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Wednesday night obituary update
The following obituaries have been provided by local funeral homes. Read our complete obituaries in The Herald-Dispatch on Thursday and at www.herald-dispatch.com.
JAMES DWAYNE BATES, 65, of Huntington, widower of Elizabeth Gale Holley Bates, died Jan. 10 at home. Funeral services will be conducted at 1 p.m. Jan. 14 at Reger Funeral Chapel. Burial will follow in Baylous Cemetery. James was an appliance repairman. Friends may call from noon until service time at the Reger Funeral Home. www.regerfh.com.
GOLDIE MAE CHRISTIAN, 75, of Huntington died Jan. 10 at home. Hall Funeral Home and Crematory, Proctorville, Ohio is assisting the family with arrangements, which are incomplete.
JAMES RAYMOND DOWDY, 86 of Huntington, husband of Sheila Turner Dowdy, died Jan. 11 in St. Mary's Medical Center. He retired from INCO Alloys. Funeral service will be at 1 p.m. Jan. 15 at Henson and Kitchen Mortuary, 6357 E. Pea Ridge Rd., Huntington. Burial will follow in White Chapel Memorial Gardens, Barboursville. Visitation will be two hours before service at the mortuary. www.hensonandkitchen.com
CHRISTENE SUE DUGAN, 50 of Huntington, daughter of Patricia Sue Curry and Jimmie Dugan, died Jan. 9 in Cabell Huntington Hospital. Funeral services will be at 2 p.m. Jan. 14 at Beard Mortuary. Friends gather from 11 a.m. to 2 p.m. on Friday. www.beardmortuary.com.
JACK EDWARD EVANS, 90, of Huntington died Jan. 6. He worked for Armco Steel, Ashland. A family graveside service will be held at 1 p.m. Jan. 14 at White Chapel Memorial Gardens. In lieu of flowers, please consider a donation to the Alzheimer's Association (alz.org). Reger Funeral Home of Huntington is assisting the family with arrangements. www.regerfh.com.
MARGARET EVELYN HARDY, 89, of Mansfield, Ohio, formerly of Kitts Hill, Ohio, widow of Earl Hardy, died Jan. 11 in Southern Care Hospice-Conard House, Mansfield. Funeral service will be at noon Jan. 14 at Schneider-Hall Funeral Home, Chesapeake, Ohio. Burial will follow in Myrtle Ridge Cemetery, Kitts Hill, Ohio. Visitation will be one hour before service. www.schneiderhallfuneralhome.com.
BAMBI DIANE KELLEY, 64, of Ironton, sister of Gene Kelley of Ironton, died Jan. 9 in Lexington (Ky.) Medical Center. Graveside service will be at noon Jan. 17 at Woodland Cemetery, Ironton. Tracy Brammer-Monroe Funeral Home, Ironton, is directing arrangements. www.tracybrammerfh.com.
LARRY C. KISER, 82, of Ashland, widower of Donna Davidson Kiser, died Jan. 11 in King's Daughters Medical Center. He worked for Allied Steel as a Safety and Structural Engineer, the NSA and later the Nevada State Gaming Commission. Entombment will be at Powell Valley Memorial Gardens, Wise, Va. www.steenfuneralhome.com.
GARY HUGH LUCAS, 71, of Huntington, husband of Susan Lucas, died Jan. 11 in Emogene Dolin Jones Hospice House. There will be a memorial service at 10 a m. Jan. 15 at Chapman's Mortuary. Visitation will be 30 minutes before service at the mortuary. www.chapmans-mortuary.com.
GARRETT LUTHER, formerly of Prichard, died Dec. 22, 2021. Celebration of life at 11 a.m. Jan. 15 at Rose and Quesenberry Funeral Home, Beckley, W.Va. Visitation will be one hour before service. Burial at 3 p.m. Jan. 15 at Spring Hill Cemetery in Huntington. www.roseandquesenberry.net.
JAMES WALTER MADDEN, 77, of Huntington, husband of Eva Marie Artrip Madden, died Jan. 10 in St. Mary's Medical Center. He was a retire plant operator with WV American Water. There will be a celebration of life at a later date. Reger Funeral Home is directing arrangements. www.regerfh.com. The family request donations be made to the Alzheimer's Association in James's memory.
PHYLLIS GAYE MERRITT MAHON, 78, of Kenova, wife of Hallie Mahon, died Jan. 10 at home. She had worked for Big Bear. Funeral services will be 2 p.m. Jan. 15 at Park Circle Freewill Baptist Church. Visitation will be two hours before service. Rollins Funeral Home is assisting with arrangements. Memorial contributions may be made to the church or a charity of your choice.
KATHRYN ELAINE MANN, 78, of Huntington died Jan. 9. Celebration of Life will be 5 p.m. Jan. 14 at Wallace Funeral Home & Chapel, Barboursville. Friends may gather one hour prior to the service. In lieu of flowers, contributions may be made to the funeral home to assist with the services.
JOHNNY MACK MARSH, 84, of Ringgold, Ga., died Jan. 8. Funeral service will be at 1:30 p.m. Jan. 14 at Hall Funeral Home and Crematory, Proctorville, Ohio. Burial will follow in Highland Memorial Gardens, South Point, Ohio. Visitation will be one hour prior to the service at the funeral home ehallfuneralhome.com.
LEE RATCLIFF, 88, of Huntington, mother of Cindy Nivens of Palm Coast and Dr. William Ratcliff and Dr. Chris Ratcliff, both of Huntington, died Jan. 3 in Stuart F. Meyer Hospice House, Palm Coast, Fla. Funeral service will be 3 p.m. Jan. 15 at Beard Mortuary. Burial will be private. Visitation will be two hours before service.
JOYCE E. RAYBURN, 93, of Ashland, widow of Robert Rayburn, died Jan. 8 in Woodland Oaks Health Care. Burial will be in Bellefonte Memorial Gardens, Flatwoods, Ky. Steen Funeral Home Central Avenue Chapel, Ashland, is directing arrangements. www.steenfuneralhome.com.
NIKKI LEE RIGNEY,44, of South Point, Ohio, wife of David Lee Rigney, died Jan. 7 in Cabell Huntington Hospital. There will be a memorial service at 6 p.m. Jan. 14 at Hall Funeral Home and Crematory Proctorville, Ohio. Visitation will be one hour prior to the service at the funeral home. www.ehallfuneralhome.com
LARRY GENE ROBERTS, 69, of Huntington, brother of Ralph Roberts of Huntington, Ed Roberts of Frankfurt, Ky., and Charles Roberts of Tennessee, died Jan. 7 in St. Mary's Medical Center. A memorial service will be held at a later date, and anyone wishing to be notified with information may e-mail larrysmemorial52@aol.com. www.timeformemory.com/wallace.
PHYLLIS JEAN SEXTON, 83, of Franklin, Tenn., widow of Edward Earl Sexton, died Jan. 8 in Williamson Medical Center, Franklin. Funeral service will be 2:30 p.m. Jan. 16 at Steen Funeral Home Central Avenue Chapel, Ashland. Entombment in Ashland Cemetery. www.steenfuenralhome.com.
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Crafting a Social Video Strategy
Tactics, best practices, and creative ideas for social media videos
Meisha Bochicchio
Alyce Currier
Here at Wistia, we've talked a lot about the importance of video that lives on your website, where you can completely control the entire viewing experience. And while we remain big supporters of having a branded video experience, we also recognize the huge role that social media plays in marketing.
Nearly every social media platform has evolved to accommodate and even prioritize video content — and not just any video. Specifically, social platforms prioritize native video over embeds from other platforms. And why would that be? For the same reason we want you to put video on your own website! The platform's ultimate goal is to keep folks on the site for as long as possible.
So, how can brands use social media's reach and potential while also being mindful about their own brand and content experience? A thoughtful social media strategy is key to engaging audiences and drawing them into your own brand universe. Also, keep in mind — the ways you use video and social media don't exist in silos; your efforts should always tie into larger team and business goals.
In this guide, we'll discuss how we at Wistia use video across social media to take advantage of social media's strengths and how you can best use each platform. We've got a lot to cover, so let's get started!
What we'll cover
Going beyond syndication
Building a strategy for different networks
Take a strategic approach to social media
Syndication is a perfectly fine initial foundation for your social video strategy. Make a video for your website, then repurpose that video across all of your social networks! It's simple, and it doesn't require much extra work on your end. Syndication is superior to silence.
However, if you want your video content to really resonate, you're going to have to take it a step further and appeal to how people are using each specific network. Consider your goals for each platform, then ask yourself how videos made (or edited) specifically for that space can help you achieve those goals.
At Wistia, we've experimented a lot across Facebook, Instagram, Twitter, and LinkedIn. We're still learning and experimenting on every channel, but we hope you can apply these lessons across your own social video strategy.
Think of video as a starting point for conversations and connections across each network, and tailor your social videos as you would any other social campaign content. And enjoy yourself! Rules are made to be broken, and social media is a natural place to do things that don't scale on occasion — especially if it makes your audience really, really happy!
"Think of video as a starting point for conversations and connections across each network, and tailor your social videos as you would any other social campaign content."
As of 2021, there are now over 20 active social media platforms available to brands. That's a lot of social, no matter how extroverted you may be!
Of course, it's nearly impossible to be everywhere at once. The best way to reach your audience on social is to first understand where and how they prefer to engage with brands. It's all about quality over quantity. Pick the top two to four social networks and focus on doing those really well. Though you may have a fear of missing out if you're not everywhere, there's no way you'll be able to consistently keep up with more than four platforms.
When incorporating video into your larger social strategy, keep each platform's individual nuances in mind. And don't be afraid to experiment with new things and pivot if something's not working.
"It's all about quality over quantity. Pick the top two to four social networks and focus on doing those really well."
Now, let's dive into a handful of the top platforms and talk strategy!
As the first and (currently) largest social media network, most brands have a pretty long history with Facebook. Let's take a brief walk down memory lane and explore some key moments in Facebook's history.
How video has evolved on Facebook
Facebook launched as a platform in 2004, though video functionality wasn't added until much later.
