. This committee was created in accordance with Sect. 420.9076 Fla. Stat., to review policies, procedures, ordinances, land development regulations, and the adopted local government comprehensive plan, and to recommend specific actions or initiatives to encourage affordable housing. Terms are three years.
The Bayshore/Gateway Triangle CRA Board has one vacancy for an at-large representative who resides or engages in business or both in the Bayshore/Gateway Triangle Redevelopment Area. This nine-member board assists in the implementation of the redevelopment plan for the Bayshore/Gateway Triangle area. Terms are three years. The application period for this vacancy will close on Tuesday, December 4th, at 3:00 p.m.
The Code Enforcement Board has a vacant seat for an alternate member. This seven-member board with two alternates is composed of individuals representing the occupations of architect, business owner, engineer, general contractor, subcontractor and realtor, who are considered on the basis of their experience or interest in the areas of the codes and ordinances to be enforced. Members are required to file a Form 1 Statement of Financial Interest each year with the Supervisor of Elections. Terms are 3 years. This is a Quasi-Judicial Board.
The Contractors Licensing Board has one current vacancy for a consumer representative. Applicants should have no ties to the construction industry. This nine-member board was created to determine the qualifications of applicants for the various categories of the Contractors' Certificates of Competency. They also hold hearings to determine if a certificate of competency of any contractor, master or journeyman should be revoked. Terms are three years. This is a Quasi-Judicial Board.
The Educational Facilities Authority has one vacancy. The purpose of this five-member authority is to assist institutions for higher education in the construction, financing, and refinancing of projects. One member shall be a trustee, director, officer, or employee of an institution for higher education located in Collier County. Terms are five years.
The Golden Gate Community Center Advisory Board has one seat expiring in December. Members must reside within the boundaries of the Golden Gate Community Center Municipal Services Special Taxing District. This five-member committee advises the Board of County Commissioners on the budget and operation of the Golden Gate Community Center. Terms are three years.
The Growth Management Oversight Committee has a vacancy for a member representing the Rural Land Stewardship Area (RLSA). Applicants must be either residents of, own property in, or have a business interest within the RLSA. This committee was created to assist the Board of County Commissioners in facilitating the public review of the following four sub-area/master plans within the Growth Management Plan: the Rural Fringe Mixed Use District, the Golden Gate Estates and Golden Gate City area (combined), the Rural Land Stewardship Area, and the Immokalee Urban Area. Members shall serve until the completion of the project.
The Immokalee Beautification MSTU Advisory Committee has one vacancy. This five-member committee assists the Board of County Commissioners in the business affairs of the Immokalee Beautification Taxing District, and prepares and recommends an itemized budget to carry out the business of the district for each fiscal year. Applicants must be permanent residents within the MSTU. Terms are four years.
The new Infrastructure Surtax Citizen Oversight Committee is seeking applications for seven open seats: five members shall be residents of each of the five commission districts, and two members shall be at-large members. Applicants should have background and experience related to financial or business management. This seven-member committee was formed for the purpose of providing for citizen review of the County's expenditure of the proceeds from the Collier County and Municipal Infrastructure One-Cent Sales Surtax. Initial terms for at-large members shall be one year, and terms for district seats shall be two years.
The Parks and Recreation Advisory Board has two Urban Area seats and one Immokalee seat expiring in December. This seven-member committee advises the BCC on any matters concerning acquisition, development and programs involving parks and recreation facilities in Collier County. Membership consists of one member from the Immokalee Community Park District and six members from the Naples and Urban Area Community Park District. Terms are four years.
The Public Transit Advisory Committee has one current vacancy for a member representing health care services, social services, or large employers. This seven-member committee makes recommendations to the Board of County Commissioners in matters related to transit policies, issues, programs and plans to provide mass transit services to the citizens of Collier County. Terms are three years.
The Senior Advisory Committee is seeking applications for a member from commission district 5. Applicants for commission district seats must be nominated by the commissioner of the district they reside in. All members must be 62 years of age or older. The purpose of this committee is to assist the Board of County Commissioners in compiling and identifying issues and relevant best practices concerning senior citizens in Collier County. Terms are one year, unless further extended by the BCC.
The Value Adjustment Board has one vacancy for an alternate member in the Homestead Citizen category. The Clerk of the Circuit Court serves as the Clerk to the VAB, which is the process whereby property owners can appeal their tax assessments. The VAB consists of two County Commissioners, one Collier County School Board member, one Collier County Homestead Citizen member and one Collier County Business Citizen member. Collier County's VAB is required to contract Special Magistrates, based on population size, to hear the various types of petition appeals including: Exemption/Classifications, Tangible Personal Property, Residential Property Tax Appeals and Commercial Property Tax Appeals.
Residents interested in applying for advisory committee positions may also obtain an application by calling 239-252-8400, or from https://www.colliercountyfl.gov/modules/showdocument.aspx?documentid=25235. Please forward to the attention of Wanda Rodriguez, County Attorney's Office, 3299 Tamiami Trail East, Suite 800, Naples, Florida 34112-5746.


