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Best Ergonomic Mouse For Carpal Tunnel
Accessories / By Fine Life Co
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Suffering isn't ennobling, recovery is - Christian Barnard
An old gym buddy of ours used to delight in telling everyone that would listen that pain was just weakness leaving the body. He was wrong.
Chronic pain and suffering are, unfortunately, something that too many of us end up dealing with in the digital age, and an all too common cause of both, is the machine that was supposed to make all of our lives easier, the computer.
Endless hours of writing emails and reports and clicking on a mouse to highlight sections of the latter and correct mistakes in the former can lead you to develop repetitive strain injuries, or in the worst-case scenario, carpal tunnel syndrome.
And as anyone who has been plagued by, or continues to suffer from carpal tunnel will willingly tell you, the pain it causes can be crippling.
While the only permanent cure for carpal tunnel syndrome is unfortunately surgery, there are ways of reducing the level of discomfort it can cause, which can also help to head carpal off the pass before it becomes a problem.
The simplest and most effective way is by swapping the standard mouse that you use with your computer set-up for an ergonomic model that's been purpose-designed to prevent and ease the suffering caused by carpal tunnel syndrome.
That's why we've found five of the best ergonomic mice (or mouses if you prefer) for carpal tunnel so that you can continue to be as productive as you've always been without having to suffer for your work or art.
Being pain-free is just a click away, so let's take a look at the best way to ward off, and fight carpal tunnel syndrome in the office and at home…
Logitech MX Master 3 Advanced Wireless Mouse
Jelly Comb Wireless Vertical Mouse
Lekvey Ergonomic Vertical Wireless Mouse
Even though it doesn't conform to the usual design specifications of an ergonomic mouse, Logitech's MX Master 3 has been engineered to remove all the stress points that can trigger, and help to exacerbate, carpal tunnel syndrome and repetitive strain injury.
It's been made to ease the pressure that constant use of a mouse places on your wrist and to easily glide over just about any surface that you use it on, even glass.
Built with intuitive thumb and finger controls, the MX Master 3 is five times more precise than a standard mouse and up to ninety times, depending on the person using it, faster.
Utilizing pre-designed app-specific profiles, the Master 3 is also infinitely customizable, so can you make it work to your strengths and ensure that it will fit around the way that you work rather than you having to adapt to the way that it works.
And thanks to its flow across computer controls, you can use it to make your projects come to life on up to three different machines at once. It'll help you to refine your concentration and focus and will keep the pain at bay at the same time.
Best of all though, whether you want to use it with the supplied USB interface or connect it to your machines using Bluetooth, it'll work equally well.
And it will also run for nearly seventy days from a single full, USB charge. Which means that you won't even have to plug the Logitech in if it's charged, you can just switch it on and you'll be ready to go.
Designed to be intuitive, easy to use, and to keep your wrist and fingers pain-free, the Master 3 can be used to control the action on three devices at once.
If you don't have enough USB space on your laptop to use while you're working or gaming, don't worry. It'll connect to your computer using Bluetooth, and all you have to do is literally switch it on and it'll be ready to use.
The mag speed wheel and electromagnetic control that help to control the Master 3 also means that it's quiet. And when we say quiet, we mean it's so quiet that you could drop a pin while you were using it and you'd be able to hear that pin hit the floor.
And it will switch on, run and do exactly what you want it to for up to seventy days from a single, full USB charge. Seventy whole days. That isn't just remarkable, it's miraculous.
It also comes with Logitech's limited one year hardware guarantee. If it fails to do what it's supposed to in that year, due to mechanical failure or design error (which it, fortunately, isn't bothered by), then Logitech will either replace it or refund you.
All of the operational and technological bells and whistles that make this mouse the go-to piece of hardware kit for any dedicated laptop user mean that it's far from cheap, but it is a serious investment that will make sure that you remain pain-free and untroubled by carpal tunnel syndrome or some of its slightly less painful acquaintances.
The world is changing and so are Jelly Comb, and everything that they design and make is created to keep up with the modern world and the way that people work.
Keyboard and mouse specialists, Jelly Comb's sole reason for being is to make the workplace and home office more user friendly and much kinder to your daily needs.
Even though Jelly Comb freely admits that their wireless vertical mouse takes some time to get used to, it has been scientifically designed to be used in the neutral, handshake position which reduces the strain that it places on your wrist and fingers to an absolute minimum.
But when you do get used to it? You'll wonder why you ever bothered using a flat mouse, and you'll never want to go back to the old ways as you'll be more than happy to embrace the pain-free future that the Jelly Comb mouse offers.
And the high-resolution optical tracking technology that it uses means that this wireless mouse is much more responsive than a standard mouse and can be used on a far greater number of surfaces.
So you won't be chained to the mouse mat that used to govern the range of your mouse's domain. Where your hand wants to go, your mouse will follow and no matter where that is you'll always remain in full control of your cursor.
Jelly Comb has also tested their mouse to the point of destruction and far beyond, and it survived everything that they did to it and just kept on clicking.
And talking about clicking, part of that testing procedure was their five million click test which hit the buttons on the mouse, more times than you ever will in a dozen lifetimes, and it sailed through and, as we've already said, just kept on clicking.
Contoured to support your palm and cradle your thumb and finger, the ergonomic design allows smoother movement and is designed to prevent the wrist strain that a traditional mouse can cause
The DPI (dots per inch) button on the mouse allows you to effortlessly switch between eight hundred, twelve hundred, or sixteen hundred dpi to control the responsiveness of whatever you're doing or working on.
Even though Jelly Comb advertises a high degree of device compatibility, and claims that their mouse can work with almost every device, there is an issue with Apple products. It'll work fine with any Windows laptop but might not even get off the starting line if you're using a Macbook.
And it isn't kind to batteries either and chews its way through them at an incredible rate, so you're going to need to have a packet or two of AA batteries on stand by while you're using it, as you will need them.
Lekvey believes in putting their customers first and all the products that they design and manufacture are constantly tweaked and adjusted according to customer feedback and suggestions.
It's one of the main reasons we're so enamored by them. That and the fact that their ergonomic mouse really is a league of its own.
Engineered to ensure that your hand always remains in the natural handshake position while it's using this mouse, it's been made to completely remove any of the strain that a standard mouse would inflict on your fingers and wrist.
The page back and forward function that the mouses uses has been optimized to make web browsing quick and easy and with a touch of a button, it'll flip between eight hundred, twelve hundred and sixteen hundred dpi (dots per inch) so that the resolution that you're working at suits you, rather the system that you're using.
Made to be as user-friendly and adaptable as possibly, Lekvey's mouse for all seasons rigidly adheres to a plug and play simplicity.
Just slot the USB wireless control unit into your laptop and the mouse will be ready to use, and while you're using it it'll charge directly from the same USB connecter. Straightforward and safe, it's a mouse that's been designed with you in mind.
Engineered to minimize the strain that it places on your wrist, and to ensure that your palm, thumb, and fingers are comfortable at all times, Lekvet's mouse is all set to fight off the forces of Carpal Tunnel each and every single time that you use it.
And you don't have to worry about feeding it batteries either, as soon as it's plugged into your laptop, it'll be ready to go and will charge directly the source that it's plugged into.
There's a reason why the Lekvey is one of the best selling Ergonomic mouses in America and that's because it's not only simple to set up and easy to use, it's also incredibly affordable.
It's all of the above as long as you use a Windows-friendly laptop or computer. If you subscribe to the Apple way of doing things, you're going to need to move along. The Lekvey isn't for you and it isn't the ergonomic mouse that you're looking for.
It can be a little too quick to power down if you leave it alone for more than fifteen seconds and as quick as it is power down, it's just as slow to power back up when you start using it again. The lag can be annoying and more than a little frustrating.
Delux Ergonomic Wireless Mouse
Known as the Ergo by Delux, this wireless mouse has been designed to halt the effects, and progress, of Carpal Tunnel Syndrome and repetitive strain injury in their tracks.
You might not have heard of Delux, but with a hundred different mouse manufacturers all vying for your custom, it isn't the name on the mouse that matters, it's what it can do. And the Ergo does everything that you'll need, and want, it too and much, much more.
Made to be used in a handshake position that'll take the strain off your wrist and let your palm, thumb, and fingers rest comfortably while you're using it, the Ergo is a simple, easy to use mouse that's been built to put the fun back into using your laptop.
With an effective range of thirty feet, just plug it into your computer, select which DPI setting suits you best and you'll be ready for pain and stress-free action.
As with all ergonomic, joystick style controls, Delux warns that it'll take a little time to get used to using the mouse, but to make sure that the process of learning to use it is as pleasant and enjoyable as possible, they've also included a removable wrist guard.
It's everything that could want in an ergonomic mouse and does everything that it's supposed to do with style and grace.
With an effective range of thirty feet, you'll easily be able to find the right position to use your ergonomic mouse.
With a wrist guard and a DPI selector, and a natural handshake position, this ergonomic mouse has been built to dismiss Carpal Tunnel and make using your laptop fun again. And as it's a plug and play model, it's ready to use straight out of the box, so you can get straight on with whatever it is that you're doing.
And it's priced to put a smile on your face and keep your pocketbook safe from harm - which is always an added bonus.
If you're a Mac user this must be getting increasingly frustrating, as the Delux suffers from the same issues that a lot of other ergonomic mouse(s) do - a lack of compatibility with Apple products. Why this is the case, we don't know, but it seems to be a factor that far too many ergonomic mice are troubled by.
Anker 2.4G Wireless Vertical Ergonomic Optical Mouse
Anker's ergonomic mouse has been designed with the future in mind and was engineered to bridge the gap between class, comfort, and functionality.
Created to leave the past where it firmly belongs, in the past, this mouse has been made with you in mind, so you can keep working, surfing the net, and doing all of the things that you joined the digital revolution to do without having to worry about the stress and strain that a conventional mouse would put on your hand, wrist, and arm.
Created to use the natural position of your wrist, palm, and thumb, Anker's ergonomic mouse uses an intuitive five-button control system to give you full access to everything that you're working on with a simple click.
Its optical tracking technology has been designed to allow it to be used on any number of different surfaces and its easy to control DPI interface means that you switch between eight hundred, twelve hundred, and sixteen hundred dpi with ease so that you can focus on what you're doing the way you want to instead of being forced into doing things the way your laptop wants you to do them.
And when you're not using it, Anker's mouse will power down after eight minutes, and when you want it to spring back into life, all you need to do is click the left or right button and it'll pick up where you, and it, left off.
Sticking to the philosophy that simple and straightforward always work best, this ergonomic mouse was built to make sure that your life stays pain-free and easy.
It's an ergonomic mouse that's been designed to ward off the effects of carpal tunnel and repetitive strain injury at a price that won't break your bank balance or beat your pocketbook up.
Intuitive and easy to use it's been designed to be used straight out of the box. Just plug it into your laptop and you'll be ready to start working, gaming, or surfing the net with a wrist friendly mouse.
The good news is that unlike most ergonomic mice, Anker's mouse will work with Mac's OS (operating system). The bad news is that it'll lose a certain degree of functionality if it is used in conjunction with Apple hardware. And as with most of the other models in our list, we have no idea why that should be the case or why the companies responsible for making them don't seem to have taken Mac users into account.
Best Ergonomic Mouse For Carpal Tunnel Buying Guide
Which Ergonomic Mouse Is The Right One For Me?
That depends entirely on what your budget is and which operating system your laptop or computer uses, Windows or Mac.
Unfortunately, if you are dedicated to Apple, the only ergonomic mouse that'll effectively work with your Mac is the Logitech Master 3, which while being the most expensive mouse on our list, is also the most functional and technologically advanced option.
However, the floor is open for Windows users, and the only thing that will limit your choice of ergonomic mouse is your budget.
So, once you've set it, read through our list again and make your choice accordingly. Here's to a pain-free future with your new ergonomic mouse.
What Is Carpal Tunnel Syndrome?
Carpal Tunnel Syndrome (CTS) is caused by undue pressure on the major nerve in your wrist that can cause tingling, numbness, and pain in your hands and fingers.
The early warning signs of Carpal Tunnel are the aforementioned tingling and numbness often in the middle finger or palm of your hand that is usually caused by the median nerve reacting to external pressure.
Often associated with overuse of a computer keyboard and mouse, Carpal Tunnel Syndrome is becoming an increasingly common problem that often plagues office workers and writers or anyone whose job involves spending extended amounts of time surfing the internet.
While the most common cure for CTS is usually surgical, its symptoms can be alleviated, which can lead to a natural resolution, with rest and physiotherapy and the use of an ergonomic keyboard and mouse. It can be incredibly painful with sufferers often complaining that it feels like a series of electric shocks when the symptoms begin to manifest.
What Is An Ergonomic Mouse?
An ergonomic mouse is a computer mouse that has been designed to fit the human body rather than a computer or laptop.
Engineered to allow the user to keep their arms, wrist, hand, and fingers, and thumb in a more natural position (often referred to as the handshake position) an ergonomic mouse is a proven way to alleviate and ward off the symptoms of Carpal Tunnel Syndrome and Repetitive Strain Injuries.
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Tristychius (from  , 'three' and   'row') is an extinct genus of shark from the Carboniferous period (Visean). Fossils of T. arcuatus, the type and only species, including fin spines have been found in Scotland.