Here are a few video-related highlights from the last few years:
2016: "Time spent" was added as a ranking signal (which was great news for video creators), and live video was prioritized in the newsfeed.
2017: "Video completion rate" was added as a ranking signal.
2019: Facebook started prioritizing "high quality, original video content" and gave extra weight to videos that surpassed the one-minute and three-minute engagement marks.
Facebook has put a ton of time and energy into making their algorithm super smart and intuitive, and they recognized early on that video was a natural format to capture attention and keep folks engaged. As a result, their algorithm has evolved over time to really prefer video content. This is important because other social networks tend to follow Facebook's lead.
"Facebook's algorithm has evolved over time to really prefer video content. This is important because other social networks tend to follow Facebook's lead."
Facebook's audience
The most important aspect of Facebook's audience is its sheer size. With more than 2.89 billion active users, it's the largest social media network in the world.
This size is particularly handy when it comes to paid advertising. Facebook has extremely granular targeting capabilities. Looking to reach moms with newborn babies that live within 25 miles of Boston? What about luxury travel enthusiasts that make more than $250,000 per year and are Marriott Bonvoy members? Facebook can make that happen.
Despite the massive audience, Facebook works best when you go niche. For your ads to work best, be sure to first understand your audience, their likes, dislikes, and preferences, and then cater your content towards them accordingly.
What type of video content works best?
As a B2B company, we've found success with these three video categories on Facebook:
Tutorials and how-tos
Brand awareness videos are all about — you guessed it — generating broad awareness and hype around your brand. Tutorials and how-to videos are more focused on education and providing value, while culture videos are designed to show off your company's personality and values.
How we use video on Facebook at Wistia
At Wistia, we've had the best luck treating video the same way we do images or other visual content. We use silent-friendly videos to tease content and give our audience an inside glance at our company culture.
Here's an example of a video trailer we pinned to our page to promote Show Business, a 20-episode video series all about how to make binge-worthy content. Our goal for this video was to generate awareness and hype for the series — and it worked!
And here's an example of a company culture video we posted to celebrate Pride month and show our support for the LGBTQ+ community. Our goal for this post was to shine a light on an underrepresented group and promote Wistia's inclusive culture.
Facebook video tips
As you're editing your video, keep in mind that it will silently auto-play on a loop in the viewer's feed. Make sure the visuals are as enticing as the audio and can carry the video's message on their own. That's crucial because many viewers will only hear the sound if they choose to turn the volume on — a somewhat challenging ask in this noisy space.
Even though many outside video hosts (including Wistia) can display video in the News Feed, native video is the name of the game when it comes to reach and engagement. Facebook's algorithm takes a user's previous video-related actions into account in determining whether to show them videos in the future, and video sees more reach than any other type of post.
Looking for a deeper dive? Check out our complete guide to Facebook video.
Over time, Instagram has grown to be the world's third most popular social platform behind Facebook and YouTube. This visual-centric app is a natural place for video content, and Instagram offers several placement options specific to different video formats.
How video has evolved on Instagram
Facebook acquired Instagram in 2012. Since then, the company has invested heavily in putting video front and center across the platform. There are now five unique spots for video content: Newsfeed, Stories, Reels, IGTV, and Instagram Live.
The thing to note about Instagram is that the platform is built to be fun and engaging, so lean into the native features and trending formats when you're thinking through your video content. Elements like animated GIFs, stickers, filters, music clips, and more can make your videos really pop as folks are exploring.
Instagram's audience
Over 60% of Instagram's users are between the ages of 18 and 34. This demographic, combined with recent features like Stories and Reels, explain the platform's preference for high-energy, trendy video content.
According to Instagram, 90% of people follow a business account on the platform, and 2 in 3 people say Instagram enables relationships with brands. This is fantastic news for publishers — people are actively looking to connect with brands and consume their content.
What types of videos work best on Instagram? We've found success with content that fall into these categories:
Video trailers
Takeovers
Video trailers are like movie trailers for your content. Pull out a few clips that demonstrate what your series or podcast is about (without giving too much away) and voilà! You've got a powerful asset to pull in new fans.
Tutorials and how-tos are all about teaching folks something new, while behind-the-scenes shots showcase the real humans behind your brand. And takeovers happen when someone else "takes over" your account for the day, often sharing snackable content on your Story.
How we use video on Instagram at Wistia
At Wistia, we lean heavily into the platform's video-friendly features and post a fair amount of videos. From short, snappy trailers that promote our video series and podcasts to live Q&As with Wistians to employee takeovers — there's nothing we haven't tried in the realm of Instagram video.
Instagram is mostly about recreation and connection, so our Instagram presence is all about fun. We know it's difficult to get people to visit our site directly from Instagram. Instead of fighting people's established browsing habits, we usually post teaser content and fun behind-the-scenes shots on Instagram in order to build excitement and positive affect!
Check out this example of a tutorial video. We shared a funny and timely satire video on how to slack off during work. We chose to share this video on Instagram to take advantage of the platform's lighthearted environment.
We love using teasers for our brand shows. Here's an example of a teaser for our Talking Too Loud and A Better Workplace crossover podcast episode. We shared this short clip that gives folks a sense of what the episode is about and then prompts people to check out the full episode.
We also love showcasing our company culture across social media. Here's a quick preview of a random Slack conversation that we turned into an entertaining, sharable moment.
Instagram video tips
Like Facebook, Instagram videos autoplay silently by default, so the same rules apply: Keep your videos relatively short and make sure the visual is still effective without any audio.
When creating different types of videos for Instagram, pay special attention to each placement's requirements and best practices. A Reel should look and feel much different than an IGTV video or a Story.
Instagram also has a ton of native features, so use these throughout your videos to create eye-catching, engaging content. Experiment with filters, stickers, countdown timers, emojis, GIFs — you name it, Instagram probably has it.
Looking for a deeper dive? Check out our complete guide to Instagram video.
What was once known as a "micro-blogging" site has evolved into one of the most popular social media sites to date. The platform is particularly known for bringing people together for conversations via hashtags and threads. Many well-known brands host weekly "chats" where they engage with their community and others live-Tweet events like webinars or conference sessions to keep folks connected.
How video has evolved on Twitter
Twitter has an interesting history when it comes to video. The platform brought on video capabilities in 2010 and added support for video previews from links in 2012.
Twitter then acquired Vine, an app for creating and sharing short looping videos, in 2013 — though the hype was short-lived; Twitter sunset the app in 2016.
2014 was an exciting year with the addition of support for animated GIFs, which are very popular across the platform.
And, in 2015, Twitter acquired Periscope, a live streaming app — though this was also somewhat short-lived as well, coming to a close in 2021.
Twitter currently has fairly limited video functionality compared to other apps, and they haven't added much in terms of new bells and whistles in several years.
Twitter's audience
Twitter's audience skews slightly older than other platforms like Instagram or TikTok. 39% of users are between the ages of 25–34, while 21% are between 35–49. Interestingly, 17% of users fall into the 50+ demographic.
Twitter also has a lot of niche sub-cultures (similar to Reddit) that can foster a strong sense of community. Hashtags are a great way to find and connect with these groups.
Wondering what works best on Twitter? These are the types of video content that we focus on:
Teasers and trailers
Content previews
Quirky/fun videos
We've mentioned teasers and trailers a few times already (and for good reason!). Twitter can be an effective place to spread the word about an upcoming video series or podcast through a short, snappy trailer. Content previews or teasers also work well here. We use audiograms a lot to preview upcoming podcast episodes. Twitter's nerdy, niche sub-cultures also make it an ideal place for quirky video content that you might not use on other platforms.
How we use video on Twitter at Wistia
On Twitter, we primarily use video to tease our website content and showcase our brand personality. The platform has a reputation for extra-casual and relatable content, so keep this in mind when deciding what videos to test.
We fully embrace using audiograms to tease podcast content. They add a nice visual element to clips and really bring audio content to life. Here's an example from our podcast, A Better Workplace. This asset was created to give listeners a feel for what the show is about and entice them to subscribe for updates.
