text:
Source of the Doubs | Montagnes Du Jura
Into the Snow
Arts, Crafts and Skills
Up Into the Air
Outstanding Towns and Villages
Places & Resorts
Cross-Border Mentality
Regional Nature Reserve
Combes and Plateau
Mountains and Peaks
Acoustic Sites
The Valleys
Waterfalls and Sources
Woods and forest
Stays & Accommodation
Séjours tout compris @en
The Doubs River: One of the most visited sites in Franche-Comté
The River Doubs, taken from the Latin "dubius", was named by Julius Caesar for its indecisive behaviour. It springs from a 55 metre-deep cavity, located close to Mouthe, at the foot of Mont Risoux. The temperature of the water flowing from the hole never exceeds 6 degrees Celsius, and remains very clear, whatever the weather. Where the water comes from before the source remains a mystery, and a good number of speleologists have attempted to solve it. This area is reputed to be the coldest place in France. However, it is a dry cold, which is after all, very healthy!
Although it is a popular tourist destination in the Jura Mountains, the source and its surroundings remain highly protected and preserved. It is lovely to go for a walk there in the afternoon, to discover and learn about this natural site.
Strolls and Hikes
Take the educational nature trail, suitable for visitors of all ages, and discover the magic of the Jura countryside. This path, lined with themed signs on various topics, will take you on a tour not only of the source, but the peatland of Moutat as well, established on an ancient glacier site home to a rich variety of plants and wildlife, in the forest and the surrounding area. In addition, you can observe the source "from above", thanks to the panoramic viewpoints which overlook it.
Let yourself be tempted by a 940 metre-high hike to discover the source of the Doubs, which then feeds into the Lake of Saint Point before stretching towards Pontarlier. It then continues its route towards the plains, via the basins and the Doubs falls.
http://www.otmouthe.fr/
Find out more :
Summer Winter
Franco-Swiss Cross-Border Mentality
Travel along the summits of the Jura Mountains, an...
Comté Trails
More than just a cheese, Comté is part of the local heritage. In the old days, the harsh climate forced the country folk to plan how they were going to survive until the spring. Developing a cheese th...
Cured Meats, A Variety of Flavours Besides the ve...
Snowshoes for Exploring Snow has covered the Jura landscapes. From valleys to crests, from summits to forests, the landscape has switched to winter mode and a Nordic atmosphere. The urge to tread thr...
Comté Cheese
Comté, a story of Man and terroirs If there is on...
Nordic Walking It's a simple concept: grab some walking poles, put on your best boots and you're off! This sport – all the rage in Scandinavia – is highly suited to the Jura Mountains, with its mount...
Cross-Country Skiing / Skating-Style / Classic Style
Cross-Country In All Its FormsBenefits for You...
Morteau Sausage
Morteau Sausage, the Terroir of the Jura Mountains...
Watch-making Country
The Pays Horloger (a group of villages in Franche-...
Grand Traverse of the Jura
The GTJ organisation is first and foremost a terrific network of professionals. Their goal is to promote non-motorised hiking tourism in the Franco-Swiss Jura Mountains. Connecting the Ju...
In the past, as winter numbed the Jura Mountains, ...
Mont d'Or (Cheese)
Mont d'Or, An Authentic Mountain-Style Cheese Produced exclusively in the Haut-Doubs, Mont d'Or (also known as "Vacherin"), is a renowned cheese from the Jura Mountains. It owes its name to the summi...
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text:
Big Bend generally refers to a major change in course or large meander in a river. It may refer to:

Geographic locations

Canada
 Columbia River in British Columbia
 Big Bend Country
 Big Bend Ranges, the mountain ranges surrounded by the Big Bend

United States
 Big Bend (Florida), part of the Florida Panhandle
 Big Bend Historical Area (Shenango River), in western Pennsylvania
 Big Bend (Texas) (Rio Grande), in western Texas
 Big Bend National Park, in Texas
 Big Bend (Colorado River, Utah), a meander
 Big Bend (Missouri River), a meander in South Dakota
 Big Bend of the Columbia River, a wide curve near Wenatchee, Washington

Inhabited places

Australia
 Big Bend, South Australia

Canada
 Big Bend, British Columbia, now inundated by Kinbasket Lake

Eswatini
 Big Bend, Eswatini

United States
 Big Bend, California (Pit River), a census-designated place
 Big Bend Rancheria
 Big Bend, Butte County, California, an unincorporated community
 Big Bend, Placer County, California, an unincorporated community
 Big Bend, Louisiana, an unincorporated community
 Big Bend City, Minnesota
 Bigbend, West Virginia
 Big Bend, Rusk County, Wisconsin, a town
 Big Bend, Waukesha County, Wisconsin, a village

Other uses
 The Big Bend, a proposed residential skyscraper in New York City
 Big Bend Community College, in Moses Lake, Washington, United States
 Big Bend Dam, on the Missouri River in South Dakota, United States
 Big Bend Gold Rush of the 1860s in British Columbia, Canada
 Big Bend High School, in Terlingua, Texas, United States
 Big Bend slider, a species of turtle.

See also
 Big Bend State Park (disambiguation)

redpajama_set_name: RedPajamaWikipedia


WILTON, CONN. -- David Canary, an Emmy-award winning veteran TV actor and longtime Wilton resident, died Nov. 16. He was 77.
Canary, perhaps best known for his roles portraying twins Adam and Stuart Chandler on "All My Children," died of natural causes at The Greens of Cannondale, according to the Wilton Bulletin .
Canary had many roles on stage and screen, including the film "The St. Valentine's Day Massacre," TV's "Gunsmoke," Broadway's "Great Day In The Morning," among others, the story said.
He later had roles in television soap operas before joining ABC's "All My Children" in 1983. He started out playing Adam Chandler but later added a new dimension by playing Adam's twin Stuart, the story said.
Funeral services are private, though a memorial service is being planned for a later date, the story said. Arrangements are being handled by Bouton Funeral Home in Georgetown.


text:
Q: Inconsistent behavior for 'required' property on HTML textarea I have a query form that shows up in my chat window upon pressing a button:

