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UNIVARSITY.ORG | Our Blog
Interesting information about Universities
information about Universities, University, complete university guide, university league tables, which university should i go to, which university course is right for me, which university gives the most scholarship, iipm affiliated to which university, which university is best for mba distance education, which university is the best in the world,
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Gin-tasting is just the tonic for charity fundraisers
Stoneleigh Park event raises almost £1,000
Izzy Sanders
Gin lovers helped raise almost £1,000 for Cancer Research UK.
A charity gin-tasting evening took place at Farmers Fayre in Stoneleigh Park near Kenilworth and raised £985 for the charity.
The event at the farm shop and kitchen was billed as a Gin Talk, Tipple and a Nibble – and was a total sell-out.
Connoisseurs from award-winning regional gin producers Cotswolds Distillery, based at Shipston-on-Stour, and Nelson's Gin Distillery, from Uttoxeter, were on hand to share their expertise with the 90-strong audience.
From left, Richard Chamberlain, Nicola Reece, Sam Ballantyne, Averil Ballinger and Pat Gagg
Nicola Reece, director of Farmers Fayre, said: "Gin is increasingly popular and we actually stock more than 30 British varieties including those produced closer to home by Cotswolds Distillery and Nelson's Gin Distillery.
"It was no surprise that we had a full house for the event and it was great to see so much money raised for Cancer Research UK from ticket sales and proceeds from a raffle."
It was the first time that Farmers Fayre had teamed up with the charity's Leamington and Warwick fundraising committee for an event.
Averil Ballinger, chair of the committee, said: "It was a great success and the talks by the gin producers were very interesting. We all know a bit more about gin now.
"We're delighted with the money raised from the evening and would like to thank everyone who supported it."
Whiskey and Gin
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Boozy brunches
British-inspired cocktail recipes
Magic colour changing gin
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Government's air travel tax pledge in doubt
Date added: March 10, 2011
10.3.2011 (Guardian)
Sources admit 'questions marks' over key manifesto pledge, which flouts European
Union laws
by Allegra Stratton, political correspondent
The government is preparing to reverse a key coalition pledge to bring in an
environmental tax on air travel after finding that European Union laws would prevent
Last year's coalition manifesto contained a pledge to reform air passenger duty
(APD), a tax imposed on all passengers on planes leaving the UK except those who
are on transfer, to curtail greenhouse gas emissions. Both parties in the coalition
had said they wanted to tax "per plane" to give airlines the incentive to cut
down on their carbon footprint.
Channel 4 News reported that the coalition has now shelved the plan, unable to
make the change as it falls foul of EU laws.
Responding to the report, government sources admitted that there were "question
marks" over the plan, but refused to confirm or deny that it would be abandoned.
The government has been under pressure from airlines, airports, tour and travel
companies – including British Airways, Virgin Atlantic, Heathrow and Gatwick airports
– to shelve the reforms. Last week, they warned George Osborne against raising
air passenger taxes in his budget this month. The airlines said: "We recognise
the exceptional difficulty of the country's fiscal position and we are content
to pay our fair share. But the UK airline industry is already the most heavily taxed in the world and any further tax burden will
be counter-productive to the country's economic recovery."
However, low-cost airlines such as easyJet have younger, more fuel-efficient
fleets. Last month, Carolyn McCall, chief executive of easyJet, said the coalition
was making slow progress on the APD and suggested the environment had fallen down
the coalition's agenda.
She said: "The frustrating thing is they [ministers] have got their hands full
in terms of the deficit and so on, but the environment appears to have slipped
off the agenda … that is wrong because it's a problem that is here to stay and
aviation has it's part to play in that. It is frustrating."
http://www.guardian.co.uk/politics/2011/mar/10/government-air-travel-tax
and see also
http://blogs.channel4.com/factcheck/flight-of-fancy-is-air-tax-pledge-just-so-much-greenwash/5947
Posted: Thursday, March 10th, 2011. Filed in General News.


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Copenhagen: 2-Hour Private Walking Tour of Must-See Sights
ToursSightseeing ToursCulture & HistoryArchitectureHistory & HeritageTheme ToursFamily-friendlyGroup Activities
Take a private guided walking tour of Copenhagen exploring many of the must-see local sights on a beautiful route. This is a great city to explore by foot with lots of culture, history, monuments, and architecture to discover.
See a majority of Copenhagen's must-see sights on a private walking tour
Witness the Changing of the Guard ceremony at Amalienborg Palace
Learn about the city and hear true stories from an experienced guide
Explore iconic sights such as the Nyhavn waterfront and the Little Mermaid stature
The tour begins at the steps in front of the Royal Danish Theatre on Kongens Nytorv where your guide will be waiting for you. One of the first stops will be at the colorful Nyhavn, the most-photographed place in Copenhagen. Journey down the gallery-filled Bredgade all the way to the impressive Frederik's Church, the Amalienborg Palace, and the Copenhagen Opera House. Reach the Amalienborg Palace in time to enjoy the Changing of the Guard ceremony and wave to Her Highness if she is home. Take a stroll down the car-free zone along the promenade with so much to see, including the I Am Queen Mary statue, the Royal Danish Playhouse, the Ofelia Plads, the Maritime Monument, and much more. You will soon reach the most famous lady of Denmark: The Little Mermaid. Hear the true fairytale as written by Danish author Hans Christian Andersen and see where he lived for over 20 years of his life. At the waterfront, you'll also experience the lovely Greenland Monument and can sneak a kiss on the love steps if you wish to seal a relationship. Peak through the Kastellet, a military site from the 1600s that is still active, and walk on the embankment of the pentagon-shaped fortress giving you a great view of Copenhagen to end the tour.
Walking tour Professional guide Head sets (for larger groups only)
Tour includes a moderate amount of walking and many areas in Copenhagen have cobbled stones
Arrival at Amalienborg Palace in time for the Changing of the Guard ceremony cannot guaranteed
The tour will take place in all weather conditions


Sure! Teachers and other school staff like our salads, wraps, and many other choices.
We recommend the regular size for teachers, which is a full hot/cold entree. You can also add on drinks (water, juice, organic milk), snacks (Smartfood, baked Lays, mozzarella sticks, etc) or treats (chocolate pudding, Chips Ahoy cookie crisps) for an additional cost.


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Rugby: Hole in heart may have caused Weepu's stroke, says team
Mar 28, 2014, 3:49 pm SGT
http://str.sg/Zkiw
WELLINGTON (REUTERS) - The minor stroke suffered by former All Blacks scrum-half Piri Weepu this month may have been caused by a hole in his heart, the Auckland Blues said on Friday.
He was ruled out of all rugby for at least four weeks on Thursday after doctors, attempting to find the cause of his migrane-like symptoms, discovered he had suffered a minor stroke on March 1.
The 30-year-old, however, played three Super Rugby games before he had a scan on Monday.
A spokesman for the Blues told local media on Friday that further checks had discovered a small hole in his heart which is likely to have caused the stroke.
The 71-Test World Cup winner would see a cardiologist next week to determine the next course of treatment. Surgery was an option.
Weepu was released from hospital on Thursday and attended the Blues' training session on Friday ahead of their clash with fellow New Zealand side the Otago Highlanders at Eden Park on Saturday.


Newfie wrote: Actually probably not. Rail transport has a pretty heavy carbon footprint. It MAY be Ok when it is heavily housed in an urban situation. Same with busses, run full at rush hour they make sense. But those lightly used late night and week end runs? Often greener to drive, especially if you have 4 or more folks together.
Not really, no. The train is going to be running whether you're on it or not, so unless you're chartering the train, it's always greener to hop onto a train to go where you want to go.
2010 was in this sense quite a while ago, since then China alone has added over 100 million vehicles to its streets and roads! Then you need to add in India, Thailand, Indonesia and so on that are all additionally undergoing rapid expansion of their vehicle fleets.
I was very happy to see that the Norwegian Hurtigrupen Cruise Line, which specializes in high latitude trips to the Arctic and the Antarctic, is shifting all their cruise ships over to run on fuel made from rotten fish.
This means the Hurtigrupen Cruises will be "carbon neutral", at least in terms of the fuel for the cruise ships.
This is pretty remarkable.......cruise ships whose carbon emissions will be roughly equivalent to a bicycle.
I had an idea for low carbon tourism. Here in Maine we could be leaders. Ideas: follow Thoreau around Maine in a canoe. Take a windjammer cruise around the coast. Do Outward Bound. All carbon free trips. Of course you'll have to pull up the sails and paddle your canoe! You can get to most of them with a bus!
Meanwhile: Air travel is surging. That's a huge problem for the climate.
US airlines have an abysmal carbon footprint.
Greenhouse gas emissions in the United States appear to be on the rise again after years of decline. The Rhodium Group recently released preliminary estimates showing carbon dioxide emissions overall surged 3.4 percent in 2018, with the transportation sector leading the way as the largest source of emissions for the third year in a row.
Interestingly, the bump in transportation emissions didn't come from cars. Car travel increased compared to 2017, but gasoline consumption decreased. That's in part because overall fuel economy in passenger cars is improving as engines become more efficient and electric cars become more popular.


