text:
Q: Can someone explain the condition given in while loop I want to know what is the condition that is while loop checking in the code given below
HERE IS THE CODE
#include<stdio.h>
int main(){
    while (!printf("hello owrld"));
    return 0;
}

A: It is checking if what printf() returns (the number of characers printed, or a negative value that indicates error) is zero.

Quote from N1570 7.21.6.1 The fprintf function:

The fprintf function returns the number of characters transmitted, or a negative value
if an output or encoding error occurred.

Quote from N1570 7.21.6.3 The printf function:

The printf function is equivalent to fprintf with the argument stdout interposed
before the arguments to printf.

Qote from N1570 6.5.3.3 Unary arithmetic operators:

The result of the logical negation operator ! is 0 if the value of its operand compares
unequal to 0, 1 if the value of its operand compares equal to 0. The result has type int.
The expression !E is equivalent to (0==E).

A: Basically printf() function returns the number of character in a string written inside double quotes as its return value so if there is ! ("negation") then any value other than 0 is considered 0 as a result. That's how the condition inside while loop is false.
I hope it's helpful.

redpajama_set_name: RedPajamaStackExchange


text:
Pulmonology / thoracic surgery
Service and Service Packages
Sales & Service Network
The Richard and Annemarie Wolf Foundation
Minimal Invasive Surgery (MIS), or laparoscopic surgery, is a technique applied in visceral surgery and allows interventions below the abdominal cavities by means of an optical instrument. It is used to create diagnoses and carry out certain operations and is now an established surgical procedure.
The success of an operation or treatment hinges on both the surgeon's skill and having the right set of instruments. Minimal Invasive Surgery has become an established technique in recent years and has made tremendous medical progress.
Laparoscopic Surgery , also known as keyhole surgery, comprises safe established and minimally invasive that have replaced numerous open surgical operations . These procedures reduce trauma and wound healing disorders and are therefore seen as patient-friendly. This advanced technology permits a broad range of laparoscopic operations, from standard interventions, such as cholecystectomy, appendectomy or inguinal hernia, through to advanced interventions such as laparoscopic rectal resections, as well as the laparoscopic gastric bypass or sleeve in the field of bariatric surgery.
Products for this technique
ENDOCAM Logic 4K
ERAGONmodular
PANOVIEW ULTRA
ERAGONstitch
Insufflator Highflow 45
Fluid Control Lap 2216
Minilaparoscopy
The trend towards increasing patient-friendly operating procedures is creating a higher demand for instruments with minimized diameters. This is where minilaparoscopy offers the cosmetic advantages of NOTES or the single-port technique, without the associated drawbacks and risks presented by complex operating procedures and long learning curves. An interdisciplinary procedure that can be used in laparoscopic surgery, gynecology and urology.
Interventions with a small outer diameter of just 3.5 mm and the use of suitable instruments leave only the smallest, barely visible scares. The trauma of the surgery is likewise minimized, and this can significantly shorten the patient's hospital stay. It is also repeated that patients feel less pain. Surgeons can simply perform their familiar technique using narrower diameter instruments.
The successful ERAGONmodular concept was used as a basis to develop a new generation of three-part modular 3.5 mm instruments that also satisfy the toughest standards in hygiene and application technology. These instruments are used in both adult and pediatric surgery.
Minilaparoscopy, an ingenious and contemporary surgical procedure, is already an established standard in the fields of cholecystectomy and appendectomy.
Gynecological laparoscopy
Gynecological laparoscopy is becoming an increasingly important field. The development of patient-friendly, minimally-invasive hysterectomy procedures and the associated beneficial surgical outcomes combined with significantly shorter periods of rehabilitation. This has led to interventions like hysterectomies being performed laparoscopically in many cases.
Operations performed in gynecological laparoscopy:
TLH (Total Laparoscopic Hysterectomy)
LASH (Laparoscopic Supracervical Hysterectomy)
LAVH (Laparoscopic Assisted Vaginal Hysterectomy)
Myomectomy
Ovarectomy
Salpingectomy
Fertility surgery
Ectopic pregnancies
SecuFix Uterus Manipulator
to Gynecology
Transanal Endoscopy Microsurgery (TEM)
Register to watch the OR-Video
Transanal Endoscopic Microsurgery (TEM) is used to treat diseases of the rectum. The generic term is colorectal surgery and includes operations on benign or malignant tumors. The operation can be performed using conventional or laparoscopic techniques.
Benign conditions that require intervention are often diverticular diseases. Diverticulitis is a disease of the colon, an inflammation caused by herniation of the mucosa. This often affects the colon sigmoideum (sigma diverticulitis – also referred to as "left-sided appendicitis"). Most operations on colon and rectum tumors can be performed laparoscopically. This depends on the size and location of the tumor and the surgeon's experience...
If you want to see the surgical video, register or log in.
Register now Log in now
Titan-Clip
Pediatric surgery is an autonomous discipline of surgery and covers the Area from newborn to teenager. Pediatric surgeons therefore have to be familiar with the particular characteristics and growth phases of their patients in relation to the age of each individual. Nowadays, minimally-invasive techniques are naturally common practice in this area of medicine.
All areas of abdominal, thoracic and tumor surgery through to pediatric urology and orthopedics are covered. One focus in pediatric surgery relates to malformations. These diseases are generally not restricted to a single organ system and this is why pediatric surgeons rarely specialize in a single organ, as is the case in adult surgery. Pediatric surgeons base their operating techniques on adult surgery, although specific characteristics relating to the young age of their patients generally make it necessary to adopt a special procedure.
This means that particular specifications have to be observed for operating techniques and in the technical development of instrument sets in order to take account of the requirements of young patients. Pediatric surgeons therefore often adopt independent approaches.
Richard Wolf has also taken up this challenge and works together with experienced pediatric surgeons to develop specialized individual endoscopy systems and instruments tailored to this specialist area...
To Pediatrics
Questions?We are ready to help!
Richard Wolf Medical Instruments Corporation
info@richardwolfusa.com
Discover the eMagazine!
353 Corporate Woods Parkway
Vernon Hills, IL 60061-3110
© 2023 Richard Wolf GmbH. All rights reserved.
OWA

redpajama_set_name: RedPajamaCommonCrawl


text:
Highsnobiety logo
Founded in 1981 by entrepreneurs Eric Swenson and Fausto Vitello, Thrasher began as a venture to promote the duo's skateboarding hardware company, Independent Trucks. Thrasher has since made its mark on the community as the ultimate resource for news, reviews and interviews, produced and written almost exclusively by skateboarders, for skateboarders. Earning the nickname "The Bible" among skaters, its success makes it the longest running and most popular magazine in the community. The mid 2000s saw merchandise become a hit amongst off-duty models and celebs alike – much to the chagrin of the magazine itself – yet the publication continues to stay true to its roots with a focus on high-quality skateboarding content over celeb-endorsed collaborations, boasting a brash and fiery attitude encapsulated in its motto "skate and destroy."
Richard Novak, Jay Shiurman, Eric Swenson and Fausto Vitello co-found the Independent Truck Company with the aim of introducing a high-quality skateboard truck to the community.
Thrasher magazine is founded by Eric Swenson and Fausto Vitello
Thrasher releases its first music compilation titled 'Skate Rock.' Released on cassette it features a horde of Californian punk bands, many fronted by skateboarders. The series continues for a further six volumes – all available for purchase directly from the magazine.
Thrasher's first Skateboarder of the Year is named as Tony Hawk.
Thrasher's inaugural King of the Road skateboarding competition is held. Over a two-week period, a group of pre-invited teams of professional skaters are invited to partake in a series of challenges with points awarded at the completion of each as they travel across the United States. The competition has been held every year since with two exceptions in 2008 and 2009. On top of a trophy and cash prize, the winning team earns the coveted Thrasher cover.
Thrasher's first collaboration with Supreme lands.
Thrasher's now iconic logo tee makes its mark as a staple amongst fashion gurus, spotted on the likes of Justin Bieber and Rihanna. The popularity of the flame logo sparks a war of knock-offs and bootleg variations with Thrasher publicly calling out brands like H&M and Forever 21.
Thrasher collaborates with Vans to produce the Red Hot collection making use of the now-iconic flame logo. Thrasher drops collaborations with the likes of BEAMS, Beauty and Youth and a pop art inspired collection with Supreme. Amid an array of knock-offs Thrasher team up with Dutch artist Parra with a riff on their own rip off design 'Tharsher'.
Supreme's Tyshawn Jones wins Skater of the Year.
Rumors of a further Supreme collaboration spread as the brand celebrates its 25th anniversary.
Long-running Editor in Chief Jake Phelps passes away.
San Francisco, California, USA
Eric Swenson and Fausto Vitello
What is Thrasher?
Thrasher is a seminal skateboarding publication. Since its beginnings in 1981 it has been a bastion of skateboarding. Abrasive in its style but never lacking in knowledge it continues to encourage an unfaltering sense of community amongst skateboarders, standing welcome with open arms, but only if you don't mall grab. The current circulation is approximately 250,000 and Thrasher is published by High Speed Productions.
Where did the Thrasher font come from?
The Thrasher font (known as Banco) was designed by Roger Excoffon, a designer who specialized in typeface. The font and flame logo have been the source of problems for Thrasher as they battle bootleg merchandise – including lodging trademark infringement complaints against retailer H&M. The flame logo, wheels and skull logo and typeface have all been utilized and explored throughout the publication's collaborations with skateboarding and streetwear giants, regularly teaming up with the likes of HUF and Supreme.
Thrasher's New adidas Collab Is Here & It's Not Just for the Skater Boys
SneakerssponsoredNovember 23, 2020
Watch Cambryan Sedlick Shred Through Tokyo in New FACT. x Thrasher Skate Video
DesignsponsoredJune 12, 2019
Tyshawn Jones Shreds Miami & Puerto Rico in Thrasher's New SOTY Video
SkateboardingsponsoredMarch 8, 2019
The Drip | A$AP Rocky Rocks Thrasher Sweats, a Prada Vest & Vans at WOO HAH! Festival
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Highsnobiety TBT
Remember When Supreme Appeared in this Classic Video Game from 1999?
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The Young Thug x Thrasher Bootleg Tee Returns
The 10 Best Snobshots of the Week
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SelectssponsoredSeptember 11, 2017
'Vogue' Explores How the Thrasher Tee Became Every Model's Favorite Off-Duty Piece
StylesponsoredFebruary 1, 2016
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What is the life cycle of an entrepreneur? Ichak Adizes, PhD, described the Ten Stages of Corporate Life Cycles in his book The Power of Purpose. Having experienced two massive business failures in the companies that I founded or co-founded, I can testify that Dr. Adizes is certainly correct in those Ten Stages of a business' development.
This blog post aims to adapt the words of Ichak Adizes, focusing on the life cycle of an entrepreneur instead of the business. My life as an entrepreneur—and the time spent with peer entrepreneurs, emerging entrepreneurs and academics in the entrepreneurial arena—make apparent these interesting Four Stages of an Entrepreneur's Career.
The beginning cycle of a business is like a freeway, sometimes exceeding the speed limit and sometimes stop and go, but always the engine is churning looking for opportunities. The first person singular pronoun is a major construct of the vocabulary—"I," "me," "mine." Nothing else seems to matter except the entrepreneur's thoughts. The second person pronoun—"you"—is used as a counter to "I" or "me." Psychological health and personal relationships suffer. The entrepreneur is all things, but primarily the Chief Operations Officer and Visionary.
Business growth in this stage has become manageable. Key employees have been hired to fill vital slots, ensuring sustainable growth. The use of the plural of the first person pronoun accelerates, transforming to "we," "us," and "ours." This shift of vocabulary indicates the achievement of mutual respect and trust. Employees, clients, advisors, consultants and the entrepreneur form a bond based on mutual values, vision and mission. The fortunate entrepreneurs evolve into the Chief Executive Officer position at this stage.
Command and control in the entrepreneur diminishes during this stage. There emerges a valuation for human relationships. Loved ones now matter. If the entrepreneur can engage in a loving relationship in his or her personal life, the resulting positive impact will be brought to the workplace. The third step of leadership is love, or emotional engagement (after respect and trust). It is during this stage that employee engagement levels soar and self-actualization begins to be realized.
The acquisition of knowledge is critical during the first three steps. That acquired knowledge—coupled with emotional intelligence gained through personal and professional pains and gains—results in wisdom. The entrepreneur becomes a Chief Culture Officer at this stage, realizing that sustainable success is dependent on the organization's culture and people. The entrepreneur begins the path of sharing wisdom through mentoring, speaking, writing and advisory board participation. Succession plans are made formal, and the inception of those plans begun.
There are many viewpoints as to the stages of an entrepreneur, just like there are many that focus on the life cycle of a business. Perhaps most are correct. It matters not how accurate the interpretation of those stages are. Rather, what matters is recognizing where you and your organization stand in a particular cycle. All too often we focus on the product and not the business model or leadership model. It is time for that to change.
For more information about the Ten Stages of Corporate Life Cycles, visit Dr. Ichak Adizes' website here.


