text:
#include "tensorflow/compiler/xla/service/hlo_live_range.h"

#include "absl/strings/str_format.h"
#include "tensorflow/compiler/xla/service/dfs_hlo_visitor.h"
#include "tensorflow/compiler/xla/service/hlo_value.h"

namespace xla {
/*static*/
StatusOr<std::unique_ptr<HloLiveRange>> HloLiveRange::Run(
    const HloSchedule& schedule, const HloAliasAnalysis& alias_analysis,
    const HloComputation* computation, bool module_scoped_analysis) {
  std::unique_ptr<HloLiveRange> hlo_live_range(
      new HloLiveRange(schedule, alias_analysis, module_scoped_analysis));
  hlo_live_range->schedule_end_time_ =
      hlo_live_range->FlattenSchedule(*computation, 0);
  hlo_live_range->CalculateBufferStartEndMap();
  hlo_live_range->NormalizeAliasedBuffers();
  return std::move(hlo_live_range);
}

void HloLiveRange::NormalizeAliasedBuffers() {
  for (const HloBuffer& hlo_buffer : alias_analysis_.buffers()) {
    std::vector<const HloValue*> aliased_buffers;
    for (const HloValue* hlo_value : hlo_buffer.values()) {
      if (buffer_live_ranges_.contains(hlo_value)) {
        aliased_buffers.push_back(hlo_value);
      }
    }
    absl::c_sort(
        aliased_buffers, [&](const HloValue* value1, const HloValue* value2) {
          const TimeBound& live_range1 = buffer_live_ranges_.at(value1);
          const TimeBound& live_range2 = buffer_live_ranges_.at(value2);

          return std::forward_as_tuple(live_range1.start, live_range1.end) <
                 std::forward_as_tuple(live_range2.start, live_range2.end);
        });

    for (int64 i = 0; i + 1 < aliased_buffers.size(); ++i) {
      const HloValue* value1 = aliased_buffers[i];
      const HloValue* value2 = aliased_buffers[i + 1];
      TimeBound& live_range1 = buffer_live_ranges_[value1];
      TimeBound& live_range2 = buffer_live_ranges_[value2];
      if (live_range1.start == live_range2.start) {
        // If value1 has the same start time as value2, make value1 disappear
        // by setting the end time same as start time:
        //
        // Before:
        // +----+           value1
        // +----------+     value2
        //
        // After:
        // +                value1
        // +----------+     value2
        //
        // Note that only when heap simulator runs before copy insertion can
        // this happen where one instruction defines multiple aliased buffers
        // -- This is illegle to execute and can be fixed by copy insertion
        // later.
        live_range1.end = live_range2.end;
        continue;
      }

      if (live_range1.end < live_range2.start) {
        continue;
      }

      if (live_range1.end > live_range2.end) {
        live_range2.end = live_range1.end;
      }
      live_range1.end = live_range2.start - 1;
    }
  }
}

// FlattenSchedule walks through the computation and tracks down the ordinal
// number of each instruction in the schedule.
int64 HloLiveRange::FlattenSchedule(const HloComputation& computation,
                                    int64 start_time) {
  if (!schedule_.is_computation_scheduled(&computation)) {
    total_order_scheduled_ = false;
    return start_time;
  }

  const HloInstructionSequence& instruction_sequence =
      schedule_.sequence(&computation);
  int64 time = start_time;
  for (HloInstruction* instruction : instruction_sequence.instructions()) {
    if (module_scoped_analysis_) {
      // Recurse into sub computations if running with module scoped analysis
      // mode.
      if (instruction->opcode() == HloOpcode::kCall ||
          instruction->opcode() == HloOpcode::kConditional) {
        for (const HloComputation* called_computation :
             instruction->called_computations()) {
          time = FlattenSchedule(*called_computation, time);
        }
      }
      if (instruction->opcode() == HloOpcode::kWhile) {
        time = FlattenSchedule(*instruction->while_condition(), time);
        time = FlattenSchedule(*instruction->while_body(), time);
      }
    }
    if (instruction_schedule_.count(instruction) != 0) {
      continue;
    }
    instruction_schedule_.insert({instruction, time++});
    flattened_instruction_sequence_.push_back(instruction);
  }
  computation_span_times_.try_emplace(&computation,
                                      TimeBound{start_time, time});
  DCHECK_EQ(instruction_schedule_.size(),
            flattened_instruction_sequence_.size());
  DCHECK_LE(instruction_schedule_.size(), time);
  return time;
}

void HloLiveRange::CalculateBufferStartEndMap() {
  for (const HloValue* value : alias_analysis_.dataflow_analysis().values()) {
    // Ignore buffers that are not defined.
    if (instruction_schedule_.count(value->defining_instruction()) == 0) {
      continue;
    }

    int64 buffer_start_time = instruction_schedule_[value->instruction()];

    int64 buffer_end_time = -1;
    for (const HloUse& use : value->uses()) {
      const HloInstruction* used = use.instruction;
      // As an optimization, we deem a while's init value's live range ends as
      // soon as the loop body starts. This optimization is only applicable in
      // module scoped mode.
      if (module_scoped_analysis_ && used->opcode() == HloOpcode::kWhile) {
        // The current live range is at the end of the while, move it to the
        // beginning of the body.
        used = used->while_body()->parameter_instruction(0);
        VLOG(1) << "Moved value " << value->ToShortString()
                << " to while param: " << used->ToString();
      }
      if (instruction_schedule_.count(used) == 0) {
        // We didn't track the instruction `used`. This happens when we do
        // computation scope (versus module scope) heap simulation and when
        // the used instruction is outside of the computation being simulated.
        continue;
      }
      buffer_end_time = std::max(buffer_end_time, instruction_schedule_[used]);
    }

    // Parameters are defined at the beginning of the computation. This prevents
    // any instruction that's scheduled before the parameter clobbers the
    // parameter's buffer.
    if (value->instruction()->opcode() == HloOpcode::kParameter) {
      const HloComputation* computation = value->instruction()->parent();
      auto it = computation_span_times_.find(computation);
      if (it != computation_span_times_.end()) {
        buffer_start_time = std::min(buffer_start_time, it->second.start);
      }
    }

    if (buffer_end_time == -1) {
      buffer_end_time = buffer_start_time;
    }

    HloPosition end_position;
    int64 max_end_time = 0;
    for (const HloPosition& position : value->positions()) {
      if (instruction_schedule_[position.instruction] >= max_end_time) {
        max_end_time = instruction_schedule_[value->instruction()];
        end_position = position;
      }
      const HloComputation* position_comp = position.instruction->parent();
      // If this instruction lives out, the live range of the instruction
      // should be extended to the end of the computation.
      if (position.instruction == position_comp->root_instruction()) {
        auto it = computation_span_times_.find(position_comp);
        if (it == computation_span_times_.end()) {
          continue;
        }
        if (buffer_end_time < it->second.end) {
          buffer_end_time = it->second.end;
          end_position = position;
        }
      }
    }

    const HloModule* module = value->instruction()->parent()->parent();

    // Readonly entry parameters (parameters that don't alias) live across whole
    // computation.
    if (value->instruction()->opcode() == HloOpcode::kParameter &&
        value->instruction()->parent() == module->entry_computation() &&
        !module->input_output_alias_config().ParameterHasAlias(
            value->instruction()->parameter_number(), value->index())) {
      buffer_end_time = schedule_end_time_;
    }

    CHECK(buffer_start_time <= buffer_end_time)
        << buffer_start_time << ", " << buffer_end_time
        << value->instruction()->ToString();

    auto& live_range = buffer_live_ranges_[value];
    live_range.start = buffer_start_time;
    live_range.end = buffer_end_time;
    live_range.end_position = end_position;
  }
}

int64 HloLiveRange::ComputePeakMemoryMoment() const {
  std::vector<std::tuple<int64 /*time*/, bool /*is_end*/, const HloValue*>>
      events;
  for (const HloValue* value : alias_analysis_.dataflow_analysis().values()) {
    auto it = buffer_live_ranges_.find(value);
    if (it != buffer_live_ranges_.end()) {
      events.emplace_back(it->second.start, false, value);
      events.emplace_back(it->second.end + 1, true, value);
    }
  }
  std::sort(events.begin(), events.end());

  int64 memory_usage = 0;
  int64 peak_usage = 0;
  absl::optional<int64> peak_time;
  for (const auto& event : events) {
    int64 time;
    bool is_end;
    const HloValue* value;
    std::tie(time, is_end, value) = event;
    auto buffer_size = ShapeUtil::ByteSizeOf(value->instruction()->shape(), 8);
    if (is_end) {
      memory_usage -= buffer_size;
    } else {
      memory_usage += buffer_size;
    }
    if (peak_usage < memory_usage) {
      peak_usage = memory_usage;
      peak_time = time;
    }
  }
  return peak_time.value_or(0);
}

std::string HloLiveRange::ToString() const {
  std::string output;
  absl::StrAppendFormat(&output, "HloLiveRange (max %d):\n",
                        schedule_end_time_);
  absl::StrAppendFormat(&output, "  InstructionSequence:\n");
  auto& instructions = flattened_instruction_sequence().instructions();
  for (int64 i = 0; i < instructions.size(); ++i) {
    absl::StrAppendFormat(&output, "    %d:%s\n", i, instructions[i]->name());
  }

  absl::StrAppendFormat(&output, "  BufferLiveRange:\n");

  for (const HloValue* value : alias_analysis_.dataflow_analysis().values()) {
    auto it = buffer_live_ranges_.find(value);
    if (it != buffer_live_ranges_.end()) {
      absl::StrAppendFormat(
          &output, "    %s%s:%d-%d\n", value->instruction()->name(),
          value->index().ToString(), it->second.start, it->second.end);
    }
  }

  int64 peak_moment = ComputePeakMemoryMoment();

