text:
Острів Бристоль (   або Isla Blanca) острів, що розташований між островами Монтегю та островами Туле у складі Південних Сандвічевих островах. Це єдиний масив суші на 59-й південній паралелі.

Серед географічних об'єктів острова варто відзначити Гаркер-Пойнт, Фраєр-Поїнт, Турмойл -Поїнт, Гавфруен-Пік, Трулла-Блафф, Гріндл-Рок, Вілсон-Рок, Фрізленд-Рок, Гору Сурабая, Гору Дарнлі та Протоку Форстерс.

Острів Бристоль складається з кількох діючих вулканів виверження яких були зареєстровані у 1823, 1935, 1936, 1950, 1956 і 2016 роках.

Історія
Він був відкритий британською експедицією під керівництвом Джеймса Кука в 1775 році і названий на честь морського офіцера Августа Герві, 3-го графа Бристоля. Першу зафіксовану висадку здійснив Карл Антон Ларсен у 1908 році.

Острів залишається безлюдним і перебуває під управлінням Сполученого Королівства як британська заморська територія у складі Південної Джорджії та Південних Сандвічевих островів. Разом з рештою Південних Сандвічевих островів на нього претендує Аргентина в особі департаменту Південноатлантичних островів (Islas del Atlántico Sur) провінції Вогняна Земля. Аргентина не намагалася окупувати острів під час Фолклендської війни.

Галерея

Дивіться також

 Список антарктичних і субантарктичних островів
 Список вулканів Південних Сандвічевих островів

Список літератури

 Volcano.und.edu
 Exploring Polar Frontiers: A Historical Encyclopedia, Volume 1, By William James Mills

Інші посилання

Активні вулкани
Південні Сандвічеві острови


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Tr., Boston, U.S.A., 1902); J.
Let D be the distance, U the velocity of sound in still air, and Tr) the velocity of the wind, supposed for simplicity to blow directly from one station to the other.
Lasserre, Miraculous Episodes of Lourdes (London, 1884, tr.); R.
D'Arzo Cr Pq C Tr ' PgL.
Tr ' See Murray's Handbook to Algeria and Tunis, by Sir R.
Hence, if ~, tr denote the initial and final positions of any figure in one of these planes, the displacement could evidently have been effected by, (I) a translation perpendicular to the planes in question, bringing ointo some position o- in the plane of a., and (2) a rotation about a normal to the planes, bringing a.
Tr.); Baudot, Le Breviaire romain (1907).
He died at Loretto, the settlement he had founded in Cambria county, on tr_° 6th of May 1840.
TR.; X.) Language Rumanian 1 is, geographically, an isolated eastern member of the group of Romance languages, being severed from all the rest by countries in which the predominant speech is Slavonic or Magyar.
The Connaught g g y g tr and Munster landowners were shamelessly forced to Strafford.
Tr, Tracheae, showing rudimentary spiral fibre; tr.c, Cells resembling those lining the tracheal pits, which occur at intervals along the course of the tracheae; tr.o, Tracheal stigma; tr.p, Tracheal pit.
He sometimes held the carbon powder against the diaphragm in a small tr ans' shallow cell (from a quarter to half an inch in diameter and about an eighth of an inch deep), and sometimes he used what he describes as a fluff, that is, a little brush of silk fibre with plumbago rubbed into it.
Which the area represents from the following formula, which is expressed in terms of the absolute temperature T, of the steam at the steam-pipe, and the temperature T2= 461°H-212° =673° absolute corresponding to the back pressure: - Maximu per pound oflsteaelwork =U=(T - T) (i -f -Lr--.1) - T2loge.Tr--2.
TR.) Synod of Arles (314).
The general term in a solution involves the product ao°ai 1 a2 2 ...an" wherein Tr =0, Zs7r s =w; the number of such products that may appear depends upon the number of partitions of w into B or fewer parts limited not to exceed n in magnitude.
If the inclination or change of inclination in degrees is denoted by S or OS, (21) 5/180=i/7r, so that (22) AS 180 _ 180g (Ot and if 5 and i change to D and I for the standard projectile, AT Ov 180g AT (23) DI =g ., = v p, AD = -Tr, and vv or J VQ'V, D(V) -D(v) = 180 [I(V) - i (v)].


Models pose on the runway at Boston Fashion Week's official opening night event, "The Power of Women, The Future of Boston Fashion," on Sunday, Sept. 30.
The event was held at 100 Federal St., which was formerly known as the First National Bank Building. The runway was under a glass ceiling that showed off the surrounding skyscrapers. The large crowd was treated a short film documenting the different Boston-based designers that will be featured during the week, fashion presentations, and a runway show to close off the night.
Models walk on the runway at Boston Fashion Week's official opening night event, "The Power of Women, The Future of Boston Fashion," on Sunday, Sept. 30.
The clothing that was shown on the catwalk represented every type of woman. It gave a wide variety that ranged from the everyday working woman to evening gowns for special events. These designers truly reflected the week's theme in their clothing and made the night special by empowering women across Boston and remembering those who empowered us.
A model walks the runway at Boston Fashion Week's official opening night event, "The Power of Women, The Future of Boston Fashion," on Sunday, Sept. 30.
A model walks on the runway at Boston Fashion Week's official opening night event, "The Power of Women, The Future of Boston Fashion," on Sunday, Sept. 30.
Models pose at Boston Fashion Week's official opening night event, "The Power of Women, The Future of Boston Fashion," on Sunday, Sept. 30.


Last week, the Spanish Supreme Court declared that between 2015 and 2017 the Government of Spain had failed to relocate 19.449 refugees from Greece and Italy. The Court considered in its Judgement of 9th July of 2018 that Spain was bound by two Council Decisions of May and September 2015 establishing an EU Emergency Relocation Mechanism aimed at distributing some of the refugees that arrived at their coasts during the so-called 'refugee crisis' (see some key documents here). The relocation mechanism included a table with the number of refugees Member States were obliged to accommodate in their own international protection systems ('quota').
Taking advantage of this, an NGO advocating for legal and safe pathways for refugees to arrive to Europe called Stop Mare Mortum, asked the Supreme Court to declare that the Spanish Government had failed to respect the Council Decisions which included clear and concrete obligations, particularly the quota of refugees allocated to Spain. To do so, the NGO relied on the previous ECJ (Grand Chamber) Judgement from 6th of September 2017, Slovak Republic and Hungary v. European Council (C-643/15 y C-647/15) that had clearly declared the obligations and quotas as legally binding for all Member States, thus refusing Hungarian and Slovak actions for annulment of the Council's Decisions. The Court found both countries were in breach of EU Law for their plain refusal to relocate any refugee from Greece or Italy.
Prior to analyzing and trying to argue why the Spanish Supreme Court Judgement might become a landmark case on the issue, it is necessary to clarify a couple key procedural questions: the NGO Stop Mare Mortum brought the case directly before the Supreme Court after a previous request submitted to the Spanish Government (governed by the Popular Party back then) was completely ignored by the Spanish Government without even providing a formal response. The lack of a formal answer from the Government made it possible to directly challenge the Government's inaction and lack of success in fulfilling its duties under the EU Emergency Relocation Mechanism and provide protection to the refugees allocated under such mechanism. From a procedural point of view that was a shortcut that proved highly beneficial for the NGO, as it shortened the usually slow and long judicial procedures before the inferior courts and ensured the judgment would be final, as the Supreme Court is the highest court in the Spanish ordinary judicial system and the judgment could not be appealed.
Regarding the merits of the case, the Spanish Supreme's Court Judgment departs from well-established case-law on the legally binding nature of the Council's Decisions, and in particular from the previous ECJ Judgement of September 2017, where Hungary and the Slovak Republic tried precisely to dispute the legal and binding nature of the Council's Decisions. Interestingly, the present case was slightly different and far more complex, because Spain did not refuse to comply, but that it had done quite inefficiently arguing it was not its fault and that the program was 'temporary' and was not being run anymore. In the Supreme Court's view, the European Commission is the institution responsible for the monitorization and assessment of the actions taken by the Member State to fulfill their obligations under EU Law, and ultimately to open infringement procedures against them if they have not done so or, alternatively, evaluate the efficacy of the existing legislation and redress the shortcomings, even by means of its powers to submit new legislative proposals (or amendments).
The Spanish Supreme Court, however, highlights that the Commission is not the only institution responsible in supervising the right application of EU Law; it is the duty of National Courts to also control the Government/Administration application of EU Law regardless of the approach taken by the Commission, and this is so on grounds of the well-known direct effect of EU Law (interesting part of the Judgement by the way, where it indirectly points out at the inconsistency of the Commission's threat to open infringement proceedings against several Member States in one of the last relocation progress reports but ultimately never doing so, not even in the aftermath the ECJ Judgment).
However, Courts in Spain can not act on their own initiative. It is for this reason that existing relevant legislation allowing for the NGOs to represent the general interest or even collective interests before the Courts in administrative cases were a key factor of success. A flexible interpretation of the rules of standing by the Supreme Court -in line with previous consolidated Spanish case-law-, allowed the Court to consider that among Stop's founding objectives and tasks was advocating for migrants and refugees' rights, so the NGO had to be admitted as plaintiff. Having flexible standing for NGOs to go to Courts and watchdog Government/Administration engagement with EU Law becomes crucial to advance human rights advocacy and litigation. On top of that, the Supreme Court rejected the Government's suggestion to send a preliminary question to the ECJ on the issue, because it considered the issue clear and no clarification from the ECJ was needed.
As a second set of questions, the Supreme Court analyses the Government's submission that a request to relocate the quotas assigned to Spain was "extemporary" and "non enforceable". As the European Commission admitted in its own reports, the Supreme Court concedes that there may be many factors that may render the relocation of refugees from Greece and Italy difficult. Moreover, the Court agrees with the Government that some of those difficulties may not even be the fault of the Spanish Government, although it also points out that Spain did not make use of the emergency clauses in the Council Decisions that allow for the temporary suspension of the relocation program.
After a slightly unclear discussion of the different arguments, the Court finds that Spain was not diligent enough in providing the relocation mechanism with sufficient and timely relocation options for the managers of the mechanism to send refugees relocated from Greece or Italy. The Court does not go further to admit – as the plaintiffs requested – that the Spanish Government acted in bad faith slowing down the process and disincentivizing the relocation to Spain, by providing each month purposefully insignificant numbers to avoid being sent larger groups of refugees. Nevertheless, the Court considers that the effort made by Spain was clearly insufficient to reach its 19.449 quota of refugees. Having relocated less than 13% of its quota, we could say that the Supreme Court was more than generous in considering it was only insufficient diligence instead of a tactic to slow down the relocation of refugees as the NGO tried to argue. Probably, the Court preferred to take that path because of the insufficient evidence to prove misconduct or bad faith, and balanced the results against the fact that many other factors converged to render the emergency mechanism inefficient.
Summing up, the Spanish Supreme Court's Judgement opens several questions and even some avenues of action that show transnational potential. First of all, it is reasonable to ask ourselves why the European Commission was so mild with the Member States given their overall low rates of fulfilment of their refugee quotas; more specifically, why did it not start infringement proceedings against the Member States that were most ineffective in supporting the relocation mechanism although it was asked to do so by several NGOs? And second, and more importantly, if the Spanish Supreme Court is right in its reasoning, similar suits could be filed in other EU countries to force Governments through judicial suits and/or injunctions to reach those quotas or to look for equivalent remedies. If that would be the case, Governments would be forced to stay loyal to their solidarity duties and to contribute in good faith to established mechanisms for burden sharing.
This would be really good news, not only for Member States managing unexpected refugee flows at the EU's external borders, but also for us all because those Member States wouldn't have any excuse to withdraw from their obligations under the Geneva Convention, as well as the Dublin Regulation and the rest of EU Asylum Law. In this sense, the Council and the European Parliament should be taking due note and make a further effort to agree on the establishment of a permanent relocation mechanism among Member States. This would be a significant step in terms of creating legal mechanisms of burden-sharing that detail into enforceable law and specific duties the principle of solidarity, but would also create instruments that indirectly help to design a system that includes legal and safe pathways to Europe. Additionally, the agreement on such permanent mechanism would ease the enforcement of any potential judgements in line with this landmark Spanish judgement. Governments could count on a working instrument to relocate refugees if so ordered by the Judiciary.
SUGGESTED CITATION Moya, David: Are National Governments Liable if They Miss Their Relocation Quota of Refugees?, VerfBlog, 2018/7/20, https://verfassungsblog.de/are-national-governments-liable-if-they-miss-their-relocation-quota-of-refugees/, DOI: https://doi.org/10.17176/20180720-130255-0.