Tristychius was a small shark, about  long. It had a well-developed upturned caudal fin, similar to that of many modern sharks. Physically it may have resembled a modern dogfish. Tristychius also had spikes attached to the bases of its dorsal fins, probably for protection against predators.

References

Fossil taxa described in 1837
Carboniferous sharks
Carboniferous fish of Europe
Taxa named by Louis Agassiz

redpajama_set_name: RedPajamaWikipedia


Concerning a local authority's ability to alter speed limits within the local authority's jurisdiction.
Crash statistics from the most recent year.
Refer House Bill 18-1191 to the Committee of the Whole.
Refer House Bill 18-1191, as amended, to the Committee of the Whole.


On May 21 every year, in some villages in northern Greece, takes place a spectacular traditional fire-walking ritual, called Anastenaria.
Dancing on Fire: On May 21 every year, in some villages in northern Greece, takes place a spectacular traditional fire-walking ritual, called Anastenaria.
Although according to many ethnographers it has its origins in ancient Greece and the fests of god Dionysus, through the years it was connected to the Orthodox religion and today is performed on the celebration day of Orthodox saints Constantine and Helen.
The myth has it that when the church of Saint Constantine in the Bulgarian village of Kosti caught fire, the voices of the saints were heard from the inside. The villagers, who rushed into the flames to rescue them, were protected by the saints and left the burning church unharmed.
I first heard of this tradition many years ago, but now it was about time to witness myself this unique phenomenon. So, I travelled to Lagadas, about half hour outside Thessaloniki , Greece. There, I found Mr. Tasos Gaitatzis, an around 80-year-old man who has inherited this tradition from his ancestors. His family has been doing this for all he can remember, and now he is passing the legacy to his children. The family and a few other close friends are the group of anastenarides who walk into the fire when the time comes. They first gather at the konaki -a special shrine dedicated to the saints-, and dance to the music of the Thracian lyre and drum, while at the same time they are holding the holy icons of the saints, brought by Kosti from Mr. Gaitatzis himself and are dated more than 200 years old.
The festival lasts three days, from May 21 to May 23, but this year, because of the rainy weather, the ritual on the first day was performed inside, by lighting a big fire in the fireplace. The music started to play, people from the village started to gather and the floor soon cleared from all the carpets to welcome the hot coals. Holding the icons, candles and red kerchiefs that are supposed to be blessed, anastenarides circled the red hot coals dancing to the rhythm and singing a song about "Constantine the little boy". After a while, the head of the group walked into the fire and soon all of them were dancing on it. When the coals where burned out, a new batch was thrown on the floor and the ritual continued.
All of the visitors were looking at them in awe, including myself. When there were no more burning coals, the group continued dancing and singing. At the end, they wished to everyone good health and long life. Looking at their feet there was no indication that those people have just walked on fire. They were only covered in ash, and none of them was burned. It is said that if they don't feel spiritually ready, they don't go in. The celebration concluded with all the visitors leaving and the anastenarides having a rich meal inside the konaki.


