The men's polo shirt, which so artfully combines sportiness and elegance, was bound to become one of the most popular styles among our customers. Created as sportswear, polo shirts have triumphantly made their way into fashion and everyday life. Perhaps because they are comfortable and pleasant to wear, or because if you are wearing the right polo shirt you feel your style is impeccable.
For the spring-summer season, this great classic of our summer collections is available in different... fabrics: from classic honeycomb piquet, through knitted jersey, to lighter cottons for hot days. The colors range from bright hues to classic neutral shades; collars are denim or in contrasting colors - each shirt has some special feature that makes it unique. Building a successful look around a Blauer polo shirt is a breeze. They are extremely versatile and are easy to match with the jeans, pants and jackets of the Blauer USA Collection.
For the spring-summer season, this great classic of our summer collections is available in different fabrics: from classic honeycomb piquet, through knitted jersey, to lighter cottons for hot days. The colors range from bright hues to classic neutral shades; collars are denim or in contrasting colors - each shirt has some special feature that makes it unique. Building a successful look around a Blauer polo shirt is a breeze. They are extremely versatile and are easy to match with the jeans, pants and jackets of the Blauer USA Collection.


The slides in this presentation are branded with the U.S. DOT triskelion logo.
Achieve your ITS learning goals. Visit: https://www.pcb.its.dot.gov/itscourses/default.aspx.
Develop new ITS content and fill gaps in existing content.
Build partnerships to direct learning to the right audiences.
Move to cost-effective, engaging delivery methods.
Allow transportation professionals to learn about emerging trends and interact with academia.
Provide students an opportunity to present their work to the professional community and perfect their presentation skills.
Offer an opportunity for academic institutions to showcase their programs and labs to a national audience.
Provide those in all sectors with an opportunity to network and find synergy, potentially forming partnerships for deployment, operations, or new research topics.
Up to 60-minutes in length—the first 25-40 minutes is devoted to presentations on relevant research, while the remaining 20-30 minutes are set aside for an interactive question and answer discussion.
Presenters may be university students, staff members, researchers, or professors but usually includes multiple presenters.
T3es present a unique forum for exchange between academia, government, and industry.
Because the T3es are focused on academic research, unlike other T3 webinars, T3e presenters come exclusively from academia.
In contrast to traditional T3s, which are hosted by a federal DOT staff member, a professor will serve as the host on a T3e webinar.
The T3e Webinar content is developed by the professor and presenters, who determine the topic(s) and learning objectives.
All T3es are produced by the Volpe Center T3 team who works with professors and students throughout.
All T3e webinars are archived and available for viewing on the T3 website which presenters and can access and share freely.
Spaces are available on the calendar for 2016-2017!
Please speak to Jaime if you are interested.
Educators with a platform to feature their ITS courses and an opportunity to informally network with other educators, exchanging lesson plans and best practices.
A university logo that we can publish on our website.
The webpage will ultimately feature a comprehensive list of educational institutions that offer coursework in ITS, connected vehicles, automated vehicles, smart cities, or other innovative transportation research, and provide links to curriculum information and ITS-centric programs.


text:
Q: Problems with applicationWillEnterForeground My code for application will Enter Foreground is given below. I am working on the iOS simulator. What I am trying in my code is, when a player clicks home button while game is going on and returns back to the game after sometime, I want the game to be in pause state. Although my code pauses the game, but it does not pause it immediately. That is, when I go to my game again, there is 1 second of movement before everything pauses.
-(void)applicationWillEnterForeground:(UIApplication *)application
{ [[NSNotificationCenter defaultCenter] postNotificationName:@"didEnterForeground" object:self];
}

    [[NSNotificationCenter defaultCenter] addObserver: self
                                        selector: @selector(handleEnterFg)
                                                 name: @"didEnterForeground"
                                               object: nil];

-(void) handleEnterFg
{

if (gameIsOver== NO)

{
    [myTimer pause];

    gamePause = YES;
    self.scene.view.paused = YES;

}

}

 -(void) handleEnterBg
{
if (gameIsOver== NO)
 {
[bgPlayer pause];
[self childNodeWithName:@"pauseButton"].zPosition = -10;
[self childNodeWithName:@"playButton"].zPosition = 160;
}
 }

Thank you!

A: You need to pause the game when you receive applicationWillEnterBackground if you want to pause it immediately.

redpajama_set_name: RedPajamaStackExchange


In ancient times, martial art students would attempt to strengthen their hands by exercising them in a bucket of sand (or rice). In Japanese martial arts, this training tool is known as Jari Bako. This equipment is used in Hojo Undo, traditional strength training used by some Karate styles.
These hand exercises were designed to improve a martial artists's gripping power and build up the muscles in their hands, wrists and forearms. In turn, martial artists thought this would improve the power behind their joint lock, punching and grappling & submission techniques. You should also visit the Rice Bucket Hand Exercises section for additional hand strengthening drills (if you are looking for a less abrasive alternative to sand).
All stretches and exercises should be supervised by a trained martial arts instructor in order to prevent injuries and to ensure the proper technique is utilized. For other traditional training tools, please visit Black Belt Wiki's Martial Arts Training Equipment section.


