How would/do you feel about your film being pirated?
Those are the results just in from Shooting People, who just recently released their poll about what filmmakers think about piracy and the Pirate Bay verdict. I have a lot of opinions about this which I may write about later, but everyone should read this. This is the exact kind of research more film organizations should be doing. I met with their great team while all were in town (one is a sublettor, so that was easy) and we agreed to work together with others to do this more in the future. Kudos to Shooting People for being such a great service org.
In response to the news of the jailing in Sweden of four men behind Pirate Bay, the world's most high-profile file sharing website, Shooting People polled its members - thousands of them holders of intellectual property in their films - for their reaction.
The poll found the members of the 35,000-plus strong network of independent filmmakers divided.
The majority of Shooting People members did not welcome the Pirate Bay verdict.
48% disagreed with the court's decision, and 62% thought the jail term was too severe. 26% thought it was a justified sentence and 12% thought the ruling was too lenient.
As a network for the independent film community, a perhaps unsurprising 35% said they would never download a copyrighted film without paying, whilst 17% would consider it if there was no easy way to pay. A fair proportion have also been on the other side of the fence, with 30% claiming they have had their film pirated. For those that hadn't, 21% said they would be bloody furious if it happened to them, but 35% said they would be happy for the extra distribution.
For the last week, the debate has raged in Shooting People's nine Daily Bulletins: "it's been like discussing politics over Christmas lunch", observed Shooting People co-founder Jess Search, who has strong opinions on the issue.
"God did not give us copyright - society chose it as a progressive way to organise things at a particular time in our industrial development (1710 in Britain). Yet people talk about 'rights' as if they are inalienable human rights. Surely it's an issue of pragmatism? If the digital economy makes copyright almost impossible to defend - except by throwing increasingly large amounts of state intervention at the problem, it's probably time to concede that new business models are needed to fund creativity. Once your fans are also your enemy, you know there must be another way to configure the equation." (Jess Search, in the UK Filmmaker Bulletin).
"Piracy is theft. Whatever way you look at it, it is stealing. Now I don't think the big companies are losing as much as they claim, because in reality more than half the people who download something for free would not download something if they had to pay for it. All artists are entitled to a fair return for their work and the people who want to enjoy their creativity without paying for it don't deserve the pleasure creative people give to them". (Shooter Ron Aberdeen, in the Screenwriters' Bulletin).
"Pay artists so they can continue to make your life better than the crappy round of bills and mortgages it will be without it. We are not the dregs of society and we are not pursuers of pointless whimsy. We contribute to the soul of existence and if you think that's not worth a token fee - then throw away every album you have bought, break every film you've purchased and burn every book on your shelf. If you don't think the creative forces and imaginations behind these works deserve a little kick-back - then you don't deserve to own them". (Lee Kern, filmmaker and editor of the UK Filmmaker Daily Bulletin).
"A fan base represents value - either because they'll buy your products / services or because brands will pay to get access to your particular demographic. Pirate sites don't generate much revenue and they don't provide viewer data. But they can be useful as a shop window and lead generator to send your audience into places where you can ask for their email and offer them something to buy. It's all about the audience ...". (Caroline Bottomley, in the UK Filmmaker Bulletin).
"As someone who has had a film extensively pirated, I can't tell you how galling and unpleasant it is to see this pirating happen and be powerless to stop it. Life is tough enough for indy film-makers anyway. In future we will hopefully all be selling our work online and therefore this judgement and sentence is an unequivocal victory for us. These are criminals who happily ripped off film-making talent. Throw away the key, I say!" (Stuart Urban, in the UK Filmmaker Bulletin).
The myriad issues raised were discussed at length in Shooting People's blog, edited by filmmaker and writer Ben Blaine: http://shootingpeople.org/bensblog.
Do you welcome the pirate bay verdict??
Do you think the judgement is correct in law?
Would you ever download a pirated film?
Has your work ever been pirated as far as you know?
How did you feel about being pirated?
Will the pirate bay verdict reduce piracy?
Shooting People is the international networking organisation dedicated to the support and promotion of independent filmmaking.
The organisation's 35,000 Members share tips, recommendations and news, and cast and crew their films using the nine Daily Bulletins. Members can upload their work for video streaming. Over 300 films are cast and crewed every week using Shooting People.
Shooting People maintains the Independent Film Calendar, hosts interviews, podcasts and free filmmaking resources, and Members-only special offers. Shooting People publishes books, DVDs and distributes independent film releases, DVD collections of award-winning short films 'Best vs. Best'.
Patrons of Shooting People include Mike Figgis, Morgan Spurlock, Richard E Grant, Sally Potter, Danny Boyle, Stephen Woolley, Christine Vachon, Nick Park, Martha Fiennes and Stuart Beattie.
After the panel, my good friend Kent Bye sent me a note on Facebook pointing out this great video from the Wreck & Salvage guys that excellently condenses/summarizes all of Good Morning America in less than 6 minutes. Hilarious, definitely worth a look.
Good Morning from wreckandsalvage on Vimeo.
When I gave my recent speech at TAA, several people asked me for links to some of my other talks. Here's a short snippet of the talk I gave in Scotland to Creative Scotland, a new org mixing the Scottish Arts Council and Scottish Screen. The crowd was general arts groups, not just film.
Here's the link to part one of my talk, and you can find all of them (and those of my co-presenters) here. I'm looking forward to a return trip to Edinburgh where I'll be speaking at the Power to the Pixel event at the Festival on June 23/24th.
I've been meeting with many filmmakers this week at our Festival. Today I had brunch with many, and sat with one of our TAA filmmakers, Jason DaSilva. I'd read about his project in advance, and we'd talked briefly many times, but I didn't know that he's already started a vlog diary of his experiences. He has about 6 episodes up now, mainly dealing with how he's coping with having MS. I highly recommend you watch the videos, go see his short playing at the Festival (First Steps) and keep him in mind. He was at TAA pitching the feature version of his short, to be called When I Walk. He's building audience online with the vlog now, and will be posting episodes from TAA soon.
Over at my day job, which this week is my entire life..., TFI Youth Director extraordinaire Lisa Lucas has put together a great panel on new media. It's for our TFI Youth program, but this one promises to be good for anyone interested in where things are going.
The American Man: What of Him? from wreckandsalvage on Vimeo.
In an age where you can watch a blockbuster on YouTube and a rooftop can become a movie theater—the way that we view films and filmmaking will never be the same again. The internet has transformed how people watch and interact with moving images, while galleries and new venues for video art have created the chance for multi-screen projections. By bringing together four very different but extremely exciting artists who are expanding the definition of "filmmaker"—this interactive event will give students the opportunity to meet with artists like acclaimed hip-hop video blogger Jay Smooth and mashup masters Wreck & Salvage. Join us for this experimental evening as we explore spliced archival footage, vlogging, film installation, and video games.
First, I would like to profess my conviction that the online world, the place of the computer screen where we increasing watch moving images, is a venue, just not a traditional one. As I have been screening many of the Reframe films through video on demand within this website, I've come to appreciate and enjoy the experience. Where sitting in the auditorium and watching a film in company of others brings the pleasure of the shared experience, watching a film online on a much smaller screen (I have a Mac Book), especially with headphones that cut out ambient sound, offers an intimacy and pleasure that has surprised me. I know people sometimes crowd around a computer and watch a VOD or DVD, and that's fun, too, but I've grown to like my one-on-one experience with the artists I've been discovering through Reframe. While struggling to describe the experience, I feel a heightened personal reaction to what I see online, and perhaps I'm even a less self-conscious in this venue about holding my emotions in check.
I agree. While I am a lover of films on the big screen, I've always found that I can enjoy them differently on my computer, an ipod or even my cellphone screen. I know many people disagree, but her post is worth a read.
A few friends asked me to post the presentation I gave yesterday at Tribeca All Access. So here it is. I think I've credited all sources/photos/etc but let me know if I'm missing anything. Also, keep in mind that this was an audience that had some beginners and some experts, so it's nothing new for those of you really immersed in this stuff. And the last caveat - I ad lib most of my talk, so the notes are not completely on track with what I say - but you'll get the basics from this.
I have become obsessed with the future of newspapers these days. Everywhere you turn, there's another story about their death, or their new ideas to generate revenue or their senseless attacks on new directions. I barely have time to keep up, what with our festival around the corner, but I think the conversation is crucial for filmmakers (and their supporters in the industry) to follow. What's happening to journalism (and music) is also happening to film, just at a somewhat slower rate. We can fault the papers for not having the foresight to come up with new business models before it was too late, but only if we hold ourselves to task and make sure we are doing this now.
"Walt thought for no more than two seconds and assertively replied, "It's the wrong question to ask. The real question we should ask is if whether or not we can save good journalism." He continued, "Think about it. Of the hundreds, thousands, of newspapers around the country, there are really only a few that matter. Good journalism and journalists, on the other hand, are worth saving.'"
"It's not unlike the renaissance currently underway in the music industry. Artists are discovering that they have a Direct-to-Consumer (D2C) channel to reach fans and cultivate relationships. Those in touch with technology and the cultures of online societies can bypass traditional music production and distribution altogether."
This is equally true for film, but it only works if you are an industrious filmmaker willing to take the leap and embrace this change instead of following in the same old patterns. Many filmmakers (rightfully) resist this new paradigm - they are creatives and shouldn't have to think about marketing, how to use Facebook, etc. But increasingly, unless you are one of the lucky few to get a big distribution deal, you have to learn this stuff. And even if you do become "big," I'd argue that it's still important because it builds your fan base for anything else you do. As Solis says in the article, "Personality, motivation, determination, and the ability to embrace risk and venture into unchartered and unpredictable territory is the only way to champion change and influence the direction of professional adventures"
the new ecosystem for sharing, discovering, and publishing updates and micro-sized content that reverberates throughout social networks and syndicated profiles, resulting in a formidable network effect of movement and response. It is the digital curation of relevant content that binds us contextually and through the statusphere we can connect directly to existing contacts, reach new people, and also forge new friendships through the friends of friends effect (FoFs) in the process.
This is the new way of building audiences and fans.
I think this is true for filmmakers (and film journalists/reporters/businesses) as well. You simply have to get involved actively in promoting yourself, building a fan base and using this network to push people back to your content - your films. Can the statusphere save indie film? I'm not sure, but it's one more thing to keep in mind as we try to build a better system for indie filmmakers to reach their audiences.
So, perhaps it's time more distributors, festivals and other start thinking about how they can use the Statusphere to help their filmmakers find the right audience.
Amen. I'm not in his shoes - I currently have a job, and have been lucky in this respect, but what he says is 100% correct - the boom didn't ever hit for many in this world. And his quote neatly sums up what I bet a lot of people feel. Reading this also reminded me of something completely different at first glance - Mark Gill's famous speech about the film industry's sky falling, and how every filmmaker I knew wondered what took him so long to realize what we'd already known about the indie film business - that it was overpriced and underperforming, and that for most filmmakers, these companies would never buy, market and make money from their films, so his troubles were irrelevant to the most of us. And most of these filmmakers weren't making any money through the indie boom, the doc boom or the mumble boom.
I also found myself nauseated reading the article - this gentleman is now putting his bets on an online training program to become an expert in medical billing. The article's author clearly isn't sure this is the best idea, but doesn't seem to tell him that. (and I'm really wondering about journalistic ethics now...stand idly by??)Now, I hope I am wrong for Mr. Vaughn and wish him only the best, but it also kinda reminds me of all the film reporters not willing to tell filmmakers what's really going on out there for fears of angering a company and inviting a lawsuit or dashing a dream. It also reminded me of all the get rich quick through internet magic schemes being sold to filmmakers today, 99% of which will fail soon, and which also won't make filmmaker's rich.
"There is something undeniably noble and beautiful about the love of sports: the appreciation of grace and excellence for their own sakes, the pleasure of competition, the discipline of training. But the practice of big-time sports is often cruel and corrupt, a business built on the exploitation of young people and the peddling of impossible dreams."
And this too reminded me of the state of film today. A lot of hard working filmmakers, just wanting to tell their story, learn the craft and reach an audience. And a big, corrupt business often exploiting these dreams. And I don't just mean Hollywood, it's in many aspects of the indie film world as well.
Boy, depressing stuff this print media. Luckily, I work with some great people, and know many others, trying to be real about the business and help dispel these myths. (boy, the hotlinks I could put for the word "myths," but there's those lawsuits...) We need more of it in the film world. Anyway, just thought I'd share these random thoughts on the interconnectedness of all this.
By way of my friend Joe Summerhayes, who I must admit mentions me in his post so this is rather incestuous, links to a great TED talk from Seth Godin that is more about marketing than anything, but again touches on the continued failure of advertising online - this month's fave subject du jour, but it's worth a watch. So what's that cow about? Watch about halfway through when he compares advertising to your general response driving by any cow (that's not purple). Brilliant stuff and relevant for anyone thinking about how to market film and whether advertising can support it.