Speaking of teasers, we love using video to promote other forms of content, like this clip we created to spread the word about our State of Video Report. Our goal here was to give folks a taste of what the report contains and drive downloads.
Remember how we mentioned Twitter is great for eclectic, niche content? Check out this clip from Chris Lavigne, our Lead Video Producer. He created this to uniquely promote our video series Show Business, which we retweeted from our brand account.
Twitter video tips
Things move fast on Twitter. This is why it's super important to grab attention immediately to get folks to stop scrolling and view your content — here even more so than on other platforms.
Twitter recommends keeping videos in the 15–30 second range. They also suggest featuring real people in videos, and subtly branding your videos to keep the brand connection strong. And of course, don't forget to share video content that's auto-play friendly and to upload captions for accessible and sound-free viewing.
Ready to Tweet up a storm? Check out our complete guide to Twitter video for more tips on how to delight your followers.
Small but mighty, LinkedIn is a niche networking platform for business professionals. Video is fairly new to the platform, so we encourage brands to be among the early adopters and test lots of different videos to see what sticks.
How video has evolved on LinkedIn
Believe it or not, video is still relatively new to LinkedIn; support for native video launched in 2017. So, unlike many other platforms that already have a ton of video content, LinkedIn presents ample opportunity to get ahead of the curve before more brands follow suit.
LinkedIn added Live functionality in 2019, and interested accounts have to apply for access to the program.
As a professional platform, we see the most success across these video categories:
LinkedIn is an especially impactful platform for videos that showcase your company culture. Give potential employees and partners a taste of your company's values and what it's really like to work at your company with employee intros, behind-the-scenes clips, and more. Educational videos and thought leadership content also tend to perform well.
One important thing to note about LinkedIn is that the buttoned-up nature of the platform makes it best for straightforward, simple videos. Business doesn't have to mean boring, but we recommend saving your most creative and experimental video ideas for other platforms.
How we use video on LinkedIn at Wistia
We use video a lot to let people know about our educational content and share Wistia's company culture. The culture piece, in particular, can be very effective on LinkedIn. The platform is a hotspot for employees looking and applying for jobs, so it can be the perfect channel to put your company's values and perks front and center.
Here's an example of education content from our video gear guide. This clip is repurposed from the full video included in the blog. Our main goal here was to preview the content and drive folks to the full blog for the deets.
Here's a short clip we posted to tease our thought leadership series, (Out of) Office Hours. Short, snappy, and who doesn't love dogs?! Our goal here was to raise awareness for the series and drive folks to join for the live event.
When we launched our podcasting feature, we created this behind-the-scenes video to show off the team that helped bring the product to life. This is a creative alternative to just posting your product launch hype video. We really wanted to celebrate the humans behind our brand.
Remember when we said business doesn't have to mean boring? We meant it! Check out this clip we shared from our infamous Star Wars-inspired Terms of Service page. We share this video every year on May 4th as a nod to Star Wars Day.
LinkedIn video tips
As we've mentioned, LinkedIn's focus on professional networking lends itself to business-related content. Save the wacky filters and trendy formats for Instagram. Instead, keep your concepts simple and focus on the value that you're providing with your video content.
Since video is a pretty recent addition to LinkedIn, test several different types of video to see what resonates most with your followers.
Looking for a deeper dive? Explore our guide to LinkedIn video for tips on how this professional network with video content.
We've all heard someone describe YouTube as the "second biggest search engine" after Google. This argument is often employed in debates over the necessity of having a presence on YouTube, but it's not quite accurate.
Google, the world's biggest search engine, is a bit like a supermarket or a mall: You can find everything there. On the other hand, YouTube is more like a library or a movie theater, where people go seeking either information or entertainment.
When it comes down to it, people usually visit YouTube to watch a video for a specific purpose, not make a purchasing decision. You should, therefore, cater your YouTube videos accordingly and focus on creating a specific, engaging channel.
How YouTube evolved
YouTube has always been a video-first platform. It merges some of the features and functionality of a social media platform (think likes, comments, shares) with a powerful search algorithm that surfaces highly personalized and relevant video content in an instant.
YouTube officially launched in 2005 after a short and very successful beta program. The platform quickly grew, achieving tens of millions of video views in a matter of months, which attracted lots of attention. Shortly after, Google acquired the video platform for $1.65 billion in stock.
Since its not-so-humble beginnings, YouTube has become a dominant player in the video space. As of summer 2021, there are an estimated 1.86 billion YouTube users worldwide. In 2019, there were 500 minutes of YouTube videos uploaded every minute (which translates to roughly 30,000 hours of video uploaded every hour!). Additionally, YouTube accounted for 21% of global video streaming traffic, trailing closely behind Netflix, which had 27% in 2019.
YouTube has also added tons of features for video viewers and hosts alike. Things like YouTube's Creator Studio, Channels, subscriber alerts, and live video have made the video hosting platform more robust and engaging (though we'd be remiss if we didn't also mention YouTube's monetization through disruptive advertising here).
There's a high probability the people you want to reach are on YouTube. The challenge here, then, is not how to reach people as much as it is how to reach the right people.
According to SEMRush research, 82% of people use YouTube as a source of entertainment — which can sound tricky for a B2B company. However, 18% of people use YouTube specifically to follow brands and companies. The demand is there, you just need a solid strategy to find the pearls (also known as your niche).
Here are the types of videos that typically work well from a business perspective:
How-tos and tutorials
Search-driven videos use YouTube's impressive search engine to their advantage by targeting popular keywords. You can use tools like Ahrefs and Keywordtool.io to identify potential queries that might be a good fit for your brand video content.
Educational content, like how-to videos and tutorials, also performs well on YouTube. There's a lot of crossover with the search category here, so research what questions your audience asks and then decide how your content can help.
Teasers and trailers are a natural fit because of their entertainment value. These nuggets get folks hyped for your brand content and ideally direct them to your owned properties (your website) for the full viewing experience.
At Wistia, we lean heavily into YouTube's algorithm with search-driven and educational content. And, we leverage the platform's love of entertainment by posting trailers to our brand video series.
This piece on shooting video with an iPhone helps educate folks on how they can create high-quality videos with tools they already have. It also takes advantage of existing demand by solving a common problem many marketers and creatives face.
We posted the trailer for our award-winning documentary, One, Ten, One Hundred to YouTube, and the video has over 1.6 million views to date. The post features a prominent Call to Action (CTA) in the description to watch the full series (on Wistia's website, of course).
We've also tested longer-form content on YouTube, like this on-demand live event where our company founders discussed company debt and refinancing. We saw this video as an opportunity for our leaders to share their experiences with entrepreneurship, and we also directed viewers to a blog post that dives deeper into the conversation.
YouTube video tips
First impressions are super important on YouTube, so be sure to add a little extra effort to your video's title and thumbnail. Like other platforms, use the native features to your advantage. Use video chapters to help folks skim your videos and links to drive them to additional content.
YouTube also offers a full analytics platform, so don't be afraid to roll up your sleeves and dig into the data. This can help you make data-informed decisions that drive your overall content strategy.
Even if you can establish a YouTube channel with lots of subscribers, it's only helpful if it's reaching an audience that's aligned with your business goals. If brand awareness is the name of the game, YouTube could be an awesome network for you to tap into. If you're more interested in creating product-focused, conversion-driving content, this may not be the place to host it.
Interested in YouTube but not sure where to get started? We've got you! Take a peek at our YouTube strategy guide as a starting point.
We hope this guide helps you get your social video strategy off the ground or, if you've already started, allows you to take your strategy to the next level! Be sure to have a deep understanding of your niche audience and how each platform can support your goals. Cater your videos and overall strategy to connect the dots between these different channels and your audience, and watch your engagement soar.
Get Savvy with Social Video
Learn the ins and outs of video for every social platform with this handy guide! We'll teach you everything you need to know to create and distribute stellar videos across each channel.