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Best Romance Movies of 1916
During the troubled shooting of several movies, David, the prop man's assistant, meets an aspiring actress who tries to find work in the studio. Things get messy when the stagehands decide to go on strike.
Starring: Eric Campbell, Charlie Chaplin, Edna Purviance, Albert Austin, Lloyd Bacon, Henry Bergman, Leota Bryan, Frank J. Coleman, James T. Kelley, Charlotte Mineau ..
Directed by: Charlie Chaplin
Hell's Hinges
When Reverend Robert Henley and his sister Faith arrive in the town of Hell's Hinges, saloon owner Silk Miller and his cohorts sense danger to their evil ways. They hire gunman Blaze Tracy to run the minister out of town. But Blaze finds something in Faith Henley that turns him around, and soon Silk Miller and his compadres have Blaze to deal with.
Starring: William S. Hart, Clara Williams, Jack Standing, Alfred Hollingsworth, Robert McKim, J. Frank Burke, Louise Glaum, John Gilbert, Fritz the Horse ..
Directed by: Charles Swickard
The Americano
Doug is an American mining engineer. Pres. Valdez of Paragonia wants him to reopen the country's mines. Doug is not interested ... until he sees the President's beautiful daughter, Juana. Valdez returns to Paragonia, but is deposed by Generals Sanchez and Garcia and locked in San Mateo Prison. The Americano arrives...
Starring: Douglas Fairbanks, Alma Rubens, Spottiswoode Aitken, Carl Stockdale, Tote Du Crow, Charles Stevens, Mildred Harris, Lillian Langdon, Thomas Jefferson, Tom Wilson ..
Directed by: John Emerson
The Matrimaniac
A young couple attempts to elope, with the bride's irate father in hot pursuit. The train stops briefly and the young man dashes off to find a minister, but before he can get himself and the minister onto the train, it leaves, carrying his bride-to- be away. Now the young man, minister in tow, pursues his bride while her father and a horde of lawmen pursue them both.
Starring: Douglas Fairbanks, Constance Talmadge, Wilbur Higby, Fred Warren, Clyde E. Hopkins, Winifred Westover, Monte Blue, Mildred Harris, Carmel Myers, Charles Stevens ..
Directed by: Paul Powell
Short western by Frank Borzage about a man called The Pilgrim who comes into a new town, establishes himself and falls in love with a woman.
Starring: Frank Borzage, Ann Little, Jack Richardson, Dick La Reno, Mary Gladding ..
Directed by: Frank Borzage
The Ocean Waif
An abused young woman finds safety and love in the arms of a famous novelist.
Starring: Carlyle Blackwell, Doris Kenyon, Edgar Norton, Fraunie Fraunholz, William Morris, Augusta Burmeister, Lyn Donelson ..
Directed by: Alice Guy-Blaché
Hoodoo Ann
A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.
Starring: Mae Marsh, Robert Harron, William H. Brown, Wilbur Higby, Loyola O'Connor, Mildred Harris, Pearl Elmore, Anna Dodge, Charles Lee, Elmo Lincoln ..
Directed by: Lloyd Ingraham
The Return of Draw Egan
A small town marshal's secret past as an outlaw comes back to haunt him when an old associate shows up and threatens to expose his former dark deeds.
Starring: William S. Hart, Margery Wilson, Robert McKim, Louise Glaum, J.P. Lockney, Dorothy Benham, Hector Dion, J.H. Gilmour, Aggie Herring, Florence La Badie ..
Directed by: William S. Hart
Krazy Kat Goes A-Wooing
Krazy Kat tries to serenade Ignatz Mouse.
Directed by: George Herriman
Victoria Vickers, a little East End Cockney girl, is left a vast fortune by an uncle in America. She is finally discovered hop-picking in Kent by her solicitor, who has given up the search and gone off on a photographic holiday instead! The conditions of the legacy are that she must spend three years learning to be a lady before she inherits absolutely. 'Vicky' does her best, but she is not happy in high society. Meanwhile her old East End beau Bert accepts a loan from her in order to 'better himself' and starts a highly-successful fish-and-chip shop business. He takes elocution lessons and buys gentleman's clothes in the hopes of aspiring to her hand. But Vicky, who thinks he has deserted her now she is a fine lady, is lonely enough to accept an offer of marriage from her guardian's spendthrift son, and when Bert reads of the engagement in the newspapers he abandons London and goes down to live in Kent where they were once happy together.
Starring: Florence Turner, Henry Edwards, Ruth Mackay, W.G. Saunders, Edith Evans ..
Directed by: Henry Edwards
The Red Widow
An American corset manufacturer by the name of Cicero Hannibal Butts travels to Russia, where he has comic adventures involving a famous opera star and political intrigue.
Starring: John Barrymore, Flora Zabelle, John Hendricks, Eugene Redding, Millard Benson, George E. Mack, Lillian Tucker, E.L. Fernandez ..
Directed by: James Durkin
Nearly a King
A crown prince doesn't want to marry a foreign princess, so he asks an actor to take his place.
Starring: John Barrymore, Katherine Corri Harris, Russell Bassett, Beatrice Prentice, Martin Alsop, Fred McGuirk, Adolphe Menjou ..
Directed by: Frederick A. Thomson
Shakespeare's tragedy of two young people who fall desperately in love despite the ancient feud between their two families, and how the sins of the fathers bring disaster to their children.
Starring: Francis X. Bushman, Beverly Bayne, Horace Vinton, John Davidson, Eric Hudson, Edmund Elton, Leonard Grover, Fritz Leiber, Olaf Skavlan, Lawson Butt ..
Directed by: Francis X. Bushman, John W. Noble
La Vie de Bohème
Mimi, an orphan, is taken in by a drunken innkeeper and becomes a domestic. She meets Rudolphe, scion of a well-to-do family, who rescues her from the unwanted advances of a drunken hotel guest. They fall madly in love, but Rudolphe's uncle, M. Durandin, wants Rudolphe to marry a family friend, Madame de Rouvre, and writes Mimi a letter, telling her that she is ruining Rudolphe's life. Musette and Marcel, friends of Mimi, also try to break up the romance by introducing Mimi to other men, and Rudolphe becomes jealous and leaves her. Brokenhearted, Mimi declines in health and eventually throws herself into the river but is rescued and taken to the hospital. Realizing it is only a matter of time before she dies, she drags herself back to the room where she and Rudolphe were happiest. Rudolphe is there and she dies knowing that he loves her.
Starring: Alice Brady, Paul Capellani, June Elvidge, Leslie Stowe, Chester Barnett, Zena Keefe, Frederick Truesdell, D.J. Flanagan ..
Directed by: Albert Capellani
Joan is loved by a young man of the village and they are married. In a few weeks the husband, a soldier, is sent to the war-front along with his three brothers. Word is received that her husband has been killed in battle and Joan's first impulse is suicide by she is pregnant and her prospective motherhood makes her realize her new responsibility. The military authorities start a movement to get the young women of the country to marry departing soldiers, so that the empire may have another generation of fighting men. Word is received that the King is to pass through their village and Joan organizes the women in a general protest against the war. She leads them all, dressed in black, in a long procession to meet the Monarch. The soldiers threaten to shoot her unless she turns the women back, buy Joan comes face-to-face with the ruler and kills herself, as her message from the women that they refuse to make another generation victims of a ruthless militarism.
Starring: Alla Nazimova, Charles Hutchison, Charles Bryant, William Bailey, Richard Barthelmess, Nila Mac, Gertrude Berkeley ..
Directed by: Herbert Brenon
The Intrigue
A sci-fi/espionage film in which world powers vie for control of a death ray during World War I as an undercover countess infiltrates enemy ranks to prevent them from getting their hands on the weapon.
Starring: Lenore Ulric, Florence Vidor, Cecil Van Auker, Howard Davies, Herbert Standing, Paul Weigel ..
Directed by: Frank Lloyd
The Prince of Graustark
Graustark needs thirty million dollars to satisfy a Russian loan. The Prince of Dawsbergen, ruler of the adjoining principality, will advance the money if the young Prince of Graustark marries his daughter. Prince Robin, however, inherits an independent spirit, his father having been an American. He refuses absolutely to marry a Princess whom he has never seen. His councilors plead in vain. With the ruin of his country imminent, the boy ruler hastily sails for America to negotiate the loan, hoping at the same time to meet the girl of his dreams. The money is readily advanced by William W. Blithers, a self-made millionaire anxious to have his daughter marry into royalty. The daughter, however, avoids the Prince and he does not see her. He rescues a girl from drowning and falls in love with her. He believes her to be Blithers' daughter, but she does not reveal her identity.
Starring: Bryant Washburn, Marguerite Clayton, Sidney Ainsworth, Ernest Maupain, Florence Oberle, John Cossar, William V. Mong, Colleen Moore ..
Directed by: Fred E. Wright
A Son of Erin
Dennis O'Hara is a poverty-stricken Irishman who believes that if he comes to America he will immediately land a job as a policeman. So he manages to scrape together the funds to get him to Manhattan, and leaves his sweetheart Katie O'Grady behind while he makes his fortune. Naturally he discovers that joining the force isn't as easy as he expected, and when he does finally get in, he winds up in trouble because of the graft collections of his boss.
Starring: Dustin Farnum, Winifred Kingston, Tom Bates, Jack Livingston, Wilfred McDonald, Wallace Pyke, Lee Willard, Mabel Wiles, Hugo B. Koch ..
Directed by: Julia Crawford Ivers
A Great Love
Kenneth Reynolds tells Nelly's daughter the story of his love for Nelly. Kenneth was in love with Nelly, but the arrival of a stranger drove Nelly and Kenneth apart. Nelly and her lover absconded, and Nelly's father then died of grief. After some time, Nelly returned with a child, and took her last breath in Kenneth's arms. The daughter had to cry upon hearing this story, told by the now somewhat older Kenneth, after all these years.
Starring: Hayward Mack, Mina Cunard, Vola Vale, Norbert A. Myles, J. Edwin Brown ..
Directed by: Clifford S. Elfelt
The Huntress of Men
Upon hearing about a woman dubbed The Huntress because of her wild attention craving ways, Fleming Harcourt decides he can domesticate her and they marry. He takes her to settle down in a mining town, however she soon becomes bored and returns to the city and her lavish parties with plenty of adoring male admirers. Fleming decides to make her jealous by flirting with other women. When the Huntress hears the rumors of his affairs, she soon realizes her one true love is Fleming, and they are happily reunited.
Starring: Mary Fuller, Joseph W. Girard, Sidney Bracey ..
Directed by: Lucius Henderson
It Happened in Honolulu
Story of a pretty girl whose ambitious mother wants to marry her off to an English nobleman. The girl, however, loves a plain American, the son of a wholesale fish dealer. The girl's ineffectual father likes the young American too, but his wife overrides him and the family heads for Honolulu, where the matriarch hopes her daughter will wed the nobleman.
Starring: Myrtle Gonzalez, Val Paul, George Hernandez, Lule Warrenton, C. Norman Hammond, Fred Church, Bertram Grassby, Jack Curtis ..
Directed by: Lynn Reynolds
Love Never Dies
Love Never Dies was set in France, and convincingly so (which was not often the case in American-made films of this period). It is established in the first reel that hero Felix and heroine Cecile have been sweethearts since childhood. Later on, Fate forces Felix and Cecile to separate, but viewers could take heart in the positive sentiments expressed by the film's title.
Starring: Dorothy Clarke Wilson, Ruth Stonehouse, Maurice Kusell, Franklyn Farnum, Kingsley Benedict, Arthur Hoyt, Mattie Witting, William Canfield, Wadsworth Harris, T.D. Crittenden ..
Directed by: William Worthington
Pidgin Island
John Cranford is a U.S. customs agent dedicated to stem the activities of a gang of opium smugglers. After successfully closing the case, Cranford takes a vacation on Pidgin Island, near Kingston, Ontario. Here he meets the beautiful Diana Wynne, whose mysterious behavior both fascinates and attracts him. It turns out that Diana is herself a secret service agent, bent on trapping notorious pearl smuggler Michael Smeed.
Starring: Harold Lockwood, May Allison, Pomeroy Cannon, Lester Cuneo, Fred L. Wilson, Lillian Hayward, Elijah Zerr, Yukio Aoyama ..
Directed by: Fred J. Balshofer
Miss Petticoats
Miss Petticoats stops a runaway horse, saves a wealthy woman from death, is rewarded with position as a private secretary. Society shuns her. She goes abroad; then see how she becomes the acknowledged daughter of a French Count and falls heir to a title.
Starring: Alice Brady, Arthur Ashley, Isabel Berwin, Robert Elliott, Johnny Hines, Lila Chester, Edward Kimball, Alec B. Francis, Charles K. Gerrard, Louis R. Grisel ..
Directed by: Harley Knoles
The Yellow Pawn
An artist is in the countryside, painting, when he meets a girl in a roadster. They fall in love, but the girl marries a lawyer for his money. She should have waited -- the artist becomes a huge success, commanding a thousand dollars for a portrait sitting. The girl convinces her husband to let the artist paint her, but one night while she is visiting his studio, a thieving relative of his enters and is killed by a servant. To protect the girl, the artist allows himself to be accused of the murder. Her husband happens to be the prosecuting attorney, and when she reveals she was at the artist's home the night of the murder, he prepares to shoot the artist himself. But before he can raise his gun, the servant stabs him to death.
Starring: Wallace Reid, Cleo Ridgely, William Conklin, Tom Forman, Irene Aldwyn, Clarence Geldart, George Webb, George Kuwa, Olive Carey ..
Directed by: George Melford
The Parson of Panamint
A tough preacher comes to the rip-roaring gold town of Panamint in hopes of reforming it. But disaster awaits.
Starring: Dustin Farnum, Winifred Kingston, Pomeroy Cannon, Howard Davies, Colin Chase, Ogden Crane, Jane Keckley, Tom Bates ..
Directed by: William Desmond Taylor
Mildred Manning wants to experience the Wild West firsthand with her beau, Sir Charles Beverly. While Charles is gambling, Mildred is saved from two drunken cowboys by Del Burton. Del falls in love with Mildred and follows her back east.
Starring: George Walsh, Anna Luther, Herschel Mayall, Edward Cecil, Harry De Vere, Clyde Benson, Alan Hale, Gretchen Hartman ..
Directed by: Richard Stanton
The Suspect
The Suspect is a 1916 lost silent film directed by S. Rankin Drew. Set in France and Russia, the plot revolves around the cruelties of Russian Grand Duke Karatoff, known to friends and enemies alike as "the butcher." Sophie, leader of a band of revolutionaries, attempts to assassinate Karatoff but accidentally wounds his son Paul instead.
Starring: S. Rankin Drew, Anita Stewart, Anders Randolf, George Cooper, Frank Morgan, Edward Elkas, Julia Swayne Gordon, Bobby Connelly, Alfred Raboch, Ann Brody ..
Directed by: S. Rankin Drew
The Love Mask
During the California gold rush, four unsuccessful miners assume that a woman prospector will give in without a fight, so they jump the claim of Kate Kenner and take her gold away from her. Afterward, although she is Sheriff Dan Deering's sweetheart, Kate decides to take the law into her own hands.
Starring: Cleo Ridgely, Wallace Reid, Earle Foxe, Bob Fleming, Dorothy Abril, Lucien Littlefield ..
Directed by: Frank Reicher
Also check Best romance movies of 1917.
Check out our top containing the Best Romance Movies of 1916 - PickTheMovie.com. This top was obtained with our unique algorithm ordered by our unique ranking system.


