Where is the Exodus Process at as of 30th November 2018?
We have received many expressions of interest. We have sent out the first Questionnaire to those interested individuals. Only one individual has sent back their Questionnaire completed. That individual has now been sent the next document for completion.
We have had one Zoom meeting with the interested individuals on the process and Q&A.
The Crown Office is waiting for the government to reply to correspondence sent September, October and November 2018.
How long will the Exodus Process take?
Everyone is unique, with unique circumstances. Depending on those circumstances and past history the process could take up to a year to complete. It is not just a paperwork process, it is a mind shift and spiritual journey with our Creator.
Can I go through the Exodus Process and take the money from my birth certificate for myself?
The Crown Office is in the process of setting up a unique trust account in conjunction with the government (in the public) for transfer to a unique trust account in the private. This process is complicated and will only be set up once for Exodus in the private.
The birth certificate funds can be from $1 million upwards Therefore the government will not transfer those amounts into an individuals bank account. For that reason The Crown Office has been established to manage this Exodus Process and the Funds.
Can I go through the Exodus Process without HM Crown?
You can choose to exit the system however you choose, with or without HM Crown.
How do I rip of the Exodus Process, take the money and run?
So you think its easy money. And you think you can cut and run. You want something better and greater, but you want to be greedy and head for the hills. If truth be known you probably can. But why would you bite the hand that feeds you. Why would you obstruct an abundance of food in your mouth; a roof over your head; and a better way of thriving in a community, for a bag of money that will run out and leave you destitute in the bush, all because you are too greedy. You need to be reminded that you will be severed from the system in perpetuity. You can't just walk back into the centerlink/winz office and ask for the dole or pension when your money has run out. Why? Because you are dead to the government system. You need to remember that the government will cooperate with the unique Exodus Process in the Private that is being created and put in place for us all, but they will also be aware of who exactly has severed themselves from the system. You run the risk of becoming stateless and most likely a refuge.
OK, so you take the money and run. It will only be a maximum amount that we will transfer to your bank account at any given time. It would not be the full amount of the birth certificate settlement. An individuals bank account would be blocked immediately and put under investigation if the full amount was added to their bank account, hence why The Crown Office is required to set up the process for everyone. Even if you do make the mistake of taking the money and running which would only be $500k at any given time, you will leave behind all that you are entitled too, but not only that. you cant hide from God.
Yes the Exodus Process is hard, but it is accommodating for all that strive for a better life outside of the system. There is more than enough for everyone. We know that there is no way to wrought this Exodus Process but we admire your tenacity.
Her Majesty Crown is is a physical true flesh and blood, breathing, woman, standing with divine right and authority in her private Crown Office in Rangihou Paremata Australia, born of the lands of Te Moana Nui a Kiwa. HM Crown is a mother, a grandmother, a wife, an aunty, a sister, a daughter, an entertainer and an artist. Crown is the creator of a Crown Project in Rangihou, No More Nitz Philanthropic Community Based, Not for Profit service encompassing Manufacturing, Training & Development – Love, Peace & Charity, Clean Feed Teach©, with other services to come such as Te Koha and the Men's Shed. This service has been operating for 10 years. HM Crown has a background in Human Resources, Training & Development.
Who is the Government Crown in the Acts?
Confusion of who is Crown is now setting in, amongst you all. And this I understand. The 'Crown' in New Zealand that you are so used to hearing about, is seen as the essential partner in the Treaty of Waitangi relationship between Mauri and the government. Yet the Crown itself, is a 'legal fiction' and a 'shape-shifting' symbol whose definition is obtuse and whose meanings vary according to context. It is the bankers and the Bar Association, not the Queen as you think.
The Crown that you know, is a political, legal and symbolic entity that has shaped policy and practice here in Aotearoa, being the Crown Act, the Constitution and the Parliament of New Zealand, birthed in Windsor Castle by William Wynyard, the Equerry for King George III, who, in fact, is 'my bloodline'. Fact is, today, as you know it, Queen Elizabeth is only a Constitutional Monarch, a foreign entity, a foreign power that stands in Aotearoa as an imagined and personified Crown, This 'Crown' entity that the government points to, is not flesh and blood; it does not have a backbone; it cannot draw breath. It is a piece of paper authority, construct, a man-made fiction and smoke screen. It is only a constitutional (plastic, imaginary) crown with no authority. It is not true. However while our people continue to dress up in their fine suits and go the table and meet with this powerfully imaginary crown (which is just a plastic crown), we are empowering that plastic crown and giving it power to lord over us.
How will The Crown Office utilise the Birth Certificate Funds?
All funds will be managed by an external accountancy team DAB Financial Solutions, separate from The Crown Office for disbursement of funds for the Creditor/Grantor, The Crown Office and Charitable Projects (humanitarian, philanthropic, community service projects).
These funds will also be used to sustain the creditor/grantor and their immediate family with funds for sustainable living; housing; schooling; training; health; travel; community projects; and day to day needs.
If I want the money for myself, can I have it?
If you are coming to HM Crown to undertake the Exodus Process for the money for yourself, then this process is not for you. You are better off staying in the system, as your intentions are not pure for what God has prepared for those walking the path.
Why would I want to go through the Exodus Process?
To be free from the government system; To live with divine right and authority everywhere you go; To live a self-sustainable life supported by The Crown Office and other private individuals; To create community service projects for the people by the people; To teach your children a better and fulfilling way of life as a creditor; To not live under the jurisdiction of the government and their acts; To get the support from The Crown Office to learn how to live sustainability; To be free and healthy; To get true potential education for your children; To have real health options for your family free from poison; To take care of the lands; and To occupy the lands free from government.
Can I go through the Exodus Process on behalf of my community/tribe?
The Exodus Process is an individual process that one has to go through themselves. It cannot be done by one individual on behalf of a whole community.
What is the next step for the Exodus Blueprint?
The Exodus Blueprint will grow over time with individuals and community projects. The Blueprint will then be picked up by the woman and delivered to other Nations Mothers around the world.
What will happen if the people of Aotearoa don't embrace the Exodus Blueprint?
They will be left behind while the individuals that have completed the process around the world thrive and move forward with community projects and real sustainable living.
It would be sad if the people of Aotearoa can't see the opportunity before them that they have been asking for, for so long, just because they are stuck in the government system mentality; the what about me, me, me mentality; and the what about my benefit mentality; and we want to settle for money mentality; and being too comfortable with the government taking care of their basic needs with peanuts. This is about family, community and being in service to the people. The money is a means of creating sustainability for charitable projects to assist another, not greed, not wealth, not profit and not income. One woman and One project alone can replenish, support and maintain a family and community. These projects support our elderly, children, women, disabled and disadvantaged.
Is the Exodus Process a religious movement?
No, it is a spiritual process. Each individual will learn the spiritual pathway.
Is the Exodus Process a cult?
What is the ultimate goal for the Exodus Process and the individuals?
A better way. We only seek our homelands, our culture, our language, our values, our traditions, our sacred crafts, our treasures, our food and our way of life.
Who is at the helm with the Exodus Process?
HM Crown and The people of Aotearoa. It was birthed in Aotearoa. It will be delivered around the world by and on behalf of the people of Aotearoa. It is managed by HM Crown in The Crown Office in Rangihou Paremata Australia.
Can I manage the Exodus Process?
HM Crown channelled the Exodus Blueprint with spirit, with tupuna, with IO Matua. The processes that has been set up was channelled with spirit, with tupuna, with IO Matua. The reason being to protect it from the government and people with the wrong intention, as well as safe guard the process. Therefore HM was chosen by tupuna, by IO Matua to birth, implement, manage and see the process through successfully. So the answer is No!
Can I learn the process and walk away and do my own thing?
Everyone that lodges an expression of interest will be asked to complete the Questionnaire. If they complete the first the Questionnaire successfully, they will be sent the Estate Form. If they complete the Estate Form successfully and are accepted as being an excellent candidate for the Exodus Process then they will meet with HM Crown and her spiritual advisers, face to face in Sydney Australia 'the gatekeepers'. If the individual is accepted they will undertake the commitment ceremony. If they complete that stage they will be handed the keys to two doors 'Wisdom' or 'Stupidity' and asked to choose with the 'spiritual gate keepers' watching. If they are successful at that stage they will be questioned three more times to ensure that they understand that from this point on they will be severed from the system in perpetuity. If successful they will begin their walk in the private.
This is not a walk that you can do on your own as The Crown Office has the next steps to assisting you on your journey and detaching you from the system. You will need professional assistance to go through the eye of the needle. You will need emotional and spiritual support on this journey.
The process will not be released in the public nor will it be released to groups for their people. It will be managed and protected by The Crown Office. So the answer to the question is, you wont make it through the door if your intention is to walk away and do your own thing with the information.
Was the exodus baby that was birthed, given a name?
Yes, it was named 'Te Rangihou Kopu Ariki' on the 31st October 2018 in a naming ceremony at Haruru Falls.
Can we see the Little Black Book if we haven't gone through the Exodus Process?
The answer is No. This information is in the private.
Can I find out what the process is if I don't walk through the Exodus doors?
The answer is No. This is to protect it from the government and infiltrators.
Will I too be given the name Crown if I complete the Exodus Process?
The answer is NO. You will have the opportunity to choose a Christ like name of your choice. There is only one Crown in the Private and the name is taken.
Keep an eye on the website for updates and the monthly newsletter outlining what has been happening.
Can I be on the zoom meetings if I have not lodged an expression of interest?
The answer is No. We are time poor as it is, so the interested individuals will always be given priority.
What is the first step going forward?
Go to the welcome page and lodge your expression of interest.


