Die cutting machines has given crafters the power to create cutouts at their leisure for a variety projects such as card making, T-shirts, scrapbooking, quilts, decorations and other paper crafts.
Owning a die cutting machine comes with a lot of benefits, no wonder that they are now seen as necessary equipment among serious crafters.
Even though, it is clear that this machine can take your crafts to greater heights, selecting the best die cutting machine can seem like such a big task, but it doesn't have to be so daunting.
Hopefully, the die cutting machine reviews in this article will open your eyes to some exciting die cutting features, so you could make a better choice and enjoy the fun of crafting.
The Cricut Cuttlebug is probably the best die cutting machine for beginners.
It is cleverly constructed with foldable sides and handle that can be tucked away for easy storage and usage.
There is a strong suction underneath the machine that helps to hold it firm on the table when running materials through it.
With the Cricut Cuttlebug, cutting and embossing can be made quickly and easily, it simply offers a great deal of versatility and compatibility with most leading brands of embossing folders and dies.
Another thing to know is that the machine delivers on its promise of quality, producing a clean, professional cut and even embossing through a variety of materials.
No wonder many users love this machine.
This die cutting machine is portable, it weighs 7lbs allowing you to carry and use your machine anywhere you want to.
The machine is safe for use, even for kids, and comes with a user manual, two B Cutting Plate, 1 A Spacer, one 5×7 embossing folder and a year warranty out of the box.
You can run the materials through the either sides of the machine; this means that you can use the machine even if you are left or right handed.
As times goes on, the cutting plates provided with the machine will become warped and scratched as use them. It would be better to choose one plate as your cutting plate and keep the other below. When your cutting plate gets warped, turn it over to use the other side.
Do not force anything into the machine; ensure that your cutting materials do not have a height that exceeds 0.125 inches.
Clean the machine, fold and store it properly after use.
The Cricut Cuttlebug is a durable and portable machine; it offers quality die cutting experience at an affordable price.
This is a great value craft cutting machine that truly fulfills its expectations. It features durable plastic construction, solid gears and steel rollers.
Although the Sizzix Big Shot is not as portable as the Vagabond 2 or the Cuttlebug since its sides are not foldable, but does provide a great and smooth die cutting performance you can bank on.
It is lightweight (weighs 7.5lbs) and comes included with a pair of standard cutting pads, and handle for easy carriage. It is a versatile and reliable piece of equipment, supported by Sizzix's great customer service and 3-year warranty.
It also features a 6-inch opening which allows for cutting and embossing extra large dies of various materials. The machine works with all Sizzix dies up to their extra large and longer dies, even with dies of other brands.
However, the machine doesn't come with detailed instructions, so if you are a first time user and feel confused about how to use it properly, search on Youtube and follow user guide from many happy users of Sizzix.
If you want quality but cheap die cutting machine, Sizzix Big Shot is your best bet.
It is durable and more versatile as it can work with larger and longer dies and folders of various brands, highly recommend for more serious crafters.
The Vagabond 2 is simply a portable yet powerful die cutting and embossing machine from Sizzix.
It has a suitcase appearance which does not only guarantee its ease of transportation from places to places but also the ease of storage.
Its sturdy construction offers a great deal of durability and other exciting features you should consider when shopping.
The Vagabond 2 features all-metal gears and stronger motor which replaces the crank system on regular machines, allowing a faster, smoother and professional cutting operation.
This Sizzix die cutting machine is an indispensable companion to serious crafters as it embosses and cut various materials and thickness without a hitch.
It comes with a year warranty and an inbuilt mechanism that helps to prevent breakage and overload.
It also comes with a pair of standard cutting pads, an extended thin die adapter, and is compatible with all Sizzix components that are not thicker than the big 6 inch die.
Vagabond 2 is strong and highly durable; it has a unique appearance and offers a high-performance crafting experience.
If you are tired of hand crank machines or you are experiencing wrist pain and now looking for a budget-friendly electric cutting machine, this Sizzix Vagabond 2 may be a right choice for you.
The Gemini by Crafter's Companion is an electric die cutting and embossing machine that is well appreciated for its versatility and durability.
It has the ability to cut a wide variety of materials such as rubber, plastic, fabric, magnetic sheets, cardboard, vinyl, or metal without a hitch and without missing an edge.
The Gemini die cutting machine is highly recommended for intricate dies due to the high amount of pressure it exerts.
You can easily select from the 16 cutting dies and three embossing folders that come with the machine to make the most appealing designs.
The machine can also work with most embossing folders, and metal dies, giving you a lot of options to work with.
It has a large cutting platform that can hold materials that are 9 inches wide and 12.5 inches long to cut many dies at a time.
Gemini die cutting machine is very easy to use and has the pulse, resume, and reverse buttons to control the machine cutting operations.
Undoubtedly, the Gemini die cutting machine is one of the most versatile crafting machines you can bank on.
The Silhouette Cameo 3 is one of the best electronic cutting machines you'll find on the market. It comes with lots of exciting features so you will have lots of fun doing crafts with the machine.
It is Bluetooth enabled; this allows you to transfer cut designs to the machine wirelessly.
The machine is equipped with dual carriages for cutting and printing without a halt and an inbuilt storage space to keep spare blades.
It comes with a full-color touch screen display that allows you to adjust the settings or view the inbuilt tutorial.
It is compatible with PixScan™ technology, and also with USB, PC, and Mac which means that you to copy, download, or create your own custom designs with the help of Silhouette Studio, its powerful design software.
The Cameo 3 has 2mm cutting clearance for cutting a variety of materials up to 12 inches long and 12 inches wide, and the fact that it can even register and cut printed materials makes it more intriguing.
It comes with a year warranty which is only available to Canadian and US customers.
With the crafting experience you would gain from the Cameo, you agree that this ultimate DIY machine is simply the best Silhouette cutting machine.
If you want the best electronic die cutting machine, the Silhouette Cameo 3 might be the best way to go.
Its Bluetooth functionality, powerful software and dual carriages make it the best Silhouette machine for the money.
The Silhouette Curio is one of the best craft cutting machines for DIY projects that come loaded with exciting features.
The Silhouette Curio is not a perfect replacement for Silhouette Cameo although it has more capabilities than the Cameo. Think of it as a kitchen knife and the Cameo as a cleaver; both have different uses and functions.
The Curio is a companion tool rather than a replacement; it can cut, draw, stipple, etch and emboss and this makes it the best embossing machine for card making.
It has 5mm cutting clearance which allows thicker materials the same way it allows more varieties of materials including fabrics, wood, leather, and soft metals.
Other exciting features are the adjustable base platform and the dual carriage, allowing you to work with different material thicknesses, emboss and perform other operations simultaneously.
The Silhouette Curio comes with Silhouette Studio; its powerful design software to get you started. It is also compatible with PixScan™ technology, and with USB, PC and Mac to create your own custom designs.
It comes with a 1-year warranty, starter guide and other Curio accessories.
If you want to take your crafting operations to the next level, you need to add this crafting monster Silhouette Curio to your crafting tool kit.
Empower yourself with Cricut Explore Air 2, a Cricut personal cutting machine that has never failed in living up to its expectations. Everything that comes with this machine is simply designed with its users in mind.
Considered the best Cricut machine, it is very easy to setup and even comes with Bluetooth capability to transfer cut jobs easily.
It is fast and reliable, allowing you to create designs on your iPhone, Android devices or your computer easily.
The Cricut Explore Air 2 has a great deal of accuracy and works with a variety of materials from thin vellum to thick leather up to 12 inches long and 12 or 24 inches wide.
It features a friendly user interface and has dual clamps which make cutting and sketching easy in a single step.
The machine also has the print and cut feature that allows you to print full-color images from your computer and then cut.
The set smart dial automatically configures the blade according to the material to be cut to provide a smooth and precise cut.
The blades are durable. However, you can replace them with the Circuit pen to draw or make handwritten cards.
This DIY craft machine is the bomb! Get the Cricut Explore Air 2 and your crafting operations will not only be faster, smoother but also be a lot easier.
This Brother scan and cut machine is an exceptional electronic machine with an inbuilt 300 DPI scanner which allows you to scan anything you like into the device to automatically create cut lines.
With this, you can easily create your designs without computer or cartridge and save them into an external USB drive or the machine's internal memory.
This amazing piece of crafting equipment comes with an in-built 4.85-inch full-color LCD touch screen display to manage and move the designs.
