text:
Home 76ers Pistons' Jerami Grant Among Players On 76ers' List For Ben Simmons
Pistons' Jerami Grant Among Players On 76ers' List For Ben Simmons
Pistons forward Jerami Grant is among those on the 76ers' list of about 30 potential targets that they would seek in a Ben Simmons trade, according to Keith Pompey of the Philadelphia Inquirer.
Along with Grant, the list also includes Nets guard James Harden, Trail Blazers guard Damian Lillard and Wizards guard Bradley Beal, as reported by The Athletic's Sam Amick. Harden was confirmed by Pompey.
Amick was the first to report that the Sixers have a list of acceptable players in a trade for Simmons, the star guard/forward who seems unlikely to play for the team again.
Per Pompey, the Sixers and Pistons have engaged in discussions on a trade involving Simmons and Grant. The framework of the discussed deal would involve Grant, "another forward, a young player, and a draft pick in exchange for Simmons," Pompey wrote.
A source told Pompey that the Sixers may also be seeking forward Saddiq Bey and forward/center Kelly Olynyk, though it appears the Pistons are hesitant to move Bey.
As for Harden, several members of the front office think the team should hang on to Simmons for the season and pursue Harden in a sign-and-trade once it ends, Pompey reported.
Harden spent time with current 76ers president of basketball operations Daryl Morey when Morey was GM with the Rockets and Harden was the star guard. Morey still thinks highly of Harden, Pompey noted.
Simmons, 25, has told the 76ers he is not yet "mentally ready" to practice or play, but supposedly has been working out with the St. Joseph's University basketball team.
The Sixers have been fining Simmons, seemingly off and on, for missing games.
Along with the Pistons, the Cavaliers, Rockets, Spurs, Trail Blazers, Timberwolves, Kings, Pacers, Celtics and Raptors are among the teams that have engaged with the 76ers in talks for Simmons.
Sources have told Hoops Wire that they suspect a Simmons trade will involve multiple teams, as opposed to a straight-up deal between just the 76ers and one other team.
"Whether the 76ers will ever be able to actually land one of the targets on their list remains an open question, but the fact that they remain focused on players of that caliber is an indication they're still content to take their time to resolve the Simmons situation," wrote Luke Adams of Hoops Rumors.
Several reports have suggested the 76ers are more likely to make a deal closer to Dec. 15, when players who signed offseason contracts are eligible to be traded. That would open up a much larger pool from which to choose.
Also, they could wait all the way until closer to the Feb. 10 trade deadline, though by that point, the season could be a lot closer to lost.
"Possible ownership pressure, fan frustration, and a handful of other factors will have to be taken into account," Adams wrote, relaying what had been reported by Amick.
Pistons Sign Cassius Stanley To Third 10-Day Deal


"One of the most powerful and original artists of his time".
A renowned practitioner of futurism and vortisism in the early 20th century whose contribution to the movement went virtually unrecognised until recent years.
'Burning to speak' is one of two books I have written about the life and work of this artist. This book was the first definitive catalogue of his works and the text is beautifully illustrated with images of the artist's work.
The second book 'Gaudier Brzeska, Artist and Myth' explores the complex story of the man behind the work using the extensive archive I have of his work, drawings, publications, letters and papers.
Copies of both books which are now out of print can be obtained through this website, prices vary according to condition, but there are still some pristine copies available. Please contact me directly to discuss your requirements on the enquiry form.
Access to my Gaudier Brzeska Archive can be arranged on application and I give illustrated lectures to interested groups. Fees and charges depend on size of audience and geographical location. Please contact me to discuss your requirements via the enquiry form.
I have numerous original works by this artist that are for sale. Such works do not become available to the open market very often and are highly prized by collectors throughout the world. Please feel free to contact me via my enquiry form, or by telephone on 01522 810615, if you wish to discuss any of the works listed here.
Henri Gaudier-Brzeska working on the carving of the portrait head of Ezra Pound.


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Breastfeeding and Jaundice
Unbound bilirubin – a predictor of kernicterus
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Perspectives in jaundice management
With sixty percent of all infants experiencing jaundice, according to the Centers for Disease Control and Prevention (CDC),* researchers are investigating innovative ways to identify and treat hyperbilirubinemia – the number one cause of hospital readmissions for babies.
Dr. De Luca, MD, PhD, Medical Director of Pediatrics and Neonatal Critical Care and Associate Professor of Pediatrics at South Paris University, "A.Beclere" Medical Center, in Paris, France, has identified a novel relationship between skin bilirubin levels and free, unbound circulating bilirubin in the newborn baby, providing new insights into the development and prevention of kernicterus.
Results of Dr. De Luca's research were presented for the first time at The Pediatric Academic Societies (PAS) annual meeting in April, 2015.
A Resurgence of Jaundice
In 2000, Dr. De Luca, then a resident physician in Italy, noticed a reemergence of newborn jaundice and accompanying increases
in hospital readmissions with the initiation of early post-partum discharge protocols.
Prior to these new discharge practices, jaundice was diagnosed while newborns remained in the hospital setting, as hyperbilirubinemia formatively peaks at three to five days of age. As more families are returning to the hospital with their jaundiced babies, physicians and hospital administrators are attempting to curtail the health risks, while also decreasing hospital readmissions. With this smaller window of opportunity to diagnose and treat jaundice, bilirubin - which is a highly neurotoxic substance - may develop into a devastating neurologic condition
called kernicterus.
In my research, TcB was useful for reducing blood samples in upwards of fifty
percent of patients; it enables us to read skin bilirubin and use it as a clinical parameter."
— Dr. De Luca, MD, PhD, Medical Director of Pediatrics and Neonatal Critical Care and Associate Professor of Pediatrics at South Paris University, "A.Beclere" Medical Center, Paris, France
Classifying Bilirubin
Newborn jaundice is caused by the normal destruction of red blood cells resulting in elevated bilirubin levels. Bilirubin is found in two distinct forms -"it's either bound to albumin, which prevents it from leaving the circulation and passing into the skin, or bilirubin is unbound or free" allowing it to pass into the skin and the brain, said Dr. De Luca.
In an effort to better understand the bilirubin that is circulating in the brain, which is potentially the most concerning, he examined the relationship between these bound and unbound forms in both transcutaneous (skin) and serum (blood) levels. His research methodology included simultaneous measurements of transcutaneous bilirubin (TcB) and unbound bilirubin (UB), obtaining samples from 194 jaundiced neonates. With other factors accounted for, a significant correlation was found between these two measurements, according to Dr. De Luca.
His research findings indicate that the free or unbound portion of bilirubin (UB) is responsible for the bilirubin that passes through the skin and this unbound portion is also known to cross into the brain. With no direct way to measure brain bilirubin levels, this correlation is important for clinicians to identify the high-risk newborns, Dr. De Luca said. Therefore, he postulates that bilirubin testing with a non-invasive TcB monitoring may best reflect the neurotoxic effects associated with unbound bilirubin levels.
Measuring Free or Unbound Bilirubin
In terms of medical research and methodology, "it is true that the only source of bilirubin circulating through the skin is free bilirubin, but this doesn't mean that all of the free bilirubin is passing into the skin.
There's a percentage of free bilirubin that's passing through the skin to be captured by transcutaneous bilirubinometer (TcB) measurements, but we cannot say that everything is passing homogeneously," states Dr. De Luca, it is multi-factorial, involving variables such as: gestational age, skin temperature, and other medical comorbidities.
As far as diagnostics are concerned, Dr. De Luca states that TcB measurements with devices such as the BiliChek are practical tools for the prevention of trauma associated with bilirubin measurements, adding, "In my research, TcB was useful for reducing blood samples in upwards of fifty percent of patients; it enables us to read skin bilirubin and use it as a clinical parameter."
"From one side it allows us to avoid some blood samples, but from another side it has given us some new insight into jaundice physiopathology," states Dr. De Luca; using 2nd generation TcB devices to measure the free or unbound skin bilirubin levels may best reflect a newborns risk of bilirubin neurotoxicity. Non-invasive TcB devices provide us with information that allows us to make a correlation, states Dr. De Luca, "which is very interesting because otherwise we have something that is not so easily measurable."
Dr. De Luca urges that more work needs to be done by replicating his research and studying the findings in more detail. "If there's a rationale behind this history to let us suspect - at the very least - that brain bilirubin could be a little bit more predictable by skin bilirubin testing," then that's a clinical win.
* "Jaundice and Kernicterus," Centers for Disease Control and Prevention (CDC)
https://www.cdc.gov/ncbddd/jaundice/facts.html (accessed 1 May 2015).
Mother & Child Care | Philips
A whole systems team approach to combat jaundice and encourage breast feeding

redpajama_set_name: RedPajamaCommonCrawl


text:
package com.tribbloids.spookystuff.dsl

import com.tribbloids.spookystuff.actions.DocFilter
import com.tribbloids.spookystuff.doc.Doc
import com.tribbloids.spookystuff.session.Session

