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Artistry of the mentally ill pdf
Artistry of the Mentally III Max Ernst brought Prinzhorn's book Artistry of the Mentally to Paris already in , the year of its publication.' It was a present for his host Paul Eluard, who had assisted him in entering France with his passport, enabling his illegal presence in the country. The publication then. Artistry of the Mentally Ill. Artistry of the Mentally Ill: a contribution to the psychology and psychopathology of configuration (German: Bildnerei der Geisteskranken: ein Beitrag zur Psychologie und Psychopathologie der Gestaltung) is a book by psychiatrist Hans Prinzhorn, known as the work that launched the field of psychiatric art. Hans Prinzhorn: Artistry of the Mentally Ill This site uses cookies. Juan Alcudia rated it it was amazing Nov 29, This is the earliest of the bks on this subject that I know of but not the 1st I read.
[Artistry of the Mentally Ill. A Contribution to the Psychology and Psychopathology of Configuration Introduction. Introduction. Hans Prinzhorn. Pages PDF. Artistry of the mentally ill by Hans Prinzhorn, , Springer-Verlag edition, in English. PDF | Objective: Artwork and psychiatric disorders are often linked. Accomplished artists with etchings of mentally ill patients by the artist Ambroise. Tardieu. This is exactly what is required of the artist, and explains why the creation of art is . ists had become aware of the art of the mentally ill and were influenced by it. Download PDF Artistry of the Mentally Ill: A Contribution to the Psychology and Psychopathology of Configuration Online Book by Hans Prinzhorn. Artistry of the Mentally Ill by Hans Prinzhorn, and: The. Arts and Human Development: A Psychological Study of the. Artistic Process by Howard Gardner ( review). Disquieting feeling of strangeness- the art of the mentally mart-nsk.ru - Download as He believed that the classic Artistry of the Mentally Ill Prinzhorn presented a. the Commission on Lunacy, By E. Jarvis, with a critical introduction by G. N. Grob. (Pp. ; £) Oxford University Press: London. This book. Artistry of the Mentally Ill: A Contribution to the Psychology and Psychopathology of Configuration: Medicine & Health Science Books. | ] Artistry of the mentally ill pdf Artistry of the Mentally Ill: A Contribution to the Psychology and Psychopathology of Configuration by Hans Prinzhorn PDF, ePub eBook D0wnl0ad More than 70 years after its first publication in German, Artistry of the Mentally Ill by Hans Prinzhorn remains a classic concerning the borderland between psychiatry and art, illness and self-expression. Artistry of the Mentally Ill A Contribution to the Psychology and Psychopathology of Configuration. PDF. Summary of the Observations Made in the Pictures Themselves. Hans Prinzhorn: Artistry of the Mentally Ill This site uses cookies. Juan Alcudia rated it it was amazing Nov 29, This is the earliest of the bks on this subject that I know of but not the 1st I read. Artistry of the Mentally III Max Ernst brought Prinzhorn's book Artistry of the Mentally to Paris already in , the year of its publication.' It was a present for his host Paul Eluard, who had assisted him in entering France with his passport, enabling his illegal presence in the country. The publication then. Artistry of the Mentally Ill: A Contribution to the Psychology and Psychopathology of Configuration. Sean rated it it was amazing Sep 14, The Art of Insanity: Jillian Stewart marked it as to-read Dec 09, Taren marked it as to-read Apr 26, Alexa Actionable Analytics for the Web. Kate Middleton Accidentally Shared What George And Charlotte Call Their Dad – And It's Just Too Cute - Duration: STAR NEWS TODAY , views. It was from this archive that Artistry of the Mentally Ill was constructed and Prinzhorn developed his theses. He identified six basic drives that give rise to image making: an expressive urge, the urge to play, an ornamental urge, an ordering tendency, a tendency to imitate, and the need for symbols. Artistry of the Mentally Ill: a contribution to the psychology and psychopathology of configuration (German: Bildnerei der Geisteskranken: ein Beitrag zur Psychologie und Psychopathologie der Gestaltung) is a book by psychiatrist Hans Prinzhorn, known as the work that launched the field of psychiatric art. Artistry of the Mentally Ill by Hans Prinzhorn, and: The Arts and Human Development: A Psychological Study of the Artistic Process by Howard Gardner (review). resulted in his first publication, Artistry of the Mentally Ill. During the early 's he left Beideiberg and worked in Dresden at the Weisser Hirsch sanitarium. Prinzhorn later settled in Frankfurt as a practicing psychotherapist and prolific writer on a variety of psychiatric subjects. Read or Download Here mart-nsk.ru?book=[Read PDF] Artistry of the Mentally Ill: A Contribution to the Psychology and Psychopathology. One of the original attempts to analyze the artistic work of the mentally ill, Prinzhorn's collection of drawings, paintings, and sculptures helps to define an area encompassing psychiatry and art, illness and self-expression. Where other collections are only the products of psychotherapeutic case. Officers gun down mentally ill man holding screwdriver. Police video of cops shooting mentally ill man to death in Dallas released on body cam. folk artists. These products were all but untouched by the artistic climate of their setting. They seemed to burst into bloom from nowhere, created by un- trained and uninfluenced laymen. Also professional artists, struck by mental illness, suddenly produced. Artistry of the Mentally Ill and millions of other books are available for Amazon Kindle. Learn more Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Download Bildnerei Der Geisteskranken Aus Der Sammlung Von Prinzhorn ebook PDF or Read Online books in PDF, EPUB, and Mobi Format. Click Download or Read Online button to BILDNEREI DER GEISTESKRANKEN AUS DER SAMMLUNG VON PRINZHORN book pdf for free now. Artistry of the Mentally Ill PDF ebook. Author: Hans Prinzhorn. Have not added any PDF format description on Artistry of the Mentally Ill!. One of the original attempts to analyze the artistic work of the mentally ill, Prinzhorn s collection of drawings, paintings, and sculptures helps to define an area encompassing psychiatry and art, illness and self expression Where other collections are only the products of psychotherapeutic case studies, this heavily illustrated, classic analysis stands in valuable contrOne of the original. More than 70 years after its first publication in German, Artistry of the Mentally Ill by Hans Prinzhorn remains a classic concerning the borderland between psychiatry and art, illness and self-expression. Hans Prinzhorn was a psychiatrist and art historian who had worked with Emil Kraepelin at the University of Heidleberg on a collection of art by mentally disturbed patients. By , when Prinzhorn left Heidleberg, this collection had grown to include over works by about patients. Prinzhorn's book Artistry of the Mentally Ill.
art of mentally ill
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Q: Dynamic field names in Django Mixin I have these class based ListView's which I would like to filter by date. I have a simple mixin
to display the filterform, which works great:
class MonthYearFormMixin(object):
    def get_context_data(self, **kwargs):
        context = super(MonthYearFormMixin, self).get_context_data(**kwargs)
        context['monthyearform'] = MonthYearForm(self.request.GET)
        return context

I would like to extend the functionality of this mixin to include the queryset filtering, but my models
have different date fields that need to be filtered on, one might be start_date, another might be
invoice_date. Of course someone might say, "rename them all 'date'", but that's not representative
of my models and furthermore, I might have a model with start_date and end_date, but only want to filter
on start_date. Here are my views:
class SentList(MonthYearFormMixin, ListView):
    model = Sent
    context_object_name = 'object'
    template_name = 'sent_list.html'

    def get_queryset(self):
        qs = self.model.objects.all()
        if 'month' in self.request.GET:
            if int(self.request.GET['month']) > 0:
                qs = qs.filter(start_date__month=self.request.GET['month'])
        if 'year' in self.request.GET:
            if int(self.request.GET['year']) > 0:
                qs = qs.filter(start_date__year=self.request.GET['year'])
        return qs

class ReceivedList(MonthYearFormMixin, ListView):
    model = Received
    context_object_name = 'object'
    template_name = 'received_list.html'

    def get_queryset(self):
        qs = self.model.objects.all()
        if 'month' in self.request.GET:
            if int(self.request.GET['month']) > 0:
                qs = qs.filter(invoice_date__month=self.request.GET['month'])
        if 'year' in self.request.GET:
            if int(self.request.GET['year']) > 0:
                qs = qs.filter(invoice_date__year=self.request.GET['year'])
        return qs

The only thing that's different is the name of the date field, so it's frustrating to have to repeat
this code.