Thanks to everyone who's visited my blog for the Coffee Lovers Hop! I have some more projects to share today for the hop today using the amazing Grandpa's Glass: Cup of Love Die from A Jillian Vance Design.
I used a favorite technique to deboss the image of the die into watercolor paper without actually cutting through the paper. Here's the sandwich I used for the Big Shot - I have the platform open on the bottom, a cutting plate, the silicone embossing pad, paper, die face down, and another cutting plate on top.
I'm actually using the back side of the paper for this card - you can see how the cutting lines of the die have created a raised design on the reverse.
I rub a white crayon over the raised outlines, and that creates a resist for my watercoloring. I used QoR watercolor paints for the open areas and Zig markers to add shading.
Here's a closer look! This was so much fun to create. The sentiment set I used is called Perk Up, and all the sentiments are designed to fit inside the open space here. So clever!
For my second card, I just used the debossed image as the focal point for my card - no color added.
That's all I know! I have a busy week here with in-laws here to visit, and an art show this coming weekend - I finished up a painting for the show on Friday, and I'll share it later in the week. Have a great one!
So many gorgeous techniques in this one post. LOVE your debossed die coffee cup background, resist with a crayon and watercolouring of your 1st card. Your 2nd debossed image is beautiful too without any coloring. TFS both cards and all your techniques.
What a beautiful card - love this!
Gorgeous colouring, haver never tried this technique, thanks for sharing! Awesome card!
Fabulous - nice job - Love me some Coffee!
Beautiful coffee card! I love the soft, retro feel of your coloring and I must try your crayon resist technique! Great job!
What a fun technique Dina! love both of your cards!
Looking good. Interesting technique. \must try it.
Love the stained glass look on the first card; it's beautiful. And the 2nd is such a perfect CAS card.
I love the crayon resist you did. It makes the watercoloring so gorgeous.
Beautiful design and thanks for some instructions!
I have this die--thanks for these great ideas.
So very gorgeous! I have been thinking about that die for a few hops now... love this!!
Both of these cards are beautiful and perfectly done!


KMC Forums - The Lizard Respect Thread!
Home » Comic Book Forums » Comic Book 'Respect' Forum » The Lizard Respect Thread!
Har har. Seems the Lizard makes a somewhat big appearance in the animated series, with an entire episode about him (which I never really saw before).
Other than that though, good scans.
i love those STAS episodes with lizard.i believe those were my first time hearing or seeing about him. i saw "night of the lizard" a long time ago when i was younger.i believe it was the first episode ever made in that series.
Wish I had watched more of Spider-Man TAS when I was younger. Pretty much the only thing I watched on Fox back then was Power Rangers.
The episode I posted is Night of the Lizard, by the way.
lizard and spidey team up to dispatch a group of thugs showing amazing agility and quickness.
Lizard survives a huge explosion. On the next page he's unscathed and perfectly fine.


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1000 Miles Away From You - Anneke van Giersbergen piano sheet music
1000 Miles Away From You - Anneke van Giersbergen Free Piano Sheet Music
1000 Miles Away From You description
1000 Miles Away From You is a song by Anneke van Giersbergen from her " Everything Is Changing" album released in January 2012 through the Dutch division of PIAS Recordings and under her own name. Show 1000 Miles Away From You piano sheet
Anneke van Giersbergen description
Anneke van Giersbergen is a Dutch singer and musician. She is the former lead singer and guitarist of the Dutch progressive/alternative rock band The Gathering which she departed in August 2007. Since then, she has been involved in a solo project called Agua de Annique which also included her husband & drummer of the band, Rob Snijders. She now performs under her own name with her husband & other members. She has also worked with Lawn, Farmer Boys, Ayreon, Napalm Death, Novembers Doom, Moonspell, Globus, Giant Squid, Devin Townsend, Anathema and Within Temptation. More piano sheets by Anneke van Giersbergen
Anneke van Giersbergen - Feel Alive
S Club 7 - Never Had a Dream Come True
Justin Timberlake - Mirrors
Nicki Minaj - Starships
Robbie Williams - Feel
Yann Tiersen - La Valse d'Amélie
Paul Simon - Bridge over Troubled Water
Josh Groban - Broken Vow
The Beatles - Michelle
Learn to Play Blues on the Piano
Learning to play the piano is not really that difficult. Especially when there are lots of free piano sheet music websites out there. Almost everybody loves music. Some of us love different genres such as pop music, rock, jazz, alternative, rhythm, blues and many others. No matter what style of music you love, you can play it on the piano. If you first learn to play...Continue reading Learn to Play Blues on the Piano

redpajama_set_name: RedPajamaCommonCrawl


Info "Pluck out all the beard hairs that grow on the items that appear...no matter how off-putting. Keep it lighthearted but on beat! Rhythm Tengoku was released in Japan for the Game Boy Advance in 2006."
Rhythm Tweezers is one of 5-Volt's microgames in WarioWare Gold. It is based on the Rhythm Heaven series minigame Rhythm Tweezers, specifically its original appearance from Rhythm Tengoku.
A few hairs sprout out of a vegetable in a certain pattern. As the moving tweezers pass underneath the hairs, the player must press on the correct beats to pluck them out.
1st level difficulty: Four hairs appear in a simple pattern. The vegetable is an onion.
2nd level difficulty: Six hairs appear, all intervals having the same length except for one. The vegetable is a beet.
3rd level difficulty: Five hairs appear, with varied intervals between them. The vegetable is a potato.
This page was last edited on April 10, 2019, at 22:18.


Pre pack administration is an insolvency procedure where a company arranges to sell its assets to a buyer before appointing administrators to facilitate the sale. It's a powerful, legal way of selling the business on to a trade buyer or third party.
Alternatively, the business can be sold to the existing directors operating under a new company ('newco'). This is usually done if the business is facing serious problems and creditor threats.
The 'newco' will need to be viable and have funding in place so it can buy the assets of the old company ('oldco') at fair value.
It can also be a solution to the threat of a winding up petition. However, pre pack administration is not permitted after a petition has been issued.
HMRC demanding payment for PAYE and VAT.
The bank or trade creditors issuing warnings.
Directors are concerned about wrongful trading and personal risk.
Business has onerous contracts, too much property, too many employees or has lost market share/customers.
The advice given should be thorough and presented in writing for the board, and possibly the bank.
At this point, the new SIP 16 rules, insist all options including company voluntary arrangement (CVA), trade sale, refinancing, administration, creditors voluntary liquidation and pre pack administration must be considered. If the board of directors decide to pursue pre pack administration, a resolution must be passed within the board meeting stating that the directors will consider the option in greater detail.
It is likely that the resolution will include the appointment of advisors. These could be insolvency practitioners (IP), turnaround practitioners, or accountants.
If the plan is to sell the business (not the company) to a 'newco', then a plan must be drawn up.
This should include detailed profit and loss forecasts, cashflow forecasts, and balance sheet forecasts. This will give an indication of working capital requirements. The proposed administrator will require this as evidence that the new company can be viable.
If the plan is to sell to an existing trading company, the IP will require copies of management information and accounts from that buyer. Again this is to ensure that the acquirer is viable.
Under insolvency practitioners guidelines, the IP must market the business. Often this requires sending sales memos to a database of potential buyers, placing an advert on their website and/or a local or national newspaper. It could also be listed on websites such as ip-bid.
If they get no indication of interest, they can then sell to the 'newco' or third party. However, if there is interest and several offers, your business could fall into the hands of a competitor. You may be able to buy the business back, but the outcome is not under your control.
At this stage, the IP will have to get formal valuations of the assets, intellectual property and/or goodwill of the insolvent company by RICS qualified surveyors. Generally, any offer needs to be commensurate with such valuations.
Likewise, if you/your colleagues are planning to buy the business, you must be careful with regards to your personal position. As directors of the dying company, you have a fiduciary duty of care to the company's creditors. Starting a 'newco' can put you at risk of conflict of interest. It's likely that you will need separate legal advice on both companies, so talk to lawyers with insolvency and pre pack experience.
The IP will take advice from their lawyers as to compliance and risk. This may be required to be paid alongside their disbursement. Strictly speaking, they cannot charge time costs in advance for the pre pack work, but can can charge for consultancy and fees.
Several clearing banks say they won't support pre packing to the incumbent directors/shareholders.
Will your landlord allow a new company to occupy their property?
Are your suppliers prepared to supply a 'newco'?
How will your creditors feel about this approach?
You will need finance to fund the acquisition of the assets and business.
There are many specialist lenders who can provide factoring, asset-based lending, loans, and bank facilities. Some venture capital companies may help fund the pre-pack as part of a 'buy and build' strategy.
Personal guarantees may be required from directors of SMEs. Larger companies may instead find that private equity and capital buyers remove directors as a part of the pre pack.
Any funders will require a detailed plan supported by forecasts to test the valuations, and assess the possibility of making and funding a loss, as well as how their security needs will be met.
Assuming you have raised the finance, the proposed administrator has satisfied their compliance and the board of the 'newco' can fund the acquisition, you can begin.
A contract is likely to be drawn up that appoints the proposed administrator formally. They will initiate the pre-pack administration by contacting any floating charge holders (banks or lenders with security). If they have no objections, you can proceed.
Assuming all is approved, the administrator can make an application to Court stating their proposals. Almost immediately after that, the business is sold to a 'newco' or third party - a quick and simple process.
See here for advantages and disadvantages of Pre Pack Administrations.


