text:
Home → Art → Collections → Search
artlens gallery
historical exhibitions
music and performances
access programs
App and Interactives
Nazi-era provenance
join and give
Honor Roll of Support
employment, internships, and fellowships
Diversity, Equity and Inclusion Plan
Master Landscape Plan
CMA Thinker: A Blog
Limit Results Artist Name Culture Title Medium Description Fun Fact Location
Sort: Relevance Accession Date: old-new Accession Date: new-old Title: A-Z Title: Z-A Date: old-new Date: new-old Medium: A-Z Medium: Z-A
Type of object Amulets Apparatus Arms and Armor (13) Basketry Book Binding Bound Volume Calligraphy Carpet (3) Ceramic (284) Coins Cosmetic Objects (1) Drawing (124) Embroidery (17) Enamel (9) Forgery Frame Funerary Equipment Furniture and woodwork (145) Garment (5) Glass Glyptic Illumination Implements Inlays Ivory Jade Jewelry (8) Knitting Lace (113) Lacquer Leather Linoleum Block Lithographic Stone Manuscript Metalwork (37) Miniature Miscellaneous (37) Mixed Media Monotype Mosaic Musical Instrument (3) Netsuke Painting (82) Papyri Photograph Plaque Plate Portfolio Portrait Miniature (25) Print (242) Relief Rock crystal Rubbing Sampler (1) Scarabs Sculpture (47) Seals Silver (16) Spindle Whorl Stencil Stone (1) Tapestry (17) Textile (162) Time-based Media Tool (1) Velvet (9) Vessels Wood Woodblock
Location 000 Education Gallery 003 Special Exhibition Hall 004 Special Exhibition Gallery 010 Focus Gallery 100 1916 Lobby 101A Prints & Drawings (2) 101B Prints & Drawings 102A Ancient Near East 102B Greek 102C Greek 102D Pre-Roman 103 Roman 104 Late Antiquity 105 Byzantine 106A Migration Period & Coptic 106B Romanesque & Gothic Sculpture 106C Medieval Treasury (2) 107 Egyptian 108A Sub-Saharan 108B Southern African 108C Akan & Yoruba 109 Gothic Painting and Sculpture 110A Italian Gothic 110B Late Gothic 111 German and Austrian Gothic 112 Northern Renaissance 113 French Tapestries & Illuminated Manuscripts 114 Late Northern Renaissance (1) 115 Manuscripts & Textiles 116 Islamic 117A Italian Renaissance 117B Italian Renaissance 118 Italian Renaissance 200 Rotunda 201 French Neoclassical Painting & Sculpture (6) 202 French Neoclassical Decorative Arts (42) 203A British Painting and Decorative Arts 203B American and British Decorative Arts 204 Colonial American 205 Federal American 206 American Landscape 207 American Realism 208 American Gilded Age and Realism 209 Tiffany 210A Armor Court (8) 210B Firearms 210C Firearms 211 Fabergé 212 Baroque Painting and Sculpture 213 Dutch Painting 214 Central and Northern European 215 French, German, and Dutch (15) 216A French and German (88) 216B French and German (64) 217 Italian Baroque 218 European Sculpture (1) 219 19th Century European 220 19th Century European 221 19th Century Decorative Arts 222 Impressionism & Post-Impressionism 223 20th Century Avant-Garde 224A Contemporary Corridor 225 German Expressionism & Surrealism 226A American Modern 226B American Modern 227 Abstract Expressionism 228A Cleveland Artists 228B Cleveland Artists 229A Contemporary 229B Contemporary 229C Contemporary 230 Photography 231 Native North American 232 Andean 233 Mesoamerican and Intermediate Region 234 Textile Gallery 235A Japanese 235B Japanese 236 Korean 237 Himalayan 238 Chinese Ceramics 239 Chinese Ceramics and Metalwork 240A Chinese Paintings and Calligraphy 240B Chinese Decorative Arts 241A Arts of Ancient China 241B Arts of Ancient China 241C Chinese Buddhist Sculptures 242A Ancient India 242B Indian Painting 243 Indian and Southeast Asian 244 Indian and Southeast Asian 301 Baroque Sculpture Mezzanine AAE Art Allée East AAW Art Allée West ALOB Asian Lobby ATRM Atrium ArtLens Exhibition A (3) ArtLens Exhibition B ArtLens Exhibition C ET East Terrace ILMA Ingalls Library and Museum Archives NG North Sculpture Garden NL North Lawn SE South Entrance Tunnel WT West Terrace Not on view
Collection AA - Andes AA - Intermediate Region AA - Mesoamerica AA - Native North America ASIAN - Album leaf ASIAN - Fan painting ASIAN - Folding screen ASIAN - Handscroll ASIAN - Hanging scroll African Art American - Cleveland School American - Furniture and Decorative Arts American - Painting American - Sculpture Ancient Burmese Art CONTEMP - Cleveland School CONTEMP - Installation Media CONTEMP - Painting CONTEMP - Sculpture Cambodian Art Ceylonese Art China - Five Dynasties China - Han Dynasty China - Jin Dynasty China - Liao Dynasty China - Ming Dynasty China - Modern China - Neolithic China - Northern Dynasties China - Qing Dynasty China - Shang Dynasty China - Song Dynasty China - Southern Dynasties China - Sui Dynasty China - Tang Dynasty China - Three Kingdoms China - Yuan Dynasty China - Zhou Dynasty Chinese Art DR - American - Cleveland School DR - American 18th Century DR - American 19th Century DR - American 20th Century DR - American 21st Century DR - Austrian DR - Belgian DR - British DR - Czech DR - Dutch DR - Flemish DR - French (108) DR - German DR - Italian DR - Japanese DR - Mexican DR - Misc. Countries DR - Russian DR - Spanish DR - Swedish DR - Swiss (1) Decorative Arts (415) Drawings (15) Ed Art - Decorative Art Ed Art - Prints Egypt - Early Dynastic Egypt - First Intermediate Egypt - Greco-Roman Egypt - Late Period Egypt - Middle Kingdom Egypt - Modern Forgery Egypt - New Kingdom Egypt - Old Kingdom Egypt - Predynastic Egypt - Ptolemaic Dynasty Egypt - Second Intermediate Egypt - Third Intermediate Egyptian Furniture (125) GR - Cypriot GR - Etruscan GR - European Bronze Age GR - Greek GR - Italic GR - Roman GR - Sardinian and Cretan GR - South Italy Indian Art Indian Art - Andhra Indian Art - Andhra, Amaravati Indian Art - Chola Indian Art - Indus Valley Indian Art - Kushan Indian Art - Kushan, Gandhara Indian Art - Kushan, Mathura Indian Art - Maurya Indian Art - Medieval Indian Art - Mughal Indian Art - Pakistan Indian Art - Sunga Indian Art - Sunga, Bharhut Islamic Art Japanese Art Javanese Art Korean Art MED - Arms & Armor (13) MED - Byzantine MED - Early Christian MED - Gothic (2) MED - Manuscript Illuminations MED - Medieval Art MED - Migration Period MED - Numismatics MED - Renaissance (1) MED - Romanesque (30) Mod Euro - Furniture and Decorative Arts 1800-1960 Mod Euro - Painting 1800-1960 (13) Mod Euro - Sculpture 1800-1960 Near Eastern Art Nepalese Art Oceanic Art P - British before 1800 P - French & Austria 16th C. and earlier P - French 17th Century P - French 18th Century (94) P - German before 1800 P - Italian 15th Century and earlier P - Italian 16th & 17th Century P - Italian 18th Century P - Miscellaneous P - Netherlandish-Dutch P - Netherlandish-Flemish P - Spanish before 1800 PH - American 1900-1950 PH - American 1951-Present PH - American 19th Century PH - Austrian PH - Brazilian PH - British 19th Century PH - British 20th Century PH - Canadian PH - Czech PH - French 19th Century PH - French 20th Century PH - German 20th Century PH - Italian PH - Japanese 20th Century PH - Mexican PH - Misc. 19th Century PH - Misc. 20th Century PH - Misc. 21st Century PH - Photogravure PH - Russian 20th Century PH - Swiss 20th Century PR - Apparatus PR - Aquatint (6) PR - Carborundum PR - Chalk Manner (10) PR - Chiaroscuro (3) PR - Cliché verre PR - Collograph PR - Colotype PR - Computer PR - Drypoint (1) PR - Electrostatic copier PR - Embossing PR - Engraving (74) PR - Etching (129) PR - Gypsograph PR - Lavis manner (5) PR - Linocut PR - Lithograph (11) PR - Mezzotint PR - Monotype PR - Photogravure PR - Relief PR - Screenprint PR - Steel engraving PR - Stencil (pouchoir) PR - Stipple (2) PR - Wood engraving PR - Woodblock PR - Woodcut Paintings Photography Prints (1) Sculpture (16) Southeast Asian T - Contemporary Fiber Art T - Coptic T - Ecclesiastical (2) T - Islamic T - Lace T - Native North American T - Pre-Columbian Textiles (325) Tibetan Art
Department African Art American Painting and Sculpture Art of the Americas Chinese Art Contemporary Art Decorative Art and Design (540) Drawings (124) Egyptian and Ancient Near Eastern Art European Painting and Sculpture (110) Greek and Roman Art Indian and Southeast Asian Art Islamic Art Japanese Art Korean Art Medieval Art (46) Modern European Painting and Sculpture (13) Oceania Photography Prints (242) Textiles (327)
Include object parts
After BC AD
Before BC AD
Visitor-requested searches
African-American artists
Made under age 30
CIA Alumni artists
May Show artists
Culture: France, mid-18th century (1402)
Studies of Flowers after Nature: Spray of Flowers, Date unknown
L. F. Duruisseau (French, 1754-?) and 1 other
1955.475©
Sugar Spoon, c. 1760
Veuve Perrin Factory (French)
1964.529CCCC0
Console Table, c. 1730- 1740
France, mid-18th Century
1971.142.aCCCC0
Console Table (marble top), c. 1730-1740
1971.142.bCCCC0
Platter, c. 1740
France, Lyons, mid-18th century
Invocation to Love, c. 1781
Jean-Honoré Fragonard (French, 1732-1806)
Microscope, c. 1745- 1765
1974.15CCCC0
Vaulted Staircase, c. 1770-1779
Hubert Robert (French, 1733-1808)
Dancers in a Pavilion, 1720s
Jean-Baptiste Pater (French, 1695-1736)
Dancers in a Pavilion: saved stretcher and lining fabric, 1720s
Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna, 1738-1740
Jacques André Joseph Aved (French, 1702-1766)
Portrait of Cardinal Guillaume Dubois, 1723
Hyacinthe Rigaud (French, 1659-1743)
The Presentation in the Temple, c. 1770
François Boucher (French, 1703-1770)
1925.1005CCCC0
Portrait of a Woman as Diana, 1752
Jean-Marc Nattier (French, 1685-1766)
Declaration of Love, c. 1720
