text:
package com.amazonaws.services.lightsail.model;

import java.io.Serializable;
import javax.annotation.Generated;
import com.amazonaws.protocol.StructuredPojo;
import com.amazonaws.protocol.ProtocolMarshaller;

/**
 *

 * Describes the specifications of a bundle that can be applied to an Amazon Lightsail bucket.
 *

 *

 * A bucket bundle specifies the monthly cost, storage space, and data transfer quota for a bucket.
 *

 *
 * @see AWS API
 *      Documentation
 */
@Generated("com.amazonaws:aws-java-sdk-code-generator")
public class BucketBundle implements Serializable, Cloneable, StructuredPojo {

    /**
     *

     * The ID of the bundle.
     *

     */
    private String bundleId;
    /**
     *

     * The name of the bundle.
     *

     */
    private String name;
    /**
     *

     * The monthly price of the bundle, in US dollars.
     *

     */
    private Float price;
    /**
     *

     * The storage size of the bundle, in GB.
     *

     */
    private Integer storagePerMonthInGb;
    /**
     *

     * The monthly network transfer quota of the bundle.
     *

     */
    private Integer transferPerMonthInGb;
    /**
     *

     * Indicates whether the bundle is active. Use for a new or existing bucket.
     *

     */
    private Boolean isActive;

    /**
     *

     * The ID of the bundle.
     *

     *
     * @param bundleId
     *        The ID of the bundle.
     */

    public void setBundleId(String bundleId) {
        this.bundleId = bundleId;
    }

    /**
     *

     * The ID of the bundle.
     *

     *
     * @return The ID of the bundle.
     */

    public String getBundleId() {
        return this.bundleId;
    }

    /**
     *

     * The ID of the bundle.
     *

     *
     * @param bundleId
     *        The ID of the bundle.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public BucketBundle withBundleId(String bundleId) {
        setBundleId(bundleId);
        return this;
    }

    /**
     *

     * The name of the bundle.
     *

     *
     * @param name
     *        The name of the bundle.
     */

    public void setName(String name) {
        this.name = name;
    }

    /**
     *

     * The name of the bundle.
     *

     *
     * @return The name of the bundle.
     */

    public String getName() {
        return this.name;
    }

    /**
     *

     * The name of the bundle.
     *

     *
     * @param name
     *        The name of the bundle.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public BucketBundle withName(String name) {
        setName(name);
        return this;
    }

    /**
     *

     * The monthly price of the bundle, in US dollars.
     *

     *
     * @param price
     *        The monthly price of the bundle, in US dollars.
     */

    public void setPrice(Float price) {
        this.price = price;
    }

    /**
     *

     * The monthly price of the bundle, in US dollars.
     *

     *
     * @return The monthly price of the bundle, in US dollars.
     */

    public Float getPrice() {
        return this.price;
    }

    /**
     *

     * The monthly price of the bundle, in US dollars.
     *

     *
     * @param price
     *        The monthly price of the bundle, in US dollars.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public BucketBundle withPrice(Float price) {
        setPrice(price);
        return this;
    }

    /**
     *

     * The storage size of the bundle, in GB.
     *

     *
     * @param storagePerMonthInGb
     *        The storage size of the bundle, in GB.
     */

    public void setStoragePerMonthInGb(Integer storagePerMonthInGb) {
        this.storagePerMonthInGb = storagePerMonthInGb;
    }

    /**
     *

     * The storage size of the bundle, in GB.
     *

     *
     * @return The storage size of the bundle, in GB.
     */

    public Integer getStoragePerMonthInGb() {
        return this.storagePerMonthInGb;
    }

    /**
     *

     * The storage size of the bundle, in GB.
     *

     *
     * @param storagePerMonthInGb
     *        The storage size of the bundle, in GB.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public BucketBundle withStoragePerMonthInGb(Integer storagePerMonthInGb) {
        setStoragePerMonthInGb(storagePerMonthInGb);
        return this;
    }

    /**
     *

     * The monthly network transfer quota of the bundle.
     *

     *
     * @param transferPerMonthInGb
     *        The monthly network transfer quota of the bundle.
     */

    public void setTransferPerMonthInGb(Integer transferPerMonthInGb) {
        this.transferPerMonthInGb = transferPerMonthInGb;
    }

    /**
     *

     * The monthly network transfer quota of the bundle.
     *

     *
     * @return The monthly network transfer quota of the bundle.
     */

    public Integer getTransferPerMonthInGb() {
        return this.transferPerMonthInGb;
    }

    /**
     *

     * The monthly network transfer quota of the bundle.
     *

     *
     * @param transferPerMonthInGb
     *        The monthly network transfer quota of the bundle.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public BucketBundle withTransferPerMonthInGb(Integer transferPerMonthInGb) {
        setTransferPerMonthInGb(transferPerMonthInGb);
        return this;
    }

    /**
     *

     * Indicates whether the bundle is active. Use for a new or existing bucket.
     *

     *
     * @param isActive
     *        Indicates whether the bundle is active. Use for a new or existing bucket.
     */

    public void setIsActive(Boolean isActive) {
        this.isActive = isActive;
    }

    /**
     *

     * Indicates whether the bundle is active. Use for a new or existing bucket.
     *

     *
     * @return Indicates whether the bundle is active. Use for a new or existing bucket.
     */

    public Boolean getIsActive() {
        return this.isActive;
    }

    /**
     *

     * Indicates whether the bundle is active. Use for a new or existing bucket.
     *

     *
     * @param isActive
     *        Indicates whether the bundle is active. Use for a new or existing bucket.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public BucketBundle withIsActive(Boolean isActive) {
        setIsActive(isActive);
        return this;
    }

    /**
     *

     * Indicates whether the bundle is active. Use for a new or existing bucket.
     *

     *
     * @return Indicates whether the bundle is active. Use for a new or existing bucket.
     */

    public Boolean isActive() {
        return this.isActive;
    }

    /**
     * Returns a string representation of this object. This is useful for testing and debugging. Sensitive data will be
     * redacted from this string using a placeholder value.
     *
     * @return A string representation of this object.
     *
     * @see java.lang.Object#toString()
     */
    @Override
    public String toString() {
        StringBuilder sb = new StringBuilder();
        sb.append("{");
        if (getBundleId() != null)
            sb.append("BundleId: ").append(getBundleId()).append(",");
        if (getName() != null)
            sb.append("Name: ").append(getName()).append(",");
        if (getPrice() != null)
            sb.append("Price: ").append(getPrice()).append(",");
        if (getStoragePerMonthInGb() != null)
            sb.append("StoragePerMonthInGb: ").append(getStoragePerMonthInGb()).append(",");
        if (getTransferPerMonthInGb() != null)
            sb.append("TransferPerMonthInGb: ").append(getTransferPerMonthInGb()).append(",");
        if (getIsActive() != null)
            sb.append("IsActive: ").append(getIsActive());
        sb.append("}");
        return sb.toString();
    }

    @Override
    public boolean equals(Object obj) {
        if (this == obj)
            return true;
        if (obj == null)
            return false;

        if (obj instanceof BucketBundle == false)
            return false;
        BucketBundle other = (BucketBundle) obj;
        if (other.getBundleId() == null ^ this.getBundleId() == null)
            return false;
        if (other.getBundleId() != null && other.getBundleId().equals(this.getBundleId()) == false)
            return false;
        if (other.getName() == null ^ this.getName() == null)
            return false;
        if (other.getName() != null && other.getName().equals(this.getName()) == false)
            return false;
        if (other.getPrice() == null ^ this.getPrice() == null)
            return false;
        if (other.getPrice() != null && other.getPrice().equals(this.getPrice()) == false)
            return false;
        if (other.getStoragePerMonthInGb() == null ^ this.getStoragePerMonthInGb() == null)
            return false;
        if (other.getStoragePerMonthInGb() != null && other.getStoragePerMonthInGb().equals(this.getStoragePerMonthInGb()) == false)
            return false;
        if (other.getTransferPerMonthInGb() == null ^ this.getTransferPerMonthInGb() == null)
            return false;
        if (other.getTransferPerMonthInGb() != null && other.getTransferPerMonthInGb().equals(this.getTransferPerMonthInGb()) == false)
            return false;
        if (other.getIsActive() == null ^ this.getIsActive() == null)
            return false;
        if (other.getIsActive() != null && other.getIsActive().equals(this.getIsActive()) == false)
            return false;
        return true;
    }