Plan, organize, and track project progress with issues, kanban boards, labels, weights (story points), milestones (sprints and releases), time tracking, due dates, and assignees, using Scrum, Kanban, SAFe, and other methodologies.
GitLab enables lean and agile project management from basic issue tracking to scrum and kanban style project management. Whether simply tracking a few issues, to managing the complete DevOps lifecycle, GitLab has you covered.
● Collaborate and define specific business needs.
● Track effort, size, complexity, and priority of resolution.
● Eliminate silos and enable cross-functional engagement.
● Visualize the status of work across the lifecycle.
● Manage, assign and track the flow of work.
● Enable Kanban and Scrum styles of agile delivery.
● Link issues with actual code change needed to resolve issues.
● Visualize and track the status of builds, testing, security scans, and delivery.
● Enable entire team to share a common understanding of status.
Want to know more about how Gitlab can accelerate your adoption of agile software delivery practices? Keep reading.
GitLab delivers a flexible and powerful issue tracker that scales from small teams to large complex organizations. GitLab project management makes it easy to capture issues, collaborate on the details, and then prioritize and deliver business results.
Boards in GitLab are a flexible and powerful tool that makes it easy to visualize the work as it flows through the project from your backlog through development, testing and delivery.
Enable traceabiltiy from user stories(issues) to the actual development and delivery with GitLab merge requests.
The merge request establishes traceabitity from the issue to the code changes and is the central hub where development teams collaborate on the design and actual implementation of the code. This is where code reviews, discussions and security testing comes together to help make developers more productive and efficient. The review app is a powerful feature in the merge request, deploying an isolated copy of the application changes for testing and immediate review.
Use task lists in issues, merge requests, and epics to manage tasks and track their completion using checkboxes.
Upload file attachments (including images) to issues, merge requests, and epics, to communicate ideas beyond text.
Award emoji in issues, merge requests, and epics, for more expressive communications, and to indicate upvotes and downvotes.
View system activity to see a history of changes to issues, merge requests, and epics. Filter by comments only or history only.
Track title changes in the system activity of issues, merge requests, and epics.
Assign prioritized labels with issues and merge requests to display them in priority order.
Assign scoped labels mutually exclusively when they have the same scope.
Assign a user to an issue or a merge request, indicating responsibility for it.
When creating a new issue, see similar existing issues, to reduce the number of duplicates and focus collaboration.
Edit multiple issues or merge requests all at once.
Issues can be imported from a CSV into GitLab, generated from another issue tracking system.
See issue analytics at the group level.
Be notified by email, Slack, or ToDos anytime there are changes to an issue or merge request.
Include custom additional text in all emails sent by GitLab, such as including disclaimer text.
For incoming email features in GitLab, support sub-addressing email servers.
For incoming email features in GitLab, support catch-all email mailboxes, which can be used with Microsoft Exchange and Google Groups.
To ensure that developers in GitLab and project managers in JIRA remain in tune, GitLab integrates with JIRA and provides the necessary tooling to fill that gap.
Integrate Jira issues with GitLab merge requests.
View GitLab repository information and navigate to GitLab from the JIRA development panel.
View the full history of description updates in issues, merge requests, and epics.


text:
require_relative '../minitest_helper'

class WikipediaSearchTest < MinitestSpec

  Minitest::Spec.spec_type "Wikipedia Search", %q{
    As a visitor
    I want to be able to see results related to the search term I submit
    So that I can find what I'm looking for
  }

  before do
    config = {app_host: "http://wikipedia.org", wait_time: 15}

    CapybaraHelper.instance.before_test config
  end

  after do
    CapybaraHelper.instance.after_test
  end

  it "finding the information about capybara", js: true do
    visit "/"

    fill_in "searchInput", :with => "capybara"

    find(".pure-button", match: :first).click # submit

    page.must_have_content('capybara')
  end
end

redpajama_set_name: RedPajamaGithub


Construct your business Ecosystem from the idea to launch.
Use best technologies to build the best products.
Consult & Hire Experts to supercharge your business.
Fitted for the Age of Digital and the Era of Acceleration, AMASE is a method crafted for companies and organizations that need to bring valuable products and services to their clients, partners and employees, in the most efficient way, the fastest way possible, with sustainability at the core of each decision and action taken, could they be Indies, Startups, Small/Medium/Large corporations, Associations or Institutions.
Its purpose is to be easy to learn, natural to practise, supported by bots, applications and templates to speed up and maximize your productivity.
Finally, AMASE works at all level: from the scale of your product to the scale of your ecosystem.


text:
Natalja Iwanowa (ros. Наталья Иванова, ur. 11 maja 1969) – radziecka, rosyjska i od 2002 roku tadżycka zapaśniczka w stylu wolnym. Olimpijka z Aten 2004, gdzie zajęła jedenaste miejsce w wadze do 63 kg.

Dziewięciokrotna uczestniczka mistrzostw świata. Zdobyła trzy medale. Srebro w 1995 i 1996; brązowy w 1994. Pięć razy brał udział w Mistrzostwach Europy. Srebrna medalistka w 2001, brązowa w 1996 i 2000. Piąta w Pucharze Świata w 2001. Szósta na igrzyskach azjatyckich w 2002. Srebrny medal na światowych igrzyskach w zapasach plażowych w 2007 roku.

Bibliografia
 Dane na Foeldeak.com

Przypisy

Uczestnicy Letnich Igrzysk Olimpijskich 2004
Tadżyccy olimpijczycy
Urodzeni w 1969
Tadżyccy zapaśnicy
Rosyjscy zapaśnicy
Radzieccy zapaśnicy

redpajama_set_name: RedPajamaWikipedia


text:
/ The Staple Singers
/ Freedom Highway
Freedom Highway
The Staple Singers
Preview Freedom Highway
LEGACY/COLUMBIA
Move Along Train
Are You Sure (Album Version) (Album Version)
Wade In The Water (Album Version) (Album Version)
If I Could Hear My Mother Pray Again (Album Version) (Album Version)
Glory, Glory, Hallelujah! (Album Version) (Album Version)
The Lord's Prayers (Album Version) (Album Version)
Jacob's Ladder (Album Version) (Album Version)
Why? (Am I Treated So Bad) (Album Version) (Album Version)
Praying Time
For What It's Worth (Album Version) (Album Version)
Hammer and Nails
Freedom Highway (Album Version) (Album Version)
What You Gonna Do?
Be Careful of Stones That You Throw
This Train
Gospel, Christian
℗ 1991 Sony Music Entertainment Inc.
© 1991 Sony Music Entertainment Inc.
Also by The Staple Singers
Preview New-Born Soul
New-Born Soul The Staple Singers 2019 From $4.76
Preview New Born Soul
New Born Soul The Staple Singers 2019 From $4.76
Preview The 25Th Day of December (Remastered)
The 25Th Day of December (Remastered) The Staple Singers 2018 From $12.99
Preview Gloryland: Staple Singers Gospel Greats
Gloryland: Staple Singers Gospel Greats Staple Singers 2018 From $8.99
Preview The Last Month of the Year
The Last Month of the Year The Staple Singers 2018 From $1.79
Preview Hammer And Nails (Remastered 2018)
Hammer And Nails (Remastered 2018) The Staple Singers 2018 From $6.49
Preview What's Going On - 40th Anniversary (Super Deluxe)
What's Going On - 40th Anniversary (Super Deluxe) Marvin Gaye 2011
Preview Exile On Main Street (2010 Re-Mastered)
Exile On Main Street (2010 Re-Mastered) The Rolling Stones 2010
Preview Back To The Roots
Back To The Roots John Mayall 2001
Preview Riptide
Riptide Robert Palmer 1985
Preview Jazz Blues Fusion
Jazz Blues Fusion John Mayall 1972
Preview The Complete Recordings
The Complete Recordings Robert Johnson 2014