Nicolas Lancret (French, 1690-1743)
Portrait of the Marquise d'Aguirandes, 1759
François Hubert Drouais (French, 1727-1775)
Costumed Dancers Performing in a Garden Tavern, 1756
Augustin de Saint-Aubin (French, 1736-1807)
Sleep, c. 1771
Jean Bernard Restout (French, 1732-1797)
Fountain with Two Tritons Blowing Conch Shells, c. 1736
Basket of Plums, 1769
Anne Vallayer-Coster (French, 1744-1818)
Study for "The Romancer" (Le Conteur), c. 1716
Jean Antoine Watteau (French, 1684-1721)
Still Life with Herrings, c. 1735
Jean-Siméon Chardin (French, 1699-1779)
1974.1CCCC0
Young Woman with a Turban, c. 1780
Jacques-Louis David (French, 1748-1825)
Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le..., 1734
Nicolas de Largillière (French, 1656-1746)
A Hare and a Leg of Lamb, 1742
Jean-Baptiste Oudry (French, 1686-1755)
Hat Jewel, mid 1500s
A Boy in a Red-lined Cloak, 1780s
Portrait of Melle de Vandeul, possibly 1760
Jean-Baptiste Lemoyne (French, 1704-1778)
The Miracles of Saint James the Greater, 1726
Noël Nicolas Coypel (French, 1690-1734)
Music and Dance and Cupids in Conspiracy, 1740s
Music and Dance, 1740s
1948.181.1CCCC0
Cupids in Conspiracy, 1740s
Scene in a Park, c. 1760
Jacques Dumont, called Le Romain, c. 1742
Maurice Quentin de La Tour (French, 1704-1788)
Covered Tureen in the Form of a Turtle, mid 1700s
France, mid 18th century
Tureen in the Form of a Turtle, mid 1700s
Tureen in the Form of a Turtle (cover), mid 1700s
Panel: Spring, c. 1715
Royal Savonnerie Manufactory, Chaillot Workshops (French, est. 1627)
Sophie Crouzet, c. 1801
Louis Hersent (French, 1777-1860)
Pan and Syrinx, 1720
Jean François de Troy (French, 1679-1752)
St. John the Evangelist, c. 1700-1702
Charles de La Fosse (French, 1636-1716)
Pair of Andirons (Chenets), 1752
Jacques Caffieri (French, 1678-1755)
Sweet Melancholy, 1756
Joseph-Marie Vien (French, 1716-1809)
Roman Ruins, Villa Pamfili, 1774
Pair of Armchairs (Fauteuils), c. 1765
Jean-Baptiste II Tilliard (French, 1797)
Armchair (Fauteuil) (1 of 2), c. 1765
Covered Tureen on Stand (Pot-à-oille couvert), 1735–38
Juste-Aurèle Meissonnier (French, 1695-1750) and 2 others
Tureen, 1735-1738
Tureen (cover), 1735-1738
Juste-Aurèle Meissonnier (French, 1695-1750) and 1 other
Stand for Covered Tureen, 1735- 1738
Pierre-François Bonnestrenne (French) and 1 other
1977.182.cCCCC0
Candelabrum, c. 1750
probably by Jean Joseph de Saint-Germain (French, 1720-1791)
The Departure of Jacob, c. 1755
Taffeta, Brocaded, c. 1750
France, mid 18th century, Period of Louis XV
Two Male Nudes, 1710
Louis de Boullogne (French, 1654-1733)
View of Rome, c. 1782-1784
Pierre Henri de Valenciennes (French, 1750-1819)
Kitchen Utensils with Leeks, Fish, and Eggs, c. 1734
Needlepoint (Point Alençon) Lace Handkerchief, mid 18th century
France, Alençon, mid 18th century
Worktable (Bureau de Toilette), c. 1755-1785
Martin Carlin (French, 1730-1785)
Pair of Andirons (Chenet), c. 1785
Andiron (Chenet), c. 1785
Pair of Paintings: The Colonnade of St. Peter's, Rome, during the..., c.1769
The Colonnade of St. Peter's, Rome, during the Conclave, c.1769
1976.97.1CCCC0
The Grotto of Posillipo, c. 1769
Table, c. 1780-1790
Adam Weisweiler (French, c. 1750-1810)
1922.73.aCCCC0
Table (marble top), c. 1780-1790
1922.73.bCCCC0
Candelabrum Pair, 1757-1758
François Thomas Germain (French, 1726-1791)
Candelabrum, 1757-1758
The Guilty and Repentant Daughter, early 1770s
Jean-Baptiste Greuze (French, 1725-1805)
Inkstand, c. 1745-1749
Fountain of Venus, 1756
Classical Landscape, 1779
Table Desk (Bureau Plat), c. 1750- 1760
Bernard II van Riesen Burgh (Dutch, 1766)
Young Girl Carrying a Garland of Roses on a Platter, early 1770s
Clodion (French, 1738-1814)
Chest of Drawers (Commode), c. 1765- 1770
René Dubois (French, 1737-1798)
Commode (top), c. 1765- 1770
Tall- case Clock (Regulateur), 1744
Jean-Pierre Latz (French, 1691-1754) and 1 other
Footed Dish (soucoupe à pied), 1786
Etienne Evans (French, 1733-1806) and 1 other
Covered Tureen in the Form of a Basket of Game, c. 1755
Sceaux Factory (French, active 1748-66)
Tureen in the Form of a Basket of Game, c. 1755
Tureen in the Form of a Basket of Game (cover), c. 1755
Clock, c. 1750
Pair of Covered Tureens on Stand (Paire de terrines couvert du roi et..., 1757
Sèvres Porcelain Manufactory (French, est. 1740)
Covered Tureen on Stand (1 of 2), 1757
Tureen (1 of 2), 1757
1953.25.1.aCCCC0
Tureen (cover) (1 of 2), 1757
1953.25.1.bCCCC0
Stand for Covered Tureen (1 of 2), 1757
1953.25.1.cCCCC0
Covered Sugar Bowl (Sucrier couvert), 1745- 1748
Vincennes Factory (French) and 1 other
Pair of Stools, 1786-1787
Jean-Baptiste-Claude Sené (French, 1748-1803)
Stool, 1786-1787
Figure of Love Carried by the Three Graces, 1768
after a design by François Boucher (French, 1703-1770) and 1 other
Venus and Cupid, second or third quarter 18th century
The Guitarist, 1720s
Portrait of Hortense de Perregaux, Duchess of Ragusa, 1818
Jean-Baptiste Isabey (French, 1767-1855)
Madame Millin du Perreux and Her Son, with a Painted Portrait of..., c. 1760
Louis Carmontelle (French, 1717-1806)
Young Woman and Child at Play, 1780s
follower of Clodion (French, 1738-1814)
Louis XV Savonnerie Carpet with Royal Arms, c. 1740-1750
Royal Savonnerie Manufactory, Chaillot Workshops (French, est. 1627) and 1 other
Covered Tureen (Terrine ancienne ou ordinaire), c. 1752
Tureen, c. 1751- 1752
1952.3.aCCCC0
Tureen (cover), c. 1751- 1752
1952.3.bCCCC0
Portrait of a Woman, c. 1748
Study of Hands (recto), 1700s
Pierre Lenfant (French, 1704-1787)
Sketch of a Hand (verso), 1700s
Figure of Budai or Hotei with Jar, c. 1735- 1740
Chantilly Porcelain Factory (French)
Figure of a Chinese with Jar, c. 1735- 1740
Figure of a Chinese with Jar (cover), c. 1735- 1740
Self-Portrait in a Hat, c. 1790
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
The Fox and the Turkey Hens: Illustration for the Fables of La Fontaine, 1733
Chest of Drawers (Commode), c. 1750
Jean-Pierre Latz (French, 1691-1754)
Chest of Drawers (Commode) (marble top), c. 1750
Pair of Bottle Coolers (seaux a bouteille), c. 1740
Mennecy- Villeroy Factory (French)
Bottle Cooler (seau a bouteille), c. 1755
Covered Tureen (Terrine du roi), 1756
Tureen, 1756
Small Sword, 1700s
Small Sword, c.1750-1760
after a design by Jean-Baptiste Oudry (French, 1686-1755)
Section of Needlepoint (Point d'Argentan) Lace Flounce, mid 18th century
France, Argentan, mid 18th century
Self-Portrait, c. 1790s
Lié Louis Périn (French, 1753-1817)
Wine Cooler, c. 1760
Joesph- Gaspard Robert Factory (French)
Maternal Solicitude, 1777
Jean Baptiste Le Prince (French, 1734-1781)
Wall Covering, "The Pheasants" from the "Vatican Verdures" Series, after 1799
Jean-Démosthène Dugourc (French, 1749-1825) and 1 other
Seated Male Nude, 1693-1695
Claude Gillot (French, 1673-1722)
Work Table, 1700-1799
Bernard Peridiez (French, d. 1757) and 1 other
Study of a Shepherd, 1700s
Covered Tureen on Stand, c. 1750
Strasbourg Factory (French)
Tureen (cover), c. 1750
Strasbourg Factory (French) and 1 other
Stand for Tureen, c. 1750
Paul Hannong Factory (French)
1976.52.cCCCC0
Head of Caracalla, c. 1768
Portrait of Christoph Willibald Gluck, c. 1775
Jean-Antoine Houdon (French, 1741-1828)
Old Woman Asleep, Mid 19th century
possibly France, mid-19th Century
Covered Bowl, c. 1775
Saint-Clément Factory (French)
Covered Bowl (lid), c. 1775
Cane Handle (Poignée de canne), c. 1745
Saint Cloud Porcelain Factory (French)
Flower Container, c. 1765
Figure Pair of the Dancer (La Danseuse) and the Bagpiper (Le Joueur de..., 1748-52
Vincennes Factory (French) and 2 others
Figure of the Dancer (La Danseuse), 1748-1752
Figure of the Bagpiper, 1748-1752
Fall-front Secretary, c. 1765- 1775
attributed to Leonard Boudin (French, 1735-1804)
Smallsword, c. 1730
France, Paris, 18th century
Small Sword, c. 1780
France, Paris (?), 18th century
Pair of Covered Boxes in the Form of Snails, c. 1750
Pier Mirror (Trumeau), c. 1715
Box in the Form of Asparagus, c. 1765
probably by Sceaux Factory (French, active 1748-66)
Box in the Form of Asparagus (lid), c. 1765
possibly by Sceaux Factory (French, active 1748-66)
Figure of a Monkey on a Dog, c. 1745
Covered Tureen in the Form of a Pigeon, c. 1760
The Waterfalls at Tivoli, 1737
Claude-Joseph Vernet (French, 1714-1789)
Covered Sauce Tureen with Attached Stand, c. 1765
Covered Tureen on Stand (Pot à oille), 1797-1798
Henry Auguste (French, 1759-1816)
Saint Stephen in Ecstasy, second third 1700s
Edmé Bouchardon (French, 1698-1762)
Covered Box in the Form of Six Apples, c. 1760
Child Carrying Fruit and Flowers, 18th-early 19th century
Young Woman Seated on a Bed, 1764-67
Louis-Marin Bonnet (French, 1736-1793) and 1 other
Wall Clock, c. 1750-1760
Pair of Armchairs (Fauteuil), c. 1785
Nicolas-Denis Delaisement (French)
Spring, ca. 1720-36
L'Invite, 1775
Louis Rolland Trinquesse (French, ca. 1746-ca. 1800)
Wild Sow and Her Young Attacked by Dogs, 1748
Portrait of a Woman, 1759
Jean Baptiste Defernex (French, c. 1729-1783)
Bacchanales: Nymph Supported by Two Satyrs, 1763
Design for a Cartouche, first half 1700s
Gilles Marie Oppenord (French, 1672-1742)
The Funeral of Decius Mus, 1774
Brocade on Tabby, mid 1700s
France, mid-18th century, Period of Louis XV
Figure Seated on a Lion, c.1740-45
Portrait of a Woman in a Blue Dress, 1783
André Pujos (French, 1738-1788)
Month of May: Scene of May Day Festival, 1723-1774
Gobelins (French) and 1 other
Male Academy with Wings, 1745-1750
Head of a Young Girl Turning toward the Right, 1758?