    @Override
    public int hashCode() {
        final int prime = 31;
        int hashCode = 1;

        hashCode = prime * hashCode + ((getBundleId() == null) ? 0 : getBundleId().hashCode());
        hashCode = prime * hashCode + ((getName() == null) ? 0 : getName().hashCode());
        hashCode = prime * hashCode + ((getPrice() == null) ? 0 : getPrice().hashCode());
        hashCode = prime * hashCode + ((getStoragePerMonthInGb() == null) ? 0 : getStoragePerMonthInGb().hashCode());
        hashCode = prime * hashCode + ((getTransferPerMonthInGb() == null) ? 0 : getTransferPerMonthInGb().hashCode());
        hashCode = prime * hashCode + ((getIsActive() == null) ? 0 : getIsActive().hashCode());
        return hashCode;
    }

    @Override
    public BucketBundle clone() {
        try {
            return (BucketBundle) super.clone();
        } catch (CloneNotSupportedException e) {
            throw new IllegalStateException("Got a CloneNotSupportedException from Object.clone() " + "even though we're Cloneable!", e);
        }
    }

    @com.amazonaws.annotation.SdkInternalApi
    @Override
    public void marshall(ProtocolMarshaller protocolMarshaller) {
        com.amazonaws.services.lightsail.model.transform.BucketBundleMarshaller.getInstance().marshall(this, protocolMarshaller);
    }
}

redpajama_set_name: RedPajamaGithub


text:
David Rossman
Professor of Law, Boston University
Since 1978, David Rossman has served as director of BU Law's Criminal Law Clinical Programs. He teaches courses in criminal procedure, criminal trial practice, criminal trial advocacy and issues in criminal justice. "Working with young lawyers on actual litigation is immensely satisfying," he says. "I'm always energized by the new ways in which they attack problems that seem old hat to me."
Professor Rossman has maintained an active criminal defense practice for nearly three decades. He has represented defendants at all state and federal court levels, including the U.S. Supreme Court. He also has served as an assistant district attorney in Middlesex County, Massachusetts, where he was responsible for grand jury investigations and prosecutions of white-collar crimes. As a Massachusetts special assistant attorney general, he represented bar counsel in federal litigation regarding the rules of ethics that regulate federal prosecutors. "Criminal law is exciting to me because the way it is formulated and implemented by police and the courts helps define the very society in which we live," he says. "The issues involved are at the forefront of the public's attention and literally have to do with life and death."
Additionally, Professor Rossman has served as a law clerk on the U.S. Court of Appeals for the District of Columbia Circuit and a teaching fellow at Boston College Law School. He has consulted with the Massachusetts Department of Personnel Administration and the U.N.'s Crime Prevention and Criminal Justice Program and has written a treatise on guilty pleas, as well as monographs and articles on criminal procedure. In 2000, Professor Rossman spoke on "The Fight Against International Crime and the Threat to Individual Liberties" at the "Globalization and Crime" conference in Mexico City. He is currently involved in a State Department grant that provides assistance to a law school clinic in Siberia.
Joined June 19, 2017

