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Rua means 'street' in Portuguese and Galician language, and is the number 'two' in several Polynesian languages. It may refer to:

Music
Rua (band), a New Zealand Celtic fusion band
Rua (Clann Zú album), 2003
Rua (Moana and the Moahunters album), 1998
The Rua, a family pop rock band from Windsor, England

People
Rua Kenana Hepetipa (1869–1937), Maori self-proclaimed prophet
Rua Tipoki (born 1975), rugby union player
Rugila or Rua (died 434), warlord who united the Huns under his sole kingship by 432
Rua Van Horn (1892–1978), American educator, federal official

Surname
Antonio de la Rúa (born 1974), Argentine lawyer
Fernando de la Rúa (1937–2019), Argentine president
Jorge de la Rúa (1942–2015), Argentine government official
Matt Rua (born 1977), rugby league player
Maurício Rua (born 1981), Brazilian mixed martial arts fighter
Michele Rua (1837–1910), co-founder of the Salesian Order
Murilo Rua (born 1980), Brazilian mixed martial arts fighter
Ryan Rua (born 1990), American professional Major League Baseball player

Other uses
Rua (Moimenta da Beira), a Portuguese parish in the municipality of Moimenta da Beira
CLG Eoghan Rua, a Gaelic Athletic Association club

See also
 RUA (disambiguation)

redpajama_set_name: RedPajamaWikipedia


Broadcast is a tough venue – for both bands and photographers. The stage is tight and any frontman over six foot is risking a serious head injury from the low-hanging support beam. As for the lighting in this dungeon, it's in-your-face red, everywhere. That said, tonight I was along to photograph the awesome local, talented and handsome Start Static.


Today's review is brought to you by the West Lake Soccer Club - the fine people who decided that I could coach a soccer team or two. They may be regretting that decision..........(watch how I work this in to the review).
Diet Hansen's Creamy Root Beer is made by Hansen's root beer. The website says: Hansen's Diet Root Beer Soda has that old-fashioned taste made from real Madagascan vanilla beans, licorice root, birch bark and wintergreen. Our sodas contain all natural flavors and have no sodium, caffeine, aspartame, preservatives, or carbs.
My take: You know how West Lake may be regretting allowing me to coach? Well, I am regretting having a six pack of Diet Hansen's. I have had bad root beer before, and I have had ugly root beer before. But, if I had a new category, I would put this in that category. The root beer has no root beer flavor. It tastes like a cold, carbonated drink with a bad aftertaste. Really, I should have had water and it would have tasted closer to real root beer.
So, what's your take on Diet Hansen's? Email me and let me know!


text:
Economic Benefit Of Genomic Selection For RFI
The aim of the Australian Profit Ranking (APR) selection index for Australian dairy cattle is to improve the profitability of dairy farming. It assigns weights to milk, fat and protein yield, daughter survival, daughter fertility, somatic cell count, live weight, temperament and likeability according to their contributions to profit and their correlations, write B Hayes, J Pryce from the Department of Primary Industries, Australia and J Van Der Werf, University of New England.
Although the index partially captures gross efficiency, it does not account for variation in efficiency with production level or for metabolic efficiency. Incorporation of residual feed intake (RFI) in the APR would enable selection for metabolic efficiency, which may contribute substantially to profit, given that cost of feed accounts for 50 per cent of all costs associated with dairy production systems.
Whereas the cost of routine measurement of RFI would be prohibitive, predictions of RFI breeding value from DNA markers could be used. An accuracy of 0.42 for a DNA marker-derived RFI breeding value was recently reported. In this report, we discuss an appropriate weight for RFI for inclusion in the APR, given the genetic variation in this trait and its correlations with other traits in the APR.
We demonstrate that selection for an APR that includes DNA marker-derived breeding values for RFI would improve the annual rate of gain in profitability by 3.8 per cent. On an industry wide basis, this is equivalent to $515,092 in additional profit per year.
The aim of the Australian Profit Ranking (APR) selection index for Australian dairy cattle is to improve the profitability of dairy farming through selection of bulls and heifers.
The APR weights milk, fat and protein yield, daughter survival, daughter fertility, somatic cell count, live weight, temperament and likeability according to their contributions to profit and correlations among the traits (e.g., Pryce et al., 2009). Given that the cost of feed accounts for between 43–67 per cent of the total farming expenses in a dairy production system (Ho et al., 2005), a key component of this index is efficiency.
The APR captures some of the variation in gross efficiency, as it includes body weight with an economic weight based on the energetic requirements for maintenance and production (Pryce et al., 2009). However, gross efficiency estimated in this way does not enable comparison between cattle at different levels of production and does not distinguish between energy used for production, maintenance, lactation or tissue metabolism, which may differ in efficiency (Veerkamp et al., 1995).
Residual feed intake (RFI) as described by Koch et al. (1963) is a measure of feed efficiency that is independent of an animal's body size and production level and takes into account variation in maintenance efficiency. RFI can be defined as the difference between an animal's actual feed intake and its expected feed intake based on its production, size and growth (Veerkamp et al., 1995; Archer et al., 1999).
A recent study demonstrated substantial variation in RFI among growing heifers; in a trial in which the intakes of 903 Holstein-Friesian 6-month-old heifers were individually monitored, the feed intakes of heifers with the lowest and highest 10 per cent of RFIs differed by 1.5 kg/day. The phenotypic standard deviation was 0.19 kg/day and the heritability of RFI was estimated to be 0.27. Variation in RFI is much larger in lactating cows than in heifers. Meta-analysis of published values of RFI measured in lactating cows (Korver et al., 1991; van Arendonk et al., 1991; Ngwerume and Mao, 1992; Svendsen et al., 1993; Veerkamp et al., 1995) resulted in an estimated phenotypic SD of RFI of 9.4 MJ ME/ day, equivalent to 0.9 kg DM/day. The mean heritability estimate for RFI in lactating Holstein-Friesian cows is 0.1 (van Arendonk et al., 1991; Ngwerume and Mao, 1992).
The reported genetic variation in RFI and the substantial contribution of the cost of feed to total costs suggest that selection to improve this trait could have an economic impact on the profitability of dairy farming. However, the requirement for data on individual feed intake, measurement of which is very costly, is a barrier to selection for RFI.
An alternative would be to use genome-wide DNA markers to capture genetic variation in RFI, and to use such data to estimate breeding values for selection (genomic selection; Meuwissen et al., 2001). Genomic selection has been implemented in dairy breeding programs in many countries for herd recording traits (e.g., production, survival, fertility; see VanRaden et al., 2009 and Hayes et al., 2009 for reviews) but not for traits that are not routinely recorded.
The amount of genetic gain that can be made in RFI using genomic selection will be directly proportional to the accuracy of the genomic estimated breeding values, where accuracy is the correlation between the genomic estimated breeding values and the true breeding values for the selection candidates. In a recent experiment, a panel of genetic markers was discovered that was used to predict genomic estimated breeding values for RFI in Holstein-Friesian cattle with a moderate degree of accuracy (0.41 ± 0.02) (Pryce et al., 2011). Thus, the industry could now make use of genomic selection of bulls and heifers for RFI. However, selection for RFI alone would not maximise profit; the best use of RFI would be to incorporate it as an additional trait in an APR in which all traits that contribute to profit are appropriately weighted and profit is maximized.
In this manuscript, we included RFIs of growing heifers and lactating cows in a multiple-trait selection index that included the APR to derive an appropriate economic weight for this trait. We then predicted the extra profit that would accrue to the Australian dairy industry if RFI were to be included in the selection index.
Genetic correlations between APR traits and RFI In order to understand the implications of including RFI in a selection objective and to identify possible unfavourable correlated responses of selecting for RFI, accurate estimates of genetic correlations between RFI and other traits in the selection index are required.
As the heifers used to estimate genetic parameters for RFI in the trial of Williams et al. (2011) are currently part way through lactation, there is insufficient data to estimate the genetic correlations directly using data collected from the heifers for both RFI and other traits in the APR. As an approximation, we used sire breeding values for the APR traits to approximate genetic correlations with RFI, following the approach described by Royal et al. (2002).
Genetic correlations between RFI and other traits in the APR were estimated using genetic regressions of sire ABVs. Of the 168 sires of heifers in the heifer feed conversion efficiency experiment of Williams et al. (2011), 157 had ABVs available from the Australian Dairy Herd Improvement Scheme database for milk, milk fat and milk protein yields and percentages, fertility (expressed as the 6-week-in-calf rate), live weight, overall type and survival. An indication of the genetic correlation estimates between other traits can be obtained from genetic regressions of RFI on these traits.
Derivation of index weights
Multiple trait selection index theory was used to calculate the potential benefit of including DNA information for RFI in selection decisions. A multi-trait selection index for APR similar to that described by Pryce et al. (2009) was constructed with RFI as an additional trait. Genetic correlations between RFI and the APR traits were the inferred genetic correlations transformed from genetic regressions, obtained as described above.
The method to include a genomic breeding value in a selection index has previously been described by Van Eenennaam et al. (2011). This method assumes that a genomic estimated breeding value (GEBV) is available, either independently or in addition to daughter records. We assumed that RFI was only available as a GEBV, i.e., that no daughter records were available and that the accuracy of prediction was 0.4 (Pryce et al., 2011).
The other APR traits were assumed to be estimated breeding value (EBVs) estimated with either 70 daughters (for production traits and somatic cell count (SCC) or 30 daughters for non-production traits. Based on recent work by the Australian Dairy Herd Improvement Scheme (www.adhis.com.au) the reliability of the genomic breeding values for production traits (excluding daughter records) were assumed to be 0.5, and that of SCC was assumed to be 0.4. Non-production traits (excluding RFI and SCC) were assumed to have reliabilities of 0.3.
As the Australian Profit Ranking (APR) is expressed on an annual basis, the phenotypic SD of RFI (0.44 kg/d) was annualised by multiplying it by 365 to give 159.1 kg/year. The economic value of feed was the same as the opportunity cost of feed used in the APR model (Pryce et al., 2009), i.e., $0.019/MJ ME. As feed was expressed in kg rather than MJ of ME, it was assumed that the average ME content of dairy feed was 10.5 MJ ME per kg. Therefore, the economic value of an extra kg of feed in the multi-trait model was $0.20/kg.
Sensitivity analysis
The genetic correlation between RFI and fertility was 0.11 according to the genetic regression method (see results). There is a chance that this genetic correlation is an underestimate. The only way of knowing whether it is an underestimate is to re-estimate the genetic correlation when data becomes available. To investigate the consequences of a very high genetic correlation between RFI and fertility, we also ran a scenario in which the genetic correlation between these two traits was 0.3.
The phenotypic SD of RFI in growing heifers was assumed to be 0.44 kg/d. As the feed intake capacity of 6-month-old heifers is lower than that of lactating cows, the estimate of response to selection may only be relevant to heifers. An alternative way to determine the phenotypic standard deviation of RFI is through a meta-analysis of published values of RFI measured in lactating cows (Korver et al., 1991; Ngwerume and Mao, 1992; Svendsen et al., 1993; van Arendonk et al., 1991; Veerkamp et al., 1995). The phenotypic SD for RFI obtained from the meta-analysis of RFI was 9.4 MJ ME/day, which is equivalent to 0.9 kg DM/d (326.8 kg/ year). This alternative estimate of the SDp of RFI was also used in our calculations.
The genetic correlations between APR and RFI indicate that selection for RFI will result in an increase in protein, fat and milk yield, overall type, survival and live weight (Table 1).
Table 1. Correlations between Australian Breeding Values (ABVs) of sires and sire solutions for residual feed intake (RFI) (r(abv,sire_sln), genetic regression coefficients (b) of RFI on sire ABVs for production, fertility, live weight, overall type and survival and corresponding genetic correlations (ra) between RFI and Australian Profit Ranking (APR) traits.
r(abv, sire_sln)
Milk protein (kg) –0.077 0.000 0.001 0.926 0.007
Milk fat (kg) –0.122 0.000 0.001 0.903 –0.010
Milk volume (kg) –0.077 0.000 0.000 0.874 –0.012
Protein (%) 0.019 0.057 0.125 0.651 –0.040
Fat (%) -0.027 0.000 0.061 0.994 –0.001
APR ($) –0.134 0.000 0.000 0.891 –0.011
Overall type (%) –0.093 0.005 0.004 0.174 –0.107
Fertility (%) 0.137 0.008 0.006 0.189 0.101
Survival (%) –0.108 -0.004 0.007 0.582 -0.043
Live weight (kg) –0.048 -0.001 0.006 0.859 0.014
However, these correlations were not significantly different from zero, reflecting the small sample size. The correlation between RFI and fertility was 0.10, but was also non-significant (P = 0.19). Therefore, there may be a tendency for selection for RFI to decrease fertility, but our dataset does not support this claim conclusively. Given the importance of fertility to the Australian dairy industry, more data is required to understand the genetic relationship between RFI and fertility; this is the subject of current research. Furthermore, genetic correlations estimated using regression coefficients tend to be sensitive to the genetic variances assumed and can be biased by dominating sires (the most frequently represented sire had 43 daughters in the dataset). Due to the potential bias, the results presented herein should be treated with a degree of caution.
The effects of including RFI in the APR on responses to selection are shown in Table 2, assuming the genetic correlations presented in Table 1. When RFI was included in the APR, feed intake was reduced by 0.43 kg/year; if the variation in RFI in cows were much larger (0.9 kg/d), then RFI would decrease by 1.61 kg/ year (Table 2). Converting the latter feed intake value to dollar values using the economic weights of Pryce et al. (2009), this is worth $0.48 per cow per year, which is equivalent to 3.8 per cent of the economic response in protein yield (the trait with the highest economic weight in APR).
Table 2. Responses to inclusion of residual feed intake (RFI) in the Australian Profit Ranking (APR) in growing heifers and lactating cows.
APR + RFI heifer
APR + RFI cow
Milk yield (L) 57.60 57.55 57.24
Protein (kg) 2.12 2.12 2.11
Fat (kg) 2.50 2.50 2.48
Survival 0.88 0.88 0.88
Fertility (%) 0.15 0.14 0.13
SCC (log) –2.12 –2.12 –2.11
Live weight (kg) 0.66 0.65 0.65
Milking speed (1–9) –0.13 –0.13 –0.13
Temperament (1–9) –0.30 –0.30 –0.30
RFI heifer(kg/year) 0.12 –0.43 –0.25
RFI cow (kg/year) 0.55 –0.65 –1.61/td>
If the accuracy of the genomic estimated breeding value for RFI in lactating cows was 0.3 rather than 0.4, then the response to selection in RFI would be reduced to –0.71 kg/year (Table 3).
Table 3. Response to selection using an Australian Profit Ranking (APR) in which Resdiaul feed intake (RFI) is included in cows when RFI is assumed to have accuracy of 0.3 or a correlation of 0.3 with fertility.
Low RFI accuracy (0.3)
High RFI correlation with fertility (0.3)
Milk yield (L) 57.46 57.54
Protein (kg) 2.12 2.12
Fat (kg) 2.49 2.50
Survival 0.88 0.88
Fertility (%) 0.14 0.10
SCC (log) –2.12 –2.12
Live weight (kg) 0.65 0.66
Milking speed (1–9) –0.13 –0.13
Temperament (1–9) –0.30 –0.30
RFI heifer(kg/year) –0.10 –0.13
RFI cow (kg/year) –0.71 –1.07
Given the importance of maintaining and improving fertility in the Australian dairy industry, the sensitivity of response to the correlation between RFI and fertility was also investigated. If the genetic correlation between RFI and fertility was 0.3 rather than 0.1, the response to selection in RFI would be –1.07 kg/year, a reduction in response of 44 per cent. At the same time, the response to selection in fertility would also be reduced by 26 per cent. A key aim of current research is to estimate the genetic correlation between these traits with more precision.
The selection responses in Table 1 can also be expressed in dollars accumulated across the traits. The response to the APR in its current form is $18.67 per cow per year. If the RFI for lactating cows is included in the APR, the response is $19.15 per cow per year. This can be expressed on an industry basis by multiplying by the number of cows in the national herd, approximately 1.8 million. Then, the total industry benefit of including RFI for lactating cows in the index would be $515,092 per year.
The accuracy of genomic estimated breeding values for RFI in our study was assumed to be 0.42, the value reported by Pryce et al. (2011). If this value were to increase, both the response to selection for RFI and the total profit would increase if RFI was included in the APR. The accuracy of 0.42 was obtained as a result of measuring RFI in approximately 2000 growing heifers, genotyping the same heifers for 630,000 DNA markers, and deriving a prediction equation for genomic estimated breeding values based on these markers.
The accuracy of genomic estimated breeding values can be increased by increasing the size of the reference population from which genomic predictions are derived (e.g., VanRaden et al., 2009). Daetwyler et al. (2008) and Goddard (2008) made deterministic predictions of the increase in the accuracy of genomic estimated breeding values as a result of increasing the size of the reference population from which the prediction equation was derived. These predictions suggest that if an additional 2000 heifers were used for RFI measurement, the accuracy of the genomic estimated breeding value would increase to 0.5, increasing selection response by 20 per cent.
Finally, another motivation for selection for RFI concerns methane emission per litre of milk. As methane emissions are highly correlated with dry matter intake, exploitation of the variation in RFI reported by Williams et al. (2011) could reduce methane emission by 14 g/day, a 5 per cent reduction in methane emission per litre of milk.
Beef Drought Management Strategies
Environmentally Friendly Cattle Production
Joel Salatin of Polyface Farms Reveals the Secrets of 'Beyond Organic' Farming
Evenly Distribute Cattle to Achieve Better Pasture Nutrient Recycling
Water Recovered from Whey Can be Used for Cleaning
Industry Showcase