redpajama_set_name: RedPajamaCommonCrawl


There's no doubt that fashion people know how to party. Hard. It's practically a job requirement. Which is all good and fun...until the day.
So leave it to fashion folks to have mastered the hangover.
Who What Wear's Hillary Kerr "If overserved, I try to circumvent a morning of pain by taking Alka-Seltzer—sometimes even before bed! When that fails, I turn to a classic hangover helper: french fries."
Designer Daniel Vosovic "Mine's actually more of a hangover preventative. Maybe it's an Aries thing, because I always want to plan--but I can be really really drunk, and when I get home, I'll force myself to chug five glasses of water--even if I'm wasted, and I'll be on that last glass and like (drunk voice) 'Oh my god I feel soOo full I'm not gonna last...' And I'm 31--I have literally had one hangover in my life. ONE. It's all about the hydration. People say it's about eating all the food and soaking it up? For me it's about breaking it up."
All Eyes on the Editors: Has Street Style Photography Created a New Unattainable Ideal for Women?
There's no doubt about it: With the advent of street style blogs like The Sartorialist, Tommy Ton for Style.com, the Street Peeper and Altamira NYC, the landscape of Fashion Week has changed. With fashion editors' and stylists' outfits now being meticulously covered, what goes on off the runway has nearly eclipsed the collections. Anyone who's recently attended fashion week--or hell, anyone who's been on the internet in the past year--will notice that the frenzy surrounding street style during fashion week has reached a fever pitch. Swarms of photographers crowd around the latest street style It-girl, angling (and sometimes shoving each other) to get the best picture. Unknowing tourists stop in their tracks, staring agape at the spectacle--some even start taking their own photos, thinking it must be a celebrity. Industry wannabes, dressed in over-the-top fashions, walk by "casually," desperately hoping to catch the eye of a photographer. Fashion week used to be a civilized industry event. Now it's become a media circus, with both established editors, actresses and unknowns going to crazy lengths to get their fifteen minutes.Teen Vogue's Mary-Kate Steinmiller, who is street style fodder herself, told us, "I think everyone (yes, myself included) is guilty of what I like to call 'peacocking' and 'baiting the razzi.'" Other editors have admitted to us that they've spent weeks prepping for the event, meticulously planning each outfit. One told us that she would change mid-day if she felt her outfit wasn't up to snuff. This deliberateness has surely had an effect on the authenticity of street style photography.


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Wake up, Bronco Nation: Boise State football links and things, 5-16-13
By Nate Peters May 16, 2013, 7:45am PDT
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My deepest apologies for the lack of links the past few days! SB Nation has had some technical difficulties directed at me in particular! On to the links!
New Football Complex
Want an inside sneak peak at the mammoth football complex going up in the North End zone? Yeah, I thought so. Hit the link for some pics and a timeline of when the facility is to be finished.
Former Bronco facing prison time
Former Bronco Titus Young has been arraigned on eight charges and faces seven years in prison. This is the ultimate low for our former star. We've had a lot of TItus news lately, and not the good kind. Keep TItus in your thoughts and prayers and lets all hope he can pull through this tough spot in his life.
Fruitland star chooses football
The reigning 3-A player of the year has decided to honor his commitment to the Broncos, hoping to start as a true freshman this season. Joe Martarano is predicted to be drafted somewhere in rounds 3-5 of the MLB draft, which simply isn't good enough for the Fruitland High standout. If it was the first round, that may be a different story, however. Very excited to see this young man play!
New video board coming
The Broncos received approval from the State Board of Education yesterday to install a new video board at Bronco Stadium. The new board will be approximately 60 feet wide and 33 feet high. The dUI up north also approved a new video board, a measly 50 feet by 30 feet (rookies).


The Work: Inspiring people is a scientifically proven way of getting people to change for the better, and inspiration is a factor in all of Leo Morejon's work.
In 2017, Leo Morejon launched the business and technology blog and podcast, Build & Inspire, to inspire people to build things they're passionate about. In it, he writes articles that support business growth and interviews some of today's most inspiring leaders.


NEW YORK, USA // Erik joined Amazon in August 2017 as Global Executive Creative Director, leading the creative team for Amazon.
Erik's background is in editorial, lifestyle and fashion magazines, where he started off 20 years ago. Prior to joining Amazon, Erik was at H&M, in a similar role, leading the creative work globally for the marketing department, engaging in brand, design, online experience and content as well as global campaigns, big and small. Previous to H&M, Erik worked at Net-a-porter, in London.
Upon joining Amazon, he moved to New York City with his wife and their two small children (3 and 1 years old) from Stockholm, where they are originally from.


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Central agencies ready to assist during possible cyclonic storm over Bay of Bengal: Cabinet Secy tells Tamil Nadu, Andhra and Puducherry
New Delhi [India], December 6 (ANI): Cabinet Secretary Rajiv Gauba on Tuesday assured Andhra Pradesh, Tamil Nadu and Puducherry to provide assistance from all central agencies to deal with the possible cyclonic storm over the Bay of Bengal.
Reviewing preparedness measures to deal with the cyclonic storm in the National Crisis Management Committee (NCMC), Gauba said, "All central agencies are ready and will be available for assistance."Gauba also stressed that preventive and precautionary measures should be taken by concerned authorities of states and the Union Territory governments and concerned central agencies, emphasising "the aim should be to keep the loss of lives to zero and minimize damage to property and infrastructure such as power and telecom".
"In case of damage to infrastructure, it must be restored in the quickest possible time," said Gauba while chairing the NCMC meet in which he reviewed the preparedness of central ministries, agencies, and the state as well as UT governments to handle the possible cyclonic storm over the Bay of Bengal.
Director General, India Meteorological Department (IMD), briefed the Committee about the current status of the weather system in the Bay of Bengal, which is likely to move West-Northwestwards and concentrate into a Depression over South East Bay of Bengal by Tuesday evening.
Thereafter, it is likely to continue to move West-Northwestwards, intensify further into a cyclonic storm around December 7 evening and reach South West Bay of Bengal off North Tamil Nadu-Puducherry and adjoining South Andhra Pradesh coasts by December 8 morning. It will continue to move West-Northwestwards towards North Tamil Nadu-Puducherry and adjoining South Andhra Pradesh coasts during the subsequent 48 hours.
Chief Secretaries of Andhra Pradesh, Tamil Nadu and senior officials from Puducherry apprised the Committee of preparatory measures being taken to protect the population in the expected path of the cyclonic storm and measures being taken by the local administration, such as fishermen being asked not to venture out into the sea and calling those at sea back to safe berth and emergency services being kept in readiness.
National Disaster Response Force (NDRF) informed in the meeting that it has made five teams available to Tamil Nadu and three teams for Puducherry as asked for by them and teams are also being kept on standby for Andhra Pradesh to be activated as and when the State Government desires.
Rescue and relief teams of the Army and Navy along with ships and aircraft have been kept ready on standby. The Coast Guard is also ready with its ships.
The meeting was attended by the Chief Secretaries of Andhra Pradesh and Tamil Nadu and senior officials from Puducherry, the Union Home Secretary, Additional Secretary of Ministry of Power, DG Telecom, Member Secretary NDMA, CISC IDS, IG NDRF, DG IMD, DG Coast Guard and senior officers from the Ministry of Home Affairs. (ANI)
Fog in Kolkata/Bose


