text:
Q: Getting wrong results on joins in different tables I have database Schema where employees are registered, those employees are assigned jobs in terms of project.
1 employee can work on many jobs, eg. employee John is on project abc on task 123. Employee John is also on project abc but on task 789.
The 456 task is assign to someone else, but that's another issue.
So we have John working on same project for different tasks, because of which I have two entries in my assign_job table.
Let's see the image in little schema below:

This schema is fine. The problem I am now facing is that I want to have timeSchedule tables. So I added two tables for Time Schedule.
To which new schema would be below:

I added some dummy entries to the two new tables for two projects as listed below.

*

*Recruitment & Selection

*Training & Development

For project 1, I added 31 entries i.e. for every day there is some time of worked the employee has done. But for project 2 the employee worked only 1 day.
Now I ran this query which I think is not the right way to create joins in this situation. I am posting this question as I am getting the wrong results for the data in the database.
SELECT
TS.`date_created` AS TimeSheetMonth,
TSD.`project_id` AS ProjectID,
TSD.`date` AS WorkDate,
TSD.`hours` AS WorkHours,
TS.`employee_id` AS EmployeeID,
E.`full_name` AS EmployeeName,
MLP.`project_title` AS ProjectTitle,
TS.`id` AS TimeSheetID
FROM timesheet TS
INNER JOIN timesheet_details TSD
ON TS.`id`= TSD.`timesheet_id`
INNER JOIN employee E
ON E.`employee_id` = TS.`employee_id`
INNER JOIN assign_job AJ
ON AJ.`employee_id` = E.`employee_id` AND AJ.`trashed` = 0
INNER JOIN ml_projects MLP
ON AJ.`project_id` = MLP.`project_id`
INNER JOIN ml_projects TMLP
ON TMLP.`project_id` = TSD.`project_id`
WHERE TS.`id`=1
GROUP BY TSD.`timesheetDetails_id`, TSD.`project_id`

As you can see in below screen shot I am getting the project name for project id 1 whereas I am getting 2 as Project ID. Maybe there are more issues. What am I doing wrong in these joins?

Update
SQL Fiddle
http://sqlfiddle.com/#!2/dc4585/1

I want individual records as I want to show it inside the table look like below one.

A: Try it this way;
SELECT
    TSD.`project_id` AS ProjectID,
    TSD.`date` AS WorkDate,
    TSD.`hours` AS WorkHours,
    TS.`date_created` AS TimeSheetMonth,
    TS.`employee_id` AS EmployeeID,
    TS.`id` AS TimeSheetID,
    E.`full_name` AS EmployeeName,
    MLP.`project_title` AS ProjectTitle
FROM
    timesheet TS
    INNER JOIN timesheet_details TSD ON TS.`id`= TSD.`timesheet_id`
    INNER JOIN employee E ON E.`employee_id` = TS.`employee_id`
    INNER JOIN assign_job AJ ON AJ.`employee_id` = E.`employee_id`
    INNER JOIN ml_projects MLP ON AJ.`project_id` = MLP.`project_id`
    -- INNER JOIN ml_projects TMLP ON TMLP.`project_id` = TSD.`project_id` -- what for?
WHERE
    TS.`id`=1
    AND AJ.`trashed` = 0
GROUP BY
    TSD.`timesheetDetails_id`, TSD.`project_id`

A: Do you just Need something like this:
SELECT
    concat(TS.`employee_id`, " - ", E.`full_name`) as employee,
    concat(TSD.`project_id`, " - ", MLP.`project_title`) as Project,
    TS.`date_created` AS TimeSheetMonth,
    sum(1) as WorkDaysOnProjectInMonth,
    sum(TSD.`hours`) AS WorkHoursOnProjectInMonth

FROM
    timesheet TS
    INNER JOIN timesheet_details TSD ON TS.`id`= TSD.`timesheet_id`
    INNER JOIN employee E ON E.`employee_id` = TS.`employee_id`
    INNER JOIN assign_job AJ ON AJ.`employee_id` = E.`employee_id`
    INNER JOIN ml_projects MLP ON AJ.`project_id` = MLP.`project_id`
WHERE
    TS.`id`=1
    AND AJ.`trashed` = 0
GROUP BY
        1,2

EDIT
Wow, hard question! But I think this solves your Problem:
SELECT
    aj.PROJECT_ID,AJ.`employee_id`,
    mlp.project_title,
    e.full_name,
    TS.id,
    TSD.date, TSD.hours

FROM
   assign_job AJ
    INNER JOIN ml_projects MLP ON AJ.`project_id` = MLP.`project_id` -- P:1
    INNER JOIN employee E ON AJ.`employee_id` = E.`employee_id`
    INNER JOIN timesheet TS ON E.`employee_id` = TS.`employee_id`
    INNER JOIN timesheet_details TSD ON TS.`id`= TSD.`timesheet_id`

WHERE
    TS.`id`=1
    AND AJ.`trashed` = 0

A: Your timesheet table or whatever your want to name it, needs only one foreign key - job_id that refers to assign_job_id and hours spent on that assignment. And no keys for employee_id or project_id because the assign_job already has that info. I don't want to write the code for you because i can see that you can do it yourself.
You join your timesheet to assign_job and join that one to employee and project - voila. You can then group by employee or/and by project or/and task. it's all there


Hi appreciate if someone can explain on above. thanks.
Sorry guys.. wanted to know what are the steps when selling it by myself with leasing. Want to know From a-z. Can anyone help me?
How expensive spare parts of these KIA and how is the availability. Basically pls explain on maintenance cost.
Can you pls let me know whether Kia Rio 2001/2002/2003 manual cars good to use. saw there are used ones for 12-13 lks . Are those cars are good. there are automatic Kia cars for around 15 lks. Are there any issues with auto versions. need to know what pros and cons with Kia compared to Indian and japan cars.
Hi Friends is the Suzuki zen car is good to buy? also why Hyundai Sonata car price is very low?
Hi friends I hope to go for a car. My budget is 12 laks. could you kindly advise me what's the best available car in the market currently? should have a good appearance for daily traveling to office as well.
Hi Guys thanks a lot for your comments.. very useful.
Hi Guys whats the best car to buy under 13mn currently in terms of fuel efficiency,maintenance cost ,appearance and durability.
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The 100-6 introduced 6-cylinder power and a fixed windscreen to the proven roadster platform. Both 2-seat and 4-seat configurations were also offered, and the grille was made wider and more oval in shape. Production lasted from 1956 to 1959, at which point the 3000 roadsters were introduced.


Last October 2014 was published the fourth Newsletter of the project with information on the activities undertaken in the previous months, as well as other news from the customs sector. It includes a short review concerning the steering committee meeting and workshop, the latter on the Permanent Focus Group, held in Aqaba (Jordan), on 19-20 of that month.
During the second day a workshop was held in order to present the Permanent Focus Group to the logistics community. It was attended by different companies and the Head of the CBC ENPI Office in Aqaba.


