text:
Review - Vengeance: The Demise Of Oscar Wilde
Daniel White watched the musical drama Vengeance: The Demise of Oscar Wilde by Fatdan Productions at the Regis Centre, Bognor Regis...
I've missed live theatre and the last 18 months have been hard to bear. I am, of course, speaking as a theatre lover, so one can only imagine what it has been like for the countless thousands of actors, actresses and creatives who have not been able to work. I never thought I would see the day that the West End went dark but of course the arts industry is so much more than the West End. Up and down our land no one has stepped foot into a theatre and people have lost their livelihoods, it's been horrible. Yet, despite inadequate Government support (inadequate means non-existent here) the pandemic has proven one thing, something that many of us already knew. You cannot kill the arts, for those of us who are creative, live theatre is as essential as breathing and we are here to stay. Finally it seems that things can start returning to normal and the first play that I saw was going to be one that lives long in my memory. As I drove to Bognor Regis for the performance of 'Vengeance' I was more excited than normal. Never before has the dimming of the houselights meant so much and it was to be an evening that I would not forget.
Vengeance: The Demise Of Oscar Wilde had been rehearsed and staged during the pandemic and was also subject to the restrictions put in place. So, rehearsed in a 'bubble' and with limits put on how close the actors could get on stage. Now that covid restrictions are lifted, some redesign was needed and yet the essence of the show's preparations had been undertaken when it was difficult to meet together. The subject matter also interested me as most of the shows and films that I had seen about Oscar Wilde had not focused on the last, ruinous period and had taken a more biographical approach. As a result of this, I knew very little about the Marquess of Queensbury, and what drove him and Wilde to such an explosive ending. I love writers and directors who don't play it safe and, aside from the fact that putting together any sort of theatrical production is always a challenge, focusing an entire play on the end of Wilde's life takes guts and a strong belief that you can capture the imagination of the audience.
Will Burren (Bosie) Riley Clark (Oscar) Martina Greenwood (Constance)
'Vengeance' has a running time of 2 hours with one interval and I will say right from the outset the pacing for the entire show does not let up. John Merrigan (Producer and Co-writer) has crafted a piece of theatre that is captivating as well as being painstakingly researched. I marvel at the days that John must have spent researching every detail of the court case as well as the characters themselves and there is a feeling of 'realness' about the play. 'Vengeance' is also a musical and Danielle Morgan's music and songs brilliantly underpin the tragedy and heighten the emotional scenes without breaking the connection with the audience. This is musical theatre that you can bring people to whether they like musicals or not and that is something that I have never said before.
The staging is sparse but in no way does that detract from the power and resonance of the play; actually, it means you are entirely focused on the actors and their portrayal of the characters caught up in the fight between Wilde and Queensbury. Clever use of the furniture and, in one scene, a wonderfully effective lighting effect draws the audience in and ensures that the focus is entirely on the characters rather than special stage effects.
The connection between audience and actors is heightened by the use of a narrator (played by the incredible David Keogh) and his portrayal of Robbie Ross (Wilde's close friend, confidant and one time lover) is both tragic and also powerful. Keogh breaks the fourth wall eloquently by filling in the much needed dates and background information to scenes but in a way that doesn't destroy the connection. He also slips effortlessly into scenes without confusing the audience or slowing the pace. I was reminded of the narrative device used in Evita where Che Guevara speaks to the audience but is also central to the events as they unfold. A lesser actor would have not been able to deliver as Keogh does and the whole performance would suffer as a result.
Riley Clark is a revelation in his portrayal of Oscar Wilde and, even though Clark is considerably younger than Wilde, it is testament to his acting capabilities that this is not a barrier. Clark's portrayal of a buoyant and confident Oscar (riding the waves of success with two West End plays and the critics praise for The Importance of Being Ernest) ensures that the inevitable transformation into a broken and penniless man hit hard. His scenes with Will Burren (Bosie) are an emotional rollercoaster moving from intimate and loving to betrayed and heartbroken in such a short space of time, Burren portrays Bosie as a kind of fame hungry junkie that also wants to see his Father absolutely humiliated. His self obsession and nauseating self pity serve as a striking counter balance to Wilde's defeated and broken persona. The real sympathy is with Constance Wilde (played by the incredible Martina Greenwood.) Constance believed in Wilde and supported him even when his writing and theatrical work kept him away from his family. Wilde's dogged pursuit of the libel case destroyed not just his own life but also that of Constance and his two sons. Greenwood portrays Constance as a hurt and humiliated wife but does not make the mistake of moving too far into vengeful. Constance paid Wilde a monthly allowance even after the bailiffs had taken everything.
Wilde's relationship with his mother was a close one and it is partly because he wants to defend the family name that he pursues the ruinous course he does. Lady Jane Wilde "Speranza" was no stranger to court cases, having lost a libel action herself in Dublin. Her advice to Oscar was well meant, supportive and loving but ultimately led to his downfall. Helen Stirling-Lane has a small number of scenes but effectively portrays Speranza as a woman who adores her son and yet is a slave to the class obsessed 'in crowd' that Wilde railed against. I spent the majority of the play loathing Queensbury, the sort of cold, hard man that would kick a cat for being hungry. His ruthless and stalkerish taking down of Wilde was nothing short of evil and yet... and yet the play's denouement reveals more to the man than just a Javert-like fixation to get his man. John Newcombe's portrayal of Queensbury is phenomenal and deserves to be seen on a bigger stage by a larger audience. I mean, look at the look! Newcombe's eyes burn with hatred for Wilde until.... well go and see it to find out.
John Newcombe as Marquess Of Queensbury
Queensbury was legally defended by one of the foremost lawyers of the day and yet Edward Carson had no wish to see Wilde destroyed. Ross Scarfield portrays Carson as a man at the top of his game and yet with morals and integrity rarely seen in the legal profession. Scarfield delivers one of the stand out songs of the show, angrily spitting 'Damn The Man' as the conflict caused by executing his job and destroying Wilde hits home. Isaac Finch also stands out (not least for his award winning beard) as both Marquess of Queensbury's other son and Father Cuthbert Dunne, who welcomes Wilde into the Catholic church shortly before his death.
David Keogh as Robbie Ross
Much is written by reviewers about the actors, writers and directors but when was the last time you read a review which mentioned the incredible work of the back stage team? Yet, without the lighting designers, the stage managers and teams, theatre wouldn't exist. Special credit therefore goes to the talented Cameron Meechan (Stage Manager) Stanley Olden (Lighting Designer) Stephen Bradley (Sound Designer) and Lucy Dasc (Vocal Coach) what a team!
Vengeance is a play that does exactly what theatre should do. It entertains but it provides audiences with much to talk about. Whether you know nothing or a great deal about Oscar Wilde you will find much to enjoy. I look forward to hearing that the play is enjoying an extended tour and thrilling audiences around the country. The issues of class divide and discrimination have not gone away and so the battles that Wilde faced and highlighted are still just as relevant today as they were in his day. As to the manner of his demise? The inevitability of two men, divided by a cultural chasm, clashing and destroying each other is perhaps still weighed by the complete pointless waste of talent and creativity that was the cost. But then Oscar Wilde wouldn't have been true to himself if he had ducked away from a fight. A must go and see!
Vengeance: The Demise of Oscar Wilde is at Epsom Playhouse on the 9th September and Tivolli Theatre Wimborne on the 30th September
Images - Fatdan Productions


Get With The Guidelines-Stroke Gold Plus Quality Achievement Award.
The UCLA Neurocritical Care Program is housed within the Departments of Neurosurgery and Neurology and provides comprehensive critical care to patients with critical neurologic illness.
Neurocritical Care is a unique discipline that provides critical care for patients with a wide range of neurological disorders, including stroke, subarachnoid hemorrhage, brain trauma, coma, intracerebral hemorrhage, seizures, spinal cord trauma, status epilepticus, encephalitis, myasthenia gravis, Guillain-Barre' syndrome, and neuromuscular disease. See Neurocritical Care Society for more details.
UCLA Neurocritical Care is the Neuro ICU of the Future.
UCLA Neurocritical Care Fellowship Program is UCNS Accredited.
The UCLA Neurocritical Care Program's mission is to provide the highest quality critical care to patients with life-threatening neurologic disease, today, while building the tools, through research and education, that will enable future generations to cure these devastating diseases, tomorrow.
Neuro ICU Family Guide (click for details): At UCLA, we understand the needs of family members during critical illness. We have designed an open visitation policy, frequent physician updates, and a transparent policy that empowers families during this difficult time.
Our 24 bed Neurocritical Care Unit is designed to care for very sick patients. We accept transfers from our neighbor hospitals, as well as remote sites. Our transfer call center is manned 24 hours/day and can connect your doctors with critical care doctors to discuss your family member's condition.
UCLA Neurocritical Care features a emergency response hypothermia consultation service for patients who have had Cardiac Arrest. We can provide hypothermia treatment at UCLA or provide consultation services to other facilities for patients with cardiac arrest. We feature advanced surface and vascular-based cooling catheters for rapid induction of hypothermia. Call 310-825-6301 for the on-call Neurointensivist for details.
A focus on recognizing altered function in the brain and spinal cord and immediate intervention to prevent secondary injury improves outcomes and lowers hospitalization costs.
A 24-bed state-of-the-art neurosurgical/neurological intensive care unit (ICU) directed by a neurointensivist along with neurosurgical and neurological attendings and residents.
An elite team of neuroscience nurses, respiratory technologists, EEG technologists and nurse managers provides minute to minute ICU care.
Multimodality monitoring of the nervous system includes electroencephalography (EEG), evoked potentials (EP), transcranial doppler (TCD), cerebral blood flow, intracranial pressure monitoring, cerebral microdialysis and positron emission tomography (PET). Continuous EEG in the NeuroICU was pioneered at UCLA.
Continuous EEG Monitoring (cEEG) in the ICU detects silent seizures, which occur in 20 percent of comatose brain trauma patients and lead to worsening intracranial pressure (Vespa et al 2007).


text:
Senna artemisioides, the wormwood senna, is a species of flowering plant in the pea family Fabaceae. It is endemic to Australia, where it is found in all mainland states and territories. Other common names include silver senna, silver cassia or feathery cassia - although "cassia" generally refers to the largest-growing Cassiinae. Some of its distinct subspecies also have common names of their own.

