The first speaker was originally born in Cyprus. As an inhabitant from this Mediterranean country with a protagonist role in the shipping industry, it was inevitable to follow a career in the same field. Sofoklis Papasofokli from Radiant Fleet has a background in software development & engineering and soon realized that the shipping industry needed a software tool in order to make it more transparent, efficient and effective. Establishing his own company his aim was to build a software designated tool for ship owners and ship managers to provide a better and clearer overview of operating costs and more. Moreover, Radiant Fleet aspires to link customers with suppliers and vice versa with its online platform. For more information please visit http://radiantfleet.com/.
Pim Faasse of 4Shipping is a son of a Dutch inland skipper, and established his own company called 4Shipping. With help of his father and his own experience in inland shipping he came to the conclusion that the process of chartering an inland vessel should be more efficient, transparent and most importantly more cost-effective. He created an online application that directly connects the skipper with the shipper, and vice versa. This application should, on the long run, replace the activities that are currently executed by brokers that act between the two parties. For more information please visit https://www.4shipping.com/.
Last but not least Bobby den Ouden and Sjoerd de Jager (respectively representing Mediterranean Shipping Company (MSC) and the Port of Rotterdam) presented a test-pilot initiative called "Avanti-Pronto". The key objective of this pilot is to create an online database that is accessible for key players of the port of Rotterdam in order to run its operations more effective in terms of time and costs. Currently the driving forces and main characters of the project are testing the pilot-version in Rotterdam, with the ultimate goal to launch this project to ports around the globe.
Herewith, we would like to thank all the attendees, guests from Plymouth University and especially our members for co-creating a vibrant dynamic during this Masterclass. We truly appreciate your time, attention and most of all the critical questions during our Masterclasses. Lastly we would like to inform you that the next event of YoungShip will be announced soon, so we look forward to report back to you soonest.


text:
Queen Nation – A Tribute to the Music of Queen
Queen Nation, is an amazingly accurate tribute to a throwback 70s-80s Queen concert, The show was formed in 2004 by LA-based music agency DMHE. Queen Nation is the West Coast's longest-running most authentic fully costumed re-creation of a Vintage Queen concert. The show consists of four musicians who all sing and perform in character and in period costumes while playing live note-for-note renditions of Classic Queen songs. Featured front man Vocalist Gregory Finsley who is an amazing singer with an uncanny tone that matches the late great Freddie Mercury to a tee. Gregory also is an excellent concert-trained pianist which allows him to accurately re-create what Freddie Mercury magically did live on stage in Queen's original four-piece lineup. Queen Nation has been crowned by their loyal legions of fans as "The Peoples Choice Tribute To Queen Champions" and rightly so because arguably they are one of the hardest working tribute bands in the US.
The Riveria Theater
The Riviera Theatre was completed in 1917 by architects George and C.W. Rapp (Rapp & Rapp), it was built as a movie theater for the…
This historic hot spot is known for dynamic entertainment and nightlife, with a thriving cultural corridor.
4746 N Racine Ave
Saturday March 4
8:00 p.m. – 11:00 p.m.

redpajama_set_name: RedPajamaCommonCrawl


this is my first blog entry. I want to write about a theme, which could be interesting for the illustrators.
I have used Inkscape, a vector graphic program and it was great: the lines are straight like anything else. After I have created some illustrations with Inkscape, the problem of jagged and facetted lines was solved. Edit: After a usercomment I want to inform about, that the inkscape is not able to correct jagged and facetted lines. You have to create a new image, but these lines are really straight and the most images where accepted.
It took a little time to come along with Inkscape. I never had used a vector based program.
Then I have searched for a solution to convert from svg to jpg. My good old Gimp is the solution. It converts the files very well. You can import the pathes and have some settings in the dialog. But if you have a big size image, then it needs a lot of time of rendering. Be patient, it works!
Thank you for the suggestion but the idea you suggest is useless. I tried to use inkscape to correct some illustration refused...today to illustrations corrected using inkscape are refused again. Although in those illustrations there weren't jagged/alias/faceted lines (I enlarged the image up to 800% to make sure). I'm not sure Inkscape can help to delete jagged/alias/faceted lines.
I have heard about this software many times in DT blogs, I think I need to try that . Thanks for the input.
Thanks for sharing, Martina. I have Inkscape, but I could not find a way to convert it. Thanks to you I know now.


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Anxiety attacks can come from the smallest thing or without any trigger. Anxiety disorders are the most common mental issue facing Americans, affecting approximately 40 million adults, or 18 percent of the population.
Unfortunately, given the stigma associated with mental illness, odds are quite good that you most likely have a number of patients in your practice who suffer from some type of anxiety disorder, you may not even know it. The sad fact is that these patients are simply too afraid or ashamed to say anything to you about it.
The good news, however, is that there has been some intriguing research showing that chiropractic can actually help reduce symptoms of panic attacks.
Anxiety attack symptoms can be heart palpitations, shortness of breath, sweating, dry mouth, uncontrollable shaking. In severe cases, patients may consider self-harm or suicide.
Treatment involves a mixture of behavioral modification (i.e. meditation or Psychotherapy) and medication. Usually benzodiazepines or selective serotonin re-uptake inhibitors (SSRIs). Unfortunately, both medication classes can have unpleasant side effects.
One patient underwent both psychotherapy and trials of anti-anxiety medication, but with no change in symptoms. Their blood pressure before the chiropractic adjustment was elevated, at 182/102 mm Hg, with a pulse of 120 beats per minute. Following adjustments to the upper- and mid-cervical, upper- and mid-thoracic, and right sacroiliac fixations, her blood pressure dropped to 140/80 mm Hg, with a pulse of 76 beats per minute.
With continued chiropractic care, she was free of panic attacks for two months.
An article published in 2016, the Annals of Vertebral Sublaxation Research, presented a similar case of a patient who had been suffering from ongoing panic disorder for three years, with no relief under standard care.4 In particular, she suffered from chest pain for the past eight months. She also had a history of trauma.
The patient went through a combination of network spinal analysis/somato respiratory integration to correct the sublaxation and help calm their panic attacks. She started to see a significant reduction in symptoms starting at six weeks after beginning treatment, and resolution of her panic disorder after 14 weeks.
Anxiety disorders and treatment can be difficult for your patients. Medication may relieve the symptoms of anxiety, but the side effects can be just as bad, if not worse, than the actual anxiety symptoms themselves.
Chiropractic treatment can provide a way to help patients manage their anxiety disorder without the harmful side effects from medication.
Anxiety disorders are the most common mental issue facing Americans, affecting approximately 40 million adults, or 18 percent of the population. Chiropractic treatment can provide a way to help patients manage their anxiety disorder without the harmful side effects from medication.


Home » Blog » #Vorafoundhissikka – Blogger Trishala Love Bug's Wedding With Serious Bridal Look Goals!
When a Fashion Blogger ties the knot, you know its going to be an epic wedding setting some serious goals. Trishala Sikka aka Trishala Love bug from 'Love and Other Bugs' recently got married to her beau Riken and trust us, their wedding pictures are pure goals. From her attire to her minimal makeup look, to the amazing accessory details, trishala's wedding has got us hooked!.
Trishala had a her mehendi and haldi all rolled in one function. Such smart move for modern brides and doubling all the Fun. LOVE LOVE LOVE the idea! BTW – love her earrings, what say?
PS – her kamarbandh is pure goals.


text:
from south.db import db
from south.v2 import SchemaMigration
from django.db import connection

class Migration(SchemaMigration):

    def forwards(self, orm):
        # Adding model 'TextWrapper'
        if 'cmsplugin_text' not in connection.introspection.table_names():
            db.create_table('cmsplugin_text', (
                ('cmsplugin_ptr', self.gf('django.db.models.fields.related.OneToOneField')(to=orm['cms.CMSPlugin'], unique=True, primary_key=True)),
                ('body', self.gf('django.db.models.fields.TextField')()),
            ))
            db.send_create_signal('cmsplugin_text_wrapper', ['Text'])

    def backwards(self, orm):
        # Deleting model 'TextWrapper'
        db.delete_table('cmsplugin_text')

    models = {
        'cms.cmsplugin': {
            'Meta': {'object_name': 'CMSPlugin'},
            'changed_date': ('django.db.models.fields.DateTimeField', [], {'auto_now': 'True', 'blank': 'True'}),
            'creation_date': ('django.db.models.fields.DateTimeField', [], {'default': 'datetime.datetime(2012, 11, 29, 0, 0)'}),
            'id': ('django.db.models.fields.AutoField', [], {'primary_key': 'True'}),
            'language': ('django.db.models.fields.CharField', [], {'max_length': '15', 'db_index': 'True'}),
            'level': ('django.db.models.fields.PositiveIntegerField', [], {'db_index': 'True'}),
            'lft': ('django.db.models.fields.PositiveIntegerField', [], {'db_index': 'True'}),
            'parent': ('django.db.models.fields.related.ForeignKey', [], {'to': "orm['cms.CMSPlugin']", 'null': 'True', 'blank': 'True'}),
            'placeholder': ('django.db.models.fields.related.ForeignKey', [], {'to': "orm['cms.Placeholder']", 'null': 'True'}),
            'plugin_type': ('django.db.models.fields.CharField', [], {'max_length': '50', 'db_index': 'True'}),
            'position': ('django.db.models.fields.PositiveSmallIntegerField', [], {'null': 'True', 'blank': 'True'}),
            'rght': ('django.db.models.fields.PositiveIntegerField', [], {'db_index': 'True'}),
            'tree_id': ('django.db.models.fields.PositiveIntegerField', [], {'db_index': 'True'})
        },
        'cms.placeholder': {
            'Meta': {'object_name': 'Placeholder'},
            'default_width': ('django.db.models.fields.PositiveSmallIntegerField', [], {'null': 'True'}),
            'id': ('django.db.models.fields.AutoField', [], {'primary_key': 'True'}),
            'slot': ('django.db.models.fields.CharField', [], {'max_length': '50', 'db_index': 'True'})
        },
        'cmsplugin_text_wrapper.textwrapper': {
            'Meta': {'object_name': 'TextWrapper', 'db_table': "'cmsplugin_text'"},
            'body': ('django.db.models.fields.TextField', [], {}),
            'cmsplugin_ptr': ('django.db.models.fields.related.OneToOneField', [], {'to': "orm['cms.CMSPlugin']", 'unique': 'True', 'primary_key': 'True'}),
        }
    }