It has powerful free cloud design software (ScanNCut Canvas) which allows you to create excellent cut designs.
It also comes with JPG, SVG data readability and inbuilt fonts and designs that can be accessed without subscriptions or extra charges.
The machine has a great deal of accuracy and works with a variety of materials from thin homemade papers to fabrics up to 12 inches long and 24 inches wide.
Another amazing feature is the wireless compatibility that allows you to transfer designs from your PC to the machine easily.
What is The Difference Between ScanNCut and Driect Cut?
The machine can draw, but you will have to purchase the pen and the pen holder.
To cut fabric and get the best result, starch, and iron the fabric properly to flatten it.
It is advisable to use darker lines in order to get the best scanning results. If your design comes with lighter colors, outline it lightly with a pencil and erase it after you completed the scan.
Unplug, and store properly after use.
With some amazing features present on this machine and absent on other die cutting machines; you would agree that the Brother CM350 is simply the best scan and cut machine for the money.
It is highly recommended for more serious crafters.
In a nutshell, these are the best cutting and embossing machines available on the market. Not only do they offer the best crafting experience but can also be purchased at an affordable price.
Below are the best manual die cutting machines available on the market.
Now that this die cutting machine reviews has opened your eyes to the best die cutters, it is time to select the one most suitable for you and take your crafting to the next level.
With so many different varieties and models of die cutting machine on offer, getting yourself the best die cut machine might seem a time-consuming effort.
Since all die cutting machine are drastically different as regards their cost and usage, having a good knowledge of the types and the use of these machines is therefore important in selecting the best.
Typically, there are three main types of die cutting machine– manual die cutting machine, electrical die cutting machine and digital or computerized die cutting machine.
The properties of these machines are discussed below.
Manual die cutting machine uses a crank system that requires turning its handle to push the die sandwich through a slot where the material is cut or embossed.
These machines are a great addition to a digital die cutting machine since they can all carry out "embossment," a die cutting operation that only a few digital machines can perform.
It involves making raised designs or symbols on a material, creating a "pop-out" effect its surface.
These versatile pieces of equipment can work with a wider range of dies and are the most affordable and the easiest to carry.
They require no electricity, and this can be a great option in places with little or no electricity supply. No restrictions simply place your dies, turn the handle and voila! You're done.
However, manual machines are slightly labor intensive, and improper settings of the dies would result in some margin of error.
This machine works more like the manual die cutting machine but uses an electrically powered motor in place of the crank system.
They reduce the workload on their users but are costlier than their manual brothers.
Digital or electronic die cutting machine has a function similar to a printing machine.
Designs can be transferred to this electronic machine in two different ways, either from a device that is preloaded with designs (cartridge) or through a computer system where the designs are drawn with the help of certain software or downloaded from the internet.
These machines are more versatile, accurate and faster. They allow you to draw your own designs and save them as templates for future use, but not all digital machines allow this feature.
The electronic cutting machines use electricity and are not as labor intensive as their manual brothers but do require some level of computer knowledge.
These machines are somewhat larger, heavier and more expensive than the manual and electrical die cutting machines.
You need to consider the kind of project you'll be creating and the material you'll be working with when selecting a machine.
Heavy duty machine can work on a greater variety of materials and would be a great choice for projects that require cutting different kinds of materials.
It may not be reasonable to invest in this kind of machine if all your project will be centered on cutting paper-based material.
The capability and usability of a die cutting machine boil down to its type.
While many consider the ease of transporting and setting up the machine, others consider the versatility of the machine when shopping for the machine.
While it is advisable to select a machine that can handle nearly all the operations (such as die cut, emboss, pierce, engrave, scan, etc.), the aspect of durability should not be neglected.
Manual die cutting machine tends to be more durable since they have only a few moving parts with no wiring.
All die cutting machines work with dies and often comes with some amount of dies out of the market.
However, it is a good idea to check for other available dies for the machine before you decide on one.
There are many varieties of dies, and fortunately, most die cutting machines can virtually take any die. But this should not stop you from making sure that you have enough letters, figures, and shapes for your personal needs.
If you want to go for dies with special characters and logos, it is important to select a machine that has such dies available for purchase.
Dies are available in various sizes and compatibility with different types of machine. You need to consider the size of the machine, dies and what you'll use them for before making a choice.
For instance, if you are going to be using them for scrapbooking, it might be ideal to opt for larger dies to create a background for one of your pages.
Some dies may be compatible with more than one machine while others may not.
Checking the compatibility of dies with the machine in question is a reasonable thing to do before making your selection.
Manual machines are more compatible with dies made from different companies while their digital brothers tend to be running low in this regard due to the software programming involved.
If you are interested in working with generic dies, a machine that can handle a wide range of dies might be the best for you.
This is another important aspect to consider as it plays a major role in the ease of transporting and storing the machine.
Typically, manual die cutting machines are more portable, easier to transport, much easier to store since it only requires a little storage space.
It may also be the best die cutter for a crafter who has no permanent space for their work.
Some electronic machines are compatible with the most common die cutting software while some require special software for it to function properly.
Not all machine allows for custom designs; you should, however, look into this carefully before making your selection.
If all you need is a machine that will allow you to preview, create, adjust, and store your own designs as templates for future use, then the digital or electronic die cutting machines may be the way to go.
Apart from the type of the machine, the price is probably the most decisive factor considered when shopping for a die cutting machine.
Most people tend to go for cheap products, but you would agree with me that quality does not always come cheap.
If you want a machine of low initial investment, a manual die cutter might be the way to go.
If you are however concerned about the operating cost of a machine over time, then the electronic die cutting machine might be all you need.
On the other hand, the product with a good warranty should be considered. Whichever machine you buy, buy the one that will adequately satisfy your needs.
I am leaning toward the Brothers Can n Cut machines. The model you reviewed (350) seems to have exactly what I want. However, there are several other Scan m Cut models available at this time.
Can you explain what the differences are between the 550, 650 and 700 models in relation to the 350.
– Wireless capability: this feature is included in both 350 and 650 but not available at 550. However, you will need an activation card to connect to ScanNCut web application, which is now sold as a package with CM350 at Amazon.
– The CM650 is packed with more added features than the CM350 (more designs, 24″ scan function, PES file capability, more pens) but it is not available at online stores, and only sold at Brother dealers.
I found that the model CM700 is not for US market.
I bought a Gemini for Christmas. Used it three times, two cuts with dies and one attempt to emboss with Crafters Companion embossing folder. The top roller froze, the machine emitted a cloud of black dust, and that was that, I need an electric machine that cuts dies larger then 6 inches in width, fan of Tattered Lace dies, and is electric due to physically limitations. I've a Vagabond, but its to small for some of the larger dies I own and I dislike having to hold down the power button. I've been reaserching and this happens with a fair number of Gemini's. Should I give the Gemini another chance or pass until these issues get corrected?
Thank you for your question. Personally I also had issues with the Gemini at my first try. I even destroyed the rubber mat. After researching and watching a lot of Youtube videos on Gemini, I learned that I had made a wrong combination of cutting dies. So, my rule of thumb in this case is to make sure you follow the instruction in the booklet, have the cutting plate, shim, die and material layered correctly. It's true that the Gemini produces quite a lot of dust, but it works really nice.
So my answer to your question is YES, give it another chance.
Don't be afraid to contact Crafter's Companion if you still experience the issues. They're quite helpful and friendly.
Is the Gemini a quiet machine? i live in an apartment & like to craft very late at night or early mornng.
The Gemini is not very noisy. In fact I found it quieter than I thought when I tried it the first time. Check out this Gemini machine review, I have included a video at the end of the article on using the machine, you can hear the sound and decide whether it is quiet enough for you.


