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Rangers Vs Celtic H2h Stats Record & Results
admin — April 3, 2021 add comment
That was a extremely good likelihood, or it might have been had his first touch been better. 56 min Leon Balogun, who has had a tricky afternoon at proper again, is changed by Nathan Patterson. sixty three min Edouard cleverly slips Goldson, who recovers properly to concede a nook.
Or, if you do not need to sign up for Sky, you should buy a Now TV Sports Pass to stream the sport stay for £7.98. You can watch this game live on Sky Sports Football and Sky Sports Main Event. The doubtless absence of Ryan Jack is a blow and it is worth noting that Rangers have usually been profitable by nice margins just lately, with 4 1-0 wins of their last seven league games plus a 1-1 draw at Hamilton. Under 2.5 objectives can be backed at 7/10 in the Celtic vs Rangers odds but we favor 'no' within the each teams to attain market at 17/20. Welcome to the brand new matchstat.com, with pro tennis stats, info and a community of likeminded tennis fans. Rangers are eager to end Celtic title dominanceCeltic haven't completed a league season out of the top two since the 1994/95 campaign.
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Live scores service at SofaScore livescore presents sports activities reside scores, results and tables. Live score on SofaScore.com livescore is automatically up to date and also you need not refresh it manually. With adding games you want to comply with in "My video games" following your matches livescores, outcomes and statistics will be even more easy. Fixtures between the teams generate additional media curiosity as a result of their association with the parent clubs and are referred to as Old Firm matches in consequence.
The development was criticised by former players as diluting the well-known environment of the fixtures, although others praised the additional revenue the change would likely generate. Supporters of both golf equipment, when interviewed, have conceded that they don't significantly enjoy the intense environment of Old Firm matches. In 2015, former Rangers participant Brian Laudrup stated that the Old Firm topped all of the rivalries he had performed in, which included the Milan derby and the Fiorentina-Juventus conferences in Italy; ex-Celtic striker Henrik Larsson, who experienced El Clásico in Spain and De Klassieker in the Netherlands, has made similar comments. Jim Bett, who had already played in Iceland prior to joining Rangers in the Eighties and thereafter moved to Belgium, said that he declined an opportunity to return to the Ibrox club due to the sectarianism related to life as a footballer within the west of Scotland, in distinction to his positive experiences living overseas.
Rangers, Celtic Reject Taking A Knee Ahead Of Old Firm Derby
In that same match, a Celtic supporter was photographed making an 'aeroplane' gesture towards American Rangers player Claudio Reyna a few weeks after the September 11 attacks. A 2004 match at Ibrox which "descended into even more mayhem and madness than ordinary" led to a police enquiry over the conduct of the players and employees. In January 1994, Rangers chairman David Murray introduced that Celtic fans had been banned from Ibrox because of repeated situations of vandalism to the stadium which Celtic refused to take financial responsibility for. Only one fixture, which ended 1–1, was performed earlier than the ban was rescinded .
Labour MSP James Kelly launched the Offensive Behaviour at Football and Threatening Communications Bill in June 2017. Kelly had described the 2012 laws as having "utterly did not sort out sectarianism" and as "illiberal" which "unfairly targets football followers", and was "condemned by legal consultants, human rights organisations and equality groups". Professor Sir Tom Devine beforehand spoke of the Football Act as "essentially the most illiberal and counterproductive act handed by our younger Parliament thus far" and a "stain on the popularity of the Scottish authorized system for truthful dealing".
The matches between Real Madrid and Barcelona may be thrilling football matches with loads of superstars, whereas games between Inter Milan and AC Milan might have the Serie A title and delight of Milan using on them, but none has fairly the impression in their respective countries, and abroad, because the Old Firm between Celtic and Rangers does. The Rangers–Celtic rivalry in girls's football has existed only within the twenty first century, with Rangers W.F.C. having shaped in 2008, one year after the Celtic F.C. The footballing surroundings is also very completely different, with a third group in the city – Glasgow City F.C. – not merely competing in the same division because the extra well-known names and attracting an analogous fanbase, however dominant over them in the home league, with twelve consecutive titles as much as 2018. Rangers have only completed above Celtic once , and neither club has received the Scottish Women's Cup; Celtic have lifted the SWPL Cup on one event, in 2010.
With lots of those in attendance having spent a full weekend drinking alcohol previous to the event, a minimum of 4 Celtic fans invaded the sphere of play to confront Dallas in the course of the recreation, and extra missiles had been thrown at gamers on the pitch after the game. Since the occasions of that day, Old Firm league matches have usually been performed within the early afternoon and the potential of an Old Firm title decider has been deliberately avoided. Rangers had been founded 15 years earlier in 1872 and had no particular non secular leanings of their early a long time, certainly they were described by the press as pals of Celtic in match reports on the turn of the twentieth century. In that period Rangers had won three successive championships and expanded their stadium at nice expense, just for one of the new picket stands to break down throughout a Scotland v England fixture in April 1902, killing 25 and injuring lots of of others. The disaster compelled the membership to rebuild Ibrox for a second time and financed this by promoting off their best gamers, with Celtic, specifically, benefiting from the weak point to win six successive titles between 1905 and 1910 before Rangers returned to their previous strength. Between them the two golf equipment have received 106 Scottish League championships , 73 Scottish Cups , and 46 Scottish League Cups .
The Old Firm foes have battled it out for the Scottish Premiership title down the years with each groups enjoying spells of dominance. News Corp is a network of main corporations in the worlds of diversified media, news, training, and knowledge services. Rangers, Celtic reject taking a knee ahead of Old Firm derby Rangers and Celtic did not take a knee forward of the Old Firm derby on Sunday, following allegations of racism towards midfielder Glen Kamara. Rangers, Celtic stand collectively somewhat than taking the knee Rangers and Celtic decide to stand collectively to help Glen Kamara, who says he was the topic of a racist comment in a Europa League game.
Police arrest, charge teenager over racist on-line post despatched to Rangers' Morelos Police have arrested and charged a teenager over an alleged racist online publish despatched to Rangers striker Alfredo Morelos after the Old Firm derby. In reality, for a considerable amount of supporters the football on the pitch is quite irrelevant, because it merely offers a platform for spiritual and political sectarianism. And as a result of it's not nice seeing an opposing religion one has no religion in and political views one despises emerge victorious, violent clashes at Old Firm video games have seemingly turn out to be the accepted norm. Lennon can be targeted as a result of he doesn't precisely assist himself in social situations, having clashed with Rangers fans before and "biting the bait," so to speak. Also, his so-referred to as "dirty attitude" on the pitch in his playing days, and for some weird cause the actual fact he has ginger hair, are other reasons for the broad-unfold hate campaign against the Celtic manager.
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Mr. Oglesby is prolific tenor soloist on the operatic and concert stage. His most recent roles include Lindoro in L'Italiana in Algeri with the Moores Opera Center, Camp Williams in Cold Sassy Tree, Uncle Vezzinet in the Italian Straw Hat and the Governor in Candide and Basilio in La Nozze di Figaro with Amarillo Opera. As a concert soloist Mr. Oglesby has performed the tenor solos in Carmina Burana with the Woodlands Symphony, and the Masterworks Chorus under the direction of Z.Randall Stroope, Mozart's Requiem with the Masterworks Chorus and the WTAMU Symphony, Handel Messiah, Elijah and Beethoven's Ninth. Most recently Mr. Oglesby Performed with the 2017 Texas All-State Mixed Choir as the invited Tenor Soloist in the Lord Nelson Mass. In 2008 Mr. Oglesby was selected as one of twelve to participate in the prestigious National Association of Teachers of Singing intern program. During his time as an intern Mr. Oglesby participated in a documentary highlighting the Future Artist/Teachers of the next generation. Mr. Oglesby can be heard on the Premier Recording of Dominic Argento's Casanova's Homecoming on the Newport Classics Label.
Mr. Oglesby currently is the Vocal Area Coordinator for WTAMU School of Music and also serves as a Master Teacher for the Conservatory Theater in Amarillo, Texas. Along with teaching at WTAMU Mr. Oglesby is a sought after Master Class instructor locally and nationally most recently being invited to Ithaca College and Oklahoma State University as a Master Class Instructor as well as Artist in Residence with Lycoming College in April 2018. Mr. Oglesby will serve as one of six Teaching Fellows, this coming July 2018, with the International Performing Arts Institute in Kiefersfelden, Germany. As an adjudicator, Mr. Oglesby has been a National Prelims judge for NATS national auditions for the 2017 and 2018 national competition. His former and current students have performed on Broadway and National Tours, most recently, Theresa Rowley as Hannigan in the National Tour of Annie and Brandon Wilhelm in the International Tour of Junie B. Jingles Bells with Casa Mañana. In competition, tenor Jesse Melson, was the 2015 National NATS winner in the graduate men category.
Currently, Mr. Oglesby serves as an Assistant Lecturer in Voice and is the Vocal Area Coordinator for the School of Music at West Texas A&M University. Mr. Oglesby earned his B Mus. from the University of Houston and an MA in vocal performance from West Texas A&M University. Mr. Oglesby has studied voice with Mr. Joseph Evans, Dr. Robert Hansen and Mila Gibson.