//TODO: support chaining & extends ExpressionLike/TreeNode
sealed trait DocFilterImpl extends DocFilter {

  def assertStatusCode(page: Doc): Unit = {
    page.httpStatus.foreach { v =>
      assert(v.getStatusCode.toString.startsWith("2"), v.toString)
    }
  }
}

object DocFilterImpl {

  case object Bypass extends DocFilterImpl {

    override def apply(v: (Doc, Session)): Doc = {
      v._1
    }
  }

  case object AcceptStatusCode2XX extends DocFilterImpl {

    override def apply(v: (Doc, Session)): Doc = {
      val result = v._1
      assertStatusCode(result)
      result
    }
  }

  case object MustHaveTitle extends DocFilterImpl {

    override def apply(v: (Doc, Session)): Doc = {
      val result = v._1
      assertStatusCode(result)
      if (result.mimeType.contains("html")) {
        assert(
          result.root.\("html").\("title").text.getOrElse("").nonEmpty,
          s"Html Page @ ${result.uri} has no title" +
            result.root.code
              .map { code =>
                ":\n" + code.slice(0, 500) + "\n..."
              }
              .getOrElse("")
        )
      }
      result
    }
  }
}

redpajama_set_name: RedPajamaGithub


There are 2,564 items available. Please enter a number less than or equal to 2,564.
Great service super fast shipping!!!!
Never sent item. Refunded me without a word as to why. ???
Wide Width is 2E NOT 4E which is extra wide width !


B1 comes with 30 GB cloud storage. Store and access your pictures, videos and other necessary files from anywhere & everywhere. Let your memories stay within your reach.
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With its curved edges and big battery yet slim design, the B1 truly stands out. The textured grip at the back gives you better handling and adds a unique touch to the design. Feel the Luxury in your hand.
Never let your charge pull you down. Perform non stop from day to night at the highest level. Enjoy the power of a 4000mAh battery to back you up all day long.


Rent a Dumpster in 88589 Now!
Simply give us a call and we will answer any questions you may have about the 88589 dumpster rental procedure, allowed materials, size you may need, etc.
Our roll off containers can usually be delivered in 88589 the day after you place your order. Make sure to call us early to ensure timely delivery.
When in doubt, it is best to get in touch with your rental company to get a listing of stuff which you can't place into the dumpster.
The lowest size roll off dumpster commonly accessible is 10 yards. This container will hold about 10 cubic yards of waste and debris, which is roughly equal to 3 to 5 pickup truck loads of waste. This dumpster is an excellent choice for small jobs, including little house cleanouts.
Other examples of jobs that a 10 yard container would work well for include: A garage, shed or loft cleanout A 250 square foot deck removal 2,000 to 2,500 square feet of single layer roofing shingles A small kitchen or bathroom remodeling project Concrete or soil removal Getting rid of junk Bear in mind that weight restrictions for the containers are demanded, so exceeding the weight limit will incur additional fees. The standard weight limitation for a 10 yard bin is 1 to 3 tons (2,000 to 6,000 pounds).
A 10 yard bin can help you take good care of small jobs around the house. For those who have a larger project coming up, take a peek at some larger containers too.
Planning ahead for your dumpster rental in 88589 will make your job easier and safer to end on time. When renting a dumpster in 88589, follow these hints to help you plan ahead.
1. Clear an area that is large enough for the dumpster to sit for a number of days or weeks. Additionally, make sure that you and other individuals have access to the dumpster. You should have a clear path that prevents accidents.
2. Prepare the items you would like to remove. In the event you're cleaning out a waterlogged basement, for instance, try and remove as a lot of the damaged materials before the dumpster arrives.
The amount of money that you spend renting a dumpster in 88589 will depend on several variables.
The size of the dumpster is a important concern that'll impact your rental fees. Smaller dumpsters are almost always cheaper than larger ones.
The period of time that you need to keep the dumpster rental in 88589 will also affect the cost. The the more time you keep the dumpster, the more you can expect to pay.
Finally, you might need to pay higher prices for disposing of certain materials. Should you want to add tires or appliances to the dumpster, for instance, you can expect to pay slightly more.
When you rent a temporary dumpster, your goal is to fill it up and have the waste hauled away. But in case you'd like your waste recycled, you may need to really go about it in a somewhat different fashion. Waste in the majority of temporary dumpsters is not recycled because the containers are so large and carry so much material.
If you are interested in recycling any waste from your job, check into getting smaller containers. Many dumpster rental firms in 88589 have a wide variety of containers available, including those for recycling. All these are usually smaller than temporary dumpsters; they are the size of routine trash bins and smaller.
In case you want to recycle, find out whether the company you are working with uses single stream recycling (you usually do not need to sort the material) or if you will need to form the recyclable material into distinct containers (aluminum cans, cardboard, plastics, etc.) This can really make a difference in the number of containers you should rent.
Picking a dumpster size necessitates some educated guesswork. It is often difficult for individuals to estimate the sizes that they need for roofing jobs because, practically, they don't know how much material their roofs feature.
In the event you are working on residential roofing project, then you can generally rely on a smaller size. You can usually expect a 1,500 square foot roof to fill a 10-yard dumpster. Single shingle roof debris from a 2,500-3,000 square foot roof will probably need a 20-yard dumpster.
Many people order one size larger than they believe their projects will require because they would like to avoid the extra expense and hassle of replacing full dumpsters that weren't large enough.
Most cities or municipalities do not have many regulations regarding dumpster rental in 88589 as long as you keep the dumpster completely on your own property during the rental period. In the event you have to put your container on the street in any way, you'll likely need to obtain a permit from the appropriate building permit office in your town.
Most dumpster rental companies in 88589 will take care of securing this permit for you if you rent from them. Make sure that in the event that you're intending to put the dumpster on the street, the organization has made the appropriate arrangements. You should also ensure that you get the permit in a timely manner and at the right price. In the event you believed the dumpster business was getting a permit and they didn't, you'll be the person who will have to pay the fine that's issued by the authorities.
Dumpster rental firms that charge flat rates are frequently the top alternatives for contractors and home owners. When you make use of a business that charges a flat rate, you can anticipate at least two benefits.
Paying a flat rate generally means that you just get to prevent any hidden fees and costs. Firms which usually do not charge flat fees may include extra costs for basic services like dropping off the dumpster. Keep in mind, nevertheless, which you still might need to pay extra in case you'd like to include particular things and stuff in the dumpster.
Having a flat rate also means you can prepare your payment ahead of time. This really is particularly useful when you need somebody else to make the payment for you. When you know the exact amount, you can write a check in advance. Then, anyone can pay the rental business when its driver drops off the dumpster.
Most individuals don't need to rent dumpsters unless they absolutely have to. Sometimes, though, it becomes obvious that you just have to rent a dumpster in 88589 for commercial and residential jobs.
Most cities WOn't haul away construction debris for you. It's your duty to be sure you have an appropriate container to collect discarded material from remodeling projects. Even in case you just have a little endeavor, municipal waste management is not likely to haul the debris away.
A major clean out can amass more waste than a standard receptacle can carry. Renting a little dumpster is a more suitable option that will prevent making multiple trips to the local dump.
If you have one of these projects in your mind, then you know it is time to look for a dependable dumpster rental service in 88589.
Garbage removal vs dumpster rental in 88589 - Which is right for you?
If you have a job you're about to undertake at home, you might be wondering if it's better to hire someone to come haul off all your waste and crap for you, or in case you should just rent a dumpster in 88589 and load it yourself.
Renting a container is a better solution in case you want the flexibility to load it on your own time and you do not mind doing it yourself to save on labour. Dumpsters also function nicely in case you have at least seven cubic yards or more of debris. Roll-offs typically begin at 10 cubic yards, thus should you only have 3-4 yards of waste, you're paying for much more dumpster than you desire.
Garbage or rubbish removal makes more sense should you want someone else to load your old stuff. In addition, it functions nicely should you want it to be taken away fast so it's out of your own hair or in case you only have a few large things; this is likely cheaper than renting an entire dumpster.
You will normally schedule the total amount of time you plan to keep the dumpster when you first call to set up your dumpster service. This usually comprises the dropoff and pick up dates. Most businesses do ask that you be present when the dumpster is delivered. This is essential to make sure the dumpster is put in the most effective place for your endeavor. You don't need to be present when the dumpster is picked up to haul it away.
Should you get into your project and realize you need pick up sooner or later than you originally requested, that's no difficulty. Simply call the business's office and clarify what you want, and they will do everything they can to accommodate your request. There may be times they can't meet your adjusted schedule just due to previous obligations, but they will do the best they can to pick your dumpster upward at the appropriate time.


