Please Come Flying: Grab Bag Friday: Hooray for Philip Hoose & Claudette Colvin!
Grab Bag Friday: Hooray for Philip Hoose & Claudette Colvin!
They won, they won! Hip hip hooray!
Congratulations to Phillip Hoose and Claudette Colvin on winning the National Book Award!
You can read about all the NBA winners at the New York Times.
And here's a great little interview with Phil Hoose on the National Book Award website.


Promotion of novel plant-based dishes among older consumers using the 'dish of the day' as a nudging strategy in 4 EU countries.
Restricted to Repository staff only until 4 December 2019.
A quasi-experimental study was designed to promote novel plant-based dishes using the nudging strategy 'dish of the day' among older consumers in Denmark, France, Italy and the United Kingdom. Participants were presented with three dish options: veggie balls, meatballs and fish cakes. In the intervention situation, participants were informed that the 'dish of the day' was the novel plant-based 'veggie balls'. Thereafter, participants were asked to choose one of three dishes to intake and then fill a questionnaire. No statistically significant difference in dish choice was found between the control group and intervention group in the four countries. Males were less likely to choose the plant-based dish when compared with the females. Participants from the United Kingdom and Denmark were more likely to choose the plant-based dish when compared with participants from France. High scores of security dimension from the Human Value Scale was negatively associated with choice of plant-based dish, while high scores of the sensory dimension from Food Choice Questionnaire and high scores of the universalism dimension from Human Values Scale were positively related to the choice of the plant-based dish. The 'dish of the day' nudging approach did not influence older people's plant-based dish choice. Gender, country, and dimensions of sensory, universalism and security were critical factors influencing an older people's plant-based food choice.


text:
Tag Archive for: Arvo Pärt
You are here: Home / Blog / Arvo Pärt
Lights of Belief and Praise
Arvo Pärt's Credo: A scandalous premiere
The premiere of Arvo Pärt's Credo was, to say the least, scandalous. It was 16 November 1968 in the Estonian Soviet Socialist Republic. The law at the time required that all new scores must first be shown to the composers' union before a premiere. Knowing the sensitive nature of the piece and the likelihood that the premiere would have been cancelled had they shown the score to the officials, the conductor Neeme Järvi and the Estonian Philharmonic organization decided to not jump through the hoops and did the premiere without the Soviet officials' blessing.
The story goes that had a certain official not been out of town at the time, the premiere would have been blocked. In any case, the religious nature of the work was no favourite of the Soviet government. From the initial proclamation of "Credo in Jesum Christum" (I believe in Jesus Christ) to the following text from Matthew 5:38 "Audivistis dictum: oculum pro oculo, dentem pro dente" (Ye have heard that it hath been said, an eye for an eye, a tooth for a tooth), the work was seen as politically provocative and the Soviet saw it as a manifesto of passive resistance.
That certainly didn't play well with the officials. Whilst Järvi was relatively fine as the officials couldn't find anyone to replace him, quite a few were fired from the Estonian Philharmonic organization and official commission for Pärt dried up. The work was promptly banned by the Soviets and Pärt went into an extended hiatus in composing in search for a new musical language.
Come hear us perform Arvo Pärt's Credo with world-renowned pianist Warren Lee, Mendelssohn's Lobgesang and more in the upcoming Learners concert on September 23, 2017! Tickets now available at URBTIX outlets or online at http://www.urbtix.hk/internet/eventDetail/32901
Donations will be made to the Hong Kong Christian Council's "School Building Project in Myanmar" to build a new middle school for graduates of the Mayangone Primary School.
2017-07-19 /0 Comments/by Kevin Cheng
https://www.learners.org.hk/wp-content/uploads/2017/07/Blog-20170806-Part-Credo.jpg 540 1420 Kevin Cheng https://www.learners.org.hk/wp-content/uploads/2017/03/Learners-Logo-Horizontal_highres.jpg Kevin Cheng2017-07-19 17:01:382017-12-27 23:28:19Arvo Pärt's Credo: A scandalous premiere
The Aureo Castro Vocal Works album
Uģis Prauliņš' Missa Rigensis: Here we go again!
Stravinsky's Symphony of Psalms: A messy premiere situation
Esenvalds' Northern Lights: A sense of wonder through music
10 May x 10 Years – A French Celebration
A Bicentennial Celebration: Gounod's St. Cecilia Mass
La Musica Sacra Italiana
Mozart Great Mass in C minor
10 May x 10 Years - A French Celebration A Bicentennial Celebration Arvo Pärt Bach Charity Credo Cujus animam Elgar Eriks Esenvalds Fantasia & Fugue in C minor Gloria Great Mass in C minor Hong Kong Christian Council Hsar Phyu Su Village Hymn of Praise Lights of Belief and Praise Lobgesang Lux Aeterna Mayangone Mendelssohn Missa Rigensis Mozart Mozart Great Mass in C minor Myanmar Northern Lights Organ Symphony Poulenc Quattro pezzi sacri Rossini Saint-Saëns Scala Enigmatica School Stabat Mater Stravinsky Su Hta Village Symphony of Psalms Tenor Ugis Praulins Verdi

redpajama_set_name: RedPajamaCommonCrawl


A well established defense and space business is looking to hire a passionate Engineer with specialties in robotics, autonomy, unmanned systems, or computer vision. Engineers will be working on industry-changing technologies, working alongside a vibrant team for one of the most reputable companies in the defense and space business-the global leaders in defense.
An established defense and space business, specializing in autonomy, unmanned systems and robotics. Having been established for over 60 years and with over 30 multi-million dollar programs with DARPA, the DoD and Homeland Security, they are looking for senior software engineers with expertise in robotics, autonomy, unmanned systems or computer vision team to join an established group focused on multi-vehicle autonomy.
As a Robotics Engineer you will be working on the most exciting defense and robotics projects in the market. Working in a vibrant team at a reputable company, you'll be challenged in the right way and work with some incredibly bright colleagues that will encourage your work and provide stimulating commercial discussions.


text:
{{Ficha de taxón
| nombre = Coelocrania sulcicollis
| regnum = Animalia
| phylum = Arthropoda
| classis = Insecta
| ordo= Coleoptera
| familia = Chrysomelidae
| genus = Coelocrania
| species = C. sulcicollis| binomial = Coelocrania sulcicollis| binomial_authority = (Baly, 1886)
}}Coelocrania sulcicollis''''' es una especie de insecto coleóptero de la familia Chrysomelidae.

Distribución geográfica
Habita en Ceram y Nueva Guinea (Indonesia).

Referencias

Enlaces externos

Coleópteros de Indonesia
Animales descritos en 1886
Coelocrania

redpajama_set_name: RedPajamaWikipedia


Holly Baker is the aunt of two nieces and two nephews. She is an essayist and compositions instructor at the University of South Dakota where she is pursuing in PhD in creative writing. At one time or another, she has also been an editor, a researcher, a daydreamer, a missionary, and a 31 Flavors ice cream scooper. Her work has appeared in journals like Inscape and Schwa.


text:
Les championnats de Suède de cyclisme sur route sont organisés depuis 1909.

Organisation
Les championnats de Suède ont été organisés tous les ans depuis 1909 à l'exception de 1914.
 Jusqu'en 1932, ils ont été courus sur 100 km.
 De 1933 à 1945, ils ont été courus sur 150 km.
 De 1946 à 1954, ils ont été courus sur deux distances de 150 et 250 km avec deux titres.
 Depuis 1955, ils sont courus  sur un parcours de distance variable proche de 200 km.

