Entering our house from the garage, you come into a small hallway (or mudroom), which leads to the laundry room, kitchen, and a half bath.
When we first toured the house, we noticed these bright orange stickers over everything that used water. The house had been winterized, and vacant for at least nine months. In this picture, the half bath is at the far end. (It's the only pre-moving picture I could find).
We lived with the primed only walls for nearly a year, when I decided I wanted to try something bold and colorful.
Ah, so many things that could be upgraded and changed…so little money. We were hurting for cash, so other than paint, everything was stuff I already bought, inherited, or was given. I chose two shades of the same tone of blue- I think I remember Bahama Blue being one of them. The hallway is darker, with the lighter shade in the bathroom.
The floating shelf I had from ikea, and I stabilized it with a bracket from Home Depot.
The tin jar has a cloisonee effect and belonged to my father's mother. A little dish holds keys and change, and a pumpkin for October.
The painting is by my very talented co-worker, and is of Barbie as Ophelia. She had it in storage, and is very graciously allowing me to hang it in my hallway.
The other painting in the hallway, on the opposite wall, is a little floral stiff life, also inherited.
I thought it would look cute with the turquoise color behind it, and no one else really wanted it.
There's also a hook for scarves and hats, and grocery bags. I bought the hook when I was living in Lexington, VA.
I do have two kitties, so this is their bathroom too. The striped rug is one of those squishy mats that helps hold cat litter. It works great!
Just a detail of the little bowl on the sink. This was also my grandmother's, and I love the slightly asian vibe. (I think it has a sticker on the back about being made in china.) The color I chose is a popular color from the later 19th, early 20th century, and reminds me a little bit of the color from the Peacock Room by Whistler. Artists were intrigued by the east at this time period, and there was a resurgence in Asian inspired pieces in furniture, textiles, and art. This is partly why I chose this fabric for the curtain.
I made this small curtain panel and posted about it here.
The print I bought several years ago at my great-aunt's estate auction. I re-matted and re-framed it equally as long ago. It is actually a watercolor painting on mat board. I like it's simplicity and vintage vibe.
So that's pretty much it. I have some ideas of some other projects I'd like to tackle– such as changing the light fixture(s) and faucet. If we really had any money, we might upgrade the flooring to tile.
The progress I've made on the half bath, so far. To be continued…?
These curtain panels are so simple to make, I did not bother with any "during the process" pictures. Also, I was in a rush when I made the curtain for the half bath about a year ago.
On the "south" side of the house, I have a laundry room and half bath that are off the "mud hallway" entrance from the garage. I painted the hallway and bath two shades of the same blue. I believe, it's Caribbean blue by Benjamin Moore. It does make the space a bit darker, but I love the richness of the hue. The half bath and laundry room each has one little window, overlooking the driveway and a tree line. I'm not really worried about privacy here, but I did want the bathroom to have some privacy in case of visitors. And, since we were getting married and having a bunch of people over for a bbq rehearsal dinner, I thought it might be time. So the day before people started showing up, I quickly sewed this panel and put it up with a simple standard curtain rod.
I decided to use a simple (and cheap) rod because I knew it was not important for this curtain to ever be open. Also, there is so little space between the window and the wall that I'm not sure a decorative rod would have fit. If anything I may have had to leave off one finial to make it work, and I thought that would look cheesy.
So! To make this curtain, I took about a yard and a half of fabric (I originally bought two yards of 45″ wide fabric), and pinned and ironed the edges, and then sewed them down. I folded about four inches over the top to make the pocket, and sewed it. But, you don't usually need a pocket quite this big. Next, I measured the window from where I wanted the curtain to hang, and I transferred that size to my curtain and hemmed. For me, sewing is really easy (straight line across). But, I know lots of other people like to use hem tape. It works just as well and only requires an iron.
The blue in the fabric is an exact match to the color on the walls. I was lucky that it happened that way, but I loved his pattern anyway and would have used it regardless. The deep turqouise color reminds me of the Peacock room (at one of my favorite galleries), and I wanted to get a Chinoiserie vibe.
While shopping a huge sale at Joann's over Independence Day weekend, I found this fabric that I just really loved. Originally, I was meaning to make an apron out of it.
But after I got home, I realized it has the same colors as my hallway and kitchen! Hmm…if only there was someplace I could put it…aha! The laundry room. I had completely forgotten, and neglected this room since we've moved in. The only upgrade it has ever gotten was to replace the appliances. I haven't even painted the room yet. However, there was a pair of curtains up, left by some previous owner. They were hideous, but I just sort of draped them up on themselves to let in light. But now, I had a fabric that would compliment the nearby rooms. I purchased a yard and a half which was just enough to make this curtain. I did the same thing as I did with the other curtain, except I made the pocket just big enough to accommodate the rod. It wasn't until I was taking the old curtains down that I realized there was a nice little brass rod.
Thankfully, the fabric was just the right length with everything finished, and it brings a pop of color into the room. Someday, I will share more pictures of the laundry room when I have a chance to make it pretty, but right now it's too ugly. really.
She even got on the toilet and stuck her head under the curtain in the bathroom while I was trying to take pictures. But she just rubs up on me and starts purring, how can I not love her.
I can't believe how long it took me to make a new curtain for this space. It's such an easy fix to personalize the space a bit more, and help it tie in to the rest of the house. Maybe it will get me motivated to paint this room and put in actual baseboard (right now, it's what the builder originally put in, window and door moulding).