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Today, Google announced that Ruth Porat will be the new Chief Financial Officer for the company. She is currently serving as CFO for Morgan Stanley. Ruth has been a part of Morgan Stanley since 1987, and has played several key roles in the company. She has been Vice Chairman of Investment Banking, Global Head of the Financial Institutions Group, and co-Head of Technology Investment Banking. Not to mention her current role as Chief Financial Officer. Ruth has also been the lead banker on numerous milestone technology financial rounds. This includes Amazon, eBay, Netscape, Priceline, Verisign, just to name a few. As CFO, Ruth helped Morgan Stanley improve resource optimization across different businesses through better capital and funding allocation as well as expense reductions.
Porat graduated from Stanford University with a B.A in Economics & International Relations. She also has an M.B.A with distinction from The Wharton School of the University of Pennsylvania, and a M.Sc., from the London School of Economics. Additionally, she is Vice Chair of the Stanford University Board of Trustees, as well as a member of the U.S. Treasury's Borrowing Advisory Committee, a Board Director at The Council on Foreign Relations, and a member of the Advisory Council of the Hutchins Center on Fiscal and Monetary Policy at the Brookings Institution.
Beginning May 26th, Ruth Porat will begin her role as CFO at Google, and report to Google's CEO and Co-Founder, Larry Page.
"We're tremendously fortunate to have found such a creative, experienced and operationally strong executive," said Larry Page. "I look forward to learning from Ruth as we continue to innovate in our core--from search and ads, to Android, Chrome and YouTube--as well as invest in a thoughtful, disciplined way in our next generation of big bets. Finally, huge thanks to Patrick Pichette for his seven super successful years as CFO".
"I'm delighted to be returning to my California roots and joining Google," said Ruth Porat. "Growing up in Silicon Valley, during my time at Morgan Stanley and as a member of Stanford's Board, I've had the opportunity to experience first hand how tech companies can help people in their daily lives. I can't wait to roll up my sleeves and get started."
Looks like Google got a great candidate for their new Chief Financial Officer. Obviously Ruth Porat has the credentials to be the Chief Financial Officer for one of the largest companies in the US, Google.