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Paris Escape Review: A 2022 visit – days 1 & 2 (Crack the Egg, Phobia, The Game, Panik Rooms, Majestic and The One Escape)
In April 2022, we took a four-day trip to Paris, playing 22 games and taking the total escape rooms I've played in the city to over 50. I've already posted dedicated articles for the two highlight venues: Deep Inside and Pandore & Associés, so this post aims to summarise the other games we played on the first half of the trip.
Crack the Egg – Chinatown, Professor Tyschen, Shelter and Dark Egg
We played all four of Crack the Egg's games on this visit and had fun across all of them. There's a fun mechanic across the first three that sees an extra puzzle hidden within each room, if you look carefully. Finding and solving all three of those allows you to unlock the eponymous Egg and see what's inside. It's a small delta above the normal game, but it adds an extra layer of tension while you're playing, with you carefully reviewing everything you come across in case it hides an additional clue necessary for the bonus challenge.
Chinatown [3.5 stars]
Chinatown is the oldest of their experiences, and you can see that from the way the game kicks off with a fairly basic set, lots of searching and puzzles that didn't feel particularly original. As the game progressed, however, it certainly improved, and by the end I felt like it was a solid experience. A reasonably straightforward bonus puzzle adds a nice final touch for experienced players to feel like they've achieved a second triumph.
Professor Tyschen [4 stars]
This felt like a real step up from Chinatown in terms of both puzzles and set design. While the set isn't amazing, it's varied and there's enough to keep you engaged. I particularly enjoyed the journey the game takes you on, which delivered a better sense of exploration than their first game. The thing that most stands out, though, are the pair of final puzzles to finish off the game and complete the bonus. They feel like a good way of bringing the game to a close and, again, add a final challenge for the more experienced players to get just a touch more out of the game.
Shelter [4.5 stars]
This game stood out as the most different of all the experiences. While I don't think it's perfect, there's certainly plenty to talk about in it. First of all, they've created a secondary mechanic within the experience that helps deal with additional players – one of your team will regularly get dragged into an orthogonal challenge which fits thematically, even if it does make parts of the experience feel a little computer game-like. The rest of the experience was pretty solid, but where the game really stood out was in the finale. There's a multi-stage challenge that fits with the higher-tech futuristic theming. It gives a real sense of mission to the game – we could see the challenge laid out in front of us and slowly pieced together the steps we needed to complete to reach our objective. The bonus puzzle here felt the hardest across the three. That worked well for us when one of our team had a stroke of genius, but I worry that others will find this a frustrating finish – I can well imagine spending ten or twenty minutes utterly lost and then leaving with a sense of failure.
The Dark Egg [4 stars]
The Dark Egg was different again, although it didn't stand out as much. It's a high-tech but very compact game with a pretty set and an impressive centrepiece for the end game. Something about this experience didn't quite gel for us. The English version was still settling down, which probably didn't help, but I think the problem was a lack of sense of progress. The game felt to me like I was stuck a lot of the time, with one big leap forward halfway through. This may have been compounded by a hard final puzzle that required us to pull together several ideas and in which we kept realising we weren't quite seeing the full picture. That said, there was still plenty of fun to be had, and the ending does stand out as the most impressive of the four games.
Phobia – Alice [4 stars]
Alice in Wonderland provides a host of useful material when it comes to creating escape rooms – whether it's the fun with Alice shrinking/growing, the presence of cards and chess or playing on some of the cartoon imagery from the Disney film. Phobia have taken advantage of that material to create a game that I found silly and fun in equal measure. The game got off to a fantastic start with a GM who gave an over-the-top introduction before throwing us into the room. It's worth mentioning at this point that it's a split start and at least one of the parts requires a little more mobility than a typical room – although for me that added to the fun. There are definite downsides – it's a bit cramped at times (we played as a three – I definitely wouldn't have wanted to play as a five), a couple of puzzles have been removed but their clues remain, and some of the electronics wizardry let us down, although our GM managed to smooth us past any significant issues to ensure nothing got frustrating.
The Game – Metro, Cinema and Far West
With 19 rooms and 11 distinct designs, The Game is by far the biggest venue in Paris, but it's also one of the best. Not all the games are first rate, but their most recent offerings are all high quality, and their professionalism shines through: great customer service and well maintained sets. All three of the games we played this time are worth a visit.
Metro [4.5 stars]
One of the most famous escape rooms in Paris, Metro seems to be a perennial nominee for the TERPECAs, which is a great sign of the quality to come. The set is fantastic, there are some good puzzles and I like the story along the way. If I'd played this when it opened (four years ago?), I think I would have been blown away, but I've played enough train/plane games that some of the uniqueness that put it on a pedestal at the time isn't there for me anymore. Instead, I notice some of the downsides of that environment – frustrating searching and puzzles that have to be really shoehorned into the experience. If you've not played this kind of game elsewhere, then I definitely think it's worth a visit but, for me, it wasn't my favourite of their experiences.
Cinema [4.5 stars]
This game has an impressively good set-up, almost convincing you that you're in a real cinema about to watch a real film. Lots of parts of this game stand out, and I really feel that I should have been more impressed, but for me the game just wasn't as good as the sum of its parts. I can't say for certain why that was, but a couple of things stood out. While there was an underlying narrative, I didn't really feel the game world hung together. I was just moving from space to space, trying desperately to solve what was in front of me. I never felt those puzzles really connected to the game as I'd have liked. Secondly, they didn't make as much as they could have done of a couple of key moments in the game, to the point where it was possible to almost gloss over them. Make no mistake, though: this is still a high quality game with plenty going for it.
Far West [5 stars]
There was so much to love about Far West that it's hard for me not to sound like an advert. First off, I'm a fan of Western themes. While that may be partly a personal thing, the truth is that they're easier to create than many experiences, with wooden structures and plenty of imagery that we can all instantly recognise. They'd absolutely taken advantage of that here to create a space that was a joy to explore. Next up, they'd created a big space with natural transitions across the experience that meant you really felt like you'd been on a journey through the game, and clever use of that space meant that it felt even bigger. While there aren't any actors in the room, some clever interactions give you the feeling that you have agency in the experience and, in fact, you do. This game has multiple endings that allow teams to challenge themselves to the max or take the easy way out if they're short of time. Of course, the best games in the world can be ruined if the puzzles aren't solid, but that wasn't an issue here: plenty of fun, logical puzzles with searches that felt fair. One of my favourite games at this venue.
Panik Room – The Deveaux Family [not really an escape room]
I'm not quite sure how to describe the Deveaux Family. For me, this experience from Panik Room is definitely not an escape room. It's a search quest, undertaken player by player with a Knightmare-like interface where the person exploring can't see and is instead guided by their team mates who are watching via a headcam. It's a fun experience that will undoubtedly make those of a nervous disposition scared but is unlikely to have much of an effect on the seasoned horror game player. The experience is good fun, but there's no sense of challenge here: enter room, retrieve object, return. Change players. Repeat. If you're into immersion and like things that are a little scary, then it's probably worth a play, but go in with your eyes open. Metaphorically, at least.
Majestic Escape – Titanic and Oggy
Titanic [4 stars]
Titanic from Majestic Escape is a strange game in that it delivers hugely in some aspects then feels like it hasn't tried very hard on others. The game kicks off by splitting you into two groups. That's all fine except that, rather than focusing on cooperation and communication, there's a heavy search element at the beginning with some cruel hiding places that I would guess means most teams need at least one hint. The result was that, by the time we were reunited, we were a little frustrated with what was happening. That's a shame, because the next phase of the game was pretty stunning and, rather than restoring our joy, should have been filling us with glee. From there on, it's a fairly standard experience but, while the puzzles are fine, they are few in number, so you may feel a little shortchanged.
OGGY prisonnier du temps [4 stars]
For those who aren't already in the know, Oggy is a children's TV programme in France about cockroaches. We'd not seen the show but, as far as I can tell, that wasn't critical to enjoying the experience. The nature of the story allowed them to throw together a mixture of environments without too much worry about how to bring them back together – you're jumping through time, which brings the fun of never knowing what you'll encounter next.
The answer was pretty environments and fun puzzles. They start things off reasonably easily and then ramp it up as the game progresses. We played the adult version, which has tougher puzzles, but on a couple of occasions I wondered if we'd made the wrong decision. At least once, and possibly both times, it was probably down to language. That did introduce a bit of frustration: when you're following fairly detailed instructions in French, subtleties of language matter. The GM tried to help, but I think they eventually just bypassed the problematic section of the puzzle. That probably took the edge off what would otherwise probably have been a very fun experience.
The One Escape – Chemical Hallucinations [3.5 stars]
Some games aim high but fail to deliver and, unfortunately, The One Escape's Chemical Hallucinations was that for us. This game is visually stunning, with scene upon scene standing out in my memory. There was probably enough here to create sets for two impressive rooms. I had a great time exploring the space and experiencing some of what they were offering. However, two things let the game down for our group. Firstly, some of the English translations were hard to understand. On a couple of occasions we got stuck because of language difficulties and the GM didn't realise, which led to frustration. The real crux of our problems, though, was a feeling that it wasn't obvious where to proceed and, even when it was, we were left with some ambiguity about what we were meant to do. My lasting impression of this room is of tentatively trying things and being surprised when they were the right answer. There was far less of the confident solves that help to deliver the best flow in my experience.
I'm sad about that because I really think this is close to being an amazing escape room. If they could just iron out some of those wrinkles, I think it has the potential to be a truly stunning experience.
If you want to find all my reviews of Parisian games and trips, then they're tagged with the label Paris. I'm also about to publish a new round-up of where you should go in Paris.
May 23, 2022 by The Logic Escapes Me
Tags: france guide paris tourism tourist
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redpajama_set_name: RedPajamaCommonCrawl