text:
Finalists for head jobs, Reirden and Lambert back with Caps
ARLINGTON, Va. (AP) After the best regular season in franchise history, the Washington Capitals almost lost two assistant coaches to other NHL teams.
Todd Reirden was a finalist for the Calgary Flames' head coaching job and Lane Lambert for the Colorado Avalanche's. The Flames hired Glen Gulutzan in June, and then after the abrupt resignation of Patrick Roy the Avalanche hired Jared Bednar last week. That left Jack Adams Award-winning coach Barry Trotz's staff intact for another run at the Stanley Cup.
Trotz was selfishly glad to still have Reirden and Lambert on the bench, especially considering the Capitals have most of their players back and are again a Cup favorite.
''You never like to lose high-quality people and coaches, but at the same time these are guys that if they're not replacing me, they're replacing someone else in the league,'' Trotz said Tuesday. ''Both of them were right there in the end. It says a lot about them. It says a lot about our program here in Washington.''
Reirden and Lambert contributed to and benefited from the Capitals' success last season, which ended with a second-round loss to the eventual Cup-champion Pittsburgh Penguins. Reirden comes back for 2016-17 as an associate coach after being given that promotion Monday when the team announced he'll run training camp while Trotz is on Canada's staff at the World Cup of Hockey.
Going through the experience of interviewing is something Reirden believes will help him and Lambert moving forward.
''We went through those situations, both of us, with different teams, but not for one second was I disappointed about coming back and being a part of this team,'' Reirden said. ''We've invested a lot in the last two years and our growth of our team in two years I think has been outstanding.''
The success so far has made Reirden and Lambert two of the more sought-after assistants in the NHL. Reirden learned just how competitive the process of earning a head job is and was able to help Lambert through his situation two months later.
Capitals general manager Brian MacLellan had a more difficult decision to make on Lambert, too, given that Joe Sakic of the Avalanche asked permission to talk to Lambert a month before the start of camp. Trotz had to come up with four or five potential replacements but agreed that Lambert should get the chance to interview.
''It might've been a different decision if it was the Rangers or someone else calling that you play a lot more,'' Trotz said. ''But for the most part I think we've developed a relationship with our staff that if you get an opportunity to move up, we want to give you that opportunity.''
Next year one if not both will be in the mix for vacancies and likely gone. Players understand that's part of the business
''Todd is certainly on the horizon, I think,'' Niskanen said. ''He's probably going to get a chance. Selfishly I was hoping that it waits another season, at least, and I think that's good for our team, too.''
Follow Stephen Whyno on Twitter at http://www.twitter.com/SWhyno .
Hockey Hall of Famer Bobby Hull, the Golden Jet, dies at 84
Playoffs, rematches and rivalries: Inside Sunday's 28-game Sports Equinox
12 longest active playoff droughts in NFL, NBA, MLB, NHL
Quiet period in sports? It depends where you look
Canadiens take Juraj Slafkovsky with first pick in NHL draft


Sleep and Productivity: Is It Time For a Nap?
Sleep and productivity might seem at odds with each other. In some fields, people even boast about their crazy hours or how little sleep they get.
But that kind of thinking is misguided.
Reports from the Centers for Disease Control and Prevention make clear that our collective lack of sleep is dangerous to both our health and our productivity. When we don't get enough sleep, our judgment and our ability to perform daily tasks suffer. We're not as good at problem solving or executing plans, and we're prone to making errors in our work. Just last month, McKinsey & Company, a leading global management consulting firm, declared that sleep deprivation requires "specific and urgent attention" from companies. As McKinsey points out, a lack of sleep most affects the part of the brain (the prefrontal cortex) that's responsible for the higher-order mental skills that leadership requires.
As a knowledge worker, your success depends on giving your brain what it needs to deliver the know-how and creativity you were hired to provide. And if you lead other knowledge workers, part of your role is supporting the habits that help them produce their best results.
Bottom line: We all have to take the relationship between sleep and productivity more seriously.
A good way to start fighting the harm of sleep deprivation is embracing the idea of napping at work.
That's what many successful, forward-thinking companies are already doing. HubSpot, Zappos and Nike offer nap rooms for employees. At Google and Huffington Post/AOL, employees can grab a few winks in Energy Pods, reclining capsule chairs designed for naps at work. Science supports these pro-napping practices: studies show that a quick nap can increase alertness, improve learning and memory, increase creativity, boost productivity, improve mood and decrease stress.
If you're a leader, encouraging your team to enjoy a little shut-eye when they can will lead to more productivity than pushing them to fill every minute with activity. Spread the word that napping is acceptable (and encouraged!) and that it's a lot more effective than the sugar- or caffeine-loading habits that are ingrained in so many office cultures. If that seems a little crazy to you, consider that a smoking break is still acceptable in most professional settings—now does a nap break still seem crazy? McKinsey even recommends providing training on sleep habits and other well-being topics.
Back up these messages with action. However much you promote napping, employees may not feel comfortable catching a few zzz's during their workdays until they know that leadership takes nap breaks too. If possible, you could also promote napping by designating an area for it. Is there (for example) an unused office where you could set up a couch?
Leaders also get a bonus benefit from promoting naps: It shows that they care about the well-being of their colleagues, which helps build trusting relationships. And relationship-building is one of the key qualities of successful executives, according to research reported at HBR.org.
Even if you can't influence your office to adopt a napping culture, you can still look for ways to work a nap into your day. If you work at home, you're all set! If you have an office, close the door and put your head down on your desk. No office? Maybe you can retreat to your car for a few minutes. Is there a grassy area near your office? Bring a blanket to work and close your eyes outside when the weather permits. Silence your devices so that no calls or email alerts disrupt your time to refresh, and set a timer for 10-20 minutes or so. Napping longer than 30 minutes at work isn't a good idea because you're more likely to enter REM sleep and feel groggy when you wake up. Even if you can't fall asleep during your nap time, you'll still reap some productivity benefits just from pausing and quieting your mind; resting is almost as good as sleeping.
Consider the relationship between sleep and productivity in your own life. If possible, experiment with napping at work this week. Pay attention to how a nap affects your abilities to concentrate, solve problems, learn new things, make decisions and relate to others. Then tell me about what you noticed – whether in the comments here or on Facebook or Twitter.
Great article, Maura. I've been reading a lot about sleep lately, and its importance on our productivity and our relationships. Thanks for sharing!


