text:
Q: Android enter key listener Can someone help me with a softkeyboard enter key listener?
I need a enter key listener like a button listener that would have a few editext listeners inside
like this
enterkey.setOnClickListener(new View.OnClickListener() {

    @Override
    public void onClick(View v) {
        if(editext1.getText().toString().equalsIgnoreCase("test1")) {
            button3.performClick();
        }
        if(editext1.getText().toString().equalsIgnoreCase("test2")) {
            button4.performClick();
        }
    }
);

I also need to know if something like this is correct?
if(editext1.getText().toString().equals.null)) {
       testwrong.setText("Wrong");

I have now tried using this code but keep getting a null value when I hit enter?
Can anyone suggest a solution to avoid this?
editext.setOnKeyListener(new View.OnKeyListener() {
    public boolean onKey(View v, int keyCode, KeyEvent event) {
        // TODO Auto-generated method stub
        if (keyCode == KeyEvent.KEYCODE_ENTER) {
            if ("test1".equalsIgnoreCase(anstext.getText().toString())) {
                but4.performClick();
            }
        } else if ("test2".equalsIgnoreCase(editext.getText().toString())) {
            but5.performClick();
        }
        if ("test5".equalsIgnoreCase(editext.getText().toString())) {
            but6.performClick();
        }
        if ("test7".equalsIgnoreCase(editext.getText().toString())) {
            but7.performClick();
        }
        if (editext.getText().toString() != null) {
            testwrong.seText("wrong");
        }
        return true;
    }
});

A: In your EditText you should specify keyboard action using imeOptions.
<EditText
       android:id="@+id/query"
       android:layout_width="fill_parent"
       android:layout_height="wrap_content"
       android:imeOptions="actionGo"
       android:inputType="text" />

And in your Activity's class:
 EditText editText = (EditText) findViewById(R.id.query);
 editText.setOnEditorActionListener(new OnEditorActionListener() {
            public boolean onEditorAction(TextView v, int actionId,
                    KeyEvent event) {
                    if (actionId == EditorInfo.IME_ACTION_GO) {

                        return true;
                    }
                    return false;
                }
            });

A: If you want to catch user press Enter register onKeyListener on your Edittext
  yourEditText.setOnKeyListener(new View.OnKeyListener() {
            public boolean onKey(View v, int keyCode, KeyEvent event) {
                // TODO Auto-generated method stub
                if (keyCode==KeyEvent.KEYCODE_ENTER) { //Whenever you got user click enter. Get text in edittext and check it equal test1. If it's true do your code in listenerevent of button3
                    if("test1".equals(edt.getText().toString())) {
                        //paste your code in button3 listener here
                        }
                }

}
    )

This part is wrong.

if(editext1.getText().toString().equals.null)) {
              testwrong.setText("Wrong");

you should change to
if (editext1.getText().toString() != null && !editext1.getText().toString().isEmpty()) {
  // doSomething
}

A: you can use this to listen to keyboard events
http://developer.android.com/reference/android/inputmethodservice/KeyboardView.OnKeyboardActionListener.html

redpajama_set_name: RedPajamaStackExchange


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On August 7, 2018 August 7, 2018 By Shelby BoydeIn What Is Going On?
I recently took a bit of time away from this blog for a big move that took a lot of time out of my schedule. I'm going to skip sharing the boring details about my move and instead I'll jump back in to talk about my latest project. The graphic novel I want to write!
I'll start off with the sad news. I am choosing to back away from the idea of a graphic novel series. There are a few reasons behind my decision to step away from this form of writing.
First, I want to have several stories featured in this series. It's not only going to be about one character and his life. It's going to be about one character and the projects he takes on for other couples. Those couples will be my main focus in each book. Turning these stories into graphic novels will take up a lot of time. I don't think a single person should take something this big on alone. This fact leads me into my second reason for stepping away from my original plan.
The second reason is not having a team to help me out. A lot of graphic novel creators do not complete their series entirely by themselves. Of course, I could reach out to search for more help, but I don't want to risk reaching out and having someone completely change my plans for the series. I'm easily manipulated and they could rip the story right out from under me without me noticing. I'm not ready to give other people that kind of trust with my own work. Some might see this as rude or selfish, but I'll do what I have to do to protect my work. I'm sure you would do the same.
Finally, I believe my story will be easier to understand if it's written in the style of a chapter novel. I applaud all creators able to take a complex story and turn it into a beautiful graphic novel series. I am amazed by all the series I have read and lost myself inside. I do believe I could write my series well enough through graphic novels, but I feel like it would take a lot of time to get all of the important points across. If one detail takes a whole book to address then the readers won't find the story interesting. I don't want to hold back bringing this series to life much longer.
It's going to take some time to get all the matters sorted on the direction I'm taking my story, but I promise you it will get there. With a bit of help from some research and other series I have read I know this task will be possible. I hope you hang around so you can keep up with what's going on in my work.
Have you ever had to walk away from a big plan? Why did that happen and how did you handle it?