Podiums des championnats masculins

Course en ligne

|-
| 1930 || Berndt Carlsson || - || -
|-
| 1931 || Arne Berg || - || -
|-
| 1932 || Gösta Björklund || - || -
|-
| 1933 || Bernhard Britz || - || -
|-
| 1934 || Berndt Carlsson || - || -
|-
| 1935 || Rudolf Gustavsson || - || -
|-
| 1936 || Ingvar Ericsson || - || -
|-
| 1937 || Martin Lundin || - || -
|-
| 1938 || Sven Johansson || - || -
|-
| 1939 || Ingvar Ericsson || - || -
|-
| 1940 || Ingvar Ericsson || - || -
|-
| 1941 || Sven Johansson || - || -
|-
| 1942 || Sture Andersson || - || -
|-
| 1943 || Harry Snell || -|| -
|-
| 1944 || Harry Snell || Sture Andersson || Olle Wickholm
|-
| 1945 || Harry Jansson || Harry Snell || Sture Andersson
|-
| 1946 || Nils Johansson || Harry Snell || Olle Wänlund
|-
| 1947 || Sigge Larsson || Harry Snell || Sven Johansson
|-
| 1948 || Harry Snell || Sven Johansson || Nils Johansson
|-
| 1949 || Bengt Fröbom || Nils Johansson || Yngve Lundh
|-
| 1950 || Harry Snell || Sven Johansson || Olle Wänlund
|-
| 1951 || Stig Mårtensson || Harry Snell || Lars Nordwall
|-
| 1952 || Stig Mårtensson || Evert Lindgren || Lars Nordwall
|-
| 1953 || Axel Öhgren || Yngve Lundh || Sven Körberg
|-
| 1954 || Lars Carlén || Lars Nordwall || Owe Nordqvist
|-
| 1955 || Karl Johansson || Lars Nordwall || Sven Körberg
|-
| 1956 || Roland Ströhm || - || Lars Nordwall
|-
| 1957 || Uno Borgengârd || Karl-Ivar Andersson || Karl Johansson
|-
| 1958 || Gunnar Göransson || Karl-Ivar Andersson || Sven-Uno Stensson
|-
| 1959 || Owe Adamsson || Nils Körberg || Bo Johansson
|-
| 1960 || Owe Adamsson || Karl Johansson || Gunnar Göransson
|-
| 1961 || Owe Adamsson || Sune Hansson || Göte Sundell
|-
| 1962 || Owe Adamsson || Gösta Pettersson || Paul Munther
|-
| 1963 || Einar Björklund || Jupp Ripfel || Lennart Emanuelsson
|-
| 1964 || Sven Hamrin || Jupp Ripfel || Gösta Pettersson
|-
| 1965 || Jupp Ripfel || Sture Pettersson || Steve Tell
|-
| 1966 || Jupp Ripfel || Sune Wennlöf || Einar Björklund
|-
| 1967 || Erik Pettersson || Jupp Ripfel || Sune Wennlöf
|-
| 1968 || Curt Söderlund || Gösta Pettersson || Krister Persson
|-
| 1969 || Gösta Pettersson || Jan-Åke Ek || Curt Söderlund
|-
| 1970 || Jupp Ripfel || Sune Wennlöf || Krister Persson
|-
| 1971 || Jupp Ripfel || Sune Wennlöf || Leif Hansson
|-
| 1972 || Sven-Åke Nilsson || Ronnie Carlsson || Bernt Johansson
|-
| 1973 || Curt Söderlund || Sven-Åke Nilsson || Anders Gåvertsson
|-
| 1974 || Bernt Johansson || Leif Hansson || Sven-Åke Nilsson
|-
| 1975 || Roine Grönlund || Ronnie Carlsson || Alf Segersäll
|-
| 1976 || Tommy Prim || Mats Mikiver || Leif Hansson
|-
| 1977 || Alf Segersäll || Bengt Nilsson || Tord Filipsson
|-
| 1978 || Thomas Eriksson || Håkan Larsson || Bernt Scheler
|-
| 1979 || Lennart Fagerlund || Lars Eriksson || Bernt Scheler
|-
| 1980 || Bengt Asplund || Roy Almquist || Bernt Scheler
|-
| 1981 || Thomas Eriksson || Peter Jonsson || Peter Weberg
|-
| 1982 || Mårten Rosén || Per Christiansson || Anders Johansson
|-
| 1983 || Göran Barkfors || Patrick Serra || Thomas Eriksson
|-
| 1984 || Kjell Nilsson || Anders Johansson || Bengt Asplund
|-
| 1985 || Per Christiansson || Peter Jonsson || Lars Wahlqvist
|-
| 1986 || Lars Wahlqvist || Torbjörn Wallén || Anders Adamsson
|-
| 1987 || Björn Johansson || Michel Lafis || Kjell Hedman
|-
| 1988 ||Anders Jarl || Michel Lafis || Per Moberg
|-
| 1989 || Bengt Ring || Allen Andersson || Lars Wahlqvist
|-
| 1990 || Anders Eklundh || Michel Lafis || Jan Karlsson
|-
| 1991 || Niklas Kindåker || Patrick Serra || Stefan Andersson
|-
| 1992 || Anders Eklundh || Per Strååt || Per-Anders Johansson
|-
| 1993 || Klas Johansson || Michael Andersson || Dan Kullgren
|-
| 1994 || Michael Andersson || Stefan Andersson || Daniel Sjöberg
|-
| 1995 || Glenn Magnusson || Daniel Sjöberg || Michel Lafis
|-
| 1996 || Marcus Ljungqvist || Michel Lafis || Henrik Sparr
|-
| 1997 || Michel Lafis || Glenn Magnusson || Johan Frederiksson
|-
| 1998 || Martin Rittsel || Michel Lafis || Michael Andersson
|-
| 1999 || Henrik Sparr || Martin Rittsel || Niklas Axelsson
|-
| 2000 || Stefan Adamsson || Magnus Bäckstedt || Michel Lafis
|-
| 2001 || Marcus Ljungqvist || Niklas Axelsson || Tobias Lergard
|-
| 2002 || Stefan Adamsson || Martin Rittsel || Jonas Olsson
|-
| 2003 || Jonas Holmkvist || Magnus Bäckstedt || Thomas Lövkvist
|-
| 2004 || Petter Renäng || Marcus Ljungqvist || Christofer Stevenson
|-
| 2005 || Jonas Ljungblad || Christofer Stevenson || Stefan Adamsson
|-
| 2006 || Thomas Lövkvist || Christofer Stevenson || Lucas Persson
|-
| 2007 || Magnus Bäckstedt || Johan Landström || Gustav Larsson
|-
| 2008 || Jonas Ljungblad || Niklas Axelsson || Thomas Lövkvist
|-
| 2009 || Marcus Ljungqvist || Fredrik Ericsson  || Patrik Moren
|-
| 2010 || Michael Stevenson || Gustav Larsson || Michael Olsson
|-
| 2011|| Philip Lindau || Alexander Gingsjö || Marcus Johansson
|-
| 2012 || Christofer Stevenson || Lars Andersson || Fredrik Kessiakoff
|-
| 2013 || Michael Olsson || Petter Persson || Håkan Nilsson
|-
| 2014 || Michael Olsson || Alexander Wetterhall || Marcus Fåglum
|-
| 2015 || Alexander Gingsjö || Richard Larsén || Tobias Ludvigsson
|-
| 2016 || Richard Larsén || Niklas Gustavsson || Ludvig Bengtsson
|-
| 2017 || Kim Magnusson || Richard Larsén || Alexander Wetterhall
|-
| 2018 || Lucas Eriksson || Tobias Ludvigsson || Gustav Höög
|-
| 2019 || Lucas Eriksson || Tobias Ludvigsson || Erik Bergström Frisk
|-
| 2020 || Kim Magnusson || Jacob Eriksson || Lucas Eriksson
|-
| 2021 || Victor Hillerström Rundh || Richard Larsén || Lucas Eriksson
|}

Contre-la-montre

|-
| 1909   || Hjalmar Levin || - || -
|-
| 1910   || Gustav Ericsson || - || -
|-
| 1911   || Axel Persson || - || -
|-
| 1912   || Axel Persson || - || -
|-
| 1913   || Axel Persson || - || -
|-
| 1915   || Harry Stenqvist || - || -
|-
| 1916   || John Gustavsson || - || -
|-
| 1918   || Ragnar Malm || - || -
|-
| 1919   || Axel Persson || - || -
|-
| 1920   || Harry Stenqvist || - || -
|-
| 1921   || Arthur Bjurberg || - || -
|-
| 1922   || Arthur Bjurberg || - || -
|-
| 1923   || Arthur Bjurberg || - || -
|-
| 1925   || Arthur Bjurberg || - || -
|-
| 1926   || Karl Lundberger || - || -
|-
| 1927   || Karl Lundberger || - || -
|-
| 1928   || Folke Nilsson || - || -
|-
| 1929   || Nils Holmqvist || - || -
|-
| 1930   || Sven Thor || - || -
|-
| 1931   || Sven Thor || Bernhard Britz || Gustaf Svensson
|-
| 1932   || Sven Thor || - || -
|-
| 1933   || Gustaf Svensson || - || -
|-
| 1934   || Gustaf Svensson || - || -
|-
| 1935   || Berndt Carlsson || - || -
|-
| 1936   || Berndt Carlsson || - || -
|-
| 1937   || Sven Johansson || - || -
|-
| 1938   || Sven Johansson || - || -
|-
| 1939   || Åke Seyffarth || - || -
|-
| 1940   || Åke Seyffarth || - || -
|-
| 1941   || Sven Johansson || - || -
|-
| 1942   || Arvid Adamsson || - || -
|-
| 1943   || Åke Seyffarth || Karl Erik Söderström || Uno Karlsson
|-
| 1944   || Harald Janemar || Arvid Adamsson || Harry Snell
|-
| 1945   || Harry Snell || Arvid Adamsson || Harald Janemar
|-
| 1946   || Åke Olivestedt || Sven Johansson || Yngve Lundh
|-
| 1947   || Sven Johansson || Hans Iwar || Arvid Adamsson
|-
| 1948   || Arvid Adamsson || Yngve Lundh || Sven Johansson
|-
| 1949   || Alan Carlsson || Arvid Adamsson || Nils Johansson
|-
| 1950   || Sven Johansson || Olle Wänlund || Arvid Adamsson
|-
| 1951   || Stig Mårtensson || John Wickström || Lars Nordwall
|-
| 1952   || Stig Mårtensson || Evert Lindgren || Lars Nordwall
|-
| 1953   || Martin Sjökvist || Gunnar Lindgren || Stig Mårtensson
|-
| 1954   || Lars Nordwall || Evert Lindgren || Gunnar Lindgren
|-
| 1955   || Lars Nordwall || Stig Mårtensson || Sven Johansson
|-
| 1956   || Herbert Dahlbom || Gunnar Lindgren || Gunnar Göransson
|-
| 1957   || Herbert Dahlbom || - || -
|-
| 1958   || Herbert Dahlbom || - || -
|-
| 1959   || Sune Hansson || - || -
|-
| 1960   || Herbert Dahlbom || - || -
|-
| 1962   || Gösta Pettersson || - || -
|-
| 1963   || Gösta Pettersson || - || -
|-
| 1964   || Gösta Pettersson || - || -
|-
| 1965   || Sture Pettersson || - || -
|-
| 1966   || Gösta Pettersson || - || -
|-
| 1967   || Gösta Pettersson || - || -
|-
| 1968   || Tomas Pettersson || - || -
|-
| 1969   || Gösta Pettersson || - || -
|-
| 1970   || Curt Söderlund || - || -
|-
| 1971   || Sten Andersson || - || -
|-
| 1972   || Sten Andersson || - || -
|-
| 1973   || Sten Andersson || - || -
|-
| 1974   || Tord Filipsson || - || -
|-
| 1975   || Tord Filipsson || - || -
|-
| 1976   || Tord Filipsson || - || -
|-
| 1977   || Tord Filipsson || - || -
|-
| 1978   || Bengt Asplund || - || -
|-
| 1979   || Tommy Prim || - || -
|-
| 1980   || Bengt Asplund || - || -
|-
| 1981   || Bengt Asplund || - || -
|-
| 1982   || Bengt Asplund || - || -
|-
| 1983   || Håkan Larsson || - || -
|-
| 1984   || Bengt Asplund || - || -
|-
| 1985   || Magnus Knutsson || - || -
|-
| 1986   || Anders Jarl || - || -
|-
| 1987   || Björn Johansson || - || -
|-
| 1988   || Jan Karlsson || - || -
|-
| 1989   || Jan Karlsson || - || -
|-
| 1990   || Lars Wahlqvist || - || -
|-
| 1991   || Lars Wahlqvist || - || -
|-
| 1992   || Michael Andersson || - || -
|-
| 1993   || Michael Andersson || - || -
|-
| 1994   || Magnus Åström || - || -
|-
| 1995   || Jan Karlsson || - || -
|-
| 1996   || Michael Andersson || - || -
|-
| 1997   || Michael Andersson || - || -
|-
| 1998   || Michael Andersson || - || -
|-
| 1999   || Michael Andersson || - || -
|-
| 2000   ||  Michael Andersson  || Petter Renäng   ||  Martin Rittsel
|-
| 2001   ||  Jonas Olsson   || Gustav Larsson  ||  Tobias Lergard
|-
| 2002  ||  Jonas Olsson  ||  Gustav Larsson ||  Martin Rittsel
|-
| 2003 || Magnus Bäckstedt || Jonas Olsson || Thomas Lövkvist
|-
| 2004 || Thomas Lövkvist || Petter Renäng  ||  Fredrik Johansson
|-
| 2005 || Viktor Renäng || Stefan Grahn || Stefan Adamsson
|-
| 2006 || Gustav Larsson || Thomas Lövkvist || Marcus Ljungqvist
|-
| 2007 || Gustav Larsson || Magnus Bäckstedt || Lucas Persson
|-
| 2008 ||  Fredrik Ericsson || Gustav Larsson  || Thomas Lövkvist
|-
| 2009 || Alexander Wetterhall || Fredrik Ericsson  || Fredrik Kessiakoff
|-
| 2010 || Gustav Larsson || Sebastian Balck || Fredrik Kessiakoff
|-
| 2011 || Gustav Larsson || Thomas Lövkvist || Alexander Wetterhall
|-
| 2012 || Gustav Larsson || Tobias Ludvigsson || Alexander Wetterhall
|-
| 2013 || Gustav Larsson || Tobias Ludvigsson || Thomas Lövkvist
|-
| 2014 || Alexander Gingsjö || Alexander Wetterhall || Marcus Fåglum
|-
| 2015 || Gustav Larsson || Alexander Wetterhall || Joakim Åleheim
|-
| 2016 || Alexander Wetterhall || Tobias Ludvigsson || Gustav Larsson
|-
| 2017 || Tobias Ludvigsson || Alexander Wetterhall || Hampus Anderberg
|-
| 2018 || Tobias Ludvigsson || Staffan Arvidsson McShane || Hannes Bergström Frisk
|-
| 2019 || Tobias Ludvigsson || Erik Bergström Frisk || Hugo Forssell
|-
| 2020 || Jacob Ahlsson || Tobias Ludvigsson || Hugo Forssell
|}