text:
WWhat's the Deal?
Public Domain Day 2023 is Coming: Here's What to Know
byAaron Moss
On January 1, 2023, copyrighted creative works first published in 1927 enter the public domain in the United States. Are you ready?
A new crop of copyrighted works (including rights in a certain famous British detective) will enter the public domain in the United States on January 1, 2023. Here's what it all means.
Last month, Hulu announced that the upcoming third season of its Hardy Boys reboot would be the series' last. While it's certainly not unusual for streamers to cancel shows after only a few seasons, it also just so happens that the first three novels introducing the teenage sleuths are about to enter the public domain.
The first three novels in The Hardy Boys series are going to enter the U.S. public domain on January 1, 2023. Spoiler alert: the secret of the old mill is that it's a meth lab.
There's no indication that Hulu's decision was influenced by the copyright status of The Hardy Boys' titular characters. But it's also no secret that under the "cost-plus" model used by streaming services nowadays, the rates paid to producers, talent and rightsholders become more expensive the longer a series goes on. You'd forgive any business-minded licensee for thinking twice about paying escalating fees for the right to use source material that may only be copyrighted within an inch of its life.
Happy Public Domain Day 2023
On January 1, 2023, Frank and Joe Hardy will be in good company. That's when a whole slew of popular books, stories and films first copyrighted in 1927 will enter the public domain in the United States. They include the Hermann Hesse novel Steppenwolf, Virginia Wolff's To the Lighthouse, and The Case-Book of Sherlock Holmes, which features the final set of Sir Arthur Conan Doyle's Sherlock Holmes stories (more on that one later).
On January 1, 2023, Putting Pants on Philip enters the public domain. Not only does the film have one of the greatest titles in movie history, it features the first official motion picture appearance of comedy duo Laurel and Hardy.
Also heading to the U.S. public domain on January 1 are the 1927 films The Lodger, which was Alfred Hitchcock's first thriller, and The Jazz Singer, the first full-length movie to feature synchronized dialogue. Unfortunately, that one is also a racist mess.
And let's not forget the groundbreaking and highly influential Metropolis, which is actually about to make its second trip into the public domain. The copyright in the Fritz Lang motion picture first lapsed in 1955 after its owner didn't renew the initial copyright registration. However, in 1996, the Uruguay Rounds Agreements Act resurrected the film's copyright. The Act restored protection for Metropolis and other foreign works that were still protected by copyright in their source countries, but which had fallen into the U.S. public domain for failure to comply with the various formalities (e.g., notice, registration and renewal) formerly imposed under U.S. law.
Metropolis, a film everyone claims to have seen but fewer have ever watched, enters the U.S. public domain on January 1, 2023.
The public domain status of all of these works was further delayed by 1998's Sonny Bono Copyright Term Extension Act (CTEA), which extended the term of copyright protection for subsisting copyrighted works by 20 years. Works copyrighted prior to 1978 had their terms extended from 75 years to 95 years from the date of publication.
Following a twenty-year hiatus that ended in 2019, a new crop of works has entered the U.S. public domain each year on January 1. In 2023, this will include all works first published in 1927. Note that works remain protected until the end of the calendar year. That's why Disney's Steamboat Willie won't enter the public domain until January 1, 2024, even though the film is set to celebrate its 95th birthday in 2023.
IMPORTANT Public domain is country specific. Just because a work is in the public domain in the United States doesn't mean it isn't protected by copyright elsewhere—and vice versa. Check out the Copyright Myth Project for more.
A Matter of Character(s)
One of the most interesting issues involving older content involves characters that first appear in a public domain work but which then evolve or change over the course of later works that are still protected by copyright. For example, the version of Mickey Mouse featured in Steamboat Willie had black eyes, small ears, and a pointy nose. He also had a bad temper and the unfortunate habit of using barnyard animals as musical instruments.
I mean, sure, if you want to use "Mickey Mouse, Cat Abuser," go ahead (in 2024).
Gradually, over time, Mickey's eyes were enlarged (and pupils were added), his ears became more pronounced, and his nose was shortened. Following a visit from the ASPCA, he became devoted to animals. These later versions of Mickey will still be protected by copyright even after the character's original iteration enters the public domain.
He may look like a rat, but he's a good looking rat, no?
The principle that characters which evolve over time don't enter the public domain all at once was established by the 2014 opinion in Klinger v. Conan Doyle Estate, Ltd. The Klinger case arose because the Arthur Conan Doyle estate tried to claim that Doyle's Sherlock Holmes character would stay out of the public domain so long as any individual work depicting the character remained protected. But the Seventh Circuit rejected that view.
The entire original Sherlock Holmes canon—featuring the good, bad, and the downright pompous, thin-skinned and indolent detective—enters the U.S. public domain on January 1, 2023.
Instead, the court ruled that a copyrighted character begins to fall into the public domain when the first published story featuring that character enters the public domain. At this point, "story elements—including characters covered by the expired copyright—become fair game for follow-on authors."
At the same time, those aspects of the character's evolution that don't appear until later works may still be eligible for copyright protection.
While later iterations of a character may be protected, you can't bootstrap the copyright in a derivative work to extend protection on the original work. Because author Klinger was only looking to adapt the Holmes and Watson characters as they appeared in the stories that had lapsed into the public domain, he was free to do so.
Still, the fact that fully 98% of the Sherlock Holmes works are in the public domain hasn't stopped the Doyle estate from taking the position that nearly anyone who wants to create a derivative work featuring the character needs to get a license. Among the licensed works touted on the Estate's slickly-produced website are the long-running CBS series "Elementary," the Will Ferrell comedy "Holmes and Watson" and two films starring Robert Downey, Jr. But come January 1, 2023, none of the stories in the original Sherlock Holmes canon will be protected by U.S. copyright.
Running Down the Clock
A still from Metropolis. Please don't sue me until January 1, 2023, at which point I'll vigorously defend said lawsuit.
Estates of famous authors have sometimes tried to enforce their rights in works up until the last minute. The estate of Harold Lloyd provides a good example of a copyright owner attempting to wring every last ounce of copyright protection from a work before the protection clock ran out. Perhaps to underscore the ticking time analogy, in 2014, Harold Lloyd Entertainment filed a lawsuit against the manufacturer of a clock that the plaintiff argued was a "direct appropriation of the iconic clock scene" from Lloyd's 1923 film "Safety Last." Harold Lloyd Entertainment filed several lawsuits alleging infringement as late as 2015—92 years after the film's copyright was originally secured and just a few years before it was set to expire.
The wall clock on the right was the subject of a 2014 copyright lawsuit filed by Harold Lloyd Entertainment alleging infringement of the iconic clock scene from "Safety Last" (1923).
Interestingly, were it not for the passage of the CTEA in 1998 (or had the film been released just one year earlier), "Safety Last" would have been in the public domain at the time of the 2014 suit. Instead, it was part of Public Domain Day's Class of 2019, soon to be joined in January 2023 by another Harold Lloyd classic, "The Kid Brother."
Harold Lloyd is the kid brother in The Kid Brother, which features a classic underdog narrative way before Underdog.
Extending Rights in Public Domain Works
There are a few recognized methods that publishers and other rightsholders use to retain market share even after a work has entered the public domain. "Special editions" tend to proliferate a year or two before a copyright is set to expire, filled with annotations, prefaces and essays that are still protected by copyright.
For example, Agatha Christie's estate just authorized the first-ever Miss Marple Calendar as well as twelve new mysteries featuring the character. The estate's announcement of these works coincides with the first Miss Marple story's impending entry into the public domain.
Note that the early appearances of the Marple character are different than how she appears in later Agatha Christie books. That's another reminder to make sure that if you use copyrighted characters featured in a public domain work, you shouldn't take aspects of those characters that first appear in later works still protected by copyright.
The same is true of Winnie the Pooh. The first collection of Pooh stories entered the public domain in 2022, and Now We Are Six will follow in 2023. But Pooh didn't appear wearing a red shirt until 1932, and Disney didn't release its first theatrical short featuring the character until 1966. That version of Winnie the Pooh won't enter the U.S. public domain until 2061.
The director of the upcoming Winnie the Pooh: Blood and Honey is also reportedly working on Peter Pan: Neverland Nightmare. No word yet on whether Disney will take any legal action against these films.
Another, more controversial approach involves using trademarks (which can be perpetual) in characters to extend protection in public domain works. The Supreme Court hasn't ruled on the precise question, although in 2003, Justice Scalia, writing for the Supreme Court in Dastar Corp. v. Twentieth Century Fox, warned that allowing these types of restrictions on a public domain work could effectively create "a species of mutant copyright law" that would limit the public's right to copy and use expired copyrights.
With the impending entry of the Steamboat Willie version of Mickey Mouse into the public domain in 2024, we may see the interplay between public domain copyrights and perpetual trademarks play out in court pretty soon.
As always, I'd love to hear your thoughts in the comments below or on social media @copyrightlately. I'm now also on Mastodon at copyrightlately@mastodon.social. Meanwhile, here are some notable works that you can copy, distribute or adapt starting on January 1, 2023:
Notable Films Entering the Public Domain in 2023
The Lodger: A Story of the London Fog
The Great Leap
When Boys Leave Home
The Beloved Rogue
The Kid Brother
The Mystery of the Louvre
Uncle Tom's Cabin
The Way of All Flesh
Tarzan and the Golden Lion
Notable Books Entering the Public Domain in 2023
To the Lighthouse, Virginia Wolff
Steppenwolf, Hermann Hesse
Death Comes for the Archbishop, Willa Cather
The Big Four (Hercule Poirot, #4), Agatha Christie
The Bridge of San Luis Rey, Thornton Wilder
Amerika, Franz Kafka
The Case-Book of Sherlock Holmes, Arthur Conan Doyle
Now We Are Six (Winnie-the-Pooh, #4), A.A. Milne
Men Without Women, Ernest Hemingway
Emily's Quest (Emily, #3), L.M. Montgomery
The Tower Treasure (The Hardy Boys, #1), Franklin W. Dixon (pseduonymous)
The House on the Cliff (The Hardy Boys, #2), Franklin W. Dixon (pseduonymous)
The Secret of the Old Mill (The Hardy Boys, #3), Franklin W. Dixon (pseduonymous)
Aspects of the Novel, E.M. Forster
The Gangs of New York, Herbert Asbury
The Colour Out of Space, H.P. Lovecraft
The Treasure of the Sierra Madre, B. Traven
Twilight Sleep, Edith Warton
The Tuesday Night Club: A Miss Marple Short Story (Miss Marple), Agatha Christie
Mosquitoes, William Faulkner
The Killers, Ernest Hemingway
Freddy Goes to Florida (Freddy the Pig #1), Walter Rollin Brooks
In Another Country, Ernest Hemingway
The Future of an Illusion, Sigmund Freud
Gentlemen Prefer Blondes / But Gentlemen Marry Brunettes, Anita Loos
Notable Musical Compositions Entering the Public Domain in 2023
"The Best Things In Life Are Free"
"Dew-Dew-Dewy Day"
"He Loves and She Loves"
"(I Scream You Scream, We All Scream for) Ice Cream"
"Let's Kiss And Make Up"
"My Blue Heaven"
"Ol' Man River"
"'S Wonderful"
The Copyright Myth Project
Copyright Registration for Blogs and Social Media Posts Now in…
Artists Attack AI: Why The New Lawsuit Goes Too Far
Foreign Works, US Rights: The 7th Circle of Copyright Hell?
Is it Legal to Embed Public Instagram Photos on Your Website?
"Enola Holmes" and the Case of the Overreaching Copyright Owner
Aaron Moss
Great blog. I imagine many hours go into it. I have two questions:
Could Disney put its hundreds of artists on a project to produce Mickey stills in hundreds of thousands of poses and perspectives and backgrounds, register them as created in 2022-2023, get an additional 95 years on these specific stills, and threaten suit on these (after some program for insuring access by the public at large)?
Better yet, could Disney dedicate an AI program to produce hundreds of millions of such stills?
Aaron Moss says:
Thanks Kelly,
Yes, any new derivative works Disney creates will be protected for 95 years from publication, but the copyright in those works couldn't be used to "resurrect" any aspects of the character that had already fallen into the public domain. However, as I explained in the article, given the extensive changes made in the Mickey character over the years, Disney will be protected for a long time to come.
Using an AI program to create derivative works is risky, because its an open question as to whether those resulting images may be entitled to copyright protection.
Hayes says:
Thanks for the article. I do have another question. I have a dream of drawing children's comic books and also loved reading the Hardy Boys when I was younger. Could I publish my own versions of these three original novels? (I say, "my own versions" because the original novels of the 20s were biased against minorities and I'd want to change that.) Or would they still be under some sort of trademark? If so, could I get around it by calling them just by their book titles and leaving off the words "Hardy Boys?" I'm a regular person not part of a publishing company so I don't know how this works. Thank you!
I'm unable to provide specific legal advice, but generally speaking, when the earliest iteration of a character enters the public domain, that particular version of the character may be used, along with any plots and stories that are also in the public domain. The public may create derivative versions of the public domain elements, including by changing those elements, so long as the changes don't infringe later elements of the work that are still protected by copyright. Titles and character names can generally be used to truthfully identify a work so long as they aren't used in a way that would suggest any sort of sponsorship or association with the original rightsholders.
Hi Aaron. How is iţ that a "character" can be copyrighted? I would have that the Sherlock Holmes stories themselves could be copyrighted, but not that the characters themselves could be copyrighted. Isn't that like copyrighting an idea?
Hi Don – great question. Most courts have held that characters that are especially distinctive and which have consistent, identifiable attributes may be entitled to copyright protection separate from any particular work in which they appear. But this protection has its limitations. Once the copyright in the work in which a character appears expires, the character, as depicted in that work, enters the public domain. Where a character appears in a series of works over time and evolves over the course of those works, earlier versions of the character may be in the public domain while later versions remain protected. Thanks for reading!
Hector Manuel says:
One of the collections of films I am most excited to see fully entering into the Public Domain are the Oswald The Lucky Rabbit films made by Walt Disney and Ub Iwerks. Most of their films are lost or already in the public domain for a few decades. The Walt Disney Company has active trademarks and has used the Rabbit in Epic Mickey (2010) and made some changes to his personality and introduce new aspects to his character. Nonetheless, I am looking forward to this momentous occasion for all humanity, Public Domain Day!
Greg Luce says:
Actually, Aaron, I believe there has been a precedent regarding trademark law extending copyright protection. Back in the '90s I believe Goodtimes home video won a lawsuit regarding Dick Tracy. Goodtimes had come out with the four RKO Dick Tracy films from the 1940s, All of which fell into the public domain at the end of their first 28 year period of copyright. The owners of the Dick Tracy character tried to claim that the underlying character rights were still in force and that even though the films had fallen into the public domain, the character rights were still protected. However, if my memory serves me correctly, Goodtimes was able to show that the first appearance of Dick Tracy (I believe it was in a 1930 Chicago newspaper comics section) had completely fallen into the public domain. I believe that the judge ruled that since the character itself had fallen into the public domain, that no trademark on the character itself was enforceable any longer. You might want to check into this.
Hi Greg – I'm not familiar with the case, and I couldn't find it on Westlaw. Let me know if you have a cite and I'll check it out!
Lyn Calerdine says:
The first three Hardy Boys titles going into public domain creates some interesting questions due to their unusual history. As you note ,the first 38 Hardy Boys books were revised/rewritten from 1959 through 1974; the extent of revisions varied with each book, ranging from a few word changes to full replacement of the old text with new text completely unrelated to the old story. In the Tower Treasure and House on the Cliff, the revised texts followed the core elements of the original plots but were much faster paced – Even though the revised stories were about 30 pages shorter than the original texts, the revised books added new action scenes to fill out the new plot. Most of the text was completely rewritten, but heavily edited sections of the original text remain in the new text. Secret of the Old Mill was more heavily than the other two. The setting of the books was updated to the 1960s, and the characters were updated to varying degrees. The original texts were taken out of print at that point, but were readily available in used bookstores, and later on resale sites such as EBAY. The revised books are still in print. The original books are sought out by collectors,
The original texts of the first three titles went into the public domain on January 1, 2023, and several smaller publishers are now offering reprints of these three titles. I have looked at several of these reprints, and in at least two cases, the publishers have reprinted the 1959 text rather than the 1927 text. Others have correctly reprinted the 1927 text. The confusion could result from the publishers being unaware that there were two different versions of the book
From your discussion above, I assume that reprinting the 1927 texts is fair game, but reprinting the 1959 versions without the express approval of the copyright owner (now Simon and Shuster) would constitute copyright infringement, and be subject to appropriate penalties under the law.
Is my understanding correct?
Yep – you're correct. Publishers that are mistakenly reprinting/selling the 1959 versions are at risk. Thanks for reading!
Richard Jackson says:
Hi Aaron, great article. I appreciate this is focused on US public domain, but do you think Metropolis is still protected in the UK/EU under their copyright law? I thought for this movie the copyright would be 70 years from the death of Fritz Lang (as he was a European citizen at time of making the movie), which would push this to 2046 before entering public domain in Europe.
Yes, that's correct – the film will be under copyright in Europe through 2046. Thanks for reading!
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text:
GTA 6 release date finally might be uncovered by Rockstar financials
Take-Two's acquisition of Zynga hints at a big release by March 2024
(Image credit: Rockstar)
By Matthew Forde last updated 13 January 22
Grand Theft Auto 6 might finally be released by the end of the 2024 financial year, according to a number of analysts looking into Take-Two Interactive's acquisition of Zynga.
It was announced on January 10th that the parent company of Rockstar Games, Take-Two Interactive, had entered into an agreement to purchase mobile gaming giant Zynga for an estimated $12.7 billion – the biggest video game acquisition ever. Alongside this, Take-Two said that the company's compound annual growth rate will grow by 14% through 2024 (via Axios).
Doug Creutz, an analyst for US investment bank Cowen, analysed this growth and anticipates that Take-Two consumer spending would equate to $9 billion via bookings. This is believed to be related to "a likely GTA 6 launch in FY24." It follows a similar financial target set back in 2011 by the company, which lead up to the release of GTA V in September 2013 (though the target was initially thought for 2012 or early 2013, so a delay can happen).
"There are only a handful of titles that can ... provide management with the confidence to put out such a strong guidance; we believe there is at least one Rockstar IP set to be released by FY24," an analyst from Jefferies further noted to Axios.
This lines up with a Kotaku report in April 2020 that pointed to GTA 6 being in early development, as well as several industry insiders suggesting that the game wouldn't be released until 2024 at the earliest. The 2024 financial year runs from April 1st, 2023 to March 31st, 2024.
A PlayStation 5 version of GTA V is next on the cards for Rockstar in March, so it's unlikely we will hear more until later this year. History suggests an announcement in October is most likely, which you can find as part of T3's official GTA 6 hub.
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text:
NGC 1690 est une petite galaxie elliptique située dans la constellation d'Orion. Sa vitesse par rapport au fond diffus cosmologique est de , ce qui correspond à une distance de Hubble de . Elle a été découverte par l'astronome britannique John Herschel en 1831.

