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Cliquez sur les titres pour faire défiler la tracklist et écoutez tous les morceaux de l'album. Em 2005 a banda lançou uma versão ao vivo do álbum intitulado " If You ' re Feeling Sinister: Live at the Barbican " no iTunes Music Store. imported from Wikimedia project. In 2005, Belle & Sebastian released a live version of the album entitled If You're Feeling Sinister: Live at the Barbican on the iTunes Music Store. Rolling Stone featured the album at number 75 on its list of "100 Best Albums of the Nineties," while Spin included the record at number 59 on its "125 Best Albums of the Past 25 Years" list. by: Scott Plagenhoef; May 25 2005. Showing page 1. If You're Feeling Sinister: Live at the Barbican en el diccionari de traducció anglès - català en Glosbe, diccionari en línia, gratis. Track listing "The Stars of Track and Field" – 4:48 Belle and Sebastian's performance of If You're Feeling Sinister recorded at Bowlie Weekender, 25th April 1999. live album. Definitions of If_You're_Feeling_Sinister:_Live_at_the_Barbican, synonyms, antonyms, derivatives of If_You're_Feeling_Sinister:_Live_at_the_Barbican, analogical dictionary of If_You're_Feeling_Sinister:_Live_at_the_Barbican (English) If You're Feeling Sinister: Live at the Barbican (iTunes; 2005) By Peter Hepburn | 19 January 2006. If You're Feeling Sinister: Live at the Barbican. If You're Feeling Sinister - Live at The Barbican 25/09/05 by Belle and Sebastian This jam was posted by 2 people but Bandoswb was first Tweet. Later, the readers of Pitchfork voted the album the 31st greatest album. Overview; Aliases; Tags; Details; Edit; Album + Live. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Sinister is widely considered to be an indie pop classic, and has garnered a cult following among fans.. IBTG81 on December 10, 2006 Link RTRADCD301; Digital … Discover, buy and download high quality mp3 music of If You're Feeling Sinister: Live at the Barbican London 2005 by Belle And Sebastian at Mp3Caprice. If You're Feeling Sinister: Live At The Barbican de Belle And Sebastian à télécharger légalement. Belle and Sebastian; Le disque est un enregistrement en public, réalisé en 2005 au Barbican de Londres, au profit des victimes du tremblement de terre au Cachemire.Il est seulement disponible en téléchargement et reprend l'intégralité des titres de l'album de 1996, If You're Feeling Sinister. If You're Feeling Sinister: Live at the Barbican If You're Feeling Sinister: Live at the Barbican is a live album by Scottish pop group Belle & Sebastian.It features the performance of their 1996 album, If You're Feeling Sinister, in its entirety.It was recorded at the Barbican Arts Centre in London on 25 September 2005. Belle and Sebastian - If You're Feeling Sinister: Live at the Barbican Belle and Sebastian tocando seu segundo álbum, If You're Feeling Sinister, ao vivo em 2005. Push Barman to Open Old Wounds. If You're Feeling Sinister: Live at The Barbican, an Album by Belle & Sebastian. Το "If You're Feeling Sinister" είναι το δεύτερο άλμπουμ των Belle and Sebastian.Κυκλοφόρησε από την Jeepster Records στις 18 Νοεμβρίου του 1996. Listen to If You're Feeling Sinister (Live Version), a song by Belle & Sebastian on TIDAL Pitchfork Media placed the album… Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. If You're Feeling Sinister: Live at the Barbican è un album dal vivo del gruppo musicale scozzese Belle and Sebastian, pubblicato nel 2005. Tracce Modifica Testi e musiche di Stuart Murdoch . For the last few months I've been happily working away as a non-official Matador press lackey, letting anyone even vaguely interested in the subject know how much I was enjoying the forthcoming Belle & Sebastian album The Life Pursuit. If You're Feeling Sinister é o segundo álbum da banda escocesa de indie pop Belle & Sebastian, publicado o 18 de novembro de 1996 a través do selo Jeepster Records no Reino Unido e de Matador Records nos Estados Unidos.. O líder da banda, Stuart Murdoch, ten afirmado en entrevistas que este é probablemente a súa mellor colección de cancións. Ao vivo, as melodias e a doçura da banda ficam ainda mais evidentes. Features Song Lyrics for Belle and Sebastian's If You're Feeling Sinister: Live At The Barbican album. 0 references. Wikimedia import URL. If You're Feeling Sinister is the second album by Scottish pop group Belle & Sebastian, released on the independent label Jeepster Records.The album was released to much critical praise in 1996. If You ' re Feeling Sinister é considerado o ponto alto da carreira da banda, é considerado um dos melhores álbuns da banda até hoje. IF YOU'RE FEELING SINISTER es una canción de Belle And Sebastian que se estrenó el 18 de noviembre de 1996, este tema está incluido dentro del disco If You're Feeling Sinister (Live At The Barbican). Feb 5, 2014 - Belle and Sebastian - If You're Feeling Sinister: Live At The Barbican (2005) Get all the lyrics to songs on If You're Feeling Sinister (Live At The Barbican) and join the Genius community of music scholars to learn the meaning behind the lyrics. The ending summarizes it perfectly (But if you are feeling sinister, go off and see a minister, chances are you'll probably feel better, if you stayed and played with yourself). Includes Album Cover, Release Year, and User Reviews. Le disque est un enregistrement en public, réalisé en 2005 au Barbican de Londres, au profit des victimes du tremblement de terre au Cachemire.Il est seulement disponible en téléchargement et reprend l'intégralité des titres de l'album de 1996, If You're Feeling Sinister. Belle and Sebastian; Push Barman to Open Old Wounds. Acho que o resultado ficou ótimo. If You're Feeling Sinister received critical acclaim.Pitchfork placed it at number 14 in its top 100 albums of the 1990s. Released 5 December 2005 on Rough Trade (catalog no. If You're Feeling Sinister: Live at the Barbican (2005) is a Live album by Belle And Sebastian. Listen free to Belle and Sebastian – If You're Feeling Sinister: Live At The Barbican (September 25). live album by Belle and Sebastian. 1 reference. If You're Feeling Sinister: Live at the Barbican est un album de Belle and Sebastian, sorti en 2005.. Translation memories are created by human, but computer aligned, which might cause mistakes. If You're Feeling Sinister: Live at the Barbican London ~ Release by Belle and Sebastian (see all versions of this release, 1 available) Found 1 sentences matching phrase "If You're Feeling Sinister: Live at the Barbican".Found in 0 ms. Genres: Chamber Pop, Indie Pop. If You're Feeling Sinister: Live at the Barbican London ~ Release group by Belle and Sebastian. Release Busqui paraules i frases Milions en tots els idiomes. instance of. by: Scott Plagenhoef; January 11 2006. View credits, reviews, tracks and shop for the 2005 File release of If You're Feeling Sinister: Live At The Barbican on Discogs. English Wikipedia. If You're Feeling Sinister: Live at the Barbican est un album de Belle and Sebastian, sorti en 2005.. If You're Feeling Sinister had been out in the UK for about a year but to American audiences the Scottish group was more rumor than reality. If You're Feeling Sinister: Live at the Barbican. Statements. follows. Release Format Tracks Country/Date Label Catalog# Barcode; Official; If You're Feeling Sinister: Live at the Barbican London: Digital Media: 10: GB 2005-12-06; Rough Trade (post-2000) RTRADDA 301 Album If You're Feeling Sinister:Live at the Barbican Belle and Sebastian. If You're Feeling Sinister: Live At The Barbican - Belle & Sebastian If You're Feeling Sinister has received wide acclaim. Definitions of If You're Feeling Sinister: Live at the Barbican, synonyms, antonyms, derivatives of If You're Feeling Sinister: Live at the Barbican, analogical dictionary of If You're Feeling Sinister: Live at the Barbican (English) If You're Feeling Sinister: Live at the Barbican. Songs: The Stars of Track and Field, Seeing Other People, Me and the Major, Like Dylan in the Movies, The Fox in the Snow.
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This is for a Black Metal Kitchen Round Hanging Pot Holder Organizer from Shopatusm. This handy and attractive hanging pot holder will clear cupboard space and put your pots and pans in easy reach for when you're whipping up a mealtime masterpiece. There's even space for storage on top! Item weight: 8 lbs. 17 3/4 inch x 17 3/4 inch x 27 inch high. Iron. 8-piece hooks included.


