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Embassy of the Republic of Tajikistan in the Federal Republic of Germany
Speeches, Articles and Interview
General Information on Embassy
Citizen Admission Schedule
Consular issues
Standard visa
Legalization and apostille
Citizenship issues
Consular Registration
The order of discovery of documents
Procedure of obtaining passport
Electronic visa
Visa System with foreign countries
Application form in PDF and MS.Word
Inter-parliamentary relations
Tajikistan&Poland
Tajikistan&Czech Republic
Intergovermental comissions
Political consultations
Culture and Diaspora
Free economic zones
Cooperation for development
Home page Information News and events
Meeting of the Ambassador with the State Secretary of BMZ
On July 15, 2022 Ambassador Extraordinary and Plenipotentiary of the Republic of Tajikistan met with the State Secretary of the German Federal Ministry for Economic Cooperation and Development, Member of the Bundestag (SPD), Niels Annen.
The parties expressed satisfaction with the development of bilateral relations in various field and exchanged views on further expansion of cooperation between Tajikistan and Germany in economic, investment, health, energy areas, as well as on the implementation of joint projects.
In this regard, Niels Annen noted that the German side will encourage the further development of bilateral cooperation.
A constructive exchange of views was also held on topical issues of the regional and international agenda.
02:59 Welcome to Tajikistan
© Embassy of the Republic of Tajikistan in the Federal Republic of Germany


The 4MRMarket will be closed for Easter Sunday. Remember we will be back after Easter and every Sunday afterward, 9am-1pm.
Josh is waiting for your compost Saturday, but won't be around Sunday.
With Four Mile Run Farmers & Artisans Market being closed Easter, Sunday the Resource Recovery Station will also not be there. If you have compost, bring it in today Saturday to Del Ray Farmers' Marketand Old Town Farmers' Market, Alexandria, VA.
Who would have thought the market would have seen so much change in so little time or even be in full swing through the winter just a few months ago!
Thanks for making the 4MR Winter Market such a success thus far!


text:
/*
 * File:   ServiceException.cpp
 * Author: Rolando Martins (rolando.martins@gmail.com)
 *
 * Created on June 22, 2010, 10:54 AM
 */

#include "ServiceException.h"

const char* ServiceException::INVALID_STATE = "Invalid State";
const char* ServiceException::INVALID_FT_PARAMS = "Invalid FT params.";
const char* ServiceException::NON_FT_SERVICE = "Non-FT service!";
const char* ServiceException::REGISTRATION_ERROR = "Service registration failed.";
const char* ServiceException::INSUFFICIENT_RESOURCES = "Insufficient resources.";
const char* ServiceException::SERVICE_NOT_KNOWN = "Service not known.";
const char* ServiceException::SERVICE_WITHOUT_IMPL = "Service without known implementation.";
const char* ServiceException::LOW_LVL_P2P_UNAVAILABLE = "Low level P2P is unable.";
const char* ServiceException::INVALID_ARGUMENT = "Invalid argument.";

ServiceException::ServiceException(const char* exception) : m_messageString(exception) {

}

ServiceException::ServiceException(const ServiceException& c) : m_messageString(c.m_messageString) {
}

ServiceException::~ServiceException() {
}

redpajama_set_name: RedPajamaGithub


This entry contains information about Dania Beach, Florida. For links to small business resources found in and around Dania Beach, visit the Dania Beach, Florida Hub.
Dania Beach is a city in Broward County in Florida.
Link to this page: "https://wiki.smallbusiness.com/w/index.php?title=Dania_Beach,_Florida&oldid=24762"


This is the EDIROL FA-101 driver for Microsoft(R) Windows 7. This driver also supports ASIO (Steinberg Audio Stream I/O Interface).
This is the EDIROL FA-101 driver for Microsoft(R) Windows 7 64-bit Edition. This driver also supports ASIO (Steinberg Audio Stream I/O Interface).
This is the EDIROL FA-101 driver for Microsoft(R) Windows(R) XP Professional x64 Edition.
This is the EDIROL FA-101 driver for Microsoft(R) Windows(R) XP Home Edition/Professional.
This is the driver necessary for connecting the FA-101 to a Macintosh computer running OS 9.
Note: There is no driver necessary for Mac OS X. You must be running 10.3.7 or higher.


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Fred Lindstrom
Position: Infielder; Outfielder
Teams: New York Giants,1924-1932; Pittsburgh Pirates,1933-1934; Chicago Cubs, 1935; Brooklyn Dodgers,1936
The saying goes that first impressions are hard to erase. If so, then Fred Lindstrom's arrival at Cooperstown was the culmination of an uphill journey.
In 1924, the Giants had to rush an 18-year-old Lindstrom up to the big club when third baseman Heinie Groh suffered a knee injury. The Giants were on their way to winning their fourth consecutive NL pennant, and they needed Fred for World Series duty.
Considered a good gloveman at third base during his career, Lindstrom is best remembered for two ground balls that he didn't field in the 1924 World Series. With the Series tied at three games each, the Giants led 3-1 in the bottom of the eighth inning of Game 7. Then a ground ball hit to Lindstrom bad-hopped off a pebble and bounced over his head. Two runs raced home to tie it up. In the 12th inning, disaster struck again.
Muddy Ruel doubled, and then Earl McNeely's grounder hit the same pebble, or another just like it -- so the legend goes. The ball skipped over Lindstrom again, and the Senators won the world championship. He wasn't charged with an error on either play, nevertheless, and he hit .333 in the Series.
Frederick Charles Lindstrom (1905-1981) was a pitcher in Chicago while he was growing up. Fred's high school coach was Jake Weimer, a former major-leaguer and another of John McGraw's many informants. McGraw liked what he heard and signed Lindstrom upon Fred's high school graduation in 1922.
A .311 lifetime hitter, "Lindy" topped the .300 plateau seven times and twice slapped out over 230 hits. An accomplished place-hitter, he was quickly dubbed "The Boy Wonder" by Giants fans. Lindstrom's most productive years were his nine years with the Giants. Freddie led the league in hits in 1928 with 231 while batting an impressive .358.
In 1930, he again collected 231 hits and pounded a career-high 22 homers while driving home 106 runs -- eye-opening numbers, even without his .379 batting average. Unfortunately, due to a plethora of lofty averages in a year in which the composite NL batting average was .303, Freddie's .379 mark was good for only fifth place.
When McGraw stepped down in 1932, Lindstrom hoped to succeed McGraw, but when the job went to Bill Terry instead in 1933, Lindstrom asked to be traded and was obliged. He played in four more seasons with three teams, making it back to the World Series with the Cubs when they lost to Detroit in 1935.
After his major-league career, Lindstrom managed in the minor leagues and at Northwestern University in the 1950s. He was inducted to the Hall of Fame in 1976.
Here are Fred Lindstrom's major league totals:
BA G
.311 1,438 5,611
See more information on the Baseball Hall of Fame:
Baseball Hall of Fame Overview
History of the Baseball Hall of Fame
How a Person is Inducted into the Baseball Hall of Fame
List of Baseball Hall of Fame Members
Cooperstown Lodging
Restaurants in Cooperstown
Baseball Hall of Fame Managers
Baseball Hall of Fame Umpires
Negro Leagues Hall of Fame Members
See the players in the Baseball Hall of Fame by position:
See the members of the Baseball Hall of Fame by team:
Cincinnati Reds Milwaukee Brewers Philadelphia Phillies Seattle Mariners
Anaheim Angels Cleveland Indians Minnesota Twins Pittsburgh Pirates Tampa Bay Devil Rays
St. Louis Browns Texas Rangers
St. Louis Cardinals Toronto Blue Jays
Chicago Cubs Kansas City Royals
San Diego Padres Washington Senators
Chicago White Sox Los Angeles Dodgers Oakland A's

