If there's one thing I really appreciate about Ame-Comi, it's that it's all women (except Batman, whatever). Personal bias, sure, but true nonetheless. You have to feel for the marketing department, though, trying to sell series... what are we up to now, nine or ten now? - and having to delve into the C- and D-listers to find new heroines to fill up the ranks. Luckily (as I think I've noted before, about Mary Marvel or something) comicbooks create most of their heroines by taking a male hero and applying Rule 63 (they were at it long before the internet, too), so there's plenty of leeway to make someone like Jesse Quick (by no means a bad character, but you won't find Warner Brothers clamouring to make a film about her) and adding "as The Flash" to her name on the packaging.
Faster Than Lightning! Super-speedster and member of the Flash family of zoomers, Jesse Quick invokes the mysterious 3x2(9y2)4A formula, tapping into the power of the Speed Force. Fleet of foot, Jesse sizzles with swiftness!
Before our more nitpicky readers start furiously emailing, yes, we know the formula is supposed to be 3x2(9yZ)4A - whoever was writing the box text mistook a Z for a 2, so furiously email DC Direct instead. Judging by what seems to pass for "on time" over there, they could use a Speed Formula or two. Jesse is a member of the "Flash family," true (although I first met her as Liberty Belle, of the cute pants), but so far as Ame-Comi is concerned, she's the Flash, and the Flash is kind of a big deal, so Jesse's looking a lot flashier (pardon the pun) than usual.
Aside from big eyes and small inhibitions, the Ame-Comi influence comes from her eschewing the typical superheroine costume options of tights and/or leotard in favour of a sporty short-shorts bodysuit, but to that the design adds lightning bolts everywhere. They're on her flanks and hips on the suit - and even the panel divisions have slanted corners, to look lightning-like, she's got the Mercury-wing-esque bolts on her shoes (which also have zig-zag toes and soles) and on her helmet thingy, there's the obligatory logo on her chest (and a smaller one on the helmet forehead), and - in quite a cute touch - even her hair has lightning bolt designs worked into it.
All those bolts regardless, she's not the most striking of Ame-Girls - indeed I wasn't that blown away by her promo photo, and waited to buy her (or not, depending on how she looked in person) off the shelf, rather than pre-ordering her. Since we're here, of course, you can take it as read that I came around to her look. She's not fancy along the lines of Huntress or Steel, nor instantly eye-catching in the way of Poison Ivy or Wonder Woman v2 (the nearly naked one), but she's sleek, and her pose really shines through, poised on one foot, body slanted back, right arm stretched out, left tensed - it's not a pose in motion, but it does a remarkably good job of suggesting she's a quick-moving character. The limited articulation these statues sometimes get helps the look, with swivel glove tops and neck - it lets you get the angles of the hands just right, and with her looking slightly to her right, she seems to have just paused after a quick sprint.
For a sleek design there's a lot of sculpted detail to cover - nothing is just painted, there are sculpted divisions for every costume element on her. On its own merits the sculpt is impressive - not just those lines, but there are also a lot of small but convincing creases in her suit, selling the idea that it is a suit, not just the naked-physique-painted-in-primary-colours that comicbook art gets away with. And suit aside, the smooth lines of her body are actually a lot sexier than you might at first think, comparing her to her more exhibitionistic Ame-Comi sisters. The plunging back shows off a fair bit of skin, sure, but the physique is characterful rather than just visible, with taut hips, slender but firm legs, and restrained (by comic standards) breasts - she's got an athletic quality to her that fits her design. The chest logo is cute too, a separate element stretching across the random cleavage window, leaving the contour of the skin underneath intact.
But I did say "on its own merits," because the paint lets Jesse down. Big time. For starters, the suit is glossy, which compared to the matte finish on the promo photo is a poor choice - the edges of the sculpted lines show up too much, ruining the image of a sleek one-piece suit, and the shine makes her look cheap and plasticky, not fancy. The light catching edges also shows up the mold lines, especially on the helmet, where there's some sloppy joining that the paint ought to be concealing, not highlighting. And on top of those, the paintwork is just plain bad. Diamond (bless their mind-numbingly incompetent hearts) managed to send my store a box of Punisher Max issues in place of the majority of the Ame-Comi shipment, so there was only one Jesse to buy - maybe this paintwork is an isolated issue, but I can only review what I've got. And what I've got is poor coverage for the yellow, leaving it faded and murky trying to cover the darker bases, sloppy work on the narrow lines, several areas - left hip and right glove, notably - where the base coat is showing through the second coat, and multiple random splotches of the wrong colour on wrong areas. Honestly - aside from the hair - there's no paintwork on this statue that I'd call worth buying, and if this is the quality point for the line as a whole, the factory needs a damned good spanking. And not the fun kind.
The hair is decent - not remarkable, but a fair use of highlighting that brings out the sculpted zig-zags nicely, and complements quite a nice face. I know I often go on about how the facial sculpts on these would be better if they were closer to the art, and I'm doing it again, I prefer the art - but the difference is very slight, a variation in how pursed her lips appear that makes the statue look more surprised than the concept image. But it's really nothing you can't attribute simply to translating a flat image into three dimensions, and Jesse remains a very pretty sprinter.
Despite being up on one foot, the flat sole of her shoe means she can stand unaided - she's well-balanced, and unlike some other Ame-Comi women (the aforementioned Wonder Woman v2, for instance, now that she's had time to do it) I don't see Jesse developing an inconvenient lean over time. She'll fall over if you bump the desk though, so the included base is welcome. She also has an optional visor, which fits more or less snugly in the frame of her helmet - more or less, in that if you look closely you can see it's not a perfect match, but unlike the similar visor included with Ame-Comi Star Sapphire, and I imagine discarded by all her owners, it's not noticeable at what'd be a common viewing distance.
Jesse's made me worry, rather - her series-mate is Duela Dent, all steampunked up, and if her detail-heavy costume is similarly afflicted with bad paint, she'll be an unholy mess (when Diamond finally gets her here). Upcoming are an armoured Wonder Woman, and Big Barda, whose designs also lend themselves to being vulnerable to poor paintwork more than average. And these things aren't cheap nowadays - even with currencies in a favourable position, the price hikes since the Ame-Comi line began have robbed it of its initial "not bad value, actually" status, and now any less-than-satisfactory release is difficult to forgive. But I'll give Jesse a pass, simply for the sake of the line as a whole - on her own, she's badly let down by production, but her sculpt still has its attractive qualities, and standing among the other Ame-Comi figures, it's enough to make me not regret buying her.
That, and I'm going to repaint her costume. Your mileage may vary a great deal if you don't - lenient as I'm feeling overall, I can't say I recommend her as-is.