The Latin specific epithet artemisioides means "resembling Artemisia", a different group of plants often known as wormwood.

Description
This is an evergreen shrub that grows up to   in height. It has grey-green pinnate leaves with between 1 and 8 pairs of leaflets. It produces an abundance of yellow "pea" flowers in winter and spring which are about 1.5 cm in diameter, followed by 2 to 7 cm long flat green pods which age to dark brown.

The species adapts to a wide range of climatic conditions, but is susceptible to frost, especially when young. It prefers dry, well-drained sites with full sun. As an ornamental plant, it is propagated readily from seed, which should first be briefly immersed in boiling water.

This plant has gained the Royal Horticultural Society's Award of Garden Merit.

Taxonomy and systematics
The species was first described in 1825 by Charles Gaudichaud-Beaupré based on work by Augustin Pyramus de Candolle and placed in Cassia, but nowadays it has been moved to Senna. However, for a long time this plant was erroneously known as Cassia eremophila which is a true species of Cassia called desert cassia, described by Julius Rudolph Theodor Vogel.

A large number of formerly independent species are provisionally considered subspecies of S. artemisioides:
 ssp. alicia Randell
 ssp. artemisioides
 ssp. filifolia Randell
 ssp. helmsii (Symon) Randell – blunt-leaved cassia
 ssp. oligophylla (F.Muell.) Randell – blunt-leaved cassia
 ssp. petiolaris Randell woody cassia
 ssp. quadrifolia Randell
(Senna quadrifolia Burm. is a synonym of Chamaecrista absus)
 ssp. sturtii (R.Br.) Randell – Sturt's cassia
 ssp. zygophylla (Benth.) Randell

Some hybridogenic subspecies have also been named:
 nothosubsp. × artemisioides
 ssp. × coriacea (Benth.) Randell
 nothosubsp. × coriacea (Benth.) Randell
(Cassia coriacea Benth. is a synonym of Chamaecrista coriacea)
 nothosubsp. × sturtii (R.Br.) Randell

In addition, there are apparently at least 2 undescribed taxa:
 Senna artemisioides "James Range (P.L.Latz 18528)"
 Senna artemisioides "Kuyunba (B.Pitts 113)"

Altogether, S. artemisioides might be best considered a form taxon whose phylogenetic diversity is still largely unresolved.

References

Further reading

Association of Societies for Growing Australian Plants (ASGAP): Senna artemisioides

External links

University of Arizona Pima County Cooperative Extension: Cassia artemisiodes

artemisioides
Endemic flora of Australia
Flora of New South Wales
Flora of the Northern Territory
Flora of Queensland
Flora of South Australia
Rosids of Western Australia
Fabales of Australia

Garden plants of Australia
Drought-tolerant plants

redpajama_set_name: RedPajamaWikipedia


text:
Guildford stores raided by burglars
BURGLARS have targeted four Co-op stores in Guildford within the last month.
BURGLARS have targeted four Co-op stores within the last month stealing thousands of pounds of cigarettes in the raids, most recently in Aldershot Road, Guildford.
In the early hours of June 6, two men in dark clothing and balaclavas ransacked the store stealing around £8,500 worth of cigarettes.
According to staff, the raiders pulled up in a saloon car in front of the Aldershot Road shop and peered through the front doors before trying to break in.
Unsuccessful, they went to the store's side entrance and forced open the door.
Gareth Heighes, 27, works at the store and was woken up by security officers at 4.30am, telling him police were on site following the break in.
The men, he said, used a crowbar-like tool to bend open the cigarette kiosk's shutters.
"It was a bit of a mess," Mr Heighes said. "There was stock all over the floor where the intruders had run out of the shop. They just ran out barging into things and knocking them over.
"There was damage to the fire exit where they had forced their way in.
"We haven't had a chance to restock the kiosk counter with all the cigarettes as it has yet to be fixed because they bent back the shutter. We can't restock until that's fixed because of insurance."
Police said thieves used a large duvet cover to take the cigarettes before leaving at around 3.20am.
One suspect was said to be wearing white trainers, blue jeans, a black jumper and a black balaclava, while the other was wearing black clothing and a black balaclava.
DC Russell Cannon said: "We are carrying out a thorough investigation, including extensive house-to-house enquiries, and would like to speak to anyone with any information who has not already come forward.
"If you have been offered cigarettes at a reduced price they may have originated from this burglary."
Officers are also investigating a similar incident after cigarettes were taken during a break-in at the Co-op store in Madrid Road, Guildford, on May 31 at 11.30pm.
A further £10,000 worth of cigarettes was taken from Co-op in Lion Green, Haslemere, in the early hours of May 16.
Shutters were ripped from the wall and windows smashed leaving a £1,500 repair bill.
A similar burglary, also involving the theft of around £10,000 worth of cigarettes, took place at the Co-op on March 13 and officers are investigating the links between the incidents.
Witnesses should contact DC Cannon on 0845 125 2222, quoting reference GD/11/5435, or Crimestoppers anonymously on 0800 555 111.

redpajama_set_name: RedPajamaCommonCrawl


The goal of our raffle is to raise funds to support the educational programs of Human Nature School and bring our community together! You are also invited to join us at our Hoedown Event on October 14th, 2018 from 2p - 7p at Twin Lakes Park, Gilbert Lodge in Traverse City, Michigan where we will announce the winners, although you do not have to be present to win. For more information about our event and our organization, go to humannatureschool.org.
The Human Nature School is made up of a growing group of like-minded individuals with a single, heartfelt vision. Our knowledge and skill-set come from many incredible teachers and cultural lineages reaching all the way back to humanity's most ancient common ancestors. Our organization's structure and philosophy are based upon the 8 Shields Model, which is a unique distillation of the Wheel of Life found in almost every intact culture around the world. With great passion, we live in creative service to the land and community that has given us each so much–offering everything that we have for the betterment of the whole.


Thanks for the kind introduction and thanks for hosting me here at the Ronald Reagan Presidential Foundation and Library. It's a very special place and an honor for me to be here.
I also want to thank my friend Tom for joining me here tonight. He and I have been on multiple missions together, and I am confident we will continue to do so in the days and weeks and years ahead.
And I know we have many members of the Iranian American community with us this evening. This is just a fraction of the quarter million Iranian Americans in Southern California alone. We have many Iranian American guests from all across the United States here as well. Thank you. I look forward to hearing from you this evening, learning more about the situation in Iran as you see it, and understanding what your loved ones and friends are going through living in that place.
AUDIENCE: USA, USA, USA, USA, USA, USA, USA, USA, USA, USA.
You know, despite the regime's clear record of aggression, America and other countries have spent years straining to identify a political moderate. It's like an Iranian unicorn. (Laughter.) The regime's revolutionary goals and willingness to commit violent acts haven't produced anyone to lead Iran that can be remotely called a moderate or a statesman.
Right now, the United States is undertaking a diplomatic and financial pressure campaign to cut off the funds that the regime uses to enrich itself and support death and destruction. (Applause.) We have an obligation to put maximum pressure on the regime's ability to generate and move money, and we will do so.
Recently – (applause). Recently, as part of this campaign, we designated the Bahraini Shia militia terrorist organization Saraya al-Ashtar, and with the UAE we have jointly disrupted a currency exchange network that was transferring millions of dollars to the IRGC.
And there's more to come. Regime leaders – especially those at the top of the IRGC and the Quds Force like Qasem Soleimani – must be made to feel painful consequences of their bad decision making. (Applause.) We are asking every nation, every nation who is sick and tired of the Islamic Republic's destructive behavior, to join our pressure campaign. This especially goes for our allies in the Middle East and Europe, people who have themselves been terrorized by violent regime's activity for decades.
I thought I'd close tonight in a perfectly appropriate way by invoking the words of a man who routinely made the case for freedom and respect far more eloquently than I ever could, President Ronald Reagan. In 1982 – (applause).
GOVERNOR WILSON: Well, you've answered all the questions.
SECRETARY POMPEO: We'll take another swing. Thank you.
GOVERNOR WILSON: Well, Mr. Secretary, I had some questions for you, but you actually answered almost all of them quite eloquently.
GOVERNOR WILSON: Well, let me just start with this one. Is it realistic to think that the Iranian people will ever regain control of their country in what we would term the foreseeable future?
SECRETARY POMPEO: Of course. (Applause.) Well, of course. Of course. I always remind those who think it's not possible or think the time horizon will be measured in centuries not hours, I always remind them that things change. There are disjunctive moments. There are times when things happen that are unexpected, unanticipated. Our revolution would be one of them. I could go on. You all could name them, too.
GOVERNOR WILSON: That's pretty good. (Applause.) There is a perception among some that Iranians, including students and including legitimate visitors, can't obtain U.S. visas because of a travel ban. Would you clarify what U.S. policy is regarding what we will call Iranian civil society visitors?
SECRETARY POMPEO: So it's always possible. (Laughter.) And the President has made clear the fact that – I shouldn't have joked. The President has made clear he would love that, he would welcome that. I've now made three trips to Pyongyang, a regime that has treated its citizens in way that also denies them their freedoms.
We, I think, both remember that at a critical time in the history of this country he said, with a smile, "Trust, but verify." (Laughter.) And it seems to me that's your message very clearly, and we thank you for the distinguished service that you have given from the moment that you left the Point, number one in your class. I find that quite impressive. (Applause.) And whoever that opponent was against whom you were playing basketball at Los Amigos, I think he would have to say when he said, "Well, he made the most of what he could," you made the most of a very generous helping from the good Lord of brains and courage and directness. We are lucky to have you.
SECRETARY POMPEO: Thank you, Pete. That's very kind. (Applause.) Thank you, thank you. That's very kind.
GOVERNOR WILSON: Well, it's sincere.
SECRETARY POMPEO: That's very, very kind. Thank you, sir.


text:
Check out Deep Purple's post-apocalyptic-themed new song, "Man Alive"
earMUSICDeep Purple has released a second single in advance of their forthcoming studio album, Whoosh!, an atmospheric, prog-rock-flavored tune titled "Man Alive."
The song, which is available now as a digital download and via streaming services, finds lead singer Ian Gillan singing about an ominous post-apocalyptic scenario where mankind has become extinct because of how we treated the planet.
"It's an abstract concept," Gillan tells Billboard. "There was an apocalyptic quality to the [music of] 'Man Alive,' and the idea developed lyrically from there — the scenario of this event that took place and everyone got killed, and you get this picture of 'all creatures great and small grazed on blood red soil, and grass that grows on city streets.'"
"Man Alive" also includes spoken-word segments, marking a first for Gillan in his long tenure with Deep Purple.
A companion video for "Man Alive" also premiered today at the earMUSIC label's YouTube channel. It begins by showing various beautiful landscapes on Earth, then switches to showing cosmic images before switching again to displaying scenes of pollution on our planet, including smokestacks, garbage dumps and junkyards. The clip also features an appearance by a man in a spacesuit, like the one on the cover of Whoosh! and that appeared in the video for the album's recently released first single, "Throw My Bones."
Whoosh! is scheduled to be released August 7 in a variety of formats and configurations, including as a standard CD, as a two-LP set, digitally and as a limited-edition box set featuring a DVD with bonus content.
In other news, Gillan tells Billboard that, after launching what they'd considered to be an extended farewell trek in 2017 dubbed The Long Goodbye Tour, Deep Purple no longer has definite plans to retire.