Contre-la-montre par équipes

|-
| 1955 || Gunnar LindgrenRune NilssonClarence CarlssonStig Andersson || - || -
|-
| 1956 || Stig MårtenssonBengt FröbomErik GruddOwe Nordqvist || - || -
|-
| 1957 || Gunnar LindgrenRune NilssonThure BengtssonClarence Carlsson || - || -
|-
| 1966 || Gösta PetterssonSture PetterssonErik Pettersson || - || -
|-
| 1967 || Gösta PetterssonSture PetterssonErik Pettersson || - || -
|-
| 1968 || Gösta PetterssonSture PetterssonErik Pettersson || - || -
|-
| 1969 || Gösta PetterssonErik PetterssonTomas Pettersson || - || -
|-
| 1970 || Tord FilipssonThomas ThomassonHardy Jörgenssen || - || -
|-
| 1971 || Leif HanssonLars EricssonJan Persson || - || -
|-
| 1972 || Tord FilipssonHardy JörgenssenSören Linzie || - || -
|-
| 1973 || Lennart FagerlundAnders GåvertssonBernt Johansson || - || -
|-
| 1974 || Hans-Råger BergströmLeif LundströmRonnie Carlsson || - || -
|-
| 1975 || Lennart FagerlundBernt JohanssonLennart Johansson || - || -
|-
| 1976 || Lennart FagerlundBernt JohanssonLennart Johansson || - || -
|-
| 1977 || Alf SegersällMats MikiverClaes Göransson || - || -
|-
| 1978 || Tommy PrimClaes GöranssonMats Mikiver || - || -
|-
| 1979 || Tommy PrimClaes GöranssonMats Mikiver || - || -
|-
| 1980 || Anders AdamssonBengt AsplundMats Larsson || - || -
|-
| 1981 || Anders AdamssonKristian AllbergBengt Asplund || - || -
|-
| 1982 || Bengt AsplundThomas ErikssonKjell Hedman || - || -
|-
| 1983 || Håkan LarssonThomas RaskIngemar Pettersson || - || -
|-
| 1984 || Stefan BryktMagnus KnutssonKjell Nilsson || - || -
|-
| 1985 || Stefan BryktMagnus KnutssonRoul Fahlin || - || -
|-
| 1986 || Anders JarlMagnus KnutssonLars Wahlqvist || - || -
|-
| 1987 || Stefan BryktPeter JonssonPer Morberg || - || -
|-
| 1988 || Stefan BryktPer MorbergPeter Torstensson || - || -
|-
| 1989 || Håkan HarvidssonPeter JohanssonJan Karlsson || - || -
|-
| 1990 || Magnus KnutssonMichel LafisPer Morberg || - || -
|-
| 1991 || Björn JohanssonMagnus KnutssonLars Wahlqvist || - || -
|-
| 1992 || Allen AnderssonBjörn JohanssonLars Wahlqvist || - || -
|-
| 1993 || Michael AnderssonNiklas AxelssonMartin Rittsel || - || -
|-
| 1994 || Stefan HallerödJan KarlssonMagnus Knutsson || - || -
|-
| 1999 || Markus AnderssonKristoffer IngebyMagnus Ljungbald || - || -
|-
| 2000 || Stefan AdamssonTobias LergardJonas Ljungblad || - || -
|-
| 2001 || Niclas EkströmHakan NilssonHenrik Oldin || - || -
|-
| 2002 || Erik WendelGustav LarssonJonas Holmkvist || - || -
|-
| 2003 || Jonas OlssonThomas LövkvistTobias Lergard || - || -
|-
| 2004 || Andreeas JohanssonDennis PerssonLucas Persson || - || -
|-
| 2005 || Matthias CarlssonBjörn AnderssonJoakim Åleheim || - || -
|}

Course en ligne espoirs

|-
| 2015 || Ludvig Bengtsson || Gustav Höög || Erik Nyqvist
|-
| 2016 || Lucas Eriksson || Marcus Fåglum || Pontus Kastemyr
|}

Contre-la-montre espoirs

|-
| 2015 || Hampus Anderberg || Marcus Fåglum || Pontus Kastemyr
|-
| 2016 || Pontus Kastemyr || Marcus Fåglum || Hampus Anderberg
|}

Podiums des championnats féminins

Course en ligne

|style="text-align:center;"|1972|| Ann Pettersson ||||
|-
|style="text-align:center;"|1973|| Tuulikki Jahre ||||
|-
|style="text-align:center;"|1974||Eva Johansson||Agneta Asplund||Aase Bosager
|-
|style="text-align:center;"|1975|| Meeri Bodelid ||Marja-Leena Huhtiniemi ||Solvej Carlsson
|-
|style="text-align:center;"|1976|| Tuulikki Jahre ||Anita Bergsten||Agneta Asplund
|-
|style="text-align:center;"|1977|| Tuulikki Jahre ||Agneta Asplund||Anna-Karin Johansson
|-
|style="text-align:center;"|1978||Kristina Ranudd||Tuulikki Jahre||Anna-Karin Johansson
|-
|style="text-align:center;"|1979|| Marianne Berglund ||Inger Strandberg||Anna-Karin Johansson
|-
|style="text-align:center;"|1980|| Anna-Karin Johansson ||Tuulikki Jahre||Kristina Ranudd
|-
|style="text-align:center;"|1981|| Maria Johnsson ||Tuulikki Jahre||Agneta Asplund
|-
|style="text-align:center;"|1982|| Maria Johnsson ||Tuulikki Jahre||Agneta Asplund
|-
|style="text-align:center;"|1983|| Kristina Ranudd ||Marie Höljer||Kathrine Lundström
|-
|style="text-align:center;"|1992|| Christina Vosveld ||Elisabeth Westman || Marie Höljer
|-
|style="text-align:center;"|1993|| Christina Vosveld || Elisabeth Westman || Marie Höljer
|-
|style="text-align:center;"|1994|| Susanne Ljungskog || Marie Höljer || Helena Norrman
|-
|style="text-align:center;"|1995|| Linda Hydén || Marie Höljer || Annelie Lundin
|-
|style="text-align:center;"|1996|| Madeleine Lindberg || Marie Höljer ||Susanne Ljungskog
|-
|style="text-align:center;"|1997|| Madeleine Lindberg || Marie Höljer || Annelie Lundin
|-
|style="text-align:center;"|1998|| Madeleine Lindberg || Marie Höljer ||Susanne Ljungskog
|-
|style="text-align:center;"|1999|| Madeleine Lindberg || Susanne Ljungskog || Marie Höljer
|-
|style="text-align:center;"|2000|| Madeleine Lindberg || Susanne Ljungskog || Jenny Algelid
|-
|style="text-align:center;"|2001|| Madeleine Lindberg || Maria Östergren || Åsa Hagberg
|-
|style="text-align:center;"|2002|| Nathalie Visser || Veronica Andrèasson || Susanne Ljungskog
|-
|style="text-align:center;"|2003|| Susanne Ljungskog || Madeleine Lindberg || Camilla Larsson
|-
|style="text-align:center;"|2004|| Susanne Ljungskog || Monica Holler || Madeleine Lindberg
|-
|style="text-align:center;"|2005|| Susanne Ljungskog || Maria Östergren || Mirella Ehrin
|-
|style="text-align:center;"|2006|| Susanne Ljungskog || Monica Holler || Karin Aune
|-
|style="text-align:center;"|2007|| Angelica Agerteg || Linda Josefsson || Madeleine Olsson Eriksson
|-
|style="text-align:center;"|2008|| Emilia Fahlin || Emma Johansson || Susanne Ljungskog
|-
|style="text-align:center;"|2009|| Jennie Stenerhag || Karin Aune || Marie Lindberg
|-
|style="text-align:center;"|2010|| Emma Johansson || Marie Lindberg || Sara Mustonen
|-
|style="text-align:center;"|2011|| Emma Johansson || Jennie Stenerhag || Emilia Fahlin
|-
|style="text-align:center;"|2012|| Emma Johansson || Emilia Fahlin || Isabelle Söderberg
|-
|style="text-align:center;"|2013|| Emilia Fahlin || Emma Johansson || Jessica Kihlbom
|-
|style="text-align:center;"|2014|| Emma Johansson || Malin Rydlund || Sara Mustonen
|-
|style="text-align:center;"|2015|| Emma Johansson || Sara Mustonen || Hanna Nilsson
|-
|style="text-align:center;"|2016|| Emma Johansson || Sara Mustonen || Emilia Fahlin
|-
|style="text-align:center;"|2017|| Sara Penton || Ida Erngren || Hanna Nilsson

Contre-la-montre

|style="text-align:center;"|1971|| Elisabet Höglund ||||
|-
|style="text-align:center;"|1972|| Elisabet Höglund ||||
|-
|style="text-align:center;"|1973|| Marja-Leena Huhtiniemi ||||
|-
|style="text-align:center;"|1974|| Anna-Karin Johansson || Marja-Leena Huhtiniemi || Elisabet Höglund
|-
|style="text-align:center;"|1975|| Marja-Leena Huhtiniemi || Elisabet Höglund || Christel Johansson
|-
|style="text-align:center;"|1976|| Tuulikki Jahre ||||
|-
|style="text-align:center;"|1977|| Tuulikki Jahre || Ritva Mykkänen || Anna-Karin Johansson
|-
|style="text-align:center;"|1978|| Anna-Karin Johansson || Tuulikki Jahre || Kristina Ranudd
|-
|style="text-align:center;"|1979|| Tuulikki Jahre ||||
|-
|style="text-align:center;"|1980|| Tuulikki Jahre ||||Kristina Ranudd
|-
|style="text-align:center;"|1981|| Maria Johnsson || Tuulikki Jahre || Pia Prim
|-
|style="text-align:center;"|1982|| Maria Johnsson ||||
|-
|style="text-align:center;"|1983|| Kathrine Lundström ||||Kristina Ranudd
|-
|style="text-align:center;"|1984|| Marie Höljer ||||
|-
|style="text-align:center;"|1985|| Christina Vosveld ||||
|-
|style="text-align:center;"|1986|| Christina Vosveld ||||
|-
|style="text-align:center;"|1987|| Christina Vosveld ||||
|-
|style="text-align:center;"|1988|| Christina Vosveld ||||
|-
|style="text-align:center;"|1989|| Christina Vosveld ||||
|-
|style="text-align:center;"|1990|| Christina Vosveld ||||
|-
|style="text-align:center;"|1991|| Marie Höljer ||||
|-
|style="text-align:center;"|1992|| Christina Vosveld ||||
|-
|style="text-align:center;"|1993|| Christina Vosveld ||||
|-
|style="text-align:center;"|1994|| Susanne Ljungskog ||||
|-
|style="text-align:center;"|1995|| Jenny Algelid || Marie Höljer || Helena Norrman
|-
|style="text-align:center;"|1996|| Jenny Algelid || Susanne Ljungskog || Marie Höljer
|-
|style="text-align:center;"|1997|| Jenny Algelid || Marie Höljer || Susanne Ljungskog
|-
|style="text-align:center;"|1998|| Jenny Algelid || Susanne Ljungskog || Marie Höljer
|-
|style="text-align:center;"|1999|| Jenny Algelid || Susanne Ljungskog || Marie Höljer
|-
|style="text-align:center;"|2000|| Jenny Algelid || Marie Höljer || Annica Jonsson
|-
|style="text-align:center;"|2001|| Madeleine Lindberg || Susanne Ljungskog || Veronica Andrèasson
|-
|style="text-align:center;"|2002|| Jenny Algelid || Susanne Ljungskog || Lotta Green
|-
|style="text-align:center;"|2003|| Susanne Ljungskog || Madeleine Lindberg || Lotta Green
|-
|style="text-align:center;"|2004|| Susanne Ljungskog || Madeleine Lindberg || Lotta Green
|-
|style="text-align:center;"|2005|| Emma Johansson || Monica Holler || Madeleine Lindberg
|-
|style="text-align:center;"|2006|| Susanne Ljungskog || Veronica Andrèasson || Eva Nyström
|-
|style="text-align:center;"|2007|| Emma Johansson || Eva Nyström || Marie Lindberg
|-
|style="text-align:center;"|2008|| Emma Johansson || Dorotea Isaksson || Camilla Larsson
|-
|style="text-align:center;"|2009|| Emilia Fahlin || Susanne Ljungskog || Emma Johansson
|-
|style="text-align:center;"|2010|| Emilia Fahlin || Emma Johansson || Sara Mustonen
|-
|style="text-align:center;"|2011|| Emilia Fahlin || Emma Johansson || Sara Mustonen
|-
|style="text-align:center;"|2012|| Emma Johansson || Malin Rydlund || Emilia Fahlin
|-
|style="text-align:center;"|2013|| Emma Johansson || Lisa Nordén || Malin Rydlund
|-
|style="text-align:center;"|2014|| Emma Johansson || Eva Nyström || Malin Rydlund
|-
|style="text-align:center;"|2015|| Emma Johansson || Sara Mustonen || Hanna Nilsson
|-
|style="text-align:center;"|2016|| Emma Johansson || Emilia Fahlin || Aasa Lundström
|-
|style="text-align:center;"|2017|| Lisa Nordén || Aasa Lundström || Hanna Nilsson