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240 N. Broadway. You could easily walk by this blighted building without ever noticing it. Known to many as Multi-Craft Plastics, the building has been vacant for years. But before that, it housed a plastics factory, a pharmaceutical drug maker, a confectionery and ice cream parlor. Rumor says during the 1920s it was a speakeasy. But for a golden moment in the 1940s, it was The Dude Ranch, one of Portland's premier "Black and Tan" jazz clubs. Now, a local developer and musician, Daniel Deutsch is lovingly restoring the building to create a community art space that will reflect its storied past…Read the complete article.
Cathy Galbraith, Bosco-Milligan Foundation, presented a slide show that gave insight to numerous properties within the boundary that have social/cultural significance but are not on an official historic registry. Most historic designations look to the architectural significance of buildings, and leave out the socio-cultural significance. The slide show gave an idea of houses and buildings associated with African American individuals, families, businesses, institutions that are not seen as architectural gems but that do have historical/community meaning. She explained that a large number of properties have been torn down in the past for public works projects. There are many examples of transfers of properties in the area from African American ownership to other ownership. She suggested that the group create incentives to save historically, culturally, socially significant buildings. Bosco-Milligan published Cornerstones of Community: The Buildings of Portland's African American History in February 1998 which identified 1,284 buildings associated with African-American history and that are socially and/or culturally significant.
Larry Miller, the president of the Portland Trail Blazers, has seen the Rose Quarter looking so desolate during his team's off season that he felt like a tumbleweed might blow by at any minute.
Speaking before a crowd gathered at the headquarters for the Oregon Association of Minority Entrepreneurs, Miller unveiled his vision for a more active Rose Quarter: a year-round entertainment district called "Jumptown," in tribute of a once lively African American district of Portland know for its many jazz clubs.
And it seems that the idea might get wings very soon.
Mayor Sam Adams put his sights on redeveloping the Rose Quarter since the day he took office, in hopes that it will be something more than a dead zone when the Trail Blazers aren't playing.
But the company that the Trail Blazers have enlisted to do the development has a controversial past, with strong allegations of racism leveled against it, and the project is surrounded by questions as to whether or not it will actually benefit the community it's intended to honor.
Since earlier this year, the Trail Blazers have been working to bring the Cordish Companies to Portland to build Jumptown. The massive Baltimore-based real estate development firm has created flashy and award-winning entertainment districts across the country.
One of the better known projects is Kansas City's "Power & Light District," an entertainment-oriented development that took roots from a blighted section of the Midwestern city.
But the Cordish development has steadily gotten the nickname the "Power & White District" in some quarters because of a dress code that critics say has been used to keep African Americans out of its venues.
The dress code, which has been altered after much controversy, appears to target the garb preferred by many young urban African American males, and includes items like jerseys, work boots, white t-shirts, chains, and shorts that go below the knee.
The controversy heated up earlier this month, when an African American family received the right to sue by the Missouri Commission on Human Rights, for alleged discrimination. The suit claims they were refused entry into a venue in the district for failing to meet the dress code, even though they claim they were appropriately attired.
Phillip Yelder, the administrative director of Kansas City's Human Relations Division, said that his division has received complaints about the dress code being used to discriminate against minorities in the district. After conducting investigations, some complaints have been found to have merit, he said.
The division released a report stating that dress codes were inconsistently enforced in the district, and have been used to discriminate. The Kansas City Council has also begun regulating dress codes city wide, in response to complaints of Cordish using them to discriminate against African Americans.
"In the context of millions of visitors, there have been a handful of complaints, we take each one seriously and we can confirm that any accusations are without merit," responsed Zed Smith, the director of asset Management for Cordish, in an e-mail.
In September, Adams convened the Rose Quarter Development Stakeholder Advisory Committee, composed of citizens who will examine submitted proposals for the Rose Quarter and settle on one next year.
The Trail Blazer's pitch appears to be one of the most polished of the Rose Quarter redevelopment proposals. It'll use sustainable design, and will be bike friendly. Other submitted ideas range from the installation of a roller coaster, a casino, and bamboo bicycle manufacturing facility.
The original Jumptown was an African American part of Portland, now occupied by the Rose Quarter, that was know for its many jazz clubs, like the Dude Ranch, and lively night life in the mid 20th century. For touring bands, playing Jumptown was a must, and people could be seen visiting clubs all hours of the night.
But the original Jumptown saw its demise from the construction of Memorial Coliseum, the expansion of the freeway, and other urban renewal initiatives during the late 1950s and 60s that dispersed the region's African-American population and displaced their businesses.
Interestingly, the Trail Blazers are hoping to use urban renewal to bring back Jumptown, or at least their version that will include an array of entertainment options, like an interactive exhibit on Nike's history.
The project will almost inevitably require some sort of public financing. Kansas City had to dip into its general fund to meet bond debt obligations. Cordish also sued the county surrounding Kansas City to lower its property taxes.
Karen Gibson, an associate professor of urban studies and planning at Portland State University said that such developments often have dubious economic development prospects.
Some Portlanders are also worried that a project meant to highlight a portion of Portland's African American past will end up leaving them behind.
"It would be a great tragedy if the people they are trying to highlight will be prostituted in the process," said James Posey, an African American contractor with Work Horse Construction.
Posey said that he is nervous about the involvement of Cordish, of which he has heard troubling things about.
However, he hopes that it will provide work for minorities and minority-owned subcontractors, and will serve as a model for future developments.
Faye Burch, the vice president of the Oregon chapter of the National Association of Minority Contractors, told the Portland Observer that she has been in contact with Miller about how to involve local businesses, and is optimistic about Jumptown.
But Rona Holloman-Hughes, a Kansas City attorney and organizer with Friends of Great Kansas City Area African American Skilled Trade Workers, said that she heard a familiar tune when Cordish began courting Kansas City to build the Power and Light District.
She said that Cordish claimed that they would provide employment for the area's minorities. But when it came down to it Cordish didn't deliver, said Holloman-Hughes.
Smith said that the district hires many African Americans in managerial positions, including its CEO. It started an incubator fund for minority-owned businesses, and insists Cordish meets or exceeds minority contracting goals.
Miller understands that such concerns exist, and insists that the Trail Blazers will be in charge of the project and responsive to community concerns.
"We would never bring anything to Portland that didn't work for Portland," said Miller, speaking to a crowd at the OAME center, who added that the Power & Light District created 5,000 permanent jobs.
State Rep. Lew Frederick, a Democrat who represents parts of north and northeast Portland, asked Miller what he would do to ensure that local, minority-owned businesses would be involved.
"Even though Cordish is the partner on this, we are the ones that are driving this; we are the ones that are leading this effort," replied Miller, who strongly stated that minorities and minority-owned businesses will be involved with Jumptown. He also pointed out that the Trail Balzers exceeded the city's goals on using minority-owned businesses.
When asked by the Portland Observer about allegations of race discrimination leveled against Cordish, he said that he felt comfortable with Cordish after having met its executives and seeing the Power and Light District.
Soon after the Dude Ranch closed, Mutual Wholesale Drug Co. bought the two existing buildings. In 1949 they built a 3rd structure in the 'L' made by the other 2, and opened connections between them. This unified the building, creating the footprint we know today. After their tenure of about 25 years, Mutual Drug left and MultiCraft Plastics moved in.
MultiCraft's occupancy brings the building's story into the memory of most Portlanders. Following a few years of vacancy when MultiCraft moved, a young developer was drawn to the building. While years of deferred maintenance and a neighborhood sliced up by freeway ramps presented obvious challenges, the building's rich history as a center of industry and culture, and its location at this energetic hub were calling. With the promise of healing a once vibrant place he drew in a handful of visionaries, and together they conceived of the Leftbank Project. Today, the gathering Leftbank community writes the next chapter.
A cruel joke of history: Today's cultural treasures were often yesterday's taboos, vaporized before we awakened to their value. For three decades, McElroy's Spanish Ballroom was the pounding heart of Portland's music scene–our Cotton Club, our Savoy, a mecca graced by Duke Ellington, John Coltrane, Dizzy Gillespie, Lionel Hampton, Louis Armstrong and Cab Calloway, a dance floor that united black and white in ways Portland had rarely seen.
Today, virtually everyone has forgotten the jazz palace that stood where the postmodern Portland Building now squats, downtown on Southwest 5th Avenue, between Madison and Main streets, from 1926 to '59. But not Bob Dietsche. This week, the founder of Django's Records and self-appointed Portland jazz historian delivers a lecture on McElroy's rich history in an era few with which few Portlanders are familiar–and which some would prefer to forget.
World-renowned architect Kenneth Yeang is designing a more than 200,000-square-foot mixed-use building complex in central Portland's Lloyd District.
Half a century ago, inner Northeast Portland was the undisputed hub of Oregon jazz. A vibrant music scene thrived in this urban African-American community, later sadly bulldozed to make way for urban renewal. Clubs like the Dude Ranch, Lil' Sandy's Chicken Coop, McClendon's Rhythm Room, Frat Hall, The Chicken Coop and the Uptown Ballroom hosted the Jazz greats of the era. Bird, Duke, Oscar Peterson, Count Basie, and Wardell Gray performed at venues along Union, Williams, Vancouver and Mississippi avenues and jam sessions rocked into the morning hours. In his book 'Jumptown: The Golden Years of Portland's Jazz, 1942-1957' Robert Diestche documents this rich musical history and reminds us how deeply our Jazz roots go here in Stumptown. Now, decades after live Jazz moved across the river to the downtown area, there are new signs of life back on the east side. In Southeast Portland the Blue Monk now has hard hitting Jazz five nights a week and Jam sessions are sprouting up again in the fertile soil of Northeast Portland. Every Tuesday night at Mississippi Pizza, Portland Jazz Jams hosts a session from 8pm 'til 10:30pm. This room features authentic NYC style pizza and an easy going atmosphere.
The Dude Ranch at 240 N. Weidler St., is the only one left after the freeway, Coliseum and an Emanuel Hospital urban renewal project obliterated Albina's business district starting in the late 1950s. The building is being remodeled for multiple uses, including a craft brewery.Portland was racially segregated during the Williams Avenue glory years. Black patrons were not welcome at downtown venues, with the exception of McElroy's Ballroom – on the block now occupied by the Portland Building – where Cole McElroy promoted mixed dances complete with chaperones.
ALL ABOUT JAZZ…from the early days of World War II until urban renewal helped destroy most of its once vibrant 24 hour jazz scene by 1957. The construction of Bonneville Dam in 1937 and the luring of a number of shipyards to the now-navigable Columbia River helped fuel the growth of numerous nightclubs around Williams Ave in the Black section of Portland.
Unfortunately, Bob Dietsche was not honest in how he aquired some of the photos for his book. When my father, Warren Bracken was alive, he copied the photos from my dad's personal collection telling him it was for a book he was doing which sounded like a good project. He also physically took original photo's from the personal collections of some … See Moreof the other senior black musicians who had kept photos in shoe boxes. He never returned them. I called Bob to demand their return to their rightful owners as it disturbed them that they were being posted in paper articles as being from the "personal collection of Bob Dietsche" as he did with my fathers photos. When he showed his slide show, after my father died, he never once anounced the fact that Wardel Gray was sitting in with my dad or who the other local musicians were in the photos, he just spoke about the "famous musicians who came to Portland". In the Jumptown book, Bob has listed the photos of my dad as being donated by the McClendon Family. Although one photo shows my dad performing at McClendon's, those photos were not from the family. I now have his collecton. The history truely is wonderful to see. But Bob's underhanded way and taking false accolades for himself for the lives and struggles that the black musicians made here in Portland needs to be known. I have written to ask that it be corrected in the book and no response has been received. I can't stand to see one who collects the stories of the black musician, act like he shared in their lives. He's only benefiting from it.
Sad to hear. Wonder if he was just disorganised in giving the credit to all the people for all the pieces of information he gathered. I've no idea what one goes through to research and put a book together like that. But yes he should have at least responded to you afterwards. Sorry for this distress to you.


A western New York woman this month filed a lawsuit against Canada Dry, claiming its ginger ale doesn't contain any ginger as advertised.
ALBANY -- A western New York woman this month filed a lawsuit against Canada Dry, claiming its ginger ale doesn't contain any ginger as advertised.
The woman, Julie Fletcher, contends in the federal lawsuit filed July 10 in Buffalo that Canada Dry and its parent company, Dr. Pepper Snapple Group Inc. mislead customers that its soft drink includes real ginger.
"In truth, DPSG's soft drink is not made from real ginger," the lawsuit filed by the Bolivar, Allegany County, woman alleges.
"Instead, Canada Dry Ginger Ale is made from carbonated water, high fructose corn syrup, citric acid, preservatives, and "natural flavors," i.e., a flavor compound comprised predominately of flavor extracts not derived from ginger, and a minuscule amount of a ginger flavor extract."
The lawsuit is the latest among several brought against the Plano, Tx., company in other states, including in California and Massachusetts.
A third lawsuit in Missouri was dismissed after the person who brought the suit dropped it, according to the Buffalo News, which reported on the New York case Sunday.
In the Missouri case, the company contended that even if a laboratory could not find ginger in its drink, that shouldn't mean it is not an ingredient.
"Plaintiffs' entire theory of falsity rests on a single-sentence conclusion that some never-identified 'independent laboratory' tested some unspecified beverage, in a never-disclosed way at a never-alleged time," the company said in its court papers, the Buffalo News reported.
There was no immediate comment from the company to the latest lawsuit.
Fletcher contended in the lawsuit that she believed Canada Dry was made using ginger root and "was, as a result, a healthier alternative to regular sodas."
The lawsuit said Fletcher bought Canada Dry when her children were sick, thinking it would soothe their stomach aches.
"At the time of each purchase of Canada Dry," the lawsuit said, "Ms. Fletcher did not know that the products that she purchased were not made from real ginger, but were instead made from a miniscule amount of a ginger flavor extract, which does not contain any of the health benefits of real ginger."
The lawsuit isn't the only one out there contending that products aren't as advertised.
For example, a federal class action lawsuit last year charged that Junior Mints candy puts too much air and not enough candy in their candy boxes.