A: Why not create a member variable called date_field_name where you store the name of the field names which should be processed by your QuerySet processor mixin?
This list would be defined in the class which uses the mixin.
Something like
class MonthYearFormMixin(object):
    def get_context_data(self, **kwargs):
        context = super(MonthYearFormMixin, self).get_context_data(**kwargs)
        context['monthyearform'] = MonthYearForm(self.request.GET)
        return context

    def get_queryset(self):
        qs = self.model.objects.all()
        if 'month' in self.request.GET:
            if int(self.request.GET['month']) > 0:
                kwargs = {('%s__month' % self.date_field_name): self.request.GET['month']}
                qs = qs.filter(**kwargs)
        if 'year' in self.request.GET:
            if int(self.request.GET['year']) > 0:
                kwargs = {('%s__year' % self.date_field_name): self.request.GET['year']}
                qs = qs.filter(**kwargs)
    return qs

your views would look like this:
class SentList(MonthYearFormMixin, ListView):
    model = Sent
    context_object_name = 'object'
    template_name = 'sent_list.html'
    date_field_name = 'start_date'

redpajama_set_name: RedPajamaStackExchange


text:
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redpajama_set_name: RedPajamaGithub


$12 free from Microsoft, antitrust law suit, hoax?
Hot Deals Post and Discuss Non-DVD Bargains and Sales!
I did a google search and can't confirm this is a hoax or not, somebody please verify this and post some prove?
it's for real..if you're a new york resident.
One has to use the coupons for eligible products,. Guess who those are made by? Hmmm!
Looks like BG actually wins again!
Consumers will be able to redeem the coupons toward any technology purchase at any store - not just computers and not just Microsoft products.
Q: What can the vouchers be used for?
A: You can exchange your vouchers for cash by submitting proof of purchases you made after February 3, 2006 of the following computer products: Any desktop, laptop, or tablet computer made by any manufacturer for any operating system platform, or any of the following devices: printers, scanners, monitors, keyboards, or pointing devices (e.g. mouse, trackball). Qualifying software includes any non-custom software offered by any software vendor for use on a desktop, laptop or tablet computer. The qualifying computer hardware or software does not have to be a Microsoft product. After you submit proof of purchase to the Settlement Claims Administrator (either with your claim form or your voucher) a check will be sent to you for the amount of your purchase. The Settlement Claims Administrator will keep track of any remaining value on the voucher for your use in making future purchases. The claim form instructions and the voucher will explain the redemption procedure in more detail.
Last edited by SunMonkey; 03-24-06 at 09:33 PM.
Missed that thanks, looks like there is a little bit of justice for the little guy!
Re: $12 free from Microsoft, antitrust law suit, hoax?
It doesn't look like there were any newer threads related to this settlement, but I received my vouchers a couple months ago. Anybody use them? What exactly can they be used on? I'd love to put them towards a new zune if possible, but they're not exactly a computer product.
wow, talk about a thread revival!
How much did you get?
An mp3 player certainly doesn't fit in these categories. I suppose maybe and ipod touch could be a stretch in the tablet department, but I'm sure they'd deny it.
Now if only I can find the receipt for the monitor I bought last summer.


text:
Q: How long was Hulk actually on Sakaar? There seems to be a disconnect between what Thor tells Banner (he's been on Sakaar for two years, since the events of Age of Ultron) and what probably happened. We see that time moves faster on Sakaar than Earth or Asgard. This is first shown when Loki and Thor fall out of the Rainbow Bridge within seconds of each other, but Loki has been on Sakaar weeks before Thor arrives. Even the Grandmaster admits that time is different on Sakaar.
It seems likely to me that Hulk had actually been on Sakaar for decades, maybe even centuries. How long was Hulk on Sakaar before Thor arrived?

A: The Hulk definitely was not on Sakaar for 2 years, considering that he had to travel through space for some time before he wound up being stuck there. But, regardless of that, the entire Sakaar plot is extremely inconsistent. They state that time moves differently there, and is this shown by Valkyrie being significantly older than Thor, as well as the differences in his and Loki's arrival. BUT! it becomes inconsistent when Thor speaks with Heimdall in real-time, and all of the events that happen on Sakaar coincide with the same time as the events that occur on Asgard.
It is mostly an unanswerable question because the movie itself gives two inconsistent versions of time between Sakaar and the rest of the universe. I'm sure they have noticed that themselves, but I think that entire movie was just meant to be a "fun" filler. The amount of time doesn't mean anything, and it's not something that can really be explained.


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Childhood and Youth Studies (33)
History of Ideology (1)
Media Studies (33)
You are looking at 1 - 10 of 38 items for :
"girl studies" x
Page:1234
Girls Today - Girls, Girl Culture and Girl Studies
Catherine Driscoll
The history of modern girlhood is entwined with anxieties about cultural norms and cultural change that are foundational to "girlhood" and "girl culture." This essay sketches a history of discourses on girls, girlhood and girl culture as the necessary genealogical context for a subsequent discussion of the field of contemporary girl studies. It begins with historical perspectives on the 'girl of the period' from the nineteenth century, through the "girl of yesterday," the "it girl" to the post World War I period that coalesced the cultural conditions necessary for the teenager to take on iconic status. The second half of the article considers girlhood studies today—and in particular its interest in locating, describing and problematizing girls' voice and girls' agency. In a world increasingly perceived as "global," these are powerful starting points for thinking about what constitutes "girl studies" (or "girlhood studies" or "girl culture studies") today.
In Girlhood Studies
Contemporary Girls Studies
Reflections on the Inaugural International Girls Studies Association Conference
Victoria Cann, Sarah Godfrey, and Helen Warner
As we move towards the second International Girls Studies Association Conference, to be held at the University of Notre Dame, Indiana, in February 2019, we reflect on the work of the scholars and practitioners who presented at our first conference
vi–xxi
The "Girls" in Girls' Studies
Lyn Mikel Brown
Lyn Mikel Brown gives an autobiographical account of her shift in focus from studying girls and theorizing girls and girlhood to working as an activist and advocate for and with girls. Specifically she describes the Maine-based nonprofit organization called Hardy Girls Healthy Women (www.hghw.org) that she founded in 2000. She situates her current praxis historically in the light of her groundbreaking work with Carol Gilligan at the Harvard Project on Women's Psychology and Girls' Development in the 1980s and early 1990s. This work did indeed put the "girls" into Girls' Studies.
A Guide to Finnish Girls' Studies
Aino Tormulainen
Karoliina Ojanen, Heta Mulari, and Sanna Aaltonen, eds. 2011. Entäs tytöt: Johdatus tyttötutkimukseen [But what about girls: Introduction to girls' studies]. Nuorisotutkimusverkosto/Nuorisotutkimusseura, julkaisuja 113. Tampere: Vastapaino.
Nordic Girls' Studies
Current Themes and Theoretical Approaches
Claudia Mitchell and Jacqueline Reid-Walsh
This special issue of Girlhood Studies is the first one to have been devoted to the study of girls living in a specific geographical region. Here we focus on girls in the Nordic countries. What makes this set of essays particularly fascinating is that they address issues concerning girls who are located in countries whose advanced social services and democratic beliefs and practices are admired around the world. The rest of the world believes that the Nordic countries, Sweden, Iceland, Norway, Finland and Denmark, have achieved much of what girls in other countries in both the Global North and Global South are still working and fighting for. Interestingly, in their call for papers the guest editors Bodil Formark and Annelie Bränström Öhman, both located at Umeå University in Sweden, cite Finish sociologist Elina Oinas (2011) who queries whether Nordic girls do in fact belong to that exclusive group of "girls who won the lottery." In the articles in this issue, the contributors interrogate some of the assumptions the rest of the world makes about the lives of girls living in Nordic countries, and the different notions of freedom that have an impact on them.
Situating Nordic Girls' Studies
Bodil Formark and Annelie Bränström Öhman
While we have been working on this themed issue the political talk about The Girl has entered a new phase in a global shift manifested both by the establishment of the International Day of the Girl and through the launching of various campaigns on themes such as: Give Girls an Education and Eradicate World Poverty. The necessity for such initiatives was cruelly illustrated by the violent attack on Pakistani girls' rights activist Malala Yousafzai on her way home from school on 9 October 2012. Such blatant discrimination makes it difficult for us not to feel that we live in a privileged part of the world. The five Nordic nation states—Denmark, Finland, Iceland, Norway and Sweden—are indeed often perceived by outsiders, too, as progressive countries that have come very far in achieving gender equality. However, although Nordic girlhood may appear in stark contrast to that of the millions of disadvantaged girls in the world, there are complexities and ambivalences beneath the surface of Nordic progressiveness that a reductive, comparative, and linear, framework fails to take into account.
Nowhere to Go, Nothing to Do
Place, Desire, and Country Girlhood
This article explores the figure of the bored country girl that appears widely in popular culture but also in girls studies and rural studies through ethnographic research in Australian country towns. While the presumption that country girls lack resources and opportunities for entertainment and leisure is in many ways empirically valid, this problem's articulation in girls' lives also offers an important perspective from which to ask what boredom and cultural needs mean, relative to each other, for both rural studies and girls studies. This article suggests that girlhood's relation to policy discourse and urbanized modernity can be productively reconsidered through the lived experience of country girls.
Living in a hybrid material world
Girls, ethnicity and mediated doll products
Angharad N. Valdivia
Drawing on a theoretical framework that combines Media Studies, Latina/o Studies, and Girls Studies with the concept of hybridity, I explore American Girl, Dora the Explorer, and Bratz—three mediated doll lines—as manifestations of an ethnic identity crisis that in turns generates a moral panic that seeks to return whiteness and conventional femininity to its normalized mainstream standing. Issues of production, representation, and reception of mediated doll lines illuminate both a synergistic marketing strategy and a contested reception of hybrid mediated dolls. As such, mediated doll lines can be productively examined as they are an excellent vehicle for understanding contemporary agendas over gender, age, class, and ethnicity.
Alpha Girls and Cheerleading
Negotiating New Discourses with Old Practices
Natalie Guice Adams and Pamela J. Bettis
In Alpha Girls: Understanding the New American Girl and How She is Changing the World, psychologist Dan Kindlon (2006) claims that the new psychology of girls has produced a dramatically different kind of girl from her 1990s girl-in-crisis predecessor. He proposes that this new type of girl is a hybrid, personifying the best traits of masculinity and femininity. The Alpha Girl represents a new form of girlhood in which girls are seen as the economic, social, and cultural winners in the twenty first century because they are risk takers, competitive, and collaborative. How does cheerleading, one of the most female-identified and sexualized cultures of adolescent life, coexist with this seemingly new discourse of empowering girlhood? We argue that cheerleading provides a rich space for Girls Studies scholars to analyze how modes of femininity play out in the social practices that girls themselves deem important.
Girls and Young Women Negotiate Wellbeing during COVID-19 in Quebec
Jennifer A. Thompson, Sarah L. Fraser, Rocio Macabena Perez, Charlotte Paquette, and Katherine L. Frohlich
In this article, we feature photographs and cellphilms produced by 13 girls and young women (aged 13 to 19) from urban, rural, and Indigenous areas of Quebec, Canada during the COVID-19 pandemic. Framed within girls' studies, we present girls' and young women's creations and co-analysis about wellbeing during a period of lockdown. We explore how girls and young women restructured their routines at home as well as negotiated motivation and the pressure to be productive. We note that girls had more time than usual for creative activities and self-discovery and that they engaged with the politics of the pandemic and advocated for collective forms of wellbeing. Importantly, girls reported that participating in this research improved their wellbeing during this lockdown.