Liens externes
Palmarès de la course en ligne masculine sur cyclebase.nl
Palmarès du contre-la-montre masculin sur cyclebase.nl
Palmarès de la course en ligne féminine sur cyclebase.nl
Palmarès du contre-la-montre féminin sur cyclebase.nl

Route


Alejandro Zambra is the author of My Documents, which was a finalist for the Frank O'Connor International Short Story Award, and three previous novels: Ways of Going Home, The Private Lives of Trees, and Bonsai. His books have been translated into more than ten languages and have received several international prizes. His stories have appeared in the New Yorker, the Paris Review, Harper's, Tin House, and McSweeney's, among others. In 2010, he was named one of Granta's Best Young Spanish-Language Novelists, and he is a 2015–16 Cullman Center fellow at the New York Public Library. He teaches literature at Diego Portales University, in Santiago, Chile.
An experimental novel presented as a test form – the mimicry of the Verbal Aptitude Test. Thus the text of the novel is a number of formally disconnected texts which build up and into artistic unity the author and critics call a novel for the lack of any other apt term. The translation seems to be most flexible in rendering the rich allusions and multi-layered structure of the original. It may well be that this piece signifies the emergence of a new form in Latin American fiction.


text:
An Ending (Ascent)
Apollo: Atmospheres & Soundtracks (with Daniel Lanois & Roger Eno) 1983
Ambient 1: Music for Airports 1978
Ambient 2: The Plateaux of Mirror 1980
By Brian Eno, Paul Hewson, Adam Clayton, Dave Evans & Larry Mullen - Brian Eno, Bono, The Edge, Luciano Pavarotti, L'Orchestra Filarmonica Di Torino & Michael Kamen
Deep Blue Day
Artist Playlists
About Brian Eno
Ambient pioneer, glam rocker, hit producer, multimedia artist, technological innovator, worldbeat proponent, and self-described non-musician -- over the course of his long, prolific, and immensely influential career, Brian Eno was all of these things and much, much more. Determining his creative pathways with the aid of a deck of instructional, Tarot-like cards called Oblique Strategies, Eno championed theory over practice, serendipity over forethought, and texture over craft; in the process, he forever altered the ways in which music is approached, composed, performed, and perceived, and everything from punk to techno to new age bears his unmistakable influence. Initially known for playing keyboards and tape recorders in Roxy Music, he left in 1973 and began releasing atmospheric instrumental albums with King Crimson guitarist Robert Fripp, as well as art rock solo albums such as Here Come the Warm Jets and Another Green World. Released in 1978, the groundbreaking Ambient 1: Music for Airports gave a name to the genre that he would be most closely associated with, although Eno would sporadically return to vocal-based songwriting throughout his career. He also became a highly successful producer for rock and pop acts such as U2, Coldplay, David Bowie, and Talking Heads.
Brian Peter George St. John le Baptiste de la Salle Eno was born in Woodbridge, England, on May 15, 1948. Raised in rural Suffolk, an area neighboring a U.S. Air Force base, as a child he grew enamored of the "Martian music" of doo wop and early rock & roll broadcast on American Armed Forces radio; a subsequent tenure at art school introduced him to the work of contemporary composers John Tilbury and Cornelius Cardew, as well as minimalists John Cage, LaMonte Young, and Terry Riley. Instructed in the principles of conceptual painting and sound sculpture, Eno began experimenting with tape recorders, which he dubbed his first musical instrument, finding great inspiration in Steve Reich's tape orchestration "It's Gonna Rain."
After joining the avant-garde performance art troupe Merchant Taylor's Simultaneous Cabinet, as well as assuming vocal and "signals generator" duties with the improvisational rock unit Maxwell Demon, Eno joined Cardew's Scratch Orchestra in 1969, later enlisting as a clarinetist with the Portsmouth Sinfonia. In 1971 he rose to prominence as a member of the seminal glam band Roxy Music, playing the synthesizer and electronically treating the band's sound. A flamboyant enigma decked out in garish makeup, pastel feather boas, and velvet corsets, his presence threatened the focal dominance of frontman Bryan Ferry, and relations between the two men became strained; finally, after just two LPs -- 1972's self-titled debut and 1973's brilliant For Your Pleasure -- Eno exited Roxy's ranks to embark on a series of ambitious side projects.
The first, 1973's No Pussyfooting, was recorded with Robert Fripp; for the sessions Eno began developing a tape-delay system, dubbed "Frippertronics," which treated Fripp's guitar with looped delays in order to ultimately employ studio technology as a means of musical composition, thereby setting the stage for the later dominance of sampling in hip-hop and electronica. Eno soon turned to his first solo project, the frenzied and wildly experimental Here Come the Warm Jets, which reached the U.K. Top 30. During a brief tenure fronting the Winkies, he mounted a series of British live performances despite ill health; less than a week into the tour, Eno's lung collapsed, and he spent the early part of 1974 hospitalized.
Upon recovering, he traveled to San Francisco, where he stumbled upon a set of postcards depicting a Chinese revolutionary opera that inspired 1974's Taking Tiger Mountain (By Strategy), another sprawling, free-form collection of abstract pop. A 1975 car accident that left Eno bedridden for several months resulted in perhaps his most significant innovation, the creation of ambient music: unable to move to turn up his stereo to hear above the din of a rainstorm, he realized that music could assume the same properties as light or color, and blend thoroughly into its given atmosphere without upsetting the environmental balance. Heralded by the release of 1975's minimalist Another Green World, Eno plunged completely into ambient with his next instrumental effort, Discreet Music, the first chapter in a ten-volume series of experimental works issued on his own Obscure label.
After returning to pop structures for 1977's Before and After Science, Eno continued his ambient experimentation with Music for Films, a collection of fragmentary pieces created as soundtracks for imaginary motion pictures. Concurrently, he became a much sought-after collaborator and producer, teaming with the German group Cluster as well as David Bowie, with whom he worked on the landmark trilogy Low, Heroes, and Lodger. Additionally, Eno produced the seminal no wave compilation No New York and in 1978 began a long, fruitful union with Talking Heads, his involvement expanding over the course of the albums More Songs About Buildings and Food and 1979's Fear of Music to the point that by the time of 1980's world music-inspired Remain in Light, Eno and frontman David Byrne shared co-writing credits on all but one track. Friction with Byrne's bandmates hastened Eno's departure from the group's sphere, but in 1981 he and Byrne reunited for My Life in the Bush of Ghosts, a landmark effort that fused electronic music with a pioneering use of Third World percussion.
In the interim, Eno continued to perfect the concept of ambient sound with 1978's Music for Airports, a record designed to calm air passengers against fears of flying and the threat of crashes. In 1980, he embarked on collaborations with minimalist composer Harold Budd (The Plateaux of Mirror) and avant trumpeter Jon Hassell (Possible Musics), as well as Acadian producer Daniel Lanois, with whom Eno would emerge as one of the most commercially successful production teams of the '80s, helming a series of records for the Irish band U2 (most notably The Joshua Tree and Achtung Baby) that positioned the group as one of the world's most respected and popular acts. Amidst this flurry of activity, Eno remained dedicated to his solo work, moving from the earthbound ambience of 1982's On Land to other worlds for 1983's Apollo: Atmospheres & Soundtracks, a collection of space-themed work created in tandem with Lanois and Eno's brother Roger. In 1985, Eno resurfaced with Thursday Afternoon, the soundtrack to a VHS cassette of "video paintings" by artist Christine Alicino.
After Eno produced John Cale's 1989 solo effort Words for the Dying, the duo collaborated on 1990's Wrong Way Up, the first record in many years to feature Eno's vocals. Two years later he returned with the solo projects The Shutov Assembly and Nerve Net, followed in 1993 by Neroli; Glitterbug, a 1994 soundtrack to a posthumously released film by Derek Jarman, was subsequently reworked by Jah Wobble and issued in 1995 as Spinner. In addition to his musical endeavors, Eno also frequently ventured into other realms of media, beginning in 1980 with the vertical-format video Mistaken Memories of Medieval Manhattan; along with designing a 1989 art installation to help inaugurate a Shinto shrine in Japan and 1995's Self-Storage, a multimedia work created with Laurie Anderson, he also published a diary, 1996's A Year with Swollen Appendices, and formulated Generative Music I, a series of audio screen savers for home computer software. In August of 1999, Sonora Portraits, a collection of Eno's previous ambient tracks and a 93-page companion booklet, was published.
Around 1998, Eno was working heavily in the world of art installations and a series of his installation soundtracks started to appear, most in extremely limited editions (making them instant collector's items). In 2000, he teamed with German DJ Jan Peter Schwalm for the Japanese-only release Music for Onmyo-Ji. The duo's work got worldwide distribution the next year with Drawn from Life, an album that kicked off Eno's relationship with the Astralwerks label. The Equatorial Stars, released in 2004, was Eno's first work with Robert Fripp since Evening Star, the 1975 follow-up to No Pussyfooting. His first solo vocal album in 15 years, Another Day on Earth, was issued in 2005, followed by 2008's Everything That Happens Will Happen Today, another collaboration with David Byrne. In 2010, Eno signed to the Warp label, where he released Small Craft on a Milk Sea, a collaboration with Leo Abrahams and Jon Hopkins. The following year's Drums Between the Bells featured poet Rick Holland, as well as several vocalists.
Eno returned to his ambient style of recording with Lux in late 2012. His next project was a collaboration with Underworld's Karl Hyde. Bonding over a shared love of Afro-beat, the pair worked on intros that Eno had lying around but had never been able to complete, resulting in a surprising collection of unusual pop songs. The finished album, titled Someday World, was issued in May of 2014, followed by the pair's second album, High Life, a scant two months later. Eno went back to working solo for 2016's The Ship. Released in April of that year, it comprised two long tracks totaling 47 minutes. The second, a three-part suite, concluded with a cover of the Velvet Underground's "I'm Set Free." Later that year, he announced another ambient album, Reflection. Described as a "provocative space for thinking," it consisted of a single nearly hourlong track and was released on New Year's Day 2017. During the year, Eno collaborated with pianist Tom Rogerson (of Three Trapped Tigers), resulting in an album titled Finding Shore. Dead Oceans issued the album in December 2017. The following year, Eno and My Bloody Valentine's Kevin Shields released a collaborative single for Record Store Day, "The Weight of History" b/w "Only Once Away My Son." Also in 2018, Eno released Music for Installations, a box set compiling rare and previously unissued pieces commissioned for galleries and audio-visual installations. ~ Jason Ankeny
Woodbridge, Suffolk, England
Jon Hassell
Jon Hassel