We pray with the holy Christian Church a collect of this past Sunday: "Almighty and everlasting God, comfort of the sad and strength of those who suffer: Let the prayers of your children who are in any trouble rise to you. To everyone in distress grant mercy, grant relief, grant refreshment; through IX, our Lord. Amen.
This entry was posted in Lutheran Theological Seminary in Tshwane, Matins in the morning, sermonette or devotion, Uncategorized and tagged calamity, Comfort, Eph6:18-20, Faith, Hope, joy, mercy, Refreshment, Resurrection, Suffer. Bookmark the permalink.


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Solution: An unknown compound contains only carbon, hydrogen, and oxygen. Combustion analysis of the compound gives mass percents of 31.57% C and 5.30% H. The molar mass is determined by measuring the freezing-point depression of an aqueous solution. A freezing point of 25.20˚C is recorded for a solution made by dissolving 10.56 g of the compound in 25.0 g water. Determine the empirical formula, molar mass, and molecular formula of the compound. Assume that the compound is a nonelectrolyte.
An unknown compound contains only carbon, hydrogen, and oxygen. Combustion analysis of the compound gives mass percents of 31.57% C and 5.30% H. The molar mass is determined by measuring the freezing-point depression of an aqueous solution. A freezing point of 25.20˚C is recorded for a solution made by dissolving 10.56 g of the compound in 25.0 g water. Determine the empirical formula, molar mass, and molecular formula of the compound. Assume that the compound is a nonelectrolyte.


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Earlier this month, Feyona & Steven were married at the Ottawa Marriott in downtown Ottawa. The day was full of happy family, great friends, and incredible memories. Feyona & Steven tied the knot in the Cartier Room, literally surrounded by their best friends and the reception was held in the Victoria Ballroom, with a quick trip in between to the Supreme Court of Canada for some photos. It was a fun day and I was so happy to play a part in it! Here are some photos from their day.


FYI, Alaska Railroad is hiring conductors/locomotive engineer trainees this winter for SEASONAL work. The "busy season" is generally May through October and you won't work any more than that until you have a significant amount of seniority. Right now that takes 15+ years.
I'll be honest, the economy there is pretty bad right now. The State's economy has a direct correlation to the price of crude oil, which is very low right now. Furthermore, export coal is effectively done there. But come May, when passenger trains start running for the tourist season, and aggregate trains start running for construction and road projects, it gets busy. There are a lot of guys retiring this winter and we were already short-handed last season so the company figured out they need to hire more conductors before the 2018 busy season begins.
You will be qualified for both freight and passenger service. This is a GCOR railroad. It's a complicated little railroad and the work can be physically demanding. Our terminal jobs in the summer are engineer-conductor only so the man on the ground will have his/her work cut out for them. Scheduled jobs predominately work four 10-hour shifts per week. The extra board is like any other extra board. You are on-call 24/7 and get 2 hours notice.
https://www.alaskarailroad.com/corporate/careers then click on the link at the top that says "ARRC Job Vacancies – Workplace Alaska", then click on the link for the "Locomotive Engineer / Conductor Trainee" listing. Training is supposed to begin in January. Bring warm clothes.
We are represented by one collective bargaining unit, SMART TD (the union formerly known as UTU). You can get more information on the local's website and download a copy of the current CBA there as well. Any questions? Read the entire job posting and if it isn't answered there or in our CBA, feel free to ask here and I'll try to answer.
Wow, 15 years to avoid being furloughed? Seems like a good job though, good luck to those who apply! I would do it in a heartbeat if I wasn't already tied down.
It was 7 to 8 years when I hired out. With the economy in free-fall there, and traffic levels what they are, there are simply fewer jobs in the winter so last year people with up to 17 years seniority got furloughed for at least a little while. But for people who want to take the winter off, it works. We have a lot of people who work there in the summer and snowbird down south, which is what I usually do. But I only worked 17 weeks last season so it's getting tough to make a living there even though our hourly wage is quite high at $40 to $50/hour depending on terminal or road service. I need to work at least 6 months a year to break even. Trainees and first year employees start at $24.87/hour though.


Find what are the newest Sports programs on the DD Sports channel.
Programs are sorted in increasing order of first shown in DD Sports channel and it does not means first shown on indian tv channels or world television premiere.
The 2011 AFC Asian Cup was the 15th edition of the men's AFC Asian Cup, a quadrennial international football tournament organised by the Asian Football Confederation. The finals were held in Qatar from 7 to 29 January 2011.
Chess is a two-player strategy board game played on a chessboard, a checkered gameboard with 64 squares arranged in an 8×8 grid. The game is played by millions of people worldwide. Chess is believed to be derived from the Indian game chaturanga some time before the 7th century.
Table tennis, also known as ping-pong, is a sport in which two or four players hit a lightweight ball back and forth across a table using small rackets. The game takes place on a hard table divided by a net.
The Indian Premier League is a professional Twenty20 cricket league in India contested during March or April and May of every year by eight teams representing eight different cities in India.
The Indian Premier League is a professional Twenty20 cricket league in India contested during April and May of every year by 8 teams representing 8 cities of India.


There are just four weeks to go until the Games Media Awards take place once more.
This year, there are over 60 writers, presenters, Youtubers, streamers and media brands in the running for one of these coveted awards.
The Games Media Awards are celebrating 10 years in 2016 (they grow up so quickly, don't they?), with the 2016 event taking place at Sway Bar, London on Tuesday October 11th. You can guarantee it will be a night to remember.
It's free to attend the Games Media Awards if you are a journalist or presenter. Email lisa.carter@mimrammedia.com to register for the guest list.
Trade tickets are available for non-media, priced at just 79 each. Click here to find out more.


Conception Vessel 23, Ren-23 Lianquan, Pure (or Clear) Spring, is the 23rd point on the Conception Vessel, one of the so-called 'Extraordinary' acupuncture channels.
It is right up there under the root of your tongue, but don't worry, you get at it from outside, not inside, your mouth! Good for when you lose your voice.
This point also lies on the Yin Wei (Yin Linking) channel.
On the mid-line, in the angle between the throat and the chin, above the Adam's apple, just superior to and in the depression above the hyoid bone.
Another way of locating it is that it usually lies midway between the tip of the cricoid cartilage and the border of the mandible (ie the chin bone) - but you've still got to locate the cricoid cartilage which is the cartilage inferior to the laryngeal prominence, the Adam's Apple.
Locally and under the tongue. It feels like a needle or fish-bone. Surprisingly many patients hardly feel the actual insertion through the skin, perhaps because of fewer nerves in that area.
Up to 7 cones, though some books forbid it here.
The Yin Wei (Linking) channel runs up through a number of very important points on the leg yin channels, starting in the region of Spleen 6 (though officially commencing at Kidney 9) but this is its first and last point on the Conception Vessel.
The Yin Wei channel is said to link all the Yin channels, so is yin promoting. In other words it nourishes, calms and moistens, and descends qi.
For these purposes, this point might be used with Kidney 9, or other points like Spleen 6.
For swelling under the tongue, Conception Vessel 23 was traditionally used with Pericardium 9 but for calming and grounding someone a more powerful point is Kidney 1.
However, it's all very well to suggest these points, but when you are very anxious and have lost your voice, you may not be very amenable to having this point and Kidney 1 needled.
Click to return from Conception Vessel 23 to Acupuncture Points.