The BMAT is used to assess scientific aptitude and focuses on scientific abilities related to the examine of Medicine at Cambridge (the BMAT can be used by another universities). Respect for scholar initiative and maturity, shut faculty mentoring, and a required thesis to advertise scientific inquiry are all hallmarks of our unique learning atmosphere.
The MD program follows a novel instructional philosophy, the Yale system of medical education, which was established in the Twenties by Dean Milton C. Winternitz, MD. No course grades or class rankings are given within the first two years, examinations are restricted, and college students are anticipated to engage in independent investigation.
People medicine consists of the therapeutic practices and ideas of body physiology and well being preservation known to some in a culture, transmitted informally as general knowledge, and practiced or applied by anyone in the culture having prior experience.
This entry was posted in Medicine. Tagged candy, medicine.


text:
Surreal Barton Fink is Flawless
Originally published in The Occidental newspaper, September 21, 1991
Barton Fink is the newest brilliant endeavor from the same dynamic duo who brought us Blood Simple, Raising Arizona and last year's Miller's Crossing. Joel and Ethan Coen co-wrote this film, which stars John Turturro (Do the Right Thing, Miller's Crossing) and John Goodman (King Ralph, television's Roseanne) in a surreal tale about a successful New York playwright who heads out to Los Angeles in the 1940s in an attempt to be a successful screenwriter.
We first see the quirky Barton entranced by a performance of his own Broadway play, and from then on he monopolizes both the screen and the story. We are immediately drawn into Barton's world, a world obsessed with the plight of the common man, and we are magnetically glued to the expressionless face that director Joel Coen photographs at every angle.
Turturro's performance as the Kafkaesque character of Barton is both stirring and hypnotic, displaying an angst that bubbles slightly on the surface so that we never really know what Barton's thinking or feeling.
Effective use of sweat and fire, Coen trademarks, plus mesmerizing camera angles characterize Coen's direction. But perhaps what the Coen brothers do best is capture the surreal qualities that inhabit the most ordinary man, the most ordinary life.
All of the Coen's films are about "regular" people who seem to live irregular lives. They draw characters as caricatures with a freakish edge to them that often slices the lines between reality and the surreal, which, of course, is their statement on reality itself. Barton Fink is no different.
John Goodman, the hidden treasure in this film, plays a regular guy with a very irregular dark side. If you only know Goodman from his role on the television sitcom Roseanne, see this film and recognize him for the powerful film actor he has become. Just when Barton thinks he has stumbled upon the ideal "common man," Goodman turns out to be anything but that–an insurance salesman with a dark side equaling Hitler's.
Commenting on the darkness that inhabits all of us, especially the most "ordinary" of us, is merely the subplot of this psychological mind-bender of a movie. If the depth and complexities of the maze of the human mind and the darkness of the human heart aren't enough, the Coen brothers have sculpted a film that takes the viewer on a journey that only reaches its destination in the final scene. The ending of this film has caused quite a stir among critics and audiences, baffling most who come out of the theater.
The brilliance of the film, far from its technical superiority and the award-worthy acting, comes from the screnplay. This story is a gradual unraveling of reality, a slow march towards an explosive ending that excites the senses.
This man's life certainly is not a roller coaster ride, but the power of Barton Fink lies in the slow and steady pace it takes towards ultimate destruction and ultimate creation at the same moment. Creation comes out of destruction, reality becomes surreal and ordinary becomes extraordinary. A world that seems completely unreal to Barton, seems to have the most answers.
This film is the first ever to sweep the thre top awards at the prestigious Cannes Film Festival: Best Film, Best Actor for John Turturro, and Best Direction for Joel Coen.
Newsweek's David Ansen called Barton Fink "savagely original" and most of the critics hail this film as an instant classic. I can't disagree. The photography is subtle yet stunning, and the soundtrack creates and enhances the dark and bizarre atmosphere that is the world of Barton Fink. For those of you who are into imagery and metaphors, you will be thoroughly entertained.
This is not a film for those who don't like to be intellectually challenged. This is for film fans who admire detailed work and look forward to quality. Go in as an empty sponge and come out with enough to chew on to sustain a conversation for at least three days.
Be prepared for a textured, layered, symbolically relevatn film about the surrealness of life and the common man that struggles inside all of us, as well as the dark side that could just as easily swallow us.
If you do go see this movie, the only hints I will give you are to expect nothing and be open to whatever is given to you. There is a method to the madness, I promise you. Evaluate for yourself what the ending means. But do see it. If you only see one movie this year, let it be Barton Fink. It's that good.


Dr. Golareh Fazilat, a kids eye doctor in Newport Beach, works out of the state-of-the-art Children's Eye Center of Orange County. As a pediatric ophthalmology clinic, the center sees children for a wide range of eye issues, including amblyopia, lazy eye, pink eye, and more. Children also visit the center to obtain back to school exams and other routine exams. Additionally, the center provides a selection of eyeglasses for children who need vision correction. With the help of the experienced staff, kids can receive a perfect fit for eyeglasses right at the center.
The Children's Eye Center of Orange County seeks to help both parents and children understand the vision care process and all of the potential treatments for eye issues. The environment at the center is focused on modern techniques and quality, personalized care. Dr. Fazilat strongly believes that prevention and early intervention is key to avoiding serious vision damage.
In general, you should schedule an appointment for your child if he or she shows signs of any type of eye discomfort or vision issues.


text:
The Dave Clark Five (soms afgekort tot The DC5) was een Engelse popgroep, opgericht in Noord-Londen. The Dave Clark Five was na The Beatles de tweede groep van de British Invasion die mocht optreden in The Ed Sullivan Show.

De groep bracht tussen 1964 en 1967 een reeks succesvolle singles uit, waaronder Glad All Over (1964), Bits and Pieces (1964), Can't You See That She's Mine (1964), Because (1964), Anyway You Want It (1964), I Like It Like That (1965), Catch Us If You Can (1965), Over and Over (1965) en You Got What It Takes (1967). De band was zowel in Groot-Brittannië als de Verenigde Staten populair.