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NL CHAMPIONSHIP SERIES: GIANTS v CARDINALS
ST. LOUIS, MISSOURI: Game Two
Q. Is there such a thing as momentum, or do we make that up?
TONY LaRUSSA: I think it's more of a thing of momentum during the game. As far as game-to-game, starting pitcher really dictates a lot of how it starts and whether you have it or don't have it.
Q. Would you comment on being fined, and the non-active players not being allowed on the bench?
TONY LaRUSSA: Well, I think the decision to keep the guys that were not eligible -- they were told they could not participate. They can't yell and scream in the dugout at the umpire. Everybody broke the rules and it's a good -- it makes sense. They went out there, they did something wrong and they got punished. I think Lofton should pay the fines for both Dusty and myself.
Q. Could you tell us how much the fines are?
TONY LaRUSSA: It's not even important. He can afford it. (Laughter.)
Q. Would you discuss why Chuck Finley in Game 3 and your impressions of Ortiz?
TONY LaRUSSA: We just felt like our rotation was better balanced if we would split up Matt and Chuck with Woody and Andy. Chuck is really -- he's had a lot of tremendous experience in these situations and he's pitched well at home, pitched well on the road in Arizona and other places. We just thought it balanced us out better. Ortiz, watched him ever since he came in the League, what, three or four years ago. He's really a talented young pitcher who has gotten experience quickly. They gave him a couple of really big assignments and he handled them terrific. This guy, he will be a handful on Saturday.
Q. Bob Watson said the same rules apply during the post-season as during the regular season. Is there any concern on the part of the managers that some of the players get suspended?
TONY LaRUSSA: I think Bob is right, you play each other during the season, sparks fly -- you play games now, what's the difference? Clubs are trying to beat each other. It's always the same. The other club sees inside pitches with a purpose, and we know they are not and when they throw the ball inside at us, we think they are doing it on purpose and they know they are not. You just take your own perspective. I think, you know, play the games, and you get a lot more attention, there are a lot more people watching now and everything is magnified. Hopefully, what usually happens when you have a difference of opinion like yesterday, you play the game the next day and turn the page. That's what I think is going to happen the rest of this series.
Q. Would you talk about Steve Kline's transformation as a lefty specialist and the workload he has been doing for you?
TONY LaRUSSA: That really happened with Felipe in Montreal. Just watched how they used him and he used him however they needed him at times, I think when Ugueth Urbina was hurt as a closer and he had great experience when we got him. He has pitches that he can work against a right-hander and he's obviously a little funky against left-handers. He's got that kind of arm where he can work a lot and he has that attitude where he comes to the park, he wants to compete that day. He has got a lot of things going for him, whenever you try to win a game.
Q. There seemed to be a suggestion that maybe Lofton had irritated you in the past. Is that true?
TONY LaRUSSA: No, not personally. We went against him for years. I'm a fan of baseball and I watch games. There's a category of guys, not that big a category of guys, but he's one of those guys that makes a big to-do about the ball inside and you will never find a better example than yesterday. The ball was not that far inside and wasn't that far up, and to do what he did and spark that kind of controversy or incident on the field, is absolutely inexcusable. I mean, I had three calls today from guys in baseball that I know that said, it happened to us and what you said was right. It's just a shame. Normally, I tell you, you can check my record. I bet you rarely ever hear me talk about the opponent's players. Never. Hardly ever. I concentrate on the team that I'm with. But this was pretty flagrant and he's done it before. It's irritating, even if nothing happened on the field, it's irritating when a guy tries to take the inside pitch and make it something that works against him. You know what usually happens, guys that make it that obvious get pitched inside more than the guys that deal with it.
Q. You obviously are playing short-handed right now on the bench because of the way you kind of handled that and the pitching staff and you have to go to the bullpen early, do you handle it differently down 0-1 knowing you're short-handed or do you play it the same than if you are 1-0?
TONY LaRUSSA: Well, our attitude is -- yesterday was the seventh game of the World Series. That's how we were going to play it. We have an off-day and we have Woody going out there and we'll watch him closely. The short bench is a short bench. I think you just have to play it and you have to try to use good sense about where you use your four players, and the best thing that can happen is that Woody would get us into the second half of the game, because like yesterday when Matt goes out early and you have a chance to maybe hit for him in the fourth inning, that's probably the worst scenario.
Q. Any progress on Rolen, did he swing today?
TONY LaRUSSA: He has improved. He's doing more every day. But until you see him out on the field taking ground balls and swinging, then he is not going to be close, and he didn't do that today.
Q. Red Shany said in the old days when a guy hit a home run, the next time up he expected to be buzzed. Are those days so long gone that nobody can understand it?
TONY LaRUSSA: Yeah, it's unfortunate. There's so much celebrating now, and it's hitters, pitchers, all sports. I just think -- you know, I'll give you an honest comment -- I'll always be honest. But I didn't even see what Lofton did when the ball left the park. I put my head down and started walking around. I never saw what he did. I watched the replay. I didn't think it was anything that was extraordinary for a hitter. So, I know that somebody from the Giants side said, "well, we expected it because of that. It's part of the game nowadays." If that bothers you, you would be doing stuff every day because the guys are celebrating more and more. I didn't even see it. I tell you, Crudale was moving the ball around. There was no reason for that stuff.
Q. Can you remember when it started, pitchers going inside? It almost became en vogue for players to start taunting a pitcher after a pitch or yelling at a catcher. For generations it was never anything; just part of the game.
TONY LaRUSSA: That's a great question. I bet you if you really did your research, you could really narrow it down to like a two- or three-year period where all of a sudden, it started to be seen, seeing more and more of it. Off the top of my head, I don't know when it happened. Just the game has changed that way. I don't even make a judgment as to whether that's good or bad. That's just the way it is. You deal with it. I just think that the reality is, what I said before, and this is going to be true today, it's going to be true every time a game is played. If a ball is thrown inside -- like yesterday I made the comment that Renteria is hitting .500 against them and got drilled the first time by Rueter, he's Mr. Control. When I saw that, the thought crossed, you know, was there a message there. Well, there's no doubt that Dusty saw that as a ball, was trying to throw inside and missed. When everything else that happened in that game, including Lofton, you see it perfect from your side, you see it from their side, you can never reconcile. I should not say never, but maybe one time one of your guys takes a cheap shot and you're not responsible. Rarely is a manager going to say, I agree with the other side. It's just not how you see it. You're too prejudiced for your own club. I think what happens nowadays is that you understand how the game is played, and you just keep trying to win the game without doing something that you would not be proud of.
Q. Has the philosophy changed in the old days, pitchers stayed on the inside of the plate and now hitters dispute that?
TONY LaRUSSA: I still see a lot of pitchers that protect against that inside plate. It's no day at the beach to hit nowadays, either. The biggest thing I see and Dave Duncan and I talk about this a lot, you used to have more guys that were looking middle/in and the outside part of the plate belonged to the pitcher. There has been an evolution and I think Charlie Lau, I think at least part of the increased offense, where guys are now looking out over the plate and they are taking that outside corner away. So you almost have to do something here more than you used to. I still see guys that are willing to keep hitters honest. I just think sometimes hitters are so ingrained into looking out over, looking out over, they misunderstand a ball that's inside. It's a real fine line. There's a guy pitching inside to make a point; is he pitching inside to take a shot? How can you read minds? Just, when in doubt, I decide in favor of our club.
Q. Would you talk about Pujols ; are you still amazed at how much he's done at such a young age?
TONY LaRUSSA: Well, he's past the point of amazingness. It was amazing last year, and about the last two months, this is not just amazing any more; this is just he is what he is. We were concerned he would sit around all winter, people would pat him on the back -- but he came into spring training and worked harder than last year. I think he's an upper echelon guy with anybody else in baseball as far as being a clutch producer.
Q. When they gave you guys the fine, did they give you guys instructions about pitching inside to the point that you are going to have to be careful that your pitcher does not accidently get tossed because a pitch gets away?
TONY LaRUSSA: No, there was no instructions. But I did have a conversation with Bob Watson to make the point. It would have been a shame after the game was played yesterday -- what we should have been talking about was how we didn't do enough and how the Giants outplayed us and it got overshadowed by this stupid incident. That's really where it belongs. Just a flare-up and the only thing I talked about was whether Lofton would pay it or not.