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Home I eSports I eSports I 100 Thieves Sign Ex-Immortals Players
100 Thieves Sign Ex-Immortals Players
Kirill Seregin | 2017-12-28 |
The rumors have been confirmed. The Brazilians finally are under a new flag. From now on, they are no longer just ex-Immortals!
100 Thieves, created with the support of the NBA's Cleveland Cavaliers, signed the former players of Immortals.
We're proud to announce that 100 Thieves is officially entering into Counter-Strike: Global Offensive! Please join us in welcoming kNg, LUCAS1, HEN1, FNX, and Bit to the team.
WATCH HERE: https://t.co/HhT7yRDVjt pic.twitter.com/pDJEz7e93B
— 100 Thieves (@100Thieves) December 13, 2017
Who are 100 Thieves?
100 Thieves is an American organization created in 2016 by a former Call of Duty player, Matthew «Nadeshot» Haag. He also happens to be a popular YouTuber who currently has nearly 3 million subscriptions. His activity is supported by the Cleveland Cavaliers, so he can afford such huge transfers.
Background Story of the Brazilian Roster
The current squad gathered in October, however, they did not compete in tournaments because Henrique «HEN1» Teles, Lucas «LUCAS1» Teles, and Lincoln «fnx» Lau had existing contracts with Immortals. The organization removed the players from official matches after being late for a duel against North at the DreamHack Montreal 2017. They overslept the match because they spent the night before the game in a nightclub. The Teles brothers soon announced that they would leave Immortals and collect a new staff. However, other organizations did not buy the Brazilians' contracts for a long time. According to rumors, Immortals asked for up to a million dollars for the three players.
100 Thieves Composition
The team includes the former member of Immortals; LUCAS1, HEN1, and fnx, as well as Vito «kNg» Giuseppe and Bruno «bit» Lima, a veteran of the Counter-Strike 1.6. The new five-player project began in October this year.
Words from the Team Founder
In a video posted on YouTube, Matthew «Nadeshot» Haag, the team's founder, says the organization is aware of the controversies surrounding kNg, LUCAS1, and HEN1. They also are aware of the problems that took place in the final of DreamHack Montreal 2017. Regardless, the founder of the team believes that this action should not define the players' career.
The price for which 100 Thieves has acquired the team is still unknown. But what is clear is that Nadeshot's organization has become a force to be taken into account within the CS:GO scene.
Where to Find 100 Thieves
The team will participate in the ELEAGUE Major 2018 as LUCAS1, HEN1, and kNg won the status of «legends» on PGL Major Kraków 2017. Thus, saving the slot for the next major. It is worth noting that this status is assigned to the players, not to the organization.
The team, struggling to find opponents at their level in the native country of the players, is currently in Poland to bootcamp against the best European teams. They are preparing themselves for the ELEAGUE Major 2018 which will be held from 19 to 28 January. The prize fund of the championship will be 1 million dollars.
CS:GO. Прогноз на матч G2 — Spirit. Champions Cup (22.12.19)
Rymbold | 2019-12-22
CS:GO. Прогноз на матч NiP — Astralis. BLAST Pro Series Global Final (13.12.19)
CS:GO. Прогноз на матч AVANGAR — NiP. ECS Season 8 Finals (29.11.19)
CS:GO. Прогноз на матч fnatic — MiBR. ECS Season 8 Finals (28.11.19)
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redpajama_set_name: RedPajamaCommonCrawl


The Longplayer Trust and Goldsmiths, University of London, announce the inaugural Longplayer Day. The day celebrates the recently announced partnership between Goldsmiths and Longplayer. Longplayer Day 2017 took place on Wednesday 21 June 2017 with a 12 hour long curated programme of performances, talks and screenings. Exploring time and duration, events occurred across locations between Goldsmiths (New Cross, London) and Trinity Buoy Wharf (Poplar, London). More information can be found here.


When it serves the overall purpose, in addition, it needs a large quantity of manual input and effort on your part, and in certain instances can eat up a great deal of your financial plan. Add different users for this program, like kids and spouses, so that each individual can see what tasks they've been assigned to finish. When one thing is finished, you are considering when it must be achieved again, and of course tackling the next job to be grabbed off on your listing. Produce to-do lists or purchasing lists so you're more organized as you start tackling your everyday tasks. It may be very a marvelous job for people that are inexperienced in budgeting or financial management. It's quite difficult to standardize a procedure or have any kind of standard data structure if there's not any construction in the tool itself.


You have worked long and hard making many difficult decisions to select your future home in Plymouth. At Homefax, we understand this. We know you are emotionally wrapped in this home. We will take a very in-depth, unbiased, experienced and professional look at your dream home to make sure you have a clear picture as to its condition. If there are issues that need addressing, we want you to be aware their significance. We will also present any issues with balance and in a manner that makes sense to the you. We will not tell you whether to buy or not buy the home. We are there to make sure you understand the condition of the home. In addition, we will give you helpful maintenance tips and general operating instructions.
Plymouth has a strong community with activities year around. You can't miss the Music In Plymouth festival held every summer. The folks at Plymouth city hall are extremely helpful when seeking information on development, building permits and future park development including the Plymouth Greenway project.


text:
UMLAUT https://www.instagram.com/umlautofficial/
UMLAUT - Portland, OR, USA
THE HERO PORTLAND DESERVES - Portland, Oregon, USA This is Brian, AKA "The Unipiper," AKA "The Defender of Weird." When he's not riding a unicylce while wearing a mask while playing flaming bagpipes, he's also the host of @PDXatTheMovies, and you can find out more about him, and how he keeps Portland weird, at the links below: http://www.unipiper.com/ https://www.facebook.com/theunipiper/ https://www.instagram.com/theunipiper/ https://twitter.com/TheUnipiper
THE HERO PORTLAND DESERVES - Portland, Oregon, USA This is Brian, AKA "The Unipiper," AKA "The Defender of Weird" AKA Portland's mascot and a very cool dude. When he's not riding a unicycle while wearing a mask while playing flaming bagpipes, he's also the host of @PDXatTheMovies, and you can find out more about him, and how he keeps Portland weird, at the links below. http://www.unipiper.com/ https://www.facebook.com/theunipiper/ https://www.instagram.com/theunipiper/ https://twitter.com/TheUnipiper
THE HERO PORTLAND DESERVES - Portland, Oregon, USA This is Brian, AKA "The Unipiper," AKA "The Defender of Weird" AKA Portland's mascot and a very cool dude. When he's not riding a unicycle while wearing a mask while playing flaming bagpipes, he's also the host of @PDXatTheMovies, and you can find out more about him, and how he keeps Portland weird, at the links below. Had a great time shooting with him, and the editing was... interesting. More photos of the Unipiper, as well as some behind-the-scenes (possibly NSFW?), coming soon. Follow me here and on Instagram (https://www.instagram.com/robcorpuz/) to stay connected. http://www.unipiper.com/ https://www.facebook.com/theunipiper/ https://www.instagram.com/theunipiper/ https://twitter.com/TheUnipiper
FOLLOW THAT CAB - Just across the Ukrainian border of Poland These three Brits (from left to right: Leigh, Paul and Johno) broke the Guinness World Record for the longest and highest (altitude) taxi cab ride. And if that wasn't already awesome enough, they did it to raise money for charity. Having bought a London black cab, affectionately christened "Hard Hearted Hannah," they modified it to beef up the engine, add a shotgun seat and remove the barrier, not to mention installing a needlessly (and gloriously) deafening speaker system, and drove it through over one hundred countries on their way from London to Sydney. I crossed paths with them in Kiev, Ukraine, and couldn't resist the invitation to catch a ride with them from Kiev to Lviv, and then on from Lviv to Krakow, Poland. We were stopped by Ukrainian police at least five times along the way. If I remember correctly, I was the first official fare of their journey. Thankfully, the guys were kind enough to accept (in lieu of the meter price of £1035) a tank of petrol, a few beers, some pasta and bread, and a donation, through their website, to the British Red Cross. More than a year later, I met up with them in Moscow and caught a lift again: this time stopping in Estonia, Latvia, Lithuania, Poland, Germany, Luxembourg, France, and the U.K. They also asked me to be their photographer and document the last couple of weeks of their drive, and I was happy to oblige. The last time I rode with them, I figured they might never make it back home without killing each other, but after driving all around the world since February, 2011, they finished their epic and ridiculous journey back in London on May 12th, 2012, after four different continents, more than fifty countries, well over a hundred passengers, four flat tires, 8000 liters of petrol, £20,000 raised for the British Red Cross, one Bollywood movie appearance, and a couple of bullet holes. You can find out more about their amazing journey and see lots more photos here.
HELPING HANDS ON HANNAH - Somewhere in France (I think...maybe) These three Brits (from left to right: Johno, Leigh, and Paul) broke the Guinness World Record for the longest and highest (altitude) taxi cab ride. And if that wasn't already awesome enough, they did it to raise money for charity. Having bought a London black cab, affectionately christened "Hard Hearted Hannah," they modified it to beef up the engine, add a shotgun seat and remove the barrier, not to mention installing a needlessly (and gloriously) deafening speaker system, and drove it through over one hundred countries on their way from London to Sydney. I crossed paths with them in Kiev, Ukraine, and couldn't resist the invitation to catch a ride with them from Kiev to Lviv, and then on from Lviv to Krakow, Poland. We were stopped by Ukrainian police at least five times along the way. If I remember correctly, I was the first official fare of their journey. Thankfully, the guys were kind enough to accept (in lieu of the meter price of £1035) a tank of petrol, a few beers, some pasta and bread, and a donation, through their website, to the British Red Cross. More than a year later, I met up with them in Moscow and caught a lift again: this time stopping in Estonia, Latvia, Lithuania, Poland, Germany, Luxembourg, France, and the U.K. They also asked me to be their photographer and document the last couple of weeks of their drive, and I was happy to oblige. The last time I rode with them, I figured they might never make it back home without killing each other, but after driving all around the world since February, 2011, they finished their epic and ridiculous journey back in London on May 12th, 2012, after four different continents, more than fifty countries, well over a hundred passengers, four flat tires, 8000 liters of petrol, £20,000 raised for the British Red Cross, one Bollywood movie appearance, and a couple of bullet holes. You can find out more about their amazing journey and see lots more photos here.
FROG TAXI - Usovo, Russia The Cyrillic on the side of the car tranlates, literally, to "toad carrier." In Russia, "toad" is a slang term for what Americans would call a "gold digger." I'm going to divulge a big secret here: Frog isn't a real cab driver! He is, in fact, the first professional model I've worked with. Thanks also to Richard (the passenger), for helping out pro bono and being willing to make goofy, no-so-flattering faces in the name of photography. Frog, on the other hand, simply will not allow his likeness captured without a ton of make-up caked on, and he refuses to make any other expression other than his trademark "Green Steel" look.
BUMPER CARS - Moscow, Russia The sign in the background basically says that crashing the cars is not allowed.
GLASHA IN MOTION
MARINA DANCES - Moscow, Russia
JUMP (original) - Honolulu, Hawai'i, USA MOBI PCS "FREEDOM" In January, 2010, I did a commercial shoot for Mobi PCS, a cell/mobile phone coverage provider based in Honolulu. I've included the final versions of the ads, as well as the original images I submitted. The original concepts weren't mine, but the creative team at Mobi was very open to hearing my take on things, which was great. Although we had a short window for the shooting (six locations on different parts of Oahu in three consecutive days), and some bad weather (well, bad by Hawai'i standards anyway), overall I thought it went pretty well. However, there are ALWAYS things you wish you could've changed after the fact. The plan all along was to rotate the images 90 degrees, and the largest output was going to be 8 by 4 foot prints (2.4m x 1.2m) so I had to shoot these with enough space to crop to a 2:1 aspect ratio yet keep the crucial elements big enough to get enough resolution for the large final output. However, at the last minute, Mobi decided to go with a 45 degree rotation instead, and a re-shoot was not possible, which meant losing most of the original frame to cropping and LOTS of retouching to fill in gaps. We ended up swapping out the background of two shots: the new "Dock" background was taken from another frame from the same shoot in order to fit the final layout, and the "Swing" background was eventually replaced by a photo I had shot a couple of months earlier in the Philippines, as it was actually raining while the shot was taken and the moody sky present wasn't what they were looking for. In the end, they decided to go with a different shot altogether for "Swing" which they felt fit better with the new background. While I wasn't that big of a fan of the pose and the lighting on the version they chose, I can understand their reasoning, and of course, it's their show:) Still, I've decided to post what I did myself, with the original backgrounds, before the designers at Mobi did the final rotation, background switches, compositing, additional retouching to fill in blank spots, and added graphics and copy. My side of the post-processing involved color and contrast adjustment, retouching, and a dash of the contrast-masking/hi-pass effect. These shots are essentially what I submitted to Mobi (the replacement backgrounds aren't shown here), although I did add sharpening, a touch of vignetting, and slight crops (in a couple of cases) just before posting. It was truly a pleasure working with Evan and Noa, who were both the brains and brawn behind this project, as well as all of our lovely models. Special kudos in particular go to Evan, who also happens to be my brother, which I'm sure is totally unrelated to me getting this assignment... hey, you gotta start somewhere, right? ;)
THE HERO PORTLAND DESERVES - Portland, Oregon, USA
This is Brian, AKA "The Unipiper," AKA "The Defender of Weird." When he's not riding a unicylce while wearing a mask while playing flaming bagpipes, he's also the host of @PDXatTheMovies, and you can find out more about him, and how he keeps Portland weird, at the links below:
http://www.unipiper.com/
https://www.facebook.com/theunipiper/
https://www.instagram.com/theunipiper/
https://twitter.com/TheUnipiper
From THE UNIPIPER