Goat milk can truly benefit your skin's health. It is wonderful for people with dry or sensitive skin, or conditions such as eczema and psoriasis. Goat milk contains alpha-hydroxy acids such as lactic acid which help remove dead skin cells from the surface of the skin. As we age our cellular regeneration slows and dead skin cells are sloughed much slower then children. The turn over of our cells and the sloughing is what makes a baby's skin so soft. Alpha-hydroxy acids aid the skin in removing the dead dull skin cells from the surface and allowing the softer smoother skin underneath to surface. Removing dead skin cells will help many skin conditions by removing irritation and skin cell build up.
Goat milk contains high levels of Vitamin A.
So it is safe to say that Vitamin A is great to aid in the healing of skin conditions and improve the appearance of you skin.
CL Skins Goat Milk and Safflower Oil Body wash has a creamy, decedent lather and is the perfect why to start your day. Goats milk maintains healthy skin, increases hydration and removes dead skin cells leaving you skin feeling soft, hydrated and smooth. Safflower oil contains linoleic acid making it ideal to boost the quality and appearance of your skin. Furthermore, linoleic acid stimulates the regeneration of new skin cells, meaning that it helps to clear up scars and other blemishes from the surface of the skin, leaving you looking younger and more attractive!
Pick your favorite fragrance: Sandalwood Rose, Cactus Flower, Coconut Lime, Lavender, Jasmine or Strawberry Champagne… More fragrances coming soon!


text:
Automatic Certificate Management Environment (ACME)
RFC - Proposed Standard (March 2019; Errata)
Was draft-ietf-acme-acme (acme WG)
Richard Barnes , Jacob Hoffman-Andrews , Daniel McCarney , James Kasten
draft-barnes-acme
plain text html pdf htmlized with errata bibtex
GENART Last Call Review (of -13): Ready
SECDIR Telechat Review (of -12): Ready
GENART Telechat Review (of -12): Ready
GENART Last Call Review (of -11): Ready with Issues
TSVART Telechat Review (of -08): Ready with Nits
OPSDIR Telechat Review (of -07): Has Issues
GENART Telechat Review (of -07): On the Right Track
Submitted to IESG for Publication
Yoav Nir
Shepherd write-up
Show (last changed 2018-04-18)
RFC 8555 (Proposed Standard)
Eric Rescorla
Yoav Nir <ynir.ietf@gmail.com>
IANA review state
Version Changed - Review Needed
IANA action state
RFC-Ed-Ack
Internet Engineering Task Force (IETF)                         R. Barnes
Request for Comments: 8555                                         Cisco
Category: Standards Track                             J. Hoffman-Andrews
ISSN: 2070-1721                                                      EFF
D. McCarney
J. Kasten
Public Key Infrastructure using X.509 (PKIX) certificates are used
for a number of purposes, the most significant of which is the
authentication of domain names.  Thus, certification authorities
(CAs) in the Web PKI are trusted to verify that an applicant for a
certificate legitimately represents the domain name(s) in the
certificate.  As of this writing, this verification is done through a
collection of ad hoc mechanisms.  This document describes a protocol
that a CA and an applicant can use to automate the process of
verification and certificate issuance.  The protocol also provides
facilities for other certificate management functions, such as
certificate revocation.
This document is a product of the Internet Engineering Task Force
(IETF).  It represents the consensus of the IETF community.  It has
received public review and has been approved for publication by the
Internet Engineering Steering Group (IESG).  Further information on
Internet Standards is available in Section 2 of RFC 7841.
Information about the current status of this document, any errata,
and how to provide feedback on it may be obtained at
https://www.rfc-editor.org/info/rfc8555.
Barnes, et al.               Standards Track                    [Page 1]
RFC 8555                          ACME                        March 2019
2. Deployment Model and Operator Experience ........................5
3. Terminology .....................................................7
5. Character Encoding .............................................10
6. Message Transport ..............................................10
6.1. HTTPS Requests ............................................10
6.2. Request Authentication ....................................11
6.3. GET and POST-as-GET Requests ..............................13
6.4. Request URL Integrity .....................................13
6.4.1. "url" (URL) JWS Header Parameter ...................14
6.5. Replay Protection .........................................14
6.5.1. Replay-Nonce .......................................15
6.5.2. "nonce" (Nonce) JWS Header Parameter ...............16
6.6. Rate Limits ...............................................16
6.7. Errors ....................................................16
6.7.1. Subproblems ........................................18
7. Certificate Management .........................................20
7.1. Resources .................................................20
7.1.1. Directory ..........................................23
7.1.2. Account Objects ....................................24
7.1.3. Order Objects ......................................26
7.1.4. Authorization Objects ..............................28
7.1.5. Challenge Objects ..................................30
7.1.6. Status Changes .....................................30
7.2. Getting a Nonce ...........................................34
7.3. Account Management ........................................34
7.3.1. Finding an Account URL Given a Key .................36
7.3.2. Account Update .....................................37
Show full document text


text:
How to Activate Google Play Music on Roku
September 8, 2017 By Danniel In Roku features, Roku Setup	No Comments
What is Google Play?
Google Play is one of the most happening podcast applications available for music lovers. Why people prefer using this over other music apps? Simply because it is compatible with most other environments. For instance, you can add songs to your Google play library from your phone. Subsequently, the changes reflect on every other device which has the same Google Play Music on Roku. Apart from this, there are other user-friendly features that make this application the top pick.
Why should you choose this application over others?
The Google play music app is easy to use both for adding or browsing new songs and also for streaming online content.
It has a database of over 40 million songs which are present in various genres and languages.
As a free account, you can store up to 50,000 songs from your personal music database.
The application is compatible across multiple platforms and hence the music is absolutely portable.
Not only this, but you can also listen to local and international radio stations which are customizable.
You can play your music on multiple devices non-concurrently with an upper limit of 10 devices.
The app supports many file formats which include MP3, FLAC, WMA, Ogg, and ALAC.
A wide variety of on-demand content which you may not find on any other music platform.
Google Play Music categorizes your content into menus that make navigation easy and less time-consuming.
These menu options are Playlists, Artists, Stations, Albums, Genres, and Songs.
Activating the Google Play Music on Roku
Using the Roku mobile app
You must know that there is no direct app in the Roku platform to activate Google Play Music on Roku. Instead, you will have to download and install the Roku mobile app to cast music files to your TV. But before that, you need to have the Google Play Music app on your mobile device.Before you download and install the app, make sure you have an active Roku com link account
Add songs from your personal library to this app. Subsequently, you can download the Roku app if you don't already have it installed. There is an option, Play on Roku, under which you must choose the Music menu. You can now easily share music on your phone to your TV.
Using the Screen mirroring feature
Alternatively, you can also use the screen mirroring feature in Roku to enable the Google app on your TV screen. However, your mobile device must support this feature. On your Roku device, navigate through the settings menu and zero-in on the screen mirroring option. Here, select the Enable Screen mirroring option to watch the magic unfold on your TV.
But before that, you must also enable the screen mirroring feature on your smartphone. The steps for this will vary according to your mobile device manufacturer.
More updates are available on Roku com link
For more information visit us https://www.setuproku.com at for instant support. Our team is available for instant guidance and support over call 24*7 at +1-855-729-8080
Tags: Google Play Music on Roku, Google Play Music Roku, Roku Google music
Danniel


We created motel.com to make finding hotels near major landmarks like - Army Bases - easy for consumers. Motel.com lists Army Bases & convenient hotels throughout the United States.
Our website is easy to use and will help you quickly navigate to different hotel options near Redstone Arsenal in Huntsville, AL.
Are you are looking for a hotel room near Redstone Arsenal in Huntsville, AL? Simply enter your dates in the search box on the right, and we will provide a list of hotels and include the distance from each hotel to Redstone Arsenal in Huntsville, AL.


text:
Beauty big-hitters sign up for One New Change stores
One New Change, the shopping mall and office development in the City of London, has named four new signings with two big name beauty brands taking space there.
The two beauty brands reflect the popularity of natural products at present. Landsec has signed high-end bodycare and fragrance specialist Molton Brown as well as mass-market ethical products retailer The Body Shop. Also joining them on the newcomer list will be fitness and training apparel brand Whatever It Takes, taking advantage of the gym boom among city workers. Nespresso is the fourth new name on the list.
Hermione Mackrill, portfolio director at Landsec, said: "These four additions to One New Change represent Landsec's focus on getting the right mix of brands to meet the needs of our customers."
One new Change is typical of a new breed of shopping complexes that has a strong mix of traditional brand names as well as lifestyle and dining options. In the last18 months it had added a number of cafés and restaurants as well as Hackett and Sweaty Betty. Other tenants among the 60 retailers there are Topshop, Reiss, Hugo Boss and LK Bennett.
The mall is the only large shopping centre in the historic City of London and opened in 2010 after a £500 million spend.
Wolverine buys Sweaty Betty for almost £300m
LK Bennett launches fashion rental, targets new and existing customers
LK Bennett Conduit st


In this software update, we changed USB communication methods between Ampero and your PC/Mac, which means, the new software will no longer recognize Ampero units with previous firmware (B6.4 and earlier). PLEASE UPDATE YOUR AMPERO TO THE LATEST FIRMWARE FIRST before using the new software.
Ola got Ampero through his "Ola testing $#it" series, great playing and some fantastic chops from the God of Thunder!