At Buck's T-4 Lodge you will discover a friendly, inviting atmosphere the moment you step through our doors. A warm welcoming blaze in the stone hearth, big game trophies, and antique sporting gear hint at Buck's T-4's beginnings as a hunting and fishing lodge. Start each day with our complimentary full breakfast. Other guest amenities include 2 restaurants with historic bar, free wireless Internet, 2 huge outdoor hot tubs, patio with outdoor fireplace, microwave/refrigerators and 3 HBO channels. Our richly appointed guest rooms furnished in a country decor, provide you with the right place at the right price for your vacation.


The New Zealand-born former Canadian junior, turned U.S. college player, celebrates her birthday in the unique setting of … Bogotá, Colombia, where she made her WTA on-court coaching debut this week.
Routliffe entertained with her consultations, when called upon by fellow former college player Kristie Ahn on Tuesday and Wednesday nights.
Tuesday night, Ahn upset No. 1 seed and former French Open champion Jelena Ostapenko, with the engaged crowd madly cheering the underdog.
On Wednesday – with the crowd cheering nearly unanimously for her teenaged Colombian opponent – she couldn't made the difference.
Ahn, who had been up 3-0 in the third set against Maria Camila Osorio Serrano, fell 6-3 in the third.
From what Routliffe was saying during the consults, the early birthday celebration dinner was going to take place at … McDonald's.
Woo hoo! The glamorous life, right?
Her younger sister Tess, a swimmer, won a silver medal in the 200m individual medley at the 2016 Paralympic Games in Rio de Janeiro.
Routliffe, a tall drink of water at 6-foot-2, was a successful graduate of Tennis Canada's national training program in Montreal.
In 2011, she burst on the scene as the first of four consecutive Canadian girls to win the 16s division at the Orange Bowl. (She was followed by Gloria Liang, Charlotte Robillard-Millette and … Bianca Andreescu).
Routliffe got into the top 20 in the juniors in 2013. Notably, she defeated Elise Mertens and Ostapenko back to back at Traralgon, before the 2013 Australian Open juniors.
Overall, she had better results in doubles. And then, as the vast majority of the high-performance players in Canada's system do, she chose the college route.
Routliffe starred at the University of Alabama and earned a degree in public relations. And then, she set out to try her luck on the pro tour.
Quickly realizing that the opportunities were going to be better if she represented New Zealand than in Canada (despite all the federation had invested in her training), she now represents the country in which she was born.
She played Fed Cup as a Kiwi for five ties in 2017 and 2018. And she has received wild cards into the Auckland WTA Tour event.
Without a regular partner, she currently sits at No. 102 in the doubles rankings.
That's not far off her high of No. 95, reached last summer when she and fellow Alabama alum Alexa Guarachi reached the final at the WTA event in Washington, D.C.
Routliffe and countrywoman Carol Zhao had this reaction at the Granby Challenger a few years ago, when they somehow pulled off a 13-11 match tiebreak win.
Corretja's post-playing career has been a series of interesting experiences, from being a clay-court "consultant" to Andy Murray in his pre-Lendl days, to becoming Davis Cup captain as he replaced longtime captain Albert Costa.
That didn't last all that long, though; he was soon replaced by Carlos Moya. Who was replaced by Gala Leon. Who was replaced by Conchita Martinez. Who was replaced by Sergi Bruguera.
Corretja was a fine clay-court player in his own right who actually reached No. 2 in the world in Feb. 1999.
Twice, Corretja was a French Open finalist.
But he is probably best known for being on the losing end of the Pete Sampras "upchuck-in-the-bushes" comeback win at the U.S. Open in 1996.
Above all, for the grace and class with which he handled it.
These days, Corretja does a lot of TV work for Eurosport.
He also has worked with promising young Serbian Olga Danilovic.
A former American player who was on Tour for many years, along with brother Sandy.
He's probably one of the few players (with Sandy) ever to compete in the U.S. Open who was actually born and raised in the shadow of the USTA Tennis Center in Flushing, New York.
He reached No. 4 in the world in 1980 and won 14 singles titles.
Sandy reached No. 7 in 1982.
Maskell's classic voice is one most people (over a certain age) always will associate with Wimbledon.
He started it with BBC radio in 1949, switched to TV two years later and worked pretty much right to his retirement in 1991, shortly before he died.
Not as well known is the fact that Maskell actually played the game.
He won 16 British pro championships in his young days, and was the captain of the 1933 winning Davis Cup squad and headed it for four years.
He was the first-ever teaching pro at the famed All-England Club. And he also was a hero during WW II (according to Wikipedia).
Maskell was inducted into the International Tennis Hall of Fame in 1996 – sadly, after his death.