    complete_apps = ['cmsplugin_text_wrapper']

redpajama_set_name: RedPajamaGithub


text:
Hole's Old and New Testament Commentary
Wells of Living Water
Smith's Writings
WHAT IS RECORDED in chapter 9 took place shortly after Darius had overthrown Babylon and taken the kingdom - that is, soon after the experience Daniel had, as narrated in Daniel 5.0 . By this time he was of course an old man, and near the end of his life of service, for he had been amongst the first batch of captives, deported by Nebuchadnezzar. Jeremiah, an older man, had been left in Jerusalem, prophesying there until its destruction years later.
The fall of Babylon was a tremendous upheaval. What effect had it upon Daniel? It moved him to study that portion of the Word of God that was available under his hand. A first-rate example for us today, since the upheavals among the nations during the past fifty years have been more far-reaching than the fall of Babylon. The prophecies of Jeremiah had been committed to writing and were available to him as, 'books'. We have the completed Bible, which really means 'The Book'.
To Daniel these 'books' came as 'the word of the Lord'; that is, he received Jeremiah's writings as being inspired of God, and hence authoritative, and to be accepted without question. Happy are we if, following his example, we treat our Bible in the same way. The particular passage that affected Daniel so deeply was Jeremiah 25.8-25.14 , where 'desolations' lasting 70 years were predicted. Daniel must at once have realized that the 70 years had nearly run their course, and that deliverance of some kind was near at hand. The effect that this discovery had upon him is most instructive and also searching for us.
Had we been in his place we might have felt greatly exhilarated by the discovery, and inclined to have a time of jubilation. But it was not thus with Daniel; but rather the exact opposite. He was moved to fasting, humiliation, confession and prayer, realizing the great sin of his people which had brought all this judgment upon them. This we see, if verses Daniel 9.4-9.19 of our chapter be read. He utterly condemned himself as identified with his people, and he vindicated God in His judgments, proclaiming His righteousness in all He had done.
These words of Daniel should be deeply pondered by each of us. Nowhere in the Bible do we find a finer example of thorough-going confession and prayer, though Ezra's prayer recorded in Ezra 9.0 closely resembles it. He made no allusion to the covenant of promise made with Abraham, but placed himself before God on the basis of the covenant of the law of Moses, and the subsequent ministry through the prophets. As to this he confessed complete breakdown and disaster, though personally he was less implicated in it than any in his day.
But thus it always is. Those deeply implicated in failure and sin are by that very fact rendered insensible to the depths into which they have sunk, while those less involved are painfully alive to the state of things. What is the state of things in the professing church today? A prophetic sketch of church history is given us in Revelation 2.0 and 3. The last stage is that of Laodicea. Are those deeply involved in its grievous evils likely to bow down in confession and prayer? No. Only those who are lightly involved will do so. May we all take heed to this.
The things that mark true confession come clearly to light here. The evil is acknowledged without any attempt at excuse or extenuation. The rightness of God's judgments and discipline are fully acknowledged, and the plea that God would grant deliverance, according to His word, is urged, 'not ... for our righteousnesses, but for Thy great mercies'. Let us cultivate these excellent features in our day. We too can ask for nothing on the ground of merit, but only on the ground of mercy. As we contemplate the state of Christendom today, and of our own state too, let us cultivate the spirit of humble confession that marked Daniel.
Such confession and prayer meets with an immediate answer, as we see in verses Dan_9:20 and 21. Gabriel, the angelic messenger of God, was sent, 'to fly swiftly', with an answer that would give Daniel 'skill and understanding' as to events that lay ahead, with the assurance that he was in God's estimation a man 'greatly beloved'. What other saint was permitted to hear himself so described? Our Lord's words were, 'he that shall humble himself shall be exalted' ( Mat_23:12 ). Here we have an illustration of this. Daniel had humbled himself in exceptional measure, and so he is permitted to know that he is greatly beloved in Heaven. What an exaltation! Had he not been truly humbled such an assurance might have puffed him up to his undoing.
Gabriel was commissioned to reveal to Daniel the prophecy of the 'seventy weeks'; the word week here indicating a period of seven, it may be of days, or as here it clearly is, of years. We have just seen Daniel stirred to confession and prayer by the discovery of the fact that the seventy years of the desolations had nearly run their course; he is now to learn that seventy years, multiplied by seven, were to pass when according to the Divine reckoning, full release and blessing would be reached, as indicated in verse 24.
The contents of this verse must be carefully noted. In the first place, the time indicated is determined upon 'thy people and upon thy holy city', and not upon the world in general; though doubtless what transpires upon Israel and Jerusalem will have great effect upon the world in general. Then, in the second place, the end that is to be reached is the establishment of full millennial blessedness. Then it is that the sad story of transgression and sin will be dosed; then 'the righteousness of the ages' (New Trans.), will be brought in; then the vision and the prophecy will be sealed up, since all is accomplished: then 'the most holy' or, 'the holy of holies' will be anointed, and set apart for God, as is also predicted in such a passage as Eze_43:12 . The end of the seventy years of desolations would only be a very faint and imperfect forecast of this.
The seventy weeks, or 490 years, were, however, to be divided into three parts, and they were to start when the commandment was issued to restore and to build Jerusalem as a city. The opening verses of Ezra give us the edict of Cyrus to rebuild the temple: the edict to rebuild the city was that of Artaxerxes, as recorded in Nehemiah 2.0 . This latter was the start of the seventy weeks, predicted here. The first part seven weeks, or 49 years, were to be occupied with the rebuilding, and the re-establishment of Israel in the city and land: that is, about up to the time of Malachi. Then were to come the 62 weeks, or 434 years, completing the period 'unto the Messiah the Prince'.
Here then we have a very clear and definite prophecy, which has been fulfilled. In checking its fulfilment the main difficulty lies in the fact that the Jews calculated their years in a way different from ourselves, which gives rise to complications. We are content to accept the result of an investigation made years ago by the late Sir Robert Anderson, a competent and reliable person. He showed that not only were the 483 years to Christ correct, but that they expired exactly to the day on which He made His formal presentation of Himself to His people, riding on the foal of an ass, as Zechariah had foretold.
And what was the result of this presentation? Just what we have in verse 26. Messiah was 'cut off, but not for Himself', or better, as the margin has it, 'and shall have nothing'. Thus His rejection was foretold, and though He had the title to everything on the earth, He had nothing: a borrowed stable for His birth; nowhere to lay His head, while He served; a borrowed tomb at the finish. Here then we find the Jews committing themselves to a sin far worse than their breaking of the law and their persistent idolatry. The consequences flowing from this greatest of all sins, are stated at the end of verse 26.
Years ago we heard of a Christian talking to a Jewish Rabbi, and asking him what in their history justified God in condemning them to the disasters and miseries they suffered in Babylon. He admitted at once that it was their law-breaking and idolatry. Then, said the Christian, tell me, what have you done that justifies God in condemning you to far worse disasters and miseries, lasting from A. D. 70, to the present time, with even worse things still in prospect? It was a devastating question, and what could he say? We know what we should at once say; pointing to the Messiah crucified between two thieves.
In this prophecy the result of the cutting off of the Messiah is briefly summed up at the end of verse 26. The more immediate result was to be the destruction of the city and the sanctuary by 'the people of the prince that shall come.' Now this prince is the 'little horn', of whom we read in Daniel 7.0 , the head of the Roman Empire in its revived and last stage, whom we identified with the first 'beast' of Revelation 13.0 . This Roman despot is still to come, but the Roman people were the dominant power in the time of our Lord, and they did destroy Jerusalem in very thorough fashion.
That destruction was but the beginning of God's disciplinary judgments upon them. So the prophecy moves on to 'the end thereof', which is to be 'with a flood', or 'an overflow', indicating, we judge, that the sorrows and persecutions that have followed the Jews through all these centuries will rise to flood-tide height just before the end. The closing words of this verse may be read, 'unto the end, war, the desolations determined'. Here is a state" meet, conveying volumes in a few words.
In the past nineteen centuries war has been the prominent feature. If all reference to it were cut out of our history books, there would be not much history left, and there are wars predicted, that yet have to come. But the Jew and his city are particularly in view in this prophecy, and hence we again meet with the word, 'desolations'. Our chapter began with a reference to the 70 years' desolations predicted by Jeremiah; now as we reach its end we find another prediction of desolations, which in length and final severity will surpass the former. So Messiah's death was to be followed almost immediately by the destruction of Jerusalem, and ultimately, for a long period, but its length not revealed, by war and desolations.
Having mentioned the end in verse Dan_9:26 , we are carried on to the events of the end in verse 27. Who is the 'he', with whom the verse begins? Clearly the 'prince that shall come,' dominating the revived Roman Empire of the last days. He is going to confirm, not 'the covenant' but, 'a covenant with the many for one week' (New Trans.). And this is evidently the one week which completes the 70 weeks of this prophecy. This covenant, we judge, will permit the Jews of that day to resume 'the sacrifice and the oblation' in Jerusalem, for in the midst of the week he will break the covenant, and the desolations will reach their climax.
In the New Translation the close of the verse reads, 'because of the protection of abominations (there shall be) a desolator, even until that the consumption and what is determined shall be poured out upon the desolate'. This will be the time of the great tribulation, and the 'desolator' we should identify as being the 'king of fierce countenance', spoken of in the closing verses of Daniel 8.0 . At the end of this seventieth week Messiah will appear in power and great glory, as other scriptures show, and the 'everlasting righteousness', or 'the righteousness of the ages', will be established. His appearing will completely overthrow the desolator and completely deliver the desolate.
Thus, the day of grace, in which we are living, comes in between weeks 69 and 70. The latter part of verse Dan_9:26 shows that there is to be an undefined period at that point, marked by war and desolations as to world affairs and the Jews, but marked also by the going forth of the Gospel, as the New Testament shows. The rejection and the death of the Messiah was thus plainly predicted, with the sorrows of the world in general and of the Jew in particular, as the result of it.
Hole, Frank Binford. "Commentary on Daniel 9". "Hole's Old and New Testament Commentary". https://www.studylight.org/commentaries/eng/fbh/daniel-9.html. 1947.


