text:
package yamltemplate

import (
	"fmt"

	"github.com/k14s/ytt/pkg/filepos"
	"github.com/k14s/ytt/pkg/orderedmap"
	"github.com/k14s/ytt/pkg/template"
	"github.com/k14s/ytt/pkg/yamlmeta"
)

const (
	EvaluationCtxDialectName template.EvaluationCtxDialectName = "yaml"
)

type EvaluationCtx struct {
	implicitMapKeyOverrides bool
}

var _ template.EvaluationCtxDialect = EvaluationCtx{}

// PrepareNode pre-processes the template.EvaluationNode so that the resulting AST fully reflects having been evaluated.
func (e EvaluationCtx) PrepareNode(parentNode template.EvaluationNode, val template.EvaluationNode) error {
	if typedMap, ok := parentNode.(*yamlmeta.Map); ok {
		if typedMapItem, ok := val.(*yamlmeta.MapItem); ok {
			return MapItemOverride{e.implicitMapKeyOverrides}.Apply(typedMap, typedMapItem, true)
		}
	}
	return nil
}

func (e EvaluationCtx) SetMapItemKey(node template.EvaluationNode, val interface{}) error {
	if item, ok := node.(*yamlmeta.MapItem); ok {
		item.Key = val
		return nil
	}

	panic(fmt.Sprintf("expected node '%T' to be '%T'", node, &yamlmeta.MapItem{}))
}

func (e EvaluationCtx) Replace(
	parentNodes []template.EvaluationNode, val interface{}) error {

	switch typedCurrNode := parentNodes[len(parentNodes)-1].(type) {
	case *yamlmeta.Document:
		if len(parentNodes) < 2 {
			return fmt.Errorf("expected to find document set, but was not enough parents")
		}

		parentNode := parentNodes[len(parentNodes)-2]
		typedParentNode, ok := parentNode.(*yamlmeta.DocumentSet)
		if !ok {
			return fmt.Errorf("expected to find document set, but was %s", yamlmeta.TypeName(parentNode))
		}

		return e.replaceItemInDocSet(typedParentNode, typedCurrNode, val)

	case *yamlmeta.MapItem:
		if len(parentNodes) < 2 {
			return fmt.Errorf("expected to find map, but was not enough parents")
		}

		parentNode := parentNodes[len(parentNodes)-2]
		typedParentNode, ok := parentNode.(*yamlmeta.Map)
		if !ok {
			return fmt.Errorf("expected parent of map item to be a map, but was a %s", yamlmeta.TypeName(parentNode))
		}

		return e.replaceItemInMap(typedParentNode, typedCurrNode, val)

	case *yamlmeta.ArrayItem:
		if len(parentNodes) < 2 {
			return fmt.Errorf("expected to find array, but was not enough parents")
		}

		parentNode := parentNodes[len(parentNodes)-2]
		typedParentNode, ok := parentNode.(*yamlmeta.Array)
		if !ok {
			return fmt.Errorf("expected parent of array item to be an array, but was a %s", yamlmeta.TypeName(parentNode))
		}

		return e.replaceItemInArray(typedParentNode, typedCurrNode, val)

	default:
		return fmt.Errorf("expected to replace document value, map item or array item, but found %s", yamlmeta.TypeName(typedCurrNode))
	}
}

func (e EvaluationCtx) replaceItemInDocSet(dstDocSet *yamlmeta.DocumentSet, placeholderItem *yamlmeta.Document, val interface{}) error {
	insertItems, err := e.convertValToDocSetItems(val)
	if err != nil {
		return err
	}

	for i, item := range dstDocSet.Items {
		if item == placeholderItem {
			newItems := dstDocSet.Items[:i]
			newItems = append(newItems, insertItems...)
			newItems = append(newItems, dstDocSet.Items[i+1:]...)
			dstDocSet.Items = newItems
			return nil
		}
	}

	return fmt.Errorf("expected to find placeholder document in document set")
}

func (e EvaluationCtx) convertValToDocSetItems(val interface{}) ([]*yamlmeta.Document, error) {
	result := []*yamlmeta.Document{}

	switch typedVal := val.(type) {
	case []interface{}:
		for _, item := range typedVal {
			result = append(result, &yamlmeta.Document{Value: item, Position: filepos.NewUnknownPosition()})
		}

	case *yamlmeta.DocumentSet:
		result = typedVal.Items

	default:
		return nil, fmt.Errorf("expected value to be document set, but was %s", yamlmeta.TypeName(val))
	}

	return result, nil
}

func (e EvaluationCtx) replaceItemInMap(
	dstMap *yamlmeta.Map, placeholderItem *yamlmeta.MapItem, val interface{}) error {

	insertItems, carryMeta, err := e.convertValToMapItems(val, placeholderItem.Position.DeepCopy())
	if err != nil {
		return err
	}

	// If map items does not carry metadata
	// we cannot check for override conflicts
	for _, newItem := range insertItems {
		err := MapItemOverride{e.implicitMapKeyOverrides}.Apply(dstMap, newItem, carryMeta)
		if err != nil {
			return err
		}
	}

	for i, item := range dstMap.Items {
		if item == placeholderItem {
			newItems := dstMap.Items[:i]
			newItems = append(newItems, insertItems...)
			newItems = append(newItems, dstMap.Items[i+1:]...)
			dstMap.Items = newItems
			return nil
		}
	}

	return fmt.Errorf("expected to find placeholder map item in map")
}

func (e EvaluationCtx) convertValToMapItems(val interface{}, position *filepos.Position) ([]*yamlmeta.MapItem, bool, error) {
	switch typedVal := val.(type) {
	case *orderedmap.Map:
		result := []*yamlmeta.MapItem{}
		typedVal.Iterate(func(k, v interface{}) {
			item := &yamlmeta.MapItem{Key: k, Value: yamlmeta.NewASTFromInterfaceWithPosition(v, position), Position: position}
			result = append(result, item)
		})
		return result, false, nil

	case *yamlmeta.Map:
		return typedVal.Items, true, nil

	default:
		return nil, false, fmt.Errorf("expected value to be map, but was %s", yamlmeta.TypeName(val))
	}
}

func (e EvaluationCtx) replaceItemInArray(dstArray *yamlmeta.Array, placeholderItem *yamlmeta.ArrayItem, val interface{}) error {
	insertItems, err := e.convertValToArrayItems(val, placeholderItem.Position.DeepCopy())
	if err != nil {
		return err
	}

	for i, item := range dstArray.Items {
		if item == placeholderItem {
			newItems := dstArray.Items[:i]
			newItems = append(newItems, insertItems...)
			newItems = append(newItems, dstArray.Items[i+1:]...)
			dstArray.Items = newItems
			return nil
		}
	}

	return fmt.Errorf("expected to find placeholder array item in array")
}

func (e EvaluationCtx) convertValToArrayItems(val interface{}, position *filepos.Position) ([]*yamlmeta.ArrayItem, error) {
	result := []*yamlmeta.ArrayItem{}

	switch typedVal := val.(type) {
	case []interface{}:
		for _, item := range typedVal {
			result = append(result, &yamlmeta.ArrayItem{Value: yamlmeta.NewASTFromInterfaceWithPosition(item, position), Position: position})
		}

	case *yamlmeta.Array:
		result = typedVal.Items

	default:
		return nil, fmt.Errorf("expected value to be array, but was %s", yamlmeta.TypeName(val))
	}

	return result, nil
}

func (e EvaluationCtx) ShouldWrapRootValue(nodeVal interface{}) bool {
	switch nodeVal.(type) {
	case *yamlmeta.Document, *yamlmeta.MapItem, *yamlmeta.ArrayItem:
		return true
	default:
		return false
	}
}

func (e EvaluationCtx) WrapRootValue(val interface{}) interface{} {
	return &StarlarkFragment{val}
}


"Hello my name is Sprinkles and I want nothing more than to find my furever family. A family that will love me unconditionally and have a spot on the couch reserved just for me. One that will include me in family outings, provide loads of treats and think of me as a beloved family member.
I want this more than anything. My eyes fill with tears thinking of the fun and love am missing out on. I am a big goofy boy looking for a family who will embraces my goofyness.
Being in the pound is not what I want, the nights are so lonely and there is no one to spend the day with.
Introducing this big loving doggie "Sprinkles" (0464). He has been with us for sometime waiting for a furever family to adopt him. So we are putting out a call to prospective families who are looking to bring a furever mate home that will fill their home with much love & joy, then "Sprinkles" is just that man.
"Sprinkles" would suit a active family who can provide daily exercise, involve him in family outings, provide endless affection and a comfy bed at night for plenty of sweet dreams.
"Sprinkles" looks like a Bull Arab cross, his impound number is 0464 and is approx. 6-12 months old. His adoption fee is $150 and it includes desexing, vaccination, microchipping, a vet check & lifetime registration.
If you are interested in meeting this big boy and giving him a furever family, please come down to the facility. If you have a dog already please discuss with staff if it would be suitable to bring her/him along for a introduction.


text:
Eva Sakálová (ur. 9 maja 1985 w Bratysławie) – słowacka aktorka. Jest znana z roli Lenki w serialu .

Kariera
Swój pierwszy występ teatralny miała w wieku szesnastu lat (Radošinské naivné divadlo). Niedługo potem zagrała w spektaklu Alicja v w krainie czarów (Słowacki Teatr Narodowy), a następnie brała udział w kolejnych przedstawieniach: Tančiareň, Popol a vášeň, Úklady by a láska. Występowała także w teatrach Nová scéna i Aréna.