text:
Q: How to create bi-directional messaging using AMP in Twisted/Python I'm trying to create a twisted daemon(the server part) that communicates with my local code base (the client part). Basically, the client is supposed to callRemote() using AMP to the daemon to start some processing (updating the database) some methods. After each method is finished processing on the server, I need the server to callRemote() to my client so that the user knows the progress of the server.
I've been able to call to the server from the client and get a response but I can't get the server to send a response to the client.
I've googled for a solution but I can't find any example code that uses AMP for bi-directional communication--it's always the client calling to the server.
I'm trying to get the client to call to the server to start processing (the ServerStart AMP command) and then have the server send multiple calls back to the client to provide updates on processing (the MessageClient AMP command).
Any help would be GREATLY appreciated. A super simple example that shows how to call to the server from the client and then have the server pass back two calls to the client would be awesome!
ampclient.py
from client_server import MessageServer, Client, ServerStart
from twisted.internet.protocol import ClientCreator
from twisted.internet import reactor
from twisted.protocols import amp
from time import sleep
from twisted.internet.protocol import Factory
from twisted.internet.endpoints import TCP4ServerEndpoint
from twisted.application.service import Application
from twisted.application.internet import StreamServerEndpointService

def startServerProcess():
    def show_start(result):
        print 'result from server: %r' % result

    d = ClientCreator(reactor, amp.AMP).connectTCP(
        '127.0.0.1', 1234).addCallback(
            lambda p: p.callRemote(ServerStart, truncate=True)).addCallback(
                show_start)

pf = Factory()
pf.protocol = Client
reactor.listenTCP(1235, pf)
print 'client listening'

startServerProcess()

sleep(4)

reactor.run()

ampserver.py
from client_server import MessageClient, Server
from twisted.internet.protocol import ClientCreator
from twisted.internet import reactor
from twisted.protocols import amp
from time import sleep
from twisted.internet.protocol import Factory
from twisted.internet.endpoints import TCP4ServerEndpoint
from twisted.application.service import Application
from twisted.application.internet import StreamServerEndpointService

def makeClientCall():
    def show_result(result):
        print 'result from client: %r' % result

    d = ClientCreator(reactor, amp.AMP).connectTCP(
        '127.0.0.1', 1235).addCallback(
            lambda p: p.callRemote(MessageClient)).addCallback(
                show_result)

application = Application("server app")

endpoint = TCP4ServerEndpoint(reactor, 1234)
factory = Factory()
factory.protocol = Server
service = StreamServerEndpointService(endpoint, factory)
service.setServiceParent(application)

sleep(4)

makeClientCall()
makeClientCall()

client_server.py
from twisted.protocols import amp
from twisted.internet import reactor
from twisted.internet.protocol import Factory
from twisted.internet.endpoints import TCP4ServerEndpoint
from twisted.application.service import Application
from twisted.application.internet import StreamServerEndpointService

class MessageServer(amp.Command):
    response = [('msg', amp.String())]

class ServerStart(amp.Command):
    arguments = [('truncate', amp.Boolean())]
    response = [('msg', amp.String())]

class Server(amp.AMP):
    def message_it(self):
        msg = 'This is a message from the server'
        print 'msg sent to client: %s' % msg
        return {'msg': msg}
    MessageServer.responder(message_it)

    def start_it(self, truncate):
        msg = 'Starting processing...'
        return {'msg': msg}
    ServerStart.responder(start_it)

class MessageClient(amp.Command):
    response = [('msg', amp.String())]

class Client(amp.AMP):
    def message_it(self):
        msg = 'This is a message from the client'
        return {'msg': msg}
    MessageClient.responder(message_it)

A: Here's a simple example of a bi-directional AMP client and server. The key is that the AMP protocol class holds a reference to the client connection and provides a callRemote method.
Of course, I only know this from digging through the AMP code. Twisted documentation is lacking at best, at least outside the core.
File: count_server.tac
from twisted.protocols.amp import AMP
from twisted.internet import reactor
from twisted.internet.protocol import Factory
from twisted.internet.endpoints import TCP4ServerEndpoint
from twisted.application.service import Application
from twisted.application.internet import StreamServerEndpointService

from count_client import Counter

application = Application('test AMP server')

endpoint = TCP4ServerEndpoint(reactor, 8750)
factory = Factory()
factory.protocol = Counter
service = StreamServerEndpointService(endpoint, factory)
service.setServiceParent(application)

File: count_client.py
if __name__ == '__main__':
    import count_client
    raise SystemExit(count_client.main())

from sys import stdout

from twisted.python.log import startLogging, err
from twisted.protocols import amp
from twisted.internet import reactor
from twisted.internet.protocol import Factory
from twisted.internet.endpoints import TCP4ClientEndpoint

class Count(amp.Command):
    arguments = [('n', amp.Integer())]
    response = [('ok', amp.Boolean())]

class Counter(amp.AMP):
    @Count.responder
    def count(self, n):
        print 'received:', n
        n += 1

        if n < 10:
            print 'sending:', n
            self.callRemote(Count, n=n)

        return {'ok': True}

def connect():
    endpoint = TCP4ClientEndpoint(reactor, '127.0.0.1', 8750)
    factory = Factory()
    factory.protocol = Counter
    return endpoint.connect(factory)

def main():
    startLogging(stdout)

    d = connect()
    d.addErrback(err, 'connection failed')
    d.addCallback(lambda p: p.callRemote(Count, n=1))
    d.addErrback(err, 'call failed')

    reactor.run()

Server output:
$ twistd -n -y count_server.tac
2013-03-27 11:05:18-0500 [-] Log opened.
2013-03-27 11:05:18-0500 [-] twistd 12.2.0 (/usr/bin/python 2.7.3) starting up.
2013-03-27 11:05:18-0500 [-] reactor class: twisted.internet.epollreactor.EPollReactor.
2013-03-27 11:05:18-0500 [-] Factory starting on 8750
2013-03-27 11:05:18-0500 [-] Starting factory <twisted.internet.protocol.Factory instance at 0x2adc368>
2013-03-27 11:05:22-0500 [twisted.internet.protocol.Factory] Counter connection established (HOST:IPv4Address(TCP, '127.0.0.1', 8750) PEER:IPv4Address(TCP, '127.0.0.1', 58195))
2013-03-27 11:05:22-0500 [Counter,0,127.0.0.1] received: 1
2013-03-27 11:05:22-0500 [Counter,0,127.0.0.1] sending: 2
2013-03-27 11:05:22-0500 [Counter,0,127.0.0.1] received: 3
2013-03-27 11:05:22-0500 [Counter,0,127.0.0.1] sending: 4
2013-03-27 11:05:22-0500 [Counter,0,127.0.0.1] received: 5
2013-03-27 11:05:22-0500 [Counter,0,127.0.0.1] sending: 6
2013-03-27 11:05:22-0500 [Counter,0,127.0.0.1] received: 7
2013-03-27 11:05:22-0500 [Counter,0,127.0.0.1] sending: 8
2013-03-27 11:05:22-0500 [Counter,0,127.0.0.1] received: 9
2013-03-27 11:05:26-0500 [Counter,0,127.0.0.1] Counter connection lost (HOST:IPv4Address(TCP, '127.0.0.1', 8750) PEER:IPv4Address(TCP, '127.0.0.1', 58195))
^C2013-03-27 11:05:31-0500 [-] Received SIGINT, shutting down.
2013-03-27 11:05:31-0500 [-] (TCP Port 8750 Closed)
2013-03-27 11:05:31-0500 [-] Stopping factory <twisted.internet.protocol.Factory instance at 0x2adc368>
2013-03-27 11:05:31-0500 [-] Main loop terminated.
2013-03-27 11:05:31-0500 [-] Server Shut Down.

Client output:
$ python count_client.py
2013-03-27 11:05:22-0500 [-] Log opened.
2013-03-27 11:05:22-0500 [-] Starting factory <twisted.internet.protocol.Factory instance at 0x246bf80>
2013-03-27 11:05:22-0500 [Uninitialized] Counter connection established (HOST:IPv4Address(TCP, '127.0.0.1', 58195) PEER:IPv4Address(TCP, '127.0.0.1', 8750))
2013-03-27 11:05:22-0500 [Counter,client] received: 2
2013-03-27 11:05:22-0500 [Counter,client] sending: 3
2013-03-27 11:05:22-0500 [Counter,client] received: 4
2013-03-27 11:05:22-0500 [Counter,client] sending: 5
2013-03-27 11:05:22-0500 [Counter,client] received: 6
2013-03-27 11:05:22-0500 [Counter,client] sending: 7
2013-03-27 11:05:22-0500 [Counter,client] received: 8
2013-03-27 11:05:22-0500 [Counter,client] sending: 9
^C2013-03-27 11:05:26-0500 [-] Received SIGINT, shutting down.
2013-03-27 11:05:26-0500 [Counter,client] Counter connection lost (HOST:IPv4Address(TCP, '127.0.0.1', 58195) PEER:IPv4Address(TCP, '127.0.0.1', 8750))
2013-03-27 11:05:26-0500 [Counter,client] Stopping factory <twisted.internet.protocol.Factory instance at 0x246bf80>
2013-03-27 11:05:26-0500 [-] Main loop terminated.