redpajama_set_name: RedPajamaCommonCrawl


"There's one thing you must tell him – let him explore." Josephine Peach's advice to me for my 7 year old son, about to start his first piano lessons. What was joyful about Peach's recital at Ripon Cathedral, the first in the new season of the cathedral's traditional Thursday lunchtime free concert series, is that Peach herself is clearly still exploring; and taking pleasure in both the exploration, and the sharing of it with her audiences.
The carefully and thoughtfully curated programme was a surprise – a wide variety of short pieces, ranging from the atmospheric to the witty to the experimental, and aligned along several themes, including childhood, Christmas, and nature.
The echoing cathedral acoustic was perhaps not ideal for some of the shorter, more lively pieces, with detail and rhythm being lost in some places. But the full resonance came into its own in the more expansive parts of the repertoire.
The programme developed by Josephine Peach, part of a developing project this year, is very much constructed by a pianist, for pianists. Indeed, the recital was entitled as such: 'Music for Inquisitive Pianists'. The music selected, as the pianist herself admits, is very much a magpie's nest of shiny things: glimpses of humour, interesting key changes and references, pretty moments and flashes of beauty as well as pieces of deceptive technical simplicity specifically chosen to appeal to children and beginners. I felt rather honoured to be party to a very personal insight into the contents of the pianist's pockets – little treasures that she has picked up along the way and kept.
Highlights for me included an extraordinary Mozart piece, the Gigue in G major (K574) – an experimental whirlwind of keys and expressions centuries ahead of its time. For those less inclined to be fans of Mozart, this was an insight: an intriguing and stimulating piece with a spark of genius. The contrast between the childlike naïveté of an early composition and the assured daring of the adult master was beautifully managed and explained by the pianist. Another highlight was Hengeeld's 'Prelude', an unexpected experiment in musical time travel, the appreciation of which was much increased by the pianist's explanation beforehand.
Peach's presentation of her programme was lovely throughout, being educational but complicit and informal with her audience, and, in a way, self-effacing – the pieces were on show here, not the performer – even though it was clear from these little selections how profoundly Josephine Peach understands her instrument. Interesting though the selection was, her fun and affectionate rendition of Bennett's 'Four Calling Birds' (a light-hearted homage to Satie's 'Gymnopédie') left the audience longing to hear how skilfully and beautifully she would have handled the original.
With refreshments available at the beginning (for a much-deserved voluntary donation which goes entirely towards the running of the concert programme) Ripon Cathedral's lunchtime concerts are a local institution and offer a wonderfully democratic way to enjoy classical music.


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New grant of US$13.9 million supports biodiversity conservation, strengthens Caribbean Islands organisations
Team members help to plant a native tree as part of a carbon offset program in partnership with Plan Vivo.
Port of Spain, September 6th, 2021 – Helping communities conserve biodiversity, build resilience to climate change and pursue sustainable development will be the focus of a new five-year, US$13.9 million grant-making and capacity-building program launched by the Critical Ecosystem Partnership Fund (CEPF) in the Caribbean Islands Biodiversity Hotspot.
Civil society organisations—including community-based groups, nongovernmental organisations, academia and the private sector—will be eligible for the grants. The countries targeted by the funding are Antigua and Barbuda, The Bahamas, the Dominican Republic, Haiti, Jamaica, Saint Lucia, and Saint Vincent and the Grenadines.
CEPF is a joint initiative of l'Agence Française de Développement, Conservation International, the European Union, the Global Environment Facility, the Government of Japan and the World Bank. The fund empowers civil society organisations to protect the world's biodiversity hotspots—the most biologically diverse yet threatened terrestrial ecosystems—and help communities thrive.
The new investment in the Caribbean Islands will be financed through the Critical Ecosystem Partnership Fund – Caribbean Hotspot Project of the World Bank, using funds provided by the Government of Japan.
CEPF will have a regional implementation team (RIT) based at the Caribbean Natural Resources Institute (CANARI). The team will help implement CEPF's strategy by directly supporting grantees in the hotspot. CEPF and the RIT will also work with Instituto Tecnológico de Santo Domingo (INTEC) to establish networks and partnerships among conservation organisations, government agencies, private businesses and communities.
"The CEPF grants will enable groups to build and apply local knowledge and skills to address the biodiversity crisis and climate challenges," said Olivier Langrand, executive director of CEPF. "This local conservation leadership will guide the people of the Caribbean Islands in protecting their unique nature and the services it provides. In addition, keeping natural systems intact contributes to the prevention of diseases transmitted from animals to people, such as COVID-19."
"This funding will ensure that green growth and climate-smart development are at the forefront of economic recovery in the Caribbean by strengthening and supporting civil society organisations. It aligns with the World Bank's Climate Change Action Plan, which supports the strengthening of climate adaptation and resilience in developing countries," said Lilia Burunciuc, World Bank Country Director for the Caribbean.
"It is an important moment for our region as we recover from the COVID-19 pandemic and deal with the impacts of climate change, including extreme weather," said Nicole Leotaud, executive director and managing partner of CANARI. "Our grantees will work with Caribbean communities to build the health and resilience of the ecosystems that support our livelihoods, culture and well-being. Recent events have taught us just how important it is to have resilient systems and organisations that can withstand shocks."
CEPF previously invested US$6.9 million in the Caribbean Islands Biodiversity Hotspot from 2010 to 2016. CANARI also served as the RIT for that investment, during which grants were awarded to 68 civil society organisations in eight countries. Projects focused on sustainable agriculture, agroforestry, protecting watersheds, and nature-based tourism to support rural community development as well as food security.
Some grantee results from the initial investment include:
Development and implementation of sustainable management plans that strengthened the protection of 25 Key Biodiversity Areas covering 593,967 hectares.
Strengthening of institutional capacity for 58 civil society organisations in eight countries. • Sale of the first carbon offsets in the Caribbean.
Creation of nine public-private partnerships that factor in biodiversity conservation. • Inclusion of biodiversity and ecosystem services concerns into seven development plans, projects and policies.
The new CEPF funding will support efforts begun under the previous investment by replicating and scaling-up good practice models that emerged from the earlier grants. Little of the current funding from other donors in the hotspot is earmarked specifically toward species conservation, so grants will also address this gap.


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Pilot Review: Shut Eye
Shut Eye (Hulu)
Premiered December 7
All I needed to compel me to watch this pilot was seeing that Jeffrey Donovan was the star. I started watching "Burn Notice" in its second season because Tricia Helfer joined the cast, and thoroughly enjoyed that show all the way to the end, with Donovan providing a unique energy that worked just right for that particular show. I didn't know a thing about this series before I watched it, and I found this opening installment to be somewhat intriguing. To me, a show about scammers who pretend to be fortune tellers is interesting enough, and therefore I'm not clear why this had to go to a point of Charlie being able to see the future. This is a good companion piece to "Chance," a show that I would have liked to watch but just couldn't get on board with a few weeks ago when it started. I'm more inclined to give this one a chance, but I'm not sure how long I'd stick with it. I like Donovan in this role, even if it's not as fun, and I think that Kadee Strickland does a great job making his wife Linda an even more magnetic central character. I liked Emmanuelle Chriqui on "Entourage" and think she's found a far more complex part here as a hypnotist with a few secrets of her own. I'm not sure what to make of David Zayas' gangster or Isabella Rossellini's tyrannical matriarch, with the former seeming like a much better part of the show than the latter. I'm interested to see more and wonder if episode two will make me want to stick with this show for the rest of the season, which was all already released online a week and a half ago.
How will it work as a series? Charlie spent most of the episode saying that he needed to run everything by Fonso, and now he's saying something completely different, not to mention the fact that Linda is engaging in an illicit relationship with Gina that her husband (probably) doesn't know anything about. This should be volatile and enthralling if nothing else.
How long will it last? Ratings data for Hulu isn't readily available or helpful, but that also means that it's not so relevant. "Chance" was better-reviewed than this series, so that doesn't suggest a hopeful future for this one, but Hulu offering something to binge right away may be a plus that could give this show a second season.
Pilot grade: B
Posted by Movies with Abe at 12/19/2016
Labels: Pilot Reviews, Shut Eye, Shut Eye Pilot
chenshanshan20170304
Top 16 New Shows of 2016: #9
Top 16 New Shows of 2016: #10
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What I'm Watching: Westworld (Season Finale)
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Take Three: Good Behavior
SAG Nominees: Best Ensemble in a Comedy Series
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SAG Nominees: Best Female Actor in a Comedy Series...
SAG Nominees: Best Male Actor in a Comedy Series
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SAG Predictions: Best Ensemble in a Drama Series
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Round Two: Search Party
What I'm Watching: Jane the Virgin
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Golden Globe Musings: Best Actress in a TV Series ...
Golden Globe Musings: Best Actor in a TV Series – ...


