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JEWISH HISTORY BLOG
Napoleon's Sanhedrin
In 1807, Napoleon attempted to revive the Great Sanhedrin, the Supreme Court of the Jewish people in Biblical and Talmudic times, but which had been disbanded centuries earlier due to persecution. Preparatory to its convening, Napoleon convened a "Council of Notables." He put before this Jews "Council of Notables" a series of 12 questions:
Is it lawful for Jews to have more than one wife?
2. Is divorce allowed in the Jewish religion, and if it is, is it allowed even in contradiction to the codes of French law?
3. Does Jewish law permit a Jewess to marry a Christian man, or a Jew to marry a Christian woman, or may they marry only other Jews?
In the eyes of Jews, are Frenchmen who are not Jewish, considered to be their brethren or strangers?
What type of conduct does Jewish law prescribe toward non-Jewish Frenchmen?
6. Do the Jews who are born in France, and have been granted citizenship by the laws of France, truly acknowledge France as their country? Are they bound to defend it, to follow its laws, to follow the directions of the civil and court authorities of France?
7. Who elects rabbis?
What kind of judicial power do rabbis exercise over the Jews?
9. If there is rabbinical jurisdiction over the Jews, is it regulated by the laws of the Jewish religion or is it merely a custom existing among Jews?
10. Are there professions from which Jews are excluded by Jewish law?
11. Does Jewish law prohibit Jews from taking usury from other Jews?
12. Does Jewish law prohibit Jews from taking usury from non-Jews?
Napoleon did not just have a passing interest in these questions or the Jews under his control. He had a program of assimilation for the Jews and expected the Council to provide him with pat answers that would make it seem as if they were agreeing with his program. The Council, indeed, prepared answers in keeping with Napoleon's wishes. They were not about to risk their necks. Additionally, many of them truly believed in Napoleon's program to assimilate the Jews.
Just as the Great Sanhedrin in ancient times had 71 elders, Napoleon invited 71 leaders to participate in his Sanhedrin. Here is a famous painting of his Sanhedrin in the Louvre.
For example, as far as divorce was concerned, they answered that it was valid in Jewish law only if it was also approved by civil authorities—thereby saying that in a country that banned divorce, such as Italy, Jews would never get divorced. That was a patently false answer, because Jews who had lived in Italy for hundreds of years had been granted divorces all through that time. Nevertheless, that was the answer Napoleon wanted to hear, because it was the answer that said the Jewish religion was subservient to the State and would not do anything against the wishes of the State.
Similarly, for each question, they provided the answer Napoleon wanted, not necessarily what Jewish law required. Napoleon hoped that their answers would help him structure Jewish life so that all the intermarriages would be recognized, so that Jews would spread into all professions and move to all parts of the country, and so forth. In short, he hoped that through his program, within a generation the Jewish communities under his control would be decimated and Jewish authority—especially religious authority—would be undermined.
Though Napoleon's Great Sanhedrin failed, his goal to assimilate the Jews of Europe gained traction during his time.
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Briandaniel
Oglesby
Making Queer Theatre with Young People in Texas
A Different Romeo & Juliet—A Year Later
In a small school in Texas, a group of junior high students performed an inventive LGBTQ+ adaptation of Romeo & Juliet last May. In this blog series, queer playwright Briandaniel Oglesby reflects on how the project evolved, how the students and community responded, and what he thinks this all means.
"Glue looks like milk, but don't drink it," my students chirped at me today. They were quoting a line from the play we made last year. Paris Motel-Six tells this to Juliet's father.
They carry the play with them.
A year ago, I wrote and directed a gay re-imagination of Romeo & Juliet for my junior high students in Texas. Two twelve-year-old boys played the leads. I borrowed the structure from Shakespeare, transformed the story into a campy comedy with the students, and produced it at our school. I wrote two blogs about this project in the process, and promised to write a third.
And then I didn't.
I needed to re-see the project; I was caught by the fact that only two of my friends came to the show. While we do create for the abstract notion of creating, we also create for the concrete—for our family, friends, and community. I had incredible joy at witnessing my students' personal triumphs and amazing performances, of the love and support I felt from their families. Yet, I also felt deep sadness and anger that the play had not been a priority for my community.
I could write at length about the issues this brought up. We did not publicize this show to the locals because we anticipated blowback, and we felt that would be unfair to the students, who already had to decide whether to "out" the play to relatives. Would my (progressive Austin) community have come if we'd drawn criticism? I've seen bad plays get awards because they pissed off conservatives. Why is the liberal impulse only to show up where conservatives have started fires?
Worse, was this turnout because theatre performed by teens is not seen as legitimate, or interesting art? How can I prove to anyone that theatre made by teens can be amazing if no one even gives it the chance?
And yet, beyond these issues, I still take away the following…
Context Matters
Who is doing it and where it's being performed is significant. I'm writing this in a coffee shop about a mile from the school. Mike Pence would look perfectly at home here. Teenagers tail parents and wear football jerseys and cheerleading uniforms. My floppy Mohawk looks out of place, as does the plastic rainbow bracelet I wear. As does the quirky school where about a quarter of our students identify as LGBTQ+.
Would you have come to the play? I wonder. Or would you have protested it? If the former, the world is new and different, and we should celebrate that. If the latter, then we were doing something with impact. A county away where I live, the Texas State Legislature is now debating where trans people can use the bathroom.
Yes, it matters that we did this play where we did it.
Romeo points out that the "Fryer" has an ordination from an online ministry
and can marry him to his Juliet. Photo by Ariel Dochstader Miller.
Middle Schoolers are the Best Kept Secret
The other night I had a conversation with a friend, the artistic director of a company in Sacramento that makes daring work. Like me, his paid job is to create theatre with young people. And he gets it.
"Middle schoolers are the best kept secret," he said. Folks, theatre for teens can be amazing. Middle schoolers get physical comedy. They aren't plagued by the level of self-consciousness that may affect older people.
The students were electric. Our non-traditional Tybalt entered the stage and demanded that this be a play about Tybalt, and then made every subsequent scene about Tybalt. Our energetic Romeo was off-book a full month before the performance. Our Juliet delivered his lines like they were emerging from him. Shady Steele, the apothecary who proffers both the fatal poison and Juliet's sleeping potion, delivered a series of hilarious scenes. The romance between our Romeo and our Juliet was adorable and surprising. And the final kiss between the two boys, though staged, looked surprisingly real.
Let's Talk About the Kiss…
We put only one kiss in. Until Romeo thinks Juliet is dead, the play is campy and then veers into the serious. We delayed the kiss until the end so that the romance itself would never be a joke. I wondered how the audience would react. I worried. I once wrote a play where a late same-sex kiss sucked the air from the room, and I didn't want the play to become about this reaction. And so, in front of an audience, in the tomb, with a kiss, Romeo dies.
The air didn't leave.
Had we established the romance so early the kiss became anticlimactic? Or has something truly shifted, and the deep-seeded fears in our hearts, and our imagined censoring audience are remnants of another time? Probably a mixture of both. Regardless, the moment was no more awkward than if they had been a straight couple.
Theatre for young folks can be a revolutionary space. Young people can be empowered through it, and in doing so, they can enact a vision of the world that is more progressive.
Romeo demands a potion from Shady Steele, the apothecary, under the
Mongoose family crest. Photo by Brian Oglesby.
They Get Why the Telling of LGBTQ+ Stories is Important
I believe that middle schoolers want to do good theatre. I believe that middle schoolers want to do theatre that reflects their sensibilities. I believe middle schoolers want to do fun theatre. When given the opportunity to do something that hasn't been done, middle schoolers want to do important theatre.
I saw an increase in my students' commitment. They were goofy as hell in the rehearsal process, but they understood they were making something that young people don't usually make, and so they worked their asses off.
The ambition of this play necessitated after-school rehearsals. This, in turn, created a stronger sense of community. The impact of the production process became clear this semester, months after we'd closed RJ, when the students requested additional rehearsals before the play had been written. They'd engaged in hard work to make something big, saw the rewards, and they wanted more.
Theatre for Young Audiences Can Be an Act of Resistance
Theatre for young folks can be a revolutionary space. Young people can be empowered through it, and in doing so, they can enact a vision of the world that is more progressive. They embody other people's stories. They embody their own realities and social circumstances. They can criticize the adult world. And importantly, school theatre can reach an audience that may not go to theatre, i.e. people who need childcare.
A Challenge: Make LGBTYA
Who showed up? Families. Friends. Add to that list: the lesbian aunt, a gay brother, and queer neighbors. They showed up. The same families who'd come to the play anyway brought a few additional guests. And it was normal.
So here is my exhortation:
Make queer theatre in schools. Make it in children's theatres. Make it in conservative towns and cities. Make it in Indiana, Arizona, Washington, DC, and Minnesota. Don't leave it to liberal states like Texas to plow forward.
And if you stoke the anger of the community, well, they weren't coming to your lousy theatre anyway. They are rust. You know who will show up? The Good People who finally have an enemy, who will cherish the opportunity to offer a rebuke to the Mike Pences of the world.
Show the stories of Harvey Milk, Christine Jorgensen, and Bayard Rustin. Make a play about gender creative kids. Tell tales where princes fall in love with princes, where a knight uses the pronoun "they," and where a damsel saves herself and vows to live alone. Make fairy tales in all senses of the word. This is the new normal, and young people know it.
Make the stories good. Make them funny. Make them not condescending. And you'll make theatre lovers and theatremakers of the next generation. Let's make the space for their normal. It's the gift they give us old queens. And they'll carry it with them a year later.
James Still
So glad we met at a big moment in your writing life. My email is stilljamesdean@gmail.com -- let me know more about what you're up to. Or
Thoughts from the curator
This series documents a junior high LGBTQ+ production of Romeo and Juliet.
Ross Haarstad
beautiful essay
Briandaniel -- I loved reading this (and the earlier installments as well). Thank you for doing the work and for taking the time to think about what it meant to you. I wish I'd seen those kids do that play in that community.
Briandaniel Oglesby
Thank you! I met you seven years ago when I was just starting to consider myself a playwright, and I have a great deal of respect for you - your career and life - so this means a great deal.
In reply to Briandaniel -- I loved… by James Still
So glad we met at a big moment in your writing life. My email is stilljamesdean@gmail.com -- let me know more about what you're up to. Or just know I'm cheering you and your work on.
In reply to Thank you! I met you seven… by Briandaniel Oglesby