attributed to François Hubert Drouais (French, 1727-1775)
Wall Covering with Classical Figure, late 1700s - early 1800s
Philippe de Lasalle (French, 1723-1805) and 1 other
Cardinal Dubois, 1724
Pierre-Imbert Drevet (French, 1697-1739) and 1 other
The Three Graces, 1786
Jean François Janinet (French, 1752-1814) and 1 other
Oedipus at Colonus, 1798
Fulchran Jean Harriet (French, 1778-1805)
Funerary Monument for the Marquis de Tourney (for the Chapel of the..., 1787-1793
François-Nicolas Delaistre (French, 1746-1832)
Antoine Watteau, c. 1727
François Boucher (French, 1703-1770) and 1 other
Portrait of a Woman Reclining on a Sofa, c. 1804
Jean-Antoine Laurent (French, 1763-1832)
The Game of Blind Man's Bluff, 1739
Charles-Nicolas Cochin (French, 1715-1790) and 1 other
Shepherds and Shepherdesses, 1789
Conrad Martin Metz (German, 1749-1827)
Portrait of Henri Gratien, Comte Bertrand, 1808
Cruet Set, c. 1740
Héraud- LeRoy Factory (French)
Cruet Stand, c. 1740
Laban Searching for His Stolen Gods, 1753
Robert Osmond (French, 1711-1789) and 1 other
Broth Basin with Cover and Stand, 1772
François-Joseph Aloncle (French) and 1 other
Broth Basin (Stand), 1772
The Game of Leap Frog, 1785
Jean Guillaume Moitte (French, 1746-1810) and 1 other
The Flute Player from Set Les Beaux Pastorales, 1775
Writing Stand, 1746
Sinceny Factory (French)
Saucer, 1753
attributed to Etienne Doirat (French, c. 1670-1732)
Pair of Bottle Coolers (Seaux à rafraîchir), c. 1725- 1735
Bottle Cooler, c. 1725- 1735
Armchair, c.1740
René Cresson (French, c. 1705-c. 1749)
probably by Adrien Faizelot Delorme (French)
Seated Woman with a Cat, c. 1776
Jean-Michel the Younger Moreau (French, 1741-1814)
Armchair, c. 1755
attributed to Nicolas Heurtaut (French, 1720-1771)
Hunting Sword, c. 1780
France (blade: Germany?), 18th century
1916.1492.aCCCC0
Scabbard, c. 1780
1916.1492.bCCCC0
Covered Milk Jug, c. 1770
Pont-aux-Choux Factory (French)
Book of Fountains: No. 6, c. 1736
Gabriel Huquier (French, 1695-1772) and 1 other
Wall Panals: The Gardener, Horticlture, The Vineyard, The See-Saw, The..., c. 1723-1727
The Gardener, c. 1723-1727
Horticulture, c. 1723-1727
The Vineyard, c. 1723-1727
The Swing, c. 1723-1727
Columbine and Harlequin, Date unknown
Jean Moyreau (French, 1690-1762) and 1 other
Portrait of a Man in a Landscape, c. 1795
Marie Gabrielle Capet (French, 1761-1818)
Portrait of a Man, 1794-1795
François Dumont (French, 1751-1831)
Armchair (1 of 4), before 1717
Caster (Lanceur), c. 1732- 1738
Woman Standing, Date unknown
Pyx, c. 1250
France, Limousin, Limoges, Gothic period, mid 13th century
Man Destroying Book, 1700s
Anonymous and 1 other
Portrait of Noël-François Charles Caille des Fontaines, 1795
Candelabrum, c. 1780-1785
attributed to Pierre Philippe Thomire (French, 1751-1843) and 1 other
Savonnerie Panel: Autumn, c. 1717
The Cupboard, 1778
Shepherds in a Landscape, 1779
Jean Baptiste Pillement (French, 1728-1808)
Lot and His Daughters, 1756
Antoine Pesne (French, 1683-1757)
Console Table, c. 1725
Pierre Turpin and 2 others
Portrait of Mademoiselle Marie-Anne Adelaide Le Normand, c. 1793
Evenings in Rome: The Statue in Front of Ruins, 1763-1764
Landscape with Watermill, c, 1790
Jean Jacques de Boissieu (French, 1736-1810)
Woman in Profile, Turned to the Left, 1784
Henri-Pierre Danloux (French, 1753-1809)
Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of..., c. 1746
Charles-Nicolas Cochin (French, 1715-1790)
Portrait of Prince Alexander Bezborodko, mid to late 1700s
Pierre-Charles Cior (French, 1769-1840)
Banner Head in the Form of a Fleur-de-lys, 1700s
Chinese Fair, 1723-1774
Beauvais (French) and 2 others
New Suite of Portfolios of Flowers Ideal to Use for Designing and..., c. 1796
Anne Allen (British) and 1 other
The Swing, 1782
Nicolas Delaunay (French, 1739-1792) and 1 other
The Four Times of Day: Noon, Date unknown
Gilles Demarteau (French, 1722-1776) and 1 other
Portrait of a Woman at a Harpsichord, c. 1788
Zephyre and Flore, c. 1776
Portrait of Mademoiselle Colombi, 1788
Jacques Delusee (French, 1757-1833)
Portrait of a Woman in a Brown Dress, 1795
Rural Recreation, 1769
Damascus Plum, 1768
B. Michel (French)
Snuff Box (Tabatière), 1761-1762
Francois Guillaume Tiron (French)
Ut Pictura Poesis, 1745-1746
Charles-François Hutin (French, 1715-1776)
Maximilien Villers (French, c. 1836)
Trees, 1700s(?)
Hand Warmer or Flask, mid 1700s
France, Marseilles(?), mid 18th century
Ava Mendelsohn, fourth quarter 1800s or first third 1900s
Jean Louis Forain (French, 1852-1931)
Pot Pourri, c. 1750
Vincennes Factory (French)
Evenings in Rome: The Antique Gallery, 1763-1764
The Rape of Europa, 1725-42
Nicolas LeSueur (French, 1691-1764)
Snuff Box (Tabatière) with Portrait of Marie-Thérèse of Austria, miniature, c. 1676; box, 1775-1776
Jean Petitot (Swiss, 1607-1691) and 1 other
Suite of Vases: Plate 15, 1746
Jacques François Saly (French, 1717-1776)
1996.229.16CCCC0
Four Seasons: Spring: Fishing Scene, late 1600s - early 1700s
Gobelins (French)
Portrait of Jean-Baptiste Lemoyne the Younger, 1772
Elisabeth Louise Vigée-LeBrun (French, 1755-1842)
Length of Textile, mid 1700s
Portrait of a French Actress, c. 1746
attributed to Jacques-Charles Allais (French, c. 1704-c. 1759)
The Swing, Date unknown
Portrait of a Woman with a Guitar, called Louise D'Aumont, Mazarin,..., late 18th century
Antoine Vestier (French, 1740-1824)
Portrait of a Woman in a White Dress, 1813
Plate of Walnuts, c. 1770
France, Sceaux, 18th century
Title, Date
Artist / Culture
1955.475 Chalk-manner etching Gift of The Print Club of Cleveland in honor of Mrs. William G. Mather ©
1964.529 Tin-glazed earthenware (faience) with enamel decoration Overall: 18.5 cm (7 5/16 in.) The Norweb Collection CCCC0
1971.142 Gilt wood, marble top Overall: 83.9 x 161.3 x 73.7 cm (33 1/16 x 63 1/2 x 29 in.) Gift of Mrs. John Nevin Bauman in memory of her father, William Meakim Packer CCCC0
1971.142.a Gilt wood, marble top Overall: 83.9 x 161.3 x 73.7 cm (33 1/16 x 63 1/2 x 29 in.) Gift of Mrs. John Nevin Bauman in memory of her father, William Meakim Packer CCCC0
1971.142.b Marble Top: 3.5 x 161.3 x 73.7 cm (1 3/8 x 63 1/2 x 29 in.) Gift of Mrs. John Nevin Bauman in memory of her father, William Meakim Packer CCCC0
1964.527 Tin- glazed eathenware (faience) with enamel decoration Overall: 36.2 x 27.3 cm (14 1/4 x 10 3/4 in.) The Norweb Collection CCCC0
1943.657 Brush and brown ink with graphite squaring lines and underdrawing on cream laid paper Sheet: 33.5 x 41.6 cm (13 3/16 x 16 3/8 in.); Secondary Support: 37.6 x 47.8 cm (14 13/16 x 18 13/16 in.) Grace Rainey Rogers Fund CCCC0
1974.15 Gilt bronze mounts Overall: 28.6 x 15.4 x 11.5 cm (11 1/4 x 6 1/16 x 4 1/2 in.) Purchase from the J. H. Wade Fund CCCC0
1926.504 Pen and brown ink and brush and brown wash over graphite; framing lines in brown ink Sheet: 44.1 x 28.2 cm (17 3/8 x 11 1/8 in.); Secondary Support: 52.9 x 38.7 cm (20 13/16 x 15 1/4 in.) Gift of Leonard C. Hanna, Jr. CCCC0
1938.392 Oil on canvas Framed: 79.5 x 70 x 10.5 cm (31 5/16 x 27 9/16 x 4 1/8 in.); Unframed: 55.3 x 47 cm (21 3/4 x 18 1/2 in.) Gift of Commodore Louis D. Beaumont CCCC0
1938.392.a Unframed: 55.3 x 47 cm (21 3/4 x 18 1/2 in.) Gift of Commodore Louis D. Beaumont CCCC0
1964.89 Oil on canvas Framed: 153.5 x 121.5 x 13.5 cm (60 7/16 x 47 13/16 x 5 5/16 in.); Unframed: 124.5 x 92.4 cm (49 x 36 3/8 in.) John L. Severance Fund CCCC0
1967.17 Oil on canvas Framed: 180.5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 in.); Unframed: 146.7 x 113.7 cm (57 3/4 x 44 3/4 in.) John L. Severance Fund CCCC0
1925.1005 Pen and brown ink, brush and brown wash, and black chalk, heightened with white paint, framing lines in brown ink Sheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.) Gift of Leonard C. Hanna, Jr. CCCC0
1942.643 Oil on canvas Framed: 127.5 x 107.5 x 10 cm (50 3/16 x 42 5/16 x 3 15/16 in.); Unframed: 100.4 x 79.5 cm (39 1/2 x 31 5/16 in.) Bequest of John L. Severance CCCC0
1944.86 Oil on canvas Framed: 103 x 90.5 x 9 cm (40 9/16 x 35 5/8 x 3 9/16 in.); Unframed: 80.1 x 64 cm (31 9/16 x 25 3/16 in.) Elisabeth Severance Prentiss Collection CCCC0
1942.638 Oil on canvas Framed: 138.6 x 111.9 x 13.7 cm (54 9/16 x 44 1/16 x 5 3/8 in.); Unframed: 101 x 85.6 cm (39 3/4 x 33 11/16 in.) Bequest of John L. Severance CCCC0
1966.124 Brush and brown and gray wash, with gouache, watercolor, and traces of graphite Sheet: 19.8 x 31.3 cm (7 13/16 x 12 5/16 in.); Secondary Support: 19.8 x 31.3 cm (7 13/16 x 12 5/16 in.) Purchase from the J. H. Wade Fund CCCC0
1963.502 Oil on canvas Framed: 127.5 x 160 x 14 cm (50 3/16 x 63 x 5 1/2 in.); Unframed: 97.6 x 130 cm (38 7/16 x 51 3/16 in.) Leonard C. Hanna, Jr. Fund CCCC0
1952.529 Black and white chalks with stumping and red chalk on beige laid paper Sheet: 37.7 x 22.2 cm (14 13/16 x 8 3/4 in.); Secondary Support: 39.6 x 24.2 cm (15 9/16 x 9 1/2 in.) John L. Severance Fund CCCC0
1971.47 Oil on canvas Unframed: 38 x 46.2 cm (14 15/16 x 18 3/16 in.) Mr. and Mrs. William H. Marlatt Fund CCCC0
1928.661 Red chalk; red and black chalk (upper left figure) Sheet: 35 x 27.5 cm (13 3/4 x 10 13/16 in.); Secondary Support: 35.1 x 27.8 cm (13 13/16 x 10 15/16 in.) Dudley P. Allen Fund CCCC0