text:
Liverpool postal workers to protest against government plans to privatise Royal Mail
LIVERPOOL postal workers are to stage a day of protests on Monday.
They are continuing their protests against government plans to part-privatise Royal Mail.
Members of the Communication Workers' Union (CWU) will be lobbying public support from 10am to 3pm in Paradise Street in Liverpool city centre.
And a 20ft-high inflatable postbox will be transported to locations around the city to highlight their ongoing campaign.
Mark Walsh, the Liverpool Communications Workers Union branch secretary, said today: "The Royal Mail is an iconic British service that has deep roots in Liverpool due to its port going back centuries.
"Postal workers are at the heart of communities the length and breadth of the country.
"The service ensures we all receive our mail six days a week.
"The service may not be profitable in rural locations, or for the majority of social mail such as cards and letters.
"But this is a public service and public services are worth more than balance sheets."
He added: "Privatisation would threaten services, push up costs for customers, even in cities like Liverpool, and will lead to job losses and further Post Office closures.
"We have a first class postal service in the UK with cheaper costs than most in Europe.
"Privatisation will be a financial and political disaster and with the support of the Merseyside public we can overturn the decision and keep the post public."
The jobs of up to 600 Liverpool postal workers are already under threat if proposals go through next year.
The Royal Mail is planning to move out of Liverpool city centre by switching work from the Copperas Hill sorting centre to a new site in Warrington
Neil.Hodgson@liverpool.com


Juice the beet cubes with a vegetable juicer. Strain the juice, add it to a pot and heat to just below a simmer.
Cut each half of the pears into ¼-inch slices and add them to the beet juice. Slowly poach for about 10 minutes, until slightly tender but not mushy. When ready, cool the entire mixture in an ice-water bath. Store for up to 4 days.
Clean the carrots under cold water, scrubbing lightly with a clean (new is best) sponge or scrub pad to remove any dirt or debris. Using a vegetable slicer or sharp knife, cut the carrots into thin, round slices about ⅛-inch thick. Reserve and cover with cold water to store.
Place the cinnamon stick and the orange peels in a cheesecloth bag and secure. Add the cranberries, sugar, vinegar, beer and salt to a medium saucepan with the bundle of aromatics and cook on low heat for 3 to 4 hours, stirring regularly. Check that the flavor is balanced, adjust with salt or more vinegar, if needed, then cool and store in the refrigerator for up to 1 week.
Add the mascarpone, honey, and lemon juice to a medium-size mixing bowl and whisk until smooth. Next, soak the wood chips in water for 5 to 10 minutes, then remove from the water and place in a small aluminum or stainless-steel pan lined with aluminum foil. Place this pan inside a larger hotel pan, or any metal pan with tall sides.
Transfer the cheese mixture to a small, wide pan that will also fit inside the hotel pan, alongside the pan with the wood chips. Using a butane torch, ignite the wood chips and then cover the entire hotel pan with foil, making sure all edges are sealed tightly. Allow the cheese to smoke for 1 hour, relighting the wood chips every 20 minutes.
Heat the oven to 350°. Using the paddle attachment of a stand mixer, cream the butter slowly. Separately, combine dry ingredients and sift. Slowly add dry ingredients to the creamed butter while mixer is on low speed. Mix until everything is homogeneous. Whisk the egg yolks together gently, then fold them into the flour dough.
Dust a smooth dry surface with a few tablespoons of flour and, using a rolling pin, roll out the dough to an even ½-inch layer. Using a small ring mold cutter (4 inches in diameter), punch out small rounds of the tart dough. Line a baking sheet with parchment paper and grease with butter. Arrange the tarts at least 1-inch apart and bake at 350° for about 10 minutes, until golden brown. Let the tarts cool.
To serve, spread the smoked mascarpone cheese all over the top of the tarts. Next, alternate circles of the prepared pears and carrots, while arranging in a circular pattern around top of tart, until top is completely covered. Add a small amount of relish to the top then season with flaky sea salt and drizzle with extra-virgin olive oil. Garnish with fresh mint and tarragon.


text:
Q: subscribe not working inside angular service. Async issue? I have a form where the user enters a linux username and a date.
This info is used to create a new "delegation" entry in the database. Before I can call my REST API I need to translate this linux username into the primary key of the corresponding user record since the POST call expects this form data:
{
   'delegator': <user pk>,
   'delegatee': <user pk>,
   'expiration': <string for data YYYY-MM-DD>
}

So I have this service which gets the User from the database:
import { Injectable } from '@angular/core';
import {Headers, Http } from '@angular/http';

import 'rxjs/add/operator/toPromise';
import 'rxjs/add/operator/map';
import {environment} from '../../../environments/environment';

@Injectable()
export class UserService {

  private headers = new Headers({'Content-Type': 'application/json'});

  constructor(private http: Http) {}
  getUsers(login: string)  {
    var url = environment.apiUrl + '/api/v1/users' + '/?autocomplete=1&login=' + login + '&type=employee';
    return this.http.get(url).map(res => <string[]>res.json());
  }
}

The service returns an array of strings of the format: "login:user_id".  The UserService works fine as I will show below.
I call getUsers() in another service, DelegationsService. Here is the method defined in DelegationsService that makes the call to getUsers():
export class DelegationsService {

  private headers = new Headers({'Content-Type': 'application/json'});
  delegatees: string[];

  constructor(private http: Http, private userService: UserService) {}

  newDelegation (delegator: number, delegatee_login: string, expiration: string) {
    // translate the login of the delegatee_login into the userid for the delegatee.
    var resp = this.userService.getUsers(delegatee_login).subscribe((delegatees) => {
        this.delegatees = delegatees;
        console.log(this.delegatees);
        console.log( this.delegatees[0]);
        var delegatee_id = this.delegatees[0].split(':')[1];
        console.log( 'newDelegation line 42 : ' + delegatee_id );
    });
    if ( this.delegatees ) {
        console.log( 'newDelegation line 52 : ' + this.delegatees[0] );
    } else {
        console.log( 'newDelegation line 54 no delegatees returned' );
    }
    // make a fake body since we can't the the delegatee's user id.
    var body = { 'delegator': delegator.toString(), 'delegatee': '9999', 'expiration': expiration };
    console.log(body);
    return this.http.post(environment.apiUrl + '/api/v1/delegation', body );
  }

Some things to note: I have debug code inside the subscribe() that demonstrates that I do get data from the getUsers() call.
When newDelegations() get invoked the console output in my browser is this:
newDelegation line 54 no delegatees returned
delegations-service.services.ts:57 {delegator: "975197", delegatee: "9999", expiration: "4000-04-04"}
delegations-service.services.ts:39 ["red:880922"]
delegations-service.services.ts:40 red:880922
delegations-service.services.ts:42 newDelegation line 42 : 880922

As we can see from the output above line 54 executes before line 39. Also the subscribe code block, which line 39 is in, has the data returned from the getUsers() call while line 54 does not.
What am I doing wrong?
Update:  I have rewritten the newDelegation method at per the suggestion made by iHazCode.
  newDelegation (delegator: number, delegatee_login: string, expiration: string) {
    this.userService.getUsers(delegatee_login).subscribe((delegatees) => {
        this.delegatees = delegatees;
        console.log(this.delegatees);
        console.log( this.delegatees[0]);
        var delegatee_id = this.delegatees[0].split(':')[1];
        console.log( 'newDelegation line 42 : ' + delegatee_id );
        var body = { 'delegator': delegator.toString(), 'delegatee': delegatee_id, 'expiration': expiration };
        console.log(body);
        return this.http.post(environment.apiUrl + '/api/v1/delegation', body );
    });
  }

When the above code executes there is the post call to /api/v1/delegation does not appear in the network tab in my browser.  Just the get() request executed by getUsers().
Update II.  Here is the code that calls newDelegation().
export class DelegationDetailComponent implements OnInit {

  userid: number;
  login: string;
  @Input() delegation: Delegation;
  constructor(
    private delegationService: DelegationsService,

  ) {
    // faking this for now until authentication is working.
    this.userid = 975197;
    this.login = 'red2';
  }

...

  onSubmitNewDelegation(f: NgForm): void {
    console.log( 'Update delegation with id ' + f.value.delegator);
    this.delegationService.newDelegation(
                   f.value.delegator,f.value.delegatee,f.value.expiration);
    }
    ...

A: The simple solution would be to move everything from the if statement:
if (this.delegatees) etc...

Into your subscribe block for the (async) getUsers call.
Hope this helps
i.e.
var resp = this.userService.getUsers(delegatee_login).subscribe((delegatees) => {
        this.delegatees = delegatees;
        console.log(this.delegatees);
        console.log( this.delegatees[0]);
        var delegatee_id = this.delegatees[0].split(':')[1];
        console.log( 'newDelegation line 42 : ' + delegatee_id );
    if ( this.delegatees ) {
        console.log( 'newDelegation line 52 : ' + this.delegatees[0] );
    } else {
        console.log( 'newDelegation line 54 no delegatees returned' );
    }
    // make a fake body since we can't the the delegatee's user id.
    var body = { 'delegator': delegator.toString(), 'delegatee': '9999', 'expiration': expiration };
    console.log(body);
    return this.http.post(environment.apiUrl + '/api/v1/delegation', body );
    });
}

A: Please try:
    onSubmitNewDelegation(f: NgForm): void {
        console.log( 'Update delegation with id ' + f.value.delegator);
        this.delegationService.newDelegation(
                       f.value.delegator,f.value.delegatee,f.value.expiration).subscribe((result) => {
      console.log(result);
   });

}

Hope this helps.
P.S. I only had it send the result to the console so you can check that OR the network tab to ensure your POST is now occurring.