text:
Related Beal celebrates opening of $230 million, 239-unit The Beverly - one of the first 100% income restricted rental buildings in Boston
August 03, 2018 - Owners Developers & Managers
Boston, MA Celebrating the success of a major public-private partnership that tackles one of the region's most pressing economic issues, governor Charlie Baker and mayor Martin Walsh joined Related Beal president Kimberly Sherman Stamler to officially open The Beverly, a 100% income restricted rental building located at 101 Beverly St. The project was design by CBT Architects and Consigli Construction was the general contractor. The construction cost for the project was $230 million.
A collaborative effort between Related Beal, multiple city and state agencies, and private partners, the Beverly offers an opportunity for residents at a variety of income levels to experience the convenience of transit-oriented, downtown living at below market rents. With 239 units, the building offers a mix of studio, one-bedroom, two-bedroom, and much needed family-sized three-bedroom units, and has attracted young families, small business owners, nurses, postal carriers, school teachers, and construction workers – a major step towards mayor Walsh's Boston 2030 goal of helping the city retain a strong middle class and strengthen neighborhoods.
The Beverly's pet-friendly residences include a 24-hour attended lobby, a fitness center, entertainment room, children's room, outdoor terrace, bike storage, on-site parking and views of the city skyline, Boston Harbor and the Rose Kennedy Greenway. Of its 239 units, 48 are reserved for residents earning between 30 and 50% of area median income (AMI), while the other 191 units are reserved for those earning between 110 and 165% of AMI.
Related Beal received 6,000 applications for The Beverly housing lottery that was held in the fall of 2017, while the building was still under construction. After the building was completed in early 2018, Related Beal hosted tours and open houses that allowed prospective residents to see their future home. As a result, The Beverly is expected to complete all move-ins and reach full occupancy this summer.
Related Beal is also adding to the neighborhood's commercial and retail atmosphere. The developer partnered with Turnberry Associates to open the Courtyard by Marriott Boston Downtown/North Station and will soon welcome the first city location of local favorite A&B Burgers, while additional retail announcements will follow later this summer.
Across the street, Related Beal's Lovejoy Wharf is home to the world headquarters of Converse and 157 waterfront condominiums. Lovejoy will soon add waterfront dining and cocktails at Alcove, the first offering from breakout restaurateur Tom Schlesinger-Guidelli, as well as a new craft brewery, taproom, and kitchen from Night Shift Brewing.

redpajama_set_name: RedPajamaCommonCrawl


By: Marks, Paula Mitchell, 1951-.
1. Legacy and Contexts -- 2. The Early Years, 1822-1836 -- 3. The Republic and Early Statehood Years, 1836-1860 -- 4. The Civil War and the West Texas Frontier, 1860-1880.
Summary: In nineteenth-century Texas women's hands often created the fabrics their families wore, the blankets used to cover their tired bodies, and the textiles that furnished their homes. Through spinning, weaving, dyeing, and knitting of clothing and linens, women displayed their abilities and their dreams of a better future. These day-to-day activities of Texas women spinners and weavers come to life in award-winning author Paula Mitchell Marks's Hands to the Spindle. The hum.Summary: Of the spinning wheel and the clatter of the loom provided regular accompaniment to the lives of many Texas women immigrants and their families. Producing much-needed garments and cloth also provided an escape from the worries and isolation of frontier life. One early chronicler, Mary Crownover Rabb, kept her spinning wheel whistling all day and most of the night because the spinning kept her "from hearing the Indians walking around hunting mischief." Through the stories.Summary: Of real women and an overview of their textile crafts, Paula Mitchell Marks introduces readers to a functional art rarely practiced in our more hurried times. Photographs of some of their actual handiwork and evocative pen sketches of women at work and the tools and dye plants they used, delicately drawn by artist Walle Conoly, bring the words to life.
Includes bibliographical references (p. -127) and index.
In nineteenth-century Texas women's hands often created the fabrics their families wore, the blankets used to cover their tired bodies, and the textiles that furnished their homes. Through spinning, weaving, dyeing, and knitting of clothing and linens, women displayed their abilities and their dreams of a better future. These day-to-day activities of Texas women spinners and weavers come to life in award-winning author Paula Mitchell Marks's Hands to the Spindle. The hum.
Of the spinning wheel and the clatter of the loom provided regular accompaniment to the lives of many Texas women immigrants and their families. Producing much-needed garments and cloth also provided an escape from the worries and isolation of frontier life. One early chronicler, Mary Crownover Rabb, kept her spinning wheel whistling all day and most of the night because the spinning kept her "from hearing the Indians walking around hunting mischief." Through the stories.
Of real women and an overview of their textile crafts, Paula Mitchell Marks introduces readers to a functional art rarely practiced in our more hurried times. Photographs of some of their actual handiwork and evocative pen sketches of women at work and the tools and dye plants they used, delicately drawn by artist Walle Conoly, bring the words to life.
Paula Mitchell Marks is a professor of history at Saint Edward's University in Austin. She has written highly acclaimed books on western history, including Turn Your Eyes Toward Texas: Pioneers Sam and Mary Maverick, also published by Texas A&M University Press.


Mr and Mrs Stitch carries a wide range of footwear, suitable for all occasions.
For the on-trend sneaker and trainer look to Grenson who have created a sleek, stylish and understated range in a variety of colours and finishes. The tonal grey and tan Sneaker 1 being the most recently added. Grenson also have the trainer look covered with the Sneaker 20, which with its sculpted white sole is right up to date.
Paul Smith also have designed the perfect signature sneaker for everyday wear in both white and navy with the latter carrying the signature multi coloured stripe logo synonymous with the brand.
French brand APC have created a range of technical trainers in a restrained palette of silver, black and white.
For a dressy, occasional look Magnanni create and craft beautiful, stylish shoes which are refined and elegant with subtle trims and details which make them stand out.
Mr and Mr Stitch carry a range of carefully edited footwear which complement the depth and variety of clothing on offer.
Grenson are a historic Northampton based shoe company who have been producing footwear since 1866. Over the years this company has been able to respond to trends and design footwear accordingly. Whilst the traditions of brogue and classic shoe making continues, the range has evolved to include trainers and sneakers which takes into consideration current fashion trends.
Magnanni is a Spanish shoemaking company who also use age old traditions to craft quality and refined shoes. A signature of this company is the use of hand burnished and textured leathers which give a super luxe look to the finished product.