Thank you to all who joined us on a sunny Thanksgiving morning – volunteers, runners, walkers and furry friends alike! We had 70 official registrants and a great day for a run through Catskill!
Thanks, too, to the Village of Catskill Trustees, the Catskill Police Department, and our amazing sponsors - Columbia Memorial Health, The Fortnightly Club of Catskill, Creekside Catskill, #WiredtotheCause, Sawyer Chevrolet, Gary Holder, Ronnie McCue, Rita Landy, Nancy Ursprung, La Conca D'ora and The Bank of Greene County. Your support made this event possible.
Pictured to the left here is Jon Wilgus, our First place winner, sporting our commemorative medal at the Finish Line.
For pics, see our Facebook Page.
We're inspired by the day to offer the event next year. If you have any feedback you'd like to share, please do so by sending an email to beattiepowersplace@gmail.com.
The Friends of Beattie-Powers is a 100% volunteer run organization that raises funds to maintain the building at Beattie-Powers Place, the gardens and more than 20 free events a year at our Catskill treasure. To stay informed, follow this blog or join our enewsletter list by sending an email to beattiepowersplace@gmail.com.


While Digital Marketing is moving with a pace of fire in the forest, its tools are also changing frantically and so are the mistakes, usually made by businesses when doing Digital Marketing. There are a lot of misconceptions about the concept of marketing online and getting instant result. It is not like that. Neither you have instant results, nor your business ranks number 1 overnight. Digital marketing, no doubt does wonder for your business growth. But that is only if you avoid these common Digital Marketing mistakes, which most of the businesses are unknowingly doing it.
No need to worry, we have come up with a list of 10 common digital marketing mistakes that your brand should avoid. When you are strategizing about what all should be included in your digital marketing for your company, there are a lot of things to keep in mind. Starting from SEO, SMO, to Social media, Google ads etc, everything has to be kept in mind. Missing out on any single component may cost you heavily. Here are 10 Digital Marketing Mistakes your brand should avoid.
Not Planning – The proverb "failure to plan is planning to fail" is cent per cent correct when it comes to digital marketing. This is the first and foremost the most important point to be kept in mind. If you do not plan strategically in advance, for sure, your online marketing is going to fail. You need to have set goals to achieve, work with your in-house staff and outside agencies to create calendars, deadlines, and consistently innovate fresh ideas that can be executed. Not having set any goals means you will not be able to measure your success or identify areas where your campaigns fail.
Missing Out On Analytics – When it comes to digital marketing, you absolutely cannot make the mistaking of loosing out on your analytics. Running a campaign does not complete the work. In fact, the actual work begins after you run the campaign when it comes you calculating and analyzing. You need to constantly keep an eye on the insights of your campaign. Check your visitors' metrics, do a competitive analysis of your website, with the website of your competitors.
Discounts/Promotions Overload & Lack of Self Promotion – Discounts and promotions are good, but too much of everything is always dangerous. Concentrating only on offering discounts and promotions and not concentrating on your brand or not doing self-promotion can drive away your visitors and customers. These discounts may pep up your sales for some time, but may not be beneficial for the long run. Discounts can impact brand value negatively by putting the focus on rates rather than value for money. It further weakens and devalues your brand and sets a bad precedent.
Focusing on Leads and Forgetting About Customer – Generating leads is probably the most important part of your business. If you do not get future customers how will you increase your sales? But that does not mean you ignore your current customers. It is equally important to pay attention to them. If you only concentrate on gaining more customers, not bothering to attend to your current customers may result in double harm. One not being able to generate consistent lead and losing an existing customer as well. Your customers are your assets, don't take them for granted.
No Website, Blog or Social Media Presence – According to the research, 97% of the people research products and services online. Therefore having a virtual online presence is compulsory. So if you have a business and do not have an online presence you rather not even think of succeeding. Having a website, social media presence and posting blogs and videos will make you visible online. Then there are several other things like SEO, SMO, Google AdWords etc that you need to take care of, to make sure that your site ranks top on all search engines. Close to 78 per cent of local mobile searches results in purchases within 24 hours. Going digital is the best thing for your business.
Ignoring Network, Referral or Affiliate Marketing – Failure to a network can be another big marketing mistake. Affiliate marketing can be of advantage for partners, who get a commission for promoting your product or services, plus it is beneficial for you as well. Refusing to tap the power of referral marketing is equally short-sighted. Consider, that while affiliating or making referrals for already top companies in the market may increase the chances of your visibility also. Therefore, growing your network and practising affiliate and referral marketing is another step you need to take if you have been avoiding it until now.
Ignoring Customer Feedback – Customers are everything for you and their feedback is like a gospel that you need to follow and respond to immediately. If you think that ignoring or deleting negative feedback of your customers is the right thing you are doing, then you are absolutely wrong. Ignoring one negative feedback may result in getting 10 more of them. Instead, you should take this as an opportunity to attend to the customer's feedback immediately and resolve the issue. This will not only build the customer's trust in your brand but also improve your relations with them.
Underestimating The Relevance Of Mobile – According to the research, 65% of the total digital media consumption is through mobile. So you need to understand that paying attention to mobile traffic is also equally important. The usage of smartphones, supported with the fast Internet is growing at a lightning speed. Irrespective of your preferred channel, mobile must reflect strongly in your short-term and long-term marketing strategy. You cannot afford to ignore the relevance of mobile traffic.
Failing to test – When it comes to digital marketing, testing all your campaigns is extremely essential. If you think that just setting your goal and forgetting about it is ok with your with your marketing plan. You are definitely making a mistake here. If your strategies are not working then directly leaping to conclusions without finding out the result is wrong. You need to analyze the reason and for that testing, your campaign in advance is the best option.
Naturally, it is not possible to ensure your brand's success through digital marketing, without making any mistakes. Making mistakes is ok because they help you learn from it. But if you know in advance, what mistakes should be avoided, it will be a boost for your business.