text:
Chen Pu
Qing dynasty 1644 - 1911 → China
Scroll , Calligraphy
pair of hanging scrolls; ink on paper
a - right scroll, 168.1 x 27.1 cm, image
a - right scroll, 209 x 34.3 cm, scroll
b - left scroll, 168.1 x 27.1 cm, image
b - left scroll, 209 x 34.3 cm, scroll
Signed c.l. part b, in Chinese, inscribed in black ink "... Guqiao, Chen Pu, in the seventh moon of the year of Xinsi (1881)".
Signed l.l. part b, in Chinese, stamped in red ink "Chen Pu Shiyin [artist's seal]".
Signed l.l. part b, in Chinese, stamped in red ink "Chigang guiqiao [artist's seal]".
Gift of Dr. James Hayes 2003
280.2003.a-b
'A beautiful scene on a bright day; cheerful things delighting the mind;
Illustrious words and excellent brushes; an admirer of antiquity and man of great erudition.'
Inscription and signature: My nephew Tongjun has a natural manner; he is a person with lofty aspirations. Over the years he has collected a great many refined calligraphies and paintings. In his lifetime he has been a friend to many celebrities, having his bosom filled with boundless lofty sentiment. He requested I do a couplet for him; so I wrote these sixteen words as a reply. Inscribed by Chen Pu, style name Guqiao, in the seventh moon of the year 'Xinsi' [1881].
The first line of this couplet was taken from prose written by Xie Lingyun (385–433), an eminent poet of the Southern dynasty, in which he wrote: 'Under heaven, a bright day, a beautiful scene, delights for the mind and cheerful things – to find these four things together is not easy.' Poetic expression was enshrined in popular culture by Tang Xianzu (1550–1616), an esteemed playwright from the Ming dynasty. Tang adapted the words of a song in one of his operas – in this case 'The peony pavilion', composed in the early 17th century, the song being sung by the heroine Du Liniang. The second line appears in Mi Fu's colophon (written in 1087) on a handscroll entitled 'Elegant gathering at western garden', painted by his contemporary Li Gongling (1049–1106) (1). 'Being an admirer of antiquity and a man of great erudition' were the requirements established by Confucius for a pefect gentleman (in 'Analects'). Mi Fu used poetic expression to extol the lofty nature of scholars attending that gathering. It was such poetic expression, immersed in literary overtones, which Chen Pu singled out as a compliment to his nephew.
The couplet was written in Chen's later years. His calm style of running script became bolder and more forceful, achieving a marvellous balance of self-expression and calligraphic technique. He used dry brush and swift sweeping strokes to create the effect of 'fly-white' (the rapid sweep of the brush leaving traces of white), thus imparting a roughness and vigour to the form.
1 Mi Fu, 'A note to the painting "Elegant gathering at western garden (Xiyuan yaji tuji)" '.
'The Poetic Mandarin: Chinese Calligraphy from the James Hayes Collection'. pg.75.
© 2005 Art Gallery of New South Wales
The couplet, written on two narrow pieces of paper or silk, and hung either side of a large painting or doorway, is one of the most common forms of calligraphic art and has a long standing history in China. They first appeared in the Five Dynasties period (907-979) as pairs of plaques, carved after written master copies, to decorate architectural columns, courtyards and garden doorways. Couplets for indoor display, written on paper or silk, came into existence in the 17th century and gained great popularity in the Qing dynasty. The couplets themselves are either taken from classical poetry or contemporary literary works composed by the calligraphers themselves and their friends. A couplet is made up of two parts called the head and the tail. The two lines of verse are antithetically parallel. Formerly it was a very common practice to send them to friends or relations on such occasions as marriages and birthdays, or as condolences to families of deceased persons.
Asian Art Department, AGNSW, August 2003.
Where the work was made
Shown in 1 exhibition
The poetic mandarin: Chinese calligraphy from the James Hayes collection, Art Gallery of New South Wales, Sydney, 23 Sep 2005–27 Nov 2005
LIU Yang, The poetic mandarin: Chinese calligraphy from the James Hayes collection , Sydney, 2005, 74 (illus.), 75. cat.no. 15
Other works by Chen Pu
Couplet Chen Pu 281.2003.a-b
'Comments on painting' in running script Chen Pu 246.2005