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Ewart Angus Centre, Room 1A5, of the McMaster University Medical Centre.
at a cost of $12/person.
that evening at "The Coach House" of Dundurn Castle in Hamilton.
organizing coffee and other details.
and follow links to Malcolm Collins Symposium.


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text:
Calycellina asperipila är en svampart som först beskrevs av Svrcek, och fick sitt nu gällande namn av Baral 1989. Calycellina asperipila ingår i släktet Calycellina och familjen Hyaloscyphaceae.   Inga underarter finns listade i Catalogue of Life.

Källor

Disksvampar
asperipila

redpajama_set_name: RedPajamaWikipedia


Use the form at right to pledge your sponsorship. It's easy and you pay nothing now. We will follow-up with an invoice and Sponsorship Package.
Where did you first learn, "Finish what you start"and," A job worth doing, is worth doing well?" The Southeastern Youth Fair has been teaching these lessons to Marion County youth for the past 79 years. We want you to join the select few in our Corporate Sponsorship Program.
The Southeastern Youth Fair is a not-for-profit ALL YOUTH Fair held in February of each year. Responsibility, marketing communication, and record keeping are just a few of the life skills acquired by the over 1,100 exhibitors of the 2019 Fair. Your sponsorship helps shape these "Blue Ribbon Youth," many of whom return to Ocala/Marion County after college to become future business leaders putting their skills to work in our community.Your contribution will be used in funding College Scholarships, sponsoring shows and events, and bringing Marion County students to the Fair for the "Adventure in Agriculture" workshops.
Don't miss out on making this lasting impact on over 1,100 youth participants and its 25,000 attendees! Please return your Corporate Sponsorship form together with your contribution as soon as possible.
Thank you for your consideration and please come visit us at the Fair. If you need additional information, call us at 352-629-1255.
Sponsorship recognition announcements are made throughout the Fair including goat, lamb, steer, and swine auctions.
You may also display a 2' x 8' sign or banner during the 9‐day event.


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Sri Aurobindo (Author) Vijay (Author)
Synopsis This is one in a series of thirty booklets published by the Sri Aurobindo Society under the title "Yoga in Everyday Life." Our effort is to bring together, from Sri Aurobindo and the Mother, simple passages with a practical orientation on specific subjects, so that everyone may feel free to choose a book according to his inner need. The topics cover the whole field of human activity, because true spirituality is not the rejection of life but the art of perfecting life. While the passage from Sri Aurobindo are in the original English, most of the passages from the Mother (selections from her talks and writings) are translations from the original French. We must also bear in mind that the excerpts have been taken out of their original context and that a compilation, in its very nature, is likely to have a personal and subjective approach. A sincere attempt, however, has been made to be faithful to the vision of Sri Aurobindo and the Mother. We hope these booklets will inspire the reader to go to the complete works and will help them to mould their lives and their environments towards an every greater perfection. The quotations from Sri Aurobindo are prefaced by his symbol and those from the Mother by her symbol.
Sri Aurobindo (1872-1950) was educated at St. Paul's School, London, and King's College, Cambridge. Returning to India in 1893, he began an exhaustive study of the Indian literary and spiritual traditions. In 1906 he joined the national movement and was the first to insist that its goal must be independence. In 1910 he retired to Pondicherry to devote himself to the practice of yoga. The ashram he founded in 1926 still attracts thousands of people interested in his spiritual philosophy and yoga.
Books by the same authors
Illness and Perfect Health
The Wonder that is Sanskrit
Malik's Law Relating to Power of Attorney
The Essence of Yoga: Reflections on the Yoga Sutras of Patanjali
Encyclopaedia of Traditional Asanas
Tantra, Mantra, Yoga & Spiritual Bliss
Mantravalli: An Anthology of Sacred Chants
Title	Yoga
Author	Sri Aurobindo
Publisher	Sri Aurobindo Society
length	27p., 17cm.
Subjects Health, Mind & Body > Yoga


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How Cities Are Trying to Level the Playing Field for Tenants Facing Eviction (mentions Community Legal Services)
Jared Brey
From Spotlight on Poverty and Opportunity, posted on October 18, 2017
For tenants facing eviction in cities across the United States, access to a lawyer can make the difference between safe housing or homelessness. But for many renters who struggle to keep up with rent, paying for a lawyer to fight an eviction is out of the question.
In many cities, legal aid groups help low-income tenants in eviction cases. But these efforts tend to be scattershot, often the pro-bono work of legal organizations or nonprofit groups with small budgets. Too often, landlords are represented in court by lawyers, while their tenants are not. In Washington, D.C., for example, some 90 percent of landlords have counsel in eviction cases while 90 to 95 percent of tenants go without, according to the District of Columbia Bar. Over the past few years, advocates have tapped into a growing sense that tenants' inability to secure legal assistance for housing issues is a structural injustice, and some cities and states are now trying to find ways to balance the scales.
Advocates give some credit to Harvard sociologist Matthew Desmond, who published his book Evicted: Poverty and Profit in the American City, in 2016, for bringing the obstacles faced by tenants threatened with eviction into focus. The movement to guarantee legal representation for low-income tenants—part of a wider push to create a right to counsel in civil cases like there is in criminal cases—has picked up steam since the book was published.
John Pollock, a staff attorney at the Public Justice Center and coordinator of the National Coalition for a Civil Right to Counsel, says that the imbalance in representation for landlords and tenants is stark in every locality his group has studied. The imbalance lets landlords sometimes file evictions that they know aren't lawful, assuming that tenants won't have the wherewithal to fight them, Pollock says. Lawyers can help tenants avoid evictions on legal grounds, but even in cases where they can't prevent their ouster, they can help clients apply for public housing, rental assistance, or other services, Pollock says. And though many worry about the cost of guaranteeing a lawyer to every poor tenant in housing court, Pollock says cities are starting to realize that money invested to prevent evictions pays off in money saved on homelessness services.
"We like to make this argument as one of justice and one of fairness, but the cost is definitely part of the story," Pollock says. "I call this preventative legal medicine. We can either leave the problem untreated … or we can treat the problem before it festers and becomes a serious one."
Right to Counsel in New York
In July, the New York City Council voted to approve a bill that would make New York the first U.S. city with a right to counsel for tenants facing eviction. The legislation, which was signed by Mayor Bill de Blasio in August, establishes a program within the city's Office of Civil Justice to provide free legal assistance for all tenants who earn up to 200 percent of the federal poverty line. Tenants earning more than that would also get "brief legal assistance" under the terms of the bill. The program will be established over five years.
Andrew Scherer, policy director at the Impact Center for Public Interest Law at New York Law School, said a movement to establish a right to counsel in housing cases in New York has been in the works for more than thirty years. But the conditions to pass the law only fell into place in the last few years. De Blasio came into office on a new progressive wave in city politics, while a lot of attention in New York was focused on gentrification, housing, and homelessness, Scherer said. Desmond's book drew a fine point on the issue as well.
According to Scherer, the biggest obstacle in New York was the cost, or at least the perceived cost, of implementing a right to counsel. But the effort picked up steam after the New York City Bar Association published a report in the spring of 2016 concluding that providing lawyers in eviction cases would actually save the city around $320 million a year in costs that it was already spending on shelters and other homelessness measures. By February of this year, the mayor was signaling his support for the legislation, first introduced in 2014 by Councilman Mark Levine.
It never would have happened without a strong and active coalition of advocates building support for the policy at a grassroots level, Scherer said. Other cities can't expect to create a right to counsel if support seems to be coming only from one corner of the legal or political communities, he said.
"This is big," Scherer said. "This is a big deal, and I think that makes [politicians] anxious, so they need a lot of cover."
And it didn't hurt that New York, which likes to be first, saw the issue percolating in other cities as well.
Help for the poor in Philadelphia
In Philadelphia, where poverty is substantially higher and deeper than any of the other ten biggest cities in the U.S., eviction rates are high and around 92 percent of tenants reportedlygo into court without a lawyer. Nonprofit groups like Community Legal Services help tenants with housing issues and evictions, but the need far outstrips the capacity. In the spring, the city council held hearings on eviction issues, and ended up securing an additional $500,000 in the city budget for legal aid to low-income tenants.
The city has so far stopped short of ensuring a right to counsel, but last month, Mayor Jim Kenney created a new task force charged with reducing the number of evictions in the city. Its recommendations are due next spring. And the city issued a Request for Proposals for nonprofits "to develop or expand programs to reduce evictions in Philadelphia or buffer its effects" in September.
Public fund proposed in Baltimore
The burdens that tenants face in Baltimore's rent court have been documented for some time. In the spring, the Baltimore Sun began publishing a series on eviction, rent court, and unaffordable housing, and found that the city spends twice as much money to process evictions as it does on homelessness prevention. Over the summer, a city councilman introduced legislation that would create a public fund to provide legal aid for tenants facing eviction. The details of the proposal—including the size of the fund, and where exactly the money would come from—have yet to be determined. But other council members have said they would support the legislation, and it could go before voters as a charter amendment in an election next year, according to the Sun.
$4.5 million in Washington
In May, the Washington, D.C. Council approved a budget that sets aside $4.5 million for a program to offer free legal aid to tenants facing eviction. As in New York, residents earning up to 200 percent of the poverty line would be eligible. In a Washington Post op-ed published before the final budget vote, three D.C. Council members wrote that a smaller pilot program had shown that tenants with counsel in the District's landlord-tenant court were "more than six times more likely" to avoid eviction than those who didn't have a lawyer. The program will be administered by the D.C. Bar as part of its Housing Right to Counsel Project.
Statewide action in Massachusetts
In January, Boston Mayor Marty Walsh announced a raft of measures meant to prevent residents from being displaced amid rising housing costs in the city. One of the measures, introduced in the state senate by Senator Sal DiDomenico, would "make legal representation in eviction proceedings a right, rather than an option," according to a press release from the city. The proposal was subject to a hearing before the Joint Committee on the Judiciary in the state house and senate last month. The committee has until February to take action on the legislation, according to a spokeswoman for DiDomenico.
In 2012, the Boston Bar Association Task Force on the Civil Right to Counsel issued a report on housing pilot programs, and found that, like in so many other cities, tenants with legal representation fared substantially better in court than those without. "The pilot studies have confirmed that, without full representation by counsel or an effective alternative, many vulnerable tenants forfeit important rights, lose possession they could have retained, and forego substantial financial benefits," the task force concluded. "With counsel, eviction proceedings have outcomes that are more just."
Jared Brey is a freelance journalist with a focus on urban and environmental policy and politics. He lives in Philadelphia.
Posted by Coalition for Low Income Pennsylvanians at 1:56 PM
Labels: Housing, legal aid, Low Income