redpajama_set_name: RedPajamaCommonCrawl


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Sandrine Ziba, également connue sous le pseudonyme de Chelsy Suzy, est une actrice, scénariste et productrice camerounaise née le 4 octobre 1990 à Douala.

Biographie

Enfance et Education
Sandrine Ziba est née le 04 octobre 1990 dans la ville de Douala au Cameroun. Elle obtient son Baccalauréat en 2011 et entame des études supérieures. Elle obtient un BTS en communication d'entreprise en 2013 et est major nationale de sa promotion.

Carrière
Sandrine Ziba commence sa carrière dans le cinéma en 2012 dans la série Cercle Vicieux d'Ebenezer Kepombia. Elle enchaine ensuite des rôles principaux dans plusieurs longs métrages camerounais parmi lesquels Effet Boomerang de Ghislain Fotso en 2016, l'Enfer de l'amour de Vincent Faha en 2017 et Et Si C'était A Refaire de Noëlle Kenmoe en 2018.

Elle fonde sa maison de production dénommée Empire Movie en 2018 et sort son tout premier film intitulé Rebirth. Le long métrage écrit par elle et produit par Empire Movie et Wouri Production est projeté pour la première fois le 28 décembre 2018 à Douala.

En 2019, on la retrouve dans la série Otages d'Amour d'Ebenezer Kepombia.  L'année suivante en 2020, elle produit son second long métrage intitulé Irrational Love réalisé par Ruben Gabi Ngougnou et Dante Fox.

En 2021, elle joue dans le film Illusion produit par Marie Stéphanie Adjonj et réalisé par Michel Puamo.

Filmographie

Films

 2016 : Effet Boomerang
 2017 : L'Enfer de l'amour
 2018 : Et si c'était à refaire
 2018 : Rebirth
 2020 : Irrational Love
 2021 : Illusion

Séries

 2012 : Cercle vicieux
 2019 : Otage d'Amour

Prix et distinctions
En 2021, elle est nominé au LFC Awards 2021 dans la catégorie meilleur décor pour son film Irrational Love de Konrad M. Defang et Gabi Ruben.

Références

Voir Aussi

Liens externes

Actrice camerounaise
Naissance à Douala
Naissance en octobre 1990


TEKO's RPO-VESA is an adapter specially designed for Raspberry Pi cases. They can be mounted to all types of surfaces, including walls, desktop, cabinetry, etc.
Perfectly designed to fit the standard VESA 50, 75, and 100, the RPI-VESA is easily installed with 4xM4-countersunk screws (not included).


text:
Q: Clear textarea in IE9-10 This does not work in IE10 but it does in other browsers: http://jsfiddle.net/54EKK/2/
If you enter text in the textarea and set the variable, the variable retains the contents of the textarea.
Of course if you set the variable before adding content (outside of the function) it will be empty, but in my project I can not do that. Here is a demo of that. It works in all browsers: http://jsfiddle.net/54EKK/3/
Now my question is if there is a way to empty the textarea while still keeping the variable in the function. BTW emptying the value does not help either.
Thanks for your insights guys!
(I am afraid of not being clear in how I explained things so please tell me if not!).

A: As far as I can tell, that only works in IE9. I have tried Firefix, Chrome, Safari and Opera, and neither gets you the textarea content when using innerHTML.
When you use innerHTML, that will give you the value attribute, which is the original text that was set in the form field. The value that you type into the form field is in the value property.
If you want the content of the form fields when using innerHTML, you have to copy the value property into the value attribute for each form field.