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Dutch POS tags in R with openNLP I downloaded the Dutch openNLPmodels.nl package for openNLP in R, with:
install.packages("openNLP")
install.packages("openNLPmodels.nl", repos = "http://datacube.wu.ac.at/", type="source")

I managed to get a list with words and their tags, from a sentence.
But I want to know what the POS tags mean.
I found a list of the CGN tagset, but it's not the same?
"De/Art"              "acrobaat/N"          "werkt/V"             "doorgaans/Adv"       "met/Prep"            "meerdere/Num"
 [7] "acrobaten/N"         "samen/Adv"           "in/Prep"             "een/Art"             "circus/N"            "of/Conj"
[13] "dansgroep/N"         "en/Conj"             "volgt/V"             "over/Prep"           "het/Art"             "algemeen/N"
[19] "een/Art"             "strakke/Adj"         "choreografische/Adj" "show/N"              "die/Pron"            "het/Art"
[25] "hele/Adj"            "jaar/N"              ",/Punc"              "en/Conj"             "soms/Adv"            "ook/Adv"
[31] "langer/Adj"          ",/Punc"              "wordt/V"             "opgevoerd/V"         "./Punc"

Where can I find a POS tag list that matches the Dutch labels?

redpajama_set_name: RedPajamaStackExchange


text:
My name is Elizabeth Taylor and my husband, Wayne and I live on 50 Mill Street in Grand Valley where we have raised three children. I am also the proud grandmother to four young adults. I have been a resident of Grand Valley for almost sixty years. Community participation and leadership have always been important to me as an individual, as a wife and a Mom and Grandma. Therefore, with these convictions in mind, I, Elizabeth Taylor, am seeking a third term as Councillor for the Town of Grand Valley.
I have served as a Councillor for the past two terms in Grand Valley. Overall I would say that it has been a wonderful experience, sometimes challenging but always very rewarding. I feel that by seeking re-election, I bring experience, common sense, leadership and vision and would be an asset to once again serve as a Councillor for the Town of Grand Valley, both rural and urban.
In my previous two terms as Councillor, I have represented the Town of Grand Valley on the following: Grand Valley Business Improvement Association; Grand Valley Community Centre Board; Grand Valley Medical-Dental Centre Board; and Grand Valley Economic Development Committee. As well, I am currently the Chairperson of the Arts, Culture and Tourism Committee which was formed in September 2017.
Over the years, my community experience and participation has also afforded me many opportunities on a multitude of committees and groups and provides me with insight to serve as a Councillor. It is important to me to be supportive and involved in our town and surrounding area. I am always willing to step up and take a leadership role to contribute to any endeavor for the benefit of our town and its people. I am also an active member and organist in my church community. As well I continue to be a member of many local clubs and societies.
Grand Valley is a wonderful, safe community in which we live. There will always be challenges, as we look to the future in support of all our people, inclusive of our youth and our seniors. We have experienced growth in our population over the past few years with the addition of new subdivisions and changes in our municipality which is a positive asset to the progress and future of our town. I, personally am pleased to welcome our many new neighbours and look forward to reaching out and meeting our growing diverse community.
If re-elected I will continue to promote a vision for the town of Grand Valley with respect, tolerance, integrity, transparency and communication to all constituents.
Back to Candidates