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text:
Installing software: Linux vs. Windows
I wanted to install the MySql Workbench on my Linux development box. My experience only reaffirmed my position that, despite the many advances made over the years, Linux still isn't quite ready for the masses. I list these steps and problems here, not as a list of what could happen, but as a list of things that actually happened to me at least once during this process.
Although MySql Workbench is the product in question here, this could really apply to any piece of software (and, as noted, did apply to more than one of the libraries I had to try to install in the process).
First, I went to the download page for MySql Workbench. They had several packages available, but none that corresponded to my particular version of Linux (CentOS 5.5, roughly equivalent to Red Hat Enterprise Linux 5.5). So, it seemed I was bound to compile from source.
I downloaded the source package, unzipped it, and ran ./configure. It proceeded to run a bunch of checks on my system, ultimately stopping when it could not find a certain library it considered critical. I checked the package repository (using whatever GUI front-end to "yum" that comes with CentOS), and found it. Although I did have the library installed, I didn't have the library-devel package installed, which I guess is required for compiling programs against it.
Development package installed, I ran ./configure again. And the check immediately after the previous library, it failed to find another critical library. Ok, go back to the software installer and… oh dear, it's not there. Search the internet, find a package for RHEL5, and install it.
Run ./configure again. Another library missing. Not in the package installer. Search the internet. No pre-compiled package this time; download the source code. Install library from source. (n.b.: This, and any other time I have to "install from source", means going through this whole series of steps/possibilities for that library. And yes, a library can have a dependency on yet another library [or series of libraries] that I have to go find and install, etc.)
Run ./configure. Wait, it says the library I just installed isn't installed. locate library; it's in /usr/local/lib instead of /usr/lib. Figure out how to configure pkg-config to include the other directory.
Run ./configure again. Another library problem — the version I have installed is too old. Newer version not in the package installer. Search the internet. No pre-compiled package. Download source. Install library from source. Run ./configure again. Still reporting library is too old. Attempt to remove old library from software manager; decide against it when software manager decides it wants to remove a host of other packages that depend on the existing one (as it is unaware of the newer version I just installed). Find the files that tell pkg-config what's installed, and remove the entries for the older version, so it won't see those before it sees the newer version. (n.b.: I discovered I could do this more easily by telling pkg-config to look in /usr/local/lib first, and /usr/lib second.)
Run ./configure again. Another missing library. Not in the package installer. Search the internet. No pre-compiled package. Download source. Attempt to compile library from source code, get an error. Search the internet. Find that someone has submitted a patch for that problem. Apply patch. Compile and install library.
Run ./configure again. Configuration completes. Attempt to compile. Get errors about missing symbols. Go online, find a reference to the problem and an invitation to join an irc chat room for support.
Install irc client and join chat room. Told that the version of Workbench is out of date, and given a link to the next version.
Go to link. Binary package is available — for RHEL6, not 5. Download the source. Run ./configure. Find another library that's too old. Download updated library, and updates of the libraries it depends on. Compile and install.
Run ./configure. pkg-config finds the updated version of the libraries, but the next check finds the old version, and demands that I uninstall the old version. Decide against it when I see that attempting to uninstall it from the package manager will uninstall over half of the packages on my system.
Decide to throw caution to the wind and download the RHEL6 binary package. Software installer complains that it depends on libraries I don't have and/or have old versions of, and it can't automatically find (including an updated version of some of the MySql database files themselves, which I could not accept, as I have to develop against a specific version of the database to provide accurate support); and it refuses to install.
Go to MySql download site. Download Windows version of Workbench to Windows workstation. Double-click installer. Enter connection credentials to database running on Linux. Connect successfully.
I like the idea of Linux; I really do. There are limitless possibilities with it. And I am reasonably confident that, if I ever did get this software installed, I wouldn't need to worry about it again. I have a Linux server at home that took me several days to set up, but once I got it running, I've rarely had to touch it. And on the occasions when I do decide to update it, it works pretty magically.
But when it takes two days of my time to attempt to install a utility — and ultimately failing — when I can do the same task (and succeed) on Windows in less than ten minutes (with most of that time spent downloading the file I want), sometimes I wonder if it'll ever make a viable replacement for an OS that, despite all its problems, most of the time "just works".
A 400-Pound Doorstop
I woke up Sunday morning to my wife asking me for the password to my laptop, so she could put on a DVD for the toddler; and said toddler explaining in great detail how the TV doesn't turn on when you press the button. The TV had served pretty well for 9 years, but lately it had been showing signs of decay — the lower-left corner was perpetually out of focus, the image would very slightly and very occasionally "fuzz" for just a second), but it had finally given up the ghost.
On the one hand, I had hoped it would survive long enough for 3D technology to mature and become the "standard". On the other, if it's going to die, the week leading up to Father's Day, with the corresponding retail sales, isn't a bad time to do it.
Yesterday, we went out to a certain big electronics store known for blue and yellow polo shirts and compared TVs. Because of where we were putting the TV, we had a fixed size limit. A 50" might have barely fit the space, with a fraction of an inch to spare, but we didn't really want to cut it that close — the kids would be bumping it into the walls with reckless abandon. LED screens did provide a sharper, higher-contrast picture than the plain LCDs, but the technology is still new enough that the price difference was pretty large. In the end, our eyes were drawn to the Samsung models, especially since the quality of the LCD model was quite comparable to the LED (and both models seemed to outshine other brands, both LED and LCD).
Long story short, we brought home the reasonably-on-sale TV and the not-on-sale mount, and paid for Best Buy to come and recycle the old TV. I had figured we would wait for them to remove the old behemoth before we installed the new one, but my wife was insistent on installing it immediately. (Excited for the new TV, or desperate to entertain the kids — you make the call.) We were less than gentle in rolling the old TV out of place (what are we going to do, break it?) and managed to get the new one set up with a minimum of finger-smashing incidents.
We hooked it up to the DVD player and the Xbox, and I spent a little bit of time viewing the videos from E3 and playing the game that happened to be in the disc drive before going to bed. I have to say, it was like getting a new pair of glasses. Everything is much brighter, sharper, clearer, easier to see. I used to complain about the Xbox dashboard and being unable to read the dark-grey-on-light-grey 6-point text (especially since it fell in the out-of-focus area on the old TV), but now, even though I still think it's a less-than-optimal color scheme, I have to say it's insanely easy to read when the letters actually have edges. The game, too, was exceptionally clear and sharp.
The only down side? (Well, besides the knowledge that 3D is coming, and it probably won't be too long that I'll find myself a generation behind again.) My wife wants a blu-ray player to go with it now.
Posted by Yakko Warner at 20:43 2 comments:
AT&T showing how data caps stifle services
AT&T is making news for announcing the end of its unlimited 3G wireless data plan. While those who are currently on such a plan can keep it, no one getting a new plan will have "unlimited" even as an option. The reason this is such big news, of course, is because Apple has an exclusive contract with AT&T to provide service for all iPhones and iPads.
I'm not going to debate the popularity of Apple's products, mainly because I don't understand it. I've owned a Tablet PC, and the iPad does less, by design. The iPhone doesn't do any more than a lot of other phones out there. Both devices are locked into Apple's closed and tightly-controlled environment and its single, exclusive service provider. Despite all that, the fact is, the devices are very popular and very hyped. And because of that, people take notice.
Because of the iPad's popularity, media companies are actively looking at streaming more data to these devices. Major media companies have apps for the devices, Netflix can stream movies to them, and more are coming.
And now, AT&T has essentially put a limit on these new services, saying you can only use 200MB or 2GB (depending on your plan) a month.
That number seems extremely low, but how much is it really? There's an article on Clicker.com, titled How Much Video Can You Actually Stream With AT&T's New Data Plans? that calculates the numbers with real-world data.
Unfortunately, I can't tell if it's high or low. I don't have a data plan personally, as I find them too expensive to deal with and am usually close enough to a PC with a "real" internet connection throughout most of my day. There have been times, though, that I've wished I've had it, but for the most part, it's been a convenience I've been happy enough to live without. (As an aside, I have a Zune with me often, and it can use Wi-Fi when available. However, I have almost never found a convenient open Wi-Fi access point when I need one. So, I find the claims that these new limits won't affect anyone because "open Wi-Fi is everywhere" to be laughable at best, and downright insulting at worst.)
If I were in a position where I had more roaming downtime, such as when I worked downtown and took the bus or train in to work every morning, I could see making a lot of use of 3G services. However, because I drive myself to work, and I work on a computer all day, I think I might end up being one of the "unaffected" lot, finding that my actual usage was well below the cap.
Interestingly enough, though, the measurements only take into account active usage. Sometime soon, the next iPhone OS will be released, and it will allow for multitasking, so that services can be running in the background. What happens when people suddenly have the ability to stream music over 3G in the background while they're doing other things? Data usage will no longer be active, but it'll be racking up passively in the background. Will 200MB be enough then?
Labels: bandwidth
May Bandwidth
In 84.90 GB
Out 6.38 GB
Comcast's measurement 75 GB (-16.29)
Another exciting post in my most consistent blog posting to date. I've noticed that, although SpeedTest.net seems to still report a fairly consistent rate, things in general don't seem quite as fast as they used to be. Netflix movies have a tendency to go "blocky" a little more frequently; YouTube videos don't always download faster than they play back; even Xbox Live updates, which used to download in a couple seconds, seem to take close to a minute to download now; and games don't always report my network status as "green". Not sure what the problem is, or if it's just my perception — from the accounts I've read, even though it took me a couple hours to download the Halo Reach beta from overloaded servers, I still got a better connection than most.
Not that I wouldn't welcome a little competition around here to help keep Comcast on their toes. O FiOS, where art thou?