A: The previous response by Ryan P leaves something to be desired. In particular, it never actually used the AMP response, preferring instead to chain callRemote calls everywhere. Here's my answer, based on the ampserver.py (unchanged) and ampclient.py (rewritten) examples in twisted. This answers the underlying question on bi-directional messaging in a way which fits the question (though not exactly the description).
Short summary, add a callback to the deferred which you get from callRemote, which will have the response(s) in its argument. It's a normal dictionary so you can do what you want with it.
File: ampserver.py
from twisted.protocols import amp

class Sum(amp.Command):
    arguments = [('a', amp.Integer()),
                 ('b', amp.Integer())]
    response = [('total', amp.Integer())]

class Divide(amp.Command):
    arguments = [('numerator', amp.Integer()),
                 ('denominator', amp.Integer())]
    response = [('result', amp.Float())]
    errors = {ZeroDivisionError: 'ZERO_DIVISION'}

class Math(amp.AMP):
    def sum(self, a, b):
        total = a + b
        print 'Did a sum: %d + %d = %d' % (a, b, total)
        return {'total': total}
    Sum.responder(sum)

    def divide(self, numerator, denominator):
        result = float(numerator) / denominator
        print 'Divided: %d / %d = %f' % (numerator, denominator, result)
        return {'result': result}
    Divide.responder(divide)

def main():
    from twisted.internet import reactor
    from twisted.internet.protocol import Factory
    pf = Factory()
    pf.protocol = Math
    reactor.listenTCP(1234, pf)
    print 'started'
    reactor.run()

if __name__ == '__main__':
    main()

File: ampclient.py
from twisted.internet import reactor, protocol
from twisted.internet.task import deferLater
from twisted.protocols import amp
from ampserver import Sum, Divide

connection = None

class MathClient(amp.AMP):
    def connectionMade(self):
        global connection
        connection = self

class MathFactory(protocol.ReconnectingClientFactory):
    protocol = MathClient

if __name__ == '__main__':
    reactor.connectTCP('127.0.0.1', 1234, MathFactory())
    def simpleSum():
        global connection
        d = connection.callRemote(Sum, a=1, b=5)
        def prin(result):
            print(result)
        d.addCallback(prin)
        return d
    deferLater(reactor, 1, simpleSum)
    deferLater(reactor, 3, simpleSum)
    deferLater(reactor, 6, simpleSum)
    deferLater(reactor, 9, simpleSum)
    deferLater(reactor, 12, simpleSum)
    deferLater(reactor, 15, simpleSum)
    deferLater(reactor, 18, simpleSum).addCallback(lambda _: reactor.stop())
    reactor.run()

redpajama_set_name: RedPajamaStackExchange


text:
Die European Museum Academy ist eine gemeinnützige Stiftung, die sich mit der Rolle von Museen in der heutigen Gesellschaft, mit Innovationen in Bezug auf die Museologie, museografische Sprache und Praxis befasst. Die ehrenamtlich arbeitende Academy fungiert als eine museologische Denkfabrik, die sich mit der gegenwärtigen Praxis und künftigen Entwicklung von Museen auseinandersetzt. Die Arbeitsfelder der European Museum Academy umfassen die Jurierung und Verleihung einer Reihe von europäischen Museumspreisen (European Museum Academy Awards), die Veranstaltung von Konferenzen, die Erarbeitung von Veröffentlichungen, die Durchführung von EU-Projekten sowie die Beteiligung an diversen Forschungs- und Ausbildungsprogrammen.

Geschichte
Die European Museum Academy stellt eine unabhängige Stiftung mit rechtlichem Sitz in den Niederlanden dar. Sie wurde 2009 anlässlich des zehnten Todestags des einflussreichen britischen Museologen Kenneth Hudson (1916–1999) ins Leben gerufen, auf den der European Museum of the Year Award maßgeblich zurückgeht, von einer Gruppe von Fachleuten, die sich aus verschiedenen Arbeitsfeldern des Museums und der Universität rekrutierten.

Ziele
Die European Museum Academy reflektiert die soziale, pädagogische, ökonomische und ökologische Rolle von Museen in der gegenwärtigen Welt. Aufgabe der Academy ist es, die Qualität von Museen auf deren unterschiedlichen Arbeitsebenen zu heben. Um diese Aufgabe zu erfüllen, zeichnet die Academy herausragende Museumsbeispiele aus, die als Vorbilder für andere Einrichtungen dienen können. Die Aktivitäten der Akademie umfassen zudem zukunftsweisende Projekte in der museologischen Forschung und Praxis. Ein besonderer Schwerpunkt liegt hierbei auf dem Bereich der einer inklusiven und alle Alterskohorten ansprechenden Museumspädagogik.

Organisation
Die European Museum Academy besteht aus einer Gruppe von etwa 40 ehrenamtlichen Experten aus ganz Europa. Diese kommen aus den verschiedensten Arbeitsfeldern des Museums sowie des Kulturerbes. Sie verfügen über Erfahrung in der Arbeit mit europäischen Förderprogrammen sowie mit nationalen und regionalen Entwicklungsprojekten im Zusammenhang mit Museen.

EMA-Repräsentanten
Museumsexperten aus etwa 40 verschiedenen Ländern Europas fungieren als EMA-Repräsentanten vor Ort. Diese beobachten die Museumsentwicklungen in ihren jeweiligen Ländern, um einerseits die jährlichen Berichte über die dortige Situation der Museen zu verfassen und um andererseits mögliche Kandidaten für die jährlichen European Museum Academy Awards ausfindig zu machen.

EMA-Partner
Die European Museum Academy arbeitet mit einem weitgespannten Netz von Kooperationspartnern zusammen, die die verschiedenen Aktivitäten der Academy fördern. Zu diesen Partnern zählen verschiedene internationale Organisationen, Stiftungen und Ministerien der Länder Deutschland, Luxemburg, Niederlande und Schweden. Die Zusammenarbeit umfasst verschiedene Formen der Mitgliedschaft, des Informationsaustauschs, der Erarbeitung gemeinsamer Dokumente und der Durchführung von Forschungsprojekten. Dazu kommen Veröffentlichungen, Vorträge und die Planung von Seminaren, Konferenzen und anderen Veranstaltungen.

Weiterbildung, Projekte, Publikationen
Ein wichtiges Ziel der Arbeit der European Museum Academy besteht darin, museologisches und museumspraktisches Wissen auszutauschen und Weiterbildung im Museumsbereich zu fördern. Seit ihrer Gründung beteiligt sich die Academy europaweit an universitären Studiengängen sowie (Online-)Kursen in Museologie sowie an "Summer Schools". Dabei kooperiert sie mit verschiedenen europäischen Universitäten und Einrichtungen, die in der Weiterbildung im Bereich des Kulturerbes tätig sind. Die European Museum Academy fungiert darüber hinaus als Partner in mehreren internationalen Forschungs- und Entwicklungsprojekten. Sie stellt zudem zahlreiche Veröffentlichungen auf ihrer Website zur Verfügung.