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Home/Highlight/Nickelodeon acquires all global rights to Garfield with new TV series in the pipeline
Nickelodeon acquires all global rights to Garfield with new TV series in the pipeline
Robert Hutchins 7th August 2019	Highlight, Licensing 982 Views
Nickelodeon has acquired the content and consumer product rights to the iconic comic character, Garfield in a deal that is expected to close in the coming weeks.
Struck between Viacom and Paws, Inc, the entity that holds the global IP rights to Garfield and the US Acres franchise, the deal is part of Nickelodeon's ongoing strategy to be 'the home for the biggest franchises kids and families love.'
It expands Nickelodeon's growing portfolio of hit properties that already includes SpongeBob SquarePants, PAW Patrol, Teenage Mutant Ninja Turtles, Blues Clues & You, the first SpongeBob spinoff in Kamp Koral, and a new animated Star Trek series.
Nickelodeon's president, Brian Robbins, said: "This acquisition marks another step in our evolution toward being kids' first stop for the best new content and characters, so we're incredibly happy to have Garfield join our growing roster of globally loved franchises and to introduce this cool cat to a new generation of fans."
Following completion of the acquisition, Nickelodeon plans to develop a new Garfield animated television series.
Global merchandising rights to Garfield will be managed by Viacom Nickelodeon Consumer Products (VNCP), including the property's existing portfolio of licensees. Garfield creator Jim Davis will continue to produce the Garfield syndicated comic strip.
"Great content is core to the strength of our brands, and Garfield is a beloved character that continues to be part of the cultural zeitgeist with universal resonance across all ages," said Sarah Levy, chief operating officer of Viacom Media Networks.
"The acquisition of Paws, Inc. provides another opportunity for Viacom to leverage our platforms to extend the global reach of iconic IP."
Pam Kaufman, president of VNCP, added: "Garfield is a global evergreen franchise that is a natural fit with Nickelodeon and our portfolio of iconic properties. With fans around the globe that span both kids and adults, we are excited to ignite Garfield into a multi-generational consumer products juggernaut and further deliver on VNCP's 'Every Age, Every Aisle' mission."
Created by cartoonist Jim Davis, Garfield is the most widely syndicated comic strip in the world (Guinness World Records), and the franchise spawned movies, TV shows, stage shows and merchandise.
Garfield has received four Emmy Awards for Outstanding Animated Program, and Davis was inducted into the Licensing Hall of Fame in 1998.
Davis said: "I've always tried to make people laugh with humour that is classic and appealing to both kids and adults. I'm delighted that Garfield is going to be placed in the capable hands of the folks at Nick. They know how to entertain and will be great stewards for the franchise. I am also excited to continue to do the thing that gets me out of bed every morning…the comic strip."
Tags Garfield kids' TV news nickelodeon
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Paulo Cesar Paixão de Araujo, mais conhecido como Paulo Paixão, (Rio de Janeiro, 23 de março de 1951) é um preparador físico brasileiro. Atualmente é coordenador de Preparação Física do Grêmio. Notabilizou-se por integrar a comissão técnica da seleção brasileira junto aos técnicos Luiz Felipe Scolari e Dunga.

Biografia
É formado em Educação Física pela Faculdades Integradas Castelo Branco (FICAB) do Rio de Janeiro, com especialização em futebol e em fisiologia do exercício pela Universidade Federal do Rio de Janeiro. Seu filho, o antigo preparador físico da Associação Chapecoense de Futebol, Anderson Paixão, foi uma das 71 vítimas fatais da tragédia com o Voo LaMia 2933, na Colômbia, que transportava a delegação da equipe catarinense, jornalistas e convidados.

Em sua carreira integrou as comissões técnicas do Grêmio, do Internacional, da seleção brasileira, e do CSKA de Moscou, tendo retornado ao Grêmio em 2010 para exercer a função de Coordenador de Preparação Física do tricolor. No final daquele ano, Paulo Paixão desligou-se do Grêmio, pois, segundo ele, gostaria de reassumir a função de preparador físico, no campo. Em 4 de agosto de 2011, retornou ao Grêmio. Em 2013, Paulo Paixão volta ao Internacional para trabalhar com Dunga na comissão técnica do clube colorado. Em 2014 foi preparador físico do Coritiba Foot Ball Club. Em 22 de junho de 2015, foi para Club de Regatas Vasco da Gama para trabalhar com Celso Roth e, ainda nesse ano, para o Sport, com o treinador Paulo Roberto Falcão. Foi preparador físico de Roger Machado no Esporte Clube Bahia, deixando o clube em setembro de 2020. Em junho de 2021 assinou com o Internacional para atuar como coordenador físico da equipe de Diego Aguirre.

Em fevereiro de 2022, assinou com o Grêmio integrando a comissão técnica de Roger Machado na função de coordenador físico da equipe.

Títulos
 1994 - Campeão do mundo (Seleção Brasileira)
 1995 - Campeão da Libertadores da América (Grêmio/RS)
 1995 - Campeão Gaúcho (Grêmio RS)
 1995 - Campeão Copa Sanwa Bank(Grêmio RS)
 1996 - Campeão Gaúcho (Grêmio RS)
 1996 - Campeão Copa Renner(Grêmio RS)
 1996 - Campeão Brasileiro (Grêmio RS)
 1996 - Campeão da Recopa Sulamericana (Grêmio RS)
 1998 - Campeão Copa do Brasil (Palmeiras/SP)
 1999 - Campeão da Libertadores da América (Palmeiras/SP)
 2001 - Campeão Gaúcho (Grêmio/RS)
 2001 - Campeão da Copa do Brasil (Grêmio RS)
 2002 - Campeão do mundo (Seleção Brasileira)
 2003 - Campeão gaúcho (SC Internacional)
 2004 - Campeão da Copa américa (Seleção Brasileira)
 2004 - Campeão Gaúcho (SC Internacional)
 2005 - Campeão da Copa das Confederações (Seleção Brasileira)
 2006 - Campeão da Libertadores da América (SC Internacional)
 2006 - Campeão Mundial Interclubes FIFA (SC Internacional)
 2007 - Campeão da Copa América (Seleção Brasileira)
 2009 - Campeão da Copa das Confederações (Seleção Brasileira)
 2010 - Campeão Gaúcho (Grêmio/RS)
 2013 - Campeão Gaúcho (SC Internacional)
 2013 - Campeão da Copa das Confederações (Seleção Brasileira)
 2019 - Campeão Baiano (Bahia)