redpajama_set_name: RedPajamaCommonCrawl


text:
National Basketball Association all-time scoring leaders 1946-2019
National Football League: Super Bowl wins by team 2019
Average ticket price for an NFL game by team
FIFA world ranking of men's national soccer teams 2019
Athletic footwear global market share by company
Health & Fitness Clubs - Statistics & Facts
Sporting Goods Industry - Statistics & Facts
Sports & Recreation›
Art & Culture›
Colombia: reasons for not visiting historical sites 2017
Reasons for not visiting historical sites in Colombia in 2017
by Stéphanie Chevalier, last edited Mar 25, 2019
This statistic shows the reasons for not visiting historical sites in Colombia in 2017. That year, over 38 percent of the population surveyed in the country claimed not having visited historical sites due to lack of interest.
24,764 respondents
Only among the population of capital cities of municipal districts
Historical sites include historical monuments, archaeological sites, national monuments and historical centers.
Most visited museums in Europe 2017
Countries with the most major music festivals in Europe 2017
Attendance at the Rijksmuseum in the Netherlands 2014-2017
Visitor numbers to the International Film Festival Rotterdam (IFFR) 2011-2016
Statistics on "Arts and cultural sector in the Netherlands"
Cinemas and movie theaters
Top 10 attractions with the most visitors in the Netherlands in 2017 (in 1,000s)*Attractions with the most visitors in the Netherlands 2017
Top 10 of attractions with the most international visitors in the Netherlands in 2017 (in 1,000s)*Attractions with the most international visitors in the Netherlands 2017
Share of individuals participating in cultural activities in the Netherlands from 2004 to 2015*Participation in cultural activities in the Netherlands 2004-2015
Share of individuals participating in cultural activities in the Netherlands in 2015, by age*Participation in cultural activities in the Netherlands 2015, by age
Number of visitors participating in cultural activities in the Netherlands in 2016, by sector (in millions)Number of visitors participating in cultural activities Netherlands 2016, by sector
Year on year percentage change of the volume in the art and culture industry in the Netherlands from 2015 and 2017, with a forecast for 2018 and 2019*Volume changes in the art & culture industry in the Netherlands 2015-2019
Number of institutions in the arts and cultural industry in the Netherlands in 2016, by typeNumber of institutions in the arts and cultural industry Netherlands 2016, by type
Number of new companies in the cultural, sports and recreation sector in the Netherlands from the 1st quarter of 2017 to the 1st quarter of 2019New companies in the cultural, sports and recreation sector Netherlands 2017-2019
Leading 20 museums in Europe in 2017, based on attendance (in 1,000s)Most visited museums in Europe 2017
Number of museums in the Netherlands in 2017, by provinceNumber of museums in the Netherlands 2017, by province
Total number of museums in the Netherlands in 2017, by collection typeNumber of museums in the Netherlands 2017, by collection type
Distribution of museum visitors in the Netherlands in 2017, by place of residenceMuseum visitors in the Netherlands 2017, by place of residence
Total number of museums visitors in the Netherlands in 2017, by collection type (in 1,000s)Number of museum visitors in the Netherlands 2017, by collection type
Total revenue of museums in the Netherlands in 2017, by collection type (in million euros)Revenue of museums in the Netherlands 2017, by collection type
Distribution of museum visits of Museumcard holders in the Netherlands in 2017, by ageDistribution of museum visits of Museumcard holders in the Netherlands 2017, by age
Total number of visitors of the Rijksmuseum in the Netherlands in 2014 to 2017 (in millions)Attendance at the Rijksmuseum in the Netherlands 2014-2017
Countries with the most major music festivals in the European Union (EU) in 2017Countries with the most major music festivals in Europe 2017
Number of festivals in the Netherlands in 2016, by region*Number of festivals in the Netherlands 2016, by region
Expenditure by festival visitors in the Netherlands from 2013 to 2017 (in million euros)*Festival expenditure in the Netherlands 2013-2017
Private and governmental expenditure on festivals in the Netherlands in 2017 (in million euros)Private and governmental expenditure on festivals in the Netherlands 2017
Festival income from sponsors and subsidies in the Netherlands from 2013 to 2016 (in million euros)*Festival income from sponsors and subsidies in the Netherlands 2013-2016
Leading fee-based music, theatre and other cultural festivals in the Netherlands in 2018, by number of visitors (in 1,000s)Leading fee-based festivals in the Netherlands 2018, by number of visitors
Leading free music, theatre and other cultural festivals in the Netherlands in 2018, by number of visitors (in 1,000s)Leading free festivals in the Netherlands 2018, by number of visitors
Number of visitors to the Dutch Design Week in the Netherlands from 2011 to 2017 (in 1,000s)*Visitor numbers to the Dutch Design Week in the Netherlands 2011-2017
Number of cinema screens in the Netherlands from 2012 to 2017*Cinema screens in the Netherlands 2012-2017
Annual audience reach of cinema and movie theaters in the Netherlands from 2014 to 2018, by ageAudience reach of cinema and movie theaters in the Netherlands 2014-2018, by age
Frequency of cinema and movie theater visits in the Netherlands from 2014 to 2018, by genderFrequency of cinema visits in the Netherlands 2014-2018, by gender
Share of cinema and movie theater visitors in the Netherlands in 2018, by ageShare of cinema and movie theater visitors in the Netherlands 2018, by age
Most popular movies in cinema in the Netherlands in 2018, by number of visitorsMost popular movies in cinema in the Netherlands 2018, by visitors
Number of performances in the Netherlands from 2012 to 2015, by categoryNumber of performances in the Netherlands 2012-2015, by category
Number of performances in the performing arts in the Netherlands in 2017, by genreNumber of performances in the performing arts in the Netherlands 2017, by genre
Distribution of visitors visiting performing arts in the Netherlands in 2017, by genreVisitor distribution of performing arts in the Netherlands 2017, by genre
Number of persons employed in the performing arts industry in the Netherlands from 2005 to 2015 (in 1,000s)Number of persons employed in the performing arts industry Netherlands 2005-2015
Total revenue of the performing arts industry in the Netherlands from 2005 to 2015 (in thousand euros)Total revenue of the performing arts industry in the Netherlands 2005-2015
Total revenue of the performing arts industry in the Netherlands from 2012 to 2015, by category (in 1,000 euros)*Total revenue of the performing arts industry Netherlands 2012-2015, by category
Total subsidies of the performing arts industry in the Netherlands from 2005 to 2015 (in 1,000 euros)*Total subsidies of the performing arts industry Netherlands 2005-2015
Government expenditure on culture in the Netherlands from 2006 to 2016 (in million euros)Government expenditure on culture in the Netherlands 2006-2016
Number of government subsidies given to the cultural sectors in the Netherlands from 2013 to 2016Government subsidies given to the cultural sectors in the Netherlands 2013-2016
Total income of cultural organizations in the Netherlands in 2016, by sector (in euros)*Income of cultural organizations in the Netherlands 2016, by sector
Total subsidies of cultural organizations in the Netherlands in 2016, by sector (in euros)*Subsidies of cultural organizations in the Netherlands 2016, by sector
Colombia: frequency of visiting historical sites 2017
Colombia: share of historical site visitors 2017, by region
Colombia: share of historical site visitors 2017, by age group
Colombia: frequency of visiting galleries & exhibitions 2017
Colombia: share of cultural center visitors 2017, by region
Colombia: frequency of visiting libraries 2017
Colombia: frequency of visiting culture houses 2017
Colombia: share of museum visitors 2017, by region
Colombia: reasons for not visiting cultural centers 2017
Colombia: share of cultural spaces visitors 2017, by age group
Charitable giving to culture and sports sectors in England 2018, by deprivation level
Number of cultural historical buildings in Norway 2017, by county
Charitable giving to arts, culture and sports in England 2010-2018, by economic group
Sport and cultural sector donation giving in England 2010-2018
Colombia: share of library visitors 2017, by region
Millions of U.S. adults visiting parks and historic sites in the U.S. 2002-2008
Art market in the United Kingdom (UK)
Theater & Broadway in the U.S.
Visitor attractions in the United Kingdom (UK)
Visitor attractions in the Netherlands
Top 10 attractions with the most visitors in the Netherlands in 2017 (in 1,000s)*
Top 10 of attractions with the most international visitors in the Netherlands in 2017 (in 1,000s)*
Share of individuals participating in cultural activities in the Netherlands from 2004 to 2015*
Share of individuals participating in cultural activities in the Netherlands in 2015, by age*
Number of visitors participating in cultural activities in the Netherlands in 2016, by sector (in millions)
Year on year percentage change of the volume in the art and culture industry in the Netherlands from 2015 and 2017, with a forecast for 2018 and 2019*
Number of institutions in the arts and cultural industry in the Netherlands in 2016, by type
Number of new companies in the cultural, sports and recreation sector in the Netherlands from the 1st quarter of 2017 to the 1st quarter of 2019
Number of bankruptcies in the cultural, sports and recreation sector in the Netherlands from the first quarter of 2017 to first quarter of 2019
Number of company dissolutions in the cultural, sports and recreation sector in the Netherlands from the first quarter of 2017 to first quarter of 2019
Leading 20 museums in Europe in 2017, based on attendance (in 1,000s)
Number of museums in the Netherlands in 2017, by province
Total number of museums in the Netherlands in 2017, by collection type
Distribution of museum visitors in the Netherlands in 2017, by place of residence
Total number of museums visitors in the Netherlands in 2017, by collection type (in 1,000s)
Total revenue of museums in the Netherlands in 2017, by collection type (in million euros)
Distribution of museum visits of Museumcard holders in the Netherlands in 2017, by age
Total number of visitors of the Rijksmuseum in the Netherlands in 2014 to 2017 (in millions)
Total number of visitors of the Van Gogh Museum in the Netherlands from 2014 to 2017 (in millions)
Number of visitors to the Kröller-Möller Museum in the Netherlands from 2011 to 2017 (in 1,000s)*
Number of visitors to the Anne Frank Huis in Amsterdam (Netherlands) from 2011 to 2017 (in 1,000s)*
Number of visitors to the Stedelijk Museum in Amsterdam (Netherlands) from 2012 to 2017 (in 1,000s)*
Number of visitors to the NEMO Science Museum in Amsterdam (Netherlands) from 2011 to 2017 (in 1,000s)*
Number of visitors to the open air museum in Arnhem in the Netherlands from 2011 to 2016 (in 1,000s)
Number of visitors to the Naturalis Biodiversity Center in Leiden in the Netherlands from 2011 to 2016 (in 1,000s)*
Number of visitors to the Railway Museum in Utrecht in the Netherlands from 2011 to 2017 (in 1,000s)*
Countries with the most major music festivals in the European Union (EU) in 2017
Number of festivals in the Netherlands in 2016, by region*
Expenditure by festival visitors in the Netherlands from 2013 to 2017 (in million euros)*
Private and governmental expenditure on festivals in the Netherlands in 2017 (in million euros)
Festival income from sponsors and subsidies in the Netherlands from 2013 to 2016 (in million euros)*
Leading fee-based music, theatre and other cultural festivals in the Netherlands in 2018, by number of visitors (in 1,000s)
Leading free music, theatre and other cultural festivals in the Netherlands in 2018, by number of visitors (in 1,000s)
Number of visitors to the Dutch Design Week in the Netherlands from 2011 to 2017 (in 1,000s)*
Number of visitors to Glow Eindhoven in the Netherlands from 2011 to 2017 (in 1,000s)*
Number of visitors to the International Documentary Film Festival Amsterdam (IDFA) from 2011 to 2016 (in 1,000s)*
Number of visitors to the International Film Festival Rotterdam (IFFR) from 2011 to 2016 (in 1,000s)*
Number of cinema screens in the Netherlands from 2012 to 2017*
Annual audience reach of cinema and movie theaters in the Netherlands from 2014 to 2018, by age
Frequency of cinema and movie theater visits in the Netherlands from 2014 to 2018, by gender
Share of cinema and movie theater visitors in the Netherlands in 2018, by age
Most popular movies in cinema in the Netherlands in 2018, by number of visitors
Number of performances in the Netherlands from 2012 to 2015, by category
Number of performances in the performing arts in the Netherlands in 2017, by genre
Distribution of visitors visiting performing arts in the Netherlands in 2017, by genre
Number of persons employed in the performing arts industry in the Netherlands from 2005 to 2015 (in 1,000s)
Total revenue of the performing arts industry in the Netherlands from 2005 to 2015 (in thousand euros)
Total revenue of the performing arts industry in the Netherlands from 2012 to 2015, by category (in 1,000 euros)*
Total subsidies of the performing arts industry in the Netherlands from 2005 to 2015 (in 1,000 euros)*
Government expenditure on culture in the Netherlands from 2006 to 2016 (in million euros)
Number of government subsidies given to the cultural sectors in the Netherlands from 2013 to 2016
Total income of cultural organizations in the Netherlands in 2016, by sector (in euros)*
Total subsidies of cultural organizations in the Netherlands in 2016, by sector (in euros)*
Frequency of visiting historical sites in Colombia in 2017
Share of historical site visitors among the population in Colombia in 2017, by region
Share of historical site visitors among the population in Colombia in 2017, by age group
Frequency of visiting art galleries and exhibition halls in Colombia in 2017
Share of cultural center visitors among the population in Colombia in 2017, by region
Frequency of visiting libraries in Colombia in 2017
Frequency of visiting culture houses in Colombia in 2017
Share of museum visitors among the population in Colombia in 2017, by region
Reasons for not visiting cultural centers in Colombia in 2017
Share of individuals that visited cultural spaces in Colombia in 2017, by age group
Share of adults donating money to Department of Culture, Media and Sports sectors in England in 2017/18, by level of deprivation
Number of cultural historical buildings in Norway in 2017, by county
Share of adults donating money to Department of Culture, Media and Sport (DCMS) sectors in England from 2010/11 to 2017/18*, by socio-economic group
Share of adults donating money to any Department of Culture, Media and Sport (DCMS) sector in England from 2010 to 2017/18*
Share of library visitors among the population in Colombia in 2017, by region
Number of U.S. adults visiting parks and historic sites from 2002 to 2008 (in millions)


Whether you're curious about technical writing as a possible career choice, looking to expand your skills, or investigating tools and management techniques, this TechWhirl research area covers the full spectrum. Our goal is to arm you with the knowledge you need so that you can understand technical writing concepts, and build the skills and expertise required to be successful.
As a profession, technical writing engages strong communicators in a wide range of industries, from software, to ecommerce, to manufacturing, to life sciences, and many others. Technical writers work in teams or as "lone writers," and provide valuable knowledge assets to the organizations that employ them.