Enjoy the flavors of Spring with Meyer lemons and fresh Mint in this Limonata Julep cocktail.
Springtime provides inspiration for art, poetry, and even cocktails! The fresh citrus taste of this bright sunny-colored spring cocktail will have you saying "Salute" to this Mint Limonata Julep.
Like its cousin, the Mint Julep, the Limonata Julep is a mix of bourbon, fresh mint, and our homemade simple syrup but with the added touch of Limoncello. The combination of ingredients makes this Julep cocktail the perfect after dinner drink.
Limoncello is an Italian lemon flavored after dinner liquor made from the zest of lemons from the Amalfi coast. This lemon liquor is traditionally served icy-cold, as Limoncello is kept in the in the freezer. Limoncello varies in proof depending on the base liquor you soak the lemons in, which ranges from Vodka to Everclear.
Some commercial Limoncellos are very sweet, which is why many folks like to make Limoncello at home. The process of making Limoncello takes a few weeks, but making it at home allows you to controll the sugar content and lemony essence, which is well worth the work.
Bourbon and Limoncello might seem like the Odd Couple when it comes to Spirits, but when you put them together the taste will surprise you. Maker's Mark and homemade Limoncello is a great combination, which is why we used it to make this cocktail.
We used Meyer lemons, which are sweeter than regular lemons, to make Limoncello so we could cut back on the amount of simple syrup If you use a lemoncello made from more acidic lemons, add 1 ounce simple syrup.
This is how you make a Mint Limonata Julep!
Mint Limonata Julep: Press a few mint leaves against the bottom of a glass with the back of a spoon, and pour the bourbon on top. Add ice and simple syrup to glass. Top with lemoncello and stir together. Squeeze and drop a wedge of meyer lemon into each glass and garnish with a sprig or two of fresh mint. Enjoy!
With January declared "Hot Tea Month," it only seems appropriate to share a special spiked tea recipe! Staying in the spirit, we're mixing up an interesting Italian Hot Toddy recipe called Amaretto Tea.
If you're still in hibernation mode, I don't blame you. The cold weather that winter brings is enough to make me scurry under a pile of blankets. While we still have a couple months to go until the temperatures start to rise, enjoying a hot cup of tea is one sure way to warm you up.
Amaretto Tea is sure to hit the spot when you're craving a warm cocktail with a unique flavor. Amaretto is a liqueur the originated in Saronno, Italy and its name in Italian means "a little bitter." The meaning behind its name is deceiving though as the taste is described as a rich, velvety almond flavor. It is made using a base of almonds, apricot pits, or a combination of the two.
Keep the tea for this recipe basic (Lipton's works wonderfully) so you don't mix flavors that would compete with the amaretto. Tea contains tannin which makes it acidic, while the amaretto and cream are sweet. This helps to balance out the flavors. I happened to think this combination tastes similar to a chai latte but with the extra kick of liqueur.
Even though the ingredients in this recipe have a detailed background, the drink itself is very simple to make. So, when you're cozy in your house on a cold winter night, give this hot toddy a try. I promise it won't disappoint.
Warm up with this Amaretto Tea Hot Toddy recipe!
Amaretto Tea : Pour hot tea into a cafe glass. Add amaretto and cream. Stir everything together. Garnish with Cinnamon and enjoy.
Just like Nona used to make!
Move over Margaritas, this delicious Venetian classic is here 'to untie' your chokehold on the frozen cocktail competition!