redpajama_set_name: RedPajamaCommonCrawl


In comparison to other nearshore models, adesso SmartShore is characterised by German-speaking employees who are familiar with the work environment and German culture. Our intelligent team mix allows us to offer you attractive rates and an agile and transparent approach.
As part of our SmartShore approach, we have developed a nearshore model that responds to the typical challenges faced when implementing IT projects – such as cost savings in software development or skills shortages. Mixed teams of German Turkish, Spanish and Bulgarian employees are deployed and the various projects are conducted exclusively in German. During these nearshore projects, our Turkish colleagues are sometimes on site at our customer's place of business or in our SmartShore Centre in Istanbul, Bulgaria and Spain. This allows our nearshore model to secure cost savings of up to 40 per cent. By using German-speaking teams we ensure that the cost benefits are not diminished by possible communication expenditures.
Our range of services includes the implementation and commissioning of software as well as the integration and migration of older pre-existing systems. We also frequently use agile methods in our nearshoring projects. With the help of our 'adVANTAGE' procedure model, it is even possible to use an agile approach on a variety of fixed-price products.
We provide you with 24/7 maintenance teams for second- and third-line support tasks. During core working hours, most of the support will be provided from our German site (Stralsund). Outside of core working hours, the maintenance tasks will be undertaken by staff at our nearshore site in Istanbul. In this way, we provide you with a 24/7 maintenance service and you make significant cost savings compared to traditional maintenance services that are based exclusively in Germany.
As part of our nearshoring model, we create and update the scripts from our site in Istanbul. This results in a reduced cost for implementing automation, while regularly updating the scripts also optimises efficiency.
Our nearshore experts in Turkey have spent a long time living in Germany. This means that they not only have German language skills but they also have many years of experience of working in the IT sector in Germany. As a result, they are familiar with German corporate culture.
In terms of HR management, all of these aspects combine to facilitate the quick and effective deployment and induction of well-qualified IT experts who meet our clients' high expectations for nearshore projects. The low rate of internal staff turnover means that our German and Turkish employees know one another. It also means that they are very familiar with nearshoring processes, international partnership and the successful implementation of international, German-language projects. It is therefore possible to reduce the overall cost of SmartShore projects so that they are significantly more cost-efficient than other approaches. The additional communicative effort required for such projects is no different to the level of effort required to communicate between team members who are dispersed throughout Germany, for example.
Our site in Istanbul plays an important role in terms of outsourcing IT projects. This is because Istanbul offers numerous advantages that facilitate the successful outsourcing of IT projects. Around 20 million people live in the metropolitan region of Istanbul and there are more than ten higher education establishments that teach and train IT specialists. Furthermore, our nearshore site in Istanbul is in an excellent location that is both geographically and logistically advantageous. It is possible to fly to every German city within a few hours and there are multiple flights each day. This allows us to guarantee our clients a high degree of connectivity as well as geographical proximity.
For adesso SmartShore, the knowledge transfer process is a crucial part of our approach. This transfer phase takes place at the beginning of each of our nearshore projects and it provides our clients with the opportunity to see for themselves how skilled all of the employees are. It also helps to form strong bonds between the German and Turkish team members, which enables them to work together as an effective team unit. The ideal location for the project kickoff meeting is at the client's own site. This makes it possible for everyone who is involved in the project to get to know one another, get to grips with the initial requirements and have face-to-face conversations about the first steps that have been planned. The project team is then divided up after approximately one to two weeks. This means that our Turkish colleagues return to their office in Istanbul and continue to work from there. After another four to five weeks, everyone who is involved in the project will come together again at the client's site. The purpose of these meet-ups is to discuss the initial outcomes of the nearshore project and to make any amendments that may be required. This optimises the setup of our nearshoring approach while strengthening the bonds within the team.
Our primary goal is to ensure that our clients always have a way of tracking the project's progress. By promptly supplying each deliverable, we can keep the client up to date about the project status at all times.
The regular supply of project artefacts makes it possible to receive prompt feedback from the client, which in turn helps us with our process optimisation.
Unplanned changes may be necessary during the project phase of any nearshore project. Because we have transparent processes and we continuously receive client feedback, our employees are well positioned to react to changes in requirements at any stage of the project and to implement any necessary amendments.
During the scope of our nearshoring projects, the members of the various project teams are in constant communication with one another. adesso has the necessary tools and infrastructure to facilitate this kind of collaboration. In addition to this, the project kickoff meeting takes place at the client's own location and all of the team members are involved. This also serves to strengthen the team at the beginning of the project.
For nearshore projects, the data security of our clients is of utmost importance. If the transfer of personal data cannot be avoided in our nearshoring projects, Article 26 paragraph 2 of Directive 95/46/EC shall apply to the transfer of personal data to contracted processors based in third countries. For our nearshore site in Istanbul, the technical and organisational measures according to paragraph 9 of the BDSG (German Federal Data Protection Act) apply.
We set high quality standards for the implementation of nearshore projects and for the processes behind them. As well as showcasing these high standards, our certifications also ensure that within our nearshore approach, there is transparency and continual improvement in relation to our workflows. We have already received the following important corporate certifications: IREB Platinum Partner (requirements management), ISO 9001 (quality management standard), ISO 14001 (environmental management standard) and ISO 27001 (information security).
When outsourcing, it is very important to us that our nearshoring teams have sound, up-to-date IT skills and specialist knowledge. This allows us to guarantee the successful implementation of your project. More information about the certification of our employees can be found here.
The current brochure is available for download here (only available in german).


Adam and R/P do the nightly Farah Love You shout out..Adam says "Can't wait to see you Wednesday"
They break out the Big Booty song while playing cards.
They are tired and looks like they all will hit the hay at midnight.
Adam flossed his teeth. He's set for the night.
All three talking about jury house in the bathroom. They all are getting ready for bed.
Good morning RFF members and guests!
Everyone sleeping quietly in their beds.
Adam on the move to the BR. Mouthwash then potty. He washed his hands looked at the memory wall now heading back to bed.
I can hear some hammering/pounding so they are still building for the 2nd part of the competition.
P I kinda thought the finale would be on a Wed.
R superpass and Chelsea will be there. She hosts superpass. They've branched out, but BB is the most important to them.


Yes, my beloved Nokia E71 is showing its age and luckily its senescence was accompanied by the expiration of its contract. Enter the HTC Desire (my second HTC phone after the underpowered WiMo 730) and it's been a great first day. And I have the Apps to show it. Seriously, thanks to the great AppBrain you can see my apps on http://www.appbrain.com/user/ Techczech and below and in the sidebar.
Having helped other people with their iPhones, I honestly cannot imagine why anyone would want to go with a closed, less flexible system.
BTW: In case anyone's interested, I used these two guides to migrate my SMSs/Text Messages from the E71 to the HTC Desire: 1. This to convert from OVI and 2. This to import the messages onto Android. And Google's instructions to migrate all my contacts: http://www.google.com/mobile/sync. Both should work for a variety of phones.
This entry was posted in Mobile, OpEd, Tips and Guides and tagged Android, Computing, HTC, Nokia E71, opensource, Smartphones, Technology by Dominik Lukeš. Bookmark the permalink.


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Congratulations to junior Mary Bocock, who has had a banner year with Rowmark Ski Academy.
Thanks to her performance at US Nationals in November 2020, Mary was invited to compete with the US Ski & Snowboard Team in Europe, starting in January. She kicked off her journey in Cortina, Italy, where she skied to fourth place overall (second for U19s) in super-G, earning an invitation to travel to Garmisch, Germany. There, she took third place (first for U19s) in super-G, followed by fourth overall and second place in alpine combined, ending with a ranking of 12th overall (second for U19s) at the German National Junior Championships.
"Mary has had an incredible season and has shown on multiple occasions that she is one of the fastest skiers her age in the world," said Graham Flinn, head FIS coach. "The years of hard work and dedication that she has put in are showing, and we look forward to watching her continue to compete on the international stage. We are proud of her work ethic, ownership, and commitment to being an elite student-athlete."
Since returning from Europe, Mary has continued to excel on the slopes. In the beginning of March, at Breckenridge, Colorado, she won the giant slalom. At the FIS Elite races at Sugar Bowl Resort and Squaw Valley, California, in March, she placed 10th overall (second for U19s) in giant slalom, and 11th overall (fourth for U19s) in slalom. She then won again in the giant slalom race in Breckenridge, Colorado—with this finish, Mary is currently ranked second in the nation and sixth in the world in giant slalom for her age, as well as first and ninth in the world in super-G. Mary will complete her season at the Women's US Nationals in Aspen, Colorado, later this week.
Well done, Mary, and good luck in Colorado!
Update April 19, 2021: At the Women's US Nationals in Colorado, Mary placed an outstanding 12th in super-G.
Check out the below video to hear Mary reflect on her time in Europe, as well as to hear Coach Graham Flinn and English teacher Kody Partridge attest to how Mary's a force on the slopes and in the classroom.
Banner photo credit: Steven Earl
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Rowmarker Mary Bocock Competes with US Ski & Snowboard Team in Europe
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https://banyanhill.com/this-1-key-innovation-helped-apple-revolutionize-smartphones/
Home » Investment Opportunities » This 1 Key Innovation Helped Apple Revolutionize Smartphones
This 1 Key Innovation Helped Apple Revolutionize Smartphones
Posted by Chad Shoop | Jul 5, 2017 | Investment Opportunities
Ten years ago, Steve Jobs and Apple Inc. (Nasdaq: AAPL) introduced the first iPhone, a revolutionary device.
Not only did it combine email and Web browsing with an iPod and a phone all in one, but its greatest innovation was its keyboard — and the fact there was no physical keyboard.
At the time, BlackBerry ruled the smartphone market with its physical keyboard that customers loved. Even when Apple launched the iPhone, many analysts said it would fail because it didn't have a physical keyboard.
But built into Apple's virtual keyboard was actually one of the first artificially intelligent applications at the time.
And it helped bolster the company to go on to sell its 1 billionth smartphone last year. Here's a look at that progress.
That's an astonishing growth trajectory for a market that was basically nonexistent until the iPhone came along.
But that keyboard was key, and it was one of the biggest projects for the company — how to create a virtual keyboard that was accurate and that customers loved.
And they solved it with artificial intelligence (AI).
The keyboard was able to predict what word you were typing. For example, if a user typed the letter "t," the keyboard would make the hot spot, the area around a certain key, for the "h" key larger than normal. But it was all done internally — meaning nothing changed in our eyes, but the keyboard was extremely accurate.
This seems basic to us today, but at the time it was very advanced tech — and Apple led the way.
Now Apple is working on what the current CEO, Tim Cook, calls "the mother of all AI projects" — autonomous driving.
Apple recently made a splash in the sector by announcing that it's leasing six cars from Hertz to test its software, showing that it's serious about developing self-driving cars.
Your guess is as good as mine on who will win the autonomous driving race, but someone inevitably will. And Apple has as good of a chance, if not better, to accomplish this as its competitors.
Who knows, a self-driving car could be its next revolutionary product.
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He was the first Bond I ever saw theatrically - 1973's LIVE AND LET DIE - and for that reason is still my favorite even if he's not regarded as the "best" Bond.
UNICEF executive director Anthony Lake said in a statement. "In his most famous roles as an actor, Sir Roger was the epitome of cool sophistication; but in his work as a UNICEF Goodwill Ambassador, he was a passionate – and highly persuasive – advocate for children. He once said that it was up to all of us to give children a more peaceful future. Together with [his wife] Lady Kristina, he worked very hard to do so."
Two items from my collection.