On the longest day of the year, our community gathered at our community garden for our second annual Solstice Garden Blessing. Thanks to Gareth Veiera, Doug Woods, Darlene Denis and Chris Hill for their part in the evening.
Opening night of an exhibition of recent work by the Green Wood Creative Arts Group. The show was curated by Cobourg artist, Alice Vander Vennen. In addition to the wonderful art on display, the evening included a performance by Roger Scannura and Laurence Stevenson of Rimo Flamenco.
This show is on view at Harden & Huyse Cafe (201 Division St., Cobourg, ON) until July 31.


Applications for Concealed Pistol Licenses are accepted at the Washtenaw County Clerk/Register Elections & Administration office between the hours of 8:30 am and 5:00 pm Monday - Friday (excluding observed holidays).
Learn about the application process for a new Concealed Pistol License.
If your concealed pistol license is expired for more than one year prior to the date you are applying or you have been found to be not qualified for a license previously your application is considered a "re-application" - not a renewal or new application.
If your Concealed Pistol License is expired for one year or less prior to the date of application you are eligible to renew it.


This is a reminder that Summer 2019 is the last semester you will be able to teach in Blackboard. After the Summer 2019 session, you will be unable to access Blackboard.
Summer 2019 courses have been created in Canvas. If you are still teaching in Blackboard, you must request a Blackboard course site. The Blackboard Request System can be found in the upper, right-hand corner of Blackboard > Course Site Request > Blackboard Course Site Request. This will walk you through the steps to request a Blackboard course site for summer 2019.
We highly encourage you to begin work in the Canvas LMS. If you need Canvas training, attend one of our online trainings by registering on our workshops calendar. We offer training on Canvas basics, Rubrics, Canvas Grade Center, Assignments, TurnItIn, Panopto 101, Zoom, etc. If you cannot attend one of our trainings, you can also refer to our Support Page or the Canvas Community Guides.
We are hosting a Canvas conference at the Kauffman Conference Center on July 26, 2019. This is a free event for you to learn more about Canvas. You can register on our Training Calendar.
If you haven't already, you can request a Canvas sandbox by signing into Canvas > click the question mark on the blue navigation bar > Canvas Request System > Sandbox Request. You can request more than one sandbox.
If you're ready to move your Blackboard course to Canvas, you can also use the request system "BB Site Conversion Request" to have your Blackboard course uploaded to Canvas. This process may take 24 hours to process. You can also follow the steps on the Migrating a Course from Blackboard to Canvas article to import the course on your own. This will import the course after a few minutes.
Please let us know if you have any questions during your transition from Blackboard to Canvas.


After an initial interview with a priest the parents are asked to attend a baptismal preparation session at the parish. Godparents are also encouraged to attend. The purpose of our baptismal preparation session is to share an understanding of the Rite of Baptism, the role of parents and godparents and other helps toward Christian witness. It is important to know that Godparents must be at least 16 years of age, be fully initiated and are participating in the life and worship of the Catholic Church.
Baptisms of infants and young children are celebrated during the Sunday liturgy as scheduled according to the Church Year. The Sacrament of Baptism is not celebrated during the season of Lent. Parents/Expectant Parents seeking the sacrament of baptism for their child should contact the Rectory Offices at rectory@stsimon.org or 650-967-8311 at least two months prior to the desired date of Baptism.
People ages 7 and above who wish to be baptized must participate in the Rite of Christian Initiation of Adults. This process runs from September through May. At the Easter Vigil following the initial discernment both children and adults are eligible to celebrate Baptism, Confirmation and Eucharist. Parents of children age 7 or above wishing to enter this process are highly encouraged to participate in the Rite of Christian Initiation of Children (RCIC). Interested parties should register in person in the summer.
Information for Adults: How Do I Become a Catholic?


The mission of the Code Enforcement unit is to enhance and preserve our neighborhoods and business districts while providing a safe, healthy, and environmentally friendly community. We strive to gain voluntary compliance through education, community involvement, and enforcement of ordinances in a fair and unbiased manner while providing superior customer service.
Code Enforcement officers also investigate animal welfare issues.


A trading company takes title to the goods; an export-management company usually does not. Haulage: The inland transport service which is offered by the carrier under the terms and conditions..
Doi:.1177/ Lang,. 3054 Cardiac Arrest (74) BA T201-3259 Carnation Killer (73) Brian Clemens wrote this British Horror about a serial killer who has escaped from the Asylum. Simone Signoret L243..
Required core courses: CS 651 Data-Intensive Distributed Computing stat 847 Exploratory data analysis CS major students will be exempted from taking CS 651 if they have taken an equivalent course;..
Write at a level that's appropriate for your audience. 24 In 1987, the center began exploring possible new homes to replace its 9-building campus on First Hill that it was set to outgrow. How is vitamin D being studied now in clinical cancer research? Don't try to manipulate the data to make it look like you did more than you actually did. Use a spellchecker, but be aware that they don't catch all mistakes. A number of epidemiologic studies have investigated whether people with higher vitamin D intakes or higher blood levels of vitamin D have lower risks of specific cancers. Donnall Thomas,.D., who received the award in 1990 for his pioneering work in bone-marrow transplantation and who died in 2012; 18 19 and Lee Hartwell,.
16 Notable faculty edit The center has employed three recipients of the Nobel Prize in physiology or medicine : Linda Buck,. Retrieved December 17, 2015. New York: Columbia University Press. Nogaki, Sylvia (June 25, 1988). "After incubating at 30 degrees C, we examined the petri plates." (You must've been pretty warm in there.) Write succinctly. Luke Timmerman for Xconomy. To fully understand the effects of vitamin D on cancer and other health outcomes, new randomized trials need to be conducted ( 13 ). However, additional research based on stronger study designs is required to determine whether higher vitamin D levels are related to lower cancer incidence or death rates. Skin exposed to sunshine can make vitamin D, and vitamin D can also be obtained from certain foods.


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How to Create OpenOffice Fillable Forms
By Andy Walton
••• Erik Snyder/Lifesize/Getty Images
A well-designed form can be a valuable tool for both school and work use, providing you with an easy-to-use method of capturing data from other people. OpenOffice's Form Controls and Form Design toolbars enable you to turn your documents into fully interactive, fillable forms. You can use these tools to create data entry objects such as check boxes and text fields, as well as more complex items such as combo or list boxes populated by data from a database.
Open OpenOffice, and click the "Text Document" button to open a new text document.
Click the "Design Mode On/Off" button on the Form Controls toolbar. This puts OpenOffice into Form Design mode, allowing you to create form objects and place them onto your document.
Click the button that corresponds to the first form field type you want to add, and then click and drag on the page to create that object. You can choose from check boxes, text boxes, push buttons, option buttons, combo boxes and list boxes. Repeat this process for each object you want to create.
Right click on each object and select "Control" to open the Object Properties box. Enter a unique name for the object in the "Label" field. You can also use Object Properties to set rules for the data entered into the boxes, such as maximum entry size. Different object types have various customizable properties.
Use the handles to move and resize the objects in your form. If desired, you can snap all the objects to a grid by clicking the "Snap To Grid" button on the Form Design toolbar.
Click the "Design Mode On/Off" button to finish editing your form and then click the "Save" button to save it.
You must select a database table to use as a data source for Combo and List box objects. The contents of the table will form the entries in the box, allowing users to choose from a pre-defined list of options. The Box Wizard will run automatically after you create objects of this type. Follow the on-screen instructions to select a table.
Information in this article applies to OpenOffice 3 and 4. It may vary slightly or significantly with other versions or products.
OpenOffice: Using Forms in Writer [PDF]
Andy Walton has been a technology writer since 2009, specializing in networking and mobile communications. He was previously an IT technician and product manager. Walton is based in Leicester, England, and holds a bachelor's degree in information systems from the University of Leeds.
Erik Snyder/Lifesize/Getty Images
How to Make a Fillable Form in Acrobat Pro
How to Create Fillable Forms in Google Docs

redpajama_set_name: RedPajamaCommonCrawl


Madeira and Porto Santo are the only populated islands in the Madeira archipelago, which also includes the Desertas Islands and the separate archipelago of the Savage Islands.
Porto Santo is actually a quite different island from Madeira. Surrounded by turquoise waters, it has 9 kilometres / 6 miles of golden sand beaches and an arid, volcanic landscape.
You have two ways to get from Madeira (Funchal) to Porto Santo Island. Here are the options.
Taking the ferry is the most common way to get from Funchal, the capital of Madeira, to Porto Santo. The trip is on board the modern ferry boat "Lobo Marinho", and the operator is Porto Santo Line.
The ferry departs daily, summer and winter, usually at 8am from the south dock of the Harbour of Funchal, and returns from Porto Santo between 6pm and 8pm. A round trip costs around €58 (high season). Crossing from Madeira to Porto Santo with a car can set you back €150 or more. There are also hotel + ferry packages if you decide to spend the night on Porto Santo.
Since departure times vary slightly from day to day and from month to month, make sure you check Porto Santo Line timetables . You can buy tickets online or at the ferry terminal up to 15 minutes before departure.
You can take a flight from Madeira to Porto Santo, but it will cost you twice the price of a ferry ticket. Flights take 25 minutes and are operated by Binter Canarias.