To be notified of Next Year's Camp offering, email kjones@lsu.edu.
The LSU Center for Computation & Technology (CCT) will host the LSU iOS App Boot Camp for its fourth year, August 4 - August 15, 2014, (10 day camp not including weekends), on the LSU Campus, Digital Media Center. This educational experience will offer participants the opportunity to gain knowledge while enhancing their entrepreneurial spirit. Participants will work in groups to create their own functional iOS app and have it loaded on their personal device by end of camp. The course will be taught by LSU faculty who push the boundaries of mobile applications in computer science and digital media fields. Post-camp programs to expand and hone new skills will also be offered.
Be introduced to the MAC Operating System, iOS Software Development Kit, and Xcode.
Learn iOS application development processes and techniques while working on personal projects.
Test, refine, and improve upon their new developer skills.
Create an application of their own design that will be deployed on their own iPhones, iPods, or iPads.
Participants are responsible for their own transportation, lodging, parking, and meal costs. CLICK HERE to REGISTER!
Prerequisites: Understanding of general computer use (Windows, Linux or Mac); interest in learning and creating new technologies. Prior programming experience is beneficial but not required. Click here for a listing of pre-bootcamp guides and/or tutorial information. Participants are encouraged to bring their own Mac Laptop to class, as well as their iPhone/iPod/iPad. The CCT will provide loaner laptops for in-class use to participants who do not bring a Mac on a first-come, first-serve basis. As these resources are limited, participants must request one when registering.
Post-Camp Assistance: After the camp, you can participate in a series of Mobile App|Art|Action Group meetings, presentations, and workshops led by the LSU CCT.
Parking: Persons utilizing a vehicle while residing on campus for the duration of the program or persons driving to campus daily will need a LSU parking permit. If you do not have a valid permit, please visit the Parking Office to purchase your permit.
Housing: Camp participants needing housing can reside in a LSU dorm ($29.65 night for double occupancy/$44.50 night for single occupancy). LSU students with Fall dorm assignments can also receive "Early arrival status", staying in a dorm directly following the camp dates, when housed in the dorm during the iOS App Boot Camp. Please contact kjones@lsu.edu to make these arrangements.
Cancellation/Substitution Policy: Cancellations received and post-marked prior to July 8 will receive a full refund. After July 8, no refunds will be issued. Substitutions will be permitted.
For questions or other comments, email kjones (at) cct.lsu.edu.


text:
Q: Salesforce DX: Portal administrator issue on User after creating scratch org I'm working on a project for German customer and I'm using Salesforce DX to work with scratch-orgs. There's a nice script to configure everything and it was working fine till Summer'18.
Since Summer'18 I'm (and entire team is) getting most of the time following error:

Dieser Benutzer ist Portaladministrator und muss ein Profil mit der Berechtigung zur Bearbeitung von Self-Service-Benutzern besitzen.: __MISSING_LABEL_FOR_common.udd.impl.UddInfoImpl@43dfee08.

which in English would be:

This user is a portal administrator and must have a profile with the "Edit Self-Service Users" permission

Here is beginning of our script:
1. sfdx force:org:create -f ./config/project-scratch-def.json -a name -s
2. sfdx force:data:record:update -s User -w "LastName=User" -v "LanguageLocaleKey=en_US CountryCode=DE" // used to change the User's language so that we can work in English

We get this error on step 2 when trying to change the User's language.
Most of the times means that after few attempts finally we get scratch org that doesn't fail at this step.
The same error appears when we try to update the User via UI.

We don't have any Customer Portal, nor the Community that's why it's so strange.
Here is our project-scratch-def.json:
{
    "orgName": "SomeName",
    "edition": "Enterprise",
    "orgPreferences" : {
        "enabled": ["S1DesktopEnabled", "ChatterEnabled", "EnhancedEmailEnabled"]
    },
    "features": ["LightningSalesConsole", "StateAndCountryPicklist"],
    "language": "de" // needed because without it we can't push objects and fields
}

I checked it with other Dev Hub and get the same error on User's update
EDIT 19/09/2019
On another project got the same error when trying to mark scratch org as Marketing User with command:
sfdx force:data:record:update -s User -w "Email='some@email.com'" -v "UserPermissionsMarketingUser=true"

The error being:

ERROR running force:data:record:update:  This user is a portal
  administrator and must have a profile with the "Manage Customer Users"
  permission.: __MISSING_LABEL_FOR_common.udd.impl.UddInfoImpl@5f151d7d

Our workaround is again to keep trying until we get a proper scratch org.

A: As mentioned by Dave Carroll in the question's comments, this appears to be a bug.   A patch should be coming soon.
In the mean time, the workaround is to use "Developer" as the scratch org edition.

A: Found this in the dev forums:
https://developer.salesforce.com/forums/?id=9060G0000005qljQAA
This worked for me when I got this error updating in a full sandbox.

redpajama_set_name: RedPajamaStackExchange


Theodore de Laguna (d. 1930) was an American philosopher who taught for years at Bryn Mawr College and was known as an early feminist.
He was the son of Alexandro Francisco Lopez de Leo de Laguna, a French-U.S. academic who was born in upper Normandy, France, and was of Italian and Jewish ancestry, and Fredericke Bergner, the daughter of refugees from the 1848 revolution in Germany.
His mother died young, and he was raised by an aunt, Frederica.
He received a B.A. and M.A. from the University of California, Berkeley, and a Ph.D. in philosophy from Cornell University.
In 1901 he volunteered as a teacher in the Philippines in the aftermath of the Spanish-American War.
Upon his return he taught at Cornell, where he met and married a Ph.D. student, Grace Mead Andrus. In 1907 Theodore and Grace both began teaching philosophy at Bryn Mawr College.
His children included the anthropologist Frederica de Laguna.
de Laguna, Frederica (2004) "Becoming an Anthropologist: My Debt to European and Other Scholars Who Influenced Me." In: Coming to Shore: Northwest Coast Ethnology, Traditions, and Visions, ed. by Marie Mauzé, Michael E. Harkin, and Sergei Kan, pp. 23-52. Lincoln: University of Nebraska Press.


Art works, three-dimensional objects, and stained glass windows abound in the Armstrong Browning Library.
The items that belonged to the poets are classified as "Browning Artifacts." But the Library also contains a number of other outstanding features: paintings and drawings of and by the Brownings, which are augmented by a collection of Old Masters paintings and other art work; sculpture that is displayed throughout and around the Library; a variety of decorative arts; and stained glass windows that enhance the visitor's enjoyment.
Explore the categories below; they will guide you through an array of exquisite items.
Browning ArtifactsExplore the Brownings' personal artifacts, including jewelry, furniture, household items, and memorbilia. Decorative ArtsEnjoy the beautiful pottery, furnishings, porcelain, and tapestries displayed throughout the building. Painting & DrawingsView the prominent paintings, drawings, sketches, and pastels that are in the library. SculptureBrowse the magnificent bronze and marble sculptures relating to the Brownings and Dr. Armstrong.


Penang has some of the most amazing cuisines, and restaurants are not the only place you can eat there. There are Hawker centers as well where individual store vendors come together to with shared seating for customers to pick and choose among them. Penang food, here's the top 5 Penang restaurant that I always go to when I visit.
One of my top favourites on the list, Perut Rumah serves Nyonya cuisine – a blend of Malay and Chinese food. Nyonya is the female term in the Peranakan culture and refer to Malaysian born Chinese.
Perut Rumah is situated in George Town, close to some of the infamous street arts among the heritage buildings in this UNESCO World Heritage Site. Its interior is beautifully decorated with a sense of nostalgic. And its cupboards and china collection are always a photo attraction. Although the service is a tad half-hearted, the food does make up for it.
Otak Otak – a fish dish wrapped in banana leaves, it's mixed with spice to create a paste-like dish.
Enche Kabin – deep fried chicken that's been marinated in the Nyonya style, usually coconut milk and rempa.
Pie Tee – like a spring roll cut in half, it's a cup-like pastry tart fill with shredded vegetables and prawns that's insanely deilicous.
Located in the infamous 1926 Heritage Hotel, Hainanese Delights Restaurant would not disappoint. As the name has suggested, the restaurant serves Hainanese cuisine and their chicken rice is a must.
Lor Bak is also one of my favourite dishes – it's basically a version of sausages, but with beancurd skin and spiced chicken meat stuffing.
A breakfast place that my family frequents, New Cathay has all the typical cuisine in Penang and is itself frequented by locals. A typical hawker setting (also known as outdoor food court and sometimes refer to as a coffee shop), you order what you want from individual stall owners. Drinks are tables are maintained by a separate stall, and they will come up to you and take your order. Otherwise – it's self service.
The place to eat Bat Kut Teh, this particular store is located in one of the many food courts along Gurney Drive and definitely one of the best. It's a place that even fewer tourist ventures to but definitely worth going out of the way to.
All the more reason to go back! I am glad you find it useful!