redpajama_set_name: RedPajamaStackExchange


text:
package org.anyline.data.prepare.auto.init;

import org.anyline.data.jdbc.adapter.JDBCAdapter;
import org.anyline.data.param.Config;
import org.anyline.data.param.ConfigChain;
import org.anyline.data.prepare.Condition;
import org.anyline.data.prepare.ConditionChain;
import org.anyline.data.prepare.init.DefaultConditionChain;
import org.anyline.data.run.RunValue;
import org.anyline.util.BasicUtil;

import java.util.ArrayList;
import java.util.List;

public class DefaultAutoConditionChain extends DefaultConditionChain implements ConditionChain {
	public DefaultAutoConditionChain(){}
	public DefaultAutoConditionChain(ConfigChain chain){
		if(null == chain){
			return;
		}
		for(Config config:chain.getConfigs()){
			if(config instanceof ConfigChain){
				conditions.add(new DefaultAutoConditionChain((ConfigChain)config));
			}else{
				conditions.add(new DefaultAutoCondition(config));
			}
		}
	}
	@Override
	public String getRunText(String prefix, JDBCAdapter adapter){
		runValues = new ArrayList<>();
		int size = conditions.size();
		if(size == 0){
			return "";
		}
		StringBuilder subBuilder = new StringBuilder();
		String txt = "";
		for(int i=0; i<size; i++){
			Condition condition = conditions.get(i);
//			if(condition.isContainer()){
//				txt = ((ConditionChain) condition).getRunText(adapter);
//			}else{
//				txt = condition.getRunText(adapter);
//			}
			if(null == condition || condition.isVariableSlave()){
				continue;
			}
			txt = condition.getRunText(prefix, adapter);
			if(BasicUtil.isEmpty(txt)){
				continue;
			}
			List<RunValue> values = condition.getRunValues();
			if(condition.getVariableType() == Condition.VARIABLE_FLAG_TYPE_NONE
					|| !BasicUtil.isEmpty(true, values)
					|| condition.isActive()
					|| condition.isRequired()){
				// condition instanceof ConditionChain
				// if(i>0 /*&& !condition.isContainer()*/){
				if(joinSize>0){
					String chk = txt.toLowerCase().trim();
					if(!chk.startsWith("and ") && !chk.startsWith("or ") && !chk.startsWith("and(") && !chk.startsWith("or(")){
						subBuilder.append(condition.getJoin());
					}
				}
				subBuilder.append(" ").append(txt);
				addRunValue(values);
				joinSize ++;
			}
		}

		if(joinSize > 0){
			StringBuilder builder = new StringBuilder();
			if(!hasContainer() || getContainerJoinSize() > 0){
				builder.append("\nAND");
			}else{
				builder.append("\n\t");
			}
			builder.append("(");
			builder.append(subBuilder.toString());
			builder.append(")\n\t");
			return builder.toString();
		}else{
			return "";
		}
	}

	@Override
	public Condition setRunText(String text) {
		this.text = text;
		return this;
	}

	private int getContainerJoinSize(){
		if(hasContainer()){
			return getContainer().getJoinSize();
		}else{
			return 0;
		}
	}

	public String toString(){
		int size = conditions.size();
		String txt = "[";
		for(int i=0;i<size; i++){
			if(i==0){
				txt += conditions.get(i).toString();
			}else{
				txt += ","+conditions.get(i).toString();
			}
		}
		txt += "]";
		return txt;
	}
}

redpajama_set_name: RedPajamaGithub


text:
Ascending Moonface Ring
18k Yellow Gold / Moonstone
18k Yellow Gold / Opal
Diamond (0.004ct)
7mm x 22mm
Anthony Lent has called his Moonface, in particular, the "moonface of the collective unconscious." Although it's an entirely original sculptural model, everyone who sees it thinks they've seen it before. Our Moonface was originally inspired by a half remembered image seen many years ago in a Victorian era children's book. The Celestial collection, our largest collection of jewelry pieces today, tells a story about the sun, the moon, and the stars. It's a journey through the heavens and through the history of the art and sculpture of Anthony Lent, a story that has evolved over time. Just like the sun, the moon, and stars above, some images and ideas just stay with you, no matter where you go.
Material: Moonstone
Moonstone / 4 - $2,990.00Moonstone / 4.5 - $2,990.00Moonstone / 5 - $2,990.00Moonstone / 5.5 - $2,990.00Moonstone / 6 - $2,990.00Moonstone / 6.5 - $2,990.00Moonstone / 7 - $2,990.00Moonstone / 7.5 - $2,990.00Moonstone / 8 - $2,990.00Moonstone / 8.5 - $2,990.00Moonstone / 9 - $2,990.00Moonstone / 9.5 - $2,990.00Moonstone / 10 - $2,990.00Moonstone / 10.5 - $2,990.00Moonstone / 11 - $2,990.00Moonstone / 11.5 - $2,990.00Moonstone / 12 - $2,990.00Opal / 4 - $2,990.00Opal / 4.5 - $2,990.00Opal / 5 - $2,990.00Opal / 5.5 - $2,990.00Opal / 6 - $2,990.00Opal / 6.5 - $2,990.00Opal / 7 - $2,990.00Opal / 7.5 - $2,990.00Opal / 8 - $2,990.00Opal / 8.5 - $2,990.00Opal / 9 - $2,990.00Opal / 9.5 - $2,990.00Opal / 10 - $2,990.00Opal / 10.5 - $2,990.00Opal / 11 - $2,990.00Opal / 11.5 - $2,990.00Opal / 12 - $2,990.00


Cosplayers - bringing your nerdiest fantasies to life. Here are some of our favourite ones.
What's not to love about cosplayers? They bring your favourite game, movie or anime characters to life and if you can look past just how ridiculously hot they look, you'll also notice that a lot of hard work goes into the preparation and detailing of the costumes. Plus, we reckon getting into the bloody costume takes a lot of effort too. "What about getting out of it?" Well, if they've got the right boyfriend or a lucky fan, then that should be able to happen pretty quickly. Unless of course, Chun-Li has always been on their "to-do" list. Actually, that'd be pretty hot too. Okay, as we drift off into that fantasy, here's a list of cosplayers you simply must follow. And don't forget to follow us on Instagram (@RojakDaily) too.


text:
Campus Security at New Hampton School is of paramount importance
In an effort to ensure the safety of its students and the entire community, New Hampton School has taken steps to document an NHS Emergency Management Plan and educate our students, faculty, staff and the surrounding community on policies and procedures surrounding campus security. The School employs a Director of Campus Safety, to oversee the day to day safety of our community and prepare for possible emergencies or campus threats weather social or environmental. In addition, the Campus Safety Director oversees a team of night security personnel to provide overnight coverage 365 days a year, as well as working with local emergency services to provide the school community with a multi-layered safety program.
Steps taken in recent years include:
Private Property signage to better articulate campus boundaries and security
Regular Fire Safety inspections with the New Hampton Fire Department
Individualized key card access for specified buildings
Security cameras in key areas to assist with campus safety
An annual review of the NHS Emergency Management Plan
Regularly schedule drills for fire safety, campus intruders, or other emergencies
An enhanced notification system (Everbridge) with increased functionality to support important communications and emergency notifications
For specific questions regarding Campus Safety and Security, please contact Director of Campus Safety Chuck George.
Charles George
Director of Campus Safety
cgeorge@newhampton.org
Before arriving at New Hampton School, Chuck was a NH State Trooper and Police Officer for a total of 25 years. As a Trooper, Chuck served as a canine handler, motor officer and more recently worked in the Special Enforcement Unit, flying in the Division's fixed wing Cessna and a Bell 407 Helicopter. Chuck now serves as New Hampton School's Director of Campus Safety. Chuck brings his extensive knowledge and experience to provide safety in all aspects of the NHS community.
Chuck enjoys spending time with his wife, Heather, and their four daughters, Emily, Katie, Molly and Sophie. He also enjoys photography. Chuck holds a BA in Criminal Justice from Saint Anselm College.


Goodison Park favourites Aiden McGeady and Steven Naismith reasserted their claims for a spot in Everton's starting line-up with first-class performances on the international stage over the weekend.
Yet when Roberto Martinez has his entire squad available to him, neither is remotely close to being guaranteed a spot in the XI – a status quo there's a case for turning upside down.
As it stands Steven Pienaar and Kevin Mirallas bar the Republic of Ireland man's access to a berth on either flank, while his Scottish colleague is enjoying a rare and prolific run of outings from the off thanks entirely to Ross Barkley's injury absence.
However, both McGeady and Naismith's showings this term highlight the fact they each offer something to Martinez above and beyond the men they understudy and should be included from the off as Everton attempt to land odds of 23/20 about beating West Brom this weekend.
The former Celtic and Spartak Moscow man's double against Georgia for his homeland underlined the fact that he is hitting his stride after his January switch form the Russian capital.
His last-gasp winner has been the subject of vines galore, an exhibition of the nifty footwork and expert marksmanship under pressure he had previously advertised with his inch-perfect goal against Leicester on the season's opening day.
It paraded access to a plane of inspiration not available to the more blood and thunder Mirallas.
Yet, in it's own way, his earlier strike did just as much for his claims of usurping the Belgian on the Toffees' eastern seaboard, illustrating as it did his harmonious relationship with assister and Goodison mucker James McCarthy.
Meanwhile, Naismith was not able to add to his three strikes in as many Premier League games this term against Germany despite turning in another performance of admirable attitude.
It's the Scot's admirable dedication to closing down opponents and regaining the ball high up the park which gives him the edge on the prodigiously talented but less defensively-useful Barkley.
In a Martinez system based upon familiar Spanish principles of possession retention and pressing he is arguably of more use than the English starlet, while providing easily as many goals.


would it still be called if a process crashes? like a dark basic app.
Write a DLL with a messagebox in the detach section, and then write an app that uses it but deliberately writes to an uninitialised pointer. See if the messagebox appears.
Okey, I got some very weird results.
now when I run that, I get an attach message, then a detach message, then another attach message, then another detach, and like that aint enough... I get another attach message when the window pops up. Now when the program ends by the crash, I get no detach message when the bla command is the first command in the code, but when it's called after a DBP command it does give me a detach message.
Now tell me... how weird is that ?
You have to be a little careful with plug-in DLLs - the compiler loads the DLL at least once, so that may be causing some of your attaches/detaches. That's why Lee included the Constructer/Destructor function calls.
I suggest that you build the exe, and then run it stand-alone from explorer.
ah, I only see one attach message now, that's good, but there is still a bug with the detaching stuff.
oh and while we're at it, how can you manually detach plugins?
Quote: "how can you manually detach plugins"
i don't think you can appart from using load dll, call dll etc.