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Q: Relationship between cross entropy and focal loss function
If the multiple categorical cross entropy loss function is given by
$$ L_{CE} = -\frac{1}{N}\sum_{i=1}^N\sum_{k=1}^K X_{ik}log(Y_{ik})$$
  where $X$ is the labelled data and $Y$ is model prediction for pixel $i$ of an image and $K$ classes.
Then how can i modify this using the same variables to get the focal loss function? I know it is a modification of the cross entropy loss, but the focal is commonly written in terms of the probability $p_t$ for the class with each label i.e.
$$ L_{FL} = -(1-p_t)^{\gamma}log(p_t)$$
for some tuning parameter $\gamma$.. But it doesn't seem to be of the form of $X$ and $Y$?

I have seen another article use
$$ L_{FL} = -\sum_{i=1}^N\sum_{k=1}^K Y_{ik}(1-p_t)^{\gamma}log(p_t)$$
is this the correct form?
Note it seems $p_t = (1 * Y * X) + ((1 - Y) * (1 - X)) =2XY - X-Y+1$.

redpajama_set_name: RedPajamaStackExchange


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Navarre woman's non-profit focuses on helping children in rural areas
Tony Adame @t_adame
Lifelong Navarre resident Wendy Lincoln's non-profit organization, Have Hope You Matter, put together over 1,000 bags of toys and candy for children of families in need during the holiday season in 2018.
NAVARRE – After Hurricane Michael devastated Northwest Florida in October 2018, lifelong Navarre resident Wendy Lincoln's first thought was to help in any way she could. She never thought that path would take her to starting her own non-profit.
One year later, Lincoln is in charge of Have Hope You Matter – her own 501 (c) non-profit organization with a specific focus on helping needy children of families in rural areas who she believes are largely forgotten when the holidays.
"I was kind of stuck on what to call (the non-profit), but my husband reminded me of a conversation I'd had with someone early on," Lincoln said. "It was a woman who had lost everything (after the hurricane) … and she was struggling to get food.
"She told me 'I have no hope, I don't matter,' and really quickly I let her know she needed to have hope and she does matter. Everybody matters to me."
Lincoln made a big impact in her first year. She put together 334 bags of toys and candy for area children, sent an additional 177 bags to Clarksville, 150 bags to Apalachicola, 100 bags to Jackson County and 300 more to Ronald McDonald House for sick children.
She was also able to purchase tools for the father of a family in order for him to get back to work.
In total, Lincoln put together over 1,000 bags for children in need and came away with the understanding that there was more work to do – and that having an official non-profit to attach her name to would be a benefit to those she was trying to help.
She's calling this year's holiday giving effort "Christmas of Hope for 850" – focused on people who need help from Tallahassee to Pensacola.
"There's a lot of scamming and stuff going on, so any possible way to be official and let people know you're serious about trying to help is a benefit," Lincoln said. "Really and truly, there are people out there that are still really struggling. One of the families we're working with just got moved into a FEMA trailer in August … they had been living in tents in the woods behind an auto parts store in the Cottondale area for 10 months before that.
"We are talking about people who can't afford meals, much less toys. People who have had trees fall through their homes and had to make the decision to buy beds last Christmas instead of toys, so we're hoping to make sure the kids don't go two straight Christmases with no toys. We really like to focus on families that are kind of out in the middle of nowhere, because they seem to be the easiest ones to forget … places like Clarksville, Alford and Chipley don't even have outreach centers for people to go to."
Lincoln, who was an accountant for almost 30 years, is organizing two separate toy pickups on Dec. 22, in Panama City from 11:30 a.m.-1:30 p.m. and in Mariana from 3:30 p.m.-5:30 p.m. Lincoln said people who'd like to donate can call her at 850-736-0428 for the locations of the pickups.
Toys and donations can also be sent to the Have Hope You Matter Non-Profit, Inc. at 2813 DH Harvell Circle, Navarre, Fl., 32566, or you can visit the non-profit's website at havehopeyoumatter.com.
"We are a small group, but we're trying to make a big impact," Lincoln said. "Most of these parents, they don't want stuff like laptops or computers. They just want anything they can put under the tree for their kids … I think it's important that rural areas don't end up forgotten at this time of year."


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A New Approach to Fraud Awareness Training
By Neil on September 28, 2017 in NEWS
Training that is mandatory or heavily rules based can often be seen as dry and uninspiring. In an effort to lighten things up and focus on the wider picture we have teamed up with Elgood Effective Learning to bring you a new approach to face to face fraud awareness training which we can deliver to your organisation:- 'The Ethics Challenge: Fraud Addition'.
This approach uses management simulations to raise awareness of the reasons why fraud occurs, the impact on the business and how to reduce the risk. The simulation uses board papers to generate debate around issues such as bribery, misreporting, executive pay, modern slavery and false accounting. Each board paper allows for a selection of actions all of which have business consequences. Find out more about this simulation and view an example discussion paper about the misreporting of Key Performance Indicators (KPI's).
We are passionate about helping organisations to be more successful. We define success as longevity – an organisation that will be around for years to come.
This success is built on many factors, clearly financial results but also the organisations reputation and its ability to protect and maintain that reputation.
One factor that impacts an organisations reputation is financial crime. When three former directors of Tesco were charged with fraud and false accounting in relation to its £263m profit overstatement the Tesco brand suffered. According to YouGov BrandIndex, the main measure of consumer perceptions, the index sunk to 9.3 from 14.8 in the week after the accounting error was made public, and fell to an extreme low of 2.8 over the following months.
The outcome most often associated with fraud is the financial one but there are many other knock-on effects.
Find out more about our partners Elgood Effective Learning
ethics, Fraud awareness, training
New Charity Sector Resources Launched
Our Special Guide and Resources Available Free to Charities


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Genre: Action/Adventure/Family
Directed by: James Bobin
Starring: Isabela Moner, Eugenio Derbez, Madeleine Madden, Adriana Barraza, Michael Pena, Qorianka Kilcher, Eva Longoria, Temuera Morrison, Jeffrey Wahlberg, Adriana Barraza, Christopher Kirby, Malachi Barton, Natasa Ristic, Madelyn Miranda, Nicholas Coombe
More Information at: Dora the Explorer Trailer
https://teaser-trailer.com/movie/dora-the-explorer/
Tags: Action, Adriana Barraza, Adventure, August 2019, Christopher Kirby, Dora and the Lost City of Gold, Eugenio Derbez, Eva Longoria, Family, Isabela Moner, James Bobin, Jeffrey Wahlberg, Madeleine Madden, Madelyn Miranda, Malachi Barton, Michael Pena, Natasa Ristic, Nicholas Coombe, Qorianka Kilcher, Temuera Morrison
The Nutcracker And The Four Realms
Genre: Adventure/Family/Fantasy
Directed by: Lasse Hallstrom
Starring: Mackenzie Foy, Keira Knightley, Morgan Freeman, Helen Mirren, Eugenio Derbez, Miranda Hart, Jack Whitehal, Ellie Bamber, Misty Copeland
More Information at: The Nutcracker And The Four Realms Trailer
https://teaser-trailer.com/movie/the-nutcracker-and-the-four-realms
Tags: Adventure, Ellie Bamber, Eugenio Derbez, Family, Fantasy, Helen Mirren, Jack Whitehal, Keira Knightley, Lasse Hallstrom, Mackenzie Foy, Miranda Hart, Misty Copeland, Morgan Freeman, November 2018, The Nutcracker And The Four Realms
Directed by: Bob Fisher, an Rob Greenberg
Starring: Eugenio Derbez, Anna Faris, Eva Longoria, John Hannah, Josh Segarra, Swoosie Kurtz, Alyvia Alyn Lind, Mel Rodriguez, Cecilia Suarez, Emily Maddison, Garry Chalk, Mariana Trevino, Hannah Nordberg
More Information at: Overboard Trailer
https://teaser-trailer.com/movie/overboard
Tags: Alyvia Alyn Lind, an Rob Greenberg, Anna Faris, April 2018, Bob Fisher, Cecilia Suarez, Comedy, Emily Maddison, Eugenio Derbez, Eva Longoria, Garry Chalk, Hannah Nordberg, John Hannah, Josh Segarra, Mariana Trevino, Mel Rodriguez, Overboard, Swoosie Kurtz
Directed by: Ken Marino
Starring: Eugenio Derbez, Salma Hayek, Kristen Bell, Rob Lowe, Rob Huebel, Rob Riggle, Renee Taylor, Mckenna Grace, Raquel Welch, Rob Corddry, Michaela Watkins, Michael Cera
More Information at: How to Be a Latin Lover Trailer
https://teaser-trailer.com/movie/how-to-be-a-latin-lover
Watch the official movie trailer of How to Be a Latin Lover below:
Tags: April 2017, Comedy, Eugenio Derbez, How to Be a Latin Lover, Ken Marino, Kristen Bell, Mckenna Grace, Michael Cera, Michaela Watkins, Raquel Welch, Renee Taylor, Rob Corddry, Rob Huebel, Rob Lowe, Rob Riggle, Salma Hayek
Geostorm
Genre: Action/Science-Fiction/Thriller
Directed by: Dean Devlin
Starring: Gerard Butler, Abbie Cornish, Katheryn Winnick, Alexandra Lara, Amr Waked, Jim Sturgess, Eugenio Derbez, Ed Harris, Andy Garcia
More Information at: Geostorm Trailer
https://teaser-trailer.com/movie/geostorm
Tags: Abbie Cornish, Action, Alexandra Lara, Amr Waked, Andy Garcia, Dean Devlin, Ed Harris, Eugenio Derbez, Geostorm, Gerard Butler, Jim Sturgess, Katheryn Winnick, October 2017, Science-Fiction, Thriller
Speedy Gonzales
Genre: Animation/Adventure/Family
Starring: Eugenio Derbez
Release Date: TBA 2018
More Information at: Speedy Gonzales Trailer
https://teaser-trailer.com/movie/speedy-gonzales
Tags: Adventure, Animation, Eugenio Derbez, Family, Speedy Gonzales, TBA 2018
The Book of Life
Genre: Animation/Fantasy/Comedy
Directed by: Jorge Gutierrez
Starring: Channing Tatum, Zoë Saldana, Diego Luna, Ice Cube, Ron Perlman, Christina Applegate, Danny Trejo, Cheech Marin, Kate del Castillo, Eugenio Derbez
More Information at: The Book of Life Trailer
https://teaser-trailer.com/movie/the-book-of-life
Tags: Animation, Channing Tatum, Cheech Marin, Christina Applegate, Comedy, Danny Trejo, Diego Luna, Eugenio Derbez, Fantasy, Ice Cube, Jorge Gutierrez, Kate del Castillo, October 2014, Ron Perlman, The Book of Life, Zoe Saldana