It's still winter here in Alberta, Canada and it's been a longer and colder one this year with more snow in March than usual. For us northern motorcyclists impatiently anticipating the arrival of our short riding season, it's pure agony.
The sensible thing to do while your ride is cooped up in storage? Spend some time adding "farkles" or add-ons to it, while it hibernates. I've picked out a few items that I haven't had the chance to test yet, but our team is working on making contact with the manufacturers in order to get these products in my hot little hands.
It's the perfect time to feature a short preview leading up to the actual road testing – hopefully, to come in the near future.
You'll perhaps recognize a couple is upgraded versions of previously tested products while others are all new to WebBikeWorld. Let me know in the comments which ones you're most interested to read about.
Ever since I traded my 1999 Harley Ultra Classic for a much newer 2014 KTM 1190 last year I have really missed having cruise control on long rides. I contacted my KTM dealer and KTM Twins to inquire whether it could be added to my bike by them since it's a throttle by wire system and the newer 1290 Adventure comes equipped with cruise control from the factory.
No dice… but happily, after searching deep in the bowels of the internet I came across people mentioning an Australian company called MCCruise who since 1997 have custom built units to fit just about any bike on the market!
Putting safety as priority one the brothers (Tony and Frank Guymer) who founded the company build the cruise control units specifically for each model of motorcycle.
They offer a system that can be continually improved and adapted over its lifetime and so potentially could be the best unit available in motorcycle cruise control tech. This isn't a throttle lock, this is a cruise control system that works perfectly on your bike – Tony says 'better than the system in your car does' in many cases. Hitting the brakes or actuating the clutch shuts it off and there are push buttons to turn it on, set it and allow for increasing or decreasing speed too. Nice!
Easy to install the complete system yourself with detailed do-it-yourself instructions for electronic Throttle By Wire systems or fuel injected/carburetted, cable controlled bikes. The TBW and conventional electric servo systems are 'plug and play' for most bikes.
Maintains set speed within +/- 0.0087 mph (at 60mph).
Control unit has a self-diagnostic feature to tell you if it's working correctly and if it fails – what the cause of failure was, but it always fails in a 'safe' state in the rare event of failure.
Firmware in the control unit can be updated/improved using an MCCruise app uploaded to your cell phone.
The MCCruise Control unit can be linked by the bluetooth module to your cell phone's GPS location data to give you a warning when you break the speed limit.
The MCCruise system costs approximately $500 US with shipping (from Australia) for the TBW kit and $775 for the servo actuated version.
Those prices are factoring in MCCruise celebrating their 21st anniversary and offering a 15% off sale.
Their new Bluetooth module will likely sell for around $80USD plus shipping, but that won't be available until May/June 2018.
The SnapJack is a small, folding, portable jack for the bike's rear wheel, designed to lift under the rear swingarm just enough to barely raise the rear tire off the ground. It allows you to clean and lube your chain anywhere, anytime. Very handy to take on long trips or just have in your garage at home because finding a good jacking point on a fully faired sportbike lacking a center stand can be challenging.
It's described as much easier and safer to use than a rear wheel stand is by the inventor Basil Paul Andrews. Basil says it can be difficult and a little risky to put a tippy sportbike on a rear stand by yourself, but the SnapJack makes it easier and safer.
Watch this video to get a full demo of the SnapJack V2 in action.
Three years ago we reviewed the original SnapJack made by Tirox and our tester liked the idea but had some concerns about it too. Original review here. The inventor took our reviewer's critique constructively and made improvements to the design, which makes us very happy. So happy that we want to bring it back for another look.
Our tester originally pointed out the non pivoting head and base of the first SnapJack being a potential safety concern because the contact patch between the bike and jack would be limited. Ditto for the base and the ground making the whole thing tippy.
The new version of the jack addresses this by making both base and head pivoting.
The other main concern was that the jack didn't have a locking mechanism to keep it from folding back on itself once in place holding the wheel off the ground. The new version has a locking pin.
It's intended use is primarily for sportbikes and sport touring machines lacking a center stand. When you consider a decent quality center stand adds a lot of unwanted weight to your crotch rocket the SnapJack seems to make sense. Not to mention how much less expensive the $49.95 US price is comparatively.
The SnapJack V2 has a date with my Kawasaki ZX6 and its dirty chain if I can get my hands on it.
If you search the WBW archives waaaay back to 2007 you'll find a review we did of the Tourmaster Synergy heated vest. Review here.
This was a vest that plugged into the electrical system of the motorcycle and drew power from it to warm the rider.
One of our readers named Jim who hails from Minnesota recently sent a request through the WBW Facebook page asking whether we could review the new battery operated Tourmaster Synergy 7.4v vest because he was interested in it, but couldn't find a good review of it anywhere.
Well played Jim. It's like you waved a red cape in front a bull saying something like that to me… I'm on it like white on rice.
The new vest sure looks like a big improvement over the Synergy V2 Vest on paper. I love the idea of "cutting the cord" and having a rechargeable battery pack so long as it's small and lasts a long time while keeping me warm.
How warm will it be compared to the plugin kind of vest? That remains to be seen when I get to test drive one in the near future. I can't picture it being quite as good since the battery will eventually die, but the temperature numbers in the stats below look good. I've highlighted some significant ones to keep top of mind.
Here are the details of the Tourmaster website for the new Synergy 7.4v vest.
I'm very interested in the notion that a rider could carry an extra battery or two with them for this vest to use after draining one down. I'll definitely have to confirm whether or not it can be swapped out easily once I get to try this vest out.
I am going to remain objective and not pass judgment yet, but it's hard not to get excited and think this new wireless Synergy vest might hit the same mark as its Grandfather did in 2007.
For some reason, I was immediately smitten at first glance with the new helmet Husqvarna and Shark have produced together to compliment the new line of Husky street bikes due out this year. Perhaps it's the striking two-tone color scheme, the motocross styled goggles or just due to my love of Star Wars bounty hunter characters, I'm not sure.
The white front section contrasts the rear black area in a way that gives the illusion the rider is wearing a hockey goalie mask out of a Friday the 13th movie.
The helmet looks like it will fit very snug to the rider's head and won't feel bulky as some other helmets do… but that too could be an optical illusion.
The pilen (Swedish for arrow) is a handsome looking helmet equipped with a removable set of goggles Husky claims will accommodate glasses wearing riders better than most helmets do.
The visor plastic is thick, scratch resistant and can be quickly changed when necessary. Considering how long they've been building excellent off-road bikes I'm guessing Husky put all that knowledge into producing a terrific visor lens.
Add to this a micro lock chinstrap mechanism and a large vent on the top of the helmet and I'm all in for a hands-on review of this beauty.
How much will it weigh or cost? We're not sure at this point, but it's supposed to land in the North American market in the next couple of months.
I came across this seemingly small riding gear company based in Nicosia, Cyprus called Siima about a month ago when I read a review of their Sibirsky super adventure gear done by ADVMoto recently.
In a market dominated by Klim, Rev'it, Rukka and other huge names, Siima stands as an interesting and much more affordable option for riders to consider.
It's not just about ventilation though, this jacket is built from 600D Ballistic textile and has removable armor in the elbows, shoulders, and chest rated CE Level 1 along with a Level 2 back protector.
Outer waterproof layer included that can be stored when not worn in the pocket on the back of the jacket.
Pocket on the back will fit a 3L hydration pack (not included) and has a metal grommet opening to allow the drinking tube to feed from the pack up to the rider's mouth.
You can get the jacket for 289 Euros or about $300 US and a set of matching pants for just under $200 US more. There aren't too many complete sets of riding gear on the market boasting these features, let alone the modular aspect, so I'm very interested to get out and put this gear to the test to see how it does.
When I spoke to Giorgos about getting my hands on a Sibirsky he said he will even offer a discount to buyers if they'll leave an honest review of his products on his website too! He's very approachable and is easy to contact on Facebook under Siima Motowear or his name.