USES: Cefuroxime is used to treat a wide variety of bacterial infections. This medication is known as a cephalosporin antibiotic. It works by stopping the growth of bacteria. This antibiotic treats only bacterial infections. It will not work for viral infections (e.g., common cold, flu). Unnecessary use or overuse of any antibiotic can lead to its decreased effectiveness.
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PRECAUTIONS: Before taking cefuroxime, tell your doctor or pharmacist if you are allergic to it; or to penicillins or other cephalosporin antibiotics (e.g., cephalexin); or if you have any other allergies. This product may contain inactive ingredients, which can cause allergic reactions or other problems. Talk to your pharmacist for more details. Before using this medication, tell your doctor or pharmacist your medical history, especially of: kidney disease, intestinal disease (colitis), liver disease, poor nutrition. This drug may make you dizzy or drowsy. Do not drive, use machinery, or do any activity that requires alertness until you are sure you can perform such activities safely. Limit alcoholic beverages. Caution is advised when using this drug in the elderly because they may be more sensitive to its effects. This medication should be used only when clearly needed during pregnancy. Discuss the risk and benefits with your doctor. This medication passes into breast milk. Consult your doctor before breast-feeding.
DRUG INTERACTIONS: Your healthcare professionals (e.g., doctor or pharmacist) may already be aware of any possible drug interactions and may be monitoring you for it. Do not start, stop, or change the dosage of any medicine before checking with them first. Before using this medication, tell your doctor or pharmacist of all prescription and nonprescription/herbal products you may use, especially of: "blood thinners" (e.g., warfarin), live bacterial vaccines, probenecid. Although most antibiotics probably do not affect hormonal birth control such as pills, patch, or ring, some antibiotics may decrease their effectiveness. This could cause pregnancy. Examples include rifamycins such as rifampin or rifabutin. Be sure to ask your doctor or pharmacist if you should use additional reliable birth control methods while using this antibiotic. This medication may affect the results of certain lab tests. It may cause false positive results with certain diabetic urine testing products (cupric sulfate-type) and false negative results with certain blood glucose tests. Make sure laboratory personnel and your doctors know you use this drug. This document does not contain all possible interactions. Therefore, before using this product, tell your doctor or pharmacist of all the products you use. Keep a list of all your medications with you, and share the list with your doctor and pharmacist.
OVERDOSE: If overdose is suspected, contact your local poison control center or emergency room immediately. US residents can call the US national poison hotline at 1-800-222-1222. Canadian residents should call their local poison control center directly. Symptoms of overdose may include seizures.


through prayer and supplication to God they win.
will be renewed by His everlasting love.
an access to His freedom on any given day.
who in all ways is the One that's adored.
receiving goodness and mercy by God's love.
because through Jesus Christ they are free.
This entry was posted in Uncategorized on September 30, 2016 by edwarddupre2014.


text:
Windows 11 Sun Valley 2 Will Launch in Summer
Windows 11 will launch a new update and some improvements in July 2022. The version is called Sun Valley 2, similar to the anniversary update of Windows 10.
Windows 11 Sun Valley 2 or version 22H2 contains some important improvements, which make the system faster, smoother, more modern, and the WinUI more tightly integrated with the rest of the operating system. And the new Windows operating dark mode may appear in this version.
The major improvement will be the support for the taskbar dragging and dropping. As we all know, the current taskbar may be the worst change in Microsoft 11, lacking many key features, such as dragging, dropping and right-click.
Moreover, the taskbar is currently locked at the bottom of the screen, and cannot be moved to the other side of the screen, which makes users feel inconvenient. Fortunately, Microsoft is trying to improve it.
Microsoft will launch Windows 11 22H2 this summer, which will support taskbar dragging and dropping. This feature may be seen in the upcoming preview version of Dev Channel.
Changes in Windows 11 Sun Valley 2
Start menu improvements
In Windows 11 22H2, except for the taskbar improvement, Microsoft also plans to modify the start menu to allow users to pin more applications or recommendations to the start menu.
Control panel improvements
Important improvements have been made to the Windows subsystem for Android and the feature to manage snapshot groups. Windows 11 Sun Valley 2 is going to improve many pages of the Windows 11 settings application and the way the operating system handles the control panel pages for advanced users.
Support third-party widgets
Windows 11 currently supports integrated widgets, such as Microsoft To-Do, Microsoft Weather, News, and interest news feeds. These widgets are already in Windows 10.
In 22H2 Sun Valley 2, a series of third-party widgets are available for Windows 11. In theory, third-party widget support will be provided through a new API, which will be included in the new operating system update, and some companies are already developing their own widgets.
Windows 11 Next Version Will Launch in the Summer of 2022
Simple Steps to Change Screen Brightness on Windows 11
How to Download and Install Windows 11?
Windows 11 Upgrade from Windows 11 (Early Upgrade)
News Windows 11 News, windows 11 update
How to Check Graphics Card in Windows 11?
TaskbarXI Makes Windows 11 Taskbar Look Like MacOS Dock


text:
New Benton Central basketball coach is 'here for the long haul'
OXFORD — For as long as he can remember, Zac Rea wanted to be a head basketball coach.
Benton Central gave the 25-year-old that opportunity.
Rea was recently approved as the Bison basketball coach, becoming BC's third in the past four seasons.
He succeeds Jordan Myers, who resigned in April to take the head coaching job at Vincennes Lincoln after two seasons.
"I am here for the long haul," Rea said, noting the program's merry-go-round of coaches. "I told the kids that. It is all talk right now because I am sure the other guys said that as well.
"In order to build a really good program, you have to be here for a long time. I'll be here as long as they want to keep me."
Since Pat Skaggs coached the Bison from 1995-02, no head boys basketball coach has lasted more than four seasons. Kyle Marlatt, now in his first season as the head girls basketball coach at Frontier, coached BC for four seasons from 2012-16 prior to Ryne Smith taking the job in 2016 and leaving after one season to join the college ranks.
Benton Central is coming off a 16-8 season, its best mark since going 18-4 under Joe Luce in 2003-04.
BC graduated three players, including Payton Hall, who was the team's only double-digit scorer, averaging 17.5 point and 9.2 rebounds per game.
The challenge of a fresh start intrigued Rea, a 2012 graduate of Cambridge City Lincoln who played collegiately at Indiana University-South Bend and Indiana-Kokomo.
"Somewhere where you can start something, that intrigues me," said Rea, who will teach special education at Prairie Crossing Elementary. "I want to go to a place where there is an opportunity to build something."
For the past three seasons, Rea was a varsity assistant at Connersville, helping the Spartans go 64-16, including a 27-2 season in 2016-17 where they won a sectional title and lost to eventual 4A state champion Ben Davis in the regional final.
So eager to get started was Rea that he started working with players a month and a half before the school board approved his hire.
He's already pleased with what he's seen from his new program.
"We have great kids. We have smart kids. I think last yea the team GPA was 3.7 and when they come in the gym, they will work their tails off.," Rea said. "We still have some work to do as far as skills, but you couldn't ask for a better group of kids.
"I know it is cliche to say that, but with how hard they work, I've been working with junior high kids too and there's not one kid where you say that kid has an ego. I've been very excited."
Rea is seeking a seventh grade and junior varsity basketball coach. Those interested can email him at zrea@benton.k12.in.us or athletic director Jim Puckett at jpuckett@benton.k12.in.us.