CDC Split Wing – Tying how to?
This method of tying the wings can be applied to any upwing fly. When the Olive (or other upwing fly) just hatches it's at its most venerable stage of its living life. As the olive hatches out of its shuck, its wings are wet, forcing the olive to stay on the surface until its wings have dried out and are light enough to fly. If you ever catch an olive that has just hatched, its wings are spread out in a 'V' Shape, making them easier to dry off and enabling them to become airborne. The profile of the V shaped wings show perfectly from beneath and the fish seem to recognise this as being an easy target.
Set a hook in the vice, something suitable, such as a light dry fly hook. Here I have used a Partridge SLD, size 16, and run the thread down to the back end of the hook. For the tail, tie in four strands of CDL, something durable. I like to use the CDL as a tail as its very realistic, comes in many different shades, although it is classed as light medium and dark on the packet.
For this fly, I will split the tail so it gives a very realistic resemblance of an olive, and a good footprint to hold the fly up on the surface. Take a piece of thread and loop around bend of the hook and hold the two ends together. Separate the tails by pushing your finger nail, scissors or what ever comes to hand up against the underneath of the tail, this will push them up hopefully separating each one making it easier to pull the thread through.
To split the tail into two – bring the thread up between the four strands, two on each side, and lie on top of hook shank. Make a loose wrap of thread to secure the piece just pulled through. Pull the thread used to split the tail to tighten it and splay the tails at different angles, tighter it is the bigger the angle.
This method of splitting the tails is my favourite; there are many ways of doing it. This is quite simple and easy as it doesn't tend to trap any of the tails and keeps them on top of the hook.
Tie in one strand of the Turkey biot by its tip and wind half way up the hook shank and tie off. To make sure you get the correct side of the biot showing, tie the biot in with the piece thats curled (the part that is left by stalk that it's been pulled from) facing downwards.
Take 3 CDC feathers – pull off each side of the feather and place on a flat surface so it doesn't get damaged or blown away.
Take one of the 'bundles' of cdc, cut any unwanted stalk off the ends and tie in with just a few wraps of silk, Repeat this process three times, each time leaving a small gap between each wing.
Try and keep the CDC on the top of the hook, as you want the wings to sit up, not flat on the water.
By "figure of eightin" the dubbing around the underneath of the fly, going behind and in front of the wings, the thorax should now be created and it should also look much more pleasing.
Now to the wings, once you have created a neat thorax, pull the aero dry forward evenly between the bundles of CDC. This should split the CDC pretty evenly and the thorax should lie perfect in the correct position. Then tie off.
To shape the wings, take the two between your fingers and squeeze flat. Judge the size accordingly to what insect you're representing, and cut around the shape of your fingers. This should then leave a rounded set of wings pretty close to the size and shape of the fly your tying.
Whilst dry fly fishing, one of the main reasons a fish is missed or bulges beneath the fly is normally thought because the fly is too big, but in past experience most of the time it comes down to the leader. Your leader choice is just as crucial as you're presentation. A light tippet will always present a fly much better than heavier tippet. This is because heavier tipper is usually stiffer than the lighter stuff and causes the fly to drag across the surface, making the fly less realistic. Fluorocarbon is heavy. It sinks beneath the surface resulting in two things. It causes the fly to be submerged and water logged, although sometimes this can be good, accidently fishing in the surface film can result in more confident takes, it's not what you're trying to aim for unless fishing an emerger type fly. Alternatively the nylon used is the competitively priced Airflo co-polymer because of its properties. It is very subtle, and allows the fly to float freely downstream. Co-polymer also floats, which allows the fly to sit high in the water, as if it was a real dun you're trying to imitate.


Myrtle Beach is insanely cheap to go visit! I mean like less than $300 dollars for your plane ticket and hotel stay. Crazy, right? We thought so too. Except once you get through check out they want to add another $15 a day per person, onto your bill. Still not that bad though, it's a pretty great deal. Now, our downfall. It is one of the BIGGEST Spring Break locations in the U.S. Which we don't mind, but at the same time we do want to be able to relax and enjoy, and we don't know if it will be loud and crazy the entire time. Which I assume it will be. But don't despair, if you want to enjoy the Spring Experience, this is the place for you! With it being super cheap, fun, lively and beautiful, you can't go wrong! We just haven't decided if it's for us yet.
Ahh yes, the land of Disney. Orlando is one of the places that we really want to go to in our lives. Because of Disney, that is! We found that you can go to Orlando pretty cheap as well. About the same price as Myrtle Beach, actually. The question is, what would we do there? Obviously you go to Orlando to visit Disney or Universal Studios, but that makes your overall bill a lot higher. For one of us being a college student, and the other just now having a full time job, we don't know if we want to spend that kind of money just yet. We may end up having to put Disney on the back burner until we can afford it better and be able to enjoy it the fullest!
This is always our go-to. It's absolutely beautiful and we LOVE the atmosphere here. You actually saw us talk about this in our last post! Normally we get to go down fairly cheap, because we have people to stay with. However, it doesn't work out this time of year. While, St. Pete is beautiful and relaxing, it's also about $500 and up per person. That's not terrible by any means, but we don't know if it's what we want to spend. We are still debating this one as well. One of the things that puts this at the top of the list is that everything is so close, you literally just walk everywhere! And if you want to head to Clearwater for the day, you can take a trolley to get there. As much as we love St. Pete, we may not make it there in March.
Neither one of us have ever been to Texas and we've heard that they have some pretty great beaches. One of the places that we checked out was Corpus Christi, but as beautiful as it looks, it may be a little to pricey. Then, we checked out South Padre, which looks great! We found cheap hotels, about $77 a night, and then plane tickets for $150. The only downfall with this, is that once again this is a big Spring Break area. And, we just aren't sure if we want to do that yet.
So many things to decide!!
We have many options, and hopefully we will figure out which one will fit us best.
Where do you think we should go?? Open to new suggestions as well!