text:
package org.atreus.impl.schema;

import org.atreus.core.ext.AtreusCQLDataType;
import org.atreus.impl.schema.model.Column;
import org.atreus.impl.schema.model.ColumnTable;
import org.slf4j.Logger;
import org.slf4j.LoggerFactory;

import java.util.Collection;
import java.util.HashSet;
import java.util.Set;

/**
 * Generates a set of CQL CREATE TABLE scripts.
 *
 * @author Martin Crawford
 */
public class CreateQueryWriter {

  // Constants ---------------------------------------------------------------------------------------------- Constants

  private static final transient Logger LOG = LoggerFactory.getLogger(CreateQueryWriter.class);

  // Instance Variables ---------------------------------------------------------------------------- Instance Variables

  // Constructors ---------------------------------------------------------------------------------------- Constructors

  // Public Methods ------------------------------------------------------------------------------------ Public Methods

  public Set<String> generate(Collection<ColumnTable> columnTables) {
    Set<String> results = new HashSet<>();
    for(ColumnTable columnTable : columnTables) {
      results.add(generateQuery(columnTable));
    }
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redpajama_set_name: RedPajamaGithub


text:
Plan B - Ill Manors - Albums - Reviews - Soundblab
Plan B - Ill Manors
by Aidan Rylatt Rating:8 Release Date:2012-07-23 Label: Atlantic
One thing that can be said of the musical career of Ben Drew, aka Plan B, is that it has been far from straight-forward. Drew first burst onto the scene in 2006 with debut album Who Needs Actions When You Got Words, which featured disturbing tales of lives blighted by poverty, drugs and crime, over backing tracks which often featured acoustic guitar played by Drew himself - not what one would expect from a rapper, perhaps.
The album was excellent but, unsurprisingly, was not what one would call a mainstream success. When it was announced that Drew intended the follow-up to be an album of soul songs and, what's more, a concept album based around the story of an innocent man being imprisoned, alarm bells began to ring. It seemed likely that the album would be a disaster and that Plan B would fade away - which made the success and, lest it be forgotten, quality of The Defamation of Strickland Banks all the more impressive.
Consider the lyrical content of one of Who Needs Actions' best songs, 'Kidz' (opening line: "Yeah, this is my time now, you get me? Fucking cunts."), which detailed the lives of the underclass in an almost sadistic manner ("I break a bottle over some boy's head/ Stab a broken piece into the poor cunt's leg/ I leave him in an alleyway, screaming and bleeding to death/ Run away, laughing my head off and leave him for dead"). The idea that songs from the same artist's second album would go on to be played around the clock on Radio 2 and Smooth Radio would have seemed as absurd in 2006 as someone telling you that Liam Gallagher would be the next Prime Minister.
Having received such huge commercial success with ...Strickland Banks, not many would have blamed Drew for abandoning hip hop and trying to carve out a career as the 'male Amy Winehouse'. It was a brave decision, then, for him to reveal his plans to return to the hip hop of his first album. Still, few would have expected what was to come. Comeback single 'Ill Manors' was a revelation, with Drew rapping about life on a council estate over a backing of racing violins periodically interrupted by a chorus that sounded more like a football chant ("Oi! I said oi! What you looking at you little rich boy?") than anything else.
It was the political edge which really raised interest, however. Searing indictments of the cuts to the state imposed by the coalition government ("Who closed down the community centre?/ I killed time there, used to be a member/ What will I do now till September?/ School's out, rules out, get your bloody tools out/ London's burning, I predict a riot") are not what one expects from Radio 1 a-listed artists - you wouldn't get this sort of stuff from David Guetta, put it that way.
Putting 'Ill Manors' as the first track on the album was a smart decision - as an attention grabber it couldn't be much more effective. In terms of the content of the rest of the album, however, it's a bit of a red herring - there's nothing else on Ill Manors that is as overtly political as the title-track. As the second song on the album, 'I Am the Narrator', makes clear, the lyrics of the other songs are less of a call-to-arms and more of a neutral account of the activities of the 'underclass'.
In this respect, much of Ill Manors is similar to Who Needs Actions... in lyrical content - harrowing tales of people forced into lives of struggle. So we get songs called things like 'Drug Dealer' and 'Great Day for a Murder', and lyrics about heroin addiction ('Deepest Shame') and, on 'The Runaway', an illegal immigrant forced into prostitution to feed her newborn baby.
It's safe to say that Radio 2 might not be playing these songs as much as they did 'She Said'. Ill Manors differs more from Who Needs Actions... musically than it does lyrically. In the six years since his debut Drew has evidently diversified his musical influences - 'I Am the Narrator' has a vaguely reggae-ish feel to it, for example, and 'Great Day for a Murder' is backed by heavy guitar. The excerpts of dialogue from Drew's film, also called Ill Manors, which feature throughout are an annoyance, however, particularly on 'Pity the Plight' which deserves more after a beautifully written spoken-word appearance by John Cooper-Clarke.
Of the tracks other than 'Ill Manors', 'Lost My Way' is likely to be the biggest single, thanks mainly to its catchy call-and-response chorus. The song takes an interesting turn, however, with the discordant piano that introduces the verses which feature (along with 'Ill Manors') the strongest lyrics on the album. Drew's critique of consumerism in the song rivals anything written by Polly Toynbee about the plight of the poor: "The worship of money merged all colours and creed/Into one true religion that was driven by greed/ Corporate machines trying to sell you shit you don't need/ On television and the ad breaks in between /Until people only cared about material things/ Not lives with other fellow human beings".
It is moments like this, lyrically at least, which raise the album above Who Needs Actions... Drew still has a tendency to let his lyrics come across as Daily Mail-style, urban-poor horror stories - at one point he writes of a prostitute breast-feeding her baby whilst having sex, for example. But where Who Needs Actions... never really gave any indication of how Drew felt about how the poor are sometimes forced to live, Ill Manors repeatedly tries to make the point that people don't choose to live these lives - it is all they know, and it is not they who should be condemned, but the society which allows people to be failed to this extent. 'Lost My Way' puts this best: "You judge them on the life that they lead/ But then it's not all as black and white as it seems/ They're all some way enslaved and their circumstances/ Shape the way they behave in their battle on the street/ That's why these kids ain't got no hope".
In a career characterised by brave decisions, releasing Ill Manors is perhaps Drew's bravest yet. It is often noted that the 21st century has been curiously absent of musicians willing to engage with politics - no modern day Billy Bragg or Paul Weller. Even the bands which have come closest have abandoned their strategy - The Enemy's Tom Clarke recently spoke of how he's taken to chronicling the "serious beauty in life" over political matters, and Reverend & the Makers have released a single called 'Bassline' that is as far away as possible from John McClure's previous attempts to engage with current affairs.
With this decline in bands engaging with politics, it would appear the way has been cleared for hip hop to be politicised. Plaudits were rained down on the unknown MC Nxtgen when he released the highly critical 'Andrew Lansley Rap' last year, and newcomer Joey Bada$$ has (somewhat incoherently) alluded to the anger at Wall Street and politicians most associated with the Occupy movement on his new 1999 mixtape.
As we witness the destruction being wrought by the failure of the neoliberal orthodoxy, someone has got to seize on the anger being felt by 'the 99 per cent'. With the poor receiving punitive jail sentences for things like stealing a bottle of water, while bankers engaged in fraud to the sum of billions of pounds get off with a resignation and a massive pay-off, the idea of equality before the law has been exposed as a cruel joke.
Ill Manors is at its most impressive when it fully engages with these matters, as in the title track: "There's no such thing as broken Britain/ We're just bloody broke in Britain/ What needs fixing is the system/ Not shop windows down in Brixton". It might not sell as well as ...Strickland Banks but Plan B deserves praise for making an album as visceral, brave and challenging as Ill Manors.
Plan B - Stay Too Long
By Rich Morris