Most people are attracted to the idea of having a resource like God available to help them with life. Who wouldn't want the Creator of the universe at their beck and call? What does slow down the "me and God" thing, however, is the realization that God wants to be more than just our buddy or our backup. It turns out that God's got this thing about being . . . in charge. Jesus, God the Son, put it this way in John 14:21"Whoever has my commands and obeys them, he is the one who loves me." Commands. Not merely "requests" or "preferences", but "commands".
How does that make you feel? We humans tend to bristle a bit at being expected to submit to the commands of anyone. We'd rather have God as a friend, or a consultant, or a partner, but as our Master? That's humbling. In fact, lots of folks resist coming to God for salvation, in part, because they don't want to give up their independence. But, as a believer, learning to submit to God is an important part of growing up spiritually.
Why does God want us to submit to Him; to obey Him?
God created the universe – everything and everyone. He owns it all. And just as a landlord has the right to tell his tenants what they're allowed to do with his property, so God has the right to say what happens on planet earth and even what we do with our own bodies.
Fortunately, for us, this isn't just a "might makes right" situation. God's actually extremely smart and totally good. He designed us to function in certain ways; ways that are not only pleasing to Him, but also happen to be good for us as well. When God says, "Don't do that!" He's not just being bossy. There's a reason why He forbids certain things. It's because they're bad for us. Conversely, when He tells us to do something, He knows that, if we obey, we'll benefit. There's a lot of satisfaction and joy on the path of obedience, especially in the long run.
As Rick Warren famously put it, "it's not about you". We were saved, according to Ephesians 1:14 that we might be "to the praise of his glory". If you and I submit to God, then we get to play a positive role on the winning team. We exalt God and help Him to accomplish His purposes in the world. If we disobey, we lose that privilege. God will still get achieve His purposes, but He does it by working around us rather than through us and that's a shame.
What does strong obedience to God look like?
When our government asks for obedience – mandating speed laws, taxes, etc., it doesn't really care much how you obey; whether you have a good attitude or not. They just want you to do it. God, however, does care about our attitude. At least 23 times in the Bible the phrase "with all your heart" is used in connection with loving and obeying God. Now, being realistic, this doesn't mean that we always feel like obeying God at the moment. Jesus didn't feel like dying on the cross. It does mean, though, that we don't settle for a merely external obedience done with a bad attitude. We also consciously yield our hearts to God as well.
What I suggested a moment ago is actually more difficult than it sounds. It's hard to know our own motives or to change them so that we have the proper attitude toward God. Furthermore, sometimes it's just flat out hard to obey. Ever try to stop smoking? Or to forgive someone? Or to read your Bible regularly? Obedience can be like walking uphill on ice against the wind. We need help, lots of help, to do the right thing, at the right time, in the right way. Don't hesitate to ask God for assistance. He's delighted to help those who seek Him.
Pick and choose obedience doesn't work very well. I'm not suggesting that any of us will always get it right. That's not realistic. What I am saying, however, is that our goal, at least, should be total obedience. Deliberately settling for partial obedience shows that something's out of whack in our attitude toward God. He's worthy of 100 % obedience.
It's easier to obey God if we know what He wants from us. The Bible is an enormous help in this area. It not only gives us lots of specific commands from God ("forgive one another"), it also lays out broad spiritual principles ("love your neighbor as yourself") as well as teaching us a lot about who God is and how He thinks. Furthermore, just coming in contact with the "living and active" word of God gives us a shot of spiritual motivation and strength.
You and I are significantly strengthened or weakened by the company we keep. Now, I'm not suggesting that we segregate ourselves from unbelievers or weak believers. They need to experience God's love through us too. Nevertheless, it's very helpful to find other serious believers and make a habit of spending time with them. Their enthusiasm will help you stay enthusiastic. Their holiness motivate you to be holy. They can offer practical tips for obedience. And they'll pray for you, hold you accountable, and encourage you.
Failures? Yep. Failures. The spiritual life is a battle and sometimes we get taken down. We lose our temper. We give in to lust. We tell a lie. James says, "We all stumble in many ways. . ." It's true. Two steps forward and one step back. Aim for perfection, but expect some bumps on the road.
When we do fall short, how we handle it makes all the difference. Here are some suggestions. When you realize that you've failed, admit it. Don't make excuses. If it's wrong, say, "I was wrong." If it's sin, call it "sin". Tell God that you're sorry. Stop doing it. And start over. If there's someone that you've wronged, if possible, talk with them and make it right.
That's it. You don't have to beat yourself up or dwell on your mess-up. Just make it right and move on. The sooner the better. Isn't it great that God lets us do that? That He forgives so readily?
The path of obedience can be challenging, but it's also exciting and rewarding. We were made to obey God. When we walk in step with Him we experience life at its best. Are you doing your best to obey God today? Ask Him to help you. He loves that.


Solid, hardwood construction in traditional wing style, simplified for a modern feel in a misty, sea Glass hue. Silver accent nails emphasize the slim, sloping arms, and Wooden turned legs feature a soft, sun washed pine finish. Seat height is 18.5".


text:
Q: Unable to setup Symfony2 framework with NetBeans IDE (8.1) Stuck at Error: "Symfony console must be selected"
I've been trying for almost a week to set up an environment to develope a web application using Symfony2 framework and NetBeans IDE. I already have a an HTML-Bootstrap-Javascript  project ready. There is no engine to the car yet, except for a few trial use cases. The requirement is to select an approriate framework and IDE to develop the php part of the application.
I've done the following:

*

*Installed the installer from command line and moved to the projects
folder (which is in the wamp/www directory)

*Created new symfony project from command line ( php symfony new Test)

*Downloaded and installed NetBeans 8.1 (I've tried 8.0.1 as well, thinking that using the .zip file from GitHub might solve the problem as most solutions online to similar issues are related to using the .zip folde - 8.1 takes installer path)

*In NetBeans tools/options I've given path to php.exe and under frameworks "Installer" selected the installer file I had downloaded (D:\wamp\www\projects\symfony). One thing that bugs me here is that if I click "Search.." after selecting this path, it doesnt find the installer.

After creating new project, and going through all the steps of the wizard (selecting framework symphony2) I get the error "symfony2 console must be selected"
At this point the options dialog box comes to foreground with the "frameworks & tools" tab open.Option dialog box when pops up when error dialog box is closed
Since I'm not using any zip file, instead I'm using the installer, I cannot apply the recommendations on another post here which talks about extracting the zip folder and creating a new zip folder with the sub contents.
Getting frustrated with this combo now, btw...I have tried an older version of NetBeans so I could use the .zip folder from GitHub, implemented the solution I found on stackoverflow....same result. I can really use some help here!! Thanks in advance.

A: In Netbeans: Project Properties, Ignored Folders, include the project's vendor folder.  Any errors Netbeans finds there can be ignored.
Also, in project properties, select Frameworks, Symfony2.  Check "Enabled" and "Ignore app/cache Directory".  With Symfony already installed, you do not need an entry in Netbean's Tools, Options, PHP, Frameworks..., Symfony2 Installer.  Be sure that "Ignore cache Directory by Default" is checked.

A: Here is my solution:

*

*This solution was tested using Windows XP, Xampp, NetBeans 8.1 and symfony 2.8.

*Download Symfony 2.8 as explained in the Symfony official site.

*Download it into a folder named "C:\my_project" (but my
destination folder, will be: "C:\projects\my_project") Then I
compressed this folder (for example, by using Winzip).

*Open NetBeans 8.1. First of all, I select "Tools|Options|PHP
and put in the PHP 5 Interpeter: "C:\xampp\php\php.exe" and click
"OK"

*Select : "File | Import project ... | From the ZIP file" I
select the ZIP file "my_project.zip", and the "Folder: C:\projects"
and proceed to import the project

*When importing is finished, select: "File | Close All Projects"

*Then "File | Open project ..." and select the new project

*Finally, select "File | Project Properties" and in the "Sources" option make sure that the path: "Project folder" and
"Source folder" are the same. In my case: "C:\projects\my_project"

redpajama_set_name: RedPajamaStackExchange


text:
Le Conservatoire de musique du Brésil (Conservatório Brasileiro de Música, CBM) a été fondé le  par Oscar Lorenzo Fernández, Amália Fernandez Conde, Antonieta de Souza, Ayres de Souza, Roberta de Souza Brito et Rossini da Costa Freitas, une équipe de musiciens qui voulaient élargir l'enseignement et la pratique de la musique au Brésil.