  absl::StrAppendFormat(&output, "  Live ranges at %lld (peak):\n",
                        peak_moment);
  for (const HloValue* value : alias_analysis_.dataflow_analysis().values()) {
    auto it = buffer_live_ranges_.find(value);
    if (it != buffer_live_ranges_.end()) {
      if (it->second.start <= peak_moment && peak_moment <= it->second.end) {
        int64 bytes = ShapeUtil::ByteSizeOf(value->instruction()->shape(), 8);
        absl::StrAppendFormat(&output, "    %s: %lld bytes\n",
                              value->instruction()->name(), bytes);
      }
    }
  }

  return output;
}

}  // namespace xla

redpajama_set_name: RedPajamaGithub


text:
Huawei registers 'Harmony' for its mobile operating system, trademark filings show
By Jinqiao Wu
It appears that Huawei wants a third name for its in-house operating system that has the potential to be used on many platforms, including smartphones.
Around mid-July, publisher LetsGoDigital (in Dutch) found that the Chinese telecom giant has registered the name "Harmony" for unspecified mobile operating systems in the European Union Intellectual Property Office (EUIPO) and the Intellectual Property Office in the United Kingdom.
Other than "Harmony," Huawei also registered two different names: "HongMeng" and "ARK." The first one appeared in trademark databases in countries such as Canada, South Korea, New Zealand, Cambodia, and Peru, while the latter showed up at the EUIPO.
While Huawei was perhaps registering names just for the sake of having them, its proprietary operating system could bear different names in different regions for better marketing towards the local culture.
For instance, "HongMeng"(鸿蒙) works better for the Chinese market because it's a term from ancient Chinese text Zhuangzi (庄子) that refers to a mist encompassing the mythical primordial world.
In a way, "HongMeng" carries the meaning of formless energy and vitality, which may translate to vast potential for development and a crusade to greatness.
In comparison, "ARK" speaks better to the western audience because it might have drawn inspiration from the Noah's Ark, which signifies a rebirth from the catastrophic event like the flood or, in Huawei's case, the U.S. trade embargo.
Source: LetsGoDigital
Rogers ends subsidized phone plans, now exclusively offers device financing

redpajama_set_name: RedPajamaCommonCrawl


Acquisition creates market leading position in the In-Store Channel.
Diemen, the Netherlands, 27 July 2006 - CSM has reached a definitive agreement to acquire CGI Desserts, Inc. for USD 70 million cash (plus the assumption of USD 5 million debt), approximately 1 x sales. CGI is a leading innovative supplier of Thaw & Serve fully decorated cakes and upscale dessert cakes. The market size in In-store and Foodservice for this product segment is estimated to be approximately USD 1.5 billion and represents the largest and fastest growing segment in In-store bakeries with an average growth of 5-6% CAGR (Compound Annual Growth Rate). With the combination of CGI and H.C. Brill, CSM will be a market leader in the In-store channel.


text:
Q: CLion failing to detect C/C++ compiler ABI info I have a custom toolchain for building projects. And by custom toolchain, I mean a derivative of the Clang C compiler, C++ compiler, and linker.
The project(s) build just fine, but I'm unable to use the Intellij features of CLion, because it can't build a tags database (or whatever it does under the hood) due to not being able to recognize the custom toolchain.
Thus, hitting Tools -> CMake -> Reset Cache and Reload Project spits out:
/Applications/CLion.app/Contents/bin/cmake/mac/bin/cmake -DCMAKE_BUILD_TYPE=Debug -DCMAKE_TOOLCHAIN_FILE=~/<path-to-custom-toolchain>/Toolchain.cmake -G "CodeBlocks - Unix Makefiles" /Users/<project-directory>/src
-- Setting up Toolchain 1.0 at /Users/<tools>/build
-- Setting up Toolchain 1.0 at /Users/<tools>/build
-- The C compiler identification is Clang 7.0.0
-- The CXX compiler identification is Clang 7.0.0
-- Detecting C compiler ABI info
-- Detecting C compiler ABI info - failed
-- Detecting C compile features
-- Detecting C compile features - failed
-- Detecting CXX compiler ABI info
-- Detecting CXX compiler ABI info - failed
-- Detecting CXX compile features
-- Detecting CXX compile features - failed
-- Configuring done

Screenshot of the preference options for the project (It's a link because I don't have the rep required to post images yet):

Project Preferences

So my question is, how should I go about solving this problem? Or does this problem exceed the limitations of CLion? Or do I have an incomplete understanding of the problem?

redpajama_set_name: RedPajamaStackExchange


Peer volunteers offer specialized supports to students throughout exam season.
The peers at Student Academic Success Services (SASS) are an empathetic and helpful resource for students going into exams.
SASS peers are a group of 56 student volunteers who offer assistance to fellow students in all faculties and schools. Whether they are first-year students preparing for their first set of university exams, or upper years looking to improve their academic skills, this peer program provides students with opportunities to discuss and work through academic challenges with trained peers who have first-hand experience.
SASS offers two peer divisions to help ensure all students' needs are met. Peer Learning Assistants (PLAs) promote learning strategies through workshops, one-on-one coaching and a variety of events and activities. Peer Writing Assistants (PWAs) help students develop their writing skills through individual consultations and writing workshops.
SASS peers have been hosting exam prep workshops at Stauffer Library, Queen's University International Centre (QUIC), and in various residences. They also provide course-specific workshops, which supply focused and collaborative study strategies. For more tailored assistance, SASS provides one-on-one appointments with a PWA or PLA to help students work on effective study strategies and develop ideas for final papers. To lower exam stress and maximize study efforts, peers suggest that students create a study schedule and use self-testing as a way to assess strengths and weaknesses to prioritize review accordingly.
Over the fall term, SASS peers have managed close to 500 one-on-one appointments and have worked with over 1,000 workshop attendees. Students can also visit the SASS Peer Blog for weekly advice and inspiration.
For more information and to see all upcoming events, check out the SASS website.


It has silver tips and a black grip that Wacom describes as "satin textured metal." It's extremely comfortable to hold and features a nice balance and firm construction. Additional colors are also available.
The cap at the top of the stylus screws off, allowing users to remove the clip if they so desire. The tip is soft and has a limited give; it's almost like a hollow rubber ball. Wacom claims it's 6mm in diameter.
Unfortunately, the iPad's design leave no place to dock this stylus. I usually clip it on to the outside of my protective Folio, but those with Smartcovers or tight casing will have to pocket the pen, making it easy to misplace or lose.
Not that the folks at Wacom are asking, but perhaps a magnetic element is in order so the Bamboo sticks directly on the iPad.
Being that the Bamboo is a Wacom stylus, it requires no batteries. There is also no calibration and it works right out of the box. The rubber Bamboo tip feels great against the iPad, and flows smoothly – though not effortlessly – requiring a minimal amount of pressure to register.
There are no buttons, so everything must be touched or tapped. Unlike Windows tablets, the iPad will not register the stylus with a cursor as the Bamboo hovers near the screen – so in essence, the Bamboo merely takes the place of your finger.
That said, I found it preferable to a finger for day-to-day use. While it may leave a faint black smudge from time to time, it doesn't muck up the iPad display with fingerprints after steady use, and it allows me to see more of the screen, portions that would be otherwise blocked with my hand, ultimately giving me more control. Navigating the iPad and common apps with the Bamboo just feels more natural, too.
Unfortunately, that control only somewhat extends to note taking on the iPad. While the stylus is better for taking freehand notes than a fingertip, it has a real limitation:В the lack of pressure sensitivity. The iPad either registers the strokes or it doesn't, there is no in between. So, users have to carefully form each letter and clearly lift the stylus in between each. For frantic scribblers like myself, notes will too often becomeВ a mess of blotches, wiggles and lines.
Based on my personal experience, this is hardly the case with Wacom-toting Windows В tablets, which usually translate chicken scratch with great accuracy.
Complicating things is the relatively thick tip. Wacom claims that at 6mm, it is 25% thinner than other iPad styluses. That may be true, but it is still thicker than any Windows tablet stylus. Overall, the entire note-taking experience reminds me of doing the same with a piece of paper and a Sharpie marker.
The same criticisms apply for freehand drawing. As with notes, I found the stylus to be preferable to just a finger, but the Bamboo Stylus and iPad will never replace my artist tablet.
Finally, I was happy to discover that it works with other tablets and smartphones. I tested it on the iPhone, Asus Transformer, BlackBerry PlayBook, Motorola Xoom, В and Motorola Droid X. It worked like a charm on the iPhone, but was a bit jittery on the Android and BlackBerry devices – though not enough to ruin the experience.
CONCLUSION The Bamboo Stylus solo may not transform the iPad into my go-to note-taking or graphic design tablet, but it is extremely useful for day-to-day operating.
I keep the iPad close at all times, and I'm sure to pack it when I travel. With all the useless and cheap iPad accessories out there, it's nice to see one that is actually useful and well constructed. It makes the iPad experience so much more enjoyable, it's easy to recommend.


Owner Occupied, No Subletting, Spacious & Bright 2 Br & 1 Bath , Top Floor, City Views, Hardwood Floor, Fully Renovated Eik & Bath, Lot Closets, Maint. Includes All Utility. Laundry, Parking, Playground, O/D Sitting Area, Storage & Recreation Room Are Available. Sale May Be Subject To Term & Conditions Of An Offering Plan, All Transportations Are Convenience, Bus, Easy Access To Lie, Close To Queens College, Supermarket, Etc. All Information Deemed Accurate However Should Be Independently Verified.
Owner Occupied, No Subletting, Spacious 2 Br 1 Bath Coop, Hardwood Fl, Modern Eat-In-Kitchen, Updated Bath, Lot Closets, Maint. Inc. All Utility, Laundry, Outdoor & Indoor Parking, Playground, Outdoor Sitting Area, Storage Room, Recreation Room Are Available. Sale May Be Subject To Term & Conditions Of An Offering Plan, All Transportations Are Convenience, Bus, Easy Access To Lie, Close To Queens College, Supermarket, Etc. All Information Deemed Accurate However Should Be Independently Verified.
The data relating to real estate for sale on this web site comes in part from the Broker Reciprocity Program of the Multiple Listing Service of Long Island, Inc. Real Estate listings held by brokerage firms other than Century Homes Realty - Eran Hershco are marked with the Broker Reciprocity logo and detailed information about them includes the name of the listing brokers.