Jim was a dear friend. We have been friends since 1979. We had fun times together, and he always took care of me when I needed his assistance. He was a Retired US Army Veteran of 20 years. He served honorably, and retired with a Honorable discharge. He will be missed immensely.
I came to Fort Vancouver to cut James' hair on a couple of occasions. I found him to be a very warm, caring, good hearted man. May he rest in peace.


text:
E3 2008: The Gamasutra Interviews
July 18, 2008 12:00 AM | Simon Carless
[Well, E3 is just about done, apparently, but just wanted to point to a few things that my lovely Gamasutra colleagues extracted from game developers at the show. In many cases, there are longer, neater feature-length chats coming, but this will do fine for now! Also I must highlight our own Chris Remo's saving the Internet (according to GAF) by getting Mr. Miyamoto to announce a new Pikmin. Good job that man!]
- E3: Halo Wars' Rouse: Age Of Mythology Console-Controller Prototype Informed Game's Genesis
"Speaking with Gamasutra about its upcoming Xbox 360 RTS title Halo Wars, Ensemble's Justin Rouse revealed that the firm experimented with an Xbox controller-using version of Age Of Mythology before deciding to "build this thing from the ground up" and start on Halo Wars."
- E3: Sony's Tretton Talks Sony Home Vs. Microsoft's Avatars
"At Sony's E3 roundtable, SCEA exec Jack Tretton has suggested that there was "a lot of learning... and a little naivete" in the construction of the Home online world for PlayStation 3, but that the "worst thing" Sony could do was look at Microsoft's new Xbox 360 avatars and try to react based on them."
- Square Enix: Final Fantasy XIII Going Multi-Platform Is Game Changer For Biz
"Talking to Gamasutra, Square Enix SVP Shinji Hashimoto has been discussing the fact that Final Fantasy XIII will go multi-platform in more detail, commenting that "more than a turning point... perhaps this is a change in trends for the game industry as a whole.""
- E3: Gearbox's Hurley on Borderlands Vs. RAGE
"Speaking with Gamasutra at E3 about multiplatform shooter/racing-combat hybrid Borderlands, Gearbox Software producer Simon Hurley joked about the "convergent evolution" that led to Id Software announcing RAGE, also a shooter/racing-combat hybrid, less than two weeks before Borderlands went public."
- Nintendo's Miyamoto: 'We're Making Pikmin'
"Talking during a Nintendo developer Q&A, legendary creator Shigeru Miyamoto has confirmed in response to a Gamasutra question that a new title in his unique Pikmin franchise is currently in development, simply stating: "We're making Pikmin.""
- Sony's Tretton: 'Disappointed' In Multiplatform FFXIII Through MS' 'Currying Favor'
"Speaking at a roundtable Q&A attended by Gamasutra, Sony's Jack Tretton has been discussing Final Fantasy XIII's move from a PlayStation 3 exclusive to a multiplatform title, suggesting "I guess disappointed is clearly an appropriate term", and suggesting Microsoft has spent most of their money "trying to curry favor with third parties"."
- High Voltage's Corso: Wii Deserves Better Games Than It's Getting
"Talking to Gamasutra during E3, High Voltage creative director Matt Corso has been discussing the developer's just-announced Wii FPS The Conduit, suggesting that, for the core gamer, "The Wii is a really cool game system... it's worth better games than it's getting right now.""
- Sony's Jack Tretton: The Full E3 Roundtable Report
"Gamasutra brings you a full account of Sony CEO and president Jack Tretton's wide-ranging roundtable discussion that covered everything from platform exclusivity, the state and future of Home, PSP piracy, and Sony's desire to bring a PlayStation 2 to "every last consumer on earth.""


It's the Hollywood smile that everyone's after – white, bright, and beautiful. But, with daily wear and tear, aging, and staining foods, it can be tricky to maintain a brilliant smile. Our professional teeth whitening procedures in Jacksonville make it easy to achieve!
Teeth whitening is a great option for most people! If you already have great oral health but are looking to improve the appearance of your smile, we can customize a treatment plan just for you.
Did you know that your smile is your most valuable accessory? Take care of your smile with our Sinsational Smile teeth whitening system. Our highly-trained experts know how to effectively whiten your teeth. Our goal is to get you smiling confidently again!
Sinsational Smile is a teeth whitening system that complements your semi-annual dental cleaning appointments. It is clinically proven to whiten your teeth in under 20 minutes! The system requires one minute of prep time and dramatically whitens teeth by 2-5 shades.
What are the Benefits of Sinsational Smile?
How Does Sinsational Smile Work?
As the most successful teeth whitening system in the country, the process involves a pre-filled silicon whitening tray. The tray is pre-filled with a whitening gel and reduces oxygen levels on the teeth. An LED light activates the gel and significantly whitens your teeth in less time. Also, you will be provided with a take-home whitening pen to maintain your new smile!
Are You Interested in Teeth Whitening in Jacksonville?
Teeth whitening in Jacksonville can leave you looking and feeling better than ever before! So, if it's time to give your smile a makeover, contact our talented team at Kernan Family Dental to schedule an appointment today.


Abuja – The meeting between the Federal Government and the Academic Staff Union of Universities (ASUU) ended without any conclusion on Tuesday.
He said both parties were yet to reach a concrete decision. "For now, we have started to discuss. We are yet to reach any concrete decision. Once we have more information, we will make ourselves available to the press.
"The union will reconvene very soon to continue negotiations," he said. The meeting held at the instance of the Minister of Education, Malam Adamu Adamu was to find lasting solution to the ongoing strike by the university lecturers. ASUU had on Nov. 4, embarked on an indefinite strike over poor funding of Nigerian universities and non-implementation of previous agreements by government.
Inconclusive like the Osun gubernatorial election. Well, they should have a rerun to clear the air just like in Osun. Careers are at stake here.
The day Asuu will call off strike will just be like film trick. Federal government has always promised and fail.


Country & Cocktails is McGah's signature live music series, coming to you live every other Thursday night from March 30th through August 31st! We're featuring the hottest country singers and rock bands, so you can enjoy McGah's mouth-watering favorites to a soundtrack of today's chart-topping hits. Tonight's Country & Cocktails will feature Hadley Park! Country & Cocktails begins at 8 p.m. Ages 21+ only with valid ID.