Southern France has been scorched by more wild fires with the Calanques national park affected as 1,200 hectares burned across the region. There are risks of further fires in the Gard and the Rhone delta area.
The fires ignited on Monday afternoon and burned throughout the night in the departments of Bouches-du-Rhône, Aude and Tarn.
Although the fires were under control by Tuesday morning, authorities called for caution in the Gard department and the area around the Rhône river delta due to the risk of further blazes.
The Bouches-du-Rhone, where temperatures had topped 30C for several days, had been placed on alert for "exceptional danger" – the first time in many years.
They were given force by strong winds with the Mistral making the job far harder for the hundreds of firefighters and soldiers who were drafted in.
In all some 800 firefighters and 200 trucks were sent to tackle the bush fires. Canadair water-bombing planes were also dispatched until around 9pm.
Some residents in the southern part of Marseille were asked not to return home to avoid clogging the roads and making life difficult for firefighters.
In the Calanques national park the fire ignited not far from the Luminy University campus and by 10pm had burned around 350 hectares. Police believe it may have been started on purpose.
There were concerns the winds would help spread the fire towards the town on Cassis but the danger was averted.
By Tuesday morning authorities said the fire was more or less under control and they were hoping the drop in the strength of the winds will help them extinguish the blazes altogether.
"The wind should be almost nothing throughout the day and that is good news," said a spokesman for the firefighters in the Bouches-du-Rhône.
There no victims or injured persons as a result of the fire and only isolated buildings were destroyed in the blaze.
However images of the wildfire were once again impressive enough to heighten fears in nearby Marseille, with smoke visible from the centre of the city.
In August wildfires sparked panic in the north of Marseille as 3,000 hectares burned and some 1,500 were affected with 30 totally destroyed.
A lack of rainfall throughout winter and a dry hot summer has made the whole south east region particularly susceptible to the outbreak of fires.


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BRIGHTLY DYED SPRINGBOK OVERSIZED BAG WITH METAL HARDWARE AND MATCHING CHAIN WALLET.
These bags are one of a kind, however i can make you a variation of this one upon request for the same price. Please email me for details.
Do you own a piece this exclusive in your closet? From shape to materials to design, this bag is totally original and unconventional! You will be the only person in the world possessing this bag.
This fascinating bag is vividly gorgeous in color. It originates from the Springbok, a medium-sized antelope which inhabits the dry areas of south and southwestern Africa known for its incredible soft and exclusively textured and colored fur.
No stitches or seams (except for the shoulder strap), this bag is entirely riveted together.
The lining, which also serves the purpose of creating dividing compartments, is made of the softest stone oiled leather and can be removed thanks to four strategically placed snaps, should you prefer to carry a slouchier version of the bag.
Spring-lock metal closure, adjustable with black leather strap.
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text:
Q: In D3 How to enable mouse over event for current particular path? I was creating a world map using d3.js.In that map i need to bind the mouseover event for every country.
For example: If i mouseover the india i need to change the Fill(Background) color for india only.
I implemented the mouseover event.But my problem is whenever i mouseover over the country(India) that function effecting all the countries.I mean fill color effecting all the countries.But it need to effect only current country.
I tried using this also but no luck for me.
.on("mouseover", function(){d3.select(this).style("fill", "aliceblue");})

Please help any one to solve my problem.
My Full Code
     var width = 1000,
        height = 500;

    var projection = d3.geo.robinson()
        .scale(150)
    //.translate(100,100)
    .precision(.5);

    var path = d3.geo.path()
    //  .attr("class","path")
        .projection(projection);

    var svg = d3.select('#'+id)
        .append('svg')
        .attr("width", width)
        .attr("height", height)
        .attr("style", "background:" + json.bc);

    //shape
    d3.json("world.json", function(error, world) {

         svg
            .datum(topojson.feature(world, world.objects.countries))
            .append("path")
            .on("mouseover", function(){d3.select(this).style("fill", "red");})
            .on("mouseout", function(){d3.select(this).style("fill", "white");})
            .attr("style", "fill:" + json.cbc)
            .attr("class", "country")
            .attr("d", path)

            ;
    });

Before mouseover

After MouseOver

A: This code:
 svg
  .datum(topojson.feature(world, world.objects.countries))
  .append("path")
...

says --> I have one piece of data, draw me a path from it.
Change it up to this:
svg.selectAll(".countries")
  .data(topojson.feature(world, world.objects.countries).features)
  .enter()
  .append("path")
  ...

which says --> I have multiple data (features), bind the data to my selection (selectAll) and draw me a path for each component.
Example here.

redpajama_set_name: RedPajamaStackExchange


Towards the end of this year the Automattic Design Organization has helped us to explore and discover what our personal professional mission statement would be as a way in which we can both individually and collectively take ownership of our growth and development.
Brainstorm past successes, strengths, opportunities, and passions as they relate to you and your professional development.
Rank items in each category from most to least important. We worked with our team leads to vote on the top three most important items. Ideally, picking items that will have the most impact. For example, if we focus on A, it will also have an effect on B and C.
How do you use your successes to take advantage of opportunities?
How do you overcome weaknesses preventing you from taking advantage of opportunities?
How can your strengths reduce the probability of stagnation?
What can you do about your opportunity areas to align to your areas of passion?
Steps two and three were a collaborative discussion with our team lead that resulted in 3, 6, and 12 month goal timelines.
The web is your coloring book. You're at a company where this is what we're (supposed to be) good at. Just fill in the blanks. And all will go the way you want.
I am a classically-trained designer who is passionate about the customer experience who strives to deepen research practices among designers while taking full advantage of my operational and leadership skills.
Previous Post The journey begins… again.
Next Post Why can't it be easier to share articles on WordPress?


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Low Velocity Loads
Richard Arnold's interesting notes on long-range shooting loads.
Home > Vintage Gun Journal > Low Velocity Loads
Gunsmithing & Technical|October 2019
Richard Arnold, writing in 1955, reflected on the use of lower velocity powders to produce effective killing loads for longer range in normal game guns.
This was the impetus behind the Eley 'Maximum' cartridge; a standard length (2 1/2") case loaded with 1 1/4 oz (34g) of shot and low velocity powder. In these days of super-speed claims from all our cartridge makers, these musings from the past make an interesting comparison.
"The enthusiast will naturally be interested in the theory of low-velocity loads. High velocity sounds more attractive, but the low-velocity loads are the more satisfactory in practice.
The principle underlying this method of loading is very simple —namely, that when two spherical balls of different weights are propelled with equal velocity, the larger ball will hold a greater proportion of the original velocity for a longer distance than the smaller ball. It will thus be readily perceived that there is a great advantage in having heavy shot-pellets, because they hold their velocity longer, and give better penetration, but they have the great disadvantage that the shot-charge contains a smaller number of pellets.
This means a more scattered pattern and less chance of striking a vital spot; indeed, small game can often escape through " blank " patches in the pattern.
There is no increase in recoil with these heavier shot-loads, and penetration is maintained for a longer range.
There is only one way to increase the pattern density for any given shot-size, and that is to increase the shot-load, which, in turn, means higher pressures. But—and this is important—if the powder-charge is reduced , although the muzzle velocity will be lower, the pressures will be normal. There is no increase in recoil with these heavier shot-loads, and penetration is maintained for a longer range. For shooting at normal game ranges there is little or no advantage in the low-velocity load system, but for long-range shooting, particularly for wildfowling or flighting pigeons at roost, the low-velocity load brings many advantages.
Perhaps the principle and practice will be made clearer if we consider the following examples (in each case the standard 12-bore 2 1/2". case is taken as the exemplar):
Standard case containing 1 1/16 oz of No. 6 shot contains 287 pellets.
Reducing the powder-charge, in accordance with the low-velocity load principle, it is possible to increase, in the same cartridge case, the shot load to 1 1/4 oz.
Standard case containing 1/4 oz of No.4 shot contains 213 pellets.
Maximum effective range of individual pellets:
6 shot—5 5 yards
4 shot—75 yards
i.e. a potential increase of 20 yards in killing range.
A full choke should throw 149 pellets of the 1 1/4 oz charge of No. 4 shot into the 30-in. circle at 40 yd.
A full choke should throw 201 pellets of the 1 1/16 oz. charge of No. 6 shot into the same circle at 40 yd.
An improved cylinder barrel at 40 yd. with its 1 1/16 oz of N.6 shot is looked upon as an excellent killing combination for game shooting; this boring and load should place 144 pellets in the central 30-in. circle."
Richard Arnold (1955) 'The Shooter's Handbook'.
Published by Vintage Guns Ltd on 1st October 2019 (modified 3rd October 2019 )
More Articles in Gunsmithing & Technical
Cartridges then & Now
Development from 1851 to 2019.
Gunsmithing & Technical | December 2019
The best restorations always start when you discover a sleeper.
Gunsmithing & Technical | June 2018
Regulating Rifles
Is it science? Is it magic? Is it a formula or a dark art? Everyone seems to have an opinion.
Do You Know The Law?
How clear are you about the legal status of types of gun and the licensing system in Britain?