This page is dedicated to those who have taken the time to email us with their comments. Thank you!
With unintentional topicality, Keith and Rick have made a record based on Federico Garcia Lorca's visit to the New York of the great depression of 1929. Lorca disliked the city and decamped to Cuba before returning to Spain. Unlike its predecessor Poet in New York is less by Lorca and more about Lorca and other writers' responses to the city.
The record opens with the atmospheric 'Allude', an instrumental excerpt from 'Famous Blue Raincoat', before '1910', one of Lorca's earliest New York poems though the key track is probably 'Federico'. This is a percussive, jazzy composition with strangely distorted piano and words derived from a poem by Pablo Neruda. Additionally, there is a song based on lines from Nabokov's Pale Fire, two of Keith's own songs, 'The Hands of Never Been' and 'The Circle Song', Leonard Cohen's 'In My Secret Life' and Suzanne Vega's 'The Queen and The Soldier', while at the centre of it all are Keith's voice and guitar and Rick's extraordinary bass-playing.
Lorca had a great impact but Poet in New York feels like a more complete work - subtle, literate and with more complex instrumentation. A triumph.
I saw you guys at the Clapham Picturehouse a week ago, and I thought the show was fantastic, especially your version of 'Take This Waltz'. On another note, I was wondering if you could remind me of the name for people who are interested in Lorca was?
I was at your Nick Drake concert at Norwich and was entranced by both of your performances. I came away, surprisingly, with your Lorca CD (plus a copy for my cousin living in Spain). It has introduced me to his poems and I find the words, the singing, guitar and base playing in my head even when not playing the CD!! I have the date for your next Norwich concert and plan to gather friends to come along as well and to recommend to friends and family to see you both in Darlington, too. Rick's playing is a joy to watch as well as listen to.
Seeing you play in the Penrith Playhouse a couple of years back remains one of my fondest live music memories!
I though you may be interested to read a poem that I wrote, about Lorca, which I finished (or, as Paul Valery would have said, 'abandoned') just yesterday.
Also, having recently put down the pen and picked up the guitar, after a few years of letting it lie, I have become interested in adding music to my poetry but (as the example below shows) I am finding it difficult to get started - So any advice you can offer in this area would be much appreciated.
Anyway, I look forward to hearing you at the Brewery Arts centre in early April.
I attended your performance of Lorca the other night at The Stables, and I thought it was great. Thanks to you and Rick for a really enjoyable evening.
I wonder if you would be interested in the attached? It's a collection of forty poems written by Arab writers in Andalusia between about the tenth and thirteenth centuries, which I have translated into English. Originally they formed part of a collection of 112 poems that were researched by a famous Arabist called Emilio García Gómez, who became the first Professor of Arabic Studies at Granada University. He translated them into Spanish in the late 1920s; the book was an immediate success, and influenced many of the writers of the Generation of 27, including Lorca himself.
To date my translations have not been published: I have been told by several poetry publishers that they think them worthy of publication, but not commercially viable. The market is simply too small to take the risk. At least they were honest.
However, after hearing you the other night, I wondered whether any of them might 'leap off the page' to you and make a good song or two? (In fact, originally they would have been sung at soirées.) Even if none of them do, you might find them interesting in their own right as background on one of Lorca's influences.
I attended your gig at Clapham Picture House last week and introduced myself briefly whilst buying the CD.
Firstly congrats on a very enjoyable and intriguing evening.
You may remember I asked about the estate and how helpful they were to you and you mentioned you'd be happy to pass on their details and those of the rights solicitor. It would be great if you could.
I'm a theatre director and I'm passionate about 'Blood Wedding' and have a project I'd like to develop from it so it would be helpful. It would be great to speak to you guys about it also at some stage.
Anyway, thanks very much, hope all's well on the road and hope to hear from you soon.
The Poems of Lorca: St George's, singer/songwriter and guitarist Keith James and his collaborator Rick Foot have got form when it comes to re-interpreting the work of others.
They have been touring their Songs of Nick Drake project for several years now, but this performance was something different - the poems of Spanish writer Federico Garcia Lorca put to music.
Keith has a gorgeous, mellifluous voice that, along with his complex arrangements, was a perfect conduit for the verse.
The poems chosen were some of Lorca's earlier work, including Floating Bridge and The Feud, as well as some from his unhappy period in New York in the 1920s.
The whole concept could have felt like an academic exercise, but Keith's dry wit ensured it was always entertaining. To balance his new arrangements, he threw in a few old favourites including Joni Mitchell's Woodstock and Leonard Cohen's First We Take Manhattan.
Cohen was the first to put Lorca's works into song, and his Take This Waltz made the perfect bridge from the original work to modern song.
It is hardly a complaint, but both musicians' playing was so breathtaking that it took your attention away from the words.
Overall it was a delightful performance that inspired you to further investigate the work of both the long-dead writer and the very much alive musicians.
Keith James has the uncanny knack of reaching deep into the soul of others, and none more so than with his fine interpretation of poems by Lorca. Set to well crafted music beautifully played by Keith and double bass player Rick Foot , Keith's rich vocals offer an evocative insight into Lorca's work. Both the album and the live show are truly memorable .
Federico García Lorca was a Spanish poet who was murdered by Franco's Fascists in the Spanish Civil War in 1936. The reasons for his death are murky but the fact that he was a brilliant poet and artist with a pronounced social consciousness was never going to find him any favour with the ignorant fascist bullies, and as a result, the world lost a brilliantly creative mind.
Lorca's surrealistic words stand the test of time and their power is undiminished by the decades. The exalted company of the chosen covers of respected singer songwriters of recent times only further serves to underline his genius.
It is a brilliantly executed performance that takes Keith's acoustic guitar and haunting vocals and combines them with some breathtaking double bass work from Rick that really brings the poems to life and sets Lorca's pop culture contribution into context, underlining how his influence has far outlived the disastrous and ignorant fascists who won the Spanish Civil War.
The two musicians have a great humility to their performance and the intimacy of the show makes it feel like a shared celebration. They are delivering a very difficult task - celebrating a long dead poet in a modern context - and succeeding, with flawless musicianship and spot on vocals.
If Lorca is a name you vaguely knew before you went, you leave the theatre with a headful of ideas - and that's the real power of this show; not does it keep the flame alive of a humanistic poet genius but it passes it on through the generations. Genuinely inspirational.
I came to see you in St Ives when you did the Lorca evening and enjoyed it immensely, even though you were not very well that evening. I attach a flyer for my poetry in the hope that you find it of interest. The new book Siempre, Siempre, Siempre is inspired by Spain and has a number of poems that I hope you would like. My partner and I spent six weeks there last year and we are going back in April for 4 months. I am just starting out on my writing career despite being 53 (!) but I have been encouraged by the feedback /reviews I have received so far. The new book features photos and poetry and has some images courtesy of Tim Shaw the sculptor whose work I admire very much. I hope I can sell you a copy and please spread the word around for me !!
I wish you all the very best for your new tour and hope you can make it down to St Ives again in the Autumn /Winter perhaps ?
Keith and Rick's album, Lorca, was an unexpected highlight of last year. Unexpected because it arrived unheralded and because I, to my shame, knew little about Keith's work and even less about Federico Garcia Lorca. For the benefit of others in a similar position the evening began with a short film about Lorca. It wasn't an in-depth study, nor did it attempt to unpick the politics of Spain in the 1930s but its images of Granada and the surrounding countryside did much to set the poetry in context.
Keith and Rick played almost all the album beginning with 'Floating Bridges', a song which reminds me of Joni Mitchell's wonderful Hejira. As an antidote to the gloom (and Lorca can be unremittingly miserable) they mixed the set with songs by writers influenced by Lorca and other "dead poets". I have to say that I found their initial choices rather unimaginative – there are a dozen Mitchell songs I'd pick before 'Woodstock' – but in the second half, which was relatively more upbeat with 'The Unfaithful Wife' and 'Going To Santiago', the selection of 'First We Take Manhattan' to follow 'Take This Waltz' was more to my liking.
If you think that the double bass is a dull instrument listen to Rick Foot, the talk of the audience during the interval. On 'Diamond' he coaxed the highest notes possible from the instrument and then found even higher ones on Nick Drake's 'Three Hours'. He took stunning plucked and bowed solos in 'The Feud' and the second Leonard Cohen song respectively and his playing was the pulse of the music, perfectly complementing Keith's acoustic guitars.
Just a general message of support- in that my wife & I saw you in Halesworth, Suffolk (Songs of Nick Drake thingy). REALLY NICE!
I bought "Postcards" & "Lorca" at the concert. The 2 CD's have been almost worn out! (You know what I mean).
Anyway - KEEP IT UP! & we'll see you again if you venture as far as Sunny Suffolk again.
I loved tonight's gig at the Lowry Salford. Please stop apologising for Leonard Cohen. He is a God and to aficionados like me his songs are uplifting and joyous!!
A wonderful album - every single track a work of art.
We really enjoyed the Lorca evening at The Plough - we talked to you in the break and at the end, brought alive by the film. However the Nick Drake evening - with some John Martyn thrown in - was truly magical.
I had seen their live performance of the Lorca poetry set to music in The Glasgow Film Theatre and adored it. I so regretted not buying the CD at the time, as the music followed me home, like "The Wind". This is a MUST for all Lorca fans, Leonard Cohen aficionados and lovers of excellent guitar music laced with scrumptious bass playing. The sleeve is beautifully designed and shows some of Lorca's own art work. Complete with English translations of the poems, the package, as a whole is not to be missed. Keith James is a lovely, soulful guitarist, and has a bewitching tone to his voice that compliments these lyrics of nature and love.
I recently saw Keith James and Rick Foot in concert. They were superb. This cd contains the songs they sang live. What an amazing feat to put Lorca's words to music and it was done beautifully. Rick play double bass like I've never seen before and Keith has an incredibly mellow voice that brings Lorca's poems to life while making them his own. I love it.
Really enjoyed the concert at Windsor Arts.
I can't stop listening to the Lorca album - it's absolutely terrific!! I really like the "Spanish" feel and the contrast between the hauntingly melodic songs and the more rhythmical ones. Floating Bridges is my favourite.
In case you didn't know, Radio 3 broadcast 2 programmes last Sunday evening about Lorca. The first was a play by Lorca (Blood Wedding, 8pm) and the second was about music and verse that Lorca would have known (Words and Music, 10.15pm). Presumably, these can be heard again via the 7-day repeat internet facility.
Good luck with the rest of the tour and thanks for all the beautiful music over the years.
I know we did our thank you's earlier this evening, but just wanted to tell you how much your music is appreciated by both my Brother and myself.
Hopefully it is satisfying enough for you that those of us that came to see you enjoyed every minute of your performance, as a singer myself, I appreciate good music, so thanks once again, and we hope to see you again soon.
I saw you play in Liverpool and fortunately got myself a copy of Lorca, and my enjoyment of it has grown and grown with every listen.
The songs upon hearing most of them for the first time live had an immediate effect on me – Very atmospheric and evocative of the culture and times you can imagine Lorca living in.
The Gypsy references with the Spanish guitar sound work particularly well for me.
I know as a songwriter myself that there is no greater satisfaction than when someone gains enjoyment or some connection to your music.
The songs speak strongly and emotively, capturing Lorca's intent and breathing it into a living musical landscape with close warm production.
Rick's extraordinary double bass work of course adds yet another dimension, giving a much greater depth for the music to live within.
I have been enthusiastically evangelising about the album to friend that have an interest in Lorca's poetry, and those who merely know how to appreciate genuine good music.
In particular I have a Spanish friend that I am sending a copy to today (I hope you don't mind, I hope it will spread your notoriety even further), and I will be interested in how she comments on the translations and your interpretation.
Long time coming BUT... it';s all very well coming up with a project but does it work as a piece of music ... Does it hang together as a collection of songs... The answer I'm happy to say is a resounding YES.
cinema, Edinburgh, on Tues 9th October'07? I am that Spanish teacher who was there with her 6th formers and I asked you about the possibility of getting hold of a copy of the film as I teach Lorca's poetry + plays at George Heriot's School in Edinburgh. May I say that my charges absolutely loved your show as did I! I trust that your tour is still a success. I hope to see you back in Edinburgh again soon and look forward to hearing from you.
thanks for a really chilled evening at the Square on Fri, its such a magical place and as always its really nice to hear yourself and Rick play there, a great way to unwind on a Friday Night.
Thought I'd give you my thoughts on the Lorca cd.
I was impressed with the Lorca stuff on the night and thought the 3 stand out tracks from the Lorca set were the hypnotic opener Floating Bridges, the Unfaithful Wife and the Feud.
I have to be honest it is a brave move to take what a lot of people would say was a fairly obscure poet and set the translated verses to music.
I have listened a few times, as both background music and more thoroughly through headphones (with a nice Rioja!!!!!) and have to say I'm really impressed, I think you and Rick are right to be really proud. It would have been all too easy by interpreting Spanish verse to overdo the Spanish thing and make it sound "cheesy" or twee- I don't think it does. On the whole the music seems to compliment the verse really well, one does not detract from the other. As ever the guitar and bass arrangements are really quite special, they really balance out the tone of the piece, its not overindulgent, flabby or showy. I also like the sprinkling of Hammond and Wurlitzer on a couple tracks which makes it sound like one of your records. Congratulations to the other musicians, the piano is quite beautiful, never overstated, and the accordion and percussion add to the Latinesque setting.
Album-wise I don't think there is a bad track, some may find Dawn In New York a "challenge" (its one of my favourite places and I kind of see where the words are coming from, especially thinking what it would have been like in the thirties- nice blues touch to the tune that develops into something quite uncomfortable against all that anguish). I rate - unfaithful wife, the Feud, Limonar while other songs like Nocturne and the ethereal Preciosa are real "growers".
I hope the forthcoming tour is well supported by those that have followed the Nick Drake stuff, I would imagine that type of thing has a fairly loyal following with similar faces in similar places, and with the type of people that turn out for that sort of thing hopefully returning. Also it deserves to win yourself and Rick a new following via the Lorca perspective.
Congratulations on undertaking this challenge and succeeding where many others would have certainly stumbled and come a cropper, its something that could have sounded like a disaster. Good luck for the rehearsals/tour - we hope to catch you at Dorchester arts for another splendid evening.
I am looking forward very much to attending your concert in Halifax at the beginning of February. After seeing it advertised, I looked at your website and am emailing you in connection with the following statement on the 'Concept' part of the site: "Two people have put Lorca's poems to music in the past, Paco Ibanez in 1964 and Leonard Cohen in 1988."
You perhaps didn't mean 'only two people', but if not, I must bring to your notice the beautiful music of the Greek composer, Mikis Theodorakis, set to many of the poems in Lorca's 'Romancero Gitano'. These were composed in the late 1960s. It was hearing them performed at the Cambidge Theatre in London c.1970 by Maria Farantouri and John Williams that first introduced me to the haunting poetry of Lorca. The concert was in protest at the Military regime in Greece following the coup d'état of 1967.
Here is a link to a website which has some audio extracts (the one accompanied by Williams is from a 1971 recording - not 1973, as stated).
I understand that the music in the extracts from Canciones Populares was composed by Lorca himself.
In fact, many composers and song writers around the world have set Lorca's poems to music.