text:
Articles about reggae music, reviews, interviews, reports and more...
Interview: Richie Spice (2011)
https://unitedreggae.com/articles/n582/022811/interview-richie-spice-2011
By Angus Taylor on Monday, February 28, 2011 - 11 comments
"I had to fight, fight and fight the fight until people started to record me. I was like one man against the world"
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Richie Spice is one of the 21st century's most warmly regarded cultural reggae singers. Born Richell Bonner in St Andrew, Jamaica, to a highly musical family (his siblings include Spanner Banner and Pliers) he first found fame with the lovers single Grooving My Girl, produced by Abyssinians helmer Clive Hunt. He joined Fifth Element Records in 2004, resulting in breakout second album 'Spice In Your Life', which led to a distribution deal with VP. In 2005 he hired an unknown singer named Shauna "Etana" McKenzie to sing backing vocals on tour – giving her the exposure to join him as one of reggae's international stars. Now no longer with Fifth Element, Spice is due to drop his fifth long player, produced mainly by Penthouse, the 'Book Of Job' on 13th March. A shy, humble individual, who prefers action to words, Richie Spice's music, sung in a raw almost-about-to-crack voice, carries this same simple honest quality. The downside of his outlook is getting him to discuss what comes so naturally can be an uphill struggle. Angus Taylor tried to improve on his last chat with Mr Spice about his previous album 'Gideon Boot' in 2008 – speaking to Richie in Jamaica about his highly anticipated new disc…
Your last album Gideon Boot was inspired by the book of Judges. This one was named after the Book of Job. Why is this part of the bible significant?
The reason I chose that name is because The Book of Job brings back a memory of the type of music that Richie Spice sings. The music I sing is always at a slow pace and over the years I have never changed no matter the ups and downs of the music. It always remains the same. The type of music I am doing is the real music - the type of music that can inspire and uplift the world.
The type of music I am doing is the real music - the type of music that can inspire and uplift the world
In terms of both lyrics and music?
In terms of lyrics and music, but in terms of long suffering in the music business also. The same type of tribulation that Job went through in his time is the same thing that comes back in this time. So I chose that name for the album to let the people know there is nothing new under the sun and the world is a cycle so everything that goes around comes right back around.
Can you give me an example of the tribulation you've gone through in the music business?
I've been in the music business for a few years, so a long time and you go through a lot of things. At one time for years no one would record me so I had to fight, fight and fight the fight until people started to record me. And when people started to record me, being out there in the music business there was no one to represent me so I was like one man against the world. No presentation, no promotion, no management, nothing at all. A lot of things, a long story, but I don't spend much time lamenting on it because a long story is short also.
You started out being produced by Clive Hunt. For the last album you worked with Bobby Digital. And this time you worked with Donovan Germain at Penthouse mainly (as well as Shane Brown and Lenky). You like to work with veteran producers don't you?
It's a great vibration to work with both Bobby Digital and Donovan Germain because these are two people in the music business with a lot of experience. So what I don't know they can suggest it but what they don't know I can suggest also. We all act together to make it work out. They are professional and they understand the music production-wise because they have been in the music for a long period of time. I got a lot of teaching from people in the music business who are well recommended in the music fraternity. Clive Hunt was the first person I started to record with and he taught me a lot so I learned to back up myself and help myself also.
We need more singers out there to sing the music for the people
I want to ask you about a couple of younger artists who are doing well today. What do you think of Romain Virgo who also works with Penthouse, and of Etana who you helped with her early solo career?
Romain Virgo is a young artist who is also doing well and I appreci-love him because he is a young singer coming up and we need more singers out there to sing the music for the people. So it's a great vibes and he is a great youth. And Etana is a great vibration because we love people with ambition and she is a very ambitious lady. She was doing backup for us but she wanted to do her own thing. She has a great voice and she wanted to do things by herself so what could I do? I had to let her go and let her be free and I feel happy for her also.
Why did you decide to cover Randy Crawford's Street Life as My Life and put your own lyrics to it?
Street Life is a song I have been listening to for a long time and I love the melody and the whole vibe so I said to myself, "I would like sing a song like that one day". So when I came up with the lyrics, all the lyrics were about my life that I've lived out there in street as I grew up. Everything I say in that song is reality. Truths and rights. So I put it together, because I loved the melody of Randy's song and added my spice to it so it sounded nice and people have accepted it to the fullest.
Tell me about your experiences in Africa that led to the song Legal. Can slavery ever be forgiven or forgotten?
I was asked to perform in Gambia or Senegal. The promoter took us to this place called Goree Island where all the slaves were kept [before being transported to the Caribbean and America] and the tour guide took us around and showed us certain things and tribulations that were taking place in those times. So it really made me feel a certain way in myself to know that that was what people went through and I put the words together because the tour guide told me, "I'd like you to write something about this, man". So from there the song just came naturally through natural inspiration and natural vibration through what I had seen had taken place and seen demonstrated. I don't think the world will forget about slavery but I think they will forgive. I think people can always forgive but I don't think they can forget because that is their history.
I don't think the world will forget about slavery but I think they will forgive
There's a whole series of songs devoted to the ladies – Mother Of Creation, Black Woman and Serious Woman. Take me through the different views of women and why you put them all together in a row.
(laughs) Well, Serious Woman is a song where I encourage a daughter in herself. A serious girl is a girl who takes no bullshit from anybody - who stands up for herself, knows herself and holds her pride and dignity in that meditation. Black Woman still endorses the ladies and lets them know, "Be yourself, know yourself, understand who you are, and never try to change or rearrange. Never try to copy the next person". Mother Of Creation reminds the ladies that there is a balance where the ladies are the producers of the earth. Rastafari endorses the ladies 100% because I love my mother like I love myself. She gave me the courage and the urge to endorse the ladies out there.
You also have a series of three songs about God to close the album.
I'm a godly person, I believe in God and I've always believed there is a creator. So I always take my time out to serve him and when I can encourage another person to serve him and know the creator and praise no idols, I will try my best to make it possible and send the words out there for whoever has ears to hear.
One of your biggest tunes from last year was Got To Be Strong with Hawaii's J Boog for Gramps Morgan's Dada Son. How did that happen? How come it's not on the album?
Well one day Gramps from Morgan Heritage called me and said he had a young man by the name of J Boog and he would like us to do a combination together. I went to the studio and heard the rhythm and the song just came up - just like that. Then he demoed his part and it was a natural vibes. I would like to put that on my next album because it's a great song.
When I can encourage another person to know the creator and praise no idols, I will try my best to send the words out there for whoever has ears to hear
Reggae music is made by people around the world now. Is there a danger as some media have suggested, that Jamaica may not reap the rewards of its own music?
It's a great feeling and a good vibration because it's so nice to know reggae music is reaching out to the people and they are accepting it to the fullest and loving it. So I wouldn't really term it that way. Because it started out here in Jamaica so others have to look on the root of where it started to grow from. What happens is, Jamaica is the factory for Jamaican music. Every day you find ten new artists arrive in Jamaica spiritually and musically strengthen those who were there before. The only thing is they don't really give the respect to the original those artists and still accept the younger youth as well. It's more like they forget about the artists who were there before and check the new thing that's going on. They just keep moving on because that's what happens. So I wouldn't say reggae is not accepted because here is where it started.
You played at the Raggamuffins Festival on Feb 20th with some foundation artists like Bunny Wailer, Half Pint and Horace Andy. How did that feel?
Oh my gosh it feels so great. It's always a joy to work amongst the veterans because I am a person who is always learning and the veterans have a lot to teach. It's always a pleasure to watch them perform, listen to their words and hear what they have to say. As a little youth growing up every Sunday we used to listen to Bob Marley and the Wailers, Burning Spear, Peter Tosh, Freddie McGregor, Gregory Isaacs and father Beres Hammond - all those people grew me with their music and their works. I love every artist and respect them also, so I love the youth who come up same way. I love my work that I'm doing.
Do you have a message for Richie Spice fans?
More life and more blessings. Love yourself. Accept yourself for who you are. You are your brothers' and your sisters' keepers. Love god and live. Keep supporting Richie Spice and good music always.
Love yourself. Accept yourself for who you are. You are your brothers' and your sisters' keeper
Tags: Richie Spice
Richie Spice leaves Fifth Element Records (2008)
Richie Spice biography and discography
Read comments (11)
Posted by kelly smart on 03.11.2011
Richie Spice has great thing going for him. He is so bless.
Posted by stacey-ann on 03.11.2011
Satta massagana... King I give thanks for your matchless life... I appreci-love you and your music and I support you full hundred... You sing music to uplift the people and your vibes keep me going.... I'm waiting for this new album to drop... Till then... More love more life.
Posted by Danison on 03.19.2011
Na, na, na, na, na, na, yeah...
Big up Richie. I love your music. Ghetto girl, Take it easy, Earth a run red, etc
Posted by Eddy on 04.12.2011
BLESSED, BLESSED, BLESSED. MORE LIFE BONNER.
Posted by Jah-Seed Nthala on 04.13.2011
Your muzik has been a great inspiration to the Malawian yutes and Africa as Nation.... Big up to you and Jah guide and bless you wif more life..... MPINGWE MASSIVE REVOLUTIONARY FROM MALAWI!!! MORE LIFE
Posted by tadious takawira on 05.23.2011
You got a sweet voice. Your videos r gud. You are not only a musician Richie, you are a poet also. Jah bless
Posted by Kyeyune stanley.kysta on 05.26.2011
Mi seh more life ah only weh need fi exploit di fruits of JAH inna yuh. Nuff love... AFRICA WE LOVE! Bless up.
Posted by salifu spice on 07.06.2011
Banner family jah bless u all Richie Spice.
Posted by De NAVIGATOR on 11.06.2011
What's up man, Jah bless ya, you great, l love ya music, wanna be great buddy ,wanna be your friend, wanna learn more. More about true rasta, love ya, Jah bless, my mail address is denavigator99@yahoo.com, hope to read ya please.
Posted by Samwel Okwach on 03.08.2012
I just want Richie Spice to invite me in his band.
Posted by musa on 04.25.2014
Richie i don't have nothing to say but plz keep on sending us the messages bro plz tanx and have a bless more life i love u Richie.
Art and Poetry
Interview: Winston McAnuff in Kingston (Part 1)
Interview: Capleton in Kingston
Interview: Alpheus & Roberto Sanchez (2017)
Sylford Waker in Paris
Interview: Big Youth in Kingston
Linval Thompson in Paris
Marcus Gad Meets Tamal - Enter A Space EP
By Gerard McMahon
Da Fuchaman - Stronger Together
By Chloe Sharma
Ital Horns - Showcase Vol. 1 At Conscious Sounds


Medical treatment is that treatment that is needed to relieve symptoms and conditions and to prevent progression of disease. At FIVE STAR VEIN INSTITUTE, we keep abreast of the latest treatments available to treat problem venous conditions and use modern technology to get excellent results for our patients. Medical treatments are covered by most insurance companies. All these treatments can be done in an office setting utilizing local anesthesia.
Compression Therapy – compression therapy in the form of medical grade wraps or medical grade stockings has been shown to benefit ALL forms of venous disease. However, it cannot eliminate the underlying problem.
Endovenous Laser – this refers to the placement of a laser fiber inside a refluxing vein which is causing symptoms or signs of venous disease. Proper use of this modality can eliminate the reflux by closing down the vein. It is used on varicose veins and perforating veins. FIVE STAR VEIN INSTITUTE uses a Cool Touch 1320 laser to close unwanted veins. Different than the older generation of lasers, this modern laser has been found equal to radiofrequency in minimizing the amount of post operative discomfort.
Radiofrequency Ablation – similar to laser treatment. Radiofrequency instead of laser is used to close down the vein.
Sclerotherapy – this refers to the injection of a chemical agent directly into a vein that is diseased. This causes the vein to scar down to a thin, fibrous cord. This form of treatment is used on varicose veins, reticular veins, perforating veins, and spider veins. This is the best treatment for spider veins on the lower extremities.
Ambulatory Phlebectomy – this is a surgical procedure by which varicose veins close to the surface of the skin are removed directly. This is done as an adjunct to the above therapies and does not replace direct correction of the underlying reflux source.
Vein Stripping – this refers to the practice of surgically removing the great or small safenous veins. This is the "classic" vein operation that was done for years for varicose veins and has been replaced with the more specific and more accurate procedures described above. The 5 year recurrence rate after vein stripping is 50-65%. It causes significant post operative pain and swelling and is associated with a recovery time of 3-4 weeks. Venous stripping for the most part is not needed or recommended in today's practice of phlebology.
I am writing this letter on behalf of Dr. Robert Ruess. I have known Dr. Ruess for several years. We are both Board Certified Cardiothoracic and General Surgery. Dr. Ruess is a well known Cardiothoracic Surgeon in the State of Missouri.
- Colin E. Baily M.D., F.A.C.S.