This Ben stick metal accent table lamp with charging outlet functions a convenient and refined feature in any decor.
Featuring a black fabric shade, this Ben stick metal accent table lamp with charging outlet boasts a stylish and versatile design. The brushed steel finish and pull-string help to reinforce the attractive look and feel of this lamp. The power outlet on the base is ideal for charging phones and accessories for convenience. Design by All the Rages.
19 1/2" high. Shade is 8 1/2" high x 8 1/2" wide x 8 1/2" deep. 11" high from base to bottom of shade.
Ben stick metal accent table lamp with charging outlet designed by All the Rages.
Power outlet on base for charging your cell phone, iPod, iPhone, iPad.
Perfect for bedrooms, kids room, college dorm, nursery, or fun office.
This Ben stick metal accent table lamp is sure to complement the contemporary personality of any space.


text:
"Game of Thrones": Season 7's clothing and production design defines Danny's pursuit of power
In the seventh season of the penultimate "Game of Thrones", Danielis' absolute pursuit of power provided information for the production and fashion design of the perennial Emmy winners Deborah Riley and Michele Clapton. Highlights include the majestic Dragon Stone Throne Room Set and the striking winter coat, which symbolize Dani's confidence and power.
"In the best shot, it's important that Daenerys [Emilia Clark] cross this space for the first time, and the power of her family history is built into the structure of space," three times Emmy winner Riley. Said. She was nominated for the production design in "Dragon Stone".
Similarly, the style and tailoring of the Dany wardrobe made her look like a strong uniform, including wide shoulders. However, in the Emmy nominee "Beyond the Walls" episode, Kit Harington's white coat worn when saving Kit Harington was a bit special.
"This is the first time I remember that Dany puts himself at risk and not necessarily for personal gain, so white is this sense of purity," says fashion designer Clapton (three Emmy winners "games"). Power "and last year's "crown" champion. "It's very honest about it… she has fallen in love with Jon."
When describing the dragon stone throne room they imagined, show hosts David Benioff and Dan Weiss emphasized a space of mandatory perspective and totalitarian aura. "The room must look like it is made of sturdy material, taking the lead from Zumaia (the landing point of the Spanish Danielis shot), but it also feels a certain majesty," Riley said.
"The top triangle is a shape that becomes a very repeatable force symbol, making the space look like it is standing on its toes, in an uncomfortable fear of gravity," she added. "There is nothing that can make people feel welcome to this space. It only talks about all the ambitions to focus on the throne."
Given that Long Stone originated in a series of cave-like rooms, it was important for Riley that the Throne Room evolved from the cave. For example, the wall soared to the already established CG Castle. In addition, the sedimentary rock formations discovered in Zumaia help to tie the two spaces together.
"The central idea of this space needs to be attributed to the idea of carving the throne on the rock," Riley said. "It's not a piece of furniture that can be moved. Instead, the entire building must look like it's built around it. What's important is the power of Targaryan. The location feels like it was born to be born."
Riley designed sharp shapes, dark tones, cool tones and hexagonal patterns as a tribute to Northern Ireland and the Giant's Causeway (Series House). "It's subtle, but the hexagon helps to anchor the space, especially on the large Targaryan imprint carved on the floor," she said. "In the best shot, it's important that Daenerys can cross this space for the first time, incorporating the power of her family history into the structure of space."
At the same time, Clapton equated the visual importance of Dani White Coat with myth. She said: "I want to create a powerful image that falls like an angel to save these people from imminent death."
Clapton is actually very easy to design a jacket because it has a clean outline but is difficult to make. "There was a lot of prototyping and collaboration between the clothing departments," she added. "We create 'fabrics' by stitching lengths of leather, faux leather, short white faux fur and long thin faux fur.
If the wasp will change the costume in a future movie, Ivan Jelly Lily's address
"Crazy rich Asians" costume is so expensive, they have bodyguards


text:
De Onze-Lieve-Vrouw van het Heilig Hartkerk (Frans: Église Notre-Dame du Sacré-Cœur) is een kerk in de stad Armentières in het Franse Noorderdepartement. Het gebouw staat in het zuiden van het stadscentrum. De kerk heeft twee torens van 52 meter hoog. Centraal op de voorgevel bevindt zich een groot roosvenster.

Geschiedenis
Sinds de middeleeuwen telde de stad één parochiekerk, de Église Saint-Vaast. Met de industriële revolutie en de bloei van de textielnijverheid in Armentières kende de stad in de 19de eeuw een sterke groei. Armentières breidde zich uit met nieuw wijken en in 1879 werd met de "Onze-Lieve-Vrouw van het Heilig Hartkerk" een tweede kerk opgericht.

In de Eerste Wereldoorlog werd Armentières zwaar verwoest en ook de kerk werd in 1918 vernield. Na de oorlog werd de stad heropgebouwd en een nieuwe kerk werd opgetrokken naar de plannen van architect Gaston Trannoy uit Valenciennes. In tegenstelling tot de vernielde kerk, kreeg de nieuwe kerk twee torens. De kerk werd ingewijd op 23 december 1928 door Mgr. Jansoone, de hulpbisschop van Rijsel. Verschillende stukken kerkmeubilair werden uit de ruïnes van de vroegere kerk gerecupereerd.

Armentières
Kerkgebouw in het aartsbisdom Rijsel

redpajama_set_name: RedPajamaWikipedia


Universal studios map 2018 and looks very charming. 11867 ~ Universal Studios Map 2018. Archived on games and published on April 8th, 2019 by Kgosi Patricia is one of best games ideas with 55/100 rate from 1 user. Check our gallery below and get inspired!


In 1907, The Conway Lumber Company built one of New England's largest sawmills in the southwestern part of Conway village. The mill was a state-of-the-art three-story, steel framed building with over 20,000 square feet. There were several other buildings on the property: a kindling wood mill, a box mill, storage sheds, a sorting and shipping shed, etc. The complex was designed so that all its waste wood was used as fuel in its own boilers. A one acre, steam heated log pond was part of the complex.


Lord, remind us again that you are three in one— Father, Son, and Holy Spirit. Help us to live up to your expectations of showing peace to all. May we walk with you through the storm and the calm and be comforted knowing you have your arms around us at all times. Amen.


These Samara Beige Polished Marble tiles combine cream, beige and brown colourings and patterns, which together with their fine white veining results in a truly sophisticated and classical look and feel. The polished finish of these marble tiles will add extra glamour to any living space, particularly bathrooms and hallways.
Samara Beige Polished Marble Tiles require sealing during installation. We recommend one coat when the tiles have been laid and are dry before grouting, then one coat after grouting. Consider re-sealing marble tiles every 18-24 months.
Only use fine grain grout. We recommend "Jasmin" or "Limestone" with Samara Beige Polished Marble Tiles. See fixing section for grout options.


text:
Mercedes set to clinch constructors' championship in Russia
By Luke SmithOct 12, 2014, 5:30 AM EDT
Mercedes is set to clinch the Formula 1 constructors' championship at today's Russian Grand Prix, requiring just 25 points to guarantee the title with three races remaining.
The German team currently sits on 522 points, some 190 ahead of Red Bull in second place (332). With this weekend included, teams can score a possible 215 further points by finishing first and second in each of the remaining four races – remember that Abu Dhabi is worth double the points.
Therefore, if Mercedes scores 25 points – equivalent to a race win or its drivers finishing third and fifth – it will win its first ever F1 constructors' championship, with the trophy not being awarded when it last raced in F1 back in the 1950s.
Of course, this is calculated assuming that Red Bull can finish the race in first and second place. Given that Daniel Ricciardo will start sixth and Sebastian Vettel will start 10th, it is unlikely that the defending champion team will be able to challenge the frontrunners on Sunday.
Although many expected Mercedes to clinch the title at an earlier date, the success will taste sweet nevertheless after a tenuous season for the team. It will also allow Nico Rosberg and Lewis Hamilton to focus on their bids for the drivers' championship without the concerns surrounding the team's own title tilt.
CONSTRUCTORS' CHAMPIONSHIP PERMUTATIONS
If Mercedes scores 25 points in today's race, it will win the constructors' title regardless of what Red Bull does.
Red Bull must outscore Mercedes by 19 points today to keep the championship alive to Austin.
You can watch the Russian Grand Prix live on NBCSN and Live Extra from 6:30am ET today.


text:
Miley Cyrus Channels the Mother of Dragons In a 'Game of Thrones'-Inspired Vest
By Katherine J. Igoe
Miley Cyrus is starting to make public appearances to promote her work, and last night's vest outfit looks tooootally Game of Thrones inspired.
It was all there: The yellow and gold, plus the dragon-looking figure, plus the old-timey buttons.
Miley is about to be everywhere, with an upcoming album and a futuristically creepy Black Mirror episode on the way.
Y'all, we are about to see a lot of Miley Cyrus. She's got an album on the way, and she's already promoting it in sexy, ASMR fashion with fruit (it's even weirder than it sounds). She's in a cool Black Mirror episode, in which she plays, surprise, a mega-popular pop star. And she's starting to get snapped out and about, last night in London. Lo and behold, her Game of Thrones-inspired vest is giving me major Dany, Mother of Dragons vibes. Miley, a secret Daenarys fan??
Ok, so, Thrones nerd that I am, I technically know that the Targaryen sigil is black and red, which we got full view of during this last season. But that curly golden figure at the center of her vest is giving me major dragon vibes. Plus purple and gold featured a lot on the show, as those are the colors of royalty and wealth. The vintage, old-timey buttons also remind me of some of the costumes on the show. (I don't have an ID yet, but will update if I see one.) AND Miley's hair is still Hannah Montana blonde, so she's even got that going on! Dany never had bangs, of course, although wouldn't that have been an interesting look: Mother of Dragons turned hipster. The point is, now all I can think of is that Miley Cyrus is missing GoT just like me.
Here's Miley's vest:
Miley CyrusInstagram
Oh and here's the back, in case you're curious:
Ricky VigilGetty Images
Doesn't that look like a dragon and a house sigil?? Or have I gone Game of Thrones crazy? (Possibly both.)
For more stories like this, including celebrity news, beauty and fashion advice, savvy political commentary, and fascinating features, sign up for the Marie Claire newsletter.
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Childminder Available in city centre area. For more information contact Martina on 087 0978008.
Roscam Childcare Centre are holding fun Easter & Summer camps for children 4-11 years. Indoor and outdoor fun, fully qualified, experienced, Garda vetted staff, home cooked meals. am's/pm's/full days. www.creche.ie, tel 091 761529.
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1. Grate the apples with the peel on. Squeeze them out so your mixture doesn't get too wet.
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3. Add the rest of the ingredients in the bowl and stir then through.
5. Cook them for about 30 minutes or until golden crown. Leave them to cool for about 10 minutes before eating.