RWCL-0516. This tiny PCB works super reliable even though ma 20mm thick wooden frame.
How let you this interact with the Pi and MagicMirror? Is there a module, or do you use a Python script?
@onkelbobby It works through 20mm of wood for $3.59!? This seems too good to be true! I ordered one. Might be a week or two before I have a chance to test it out. …Actually shipping on that item is super slow (about a month). Still, I'm holding off on drilling the PIR hole until I can try it out the RWCL-0516.
mine is connected to an Arduino micro 3.3V version and this one is controlling a simple relais switching the monitor inside the mirror. But as @MadScientist already mentioned you can also hook it up to the Raspberry Pi since It works perfectly with MMM-PIR-Sensor.


text:
David Isaac Silverman
This is instantbight.com! Founded by David Silverman, this site is mainly dedicated to interviewing the best and brightest of the technology world. However, this site often veers from its intended purpose to discuss everything from basketball to rap music. Enjoy!
Interview with Adam Lisagor(@lonelysandwich)
If a picture is worth a thousand words, and a video camera captures multiple frames per second, and an editor weaves those pictures together into a single video, doesn't that mean a video is worth thousands and thousands of words?
No one knows the untapped power of a strong video more than Adam Lisagor, founder of Sandwich Video. Sandwich is a company designed to create kick-ass videos for kick-ass products, and they succeed basically every time. At the helm of this ship is Adam, a veteran sailor in the sea of video production. Through passion and obsession(the good kind) Adam and his team are able to present ideas in clean, short, sweet, and infectious videos(not as easy as it sounds).
On the Sandwich website all the way down at the bottom(which you should not get to unless you have watched every single video before it) there is a short "about" section for the company. One line in the brief description is: "We're not here to sell - we're here to share through the medium of video." After talking with Adam I can see why Sandwich Video values this statement so strongly and moreover, how this attention to the medium makes them the best at what they do.
Over the course of about 45 minutes, Adam and I covered everything from cameras to zombie apocalypses and everything in between. It was a real honor to sit down and chat with the Sandwich King himself. Enjoy.
Please note what is transcribed is not the full conversation, rather the main questions and their corresponding answers. I would highly recommend taking the time to listen to the full audio. Adam said some pretty awesome things. The answers are abbreviated.
And yes, this was a little more than five questions.
When in your life did you decide you wanted to make videos?
I was eleven years old. I'm thirty-six years old now, I was born in 1978, and in my generation(by the way in terms of film making you can break up generations into different chunks of time because it's all technology dependent. So a generation in film school context is probably five years or so, and I would consider a generation in a more board respect as 15-30 years), when I was a kid, the way that young, budding filmmakers learned how to start making films was that probably your parents had a gigantic VHS camcorder and one day you were bored with your friends and your tried to make something, tell a story, or replicate something you had seen on a favorite movie. In my case, one of my favorite movies had this little sketch bit where a basket of fruit was on a table and then you here "bing" and it disappears, so I thought how do they do that!? And you start experimenting. Back then we didn't have iPhones, we didn't have HD cameras in our pockets or in a container smaller than the iPhone. We had a cassette that you put into a machine and then you press stop and start and that was basically how you edited. So I discovered that if you set up the camera and put something in your frame and then pause and move that thing from your frame and then press record again and then play it back it looks like that thing disappeared. That's how I discovered visual effects essentially. That started happening when I was eleven...
Why is a great video, possibly a viral one, the current "go-to" marketing tool for startups and new products?
Well it's essentially advertising and advertising has been the same thing since advertising was invented. You're trying to get as many people as possible to realize and recognize that you exist. And that's the same now in this new form of maybe the two minute product or app video then its been since I Love Lucy days, since radio days, since "Step right up and test my new magic snake oil, it'll cure all your ailments." It's all the same stuff, I'm just doing it in a more modern and progressive package. But I wouldn't call them viral and "powerful", thats subjective,. It's important to note that the intention of these videos is never to reach as many people as possible, because once that becomes your intention your motivations are corrupt. Once you say you're making a viral video you're doing it for the wrong reasons, or you're doing it for the right reasons and you're just a sucky human being. To go back to the question: why is this format becoming such a influential format for the industry of tech and startups and what not, and it's because they're trying to advertise their goods just like Coke and Pepsi are. They just don't have the same means to do it. So what't interesting is we approach the market of it accidentally by doing things that were smaller and more quaint...
(Included in this answer: talk of the innovator's dilemma and what we deemed to be corporate agility)
If I had a company that was growing really fast, would you have any tips for me to keep our dexterity and agility?
One thing that almost every business person says almost universally is "overhead is bad for business." When you're talking about "overhead" usually you're talking about anything that costs money on a regular basis that you have acquired to support your business. That can mean more computers, that can mean more office space that you have to rent, that can mean more people that you have to pay on salary. All those kinds of things mean you have to keep doing what you're doing. There is no way around it. You can't stop and say, "I don't want to do this anymore I want to try this other thing" because if that other thing doesn't work, if you're taking a risk on another thing and it fails, then all that stuff you have acquired goes away. Somebody comes and takes your computers, and they evict you from your space and the people that get a paycheck from you to pay their rent can no longer do that. So that's why...it's all fear motivated. What you have to do to combat that is always be weary or rapid growth. In term's of the resources you need: try to do as much as you can with less than what other people think you need...
If you had to order the idea, the equipment and the editing in order from most important to least important, how would you do it and why?
Ideas, editing, and equipment. By far. Not even close. Those are orders of magnitude different from each other. Ideas are the thing of the most value in this world. You can say that unequivocally. Editing falls into the purview of execution. More than half of what we do, and what makes Sandwich, Sandwich is editorial and by that I mean deciding what not to do. These are all maxims that come right out of the Apple playbook. You decide what in your product line does not need to be made. I decide on a constant basis what clients not to take on. And that means some of them are big, huge clients that you certainly know and have products of those in your home, and some of them are small things you've never heard of, but you know they won't probably make any sort of dent in the universe. So when you're making those choices you're editorializing, you're sort of focusing your scope. The other side of that is more on the content side: film editing is a very very powerful thing. I feel like we have a unique voice in our editorial style, that no one else can do because it's our voice. People can sort of do something similar, or maybe they have their own editorial voice, and it's just as prominent as the "additive voice." Editing is subtractive but what actually goes on camera is more of an additive process...
(Included in this answer: discussion of Inside Apple by Adam Lashinsky, and what leadership is evolving into).
If you could travel back in time and talk to your 16 year old self, is there anything you would want to say to him?
It's such an amazing question, a hypothetical question: what would you say to yourself at 16. There are a couple examples of this kind of thing. There's an incredible video on Youtube that there's a scene where this guy interviews himself as maybe a twelve-year-old. So beautiful. Somehow this kid as a twelve-year-old had the foresight and was just goofing around like I was making videos and he and the foresight to go: "wouldn't it be amazing if me a twelve-year-old conducted this imagined interview with thirty-year-old me." And he asked his thirty-year-old self all of these questions and then as a thirty-year-old he dug up that tape and did the other side of the interview. It's one of the most brilliant things I have ever seen. Anyway, what would I tell myself at sixteen? Holy shit. There's so much. Yes, it's important to work hard, but it's also important to explore and not work sometimes. And it's okay if you fuck up from time to time. The people in your life that are telling you have to do everything perfectly right now in order to achieve a certain future, they're not doing that so you do everything perfectly. They're doing that do have a better chance to correct your huge mistakes...
(Included at the beginning of this answer: discussion of Boyhood (the movie), also included at the end: what would I tell my fifteen-year-old self)
If you had to pick, which of your videos is your favorite?
The Knock video is what what I would consider the most pure example of what I do. Which is just show an amazing technology working. And if you get the opportunity to do that without words, even better. So Knock was good. Breaking News was really fun because when I was on the phone with them for the first time, the Breaking News people, and they were talking about this idea that the tradition and respect for news lost, and in my mind I got this crusty, old Walter Cronkite type character railing against what the news has become. And so that came together pretty organically. I really like the Warby Parker one because it was also organic how that idea came to be, because I was just hanging out with my friend Noah, who is the guy in the video (a real photographer), and we're out at dinner and I'm telling him about Warby Parker and he's like...
(Included in this answer: why the Coin video is Adam's favorite....ever)
Tomorrow there is going to be a zombie apocalypse. What must you have by your side?
You have to listen to this one! No cheating.
I would like to thank Adam one more time for being an awesome interviewee and taking the time out of his ever-busying schedule to talk to a 16 year old about some pretty crazy things. It's hard not to like this guy and I know I'm going to be hearing a lot of Sandwich video in the future.
David Silverman July 25, 2014
Interview with Ryan Block(@ryan)
David Silverman August 6, 2014
A Halloween Tribute
David Silverman October 31, 2013


Join us in welcoming Morena Storage to San Diego. Morena Storage is a premiere self-storage operator, offering their customers a clean, safe and friendly facility. They pride themselves on superior customer service and offer a five-star customer experience. These storage options are great for customers who are moving, changing jobs, in a life transition, down-sizing, up-sizing, students, individuals, and businesses.
Corporate membership reflects how companies are finding creative ways to collaborate and build meaningful relationships with new audiences across generations. MOPA's Corporate Membership is a rapidly expanding donor group that welcomes companies to provide funding critical to the museum's mission. Click here to learn more.


need of crushers in cement plant - mine-equipments.com Cement crusher is applied for cement crushing. In cement mining, you need to choose suitable cement grinding mill Limestone crusher in cement plant - Quarry crushing equipment Limestone is an important construction material which is widely used in cement manufacturing plant.
what kind of limestone crusher do i need for small cement plant cement plant limestone Determine the type of cement you want or can produce and the raw. what kind of limestone crusher do i need for small cement. what kind of limestone crusher do i need for small cement plant; Crusher . The pyroprocessing system is the heart of a cement plant.
need of crushers in cement plant; Used plant machinery & heavy equipment for sale in India ... Find heavy machinery, second hand used equipment & non-operational or operational manufacturing plants for sale in India. Free Quote. s - Aluminum s at Ace Hardware.
rock crushers and cement plants - vigilfuocoponzone.it. Portable Crushing Plants by Screen Machine Industries. Screen Machine Industries is an American manufacturer of concrete, asphalt and rock crushing equipment ideal for contractors.
Home > Products > crusher in >crusher in cement plant wiki . crusher in cement plant wiki . Constructicon (G1) Transformers Wiki. 2018-6-9 · The Constructicons are the Decepticons' foremost designers, engineers and builders. ... If you need any solutions about crushing and milling business plans and machinery, you can contact with us!


text:
from distutils.core import setup

setup(
    name='pyepub',
    version='0.3.1',
    packages=['pyepub'],
    url='http://blog.alese.it/pyepub',
    license='MIT',
    author='Gabriele Alese',
    author_email='gabriele@alese.it',
    description='Enhanced EPUB library'
)


Subscribe here to receive daily Conscious Creation tips by text message on your smart phone. You will receive a test message - you must reply to that message to activate your subscription. Cancel at any time by replying CANCEL.