There is so much coming at us in life, at all times, and sometimes it is hard to stay focused and centered in the truth behind it all. Something that seems like a big deal to us can actually turn out to be quite trivial, and some of the tiny things, the quotidian joys, we may take for granted and dismiss.
What matters, what doesn't: a life without difficulty may never give someone the opportunity to distinguish between the two. This is what I learned when faced with the greatest challenges of my own life: my own mortality, the sudden illness of my daughter, and perhaps losing this business I created and love so much in the midst of all of this.
So, then, this charm and phrase came into being. WHAT MATTERS MOST.
In our humanity, we receive our lessons, we learn from our suffering, and if we want to keep refining ourselves to our highest state of being, we alchemize all so that what doesn't matter no longer stands in the way of what does matter. And if we can't alchemize, we let go.
The human experience leads to the divine. We remember who we are and why we are here. What Matters Most, is perhaps, all of this. When I wear this charm, I bring this reminder with me. I have the ice cream. I hug my daughter tight. I breathe. I open myself up to doing what I love, with love, and loving the things that challenge me, bringing me back to what's really important again and again. This precious life I have been given, the details of which are mine to matter most.
Working with my Sister: in a word, Magic.


A warm welcome to all new members. Please feel free to post in this thread and say "hello" if you've just joined. You'll find that our members have a wealth of knowledge to share, and cover the spectrum from complete beginners to very experienced HAM / Emcomm professionals.
Greetings to everyone, this is KD2CJP. I'm glad to join the conversation here. VY 73.


text:
<?php

namespace mako\common\traits;

use mako\common\traits\exceptions\NamespacedFileLoaderTraitException;

use function array_unshift;
use function explode;
use function str_replace;
use function strpos;
use function vsprintf;

/**
 * Namespaced file loader trait.
 */
trait NamespacedFileLoaderTrait
{
	/**
	 * Default path.
	 *
	 * @var string
	 */
	protected $path;

	/**
	 * File extension.
	 *
	 * @var string
	 */
	protected $extension = '.php';

	/**
	 * Namespaces.
	 *
	 * @var array
	 */
	protected $namespaces = [];

	/**
	 * Sets the default path.
	 *
	 * @param string $path Path
	 */
	public function setPath(string $path): void
	{
		$this->path = $path;
	}

	/**
	 * Sets the extension.
	 *
	 * @param string $extension Extension
	 */
	public function setExtension(string $extension): void
	{
		$this->extension = $extension;
	}

	/**
	 * Registers a namespace.
	 *
	 * @param string $namespace Namespace name
	 * @param string $path      Namespace path
	 */
	public function registerNamespace(string $namespace, string $path): void
	{
		$this->namespaces[$namespace] = $path;
	}

	/**
	 * Returns the path to the file.
	 *
	 * @param  string      $file      Filename
	 * @param  string|null $extension File extension
	 * @param  string|null $suffix    Path suffix
	 * @return string
	 */
	protected function getFilePath(string $file, ?string $extension = null, ?string $suffix = null): string
	{
		if(strpos($file, '::') === false)
		{
			// No namespace so we'll just use the default path

			$path = $this->path;
		}
		else
		{
			// The file is namespaced so we'll use the namespace path

			[$namespace, $file] = explode('::', $file, 2);

			if(!isset($this->namespaces[$namespace]))
			{
				throw new NamespacedFileLoaderTraitException(vsprintf('The [ %s ] namespace does not exist.', [$namespace]));
			}

			$path = $this->namespaces[$namespace];
		}

		// Append suffix to path if needed

		if($suffix !== null)
		{
			$path .= DIRECTORY_SEPARATOR . $suffix;
		}

		// Return full path to file

		return $path . DIRECTORY_SEPARATOR . str_replace('.', DIRECTORY_SEPARATOR, $file) . ($extension ?? $this->extension);
	}

	/**
	 * Returns an array of cascading file paths.
	 *
	 * @param  string      $file      Filename
	 * @param  string|null $extension File extension
	 * @param  string|null $suffix    Path suffix
	 * @return array
	 */
	protected function getCascadingFilePaths(string $file, ?string $extension = null, ?string $suffix = null): array
	{
		$paths = [];

		if(strpos($file, '::') === false)
		{
			// No namespace so we'll just have add a single file

			$paths[] = $this->getFilePath($file, $extension, $suffix);
		}
		else
		{
			// Add the namespaced file first

			$paths[] = $this->getFilePath($file, $extension, $suffix);

			// Prepend the cascading file

			[$package, $file] = explode('::', $file);

			$suffix = 'packages' . DIRECTORY_SEPARATOR . $package . (($suffix !== null) ? DIRECTORY_SEPARATOR . $suffix : '');

			array_unshift($paths, $this->getFilePath($file, $extension, $suffix));
		}

		return $paths;
	}
}

redpajama_set_name: RedPajamaGithub


text:
William Wilson White Sr. (February 23, 1906 – November 11, 1964) was a prominent attorney in Philadelphia, Pennsylvania and served as the first United States Assistant Attorney General for the United States Department of Justice Civil Rights Division from 1957 to 1960. He was the United States Attorney for the Eastern District of Pennsylvania from 1953 to 1957. White was also a partner in the law firm White and Williams LLP which was founded by his father, Thomas Raeburn White.

He graduated from Harvard College and University of Pennsylvania Law School.