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// Copyright 2009-2011 Google, All Rights reserved
// Copyright 2011-2012 MIT, All rights reserved
// Released under the MIT License https://raw.github.com/mit-cml/app-inventor/master/mitlicense.txt
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redpajama_set_name: RedPajamaGithub


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Yoon Sang Hyun sneaks a glass of makgulli on "The Human Condition"
On the January 17th episode of KBS 2TV's variety show The Human Condition, the cast was given the mission to live without their cars, money, garbage, phones, and the internet. The mission was called "Without 5 Life," and Yoon Sang Hyun, Eun Ji Won, Bong Tae Gyu, Huh Tae Hee, Hyun Woo, and Kim Jae Young were the cast members in the episode that took on the mission.
During the episode, women at the village hall offer the members some makgulli (korean rice liquor) during their meal. Knowing that trash would be formed if they accepted the drink, the members turn down the offer. Yoon Hyun Sang stated that he "wants one glass of makgulli," but he has no choice but to give up because of the rest of the casts' reluctance ,and just washed the dishes instead.
In the end, however, Yoon Hyun Sang secretly asks the woman for a glass of makgulli and drinks it without the other members knowing. He happily returns to the house with a red face saying that "it was really delicious," and falls asleep as if he fainted, making the members and viewers laugh.


As for the performances, Travis Scott, Post Malone, Logic, Ariana Grande, and Nicki Minaj are all set to perform, while Jennifer Lopez is being honored with the Michael Jackson Video Vanguard Award. In addition to that, J. Lo will also take the stage to perform later in the evening as well.
With the show just getting underway, we'll be sure to update you with tonight's winners as they're announced. Check out the full list of nominees below and keep it locked for the performances later as well.


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About TWI, TWI additive manufacturing, TWI near net shape, TWI 3D printing
About TWI Ltd
TWI is one of the world's foremost independent research and technology organisations, with expertise in materials joining and engineering processes as applied in industry. TWI specialises in innovation, knowledge transfer and in solving problems across all aspects of manufacturing, fabrication and whole-life integrity management.
Established in Cambridge, UK in 1946, the organisation has gained a first-class reputation for service through its teams of respected consultants, scientists, engineers and support staff. Now, approaching 1000 employees, it works with over 1800 Industrial Member companies in 70 countries.
TWI currently operates from 54,000 square metres (581,000 square feet) of manufacturing, testing and training space; five UK and 13 overseas facilities serve both its Industrial Membership and its training and examination needs. A successful international training and examinations programme sees 25,000 students trained each year in welding and inspection technologies.
In 2015, TWI opened three new laboratories at its Cambridge headquarters, including state-of-the art facilities for the National Structural Integrity Research Centre, a dedicated postgraduate centre for industry-led engineering research.
TWI also houses a professional institution, The Welding Institute, with a separate membership of 6000 individuals.


Aan de Doorns is a historical Cape Dutch, thatched farmstead with spacious "art & antiquity" appointed en-suite bed rooms. For families we have two semi-self-catering family units and enough parking for water sport enthusiasts.
Full English or Continental breakfast your choice, breakfast is served in the ambience of true heritage hospitality with preserves and bread from the locally community. Breakfast is served from 7h30 till 9h00 Mon-Sat. and 8h00 till 9h30 on Sunday.
In summer the patio, gardens and pool area surrounding the homestead are ideal for relaxation under the ancient pepper trees to enjoy wine filled sun downers. Our location offer magnificent views of the surrounding mountains (Stettyns mountain, Du Toitskloof, Hex River Mountains, Keerom, Langeberg) farm land, mainly vineyards and spectacular sunsets.
The winter is for romantics and those that can enjoy a glass of good locally produced wine next to a log fire in the cosy reading room.
Aan De Doorns is conveniently situated 7Km on the R43 from Worcester, an ideal starting point for foreign visitors to explore parts of the Breede river valley, Route 62 and the R43, or for family and friends to breakaway for a relaxing weekend from their busy schedule. Worcester boasts the largest brandy distillery in the southern hemisphere (tours can be arranged).
Come share in the tradition of a warm and inviting "farm living" that will evoke memories of bygone years and carefree childhood this we call heritage hospitality? and you will enjoy a memorable experience?


Are you interested in giving a review on University of Cambridge to orientate possible students about this center? If so, post your comment in the box below on this page. Your email will not be published. Your opinion can help many students who are still in their difficult decision process to opt for your center.
Thanks to the fact that University of Cambridge has an information page in our database, potential students can rely on their quality and quickly have their contact information. If your school is Cambridge and still does not appear in our university records in United Kingdom, send us your registration request by completing the information of your institution as completely as possible and we will proceed to discharge it as soon as possible.
If you want to know the registration deadlines of University of Cambridge and the instructions to be able to do it, as well as other details that are important to know before starting the process, enters to its website through a link that we provide you in your file that you can find below. Do the procedures well in advance to guarantee your place.
If you already have everything ready to make your exchange in University of Cambridge, when you arrive don't neglect your health. Eat well and exercise by enjoying the beautiful landscapes you can find in Cambridge, United Kingdom. If you follow the rules learned at home, it's normal for nothing bad to happen to you even if you are away from your parents and the safety and comfort of your home.
1 ashley rd, london n17 9lp, united kingdom n17 9lp Hackney ,Greater London ,England ,United Kingdom .
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Halloween isn't that far and if you are going to celebrate it somehow or at least give treats to kids who come to your door, this roundup is for you. We've prepared a bunch of candy and treat jars for Halloween – they will be nice for parties and for kids coming for a trick or treat. Let's take a look and maybe you'll craft something.
I love to have jars of candy corn around the house during this time of year. Not only are they fun sweet treats, but their colors remind you of Halloween and fall decor! And these sweet little jars will help you do just that. Paint mason jars in candy corn colors and fill them with treats for a festive fall gift idea! This is a fun kids' craft too!
DIY Halloween treat jars are a super quick and easy Halloween craft that can be made in under 15 minutes! These cute treat jars would be a great addition to your "You've Been Booed" basket, and they also make a great teacher or hostess gift idea! The jars are made using stickers or stencils and I bet your kids would love to take part in the process, invite them and have fun together!
This is a very original idea for those of you who don't have time, it's a perfect last-minute jar idea! The jars are made using colorful balloons – no painting is needed, which is great – balloons are faster to make jars than painting. Cover the jars, attach eyes and voila!
These candy jars are a great idea with a touch of Halloween classics: they are black and white and with chalkboard tags. Painting the jars in stripes isn't difficult at all, and the tags can be printed out if you want. These are perfect for a sweet Teacher's Gift or for the grandkids.
This treat jar isn't scary at all and is far from Halloween classics, it's bright and colorful with a gradient effect. It's a glass jar with a stencil and gradient spray painting plus a lid – it looks so cool that you may use it anytime. Add a touch of color to your space and raise your mood with these bold shades!
These mummy-styled mason jars are amazing for candies, forks, knives and can even work as vases for centerpieces. These are mason jars painted gold with black stripes and black bats attached to the edges. You may also try black and white instead of gold to make them more traditional.
Take mason jars, black paint and get ready for painting! This tutorial will tell you how to make sassy and cool skull and bones mason jars in black – don't paint the whole jar, leave the skull in clear glass and paint the lid, too. You may also add some colorful ribbons and fill your jars with candies.
Here's a perfect and fast craft to make a treat jar when you have no time. Take a usual jar, paint its lid black and cover the jar with black lace and a black and white ribbon – and you'll get an elegant and chic jar at once. Read the tutorial for more details and make some jars even if you don't have time – it's so fast!


To Have A Shot At Not….
I appreciated the link drawn by a colleague between illiteracy and drones in a recent article, and I quickly jotted down about four dozen downsides to drones, manifestations of violence that are not often enough, if at all, associated with drones. Efforts by the Shut Down Creech! activists are admirable, and should be applauded, but they need a supplement. Ditto for documentaries like National Bird and books like Jeremy Scahill's The Assassination Complex. And articles like this. What has to happen to have a shot at shutting down the Creech Air Force Base operation and its counterparts is for citizens to begin taking over the executive decision-making in given states, and giving up on issuing bootless cries directed at folks on the federal level, no matter what administration is ruling the roost.
The forms of present protest and current means of documentation are doomed if reins of power are not secured. For instance, to have a shot at not allowing the feds to operate in Nevada unconscionably as they see fit… Brian Sandoval — if he had his heart, head and soul in a healthy place — could give fits to the feds, find a way to sway the public in a brand new direction. There is no other way to save the day. But I pray that if I'm wrong the reader will enlighten me as to why.
To have a shot at not hearing about more violence on campuses, stop the drones.
To have a shot at not hearing about more bullying, stop the drones.
To have a shot at not hearing about more domestic violence, stop the drones.
To have a shot at not hearing about more random street violence, stop drones.
To have a shot at not hearing about suicides, stop the drones.
To have a shot at not hearing about parental abuse, stop the drones.
To have a shot at not hearing about increasing poverty, stop the drones.
To have a shot at traveling abroad safely, stop the drones.
To have a shot at not hearing about car bombs in America, stop the drones.
To have a shot at not seeing increases in psychopathic behavior, stop drones.
To have a shot at our not bleeding our economy, stop the drones.
To have a shot at not causing untold misery abroad on an ongoing basis, stop the drones from killing in our name.
To have a shot at not being complicit in war criminality, stop the drones.
To have a shot at our not continually violating others' sovereignty, stop drones.
To have a shot at our not deteriorating further as a nation, stop the drones.
To have a shot at reducing the militarization of society, stop the drones.
To have a shot at not militarizing space, stop the drones.
To have a shot at not ruining the lives of teen drone operators, stop drones.
To have a shot at our not developing technology that's worse than drones, stop the drones.
To have a shot at not encouraging other nations to use drones, stop the drones.
To have a shot at not further destroying the environment, stop the drones.
To have a shot at not having drones carrying nuclear payloads, stop drones.
To have a shot at not violating the Sixth (Septuagint) Commandment, stop the drones.
To have a shot at not immiserating more people of color, inflicting irreparable damage on them (while reinforcing racism), stop the drones.
Valleria Ruselli is a member of the Oxman Collective. She can be reached at aptosnews@gmail.com. Drones are like shotguns fired in the dark, in a place where the the finger pulling the trigger should be turning on the light.