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        this.createContainers();
        var groupHeaderTakesEntireRow = this.gridOptionsWrapper.isGroupUseEntireRow();
        this.rowIsHeaderThatSpans = this.rowNode.group && groupHeaderTakesEntireRow;
        this.scope = this.createChildScopeOrNull(this.rowNode.data);
        if (this.rowIsHeaderThatSpans) {
            this.createGroupRow();
        }
        else {
            this.refreshCellsIntoRow();
        }
        this.addDynamicStyles();
        this.addDynamicClasses();
        this.addRowIds();
        this.setTopAndHeightCss();
        this.addRowSelectedListener();
        this.addCellFocusedListener();
        this.addColumnListener();
        this.attachContainers();
        this.gridOptionsWrapper.executeProcessRowPostCreateFunc({
            eRow: this.eBodyRow,
            ePinnedLeftRow: this.ePinnedLeftRow,
            ePinnedRightRow: this.ePinnedRightRow,
            node: this.rowNode,
            api: this.gridOptionsWrapper.getApi(),
            rowIndex: this.rowIndex,
            addRenderedRowListener: this.addEventListener.bind(this),
            columnApi: this.gridOptionsWrapper.getColumnApi(),
            context: this.gridOptionsWrapper.getContext()
        });
        if (this.scope) {
            this.eLeftCenterAndRightRows.forEach(function (row) { return _this.$compile(row)(_this.scope); });
        }
    };
    RenderedRow.prototype.addColumnListener = function () {
        var _this = this;
        var columnListener = this.onColumnChanged.bind(this);
        this.mainEventService.addEventListener(events_1.Events.EVENT_COLUMN_GROUP_OPENED, columnListener);
        //this.mainEventService.addEventListener(Events.EVENT_COLUMN_MOVED, columnListener);
        //this.mainEventService.addEventListener(Events.EVENT_COLUMN_ROW_GROUP_CHANGE, columnListener);
        //this.mainEventService.addEventListener(Events.EVENT_COLUMN_RESIZED, columnListener);
        //this.mainEventService.addEventListener(Events.EVENT_COLUMN_VALUE_CHANGE, columnListener);
        this.mainEventService.addEventListener(events_1.Events.EVENT_COLUMN_VISIBLE, columnListener);
        this.mainEventService.addEventListener(events_1.Events.EVENT_COLUMN_PINNED, columnListener);
        this.destroyFunctions.push(function () {
            _this.mainEventService.removeEventListener(events_1.Events.EVENT_COLUMN_GROUP_OPENED, columnListener);
            //this.mainEventService.removeEventListener(Events.EVENT_COLUMN_MOVED, columnListener);
            //this.mainEventService.removeEventListener(Events.EVENT_COLUMN_ROW_GROUP_CHANGE, columnListener);
            //this.mainEventService.removeEventListener(Events.EVENT_COLUMN_RESIZED, columnListener);
            //this.mainEventService.removeEventListener(Events.EVENT_COLUMN_VALUE_CHANGE, columnListener);
            _this.mainEventService.removeEventListener(events_1.Events.EVENT_COLUMN_VISIBLE, columnListener);
            _this.mainEventService.removeEventListener(events_1.Events.EVENT_COLUMN_PINNED, columnListener);
        });
    };
    RenderedRow.prototype.onColumnChanged = function (event) {
        // if row is a group row that spans, then it's not impacted by column changes
        if (this.rowIsHeaderThatSpans) {
            return;
        }
        this.refreshCellsIntoRow();
    };
    RenderedRow.prototype.refreshCellsIntoRow = function () {
        var _this = this;
        var columns = this.columnController.getAllDisplayedColumns();
        var renderedCellKeys = Object.keys(this.renderedCells);
        columns.forEach(function (column) {
            var renderedCell = _this.getOrCreateCell(column);
            _this.ensureCellInCorrectRow(renderedCell);
            renderedCell.checkPinnedClasses();
            utils_1.Utils.removeFromArray(renderedCellKeys, column.getColId());
        });
        // remove old cells from gui, but we don't destroy them, we might use them again
        renderedCellKeys.forEach(function (key) {
            var renderedCell = _this.renderedCells[key];
            // could be old reference, ie removed cell
            if (!renderedCell) {
                return;
            }
            if (renderedCell.getParentRow()) {
                renderedCell.getParentRow().removeChild(renderedCell.getGui());
                renderedCell.setParentRow(null);
            }
            renderedCell.destroy();
            _this.renderedCells[key] = null;
        });
    };
    RenderedRow.prototype.ensureCellInCorrectRow = function (renderedCell) {
        var eRowGui = renderedCell.getGui();
        var column = renderedCell.getColumn();
        var rowWeWant;
        switch (column.getPinned()) {
            case column_1.Column.PINNED_LEFT:
                rowWeWant = this.ePinnedLeftRow;
                break;
            case column_1.Column.PINNED_RIGHT:
                rowWeWant = this.ePinnedRightRow;
                break;
            default:
                rowWeWant = this.eBodyRow;
                break;
        }
        // if in wrong container, remove it
        var oldRow = renderedCell.getParentRow();
        var inWrongRow = oldRow !== rowWeWant;
        if (inWrongRow) {
            // take out from old row
            if (oldRow) {
                oldRow.removeChild(eRowGui);
            }
            rowWeWant.appendChild(eRowGui);
            renderedCell.setParentRow(rowWeWant);
        }
    };
    RenderedRow.prototype.getOrCreateCell = function (column) {
        var colId = column.getColId();
        if (this.renderedCells[colId]) {
            return this.renderedCells[colId];
        }
        else {
            var renderedCell = new renderedCell_1.RenderedCell(column, this.cellRendererMap, this.rowNode, this.rowIndex, this.scope, this);
            this.context.wireBean(renderedCell);
            this.renderedCells[colId] = renderedCell;
            return renderedCell;
        }
    };
    RenderedRow.prototype.addRowSelectedListener = function () {
        var _this = this;
        var rowSelectedListener = function () {
            var selected = _this.rowNode.isSelected();
            _this.eLeftCenterAndRightRows.forEach(function (row) { return utils_1.Utils.addOrRemoveCssClass(row, 'ag-row-selected', selected); });
        };
        this.rowNode.addEventListener(rowNode_1.RowNode.EVENT_ROW_SELECTED, rowSelectedListener);
        this.destroyFunctions.push(function () {
            _this.rowNode.removeEventListener(rowNode_1.RowNode.EVENT_ROW_SELECTED, rowSelectedListener);
        });
    };
    RenderedRow.prototype.addCellFocusedListener = function () {
        var _this = this;
        var rowFocusedLastTime = null;
        var rowFocusedListener = function () {
            var rowFocused = _this.focusedCellController.isRowFocused(_this.rowIndex, _this.rowNode.floating);
            if (rowFocused !== rowFocusedLastTime) {
                _this.eLeftCenterAndRightRows.forEach(function (row) { return utils_1.Utils.addOrRemoveCssClass(row, 'ag-row-focus', rowFocused); });
                _this.eLeftCenterAndRightRows.forEach(function (row) { return utils_1.Utils.addOrRemoveCssClass(row, 'ag-row-no-focus', !rowFocused); });
                rowFocusedLastTime = rowFocused;
            }
        };
        this.mainEventService.addEventListener(events_1.Events.EVENT_CELL_FOCUSED, rowFocusedListener);
        this.destroyFunctions.push(function () {
            _this.mainEventService.removeEventListener(events_1.Events.EVENT_CELL_FOCUSED, rowFocusedListener);
        });
        rowFocusedListener();
    };
    RenderedRow.prototype.createContainers = function () {
        this.eBodyRow = this.createRowContainer();
        this.eLeftCenterAndRightRows = [this.eBodyRow];
        if (!this.gridOptionsWrapper.isForPrint()) {
            this.ePinnedLeftRow = this.createRowContainer();
            this.ePinnedRightRow = this.createRowContainer();
            this.eLeftCenterAndRightRows.push(this.ePinnedLeftRow);
            this.eLeftCenterAndRightRows.push(this.ePinnedRightRow);
        }
    };
    RenderedRow.prototype.attachContainers = function () {
        this.eBodyContainer.appendChild(this.eBodyRow);
        if (!this.gridOptionsWrapper.isForPrint()) {
            this.ePinnedLeftContainer.appendChild(this.ePinnedLeftRow);
            this.ePinnedRightContainer.appendChild(this.ePinnedRightRow);
        }
    };
    RenderedRow.prototype.onMouseEvent = function (eventName, mouseEvent, eventSource, cell) {
        var renderedCell = this.renderedCells[cell.column.getId()];
        if (renderedCell) {
            renderedCell.onMouseEvent(eventName, mouseEvent, eventSource);
        }
    };
    RenderedRow.prototype.setTopAndHeightCss = function () {
        // if showing scrolls, position on the container
        if (!this.gridOptionsWrapper.isForPrint()) {
            var topPx = this.rowNode.rowTop + "px";
            this.eLeftCenterAndRightRows.forEach(function (row) { return row.style.top = topPx; });
        }
        var heightPx = this.rowNode.rowHeight + 'px';
        this.eLeftCenterAndRightRows.forEach(function (row) { return row.style.height = heightPx; });
    };
    // adds in row and row-id attributes to the row
    RenderedRow.prototype.addRowIds = function () {
        var rowStr = this.rowIndex.toString();
        if (this.rowNode.floating === constants_1.Constants.FLOATING_BOTTOM) {
            rowStr = 'fb-' + rowStr;
        }
        else if (this.rowNode.floating === constants_1.Constants.FLOATING_TOP) {
            rowStr = 'ft-' + rowStr;
        }
        this.eLeftCenterAndRightRows.forEach(function (row) { return row.setAttribute('row', rowStr); });
        if (typeof this.gridOptionsWrapper.getBusinessKeyForNodeFunc() === 'function') {
            var businessKey = this.gridOptionsWrapper.getBusinessKeyForNodeFunc()(this.rowNode);
            if (typeof businessKey === 'string' || typeof businessKey === 'number') {
                this.eLeftCenterAndRightRows.forEach(function (row) { return row.setAttribute('row-id', businessKey); });
            }
        }
    };
    RenderedRow.prototype.addEventListener = function (eventType, listener) {
        if (!this.renderedRowEventService) {
            this.renderedRowEventService = new eventService_1.EventService();
        }
        this.renderedRowEventService.addEventListener(eventType, listener);
    };
    RenderedRow.prototype.removeEventListener = function (eventType, listener) {
        this.renderedRowEventService.removeEventListener(eventType, listener);
    };
    RenderedRow.prototype.softRefresh = function () {
        utils_1.Utils.iterateObject(this.renderedCells, function (key, renderedCell) {
            if (renderedCell && renderedCell.isVolatile()) {
                renderedCell.refreshCell();
            }
        });
    };
    RenderedRow.prototype.getRenderedCellForColumn = function (column) {
        return this.renderedCells[column.getColId()];
    };
    RenderedRow.prototype.getCellForCol = function (column) {
        var renderedCell = this.renderedCells[column.getColId()];
        if (renderedCell) {
            return renderedCell.getGui();
        }
        else {
            return null;
        }
    };
    RenderedRow.prototype.destroy = function () {
        this.destroyFunctions.forEach(function (func) { return func(); });
        this.destroyScope();
        this.eBodyContainer.removeChild(this.eBodyRow);
        if (!this.gridOptionsWrapper.isForPrint()) {
            this.ePinnedLeftContainer.removeChild(this.ePinnedLeftRow);
            this.ePinnedRightContainer.removeChild(this.ePinnedRightRow);
        }
        utils_1.Utils.iterateObject(this.renderedCells, function (key, renderedCell) {
            if (renderedCell) {
                renderedCell.destroy();
            }
        });
        if (this.renderedRowEventService) {
            this.renderedRowEventService.dispatchEvent(RenderedRow.EVENT_RENDERED_ROW_REMOVED, { node: this.rowNode });
        }
    };
    RenderedRow.prototype.destroyScope = function () {
        if (this.scope) {
            this.scope.$destroy();
            this.scope = null;
        }
    };
    RenderedRow.prototype.isDataInList = function (rows) {
        return rows.indexOf(this.rowNode.data) >= 0;
    };
    RenderedRow.prototype.isGroup = function () {
        return this.rowNode.group === true;