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Stochastic Terrorism: How the politics of spreading fear can lead to deadly violence
Posted by Pardeep Kaleka | Nov 6, 2018 | Columns, Featured, Pardeep Kaleka |
Stochastic Terrorism is a little known term but well utilized strategy to incite violence. After the attack at the Tree of Life Synagogue, it is a term that we should get more accustomed to using and identifying.
Popularly defined as "the use of mass, public communication, usually against an individual or group which incites or inspires acts of terrorism which are statistically probable but seem to happen at random."
Stochastic Terrorism has been a strategy utilized to justify anything from historical genocides to contemporary violence.
I call this type of Terrorism the Eddie Haskell effect. Eddie Haskell, the fictional character from "Leave it to Beaver" who would often connive and concoct schemes that would ultimately lead to trouble for the main character, the naive Beaver (Theodore).
Doing this while Eddie was able to escape blame by gaining favor from adults in charge because he spoke to their egos. However, what happens when the President of the United States is Eddie Haskell, we are Beaver and the voting public are the ones in charge?
On October 29, CNN released an article, "72 Hours in America, Three Hate Filled Crimes. Three Hate Filled Suspects." This article highlighted the; killing of 2 African Americans in a Kroger grocery store by a 51 year old man named Gregory Bush, suspicious packages and bombs sent to Liberal media, supporters, and politicians by 56 year old man named Cesar Soyoc, and the murder of 11 parishioners at a Jewish Synagogue by 46 year old Robert Bowers.
Besides all three men being middle-aged and taken into custody alive, what else did they have in common? Yes, hate, but they also all had a propensity to consume preservationist fear propaganda that convinced them that their way of life was being threatened by some secretive shadowy enemy if they did not act.
Bush, had a criminal history, issues with assault and domestic violence and known to be an outright racist. Soyoc, also had a lengthy criminal record, including a 2002 charge of "threatening to throw, project, place, or discharge any destructive device." Despite the warning signs, Miami-Dade Defense Attorney, Daniel Lurvey, representing Soyoc described him as "a pretty normal guy who didn't seem the type to mail suspected pipe bombs."
Others also described Soyoc as "respectful and polite." Finally, Bowers, also called "normal," as he was not on any radar for law enforcement until Saturday morning when he shot and killed 11 at a Sabbath prompting US Attorney General Scott Brady to say "the actions of Robert Bowers represent the worst of humanity," and calling for "justice in this case will be swift and it will be severe."
President Trump was quoted as saying, "it's a terrible, terrible thing what is going on with hate in our country." However, how exactly does calling these crimes "tragic" or acting like they just happened out of nowhere help? It surely doesn't bring back the 13 lives lost because of these three incidents, it doesn't do anything to ease the fear that exists in the consciousness of every American right now. How does it prevent the next headline tragedy to rip apart the lives of the next victims?
It doesn't!
I don't write from a sense of insensitivity to survivors, for I am a survivor of the August 5, 2012 shooting at The Sikh Temple of Wisconsin committed by a white supremacist. I also don't speak from an insensitivity to the difficulties facing criminal intelligence for I have worn the uniform understand. However, I have not seen such an irresponsible attempt to not take accountability then what I am seeing from President Trump and his supporters.
What will help us get to a place of safety is if we begin to understand our own role as consumers and contributors to violence. These three men did not come from nowhere. They were produced by a Nationalistic culture of victimhood. All three of these men would describe themselves as martyrs to the cause of defending what they love, their country.
While their violent actions are publicly vilified after the damage was done, many sympathized with the rhetoric of Jews being behind the conspiracy to create a Zionist Occupied Government, or a caravan of hostile Immigrants somehow overpowering Border Patrol, or Democrats being behind child sex trafficking rings that operate out of pizza restaurants such as in the DC Pizzagate incident. Yes, that's crazy that people believe this but "the sky is falling narrative" gets clicks because it speaks to subconscious fear mechanisms.
Truth is that all three of these men are more like us then we care to admit. How many of your family and friends are lamenting about the "invasion of immigrants," or believe Muslims were cheering after 9/11, or that Obama and that citizenship thing. All three of these men had the nativity of "the Beaver" being manipulated by the Eddie Haskells of the world to commit violence. All while the Eddie Haskells step back to denounce and collectively mourn the actions as "evil."
Recently, while discussing the impact that Stochastic Terrorism has on our everyday lives with Parents4Peace, an advocacy group of parents and loved ones who have lost children and family members to ideological radicalization and today help with intervention strategies to circumvent ideological violence. Most of the parents described how their children were manipulated to commit violence while the manipulators were able to wash their hands of the responsibility.
This brought into discussion the phenomenon of Stochastic Terrorism as it related to the 1st and 2nd Amendment. Authorities described events such as the Synagogue shooting as "black swan events," which is another name for "unexpected and unknowable."
However, I disagree. These events are happening at such a rate that we can do something to preventing them. This will require lots of hard decisions. It will take looking at freedoms, liberties and balancing safety simultaneously. It will require us to understand that when we adopted a constitution we existed in a time of limited speech, media and limited bullets that you could load into a firearm.
Today we have mass media with mass capacity to commit violence at a mass scale. These will not be easy discussions but the hardest part may be to understand our own role in the U.S.A (United States of Anxiety) and how we may all be stoking the fear by either feeding the narrative, or not saying enough to challenge the narrative.
So what can we do about it. Immediately there is probably someone you know that needs you to compassionately challenge them because they are being manipulated. You can look for absolutes and try to bring them towards center. They will be moving fast so you can try to bring them closer to stillness. They might be defensive so you can start by asking them how they been doing lately and just listening.
It may not seem fair, but I thank you on behalf of the family who does not need to go through the next avoidable tragedy. We all have to be leaders when we are living in a leaderless society.
PreviousThe War on Minority Voters has been a historic threat to American Democracy
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As a former Milwaukee Police Officer and co-founder of Serve2Unite.org, Pardeep is author of "The Gifts of Our Wounds," and a Licensed Therapist specializing in utilizing a trauma-informed approach to treat survivors of violence. He is also the Editor and a featured Columnist for Milwaukee Independent.
Milwaukee leaders oppose immigration ban as unconstitutional
Massive crowd of Milwaukee families march to save their kids from guns
The war of ideas in Milwaukee and learning forgiveness after hate
Photo Essay: Milwaukee celebrates America's birthday
Photo Essay: Tribute to band on BoDeans Day
La Vigilia: Milwaukee honors Puerto Rican victims of last year's Hurricane Maria


Injuries are common for people who are involved in sports both when practicing and when playing their favorite game in the field. Now sportsperson would want to be injured at the peak of their career. Career sportsmen go through very difficult moments when they are forced out of the game due to injuries.
Motion Matters offer physiotherapy services in Ottawa to help athletes treat pain and be in a position to return to their sport. Our team of physiotherapists is well trained and keeps updating themselves with the latest information and techniques. Through their advice and professional services, sportsmen will be in a position to prevent the occurrence of injuries. Sportsmen will also benefit from good professional advice on how to manage arthritis.
Motion Matters goes that extra mile in the provision of treatment and care which makes them stand out from other physiotherapy services in Ottawa. Our services include rehabilitation programs that are necessary to help athletes build trust and confidence. Physiotherapy services aid in increasing strength, boosting confidence, decreasing pain, and many other health benefits. Deep tissue massages are one of our many services and have the benefits of improved mood, stress relief and releasing anxiety.
It is recommended that if you have any kind of sports injury to immediately seek the services of a professional physiotherapist in Ottawa. Besides receiving physiotherapy treatment, you may be sent home with some therapeutic exercises to practice. Ensure that you follow the provided pieces of advice from the Ottawa physiotherapist to aid in recovery from injury and to prevent injuries in the future.
Sports massage therapy is designed specifically for sportsmen to help them address major problems that are hindering them from performing optimally in the field or training as they should. The massage loosens tight body muscles, reduces adhesions, and increases the proper flow of blood in your muscles.
Motion Matters have state of the art facilities which provide the ambiance required to provide high-quality services to their clients. Our friendly team of staff has helped in building great understanding and relationships with our clients. Common sports injuries that we encounter are leg and back pains, sprains and strains. Visit us to receive professional physiotherapy services that will provide relief from sports injuries and prevent the risk of injuries.


text:
Leading businesses and investors urge the UK to show leadership towards a zero carbon economy
last modified Aug 20, 2019 09:29 AM
A letter from leading companies and investors, sent to the Prime Minister yesterday, urges the UK government to raise ambition to tackle climate change and show leadership towards a stronger, more prosperous and sustainable economy.
Read the letter
The letter is signed by groups that collectively represent 1000s of companies with 100s of billions in revenue, along with 100s of investors managing assets worth over £19 trillion. The signatories are: The Prince of Wales's Corporate Leaders Group, IEMA, UK Green Building Council, techUK, Institutional Investors Group on Climate Change, RenewableUK, and the Environmental Industries Commission.
The letter, which references recent findings from the Committee on Climate Change, calls on the government to demonstrate leadership on climate change in order to drive jobs, sustainable growth, and investment, and remain competitive with other major economies.
This means setting clear policies through flagship proposals like the Industrial Strategy and the Clean Growth Plan to meet its commitment under the Paris Climate Agreement, working constructively with the EU to deliver global emission reductions and taking international leadership as it negotiates new low carbon trade deals around the world.
Jill Duggan, Director, The Prince of Wales's Corporate Leaders Group said: "The government may have a lot on their plate with Brexit negotiations, but answers around how the UK's economy will evolve and modernise through the next decade are long overdue. Now is the time to display the vision, innovation and leadership needed to help UK industry transition to a low carbon economy."
Tim Balcon, IEMA CEO, said: "Enhancing environmental and sustainability skills is an essential investment to secure the full social and economic benefits from transitioning to low carbon and climate resilient economies. IEMA is fully committed to developing skills, collaborating across key sectors, and supporting the delivery and ambition of the Paris Agreement."
Julie Hirigoyen, Chief Executive, UK Green Building Council said: "The built environment is crucial to achieving our climate targets, yet the Committee on Climate Change recently demonstrated that without stronger policies, we will remain off-track. The good news is that carbon reductions in our homes, buildings and infrastructure can offer multiple social benefits - health, jobs and consumer bills. Smart regulation and policy can unlock these benefits and provide tremendous commercial opportunities at just the right time for UK Plc."
Julian David, techUK's CEO, comments: "How we choose to act against climate change will shape the future for all. Creating a world-leading sustainable economy, based on innovative technology, will not only benefit society but drive productivity and support growth across the UK. The tech community stands ready to support this Government as it looks to lead the charge in realising this vision."
Hugh McNeal, CEO, RenewableUK said: "Low carbon growth is delivering for Britain today, and a commitment to strengthening it should be at the heart of the Government's Industrial Strategy work."
Stephanie Pfeifer, CEO of the Institutional Investors Group on Climate Change said: "It's vital the UK Government embeds within its industrial strategy and the clean growth plan a detailed and ambitious policy framework for climate action to 2030 focused on three critical sectors – power generation, buildings/heating and road transport. Clarity and ambition to 2050 – at home and in partnership with other key nations - is also essential if the UK wants to persuade pension funds and other major asset managers to mobilise the hundreds of billions in long-term capital required to ensure the UK can meet the targets set out under the Paris Agreement."
Matthew Farrow, Executive Director of EIC said: "The low carbon and environmental protection sectors contain world class clusters of firms, innovation, huge export potential and create jobs across the UK. They also help deliver the Governments objectives around housing and infrastructure, and should be a key part of the Industrial Strategy."
Filed under: Letters-and-statements, Climate-ambition-and-plans, Resource-productivity, Engagement-with-policymakers, CLG-UK, Industrial-strategy, Renewables


text:
package com.jeequan.jeepay.pay.bootstrap;

import com.alibaba.fastjson.support.config.FastJsonConfig;
import com.alibaba.fastjson.support.spring.FastJsonHttpMessageConverter;
import com.baomidou.mybatisplus.extension.plugins.PaginationInterceptor;
import com.jeequan.jeepay.pay.config.SystemYmlConfig;
import org.hibernate.validator.HibernateValidator;
import org.mybatis.spring.annotation.MapperScan;
import org.springframework.beans.factory.annotation.Autowired;
import org.springframework.boot.SpringApplication;
import org.springframework.boot.autoconfigure.SpringBootApplication;
import org.springframework.boot.autoconfigure.http.HttpMessageConverters;
import org.springframework.context.annotation.Bean;
import org.springframework.context.annotation.ComponentScan;
import org.springframework.context.annotation.Configuration;
import org.springframework.http.MediaType;
import org.springframework.scheduling.annotation.EnableScheduling;
import org.springframework.web.cors.CorsConfiguration;
import org.springframework.web.cors.UrlBasedCorsConfigurationSource;
import org.springframework.web.filter.CorsFilter;

import javax.validation.Validation;
import javax.validation.Validator;
import javax.validation.ValidatorFactory;
import java.util.Arrays;