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Selling to yourself
Jul 20, 2021 1 min read business
My breakdown of the four main vocations for independent musicians.
One definition of being independent is selling to yourself.
It's been a confusing road for me to figure out how to make a living independently in music. I've had a hard time focusing on, let alone explaining to anyone else, what I do to try and make money.
I've come to think there are only four main vocations for musicians. They're different based on what they sell.
Here's my breakdown of these vocations:
Recording artists sell recordings to labels like an author sells books to publishers. Some recording artists have deals with million-dollar advances because the label knows that they'll make even more than that in sales.
Live performance acts sell entertainment to promoters. Maybe you're a touring performer, having built a large audience over the years. You show up in a city and sell a predictable number of tickets. Importantly, your professional team is strong enough to deliver the goods every night, keeping the tour moving.
Composers sell compositions to music directors. Whether it's an explicit role or not—every film, game, podcast, or video that uses music has a music director. The music director must license the musical work copyright.
Teachers sell time to schools. Note that you're not selling education—you get paid by the hour, or with a salary, or for each student you spend time with.
Alternatively, you can sell any of those four things to yourself. You can:
hold the copyright to your own sound recordings
book your own performances
use your own music when you make YouTube videos and podcasts
teach lessons from home
You can also hire people to help you do any of the above.
That's being independent. Being independent isn't good or bad but it might be easier depending on factors in your life.
Think about to whom you're selling, and remember that you can always be your own most enthusiastic customer.
If I missed anything that you sell, let me know.
My best friend got my dream job
The best music download price
Facebook, promoters, and curiosity
Overvaluing your music
Teaching 9-to-5 music lessons
Data & privacy Contact System theme
business audience welcome streaming media


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8. Grosse SD, Wordsworth S, Payne K. Economic methods for valuing the outcomes of genetic testing: beyond cost-effectiveness analysis. Genet Med. 2008;10(9):648-54. doi:10.1097/GIM. 0b013e3181837217.
9. Mushlin AI, Mooney C, Holloway RG, Detsky AS, Mattson DH, Phelps CE. The cost-effectiveness of magnetic resonance imaging for patients with equivocal neurological symptoms. Int J Technol Assess Health Care. 1997;13(01):21-34. doi:10.1017/ S0266462300010205.
10. de Bekker-Grob EW, Ryan M, Gerard K. Discrete choice experiments in health economics: a review of the literature. Health Econ. 2012;21(2):145-72. doi:10.1002/hec.1697.