The Hoosick Rising meeting, held at the Immaculate Conception Church Hall on Tuesday evening, March 22 was upbeat and forward-looking. Hopes were high that the Village and Town are, or will soon be, turning a corner.
The meeting began with an update on the water. The NYSDOH had just reported the results of ten new samples taken from ten different locations in the Village water distribution system. Seven of them were reported as "non-detect," defined as less than 2 parts per trillion. The other three were 2.12 ppt, 3.77 ppt, and 4.1 ppt.[private]The Mayor said DEC is actively looking for a new water source; several sites are being looked at. Some of the sites are on private property and have not been identified yet in order to protect the privacy of the property owners, especially with all the TV and big-media attention the Town and Village have been receiving. "People don't want the TV camera crews camped out on their driveways," The Mayor explained.
DEC is continuing to test ground water and soil samples. At least 12 PFOA dump sites have been reported so far, all of which the NYS DEC is checking out; people who have information regarding any possible dump sites are encouraged to report them to the DEC.
As of this meeting on March 22, 441 filtration systems had been installed on private wells. There had been a total of 768 requests for such systems. DEC and its contractors are continuing to install filtration systems, and to troubleshoot ones that are already installed. Mayor Borge said that while he understood that the DEC and DOH were working to get them installed as quickly as possible, he made it clear to them that that "getting it right" was more important than getting it done quickly. Saint-Gobain and Honeywell have been cooperative so far. "All-in-all, things are moving along as they should be," said Mayor Borge. He said there have been at least three rounds of testing around the Village, and he hopes to get the thumbs-up from the DOH soon.
Both Mayor Dave Borge and Town Supervisor Mark Surdam agreed that the water crisis has had a definite negative economic impact on the community. The biggest and most immediate impact has been to property values, but there may be other less measurable and longer-lasting economic downsides. Mayor Borge said he has told Governor Cuomo that the drop in property values has been about 10-15% in the Town and 20-25% in the Village. The Governor has promised to keep a focus on that and the Mayor said that he will hold him to his word. Mayor Borge has been in constant contact with the banks that are not issuing mortgages or refinancing, and is sure that as soon as the DOH says the water is okay, they will lift the moratorium. He also said that State and Federal officials have been helpful in aiding people who had contracts but couldn't close those sales.
Rick Tinkham of Berkshire Hathaway/Team Tinkham Realty suggested that, "once the end picture is together and the new water source is identified, we'll be the most environmentally friendly place in New York." He continued, "A light at the end of the tunnel will help a lot in selling Hoosick Falls." He reported that some houses, mostly higher-priced ones, have been sold recently, and there has been quite a lot of commercial activity in the last few months, more than in the the last five years combined. Although he couldn't provide details, he has been talking with some businesses who are interested in coming into the town.
Paula Kamperman suggested that a professional marketing campaign be developed, and that Saint-Gobain be asked to fund it. Mayor Borge said that it is already part of the ongoing negotiations.
People at the meeting agreed that Hoosick Falls now has everyone's attention and this could be an opportunity to tell a positive story about a community that is determined to have the cleanest water anywhere, in addition to its rising school district and its many other assets.
Two citizen committees were formed, one to promote the community and pave the way for economic development, and the other to plan a community celebration of thanks and healing.
The Celebration Committee will look into ways the community can celebrate how it overcame a major crisis, worked together as a community, and thank the people who have helped, including the staff at Tops and the volunteers who delivered the water. Several ideas were bandied about and more will be explored when the committee meets on April 4.
Both committees will meet before the next Hoosick Rising meeting which is scheduled for Wednesday, June 8 at 6 pm at Brown's Walloomsac Brewery. Anyone interested in being on either or both of these committees should call the Village Clerk's office at 518-686-7072.


I've found that the HTML Help Compiler doesn't make a good bound checking. If you put an index name greater than 250 chars, the chances that the compiling crash are high.
Bear this in mind if you are constructing software that outputs HTML Help Compiler projects, it is easy to create entries larger than those 250 chars and therefore the crash is served, and it is not easy to detect.


For Epicurious, by Sam Worley.
Gabrielle Calvocoressi is a poet and essayist who recently published The New Economy Chapbook Cookbook: Volume 1, a collection of fortifying recipes for cooking on a budget that's available for free on the internet. Its contributors are largely poets, other writers, activists—and passionate home cooks. Calvocoressi, who teaches at the University of North Carolina at Chapel Hill, solicited their recipes on Facebook and compiled them into a zine-like volume: casually organized, refreshingly anti-aesthetic, and filled with tender personal stories of getting by in tough times. I called her up to hear more about the project.
"Because of various things that were going on in my personal life, I realized that this year was going to be a tough year economically for us. Also remembering that my mother, who took her life when I was 13, was very poor, very mentally ill, and really underserved by various systems that could have helped not just keep her alive, but make her life more humane — I started thinking about those lean times, when things like 'How am I going to afford food?,' 'How am I going to actually put food on my table?' become a mental health issue as much as anything else.
"So I went on Facebook, and at first I thought, I'm just going to ask people about cheap recipes that they have used in tight times. But then I thought, maybe what I'll also do is see about compiling those recipes and turning it into some kind of cookbook that can be given away for free on the internet. And then possibly people could print it out and have it bound, and distribute those bound copies to food kitchens or anywhere they wanted. Or make a decision to say, 'My friends and I bound 50 copies of this cookbook, if you want to send us donation receipts for $10 to this local food pantry, we'll send you this book.' How many different ways could we make a generous feast of this? I just ask that nobody makes money from it.
"I've been thinking in general about this idea of 'new economy' in my own life. Not just in terms of this cookbook but also for my life as a writer, and a writer who has a certain kind of privilege in the writing world — who has been, at least in the world of poetry, successful — but who also, like many people, has faced times of incredible economic difficulty and who is also concerned about the effects that capitalism is having on every aspect of making art and being an artist, and also just being a citizen of this country.
"Before I did the cookbook, I had been using this hashtag #neweconomy. For instance, for the period of a year, pretty much every Sunday, I would work for four or five hours and meet with people individually via Skype. I would edit — we could talk about their poems, we could talk about prose, we could do syllabus work — in return for a donation receipt for $40 to a charity that I had chosen for that week. I ended up raising close to $7,000 without ever touching money.
"One of the things that was really important to me, which I was really impressed that people didn't push back on at all, is that we were not going to do bios in the book. Because one of the things that I think that we as poets in particular are being asked to do more and more is to be salespeople, and to get our work out into the world by essentially turning ourselves into a brand. One of the things that I think is harder and harder for poets to do is not to use every opportunity possible as an opportunity to move one's career forward. So I thought, gosh, is it possible to do this thing? All of our names are in it, and people can go and decide to look up people's poems. But it's also no different than my grandmother's garden club cookbook. She didn't put her bio.
Download The New Economy Chapbook Cookbook as a PDF here, or page through it digitally here.


Why is it important to introduce activities that your child can relate to? - GoKids - Connect and Learn through daily fun interactions!
Why is it important to introduce activities that your child can relate to?
Every child is unique, so use the language they can understand and at the level they can grasp and relate to.
Every child is unique; how they learn, how they act and how they perceive the world is different from one another. They learn at their own pace based on their unique perceptions and experiences of the world.
Looking back at my children's learning experiences, they have their own way of learning, their own way of looking and interpreting things based on their own perceptions and experiences. And they have their own likes and dislikes.
Take my son for example, from a very young age, he was very engaged in basketball and followed in his father's footsteps. Both of them would watch the games together, whether at home or watching live games. My son understood how the scores worked, the rules of the game and the processes.
So when I was trying to teach/explain 2-times multiplication to him, I'd tried using all sorts of fruits, pens, blocks etc. but it was completely ineffective. He just could not relate to my explanations using those examples.
My husband later joined in the process and decided to use the basketball concept by asking my son: "if one ball through the basketball hoop is 2 points, how many points would that be if I were to shoot 2 balls?"… Without blinking an eye lid, he said 4 points… He could learn through a "basketball" analogy!!
So that was it, it was that simple!
It is about the language that we use, something that your child can relate to, and at the level he or she can understand.
Remember that every child is unique in his or her own way; they have different ways of processing information as well as learning. Some children process information through visual material, some are more physical and some learn through listening etc.
On top of that, your child learns about the world, learns about themselves, their ability and self confidence through the relationships that he or she established through the interactions with the care-giver.
So, every time when your child manages to solve problems and achievements based on something that they understand, something they can grasp based on their level of understanding, they feel they are capable. This empowers and fuels their self-esteem and their confidence, which are very crucial for their development and learning in the future, i.e. learning new things, discovering new interests and setting new goals.
The first step is to spend quality time to understand your child/children. To have some good understanding about your child, learn about what they like and dislikes, what they are interested in, how they perceive things, how they learn etc. and embrace and value them for who they are.
Also know that your child is unique! and no two children will be alike or capable of achieving exactly the same thing, not even identical twins. Thus, use the language they can understand, at the level they can grasp and relate to.
Have a connected day with your family!