redpajama_set_name: RedPajamaCommonCrawl


Brooklyn is a 2015 Irish-British-Canadian drama directed by John Crowley and written by Nick Hornby, based on Colm Tóibín's novel of the same name. The film stars Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent, and Julie Walters. Set in 1951 and 1952, the film tells the story of a young Irish woman's immigration to Brooklyn, where she quickly falls into a romance. When her past catches up with her, however, she must choose between two countries and the lives that exist within them for her.
For more information and to see the trailer, click Films.


text:
Return to Artwork Main Pg ->
Doctor's Visit to the Bedside of Young Boy
Along with his portraits, Johansen loved to capture scenes of domestic family life. The painting Doctor's Visit to the Bedside of a Young Boy is a classic demonstration of Johansen's interior settings with a young boy lying sick in bed while his distraught parents look on as the doctor tends to his patient. His interior works demonstrate his masterful play with light effects. Most of Johansen's interior scenes take place in a darkened or candlelit room. Here, Johansen appears to capture the faint light entering from a window, highlighting the doctor and his young patient. In the darkened background, the concerned parents hold watch as the doctor examines his patient.
From 1885, he exhibited in Paris. There he was inspired by Claude Monet, particularly in his use of color. He had noted the absence of black in the works of the French artists and considered his own earlier works too dark by comparison. After his return from Paris, his paintings took on lighter tones. Nevertheless, Johansen is remembered particularly for the subdued lighting effects of his interiors, as demonstrated in Doctor's Visit to the Bedside of a Young Boy, many of which were painted after his visit to Paris.


text:
Q: Raspberry Pi Bluetooth LE connection to RedBearLab shield I am trying to connect to RedBearLab BLE shield from RaspPi. I am using
CSR4.0 USB dongle http://www.adafruit.com/products/1327
Raspberry Pi Rev-B board with Raspbian OS
Bluez-5.11
I have the RedBearLab BLE shield connected to Arduino UNO R3. I am trying to connect to the shield from the RaspPi(attached CSR4.0). But it can't connect - connection attempts time out/resource busy.
Below steps I use
$ sudo hcitool lescan

LE Scan ...
xx:xx:xx:xx:xx:xx BLE Shield
$ sudo hcitool lecc xx:xx:xx:xx:xx:xx

Could not create connection: Connection timed out
Using gatttool doesn't solve the problem either
$ sudo gatttool -b xx:xx:xx:xx:xx:xx --interactive

[ ][xx:xx:xx:xx:xx:xx][LE]> **connect**

Attempting to connect to xx:xx:xx:xx:xx:xx

Error: connect error: Device or resource busy (16)

[xx:xx:xx:xx:xx:xx][LE]>

Thanks a bunch!

A: Seems like your adapter is busy. Something is using it. Is there any other device connected to your adapter? Try resetting your adapter with:
$ sudo hciconfig hci0 reset

A: Some BLE devices require a random address at connection time. Try:
sudo gatttool -t random -b xx:xx:xx:xx:xx:xx --interactive


Where you are doing any form of business, you are guaranteed to borrow a commercial loan to expand it. The main unique property of commercial loans is that there interest rates are often low. With the commercial loans, you have a chance of paying using flexible plans. You can use commercial loans for various tasks apart from the solemn purpose which is to expand your business. The loan is often given just in large quantities and so it enables you do extra apart from business establishment. More about the benefits of this service of commercial loans, see page.
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Pram, stroller buggy LINER, INSERT - soft, washable, universal TOP QUALITY!
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text:
Bread of Life Community (Abbotsford, British Columbia, Canada)
From GAMEO
The Bread of Life Community in Abbotsford, British Columbia began in 1973; in 1975 there were 20 members..
Mennonite Life (December 1975): 6.
Marlene Epp
Epp, Marlene. "Bread of Life Community (Abbotsford, British Columbia, Canada)." Global Anabaptist Mennonite Encyclopedia Online. December 1986. Web. 16 Jan 2021. https://gameo.org/index.php?title=Bread_of_Life_Community_(Abbotsford,_British_Columbia,_Canada)&oldid=131064.
Epp, Marlene. (December 1986). Bread of Life Community (Abbotsford, British Columbia, Canada). Global Anabaptist Mennonite Encyclopedia Online. Retrieved 16 January 2021, from https://gameo.org/index.php?title=Bread_of_Life_Community_(Abbotsford,_British_Columbia,_Canada)&oldid=131064.
©1996-2021 by the Global Anabaptist Mennonite Encyclopedia Online. All rights reserved.
Retrieved from "https://gameo.org/index.php?title=Bread_of_Life_Community_(Abbotsford,_British_Columbia,_Canada)&oldid=131064"
British Columbia Congregations
Canadian Congregations
Extinct Congregations


Create tons of revolving fun as you charge into the mesmerizing and colorful Piles of Balls! Your goal in this game is to form groups of at least 4 balls of the same color so that they can be destroyed. Are you ready to indulge in the non-stop chains of actions? When the game starts, a group of 3 color balls will descend from the top of the play area. You can press the left and right arrow keys on your keyboard to move the group, use the up and down arrow keys to rotate the balls, or press Spacebar to drop them. When 4 or more balls of the same color are connected, they will be destroyed. The next coming group of balls will be shown at the top left corner of the play area for your reference. Note that the positions of the balls on the pile may change as the unstable ones will roll down. The required number of destroyed balls to level up will be displayed on the left of the screen. If the balls pile up and reach the top, the game ends.
When the game starts, a group of 3 color balls will descend from the top of the play area. You can press the left and right arrow keys on your keyboard to move the group, use the up and down arrow keys to rotate the balls, or press Spacebar to drop them. When 4 or more balls of the same color are connected, they will be destroyed. The next coming group of balls will be shown at the top left corner of the play area for your reference. Note that the positions of the balls on the pile may change as the unstable ones will roll down. The required number of destroyed balls to level up will be displayed on the left of the screen. If the balls pile up and reach the top, the game ends.


text:
50th Anniversary Speaker
DJ Patil: De Anza Alum, Data Scientist
If you can't get to hear DJ Patil speak in person, you can view the livestream of his talk.
Patil wrote about his experience as a De Anza student in a new blog post that calls community colleges "the national treasure we don't talk about.
DJ Patil, a De Anza alumnus who went on to earn his Ph.D. in mathematics, will be the featured speaker at a special 50th Anniversary event on May 7, 11:30 a.m.-12:30 p.m., in the Visual & Performing Arts Center. Patil is a veteran tech executive who served as the first Chief Data Scientist for the United States during the Obama Administration. In that post, he led government efforts to bring the power of data analysis to such fields as traffic safety, health care and national security.
Patil has said on Twitter that "De Anza College is where I found my love for math." He wrote more about his experience at De Anza in a post for Medium that calls community colleges "the national treasure we don't talk about." Patil followed his then-girlfriend to De Anza, taking the same classes that she did, after a lackluster academic performance in high school led the University of California to reject his application. He eventually went on to earn a bachelor's degree in math at UC San Diego, before getting his doctorate from the University of Maryland, College Park.
Currently, Patil is Chief Data Scientist at Devoted Health, a health care startup focused on serving seniors. He is also a Senior Fellow at Harvard University's Kennedy School of Government. Before joining the Obama Administration, he was a vice president for product at RelateIQ, which was acquired by Salesforce, and was Chief Scientist and Chief Security Officer at LinkedIn
During his time in government, Patil played a key role in launching several programs, including the Precision Medicine Initiative, which applied large quantities of genomic data to improving treatment of chronic diseases, and the Police Data Initiative, which tracks law enforcement data to increase accountability and build trust between police and their communities.
He also worked on national security programs and was awarded the Department of Defense Medal for Distinguished Public Service, the highest honor that the department can bestow on a civilian.
Patil was a founding board member for Crisis Text Line, which uses technology to help connect troubled individuals with mental health and crisis support. He also worked for two years as Data Scientist in Residence at Greylock Partners, a leading venture capital firm. Earlier in his career, he worked at Skype, PayPal and eBay.
As a former research scientist and assistant professor at the University of Maryland, Patil investigated nonlinear dynamics, chaos theory and numerical weather prediction. In 2104, he was selected by the World Economic Forum as a Young Global Leader. Patil is also a member of the Council of Foreign Relations.
Patil will return to campus on May 7 to give a special 50th Anniversary talk on the subject of "Engaging the Future."
Date: Monday, May 7
Time: 11:30 a.m.-12:30 p.m.
Location: Visual & Performing Arts Center (VPAC)
Remember to Vote by Sept. 14
Nursing Students Give COVID-19 Vaccinations
Introducing the CAN/DID Inclusion Series
Excellence Award Winners Honored
Shuttle Serves Campus, Caltrain
De Anza Hosts Silicon Valley Reads Events
College Honored for Sustainability Programs
Last Updated: 3/6/19