Exercises 34 and 35 are not included in the rhythm clapping tests.
Your first solo performances will be on Thursday, November 13th.
This Friday, come prepared with your marked-up sheet music and audio accompaniment.
As well, click on the CHOIR tab to listen to Christmas Star, the first song of the Christmas season.
Please email barcenadropbox@gmail.com with the subject line "Grade 9 Vocal Class", your name and song choice by Wednesday, October 22nd, 2014 to be added to the Solos Mailing List.
We will be going to visit the Science of Rock & Roll Exhibit at the Science center on Friday, October 17th, 2014. Please hand in your forms by Friday, October 10th. You can download a copy below.
I will be using this blog to communicate and share with both students and parents. In this first post, I have included a link to the course outline, but students have been given a copy to take home. Highlights include course evaluation breakdown, as well as programming and curriculum.
Parents and students- please review the course outline and sign it for tomorrow.
Click on the CHOIR tab above to listen to the choir repertoire.


Education, Learning Experience Fun and interactive for the entire family Makes a great gift and is a fun activity for parties -show off your very own style Another way for your child to expand their imagination have 2 side with nice pattern. ( Can also make 2 differet patterns). 600D polyetser.
Color your own messenger bag! Fashions You Color bags are a trendy and exciting way to show your style. It's stylish pattern can for you to color any way you want! The marker ink spreads on the bag fabric and feels like painting. The lines on the bag can provide mess-free coloring. This bag is great for parties and makes a memorable gift!


Early clinical and laboratory test results of ceramic-on-metal hip replacements demonstrated decreased wear and friction compared to metal-on-metal hip replacements, according to British investigators.
In conducting in vitro and in vivo studies, John Fisher, PhD, and colleagues found that the differential hardness, smoother surfaces, superior lubrication and corrosive wear reduction of ceramic-on-metal (COM) hip replacements resulted in significantly decreased wear and friction compared to metal-on-metal (MOM).
The investigators also found that COM bearings avoid the stripe wear seen with ceramic-on-ceramic (COC) and MOM hip replacements, and "COM bearings reduced wear and metal ion levels by at least 10-fold compared to MOM bearings," Fisher told Orthopaedics Today International .
He and his colleagues won the Otto Aufranc Award for this study at the American Association of Hip and Knee Surgeons Specialty Day meeting, where Fisher presented the study results.
In an initial 2001 trial, Fisher and colleagues reported that COM hip replacements reduced wear 100-fold compared to MOM bearings.
In this investigation, they compared MOM and COC hip articulations to the 28-mm Biolox Forte and 28-mm and 36-mm Biolox Delta [all DePuy International Ltd.] COM hip articulations.
Investigators tested friction by using a 28-mm head in a pendulum simulator and applying a ± 25° flexion-extension motion, a 2kN peak load and a 100 N swing-phase load in different lubricants. They found a significantly lower friction factor of 0.05 in both COM bearings when in 25% serum, compared to 0.12 in MOM bearings in 25% serum.
In MOM implants, friction decreased with increasing serum concentration, as shown when investigators increased serum levels from 25% to 100% in the lubricating fluid.
In COC bearings and COM bearings, however, friction increased with an increase in serum, although the friction levels were already low, according to Fisher. He said this occurrence suggests that the proteins acted as solid-phase lubricants in MOM bearings.
To determine wear, investigators performed hip simulator tests up to 3 million cycles under standard conditions with 25% serum for both 28-mm and 36-mm heads in each of the three material combinations.
Unlike the MOM couples, the COM and COC combinations showed no initial bedding inwear. The COM articulations showed a markedly lower mean wear rate of 0.1 mm3 per million cycles compared to 1 mm3 for the MOM bearings.
In other experiments, investigators simulated the adverse events of microseparation and edge loading. Again, they found a similar reduction in mean wear rates from 1.5 mm3/Mc for MOM to 0.23 mm3/Mc for the 28-mm Biolox Forte COM bearing.
The researchers also measured metal-ion levels in the lubricating fluid from the simulators at various stages and showed persistently low levels of cobalt, chromium and molybdenum ions in the COM bearings compared with the MOM bearings.
In the short-term clinical trial, Fisher and colleagues evaluated the 28-mm Biolox Delta COM hip replacement and compared it to similar MOM, COC and ceramic-on-polyethylene articulations. They measured metal ion levels in 31 patient blood samples at 6 months and compared these levels to preop measures using high-resolution Inductively Coupled Plasma Mass Spectrometry.
The results demonstrated a mean reduction of more than 50% for both cobalt and chromium in the patients with COM hips compared to the MOM bearings.
"COM bearings provide reduced ion levels compared to MOM bearings and greater design flexibility and reduced risk of component fracture compared to COC bearings," Fisher said.
Longer-term follow-up studies are in progress, he noted.
Orthopaedics Today International Consulting Editor David L. Hamblen, PhD, FRCS, contributed to this article.


text:
Kaboudvand receives Human Rights Watch Grant
An imprisoned Iranian rights activist and journalist, Mohammad Sadigh Kabudvand, is the latest recipient of a Hellman/Hammett grant, awarded by Human Rights Watch (HRW) to persecuted writers.
Kabudvand, the head of the Human Rights Organization of Kurdistan, is serving a 10-year sentence in Tehran's Evin prison.
Considered to be a prisoner of conscience, Kabudvand was sentenced in May 2008 for "acting against national security by establishing the Human Rights Organization of Kurdistan, widespread propaganda against the system by disseminating news, opposing Islamic penal laws by publicizing punishments such as stoning and executions, and advocating on behalf of political prisoners."
Already in poor health, Kabudvand suffered a heart attack in prison last month and is in urgent need of specialized medical care, which the authorities have refused.
Sarah Leah Whitson, Middle East and North Africa director at Human Rights Watch, has said that Kabudvand's experience is "harsh testimony to the plight of journalists, dissidents, and other peaceful critics in Iran today."
Each year, HRW awards Hellman/Hammett grants to writers punished by their governments for expressing opposition views, criticizing government officials or actions, or writing about topics that the government does not want reported.
The amount of Kabudvand's grant was not given.


My vision engineering consultants and interior design provides high quality consultancy services for the rehabilitation and maintenance of the constructed buildings. Those who find it difficult to manage and maintain their homes and premises due to lack of time or lack of work force , My vision engineering consultants and interior design helps to do the proper maintenance in a trouble- free way. The client can just hand over the responsibilities to My vision engineering consultants and interior design and the entire problems will be taken care of by the company. The after construction maintenance have become a real problem now a days and the company is always there with a helping hand to help in times of need. The company has already undertaken successful services in rehabilitation and maintenance sector are widely appreciated by our clients.


text:
Sancho VII (;  11577 April 1234) called the Strong (, ) was King of Navarre from 1194 until his death in 1234. He was the son and heir of Sancho VI, whom he followed as the second king to hold the title of King of Navarre. Sancho VII was the first to use the chains of Navarre as his blazon, a symbol that later would become the main one of Navarre, and the last member of the Jiménez dynasty, which had ruled since the 9th century.

Youth
Sancho was probably the eldest child of Sancho VI and Sancha, daughter of Alfonso VII of León, born soon after their marriage, probably in Tudela, their usual residence.

Sancho's younger sister Berengaria was married to Richard I of England in 1191 on the island of Cyprus on the way to the Holy Land for the Third Crusade. Sancho and Richard were reputed to have been good friends and close allies, even before the marriage brought them together. The French took advantage of Richard's captivity in Germany and captured certain key fortresses of the Plantagenet dominions including Loches. When Richard returned to his continental lands in 1194, the knights of Sancho were besieging the castle for him. As soon as Richard arrived though, Sancho was forced to return to Navarre at the news of the death of his father. He was crowned in Pamplona on 15 August.

Reign

Sancho arrived late at the Battle of Alarcos in 1195 and thus ruined good relations with Alfonso VIII of Castile.  The ensuing confrontation resulted in Sancho devastating Soria and Almazán and Alfonso accepted the Peace of Tarazona.

Sancho made expeditions against Murcia and Andalusia, and, between 1198 and 1200, he campaigned in Africa, probably in the service of the Almohads, whose help he wanted against Castile. Taking advantage of his absence, Alfonso VIII of Castile and Peter II of Aragon invaded Navarre, which lost the provinces of Álava, Guipúzcoa, and Biscay to Castile.  These conquests were subsequently confirmed by the Treaty of Guadalajara (1207).

Sancho's leadership was decisive in the Battle of Las Navas de Tolosa in the year 1212. In that engagement, the Christian forces of Sancho, Alfonso, Afonso II of Portugal, and Peter II of Aragón allied to defeat the forces of the Almohad Caliph Muhammad an-Nasir.  Sancho's troops cut the chains guarding the tent and Slavic guards ring of the Miramamolín, supreme commander of the Al-Andalusian Forces.  For this, it is believed the chains became the symbol of Navarre and replaced the sable eagle on a golden field with a golden chain on a gules field in the Navarrese coat of arms. But others suspect they represented the Basques' star-like Sun of Death seen on their Hilarri (Basques' Stelae) or houses traditionally for protection, and perhaps painted on their shields too with the same religious purpose, meaning of Life or Death, or the new Imagery used for Jesus or Christianity as for others were the Christi Anagram or plain Cross on the shield.