Description: Connect with Mickey's Speedway USA for Nintendo 64 to unlock Huey.
Box Text: The Weasels have dognapped Pluto!
Now it's up to mickey and the rest of the Disney crew to chase them across the country and get poor Pluto back. Use Professor Von Drake's powerful pick ups-like the Baseball Chucker or the Paint Splatcher-to make your way through 20 All-American courses. from L.A. to D.C. Cam you help rescue Mickey's purloined pup?
-The first-ever Game Boy game to feature classic kart racing comes complete with crazy courses and peppy pick-ups.
-Play as your favorite Disney characters: Mickey, minnie, Donald, Daisy, Goofy and Pete.
-some of Professor Von Drake's innovative inventions include a Carba Spritzer that gives you a temporary burst of speed and a Shield Shell that makes you invulnerable for a short time.
01-20-2016 aliensstudios Description Connect with Mickey's Speedway USA for Nintendo 64 to unlock Huey.
01-20-2016 aliensstudios Box Text The Weasels have dognapped Pluto! Now it's up to mickey and the rest of the Disney crew to chase them across the country and get poor Pluto back. Use Professor Von Drake's powerful pick ups-like the Baseball Chucker or the Paint Splatcher-to make your way through 20 All-American courses. from L.A. to D.C. Cam you help rescue Mickey's purloined pup? -The first-ever Game Boy game to feature classic kart racing comes complete with crazy courses and peppy pick-ups. -Play as your favorite Disney characters: Mickey, minnie, Donald, Daisy, Goofy and Pete. -some of Professor Von Drake's innovative inventions include a Carba Spritzer that gives you a temporary burst of speed and a Shield Shell that makes you invulnerable for a short time.
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There is– a great deal of great options these days that won't break the bank, as phone under Rs. 20,000 can genuinely be called flagship killers. Here are our favorite phones that will cost you less than and best android smartphones under Rs. 10,000.
As forever, there are a few caveats that must be made clear. For ace thing, although there are some really good phones at this budget, you have to be open to some degree of compromise. It's really unlikely that you're going to get a phone that got 7 or 10 or higher in our ranking. There are even quite a few phones, but we've been quite strict with the price as well, so even a little north of Rs. 10,000.
There are a few phones in this budget that haven't been reviewed so far for a number of possible reasons, and we've mentioned a couple of these below as well if we've heard generally heard good things about the phone. With all of this in mind, get a look at our top picks best android smartphones under Rs. 10,000.
At lunch 12 July 2017, the Moto E4 Plus has a full-HD display and is powered by 1.3GHz MediaTek MTK6737 processors and it comes with 3GB of RAM. The phone runs latest Android 7.1.1 OS. Camera quality is too good rear 13Mp and front 5MP with the figureprint sensor and battery capacity 5000mAh and internal storages 32GB.
Redmi Note 4 was launched on 19 Jan 2017 and is powered by 2GHz octa-core Qualcomm Snapdragon 625 processor and it comes with 2GB of RAM. The phone packs 32GB of internal storage. It runs Android 6.0 and is powered by a 4100mAh non-removable battery and 13MP primary camera on the rear and a 5MP front shooter for selfies.
Lenovo K6 Power was launched in December 2016 and is powered by 1.4GHz octa-core Qualcomm Snapdragon 430 processor and it comes with 3GB of RAM. The phone packs 32GB of internal storage. A 13MP primary camera on the rear and an 8MP front for selfies. It's running Android 6.0.1 and is powered by a 4000mAh battery.
Samsung Galaxy On7 Pro was launched in 2016 and is powered by 1.2GHz quad-core it comes with 2GB of RAM. The phone packs 16GB of internal storage and 13MP primary camera on the rear and a 5MP front. On7 Pro runs Android 6.0 and is powered by a 3000mAh removable battery.
Nokia 3 was launched in February 2017 and comes with a 5-inch HD display, MediaTek quad-core chipset, 2GB of RAM, 16GB of internal storage, 8MP rear camera, 8MP wide-angle front snapper and 2,650mAh battery. It runs latest Android 7.0.
Hope I have updated you. Keep visiting for more tech updates.