1974.1 Oil on canvas Framed: 58.5 x 50.5 x 8.5 cm (23 1/16 x 19 7/8 x 3 3/8 in.); Unframed: 41 x 33.6 cm (16 1/8 x 13 1/4 in.) Leonard C. Hanna, Jr. Fund CCCC0
1952.542 Oil on canvas Framed: 76 x 66 x 8 cm (29 15/16 x 26 x 3 1/8 in.); Unframed: 55.2 x 46 cm (21 3/4 x 18 1/8 in.) Gift of George S. Kendrick CCCC0
1970.31 Oil on canvas Framed: 108.5 x 91.5 x 11 cm (42 11/16 x 36 x 4 5/16 in.); Unframed: 80.6 x 63.8 cm (31 3/4 x 25 1/8 in.) Mr. and Mrs. William H. Marlatt Fund CCCC0
1969.53 Oil on canvas Framed: 118 x 92.5 x 6 cm (46 7/16 x 36 7/16 x 2 3/8 in.); Unframed: 98.2 x 73.5 cm (38 11/16 x 28 15/16 in.) John L. Severance Fund CCCC0
1949.377 Enameled gold Diameter: 5 cm (1 15/16 in.) Purchase from the J. H. Wade Fund CCCC0
1942.49 Oil on wood Framed: 36 x 27 x 3.5 cm (14 3/16 x 10 5/8 x 1 3/8 in.); Unframed: 20.8 x 16 cm (8 3/16 x 6 5/16 in.) Gift of Grace Rainey Rogers in memory of her father, William J. Rainey CCCC0
1952.566 Terracotta Overall: 63.5 x 33 cm (25 x 13 in.) John L. Severance Fund CCCC0
1929.96 Oil on canvas Framed: 129.5 x 107.5 x 10.5 cm (51 x 42 5/16 x 4 1/8 in.); Unframed: 102 x 80.7 cm (40 3/16 x 31 3/4 in.) Gift of Felix Wildenstein CCCC0
1948.181 Oil on canvas Framed: 77.5 x 131.5 x 6 cm (30 1/2 x 51 3/4 x 2 3/8 in.); Unframed: 69 x 123 cm (27 3/16 x 48 7/16 in.) Gift of the Louis Dudley Beaumont Foundation CCCC0
1948.181.1 Oil on canvas Framed: 77.5 x 131.5 x 6 cm (30 1/2 x 51 3/4 x 2 3/8 in.); Unframed: 69 x 123 cm (27 3/16 x 48 7/16 in.) Gift of the Louis Dudley Beaumont Foundation CCCC0
1948.181.2 Oil on canvas Framed: 77.5 x 131.5 x 6 cm (30 1/2 x 51 3/4 x 2 3/8 in.); Unframed: 68.8 x 123.2 cm (27 1/16 x 48 1/2 in.) Gift of the Louis Dudley Beaumont Foundation CCCC0
1925.1006 Pen and brown and gray ink, brush and brown and gray wash, and traces of yellow watercolor over black chalk; framing lines in black ink Sheet: 19.2 x 25 cm (7 9/16 x 9 13/16 in.); Secondary Support: 19.2 x 25 cm (7 9/16 x 9 13/16 in.) Dudley P. Allen Fund CCCC0
1983.89 Black and white chalk with pastel Sheet: 30.8 x 20.8 cm (12 1/8 x 8 3/16 in.) John L. Severance Fund CCCC0
1966.228 Faience Overall: 17.8 x 29.2 x 22.3 cm (7 x 11 1/2 x 8 3/4 in.) The Norweb Collection CCCC0
1966.228.a Faience Overall: 17.8 x 29.2 x 22.3 cm (7 x 11 1/2 x 8 3/4 in.) The Norweb Collection CCCC0
1966.228.b Faience Overall: 17.8 x 29.2 x 22.3 cm (7 x 11 1/2 x 8 3/4 in.) The Norweb Collection CCCC0
1952.14 Savonnerie knotted-pile (144 symmetrical rug knots per square inch); wool, hemp Overall: 274.3 x 219.7 cm (108 x 86 1/2 in.) John L. Severance Fund CCCC0
1943.659 Oil on fabric Framed: 101 x 85.5 x 12.5 cm (39 3/4 x 33 11/16 x 4 15/16 in.); Unframed: 81.2 x 65 cm (31 15/16 x 25 9/16 in.) Grace Rainey Rogers Fund CCCC0
1973.212 Oil on canvas Framed: 123.5 x 159.5 x 12 cm (48 5/8 x 62 13/16 x 4 3/4 in.); Unframed: 106 x 139 cm (41 3/4 x 54 3/4 in.) Mr. and Mrs. William H. Marlatt Fund CCCC0
1956.602 Black, red, and white chalk Sheet: 42 x 26.2 cm (16 9/16 x 10 5/16 in.) Gift of Alida di Nardo in memory of her husband, Antonio di Nardo CCCC0
1942.799 Gilt bronze Overall: 44.2 x 54.6 x 14 cm (17 3/8 x 21 1/2 x 5 1/2 in.) Bequest of John L. Severance CCCC0
1942.799.1 Gilt bronze Overall: 44.2 x 54.6 x 14 cm (17 3/8 x 21 1/2 x 5 1/2 in.) Bequest of John L. Severance CCCC0
1996.1 Oil on canvas Framed: 86.4 x 76.2 x 6.5 cm (34 x 30 x 2 9/16 in.); Unframed: 68 x 55 cm (26 3/4 x 21 5/8 in.) Mr. and Mrs. William H. Marlatt Fund CCCC0
1951.485 Pen and black ink and watercolor with black chalk underdrawing and heightened with white gouache on cream laid paper Gift of Harry D. Kendrick CCCC0
1927.423 Carved and gilded wood Overall: 101.9 x 73.7 x 63.5 cm (40 1/8 x 29 x 25 in.) Purchase from the J. H. Wade Fund CCCC0
1927.423.1 Carved and gilded wood Overall: 101.9 x 73.7 x 63.5 cm (40 1/8 x 29 x 25 in.) Purchase from the J. H. Wade Fund CCCC0
1927.423.2 Carved and gilded wood Overall: 102.5 x 73.7 x 62.3 cm (40 3/8 x 29 x 24 1/2 in.) Purchase from the J. H. Wade Fund CCCC0
1977.182 Silver Overall: 36.9 x 38.4 x 31.8 cm (14 1/2 x 15 1/8 x 12 1/2 in.); Average: 35 x 38.4 x 31.8 cm (13 3/4 x 15 1/8 x 12 1/2 in.) Leonard C. Hanna, Jr. Fund CCCC0
1977.182.a Silver Overall: 36.9 x 38.4 x 31.8 cm (14 1/2 x 15 1/8 x 12 1/2 in.); Average: 35 x 38.4 x 31.8 cm (13 3/4 x 15 1/8 x 12 1/2 in.) Leonard C. Hanna, Jr. Fund CCCC0
1977.182.b Silver Overall: 36.9 cm (14 1/2 in.); Average: 35 x 38.4 x 31.8 cm (13 3/4 x 15 1/8 x 12 1/2 in.) Leonard C. Hanna, Jr. Fund CCCC0
1977.182.c Silver Overall: 8.9 x 45.8 x 38.1 cm (3 1/2 x 18 1/16 x 15 in.) Leonard C. Hanna, Jr. Fund CCCC0
1946.81 Gilt bronze Overall: 72.4 x 49.3 x 39.7 cm (28 1/2 x 19 7/16 x 15 5/8 in.) John L. Severance Fund CCCC0
1981.58 Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paper Sheet: 34.8 x 23.1 cm (13 11/16 x 9 1/8 in.) Delia E. Holden and L. E. Holden Funds CCCC0
1919.117 Taffeta, brocaded; silk Overall: 40.2 x 50.8 cm (15 13/16 x 20 in.) Dudley P. Allen Fund CCCC0
2008.339 Black chalk, heightened with white chalk Overall: 58.4 x 41.9 cm (23 x 16 1/2 in.) Bequest of Muriel Butkin CCCC0
1970.55 Oil on paper, mounted on board Framed: 30 x 49 x 4.5 cm (11 13/16 x 19 5/16 x 1 3/4 in.); Unframed: 19.5 x 39 cm (7 11/16 x 15 3/8 in.) Purchase from the J. H. Wade Fund CCCC0
1980.37 Oil on canvas Framed: 52.5 x 60.5 x 7.5 cm (20 11/16 x 23 13/16 x 2 15/16 in.); Unframed: 32.2 x 40.7 cm (12 11/16 x 16 in.) Leonard C. Hanna, Jr. Fund CCCC0
1927.289 Linen center with border of needlepoint lace Average: 43.2 x 43.2 cm (17 x 17 in.) Gift of Mrs. John Jackson CCCC0
1942.594 Wood marquetry with gilt bronze mounts, Sèvres porcelain top Overall: 77.5 x 43.2 cm (30 1/2 x 17 in.) Bequest of John L. Severance CCCC0
1944.126 Gilt bronze Overall: 50.3 x 46.3 x 14 cm (19 13/16 x 18 1/4 x 5 1/2 in.) The Elisabeth Severance Prentiss Collection CCCC0
1944.126.1 Gilt bronze Overall: 50.3 x 46.3 x 14 cm (19 13/16 x 18 1/4 x 5 1/2 in.) The Elisabeth Severance Prentiss Collection CCCC0
1976.97 Oil on canvas Framed: 56 x 47.5 x 6 cm (22 1/16 x 18 11/16 x 2 3/8 in.); Unframed: 42.6 x 33.4 cm (16 3/4 x 13 1/8 in.) Mr. and Mrs. William H. Marlatt Fund CCCC0
1976.97.1 Oil on canvas Framed: 56 x 47.5 x 6 cm (22 1/16 x 18 11/16 x 2 3/8 in.); Unframed: 42.6 x 33.4 cm (16 3/4 x 13 1/8 in.) Mr. and Mrs. William H. Marlatt Fund CCCC0
1922.73 Mahogany, gilt bronze, marble top Overall: 91.5 x 148.6 x 49.5 cm (36 x 58 1/2 x 19 1/2 in.) Anonymous Gift CCCC0
1922.73.a Mahogany, gilt bronze, marble top Overall: 91.5 x 148.6 x 49.5 cm (36 x 58 1/2 x 19 1/2 in.) Anonymous Gift CCCC0
1922.73.b Mahogany, gilt bronze, marble top Overall: 91.5 x 148.6 x 49.5 cm (36 x 58 1/2 x 19 1/2 in.) Anonymous Gift CCCC0
1940.14 Silver Diameter: 19.9 cm (7 13/16 in.); Overall: 38.1 x 24.5 cm (15 x 9 5/8 in.) Purchase from the J. H. Wade Fund CCCC0
1940.14.1 Silver Diameter: 19.9 cm (7 13/16 in.); Overall: 38.1 x 24.5 cm (15 x 9 5/8 in.) Purchase from the J. H. Wade Fund CCCC0
1989.46 Brush and black and gray wash over black chalk Sheet: 49.8 x 64.3 cm (19 5/8 x 25 5/16 in.); Secondary Support: 49.8 x 64.3 cm (19 5/8 x 25 5/16 in.); Tertiary Support: 61.3 x 78.8 cm (24 1/8 x 31 in.) Leonard C. Hanna, Jr. Fund CCCC0
1960.101 Ormolu and lacquer Overall: 12.7 x 38.1 x 29.9 cm (5 x 15 x 11 3/4 in.) Gift of Carrie Moss Halle in memory of Salmon Portland Halle CCCC0
1979.55 Oil on canvas Framed: 246 x 228.5 x 6.5 cm (96 7/8 x 89 15/16 x 2 9/16 in.); Unframed: 233 x 215 cm (91 3/4 x 84 5/8 in.) The Thomas L. Fawick Memorial Collection CCCC0
1980.91 Black gouache and brush and gray wash, over black chalk and graphite, heightened with white gouache Sheet: 41.3 x 48.3 cm (16 1/4 x 19 in.); Secondary Support: 43.6 x 52.1 cm (17 3/16 x 20 1/2 in.) Purchase from the J. H. Wade Fund CCCC0
1944.123 Wood marquetry with gilt bronze mounts, leather top Overall: 75 x 151.8 x 76.9 cm (29 1/2 x 59 3/4 x 30 1/4 in.) The Elisabeth Severance Prentiss Collection CCCC0
1942.50 Terracotta Overall: 45.1 x 15.2 x 17.3 cm (17 3/4 x 6 x 6 13/16 in.) Gift of Grace Rainey Rogers in memory of her father, William J. Rainey CCCC0
1944.113 Ebony veneer with Japanese lacquer panels, gilt bronze mounts, and marble top Overall: 86.8 x 152.4 x 59.7 cm (34 3/16 x 60 x 23 1/2 in.) The Elisabeth Severance Prentiss Collection CCCC0
1944.113.a Ebony veneer with Japanese lacquer panels, gilt bronze mounts, and marble top Overall: 86.8 x 152.4 x 59.7 cm (34 3/16 x 60 x 23 1/2 in.) The Elisabeth Severance Prentiss Collection CCCC0
1944.113.b Marble Top: 1.6 x 60 x 59.7 cm (5/8 x 23 5/8 x 23 1/2 in.) The Elisabeth Severance Prentiss Collection CCCC0
1949.200 Boulle marquetry with gilt bronze mounts Overall: 261.6 x 69.9 x 41.9 cm (103 x 27 1/2 x 16 1/2 in.) John L. Severance Fund CCCC0
1983.55 Soft-paste porcelain with enamel and gilt decoration Diameter: 4 x 22.4 cm (1 9/16 x 8 13/16 in.) The Norweb Collection CCCC0
1983.52 Tin- glazed earthenware (faience) wth enamel decoration Overall: 20 x 42.3 x 27.5 cm (7 7/8 x 16 5/8 x 10 13/16 in.) The Norweb Collection CCCC0