Edit:
As your clarified that what you really want is to just clear the textarea, then set the value of the textarea element to an empty string.
You need to access the element, so you might want an id on it:
<textarea id="txt"></textarea>

Then when you want to clear it, you get the reference to it and clear the value:
document.getElementById('txt').value = '';

redpajama_set_name: RedPajamaStackExchange


 Jay Michaelson – Founder of HandsOn Gloves the revolutionary pet bath/grooming glove -the perfect Valentine's Day gift for pets and pet lovers – please visit www.handsongloves.com enter "DIVA"for FREE SHIPPING!
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Elder Kai Scholz: 2016 Baby!
I hope you all had a great New Years. We saw a lot of hail but no snow, but I am still hoping that maybe it will snow soon. I am looking forward to get back into the groove after these holidays. We are having a great time here in Galway. People will be returning home from traveling so we will be able to see our investigators again. We have a busy week planned. We are having a farewell party for a girl named Alex who is leaving on her mission. She is awesome and it will be interesting to see how the branch reacts to losing one of their closest members. We had young mens last week, with one inactive boy. We played soccer for an hour and I realized that this young 14 year old kid was way better than me. Its true that Americans are behind the game when it comes to soccer. I am having a great time here Galway. Meeting some interesting people, and seeing very cool new things. I hope you guys start 2016 right, and remember that resolutions are supposed to last the whole year!


text:
Author Archives: Neev Enterprise
Ready to open cinemas after one week, say exhibitors
May begin with Tamil actor Vijay's movie Master scheduled for release on January 13
Film exhibitors on Tuesday informed that cinemas would be ready to welcome moviegoers by next week. Theatres in the State had remained closed for nearly nine months following the COVID-19- induced lockdown.
A meeting of the Film Exhibitors United Organisation of Kerala (FEUoK) and Film Exhibitors Federation held here decided to complete disinfection work within a week. "We will be ready to screen Tamil actor Vijay's movie Master scheduled for release on January 13. However, the producers and distributors have to ensure a steady release of movies after reopening," said M.C. Bobby, general secretary of the FEUoK.
Despite the government giving its nod to reopen cinemas with 50% occupancy from Tuesday, the exhibitors did not open stating that they need at least one week's preparatory time.
Three shows a day
They pointed out that only three shows could be screened daily as per the timings prescribed by the government.
"We may need 45 minutes between each show to disinfect the cinema halls. The producers and distributors will have to agree on the restricted timings and earnings during this period," said Mr. Bobby. The theatre owners reiterated their demand for a reduction on the tax burden and fixed electricity charges.
Antony Perumbavoor, producer and president of FEUoK, justified his decision to release Drishyam 2 on the over-the-top (OTT) platform while stating that he had not signed any contract agreeing to screen the movie in theatres. "The decision cannot be reversed despite the reopening of cinemas," he said.
On whether the organisation was adopting double standards over its stance against those releasing the movies on digital platforms, Mr. Bobby said that they had opposed producers who had released their movies on the digital platform after collecting advance from the theatre owners.
Producers' demand
Meanwhile, Kerala Film Producers Association and Film Distributors Association have demanded the settlement of the arrears incurred by the theatre owners before going ahead with a full-fledged release of movies.
A joint meeting of producers, distributors and exhibitors convened by Kerala Film Chamber here on Wednesday is expected to hold detailed discussions on the way forward.
Find mobile-friendly version of articles from the day's newspaper in one easy-to-read list.
January 9, 2021 coronavirus news
Paul Vercammen/CNN
The headquarters of the Guerra and Gutierrez and Continental Funeral home chains are just several blocks away, on Beverly Boulevard, in the heart of Los Angeles's Covid-19 death calamity.
They are in Montebello, short hearse rides from hospitals under siege from the pandemic — with the massive Los Angeles County USC Medical Center, Adventist Health White Memorial and Beverly Hospital to name just three on a horrifying long list.
Owner Richard Gutierrez told CNN before the pandemic he would handle 28 or so memorial services at his six mortuaries in a day, with the main cause of death being cardiac arrest.
Now says he's laying to rest an average of 56 people a day, 70 percent of them victims of the virus.
When asked about claims that the virus is fake, Gutierrez said: "Are you telling me that close to 400,000, people that have died is fake news? Try telling that to families that have just lost those people.
Try telling that to all the people in the world that have lost somebody. No, this is not fake. This is real. And it's time that you either grow up and face facts or take your blinders off."
LA County facing grim surge: The number of people dying of Covid-19 in Los Angeles County in a day is now equivalent to the number of homicide deaths the city saw in an entire year, Mayor Eric Garcetti said Thursday.
Los Angeles County reported 318 deaths on Friday, the most ever in a single day. Nearly 12,000 L.A. County residents have died from the virus in the past year.
Medical experts say the the expected Covid-19 surge after the holidays has yet to arrive — and ICU units in the area are already filled.
Funeral homes are overrun: From Beverly Boulevard, clusters of family and friends, most Latino, dressed in black, can be seen gathering outside the overrun mortuaries.
But the mortuaries say they are delaying or turning away dozens of grieving customers a day.
Outside Continental Mortuary, owner Magda Maldonado complained of stress shredding her insides as she stood in front of a freezer trailer she bought just two weeks ago to currently store dozens and dozens of bodies.
The trailer is just feet from a shipping container, filled with more decedents, as they call them, in the funeral business.
"I am really really busy. I'm overwhelmed, I am with anxiety disorder now because of this," Maldonado told CNN.
"I've been medicated for that. And it's really hard to continue working like that, my employees are overwhelmed and tired, and also they're getting sick, their families are getting sick in the situation that I've never thought I was gonna go through," she added.
When asked if she would soon have to tell families that she didn't have room for bodies, Maldonado said: "that is really creating a stress for me, because I see all the calls that are going out and I'm not able to help those families."
Sidharth Shukla, Shehnaaz Gill Head to Goa Ahead of New Year, to Give Fans Valentine's Day Surprise
One of the most adored pairs of the small screen, Sidharth Shukla and Shehnaaz Gill, were spotted by the paparazzi at Mumbai airport.
Facing Depopulation Threat, Japan Will Use AI Technology to Pair Singles Based on 'Emotional Quotient'
As Japan faces the looming threat of depopulation, the country might be taking help of technology to save its people.
Why easing taxpayers' load in Budget 2021 is a good idea
Govt should cut taxes on individuals and firms and allow them to play a bigger part in the revival story. Confidence is back. An effective stimulus could address over-the-top taxation, such as cesses, which can be removed. It could also involve cash transfers to the poorer sections of the population, which will spend immediately.
Will Bank of America join rivals by posting results that benefit from an improving credit picture?
The sanctions are the first targeting the Nord Stream 2 undersea pipeline, which is to carry natural gas directly from Russia to Germany, whose government backs the project.
Yates: Missing fantasy football already? Scratch that itch with fantasy hoops!
Guess what Field Yates does during the fantasy football offseason: He plays fantasy hoops. And the late start to the 2020-21 NBA season provides the rare opportunity for fantasy football junkies to keep the fun rolling without missing a beat.
Local artist turns cafe into gallery
A mutually beneficial partnership between two local business owners is bringing the outdoors to The Cobram Beach Club.
Local artist John Lindsay Taylor was a teacher for 35 years and also spent 10 years in finance before he swapped books for brushes and started his art gallery Sunstruck Artworks.
His acrylic paintings on canvas capture the beauty of the local environment.
Mr Taylor said the agreement started when The Cobram Beach Club owner Josh Sasse saw his artwork.
"Most of the paintings I'm bringing down here are of this area, but I do seascapes and landscapes and even portraits," Mr Taylor said.
Mr Sasse said his mission to support local businesses did not stop at food.
"I was actively searching for local artists because I wanted the place to feel like a community project," Mr Sasse said.
"We get comments on the artwork everyday, people love it and its nice to celebrate local Australiana."
On January 14, Mr Taylor rotated the displayed artwork which has been in the cafe since October 2020.
"Josh and I both came up with the idea to change the paintings at the same time, it gives the people in here something to look at," Mr Taylor said.
"It has generated some business and gets my work out there — it's a win-win."
All of Mr Taylor's paintings are available for sale.
Sunstruck Gallery is at 135 High St Cobram and is open by appointment.
For information, contact John Taylor on 0438 811 801, email [email protected] or visit http://www.gallery247.com.au/john-taylor
With Trump Presidency Winding Down, Push for Assange Pardon Ramps Up
Supporters of the WikiLeaks founder Julian Assange have enlisted a lobbyist with connections to the president and filed a clemency petition with the White House.
Mark Wahlberg Had the Perfect Response to Cancel Culture