De groep werd ontbonden in 1970.

Samenstelling
Tussen 1962 en 1970 was de bezetting van de groep:
 Dave Clark, drums
 Mike Smith, zang en elektronisch orgel
 Lenny Davidson, sologitaar
 Rick Huxley, basgitaar
 Denis Payton, saxofoon, mondharmonica en gitaar.

In 1970 vertrokken Davidson, Huxley en Payton. Clark en Smith gingen nog een klein jaar door als Dave Clark and Friends met:
 Alan Parker, sologitaar
 Eric Ford, basgitaar
 Madeline Bell, zang

Dave Clark and Friends trad nooit live op, maar maakte in de jaren 1971-1973 een paar platen. De 'groep' verscheen twee keer in het Engelse tv-programma Top of the Pops.

Mike Smith overleed op 28 februari 2008 aan complicaties die optraden na een ongeluk waardoor hij vrijwel volledig verlamd raakte. Denis Payton overleed op 17 december 2006 aan kanker, Rick Huxley op 11 februari 2013 aan emfyseem.

Carrière
De groep begon in 1957 in de Noord-Londense wijk Tottenham als The Dave Clark Quintet. In 1958 ging de groep een samenwerkingsverband aan met de zanger en saxofonist Stan Saxon. Ze noemden zich nu 'Dave Clark Five with Stan Saxon'. Toen Saxon in 1962 vertrok, bleef The Dave Clark Five over. Rick Huxley was in 1958 tot de groep toegetreden, Mike Smith in 1960, Lenny Davidson in 1961 en Denis Payton verving bij het vertrek van Saxon de tweede saxofonist Jim Spencer, die tegelijk vertrok.

De groep speelde eerst jazz en dansmuziek, maar stapte in 1962 over op popmuziek. Popjournalisten schreven over de 'Tottenham Sound' als tegenhanger van de Merseybeat uit Liverpool. Vanaf het begin was de groep een privé-onderneming van Dave Clark. De andere leden van de groep waren bij hem in loondienst. Tot in 1964 hadden alle leden van de groep overigens nog een baan naast hun activiteiten voor The Dave Clark Five. Pas in dat jaar werden ze fulltime muzikant.

Dave Clark was ook degene die de opdrachten gaf om platen op te nemen. De opnamen verkocht hij aan de platenmaatschappijen (in Groot-Brittannië Columbia (EMI), in de VS Epic Records), maar de rechten van de opnamen bleven bij hem.

Anders dan de meeste andere popgroepen uit die tijd, schreven The Dave Clark Five het leeuwendeel van hun nummers zelf. De meeste nummers staan op naam van Dave Clark en Mike Smith. Als producent van hun platen werd steeds Adrian Clark genoemd. Dat was het koppel Adrian Kerridge/Dave Clark. Kerridge was de geluidstechnicus die er altijd bij was.

De groep kon best meekomen in langzame nummers, zoals Because en Come Home, maar karakteristiek voor The Dave Clark Five was een aansprekende melodie, die in snel tempo voortraasde, waarbij de wat rauwe stem van Mike Smith moest opboksen tegen Dave Clarks drums en Denis Paytons saxofoon. Hun bekendste nummers, zoals Do You Love Me, Glad All Over en Anyway You Want It, zijn in deze stijl. Bij de opnamen valt ook het overvloedige gebruik van echo-effecten op.

In de jaren 1963-1970 haalden 19 singles van The Dave Clark Five de Engelse en 17 singles de Amerikaanse (Billboard) Top-40. Glad All Over haalde in Engeland de eerste plaats (en verdrong daarmee I Want to Hold Your Hand van The Beatles), Over and Over in de VS.

De populariteit van The Dave Clark Five in de Verenigde Staten was het resultaat van een reeks tournees. Tussen 1964 en 1967 waren ze vaker in de VS dan in Engeland. May en Phillips relativeren het succes van de groep (in British Beat; zie 'Literatuur'):

'They arrived at exactly the right time, for America had just gone mad over the Beatles, and a group of radioactive singing Postmen would have probably been a smash.'
'Ze arriveerden op precies het juiste tijdstip, want Amerika was net uit zijn dak gegaan over The Beatles, en ook een groep van radioactieve zingende Postbodes zou waarschijnlijk een klapper zijn geweest.'

In 1964 maakte de groep een film, Catch Us If You Can. Het was de eerste film van John Boorman. De leden van de groep spelen een groep stuntmannen. Hun leider Steve (Dave Clark) heeft er ineens genoeg van tijdens de opnamen voor een tv-spot en gaat ervandoor met Dinah (Barbara Ferris), een actrice die gespecialiseerd is in commercials voor de vleesindustrie. De andere leden van de groep en de politie gaan achter hen aan. Op het eind van de film bereiken Steve en Dinah een onbewoond eiland – alleen maar om te merken dat het al in bezit genomen is door de producent van de tv-spot. In de VS werd de film uitgebracht onder de naam Having a Wild Weekend.

De groep trad in de film niet als popgroep op, maar verzorgde wel de achtergrondmuziek. De titelmelodie Catch Us If You Can haalde de vijfde plaats in Engeland en de vierde in de VS.

De groep stopte in 1970, op een moment dat de belangstelling voor hun muziek nog niet voorbij was, maar wel afnam.

Na de opheffing van de groep begon Clark een mediabedrijf. Hij verwierf de rechten van de opnamen van het tv-programma Ready Steady Go!

Mike Smith bleef in de muziekbusiness. Hij schreef jingles voor reclamespotjes en hielp artiesten bij platenopnamen. In 2002 begon hij een eigen band, Mike Smith's Rock Engine. Die band was een kort leven beschoren, want in 2003 maakte hij een val, die hem voor de rest van zijn leven vrijwel geheel verlamd maakte.

Lenny Davidson werd gitaarleraar en leidde een bedrijf dat kerkorgels repareerde.

Huxley ging werken voor een bedrijf dat handelde in muziekinstrumenten en gaf later leiding aan een bedrijf in elektrische apparatuur.

Payton werd makelaar, maar bleef parttime muziek maken.

Op 10 maart 2008 werd de groep opgenomen in de Rock and Roll Hall of Fame in Cleveland. Mike Smith en Denis Payton waren toen al overleden.

In tegenstelling tot de muziek van andere groepen van het eerste plan (zoals The Searchers, Manfred Mann en The Animals) was de muziek van The Dave Clark Five na 1970 moeilijk te krijgen. Medio jaren zeventig verschenen verzamel-lp's in Groot-Brittannië en de Verenigde Staten. In 1993 verscheen een verzamel-cd in Groot-Brittannië en een dubbel-cd in de VS. Ze waren allebei snel uitverkocht en daarna werden op de tweedehandsmarkt hoge prijzen voor deze cd's betaald. Het duurde tot 2008 voordat er weer muziek van de groep beschikbaar kwam. Kort daarna kwam ook muziek van de groep beschikbaar via iTunes.

Trivia
In 1964 verscheen Call up the Groups van The Barron Knights, een medley van parodieën op liedjes die toen populair waren. Onder die liedjes was ook Bits and Pieces van The Dave Clark Five. Om het echt te laten lijken had drummer Dave Ballinger voor de opname het originele drumstel van Dave Clark geleend.

Discografie

Singles

De nummers gemarkeerd met een ster (*) zijn van Dave Clark and Friends.

Ep's

LP's

De nummers gemarkeerd met een ster (*) zijn van Dave Clark and Friends.