A closer relationship between the strategic and corporate social responsibility activities of a company. Don Tapscott and David Ticoll argue that what they call "new integrity" is the way for creating value, and for building trust, stability and social justice, and they related it with values such as honesty, accountability, transparency, and consideration.
The possibility of creating more sustainable supply chains and businesses. The authors of the book maintain that open enterprises are companies that "stick with suppliers to protect their suppliers' viability and the integrity of the supply chain. They build trusting relationships and effective networking business". Here, they put the example of Dell Computers, who instead of looking for the cheapest suppliers to cheapen their products, works with a small group of selected suppliers to produce the best components and the best computers. This attitude drives to a better control of their supply chain, managing more information to make informed decisions and building more valuable relationships with customers, partners and stakeholders, additionally to drive to inventory costs reductions, more process efficiency, innovation, and brand loyalty.
The Co-creation of value. Transparency and trust are interdependent and lead to motivation and loyalty. In effective organizations, as the authors add, partnerships are based on commonly shared values. Open Enterprise "engages partners in high-transparency business webs to create products and services with lower cost and market differentiation", they explain.
The generation of social good. Trust is presented as an instrument for the wealth creation in a transparent and networked world.
All these three aspects are clearly linked, leading to more effective organizations, to be able to reduce their vulnerability and having a major control of their supply chains, by collaborating and sharing information transparency. In a business such as the food powder blends production, this is something that we have needed for a long time. Transparency is a powerful tool that will allow the collaboration of the companies operating in the sector to innovate and produce more and better foodstuffs, to sustain, and to address challenges like the one of feeding a growing population in a context of scarcity of resources and inequality in the access to food.


text:
The Teenage Girls Guide to Her Ever Changing Body
- In Media Res (Book 1), Canto II, "Air's Siren Song," Page 12 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 11 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 10 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 9 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 8 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 7 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 6 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 5 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 4 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 3 - In Media Res (Book 1), Canto II, "Air's Siren Song," Page 2 In Media Res (Book 1), Canto II, "Air's Siren Song," Page 1 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 20 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 19 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 18 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 17 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 16 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 15 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 14 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 13 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 12 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 11 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 10 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 9 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 8 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 7 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 6 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 5 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 4 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 3 - In Media Res (Book 1), Canto I, "The Song of Fire," Page 2 In Media Res (Book 1), Canto I, "The Song of Fire," Page 1
liked 3 times!
In Media Res (Book 1), Canto II, "Air's Siren Song," Page 12
Bubbles on June 8, 2007
It seems the problems never cease for me. As soon as finals ended, I started work on a new page only to have my laptop completely die on me. Since I'm currently in starving artist mode, I don't have the money to fix it at the moment and won't until I start working later this month. As you can see, the current comic is neither drawn on the computer as most of the comics I've worked on in the past four years have been nor is it in any way toned. Now, I could consider trying my hand at some greyscale markers I picked up last quarter if people are really in dire need of some simple tones. Anyway, I would like to try to get back into a groove, even if it means drawing out each page by hand as I've done here.
isukun at 12:03AM, Nov. 17, 2009
I think the problem went beyond just a scanner issue. Ben and I both decided this comic strayed way off course from where we wanted to take it. e's in the process of a total reboot with a completely different story to start things off and a new format. Once I get the finished script for chapter one, I'll post the cover as a teaser. I'll probably end up posting a full chapter at a time, so updates won't be frequent.
Greyman at 7:14PM, April 9, 2009
Man, is this one serious scanner problem or what?
Elkian at 1:08PM, Aug. 14, 2008
...awesome
Stig Hemmer at 12:42PM, Jan. 9, 2008
Stig!
Greyman at 4:28AM, Nov. 23, 2007
Scanner problems will delay the toning of the comics? Tripple Crapplies. That greyscape art was amazing, but I'm glad you're persevering. The story is too awesome not to be told, and this line art is still nice enough to do it justice. Ah, those wacky mind control drop bears.
Forger at 5:25PM, Oct. 28, 2007
Cyber, your Avatar is just plain freaky although I did like ff6 for the PS1. Still, I love the comic and hope you get your scanner fixed soon Isukun.
Kokuchan at 9:21AM, Oct. 21, 2007
Cool comic! Really like the chars and the angle! Now I feel like working on my own stuff! Yay!
Lord Shplane at 12:11AM, Sept. 19, 2007
i liek tis comc moar thn mudkips updat maor I'm kidding, update when you feel like. Or when your computer gets fixed.
Aereis at 4:45PM, June 9, 2007
Hey it's still beautiful w/o being toned :P great stuff!!
newgirlcomic at 7:04AM, June 9, 2007
that sucks about the laptop man.... my scanner died almost a year ago and i had to get a new one on my future shop card... hope things go good for you.
CyberSkull at 12:21AM, June 9, 2007
I'm just glad you updated!