This query box is a TextArea generated by a JavaScript function, and hence I use JQuery to set the 'required' property:
$('#nthelpfull-query-area').prop('required',true);
The behavior of the textarea with the 'required' property is however very different from the usual. For example, this is how it should normally work.
But on my TextArea, neither does the alert popup show up on the TextArea, nor does the border of the TextArea get highlighted until I add some text in it and then remove it.
Defining the TextArea as HTML within a string and then injecting it into the container doesn't work either.
I am unable to build a snippet that replicates the chat window, but here is the dynamic code that builds the TextArea and adds it into the chat window:
function append_form_field(field_name, data)
{
    var mapping =
    {
        'nthelpfull': {
            'validation': '',
            'type': 'textarea',
            'class': 'text',
            'placeholder': 'Query',
            'max_length': '',
            'id': 'nthelpfull-query-area'
        }
    }
    var field = mapping[field_name]
    var el = document.createElement(field.type);
    el.setAttribute('pattern',field.validation)
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    el.setAttribute('id', field.id)
    el.onchange = function(e)
    {
        validate_data(e, field_name, data)
    }

    $('#messages').append(el) // messages is the chat window container's id
    $('#nthelpfull-query-area').prop('required',true);
}

redpajama_set_name: RedPajamaStackExchange


text:
Muravanka () is a village in Belarus. It is located in the Shchuchyn District of Grodno Region.

The village is famous for its fortified church of the Nativity of the Blessed Virgin Mary.

Name
The village received its name after the brick walls of the church.

History
Since foundation in the 16th century Muravanka was a part of the Grand Duchy of Lithuania. In 1795 the Polish–Lithuanian Commonwealth was partitioned between Russia, Prussia and Austria and the village became a part of the Russian Empire. After World War I it's a place in Nowogródek Voivodeship of the Second Polish Republic and after World War 2 it was returned to Belarus.

External links

 Photos at Globus.TUT.by
 Photos at radzima.org

Villages in Belarus
Populated places in Grodno Region
Shchuchyn District


text:
DELETED SCENE: Pandora's Bomb
Jason October 7, 2013 July 28, 2015 Leave a comment
This scene looks at Clarice ramping up her first band, Ignition Corps. She's still very young in this sequence, living with her parents and still willing to make compromises in the way that she makes music. We'll see the domineering artiste emerge quickly from here. This scene also gives us another glimpse into Clarice's domestic life. Not every driven auteur comes from a broken home or a grinding tragedy.
This scene was originally the close of chapter two.
7. Pandora's Bomb
Clarice wanted to rehearse every night, but the others thought two nights a week was plenty. Some dickering ensued; Clarice agreed to two rehearsals for the first couple of weeks, then three if it seemed to be working out.
Alan's garage made an ideal rehearsal space. It had lights and power and a passage directly into his living room, where he kept a well-stocked bar. He owned only one car and kept a drum kit set up in the vacant berth, so the band could walk in and start up with a minimum of fuss. Ignition Corps spent the first two rehearsals playing rock standards: Chuck Berry, Black Sabbath, AC/DC, Led Zeppelin, ZZ Top, Metallica, the Rolling Stones. Clarice added some Blackhearts, some Banshees, some Pat Benatar and Lita Ford songs, but she was very pleased with the way Brenda interpreted male vocals. They'd all played the songs before in other bands, and nobody had a lot of difficulty with any of it.
Clarice warmed up the third Ignition Corps rehearsal with a couple of covers, then, without warning, she spun up the volume and launched into some free-form riffing. "Let's see what you boys and girls can do," she demanded.
Alan had no trouble keeping up, changing time signatures and tempos whenever Clarice asked him to. Samuels proved better able to handle Clarice's key switches and tempo changes than she'd expected–he'd been practicing, although he denied it. Brenda took a back seat during the jam sessions, singing wordlessly or adapting bits of other songs the band had practiced to the music. It was good.
Clarice called an end to the rehearsal and pulled Brenda aside. "We need to get together and talk about some lyrics," she said.
"Sure," said Brenda. "I got lots of lyrics."
Clarice had about a dozen songs written carefully in a small black notebook, alongside riffs and solo ideas. She hadn't considered that Brenda would want to write.
When Clarice didn't respond immediately, Brenda said: "I been writing poetry since I was in third grade."
Clarice didn't like the word 'poetry', but she decided to hold her peace until she had seen Brenda's work. She invited Brenda over to see what as what.
Brenda came around to Clarice's house carrying a 12-inch square box hat was covered with pictures of horses. The corners were reinforced with yellow duct tape.
Amy was in the kitchen, doing the ironing in front of the TV, still wearing her police blues. "What's in there? A bomb?" she asked.
"No," said Clarice.
"Songs," said Brenda.
"Someone brought a bomb?" Ray had wandered into the living room without anyone noticing. He was wearing slippers and a stained old t-shirt. His sleeves were rolled up and his hands were caked with dried oil paint.
"It's one of those jack-in-the-box fists," said Clarice.
Ray leaned over the box. "Let me see."
Brenda opened the box.
"I don't see any kind of fist."
Clarice slid forward and unwound a back-fist at that stopped about a centimeter short of his nose. "POW!" she yelled.
Ray's eyebrows shot up and he jerked his head back.
Clarice batted her eyelids at him.
He shook his head and stepped away, trying to conceal his grin. "She's your daughter, Amy," he told his wife. Amy went on ironing with a smirk on her face.
Brenda smiled tolerantly and shuffled her feet.
"Alright," said Clarice. "Out of the way. We got work to do."
"Yes," said Amy, looking up. "You do. Your finals are coming up."
"Covered."
"What do you mean, 'covered'? You haven't done ten minutes' study."
"I mean, it's covered."
Clarice and Brenda went into the dining room and shut the door.
"Are you still in high school?" asked Brenda.
"Not for much longer," said Clarice. "Now let's have a look at what you got."
Clarice was very pleased to see Brenda's collection of song lyrics–she refused to think of them as poems–had been plainly typed onto letter sized paper. Dividers grouped them by year; within each year they were in alphabetical order. "Pick one," said Clarice.
"Well," said Brenda, "That's kind of a hard. It depends how I'm–"
"Show me the best one," said Clarice. "Your favourite song out of all of them, right now, today."
The song Brenda chose was a terse four-verse song about a girl who falls for a mobster. When the girl finds out that he's cheating on her, she kills him.
"It's good," said Clarice. "It's our first song. Now let's look at the rest."
Clarice didn't see much else that she liked in Brenda's collection. The singer was good at preserving scansion and rhyming sensible words, but most of the material was sappy love songs or complaints about loneliness.
"These are okay," Clarice hedged, "but nothing else is jumping out at me."
"I can write some more."
"Sure," said Clarice. "I like the ones with stories in them." Pause. "Want to look at some of mine?"
Brenda scowled. "I thought you played the guitar."
Clarice smiled thinly. "Fair enough."
She would just have to try to guide Brenda without stepping on her toes too much. Clarice's first priority was, indeed, playing the guitar, and her second priority was to keep the band together. It had taken her a lot of effort to find three good musicians, she didn't want to ruin it over this. She was already convinced that they had what it took.
Some compromise was par for the course in any collaboration, Clarice supposed, but she didn't like it.
She didn't like it at all.
<<– PRIOR DELETED SCENE
Posted in Bloody Waters, news
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redpajama_set_name: RedPajamaCommonCrawl