Hot Chelle Rae, the band consisting of Ryan Keith Follese (guitar/lead vocals), Nash Overstreet (lead guitar/vocals), Ian Keaggy (bass/vocals) and Jamie Follese (drums) are releasing their debut album, Lovesick Electric, October 27. The group is taking to the road for a spell with Third Eye Blind. Alas NYC, they aren't playing here yet but those of you interested in where they'll be, check their various online homes for dates and locations.
I'll admit that when I first saw their picture, I thought they looked a bit boy band'ish or dare I say Disney friendly. But I thought, well, they can't be either of those if they're going to be out with Third Eye Blind. So, I gave "I Like To Dance" a listen. If you haven't already checked them out, now is your chance. Grab the song HERE. I'm curious to hear what the rest of the record sounds like.


text:
Das Massaker am Padule di Fucecchio (Padule di Fucecchio = 'Sumpf von Fucecchio') ereignete sich am 23. August 1944 in einem Sumpfgebiet am Arno, das zwischen den italienischen Provinzen Pistoia und Florenz in der Toskana liegt. Es ist nach der Stadt Fucecchio benannt, das am Rand des Sumpfs liegt. Das Massaker, das Einheiten der 26. Panzer-Division verübten, kostete 174 Zivilpersonen das Leben.

Vorgeschichte
Ab Mitte Juli 1944 hatte die alliierte Invasion in Italien in der Toskana am Arno gestoppt. Südlich des Sumpfgebiets lagen die Streitkräfte der Alliierten und nördlich die 26. Panzer-Division der Wehrmacht. In dem Sumpf hatten geflüchtete Männer und Frauen Schutz vor kriegerischen Handlungen gesucht und lebten zum Teil in Schilfhütten. Die Wehrmacht bereitete sich auf einen weiteren Rückzug bis zur Gotenstellung vor. Dabei wollte sie keinesfalls von den Einheimischen und Flüchtlingen angegriffen werden, unter denen sie Partisanen vermutete.

Massaker

Früh am Morgen des 23. August 1944 begannen die Aufklärungsabteilung 26, das Panzergrenadier-Regiment 9 und Pionier-Bataillon 93 der 26. Panzer-Division eine sogenannte "Säuberung des Bandengebiets", die ein Angriff auf die Zivilbevölkerung war. Das Operationsgebiet umfasste neben den Sumpfrändern die Orte Monsummano Terme, Larciano, Ponte Bugginianese, Cerreto Guidi und Fucecchio. Der General Eduard Crasemann der 26. Panzer-Division hatte Hauptmann Josef Strauch mit der Durchführung des Massakers beauftragt.

Kleine Patrouillen der Aufklärungsabteilung der 26. Panzer-Division durchsuchten die Ränder des Sumpfs, wo die meisten Zivilisten getötet wurden. Artillerie feuerte ins Schilf und auf am Sumpfrand stehende Gebäude, die in Brand gesetzt wurden. Wer in Häusern angetroffen wurde, wurde erschossen, nur wenigen Menschen gelang die Flucht. Es gab nur wenige Ausnahmen für jüngere Männer, die überlebten, wenn sie als Munitionsträger Verwendung fanden. Gefangene wurden sofort erschossen, sofern sie Waffen bei sich hatten. Im Süden des Sumpfs wurden Panzer eingesetzt und Gebäude beschossen. In einigen Fällen wurden die Leichen von Frauen und Kindern mit Stroh bedeckt und angesteckt.

Es fanden unmenschliche Gräueltaten statt, einer blinden und gehörlosen Frau wurde eine Granate in die Tasche ihrer Schürze gesteckt und gezündet, auch ein Fall von Nekrophilie wurde bekannt. Im Gebiet von Angions kollaborierten lokale Faschisten mit der Wehrmacht, aber auch bei Monsummano Terme und Larciano. Anfänglich wurden die Leichen von Soldaten zu Massengräbern transportiert, aber auch von Familienmitgliedern oder Pfarrern. Es soll auch deutsche Soldaten gegeben haben, die sich um Verletzte gekümmert haben. Das Massaker war am frühen Nachmittag gegen 14:00 Uhr beendet. Es gilt als eines der blutigsten Massaker in der Zeit der deutschen Besetzung Italiens.

Opfer
Es waren insgesamt 174 Opfer zu beklagen:
 113 männliche Opfer, darunter 13 Kleinkinder, 4 Jugendliche und 96 Erwachsene (darunter 31 über 55 Jahre alte Männer)
 61 weibliche Opfer, darunter 10 Kleinkinder, das jüngste davon nur wenige Wochen alt, 6 Jugendliche, 45 Erwachsene (darunter 6 über 55 Jahre alte Frauen)

Die Opferzahlen nach Ortenstellen stellen sich wie folgt dar: Monsummano Terme 64, Larciano 47, Ponte Buggiane 32, Cereto Guidi 24, Fucecchio 7.

Strafverfolgung
Die 26. Panzerdivision wurde bis Juli 1944 von Generalleutnant Freiherr Smilo von Lüttwitz kommandiert und diese Division war bis zu diesem Massaker nicht durch die Begehung von Kriegsverbrechen bekannt geworden. Nachdem von Lüttwitz durch den damals im Range eines Obersten stehenden 48-jährigen Eduard Crasemann abgelöst worden war, befasste sich der Divisionsstab mit Plänen zur sogenannten Bandenbekämpfung. Crasemann übergab dem 34 Jahre alten Kommandeur der Aufklärungsabteilung Rittmeister Strauch das Kommando für die militärische Operation am 23. August 1944. Wie dieser Befehl lautete war in den Verhandlungen Gegenstand von gegenseitigen Beschuldigungen und konnte nicht abschließend geklärt werden. Zweifelsfrei hauptverantwortlich für das Massaker waren Crasemann und Strauch.

Urteil in Padua
General Eduard Crasemann wurde im April 1947 von einem britischen Militärgericht in Padua zur Verantwortung gezogen. Zu diesem Prozess war Josef Strauch als Zeuge geladen. Crasemann stellte die Behauptung auf, dass das Massaker durch die Verkettung unglücklicher Umstände entstanden sei, er sei schuldlos. Strauch seinerseits gab an, dass er persönlich von Crasemann zur Bandenvernichtung angewiesen worden sei und bis zum Schluss versucht habe ihn umzustimmen, was auch Zeugen bestätigten. Das Gericht glaubte Crasemann nicht und er wurde zu zehn Jahren Freiheitsentzug verurteilt. Er starb im Jahr 1950 im Militärgefängnis in Werl.

Urteil in Florenz
Rittmeister Josef Strauch kam vor das Militärgericht Florenz und wurde zu sechs Jahren Gefängnis verurteilt. Das Urteil bestätigte das Oberste Militärgericht am 13. September 1949. Bereits im Frühjahr wurde er entlassen. Dies geschah auf Intervention der Regierung Konrad Adenauer beim italienischen Staatspräsidenten Luigi Einaudi, der ihn begnadigte.

Urteile in Rom
Gegen Hauptmann Ernst August Arthur Pistor, Oberstabsfeldwebel Fritz Jauss und Unteroffizier Johann Robert Riss leitete die Militärstaatsanwaltschaft von La Spezia Ermittlungsverfahren ein. Das Militärgericht in Rom verurteilte am 25. Mai 2011 alle Angeklagten zu einer lebenslangen Freiheitsstrafe (Pistor verstarb im Juli 2011). Die Urteile wurden am 15. November 2012 vom Berufungsgericht in Rom bestätigt.

Ablehnung einer Vollstreckung in Deutschland
Das Amtsgericht Kempten lehnte den Antrag auf Vollstreckung der lebenslangen Freiheitsstrafe gegen Riss im April 2015 ab (Pistor und Jauss waren inzwischen verstorben). Die zuständige Richterin kam zu diesem Urteil, da das italienische Urteil auf der Grundlage von Vermutungen erfolgt sei, die auf der Zugehörigkeit zu einer Abteilung und dem militärischen Grad beruhten. Darüber hinaus wären die Verteidigungsrechte der Angeklagten beeinträchtigt gewesen. Dieses Urteil erging, obwohl sich die italienischen Urteile in der Sache auf je eine britische und eine US-amerikanische Ermittlung stützten.