In 1966 verscheen speciaal voor de Nederlandse markt:
 Dave Clark Five at the scene (Columbia GHX 10.013):
 At the Scene / I Like It Like That / Do You Love Me / Everybody knows (I still love you) / Catch Us If You Can / Bits and Pieces / Try too Hard / A New Kind of Love / Anyway You Want It / Because / On the Move / Glad All Over

Een tweede lp speciaal voor de Nederlandse markt verscheen in het begin van de jaren zeventig:
 History Of British Pop, Vol. 3 (Columbia 5C 052-93330):
 Do You Love Me / Glad All Over / Bits and Pieces / Can't You See That She's Mine / Over and Over / Everybody Knows / Catch Us If You Can / You've Got What It Takes / I Like It Like That / Reelin' and Rockin' / Nineteen Days / The Red Balloon

Verzamel-cd's

NPO Radio 2 Top 2000

|-
|align="left"|Bits and pieces||-||1985||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-
|-
|align="left"|Everybody knows||1799||1931||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-||-
|-
|align="left"|Glad all over||911||1258||1142||1845||1202||1630||1757||1972||-||1872||-||-||-||-||-||-||-||-||-||-||-||-||-||-
|}

Literatuur
 Chris May en Tim Phillips, British Beat, Sociopack Publications, London, [1974], blz. 73/74.

Noten

Externe links
 Officiële website van de band
 Classic Bands over The Dave Clark Five
 The Dave Clark Five op Allmusic.com.
 Discussieforum over The Dave Clark Five
 Fansite
 Nog een fansite (gearchiveerd)

Britse band

redpajama_set_name: RedPajamaWikipedia


text:
Classic Review: 101 Dalmatians (1961)
"101 Dalmatians" stars Rod Taylor, Cate Bauer, Betty Lou Gerson, and Ben Wright. Released on January 25, 1961, the film is about two Dalmatians who must rescue their puppies from Cruella De Vil.
The film is directed by Clyde Geronimi, Hamilton Luske, and Wolfgang Reitherman, and it is based on the 1956 novel of the same name by Dodie Smith. It is also the 17th film in the Walt Disney Animation Studios collection. This is, in fact, another Disney film that I watched during my childhood. This is also one of my mother's favorite because she loves dogs. Going back to this film as an adult, does it still retain its cuteness and the fun?
Good voice work from the cast, including Betty Lou Gerson as De Vil.
Great use of hand-drawn animation.
Fun characters.
A splendid, yet nasty, villain (Cruella De Vil).
The story is easy to follow for the kids.
Good songs (only three of them).
The third act is one of the most intense sequences that Disney had created.
A couple of slow parts.
A bit predictable at times.
Final thoughts: Disney delivered another big hit with "101 Dalmatians", a fun animated flick that will appeal not only to kids and adults, but to dog lovers as well. Worth recommending to those who are fans of Disney and, of course, dog lovers in general.


There are several different reasons that we may decide it's time to buy a larger home. There will be benefits and possible drawbacks. Here are some things to consider before making a decision.
More space- probably the biggest reason for moving into larger homes is for the extra space. Growing families, needing a home office or wanting more privacy are all popular and valid reasons for moving up. Gaining 1, 2 or more extra bedrooms means not having to move again for many years, if ever.
A better, more preferred layout may be a key feature in a bigger home. An open concept rather than cozy closed off rooms may gain you a larger kitchen. Perhaps a master bath is what you are after. Renovating and adding onto a smaller home can be as costly as buying a larger home with the layout we desire.
Possibly gaining a larger yard is a big dream for those with kids, dogs or are avid landscapers. We all want space to run and play.
Larger tax deduction, who doesn't love that?
More space means higher utility bills. Heating and cooling that extra space adds up.
More space means most improvements or changes may be more expensive. More paint, more flooring, more carpet, more window treatments, more bathrooms, etc.
If a bigger yard comes with your bigger house, there will be more lawn care needed.
Higher property taxes, no one loves this.
When the time comes to move up to a bigger house, it's exciting to consider having a different layout and more space. Check out the "During" page for some considerations to make before putting your current home on the market.


text:
American Koreans may refer to:
Americans in North Korea, residents of North Korea from the United States
Americans in South Korea, residents of South Korea from the United States
Korean Americans, United States citizens of Korean descent


Steve Guernsey, owner of Brazil Hardware, was the winning advertiser in The Brazil Times Big Game contest. He won for having the closest guess to the final score of the Big Game. Guernsey won a three-day, two-night vacation.


text:
What distinguished Australians are saying about the ADB
"The Australian Dictionary of Biography captures the life and times and culture of this country in an absolutely distinctive and irreplaceable way. It is the indispensable record of who we are, and of the characters who have made us what we are. I could not be prouder of the ANU's continuing role as custodian of this crucial part of our national legacy."
Professor the Hon Gareth Evans AC QC
Chancellor, Australian National University
"A mature nation needs a literary pantheon of inspiring and instructive life histories, a gallery of all the possibilities of being Australian. The Australian Dictionary of Biography responds to that vital need in our culture. It is a stunning collaborative achievement and I feel so proud that we have such an activity here in Australia – to a great extent it describes and defines Australia."
Professor Fiona Stanley AC
Australian of the Year, 2003
"The Australian Dictionary of Biography is one of the Australian National University's enduring achievements and an internationally admired feat of co-operative scholarship. During half a century it has provided a fine example of collaboration between academic historians and thousands of contributors throughout Australia who have given their services voluntarily."
Professor Geoffrey Bolton AO
"The Australian Dictionary of Biography and its sponsor the Australian National University are to be warmly congratulated for the ongoing production of the Dictionary, the nation's premier work in the field of historical biography. The Australian Dictionary of Biography is without doubt a national treasure: a rich resource, a great read, a triumph of research and scholarship."
Professor Emerita Jill Roe AO
"The Australian Dictionary of Biography is our greatest collective research project in the humanities and a national triumph. We have much to learn from it. The project is continuing to change as we mature nationally, with deeper understanding about the impacts of gender, race, environment, religion, education, language, culture, politics, region and war on what we are and what we may become."
The Hon Dr Barry Jones AO
"Australia is very fortunate to have a national biographical dictionary that is democratic as well as distinguished, one that represents the rich variety of Australian culture. The Australian Dictionary of Biography gathers together the stories of people from all walks of life, from the outback to the city and from the bush to the parliament. It is a monument of scholarship – and it is for everyone."
Dr Dawn Casey PSM
"Few things are more illuminating than taking a random stroll through a volume of The Australian Dictionary of Biography – new insights into our greatest men and women, chance encounters with people whose exploits are all too often unpardonably overlooked. I first read the ADB with my mother Coral Lansbury who wrote four entries. One of her mentors, Bede Nairn, was a prodigious contributor. The Australian story is a story of Australians, no better told than in the ADB."
The Hon Malcolm Turnbull MP
"I find it difficult to bring to mind more than a handful of comparable enterprises in the fields of biography, history, philology or the social sciences more broadly – anywhere in the world. The status and appeal of the Australian Dictionary of Biography do not lie only in its scale and size. They reside also in the meticulous research, the erudition and scholarship, and the sweat and possibly tears involved in the editorial and publishing process. Its constituent dramatis personae are an eclectic mix of the noble and the notorious, the famous and the largely unsung. The underlying theme of the mosaic is quite clear: nothing less than the making and re-making of Australia."
Her Excellency Ms Penelope Wensley AC
Governor of Queensland
You, too, can support the ADB by making a donation to the ADB Endowment Fund.
The Australian Dictionary of Biography is Australia's pre-eminent dictionary of national biography. Based at the Australian National University, since its foundation in 1959 it has published 19 volumes, comprising over 12,000 concise, scholarly biographies of prominent and representative Australians. In 2006 the ADB became available online free-of-charge.
With support from the ADB Endowment Fund we can revise the earliest volumes, add 'missing persons' entries, and add exciting new features to the online site such as enhanced indexing between entries, thematic essays, digitised biographical sources and visualisations.
You can either donate directly to the ADB Endowment Fund or remember us in a bequest in your will.
All donations over $2 are tax deductible.
Please contact us for further information about how, together, we can make the ADB the world's leading, online national biographical dictionary.