1983.52.a Tin- glazed earthenware (faience) wth enamel decoration Overall: 20 x 42.3 x 27.5 cm (7 7/8 x 16 5/8 x 10 13/16 in.) The Norweb Collection CCCC0
1983.52.b Tin- glazed earthenware (faience) wth enamel decoration Overall: 20 x 42.3 x 27.5 cm (7 7/8 x 16 5/8 x 10 13/16 in.) The Norweb Collection CCCC0
1951.550 Gilt bronze Overall: 93 x 49.5 x 36.3 cm (36 5/8 x 19 1/2 x 14 5/16 in.) John L. Severance Fund CCCC0
1953.25 Soft-paste porcelain with enamel and gilt John L. Severance Fund CCCC0
1953.25.1 Soft-paste porcelain with enamel and gilt Overall: 24.2 x 28.3 cm (9 1/2 x 11 1/8 in.) John L. Severance Fund CCCC0
1953.25.1.a Soft-paste porcelain with enamel and gilt Overall: 24.2 x 28.3 cm (9 1/2 x 11 1/8 in.) John L. Severance Fund CCCC0
1953.25.1.b Soft-paste porcelainwith enamel and gilt Overall: 24.2 x 28.3 cm (9 1/2 x 11 1/8 in.) John L. Severance Fund CCCC0
1953.25.1.c Soft-paste porcelainwith enamel and gilt Overall: 34.3 x 40.7 cm (13 1/2 x 16 in.) John L. Severance Fund CCCC0
1953.25.2 Soft-paste porcelainwith enamel and gild Overall: 24.2 x 28.3 cm (9 1/2 x 11 1/8 in.) John L. Severance Fund CCCC0
1944.225 Soft-paste porcelain with enamel decoration Part 1: 8.1 x 16.2 cm (3 3/16 x 6 3/8 in.) Purchase from the J. H. Wade Fund CCCC0
1954.385 Carved and gilded wood Overall: 44.8 x 71.5 x 51.6 cm (17 5/8 x 28 1/8 x 20 5/16 in.) John L. Severance Fund CCCC0
1954.385.1 Carved and gilded wood Overall: 44.8 x 71.5 x 51.6 cm (17 5/8 x 28 1/8 x 20 5/16 in.) John L. Severance Fund CCCC0
1954.385.2 Carved and gilded wood Overall: 44.8 x 71.7 x 51.5 cm (17 5/8 x 28 1/4 x 20 1/4 in.) John L. Severance Fund CCCC0
1966.235 Unglazed soft-paste porcelain (biscuit) Overall: 25.4 x 12.8 x 14 cm (10 x 5 1/16 x 5 1/2 in.) The Norweb Collection CCCC0
1942.538 Black chalk with stumping heightened with white chalk on blue laid paper; framing lines in brown ink Sheet: 20.8 x 32.6 cm (8 3/16 x 12 13/16 in.) Gift of Richard Owen CCCC0
1933.416 Red chalk Dudley P. Allen Fund CCCC0
1942.1146 Watercolor on card on a gilt metal mount in a pale wood frame Framed: 21.5 x 15.5 cm (8 7/16 x 6 1/8 in.); Unframed: 12.9 x 9 cm (5 1/16 x 3 9/16 in.) The Edward B. Greene Collection CCCC0
2008.409 Red chalk, black chalk, and watercolor, heightened with white chalk or paint? Sheet: 31.5 x 20.1 cm (12 3/8 x 7 15/16 in.) Bequest of Muriel Butkin CCCC0
1942.783 Terracotta Overall: 30.8 x 29.1 x 22.4 cm (12 1/8 x 11 7/16 x 8 13/16 in.) Bequest of John L. Severance CCCC0
1950.8 Savonnerie knotted pile (symmetrical ruf knot), wool, hemp Overall: 546 x 615.6 cm (214 15/16 x 242 3/8 in.) John L. Severance Fund CCCC0
1952.3 Soft-paste porcelain with enamel and gilt decoration Overall: 25.8 x 38.5 cm (10 3/16 x 15 3/16 in.); Container: 15.4 cm (6 1/16 in.) John L. Severance Fund CCCC0
1952.3.a Soft-paste porcelain with enamel and gilt decoration Overall: 25.8 x 38.5 cm (10 3/16 x 15 3/16 in.); Container: 15.4 cm (6 1/16 in.) John L. Severance Fund CCCC0
1952.3.b Soft-paste porcelain wth enamel and gilt decoraion Overall: 25.8 x 38.5 cm (10 3/16 x 15 3/16 in.); Container: 15.4 cm (6 1/16 in.) John L. Severance Fund CCCC0
1948.183 Oil on canvas Framed: 108 x 92.5 x 11 cm (42 1/2 x 36 7/16 x 4 5/16 in.); Unframed: 82 x 65 cm (32 5/16 x 25 9/16 in.) Gift of the Louis Dudley Beaumont Foundation CCCC0
1946.447.a Red and black chalk heightened with white chalk Sheet: 20.1 x 20.4 cm (7 15/16 x 8 1/16 in.) Gift of Victor Spark, New York CCCC0
1946.447.b Black chalk Sheet: 20.1 x 20.4 cm (7 15/16 x 8 1/16 in.) Gift of Victor Spark, New York CCCC0
1947.62 Soft-paste porcelainwith enamel decoration Overall: 17.2 cm (6 3/4 in.) Grace Rainey Rogers Fund CCCC0
1947.62.a Soft-paste porcelainwith enamel decoration Overall: 17.2 cm (6 3/4 in.) Grace Rainey Rogers Fund CCCC0
1947.62.b Soft-paste porcelain with enamel decoration Overall: 17.2 cm (6 3/4 in.) Grace Rainey Rogers Fund CCCC0
1978.79 Black chalk, with stumping, heightened with traces of white gouache Sheet: 21.6 x 17.5 cm (8 1/2 x 6 7/8 in.); Secondary Support: 21.6 x 17.5 cm (8 1/2 x 6 7/8 in.) Delia E. Holden Fund CCCC0
1977.93 Brush and black ink and gray wash heightened with white gouache, blue ink in margin; framing lines in brown ink Sheet: 31 x 26 cm (12 3/16 x 10 1/4 in.); Image: 24 x 18.8 cm (9 7/16 x 7 3/8 in.) John L. Severance Fund CCCC0
1942.497 Oak, tulipwood marquetry, gilt metal mounts, marble Overall: 88 x 156.5 x 69.9 cm (34 5/8 x 61 5/8 x 27 1/2 in.) Gift of Flora Whitney Miller, Barbara Whitney Henry, and Major Cornelius Vanderbilt Whitney, in memory of their mother, Mrs. Harry Payne Whitney CCCC0
1942.497.a Oak, tulipwood marquetry, gilt metal mounts, marble Overall: 88 x 156.5 x 69.9 cm (34 5/8 x 61 5/8 x 27 1/2 in.) Gift of Flora Whitney Miller, Barbara Whitney Henry, and Major Cornelius Vanderbilt Whitney, in memory of their mother, Mrs. Harry Payne Whitney CCCC0
1942.497.b Marble Top: 3.9 x 156.5 x 69.9 cm (1 9/16 x 61 5/8 x 27 1/2 in.) Gift of Flora Whitney Miller, Barbara Whitney Henry, and Major Cornelius Vanderbilt Whitney, in memory of their mother, Mrs. Harry Payne Whitney CCCC0
1947.60 Porcelain Overall: 15.7 x 21.9 x 18.8 cm (6 3/16 x 8 5/8 x 7 3/8 in.) John L. Severance Fund CCCC0
1947.60.2 Soft-paste porcelain with enamel decoration Overall: 15.7 x 21.6 x 19.1 cm (6 3/16 x 8 1/2 x 7 1/2 in.) John L. Severance Fund CCCC0
1949.15 Soft-paste porcelain with enamel and gilt decoration Overall: 24.2 cm (9 1/2 in.); Container: 15.9 x 22.6 x 16.5 cm (6 1/4 x 8 7/8 x 6 1/2 in.) John L. Severance Fund CCCC0
1949.15.a Soft-paste porcelain with enamel and gilt decoration Overall: 24.2 cm (9 1/2 in.); Container: 15.9 x 22.6 x 16.5 cm (6 1/4 x 8 7/8 x 6 1/2 in.) John L. Severance Fund CCCC0
1916.1096 Steel, copper alloy inlays; wood grip with steel wire Overall: 90.7 cm (35 11/16 in.); Blade: 77.2 cm (30 3/8 in.); Quillions: 8.6 cm (3 3/8 in.) Gift of Mr. and Mrs. John L. Severance CCCC0
1916.1094 Steel, gilt and russeted, copper, wood Overall: 105.4 cm (41 1/2 in.); Blade: 87.9 cm (34 5/8 in.); Guard: 7.9 cm (3 1/8 in.) Gift of Mr. and Mrs. John L. Severance CCCC0
1948.111 Lace, needlepoint: linen Average: 64.8 x 121.3 cm (25 1/2 x 47 3/4 in.) Gift of Mrs. Edward S. Harkness in memory of Mrs. Stephen V. Harkness CCCC0
1961.334 Oil on canvas Framed: 78 x 67 x 7 cm (30 11/16 x 26 3/8 x 2 3/4 in.); Unframed: 64.4 x 53.2 cm (25 3/8 x 20 15/16 in.) Gift of Carrie Moss Halle in memory of Salmon Portland Halle CCCC0
1962.379 Tin-glazed earthenware (faience) with enamel decoration Overall: 17.8 x 22.9 x 19.1 cm (7 x 9 x 7 1/2 in.) The Norweb Collection CCCC0
1953.609 Pen and black ink and brush and brown wash over graphite, with traces of white gouache; framing lines in black ink Sheet: 13.3 x 18.3 cm (5 1/4 x 7 3/16 in.); Secondary Support: 20 x 25.2 cm (7 7/8 x 9 15/16 in.) Gift of William Mathewson Milliken, in memory of H. Oothout Milliken CCCC0
1935.237 Lampas (satin weave and plain weave variant), brocaded, embroidered (chain, satin stitches); silk Overall: 237 x 45.7 cm (93 5/16 x 18 in.) Dudley P. Allen Fund CCCC0
2008.353 Red chalk Sheet: 43.1 x 28.6 cm (16 15/16 x 11 1/4 in.) Bequest of Muriel Butkin CCCC0
1942.597 Wood marquetry with gilt bronze mounts Overall: 77.5 x 43.2 x 28 cm (30 1/2 x 17 x 11 in.) Bequest of John L. Severance CCCC0
1916.1484 Steel; chiseled relief decoration; blade engraved; wire grip Overall: 97 cm (38 3/16 in.); Blade: 79.2 cm (31 3/16 in.); Grip: 13.8 cm (5 7/16 in.); Guard: 7.6 cm (3 in.) Gift of Mr. and Mrs. John L. Severance CCCC0
1978.125 Oil on paper, mounted on board Framed: 64 x 52.5 x 4.5 cm (25 3/16 x 20 11/16 x 1 3/4 in.); Unframed: 54 x 42.5 cm (21 1/4 x 16 3/4 in.) Gift of Mr. and Mrs. Noah L. Butkin CCCC0
1976.52 Tin-glazed earthenware (faience) with enamel decoration Overall: 38.8 x 38 cm (15 1/4 x 14 15/16 in.) Andrew R. and Martha Holden Jennings Fund CCCC0
1976.52.b Tin-glazed earthenware (faience) with enamel decoration Overall: 21.3 x 38 cm (8 3/8 x 14 15/16 in.) Andrew R. and Martha Holden Jennings Fund CCCC0
1976.52.c Tin-glazed earthenware (faience) with enamel decoration Overall: 38.8 x 33.5 cm (15 1/4 x 13 3/16 in.) Andrew R. and Martha Holden Jennings Fund CCCC0
1999.48 Red chalk on cream laid paper Sheet: 38.8 x 30.3 cm (15 1/4 x 11 15/16 in.); Secondary Support: 45.6 x 37.1 cm (17 15/16 x 14 5/8 in.) Purchase from the J. H. Wade Fund CCCC0
1988.59 Terracotta Overall: 49.5 x 40 x 28.5 cm (19 1/2 x 15 3/4 x 11 1/4 in.); with base: 64 x 39.3 x 28.1 cm (25 3/16 x 15 1/2 x 11 1/16 in.) Leonard C. Hanna, Jr. Fund CCCC0
1916.777 Oil on fabric Unframed: 31.8 x 41.3 cm (12 1/2 x 16 1/4 in.) Holden Collection CCCC0
1961.2 Tin-glazed earthenware (faience) with enamel decoration Overall: 13.4 x 16.9 cm (5 1/4 x 6 5/8 in.) The Norweb Collection CCCC0
1961.2.b Tin-glazed earthenware (faience) with enamel decoration Overall: 13.4 x 16.9 cm (5 1/4 x 6 5/8 in.) The Norweb Collection CCCC0
1964.514 Soft-paste porcelain with enamel decoration Overall: 11.5 cm (4 1/2 in.) The Norweb Collection CCCC0
1983.44 Faience Overall: 12.1 x 13.7 cm (4 3/4 x 5 3/8 in.) The Norweb Collection CCCC0
1961.10 Unglazed soft-paste porcelain (biscuit porcelain) The Norweb Collection CCCC0