Europäische Museumspreise (The European Museum Academy Awards)
Zusammen mit verschiedenen Partnern stellt die European Museum Academy die Jury, Infrastruktur sowie Expertise für verschiedene europäische Museumspreise zur Verfügung. Mit Ausnahme des EMA-Prize handelt es sich bei allen um jährliche Auszeichnungen.

EMA Prize
Dieser Preis wurde 2011 ins Leben gerufen, um langfristige oder nachhaltige Leistungen einer herausragenden Persönlichkeit oder einer vorbildhaften Institution in der Museumswelt zu würdigen. Der Preis zielt darauf ab, nachahmenswerte Leistungen von einerseits Museumsfachleuten oder Forschern und andererseits von Kulturinstitutionen auszuzeichnen, die wegweisende Museen kreiert, Forschungsleistung erbracht oder Projekte von europäischer Relevanz durchgeführt haben, die die Entwicklung des museologischen Diskurses auf internationaler Ebene zu beeinflussen in derLage sind.

Luigi Micheletti Award
Der Luigi Micheletti Award wird in Kooperation mit der italienischen Fondazione Luigi Micheletti (Brescia) verliehen, die die Erinnerung an den italienischen Industriellen Luigi Micheletti aus Brescia fördert. Ins Leben gerufen wurde dieser Preis 1995 zusammen mit dem European Museum Forum unter der damaligen Schirmherrschaft des Europarates. Die European Museum Academy hat die Jurierung und Verleihung dieses Preises mit der 16. Auflage übernommen. Der Luigi Micheletti Award zeichnet gegenwärtig innovative Museen aus, die sich mit der Geschichte der Industrie, Technologie und Wissenschaft sowie der politischen Zeitgeschichte befassen.

The DASA Award
Der 2011 von der DASA – Arbeitswelt Ausstellung (Dortmund) ins Leben gerufenen Preis zeichnete ursprünglich Museen aus, die sich insbesondere der Sozialgeschichte widmeten. Seit 2016 widmet sich der DASA Award vorbildlichen pädagogischen Programmen jeglicher Art in Museen.

The Živa Award
Der Živa-Award wurde 2012 auf Initiative der Mitgliedsländer des Forum of Slavic Cultures ins Leben gerufen. Ziel des Živa-Preises ist es, herausragende Leistungen von Museen und Kulturerbe-Stätten mit slawischem Kulturhintergrund zu würdigen, vorbildliche Praktiken im Bereich des materiellen Kulturerbes auszuzeichnen und den Austausch von Wissen und Erfahrungen in diesen Ländern und darüber hinaus zu fördern.

The Children in Museums Award
Der Children in Museums Award ist ein Kooperationsprojekt von Hands On! International Association of Children in Museums und der European Museum Academy. Der Preis wurde erstmals 2011 auf der Kinderbuchmesse im italienischen Bologna verliehen. Der Preis richtet sich an kreative und vorbildliche museale Ausstellungen und Programme für die Altersgruppen bis 14 Jahre.

Heritage in Motion Award
Der Heritage in Motion Award ist ein jährlicher Multimedia-Wettbewerb, der die Aufbereitung von Europas kulturellem Erbe wie auch des Naturerbes honoriert. Der Preis geht an die Entwickler, Urheber und Nutzer von beispielsweise Filmen, Spielen, Apps oder Websites. Heritage in Motion geht auf eine gemeinsame Initiative der European Museum Academy und Europa Nostra zurück, unterstützt von Europeana.

Museums in Short Award
Der Museums in Short Award wurde 2012 ins Leben gerufen. Er gründet auf der Zusammenarbeit von MUSIL – Museum of Industry and Labour, European Museum Academy und der Fondazione Brescia Musei in Zusammenarbeit mit dem Forum of Slavic Cultures und ICOM Italy. Diese Auszeichnung würdigt kurze Videos zu Museen. Sie dient dazu, vorbildliche Projekte zu küren und sichtbar zu machen und dabei auf die Rolle der Museen als Motoren der Kreativwirtschaft hinzuweisen. Alle eingereichten Videos werden in einer Datenbank gespeichert und sind online verfügbar.

The European Museum Academy Master Study of the Year Award
Der Preis wurde 2019 von der European Museum Academy ins Leben gerufen. Er zeichnet herausragende Masterarbeiten aus, um der Forschungsarbeit von Masterstudierenden in verschiedensten Kursen und Fächern der Museologie bzw. der Museum Studies zu fördern, die an zahlreichen europäischen Universitäten angeboten werden.

The EMA Art Museum Award – New Ideas for the 21st Century
Der 2020 ins Leben gerufene EMA Art Museum Award widmet sich herausragenden Projekten, die sich mit Kunst bzw. Kunstinterventionen in europäischen Museen und Galerien befassen. Der von der AG Leventis Foundation, gegründet 1979 George Anastasios Leventis, geförderte Preis zeichnet Projekte aus, welche die soziale Relevanz von Museen in den Mittelpunkt ihrer Arbeit stellen. Der Preis versucht dadurch, gesellschaftliche Werte wie Partizipation, Inklusion und soziale Offenheit zu würdigen und zu stärken.

Zusammensetzung des EMA-Vorstandes
 Andreja Rihter (President)
 Henrik Zipsane (Managing Director)
 Karl Borromäus Murr (Chairman)
 Massimo Negri (Scientific Director)
 Wim van der Weiden
 Dirk Houtgraaf

Literatur
 Wim van der Weiden (Hrsg.): Searching for Exellence: European Museum Academy 2009–2019. Augsburg/Ljubljana 2020.
 Dirk Houtgraaf, Massimo Negri, Developing Exhibitions: There Is a Method in This Madness, A European Museum Academy (EMA) Publication, Zwolle 2020.

Weblinks
 Offizielle Website der European Museum Academy

Einzelnachweise

Stiftung (Niederlande)
Gegründet 2009
Organisation (Museum)
Europäische Organisation
Museumswesen in Europa
Kulturelle Organisation (Königreich der Niederlande)
Museumswesen (Niederlande)

redpajama_set_name: RedPajamaWikipedia


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Q: Code compare tools don't line up on dual monitors I have setup Visual Studio to use an external code compare tool.
I've tried both Beyond Compare and DiffMerge and when the window is expanded to cover both monitors they don't align.
Can someone show me how to line them up?

A: The dual display was offset:

Fixing the display resolves the problem:


text:
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Review: The Room
bennyling
Published on 17th December 2012 12:13 PM
Who doesn't like puzzle games? Games of skill and speed are great and all, but when it comes down to it, nothing beats a good puzzle game that lightly tickles the brain. Puzzle games force you to use neurons you wouldn't normally use by arguing with people in the forums, or attempting to force you opinions on someone else on Twitter. A good puzzle game is great in short bursts, and plays just as well when you've got a few hours to kill.
The Room is one such puzzle game. It features numerous puzzles of varying complexity, all wrapped up in an incredibly atmospheric environment that goes so far beyond setting the scene you almost feel like you're there, solving the puzzles yourself. It's also Apple's iPad game of the year — but what kind of a game is awarded Apple's iPad game of the year?
A game like The Room. A game that's so incredibly, devilishly clever that you'll revel in its brilliance.
There's actually not much you can say about The Room, because it's better experienced rather than described, but I will say a few things about the game and the puzzles contained within.
First, the puzzles. So many puzzles! Puzzles within puzzles. Puzzles leading to other puzzles, contained within other puzzles. Seriously, if you like puzzles, then this is a game you should play — there are puzzles hidden in every possible element. Some of them are obvious, and you'll know what you need to do to complete the puzzle almost immediately. But The Room doesn't make it that easy for you, because the puzzles are so fiendishly clever that you'll be scratching your head until you realise how to go about solving the puzzle.
Like I mentioned earlier in passing, the puzzles are incredibly well designed. If you've played Portal, then you'll know what I'm talking about —*The Room gives you a few puzzle mechanics to play with, mixes them up, and puts on one of the most intricately designed shows you've seen. There's heaps of variety in the puzzles you'll encounter — there are locks which have corresponding keys, of course, but there's so much more besides.
You'll drag and pan your way around a variety of puzzles, sometimes to get a look at something from a different angle, sometimes to use an item you picked up elsewhere. You'll play with all kinds of little mechanisms that include gears, levers, switches, buttons, and whatever else. You'll use light to illuminate your path and look at pictures to find out clues to other puzzles. You'll interact with the puzzles mainly via touch, and one of my favourite puzzles included the one where you had to drag two sliders simultaneously to unlock a small box. I mean, what other puzzle game have you played that uses multi-touch? Another puzzle uses the gyroscope, and you'll have to tilt your iPad to solve it. Some puzzles will allow you to progress to the next puzzles, and others still will just give you a clue to solve some other puzzle.
The Room mixes the puzzles up with a mechanic that's introduced fairly early on, the eyepiece that allows you to see the unseen. Sometimes it reveals invisible ink markers that give you clues on how to solve a puzzle, and other times (without spoiling anything), it's a portal to another dimension entirely. Indeed, the game even tells you to use the eyepiece, and use it often. It's always a good idea to take a look at things from a different perspective.
It would have been a huge shame if puzzles in The Room didn't work as well as they do, but I'm happy to tell you that isn't the case. The puzzles are brilliant —*varied, insanely clever, and so well put together. The way everything just works and how puzzles flow onto one another has to be seen to be believed. The puzzles are easily the best aspect of The Room — better than any other puzzle game I've come across, and all because they're so fantastically well designed and well executed.
If the puzzles are the best thing about The Room, the second best aspect, then, is how it puts together such a great atmosphere. During your puzzle-solving escapades you'll find notes from a mysterious creator that detail some kind of story. You're not exactly sure what, but if you read the notes you get the sense it wasn't entirely of this world. The notes talk about Null elements and other things you don't fully understand, and that, combined with the harsh, spotlight lighting, means that the atmosphere of The Room starts to feel heavy. It's dark, but it sets the scene.
The Room is a fairly short game depending on how good you are at puzzles (but you shouldn't need more than four or five hours), but after playing through it I can see why Apple crowned it iPad game of the year. It's an amazing original title that works incredibly, brilliantly, well. It features some truly innovative puzzles that flow into one another, and more than that, it feels cohesive — it's not just a series of disconnected puzzles. Everything is related. It's dripping with atmosphere, and the notes you find add a dark element to the puzzles. It's a great game, and I'd recommend it to anyone.
The Room is $1.99 on the App Store. I played it on the iPad, but there's a free iPhone version with an in-app purchase to unlock the full game.
Benny Ling is the puzzle master. Or so he claims.
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Need Payday Loans in Helena (AL)?
Can you predict what could occur tomorrow – who knows, maybe you will enjoy your working day and then spend a wonderful evening with your family, but suppose that your life alterates at once? Attempt to revive the song of Ray Charles : 'My mother told me before she passed away, said, son, when I'm gone, don't forget to pray cause there'll be hard times'. We do hope that your life will become the one you deserve it; nevertheless, you have to worry about your future. Sudden medical attendances, repair works or other sequals might give rise to a number of obstacles by making you addled and searching for payday loans in Helena.
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5 Can Quick Payday Loans in Helena Be Called Legal?
7 Why Should You Rely on Our Lending Company and Our Short-term Loans in Helena?
9 Want to Ask Smth about Payday Loans in Helena (AL)?
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Can Quick Payday Loans in Helena Be Called Legal?
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Infidelity: Should You Seek Counseling?
by Judith McFarland | Mar 22, 2015 | Couples Counseling, Relationship Improvement, Thoughts on relationships | 0 comments
Trying To Move On
WHY SEEK COUNSELING WHEN THERE HAS BEEN INFIDELITY?
Has your partner cheated? Studies have shown that the results of cheating are a number 1 cause of partners choosing to end a relationship, even one that would have been described as working well.
The good news is that the majority of marriages survive infidelity! Why is that?
The discovery of infidelity, like the discovery of other betrayals of trust, results in a cascade of intense emotions; shock, anger, confusion, grief, sadness, anxiety, fear, shame, and guilt, to name a few.
The causes of extramarital affairs are many. The classic belief is that the cheating spouse is seeking satisfaction elsewhere because they are not getting enough in the marriage, and sometimes that is the case. However, sometimes the cheating spouse is themself the one who is holding back from connection and intimacy. Sometimes cheating results from lowered impulse control due to substance use and abuse issues. Sometimes it has to do with a fear of confronting various issues within the relationship.
The reason I recommend seeking professional help when a couple is struggling to deal with, and heal from, infidelity, is because it is so confusing and scary. Couples split up prematurely, or they try to move on prematurely, and either way, do not effectively recover.
A sad but true example:
Sam, 29, and Carmen, 28, had been married almost 2 years when Carmen learned that Sam had reconnected with an old girlfriend and brought her to their home when Carmen was at work and Sam was allegedly "home sick". They had sex in Carmen and Sam's bed. The marriage had so far been a disappointment to them both, but they didn't know how to effectively even talk about it, so they had become increasingly distant over the past year, and the discovery sent them both into a tailspin, along with their respective families.
Carmen immediately moved out and went home to her parents. She was pretty sure it was her fault; after all, if she'd been a more lovable partner, would Sam have strayed? She attempted suicide, but fortunately did not succeed. She got a little therapy, but it was too painful to discuss so she stopped.
Sam was consumed with guilt and shame. His family, with whom he was very close, ostracized him. He started drinking heavily and probably would have lost his job if an uncle hadn't intervened. He had 3 dates with his old girlfriend, but he felt too confused to pursue a relationship. He knew full well that he had behaved badly, and was deeply remorseful.
After 8 months, Sam's family prevailed upon Carmen to meet with Sam. They both felt pretty lost. He apologized profusely, said he didn't know why he did it, and asked her to return. She wanted to, and they agreed to put it behind them, and "move on". They had a few brief conversations – very uncomfortable – and he said that if she couldn't forgive him they should just divorce. She tried to think positively.
Carmen began having panic attacks. She didn't understand why he cheated in the first place, and neither did he, so how could they have faith he wouldn't do it again? Repeated attempts by Carmen to talk about her feelings made Sam feel guilty, scared and angry.
Ultimately, this couple separated again, and then divorced.
With quality couples counseling, these two people probably would have learned to communicate about not only the infidelity, but about what was disappointing about their marriage before the cheating occurred. They would have had a safe place to talk and a skilled professional to build a container and framework for those discussions. In time they would have developed relationship and communication skills and tools that they could have used to move through the pain and to heal.
Isn't your marriage worth the effort?


We've had a spate of branding projects this month. Here's another one we would like to share.
It's for a great new bike and activity park in Hillcrest - for kids and adults.
Freedom Trails bike and adventure park.
The client wanted something fun and modern but simple and youth-targeted.
As you can see from the first concepts, the brief wasn't 100% established, nor was their title. Then the client refined what they were after: to use the title Freedom Trails, and incorporate the F and T into an abstract-type logo with a similar feel to surfing or skateboard brands. It was a small challenge coming up with something that hadn't been done already but apparently we nailed it because the client loves the final product. It's a simple single-colour mark that is easy to remember and can be extremely versatile. Have a look at the project summary below.
If you have kids make sure you watch the Freedom Trails Facebook page for upcoming progress and events. And make a trip to Freedom Trails for a cup of coffee while your lighties have a blast on the most awesome track!