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text:
Sheldon and Amy are surprised to find that Wil Wheaton's new Professor Proton show is actually very entertaining and that Wil had Howard on as a guest. On Howard's suggestion, Sheldon apologizes to Wil, mending their friendship, and tells him he wants to be on the show; but Wil asks for Amy. Sheldon tells her to do it, but she says she often doesn't do things to avoid upsetting him. Sheldon is horrified when he realises how selfish he has been, especially when he finds out that the men do the same for him. Sheldon encourages Amy to go on the show to inspire girls to pursue science while trying to control his obvious jealousy for her. Meanwhile, Leonard writes a book about a physicist that solves a murder, the protagonist Logan Dean is based on himself. Bernadette points out Logan's mean boss Illsa is similar to Penny, who thinks it is based on Bernadette, though Leonard does not correct her. However, Bernadette tells Penny the truth, upsetting her and making her mad at Leonard. After calling his mother for advice, Leonard learns that Illsa is actually like her; but abandons the book when he realizes he wrote romantic tension into the relationship between the characters.
Sheldon is still despondent over the disproving of his and Amy's theory on asymmetry. Leonard brings out a VHS tape of a pep talk that Sheldon recorded as a boy, but it turns out that his father had recorded a long-ago football game over it. Sheldon, however, is buoyed by a halftime pep talk his father gave the team, realizing he and his father had more in common than he previously thought. This causes Amy to view asymmetry and symmetry in another manner and they decide their theory may not be dead after all. Bernadette finds an old tape of Howard preparing to audition for The Magic Castle. She insists he fulfill his dream and audition with her as a coach, drawing on her beauty pageant experience. Howard eventually decides to audition his own way, and promptly botches his chances by accidentally destroying a judge's Rolex.
There was an unaired pilot which CBS did not broadcast. In March 2017, CBS announced that the series was renewed for two more years, leading the show to a total of 12 seasons.[1] The twelfth season premiered on September 24, 2018,[2] and served as the series' final season.[3] During the course of the series, 279 episodes of The Big Bang Theory aired over 12 seasons.
As Sheldon and Amy start to plan their wedding, they use decision theory to limit the stress of choosing between their competing visions for the big day. After they begin to question each other's decisions and make deliberately provocative choices, they decide to have a simple wedding at City Hall. As they wait their turn, Sheldon changes his mind and decides he wants a first dance with Amy at a real wedding.
When Amy sees Sheldon obsessively tying and untying his bow tie the day before their wedding, Amy tells him it doesn't need to be even because sometimes a little asymmetry looks good. On the day of the wedding, Sheldon stops his mother from trying to straighten his bow tie, saying it's supposed to be a little asymmetrical. When Mary comments that sometimes it's the imperfect stuff that makes things perfect, Sheldon has a flash of inspiration and rushes to see Amy. Sheldon and Amy's wedding is delayed as they excitedly work on a new theory of "super asymmetry".
I'm sure someone will start a petition to redo the finale because Sheldon's speech was "out of character" for him, like Game of Thrones, lol. Seriously, they really did wrap up the show perfectly. Even though they had the Nobel Prize win and pregnancy and the Buffy cameo, they really didn't rely on a bunch of craziness or twists or a ton of cameos or the things many series finales attempt to do. Instead, they just leaned into the strengths of the show and let the actors do their thing. That Sheldon speech was a great way to end things.
Penny runs into her ex-boyfriend Zack, who has gotten rich from selling his company and married a similarly dim-witted woman named Marissa. Meeting with Leonard and Penny, they say Zack is infertile and ask to pay Leonard as a sperm donor so they can have a baby. Leonard is flattered, but Penny finds it creepy. Leonard says that since Penny decided she did not want to have children, he should be allowed to help another couple with this issue. Sheldon advises him to think about the emotional toll this could have on him. Leonard says he will not do it if Penny objects; Penny says she will support whatever decision Leonard makes. Meanwhile, Raj tries to get Anu back but she points out he just wanted to be married like his friends. Raj points out that Anu is similarly looking for a quick marriage. He admits to Anu that he really likes her and they decide to start their relationship as just dating.
After Sheldon reminds the guys about the time they mined Bitcoin without him, the guys go on a quest to find their suddenly valuable missing cryptocurrency. They realize the currency is on a laptop which Leonard gave to Penny when they dating, which she then gave to her ex-boyfriend Zack. After Leonard and Penny go to Zack's apartment, he shows them a seven-year-old video that Penny recorded on the laptop soon after she broke up with Leonard. Leonard is touched by the video which shows a drunk Penny lamenting the break-up of her relationship with him.