Sancho's relations with the countries north of the Pyrenees were notably better than his Castilian ones.  Several Pyrenean counties declared themselves his vassals and he concluded treaties with John, King of England, and the various Aragonese kings of his time, the aforementioned Peter II and James I.  With the latter he signed at Tudela, in 1231, which was never finished, a treaty stating that whoever survived the other would inherit unopposed the other's kingdom.

Sancho continued the construction of a new cathedral in Pamplona, as begun by his father and to be finished by his successor. The construction of a certain Gothic bridge over the Ebro in Tudela has also been attributed to him.

Succession

Sancho VII was married twice. His first wife was Constance, daughter of Raymond VI of Toulouse and Beatrice of Béziers, whom he married in 1195. He repudiated her a few years later. The identity of his second wife is disputed; some sources mention her as Clemence, daughter of Frederick I, Holy Roman Emperor, while other sources claim she was the daughter of Yusuf II, an emir from Morocco. Sancho VII had no known children by either wife. According to Charles of Viana, however, he had a son with his second wife, who died in an accident when he was 15 years old.

As the result of prolonged and painful illness, starting with a varicose ulcer on his right leg and ashamed of it and his consequent obesity, Sancho went into retirement at Tudela at some point, when his youngest sister Blanche came from Champagne and took administration of the kingdom until she died in 1229. His eldest sister, Berengaria, Queen of England, died in 1230, thus leaving Sancho alone among the children of Sancho VI. When he died in his castle at Tudela, probably of complications related to the varicose ulcer in his leg, his only nephew and Blanche's son Theobald IV of Champagne was recognized as his successor.

Legacy

According to Alberic de Trois-Fontaines, Sancho left a large library, although the number of 1.7 million books is clearly exaggerated. The cultural contacts with the Muslim Kingdoms that he visited and battled with, his friendship with his brother-in-law King Richard, and his sister Blanche's court of Troyes, at the time the most refined in Europe, must have left an important influence on the King's personal intellect, bringing to him an advantageous outlook from the one well set already by their father at his youth, full however with peccadilloes and other impetuous extravaganza.

Sancho left the kingdom with a wealthy treasury and improved communications was in his day one of the most advanced in human rights, and its Jewish community enjoyed the best standing in Christian Europe, which after all had been the work and result of the Jimenez royal house for centuries. He was originally interred in the church of San Nicolás, but was later moved to Roncesvalles after much resistance from the local Clergy. His remains have since been exhumed for study and examined by the physician Luis del Campo, also the king's biographer, who measured him at 2.20 metres tall (7'3" feet), probably the basis for his "strength" alias.

Notes

External links

Sancho VII "El Fuerte".
Catholic Encyclopedia article on Navarre.
 The arms of the kings of Navarre
  Medieval History of Navarre

1150s births
1234 deaths
12th-century Navarrese monarchs
13th-century Navarrese monarchs

redpajama_set_name: RedPajamaWikipedia


product produced by a Kentucky Farmer, then advertises it.
A restaurateur then sends the actual receipts of the monies spent, a copy of the way this was advertised (table tents, newspaper ad tearsheets, or a menu, to name a few) and the restaurant owner is eligible to receive twenty percent—up to $1,000.00 a month—of his total farm-purchased items (the monies must be spent on advertising).
In 2002, there were only four participating restaurants. Currently there are about 75, including all of Kentucky's State Parks. A directory of local producers was printed which included retail establishments that wanted to purchase locally, and farmers with product to sell.
Commissioner Billy Ray Smith funded the program again in 2003 with a $45,000 grant, and the program continued under Commissioner Richie Farmer who funded the program with a grant from the Governor's Office of Agriculture Development in the amount of $150,000 in 2005. The program has grown to include 48 restaurants and 100 local producers.The money spent since 2005 to purchase local products from farmers had reached $900,000 and the receipts are still coming in.
The substantial increase in participants and the wide variety of producers that are used have been a very good indicator of the impact that the Restaurant Rewards Program has had on the local food market.
More requests are received for a listing of local producers in order to plan menus and purchase local foods. This program has allowed Kentucky restaurants to realize the outstanding quality and taste that local meats and produce bring to their tables. And through the advertising of their local fare, the producers stand to reap double benefits.
The Restaurant Rewards Program is reinforcing that bridge linking consumers to local producers, something that we've struggled with for some time. To see a program like this continue to flourish year after year brings so much needed attention to Kentucky agriculture and helps keeps Partners for Family Farms on top of its mission to sustain farm life and farmland.
Sue Weant is Executive Director, Partners for Family Farms.


- Sari Colt on 五月 21, 2016.
Jessica Gorlicky Designs / JESSGO Gallery, featuring the art of Jessica Gorlicky, held its grand opening party last Friday, May 13th, to celebrate its new 2,300 sq ft space on Caledonia Road in Toronto's Design District. After nine months of painting in a small space located on Queen street west, Jessica Gorlicky (better known as JessGo) finally found a space to properly display her creations. The colourful mural outside reads "Please Paint Responsibly" and that motto captures the essence of the gallery. Fun, humour and talent are in abundance.
The space had been previously used to house collectible sports cars and it took nine months of renovation to transform into the gallery. White lacquered floors, brand new windows, and white walls create a feeling of airiness to the gallery. Jessica Gorlicky's colourful art certainly pops from everywhere. The studio also makes a great event space as well.
Gorlicky is known for her amazing works and her performance art. She has performed live painting shows on the Cirque Du Soleil Totem tour. She has also done commissioned pieces for Google and Nordstroms among many other clients.
In her series "The Sound of Art," Gorlicky pays tribute to musical legends like David Bowie, Janis Joplin, Bob Dylan, Prince, Debbie Harry, Mick Jagger, and Jimi Hendrix. Each of these paintings comes with an LED Light bulb and Bluetooth Speaker to create a complete sensory experience.
Other paintings being showcased at the gallery include Wonder Woman, Captain Amerika, Bill Murray, and Marilyn Monroe. There is also a series of paintings of classic cartoon characters like Scooby Doo, Alvin Chipmunk, Dino, Kermit the Frog, Smurfs, and Care Bear. And, who could resist paintings of well known cereals like Lucky Charms and Count Chocula?
At the opening event, Food Dudes provided delicious Mac N' Cheese Balls, BBQ Burgers and Captain Crunch Fish Tacos. Macchina Mobile Cafe prepared hot beverages of our choice including Espresso, Macciato, Cortado, Cappuccino, Cafe Noisette, refreshing teas, and hot chocolate.
Students from the Bonnie Gordon College of Confectionary Arts (a neighbour of the Jessgo gallery) also shared some of their talents. There were exquisite eclairs, marshmallows, bonbons, and cookies to try.


I am so pleased with this place…they definitely do treatment about their sufferers and I would suggest them to everyone!
For older Individuals who have issues with mobility, a roscoe knee walker may be used to aid them in traveling indoor or out of doors.
Rated 5 from 5 by Spider Girl from Greatest walker at any time 2nd time having a broken ankle. To start with time I had been a whole lot youthful and will control crutches. Being a senior citizen now, the Drive knee walker was a significantly better possibility.
To regulate the seat of the knee walker, Find the seat height adjustment lever under the seat. You must maintain onto the entrance from the seat in order to raise or decrease the seat height.
A knee walker (generally generally known as a knee scooter or perhaps a platform walker) is A 3 or 4-wheel going for walks aid that gives a unique choice to straightforward walkers, canes, and crutches.
Locate the knob at the best in the handlebar tube, get rid of the knob and parts and come across the ideal top in your case, then spot the knob back set up and tighten it.
Crutches have gotten obsolete with a lot of people simply because they are certainly not hassle-free in almost any way, These are frustrating to work with and can result in more injury.
It is possible to flip the lever beneath the seat, and loosen the lever following that. You will need to get rid of the security pin also which is beneath the seat. Soon after generating these modifications you should double Verify the tightness and Guantee that almost everything feels rigid and protected.
YP – The actual Yellow PagesSM – allows you discover the right area corporations to satisfy your precise needs. Search engine results are sorted by a mix of elements to provide you with a set of options in response to your quest requirements. These elements are comparable to People you could use to select which company to pick from a local Phone book Listing, such as proximity to in which you are searching, expertise in the specific expert services or merchandise you may need, and detailed company info that will help Appraise a business's suitability for you personally.
Southeast Mobility offers a significant selection of wellness treatment and home professional medical products. Select a product group to begin browsing our catalog. If you don't see Whatever you are searhing for, you should Speak to us!
As a way to propel oneself though in a very knee walker you need to only make use of your excellent leg/foot to avoid damage to one other extremity.
Employing a knee scooter following a leg incident will let you mend whilst nonetheless being able to do a number of your day-to-day things to do.
The wheeled knee walker can conveniently take the put of crutches in advance of and following surgical treatment. There are many individuals that prefer not to employ crutches altogether simply because they are unpleasant and unreliable.
Otherwise for your personal excellent kneeroller, my existence would've been accurate misery. Soon after having ankle ligament surgical procedure, I used to be incapable of putting any weight on my foot for well about per month. I even made use of it to be able to shower. There are no phrases to precise how grateful I'm to get had your petite knee scooter.