Hi everyone ! I always loved Japanese gitaigo and giongo, that's so funny and cute ! We don't have those in the French language, althought we do have words for some specific sounds like animals but we only used them in comic strips. That's a shame !
Anyway, arc number 3 is starting with the begining of summer ! But, where is the sun ? Hopefully in the next strip !


text:
SONDARA
Milestones (History of the Gurukul)
Well- wishers
Intellectual Development
Psychological Development
A Day in Gurukul
Weekly and Monthly Programmes
Annual Programmes
Agriculture and Dairy
Teacher (Karyakarta)
SONDARA-सोनदरा
HEART-DEVELOPMENT IS THE HEART OF EDUCATION - हृदय की शिक्षा, शिक्षा का हृदय है.
Sondara Gurukulam is a Education Center.
Gurukul believes in the fundamental completeness of a person. What is required is the correct platform and opportunities.
The Gurukul is known as 'the land of experiments for education'. The center focuses on five major points. - Physical, psychological, intellectual, social and spiritual development.
Finacial support by Society and Parents
Every year SSC Result
School Students Retention Rate
The Sondara Gurukulam is located in the Beed district of the Marathwada region of Maharashtra. The Beed district is a draught- prone and economically backward region where a large number of people temporarily relocate for nearly six months every year during the sugarcane harvest season. This dislocation is a great hurdle for the education of their children. And this lack of education is the main root-cause of many social problems.
To combat this predicament, the Sondara Gurukulam was established in 1986 under the esteemed guidance of BharatRatna Hon. Shri Nanaji Deshmukh. Inspired Couple Sudam and Sindhu Bhondave devoted their life o the project with the purpose to give value based education along with literacy for the sugerc-cane workers children.
I am Ashok Nemane. Hails from Mahendrawadi, Beed District. I lost my mother in an accident. I studied at Gurukul and then acquired the skill of jewellery design and started new business in a small village. Later I moved my business to Patoda (tehasil place) as "Nemane Jewellers." At present there are 16 employees. Education and guidance from Sondara Gurukulam play very key role in my journey.
Ashok Nemane (Businessman)
I am Jitendra Dapke. Came from a small village in Aurangabad. I was neither interested nor progressing well in formal schooling. Yet I've completed M.Sc., agriculture after passing SSC from Sondara. Then acquired Ph.D. in Genetics and Plant Breeding from Gujarath University. At present I am working in a private firm in Hyderabad as a assistant research scientist. It happen because of qualities nurtured in Gurukul such as honesty, humility, ability to work hard and simplicity . I have a special and very strong bond with Sondara.
Jitendra Dapke (Research Scientist)
My self Datta Nalawade, the first student of Gurukul. I came from an average family in Domri (Beed district). On completion of my higher education, unlike others, I did not take up a routine job. I started doing social work and established "Vivek Vardhini Residential Education Project and Sanskruti School. I also started to participate in Children's Right Movement in Beed district. At present I holds the responsibility of 'Balkalyan Committee and State Level Judge'. Education in childhood gives me vision and skills to accept different path to live life.
Datta Nalawade (Social Worker)
I am Ramesh Bhondave. Hailed from a small village in Patoda taluka. My mother worked hard as a labourer to support my education till SSC. I was shortlisted for an admission to a nursing college but later refused for political reasons. I directly approached then the chief minister of Maharashtra, Shree Manohar Joshi and got justice as well as admission. Then I completed M.Sc. Nursing while working at J.J. Medical College, Mumbai. At present I am working as a tutor in J.J. Medical College, Mumbai. The State has felicitated me for Excellence in Service." The seed of this journey get sowed in my childhood in Sondara Gurukulam.
Ramesh Bhondave (Professor)
Sondara Gurukulam, Domri Tehasil Patoda, Dist. Beed -414 204
E-mail: [email protected], [email protected] Phone: 88888 02621, 94207 83130
Theme: Illdy. - The Sondara is an educational project of the trust Deendayal Navarachana Pratishthan. (Reg. No. MH F. 1365) © All Rights Reserved.


text:
Q: Adding users to a list MVC I have a form in which the user is supposed to enter Name and Wage and click a button Add. When the button "Add" is clicked, that user is supposed to be displayed on a list.
This is how I tried it.
Controller:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Web;
using System.Web.Mvc;
using TimeIsMoney.Models;

namespace TimeIsMoney.Controllers
{
    public class HomeController : Controller
    {

        List<UserModel> users = new List<UserModel>();
        public ActionResult Index(string returnUrl)
        {
            ViewBag.ReturnUrl = returnUrl;
            return View();
        }

        public ActionResult AddUser(UserModel user)
        {
            users.Add(user);
            return View(users);
        }
    }
}

View:
@model TimeIsMoney.Models.LoginModel
@{

}
@functions{
    public string GetAntiForgeryToken()
    {
        string cookieToken, formToken;
        AntiForgery.GetTokens(null, out cookieToken, out formToken);
        return cookieToken + ":" + formToken;
    }
}

Time is money my friend!

1000kr

        <button class="btn" onclick="start()">Start</button>
        <button class="btn" onclick="reset()">Reset</button>

        <form >
            <input type="text" placeholder="Name" />
            <input type="number" placeholder="Hourly wage" />
            <input type="submit" value="Add" onclick="AddUser()" />
        </form>

            Name:

Dave

Pete

            Wage:

500kr/h

500kr/h

Model:
namespace TimeIsMoney.Models
{
    public class UserModel
    {
        [Required]
        [DataType(DataType.Text)]
        [DisplayName("Username")]
        public string UserName { get; set; }

        [Required]
        [DataType(DataType.Text)]
        [DisplayName("Wage")]
        public string Wage { get; set; }
    }

}

Am I on the right path?
How can I move on from here?
UPDATE:
public ActionResult AddUser(UserModel user)
    {
        var list = Session["myUsers"] as List<UserModel>;
        list.Add(user);
        return View(list);
    }

A: You're mostly on the right path excluding way you're trying to store your users list.
Since ASP.NET MVC controller instance is created for every request and disposed after view is rendered and passed to the browser - it will be new controller holding new List<UserModel> created on every request.
So you have to store it somewhere else (session variables, file on server's disk, database and so on). Usually database is best choice for this.
In the case you want to store it in session variable, you should add something like this into Global.asax:
protected void Session_Start(object sender, EventArgs e)
{
    Session["myUsers"] = new List<UserModel>();
}

and then in your controller's methods you will be able to access this list as
var list = Session["myUsers"] as List<UserModel>;


text:
Home News Three People Shot Outside Kingsbury Tube Station In London
Three People Shot Outside Kingsbury Tube Station In London
The violence and madness in London continued today as three people were shot outside a Tube Station in London.
The incident happened on Kingsbury High Road in Brent shortly after 9 PM.
The three victims are still alive at this point but their long-term status is unknown so far, they were rushed to the hospital by the medical services who arrived after being called by locals.
The incident caused authorities to close the Kingsbury Tube Station and distressed passengers had to resort to bus and taxis to get home from work.
There has been a constant stream of shootings across London recently and questions are being raised over the seeming weakness of politicians and the police force to do anything about it.
Sadiq Khan is the Mayor of London so a lot of this falls at his doorsteps. For those who keep saying he will soon get things under control, keep waiting…….
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News Kijana Waasi - January 6, 2018
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Lifestyle Kijana Waasi - November 24, 2017


We take child protection extremely seriously at our school. If you have a concern, you can speak to any of the school's designated staff. All members of staff are vetted against national safeguarding procedures before being allowed to work in school. At least one member of every interview panel has undertaken safer recruitment training to ensure that best practices and all necessary checks are carried out.
Our designated deputy leads are Mrs Lisa Waller and Mrs Stephanie Norrey.
Our nominated Governor with responsibility for Safeguarding is Mr Don Carter.
Please see below a range of links to different sites which may help you to keep your child safe from potential harm. All of our staff are aware of the issues raised on these sites and are vigilant for signs that children may be at risk. All pupils are taught about e-safety throughout the school and we have links with Simon Parry, our local PCSO who also talks with pupils about all aspects of personal safety.


PSST!3 Pass It On is collaborative film project is composed of 17 films made by 51 teams of directors and animators from around the globe. Each film is broken into three parts — beginning, middle, and end — and each part is created by a different team.
In "Legends of Exos" we are launched into a psychedelic land of stained glass, tracking a warrior on his way to battle. His attack segues into a lovable world of fuzzy woodland creatures but concludes with a finale that Burton fans will find comforting. Philip composed the music for section three.


text:
Elías hace referencia a varios artículos:

Personas
 Elías (nombre), nombre masculino;
 Elías (filósofo), neoplatónico griego del s. VI d.C.;
 Elías Querejeta Insausti, productor de cine.
 Elías, profeta bíblico;

Apellido
 Elías (apellido)
 Ángel Elías (1804-1885), político argentino.
 Carme Elías (1951-), actriz española.
 Domingo Elías Carbajo (1805-1867), presidente del Perú.
 Francisco Elías de Tejada (1917-1978), jurista y filósofo.
 Francisco Elías Riquelme (1890-1977), productor y director de cine.
 José Elías Moreno (1910-1969), actor mexicano.
 José Elías Moreno (hijo), actor mexicano, hijo del anterior.
 José Eugenio de Elías (1760-1832), político argentino.
 Josep Elias (1852-1931), empresario del mundo de la restauración, el espectáculo y el transporte.
 Juan Estanislao de Elías (1802-1870), militar argentino.
 Manuel de Elías, compositor y pianista mexicano.
 Miguel Ángel Elías (1958), congresista peruano.
 Norbert Elias (1897-1990), sociólogo alemán.
 Plutarco Elías Calles (1877-1945), presidente de México, militar y político mexicano.
 Renán Elías (1915-1941), aviador peruano que combatió durante el conflicto entre Perú y Ecuador.
 Toni Elías (1983-), piloto de motociclismo.
 Vicente Campo Elías (1759-1814), militar español que combatió en la Guerra de Independencia de Venezuela.