text:
Internet radio station setup
💻 How to create a live radio station on internet?
How to create a live radio station on internet?
FAQ. Those who are looking for an answer to the question «How to create a live radio station on internet?» often ask the following questions
Those who are looking for an answer to the question «How to create a live radio station on internet?» often ask the following questions:
💻 How to create an internet radio station windows?
To create an internet radio station, download and install a streaming service as well as software that will allow you to broadcast your audio. If you plan on talking on air, invest in a good microphone. Also, check to see if there's any reverberating sound in your recording area, which can be eliminated with acoustic panels.
How to connect to internet radio station?
How to make own internet radio station?
How to start an internet radio station?
💻 How to promote internet radio station?
19 Ways to Promote Your Internet Radio Station & Make It Famous!
Create a radio website…
Publish a blog and keep it busy…
Stay active on Twitter, Instagram & Facebook…
Submit your station to radio directories…
Host giveaways & contests…
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Try your luck at guerrilla marketing.
How to create internet radio windows 10?
How to get listeners for internet radio station?
How to host your own internet radio station?
💻 Quick answer: how to create a free radio station on the internet?
You do not need a technical background to create your own internet radio station. There is no code or complicated steps. Radio.co has streamlined the process of There is no code or complicated steps. Radio.co has streamlined the process of getting up and running in minutes .
How to make a free internet radio station?
How to make own internet radio station guide?
How to start a internet radio station legally?
Answered by Gudrun Kozey on Tue, Mar 9, 2021 3:03 PM
Live. Take control of live streams at any time using StudioKing. It's the ideal software for broadcasting live. Plus it's available for Windows and Mac! Discover. Start your own online radio station! Take advantage of our free 7 day demo and start your online radio station with the help of our Radio Manager. TRY IT FOR FREE! English . English (UK) Français ; German ; Español ; Italiano ...
Answered by Beatrice Roob on Fri, Mar 12, 2021 5:04 AM
Step 4: Create your first radio show. How much does it cost to start an Internet radio station? Overall, internet radio stations often have the lowest cost, whereas you can launch a low power FM (LPFM) radio station for under $15,000 upfront. Month-to-month, you may be able to swing by with just under $1,000 of expenses.
Answered by Heather Rippin on Sat, Mar 13, 2021 10:56 AM
One of the costs associated with running a web radio is paying for radio hosting. If you don't want to incur this cost, you need to host your own radio server. You can turn your computer into a radio server. Just download and install a radio server program.
Answered by Percival Nienow on Thu, Mar 18, 2021 1:03 AM
Step 1: Set up your station, time zone and user roles First, you'll need to head to "settings", which can be found in the left-hand menu. In the screen that appears, you'll be able to configure several things, including the name and description of your online radio station, as well as the time zone.
Answered by Ernestina Shanahan on Thu, Mar 18, 2021 3:10 PM
With Live365, start your own internet radio station or listen for free to thousands of stations. Live365 is dedicated and passionate about giving webcasters the best place to stream on the internet. With powerful broadcasting tools, generous revenue share, listening distribution, and stream licensing for music royalties, Live365 is the best one-stop-shop for your internet radio station. Start your own internet radio station or just listen to online radio for free.
Answered by Gus Emard on Fri, Mar 19, 2021 1:30 AM
All-in-one modern audio streaming. Create your radio station, manage and broadcast live via any device. Simple and professional. Try now!
Answered by Bell Nicolas on Sat, Mar 20, 2021 3:55 AM
Create your own free streaming radio station in seconds. Tools for professionals and amateurs alike. Connect with Icecast or Shoutcast. Choose your favorite encoder or broadcasting program such as BUTT encoder, WinAmp, Mixxx, RadioBOSS, Virtual DJ, Station Playlist, and more.
Answered by Zion Dach on Mon, Mar 15, 2021 2:02 PM
RadioDJ is a free Windows broadcasting software that is great for managing music, playlists, and broadcasting live to your online radio station. Getting setup is a little tricky, but RadioDJ is aimed at experienced radio professionals that want more control over their shows. Download and install RadioDJ here.
Answered by Lenna Kuvalis on Tue, Mar 16, 2021 3:35 AM
Get a microphone. You don't need much gear to create an internet radio station. However, if you plan on talking on your radio show or inviting guests to your station, you'll want to invest in a good microphone. Consider how many people you want to have on your station speaking at a time.
We've handpicked 24 related questions for you, similar to «How to create a live radio station on internet?» so you can surely find the answer!
How to start an internet radio station legally?
How can you start an internet radio station for free? One of the costs associated with running a web radio is paying for radio hosting. If you don't want to incur this cost, you need to host your own radio server. You can turn your computer into a radio server.
How much internet speed for live streaming radio?
Simply put – your available bandwidth (and actual upload speed) has to be greater than the bitrate you're using to live stream. As we're talking about constant speeds …
Can you make money with an internet radio station?
Radio stations (internet or "over the air") make money by selling ads. Internet radio stations can sell on-air ads, banner and display ads on their …
How to make a internet radio station for free?
Learn below in 10 steps how to setup your online radio station. Step 1: Create your free trial account. Step 2: Set the name of your online radio. Step 3: Go to your online radio control panel. Step 4: Follow the step-by-step instructions available in your control panel.
How to make your own internet radio station free?
We provide our HTML5 player for free, whether you're hosting your radio with us or on a different host. What's great about this player, is that it displays album …
How to operate a internet radio station from home?
Take a look at our 4 Steps to Successful Public Relations for Internet Radio for great ideas on promoting your internet radio station to a vast number of potential listeners. Airtime Pro also has a number of handy integrations like our Facebook Player and Soundcloud plugin to help out, which you can read more about here .
How to set up an internet radio station uk?
An Internet radio station, online radio station, net radio, or web radio is an audio stream that can be streamed over the Internet. This is called a stream , radio stream or a listening link . You will therefore not be able to listen to it with your usual radio set.
How to start a internet radio station from home?
9 Steps for Starting Your Own Internet Radio Station
Get the Internet Radio Station Equipment…
Get the Internet Radio Station Software…
Get an FM Radio License (Optional) ...
Create a Brand Name…
Find Content to Broadcast…
Promote Your Station…
Connect Your Broadcast Server…
Set up Monetization.
How to start an internet radio station at home?
To start an Internet radio station, you need: a computer, an internet connection and a radio host that will provide you with a listening link, broadcasting software and an automation system. An Internet radio station has no limits thanks to the Internet, unlike traditional radios that broadcast mainly via radio waves.
How to start an internet radio station from home?
Create Your Own Internet Radio Station. Ready to create your own internet radio station today? Radio.co is an all-in-one platform for today's broadcaster. It provides everything you need to host and manage your radio station from home. Broadcast online today by starting your 7-day free trial with Radio.co.
Where to watch live stream fireworks computer internet radio?
You can hear the audio on your local National Public Radio station, and you can watch the show live online at PBS' Facebook page, YouTube channel and website.
How do you make money with an internet radio station?
Mimicking the same monetisation model as traditional terrestrial radio stations, internet radio stations make money mostly from ads as well as sponsors. These ads can be everything from on-air commercials, to Google ads placed on their site. Your marketing options and revenue increase as your listeners increase.
How to make a internet radio station for free streaming?
Streema is a free online radio directory to discover, share, and listen to radio stations from all over the world. There are more than 70,000 radio stations like BBC Radio 1, Absolute Radio, and more that anyone can tune into online. Submit your station. 1. TuneIn
How to operate a internet radio station from home free?
Step 1: Set up your station, time zone and user roles. First, you'll need to head to "settings", which can be found in the left-hand menu. In the screen that appears, you'll be able to configure several things, including the name and description of your online radio station, as well as the time zone.
How to start an internet radio station and make money?
Make money from your internet station
Step 1: Use radio ads and banners ads. There are several ways you can monetise your internet station…
Step 2: Make use of Google Adsense and other ad networks…
Step 3: Find affiliate partners…
Step 4: Sell your own merchandise.
What's the easiest way to find an internet radio station?
About Live365. With Live365, start your own internet radio station or listen for free to thousands of stations. Live365 is dedicated and passionate about giving webcasters the best place to stream on the internet. With powerful broadcasting tools, generous revenue share, listening distribution, and stream licensing for music royalties, Live365 ...
Where can one find the internet radio station 'rock 40'?
One can find the internet radio station Rock 40 on hdradio, music.aol, mp3rocket.me, streema, radio locator. Shoutcast and musicaol are excellent ways to access Rocket 40 as well.
Internet radio equipment?
10 Essential Pieces of Equipment for Online Radio Newbies Looking to Become Broadcasting Pros Equipment for online radio station. Putting together an online radio studio is relatively simple and inexpensive. After... Computer and microphone. The first two essential items (we'll assume you already ...
Internet radio philippines?
Internet radio from Philippines. Web No audio? Listen to the radio, select your favorite stations and find them here. Start right on the homepage! All major Philippine radio stations. Click a radio icon and listen at home or in the office. Easy to use and 100% free. Radio Monitoring by . Top 5 Radio Stations .
Internet radio uk?
UK Online Radio Stations. Listen to music, news and talk radio. Find your favourite radio stations all in one place. UK's No.1 Choice for Internet Radio.
What is wireless radio internet radio?
To put it simply, internet radio is just like regular radio except that it uses Wi-Fi (with internet) instead of radio waves to transmit sound. It is also known as net radio, web radio, e-radio, streaming radio, online radio , and even IP radio .
How much does it cost to run an internet radio station?
In the United States of America, the Average Cost of Purchasing a Radio Station Franchise is $15,000. Examples of 3 Well – Known Radio Station Franchising Companies in the United States of America are; KRXO-FM The Franchise 107.7 Oklahoma City, 107.9 Tulsa, 1560 AM 1560 kHz, AM – Del City, United States
How to operate a internet radio station from home for beginners?
You don't need a big budget or even very expensive equipment to start your internet radio station. All you'll need to start off with is a microphone, a pair of headphones, and a registered Airtime Pro station. If you want to build a more advanced radio studio, see our guide: 10 Essential Pieces of Equipment for Online Radio Newbies.
Dab or internet radio ?
To conclude, the highest quality internet radio streams offer better sound quality than DAB radio. Most DAB radio stations broadcast at 128 kbps, whereas online radio can be as high quality as 320 kbps. However, the bitrate of DAB radio broadcasts and internet radio streams can vary greatly, so the above figures are just a general guide.


The aim of this study was to analyze the depletion of soil nutrients with time on abandoned kraals in a peri-urban area of Botswana. Active kraals are enriched with nutrients through the accumulation of animal droppings and this study was aimed at assessing how long the impact of this soil nutrient enrichment persists after kraal abandonment. A total of 25 disused kraals, that had been abandoned for periods ranging from 1 to 45 years were sampled. The soil parameters analyzed included particle size distribution (%), bulk density (g/cm3), pore space (%), moisture content (%), pH in water and KCl solution, EC (µS/cm), organic matter (%), CEC (meq/100g), exchangeable Ca++ (cmolc/kg), Mg++ (cmolc/kg),K+ (cmolc/kg), Na+ (cmolc/kg), nitrogen [NH4-N (mg/kg), NO3-N (mg/kg), TKN (%), and Olsen P (mg/kg). Results showed that soil nutrient concentrations on abandoned kraals generally were significantly higher than at the control sites. Soil nutrient concentrations decreased with time as abandoned kraals retrogressed towards their pre-kraal conditions. However, the effects of soil nutrient enrichment from animal wastes persist long after kraal abandonment. For example, soil Olsen P, Ca++ and Mg++ levels in kraal sites that had been abandoned for over 45 years were still significantly higher than in the control sites. In a pastoral system such as is practiced in Botswana where kraal manure is not used as soil amendment, the whole ecosystem suffers as soil nutrients are transferred and concentrated at isolated spots (kraals).


text:
Q: Boost Regex Exclude one character I'm locking for a boost regular expression that would exclude all strings that contains the character |.

*

*"1234|" should be exclude

*"|eee" should be exclude

*"...ff" should not be exclude.

I can't change the code above to remove the negation of the result of boost::regex_match.
if ( !boost::regex_match( sValue, boost::regex("[^\|]") ) )
{
// string contains character |
}
else
{
// string doesn't contains character |
}

Why the regular expression [^\|] doesn't meet my needs ?

A: The simplest thing to do would to exclude when regex "\|" does match. (It's also more efficient).
Also, you clearly don't need regex for this:
bool exclude = (std::string::npos != s.find('|'));

A: I found finally the right regex: ^[^|]*$


ALBANY LOVESEAT *GENUINE LEATHER-iFurniture-The largest furniture store in Edmonton. Carry Bedroom Furniture, living room furniture,Sofa, Couch, Lounge suite, Dining Table and Chairs and Patio furniture over 1000+ products.
The ALBANY 3+2+1 sofa is a beauty in black, genuine leather.
The adjustable headrests can be inclined at 5 different settings, apart from being down flat.
Seats, backs, and arms are well padded and cushioned for your comfort and relaxation.
3. To do a little bit to reduce one's carbon footprint to keep NZ green.