(19) Service before personal growth.
Why is this such an important quality? To the disciple approaching the path of service it may seem that personal growth will be sacrificed, but is this the case? What are the personal benefits of unselfish service?
For the beginning seeker personal growth is number one, but as one proceeds upon the path something else comes to the forefront. Service to humanity is seen as much more important than the progression of the tiny self.
The average seeker may think that this is an obvious quality and that the majority of seekers endorse this principle. They may in word, but few are able to carry out this principle in deed.
Because we all have an innate desire to make as much spiritual progress as possible. In fact when one first enters upon the path it is sometimes difficult to think or be concerned with anything else. The aspirant desires to climb and learn and progress with almost an obsession at times. He may be happy to rub shoulders with other seekers and share knowledge to a degree, but to serve others at the expense of his learning and progression is often far from his mind.
The Ancient of Days who is the voice for the Planetary Logos set the example for us.
He is a disciple or the Solar Logos and instead of staying in His aura and making further progress in direct learning He sacrificed himself and came to this little unimportant planet to become a Father to developing humanity and guide them until they enter the Kingdom of God.
Alice A. Bailey words it well saying this about the Ancient of Days, Sanat Kumara.
"Under this Law of Sacrifice, Sanat Kumara (to express the idea in occult terms) "must turn His back upon the Central Spiritual Sun, and with the light of His Countenance irradiate the path of the prisoners of the planet." He sentences Himself to stay for as long as may be needed, "acting as the Sun and light of the planet until the Day be with us and the night of pralaya descends upon His finished task." Thus and only thus can the light of the Central Spiritual Sun begin to penetrate the dark places of the Earth; when this happens all "shadows disappear"-an occult reference to the all-embracing radiance of the Monad as it absorbs both its reflection, the soul, and its shadow, the personality.
While it is true that we do concretize much of our learning through service, there is also substantial sacrifice involved.
Keep in mind here that even though we are leaving the age of sacrifice (Pisces) and going into the age of service (Aquarius) that we do not leave sacrifice behind. Instead, we take with us the usable fulfilling aspects of it. In this age sacrifice will be seen more as a payment for goods that will be received in the near future.
The servant disciple may have to go long periods where he has no direct contact with a teacher who will feed him with higher knowledge. He may have no time to read books, learn new skills, attend interesting classes and seminars. The work he is given to do may take close to 100% of his time for some period.
So why do all the great lives on down to human disciples make great sacrifices to serve?
The answer is that service is not a sacrifice as it is defined by ordinary humanity. Instead it is a form a payment that must be made to insure the next great step in the disciple's progression.
The principle is this. The progression of aspiring entities goes through cycles of learning/receiving followed by service/teaching. After a person finishes a cycle of learning/receiving served by one greater than himself the time comes for him to follow the example of his teacher and move into a cycle of service/teaching. Even if the disciple is dragging his feet and sluggish about changing his mode he is eventually forced into service.
And what is this force?
It is this. When the cycle of learning/receiving and being served is completed his progression comes to a standstill. He may gain facts and knowledge after the cycle and have the illusion of progression, but he comes to realize that the law is that real progression in usable learning cannot continue until he takes what he has gained in the learning cycle and gives it out freely to others who are seeking as he once did in the past. This law of cycles literally forces the disciple to make a decision that takes him into a period of service.
After His work is done He will then turn his face toward the sun or Solar Logos and become a student again and go through another long cycle of learning/receiving.
How do we know which cycle we are in? The average person goes through several such cycles in one lifetime and must tune into his inner self and sense the sending or receiving mode. If he feels a passion to teach that is a clue he is in the sending mode, but if he feels a passion to learn that is an indication he is in the receiving mode. If he seems to be drifting with no such passion he is probably between cycles. In this case he must follow the highest he knows and the correct passion will soon come.
(20) The acceptance and understanding of freedom.
No they do not. Freedom is actually a difficult principle to accept and the lesser lives are happy to give most of theirs away for a bowl of porridge.
Even though this is listed last, it is perhaps the defining principle of discipleship. The basic distinction between the light and dark brotherhoods lies in the execution of the principle of freedom.
One of the problems with these controversial issues is that both sides always think they are promoting the highest and best freedom. The truth is there is much illusion associated with freedom and it always manifests on one side of the argument and often appears on both sides.
Let's take abortion for instance. The conservatives are against it in the name of freedom for the unborn and the liberals support it in the name of freedom for the born.
If one is unbiased he will see the virtues of both arguments but few seem to be objective here.
We are going to explore this important principle in more detail. Question: If both sides of the fence have their arguments for freedom how does one decide which decision to make or which side to take?
Let us take an example. The State decides to increase taxes of the people without their consent and give the money to retired people.
The results are that the people taxed have less freedom, but the retired people have more freedom.
Since one group of people are being given more freedom is the basic principle of freedom being followed here? If not, why?
God is not the plucking of the string, but is in the string, or wavelength and adjusts the vibration by the power of decision. The infinite number of wavelengths are occupied by intelligence just as our bodies have intelligence in them (us). As the lives within the physical bodies (which are also made of wavelengths) produce harmonics and overtones so do all lives on all levels evolve through the small and great vibrating wavelengths.
The reflections of the One Great Life do all the building in the universe with their developing intelligence. The One God experiences through them and thus savors all experiences within the realm of possibility.


text:
NASA's SPHEREx Mission Plans to Survey the Entire Universe
Zayan Guedim Feb 28, 2019 at 8:15 am GMT
Feb 28, 2019 at 8:15 am GMT
In this new mission, NASA hopes to create the most comprehensive map of the Universe ever made. ¦ geralt / Pixabay.com
Like geography maps used to locate places here on Earth, there are maps that locate celestial objects in the sky.
Because space extends to unfathomable dimensions all around us, most sky maps that take a circle shape focus on specific areas of the cosmos, like constellations. Space geography also changes with the time of the year.
The largest stellar map ever belongs to the Gaia satellite and covers about 1.7 percent of the Milky Way.
The point is that no single map can cover the entire sky and the Observable Universe.
Now, NASA is working on a 2-year space survey mission to scan the full sky multiple times with the aim of studying the origin of the Universe.
SPHEREx: Tracing the History of the Universe
SPHEREx is the convenient short name of a NASA new space survey mission — The Spectro-Photometer for the History of the Universe, Epoch of Reionization and Ices Explorer.
After passing all the stages in the selection process involving several competing projects, NASA gave SPHEREx, a space telescope, the green light.
Now under construction, SPHEREx is set to launch by the end of 2023, with a total cost of over $240 million.
The SPHEREx mission aims to explore the origins of the Universe and how common essential elements of life are in our galaxy.
It has three objectives:
1) Constrain the physics of inflation by measuring its imprints on the three-dimensional large-scale distribution of matter.
2) Trace the history of galactic light production through a deep multi-band measurement of large-scale clustering.
3) Investigate the abundance and composition of water and biogenic ices in the early phases of star and planetary disk formation.
During its 25-month operation, SPHEREx will scan the entire sky four times, once every six months.
Read More: NASA Discovers Method of Creating Water on Moon's Surface
The telescope will create a 3D map of all infrared light sources across billions of light-years
It will then chart 300 million galaxies, including some as far away as 10 billion light years from us.
According to Thomas Zurbuchen, associate administrator for NASA's Science Mission Directorate:
"This amazing mission will be a treasure trove of unique data for astronomers," says Thomas Zurbuchen of NASA's Science Mission Directorate. "It will deliver an unprecedented galactic map containing 'fingerprints' from the first moments in the universe's history. And we'll have new clues to one of the greatest mysteries in science: What made the universe expand so quickly less than a nanosecond after the Big Bang?"
SPHEREx proposal was announced as the winner among nine projects submitted to Nasa's Explorers Programme.
Data gathered by SPHEREx will help astronomers identify targets for coming missions, like the James Webb Space Telescope and the Wide Field Survey Telescope.
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Contemporary sculptor working with bronze and steel.
Emad Dhahir combines technical control and artistic vision to capture the human form in steel. The main sources if inspiration for my body of sculptural work comes from the mythology of my own culture.-the ancient Mespotamia which are blended with rituals of my daily life, my dreams and memories. I borrow the beauty from formal and aesthetic qualities of old ancient sculptures as well as the languages and forms of of modern sculpture such as those of Giacometti, transforming them into a new contemporary language,and spicing them with an Iraqi style. Inspired and influenced by Spanish sculptors Manuel Marti Moreno and Juame Plensa who utilise steel nuts and iron in their large scale works.
This style often contains and interprets serious subject matter in form and content which provide to my sculptures different humanistic and aesthetic qualities. While facing these small sized sculptures the viewer should comprehend that they are a creative and playful foundation for bigger sculptural projects waiting to be created for public space.