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What Does Hypnosis for Weight Loss Involve?
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text:
Cross Country Going To Nationals
The men's cross country team is running in nationals this coming weekend.
Drea Mast News Editor
The Goshen College men's cross country team qualified for nationals for the first time in the program's history.
Previously, only individuals have qualified and one of the men's teams' goals, at the beginning of the season, was to qualify for nationals.
"This year we finally had enough momentum to make it through," Lucas Harnish, a junior, said.
The cross country team belongs to the Crossroads League Conference and is part of the larger NAIA organization, made of up 23 conferences and 200 schools in the nation.
Based on the Crossroads League meet, Indiana Wesleyan University received an automatic bid for nationals, and Taylor University, Goshen College and Marian University received at-large bids from national raters.
At the conference meet, the team made third place, but was only seven points away from being second. Harnish helped the team boost their placement when he passed two Marian runners in the last two hundred meters, putting Marian in fourth place.
Although the team did not place first in conference, and they haven't since 1980, the top eight runners will travel to nationals; seven will run and one will serve as an alternate.
The runners include: Jordan Smeltzer, a senior; Moses Kaelo, a senior; Lucas Harnish, a junior; Isaiah Friesen, a sophomore; Danny Klink, a sophomore; Luke Kauffman, a sophomore; Luke Graber, a sophomore; and Tim Lehman, a junior. Ryan Smith, a sophomore who is usually the number two runner, is injured and is unable to participate in this meet.
Both Smeltzer and Smith would have qualified for nationals individually if the team had not advanced. These two have both been previous qualifiers for nationals.
Smeltzer qualified in 2011as a first-year and 2012 as a sophomore, and was part of the first group of individuals to go to nationals since 1983. While Smith also qualified in 2012 as a first-year, and he currently holds the school record for top performance in the 8k at 25:19, which he ran during his 2013 season.
Goshen men's cross country has been close to qualifying for nationals the last four years, but never had the highest rankings or seasonal records. Despite having the entire top seven from 2011 return for the 2012 season, the team still was unable to reach nationals together.
This year, the men's team placed first in two of their seven races, but was continually behind Indiana Wesleyan University all season. However, the raters ranked Goshen in the top 25 teams, which helped in receiving the at-large bid for nationals.
The ratings for teams come out weekly based on schools' performances against other teams. Rating representatives vote each week on the best teams in each conference. Goshen's small size contributes to its lower ratings, but once ranked in the top, the team is enabled to enter the raters' radars for future consideration.
Doug Yoder, who has been the head cross country coach for eleven years, is very proud of the team.
"They've worked really hard and really pulled together this year. There's been a lot of strong camaraderie. They really support each other. It's a great accomplishment for the team and for Goshen College to be able to have the opportunity to represent the college," Yoder said.
Harnish attributed the team's success in part to the strong group dynamics, saying that the team vows to stick with each other for at least some of the race and always encourages each other verbally.
Yoder hopes for the team to place higher than 20th at nationals.
Cross country scoring works by assigning a point value to a runner's numeric placement: first place receives one point, second place receives two points. The total score of a team is the culmination of each runner's place value. The first five runners count towards the score, while the last two runners are not included in the total, but can add numbers to other teams' scores.
The national championship meet will be held at Rim Rock Farm in Lawrence, Kan. on Nov. 22. The team will leave Thursday, Nov. 20 in order to have time to practice on the course before Saturday's race.


Home values continue to rise across the U.S. and are expected to hold steady. With the right property purchase and a long-term strategy, real estate remains a worthwhile investment in today's economy.
Breaking into real estate investing for the first time can be intimidating. Building a skilled, knowledgeable team to support you in your investment venture takes time. Having the proper financial backing is even more critical.
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If none of these financial resources are available to you, however, don't give up. Not every investor has money in their back pocket or a perfect credit score. Whether you're interested in fix and flips or rental properties, there are other funding options that can help make your investment goals a reality, even if you're new to the scene.
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If you have sufficient equity and a reasonable plan to repay a hard money loan, you will be approved without the lengthy approval process required by traditional lenders. Interest rates for a hard money loan are generally higher due to the ease and speed of processing. But when you're looking for kick starter funds or when time sensitive financing is of concern, a hard money loan can often make sense.
The reliability and ease of a hard money real estate loan lends strength to an investor in negotiating sale price and closing property deals. Sellers looking for a quick, no hassle sale are inclined to work with a purchaser who has ready funds.
Hard money lenders tend to be not only flexible and provide easy financing, but will provide honest assessment of a borrower's potential loan scenario. Reliable, experienced lenders like Gregory M. Russell will work with you as a partner and fund opportunities that are win win for you both.
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Q: Javascript/jQuery: How to increment a number and highlight text when selected I've searched and search, but cannot find what I need. I know very little about Javascript so I need a bit of help with this.
I have a number, say numValue, that I want to increase or decrease based on items being selected in different areas. Plus I want those items to highlight and stay highlights until clicked again. When selected I want numValue to decrease by 1 and when deselected I want numValue to increase by 1.
Example:
50 (numValue)
Group 1

*

*Option 1

*Option 2

*Option 3

Group 2

*

*Option 1

*Option 2

*Option 3

So if I click on Group 1/Option 1 and Option 2 plus Group 2/Option 3 I want the numValue to decrease by 3 (for 3 selected options). I want each item to stay selected when clicked not deselect when another option is clicked. Then deselect when clicked a second time. So it becomes:
47 (numValue)
Group 1

*

*Option 1

*Option 2

*Option 3

Group 2

*

*Option 1

*Option 2

*Option 3
Can anyone point me in the right direction?

A: Here is a working example using checkboxes: http://jsfiddle.net/greglockwood/D6CP4/1/
I have used the following HTML code for each group (feel free to change this, it was just an example):

    Group 1

<input type="checkbox" id="group1_1" />Option 1

<input type="checkbox" id="group1_2" />Option 2

<input type="checkbox" id="group1_3" />Option 3

Here is my Javascript, which utilises jQuery:
$(function() {
   var numValue = 50;
    $('.group :checkbox').click(function() {
       var $cb = $(this);
        if ($cb.is(':checked')) {
            numValue -= 1;
            $cb.closest('li').addClass('highlight');
        } else {
            numValue += 1;
            $cb.closest('li').removeClass('highlight');
        }
        $('#numValue').text(numValue); // show the value on the page
    });
});

Let me know if you have any questions.

A: Something like this should work: http://jsfiddle.net/2NJNT/
Basically, I'd just put all the logic in the class attribute.
HTML

Foo

Bar

Baz

Qux

CSS
.selector .chosen{
    font-weight: bold;
}

JavaScript
$(function () {
    var selector = $('ul.selector'),
        numValue = 0,
        HIGHLIGHT_CLASS = 'chosen';

    selector.on('click', 'li', function () {
        var src = $(this);

        if (src.hasClass(HIGHLIGHT_CLASS)) {
            src.removeClass(HIGHLIGHT_CLASS);
            numValue--;
        } else {
            src.addClass(HIGHLIGHT_CLASS);
            numValue++;
        }
    });

});

Legacy jQuery (< 1.7)
$(function () {
    var numValue = 0,
        HIGHLIGHT_CLASS = 'chosen';

    $('ul.selector').delegate('li', 'click', function () {
        var src = $(this);

        if (src.hasClass(HIGHLIGHT_CLASS)) {
            src.removeClass(HIGHLIGHT_CLASS);
            numValue--;
        } else {
            src.addClass(HIGHLIGHT_CLASS);
            numValue++;
        }
    });

});

A: well you can give all of your desired elements a set class name, for example "select" and define a highlight class in your css, and then use something like this :
var numValue=50;
$(".select").click(function(){
if(this.data("selected")){
numValue +=1;
$(this).data("selected",false).toggleClass("highlight");
}else{
numValue -=1;
$(this).data("selected",true).toggleClass("highlight");
}})

[EDIT] i've used the following bits from jquery : http://api.jquery.com/toggleClass/ and http://api.jquery.com/data/
let me know if you need explanation for the code