Howard dresses as Sheldon for Halloween at work, hurting Sheldon's feelings. When Howard does not apologize, Amy and Sheldon dress as Bernadette and Howard at Penny and Leonard's party, angering Bernadette. Sheldon and Bernadette later bond over their painful childhood memories. Leonard is upset that Penny does not seem to remember that their first kiss was on Halloween. Penny later admits she does remember, but does not like to think of their first kiss as an unromantic drunken hookup. She likes to imagine their first kiss was one they shared on Leonard's birthday, which pleases him.
As the theme of the show revolves around science, many distinguished and high-profile scientists have appeared as guest stars on the show. Famous astrophysicist and Nobel laureate George Smoot had a cameo appearance in the second season.[56] Theoretical physicist Brian Greene appeared in the fourth season, as well as astrophysicist, science populizer, and physics outreach specialist Neil deGrasse Tyson, who also appeared in the twelfth season.
Two nerdy physicists share an apartment and an unlikely friendship with their beautiful neighbor with whom one of them is infatuated. Like the universe after the big bang, the show's popularity expanded, thanks to breakout star Jim Parsons, along with the chemistry among the friends and the developing romance between Leonard and Penny. The addition of Melissa Rauch and Mayim Bialik in later seasons also enhanced the stories and relationships of the leads.
Amy enthusiastically accepts Sheldon's marriage proposal. However, when dining with Amy's colleagues later that night, Sheldon is offended that they are more impressed with Amy's work than his own. With help from Stephen Hawking, Sheldon later comes to grips with the fact that he will not always be the center of attention in the marriage. Bernadette is shocked to realize that she is pregnant again. She and Howard are not thrilled at the idea of having another baby so soon after their first. They attempt to convince Leonard and Penny to have a child as well, but are rebuffed.
Turning to total viewers, "Manifest" was the biggest gainer overall, on average adding 6.1 million viewers per episode. ABC's "The Good Doctor" was second with an average viewer lift of just under 6 million. "New Amsterdam" (5.2 million viewer lift) and "A Million Little Things" (3.5 million viewer lift) were also among the top gainers in this measure, as was ABC's "Whiskey Cavalier" (3.2 million viewer lift).
Sheldon's childhood friend from Texas, Tam, is visiting the university with his son. Sheldon does not want to see him and the others wonder why Sheldon has never mentioned Tam. Tam is unaware Sheldon is angry with him, thinking they just naturally drifted apart. Sheldon's brother George does not know the reason either. Sheldon eventually reveals Tam promised he would move to California with Sheldon, but then got a girlfriend and stayed with her, leaving Sheldon feeling abandoned. Tam and Sheldon make up and Sheldon has Leonard take Tam to the airport. Meanwhile, Penny and Bernadette want to get to know Anu, impressed by her connections in the hotel industry. They tell her embarrassing things about Raj and wonder if they can go out with her again after Raj confronts them.
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By Steve Davies April 18, 2013
McLaren continues its promotional foreplay with the P1 interactive web experience (w/VIDEO)
One of these days we'll try and rank which car maker is the 'biggest tease' – I suspect we'll have a stand-off between McLaren (with the P1) and Jaguar (F-TYPE), although Lamborghini has always enjoyed stringing us along with its numerous concepts.
In Jaguar's case, I've lost count of the number of times people have said "I thought it was already launched?", but at least with McLaren's P1 the spectacle 'is' the main event. Few of us will ever see one, while fewer still will get to buy one, so if McLaren choose to extend its foreplay, who are we to complain.
Their latest nugget is the promotional film, 'Designed by Air', which previews a new 3D interactive experience coming to a desktop or tablet near you in May 2013.
The experience takes participants on a journey as the car is born from raw metallic and carbon elements and then crafted by airflow. The story evolves to unveil the McLaren P1 within the wind tunnel, highlighting the aerodynamic performance of the car's design and showing it adapt in simulated urban, alpine, highway and track environments.
The video (above) is the first of two short-films telling the story behind its design, reinforcing the claim already made that P1 is "the most aerodynamically advanced car in the world".
SEE ALSO: Through the Lens: McLaren P1 at Bahrain International Circuit
It remains a bold statement, one which begs comparison (with Ferrari's LaFerrari) once both cars are launched, but in the meantime we'll just have to take McLaren's word for it – and enjoy more of their promotional foreplay.
3dFerrarimclarenpromotionweb
Lamborghini celebrates with its Aventador LP720-4 50 Anniversario Edition
Honda UK opens its order books for new NSX
Gymkhana SIX is LIVE (w/VIDEO)
Porsche builds a special 911 Carrera 4S inspired by an outdated social media metric
Focus on Audi: How much of a brand's PR is merely bluster?
Ken Block goes all Cyrillic in Russia (w/VIDEO)