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Datasheet 电路图 电子通. SPR000 GI DIP40 DC86 SN0002BFK TI LCC28 LH0002CH CALOGIC TO99 DC97 LH0002CN NSC DIP10 DC97. invwatt car stereo power amp. buynow RFQ, shopping Electronic datasheet parts. 您是不是要找: F9540 F9540N F9540NS F9600A F9601DC F9601DM F9602PC F960DC. F9602PC xref NTEQTY 1 Jim Bell Box. F9602pc datasheet.
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sheet1 ad zzpp3718a mit z- yzxldc310 zxld300 zxld1360 f9602pc zxld1350 zetex zxbm zxbm1015 zxbm1004 zyxel zx1503a f9602pc zx1503 cq ztb400pc zta33. 供应ic芯片品牌、 datasheet 价格、 pdf参数 - f9602pc 电子产品资料 上海金庆电子科技京城市场部 请致电上海/ acl2520s39nmt f711063agft m5m467400ctp- 5 rc02h10k1% w152- 3gt acl2520s3r9k f711252bggp m5m46. AN6419 18 PIN DIP BIN CARP15DIPS ALSO in datasheet CARP15Dips2 I didnt see a cross ref or datasheet on line for this one AN641. 维库电子市场网】 提供最为精准的f951v224mqaaq2信息、 f951v224mqaaq2厂家、 f951v224mqaaq2供应商、 f951v224mqaaq2品牌、 封装批号等内容, 查看f951v224mqaaq2信息就上【 维库电子市场网】 。. F9602FMQB F9602FMQB9 F9602PC F9602- PC F9602PC F9602PC* F9602PC F9602PC* 9 F9602PC9 F9602PC9. Free Locator Service for Electronic Components and Electrical Parts. Junction Temperature Fig 5. 在采购f9602pc进货过程中, 您使用搜索有什么问题和建议? 点此反馈.
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HEXFET® Power MOSFET PD - 9. 1239D l Generation V Technology l Ultra Low On- Resistance l Dual N- Channel Mosfet l Surface Mount l Available in Tape & Reel l Dynamic dv/ dt Rating l Fast Switching Description Fifth Generation HEXFETs from International Rectifier utilize advanced processing techniques to achieve the lowest possible on- resistance per silicon area. Ebook download as PDF File (. pdf), Text File (. txt) or read book online. Scribd is the world' s largest social reading and publishing site.
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text:
package org.kuali.kra.negotiations.bo;

import org.apache.commons.lang3.StringUtils;
import org.kuali.kra.infrastructure.KeyConstants;
import org.kuali.kra.maintenance.KraMaintainableImpl;
import org.kuali.coeus.sys.framework.validation.ErrorReporter;
import org.kuali.rice.kns.service.KNSServiceLocator;

import java.util.Collection;

/**
 *
 * This class takes of the business rules for saving a negotiation grouping base object.
 */
public class NegotiationsMaintainableImpl extends KraMaintainableImpl {

    private static final long serialVersionUID = -4054390064236611181L;

    @Override
    public void prepareForSave() {
        NegotiationsGroupingBase negotiationBase = (NegotiationsGroupingBase) this.businessObject;

        boolean isNew = negotiationBase.getId() == null;

        validateCode(negotiationBase, isNew);

        super.prepareForSave();
    }

    private void validateCode(NegotiationsGroupingBase negotiationBase, boolean isNew) {
        Collection<? extends NegotiationsGroupingBase> dbCollection = KNSServiceLocator.getBusinessObjectService().findAll(negotiationBase.getClass());

        for (NegotiationsGroupingBase dbBase : dbCollection) {
            if (isNew) {
                if (StringUtils.equalsIgnoreCase(negotiationBase.getCode(), dbBase.getCode())) {
                    reportError(negotiationBase.getCode());
                }
            } else {
                if (!negotiationBase.getId().equals(dbBase.getId())
                        && StringUtils.equalsIgnoreCase(negotiationBase.getCode(), dbBase.getCode())) {
                    reportError(negotiationBase.getCode());
                }
            }
        }
    }

    private void reportError(String codeValue) {
        ErrorReporter errorReporter = new ErrorReporter();
        errorReporter.reportError("document.newMaintainableObject.code", KeyConstants.NEGOTIATION_STATUS_USED, codeValue);
    }
}

redpajama_set_name: RedPajamaGithub


text:
The Newspaper of the Diocese of Peoria, Illinois
The Sheen Corner
Living the Word
World/National News
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Sheen scholar, camera expert join team planning 12-part television miniseries
By: Jennifer Willems - February 26, 2020 - News Article
A scholar on the life and virtues of Venerable Archbishop Fulton Sheen and a Chicago-based production partner to the motion picture industry have joined Sean Fahey and Dieterich Gray to support development and production of "Wolves and Sheep," a 12-part miniseries about Sheen.
The first is Dr. Peter Howard, a popular speaker in the Diocese of Peoria, who holds a doctorate in sacred theology from the Angelicum in Rome. He is founder of the Fulton Sheen Institute and author of "The Woman: Mary as Mediatrix in the Teaching of Fulton J. Sheen."
Also joining the producing team is Lawrence Daufenbach, who founded Daufenbach Camera in 2009 and serves as its CEO. Fahey and Gray credit him with having the premier camera house for the motion picture and television industry in Chicago, which will enable them to shoot interior scenes for the pilot episode there.
"Sheen rose to fame on screen while living in Manhattan, and we will shoot exteriors and select scenes there, but having the control to replicate all our interiors in one space is going to give us the look we want and the creative control we want, to recreate stunning locations," Fahey said.
"I've been tracking Bishop Fulton Sheen's story for several years and when I learned that Sean and Dieterich were developing a series I had to reach out and learn more," Daufenbach said. "Sheen was a pivotal player in the pioneering days of television, not to mention his work within the Catholic Church."
After reading the pilot, he told Fahey and Gray, "Whatever I can do to help your efforts, be it camera gear, crew, anything, I'm in."
As for Howard, Gray said he and Fahey "are thrilled to have an expert on Bishop Sheen's virtues as a creative partner."
"Peter brings new insights into how Sheen's faith touches the world, which will add deeper nuance to our series," Gray said.
Fahey, who grew up in Peoria, and Gray, who is a native of Galesburg, have been working on "Wolves and Sheep" since 2014. This month they will travel to Manhattan and spend the next four months working as artists in residence on the rest of the episodes in the series.
During this time all four members of the producing team will have meetings with major networks, venture capital firms, and talent in New York and Los Angeles. It is their hope to get a "green light" for the pilot episode this year.
Dieterich Grayw, Dr. Peter Howard, Fulton Sheen, Lawrence Daufenbach, miniseries, Sean Fahey, television
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1. noun A rather unusual, strange, eccentric, or peculiar person. His new girlfriend is nice enough, but she's a bit of an odd bod, don't you think? I'm still in disbelief someone like her would want to date an odd bod like me.
2. adjective Particularly unusual, strange, eccentric, or peculiar. Hyphenated and used before a noun. I don't mind if Jeff comes to the party, but I don't want those odd-bod friends he hangs around with to be there. She's something of an odd-bod artist, living in total solitude and rarely making public appearances.
1. n. a body, especially a nice body. (see also odd-bod.) You got a nice bod, Tom.
2. n. a person. Who's the bod with the tight slacks?
1. n. a strange person. Who is that odd-bod over in the corner?
2. n. a person with a strange body. I am such an odd-bod that it's hard to find clothes that fit.
3. n. a peculiar body. I have such an odd-bod that it's hard to find clothes.
A wedyn dyma nhw'n fwriadol holi pobl gwrthun oedd am sicrhau bod eu plant yn dysgu "ieithoedd modern" yn hytrach na'r Gymraeg, fel tase ysgolion Cymraeg ddim yn dysgu ieithoedd Ewropeaidd a bod y Gymraeg yn opsiwn oedd yn ymdebygu i Ladin.
Depending on the BOD value of the particular solution it took 15-45 min to achieve a stabilized output.
BOD tends to save boot on leather for one-on-one situations.
Novel on-line control systems are now available to measure phosphorous and BOD levels to optimize biological nutrient levels.
The BOD discussed the desire to maintain the membership database on the CARING website for more accessibility by CARING members, and Sheryl Taylor volunteered to head up a group to examine this opportunity.
Members of the BOD take their role seriously and want the material placed before them to facilitate good decision--making.
ACE's BoD capabilities are well in advance of other systems that have been deployed in the U.
The minutes of the June BOD meeting were approved as was the treasurer's report.
The two-stage study focused on functioning of the filter and the effects on filtration on coolant chemistry BOD, and strategies to reduce BOD.
NEW YORK -- Fitch Ratings has placed Banco Occidental de Descuento's (BOD) Issuer Default Rating (IDR) and Individual Rating on Rating Watch Negative after BOD acquired from its shareholder (Cartera de Inversiones de Venezuela - CIV) Corp Banca C.
Ers Oes Fictoria, mae Llandudno wedi bod yn llawn o westai o bob math.
PESHAWAR -- The 110th meeting of Pesco Bord of Directors was held at Wapda House Peshawar with Chairman BoD Pesco Malik Muhammad Asad Khan in the chair.
Chairman BoD Pesco Malik Mohammad Asad Khan presided over the meeting.
The board meeting chaired by Chairman BoD Malik Mohammad Asad Khan and was attended presided over the meeting.