Hot off the heels of our first in-house production Parade the Musical, which sold out on multiple nights and received rave reviews in Manchester and beyond (you can read one incredible write up by Nortwestend here), we decided to put together a week long acting workshop for pre & post-professional performers.
It's an ideal opportunity for young actors wishing to hone their skills, network in the industry, meet new friends and make new contacts to perform in beautiful space. We really are blossoming into Manchester's best platform for you to showcase your talent from and are being hailed as one of Manchester's most promising new fringe theatre venues.
It's so important for upcoming actors, dancers and aspiring directors to train in an industry savvy environment. Here at Hope Mill Theatre we're all about supporting independents and offering authentic and warm advice to stars on the rise. Whilst we support and produce high-end quality theatre we pride ourselves on being approachable and non-pretentious. Expect thorough training, skill enhancing feedback and intense rehearsals alongside a friendly atmosphere and knowledgeable team.
Not only will we spend a week producing, choreographing and devising a new piece of theatre – to be showcased in a special one-off performance in our brand new theatre space – but we'll also invite creative directors, casting directors, musical directors and choreographer to come and give constructive criticism on your work.
This workshop is unfortunately not aimed at amateur performers or drama hobbyists but will focus on giving professionally minded performers further training in audition techniques, vocal skills, dance training and more.
If you would like to know about this brilliant opportunity then please email Will / Joe at enquiries@hopemilltheatre.co.uk.
If you'd like to be kept up to date with all the latest shows, news and events at Hope Mill Theatre then please visit our website or sign up to our mailing list for regular updates.


text:
Kitsch Art Is Not Going Anywhere
January 13, 2020 by Zygmunt Duda Art
Kitsch Art Is Not Going Anywhere January 13, 2020 October 14, 2020 Zygmunt Duda
Vladimir Tretchikoff's Chinese Girl is one of the most prominent examples of kitsch art, but then again, according to some art lovers, so is the Mona Lisa. Love it or hate it, kitsch is here to stay.
According to the Oxford dictionary, kitsch art is generally held in disregard as being garish and sentimental. The definition goes on to acknowledge that fans' appreciation of the style is often ironic. Let's take a closer look.
Linked to Pop Culture
Originally German, the word 'kitsch' has been used for a century. It first appeared during the 1920s, when it was used as a derogatory term for popular culture. This use of the word is exemplified by Clement Greenberg's 1939 essay, Avant Garde and Kitsch.
In the essay, Greenberg described a polarised view of culture. At its heights, civilisation produces poetry and art such as that created by TS Eliot and Georges Braque. At its low points, the results are songs of Tin Pan Alley composers and musicians, and the covers of tabloid magazines. For the critic, art was either serious and meaningful, or trashy.
Moving Beyond Taste
The thing is, the kitsch of pop culture has been reclaimed by a younger generation that has cultivated its own tastes, rather than relying on the opinions of educated critics. It is art that has turned its back on traditional good taste. It is art that celebrates pop culture for what it is.
30 years ago, comic books were dismissed as unintelligent nonsense of no consequence by 'serious readers.' Now, respected galleries such as California State University, Northridge Art Galleries host specially curated exhibitions of comic book art. Another example is the number of young people who play real money Bingo games today when only a few years ago the game was dismissed as a pastime for pensioners.
Kitsch Has Undeniable Appeal
However derogatory the word was understood to be for the better part of the last century, the art and other things branded as kitsch have always had mass appeal. Years ago, that branding was due to that appeal. Nowadays, the appeal is partly due to those paintings or other items being described as kitsch.
Some retail brands enjoy a roaring trade in anything from prints of artworks such as Tretchikoff's Chinese Girl, to replicas of 1950s-era Tiki mugs. That said, kitsch existed long before Germans invented the word. If you want good historical examples, look no further than the Mona Lisa, which oozes sentimentality, and the garish sculptures of Bernini.
Kitsch Concentrates Meaning
It can be easy to be distracted by the gilt of the art, but look beyond that, and you might just find concentrated meaning. According to Prof. David Lloyd, symbols such as those with cultural links that often find themselves used in art considered to be kitsch take on a profound new meaning among second- and third-generation emigrant communities.
Looked at like this, an aesthetic that previously was dismissed is seen to be not only relevant, but meaningful. It also makes it clear that the style is here to stay.


Seavine, "The Original Cymbal Gloves," has expanded its offering to wind and brass players. The Hornline Gloves are available in four styles—a long version that covers the full hand and goes up to the elbow, a short option that covers the full hand up to the wrist, long with no fingertips, and short with no fingertips.
Customizability and reusability set The Hornline Gloves apart from the competition. Most other gloves are only available in black or white; Seavine, however, can make gloves in practically any color or pattern, and customers can even choose different designs for both arms. Additionally, most traditional marching gloves get torn or dirty within a few uses. Seavine gloves will last a musician for longer periods of time.
Levine's original purpose in selling Seavine gloves was to prevent injuries and start a scholarship for student musicians. Since its inception, Seavine has given away more than $12,000 in scholarships to cymbal players. With the introduction of The Hornline Gloves, Levine hopes to expand this scholarship to wind players as well.


With Onkyo, it's all about power. They don't make sacrifices when it comes to quality, and it shows. Their receivers supply some of the deepest, richest sound out there. One listen and you'll know there's no doubt about it. Onkyo is serious about sound.


With local rivers low and clear, anglers may want hit the lake for some trout fishing. Usually the best fishing is in the afternoon or evening after water and air temperatures warm some and fish become a little more active. Garrison usually has a pretty good number of carry over trout and some cutthroat running around this time of year.


For months I've been doing weekly Hangouts where I walk through the HTML Specification, and most recently the CSS 2.1 Specification. This has served as a means by which I can help others get a better understanding of the core technologies behind solid web development, as well as an opportunity for myself to retrace some of the forgotten roots of these ubiquitous languages.
Recently I wrapped up episode 20, or 0.2.0, which covered Counters, Automatic Numbering, Lists, and Backgrounds in CSS. It was a great episode since I had never actually used counters in CSS to begin with. This was one of the benefits of retracing those old roots – there is a surprisingly amount of stuff that isn't common enough that I ever learned about it in the past.
For months I have been doing a weekly HTML Hangout where I work, slowly, through the W3C Specification for HTML5. I'm pleased to say that after 15 videos, and 16 hours, we've gotten to the point where we can progress on to bigger and better things.
HTML is now taken care of, and we will now move on to making this a weekly CSS Hangout. If you'd like to watch the HTML5 lessons, you can do so by viewing this playlist of YouTube: http://www.youtube.com/playlist?list=PL3IYnZmsleiXRVk1G-dcX4AJ_9kcSIO99.
If you'd like to join us in the future, simply show up to http://learn.sampson.ms on Thursdays at 7:30PM Eastern. Broadcast usually starts about 10 minutes early, and we open up the last 10-15 minutes for questions and answers.


If you're thinking of applying to a school, it's important to find out if the school is accredited. Otherwise, your diploma may be worthless. An accredited school meets the standards of a licensed accreditation agency. If the school is regionally accredited, you can transfer credits from it to another school.
Find out the region in which the school is located. The United States is divided into six regions: Middle States, New England, North Central, Northwest, Southern and Western.
Go to the "Accreditation of Universities in the USA" website (see Resources).
Select the region in which the school is located. This will take you to the site for the specific regional accreditation agency.
Search for the name of the school. If it's accredited, it will be on the list.
If you're interested in finding out whether the school is accredited in a specific subject, go to the "Accreditation of Universities in the USA" website (see Resources).
Click on the subject in which you're interested. The link will take you to a website for the organization that regulates the specific subject.
If you want to know whether an elementary school or high school is accredited, go to the "International Registry of Accredited Schools" website (see Resources).
Enter the name of the school, and the name of the country and state where it's located.
The website will tell you whether the school is accredited.


text:
<?php

namespace Sonata\AdminBundle\Tests\Event;

use Sonata\AdminBundle\Admin\AdminInterface;
use Sonata\AdminBundle\Event\ConfigureEvent;
use Sonata\AdminBundle\Mapper\BaseMapper;
use Sonata\AdminBundle\Tests\Helpers\PHPUnit_Framework_TestCase;

class ConfigureEventTest extends PHPUnit_Framework_TestCase
{
    /**
     * @var ConfigureEvent
     */
    private $event;

    /**
     * @var AdminInterface
     */
    private $admin;

    /**
     * @var BaseMapper
     */
    private $mapper;

    protected function setUp()
    {
        $this->admin = $this->createMock('Sonata\AdminBundle\Admin\AdminInterface');
        $this->mapper = $this->getMockBuilder('Sonata\AdminBundle\Mapper\BaseMapper')
            ->disableOriginalConstructor()
            ->getMock();

        $this->event = new ConfigureEvent($this->admin, $this->mapper, 'Foo');
    }

    public function testGetType()
    {
        $this->assertSame('Foo', $this->event->getType());
    }

    public function testGetAdmin()
    {
        $result = $this->event->getAdmin();

        $this->assertInstanceOf('Sonata\AdminBundle\Admin\AdminInterface', $result);
        $this->assertSame($this->admin, $result);
    }

    public function testGetMapper()
    {
        $result = $this->event->getMapper();

        $this->assertInstanceOf('Sonata\AdminBundle\Mapper\BaseMapper', $result);
        $this->assertSame($this->mapper, $result);
    }
}

redpajama_set_name: RedPajamaGithub


"Free of self-loathing . . . [Rabagliati's] black-and-whie panels eschew half-tones for a spirited line." —Voice Literary SupplementThis fourth installment in Michel Rabagliati's semiautobiographical series finds Paul settling comfortably into adult life, occasional twinges of anxiety aside. His graphic design business has taken off, his partner, Lucie, is pregnant, it's mid-July and time to leave behind the city to go fishing. Long lazy days stretch out while Paul's thoughts wander from the colorful characters at the fish-and-game camp to thelurking depths of childhood, a Holden Caulfield–esque adolescence, and the encounters that have shaped his sense of family thus far. But the golden glow soon lifts off his vacation with the realization that the lake isn't as idyllic as it would seem, and neither is pregnancy.Elegant composition and spare, condensed drawing crystallize emotion and atmosphere in this wistful and engaging account ofeveryday hopes and hardships, told with a keen and playful sense of iconic detail. Even the mundane holds beauty and meaning in this compassionate story of expectation, disappointment, and wonder.