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You are here: Home / Featured / Room for Outsiders | X-Factor by Peter David Omnibus Vol. 1
Room for Outsiders | X-Factor by Peter David Omnibus Vol. 1
August 19, 2021 by John Galati Leave a Comment
Peter David's work on X-Force is one of those rare books where it's easier to explain the plot than it is why the book exists in the first place. Where Claremont and Davis' Excalibur is something of a superhero and fantasy farce, David's X-Force is a satire of the X-Books themselves. This omnibus is focused right at the 90s era mutant craze while being published right alongside the books it was subtly commenting on.
It debuted the same year as Deadpool and Weapon-X and within months of Lobo, Deathstroke the Terminator, and Shade the Changing Man getting solo titles. Yet X-Factor adds nothing to the Dark Era or its complexities.
These collected issues also existed near the very height of the speculator boom, and yet it doesn't fall in line much with the Scott Lobdell, Fabian Nicieza, and Ann Nocenti money train. In fact, David would quit the series two times in three decades with one of them being over event books.
X-Statix, the media-ready successor to David's X-Factor
By rights, this should be the least impactful X-Book since The X-Terminators (no one remembers that book. And if you do, for god's sake stop.) And yet, David's work paved the way for everything from Peter Milligan and Mike Allred's fantastically subversive X-Force/X-Statix series to Jonathan Hickman's HoX/PoX. And furthermore, I'd say that the future of the X-Men will learn more from this series than Fatal Attractions.
Let's dig through X-Factor by Peter David Omnibus vol. 1 to find out more.
Setting the Stage | X-Factor #71-75
This is a satire of first arc conventions. A knowing wink and nudge that goes like this:
After the popularity of the X-Men and New Mutants, the US Government has decided to form its own X-Team. But, since this is the Government's second attempt at making one after the first was a colossal failure, they don't want to spend a lot of money. To that end, they hire a kind of pick-and-mix to cover all the necessary components of any team:
Team manager and third-string energy manipulator (Polaris)
A complicated loner (Quicksilver)
A fuzzy one (fan favorite Wolfsbane)
Resident screw-up (Multiple Man)
And the most generic muscle they can find (literally Strong Guy)
The "subtler" side of David
To top it off, the government gets the second-tier Summers brother, Havok, to lead the thing and a beleaguered agent, Valerie Cooper, to lead him.
The dynamics work out perfectly. Havok/Polaris fit the Scott/Jean drama engine. Guido takes on the Wolverine-style odd-man-out. Wolfsbane acts as the possessed jilted lover. Quicksilver is a complete ass to everyone. And since this story uses the classic "murder mystery" style frame, the all-important spot of "disposable teammate" is played by Multiple Man, Jamie Maddrox.
Maddrox was the perfect cast here, as his ability to make duplicates of himself creates the most blatantly obvious setup for this who-done-it, letting the mutant play a triple role of victim, detective, and his own surprise evil twin. It also gives him the rare excess of dying twice in the same storyline. (David will return to this character throughout his career, establishing him as a favorite means to delve into deeper territory.)
Interludes | Incredible Hulk #390-392
David is almost certainly better known for his decade-long run on the Incredible Hulk, and he leverages that fame for a little cross-promotion between the two titles. These stories are fun, but they don't provide much of anything in terms of canon. To me, they work best as a snapshot of very late period American action cinema, with a heavily-armed Hulk in the place of Arnold Schwarzenegger.
This Hollywood view works especially well with the X-Factor issues that follow, many of which seem like satires of classic television and movie plots. Particularly when polar opposites Quicksilver and Multiple Man decide to bond on a road trip while Polaris is suddenly hospitalized. (Much later in issue #88, we meet Random. When you get there, look back at "Gun Hulk.")
Ben Grimm is always good for a laugh
A textbook cartoon scenario
Road trip pt 1
David makes the humorous and effective choice of having the book focus more on those relationships than on battle, though the team does fight some pointedly C- and D-list X-Men villains like Sauron and Cyber. The dangerous, unlicensed X-Men are off fighting Apocalypse while US tax dollars are spent putting pants on a pterodactyl man. This is why we can't have health care.
Two Mister Sinisters is One Stryfe Too Many | 'X-Cutioner's Song'
Events like this one present a real challenge when building omnibuses around a creator or team. On the one hand, events tend to have big impacts on larger story arcs, so removing them runs the risk of making an omnibus not only incomplete but potentially incomprehensible. On the other hand, Peter David only wrote part of 'X-Cutioner's Song,' so collecting only issues of this event means the same problem.
But there's another dilemma with events, and it's much bigger. Events impact titles but don't necessarily represent the creative vision(s) of those working on them. And this event does not, in my estimation, represent this omnibus.
Peter David has Mister Sinister shows up in the very first arc of the series, where the villain is cast as an homage to 80s cartoon bad guys. David is outspoken about his love of Looney Tunes cartoons, and his use of sight gags, bad puns, and comic misunderstandings throughout X-Force and his other titles cements that. But let's really lay this out.
Minister Sinister first appears as the shadowy head of a group called "the Nasty Boys." They are a group of the most pathetic thugs with the most inane names and powers imaginable. There's "Ramrod," with the mutant ability to materialize a large stick and then hit people with it, "Hairbag," who can be either full or three-quarters werewolf, and of course "Gorgeous George," a stretchy man with the power of picking the worst name on the team.
The Nastiest of Boys
Two of them are late to roll call because they knocked over a liquor store. For liquor. So a supervillain who summons a poking twig and his partner, Michael Winslow from Police Academy, rob a place for Schlitz and pocket money; that's craftsmanship that even Ben Edlund would admire.
But it's Sinister who takes the cake, hitting every single bullet point in the "Saturday morning bad guy" playbook, from having a plan that contradicts itself to not explaining that plan to his henchmen, and finally "fixing" the situation by blaming someone else and killing them in a puny, ironic sort of way. (We'll pause here to remind everyone of Hickman's gossipy, caty Mister Sinister.)
Bad Shakespeare
In 'X-Cutioner's Song,' Sinister is a hyper-competent mastermind. A schemer with plans for entire bloodlines. A villain capable of outfoxing the oldest mutant on the planet. And worst of all, he is deadly serious. Honestly, neither I nor the event can stress enough how serious he is.
So in the space of no pages, the X-Force goes from Merry Melodies to Much Ado About Nothing, Tragedy Edition.
Every cover
we stray further
from the tone
To be clear, both the comedic and dramatic takes on ol' Dr. Frankenfurter are fine directions on their own. They both feel purposeful, developed through a series of very intentional choices. But they are also completely opposed and this omnibus offers no explanation for their incompatibility. Instead, they smash cut into a Ren & Stimpy joke.
The only answer we might have is that David eventually left the series saying that he didn't like how events interrupted his work.
For being an omnibus named after a single author, this book has some big artists in it. But I want to start somewhere a little more unusual.
Al Milgrom inks nearly the full run of this title, with exceptions for some of the event books. His brush and nib work is the secret weapon of this book, effortlessly shifting and adapting to a wide range of styles and giving weight, drama, and clarity to each. And he's got his perfect match with Glynis Oliver on colors. Oliver's pallets always feel so brilliantly balanced with a luminance that complements Al's heavy shadows so gloriously. If any of the following names look even remotely good on the page, it's got a whole lot to do with Al and Glynis.
Milgrom/Oliver
Jae Lee's work on X-Cutioner's Song is still fantastic and filled with a raw, primal energy that feels like it should be drawn on a cave wall. Lee might be the sole argument for that event's inclusion. If you're a fan of Ben Templesmith or Sam Keith, you should check this out.
Joe Quesada puts in work on the later issues. His penciling is a little inconsistent at times, but in a way that fits with the motif of the book. They work even better as a look back on this particular moment in comics. Still, his biggest contribution to the age legitimately has to be his signature block; I struggle to imagine a 90s cover without it or a poor facsimile.
Larry Stroman
Still, the big artistic star of this book has to be Larry Stroman. The 90s produced a number of true iconoclasts from Peter Chung to Jim Mahfood. Fluorescent-soaked, stray marked styles that danced between gestural and polish. And Stroman, with his anime meets music video stylings and his knowing rule-breaking in his anatomy certainly feels like a part of that same movement. Yet, at the same time, his work shows clear formal influence from some of the best of previous generations, like how his poses have a little Art Adams to them and his design work nods at Sienkiewicz, Steranko, and Chaykin.
Stryfe: Battle of the Planets remix
Note how Stroman makes the word bubbles interact with the eye/ball design beat
But probably the most electrifying thing about Stroman's art is also the thing that makes it the most 90s: it is unapologetically "Black." It's the faces in his crowds all pose for the 'camera' of his pencil. It's also in the way Stroman plays with details, brevity, and distortion to make caricatures feel like real people. It's in the fashion choices and street scenes, and how they can feel straight out of Do the Right Thing. It's in the way the artist sneaks members of Public Enemy into a scene.
Stroman brings a sense of the unexpected to seemingly every page, shaking things up in a way that breathes life into them where other artists might settle for mere disruption. Similarly, where the 90s was filled with artists like Rob Liefeld and Erik Larson making a name for themselves with wildly embellished anatomy, Stroman succeeds where others failed by being absolutely rock solid in his exaggerations. His depiction of 'Strong Guy' Guido is impossible, but it's always impossible in the same way, every time. You can see that same care and attention to detail in nearly any of his panels. Sadly, Stroman left after about a year, giving us only so many panels to enjoy.
These pages are from…
Peter David's first issue of X-Factor comes out smack between the first appearance of Cleetus Kassidy and the holographic cover of ASM #365 that doomed the industry. Or, if you prefer to have your Dark Age mixed with your speculator boom, David's run began the same year Marvel published Ghost Rider #15 with its glow-in-the-dark cover.
And whereas people actually bought those other comic books, Marvel had to concoct a whole cloning debacle event book to convince people to read X-Factor. A debacle that was as artistically terrible for the X-Men franchise as it is ironic for Spider-Man.
I can see it from Marvel's point of view. David's work favors character building over fight scenes, subtlety and humor over trauma and violence, and even goes so far as to specifically speak out against mind control plots. Were you to remove that story device from the X-Men line of books, I think you'd just have the Blackbird left.
…consecutive issues.
And yet, taking the long view, it's hard to say that David wasn't right. The best X-Men stories, hell the best Marvel stories all focus on character development. The X-Men work best as an allegory for social inequality and struggle the most when they're child soldiers. The comics also work best when they're a joy to read, a fact well established by Stan Lee's mere existence.
Sadly, that lack of intensity and urgency won't help sell this omnibus any more than it did the issues in it. But I would argue that I think it might be the best way to keep selling comics period. To me, David's entire effort on the series is a must-read. And you should definitely start at this, the beginning.
Filed Under: Featured, Marvel Reviews Tagged With: X-Factor
About John Galati
Editor • Producer • Writer Supreme
Against all medical advice, I'm John Galati. I love Morrison's lofty ideals, Moore's poetry, J.H. William's fluidity, and the way Chaykin makes people get punched a lot. I'm a life-long story junkie, and at this point, it probably disqualifies me from public office.


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UFC officials announced today that a bantamweight bout between Sergio Pettis (10-1 MMA, 1-1 UFC) and Yaotzin Meza (20-9 MMA, 1-2 UFC) is the latest addition to June's 'UFC Fight Night 43' event in Albuquerque.
After opening his professional mixed martial arts career with 10-straight victories, 20 year-old Sergio Pettis suffered his first ever setback at January's UFC on FOX 10 event, when he was submitted by Alex Caceres. The former flyweight fighter, who is the younger brother of UFC lightweight champion Anthony Pettis, will be looking to bounce-back in to the win column when he faces Meza this June.
Meanwhile, 33 year-old Yaotzin Meza has alternated between wins and losses as of late. Meza was last seen in action at January's UFC on FOX event, where he suffered a unanimous decision loss to Chico Camus. Prior to the loss, Meza was coming off a submission win over John Albert, which he earned in his bantamweight debut at UFC on FOX 8 in Seattle.
The 'UFC Fight Night 43' event takes place place June 7 live from the Tingley Coliseum in Albuquerque. The event is headlined by a lightweight fight featuring former champion Benson Henderson taking on Russian standout Rustam Khabilov.


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You might feel that to more hold down tracks would add much more to the performance that this product already delivers and increase the effectiveness of clamps but that is a minor issue. Overall this product makes your drilling tasks much easier and safer.
These were the top three drill press table options that you must consider if you are planning to buy one as all three offer high quality performance at an affordable price. If you find the best drill press table then it should make those woodworking tasks easer.