SAN DIEGO – Nov. 7, 2012 – For the first time in seven years, San Diego REPertory Theatre presents a holiday play, "The Ultimate Christmas Show (abridged)," written and directed by Reed Martin and Austin Tichenor, and starring the Three Wise Guys of the Reduced Shakespeare Company (RSC) Michael Faulkner, Nick Orfe and Dustin Sullivan. Audiences will experience holiday hijinks when previews begin Wednesday, Dec. 5 on the Lyceum Stage. Opening night is Friday, Dec. 7, and performances run through Dec. 23, 2012.
Guests will leave singing the Ultimate Reduced Christmas Carol, knowing how Santa saved Christmas, and learn quirky and eccentric facts about the history of favorite Christmas traditions. The audience gets to celebrate all the winter holidays in one entertaining sitting including Hanukkah, Kwanzaa, and Saturnalia, so regardless of religious preferences, no one's holidays memories are safe from skewering.
Michael Faulkner has, with the RSC, toured the globe (the real one, not the Old one), contributed material to "All The Great Books (abridged)," and appeared on NPR and "Jeopardy!" A graduate of Second City Los Angeles, he holds a BA in theater from UC Santa Cruz and is working his way through Shakespeare's clowns, playing "Elbow" at A Noise Within, Hortensio and Launcelot Gobbo at Kingsmen Shakespeare, and winning a Best Shakespeare Performance 2012 award from stagescenela.com for his "Malvolio" at La Cañada Flintridge Shakespeare Festival. He's performed on stages and festivals across the United States, including Shakespeare Santa Cruz (8 seasons), Kennedy Center, Cincinnati Playhouse, Pittsburgh Public Theater, ACT (Seattle), San Diego Rep, San Jose Rep, Merri-mack Rep, Alabama Shakespeare, South Coast Rep. Faulkner has also appeared on "The Tonight Show," "Angel," "Strong Medicine," and "Two Guys and a Girl." He can currently be seen air-drumming to Rush in a Volkswagon Passat commercial.
Mick Orfe joined the RSC in 2006, and has performed all seven of their currently touring productions in such exotic locales as Holland, Belgium, Barbados, Alaska, Hong Kong, Singapore and South Orange, New Jersey, among many others. His television credits include: "Cold Case," "Threat Matrix," "Strong Medicine," "One Life to Live," USA Network's "Up All Night," "Mad TV," and recently, "The Onion News Network." His regional theater credits include: "Blue Jacket" (Dayton Daily News, Best Supporting Actor), "Romeo and Juliet," "Henry V," "Honky Tonk Highway," "The Foreigner," and the National Tour of the Obie Award-Winning "Freedom Train." He went to NYU's Tisch School of the Arts and also studied Sketch and Improv with The Groundlings and Second City in Los Angeles. Orfe also has to his credit 150 Grateful Dead Shows, 13 Poker Tournament Final Tables, six musical instruments, a sweet jump-shot, two great kids, one hot wife, and a partridge in a pear tree.
Dustin Sullivan has toured with the RSC all over the United States and Ireland. He has performed in London's West End and was in the national tour of "Little House on the Prairie: The Musical," starring Melissa Gilbert. Also a playwright and lyricist, Sullivan is currently a member of the Advanced BMI Musical Theatre Workshop, where he met the composer Jonathan Reid Gealt. Together, the pair is collaborating on a musical adaptation of the novel "Dust and Shadow," which tells the tale of Sherlock Holmes as he investigates the murders of Jack the Ripper.
Tickets are now on sale for "The Ultimate Christmas Show (abridged)." San Diego REP's box office is open Tuesday through Sunday from noon to 6 p.m. on non-performance days and noon until curtain on performance days. Groups of 10 or more can purchase tickets at a discounted rate. Four hours of free parking at Horton Plaza is available for patrons who validate at the Lyceum Theatre. For more information, please visit www.sdrep.org.
San Diego REPertory Theatre feeds the curious soul. To learn more about San Diego REPertory Theatre, to purchase tickets, or make a donation, visit www.sdrep.org. Join us on Facebook (http://www.facebook.com/sandiegorep) and follow us on Twitter (@SanDiegoREP).
The Reduced Shakespeare Company is a three-man comedy troupe that takes long, serious subjects and reduces them to short, sharp comedies. The "Bad Boys of Abridgement" have created seven stage shows, two television specials, several failed TV pilots, and numerous radio pieces – all of which have been performed, seen, and heard the world over.
Since 1981, the company has delighted audiences throughout North America and England with their reduced versions of "The Complete Works of Shakespeare," the Bible, "All the Great Books," "The History of America," and even the "World of Sports." Learn more at www.reducedshakespeare.com.


November 22, 1963, when I was eight, President Kennedy was assassinated. In 1968, Martin Luther King in the spring then Bobby Kennedy in June. That same June I would turn 13 and I was celebrating in San Antonio with my Hispanic grandmother at the Hemisphere until we heard this news. She was so upset she fainted, party over. Her own father had been shot to death when she was a motherless teenager.
She had been very politically involved in the election of John Kennedy. Little shrines to him occupied prime territory in nearly every room of her home. I think now that some of her tears about Bobby Kennedy may have been old tears that she still needed to liberate.
This news about Donald Trump being our next president makes me want to cry. My ten year old granddaughter had been following the campaign. She was very worried when she went to bed last night. I know when she hears that he won, she might want to cry.
I was very politically motivated by what I experienced with the death of the Kennedys and King. I have always considered myself to be a Kennedy kid, "Ask not what your county can do for you, but what you can do for your country." The results of this election will only make me work harder to be that person.