Filmografia
 2003: Záchranári (serial telewizyjny)
 2007: Ordinácia v ružovej záhrade (serial telewizyjny)
 2008: Veľký rešpekt
 2008: Malé oslavy
 2010: Kriminálka Staré Mesto (serial telewizyjny)
 2010: Dokonalý svet (serial telewizyjny)
 2010: Ratownicy (serial telewizyjny)
 2011: Delta (film studencki)
 2012: Panelák (serial telewizyjny)
 2013: Tančiareň
 2013: Dr. Dokonalý (serial telewizyjny)

Przypisy

Linki zewnętrzne
 Eva Sakálová w bazie ČSFD

Absolwenci Wyższej Szkoły Sztuk Scenicznych w Bratysławie
Ludzie urodzeni w Bratysławie
Słowackie aktorki filmowe
Słowackie aktorki teatralne
Słowackie aktorki telewizyjne
Urodzeni w 1985
Ludzie związani z Bratysławą

redpajama_set_name: RedPajamaWikipedia


Previously, Chi psno whether yaky good proprietor sticas s patanam about new construction. Someone Hoca pobuduvati will lazny, someone garage or shed wssa needs, and someone samahat on camaruche swedena clogau box. Natural, Vinica question about choice budowlanego material.
Basically chastina whether yakogo budownictwa, if not brother to uwagi pouring the Foundation, TSE swedena STN. Vinica power, s yakogo material buduvati. Of course, I want dwellers new construction obillos deshevshe, STN Buli mcnie I of talimi, and, course, it is not necessary zabuvati about estetyczny estimation VASO budul. Pridbati tak budmateriali you can at the Internet MAGAZIN: .
sorry no VSI budwell materials vapout all imogam. Razglyadev daypopular budmateriali, that often vykorystovuyutsia in construction.
Perche meeting place: Cline proflavine timber.
Timber proflavine Clini - je accnum budmaterial s derevyny hvoyna port, Yak she took speculo obrobku. Zavdyaki high vmesto derevne Smalley, sporudi s proflavanol timber Daugava the one straight ahead, Ben shelina to vplive soundname agressive seredovischa.
dvadtsyat Rokiv tomu taqiy budmaterial not koristuvacha special popularity, Yak new construction took many hours using neophane pagoni brusu in rucno. Now the same Bruce obramlyayetsya verstatile so, what dealno pthalate one to one s minimalnim clearances.
Proflavine timber Cologne of clean, vdmn zberg heat in raw of I costo wanono inexpensive. Moreover, zavdyaki verstate opobs, STN box W bruss can pobuduvati vsogo for a couple days. To dosit just spati adobes Yak puzzle.
Friend meeting place: Deck ocilindrovannogo.
the Yak I beams, Tsey view budmaterialy so needless vegetablesa s derevyny hvoyna port, ale Tsey podelcoma material nabagato dougans zavdyaki their form. Ocilindrovannogo deck Cologno clean I got Nisku teploprovodnosti. New construction W kolodi so it is not Sabira bagato hour.
Tret meeting place: Tsegla silkalna.
Vdni budmaterial, Velma mcni I privatni town. Budul s cagli Nadin, Dougan, Cologne not scales. Ale , a nedali. When transportowana not RDCO vynikajuci vtrati, tsegla to cricitise. Moreover, the price for such budmaterial Velma high, and statstg utrirovat heat Seredin raw nitrate Velma low. Sty s cagli easy nukopijuoti warmth, ale and so very easy Yogo vdate. In rezultat, spectrim Litom STN nagraadse I nudlicky heat pochinayut, nahodite in primmest, de temperature nigca than on vulitsi. Vzimku taqiy Samy processes yde another BC.
the Fourth meeting place: Penoblok.
Velma deseve I in the same hour accne build material. Penobloki toil porwnania neveliko love, toil visoko mcnasty I thermostst. When rskych drops temperature STN s problome not rastirayutsya I don't treskaetsya. School one nevertheless it is important to quality problome - TSE Niska teploprovodnosti, dosiahnut zavdyaki bulbashka naseredin the block, that I to the employees of the Yak powtran kichen. Cologne bespechniy in the world.
N the ive meeting place: Thermopanel carcass.
Tsey build material duzhe popularni through Nisku vartest. To plus thermopanels can vanetti, of course, the heat Nisku I samprost, Shvidko zbrka I wanono mcnasty. To mosw otnositsa vastly naturalness. Budul s thermopanels can I vigladit nice s far, but poblizu budula more similar to ACUs ustanovu, than cozy adobes. Moreover, Yak stargoat professionals, Thermopanel SDAT velati scales recovery.


text:
Dyspessa argaeensis is a species of moth of the family Cossidae. It is found in Turkey.

References

Moths described in 1905
Dyspessa
Moths of Asia


text:
'Major delays' to London-bound trains
Royal Surrey NHS Foundation Trust granted planning permission for hospital multi-storey car park and cancer centre
Funds to help introduce technology to residents at libraries
Innovative new projects to help residents use technology at West Sussex libraries have received a welcome funding boost.
Monday, 27th March 2017, 7:24 pm
Updated Thursday, 7th June 2018, 8:13 pm
JPCT 210813 S13341355x Horsham Library -photo by Steve Cobb ENGSUS00120130821100242
A £178,000 grant from Arts Council England was announced last week and will pay for equipment including tablets and laptops.
Library staff will use this new technology to introduce residents to digital reading and eLibrary services.
One aim of the project is to combat the loneliness experienced by one in four older people in the county.
Staff will be able to demonstrate how online services, like social media, can reduce feelings of isolation.
Lesley Sim, who leads the Library Service at West Sussex County Council, said: "We are delighted that our bid has been successful.
"This is an incredibly exciting, innovative project which will make a real difference to peoples' lives.
"I would like to express my thanks to the Arts Council England for the opportunity and we look forward to getting started."
The service will also offer help to jobseekers by introducing them to online job searching and assist people with disabilities by supporting them to use specialist apps that can help with everyday communication.
West Sussex was one of only 30 library services in the country to be successful its bid for the funding.
Hedley Swain, area director for Arts Council England, said: "Libraries are incredible places that have so much to offer their communities, from access to a huge range of resources through to free wifi to keep people connected. But more than that, they present opportunities, and that is really highlighted through this investment.
"As the national development agency for libraries in England, we're excited to be able to support these libraries as they improve access and opportunities for disadvantaged audiences.
"Digital technology and the skills we need to use it effectively are immeasurably important, both today and in the future, connecting us to the world around us at the touch of a button. It is wonderful to see West Sussex libraries taking a lead in supporting digital literacy through this project, particularly for disadvantaged members of their communities. I hope that this project will help build confidence and support more people to explore the digital landscape and all the opportunities that it brings."
Crews from Crawley, Horsham and Haywards Heath called to East Grinstead fire
No trains between Three Bridges and Brighton this weekend due to engineering works
Vulnerable teenager missing from Crawley - Dial 999 if you see him
Sussex Tory MP calls on Boris Johnson to resign over Downing Street parties
Crawley man given suspended prison sentence after 'prolonged and serious neglect' of dogs
Sussex catalytic converter thefts: Man arrested as investigation continues
Missing teenager could be in Sussex, according to police
Crawley family raising money for memorial bench for their mum left 'incredibly touched' by response
Met Office issues yellow weather warning for Sussex

redpajama_set_name: RedPajamaCommonCrawl


This pomegranate margarita recipe is sweet, fruity cocktail that's fun to drink and not terribly complicated to make.
This recipe combines pomegranate juice and sugar to make a simple syrup - no messy deseeding pomegranates necessary (unless you want to garnish the drink with seeds).
I truly love pomegranates - even though they are a little tricky to eat. I was looking around our living room the other day and realized all the pomegranate symbolism and design on display. I lived in the Middle East for almost 20 years, so I've picked up several rugs and many pieces of pottery that have pomegranates on them, as well as some silk wall hangings with a pomegranate tree print on them. The pomegranate is one of the oldest cultivated fruits - it gets it's name from the Latin words pomum (apple) and granatus (seeded). It's been an important fruit for several spiritual traditions - including Jews, Christians, and Muslims. Pomegranates have seen a resurgence in popularity lately (making it far beyond Mediterranean cuisine) because of their health benefits - they're high in fiber, protein, and vitamins C and K.
I'm not suggesting that this is in any way a superfood cocktail (wouldn't that be nice?!), because there's still sugar and tequila in this bad boy, but fruit is fruit so I think we can feel kinda good about drinking this (*wink face*).
I hope you enjoy this delicious drink! I decided to do this just in time for Cinco de Mayo and so I could participate in #margaritaweek - a roundup of some of my favorite food bloggers who are all sharing margarita recipes this week. Check out all the recipes at Hola Jalapeno's Margarita Week page!
Have a great week! Let me know if you make this recipe - you can tag me on Instagram or Facebook @thishealthytable.
Combine the pomegranate juice and sugar in a small saucepan over medium heat.
Stir until the sugar is dissolved then remove from heat and allow to cool.
Combine 2 ounces of the pomegranate syrup, the tequila, and lime juice in a cocktail shaker with the ice. Shake like crazy for 30 seconds.
Strain into a glass and add ice and pomegranate arils if desired. Serve and enjoy!
This recipe makes about 5 to 6 cocktails worth of pomegranate syrup. Store in the fridge for up to two weeks.


text:
Composer, singer, guitarist and producer for the independent music scene in Mexico. Merges various genres and rhythms that result in an alternative sound, fresh and emotional, in which the song is both the conductor and protagonist .
Committed to the lyrics, going from the most casual to the most intimate, always fresh and current as his distinctive main features.
Uses technology at the service of the song, and in his search incorporates electronic sounds, loops and acoustic instruments resulting in a proposal of a modernist personality and touching at the same time.
He has four records to his credit and more than 20 collaborations in other musical productions .
In 2013 releases "Fábrica de Aves" ("Bird Factory") independent production that combines the most current of his sound and a selection of 14 songs written by him that were filtered by natural selection throughout recent years . With the participation in a duet of "Los Claxons" one of the most important pop rock bands in Mexico .
In 2009 releases "Circo bicileta" ("Bicycle Circus") an album that has the participation of international musicians such as The Barrera brothers, members of the jazz group B4 , and a song co-written with Brazilian composer Leo Minax .
In 2006 releases independently his second production titled "Que nadie se entere" ("May no one know about it") recorded and produced by himself on acoustic guitar and loops format.
In 2003 he recorded his first album titled "Juguete de Madera" ("Wooden Toy") under the label Sony BMG which had the singles "Cosquillas al cielo" ("Tickling the Sky") and "Flaca" ("skinny girl") which sold over 50 000 copies.
COLLABORATIONS WITH OTHER ARTISTS.
The artistic work of Miguel Inzunza goes beyond his own albums and and example of it is 'Anton Antoni eta', a duet in Basque -language he recently recorded with Ximena Sariñana for the album " Kalea " of Basque musician Kepa Junkera, in which shares credit with artists such as Pablo Milanes, Juanes, Leon Gieco and Lila Downs, Ivan Lins and others.
He Participates in the Tribute album to Fito Paez playing the song "Un loco en la Calesita" ("A mad man in The Carousel") sharing credits with artists such as Reyli Barba, Iraida Noriega, Noel Schajris, and Lena, among others.
With "La Quinta Estacion" he records a duet in the song "Algo Mas" ("Something More") and participates as a guitarist and co-musical arranger in all songs from the band's album called "Acustico" (Äcoustic").
MUSICAL PRODUCER
In 2012 produces the album "A Ras del Cielo" ("At Heaven Level") for Puerto Rican singer-songwriter Charlene Arian .
In 2012 produces the song "Naturaleza Muerta" ("Still Life") for the album "Parte del Show" ("Part of the Show") by the singer-songwriter Lazcano Malo.
In 2011 produces the album "Fotograma" ("Snapshot") for singer-songwriter Eliud Falomir.
In addition , to his role as music producer for Open Window Films, he shared the creation of the soundtrack for the film "Tequila" (Directed by Sergio Sanchez Suarez ) with the Italian Carlo Siliotto (2007 Golden Globe Award nominee for the film " Nomad " ) .
In this film, set in the 1942's Mexico, starring Unax Ugalde, Edward Furlong and Angelica Aragon, he created the songs "Flor de campo", ("Field Flower") which was performed by Mexican singer Eugenia Leon and "Tequila" that was the film's main song, performed by himself.
In 2007 writes "Mas alla" co-authored with Karenka , which becomes the main theme of the movie "Reevolucion" ("Re-evolution") .
In 2006 composed lyrics and music of the song "Un par de miradas" ("A couple of looks") song for the movie "La Misma Luna" ("Under the Same Moon") from Oscar winning director Patricia Riggen.
Tu Concierto
© 2022 POR MIGUEL INZUNZA. Creado con PensandoEnTI.mx