redpajama_set_name: RedPajamaCommonCrawl


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Customer-sited photovoltaic (PV) systems in the United States are often compensated at the customer's underlying retail electricity rate through net metering. Calculations of the customer economics of PV, meanwhile, often assume that retail rate structures and PV compensation mechanisms will not change and that retail electricity prices will increase (or remain constant) over time, thereby also increasing (or keeping constant) the value of bill savings from PV. Given the multitude of potential changes to retail rates and PV compensation mechanisms in the future, however, understanding how such changes might impact the value of bill savings from PV is critical for policymakers, regulators, utilities, the solar industry, and potential PV owners, i.e., any stakeholder interested in understanding uncertainties in and potential changes to the long-term customer economics of PV.
This scoping study investigates the impact of, and interactions among, three key sources of uncertainty in the future value of bill savings from customer-sited PV, focusing in particular on residential customers. These three sources of uncertainty are: changes to electricity market conditions that would affect retail electricity prices, changes to the types of retail rate structures available to residential customers with PV, and shifts away from standard net-metering toward other compensation mechanisms for residential PV.
Findings from this report were presented at the 31st USAEE/IAEE North American Conference in Austin, Texas in November, 2013. To download the proceedings posted online, click here.
Findings from this report were also presented at the American Solar Energy Society in Denver, Colorado in May, 2012. To download the proceedings posted online, click here.