1961.10.1 Unglazed soft-paste porcelain (biscuit porcelain) Overall: 21.6 x 14 x 8 cm (8 1/2 x 5 1/2 x 3 1/8 in.) The Norweb Collection CCCC0
1961.10.2 Unglazed soft-paste porcelain (biscuit) Overall: 22.9 x 13.4 x 8 cm (9 x 5 1/4 x 3 1/8 in.) The Norweb Collection CCCC0
1942.593 Wood marquetry, gilt bronze mounts, marble Overall: 106.4 x 61 x 37.5 cm (41 7/8 x 24 x 14 3/4 in.) Bequest of John L. Severance CCCC0
1916.1097 Steel, blued, with gold encrusted decoration; chased and engraved; silver wire Overall: 94.5 cm (37 3/16 in.); Blade: 77.2 cm (30 3/8 in.); Grip: 13.2 cm (5 3/16 in.); Guard: 8 cm (3 1/8 in.) Gift of Mr. and Mrs. John L. Severance CCCC0
1974.57 Forged steel blade; partially gilt and russet steel hilt; steel wire, leather bands, wood core Overall: 103.5 cm (40 3/4 in.); Blade: 86.1 cm (33 7/8 in.); Guard: 8.3 cm (3 1/4 in.) Gift from the Bascom Little Estate CCCC0
1983.46 Faience The Norweb Collection CCCC0
1953.153 Carved and gilded wood Overall: 243.8 x 143.5 cm (96 x 56 1/2 in.) John L. Severance Fund CCCC0
1966.229 Tin-glazed earthenware (faience) with enamel decoration Overall: 6.4 x 17.8 x 8.3 cm (2 1/2 x 7 x 3 1/4 in.) The Norweb Collection CCCC0
1966.229.a Tin-glazed earthenware (faience) with enamel decoration Overall: 6.4 x 17.8 x 8.3 cm (2 1/2 x 7 x 3 1/4 in.) The Norweb Collection CCCC0
1966.229.b Tin-glazed earthenware (faience) with enamel decoration Overall: 6.4 x 17.8 x 8.3 cm (2 1/2 x 7 x 3 1/4 in.) The Norweb Collection CCCC0
1953.269 Soft-paste porcelain with enamel decoration Overall: 15.9 cm (6 1/4 in.) Gift of Rosenberg & Stiebel, Inc. CCCC0
1983.51 Tin- glazed earthenware (faience) wth enamel decoration Overall: 26.7 x 29.9 x 14.8 cm (10 1/2 x 11 3/4 x 5 13/16 in.) The Norweb Collection CCCC0
1984.175 Oil on canvas Framed: 142.5 x 192.5 x 9 cm (56 1/8 x 75 13/16 x 3 9/16 in.); Unframed: 123.2 x 172.6 cm (48 1/2 x 67 15/16 in.) Leonard C. Hanna, Jr. Fund CCCC0
1983.40 Tin-glazed earthenware (faience) with enamel decoration Overall: 13.1 x 26.5 x 15.3 cm (5 3/16 x 10 7/16 x 6 in.) The Norweb Collection CCCC0
1952.592 Silver Overall: 26.2 x 29.1 cm (10 5/16 x 11 7/16 in.); Average: 22.6 cm (8 7/8 in.) Gift of James Hazen Hyde CCCC0
1979.59 Red chalk Sheet: 38.3 x 25.9 cm (15 1/16 x 10 3/16 in.) L. E. Holden Fund CCCC0
1983.49 Tin- glazed earthenware (faience) wth enamel decoration Overall: 14 x 18.1 cm (5 1/2 x 7 1/8 in.) The Norweb Collection CCCC0
1944.131 Terracotta Overall: 42.2 x 12.8 x 15.3 cm (16 5/8 x 5 1/16 x 6 in.); without base: 35.3 cm (13 7/8 in.) The Elisabeth Severance Prentiss Collection CCCC0
1988.151 Chalk-manner etching and engraving printed in black and white on blue paper Sheet: 46.5 x 32.7 cm (18 5/16 x 12 7/8 in.); Platemark: 43.6 x 30.2 cm (17 3/16 x 11 7/8 in.) John L. Severance Fund CCCC0
1950.376 Gilt bronze Overall: 116.9 x 50.8 x 27.7 cm (46 x 20 x 10 7/8 in.) John L. Severance Fund CCCC0
1944.109 Boxwood Overall: 98.2 x 69.9 x 68.3 cm (38 11/16 x 27 1/2 x 26 7/8 in.) The Elisabeth Severance Prentiss Collection CCCC0
1944.109.1 Boxwood Overall: 98.2 x 69.9 x 68.3 cm (38 11/16 x 27 1/2 x 26 7/8 in.) The Elisabeth Severance Prentiss Collection CCCC0
1951.486 Oil on canvas Framed: 76.5 x 66 x 9 cm (30 1/8 x 26 x 3 9/16 in.); Unframed: 65 x 53.7 cm (25 9/16 x 21 1/8 in.) Gift of Harry D. Kendrick CCCC0
2008.364 Sanguine on white woven paper Sheet: 36 x 24.5 cm (14 3/16 x 9 5/8 in.) Bequest of Muriel Butkin CCCC0
1997.191 Pen and brown and gray ink, brown and gray wash, heightened with white gouache on light brown laid paper Sheet: 37.7 x 51.7 cm (14 13/16 x 20 3/8 in.) Andrew R. and Martha Holden Jennings Fund CCCC0
1989.155 Terracotta Overall: 39.3 x 24.6 x 14.7 cm (15 1/2 x 9 11/16 x 5 13/16 in.); without base: 31.5 cm (12 3/8 in.) Bequest of Mrs. Severance A. Millikin CCCC0
1924.251 Etching Sheet: 13.3 x 20 cm (5 1/4 x 7 7/8 in.) Dudley P. Allen Fund CCCC0
1976.123 Red chalk with graphite on cream laid paper Sheet: 25.4 x 9.8 cm (10 x 3 7/8 in.) L. E. Holden Fund CCCC0
1980.17 Brush and brown ink and wash over black chalk Sheet: 24 x 37.6 cm (9 7/16 x 14 13/16 in.) John L. Severance Fund CCCC0
1919.836 Brocade on tabby; silk Overall: 43.5 x 49.5 cm (17 1/8 x 19 1/2 in.) Gift of Max Littwitz CCCC0
1983.60 Tin-glazed soft-paste porcelain with enamel decoration Overall: 18.3 x 30.5 x 12.1 cm (7 3/16 x 12 x 4 3/4 in.) The Norweb Collection CCCC0
1943.650 Watercolor on ivory in a later gilt metal and enamel frame Diameter: 6.5 cm (2 9/16 in.); Diameter of frame: 9.1 cm (3 9/16 in.) The Edward B. Greene Collection CCCC0
1944.133 Tapestry weave: linen warp, wool and silk wefts Overall: 312.4 x 452 cm (123 x 177 15/16 in.) The Elisabeth Severance Prentiss Collection CCCC0
2008.350 Red chalk on cream laid paper Overall: 30.1 x 37.1 cm (11 7/8 x 14 5/8 in.) Bequest of Muriel Butkin CCCC0
2008.397 Black chalk, with stumping Sheet: 29.6 x 25 cm (11 5/8 x 9 13/16 in.) Bequest of Muriel Butkin CCCC0
1945.97 Lampas (satin weave and plain weave variant), brocaded, appliquéd, embroidered; silk Overall: 203.2 x 57.2 cm (80 x 22 1/2 in.) Purchase from the J. H. Wade Fund CCCC0
1977.50 Engraving Platemark: 48.7 x 35.9 cm (19 3/16 x 14 1/8 in.) Gift of Mr. and Mrs. A. Dean Perry in memory of Julia Raymond, and gift of Miss Helen B. Falter CCCC0
1977.94 Color wash-manner etching and engraving Sheet: 50.5 x 33.5 cm (19 7/8 x 13 3/16 in.); Platemark: 44 x 32 cm (17 5/16 x 12 5/8 in.) Gift of Moselle Taylor Meals CCCC0
2002.3 Oil on canvas Framed: 187.5 x 164.5 x 8.5 cm (73 13/16 x 64 3/4 x 3 3/8 in.); Unframed: 157 x 134 cm (61 13/16 x 52 3/4 in.) Mr. and Mrs. William H. Marlatt Fund CCCC0
2002.53 Marble Overall: 170 x 85.4 x 49.5 cm (66 15/16 x 33 5/8 x 19 1/2 in.) The Severance and Greta Millikin Purchase Fund CCCC0
1925.1217 Etching and engraving Sheet: 37.3 x 26.4 cm (14 11/16 x 10 3/8 in.); Platemark: 35.1 x 24.2 cm (13 13/16 x 9 1/2 in.) Gift of P. & D. Colnaghi Co. CCCC0
1942.1148 Watercolor on ivory in a gilt metal frame circa 1805 Image: 7.9 x 8.3 cm (3 1/8 x 3 1/4 in.); Diameter of frame: 9.4 cm (3 11/16 in.) The Edward B. Greene Collection CCCC0
1974.94 Etching L. E. Holden Fund CCCC0
1974.194 Red chalk over black chalk Sheet: 21 x 29.7 cm (8 1/4 x 11 11/16 in.) Gift of Moselle Taylor Meals CCCC0
1940.1211 Watercolor on ivory in a gold and enamel frame Framed: 4.3 x 3.4 cm (1 11/16 x 1 5/16 in.); Unframed: 3.9 x 3 cm (1 9/16 x 1 3/16 in.) The Edward B. Greene Collection CCCC0
1962.376 Tin- glazed earthenware (faience) wth underglaze blue decoration Overall: 8.2 x 21.6 x 13.4 cm (3 1/4 x 8 1/2 x 5 1/4 in.) The Norweb Collection CCCC0
1962.376.1 Tin- glazed earthenware (faience) wth underglaze blue decoration Overall: 8.2 x 21.6 x 13.4 cm (3 1/4 x 8 1/2 x 5 1/4 in.) The Norweb Collection CCCC0
1965.548 Oil on canvas Framed: 62 x 72 x 7.5 cm (24 7/16 x 28 3/8 x 2 15/16 in.); Unframed: 45.6 x 57.3 cm (17 15/16 x 22 9/16 in.) Gift of Ruth and Sherman E. Lee in memory of their parents, George B. and Inez W. Ward, and Emery and Adelia Lee CCCC0
1985.11 Gilt bronze Overall: 62 x 30 x 25.5 cm (24 7/16 x 11 13/16 x 10 1/16 in.) John L. Severance Fund CCCC0
1986.43 Soft-paste porcelain with enamel and gilt decoration Overall: 11.2 x 20.2 cm (4 7/16 x 7 15/16 in.); Part 1: 10.2 x 14.8 cm (4 x 5 13/16 in.) Bequest of Katherine Holden Thayer CCCC0
1986.43.c Soft-paste porcelain with enamel an gilt decoration Overall: 11.2 x 20.2 cm (4 7/16 x 7 15/16 in.); Part 2: 3.5 cm (1 3/8 in.) Bequest of Katherine Holden Thayer CCCC0
1944.237 Wax on slate Framed: 30 x 53.5 x 4 cm (11 13/16 x 21 1/16 x 1 9/16 in.); Overall: 40.7 cm (16 in.) Purchase from the J. H. Wade Fund CCCC0
1942.822 Tapestry weave: silk and wool Overall: 363.1 x 375.7 cm (142 15/16 x 147 15/16 in.) Bequest of John L. Severance CCCC0
1963.516 Tin- glazed earthenware (faience) wth enamel decoration Overall: 17.2 x 26.9 x 17.8 cm (6 3/4 x 10 9/16 x 7 in.) The Norweb Collection CCCC0
1989.188 Soft-paste porcelain with enamel and gilt decoration Diameter: 4.7 x 19.4 cm (1 7/8 x 7 5/8 in.) Bequest of Mrs. Severance A. Millikin CCCC0
1989.158 Kingwood with gilt-metal mounts, marble Overall: 84.2 x 108 x 52.1 cm (33 1/8 x 42 1/2 x 20 1/2 in.) Bequest of Mrs. Severance A. Millikin CCCC0
1944.226 Soft-paste porcelain with enamel decoration Diameter: 11 x 11.5 cm (4 5/16 x 4 1/2 in.) Purchase from the J. H. Wade Fund CCCC0
1944.226.1 Soft-paste porcelain with enamel decoration Diameter: 11 x 11.5 cm (4 5/16 x 4 1/2 in.) Purchase from the J. H. Wade Fund CCCC0
1928.212 Carved wood, cane Overall: 95.6 x 70.5 x 60 cm (37 5/8 x 27 3/4 x 23 5/8 in.) Dudley P. Allen Fund CCCC0
1989.159 Oak, black lacquer with raised chinoiserie decoration, gilt metal mounts, marble top Overall: 89.6 x 128.3 x 81.9 cm (35 1/4 x 50 1/2 x 32 1/4 in.) Bequest of Mrs. Severance A. Millikin CCCC0
2008.396 Brush and gray and black wash Sheet: 18.6 x 15.8 cm (7 5/16 x 6 1/4 in.); Tertiary Support: 27.5 x 23.5 cm (10 13/16 x 9 1/4 in.) Bequest of Muriel Butkin CCCC0
1989.160 Carved and gilded wood Overall: 104.7 x 73 x 79.4 cm (41 1/4 x 28 3/4 x 31 1/4 in.) Bequest of Mrs. Severance A. Millikin CCCC0