text:
package avrohugger
package input
package reflectivecompilation

import schemagen._

import scala.collection.JavaConverters._

object PackageSplitter {

  def getCompilationUnits(code: String): List[String] = {

    def getCompilationUnits(
      lines : List[String],
      pkgResult: List[String]= List(),
      compUnitResult: List[String]= List() ): List[String] = {

      def getBody(code: List[String], bodyResult: List[String] = List()): List[String] = {
        code match {
          case head::tail if head.startsWith("package") => {
            getCompilationUnits(code, List(), compUnitResult:+((pkgResult:::bodyResult).mkString("\n")))
          }
          case head::tail => getBody(tail, bodyResult:+head)
          case Nil => compUnitResult:+((pkgResult:::bodyResult).mkString("\n"))
        }
      }
      val compilationUnits = lines match {
        case head::tail if head.startsWith("package") => getCompilationUnits(tail, pkgResult:+head, compUnitResult)
        case ls => getBody(ls)
      }
      compilationUnits
    }

    // the parser can only parse packages if their contents are within explicit blocks
    def wrapPackages(code: String): String = {
      // match package definitions that don't already wrap their contents in { }
      val nonWrappedRegEx = "(?!(package .*? \\{))(package ([a-zA-Z_$][a-zA-Z\\d_$]*\\.)*[a-zA-Z_$][a-zA-Z\\d_$]*)".r
      nonWrappedRegEx.findFirstIn(code) match {
        case Some(nonWrappedPackage) => {
          val openPackage = nonWrappedPackage + " {"
          val closePackage = "}"
          val wrappedPackage = nonWrappedRegEx.replaceFirstIn(code, openPackage) + closePackage
          wrapPackages(wrappedPackage)}
        case None => code
      }
    }

    val lines = code.split("\n").toList
    val compilationUnits = getCompilationUnits(lines)
    // reversed so the most nested classes need to be expanded first
    val formatted = compilationUnits.map(compUnit => wrapPackages(compUnit)).reverse
    formatted
  }

}


I am sure you are as busy as I am, I get about 160 emails a day, but I felt since I RARELY get the customer service I think is warranted in such a costly market (firearms) that I would pass this along to give credit where credit is due, and one last point. Thanks again for hiring and maintaining such quality enjoyable people!
My father has a colt and will likely step into the JP world soon as well.


My knowledge of eighteenth century fashion is not as extensive as my knowledge of nineteenth century fashion but I am still learning. This dress appears to have come from the later part of the century after the stomacher and panniers had largely gone out of fashion. The material appears to be silk for both the gown and the petticoat. There are delicate pink roses scattered over the fabric, giving the appearance of nature in a time when getting back to the natural way of living was becoming fashionable once more. Three-quarter length sleeves were common and fashionable as well. What makes this dress interesting to me is the crisscrossed strips of pink silk over the bodice, under the neck kerchief.
There are several differences between the way women dressed in the eighteenth century as opposed to the nineteenth century, although they may look quite similar to the untrained eye. Women of the nineteenth century would rather die than have their petticoats exposed, for example. It would be like you walking around in public in your underwear. In the eighteenth century, however, the petticoat was considered an important part of the ensemble. It was worn under the gown, as you see above, and was not thought of as part of the underclothing.
Another marked difference in fashion between the two centuries was the use of stays rather than corsets. A corset, used in the nineteenth century, was the foundation piece to a woman's look and it was designed to give her a highly desirable hourglass shape. Women of the previous century wore stays, which were shaped like hard undershirts and were designed to push up the bust, give upright posture and give the illusion of the waist being narrow by coming to a point. Another difference between shapes of the different centuries was the use of panniers versus hoops. Panniers were worn in the eighteenth century and designed to give the hips a wide, square appearance. By the last decades of the century, however, panniers were given up by the majority of women in favor of a more natural silhouette (except those at royal courts). The natural silhouette lasted through the first few decades of the nineteenth century until more and more petticoats were needed to give the fullness the skirts required for fashion. In the 1850s, a cage crinoline was used to eliminate some of the petticoat weight and give the huge bell shape.
>Now this is more my style! 😉 It was actually Marie Antoinette who brought this simpler fashion into play. When things started heating up politically in the latter two decades in France, and complaints of the outrageous opulance of the French court were rampant, the Queen of France decided that she needed to simplify and make the appearance of being less extravagant. She adopted and made popular the less formal "country peasant" look in ladies' fashion. Sleeves became simpler, the stomacher went out, and paniers were traded in for bustle-like crescent-shaped pads. This look was the pre-cursor to the late 1790's-Early 19th century Empire style.
>Jessica, the crisscrossed strips of silk below the neck handkerchief are in reality the robings of the gown. They are supposed to be pinned straight down on each side of a stomacher since the gown does not close completely in front. I'm going to guess that this gown is a little earlier than we might think, and may have been altered in the 1780s. The embroidered silk and the style of the gown looks to me like 1750s or 1760s…maybe early 1770s. The length of the sleeve seems a bit later, but material could have been added to the sleeves to update it. I don't know for certain, just my educated guess.


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If you are a C corporation, use the information in the chart below to help you determine some of the forms you may be required to file.
Corporations that have assets of $10 million or more and file at least 250 returns annually are required to electronically file their Forms 1120 and 1120S for tax years ending on or after December 31, 2007. For more e-file information, see e-file for Business and Self-Employed Taxpayers.


iTulip.com > Topics > Economics > Back to Basics: Can Reflation work?
View Full Version : Back to Basics: Can Reflation work?
I'd say that pretty well sums it up.
I'm not sure about this dollar definition.
So therefore, a dollar is in fact an indefinite-maturity bond carrying zero interest written upon the future production of the citizens of The United States.I'd sure like to see someone dispute this article, because if he's right, we are toast!
As I understand it, iTulip (and others) aren't saying reflation is a way to avoid the pain we've got coming. It's just the most politically palatable option given the mess we're in.
25% unemployment for a couple years or a 100% inflation over several - take your pick. But either way the U.S. standard of living falls precipitously and nothing will 'work' to stop that.
I'd sure like to see someone dispute this article, because if he's right, we are toast!
A Dollar is a claim on the current production [and existing means of production] of the US economy. A T-bond is a claim on the future production.
They are related. They can each be exchanged for the other. But they are not the same thing.
This definition makes more sense to me. In the 1930's depression, a paper dollar was an IOU on present(not future) gold reserves. Substitute gold reserve for a country's productive capacity in the present system. Therefore money printing with constant productive capacity can devalue dollars and thereby inflate away debt measured in fixed numbers of dollars. The author of the article claims that increasing the dollar supply proportionately increases debt(since he equates a newly created dollar to be of equal value to all existing dollars), which acts as an overall drag on the economy.
It's confusing because almost ALL money is commercially generated by loans through banks, and so THAT money DOES fall under his definition.
However, NEW money PRINTED would NOT be commercially generated, and so it has no future claim associated with it.


text:
Iran's Flag?
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The Iranian people's movement calls for free and fair elections; separation of church and state; equal protection under the law; non-discrimination on the basis of gender, religion, sexual orientation, or social status; an independent judiciary and due process; freedom of speech, assembly, and religion; and economic development, opportunity, and prosperity for all Iranians. It seeks to reestablish peaceful, friendly relations with Iran's neighbors and to have Iran re-engage the community of nations in a manner befitting its rich culture and heritage as a great civilization. It rejects the regressive notion of Balkanization as a political solution. And it believes that the transition to a secular democratic system must be brought about through civil disobedience and other forms of nonviolent resistance, as advocated for many years by Prince Reza Pahlavi, a consistent and vocal supporter of this movement, and now echoed by many of the most prominent Iranian and Iranian-American political figures, activists, scholars, artists, athletes and other voices. These are the values we have come to cherish as American citizens, and they are the same values that the people of Iran seek for their own country.
NUFDI strives to empower Iranian-Americans to be a voice for the Iranian people's movement for freedom, human rights, and democracy. By transmitting the sacrifices and aspirations of the Iranian people to an American audience of policymakers, media, and concerned citizens, it is our hope that we may serve to better position our fellow Americans to understand and support the Iranian people in their struggle to establish a free, democratic Iran.
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There are probably no other two words in the English language with more contrasting reactions when we hear them being spoken together in one phrase. Yet, they are intimately joined to remind us of the ultimate purpose of our journey. If you wake up tomorrow morning, and no, it is not a forgone conclusion, then you can be everything and anything you wish to be. Too many of us know how the illness of a close friend or spouse can radically change our way of automatically living our lives within the confines of our thoughts.


For a brief explanation of 'Varietal', you can check out the first blog in the series here.
There's an aura of exoticism that surrounds the Maragogype varietal (pronounced mar-rah-go-jeepeh). It's a mutated hybrid of the popular Typica and Bourbon varietals which was first discovered in the Brazilian state of Bahia, which borders on the Eastern coast with the Atlantic Ocean. Coffee has been cultivated in Bahia since the 18th Century, following its introduction to the country by Portuguese settler Francisco de Melo Palheta in 1727.
The bean is best known for possessing a number of distinctive physical traits; most prominently its size, for which it is sometimes referred to as 'the Elephant Bean'. It is not uncommon for a maragogype bean to be twice as large as a standard-sized varietal. The plant itself is tall with large leaves and fruit, and requires twice as much space for planting than other coffee shrubs, while having a significantly lower yield. In addition, for optimum processing the beans require a specialised line in a wet mill in order to accommodate the larger cherries and beans, which can be a significant investment in itself. Finally, this varietal is particularly susceptible to diseases such as Roya also known as 'Leaf Rust'.
The combination of these factors make Maragogype an expensive varietal to cultivate with low returns, and producers are increasingly choosing newer higher yielding alternatives with better quality and disease resistance characteristics for them when it comes time to replant old trees. Consequently, the elephant bean is becoming rarer and more expensive, with Australian wholesale green prices doubling in the last 3 years. Our director, Scott Bennett, considers them to be an heirloom varietal; 'When they're good, they're outstanding, but they're becoming much harder to find'. Mr Bennett cites Mexico's production as an example – once one of the biggest producers, the country now exports much less than it has in the past, and these numbers only continue to shrink.
Whether or not the extraordinary physical traits of the 'Maragogype' have any major impact on its sensory properties remains contentious. Some argue that it inherently produces beans that have more intense flavour as a result of the plant's energy being concentrated into a smaller crop, while others describe it as a naturally mild and subtle coffee.
In reality, as with all coffee, varietal is only one factor of a number that will affect the final cup's flavours. A maragogype crop grown in Brazil at 1000 Metres above sea level, will inevitably taste very different to one that grows in Nicaragua at 2000 Metres. One of our Quality-Assurance team members, certified Q-Grader Georgia Major, considers the Maragogype to be most desirable for the creamy, heavy body it adds to blends that use it, while Mr Bennett adds that the delicate finish they lend is another highly sought-after characteristic.
Size comparison between a Colombian Maragogype and an Ethiopian Sidamo. Measuring key shows centimetres.
The bean's size can make it a daunting project for a roaster who isn't familiar with it. Because the density of the maragogype is typically low, it's better to approach it with a slightly gentler roast.
As our resident Roaster and a Q-grade-certified Quality-Assurance expert, Emma Bath points out that the difference is marginal, and it can be surprising to find how close they roast to other beans. 'Don't be fooled by looks,' she cautions, 'I find it's best to roast as you usually do, and just follow your instincts when push comes to shove'.
Grinding, however, is a different matter. Maragogype beans are lighter due to their lower density, which means that when you put them in the hopper of a grinder, the vibrations of the machine can sometimes cause these less-dense beans to rise to the top of a blend. This means that the first doses of the blend may have lower quantities of maragogype in them than the last doses, which could end up being dominated by the bean.
How to counteract this? Blending beans of a similar size is a good idea; Georgia recommends considering something bold with a screen size of 20+. Secondly, as with all coffees, the more time spent experimenting, the better your cups will get. Weighing out doses regularly as you go through a hopper will make sure that you know exactly how much coffee you're using, and help you compensate when required, plus you'll be able to keep an eye on how the beans move through the machine.
To see what Maragogype beans we have available in stock, click here.