text:
AutoMVP
AutoMVP.com
Asbury Automotive Group Acquires Two Stores in Georgia Representing Approximately $60 Million in Annual Revenues
Automotive, Press Releases	Asbury, Automotive
DULUTH, Ga., Dec. 5, 2012 /PRNewswire/ — Asbury Automotive Group, Inc. (NYSE: ABG), one of the largest automotive retail and service companies in the U.S., today announced that it has acquired a Volkswagen and a Bentley store in the Atlanta, Georgia market.
With the acquisition of these two stores, Asbury now owns and operates 12 stores in the Atlanta market. Asbury's President and CEO Craig Monaghan commented, "This acquisition demonstrates Asbury's commitment to grow our brand network in our key markets. It also represents our first step in executing the plan that we announced in the third quarter to expand our dealership network."
About Asbury Automotive Group, Inc.
Asbury Automotive Group, Inc. ("Asbury"), headquartered in Duluth, Georgia, a suburb of Atlanta, is one of the largest automotive retailers in the U.S. Built through a combination of organic growth and a series of strategic acquisitions, Asbury currently operates 77 retail auto stores, encompassing 98 franchises for the sale and servicing of 29 different brands of American, European and Asian automobiles. Asbury offers customers an extensive range of automotive products and services, including new and used vehicle sales and related financing and insurance, vehicle maintenance and repair services, replacement parts and service contracts.
SOURCE: Asbury Automotive Group, Inc.
Automotive, Ford, Press Releases
Grand Rapids Announces Winner of City of Tomorrow Challenge
Miami-Dade County Announces the Winners of the City of Tomorrow Challenge
Automotive, Featured, Lexus, Press Releases
Lexus Joins Design Miami/ as Official Automotive Partner; Design Exhibitor
United Way Auctioning 2019 Ford GT 'Gulf' Heritage Edition VIN 001, Tapping Racing History to Improve Lives Today
Lincoln Black Label Navigator Customized for Jay Leno Makes Debut at Jay's Garage Stand at 2018 SEMA
New 2019 Ford GT Carbon Series Attacks Tracks, and the Drive Home
2019 COPO Camaro Marks 50 Years of Special Order Performance


text:
Home News and Editorial YouTube Music finally gets audio quality controls as the YouTube Music team...
YouTube Music finally gets audio quality controls as the YouTube Music team reveals some behind the scenes details
Google have YouTube, Google Play Music and now YouTube Music which can be very confusing to many users. The newest one is of course YouTube Music and when first introduced was lacking in features. Slowly Google have been adding features to it with the latest to be audio quality controls.
In Google Play Music you can control the quality of the music that you listen to whether on mobile or Wi-Fi data and while we have expected Google to bring it to YouTube Music for quite a while it has only just arrived. The music quality controls arrived on iOS a while back but a bug on Android was found near the release date and the Android release was pushed back.
Within the settings of the YouTube Music app there is now a setting to change the audio quality while on a mobile network and also one for when on Wi-Fi. The audio quality settings are low, normal, high and always high with the default being normal. As for downloads you can also change the audio and video quality of the downloaded clip.
For some with limited data allowances this will no doubt be a welcome addition to the app and hopefully lead to more using the service.
The YouTube Music team also had a AMA at their community forums where they spoke fairly candidly about YouTube Music. In doing so they revealed that at this stage they have no timeline for the merger of Play Music and YouTube Premium, instead first focusing on adding features to YouTube Music so it supports all the same features that are currently in Play Music. This will hopefully result in a seamless merger of the two services with "your library (including playlists), uploads, and history" will be merged from Google Play Music to YouTube Music.
The team also revealed that not all artists that are on Google Play Music are also available on YouTube Music but they are working with those artists to bring their music to the new service. They also revealed that in the end some music, at the discretion of the artist and their labels, will end up in YouTube Premium only, and not on the free level of YouTube — makes sense, there is no free level of Google Play Music where users have access to everything.
There was also a mention of the ability to play personal playlists in YouTube Music via Google Assistant arriving later this year. Along with the above details many more questions were answered. If you are interested head over to the Community Forum and check out all the answered questions.
Source: YouTube Music Community Forum.
Via: Android Police.
Previous articleGoogle possibly working on implementing peer-to-peer payments via QR code
Next articleFinding the message you want just got a whole heap easier with Android Messages
deanomalino
Annnddrrooiidddd Auuutoooooo pleeeaaaasssseeeeee
Biggest problem is that it uses Youtube tracks from music videos.
These often have extra sound effects or rubbish to do with the video, and sometimes artists have a bit at the end "Thanks for watching my video, blah blah about upcoming stuff".


text:
IFAF (ang. International Federation of American Football), Międzynarodowa Federacja Futbolu Amerykańskiego – organizacja zrzeszająca kontynentalne związki futbolu amerykańskiego. Siedziba organizacji znajduje się w La Courneuve we Francji.

Historia
W 1998 roku powstały dwie konkurencyjne federacje International Federation of American Football (IFAF) oraz International American Football Federation (IAFF). W 1999 roku IFAF zorganizowała pierwsze mistrzostwa świata. Rok później obydwie federacje połączyły się, przyjmując nazwę International Federation of American Football (IFAF). W 2014 roku IFAF utworzyła Europejską Ligę Mistrzów która jest konkurencją dla Europejskiej Ligi Futbolowej, federacji EFAF. W 2015 roku doszło do rozłamu, w wyniku którego powstały dwie frakcje IFAF New York i IFAF Paris. W 2018 roku Sportowy Sąd Arbitrażowy zadecydował, że jedyną legalną światową federacją futbolu amerykańskiego jest IFAF New York. Po tej decyzji rozwiązana została Europejska Federacja Futbolu Amerykańskiego a jej miejsce zajęła IFAF Europe.

Członkowie
Organizacja zrzesza obecnie 5 federacje kontynentalne których członkami jest 71 związków narodowych :
 IFAF Africa
 IFAF Americas
 IFAF Asia
 IFAF Europe
 IFAF Oceania

Rozgrywki
 Mistrzostwa świata w futbolu amerykańskim
 Mistrzostwa świata juniorów w futbolu amerykańskim
 Mistrzostwa świata kobiet w futbolu amerykańskim
 Mistrzostwa świata w futbolu flagowym
 Liga Mistrzów IFAF Europe
 International Bowl

Przypisy

Linki zewnętrzne
 Oficjalna strona IFAF NEW York
 Oficjalna strona IFAF Paris

Międzynarodowe organizacje sportowe
Organizacje futbolu amerykańskiego


text:
From 1 April 2021, this website will not be updated.
The seven north east London clinical commissioning groups (CCGs) – City and Hackney, Newham, Tower Hamlets, Waltham Forest, Barking and Dagenham, Havering and Redbridge – will become a single organisation called North East London CCG from 1 April 2021. We are in the process of transferring our information to a new site. For more information, contact wel.comms@nhs.net
Find Coronavirus information and updates for Tower Hamlets residents here
Aligning commissioning policies
Adult complex care
Prescribing over-the-counter medicines
Reshaping Surgical Services within the Barts Health Group
Transformation programmes
East London Citizens' panel
How we involve patients and the public
Join the Maternity Voices Partnership
Governing Body Meetings and Papers
General Practice Patient Survey 2020
Vision and objectives
Values and behaviours
Primary Care Co-Commissioning Committee
North East London Commissioning Alliance
East London Health and Care Partnership
CCG governance
Fair Processing in East London
Home> About us
Governing Body members
WEL CCGs Joint Board
Members of the WEL Board
WEL Board Meetings and Papers
Joint Commissioning Committee
Conflict of Interest, Gifts and Hospitality
Conflict of Interest breaches
Managing finances
Personalised Care Programme
Personalised care and support planning
Case study - Jackie
Case study - Red Sun CrossFit Programme Pilot
NHS Tower Hamlets Clinical Commissioning Group (CCG) is a clinically-led membership organisation set up in April 2013, made up of the 36 general practices in Tower Hamlets.
We are responsible for planning, buying and monitoring (a process known as commissioning) many local health services in order to best meet the needs of all of our residents, both now and in the future.
Our organisation is led by GPs and healthcare professionals who, between them, have many years' experience caring for patients. This experience and knowledge informs all of our plans and decisions.
We also work with a wide range of health and social care providers, patients and residents in the borough and across east London. Our local providers include Barts Health NHS Trust and the East London NHS Foundation Trust. We also work closely with the London Borough of Tower Hamlets to ensure a full and integrated range of health and social care services are available to the people of Tower Hamlets.
What we commission
NHS Tower Hamlets CCG is responsible for commissioning most local health services in the borough including:
Acute hospital care (such as A&E and maternity services)
Community care (such as physiotherapy and community nursing)
Other healthcare services are commissioned by different organisations. NHS England commissions services from independent contractors such as dentists, pharmacists and optometrists and also specialised services such as neurosurgery. The London Borough of Tower Hamlets commissions public health services that help promote healthy living.
To find out more about NHS Tower Hamlets CCG and the work we do, you can read our 2016/17 Annual Report.
Annual report and accounts 2016/17 (1.52 MB)
Commissioning networks (0.36 MB)
© NHS Tower Hamlets Clinical Commissioning Group
2nd Floor Alderney Building, Mile End Hospital, Bancroft Road, London E1 4DG
email: thccg.info@nhs.net