References

1906 births
1964 deaths
20th-century American judges
Eisenhower administration personnel
United States Assistant Attorneys General for the Civil Rights Division
United States Assistant Attorneys General for the Office of Legal Counsel
United States Attorneys for the Eastern District of Pennsylvania
University of Pennsylvania Law School alumni
Harvard College alumni

redpajama_set_name: RedPajamaWikipedia


Here's a quick and easy recipe for chicken and rice soup. Of course you can always adapt it using leftover turkey or whatever you happen to have in the house.
Chop the onion and sweat off in a suitable pan.
Chop the carrot and other vegetables, add to the pan and sweat off.
Add the stock, and bring to a simmer.
Add the rice and simmer until the rice is almost cooked – about 15 minutes.
Add slices of raw or cooked chicken or turkey. Simmer until meat is cooked or thoroughly heated.
Check the seasoning. Add salt and pepper, if wanted, or another half a stock cube if you need the extra flavour.
Use vegetable stock and omit the chicken.
Just for a change I gave my version a Thai twist by adding thin slivers of kaffir lime leaves, finely chopped lemon grass, and a splash of nam pla. It was very tasty, but quite honestly I think I prefer the more basic version.
Use noodles instead of rice. I've also made this simple soup with pearl barley. Just about anything goes!
This soup is really a meal in a bowl. It could also be popped into a Thermos flask or served in a mug for a nourishing outdoor meal for a hungry yachtsman or other outdoor sport enthusiast.
Cook's Note: This soup doesn't keep well, nor does it freeze. It needs to be eaten fairly soon after it's made, otherwise the rice or noodles swell too much and become flabby. Similarly the vegetables lose their freshness if left for too long in the soup. It's best not to make too much of this and scoff it all up once it's ready.
Thanks, Amanda. Quick and basic recipes like this can be great for warming up hungry people coming in from the cold. And it's so inexpensive too.


Last year, the city's hosts on the rental listing site brought in an estimated $316 million in revenue.
Short-term rentals are big business in New Orleans. Last year, the city's hosts on Airbnb, the popular rental listing site, brought in $316 million in revenue, according to an estimate from the company.
But until recently, these rentals weren't exactly legal. In late October, amid heated debate about rising rents, affordability and neighborhood integrity, the city council both legitimized and attempted to manage the growth of short-term rentals in a preliminary 6-1 vote.
At the heart of the discussion was whether sites like Airbnb and HomeAway, which allow residents to rent out a single room or an entire house online, help drive up housing costs by essentially taking properties off the market and shrink the pool of owner-occupied housing. It's been a fierce debate across the country, and Airbnb is involved in lawsuits in several places dealing with that same issue, including New York City, its hometown of San Francisco and Santa Monica.
Airbnb Caught in Regulatory Gray ZoneAirbnb is Here to Stay in S.F.Why Does Airbnb Want to be Taxed?
In New Orleans, where recovery after Hurricane Katrina has been uneven, and rents are steadily rising, the debate has helped expose deeper issues around housing costs. More than half of renters in the city spend at least one-third of their incomes on housing, and a third or renters spend more than half their income on housing. Critics argue housing costs are rising, in part, because homeowners may profit more by renting homes out a few days at a time, rather than selling them or renting them to long-term residents. The city's own study estimated that 70 percent of short term rentals were whole-house and put the average nightly rate at $250. But Airbnb argues the short-term rental properties have had no significant impact on rental prices, pointing to a study it commissioned of local zip codes. Housing advocates are pushing for more regulations as well as measures that will link the debate around short-term rentals to more systemic issues in the long-term market.
"Most of us agree that full-time rentals in non-owner-occupied homes in residential districts are impacting neighborhoods so we must limit and enforce it," said Mayor Mitch Landrieu, in a statement. Notable among the new regulations is an agreement with the rental platforms to restrict the number of days any single whole-house, non-owner-occupied rental can operate to 90 per year. New Orleans officials hailed it as the first time a city has negotiated such limits with listing sites.
The regulations, expected to be codified later this year, also ban short-term rentals in most of the popular French Quarter, and institute a tax on the rentals, which would go toward enforcement of the rule, as well as a housing improvement fund. The rental websites also agreed to regularly share data with the city. Notably, the regulations did not include a limit on how many units can be listed as short-term rentals on a given block.
Opponents of the rentals, who held "Homes For People Not For Profits" signs at an October City Council meeting, were unimpressed with the approved measures, according to The Times-Picayune.
The debate unfolded within a larger conversation about the urgent need for more and better-quality long-term rentals for residents. For the city's renters, who have a median income of $24,000, staying in the city is often increasingly expensive. Nearly 49 percent of occupied units in the city are rentals, according to the most recent estimates from the census, higher than places like Charlotte, N.C. or Jacksonville, Fla. but lower than San Diego, Calif. or Austin, Texas.
In 2013, the inventory of rental units finally surpassed the number of units available before Hurricane Katrina. Few of those were new construction, according to the city; instead, they're rehabbed structures that have finally been repaired and former owner-occupied homes that have converted to rentals. In the meantime, rents have also increased 20 to 25 percent since 2012. The city has committed to building or preserving 7,500 affordable housing units by 2021 as part of its Housing for a Resilient New Orleans initiative.
But even affordable housing advocates say the debate about Airbnb isn't as significant as broader issues around affordable housing.
"Short-term rentals are one piece of the affordability problem. We're really more focused on much larger systemic issues," said Monika Gerhart-Hambrick, director of policy and communications at the Greater New Orleans Fair Housing Action Center.
Roughly one-third of renters are receiving some form of government assistance, and Gerhart-Hambrick said it's important to protect and expand that, whether the subsidy is attached to the unit or to the person renting. But since most renters aren't receiving assistance, she said, there's a need to improve the choices for those renters. "That market is completely unregulated," she said. Her group and others are pushing for a rental registry to help enforce safety and health standards. And the city has responded, selecting a California company to run the program, that would inspect and monitor rental properties for compliance with those rules.
In the meantime, housing advocates would like to see the restrictions on short-term rentals move a step further, limiting whole-house rentals to 45 days per year, for example, instead of 90, which can still include almost ever weekend day. And enforcement, urged the Greater New Orleans Housing Alliance, should be the responsibility of the listing companies — not the city, which has limited resources to also address substandard housing in the long-term rental market.
Following a ruling from an appeals court in San Antonio that found in favor of a homeowners association seeking to stop short-term rentals arguing it violated deed restrictions, the fate of short-term rentals is up in the air in Texas as well, just in time for the Super Bowl in Houston in 2017.
Airbnb Caught in Regulatory Gray Zone Airbnb is Here to Stay in S.F. Why Does Airbnb Want to be Taxed?