text:
Sweeney 2 (1978)
This second big screen outing for the maverick cops of London's Flying Squad sees Detective Inspector Jack Regan (John Thaw) and his sidekick Sergeant George Carter (Dennis Waterman) investigate a series of armed robberies by a ruthless gang of professional criminals.
The gang is so ruthless, in fact, that they leave a trail of dead bodies in their wake every time they go out on a job. They will even kill one of their own gang if he is injured and has to be left behind. Regan and Carter's investigation leads them to believe that the criminals are actually expats living somewhere in Europe, who fly in and out of the country for each new job.
In order to catch the robbers, Regan has to seek information from his old boss, a now disgraced and imprisoned crooked copper, Jupp (Denholm Elliot), while avoiding the disapproval of his new chief Dilke (Nigel Hawthorne).
As part of their investigation, Regan and Carter eventually fly out to Malta in search of the thieves. Along the way, they also have to deal with a bomb plot in a top London hotel, while Regan becomes involved with a woman who works on the hotel's switchboard.
Bloody hell: Jack Regan (John Thaw) after a shoot out
The TV series The Sweeney had been a big popular success on its original run on ITV from 1975 to 1978. It made enough of an impact for a film spin-off, Sweeney!, to be produced in 1976. That film saw Regan and Carter become involved in a plot involving blackmail, phoney police officers and an attempt to rig the vote at an international oil ministers' conference. The TV series returned for its fourth and final series in 1978, and the same year saw the release of this second and last cinema outing for the original crew.
Sweeney 2 was directed by one of the series' regular directors Tom Clegg, who had also directed Regan, the TV film that originally spawned the series. It was written by Troy Kennedy Martin, writer of the classic British crime caper The Italian Job (1969) and cult war movie Kelly's Heroes (1970). Troy Kennedy Martin was also the brother of the writer of Regan, Ian Kennedy Martin. The two men took turns creating iconic British police series in the 1960s and 1970s, with Troy creating Z Cars in the '60s and Ian's drama Regan leading to The Sweeney a decade later.
With its storyline about a gang of bank robbers, the premise of Sweeney 2 does feel more like something that might have appeared in the original TV series than the conspiracy thriller plot of the first film. A few supporting actors reappear from the TV series, including John Alkin and James Warrior as fellow policemen, although Regan now has a new boss, played by a pre-Yes Minister Nigel Hawthorne, and a corrupt former one, played by Denholm Elliott.
The latter is no doubt inspired by Kenneth Drury, the commander of the real Flying Squad who was one of a number of senior police officers imprisoned on corruption charges in 1977. The Flying Squad's seriously tainted reputation was a little awkward for a series based on celebrating the Squad as a band of flawed heroes, but Sweeney 2 does at least acknowledge this issue. As Regan tells Jupp's lawyer "Your client is so bent that it's been impossible to hang his picture straight on the office wall for the past 12 months", a joke that later has a visual callback when Regan is shown trying to do just that in flashback.
Regan and colleague at a crime scene
Sweeney 2's main problem is a lack of action and a thin and mostly uninteresting plot. In fact, apart from a decent car stunt where the escaping robbers drive through a shop window and out onto the street below, the film lacks action set pieces and misses most of the obvious opportunities for excitement. This is in marked contrast not only to the TV series, but also to the first feature film spin-off, Sweeney!, from two years before.
One of the robbers' early escapes in Sweeney 2 is especially dramatic, as they leave a trail of dead bodies behind them, including one of their own number. But the film doesn't even show this sequence, only the aftermath. Sweeney 2 in fact has rather less action in an hour and three quarters than a decent episode of the TV series would manage in about half that time.
When Regan suspects that the gang pulling off the string of armed robberies are based in Malta, he and Carter take a trip to the island. This leads to some curious and almost totally irrelevant scenes, as the two men are shown attempting to chat up a couple of air hostesses on the flight, just about get through Maltese customs, and then wander around Malta looking like a couple of off-duty coppers straight from London. They fail in their attempt to interview the suspects they have come to see, before being rounded up and taken away by the local police and forced to return home. Did someone in the crew just fancy a trip to Malta, or were John Thaw and Dennis Waterman promised a little Mediterranean holiday if they signed on for a second film?
The expat crooks angle is reminiscent of the "Costa del Crime", when British criminals would flee to Spain in the late seventies and early eighties, as there was no extradition treaty between the two countries in this period. The unusual element in the film is that the criminals are returning to England to commit more crimes before flying back home again.
Unlike the anger and political disaffection of the first film, Sweeney 2 captures more of the sense of hopelessness and malaise in Britain in the mid-to-late 1970s. The indignation of this film's predecessor has given way to a feeling of resignation. As one of the criminals explains, they have left for Malta because Britain is now "finished". Things, it seems, are now so bad that even the criminals are taking what they can and getting out.
Georgina Hale as Regan's latest romantic target
The film does give the audience a chance to observe Regan's seduction technique on the switchboard operator (played by Georgina Hale) and his and Carter's gauche attempts to chat up two air hostesses - which are enough to make you glad that you aren't a woman living in the 1970s.
The bomb maker sequence at the hotel is a curious subplot that goes nowhere. A mysterious foreigner staying at the hotel is intercepted on the telephone talking to someone in French about a bomb. But is he building a bomb or defusing it? Various policemen, marksmen, security services personnel and army bomb disposal officers congregate on the hotel. They adjourn to the bar, where it's decided that the suspect is defusing a bomb instead of building it. They all then enjoy drinks on the house while Carter is sent up to the suspect's room to investigate.
While Clint Eastwood's Inspector Harry Callaghan got to pretend to be an airline pilot to resolve a hijacking in Magnum Force in 1973, Carter gets the less glamorous disguise of a waiter, which seems about right. This subplot is a dead end though, and we never quite find out who the man was or why he had a bomb that needed defusing. This adds to the nagging feeling that the film's script is composed of left-over ideas from the TV series, rather than representing a coherent story that deserved to be told.
One more amusing idea is that Regan gets assigned a new recruit as his driver. While Dirty Harry's male chauvinist cop had to team up with a female detective in The Enforcer two years earlier, Jack Regan gets something even more horrifying than a woman - a vegetarian! Regan's new colleague is a well-spoken young officer, not long out of police training school in Hendon. The disdainful expression on Regan's face is priceless when he opens his car's glove compartment and finds that his grub now consists of a couple of apples and a carrot.
Carter (Dennis Waterman, left) helps to disable a bomb
With its more down-to-earth premise, the storyline of Sweeney 2 is much more in the vein of the TV series that inspired it than the first Sweeney film. But it's also much more flabby and listless, with not enough drive or narrative momentum to sustain it. There's also some padding, extraneous elements that feel like under-developed ideas, and some unexplained bits that suggest a scene or two was cut.
In particular, there is a Nazi memorabilia collector who has apparently lost a valuable item and who appears early on, only to then be completely forgotten about. Much is also made of the fact that the robbers only steal the pound sterling equivalent of $100,000, based on the exchange rate on the day of the robberies. But the reasons for this are never explained. Similarly, no real explanation is given for the bomb being in the hotel or who the man defusing it was either.
While the first big screen Sweeney effort is the better film, Sweeney 2 is arguably the better Sweeney film - or at least more representative of the original series. Unfortunately, the creative tank in this particular Ford Granada is running a bit low and while the film does feel more like the TV series, it's like the TV series with most of the exciting bits cut out. Sweeney 2 also doesn't expand on the TV series in the way that a film version should. Instead, it simply adds irrelevant minor subplots and bits of padding without driving its story forward, and fails to take advantage of the increased budget by wasting it on an irrelevant Maltese interlude.
John Thaw and Dennis Waterman, though, are still good value as these characters - bantering, gawping at birds and blagging free drinks - and the film captures their relationship considerably better than the first film did. Sweeney 2 doesn't quite make a convincing case for itself as a stand alone feature film, but there's still just about enough to enjoy here for devotees of the TV series and, as with the first film, the visual upgrade from the TV version's 16 mm film is a bonus.
Sweeney 2
Genre: Crime Thriller
Director: Tom Clegg
Cast John Thaw (Jack Regan), Dennis Waterman (George Carter), Denholm Elliott (Jupp), Ken Hutchison (Hill), Anna Gael (Mrs Hill), Barry Stanton (Big John), John Flanagan (Willard), David Casey (Goodyear), Derrick O'Connor (Llewellyn), John Alkin (DS Daniels), James Warrior (Jellyneck), Guy Standeven (Logan, bank manager), Brian Gwaspari (White), Frederick Treves (McKyle), Johnny Shannon (Harry), Clifford Kershaw (Gloria's father), Toby Salaman (Doctor), Nigel Hawthorne (Dilke), Lewis Fiander (Gorran), Anna Nygh (Shirley Hicks), Michael J. Jackson (Soames), Lynn Dearth (Mrs White), Fiona Mollison (Mrs Haughton), Sarah Atkinson (Mrs Mead), John Lyons (Mead), Brian Hall (Haughton), Matthew Scurfield (Jefferson), Gareth Milne (Bank teller), Sebastian Witkin (Skateboarder), Hubert Rees (Bank manager), George Innes (Pete Beale), Roddy McMillan (Collie), Michael O'Hagan (Doyle), Arthur Cox (Detective), Georgina Hale (Switchboard girl), Patrick Malahide (Conway), Max Mason (SPG Constable), Frank Coda (Commissionaire), Yvon Doval (Mr Mahmoun), James McManus (Barman), Eamonn Jones (Barman), John Vine (Police constable), David Gillies (Police constable), Seretta Wilson (Girl), George Mikell (Superintendent), Marc Zuber (Andy), Joe Zammit-Cardona (Customs official), Leon Lissek (Alexandros), Marilyn Finlay (Schoolteacher), Seymour Matthews (Harry - fingerprint man), Stefan Gryff (Nino), Michael Scholes (Boy in bed), Danny Rae (Taxi driver), Rosario Serrano (Mrs Konstantikis), Alan Ross (Fiddler), Diana Weston (Air hostess),
Screenplay Troy Kennedy Martin, based on the TV series The Sweeney created by Ian Kennedy Martin Producer Ted Childs Cinematography Dusty Miller Art director William Alexander Editor Chris Burt Music Tony Hatch Special effects Arthur Beavis
Running time 104 mins Colour Technicolor
Production company Euston Films Distributor EMI Film Distributors (UK)
Regan (1974)
Sweeney! (1976)
1970s films British films British TV Crime Drama Thrillers
Categories: 1970s films British films British TV Crime Drama Thrillers
Karen 18 March, 2022
I enjoyed your write-up, although I don't think I'll be seeking this one out! I had to laugh, though, at Jack Regan's driver being (gasp!) a vegetarian!
Jay 19 March, 2022
I know - the horror! He probably didn't even know they existed.


text:
let express = require('express');
let app = express();
let http = require('http').Server(app);
// let io = require('socket.io')(http);
app.use('/', express.static('app'));

app.get('/', function(req, res){
  res.sendFile(__dirname + '/app/index.html');
});
//TODO fix me.
// app.get('/chat', function(req, res){
//   res.sendFile(__dirname + '/app/chat.html');
// });

// io.on('connection', function(socket){
//   socket.on('chat message', function(msg){
//     io.emit('chat message', msg);
//   });
// });

http.listen(8080, function(){
  console.log('Whalephant Node server listening on *:8080');
});


text:
[![Total Downloads](https://poser.pugx.org/sidm/laravel-subdivisions/downloads.svg)](https://packagist.org/packages/sidm/laravel-subdivisions)
[![Latest Stable Version](https://poser.pugx.org/sidm/laravel-subdivisions/v/stable.svg)](https://packagist.org/packages/sidm/laravel-subdivisions)
[![Latest Unstable Version](https://poser.pugx.org/sidm/laravel-subdivisions/v/unstable.svg)](https://packagist.org/packages/sidm/laravel-subdivisions)
[![License](https://poser.pugx.org/sidm/laravel-subdivisions/license.svg)](https://packagist.org/packages/sidm/laravel-subdivisions)

Laravel Subdivisions is a bundle for Laravel 4.2, providing what is roughly all ISO 3166_2 subdivisions (a.k.a., states, provinces, etc.) for all countries. Based on the awesome work Webpatser did in his laravel-countries package.