Avec une brillance de surface égale à , on peut qualifier NGC 1690 de galaxie à faible brillance de surface (LSB en anglais pour ). Les galaxies LSB sont des galaxies diffuses (D) avec une brillance de surface inférieure de moins d'une magnitude à celle du ciel nocturne ambiant.

À ce jour, une mesure non basée sur le décalage vers le rouge (redshift) donne une distance d'. Cette valeur est très loin à l'extérieur des valeurs de la distance de Hubble.

Supernova
La supernova SN 2005ec a été découverte dans NGC 1690 le  par N. Ponticello et W. Li dans le cadre du programme LOSS (Lick Observatory Supernova Search) de l'observatoire Lick.Cette supernova était de type Ia.

Notes et références

Voir aussi

Articles connexes
 Liste des objets du NGC

Liens externes

 NGC 1690 sur spider.seds.org
 NGC 1690 sur la base de données LEDA
 NGC 1690 sur WikiSky
 NGC 1690 sur le site du professeur C. Seligman

1690
Constellation d'Orion
Galaxie elliptique
Galaxie à faible brillance de surface
Objet céleste découvert en 1831
Objet céleste découvert par John Herschel


text:
package org.datanucleus.enhancer.samples;

import java.math.*;
import java.util.*;

/**
 * @version $Revision: 1.1 $
 */
public class PersistenceAwareClass
{
    public boolean check;
    public PersistenceAwareClass(boolean value)
    {
        check = value;
    }