You can automatically generate identification numbers for new patients and new bills that are added to your Practo Ray account. This function is enabled by default when you create your account.
In order to view this function, click on the Settings icon on the top-right corner. You will see a drop down menu, click on 'Settings' here.
Once you have reached the 'Settings' menu, click on 'Automatic ID Generation' which is one among the options located on the left side of your screen.
You will be directed to a new page that gives you the option to generate 3 kinds of ID's- Patient ID's, Invoice ID's and Receipt ID's.
Patient ID: To activate automatic Patient ID generation, click on the tab 'Patient ID Generation' and select the 'Activate Automatic Patient Number Generation' button. This will prompt you to select an initial value that will then be incremented for every subsequent patient there on. You also have the option to assign a constant prefix that will automatically be part of every bill number. Choosing a prefix helps you to maintain a level of uniformity for all your records. A prefix once chosen, will remain the same for all patients and only the numeric value will be automatically incremented for every new patient.
Invoice ID: To activate automatic Invoice ID generation, click on the tab 'Invoice ID Generation'. This will prompt you to select an initial value that will be then incremented with every new patient. You can choose a prefix that will remain the same for every bill and the subsequent bill number will be automatically incremented for every new bill.In case you do not want invoice ID's generated for your patients, you can uncheck the option 'Do not generate bill number for me'.
Receipt ID: To activate automatic Receipt ID generation, click on the tab 'Receipt ID Generation'. This will prompt you to select an initial value that will be then incremented with every new patient. You can choose a prefix that will remain the same for every receipt and the subsequent receipt number will be automatically incremented for every new receipt. In case you do not want receipt ID's generated for your patients, you can uncheck the option 'Do not generate receipt number for me'.


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text:
$140,000 Airplane Stolen
Los Angeles police were searching for clues Friday in the theft of a $140,000 airplane from Van Nuys airport.
The plane's owner discovered the theft Wednesday, and police said Friday it was unclear whether the eight-seat Cessna 421-C had been flown or trucked out of the airfield.
Airport spokesman Bob Hayes said the plane's owner, Neil Baron, had last seen the plane at its tie-down spot near California Aircraft Exchange, on the northwest side of the airport, on April 21. The plane, which Baron described as a sophisticated aircraft, is white with black and gray trim. The wing number is N976-D.
Police said thefts of planes are rare but declined to comment further on the case.