text:
Magdaragat hosts Iskwelahang Pilipino Rondalla of Boston for 2018 Folklorama Festival
POSTED IN » Local, Local News
For the first time in their 42 years of existence, Filipino non-profit cultural organizations Magdaragat Philippines of Winnipeg and Iskwelahang Pilipino of Boston (IP) will join together to rehearse, collaborate, and serve the Filipino community through song, dance and community-focused service.
Both Iskwelahang Pilipino and Magdaragat are educational organizations that were founded in 1976 by Filipino immigrants in their respective new communities to preserve and share Filipino culture. Magdaragat will be hosting the IP Rondalla group in Winnipeg from August 11-15 during the IP Rondalla's tour of Canada.
Iskwelahang Pilipino was born in 1976 when a group of parents in Boston, MA, USA collaborated to provide an environment for their children to learn about their Filipino heritage. The mission of IP is to strengthen Filipino American children, families and community by celebrating the rich Philippine cultural heritage in a structured and nurturing environment. A decade later, musicians within IP – some of the cultural school's students, joined by a handful of parents – began to learn how to play rondalla instruments from the Philippines and they formed the Iskwelahang Pilipino Rondalla.
The first batch of rondalla players quickly found that they could incorporate dance and movement instead of being limited to a traditionally seated performance format, differentiating their ensemble from others. The combination of choreography with modern and traditional musical compositions has allowed the IP Rondalla to take to the stage on an international level, performing for Philippine presidents as well as a wide array of audiences across the U.S., Europe and the Philippines.
"When the IP Rondalla first began touring in 1990, it was an opportunity for all of the members to go to the Philippines, experience some of the things taught in their classes, and spend time with extended family," said IP Rondalla Music Director Christi-Anne Castro. Castro is the only performer who has participated in every IP Rondalla tour since 1990 and is also a composer for many of the ensemble's signature pieces. "Touring greatly expands the worldview of IP students, forces them to try to understand how others live outside the US, and lends a bit of maturity through the challenges of working together in sometimes difficult circumstances."
The 2018 Iskwelahang Pilipino Rondalla Canadian tour of Winnipeg, Edmonton, Calgary and Toronto is different from past performance tours because, in addition to giving performances, it also has the goals of connecting the Filipino-American youth of IP with Filipino-Canadian youth of Magdaragat while serving the local community.
"I'm excited to meet the members of Magdaragat because we are similar in that we are Filipinos not living in the Philippines, so we share that identity," said Lilly Bolandrina, 16, from Boston. "It's especially interesting because of the differences we will have because of where we live–them in Canada and IP Rondalla in Boston."
Magdaragat Philippines Incorporated, a non-profit organization dedicated to the promotion and propagation of the positive aspects of Philippine culture, was founded in 1976 by the late Dante C. Buenaventura. Magdaragat Philippines is known best for hosting the Pearl of the Orient Philippine Pavilion annually during Winnipeg's Folklorama, Canada's largest and longest running multicultural festival.
"We display the rich essence of our rich and diverse culture through song, dance and drama," said Magdaragat Production Director Goldie Garcia. The group is composed of the Youth Development Council (YDC) ages 12+ and Children's Theatre Company (CTC) ages 5-11 and is a frequent guest at various festivals across the United States and Canada, including Winnipeg's Pan-Am Games opening ceremonies, Inter-Parliamentary Conference in Ottawa, visits from the Queen and Princess Anne in Winnipeg, and much more.
As part of this partnership, the youth from the two organizations will have the opportunity to rehearse and perform folk dances with live music together as part of the Folklorama Pearl of the Orient Philippine Pavilion (Petrus Hall, 2624 Inkster Blvd, Winnipeg, Manitoba) on August 13 and August 14. Both groups will also perform full shows for each other as a Filipino performing arts exchange, engage in volunteer work at the Pearl of the Orient Philippine Pavilion, and explore Winnipeg together while sharing their memories and recollections of life in the Philippines or life as a Filipino-American or Filipino-Canadian.
As explained by Goldie Garcia of Magdaragat, "This collaboration between Magdaragat and the IP Rondalla is a culture share of Filipino-Canadians and Filipino-Americans who have a shared interest in Philippine heritage and its preservation. We have so many commonalities. It will be a great experience for both groups and to make long lasting relationships."
The Iskwelahang Pilipino Rondalla will be presenting their touring show, "Reveries and Rhythms" in Winnipeg. The "Reveries and Rhythms" performance is a combination of traditional Philippine folk songs and folk dance music, Philippine contemporary music, original Filipino-American compositions, and American contemporary music – all performed on bandurias and octavinas (mandolins), guitars and a double bass, with supplemental percussion to accentuate the rhythmic theme of the show.
Sabrina Lane-Smith, an IP Rondalla performer and IP alumna, explained why touring is so memorable to both the performers and the audience. "After every show I've performed for Filipinos, there has always been an audience member who has thanked us for bringing them a piece of home," said Lane-Smith. "So many people haven't had the chance to go back to the Philippines for many years, and some haven't returned since they left. Being able to bring them joy and help heal their homesickness, even a little bit, makes me proud to be a part of the IP Rondalla and to be able to provide that for them."
The young musicians of the IP Rondalla integrate dance movements and acting into every piece of music played and enjoy entertaining and interacting with audiences of all ages!
"I'm excited for my first tour because I get to play some traditional songs my parents grew up knowing, but also have the ability to perform some new songs and arrangements no one else has ever heard," Max Bolandrina said. "Adding the dancing to it makes it even more enjoyable for us and hopefully for the audience too."
The IP Rondalla of Boston "Reveries and Rhythms" performances will occur at two locations in Winnipeg:
August 12, 2018 at 7pm, Folklorama in the Park, Assiniboine Park Conservancy Summer Concert Series, Lyric Theatre at Assiniboine Park, 55 Pavilion Crescent, Winnipeg.
August 13, 2018 at 12pm, Portage Place Mall, 393 Portage Avenue, Winnipeg.
Contact person for Magdaragat: Goldie Garcia
Email: Magdaragat@hotmail.com
Contact person for Iskwelahang Pilipino Rondalla of Boston: Elsa Janairo
Email: IPBostonRondalla@gmail.com
Website: IPBAHAY.ORG
Facebook: https://www.facebook.com/groups/294817427312126/
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Home » Zerefos S. Christos
Zerefos S. Christos
Christos S. Zerefos
Meteorology-Climatology (2007)
Head, Research Centre for Atmospheric Physics and Climatology of the Academy of Athens (2008- ); Chair Holder of the UNESCO Chair on Natural Hazards at the National Observatory, Athens (2008-2019); Professor of Atmospheric Physics, National and Kapodistrian University of Athens, Greece (2002-2010); Professor of Atmospheric Physics and Director of the Postgraduate Studies in Environmental Physics, Aristotle University of Thessaloniki, Greece (1979-2002); Head of the Center for Environmental Effects on Health, Biomedical Research Foundation, Academy of Athens (2003- ). Scientific Collaborator, University of Oslo, Norway (1995); Honorary Fellow (Fulbright Scholar), University of Minnesota, USA (1985); Visiting Professor, Physics and Astronomy Department, Boston University, Boston, USA (1983); Since 2011 he is serving as Member of the Board of Directors of the Centre for Hellenistic Studies, the Library of Alexandria. In the past 4 decades he has supervised 55 masters and more than 30 PhD theses.
He has received prestigious awards such as the Global Ozone Award, UNEP, on the 10th Anniversary of the Montreal Protocol (1997), the Blaise Pascal Medal, European Academy of Sciences (2015), the Yoram Kaufman Award of the American Geophysical Union (2015), Editors Award for Excellence in Refereeing, American Geophysical Union (1998), UNEP Honourable Mentions (2013, 1999, 1995), the Order of Honour from the President of the Hellenic Republic (2020), the French Government Decoration "Commandeur dans l'ordre de Palmes académiques" (2015), "Honorary Member" of the International Ozone Commission (2016), Award Certificate and Letter from UNEP and from IPCC for his substantial contribution to the reports of IPCC, which shared the 2007 Nobel Peace Prize with the former Vice President of USA, Al Gore (2008), Award and "Ioan Ursu" Medal of the Balkan Physical Union (2015, 2018), the "European Union Prize for Cultural Heritage / Europa Nostra Award" awarded to the National Observatory of Athens for the establishment of the Geoastrophysics Museum and the rehabilitation of the buildings, the laboratories and the astronomical Library under his supervision (2010), Gold Medal of the Municipality of Thessaloniki (2008), Medal of the City of Athens (2010) and several Honorary Doctorate Degrees. In the past 30 years he has acted as author, contributor, or reviewer in almost all WMO/UNEP Scientific Assessments of Ozone Depletion.
SELECTED MEMBERSHIP TO SCIENTIFIC SOCIETIES AND COMMITTEES
Member of the National Council for Climate Change Adaptation of the Ministry of Environment and Energy (2017- ), President-elect of the General Assembly of the Hellenic Foundation for Research and Innovation (2017-2018), Member of the Academia Europaea (2008- ), Member of the European Academy of Sciences (2010- ), Corresponding Member of the Russian Academy of Natural Sciences (2009- ), Foreign Member of the Norwegian Academy of Sciences and Letters (1998- ), Member of the IUGG Council since 2006 and President of the Hellenic IUGG National Committee (2008- ), Member of the International Academy of Astronautics (2008- ), Member of the Academy of Athens (2007- ) and several others.
He has been working in the fields of atmospheric sciences and climatology for the past 45 years. His research positions include: Postdoc, Advanced Study Programme at the National Center for Atmospheric Research, USA; the National Hellenic Research Foundation; the National Oceanic and Atmospheric Administration, USA; the University of Oslo; the Laboratories of Atmospheric Physics, Universities of Athens and Thessaloniki, Greece; the National Observatory, Athens; the Academy of Athens. He has participated in more than 90 research projects (60 of which from EU, WMO and US). He has participated in prestigious research committees and international commissions e.g. Member of EU Advisory Groups for DGXII; Member of the WMO AD HOC Scientific Steering Committee on UV Monitoring and the WMO AD HOC Scientific Steering Committee on Ozone (Ozone-SAG); Member of the ENRICH Council of the European Union; Member of the WMO Executive Council Panel of Experts/CAS Working Group on Environmental Pollution and Atmospheric Chemistry; Member of the EU (EC) Stratospheric Science Panel which organized, among other large projects, all the European Arctic stratospheric ozone experiments. He has served as Secretary and President of the International Ozone Commission and elected Honorary Member of IO3C.
RESEARCH AND OTHER INITIATIVES
In the past 45 years Christos Zerefos has created from zero the following recognized educational and research Institutions: (1) The Laboratory for Atmospheric Physics, Physics Department, Aristotle University of Thessaloniki (1981- ) (http://lap.physics.auth.gr/) (2) The WMO Northern Hemisphere Ozone Mapping Center, Physics Department, Aristotle University of Thessaloniki (1993- ) (http://lap.physics.auth.gr/ozonemaps2/), (3) The Graduate Program on Environmental Physics, Physics Department, Aristotle University of Thessaloniki (1991- ) (http://lap.physics.auth.gr/pms/) (4) The Center for the Environmental Effects on Health, Biomedical Research Foundation, Academy of Athens (2003- ) (http://www.bioacademy.gr/lab/zerefos), (5) The UNESCO Chair on Natural Hazards (2006-2019) (http://en.unesco.org/sites/default/files/list-unesco-chairs.pdf) (6) The Greek GEO Office at the National Observatory, Athens (www.greekgeo.noa.gr) (2007- ) (7) The Geoastrophysics Museum, National Observatory, Athens, Greece (2008- ) (http://www.noa.gr/museum/english/index_en.html), (8) The Navarino Environmental Observatory in Messinia, Greece together with the University of Stockholm and TEMES S.A. (2009- ) (https://www.navarinoneo.se/), (9) Recently his proposal for the creation of a Flexible Mechanism to protect worldwide natural and cultural heritage monuments from climate change has been included in the UN activities by the H.E. the Secretary General of the UN, A. Guterres. This initiative has been supported by more than 100 countries, by WMO and UNESCO.
ADMINISTRATIVE POSITIONS
Secretary General, Academy of Athens (2020- ); Focal Point for Greece, Action for Climate Empowerment (ACE) of UNFCCC (2020- ); Climate Envoy for Greece (2019- ); President of the General Assembly of the Greek Foundation for Research and Innovation, Ministry of Education, Research and Religious Affairs (2017-2018); Vice President of the Centre for Renewable Energy Sources and Saving (CRES) (2014-2016); Vice President of the National Council for Research and Technology (2014-2016); Director of the Greek Edition of National Geographic (2013-2014); External Member of the Council of the Democritus University of Thrace (2013-2016); Coordinator of the Climate Change Impacts Study Committee of the Bank of Greece (2008- ); President of the Board of Directors of "Biomedical Sciences and Technologies S.A." of the Biomedical Research Foundation of the Academy of Athens (2008- ); Member of the High Level Working Group of the Group on Earth Observations (GEO) (2008- ); Member of the European Economic and Social Committee (EESC) (2005-2010); President of the Board of Directors of the National Observatory, Athens (2005-2010); President of the Mariolopoulos-Kanaginis Foundation for the Environmental Sciences (2004- ); National Representative at the Council of the European Space Agency (2004-2006); Chairman of the Sectoral Scientific Council on Environment and Renewable Energy of the National Committee for Research and Technology (2003-2009); President of the American Universities Alumni Association, Branch of Northern Greece (1999-2003) and Honorary President (2003- ); President of the Balkan Physical Union (1997-2003); Coordinator of the Balkan Environmental Research and Development Institute (B.E.R.D.I.) of the Balkan Physical Union (1992); Director of the WMO Northern Hemisphere Ozone Mapping Center, Aristotle University of Thessaloniki (1991- ); State Secretary for the Environment, Ministry of the Environment, Hellenic Republic (1989); Director of the Division of Applied and Environmental Physics, Aristotle University of Thessaloniki (1984 and 1985); Director of the Research Center for Atmospheric Physics and Climatology, Academy of Athens (1979).