    private PersistenceAwareClass(FullPublicClass fpc)
    {
        //default constructor
	}
	public static PersistenceAwareClass getInstance()
	{
	    return new PersistenceAwareClass(null);
	}
    public static boolean isField00(FullPublicClass fpc)
    {
        return fpc.field00;
    }
    public static void setField00(FullPublicClass fpc,boolean field00)
    {
        fpc.field00 = field00;
    }
    public static byte getField01(FullPublicClass fpc)
    {
        return fpc.field01;
    }
    public static void setField01(FullPublicClass fpc,byte field01)
    {
        fpc.field01 = field01;
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    public static short getField02(FullPublicClass fpc)
    {
        return fpc.field02;
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    public static void setField02(FullPublicClass fpc,short field02)
    {
        fpc.field02 = field02;
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    public static char getField03(FullPublicClass fpc)
    {
        return fpc.field03;
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    public static void setField03(FullPublicClass fpc,char field03)
    {
        fpc.field03 = field03;
    }
    public static int getField04(FullPublicClass fpc)
    {
        return fpc.field04;
    }
    public static void setField04(FullPublicClass fpc,int field04)
    {
        fpc.field04 = field04;
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    public static float getField05(FullPublicClass fpc)
    {
        return fpc.field05;
    }
    public static void setField05(FullPublicClass fpc,float field05)
    {
        fpc.field05 = field05;
    }
    public static long getField06(FullPublicClass fpc)
    {
        return fpc.field06;
    }
    public static void setField06(FullPublicClass fpc,long field06)
    {
        fpc.field06 = field06;
    }
    public static double getField07(FullPublicClass fpc)
    {
        return fpc.field07;
    }
    public static void setField07(FullPublicClass fpc,double field07)
    {
        fpc.field07 = field07;
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    public static Boolean getField08(FullPublicClass fpc)
    {
        return fpc.field08;
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    public static void setField08(FullPublicClass fpc,Boolean field08)
    {
        fpc.field08 = field08;
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    public static Byte getField09(FullPublicClass fpc)
    {
        return fpc.field09;
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    public static void setField09(FullPublicClass fpc,Byte field09)
    {
        fpc.field09 = field09;
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    public static Short getField10(FullPublicClass fpc)
    {
        return fpc.field10;
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    public static void setField10(FullPublicClass fpc,Short field10)
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        fpc.field10 = field10;
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    public static Character getField11(FullPublicClass fpc)
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    public static Integer getField12(FullPublicClass fpc)
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        fpc.field12 = field12;
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    public static void setField14(FullPublicClass fpc,Long field14)
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        fpc.field14 = field14;
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    public static void setField16(FullPublicClass fpc,String field16)
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    public static Number getField17(FullPublicClass fpc)
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        return fpc.field17;
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    public static void setField17(FullPublicClass fpc,Number field17)
    {
        fpc.field17 = field17;
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    public static BigDecimal getField18(FullPublicClass fpc)
    {
        return fpc.field18;
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    public static void setField18(FullPublicClass fpc,BigDecimal field18)
    {
        fpc.field18 = field18;
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    public static BigInteger getField19(FullPublicClass fpc)
    {
        return fpc.field19;
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    public static void setField19(FullPublicClass fpc,BigInteger field19)
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        fpc.field19 = field19;
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        return fpc.field20;
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    public static void setField20(FullPublicClass fpc,Date field20)
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        fpc.field20 = field20;
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    public static Locale getField21(FullPublicClass fpc)
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    public static void setField21(FullPublicClass fpc,Locale field21)
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        fpc.field23 = field23;
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    public static void setField24(FullPublicClass fpc,HashSet field24)
    {
        fpc.field24 = field24;
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    public static Hashtable getField25(FullPublicClass fpc)
    {
        return fpc.field25;
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    public static void setField25(FullPublicClass fpc,Hashtable field25)
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        fpc.field25 = field25;
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    public static LinkedList getField26(FullPublicClass fpc)
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        return fpc.field26;
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    public static void setField26(FullPublicClass fpc,LinkedList field26)
    {
        fpc.field26 = field26;
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    public static TreeMap getField27(FullPublicClass fpc)
    {
        return fpc.field27;
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    public static void setField27(FullPublicClass fpc,TreeMap field27)
    {
        fpc.field27 = field27;
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    public static TreeSet getField28(FullPublicClass fpc)
    {
        return fpc.field28;
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    public static void setField28(FullPublicClass fpc,TreeSet field28)
    {
        fpc.field28 = field28;
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    public static Vector getField29(FullPublicClass fpc)
    {
        return fpc.field29;
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    public static void setField29(FullPublicClass fpc,Vector field29)
    {
        fpc.field29 = field29;
    }
    public static Collection getField30(FullPublicClass fpc)
    {
        return fpc.field30;
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    public static void setField30(FullPublicClass fpc,Collection field30)
    {
        fpc.field30 = field30;
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    public static Set getField31(FullPublicClass fpc)
    {
        return fpc.field31;
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    public static void setField31(FullPublicClass fpc,Set field31)
    {
        fpc.field31 = field31;
    }
    public static List getField32(FullPublicClass fpc)
    {
        return fpc.field32;
    }
    public static void setField32(FullPublicClass fpc,List field32)
    {
        fpc.field32 = field32;
    }
    public static Map getField33(FullPublicClass fpc)
    {
        return fpc.field33;
    }
    public static void setField33(FullPublicClass fpc,Map field33)
    {
        fpc.field33 = field33;
    }
    public static FullPublicClass getField34(FullPublicClass fpc)
    {
        return fpc.field34;
    }
    public static void setField34(FullPublicClass fpc,FullPublicClass field34)
    {
        fpc.field34 = field34;
    }
    public static boolean[] getField35(FullPublicClass fpc)
    {
        return fpc.field35;
    }
    public static void setField35(FullPublicClass fpc,boolean[] field35)
    {
        fpc.field35 = field35;
    }
    public static byte[] getField36(FullPublicClass fpc)
    {
        return fpc.field36;
    }
    public static void setField36(FullPublicClass fpc,byte[] field36)
    {
        fpc.field36 = field36;
    }
    public static short[] getField37(FullPublicClass fpc)
    {
        return fpc.field37;
    }
    public static void setField37(FullPublicClass fpc,short[] field37)
    {
        fpc.field37 = field37;
    }
    public static char[] getField38(FullPublicClass fpc)
    {
        return fpc.field38;
    }
    public static void setField38(FullPublicClass fpc,char[] field38)
    {
        fpc.field38 = field38;
    }
    public static int[] getField39(FullPublicClass fpc)
    {
        return fpc.field39;
    }
    public static void setField39(FullPublicClass fpc,int[] field39)
    {
        fpc.field39 = field39;
    }
    public static float[] getField40(FullPublicClass fpc)
    {
        return fpc.field40;
    }
    public static void setField40(FullPublicClass fpc,float[] field40)
    {
        fpc.field40 = field40;
    }
    public static long[] getField41(FullPublicClass fpc)
    {
        return fpc.field41;
    }
    public static void setField41(FullPublicClass fpc,long[] field41)
    {
        fpc.field41 = field41;
    }
    public static double[] getField42(FullPublicClass fpc)
    {
        return fpc.field42;
    }
    public static void setField42(FullPublicClass fpc,double[] field42)
    {
        fpc.field42 = field42;
    }
    public static Boolean[] getField43(FullPublicClass fpc)
    {
        return fpc.field43;
    }
    public static void setField43(FullPublicClass fpc,Boolean[] field43)
    {
        fpc.field43 = field43;
    }
    public static Byte[] getField44(FullPublicClass fpc)
    {
        return fpc.field44;
    }
    public static void setField44(FullPublicClass fpc,Byte[] field44)
    {
        fpc.field44 = field44;
    }
    public static Short[] getField45(FullPublicClass fpc)
    {
        return fpc.field45;
    }
    public static void setField45(FullPublicClass fpc,Short[] field45)
    {
        fpc.field45 = field45;
    }
    public static Character[] getField46(FullPublicClass fpc)
    {
        return fpc.field46;
    }
    public static void setField46(FullPublicClass fpc,Character[] field46)
    {
        fpc.field46 = field46;
    }
    public static Integer[] getField47(FullPublicClass fpc)
    {
        return fpc.field47;
    }
    public static void setField47(FullPublicClass fpc,Integer[] field47)
    {
        fpc.field47 = field47;
    }
    public static Float[] getField48(FullPublicClass fpc)
    {
        return fpc.field48;
    }
    public static void setField48(FullPublicClass fpc,Float[] field48)
    {
        fpc.field48 = field48;
    }
    public static Long[] getField49(FullPublicClass fpc)
    {
        return fpc.field49;
    }
    public static void setField49(FullPublicClass fpc,Long[] field49)
    {
        fpc.field49 = field49;
    }
    public static Double[] getField50(FullPublicClass fpc)
    {
        return fpc.field50;
    }
    public static void setField50(FullPublicClass fpc,Double[] field50)
    {
        fpc.field50 = field50;
    }
    public static String[] getField51(FullPublicClass fpc)
    {
        return fpc.field51;
    }
    public static void setField51(FullPublicClass fpc,String[] field51)
    {
        fpc.field51 = field51;
    }
    public static Number[] getField52(FullPublicClass fpc)
    {
        return fpc.field52;
    }
    public static void setField52(FullPublicClass fpc,Number[] field52)
    {
        fpc.field52 = field52;
    }
    public static Date[] getField53(FullPublicClass fpc)
    {
        return fpc.field53;
    }
    public static void setField53(FullPublicClass fpc,Date[] field53)
    {
        fpc.field53 = field53;
    }
    public static Locale[] getField54(FullPublicClass fpc)
    {
        return fpc.field54;
    }
    public static void setField54(FullPublicClass fpc,Locale[] field54)
    {
        fpc.field54 = field54;
    }
    public static java.io.File getN01(FullPublicClass fpc)
    {
        return fpc.n01;
    }
    public static void setN01(FullPublicClass fpc,java.io.File n01)
    {
        fpc.n01 = n01;
    }
    public static Void getN02(FullPublicClass fpc)
    {
        return fpc.n02;
    }
    public static void setN02(FullPublicClass fpc,Void n02)
    {
        fpc.n02 = n02;
    }
    public static UserDefinedClass getN03(FullPublicClass fpc)
    {
        return fpc.n03;
    }
    public static void setN03(FullPublicClass fpc,UserDefinedClass n03)
    {
        fpc.n03 = n03;
    }
}


As you've seen already, a good graphic design case study is very simple: it's just a short story about a business that also happens to show off how good you are. It's like any article you'd read in a newspaper, or any short story you'd see in a literature class.
In order to pull that off properly, we have to combine all the right elements in exactly the right way – dialogue, emotion, story, advertising, etc.
How does all that come together? It's not hard.
Is there a template, even? Why, yes, there is.
Some might fuss against me on this one, but I'll stand by it: the best, most effective case studies range between 1000-1500 words.
Space, depth, and story structure.
There's a lot to fit into an effective case study. There's analysis, backstory, client dialogue/quotes, educational information… A lot of elements that need to be handled thoroughly, and balanced just right.
Try to pack all that into too small a space, and some elements suffer for it.
Can it EVER be done? In 750 words? In 500?
Well, sure. Don't get me wrong. But those are exceptions to the rule. And, of course, sometimes copy needs to be trimmed for layout purposes. But you must understand – that means sacrifices.
More importantly, however, length is important because, on top of all the marketing elements we've been over, the article needs room to tell a story.
Remember Freytag's Triangle, by chance?
That's okay. Most people don't. It's pretty boring, except for us literary types.
It's the general pattern that all stories happen to fall into, conveniently (and unimaginatively) labeled according to its three parts: beginning, middle, and end. You could go with Act One, Act Two, and Act Three, though, if you prefer.
See how that chart lines up perfectly with the structure we've laid out for case studies?
We BEGIN with your client and their situation, but things get COMPLICATED when they hit a design problem. ACTION RISES as you struggle to solve that problem, and a CLIMAX is reached when you lay out how you finally did so. The story then settles down to END on your client again, and how things have positively changed for them.
To sufficiently set up a story, raise its stakes, and then settle it all nicely, you cannot shortchange sections. They each have a function to fulfill, and that takes time. Don't cut a runner's best time in half, and then get upset when he can't keep up.
Now, I'll give you a template guaranteed to flow nicely, a formula or recipe that's sure to please. But, keep in mind: as it is in copywriting, and as it is in graphic design, there are no real "rules." These are creative professions, so, be creative with it. You can mix up the structure a bit.
However, that's not how we'll do it exactly, as you'll see in a second.
Remember the points we covered in Parts 1 and 2 of this series? You should check them out if you haven't already, because this is where they come in.
The key is matching up each of those points with one of the three sections of the story.
Beginning, the first 375 words: The Client, The Circumstance, and The Challenge.
Middle, the second 750 words: The Work, The Solution, and The Why.
End, the last 375 words: The Results.
For reference, 375 words is approximately a page and a half. 750 is about 3 pages.
So, first, devote a page or so to the first three points of your case study. We don't need as much room to set the story up, so those points can be dealt with relatively quickly.
The Middle, as it is in any story, is the real meat of the case study. Here, you really do want to slow down and explain your work. That's what this is all about anyway, right? Give yourself 3 pages for that.
Finally, for the end, describing the Result, another page and a half will do.
We can take this one step further and break the case study down into a strong outline, sure to succeed for any project.
BEGINNING – 375 words, or a page and a half.
Client background – history, demographic, services and products, etc.
Personal background – Using a first name, alongside a more personal detail about the client.
The Brief – Describe the main points of the project's creative brief.
MIDDLE – 750 words, or 3 pages.
Brief description of what you learned from these "bad" ideas.
The Why – Take the reader to school, and include a factoid or two about graphic design that explains why your final solution actually works.
END – 375 words, or a page and a half.
Bring the client back in, and quote them on how satisfied they are with the final product.
Bring up sales numbers, percentages, etc. Raw sales data – the benefits the client received thanks to your work.
Recap the creative brief, and how it was solved.
If possible, end with an inspiring quote from the client about how much they enjoyed working with you.
And that's really all there is to it. Notice how that outline encompasses all the points we've discussed throughout this series – it's structured as a story, so it's able to affect emotions in that way, and it includes the key information crucial to good marketing. It's everything a reader needs to understand how your services were able to bring more success and happiness to the client.