    };
    RenderedRow.prototype.createGroupRow = function () {
        var eGroupRow = this.createGroupSpanningEntireRowCell(false);
        if (this.pinningLeft) {
            this.ePinnedLeftRow.appendChild(eGroupRow);
            var eGroupRowPadding = this.createGroupSpanningEntireRowCell(true);
            this.eBodyRow.appendChild(eGroupRowPadding);
        }
        else {
            this.eBodyRow.appendChild(eGroupRow);
        }
        if (this.pinningRight) {
            var ePinnedRightPadding = this.createGroupSpanningEntireRowCell(true);
            this.ePinnedRightRow.appendChild(ePinnedRightPadding);
        }
    };
    RenderedRow.prototype.createGroupSpanningEntireRowCell = function (padding) {
        var eRow;
        // padding means we are on the right hand side of a pinned table, ie
        // in the main body.
        if (padding) {
            eRow = document.createElement('span');
        }
        else {
            var rowCellRenderer = this.gridOptionsWrapper.getGroupRowRenderer();
            if (!rowCellRenderer) {
                rowCellRenderer = {
                    renderer: 'group',
                    innerRenderer: this.gridOptionsWrapper.getGroupRowInnerRenderer()
                };
            }
            var params = {
                node: this.rowNode,
                data: this.rowNode.data,
                rowIndex: this.rowIndex,
                api: this.gridOptionsWrapper.getApi(),
                colDef: {
                    cellRenderer: rowCellRenderer
                }
            };
            // start duplicated code
            var actualCellRenderer;
            if (typeof rowCellRenderer === 'object' && rowCellRenderer !== null) {
                var cellRendererObj = rowCellRenderer;
                actualCellRenderer = this.cellRendererMap[cellRendererObj.renderer];
                if (!actualCellRenderer) {
                    throw 'Cell renderer ' + rowCellRenderer + ' not found, available are ' + Object.keys(this.cellRendererMap);
                }
            }
            else if (typeof rowCellRenderer === 'function') {
                actualCellRenderer = rowCellRenderer;
            }
            else {
                throw 'Cell Renderer must be String or Function';
            }
            var resultFromRenderer = actualCellRenderer(params);
            // end duplicated code
            if (utils_1.Utils.isNodeOrElement(resultFromRenderer)) {
                // a dom node or element was returned, so add child
                eRow = resultFromRenderer;
            }
            else {
                // otherwise assume it was html, so just insert
                eRow = utils_1.Utils.loadTemplate(resultFromRenderer);
            }
        }
        if (this.rowNode.footer) {
            utils_1.Utils.addCssClass(eRow, 'ag-footer-cell-entire-row');
        }
        else {
            utils_1.Utils.addCssClass(eRow, 'ag-group-cell-entire-row');
        }
        return eRow;
    };
    RenderedRow.prototype.createChildScopeOrNull = function (data) {
        if (this.gridOptionsWrapper.isAngularCompileRows()) {
            var newChildScope = this.parentScope.$new();
            newChildScope.data = data;
            return newChildScope;
        }
        else {
            return null;
        }
    };
    RenderedRow.prototype.addDynamicStyles = function () {
        var rowStyle = this.gridOptionsWrapper.getRowStyle();
        if (rowStyle) {
            if (typeof rowStyle === 'function') {
                console.log('ag-Grid: rowStyle should be an object of key/value styles, not be a function, use getRowStyle() instead');
            }
            else {
                this.eLeftCenterAndRightRows.forEach(function (row) { return utils_1.Utils.addStylesToElement(row, rowStyle); });
            }
        }
        var rowStyleFunc = this.gridOptionsWrapper.getRowStyleFunc();
        if (rowStyleFunc) {
            var params = {
                data: this.rowNode.data,
                node: this.rowNode,
                api: this.gridOptionsWrapper.getApi(),
                context: this.gridOptionsWrapper.getContext(),
                $scope: this.scope
            };
            var cssToUseFromFunc = rowStyleFunc(params);
            this.eLeftCenterAndRightRows.forEach(function (row) { return utils_1.Utils.addStylesToElement(row, cssToUseFromFunc); });
        }
    };
    RenderedRow.prototype.createParams = function () {
        var params = {
            node: this.rowNode,
            data: this.rowNode.data,
            rowIndex: this.rowIndex,
            $scope: this.scope,
            context: this.gridOptionsWrapper.getContext(),
            api: this.gridOptionsWrapper.getApi()
        };
        return params;
    };
    RenderedRow.prototype.createEvent = function (event, eventSource) {
        var agEvent = this.createParams();
        agEvent.event = event;
        agEvent.eventSource = eventSource;
        return agEvent;
    };
    RenderedRow.prototype.createRowContainer = function () {
        var _this = this;
        var vRow = document.createElement('div');
        vRow.addEventListener("click", this.onRowClicked.bind(this));
        vRow.addEventListener("dblclick", function (event) {
            var agEvent = _this.createEvent(event, _this);
            _this.mainEventService.dispatchEvent(events_1.Events.EVENT_ROW_DOUBLE_CLICKED, agEvent);
        });
        return vRow;
    };
    RenderedRow.prototype.onRowClicked = function (event) {
        var agEvent = this.createEvent(event, this);
        this.mainEventService.dispatchEvent(events_1.Events.EVENT_ROW_CLICKED, agEvent);
        // ctrlKey for windows, metaKey for Apple
        var multiSelectKeyPressed = event.ctrlKey || event.metaKey;
        // we do not allow selecting groups by clicking (as the click here expands the group)
        // so return if it's a group row
        if (this.rowNode.group) {
            return;
        }
        // we also don't allow selection of floating rows
        if (this.rowNode.floating) {
            return;
        }
        // making local variables to make the below more readable
        var gridOptionsWrapper = this.gridOptionsWrapper;
        // if no selection method enabled, do nothing
        if (!gridOptionsWrapper.isRowSelection()) {
            return;
        }
        // if click selection suppressed, do nothing
        if (gridOptionsWrapper.isSuppressRowClickSelection()) {
            return;
        }
        if (this.rowNode.isSelected()) {
            if (multiSelectKeyPressed) {
                if (gridOptionsWrapper.isRowDeselection()) {
                    this.rowNode.setSelected(false);
                }
            }
            else {
                // selected with no multi key, must make sure anything else is unselected
                this.rowNode.setSelected(true, true);
            }
        }
        else {
            this.rowNode.setSelected(true, !multiSelectKeyPressed);
        }
    };
    RenderedRow.prototype.getRowNode = function () {
        return this.rowNode;
    };
    RenderedRow.prototype.getRowIndex = function () {
        return this.rowIndex;
    };
    RenderedRow.prototype.refreshCells = function (colIds) {
        if (!colIds) {
            return;
        }
        var columnsToRefresh = this.columnController.getColumns(colIds);
        utils_1.Utils.iterateObject(this.renderedCells, function (key, renderedCell) {
            if (!renderedCell) {
                return;
            }
            var colForCel = renderedCell.getColumn();
            if (columnsToRefresh.indexOf(colForCel) >= 0) {
                renderedCell.refreshCell();
            }
        });
    };
    RenderedRow.prototype.addDynamicClasses = function () {
        var _this = this;
        var classes = [];
        classes.push('ag-row');
        classes.push('ag-row-no-focus');
        classes.push(this.rowIndex % 2 == 0 ? "ag-row-even" : "ag-row-odd");
        if (this.rowNode.isSelected()) {
            classes.push("ag-row-selected");
        }
        if (this.rowNode.group) {
            classes.push("ag-row-group");
            // if a group, put the level of the group in
            classes.push("ag-row-level-" + this.rowNode.level);
            if (!this.rowNode.footer && this.rowNode.expanded) {
                classes.push("ag-row-group-expanded");
            }
            if (!this.rowNode.footer && !this.rowNode.expanded) {
                // opposite of expanded is contracted according to the internet.
                classes.push("ag-row-group-contracted");
            }
            if (this.rowNode.footer) {
                classes.push("ag-row-footer");
            }
        }
        else {
            // if a leaf, and a parent exists, put a level of the parent, else put level of 0 for top level item
            if (this.rowNode.parent) {
                classes.push("ag-row-level-" + (this.rowNode.parent.level + 1));
            }
            else {
                classes.push("ag-row-level-0");
            }
        }
        // add in extra classes provided by the config
        var gridOptionsRowClass = this.gridOptionsWrapper.getRowClass();
        if (gridOptionsRowClass) {
            if (typeof gridOptionsRowClass === 'function') {
                console.warn('ag-Grid: rowClass should not be a function, please use getRowClass instead');
            }
            else {
                if (typeof gridOptionsRowClass === 'string') {
                    classes.push(gridOptionsRowClass);
                }
                else if (Array.isArray(gridOptionsRowClass)) {
                    gridOptionsRowClass.forEach(function (classItem) {
                        classes.push(classItem);
                    });
                }
            }
        }
        var gridOptionsRowClassFunc = this.gridOptionsWrapper.getRowClassFunc();
        if (gridOptionsRowClassFunc) {
            var params = {
                node: this.rowNode,
                data: this.rowNode.data,
                rowIndex: this.rowIndex,
                context: this.gridOptionsWrapper.getContext(),
                api: this.gridOptionsWrapper.getApi()
            };
            var classToUseFromFunc = gridOptionsRowClassFunc(params);
            if (classToUseFromFunc) {
                if (typeof classToUseFromFunc === 'string') {
                    classes.push(classToUseFromFunc);
                }
                else if (Array.isArray(classToUseFromFunc)) {
                    classToUseFromFunc.forEach(function (classItem) {
                        classes.push(classItem);
                    });
                }
            }
        }
        classes.forEach(function (classStr) {
            _this.eLeftCenterAndRightRows.forEach(function (row) { return utils_1.Utils.addCssClass(row, classStr); });
        });
    };
    RenderedRow.EVENT_RENDERED_ROW_REMOVED = 'renderedRowRemoved';
    __decorate([
        context_2.Autowired('gridOptionsWrapper'),
        __metadata('design:type', gridOptionsWrapper_1.GridOptionsWrapper)
    ], RenderedRow.prototype, "gridOptionsWrapper", void 0);
    __decorate([
        context_2.Autowired('columnController'),
        __metadata('design:type', columnController_1.ColumnController)
    ], RenderedRow.prototype, "columnController", void 0);
    __decorate([
        context_2.Autowired('$compile'),
        __metadata('design:type', Object)
    ], RenderedRow.prototype, "$compile", void 0);
    __decorate([
        context_2.Autowired('eventService'),
        __metadata('design:type', eventService_1.EventService)
    ], RenderedRow.prototype, "mainEventService", void 0);
    __decorate([
        context_2.Autowired('context'),
        __metadata('design:type', context_1.Context)
    ], RenderedRow.prototype, "context", void 0);
    __decorate([
        context_2.Autowired('focusedCellController'),
        __metadata('design:type', focusedCellController_1.FocusedCellController)
    ], RenderedRow.prototype, "focusedCellController", void 0);
    __decorate([
        context_3.PostConstruct,
        __metadata('design:type', Function),
        __metadata('design:paramtypes', []),
        __metadata('design:returntype', void 0)
    ], RenderedRow.prototype, "init", null);
    return RenderedRow;
})();
exports.RenderedRow = RenderedRow;