Gedenken

Da die Truppen weiträumig agierten, gibt es zahlreiche Orte und Plätze, an denen die Massaker stattfanden, daher gibt zahlreiche Denkmale für die Opfer. Das Denkmal, das sich bei Castelmartini (Larciano) befindet und am 16. September 2002 vom italienischen Staatspräsidenten Carlo Azeglio Ciampi eingeweiht wurde, bildet die zentrale Gedenkstätte.

Am Casa Simoni bei Monsummano Terme befindet sich eine Steintafel, die auf 23 Zivilisten verweist, die dort ermordet wurden.

Literatur
 Friedrich Andrae: Auch gegen Frauen und Kinder: der Krieg der deutschen Wehrmacht gegen die Zivilbevölkerung in Italien 1943–1945. Piper, München 1995, ISBN 3-492-03698-8.
 Carlo Gentile: Wehrmacht und Waffen-SS im Partisanenkrieg: Italien 1943–1945. Schöningh, Paderborn 2012, ISBN 978-3-506-76520-8 (Univ., Diss., Köln 2008).

Weblinks
 Liste von Massakern in der Zeit der deutschen Besetzung Italiens
 Internetseite mit Bebilderung und Informationen (englisch/italienisch)

Einzelnachweise

Padule di Fucecchio
Padule di Fucecchio
Kriegsverbrechen der Wehrmacht
Konflikt 1944
Kriminalfall in Italien
Kriminalfall 1944
Fucecchio
Metropolitanstadt Florenz
Provinz Pistoia
Geschichte (Toskana)

redpajama_set_name: RedPajamaWikipedia


text:
Posted on January 7, 2019 by Demola
NLC to hold nationwide protest Tuesday
Eniola Akinkuotu, Abuja
The Nigeria Labour Congress says it will on Tuesday hold a nationwide protest to drive its demand for the upward review of the national minimum wage from N18,000 to N30,000.
The General Secretary of the NLC, Dr. Peter Ozo-Eson, said in a statement that there would be no strike for now.
Ozo-Eson, therefore, asked members of the public to disregard reports that the strike would begin tomorrow.
The statement read in part, "It has come to our attention that some sections of the news media have largely misrepresented our action plan in reaction to the delay in transmitting the recommendations of the Tripartite Committee on a new national minimum wage to the National Assembly by President Muhammadu Buhari.
"It should be recalled that the National Executive Council of the NLC met on December 17 last year and directed that we hold nationwide mobilisation of workers and our allies if, by December 31, 2018, the bill on the national minimum wage has yet to be sent to the National Assembly to be passed as an Act of Parliament.
"We immediately announced then that on Tuesday, January 8, 2019, there will be a nationwide mass mobilisation and protests simultaneously across all states in Nigeria. This does not translate to a strike."
Credit: The Punch
CategoriesBusiness and Economy, News Tagslabour, minimum wage, strike
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The PrenatalSAFE® test can be performed from the 10th week of gestation (dated on the last menstrual period) and any future mother can undergo the test.
• Twin pregnancies obtained through natural conception or assisted reproduction techniques. In these pregnancies, it is not possible to perform the X and Y chromosome test.
• Previous pregnancies resulting in miscarriage or followed by voluntary termination of pregnancy.
It is always advisable to duscuss with your doctor if this test is suitable for you.


text:
Home > Events > Olympics > Summer > Sports > Aquatics
Aquatics at the Olympics
At the Olympics Games, the sporting discipline of Aquatics, which includes the sports of swimming, diving, synchronized swimming and water polo, is regulated by the International Swimming Federation (FINA), the international federation for aquatic sports. Swimming has been contested at every summer Olympic Games, the others being introduced at later dates. When categorizing the sports and counting the number of sports participating at each Olympics, these four sports are counted as one - Aquatics.
Swimming - one of five sports that have been contested at every summer Olympic Games since 1896.
Water Polo - has been part of the Summer Olympics program since Paris in 1900.
Synchronized Swimming - introduced at the 1984 Olympic Games. A solo event was held from 1984 to 1992. Only women compete in the Synchronized Swimming events at the Olympics.
Diving - first competed at the Olympic Games at the 1904 Olympic Games, and has been an Olympic sport since. Diving events include the 10m platform, 3m springboard individual and synchronized events (all for men and women).
Olympic Games swimming quiz
See more on the Greatest Swimmers at the Olympics.


text:
The Festival™ presented by Magners
The Greatest Show Christmas Party
Dining and Hospitality
The Festival Hospitality
Golf Day With Racing
Panoramic Restaurant
Membership and Offers
Annual Membership Options
18-28 Annual Membership
Syndicate Ownership
The Cheltenham Club
Junior Jumpers™
Membership Reciprocal Dates
Chelfie
Cheltenham Radio
Kalendar Magazine
Stable & Racing Staff Information
Tattersalls Cheltenham
Frequent Runner Championships
Racing Groom
Injunction / T&Cs
Alcohol & Food Policy
Healthy ticket sales for The Festival & going is mostly Good to Soft
Press Release 1st March 2017 Cheltenham
Cheltenham Racecourse played host to the media today ahead of The Festival, which starts on Tuesday, March 14, and healthy ticket sales were reported.
Ian Renton, Regional Director of the South West region of Jockey Club Racecourses, related: "We are very fortunate here as we have a fantastic sporting event where everybody comes to enjoy the racing.
"We are in a great place regarding ticket sales on Gold Cup Day (Friday, March 17) as we sold out two weeks ago - two weeks ahead of last year.
"All enclosures on Gold Cup Day are now sold out. The remaining three days are in good shape and we still have tickets available in all enclosures. We are looking to sell those to try and match the record attendance (260,579) we had last year.
"We have 28 races in place over the four days and it is a fantastic programme."
Simon Claisse, Director of Racing, Jockey Club Racecourses South West, and Clerk of the Course at Cheltenham, reported the three courses at Cheltenham in great condition ahead of The Festival.
He said: "This winter has been characterised by how volatile the weather has been in terms of rainfall and temperature.
"I walked the course this morning and it is predominantly Good to Soft on the Tuesday track (the Old Course), with maybe a bit of soft here and there.
"The Cross Country Course (used on Wednesday, March 15) is also Good to Soft, with a bit of good in it.
"The New Course (used on the Thursday and the Friday) is Good to Soft, with some soft.
"The current outlook is for this rather unsettled weather to continue for about the next 10 days, with anything between 20 and 30 millimetres of rain, which, if it materialises, would be bring the going closer to soft.
"What happens after Saturday week is anybody's guess at the moment. The temperatures over the last couple of weeks have been relatively high for this time of year. The courses are looking in fantastic shape and we have cut the grass twice and expect to do so again.
"90 per cent of the area raced on for The Festival has not been used for 12 months so there is a lot of fresh ground.
"There has been more uncertainty this year because of the inaccuracy of the weather forecasts. Compared to my other 16 Festivals, the forecasts seem to have been so much more inaccurate.
"My comment about John Kettley, who does our forecasting, is he is the least inaccurate rather than the most accurate of all the forecasters we follow."
There were a couple of changes to the siting of fences before the start of the 2016/17 season and Claisse explained what has happened so far.
He said: "We moved the second last fence on the Old Course, which had been in position for six or seven years. We moved it a bit closer to the last fence.
"The jockeys felt, coming round the turn, they needed slightly more distance before the fence so they could spread out. It worked very well in October and November.
"On the New Course, we moved the fourth last, where Kauto Star fell in the Gold Cup some years ago, and that one had been slightly nearer the bend for 10 years. It worked out really well for the first five or six years as the jockeys were coming off the turn and keeping hold of their horses' heads.
"By last season, they seemed to have forgotten about that and were really kicking on into the fourth last. Quite a lot of horses were running into the bottom of the fence. So having talked to the jockeys last summer, the suggestion was to move the fence nearer the bend again.
"So there is now a short run from the apex of the bend to the fourth last. It seemed to work well in December and January so the fence remains in that position for The Festival.
"The total of 1,920 entries for The Festival this year is pretty high, the fourth highest in the last 10 years. There are a record 715 Irish entries, which is a big increase on the previous best of 647.
"I have been with Willie Mullins and Gordon Elliott the last two days and those two between them are bringing 70 to 80 horses over to The Festival. We are looking forward to welcoming them.
"In the championship races, all those with scratchings' stages, there are 100 more left in than at this stage last year - nearly 600 - so it is all boding very well for the start of The Festival in 13 days' time."
Class act Paisley Park tops entries for Stayers' Hurdle
Epatante among 36 entries for Unibet Champion Hurdle
Paddy Power to sponsor feature Cotswold Chase and G3 handicap chase on Festival Trials Day
Rewards4Racing
Download The Jockey Club App
Racecourse: 01242 513 014 Ticket Hotline: 0344 579 3003
Evesham Rd, Cheltenham, Gloucestershire, GL50 4SH, UK


text:
Q: While converting html to pdf using jspdf  tag is not working only text gets converts Have conveted html to pdf  tag does not get converted to pdf in jsPDF can anyone help . How to convert images in  to pdf .Have included the my script below
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