We have introduced a few nice slim wallets, but if you prefer leather products, the following Ainste ultra slim leather wallet may be more suitable for you.
MSI Slider S20 has been available for preorder. If you're curious about the ultrabook with touch screen, let's go on checking what features have been packed in.
Forget that annoying spoon in your coffee mug. The stainless steel self stirring coffee mug will provide you a more convenient way to stir your coffee, milk and more.


Stunning gold dipped irregular purple crystal quartz pendant on matching chain with lobster claw closure. The pendant is approximately 1 inch in diameter. Please note that no two crystals are alike and therefore color, shape and size may vary slightly. Please choose a necklace length from the drop-down menu.


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Mark Bloch on Mark Mothersbaugh: Myopia at NYU
Installation shot of Postcard Diaries series by photographer Nicholas Papananias, courtesy of Grey Art Gallery
Mark Mothersbaugh: Myopia
Grey Art Gallery, NYU
by MARK BLOCH, JUL. 2017
Organized by the Museum of Contemporary Art, Denver, and traveling to Ohio, Texas, Minnesota and elsewhere before arriving at NYU's Grey Art Gallery, Mark Mothersbaugh: Myopia featured more than five hundred objects, including costumes, home recordings from DEVO performances, prints, drawings, paintings, sculptures, rugs, video animations, sculptures, installations and, for me, the pièce de résistance: a series of some thirty thousand postcard-sized drawings he produced over the last five decades in an enormous installation of identical plastic-sleeved notebooks.
In Myopia, the prolific composer, musician, and tinkerer Mark Mothersbaugh (b. 1950), moved seamlessly between visual art, sonic environments, film, television and his own career to deftly combine consumer culture and the handmade to offer a rich investigation of the relationship between technology and individuality in a post-punk, post-selfie capitalist society that he seems to navigate with amusing ease.
In previous incarnations as the front man for the New Wave(ish) rock'n'roll band DEVO, and then as the creator of scores for Pee-Wee's Playhouse, the Rugrats franchise and then Wes Anderson movies, Mothersbaugh has publically exhibited an apparent ability to culturally mutate, even while making "celebrations of mutations" his subject matter. This adroit facility to transform himself and his Pop environment has now extended to the fine art world in this recent show that was the final stop on a memorable trip for the artist.
Installation shot by photographer Nicholas Papananias, courtesy of Grey Art Gallery
When Mothersbaugh and friends—from my hometown of Akron, Ohio and my alma mater, Kent State University—founded the band they christened DEVO, short for de-evolution, at first, few took notice. I wrote one of the first "reviews" of the band in one of my early zines, perhaps predicting something about his future, calling them "the band nobody understands." Mothersbaugh agreed that I was ahead of the crowd for even knowing who they were in those days, having seen them "open" for a film—John Waters' Pink Flamingos in 1974 or 5, where they were pelted with beer cans by a disapproving crowd. "It happened," he recalled. But by 1978 they were wiggling out of their jumpsuits on Saturday Night Live, during a unique rendition of the Stones' Satisfaction.
Adam Lerner, the show's curator and the MCA Denver's Director and "Chief Animator" noted, "Music was only one part of the picture—also absolutely essential was a thoughtful interpretation of de-evolution, the idea that the world is falling apart." As the show traveled, Lerner conducted several hilarious public interviews with Mothersbaugh on subjects ranging from the artist's subversive experiences creating TV commercials to his providing witness for people speaking in tongues as a flabbergasted teen in Akron, which Mothersbaugh correctly cites as the birthplace of televangelism.
Speaking of Lerner, Mothersbaugh said, "I got convinced to do the show and I became exposed to all these museums and realized, sure, they might be in multi-million dollar buildings with multi-million dollar art collections, but the people inside are incredibly committed to art and are incredibly important to the community. The director of every museum has a heavy responsibility to bring the money in. Because it's like an NPR-kind-of-situation where they are on these budgets, trying to keep the lights on."
He went further: "I got this respect for the people in these museums. They are drawn to the realization of some artist's exhibition and for my show there were a lot of people at every museum that pull together and helped make the show a success. It was very illuminating and humbling. I realized I'd made a mistake in my assumptions. I just feel so lucky that I ran into this guy that curated the show for me because he really changed my life in a really good way."
Eric Blum, DEVO in their signature hazmat suits, 1978, Courtesy DEVO-Obsesso Archives
At Kent State, the undergrad Mothersbaugh encountered grad students Gerald "Jerry" Casale who became his principal partner and Bob Lewis, a co-founder who soon took on a managerial role with the band and later settled with them over intellectual property rights. They, and the other original members of DEVO all became part of history by witnessing one of the defining tragedies of their generation in 1970, when the Ohio National Guard opened fire during demonstrations against the invasion of Cambodia during the Vietnam War and killed four students. The day before the shooting, Mothersbaugh had taken part in these protests while Casale's friend Jeffrey Miller was one of the murdered. The shocking tragedy inspired DEVO's name and its foundational concept: humans progressing developmentally—in reverse.
Originally, "Art Devo" was a multi-media concept akin to Art Deco and Art Nouveau, inspired by Beat counterculture and literature with the music as only an adjunct quality. This exhibition shows how Mothersbaugh helped establish the group's defining look and theoretical stance through flyers, album covers, performance photographs, and signature outfits based on matching workers' overalls, hazmat suits, and even garbage bags. Throughout the show, echoes of Futurism, Dada, German Expressionism, Situationism and Mail Art—as well as fascism—appear. "We thought we were doing agit-prop," Mothersbaugh concurs.
Groundbreaking DIY short films including collaborations with now-Minneapolis Akronite filmmaker, Chuck Statler, that captured the group's early performances are accompanied by photographs by Bruce Conner, who later made a film for DEVO's song "Mongoloid," another early music video. These works and others reveal prescient and savvy marketing efforts via playful but poignant artworks worth contemplating in their own right.
Bruce Conner, BOOGIE BOY: DEVO, MAY 1978, 2011, Pigmented inkjet print, © 2014 Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York
Lerner cites Mothersbaugh's Booji Boy mask, a rosy-cheeked, man-child character and alter ego as a very human counterpart to the hard-edge posturing of the group's robotic demeanor. Indeed, the show's title, Myopia, refers to the legally blind artist's very human experience of a condition which went undiagnosed until he was eight, casting him the position of a bemused victim of circumstances. Lerner posits that Booji Boy represents the ability to transcend the vulnerable child in oneself, something Mothersbaugh seems to have mastered.
His fascination with medicine and postwar American fiction, central themes of DEVO's signature look and art, also came through here. Digitally manipulated, mirrored, self-mocking images inform the photographic series Beautiful Mutants begun in the 1990s; five-foot-tall double-rear-ended equine sculptures, 50 Foot Tall Scale Models of Proposed Farewell Arches to Luxembourg City (2014) are painted fiberglass models for public sculpture; and in Ruby Kusturd (2009–14), kinetic sculpture is carved from the world's largest ruby (30,090 carats), resembling an ice cream cone mounted on a polished bronze base. Finally, the Orchestrions, painstakingly created out of abandoned organ pipes and birdcalls, are contraptions from the Rube Goldberg-Spike Jones-Charles Ives continuum that resembled a sea of upside down wooden chairs, programmed or played in performances including a concert-performance staged in conjunction with the exhibition.
Finally, visitors were able to flip through books of Mothersbaugh's postcard-sized drawings regally presented on a custom-built display. "You talk about postcards. There's 30 thousand pieces of paper upstairs out of 45 thousand I've done." Mothersbaugh told me. "Each one is an original piece." Part notebook, part sketchbook, and part personal diary, Mothersbaugh draws on cards constantly, habitually recording his inner life. "If I forgot to bring something and I'm in a hotel room in the middle of the night, I get nervous and I go looking in the guest directory and start looking for a thick enough card stock that I can deface."
Postcard Diaries series, detail, courtesy of the artist
"They're called postcards but that's not always correct," he says. Not only are Mark and I both from Akron but we both participated in mail art so I asked him if these qualified. He admitted, "I have to be honest... somewhere in the early seventies I stopped mailing them. And I still do mail art occasionally but these became like a diary and an image source bank for me."
Indeed, the rugs and posters and animations and enlargements all around me in the gallery resembled the images on the thousands of cards arrayed in their amazing binders.
"I always thought, when I retire I'm either gonna sit on the end of the Santa Monica pier and sell 'em at a postcard shop for 25 cents a piece or I'm going to just mail 'em out. Every day mail out a stack of 'em," he imagined.
Installation shot of the Orchestrions by photographer Nicholas Papananias, courtesy of Grey Art Gallery
It was fulfilling to see this multi-media homeboy artist accepting his fate and enjoying himself so thoroughly. "I think this is the best time to be an artist of any time ever," he said. "I think we're in this place where technology is something that is really beneficial. I'm just curious where film, for instance, is gonna go now. I don't think you will even need Hollywood anymore in a few years," said the man who scored 1998's Rushmore, 2001's The Royal Tenenbaums, and 2004's The Life Aquatic with Steve Zissou.
Ever the do-it-yourself guy, Mothersbaugh adds, "I wish I was 12 years old. That's the only thing I would change. I'd love to be a kid who looks at that stuff and they just absorb it, like I did with printmaking when I was at Kent State."
"My kids make movies at home, kids in the Amazon make movies at home. With what they have just on their phone, they can do it and it's transparent to them." Perhaps recalling the early DEVO movies, he added "It's not starting this design company and working for 6 months just to make three thousand bucks so I can buy some film stock. Just pick up your phone, for $1.99 download an app, and 'boom' they're directing; they're writing scripts; they're getting their friends to act with them; they put music in it."
Installation shot of "Self Portrait with First Pair of Glasses" series by photographer Nicholas Papananias, courtesy of Grey Art Gallery
That sounded like a rich combination of all the major phases of Mark Mothersbaugh's life—from a kid with myopia trying to make sense of the world until he got his first pair of glasses, to a successful pop star who moved gracefully from the spotlight to appreciating what it takes to create heartfelt art, a lifelong passion and necessity.
An illustrated catalogue accompanies Mark Mothersbaugh: Myopia, edited by Lerner and published by Princeton Architectural Press. It features a foreword by filmmaker Anderson and essays by writers from the worlds of both art and academia.
"It's sort of a whole new part of my life," Mothersbaugh confided. "There's this new chapter that I never thought was going to happen." He expected the process of sharing his art to be much like the process sharing his music but he realizes now he was dead wrong. "This community is totally different from the entertainment industry," he explained, recalling why he had avoided it at all costs, "It's gonna be like what happened when Devo got out to Los Angeles and then the song, Whip It, happened and then it became everything they could do to try to get us to make another Whip It." But despite the rewards, it effected him adversely, "They didn't care about the art—ever. And they never understood what we were doing—ever."
Mothersbaugh found his way to the art world when, prior to this touring show, he cleverly advertised in tiny ads in the backs of obscure magazines that his art was available for exhibition—but only in the kinds of back room galleries found in downtown warehouse districts run by "kids with skateboards." At NYU he seems to have struck a harmonious chord encompassing all of his societal concerns and diverse skillset. WM
Mark Bloch is a writer, performer, videographer and multi-media artist living in Manhattan. In 1978, this native Ohioan founded the Post(al) Art Network a.k.a. PAN. NYU's Downtown Collection now houses an archive of many of Bloch's papers including a vast collection of mail art and related ephemera. For three decades Bloch has done performance art in the USA and internationally. In addition to his work as a writer and fine artist, he has also worked as a graphic designer for ABCNews.com, The New York Times, Rolling Stone and elsewhere. He can be reached at bloch.mark@gmail.com and PO Box 1500 NYC 10009.