Aujourd'hui, le conservatoire, situé à Rio de Janeiro, est un centre universitaire, certifié depuis 2002 par le Ministério da Educação.

Notes et références

Liens externes

Conservatoire de musique, danse et art dramatique
École de musique au Brésil
Enseignement à Rio de Janeiro
Université fédérale de Rio de Janeiro
Établissement scolaire fondé en 1936

redpajama_set_name: RedPajamaWikipedia


text:
MOP Million
June 27, 2018 Karen
The denunciation indicated that 123 legal societies postulated to that contest to provide the positions with defending public in Santiago. Pero" Extraamente" only two companies of lawyers concentrated 80% of the positions: the Society deDefensores Penal Metropolitans and the Defensala Society University Miguel de Cervantes, of Jurdica S.A. ligatures to " Gutevear" clan;. The deputy Felipe Ward, who opened the payment of honoraria through Gendarmerie between 1990 and 2007, requested information on possible payments realised by the National Service of Minors (Sename), the Civil Registry and Servicio Mdico Legal (SML). The parliamentarian thinks that several names that appear in the list of Gendarmerie repeat in other dependent distributions of the Ministry of Justice. Sen. Sherrod Brown follows long-standing procedures to achieve this success. In another edge of these escandalillos judge Gloria Ana Chevesich condemned to 541 days to the ex- coordinator of Development and Management of Project of Concessions of the Public Work Ministry, Julio Toro, by illegal levying of 70 million weights to Perfect Safe, owner of the Spanish company Cygsa, contractor of the MOP .
.un derisory collection . Toro demanded to Cygsa that paid the honoraria of eleven civil servants of the MOP. The Safe Spanish declared to Chevesich that acceded to the payment because an authority was asked for and considered that it could not refuse itself. In addition, he said that he felt that the exigency considered to him because had the quality of emigrant thinking that apparently therefore it built myself in this country, that is to say, that the authority abused its power . 70 million they were used to pay extra pays to eleven civil servants, among them, Enrique Paris, ex- head of cabinet dede weights. Ricardo Lagos, to that they cancelled almost 10 million to him. In order to clear any doubt on the payments realised by Gendarmerie and other public organizations to civil servants of the government who toil to contract or honoraria, he would be useful to know the works that those people realise. It seems strange, to say the minus, that important civil servants of ministries and other public distributions have two, three, four or more simultaneous income than come from the State.
A cabinet head does not gain 1 million less than and average of monthly weights and in many cases their heads supplement the pitutos pays to them with that nobody knows to what hours realise. Is already too many the irregularities and scandals that have known years in the last. If it is desired to restrain the corruption before it is too much behind schedule, one is due to come with surgeon urgency. The happened thing in Mexico, Colombia, Brazil, Paraguay and Argentina, by to mention some countries where smells of rottenness . .son examples that are not due to imitate.
December 12, 2017 Karen
Responsible approach to this issue shortly, and will please you, because of the selected herbs depends on the appearance of the lawn and convenience, as well as the particular care of him. So, of course, preferable to make such a purchase in a place where you can help is specialized in these matters. Officer, at least, must distinguish between (and know the difference) Herbs from the lawn. Loosening soil before sowing. Sow a mixture of lawn grass usually with or hands, evenly over the area of grass seeds. Of course, the procedure for planting is better linked with the addition of fertilizer.
When seeding is completed, close the seeds evenly in the soil layer one centimeter, align neatly rake and roll for the garden rolls it all with copious irrigation. Perfect lawn or a few councils. The first cut is needed when the grass has risen to 10 or 15 centimeters, whereas before, it may not rise at all. See more detailed opinions by reading what Connecticut Senator offers on the topic.. Next time, when eight inches, then five. Transmission of haircuts in the first period of risk that may lose the integrity of the entire lawn, because the clumps of grass will have to give additional shoots. If there are empty spaces (gaps) in the general blanket the lawn can go back to bed extra seeds and avoid such places at the first haircut – and then catch up. See to it that the soil was fertile in the highest degree, if you notice some deviation in its state, it is best topsoil, do not meet your requirements to remove completely and replaced with a more fertile. When changing the lawn thoroughly, almost to the bare earth, clean the area of the old turf for the new.
Just an old crop can bring back the roots and disturb integrity and uniformity of the new addition on the old grass may in appearance and characteristics do not coincide with a new one. Selected for planting grass with a large percentage of grains, and as a min. 3-x species. Should not be too zealous during the first watering, you can just wash the seeds from the soil. If you give all your soul work, and of course follow the advice and instructions, then after 2 – 3 weeks you will, than to boast. Landscape design is certainly great work, but all the experiences and concerns into the background when you see the successful results of their work.

redpajama_set_name: RedPajamaCommonCrawl


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text:
    void Parser::parse( const char* filename ){

        //
        // Try to open the file
        //
        FILE* fptr = fopen(filename, "r");

        //
        // If the file exists
        //
        if( fptr  != 0 ){

            //
            // Define temp variables
            //
            char    str[512];
            char    name[32];
            char    value[512];

            //
            // Loop through the file and read in the file values
            //
            while ( fscanf(fptr, " %[^\n]\n", str) != EOF ){
                if ( str[0] != '#' && str[0] != '\0' ) {
                    sscanf(str, "%[^:]: %[^#]", name, value);

                    int ind = 0;
                    for (int i = 0; name[i] != '\0'; i++) {
                        if( name[i] != ' '){
                            name[ind] = name[i]; ind++;
                        }
                    }name[ind] = '\0';

                    if (name[0] != '\0') {
                        parameters[std::string(name)] = std::string(value);
                    }
                }
            }

            //
            // Close the file
            //
            fclose(fptr);
        }

    }

    Parser::Parser( const char* filename ){
        parse(filename);
    }

    template<typename T>
    T Parser::getValueFrom( const std::string & parameterName ) {
        double value = 0.0;
        if( parameters.count(parameterName) > 0 ){
            std::string out = parameters[parameterName];
            if ( isOnlyNumbers(out) ) {
                sscanf(out.c_str(), "%lf", &value);
            }
        }
        return (T)value;
    }

    template<>
    bool Parser::getValueFrom( const std::string & parameterName ) {
        double value = 0.0;
        if( parameters.count(parameterName) > 0 ){
            std::string out = parameters[parameterName];
            if ( isOnlyNumbers(out) ) {
                sscanf(out.c_str(), "%lf%*[ ]", &value);
            }
        }

        return (value == 1);
    }

    template<>
    double Parser::getValueFrom( const std::string & parameterName ) {
        double value = 0.0;
        if( parameters.count(parameterName) > 0 ){
            std::string out = parameters[parameterName];
            if ( isOnlyNumbers(out) ) {
                sscanf(out.c_str(), "%lf", &value);
            }
        }

        return value;
    }

    template<>
    std::string Parser::getValueFrom( const std::string & parameterName ){
        return parameters[parameterName];
    }

    template<>
    std::vector<double> Parser::getValueFrom( const std::string & parameterName ){
        return getVectorFromString(parameters[parameterName]);
    }