I am receiving an award for "Humor Book of the Year" from Book Publicists of Southern California, at the Sportsman's Lodge in Studio City. $10 to come at 7 for the program. I will also be making an acceptance speech!!


lmab i was looking just like that when i saw it dropped; u called it!!!
There it is. Within 2 draws.
They tricked us...'dem clowns! They snatched that 8!
Yep March was the mad mad mad numbers month and April is one-off repeat what the hell where that come from month so I am playing carefully.
They are full of it!!!!!


text:
Улица Ка́рла Ма́ркса  — улица в центральной части города Королёва.

История

Застройка улицы началась в 1946 году.

Дом №10а — единственная хорошо сохранившаяся дача из довоенных построек. В доме проживала семья бывшего директора НИИ-88 Спиридонова Алексея Сергеевича.

Трасса
Улица Карла Маркса начинается от Вокзального проезда и заканчивается на Октябрьской улице.

Транспорт
Автобусы:
 2 (Улица Академика Легостаева — ст. Подлипки — ст. Болшево — Улица Академика Легостаева)
 28 (Улица Академика Легостаева — ст. Болшево — ст. Подлипки — ст. Мытищи)
 392 (Улица Академика Легостаева — ст. Болшево — ст. Подлипки — Москва (м. ВДНХ))
Маршрутные такси:
 2 (Улица Академика Легостаева — ст. Подлипки — ст. Болшево — Улица Академика Легостаева)
 4 (Улица Академика Легостаева — ст. Болшево — ст. Подлипки — Рынок на Яузе)
 13 (ст. Подлипки — Лесная школа — ст. Болшево — ст. Подлипки)
 28 (Улица Академика Легостаева — ст. Болшево — ст. Подлипки — ст. Мытищи)
 58 (ст. Подлипки — ст. Болшево — пл. Загорянская — ст. Щёлково)

Организации

 дом 1а: Торговый центр «Дом Быта»
 дом 1: Офис «Подлипки» турагентства «Центр туризма и связи "Анжелика"», Пожарный гидрант № 0257 (K150, L8),
 дом 2а: Банк «Совкомбанк», Лотерейный магазин «Победа»
 дом 2: Агентство недвижимости «Эрия-М», Салон красоты «Дуэт»
 дом 3а: Магазин «СВ-Обувь», Салон сотовой связи «Альт Телеком»
 дом 3б: Спорт-кафе, Магазин «Канцтовары и игрушки»
 дом 3д: Обувной салон, Пожарный гидрант № 0187 (K150, L11)
 дом 3: Общественный фонд «Содействие обеспечению законности, правопорядка и безопасности граждан "ЭФЕС"», Ветеринарная клиника «Эфес-плюс»
 дом 4: Пластиковые окна в Королёве от компании «Окнатек», Пожарный гидрант № 0256 (K150, L18)
 дом 5: Детская поликлиника № 1 ЦГБ г. Королёва
 дом 7/12: Пожарный гидрант № 0188 (K150, L13)
 дом 10а: Дача Сапожниково-Ново-Перловка 1900-е гг., Дача бывшего директора НИИ-88 Спиридонова А. С.
 дом 12а: «Светлячок», детский сад № 19 г. Королев
 дом 13: Пожарный гидрант № 0189 (K100, L16)
 дом 14/15: Гостиница, Пожарный гидрант № 0137 (K150, L7), Мужское общежитие № 1, Стоматологический центр «Стоматолог и Я»
 дом 16/14: Оборудование для монтажа ТВ-систем «АКТ», Агентство недвижимости «Альфа», Ателье «Ательер»
 дом 18: Автотранспортная компания «Рубеж+М», Магазин одежды для дома «Гроссо-Модо», Ломбард «Инкотех»
 дом 19: Агентство недвижимости «Аданая»
 дом 21/17: Мемориальная доска Мишину В. П. (1917—2001), Дом, где жил В. П. Мишин,
 дом 23/16: Компания «Дом оснастки», Магазин «Продукты»
 дом 25: Пожарный гидрант № 0191 (K150, L6)
 дом 27/21: Пожарный гидрант № 0192 (K150, L5)

Литература
 Наш город Королёв. М. 2010 г. Ежегодный информационный сборник.
 Калининград — Королёв. Полвека, ставшие эпохой, 1946—1996. Кн. 2  Р. Д. Позамантир, С.Б. Мержанов, Л.К. Бондаренко. М., 2005. — 512 с.

Примечания

См. также
 Список улиц Королёва

Карла Маркса
Королёв


text:
The Dream Daughter by Diane Chamberlain - book review: A reading odyssey for autumn nights
The Dream Daughter by Diane Chamberlain
Pam Norfolk
When Carly Sears discovers her unborn child has a fatal heart defect, her brother-in-law comes up with a bizarre solution… time-travel to the future where doctors will be able to save the baby.
In an original and intriguing twist on the suspenseful family sagas that have made Diane Chamberlain a much-loved and popular contemporary novelist, The Dream Daughter pushes the boundaries of storytelling to compelling new heights.
READ MORE book reviews here
Brimming with drama, heartbreaking emotion and some of the toughest choices imaginable, this complex, multi-layered story is essentially a study of how far a mother is prepared to go – in this case, into an unknown future world – to save her child and unite her family.
Only months after her beloved husband Joe is killed in Vietnam in 1970, Carly Sears receives the bittersweet news that she is pregnant but her joy turns to devastation when doctors tell her that her unborn baby girl has a serious heart defect which means the infant will almost certainly die shortly after she is born.
There seems to be little that can be done but her brother-in-law, Hunter Poole, is a physicist and he has a plan. Hunter, who is married to Carly's elder sister Patti, appeared in their lives just a few years before and his appearance was as mysterious as his past.
With no family, no friends, and a background shrouded in secrets, Hunter embraced the orphaned Patti and Carly as his family and has never looked back. He has always been 'a fixer' but he can't fix Joe's death and Carly struggles to see how he can fix her baby's heart defect.
His plan involves something that will shatter every preconceived notion that Carly has… using secret equipment at his laboratory to time-travel to the future so that doctors can use foetal surgery to save the baby Carly has already called Joanna.
It will require a kind of strength and courage that the expectant mother never knew existed, a mind-bending leap of faith… and the danger that so many things could go terribly wrong.
But if there is a chance to save the baby, how can she turn down Hunter's offer?
Chamberlain blends fascinating science fiction, romance, adventure, suspense and mystery as she makes the unbelievable seem almost believable in this page-turning, time-travelling, rollercoaster story which sees a young mother caught up in a heart-rending domestic dilemma.
With her background in psychology and a keen interest in understanding the way people tick, this is an author who excels in exploring family life, and the dramas and conflicts that can tear us apart, or work to make us stronger.
Using a compelling – and often poignant – 'back to the future' device adds an exciting element to Carly's story as we weave between past and present on a journey full of unexpected twists and turns, mind-blowing discoveries, and decisions that no mother would ever want to make.
A reading odyssey for autumn nights…
Summer might be here but Blackpool band the Parka Monkeys will be keeping their big coats on for their return to Preston
(Macmillan, hardback, £14.99)