What's funny is that what feels like the greatest loss — not unlike my lost (then recovered!) Rio pics — is not the $1500 laptop but the priceless jade plant that we'd been cultivating for 6 years & which felt like a thriving/struggling symbol of our domesticity. It gave me great joy to watch it grow in fits and starts. The poor thing was unceremoniously thrown out the window that gave it light in order to make room for climbing through. I found it lying in the yard, bloated, cold, sad, & starting to stink.
>> Gregzinho, who will be rocking the Beat Research labs this coming Monday, brings some Rio heat for his contribution to the blogariddims series, "A Seleção do Gringo," which offers a personal(ized), self-consciously "outsider," but well-informed perspective on the carioca sound. Greg's deeep notes on the contents of the mix (see 1 2 3) help to provide some much-needed, anti-sensationalist cultural context, including a few barbed jabs at some fellow funky mediators.
I was hoping to have quite a post to share with you, as I just returned from a wonderful weekend in Rio. It was gonna be a downright aquarela da favela, complete with some really lovely pics of Vidigal at twilight. (I spent most of Sunday hanging with some kind favelados there.) The sad, sad news is that after transferring my photos to my laptop — and deleting them from my camera — my dang drive died.
So I'm reeling right now, wondering what I've lost for good, how to remember what's on my calendar, etc. The photos feel like the biggest loss at the moment, but there's plenty else that I'll never recover. Comes with the territory, yeah, but that's hardly consolation. So, sorry for the silence, which may continue for a bit as I try to reassemble all the bits and bytes of my life.
Obrigado for bearing with me. Hope to regale with tales from Rio, but alas no photos, muito pronto.
I Am Curious! What Beat Does Your Soul Emanate On?
I think a lot of the critical hoo-ha that followed in the wake of SF/J's miscegenationist broadside could have been averted had we all paid closer attention to the Monkees.
I need help converting some simple sketches of rhythmic patterns into Adobe Illustrator format (ie, eps). If you're an expert Illustrator®, I imagine this would take all of 15 minutes to do. I can't pay for your services (unless you're rly cheap), but I will certainly acknowledge you for your work. So if you'd like to see your name in print — and in what will no doubt be a caliente anthology — plz get in touch with me at wayne at wayneandwax, 2sabes?
As promised last week, what follows here is my review of Michael Veal's recently published book on dub. It won't appear in print for perhaps another year, which is a little silly and unfortunate, but that's how it goes. I see no reason, at any rate, not to share it now that it's written, especially if it inspires a few of you out there to pick up the book and read it for yourself.
With regard to book reviews, I should note that every journal is different in their sense of how it should proceed and how long it should be. I far prefer "critical" essays to "book report"-style summaries, natch, though it is usually important, I think, to give prospective readers a sense of what to expect in terms of both form and content. Book reviews are also, of course, opportunities — usually for a "junior" scholar such as myself — to weigh in on a literature with which one is familiar and to flex a little intellectual muscle. Someone like me cares a great deal about the "reggae lit" and how it structures the narratives through which people understand reggae and Jamaica, and so I don't take this task lightly.
At the same time, I'm a firm believer in generosity when it comes to reviews. Books are the products of years of work and one should never simply shrug that off. Moreover, esp in a small field such as ethnomusicology, one is often reviewing not just the work of one's colleagues (with whom one should be, well, collegial) but the work of friends. I know Michael and respect his scholarship; he has treated me with kindness and encouraged my own work. I had a nice time chatting with him in Columbus last week, and I hope to lure him up to Cambridge before too long to drop some dubby stuff at Beat Research.
All of that's to say, especially if Michael ends up reading this (which, he very well might), that critical as I sometimes appear in the review below — and, I should note, it's always/only in the service of stronger scholarship and sharper language — I'm grateful for the effort Michael has put into his research and this book. I heartily recommend it to anyone wanting to know a LOT more about dub, reggae, Jamaica, Afrodiasporic theory & practice, and, well, making music & meaning in the modern age.
So support a scholar, seen!
Veal, Michael. Dub: Soundscapes & Shattered Songs in Jamaican Reggae. Middletown, CT: Wesleyan University Press, 2007. 338 pp. Recommended listening appendix, notes, bibliography, index of songs and recordings, index of general subjects. ISBN 0-8195-6572-5.
Michael Veal's Dub is an informative and welcome contribution to the reggae literature, to studies of Caribbean, Afrodiasporic, and (Afro-)American music and culture more generally, and to the growing field of writings concerned with recording technologies and the social as well as musical dynamics of recording studios (Meintjes 2003, Katz 2004, Green and Porcello 2005). Dub is a multifarious phenomenon: a substyle of reggae; a process and set of procedures for working with musical materials; a network of concepts about authorship, community, and the inner and outer reaches of musical experience and memory. Accordingly, Veal situates dub in deep, rich context, explaining its significance for Jamaican society and Jamaican music and making a strong (if familiar) argument for dub's impact on music production the world over, in popular and experimental spheres alike. In the process, Veal articulates dub's symbolic connections to such notions as diaspora and modernity, engaging with the discourses of Afro-futurism and the post-human as well as with postcolonial studies and the emerging literature concerned with sonic or audio culture (Sterne 2002, Bull and Back 2003).
Veal's attention to both sonic and social matters — and, in particular, their intersections — makes Dub an especially important and distinctive addition to extant writings on reggae, which too often focus on biographical details and record-collector minutiae at the expense of historically and culturally grounded musical-technical exegesis. Although a smattering of articles and chapter-length treatments of dub can be found across the disparate reggae (and electronic music) literature, Veal's study is the first extended work to approach what he calls the "sonic, procedural, and conceptual aspects" of dub in substantial depth. One way that Veal gets at the myriad intersections of the sonic and the social is through the term soundscape, originally coined by Canadian composer, theorist, and environmentalist, Murray Schafer, to describe the sonic profiles or acoustical environments of the physical spaces we inhabit (see, e.g., Schafer 1977). In what seems like a useful if, to my knowledge, unprecedented (and ultimately confusing) application of Schafer's term, Veal often uses soundscape as a verb (e.g., posing soundscaping as akin to landscaping). Although Veal's frequent use of soundscape appears to muddle the term, at least in the sense that Schafer first proposed it and subsequent scholars and theorists have employed it, the (mis)use appears to be an attempt on Veal's part to show how imbricated songs, sounds, and their social environments often are — not to mention to emphasize the role that engineers and producers play in sculpting sounds and songs. A more explicit discussion of this resignification of Schafer's term, however, would have made Veal's innovative application of it far less confusing and also would have strengthened the book's theoretical framework.
For Veal the book represents no less than a way of telling, in Jamaican parlance, "the half that never been told" about reggae music.
In order to set up this narrative, the first chapter offers a cogent account of Jamaican musical history, especially the development of reggae and dub. Veal's concise rehearsal of the half which has been told, if you will, helps to bring the uninitiated reader into the reggae repertory — no small accomplishment considering how vast a musical corpus reggae constitutes and how difficult and overwhelming it can be to delve into and distinguish between the various (sub)styles and historical periods of Jamaican pop. Veal also succeeds in asserting some subtle arguments throughout what otherwise might seem like a recapitulation of well-worn historical-musical transitions. A two page summary of reggae's twin impulses of internationalization and localization (4-6), for example, manages to place dub at the aesthetic center not just of Jamaican music but of what the author calls "world popular music" and "electronic music" more generally, an assertion he later shores up by linking dub producers to such influential "postwar sound innovators" as Sam Phillips, Les Paul, Tom Dowd, and Teo Macero (37-8), as well as such recent dub devotees as Bill Laswell, Paul Miller (DJ Spooky), and Stefan Betke (Pole). In the course of making such connections, Veal makes strong claims for the significance of Jamaican engineers' and producers' aesthetic innovations: "the same musical choices that made local Jamaican music sound so 'pre-professional' to mainstream Western ears," argues Veal, "were simultaneously visionary and deliberate" (6). In a similarly subtle passage, Veal advances a significantly non-essentialist idea of what could constitute "Africa" in the postcolonial, diasporic imagination: "Drum & bass," writes Veal, referring to a predilection for these instruments and their predominant frequencies and rhythmic roles in reggae, "was thus one of many instances in which musicians of African descent began to deconstruct and Africanize the Western popular song according to whatever ideas prevailed about which musical choices constituted 'Africa' in their particular location" (60).
Having situated reggae in Jamaican (and global) social and musical history in the first chapter, Veal turns more specifically to dub in the second. He discusses the roles played by dub plates, "versions," and DJs in reggae, and he explains the significance of various production techniques (and the technologies through which they are achieved), including reverb and delay, equalization and filtering, tape speed manipulation, the use of microphone "bleed-through" and "nonmusical" sound (e.g., test tones), and the creative "abuse" of equipment (71-77). Veal contends that such techniques help to create and sustain in dub "an aesthetic of surprise and suspense, collapse and incompletion" (77). After thus establishing dub's technological and musical foundations, Veal devotes the next four chapters — the middle and, indeed, the bulk of the text — to dub's most important and influential engineers and producers, their idiosyncratic styles and techniques, and their particular contributions to reggae aesthetics. Employing close reading of dozens of recordings, accounting for musical and technical/technological phenomena alike, Veal invites the reader to listen along and engage with dub's distinctive, and often "disruptive," musical procedures, from the "disjunct timings" of echoes (72) to the decentering of harmonic form via sudden drop-outs and dissonances (73). Dub producer' regular disruptions of harmony and form, and the meaning and implications of such procedures, constitutes a central theme in the book. The implications are not inconsequential for those of us who teach in music departments or are concerned with popular music and technology more generally: "The deeper significance here," writes Veal, "is that this tendency toward a system of harmonic and/or formal resolutions subverted by sound processing would later constitute one of dub's most transformative contributions to conceptions of form in popular music in the digital age" (73). It is no coincidence that Veal returns to this theme frequently, noting, for example, that Errol Thompson's dub mixing and the "percussion-dominated" "digital ragga" which built on its foundations, serve to "de-center harmonic practice through the use of polytonality, dissonance, and 'pure' noise" (172).
Throughout the text Veal reaffirms this connection between dub practice and sound system performance, showing how the music remained grounded in local feedback loops. Quoting producer Philip Smart, Veal reports that, "The test tone, the delay, and rewinding the tape, the crashing of the spring reverb, all of those things we do on the dub [plates] first, so that when them playing against another sound it stand out. That's where you make your engineering test. Then the producers used them on their songs afterwards" (110).
Given the text's strengths, it is somewhat disappointing that the final chapters of the book, grounding dub in black cultural studies and exploring dub's legacy in the wider world of musical production, feel rather tacked on and are far less supported by ethnographic evidence than Veal's discussion of dub techniques. For years dub has served as a kind of canvas on which various interpreters have painted their theories about Afro-futurism, Afro-sonic modernity, the post-colonial and post-human, to name a few. Although Veal addresses these themes toward the end of the book, the discussion feels as distant as ever from the makers of the music. Veal's engagement with such theorists as Louis Chude-Sokei, Paul Miller, and Paul Gilroy and such topics as magic realism and postmodernism would have been far more illuminating if brought into dialogic contact with the producers and engineers at the center of the book. Likewise, Veal's own theories about reverb and echo as diasporic memory, evoking exile and nostalgia, would be a lot more persuasive if supported by the discourse of dub artists and audiences. A more extended, integrated discussion of the "post-human," for instance, would no doubt have helped affirm Veal's conclusion that dub's "Afro-inflected humanizing, communalizing, and spiritualizing of new forms of sound technology is almost surely its most profound contribution to global popular music" (260).
What seems perhaps more problematic in the way of undertheorization, given its prominence in the study, is Veal's confusing use of the term soundscape, which appears in the title of the book and regularly rears its head throughout the text. Borrowed from Murray Schafer, the term has been a part of ethnomusicological parlance for some time, advanced by seminal studies of acoustic ecology and social structure (Feld 1982, 1996) and employed as a central concept in introductory texts (Shelemay 2000). Veal seems to want to underscore with his use of soundscape the idea that the ambient sounds of a city, a nation, a place are, certainly in the case of dub and reggae, inextricable from the forms and meanings of the songs sculpted in such environs, as in his description of King Tubby's aesthetics: "What was most provocative was that the cutting edge of sound technology was evolving in what was rapidly becoming one of the world's roughest and most impoverished areas. Remixing the heaviest riddims crafted by the ghetto's leading producers, the engineers at King Tubby's transmuted the tension of daily existence into a style of music clearly emblematic of its social origins" (118).
Applying the term to a single song, however — rather than using, say, songscape or soundspace, which Veal also employs — serves to muddle the clear, singular use of the term as proposed by Schafer and taken up by ethnomusicologists. So when we read that something is "mixed far to the front of the soundscape" (100) or that "Tosh's voice hovers ominously over a barren soundscape" (146), we lose a sense of how songscapes and soundscapes are distinct, despite their profound intertwinedness. Like other theoretical aspects of the book, the concept of soundscape seems in need of more explicit, clear discussion and integration with the ethnographically-informed readings of dub productions and practices. The closest we get to a development of Veal's thesis whereby a song's soundscape relates directly to a place's soundscape appears in the conclusion (and, interestingly enough, fails to employ the term): referring to John Cage's Eastern-influenced idea of "purely" "ambient" music, Veal expands, "The idea finds its Afro-inflected parallel in communally driven musics of African descent, where the formal structure of music is often partially predicated on the sounds of the surrounding society and its processes of communal composition" (214).
Despite any shortcomings, Veal's Dub gives scholars, teachers, and listeners a lot to work with and to build on. Like the influential engineers and producers he profiles, we would do well to take this text and play with it, add and subtract other voices, create our own version. If only Veal and Wesleyan Press would make the master tapes available . . .
Bull, Michael and Les Back, eds. The Auditory Culture Reader. Oxford and New York: Berg Publishers, 2003.
Feld, Steven. Sound and Sentiment: Birds, Weeping, Poetics and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press, 1982.
_______. "Waterfalls of Song: An Acoustemology of Place Resounding in Boasvi, Papua New Guinea." In Feld, Steven and Keith H. Basso, eds., Senses of Place, 91-135. Santa Fe: School of American Research Press, 1996.
Greene, Paul D. and Thomas Porcello, eds. Wired for Sound: Engineering and Technologies in Sonic Cultures. Middletown, CT: Wesleyan University Press, 2005.
Katz, Mark. Capturing Sound: How Technology Has Changed Music. Berkeley and Los Angeles: University of California Press, 2004.
Meintjes, Louise. The Sound of Africa!: Making Music Zulu in a South African Studio. Durham: Duke University Press, 2003.
Schafer, Murray. The Tuning of the World: The Soundscape. New York: Random House, 1977.
Shelemay, Kay Kaufman. Soundscapes: Exploring Music in a Changing World. New York and London: W. W. Norton & Company, 2000.
Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press, 2002.