redpajama_set_name: RedPajamaCommonCrawl


Garlic pickle chips hand-breaded and golden fried. Served with ranch and our zingy pickle sauce.
Fresh mushrooms thick sliced and crispy fried. Served with ranch and our house roasted garlic dipping sauce.
Chili cheese dip topped with jalapenos, fine diced onions and sour cream. Served with frito scoops.
Golden fried and lightly dusted with sugar.
A rich broth filled with crispy fried pork belly, smoked sausage, mushrooms, spinach, onions and cabbage.
Regular soup and side salad.
Chopped lettuce, tomatoes, beets, olives, carrots, radishes and cucumber.
House salad topped with our homemade cranberry almond chicken salad.
House salad topped with ham, prosciutto, salami, cheddar cheese and egg.
Lettuces topped with bacon, blue cheese crumbles, sliced tomatoes, cucumbers and homemade blue cheese dressing.
Fresh chopped broccoli tossed with sunflower seeds, dried cranberries, fine diced red onion and a sweet tangy dressing.
World Famous Shorty BurgersToggle visibility of menu section "World Famous Shorty Burgers"
A true slider grilled on onions, topped with mustard and pickle on a steamed bun.
A true double slider cooked on grilled onions and served on a steamed bun with mustard and a pickle.
Hand cut pork loin that we tenderize and marinate then lightly bread and fry. Served on a steamed bun with mustard, onion and pickle. Make it a deluxe with cheese, tomato and mayo for $1.
1/3 pound jalapeno and cheddar smoked sausage served in our 8" hoagie roll topped with house made coleslaw and mustard.
Homemade cranberry almond chicken salad on toasted sourdough with lettuce and tomato.
8" hoagie roll filled with prosciutto, salami, ham, cheese, lettuce, tomato, olives, mayo and house sub dressing.
8" hoagie roll stuffed with tomatoes, olives, beets, cucumber, carrots, radishes, cheese, coleslaw, green onion, mayo and herb dressing. Vegan option available.
A rich gravy full of ground beef and veggies topped with mashed potatoes and cheddar cheese.
Our homemade chili on a bed of chili spiced spaghetti noodles topped with cheese, diced onions and jalapenos.
Half homemade cranberry almond chicken salad sandwich made on toasted sourdough with lettuce and tomato. With choice of soup or side salad.
Smoked ham and American cheese on toasted sourdough bread with lettuce, tomato and mayonnaise.
Smoked ham and American cheese on buttered and grilled sourdough bread.
American cheese sandwiched between buttered and grilled sourdough bread.
Half smoked ham and American cheese on toasted sourdough bread with lettuce, tomato and mayonnaise. With choice of soup or side salad.
Half smoked ham and American cheese on buttered and grilled sourdough bread. With choice of soup or side salad.
Half American cheese sandwiched between buttered and grilled sourdough bread. With choice of soup or side salad.
Saturday Homemade Sapaghetti & MeatballsToggle visibility of menu section "Saturday Homemade Sapaghetti & Meatballs"
Three handamed two ounce pork meatballs covered in house red sauce and a bed of a thick spaghetti noodles topped with parmesan cheese.


text:
Mycteromyia martinezi är en tvåvingeart som beskrevs av Barretto och Duret 1954. Mycteromyia martinezi ingår i släktet Mycteromyia och familjen bromsar. Inga underarter finns listade i Catalogue of Life.

Källor

Bromsar
martinezi

redpajama_set_name: RedPajamaWikipedia


Do bubbles in Guinness go down?
How do you wire multiple switches to a single light?
ThinkClub – ScientificProblemSolving's own problem forum. Members can post problems and comment on them without posting answers.
William Wu's Puzzle Forum – Loads of puzzles & riddles, categorized by difficulty.
Project Euler – Math/Computer problems. You can retrospect in a forum once you've submitted the correct answer.
A Private Universe – People can carry around some really irrational thoughts that prevent them from acquiring new knowledge and understanding.
Michael Wesch and the Future of Education – How can new technologies support higher education?


text:
Santa Fe Railroad Grain Elevator, Chicago Illinois
Date added: July 13, 2021 Categories: Illinois Industrial Grain Elevator
This large grain processing complex was built in 1906 with a 400,000 bushel capacity and accommodation for 360 railroad cars. After a fire in 1932, the site was rebuilt with reinforced concrete silos.
The John S. Metcalf Company, consulting engineers, designed and built this facility for the Atchison, Topeka & Santa Fe Railroad in 1906. The original complex included a powerhouse, elevator with temporary storage and processing silos, and thirty-five grain storage silos. With a 400,000 bushel capacity, this complex could accommodate sixty railroad cars at the elevator and 300 railroad cars at a yard a short distance away. Equipment at the site included two driers, bleachers, oat clippers, cleaners, scourers and dust packers. Using filtered water from the adjacent South Branch of the Chicago River, boilers with a total of 1,500 horsepower generated the steam and electricity required by the machinery. The thirty-five grain silos south of this facility had a total capacity of one million bushels. In 1932, a grain dust explosion ignited a fire which destroyed the original timber and brick building. The Atchison Topeka & Santa Fe Railroad rebuilt the concrete processing house with fourteen reinforced concrete silos; the capacity of the facility was increased to 1,700,000 bushels. After reconstruction, the railroad leased the facility to the Stratton Grain Company.
This site contains several buildings, including a grain processing and storage building plus the grain elevator. At the western end of the site is a two-story brick powerhouse, measuring 100' x 40'. This building has a concrete foundation, brick walls and pilasters, and corbeled brick cornice. The powerhouse also has a low-pitched gable roof and brick segmental arches spanning the window openings. All windows have been filled with brick, wood, or corrugated metal. Adjacent to the powerhouse is a brick chimney 165! tall. Attached to the east side of the powerhouse is the Hess dryer house, a 40' x 25' brick building, joining the powerhouse and grain processing elevator. The elevator house is a brick, timber frame, and corrugated steel sided structure, 225' long and 56' wide. The south elevation is two stories tall and the rear is three stories tall. Mechanical works (including bleachers) are located on roof. The elevator is of reinforced concrete, 165' high and about 50' square, and sits above two tracks and a grain unloading hopper. Chutes run from the elevator to the railroad tracks and to the Hess dryer house. The elevator contains numerous multi-light windows, many of which are broken out. Silos attached to the elevator are for receiving, shipping, and processing.
South of the railroad tracks is a corrugated-metal shed containing a modern rotary car dump. South of the car dump is the grain silo storage annex with thirty-five silos. Each concrete silo is 23' in diameter and 100' in height. A conveyor, housed in a steel truss bridge with corrugated metal siding, crosses the railroad sidings and connects the elevator silos to the storage silos. Several small auxiliary buildings are at the east end of the site, including a small one-story office building, a one-story machine shop, and a one-story railroad repair shop. All of these buildings are constructed of brick.
Location: South side of sanitary & ship canal


text:
// Copyright 2019 The Chromium Authors. All rights reserved.
// Use of this source code is governed by a BSD-style license that can be
// found in the LICENSE file.