The Tyler County Amateur Radio Association aims to promote amateur radio, community service, camaraderie, and education. The Tyler County Amateur Radio Association supports ARES/RACES and stands ready to serve our community with back up communication for emergencies and public service events.
The Tyler County Amateur Radio Association aims to promote amateur radio, community service, camaraderie, and education. The Tyler County Amateur Radio Association supports ARES/RACES and stands ready to serve our community with back up communication for emergencies and public service events. Amateur Radio was the first means of social networking. Today, Amateur Radio provides the broadest and most powerful wireless communications capability available to any private citizen anywhere in the world!
If you are already a Ham or are interested in getting your license, you are invited to attend our monthly TCARA meetings at 7pm on first Thursday of every month or our monthly TC-ARES meetings at 7pm on the third Thursday of every month. Both meetings are at the Tyler County Emergency Management Building.
If you are already a Ham or are interested in getting your license, you are invited to attend our monthly TCARA meetings at 7:00 PM on first Thursday of every month or our monthly TC-ARES meetings at 7pm on the third Thursday of every month. Both meetings are at the Tyler County Emergency Management Building.


text:
Son says Fairview woman has shown what fortitude and forgiveness is like
Claudia and Eric Fossum are home together at last. Claudia was in the hospital for nearly nine months with life threatening injuries after being hit by a drunk driver.
Son says Fairview woman has shown
what fortitude and forgiveness is like
By Kristi Shields
FAIRVIEW—The Fairview community welcomed Claudia Fossum home after nearly nine months in the hospital as a result of a life threatening car accident with her husband, Eric Fossum, on Oct. 11, 2019.
The couple's son, Martin Baron, posted a video on Facebook June 10 showing the community's love for them with signs and balloons.
The Facebook post reads: "After nine months in hospital, after being hit by a drunk driver and numerous operations, Mom leaves to return home. An absolute humongous achievement! Well done Mom, you have shown us what fortitude and forgiveness looks like."
The Fairview community welcomes Claudia home with cheering crowds, signs, balloons and love. Eric said, "We were amazed and gratified that so many people have been supporting us for the last nine months."
The family feels the same way they felt directly after the accident—compassion for the 26-year-old driver, Armando Tinoco, who has pleaded guilty to third-degree DUI felony charges and is awaiting sentencing on Sept. 28.
"We wish and hope that Armando will get straightened out," Eric said. "I don't know what the outcome will be, but I hope that the justice system will help him, as it should."
Cathrina Wray, daughter of Claudia and Eric, said it would be a waste of anger to hold a grudge, and she said she has no room for that feeling.
"Holding onto a grudge and anger is like you're just drinking the poison yourself," Wray added.
The life changing accident has also brought the family closer together as they have been taking care of their parents.
"It's amazing the difference in the feeling here in the house," Eric said. She has gone through various periods — as I have — of hope and anguish. Right now, things are at an all-time high, I would say."
Wray said she initially saw a heaviness in Eric, but when he was able to go home, build his strength and get back to what he loved doing — working in his yard — she saw a change in him, for the better.
As for Claudia, Wray said the accident was a "game changer." She went from being a highly functional, active person to experiencing her worst nightmare. Claudia was not herself when she was in the hospital; she was full of doubt and sadness; however, being home has helped the healing process.
Eric said Claudia is back to eating real food, and loving it. She is healing more rapidly than before.
Wray said, "I feel like I knew from the beginning that she was just going to be okay, she was going to recover and I believe that even now more than ever."
Eric said it was overwhelming to see the community welcoming them home.
"There were a lot of tears," Eric said. "We were amazed and gratified that so many people have been supporting us for the last nine months."
Claudia said she thanks the community for the kindness, love and support.
"We thank [them] for their own thoughts, prayers and well wishes of love," Claudia said. "It meant a great deal to us."
Tinoco was charged with two third-degree felony accounts of driving under the influence of alcohol, which he plead guilty to March 11. He was originally charged with an additional class B Misdemeanor for carrying a dangerous weapon in his vehicle while under the influence of alcohol, but the charge was dropped March 11.
Due to the COVID pandemic, his sentencing date has been pushed back to September 28.
Claudia leaves the hospital with the support of nurses, doctors and friends. Claudia was in the hospital for nearly nine months with life threatening injuries after being hit by a drunk driver.


text:
Stop press: I've been out of action healthwise over the last couple of months, so no gigs :-(. But now the best news: Barrelhouse are playing at the fabulous Duke of George on May 16th. See the gigs page for details.
And a huge thanks to everyone who came to see the Fringe show The Piano Has Been Drinking. It just got better every night and came to an end too quickly. You were the best audiences! Such a joy to play with Bill Lawrie, Jessie James Gordon and Lucky Oceans. We had some lovely reviews:
Australian Stage
Seesaw Magazine
If you get a chance, you might like to like our FaceBook page Barrelhouse Juke Joint Blues so you can keep up to date with what's happening.
Praise for Dead Cat Blues
"...a fantastic album" Paul Gough, Inside Sleeve, Radio National
Praise for Blue Sky
"Lithe, scintillating piano, a stellar band, exquisite vocals" - Rhythms Magazine
"...superb" - John Carver, PBSFM
"...as good as I've heard Australian originals in a long time." - Brian Elliott, 94.1FM
Stuff people have said
"Gioia's music is as expansive as the sky..." (Rhythms Magazine, May 2013)
"...a piano style that could be straight out of a steamy, whitewashed church in Alabama." (West Australian, 31/01/06)
"...rich, big band arrangements and thrilling vocal harmonies. ... a voice that is tough and deep, perfectly complemented by the sweet, supple harmonies of Kris Arnott and the skills of seasoned blues players Paul Novosel and Bob Thomson on drums and string bass." (West Australian, 09/05/08)
Last edited 23rd April, 2019. Images © Copyright Ken Maley, Gary McGhee, Paul Gioia and Andrew Gioia, used with permission.


One of the main characteristics of the first peoples was certainly their nomadic habit that explains the progressive populating of the Americas. This characteristic lasted a long time since numerous Aboriginal Nations still practise these traditional activities in combination with nomadic activities. Thus, over thousands of years, the Aboriginals have dispersed over all of North America while adapting their mode of life to the environment and the resources that are lent to them. Notably this is the case of our people, the Pekuakamiulnuatsh, whose tracks we are following.


text:
Phytodietus varianae är en stekelart som beskrevs av Loan 1981. Phytodietus varianae ingår i släktet Phytodietus och familjen brokparasitsteklar. Inga underarter finns listade i Catalogue of Life.