## Installation

Add `sidm/laravel-subdivisions` to `composer.json`.

    "sidm/laravel-subdivisions": "dev-master"

Run `composer update` to pull down the latest version of the Subdivision List.

Edit `app/config/app.php` and add the `provider` and `filter`

    'providers' => array(
        'sidm\Subdivisions\SubdivisionsServiceProvider',
    )

Now add the alias.

    'aliases' => array(
        'Subdivisions' => 'sidm\Subdivisions\SubdivisionsFacade',
    )

## Configuration

Start by publishing the configuration. The first variable is the table name, if the default name `subdivisions` is fine you should not modify it.

The next two variables are very important:

    'country_table_name' => 'countries',
    'iso_3166_2_column_name' => 'iso_3166_2',

If you only want subdivisions and do not have a countries table both of these values should be changed to null (i.e., ''). If you are using the Webpatser/laravel-countries package the defaults should work fine. If you are using another package, or have rolled your own, the `country_table_name` should be set to the table name that holds your list of countries, and `iso_3166_2_column_name` should be set to the name of the column that contains the iso_3166_2 values for each country.

When you have modified the configuration file (src/config/config.php) run the following command:

    $ php artisan config:publish sidm/laravel-subdivisions

## Model

Next generate the migration file:

    $ php artisan subdivisions:migration

It will generate the `<timestamp>_setup_subdivisions_table.php` migration and the `SubdivisionsSeeder.php` seeder. To make sure the data is seeded insert the following code in the `seeds/DatabaseSeeder.php`

    //Seed the subdivisions
    $this->call('SubdivisionsSeeder');
    $this->command->info('Seeded the subdivisions!');

You may now run it with the artisan migrate command:

    $ php artisan migrate --seed

After running this command the filled subdivisions table will be available

## Example

If you are using the Webpatser/laravel-countries package to use this in a form you can place the following in any controller:

    $countries = Countries::lists('name', 'id');
    $states = Subdivisions::where('country_id', '=', 840)->lists('region', 'id');
    return View::make('yourview.create', compact('countries', 'states'));

Then in a form to use countries you may do the following:

    {{ Form::label('country', 'Country') }}

    // 840 will default to the United States
    {{ Form::select('country', $countries, '840') }}

Finally for states you may do the following:

    {{ Form::label('state', 'State/Province/Region') }}

    // 4133 will default to Alabama
    {{ Form::select('state', $states, '4133') }}


text:
Q: Как пропустить если есть в базу mysql foreach (explode(',',$meta_k) as $key) {
    if ($key == $tagss['title']) {continue;} else {mysql_query ("INSERT INTO
tags (title) VALUES ('$key')");}
}

В этот код работает но не пропустить существующий тег. Помогите ребята...

A: $existing_tags = array();

$result = mysql_query('select title from tags');

while ($row = mysql_fetch_assoc($result)) {
    $existing_tags[] = $row['title'];
};

$meta_k = explode(', ', $meta_k);

foreach ($meta_k as $key => $value) {

    if (in_array($value, $existing_tags)) {
        unset($meta_k[$key]);
    };
};

if (!empty($meta_k)) {

    foreach ($meta_k as $key => $value) {
        $meta_k[$key] = '("'.$value.'")';
    };

    mysql_query('insert into tags (title) values '.implode(', ', $meta_k));
};

redpajama_set_name: RedPajamaStackExchange


Let me start by saying I'm not really a German Chocolate Cake-person (or any cake for that matter), and I'm not a big fan of coconut either. Having said that, these German Chocolate Cake Cookies might be my favorite cookie I have ever eaten. Ever.
After my mom kept mentioning this cookie recipe she came across so we thought we'd give it a try, and I'm so glad we did!! I almost don't want to share it with anyone else, but this needs to be shared with the world!
1. Preheat the oven to 375º. Line baking sheets with parchment paper.
2. Mix the softened butter, brown sugar, granulated sugar, vanilla, and eggs using a stand or hand mixer.
3. In a separate bowl, stir together the flour, cocoa powder, baking soda and salt.
4. Gradually add the dry ingredients to the butter/sugar mixture and blend until well mixed.
5. Drop tablespoon-size dough balls onto baking sheet (12 cookies fit about right) and bake 8-10 minutes. Ours were perfect right at 8 minutes each time. After about a minute, place the cookies on a cooling rack.
These cookies are pretty delicious just on their own! Once we had one pan out of the oven we started on the "icing"!
1. Add evaporated milk, sugar, egg yolks, butter, and vanilla to a large pan and place on stove top over medium heat.
2. Stir so it becomes well combined, continuing to stir until thickened – about 10-12 minutes.
3. Remove from heat and stir in coconut and pecans. Continue to stir until the mixture is thickened enough to spread on the cookies.
4. Spread frosting on the tops of the cooled cookies.
5. Melt some Almond Bark (I used the microwave) and drizzle on top of the cookies. I placed some melted chocolate into a sandwich bag and cut a tiny corner off to make it easy to drizzle.
Using tablespoon-size dough, I got about 4 dozen cookies out of this. Whatever isn't immediately eaten can be stored in a container for a couple of days or you can freeze if you're not planning to eat them just yet. They are just as delicious after they've been frozen too!
Recipe adapted from A Dash of Sanity.
These look AMAZING! I cannot wait to try these the next time I bake.


text:
Home > Ministry > Deacon & Priest Resources
Find by Pricing Below 12 (3)12 to 12.99 (3)13 to 14.99 (2)15 and Above (10) Find by Product TypeBooks (8)
United States Catholic Catechism for Adults
The United States Catholic Catechism for Adults is an aid and a guide for individuals and small groups to deepen their faith. Includes the 2018 revision of no. 2267 promulgated by Pope Francis.
Lectio Divina of the Gospels 2019-2020
This book takes the reader through a cycle of praying with the Gospels for Sundays and major feasts of the liturgical year, beginning with the first Sunday of Advent, and concluding with the Solemnity of Our Lord Jesus Christ, King of the Universe.
Lectio Divina de los Evangelios 2019-2020
The Strength of a Vocation: Consecrated Life Today
In this interview with Pope Francis, Spanish Claretian Fernando Prado draws out the pope's thoughts and reflections on the call to live out consecrated life today with an ever-new vitality.
La Fuerza de la Vocación: La Vida Consagrada Hoy (The Strength of a Vocation)
En esta entrevista con el papa Francisco, el claretiano español Fernando Prado recoge los pensamientos y reflexiones del Papa sobre el llamado a vivir hoy una vida consagrada llena de una vitalidad continuamente renovada.
Servants of Charity Bundle
Pope Francis Deacons: Servants of Charity and Compendium on the Diaconate, for one low price!
Pope Francis Deacons: Servants of Charity
This beautiful narrative draws the reader into the sacred ministry of the diaconate and will inspire deacons and all those drawn to the service of charity in the Church.
Disciples Together on the Road: Words of Pope Francis for Priests
In his easy-to-read style, Pope Francis explores the joys and challenges of priestly life, offering stories and wisdom that will give nourishment and sustenance to priests everywhere.
Poor for the Poor: The Mission of the Church
Get greater insight into enduring questions in Poor for the Poor: The Mission of the Church, as it looks at the social teaching of the Church, the writings of recent popes as well as the writings of Gustavo Gutierrez and Josef Sayer, and the experiences of the Church in Latin America, including liberation theology.
Compendium on the Diaconate
The Compendium on the Diaconate: A Resource for the Formation, Ministry, and Life of Permanent Deacons explores how bishops, along with their helpers, the priests and deacons, have taken up the service of community, exercising the divinely established ecclesiastical ministry on different levels.
Preaching the Social Doctrine of the Church at Mass - Year B
The Church in the twenty-first century faces the task of preaching the Gospel to the modern world. It's not always easy to see how the Scriptures are relevant to our lives, but this volume addresses the issue head-on. In a series of "homily helps," the Pontifical Council for Justice and Peace relates the Sunday readings of Year B to the daily Christian walk.
Preaching the Social Doctrine of the Church in the Mass, Year A
Based upon scriptural readings and the social teaching of the Church, the 'homily helps' for liturgical Year A help guide the homilist in making the connection between the Sacred Scriptures and society today.
Essential Guide to Seasons and Saints
Essential Guide to Seasons and Saints explores basic elements of the liturgical calendar and the seasons that make up the liturgical year, and identifies the characteristics of each season that should inform liturgical planning and celebration.
Preaching the Mystery of Faith: : The Sunday Homily (Bishops Statement)
Preaching is evangelizing, making the Word come alive for the People of God. This task is central to the New Evangelization and the Church's renewal.
National Directory for the Formation, Ministry, and Life of Permanent Deacons in the U.S.
This book addresses the dimensions and perspectives in the formation of deacons and the model standards for the formation, ministry, and life of deacons in the United States.
Normas Básicas de la Formación de los Diáconos Permanentes/Directorio para el Ministerio y la Vida de los Diáconos Permanentes: Directory for the Ministry and Life of Permanent Deacons
From the Congregation for Catholic Education and the Congregation for the Clergy.
Fulfilled in Your Hearing
Ideal for priests, deacons, and those in formation for these ministries. It offers a practical examination of the principal ingredients for effective homilies.
Homiletic Directory
The Homiletic Directory from the Vatican's Congregation for Divine Worship and the Discipline of the Sacraments will help deacons, priests, and bishops renew homiletic preaching. It answers the call from Pope Francis and Pope Benedict XVI to make preaching a priority for the Church.


The Great American Beer Festival celebrates its 25th anniversary beginning tomorrow in Denver.
That's only six, and I'm just shooting in the dark about a couple. I'm pretty sure you wrote about Boulder and some promotion they've done for the anniversary, so Coors and Boulder are the only two I'm really confident about.