Mark R. Manceri is a specialist recognized by the Florida Bar in estate and probate law. For nearly 30 years, he has litigated beneficiary disputes. As a Board Certified Wills, Trusts & Estates lawyer, Mr. Manceri combines his extensive legal knowledge in the areas of beneficary disputes with his skill as a Certified Public Accountant to provide quality legal services to clients.
Airing out family grievances may go toward resolving personal disputes regarding an inheritance before heightened emotions and public scrutiny complicate matters. This fosters open communication in an informal setting, preserving relationships that could disintegrate in a long, hostile Court battle. If the parties cannot agree, the Court may have to step in.
Mark R. Manceri is a knowledgeable wills, trusts, and estates lawyer in South Florida. With over 30 years of experience litigating complex beneficiary disputes, he knows that the most contentious battles are often waged when there is no or poor estate planning. This process can get ugly and last for years. If the matter is beyond estate planning or dispute resolution, you can count on Mr. Manceri to zealously represent your interests in the Florida Courts. Call 954-491-7099 for a confidential consultation or contact us online.


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Raymond Liew Jin Pin
KAMPUNG BARU (NEW VILLAGE)
Traditional dances are nothing new - so what do they have to do with contemporary art? For his new production, Raymond Liew Jin Pin delved into the field of traditional Malay, Chinese and Indian dance movements in search of a contemporary zone, a Kampung Baru enveloped by the principles of tradition. After training in various dance styles, he allows himself – and three contemporary dancers – to reinterpret his cultural roots and embody his autobiography. Kampung Baru is the attempt to establish a village with its own brand-new version of an eternal tradition.
with: Jascha Viehstädt, Anca Huma, Kathrina Wilke, Raymond Liew Jin Pin
music: Ng Chor Guan
costumes: Min Li
19:00 canceled
graduated at the Folkwang University (Essen) with BA/MA in dance and choreography, as well as a Diploma at ASWARA in Malaysia where he learned the multiple traditional dance forms such as Malay,Chinese and Indian dance. As a dancer he worked among others with mit Nature Theatre of Oklahoma, Theater Bremen, Tanztheater Wuppertal Pina Bausch, Samir Akika, and Ben J. Riepe. His choreographies were shown at International Contemporary Dance Festival of Panama and d'Motion International Dance Festival in Malaysia.
By reflecting his dance background, Raymond researches what a fusion of dances can be. He questions the encounter of different dance techniques within his body and works, disintegrates these techniques and interweaves them to seek a common base. The aim is to figure out a method to fuse these influences with an equally analytical and intuitive approach.
http://www.raymondliewjinpin.com/