Källor

Brokparasitsteklar
varianae

redpajama_set_name: RedPajamaWikipedia


text:
Q: Two actions that should be non-equivalent on $A_4$, but they seem to be equivalent? I was trying to find some actions that are permutation isomorphic, but not equivalent. See my recent post here for the definitions.
One natural candidate seems $A_4$. As the subgroups $U_1 = \langle (1,2,3)\rangle$ and $U_2 = \langle (1,2,4) \rangle$ are not conjugate in $A_4$, they induce non-equivalent actions on four points (their cosets). There is no normal subgroup in both subgroup, hence these actions are faithful and give two embeddings into $S_4$. As the alternating group is the only index two subgroup in $S_4$, these embeddings must both be equal, hence are isomorphic.
I computed them explicitly, set:
$$
 \alpha_1 := U_1, \quad
 \alpha_2 := U_1 (12)(34), \quad
 \alpha_3 := U_1 (13)(24), \quad
 \alpha_4 := U_1 (14)(23)
$$
and
$$
 \beta_1 := U_2, \quad
 \beta_2 := U_2 (12)(34), \quad
 \beta_3 := U_2 (13)(24), \quad
 \beta_4 := U_2 (14)(23).
$$
Then the permutations the elements of $A_4$ induce on these cosets are:
$$
 \begin{array}{l|l|l}
  (1 2 3) & (\alpha_2 \alpha_4 \alpha_3) & (\beta_1 \beta_3 \beta_4) \\
  (1 3 2) & (\alpha_2 \alpha_3 \alpha_4) & (\beta_1 \beta_4 \beta_3) \\
  (1 2 4) & (\alpha_1 \alpha_4 \alpha_3) & (\beta_2 \beta_3 \beta_4) \\
  (1 4 2) & (\alpha_1 \alpha_3 \alpha_4) & (\beta_2 \beta_4 \beta_3) \\
  (1 3 4) & (\alpha_1 \alpha_4 \alpha_2) & (\beta_1 \beta_2 \beta_3) \\
  (1 4 3) & (\alpha_1 \alpha_2 \alpha_4) & (\beta_1 \beta_3 \beta_2) \\
  (2 3 4) & (\alpha_1 \alpha_3 \alpha_2) & (\beta_1 \beta_2 \beta_4) \\
  (2 4 3) & (\alpha_1 \alpha_2 \alpha_3) & (\beta_1 \beta_4 \beta_2) \\
(1 2)(34) & (\alpha_1 \alpha_2)(\alpha_3\alpha_4) & (\beta_1\beta_2)(\beta_3\beta_4) \\
(1 3)(24) & (\alpha_1 \alpha_3)(\alpha_2\alpha_4) & (\beta_1\beta_3)(\beta_2\beta_4) \\
(1 4)(23) & (\alpha_1 \alpha_4)(\alpha_2\alpha_3) & (\beta_1\beta_4)(\beta_2\beta_3)
 \end{array}
$$
I worked out the identification $\psi(1) = \alpha_4, \psi(2) = \alpha_3, \psi(3) = \alpha_2, \psi(4) = \alpha_1$ (I just looked at the support of the $3$-cycles, for example $1 \in \{\alpha_2,\alpha_3,\alpha_4\}\cap\{\alpha_1,\alpha_3,\alpha_4\}\cap\{\alpha_1,\alpha_2,\alpha_4\}$ to find the images). Equivalently I found
$$
 \rho(1) = \beta_3, \rho(2) = \beta_4, \rho(3) = \beta_1, \rho(4) = \beta_2
$$
and similar
$$
 \sigma(\alpha_1) = \beta_2, \sigma(\alpha_2) = \beta_1, \sigma(\alpha_3) = \beta_4, \sigma(\alpha_4) = \beta_3
$$
and it turns out that under $\sigma$ both actions are equivalent!???
To see this, look at the following table, here I have written in the 2nd column some mapping in the $\alpha$'s, in the first are the corresponding elements of $A_4$ that realize this mapping of the $\alpha$'s, and in the 3rd column is what mapping should then be realised in the $\beta$'s. And this could be compared with the actual mapping in the above table, if they are equal, then we have
$$
 \sigma(\alpha^g) = \sigma(\alpha)^g
$$
for $g \in A_4, \alpha \in \{\alpha_1, \ldots, \alpha_4\}$.
$$
 \begin{array}{lll}
  \mbox{elements from $A_4$} & \mbox{action on $U_1$; } \alpha_i \to \alpha_j & \sigma(\alpha_i) \to \sigma(\alpha_j) \\
 (143), (12)(34) & \alpha_1 \to \alpha_2 & \beta_2 \to \beta_1 \\
 (234), (13)(24) & \alpha_1 \to \alpha_3 & \beta_2 \to \beta_4 \\
 (124), (14)(23) & \alpha_1 \to \alpha_4 & \beta_2 \to \beta_3 \\
 (134), (12)(34) & \alpha_2 \to \alpha_1 & \beta_1 \to \beta_2 \\
 (132), (14)(23) & \alpha_2 \to \alpha_3 & \beta_1 \to \beta_4 \\
 (143), (13)(24) & \alpha_2 \to \alpha_4 & \beta_1 \to \beta_3 \\
 (124), (13)(24) & \alpha_3 \to \alpha_1 & \beta_4 \to \beta_2 \\
 (234), (14)(23) & \alpha_3 \to \alpha_2 & \beta_4 \to \beta_1 \\
 (142), (12)(34) & \alpha_3 \to \alpha_4 & \beta_4 \to \beta_3 \\
 (142), (14)(23) & \alpha_4 \to \alpha_1 & \beta_3 \to \beta_2 \\
 (132), (13)(24) & \alpha_4 \to \alpha_2 & \beta_3 \to \beta_1 \\
 (123), (12)(34) & \alpha_4 \to \alpha_3 & \beta_3 \to \beta_4
 \end{array}
$$
As I see it we have:
$$
\begin{array}{ccccc}
 \{\alpha_i\}&\rightarrow^g& \{\alpha_i\}\\
\downarrow_\sigma&&\downarrow_\sigma&&\\
 \{\beta_i\}&\rightarrow^{g}&\{\beta_i\}
\end{array}
$$
so that the actions are equivalent. But the theory said they should not be equivalent. What went wrong here????


Renata was inspired to create this little booklet years ago for the students she worked with during author visits. She believed that if each child could have his or her very own "book" it might be easier to help that child believe/remember she has her own one-of-a-kind story, just like Frieda B.
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*Please note this material is copyrighted. Without written permission from Frieda B., LLC, photocopying is prohibited by law.


text:
Das Eulenschloß. Ein mit unglaublicher Zauberei vermischtes Drama in vier Aufzügen ist eine für das Marionettentheater konzipierte Kasperkomödie von Franz von Pocci und erschien 1871 im vierten Band des lustigen Komödienbüchleins im Verlag der J. J. Lentner'schen Buchhandlung (E. Stahl) in München. Am 26. Dezember 1869 wurde es in Josef Schmids Münchner Marionettentheater, zu der Zeit ansässig im Hof des Gasthauses Zum Glasgarten in der Blumenstraße 18, uraufgeführt.

Entstehungskontext

Franz von Pocci veranstaltete bereits 1846–1849 Marionettentheateraufführungen für seine Kinder und einen kleinen Kreis von Gästen und Bewohnern auf Schloss Ammerland, die Manuskripte sind nicht mehr erhalten. 1855 erschien Poccis erstes Buch ausschließlich mit Kasperliaden, das neue Kasperl-Theater, zwei Jahre zuvor hatte er das Stück Kasperl in der Türkei bereits in dem Band Was du willst veröffentlicht. Auch wenn Pocci eine Aufführung zunächst nicht direkt beabsichtigte, machte er mit diesem Werk Josef Schmid auf sich aufmerksam, der die Gründung eines festen Marionettentheaters in München plante. Mit der Unterstützung Poccis, der sowohl seinen Einfluss beim Kultusminister als auch seinen Ruf als Schriftsteller von Kasperstücken jenseits des zotenhaften Jahrmarktkaspers geltend machen konnte, wurde das Marionettentheater am 5. Dezember 1858 eröffnet. Seitdem schrieb Pocci zahlreiche Kasperkomödien für das Theater, die in den sechs Bänden des Lustigen Komödienbüchleins überliefert sind.

Handlung

Erster Aufzug

Die erste Szene zeigt eine Burgruine, die Kasperl (im Original Casperl) Larifari erreicht, nachdem er sich verlaufen hat. Das Publikum erfährt, dass er die Stadt aufgrund von Schulden verlassen musste und nun eigentlich auf der Suche nach einem Wirtshaus ist. Von der Mauer der Ruine herab spricht ihn der Ritter Kauzenveit in Gestalt einer Eule an und behauptet, er sei ein verzauberter Raubritter aus dem Mittelalter, der aufgrund schlechter Taten in eine Eule verwandelt wurde. Zum Beweis soll Kasperl ihm eine Feder ausrupfen, die bewirkt, dass auf der Burgmauer folgender Satz erscheint: "Jeder Wunsch sei dir gewährt." Kauzenveit erklärt Kasperl darauf hin, dass die Feder jeden "vernünftigen" seiner Wünsche erfüllen werde und zugleich nur Kasperl den Ritter von seiner Verzauberung erlösen könne. Kasperl wünscht sich ein Wirtshaus herbei, das ihm sofort als "Zur goldenen Eule" erscheint. Dort trifft er auf die Kellnerin Gretl (im Original auch Grethi). Während Kasperl sämtliche Gerichte der Speisekarte probiert, singt Gretl ihm auf seine Bitte hin ein Lied vor, "Das Eulenschloß", welches erzählt, wie der Raubritter Eulenveit zur Bestrafung für seine Schandtaten von einem Blitz getroffen wurde. Seitdem, so Gretl, spuke es in der Burgruine. Nachdem Kasperl im Wirtshaus zu Bett gegangen ist, verrät Kauzenveit dem Publikum, dass er mit jeder weiteren von Kasperl eingelösten Feder seiner Rückverwandlung näher käme.

Zweiter Aufzug

Der zweite Aufzug zeigt einen möblierten, vornehmen Salon mit einem von Akten bedeckten Schreibtisch. Kasperl ist Staatsminister geworden, kann sein Amt jedoch nur ausführen, indem er seinem Geheimsekretär Eulert (alias Ritter Kauzenveit) immer wieder eine neue Feder ausrupft, um Beschlüsse zu tätigen oder Situationen zu lösen. Die Bauern Hutzlpeter, Hubertmartl und Knopflbauer aus Simpelsdorf treten zu einer Audienz vor. Sie erbitten den Bau einer Eisenbahn um ihr Geschäft mit Krautköpfen voranzutreiben. Kasperl, der seine Feder auf dem Nachttisch liegengelassen hat und sich daher seines üblichen Verstandes bedienen muss, rät den Bauern Unsinn und verweist sie an eine andere Dienststelle. Die Bauern bemerken dies nicht, sondern loben ihn sogar noch für sein weises Urteil und seine herablassende Haltung, die ihn als Staatsmann auszeichnet. Bedienstete treten ein und bringen Kasperl seine Aktentasche, doppelsinnig als Portefeuille bezeichnet. Kasperl besingt, unter anderem auf die Melodie einer Arie aus La dame blanche, die Vorteile seiner Stellung wie Essen und ein hohes Gehalt, ohne dafür etwas tun zu müssen. Zum Schluss tritt Gretl ein und beschuldigt Kasperl, ihr das Heiratsversprechen am Morgen nach Kasperls Wirtshausbesuch gegeben und nicht gehalten zu haben. Kasperl gibt vor, sich an nichts zu erinnern und bezeichnet eine Verbindung zwischen ihr, der einfachen Kellnerin und ihm, dem hohen Minister, als undenkbar. Gretl geht weinend ab.