"We are the daughters of the witches you could not burn."
Adeline hails from Arizona, but doesn't miss the heat one bit. She gave birth to her only daughter Maisie at home in the water in January 2016. She has been a birth doula since 2013 and a full spectrum doula since 2012. She loves growing her urban farm, pickling, yoga, hiking, reading, environmentalism, and karaoke. She is still nursing Maisie and (mostly) loves it. She hopes to help create a world that will support and nurture strong, fierce, fearless women and girls.
"The right to have children, the right to not have children, and the right to parent our own children in safe and healthy environments."
As a strong feminist, Adeline believes it is your right to decide exactly what happens with your body. That extends past simply the choice to be pregnant or not--that includes the right to decide how you would like to give birth, and to have a say in anything that happens to your body. Supporting women and birthing people as they transition from pregnancy into parenthood is Adeline's passion.


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ADD programme
FORUT
FORUT network
Home/Focus areas/Non-communicable diseases
Alcohol and Non-communicable diseases (NCD)
In 2011 the United Nations High Level Meeting on NCDs demonstrated a global consensus around the need to develop and implement prevention strategies and control the disease burden related to alcohol and three other major health-risk factors: tobacco, unhealthy foods, and lack of physical exercise. The four disease categories addressed by the UN's NCD initiative include cancer, cardiovascular disease, chronic lung disease, and diabetes. Although NCDs are commonly perceived as problems of more wealthy countries, a significant portion of the disease burden from NCDs actually occurs in low- and middle-income countries.
Download a brief about NCDs and alcohol
FORUT Norway:
UN High-Level Meeting on NCDs misses the target
"We are quite concerned by the lack of progress in addressing the NCDs and their risk factors, including alcohol, in a serious way, comments FORUT after the closing of the United Nations High-Level Meeting on NCDs in New York.
Over 190 civil society organisations in joint statement:
Bolder actions needed to reverse the tide of NCDs and mental disorders
All evidence points to the same unpleasant reality: that if the current pace of progress continues unabated, by 2030 the agreed Sustainable Development Goal (SDG) target to reduce NCD mortality will remain a distant reality. This is the opinion of more than 190 CSOs that have sent a statement to WHO.
New WHO Director-General:
Points at alcohol and tobacco control to combat non-communicable diseases
«Much of suffering because of non-communicable diseases can be avoided by doing a better job in prevention and treatment. But this requires political commitment in the highest political places, says WHO's new Director-General and points at alcohol and tobacco control as areas of priority.
Civil society networks call for stronger action against non-communicable diseases
The Montevideo Roadmap is weak on addressing alcohol as a risk factor for non-communicable diseases, comment three large global NGO networks. They all recommend increased use of fiscal measures like alcohol taxation to reduce the burden of non-communicable diseases.
New NCD report:
Number of premature and avoidable NCD deaths on the rise
World Health Organization (WHO) has released a new Global Status Report on Nonommunicable Diseases (NCDs). The report states that most premature NCD deaths are preventable. Of the 38 million lives lost to NCDs in 2012, 16 million or 42% were premature and avoidable – up from 14.6 million in 2000.
New cancer code:
Alcohol use a significant cancer risk factor
The International Agency for Research on Cancer and the European Commission has released an updated 4th edition of the European Code Against Cancer. The Code points at alcohol use as one of the significant risk factors. Still public awareness around this link is alarmingly low.
UNDP Discussion Paper:
Addressing the Social Determinants of Noncommunicable Diseases
United Nations Development Programme (UNDP) has recently issued a Discussion Paper titled "Addressing the Social Determinants of Noncommunicable Diseases". It offers a typology of multisectoral action on NCDs and a framework for actors outside the health sector to take action.
World Health Organization to tackle non-communicable disease
The 66th World Health Assembly opened in Geneva today. One of the main issues is how the increasing burden of non-communicable diseases (NCD) will be handled in the future. Referring to the difference between malaria and NCDs the Director General of WHO, Dr. Margaret Chan, in her opening speech stated that "Mosquitoes do not have front groups, and mosquitoes do not have lobbies."
The new tsunami of non-communicable diseases:
- Prevention is the only viable policy option
"We experience a tsunami of new non-communicable diseases. We have got no option. We must put our efforts into prevention by promoting healthy lifestyles". With these words the South African Minister of Health, Hon Aaron Motsoaledi opened the a WHO meeting on NCDs in Johannesburg.
New web site on alcohol and cancer
Experts have known since 1987 that alcohol can cause cancer, but the connection between the two is often unknown or ignored, both by the general public and by health professionals and NGOs. To compensate for this Eurocare and the Association of European Cancer Leagues have now launched a web resource on alcohol as a risk factor for cancer.
See the new web site here.


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Would you tweet during childbirth?
>> Link to 'Pregnancy' magazine article mentioned in this segment
About Jen Frick, Chief Founding Mom, The Tulip Grove:
Jen Frick brings 10 years of experience in healthcare specializing in infants, children and pre and postnatal education. Prior to founding The Tulip Grove, Jen worked in management and lead positions at Alta Bates Hospital and Children's Hospital Oakland. A Registered Respiratory Therapist, Jen has helped hundreds of children at critical moments in the Neonatal and Pediatric Intensive Care Unit. She has also lead educational conferences and presentations for other healthcare providers.
As a pre and postnatal fitness instructor, a support group leader, lactation counselor and Stroller Strides franchise owner, she has helped expectant and new moms navigate the changes and experiences women encounter through pregnancy, childbirth and life with a newborn.
Originally from Indiana, Jen lives in the Montclair area and is a mother of three.
Jen received her B.S. in Exercise Physiology from Indiana University and an A.S. in Respiratory Therapy, specializing in neonatal and pediatrics. She also completed the Lactation Counselor program through University California in San Diego. She serves as an adjunct professor at Napa Valley College and has presented at national healthcare and fitness conferences. She has also published articles in e-pregnancy magazine and the Journal of Respiratory Care.
The Tulip Grove
2078 Antioch Court
Montclair Village
>> Website >> FaceBook
Abigail Tuller, Editor-In-Chief of Pregnancy and Mom Magazines:
Abigail Tuller has 19 years of editorial experience ranging from music to sports and fitness and now parenting. She has been the editor in chief of Pregnancy magazine since February 2006 and is thrilled to have just sent to print the premier issue of Mom magazine. She and her husband are happy parents of two active boys, Mason, 6, and Rex, 4. She lives with her family in San Francisco.
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One of our signature styles, the 'feather firework' - dark navy with a good splash of bright yellow and hot pink. This headpiece is available to hire.
Large sized saucer in a Natural and Gold Lurex blended sinamay with honey, gold and natural feathers This headpiece is available to HIRE.
A medium sized saucer shaped headpiece with a moulded semi crown. In Primrose sinamay with two hand wrapped silk loops and a riot of toning feathers. This headpiece is available to hire.
Large sized black Sinamay saucer with yellow hand curled pheasant feathers. This headpiece is available to HIRE.
Fantastic Feathers ! A small round natural coloured sinamay base with a gold lurex thread running through it. On the top, a circular array of natural burnt ostrich feathers with gold orchids nestling in the centre. First photograph from Victoria Roberts Photography.
A shaped sinamay headpiece in fresh white and lemon. This headpiece is available to hire.
A new shape this season, a shallow domed crown with an uplift to one side. Vibrant yellow compliments the ivory. This headpiece is avaialble to HIRE.
Gold sinamay with a large oval east to west brim. The brim is upturned at the front. The crown is swathed in sinamay, with curls and coils with a gold feather.