Veteran ballad singer Younha will hold a fan meet-and-greet event for the first time since she debuted 13 years ago.
Although the event's title announces itself as Younha's third fan meeting, it's actually the first time she's held an official event whose main purpose is meeting with her fans, aside, of course, from her concerts.
Younha made her Korean debut in 2007 and her Japanese one in 2004. Tickets went on sale Wednesday evening on ticket seller Interpark's website.


Wigton Moor's geography education aims to inspire pupils with a curiosity and fascination about the world and its people that will remain with them for the rest of their lives. We try to teach pupils knowledge about diverse places, people, resources and natural and human environments, together with a deep understanding of the Earth's key physical and human processes.
In Key Stage 1 pupils develop knowledge about the world, the United Kingdom and their locality. They should understand basic subject-specific vocabulary relating to human and physical geography and begin to use geographical skills, including first-hand observation, to enhance their locational awareness.
In Key Stage 2 pupils extend their knowledge and understanding beyond the local area to include the United Kingdom and Europe, North and South America.
Digimap for Schools is an online mapping service Wigton Moor subscribes to. It is used by teachers and pupils and provides easy access to a range of current and historical Ordnance Survey maps and aerial photography. Included are street level maps showing street names, road-atlas style maps and historical maps of the 1890s and 1950's.


Government Contractors Conducting Investigations: A New Normal?
David Ganek's Valiant Effort to "Fight the Power" Fizzles—Where's the Remedy When Law Enforcement Lies?
Is DOJ Changing Its Practice on Press Releases after Dismissal or Acquittal?
Can a Defendant Get Attorney's Fees If He's Acquitted and There's Prosecutorial Misconduct?


text:
Kojey Radical Releases A Suave Yet Comedic Visuals For 'Cashmere Tears' With A 70s Feel.
Kojey Radical seems to be one of the busiest artists in the industry at the moment, from three back to back tours to multiple visuals released within the last few months and of course, his latest project Cashmere Tears being available to the public just a few months back. The title track for the project is a suave and funk-inspired record, especially in the instrumental. We were able to get a snippet of the track on Kojey Radical's previous video for the more high tempo track 2020.
Cashmere Tears is the perfect song to dance to, illustrated by the Soul Train inspired scenes in the visuals that bring the vibrancy of the song to life.
We were privileged enough to go behind the scenes of the video to watch Director and JFC Worldwide founder, Charlie Di Placido, in action. The smooth camera movements and dance inspired visuals which seem to be a signature for the director are also showcased in this visual, supporting Kojey Radical's intricate flow and lyricism with immersive scenes. The audience also gets a hilarious scene midway through the video of Kojey Radical and his friend Craig; director of one of Kojey Radical's most renowned videos 'Water', Argue back and forth about the elaborate costumes and over the top sets, finally conforming to a hilarious dance move Kojey forces him to do.
Kojey Radical has always taken his artistry to a new level on each of his projects, and this one does not fail to do so. Watch the full visual below and comment below if you see our little cameo close to the end.
Listen to DJ Muro's Remix of J Dilla's Unreleased 'Think Twice'


text:
package java.text;

@com.francetelecom.rd.stubs.annotation.ClassDone(0)
@com.francetelecom.rd.stubs.annotation.Real(value = "com.francetelecom.rd.fakeandroid.BreakIteratorImpl", superClass = "")
public abstract class BreakIterator
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{
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  public static final int DONE = -1;

  // Constructors

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    return 0;
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  public static BreakIterator getWordInstance(){
    return (BreakIterator) null;
  }
  public static BreakIterator getWordInstance(java.util.Locale arg1){
    return (BreakIterator) null;
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  public static BreakIterator getLineInstance(){
    return (BreakIterator) null;
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    return (BreakIterator) null;
  }
  public static BreakIterator getCharacterInstance(){
    return (BreakIterator) null;
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  public static BreakIterator getCharacterInstance(java.util.Locale arg1){
    return (BreakIterator) null;
  }
  public static BreakIterator getSentenceInstance(){
    return (BreakIterator) null;
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  public static BreakIterator getSentenceInstance(java.util.Locale arg1){
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  public boolean isBoundary(int arg1){
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redpajama_set_name: RedPajamaGithub


Thursday will celebrate their 20th anniversary as a band by touring the U.S. in early 2019. One leg of the tour will feature Vein, while the other will feature American Pleasure Club. Once the tour is over, the group will disband indefinitely. Dates can be found below.
"It's our honor to announce that we'll be ending our 20th Anniversary by taking Full Collapse and War All the Time on the road, for a very limited US tour, in early 2019. When we reunited the band, two years ago, we had no idea that it would carry us through our 20th year or that we'd be selling out every show that we play in 2018. It's been a very gratifying and humbling year for us. This tour is our attempt at saying 'thank you' to all of the people around the US that have supported us for all these years. We'll be playing small venues, like we did when we began touring. At the conclusion of this tour, we intend to put an end to 'the reunion.' When we stopped playing last time, it wasn't on the best of terms. This time, we get to put down touring on the very highest of notes: in each other's lives and able to pick up and play together behind closed doors whenever we want. If we are ever able to do Thursday again, it will be a new, separate chapter. Thank you all for your time, attention and friendship.


A grassroots restaurant start-up is often a calculated expression of a proprietor's vision and passion. When that vision resonates with others, both employees and guests, a magical thing can happen! That shared experience fuels a journey of both growth and discovery. The heartbeat of M1 has always been about growth, instincts, and realizing a dream.
Many months ago, we engaged in a process to seek out the next proprietor of Mile One Eating House. We knew we would have to consider how to balance the seriousness of business dealings with the higher ideals of artisanal growth. Now, almost seven years to the day that M1 first opened its doors, we can officially put all the rumours to rest…. and we've heard some pretty wild ones!
Sticking to our values of growth and achievement, we are truly excited to be able to announce that our next proprietor is in place. Our Chef de Cuisine, Erin Paige Kerr, has made her passion for Pemberton and great food her driving force, convincing us that her bid for ownership was, and is, the correct path for this eating house! Erin has been with us since Day One in March of 2011, and having a locally raised, young and talented entrepreneur, take charge of the next leg of this journey, just feels like the right thing to do.
Mentoring Erin over these past years and through those to come, as she redefines the M1 boundaries, gives me confidence in the continued growth and success of that dream. We all look forward to climbing high in that saddle, breaking new ground, and heading down a few trails less taken.