Además
 Elías (Huila), municipio del departamento del Huila (Colombia);
 Elías, un oratorio de Felix Mendelssohn.

redpajama_set_name: RedPajamaWikipedia


text:
using Renci.SshNet.Messages.Authentication;
using Microsoft.VisualStudio.TestTools.UnitTesting;
using System;
using Renci.SshNet.Messages;
using Renci.SshNet.Tests.Common;

namespace Renci.SshNet.Tests.Messages.Authentication
{
    ///
    ///This is a test class for RequestMessagePublicKeyTest and is intended
    ///to contain all RequestMessagePublicKeyTest Unit Tests
    ///
    [TestClass()]
    public class RequestMessagePublicKeyTest : TestBase
    {
        ///
        ///A test for RequestMessagePublicKey Constructor
        ///
        [TestMethod]
        [Ignore] // placeholder
        public void RequestMessagePublicKeyConstructorTest()
        {
            ServiceName serviceName = new ServiceName(); // TODO: Initialize to an appropriate value
            string username = string.Empty; // TODO: Initialize to an appropriate value
            string keyAlgorithmName = string.Empty; // TODO: Initialize to an appropriate value
            byte[] keyData = null; // TODO: Initialize to an appropriate value
            RequestMessagePublicKey target = new RequestMessagePublicKey(serviceName, username, keyAlgorithmName, keyData);
            Assert.Inconclusive("TODO: Implement code to verify target");
        }

        ///
        ///A test for RequestMessagePublicKey Constructor
        ///
        [TestMethod]
        [Ignore] // placeholder
        public void RequestMessagePublicKeyConstructorTest1()
        {
            ServiceName serviceName = new ServiceName(); // TODO: Initialize to an appropriate value
            string username = string.Empty; // TODO: Initialize to an appropriate value
            string keyAlgorithmName = string.Empty; // TODO: Initialize to an appropriate value
            byte[] keyData = null; // TODO: Initialize to an appropriate value
            byte[] signature = null; // TODO: Initialize to an appropriate value
            RequestMessagePublicKey target = new RequestMessagePublicKey(serviceName, username, keyAlgorithmName, keyData, signature);
            Assert.Inconclusive("TODO: Implement code to verify target");
        }

        ///
        ///A test for MethodName
        ///
        [TestMethod]
        [Ignore] // placeholder
        public void MethodNameTest()
        {
            ServiceName serviceName = new ServiceName(); // TODO: Initialize to an appropriate value
            string username = string.Empty; // TODO: Initialize to an appropriate value
            string keyAlgorithmName = string.Empty; // TODO: Initialize to an appropriate value
            byte[] keyData = null; // TODO: Initialize to an appropriate value
            RequestMessagePublicKey target = new RequestMessagePublicKey(serviceName, username, keyAlgorithmName, keyData); // TODO: Initialize to an appropriate value
            string actual;
            actual = target.MethodName;
            Assert.Inconclusive("Verify the correctness of this test method.");
        }

        ///
        ///A test for Signature
        ///
        [TestMethod]
        [Ignore] // placeholder
        public void SignatureTest()
        {
            ServiceName serviceName = new ServiceName(); // TODO: Initialize to an appropriate value
            string username = string.Empty; // TODO: Initialize to an appropriate value
            string keyAlgorithmName = string.Empty; // TODO: Initialize to an appropriate value
            byte[] keyData = null; // TODO: Initialize to an appropriate value
            RequestMessagePublicKey target = new RequestMessagePublicKey(serviceName, username, keyAlgorithmName, keyData); // TODO: Initialize to an appropriate value
            byte[] expected = null; // TODO: Initialize to an appropriate value
            target.Signature = expected;
            var actual = target.Signature;
            Assert.AreEqual(expected, actual);
            Assert.Inconclusive("Verify the correctness of this test method.");
        }
    }
}


text:
Home / We are an image from the future: the Greek revolt of December 2008 / 5. Breaking new ground
You could see the hatred in their eyes
Kazana Poli: Manager of the posh clothing store Rococo, in the heart of Kolonaki
One sunny Friday I donned a suit and went with a friend, similarly attired, into Kolonaki, central Athens' most elite neighbourhood, whose luxury shops and expensive cars were the target of substantial popular violence in December and of a well planned anarchist attack executed in early March. We went into a few shops looking for interviews. My friend introduced me as a British reporter and himself as my official translator. I put on my best posh accent to ask about the "disturbances." The best part of it was that my friend had been to this shop in December - with a mask and a sledgehammer. It was all we could do to keep from cracking up during the interview.
My store was vandalised two times, in December and also at the beginning of March. They destroyed the windows completely and also caused some damages inside the store. It was very bad. In March the troublemakers met in Exarchia, just a few blocks from here, to put their masks on and prepare for their rampage. So lots of people saw them and the police were called in advance. But the police came really late. I don't think they did their job well. They just came to write up all the damages but that's not enough.
Business definitely went down in December and after the attack in March. People in Athens were afraid to come downtown and go shopping. And we here in the shop have been afraid too. Every time I hear a loud noise I think the troublemakers have returned. I'll hear a loud noise and my mind will immediately go back to those moments. And also all the protests they're still holding are keeping the shoppers away.
You can't really be sure if the attacks are related to the episode with the students, in December. Of course there's no real connection. As a businesswoman I think it's quite strange that Kolonaki has been hit twice. I find that quite suspicious. Because as a result people are leaving the city centre and going to do their shopping in the big malls in the suburbs. So this vandalism is benefiting major interests like Latsis [a Greek billionaire] and the other people who own the malls. As a merchant, that's my perspective.
But you have to understand that of course I support peaceful protests. If you want to protest something you should go out into the street and do it peacefully. This is how you show your support for an issue. You don't go around breaking things. I was also sad after the killing of that boy but in my view the troublemakers who damaged the shops were bad people. You could see the hatred in their eyes. They were very provocative, the way they would look you right in the eyes as they were smashing the windows. It was just mean. This proves they had nothing to do with the students, who went out into the streets with very just demands. It should be peaceful.
‹ December is a result of social and political processes going back many years (part 2) up Giorgos Voutsis-Vogiatzis ›
Uncreative
Feb 1 2011 11:01
We are an image from the future: the Greek revolt of December 2008
The street has its own history
Solidarity is a flame
1. Prologues
2. And now one slogan that unites us all: cops, pigs, murders!
3. These days are for Alexis
4. Obedience stopped, life is magical
5. Breaking new ground
Alexis Grigoropoulos park
We intervene in the daily flow of things to interrupt it
The house of Maria Kallas
The assassination of prisoner Katerina Goulioni
Conversation on a park bench with a random young person in Thessaloniki
Now there's no going back
We decided to occupy the university rectorate
December is a result of social and political processes going back many years (part 2)
Giorgos Voutsis-Vogiatzis
We are winning
I feel very lucky to be living in these times
The political parties after December
Claim of responsibility for an arson attack
The prisoners of December
Letter from anarchist A. Kiriakopoulos from Korydallos prison
Specialised Guerilla, Diffuse Guerilla
What the cops told us
A hot summer...
Conversation with the owner of a small hotel, on the train from Athens to Patras
Maybe its gotten worse
The media try to kill memory
All the people went back to their private lives
The passage to revolution
The unanimity of the fearful
December revisited
What Greece means (to me) for Anarchism
Nothing changed, everything is different
NHS on the brink? A nurse's view on the March 4th demonstration and where the NHS is heading
On March 4th, around 250,000 NHS workers, patient activists, union members and members of the public from across the country joined a 'Save the NHS' march in Central London.
"Proud to be part of a singing union": the struggle at Ellen's Stardust Diner
Sometimes the class struggle heats up in unexpected places – in a Times Square Diner famous for their singing wait staff, for example.
In November we remember - Jon Bekken
Anarchists and the second Chechen war
History as creation - Cornelius Castoriadis
Strike and police brutality at Honda Motorcycle and Scooter India, 2005
The assassination of the Rosselli brothers
The occupation of the Swedish National Board of Health and Welfare, 1979 - Steven Johns


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text:
OpenICE
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Du Yun Composer Portrait at Miller Theatre
Miller Theatre at Columbia University 2960 Broadway New York, NY, 10027 United States (map)
COMPOSER PORTRAITS
Du Yun
Thursday, November 15, 2018, 8pm
Miller Theatre at Columbia University
$20 - $30 BUY SINGLE TICKETS
$64 - $144 BUY SERIES TICKETS
The 2017 recipient of the Pulitzer Prize in Music for her opera Angel's Bone, Du Yun is a multifaceted artist—composer, multi-instrumentalist, performance artist, and curator. Her music is adventurous and daring; it embraces orchestral, theatrical, pop music, storytelling, cabaret, and visual arts influences, and reflects her social activism. She avidly collaborates with International Contemporary Ensemble, of which she was a founding composer, for an evening of recent works.
Du Yun, composer
International Contemporary Ensemble
LEGO 1 An Empty Garlic, finale (2014)
LEGO 2 Ixtab, 10pm · Dinosaur Scar (2013/2018)
LEGO 3 Under a tree, an udātta (2016)
LEGO 4 Zinc Oxide, a tale of a seagull (2010)
LEGO 5 Air Glow (2006/2018)
Vicissitudes No. 1 (2002)
Impeccable Quake (2004)
Major support for Composer Portraits is provided by the National Endowment for the Arts.
Photo by Matt Zugale for Miller Theatre.
Performances and commissioning activities during the 2018-19 concert season are made possible by the generous support of The Andrew W. Mellon Foundation, Howard Gilman Foundation, Booth Ferris Foundation, National Endowment for the Arts, Jerome Foundation, A.N. and Pearl G. Barnett Family Foundation, Fan Fox and Leslie R. Samuels Foundation, Paul M. Angell Family Foundation, Aaron Copland Fund for Music, Mid Atlantic Arts Foundation, Francis Goelet Charitable Lead Trusts, Amphion Foundation, The Gladys Krieble Delmas Foundation, Pacific Harmony Foundation, Ann and Gordon Getty Foundation, Alice M. Ditson Fund of Columbia University, The Casement Fund, BMI Foundation, as well as public funds from the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council for the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and the Illinois Arts Council, a state agency. Yamaha Artist Services New York is the exclusive piano provider for ICE.
100 for 100: Musical Decades of Freedom
the whisper opera in Belgium
© 2019 INTERNATIONAL CONTEMPORARY ENSEMBLE | icicle@iceorg.org | 347.227.7320