redpajama_set_name: RedPajamaStackExchange


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What do you do when something you value isn't getting much media coverage? For the team behind I Don't Get It, you make a podcast to fill the gap.
Fawnda Mithrush and Paul Blinov met at Vue Weekly, an alt-weekly arts publication in Edmonton. Dance was getting short shrift in the local media, so in 2013 they started a podcast in which Mithrush, a dance critic, would introduce Blinov, a dance newbie, to the art. With production help from Andrew Paul, I Don't Get It was born.
In 2017, the podcast expanded to cover theatre and news on the arts community in general. They mostly cover Edmonton, but will take the occasional road trip, such as their excursion to the Badlands Amphitheatre to catch a production of Carmen, or their trip to the Banff Centre to see Orphée+.
Q. Why should people listen to your show?
A. Listeners will learn about what's happening on Edmonton stages, and also get a taste of theatre and dance history. Through light and fun conversation, we hope to lift the "I don't get it" veil from contemporary performance for both new and experienced audiences.
A. We often receive comments from the arts community that say, "Thanks for saying that, I thought the same thing," when we point out problematic aspects of a performance. One such example was a listener who sent that same message after our review of Shakespeare's R&J, when we discussed whether or not an all-male production of Romeo & Juliet was tone deaf in the post-#MeToo era.
A. We're media people, so mostly media and storytelling podcasts: On the Media, Longform, New Yorker Radio Hour, Canadaland, Invisibilia.
A. All three of us love to cook. Paul is particularly good at bread-making, Andrew is an apprentice butcher, and Fawnda has memorized all seasons of Julia Child's The French Chef.
A. "Wherever there's magic and make-believe and an audience, there's Theatre." It's a quote from 'All About Eve', in a longer speech about democratizing theatre for all audiences (it's not only for the elite). It's one of the greatest films to discuss theatre and the challenges of being an artist within it – and also features one of the best critic characters of all time, Addison DeWitt.
Q. What has been your favourite episode so far and why?
Be sure to connect with I Don't Get It on Twitter and Facebook.
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Deconstructing identities; scrutinizing and pulling apart the fabric of contemporary culture to reveal the fragility of the very notion of society, ethnicity, and identity: this is the essence of Reza Aramesh.
Aramesh, an Iranian-born British citizen and artist, who moved to London at the age of fifteen unable to speak a word of English, knows firsthand the inherent dangers in forming stereotypes and preconceptions of those around you. Perhaps the old cliché runs true: what you see is NOT what you get. In the case of Aramesh's work this is particularly valid. Reza, who graduated with a Masters from Goldsmiths, London, deals with subject matter that is quite heavy and philosophically laden. There is no easy answer.
His work, though political, has quite a humourous element running through it; an element that is highly important to him as he feels that humour creates a distance with which to critique culture. One gets the sense, when talking to him, that he uses humour as a tool rather than merely a means of making people laugh: humour often serves as a way of breaking down awkward situations, of making people feel at ease, perhaps even when they shouldn't. It's interesting with Aramesh that as much as he wants to break down the constructs and structures of society, he avoids them. He states that he consciously avoids anything that could possibly dictate rules or impose bonds unto him, and one can see this obsessive aversion to authority in his work.
I am a believer (March 2006 at Watermans), which takes the traditional Changing of the Guard ceremony and re-enacts it in Trafalgar Square, subverts the very meaning of this ceremony. Aramesh advertised, in various newspapers and publications, for males (of which roughly 99% were second-generation British) to perform the ceremony, dressed in black suits, to the sounds of a brass band playing azi youth marching music. Aramesh categorizes the work as a collage, a mixing of various influences and ideas (black suits to reference Malcolm X; Nazi youth music to reference Hitler and Nazism, etcetera) in order to call into question the ceremony itself: the tradition is in effect bogus and meaningless; still extant as a result of the inability of British society to let go of the traditions and acts which subsequently define the British identity. Aramesh is questioning the fact that identity could be fixed: he states that we can only define our identity within the very split-second that you do so, within moments that definition changes, shifts according to your situation and beliefs. Aramesh would argue that we rely on this idea of a definable identity because without it we are left confused and disorientated: the world is a dynamic entity and the current political, economic, and social climate has left us upset about our future within it. By turning to the past, glorifying traditions, and arguing that the present world state is worse than it was historically, we can somehow appease our fears. Aramesh argues that this regression to the past, this citation of history as a form of psychological appeasement, is detrimental to contemporary society. This avoidance of the present ensures that the present is swept under the carpet and therefore not dealt with: by numbing ourselves to the world we avoid the reality of the present.
Aramesh's work is performative, yet he never uses his own body. Rather than use his own body as the signifying entity, and subsequently placing his own identity as an artist into the forefront, Aramesh utilizes others. These "actors", if you will, are anonymous, their identities are never revealed and, with a work such as Car Boot Sale (2004), are physically masked: in this work the two males, who are selling palm trees out of the back of their car, wear balaclavas, thereby masking their most significant visual recognition tool, the face. In this work the viewer is stripped of clues, and in turn are forced to use the objects placed before them as clues as to Aramesh's meaning: the palm tree, which figures in much of his work, signifies the "exotic," the Other, but is presented as an object for consumption (in much the same way that we consume stories, stereotypes, and myths about the Other, in this instance the viewer consumes the physical manifestation of that).
Aramesh has, in the words of Nicolas Bourriaud, "learn[ed] to inhabit the world in a better way." He does not merely take for granted the way in which contemporary society operates but instead probes into its theoretical underpinnings and breaks them down until all that remains are the fragments of ideas. The next question to be asked is "Who is to build it up again." to which Aramesh would probably reply "No-one, let it just be". But can we?
Behind a slightly run-down high-street is a little known landmark: a Victorian chapel known simply as The Tin Tabernacle. Housed within this modest building is Lindsay Seers' most recent piece.
In the build up to its 45th anniversary, Flowers brings a diverse showcase of international practitioners to the London Art Fair. The family run gallery was established in 1970 by Angela Flowers.


What was your favorite KDrama for 2016?
2016 was jam packed with awesome dramas! What are your favorites?
Please pick your top 10.
Going to a KPop concert in 2017?
What was your BEST moment at KCON?
Share your personal KCON 2014 story with the world. Submit your experience here. You may be in the headlines and eligible to win more great prizes in our grand opening celebration! If it is other, make sure to fill in the blank so we know what it is!
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Who was your bias this year?
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Discover incredible waterfalls, stunning gorges, wild rivers and World-Heritage National Parks around the city.
To balance the natural wonders, in town explore Armidale's galleries, museums, history, and heritage.
Then reward your senses with award-winning fine foods, superb dining, and stunning wines.


Our jouney began on the 18th of August. Debbie drove up to get him in Kent where although she was told that he had 4meals a day,it was obvious that was far from the truth. Unknown if he would make the jouney due to being so thin and weak. At 10 pm I met this little boy.The love,shock,protectivness,anger all came rolling in my veins.1st job lets get food into him. Gently he eat a little amount. That night it was touch and go he would make it. I fed him every 3 hrs.little and often. He was so trusting. The vets visit the next day baught tears of happiness when all his bloods came back that no damage was done to his vital.organs.
Days turned into weeks,weeks turned into months. Alfie made slow but steady process. Vets visits every week although his spirit was high his health wasnt.everyweek was vet bills but Bullmastiff Rescue would always take care of them through funds donated. Alfie wanted for nothing.whatever he needed it was given. They made Alfie's life a comfortable 1. Debbie visited offten to see how he got on Kerry phoned or messaged me.we were a team. If i wasnt sure of anything Debbie and Kerry was always there with advice.
8th october. Debbie was coming up to have a catch up with Alfie Moomins. With a wag of his tail he greated her. Debbie was so positive about his future. Something wasnt right with him.he had dioreah for the last couple of days.his energy had gone down. I just knew something wasnt right. Debbie assured me to take him to get checked out. Made an appointment for 5.30. Going up to the shower and change Alfie usually followed but this day he managed half of the stairs. That was my comfirmation.something was deffinatly wrong. The car journey to the vets seemed to be long. Alfie just layed down on the back seat.normally his head was out the windows sharing his drools with our car also other cars that was behind us. But this day no drools nothing. The vets came to see him her face glum she called another vet….. I knew it wasnt good.not knowing what it was i knew it wasnt good. Crying our eyes out they told us what we really didnt want to hear.
That night Alfie deteriated fast within 5 hrs Alfie had passed away. Shocked and disbeliefed really couldnt soak it all in. Numb.
Update – Alfie is on the road to recovery, he is still under vet care and does have some health issues that we are still dealing with. His recovery is slow but positive at this point. Please keep sending him the prayers and love that this boy needs.
Alfie came to us after his 7 days in the pound, he had no veterinary treatment whilst under their care and they didnt even attempt to cut his nails. Alfie is going to need lots of time and TLC to get better and no doubt lots of veterinary care.
PLEASE help us to help this boy, all we ask is a £1 donation from everyone who visits this site and loves this breed. If everyone donated just £1 we could afford to pay the vet bills. How Alfie got in this state we will never know but we do know that he deserves to have a second chance and be happy.


text:
Die Bobbahn Arosa im Schweizer Kur- und Sportort Arosa war eine der ältesten Bob- und Rennschlittenbahnen der Welt. Sie wurde erstmals im Winter 1897/98 in Betrieb genommen und existierte an verschiedenen Standorten bis 1946.

Die Anfänge des Bob- und Rodelsports in Arosa

Mit dem aufkommenden Wintertourismus Ende des 19. Jahrhunderts nahm die Popularität des Bob- und Rodelsports in Arosa bei Gästen und Einheimischen stark zu. So entstand 1896 der Plan für eine künstliche Schlittelbahn am rechten Plessurufer vom Mühleboden zur Isel. 1897 existierte eine erste ausgebaute Schlittelbahn vom Dorfplatz hinunter zum Grand Hotel (Savoy) (heute: Robinson Club). In jenem Jahr wurde auch ein erstes "internationales Wettschlitteln", unter anderem mit namhaften Teilnehmern aus Davos und Klosters, durchgeführt. Hierfür stiftete der Kurverein Arosa (heute: Arosa Tourismus) einen ersten Wanderpreis im Wert von 250.-- Franken.

Am 12. Dezember 1897 gründete eine Kommission, bestehend aus drei Deutschen, drei Engländern, zwei Holländern und einem Schweizer, den Arosa Bobsleigh und Toboggan Club – Schlittelverein Arosa. Dessen erster Präsident und wohl auch Initiant war der deutsche Arzt Dr. Jacobi vom Sanatorium Berghilf (heute: Tschuggen Grand Hotel). Bereits bei seiner Gründung verfügte der Club über 67 Mitglieder. Am 7. Januar 1898 startete man das erste Rennen auf der 1890 eröffneten Schanfiggerstrasse hinunter nach Litzirüti, der sogenannten Rütibahn. Noch im selben Jahr erstellte man mit der Maranerbahn eine weitere Strecke, die vom Rainweg zum Seebodenplatz (Hotel Alexandra) beziehungsweise auf den Obersee führte. Diese wurde in den folgenden Jahren wie die Grand Hotel-Bahn teilweise vereist und meist für Skeleton- und Rodelfahrten genutzt. Die Benutzung des Eisruns Maran-Obersee war nur zu bestimmten Stunden gestattet und zwar gegen eine Gebühr von 2.-- Franken pro Tag oder 15.-- Franken pro Saison.