1. This smart watch has the functions of blood pressure monitoring, blood oxygen monitoring, heart rate monitoring, movement meter step, touch control operation, information push, multi-sport mode, looking for the bracelet, sleep monitoring, lasting battery life and exercise distance.
2. The third-generation high-performance battery platform, energy density increased by 20%, system-level optimization, low-power chip design, power consumption savings of 80%.
3. IP67 waterproof grade, no problem with washing hands, raining, swimming, bring your equipment to start.
4. 24 hours, real-time heart rate monitoring. Monitor your heartbeat in real time every day, view it at any time, view the heart rate curve through Wearfit2.0 APP, and make your heartbeat data clear at a glance.
5. The wristband can be directly measured on the blood pressure, easy to operate and easy to use.


text:
2018 Artists in Residence
By webmaster Residencies, Upcoming
The Harvestworks New Works is pleased to announce our 2018 recipients. The recipients are commissioned to create a new work in the Harvestworks TEAM (Technology, Engineering, Art and Music) Lab. The applications were reviewed by Composer-Performer/Sound Artist Christina Campanella, Artist/ Director, DiMoDA Alfredo Salazar-Caro with Artist/Technical consultant Matthew Ostrowski.
Beth Bradfish: Untied | United
Untied / United is a multi-speaker installation that evokes the unconscious quality of everyday life and memories. Elastic threads strung across the space will trigger sound when touched by visitors.The sounds will transform into a mix that is abstract yet at once familiar. Both fragile and tenacious, the visual elements in the room work in unison with the sound-scape to evoke qualities encountered in both casual and intimate relationships.
Beth Bradfish is a composer and sound artist whose goal is to bring her audience as close to sound as possible – like a musician holding a cello to his or her heart. The permeability and physical intimacy of sound is the foundation of experiences she creates and invites her audiences to participate in. She composes for chamber ensembles, orchestras as well as installations and sound objects she designs.
Mark Cetilia: Laws of Reflection
Laws of Reflection is an active listening experience that explores new technology for the spatialization of sound by pairing pan / tilt controls with a small ensemble of hyperdirectional speakers, which create tightly-focused beams of sound. The resulting sound projection system will allow sound to reflect off of objects within a given architectural space and illuminate different portions of the surrounding environment.
Mark Cetilia is a sound / media artist working at the nexus of analog and digital technologies. Exploring the possibilities of generative systems in art, design, and sound practice, Cetilia's work is an exercise in carefully controlled chaos. Over the past two decades, he has worked to develop idiomatic performance systems utilizing custom hardware and software, manifesting in a rich tapestry of sound and image.
Lauren McCarthy: LAUREN
LAUREN is an interactive performance in which McCarthy becomes a human Amazon Alexa, remotely watching over the occupants of a home 24/7 and controlling all aspects of their home. In the face of increasing replacement of humans by automated systems and artificial intelligence, McCarthy attempts to reclaim the position as omniscient watcher and controller of the home. The performance will be experienced by the participants in their own homes, as well as by an audience in a control center. Documentation and artifacts from the performance will be exhibited to a wider public afterward.
Lauren McCarthy is an artist based in Los Angeles and Brooklyn whose work explores social and technological systems for being a person and interacting with other people. She makes software, performances, videos, and other things on the internet.
A manda Gutiérrez: Walking on Lightness
Gutiérrez will translate her film essay Walking on Lightness into a virtual reality environment. The audio-visual documentation of the essay is the result of the sensorial exploration of soundwalks recorded in Sunset Park in Summer 2017. The virtual journey will challenge the familiarity and cultural accessibility that is experienced in Gutiérrez's own embodiment and historical-cultural fears while walking through public spaces in certain time and location within the urban space.
Amanda Gutiérrez explores the experience of home, belonging, and cultural identity by bringing into focus details of everyday practices whose ordinary status makes it particularly hard for us to notice their key role in defining who we are. Trained and graduated initially as a stage designer from The National School of Theater, Gutiérrez uses a range of media such as sound art and performance art to investigate how these conditions of everyday life set the stage for our experiences and in doing so shape our individual and collective identities.
Morehshin Allahyari and Prince Harvey:
Morehshin Allahyari, in collaboration with Prince Harvey, will develop a new body of work on immigration, memory, grand-narrative, and other-future building using what they call "micro-Afrofuturism" and "micro-Gulf-futurism" as the main methods of investigation and imagination. By using their personal and collective stories and experiences, they will devise a series of mythic and fictional narratives in the form of virtual time mapping/data visualization, experimental short film, and alternative hip-hop music.
Morehshin Allahyari was born and raised in Iran and moved to the United States in 2007. Her work deals with the political, social, and cultural contradictions we face every day. She thinks about technology as a philosophical toolset to reflect on objects and as a poetic means to document our personal and collective lives struggles in the 21st century.
Prince Harvey is a NYC based artist/musician most famously known for recording his first album in an Apple Store. Harvey spent most of his childhood on the tiny island of Dominica where he started writing songs at the age of 8, influenced by late 90s rappers. At 14, his family moved to New York and since then he has been composing and producing alternative hip-hop music, praised by both mainstream and underground audiences.
Harvey's music has been featured in The New York Times, Noisey, Billboard, VICE, The Daily Beast, The Guardian, The Fader, and Afropunk among others. Upon, release of his first album, PHATASS, he's been mentioned by major music and news publications, as well as celebrities like Lil Wayne, Russell Simmons and Talib Kweli.
In 2017, he created STAY BOLD: 100 DAYS 100 SONGS, where he released a song a day for 100 days as a protest against Trump.
Andrew Neumann: Watching:Camera:Moves
Watching:Camera:Moves is an immersive, multi-channel video/audio installation that explores, analyzes, and reconstructs camera movement through cinematic/video/sonic space. Essentially a large wall installation, it employs tracking LCD screens and projectors that move around on the wall to predetermined positions. By taking license from traditional narrative cinema, and emulating the way the camera moves in and through space, this installation becomes a deconstruction of cinematic/sonic space and breaks apart the idea of the frame.
Andrew Neumann is an artist who works in a variety of media, including photography, video, sculpture, installation, and electronic/interactive music. His original artistic output consisted of single channel videos and films. He then moved on to integrate a variety of electronic and digital technologies into his sculptural work. In addition, he has been building electronic musical interfaces, and is active in electro-acoustic improvisation. He has studios in Brooklyn, NY and Boston, MA.
Jon-Carlos Evans: Drea mpop/Dysphoria
Dreampop/Dysphoria is an Audiovisual Album and coinciding immersive video performance that narrates the downfall and awakening of a 21st century A.I. manifested Pop Star known as "dVA." The goal of the piece is to present an innocuous form of anti-propaganda for those still trapped in the material world. Dreampop/Dysphoria combines multiple art forms to hopefully dissolve barriers between the avant-garde and populist crowds of not only music and cinema, but also digital art and performance.
ReVerse Bullets is an audiovisual collective conceived by Klaas von Karlos in Brooklyn in 2009. Klaas von Karlos is the musical alter ego of Berlin-based filmmaker, audiovisual artist and writer Jon-Carlos Evans. A native of Saint Louis, USA, he holds a BA in Film Production from Webster University-Saint Louis and an MFA in Media Arts Production from CUNY-City College of New York. Under the alias Klaas von Karlos, he is also a live member of the band BIINDS. His most recent projects include the 2016 album "The Mansa Musa Affair, the Naked Sweatshop EP with vocalist Kyoka Jinjabrew, and the film, "All Tomorrow's Children."