text:
"Kudala Besibiza" by Mahlathini - album review
A truly excellent compilation of the mid-70s work of the great Mahlathini, although he doesn't actually perform on the awesome highlight track, "Isitmela", a 7" b-side from '76. At least he wrote it! Undoubtedly channeling Kingston's 60s rhythms, that particular cut seems to me a pure conduit between Prince Buster and The Beat. Not that either would have been aware of it, so buried to the world was South Africa's 70s treasure-trove. See notes to read more about the album from historian Nick Lotay.
- close
Electric Jive presents an album containing some of the best 1970s material recorded by Simon 'Mahlathini' Nkabinde, perhaps the greatest male mbaqanga vocalist. I could not resist sharing this LP with you - some of my favourite songs are included on this album, which features Mahlathini in brilliant voice at the height of his career. The "groaning" vocal style that became Mahlathini's most recognisable musical feature was originated not by him, but by Aaron Lerole, a member of the pennywhistle group that Nkabinde's older brother Zeph co-formed, Alexandra Black Mambazo. Lerole, who developed this vocal style to attract people on the streets where the group performed, was not a natural bass singer and ended up ruining his voice permanently. Zeph took over the reigns by the later 1950s when the group began introducing five-part harmonies into their performances. Mambazo was by now under contract to EMI under the auspices of producer Rupert Bopape. Simon, who was growing up to be a fine singer with a unique "gruffness" and baritone quality, was convinced by Zeph to join the group at EMI. So began a colourful and productive career. At EMI, Simon featured prominently on lead vocals in Black Mambazo recordings, and often fronted the legendary recordings from EMI's girl group team, who recorded under names like the Dark City Sisters, the Flying Jazz Queens and the Killingstone Stars. Simon, informally known as Mahlathini, was also recording solo hits of his own as "Boston Tar Baby". Gallo Africa poached Bopape early in 1964, and he brought a selection of musicians - including Simon - over to the new Mavuthela division. With the new house band - the Makgona Tsohle Band - providing the all-important instrumental backup, alongside the Mavuthela girl group team - most well-known as the Mahotella Queens - providing the essential vocals, Simon completed the triumvirate as Mahlathini. Mahlathini and the Mahotella Queens enjoyed a very successful recording and touring period in South Africa and neighbouring countries until 1972, when Mahlathini fell out with Bopape over royalties. Mahotella continued as normal, filling the gap with groaner Robert 'Mbazo' Mkhize, when Mahlathini decided to leave Gallo. However, his popularity perhaps hit an all-time high when he joined Satbel under producer C. B. Matiwane (and later under the production of Wilson Ndlovu). At Satbel, Mahlathini was backed by The Queens, a new girl group that held a very familiar name to his last one. Several of the original Mahotella members, including Mildred Mangxola, made the move to Satbel to become key singers and composers in The Queens. The creative was also bolstered by the presence of musicians from both Gallo-Mavuthela and GRC-Isibaya Music, such as Selby 'Bra Sello' Mmutung, who provided alto sax and additional male vocals in addition. Mahlathini was also joined by Lazarus 'Boy Nze' Magatole, a wonderful groaner in his own right. Mahlathini's 1970s career at Satbel was decorated with a solid and consistent sound. The fierce, raw energy of this selection of musicians came across in every song that they produced. Such powerful recordings like "Bhula Mngoma", "Umkhovu" and "Abake Ba Bonana" are classic Mahlathini. The Queens, meanwhile, could also hold their own without the King - "Isitimela", for example, combines only their beautiful voices with the combined prowess of Raphael Ngcamphala (lead guitar), Nunu Luphoko (rhythm guitar) and Alfius Madlokovu (bass). This compilation of material recorded between 1974 and 1977 gives you a taste of Mahlathini's '70s rough-cut mbaqanga at its finest. This music is explored further in the fantastic Earthworks compilations The Lion of Soweto (1987) and King of the Groaners (1993), the first of which led the way in bringing the King's music to a wider international audience. I hope you enjoy Kudala Besibiza! ~ Nick Lotay, Electric Jive
ratings by TJR
A1 [02:28] Indoda Mahlathini and Mahlathini Band - Kudala Besibiza (Simon Nkabinde) Africana
A2 [02:39] Mahlathini and The Queens - Abake Ba Bonana (Simon Nkabinde) Africana
A3 [02:45] Indoda Mahlathini - Bhula Mngoma (Simon Nkabinde) Africana
A4 [02:42] Piston Mahlathini and The Queens - Nomacala (Mildred Mangxola) Africana
A5 [03:29] Mahlathini and The Queens - Isitmela (Simon Nkabinde) Africana
B1 [03:21] Mahlathini and The Queens - Umkhovu (Joyce Twala) Africana
B2 [02:35] Mahlathini - We Mama (Mildred Mangxola) Africana
B3 [02:34] Mahlathini - Kwa Mfazi Onge Mama (Simon Nkabinde) Africana
B4 [02:43] Mahlathini and The Queens - Umfokankosi (Joyce Twala) Africana
B5 [02:24] Indoda Mahlathini - Shayani Izandla (Koekie Makhanya) Africana


Get your home to look like a MODEL home This is a good video link that helps you understand what the buyers are looking for.
When we are hired to sell your home we feel follow up with you is what is most important to help you understand what is being done behind the scenes. We are promoting and tracking your homes activity and passing along this info to you. The following is a sample of our followup.
First of all we would like to thank you for this opportunity.
Here is what we have done so far to get your home sold.
A For Sale sign is posted. We have run three successful Open Houses 1 for Agents 2 for the Public. Of the 30 groups that visted 3 returned on Sunday for a second viewing.
The Realtor.ca listing W3403170 and Open House are online with MLS and TREB the Toronto Real Estate Board.
We sent an email to the local agents prior to our Agents Open House that features your home in an email flyer that they can send on to their clients.
An Email Blast of the Open House is also sent over 2000 client base.
The website Etobicokehomes4sale.com and etobicokecondosforsale.com feature your homes listing with many photos and full details. Blogs for both sites are circulating.The Etobicoke Condo Blog and Etobicoke homes Blog.
There is an Interactive Floorplan that has been created and listed on Facebook , Twitter, Linkedin and Google Plus.
The Youtube Video https://youtu.be/x97tP6fYddY has been shared on Linkedin, Twitter, Blogger and Instagram.
Colour Feature sheets with Floorplans are for the prospects who come to view your home.
Craigslist and Kijiji Ads for the Public Open House are online.
Ads have been posted on our Facebook Business Page Etobicokehomes4sale.com and our Twitter feed Etobicokehomes.
Agent showings have been consistent 18 to date.
Over 733 viewings are reported on TREB Realtor link stats and 16 have marked your home in their Favourites folder.
All of the prospects who visited your Open House have received an email featuring your home so they remember which listing they saw of yours and can follow up with any questions they have.
So far two agents have booked home pre-inspections prior to Offer night so their clients will be ready to proceed hopefully unconditionally on your home.
Of course along with this many texts, emails and phone calls from us and our ReMax office will inform you what is going on daily if need be.
Getting Ready to Sell your Etobicoke Home?


text:
package software.egger.message04;

import java.io.*;
import java.net.ServerSocket;
import java.net.Socket;
import java.util.concurrent.ExecutorService;
import java.util.concurrent.Executors;

@SuppressWarnings("Duplicates")
public class Server04 {

    public static void main(String[] args) {

        ExecutorService executorService = Executors.newFixedThreadPool(10);

        try {

            ServerSocket serverSocket = new ServerSocket(5678);

            while (true) {
                System.out.println("Server waits for a client to connect");
                Socket connectionToClient = serverSocket.accept();
                System.out.println("Client connected");

                executorService.submit(() -> clientConnectionHandler(connectionToClient));

                System.out.println("Server is done");
            }

        } catch (IOException e) {
            e.printStackTrace();
        }

    }

    private static void clientConnectionHandler(Socket connectionToClient) {

        try (

                BufferedReader reader = new BufferedReader(new InputStreamReader(connectionToClient.getInputStream()));
                PrintWriter writer = new PrintWriter(new OutputStreamWriter(connectionToClient.getOutputStream()));

        ) {

            String line;
            while (!(line = reader.readLine()).equals("Exit")) {

                System.out.println("Got from client: " + line);
                System.out.println("Doing some work which takes long");
                Thread.sleep(5000);
                writer.println("Response from server: " + line.split(":")[0]);
                writer.flush();

            }

        } catch (IOException | InterruptedException e) {
            e.printStackTrace();
        } finally {
            try {
                connectionToClient.close();
            } catch (IOException e) {
                e.printStackTrace();
            }
        }