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Target Roofing president visits alma mater for Career Day
Casey Crowther is a proud graduate of Bishop Verot Catholic High School (Class of 2004), and equally proud to still be living in Fort Myers and running a business in his hometown.
Recently, the school asked Casey – president and founder of Target Roofing & Sheet Metal – to speak at its Career Day. He relayed a variety of insights and lessons learned, and outlined four key traits required of a successful business owner:
Effort: Success doesn't just happen from 9-to-5. To attain any degree of success, plan on waking up early and staying at work late in the day.
Passion: Find an industry that is exciting or interesting. A fulfilling career starts with happiness in a job.
Learn: Don't just learn how to do a job; learn how everyone else does their jobs, and why they do it that way.
Competition: Know what sets your company apart from the other guys. Don't try to emulate another business; try to be better than that business.
"You're not going to be able to just go into a business and think you're going to do the same things as this other company right out of the gate. You are going to have to put in a lot more effort than they are to succeed."
Casey has visited Bishop Verot's campus many times since his graduation to watch sporting events, volunteer his time and offer donations to purchase much-needed supplies and equipment. It's all part of his, and Target Roofing's, commitment to give back to the community.
At Career Day, Casey was joined by childhood friend and fellow Bishop Verot graduate Brad North, who is vice president of estimating and sales for Target Roofing. Casey encouraged students to cherish the relationships forged at school, because they most certainly will prove beneficial down the road. He estimates that $10 million to $15 million of Target Roofing's business has originated from his connection at Bishop Verot.
"Look at the classmates around you. I promise at some point in your life you will run across them in business, somehow or some way, so take care of those relationships."
Target Roofing builds bridges between SWFL youth and law enforcement
Target Roofing helps SWFL veterans
Target Roofing steps in to help school after hurricane damages its roof
webmaster2019-05-16T12:01:53-04:00May 16th, 2019|Target News|
Target Roofing supports FGCU's new construction management program
Safety first: How we roof during Florida's rainy season
Flat roofs in Florida require precision, special attention
Explainer: The Florida Building Code and its 25% replacement rule
Now hiring: Target Roofing builds company with teamwork, talent
2043 W First St Fort Myers, Florida 33901
Email: admin@targetroofers.com

redpajama_set_name: RedPajamaCommonCrawl


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Q: ASP.NET Validation error causes subsequent requests to take a long time to be processed We normally have a 3rd party logger, NLog that captures application errors, but it wasn't capturing these ones. The only place it was possible to view error details was in the Windows Event Viewer, these would show up as warnings.The error seems to be a result of a postback triggered from an asp:Timer control
The error message as it is logged in event viewer:

The timer in our web form page:
      <asp:UpdatePanel ID="uPnlMsgMngmt" runat="server">
        <ContentTemplate>
            <asp:Timer ID="tmMsgMngmt" runat="server" OnTick="tmMsgMngmt_Tick" Interval="10000"></asp:Timer>

The code binding data called from tmMsgMngmt_Tick
        //List of all areas
        List<MessageAllArea> lstAreaStatus = messageArears.GetAreaStatus();
        Session.Add("AllArea", lstAreaStatus);
        //List of affected areas
        List<MessageAllArea> lstAffectedArea = messageArears.GetAffectedArea();
        Session.Add("AfectedArea", lstAffectedArea);
        //List of affected areas
        List<MessageAllArea> lstLdshedding = messageArears.GetLoadShedding();
        Session.Add("LoadShdArea", lstLdshedding);

        ltvData.DataSource = lstAreaStatus;
        ltvData.DataBind();
        //Populate Area drop down list
        ddlLoadMessages.Items.Clear();
        if (lstAreaStatus.Count > 0)
        {
            foreach (MessageAllArea item in lstAreaStatus)
            {
                int attNo = int.Parse(item.attnFlag);
                if (attNo == 1)
                {
                    ddlLoadMessages.Items.Add(new ListItem(item.Area, item.AreaId));
                }
            }
        }
    }

When this error is encountered IIS seems to hang. It only happens to our users intermittently, and we have been unable to reproduce it in our development environment. Subsequent page requests from the same user can take as long as twenty minutes to be processed.

A: So the reason this error occurred was because the dropdownlist control, ddlLoadMessages was being modified by the asp:Timer's tick event and the ddlLoadMessages control was not located inside the relevant UpdatePanel. This made the .NET validation engine not aware of where the changes were coming from for the dropdown list which causing errors.
I haven't been able to determine why this would cause subsequent pages to take longer to load yet however.
Edit - it seems as if this was not the true source of the issue where pages would take a long time to load. Our website still seems to hang whenever ANY unhandled exceptions are encountered.
Edit 2 - finally found the true source of the issue, we were using an older version of .NET Framework 4.5 that had a bug where some requests would freeze at the RequestAcquireState unexpectedly, see:
ManagedPipelineHandler for an AJAX POST crashes if an IE9 user navigates away from a page while that call was in progress
Installing a latest .NET 4.5 Framework solved the issue.