Efrain Rozas: Myth and Prosthesis
Myth and Prosthesis is a series of performances in which a drumming robot improvises in real time generating polyrhythmic patterns with accuracy and no latency. The robot will interact with site specific events that have an interesting rhythmic or cyclical quality, such as a flag moving in the wind or microbial activity, using camera tracking systems. Some of the events will occur during the performance and some will be prerecorded and projected.
Efraín Rozas (PhD) is a Peruvian musician/researcher, specialized in software design, robotics and artificial intelligence focusing in polyrhythm and the cultural dimensions of technology. He holds a PhD in composition and ethnomusicology at New York University, funded by the McCracken fellowship, advised by Jaime Oliver and Nicolas Collins. He currently works as a professor at the New York University music department.
J ulia Sinelnikova: Persons of Interest
Persons of Interest is an interactive video installation which explores otherness in the context of the American sociopolitical landscape. The installation builds on past works using MAX which interpret local surveillance feeds of unknowing citizens alongside webcam feeds of the audience, with results projected on translucent installations. Video portraits of citizens affected by immigration bans, surveillance feeds, and an ambient audio work will comprise the projection-mapped environment.
Julia Sinelnikova is an interdisciplinary artist who works with holograms, performance, and digital culture. Heavily inspired by electronic music, Sinelnikova has designed sculptural sets for performers including Lee Burridge, Machinedrum, The GZA (Wu Tang Clan), and Aurora Halal. Selected profiles of her work have appeared in The New York Times, The Wall Street Journal, VICE, Artnet, Huffington Post, The Creators Project, PAPER Mag, and The New Criterion.
Jakob Steensen: Re-animated Archives
During his residency, Jakob Kudsk Steensen will be working on Re-animated Archives (working title), a project about virtual natural history collections of recently extinct species, exploring how archives and imaginations of past natures impact how we imagine future ecological circumstances. At Harvest works, he will develop a workflow for spatial audio for VR, utilizing new developments in ray-traced audio, where it becomes possible to have audio bounce, occlude and respond in real-time to virtual landscapes and their digital materials. The project remixes audio recordings of recently extinct species, interviews with people who have had "last encounters" with them, and 3D scans of preserved specimens of the species. The final work will manifest itself as a VR, video and audio installation, where a vast virtual eco-system comes to life
Jakob Steensen is a Danish artist and art director based in New York. He has masters of Art and New Media from Central St. Martins and Copenhagen University, and has most recently exhibited at Time Square for the Midnight Moment, at Carnegie Museum of Art, The Moving Image Fair, NYC, MAXXI, Museum of Modern Art, WIRED annual conference, FRIEZE in London, Podium in Oslo, Ok Corral in Copenhagen, 86 Project Space, Brooklyn, Sleep Center, China Town and at London Science Museum.
A my Youngs: Becoming Biodiversity
Becoming Biodiversity is an augmented reality artwork that will encourage participants to explore and experience local, ecological, and indigenous networks present in an urban park site. Cell phones and headphones are used to view the artwork, which includes mixed-reality animations and storytelling as an overlay to the actual park. The experience will be an embodied one, designed to connect humans empathetically with the biodiversity, symbioses, and unseen histories in public park spaces.
Amy Youngs creates biological art, interactive sculptures and digital media works that explore interdependencies between technology, plants and animals. Her practice-based research involves entanglements with the non-human, constructing ecosystems, and seeing through the eyes of machines. She is an Associate Professor of Art at the Ohio State University.
Eva von Schweinitz: The Space between the Letters
The Space between the Letters is a new multi-disciplinary, research-based performance project that investigates adult literacy, the experience of learning, and the socio-political fabric of education in the United States. Integrating recorded interviews, interactive video, sound design, live-drawing, and choreography,
The Space between the Letters explores the perspective of those who struggle with reading and writing and considers the ways in which adult education can provide tools to become empowered as a citizen.
Eva von Schweinitz is a German-American interdisciplinary artist who lives in Brooklyn and creates original, research-based work in collaborative settings. The Space between the Letters is a collaboration between eight core artists, each occupying one or more roles including director, producer, choreographer, dramaturg, performer, to video and sound designer.
John Kelly Underneath The Skin, a multi-media dance theatre work based on the life and work of Samuel Steward (1909-1993), a brilliant closeted queer scholar who left academia to create his own survival strategies, reasonably flourishing as a tattoo artist, diarist, novelist, and writer of erotic fiction. The live performance will include multi-channel video projections, including animation renderings of tattoo designs, and various modes of rendering written texts.
John Kelly is a performance and visual artist. His character-driven dance theatre works focus on the threats of survival resulting from the personal and public struggles encountered by artists and social outsiders, and the nature of creative genius. Kelly's visual artwork frequently involves self-portraiture, including drawing and painting, photography and video; 2 of his films 'The Dagmar Onassis Story' and 'The Mona Lisa' were recently acquired for the permanent collection of MOMA. His solo exhibition 'Sideways Into The Shadows' includes 52 hand drawn memorial portraits of friends and lovers lost to the AIDS epidemic, and dated journal transcriptions rendered on paper, was recently exhibited at Howl! Arts.
Kyle de Camp will produce a multimedia installation/performance that explores the movement of light, bodies and images through the lens of architecture, providing a subjective experience of space. The project was sparked by recent demolition of the massive public health complex Goldwater Memorial Hospital on Roosevelt Island (1939-2015), the first major design by Russian Jewish immigrant, Harvard educated architect/ designer of hospitals Isadore Rosenfield (1896-1980) who is also coincidentally her grandfather.
Kyle deCamp is an interdisciplinary artist. She writes, designs, directs and performs at intersections of media, architecture, theater, performance and choreography drawing on multiple perspectives, exploring interactions of art, history, technology and individual lives. Her multi-focused projects combine varied perspectives to create hybrid experiences of space in live performance. Rome Prize Fellow in Design, American Academy in Rome 2017.
. Qubit is a collective of composers and sound artists who curate and produce events that feature innovative applications of technology in music. At Harvestworks, their residency projects will use the audio recording studio and our public presentation programs. David Bird is composing a music theater work for the TAK ensemble with playwright Kelsey Torstveit. His work explores the themes of domestic loneliness and will record sounds of buzzing refrigerators, creaking floorboards, leaky windows, as primary musical materials which will become orchestrated out onto the ensemble. Alec Hall is composing a long-form experimental music theatre work for the TAK ensemble in collaboration with director Katherine Brook and writer Dan O'Neill. He will use the recording studio to record acoustic instrument samples from the TAK ensemble and combine them with various electronic sounds from the Harvestworks analog studio as well as digital methods. Bryan Jacobs will present Subwhistlea sound installation that uses low frequency sound to play slide whistles. The air forced out of each of four subwoofers is directed into the mouthpiece of a slide whistle, causing the whistles to sound. The subwoofers are fed oscillating sine waves between 10 and 30 hertz- mostly below the threshold of human hearing. This piece uses one audio signal to physically create another. Subwhistlewas presented on Governors Island as part of the Artworks and Experience exhibition produced by Harvestworks.
Danny Bracken: A Stillness in the Dark