    }

}

redpajama_set_name: RedPajamaGithub


text:
Clinch Named A Leader in Creative Advertising Technologies, Q4 2020 Report
NEW YORK, Oct. 13, 2020 /PRNewswire/ — Clinch, the Personalization Everywhere company that provides cross-channel dynamic creative optimization (DCO) technology to the world's leading advertisers, today announced that it has been named a "Leader" in The Forrester Wave™: Creative Advertising Technologies, Q4 2020 Report (Wave).
Not only does Clinch offer the ability to leverage first- and third-party data to create thousands of versions of static and video creative to ensure that the right consumer receives the right message at the right time, the company can feedback intelligent insights to clients to make real-time campaign adjustments for the strongest return on ad spend (ROAS). Today, Clinch works with some of the biggest companies in the world including Anheuser Busch Inbev.
Clinch received their highest scores across the following categories:
Ad building and assembly
To download the complete Forrester Wave: Creative Advertising Technologies, Q4 2020 report, visit: https://clinch.co/forrester-download-form/
"As former creative and media agency executives, we saw that marketers require the flexibility to personalize creative across platforms and formats. We believe being recognized by Forrester as a leader validates our technology and acknowledges the great results we have achieved on behalf of our clients around the world. The future of media advertising is focused on personalized video, and Clinch's platform can bring this to brands today," said Oz Etzioni, CEO of Clinch.
According to the Forrester report:
"Clinch appeals to data-rich clients developing a tailored creative adtech solution. Clinch, a smaller, more recent entrant in the creative adtech space, has grown from the last Forrester Wave in terms of its revenue, employee base, scope and offering. As one referenced noted, 'It's evolved – it's not the same Clinch we hired.' With a stated vision of 'personalization everywhere,' it continues to add new channels and formats to its offering, expanding
Harman consolidates creative and media mandate with Havas India | Advertising
Harman, a wholly-owned subsidiary of Samsung Electronics, has awarded its integrated creative and media communication mandate to Havas Creative India for its consumer brands – JBL and Harman Kardon post a multi-agency pitch.
Last year, the agency had bagged the creative mandate of Harman's Infinity brand.
Havas will be handling integrated creative, digital strategy, and overall media buying and planning for both offline and online mediums.
Yogesh Nambiar, head – marketing, Harman India, said, "India is an important market for us and our brands enjoy leadership across various segments in consumer audio. We now want to take it a step further and enhance our customer experience by offering a wider landscape of unique products and experiences. While finding an agency, we were looking for a talented and enthusiastic team that has a passion for music and understands the Indian market, and which could add a meaningful difference to our brands with their power of innovative thinking. I am looking forward to the exciting spaces that Havas will explore to engage with the existing and new consumers of our most popular audio brands."
Rana Barua, group CEO, Havas Group India, said, "It is indeed a delight for us to strengthen our relationship and partner with Harman in India, and add the media and creative mandate for JBL and Harman Kardon, in addition to working on Infinity. We have been doing some very exciting work on Infinity and with these two brands the challenge and expectations go up as these are very key players in the audio industry and have very clear objectives and plans. What is sweeter is that we won it with our integrated village model which further emphasises the #BetterTogether philosophy of Havas."
The Womb bags Sebamed's creative mandate | Advertising
USV has appointed The Womb to handle the creative mandate for Sebamed, its skincare brand. The agency won the account without a multi-agency pitch.
Shashi Ranjan, country head, Sebamed India and USV's FMCG business, said, "Sebamed as a brand has the potential to create a paradigm shift in skin and haircare through its unique pH5.5 advantage. We are looking at behavioural change from consumers to challenge their existing choices and choose right options basis verifiable facts. As the brand has tremendous potential to disrupt the category, we needed a partner who can do complete justice to our aspirations. The Womb, with their passion for nurturing and building challenger brands and cultural approach to taking brands to market, was a very natural choice. We are looking forward to a great partnership."
Navin Talreja, founding partner, The Womb, said, "We are a challenger brand ourselves so are always excited with the opportunity to work a brand that is one too. And when it is one with as much substantivity as Sebamed, you know that the fight with the market leader will be interesting, to say the least. We look forward to building the business for Sebamed in India. We look forward to this journey with great excitement. Special mention to all at Sebamed who reposed their faith and trust in The Womb by awarding us the brand without a pitch."
Kawal Shoor, founding partner, The Womb, added, "All Sebamed products sold in India are imported from Germany. Are made in Germany. That means they're not just built without compromise but has a valid rationale for being considered premium when picked up from Indian shelves. Every Sebamed product is conceptualised and manufactured with science and honesty at its heart and is for everyone, but because of its high price, a big part of
The Future Of Advertising Is A Creative Leader On Top, Not MBAs Or Financial Executives
VrctorStock
Just imagine a professional wrestler as editor of The New York Times or a package designer as head of Goldman Sachs. Far-fetched? But that's exactly what happens in advertising. The people on the top never wrote a tagline, or produced an ad.
When J. Walter Thompson founded the first modern agency in 1868, he started as a salesman of newspaper ads. He soon realized that, to boost ad sales, he should offer creative services to potential advertisers: and, thus, the first "agency" was formed. For the next 100 years "creatives" would be running the best agencies, along with that of setting the agenda and vision – legends like Rubicam, Burnett, Ogilvy and Bernbach.
However, the consolidation of the advertising industry by a bunch of financial executives and the creation of the holding companies in the Eighties meant a shift in philosophy. While most creative leaders over the years were also excellent businessmen, they were viewed by holding company czars as risky and emotional "artists."
To mitigate what they perceived as a problem they brought in hordes of pencil-pushing MBAs to the business. That created layers of middle management that slowed down innovation and drove creativity away. The result was the deterioration of the quality of the advertising over time. Legacy agencies now have a ratio of 60-40 MBAs to creatives, as agencies became less productive and inefficient, according to our proprietary data.
In most advertising agencies, the creative team now takes its direction, ultimately, from a chief executive with a background in business or finance or client services – in other words, someone who has not write a line of copy ever, in their lives, and who is not familiar with how their company's products are invented.
"Creative" is not a department. It's permeates everything between the agency
Vodafone calls on New Commercial Arts as global creative partner | Advertising
Vodafone has appointed New Commercial Arts as its new global strategic and creative agency, following a competitive pitch.
Incumbent Anomaly, which won the telecom brand's creative account last August, declined to participate in the pitch.
Vodafone currently stands at the top of BrandZ UK brands ranking with a value of $23.1 billion (US$27.3 billion), and was named the eighth most-awarded advertiser for effectiveness in Warc's Effective 100.
Conceived by Adam & Eve founders James Murphy and David Golding, New Commercial Arts launched in May this year with ambitions to "unite brand and customer creativity to make brands more desirable and easier to buy".
Immediately after launching, the agency won the creative account for Halifax, which parted ways with Adam & Eve/DDB after nine years.
New Commercial Arts also created a post-lockdown outdoor campaign for the World Out of Home Organization, which ran in 60 countries.
Last month, the agency hired John Blight, a planner at Adam & Eve/DDB, as senior strategist.
Vodafone also works with Ogilvy in the UK as part of WPP's bespoke operation Team Red. Ogilvy's most recent work for the Vodafone brand came last July with "Unlimit yourself" – the first campaign after the brand parted ways with former frontman Martin Freeman.
Earlier this year, the agency created an ad produced and shot under full lockdown conditions for Vodafone's youth-focused brand Voxi.
A spokeswoman for Ogilvy said: "WPP's Team Red, of which Ogilvy is a key part, remains a lead partner in Vodafone's UK's communications team.
"We have not been involved in the global Vodafone work, which is run as a separate relationship and workstream. However, we look forward to working with our local UK client on how best to integrate this thinking in service of further strengthening the brand in the UK."
This year Vodafone has