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Charlotte St. off Bay St.
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You'll find Bahamian made handcrafts, souvenirs and gifts of all sorts, including straw bags and hats, keyrings, shell and bead jewellery, clothing, desk accessories, Kodak disposable cameras and film, and much more.
Hard Rock Cafe is NOW OPEN.
We're located down town Bay Street / N Charlotte Street. We offer hot merchandise including collectible Nassau Bahamas pins, logo T's, hats, glasses and so much more. Come in and enjoy our display of Rock and Roll memorabilia including actual show outfits worn by Lenny Kravitz & Madonna.
Wines, beer, and spirits plus Bahamian made products such as flavored rums and Kalik beer. For a wide array of liquor, beer and wines, visit the Harbour Bay Liquor store today!
Brand-name vitamins and minerals, healing herbs, formulas for children, homeopathic medicines and weight loss items.
The International Collection, imported directly from Italy, includes handbags, luggage, watches, fragrances and accessories for men and women.
You'll find the best in table linens, bed linens, children's clothing, Irish linen handkerchiefs, decorative items, accessories and gifts.
Mix your own special fragrance or purchase a unique fragrance created and manufactured on the premises. Take a complimentary tour of the factory and see how perfume is made.
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Solomon's Mines, the perfered luxury retailer of The Bahamas, is pleased to offer you the most exclusive selection of quality name brand merchandise from all over the world. Indulge in in your favorite luxury items & duty-free prices. Jewelry, Bahamian-made Beach Treasures jewelry exclusively, gems including emeralds, sapphires, diamonds and rubies, leather goods, watches, china, crystal, giftware, perfumes and skin care products, and Bally, Hermes, Ferragamo, Lalique and Versace boutiques.
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Salon and spa services, including facial therapy, hand and foot therapy; spa packages and one-on-one personal training. Matrix and Logics hair products, and FloraSpa skin care products, all make Windmere Day Spa and Salon the perfect Spa in the Bahamas.
Bahamas Shopping information provided for the Bahamas vacations and travel guide.


Five people have died after a small plane carrying them from Kenya's Maasai Mara nature reserve crashed in the west of the country.
According to Edward Mwamburi, police chief for the Rift Valley region, "there were five occupants in the plane and they did not survive". He said the Cessna plane was heading from the Maasai Mara to Lodwar, near Lake Turkana and emergency services have been sent to the scene.
According to the International Air Transport Association (IATA) in 2014, some 130,000 planes land and take off from Kenya each year, and the country has 35 operating airlines. The IATA said Kenya's air transport infrastructure quality ranks 6th out of 37 countries surveyed in Africa.
In October 2017 five passengers were killed when a helicopter crashed into Lake Nakuru, while in 2012 a helicopter carrying internal security minister George Saitoti crashed, killing all six passengers on board. Kenya's worst crash in recent years took place in 2007, when a Kenya Airways flight from Abidjan to Nairobi via Douala crashed into a swamp after take-off, killing all 114 passengers.