KuCoin Cryptocurrency Exchange, has listed one more competent project that will interest many significant partners, traders or investors as part of the innovative growth. The newly listed cryptocurrency is the autonomous digital token called Decred (DCR).
Deposit and trade transactions are available using crypto pairs including DCR/BTC and DCR/ETH.
Decred DCR is an open-source blockchain technology based cryptocurrency that is autonomous, self-ruling currency, and stakeholder is the one to form governing rules.
Decred has once strived to deal with blockchain governance. Its groundbreaking consensus voting system allows stakeholder and makes way for a smooth or seamless transition from a single set of rules to a different one. The decentralized ways of funding itself and making decisions have empowered individuals to establish a solid, growing digital currency and free from any third party influences.
Its modular codebase is offering a distinctive ability to adapt easily. It can also scale to the most recent technology of blockchain. The technology started the first efficacious direct user activated on-chain consensus vote. It embodies a radical approach to the governance of stakeholders. It is where the community of Decred leads the development and builds decision altogether. This project will empower individuals, groups, and companies.
Decred is a community-powered. Stakeholder participating in the conceptualization of decisions will receive rewards for efforts and contributions. The strong contractor model and supportable funding let anyone join on Decred any time of the day. These will also encourage its governance. The value of the system is in the hands of people or organization working on it. They put their efforts together to build a decentralized future ahead on us.
DCR is the cryptocurrency token for Decred's platform. Twenty-one million is its maximum DCR supply. Currently, more than 8 million is circulating on the crypto market. The hybridization produces a balance among stakeholders and miners. It encourages any kinds of good supports to secure the network. Not all coins are mined. Therefore, opportunities still await new miners.


Shandong LD Grain&Oil Machinery Co.,Ltd is a large-sized joint-equity enterprise which specialize in producing edible oil mechanical equipment and it is also a group enterprise integrating scientific research, manufacturing, sales as one. Research Institute of Machine Design Company and Shandong, Shandong University of TechnoloLD (formerly the Shandong Grain College) school-enterprise cooperation in the oil equipment to carry out long-term, protein extraction, phospholipid extraction, etc. R & D and application of new technologies.
Oil refinery for refined sunflower oil manufacturers produced and supplied by shandong leader machinery Co.,Ltd.
1.Neutralization Tank of Oil refinery for refined sunflower oil manufacturers: used for acid refining, alkali refining or washing.
9. Leaf Filter of Oil refinery for refined sunflower oil manufacturers: filtrate the bleaching earth & impurities.


We are environmentalists and homeschoolers. We teach our children to love and appreciate animals but only in their most natural environments. The Cape May Whale Watcher's Whale and Dolphin Watching Tour is the educational trip of a lifetime. We saw dolphins in the Atlantic but most importantly we solidified deeper philosophies about these amazing animals through the experience of seeing them in the wild.
Our family received a complementary tour on the Cape May Whale Watcher in exchange for this review but all opinions and enthusiasm are 100% our own.
Every summer we vacation on the New Jersey shore. For several years, I've been following the Cape May Whale Watcher via Facebook and more recently their Instagram. I've been dreaming of taking one of their tours. Even when you aren't on the boat, their animal sightings are exciting to watch via social media!
Before we set sail, I told friends and family that if we saw a whale, I'd likely cry. I've always loved marine mammals and been drawn to the ocean so this trip would be a bucket list dream come true for me! We are very passionate and outspoken about animals including our beliefs that non-domesticated animals shouldn't be made to perform for profit in captivity (as I wrote about when I shared why we are morally opposed to the circus) so there will never be any trips to aquariums for our family.
E and I had just completed a unit on marine mammals so this was the perfect culminating activity for here homeschool learning. Cape May Whale Watcher was also generous enough to allow Mr. SPS to come along too. He wanted to try out his new camera lens and be in charge of the photos so I could concentrate on enjoying the sight seeing with E. He got some great shots!
The trip is completely educational from start to finish. The Cape May Whale Watcher guarantees marine mammal sightings or you get to return for another tour to try again at your convenience. The didn't disappoint! Immediately we saw and learned about nesting ospreys in the area. (See the other one in the nest?) Soon not far from shore we were surrounded by so many dolphins!
The Captain was broadcasting educational information as we observed the dolphin families in their natural habitat. We had read several books on dolphins but the insight he was giving us wouldn't be found in any library book we read. He shared real life experiences and stories of watching these beautiful creatures day after day for years. Did you know that for every dolphin you see coming up to the surface to breathe there are around five others in the pod fully submerged? The Captain explained how the crew of the ship had learned this from years of experience with dolphin watching by tracking one individual animal with a unique fin!
There were so many things we loved about the Cape May Whale Watcher including the atmosphere of the boat, the knowledge and kindness of the whole crew, and the snacks and fully stocked bar available on the ship. But what stays in my heart, other than seeing these dolphins, was what the Captain said about dolphins in the wild versus dolphins in captivity.
The Captain shared statistics that are heart breaking. For every one dolphin living and performing in captivity, three others were killed or captured and didn't survive to make it to the tanks. The water in the enclosures contains chemicals that cause the animals to go blind. Then he said something I'll never forget. He explained that he doesn't care if we are observing the dolphins from his boat or a competitors because either was better than supporting any facilities that keep marine mammals in tanks.
We thoroughly agree. It's very important to me to pass these same beliefs on to our children. We didn't see a whale on our tour this time but we'll be back year after year to support this amazing family run business who shares the same love of animals and philosophies that represent and respect them!
Looks like your family had a wonderful time and learned so much!
Looks like fun! That's the best way to observe animals - in their natural environment!
We are going soon! Love your review.