Dritter Aufzug

Geheimsekretär Eulert, allein im Salon, spricht davon, dass nur noch wenige Federn von Kasperl verbraucht werden müssten, damit er sich in seine einstige Gestalt und die Ruine in sein Schloss zurückverwandle. Kasperl tritt auf und erhält von Eulert die Nachricht, dass Gretl per Gericht Kasperls Heiratsversprechen einlösen wolle. Dieser ist zunächst empört, bereut jedoch, dass er Gretl nicht geheiratet hat und bittet Eulert um Rat. Der Geheimsekretär empfiehlt, abzuwarten, es werde sich schon eine Lösung finden. Da Kasperl beim Herzog Bericht erstatten soll, benötigt er eine neue Feder – es ist die letzte.

Im Vorzimmer der Residenz des Herzogs unterhalten sich Staatsrat von Walter und Geheimrat Aktenmaier über den Emporkömmling Kasperl, der stets den Vorzug vom Herzog erhält, weil dieser sich so gut unterhalten fühlt von den ungewollten Späßen Kasperls. Sie bemerken ebenfalls, dass eigentlich Eulert die Fäden zieht. Kasperl tritt auf, er kommt vom Herzog, hat jedoch seine Feder dort liegen gelassen. Das Gespräch mit den beiden Herren gestaltet sich dementsprechend, Kasperl beleidigt sie zuletzt, woraufhin diese sich beim Herzog über ihn beschweren wollen. Eulert erscheint, Kasperl bittet ihn erleichtert um eine weitere Feder, doch es war die letzte, die Kasperl nahm. Mit einem Donnerschlag verwandelt sich Eulert in einen elegant gekleideten Baron, Kasperl wird bewusstlos.

Vierter Aufzug

Der Baron von Eulenschloß (alias Eulert und Kauzenveit) hat sich mit den Bedingungen der Gesellschaft abgefunden, angesichts moderner Erfindungen wie des Jagdgewehrs, der Eisenbahn und des guten Essens trauert er seinem ehemaligen Leben als Raubritter nicht mehr hinterher. Er befindet sich in einem Wirtshaus, zu dessen Besitzerin Eulenschloß Gretl gemacht hat. Diese tritt auf und beweint noch immer den Verlust ihres Kasperls. Auch Eulenschloß hat Kasperl seit der Verwandlung nicht mehr gesehen. Gretl bleibt allein im Wirtshaus zurück.

Kasperl wurde vom Herzog entlassen und erzählt, wie undankbar die Menschen, die ihm zuvor Achtung entgegengebracht hatten, auf seine Kündigung reagierten. Dabei fällt ihm ein, wie er selbst Gretl behandelt hat -- und findet sich plötzlich am Wirtshaus wieder, wo er einst um Gretls Hand angehalten hatte. Nach einem kurzen Disput mit dem Hausknecht Hiesl, wieso Kasperl vor dem Wirtshaus herumlungere, wird er von Gretl in das Haus gebeten. Kasperl verstellt sich zunächst als alter Bettler und erfährt Gretls Großzügigkeit und dass sie immer noch nach Kasperl suche. Daraufhin gibt er sich zu erkennen, sie fallen sich in die Arme und singen ein Duett. Eulenschloß kommt hinzu und schließt Freundschaft mit beiden. Kasperl verspricht, bereits in 8 Tagen heiraten zu wollen und begreift seine Rolle als Ehemann als das einzig wahre Portefeuille, das er alleine ausführen kann.

Figur des Kaspers
Der Name des Kasperl Larifaris stammt von Johann La Roche, der seine Figur als Schauspieler so benannt hatte, es ist ein reines Fantasiewort, das "Unsinn", "dummes Zeug" meint. In den Charakteristika der Figur Poccis fließen verschiedene Kasper- und Hanswursttraditionen zusammen. Nachdem der zeitgenössische Kasper nur noch als Bespaßung derber Art in Handpuppenstücken auf Jahrmärkten auftrat, musste sich Pocci an dem Wiener Barock-Hanswurst Stranitzkys orientieren, der – bis zur Vertreibung von der Bühne durch Johann Christoph Gottsched und Friederike Caroline Neuber – eine wichtige Figur im Schauspielerensemble darstellte. Von ihm adaptierte Pocci weitestgehend das typische Kostüm für seinen Kasper.

Im Kontrast zu Stranitzky, dem Jahrmarktskasper und z. B. dem Hamburger Prügel-Kasper im anonym erschienenen Stück Kasper soll gehängt werden, etablierte Pocci jedoch einen gemäßigten Kasper, der Gewalt und Obszönitäten als Späße ablehnte: "Ich machte aus ihm den humoristischen Realisten, dessen Lebenszweck so ziemlich lediglich Essen und Trinken; vermied aber dabei alles Zotenhafte, selbstverständlich umsomehr, da ja das Theater zunächst die Kinder [Sperrung im Original] als Publikum hatte, obgleich es allmählich nicht minder von Grossen [Sperrung im Original] gefüllt war." Aus der Tradition übernommen wurden hingegen Späße durch Verhörer, Wortspiele und Missverständnisse:

Eule. Wisse ich bin ein verzauberter Ritter aus dem Mittelalter.
Casperl. Wie? ein vermauerter Widder? Das ist wirklich erstaunlich.
Eule. Nun weiter.
Casperl. Gut. Ich gehe weiter. (Will fortgehen.)
Eule. Halt! Ich meine, daß du das Weitere hören sollst.
Casperl. Sagen Sie mir lieber das Engere, das dauert nicht so lang.

Ein weiterer Einfluss auf Stoff und Darstellung der Kasperstücke Poccis findet sich in den Zauber- und Märchenspielen der Romantik. In einer Zeit der ausgehenden Spätromantik und dem einsetzenden bürgerlichen Realismus finden sich in den Werken Poccis beide literarischen Epochen wieder. In Das Eulenschloß sind es jedoch vor allem romantische Elemente, z. B. das Stilmittel der romantischen Ironie (ein Paradestück mit Hanswurst-Beteiligung ist Der gestiefelte Kater von Ludwig Tieck), indem die Illusion des Theaters gebrochen wird:

Grethl. Das Lied heißt: »das Eulenschloß«.
Casperl. So steht's auch heute auf dem Commödizettel.

Auffällig ist in Poccis Kasperstücken die oft auftretende Situation des Kaspers als (Pseudo-)Gelehrter bzw. kurzfristig Höhergestelltem und seinem damit einhergehenden Sprachstil, der Bildungssprache darstellt und karikiert durch falsch gebrauchte oder phantasievoll kombinierte Fremdwörter sowie durch eine Überbetonung der Vokalformung:

Casperl. (sehr vornehm.) Ich hab' Euch schon im Audienzvormerkungsbrotikoll gelösen. Was habt Ihr zu suplixificiren bei mir?

Mit der gemäßigten Figur des Kaspers, die vor allem auch für Kinder geeignet sein sollte, beginnt eine neue Ära des Kaspers, der sich als Identifikationsfigur für Kinder im Puppentheater etabliert. Dennoch lässt sich hier noch keine starke Tendenz zum pädagogisierenden Kasper des 20. Jahrhunderts erkennen.

Interpretation

Das Eulenschloß wurde zunächst unter Die Eulenburg aufgeführt, für den Druck später umbenannt, wahrscheinlich aufgrund der zu deutlichen Anspielung im Titel auf den preußischen Minister Friedrich zu Eulenburg angesichts der damaligen strengen Zensur. Einen ähnlichen Stoff hatte Pocci schon in der seit 1845 in den Fliegenden Blättern erscheinenden Fortsetzungs-Bildergeschichte Der Staatshämorrhoidarius bearbeitet und auch in Das Eulenschloß werden das Beamtentum, Gelehrte und die Bürokratie satirisch dargestellt. Die auftretenden Personen wie Aktenmaier oder die Bauern aus Simpelsdorf wirken durch ihre sprechenden Namen wie Stereotype, sie ordnen sich alle dem festen Gefüge der Gesellschaft unter und vertreten ihre zugewiesene Rolle – die Bauern sind die simplen, einfachen Menschen, die beiden Räte sind den ganzen Tag mit der Verwaltung (von Walter) von Akten (Aktenmaier) beschäftigt.
Die angeprangerte Willkür der Herrschaft und Anordnung von Gesetzen zeigt sich besonders deutlich in der Szene, in der die Bauern aus Simpelsdorf den Antrag zum Bau einer Eisenbahnstrecke stellen wollen, Kasperl ohne seine weise Feder jedoch nur Unsinn von sich gibt und die Bauern letztlich an ein anderes Büro verweist. Den Bauern erscheint dieses Vorgehen vollkommen natürlich, für sie muss ein Beamter sogar "niederträchtig" und "herablassend" sein.