1916.1492 Steel, blued, etched, and gilded; silver and wood Overall: 72.1 cm (28 3/8 in.); Blade: 56.5 cm (22 1/4 in.); Grip: 14 cm (5 1/2 in.); Guard: 7.3 cm (2 7/8 in.) Gift of Mr. and Mrs. John L. Severance CCCC0
1916.1492.a Steel, blued, etched, and gilded; silver and wood Overall: 72.1 cm (28 3/8 in.); Blade: 56.5 cm (22 1/4 in.); Grip: 14 cm (5 1/2 in.); Guard: 7.3 cm (2 7/8 in.) Gift of Mr. and Mrs. John L. Severance CCCC0
1916.1492.b Silver mounts, and sharkskin; steel tip Overall: 4.5 cm (1 3/4 in.) Gift of Mr. and Mrs. John L. Severance CCCC0
1962.378 Lead- glazed earthenware (faience fine); pewter Overall: 23.3 x 15.3 x 12.1 cm (9 3/16 x 6 x 4 3/4 in.) The Norweb Collection CCCC0
1952.518 Etching Image: 25 x 15 cm (9 13/16 x 5 7/8 in.); Platemark: 27.2 x 17.1 cm (10 11/16 x 6 3/4 in.) Gift of Erich Lederer CCCC0
1948.176 Oil on canvas Framed: 157 x 43 x 5.5 cm (61 13/16 x 16 15/16 x 2 3/16 in.); Unframed: 151 x 36.5 cm (59 7/16 x 14 3/8 in.) Gift of the Louis Dudley Beaumont Foundation CCCC0
1948.176.1 Oil on canvas Framed: 157 x 43 x 5.5 cm (61 13/16 x 16 15/16 x 2 3/16 in.); Unframed: 151 x 36.5 cm (59 7/16 x 14 3/8 in.) Gift of the Louis Dudley Beaumont Foundation CCCC0
1948.176.3 Oil on canvas Framed: 157 x 89 x 5.5 cm (61 13/16 x 35 1/16 x 2 3/16 in.); Unframed: 150.3 x 82.3 cm (59 3/16 x 32 3/8 in.) Gift of the Louis Dudley Beaumont Foundation CCCC0
1948.176.5 Oil on canvas Framed: 157 x 96 x 5.5 cm (61 13/16 x 37 13/16 x 2 3/16 in.); Unframed: 150.8 x 89.7 cm (59 3/8 x 35 5/16 in.) Gift of the Louis Dudley Beaumont Foundation CCCC0
1927.327 Etching Platemark: 51.6 x 32 cm (20 5/16 x 12 5/8 in.) Gift of The Print Club of Cleveland CCCC0
1943.636 Watercolor on ivory in a gold engraved frame (probably converted from a snuffbox) with a blue corded silk back Diameter: 6.7 cm (2 5/8 in.); Diameter of frame: 7.8 cm (3 1/16 in.) The Edward B. Greene Collection CCCC0
1943.637 Watercolor on ivory in a 19th-century gilt metal and enamel frame Diameter: 6.6 cm (2 5/8 in.); Diameter of frame: 9.4 cm (3 11/16 in.) The Edward B. Greene Collection CCCC0
1947.183.2 Carved wood, Savonnerie knotted-pile (symmetrical rug knot) upholstery; wool, hemp Overall: 121.9 x 70.5 x 55.3 cm (48 x 27 3/4 x 21 3/4 in.) John L. Severance Fund CCCC0
1947.183.3 Carved wood, Savonnerie knotted-pile (symmertrical rug knot) upholstery; wool, hemp Overall: 121.9 x 70.5 x 55.3 cm (48 x 27 3/4 x 21 3/4 in.) John L. Severance Fund CCCC0
1947.177 Soft-paste porcelain, silver mount Overall: 21.9 cm (8 5/8 in.) Purchase from the J. H. Wade Fund CCCC0
1927.314 Etching Platemark: 32.3 x 21.6 cm (12 11/16 x 8 1/2 in.) Gift of The Print Club of Cleveland CCCC0
1969.306 Gilded copper, champlevé enamel Overall: 9 x 6.7 cm (3 9/16 x 2 5/8 in.) Bequest of Bernard Berenson to and given in his memory by William Mathewson Milliken CCCC0
1970.337 Black chalk heightened with white chalk; framing lines in black ink Sheet: 57.6 x 40.9 cm (22 11/16 x 16 1/8 in.) Dudley P. Allen Fund CCCC0
1943.647 Watercolor on ivory in a later gilt metal frame Framed: 10.5 x 9 cm (4 1/8 x 3 9/16 in.); Diameter: 6.2 cm (2 7/16 in.) The Edward B. Greene Collection CCCC0
1942.58.2 Bronze, gilt bronze, gray marble Overall: 92.1 x 40.7 x 45.1 cm (36 1/4 x 16 x 17 3/4 in.); Part 1: 45.8 cm (18 1/16 in.) Gift of Grace Rainey Rogers in memory of her father, William J. Rainey CCCC0
1946.247 Knotted pile, silk and wool Overall: 297.2 x 218.5 cm (117 x 86 in.) John L. Severance Fund CCCC0
1994.196 Etching Sheet: 39.1 x 52.3 cm (15 3/8 x 20 9/16 in.) Edwin R. and Harriet Pelton Perkins Memorial Fund CCCC0
1973.1 Pastel Unframed: 46.3 x 60.5 cm (18 1/4 x 23 13/16 in.) Mr. and Mrs. William H. Marlatt Fund CCCC0
1975.15 Black and red chalk wash, gray wash, heightened with white gouache; framing lines in black ink Sheet: 33.4 x 45.1 cm (13 1/8 x 17 3/4 in.) Dudley P. Allen Fund CCCC0
2008.6 Carved gilt wood, marble top (griotte de campan) Overall: 92 x 202 x 69.5 cm (36 1/4 x 79 1/2 x 27 3/8 in.) Purchase from the J. H. Wade Fund CCCC0
1921.911 Watercolor on ivory in a silver gilt mount Framed: 8.4 x 6.9 cm (3 5/16 x 2 11/16 in.); Unframed: 7.3 x 5.8 cm (2 7/8 x 2 5/16 in.) Gift from J. H. Wade CCCC0
1930.548 Etching Platemark: 13.5 x 9.4 cm (5 5/16 x 3 11/16 in.); Border: 12.7 x 9 cm (5 x 3 9/16 in.) Charles W. Harkness Endowment Fund CCCC0
2008.367 Brown ink wash and point of brush with graphite underdrawing on cream wove paper Overall: 20.3 x 24.1 cm (8 x 9 1/2 in.) Bequest of Muriel Butkin CCCC0
2008.387 Charcoal and black chalk with stumping on off-white laid paper, signed in brown ink Sheet: 23.7 x 20.7 cm (9 5/16 x 8 1/8 in.); Secondary Support: 30.9 x 28.9 cm (12 3/16 x 11 3/8 in.) Bequest of Muriel Butkin CCCC0
2000.2 Pen and black ink and gray wash heightened with white gouache on cream laid paper, incised (with graphite) for transfer Sheet: 45 x 30.9 cm (17 11/16 x 12 3/16 in.) John L. Severance Fund CCCC0
1966.383 Watercolor on ivory in a 19th-century gilt metal frame Diameter: 8.6 cm (3 3/8 in.); Diameter of frame: 10.2 cm (4 in.) Gift of Ellen Wade Chinn, Elizabeth Wade Sedgwick and J. H. Wade III in memory of their mother Irene Love Wade CCCC0
1916.1490 Steel Overall: 25 x 6.7 cm (9 13/16 x 2 5/8 in.) Gift of Mr. and Mrs. John L. Severance CCCC0
1944.134 Tapestry weave: silk and wool Overall: 322.6 x 312.4 cm (127 x 123 in.) The Elisabeth Severance Prentiss Collection CCCC0
1968.39 Color etching Platemark: 19.6 x 14 cm (7 11/16 x 5 1/2 in.) James Parmelee Fund CCCC0
1923.580 Engraving Charles W. Harkness Endowment Fund CCCC0
1987.200 Chalk-manner etching and engraving Sheet: 27 x 35.4 cm (10 5/8 x 13 15/16 in.) John L. Severance Fund CCCC0
1953.674 Etching Sheet: 35.5 x 25.9 cm (14 x 10 3/16 in.); Platemark: 27.1 x 17.3 cm (10 11/16 x 6 13/16 in.) Gift of Erich Lederer CCCC0
1942.1139 Watercolor on ivory in a 19th-century stamped gold and gilt metal frame Diameter: 7.3 cm (2 7/8 in.); Diameter of frame: 9.3 cm (3 11/16 in.) The Edward B. Greene Collection CCCC0
1987.91 Color wash-manner etching and engraving with applied gold leaf Sheet: 33.3 x 26.5 cm (13 1/8 x 10 7/16 in.) Gift of Mr. and Mrs. Robert D. Milne in memory of Leona E. Prasse CCCC0
2000.107 Watercolor on ivory in a gold bezel mount Framed: 13.2 x 11 cm (5 3/16 x 4 5/16 in.); Diameter: 7 cm (2 3/4 in.) Gift of Mabel Porozynski in honor and remembrance of Eugene Porozynski CCCC0
2008.294 Watercolor on ivory in a later ormolu/gilt metal frame Diameter: 7.4 cm (2 15/16 in.); Diameter of frame: 9.3 cm (3 11/16 in.) Bequest of Muriel Butkin CCCC0
1927.334 Etching and aquatint Sheet: 58.5 x 43.5 cm (23 1/16 x 17 1/8 in.); Platemark: 37.7 x 29.8 cm (14 13/16 x 11 3/4 in.) Gift of The Print Club of Cleveland CCCC0
1939.280 Watercolor Gift of The Print Club of Cleveland in memory of A. Donald Gray CCCC0
1958.126 Gold and enamel Overall: 2.9 x 4.2 cm (1 1/8 x 1 5/8 in.) Gift of Mrs. Edward B. Greene CCCC0
1998.76 Gray wash, watercolor, graphite, black chalk, and red chalk on cream laid paper Sheet: 53.2 x 38 cm (20 15/16 x 14 15/16 in.) Purchase from the J. H. Wade Fund CCCC0
1943.638 Watercolor on ivory in a gilt metal frame Diameter: 6.9 cm (2 11/16 in.); Diameter of frame: 9.3 cm (3 11/16 in.) The Edward B. Greene Collection CCCC0
1969.234 Watercolor over graphite Sheet: 30.3 x 21.3 cm (11 15/16 x 8 3/8 in.) Mr. and Mrs. Charles G. Prasse Collection CCCC0
1966.224 Faience Overall: 20 x 15 x 5.5 cm (7 7/8 x 5 7/8 x 2 3/16 in.) The Norweb Collection CCCC0
1951.416 Pastel Sheet: 31.5 x 26.1 cm (12 3/8 x 10 1/4 in.) Gift of Edward B. Greene CCCC0
1966.233 Soft-paste porcelain Overall: 17.2 x 15.9 x 10.5 cm (6 3/4 x 6 1/4 x 4 1/8 in.) The Norweb Collection CCCC0
1930.545 Etching Platemark: 13.8 x 9.3 cm (5 7/16 x 3 11/16 in.); Border: 13.1 x 8.4 cm (5 3/16 x 3 5/16 in.) Charles W. Harkness Endowment Fund CCCC0
1965.69 Chiaroscuro woodcut Mr. and Mrs. Charles G. Prasse Collection CCCC0
1957.405 Gold, enamel, and miniature Overall: 2.3 x 4.5 cm (7/8 x 1 3/4 in.) Gift of Mrs. Edward B. Greene CCCC0
1996.229.16 Etching John L. Severance Fund CCCC0
1952.544.1 Tapestry weave: wool, silk, and gold filé Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn CCCC0
2011.49 Oil on canvas Framed: 58.6 x 51.9 x 5.7 cm (23 1/16 x 20 7/16 x 2 1/4 in.); Unframed: 37.4 x 44.1 cm (14 3/4 x 17 3/8 in.) Bequest of Dr. Paul J. Vignos, Jr. CCCC0
1954.300 Lampas weave, silk Overall: 101 x 54.6 cm (39 3/4 x 21 1/2 in.) Purchase from the J. H. Wade Fund CCCC0
1946.464 Pastel Unframed: 63.8 x 48.2 cm (25 1/8 x 19 in.) Gift of Edward B. Greene CCCC0
1927.313 Etching Sheet: 28.6 x 21 cm (11 1/4 x 8 1/4 in.); Platemark: 24.6 x 18 cm (9 11/16 x 7 1/16 in.); Border: 22.4 x 16.6 cm (8 13/16 x 6 9/16 in.) Gift of The Print Club of Cleveland CCCC0
1921.913 Watercolor on ivory in gold mount Framed: 8.7 x 7.3 cm (3 7/16 x 2 7/8 in.); Unframed: 7.5 x 6.1 cm (2 15/16 x 2 3/8 in.) Gift of J. H. Wade CCCC0
1942.1147 Watercolor on card in an ormolu frame Framed: 27 x 19.1 cm (10 5/8 x 7 1/2 in.); Unframed: 12.4 x 9.2 cm (4 7/8 x 3 5/8 in.) The Edward B. Greene Collection CCCC0
1983.50 Faience Diameter: 5.8 x 22.9 cm (2 5/16 x 9 in.) The Norweb Collection CCCC0


Exhibition runs until April 1st at Carmel by the Green.