No Profound Musings today, just a couple of way-cool science toys.
First, from the Evil Mad Scientist Laboratories comes the amazing toast printer -- a computer-controlled heat gun which can make images on bread. Not only is it vastly cool, but I seriously expect to start seeing restaurants using it to decorate sandwiches. Wouldn't you?
Second, if you want to control your toast printer with nothing but the power of your mind, now you can (as reported by Physorg.com). Several small startup tech companies are developing brain wave reading devices to control video games. Now most people might wonder why such a powerful technology, with all kinds of applications is being used for something as seemingly trivial as games. The answer: money. You can make buckets of money selling people things to play with. Or so we've heard. Right now we've only managed to make a few cupfuls.
It's been all over the news for the past few days: a new Terrestrial planet has been discovered orbiting a nearby star. The coverage tends to describe the planet as the most Earthlike world yet found -- which is true, but misleading. Most other known extrasolar planets are giant Jupiter-like bodies, so this one is Earthlike in the sense that it's a solid object composed of rock and iron instead of hydrogen.
So what's this "Earthlike" planet really like, anyway? Well, let's look at some numbers. The best estimate of its size is about 12,000 miles in diameter. That's half again as big as Earth, which means this alien world would have a mass of about 3.5 Earths. In other words, more mass than all the Terrestrial-type planets in our Solar system combined. A body that massive would have a surface gravity of at least one and a half times Earth normal -- possibly more, since a big world like that could easily be more dense than Earth and thus pack more mass.
The primary star, Gliese 581, is a dim red dwarf about 20 light-years away. Red dwarfs are the invisible majority of the stars in our Galaxy -- they make up 80 or 90 percent of all stars, but most are quite dim and cool. This means they last a very long time before their fuel gets exhausted. The new planet orbits Gliese 581 in a tight circle only six million miles in radius, or one-fourteenth the distance from Earth to the Sun. If Gliese 581 was a big-league star like the Sun, this newly-found planet would be molten hot, but red dwarf stars have such wimpy energy output that even so close it's about the same temperature as Earth.
Oribiting that close means our planet is almost certainly tidally locked to its star, always keeping the same face turned to its primary, just as the Moon keeps the same face to the Earth.
Okay, that's the basic parameters -- gravity, diameter, temperature. But what's it like? Putting on my propellor beanie science fiction writer hat, I will speculate.
It's a big, massive planet which means more internal heat and thus more volcanic and tectonic activity. The surface will be rugged with lots of mountainous continents and volcanic island arcs. Oceans are likely to be quite deep -- only the highest peaks will be above sea level.
The atmosphere will also be massive -- three or four times as dense as Earth's, if not more. If the planet is lifeless, that massive atmosphere will create a tremendous greenhouse effect, which means those vast oceans could well have boiled into vapor leaving the surface a super-hot inferno like Venus.
But if life got a toehold, green plants could have sucked all the carbon dioxide and methane out of the atmosphere, just as they did on Earth. That would prevent a runaway greenhouse effect and leave the surface temperature comfortably in the liquid-water range.
So let's imagine ourselves there. It's an endless expanse of ocean under a never-setting sun. There are shallow basins rimmed by island chains, and deep abyssal plains with active thermal vents at the bottom. The water is thick with plants in the shallows, and among the plants swim animals -- fish-shaped but completely unlike any fish on Earth. In the deep ocean basins swim leviathans vaster than any whales. On the dark side the islands are covered by glaciers and pack ice floats on the water.
Do any of the things living there have brains, language, and tools? And do any of them look up at a faint yellow star and wonder if it has any planets with life?
The problem from their standpoint is that chocolate contains cocoa butter, an oil derived from the cacao bean that gives chocolate its characteristic mouthfeel. And cocoa butter costs more than $2.00 a pound. If the FDA apporoves their petition, the manufacturers will be able to replace cocoa butter with cheaper vegetable oil and still call their product chocolate. But then we'll have to eat it. And our mouths, exquisitely sensitive chemical sensors that they are, will know the difference.
Cybelle May of Candyblog published an editorial in the LA Times last week that summarizes the whole issue. And you can tell the FDA what you think. They have an online service that allows consumers to give them feedback. The commenting period would have ended today, but it looks like it's been extended to May 25, 2007.
I started our first BioBlitz by watching our bird feeder during breakfast, followed by a 40 minute long walk around our 6 acres. Eighty years ago, our property was part of a farm. Most of it was pasture, judging from the lines of barbed wire that still criss-cross the woods. It was abandoned sometime in the 1930s, and grew wild until the house was built in the late 1980s. Most of it is still growing wild, and now contains a mishmash of weedy fast-growing trees, feral European escapees from gardens, and a few young climax species. Because spring just arrived in Western Massachusetts, there aren't as many plants in evidence as in high summer, but the woody things are still easy to find.
Today marks the 207th anniversary of the establishment of the U.S. Library of Congress. On April 24, 1800, President John Adams approved legislation providing $5000 to purchase books for the use of Members of Congress, as part of the infant U.S. government's move to its permanent seat in Washington D.C.
The first collection was burned by the raiding British during the War of 1812, but Thomas Jefferson offered his personal library as a replacement -- and more than doubling the size of the library in the process.
Jefferson's spirit still provides the Library's guiding philosophy: nothing is outside the purview of the Library of Congress. It collects books about everything. Nowadays it adds about 10,000 items per day to the collection.
This is Anisakis simplex. It's a parasitic nematode that normally lives in the gut of marine mammals like seals, whales, and dolphins. It has a complex life cycle – an Anisakis egg that leaves the gut of the marine mammal hatches into a free-living larva. The larva swims around until it gets eaten by a small crustacean, then settles in and waits for its host to get nabbed by a squid or a small fish. Inside its new host, it bores through its gut wall into muscle. Then it waits to get eaten again. The worm can work its way through a chain of several larger fish this way, all the time waiting until its current host becomes dinner for the seal or dolphin that's the worm's final host.
But sometimes Anisakis gets sidetracked. That's because people like fish too.
A couple of weeks ago, Pharyngula pointed to an interesting appeal from a Scottish animator. Iain Gardner wants to put together a short film that shows how many people accept the scientific theory of evolution by natural selection relative to the people who believe in the creation of life by an intelligent designer. He wants you to send him a photo of yourself – holding an apple if you're in the evolution camp, or a light bulb if you're an ID-er. When he strings the images together into an animated video, you'll be able to see the relative proportion of people in each group.
The MIT museum is sponsoring the first annual Cambridge Science Festival. It starts with a science carnival at the Cambridge City Hall on April 21 from 12 – 5 pm, followed by nine full days of exhibitions, lectures, performances, and science-themed experiences at sites all around Cambridge, MA.
The science carnival alone looks like a blast – activities will include building an origami skyscraper with the Science Club for Girls, programs about the ecology of Boston Harbor (sponsored by TERC) and the Harbor Islands (sponsored by Harvard's Museum of Comparative Zoology), and demonstrations of water bottle rockets and solar cooking (which I hope has advanced since I tried to cook hot dogs with a homemade solar reflector in my yard back in the early 80s. My hot dogs were still raw half an hour after I started them. Eew.) And there are lots of interesting events scheduled for the rest of the week. One thing that caught my eye is what looks like an environmentally-themed live-action role-playing game.
The organizers have set up some special deals for Cambridge residents, but it looks like anyone's welcome to join in. Most events are free. More information can be had from the festival website.
Remember the Snowball Earth? 800 million years ago, algae started doing photosynthesis and sucked all the carbon dioxide out of the Earth's atmosphere, leaving the planet without a warming greenhouse effect. The temperature fell below freezing all over the planet and Earth spent a quarter of a billion years covered in ice.
Well, maybe not. New evidence based on rock weathering suggests that maybe the "snowball" model is incorrect. Rocks from that era in Oman show chemical weathering consistent with alternating periods of cold and warm temperatures. So time travelers visiting that era can take both swimsuits and snowshoes.
Evidently there was some feedback mechanism at work, so that as temperatures fell the carbon dioxide in the atmosphere increased. Maybe lots of algae died and rotted in the cold; maybe volcanic activity replentished the supply of greenhouse gases; or maybe the Sun was hotter than previous estimates. Anyway, the Earth did get really cold, but the oceans never froze over completely. "Snowball Earth" was more of a "Slushball."
Until new discoveries refute these findings, of course. Maybe something else caused the weathering found in Oman, and the Snowball model is correct. Reconstructing events a billion years in the past is difficult, and new facts can change everything. That's the fun thing about science: it doesn't sit still. There's no unchallengeable doctrine, only theories supported by facts. New facts can change the theories. Which is why scientists love new facts.
Diane Kelly is a Senior Research Fellow at the University of Massachusetts, Amherst, where she studies the neural wiring and mechanical engineering of reproductive systems.
Jim Cambias writes science fiction and designs games in the lonely wilderness of Western Massachusetts.
Greg on I'm Going to Tell a Story. In Public.


text:
/**
 * RFC 2868
 * RADIUS Attributes for Tunnel Protocol Support
 */

var crypto = require('crypto');
var shared = require('../shared');