GibbsCAM 2.5D Solids provides significant surface and solid modeling capabilities. Functionality to directly machine surfaces and solids is also included. With this module, you have the ability to create, import and modify solid models and then generate programs to machine them. Specialized tools are also provided to import, repair and automatically solidify surface data. Using GibbsCAM 2.5D Solids, CNC programs can be created faster and easier, making you more efficient and productive.
Whether you import solid models from a CAD system, create your own from scratch, or modify an imported solid to create a manufacturable version, GibbsCAM 2.5D Solids provides a full range of solid modeling functionality with advanced functionality like history trees to support you. And GibbsCAM's industry leading ease-of-use makes working with solids straight forward and understandable. With GibbsCAM 2.5D Solid's powerful solid modeling tools, you'll be able to take full advantage of solid modeling technology.
Even with the transition to solids, CAD systems are still generating surface models that need to be imported and machined. With GibbsCAM 2.5D Solids you can read in surface models and then repair any problems you encounter with a broad range of surface modeling tools. You can also create your own surfaces for machining. If you still work with surface models, GibbsCAM 2.5D Solids can still cut your jobs and provide a great migration path to solids-based machining.
With GibbsCAM 2.5D Solids, you don't have to start with solid models to take advantage of solids-based machining. Surface models, whether imported or created, can be automatically stitched together to create solid models which can then be further modified using GibbsCAM's solid modeling tools or machined directly. GibbsCAM 2.5D Solids provides you with the tools you need to transition from surface-based to solids-based CAM.
Not only do solid models provide considerable advantages during design, but solid models also have many advantages during machining. GibbsCAM 2.5D Solids' machining functionalities were developed to not only allow users to directly machine solids, but to specifically take advantage of the additional information available in solids resulting in improved performance, reliability and efficiency.
Since solid models are the main building block within GibbsCAM 2.5D Solids, powerful positioning tools are supplied to allow you to quickly and easily yet precisely position and orient solids. Not only are these tools extremely useful when modeling a single part made up of multiple pieces, but they can significantly streamline setting up part models in fixturing. With GibbsCAM 2.5D solids you can focus on how things need to be placed, not how to calculate the rotations and transformations to get them there.
Identifying the manufacturable features in a part is a common starting point for a program. The Profiler, an innovative interface to interactively define features like bosses, slots, and pockets, is included in GibbsCAM 2.5D Solids. Unlike automatic feature recognition, the Profiler gives the user complete control over the geometric elements which are included in a feature. The Profiler can also interactively derive geometry which is used for machining. GibbsCAM 2.5D Solids' robust feature-based machining provides the user with powerful programming tools.
Hole-making occupies close to 80% of machining time with most production machining jobs. Holes also represent a significant amount of programming time in production parts. Fortunately, holes are also fairly well-behaved features in solid models. GibbsCAM 2.5D Solids provides an automatic feature recognition (AFR) capability that identifies holes along with their position and orientation, and also determines various hole aspects (chamfer, counter-sink/bore, bottom condition) based on the hole's geometry. Leveraging GibbsCAM 2.5D Solids' AFR capability you can improve your hole-making efficiency and quality.
With hole-making occupying close to 80% of production parts' machining time how you identify, group and program holes becomes extremely important. GibbsCAM 2.5D Solids provides the Hole Manager as a front-end to processing hole features. The Hole Manager displays the parameters of holes allowing you to group them for processing. The Hole AFR is integrated with the Hole Manager allowing automatically identified hole features to be directly loaded into it. The Hole Wizard is similarly integrated allowing hole information to be directly passed for automatic tooling and toolpath generation. With GibbsCAM 2.5D Solids your hole-making productivity is streamlined and overall quality is improved.


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Nadiya's 31 Days of Halloween (Week 1)! 🎃
Posted on October 16, 2020 November 6, 2020 by Nadiya
Note: The adorable kitty in my featured image is my cat, Flopsie! Isn't he the perfect representation of Halloween? 🐈⬛
What's poppin', y'all? Every October, I always say that I'm gonna watch a plethora of scary movies for Halloween, but thanks to my busy schedule and other interesting movies/TV shows airing at the same time, I can never completely carry out my plan. I either end up watching a few horror films the last few days of the month, or I'll look at two or three sporadically throughout October. However, 2020 changed that.
Due to the quarantine, I now have more time to watch all the scary movies I want to see. As a matter of fact, I decided to have a Halloween Extravaganza of sorts. My plan is to watch one horror flick per day (in all honesty, I still miss some days and I have to play catch up, but so far, I'm keeping up with my schedule for the most part). At the end of each week, I'm gonna come back here and give mini-reviews on the films I viewed. The majority of them are beloved scary movies that I've seen a million times over, but there'll be a few newbies mixed in there as well.
Now let's get this party started!
Day 1: Get Out
I decided to start the Halloween Extravaganza off with the film that instantly transformed former Mad TV alum Jordan Peele from a comedian to a master of horror. Get Out tells the tale of Chris (Daniel Kaluuya), an African-American photographer who's dating a Caucasian woman named Rose (Allison Williams). Rose invites Chris to meet her parents during the weekend of their yearly get-together, and while there, Chris is alarmed by the partygoers' inappropriate behavior toward him. Chris also can't help but notice the few black people in the area are a bit off, to say the least. Little does Chris realize there's something much more sinister going on…something directly affects him.
Get Out was such a fresh take on the horror genre. The movie was full of creepy characters and mounting tension, but it also provided biting social commentary. Despite how liberal Rose's parents and their friends believed themselves to be ("I would've voted for Obama a third time!"), they still looked at black people as property; secondhand citizens that could be used as they saw fit. Not only that, the villains coveted what black people had due to buying into stereotypes. We're all more stylish, athletic, and possess more sexual prowess. All that's true, but that still doesn't justify their behavior. Just kidding. 😂
Day 2: Us
I decided to continue with the Jordan Peele collection and watch Us for the second day of the Extravaganza. Us is about a woman named Adelaide (Lupita Nyong'o), who as a child, had a traumatic encounter with a little girl that was her exact double. Years later, Adelaide's family decides to spend their summer vacation at her childhood home in Santa Cruz, and all the old memories of Adelaide's confrontation with the other girl begin to surface, as does mounting paranoia. Adelaide's suspicions are realized when she comes face to face with her doppelganger again. Only this time, the double brought along her own family, who are all identical to Adelaide's husband and children…and who have all arrived carrying malicious intent.
I did a review for Us last year, and I'll reiterate what I said before: it's not Get Out Part 2, so you shouldn't go in expecting that. However, like Get Out, the film still brings truly horrific scenes as well as social commentary on how America treats disenfranchised people. I didn't like Us quite as much as Get Out, but that's not to say that I didn't love the film at all. Us is an extremely entertaining flick that further solidified Jordan Peele's status as a great filmmaker. Check it out if you haven't.
Day 3: Invasion of the Body Snatchers (1978)
Invasion of the Body Snatchers has been one of my favorite horror films since I was 12 yrs. old, so I knew it'd be a part of the Extravaganza. The film takes place in 1970s San Francisco, where strange aliens arrive to escape their dying world. The aliens take the form of little pink flowers growing out of pods, and days after landing on Earth, many of the inhabitants of the city began acting strangely. Health Department workers Matthew Bennell (Donald Sutherland) and Elizabeth Driscoll (Brooke Adams) notice something's not right and soon learn that the aliens are replacing human beings and using the pods to do it. Can Matthew and Elizabeth save humanity?
Invasion of the Body Snatchers is a bonafide classic. I love how there's a feeling of unease throughout the movie from start to finish. In every scene, something feels slightly off, and it's mostly due to the film utilizing those nifty '70s cinema techniques. The strange angles, shaky cam, and extreme close ups (namely the ones on seemingly unimportant items) work in tandem to create tension and anxiety. Then there's the graphics. The practical visual effects used to show the aliens' takeover was spot on. There's really something to be said about using old school, practical graphics vs. CGI. I mean, when CGI is great, it's great. However, when CGI is bad, it's horrendous. There actually is a CGI moment in the film that's pretty well done, considering the movie was released in 1978. It has to be seen to be believed.
Day 4: The Cabin in the Woods
The Cabin in the Woods is about five college friends that spend a weekend at the titular cabin in a remote forest. Little do they realize their vacay is a meticulously planned plot devised to have them all sacrificed to appease ancient gods. If the organization planning the sacrifice fails, the results will be disastrous.
When I first watched The Cabin in the Woods, I wasn't able to see the film in its entirety and I was pissed that one of my favorite people in the movie died (if you've been a long time member/reader of this blog, you'll know who I'm talking about). However, I kept hearing so many accolades for the film that I decided to give it another chance, so I sat down and watched the film again from start to finish…and I loved it. The Cabin in the Woods is one of my favorite horror movies. Like Scream, it makes fun of all the horror movie tropes we've come to know over the years, but The Cabin in the Woods takes it a step further: it explains why all those tropes are even in the film. There's not too many people that haven't seen this film at this point in time, but if you're one of the few, please check it out. You won't regret it.
Day 5: Carrie (1976)
For those of you that live under a rock, Carrie tells the story of the eponymous teenager (Sissy Spacek) that's mercilessly bullied by her classmates and horribly abused by her religious fanatic mother (Piper Laurie). Once Carrie officially enters womanhood—and by womanhood, I mean having her first menses, much to her mother's chagrin—she learns that she wields a special kind of power: telekenesis. As Carrie learns more about her power, popular student Sue Snell (Amy Irving) asks her boyfriend Tommy Ross (William Katt) to take Carrie to the prom, mainly out of guilt for previously teasing Carrie. Carrie accepts the invitation, but between her mother's apprehension over Carrie's newfound power and maturity, and queen bee Chris Hargensen's (Nancy Allen) desire to pull the ultimate prank, prom night takes an unexpected turn.
Carrie is another horror film I've loved since I was a child. The opening credits scene had me nervous about starting gym class in junior high, but I digress. Like Invasion of the Body Snatchers, I love the '70s cinema techniques used in the film (except the excessive nudity; what the hell was the deal with the '70s and all the extra damn nudity!?). Carrie didn't exactly use the same weird camera angles, but they did utilize really cool split screens and lighting to set the mood and show different POV's. I always loved the anti-bullying message this movie sets. I mean, if this movie isn't a lesson about not bullying people, I don't know what is. While searching for a good clip to use for my blog post, I came across a video essay on YouTube entitled Carrie: The Teenage Nightmare, which explains how teenage life in high school can be a horror flick all in itself, thanks to bullying, having certain expectation thrust upon the students, and negative self-image. Really deep.
Day 6: The Owners
The Owners is a film set in the UK countryside that depicts a story of four 20-somethings that rob a wealthy elderly couple. Unfortunately for the wannabe robbers, the couple comes home, and what should've been an easy score quickly devolves into a nightmare.
Out of all the movies in my Halloween Extravaganza, The Owners is the first new film I watched, and I enjoyed it, for the most part. However, I must warn y'all…It's not a perfect movie by any means. The first half drags a bit, and the flick tends to follow the trope of the bad guy, the worse guy, the guy along for the ride, and the extra added bonus of the girl that was drawn into a situation she didn't want to be in from jump street. I'm not totally against the trope; I've just seen it executed better (the 2005 Bruce Willis vehicle Hostage is a prime example of that). Then there's a character in the film that's too much of an idiot…I mean, seriously. I'm scratchin' my head on how a grown ass person can be that damn dumb. Despite all that, the movie keeps you intrigued until the very end, and some of those visual effects will make you squirm in your seat. The best thing about this movie? My girl Maisie Williams aka Arya Stark is playing the lead!
Day 7: Fright Night (1985)
The minute I learned Fright Night was available on Amazon Prime, I knew it had to be a part of the Extravaganza! Fright Night tells the story of teenager Charley Brewster (William Ragsdale), who has an interesting new next door neighbor in Jerry Dandridge (Chris Sarandon). Jerry is sexy, charming, and has a way with women. However, when Charley notices a coffin being moved in Jerry's cellar and that all the women who come over to visit end up dead, Charley soon deduces that Jerry is a vampire (and not the Edward Cullen kind)! Charley's own life—as well as the life of his girlfriend Amy (Amanda Bearse) and buddy "Evil" Ed (Stephen Geoffreys)—is in danger when Jerry is made aware that Charley knows his secret. Desperate, Charley turns to former horror movie star turned TV host Peter Vincent (Roddy McDowall) for help. Can they stop Jerry before it's too late?
Fright Night will always hold a special place in my heart, considering that I've loved this movie since I was about 4 or 5 yrs. old. I watched the 2011 remake a while back, and there was just no comparison. The 1985 version reigns supreme. One really cool thing that I appreciate more now than I did as a kid were the practical special effects that movie used. They were very well done, especially to say they were applied in 1985. There is one CGI effect in the film that's horrid, but the other special effects are gold. Not only that, but the club scene that's featured midway through the film captivated me as a little girl, and it has the same effect on me to this day. The only real gripe I have with the movie is Peter Vincent. I get that he was supposed to be a skeptic when it came to the existence of vampires, but it turned out he was a bit of a punk on top of everything else. It's sad when the 17 yr. old kid is braver than you, my dude. All you youngins check out the '85 version of Fright Night. You won't be disappointed.
Day 8: Bats
In Bats, a small Texas town is terrorized by giant, ugly, murderous versions of the titular creatures. After a teenage couple is killed, Dr. Sheila Casper (Dina Meyer) and her assistant Jimmy Sands (Leon) are called in to assist local Sheriff Emmet Kimsey (Lou Diamond Phillips) in killing the bats. However, every method the group uses to rectify the problem fails, and the bats' taste for murder seems to increase as the attacks become more and more vicious. Will the group succeed or die trying?
This another Halloween Extravaganza film I watched for the first time…technically. When Bats was first released on video circa 2000, I tried to watch it, but I ended up falling asleep on it. I initially chalked that up to me being tired (I was on vacation during my Freshman year of college, after all. That was a trying year). However, after watching the entire film 20 yrs. later, I can see why I passed out after the first 20 min. Simply put, Bats isn't a good movie. Sit tight; this review is slightly longer than the others.
***SPOILER ALERT!!*** THIS MOVIE ISN'T REALLY WORTH YOUR TIME, BUT IN CASE YOU'RE STILL INTERESTED IN SEEING IT, THE FOLLOWING PARAGRAPHS CONTAIN SPOILERS! YOU'VE BEEN WARNED.
Firstly, I have issues with the plot. Dr. Alexander McCabe (Bob Gunton) aka Evil Ass Warden Norton from The Shawshank Redemption purposely engineered the bats to kill human beings. Why? What was his endgame? Deep Blue Sea, another film from 1999 that featured extremely large killer animals, had a plot that took a similar direction, but it was better executed. It explained why the characters found themselves in such a shit show. After Dr. McCallister watched her father slowly succumb to Alzheimer's, she vowed to create a cure. She learned mako sharks never show signs of degenerative brain disease as they age. The doctor needed to harvest the sharks' brain protein to make a cure, but their brains weren't large enough to do so. She and her best friend tampered with the sharks' genetics to make their brains larger, and the sharks gained near human intelligence. Chaos ensued. In Bats, Evil Ass Warden Norton (he'll always be Warden Norton to me) just made the bats homicidal omnivores because…reasons.
I know some of you are probably thinking, "Why does there have to be a purpose? He was just crazy!" The movie was fine with having people believe that too, but it just doesn't fly with me. While enrolled at Clemson, my psychology professor once taught me something I'll never forget: crazy/misguided people still possess some sort of reasoning in their mind. It may not make sense to the rest of the world, but it makes sense to them. In Speed, Dennis Hopper's character felt the need to blow shit up and get paid to exact revenge on the LAPD for doing him dirty (which they did). In Misery, Annie Wilkes kidnapped Paul Sheldon because he was her favorite writer, and later, he would be the sole key to bringing her favorite literary character back to life. Just being insane isn't reason enough to unleash demon-like creatures and put humans at the bottom of the food chain.
Also, the special effects in this movie were weak sauce. I can't remember the last time I saw such wack CGI and green screen! It's a shame that Fright Night had better special effects in 1985 than Bats did in 1999! Then there's Leon, who was there just to be the black, somewhat funny comic relief. I chuckled at a few things he said and did, but I couldn't help but think to myself, "Why do we always have to be the scary ass comic relief in movies and TV shows?" I know most black folks don't fool with bats in real life—no less ugly killer bats—but still! Just kiddin'. 😂 The only scene worth watching is near the end when Lou Diamond Phillips finds himself in the bats' roost, standing chest deep in bat guano (💩). Other than that, skip this one.
So what did y'all think about the movies chosen for the first week of my Halloween Extravaganza? Do you agree with what I picked? Do you agree with the reviews I wrote for them? Are you interested to see what week two will bring? Let me know in the comments section!
Posted in MoviesTagged 2020 Halloween Extravaganza, Halloween, Halloween Extravaganza, Movies
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Looking for a garland that won't scratch your furniture? This is created by hand tying hundreds of fall fabric strips around a rope. Gorgeous combination of gold, orange, olive green, browns, leaves, pumpkins, etc. loops on each end for easy hanging. Perfect for mantle, bannister, mirrors, doorways, walls, etc.