text:
+3 Interview: 5 Out of 10 Men
Posted in Plus 3 2016, Written Interviews	by Dan Lentell
"Duncan's the oldest in the group and he's been bringing work with schools and youth groups since around the Middle Ages."
WHO: Roland Reynolds
WHAT: "On average, 12 men take their own life every single day. Rooted in true experiences and deep exploration of mental health, 5 Out of 10 Men invites men to be open – to journey unabashedly into themselves. With a fun, interactive style and a penetrating dark humour, a mixed ensemble leads a wounded man as he weaves a confessional hymn to his dead brother, torn between the man he is and a man he strives to be."
WHERE: theSpace on Niddry St (Venue 9)
WHEN: 16:55 (60 min)
MORE: Click Here!
Is this your first time to Edinburgh?
As a band of theatre practitioners it's our first time to Edinburgh, yes – it's our first project together!
But among us there's a fair amount of Fringe experience. Duncan's the oldest in the group and he's been bringing work with schools and youth groups since around the Middle Ages. He has a long relationship with theSpaceUK and has worked for and alongside them in a number of capacities over the past 10-15 years.
Roland wrote, produced and directed his first show at the Fringe when he was 16 back in 2008. It was a rain-soaked, empty-bellied, back-breaking experience and he knew he'd be doing this for the rest of his life. A glutton for punishment, he returned to Edinburgh with another show the year after and came on board an opera the year after that.
Tell us about your show.
The show is a new piece about men, masculinity and mental health. It's been written by me, and is produced and directed by me and Duncan Alldridge.
Our company formed out of a year's research & development process including some ensemble-based workshop auditions this spring. There are some statistics that were the spark for this work: 76% of suicides in the UK are men; suicide is the major cause of death for men aged under 45. We were inspired to come together to create an honest, intimate playing space where we explore these devastating facts and some of the roots beneath them.
5 Out of 10 Men will premier in Edinburgh; we're already in discussions to bring the work to London in the months after the Fringe and we're looking to have more conversations with venues and potential collaborators all over the UK to see where we can take this. It's fun, visceral, inclusive, important, relevant work representing an often misunderstood voice.
What should your audience see at the festivals after they've seen your show?
This year's programme at the fringe is all about defying convention and we're hunting out the shows to see that are breaking down boundaries on all levels of engagement.
At theSpaceUK there's exciting work surrounding women's issues being produced, with Killer Cells dealing with the agony of miscarriage, Broken Fanny, a comedy on adapting to life with a new baby, and more.
We've also been long-term followers of the work produced by Northern Stage, especially since the tenure of Lorne Campbell began; this year they're based at Summerhall, a venue that immediately caught our interest when it opened a few years ago. This year's highlight for us is Two Man Show by RashDash, a playful new show about gender and language.
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INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!
5 Out of 10 Men, Roland Reynolds, theSpace on Niddry St
« +3 Interview: If There's Not Dancing at the Revolution, I'm Not Coming
+3 Interview: {title of show} »


text:
57-й штурмово́й авиацио́нный полк ВВС Балти́йского фло́та, он же 57-й бомбардировочный авиационный полк ВВС Балтийского флота, 57-й пикировочно-штурмовой авиационный полк ВВС Балтийского флота— воинская часть Вооружённых Сил СССР в Великой Отечественной войне.

История

Принимал участие в Зимней войне

В составе действующей армии во время ВОВ c 22 июня 1941 по 24 апреля 1943 года.

На вооружении полка находились 12 ДБ-3, 9 ДБ-3ф и 15 СБ. На 22 июня 1941 года полк базируется под Ленинградом, 1-я, 3-я и 5-я эскадрильи базировались в Котлах, 2-я — на аэродроме Копорье, 4-я эскадрилья в Кёрстово.

24 июня 1941 года поднят в воздух в составе 9 СБ и 21 ДБ-3 для уничтожения морского десанта, обнаруженного в двадцати милях севернее Либавы. Однако десант обнаружить не удалось и самолёты нанесли удар по запасной цели — порту Мемель. До конца июня 1941 года полк был задействован против Финляндии: наносит бомбардировочные удары по аэродромам, бомбит пушечный завод и порт в Турку (25 июня 1944 в составе 18 ДБ-3 и СБ), ставит ночью с воздуха мины на подходах к морским базам Хельсинки, Котка и Турку. 2-я эскадрилья полка с 26 июня 1941 года по 15 июля 1941 года действовала в составе Авиагруппы Береговой обороны Балтийского района с острова Сааремаа.

30 июня 1941 года участвует в печально известном налёте на переправы немецких войск через Западную Двину в районе Даугавпилса. В 07-26 с аэродрома Котлы вылетели 2 ДБ-3 на разведку, в 09-40 сбросили 20 ФАБ-50 на вражеские войска в районе литовского города Сувайнишкис. C 10-35 полк начал подниматься в воздух. Первая группа в составе 6 машин ДБ-3 потеряла ориентировку, бомбы сбросила в болото и вернулась на аэродром. Следующая группа из 9 самолётов ДБ-3 сбросила на шоссе, где двигались войска противника 72 ФАБ-100, потеряла при этом 4 самолёта. Следующая группа из 6 СБ потеряла 4. Группа в 5 СБ отбомбилась без потерь. Вечером на переправы вылетели ещё две группы — 8 СБ и 6 ДБ-3, был потерян один ДБ-3 и 5 СБ. Полк сбросил 72 ФАБ-100, 120 ФАБ-50 и 1920 АО-2,5, при этом потерял при вылете от зенитной артиллерии и действий JG54 10 самолётов сбитыми и более 8 повреждёнными. К концу дня в полку оставался только 16 исправных ДБ-3 и 2 СБ

В течение июля 1941 года полк действует в основном в интересах Северо-Западного фронта, нанося бомбовые удары по войскам противника в районе Луги, Осьмино, Кингисеппа, Гдова, озера Самро, Пскова, Порхова, Дно, Таллина.

13 июля 1941 года в Рижском заливе принимал участие в ударе по конвою противника в составе сорока кораблей, идущих с войсками, вооружением и боеприпасами из Либавы в Ригу. По отчётам шесть транспортов были потоплены и четыре повреждены.

Уже 19 июля 1941 года в состав полка была включена эскадрилья Ил-2, сформированная в тылу, в течение июля 1941 года сформировалась ещё эскадрилья Ил-2. Так, 3 августа полк наносит удары вдоль шоссе Пярну — Таллин. 26 августа 1941 года полк передал оставшиеся 26 ДБ-3 в 1-й минно-торпедный авиационный полк ВВС Балтийского флота, и окончательно стал штурмовым.

В сентябре 1941 года воюет на подступах к Ленинграду, в частности, наносит удары по артиллерийским батареям под Ленинградом, действует в районе Ораниенбаума. В октябре — декабре 1941 года действует на Тихвинском направлении, в районах Кириши, Будогощь, Любань, Малая Вишера. С конца октября 1941 года использует аэродром Гражданка в Ленинграде.

С 1942 года в основном используется по прямому назначению, как полк морской авиации.

25 мая 1942 года пятёркой Ил-2 вылетел в район острова Гогланд для атаки конвоя, но его не обнаружили и нанесли удар по зенитной батарее на острове. 28 мая 1942 года четвёрками Ил-2 в районе острова Большой Тютерс дважды нанёс бомбо-штурмовой удар по конвою противника в составе четырёх транспортов под охраной трёх тральщиков и трёх сторожевых кораблей, идущему в направлении устья реки Нарва, по отчётам уничтожил два транспорта и два катера. 30 мая 1942 года шестёркой наносит удар по порту Усть-Луга, уничтожил 4 сторожевых корабля и повредил 3 транспорта. 16 июня 1942 года дважды, севернее и западнее Гогланда наносит удары по конвоям. 8 июля 1942 года наносить удар по конвою в районе острова Соммерс, будучи прикрытым истребителями 21-го истребительного полка. 6 августа 1942 действует в районе островов Мустама и Большой Тютерс, 17 августа наносит удар по катерам в порту Лахденпохья, будучи прикрытым истребителями 3-го гвардейского истребительного полка. 30 августа 1942 года наносит удар по аэродромам Городец и Сиверская. 22 октября 1942 года принимает участие в ударе по вражескому десанту на остров Сухо.

С 12 января 1943 года принимает активное участие в операции «Искра», в течение дня штурмует позиции противника перед началом операции на широком участке фронта с целью отвлечения внимания противника от намеченного участка прорыва. Во время форсирования Невы и прорыва переднего края обороны немецких войск в полосе наступления 67-й армии Ил-2 из состава полка небольшими группами непрерывно действовали впереди наступающих войск, обеспечивая их продвижение, подавляли артиллерийские батареи, командные пункты, уничтожали подходящие резервы.