On November 5, 2016 62 men were initiation into the Theta Rho Provisional Chapter of Alpha Sigma Phi at Texas A&M University. The initiation was coordinated by Assistant Director of Chapter Development Jay Grothause, Bowling Green '10 and Ritual Education Team Member David Garcia, Iowa State '05. Members from the Theta Delta Provisional Chapter were in attendance to assistant as well as Theta Rho's Grand Chapter Advisor Brian Dehaven, Toledo '89. The initiation took place at the Lincoln Recreation Center in College Station, TX.
Theta Rho was installed as a Provisional Chapter of Alpha Sigma Phi on November 5, 2016 in a ceremony lead by Assistant Director Grothause and attended by Grand Chapter Advisor Dehaven. Michael Migaud, Texas A&M '16 was the founding President.
The group was approved to charter and the ceremony took place on October 21, 2017 at the University Recreation Center on the Texas A&M campus. Keynote speakers included Grand Councilor, Greg Kroencke, Illinois '91 and Chapter President, Michael Migaud, Texas A&M '16. Brian DeHaven, Toledo '89, was also in attendance.


text:
Mar Vista/Del Rey
Playa Vista/Playa del Rey
Ballona Wetlands
Inside Santa Monica
Venice Stories
Westchester/LAX
Westside Voices
Legacy Content
Argonaut History
Helga Gendell
On Stage — Local Theater
Happy Hour*
Open House Directory
Open House Directory Form
Best of the Westside
Fitness Health & Beauty Guide 2020
Eye on Education 2020
Westsiders 2019
Legal & Classified Ads
Advertising works….
Howard Drollinger chosen for Fritz B. Burns award
Posted by The Argonaut | Jun 15, 2005 | Opinion | 0 |
The Fritz B. Burns Foundation will present longtime Westchester real estate developer Howard B. Drollinger with the 2005 Fritz B. Burns Outstanding Community Service and Leadership Award as part of the Westchester/LAX-Marina del Rey Chamber of Commerce installation dinner Friday, June 17th.
Incoming chamber president Cedric Sutherland of CORT Business Services will host a Mardi Gras Ball as the chamber celebrates the passing of the torch from chamber president Diane Barretti to Sutherland.
The black-tie affair will begin at 6 p.m. and dinner will begin at 7 p.m. at the Hilton Los Angeles Airport, 5711 Century Blvd., Westchester. Tickets are $85.
The event will celebrate the more than 50 years of accomplishments for the chamber and will include Barretti's presentation of a variety of awards to chamber members, commemorating their service to the chamber during the 2004-2005 year.
New chamber officers will be installed and the community's new honorary mayor will be announced by the incoming president. Information and reservations, the chamber, (310) 645-5151.
HOWARD DROLLINGER — Like Fritz Burns before him, Drollinger has been a tireless supporter of our community, funding a wide array of projects in the areas of education, homelessness, veterans affairs, beautification and social services.
He has been involved in philanthropy since before his company, H.B. Drollinger Co., was formed in 1947. Even as a young businessman, Drollinger recognized the importance of giving back to his community.
In 1952, he joined the Rotary Club of Westchester and has since donated hundreds of thousands of dollars to Rotary-related charities from teacher mini-grants for local schools to polio eradication, which helped millions around the globe.
His contributions have had an immeasurable effect on the community, from feeding the hungry and providing additional educational materials to local schools to providing services for mentally ill and recreational opportunities for adults and children.
He has been a longtime contributor and supporter of many organizations that form the crux of our community, including the Westchester Family YMCA, Westchester/LAXñMarina del Rey Chamber of Commerce, Loyola Marymount University, Airport Marina Counseling Service and scores of local youth sports teams and schools.
In addition, his generous donations through the Westchester Rotary Foundation have assisted in sending young scholars to other countries for educational purposes, clothing underprivileged children right here in Westchester, repairing the local fire station, teaching students to read and painting out graffiti.
His contributions to Rotary International have helped to promote international projects, including the organization's goal of eradicating polio from the entire globe by 2008 — a mission that is nearly complete.
Most recently, Drollinger stepped up to the plate when the Westchester Streetscape Improvement Association approached him to help pay for maintaining the new landscaping and planted medians scheduled to be installed along Sepulveda Boulevard.
Instead of simply writing a check, Howard took the reins and is now working with property owners on both sides of the street to form a Business Improvement District that will maintain area landscaping in perpetuity.
Without his help, the City of Los Angeles Department of Transportation would have simply abandoned this portion of the project and Westchester would have missed out on a singular opportunity to beautify this important traffic corridor.
Similarly, Drollinger recently provided the leadership and funding necessary to restore and rescue the Veterans Memorial at the corner of Lincoln Boulevard and Manchester Avenue. The monument recognizing area Vietnam-era veterans has been damaged and is routinely graffitied by vandals.
Working with local veterans, Drollinger provided the seed money necessary to repair the monument and helped lobby Los Angeles City Councilwoman Cindy Miscikowski to approve the relocation of the monument to a site where it will be less of a target for vandals and more visible to local residents visiting the Westchester Library.
Drollinger has also been a contributor to the Union Rescue Mission of downtown Los Angeles.
Drollinger has been presented the Rotarian of the Year Award from Rotary, the Community Builder Award from the West-chester Family YMCA and the Helmsman leadership award from the chamber of commerce.
The Fritz B. Burns Award includes a $5,000 contribution to be made in Drollinger's name to his choice of charitable organizations.
Among the previous winners of the award are Shirley Pfeil, John Ruhlen, Jeanne Breunig, Curt Curtiss, Hugo Francis, Mary Ellen Cassman, Rowena Ake, Jim Bunch, Gwen Vuchsas, Lloyd Hild, Mary Lou Crockett and Lance Lipscomb.
Congratulations, Howard, on this long overdue award.
WESTCHESTER SIGN —
A dedication ceremony to celebrate the re-lighting and refurbishment of the "Welcome to Westchester" sign will be held at 7:30 p.m., Tuesday, June 21st, in the Westchester Municipal Building Community Room at 7166 Manchester Ave., Westchester.
A brief ceremony is planned before the official re-lighting of the sign at 8:15 p.m.
The event will also include the rededication of the El Camino Real Bell on Manchester Avenue, which was also refurbished thanks to funds from the Neighborhood Council of Westchester/ Playa del Rey and Los Angeles Councilwoman Cindy Miscikowski.
John Griswold of Griswold Conservations Associates, LLC restored the sign panels — a process that took about six weeks and lots of expertise to mend the many cracks and a baseball-size hole in one of the panels.
He also restored the El Camino Real Bell.
Tony Villegas of Tony Villegas Electric restored the electrical components and installed a sensor to make the sign turn on at dusk and off at dawn.
"We didn't even know that it used to light up until we took the panels off," said Judith Ciancimino, who helped spearhead the restoration effort. "Even people who have lived here for 50 years didn't remember it used to light up."
Sergio Ortiz and Hector Miguel restored the brick planter box at the base of the sign and have aged the new bricks to make them match the original bricks still in place.
"It's funny, but most people I talk to about this sign didn't even know where it was," said Ciancimino.
The sign is located near the intersection of Manchester Avenue and Loyola Boulevard.
"Even when I explained the location, they couldn't even picture where it was," she said. "When our landmarks look run-down, our community looks the same.
"I think the spruced up sign and bell add a little bit to the perception that this is a community that cares."
SEPULVEDA BOULEVARD
IMPROVEMENTS — Members of the Westchester Streetscape Improvement Association met with City of Los Angeles representatives on Sepulveda Boulevard Wednesday, June 1st, to review Phase II of the organization's plans and the community's vision of a new, improved Sepulveda corridor, including landscaped meandering sidewalks, pocket parks and new pedestrian lighting the length of the residential area.
Among topics discussed was how best to use the $150,000 donated by Arden Realty for community improvement with a design that can be continued along the boulevard as funds become available.
Raising the estimated $3 million for Phase II is the next big challenge for the association and includes the community's vision of a beautiful, inviting boulevard.
In order to achieve this goal, donations and partnering will be sought through major local developers, large corporations doing business in Westchester and government agencies.
Phase I is already funded with $5.8 million from the City of Los Angeles Department of Transportation and work is scheduled to begin next spring.
This will include landscaped medians from Howard Hughes Parkway south to Lincoln Boulevard, a permanent parking lane in the shopping district, better crosswalks and new turn lanes as additional safety measures.
Signs have recently been posted on approximately 100 trees along the area. This should not cause concern. As part of the construction of turn lanes and improved sidewalks, it is necessary to move some trees.
The trees are not being destroyed but will be replaced and/ or relocated to accommodate improvements.
Information, Westchester Streetscape Improvement Association, (310) 204-9742 or www.westchesterstreetscape.org
PreviousCity honored as one of top U.S. sustainable cities
NextSoboroff offers lots of tidbits on Playa Vista during hour tour
Subscribe to get The Argonaut News Digital Edition, emails and newsletters delivered weekly in your email inbox.
Email Address Below
For information about our privacy practices, please visit our website at https://argonautnews.com/privacy-policy/
By clicking to subscribe, you acknowledge that your information will be transferred to Mailchimp for processing. Learn more about Mailchimp's privacy practices here.
Making a Return
Coronavirus by the numbers and local updates
Pico Mural
Fighting Food Insecurity