Limelight Magazine is pleased to announce that BOSTON will receive the Legend Award at this year's fifth annual Limelight Magazine Music Awards ceremony that will take place at the Rock Junction in Coventry, R.I., on Saturday, March 16, 2013.
Founded in 1976 by guitarist, keyboardist, songwriter, producer and engineer Tom Scholz and the late Brad Delp, BOSTON is a staple of classic rock radio playlists. Their best known songs include "More Than A Feeling," "Peace of Mind," "Foreplay/Long Time," "Rock and Roll Band," "Smokin'," "Don't Look Back" and "Amanda," among others.
The moment he heard Brad Delp's melodic ballad "Tuesday," Charlie Farren knew he wanted to record it.
Delp was the rock band Boston's lead vocalist who committed suicide on March 9, 2007. At 55, he left his fiancee, two adult children, and, among other works either not completed or not released, the unfinished song "Tuesday."
"Brad played 'Tuesday' for me one night about 10 years ago," Farren said from his home in North Chelmsford. "We were at radio station Rock 101 in Manchester (N.H.), judging a songwriting contest that DJ Lisa Garvey had among her listeners.
"When the contest was over, Brad said, 'Come to my car. I want to play a song I'm working on.' I immediately loved it because it reminded me of the Beatles' song 'Yesterday.'?" A veteran rocker from numerous bands of yesteryear, including the Joe Perry Project and Farrenheit in the 1980s, but now a solo act, Farren said, "I knew Brad had demo'd that song up a number of times, but he never felt it was finished or ready to release."
Tom Scholz, mastermind of the rock band Boston, has lost his defamation lawsuit against the Boston Herald and its longtime Inside Track writers Gayle Fee and Laura Raposa. The lawsuit centered on the question of what caused Brad Delp, Boston's lead singer, to commit suicide in 2007. On Wednesday, Suffolk Superior Court Judge Frances A. McIntyre ruled that it is ultimately impossible to know what caused Delp to kill himself.
Her decision ends three years of testimony that laid bare not only the complicated final months of the singer of such hits as "More Than a Feeling" and "Don't Look Back," but also the bitter band member squabbles that had lingered decades after the dissolution of the most successful version of the group. Scholz continues to record as Boston with various other musicians.
"Mr. Scholz respectfully disagrees with the trial court's decision and analysis," said his attorney Nicholas Carter. "He has just received the decision and will decide shortly about an appeal."
Herald attorney Jeffrey Robbins, in praising the ruling, said, "This is a very good day for the Boston Herald, but it's also a very good day for journalists and for the public whose vital interests are served by journalists."
After Delp's death, the Herald published a series of articles by Fee and Raposa quoting Delp's former wife, Micki Delp, along with unnamed sources. One Herald headline read: "Pal's snub made Delp do it: Boston rocker's ex-wife speaks." Fee and Raposa reported that Micki Delp said the singer was "upset over the lingering bad feelings from the ugly breakup of the band Boston over 20 years ago" and "driven to despair" by recent changes in the band.
A Superior Court judge earlier today threw out Boston rocker Tom Scholz's defamation lawsuit against the Herald and two of its long-time columnists, Gayle Fee and Laura Raposa.
Scholz sued the Herald in 2010, claiming that articles published by the Herald's Inside Track columnists in March, 2007 implied that he was responsible for Boston lead singer Brad Delp's decision to take his life.
Scholz alleged that the Herald had "fabricated" the statements that it attributed to Brad Delp's former wife Micki about Delp's suicide. However, Micki Delp confirmed under oath that the Herald had quoted her accurately, and that it had also accurately summarized her opinions both when Delp took his life and now. The Judge rejected Scholz's claim that the Herald fabricated statements made by Micki, holding that Scholz "has no reasonable expectation of … proving that Micki Delp did not make the statements that she says she made, and stands by."
WHITE PLAINS, N.Y. -- Tom Scholz, leader of the rock group Boston, did not breach a contract with CBS Records when the group failed to deliver a record album, a federal jury has ruled.
Ending a seven-year court battle, the U.S. District Court jury also ruled Tuesday that CBS Records did not engage in a conspiracy against Scholz when it tried to stop other record companies from signing him.
CBS Records sued the entire band in 1983, charging it with failing to deliver the requisite number of albums under a 1976 contract. Charges against other band members were dismissed.
The band's first two albums, released in the 1970s, "Boston" and "Don't Look Back," went platinum.
CBS expected a third album by 1981. Despite promises by Scholz to CBS executives and rock magazines that the third album was imminent, no record was made. CBS suspended Scholz's royalties in 1983, then sued.
Lawyers for both sides said the jury apparently believed Scholz's argument that the delay in producing the third album was rooted in the creative process.
"I feel great," said Scholz, the group's founder. The jury "somehow picked up that I didn't care about the money."
A Suffolk Superior Court judge has dismissed parts of a defamation lawsuit against the Boston Herald, ruling that the founder of the rock band Boston failed to show that the newspaper published malicious articles about the civil action that he brought against the company last year.
In a ruling yesterday, Judge John C. Cratsley wrote that band founder Tom Scholz "does not say, nor does [he] plead facts to infer, that the sole purpose of the 2010 articles was to defame him and not to inform the public."
An attorney for the Herald, Jeffrey Robbins of Boston, hailed the ruling last night in a phone interview.
"It's a very significant victory . . . for the public and the First Amendment, and for those whose job it is to inform the public [about] what is going on in government, including in the judicial branch" without fear of a retaliatory lawsuit, Robbins said.
Rocker Tom Scholz attempts to reclaim rights to hits songs like "More than a Feeling" and "Don't Look Back," prompting a lawsuit from the band's former manager and publisher.
Over the years, insiders in the music industry have expressed more than a feeling that this would be the year where there would be court battles that might forever shape the business. That's because changes to copyright law that went into effect in 1978 dictated that authors of work could terminate copyright grants 35 years after publication. Many song artists have done the math and filed termination notices to reclaim their works.
The latest one involves the popular late-70s band, Boston, which exploded onto the rock scene in 1976 with an eponymous debut album that charted songs, "More than a Feeling," "Long Time" and "Peace of Mind." The band followed it up in 1978 with an album called Don't Look Back, whose title track became another big hit. But the band famously had incredible internal tension and fights with the record label and slowly faded from the limelight after selling more than 30 million albums.
A publisher of hit songs by the 1970s rock band Boston, including "More Than a Feeling" and "Don't Look Back," sued the group's leader and songwriter, Tom Scholz, to prevent the termination of his copyrights.
Paul Ahern, the plaintiff, said that Scholz assigned copyrights to the songs he wrote in a 1975 agreement. He claimed that in January Scholz said he planned to terminate those rights, according to a filing today in federal court in New York.
The threat to end the copyrights "casts a pall on the assets of the compositions, diminishes their value and complicates the ability of plaintiffs Next Decade and Ahern to commercially exploit them," his lawyers said in the complaint.
A courtroom feud between Tom Scholz, a founder of the band Boston, and Micki Delp, ex-wife of its late lead singer Brad Delp, may have come to an end with a judge's dismissal of Scholz's defamation claim against her. The Boston Herald, however, remains a target of Scholz's lawsuit.
Suffolk Superior Court Judge John C. Cratsley on Friday rejected the claim that Micki Delp had defamed Scholz.
Be honest. We all dream of rocking the stage in a sold out stadium. Unfortunately, most of us never perform in a venue more prestigious than the shower. Reaching the status of "famous rockstar" is a one-in-a-million chance, yet Gary Pihl has reached this legendary status as a member of the band Boston.
"My parents thought, 'he's not that good, he should do something else'," Pihl said.
Skeptical parents turned out to be a blessing for the young rocker. After being dragged to the local college, Pihl found he enjoyed the learning experience. Motivated to learn how to fix broken equipment, Pihl began taking eletronic classes. Pihl continued to sharpen his musical skills by practicing whenever possible and taking music classes. However, these classes focussed largely on classical music and were aimed at future music teachers, rather than future performers. College also offered Pihl the opportunity to perform at local clubs and bars.


VOTE: Would You Switch To Spotify On Facebook?
Would you switch music streaming services once Spotify becomes available on Facebook?
Europe's most popular streaming music service, Spotify, is coming to Facebook soon.
Make that: as soon as Spotify completes negotiations with all of the major recording labels in the U.S.
Once live, an icon leading to the music application may appear in the left-hand side of the Facebook home page.
The imminent availability of Spotify on Facebook begs the question: Would you change your music listening habits? European readers, would you go to Facebook to get the service instead of how you might already be listening to it now?
Let us know what you think by participating in the poll below. We'd love it if you could share your rationale for voting by posting a comment. And be sure to check back to see how everyone else is voting.


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Q: Xcode 4.3: how to create a nib linked to a view controller Sorry, I'm quite new with xcode with a quite big project.
I upgrade xcode to 4.3.
I have a project (that doesn't use storyboard) and I need to add a view controller with a nib file.
Before upgrading I did File --> Ne File --> Cocoa Objective-C subclass and xcode created for me the m/h and their nib file.
Now that that option is disappear, how can I add a view controller?
I created the Objective-C class and, separately, a nib file, but how can I link the H/m files to the nib??
How can the m file call is nib??
Please can you help me? The project is real big and I can rewrite the code with the storyboard option!
Thanks

A: When editing your XIB, go to the Identity Inspector (it's the third button show in the following image). Then where it says Class, choose the controller you want to associate with the XIB.


Pressac hard wired ADSL filter/faceplate. Ideal for secure applications, eg , alarm monitoring, on an ADSL equipped line. Connection is via screw terminals, supplied complete with back box.
Use a centralised filter, eg, VTE-2015.