text:
A dose-response curve for the negative bias pressure of an intrathoracic pressure regulator during CPR
Charles F. Babbs, Demetris Yannopoulos
An intrathoracic pressure regulator (ITPR) is a device that can be added to the external end of a tracheal tube to create controlled negative airway pressure between positive pressure ventilations. The resulting downward bias of the airway pressure baseline promotes increased venous return and enhanced circulation during CPR and also during hypovolemic shock. In the present study, we exercised a mathematical model of the human cardiopulmonary system, including airways, lungs, a four chambered heart, great vessels, peripheral vascular beds, and the biomechanics of chest compression and recoil, to determine the relationship between systemic perfusion pressure during CPR and the value of baseline negative airway pressure in an ITPR. Perfusion pressure increases approximately 50% as baseline airway pressure falls from zero to -10 cm H2O. Thereafter perfusion pressure plateaus. Negative bias pressures exceeding -10 cm H2O are not needed in ITPR-CPR.
https://doi.org/10.1016/j.resuscitation.2006.01.022
Funding Information:
DY is supported by American Heart Association Postdoctoral Fellowship grant 0425714Z.
ACD-CPR
Coronary perfusion pressure
10.1016/j.resuscitation.2006.01.022
Fingerprint Dive into the research topics of 'A dose-response curve for the negative bias pressure of an intrathoracic pressure regulator during CPR'. Together they form a unique fingerprint.
Cardiopulmonary Resuscitation Medicine & Life Sciences
Pressure Medicine & Life Sciences
Positive-Pressure Respiration Medicine & Life Sciences
Biomechanical Phenomena Medicine & Life Sciences
Shock Medicine & Life Sciences
Theoretical Models Medicine & Life Sciences
Babbs, C. F., & Yannopoulos, D. (2006). A dose-response curve for the negative bias pressure of an intrathoracic pressure regulator during CPR. Resuscitation, 71(3), 365-368. https://doi.org/10.1016/j.resuscitation.2006.01.022
A dose-response curve for the negative bias pressure of an intrathoracic pressure regulator during CPR. / Babbs, Charles F.; Yannopoulos, Demetris.
In: Resuscitation, Vol. 71, No. 3, 12.2006, p. 365-368.
Babbs, CF & Yannopoulos, D 2006, 'A dose-response curve for the negative bias pressure of an intrathoracic pressure regulator during CPR', Resuscitation, vol. 71, no. 3, pp. 365-368. https://doi.org/10.1016/j.resuscitation.2006.01.022
Babbs CF, Yannopoulos D. A dose-response curve for the negative bias pressure of an intrathoracic pressure regulator during CPR. Resuscitation. 2006 Dec;71(3):365-368. https://doi.org/10.1016/j.resuscitation.2006.01.022
Babbs, Charles F. ; Yannopoulos, Demetris. / A dose-response curve for the negative bias pressure of an intrathoracic pressure regulator during CPR. In: Resuscitation. 2006 ; Vol. 71, No. 3. pp. 365-368.
@article{2a9aa3d3f2ad4bbb8c41b8c985357ae0,
title = "A dose-response curve for the negative bias pressure of an intrathoracic pressure regulator during CPR",
abstract = "An intrathoracic pressure regulator (ITPR) is a device that can be added to the external end of a tracheal tube to create controlled negative airway pressure between positive pressure ventilations. The resulting downward bias of the airway pressure baseline promotes increased venous return and enhanced circulation during CPR and also during hypovolemic shock. In the present study, we exercised a mathematical model of the human cardiopulmonary system, including airways, lungs, a four chambered heart, great vessels, peripheral vascular beds, and the biomechanics of chest compression and recoil, to determine the relationship between systemic perfusion pressure during CPR and the value of baseline negative airway pressure in an ITPR. Perfusion pressure increases approximately 50% as baseline airway pressure falls from zero to -10 cm H2O. Thereafter perfusion pressure plateaus. Negative bias pressures exceeding -10 cm H2O are not needed in ITPR-CPR.",
keywords = "ACD-CPR, Airway management, Cardiopulmonary resuscitation (CPR), Coronary perfusion pressure, Decompression, Device, Impedance, Mathematical model, Threshold, Valve",
author = "Babbs, {Charles F.} and Demetris Yannopoulos",
note = "Funding Information: DY is supported by American Heart Association Postdoctoral Fellowship grant 0425714Z. ",
doi = "10.1016/j.resuscitation.2006.01.022",
journal = "Resuscitation",
T1 - A dose-response curve for the negative bias pressure of an intrathoracic pressure regulator during CPR
AU - Babbs, Charles F.
AU - Yannopoulos, Demetris
N1 - Funding Information: DY is supported by American Heart Association Postdoctoral Fellowship grant 0425714Z.
N2 - An intrathoracic pressure regulator (ITPR) is a device that can be added to the external end of a tracheal tube to create controlled negative airway pressure between positive pressure ventilations. The resulting downward bias of the airway pressure baseline promotes increased venous return and enhanced circulation during CPR and also during hypovolemic shock. In the present study, we exercised a mathematical model of the human cardiopulmonary system, including airways, lungs, a four chambered heart, great vessels, peripheral vascular beds, and the biomechanics of chest compression and recoil, to determine the relationship between systemic perfusion pressure during CPR and the value of baseline negative airway pressure in an ITPR. Perfusion pressure increases approximately 50% as baseline airway pressure falls from zero to -10 cm H2O. Thereafter perfusion pressure plateaus. Negative bias pressures exceeding -10 cm H2O are not needed in ITPR-CPR.
AB - An intrathoracic pressure regulator (ITPR) is a device that can be added to the external end of a tracheal tube to create controlled negative airway pressure between positive pressure ventilations. The resulting downward bias of the airway pressure baseline promotes increased venous return and enhanced circulation during CPR and also during hypovolemic shock. In the present study, we exercised a mathematical model of the human cardiopulmonary system, including airways, lungs, a four chambered heart, great vessels, peripheral vascular beds, and the biomechanics of chest compression and recoil, to determine the relationship between systemic perfusion pressure during CPR and the value of baseline negative airway pressure in an ITPR. Perfusion pressure increases approximately 50% as baseline airway pressure falls from zero to -10 cm H2O. Thereafter perfusion pressure plateaus. Negative bias pressures exceeding -10 cm H2O are not needed in ITPR-CPR.
KW - ACD-CPR
KW - Airway management
KW - Cardiopulmonary resuscitation (CPR)
KW - Coronary perfusion pressure
KW - Decompression
KW - Device
KW - Impedance
KW - Mathematical model
KW - Threshold
KW - Valve
U2 - 10.1016/j.resuscitation.2006.01.022
DO - 10.1016/j.resuscitation.2006.01.022
JO - Resuscitation
JF - Resuscitation