redpajama_set_name: RedPajamaStackExchange


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Jacob Jordaens (1593–1678)
Jacob Jordaens (Antwerp 1593 – 1678 Antwerp)
Allegory on the Teachings of St Augustine
Pen and brown ink, blue, brown, green and pink wash, heightened with white, on light brown prepared paper, 120 x 132 mm (4.7 x 5.2 inch); laid down on a collector's mount with framing lines in yellow wash, pen and brown ink and graphite
Inscribed 'J Jordaens' (pen and brown ink, on the mount)
- Sir Joshua Reynolds (1723–1792), London (Lugt 2364; the stamp applied at lower left)
- Wilhelm König (1880–1955), Vienna (Lugt 2653b; the stamp applied on verso of backing sheet)
- Private collection, USA
- Private collection, Belgium
Together with Peter Paul Rubens (1577–1640) and Anthony van Dyck (1599–1641), Jacob Jordaens is one of the three giants of Flemish 17th-century painting.1 After the death of Rubens in 1640 until the early 1660s, he was more in demand than any other artist in Northern Europe.2 In 1607 Jordaens became a pupil of Adam van Noort, who also taught Rubens, and in 1615 he joined the painters' guild as a 'waterschilder', a painter in tempera and watercolours. In 1634-35 he collaborated with Rubens on decorations for the triumphal entry of the Cardinal Infante Ferdinand into Antwerp. Many prestigious commissions followed: a group of twenty-two paintings for the Queen's House at Greenwich in 1639, thirty-five large paintings for Queen Christiana of Sweden in 1648, commissions for the Huis ten Bosch from Prince Frederick Henry of Orange from 1649 to 1652, and a series of twelve scenes of the Passion for King of Sweden in the 1650s. In 1669, the 67-year-old Jordaens was still said to be 'painting assiduously'.
Jordaens was an active draughtsman, often producing several studies in prepation for oil paintings and designs for tapestries.3 His drawings are frequently done in a combination of techniques, either in red and black chalk or pen and brown ink, with coloured washes and white heightening, highly attractive and spontaneous, truly the work of an artist who was foremost a 'waterschilder'.
This attractive sheet is a preparatory study for Jordaens's painting of the same subject of c. 1655-60 in the Staatsgalerie Aschaffenburg, Germany (see fig.).4 The subject is exceptional in the visual arts. St Augustine of Hippo (354–430) is one of the Doctors of the Church. He meditated on the wound in Christ's side, and is commonly identified by a flaming heart, representing the ardour of his love of God. Augustinian monks were firmly established in Antwerp with a monastery in the Everdijstraat, which included a college that provided a classical education for young men, similar to the Jesuits.
This rare subject is similar to a theme which Jordaens explored in four drawings dated to c. 1645, all generally entitled A Moral Allegory; they are preserved in the British Museum, London, the Graphische Sammlung Albertina, Vienna, the collection of Jean Bonna, Geneva (see fig.), and one formerly with Jean-Luc Baroni Ltd. (see fig.).5 All four drawings are dominated by a female personification of Religion, holding a chalice, and a robed preacher, variously identified as St Paul, a Protestant preacher or a Catholic priest. The Baroni sketch appears to be preparatory for part of the Bonna sheet, which is overall more finished. Interestingly, although the composition of our drawing is closely related to the Aschaffenburg picture, the figure of the painted St Augustine in Aschaffenburg appears to draw back on the figure of the preacher as seen in the Bonna and Baroni sheets.
The present drawing was owned by Sir Joshua Reynolds (1723–1792), himself one of the most esteemed painters of the 18th century, who assembled a spectacular collection of drawings. The printed catalogue of the sale of Reynolds's collection, held by A.C. de Poggi of New Bond Street, London, from 26 May 1794, includes as a preface a useful table of artists, in which four drawings by Jordaens in Reynolds´s ownership are listed (see fig.).6 Four drawings given to Jordaens were indeed included in the sale, alas without identification of subject or other particulars.7 Professor D'Hulst in his catalogue of Jordaens drawings included four drawings from Reynolds's collection – however, at least one of these was given to Van Dyck in the 18th century.8
The authorship of this sheet has been confirmed by Prof. Dr. Hans Vlieghe, who described it as a 'good work' from Jordaens's later period, executed after 1650.9
1. There is extensive literature on the the artist, see for instance: Max Rooses, Jordaens' leven en werken, Antwerp/Amsterdam 1906, R.-A. D'Hulst, Jacob Jordaens, Antwerp 1982, and, more recently, Alexis Merle du Bourg (ed.), Jordaens 1593-1678, exh. cat. Paris (Petit Palais) 2013-14.
2. Walter A. Liedtke, Flemish Paintings in the Metropolitan Museum of Art, New York 1984, p. 112.
3. For Jordaens as a draughtsman, see: R.-A. D'Hulst, Jacob Jordaens, Brussels 1974, vols. I-IV.
4. Bayerische Staatsgemäldesammlungen, Aschaffenburg; R.-A.D'Hulst 1982, op. cit., p. 250, fig. 220. The connection between the present drawing and the Aschaffenburg painting was first pointed out by Prof. Dr Joost Vander Auwera of the Royal Museum of Fine Arts, Brussels.
5. See Stijn Alsteens, Raphael to Renoir: drawings from the collection of Jean Bonna, exh. cat. New York (Metropolitan Museum of Art) 2009, pp. 105-08, cat. no. 48 (Bonna), figs. 45 (Albertina), 46 (British Museum), 47 (Baroni).
6. A Catalogue of the First Part of the Cabinet of Ancient Drawings, which belonged to Sir Joshua Reynolds (…), A.C. De Poggi, London, 26 May 1794 and further days, p. xvii.
7. 'Sixth part', portfolio OO, no. 931 (£0.15s.0d.); portfolio PP, nos. 936 (£1.1s.0d.), 937 (£2.2s.0d.) and 938 (£3.3s.0d.).
8. D'Hulst 1974, op. cit., vol. I, pp. 104-05, no. A7, The Entombment, R.M. Light & Co., Boston, Mass.; vol. II, pp. 409-10, no. A339, The Triumph of Minerva, coll. R.-A. D'Hulst, Dilbeek; vol. II, p. 480, no. B1, Male Nude Seated, British Museum, London; vol. II, p. 481-82, no. B3, Male Nude Seated, from Behind, Ashmolean Museum, Oxford.
9. Email correspondence 4 February 2010.