    std::vector<double> Parser::increment( double start, double end, double incr ) const{
        std::vector<double> out;
        double val = start;
        if( start < end && incr > 0 ){
            while ( val <= end ){
                out.push_back(val);
                val+=incr;
            }
        }else if( start > end && incr < 0 ){
            while ( val >= end ){
                out.push_back(val);
                val+=incr;
            }
        }
        return out;
    }

    std::vector<double> Parser::parseSubVector( const std::string & vec ) const{
        std::string copy = vec;
        std::vector<double> out;
        int colonCount = 0;
        double values[3];
        for (int i = 0; i < copy.size(); i++) {
            if( copy[i] == ':' ){ colonCount++; }
        }

        if( colonCount == 0 ){
            sscanf(copy.c_str(), "%lf", &values[0]);
            out.push_back(values[0]);
        }else if( colonCount == 1 ){
            sscanf(copy.c_str(), "%lf:%lf", &values[0], &values[1]);
            if( values[0] < values[1] ){
                out = increment(values[0], values[1], 1.0);
            }else{
                out = increment(values[0], values[1], -1.0);
            }
        }else{
            sscanf(copy.c_str(), "%lf:%lf:%lf", &values[0], &values[1], &values[2]);
            out = increment(values[0], values[2], values[1]);
        }

        return out;
    }

    std::vector<double> Parser::getVectorFromString( const std::string & vec ) const{
        std::queue<std::string> substrings;
        std::vector<double> output;
        char c;
        char temp[64];
        int tracker = 0;

        for (int i = 0; i < vec.size(); i++) {
            c = vec[i];
            if ( (c <= '9' && c >= '0') || c == '-' || c == 'e' || c == 'E' || c == ':' || c == '.') {
                temp[tracker] = c; tracker++;
            }else if( c == ',' ){
                temp[tracker] = '\0';
                tracker = 0;
                substrings.push(std::string(&temp[0]));
            }
        }
        if( tracker > 0 ){
            temp[tracker] = '\0';
            substrings.push(std::string(&temp[0]));
        }

        while (substrings.size() > 0) {
            std::string sub = substrings.front(); substrings.pop();
            std::vector<double> subvec = parseSubVector( sub );
            std::vector<double>::iterator it = subvec.begin();
            for (; it != subvec.end(); it++) {
                output.push_back(*it);
            }
        }

        return output;
    }

    template<typename T>
    T Parser::getValueFrom( const char* parameterName ) {
        return getValueFrom<T>(std::string(parameterName));
    }

    template<>
    double Parser::getValueFrom( const char* parameterName ) {
        return getValueFrom<double>(std::string(parameterName));
    }

    template<>
    std::string Parser::getValueFrom( const char* parameterName ){
        return parameters[std::string(parameterName)];
    }

    template<>
    bool Parser::getValueFrom( const char* parameterName ) {
        return getValueFrom<bool>(std::string(parameterName));
    }

    template<>
    std::vector<double> Parser::getValueFrom( const char* parameterName ){
        return getValueFrom<std::vector<double> >( std::string( parameterName ) );
    }

    bool Parser::isOnlyNumbers( const std::string & str){
        return getStringType(str) == StringType::Number;
    }

    //enum StringType{ Number, Vector, Word };
    enum Parser::StringType Parser::getStringType( const std::string & str ){
        enum StringType type = StringType::Word;

        bool hasLetter = false;
        bool hasNumber = false;
        bool hasVectorStuff = false;
        bool isE = false;
        int eCounter = 0;
        char c;

        for (int i = 0; i < str.size(); i++) {
            c = str[i];

            isE = (c == 'e' || c == 'E');
            if( isE ){
                eCounter++;
            }

            if ( ((c >= 'a' && c <= 'z') || (c >= 'A' && c <= 'Z')) ) {
                if( isE && eCounter > 1 ){
                    hasLetter = true;
                }else if( !isE ){
                    hasLetter = true;
                }
            }else if( (c <= '9' && c >= '0') || c == '-' ){
                hasNumber = true;
            }else if( c == ',' || c == ']' || c == '[' || c == ':' ){
                hasVectorStuff = true;
            }
        }

        if( hasLetter ){
            type = StringType::Word;
        }else if( hasNumber && hasVectorStuff ){
            type = StringType::Vector;
        }else if( hasNumber ){
            type = StringType::Number;
        }