Mystery is a Photograph combines work by Jonathan Liu and Victoria Louise Doyle examining the depths to which narrative can inform photography. Each of their works explore distinctively unique storylines with underlying themes that are constantly overlapping, merging and separating out only to come together fundamentally in their deconstruction of photography, narrative, and storytelling.
Jonathan Liu's series 'Mystery is a Compass' follows the steps of young Everett Ruess, a 20-year-old boy who disappeared into the US desert in 1934. Through expansive diary entries and photographs made in the very desert that Ruess was lost to, Liu takes on Ruess' emotional identity (re)collecting and (re)presenting the feelings that Ruess experienced while on a metaphysical quest for the unknown. Reflecting upon a poetic assertion proposed by Socrates in Plato's Meno, Liu ultimately questions what it is to search for something when it's form is utterly unknown.
Victoria Louise Doyle's 'The Photograph' is rooted in literature and draws heavily from The Picture of Dorian Gray by Oscar Wilde and The Witches by Roald Dahl, both of which explore and exploit the motif of the 'magic painting.' In the first, Dorian Gray becomes the subject of an oil portrait that bares the 'burden of his shame,' ageing while Gray remains young after trading his soul for eternal youth. In the second, Sloveg, a young girl vanishes after eating a cursed apple only to reappear as a figure in a painting in the family's front room. Through these narratives Doyle considers the photographic image not only as a segment of time but also potentially as the taking of a physical space.
Photography is used by both artists as a conduit of thought. The process is key and one that enables direct contact to the subject of investigation. The space of the photograph is put into practice and movement through the image encouraged. A shifting of balance occurs as looking is used as a device for reflecting.
Considering the photographic image as not only a slice of time but potentially as a slice of space, The Photograph is an attempt to open up and examine the possibilities encased within. The body of work comprised of a series of photographs, an audio piece and a sculpture, brings together research, response, and documentation to traverse the line of making and thinking.
The work is rooted in literature and draws heavily from The Picture of Dorian Gray by Oscar Wilde and The Witches by Roald Dahl, both of which explore and exploit the motif of the 'magic painting'. In the first instance, Wilde explains how Dorian Gray (the protagonist) becomes the subject of an oil portrait that bares the 'burden of his shame' after proclaiming he would give his soul so that the picture would grow old and in return he could stay young. In the second, Dahl details how Solveg, a young girl, vanishes after eating an apple given to her by a witch, only for her to reappear in the living room only as a part of an old oil painting owned by the family. In both instances the idea of transference reveals the painting as a veiled space. A space that the now animated subject has the capacity to contort from the inside and just as notably from the outside.
Whilst the work in this exhibition meditates upon how the photograph provides a structure which narrative inhabits, it does so by attempting to eliminate narrative itself. Photography is used as a conduit of thought rather than a mode of communication. The photographic process, one that enables direct contact to the subject of investigation. The photograph, determined as a hollow object in which one can hold and be held, is excavated by a desire to produce images that represent structure rather than content. The space of the photograph itself is put into practice through placement and movement through the images encouraged as lines converge dismantling the frame. A shift of balance occurs as looking is used as a device for reflecting, advocating for the recognition of what Wilde so aptly stated; 'it is the spectator, and not life, that art really mirrors'.
A key addition to this has been a photographic interrogation of the three-panelled sculpture, which was produced in response to, The Painted Screenby Francis Bacon. Replicating the screen in form, experience is harnessed as a method of relay. On one side the surface is opaque, instilling a separation between viewer and viewed. On the other a reflective surface draws the viewer in, locating them spatially within the picture plane. The images produced echo Bacon's, 'space frames' a device he used to 'concentrate the image down'. These typically three-dimensional structures are mapped into the space, dissecting and expanding it simultaneously.
This paradox is also held in the sculpture itself, which acts as a framework for the audio piece (an extract from The Witches) and utilizes the sonic qualities created by its form. As the cassette is played the sound ricochets and reconfigures, slowly becoming an aberration of its self. Listening to the tape, I recall the fear of the dark the night would bring, the melting of space into one indiscernible plane and the voice that pierced my ears with the story of The Witches. The sculpture has subsequently vanished and now exists only within the photographs, perhaps this was the only possible outcome, foretold by the tale of little girl locked within the painting, moving through the image, living within.
"You mean she died?" I said.
— The Witches, Roald Dhal.
In Plato's Meno, a poetic assertion was proposed by Socrates that a Man's soul has acquired knowledge of all things prior to birth and thus what one perceives to be learning in life is not the acquisition of unknown knowledge, but recollection or recovery of knowledge already known. In response, he was challenged by Meno with a paradox; How does one search for something that is unknown to you when you do not know at all what it is?
Conceivably, there is a mystery to this unknown entity and that this mystery can act as a compass guiding you through the seemingly unknown.


Billionaire kidnapper Chukwudumeme Onwuamadike, popularly known as Evans returns to The Ikeja High Court today.
The alleged billionaire kidnapper according to reports was brought in amid tight security to the Court premises in handcuff and was also accompanied by five other individuals who had cases to answer as well.
Recall that Chukwudumeme Onwuamadike also know as Evan had pleaded guilty to Conspiracy and Kidnapping when faced with Judge in August of 2017.


Welcome to the Homewood Suites by Hilton® Portland, Maine hotel. Our all-suites hotel is situated 3 miles from Portland International Jetport, 10-minutes from downtown/Old Port, and close to major businesses, such as National Semiconductor, WellPoint, Hannaford Corporation, Maine Medical Center, Idexx and Unum.
Our pet-friendly Portland, Maine hotel provides extraordinary value with included amenities such as daily hot full breakfast, WiFi, and light fare and beverages* served Monday-Thursday. Enjoy additional amenities included with your stay, like our Portland International Jetport shuttle service, a 24-hour business center and parking.
Re-energize with a workout in the fitness center and outdoor basketball court or rejuvenate with a dip in our indoor pool and whirlpool spa. Stock up on necessities in our 24-hour convenience store or socialize while cooking in our outdoor grilling area. Host an intimate corporate or social event for up to 25 guests in our flexible meeting space, complete with professional catering.
Stay for as long as you like in our spacious and stylish studio or one and two-bedroom suites. Each suite features separate living and sleeping areas, two HDTVs and complimentary WiFi with dining table/work space. These suites have been designed to make you feel as comfortable as you would be at home, with a fully-equipped kitchen that offers a full-size refrigerator, two-burner cooktop, microwave and dishwasher.
At the Homewood Suites by Hilton Portland, Maine hotel, you'll enjoy a range of inclusive perks to help you feel right at home. Indulge in a hot full breakfast each morning and light fare and beverages*, Monday through Thursday evenings. We offer a complimentary grocery shopping service—and if you forget something, there's a 24-hour on-site convenience store. Other benefits include newspaper delivery, every weekday, and complimentary WiFi. Your complete satisfaction is backed by our 100% Suite Assurance guarantee. Make Yourself at Home®.
Enjoy overnight accommodations, complimentary airport shuttle and parking for up to 14 days.


text:
Secretary and commission relationship.
(1) The secretary shall employ an executive director that is:
(a) Hired by and serves at the pleasure of the commission;
(b) Exempt from the provisions of the civil service law, chapter 41.06 RCW and whose salary is established by the commission in accordance with RCW 43.03.028; and
(c) Responsible for performing all administrative duties of the commission, including preparing an annual budget, and any other duties as delegated to the executive director by the commission.
(2) Consistent with the budgeting and accounting act, the commission is responsible for proposing its own biennial budget which the secretary must submit to the office of financial management.
(3) Prior to adopting credentialing fees under RCW 43.70.250, the secretary shall collaborate with the commission to determine the appropriate fees necessary to support the activities of the commission.
(4) Prior to the secretary exercising the secretary's authority to adopt uniform rules and guidelines, or any other actions that might impact the licensing or disciplinary authority of the commission, the secretary shall first meet with the commission to determine how those rules or guidelines, or changes to rules or guidelines, might impact the commission's ability to effectively carry out its statutory duties. If the commission, in consultation with the secretary, determines that the proposed rules or guidelines, or changes to existing rules or guidelines, will negatively impact the commission's ability to effectively carry out its statutory duties, then the individual commission shall collaborate with the secretary to develop alternative solutions to mitigate the impacts. If an alternative solution cannot be reached, the parties may resolve the dispute through a mediator as set forth in subsection (6) of this section.
(5) The commission shall negotiate with the secretary to develop performance-based expectations, including identification of key performance measures. The performance expectations should focus on consistent, timely regulation of health care professionals.
(6) In the event there is a disagreement between the commission and the secretary, that is unable to be resolved through negotiation, a representative of both parties shall agree on the designation of a third party to mediate the dispute.
(7) The secretary shall employ staff that are hired and managed by the executive director provided that nothing contained in this section may be construed to alter any existing collective bargaining unit or the provisions of any existing collective bargaining agreement.
(8) By December 31, 2013, the commission must present a report with recommendations to the governor and the legislature regarding:
(a) Evidence-based practices and research-based practices used by boards of nursing when conducting licensing, educational, disciplinary, and financial activities and the use of such practices by the commission; and
(b) A comparison of the commission's licensing, education, disciplinary, and financial outcomes with those of other boards of nursing using a national database.
[ 2013 c 81 § 5; 2011 c 60 § 8; 2008 c 134 § 30.]
Effective date—2013 c 81: See note following RCW 18.25.0167.
Effective date—2011 c 60: See RCW 42.17A.919.
Finding—Intent—Severability—2008 c 134: See notes following RCW 18.130.020.

redpajama_set_name: RedPajamaCommonCrawl