Schon in der Saison 1898/99 wurden in Arosa 17 Konkurrenzen durchgeführt, davon zwölf auf der Maranerbahn und fünf auf der Rütibahn. Am 3. Februar 1900 erfolgte schliesslich die Gründung des English Tobbogan Club Arosa durch die zahlreich anwesenden Engländer, der bis zum Ausbruch des Ersten Weltkrieges zusammen mit dem bereits bestehenden Verein sämtliche Rennen organisierte. Das Interesse am neuen Sport war derart gross, dass vorübergehend noch weitere Bahnen folgten: 1911 richtete der im Jahr zuvor gegründete Schlittelclub Plessur eine Anlage von der Egga via Arosa Kulm Hotel über den Mühleboden zur Aroser Säge ein, und 1914 entstand schliesslich eine erste Bahn auf der Prätschlistrasse.

Die Bobbahn nach Litzirüti (Rütibahn)
Die bekannteste Aroser Bahn war diejenige vom Usser Wald bis zur Plessurbrücke unterhalb von Litzirüti. Es war die längste und anspruchsvollste Strecke der Schweiz. Die Rütibahn stand vorwiegend den Bobs und den grösseren Schlitten zur Verfügung. Das erste Rennen fand am 7. Januar 1898 statt.

1897 bis 1914
Aufgrund ihres grossen Gefälles wurde die Strecke, auf der sich bis 1914 auch Pferdegespanne und Fussgänger fortbewegen mussten, zunächst nicht vereist. An den vier wichtigsten Stellen schützte man allerdings schon damals die Kurven mit grossen Schneemauern. Dies war notwendig, da sich die Zuschauer in den Anfangszeiten mit Vorliebe an den Aussenseiten der Kurven aufhielten, was zu einigen gefährlichen Situationen führte.

Zu jener Zeit war es aufgrund der herrschenden Verhältnisse nicht möglich, ungebremst in die grossen Kurven einzufahren. Stürze gehörten zur Tagesordnung und wurden von den Zuschauern mit Freudengebrüll quittiert. Der Pilot bedurfte einer guten Schulung und eiserner Nerven. Jeder angehende Steuermann musste sich während eines bis zweier Winter als "Lay in man" (Mitfahrer) verdienen. Danach konnte er nach hinten an die Bremse wechseln. Breaksman (Bremser) zu sein war damals allerdings kein grosses Vergnügen; auf der mit Schlittengeleisen und Löchern versehenen Bahn sprangen die Bobs oft meterhoch und der Schlussmann, der sich nur an den Bremsen festhalten konnte, durfte diese keinesfalls loslassen und musste auf jeden Fall sitzen bleiben. Meistens kam er darum abends körperlich völlig erschöpft nach Hause. Weiter herrschte auf den Gefährten militärische Disziplin: Der Steuermann musste seine Hinterleute links und rechts liegen sowie im Schnee kratzen lassen, damit der Bob nicht umkippte. Unter den Engländern kursierte angesichts dieser Anforderungen der Spruch: In St. Moritz ist Bobfahren ein Vergnügen, in Arosa ein Sport.

Ungeachtet dessen war der Bob- und Rodelsport schon vor der Eröffnung der Arosabahn ungeheuer populär, vor allem unter den zahlreich anwesenden Grafen, Baronen, Lords und Attachés. Es gab Bobrennen, an denen mehr als 20 Viererbobs teilnahmen. Diese mussten nach den Bewerben jeweils mit Pferdegespannen vom Zielbereich beim Restaurant "Rütihof" nach Arosa zurückgebracht werden. Das Rennkomitee fuhr stets in einer geschlossenen Schlittenkutsche an Start und Ziel, "die ganze Würde der Rennleitung auf diese Weise auch nach aussen bekundend".

1914 bis 1927

Die Eröffnung der Bahnstrecke Chur-Arosa am 11. Dezember 1914 führte dazu, dass der Strassenverkehr zwischen Arosa und Litzirüti im Winter praktisch zum Erliegen kam. Damit war es fortan möglich, diesen Abschnitt längere Zeit zu sperren und die Bobbahn mit ihren 14 Kurven vollwertig auszubauen. Dies geschah durch den Einbau von Kurvengerüsten und einer teilweisen, künstlichen Vereisung. Die Gerüste wurden jeweils im November errichtet. Hierfür verantwortlich war der einheimische Baumeister Caprez mit seinen Helfern. Dem Obersee wurden grosse Eis- und Schneeklötze entnommen, die man mit der Eisenbahn zu den grossen Kurven im Rütland transportierte. Die mit dem Zug nicht erreichbaren Orte wurden entsprechend mit Pferdeschlitten bedient. Bis zur allgemeinen Zulassung des Automobilverkehrs in Graubünden im Jahr 1927 diente die Rütibahn im Winter praktisch ausschliesslich dem Bob- und Rodelsport. Der Rücktransport der Sportgeräte nach Arosa erfolgte nun via Eisenbahn, was eine grosse Vereinfachung darstellte.

1927 bis 1935

Nach der Zulassung des Autoverkehrs in Graubünden 1927 wurde die Nutzung der Rütibahn zunehmend schwieriger, da der Individualverkehr auf der Strasse rasch zunahm. Diese konnte nurmehr mit der Einwilligung des Kantons Graubünden vormittags und nachmittags zeitweise gesperrt werden. Zudem zwang die Weltwirtschaftskrise den Kurverein Arosa vorübergehend zu grossen Kosteneinsparungen; 1931 konnten so einzig die sechs Hauptkurven voll ausgebaut werden, was zu einer spürbaren Qualitätseinbusse führte. 1933 stand den Bahnbauern gar nur noch ein Gesamtbudget von SFr. 2'500.-- zur Verfügung. Dies bedeutete, dass die Kurven überhaupt nicht mehr ausgebaut, sondern nur noch die Unterlage hergerichtet wurde. 1935 gab man schliesslich die Rütibahn als permanente Sportstätte definitiv auf. Zwar fanden darauf noch bis in die späten 1950er Jahre hinein gelegentliche Schlittelrennen statt, aber auch deren Ausführung gestaltete sich aufgrund der notwendigen Sperrung der Strasse immer schwieriger.

Streckenführung
Der Start befand sich nördlich des Schwarzsees auf rund 1717 m. ü. M. an der Stelle, wo die Strasse ihr grösstes Gefälle erhält. Das Starthaus – ursprünglich ein Holzbau – existiert heute noch; es begrüsst und verabschiedet jeweils die mit dem Auto reisenden Gäste. Die Bahn war 3'027.6 m lang, der Höhenunterschied betrug 313 m bei einem durchschnittlichen Gefälle von 10,34 %. Vom Start bis zur ersten Kehre (grosse Kurve oder SOS-Rank) waren 732.6 m zu durchfahren, bis zur S-Kurve 1'512.6 m und bis zum Rütihof 2'502.6 m. Der Streckenrekord für Rodel lag bei 5.24 Minuten, für Bobs bei 4.49 Minuten.

Die Kurven wurden einzig nach geografischen Kriterien benannt.

Grossanlässe
In ihrer fast 40-jährigen Geschichte war die Rütibahn Schauplatz diverser hochkarätiger Rennen in den Kategorien Vierer- und Zweierbobs, sowie Skeleton und Rennschlitten. Es wurde um 21 verschiedene Pokale gekämpft, darunter den International-Bobsleigh-Challenge (Sieger Zweierbob 1910: Joachim von Ribbentrop mit Vater auf «Meteor»), den Philip's und den Victoria Cup. In den Jahren 1920, 1922, 1926 und 1931 fanden auf dieser Strecke die Schweizer Meisterschaften statt; einzige Ausnahme waren die Skeletonbewerbe, die jeweils auf der Maranerstrecke durchgeführt wurden. Für die Durchführung von Bob- und Skeleton-Weltmeisterschaften, die erst seit 1930 ausgetragen wurden, konnte die Bahn angesichts der seit 1927 veränderten Umstände allerdings nicht mehr berücksichtigt werden.

Kenner der Rütibahn
Aufgrund der überdurchschnittlich anspruchsvollen Anlage gehörten die einheimischen Bewerber zur Zeit der Rütibahn zu den besten der Schweiz und gewannen in allen wichtigen Kategorien diverse nationale Meistertitel. Auch an den Olympischen Winterspielen 1924 in Chamonix  und 1928 in St. Moritz nahm mit dem prominenten Viererbob-Team um Charles Stoffel jeweils eine Aroser Mannschaft teil.

Die Bahn Prätschli-Obersee (Prätschlibahn)

Bereits 1927 wurde nach geeigneten Alternativen für die Rütibahn gesucht und man entwarf ein erstes Projekt einer Bobbahn vom Prätschli an den Obersee. 1930 prüfte man die Machbarkeit einer neuen Strecke nach Litzirüti; die umfangreichen Rodungen im Usserwald und die Kosten, die hiefür notwendig gewesen wären, stoppen jedoch dieses Vorhaben. 1935 erfolgte der Beschluss zum Ausbau der Prätschlistrasse in eine Bob- und Schlittelbahn. Die an Tschuggenlift und Waldhotel National vorbeiführende Strecke verfügte über eine Länge von 1'806 m und überwand bei einem durchschnittlichen Gefälle von 8,6 % eine Höhe von 160 m. Der Start befand sich oberhalb des Hotels Prätschli auf 1'900 m. ü. M., das Ziel auf der Tomelistrasse hinter dem Bahnhof Arosa. Die Anlage verfügte über 13 ausgebaute Kurven und war insbesondere für Zweierbobs, Skeletons und Schlitten ausgelegt. Grössere Ausbauten der Anlage erfolgten in den Jahren 1938 und 1941. Der jährliche Höhepunkt auf der Prätschlistrecke war der Aroser Grand Prix. Der Streckenrekord lag bei 2.52.6 Minuten. 1942, 1944 und 1945 führte der Schweizerische Schlittensport-Verband auf der Prätschlibahn die nationalen Meisterschaften für Zweierbobs und Schlitten durch. 1946 wurde die Anlage insbesondere von amerikanischen Armeeurlaubern benutzt. Da sich die Bahn für Viererbobs nicht eignete und man bei den verantwortlichen Stellen zur Ansicht gekommen war, der nun recht professionalisiert gewordene Bobsport stosse bei den anwesenden Gästen nicht mehr auf ein genügend grosses Interesse, wurde ab 1947 auf den Bau der Prätschlibahn verzichtet. Ein vom Schlittelclub Arosa lancierter Ideenwettbewerb für eine gänzlich neue Bobbahn trug keine genügenden Früchte, womit das Ende des Bob- und Rennrodelsports in Arosa besiegelt war.