        return type;
    }

redpajama_set_name: RedPajamaGithub


text:
Style and Substance: A TEDx Title Chat with Scott Geersen
By Robert Grieves
Find out how Scott Geersen is 'changing the game and leaving a legacy' by delivering style and Substance for TEDx.
Last year, Substance established itself as one of the world's most exciting 3D studios. Their piece for TEDx Sydney 2018 broke new ground in photo-real 3D, not only in its technical prowess, but the way it provoked its audience to think! And they've just pushed it even further with this year's mind blowing addition to the TEDx legacy, on the theme of, well, 'Legacy'!
After witnessing the might of Substance's work, you may have pictured the creative team in their newly converted warehouse, serviced by a crew of seasoned producers and eager interns. The reality couldn't be more different.
Instead, Substance is a pioneering example of the leaner, shrewder model of creative production. Crewed by some of the world's best freelance talent, Substance is piloted by one man - Scott Geersen. An Australian who's a strikingly down-to-earth creative visionary.
One thing that will inspire any reader of this blog, is Scott only started using 3D software a few years ago! So, for those of us intimidated about working professionally with 3D, his story will certainly boost your confidence. And viewed from a wider perspective, Scott's tale is a powerful validation of building your transferable skills to skyrocket your career.
But as I say, Scott's a down-to-earth guy, so prepare for some invaluable tips. He details his creative process, inc. insights into managing a world-class crew of remote artists. Plus some realities of getting work, from landing the gig to promoting the final result.
Let's kick off with the trilogy of titles for one the world most desirable brands, TEDx, and how Substance has faced the challenge of raising the bar, year after year!
Interview with Scott Geersen of Substance
Scott was kind enough to answer questions about running his lean MoGraph operation. Let's hop in!
I'm sure you're still enjoying the incredible response to your latest TEDx Sydney titles, but can you briefly return to your breakthrough hit in 2018, and tell us how that felt?
That risk element was definitely on our minds when we released, even though early on we had made the decision not to hold back, trusting that people would see the message as it was intended.
TEDx of course were thrilled with the result, and for any studio a happy client counts as a win. But as far as test audiences go, TED participants are all very open-minded, curious people. When the wider response was also overwhelmingly positive, it was gratifying to know that we had succeeded in our aim of creating a title sequence that not only opened the event, but acted as a catalyst for thought.
We had shown that a title sequence could live far beyond its original purpose.
We did have some sense that early on, even as an animatic, people were responding positively or felt that it spoke to them on a deeper level. This made sense because we were visualizing topics that we had very strong personal feelings about, and if we felt that way, then others might too. But there was always an element of risk to it, in that any art focused on such emotional or political issues can be polarizing, and prompt an equal or greater amount of criticism.
When creating this years TEDx titles, was it daunting to follow up a project that was so well-received?
Even though 2019 was our third TED title, in a lot of ways it felt like it was the sequel to 2018, and that was in part because of the great response that TxS18 had - especially in the SoM 2018 wrap up podcast! Thank you guys. :)
In the end we had to put all thoughts of "a follow up" aside. Unlike a movie sequel or a second season of TV, this was a different theme. Not just a human theme, but a global one, that needed to address global issues, and leave the conflicts of the human race down below in service of a bigger message.
Even if that message may not connect with as many people, it was a message that needed, demanded, to be communicated.
We had to have the same hope we had back in 2018: that if we created something that we believed strongly in ourselves, if the message rang true, then TxS19 might just also receive a positive reaction and again confirm that a title sequence can, in the right circumstances, have the potential to be bigger than it's own purpose.
Whether it does as well (or not) as last year's is out of our hands, and is definitely not the point of the process.
And backing up again to 2017, how did you land that first TEDx Sydney gig?
This was part connections, and part cold approach. The connection was through the Australian Graphic Design Association (AGDA) for which I've been on state council for the past 3 years. Also on council was Mark Stott from Common Design, and Common had been responsible for the TEDx Sydney brand for many years at that point.
I didn't know Mark well, but as we found ourselves in the same council meeting and I knew TEDx would be coming up soon, I asked. It turned out he was about to start considering the motion design component for that year (which is a full motion package BTW, not just titles). It's possible that we may have won the work if we'd reached out without the AGDA connection but it certainly helped to be involved.
With 3 TEDx titles under your belt, how has the creative approval process evolved with the client?
Since the first title we delivered for TED the approval process has become a little more relaxed, but it still follows the process of most jobs. We begin with a treatment and references, followed by rough boards, then later an animatic, and the final. If that sounds simple, it's because mutual trust and understanding means we don't have rounds and rounds of revisions between each of those stages.
Can you give some insight into your production process on TEDx?
There are several defined stages to how our ideal project runs - soak, wash, rinse, spin.
Soak: As director I come up with the concept and narrow down what topics or visuals will be included. For title sequences, this is a very immersive process, with a lot of research – for TED especially so, considering their very broad topics - "humankind" or "legacy". This stage also includes a huge amount of visual research.
Wash: After all the research is reduced to the most essential components, and after discussion with the client, I start building out the concept as animatic shots, to get as many ideas out as possible and define a structure and a progression.
Rinse: Playblast shots go into edit with my friend Joe, who has a lot of experience editing animatics - something not all editors can do well. This is where shots are evaluated and discarded or revised, and the structure is fine-tuned over and over again.
Spin: Once the edit is locked and approved, the rest of the team come in for lighting and shading, and we progressively add detail until time is up!
How do you manage a team of remote artists?
With apps like Slack it's much easier than it used to be to have artists working remotely, either to discuss things individually or in groups. The internet is also fast enough now that we can also edit files or sync renders very quickly between us.
The challenge comes from the different time zones, in that the old studio 9am WIP can't be done - instead you have several WIP discussions throughout the day. It can sometimes put a strain on my own time, but it's worth it to work with the best people. For TxS18 we had people in 4 timezones, and for TxS19 it was 9.
Sometimes it would be nice to all be in one place - but the separation is certainly no barrier to producing good work with good people.
With such impressive global talent working with Substance, we'd all love to know how you source the artists?
Initially, collaborating with artists around the world came about simply by necessity - people with skills we needed locally were booked, and the technical barriers to remote work were being removed, so it made sense to find people with those skills from further afield. This of course means that potentially, any motion designer in the world is a collaborator - but it's still often relationships that come first.
We all just want to work with good people who enjoy what they do, and so collaborators often come from friends or associations, and their recommendations. People we interact with online via twitter or Slack channels. So it's a little of "who you know". On the other hand, we've also reached out cold to artists whose work we love, just to ask if they are available and interested in collaborating, and often this has worked out too. By the same token, we've had a few people reach out to us, and this definitely gets them on our radar!
At Substance, who produces the projects and deals with the client facing?
At the moment I'm the producer, in addition to being client facing. There seems to be more directors doing that lately. We're looking into options for producers though, because I'm also on the tools as well as directing and producing, and this can mean long hours at times.
How do you promote your projects? And has that changed since gaining media attention?
There's no secret formula to this other than publishing, or submitting things to places that you think might connect with the work. Of course there's Vimeo and Behance, and other various blogs or portfolio platforms, where promotion is a semi-organic process. The danger with promoting work is that it can sometimes feel like firing into the void. There are certain sites that we wish would feature our projects, and for whatever reason, it hasn't happened yet.
Our strategy may have changed a little in that an equal number of acceptances and rejections for a project like TxS18 seem to indicate that at best, it's 50/50 anyway, and at worst it's completely subjective, so perhaps it's best just to concentrate on making something we feel proud of, and that our family likes, which should be all the validation any of us ever needs.
Is Substance affiliated to any agency or other studio?
Not yet - but just as we're looking into producing options, we're also looking for representation.
How did you personally start your career and how did it progress?
In one sense this is a fairly standard progression, from being interested in design early in school, to doing a design degree and then having a job as a junior motion designer. But things took a turn here, as the junior role was inside a post house, and from exposure to different disciplines I became more interested in film VFX and Flame.
Part of this was the desire to chase the best quality work with the highest level of involvement in the process, and part of it was the drive to constantly challenge myself. Some people call it restlessness – I prefer to call it skill collection.
At one point I was in a dual role at another post studio as the Design Director and also a Flame artist, so I had somewhat of a unique perspective with one foot in design and the other in some fairly hardcore VFX. I then moved to VFX Supervisor and was often out on shoots, then overseeing a team back at the studio. Directing was a natural progression to the combination of design, VFX, and on-set experience, and this is where Substance began.
What was your journey into 3D?
Through the various roles I held there was a lot of interaction with 3D, so I knew the processes and roughly how long things would take, or where problems might occur. I wasn't on any 3D tools myself, but had been working alongside 3D artists since my position as junior.
For a VFX Supervisor this level of knowledge was enough. On a personal level though, I felt something was missing. This was partly desire for the next challenge, and partly the need to be better able to bring to life the things I saw in my head, with my own hands.
Picking up 3D turned out to be less complex than imagined - but only because I had many years of other knowledge to lean on. For example, after so many years working in VFX, on shoots, and interacting with other directors, I had a good knowledge of how to light something on set, how to structure a story, and the principles of cinematography, combined with a designer's eye.
I found that for me, 3D linked all of these skills together very nicely, especially now that most standard rendering is fast and physically accurate.
How do you manage down time between projects?
I have two young sons, a wife in need of some flowers, and a backlog of tv series, movies, books and podcasts to get through, in addition to building a new website and mowing the lawn. What downtime?
Do you have any role models?
Role models have changed as interests come and go. When I was young it was older (famous) designers. When I was in VFX it was prominent CG- and VFX-Supervisors. Now it's more of a directing peer group, people who have mastered their craft, film directors and commercial directors alike. That said, there are a few that remained with me since my junior days, and I admire not just their work, but what they've built and how they've evolved it.
Kyle Cooper was the original of course, but also Karin Fong, Erin Sarofsky, and Andy Hall are all inspiring on dual levels, as artists and also studio owners. Outside of the motion niche (but still within design!), thinkers like John Maeda for design education, Mike Monteiro for social responsibility, and Stephen Heller for his prolific curiosity.
Are you the 5 year plan kind of guy, or happy to drift along?
Definitely planned, though at times the plan took different courses and at other times, life causes the plan to change. This still happens so perhaps we should call it a 5-year idea.
If all goes to plan, then more of the same - more title sequences and more design-driven commercials! Also more new collaborators, more friends and more opportunities. Maybe even TED Global?
Learn 3D from a Pro
Scott Geersen is crazy talented at 3D work. If you've ever dreamed of growing your 3D skills like Scott, check out Cinema 4D Basecamp. Cinema 4D Basecamp is the best way to get started with 3D modeling and animation, complete with lessons and insights from EJ Hassenfratz. Who knows? You might be asked to do some fancy 3D titles in the future?
Robert Grieves is a freelance animator with 15 years experience creating characters and graphics for a broad range of clients. Robert has animated Emmy winning TV graphics and his animation work has received both Oscar and BAFTA nominations. You can learn more about Robert on his website.