/**
 * @Author terrfly
 * @Date 2019/11/7 15:19
 * @Description  spring-boot 主启动程序
 **/
@SpringBootApplication
@EnableScheduling
@MapperScan("com.jeequan.jeepay.service.mapper")    //Mybatis mapper接口路径
@ComponentScan(basePackages = "com.jeequan.jeepay.*")   //由于MainApplication没有在项目根目录, 需要配置basePackages属性使得成功扫描所有Spring组件;
@Configuration
public class JeepayPayApplication {

    @Autowired private SystemYmlConfig systemYmlConfig;

    /** main启动函数 **/
    public static void main(String[] args) {

        //启动项目
        SpringApplication.run(JeepayPayApplication.class, args);

    }

    /** fastJson 配置信息 **/
    @Bean
    public HttpMessageConverters fastJsonConfig(){

        //新建fast-json转换器
        FastJsonHttpMessageConverter converter = new FastJsonHttpMessageConverter();

        //fast-json 配置信息
        FastJsonConfig config = new FastJsonConfig();
        config.setDateFormat("yyyy-MM-dd HH:mm:ss");
        converter.setFastJsonConfig(config);

        //设置响应的 Content-Type
        converter.setSupportedMediaTypes(Arrays.asList(new MediaType[]{MediaType.APPLICATION_JSON, MediaType.APPLICATION_JSON_UTF8}));
        return new HttpMessageConverters(converter);
    }

    /** Mybatis plus 分页插件 **/
    @Bean
    public PaginationInterceptor paginationInterceptor() {
        PaginationInterceptor paginationInterceptor = new PaginationInterceptor();
        // 设置请求的页面大于最大页后操作, true调回到首页,false 继续请求  默认false
        // paginationInterceptor.setOverflow(false);
        // 设置最大单页限制数量,默认 500 条,-1 不受限制
        // paginationInterceptor.setLimit(500);
        return paginationInterceptor;
    }

    /** 默认为 失败快速返回模式 **/
    @Bean
    public Validator validator(){

        ValidatorFactory validatorFactory = Validation.byProvider( HibernateValidator.class )
                .configure()
                .failFast( true )
                .buildValidatorFactory();
        return validatorFactory.getValidator();
    }

    /** 允许跨域请求 **/
    @Bean
    public CorsFilter corsFilter() {
        UrlBasedCorsConfigurationSource source = new UrlBasedCorsConfigurationSource();

        if(systemYmlConfig.getAllowCors()){
            CorsConfiguration config = new CorsConfiguration();
            config.setAllowCredentials(true);   //带上cookie信息
//          config.addAllowedOrigin(CorsConfiguration.ALL);  //允许跨域的域名, *表示允许任何域名使用
            config.addAllowedOriginPattern(CorsConfiguration.ALL);  //使用addAllowedOriginPattern 避免出现 When allowCredentials is true, allowedOrigins cannot contain the special value "*" since that cannot be set on the "Access-Control-Allow-Origin" response header. To allow credentials to a set of origins, list them explicitly or consider using "allowedOriginPatterns" instead.
            config.addAllowedHeader(CorsConfiguration.ALL);   //允许任何请求头
            config.addAllowedMethod(CorsConfiguration.ALL);   //允许任何方法(post、get等)
            source.registerCorsConfiguration("/**", config); // CORS 配置对所有接口都有效
        }
        return new CorsFilter(source);
    }

}

redpajama_set_name: RedPajamaGithub


text:
Call for Members
Zine Library
martha savery
Persons, Bile Sister
BILE SISTER (Toronto, CAN) and PERSONS (Hamilton, CAN) are on the road this August in support of Bile Sister's new 7" split record with bBomit released on Personal Records!
> > > P E R S O N S < < <
Conceived amidst the clutter of dank DIY loft spaces in Montreal, Persons began in earnest as the vehicle for multi-media musical performances that emphasized visual aesthetics and ecstatic movement. Now based in Hamilton, Ontario, the group delivers sets of high energy dance music while not forgetting their free-form noisey roots. With their previous album released on HAVN Records in 2016, Persons has been working away at a new their new full-length set for release in 2019!
> > > B I L E S I S T E R < < <
Bile Sister is the powerful, experimental, avant-pop project dreamed-up by Julie Reich (Toronto) and now features Heloise Simone George in the live outfit along with a rotating cast of talented musician guests. Past albums were released with Healing Power Records (toronto), Inyrdisk (Toronto) and Blood Oath Slumber Party (Miami). The band has an extensive roster of performances in festivals and events throughout Ontario, Quebec and U.S. under its belt. Currently, the long-awaited next album is in its final stages, working with producer Josh Korody at Candle Recording. Expect many announcements to come!
PWYC
< < < L I N K S > > >
https://personscrew.bandcamp.com/
https://bilesister.bandcamp.com/
Little Berlin
Little Berlin | 2430 Coral St, Philadelphia, PA, 19125, United States


text:
Galaxina
Galaxina (1980, USA) is a Science Fiction film directed by William Sachs.
Contents: Watch Trailer | Buy DVD | Fun Facts | Press Kit | Poster Art | BluRay releases
Released in 1980 | Color
Runtime: 91 min (PAL) / 96 min (NTSC)
Production Co: Marimark Productions
Distribution Co: Crown International Pictures (1980) (USA) (theatrical) | Saguenay Films (1981) (Canada) (theatrical)
Directed by William Sachs
Written by William Sachs
Starring: Stephen Macht, Avery Schreiber, J.D. Hinton (as James David Hinton), Dorothy Stratten (as Dorothy R. Stratten), Lionel Mark Smith, Tad Horino, Ronald Knight
Produced by Newton P. Jacobs, Marilyn Jacobs Tenser
Cinematography by Dean Cundey
Film Editing by George Berndt, George Bowers
In the 31st Century Man finally created a machine... with feelings!
Galaxina is a low-budget 1980 American comedy/science fiction film, best remembered for its lead actress, Playboy Playmate of the Year for 1980 Dorothy Stratten, who was murdered shortly after the movie's release. Besides its homages to and parodies of science fiction mainstays Star Wars, Star Trek, and Alien, this film also pokes fun at Western movies. It won the Audience Award at the 1983 Brussels International Festival of Fantasy Film. A film viewed by characters within the film is a clip from the 1960 Eastern bloc movie First Spaceship on Venus. The clip is used in the film because it was also a Crown International Picture. (Wikipedia)
Retrieved from "https://www.grindhousedatabase.com/index.php?title=Galaxina&oldid=145089"
Crown International Pictures


text:
Income-Qualified Families to Receive Long Beach Green Homes
Habitat LA and Edison International partner to build new energy-efficient homes
Aug 3, 2017 11:10 AM ET
.@SCE and @HabitatLA partner to build #energyefficient homes in Long Beach #community http://bit.ly/2wiFCi4 #volunteering #sustainability
Originally posted on Inside Edison
The lives of four low-income families will change for the better next year when they receive the keys to new energy-efficient homes in Long Beach, where construction recently kicked off.
Built by Habitat for Humanity of Greater Los Angeles, with funding support from Edison International, the homes are part of Habitat LA's plan to revitalize the Washington Neighborhood — one of Long Beach's most impoverished areas.
"Owning a home means so much to me," said Latora Nall, one of the future homeowners. "Since having my son at the age of 18, I have always dreamed of giving him a better life and I will be forever grateful for this opportunity."
To date, the nonprofit has invested $2.5 million building and repairing 12 homes and improving distressed community buildings within the neighborhood. Now, work has started to transform a once-vacant lot into four single-family homes.
The homes will have state-of-the-art green technology throughout — LEED certified energy-efficiency building standards, Energy Star appliances, energy-friendly siding, thermal pane windows and doors, recycled carpets, recycled blown-in foam insulation and water-efficient toilets and shower heads.
To top it off, each home's garage will come equipped with 220-volt electric vehicle chargers, and the roof will be "solar ready" so Habitat LA's nonprofit partner, GRID Alternatives, can work with the homeowners to install low or no-cost solar panels upon the closing of escrow.
"Communities like the Washington Neighborhood are often looked over when it comes to energy efficiency, solar rooftops and electric vehicles," said Greg Ferree, Southern California Edison's vice president of Distribution and Habitat LA board member. "We're excited to partner with organizations that are bringing this technology to these communities, reducing our carbon footprint and helping build a better tomorrow."
The new homeowners will each contribute up to 500 hours of volunteer labor, or sweat equity as Habitat LA calls it, plus complete about 31 hours of finance and homeownership courses before moving in. Edison International volunteers will join the future homeowners at 10 build days to help construct the homes.
Last year, Edison International donated to more than 1,500 nonprofit organizations, including 62 within Long Beach — about 90 percent of which helped underserved communities.
People, Social Action & Community Engagement
Habitat LA
More from Edison International
7 Leaves Brings Sustainability to Popular Vietnamese Drinks
Jan 16, 2020 2:00 PM ET
SCE Gives Nonprofit's Kitchen Remodeling Plan a Boost
Jan 14, 2020 11:05 AM ET
EV Charging Plan for Schools, Recreation Areas Gets State OK
Dec 11, 2019 10:00 AM ET
Special SCE Tour Engineered for STEM Students
Dec 9, 2019 12:20 PM ET
SCE Supports California Climate Goals With New Electrification Pathway to 2045
Nov 12, 2019 2:05 PM ET