A Stillness in the Dark is a subtly interactive installation. Using multi-channel sound and electroluminescent wire the work will explore the use of space, movement, and interactivity. Built with Max/MSP interfacing with a microcontroller, the installation will play a musical sequence that is synchronized to sections of wire, illuminating as sound plays. As people enter the space, a camera will detect their movement and pause the work, and turning on when there is stillness.
Danny Bracken's creative practice explores technological change and its impact on our perceptions and experiences of the people and places that surround us. Employing contemporary and historic references, the work examines the role of the physical in our progressively intangible existence.
Stephanie Gray: Do You Know What A Magician Is?
Stephanie Gray's film-video, "Do You Know What A Magician Is?" explores the process of communication and hearing, as one with a hearing loss. With a mix of found and original video/film footage and sonic experimentation, this work will immerse viewers in the world of those with "less" hearing and dissect the ways in which we may make assumptions about those with such hearing. The title is named after a line in a condescending 1950s film about children with hearing loss.
Xiameng (Summer) Lin:
Inspired by the Italian Pavilion at Caramoor (Katonah, NY), Lin will create an interactive installation, which is also a multichannel composition. The Italian Pavilion magically "freezes" sounds made strictly within the boundaries. These sounds keep building up to a point where they sound like a landscape composition and a sonic texture. This acoustic feature often inspires passengers to make interesting sounds or sing. Using microphones and sound processing, Lin will reproduce this experience.
Daniel Neumann: CHANNELS.applied
Neumann's new continual composition piece CHANNELS.applied was initiated in the form of a sound installation at Fridman Gallery in January 2018. The sonic "raw" material of CHANNELS, as well as recordings, will be applied to various architectural spaces and systems in form of future performances and installations. The intital patch used in a performance in 2017 will be expanded into a more versatile and flexible architecture to be used for Neumann's new piece.
Daniel Neumann is a Brooklyn-based sound artist, organizer and professional audio engineer, originally from Germany. He holds a master's degree in media art from the Academy of Visual Art Leipzig and also studied electronic music composition under Emanuele Casale in Catania, Italy. A main focus of Neumann, throughout all three of his different occupations, is how sound interacts with space and how spaces can be shaped by sound.
Simona Prives in collaboration Ross Williams: We Said We Didn't See It Coming
We Said We Didn't See It Coming is an immersive interactive installation that represents an examination of our complex relationship between the organic and the man-made and offers a multi-sensorial construction of reality. The work is a dynamic choreography between the audience, musical compositions and video animations, presented in multiple life-sized projections, that plays with the viewer's perception of time and place. The experience will offer dreamscapes that ignite a fragmented memory.
Simona Prives creates physical and digital collages, both still and moving, that focus on the process of decomposition and reconstruction. Simona uses multiple forms of printmaking and drawings in fragments, as well as video and found materials to assemble her intricate animations.
Workspace Residents
Laura Splan:
Material Expressions is a new series of kinetic sculptures whose movement is triggered by biosensors. Motorized components of the sculptures will be actuated by a live performer's movement through electromyography (EMG) electrodes. Changing levels of electricity in muscles will control motorized movement of sculptural apparatus. The sculptures will incorporate found materials, handcrafted elements and 3D-printed forms. The project explores the potential for objects to embody corporeal experience and to materialize the unseen machinations of the human body.
Laura Splan's work explores intersections of art, science, technology and craft. Her conceptually based projects examine the material manifestations of our mutable relationship with the human body. She reconsiders perceptions and representations of the corporeal with a range of traditional and new media techniques. She often combines the quotidian with the unfamiliar to interrogate culturally constructed notions of order and disorder, function and dysfunction. Her frequent combinations of textiles with technology challenge values of "the hand" in creative production and question notions of agency and chance in aesthetics. She lives and works in Brooklyn, NY.
Andrea DeFelice: Lemon Bomb Face
Andrea DeFelice has been working with an engineer to design & complete an initial piece of a series. The series entails three mechanized light paintings where words are hidden & revealed by two types of light: ultraviolet and daylight. Each individual piece is a wood and steel box frame, built with a linear motion mechanism, light fixture, UV & daylight tubes, UV pigment, Arduino, and custom components.
Andrea DeFelice works in a range of media including video art, drawing, algorithmic art, and mechanical hacks. With a background in new media, engineering, and sculpture, her work references different concepts behind technology and human behavior as responses to how we receive and understand information; particularly amidst the tech-evolution and the environments created from it.
Tali Hinkis: Fremd Comfort Zone
Fremd Comfort Zone is a new wearable and spatial technology environment for immersive audiovisual performances. Combining original textile designs, biosensors, and embedded spatial sensors, the suits and space will be used to establish deeper connections between performers, instruments, and audience. This new work is a continuation of LoVid's ongoing practice combining handmade audio/video instruments, wearable and mobile technology, and visceral video performances and installations.
Brian McCorkle: 11 Attempted Decompositions
An act of composition in reverse, an antidote to composer-as-landowner, a Decomposition is defined as a series of musical decisions rather than a predetermined melody or harmony. Each Decomposition is based around a different focal point: light, timbre, loudness, note, meaning, contact, conversation, periodicity, presence, and absence. Over the course of 2018 individual recording sessions will be held with over 50 artists, engaging with a focus of their choice, designed with them in mind. The recordings will be assembled into an album, culminating in a record release show and exhibition of selected compositional systems for the public to engage with. brianmccorkle.work
Brian McCorkle is a composer, performer, and digital artist. In addition to his solo work and with the composer's collective Varispeed, he is the Co-Director of the Panoply Performance Laboratory (PPL) with Esther Neff. brianmccorkle.work
Catherine McCurry: That Time When
That Time When is a mixed reality narrative – a VR experience mapped to a physical installation that unfolds as viewers move through it. The project combines neuroscience, physicality, sound, and comedy, presenting itself as an amusement park-style exhibit in which participants walk through the memories of an unnamed research subject. She is the first person to have her brain scanned with micron-level precision, then meticulously mapped over the course of many decades.
Catherine McCurry is an artist, musician and creative technologist based in Brooklyn New York. Through her work, she explores scientific concepts and uses technology to create new paradigms for interactive and participatory storytelling. Her work spans multiple media including performance, film, sound, software, and installation.
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Totally disappointed in a terribly expensive meal at DB Bistro and Oyster Bar by Chef Daniel Boulud. This was an incredibly overpriced lunch that was pretty basic. While the salads were fresh and good the price was high for what you got. The Cavatelle Bolognese Pasta was pretty bland and not well liked by all three people at our table. I just had to give the $45 DB Burger a try to see if it was any where near worth $45. Even with the Foie Gras and Short Ribs, this burger was pretty tasteless. Truly lacked flavor and was terribly undercooked. I ordered the burger Medium Rare and it came to the table almost raw. I split the Burger with my Wife and neither one of us finished our half.
Would not recommend or order this Burger again and probably would not dine here again unless someone else was picking up the tab.