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Ann Arbor residents suing city over Lower Town development
Updated Jul 11, 2019 ; Posted Jul 10, 2019
Broadway and Maiden Lane development site in Ann Arbor
Gallery: Broadway and Maiden Lane development site in Ann Arbor
ANN ARBOR, MI – As a major housing development takes shape along Broadway Street in Ann Arbor's Lower Town area, the city is facing a lawsuit from concerned neighbors.
Traver Street resident Tom Stulberg and a Lower Town neighborhood group called Ann Arbor Neighbors for Responsible Development filed suit against the city in April, claiming the city improperly rezoned the property in 2017 to allow the development.
The plaintiffs are not seeking monetary relief nor trying to stop the development, but they are hoping they can impact how the remaining two phases take shape, Stulberg said.
"We do seek relief," he said. "We don't know exactly what impact we can have."
The three-building project is still in phase one, with construction underway on a 254-unit apartment building wrapped around a parking deck. The first tenants are expected to arrive next year.
Coming next is a 277-unit apartment building with 4,600 square feet of ground-floor retail space, while an 86-unit condo building is on hold, said Ron Mucha of Morningside Broadway LLC, the developer.
The lawsuit against the city is pending before Judge David Swartz in Washtenaw County Circuit Court.
The city has not yet responded in court, though City Council went into closed session to discuss the case at a recent meeting.
Susan Friedlaender, the plaintiffs' attorney, said the two sides are now in talks about her clients' concerns.
"We are discussing some matters with them," City Attorney Stephen Postema confirmed.
The lawsuit alleges the rezoning for the development, which City Council approved 7-4, was contrary to the Michigan Zoning Enabling Act.
The act states, in part, zoning must be based on a plan to promote public health, safety and welfare, to encourage use of lands in accordance with their character, to avoid population overcrowding and to lessen congestion on public streets.
The act also states a zoning ordinance must be made with reasonable consideration of the character of each district.
The city lacked grounds for rezoning the long-vacant site to a "campus business residential" designation known as C1A/R and acted arbitrarily and unreasonably in doing so, the plaintiffs allege, asking the court to declare the city violated their due process rights.
They're also asking the court to declare the city's parking and planned project ordinances invalid.
"The plaintiffs have suffered harm from the city's arbitrary decisions and invalid ordinances that is distinct from the harm that the city's actions have caused to its residents by its abuse of its zoning powers," the lawsuit alleges. "The plaintiffs are entitled to relief in a manner that will alleviate the harm caused by the arbitrary and unreasonable rezoning."
The plaintiffs argue the rezoning was at odds with the city's master plan, which called for an "urban village" concept for the site, with a variety of retail and service outlets along with residential use and public spaces.
"The Morningside plan eschewed the retail and public spaces elements of the master plan vision for the site and focused almost completely on residential uses," the lawsuit states.
The site was once home to a Kroger store and other businesses. The old buildings were demolished years ago to make way for a different development with 85 apartments, 138,275 square feet of retail space, 152,689 square feet of office space and a 760-space parking structure. Those plans stalled and the project never happened.
After years of inactivity on the site, Morningside emerged with a new vision, mostly housing, and won city support in 2017 to do away with the planned unit development (PUD) zoning for the property. As part of a brownfield tax-incentive plan, the developer agreed to include 15 units of affordable housing in the development.
If the Morningside project was approved as a planned unit development with public benefit requirements, 93 affordable housing units would have been required, or payment of millions of dollars to the city's affordable housing fund, Stulberg argues.
"This plan should have been approved as a PUD," he said, arguing the project is essentially a PUD in nature but the city allowed the developer to circumvent requirements through different zoning.
The character of the Lower Town area is unlike the campus business district or the downtown, the lawsuit states.
"The application of the C1A/R ordinance in Lower Town is unprecedented and the first rezoning of land to this classification in over 50 years," the lawsuit states.
Allowing "campus business residential" zoning outside the University of Michigan's core campus area sets a dangerous precedent, Stulberg said. He believes other developers could sue and win if the city rejected similar rezoning after allowing it for Morningside.
"We seek to have that remedied," he said.
Council members who approved the development argued in 2017 the rezoning was justified, noting there's a university building across the street from the site and it's a short walk to the UM medical campus and hospital just down the street, while adjacent housing along Maiden Lane serves people who work or go to school at UM.
The residents suing the city have set up a website at LowerTownLife.org where they outline their case. The group's board members include Stulberg, Laura Strowe and Mary Underwood, according to the website.
City Council Member Anne Bannister, D-1st Ward, voted against the development and sympathizes with the residents' concerns.
"I take very seriously my role of representing Ward 1 constituents," she said. "And when they rally strongly around an issue such as their nearly unanimous opposition to the Morningside project at 1140 Broadway, I will do my best to advocate for them."
Bannister said she wants to work on the city's zoning, and she notes the city is going to be taking a deep look at its master plan soon.


the best whole wheat pita bread recipe with oven as well as baking method.
pita bread recipe with step by step photos – this pita bread made from whole wheat flour, is soft, moist, light and has their trademark pockets.
i was exposed to falafels and pita bread in my childhood and from then onwards, i have always liked them. pita bread stuffed with tahini, hummus, falafel and raw veggies is a snack i look forward to. whether its made by me or by someone else or in a lebanese restaurant. does not matter.
generally i make them a little extra and store, so that i can have them for a couple of days more. the extra pita bread can cut into wedges and then baked till crisp, later to had with dips.
they are also the easiest bread to make. the first time i had made pita bread, was on the stove top and i was so thrilled seeing the bread puffing up like phulkas. you will see in the pics below.
the recipe of pita bread is adapted from one of my favorite bread book "the bread bible: 300 favorite recipes" by beth hensperger. i can tell you that this is the best recipe for making pita bread.
when you make the pita bread on a tava or frying pan, they will get brown or black spots. but when you bake them you won't get any spots.
i browned them a little more in the oven as i like my bread to be a little extra browned and baked well.
once you have lots of pita with you, then give wings to your creativity and come up with different sandwich combinations and fillings.
you can even stuff with potato sabzi or chana masala with some onion rings, tomato slices and some mint chutney + tamarind chutney. or make some veg kebab or veg cutlet and add our usual chutneys and serve in so many ways.
in a small bowl add 1/2 cup of the warm water. sprinkle a pinch of sugar. then and the yeast and stir.
keep aside for 10 to 15 minutes at room temperature.
after the yeast has frothed, add the yeast mixture and knead into a soft, smooth dough.
place the dough into a greased container or in the same bowl with some olive oil applied all over the dough.
cover with a kitchen napkin and keep at room temperature for for 1 to 1.5 hours.
once the dough has doubled up, then remove the dough from the bowl.
dust the working surface with flour and roll each ball into round circles of about 6 inch about 1/4 inch thick.
cover the circles with the kitchen towel loosely and let them rest at room temperature for 10 minutes.
now place them on a greased tray and bake at 200 degrees Celsius (the 200 degrees celsius is for baking in a convection mode of a microwave oven. if using a regular oven, then preheat as well as bake for 250 degrees Celsius/482 Fahrenheit) for 7 to 10 minutes or till puffed up and light brown.
bake all the pita bread this way.
heat a non stick frying pan or tava.
place the bread on the tava and cover for 2-3 minutes till the bread starts puffing up.
flip the bread the other side and cook for more 2 to 3 minutes.
stack the pita bread and store them in a kitchen towel or bread box.
you can also serve pita bread warm.
just slice the pita bread into two. you will see the pockets.
stuff the pockets with a filling of your choice and your pita sandwich is ready.
if the dough becomes too sticky then add some more flour.
remember to proof the yeast in warm water. less warm water or hot water will not yield good results.
you can also knead the dough in a mixer fitted with a paddle attachment.
you can double as well as triple this pita bread recipe.
like all my bakes, i have baked the pita bread in a microwave oven in the convection/baking mode. since the recipe is lightly adapted, the pita bread should fluff well in a regular oven too if the yeast proofing and leavening of the bread is done well.
1: firstly proof the yeast by sprinkling a pinch of sugar in warm water & then adding dry active yeast to it. stir and keep aside for 10 to 15 minutes.
2: in a bowl or pan, add the flour, salt & olive oil.
3: now add warm water.
4: just mix everything with a wooden spoon.
5: the yeast mixture has frothed now.
6: so add the frothy yeast to the wheat flour mixture.
7: knead into a smooth and soft dough. if the dough is a little sticky & moist than no issues. after keeping it for leavening it becomes alright as you will see below in the 9th pic. the dough has to be moist and soft as well as smooth too.
8: apply some olive oil all around over the dough.
9: keep it in the same bowl covered loosely with a kitchen towel for 1 to 1:30 hours or till the dough has risen.
10: this is how the dough looks after 1 hour & 5o minutes…. i kept for a longer time as it was raining heavily this day and the temperature was on the cooler side. see the cracks in spite of it being a little extra moist & sticky dough.
11: deflate the dough gently and if you want then knead lightly.
12: now make medium sized balls from the dough. keep these covered again for 10 minutes.
13: dust some flour and roll each ball into a flat poori shape or rounds exactly the way you make pooris. you can also make them oval shaped if you want. keep the bread a little thick than you would keep for pooris. keep these rounds covered loosely for 10 minutes more.
1: place the rolled bread on a greased baking tray.
2: bake in a preheated oven for 200 degrees C for 7-10 minutes. mine took 7 minutes to cook and 1 minute to brown. please note the 200 degrees celsius is for baking in a convection mode of a microwave oven. if using a regular oven, then preheat as well as bake for 250 degrees celsius/482 fahrenheit. the baking time may vary from oven to oven.
3: look at those puffed up pita bread… don't they look good?
1: heat a tava or a non stick frying pan. place the bread on the hot tava and cover it with a lid for 2-3 minutes.
2: the bread will begin to puff up.
3: turn over and cook for 2 to 3 minutes more till the pita bread is done and has brown spots appearing on both sides.
4: alternatively, you could also make them the way we make phulka (chapati). after lightly cooking both the sides, place them on the fire and see them puff… cook both sides.
5: stack pita bread and store them in a kitchen towel or bread box. you can also serve pita bread warm. just slice the pita bread into two. you will see the pockets. stuff the pockets with a filling of your choice and your pita sandwich is ready. i added falafel, roasted red bell pepper hummus with some veggies and olives to the pita. you can also serve with plain hummus too.
sorry please ignore the msg i just sent.. i just saw ur reply.. i am soooo sorry..
yes you can add milk. you can use the same amount of milk as that of water – 1.25. but depending on the quality of flour you may need to add more or less milk. when i get time i will add the recipe or include the proportions of other grain flours in this recipe itself.
Thank you for all the efforts you put into making these easy step by step practical recipes with perfect ingredients. I have tried alot of your recipes and they have ALL come out perfect and delicious.. only thanx to you I have got the confidence to try out new dishes without any doubt.
Next I wish to try this pita bread rcp. but have a couple of questions..
1. i don't have dry active yeast, i generally use instant yeast and add it directly to the flour so is it possible to use Instant yeast instead. does the quantity of yeast change?
2. to knead the dough you have suggested 1.25 cups of warm water. I was wondering can it be a combination of warm water and milk? will addition of milk make the dough soft and moist? and will make any difference in the taste?
Lastly, my sister has celiac and she is on a 100% gluten free diet so i was wondering, can this recipe be used with different vrat flours/ gluten free flour.
thank you natasha for these lovely words. glad to read them.
1. for the pita bread you can use instant yeast. add 1 teaspoon intant yeast.
2. yes, of course, you can use a combo of warm water and milk. addition will milk will make the pita bread slightly rich and soft. yes there will be a difference in the taste.
3. with vrat flours or gluten free flours you can make. but then you don't need to add yeast. some experimentation will be required. the gluten free flours have to be kneaded with hot water. this will make the texture soft and the dough is easy to roll.
thanks again natasha and wish you all the best.
Thanks for the suggestion, Dassana!
Your site is my go-to site for everything cooking! Cannot think of another site which can easily put things together with the help of a detailed description and images of various stages of the process. Kudos to the great work!
I would like to check if you have experimented with Quinoa Pita bread, ever? The idea crossed my mind this morning and i am lost with the measurements. I am going to experiment with your wheat flour measurements and see how it folds out.
I'd be ever so grateful to get your expertise on this.
thank you much lalita for this lovely comment. i have not experimented much with quinoa. you can easily make a pita bread with it. i have worked with other flours like buckhweat, amaranth, finger millet, rice etc in making indian flat breads. so definitely quinoa flour can also be used to make breads. you can add 1:2 ratio of quinoa flour to whole wheat flour. its safe for experimentation as the amount of whole wheat flour is more. the quantity of water may be less or more. so just dissolve yeast in one-fourth cup warm lukewater first. then you can add lukewarm water or water at room temperature as needed to make a soft dough. hope this helps.
Thank you for a good bread recipe which I have precisely followed and been using for about two weeks. It is the only recipe which worked for me so far especially the first time when all the 6 loaves I made puffed. However, subsequent bakings have not been successful as far as puffing is concerned. In the same baking session some loaves puff while others don't. And sometimes, some areas of the same loave puff while the rest don't. What could be the reason? I still have problems with the flattening process which I am unable to get right. I don't see "wholewheat" flour here in Sydney. The available one is called Wholemeal. Are they one and the same thing? The taste is ok but what can be added to get a better taste? I have seen recipes using yogurt. Will that improved the taste? Will it affect other the puffing and softness? The bread comes out generally soft but the crust is a bit stiff, a biscuit like feeling. I am not sure why but I am guessing that the reason could be due to the fan in our wall mounted oven. This oven does not have the capability to run without the fan. By the way, how much is a pinch of sugar? I have been using 1/2 tsp. One more thing about olive oil. Can it be dispensed with? What is the effect of not using it? Could it Be the cause of that stiffness or the biscuit like feeling I mentioned earlier?
thank you Mahmoud. wholemeal flour and whole wheat flour are one and the same. the pita breads not puffing up can be due to less water content in the bread or they are not rolled evenly. if these two things are taken care of, then the pita bread will puff up. you can add some yogurt in the dough and it will help in making the bread soft as well as give it a faint sour taste.
your guess about the crust is right. its due to the top getting a bit overdone and the fan is responsible for it. in convection ovens which have a fan, the baking is faster as the fan accelerates the baking process. so you can cut down the time by 10 to 15 minutes or reduce the temperature by 15 to 20 degrees celsius for any recipe. you can skip olive oil. it just gives a nice flavour but can be skipped. olive oil is not the cause of the biscuit like crust.