The Chick-Fil-A Peach Bowl will be hosted at Mercedes-Benz Stadium in Atlanta, GA and is home to the NFL's Atlanta Falcons. The Florida Gators will face the Michigan Wolverines in a matchup between two powerhouse programs on New Year's Day.
Below you will find everything you need to know about the Peach Bowl Seating Chart, including Peach Bowl Seat Views, row and seat number breakdowns, team sections, where the best seats are, plus Cheap Peach Bowl Tickets!
The Florida Gators team bench is located in front of sections C127 through C129. The UF fans will be occupying sections 131-101, 240-246, and 340-350, so if you are looking to cheer with fellow Gators, you'll want to make sure you are in those sections.
The Michigan Wolverines bench is located in front of sections C109-C111. The U of M fans will be occupying sections 108-119, 215-220, and 312-320, so if you're looking to cheer with your fellow Wolverines, you'l want to make sure you sit in those sections.
Mercedes-Benz Stadium seat numbers follow a standard pattern where seat number one will always be on the right side of a section when facing the field. Another way to look at it is seat number one will always be closest the lowered numbered section adjacent to it. For example, seat number 1 in section 312 will be on the aisle closest to section 311. The numbers of seats per row vary greatly by section.
The row numbers at Mercedes-Benz Stadium vary by section and location. The 100 level sections have around 40 rows per section, with higher row number totals in the endzone and corner sections, and fewer row totals in the club sections. The 200 level sections have of 12 rows per section, with the Piedmont club sections containing 9 rows. Finally, the 300 level sections have an average of 26 rows.
These are most exclusive clubs at Mercedes-Benz Stadium, located at field level along each sideline, with access only permitted for 300 executive member accounts. The field level access also provides exclusive views to the home and visiting team players entering and exiting the field from the private dining area within the club.
These clubs are for ticket holders in the 100 level club sections, which also have wider, padded seats. Ticket holders will be provided access to the on-field patio areas, plus lounge seating, private bars and restrooms, and top-notch dining options.
These club are located on the mezzanine level, for ticket holders located in the C200 level club seats. Amenities include private restrooms and dining areas, with a perfect view of the 360 degree video halo board.
The best seats for a football game at Mercedes-Benz Stadium are located in any of the club level seats closest to 50 yard line. Even seats in the upper sections aren't bad by any means if you're looking for a lower-priced seat that gives good views. We'd recommend trying to get as close to midfield as possible and staying within the first five or so rows in those upper sections to have a solid seat.


text:
Sarah Whitney: Living The Dream - Creating A Music Career That Is Entirely Your OWN 0
How Sarah reverse-engineered the method of figuring out her career possibilities while still in college
The notion that you're selling out by doing covers or other genres? Sarah's answer to that commonly held belief
The excuse she hears often that DOES NOT fly in her book regarding networking… hear what she has to say about that
Her career "funk" - even when she was "living the dream" - and what she did to get out of it
The secret to great fundraising… hint… it's old-fashioned and fabulous
Sarah's blog: http://www.sarahwhitney.com/theproductivemusician/
Sybarite 5: https://www.sybarite5.org/
Beyond The Notes: http://www.sarahwhitney.com/beyond-the-notes/
Also mentioned in the show:
https://www.hojoonkimimages.com/
Productivity tools: https://bestself.co/
Christopher Rountree: Designing A Career As A Creator In Classical Music 0
What you'll hear on this episode:
His NOT well-thought-out first plan, and the best tip he got about how to do it right the next time
The advice he got that revolutionized how he ultimately set up this business side of his ensemble
Why the RIGHT space for your concert is so important.
How he reframes his mindset for the necessary - but less enjoyable tasks to keep himself working joyfully
His recent collaboration and the crucial ingredient it contained for growth and success
Learn more about Christopher Rountree and his projects:
http://rountreemusic.com/
http://wildup.la/profile/chris-rountree/
One Festival: https://onefestivalomaha.org/
Also mentioned on the podcast:
Missy Mizzoli: http://www.missymazzoli.com/
ICE: https://www.iceorg.org/
Check out the new revolutionary tuner app DRONE TUNER on iOS. Available NOW for iPhone and iPad. Tune to REAL recorded instrument tones instead of machine-like sounds to work on intonation, sound concept and blend. Beautiful visuals! Get it today:
https://itunes.apple.com/us/app/drone-tuner/id1326016622?ls=1&mt=8


Need to take your kid's travel baseball team to the state tournament? Planning a large outing for the whole family? Travelling together saves resources, and can lead to creating memories that will last for years to come. Guardian Rental Cars & Trucks provides spacious 15-passenger van rentals in Destin and Fort Walton Beach, FL. Ready to start planning your upcoming trip? Request your reservation online, or contact us at (850) 654-4600.
Starting at $89 a Day!
When you are travelling with a large group, having enough space is key. Our 15-passenger van rentals offer up enough space to fit the whole family or team plus their belongings. Say goodbye to fighting over who gets to sit by the air conditioning in Florida's hot climate. Our vans come equipped with front and rear air conditioning to make sure the whole group is comfortable on your trip. This rental option is perfect for large groups, families, sport teams, and more! Need more storage? Pull out a seat to have extra space for luggage or sporting gear.
We offer pickup and delivery services upon request.
Our rental fleet is made up of newer models.
We regularly service our rentals.
We provide a variety of rental options to fit your needs and budget.
We provide each customer with unmatched customer service.
Request Your 15-Passenger Van Now!
At Guardian Rental Cars & Trucks, we pride ourselves on providing quality, safe rental options at affordable rates. In addition to 15-passenger van rentals, we offer minivan rentals to Destin and Fort Walton Beach, Florida. Start planning your trip today! Contact us by calling (850) 654-4600, or request your reservation online.
Enjoy Florida In One Of Our Rentals!