1 марта 1943 года Приказом Наркома ВМФ № 79 за мужество и героизм, проявленные в боях со врагом преобразован в 7-й гвардейский штурмовой авиационный полк ВВС Балтийского флота, но по Перечню № 19 действовал как 57-й штурмовой авиаполк до 24 апреля 1943 года.

Полное наименование

 57-й штурмовой авиационный полк ВВС Балтийского флота

Подчинение

Командиры

  Преображенский, Евгений Николаевич, полковник, июнь 1941 — 22.07.1941
 Морозов Ф. А., майор, подполковник, полковник, 26.08.41 — 03.11.42
 Хроленко, Михаил Никитович, майор 04.11.1942 — 24.04.1943

Отличившиеся воины полка

Ссылки
 Перечень No.19 органов управления, соединений, кораблей, частей и учреждений Балтийского флота, Ладожской военной флотилии и Ильменского отряда кораблей, входивших в состав Действующей армии в годы Великой Отечественной войны 1941—1945 гг.
 Справочник

Бомбардировочные авиационные полки СССР во время Великой Отечественной войны
Пикирующие и скоростные бомбардировочные авиационные полки СССР во время Великой Отечественной войны
Штурмовые авиационные полки СССР во время Великой Отечественной войны
Морская авиация СССР во время Великой Отечественной войны
Морская авиация Балтийского флота
Авиационные полки ВМФ СССР
Воинские части и формирования, расформированные в 1943 году

redpajama_set_name: RedPajamaWikipedia


A new National Oral Health Policy, which promises free dental care to all children up to the age of 16, has been published.
Currently, children up to the age of 16 can access free emergency dental care in HSE dental clinics. However, dental screening by a dentist only takes place three times, when the child is in 2nd, 4th and 6th class of primary school.
Furthermore, due to backlogs in the system, many children are late receiving these appointments, with some not being seen for the first time until they are already in 5th or 6th class.
Currently, around 84,000 children are awaiting a public dental assessment.
Under the new policy, Smile Agus Slainte, all children up to the age of 16 will receive eight oral healthcare packages, which will include examinations, assessments, prevention interventions and referral as appropriate.
These packages will be provided by dentists contracted by the HSE. Parents and guardians will be able to choose and change their child's dentist, should they wish to do so, following the delivery of each package.
The first package will be available to children aged up to two years, while packages two and three will be available to children aged between two and six years.
Packages four, five and six will be available to children aged between six and 12 years, while packages seven and eight will be for those aged between 12 and 16 years.
As part of the new policy, oral healthcare packages will also be provided to medical card holders over the age of 16, and there will be a major focus on improving services for all vulnerable groups, such as those in nursing homes.
Speaking at the launch of the new policy, the Minister for Health, Simon Harris, said that it 'provides the groundwork to transform oral health services' over the coming years.
Meanwhile, according to Dr Dympna Kavanagh, chief dental officer at the Department of Health, this is a 'comprehensive evidence-based policy which has been informed by extensive research and deliberations of oral healthcare professionals'.
"For that reason I expect that it will be positively received by the dental community because it will not only facilitate better oral healthcare for everyone, but will also support the continued professional development of the sector," she commented.
However, according to the Irish Dental Association (IDA), its members were not consulted in any meaningful way way or involved in the policy's formulation. It insisted that the policy will be judged on what it delivers, not what it promises.
"Over the last decade, the Government has slashed spending on oral health programmes, taking close to €1 billion out of the system. The proposed reforms will necessitate huge investment and resources by the State, so it's essential that sufficient, ringfenced funding is set aside.
"It's all very well to promise free dental care to the under-6s and to say you are going to extend it to all children under 16, but delivering on that promise is another matter entirely," commented IDA president, Kieran O'Connor.
The Department of Health is proposing a phased implementation of Smile agus Sláinte over the period 2019-2026. The Economic and Social Research Institute has estimated that the oral healthcare packages approach contained in the policy will cost approximately €80 million.


We are delighted to announce the shortlisted finalists for the National Service User Awards 2017. The winners will be announced at the awards ceremony on Wednesday 19th April 2017 in a black tie gala event at Old Trafford, Manchester.
Applications for the Service User Judging Panel for the 2017 National Service User Awards are being launched this week. We are looking to recruit 10 service users to join the judging panel.
We are delighted to announce that the nomination categories for the 2017 National Service User Awards have now been confirmed!
We are delighted to present the following film which has been produced to capture what the National Service User Awards are all about.
On Wednesday 27th April 2016 Silverstone race course played host to the 2016 National Service User Awards, sponsored by Cygnet Health Care.