// Packs strings that may have a < 0x1f tag.
function Pack1FString(data, secret, authenticator) {
  var tagTest = data['tag'] || data['value'][0];
  var outBuffer = new Buffer(data['value']);

  if(tagTest < 0x1f)
    outBuffer = shared.MergeBuffers(new Buffer(tagTest), outBuffer);

  return outBuffer;
}

// Unpacks strings that may have a < 0x1f tag.
function Unpack1FString(buff, secret, authenticator) {
  var out = {raw: buff};
  var testTag = buff.readUInt8(0);
  if(testTag < 0x1f) {
    out['tag'] = testTag;
    out['value'] = buff.slice(1, buff.length).toString('utf-8');
  } else {
    out['value'] = buff.toString('utf-8');
  }
  return out;
}

/**
 * PwTunnelEncrypt hides a User-Password attributes value.
 * See the RFC2868 for more details. */
function PwTunnelCrypt(value, secret, authenticator) {
  /**
   * The Tag field is one octet in length and is intended to provide a
   * means of grouping attributes in the same packet which refer to the same tunnel.
   */
  var tag = value['tag'] || 0x0;
  var salt = new Buffer(2); // Random salt.
  var password = new Buffer(value['value']);
  var passwordLength = password.length;

  // Create the random salt data.
  salt[0] = Math.floor(Math.random()*128) + 128; // The MSB of this byte must be 1.
  salt[1] = Math.floor(Math.random()*254);

  /**
   * Get the length of the password and pad it until it's length
   * is a multiple of 16. The padding characters must be NULL. */
  var passwordMod16 = passwordLength % 16;
  if(passwordMod16 != 0) {
    password = shared.NullPadBuffer(password, 16 - passwordMod16);
  }
  var encodedPassword = new Buffer(password.length);

  // In the first pass the intermediate value is   bi = MD5(S + RA + SALT)
  var last = shared.MergeBuffers(authenticator, salt);;

  var blockNumber = 0; // Used
  while(password.length > 0) {
    var data = shared.MergeBuffers(secret, last); // Create a Buffer thaw will be S + c(i-1)
    // Calculate bi = MD5(S + c(i-1))
    var bi = new Buffer(crypto.createHash('md5').update(data).digest('hex'), 'hex');
    var pi = password.slice(0, 16); // Get the next 16 byte password chunk.
    var ci = new Buffer(16); // Holds the cipherText (ci).

    /**
     * c(i) = pi XOR bi
     * Perform the XOR operation on all 16 bytes of the current block.
     * The cipherText is saved in ci so it can be used to calculate the
     * intermediate value bi later on. */
    for(var j = 0; j < 16; j++) {
      // Get the ci byte from the XOR of pi and bi.
      encodedPassword[16 * blockNumber + j] = ci[j] = pi[j] ^ bi[j];
    }

    // Set c(i-1) to be used for next intermediate value bi.
    last = ci;
    // Remove the first 16 bytes of our password Buffer.
    password = password.slice(16, password.length);
    blockNumber += 1;
  }

  // Pack the tunnel password fields.
  var packedTunnelPassword = new Buffer(4 + encodedPassword.length);
  packedTunnelPassword[0] = tag;            // Set the tag field.
  salt.copy(packedTunnelPassword, 1, 0, 2); // Copy the salt.
  packedTunnelPassword[3] = passwordLength; // Set the password data length subfield.
  // Copy the encrypted password.
  encodedPassword.copy(packedTunnelPassword, 4, 0, encodedPassword.length);
  return packedTunnelPassword;
}
exports.PwTunnelCrypt = PwTunnelCrypt;

/**
 * PwTunnelUncrypt unhides a User-Password attributes value.
 * See the RFC2868 for more details. */
function PwTunnelUncrypt(buff, secret, authenticator) {
  // Get the tag, salt, string (length, password) from the buffer.
  var returnValue = {
      tag: buff[0]
    , salt: buff.slice(1, 3)
    , value: ''
  }

  // Slice the buffer to remove the first 4 bytes.
  buff = buff.slice(4, buff.length);

  // Check to see if the buffer's length is a multiple of 16.
  if(buff.length % 16 != 0)
    return null; // We cannot process this data.
  var clearText = new Buffer(buff.length);

  // In the first pass the intermediate value is   bi = MD5(S + RA + SALT)
  var last = shared.MergeBuffers(authenticator, returnValue['salt']); // Set the C for first interval.
  var blockNumber = 0;
  while(buff.length > 0) {
    // First pass: S + RA  Next passes: S + c(i-1)
    var data = shared.MergeBuffers(secret, last);
    // Calculate MD5 of data above.
    var bi = new Buffer(crypto.createHash('md5').update(data).digest('hex'), 'hex');
    var pi = buff.slice(0, 16); // Password 16 byte octet chunk.
    var ci = new Buffer(16);
    // c(i) = pi xor bi
    for(var j = 0; j < 16; j++) {
      // Get the ci byte from the XOR of pi and bi.
      clearText[16 * blockNumber + j] = ci[j] = pi[j] ^ bi[j];
    }

    // Set c(i-1) to be used for next intermediate value bi.
    last = pi;
    buff = buff.slice(16, buff.length);
    blockNumber += 1;
  }

  returnValue['value'] = clearText.toString('utf8').replace(/\u0000/g, "");
  return returnValue;
}
exports.PwTunnelUncrypt = PwTunnelUncrypt;

exports.rfc2868 = function RFC2868(attributes, types) {
  /**
   * Section 3 - Add new attributes.
   */

  /**
   * Tunnel-Type
   */
  attributes[64] = {
      name: 'Tunnel-Type'
    , type: 'packed'
    , size: {always: 4}
    , packets: ['Access-Request' ,'Access-Accept', 'Accounting-Request']
    , pack: PackTunnelType
    , unpack: UnpackTunnelType
    , hintValues: {
        1: 'Point-to-Point Tunneling Protocol (PPTP)'
      , 2: 'Layer Two Forwarding (L2F)'
      , 3: 'Layer Two Tunneling Protocol (L2TP)'
      , 4: 'Ascend Tunnel Management Protocol (ATMP)'
      , 5: 'Virtual Tunneling Protocol (VTP)'
      , 6: 'IP Authentication Header in the Tunnel-mode (AH)'
      , 7: 'IP-in-IP Encapsulation (IP-IP)'
      , 8: 'Minimal IP-in-IP Encapsulation (MIN-IP-IP)'
      , 9: 'IP Encapsulating Security Payload in the Tunnel-mode (ESP)'
      , 10: 'Generic Route Encapsulation (GRE)'
      , 11: 'Bay Dial Virtual Services (DVS)'
      , 12: 'IP-in-IP Tunneling'
    }
    , rfc: '2868'
  }

  // Packs a Tunnel-Type
  function PackTunnelType(data, secret, authenticator) {
    // Todo: verify the data...
    var outBuffer = new Buffer(4);
    outBuffer[0] = data['tag'] || 0x0; // Valid values for this field are 0x01 through 0x1F, inclusive.
    outBuffer[1] = 0x0;
    outBuffer[2] = 0x0;
    outBuffer[3] = data['value'] || 0x0;
    return outBuffer;
  }
  // Unpacks a Tunnel-Type
  function UnpackTunnelType(buff, secret, authenticator) {
    var out = {raw: buff};
    out['tag'] = buff[0];
    out['value'] = buff[3];
    return out;
  }

  /**
   * Tunnel-Medium-Type
   */
  attributes[65] = {
      name: 'Tunnel-Medium-Type'
    , type: 'packed'
    , size: {always: 4}
    , packets: ['Access-Request' ,'Access-Accept']
    , pack: PackTunnelMediumType
    , unpack: UnpackTunnelMediumType
    , hintValues: { // Values are from "Address Family Numbers" under RFC1700?
        0: 'Reserved'
      , 1: 'IP (IP version 4)'
      , 2: 'IP6 (IP version 6)'
      , 3: 'NSAP'
      , 4: 'HDLC (8-bit multidrop)'
      , 5: 'BBN 1822'
      , 6: '802 (includes all 802 media plus Ethernet "canonical format")'
      , 7: 'E.163'
      , 8: 'E.164 (SMDS, Frame Relay, ATM)'
      , 9: 'F.69 (Telex)'
      , 10: 'X.121 (X.25, Frame Relay)'
      , 11: 'IPX'
      , 12: 'Appletalk'
      , 13: 'Decnet IV'
      , 14: 'Banyan Vines'
      , 15: 'E.164 with NSAP format subaddress' // From RFC 2868.
    }
    , rfc: '2868'
  }

  // Packs a Tunnel-Medium-Type
  function PackTunnelMediumType(data, secret, authenticator) {
    // Todo: verify the data...
    var outBuffer = new Buffer(4);
    outBuffer[0] = data['tag'] || 0x0; // Valid values for this field are 0x01 through 0x1F, inclusive.
    outBuffer[1] = 0x0;
    outBuffer.writeUint16BE(data['value'] || 0x0, 2); // Needs tested...
    return outBuffer;
  }

  // Unpacks a Tunnel-Medium-Type
  function UnpackTunnelMediumType(buff, secret, authenticator) {
    var out = {
        raw: buff
      , tag: buff[0]
      , value: buff.readUInt16BE(2)
    };
    return out;
  }

  /**
   * Tunnel-Client-Endpoint
   */
  attributes[66] = {
      name: 'Tunnel-Client-Endpoint'
    , type: 'packed'
    , size: {min: 2, max:253}
    , packets: ['Access-Request' ,'Access-Accept']
    , pack: Pack1FString
    , unpack: Unpack1FString
    , rfc: '2868'
  }
  // Value may be depend on Tunnel-Medium-Type.

  /**
   * Tunnel-Server-Endpoint
   */
  attributes[67] = {
      name: 'Tunnel-Server-Endpoint'
    , type: 'packed'
    , size: {min: 2, max:253}
    , packets: ['Access-Request' ,'Access-Accept']
    , pack: Pack1FString
    , unpack: Unpack1FString
    , rfc: '2868'
  }
  // Value may be depend on Tunnel-Medium-Type.