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Brazil ETFs tumble on Rousseff win
Exchange-traded funds tracking Brazilian shares slid as President Dilma Rousseff's re-election damped speculation for a change in policies that wiped out $553 billion of stock market value and left the economy in recession
Exchange-traded funds tracking Brazilian shares slid as President Dilma Rousseff's re-election damped speculation for a change in policies that wiped out $553 billion of stock market value and left the economy in recession.
The iShares MSCI Brazil Capped ETF dropped 11 percent to $37.12 as of 7:44 a.m. in pre-market New York trading, while the real sank to a nine-year low as it led global declines. Ibovespa futures sank 8.1 percent. Petroleo Brasileiro SA, the nation's state-owned oil producer, lost 16 percent in early New York trading The Ibovespa equity gauge had rallied 16 percent from this year's low in March amid bets that the incumbent would be ousted by Senator Aecio Neves.
Rousseff, who has maintained record-low unemployment even as the economy recorded the slowest growth under any Brazilian president in more than two decades, had 52 percent of the vote with 99.99 percent of ballots counted by the electoral court in Brasilia. The Ibovespa lost 25 percent since Rousseff took office in January 2011, while shares of Petrobras tumbled 40 percent and the real weakened 33 percent against the dollar.
"There's going to be enormous disappointment in the markets that we have not had an opposition victory," Geoffrey Dennis, the head of emerging-market strategy at UBS AG, said in a phone interview. The Ibovespa may drop as much as 7.6 percent today, he said.
The real fell 2.9 percent to 2.5487 per dollar, the weakest since April 2005 on a closing basis.
The Lyxor ETF Brazil Ibovespa ETF declined 13 percent in Paris, the biggest intraday slide since October 2008, with volume more than four times the three-month daily average. The NEXT Funds Ibovespa Linked ETF declined 6.8 percent at the close in Tokyo, the biggest loss since September 2011, on volume exceeding 12 times the average.
Throughout the campaign, Brazil's stock market and currency retreated when polls indicated Rousseff might win, including a 6.8 percent drop in the Ibovespa during the final week as polls showed her support rising. Neves, who had pledged to cut public spending and attract more private investment, said in his concession speech that he phoned Rousseff to congratulate her on the victory, calling on the president to unify the country.
Rousseff defended her economic performance by saying she preserved jobs in the face of the global economic crisis. While the economy entered recession in the first half of this year, September's 4.9 percent unemployment rate was a record low for the month. Real average income has risen 10 percent during Rousseff's tenure and 33 percent in the past decade.
Credit-default swaps insuring Brazil's debt against non- payment rose eight basis points today to 173 basis points, according to prices in New York compiled by Bloomberg. The contracts have risen from the year's low of 124 basis points on Sept. 3.
Investors will turn their focus to Rousseff's choice for finance minister, said Frederico Sampaio, the chief investment officer of Franklin Templeton Investments Brazil, which manages about $900 million. Rousseff said last month that her new government would have a fresh team, including a replacement for Finance Minister Guido Mantega.
The president's fiscal policies fueled Brazil's first sovereign rating cut in more than a decade, while the government's attempts to control inflation by intervening in state-run companies sapped profits at Petrobras and electric utility Centrais Eletricas Brasileiras SA.
"What she has done has been quite negative for the market, so we see a systematic de-rating," said Pearlyn Wong, a Singapore-based investment analyst at Bank Julius Baer & Co., which oversees about $288 billion worldwide. "We do not recommend buying."
Quantitas Gestao de Recursos, a Porto Alegre-based investment boutique that manages 15 billion reais ($6.1 billion), estimated last week there is a 50 percent chance Brazil's rating could be cut to junk in Rousseff's second term.
Brazil's dollar bonds returned 8.7 percent this year, trailing the average 10.1 percent advance for investment-grade developing nations, JPMorgan Chase & Co. indexes show. The yield on securities due in January 2025 increased two basis points to 4.11 percent today. In Rousseff's first three years in office, the notes posted an annual gain of 5.04 percent, lagging behind the 5.6 percent return for similarly-rated sovereign peers.
The Ibovespa is trading near a five-month low of about 10 times estimated earnings. Stocks won't be attractive until valuations fall to about 8 times, according to UBS and USAA Investment Management Co.
"Her victory was not totally priced in yet," Bianca Taylor, a Boston-based senior sovereign analyst and strategist at Loomis Sayles & Co., which oversees $223.2 billion worldwide, including Brazilian sovereign and corporate bonds, said by phone. "We should see a slump in Brazil assets as a whole in the next few days."
As Canada's big banks pile into the ETF game, barrage of options is only growing
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There is widespread popular outrage at the bankers, the corporate CEOs and the rest of the financial aristocracy who have plundered the country for decades and now accept trillions of dollars in handouts. This is viewed as deeply unjust by millions of people whose jobs, pensions and health care benefits are under sustained attack, who have seen the value of their homes drop dramatically and who generally view the future with increasing pessimism and even alarm.
Socialism is associated positively in many minds in America with a more humane, democratic and egalitarian policy, with a society in which social needs, and not the profit interests of the rich, are addressed.
The high level of popular support for such ideas, especially among the young, is particularly striking when one considers that for the past 60 years or so socialism has been relentlessly denounced in the US, or banned from public discourse altogether. Within the political establishment, including its liberal wing, to label someone a "socialist" has been the equivalent of formally cursing, shunning or excommunicating an individual.
In recent decades ruling circles were unanimous: the capitalist free market solved all problems and "un-American" socialism was a dead issue. Apparently not.
A vast chasm separates Establishment opinion and consensus from the thoughts and feelings of the working population. The average American sees and experiences nothing in the mainstream political arena or the daily media that would offer a favorable picture of socialism. And yet, according to the poll, 47 percent of the population, according to this survey, either favor or haven't made up their minds about socialism.
Millions of Americans think otherwise, but their views find no expression in the existing set-up. Every significant American politician, as well as many insignificant ones, is a bought and paid for stooge of powerful corporations and financial interests. We have, in effect, the Senator from Oil and Gas, the Governor from Finance, the Representative from Health Care or Defense. Social inequality has reached levels disastrous for the functioning of any society; the obscene flaunting of wealth by the super-rich does not go unnoticed.
The powers that be imagine they have gotten away with their looting of society, colonial wars and other crimes because the rottenness of the trade unions, the so-called civil rights organizations and liberalism has meant no one speaks up for the needs and interests of the population. But the more the social contradictions are ignored or papered over, the more explosive they become.
This situation, in which popular sentiment and the entire political system are so obviously out of joint, is volatile and untenable. The US has been staggered in the past seven months by the economic breakdown. Objective developments, despite all the efforts of the establishment, are bringing about a violent adjustment in the relationship between social consciousness and social reality: socialism will emerge as a major presence in American political life. The poll reflects a process already under way.
After decades of a reactionary bombardment, most Americans are no doubt confused about socialism. If Rasmussen or any other firm, however, asked people whether they preferred a society in which all policy was geared to the enrichment of the wealthiest one percent (or one-tenth of one percent) of the population, or a society based on social equality ... what would such a poll show?
In a crisis, inevitably, basic social interests and sentiments find expression. The present breakdown of the capitalist order is objectively sorting the population out along class lines.
Despite all the efforts to brutalize American society and render the population callous and indifferent to the suffering and plight of others, the recent poll reveals that the broad masses of the people have an elemental socialistic orientation. They oppose injustice, they support social equality and democracy, their sympathies lie with the downtrodden.
Social development has an inexorable logic. At the very moment when popular sentiment is shifting to the left, against capitalism, the remnants of the liberal-left around the Nation magazine proclaim the virtual impossibility of "reimagining socialism," much less realizing it. These social elements, deeply conservative in their outlook and wedded to the economic status quo, will fiercely oppose the growth of a mass socialist movement in the US. That is the elemental instinct of their class, the privileged petty bourgeois.
The poll conducted by Rasmussen is cause for genuine optimism. For the same reason, while the poll's uncovering of socialist sympathies in the population has created a stir in ultra-right circles, it has gone largely unreported in the major media. If Rasmussen, run by a right-wing evangelical Christian, meant the poll as a wake-up call, the phone was promptly hung up.