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First Coronavirus Death At Oregon Veterans' Home In Lebanon; Now Five Total Statewide
March 22, 2020 1:27PM PDT
Linn County, Ore. – A fifth Oregonian has died from COVID-19, and it's the first death from the virus reported at the Oregon Veterans' Home in Lebanon. The 90-year-old man had underlying medical conditions and died Sunday morning. The Director of the Oregon VA released a statement saying in part: He served our nation with honor, and was a beloved member of the community.
161 people in Oregon have tested positive for COVID-19, 24 new people reportedly have the virus as of Sunday morning. In Washington state 94 people have now died from the Coronavirus and nearly 18-hundred residents have tested positive. There are now ten people in Clark County with the virus. Health experts predict these numbers will continue to climb.
Photo of Oregon Veterans' Home in Lebanon
Read more from Oregon Department of Veterans' Affairs
It is with the deepest sadness that we announce the passing of one of the honored residents of the Oregon Veterans' Home in Lebanon due to complications related to COVID-19. The resident passed away early on the morning of March 22.
"Our hearts are heavy," said ODVA Director Kelly Fitzpatrick. "This resident was a veteran who served our nation with honor and dignity in its hour of need. He was also a beloved member of our Lebanon community, and he will be deeply and truly missed. On behalf of everyone at the Oregon Department of Veterans' Affairs and the Oregon Veterans' Home, we offer our sincere condolences to his family and loved ones. We grieve with them.
"At the Lebanon Home, staff continue to diligently follow established infectious disease prevention protocols and public health guidelines," Director Fitzpatrick continued. "We know they are doing everything in their power to stop the spread of coronavirus and keep our community safe. All possible resources are being made available to support them in their critical work."
Since the opening of the Home in 2014, every veteran resident who has passed away has been honored with the "Walk of Honor" in recognition of their service to our country. Typically, staff, residents and family would line the halls to salute and pay their last respects.
Today, amid the COVID-19 situation, staff adjusted this long-honored tribute. Outside, staff were invited to line the sidewalks (maintaining appropriate social distancing) while his body was escorted to the waiting transportation, draped with a burial flag and a handmade quilt from Quilts of Valor.
Staff fold the burial flag 13 times in accordance with honor guard standards and present it to a family member. Multiple precautionary sterilization measures were taken to protect against the spread of the virus.
"The Walk of Honor is the last form of respect we can offer to honor our veteran and their family," said Director Fitzpatrick. "In these unprecedented times, traditions are more important than ever. We will continue to ensure our brothers and sisters in arms receive every honor they deserve while following public health guidelines."
Out of consideration for the family and confidentiality required by HIPAA, ODVA will not be releasing the resident's name or other personal information.


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Bangladesh has had:
How Prepared Is Bangladesh?
Bangladesh has work to do to prepare for the next epidemic. They are committed to improving preparedness, but an outbreak today could cause deaths and cross borders.
Bangladesh has finished their National Action Plan and is working on improving epidemic preparedness in one or more gap areas.
What Are Bangladesh's Strengths & Gaps?
Medical Countermeasures and Personnel Deployment
Epidemic preparedness is not just about your country; it's a global issue. Right now Bangladesh is not ready for an epidemic. What happens when an epidemic breaks out in Myanmar and India?
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