text:
The show goes on(line): Concerts get creative amid global shutdown
In a matter of weeks, the global live music industry has come to a virtual standstill, with shows called off and fans forced inside by the ongoing Covid-19 pandemic.
But while 'normal' concerts are off the cards, a wave of virtual events are springing up to take their place, taking advantage of social media, virtual reality and online worlds to bring fans closer to artists at a time when both concert performer and concertgoer are stuck indoors.
Sweet streams
By far the most popular way of connecting with housebound fans, many of the world's biggest artists, including Coldplay's Chris Martin, Pink, John Legend, country singer Keith Urban and Latin star Juanes have streamed live performances on their social media accounts in recent days.
Others, such as Miley Cyrus, Christine and the Queens and Lizzo, are broadcasting largely non-musical content that offering a glimpse into their self-isolating lives, while likes of Bruce Springsteen are making past concerts available for free. UK singer Yungblud, meanwhile, took the opportunity to create The Yungblud Show Live, an anarchic hour-long show (featuring a concert segment, drinking games and a cooking lesson) filmed in LA following the postponement of his upcoming tour.
In the classical music world, the Berlin Philharmonic Orchestra has made its 'digital concert hall' video streaming service, featuring over 600 concerts spanning more than a decade, free to all before 31 March.
"We already miss our public very much and hope that in this way we can remain in contact with our audience, at least virtually," says Olaf Maninger, the orchestra's principal cellist.
Elsewhere, in Europe's clubbing capital, promoters have gone one step further by creating a 24-hour 'virtual club', dubbed United We Stream, in order to "save Berlin's club culture in quarantine". (The German capital's nightlife been on lockdown since Friday 13 March.)
Launching today (18 March) at 7pm local time, the initiative will see the empty clubs streaming several hours of DJ sets and live performances every day, with the venue changing each night. Participating clubs include the Watergate (which will host tonight's first show, with Claptone, Monika Kruse and Mathew Jonson), Tresor, Kater Blau, Salon Zur Wilden Renate and Sisyphos.
Fans are encouraged to donate €10, €20 or €30 a month in exchange for a 'virtual club ticket', with all funds going directly to a relief fund to support clubs and event organisers during the closure.
"We already miss our public very much"
Faces for radio
Miami's Ultra Music Festival (UMF) was the first major western festival to fall victim to the coronavirus, having been pulled by city councillors just over two weeks out, on 4 March.
Now reborn as a 'virtual audio festival' on US satellite/internet radio platform SiriusXM, Ultra will take the form of an audio-only event, running from Friday 20 to Monday 23 March (its original dates) and featuring live performances by DJs scheduled to perform at Ultra Miami, including Afrojack, Major Lazer, Martin Garrix, Above and Beyond, Armin van Buuren, Nicky Romero and Oliver Heldens.
Ultra Virtual Audio Festival will be broadcast on a temporary SiriusXM channel, UMF Radio (channel 52), which will also air previous Ultra sets by stars such as Marshmello, the Chainsmokers, Kygo and Carl Cox.
Scott Greenstein, president and chief content officer of SiriusXM, says: "With the postponement of beloved events, necessary changes in people's everyday life and need for social distancing, we know our listeners are seeking a sense of community more than ever.
"To encourage that, we are pleased to be working with Ultra Music Festival to provide our listeners with this virtual audio festival featuring the diverse line-up of artists the UMF delivers year after year, as well as exclusive fresh, new sets from some of the biggest names in dance music."
UMF 2020 ticket holders will receive an email in the coming days offering access to UMF Radio and other SiriusXM programming.
In the UK, meanwhile, the cancelled Country to Country (C2C) festival – due to take place on 13–15 March at the O2 in London – was replaced a special show on BBC Radio 2, which was originally to have broadcast from the event.
Radio 2's Country Festival, presented by 'Whispering' Bob Harris, Bobbie Pryor and the Shires' Ben Earle, featured live performances from artists scheduled to play C2C, including Luke Combs, Eric Church, Darius Rucker, the Cadillac Three, Old Crow Medicine Show, Brett Young and Tenille Townes.
"We know our listeners are seeking a sense of community more than ever"
Passing the time while ill by playing video games is nothing new, but the current period of self-isolation will be the first time many experience a live event inside a virtual world. Marshmello's groundbreaking Fortnite concert last year opened the floodgates opened for live music in gaming, with rock bands Korn (in AdventureQuest) and the Offspring (in World of Tanks), DJs Ekali (in Minecraft), Reggie Watts and Blasterjaxx and EDM label Monstercat (in Sansar) among those to have organised large virtual concerts since.
Mojang's Minecraft – the open-ended world-builder which, with nearly half a billion players, is arguably the biggest game in the world today – is no stranger to hosting music events, holding its first live concert, with AlunaGeorge, Broiler and Lemaitre, in March 2016. It also hosted Fire Festival, with Ekali, Arty, Hudson Mohawke, Luca Lush and over 5,000 'festivalgoers', early last year, with another 80,000 tuning in via live stream.
Upcoming live entertainment in Minecraft includes Second Sky-inspired music festival Second Aether, which will take place on 28 and 29 March, and an as-yet-unnamed festival set to take place at Club Matryoshka (a virtual nightclub hosted on a private Minecraft server) on 26 April.
@ClubMatryoshka is never cancelled. so save yer dates April 26 were mounting our very first festival! 🥳🤠🤡🤖🤯🤩👏 https://t.co/ST51u29ND3
— Club Matryoshka (@ClubMatryoshka) March 11, 2020
Sansar, a virtual-reality online world from Linden Lab, the maker of Second Life, also plans to host several virtual live events in the months ahead. Sansar – which has partnerships with Monstercat, Spinnin' Records and Roddenberry Entertainment (Star Trek), among others – yesterday (17 March) released a guide to creating an event inside the game, touting its credentials as a platform for "free virtual events amid [the] coronavirus emergency".
"Sansar is no stranger to large-scale live events, and we're here to help you and your audiences stay safe, productive and connected during the coronavirus outbreak," says Sansar community manager Galileo Linden, noting that the game can accomodate "a conference for work, an educational workshop, a live performance or even a music festival".
"We're here to help you and your audiences stay safe, productive and connected during the coronavirus outbreak"
Amid the gloom on global stock markets, MelodyVR maker EVR Holdings was one of few shares not in the red on the London Stock Exchange (LSE) today, its value surging with growing demand for concerts on virtual-reality headsets, according to the London Evening Standard.
In its Covid-19 update to the LSE, EVR says it has has seen a 56% spike in sales for MelodyVR over the past week as most major concerts were cancelled. "MelodyVR's technology was originally created to enhance the live experience for music fans around the world who were unable to access performances either as a result of their location, age, cost of attendance or ticket availability," the company explains.
"The restriction of both mass gatherings of the general public and international travel has already begun to adversely impact the global music industry, and while our vision was never to act as a replacement to live events, we believe that our technology affords fans the closest possible opportunity of experiencing the next best thing to actually being at a venue or show without physically being present.
"We have not sought to actively capitalise on the events of the last few weeks, yet having experienced a 56% increase in average sales over the course of the last seven days we anticipate this trend of MelodyVR platform usage to continue."
Also having a good day is popular rhythm game Beat Saber, which announced today it has sold more than two million copies, cementing its reign as the best-selling virtual reality-exclusive title. "[T]he game has also proven to be a successful platform for artists to connect with fans, selling over 10 million songs through downloadable content," reads an announcement on the Oculus blog.