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Home World News Dozens are dead from Ian, one of the strongest and costliest U.S. storms
Dozens are dead from Ian, one of the strongest and costliest U.S. storms
by Louise RAULAIS 10/01/2022
written by Louise RAULAIS 10/01/2022 0 comment
In this aerial photo made in a flight provided by mediccorps.org, damage from Hurricane Ian is seen on Estero Island in Fort Myers Beach, Fla., on Friday. Gerald Herbert/AP hide caption
Gerald Herbert/AP
In this aerial photo made in a flight provided by mediccorps.org, damage from Hurricane Ian is seen on Estero Island in Fort Myers Beach, Fla., on Friday.
CHARLESTON, S.C. — Rescuers searched for survivors among the ruins of Florida's flooded homes from Hurricane Ian while authorities in South Carolina waited for daylight to assess damage from its strike there as the remnants of one of the strongest and costliest hurricanes to ever hit the U.S. continued to push north.
The powerful storm terrorized millions of people for most of the week, battering western Cuba before raking across Florida from the warm waters of the Gulf of Mexico to the Atlantic Ocean, where it mustered enough strength for a final assault on South Carolina. Now weakened to a post-tropical cyclone, Ian was expected to move across central North Carolina on Saturday morning and reach south-central Virginia by the afternoon.
At least 30 people were confirmed dead, including 27 people in Florida mostly from drowning but others from the storm's tragic aftereffects. An elderly couple died after their oxygen machines shut off when they lost power, authorities said.
Meanwhile, distraught residents waded through knee-high water Friday, salvaging what possessions they could from their flooded homes and loading them onto rafts and canoes.
"I want to sit in the corner and cry. I don't know what else to do," Stevie Scuderi said after shuffling through her mostly destroyed Fort Myers apartment, the mud in her kitchen clinging to her purple sandals.
In South Carolina, Ian's center came ashore near Georgetown, a small community along the Winyah Bay about 60 miles (95 kilometers) north of historic Charleston. The storm washed away parts of four piers along the coast, including two connected to the popular tourist town of Myrtle Beach.
The storm's winds were much weaker Friday than during Ian's landfall on Florida's Gulf Coast earlier in the week. Authorities and volunteers there were still assessing the damage as shocked residents tried to make sense of what they just lived through.
Anthony Rivera, 25, said he had to climb through the window of his first floor apartment during the storm to carry his grandmother and girlfriend to the second floor. As they hurried to escape the rising water, the storm surge had washed a boat right up next to his apartment.
"That's the scariest thing in the world because I can't stop no boat," he said. "I'm not Superman."
Even though Ian has long passed over Florida, new problems continued to arise. A 14-mile (22-kilometer) stretch of Interstate 75 was closed late Friday in both directions in the Port Charlotte area because of the massive mount of water swelling the Myakka River.
Authorities warn the death toll could rise as rescue attempts and damage assessment continue
The official death toll climbed throughout the day on Friday, with authorities warning it would likely rise much higher once crews made a more comprehensive sweep of the damage. Searches were aimed at emergency rescues and initial assessments, Florida Division of Emergency Management Director Kevin Guthrie said. He described one submerged home as an example.
"The water was up over the rooftop, right, but we had a Coast Guard rescue swimmer swim down into it and he could identify that it appeared to be human remains. We do not know exactly how many," Guthrie said.
The dead included a 68-year-old woman swept into the ocean by a wave and a 67-year-old man who who fell into rising water inside his home while awaiting rescue.
Authorities also said a 22-year-old woman died after an ATV rollover from a road washout and a 71-year-old man suffered a fatal fall from a rooftop while putting up rain shutters. Another three people died in Cuba earlier in the week.
Hurricane Ian has likely caused "well over $100 billion" in damage, including $63 billion in privately insured losses, according to the disaster modeling firm Karen Clark & Co., which regularly issues flash catastrophe estimates. If those numbers are borne out, that would make Ian at least the fourth costliest hurricane in U.S. history.
Eduardo Tocuya carries a dog he recovered in hopes of reuniting it with its owners, two days after the passage of Hurricane Ian, in Fort Myers Beach, Fla., on Friday. Rebecca Blackwell/AP hide caption
Rebecca Blackwell/AP
Eduardo Tocuya carries a dog he recovered in hopes of reuniting it with its owners, two days after the passage of Hurricane Ian, in Fort Myers Beach, Fla., on Friday.
In the Sarasota suburb of North Point, Florida, residents of the Country Club Ridge subdivision waded through waterlogged streets Friday. John Chihil solemnly towed a canoe and another small boat through the ankle-deep water.
"There's really not much to feel. It's an act of God, you know?" he said. "I mean, that's all you can do is pray and hope for a better day tomorrow."
Louise RAULAIS
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text:
Brooklyn Eagle, July 14, 1897 DELUGE FROM SEA AND SKY RAIN AND HIGH TIDES CAUSE DAMAGE ON THE ISLAND. GRAIN AND HAY CROPS INJURED.
AFTER SANDY, the People's Relief Grows in Coney
By Williams Cole
The Brown Girl of Bed-Stuy's Brownstones
By Ron Howell
In the Beginning, All Need the Word
When the Drumming Stops
By Steve Wishnia
The Brooklyn Rail's Player-of-the-Year, 2012
My Wounded Constitution
By Jason Flores-Williams
A VIEW FROM THE EAST PANKAJ MISHRA with Hirsh Sawhney
Reading Eugene Genovese in the Age of Occupy
By Stuart Schrader
Searching for the "I" in History
By Abby Margulies
His Mother's Son
By Greg Ryan
Twentieth-Century Blues
By Kathy Smundak
America's First Foodie
By Orli Van Mourik
Herbie Vogel
By Lucio Pozzi
Time is an Emotional Muscle BARBARA HAMMER with Jarrett Earnest
BIRDHEAD with Charles Schultz
A letter from JOSEPH CORNELL to DOROTHEA TANNING
By Robert Kelly
ALICE CHANNER with Barry Schwabsky
Living a Revolution
By Ariella Azoulay
Figuring It Out: Bard's Low-Residency M.F.A. Program
By Steel Stillman
The Diagnostic Essay
Everything That Matters
By Daniel Baird
"Is There a Crisis in Art Criticism?"* Response from Marek Bartelik
Dress Trope
By Bill Berkson
Responses for Irving Sandler (A Later Seizure), November 21
Re: Art Criticism Today
Dear Irving
How it Appears
Post-Critical
By Hal Foster
If Picasso Is So Sexy, Why Is No One On TV Talking About Art?
The Incredible Shrinking Art Critic
Irving:
By Dave Hickey
Popcorn Manifesto
By David Humphrey
Critical Acts
By Richard Kalina
The Four Corners of Painting
Three Crises
The Persistence of Art Criticism
A Fork in the Linguistic Road
By Max Kozloff
By David Levi Strauss
By Kim Levin
The End of Reading
By Jonathan T.D. Neil
What's So Important About Criticism?
By Barbara A. MacAdam
By Jed Perl
Middlebrow? Smile When You Say That
By Peter Plagens
By Nancy Princenthal
Thanks for the Memory
Renewable Energy for Criticism
By Raphael Rubinstein
What's Lost is What I Want
By Ed Schad
Criticism and Self-Criticism
By Martha Schwendener
Ars Critica
Art Criticism & Social Media
By Phyllis Tuchman
The World Out There
By Amei Wallach
Crit Lit
A Good Painting is Better and More Interesting Than a Stick in the Eye
By Stephen Westfall
By Karen Wilkin
Quarterdeck Reflections
By Alexi Worth
By Christian Viveros-Faune
EYEWITNESS: Reflections on Richard Artschwager's "Untitled," 1971
By Michael Torlen
BERNINI: Sculpting in Clay
By Brandt Junceau
TOM BURCKHARDT Pretty Little Liars
Devin Powers, Paintings
FERDINAND HODLER View to Infinity
By Chloé Rossetti
The escape from the banal everyday life to the world of the ideal
MICHAL ROVNER Topography
JOSEF SUDEK The Legacy of a Deeper Vision
By David Carrier
PICASSO Black and White
ALINA SZAPOCZNIKOW Sculpture Undone, 1955-1972
A Compelling, If Foggy Debut
By Rayyan Al-Shawaf
A Second Birth
By Larissa Zimberoff
Against the Law
By Gabriel Don
Pain on Both Sides
By Kenan Trebincevic
JOSHUA HENKIN with Hirsh Sawhney
BLAKE BUTLER, VANESSA PLACE, and CHRISTOPHER HIGGS with S. Tremaine Nelson
DEBRA DIBLASI and SAM WITT of Jaded Ibis Press with Liz Axelrod
Against a narcotic culture whose primary desire is stupefaction Andrea Scrima talks to Rainer J. Hanshe, founder of Contra Mundum Press
On Board with The Atavist
By Christopher Carbone
BAM Next Wave, Part I
By George Grella
World Music in the Cradle of (Someone's) Democracy
By George Sempepos
Hell, Set to Music
"WE TALK REAL FUNNY DOWN HERE" Randy Newman's "Birmingham" as Ironic Southern Anthem
Reading and Listening with Listener
By Nicolle Elizabeth
Bring in Da Boise
By Ryan Wenzel
ELIZABETH STREB: An Introduction
By Nancy Dalva
KYLE ABRAHAM with Ryan Wenzel