text:
Q: How do I manually populate ViewModel (Not using AutoMapper!) I know there are a lot of posts on the subject but I cannot find one that helps me do what I want. I know that I will eventually be using Automapper but before I start playing with it, I want to learn how to do things manually. I want to create a ViewModel, populate it with values from my entities by way of a repository and send it to my View. As simple as this sounds, I am stuggling to get it done. I'm using MVC 3, EF 4.3, Database First. I have auto-generated my classes. I'm posting the relevant  entities (abbreviated/renamed for this post) and classes, here is what I have so far:
Aggregate Entity: Shipping Header
using System;
using System.Collections.Generic;

namespace My.Models
{
public partial class ShippingHdr
{
    public ShippingHdr()
    {
        this.ShippingLI = new HashSet<ShippingLI>();
    }

    public int ID { get; set; }
    public int ShipToSiteID { get; set; }
    public Nullable<System.DateTime> DateShipped { get; set; }
    public Nullable<System.DateTime> EstDeliveryDate { get; set; }
    public string FromSitePOC { get; set; }
    public Nullable<int> ShipperID { get; set; }
    public string TrackingNo { get; set; }
    public string Comments { get; set;}
    public virtual Shippers Shippers { get; set; }
    public virtual ICollection<ShippingLI> ShippingLI { get; set; }
}

}

Here is my ViewModel
using System;
using System.Collections.Generic;
using System.Linq;
using System.Web;

namespace My.Models.ViewModels
{

public class ShippingHeaderSummaryVM
{
    public int ID { get; set; }
    public string Site { get; set; }
    public Nullable<System.DateTime> DateShipped { get; set; }
    public Nullable<System.DateTime> EstDeliveryDate { get; set; }
    public string TrackingNo { get; set; }
    public string HeaderComments { get; set; }
    public string Shipper { get; set; }
    public int NumOrders { get; set; }
    public string Site { get; set; }

}

}
Here is a query I got to return the items I want to use to populate my Viewmodel with. I believe the best place for this is in a Repository. I verified it returns the data I want using LinqPad (hence the missing reference to my dbContxt). I just don't know how to get the values from the query to the ViewModel:
var shipments = from h in c.ShippingHdrs
                        where (h.ShippingLI.Count > 1)
                        join
                        e in c.vHr_Employees on h.CreatedBy equals e.ID
                        join
                        s in c.Shippers on h.ShipperID equals s.ShipperID
                        join
                        r in vAaiomsSites on h.ShipToSiteID equals r.SiteID

                        select new
                        {
                            h.ID,
                            r.Site,
                            h.EstDeliveryDate,
                            h.DateShipped,
                            h.TrackingNumber,
                            h.HeaderComments,
                            e.LastName,
                            h.ShippingLI.Count,
                            s.Shipper
                                                        };

So what I want to do, again without using Automapper, is to populate the ViewModel with all of the rows from the ShippingHdr entity and pass it to my view.
Here are the filelds that need to be mapped:
ShippingHeaderSummaryVM mapped from shipments
ID = h.ID
Site = r.Site
DateShipped = h.DateShipped
EstDeliveryDate = h.EstDeliveryDate
TrackingNo = h.TrackingNumber
FromSitePOC = e.LastName
NumOrders = h.ShippingLI.Count
Shipper = s.Shipper
HeaderComments = h.HeaderComments

I am stuck here.
How do I populate the ViewModel from the query?
How then do I then call that action from my controller?
I hope I have given enough information, any help would be appreciated.

A: In order to populate a list of shipments based on your view model object you would need to create a mapping method to map from your collection of shipments from your database to a collection of shipments based on your view model:
var model = new List<ShippingHeaderSummaryVM>();

foreach(var h in shipments)
{

    var viewModel = new ShippingHeaderSummaryVM
    {
    ID = h.ID
    Site = r.Site
    DateShipped = h.DateShipped
    EstDeliveryDate = h.EstDeliveryDate
    TrackingNo = h.TrackingNumber
    FromSitePOC = e.LastName
    NumOrders = h.ShippingLI.Count
    Shipper = s.Shipper
    HeaderComments = h.HeaderComments
    }

    model.Add(viewModel);
}

return model;

As a side note, this becomes a one liner after you have AutoMapper up and running:
var model = Mapper.Map<IEnumerable<ShippingHdr>, IEnumerable<ShippingHeaderSummaryVM>>(shipments);

While, learning how to do things manually is great. Manually mapping models doesn't really benefit you in any way or form. Go with AutoMapper.

A: You can also use Linq to do something like this...
shipments.Select(h => new ShippingHeaderSummaryVM(){
    ID = h.ID,
    Site = r.Site,
    DateShipped = h.DateShipped,
    EstDeliveryDate = h.EstDeliveryDate,
    TrackingNo = h.TrackingNumber,
    FromSitePOC = e.LastName,
    NumOrders = h.ShippingLI.Count,
    Shipper = s.Shipper,
    HeaderComments = h.HeaderComments
});

Note that while mapping view models is great for passing to a view, always do it manually when reading from a view model to update your database.
Edit: Thanks for the typo correction:-)


You've run your air conditioner the same way for years. But did you ever think there may be a few things you can do to help your air conditioner be even more effective? Or more energy efficient? Perhaps what you're used to doing is actually detrimental to the health and lifespan of your air conditioning system.
Take a look at our video "10 Air Conditioning Mistakes to Avoid at Your Home" and find out if what you're doing is the best for your system or if making some adjustments might make a difference in your energy use and lower your electric bill. You may also learn a few tricks to enhance the effectiveness of your air conditioning system.
If you'd like to learn more click here to read the article.