text:
Upcoming Events near Industrial Pkwy, New Orleans, LA 70129
The Chimes Covington
June 14, 11:00a.m. - 7:00p.m.
Blood mobiles will be located in the parking lot!There will be door prizes and giveaways for all donors! Donate blood and help save a life!
Bourbon Through Bluegrass
June 22, 6:30p.m. - 9:00p.m.
Bernie Lubbers is the global whiskey ambassador for Heaven Hill Distillery in Bardstown, KY and is known as the Whiskey Professor. A three time and current recipient of the Icons of Whisky – Ambassador of the Year Award from Whiskey Magazine out of London. He is the author of the book, "Bourbon Whiskey – Our Native Spirit" and host of the popular website; whiskeyprof.com Bernie has written a performance he calls, Bourbon Thru Bluegrass in which he incorporates live bluegrass music with a tasting of Heaven Hill Whiskies that shows how bourbon evolved from the unaged corn whiskey from the 1700's, and evolved in to the small batch and single barrel bourbons of today. Here's an overview of that show:Imagine a Ken Burns documentary on bourbon brought to life through live bluegrass music. Then all throughout the performance, you actually experience the evolution of bourbon by tasting the different whiskies and bourbon that folks were drinking starting back in the 1700's; then move to what they were drinking throughout the 1800's, all the way up through present day, and you have; Bourbon Thru Bluegrass.In this show Bernie will also be playing songs written by, and in the style of Merle Travis who took a type of thumb and finger picking to a whole new level. If you would like to make a reservation please call Shane Waller at 225-202-8789 or e-mail him at shane@thechimes.comThe cost is $20
Cocktails & Carving Halloween Party
October 25, 6:00p.m. - 9:00p.m.
Grab your mask, Grab your broom, Halloween is comming soon!! Dine and Carve Tuesday October 25th at 6pm. PLEASE CALL 985-892-5396 TO RESERVE PUMPKINS! ~~~~~~~~~~~~Pumpkins will be provided~~~~~~~~~~~~~
Doggie Dash benefiting St. Tammany Humane Society
April 29, 8:30a.m. - 12:00p.m.
Join us for a fun walk, stroll or run with your pups on April 29th at 8:30 am. Each pup will get a bandana and enjoy door prizes for you! Registration is only $15 before April 21st! Go to www.rehabdynamicsllc.com for more information or call (985) 871-7878.
American Craft Beer Week
May 16, 6:00p.m. - 12:00a.m.
Tuesday thru Friday we will be featuring speciality beers from local breweries throughout Louisiana. FEATURED BREWERYS: Tuesday~Gnarly Barley Brewery Wednesday~ Great Raft Brewery Thursday~Wayward Owl Brewery Friday~Urban South Brewery
June 5, 6:30p.m.
We will meet upstairs!!
C.W. Lemoine Pre Book Launch Party / Fundraiser
September 16, 1:00p.m. - 4:00p.m.
Join C.W. Lemoine for the Pre-Book Launch Party for his new book ABSOLUTE VENGEANCE at Chimes Covington on September 16th from 1-4P. Buy ABSOLUTE VENGEANCE three days before it's available in stores and meet author C.W. Lemoine as he signs books and answers questions. Hardcover copies will also be raffled off throughout the event. Raffle Tickets: $5 each. Signed Paperback: $15 each. The proceeds from book and raffle sales from this event will be donated to the St. Tammany Parish Sheriff's Office Reserve Division. www.cwlemoine.com About the book: ABSOLUTE VENGEANCE: THE ALEX SHEPHERD STORY On the first day of school in a New Orleans suburb, terrorists hijack a school bus full of children. Corporal Alex Shepherd, decorated Sheriff's Deputy and SWAT sniper, is critically injured trying to stop the attack and save his wife and daughter. Waking from a month-long coma, Shepherd finds his girls are gone and the world has moved on. With no arrests made, his frustration at the system's failures forces him to take matters into his own hands. His thirst for vengeance leads him from New Orleans to the brutal battlefields of Syria, where he gains fame as a ruthless sniper. ISIS targets him, wanting his death to be a gruesome propaganda display. But as the bodies stack up, Shepherd learns there's no compromise in the war against evil. With nothing left to lose, he must confront the people responsible for the murder of his wife and daughter . . . or die trying. Available September 19, 2017! www.cwlemoine.com
Cocktails & Carvings
~Grab your mask, Grab your broom, Halloween is comming soon!~ Dine and Carve Wednesday, October 25th at 6pm. We will meet upstairs to carve pumpkins. We will provide pumpkins for those who respond "going" to this event. Please share this event with your friends and family!
Tuesday Dinner Series
Columbia Street Tap Room & Grill
August 18, 5:00p.m. - 8:00p.m.
Join us every Tuesday for a four course tasting menu. Beer, wine, and mixed drinks are not included in pricing. However, we will be offering suggested pairings with each course. Pre-paid reservations required. Please call 985-898-0353.
September 29, 5:00p.m.
Live Music Tonight Cypress Creek!
July 31, 8:00p.m.
Live Music Tonight at the Tap Room!
Get listed on TapHunter!
FREE for 60 days for a limited time.


Meet and greet other industry professional and help the community at large. Special events include Silent Auction, Raw Oyster Eating Contest, Wasabi Challenge. Proceeds will benefit Special Olympics and the Jack Root Scholarship Fund.


Prepare Linux/IrDA as described above. Especially check for the existence of /dev/irlpt* (if it doesn't exists do as root mknod /dev/irlpt0 c 161 16). Now you may perform a first and simple test. Try to write a small file to /dev/irlpt0 by cat FILE >/dev/irlpt0. Do not wonder about a bad format (the lines form sort of steps) this is just a first check. If this doesn't work please check the permissions of /dev/irlpt0. Watch whether the connection indicator of your printer shows activity, e.g. the green light above the InfraRed port of a HP 6P/MP comes on (lower left hand corner, near the paper tray).
The cat command will not produce formatted output, but is useful for testing. If it works, you may set up an IrDA capable printer depending on your printer system. See the documentation, e.g. the Printing-HOWTO from LinuxPrinting.org for detailed information.
To get a list of paths to your ppd files use lpinfo -m.
Of course other printing systems will also work, e.g. you may edit /etc/printcap and include irlpt0 as the printer device.
The better way is to change your /etc/printcap to use /dev/irlpt0 in addition or instead of /dev/lp1.
For easy printer setup you may use a printing software like APSFILTER, MagicFilter EZ-Magic (with RedHat there should also be a GUI for this purpose). Make a copy of /etc/printcap before.
Example for APSFILTER with a HP 6P (non-postscript, HP 6MP is with postscript). The two relevant questions are: "Do you have a (s)serial or a (p)arallel printer interface?" Answer "p" "What's the device name for your parallel printer interface?" Answer "/dev/irlpt0"
Restart the print daemon with kill -HUP <PID of lpd>. If you use another print daemon choose the according command.


From time to time we offer limited specials using photos we have taken on products that we offer.
Keep checking in for specials as they will change frequently. All products here are made in limited numbers, once they have sold out no more are made. This is to give you access to something special that only another few out there will have!
As they are made using photos we have taken, you cannot buy these products anywhere else!


Today, Roach Gigz drops the video for the latest single off of his mixtape Roachy Balboa III. The visual (his seventh from this project,) for "Against The Law" shows Roach living out the fantasy of pulling off a bank heist and escaping to a faraway beach with the girl of his dreams. Armed with production by P-Lo of HBK Gang that includes ringing bells, glitchy high hats and bark-like shouts, the video shows Roach and his little cohorts don vintage mobster outfits and guns to overtake a local bank, John Dillinger-style.
Roachy will be heading out on his Keep It Lit Tour with Husalah featuring Marlow, Pac B, Remedy, Bobby Brackins, and DJ Skimask. The tour covers the west coast starting October 11th in San Francisco and ending in San Diego on November 9th. Roachy Balboa III, which features Iamsu!, Kreayshawn, Clyde Carson and production from Nick Catchdubs , Jay Ant, Nima Fadavi and more, is available for free download or streaming on Soundcloud.