J Stroke Cerebrovasc Dis. 23(5):861-868.
Estimates for the average cost of stroke have varied 20-fold in the United States. To provide a robust cost estimate, we conducted a comprehensive analysis of the hospitalization costs for stroke patients by diagnosis status and event type.
Using the 2006-2008 MarketScan inpatient database, we identified 97,374 hospitalizations with a primary or secondary diagnosis of stroke. We analyzed the costs after stratifying the hospitalizations by stroke type (hemorrhagic, ischemic, and other strokes) and diagnosis status (primary and secondary). We employed regressions to estimate the impact of event type and diagnosis status on costs while controlling for major potential confounders.
Among the 97,374 hospitalizations (average cost: $20,396 ± $23,256), the number with ischemic, hemorrhagic, or other strokes was 62,637, 16,331, and 48,208, respectively, with these types having average costs, in turn, of $18,963 ± $21,454, $32,035 ± $32,046, and $19,248 ± $21,703. A majority (62%) of the hospitalizations had stroke listed as a secondary diagnosis only. Regression analysis found that, overall, hemorrhagic stroke cost $14,499 more than ischemic stroke (P <.001). For hospitalizations with a primary diagnosis of ischemic stroke, those with a secondary diagnosis of ischemic heart disease (IHD) had costs that were $9836 higher (P < .001) than those without IHD.
The costs of hospitalizations involving stroke are high and vary greatly by type of stroke, diagnosis status, and comorbidities. These findings should be incorporated into cost-effective strategies to reduce the impact of stroke.
Am J Prev Med. 53(6 Suppl 2):S205-S212.


Morgan Park Academy students had a unique opportunity to explore potential careers in science and engineering at the 32nd annual Science Careers in Search of Women conference at Argonne National Laboratory on April 11, 2019.
MPA juniors Amari Green, Abbey Haynes, Celeste Kettaneh, Kaitlyn Mullings, and Kennedy Olguin met Argonne's world-class scientists and engineers, attended career panel discussions and presentations, and toured science and engineering facilities across the lab.
Argonne Education, in conjunction with Women in Science and Technology, offers female high school students an extraordinary opportunity to explore the world of STEM research at Science Careers in Search of Women. The conference provides participants with the unique experience to explore their desired profession or area of interest.


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December 11, 2015 – Assurance Closes Out Year with National Best and Brightest Company to Work For Recognition
Schaumburg, Ill. (December 11, 2015) – Assurance, an award-winning independent insurance brokerage, was named for the fourth consecutive year as a national "101 Best and Brightest Companies to Work For" by the National Association for Business Resources (NABR). This past July, Assurance was also named to the Chicago area's 101 Best and Brightest competition.
With over 20 years of experience conducting The Best and Brightest Companies to Work For™ competition, the NABR identifies and honors organizations throughout the nation that display a commitment to excellence in their human resource practices and employee enrichment. Organizations were measured on key catergories such as communication, work-life balance, employee education, diversity, recognition, retention and more.
Assurance was honored for its compensation and benefits package, community initiatives, shared vision, work-life balance, employee achievement recognition, education opportunities and development programs, among others. Here is just a sampling of the some of the benefits Assurance integrates into its best place to work culture:
Paid day off for your birthday and to volunteer
17,000+ volunteer hours donated through Assurance Caring Together
Shared success profit sharing
Telecommuting days
Virtual high-fives and balloons for achievements
In-house learning lunches and tuition reimbursement
"Nationally recognized award recipients keep innovative human resource initiatives at the forefront of their company culture and make it a priority to consider their workforce as an essential aspect in their company success. Our Association is proud to recognize and honor these winning companies for this impressive achievement," said Jennifer Kluge, NABR president.
Assurance's commitment to its human resources initiatiaves is apparent in the more than 75 awards received for corporate culture, including number one rankings from Business Insurance and Daily Herald. Due in large part to these efforts, Assurance has catapulted itself to the second largest independent insurance brokerage in Illinois with a 14 percent average organic growth rate and $75 million in revenue last year.
The selected companies will be featured in the January 14 online edition of Corp! magazine and receive additional recognition as a national winner at a local Best and Brightest Companies to Work For awards symposium and gala.
About Assurance
Assurance is among the largest and most awarded independent insurance brokerages in the U.S. A "Top 50" broker and repeated national "Best Place to Work" winner, Assurance creates value by minimizing risk and maximizing health for 6,000 businesses and individuals across the country. The company is headquartered in Schaumburg, IL with centralized office locations in Chicago, IL and St. Louis, MO. Visit Assurance at www.assuranceagency.com.


After months of research, working meetings, and creative development, we are thrilled to launch the new integrated marketing strategy for Greystone Health Network (of Ohio). Upon recently expanding their network to Ohio, the Florida-based health network approached our team to help increase their brand recognition and brand perception around their facilities, locations, and services. To do so, we were excited to leverage our extensive experience in the field of healthcare and the Ohio market to help create a new campaign strategy and state-based microsite that utilized the existing brand identity of Greystone Health Network, while generating a new presence within our region with the campaign slogan we created, "Heal Better Together".
Comprehensive brand audit, exploring the competitive landscape of other healthcare organizations within the field of elder care, assisted living, and rehabilitation services.
Survey of staff and leadership, as well as external partners and patients, identifying key insights about the perceptions of our brand, as well as the strengths, weaknesses, and opportunities of the organization's communication strategies.
Next, Origo utilized the insights gained in the research phase to develop a sub-brand strategy for Greystone Health Network for the Ohio region. From the research, it was clear that the new marketing tactics needed to reflect the brand's main differentiators, including their community-oriented approach when serving populations in need and improving the overall wellness of their patients through their compassionate approach to care.
With this in mind, we developed the campaign concept, "Heal Better Together," highlighting the team approach Greystone takes to their patients' treatment, as well as the emphasis they place on understanding their patients' needs when working together to create a healthier and happier lifestyle. The design of the campaign further emphasized themes of community, compassion, and care through empowering lifestyle shots of seniors connecting with each other, fun icons, and a bright color pallet.


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culture podcasts
Pivotal Moments: Bringing Positivity and Light to Darkness
For many of us, it was Porky Pig who introduced us to stuttering, also known as stammering. The original voice actor (circa 1935), Joe Dougherty, was a person who stutters (PWS), and even after he stopped being the voice of the famous cartoon character, the stutter remained. The facts: According
UTR: Baggage Claim
If I were to believe my Instagram feed, there would be no doubt in my mind that everyone is able to work on a laptop from some remote, exotic beach location.
Tuckered Out With Ami Thakkar
Ami Thakkar's journey to podcasting was one of finding her true North—her
2 Young Women, an Instagram Account, and 1.4M Followers
How many little girls grow up dreaming about becoming a movie star?
UTR: Irish History Podcast
Having traveled to Ireland several times and harboring a fantasy of studying the Book of Kells & Gaelic at Trinity College in Dublin, I was delighted to find a podcast about
How many little girls grow up dreaming about becoming a movie star? How many teenage girls hung posters of Justin Bieber on their walls? I'm guessing more than a few! I admit
UTR: Not! Just Another Random Knowbody
I enjoy writing the "Under The Radar" review, because it's like digging for hidden treasure. I have the opportunity to discover and sample a multitude of podcasts, and one of my
Ami Thakkar's journey to podcasting was one of finding her true North—her purpose in life. Ami's parents immigrated from Bombay to the U.S. in the 1960s making Ami first generation. She grew
UTR: Fighting Coronavirus
Wondery's newest podcast, Fighting Coronavirus, began in March as a result of the COVID-19 pandemic. The host, Steven Johnson, is also the author of eleven books and host of the PBS
Dani Shapiro: Shining a Light into the Secrets AND the Shame
"I always knew there was a secret, what I didn't know, the secret was me." – Dani Shapiro, Inheritance Just about everyone in the world has a skeleton or (several) in his
UTR: I Swear on My Mother's Grave
I was barely 18 when my mother passed away, and we were never close. None of my friends had lost their mother, and if they had, we never discussed being "motherless"
Erin Ramsey's You're Such a Catch
Erin's podcast origin story began in a unique way. Her successful corporate career kept her frequently on the road, and she had gotten a divorce. So began her foray into online dating.
For many of us, it was Porky Pig who introduced us to stuttering, also known as stammering. The original voice actor (circa 1935), Joe Dougherty, was a person who stutters (PWS), and