text:
Merchants and Maji
By William C. Tracy
Sci-Fi, Fantasy, Action & adventure, New adult fiction | Paperback, eBook
William C. Tracy
An old war machine and a revolutionary space capsule will change relations among the ten species forever. Last Delivery: Prot, Amra, and crew sell goods across the ten homeworlds in a refitted war transport, saving up to buy a shop. But after fees to travel between worlds, their profits always fall short. Their newest customers are the xenophobic Sureriaj. But when a protest over offworlder trading shuts down all business, the crew's only hope is to leave the planet delivering emergency medical supplies. The contract is for too much money, the seller is using a false name, and the cargo is magically sealed. Nothing could go wrong. The First Majus in Space: The ten species are in awe of the first space capsule. But when the majus piloting it is assassinated, Origon Cyrysi is the only one able to complete the mission. Too late, he finds the spacecraft may cost him his abilities. And even if Origon returns from space, the escaped assassin might still trigger an interstellar war. Either way, the fuel is burning.
An old war machine and a revolutionary space capsule will change relations among the ten species forever. Last Delivery: Prot, Amra, and crew sell goods across the ten homeworlds in a refitted war transport, saving up to buy a shop. But after fees to travel between worlds, their profits always fall short. Their newest customers are the xenophobic Sureriaj. But when a protest over offworlder trading shuts down all business, the crew's only hope is to leave the planet delivering emergency medical supplies. The contract is for too much money, the seller is using a false name, and the cargo is magically sealed. Nothing could go wrong. The First Majus in Space: The ten species are in awe of the first space capsule. But when the majus piloting it is assassinated, Origon Cyrysi is t...
I am a North Carolina native and a lifelong fan of science fiction and fantasy. In no particular order, I am a mechanical engineer, a karate instructor, a video and board gamer, a reader, and a writer. In my spare time, I wrangle three cats and a bald guinea pig, and my wife wrangles me (not an easy task). We both enjoy putting our pets in cute little costumes and then taking pictures of them repeatedly.


text:
Nwosu (#10)
LB - Seattle Seahawks
Exp 5th Season
Bye 11
Updated: Tuesday, November 15, 2022 8:22 PM
Updated: Thursday, August 4, 2022 6:23 PM
1 DEN 7 3 4 1 1 0 1 0 0 0 1 0
2 @SF 4 3 1 0 0 0 0 0 0 0 1 0
3 ATL 3 1 2 0 0 0 0 1 0 0 0 0
4 @DET 3 1 2 1 1 0 0 0 0 0 1 0
5 @NO 5 3 2 0 0 0 0 0 0 0 0 0
6 ARI 3 3 0 1 1 0 0 0 0 0 0 0
7 @LAC 5 2 3 0 1 0 0 0 0 0 0 0
8 NYG 6 5 1 2 2 0 1 0 0 0 0 0
9 @ARI 4 3 1 2 2 0 0 0 0 0 0 0
10 @TB 1 0 1 0 0 0 0 0 0 0 0 0
12 LV 2 1 1 0 0 0 0 0 0 0 0 0
13 @LAR 4 4 0 2 1 0 1 0 0 0 0 0
14 CAR 4 3 1 0 0 0 0 0 0 0 0 0
15 SF 6 4 2 0 0 0 0 0 0 0 0 0
16 @KC 1 0 1 0 0 0 0 0 0 0 0 0
17 NYJ 3 2 1 0 1 0 0 1 0 0 0 0
18 LAR 6 4 2 0.5 2 0 0 0 0 0 1 0
2018 16 27 17 10 3.5 3.5 0 0 0 0 0 1 0
2019 16 31 23 8 2 5.5 0 1 0 0 0 1 0
2021 17 40 24 16 5 8 0 2 1 0 1 4 0
2022 17 67 42 25 9.5 12 0 3 2 0 0 4 0
Uchenna Nwosu does not have a full player profile. Our staff releases 300+ preseason player profiles each year, though even that does not include all players, especially free agents. You can still consult our season projections to see if this player has an individual projection and/or comment.
Uchenna Nwosu - Enjoys breakout season in Seattle
Nwosu posted 67 tackles (42 solo), 9.5 sacks, four pass breakups, three forced fumbles and two fumble recoveries across 17 regular-season games in 2022.
Uchenna Nwosu - Notches third two-sack game
Nwosu posted four solo tackles, two sacks and a forced fumble in Sunday's 27-23 win over the Rams.
Uchenna Nwosu - Back-to-back two-sack games
Nwosu recorded four tackles (three solo), including two sacks, during Sunday's 31-21 win over the Cardinals.
Uchenna Nwosu - Notches two sacks
Nwosu recorded six tackles (five solo) and two sacks in Sunday's 27-13 win over the Giants.
Uchenna Nwosu - Logs full practice Thursday
Nwosu (shoulder) was listed as a full participant on the Seahawks' injury report Thursday, John Boyle of the Seahawks' official site reports.
Uchenna Nwosu - Picks up injury
Nwosu (shoulder) was listed as a limited participant on the Seahawks' injury report Wednesday, John Boyle of the team's official site reports.
Uchenna Nwosu - Excellent debut
Nwosu recorded seven tackles (three solo), a sack, a pass breakup and a forced fumble in Monday's 17-16 win against the Broncos.
Uchenna Nwosu - Two stops in loss
Nwosu posted two solo tackles -- one for a loss -- in Thursday's 27-11 preseason loss to the Bears.
Uchenna Nwosu - Lands two-year deal
Nwosu agreed to a two-year, $20 million contract with the Seahawks on Wednesday, Adam Schefter of ESPN reports.
Uchenna Nwosu - Two sacks in win
Nwosu tallied two tackles (two solo) along with two sacks and a forced fumble in the 41-22 win over the Bengals on Sunday.
2022 Positional Tracker: Defensive Linemen
Keeping track of signings, trades, new homes, tags, and more for defensive linemen during 2022 free agency.
Justin Varnes goes game-by-game previewing the upcoming Week 3 action from an IDP perspective.
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text:
Mingueta es el nombre de una variedad cultivar de manzano (Malus domestica). Esta manzana está cultivada en la colección de la Estación Experimental Aula Dei (Zaragoza). Esta manzana es originaria de  la Comunidad autónoma de Cataluña, provincia de Barcelona, donde tuvo su mejor época de cultivo comercial en la década de 1960.

Sinónimos
 "Manzana Mingueta",
 "Poma Mingueta".

Historia

Variedad de Cataluña, cuyo cultivo conoció cierta expansión en el pasado, pero que a causa de su constante regresión en el cultivo comercial no conservaban apenas importancia y prácticamente habían desaparecido de las nuevas plantaciones en 1971, así hay variedades tales como 'Camuesa de Llobregat' y 'Manyaga' que constituían en 1960  el 70% de la producción de manzana en la provincia de Barcelona y se encontraba la primera en otras nueve provincias y la segunda en seis y 'Normanda' que estaba muy difundida hasta 1960 entre los viveristas de Aragón (representaba el 25% de la cosecha en la cuenca del Jiloca). En 1971 Puerta-Romero y Veirat sólo encontraron 184 ha de "Manyaga" (el 31% con más de 20 años), 81 ha de "Camuesa de Llobregat" (el 36% con más de 20 años) y ya no citan al cultivar "Normanda".

Características

El manzano de la variedad 'Mingueta' tiene un vigor Medio; tubo del cáliz ancho o medianamente estrecho, con los estambres insertos en su mitad.