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The ALA believes that all censorship and all challenges (attempts of censorship) are evil and inappropriate. It invokes the first amendment for all occasions of censorship, although the first amendment specifically refers to the government prohibiting the publication of materials. Courts have broadened the interpretation of the first amendment somewhat, but the basic premise of total censoring (for all people at all time) is still intact.
One consequence of the ALA's broad "censorship" definition is that certain of its own ["good censorship"] practices are virtually identical with what it considers bad censorship practices.
First, Libraries themselves practice this "good censorship" when they acquire books according to their "collection development policy." Libraries have limited funds and limited space, and are unable to purchase every book that is published. They are even unable to represent every point of view on every topic, as much as they might desire to do so. It is physically impossible. No worries, though. "The right of every individual to both seek and receive information from all points of view without restriction" [i.e., intellectual freedom] is untouched regardless of what information is contained in the library. Still, the library cannot even fulfill a promise to provide information from all points of view. It makes little sense, therefore to cast a would be censor as an opponent of intellectual freedom, since the library itself falls short of even providing all viewpoints.
Let's use a specific example. A patron arrives at a library to deliver a written concern about a book in the library. He offers specific reasons that the book is of insufficient literary and moral quality to justify its inclusion in a liberal library. The librarian informs the gentleman that he is an opponent of intellectual freedom (an incorrect accusation since he has not suggested that those who wish to purchase these books on their own be forbidden to do so) and acting contrary to the first amendment (also an incorrect accusation since he is in no way suggesting that the government take action against the publisher or the purchasers or the book). The librarian informs him that the library is morally obligated to include all points of view, and therefore the book must stay. This last statement is incorrect as well, since it is physically impossible to include all points of view as the library might like to do. Furthermore, the moral obligation is obviously an idealogical fantasy.
Moreover, the gentleman offering an objection has delivered the same sort of criteria that the library must use when choosing and excluding a book. In rejecting the validity of a patron offering an objection, the library has become a gatekeeper of knowledge and ideas, refusing to consider the same sort of critique that they themselves use to include and exclude books.
But, the ALA responds, the library is not a censor, because they follow an inclusive process (choosing diverse materials), not an exclusive process (not choosing certain materials) that the would-be censor uses.
Second, it denies the reality that librarians clearly make choices of inclusion by many subjective criteria.
Not the least of importance, where the library makes a choice of inclusion, he necessarily excludes. His motives matter not. Some point of view is excluded.
Now, it is desirable to offer a variety of viewpoints on important topics. A library can greatly enhance the intellectual development of its patrons with a well-stocked library (few would argue that a library of comic books would fulfill this goal). In particular in the arena of ideas, an understanding of both sides of an issue can be useful. But not all viewpoints are of equal quality and value, and the library is not morally bound to include them.
Truly more than Pulitzer and Newbery winners adorn the library shelves, but certainly a library that is concerned about well-informed citizens (Censorship Q & A) will employ some literary and ideological standards. These are subjective, as academic scholars humbly, if not reluctantly, admit from time to time.
It is reasonable to acknowledge, therefore, that at some point, librarians will make decisions that may be disagreeable to others. One person may complain that novels by Nathaniel Hawthorne are nowhere to be found in the library, with the library responding that these novels do not fit the criteria used for inclusion. It is not a bad effect; it is natural and expected when an institution has limited funds and is in good faith attempting to provide materials that will appeal to a broad spectrum of people. It should not be a problem that some materials are excluded for a variety of reasons, including that the materials are judged to be inappropriate for some reason. And if books with high literary value are to be preferred, why is it somehow inappropriate to prefer books with high moral value? Both criteria are subjective and open for disagreement.
I am not thus arguing that a variety of viewpoints be excluded from a library, but that a library is not morally obligated to provide them, that the library must make a subjective decision to include (and thus exclude) texts, that these decisions are fallible, and finally, that a process of appeal must be allowed and encouraged to retain the academic integrity of ideas. The only way to prevent libraries from being de facto gatekeepers of knowledge is to allow and encourage democratic challenges. This is another example of good censorship.
For example, if Library A chooses not to purchase Why War Is Never a Good Idea, on the basis that it believes the book inappropriate for the targeted audience (an opinion also expressed by the respected Publishers Weekly in their review), it in no way prevents the book from being published. It has not violated the first amendment in any way. Any parent is capable of purchasing the book for himself or herself; so intellectual freedom is intact. True, library acquisitions do provide a market for books such as this one, and without library support, such books might die sooner rather than later. Yet the choice to purchase a book better suited to a young audience (admittedly a subjective decision) has been made, and time will tell if the decision is good or bad.
If Library B chooses to purchase Why War Is Never a Good Idea, on the basis that the book is appropriate (even though some may find it objectionable) and of literary merit, fitting with its collection development policy, http://www.ala.org/ala/mgrps/divs/acrl/publications/rbm/backissuesrbmlvo/smyth.PDF http://www.ala.org/ala/aboutala/hqops/publishing/booklist_publications/booklist/insidebooklist/booklistpolicy/booklistselection.cfm it has done so in good faith. I may disagree with Library B's evaluation, but Library B has acted entirely appropriately. They have done no evil in making a subjective decision about including a book; however, time will tell if Library B's decision is good or bad.
In both cases, Libraries A and B make subjective calls that should be open for democratic review. Disallowing accountability within the community in essence allows the library to be a sole decision maker for the death or life of a book, something Milton argued against in his treatise on the freedom of the press.
Till then Books were ever as freely admitted into the World as any other birth; the issue of the brain was no more stifl'd then the issue of the womb: no envious Juno sate cros-leg'd over the nativity of any mans intellectuall off spring; but if it prov'd a Monster, who denies, but that it was justly burnt, or sunk into the Sea.
In other words, Milton is not arguing that all books should be equally praised and nurtured. He is presenting an ideal situation where a single person (or group) does not prevent a book from being published. Significantly, he recognizes that after publication, books can be proven monsters, and in these cases he recognizes the morality of such books rejected by society (i.e., "justly burnt").
Blackstone is also clear in his preference for societal correction, rather than a single person becoming the arbitrary and infallible judge of all controversy.
The liberty of the[p.1021]press is indeed essential to the nature of a free state; but this consists in laying no previous restraints upon publications, and not in freedom from censure for criminal matter when published. Every freeman has an undoubted right to lay what sentiments he pleases before the public; to forbid this, is to destroy the freedom of the press: but if he publishes what is improper, mischievous, or illegal, he must take the consequences of his own temerity. To subject the press to the restrictive power of a licenser, as was formerly done, both before and since the Revolution, is to subject all freedom of sentiment to the prejudices of one man, and make him the arbitrary and infallible judge of all controverted points in learning, religion and government. But to punish as the law does at present any dangerous or offensive writings, which, when published, shall on a fair and impartial trial be adjudged of a pernicious tendency, is necessary for the preservation of peace and good order, of government and religion, the only solid foundations of civil liberty. Thus, the will of individuals is still left free: the abuse only of that free will is the object of legal punishment. Neither is any restraint hereby laid upon freedom of thought or inquiry; liberty of private sentiment is still left; the disseminating, or making public, of bad sentiments, destructive to the ends of society, is the crime which society corrects.
The idea that all opinions deserve equal recognition and attention is foreign to these men, and they obviously recognize that some opinions will be excluded by this process of societal correction. The reason for preventing a single person from making the decision of what should be praised and rejected is that people are fallible; and so allowing society to correct bad material increases the likelihood of correct assessments.
Since a library must include and exclude materials, it is a part of societal evaluation. They are not like governments that prohibit and approve books. Rather than deny this fact, the library must acknowledge their role and simply encourage accountability from society as a whole.
I'm taking a long weekend off, and will conclude this section on good censorship Monday. Then we'll talk about a specifically Christian approach for the rest of next week.


A.B. Shawky is an Egyptian-Austrian filmmaker born in Cairo in 1985. His short films The Colony, Things I Heard On Wednesdays and Martyr Friday have screened at festivals around the world. He studied Political Science and Filmmaking in Cairo, and is a graduate of NYU Tisch School of the Arts Grad Film Program. Yomeddine is his first feature film.


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Die Division Dhaka (Bengalisch: , ) ist eine von acht Verwaltungseinheiten Bangladeschs, die den Distrikten übergeordnet und nach ihrer jeweilig größten Stadt benannt sind.

Die Division Dhaka grenzt im Osten an die Verwaltungseinheiten Sylhet und Chittagong, im Süden liegt Barishal und im Westen Rajshahi und Khulna. Im Norden grenzt Dhaka an die Division Maimansingh, die erst 2015 von Dhaka abgespalten wurde. Die Verwaltungseinheit umfasst eine Fläche von 20.593,74 km². Die Bevölkerungszahl wächst schnell an, im Jahre 2011 waren es etwa 36 Mio. Einwohner (ohne die Einwohner der 2015 abgespaltenen Distrikte). 2016 wurde sie auf über 40 Millionen geschätzt.

Die Verwaltungseinheit setzt sich zusammen aus der Hauptstadtverwaltung, der von Dhaka, 13 Distrikten, mehreren Subdistrikten und zahlreichen lokalen Subverwaltungskategorien.

Die seit der Abspaltung Maimansinghs 13 Distrikte der Division Dhaka sind Dhaka, Gazipur, Narsingdi, Manikganj, Munsiganj, Narayanganj, Faridpur, Madaripur, Shariatpur, Rajbari und Gopalganj.

Bevölkerungsentwicklung

Weblinks
 Artikel zur Dhaka Division von Sajahan Miah bei Bangalpedia
 http://www.citypopulation.de/Bangladesh-Mun_d.html

Division in Bangladesch

redpajama_set_name: RedPajamaWikipedia


Modern 2 bedroom 2 bathroom condo, equipped laundry room, common rooftop terrace with 2 pools, parking space, elevator, gated. This conveniently located condo is just 5 minutes from the beach close to restaurants, market, pastry shops, pharmacies, hospitals and large grocery stores. Close to transportation, schools, and the airport.
Away from the hustle and bustle of downtown Puerto Vallarta, and enjoy the local neighborhood and the uniqueness this neighborhood has to offer.