text:
Archbishop Lefebvre: Liberalism is not only a sin, it is a religion
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Liberalism is not only a sin, it is a religion
A translation of an excerpt from two 1986 conferences given by Archbishop Lefebvre.
In the course of two conferences in Barcelona and Madrid [October 1986] at the very moment of the first meeting of Assisi, Archbishop Lefebvre traced the path that liberalism opened and followed until the subjection of the Church to the demands of Freemasonry.
Not only is liberalism a serious sin that affects the honor of Our Lord Jesus Christ, but it is a religion. We are dying of liberalism and of its consequences. For two centuries it has spread everywhere, in our schools, in our societies. It is a poison that destroys the commandments of God, all that makes the beauty and greatness of a Christian civilization.
It is good to identify it, as Leo XIII did regarding Freemasonry in his Encyclical Humanum genus:
"We must tear off their mask and show them as they are, so that we avoid them and their errors."
I believe that liberalism is a fruit of Freemasonry and that it must be unmasked in such a way that we understand all the dangers of it.
Liberalism has its goddess: it is liberty. At the time of the French Revolution, they worshiped the goddess of Reason in Notre Dame Cathedral in Paris, that is to say, liberty, the liberty of Man, this liberty which has its statue at the entrance of New York, which they celebrated in an incredible way not long ago. Man is free, finally freed from all law and in particular from the law of God. Liberty is the goddess of the religion of liberalism.
Liberalism has its priesthood, in the person of the Freemasons, a secret, organized, extremely efficient priesthood. There are thousands and thousands of Freemasons. Just the exclusively Jewish sect of B'nai B'rith, which has very frequent entry in Rome and which was present at the meeting of Assisi, has five hundred thousand members in the world. The Grand Orient is also widespread.
Liberalism has its dogmas: they are the Declaration of the Rights of Man. These rights of liberalism - as the Popes have taught - are the instruments invented by Freemasonry against God, to free man from God. Henceforth man is free to sin, to disobey God ... Liberty, liberty of the press ... It is these liberties written in the Rights of Man which have been condemned by the popes for a century and a half.
Liberalism has its morality which is simply immorality: no brake on liberty. For twenty years they have succeeded in introducing into almost all the legislations of the states, all the principles which go against Catholic morality, such as abortion, free union – cohabitation being favored fiscally.
Liberalism has its politics: that of democracy, the democracy of numbers. It is the people who – supposedly – are in charge. But in fact, it is about better subjugating them, dominating them, dispossessing them to the benefit of an omnipotent state, of a totalitarian socialism which gradually destroys the right of ownership, which makes the citizen work for a third of the year for the state. Citizens practically become slaves of the totalitarian state. This is the politics of Liberalism, so-called liberty.
Liberalism has its education: it wants it to be atheist, secular, and one throughout the nation. In France, it wasn't the bishops who defended the liberty of education, but families. If there had not been two million people who went to Paris to defeat the socialist law on education, there would be today in France only one kind of education and private education would have disappeared.
Liberalism has its economy, directed by international financial associations. To the extent that states apply a liberal morality, a liberal economy, a liberal education, liberal laws, even if they incur enormous debts, they are supported by the International Monetary Fund.
On the other hand, General Pinochet, a Catholic who wants to defend order in his country, they are trying by all means to defeat him and to ruin Chile. Similarly, all means are used to destabilize South Africa.
The Vatican itself has not escaped: it was ruined by International Finance. At the time of Cardinal Villot and - alas - under the protection of John XXIII and thanks to his naiveté, the Freemasons infiltrated the pontifical finances through Monsignor Marcinkus, of the Banco Ambrosio and of the famous Logia P 2. They advised the transfer of Vatican assets to Canada. A bank institute was created with this money. But it soon became bankrupt and the fortune of the Vatican disappeared. Cardinal Villot did not conceal it: "We went bankrupt. We lost everything. We were forced to lay off employees and cut salaries." The Vatican found itself financially on the verge of annihilation.
Obviously, the Freemasons hastened and International Finance intervened:
"Don't worry, we are here. If you need money, here is some, as much as you want. We will support you. "
Even though the Vatican still publicly acknowledges the very poor state of its finances, this support explains the pressures that can be exerted on Rome in the appointment of bishops, or of such and such a cardinal, and also in decreeing all that the Pope does. He is now practically in the service of masonic liberalism. We have to say it like it is.
Assisi: the super-religion
We have just seen it in the course of the ceremony of Assisi, which is nothing more than the goal which the Freemasons have set through religious freedom: the establishment of a super-religion. For liberal masonry also has its myths: a super-religion, a world super-government, to actually put a hand on everything that has a little influence in the world. They didn't make much noise about a meeting that illustrates this desire for a super-religion and which took place on September 27th in Assisi also. It was directed by Prince Philip of Edinburgh, the husband of Queen Elizabeth. It was a terrible thing, much worse than that which took place yesterday. It happened in the middle of the Basilica of St. Francis, with the participation of the five great religions, united under the auspices of a freemason, with the authorization of Rome ... for the protection of nature! The Italian newspapers were not mistaken in titling it:
"The super-religion presided over by Prince Philip of Edinburgh."
The Superior General of the Franciscans, Fr. Franco Zerini, assisted at this ceremony which he described as "the ecological harmony of humanity." Each of the religions finally renounced its dogmas, its doctrine, the pretension that a man who lived two thousand years ago is Himself the Way, the Truth and the Life. Scandal! Blasphemy! It's over, this "pretension" of Our Lord Jesus Christ being the Way, the Truth and the Life. It's a thing of the past!
How can one not see a connection between this "ceremony" - much more scandalous, of course - and yesterday's meeting? Their goal is identical. Both constitute stages towards a super-religion, desired by Freemasonry, realized by the Vatican. This seems so terrible that one cannot believe that such a "ceremony" was authorized by Rome. There is, unfortunately, a small fact which shows that it is, however, sadly true. Father Franco asked Rome for permission for a Hindu dancer to appear in front of the altar of St. Francis in the basilica. The Vatican hesitated a moment, then agreed, the dancer in front expressing a hymn to the sun. A hymn to the sun – pagan - by a Hindu dancer ... while we remember St. Francis' magnificent Canticle of the Sun, so beautiful, so elevated, so supernatural. It is a real sacrilege!
[The Archbishop then recalled the role played by Cardinal Bea, at the request of B'nai B'rith, who received their gold medal in recognition for obtaining the insertion and approval of religious freedom which they demanded in the conciliar texts.]
Ecumenism came through religious liberty, and by it, all the reforms which were done in the Church, the liturgical changes, the introduction of collegiality to please the Protestants and the democratic spirit of our time. Everything came from this acceptance of religious liberty and of the principles of the modern world. This is clear and if we do not keep this in mind, we cannot understand what happened behind the scenes at the Council, nor what is happening behind the scenes today at the Vatican. As Leo XIII said in Humanum genus, the goal of Freemasonry is to destroy all Christian institutions, all that Christianity has brought to society, to the family, to schools, to justice and to Christian peace. All that must be removed. It is the goal of the devil: Non serviam. I will not serve. I do not want to obey the law of God. I want liberty.
Our Lord came on earth to institute Religion. There is only one religion. Those who will not be converted to it will not be able to enter Heaven.
Our Lord said to His Apostles, "Go, teach all nations." He did not say: leave the Buddhists, the Muslims, and the pagans in peace. They each have their religion. Do not disturb them.
The missionaries left for the missions, they were killed, they shed their blood, they were martyrs. Now after the Assisi meeting, how can one be a missionary? Why go to Africa? Why go to the Indies? Why go to China to convert them, since all religions are equally a means of salvation? Why worry people who are in another religion? Ecumenism is the end of the missions, of the missionary spirit. This is extremely serious. The Church is essentially missionary. "Euntes, ite, docete." - Go, teach." It is a terrible, radical change. It is not surprising that there are no more missionary vocations, no more priestly vocations.
Let us make Brittany's motto ours: "Potius mori quam foedari. – Death rather than betrayal."
We prefer to die than to betray our vocation, betray Our Lord Jesus Christ. For my part, I have no personal ideas; I only have the idea of the Church. I have always said to my seminarians, do not say: I am a disciple of Archbishop Lefebvre. No. I am a disciple of the Church, of the Tradition of the Church, of twenty centuries of the Church.
No, I am not alone, for I have twenty centuries of the Church with me. I am the echo of millions and billions of bishops, of faithful and of all the centuries of the past Church, to continue the Church. It is those who abandon the faith of the Church, who, themselves, betray the Church. Instead of destroying the Church, I spent my life building the Church.
† Marcel Lefebvre
http://laportelatine.org/mediatheque/sermonsecrits/lefebvre_barcelone_madrid_1986/lefebvre_barcelone_madrid_1986.php
Reactions: Scarlet Pimpernel, kelley, Admin and 1 other person
Thank you, Unbrandable, for sharing these conferences! These are a treasure for sure. One is always struck by the clarity and succinctness of the Archbishop's words.
Reactions: Scarlet Pimpernel and Admin
Archbishop Lefebvre said:
The Archbishop said, "Now after the Assisi meeting, how can one be a missionary?"
One could now say, "Now after these Catholic Identity Conferences, how can one insist on the Catholic Faith, unadulterated? These conferences, in their very inception, are the traditional Catholic versions of GREC and the Assisi meetings. 'Lets all get together and acknowledge each other's value and work together.' But work together towards what goal? That is the question.
Ecumenism came through religious liberty, and by it, all the reforms which were done in the Church, the liturgical changes, the introduction of collegiality to please the Protestants and the democratic spirit of our time. Everything came from this acceptance of religious liberty and of the principles of the modern world. This is clear and if we do not keep this in mind, we cannot understand what happened behind the scenes at the Council, nor what is happening behind the scenes today at the Vatican. As Leo XIII said in Humanum genus, the goal of Freemasonry is to destroy all Christian institutions, all that Christianity has brought to society, to the family, to schools, to justice and to Christian peace. All that must be removed. It is the goal of the devil: Non serviam. I will not serve. I do not want to obey the law of God. I want liberty.[Emphasis mine]
These traditional Catholic groups all want their liberty...the liberty to be sedevacantist, the liberty to believe in feeneyism, the liberty to accept Vatican II via the Indult or the Fraternity of St. Peter, etc.
Here is a brief commentary on the prophet Elias, burning with zeal for the true religion:
Biographical selection:
The renowed exegete and Jesuit theologian Fr. Cornelius a Lápide made the following exegesis on this verse from Scriptures: Then stood up Elias the prophet as fire, and his word burned like a lamp (Eccles 48:1):
"After the reign of Solomon, Elias became eminent among the heroes and illustrious men of Israel. With his zeal and strength of soul, he extinguished the idolatry and wickedness introduced by Solomon. God raised up Elias, who burned with zeal for God and for the true religion. ... Indeed, by his zeal Elias slew more idolaters than he converted."
Comments of Prof. Plinio:
It is the middle-of-the-road mentality that causes men to say that it is better for Catholics to build than to destroy. Following this line, it is also more appropriate for man to convert than to combat. And, therefore, it is better to have a spirit of conciliation, kindness, friendliness, that is, one of confusion and surrender for this is what it lead to – and not to fight the adversary as he must be fought.
This was an objection that was often made against the old Legionario [the Catholic newspaper directed by Plinio Corrêa de Oliveira in the 1930s and 1940s] and against Catholic Action at the time I presided over it. Unfortunately, at that time I did not know Cornelius a Lápide. But Cornelius, whose authority has the weight of law, deals with this topic very well and praises Elias, saying "He killed more idolaters than he converted."
One might object: "But how can this praise of Elias be justified? Isn't it better to convert than to fight?"
The answer is evident. If a person can be converted by a good argument instead of by splitting his head with the sword, one should prefer to convert him. This is something anyone can see; only a barbarian would think otherwise. The point is, however, that there are numerous cases of persons who are spreading every type of evil. If these people will not convert, it is necessary to fight them, because otherwise they will harm others. [Emphasis mine]
In epochs of great evil, times of immense decadence, the hearts of men become hardened and obstinate against any argument or good deed, and men spread evil. To prevent them from continuing to do this great harm, that is to say, out of hatred for the evil they do and out of love for the good that is being lost, it is necessary to fight them. There is no other remedy.
It was not Elias who was guilty of repression; it was Solomon who favored sin, who brought sin into the bosom of Israel. So, if a middle-of-the road man is outraged by the severity of Elias, we can refute him by saying: You should become indignant over the prevarication of Solomon. Elias was the doctor, the surgeon who, through amputation, cut out the gangrene that Solomon had instilled in Israel. That is the crux of the matter! Source
In the words of Chesterton, "The whole truth is generally the ally of virtue; a half-truth is always the ally of some vice." – ILN, 6/11/10
That's what an ecumenical Catholic Identity Conference is - a bunch of half-truths. Just enough truth to fool enough people. But at its root, it is a vice. For it wishes to cloak those half-truths as virtue. To lead to confusion a greater number of souls. All this is accomplished down the road of ecumenism. As Alfred Lord Tennyson wrote, "A lie that is half truth is the darkest of all lies."
Ecumenism is a lie. It does not bring us to the gates of Heaven but rather to the gates of Hell.
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Deleted member 149
Martius said:
These traditional Catholic groups all want their liberty...the liberty to be sedevacantist, the liberty to believe in feeneyism, the liberty to accept Vatican II via the Indult or the liberty to be Fraternity of St. Peter, etc. -Added too, the liberty to be neo-anything, the liberty to be a false resistance, the liberty to evade truth.
Isn't that the real genesis. I want the liberty to...
The same want of liberty from day one in the garden of Eden that got those two reprobates in trouble -- to choose wrongly.
Life is about what God wants and allowing us to be within the beautiful arrangement within HIS life. If a flower wanted the liberty to be a frog, the flower loses its character, beauty, and fragrance of a flower all to live in a swamp.
Why would a human want to live in a swamp desiring another want than to dwell in the glory of God He had provided?
There is only one truth and only one life God made; there is no liberty to say otherwise. Choosing otherwise begins a life decomposing from the inside first, like the rot of an apple still shining on the outside with deceit, until it is too late, the rot overwhelms the skin.
Today is All Saints Day to see the reward God offers to those who made the right choice in their free will. Tomorrow is All Souls Day to balance the soul in remembrance of our last day. If one dies living for him or herself, they will die decomposed of spirit. If one dies living for God, they will die in that grace living forever with the treasure it sought -- God.
If one doesn't want to live in a part of heaven now (state of grace), how will the one ever receive the fullness of that grace to be with God forever in heaven when they die?
The way one lives, the way one dies.
Liberty is a gift of free will not to abuse but to return as a good steward.
Doing more for God in one's duty of state is a measure of destination than doing less destined for the pit made for the less.
Desiring a pantheon of trad-ecumenism and "identity conferences" is desiring what St. Paul noticed in Athens:
"Ye men of Athens, I perceive that in all things you are too superstitious. For passing by, and seeing your idols, I found an altar also, on which was written: To the unknown God. What therefore you worship, without knowing it, that I preach to you: God, who made the world, and all things therein; he, being Lord of heaven and earth, dwelleth not in temples made with hands; Neither is he served with men's hands, as though he needed any thing; seeing it is he who giveth to all life, and breath, and all things:
"And hath made of one, all mankind, to dwell upon the whole face of the earth, determining appointed times, and the limits of their habitation. That they should seek God, if happily they may feel after him or find him, although he be not far from every one of us: For in him we live, and move, and are; as some also of your own poets said: For we are also his offspring. Being therefore the offspring of God, we must not suppose the divinity to be like unto gold, or silver, or stone, the graving of art, and device of man. And God indeed having winked at the times of this ignorance, now declareth unto men, that all should everywhere do penance.
"Because he hath appointed a day wherein he will judge the world in equity, by the man whom he hath appointed; giving faith to all, by raising him up from the dead. And when they had heard of the resurrection of the dead, some indeed mocked, but others said: We will hear thee again concerning this matter. So Paul went out from among them. But certain men adhering to him, did believe; among whom was also Dionysius, the Areopagite, and a woman named Damaris, and others with them." (Acts 17)
So some repented and others continued to scoff and returned to their idols
So with Archbishop Lefebvre, we offer to you the "Unknown God" to free your souls from the burden of yourselves and the idols of trad-ecumenism.