text:
Q: www. redirect is failing with .htaccess I have a wordpress site running on Ubuntu with apache2 server.
I want the server to redirect all traffic from www.mysite.com to mysite.com.
I made the modification in .htaccess file to look like this:
   <IfModule mod_rewrite.c>
    RewriteEngine On
    RewriteBase /
    RewriteCond %{HTTP_HOST} ^www\.(.*)$ [NC]
    RewriteRule ^(.*)$ http://%1/$1 [R=301,L]

    #RewriteEngine On
    #RewriteBase /
    #RewriteRule ^index\.php$ - [L]
    #RewriteCond %{REQUEST_FILENAME} !-f
    #RewriteCond %{REQUEST_FILENAME} !-d
    #RewriteRule . /index.php [L]

    </IfModule>

And I modified apache2.conf  to this:
<Directory /var/www/>
    Options Indexes FollowSymLinks
    AllowOverride All
    Require all granted
</Directory>

Still no success.I still get the Ubuntu apache server default page for www.mysite.com. What am I missing?


It was 2007 when I first picked up a camera. It was just to do a favour to my brother and take pictures while his band played. Right away the steady pace of the shutter compelled me. I learned to love and appreciate the art of photography, cinematography and later on directing.
All this has brought me to wonderful people and amazing places. It has given me a new perspective and new way of living.
It has been a journey to home.


Professors blogg: The meaning of life.
To care with the best of our possibilities about those we love, as long as we have them, or as long they have us.
My unforgettable son was born January 22th 1979 with the name Cristóbal Ferrada-Noli.
I am not a religious person myself, at all, but my very conservative-catholic f amily was pleased with relieve by the name given to him. Being San Cristóbal the name of the saint protecting travellers against road hazards, as the Church says. "Since you are a reluctant non-believer, he will protect you in your endless travelling", my mother used to said to me.
Instead, their omnipotent God killed my son in the roads of Scotland.
I hated the notion of God, as I hate the notion of omnipotent power. And in thousands occasions of massive and rock-solid grief for the unjustified death of my beloved son, I sincerely wished to have trade the rest of my life with the eternity of his fate.
Further, amid my most desperate days, neither Devil wanted to hear my out most soaring cry while I was on my knees in the darkest corner of sorrow. He refused to hear my rational proposal of perpetual hell, for me on the spot, in exchange of the resurrection of my precious son.
All above is true. For desperation is true. For grief, the mourning of our love ones, by death or separation, by war or by distance, by accident or by their own will, is the supreme answer to what the meaning of life is. To care with our out most about those we love, as long as we have them, or as long they have us.
What do definitely exist is Love. In the very first place, the love to our children.
And for that I do not wish to any the endurance of the anti-natural happening of a missing child. For – as the Italian say – the cycle of life demands that, it is we the children that have to bury our parents back to nature, and not we parents that have to remain to mourn our children's demise.
Cristobal was born at the Karolinska Hospital in Stockholm and his process all the way impeccably assisted by Professor Burell. "He is the same Professor that assist here the royal children hörredu", said conceitedly another doctor, in attitude seemingly waiting for me to bow "."Tyvärr", I said, "WE are Republicans, but good for them, Burell is a good doctor". And indeed he was. He helped also the welcome to this world of my precious daughter Caroline. And I was right in the "we", for Cristobal became with the years a true social-liberal.
He was the first child born in my marriage with former spouse Susanne. The name was changed into Christopher Ringskog Ferrada-Noli in 1988, in the aftermath of our separation. He however took again his original family name – by own initiative – at the age of 15, reason explaining why he was publicly known as Christopher Ferrada-Noli at Vippholm High school in Lund, at the institutions in which he participated, and by the local media. For instance, as referred here in this picture portraying a discussion on human rights between him and Foreign Minister Lena Ljelm-Wallén, in Lund .
Christopher was from the beginning a remarkable child and a wonderful human being. We had, he and I, the best relationship a father could ever aspire have granted by a son. He was loyal, caring, straight forward, always honest, and always contributing with own analyses – in a brilliant fashion if I may say, being the father – in our long and endless conversations. Until the last moment we kept a close contact with each other. In spite of the separation, he often visited me in Stockholm, or came to the boat, or I visited him in Simrishamn or Lund, and he left me a copious correspondence. In the dedication he wrote for me in his poetry-collection Notturni, he signed in Italian: Per mio papa Marcello / da Christopher / figlio gratio .
Further, at the age of 15 he wished on own demand to come and live with me with me in Stockholm. In advance, he had even succeeded with being incorporated at a high school in Östermalm, in the vicinity where I lived at the time. Sad enough - and destiny is the unexpected monster it is - he and I, together with her aunt and uncle, we did not succeed in overcome his prevalent formal custody determinants. It was then when he decided to move to Lund, by his own.
As student in Lund, he became deeply engaged in the activities of the student organization at his high school. He was barely eighteen years when he went to Scotland amid those activities, to tragically die in a car crash by the roads of Scotland, traveling as passenger.
However that short life-span, he lived more intensely and creatively than many grown men would accomplish in their entirely lives. A charming young fellow, love was not alien to him, and his lively youth was caressed by true romance and passionate relationship. He was a gifted dancer, played the guitar, also classic, composed songs and he was indeed a talented poet [Notturni] and a writer with serious potential. And he was also for daring martial arts and was proficient in Karate, which he trained since childhood. In classic music he fancied Schubert and Satie, and he was enormously fond of Italian opera, particularly Verdi's Rigoletto.
At the same time he had very good scholar achievement, and he studied Italian and Latin. His plans were to become a human rights lawyer, but other themes that fascinated him were history and archeology.
My son Christopher was a veritable social-liberal inspired activist. Being his commitment for the human rights the trademark of his early political activity. For instance, he started a group of Amnesty International at his high school, Vipeholm gymnasium in Lund. He had been elected in the leadership of the student union at the referred high school in Lund, and it was precisely in exercising this investiture – during an official visit to Scotland – when he met his fatal episode. A tragedy for all of us.
I went alone to Scotland to get him at the morgue, mourned him alone in an unknown place in Edinburgh, transported him by his side with a flight to Stockholm through London, and escorted him day and night inside a warehouse in the outskirts of Arlanda until the Swedish customs would clear his admission back in Sweden, to be buried in Lidingö. For further arrangements on his funeral in Lidingö and ceremonies around I had also the invaluable help of Christopher's aunt Eva Ström and spouse Helge. Eva Ström dedicated afterward an opus to my son, and the poem Noli. Further, very many teachers and students from Vipeholm High school, some with their parents, came from Lund to the funeral. As did Christopher's friends, sister, brothers, cousins and uncles from all over places, from the USA and Europe. Everybody in his family mourned him deeply. Some still do. For some the sorrow in their soul will never stop to bleed.
What I want to say with above is that the mourning of the sad demise of my beloved son was not and it is not the monopoly of only arbitrarily selected significant-ones, as given manifestly by name in an interview published by Sydsvenska dagbladet, family section, in October 2009. The preposterous excluding of others in Christopher's family, for him also significant-ones, in the mourning account on his tragic death given to the public through a newspaper interview, is offensive to his memory. And it is also misleading, for it conceals Christopher's own declared perspective on the familiar and social constellation he lived into.
Any well-born human would agree that a happening like this could never be mitigated by anything. But in me, somehow this tragedy – the absolutely deepest tragedy of my life - is mitigated not only by the remembering of the wonderful person he was, or the beautiful memories he left to me by being the son he was, or the privilege he indulged me with his love and affection. But also, and in the main, because Christopher left remaining on this earth his beloved sister and his dear brothers, all and each of them – by their own means – empowered with that splendid humanity and high personal integrity as my son Christopher always had.
He is always by us. In every occasion we meet for a special dinner – my children and I – wherever we are we do start with a formal toast to the memory of Christopher. His younger brother Nicholas Ringskog Ferrada-Noli wrote in the Preface of his Master of Law thesis entitled The Right to Culture in Sweden  "I dedicate this work to the memory of my brother Christopher (1979-1997) who had dreams of becoming a human rights lawyer." And his sister Caroline Ringskog Ferrada-Noli, in her fiction book Naturen, wrote an insightful and highly moving chapter depicting the mourn surrounding such sad fatal tragedy. The opus was vastly praised by literature critics all over Sweden .
Christopher will never be forgotten.