Naturais da cidade do Rio de Janeiro
Preparadores físicos do Brasil

redpajama_set_name: RedPajamaWikipedia


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Profile: Gregg Shorthand Pens
[ Reference Info Index | Glossary ]
A (Very) Brief History, and the Basics
In two pamphlets published in England in 1888, John Robert Gregg introduced a new system of stenographer's shorthand. He moved to the U.S. in 1893, bringing with him his shorthand system, which met with immediate success. Like Sir Isaac Pitman's shorthand system, which had been introduced in 1837, also in England, Gregg shorthand is an alphabetic system — but it is not strictly based on letters. Instead, because it records sounds instead of letters, it is called a phonographic system. (For example, the "f" sounds in fish, tough, and elephant are all represented by the same symbol.). Unlike Pitman, which is jagged and relies on the thicknesses and positions of strokes to differentiate between letters, Gregg is written in a smooth, flowing style founded on forms that are common in cursive longhand, namely ellipses and lines that bisect them, and it uses the lengths of strokes for differentiation between sounds. Silent letters (which have no sound) are omitted, and there are numerous shortcuts based on elisions. The Gregg logo (to the left above) was designed to illustrate the elliptical basis of the system graphically.
The rise of dictating machines and shorthand machines, and later the personal computer, caused a marked decline in the number of stenographers and others using shorthand, but both Gregg and Pitman are still in use in certain fields such as court reporting. In the U.S., Gregg is the more popular of the two, while in the U.K., the preference is for Pitman.
The Pens
Pitman, because it uses differing stroke widths (thick and thin), requires a flexible extra-fine nib. Gregg, which does not use stroke width meaningfully, uses a very firm fine nib to prevent counters from closing and thereby obscuring meaning. The exemplaria shown here illustrate how Pitman (upper) and Gregg (lower) render the first sentence of the Universal Declaration of Human Rights: "All human beings are born free and equal in dignity and rights."
In 1896, Gregg founded the Gregg Publishing Company. In addition to publishing Gregg's books, the company published The Gregg Writer, a monthly magazine devoted to shorthand, typewriting, and commercial education. Like any commercial magazine, The Gregg Writer was supported to some extent by advertising, and page 1 of the December 1899 issue (shown to the left), half of which was a Laughlin pen ad, was typical of the magazine's advertising pages. In 1918, the company published, in shorthand, The Sign of the Four, by Sir Arthur Conan Doyle (first page of chapter 1 shown to the right), and A Christmas Carol, by Charles Dickens.
Beginning in October 1905, The Gregg Writer offered to the public the Gregg Fountain Pen, a cone-cap eyedropper-filling pen priced at $1.50. The company later licensed pen manufacturers to produce pens to Gregg's specifications and use the Gregg name. There was no requirement that stenographers use an "official" pen, but using one was a guarantee that the tools of the trade would be appropriate to the task. Shown here is a Wahl No 727RSC Gregg Pen in Rosewood hard rubber, made in the 1920s. The Gregg logo at the top left of this article is an enameled brass emblem recessed into the cap crown of this pen, and the advertising blotter at the top right features this exact model:
The Gregg-standard pen was relatively long and slender, possibly based on the shape of the average moderately priced eyedropper-filling pen popular in the early 20th century, and many Gregg-licensed pens were black, especially in the 1930s and 1940s. Many, but not all, Gregg pens bore the Gregg logo on their cap crowns like the Wahl pen above.
During the 1930s, both Sheaffer and Waterman produced Gregg Pens. Waterman's mid-1930s version was based on the company's No 3 model. Not only did it feature the Gregg logo in its cap crown, but it was also fitted with a special clip displaying the Gregg name in high relief. No other maker of Gregg pens used such a clip:
Parker appears not to have made a specific pen model for shorthand, but the 1934 Parker catalog offered a series of eight special-purpose Vacumatic nibs designated by the letters A–H. They were marked with a special imprint of two stars, one on either side of the breather hole, and fitting one of these nibs added 75¢ to the price of a pen. Nib H was designed for Gregg or Spencerian shorthand. The 1934 Vacumatic Standard pen illustrated here is representative only; I have never seen one of these specialty nibs.
Esterbrook produced several varieties of shorthand nibs in its Renew-Point system of interchangeable nibs (initially called Re-New-Point), including on the boxes a sample of Gregg shorthand (shown to the right, reading "Gregg Shorthand") to leave no doubt in the buyer's mind about what kind of shorthand the nibs were intended for. With tip size and stiffness modeled on those of Esterbrook's own No 555 Account steel pen, these nibs were numbered n555. Shown here are a No 1555 Duracrome untipped nib (upper) and a No 9555 Master Series tipped nib (lower). There was also a No 2555 Duracrome untipped nib.
Beginning around 1932 with the introduction of the Renew-Point system, and especially after the 1934 introduction of the Esterbrook "Dollar Pen," users could acquire an Esterbrook pen with a shorthand nib very cheaply. I have heard reports of Esterbrook pens with the "Gregg Endorsed" symbol on their barrels, but I have not personally seen any such pens. (Shown to the left in a detail from a 1948 Sheaffer advertisement, the symbol reads "sh+and" when the pen is held nib uppermost, and it is a shortcut for "shorthand," as on the nib box to the right above.) Shown here are three long slender Esterbrook pens, an early V-clip model A, a mid-1930s Dollar Pen model A, and a late-1940s model LJ. The LJ is fitted with a No 1555 nib, and either of the other pens could also be so fitted in a matter of seconds.
The National Court Reporters Association (NCRA) conducted annual shorthand contests from 1909 until 1927, when Martin J. Dupraw won for the third time in a row. Dupraw then retired his championship cup. Because of complaints about fairness, with specially trained contestants competing against professional stenographers, the NCRA stopped running contests until 1952, when it inaugurated a new series of machine shorthand contests. Esterbrook also ran its own shorthand contests from 1936 to at least 1959. These contests have produced some amazing results; speeds of more than 350 words per minute (WPM) have been recorded, and as of this writing the NCRA is looking forward to the 400 WPM mark. (The highest speed used in the earlier pen contests was 280 WPM.)
Sheaffer responded to the popularity of Esterbrook pens by setting up the Wasp Pen Company to make low-end pens, but it wasn't until 1938, when Wasp introduced its interchangeable-nib WASP Addipoint model, that the competition was on an even footing. The Addipoint nib catalog never grew to the huge size of Esterbrook's offering, but it did include the No 241 Gregg Shorthand nib. The Addipoint shown below is fitted with one of these nibs:
Sheaffer did not stop with the $1.00 Addipoint. Like Wahl and Waterman, it wanted to compete at a higher price point. Sheaffer's own-brand Gregg Pen was in essence a unique model in Sheaffer's product line. Produced in the latter 1930s, it was a "throwback" straight-line flat-topped model, with the straight silhouette of the cap providing a good frame for Gregg logo in the cap crown and with a humped flat-ball clip taken from Sheaffer's then-current WASP sub-brand pens (flat surfaced instead of rounded as on earlier Sheaffer Balance pens). Shown here with the Gregg Pen (upper) is a contemporaneous WASP Clipper (lower), illustrating the borrowing of the clip design ands the difference in body shapes:
In addition to applying the Gregg logo to cap crowns, Wahl and Sheaffer also produced nibs that were imprinted specifically for their Gregg Pens. Shown here is the nib from ax Wahl Gregg Pen. Sheaffer's Gregg nib was the same except that it featured a heart-shaped breather hole:
Sheaffer also marked some of its Balance pens with a Gregg-endorsed imprint on the barrel and fitted these pens with a standard SHEAFFER'S-imprinted nib of the appropriate grade and firmness. I have seen the mark on a black Milady, a short slender non-Lifetime model with a No 5 Feathertouch nib.
By the end of 1930s, Wahl and Waterman had dropped out, and Sheaffer had become the only vendor of Gregg Endorsed pens. (The last Waterman Gregg advertisement I have seen was from 1938.) After World War II, the landscape changed further. No longer confining itself to a special Gregg pen, or even to black, the company began offering any or all of its models — even the stubby Tuckaway — with SHEAFFER'S-imprinted firm fine nibs and a gold hot-stamped Gregg Endorsed imprint on the section or barrel. The first pen shown here is a 1948 Vacuum-Fil Crest in Persian Blue, proudly displaying the Gregg mark on its barrel. You will note that this pen no longer has the long, slender profile that typified Gregg pens before it. The slender profile returned with the second pen here, an NOS 1950–1952 Touchdown TM Statesman in Evergreen Green, marked on its section as a Gregg Pen, and the third pen is an NOS Snorkel Admiral in Pastel Green, from 1952–1956, also with the Gregg Endorsed symbol on its section:
Sheaffer's top end was not alone in offering Gregg pens after World War II. in 1947, having discontinued the WASP Addipoint around the beginning of the war, Sheaffer came back with a new range of low-end pens with interchangeable steel nibs, called the Fineline. There were Fineline pens with plastic caps, and with metal caps like the pen shown here. One of the various nibs for the Fineline was the No 341. Although it was not marked with the Gregg name, it was designed for Gregg shorthand.
Priced a little above the Fineline was Sheaffer's last classic lever-filler, the venerable bottom-line 1946–1948 Sheaffer Craftsman, proudly wearing the traditional 14K No 33 nib and the Gregg Endorsed symbol on its barrel.
When the Snorkel made its appearance in 1952, Sheaffer did not abandon the reliable Touchdown. Given that even the lowest-priced Snorkel, the Special, cost $7.95, there was a need for a lesser pen, and that lesser pen was the Touchdown. The new $3.75 Touchdown-filling Cadet, not long and slender like its predecessor but not quite a throwback cigar-shaped pen, either, acquired an interchangeable nib called TIPdip, with a special feed that allowed the pen to be filled without requiring that the entire nib be immersed. The Gregg TIPdip nib was marked with the legend G1.
In about 1950, Eversharp reappeared on the scene with a new Gregg Endorsed pen. This pen, shown below, was an Economy Gold Nib Model 713, from the Symphony family, with a Gregg nib instead of the usual flexible nib. With a barrel shaped like the barrel of a second-generation Symphony and a matching plastic cap, this new Eversharp Gregg Pen sported the old enameled Gregg Logo on its cap crown. The logo was noticeably smaller and more highly domed than previous versions, and instead of being recessed into the cap crown, it was glued onto to the rather rough flat surface left by cutting off the original rounded cap crown.
Unlike earlier Gregg pens that had the logo on their caps, this pen had the logo oriented so that it could be read when the cap was held with the clip toward the viewer. Additionally, the logo had been subtly altered at some point, with the white ellipse raked more sharply clockwise. Shown here are the logos from the Sheaffer pen above and the Eversharp pen:
Sheaffer (1930s)
Eversharp (c. 1950)
Collectible?
Gregg Pens are definitely a small niche in the wide world of pen collecting, but it is this very fact that makes them ideal for a tightly focused collection: there are so few (even considering those with interchangeable nibs, which might not properly be considered "authentic" Gregg Pens) that it should be possible build a thoroughly representative, if not complete, collection of the different types. The only official Gregg Pen that is truly difficult to find is the Waterman model shown in this article, and the most recherché item of all is probably a Parker Vacumatic with a specialty H nib.
Idealized Pitman exemplar provided by Pierre Savoie. Gregg exemplar provided by Andrew Owen. A freely distributable illustrated version of the UDHR is available as a PDF document from the United Nations' website.
The Sign of Four was first published in the February 1890 issue of Lippincott's Magazine . Some later editions appeared with the title changed slightly, as The Sign of the Four. The Gregg version, bearing this latter title, was published in 1918 and reprinted in 1921.
Parkergrams, Vol. XXII No 2, March 20, 1934.
Spencerian shorthand, or the Spencerian Quick Writing system, was invented by Lucius Clay Spencer and came into use roughly contemporaneously with Gregg shorthand. It was a true alphabetic system and was intended for general use, not only for stenography. Like Gregg, it used a very firm fine nib. Symbols resembled Gregg symbols; but Spencerian did not use vowels, instead relying on the vertical positions of consonant symbols to imply the vowels they preceded.
The distinction that these nibs were for Gregg shorthand was necessary. The flexible No 2128 Duracrome nib and No 9128 Master Series nib, although not marketed as intended for Pitman shorthand, could be — and were — used for that purpose.
These contests require each contestant to record the same selected samples of text at set speeds, with one sample being a question-and-answer session such as might occur in a courtroom. The winner is the contestant whose transcriptions contain the fewest errors.