redpajama_set_name: RedPajamaGithub


Reflections on security challenges for schools, universities and colleges.
As security requirements expand within schools, educators are faced with a balancing act. How do you ensure safety without turning schools into fortresses?
Mobile phones are second nature to today's students which is why security and NFC mobile phone applications are making their way to campuses worldwide.


Finally, Scott McNealy is heading in a positive direction! I've detested this guy for years. No doubt he's smart but he squandered an amazing opportunity (with Sun) in fighting (and clearly losing to) Microsoft instead of innovating and creating value. Sun maintains a storied history of innovation and greatness. However, just like HP, Sun hasn't innovated or provided shareholder value for 15 years. They've been riding customer maintenance fees and hanging on by a thread.
Perhaps it's too soon to call but McNealy stepping down and giving Schwartz the lead will allow the otherwise highly intelligent McNealy to stop the negative banter and bring about positive change. He makes several insightful and BS-clearing statements in a recent article regarding his new pet project the Global Education and Learning Community (GELC).
I've often wondered why someone doesn't publish textbooks online. This disruption to the elementary and college publisher gravy train is long, long overdue. I sometimes worry of a homogeneous learning experience but school boards have long complained of lack of up-to-date and inexpensive materials. What better solution than online published or even open source learning materials?
Let's give our kids the best opportunity possible. Lack of up-to-date, relevant materials should no longer be an excuse for inadequately preparing our future leaders.


The subspecialty of female urology is concerned with the diagnosis and treatment of those urinary tract disorders most prevalent in females. These include urinary incontinence and pelvic floor prolapse, voiding dysfunction, recurrent urinary tract infection, urethral syndrome and interstitial cystitis. Expert evaluation of these conditions includes a complete history and physical exam. Urodynamics (bladder function test) and imaging studies may be required to fully evaluate the urinary tracts. Additional bladder studies such as cystoscopy may be necessary.


* We will be making Father's Day Baskets only $25.99, check them out and reserve yours today. Don't Forget Dad.
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*Rose Tasting with Mrs. Mary Horn Thursday June 16th from 6pm-8:30pm.
Complimentary to all Giuseppe's Private Locker Members.
All other guests only $25. Samples of many Rose Wines with small appetizers.
The Brew Kettle Journey Tour only $11.99 for a variety 6 Pack Bottle.
only $12.50 per case, giuseppe has done it again, this is while supplies last.
Shock Top Pumpkin, Brooklyn Pumpkin, Smuttynose Pumpkin, Deschutes Jubilee, Genesse Black IPA.
Segura Viudas white or rose only $9.99, great cava for the hot days ahead.
Biltomore Estates White Wine only $5.50.
DMZ not TMZ Rose from France normally $13.99 only $4.50.
Folie a Deux Merlot Sonoma normally $24.99 only $9.99 while supplies last.
Chardonnay Lovers, we have Folie a Deux Chardonnay for only $8.99 Russian River.