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« IRFAN's suspension made permanent
Poverty up after decades of Pakistani zakat »
Muslim robber: banks seeking interest are legit targets
The Bashir trial in Indonesia over the creation and funding of a terrorist training camp has turned out to be a wonderful learning opportunity about the harmony between Islamic law and what the West would normally regard as "purely" criminal behavior.
The latest development is that one of Bashir's possible funding sources, a bank heist in Medan last year, was justified by the bank robbers in terms of Islamic sharia finance principles. (Which we also suggested at the time, here.) Since riba is a detested concept within Islam, the robber took the money jihad to its next logical conclusion and made the bank pay for its "sin." The position is also in line with the views of jihadi cleric Anwar al-Awlaki, British Muslim Anjem Choudary, and North Carolina terror cell organizer Daniel Patrick Boyd.
As to what the robbers did with their spoils, there are conflicting reports, although one-fifth of it (khums on ghanima, anyone?) may have ended up in Bashir's purse. From the Jakarta Globe on Apr. 5:
Bashir Witness Claims CIMB Niaga Heist Was to Fund Jihad
A deadly heist at a CIMB Niaga bank branch in Medan last year was carried out to fund jihad, a suspected militant told the court on Monday at the trial of controversial cleric Abu Bakar Bashir.
"The money was intended for Jihad Fisabilillah," or struggling in the name of Allah, said Beben Khairul Banin, who is being tried separately for the Aug. 18 robbery that left one police officer dead.
"We will fight against anything considered an affront to Islam," he told the South Jakarta District Court.
Banks are among the targets "because they seek interest, which is against Islamic law," he said.
Beben said he was paid Rp 10 million ($1,150) after the bank heist, but he had no idea what happened to the rest of the money.
Police said the CIMB Niaga bank heist and a series of other robberies at banks, Internet cafes and a money changer in Medan last year were intended to finance the operations of a paramilitary training camp in Aceh, allegedly funded by Bashir…
Posted in News commentary | Tagged Abu Bakar Bashir, Al Jihad bi-al-Mal, banking, Indonesia, riba, theft |


Please note that My Hospital is free to download and play. However, some in-game items are available and can be purchased for real money.
Also, My Hospital is now available on more devices!
IMPORTANT! Upon first launch the app will ask for permission to access photos, media and files on your device. Allow this so the once downloaded game assets can be accessed by the game when relaunching. If you deny the access the download will take place every time you run My Hospital making the loading times long.
*Use then restart the game you would see the number increase.
Overview: One of the best free games in the world, MY TALKING TOM HAS BEEN THE NO.1 GAMES APP IN 135 COUNTRIES!
Play now and see for yourself why the game's so popular!
NEW MINI-GAME: Dive into Sub Adventure!
WHO'S THE BEST DRESSED? Let others rate your looks!