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text:
Q: After I run "node index.js" instead of a link to the picture, I get only "https://gateway.pinata.cloud/ipfs/${result.IpfsHash}" without IpfsHash There is an index.js file that allows you to retrieve a link to an image stored in the pinata.
Here is the code:
const pinataSDK = require('@pinata/sdk');
require('dotenv').config();
const fs = require('fs');

const pinata = new pinataSDK(process.env.PINATA_API_KEY, process.env.PINATA_API_SERCRET);
const readableStreamForFile = fs.createReadStream('./images/cool-bear-#1.png');

const options = {
    pinataMetadata: {
        name: "Cool Bear #1",
        keyvalues: {
            customKey: 'customValue',
            customKey2: 'customValue2'
        }
    },
    pinataOptions: {
        cidVersion: 0
    }
};

const pinFileToIPFS = () => {
    return pinata.pinFileToIPFS(readableStreamForFile, options).then((result) => {
        return 'https://gateway.pinata.cloud/ipfs/${result.IpfsHash}'

    }).catch((err) => {

        console.log(err);
    });
}

const getMetadata = async () => {
    const imageUrl = await pinFileToIPFS()
    console.log(imageUrl)
}

getMetadata()

And after I run node index.js instead of a link to the picture, I get only https://gateway.pinata.cloud/ipfs/${result.IpfsHash}. I mean the link without IpfsHash. Why?
I have result of ipfs:
IpfsHash: 'Qme5RqGiPZPFA65xNdvinZisirAU1VisAzAwZFWAzatSJ8',
PinSize: 1204410,
Timestamp: '2023-02-27T15:45:03.015Z'

And I need to add IpfsHash (Qme5RqGiPZPFA65xNdvinZisirAU1VisAzAwZFWAzatSJ8) to "https://gateway.pinata.cloud/ipfs/" and get the https://gateway.pinata.cloud/ipfs/Qme5RqGiPZPFA65xNdvinZisirAU1VisAzAwZFWAzatSJ8.
How to do that? Why ${result.IpfsHash} is not working?

A: Change the quotes (') to backticks (`):
return `https://gateway.pinata.cloud/ipfs/${result.IpfsHash}`;


Equipment: Four or more cones to mark grid, one ball for each player and some type of tail (piece of cloth) for each player.
Organization: Create a 20 X 20 yard grid marked with cones. All players are required to play within the grid and each player must have a soccer ball and a tail. The players are Minnows and the coach is the Shark.
How The Game Is Played: The Minnows have a tail tucked in the back of their shorts. The Shark (coach) moves around the grid catching Minnows by pulling out their tails. The Minnows try to avoid the Shark. When a Minnow has lost its tail it must leave the grid. Conduct the activity without a ball first and then introduce a ball.
Variations: Allow players to only use left foot, right foot, outside of right or left foot, or use inside of both feet.


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