// Include test fixture.
GEN_INCLUDE(['../testing/chromevox_next_e2e_test_base.js']);

GEN_INCLUDE(['../testing/assert_additions.js']);

/**
 * Test fixture for braille_command_data.js.
 */
ChromeVoxBrailleCommandDataTest = class extends ChromeVoxNextE2ETest {};

SYNC_TEST_F('ChromeVoxBrailleCommandDataTest', 'Duplicates', function() {
  try {
    BrailleCommandData.DOT_PATTERN_TO_COMMAND = [];
    BrailleCommandData.init_();
  } catch (e) {
    assertNotReached(e.toString());
  }
});

redpajama_set_name: RedPajamaGithub


This is the last will and testament of me John McBride of Saint John's Newfoundland. I desire that my just debts and my funeral and testamentary expenses shall be first paid. I give devise and bequeath to my beloved wife Caroline all my estate both real and personal and all my property and effects of whatsoever nature and description for her sole and absolute use and benefit for ever. I appoint my said wife Caroline sole executrix of this my will. Witness my hand at Saint John's this fifth day of January A.D. one thousand eight hundred and eighty two. John McBride. Signed published and declared by the testator as and for his last will and testament in the presence of us who in his presence and the presence of each other have hereto subscribed our names as witnesses, D. Morison, L.G. Macneill, J.H. Martin.


I am a Leeds-based tattoo artist with 6 years experience in almost all styles of tattooing. I prefer to work in the styles you can view in my portfolio, though I enjoy a challenge and will work with you to make sure you get the best custom tattoo you can get - even if that just means providing advice and pointing you in another direction.
Please take a look at my work, and contact me with any questions or comments.


Platonic Solids (Sacred Geometry) Set of 5 Rose Quartz crystals in a with presentation box.
In geometry, Platonic solids (sacred geometries) are the only geometric shapes with the same number of sides meet at each vertex with the same angle.
The aesthetic beauty and symmetry of the Platonic solids (sacred geometry) have made them a favourite subject of geometers for thousands of years. They are named for the ancient Greek philosopher Plato who theorized that the classical elements were constructed from the regular solids.
Icosahedron with 20 faces, is associated with Water.
Sacred Geometry is an instrument of dialog between man and god, permitting us to find unity inside nature's diversity it provides complete understanding and experience to consciously shape our future and accelerate the ascension process, they show us how to open our heart and evolve the consciousness through models.


We are loving this super chic jumper with slits down each arm alongside silver beads. This is a fine knit ultra-soft jumper that's comfortable to wear and brightly coloured. There is nothing we dislike about this gorgeous jumper at all.