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Jordan Reyne
Hailed by Radio New Zealand as the author of a new sound, Jordan Reyne's music is a genre bending soundscape of factory drones, acoustic loops, celtic vocals, machine noise, and lyrics that read like a modern version of Grimm's fairytales.
According to The Mix (UK) "It is hard to categorise music this original - PJ Harvey springs to mind, but the style is 100% Jordan's… Her vocals are astounding".
Along with 3 nominations for a New Zealand Music award, Jordan has lent her voice to tracks on Cafe Del Mar and a funeral scene on Lord of the Rings.
Jordan has featured as guest vocalist with The Strawpeople, Breaks Co-op, and the Eden House (she is now a permanent member), and has toured the UK, Poland, Germany and New Zealand. Her performances have included appearances at Glastonbury (UK), Wave Gothic Treffen (Germany), The New Zealand International Festival of the Arts (NZ), The Big Day Out (NZ / Aus), Frankfurt Musik Messe (Germany), Soundedit (Poland) and supports for bands as diverse as Fields of the Nephilim, White Zombie and the Eden House.
Jordan Reyne "may just be making the most important sound of this year. …simply stunning. A thoroughly unique work of art from start to finish… Whether by hook or crook, you MUST own this album. RATING - 5 / 5" BBC Channel 4 (UK)
3 New Zealand Music Award Nominations
4 New Zealand Arts Council commissions and scholarships
APRA Silver Scroll commendation.
"Album of the Year" G.U.N.Z Magazine (for The Ironman) No 1 position Student Radio charts in New Zealand (for Passenger and Birds of Prey)
No 1 on USA Student Radio networks across the country (for Children of a Factory Nation).
No 1 on Bandcamp (The Annihilation Sequence)
LIVE / FESTIVALS/ TOURS
Wave Gothic Treffen (Germany)
DV8 Festival (UK)
GLASTONBURY (UK)
Big Day Out x 2 (New Zealand / Australia)
New Zealand National Annual Gothic Ball (NZ)
Frankfurt Musik Messe (Germany)
New Zealand International Festival of the Arts (New Zealand)
Brighton Fringe Festival (UK)
Female Voices Festival (Germany)
Electrofringe Festival (New Zealand)
Mountain Rock Festival (New Zealand)
APRA Silver Scroll Awards (New Zealand)
Nationwide tours in: New Zealand, Germany, UK, Poland.
GUEST APPEARANCES AND SOUNDTRACK WORK
"Lord of the Rings" (Peter Jackson, NZ) Breaks Co-op (Zane Lowe, UK)
The Eden House (UK)
Shortland Street (NZ)
Cafe Del Mar (Spain)
The Strawpeople (NZ)
DigiTech Harman
Playing Poland - Jordan Reyne
By Jordan Reyne, Tue, 28 Oct 2014
Playing foreign territories is always exciting. Polish audiences are receptive, open, and willing to book music that does not fit in boxes. When you stand on stage in Poland, everyone stops what they're doing. When you stop what you're doing, and your set is over, they usually ask you to continue!
Aidan James Stevens
Ilia Rogatchevski
Alex Pyper


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Ferry Plantation House
You are here Home > Historical Buildings > Ferry Plantation House
This colonial and plantation era house is said to be home to 11 ghosts, including Henry, a former slave; Sally Rebecca Walke, who mourns the loss of her soldier lover; former resident and painter Thomas Williamson; a Lady in White who is said to have fallen down the stairs in 1826; and victims of an 1810 shipwreck at the ferry landing. Visitors here have reported apparitions, unexplained sounds, and other paranormal phenomena. Ghost tours are available.
4136 Cheswick Lane
36.86254935940199, -76.11800146627047
Virginia Beach, VA (7.8 mi.)
Chesapeake, VA (9.2 mi.)
Norfolk, VA (9.3 mi.)
Portsmouth, VA (10.1 mi.)
Portsmouth Heights, VA (14.2 mi.)
East Hampton, VA (16.9 mi.)
Hampton, VA (17.1 mi.)
Newport News, VA (18.9 mi.)
Poquoson, VA (21.9 mi.)
Moyock, NC (23.6 mi.)
Tiffany | July 10, 2015 at 1:00 pm
My husband and I had the pleasure of visiting the Ferry Plantation a couple of years ago and have since been planning a return. We had heard that it had paranormal activity but that and the addition of a rich history were what drew us. It was only us and an older couple in the home taking a tour. We waiting until the other couple left and asked about the hauntings. To our surprise the Belinda and another young lady were very interested in filling us in, even giving us another go around of the home and garden. While on the second floor, right at the landing we heard footsteps above us in the slave quarters. No one else seemed to notice as they continued on filling us in on the haunted history. I was amazed. Hopefully before we leave the area we will be able to go for Halloween.
Paulette | August 16, 2015 at 5:27 pm
while in the living room, there was a little girl that appeared to be 6 years old in a pink dress with a pinafore. She was sitting in the corner playing with a ball and blocks she wanted me to play with her. As I sat down she looked up and had the darkest circles under her eyes.this was in stark contrast to her light brown hair. she told me her favorite time is Christmas time when they decorate the room.she was sad because she felt so awful.
Brandon | January 4, 2016 at 9:51 pm
There was a young man by the name of Eric who plummeted to his death out of one of the windows according to the tour guides…As me and my wife were begging to leave the room I got an ice cold chill up my spine and looked over at the window he feel out of and saw a transparent apparition staring back at me from the window on the outside…it resembled a young child's face…it get goosebumps thinking about it to this day!
Adam Thoroughgood House
2.2 mi. — Virginia Beach, Virginia
The Cavalier Hotel
9.8 mi. — Norfolk, Virginia
Gaffos House
10.1 mi. — Portsmouth, Virginia
The Glencoe Inn
Haunted Virginia Beach
Alpheus J. Chewning
Ghosts, Witches & Weird Tales Of Virginia Beach
Lillie Gilbert
The Ghosts of Tidewater ... and Nearby Environs
L. B. Taylor Jr.
Ghosts of Virginia's Tidewater
L.B. Taylor Jr.
Ghosts, Legends, and Lore of Hampton Roads
Cecilia petretto
Virginia's Haunted Historic Triangle: Williamsburg, Yorktown, Jamestown, and Other Haunted Locations
Pamela K. Kinney


How do you take an idea and translate it to different scales? With sculptor Stephen Hart you will learn how to take the basics of an idea, realise it in three dimensions and explore the potential for it to evolve into something larger. In this intimate workshop Stephen will share his own methods of material investigation he has spent decades developing, sharing insight into his own practice and examples of works he has created.
Starting with sketches and doodles and modelling in wax, Stephen will guide you through elemental whittling with a tiny blade. Working on this small hand-held scale you can focus in on the details to produce accurate maquettes and experiment with compositions.
Working economically and not rushing to a massive scale has benefits in resolving details and proportions which is fundamental to achieving a final composition.
Stephen will also introduce you to the steps and techniques to scale up and translate your model into different materials. Effectively transferring trade skills and tools for measurement into a creative use, and helping you think beyond the basics when developing three dimensional work.
This workshop will provide you with practical skills and new ideas to work flexibly. It is experimental at heart and is designed to be influenced by your own ideas and interests. Please come prepared to try something new and see where the process takes you. It's a fabulous opportunity to learn from an experienced sculptor.
Skill Level: Beginners welcome, makers encouraged, anyone curious to extend their sculptural skills and learn about scaling and sculptural processes. Please be comfortable working with a small sharp craft knife.
Stephen Hart is a Brisbane-based sculptor, he works in a variety of materials including stone, timber, plaster and bronze. A recurring motif is the human figure and Stephen reflects that his art practice is largely a philosophical enquiry that reflects his interest in rituals, habits and the complexities of the human condition. Rapture, his four metre tall figurative sculpture in bronze is situated on the corner of Charlotte and Market Streets in the Brisbane CBD. With a Master of Fine Arts Queensland University of Technology, Bachelor Visual Arts Sydney College of the Arts, University of Sydney, Stephen has exhibited in numerous galleries in Australia. He was awarded a prestigious Winston Churchill Memorial Fellowship in 2014, and has been a finalist in prizes such as the Woollahra Sculpture Prize, Sydney and Finalist, Wynne Prize, Landscape & Sculpture, Art Gallery of New South Wales, Sydney.