text:
Whitelist Applications Archives
Prospekt's Unathi Application.
By Prospekt,
March 9, 2015 in Whitelist Applications Archives
ckey: prospekt1559
BYOND Key: Prospekt1559
Character Names: Mason Shafer, Gannon Brinigh, Garret Tih, Aleksander Dumire.
How long have you been playing on Aurora: About a year.
Species you are applying to play: Unathi.
What color do you plan on making your first alien character (Dionaea & IPCs exempt): Black/Dark Gray.
Have you read our lore section's page on this species?: Yes, I have.
Please provide well articulated answers to the following questions in a paragraph format. One paragraph minimum per question
Why do you wish to play this specific race: I wish to play this race for multiple reasons which I shall specify in this question and throughout the whole application. I'd love to immerse myself in SS13 with a Unathi character, I've observed how they act, talk, etc. And I wish to give it a shot because it is truly an interesting race. Not only do they spark an interest in me they are the only race I'd play besides IPC, which is why I'm applying for it, duh. So basically, if I didn't wish to play this specific race I wouldn't be making an application for it. I've seen how an old Unathi acted who was an HoS (I forgot his name, maybe some of you will know who I am talking about). Possibly one of my favorite HoS', seeing a lot of these players roleplay as Unathi has motivated me to make an application for the race.
Identify what makes role-playing this species different than role-playing a Human: What makes roleplaying this species different than roleplaying a Human, is their speech, looks, and the way they act. They have a different culture than the Human race itself, also different speech patterns and bone structure. Their speech is a big impact along with the way they act. It's a lot different than that of the Human's. They care about their honor, willing to do what it takes to keep it is in their nature. Sure Humans can be so too but it's different when Unathi were raised in a homeworld where they are highly honor bonded with their species, like said in the lore page.
Why does this species in particular hold your interest? The race holds my interest because for some reason they remind me of Skyrim's Lizard race which is quite nostalgic for all the good times I had in Skyrim. Another reason is because of how they act, being a species about honor and holding it. From what I've seen they tend to be quite aggressive when their honor is being challenged by another person. It's just how they are which really holds my interest. The way they act
Character Name: Odanu Adanutha
Please provide a short backstory for this character, approximately 2 paragraphs
2426, Moghean.
Odanu Adanutha was born in the year, 2426. He was born in a highly populated settlement suffering still of the nuclear disaster which happened a century ago. Wealth, shelter, and food are all problematic in this settlement which attempts to keep themselves afloat in the rough planet. Born into a rough environment, Odanu was immediately put through a rough childhood. Often was he involving himself in attempting to get food everyday or attempting to impress his clan. At the age of 13, he was caught and charged with petty theft. He attempted to steal food from a nearby shop to his home to feed not only himself but his family who were crammed in a medium sized home, constructed of sandstone that has been worn down by the sandstorms and other environmental damage that it's been put through. Soon after 13 year old Odanu was released he was ashamed, ashamed to what his clan would think of him after committing such an act that not only affects him but the representation of his clan. Though the charge was not his ultimate worry, the punishments from his clan were. Submitted to a lashing even though he is at a young age his clan believed in strict ways, he would never do such an act ever again. By the age of 15 he was employed into trading stand in the middle of the settlement, trading small wares found outside of the settlement by "explorers". There he spent his time observing the small security cell assigned to the settlement that watched over the trading stalls and shops. He began to think of a way to regain his clan's honor for him, though not of age as of yet he observed the local Security team in his settlement. He had heard shuttles which came to Moghean to fly out to Tau Ceti and other homesystems. Many of these shuttles delivered citizens to Space Stations which job employments for NanoTrasen could be filled out and training could begin.
2436, NT Training Facility, 12. Homesystem Tau Ceti.
5 years later, Odanu finds himself in a Training Facility for NanoTrasen where he now a cadet for NanoTrasen's Security. Within this time in his life he would go through a year program specializing in Security training. Odanu had joined up to recover what he lost in honor and to make better with his life. To evolve from what he had gone through in his homeworld, not only did he join NanoTrasen for that fact, he joined to help the research which would cause greater life for many of the races inhabiting the tons of homeworlds around. 11 months and 3 weeks in he is promoted to Security Officer earlier than the full 12 months for noteworthy competence and distinction. A week after he is assigned to the NSS Arbital; Research Station 246, where he spent 5 years of doing Security work. During a transfer 5 years later he had his chance to fly to his homeworld and visit his clan where they had given him his goal. His goal to regain the honor he lost years ago, only being able to stay a week before having to fly to his newly transfer, the NSS Aurora. Everything aside he enjoyed the fact that he had honor once more, something he craved for years from his clan. Now he has it, now he can work knowing he has that honor; he is full once more.
Present Year.
2456. NSS Aurora.
Odanu Adanutha, current employment NSS Aurora. He has been working there for a full year. Current age, 26. It took many years for him to achieve his goal, now he works within the Station shift by shift ensuring crew members follow Corporate Regulation. This has been his story, now we've reached present year. It is time his story continues to create. I thank you for reading my character, Odanu Adanutha's backstory and how he grew to live to become a Security Officer within the NSS Aurora.
What do you like about this character? What I like about this character Odanu, is that he's gone through a lot to achieve what he wanted. Experienced a lot to get what where he wanted. For me he's a unique character that I've never roleplayed before which is what I like, something new. I can say a lot about him, from personality, to how loyal he is. He was raised in a respectful environment where loyalty was an important thing, also his personality being that he is very caring about his-- and I don't mean to be cliche-- but his honor.
How would you rate your role-playing ability? No matter how ridiculous this question is-- no offense. I'll try not to be biased and rate myself at a 8/10.
Notes: Nothing to note.
Promised I'd support this.
Unathi are the best. We need more Unathi. Security needs a bit more honor in their dealing of situations, and I feel that an Unathi personality would best achieve this.
Prospect, while I have not had much interaction with them, I have not had any bad instances with them at all. Surely they are capable enough to pass the buffer that is the whitelist.
kingmatt9
Yo, we need more Unathi. Based on the many times that I've played with/RPed with Prospekt, he's shown he is a cable RPer.
Plus, leezurd master race.
I haven't actually met any of your characters ICly, but I can definitely support this. We need more Unathi in Security to mix things up a bit!
Guest Marlon Phoenix
Nothing wrong here. Application accepted. Apologies for the long wait.
Thanks a lot man, do you know the ETA on getting the whitelist in game? Just wondering.


text:
Le Sextuor à cordes  en si bémol majeur opus 18 est un sextuor pour deux violons, deux altos et deux violoncelles de Johannes Brahms. Il est achevé en  à Ham près de Hambourg. Surnommé Frühlingssextett "Sextuor du printemps", il fut donné en première audition avec succès le  à Hanovre et rejoué le  à Leipzig. L'ouvrage est publié en 1861 aux éditions N. Simrock. Le compositeur, l'année suivante, réalise une version pour piano à quatre mains chez le même éditeur. Il publie également un Thème et variations en ré mineur op. 18b qui reprend le deuxième mouvement de son sextuor.

Structure de l'œuvre
 Allegro ma non troppo (en si bémol majeur, à )
 Andante ma moderato (en ré mineur, à )
 Scherzo: Allegro molto (en fa majeur, à )
 Poco allegretto e grazioso (en si bémol majeur, à )
 Durée d'exécution : environ trente quatre minutes.

Postérité

Les deux premiers mouvements du sextuor sont utilisés comme musique pour le film de Louis Malle Les Amants (1958).

Notes et références

Liens externes

Musique de chambre de Johannes Brahms
Brahms 1
Œuvre en si bémol majeur


Introducing the first one-hand solder paste dispenser.
It works like a miniature caulking gun.
Simply pop-in a solder paste syringe, release the back trigger, and ease the plunger into the holding position, and voila -- you ready go.
As you gently squeeze, you trigger the back spring, allowing the precise amount needed -- one drop at a time. The Magnum One Hand Solder Paste Dispenser is designed and built by Magnum with you in mind -- enabling your team to perform faster, more expediently -- saving you time and money.
It's what you expect from Magnum.
Efficiency where you need it.


Last Tuesday, the United Nations Association in Canada and Schema Magazine co-hosted Me in Media, a public town hall to explore how we can make Vancouver a more inclusive city through media.
CoopCulture helped sponsor the event and, as its Director of Online Media, I put together the social media strategy to promote this free event.
As always, it's gratifying to see an event come together after months of patient planning over coffee, Skype calls, phone calls and Google Docs.
But most importantly, it's invigorating to be in a room filled with likeminded people who are passionate about the same thing that drives us to volunteer our time: how we can use media to make positive change.
Over the course of two hours, people sent out 352 tweets that included the event's hashtag, #meinmedia, and we became a trending topic in Vancouver.
Five days after the event, the number of total tweets has risen to 661. In fact, the most recent 50 tweets have reached 20, 453 people and produced 47,707 impressions according to TweetReach.
The numbers show how hungry we are for more events like #NetCulture and Me in Media where we can come together, be candid and brainstorm new ideas.
Check out our live blog below for a tweet-by-tweet transcript of the evening.
What do you think our next town hall should tackle?
Thank you Tracy for gathering and summarizing the reach and importance of these kinds of community dialogues.


Jesper Christensen (born 16 May 1948) is a Danish actor. A veteran of European cinema, he has more recently made the transition to English language projects, including The Interpreter and Revelations. He has also appeared as the mysterious villain Mr. White in the James Bond film Casino Royale and its sequel, Quantum of Solace.
In his home country, Christensen has won 4 Bodil Awards, 3 for Best Actor (Hør, var der ikke en som lo?, Bænken, and Drabet) and 1 for Best Supporting Actor (Barbara).
In 2006 Jesper Christensen declined when offered to receive the Knight's Cross of the Order of the Dannebrog. He thought the entire idea of monarchy is a crime to the members of the royal family and does not fit with modern ideas.
as "King Haakon VII of Norway"


text:
Q: NiFi Cluster content repo full on a node On our NiFi cluster, the content repo is full on one node (it is isolated on it's own disk so does not affect NiFi OS, etc.) and now it seems NiFi can not process any flowfiles that involve this node's content repo.  Once a node's content repo is full, is there a way to lower the usage below 100%.  Are we basically stuck with clearing out this node's flowfile and content repo?

A: Well, you could set nifi.flow.configuration.archive.enabled to off. That would prevent archiving unreferenced Content Claims.
However, there's not much you can do but get rid of irrelevant content as soon as possible. NiFi must have free content repository to work.