• You can collect your order free of charge from our new shop on Hyndland Road.
•We bake all of our cakes and cupcakes fresh daily therefore we ask for as much notice as possible.
•You can place an order by popping into our shop, calling us or by email.
•We deliver to various postcodes across Glasgow. Please call us for a quote.
•Further information can be found on our Terms & Conditions page.


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Ready for a Fun Loving Special Someone! Looking for someone that appreciates a person for their personality and worth as an individual, and not for their looks. I'm a big girl, but that just means I have a big heart. Wanting to meet someone that enjoys new experiences, and tries different things!
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text:
How can I call Sean Hannity?
By Mensah Courage September 17, 2022
Whether you're a fan of the show or have a criticism, contacting Sean Hannity is easier than you might think, you can just phone in during his show to make your contributions.
Who is Sean Hannity?
For personal reasons Sean hasn't given out his personal call line but to talk to him, one can phone Fox News during one of Sean's shows to be able to talk to him.
Sean Hannity is one of the most prominent and influential conservative voices in the United States. Sean Hannity was born December 30, 1961 in New York.
Mensah Courage
Blogger | Social media marketing expert | Writer | Owner and editor at SmileTimes Online. Contact me on +233542093234 or Email Me at [email protected] Mensah Courage takes pride in providing the latest global trends in Africa, Asia, Europe, North America, and South America.
Lets Hear From You!
Physical Address: Bungalow Road, Hohoe
Advertisement : [email protected]
Web: smiletimegh.com
© 2020 Mck Media. All Registered.


View timeshare information for Reflections At Ocean Key House in United States, Florida, Key West. View more information about the Reflections At Ocean Key House timeshare and start your booking today!
Key West, Florida, is an attractive and popular destination for a sunny and activity filled vacation. The cozy and elegant timeshares at Reflections At Ocean Key House are ideally located to help guests make the most of their Florida getaway. Surrounded by a peaceful and laid-back atmosphere, the resort offers many amenities and unparalleled service. The warm, golden beach is only a short stroll away from the resort. The clear and pristine waters offer the perfect setting for a variety of water sports and activities. Try your hand at diving or snorkeling to explore the breathtaking coral reefs the area is famous for. Golf and tennis are also available nearby, as are many fascinating historical sites. Visit Hemingway's and Audubon's dwellings or one of the many museums and galleries nearby for a memorable vacation!


text:
/*global QUnit */
sap.ui.define(['sap/base/util/UriParameters'], function(UriParameters) {
	"use strict";

	QUnit.module("sap.base.util.UriParameters");