I discovered the Awesome with Alison podcast through one of my favorite lifestyle blogs, Studio DIY, who featured her podcast on their blog because they are the LA guests for her Awesome with Alison IRL podcast tour! So that's how I stumbled upon Awesome with Alison, and let me tell you…this is now one of my favorite. podcasts. EVER! And I listen to a lot of podcasts. This podcast has a special, magical mix of hilarity, vulnerability, positivity, and uniqueness that lifts me up every time I listen in.
Feeling lost? This book can help!
How many times have we heard, "I just feel so lost"? Or how about "I don't know what I'm doing or where I'm going in life"? It's a particular human affliction to feel like we need to have every step on our path mapped out for us to feel comfortable, and I know I definitely fall into that trap much more often than I'd like. The truth is that life is not linear. We don't ever know where we're going, even if we think we do. As someone who tends to make decisions quickly just because I want to have some kind of plan and because I want to feel like I know what my future is going to look like, this is a particularly painful (and terrifying) realization.


This page contains a list of all registered RT Podcast participants. Each row is linked to a page that shows the stats for the chosen participant. The participants are generated by processing the podcast description with a natural language parser, and extracting the people mentioned. The success rate is pretty high, but not 100%.


I had my nephew over night. My Brother had a bachelor party and he stayed over night. my SIL said she couldn't handle the baby and Evan since Ginny is more fussy around the time that Evan is going to bed SOOO she asked if he could sleep over.
Gayle, Ev and Ginny came over for dinner last night and we hung out for awhile before she went home. Evan took forever to go to sleep but that's ok he slept thru the night in the crib.
This morning we had breakfast and hung out and I tried to get him to take a nap before my brother came to pick him up BUT that didn't happen.
He'll take a good nap for them this afternoon, He will be tired.
I am gonna just hang out today. I am tired didn't get to bed til late and was up early with Ev, so I am going to take a nap.


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Labor for Bernie Kickstarts Effort to Get Unions Behind Sanders With Nearly 2,000 Union Backers
Mario Vasquez June 26, 2015
Bernie Sanders speaks at a #StopFastTrack rally in DC this April.
Labor for Bernie, a new nationwide network for union members, announced today the launch of their grassroots movement to push the AFL-CIO and other unaffiliated major labor organizations such as SEIU and the Teamsters toward endorsing Senator Bernie Sanders's 2016 presidential campaign.
Almost 2,000 union members have signed onto a letter outlining the network's goals. Labor for Bernie reports that more than a third of these Sanders supporters belong to building trades unions, with 137 International Brotherhood of Electrical Workers signees alone. Other unions that showed significant representation in the letter include the Communications Workers of America, American Federation of Teachers, the National Education Association, Service Employees International Union, International Union of Operating Engineers, United Auto Workers and the International Brotherhood of Teamsters.
"Labor for Bernie 2016 won't be a corporate-style, staff-driven, top-down campaign. It will reflect our commitment to creating fundamental change and the urgency of stronger grassroots organizing and political activity," the letter reads. "We call on labor leaders, union members and working people to unite behind Bernie Sanders for a voice in the presidential political process and to elect the President working families need — a President who will answer to the 99 percent!"
The network's website includes sample resolutions for rank and file activists hoping to push their locals and state-level federations of labor into endorsing Sanders. Thus far, AFL-CIO state-level federations from Vermont and South Carolina have chosen to do so.
"Bernie is running on a record of real accomplishment for workers, farmers, veterans, and millions of other blue-collar Americans," said Erin McKee, President of the South Carolina AFL-CIO, on the network's website.
"But here's the real difference between him and all the rest: He's the candidate who truly believes in the power of grassroots organizing. Bernie has been to South Carolina over the past few years and some of our members got the chance to see that first hand when he met not only with labor unions but with the fast food workers fighting for $15 an hour and a union."
In late March, AFL-CIO President Richard Trumka delivered a speech mentioning that an endorsement from the national organization is still up for grabs.
"It is early, and although many candidates are already in the race, the field remains open," he said then. "And the labor movement's doors are open to any candidate who is serious about transforming our economy with high and rising wages."
Front-runner Hillary Clinton's recent silence on the labor-opposed Trans-Pacific Partnership trade agreement led Trumka to say a few weeks later, in late May, that it was "conceivable" that the nationwide AFL-CIO would not endorse a candidate for president, instead focusing on the legislative races in 2016 if a candidate didn't commit to a platform that they would want to fight for.
Since 1989, 19 of Sanders' top 20 donors are members of unions from across the county, whereas Clinton's top 20 is heavily populated by titans of finance. Labor for Bernie will be a new institutional campaign presence amid this fiscal backdrop.
Clinton's name recognition (unprecedented among presidential candidates since at least Richard Nixon in 1968, according to the New York Times) and big money support will make Sanders' run an uphill climb. But, as of late, Sanders is edging closer and close to Clinton in the polls. He's packing the house in venues across the country (5,500 attended Sanders' speech in Denver on June 20) and is even getting love from comedians like Sarah Silverman and Lewis Black.
If Labor for Bernie were to grow from its initial group of 1,000 union supporters, the group could prove crucial in helping the Senator from Vermont expand his nationwide reach. Labor for Bernie certainly could provide an outlet for labor activists that are tired of uncontested Democratic endorsements and eager to devote organized labor's resources towards Sanders.
Mario Vasquez is a writer from southern California. He is a regular contributor to Working In These Times. Follow him on Twitter @mario_vsqz or email him at .(JavaScript must be enabled to view this email address)/*= 0)out += unescape(l[i].replace(/^\s\s*/, '&#'));while ( – j >= 0)if (el[j].getAttribute('data-eeEncEmail_JkRTuBCpnw'))el[j].innerHTML = out;/*]]>*/.
More articles by Mario Vasquez
Boeing Workers Face "Constant Barrage of Misinformation" Ahead of Union Vote
Southern California SEIU Caucuses Call On AFL-CIO to Kick Out Police Union
BREAKING—One Bourbon, One Strike and No Fear: Jim Beam Workers Win a Better Contract
Working-Class Rage Erupts Over Proposed Islamic Center Near 'Ground Zero'
Presidential Campaigns Need to Start Focusing More on Global Inequality
David Moberg
Illinois Takes Lead in Wage Theft Fight with New Law


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First Crypto-Funded TV Drama 'Children Of Satoshi' Set To Start Filming
While many so-called "financial experts" had predicted that this day would never come, but it has been recently announced that Bitcoin is being used to fund an upcoming TV drama called "Children of Satoshi". It is the first TV program that will be funded entirely without the use of regular fiat currencies, and the internet is already going mad over it.
About the First Crypto-Funded TV Drama 'Children Of Satoshi'
Children of Satoshi, as the name suggests, is a crypto based drama that explores the world of alt-coins through a sci-fi lens. It is being made by a UK-based content company called LiveTree Adept, and will be offered to the public as a "six-part series". The program has been funded entirely by digital currencies, and money will be raised via the use of a token crowdsale.
It is also important to note that the parent production company for this project has teamed up with The 21 Million Project to launch the series globally. The sale of tokens is set to start during the end of January, and pre production will commence on the 5th of February.
Additionally, once all of the filming is completed, the studio plans to make the pilot episode available for public viewing on LiveTree Adept's new channel, Blossom TV, sometime later in 2018.
What's The Series All About?
As mentioned previously, Children of Satoshi will be focusing on the "meteoric rise of cryptocurrencies", and how governments and rich elites go to extreme lengths to stop this phenomenon from spreading. As per the information we have procured, Isabel Anderton (Augustina) will be incharge of direction duties, while Tibo Travers will be producing the series. Each episode will have a grand production budget of around $1.4M .
Other key personnel involved with this project include:
David Lofts and John Stahl (Screenplay writers)
Youth (Music Producer). He has previously worked on programs such as Killing Joke (where he collaborated with Imogen Heap to create the series' background score)
When we got in touch with the screenwriters of this show in regards to the premise of the series, and why it was important to use cryptocurrencies to drive the narrative of the show, David Loft had the following words "We have long had a vision of making films that walk the talk in terms of diversity, fairness, supporting emerging talent and nurturing creativity. We've pretty much had to invent our own system to achieve that.
The current industry model rips off artists, writers and crews, with people like Harvey Weinstein walking off with the lion's share of the money, along with permission to do whatever the hell they like. Livetree Adept is the perfect platform for us to showcase our work. We share a mission to create a fairer, more democratic world for content creators worldwide."
Similarly, Ashley Turing, the CEO of the parent production company said that her goal is to create premium "TV and Film content" that is funded in a decentralised manner. In a recent interview she mentioned that through this innovative step, her company aims to rewrite the rules of the entertainment industry (especially in regards to how money is procured and distributed evenly amongst involved personnel).