text:
Los Angeles Kings |
Kings see two-goal lead slip away in road loss…
Kings see two-goal lead slip away in road loss to New York Islanders
New York Islanders' Kieffer Bellows (20) shoots the puck past Los Angeles Kings goaltender Jonathan Quick (32) for his first NHL goal, during the second period of a hockey game Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
By The Associated Press |
PUBLISHED: February 6, 2020 at 7:02 p.m. | UPDATED: February 6, 2020 at 7:02 p.m.
New York Islanders' Kieffer Bellows (20) celebrates after scoring his first NHL goal, as teammate Anthony Beauvillier, left, and Los Angeles Kings' Blake Lizotte, right, react during the second period of a hockey game Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
New York Islanders goaltender Thomas Greiss (1) checks his helmet as the Los Angeles Kings celebrate a goal by Ben Hutton (15) during the first period of an NHL hockey game Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
Los Angeles Kings' Blake Lizotte, bottom, fights for control of the puck with New York Islanders' Mathew Barzal during the first period of an NHL hockey game Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
Los Angeles Kings goaltender Jonathan Quick (32) defends the net from New York Islanders' Casey Cizikas (53) as Matt Roy (3) watches during the first period of an NHL hockey game Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
Los Angeles Kings' Alex Iafallo (19) looks to pass the puck during the first period of the team's NHL hockey game against the New York Islanders on Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
Los Angeles Kings' Alex Iafallo (19) shoots the puck past New York Islanders' Johnny Boychuk (55) during the first period of an NHL hockey game Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
Los Angeles Kings' Blake Lizotte shoots during the first period of the team's NHL hockey game against the New York Islanders on Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
Los Angeles Kings' Alex Iafallo (19) checks New York Islanders' Johnny Boychuk (55) during the first period of an NHL hockey game Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
New York Islanders' Kieffer Bellows (20) celebrates after scoring his first NHL goal, during the second period of the team's hockey game against the Los Angeles Kings on Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
Los Angeles Kings' Trevor Lewis (22) skates past New York Islanders goaltender Thomas Greiss (1) after scoring a goal during the second period of an NHL hockey game Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
New York Islanders' Kieffer Bellows (20) celebrates with teammates after scoring a goal during the second period of the team's NHL hockey game against the Los Angeles Kings on Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
Los Angeles Kings' Trevor Lewis (22) celebrates with teammates after scoring a goal during the second period of the team's NHL hockey game against the New York Islanders on Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
Los Angeles Kings' Dustin Brown (23) fights for control of the puck with New York Islanders' Devon Toews (25) during the second period of an NHL hockey game Thursday, Feb. 6, 2020, in New York. (AP Photo/Frank Franklin II)
NEW YORK – Rookie Kieffer Bellows scored his first two NHL goals to help the New York Islanders rally for a 5-3 win over the last-place Kings on Thursday night.
Anders Lee had a goal and an assist, and Michael Dal Colle and Matt Martin also scored as the Islanders recovered from a 3-1 deficit in the second period to get their third win in five games (3-0-2). Derick Brassard had two assists and Thomas Greiss stopped 22 shots.
New York, splitting home games between the Nassau Coliseum and Barclays Center, improved to 6-0-3 in Brooklyn.
Ben Hutton had a goal and an assist, and Alex Iafallo and Trevor Lewis also scored for Los Angeles, which is last in the Western Conference and has lost eight of nine (1-7-1). Jonathan Quick finished with 28 saves and to fall to 1-9-1 in his last 11 starts.
Martin tied the score at 3 just 23 seconds into the third as he backhanded the rebound of Devon Toews' shot from the left point past Quick for his fourth.
Bellows, who scored his first NHL goal earlier in the game, gave the Islanders their first lead of the night as he scored on a sharp angle from the left side along the boards near the goal line with 7:50 left.
Lee capped the scoring as he hustled down the ice to knock in an empty-netter with 13 seconds left for his 17th.
Trailing 2-0 after 20 minutes, the Islanders pulled within one just 1:40 into the second as Johnny Boychuk's one-timer from the right point went in off Dal Colle's skate.
Lewis restored the Kings' two-goal lead 5 1/2 minutes later as he redirected Michael Amadio's shot in front past Greiss for his third.
Bellows, who had an assist in his NHL debut two nights earlier, pulled the Islanders to 3-2 as he converted a pass from Anthony Beauvillier past Quick from the left side with 9:38 left.
Hutton got the Kings on the scoreboard just past the midpoint of the opening period. Trailing the play, the defenseman got a pass from Adrian Kempe in the right slot and beat Greiss on the glove side for his third with 9:40 left. It came on Los Angeles' fourth shot on goal of the game.
Iafallo doubled the Kings' lead exactly 7 minutes later on their sixth shot. With the Islanders possessing the puck in their defensive zone, Iafallo stole the puck skated to his left and fired a shot that went in on Greiss' glove side for his 15th.
Iafallo has two goals and five points in the last three games. … Kings F Anze Kopitar snapped a four-game point streak in which he had three goals and two assists. … Los Angeles lost in regulation for the first time in 14 games (12-1-1) when it took a lead into the third period. … The Kings won the teams' first meeting, 4-1 at home on Nov. 27. … Toews played in his 100th game. … Bellows became the first Islanders rookie since Anders Lee in April 2013 to have at least one point in each of his first two games. … D Ryan Pulock had a secondary assist on Martin's goal, giving him an assist for the fourth straight game. He has seven assists in his last eight games. … The Islanders improved to 5-11-1 when trailing after two periods.
Kings: at New Jersey on Saturday night.
Islanders: at Tampa Bay on Saturday night to open a two-game trip.
Kings blow 3-goal third-period lead, lose to Hurricanes in OT
Kings have chance to head into All-Star break atop division
Red-hot Lightning beat Kings for 12th consecutive home win
Kings fend off Panthers for 3rd straight win
Kings continue road trip with back-to-back in Florida
los-angeles-kings
More in Los Angeles Kings


Avro Vulcan B2 XH558, famous as the first and last B2 in RAF service. Mint and boxed first issue. Very sought after and highly accurate 1/144 scale. Has to be seen to be appreciated, now extremely hard to find. With the real thing now being prepared to return to the skies the value of these models is sure to appreciate even further. Get one while you can!
The Vulcan lacked defensive weaponry, initially relying upon high-speed high-altitude flight to evade interception. Electronic countermeasures were employed by the B.1 (designated B.1A) and B.2 from circa 1960. A change to low-level tactics was made in the mid-1960s. In the mid 1970s, nine Vulcans were adapted for maritime radar reconnaissance operations, redesignated as B.2 (MRR). In the final years of service, six Vulcans were converted to the K.2 tanker configuration for aerial refuelling.


How bad are your piles?
Although the symptoms vary from person to person, the following scale should help you identify how mild or serious your condition is. This is a guide only: if you think you have piles, you should speak with your GP or pharmacist – especially if you've not suffered from piles before.
If you're experiencing symptoms associated with more severe suffering, you should speak with your GP. They may recommend an alternative treatment, such as PPH, to remove the swellings. Please visit www.allaboutpph.co.uk to find out more about minimally invasive surgical options available to you.
Your best option depends on your symptoms, their severity and a few other factors.


text:
Q: How to get current user id angular 4? I have to get current user ID to use it in different parts in my app..
login.component.ts:
onSignin(form: NgForm){
const UserName = form.value.UserName;
const Password = form.value.Password;
this.authService.signinUser(UserName,Password).map(res => res.json())
 .subscribe(
   data => {
     if (data.Id == 0){
     this.invalid=true;
    }
    else{
      localStorage.setItem('isLoggedin', 'true');
      this.router.navigate(['/calendar']);
      console.log('Ok');
   }})}

auth.service.ts:
signinUser(UserName,Password): Observable<any>{
  return this.http.get('http://api.##.com/api/security/signin?username='+UserName+'&password='+Password);
}

A: You want to use the userID you get from the Service call to different components in you app. I hope this is what you are looking for.
There are three ways you can do this .