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Penelope Cruz thinks of her mother as greatest personal feminist figure
Home/Conflicts & War/Serbian environmentalists block roads to protest plan for lithium mine
Conflicts & War
Serbian environmentalists block roads to protest plan for lithium mine
Belgrade, Nov 27 (EFE).- Hundreds of environmentalists blocked roads in a number of Serbian cities Saturday to protest new laws they see as intended to advance the ambitions of miner Rio Tinto to exploit a massive deposit of lithium in the western part of this Balkan nation.
One of the measures streamlines the process of expropriating land for projects deemed to be in the public interest.
Despite denials from Serbia's center-right government, critics contend the legislation was crafted to smooth the path for Rio Tinto's planned $2.4 billion lithium mine in the Jadar valley, which environmentalists and some residents fear will contaminate soil and water in the area.
The Anglo-Australian giant estimates that the mine will produce enough lithium to supply more than 1 million batteries a year for electric vehicles.
Police were out in force Saturday in Belgrade as protesters paralyzed traffic on several main arteries, but N1 television reported that the demonstrations transpired without incident.
In Novi Sad, Serbia's second city, protesters tried without success to break through a police cordon.
Protesters urged the government not to "deliver Serbia" to foreign investors and some denounced the actions of President Aleksandar Vucic as "treason."
Officials insist the law on expropriation has no bearing on the lithium project, pointing out that Rio Tinto must submit an environmental impact study and that the final decision on the mine will be made by citizens of the region in a referendum.
However, another of the new laws that spurred Saturday's mobilization removes the requirement that 50 percent plus one of registered voters cast votes for a referendum to be valid. EFE Sn/dr
EFE SERBIA PROTESTS
Dozens of women in Kabul protest Taliban's arbitrary killings, oppression
Salvadorans look back on 1992 peace accords as turning point
Kazakhstan places death toll of violent protests at 225
Ukraine hit by cyberattack, tensions with Russia heighten
Karzai says 'serious' Afghan peace talks to kick off soon
Last Update on: March 18, 4654 at 10:42 pm


Both at the Hideaway. Check it.
p.s. I finally saw the video for that "3oh3" song, and I am almost 100% sure that it must be a joke. Even funnier and is possible more insulting, the spoofs (they are spoofs right?! I really don't think I understand kids these days).


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Notes: A to Z matchup coming soon; Moch flashes
Geno Atkins
The hitting doesn't start until training camp does on July 27 in a 3 p.m. practice and the marquee matchup to circle is defensive tackle Geno Atkins against right guard Kevin Zeitler.
The Bengals still have to get through next week's mandatory minicamp (one practice each Tuesday, Wednesday and Thursday), but you still have to wait seven more weeks for the real stuff.
And Atkins-Zeitler is going to be worth the wait in a true everything-you-want-A-Z matchup.
There is the 24-year-old Atkins, 6-1, 300 pounds, just off his first Pro Bowl season while leading NFL interior players with eight sacks. There is Wisconsin's 22-year-old Zeitler, 6-4, 315, the 27th pick in the draft and the first guard the Bengals have ever taken in the first round.
Both are relentless, powerful and smart. And if you ask Zeitler, going off the nine OTA sessions, Atkins "definitely has the upper hand right now."
"Geno is an absolute freak," Zeitler says. "He's good. Really good. Geno does everything well. Every part of his game is tough. Very tough. It's a good thing. It's only going to help me get used to what I'm going to see."
Yes, Zeitler says, Atkins looks to be the quickest down lineman he's ever seen and he admits he's battled it all month as he tries to get used to the speed of the game. But Zeitler hasn't done it with contact and pads yet and that should aid him come July.
"I know where I am; I know where I have to be," Zeitler says. "Right now I'm very low. I have a long way to go. (Being a rookie) isn't an excuse. Once you're on the field it doesn't matter what you are. It's a matter of technique, confidence. Things like that."
Left tackle Andrew Whitworth has been helping Zeitler along (he took him to Wednesday night's Reds game as he begins to divide his loyalties with the NL Central rival Brewers) and he thinks going against Atkins in training camp is going to boost him.
"He's starting to get better; he's starting to figure things out," Whitworth said. "It's starting to come together. Each day he's getting better against those guys. We've got probably one of the most agile defenses you'll see."
As for Atkins, he says there is life for a Pro Bowl pass rusher even in the spring when there are no pads.
"I'm just trying to work on stepping right, making sure my hands are in the right place; you can still get work done," Atkins said. "You can work on hand placement, getting upfield on the right foot and making sure the O-linemen can't touch you in the chest."
As for Zeitler, Atkins knows what waits next month.
"He's good," Atkins said. "He's smart, strong, fast."
MOCH FLASHING: There are some at Paul Brown Stadium that feel SAM linebacker Dontay Moch has the same incredible physical skills as a pass rusher that former Bengals wide receiver Jerome Simpson displayed as an acrobatic pass catcher. Simpson is no longer here because of his inability to adapt to the offense, but the Bengals think Moch can make the switch from college end to NFL backer.
Make no mistake about it. In the OTAs Moch has displayed a very athletic and very quick rush that gives tackles problems.
"He can definitely get upfield," said linebackers coach Paul Guenther. "He's got value to us as a pass rusher, but we have to have confidence that we can play him on first and second down, too. And fourth down (special teams) is going to be very important for him."
If the Bengals know Moch can rush the passer, they also know there are plenty of questions surrounding him, too, and none of them are going to be answered until the preseason games start. If then, because the biggest one stems from the multiple published reports on the league's Web site and everywhere else that says he may be suspended for a banned substance. The reports suggest he's appealing it.
Moch didn't comment this week ("It's out of my hands," he said), but if it's a Bobbie Williams-type deal it will be four games and announced when the team gets down to 53 players the week before the regular season opens.
The other questions? With his transition from college end to NFL SAM stalled, how quickly can Moch pick up playing linebacker after never playing in a game as a rookie last season and missing most of the practices with a foot injury in the preseason opener that was followed by a stretch of migraine headaches?
Not being on the field has hurt him.
"He's been here for a year and he's making mistakes that he shouldn't be making," said defensive coordinator Mike Zimmer this week. "He's sat in the meetings and heard stuff but that's not the best way for him to learn. He has to get out there and do it. He's behind schedule that way."
Moch, one of the stars of the 2011 scouting combine before the Bengals took him in the third round, acknowledges he needs the reps.
"The more I get, the more I understand and the better I feel," he says. "Taking notes is one thing. But then going out and doing it on the field is a whole different thing."
Moch says he hasn't had a problem with migraines in six months and while doctors are puzzled by the cause, he says they seem to have the situation under control.
"I feel good. I feel like I can contribute and I'm just looking forward to more reps," he says.
SLANTS AND SCREENS
» As he usually does, Bengals head coach Marvin Lewis used the last OTA on a field trip and on Thursday the club took on sand volleyball at Mariemont's Hahana Beach. The team anchored by defensive tackle Domata Peko and middle linebacker Rey Maualuga won the team tourney title.
» When word came down Thursday that former Bengals wide receiver Chad Ochocinco got cut by the Patriots, two things came to mind. Well, three things:
The first is that there's no way he's coming back. Just can't see it. Look, the Bengals already have a guy that caught more balls and more yards from Tom Brady in a season than The Ocho did last year.
(Brandon Tate with 24 for 432 in 2010. In 2011 The Ocho went 15 for 276.)
The second is an observation from Shalise Manza-Young of The Boston Globe. She described an OTA last month where The Ocho bolted offsides and then had to be told where to line up by another player.
Sound familiar? (So don't look for Jacksonville and former Bengals offensive coordinator Bob Bratkowski on the list of possibles for The Ocho.)
And the third is this observation by the guy that used to tell Ochocinco where to line up here, T.J. Houshmandzadeh, as he went into free agency back in March:
"If I went with Tom Brady and didn't produce, I'd hang it up," Houshmandzadeh said. "Are you kidding me? Tom Brady? If you go with a Peyton Manning or a Drew Brees, or an Eli Manning, or Aaron Rodgers, and you don't produce?"
Ask enough people around here and they just don't think the Ocho played with the same verve and aggressiveness after Browns safety Brian Russell absolutely drilled him over the last middle in the 2006 home opener.
All that said, the guy was a heck of a player here, one of the top receivers of his time, and before he got carried away with himself, great for the game and city. The only question is how Bengals fans are going to welcome him when he, hopefully, checks back in at some point after his career is done.
And hopefully they applaud. It was a memorable run with a lot of thrills.


text:
Q: Can't get number of available bytes for SslStream I'm trying to determine the number of bytes available to be read so I can read from the SslStream until all data has been read. SslStream doesn't appear to have a property or method to do this so I've been trying to use the underlying Socket. The issue here is that the number of bytes available as reported by the Socket doesn't match the actual amount of decrypted data that I need.
Here is my Receive method:
byte[] Receive()
{
    byte[] messageBuffer = new byte[4096];
    int bytesRead = 0;

    using (var readData = new MemoryStream())
    {
        while(Client.Client.Available > 0)
        {
            bytesRead = Stream.Read(messageBuffer, 0, messageBuffer.Length);
            readData.Write(messageBuffer, 0, bytesRead);
        }

        return readData.ToArray();
    }
}

Client.Client is the underlying Socket of Stream which is the SslStream. Let's assume a message size of 5000 bytes. There are a couple of issues here:

*

*The first attempt to read Client.Client.Available returns 5077. This is not the correct length of the data available.

*After the first call to Stream.Read Client.Client.Available returns 0 so I exit the loop even though I've only read 4096 since that is my buffer size. So there are 904 bytes left on the stream that haven't been read.

So it appears that after I call Stream.Read it removes the entire data from the Socket (all 5000 bytes not just the 4096 I'm asking for), which makes sense because you need the entire message to decrypt it. But there is no way of knowing if you've gotten the entire message then because there is no SslStream.Available or anything of the sort. So my question is how can I tell if I have received the entire decrypted message? (Or how can I get the number of bytes of the decrypted message?)
Other things I have tried:

*

*using Client.Client.Poll(someLongTimeoutForTesting, SelectMode.SelectRead) but it returns false after first Stream.Read as well.

*using Client.GetStream().DataAvailable again returns false after the first Stream.Read

*increasing the size of the messageBuffer to the max amount Stream.Read will return (16299, not sure why this number but when I increase the message size and buffer size above this Stream.Read() always returns 16299). This method works however it uses an unreasonable amount of memory because in the application it will be used in the client messages are below 4096 99.99% of the time.