Plus ça devient vieux, Plus ça devient bête The European Bourgeoisie in Michael Haneke's Amour
By Jaap Verheul
NIHIL UNBOUND Rick Alverson's The Comedy
By Jason LaRivière
RETURNING THE FOURTH WALL Reenactment as Recursion at CPH:DOX
A HOLLIS FRAMPTON ODYSSEY
By Leo Goldsmith
FACES Middle of Nowhere and Nothing But A Man
By Katie Rogin
THE OUTER LIMITS First Look at Museum of the Moving Image
When Machines Fail: Paula Vogel and A Civil War Christmas
By Jessica Dickey
Madness and Martyrdom in La Divina Caricatura LEE BREUER with Kyoung H. Park
Uptown to the Grand Canyon and Onward to the Sea SETH NUMRICH with Libby Woodbridge
Jesus in India: Finding Out Who We Are with Lloyd Suh
By Matthew Paul Olmos
When the Time Comes
By Josef Winkler
Excerpted from CITY OF ANGELS: or The Overcoat of Dr. Freud, A NOVEL
By Christa Wolf, translated from the German by Damion Searls
Arrowschmitt!!!
By Arryan Decatur
By Matthew Thurber
Extracts from the 65th Anniversary Edition of Raymond Queneau's Exercises In Style
By Raymond Queneau, Harry Mathews, Shane Jones, and Chris Clarke
By Allan M. Jalon
The Answers to the Questions
By Robert Hershon
By Jim Behrle
Another Language
By Adam Bell
Rookie Yearbook One
By Maura M. Lynch
DEC 12-JAN 13 Issue
On at least one point, early childhood educators unanimously agree: Providing children with books is the best way to help them develop language skills and enhance creativity, imagination, and a love of learning. In fact, a 2003 study by the National Center for Family Literacy found that being read to as a child, and having books to rifle through at home, were the two most important indicators of future academic success.
But what happens when a family can't afford books, or when household members are themselves illiterate? What about the more than 30 million children—44 percent of the total—who live in low-income households, at or near the poverty level, without bookshelves stocked with texts appropriate for toddlers and school-aged kids? What of the thousands of underfunded classrooms and after-school programs that don't have the resources to buy new materials? Do they simply languish?
Of course not, at least if an organization called First Book [firstbook.org] has anything to say about it. Founded as a national nonprofit in 1992—with a fledgling chapter in Brooklyn that began in 2011—the organization offers small grants to teachers and providers of after-school care if 70 percent of the kids they've enrolled come from low-income families. The First Book Marketplace then allows them to purchase new books at a huge discount—up to 90 percent below retail. As the project's co-founder Kyle Zimmer explains, First Book is a successful example of "social entrepreneurship."
In order to carry out its mission, First Book has partnered with the American Federation of Teachers to reach educators in every corner of the U.S. To date, nearly 100 million books have been distributed to 35,000 schools, youth centers, and agencies serving toddlers, teens, and those in-between. What's more, Marketplace book sales have fueled First Book's growth, allowing it to expand exponentially. Indeed, revenue raised from the sale of donated items is credited with fueling the organization's near-constant development.
And the books? Titles range from graphic novels to mysteries, college prep workbooks to classics. There are poetry books, biographies, and works exploring science, math, technology and nature as well as bilingual Spanish/English and French/English volumes. Even better, in addition to items that would otherwise have been remaindered, long time favorites are also offered, Amelia Bedelia; Are You There God, It's Me, Margaret; Beezus and Ramona; Bebes del mundo/Global Babies; and Goodnight Moon, among them.
Not surprisingly, the availability of these texts has been a boon to teachers. Take New York State. Although the legislature upped school funding by 4 percent for 2012-13, this was the first increase in three years and did not come close to meeting the need. As the New York Post reported in October, projected budget deficits have already prompted 400 of the City's 1,700 public schools to appeal to the Department of Education for additional funding; each petition argues that financial shortfalls will hamper the school's ability to complete the academic year.
What's more, budget gaps have had a dramatic impact on educators, with teachers—along with everyone else connected to the school system, from bus drivers to security guards—often using their own money to purchase materials for students. To wit: A 2010 survey by the National School Supply & Equipment Association [NSSEA.org] found that 92 percent of teachers purchased supplies and 85 percent bought instructional materials for those they teach. "Teachers' personal money is the most common source of funding for classroom projects," the NSSEA concluded. "On average, teachers spent a total of $398 on school supplies and an additional $538 on educational materials." The final tally: $3.5 billion.
Needless to say, bargains are highly regarded by this coterie of munificent shoppers, women and men who are doing their best to create an environment that is conducive to learning.
That said, experts agree that there is no replacement for public funding for public education. Furthermore, while advocates of public education see First Book's efforts as valiant, they see stocking school libraries and providing teachers with needed resources as a government responsibility. Likewise, they argue that providing an equal education for all—regardless of where one lives or what one's parents earn—is a municipal obligation.
"Private initiatives are certainly helpful," says Gregory Tewksbury, a Windsor Terrace- based educational consultant and researcher. "But they don't offer a consistent or systemic way to meet the needs of the many public schools that are suffering from the politics of austerity."
Cash-strapped schools, however, whether in Biloxi or Brooklyn, are grateful to First Book for the help it offers.
Michele Wells, a 35-year-old editor at Disney and the author of several children's and SAT/PSAT/ACT prep books, brought First Book to Brooklyn in the fall of 2011. She first got involved in literacy work through Everybody Wins, a 21-year-old project that pairs mentors from the business world with kids who are having academic difficulties. "I began tutoring in 2008," she begins. "Both of the kids I worked with hated reading. They were way behind and needed a lot of attention. I definitely enjoyed working one-on-one with each of them, but after several years I found myself wanting to do something on a larger, less individual, scale. Reading is like breathing for me," she laughs. "I've been reading since I was two. Honestly, you learn so much about the world when you read. On a personal level I felt like I made some headway with the kids I tutored, but I eventually needed to do something that would have more of a social impact."
Wells had heard of First Book years before becoming involved—it was a project that Penguin Books, a former employer, supported—and as she looked for a new literacy outlet, she learned that Brooklyn did not have a chapter. In short order, she set out to start one.
"I contacted First Book-National and got information on how to begin," Wells says. "I also started going to meetings of First Book-Manhattan." As she learned the ropes of the organization—her education included a crash course in grassroots fundraising—she began to put together a Board of Directors for Brooklyn, pulling in individuals with expertise in publishing, public relations, marketing, accounting, editing, and working in nonprofits.
Their first event, a party at Galapagos Art Space, netted $2,500. Other fundraisers—a reading featuring Young Adult writer Peter Brown, author of Kaline Klattermaster's Tree House and The Fabulous Bouncing Chowder, and a Brooklyn Cyclones game—netted thousands more and allowed First Book-Brooklyn to issue its first grant, for $5,000, last summer. The recipient, Sunset Park's P.S. 503, The School of Discovery, is a pre-K to 5th grade program that serves 944 students, 93 percent of whom are poor and more than half of whom have been designated as English Language Learners.
"To give a grant of $5,000 to a program is an amazing thing," Wells gushes, her smile widening with every word. "We worked so hard to make it happen, but it felt fantastic." Still, Wells recognizes that the borough's needs are extensive. Nonetheless, she has high hopes for the group's second year, noting that if First Book-Brooklyn can raise $32,000 they'll be able to provide new books to two percent of Brooklyn's neediest school kids. As the magnitude of this sinks in, Wells momentarily looks a bit dejected and lets on that she is moving to Los Angeles at year's end—a job transfer. Then, in an abrupt shift, her smile again brightens and her optimism reappears. After all, she says, since only 46 percent of fourth graders from low-income families read at grade level—compared with 77 percent of upper-income kids—the future demands that we do something, and fast.
Eleanor J. Bader