Find the best DNS servers in Russian Federation ordered by highest availability.
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Rodrigo y Gabriela has a hard act to follow every time they release an album: themselves. They have explored the music of their influences on 11:11, featuring songs dedicated to Carlos Santana and Jimi Hendrix, among others. Area 52 was recorded in Havana with a slew of talented Cuban musicians. 9 Dead Alive was a return to flamenco roots.
The story of the future of Latin music is being written with every new release by the vast community of musicians around the Spanish speaking world who reach beyond their influences to create a new Latin expression. The Honduran-American vocalist Lorely Rodriguez, who releases music as Empress Of, is one of those voice.
Angélique Kidjo now has a pair of albums that are essentially covers of other artists, but interpreted with an African sensibility so majestic as to render the originals almost as source material.
This week, the Latin music world is quaking! Bachata band Aventura reemerge from the shadows with their first song in 10 years, Jennifer Lopez duets with French Montana and Lila Downs releases a fresh Peruvian cumbia classic. You can also hear the follow-up to Anitta's trilingual EP Solo and revisit Ms Nina and Tomasa del Real's song with a recent music video.
A couple of things stood out to me in this batch of new music: the inclusion of both Joni Mitchell and Amy Winehouse as sources of inspiration.
Also this week: collaborations! There is a stunning match-up of a female mariachi voice with an R&B pop crooner; and a Latin music icon reaches out to a group of young musicians to continue, and modernize, his groundbreaking, socially conscious musical message.
Latin musicians have a way of honoring their own pasts and celebrating their own presents with a sense of humility. At Alt.Latino, we recognize Latin artists who lead their music careers with joy, growth and self-expression.
This week on Alt.Latino's music roundup, Rosalía and J Balvin's reggaeton beat rings in the early days of summer, Jessica Medina covers Amy Winehouse and Cuco carves his own path as a young artist with a simple, string loop ballad.
We tried something new this year at the annual SXSW Music Festival. We tracked down a bunch of Latin musicians, put a microphone in front of them wherever we find them and then ask them about their music.
To do this, I needed help so I called in Alt.Latino contributors Marisa Arbona Ruiz and Catalina Maria Johnson.
Years ago, Gina Chavez was a SXSW discovery for me: I'd tracked her down at some unofficial showcase and was immediately mesmerized by the Austin singer-songwriter. Since then, many good things have come her way, and she's developed into a major artist. On this Tiny Desk Family Hour video, recorded live at Austin's Central Presbyterian Church during SXSW last week, you can hear for yourself the voice that caught my attention back then — and has never let it go in the years since.


Diehard Fans in Korea Made Their Own MSX Console. It's Pretty.
The MSX might be gone, but its fans still live on. And a group of them in South Korea decided to launch their own MSX machine. This is it.
The MSX was a classic machine that even saw the birth of Metal Gear in Japan. Between 1985 and 1991, Daewoo released a version of the MSX in neighboring South Korea called the "Zemmix". It was quite popular! But Daewoo is gone and so is the MSX.
As tipster Sang points out, ten or so brave souls recently decided to launch their own MSX machine, calling it the "Zemmix Neo". This is hardly the first MSX revamp, but it's an interesting looking one.
The console has full MSX compatibility up to MSX2+, dual cartridge slots for accessory carts, keyboard support, USB ports, and a SD card slot. A Korean industrial design student who is currently living in Germany designed the console. This might explain why the aluminum body looks quite nice. And pointy.
Only a hundred units were produced. The demand and interest were so great that earlier this month, the team announced that it was working on a follow-up: Zemmix Neo 2.


Rama, the hindu god of ethics. India.
Ancient India was not a safe place to live. Many groups of thieves existed already at the time of the Buddha( 6°century BC). They were bandits from generation to generation, robbing and killing their victims like the Thugs did later. These professional bandit caste, but not only them, constituted an important problem : punishment of crimes and offences was then harsh.
In practice, many mutilations and death penalties ( except those due to treason) were reduced to fines which resulted in a considerable inflow to the royal coffers. Except for treason, brahmins ( the highest class in India already) were immune from the death penalty. Being privileged, brahmin offenders were usually slightly condemned. In case of theft, the figure of a dog ( In traditional India, dogs are misconstrued, they considered as impure.) was branded on their forehead; in case of murder, the figure of a human trunk;…And in some cases, the alternative was to banish the brahmin from the kingdom.
This entry was posted in Amazing and shocking, history, India and tagged ancient india, arthaçastra, arthashastra, brahmin, chanakya, crime, criminality, death, drama, dress, god, hindu, inde, india, kautilya, kota, make up, photographie, photography, punishment, rajasthan, rama, ramayana, ramleela, ramlila, theater, theatre, torture, tradition, travel, voyage. Bookmark the permalink.