The late British guitarist Paul Kossoff had a style so distinctive that you could identify his playing after hearing just one note.
This is mainly due to his use of an intense, fast and wide fretting-hand vibrato, which became something of a trademark. In his early days, he briefly studied classical guitar, but the lure of blues-rock soon came calling and he absorbed as much as he could from BB King, Freddie King, Albert King, Clapton and Hendrix - and he never looked back.
His first 'proper' band was Black Cat Bones, who were then followed by The Wildflowers. After these came the two bands he is best known for: Free and Back Street Crawler. Free achieved a great deal in their five-year career, which included six studio albums and a live album. Two highlights were their performance at the Isle Of Wight Festival and, of course, the hit song with the guitar riff to die for - All Right Now. There were also many other great songs such as Fire And Water, The Stealer, Mr Big, I'm A Mover and Little Bit Of Love.
There's a lot to be learned from Kossoff. Here is a breakdown of the examples and ideas contained in my demo piece.
The track begins with an open-string riff idea that works well as a device, particularly in a three-piece instrument format where they help fill things out. Aim to let the notes on beats 1, 3 and 4 of each bar ring into each other.
The notes on beat 2 should be played in a staccato manner as indicated (with a little palm muting if desired). The Free track The Stealer was the obvious influence here.
One of the things I love about Kossoff's playing is his rhythm work and, in particular, some of the chord voicings he used. In this example you can see how there are two unison bass A notes at the bottom of each chord shape. These are fairly unusual and help fill out the sound.
If you play the second one of these, combined with the two additional shapes that can be seen later in bar 11, you will have the classic All Right Now changes. I wouldn't be surprised if this style of voicing came about due to his early classical guitar influences.
In this example we see a few more typical chord voicings, such as the Fire And Water-style G5 - D(no5)/F# - D5/A. These particular shapes, again, are fairly unusual and work really well as substitutes for conventional G - D rock/blues changes. Try them!
Open strings also abound in these shapes. Notice the voicings that contain both open Gs and open As. These are extremely 'guitaristic' and can be reapplied in many other situations. I should also mention the A5 chord in bar 6 - it's without doubt a must-use rock chord.
This section centres on some sparse phrasing ideas that hopefully illustrate that it's the overall feel, width and speed of the vibrato, and the rhythmic phrasing (as opposed to the quantity of notes) that matters.
The idea is to commit yourself to playing the notes and make them speak in an appropriate way. This isn't as easy as you might think. If you jam over the supplied backing track, using both major and minor pentatonic scale ideas would be the norm. In my solo, elements of both are used, as well as a touch of the A blues scale in bar 15.
For an appropriate vibrato on the bent notes you should always try and support whichever finger is bending, where possible. Make sure you listen closely to this aspect of Paul's playing.
One last point here is in regard to the 'sympathetic ringing' that occurs in bar 16. If you watch the video at this point, you can see how my hand moves and yet both the E and D notes can still be heard.
This is due to the ringing on an open string and the D note that was on the B string now being picked up as a sympathetic vibration/ harmonic on the open D string! This is a cool idiosyncrasy. Play it with the D string unmuted and then muted, to see what I mean.
This final five-bar section kicks off in bar 22 with some 'three against four' phrasing of a repeating three-note major pentatonic scale lick. The obvious influence for this comes from Paul's solo in All Right Now.
All that is happening here is that a repeating three-note lick is played in groups of four, and, by doing so, the notes become displaced on each repetition. This makes the idea sound far more interesting than had the same three notes been repeated in straight triplets, for instance.
Aim to keep the underlying 16th-note grouping in mind and also try not to rush and all should be fine. In this case, you will need to repeat the three-note lick eight times before entering the closing series of string bends (bar 23, beat 3 until the end).
After playing this lick as written, it would also be a good idea to try it beginning on all the remaining down- and off-beats. This varying placement will feel different and is well worth becoming familiar with.


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Quick Thoughts: HAPPY ENDINGS, "Spooky Endings"
I'm going to come clean. I'm not a big fan of Halloween, so Halloween themed episodes can be hit or miss. That being said, I was really excited for "Spooky Endings" because Happy Endings is the perfect comedy that could effectively utilize the holiday.
"Spooky Endings" didn't try anything new because it was pretty much about the gang either going to a costume party or staying home to welcome trick-or-treaters. Both are pretty standard Halloween topics that sitcoms have relied on for years, but Happy Endings still brought its wit and craziness to make it all feel fresh.
What was great about "Spooky Endings" though was it was still able to focus on the characters and their relationships. Sure it was fun seeing Penny and Max as a mother with her baby in a bjorn, but we also got to see how much they cared about each other after two potential suitors got in between them. Even Dave and Alex had some nice moments after she was mistaken for a drag queen, and I'm glad the writers are figuring out how to use these two. Again, neither of these are new ideas, but they all worked.
The Jane/Brad B-plot about them house-sitting in the suburbs and giving out candy wasn't as funny as the A-plot, but that doesn't mean it wasn't funny. Both Damon Wayans, Jr. and Eliza Coupe had some killer one-liners, like when Jane commented on the quality of the schools in the burbs based on the threatening notes left by the older kids.
All in all, "Spooky Endings" was just non-stop hilarity and another example of this show firing on all cylinders. I know the ratings aren't lighting the world on fire, but the order of additional scripts, has me hoping that Season 3 is not far behind. Fingers crossed.
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John Crace hunts for clues to a tighter plot in Dan Brown's latest conspiracy thriller Published: 8 Oct 2017 . Origin by Dan Brown – digested read. Origin by Dan Brown – a Nostradamus for... The Mickey Mouse watch-wearing, claustrophobic, always-near-trouble symbology professor is back in Dan Brown's latest book. And just like he was in his original exploits ( Angels & Demons and The Da Vinci Code ), Dr. Langdon is once again wrapped up in a global-scale event that could have massive ramifications on the world's religions.
The Mickey Mouse watch-wearing, claustrophobic, always-near-trouble symbology professor is back in Dan Brown's latest book. And just like he was in his original exploits ( Angels & Demons and The Da Vinci Code ), Dr. Langdon is once again wrapped up in a global-scale event that could have massive ramifications on the world's religions.


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Dads have shorter fuse with their L plate off spring
Published 17th June 2011Read Time 3 min
For a happy and harmonious father's day steer clear of driving lessons with your dear old dad is the advice being offered by AA Membership. The results of a light hearted AA membership poll, completed exclusively by parents who have dared to take their son or daughter for a driving lesson reveals that dads by and large have a lower patience threshold than mums when it comes to instructing their children. In the AA Membership poll which was completed by more than 3,700 parents across a wide range of ages, 28.5% of the dad's quizzed, said they believed themselves to have been a very patient teacher, stating they remained calm and constructive throughout the lessons. A higher percentage of mums however, 35.9% gave themselves this same rating. At the other end of the patience scale 11.3% of the dads surveyed during the AA Membership poll said they simply didn't have the temperament for teaching their off spring how to drive. A slightly lower number of mums said the same. 9.2% of those surveyed said teaching their children how to drive was far from their natural calling and a major test of their patience. Among the individual comments received from this less successful group of parents were "never again!", "my son simply would not take on board instructions", "my foot was glued to the imaginary brake", "I was a nervous wreck" and "I had holes gouged in the passenger seat". Overall 3.6% of the parents who trialed a lesson with their child said it was an unmitigated disaster which resulted in a massive argument followed by abandonment of the lesson altogether. For children looking to repay their dads for all the driving lessons, lifts and help with their car over the years, AA Membership has a special offer to celebrate Father's Day - 25% off all its Membership products. As an AA Member your dad can enjoy Roadside Rescue Assistance, 24 hours a day, 365 days a year in Ireland and the UK. Discounts on AA Motor Insurance, AA Home Insurance, AA Travel Insurance, AA Car Servicing, AA Vehicle Inspections, free AA Travel Insurance within the UK and Ireland and access to the new 'Ask AA' service meaning free expert motoring advice is just a phone call away. Plus he'll benefit from savings on a wide range of accommodation, tourist attractions, restaurants and retail outlets. Visit www.aaireland.ie for details.
By aawpadmin
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Discover Social Work
Prepare for Your Education
Start Your Studies
Home > Students > Discover Social Work > What Do Social Workers Do?
What is Social Work?
What Do Social Workers Do?
How Do I Learn More?
National Social Work Organizations
Social Work Trends
Current and Future Social Workers
Social workers are a diverse group of professionals who share a commitment to helping enhance the well-being of people, communities, and society. They have a rich history of striving for social, economic, and environmental justice, advocating for human rights, competently providing services for clients at every stage of life, and engaging in lifelong learning.
Defining what social workers do can be difficult because they work in a wide range of situations. Examples of key tasks include:
Identifying individuals, families, groups, organizations, and communities in need of help
Assessing clients' needs, environments, strengths, and support networks to help them identify their goals
Providing psychotherapy services
Researching, referring, and advocating for community resources, such as nutrition assistance or child care
Developing and evaluating programs and services to ensure that basic client needs are met
Advocating for policy change on the local, state, and federal levels
Working on interprofessional teams and leading organizations to fulfill their mission and goals
Organizing groups, task forces, and communities for social change events and movements
You can find social workers in a wide variety of environments, including a few surprising ones highlighted below.
Library Social Workers
"I believe that [the library social workers] are going to be such a critical part of providing support to the community. They'll be flexible and be able to focus on doing what people need and getting them to the appropriate places," shared Pahoua Yang, Amherst H. Wilder Foundation vice president of community mental health and wellness.
Social Workers and the Police Department
"We are willing to forge nontraditional partnerships that work to decrease crime in our city," Rick Smith, chief of the Kansas City Missouri Police Department said. "People who don't have their basic needs met will always look for alternative means. The KCPD is striving to assist with those alternative means, as opposed to criminal means."
Social Workers on Capitol Hill
"In 1968, a young social worker with a big voice stood up to Baltimore's old-boy political machine. Her goal: to save two communities from being plowed under to make way for a 16-lane freeway through the heart of her city. She won that fight and, in the years that followed, she'd battle many more times for her city, state and country."