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Class ConfigurationExtensions

Extensions for configuration

Inheritance

System.Object

ConfigurationExtensions

Inherited Members

                  System.Object.ToString()

                  System.Object.Equals(System.Object)

                  System.Object.Equals(System.Object, System.Object)

                  System.Object.ReferenceEquals(System.Object, System.Object)

                  System.Object.GetHashCode()

                  System.Object.GetType()

                  System.Object.MemberwiseClone()

Namespace:Bifrost.Configuration

Assembly:Bifrost.dll

Syntax

public static class ConfigurationExtensions

Methods

                |
                <a href="https://github.com/dolittle/bifrost/new/master/Source/Documentation/apispec/new?filename=Bifrost_Configuration_ConfigurationExtensions_Asynchronous_Bifrost_Configuration_IEventsConfiguration_System_Action_Bifrost_Configuration_IEventsConfiguration__.md&value=---%0Auid%3A%20Bifrost.Configuration.ConfigurationExtensions.Asynchronous(Bifrost.Configuration.IEventsConfiguration%2CSystem.Action%7BBifrost.Configuration.IEventsConfiguration%7D)%0Asummary%3A%20'*You%20can%20override%20summary%20for%20the%20API%20here%20using%20*MARKDOWN*%20syntax'%0A---%0A%0A*Please%20type%20below%20more%20information%20about%20this%20API%3A*%0A%0A">Improve this Doc

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Asynchronous(IEventsConfiguration, Action<IEventsConfiguration>)

Configures events to be persisted asynchronously

Declaration

public static IConfigure Asynchronous(this IEventsConfiguration configuration, Action<IEventsConfiguration> configurationAction = null)

Parameters

                    Type
                    Name
                    Description

                    IEventsConfiguration
                    configuration

IEventsConfiguration instance to configure

                    System.Action<IEventsConfiguration>
                    configurationAction

Callback for further configuring the IEventsConfiguration

Returns

                    Type
                    Description

                    IConfigure

Chained IConfigure instance

                |
                <a href="https://github.com/dolittle/bifrost/new/master/Source/Documentation/apispec/new?filename=Bifrost_Configuration_ConfigurationExtensions_BindDefaultEntityContext_Bifrost_Configuration_IEntityContextConfiguration_Bifrost_Execution_IContainer_.md&value=---%0Auid%3A%20Bifrost.Configuration.ConfigurationExtensions.BindDefaultEntityContext(Bifrost.Configuration.IEntityContextConfiguration%2CBifrost.Execution.IContainer)%0Asummary%3A%20'*You%20can%20override%20summary%20for%20the%20API%20here%20using%20*MARKDOWN*%20syntax'%0A---%0A%0A*Please%20type%20below%20more%20information%20about%20this%20API%3A*%0A%0A">Improve this Doc

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BindDefaultEntityContext(IEntityContextConfiguration, IContainer)

Binds given entity context as default IEntityContext

Declaration

public static void BindDefaultEntityContext(this IEntityContextConfiguration configuration, IContainer container)

Parameters

                    Type
                    Name
                    Description

                    IEntityContextConfiguration
                    configuration

EntityContextConfiguration instance

                    IContainer
                    container

Container

                |
                <a href="https://github.com/dolittle/bifrost/new/master/Source/Documentation/apispec/new?filename=Bifrost_Configuration_ConfigurationExtensions_BindEntityContextTo__1_Bifrost_Configuration_IEntityContextConfiguration_Bifrost_Execution_IContainer_.md&value=---%0Auid%3A%20Bifrost.Configuration.ConfigurationExtensions.BindEntityContextTo%60%601(Bifrost.Configuration.IEntityContextConfiguration%2CBifrost.Execution.IContainer)%0Asummary%3A%20'*You%20can%20override%20summary%20for%20the%20API%20here%20using%20*MARKDOWN*%20syntax'%0A---%0A%0A*Please%20type%20below%20more%20information%20about%20this%20API%3A*%0A%0A">Improve this Doc

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BindEntityContextTo<T>(IEntityContextConfiguration, IContainer)

Binds given entity context for a specific type (IEntityContext of T)

Declaration

public static void BindEntityContextTo<T>(this IEntityContextConfiguration configuration, IContainer container)

Parameters

                    Type
                    Name
                    Description

                    IEntityContextConfiguration
                    configuration

EntityContextConfiguration instance

                    IContainer
                    container

Container

Type Parameters

                    Name
                    Description

                    T
                    The Type that this vbinding will work for

                |
                <a href="https://github.com/dolittle/bifrost/new/master/Source/Documentation/apispec/new?filename=Bifrost_Configuration_ConfigurationExtensions_Synchronous_Bifrost_Configuration_IEventsConfiguration_System_Action_Bifrost_Configuration_IEventsConfiguration__.md&value=---%0Auid%3A%20Bifrost.Configuration.ConfigurationExtensions.Synchronous(Bifrost.Configuration.IEventsConfiguration%2CSystem.Action%7BBifrost.Configuration.IEventsConfiguration%7D)%0Asummary%3A%20'*You%20can%20override%20summary%20for%20the%20API%20here%20using%20*MARKDOWN*%20syntax'%0A---%0A%0A*Please%20type%20below%20more%20information%20about%20this%20API%3A*%0A%0A">Improve this Doc

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Synchronous(IEventsConfiguration, Action<IEventsConfiguration>)

Configures events to be persisted synchronously

Declaration

public static IConfigure Synchronous(this IEventsConfiguration configuration, Action<IEventsConfiguration> configurationAction = null)

Parameters

                    Type
                    Name
                    Description

                    IEventsConfiguration
                    configuration

IEventsConfiguration instance to configure

                    System.Action<IEventsConfiguration>
                    configurationAction

Callback for further configuring the IEventsConfiguration

Returns

                    Type
                    Description

                    IConfigure

Chained IConfigure instance

                |
                <a href="https://github.com/dolittle/bifrost/new/master/Source/Documentation/apispec/new?filename=Bifrost_Configuration_ConfigurationExtensions_UsingFiles_Bifrost_Configuration_IEventsConfiguration_System_String_.md&value=---%0Auid%3A%20Bifrost.Configuration.ConfigurationExtensions.UsingFiles(Bifrost.Configuration.IEventsConfiguration%2CSystem.String)%0Asummary%3A%20'*You%20can%20override%20summary%20for%20the%20API%20here%20using%20*MARKDOWN*%20syntax'%0A---%0A%0A*Please%20type%20below%20more%20information%20about%20this%20API%3A*%0A%0A">Improve this Doc