Diese kleinbürgerliche, spießerhafte Gesellschaft, die in dem Stück dargestellt wird, wird auch in der Figur des Kasperls selbst nicht abgelehnt. Der anarchistische Charakter älterer Kaspertraditionen verschwindet hier nahezu. Auch wenn Kasper immer noch wenig Respekt vor Obrigkeiten zeigt, fügt er sich letztlich in die gegebenen Strukturen als Ehemann und hat damit sein Ziel des materiell gesicherten Lebens mit einfachen Bedürfnissen (Essen, Trinken, Frau) erreicht. Das Eulenschloß bietet darüber hinaus noch eine moralisierende Funktion: Kasperl erkennt, dass die Art, wie er Gretl behandelt hat ab dem Augenblick, ab dem er sich für etwas Besseres hielt, falsch war. Auch dieser reflektierende, gutartige Charakterzug Kaspers wird von Pocci neu entwickelt.

Ausgaben (Auswahl)

 Pocci, Franz von: Kasperlkomödien (=Universal-Bibliothek Bd. 5247). Hg. v. Karl Pörnbacher. Stuttgart, Reclam 1972. ISBN 3-15-005247-5.
 Pocci, Franz von: Lustiges Komödienbüchlein. Viertes Bändchen. Nach der Erstausgabe von 1871 (= Pocci Werkausgabe Abteilung I: Dramatische Dichtungen Bd. 5). Hg. v. Ulrich Dittmann. München, Allitera 2008, ISBN 978-3-86520-409-7.
 Das Eulenschloß in der Version von 1871 im Projekt Gutenberg-DE.

Literatur (Auswahl)

 Müller-Kampel, Beatrix: Komik zwischen den Kulturen. Der süddeutschösterreichische Kasperl und der tschechische Kašpárek im Vergleich. url: http://lithes.uni-graz.at/downloads/bmk_kasperl_kasparek_opt.pdf [25. Juli 2012].
 Münchner Stadtmuseum/Stadtarchiv München (Hg.): Kasperl Larifari Blumenstraße 29a. Das Münchner Marionettentheater 1858–1988. Hugendubel, München 1988, ISBN 3-88034-396-9.
 Nöbel, Manfred: Kasperl redivivus? Zur lustigen Figur bei Franz Pocci. In: Pocci, Franz: Kasperls Heldentaten. Neunzehn Puppenkomödien und Kasperliaden. Henschel, Berlin 1981, S. 5–36.
 Riha, Karl: Kaspers Wiederkehr: vom Grafen Pocci zu H. C. Artmann. In: Miller, Norbert/Riha, Karl (Hg.): Kasperletheater für Erwachsene (=it Bd. 339). Insel, Frankfurt a. M. 1978, S. 425–439, ISBN 3-458-32039-3.
 Schott, Georg: Die Puppenspiele des Grafen Pocci. Ihre Quellen und ihr Stil. Diss. LMU München. Schack, Frankfurt a. M. 1911.
 Valenta, Reinhard: Franz von Poccis Münchner Kulturrebellion. Alternatives Theater in der Zeit des bürgerlichen Realismus (=Literatur aus Bayern und Österreich. Literaturhistorische Studien Bd. 4). W. Ludwig, München 1991, ISBN 3-7787-2117-8.

Einzelnachweise

Literarisches Werk
Literatur (19. Jahrhundert)
Literatur (Deutsch)
Puppentheaterwerk
Drama
Franz von Pocci


Corporation Bank is one of the leading public sector banks having presence pan India. Its main head quarter is situated at Mangalore and has more than 2000 branches and 2186 ATMs across India. It is listed among the oldest banks of India which have experience of a century. Since its establishment in 1906, it has witness tremendous changes in organization during the course of time.
Corporation bank has realized the importance of Rajkot city as the second largest town of Gujarat, and introduced its numerous branches in this city for banking facilities. It offers fine banking experience to the people of Rajkot by incepting advance system and modern techniques.
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Since 2008, roughly twenty percent of all reported incidents or 311 breaches impacting 26.6 million individuals involved business associates.
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Under HIPAA, a person or organization that assists or performs a function or activity involving the use or disclosure of protected health information [PHI] is called a business associate. If a health care provider wants to disclose PHI to a business associate to create receive, maintain, or transmit PHI on its behalf, then it must obtain satisfactory assurances that the business associate will appropriately safeguard the information. This requirement does not apply when a person is acting as members of the workforce of the same health care provider or of another business associate.
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text:
WhatsApp Disappearing Message Feature Now Available For All Newly Initiated Chats
The temporary or disappearing message option was implemented by WhatsApp over a year ago, and since then users have to activate the option in case they want to use it, and by default, the validity of these messages lasts for 7 days.
But, now, Meta has expanded the features of WhatsApp's disappearing Messages for all newly initiated chats. In short, Meta has given all the WhatsApp users more control and privacy on WhatsApp with the default disappearing messages but this time with multiple durations.
This means that all the messages exchanged between the users will automatically disappear after the specified time has passed. This new option is available for both individual and group conversations that will be available to the public from now on.
Multiple Durations
The most interesting new feature of WhatsApp disappearing Message is that from now on users will not be limited to the default duration of 7 days, instead they will get multiple time durations.
Along with the existing option of 7 days, Meta has added two more new options:-
In the case of WhatsApp groups, the temporality will be optional, as it can be activated or deactivated anytime while creating a new conversation. WhatsApp has claimed that this latest update will not affect the existing chats of the users.
In this feature, WhatsApp will notify both parties about the activation of this feature, if any user turns on this feature, whether the receiver or the sender. And here WhatsApp has done this to keep everything transparent between the users.
How to Enable/Disable This Feature?
If you want to enable or disable this new feature then you can follow the simple steps that we have mentioned below:-
First of all, open your WhatsApp.
Then tap on the three dots located in the upper right corner.
Now select the Settings option.
After that, you have to select the Account option.
Now select the Privacy option.
Finally, now select the Default message timer option to activate.
And from the same section, you can also disable this feature.
These two features, disappearing messages and the end-to-end encryption makes WhatsApp a perfect choice for users who are concerned about their privacy.
You can follow us on Linkedin, Twitter, Facebook for daily Cybersecurity, and hacking news updates.
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Everyone say hello to Mel. She is a brand new model and just about the cutest thing that I have ever seen. From the first time she says "Hello" in her first video I was hooked. She is an animal activist and theater actress from Virginia that is trying out this whole modeling thing for the first time. As you can tell she is also a pretty sexual girl which is obviously a huge plus. I hope that you guys enjoy her so that we can keep her around here for a long time.
I know that I just gave you guys a new model yesterday, but I got this little video from Mel and I just loved her so I did not want to keep her from you guys any longer than I needed to. Hope that you enjoy her.


text:
@interface RatingsScene : CCLayer <UITextFieldDelegate> {
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    BOOL gotRating;

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    float ratingsLabelX, ratingsLabelY, ratingsLabelW, ratingsLabelH;
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//-(void) sendRatings;

@end


text:
Power Ranger Online Message Board > Power Rangers Online > The Time Warp > Power Rangers Modern Archives
Is the first Power Rangers Movie Canon?
Orange Ranger
Ranger In Training
It's interesting to think about. Is the movie considered a part of the storyline when compared to the rest of the show? I don't know if they ever go back to most of the events that happen in the movie again. Now the Turbo movie had to be cannon. What are your thoughts?
Send a private message to Orange Ranger
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Kamen Rider Decade
Original movie = NO
Turbo movie = YES
Send a private message to Kamen Rider Decade
Find More Posts by Kamen Rider Decade
The first movie was never intended to be in continuity with the series. Twentieth Century Fox owns the rights to the film. So no character created for it could carry on to the series. The second movie was fully owned by Saban Entertainment and didn't have that problem.
Every official movie is cannon, period.
Continuity is what you are asking about. If you are asking then you are clearly uninformed and need to take the time to inform yourself.
What Happened to the Putties?
In seasons 1 and 2 of Power Rangers, they used putties as the main, lesser servants of the villains. In season 3, they are no longer used, but Tengas are instead. Why did they change minions? What happened to the putties?
Re: Is the first Power Rangers Movie Canon?
Thanks to Rito, Zedd and Rita stopped using the putties. That's what I think.
They never really explained why they stopped using the putties. Most likely Rito given them the Tengas is the reason. They we're more effective. Look at how the Rangers needed to use their Ninja Powers rather then fight them unmorphed like putties.
The Rangers turned to sissies.
I wouldn't say that. In "Ninja Encounter" it seemed like the Tengas we're far more dangerous then the putties.
01/23/11, 12:01 PM #10
The second generation putties were far more dangerous than the first generation but they still fought them unassisted.
The Tengas may have been more dangerous than the putties, but that is no excuse to fight someting organic assisted when the very next season they fought machines unassisted. Punching and kicking metal hurts your body a lot more than punching a stupid bird.
They turned the Rangers into sissies to sell the ninja costumed figures.