SELECTED RESEARCH
Christos Zerefos became known in the 70s for his studies on the long- and short-term variability of ozone. The solar activity effects in the lower stratosphere, e.g. his paper with Paul Crutzen (JGR, 1975) was one of the first studies to model the physics of solar activity-stratosphere relations. With Harry van Loon, they first observed the El Nino signals in the lower stratosphere (Mon. Weather Rev., 1982) and in the columnar ozone (JGR, 1992). His early papers on long term trends in stratospheric temperatures and total ozone include one of his most important papers with Stolarski et al. (Science, 1992), which boosted the scientific basis for the Montreal Protocol, which led out to the phase out of halocarbons. This work has been updated in 2014 (Zerefos et al., ACP, 2014).
In the 80s Zerefos pioneered in establishing regular well calibrated observations of UV spectral irradiance worldwide. In the 90s he has pioneered in the establishment of the European UV-B observing network which started from his initiative with Anne Webb and Alkis Bais (Zerefos et al, GRL, 1997). His thorough research with the Brewer spectroradiometer led to its establishment as a model instrument to measure columnar ozone, SO2 and UV spectral irradiances (Zerefos et al., J. Photoch. & Photobio., 1995; Zerefos et al., GRL, 1997) and with Bais and McElroy (GRL, 1996; Appl. Optics, 1998). His papers on the inverse relationship between ozone and UV-B, provided for the first-time evidence that clear sky UV-B had significant positive trends (GRL, 1995; Appl. Optics, 1997) as well as his papers on record low total ozone anomalies and the effects of volcanic eruptions (e.g. with Bojkov, GRL 1993).
In the 90s Zerefos has organized large EU-funded campaigns to study the processes of ozone-aerosol-radiation and photochemical interactions in the Mediterranean (PAUR Campaigns I, II and MEDCAPHOT Campaign with Ziomas) (Zerefos et al., JGR, 1997; Balis et al., JGR, 1997; Zanis et al., JGR, 1997; Hofzumahaus et al., JGR, 1997; Kourtidis et al., JGR, 1997; Kouvarakis et al., JGR, 1997). In the 2000s he participated in the MATCH Campaigns joining the European group led by Rex, Schultz and others who studied ozone loss rates inside and outside of the polar vortex (JGR, 2001; GRL, 2000, 2006). On another collaborative project with Stohl et al, he studied and reviewed mechanisms of stratosphere-troposphere exchange (JGR, 2003) and with Harris he revisited trends in stratospheric and free tropospheric ozone (JGR, 1997). Notable is his research concerning the variability of UV-B (GRL, 1997; GRL, 1998) and its natural fluctuations from volcanic signals in the ozone layer (JGR, 1994). He has experimentally discovered the effects in the stratosphere of the solar eclipses of 1999 (JGR, 2000) and 2006 (ACP, 2007, 2008) presenting evidence of atmospheric gravity waves following the supersonic transport of the moon's shadow in the ozone layer.
He has served as review Editor of Chapter 5 of the IPCC Aviation Report (1998) and as Reviewer of the IPCC Special Report on Managing the Risks of Extreme Events and Disasters to Advance Climate Change Adaptation (2013). The paper with Sausen "Aviation radiative forcing in 2000: An update on IPCC" (Met. Z., 2005) as well as his papers in JGR, 1997, 2005; ACP, 2003, 2012; Tellus B, 2009 in which the solar radiation ozone climate interaction and trends are studied, are included among his highly cited papers.
His pioneering work on the use of red-to-green ratios to detect aerosol in paintings by great masters (Zerefos et al, 2007, 2014) is being widely discussed in scientific and mass media globally. Other papers include climatological-paleoclimatological studies with Luterbacher et al. (Climate Change, 2010; Environ. Res. Lett., 2016). More recently, his papers on Copernicus services and products have been widely quoted (Inness et al., ACP, 2013, 2015; Wagner, ACP, 2015; Eskes, Geosci. Model Dev., 2015) and together with several of the previously mentioned papers have been selected as hot spots by the editors of prestigious scientific journals. His biometrical indices are: 266 publications with 8.171 citations (without self-citations), h-index 55 (from Web of Knowledge, March 2021) and a total of 497 publications with 13.715 citations, h-index 64 (from Google Scholar, March 2021).
LIST OF SELECTED RECENT ARTICLES IN PEER REVIEWED JOURNALS
Zerefos, C., S. Solomos, D. Melas, J. Kapsomenakis, C. Repapis, "The Role of Weather during the Greek–Persian 'Naval Battle of Salamis' in 480 B.C.", Atmosphere, 11, 838; doi:10.3390/atmos11080838, 2020.
Zerefos, C., S. Solomos, J. Kapsomenakis, A. Poupkou, L. Dimitriadou, I. Polychroni, P. Kalabokas, C. Philandras, D. Thanos, "Lessons learned and questions raised during and post‑COVID‑19 anthropopause period in relation to the environment and climate", Environment Development and Sustainability, Springer, DOI: 10.1007/s10668-020-01075-4, 2020.
Dafka, S., D. Akritidis, P. Zanis, A. Pozzer, E. Xoplaki, J. Luterbacher, C. Zerefos "On the link between the Etesian winds, tropopause folds and tropospheric ozone over the Eastern Mediterranean during summer", Atmospheric Research, 248:105161, DOI: 10.1016/j.atmosres.2020.105161, 2020.
Eleftheratos, K., J. Kapsomenakis, C.S. Zerefos, A.F. Bais, I. Fountoulakis, M. Dameris, P. Jöckel, A.S. Haslerud, S. Godin-Beekmann, W. Steinbrecht, I. Petropavlovskikh, C. Brogniez, T. Leblanc, J.B. Liley, R. Querel, D.P.J. Swart "Possible Effects of Greenhouse Gases to Ozone Profiles and DNA Active UV-B Irradiance at Ground Level", Atmosphere, 11, 228, doi.org/10.3390/atmos11030228, 2020.
Evelpidou, N., C. Zerefos, C. Synolakis, C. Repapis, A. Karkani, M. Polidorou, G. Saitis, "Coastal Boulders on the SE Coasts of Cyprus as Evidence of Palaeo‐Tsunami Events", J. Mar. Sci. Eng., 8, 812; doi:10.3390/jmse8100812, 2020.
Fountoulakis, I., H. Diémoz, A. Siani, G. Laschewski, G. Filippa, A. Arola, A.F. Bais, H. De Backer, K. Lakkala, A.R. Webb, V. De Bock, T. Karppinen, K. Garane, J. Kapsomenakis, M.E. Koukouli, C.S. Zerefos "Solar UV irradiance in a changing climate: Trends in Europe and the significance of spectral monitoring in Italy", Environments, 7(1), doi.org/10.3390/environments7010001, 2020.
Eleftheratos, Κ., C.S. Zerefos, D.S. Balis, M.-E. Koukouli, J. Kapsomenakis, D. Loyola, P. Valks, M. Coldewey-Egbers, C. Lerot, S. Frith, A.S. Haslerud, I.S.A. Isaksen, S. Hassinen, "The use of QBO, ENSO and NAO perturbations in the evaluation of GOME-2 MetOp A total ozone measurements", Atmos. Meas. Tech., 12, 987-1011, https://doi.org/10.5194/amt-12-987-2019, 2019.
Garane K., M.E. Koukouli, T. Verhoelst, C. Lerot, K.P. Heue, V. Fioletov, D. Balis, A. Bais, A. Bazureau, A. Dehn, F. Goutail, J. Granville, D. Griffin, D. Hubert, A. Keppens, J.C. Lambert, D. Loyola, C. McLinden, A. Pazmino, J.P. Pommereau, A. Redondas, F. Romahn, P. Valks, M. Van Roozendael, J. Xu, C. Zehner, C. Zerefos, and W. Zimmer "TROPOMI/S5P total ozone column data: global ground-based validation and consistency with other satellite missions", Atmos. Meas. Tech., 12, 5263–5287, https://doi.org/10.5194/amt-12-5263-2019, 2019.
Fountoulakis, I., C.S. Zerefos, A.F. Bais, J. Kapsomenakis, M.E. Koukouli, N. Ohkawara, V. Fioletov, H. De Backer, K. Lakkala, T. Karppinen, A.R. Webb, "Twenty-five years of spectral UV-B measurements over Canada, Europe and Japan: trends and effects from changes in ozone, aerosols, clouds and surface reflectivity", Comptes Rendus Geoscience, 350, 393-402, 2018.
Voloudakis, D., A. Karamanos, G. Economou, J. Kapsomenakis, C. Zerefos "A comparative estimate of climate change impacts on cotton and maize in Greece", Journal of Water and Climate Change, 9 (4), 643-656, 2018.
Zerefos, C., J. Kapsomenakis, K. Eleftheratos, K. Tourpali, I. Petropavlovskikh, D. Hubert, S. Godin-Beekmann, W. Steinbrecht, S. Frith, V. Sofieva, B. Hassler, "Representativeness of single lidar stations for zonally averaged ozone profiles, their trends and attribution to proxies", Atmos. Chem. Phys., 18(9), 6427-6440, 2018.
Papayannis, A., A. Argyrouli, A. Bougiatioti, E. Remoundaki, S. Vratolis, A. Nenes, S. Solomos, M. Komppula, E. Giannakaki, J. Kalogiros, R. Banks, K. Eleftheriadis, E. Mantas, E. Diapouli, C.G. Tzanis, S. Kazadzis, I. Binietoglou, L. Labzovskii, J. Vande Hey, C.S. Zerefos, "An overview from hygroscopic aerosols to cloud droplets: The HygrA-CD campaign in the Athens basin", Sci. Total Environ., 574, 21-223, 2017.
Zerefos, C. S., K. Eleftheratos, J. Kapsomenakis, S. Solomos, A. Inness, D. Balis, A. Redondas, H. Eskes, M. Allaart, V. Amiridis, A. Dahlback, V. De Bock, H. Diémoz, R. Engelmann, P. Eriksen, V. Fioletov, J. Gröbner, A. Heikkilä, I. Petropavlovskikh, J. Jarosławski, W. Josefsson, T. Karppinen, U. Köhler, C. Meleti, C. Repapis, J. Rimmer, V. Savinykh, V. Shirotov, A. M. Siani, A. R. D. Smedley, M. Stanek, and R. Stübi, "Detecting volcanic sulfur dioxide plumes in the Northern Hemisphere using the Brewer spectrophotometer, other networks, and satellite observations", Atmos. Chem. Phys., 17, 551–574, doi: 10.5194/acp-17-551-2017, 2017.
Diémoz, H., K. Eleftheratos, S. Kazadzis, V. Amiridis, and C. S. Zerefos, "Retrieval of aerosol optical depth in the visible range with a Brewer spectrophotometer in Athens", Atmos. Meas. Techn., 9, 1871-1888, doi:10.5194/amt-9-1871-2016, 2016.
Hassinen, S., D. Balis, H. Bauer, M. Begoin, A. Delcloo, K. Eleftheratos, S. Gimeno Garcia, J. Granville, M. Grossi, N. Hao, P. Hedelt, F. Hendrick, M. Hess, K.-P. Heue, J. Hovila, H. Helge Jønch-Sørensen, N. Kalakoski, M. Koukouli, J. Kujanpää, J.-C. Lambert, C. Lerot, D. Loyola, A. Määttä, G. Pinardi, F. Romahn, M. van Roozendael, R. Lutz, I. De Smedt, P. Stammes, W. Steinbrecht, J. Tamminen, N. Theys, L. G. Tilstra, O. N. E. Tuinder, P. Valks, C. Zerefos, W. Zimmer, and E. Zyrichidou "Overview of the O3M SAF GOME-2 operational atmospheric composition and UV radiation data products and data availability", Atmos. Meas. Techn., 9, 383-407, 2016.
Luterbacher, J., J P Werner, J E Smerdon, L Fernández-Donado, F J González-Rouco, D. Barriopedro, FC Ljungqvist, U. Büntgen, E. Zorita, S. Wagner, J. Esper, D. McCarroll, A. Toreti, D. Frank, J.H. Jungclaus, M. Barriendos, C. Bertolin, O. Bothe, R. Brázdil, D. Camuffo, P. Dobrovolný, M. Gagen, E. García-Bustamante, Q. Ge, J.J. Gómez-Navarro, J. Guiot, Z. Ha, G.C. Hegerl, K. Holmgren,V.V. Klimenko, J. Martín-Chivelet, C. Pfister, N. Roberts, A. Schindler, A. Schurer, O. Solomina, L. von Gunten, E. Wahl, H. Wanner, O. Wetter, E. Xoplaki, N. Yuan, D. Zanchettin, H. Zhang, C. Zerefos, "European summer temperatures since Roman times", Environ. Res. Lett. 11, doi:10.1088/1748-9326/11/2/024001, 2016 Selected in the "Highlights of 2016" collection by the Editors of the Journal.
Dafka, S., E. Xoplaki, A. Toreti, P. Zanis, E. Tyrlis, C. Zerefos, J. Luterbacher "The Etesians: from observations to reanalysis", Climate Dynamics, DOI: 10.1007/s00382-01502920-7, 2015.
Eskes, H., V. Huijnen, A. Arola, A. Benedictow, A.-M. Blechschmidt, E. Botek, O. Boucher, I. Bouarar, S. Chabrillat, E. Cuevas, R. Engelen, H. Flentje, A. Gaudel, J. Griesfeller, L. Jones, J. Kapsomenakis, E. Katragkou, S. Kinne, B. Langerock, M. Razinger, A. Richter, M. Schultz, M. Schulz, N. Sudarchikova, V. Thouret, M. Vrekoussis, A. Wagner, and C. Zerefos, "Validation of reactive gases and aerosols in MACC global analysis and forecast system", Geosci. Model Dev., 8, 3523-3543, 2015.
Founda, D., F. Pierros, M. Petrakis, C. Zerefos, "Interdecadal variations and trends of the Urban Heat Island in Athens (Greece) and its response to heat waves", Atmos. Res., 161-162, 2015.
Inness A., A.-M. Blechschmidt, I. Bouarar, S. Chabrillat, M. Crepulja, R. J. Engelen, H. Eskes, J. Flemming, A. Gaudel, F. Hendrick, V. Huijnen, L. Jones, J. Kapsomenakis, E. Katragkou, A. Keppens, B. Langerock, M. de Mazière, D. Melas, M. Parrington, V. H. Peuch, M. Razinger, A. Richter, M. G. Schultz, M. Suttie, V. Thouret, M. Vrekoussis, A. Wagner, and C. Zerefos, "Data assimilation of satellite-retrieved ozone, carbon monoxide and nitrogen dioxide with ECMWF's Composition-IFS", Atmos. Chem. Phys., 15, 5275–5303, 2015.
Kalabokidis, K., P. Palaiologou, E. Gerasopoulos, C. Giannakopoulos, E. Kostopoulou, C. Zerefos, "Effect of climate change projections on forest fire behaviour and values-at-risk in southwestern Greece", Forests, 6(6): 2214-2240, 2015.
Katragkou, E., P. Zanis, A. Tsikerdekis, J. Kapsomenakis, D. Melas, H. Heskes, J. Flemming, V. Huijnen, A. Inness, M.G. Schultz, O. Stein, C.S. Zerefos "Evaluation of near surface ozone over Europe from the MACC reanalysis", Geosci. Model Dev., 8, 2299-2314, 2015.
Raptis, P.I., S. Kazadzis, K. Eleftheratos, P. Kosmopoulos, V. Amiridis, C. Helmis, C. Zerefos, "Total Ozone Column Measurements using an Ultraviolet Multifilter Radiometer", Inter. J. of Rem. Sens., 36:17, 4469-4482, DOI: 10.1080/01431161.2015.1083631, 2015.
Voloudakis, D., A. Karamanos, G. Economou, D. Kalivas, P. Vahamidis, V. Kotoulas, J. Kapsomenakis C. Zerefos, "Prediction of climate change impacts on cotton yields in Greece under eight climatic models using the AquaCrop crop simulation model and discriminant function analysis", Agr. Water Man., 147, 116-128, 2015.
Wagner, A., A.M. Blechschmidt, I. Bouarar, E.G. Brunke, C. Lerbaux, M. Cupeiro, P. Cristofanelli, H. Eskes, J. Flemming, H. Flentje, M. George, S. Gilge, A. Hilboll, A. Inness, J. Kapsomenakis, A. Richter, L. Ries, W. Spangl, O. Stein, R. Weller, C. Zerefos "Evaluation of the MACC operational forecast system potential and challenges of global near-real-time modelling with respect to reactive gases in the troposphere", Atmos. Chem. Phys, 14005-14030, http://www.atmos-chem-phys.net/15/14005/2015/, doi: 10.5194/acp-15-14005-2015.
Secretary General, Academy of Athens; Climate Envoy for Greece; Head, Research Centre for Atmospheric Physics and Climatology, Academy of Athens, Greece,
Panepistimiou 28, 10679
84 Solonos str., Athens, 10680 Greece
e-mail: zerefos@geol.uoa.gr
zerefos@academyofathens.gr
Web: www.christoszerefos.com
https://montrealprotocolwhoswho.org/