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UsingFiles(IEventsConfiguration, String)

Configures the IEventStore

Declaration

public static IConfigure UsingFiles(this IEventsConfiguration eventsConfiguration, string path)

Parameters

                    Type
                    Name
                    Description

                    IEventsConfiguration
                    eventsConfiguration

IEventsConfiguration to configure

                    System.String
                    path

Path to where the event store should live

Returns

                    Type
                    Description

                    IConfigure

Chained IConfigure for fluent configuration

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                <a href="https://github.com/dolittle/bifrost/new/master/Source/Documentation/apispec/new?filename=Bifrost_Configuration_ConfigurationExtensions_UsingFiles_Bifrost_Configuration_IHaveStorage_System_String_.md&value=---%0Auid%3A%20Bifrost.Configuration.ConfigurationExtensions.UsingFiles(Bifrost.Configuration.IHaveStorage%2CSystem.String)%0Asummary%3A%20'*You%20can%20override%20summary%20for%20the%20API%20here%20using%20*MARKDOWN*%20syntax'%0A---%0A%0A*Please%20type%20below%20more%20information%20about%20this%20API%3A*%0A%0A">Improve this Doc

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UsingFiles(IHaveStorage, String)

Configures IHaveStorage to use a simple files system

Declaration

public static IConfigure UsingFiles(this IHaveStorage storage, string path)

Parameters

                    Type
                    Name
                    Description

                    IHaveStorage
                    storage

IHaveStorage to configure

                    System.String
                    path

Path to store files

Returns

                    Type
                    Description

                    IConfigure

Chained IConfigure for fluent configuration

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                <a href="https://github.com/dolittle/bifrost/new/master/Source/Documentation/apispec/new?filename=Bifrost_Configuration_ConfigurationExtensions_WithCallContextTypeOf__1_Bifrost_Configuration_ICallContextConfiguration_.md&value=---%0Auid%3A%20Bifrost.Configuration.ConfigurationExtensions.WithCallContextTypeOf%60%601(Bifrost.Configuration.ICallContextConfiguration)%0Asummary%3A%20'*You%20can%20override%20summary%20for%20the%20API%20here%20using%20*MARKDOWN*%20syntax'%0A---%0A%0A*Please%20type%20below%20more%20information%20about%20this%20API%3A*%0A%0A">Improve this Doc

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WithCallContextTypeOf<T>(ICallContextConfiguration)

Configure what ICallContext to use

Declaration

public static void WithCallContextTypeOf<T>(this ICallContextConfiguration callContextConfiguration)where T : ICallContext

Parameters

                    Type
                    Name
                    Description

                    ICallContextConfiguration
                    callContextConfiguration

ICallContextConfiguration to configure

Type Parameters

                    Name
                    Description

                    T
                    Type of use as ICallContext

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                <a href="https://github.com/dolittle/bifrost/new/master/Source/Documentation/apispec/new?filename=Bifrost_Configuration_ConfigurationExtensions_WithSystemName_Bifrost_Configuration_IConfigure_System_String_.md&value=---%0Auid%3A%20Bifrost.Configuration.ConfigurationExtensions.WithSystemName(Bifrost.Configuration.IConfigure%2CSystem.String)%0Asummary%3A%20'*You%20can%20override%20summary%20for%20the%20API%20here%20using%20*MARKDOWN*%20syntax'%0A---%0A%0A*Please%20type%20below%20more%20information%20about%20this%20API%3A*%0A%0A">Improve this Doc

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WithSystemName(IConfigure, String)

Configures the running system with a name

Declaration

public static IConfigure WithSystemName(this IConfigure configure, string name)

Parameters

                    Type
                    Name
                    Description

                    IConfigure
                    configure

IConfigure instance to configure

                    System.String
                    name

Name of the system

Returns

                    Type
                    Description

                    IConfigure

Chained IConfigure instance

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Adam Bomb
Bryan Clark
Former WWE Star Cleared On Charges From 2020 Arrest
Published 23rd June 2021 at 4:00pm
Former WWE and WCW star Bryan Clark (AKA Adam Bomb) has been cleared on all charges following his arrest back in February 2020.
Clark was arrested back in February 2020 on charges of conspiracy, illegal control of enterprise, transporting or selling narcotics, drug possession and possessing a weapon during a drug offense.
Levi Cooper (Tucker) Believes He Was 'Lied To On Multiple Occasions' About Heavy Machinery Split (Exclusive)
The following is the official press release from Arizona attorney Robert Jarvis:
All Charges Against Mr. E. Bryan Clark aka Adam Bomb Dismissed by Prosecution Finally Vindicated after COVID-19 Delayed Dismissal of Charges
MESA, Ariz. (June 21, 2022) Mr. E. Bryan Clark aka Adam Bomb has finally been vindicated after a long wait due to Covid-19 restrictions. Mr. Clark's attorney, Robert P. Jarvis, presented the truth as Mr. Clark continually maintained his innocence. The prosecution has permanently dismissed the charges against Mr. Clark. The charges against him were based on police reports containing speculation, grossly misconstrued facts, and false information. It was a difficult process, but Mr. Clark is pleased to have upheld his integrity.
Mr. Clark appreciates his family, friends, and loyal fans who stood by him and gave him support during this long and emotionally draining process. His discipline learned in the military, sports, and throughout his career also gave him strength to keep going. He is also thankful for a strong legalteam led by his attorney, Robert P. Jarvis.
As he puts this ordeal behind him, Mr. Clark looks forward to engaging with his fans as a positive role model.
Clark is best known for his time in WWE and WCW, where he competed under the names Bryan Clark and Adam Bomb.
Via Wrestling Inc
MLW WWE Lawsuit Made Official By Court 19th January 2022 at 6:32pm by Andy Datson
Here's Who Bryan Danielson Asked For Advice Before Joining AEW 21st January 2022 at 1:25pm by Andy Datson
WarnerMedia Reaction To WWE Statement On 'Gory' AEW Matches 21st January 2022 at 3:31pm by Andy Datson


Download "Islamic Militarism and Terrorism in the Modern World. Roots of Hate"
AL QAEDA, CALIPHATE AND ANTONIO GRAMSCI: ONE STATE, ONE REGION, THEN ONE WORLD?
War on Terror Address to Military Officers Association of America. delivered 5 September 2006, Capital Hilton Hotel, Washington, D.C.
Book Review. Sponsoring Sufism: How Governments Promote Mystical Islam in their. Domestic and Foreign Policies by Fait Muedini.


Fasting is an opportunity to prepare ourselves for God to work in our lives and to answer our prayers. God is always ready. Fasting makes it clear that we are ready. We fast to change God's mind, to be healed from shame and guilt, to be released from things that enslave us, to be protected from danger and to enhance our worship of God.


Friday we went to the mall in Lancaster to pick up Tim's new glasses. While we were there we saw a train that you can take for a ride around the mall. Garrett had been so good during the week we decided to treat him to it. He loved it!!
For those of you that have asked no we are not staying past March here in Zanesville. We will be going on to a new location just don't know where we are going yet :) Hardest part of traveling in my opinion!!