Bobschule

Trotz der schwierigen Situation mitten im Krieg eröffnete der Schlittelclub Arosa 1942/43 die erste Schweizerische Bobschule. Vom 22. Januar 1943 an wurde während einer Woche Bobunterricht erteilt. Mit der Nichtfortführung der Bobbahnen ab 1947 wurde auch der Betrieb der Bobschule wieder eingestellt.

Heutige Situation
Seit 1947 werden in Arosa keine Bahnen mehr zur Sportzwecken gebaut. 1967 erfolgte für rund SFr. 100'000.-- der Bau der Schlittelbahn Tschuggen-Tschuggen Grand Hotel – seit 2011 mit einer Variante zur Talstation der Gondelbahn Kulm – und vor einigen Jahren der Neubau der beleuchteten Schlittelstrecke Prätschli-Seewinkel. Eine knapp drei Kilometer lange Strecke führt zudem auf dem Wanderweg vom Untersee via Stausee in die Litzirüti. Diese Anlagen dienen einzig dem allgemeinen Tourismusbetrieb und lassen keine qualifizierten Rennen mehr zu. Das alte Starthaus der Rütibahn konnte Mitte der 1990er Jahre vor dem Rückbau bewahrt werden und wurde äusserlich neu gestaltet.

Literatur
 Ernst Rahm: Aroser Schlitten-Plausch, 100 Jahre Wintersport 1885 – 1985, Arosa 1985.
 Nicole Maron: Fritz Maron – Ein Leben für Arosa, Eigenverlag Nicole Maron, Arosa 2010, ISBN 978-3-033-02274-4, S. 58 ff.
 Ueli Haldimann (Hrsg.): Hermann Hesse, Thomas Mann und andere in Arosa – Texte und Bilder aus zwei Jahrhunderten, AS Verlag und Buchkonzept AG, Zürich 2001, ISBN 3-905111-67-5, S. 104.
 Hans Danuser: Arosa – wie es damals war (1996–2003), Bd. 7, Eigenverlag Danuser, Arosa 2004, S. 11, 22.
 Hans Danuser: Arosa – wie es damals war (1979–1995), Bd. 6, Eigenverlag Danuser, Arosa 2002, S. 16, 230.
 Hans Danuser: Arosa – wie es damals war (1962–1978), Bd. 5, Eigenverlag Danuser, Arosa 2001, S. 90, 100, 123.
 Hans Danuser: Arosa – wie es damals war (1947–1961), Bd. 4, Eigenverlag Danuser, Arosa 2000, S. 28, 89, 171, 200.
 Hans Danuser: Arosa – wie es damals war (1928–1946), Bd. 3, Eigenverlag Danuser, Arosa 1999, S. 56, 63, 99, 156, 159, 191, 204, 207, 209, 220, 224, 239, 243, 254.
 Hans Danuser: Arosa – wie es damals war (1907–1928), Bd. 2, Eigenverlag Danuser, Arosa 1998, S. 24 ff., 57, 126 f., 133, 175, 218.
 Hans Danuser: Arosa – wie es damals war (1850–1907), Bd. 1, Eigenverlag Danuser, Arosa 1997, S. 94 ff., 163.
 Hans Danuser, Ruedi Homberger: Arosa und das Schanfigg, Eigenverlag Danuser/Homberger, Arosa 1988, S. 110 ff.
 Kurverein Arosa (Hrsg.): Arosa – Klimatischer Höhenkurort: Zum Jubiläum 100 Jahre Kurverein Arosa, 1884–1984, Arosa 1984, S. 7, 85–88.
 J.B. Casty: Arosa – Aus der Heimatkunde des weltbekannten Kurortes, Verlag Kur- und Verkehrsverein Arosa, Arosa 1959, S. 119.
 Fritz Maron: Vom Bergbauerndorf zum Weltkurort Arosa, Verlag F. Schuler, Chur 1934, S. 85 ff., 167 f.

Weblink

Einzelnachweise

Arosa
Sportstätte im Kanton Graubünden
Bauwerk in Arosa
Sport (Arosa)
Arosa
Arosa
Rennrodeln (Schweiz)


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text:
Soccer Players Stop Mid-Game To Huddle Around Opponent After Her Hijab Slipped Off.
We share this planet with billions of other people. And just because we don't follow someone else's customs and beliefs doesn't mean we can't respect them.
Soccer fans in Jordan witnessed a beautiful display of that universal kindness during the WAFF Women's Club Championship.
The competition is made up of teams from West Asian countries. This year's tournament has seen players from countries including Jordan, Palestine, Bahrain, Lebanon, and the United Arab Emirates.
But it wasn't until a recent game between the Shabab Al Ordon Club and the Arab Orthodox Club that the Shabab Al Ordon athletes emerged as tournament victors — although what really made them champions was their sportsmanship!
We're happy to say the wonderful moment was caught on video! While attempting to dribble the ball past her opponents, an Arab Orthodox player starts to lose her hijab. For women who choose to wear the head covering, keeping their hair hidden is a key part of maintaining their modesty.
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At first, just the three players who are closest to her huddle around her to hide her from sight. But then two others run over to complete the circle, concealing their opponent until her hijab is back in its proper position.
The crowd applauded the sweet act of kindness, and after the video went viral, millions of other people joined in!
As one person pointed out, the exchange just goes to show that "compassion is ingrained in humanity regardless of differences." We'd all do well to keep that in mind! We don't have to agree with each other to show kindness.
Watch as the players rush to support their opponent in the video below, and share to remind everyone to always respect other people.


text:
Q: both the inheritance and the mapping Different tenants/ customers of a Spring Boot/ Hibernate application want to store slightly different data fields for their employees. About 60% of the entity's fields are the same, and 40% different. There will be no queries covering multiple tenants, only one tenant is queried at a time. Typically, employees will be searched for by customer-specific fields and single employees updated.
A fellow developer recommends that you use joined table inheritance mapping.
What do you think about their recommendation (both the inheritance and the mapping)? Which other options are there? How would you approach this situation?


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Stop by for apres ski appetizers, beverages, and updates on all Tamarack Resort properties!
The meal will be a flat fee of $35.00 (drinks not included) Please come and see Seven Devils bump up its service for an intimate Fine Dining Experience.
Full Moon Nordic Ski and chili feed tonight night at Tamarack. Meet us in the sports dome at 7 p.m. for a ski followed by a chili feed. $10 to take part in the festivities.
Foreclosure motions were recently filed in State Court by Credit Suisse and Banner Sabey. A court date has been set to hear these motions on February 16th. Understanding there are a lot of questions we don't have answers to right now, this is something we all need to be appraised of. The official motions can be reviewed by going to www.tmaidaho.com then click the legal link on the home page.
From TMA's perspective, the motions filed in State court this week may be viewed as a positive move for the future of Tamarack Resort. The motions start a series of events that will set a date and finalize the nearly 4 year Bankruptcy/Foreclosure process for Tamarack Resort.
While "Foreclosure" is typically not a good word, these motions will eventually answer the four year old question…. What is the future of Tamarack Resort?
The Tamarack Municipal Association has been operating the resort during the winter since December of 2010. We have been working closely to develop a cordial relationship with Credit Suisse during the last several years. We are confident there will be no interruption of services for this winters ski season.
While the foreclosure process moves forward there are still several parties interested in purchasing the resort, and this motion may expedite the purchase and make it easier for potential buyers to acquire the resort. Regardless of future ownership — by Credit Suisse or by another owner — the TMA is positioned to continue as the operator of the resort.
We will continue to keep you updated on the legal proceedings as they develop.