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Biographies Russian Artists 20th Century Turn of the Century Art Nouveau Georgy Narbut
Georgy Narbut
Born: 1886, Narbutovka (Chernihiv Province)
Died: 1920, Kiev
Graphic artist, painter, illustrator, silhouette artist, teacher. Elder brother of the Acmeist poet Vladimir Narbut (1888–1938). Born to Ivan Narbut (impoverished member of the old Lithuanian nobility) and Neonila Makhnovich (priest's daughter) at the family estate of Narbutovka in the Ukraine (1886). Attended grammar school in the nearby town of Glukhov (1896–1906) and moved with his brother Vladimir to St Petersburg (1906), where they rented rooms from Ivan Bilibin. Studied at the Faculties of Oriental Languages and Philology of St Petersburg University (1906–09), under Mstislav Dobuzhinsky, Léon Bakst and Konstantin Somov at the Elizaveta Zvantseva School of Painting and Drawing in St Petersburg (1907–09) and at Simon Hollósy's school in Munich (1910). Returned to St Petersburg (1910), where he collaborated with such magazines as Apollo (from 1910), Heraldry (1913–15) and Lucomoria (1914–16). Illustrated Vasily Zhukovsky's How the Mice Buried the Cat (1910), Dance, Matvei, Don't Spare Your Bast Sandals (1910), Toys (1911), fables of Ivan Krylov (1911–13) and Hans Christian Andersen's The Nightingale (1912). Designed the layouts of The Russian Icon published by Sergei Makovsky in Petrograd (1913–14), Galicia in Olden Times: Essays on the History of the Architecture (12th to 17th Centuries) published by Golicke & Wilborg in Petrograd (1915) and The Old Estates of Kharkiv Province published by Count Nikolai Kleinmichel in Petrograd (1917). Married Vera Kiryakova (1913). Member of the World of Art (1915, secretary from 1916). Moved to Kiev (1917), where he divorced his wife and married Natalia Modzalevskaya (1918). Professor (1917) and rector (1918) of the Academy of Arts of the Ukraine. Designed the banknotes and postage stamps of the Ukrainian People's Republic (1917–18) and the Ukrainian Hetmanate (1918). Illustrated The Ukrainian Alphabet (1917–18) and Ivan Kotlyarevsky's parody of Virgil's Aeneid (1917–19). Worked for IZO Narkompros (1919) and collaborated with such magazines as Art, Our Past, Daybreak, The Sun of Labour and The National Economy of the Ukraine (1919–20). Died in Kiev following a gallstone operation and buried at Baikovo Cemetery (1920). Contributed to exhibitions (from 1906). Contributed to the exhibitions of the New Society of Artists (1908–10), Union of Russian Artists (1909, 1910), World of Art (1911, 1912, 1915, 1916), Weltausstellung für das gesamte Buchgewerbe und die graphischen Künste in Leipzig (1914), Exposition d'art russe: Ancien et Moderne at the Palais des Beaux-Arts in Brussels (1928) and a posthumous one-man show in Kiev (1926).
Sonia Delaunay-Terk
Painter, designer. Born in Gradizhsk in Poltava Province or Odessa (1885). Studied in St Petersburg...
Adolf Goldman
Painter, graphic artist. Born in the family of Isaac Goldman in Moscow (1933). Graduated from Mosco...
The Congregation of the Mother of God
The Congregation of the Blessed Virgin Mary is celebrated by the Orthodox Church on the day after C...
This is one of the many interpretations of biblical subjects in Pavel Filonov 's art. The meaning o...
Valentin Kurdov
Painter, graphic artist, lithographer, poster designer, illustrator, writer. Studied at Perm Techni...


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The Different Types of Lottery
Lottery is a type of gambling in which numbers are randomly selected. While some governments outlaw it, others endorse it and even organize state and national lotteries. These governments also regulate lotteries. However, you should not gamble without knowing the rules and regulations. In this article, we will look at the Louisiana Lottery and the French National Lottery.
Louisiana Lottery
The Louisiana Lottery offers a wide range of games. From instant win scratchers to state-run draw games, residents can participate in the Louisiana Lottery's games to try and win the jackpot. The Louisiana Lottery also offers lottery apps that you can download to your phone. These apps let you play your favorite games and create personalized playslips. The app also lets you save your favorites and edit them whenever you want. You can even find the nearest lottery retailer with the help of this app.
Irish National Lottery
The Irish National Lottery is the state-licensed lottery operator in Ireland. It is dedicated to raising money for good causes. It was founded in 1986, and began operations on 27 March 1987. Its first games included scratchcards and the weekly drawing game Lotto.
Italian National Lottery
The Italian National Lottery has been around for centuries. It was first introduced in the early sixteenth century and is now managed by the Italian State through a dual-model concession system. The main game is called Lotto, which is played every five minutes and consists of 11 sets of numbers drawn from a wheel. In addition to this, the Italian National Lottery offers various payment services.
French National Lottery
The French National Lottery has been around for more than two centuries. In 1757, the lottery first began, and since then, it has been a fixture of French life. This lottery has also changed the way people think about risk.
British National Lottery
The British National Lottery is a state-franchised national lottery that was established in 1994. It is regulated by the Gambling Commission. The Camelot Group, which was granted lottery licences in 1994, 2001, and 2007, operates the lottery. Allwyn Entertainment will take over operation in 2024.
Spanish National Lottery
The Spanish National Lottery is the official lottery organized by the Spanish government. It has been played since 1763. More than 70 percent of the lottery's emission goes towards prize payouts, making it one of the most generous lottery systems in the world. The lottery offers a high payout percentage, with about 35 prizes out of every 100 tickets. It's also guaranteed, which means you can be confident that you'll win a prize if you play the Spanish lottery.
U.S. State lotteries
Lottery winnings are subject to Federal taxation, and winnings over $600 are automatically reported to the Internal Revenue Service (IRS). Nonresidents have an additional tax of 30% of the total winnings. But winning a major prize isn't all bad news – many states allow lottery sales in convenience stores geared toward low-income clients. And in some states, check-cashing stores sell lottery tickets. The lottery industry generates more than $28 billion in annual sales, with more than a quarter of the total revenue being diverted to state government programs.
In the United States, there are currently six different types of lotteries. These lotteries are run by individual states. Each state has its own laws and rules. There are also different types of games, including scratch-off tickets and pick-style games.


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