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Q & A: Tamrin Ingram, Telling the stories of rural America Stories
I grew up on a gravel road alongside the Spanish moss and the cottonmouth snakes in Northeastern Louisiana. I come from a rural community of pipeliners and I spent the first years of my life traveling with my family as my dad worked job to job across the United States. I was raised on a steady diet of tall tales, adventure stories and country music which is probably what instilled my passion for storytelling and traveling. When I was a kid, my mother passed away unexpectedly and eventually my family moved to Ohio where I went to high school and then received my BFA at Columbus College of Art and Design in Columbus, Ohio. The Midwest never felt quite like home and as soon as I got the chance I left Ohio and moved to Tucson, Arizona where I am about to go into my final year of the MFA program at the University of Arizona.
Despite all of my moving around home has always been a gravel road in Louisiana, and all of my work is still centred around the rural community that I come from. At my core I am a storyteller. Within my artistic practice, I layer my writing, photographs and family records to construct narratives that play between fact and fiction or history and myth. In previous projects, a family curse serves as the hypothetical root cause of generational trauma. The disproportionate illnesses and untimely deaths that have historically plagued my extended family doesn't have a rational origin. It doesn't pinpoint what is really to blame. The curse is a metaphor for our position in an area overcome with cancer rates and other illnesses, some of which stem from rural pesticide pollution and lack of access to quality healthcare.
This summer I'm starting a project photographing Superfund sites in Louisiana. In 1980, the United States Congress enacted the Comprehensive Environmental Response, Compensation, and Liability Act (CERCLA) to address the threat of hazardous waste buildup at concentrated locations. CERCLA established rules for hazardous sites it identified as a threat to the environment or public health, then determined the responsible party to comply with the regulated clean up while holding them accountable for its funding. Sites managed under this program are called Superfund sites. After years of improper management of hazardous wastes and their removal, as well as unsafe resource extraction, Louisiana has become one of the most polluted states in the country.
Family and past family trauma is a big part of your work so far, do you think the upbringing you had was a core influence in your desire to take photos and create art in general?
I have very early memories of looking at old family photo albums with my dad, he would tell me the names of the people in the photos and they would all come equipped with stories about who they were and what they were like. I don't know if it was the stories that I loved so much or just looking at the old black and white photos of people I'd never met and places I'd never been but I felt a very strong attachment to them all. Then later on when I got my first 35mm camera I knew that I had to take pictures of everything because I was afraid of forgetting the little details. I wanted to remember everything about being a kid and I wanted to have tons of photo albums so that someone could look back and tell my stories. Of course at the time I never realised that this could all be 'art', I didn't even know what art was (or I guess what it could be) until I got to college, but that was definitely the beginning of it all for me.
You mentioned your latest project focuses on 'Superfund sites' in Louisiana. Do you feel a sense of justice to raise awareness on the issues surrounding these sites, and the impact that the governments' failure to manage them has had on local communities?
Yes and no. I don't consider myself an activist, maybe that's an uncool statement in the contemporary art scene but it's not a label that I've really branded myself with. I want to tell the stories of these places and yes I do want to bring attention to what's going on but I want the project to have other layers outside of the traditional documentarian nature of raising awareness. Louisiana's nickname is 'Sportsman's Paradise' and I want to investigate the theme of paradise and pull that into the work as well. I'm always looking for a way to incorporate elements of myth into my work and I love toeing the line between fact and fantasy, something that comes out very naturally in my written work but I've got to work a little harder to figure out how to push it forward in my photographs.
You merge creative writing with photography in your work. Did you start out doing one more than the other, or have you always felt compelled to combine your creative outlets?
It's definitely been only a recent thing to combine them both, and I'm still not convinced that I've found the most successful way to combine them. I started taking pictures when I was six years old. I had a small 35mm camera that I got in my Easter basket one year and from that moment on I was never far from a camera. But it was never art back then and I didn't even realise it was a creative outlet, it was just something I did all the time. Writing, however, was always a creative outlet and I had wanted to be a writer from a very young age but by my senior year of high school something flipped and I decided pretty late in the game to go to art school instead of going to school for writing or literature and it wasn't until my senior year of undergrad that I started writing again and incorporating text into my artwork. Now I can't imagine not utilising both mediums, but like I said I'm still working on perfecting how to combine them.
Do you find creating the work you do has helped you explore deeper into your past and the locations that surround you?
Absolutely. A lot of my inspiration comes from stories I've grown up hearing about and old family photos I've grown up looking at, so I'm always asking questions and digging deeper into my families past, always trying to piece together the history. I'm obsessed with multigenerational connectedness and how a family communicates with past generations, whether it be through storytelling or looking at old photographs or even using old family recipes at the dinner table.
It's a similar thing with the landscape around where I'm from too. I've been trying to investigate the land with a much more critical eye, trying to learn the history of locations in order to see how those histories effect the populations living there today.
There's a quote from Sally Mann's memoir 'Hold Still' that I feel really sums up a lot of my ideas as an artist and definitely hits on the topic of connecting with the past. She says "Southern artists, and especially writers, have long been known for their susceptibility to myth and their obsession with place, family, death, and the past. Many of us appear inescapably preoccupied with our historical predicament and uniqueness, which, as the Southern novelist Andrew Lytle once remarked, we can no longer escape than a Renaissance painter could avoid painting the Virgin Mary."
Do you feel using film added something to this work that perhaps it would have been harder to achieve with digital?
I'm a very hands on maker, so I'm naturally drawn to the workflow of analog processes, and my reasons for choosing film all comes down to the physicality and slowness of shooting film. I feel like I need the time it takes to set up my shots with a large format camera, the methodical nature of it gives my brain the time and space to process what I'm seeing and how I'm seeing it. I'm naturally a slow worker with most things so it's a very natural way of shooting for me. And working in the dark room to develop film gives me time to really think through my conceptual framework. I'm also still a sucker for the magic of shooting film and the feeling of turning the light on and holding up a piece of film to the light to see if an image is on it will always be one of my favourite feelings. Aesthetically film just feels better to me, I don't dislike digital imagery but it's a lot easier for me to get lost in the grain of an analog image than to get sucked into a digital one.
How did you research and find the locations for 'Pointing at Nothin'? Had you already planned the locations or did it take a lot of work beforehand.
'Pointing at Nothin' came together somewhat organically but all of the locations were intentional. I've been obsessed with the idea of houses being these sort of ultimate family members, they're the literal container of families that they help protect and raise. When my maternal grandmother passed away last fall I made several photographs in and around her house, the same house my mother grew up in, and the rest are from around the house that I grew up in, which is also where my dad grew up and has been abandoned since my mom died. I guess I view these two locations as my maternal and paternal origins, and I'm always going back and making more photographs both in the houses and around property where the houses sit. I think there's still more of a story to tell in these spaces.
Now that you live in Arizona, do you think you will stay and work on projects there also or do you plan to return to your roots?
I love Arizona, and living out west is a dream come true. As a landscape photographer I couldn't pick anywhere better to be and living in the desert is such a strange but wonderful experience. Sometimes I wish that I could stay in Arizona forever but I know that my stories are in the south and once I finish school the plan is to relocate back to Louisiana.
You can see more of Tamrin's work on her Instagram and website.
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Home News A DAO Building Gaming Communities, Avocado Guild, Raises $18 million
A DAO Building Gaming Communities, Avocado Guild, Raises $18 million
Avocado Guild, a blockchain game company similar to Yield Guild Games, which is sponsored by a16z, has secured $18 million in a Series A fundraising round.
The round was co-led by Animoca Brands and QCP Soteria Node (QSN), with participation from Solana Ventures, Three Arrows Capital, Polygon Studios, and others. The funding raises the Avocado Guild's worth to $200 million in just six months.
It looks that the round has been severely oversubscribed.
Avocado Guild
Avocado Guild, a play-to-earn (P2E) blockchain gaming guild, said on Wednesday that it has secured USD 18 million in a Series A fundraising round, boosting the company's worth to USD 200 million. Animoca Brands and QCP Soteria Node spearheaded the investment, with participation from Three Arrows Capital, Solana Ventures, Polygon Studios, Binance Smart Chain, and GoldenTree Asset Management executives. Along with Solana Ventures, Three Arrows Capital, Polygon Studios, and other participants, Animoca Brands and QCP Soteria Node (QSN) co-led the cycle. The funding boosts the Avocado Guild's six-month-old worth to $ 200 million.
The funds will be used to expand the company's technological capabilities and help it migrate to AvocadoDAO, a decentralized autonomous organization. As per Brendan Wong, co-founder, and CEO of P2E, "Avocado Guild arose from the creators' recognition of the potential for blockchain-based games to better the lives of people all around the world. The unbanked population now has the capacity to transform their life depending on their activities in the virtual world.
Brendan Wong, the CEO, told The Block that this is the company's first fundraising. Investors, on the other hand, will receive AVG tokens, he stated. AVG is the Avocado Guild's native token, which has yet to be released.
According to Wong, the Avocado Guild acts as a support network for players. The company's three principles are to enrich, educate, and empower the community in order for them to have a greater grasp of Web 3.0 technology and its advantages.
According to the deck, the business is on target to generate $ 80 million in sales by the end of this year. The Revenue Execution Rate is a forecasting approach that helps businesses to project their financial success over time using historical profit data.
"The transition from Avocado Guild to AvocadoDAO will slowly allow the community to be in control of how the DAO's investments and activities are run and the future direction of the Avocado metaverse. We envision that AvocadoDAO will eventually be governed by Avocado token holders in a decentralized and permissionless fashion," quoted the CEO.
Avocado Guild received investment three months after Yield Guild Games (YGG) secured a $ 4.6 million round led by a16z. According to CoinGecko, the price of the YGG token has surged since its inception, with a current market capitalization of over $ 780 million and a fully diluted worth of approximately $ 9 billion.
This helps to explain why the Avocado Guild's investment round was overcrowded, with major investors on board.
Wong told The Block, "We believe the game industry to win (P2E) is still in its infancy."
There are over a billion active players around the world who still need exposure to this incredible movement. The guilds in this space are the engine of the P2E economy. P2E is here to stay and AG s 'pledges to help build the future of Web 3.0.
Avocado Guild now employs 14 employees, and the company is aiming to grow its technical and operations teams, according to Wong.
Avocado Guild is also in the process of converting to a DAO (decentralized autonomous organization).
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For the past few months, I've been working with several volunteers within my organization on supporting a workshop in Darwin, Australia. The goal of this workshop was to train fifteen midwives and several general health practitioners on basic training skills in ultrasound in OB/GYN, with the ultimate goal of having them branch out into the townships in both Northern Territory State (where Darwin is located) and Western Australia to provide prenatal scanning for pregnant women within the aboriginal communities.
During the time spent planning and supporting this workshop (which was scheduled for mid-October), I met with one of our volunteers during our organization's annual conference in Barcelona. For now, we'll call her Tracy.
Catalan coast, Tracy and I met to discuss in more depth into the background and details of the project in Darwin.
To be honest, I was quite ignorant of Australia. I had always focused myself on understanding each country in this world in order for me to better come to terms with how to both approach these nations on both a diplomatic and developmental point of view, but I had never managed to give any attention to Australia. It probably stemmed from my own personal disinterest for the continent – I was never really attracted to Australia - not even to visit.
I knew nothing of "Oz" (as Australia is affectionately called by locals), basing the extent of my knowledge from what I've heard from the song with "Down Under", with visions of vegemite on toast, shrimp on the "barbie", kangaroos and Crocodile Dundee somehow in the background.
Ignorant and inexcusable, I know.
But one thing I did know about Australia was the history of its aboriginal communities and how they have inhabited the continent for more than 50,000 years. However, Tracy's conversation left me baffled with not only my own utter ignorance for 'Oz' but also for the ignorance that the world has with Australia in general, particularly regarding human rights.
What I learned through my conversations with Tracy sent shockwaves in my brain.
Australia is among the most developed nations in the world. A member of the OECD and an economic powerhouse within the Australasian region, it is considered to be a both a democratic and Westernized nation. Yet, Australia is the only country in the Western world, which does not have a bill of rights - meaning a bill or constitution that protects the human rights of its citizens.
Australia's lack of human rights can be most evidently displayed from its treatment of the Aboriginal peoples. Stereotyped by the media as uneducated and primitive, the aboriginal people have been put into townships that go against their cultural norms (living within the bush and wild as do the Xingu of Brazil). During the last century, aboriginal people were subject to racial law and even removed of their children to be placed into foster homes (the victims of this event are now known as "the children of the stolen generation"). The motives were later found to be with the intention of rendering the aboriginal cultural extinct. These children were later found to have grown up completely traumatized and disenfranchised. Many did not graduate even from high school and the toll the experience had them turning to alcohol.
Even in the beginning of current century, human rights abuses and racism were still carried out by the Australian government towards the aboriginal peoples, although to a lesser extent. Awareness has raised over the years towards the issue of aboriginal rights and in 2008, the Australian Prime Minister made an official apology on behalf of the Australian government for the atrocities committed by the government towards them.
However, not much else has been done post-apology. Currently, efforts through collaboration with NGO's and the Australian state of Northern Territory (where 28% of the population is aboriginal and most of the townships are located) have initiated in trying to "bridge the gap" between the aboriginal communities and the rest of Australia.
One of the most important gaps to bridge within these communities is, without a doubt, the quality of health provided. Maternal mortality rates within the aboriginal communities are high as prenatal scanning to detect difficulties during pregnancies are not carried out. Bringing in trained midwives into the communities would help combat this easily.
"Then why don't they bring in teachers?" I asked.
I sat in silence for a bit, reflecting on what was told to me. How could Australia be classified as a progressive nation yet undergo laws and regulations that undermine these values and elude to apartheid South Africa? How could not international community be so blind by what was going on "down under?
"Do you think the workshop we're doing and sending these midwives out into the bush will make a difference?" I asked.
This is Our Country too is an excellent documentary which helps explain the current issues regarding human rights and the need to bridge the gap among the Australian aboriginals. It highlights the magnetization and racism they receive and the historical issues which are still present in today's current events. It's easy to watch and I highly recommend it!
As coordinator of ISUOG's Outreach program, we are pleased to be doing what we can to reduce maternal mortality levels among the aboriginal communities through introduction of ultrasound. For more information about the project in Australia, read our blog for more details from both the volunteers and on-the-ground workers.