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Dragonball, was in truth doomed from the start. Even with someone like James Wong doing this, it could have still be an epic retelling of the Dragonball story, had they put more time into understanding what the anime was about, casting the best people into the roles and giving it a good budget to give the fans, the movie goers am epic live action take of Dragonball. There was many people who bashed it from the get go. "Dragonball can't be done in live action, it's too silly and too hard." Even the former owner of Majin Planet, Majin Mebs even said it would be the worst thing ever and I hate to say this but he was right. At least in what we got with Dragonball Evolution.
I'm not going to get into all the bull shit about why Goku was played by a white guy and all the other countless stupid bull shit that fans all over those blog sites yelled about. All Dragonball fans, both new and old should feel like they where step on. I hear all the time people say "They rapped my childhood" Sure Dragonball Evolution was crappy at best, but did it ruin Dragonball for me? Hell no, now if you're a Street Fighter fan.. yeah you got rapped.
Anyways, to the review, I'll try to keep this as spoiler free as I can but at this point I don't think anyone cares if I spoil it. The first thing this movie has a lot of general Plot and Character issues. Lets forget it's a Dragonball movie, lets for get the source and look at it as its own thing. First the plot, 2,000 years ago a Namek by the name of Piccolo came to earth to destroy it, along with his follower, Oozau. They nearly destroyed the planet. Then 7 mystics join together and seal Piccolo up and his follower Oozau just disappeared. This was the intro to the movie.
They never said who created the dragonballs. In the first trailer they said. "Seven Mystics came together and they created the Dragonballs." This was not in the movie, so where they came from, how and why is unknown. Which is fine because it was not until Goku met Kami did we find out he made the Dragonballs.
The movie starts with a training of Gohan and Goku, after it what we get is not the Goku we are used to. We don't get the carefree stupid Goku who wouldn't hurt a fly. We get a cry baby. "Teach me how to get the girl. Teach me to be normal." That is not Goku. Why they felt the need to give this movie a pointless Teen High School theme to it was beyond me. The whole high school set up had no point in the movie. The "new" characters they created are all bullies who pick on Goku for no reason what so ever. We never know why they don't like Goku. He seems like a nice enough guy and yet they pick on him.
Goku tells them I'm not allowed to fight. We don't really know why Gohan told him not to fight. Maybe it's because Goku could break them with on punch. Goku never would chase after Chi Chi. In fact it was the other way around. But even with the changes to Goku, Chi Chi, missing key characters like Tien and Krillin (key in early Dragonball) and replacing them with characters I don't even care about and don't see again after the 30min mark is beyond me.
Proof the film makers never read Dragonball and simply did not care. There is a scene in which Goku day dreams about Chi Chi. A bit silly but whatever, I'll live with it and it was sort of funny in that PG silly I'm 14 years old kind of way. He's in class and the teacher yells at him. They have this theme going threw the whole movie about Goku believing in who he is and having faith and the solar eclipse that will happen in a week. Goku then tells the story that 2,000 years ago the Earth was attacked by Nameks. If I recall.. Nameks where a very peaceful race, it was the saiyans who would have done that. Why they felt the need to change this is beyond me.
Casting for this movie was mid way good mid way bad. The girl they got to play Bulma, I think she is hot and even know I wish they had given her blue hair and not had this, short blue bang, but I can live with it. She seem to understand the role a bit. I doubt she was a fan until she got this role, she says she's was a fan growing up, but I really doubt she really understood the character until she started filming. The whole she wants to use the dragonballs as an unlimited source of energy is stupid. In the manga she knew they where dragonballs and there was seven of them. She wanted them so she could wish for a boy friend. I don't see how they couldn't have done this. They also had to get the name of the movie in there by calling the Dragon Radar a DBE (Dragonball Energy).. its a Dragon Radar James Wong.
Chi Chi.. all I will say is she is not that hot and don't even look like Chi Chi and didn't act like her. A clear on epic fail for her and she was going on and saying how fans should keep and open mind and give it a chance. Please stop acting.. your only known for being in the Real World and that show sucks. If they do some how make another one.. please recast her.
Mai, was shot and she was cast, dressed and given screen time more than Piccolo for one reason. Boobs. With an outfit like that, with this movie being marketed to 14-year-old male age group, can you really tell me they did not do that to get them to come out? Yeah I even notice them a few times and seem like she was only there to take your mind off what was being said, which wasn't much. Plus they never named her by name and then they killed her so.. she was nothing more than pure fan service.
Goku was in my opinion a good choice for young Goku. Justin Chatwin acting was bad, I don't fully blame him, the script was crap. I don't believe he was a fan either until this movie. He said he was never happy with the hair, which bugs me because they didn't want to make Piccolo Green and James Master out right told them make Piccolo Green. Why did Justin Chatwin not do this for Goku? Why did he not say.. look add some hair we need to get this right and we need to keep it the same. His hair changes far too much in this movie which is not the point to Saiyan Hair, that it does not change. The outfit, the classic gi was the only good thing about him. Even know he had both Master Roshi's and King Kais symbols on it. yeah if you look at the back, that's King Kai's and Roshis is on the front.
Roshi, he was really funny and good and they did a good job mostly with him. He acted the part so I could look past the way he looked. The whole pervert thing was messed up. They got it right in one shot and the next they messed up. There is a part where Bulma falls into his arms and his hands are clearly on her butt. He then drops her and says sorry.. If that was anime Roshi he would have held her until Bulma knocked him upside the head. Oh and they have his house on an island in the middle of the city he's in. Which was a nod to his house being on an island in the anime.
Yamcha.. this guy is new. Joon Park looks somewhat like Yamcha and when he first showed up he acted like him. I had hope until they started moving on to the next part and it just got bad. They totally messed up his character, he looks far to hold for Bulma and he can't even fight. If you ask me Yamcha was an epic fail, would have rather had Puar and why could they not have given me a pet cat named puar? That would have been a nice nod to the character.
Piccolo, I believe in what James Master said. About respecting the role, the character and being a fan. I think he was the best part of the movie. Even know the plot as to who Piccolo was, why he wanted to stay over/destroy Earth and how he got that ship of his and stuff. I feel bad because he got nearly no screen time.
The rest of the cast, like Gohan and a few others are for the most part okay. I think Gohan was the only one they nearly got right. He found Goku and raised him, he was a sweet old man. He trained Goku and show him how to fight and he died. Sure they had Piccolo kill him when it was Goku who changed into the Oozaru but whatever.
That brings me to the fighting, how sad is it when the best fight in a movie like this was when Goku basically dodge the bullies attacks at a party he was invited to by Chi Chi? Yes the end fight with Piccolo is short, pointless and was over far to fast. Right when Goku show up to fight him, he has no idea he's Oozaru. Piccolo reveals this to him moments before he changes and explains he landed on earth by meteor until his 18th birthday. Why does Piccolo know this? Here is where the plot intro has a major hole. If you thought GT was a plot fest this will take the cake.
In the intro its said 2,000 years ago Piccolo and Oozaru tried to destroy Earth. When Piccolo was sealed Oozaru disappeared. 2,000 years go by and Goku from who knows where lands on Earth and 18 years later becomes Oozaru. Piccolo tells him what to do… Oozaru's are mindless and only high level Saiyans can control themselves in this from and only one seen doing this was Vegeta.
So can you see the issue here? Was Goku the same Oozaru who was with Piccolo 2,000 years ago? It's so stupid that even a 14-year-old can see how silly that is. Who ever wrote this script should never write again. You don't understand base plot elements. Speaking of the Oozaru, there was no reason for them to even have Oozaru in the movie. They could have and should have cut it. No tale, not changing at a full moon and being as it looked, fail. And now I bring you the fight itself..
Oh my fucking god it was like watching Dragonball GT. There was no hand to hand fighting in this. Remember when the Matrix came out and everyone was like.. fuck yeah.. they can do Dragonball Z now. Not even close, in fact the current Power Rangers shows have more fighting in them then this did. It was nothing but ki blasting and then a jump in the air and they punched each other a few times, which looked as if they where on wires. Really low-budget here and it was sad to say the least.
Kamehameha Wave… it looked good but they did it wrong. Why they felt the need for Goku to jump in the air is beyond me. Why they had Piccolo do a Death ball is beyond me.. why they turned ki blast into something called "air bending" I did not feel any sort of power from these things, the sound effect used where wrong. Why could they not use the ones form the show? I felt as if Goku hit me with a Kamehameha Wave that it would do nothing. Again, proof that the film makers did not research the manga: Kamehameha Wave means Deamon Turtle Wave and when Mai shoots Goku and nearly kills him.. so I didn't know a Saiyan could be killed by such a weak type of weapon. Anyways, Roshi brings him back to live by doing a Kamehameha Wave… again that's not what the Kamehameha Wave is and the way he does it is totally wrong and even more silly looking then how its done in the anime. So in two words for the Kamehameha Wave.. Epic Fail!
Shenlong, many people will say no its Shenron. No its Shenlong. In the manga and anime his name is Shenlong, the English dub renamed it, and the film makers seem to use the Japanese versions of spelling over the dub versions. This is I guess because they seem to care more about this doing well in Japan then the US. For the most apart the dragon was okay looking. he does not talk and has a glow around him which makes it hard to really see. Plus he is like a baby compared to the real Shenlong in the anime. What I don't understand is if they made him so glowing to hide him due to a weak CG budget, why did they not make the sky grow dark? how hard would that be? Again fail if you ask me.
Overall the movie may not be your cup of tea, after all it bomb in the US market, only opening in 2100 theaters and came in at a painful $4,650,000 Million opening at 8th place and will likely be gone form theaters in the next few weeks. Why FOX marketed it this way is beyond me and it brings up the question. Why did this fail? Yes the movie itself is really crappy, but I've seen far worst movies that seem to do much better at the box office. So why did this fail? Was it because its Dragonball, base on an anime? No I don't think so.
Key in point they marketed this to the wrong crowed of people. PG rating 1 hr. 25 min running time how many 14 year olds can really say they are fans? Had this movie been marketed better in the US, given a PG-13 rating and gear to the people who watched this growing up, people who sat home everyday at 5pm watching Toonami, people who are now 25+. Given it more money, 150 Million could have easy given this the touch it needed to be epic, time to explain the base story and characters, given us a number of fights. I thought there was going to be a fight between Yamcha and Goku.. but there was none. And maybe someone who understood what this was, had a passion to do this, maybe it would have been better.
I don't by the whole "Dragonball is too silly to be done in live action." that's the same as those who said that Watchmen could not be done and it was done. Sure it failed in its 2nd week due to bad word of mouth. But those who read it, know they where true to it. This movie also failed because FOX made the stupid mistake of releasing it a month early in a market that is bound to online bootlegs.
Overall I give the movie a 3 out of 5 Majin's for trying to bring the classic manga to the big screen. I liked the guy they picked to be Goku, the gi looked good and the ki blast where some what cool to look at. The world itself had a very dragonball fill to it. They did have a number of easter eggs and nods to the manga, such as names, places and things. Such as Roshi's island. Had they tried harder to please the fans, and every fan out there who points out the story flaws and changes has ever right to do so. Some of the changes yes I can see, others I have yet to understand why they changed it. I say give DBE a chance, just enjoy it and if you're not one to waste money, wait for the DVD release.
Filed Under: Dragon Ball Tagged With: Dragon Ball, Review