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# Tue 08 Dec, 14:45
FC UTD Of Manchester Atherton Collieries AFC
FC UTD Of Manchester vs Atherton Collieries AFC Summary
FC UTD Of Manchester 12 10 7 9 7 2100% 00% 457% 00% 1100%
Atherton Collieries AFC 9 13 8 13 8 250% 250% 112% 133% 266%
FC UTD Of Manchester vs Atherton Collieries AFC head 2 head
FC UTD Of Manchester
Atherton Collieries AFC
Northern Premier Division league table
1 Mickleover Sports 5 4 0 1 10 5 12 4 2 1 1 9 5 7 9 6 1 2 19 10 19 9 2.10
2 Basford United 4 3 0 1 7 4 9 5 3 1 1 8 5 10 9 6 1 2 15 9 19 6 1.70
3 Buxton 5 3 2 0 15 8 11 3 2 0 1 7 3 6 8 5 2 1 22 11 17 11 2.80
4 Warrington Town 5 4 1 0 10 3 13 4 1 0 3 6 8 3 9 5 1 3 16 11 16 5 1.80
5 Witton Albion 4 3 0 1 5 3 9 3 2 0 1 8 4 6 7 5 0 2 13 7 15 6 1.90
6 South Shields 5 2 1 2 5 4 7 4 2 2 0 7 4 8 9 4 3 2 12 8 15 4 1.30
7 Whitby 3 3 0 0 6 1 9 6 1 2 3 9 13 5 9 4 2 3 15 14 14 1 1.70
8 Matlock Town 3 2 1 0 8 3 7 3 2 0 1 2 1 6 6 4 1 1 10 4 13 6 1.70
9 Atherton Collieries AFC 4 2 1 1 7 3 7 4 2 0 2 6 5 6 8 4 1 3 13 8 13 5 1.60
10 Gainsborough 5 3 0 2 11 7 9 3 1 0 2 2 5 3 8 4 0 4 13 12 12 1 1.60
11 Scarborough 2 1 1 0 3 2 4 6 2 1 3 7 9 7 8 3 2 3 10 11 11 -1 1.30
12 FC UTD Of Manchester 5 2 3 0 7 4 9 2 0 1 1 2 3 1 7 2 4 1 9 7 10 2 1.30
13 Lancaster 3 1 1 1 5 5 4 4 1 3 0 7 5 6 7 2 4 1 12 10 10 2 1.70
14 Radcliffe FC 5 2 1 2 8 12 7 3 1 0 2 6 7 3 8 3 1 4 14 19 10 -5 1.80
15 Nantwich Town 3 2 0 1 5 5 6 3 0 3 0 4 4 3 6 2 3 1 9 9 9 0 1.50
16 Morpeth Town AFC 2 1 1 0 3 2 4 5 1 2 2 6 8 5 7 2 3 2 9 10 9 -1 1.30
17 Hyde UTD 3 0 3 0 3 3 3 3 1 0 2 2 3 3 6 1 3 2 5 6 6 -1 0.80
18 Stalybridge 5 1 1 3 4 10 4 4 0 2 2 3 7 2 9 1 3 5 7 17 6 -10 0.80
19 Ashton United 3 0 2 1 3 6 2 4 1 0 3 2 7 3 7 1 2 4 5 13 5 -8 0.70
20 Bamber Bridge 4 1 0 3 3 6 3 5 0 1 4 3 11 1 9 1 1 7 6 17 4 -11 0.70
21 Grantham Town 5 0 2 3 4 8 2 3 0 1 2 1 6 1 8 0 3 5 5 14 3 -9 0.60
22 Stafford Rangers 3 0 0 3 0 6 0 5 0 1 4 3 9 1 8 0 1 7 3 15 1 -12 0.40
FC UTD Of Manchester Last Games
0 ? + + + ? + + + + - ? + 0 0 ? 0 ? + - + 0 + - ? ? ? ? ? ? ? ? ? 0 + 0 0 + ? + + 0 ? + - - + - ? ? ? ? ? ? ?
Witton Albion
Basford United
Morpeth Town AFC
Mickleover Sports
Stalybridge
Grantham Town
Atherton Collieries AFC Last Games
- 0 ? ? - ? + - - - ? 0 ? + + ? 0 ? - + 0 - + - - - ? - ? ? - ? + ? ? ? ? ? ? ? ? ? ? ? ? ? - ? + - - ? + 0 + - + ? - ? ? ? ? ? ?
City Of Liverpool
FC UTD Of Manchester Results
Atherton Collieries AFC Results
FC UTD Of Manchester Goals
Atherton Collieries AFC Goals
FC UTD Of Manchester Strength
Atherton Collieries AFC Strength
FC UTD Of Manchester Goals (Last 30 games)
Atherton Collieries AFC Goals (Last 30 games)
FC UTD Of Manchester Scorers (Last 15 games)
Tunde Owolabi 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 6
Regan Linney 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 2
Michael Fowler 0 0 0 0 0 1 0 0 1 0 0 0 0 0 0 2
Dan Cockerline 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 2
Finlay Sinclair-Smith 0 0 0 0 0 0 0 0 0 0 0 0 0 2 0 2
Paul Ennis 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 1
Atherton Collieries AFC Scorers (Last 15 games)
Dylan Glass 0 1 0 0 0 0 0 0 0 1 0 0 1 1 0 4
Elliot Rokka 0 0 0 0 0 0 0 0 0 0 0 1 0 1 0 2
Gaz Peet 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1
Jordan Cover 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 1
Cain Noble 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 1
Louis Myers 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 1
Ben Conway 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 1
Gareth Peet 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1
Kyle Sambor 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1
Marcus Cusani 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 1
Jordan Darr 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 1
Danny Lafferty 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 1
Rick Smith 0 0 0 0 0 0 0 0 0 0 0 0 0 1 0 1
FC UTD Of Manchester Bad Boy (Last 30 games)
Luke Griffiths 03.11.2020
Atherton Collieries AFC Bad Boy (Last 30 games)
FC UTD Of Manchester 1.83 2.00 1.68 1.74 1.50
Atherton Collieries AFC 1.83 2.00 1.93 2.26 1.63
FC UTD Of Manchester vs Atherton Collieries AFC
The match of 15th round between FC UTD Of Manchester и Atherton Collieries AFC will take place at Broadhurst Park on 8 December 2020, Tuesday.
The last meeting of these teams took place more than a month ago (19 October 2019) and ended with the victory of FC UTD Of Manchester with a score 2-3.
The distance between the teams in the league table is 3 points.
FC UTD Of Manchester takes the 12th position in the league table with 10 points. This is the 7th of 42 team game in the tournament.
The difference with the nearest team on top is 1 point (FC UTD Of Manchester can score 105 points). The distance from the bottom league record is 9 points. The nearest pursuer has the same number of points with FC UTD Of Manchester and can score 105 points. The goal difference is 9:7. The FC UTD Of Manchester defensive line is one of the TOP-4 in the tournament.
Atherton Collieries AFC takes the 9th position in the league table with 13 points. This is the 8th of 42 team game in the tournament.
Atherton Collieries AFC has the same number of points with the nearest team on top and can score 102. In addition, the distance from the TOP-4 is 3 points (102 points are possible). The nearest pursuer is 1 point lower and has the opportunity to score 102 points additionally. The goal difference is 13:8.
FC UTD Of Manchester Stats
Leading players in the last 15 matches in all tournaments: Tunde Owolabi (6), Regan Linney (2), Michael Fowler (2), Dan Cockerline (2), Finlay Sinclair-Smith (2), Paul Ennis (1).
Atherton Collieries AFC Stats
The team scored 7 points when playing away in 10 last matches, with the following results 2 wins, 1 draw и 7 losses. The difference between scored and conceded goals is 10-19. The average number of goals is 1. The average number of cards in 10 last matches is 1.5.
Leading players in the last 15 matches in all tournaments: Dylan Glass (4), Elliot Rokka (2), Gaz Peet (1), Jordan Cover (1), Cain Noble (1), Louis Myers (1), Ben Conway (1).
23 March 2020, 13:21 talksport.com
MMA fighter Darren Till has called out Jesse Lingard for using 's****** tactics' on an Instagram post.
When it comes to selecting our fantasy football teams we are always looking for that little tip to give us an advantage but Stuart Pearce revealed the lengths he went to win his league.
Manchester United are reportedly set to return to training on April 10, with Old Trafford chiefs firing a warning to players that they have no excuse not to be ready to return to action.
Roy Keane is one of the finest players to ever grace the Premier League, but was guilty of losing his head many times.
23 March 2020, 10:25 sportsmole.co.uk
Agent Federico Pastorello has suggested that Inter Milan forward Romelu Lukaku came close to joining Juventus last summer.
talkSPORT.com rounds up all the latest transfer news and football gossip from Monday's papers and online…
Liverpool players have been told the conclusion to the Premier League season is out of their control as the club steps up efforts to provide mental health support during the coronavirus pandemic.
Gary Neville has stressed he misses football but there are currently greater priorities after he and Ryan Giggs gave health workers free access to their hotels.
James Milner's next Premier League appearance when the competition resumes will see the Liverpool midfielder move alongside Gary Speed in fifth place in the all-time list.
The Premier League is littered with some of the best footballing talent from around the world.
Manchester United loanee Odion Ighalo reportedly earns an £8,000 bonus every time he scores for the club. The 30-year-old moved to Old Trafford on loan from Shanghai Shenhua on January deadline day and has impressed during his short time at the club so far, scoring four goals in eight appearances.
Manchester City have reportedly struck a deal to sign Peruvian youngster Kluiverth Aguilar. Earlier this year, City confirmed that they had won the race for Brazil Under-17 international Yan Couto, who has seemingly been identified as a future first-team regular at right-back.
Inter Milan defender Milan Skriniar is reportedly attracting interest from three top European clubs. Since moving to San Siro in 2017, Skriniar has starred for Inter, making 97 starts in Serie A and helping his club become challengers for the league title.
We will bring you all the latest updates on how the coronavirus outbreak is affecting sport and how clubs across the world are reacting…
What the papers say Manchester City's Aymeric Laporte could be on his way Barcelona, Spain's Mundo Deportivo reports.
With football in England now being postponed until April 30, it's now time to reflect on how the 2019/20 season has gone so far.
Roma have reportedly been informed by Arsenal that they will have to come up with €25m (£23.1m) if they want to sign Henrikh Mkhitaryan on a permanent deal during this summer's transfer window.
Former Manchester United captain Bryan Robson has lavished praise on the club's January recruit Bruno Fernandes.
Former Juventus midfielder Claudio Marchisio has revealed that he warned Paul Pogba against rejoining Manchester United in 2016.
Former Real Madrid winger Steve McManaman has claimed that the Spanish giants will not be interested in signing Paul Pogba from Manchester United this summer as the Frenchman has not played enough football.
Juventus will reportedly refuse to be drawn into a battle for Borussia Dortmund attacker Jadon Sancho. The 19-year-old, who has scored 17 times and registered 19 assists in 35 appearances for BVB this season, is widely expected to move on during this summer's transfer window.
Manchester United centre-back Chris Smalling would reportedly be willing to accept a pay cut in order to join Roma on a permanent deal this summer.
Manchester United and Arsenal are both reportedly weighing up moves for Barcelona attacker Antoine Griezmann during this summer's transfer window.
Bayern Munich defender David Alaba could reportedly reject a move to Manchester City this summer in favour of joining either Real Madrid or Barcelona.
David de Gea's future at Old Trafford has come under scrutiny on numerous occasions down the years, from questions over whether he could handle the physical element of the Premier League in the early stages of his Manchester United career to the constant links with Real Madrid.
The sporting world has almost all ground to a halt during the coronavirus crisis. Here, the PA news agency takes a look at some of the reactions on March 22.
Rio Ferdinand believes Manchester United should prioritise the signing of Aston Villa star Jack Grealish over Leicester's James Maddison this summer.
Leyton Orient have created 'UltimateQuaranTeam' which will see 128 clubs competing on FIFA for bragging rights.