	QUnit.test("empty query string", function(assert) {
		var oUriParams = new UriParameters("/service");
		assert.ok(Object.keys(oUriParams.mParams).length === 0);
	});

	QUnit.test("a single parameter", function(assert) {
		var oUriParams = new UriParameters("/service?x=1");
		assert.deepEqual(oUriParams.get('x',true), ['1']);
	});

	QUnit.test("wrong syntax", function(assert) {
		var oUriParams = new UriParameters("/service&x=1");
		assert.deepEqual(oUriParams.get('x',true), []);
		var oUriParams = new UriParameters("/service?=2");
		assert.deepEqual(oUriParams.get('x',true), []);
		var oUriParams = new UriParameters();
		assert.deepEqual(oUriParams.get(), null);
	});

	QUnit.test("multiple different parameters with different types", function(assert) {
		var oUriParams = new UriParameters("/service?x=1&y=2&z=true&@=test");
		assert.deepEqual(oUriParams.get('x',true), ['1']);
		assert.deepEqual(oUriParams.get('y',true), ['2']);
		assert.deepEqual(oUriParams.get('z',true), ['true']);
		assert.deepEqual(oUriParams.get('@',true), ['test']);
	});

	QUnit.test("URL with a hash", function(assert) {
		var oUriParams = new UriParameters("/service?x=1&y=#&z=test");
		assert.deepEqual(oUriParams.get('x',true), ['1'], "parameter before hash");
		assert.deepEqual(oUriParams.get('y',true), [""], "parameter without value, before hash");
		assert.deepEqual(oUriParams.get('z',true), [], "parameter after hash");
	});

	QUnit.test("URL with multiple values for a single name", function(assert) {
		var oUriParams = new UriParameters("/service?addin=1&addin=2&addin=3");
		assert.deepEqual(oUriParams.get('addin',true), ['1','2','3'], "param with multiple values");
	});

	QUnit.test("URL with param names from Object.prototype", function(assert) {
		var oUriParams = new UriParameters("/service?constructor=1&hasOwnProperty=2");
		assert.deepEqual(oUriParams.get('constructor',true), ['1'], "param with Object.prototype name");
		assert.deepEqual(oUriParams.get('hasOwnProperty',true), ['2'], "param with Object.prototype name");
	});

	QUnit.test("URL with encoded values or spaces", function(assert) {
		var oUriParams = new UriParameters("/service?key1=&key2&search=Rock+%26+Roll&rock%26roll=here+to+stay&weird=%26%CE%A8%E2%88%88");
		assert.deepEqual(oUriParams.get('key1',true), [''], "empty value with equals sign");
		assert.deepEqual(oUriParams.get('key2',true), [''], "empty  value");
		assert.deepEqual(oUriParams.get('rock&roll',true), ['here to stay'], "encoded key");
		assert.deepEqual(oUriParams.get('search',true), ['Rock & Roll'], "encoded value");
		assert.deepEqual(oUriParams.get('weird',true), ['&\u03A8\u2208'], "hex encoded value");
		//alert('&\u03A8\u2208');
	});
});

redpajama_set_name: RedPajamaGithub


text:
goog.module('grrUi.hunt.huntsViewDirective');
goog.module.declareLegacyNamespace();

const routingService = goog.requireType('grrUi.routing.routingService');

/**
 * Controller for HuntsViewDirective.
 * @unrestricted
 */
const HuntsViewController = class {
  /**
   * @param {!angular.Scope} $scope
   * @param {!routingService.RoutingService} grrRoutingService
   * @ngInject
   */
  constructor($scope, grrRoutingService) {
    /** @private {!angular.Scope} */
    this.scope_ = $scope;

    /** @private {!routingService.RoutingService} */
    this.grrRoutingService_ = grrRoutingService;

    /** @type {string} */
    this.selectedHuntId;

    /** @type {string} */
    this.tab;

    this.scope_.$watchGroup(
        ['controller.selectedHuntId', 'controller.tab'],
        this.onSelectionChange_.bind(this));

    this.grrRoutingService_.uiOnParamsChanged(
        this.scope_, ['huntId', 'tab'], this.onParamsChange_.bind(this));
  }

  /**
   * Handles changes to the state params.
   *
   * @param {Array} newValues The new values for the watched params.
   * @param {Object=} opt_stateParams A dictionary of all state params and their
   *     values.
   * @private
   */
  onParamsChange_(newValues, opt_stateParams) {
    if (opt_stateParams['huntId']) {
      this.selectedHuntId = opt_stateParams['huntId'];
    }
    this.tab = opt_stateParams['tab'];
  }