*

*Shared Services - Make use of a shared service add the userID to a user id subject in the service and set this up at the time of login in . The next time when the user Id is changed the observing component will be notified.

*NGRX - A much cleaner implementation of shared service , i would suggest you to use this if your app is huge.

*Local storage - this is very debatable as it depends on users discretion too . Set and get User id between components.

Do note that if the user hard refreshes the page any time in NGRX or Shared services the data will be lost you might need to use local storage for full proofing.

A: You can pass the token from the backend which will contain the id or you can use redux store which will store the id on the front end for your application to use. Below is the link for ng2 Redux package in angular.
https://www.npmjs.com/package/ng2-redux
There is also an option to save it into local storage but I will not prefer it.Or
You can use session storage to save the data on the front end like this
saving in the session in your login Component file use this code
sessionStorage.setItem('id', data.id);
retrieving from the session//
var data = sessionStorage.getItem('id');
console.log(data) to see the id in the console

redpajama_set_name: RedPajamaStackExchange


text:
University of Toronto Faculty of Law
E.Legal
Centre for the Legal Profession
Accredited CPD
Program on Ethics in Law and Business
Women in Transition
David B. Goodman Lecture
Shared Resources Initiative
Resources Database
CJO Advisory Com. on Professionalism
LSUC & Other Organizations
Academic Director's Message
HomeResources>CJO Advisory Com. on Professionalism>Fellowships & Awards
Rueter Scargall Bennett LLP Essay Prize in Legal Ethics
The Chief Justice of Ontario's Advisory Committee on Professionalism, with membership spanning from across the Bench and the Bar, the Law Society and the Academy, focuses on a number of initiatives to support the teaching of professionalism in our law schools and throughout the profession.
As part of this effort, the Committee established an annual award in 2010, sponsored by the law firm of Rueter Scargall Bennett LLP, to encourage law students to think and write about the legal profession and acknowledge the best student papers on any subject relating to legal ethics and professionalism.
The prize is awarded annually by the Chief Justice of Ontario's Advisory Committee on Professionalism to three law students registered in a JD or LLB program at a law school in Ontario for the best previously unpublished papers on any topic relating to legal ethics and professionalism.
Papers must be at least 2,000 and not more than 6,000 words inclusive of footnotes or endnotes. Submissions must be in a Microsoft Word compatible format. The applicant's name and university should be noted on the front page of the essay, but must not be shown on any other pages of the essay.
The author of the best paper will be awarded $3,000. The authors of the other two award winning papers will each be awarded $1,000. The first-prize paper will be published in a suitable venue. Additionally, all winners will be invited to a dinner with the Chief Justice of Ontario and the Treasurer of the Law Society of Upper Canada.
The Chief Justice of Ontario's Advisory Committee on Professionalism and Rueter Scargall Bennett LLP are proud to announce the winners of the 2012 Rueter Scargall Bennett LLP Essay Prize in Legal Ethics.
Jeremy Tatum, University of Windsor, JD Candidate, 2012: "Navigating the Fine Line of Criminal Advocacy: Using Truthful Evidence to Discredit Truthful Testimony"
Other winners
Megan Seto, University of Ottawa, JD Candidate, 2013: "Killing Ourselves: Depression as an Institutional, Workplace and Professionalism Problem"
Kaitlyn MacDonnell, University of Windsor, JD Candidate, 2012: "Ethics of Class Counsel: Is there a need for restrictions on investigating class claims?"
Fellowships in Legal Ethics and Professionalism
The OBA Foundation, a charity established by the Ontario Bar Association, has assumed funding and administration of The OBA Foundation Chief Justice of Ontario Fellowships in Legal Ethics and Professionalism ("Fellowships"), formerly The Chief Justice of Ontario Fellowships in Legal Ethics and Professionalism.
2013-2014 Fellowships
The 2013-14 OBA Foundation Chief Justice of Ontario Fellowships in Legal Ethics and Professionalism have been awarded to Professor Alice Woolley of the University of Calgary Faculty of Law (Fellowship in Research) and Amy Salyzyn, a graduate student at Yale University Law School (Fellowship in Studies).
Professor Woolley's research project will consider the significance of the lawyer's status as a fiduciary in defining the lawyer's duties, in particular duties of loyalty and confidentiality.
Amy Salyzyn's project will study the ethical implications of lawyers' pre-litigation demand letters.
Media inquiries contact: Lee Akazaki lakazaki@gilbertsondavis.com
The Committee awarded grants for the following projects for the 2012-2013 year.
Chief Justice of Ontario Fellowship in Legal Ethics and Professionalism Research – A grant of $15,000 was awarded to Professor Brent Cotter of the University of Saskatchewan and Professors Richard Devlin and Jocelyn Downie of Dalhousie University. Their project is "Video Vignettes in Legal Ethics and Professional Responsibility (Confidentiality, Conflicts of Interest, Competence and Quality of Service, Civility and Professionalism and Access to Justice / Pro Bono)".
Chief Justice of Ontario Fellowship in Legal Ethics and Professionalism Studies – A grant of $5,000 was awarded to Ms. Hanna Askew, student, Osgoode Hall Law School. Her project is "Educational Strategies to Foster Inter-cultural Understanding of Aboriginal Legal Perspectives among New Legal Professionals."
78 Queen's Park Crescent
Canada, M5S 2C3
n.gulezko@utoronto.ca