text:
ACCEPTED

#### According to
International Plant Names Index

#### Published in
null

#### Original name
Weingartia callecallensis F.H.Brandt

### Remarks
null

redpajama_set_name: RedPajamaGithub


"Prepare your provisions", exactly what provisions should I be preparing? It seems as though it would be pretty clear to the Israelites what they were to prepare; food, water, animals, their families and possessions. They would be physically walking into the Jordan river and crossing into the Promised Land, they had been anticipating and waiting for, for 40 years. The Hebrew words here are telling us to literally prepare and make ready our meat, food or provision.
Going over our Jordan into our promised land, at least for me, seems somewhat ambiguous. I have an idea, but I don't have a clear path. There is a dream, but not a clear map with a check list. So what provisions do I need to prepare? I can't just pack my suitcase full of peanut butter and jelly sandwiches and clean underwear. That would provide physical sustenance and needs, but my Jordan is going to require more than some PB&J.
What do I really need in my suitcase for this journey? What provisions? Over the past couple of days, the only all-encompassing answer I've been able to settle on is the Lord.
Jehovah-jireh, Lord Provider. In Genesis 22 when Abraham brings Isaac, his only son, to Mt. Mariah to sacrifice him before the Lord. Here, Abraham boldly trusts the Lord and is obedient. And as Abraham is preparing to sacrifice his son, the Lord calls out to Abraham and provides a ram instead. To me, it's one of the most beautiful stories in the old Testament. The foreshadowing, the trust, willing obedience and provision amaze me. As a remembrance of what the Lord did for him, Abraham calls this place Jehovahjireh which means the LORD will provide. Not the LORD may or might, but the LORD will provide. There is action on Abrahams part, he didn't just sit around and wait for provision, he took bold and courageous steps! It was not the fun and easy path. I also love how the Word uses LORD (all capitals) which reminds us that He is a covenant keeping LORD. There is provision and Promised Land written all over this portion of Genesis.
In John 14:25-27 Jesus promises us the Holy Spirit, our Helper. As a Believer the Holy Spirit resides within us, and I consider that eternal provision and an unmatched provision while we are walking this earth. The provisions of the Holy Spirit are irreplaceable and abundant! The Holy Spirit will teach us and give peace. Sometimes I call part of this Holy Spirit within, Intuition. Listening and trusting that which is within has taken some practice for me, requiring quiet time, listening, reflection and grace.
Philippians 4:10-20 also speaks of God's provision. I just love this, and would highly recommend you spending some time reading and reflecting on this passage. Briefly, for me it's a good reminder and comfort knowing that there will be highs and there will be lows in life, there is no way around it. We will share troubles. We can choose to be, and learn to be, content in everything; remembering that God has and will continue to supply everything because His provisions are at work.
He is enough for you and me, He is sufficient. The Lord has provided friends and family to encourage and hold me accountable. The Lord has provided time, energy and resources. The Lord has already prepared provisions ahead of me, because He knows what I'll need and what I'll face on the path ahead. There is a huge comfort to know that my "suitcase" is well stocked with provisions for the journey ahead as we 'go over this Jordan'.
"And my God will supply every need of yours according to his riches in glory in Christ Jesus." Philippians 4:19. He will supply every need. And, it will be according to His riches, not my own.
So, I will prepare my heart; filling it with Jesus, because He is my provision.


text:
Q: SVN Checkout to other folder I am using this commant dor SVN checkout:
svn checkout http://svn/myandroid/DM-AndroidStable --non-interactive --username usr --password 123

But I wish to check out to other folder than DM-AndroidStable, to DM-AndroidTest
Can you please help me with this?

A: The syntax is quite easy and it looks like this
svn co url://some/url name-of-directory-you-want

So for your example it should be something like
svn checkout http://svn/myandroid/DM-AndroidStable DM-AndroidTest --non-interactive --username usr --password 123


Anderson, T. M., B. M. vonHoldt, S. I. Candille, M. Musiani, C. Greco, D. R. Stahler, D. W. Smith, b. Padhukasahasram, E. Randi, J. A. Leonard, C. D. Bustamante, E. A. Ostrander, H. Tang, R. K. Wayne, and G. S. Barsh. 2009. Molecular and evolutionary history of melanism in north american gray wolves. Science 323:1339-1343.
Mech, D. and L. Boitani. 2003. Wolves: behavior, ecology, and conservation. First edition. The University of Chicago Press, Chicago, Illinois, USA.
Metz, M.C., D.W. Smith, J.A. Vucetich, D. R. Stahler, and R.O. Peterson. 2012. Seasonal patterns of predation for gray wolves in the multi-prey system of Yellowstone National Park. Journal of Animal Ecology 81:553- 563.
Smith, D.W., E.E. Bangs, J.K. Oakleaf, C. Mack, J. Fontaine, D. Boyd, M. Jimenez, D. H. Pletscher, C.C. Niemeyer, T.J. Meier, D. R. Stahler, J. Holyan, V.J. Asher, and D.L. Murray. 2010. Survival of colonizing wolves in the Northern Rocky Mountains of the United States, 1982–2004. Journal of Wildlife Management 74:620-634.
Stahler, D.R., D.R. MacNulty, R.K. Wayne, B. vonHoldt, and D.W. Smith. 2013. The adaptive value of morphological, behavioural and life-history traits in reproductive female wolves. Journal of Animal Ecology 82:222- 234.
Theberge, J.B. and J.B. Falls. 1967. Howling as a means of communication in timber wolves. American Zoologist 7:331-338.


text:
package com.orientechnologies.orient.core.sql.executor;

import com.orientechnologies.orient.core.db.document.ODatabaseDocument;
import com.orientechnologies.orient.core.db.document.ODatabaseDocumentTx;
import com.orientechnologies.orient.core.metadata.schema.OClass;
import org.junit.AfterClass;
import org.junit.Assert;
import org.junit.BeforeClass;
import org.junit.Test;

/** @author Luigi Dell'Aquila (l.dellaquila-(at)-orientdb.com) */
public class ODropClusterStatementExecutionTest {
  static ODatabaseDocument db;

  @BeforeClass
  public static void beforeClass() {
    db = new ODatabaseDocumentTx("memory:ODropClusterStatementExecutionTest");
    db.create();
    OClass v = db.getMetadata().getSchema().getClass("V");
    if (v == null) {
      db.getMetadata().getSchema().createClass("V");
    }
  }

  @AfterClass
  public static void afterClass() {
    db.close();
  }

  @Test
  public void testPlain() {
    String cluster = "testPlain";
    ((ODatabaseDocumentTx) db).getStorage().addCluster(cluster);

    Assert.assertTrue(db.getClusterIdByName(cluster) > 0);
    OResultSet result = db.command("drop cluster " + cluster);
    Assert.assertTrue(result.hasNext());
    OResult next = result.next();
    Assert.assertEquals("drop cluster", next.getProperty("operation"));
    Assert.assertFalse(result.hasNext());
    result.close();

    Assert.assertTrue(db.getClusterIdByName(cluster) < 0);
  }

  @Test
  public void testDropClusterIfExists() {
    String cluster = "testDropClusterIfExists";
    ((ODatabaseDocumentTx) db).getStorage().addCluster(cluster);

    Assert.assertTrue(db.getClusterIdByName(cluster) > 0);
    OResultSet result = db.command("drop cluster " + cluster + " IF EXISTS");
    Assert.assertTrue(result.hasNext());
    OResult next = result.next();
    Assert.assertEquals("drop cluster", next.getProperty("operation"));
    Assert.assertFalse(result.hasNext());
    result.close();

    Assert.assertTrue(db.getClusterIdByName(cluster) < 0);

    result = db.command("drop cluster " + cluster + " IF EXISTS");
    Assert.assertFalse(result.hasNext());
    result.close();
  }
}


text:
Chicago elementary students surprise beloved lunch lady Miss Janet
CHICAGO -- School employees are generally celebrated when they reach a milestone, like an anniversary or retirement.
But the parents, teachers and staff at Blaine Elementary School in Wrigleyville on Chicago's North Side wanted to celebrate a woman they call "the heart" of their school - just because.
"They love her, they want to hug her, they want to dance with her, they want to play with her," PTA president Lauren Trost said. "She can be stern sometimes, but they love that about her too."
Janet Hartu, or "Miss Janet" as the students call her, has staffed the lunch line at Blaine for the last decade. She knows every student's name and which students have food allergies. She can also suss out how a kid is feeling on any given day.
"My oldest son has been here for eight years," parent Melilssa Silvers said. "He's autistic and has a special connection with her from the day he came in."
It's a connection Miss Janet shares with the hundreds of students she calls "her kids." On Thursday, she realized none of that goes unnoticed.
"When she gets off the line, she's in the lunch room," principal Angie Britow said. "She's sitting with kids. She's singing and dancing. She's just a presence and it's great to see her with our students. We're lucky."
Miss Janet said she feels lucky too - and has a lot of years left in her. She's not going anywhere. Why would she?
"I'm happy," she said. "I'm happy that I'm appreciated and loved. I didn't know that I was loved this much. But now I know."
Miss Janet said being a grandmother taught her about how her students need to be loved, and she rarely takes a day off. She said she knows the kids thrive off of consistency and she wants to be there for them.
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