  /**
   * Handles changes to the selected hunt or tab.
   *
   * @private
   */
  onSelectionChange_() {
    if (angular.isDefined(this.selectedHuntId)) {
      this.grrRoutingService_.go(
          'hunts', {huntId: this.selectedHuntId, tab: this.tab});
    }
  }
};

/**
 * HuntsViewDirective definition.
 * @return {angular.Directive} Directive definition object.
 */
exports.HuntsViewDirective = function() {
  return {
    restrict: 'E',
    scope: {},
    templateUrl: '/static/angular-components/hunt/hunts-view.html',
    controller: HuntsViewController,
    controllerAs: 'controller'
  };
};

/**
 * Name of the directive in Angular.
 *
 * @const
 * @export
 */
exports.HuntsViewDirective.directive_name = 'grrHuntsView';


The Mogo Village Business Chamber is made up of Mogo business owners who work together to support the Mogo community and encourage local business growth.
Anyone interested in lending a hand is welcome at the meetings, held on the first Monday of the month. Come along to find out what we are working on or share your ideas with us.
Mogo Village Business Chamber General Meetings are held monthly, everyone is welcome to attend.
If you'd like to come along, or present something, send us a message.
All minutes are PDF documents.


text:
Fiona Murden
psychologist & author
Speaking and interview enquiries
"It is one thing writing such a comprehensive 'life manual' but it is another to translate that into a very ingenious interactive and visual training tool – you are incredible and will do so well in helping people to transform their lives from whatever walk of life."
Participant, Defining You Program, UK
"Participating in Fiona Murden's "Defining You Course" was incredibly insightful for me. I have already made many adjustments in my business relationships as a result of the reflections that Fiona guided us through. I absolutely recommend this self-exploration for anyone who wants to understand where they are and where they want to go. Fiona is a true expert and a gifted guide."
Medical Doctor and Faculty Juilliard School, New York, USA
"Defining You is a practical and powerful online course that helped me understand how my character "theory" can be brought to life. I liken it to weaving a tapestry of my personal leadership. The threads, representative of my purpose, core values and strengths, are woven together by my ability to form meaningful connections and continual learning. The finished masterpiece defines me – a personal vision I will keep working towards and building upon, enabling me to understand my ways and be the best version of myself – everyday. For anyone committed to their personal growth or for those who don't know where to start, I highly recommend both the book and online Defining You course."
Participant, Defining You Program, Australia
"Fiona creates a powerful space in which to explore and define your skill set and, more importantly, work out how to amplify the skills and the areas of your work and life that are most beneficial to you in the longer term. The course content is inspirational and informative, and delivered in such a way that you feel mentored throughout every stage of the process. I really couldn't recommend this course more highly, whatever stage of your professional or personal journey, it is an impactful resource to give you the much-needed inspiration to take things to things to the next level."
If you're at a point in your life where you want to understand "how did I get here? And where do I go next?" I really recommend this programme." Participant, Defining You Program, UK
"The Defining You course made me think about past experiences (childhood, university and early career) in a new, more profound way. It has made me reconsider scenarios from my past and has helped me see them for what they were and how they shaped my future even into my life today. For me, it has been genuinely revelatory and I really didn't want the course to end. I am still a work in progress but feel better equipped to look at the past, present and future."
The time for reflection but with exercises that made it constructive to help me move forward was brilliant. I now feel reenergized with a clear purpose and goals for the short term." Participant, Optimizing You Program, UK
"For the first time in 59 years I think I have become far more self-aware and accepting of myself but also very encouraged there is still time for development!"
"I loved how the course unpacked the concepts and weaved them into practical tasks that really made you think and gave you tangible outcomes."
Participant, Optimizing You Program, USA


text:
Q: Set cookie with IP and send to new page I'm trying to find a way to set a cookie that sets a user's IP and passes it to a second page displaying that IP. I'm probably missing something very small, but I've tried a few methods.
setcookie('user_ip', $_POST['user_ip']);

I should be able to use this function as well to find the IP, or is there another method that's easier to use?
server($REMOTE_ADDR);

I keep getting errors with whatever method I use. I just know I'm missing something small.

A: setcookie('user_ip', $_SERVER['REMOTE_ADDR']);

Addition:
To echo the IP on the next page, use
echo $_COOKIE['user_ip'];