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Foodland Policy on Masks in Store Begins Today
April 13, 2020, 10:11 AM HST
* Updated April 13, 10:13 AM
Foodland Kehalani. Photo by Wendy Osher.
Beginning today, customers and employees of Foodland stores are required to wear masks while inside stores.
Also, customers will be limited to bringing in only one other family member or partner to shop. In its continuing efforts to protect its customers and employees, Foodland will be requiring everyone who enters its stores to wear masks. In addition, customers may bring only one additional person inside the store with them to shop.
Groups of more than two will be prohibited. Both of these policies will go into effect on Monday, April 13. Foodland stores are also monitoring and limiting the number of customers shopping inside the store at one time (limits are determined by sq. ft. of each store), and are asking customers to practice social distancing, maintaining a space of 6 feet between each other, while shopping.
"We are committed to doing everything we can to keep our customers and employees safe during this crisis," said Jenai S. Wall, Foodland Chairman and CEO. "Our employees play an important role in providing our community the food they need. We want to keep them healthy and ensure our customers feel safe and comfortable in our stores," continued Wall. "We understand that some of these changes in behavior will be adjustments, and we thank everyone in advance for their cooperation and
Foodland is working urgently to expand its Foodland To You online shopping and pickup or delivery
service (currently available at Foodland Farms Ala Moana, Foodland Farms Pearl City, and launching soon at Foodland Kapolei; visit shop.foodland.com to view Foodland To You). In addition, Foodland will be launching another online shopping and pickup service in efforts to have this service available at more stores.
Kupuna Shopping Hours continues on Tuesdays, Thursdays and Saturdays from 6 a.m. to 7 a.m., allowing only seniors 60 years and older to shop with an accompanying caregiver or assisting family member.
Foodland Super Market, Ltd., has 32 Foodland, Sack N Save and Foodland Farms stores statewide and approximately 2,500 employees. To see Foodland's coronavirus updates, visit Foodland.com.
Residential Specialist
Foodland Announces Mana Up Partnership and Mānele… December 2, 2019
Foodland Debuts Affordable, Sommelier-Selected Wine February 5, 2020
Foodland Announces Special Shopping Days and Times… March 18, 2020
Renovations Ongoing at Pukalani DMVL; Kiosk Opens at… June 18, 2021
The Salvation Army Participates in Foodland's "Give… September 6, 2021
After 27 Years, Foodland's Sack N Save Supermarket… October 28, 2021
1Recently retired 2nd Circuit Court Chief Judge Bissen to run for Maui mayor 2Jan. 17, 2022 COVID-19 update: 4,700 new cases in Hawaiʻi 3Maui Obituaries: Week Ending Jan. 16, 2022 4The World Residences at Sea is third cruise line to sign port agreement in Hawaiʻi 5Mayor Victorino announces bid for re-election, aims to revitalize Maui County 6Jan. 16, 2022 COVID-19 update: 3,878 new cases in Hawaiʻi, 3 deaths


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aaronplaat.com > Blog > Writing > siblings
April 10, 2017 aaronplaat Writing
Happy International Siblings day! Apparently today is the day for siblings. While I think it's important to think of every body as your brother/sister, there's a special place in my heart for my immediate family.
As I've gotten older, I've started to hear the inner critic on a lot more occasions than during childhood innocence. "What have you done with your life" is a question I found myself asking on a frequent interval.
"Words and love" is usually the answer; I've written a lot of words and have loved a lot of people.
If I were to see my departed father, I'd feel confident telling him that each of his children have made the world a better place; each in their own unique way. Perhaps he's reading this. Perhaps not. I'd like to think so.
In honor of the day, I wanted to write a short blurb about/for each of the siblings I have.
Of all of the siblings in the Plaat family, Steve has a very special place in my heart. Steve and I rediscovered our brotherly connection nearly two years ago, when he invited me to move to California.
What I've come to appreciate about Steve is that he's willing to do the work and lean in to whatever life seems to throw at him. I've learned many years ago not to argue with Steve, as he tends to be correct on most things that pop up in our discussions.
Since moving to California, it's been incredible to experience adult life with Steve. It's rare to experience adult life with your siblings, as it's status-quo to part ways after reaching adulthood. I'm deeply grateful to be here with Steve.
Steve provides tough (correct) love – he knows exactly how to deliver a message that corrects, with love, any problems I've managed to bring to the table.
Lydia's the sibling I think of most when I'm sitting at home on the patio, as I know there's a stark contrast between my serene environment and her child-rearing home.
When Lydia first told me she was getting married, I remember being incredibly sad to see things change. During those years, Lydia and I were extremely close, and it was really hard for me to accept that things would change/evolve.
As the years went by, I saw her change and grow into a beautiful, strong, and fashionable (she dresses really well) woman.
She also happened to marry a man named Tyler almost 10 years ago. Together, they've created a beautiful life together and are starting to raise a beautiful family.
While we have major lifestyle differences (Ohio/California) Lydia is the one in our family that 'brings me home' whenever I think about settling down and following their lead of starting a family.
There will always be a part of me that wonders 'what could have been' between Mark and me. Both of our lives seemed to find dramatic intersections while we lived together in college; he joined the Navy, I left for California.
Some of my favorite times with Mark were spent at Gypsy Cafe in Columbus, OH, a hookah lounge. We'd spend many afternoons there puffing away at $5 hookahs during happy hour.
Very few people share laughs the way we do. When Mark and I find ourselves laughing, it's fairly common for us to laugh to the point of tears with splitting pains in our stomach from the roars of laughter that leave our mouth.
Of anybody in the world, Mark (Travis is a close second) is the one I'd want to stand by me if I ever found myself in a dangerous situation. I've always felt safe with Mark, even though he's the 'little' brother.
There's a part of me that will always feel sad, because I feel as if we never realized all of the adventures we set out to accomplish with each other.
Julia is my little angel. Watching her grow up has been difficult to do, as many of the years have been spent far away from home.
Julia grew up in a very different world than most of her siblings, as most of her upbringing occurred without our father.
I'm most proud of her for finding her passions and pursuing them. She's a brilliant artist, aesthetician, and spirit. She's done a really good job of carving out her own niche in our family and she never stops surprising me with her intelligence; she's brilliant, clever, and highly in touch with her emotions.
Julia watches the world around her very intently. For 18 years of age, she responds with the maturity of an adult in many situations.
I'm very, very proud of her.
Last, but certainly not least, is Joshua. Joshua has a very special place in my heart, as he's the youngest in our family.
In many ways, I see Josh being the most similar to our father of anybody in our family. He's very savvy when it comes to technology.
What sets Joshua apart is his heart. He has a really big heart for his family, friends, and people he doesn't know yet. He's also incredibly talented and creative. He's quite the photographer!
It's been most difficult to find myself on the other side of the country as Joshua grows up. I still wrestle with this.
At the head of many households is a mother who somehow manages to keep it all together. In the Plaat family, it's Roberta Plaat.
Truth be told, I don't know how she does it. Every time I see her, she seems to come back with an attitude and determination that can't be dulled by even the worst of days. Mom has challenged me with her joy, tenacity, and love for God. Her faith has brightened the lives of countless individuals.
It's been a really beautiful thing to be a part of such a wonderful family. Even though none of us kids are perfect, we happen to really love each other and always come back to each other, no matter how difficult the fight or strenuous the situation.
As parents, one of the greatest sacrifices you can make is the choice to have children. It has been humbling to be a part of the Plaat family. We all love, respect, and honor each other – even when we don't.
I lack words, Dad. Words to tell you how much all of us miss you being around. Yet, each of us carries one piece of your reflection. And I know that somewhere you are there, watching over each and every one of your children.
To Steven, Lydia (and Tyler), Mark, Julia, Joshua, Roberta, and Willem Plaat – thank you for being you. You're the ebb and flow of my heart, even during moments it doesn't seem like it, you're the life-force that keeps me going, day after day.
I love you more than words can say.
Roberta Plaat says:
Wow, Aaron!
Thank you for your many years of love-filled and encouraging blogs. I love you SO much, Aaron! Hinei mah tov…