  /**
   * Tunnel-Password
   */
  attributes[69] = {
      name: 'Tunnel-Password'
    , type: 'packed'
    , size: {min: 5, max:253}
    , packets: ['Access-Accept']
    , pack: PwTunnelCrypt
    , unpack: PwTunnelUncrypt
    , rfc: '2868'
  }

  /**
   * Tunnel-Private-Group-ID
   */
  attributes[81] = {
      name: 'Tunnel-Private-Group-ID'
    , type: 'packed'
    , size: {min: 1, max:253}
    , packets: ['Access-Accept']
    , pack: Pack1FString
    , unpack: Unpack1FString
    , rfc: '2868'
  }

  /**
   * Tunnel-Assignment-ID
   */
  attributes[82] = {
      name: 'Tunnel-Assignment-ID'
    , type: 'packed'
    , size: {min: 1, max:253}
    , packets: ['Access-Accept', 'Accounting-Request']
    , pack: Pack1FString
    , unpack: Unpack1FString
    , rfc: '2868'
  }

  /**
   * Tunnel-Preference
   */
  attributes[83] = {
      name: 'Tunnel-Preference'
    , type: 'packed'
    , size: {always: 4}
    , packets: ['Access-Request' ,'Access-Accept']
    , pack: PackTunnelPref
    , unpack: UnpackTunnelPref
    , rfc: '2868'
  }
  // Pack Tunnel-Preference values.
  function PackTunnelPref(value, secret, authenticator) {
    out = new Buffer(4);
    out.writeInt32BE(value['value'], 0);
    var tag = value['tag'] || 0x0;
    if (tag > 0x1f)
      tag = 0x0;
    out[0] = tag;
    return out;
  }
  // Unpack Tunnel-Preference buffers.
  function UnpackTunnelPref(buff, secret, authenticator) {
    var out = {
        tag: buff.readInt8BE(0) // The tag is in the first byte.
      , value: 0
    }

    if(out['tag'] > 0x1f)
      out['tag'] = 0;
    buff[0] = 0x0;
    out['value'] = buff.readInt32BE(0);
    return out;
  }

  /**
   * Tunnel-Client-Auth-ID
   */
  attributes[90] = {
      name: 'Tunnel-Client-Auth-ID'
    , type: 'packed'
    , size: {always: 4}
    , packets: ['Access-Accept', 'Accounting-Request']
    , pack: Pack1FString
    , unpack: Unpack1FString
    , rfc: '2868'
  }

  /**
   * Tunnel-Server-Auth-ID
   */
  attributes[91] = {
      name: 'Tunnel-Server-Auth-ID'
    , type: 'packed'
    , size: {always: 4}
    , packets: ['Access-Request', 'Access-Accept', 'Accounting-Request']
    , pack: Pack1FString
    , unpack: Unpack1FString
    , rfc: '2868'
  }

}

redpajama_set_name: RedPajamaGithub


text:
Anders Reinhold Ljunggren, född 9 januari 1920 i Berga, Kronobergs län i Småland, död 14 juli 2006 i Vimmerby, var en svensk konstnär och arbetade både som målare och grafiker.

Biografi
Reinhold Ljunggrens far var godsägaren Arnold Ljunggren född 20 januari 1886 i Kristianstad, Skåne, död 5 augusti 1921. Modern var Betty Inger Augusta (född Sjörén) 12 augusti 1889  i Köpenhamn, Danmark, omgift Gustafsson, död 3 augusti 1980. Efter faderns tidiga död flyttade modern med Reinhold och hans syster Hanna 1922 till Ljungby i Småland där han växte upp. År 1937 flyttade han till Stockholm där han utbildade sig på Tekniska skolan och studerade hos Edvin Ollers och Otte Sköld. 1939-1941 studerade han vid Konstakademien. Han flyttade 1941 till Trosa där han bodde i över 30 år och flyttade därefter till Norra Vi och sedan till Vimmerby. Han har skildrat naturen och småstaden med stor detaljrikedom. Hans verk karaktäriseras ofta av en viss ödslighet. Ljunggren skapade diplomen för de första Nobelprisen i ekonomi 1969. Han har även gjort sig känd som porträttmålare med avbildningar av till exempel kung Gustaf VI Adolf, Gunnar Ekelöf, Evert Taube och Jarl Kulle. Ljunggren installerades 1980 som hedersledamot vid Södermanlands-Nerikes nation i Uppsala.

Reinhold Ljunggrens konst finns representerad på Nationalmuseum och Moderna museet i Stockholm, Kalmar konstmuseum, Örebro läns landsting och på Bonniers porträttsamling i Villa Manilla på Djurgården i Stockholm.

Han gifte sig 29 augusti 1940 med Carin Ljunggren (född Ångman) 24 juni 1921 i Arboga, död 10 juli 2003 i Vimmerby.

Källor
Födelsebok: Berga (G) C:9 (1917-1946)
Församlingsbok: Berga (G) AIIa:4 (1912-1927) och Ljungby (G) AIIa:10 (1922-1928)
Statistiska Centralbyrån (SCB) - 1940 års folkräkning]
Sveriges dödbok 1860-2017

Noter

Svenska målare under 1900-talet
Män
Födda 1920
Avlidna 2006
Hedersledamöter vid Södermanlands-Nerikes nation
Representerade vid Nationalmuseum
Svenska grafiker under 1900-talet
Representerade vid Bonnierska Porträttsamlingen
Personer från Berga socken, Småland

redpajama_set_name: RedPajamaWikipedia


text:
Q: Make Flex mobile full screen in desktop (as an air app) I need to make flex mobile application to be full screen when it runs on desktop OSs (I've packaged it as an air app)

A: Switching to full screen through stage.displayState = StageDisplayState.FULL_SCREEN_INTERACTIVE can not be done on a creation complete handler. It must be done through user interaction. I actually just did this yesterday. Add a button to your app and set the onClick to a function that sets full screen and hides the button. That's how I did it anyways.

A: I'm pretty sure that your view will dispatch it's creationComplete event before the main Application is added to the stage, which is probably why you got the error.
In the past, I've used the applicationComplete event and the StageDisplayState.FULL_SCREEN.  Here is an old blog post I wrote about it.
<?xml version="1.0" encoding="utf-8"?>
<mx:WindowedApplication xmlns:mx="http://www.adobe.com/2006/mxml" layout="absolute" alwaysInFront="true"
applicationComplete="onApplicationComplete()">
<mx:Script><![CDATA[

public function onApplicationComplete():void{
this.stage.displayState = StageDisplayState.FULL_SCREEN;
}
]]></mx:Script>
</mx:WindowedApplication>

I see no reason why this code wouldn't work in a Flex 4 / Spark app.


text:
Florial Headlines Yankees 2018 Spring Training Invites
Estevan Florial (Martin Griff)
Robert M. Pimpsner
Earlier today, the New York Yankees announced that they had invited 20 players to spring training as non-roster invites. Among the players invited to camp are seven recently signed minor league free agents in the persons of Francisco Diaz, Danny Espinosa, David Hale, Erik Kratz, Wade LeBlanc, Chace Numata, and Jace Peterson.
Among the prospects invited to camp are right-handed pitchers Chance Adams, Cody Carroll, Cale Coshow, Raynel Espinal, J.P. Feyereisen, Dillon Tate, Taylor Widener and Brady Lail. Also, left-handed pitcher Justus Sheffield, catcher Jorge Saez, and infielders Nick Solak and Kyle Holder were invited to camp. The lone outfield prospect the Yankees invited was Estevan Florial.
Diaz, 27, will be entering his third season with the Yankees after signing as a minor league free agent in November 2015. In 519 career minor league games he hit .254/.328/.321 with 73 doubles.
Espinosa, was a once promising prospect with the Nationals but has struggled, hitting just .221/.297/.378 in 872 career major league games.
Hale, 30, is a journeyman minor league right-handed pitcher with only 10 games experience in the major leagues. In 161 minor league games, he owns a 34-44 record with a 4.20 ERA and 531 strikeouts over 705 innings pitched.
Kratz, 37, is a journeyman minor league catcher that the Yankees acquired last year for cash. In 964 minor league games, he hit .257/.333/.442 with 215 doubles, five triples, and 123 home runs. Also, he has played in 228 major league games since making his MLB debut on July 17, 2010. In the majors, he has hit .203/.250/.366.
LeBlanc, 33, spent the last few seasons pitching for several teams including the Angels, Yankees, Mariners, and the Pirates. In 176 major league games, he owns a 30-35 record with a 4.40 ERA and 407 strikeouts in 576 2/3 innings pitched.
Numata, 25, was signed as a minor league free agent on November 10. In 444 minor league games, he has never advanced beyond Double-A. He has hit .258/.327/.337 in 1467 at-bats.
Peterson, 27, spent most of his major league career with the Atlanta Braves after making his debut in 2014 with the San Diego Padres. In 383 career MLB games, he hit .234/.319/.331, seeing time all over both the infield and outfield.
Out of the 13 prospects invited to camp, 10 of them are on our Yankees Top 75 Prospects list. They are Estevan Florial (#2), Justus Sheffield (#3), Chance Adams (#6), Nick Solak (#11), Dillon Tate (#12), Taylor Widener (#15), Kyle Holder (#19), Cody Carroll (#21), Cale Coshow (#61), and JP Feyereisen (#66).
They will be joining another 13 players currently on the Yankees 40-man roster that are among the top prospects in the organization, including Gleyber Torres (#1), Domingo Acevedo (#4), Albert Abreu (#5), Miguel Andujar (#7), Thairo Estrada (#9), Domingo German (#16), Billy McKinney (#20), Jake Cave (#22), Jonathan Loaisiga (#29), Tyler Austin (#32), Kyle Higashioka (#34), Ben Heller (#52), and Giovanny Gallegos (#65).
In this article:Brady Lail, Cale Coshow, Chace Numata, Chance Adams, Cody Carroll, Danny Espinosa, David Hale, Dillon Tate, Erik Kratz, Estevan Florial, Francisco Diaz, J.p. feyereisen, Jace Peterson, Jorge Saez, Justus Sheffield, Kyle Holder, Nick Solak, Raynel Espinal, story, Taylor Widener, Wade LeBlanc
Written By Robert M. Pimpsner


Envy / JAE Gas Outrigger Ultimate Hardware Combo  - $330.00 : Welcome to Zippkits!
Ultimate hardware set for Envy Gas Outrigger hulls.
If you are looking for everything you need to complete your Envy or JAE Gas Rigger, this is the set you need.
Price reflects a $37.50 discount.