Cikgu dgn gaya maintain nya.
On behalf of Equipment Design, we wish to bid farewell to Mr Jang who will be returning to Korea end of the month. Mr Jang has made an excellent contribution to the company and has been instrumental in the corporation between LG and Eqpt. We have enjoyed his involvement over the past seven years, and he will be greatly missed by all. We wish Mr Jang a lot of success in all future endeavors.
In conjunction to that, a farewell lunch was held at Bumbu Bali on 22nd June. Like always Cikgu played the role of F&B Manager. Thanks Cikgu.


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Tuesday, 19 January 2021, 23:41
Leopoldo Antonio Carrillo Spanish pronunciation: [Cay-reel-yo] (August 6, 1880 – September 10, 1961), was an American actor, vaudevillian, political cartoonist, and conservationist.
Although he played many different ethnicities in his acting career, Leo Carrillo was Castillian Spanish and traced his ancestry in Spain to the year 1260. His great-great grandfather José Raimundo Carrillo (1749–1809), was a soldier in the Spanish Portolá expedition colonization of Las Californias, arriving in San Diego on July 1, 1769. Franciscan Friar Junípero Serra performed the marriage ceremony for Don Jose Raimundo and Tomasa Ignacia Lugo in 1781. His great-grandfather Carlos Antonio Carrillo (1783–1852) was Governor of Alta California (1837–38). His great-uncle, José Antonio Carrillo, was a three-time mayor of Los Angeles and twice married to sisters of Governor Pío Pico. His paternal grandfather, Pedro Carrillo, who was educated in Boston, was a writer.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Leo_Carrillo
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No. 4, Serge Gainsbourg
No. 4, Stone Temple Pilots
Ce que tu peux être belle quand tu t'y mets,
Tu t'y mets pas souvent pourtant quand tu t'y mets
Tu peux pas savoir.
Ce que tu peux être garce quand tu t'y mets
Ce que tu peux me faire mal quand tu t'y mets,
Ce que tu es dans mes bras quand tu t'y mets,
Tu t'y mets plus souvent pourtant quand tu t'y mets
Ce qu'etait notre amour quand on s'aimait,
Il n'y a pas si longtemps pourtant que l'on s'aimait
Tu dois plus savoir.


Roller shutters are basically known as roller doors or sectional overhead doors with many horizontal bars or slats hinged together. Many also consist of web systems. Roller shutters are raised up to open them and lowered to close. They also come in motorized forms which are very effective in usage and are generally used in large size doors or windows. Installing Aluminium Roller Shutters in London provides good protection from speedy winds and harsh rains. To prevent vandalism attempts and burglary they are used or installed in front of the window.
They are used for various purpose and offer varied applications with ample options. They can be used in vans, kitchens, garages, schools, windows, warehouses, parking, and many more. Aluminium Roller Shutters in London carries the inherent advantage of security which made the government agencies to subsidize this product. It serves the needs of commercial as well as well residential purposes. They are widely used in those areas where weather is unpredictable and changes happen very frequently as they offer the best protection against hail damages and are also insulated.
Roller shutters are available in different types and are made from galvanized, mild steel, GI Vision, Powder coated, Aluminium cold rolled, and stainless steel. Let's understand the differentiation as per design and operate-ability.
In built-in type, the roller shutter box is built into the lintel above the window, whereas, in built-on, the shutter box is fitted to the exterior region of the building facade.
In integrated type, window & shutter, both are combined as a single unit.
This comes with the plank to tilt that is very much similar to external Venetian blinds.
This type of roller shutter is manually operated using or with the help of a winding handle. It carries a gear drive from the shutter traced via building façade to the joint through the room side. A manual tape drive is also there which surround the flange on a roller and is traced through a pulley to do rolling on the room side.
In motorized or electric roller shutter, a tubular motor is fitted that helps to open or close the shutter. It can be automized if you install the automatic system in it.
Aluminium Shopfront in UK and Perforated Rolling Shutter are the most economical choice with practical closures. This is the best option for small to large openings like shop fronts or display area. It comes with interlocking perforated galvanized steel laths that are locked by steel or plastic end locks. These types of roller shutters provide aesthetic visual appeal with better protection. It significantly balances both security and good display purposes.
If you are looking out for Aluminium Roller Shutters in London, Visit http://arieshopfront.co.uk to explore numerous options with modern designs that are safe and also look good.