DEMOS has built the "Glonner 9" residential complex with seven townhouses and 20 condominiums in the community of Putzbrunn, just east of Munich. The project was completed early this year, and all units at "Glonner 9" have been sold.
With its adjacent meadows and fields, the project's idyllic location near nature is a particular highlight. The Alpine foothills are just a hop, skip and a jump away from Putzbrunn, and the good transport links make getting to downtown Munich by car or public transportation quick and easy.
We would like to thank all of the buyers for their trust as well as everyone who helped turn this project into a reality.


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I have been conducting interdisciplinary research in U.S. history, media, and popular literature for more than a decade and presenting it to a diverse audience.
Science Fiction and Digital Humanities
I'm trying to combine my deep knowledge of speculative fiction (science fiction and fantasy) and horror with digital humanities methods and approaches. An ongoing problem for many scholars is demonstrating the impact of their work beyond niche scholarly communities and their own classrooms. Digital Humanities has the potential to reach a much greater audience and to employ tools that expand a line of inquiry beyond the close reading of a relative handful of texts. However, presenting scholarship online can be difficult as so much of the material remains undigitized and within copyright limitations. I'm also finding my experience in university libraries to be raising my consciousness regarding the challenges archivists and librarians encounter when working to preserve these materials and make them discoverable and accessible.
All of these projects are in the early stages of discovery and will be collaborations:
To develop a union catalog interface to help direct interested parties (Scholars and fans) to holdings of genre books and magazines, as well as the personal papers of authors and editors. In a utopian vision this might link directly through to the digitized witness when it is shared with the public. Right now most of these materials remain hidden in uncatalogued collections. Creating a unified discovery tool would greatly advance popular culture scholarship.
On a related tack I'm interested in helping create a corpus of digitized magazines across genres for text analysis that use non-consumptive methods because of copyright concerns. But it would also be nice to be able to release the digitized versions when rights are granted.
To create a network visualization of writers, editors, and publishers in genre magazines. I intend to start with the pulps and Golden Age, although this doesn't much narrow the task given the overlaps across science fiction, fantasy, horror, and the strange/weird.
Just in first discussions: an oral history of Speculative Fiction Fandom. We have the people, the methods, and the interest, but this will require not only technology to conduct the interviews, but also a lot of storage media, then processing and production time. This is going to require funding.
Current Projects:
My immediate work is on the evolving representations of Artificial Intelligence in science fiction, particularly on TV in FOX's Humans and HBO's Westworld. A particular thread that ties these recent series to past examples including the reimagined Battlestar Galactica and the original Westworld movie or its contemporary, The Stepford Wives, is that of sexual objectification and individual agency.
Finally, as with so many other academics, I have not yet given up on transforming my dissertation (see below) into a monograph. This project is proving more difficult as the available texts have more than doubled since the dissertation was completed in 2012.
Published Writing:
My most recent piece was an introduction for Frankenstein's Legacy, a series of discussions involving the ethics of creation and potential effects of artificial intelligence and robotics on human society. This introduction applies Isaac Asimov's "Frankenstein Complex" to a range of media depictions inspired by Mary Shelley's novel as a way to set up the discussion of ethical discovery and innovation by a panel of faculty drawn from Philosophy, Physics, Design, and Computer Science.
I wrote on the relationship between reality and fantasy narratives in graphic novels in a volume of Salem Press's Critical Insights series: "The Reality/Fantasy Narrative and the Graphic Novel" in Critical Insights: The Graphic Novel, edited by Gary Hoppenstand for Grey House Publishing/Salem Press. I explore the depictions of characters who are anthropomorphized abstract concepts such as Death, Dream, and Desire or Chaos, Order, and Eternity in the semi-mimetic "reality" of superhero comics. My work also appears in a collection of scholarship on the Iron Man comic series, The Ages of Iron Man: Essays on the Armored Avenger in Changing Times, edited by Joseph J. Darowski for McFarland & Co. My chapter is "Iron Icarus: Comics Futurism and the Man-Machine System," a study of how the comic series has dealt with questions of cybernetics and suggests that humans must remain in control rather than reduce human oversight of advanced weapons systems.
I have also published two articles that contribute to the field of American Studies in their exploration of civil rights, national security, and the growing anxiety of biowarfare and pandemics. "The Cain Mutiny: Reflecting the faces of Military Leadership in a Time of Fear," which appears in the collection Cylons in America, is an analysis of military and civilian leadership during a time of prolonged national emergency and considers the tension between the competing goals of providing security and defending civil liberties. My second article "Zombie Apocalypse: Plague and the End of the World in Popular Culture," appeared in End of Days: Essays on the Apocalypse from Antiquity to Modernity, a collection edited by Karolyn Kinane and Michael A. Ryan (McFarland 2009). This article considers notions of plague and the unquiet dead, and tracks the evolution of these themes in contemporary popular culture as the transformation of the vampire myth through scientific rationalization in Richard Matheson's I am Legend and the recent films it inspired that replace supernatural agencies with scientifically plausible explanations for the end of the world by drawing on recurrent fears of contagion, infection, and death.
My dissertation, Shattered States: Catastrophe, Collapse, and Decline in American Science Fiction, completed under the direction of Dr. Gary Hoppenstand, explores the destruction and collapse of the United States and the failure to preserve its democratic institutions in recent American post-apocalyptic speculative texts. Exploring the connections between literature, media, and social issues in late-20th century American culture, I apply the techniques of literary and media criticism, cultural studies, and historical analysis toward developing a composite of American culture incorporating a variety of subcultures and communities, especially those that blur along the borders of identity including gender, sexuality, and ethnicity. The majority of my American Studies coursework was with faculty in the English program or the Department of Writing, Rhetoric and American Cultures, who helped me to refine my tools for working with the shifting representations of race, ethnicity, gender, and sexuality in speculative fiction and new media. By focusing on popular culture, and more specifically genre literature and media, I engage with a discourse that considers the fractures within American society and the possible failures of its civil liberties. Studying these apocalyptic metaphors has helped me to chart the expanding identity and cultural conflicts in the U.S. during the late-20thcentury as social divisions and tensions that suggest the declining potential of the "American Dream" against an embattled political and cultural identity that remains bound to World War II triumphalism and Cold War fears.
I completed the dissertation in 2012, right before an explosion in postapocalyptic comics, novels, and television began during the second Obama administration. Now, in the time of Trump, there are almost too many to track. The dissertation applied a set of heuristics for inclusion in the corpus that needs to be rethought in light of the growing tribalism of political factions in the United States as well as the increasing incidents of public violence and political disenfranchisement.


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More Republican Women Than Ever Are Planning to Run for Office
The super political action committee Republican Women for Progress raised $1 million in a single month last fall on the promise of supporting Republican women's voices
Published at 11:28 am on August 26, 2019
Kenzi Abou-Sabe / NBC News
The 2018 midterm elections paved the way for a record-breaking number of women to hold seats in Congress. But the gains were limited to one side of the aisle: out of the 127 females on Capitol Hill, only 21 are Republicans.
A new crop of contenders is hoping to shift the imbalance in Washington and beyond, NBC News reports.
They are a diverse bunch — prosecutors and homemakers, business leaders and federal workers. Some are gearing up for local elections. Others, like Valerie Ramirez Mukherjee of Illinois, are running for a seat in Congress straight away.
An investment manager who is pro-choice, pro-gay rights and concerned about climate change, Ramirez Mukherjee said she's stepping up in the hope of helping to change the perception of her party.
"I want to get out there and show people that you can be a Republican and be considerate and kind and diverse," said Ramirez Mukherjee. "We need to have new role models in the party."


text:
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