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text:
BRIAN REDONDO
Keep Saray Home Trailer
ICE doesn't just separate families at the border. In the outskirts of Boston, three families face the impending threat of deportation. But as refugees from Cambodia and Vietnam, they know they'll have to fight together to stay together.
Jes Fan In Flux | Art21 "New York Close Up"
How can we be certain that the binary can satisfy us? A trained glass artist, sculptor Jes Fan creates elegant installation works that quietly question our most fundamental assumptions about gender, race, and identity. At UrbanGlass in downtown Brooklyn, the artist heats, rolls, and sculpts molten glass. He explains, "Learning how this matter transformed itself from one state into another really entranced me into thinking, 'How I can I apply it to other mediums?'" At the Recess artist residency in Brooklyn, Fan constructs a new work, filling hollow glass globules with silicone and injecting them with politically charged biological materials like testosterone, estrogen, melanin, and fat. These organ-like forms are then hung on a lattice structure. Detaching biological substances from the context of the body, Fan is able to examine their meanings and allow the viewer to see them in a completely new light. Fan's personal experiences—moving from his native Hong Kong to the United States, growing up queer, and transitioning—have profoundly shaped his artistic practice. "Maybe it is triggering the similar experiences of being racialized or being gendered," says Fan of handling the materials injected into his work. "It's just a disposition that you're constantly placed in—a constant act of othering." Jes Fan lives and works in Brooklyn, New York. Learn more about the artist at: https://art21.org/artist/jes-fan/ CREDITS | "New York Close Up" Series Producer: Nick Ravich. Director & Editor: Brian Redondo. Cinematography: Brian Redondo & Nick Capezzera. Location Sound: Ana Fernández & Edward Morris. Additional Camera: Nick Childers. Music: Blue Dot Sessions. Color Correction: Chris Ramey. Sound Mix: Adam Boese. Design & Graphics: Chips. Artwork Courtesy: Jes Fan. Thanks: Anderson's Martial Arts Academy, James Corporan, Cut + Measure, Alex Laviola, Miller Institute for Contemporary Art, Alex Paik, Recess, & Urban Glass. "New York Close Up" is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council; and by individual contributors. © Art21, Inc. 2019. All rights reserved. #JesFan #Art21 #NewYorkCloseUp
Why a Designer Turned the U.S.-Mexico Border Into an Art Installation | The New Yorker
With shared economic, environmental, and humanitarian concerns, communities of local planners, designers, and citizens work toward cross-border collaboration. Ronald Rael, an architecture professor, takes an opportunity to use art to prove the uselessness of building borders. Still haven't subscribed to The New Yorker on YouTube ►► http://bit.ly/newyorkeryoutubesub Why a Designer Turned the U.S.-Mexico Border Into an Art Installation | The New Yorker
For detained immigrants who can't pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. "Libre" sheds light on one of many hidden costs of reunification for immigrant families. Directed by Anna Barsan See more here: fieldofvision.org
Doreen Garner Sculpts Our Trauma | Art21 "New York Close Up"
On a cold January day, a young volunteer medic waits on the shoreline of the Greek island of Lesvos for boats of refugees to arrive.
Van Alen Sessions Season 5: Fireproofing the Future in California
The "Wildland-Urban Interface," where homes are built near or among undeveloped lands, is the fastest growing type of land use in America. While the demand for this type of housing grows across the Western U.S., more intense and frequent wildfires are destroying lives, homes, and forests in these areas at record levels. What role can design play in fireproofing the future of these communities? Heartbreaking footage and stories from experts and everyday people living and working in the fire zones of California illustrate the choices we must make to build safer homes and communities in the era of climate change. Van Alen Sessions is an online short-documentary series highlighting first-hand stories and expert insight on urban life, presented with The New Yorker. For more information, visit https://www.vanalen.org/projects/van-alen-sessions/
Why We Rise
Three brave, young New Yorkers reveal what it's like to grow up without having legal immigration status. Their struggles and their strength are on full display as they come out of the shadows and into the light. Join these members of RAISE--Revolutionizing Asian American Immigrant Stories on the East Coast--in their fight for change at http://raiseourstory.tumblr.com. A short documentary by Brian Redondo (http://be.net/brianredondo) & Corinne Manabat (http://corinnemanabat.com) with the support of Asian American Legal Defense & Education Fund (http://aaldef.org) Music by Dexter Britain (http://dexterbritain.co.uk) under Creative Commons license The short has screened at the PBS 2014 Online Film Festival, CAAMFEST 2014 where it won the Loni Ding Award for Social Justice Documentary, the Philadelphia Asian American Film Festival, the Seattle Asian American Film Festival, and the BlackStar Film Festival.
© 2019 Brian Redondo


Fans who pre-order Forever Charlie,from the singer's official on-line store, will gain first access to pre-sale tickets for the upcoming tour (http://myplay.me/1cv2). At the time of purchase, buyers will receive a pre-sale code. This particular pre-sale will begin on December 9 at 10 AM local time. The general public on-sale begins December 12 starting at 10 AM local time. Detailed information will be available on www.charliewilsonmusic.com.
American Express® Card Members can purchase tickets before the general public beginning Wednesday, December 10 at 10 AM through Thursday, December 11 at 10 PM. All times are local.
VIP packages will be available and will include a seat within the first 10 rows and a meet and greet with Charlie Wilson (among other exclusive VIP tour items).
Wilson has received seven Grammy nominations and multiple awards throughout his career; he was named Billboard magazine's #1 Adult R&B Artist and has had eight #1 records that topped the Billboard Urban Adult Contemporary radio chart including, "Without You," "Charlie, Last Name Wilson," "Magic," "There Goes My Baby,""Can't Live Without You," "You Are,""Life of the Party" and"My Love Is All I Have." Most recently, Wilson received a Grammy nomination for the song "If I Believe" in the Gospel category; he was also an NAACP Outstanding Album Award winner for the album Love, Charlie and BET presented to Wilson a Lifetime Achievement Award in 2013.
*All dates and venues below subject to change.


text:
Q: Two or More Functions in App Script for Google Sheets I have three triggers created in App Script for a single google sheet.
This Google Sheet receive responses from three different Google Forms.
I set a trigger that is executed when a person fill one of this forms and then, according to the form, fill a google sheet tab and execute the function.
The problem that I have now is when a person fill the form all three triggers are executed.
Code is something like this:
`function blablabla() {

  var sheet = SpreadsheetApp.getActive().getSheetByName('blablablaTab');
  var data = sheet.getDataRange().getValues();
  var lastline = data.reverse()[0];

  var data1 = lastline[2];
  var data2 = lastline[1];
  var data3 = lastline[3];
  var data4 = lastline[6];`

Can you guys help me please?
I tried to modify some google sheet attributes but still doesn't work. When a form is filled the three triggers are executed.

A: I suppose that you made 3 different functions where every function is set as a "On Form Submit" trigger, so whenever some of 3 forms submits its own results into your sheet, every trigger is executed.
One of the possible solutions is to make 3 different sheets, where every sheet has own trigger and own logging function that is activated by "On Form Submit" trigger, but all 3 logging functions are made to append row into the same sheet.

A: "The problem that I have now is when a person fill the form all three triggers are executed."
You have a spreadsheet with three sheets, each sheet linked to a Google Form. You have three onFormSubmit triggers which means that you must have three separate functions - one for each sheet/form. Your problem is that when a form submission is received, all three functions are triggered.
You should have only one onFormSubmit trigger; this trigger should be linked to only one function.
There are several strategies that you could adopt to create a single function. The most obvious is to consolidate the three functions into a single function, as shown below. This may not be the most efficient, however the design of the function is not intended to be part of this answer.
function getResponse(e) {
  // Logger.log(JSON.stringify(e)) // DEBUG

  // test for response from form #1
  if (e.range.getSheet().getName() === "Form Responses 1"){
    // Logger.log("DEBUG: received a form 1 response")
    // do stuff
    // insert code from form 1 script
  }

  // test for response from form #2
  if (e.range.getSheet().getName() === "Form Responses 2"){
    // Logger.log("DEBUG: received a form 2 response")
    // do stuff
    // insert code from form 2 script
  }

  // test for response from form #3
  if (e.range.getSheet().getName() === "Form Responses 3"){
    // Logger.log("DEBUG: received a form 3 response")
    // do stuff
    // insert code from form 3 script
  }
}


A preppy color palette + a truly epic loft bed = our inner teen's dream room.
When Shay Geyer, the owner and designer of IBB Design Fine Furnishings, decided to give her 10-year-old daughter's bedroom and bathroom an update, it wasn't because they lacked color or creativity. The original design included every shade in the rainbow, but it was intended for a four-year-old and she felt her daughter had outgrown it.
So to bring the space up to pre-teen speed, she decided to stick with the colorful palette, but add in bold black accents and patterns inspired by Kate Spade and Tory Burch — and the results are something we firmly believe both famous brands would swoon over.
The bright blue paint makes the loft the room's focal point, while stripes on the day bed and polka dots on the walls add that famous Kate Spade-inspired pattern play.
Under the loft, Geyer added a closet that offers twice as much storage as the previous one — and her former wardrobe space now serves as a fabulous shoe room even the Kardashians would envy. Brass accessories add even more glitz and glamour to the design.
But the rest of the room is all about the details: Geyer made window treatments designed to look like boutique store awnings, included Kate Spade and Tory Burch shopping bag art in the gallery wall, incorporated bows just about everywhere, and found a mirror in the shape of an exclamation point (!) for the bathroom, which is a dream in robin's egg blue tile.
To see more photos of the bedroom makeover, head over to IBB Design. Geyer redid the room during Calling It Home's biannual One Room Challenge, where you can find many more amazing makeovers, too.


Read 11 reviews and enjoy exclusive savings on Trafalgar's 14 Day Western Discoverer. Head west for an unforgettable encounter with manmade and natural wonders-Hollywood's Walk of Fame, the misty splendour of Yosemite Falls, astounding views of the Grand Canyon and glittering...read more lights in a desert oasis, washed down with a glass or two of Sonoma red against the backdrop of sun-kissed vineyards.
14 Day Western Discoverer reviews from past clients of Global Journeys.
We had an absolutely wonderful experience on this tour. It was well organised, the accommodation was good and our Tour Director was fantastic. Being a "Discoverer" tour the pace is quicker than some tours, but not so much that we felt rushed, or that we missed anything, and we did see and experience so many great places. We often had options to be as active or sedate as we wanted and the travel times were kept as comfortable as possible. We highly recommend this tour and Trafalgar. We plan to...read more do more of their tours.
This is a fantastic tour taking in the key sights throughout California. Highlights include the optional extra of flying over Grand Canyon, Old town San Diego, Yosemite National Park, San Francisco, and Vagas. We stayed in 4.5 star hotels and dined in some fabulous restaurants. The bus was mostly comfortable with stops every 1.5 to 2 hours in small city towns or rest stops. The tour guide was knowledgeable and happy to accommodate special requests where needed.
Stayed at some very nice hotels and were given lovely inclusions on the tour. Our tour guide and coach driver were excellent and gave us a smooth and worry free experience. The tour was at times fast paced, but we did have some distances to cover in certain areas. Highlights included Las Vegas, Grand Canyon, Yosemite and meeting some wonderful fellow travellers.
Trafalgar was excellent to travel with, the accommodation was of a very good standard. Our tour director Todd was very knowledgeable & always available to assist with our queries. We got to visit some amazing places, the Grand Canyon being the WOW moment of the trip. Booking with Global Journeys was exceptional service. Michelle handled the booking very professionally. Overall a very positive experience with some awesome memories.
Online booking was handled very efficiently and the travel documents were received in plenty of time. The coach was full which meant, as a solo traveller, I was seated next to a "new friend" who chose not to communicate; reason unknown. It is always enjoyable travelling in the USA, broad smooth highways, and lots of interesting sights to see. Of the optional excursions I did, most were OK, except the jeep tour in Sedona which was disappointing since it did not visit the advertised sites of Cathedral...read more Rock or the Chapel of the Holy Cross. There wasn't much time at some destinations. For example, arriving late in the afternoon at Santa Barbara at a hotel some distance from the town centre, meant there was no time to explore. The Tour Leader did a very good job organising and explaining logistical arrangements, leaving times, dinner times, etc. The commentary given on the coach was cheerful but not very informative. I would have liked to hear more about the region we were in, the issues facing the population in the past and present, the Indian wars, etc, and American life in general.