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Watch Metallica Debut "The Frayed Ends of Sanity" Onstage in 2014
By Richard Bienstock published 30 October 18
The '...And Justice for All' track was played live for the first time 26 years after its release.
Metallica have shared a video of their first ever performance of "The Frayed Ends of Sanity" on May 28, 2014 at the Sonisphere Festival at Hietaniemi in Helsinki, Finland.
The video is the latest in a series of offerings from the band in the run-up to the 30th anniversary deluxe release of...And Justice for All, will be issued on November 2 on the band's own Blackened Recordings.
As previously reported, the expanded and deluxe editions of …And Justice for All will feature previously unreleased material, including demos, rough mixes, video, live albums, interviews, never before seen photos and more.
The album has been remastered for the most advanced sound quality, as overseen by Greg Fidelman, and will be available in multiple digital and physical configurations. Pre-orders of all configurations will receive an instant download of "Dyers Eve (Remastered)," while pre-orders of the expanded and deluxe editions will receive an additional instant download of "Eye of the Beholder (Live at Hammersmith Odeon, London, England - October 10th, 1988)."
The …And Justice for All reissue will be available physically as a Standard Double 180 gram LP, Standard CD, 3 CD Expanded Edition, Cassette, Limited Edition Deluxe Box Set and digitally as a Standard album (available to stream and download), an Expanded Edition (available for download only), and a Digital Deluxe Box Set (available for streaming and download).
The Expanded Edition will include previously unreleased demos, rough mixes, previously unreleased live tracks, and an expanded booklet of never-before-seen Ross Halfin photos.
The one-pressing-only Limited Edition Deluxe Box Set will include the remastered double 180g LP, a "One" picture disc, 3 LPs featuring their iconic performance from Seattle in 1989 remixed by Greg Fidelman, 11 CDs, 4 DVDs, a set of four patches, a Pushead print, a tour laminate, lyric sheets, a download card for all material in the set, and a deluxe 120-page book with never-before-seen photos and never-before told stories from the people who were there.
Pre-order the new …And Justice for All, in all its configurations, here.
Richard Bienstock
Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.


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Ford Motors Fires Back at the Media Blaming Trump Tariffs for Layoffs
JuliusKielaitis / Shutterstock(JuliusKielaitis / Shutterstock)
By Tyler Arnold
Published October 13, 2018 at 2:56am
Multiple media reports have blamed Ford's latest announcement of layoffs on President Donald Trump's tariffs.
A Ford spokesperson told Watchdog.org, however, that this is a mischaracterization.
The latest job reduction will be for salaried employees, not manufacturing employees, and is a restructuring unrelated to the tariffs.
"The reports you have read about our organization redesign work being related to external forces such as tariffs are incorrect," Ford Motor Company spokesperson Karen Hampton told Watchdog.org.
"This is a global effort and not specific to the U.S.," she added. "We began this effort recently as part of our CEO's work to make us a faster, more nimble, more innovative company."
Hampton said she wished that everyone in the media had reached out to Ford before publishing their articles.
Ford's changes, according to a company statement, do not impact any hourly or manufacturing jobs at all. Rather, there will be changes in global salaried positions, which will also result in a total reduction of salaried employees only.
The change is intended "to support the company's strategic objectives, create a more dynamic and empowering work environment, and become more fit as a business."
Ford has not yet released the specific number of employees that will be lost, but said it will reveal more specifics when the time is appropriate.
Although Trump's tariffs are not causing these layoffs, some analysts have suggested that Trump's tariffs will force Ford and other automakers to lay off autoworkers if trade deals are not reached.
Ford has lost about $1 billion as a result of the international trade war, according to reports, and Morgan Stanley predicted Ford would have to lay off about 12 percent of its global workforce, which is 24,000 people. Ford's stock was down 29 percent in afternoon trading.
Ford's and other automakers' predicament are predominantly being caused by rising steel and aluminum prices, which are a result of the trade war with other nations.
However, Trump's recent trade deal with Canada and Mexico resulted in positive comments from multiple automakers, including Ford, for knocking down some trade barriers.
Ford has officially taken the stance that it supports policies that reduce trade barriers.
Tariffs have a very unique effect on Michigan's economy because 40 percent of its GDP comes from exports and imports with other nations.
"It is clear from the global trade experience, scholarly evidence and economic theory that tariff increases would likely cost us more jobs than we might gain from them," the Mackinac Center's Senior Director of the Morey Fiscal Policy Initiative Michael LaFaive told Watchdog.org.
"To the Trump Administration's credit, they have made as a stated goal eliminating tariffs and subsidies and other barriers to worldwide free trade," LaFaive said. "That is great, but in the meantime the tariffs imposed already appear to be raising the cost of doing business for many American job providers, and with some unfortunate consequences."
Tyler Arnold reports on Virginia, Ohio and Michigan for Watchdog.org. He previously worked for the Cause of Action Institute and has been published in Business Insider, USA TODAY College, National Review Online and the Washington Free Beacon.
A version of this article previously appeared on Watchdog.org under the headline, "Ford refutes media claim that Trump tariffs caused layoffs."
Program That Gives Private School Vouchers to Bullied Students Off to Slow Start
Critics Slam Dem. Gov. for Focusing More on Orcas than Mental Health
Report: Satisfaction of Public School Teachers Hits All-Time Low
Trump Admin Moves Toward Shutting Down Food Stamp Loopholes
Survey: Parents Overwhelmingly Support School Choice, Distrust Federal Government
Tags: Business and Money, Canada, Donald Trump, Jobs, Mexico, National Review, Politics, Trade and Tariffs, Washington


Available in Vancouver, Canada, this bareboat sailing yacht Oceanis 393 (2 double cabins), built in 2002 by Beneteau, is capable of hosting up to 6 guests. Further more, and for a optimal sailing charter experience, Oceanis 393 comes with electronic on board, equipped galley and also CD.
This sailing yacht is available for yacht charter with a base price of 3 210 $ (approximatly 2 846 €).


Detroit sent a conditional 2020 pick to San Francisco.
The Lions acquired outside linebacker Eli Harold from the 49ers on Thursday in exchange for a conditional seventh-round pick in 2020, the team announced.
A third-round pick out of Virginia in 2015, Harold tallied two sacks and 34 tackles last season, starting 10 games for the 49ers. He will look to boost a Detroit pass rush that has yet to register a sack in its first two preseason contests.
"Our entire organization would like to thank Eli for his hard work and contributions to our team and the Bay Area community over the last three years," 49ers general manager John Lynch said in a statement. "He always represented the 49ers with class and has been a tremendous teammate. We wish Eli and his wife, Kelsey, nothing but the best in the years to come."
Harold joined Colin Kaepernick and Eric Reid as the first 49ers to kneel during the national anthem in 2016, continuing his demonstration last season. He has opted to stand during the anthem this preseason, telling the San Francisco Chronicle, "I'm trying to focus on ball."
Harold appeared in 48 games for San Francisco over three seasons.


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var InputParser = require("../../../../lib/hdl/parser/inputParser");

describe("bus_suffix", function () {
  var subject = new InputParser({
    allowedStartRules: ["bus_suffix"]
  });

  it("accepts valid", function () {
    expect(subject.parse("[0]")).toEqual([0, 0]);
    expect(subject.parse("[12]")).toEqual([12, 12]);
    expect(subject.parse("[1..2]")).toEqual([1, 2]);
    expect(subject.parse("[ 1..20 ]")).toEqual([1, 20]);
  });

  it("rejects invalid", function () {
    expect(function () { subject.parse("[]"); }).toThrow();
    expect(function () { subject.parse("[1 2]"); }).toThrow();
    expect(function () { subject.parse("[1..2..3]"); }).toThrow();
  });
});