California Pomegranates possess the unique characteristic of having bold and beautiful red coloring. This red hue can be strategically used in your produce department as a striking color break from other fall fruit, such as table grapes and persimmons. You may also wish to generate interest by displaying pre-packaged juice and arils along with the whole fruits.
Use the California Wonderful Pomegranates' limited availability to your advantage: order a sufficient quantity for customers and set up demonstrations of the No-Mess process in your store. Since pomegranates are not available for long, maximize your profits in a short time. California Pomegranates are the hit of the fall fruit – don't miss out on the excitement and substantial profit opportunity!
Pomegranates offer many eye-catching merchandising opportunities. Being available for a relatively limited time, pomegranates can be promoted as a seasonal treat not to be missed. They are also a natural match with the fall holidays, on hand for cross-merchandising from Halloween through the New Year. Displaying pomegranates in a variety of store departments can remind customers they are not only superb to eat but also look lovely on a holiday dinner table as decoration. Place with straw cornucopias, multicolored corn, and gourds for harvest décor. Or, display a bright basket next to a cooler with pomegranate juice for a refreshing fall display.
Highlight the health benefits of pomegranates: not only are they delicious and beautiful, they are also among the most nutritious fruits one can eat. Pomegranates are low in calories, high in antioxidants, vitamin C and potassium, and are a good source of fiber.


Home » Crossword Clues » Talk to you later!: Hyph.
Greetings! In this post you will find Talk to you later!: Hyph. crossword clue answers and solutions. This crossword clue belongs to Crosswords with Friends April 11 2019. If there is anything wrong with the answers we have provided for you, please make feel free to contact us so we can resolve the issue you're having problem with. Crosswords with Friends is now part of Zynga Inc and it has changed it's name from Daily Celebrity Crossword.
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Eastern Kentucky 0 3 10 15 28
Eastern Kentucky at Tennessee State | October 15, 2016
TSU TD 11:41 BUTLER 20 Yd Run (CLARK kick)
TSU TD 02:01 KNOX 3 Yd Run (CLARK kick)
TSU TD 12:15 ROBINSON (CLARK kick)
EKU FG 04:47 WILLIAMS 25 Yd
TSU TD 00:00 CURTIS 8 Yd Run (CLARK kick)
EKU TD 12:14 HOPKINS 3 Yd Run (WILLIAMS kick)
EKU TD 14:55 ENYENIHI 1 Yd Run
EKU TD 05:46 McCLESKEY 3 Yd Run (WILLIAMS kick)
Stats at a Glance
1st Downs 31 21
3rd Down Conversions 7-16 4-11
4th Down Conversions 4-4 1-1
Passing (Comp-Att) 350 (29-45) 181 (13-24)
Rushing (Att) 234 (40) 200 (40)
Total Yards 584 381
Penalties 12-89 10-78
Possession 25:58 34:02
BoxscoreTeam StatsPlay-by-PlayDrivesDefense
Eastern Kentucky 28
Tennessee State 35
October 15, 2016 at 6 p.m.
Nissan Stadium , Nashville, Tenn.
Tigers Host Eastern Kentucky for Homecoming
Photo by Matt Maxey
Tennessee State Game Notes | Eastern Kentucky Game Notes
2016 Tennessee State Media Guide | Live Stats
Social Media: #BigBlueRising
Twitter: @TSU_Tigers | Instagram: @TSUTigers
Facebook: Tennessee State University Tigers
Game 6: Eastern Kentucky (2-3, 1-1) vs. Tennessee State (4-1, 1-1)
Date: Saturday, Oct. 15, 2016
Location: Nashville, Tenn.
Venue: Nissan Stadium
Kickoff: 6:00 p.m. CT
Audio: 102.1 FM The Light
The Game: Today is the 29th meeting between Tennessee State and Eastern Kentucky, with the Colonels leading the series, 23-5. EKU has won the last three games, but the Tigers have won three of their five total wins over the past six meetings. The Tigers first met the Colonels in the NCAA playoffs, a 13-7 loss, in 1982. TSU earned its first win over EKU in 1998, 31-21. The Tigers last defeated the Colonels during the 2012 season, as part of the Big Blue's 7-0 start four years ago.
Last Meeting: The Colonels earned a 45-21 win in Richmond, Ky. as Tennessee State was unable to score in the first half despite possessing the ball for over 19 minutes. The Tigers found themselves behind 31-0 midway through the third quarter before Erick Evans' 62-yard touchdown run. Ronald Butler continued the resurgence as he hit Patrick Smith a 63-yard touchdown pass and found Quindell Cousin for an 18-yard scoring play cutting the score to 38-21. EKU would shut the door on the Tigers with another score, ending the Big Blue's hope for an epic comeback. On the day, the Colonels outgained TSU 549-351 despite Butler throwing for 222 yards. The junior quarterback finished the game 23-of-37 and threw a pair of interceptions to go along with his scoring tosses. Smith led all receivers with nine receptions for 119 yards and the score. On the ground, Evans led TSU with 85 yards on seven carries.
Head Coach: Rod Reed is in his seventh season at the helm of the Tigers. During his time at TSU, he has compiled a 40-35 record, including a 32-20 mark since 2012. Reed is 1-4 versus Eastern Kentucky.
Tennessee State: After a 35-34 loss at Eastern Illinois last week, Tennessee State fell to 4-1 on the season, 1-1 in OVC play. Kicker Lane Clark connected on a pair of field goals at EIU. His 52-yarder is the third longest in the OVC this season, behind his 57 and 54 yarders from two weeks ago. It also ranks as the fifth longest in FCS play. Clark is 8-for-12 on the season and a perfect 3-for-3 from beyond 50 yards. Ronald Butler threw for a career high 303 yards as he completed 15-of-27 passes with two touchdowns and an interception. Patrick Smith went for 160 yards on seven catches and a touchdown, while Steven Newbold added 121 yards and a touchdown on four receptions. Smith now has 16 touchdowns in his career over 15 games. Newbold's play earned him adidas OVC Co-Newcomer of the Week honors. The true freshman ranks third in FCS play and first in the OVC averaging 24.11 yards per reception. Newbold has totaled 458 yards on 19 receptions. Last year's top tackler, Chris Collins, has reestablished himself this season for the Big Blue. Collins leads the team with 36 tackles, 27 solo's, and has 5.5 tackles-for-loss, including 1.5 sacks. Laquarius Cook offers support from the safety position with 35 tackles.
Eastern Kentucky: The Colonels are led by quarterback Bennie Coney who has thrown for eight touchdowns and 960 yards. Devin Borders, Ryan Markush and Dan Crimmins have stepped up as favorites for Coney. Borders leads all receivers in catches (28), yards (399) and touchdowns (5). Markush leads the team with 16.4 yards per reception as he has hauled in 19 passes for 312 yards, while Crimmins has added 15 catches for 214 yards. Jeffrey Canady and Kiante Northington top the defense with 51 and 49 tackles, respectively. The Colonels rely on Aaron Patrick and Patrick Graffree to provide the pressure. Patrick has amassed 5.5 tackles-for-loss, 4.5 sacks and four quarterback hurries. Graffree completes the one-two punch with 5.0 TFL's and 3.5 sacks.
Radio: 102.1 FM The Light will carry the game live with Greg Pogue (play-by-play), Albert Dawson (analyst) and Gary Dawson (sideline). Pregame will begin at 5:30 p.m. CT.
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