The GoPro Jaws (Flex Clamp) is retailing for S$75 in Singapore and it contains both the Jaws: Flex Clamp and Adjustable Neck (Gooseneck). The Adjustable Neck (Gooseneck) alone is retailing for S$35 in Singapore.
I got the GoPro Jaws (Flex Clamp) from Amazon for US$39.99 (S$54) instead because it is about S$20 cheaper and it qualifies for the AmazonGlobal Saver free shipping.
The GoPro Jaws (Flex Clamp) allows you to clamp your GoPro to objects ranging in size from 0.25″ to 2″ (0.6cm to 5cm) in diameter. The GoPro can also be attached directly to the clamp for low-profile mounting.
The included adjustable neck also known as the Gooseneck allows you to adjust to a variety of shooting angles as well.
This page is generated on 21st April 2019, 12:06:01 (UTC) in 0.193s with 21 queries using 4.0 MiB of memory.


The free exercise guide for older adults, Exercise and Physical Activity: Your Everyday Guide from the National Institute on Aging, is available in print once again. The ever-popular 120-page guide has tips to motivate people age 50 and older to get moving and make exercise and physical activity a regular, fun part of their daily lives.
Based on scientific research, this colorful book explains the benefits of exercise and physical activity for all older adults, including those with chronic health conditions. With success stories, easy-to-follow directions, and photos for nearly 40 exercises, it encourages people to exercise safely. Included are worksheets to help set goals and keep track of activities, 20 frequently asked questions (and answers), and a list of resources.


This is a sample graduation speech based on the 2012 theme, Your Gift of Learning, Our Tool for Nation Building. This has been published on iMillennial|Personal Finance, another website managed by iMillennial Publishers, and is shared here as well for consolidation of all our sample graduation speeches and for your better reading experience.
In our democratic state, we do not merely consider education as a privilege—-instead a right and it has become a consensus for this batch of graduates that this academe, Macario Molina National High School has served as a perfect avenue of exchanges of ideas and thoughts as we become aware of these rights and obligations and as we experiment on our personal moral and rational judgments. We know that the holistic approach towards knowing ourselves and equipping our complexities with indispensable constitutive ingredients cannot be provided by this institution alone, yet it has an area in our hearts together with the memories of our ups and downs. We hold this heartfelt and proud.
In our young years, we are faced by challenges of tomorrow in the national and global communities. We have advanced further in our science and technology, and we have been brought critically closer into awareness of multitasking and techno diversity. Through Facebook and numerous web applications we can communicate in real time with friends anywhere in few clicks. However, we are also taken closer to cybercrimes and be victims of high tech-based modus operandi. Yes, we have estimated counter-gravitational energies to navigate into space and engineer a luxurious space hotel and yet we failed to draft a concrete plan for the thinning ozone layers. We have searched for solutions for traffic jams in highways and run maglev trains and LRT's but we never searched for solutions to inhaled pollution. We continue establishing communities and live life efficiently and comfortably but our civilizations seem incomplete as we mess up the earth. There are many issues on financial crises, poverty, corruption, health and population growth and who are we to wallow much thinking of these. We go beyond the natural laws incepted in our existences. We have these erroneous interpretations of living authentically.
How can we be tools for nation building if we are not sensitive enough to these natural and social demands, to these requisites of harmony and clear cut standards of living? The answers definitely lie within our awareness of obligations and our integrity as fruits of learning. What are our obligations to ourselves? What this society expects in us? One of these expectations, that I embrace also as great obligation to myself, has been realized as I stand now dignified as graduate. I was prepared for the manifold demands of various disciplines of educational pursuits in college and inculcated with ethical and moral principles. Sooner, the deal would be with my journey to tertiary and more obligations would be laid before me, same as what awaits these graduates.
As much as I conceive this very hour, collectively, we are confident of the learned things we hold and cumulatively gain. Through all limited means in this rural learning environment, we managed to learn efficiently as we tried to apply theories in concrete situations keeping as possible as abreast of the prevalent system of education. We may not be using computer tablets but collaboratively, we survived all drastic intellectual and physical challenges and came up with this. Yes, these we are; victors, academically-competitive, goal-oriented, challenge-driven and value-based.


CO2 lasers are optimal for laser cutting acrylic, particularly when creating acrylic signage, point of sale displays and illuminated, neon adverts. When laser cutting acrylic, the result depends on various components – first and foremost the material itself, but also the CO2 laser used, and the performance of the laser cutter.
How does laser cutting and engraving work?
Laser cutting produces a crystal-clear edge giving the appearance of flame polishing without the time consuming and costly after treatment. When laser engraving acrylic glass and Plexiglas, the surface layer is removed.
What effect can I achieve on acrylic glass and Plexiglas®?
With a laser machine even very thick acrylic can be cut and engraved. Highly intricate photos can be replicated by the process of laser etching and delicate geometries produced. Crystal clear edges are produced with a flame polished appearance, adding value without adding additional post production costs.
The precise axis drives and intelligent air flow of the laser cutting machine ensure you always get the best results when laser cutting Acrylglas®. On top of this, low-reflection aluminum support lamellas guarantee that workpieces always turn out perfect.
What about the vapours produced during acrylic cutting?
Vapours are extracted and filtered directly in the engraving compartment. This saves time during the cleaning of the system. Unlike milling cutters, no chips—which need to be disposed of at high cost afterwards—are produced during the laser cutting of plexiglass.