Hello and welcome to another PJT, your regular Monday update on who's moving where within our industry.
Please keep us informed of changes where you're working - just email us on press@estateagenttoday.co.uk and we'll tell our readers.
Let's start this week in the westcountny where one of the region's best known agents, William Morrison, has joined Strutt & Parker. He's going to head up the south and south west estates and farm agency department, based in Exeter.
William has over 26 years experience in the industry, many of them at Knight Frank's Exeter office where he was a familiar and respected face in both the residential and farm sectors.
Still in the south west, there's a new face at the House Fox estate agency in Weston -super-Mare.
It's Mark Bell, who has become the regional partner for the Weston and Turnham-On-Sea area.
Meanwhile at the other end of Britain, DM Hall - one of Scotland's leading independent firms of chartered surveyors - has appointed two new partners and a director.
Steven Buist, who has been promoted to partner from director, joined DM Hall in 1999 and currently runs the firm's Kirkcaldy office. He specialises in the residential sector.
Amanda Cameron, a DM Hall director and head of property services since 2011, is based in the firm's Dunfermline office.
She joined DM Hall in 2002 having gained extensive experience in the sales and corporate sectors.
And Jonathan Hunter, who holds a master's degree in Real Estate Management from the University of the West of England, has experienced a rapid rise in the firm which he joined as a surveyor based in the Livingston office in 2014, becoming a senior surveyor in Musselburgh in 2016.
He was appointed associate in September 2018 but has now become a director.
Now to London where Hugo Headlam - a well known agent in the Belgravia and Wandsworth areas - has joined the Notting Hill-based YOUhome's team covering Prime Central London.
Hugo spent the past 18 years at John D. Wood where he was in charge of the Wandsworth and then Belgravia offices, bringing both to their best years.
He says: "The combination of working with property experts who I have deep respect for, a culture built on honesty and experience, and up-to-the-minute local market research that is at a level I've not seen before, drew me to this next step in my career".
Formerly an insurance broker of 20 years in the City, Hugo made a career move after seeing the opportunity in the industry and being what he describes as a self-made developer, sales and lettings agent.
There's news this week, too, from the personnel and recruitment specialist Rayner Group which has appointed Simon King as group operations director of its property, construction and finance division.
Simon was previously managing director of Move with Us before joining eProp, the group behind brands such as The Guild, Fine & Country and easyProperty.


text:
What's Bill Gates up to at Microsoft?
Microsoft may have a new CEO but it's company co-founder Bill Gates' more hands-on role that may prove to be critical.
Microsoft may have a new chief executive but it's the return of company co-founder Bill Gates – who's taking a more hands-on role at the company – that may prove to be critical.
Gates' involvement raises an interesting issue – can new CEO Satya Nadella really make his mark with Gates, and for that matter former CEO Steve Ballmer, looking over his shoulder?
Supratim Adhikari
More articles from Supratim Adhikari


text:
1910 Air Meets and Exhibition Flyers Prove Man Can Fly
This article is presented to go with the theme for the 2010 AAA National Fly-In, Iowa's Centenary of Flight. There's also more information on the actual first flight in Iowa and controversy about who was first.
In 1910 most Americans had heard vague stories about airplanes flying, but they didn't really believe it. They had never seen one. "Everyone knows man can't fly!" But by the time 1910 was over, millions of Americans had changed their mind. They had seen an airplane in flight at an Air Meet .. the grandfather of modern air shows.
It actually started in August of 1909 at the Reims Air Meet in France, the world's first aviation contest. The best aviators in the world (all of them low time pilots by any modern standards) gathered at Reims to vie for the title of World.s Greatest Aviator. One notable absence was the Wright brothers, who were in fact busy in court trying to keep the others from flying. The Wrights had unlocked the mystery of manned flight and felt that the others were stealing from them. It would take several years for those issues to be resolved in court, but in the meantime the Wright's success had unleashed a tidal wave of aviation activity that couldn't be stopped. Adventurous and ingenious pioneers on both sides of the Atlantic quickly took flight after the Wrights had showed them the way. Development of the aeroplane was so rapid that the Wright Brothers own company struggled to keep up. Ironically another American flyer, Glenn Curtiss, won the biggest event at Reims, the Gordon Bennett Cup Race.
Following the Reims Meet, Albert Bond Lambert, a leading St. Louis industrialist and aviation enthusiast, offered Glenn Curtiss a guarantee of $5,000 to fly his Gordon Bennett winner, the "Golden Flyer," at St. Louis in October 1909. Thousands of St. Louis citizens turned out to watch Glenn Curtiss. The public's interest in his flights inspired a group of aviators present at St. Louis, including Curtiss, to get together to discuss how they could capitalize on the growing interest in aviation. They decided to hold a world class air meet of their own, in the style of Reims, in the United States as soon as possible. It would be "international", featuring the best aviators from around the world. With winter on the horizon, Los Angeles was their choice of location.
Thus the first major U.S. international air meet took place from January 10-20, 1910 at Dominguez Field, just south of Los Angeles. It was a huge success! Spectator turnout numbered approximately 254,000 over 11 days of ticket sales, with gate receipts of roughly $137,500 (about $3,217,500 in 2010 dollars!). The Los Angeles Times called it "One of the greatest public events in the history of the West".
The aviators competed for the $75,000 in prize money (2010 = $1,755,000). French aviator Louis Paulhan ruled the skies over Los Angeles, winning $19,000 (2010 = $444,600). American Glenn Curtiss set a new air speed record of 55 miles per hour and took home several prizes, including approximately $6,500 in prize money (2010 = $152,100). The excitement and staggering sums of prize money motivated several of the more adventurous types in the crowd to take up aviation. Notable among those were dirigible pilots Lincoln Beachey and Thomas Baldwin, who quickly decided that "aeroplanes" were much more profitable than balloons. Other faces in the crowd were Eugene Ely, William Boeing, Glenn L. Martin, Donald Douglas, Lawrence Bell, and James "Dutch" Kindelberger, all of whom became key figures in the future of aviation.
The Los Angeles meet sparked the idea of hosting similar events in other cities throughout the United States. The Wright and Curtiss companies created exhibition teams which traveled the country non-stop, competing for fantastic prize money and fame, while introducing the American public to aeroplanes. At the opening of nearly every meet the majority of the crowd were skeptical that these machines could really leave the ground. Often times the skeptical crowd grew impatient, and occasionally unruly, if the flyers were not able to go up due to high winds or mechanical problems.
Orville Wright recalled in later years; "Flight was generally looked upon at an impossibility, and scarcely anyone believed in it until he had actually seen it with his own eyes."
Curtiss pilot Beckwith Havens said; "There wasn't anybody there who believed an airplane would really fly. In fact, they gave odds. But when you flew, oh my, they would carry you off the field."
Many times these Air Meets were the first time an aeroplane had flown in that particular state:
Jan. 29, 1910 First flight in Utah (Salt Lake City) Louis Paulhan
Feb. 1, 1910 First flight in Colorado (Denver) Louis Paulhan
Feb. 7, 1910 First flight in Louisiana (New Orleans) Louis Paulhan
Feb. 10, 1910 First flight in Arizona (Phoenix) Charles Hamilton (Curtiss team)
Feb. 18, 1910 First flight in Texas (Houston) Louis Paulhan
Feb 1910 First flight in Florida (Orlando) Lincoln Beachey (Curtiss team)
March 18, 1910 First flight in Oklahoma (Oklahoma City) Charles Willard (Wright team)
April 8, 1910 First flight in Tennesee (Memphis) Glenn Curtiss
May 18, 1910 First flight in Arkansas (Fort Smith) Bud Mars (Curtiss team)
June 13, 1910 First flight in Indiana (Indianapolis) Orville Wright
June 18, 1910 First flight in Kentucky (Louisville) Glenn Curtiss
June 22, 1910 First flight in Minnesota (Speedway Field) Glenn Curtiss
June 23, 1910 First flight in Nevada (Carson City) Ivy Baldwin
June 29, 1910 First "public" flight in Iowa (Sioux City) Bud Mars (Curtiss team)
July 19, 1910 First flight in North Dakota (Grand Forks) Archibald Hoxsey (Wright team)
July 23, 1910 First flight in Nebraska (Omaha) Glenn Curtiss
Sept 24, 1910 First flight in Vermont (St. Johnsbury) Charles Willard (Wright team)
Sept 27, 1910 First flight in New Hampshire (Rochester) Archibald Hoxsey (Wright team)
Oct 13, 1910 First flight in Idaho (Lewiston) James J. Ward (Curtiss team)
Dec 31, 1910 First flight in Hawaii Bud Mars (Curtiss team)
The demand for seeing aeroplanes in flight was high, and fantastic sums were paid for even marginal demonstrations. Wilbur Wright reported to his company's board of directors that between March and August 1910 the Wright exhibition team earned $186,000 (equivalent to $4.35 million in 2010 dollars).
Often the Wright and Curtiss teams, plus other aerial exhibition teams were flying at the same air meet. The crowds loved the competition between the teams, which included a very real element of mortal danger. These were courageous individuals who experimented with the limits of aeroplane design at a time when designers were still struggling to understand load limits and other aeronautical engineering problems. Inevitably, accidents occurred as the flyers vied to see who could fly the fastest, farthest, and highest.
In France, Louis Bleriot was making a fortune manufacturing and selling copies of his 1909 English Channel crossing monoplane, the Bleriot XI. Hundreds were sold in Europe and the United States and showed up at the 1910 Air Meets. The French army adopted the Bleriot for pilot training. On the exhibition circuit, the "need for speed" lead many daring pilots to put more powerful engines in their Bleriots, leading to numerous fatalities from in-flight wing failure.
Bleriots weren't the only airplanes coming apart under the stress of exhibition flying. Six of the nine members of the Wright exhibition team died in crashes in 1910 and 1911, as did many others.
Aeroplane fatalities by year
1908 - 1 1909 - 4 1910 - 28 1911 - 61
In spite of the alarming and often gruesome fatalities (with the pilots sitting right out in the open, their last horrid seconds were witnessed by thousands) the air meets kept on going strong through 1910 and 1911. In November 1911 the Wright Brothers disbanded their exhibition team, after the fatal crashes of their two most popular pilots, Ralph Johnston and Arch Hoxsey.
Curtiss trained pilot Lincoln Beachey continued on to become most accomplished and popular of all of the exhibition aviators - but he too paid the ultimate price in March 1915 when his aircraft's wings unexpectedly snapped off and he crashed into San Francisco Bay.
But in 1910 an Air Meet was the most exciting show in town! From coast to coast Americans flocked to these aerial carnivals to get their first glimpse of a "flying machine". Thus the general public, who had doubted the validity of human flight, was largely converted to believers and began to contemplate the wondrous possibilities of flight.