Lisa Koch, AICP and is a transportation planner who specializes in multimodal capital improvement planning at the corridor, area, community, regional and statewide level. Through her 15-year career, which included planning for the City of Mission, the State of Kansas and most recently as a consultant, she has worked on projects that have improved safety and circulation for roadway users, developed bus and rail transit programs in many U.S. cities and created bicycle and pedestrian plans that focus on user safety.
The cornerstone of Lisa's style is communication and engagement, a performance and data-driven decision-making process, cost effective solutions and focusing on implementation from the outset.
In addition to her work at Groundswell Consulting, she is an Associate Researcher with the University of Kansas Transportation Center, where she directs the research work of the center and is the technical lead for the Kansas Rural Transit Asistance Program. To find out more, visit: https://kutc.ku.edu. Lisa also teaches classes in the KU's Graduate Urban Planning Program, where she was formerly a Professor of Practice.
Groundswell Consulting, LLC is a Certified Disadvantaged Business Enterprise (DBE) in Kansas and Missouri.


Thanksgiving is here and for many people, that means food and family. We recently listed a house and saw the grandmother had posted a picture of a formal place setting on the inside of the cabinets – for her grandkids! You can print out this high resolution drawing, tape it to the inside of your cabinet, then when it is time to set the formal place settings for dinner, point the grandkids at the drawing so they have a reference on how to arrange the table setting. Brilliant idea!
Print this high resolution photo and tape it to the inside of your cabinet so the grandkids have a reference when they come to dinner.
Here is an example of how to place the picture inside one of your kitchen cabinets.


If you're lucky enough to live in an area where you never worry about dropping a call while driving, read no further! Otherwise, you might well be interested in the Sleek 4G cellular signal booster, formerly from Wilson Electronics. Both the company and the product have recently been rebranded, so the product is now called Drive 4G-S Vehicle Cell Phone Signal Booster from weBoost. I'm reviewing the Sleek 4G product as received, and will call it by that name, but will use the new weBoost vendor name throughout the review.
The Sleek 4G installs in your car and provides a substantial boost to your signal strength. Living on the edge, as I do – of cellular range, not lifestyle! – I drop calls all the time. In fact, we tell people who are planning to visit us that "if you're lost and you can't place a call to ask for directions, then you're probably really close!" So, I was really intrigued at the potential for this gadget to make life easier for me and people I talk to while driving around.
The back of the product box promotes the features and provides a brief schematic of how the cell booster works.
The key feature is that the Sleek 4G boosts cell signal – including 4G LTE – for all major U.S. and Canadian cell carriers. From the schematic, you can see that the basic idea is that an external antenna receives the cell signal and passes it through a wire to a powered cradle which boosts the signal into the phone in the cradle. The phone is not connected by wire but must be in close proximity (i.e. in the cradle) for the product to work.
Here are the components of the Sleek 4G.
There is a magnetic antenna with a 12' cable. The cable's mini-coaxial connector attaches to the cradle, as does a USB power cable and adapter that plugs into the vehicle's 12V DC power source. The cradle itself is supposed to be mounted to the dash of the car with an adhesive mount. The cradle comes with three different-sized sets of adjustable arms that, in theory, can be swapped and adjusted to fit most phones.
First, I attached the antenna to the roof of the car, at least six inches from windows and my sunroof.
I then ran the coaxial cable into the car through the top of the right rear door.
The instructions state that the cable is thin enough that the door should not harm the cable, but does recommend that you loosen the door seal and run the cable under the seal for extra protection. I figured I'd do this if I liked the Sleek 4G enough to make it a permanent feature.
The cable then needs to make its way to the front center of the car to be driver-accessible. A professional installer could possibly do this unobtrusively. I'm not a professional installer. I let the cable drop to the floor alongside the center pillar, then ran the cable under the seat to the center console.
It's not pretty. That said, I mostly drive alone and almost never with rear-seat passengers. Except for a couple of times where I decided to put groceries in the back seat from the driver side instead of the passenger side to avoid re-closing the door on the cable, I honestly didn't notice the cable.
I did notice the cable nest at the cradle, however.
The cradle has three cable ports. On the bottom is the mini-coax port for the antenna and a micro-USB port for power. On the side is a USB port that can be used to charge your phone.
It's handy to have the charging port available, particularly if the Sleek 4G DC adapter is hogging your only 12V power outlet. I have a pair of outlets, one hidden and one exposed, so I just plugged the adapter into the unused exposed outlet. The instructions state to be sure to connect the antenna before connecting the power cable.
Below you can see the back of the cradle with the antenna and power cables plugged in. Note the slot for hanging the cradle on the dashboard mount, had I elected to use it. While mounting the phone would have helped a bit with the cable mess, I don't really have a viable place on the dash to mount the phone where I can reach and see it. For a permanent solution, I would need to invest in one of weBoost's optional alternative mounting accessories.
Okay, that's the setup. Time to power up and test?
Not so fast! There is a big warning label in the instructions and on the website stating that the device must be registered with your wireless provider before use. I guess that this is part of the agreement with the FCC to approve this class of product. If your carrier or the FCC requests that you discontinue use of the device to eliminate signal interference, you must do so.
So I called my carrier, AT&T, to ask about device registration. The friendly support rep that I talked to was aware of these products, because her husband had one, but could not find any registration process nor policy against their use. While others who bother to check with their carrier may have different experiences, I felt that I had sufficient blessing to move forward.
I powered up and generated a green LED on the cradle.
One additional note on power before I discuss the test results. The user guide warns that only their provided adapter should be used and, furthermore, it should be unplugged when leaving the car to avoid discharging the car battery "in a day or two." Many cars' DC outlets automatically power down with the ignition off, including mine, but you should make sure this is the case with your car before leaving it permanently plugged in.
I tested signal strength with an app call Network Signal Strength. Signal strength is measured in decibel milliwatts (dBm). The lower the negative number, the better. "Good" values differ on different types of networks. Where I live, I might get desirable LTE signal but revert to GSM if the LTE signal is too weak.
I tested several locations, moving gradually over several miles away from my house and toward civilization. In each scenario I measured LTE signal.
The system went from borderline poor to good, and from 1 bar to 3 bars. Fantastic!
In one other test right next to the house, I found myself connected to the AT&T microcell inside the house, which gave me a -91 dBM GSM signal. When I powered up the Sleek 4G, the received LTE signal improved enough that the phone switched to the LTE AT&T tower signal, giving me 3 bars of coverage at -93 dBm. That's the equivalent of going from a poor to good signal.
So, I observed improvement in all areas. Sleek 4G made poor coverage acceptable and good coverage excellent. Feeling cocky, I decided to go for broke and see if I could maintain a connection on a call to my mother without dropping her before I got home (the usual scenario). The result was a clear call all the way into the garage!
So, I can give performance of the Sleek 4G not only my endorsement, but Mom's seal of approval.
The bottom line on the Sleek 4G is that it works. That doesn't mean it's for everybody. You need to be frustrated enough about dropped calls or streaming performance in your car to shell out about $200 (or more for a non-adhesive mount kit). You need to live with some degree of cable mess in your car and any work required to minimize it. You probably need to remember to remove the antenna when you go through a car wash. (Side note: When I removed mine after a week, some of it parked in hot sun, it left a faint ring of gooey residue, probably melted adhesive from inside the assembly.) And, for us forgetful types, having to put the phone in the cradle increases the odds of leaving it in the car at the next stop.
So, nothing's perfect. But, like the doc told me about my inevitable knee replacement surgery, "You'll know when you need it." And, if you need it, the Sleek 4G will eliminate a lot of frustration.
As for me, the verdict's still out. I don't drive a heck of a lot, and I'm not one of those people who has to be on the phone constantly when I do. But the next time I hang up on Mom might be just the nudge I need to spend a little time making a clean, permanent installation of the Sleek 4G in my car.
Source: The sample for this review was provided by weBoost. Please visit their site for more info about this product or Amazon to order.