text:
The Butterley Company 'Factoids'
What is a Factoid ?
The word 'factoid' does not appear in the Oxford English Dictionary but has been used to describe small, definitely true but often relatively unknown (and sometimes) surprising facts. Below is an attempt to use factoids to briefly outline some significant facts and events in the history of the Butterley Company.
Did YOU know that : —-
Benjamin Outram and Frances Beresford founded 'Outram and Co' in 1790, later to be joined by William Jessop and John Wright in 1791.
Outram and Jessop were famous for their work in developing Britain's canal network especially during the 'Canal Mania Years' of 1789 to 1796.
Butterley Hall, dating back to at least the 1500's was bought by Frances Beresford in 1790 from the Horne family for Outram & Co.
The Company's main purpose was to mine coal, iron ore and limestone and to set up an iron works to produce pig iron and iron castings (e.g. for pipes and early steam engines)
The first blast furnace became operational in 1791 and by 1806 there were three blast furnaces in operation each producing about 25 tons of pig iron per week
In 1806, a Butterley blast furnaceman earned 17/6d (87½p) for a 72 hour week (6 x 12hr shifts) and lived in small cottages built around the furnaces.
In 1793 Outram began the construction of the Little Eaton to Denby horse drawn gangroad completing it in 1795. It took coal from pits in the Denby area to the Little Eaton canal wharf and operated with horses until 1908.
After Outram's early death in 1805, Outram & Co, in 1807, changed its name to 'The Butterley Company'.
The Company expanded in 1808 beginning to develop a foundry and forge at Codnor Park, these becoming operational in 1818, later to become known as Codnor Park Forge and Wagon Works
The Cromford Canal still passes under Butterley Works in a the 2966 yard tunnel (original length), the complete 14 mile long canal being opened in 1793
The Canal Tunnel is 9ft wide and lies about 50ft below the road at Butterley Corner but a section under the Works was made double width, becoming known as the Wide Hole where one barge could be moored alongside a small wharf allowing others to pass by.
Two vertical shafts ran down from the surface to the Wide Hole wharf to load and unload raw materials and finished goods
The tunnel runs from Hammersmith (West Portal) to Golden Valley (East Portal) near the now derelict Newlands Inn, where the surface canal opened up to 14ft wide incorporating a large wharf.
Golden Valley became known as such in the early 1800's as it developed into a small area of high employment and good wages, being mainly due to canal traffic and mining operations
Large structures such as London's first Vauxhall bridge (1816) were loaded onto canal barges at Golden Valley, taken down the Cromford and Erewash canals to the River Trent then towed up to Gainsborough and transferred to sea going ships for delivery via the River Humber to London or overseas.
Butterley Reservoir was built to supply water to the Cromford and Nottingham Canals. Codnor Park reservoir was constructed for similar reasons.
A third reservoir (Butterley Park) was built near to Golden Valley but in the 1930's it was filled in, now being part of the Midland Railway Trust's site.
The road between Derby and Alfreton (now the A61) was known as the 'Alfreton Turnpike' and was built in 1807, conveniently passing Butterley Co. at Butterley Corner.
The Company owned large amounts of land which it used for farming and mining of iron ore and coal.
The Butterley Estate extended from Butterley to Codnor, Langley Mill and Jacksdale with the Cromford Canal forming the eastern boundary.
There were nearly 12 miles (19 km) of private road, controlled by toll gates (the gateposts are still visible today).
Large individual farms were situated around the estate, e.g. Castle Farm, Kennels Farm, Butterley Park Farm, the main farm being Home Farm located near to Butterley Hall.
Always at the forefront of technology, just 10 years after the invention of the telephone by Alexander Graham Bell in 1876, the Company installed a telephone line between Butterley Ironworks and Codnor Park Forge.
Between 1808 and 1880, Butterley employed several famous Chief Engineers who created a golden age for the Company – William Brunton, 1807 – 1815, Joseph Miller 1815 – 1825, Joseph Glynn 1825 – 1850, Edward Reynolds 1852 – 1860 and JGN Alleyne 1852 – 1880.
The Company's second cast iron bridge was made in 1811 and is still today a main crossing point over the Maude Foster Drain at Boston, Lincs.
In the Spring of 1813, the Company produced a locomotive designed by William and Edward Chapman which hauled itself along a large chain laid in the centre of the track but it was not a success and the idea was abandoned.
In September 1813, Brunton became known for designing and building a locomotive which was pushed along by its mechanical legs at 2½ mph. It worked in the Company's Crich Warner limestone quarry (Butterley Gangroad), but a second one blew up at a North East colliery killing thirteen people.
In June 1817, upon arriving at Butterley Works Gatehouse, Jeremiah Brandreth's Pentrich Rising revolutionaries met with stiff opposition in the form of the Company's General Manager, George Goodwin, which partially led to the Rising's subsequent failure.
The six huge colonnades which stand in front of London's Haymarket theatre were made by the Company in 1820.
Between 1825 and 1843, Joseph Glynn designed and built seventeen large steam engines and scoop wheels which drained over 90,000 acres of the Fens. The Stretham engine near Ely is still open as a visitor attraction.
One of the most iconic structures built by the Company under supervision of Sir John Alleyne is St Pancras Station opened in 1867 for the Midland Railway Company, eventually becoming, after modernisation in the 1980's and 90's, the Eurostar Terminal.
St Pancras Station was built with nearly 7,000 tons of wrought and cast iron, produced at Codnor Park Forge and Butterley Foundry.
The original St Pancras Station was 240 ft wide and 689 ft long and 100 ft high from the rail platform to its apex.
Over 6,000 men, 1,000 horses and 100 steam cranes and engines were required to erect the station. Two rail mounted wooden scaffolds each of three individual sections and each weighing over 650 tons were used to erect the main arches.
The platforms were supported by 720 cast iron columns, the area underneath forming the 'Undercroft'.
The Undercroft was originally used to store Burton beer, Burton's breweries supplying London with its beer at that time, the distance between each column being the same as that of three Burton beer barrels laid end to end.
The Undercroft is now a shopping Mall for Eurostar and East Midland train passengers.
The Company supplied special 'Butterley Bulb' iron deck beams for several ironclad warships such as HMS Warrior (on display next to Nelson's HMS Victory in Portsmouth).
Ironwork was also supplied for Isambard Kingdom Brunel's 'SS Great Britain' now on display in Bristol Docks.
In 1883, the Wright family achieved 100% control of the Company by buying the last 20% of the shares from William Jessop III (Jessop the Younger's nephew).
In the 1880's over £100,000 (= £10 million today) was spent building a new steelworks at Codnor Park. Because of high running costs and being unable to compete with Sheffield steel producers because of lack of further investment, it closed in 1907.
By 1886, the Company had a total of 22 locomotives, 1,500 wagons and 60 miles of track covering its collieries, ironworks and brickworks.
In 1888, Butterley was incorporated as a Private Limited Company with Francis Beresford Wright as Chairman and Fitzherbert Wright as Managing Director.
In 1894 Butterley supplied a new windshaft, gears and a six-arm cross for the repair of Heage windmill after it was destroyed in a huge storm.
Fitzherbert Wright resigned in 1902 as Managing Director and Leslie Wright took over.
Leslie Wright was an autocratic gentleman who believed that a workman should consider it a privilege to work for such a great Company, although he also considered a workman's contract with the Company as inviolable. He became known as 'The Grand Old Man of Butterley'.
In 1805, Eustace Mitton was employed as the Company's mining engineer. He had earlier taken part in the Yukon – Klondike Gold Rush and had a reputation for believing that no task was impossible.
Mitton modernised the coal mines, reducing nineteen coal winding shafts producing just over one million tons per year to twelve shafts producing two million seven hundred and eighty thousand tons
In 1913, he also closed the loss making Codnor Park brickworks, transferring production to the newly modernised Waingroves works.
Butterley became a Public Limited Company in 1914
In 1915, the Government took control of the Company for the production of WWI armaments.
During the General Strike of 1926, Codnor Park Forge was closed for 22 weeks, requiring soup kitchens to be set up in Ironville's King William Street.
Following the Great Depression of 1929 – 31, the Company began to recover and in 1936 the Wagon Works produced over 1,000 wagons with orders taken for 330 patented 'all – steel' wagons and 200 new goods wagons
In the early 20th century, Butterley Co. had its own fire station, being located on Butterley Corner. At one time Ripley was entirely dependant upon it.
A pub, 'The Puddlers Arms' was located in the houses next to the Fire Station on Butterley Corner.
The present garage and car sales site on Butterley Corner was originally the site of the Company Gasworks, dated around 1880
In the early 20th century, it became the site for the pipe dipping shop where pipes made in the Foundry were dipped in hot liquid pitch or tar to preserve them when placed underground. It eventually became the Company Garage servicing Company vehicles.
Mothers took their sick children to Butterley Corner to breathe in the pitch fumes to help cure coughs, colds and other respiratory ailments.
In 1939, the Company designed its 'Standard Unit Bridge', an easily assembled structure for the emergency replacement of bridges destroyed by natural or military causes. A prototype was erected over the Cromford Canal alongside Codnor Park Forge.
On the breakout of WWII, workshop buildings at Butterley were painted with brown and green camouflage paint, still visible today at Butterley Corner.
Butterley reservoir was known as the 'cracked mirror' by German bomber pilots, as on a moonlit night its reflection provided an excellent navigational landmark. The railway line across it gave the impression of a crack.
An idea to camouflage it by covering it with floating wooden pit props taken from Government stocks was rejected by the District Pitwood Controller.
During WWII, the Constructional Department produced amongst many other items, 51 frigate keels for the Royal Navy, nearly 5,000 Bofors (40mm) travelling gun platforms, 20mm anti aircraft gun platforms and 50 x 150 ft long bridges for the allies Rhine river crossings.
Both Codnor Park and Butterley fabricated large pontoons for use on the Normandy beaches after D-Day to support the bridges connecting the Mulberry Harbours with the shore on Omaha and Gold beaches (the Omaha harbour was destroyed in a storm soon after D-Day).
The Company collieries were transferred to the Government as part of the 1947 nationalisation of the country's coal industry. Compensation amounted to £4 million (£100 million at today's prices)'
In 1947, before nationalisation, the collieries represented approximately 30% of the Company's assets but generated nearly 80% of its profits.
The Company suffered further blows with the closure of the Forge in 1965, closure of the Wagon Works in 1975 and the Foundry in 1986.
Further expansion using the Nationalisation money, took place in (amongst others) the sand and gravel industry, brickworks, light engineering, farm equipment and oxygen plant production.
During the mid 1960's a major Boardroom dispute led to a take-over by the Wiles Group, with further take-overs over the next 40 years eventually resulting in the closure of the Company in 2009.
Between 1960 and closure, many other iconic structures were made.
The Butterley Simm -Wulpa vertical car park was first made in 1962. In principle the idea was brilliant but unfortunately was 'before its time' with only a few being sold. A prototype was erected at the entrance to Butterley Works, being dismantled in 1967. The design has since been widely adopted in South Korea and Japan where parking space is at a premium.
In 2000, the Company manufactured and erected the highly successful Falkirk Wheel which is now one of Scotland's prime tourist attractions. It eliminates the need for locks between junction of the Union and the Forth and Clyde canals
In 2005, the Spinnaker Tower was completed in Portsmouth, a massive tower structure with an elevated restaurant overlooking the Dockyard and HMS Victory and HMS Warrior.
Butterley's final contract completed in 2009 was for a large arched bridge spanning the railway lines near to the entrance of London's 2012 Olympic Park.
After closure in 2009 the site at Butterley was demolished with the exception of certain listed buildings including the octagonal gate house and an adjacent small building, formerly works offices. The Pattern Shop and Machine Shop also remain standing, being classified as curtilage to listed buildings.
The 450 ft long wall which housed the early blast furnaces and the Wide Hole section of the Cromford Canal lying 40 ft beneath, was designated by English Heritage (now renamed Historic England) as a Scheduled Ancient Monument' in 2013.
The site was auctioned in October 2015 (£1.3 million approx.) and is now owned by a London based property company whose intentions are as yet unknown.