La variedad de manzana 'Mingueta' tiene un fruto de tamaño medianamente grande; forma más alta que ancha, cónica ovada, con contorno irregular; piel fuerte, lisa, brillante; con color de fondo verde amarillo, sobre color alto, color del sobre color rojo, distribución del sobre color chapa/rayas, presentando chapa roja con pinceladas más oscuras repartidas a lo largo del fruto, acusa punteado abundante y uniforme, blanquinoso, y con una sensibilidad al "russeting" (pardeamiento áspero superficial que presentan algunas variedades) muy débil; pedúnculo de longitud corto y de grosor medio, aisladamente aparece alguno de acusada carnosidad, anchura de la cavidad peduncular medianamente ancha, profundidad cavidad pedúncular poco profunda, a veces se estrecha bruscamente quedando casi superficial, borde semi-ondulado, y con  importancia del "russeting" en cavidad peduncular débil; anchura de la cavidad calicina relativamente estrecha, profundidad de la cav. calicina poco profunda o superficial con chapa costrada verde marrón, bordes ondulados, y con importancia del "russeting" en cavidad calicina débil; ojo grande, cerrado o entreabierto; sépalos fuertes, triangulares o largos, con puntas agudas, erguidas o levemente vueltas; en la base aparecen muy compactos o levemente separados, verdosos y tomentosos.

Carne de color blanco crema con fibras verdosas, más intensas las fibras que enmarcan el corazón textura crujiente, algo
harinosa; sabor poco agradable; corazón bulbiforme; eje entreabierto; celdas alargadas, rayadas con fibras lanosas; semillas de tamaño medio y puntiagudas, de color marrón claro a rojizo.

La manzana 'Mingueta' tiene una época de maduración y recolección muy tardía, madura en el invierno de Barcelona. Se usa como manzana de mesa fresca de mesa.

Véase también

Referencias

Bibliografía

Enlaces externos

Malus domestica
Mingueta
Mingueta
Mingueta


A friend of mine is bringing some fabric back from her trip to India this month. It's cotton, but has quite a nice sheen to it, and some has metallic embellishments.
Has anyone ever made a quilt with this type fabric? Any suggestions for patterns - to show off the unusualness and asian feel of it??
You might like the blocks we used for the asian fabric block swaps last year. Someone else will have to do the links as I don't know how.
My Mom just got back from India .. she said so many fabrics are of mixtures we don't see here ... like cotton and silk blends are quite common. Do pretest all of your fabrics for color fastness and reaction to water.
Peggy Toole a fabric designer for Robert Kaufman had a line of fabrics called "Jewels of India" it is spectacular...The Kaufman web site shows patterns for using that line, and might provide some inspiration.
Last edited by Lori S; 02-23-2012 at 01:11 PM.
A friend of mine brought me back some fabric from India...I used them as the fabric that I framed in "framed Hexagons". If you are unfamiliar, see Kiwi quilts site.
My sister in law brought me some fabric back from Africa. So far I just look at it and admire it, but haven't decided what I would make with it. It isn't as firm of a weave as our fabric is here. She brought me 2 large pieces. I am thinking of using one in a quilt, and the other maybe for something wearable.
My kids brought me back a few pieces from their India honeymoon trip. One of the fabrics bled like crazy, and still has a funny smell to it, probably the dye. It's very pretty, but I won't use it in anything that I expect to be washing.
If the fabric is metalic print then I will use it in wall hangings or items that will not be washed.
If cotton and no metalic then I will wash it well if going into a quilt. Once the dye is washed out then I find it ok to use it in quilts. The threads appear strong and should hold up. The fabric should be strong as the folk in India and other countries give the fabric hard use. I use it for crib quilts for a more ethnic look as all babies ate not blond haired and blue eyed.
I have some that was brought back from india, it is so beautiful I havent cut it yet.I also got some thread from India from Ebay it is incredibliy beautiful, waiting for the right project to use it.
I just came back from India last week and had no idea where to go to buy any fabric. I did see some in a shop but it wasn't anything that I wanted.
Only place I ever saw that said the word fabric was on a building we were passing on the other side of the street just a few hours before we left. Unfortunately, I only had a friend of ours (a man) be able to take me shopping 1 time. Otherwise, I was in the hotel while hubby worked.


"At 2:30 this morning, Cutlass unit was compromised." Commander Nihil's words, given through a video feed, to a Resistance debriefing room shocked the gathered members.
"The members of Cutlass unit had been deep undercover for the past three months infiltrating a high level Smertios Security research vessel." Murmuring from the group made it obvious not everyone was aware of Cutlass unit's orders.
"There were signs in the last 72 hours that something was happening off plan." The commander was interrupted by a flurry of indignation.
"Before all communication with Cutlass unit ended, we received one final transmission from Captain Madison." The commander's face faded and a grainy video of Madison, leaning in close to a recording device in a dark room, filled the communication display.
"They're gone. They're all gone. They picked us off one by one just after midnight." The captain turned to look behind him and dropped his voice. His eyes were wide and they roved all around the dark room. "I've checked, there's no one left. It's just me.There's nothing more that I can tell you but it's clear now that they knew all along. They knew who we were… they knew from the very beginning…" There was a loud noise from the back of the room and a scuffle. A hand reached in front of the camera. Static, then nothing.


text:
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How Metro turns an eight-car train into six…
Both yesterday and today, I got to watch Metro separate the train I was on following the completion of its run to Glenmont. That's kind of interesting to see. First of all, they put the train out of service and close the doors. Then two employees board. Each goes in the cab adjacent to where they're splitting. One guy removes the ropes between the two cars, and then gets back in his cab. Then you hear a slow "fsssh" sound as the pairs release and the headlights come on at the end of the pair that's being detached. Then that car goes back to taillights, and the other end goes back to headlights so they can open the doors for the remaining six cars. And then the split-off pair leaves to go to Glenmont Yard, and the now-shorter train goes to Shady Grove for another revenue run.
And I got photos:
Removing the intercar barriers between Rohr 1200 (left) and 1057 (right).
1200-1201 departs for the yard while 1057 (at extreme right) takes passengers.
Pretty cool, no? Meanwhile, speaking of Metro, we're down to the final six on my list of Breda 4000-Series cars to ride. I have ridden all of the 4000s except for 4028, 4043, 4061, 4067, 4069, and 4075. This is now to the point where I'm tempted to write Metro's customer service to find out what lines these cars are assigned to in order to make sure I ride these cars. But that would be cheating, in my opinion. I ride cars as they come through in the course of normal operations – I do not deliberately seek out certain car numbers. Now if my train just happens to contain a car I find interesting, I'll hop on it, but like I said, I'm not going out of my way to seek out specific cars.
Speaking of specific cars, I found out what happened regarding Breda 3193 and 3218, our mismatched pair of Breda rehabs. I wrote Metro back in November, and heard back from them not long after (and my apologies for taking three months to post this). Metro had this to say:
Thank you for taking the time to write to us. The mates to these cars are still at the Contractor for heavy repairs. During a contracted rehab for all 2000 and 3000-series cars, problems were found with 3192 and 3219 which caused considerable delays. A decision was made to send their mating cars back, and we have married them and put them in to service until the mates are delivered. That should happen soon. Once accepted, they will be put back with the proper mating car.
So there you go. No idea what the problems were, but there you go. As of late, I've not seen any of these rail cars lately, so I don't know if they're back with their proper mates yet. Time will tell, I suppose.
Web site: The Schumin Web Transit Center - did I mention it's back?
Song: Rohr motor sounds
Quote: And meanwhile, 3289, the highest-numbered Breda 3000-Series as originally numbered, has made it back to Metro after a trip to Hornell. 3289 is notable for being the final non-rehabbed 3000 I ever rode, back on April 18, 2008. Rehab's almost done, I'd say...
Categories: WMATA