From Pam Brandon, Disney Parks Food Writer in regards to Harambe Nights coming to Disney's Animal Kingdom.
Harambe Nights kicks off in just about a week on June 7, and we got a taste of the amazing celebration that stretches Disney entertainment and dining to new heights.
Early in the evening, the new Harambe Theatre and "The Lion King – Concert in the Wild" is the center of attention, with emotional music performed by a live choir and 25-piece orchestra, the back-up for such talented performers – we were mesmerized as we watched scenes from the blockbuster film come to life in a whole new way.
The Walt Disney World Resort chefs are hard at work too – after the performance, Harambe Village lights up with a lively street party where the food takes center stage. The menu took weeks of planning by Chefs Robert Gilbert and Leonard Thompson, working in symphony with Chef David Njoroge at Sanaa restaurant at Disney's Animal Kingdom Lodge, a native of Kenya who embraces true African-style cooking.
Before the show gets started, you get a little taste of the African and Indian cuisine with small bites such as Moroccan beef kefta with tamarind glaze and a mini-cheeseburger with tomato curry aioli. And just for fun, as you watch the show, there's a cute little container of "Lion Chow," a mix of pretzel chips benne (sesame) crumbles, cardamom candied pecans, raisins, cherries and ginger.
The evening is a culinary journey with aromatic spices – you'll smell the lamb cooking, and get a taste of warm naan bread hot off the griddle. The aromatic spice of Africa create a mélange of amazing tastes – so be adventurous if you haven't tried something like eggplant tikka masala or crispy pappadum crackers. But you'll find plenty of familiar flavors too, as the cuisine of America's South borrows plenty of tastes from Africa, such as barbecued pork (served with a delicious polenta) or simple roast chicken.
With all those diverse bites, naan, an Indian flatbread, is the perfect accompaniment. We can almost guarantee you'll wish for another taste once you are home, so we're sharing the recipe without the traditional tandoor oven – just use a pizza stone in the oven or your grill. Harambe Nights takes place every Saturday from June 7 through August 9. The welcome reception begins at 7 p.m., showtime is 7:30 p.m. Tickets are $119 for adults, $79 for ages 3-9, plus tax. Capacity is limited. For tickets, call 407-939-1319 or visit Disneyworld.com/HarambeNights.
Combine flour, sugar, salt, and baking soda in the bowl of an electric mixer fitted with the paddle attachment; stir to combine.
Combine milk, water, and oil in a medium bowl; whisk to combine.
With the mixer running, pour wet ingredients into dry ingredients. As soon as the mixture comes together, switch attachment to a dough hook, and mix until dough is smooth and no longer sticky. Do not over-mix.
Cover bowl with plastic wrap, and set aside at room temperature for 1 hour.
Place a pizza stone on a top rack of the oven, positioned approximately 6 inches below the broiler. Preheat oven to 500° for at least 30 minutes.
Divide dough evenly into 5 pieces. On a lightly floured surface, roll each piece into an 8-inch circle.
Turn oven to broil. Carefully slide one circle of dough onto the preheated pizza stone, and broil until bread is bubbled and golden brown, about 2 to 3 minutes. Watch carefully, as the bread can burn very quickly. Repeat with remaining dough rounds. Brush the warm bread with melted butter, and serve immediately.


text:
Webster & Bennet Vertical Borer/Facing Machine
Sweeney Kincaid
Sheffield firm installs large-bed 3-D printing machine
AME-3D, a Sheffield-based additive manufacturing provider, has expanded its fleet of machines by adding two new stereolithography (SLA) machines from the German manufacturer UnionTech GmbH; these complement a new selective laser sintering (SLS) machine installed earlier last year.
The RS Pro 800 is said to be the only large-frame SLA machine in Yorkshire capable of building components up to 800 x 800 x 550mm in layer thicknesses from 0.07 to 0.25mm. This machine can be applied for a variety of industries and applications, such as large automotive rapid prototypes, film and TV props, and wind tunnel testing models.
Meanwhile, the Pilot 450 — one of six machines currently operational in the UK — can create parts within a 450 x 450 x 400mm work envelope and with layer thickness of 0.05-0.25mm. It can build medical grade components, high-definition scale models, 'form, fit and function' prototypes, and accurate casting masters.
Rich Proctor, AME-3D's managing director, said: "The RS Pro 800 is a game-changer for UK producers and manufacturers. We have increased our maximum build volume over eight times, from 43 litres to 352 litres. We can now build much stronger parts because we can produce them as a single piece rather than in smaller sections and joining them together. The Pilot 450 is another string to our bow, increasing our high-resolution build volume more than five times.
"Both these machines are built on a solid granite recoater frame, giving them the thermal stability required to meet the demands of high-precision builds. Indeed, there is now more granite in our factory than in a high-spec kitchen."
John Beckett, managing director of Euro-pac3D, the Cheshire-based company that provided the UnionTech machines, added: "The development of UnionTech's large-bed machines over the last few years has brought our company to the forefront of SLA technology and quality. I am honoured that AME-3D is now home to the first large-bed SLA machine of this kind, as there are many UK manufacturers that will benefit greatly from the new possibilities these machines offer, including stronger parts and less wastage."
Desktop Metal and the KITECH form AM partnership
3-D metal printing with process monitoring
Skyrora builds the largest hybrid 3-D printer of its kind in Europe
New CAM software simplifies hybrid manufacturing
Carbon makes Design Engine software readily available
USAF and GE reach next milestone in Pacer Edge programme
BigRep introduces new generation of large-format 3-D printers
Hexagon and Sciaky partner to unlock the full potential of EBAM
BCN3D opens new logistics centre in North America
GE Additive and US university team up to accelerate metal AM adoption


text:
Microsoft made some big mixed reality and HoloLens announcements at WinHEC in China
Brad Stephenson Email @shuttlecock Dec 7th, 2016 in Latest news
During Windows Hardware Engineering Community (WinHEC) earlier today in China, Microsoft made a variety of big announcements regarding mixed reality, its presence in Windows 10 going forward, and their own HoloLens device.
The company has submitted HoloLens to the Chinese government for approval and hopes to have the augmented reality device available to developers and the public sometime during the first half of 2017. They also revealed that they've publically shared with partners the specifications they developed with Intel for the Windows 10 PCs that will power the new mixed reality headsets. One of these partners is the Chinese company, 3Glasses, which is one of China's leading mixed reality hardware developers. They will begin incorporating the Windows 10 experience in their products in 2017. For North American developers, Microsoft announced that HMD developer kits would be made available at the Game Developers Conference in San Francisco next year.
On the consumer side of things, Microsoft revealed that they now have over 20,000 apps in the Windows Store that are compatible with Windows 10 mixed reality devices. They also emphasised the role their Edge browser is playing in mixed reality with its 3D object drag and drop capability (which users can use to drag objects out of a browser window into their augmented reality) and the new immersive WebVR content that's now available. Microsoft also announced plans for 360 degree video content in their Windows 10 Movies & TV (also, Films & TV) service.
Does any of this news excite you or are you more hyped for Project Evo and the new Qualcomm Snapdragon Windows 10 devices that were also announced at WinHEC today? Let us know in the comments.
Further reading: Apps, China, HoloLens, Microsoft, Microsoft Edge, Movies & TV, Windows 10, WinHEC


Short-eared Owls typically fly low to the ground in buoyant flight. They commonly hold their wings above their back in a dihedral or V-shape.
Fairly quiet, except during the breeding season. Most common call is a short eee-yup. Courtship calls include a subtle hoo-hoo-hoo-hoo and toot-toot-toot-toot. Other sounds include yaps, yelps, wails, squeals, shrieks and hissing.
Short-eared Owls are crepuscular, most active at dawn and dusk, and can be seen hunting low over fields during the daytime. They prefer large, open fields and marshes for hunting and nesting. Their preferred prey items are small mammals, especially voles and mice. They will occassionally prey upon bats, snakes, small birds and insects.


text:
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