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A Wandering Feast
Adventures in food, fitness and wanderlust
Category: Australia
Skiing in a sunburned country
Threadbo – get amongst it!
Ask people who've never been what they associate with Australia, and you'll hear things like deserts, beaches, surf, kangaroos and crocs. Did you know though that you can ski in Australia? I'm talking real snow, mountains, lifts, boozy hot drinks — the works.
If you're an Aussie local, you may want to skip this post, but if you're an expat like me, this could blow your mind.
Ski holidays are amongst my favourites. Slicing through (and falling in) fresh powder on a bluebird day, wintry nights snuggled up in front of a roaring fire eating calorie bomb bolognese, sipping mulled wine and getting overly competitive at charades with a big group of friends… what's not to like?
When we moved to Sydney a few years ago, ski trips were one of the things we'd reconciled ourselves to giving up trading for the beach. We knew there was decent skiing over in NZ but that seemed nowhere as easy as a roadtrip from NYC to Vermont. Shortly after I started working, a colleague mentioned he was leaving early to drive over to Perisher for a ski weekend. Say what?? Now mind you, this was July in Sydney, a time when the Harbour City is supposedly plunged into the depths of winter (but really it feels like a San Francisco summer). How could there be snow a few hours south, when it's 20C in Sydney?
We missed that year's Aussie ski season and the one after 😦 But this year, we made it!
Last weekend, we drove down to Thredbo. Nestled in the Snowy Mountains of New South Wales, Thredbo is a 500km drive from Sydney and part of Kosciuszko National Park.
Now before I get into it, I should clarify that we didn't have particularly high expectations. Pretty much everyone we knew had told us that "the snow was crap", that there were "hills not mountains" and that "everything was twice as expensive". I've never skied in the Pocanos but my husband grew up on icy East Coast skiing and had braced himself for man made snow, thin cover and short runs. To our delight, we couldn't have been more wrong.
Here are the highlights:
1. The conditions.
For starters, we lucked out with the weather. On an average year, Thredbo gets 196cm snow over a 4-5 month season; the night we arrived, the resort was dumped on with 30cm of fresh snow. Yippee! On top of that, we had blue skies, warm temperatures (barely a few degrees below freezing) and plenty of sunshine. Our second day however, they resorted to making snow and the conditions got a little icy. I can see how a snow dry-spell could wreak havoc.
2. The lifts
The lift situation turned out to be pretty good. Thredbo doesn't have a gondola but the high speed quad "Kosciuszko Express" gets you most of the way to the top and it's only a T Bar or two from there to the bowls. Also, the lines are short and very orderly. Having skied a few times in France, I have a newfound appreciation for Aussie queuing obsessions 😉
3. The Terrain
This came as another pleasant surprise as we were expecting mostly groomers and some steeps. There's some great tree skiing, lots of rocks and bumps, a terrain park and, if you take Karel's T Bar to the top of the mountain, you can ski Golf Course Bowl, a gorgeous powdery expanse.
Hiking down a treacherous section of Funnel Web
Our last run of the day, we made our way down Golf Course through Funnel Web. Not for the faint of heart, Funnel Web is a double black that's narrow and uneven with rocks and roots poking out the entire way. There are lots of trees, some powder and, at times, you have no option but to take your skis off and walk (crawl?) along the face of the mountain. It took more than an hour to get down and there's no way I'd go back in poorer conditions / with lower visibility.
4. The Village
Thredbo Village is charmingly European — another surprise, although I wasn't sure what to expect. Kareela, the mountain lunch spot of choice (if you're happy to splurge) oozes rustic charm and boasts waiters and waitresses dressed in traditional lederhosen and dirndl serving hearty Bavarian fare.
Apple cider and smores at the Alpine Lodge
One thing that never ceases to amaze me is the Aussie ability to drink, and Thredbo is no exception! In the time that I'd enjoyed my gluhwein and Niraj had had a beer, the three blokes next to us had downed a ski's worth of shots — 15 to be precise, that's 5 shots each. A few other tables were splitting a bottle of wine or doing shots themselves, and this was at lunch time, in the middle of the mountain, with a long run to the bottom. It's a sight worth seeing!
5. The Skiers
Fresh powder in the Golf Course Bowl
Finally, I was very impressed with the skiers at Thredbo. For a nation with very little snow, the average Aussie skier seems pretty darn good! I suspect it may have something to do with Aussie ski school, which everyone seems to go through. When I learned to ski, I spent three days in ski school and took a couple of lessons after that, but I suspect that's because I learned as an adult. A lot of my American friends learned to ski pretty much on their own — at most copying a sibling or a friend. It's harder to nail that perfect form or go nearly as fast without some sort of professional training. The Aussie standard has definitely made me want to step it up!
Overall, Thredbo gets a big thumbs up. It's definitely pricier than other ski resorts and I can see why, especially as a family, you'd be better off making the trip to Japan (and getting some of that world class #japow!), but it's not as terrible as people made it out to be. It's no Utah or Colarado but heck, it's just as good (better than?) Vermont! I'm looking forward to going back 🙂
Author Wandering TashPosted on July 27, 2015 August 3, 2015 Categories AustraliaTags funnel web, ski, ski australia, skiing, snowboard, thredbo, winter sportsLeave a comment on Skiing in a sunburned country
Last weekend, we took a spontaneous trip up to Cairns to see the Great Barrier Reef, the "GBR". My dear friend Joyce (our first visitor from America!) had spent the preceding week with us as part of her 3 month world tour / planned job hiatus. We'd had a fantastic time showing her around — the beaches, the (blue) mountains, the zoo, the restaurants — but she was planning on continuing her Australian adventure with a few days in Cairns (a place both she and my husband had a very hard time pronouncing). The friend she was hoping to explore Cairns with cancelled last minute and it seemed a shame to let her visit the GBR alone. So Thursday evening, we booked flights leaving for Cairns early Saturday morning and returning Sunday night.
Cairns is a three hour flight from Sydney. We set our alarms for 430am (a time I would have considered ungodly early until recently — yeah that's what Sydney will do to you) and were out the door at 510. The airport was buzzing and the excitement was starting to course through our veins. We were going to see the Great Barrier Reef! As we split a ham & cheese croissant at Sydney airport, we laughed at the last time we'd taken such a spontaneous trip — nearly 7 years ago when we were living in London.
Sydney is no London when it comes to accessing glamorous European destinations in a weekend, but the airport sure helps make up for it. We didn't even have to bring ID! I'll repeat that because it's so awesome: all you need for a domestic flight in Australia is your boarding pass. No more "remove your liquids", "remove your shoes". We'd checked in online and breezed through to our gate in 10 minutes. The plane spat us out at Cairns airport at 930am and, by 10am, we were walking around the CBD.
Cairns' central business district consists of a mix of large and small streets with a ton of restaurants, cafés, bars and hostels. It oozes that beach town vibe but it isn't packed, at least not at this time of the year, not like Bondi Beach. From the CBD, it's a 10 minute walk to the water where a lot of the larger resort style hotels have set up shop. Joyce was staying at a hostel and in the spirit of keeping it real, we'd decided to hostel it too. Before you conjure up images of 8 people packed in bunk beds with one bathroom, our hostel, Northern Greenhouse turned out to be awesome and we had our own room and (most importantly!) our own bathroom.
We grabbed some breakfast, a walkabout and a much needed power minute nap, we headed to the pier with Joyce to catch our ride to Green Island. Green Island is a coral cay on the Great Barrier Reef with island rainforests and white sand beaches. We'd picked one of the many half day packages offered from Cairns and set sail at 1230. By 1.15pm we were changing into our gear and getting ready to jump into the water.
Our first look at Green Island
Hundreds of fish less than 2 metres from the shore! Some of the highlights were the pointy nose blue gar fish, a humongous sea cucumber that had anchored itself to the sea bed, and a giant school of silver fish that encircled us in a continuous and rapidly moving line whenever we came close. I wish we knew the names of everything we saw. We snorkelled in a few different spots and saw some awesome fish but Green Island was a tad crowded in the end. I was surprised to see so many tourists from China, most with large families. Many of the signs and menus had translations in Chinese.
Surrounded by silver fish
This sea cuke gave me the willies
More silver fish
We got back to Cairns by around 430pm and after a shower and a rest, headed over to Fettas for dinner. I love all kinds of Mediterranean food and had spotted this little gem on our walk in town. We wouldn't have committed to going there, however, had it not been for Joyce's success in getting the lowdown on Cairns from a group of local lads.
Fried Greek cheese (to-die-for), tarama, tzatziki, hummus
Spicy chicken
Meatballs, tomato salad and fish
Fettas was amazing. It was quite possibly the best Greek food I've ever had. All three of us got the banquet which meant we'd get to try a little bit of everything and, most importantly, wouldn't have to make any decisions (big win). The belly dancer and plate breaking (I counted at least six) only added to the fun.
After dinner, we headed over to Gilligan's, the place we'd gotten the most reccs for as the not-to-be-missed part of a trip to Cairns. I'm not sure how to describe Gilligan's. It's technically part of a hostel but it's really a gigantic indoor / outdoor club…
Before you judge it though, let me tell you it's super fun and completely unpretentious. People were gathered along long communal benches and a cover band was playing a mix of 80s rock and top 40s. We kept telling ourselves we'd leave and call it an early night but we ended spending the next few hours dancing to the perfect 80s mix. Interestingly, the dance floor never got too crazy. Is it possible the 80s were lost on this younger crowd? Eek!
The next morning, we awoke bright and early for our ride to the Outer Reefs. We were going to hit up three sites and see the actual GBR. We packed up and went back to Macaron cafe, the lovely French place we'd eaten at the day before and put away some delicious croissants and quiches before heading to the pier.
There were 50 odd people on board, a mix of snorkelers and divers, and the tour was very structured. A fantastic guide gave us an overview of the types of marine life we'd see. We were also fitted with "stinger suits" — lycra suits that were meant to protect us from sunburn and from blue jellyfish, also known as "blueys". A friend had warned us that on an earlier trip to the GBR, she'd been stung by a bluey on her FACE. Wtf!
Pretty yet lethal
Blue jellyfish
The hour it took us to get out to the reef flew by quickly and before we knew it, it was time to jump in the water. The fish were huge and would come right up to the boat for food. We'd been instructed to look out for Nigel, a giant blue parrotfish who'd been domesticated by the boat's photographer and was always willing to pose for a good shot.
Swimming with Nigel
The coral was amazing and endless and took on all kinds of forms. Our guide had told us that coral nomenclature was fairly straightforward — e.g. looks like a boulder? It's called boulder coral. Looks like a brain? It's called brain coral. And so on.
Staghorn Coral
Boulder Coral
We had lunch after jumping in at the second site and tea after the third site. We also went on a 30 minute snorkelling tour with the guide who dove down to retrieve and show us various types of sea cucumber. He also led us to a giant sea turtle! Swimming with that massive creature was just incredible.
Giant sea turtle
We also finally got to see "Nemo", which had been hard till now because clown fish typically hide in a stinging anemone that they alone are immune to.
After the tour, Joyce and I wandered off for a last bit of snorkelling. On our way back to the boat, I spotted a nurse shark! We chased him for a while and got a few pics, but he eventually out-swam me and disappeared into the deeps.
By the time our boat pulled back in to Cairns, it was 430pm. We were exhausted and my hair was a giant, salty, dried out mess. We got back onto the pier, found the cab we'd booked and headed back to Cairns airport for our 6pm flight to Sydney. What an amazing weekend!
Hundreds of fish near the boat
Beautiful blue and yellow colors
A rainbow parrotfish
Zebra fish
A beautiful angel fish
A huge school of black fish
Heading for the coral
Diving for a sea cuke
Slimy sea cuke
Swimming with the turtle
Sea cuke in a sand bed at the green island
Author Wandering TashPosted on September 30, 2013 July 5, 2015 Categories Australia, Trip ReportsTags Australia, Cairns, Fettas, Gilligan's, Great Barrier Reef, Nurse Shark, Parrot Fish1 Comment on The Great Barrier Reef
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