A: If you know length of message, you can read bytes to array and then create stream from this array:
    buffer = new byte[num_of_bytes];
    for (int i = 0; i < num_of_bytes; i++)
        buffer[i] = (byte)sslStream.ReadByte();

    using (var stream = new MemoryStream(buffer))
    {
    }

A: When you work with TCP sockets (streams) you need to implement your own application layer protocol. A very simple solution: you indicate the message size in the first two Bytes (example, it could be the length you decide), you can also allocate one or two Bytes (for example) for the message type, the rest is the payload. So, you know that always the first two Bytes indicate the length so you have to read 2 Bytes. Then you get the payload length. At that moment you know how many Bytes to read. I explain it with more details, not for SslStream but the response is valid also for your case, here: How to read all of Inputstream in Server Socket JAVA

redpajama_set_name: RedPajamaStackExchange


MuseInvader is a space invader game you play with your mind! Using the MUSE headband, beta waves can be detected and used for movement.
Beta waves are often associated with active, busy, or anxious thinking and active concentration, this is used to propel your ship to the right. When the player wants to move to the left, they just simply must quiet their mind and relax. To fire bullets at the incoming enemies, the player simply blink their eyes. The MUSE SDK offers a very easy way to detect eye blinks.
The game's design is intended to be very relaxing and non-stressful. There is no end goal and there is no lose state, however there is a point system. This allows the player to focus solely on practicing their movement and accuracy while feeling a sense of progression.
The game offers both a co-op mode and a duel mode for 2 players! Two MUSE headbands are needed for this gamemode. The co-op mode functions the same as single player, except it has two ships controlled by each player. Duel mode is a 1v1 where the players go against each other to try to hit eachother. In duel mode, there is no death state and no end goal, just like single player. Each player has a 'shots hit' score so players have a progressive goal to compete against, but don't have to stress to much about losing.


All purchases must be removed at buyer's expense and responsibility on January 24th & 25th from 9:00am - 3:00pm at the auction location in Longmont. If items are not removed by 3:00pm on Friday, January 25th, a $25 fee will be charged. All items not picked up by the removal deadline are considered abandoned and bidders may not have access to said items or be permitted to participate in future auctions. We schedule our crews based on these dates so if you're unable to pick up within these time frames please do not bid.
Sunrise Café a Denver breakfast, lunch and brunch staple of the Lakeside Neighborhood has closed its doors. The building was sold to be remodeled as an Orthodontist Office. All Restaurant Assets will be sold at public online auction. Auction to include: Imperial Range with 6 burners and Griddle, Griddle, Cheese Melter, Fryer, Imperial Char-broiler, 5 Bay Steam Table, Hobart Slicer, Hobart Mixer, Exhaust Hood, Walk in Refrigerator and Freezer, Reach in Refrigeration, Sandwich Top Prep Tables, Ice Cream Freezer, Ice maker, Double Rack Hi Temp Dishwasher, Butcher Top Prep Table, Stainless Steel Prep Tables, Dining Tables, Booth Package, Dining Chairs, Shelving and Small wares.
PICKUP: Sat, 06/25/11 **10am-5pm** (No Exceptions! Do not bid if you cannot pick up your items in accordance with this schedule. Shippers also required to comply with this schedule. No refunds/credits for non-pickup, AND removal / storage charges may also apply!) Please contact us at 804-358-0500 for a list of shippers who can pick up and ship your items.
We are a premier full-service private auction company liquidating property seized by police and federal agencies, property from abandoned safe deposit boxes, seized bank assets, bankruptcies, financial institutions, business inventory liquidations, and other consignors. Our firm conducts traditional live auctions throughout the year at various locations across the country, as well as auctions on the Internet. Please see our schedule of upcoming auctions for further details.
If you're looking for a sensational deal on a seized truck then look no further because going up for auction on 10/1 is this 2001 Cheverolet Silverado 1500 HD pickup truck. This 4 door beauty has got a crew cab, comes nicely equipped, and has approximately 93,917 miles. VIN: 1GCGC13U31F177036. To get full access to our website all you need to do is register with us now. Don't delay, great deals like this don't last forever!
Coleman RAM-X 17 Canoe, Harley Davidson Motorcycle Cover, Suter's Twin Beds, Dyson Cordless Stck Vac, Fender Stratocaster Electric Guitar, Xylophone, Bundy Clarinet, Furniture, Electronics, Glassware, Stained Glass Lamps, Trail Mate E-Z Roll 3 Wheel Bicycle, Vintage Animated Christmas Figures, Household Items, Art, Luggage, Portmeirion, Thomas Pacconi Jewelry Armoires, Coat Racks, Baker's Rack, Masterbilt Electric Turkey Fryer, Blanket Chest, Furs, and MUCH MORE!
Widdicomb Coffee Table, Yamaha Golf Cart, Gold & Silver Jewelry, Tomahawk Chipper Shredder, Craftsman Table Saw, Troy-Bilt Mini Tiller, Toro Lawn Mower & More Tools, New Mattresses, Golden Mobility Scooter, Dyson Vacuums, Vintage Histology Slides, Tom Clark Gnomes, New Malouf Pillows & Mattress Protectors, Antique Coffee Mills, Muffy Vanderbear Items, Singer Treadle Base Sewing Machine, Doll House, Chests, Dressers, Chairs, Mirrors, Art, Vintage Toys, Bicycles and MUCH MORE!
People were on their cellphones taking bids from afar, others were desperately eyeing the cars to see if the panels and bumper covers were in decent enough shape to make some cash at the current bidding price. Though there were only a handful of folks at this little auction, the dynamic—the subtle things people did to make sure they made a sound buying decision—was enthralling.
As the action at public auctions has grown hotter, the cars have grown shadier. "I've personally seen cars with over 300,000 miles on their clocks rolled back to 120,000 and sold as 'Miles Exempt' meaning no guarantee of mileage," he says. "Most of the cars at a public auction are the worst trade-ins or very rough repos." And as in a government auction, you can't drive a public auction vehicle before you bid on it.
State Fleet Management will hold another Vehicle Auction on March 7, 2019 at the North Campus location, 1001 E. 62nd Avenue, Denver. The sealed-bid auctions are open to the public for accident, drivable, and non-drivable vehicles that need to be moved out of the fleet. Click here for sample sealed-bid sheet. On-site auctions are held approximately every 3-6 months depending on the amount of inventory, as well as selling other vehicles weekly on a year-round auction site, www.colo-auto-sales.com.
SPORTS CARDS COLLECTIONS: Including Football, Baseball, Basketball, Nascar, Tennis, Graded & Un-Graded, Incl Topps, Upper Deck, Fleer, Philadelphia Gum, Don Russ, Incl Chicago Bears, Chicago Bulls, Walter Payton Rookie, Mike Ditka Rookie, Larry Bird - Julius Erving - Magic Johnson Rookie, Rusty Wallace, Joe Montana, Willie Mays, Pete Rose, Drew Brees Rookie & 100's more!
Lots at police auctions range from brand new or graded from A down in used condition, or goods may be slightly marked. A good example would be high quality white goods. All items listed in any police auction are available for viewing and inspection prior to the sale. Faulty or damaged goods should be clearly marked, and faults are outlined by the auctioneer during the auction.
A high end Seafood and Steakhouse has closed down their DTC location and all assets are to be sold at a public online auction. This auction to include: Refrigeration, Cooking and Heating, Groen Steam Kettle, Bar Back equipment, Mixer, Slicer, Chairs, Tables, Bar Stools, Espresso Machine, Patio Furniture, TVs, Ice Machine, Racks, Shelving, Stainless Steel Tables, Smallwares and Much More.
State Fleet Management will hold another Vehicle Auction on March 7, 2019 at the North Campus location, 1001 E. 62nd Avenue, Denver. The sealed-bid auctions are open to the public for accident, drivable, and non-drivable vehicles that need to be moved out of the fleet. Click here for sample sealed-bid sheet. On-site auctions are held approximately every 3-6 months depending on the amount of inventory, as well as selling other vehicles weekly on a year-round auction site, www.colo-auto-sales.com.


text:
Accessible Luxury
Our Manufacture Process
Watch Registration
Winding Guide
CLASSICS ART DÉCO ROUND: A NEW ODE TO FEMININITY
Written by Richard Cowell
Frederique Constant is today unveiling five new round models in its Classics Art Déco collection. A return to the basics, both contemporary and classic, for a collection created 13 years ago and whose success is attested on the wrist of the modern woman. Art Déco? An artistic movement formed in the 1910s, and which reached its pinnacle in the 1920s. Thus, exactly a century later, Frederique Constant's eponymous collection now has a brand-new interpretation: The Classics Art Déco Round. This new, 100% feminine model builds on over 10 years of watchmaking and stylistic achievements. Frederique Constant created the "Classics Art Déco" range in 2007. Going against the fashion grain, it already showed the family house's spirit of total independence: although the trend was towards "oversize" and mixed watches, Frederique Constant sought a timeless classicism, with a delicate and elegant collection. It was followed in 2013 by a daring oval variation, an assertive and distinguished silhouette still in the collection.
The culmination of a style Today, the round form is offered for the first time in the "Classics Art Déco" collection. Long awaited by collectors and fans of fine watchmaking, it is the result of a thinking process of over ten years about the design, femininity and subtleness. Very often seen as the starting point of watch collections, the perfect circle is, for Frederique Constant, a carefully considered style culmination. The new Classics Art Déco Round line has appropriated the classic look of its elders while asserting itself as a timepiece of the age. Resolutely modern, the watch is above all feminine, with a very delicate casing, of harmonious proportions and considerable finesse, showing off to perfection the elegance of the wrists that it will adorn. For this purpose, the casing has also been slightly curved to perfectly fit the contour of the wrist. A large range of finishes Careful consideration has been given to the finishes of this new range with minute attention to detail. The casing, for example, of a delicate diameter of only 30 mm, has been grooved on its middle, in accordance with the strict standards of luxury watchmaking. On the dial, the hours and minutes are shown by needles, hand refined and polished in the so- called "cored apple" style imposed by Breguet over 200 years ago. They glide over a dial guilloché from its centre outwards which diffuses the light towards the hours expressed in Roman numerals. Three of the five available models combine this guilloché sun with a mother-of-pearl outer dial whose soft reflections will animate a watch case in a steel or rose gold finish. Each dial comes with its own strap available in either steel, steel / plated rose gold or blue satin, with a soft and silky feel. These two models complete their hint of glamour with a discreet mounting of 9 diamonds set into each horn, in addition to the cabochon in the crown of each model. Designed for the everyday dress of modern, distinguished women, these models available from only 850 euros have a Frederique Constant quartz movement, offering 6 years of operation.
NEW DARK GREY CLASSIC WORLDTIMER MANUFACTURE VARIATION
Classics Worldtimer Manufacture Globetrotter Edition
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