480 x 10 x 10 is a sculpture made of used bars of soap strung on a steel cable hung vertically from the ceiling. The 473 cakes of soap of different dimensions, colours and fragrances are threaded sequentially, like beads on a string, to create a narrow column of soap measuring 480cm long and a maximum of 10cm wide, from which the work's title is derived. The soaps are prevented from sliding off the end of the five-metre cable by a short loop and a steel bolt. Torsion in the cable causes the length of soaps to curve slightly upwards at the bottom end. The colour white predominates, interrupted by deep red, pink, yellow, turquoise, blue-greens and brown. The soaps are eroded to varying degrees – some are so thin, they have almost vanished, and others are virtually whole. Towards the bottom, a yellow Bart Simpson soap (a soap in the form of the fictional main character from the animated television series The Simpsons) can be discerned, although the most of the figure's distinguishing characteristics have been washed away.
, accessed 30 October 2009). The soaps that went into these works were collected from members of the museum community in Osaka. Soaps sent in exclusively by women were used to created Hanging Soap Women 2000 (reproduced 17 x 23,5 x 1,6, pp.23–5), a 415cm string of similarly worn bars of soap hung between two nails on a wall.
Using materials and forms to which serious concepts have accrued, such as ashes for instance, springs from very quotidian needs. Heating the house, for example. These humble actions become very significant at a certain point. Removed from its proper setting, ash from an ash-pan obtains a different meaning, takes on an abstract quality. A broader, historical perspective of interpretation can paradoxically narrow down the idea. In Catholic Poland, for instance, where there is only one operational crematorium, ashes are almost universally associated with incinerating bodies in concentration camps. Soap is automatically associated with making soap out of human fat in the camps. The normal, hygienic use of soap is less apparent.
I choose them because they carry a history which I connect with when I touch them. It is like kissing the hand of history. My touch represents the contemporary ... For me the history of materials is more important than the history of art. I don't make any connections with Arte Povera, but rather base my decisions on my own private experience. These are the materials I encounter in my studio, they constitute my personal landscape.
Mirosław Bałka: Revisión 1986–1997, exhibition catalogue, IVAM Centre de Carme, Instituto Valenciano de Arte Moderno, 1997.
The Unthought Known, exhibition catalogue, White Cube2, London 2002, reproduced p.3.
Miroslaw Balka: 17 x 23,5 x 1,6, exhibition catalogue, White Cube, London 2008.


Sew Essentially Sew: Happy National Sewing Machine Day!
Oh yes, the sewing machine. Our much loved tool we use in our creative lives. But did you know that this machine hasn't always brought joy. Back-in-the-day, 1790, the first patent for the sewing machine was granted to an English cabinet maker whose machine mimicked the motions of hand stitching. Other patents followed as the design elements of the sewing machine changed. Decades later in France, a tailor patented a machine that he used in a factory that made uniforms for the French army. Displaced tailors caused a riot which resulted in the machines being destroyed and nearly killing the inventor. Thankfully, many others followed to improve on the design of the sewing machine and new patents emerged which lead the way for the home sewing machine. Okay, I have left some key details out, but if your interested in learning more I do suggest this read. And if you're lucky enough to spend some time with your sewing machine.