Sometimes no one will get or even like your personal style. I love silvery, gold, shiny pieces of clothing and I'm totally committed to them. My personal fashion police sometimes give me the cringing, roll their eyes "Wow!" or "That's so you!" comments and my sister will just shake her head and say "Why?!" or "Only you!".
I honestly love my choices so much that I find those comments hilarious because no one can do you like you! If it fits right, totally screams you, and you love it: get it/choose it/wear it! Shiny, tiny, extra large, scaly, furry – fully commit to your own thing!
p.s. If you like shiny pieces like me, denim is the perfect complement.


text:
Thousands of rabbis who serve as emissaries for the Chabad-Lubavitch movement pose for their annual "class picture" in front of Chabad headquarters in Crown Heights, Brooklyn, Nov. 24, 2019. (Mendel Grossbaum/Chabad.org)
Look past the beard and black hat — you'll see a rainbow
By Rabbi Eli Friedman | December 2, 2019
If there is ever a contest for "world's most misunderstood photo," the annual "class photo" of the shluchim (Chabad rabbis) surely will be a finalist.
You know the one I'm talking about?
About 6,000 shluchim (G-d bless them) convene in New York annually for a conference and Shabbaton — and on Sunday morning, they pose in front of 770 Eastern Parkway in Brooklyn's Crown Heights, Chabad world headquarters, for a massive group photo. (This year's conference was held in late November.)
When you look at the photo, you could be forgiven for thinking that someone had taken a picture of one shaliach (Chabad rabbi) wearing a black fedora and black suit and then hit copy and paste 6,000 times. Aside from the beard colors (black, white, gray and red), very little differentiates one rabbi from the next — and on the surface it seems like a conformist convention.
And that is exactly what it isn't.
It would be an injustice to the shluchim to believe that they are all the same, with identical stories, attitudes or personalities. The beauty in the deluge of black and white is the colorful diversity hidden everywhere in the picture.
Look at one face, and you're looking at a prominent community leader, rabbi and spiritual leader to 2,000 people in a large U.S. suburb. Grinning right next to him is the shaliach in a South American village, a man whose only struggle greater than making a living is the struggle to assemble a minyan so a local can say Kaddish.
Pan over to the next shaliach and you'll find the chief rabbi of a massive European country. He rubs shoulders with billionaires. And next to him, the shaliach to Nowheresville, USA. He can't rub two pennies together.
In this one picture you have newlyweds, middle-age parents, fresh grandparents, and patriarchs of massive families with legions of grandchildren and great-grandchildren, often in the hundreds, kinehora.
The guy with the red beard over there spends most of his time "behind bars" tending to the desperate needs of local Jewish prisoners. That short, salt-and-pepper bearded man behind him started off as a local youth director at the age of 23 and is still at it, devoted to his third generation of kids 30 years later. (And that "short" beard is rolled up; it's 2 feet long. I've seen it!)
Move your eyes down to that guy with the black beard. Ten years ago, this guy didn't know what a mezuzah was. He was the starting quarterback on his high school varsity team and his chances of ending up a shaliach were as good as his chances of ending up a starter for the Dallas Cowboys. But here he is, flush with excitement, living the dream (the shaliach one, not the Cowboys one).
The very tall one next to him was a successful business attorney who yearned to do more, so he traded in his law practice for a campus Chabad post. He admits that his 401(k) is poorer but that his life is much richer.
And just above him, with the silky white beard, is the rabbi's rabbi, an expert in Jewish law, a genius of enormous proportions, a man with miles of Torah on the tip of his tongue and a heart of gold in his chest. Just one of the guys.
That one over there brought tefillin to Hall of Fame pitcher Sandy Koufax. That one put tefillin on late comedian Sid Caesar. That one put tefillin on the president of Ukraine. That one put on tefillin with musician Bob Dylan. That one put on tefillin in Auschwitz. That one sent tefillin into space with Israeli astronaut Ilan Ramon. The serious-looking one there put on tefillin with virtually every Jewish man in his city. (And don't let the look fool you. He's one of the funniest men in the group.)
This guy here grew up in a mansion in Missouri and he's a beloved spiritual mentor to Yeshiva students. The guy talking to him grew up in a matchbox in Michigan and he's growing a community in Colorado.
This Italian here runs Chabad in Utah; the Italian there runs Chabad in Russia; and yet another Italian runs Sweden. That Russian runs Texas. This Israeli runs Alabama. That Brazilian runs New Jersey. This Australian runs Georgia. And of course, these boys from Brooklyn are running Nevada, Montana, Louisiana and Nebraska. And Germany. And Ghana.
This tall one saves lost backpackers in Thailand. That short one saves lost souls in Nepal. The gray-bearded one lives 5,500 miles away in Siberia and he's laughing with his old friend who lives 3 miles away in Flatbush.
Some of them have encountered astonishing success, like in Paris, where half the shluchim were inspired to Jewish observance by the other half. And some of these men have encountered astonishing resistance, like the man who has loyally served an American Jewish community for 20 years and still needs to argue with the locals about the importance of Yom Kippur.
This shy scholar here? He is in the midst of a $20 million building campaign. The charismatic gentleman listening to him is in the midst of a $300,000 foreclosure. The thin man next to him opened a glatt kosher restaurant in Mexico, just like the guy behind him who recently opened a kosher eatery in China.
But the rabbi behind them, serving the Russian hinterlands, hasn't seen a kosher restaurant since last year's conference and has been slaughtering and kashering his own meat for 15 years.
The rabbi in the corner is part of a family that has been Chabad since Chabad began 230 years ago. His classmate embracing him is the child of two ex-hippies who searched their way to Chabad in the '60s and reversed four generations of assimilation.
Most of these men speak Yiddish, Hebrew and some English. But if you listen closely, you can hear the conversations accented by countless languages and dialects. Most of these men are of Ashkenazic background, but many are Sephardic, some are Yemenite, some are Persian. Many are fourth- or fifth-generation Americans.
Some are natural extroverts, some are painful introverts. Some are born optimists. Others struggle to maintain their optimism. Some are naturally exuberant; others, melancholy.
The differences never end.
Each and every person in this photo is genuinely unique, and each of them has a one-of-a-kind story that will yet be told.
But what they have in common is so powerful that it unites them like a family. Their love for the Rebbe spills over into a love for each other. Their love for the Rebbe's mission and vision of a world conquered by goodness, kindness and Yiddishkeit unites them like brothers around a singular, unstoppable sense of purpose.
Drenched in that family vibe, all the colorful languages, backgrounds, upbringings, personalities and living conditions blend together brilliantly, producing a wondrous spiritual harmony.
Rabbi Eli Friedman
Rabbi Eli Friedman and his wife, Shaini, are co-directors of Chabad of Calabasas in Southern California.
Tags: Chabad
The rebbe's army: Chabad keeps growing in the Bay Area
Chabad grows by 3 in East Bay
Does Chabad make students more Jewish? New study suggests yes
Missionary fervor of Chabad impacts movement, world


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text:
Q: Getting multiple values from HTML select/listbox This is my current code setup:
if(isset($_POST['dobtn'])){
    foreach($_POST['selnums'] as $num){
        echo $num."<br>";
    }
}

And my select setup is like this:
<form action="" type="POST">
<select name="selnums[]" multiple size="15">
<optgroup label=randomnamehere><option value=valuehere>namehere</option></optgroup>
</select>
</form>

Why am I not getting any values back?
Is there something I am like missing that is obvious?

A: It needs to be method="post", not type.
Plus: I would get rid of the optgroup for testing. And some arguments are missing quotes.
Finally: Why don't you try something simple to see if your form works at all?: <input name="foo">. And in PHP: echo $_POST['foo']. If that doesn't work, there's a general problem in your form, unrelated to the select.

A: Your code that looks for the selnum array values is conditional on $_POST['dobtn'] being set. There is no such input (presumably a button) in your form. If that's the real code, then that would definitely be your problem.

redpajama_set_name: RedPajamaStackExchange