text:
Una elección de convencionales constituyentes se realizó en la provincia de Tucumán el 5 de noviembre de 1989 con el objetivo de elegir, mediante representación proporcional y ley de lemas, a 60 miembros de una Convención destinada a reformar la Constitución Provincial de 1907. Tuvieron lugar poco tiempo después de las últimas elecciones legislativas de medio término de la provincia, debido a que después de la reforma, el sistema escalonado sería abolido.

Las elecciones se caracterizaron por el fin del bipartidismo entre el Partido Justicialista (PJ) y la Unión Cívica Radical (UCR), imperante aún en el país e incidente en la provincia desde 1946. Debido a la mala gestión del gobierno del justicialista José Domato, y al caótico mandato del radical Raúl Alfonsín a nivel nacional, el partido derechista Fuerza Republicana (FR), fundado ese mismo año por Antonio Domingo Bussi, exgobernador de facto durante la última dictadura militar, obtuvo una resonante victoria con el 49.05% de los votos y mayoría absoluta con 33 de los 60 convencionales, garantizando la dominación de dicho partido en la reforma. El justicialismo, profundamente fragmentado y habiendo presentado varios sublemas distintos, quedó en segundo lugar con el 39.42% de los votos y 25 convencionales. Los dos restantes fueron uno para la Unión Cívica Radical, que apenas obtuvo el 6.70%, y el último para la Unión del Centro Democrático (UCeDé), que obtuvo el 2.68% y apoyó gran parte de las reformas propuestas por el bussismo. La participación electoral fue del 74.92%.

La nueva constitución fue finalmente sancionada el 18 de abril de 1990. Sin embargo, este cambio no pudo salvar al frágil gobierno de Domato, que tras su derrota legislativa se vio aún más deslegitimado y finalmente la provincia fue intervenida por el gobierno nacional de Carlos Menem a principios de 1991. Más tarde ese mismo año, se llevaron a cabo las primeras elecciones bajo la nueva Carta Magna, con Ramón "Palito" Ortega siendo elegido Gobernador.