text:
Inhabitants of all Nations, 1801
December 6, 2018 January 11, 2021 / David Cecelski
This is the 9th part of my series on Susan Edwards Johnson's diary of her travels on the North Carolina coast in 1800 and 1801. I found the diary last spring at the Connecticut Historical Society in Hartford, Conn.
By the time that Susan Johnson finally reached Wilmington, N.C., on the 11th of January, 1801, her diary indicates that she had grown weary of being on the North Carolina coast.
She missed her three children She was homesick. She was lonely for the companionship of her closest friends and family back in Connecticut, though she wrote to them often.
Something about Wilmington had also shaken her.
"Wilmington… on sand hills which rise from the river"
As you'll remember from my last post, Susan and her husband had arrived at Peter Mallett's rice plantation at Peter Point on Jan. 9th, 1801. Two days later, on the 11th, Susan made the ferry crossing into Wilmington for the first time. She and Peter Mallett's wife, Sarah, met a number of other ladies there and went shopping for cloth to make a gown.
They then returned to one of the ladies' homes and made the gown.
That night, after going back across the river, Susan described the seaport in her diary.
She looked far less kindly at Wilmington than she had Edenton, New Bern or Fayetteville.
When Susan Johnson visited Wilmington in 1801, the seaport was on its way to becoming the most important exporter of naval stores in the world. This photograph from Duplin Co., N.C., was made much later, but is a good portrait of the first stage of making spirits of turpentine and rosin, two of the most important naval stores. Here a worker– most were enslaved men and women in 1801– carves out a section of a long-leaf pine tree's bark so that he can collect the resin, which will later be distilled. Courtesy, State Archives of North Carolina
She wrote—
Wilmington is situated on sand hills which rise from the river[.] the houses in general make but a poor appearance. It has suffered very much from fire these few years past which seems to have discouraged the inhabitants from making improvements about their places—the streets in this town are the most intolerable to walk in of any I ever saw. They are one bed of sand which fills your shoes & if there is the least wind your eyes are filled & nose & mouth fare no better unless you protect them with your hand.
She less judgmentally also observed that the roughhewn little seaport was on its way to becoming the world's largest exporter of turpentine, tar and other naval stores.
There is a great appearance of business here. The branches of the Cape Fear River reunite which brings to this town from the extensive back Country vast quantities of lumber & naval stores.
Susan must also have been astonished by the number of enslaved Africans and African Americans walking in the city's streets, toiling in its workshops and laboring on its waterfront.
At that time, approximately 1,700 people resided in Wilmington. Two-thirds were enslaved.
A Land of Immigrants
In her diary, Susan also described a city of immigrants. While she was in Wilmington, her diary rarely mentioned anyone that had been born or raised in North Carolina or anywhere else in the southern states.
Judging from her diary, many of the seaport's wealthiest planters and largest merchants had come from other countries.
In drawing rooms, at balls and at church, she socialized with people that had come from Scotland, Wales, Ireland, England and France.
For instance, on Jan. 14, she went to a dance at a Frenchman's house. Later in the month, she had tea with two young women from Scotland and another from the Isle of Jersey, one of the Channel Islands between England and France.
The Burgwin-Wright House in Wilmington, N.C.
She also attended a gala ball at an English immigrant's mansion– the residence that is now called the Burgwin-Wright House.
There was an elegant supper of a variety of meats, pastry, jellys, syllabub & cake very handsomely served…
At least as often, Susan and her husband socialized with members of the seaport's upper crust that had come from southern New England– including several from her hometown, New Haven, Conn.
The most memorable was "a young man named Jocelin his family formerly of New Haven." In her diary, Susan mentioned that she danced with him one evening.
You can learn more about Samuel Russell Jocelyn's fate in two recent articles– Josh Schaffer wrote one for the Raleigh News & Observer, and my friend and colleague Chris Fonveille wrote another for Cape Fear Living Magazine. Jocelyn was buried in the cemetery at St. James Episcopal Church, Wilmington, seen in this photograph. Courtesy, Josh Schaffer, News & Observer
Her dancing partner's full name was Samuel Russell Jocelyn, Jr., and his father and mother had left New Haven in 1790. To this day, he is often mentioned on "ghost walks" in Wilmington. According to legend, he was buried alive in 1810, after he was wrongly believed to be dead.
The presence of so many people from New Haven and other seaports in southern New England is striking. In Susan's diary, the upper classes of the two regions often seem like one and the same– it was a bond forged by marriages among the Eastern Seaboard's elite, but also by the shipping trade, banking and finance, and frequently a mutual interest in plantations and slavery.
Susan saw all this when she was in Wilmington that winter of 1801, and she did not like it.
"Only for the purpose of acquiring property"
According to her diary, Susan dutifully attended winter dances and afternoon teas in Wilmington, and she presumably ate her share of "syllabub and cake handsome served." Yet her diary reveals that inside she was feeling a kind of revulsion toward the seaport's elite.
After four weeks of treating her diary's entries on her stay in Wilmington largely as a chronicle of social events, she finally expressed what she was feeling in an entry on February 8th.
And now as I am about to take my leave of Wilmington it is proper I should express my sentiments of it & its inhabitants who are of all nations collected there only for the purpose of acquiring property & intend to stay no longer, than to make themselves independent.
By "property," Susan of course meant land and slaves. And when she said "to make themselves independent," she meant that those planters intended to be absentee owners and leave their "property" in the hands of managers. That way they could take their profits and go somewhere else.
Susan continued:
This circumstance prevents all public spirits, which is so required particularly to improve their streets. I was told that the Church (tho' very small & plain) was twenty years building [and] the Burying ground is without a fence….
She clearly believed that a large part of upper-class Wilmington still treated the Cape Fear like a colony—a place you exploit and profit from, but never treat like home and ultimately abandon.
I found this a great insight into the North Carolina coast's history in 1801. But of course it was also ironic: Susan, after all, might have been talking about her own husband and, by implication, herself.
She and her husband, Samuel Johnson, were from "all nations"—if not another country, at least a distant land.
Samuel, at least, had only come to North Carolina "for the purpose of acquiring property and intend[ed] to stay no longer, than to make [him]self independent."
Susan Johnson was no fool. I feel sure that she felt this irony, and keenly. I expect that it pained her. I suspect, in fact, that she was beginning to regret that she had ever left home.
I know I am going out on a limb here, but this is what I think:
When Susan got to Wilmington, she met its eager speculators and land barons, its absentee plantation lords and those obsessed only with profits and land and slaves. And I think she recoiled, afraid of what she and her husband had become, or were becoming.
Next time– Susan visits the African Meeting House in Wilmington
Great Migrations, Love in the Archives, Susan Johnson's Diary, The Ties that Bind
Cape Fear River, Immigrants, Naval Stores, New Hanover County, Shipping Trade, Wilmington N.C.
← The Road to the Cape Fear– Susan Johnson's Diary, Part 8
A Jonkunnu Christmas at Historic Stagville– this Saturday! →