Resultados

Referencias

Elecciones en la provincia de Tucumán
Elecciones en Argentina en 1989

redpajama_set_name: RedPajamaWikipedia


text:
Kolkata cop names Mamata Banerjee in purported suicide note, BJP seeks CBI probe
By: FE Online |
New Delhi | Published: February 25, 2019 12:03:02 PM
Dutta was allegedly suspended for nine months starting February 2010 due to "conduct unbecoming of an officer" with two cases on him. The suspension came after a wife of a constable complained against Dutta that he had tortured her husband as he had refused the sexual advances of the officer. In 2012 as well, Dutta had faced disciplinary action for alleged financial discrepancies
BJP leader Mukul Roy has demanded the arrest of Chief Minister Mamata Banerjee for abetment to suicide and also asked for a CBI probe into the suicide case. (Image source: PTI)
The alleged suicide case of senior Kolkata police officer, Gaurab Chandra Dutta, has now turned into a heated issue in the political corridors of the eastern state. Dutta accused CM Banerjee of abetting his suicide by putting him on "compulsory waiting", a purported suicide note recovered by the police has revealed.
As per the note that went viral on social media, Dutt also accused the Chief Minister of withholding his dues after he retired from the police force on December 31, 2018 at Inspector General rank. Compulsory waiting is a penal step when an officer is not given a posting.
Uttrakhand CM seeks central assistance for 2021 Mahakumbh
BJP leader Mukul Roy has demanded the arrest of Chief Minister Mamata Banerjee for abetment to suicide and also sought a CBI probe into the case.
West Bengal BJP chief Dilip Ghosh spoke at the BJP headquarters in Kolkata on Saturday and said that in his suicide letter, Dutt wrote that he was forced to take his life…This proves that IPS officers and other police officers are working under pressure. We want a CBI probe into this…"
READ ALSO | 'Cash for votes': Chidambaram says BJP offering crumbs to placate debt-ridden families through PM-KISAN
The police also released a statement on Twitter about the proceedings that had been initiated against Dutta.
"It is being informed that Dutta was under suspension from February 2010 to October 2010. A disciplinary proceeding was initiated against him for conduct unbecoming of an officer. On the withdrawal of suspension, he was an officer on compulsory waiting since October 2010. Another DP (disciplinary proceeding) was initiated against Dutta in May 2012 for gross financial irregularities which was inquired by the State Vigilance Commission. The inquiry is still continuing. Dutta superannuated on 31st December."
Gaurav Dutt was a 1986-batch IPS officer. However, the Kolkata police has denied the accusations on Dutta's death as "shocking".
"It was an unnatural death. Investigation has been initiated, Amit Javalgi, Deputy Commissioner of Police (Detective Department) of Bidhannagar Commissionerate was quoted as saying. The state government, so far, has not made any comment on the incident.
The alleged suicide note has now gone viral on social media. However, it remains unclear if the note is genuine or who was behind posting the note online.
However, Dutta's wife has said that he had written it in February. Dutta's wife Sreyasi told The Indian Express that her husband had been "frustrated" by the disciplinary proceedings against him.
"He tried doors of administration and other IPS officers to close the cases against him. For a decade, he had no duty. After retirement in December 2018, he was broken down. The letter he wrote is his suicide note. I want the truth to come out," she said.
As per reports, on February 19, Dutta's wife came back home to find him lying in a pool of blood at their Salt Lake residence; his wrists were slit. He was rushed to the hospital but died.
Dutta was allegedly suspended for nine months starting February 2010 due to "conduct unbecoming of an officer" with two cases on him. The suspension came after a wife of a constable complained against Dutta that he had tortured her husband as he had refused the sexual advances of the officer.
In 2012 as well, Dutta had faced disciplinary action for alleged financial discrepancies which were inquired into by the State Vigilance Commission and are still continuing.
Now, BJP's Mukul Roy has asked the IPS association to take up Dutt's case.
Bengal CM Mamata Banerjee had protested against arbitrary action by the CBI on the then Kolkata Police Commissioner three weeks ago and had also implored the IPS Association as it would speak up in favour of Rajeev Kumar.
The CBI had virtually charged into Kumar's official residence on February 3 to interrogate him on the chit fund scam case.
Kolkata cop names Mamata Banerjee in purported suicide note BJP seeks CBI&nbspprobe
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Microsoft has announced the availability of a Release Candidate of the Windows Phone 7 Connector for Windows Home Server 2011. This connector allows a WHS 2011 user to enable Remote Server Management tasks and relay Media Streams from their Windows Phones.
"Today we are pleased to announce the Release Candidate of the Windows Server Solutions Phone Connector for Windows Home Server 2011 (aka Integrating Windows Phone 7 with your WHS 2011 Server). The purpose of this Add-in is to enable Remote Server Management tasks and relay Media Streams for WHS 2011," said Microsoft in a blog post.
This connector allows you to use the Alert Viewer on your phone. It is the same Alert Viewer used on WHS 2011. The connector allows for better user management including a user-panorama item that performs basic user management tasks such as viewing user account details, enable or disable a user account, and change a user account password.
The connector also allows you to control the devices by viewing server-joined computer and Mac details, viewing the backup status that every device reported to the server, and start or stop a backup for any computer or the server. The connector also allows for discovery and viewing of media elements that you stored on your server in the appropriate shared folders (such as Music, Video and Picture shares).
The connector also allows you to have a live-tile on your Windows Phone that showcases the count and type of network health alerts, percentage of storage use of your main disk, and server name.


Those dishes are very delicious but they contain some toxins which are harmful to life. Therefore, you need to be careful in processing or consider using these foods to avoid affecting your health.
Warning: This kind of food that can cause breast cancer are found in every household's refrigerator!
Ackee is commonly used in Jamaican desserts because of its characteristic flavour. However, for this fruit, only the meat should be used and carefully processed because the ackee fruit contains poison hypoglycin A and B, which can cause dizziness, nausea and hypoglycemia.
Igunaq, a.k.a fermented gibbon meat or deer meat, a traditional dish of Arctic indigenous people in Canada. However, there are a few people know that the decomposition process of these two types of meat easily produces toxins that cause food poisoning or even death.
As for Asian cuisine, bat soup is very popular and is dubbed the 'chicken in the cave'. Lots of eaters claimed that bat meat is rich in nutrient which can cure some diseases. Still, this species bears many dangerous pathogens. It is still harmful to life even when it's cooked.
Blood soup is a favourite dish of Asian, however eating food raw, especially fresh blood easily causes infection, parasitic worms and parasites. There have been many cases of poisoning and facing serious consequences after eating blood soup.
Pangium edule are seeds of keluak that are commonly used in South Asian cuisine thanks to its special flavours. It contains hydrogen cyanide causing death if eating it raw. Yet, if wanting to eat them, you should boil then crack them and pack them with banana leaves then bury them for 40 days.
Lithuanians believe that meat pies have a red-blooded effect. However, the meat in this traditional cake is used from rotting animal meat so it can cause poisoning. In the past, the Lithuanian government listed it as a ban.
Casu marzu or rotten sheep milk cheese. Although it is delicious, if using it regularly, you will be susceptible to allergies or poisoning due to the infection of pathogens from larvae living in those fat cheeses.
Kaloula pulchra is a benign animal commonly used in Asian cuisine but the skin and viscera have a large amount of toxin. Therefore, this is still a dangerous dish if not properly processed.
Pufferfish containing tetrodotoxin toxin causes nerve paralysis and instant death. Therefore, only the chefs specializing in pufferfish processing with 5-year experience in apprenticeship are allowed to grant practice certificates. Although there are many Japanese people poisoning pufferfish every year, no one can resist the appeal of this dish.
Brown straw mushrooms with large canopy are often poisonous but many people are still easily fooled by their harmless shapes. Careful cooking or processing still does not reduce the amount of poison in the mushroom. Using a large amount will cause liver damage or even death.
Originating from Sri Lanka but star fruit is known as a speciality of Southeast Asia. Many people think star fruit is harmless and contains a lot of vitamin C but for those who suffer from ulcers and starter gastritis is really 'poison' because the content of oxalic acid in such fruit easily causes kidney stones and related diseases to the kidneys.
The feseekh is a speciality of the Nile, although it contains toxins, the Egyptians still cannot deny this speciality. Not to mention if do not marinate this type of fish in a clean way, it can be toxic to eaters.
Although these world specialities taste very well, they contain life-threatening toxins. Therefore, you need to be careful in processing or limit the use of this dish to avoid affecting health.


text:
Q: Check Checkbox using ajax response I have HTML checkbox and I'm trying to check it using the script I received as an ajax response.
Here is my HTML:
<form class="form-vertical sms-settings-form">

               Sale SMS
               <input type="checkbox" id="sale-sms" data-toggle="toggle" data-on="Send" data-off="Don't Sent">

        <textarea data-toggle="tooltip" class="form-control" id="sale-sms-content"></textarea>

    <button type="button" class="btn btn-success sms-settings-btn">Save Settings</button>
</form>

Here is my AJAX request.
$(document).ready(function(){
    $.post("ajax-req-handler.php", {key: "load-saved-settings"}, function(data){ $(".exec-ajax-script").html(data); });
});

Here is my ajax-req-handler.php
$sql = "SELECT * FROM settings";
$result = $conn->query($sql);
if(num_rows($result)>0){
    while($row=$result->fetch_assoc()){
        $id = $row['id'];
        $setting_name = $row['name'];
        if($id == 1 && $setting_name == 'sale-sms') $sms_content = $row['value'];
        if($id == 2 && $setting_name == 'send-sms') $send_sms = $row['value'];

    }
} ?>
 <?php

And Here is the code that I'm getting as AJAX resopnse

The response seems Ok but still, it's not setting the value of my checkbox to checked. I tried copying the response and pasted in my 1st file (file where checkbox is defined and ajax request is initiated). It's working there. The problem is only with ajax response

A: Untested, but put all of your code in Javascript instead of injecting it into the HTML dom.
$.ajax( {
  url: 'ajax-req-handler.php',
  data: { key: 'load-saved-settings' },
  dataType: 'json'
} ).done( function( data ) {

  if( data.send_sms === 1 ) {
    $(".sms-settings-form #sale-sms").prop('checked', true);
  }

  $(".sms-settings-form textarea").val( data.textarea );

} );

And for PHP; instead do.
$sql = "SELECT * FROM settings";
$result = $conn->query($sql);
if(num_rows($result)>0){
  while($row=$result->fetch_assoc()){
      $id = $row['id'];
      $setting_name = $row['name'];
      if($id == 1 && $setting_name == 'sale-sms') $sms_content = $row['value'];
      if($id == 2 && $setting_name == 'send-sms') $send_sms = $row['value'];

  }
}

echo json_encode( array(
  'send_sms' => $send_sms,
  'textarea' => $sms_content
) );

A: The problem Here is not that the script is not adding checked attribute to the <input type='checkbox'>. script is working as expected and adding checked attribute. The problem is it's not just a checkbox instead it's toggle switch where <input type='checkbox'> is set to display: none by default and also it adds and remove some classes to it's self defined div with class='toggle' whenever clicked, to show whether the switch is On or Off.
So, doing this $(".sms-settings-form #sale-sms").attr('checked', true); is not enough because this will only check the checkbox but it will not effect the user interface, The toggle switch will still appear to be 'Off' even though it's not.
To effect the UI we need to add and remove some classes from .toggle
Here is the code that will work:
$(".sms-settings-form #sale-sms").attr('checked', true);
$(".sms-settings-form textarea").val("Hello [name], Your mobile number is [mobile]. your total amount is Rs. [total] out of which you paid Rs. [paid] and your due amount is [due] for the bill number # [bill] on [date] ");
$(".toggle").addClass('btn-primary');
$(".toggle").removeClass('btn-default');
$(".toggle").removeClass('off');

A: I think there is problem with ajax-req-handler.php
You have while loop, and must be processing multiple records.
If you are getting multiple records, then document ready section written in jquery will execute according to last record in the data set.
Please provide sample data, to review it accordingly.