French language classes for children, through arts and crafts, music, stories and films – running throughout term time.
For 8 – 12 year olds on Saturdays between 2pm and 3pm.
Get in touch if you're interested in French sessions for 4-7 year olds, or even baby and toddler sessions.
Over a thousand visitors have experienced our first public opening of the Second World War air raid shelter in partnership with The Options Group at Applegate Houseon Holydyke. The remaining open days as part of Barton's heritage festival are on Saturday 1pm – 4pm, and Sunday 10am-3pm. We'll then schedule more public openings in 2019 and include a visit to the shelter as part of a special school visits programme.


WIFI SHIELD LED BLINKS in arduino BUT IT SHOWS NO SHIELD CONNECT IN SERIAL PORT.
Can you share your sketch, serial output, and model of arduino and wifi shield?
in the shield there are 4 switches i dont know what they are for.


ISOF facilitated a meet and greet between 3rd year students and industry. The two minute interviews were inspired by speed-dating, to help break the ice and ignite a conversation for future communication. Students were able to chat to industry role players (hosts) from various fields such as fashion retail, design and media.
The LISOF BA Honours in Fashion is a Post-graduate learning programme that will provide intensive and focused specialisation in Fashion. The course has been developed by leaders in fashion and retail with a view to giving you the most progressive and relevant education in the business. The focus of this programme is applied research (i.e. research in action) in order to solve real 'problems' that exist in the field (work integrated learning) If you are considering a strictly academic piece of research you will be allowed to pursue this avenue as well. Alongside building research capacity, this programme deepens a theoretical and practical understanding of your specialisation choice in Fashion. Work-Integrated learning is of utmost importance to this course therefore you will be exposed to retail partners to work a period of time with, to learn in the field knowledge. Selected students will receive a stipend while they intern at various fashion industry companies.
Why the LISOF BA Honours in Fashion?
The psychological effect of costume in film on the viewer and what the process entails as a costume designer to achieve a possible response on a psychological level within the viewer.
Researching the modernisation of costumes within films and how fashion within period films are being conceptualised and therefore re-incorporated into current fashion trends. The reason being is to better understand the film industry as well as costume design for this is an interest of mine.
To examine the relationship between culture and buying of clothes.
CEO Shana Rosenthal with LISOF Alumna, Shayna Goncalves who was a the guest speaker at the BA Honours in Fashion meet and greet.
Registered with the Department of Higher Education & Training as a Private Higher Education Institution under the Higher Education Act, 2016.


text:
package jsx3.chart;

import org.directwebremoting.ScriptBuffer;
import org.directwebremoting.ScriptSessions;
import org.directwebremoting.io.Context;

/**
 * A chart component that renders a grid of lines and fills aligned with an x and y axis.
 * @author Joe Walker [joe at getahead dot org]
 * @author DRAPGEN - Dwr Reverse Ajax Proxy GENerator
 */
public class GridLines extends jsx3.chart.ChartComponent
{
    /**
     * All reverse ajax proxies need context to work from
     * @param context The script that got us to where we are now
     */
    public GridLines(Context context, String extension)
    {
        super(context, extension);
    }

    /**
     * The instance initializer.
     * @param name the GI name of the instance
     * @param left left position (in pixels) of the object relative to its parent container
     * @param top top position (in pixels) of the object relative to its parent container
     * @param width width (in pixels) of the chart
     * @param height height (in pixels) of the chart
     */
    public GridLines(String name, int left, int top, int width, int height)
    {
        super((Context) null, (String) null);
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall("new GridLines", name, left, top, width, height);
        setInitScript(script);
    }

    /**
     * Returns the horizontalAbove field, whether to draw the horizontal lines and fills above the vertical ones.
     * @param callback horizontalAbove
     */

    public void getHorizontalAbove(org.directwebremoting.ui.Callback<Boolean> callback)
    {
        ScriptBuffer script = new ScriptBuffer();
        String callbackPrefix = "";

        if (callback != null)
        {
            callbackPrefix = "var reply = ";
        }

        script.appendCall(callbackPrefix + getContextPath() + "getHorizontalAbove");

        if (callback != null)
        {
            String key = org.directwebremoting.extend.CallbackHelperFactory.get().saveCallback(callback, Boolean.class);
            script.appendCall("__System.activateCallback", key, "reply");
        }

        ScriptSessions.addScript(script);
    }

    /**
     * Sets the horizontalAbove field.
     * @param horizontalAbove the new value for horizontalAbove
     */
    public void setHorizontalAbove(boolean horizontalAbove)
    {
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall(getContextPath() + "setHorizontalAbove", horizontalAbove);
        ScriptSessions.addScript(script);
    }

    /**
     * Returns the inForeground field, whether to draw this legend on top of the data series (or below).
     * @param callback inForeground
     */

    public void getInForeground(org.directwebremoting.ui.Callback<Boolean> callback)
    {
        ScriptBuffer script = new ScriptBuffer();
        String callbackPrefix = "";

        if (callback != null)
        {
            callbackPrefix = "var reply = ";
        }

        script.appendCall(callbackPrefix + getContextPath() + "getInForeground");

        if (callback != null)
        {
            String key = org.directwebremoting.extend.CallbackHelperFactory.get().saveCallback(callback, Boolean.class);
            script.appendCall("__System.activateCallback", key, "reply");
        }

        ScriptSessions.addScript(script);
    }

    /**
     * Sets the inForeground field.
     * @param inForeground the new value for inForeground
     */
    public void setInForeground(boolean inForeground)
    {
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall(getContextPath() + "setInForeground", inForeground);
        ScriptSessions.addScript(script);
    }

    /**
     * Returns the borderStroke field, string representation of the stroke used to outline the grid lines.
     * @param callback borderStroke
     */

    public void getBorderStroke(org.directwebremoting.ui.Callback<String> callback)
    {
        ScriptBuffer script = new ScriptBuffer();
        String callbackPrefix = "";

        if (callback != null)
        {
            callbackPrefix = "var reply = ";
        }

        script.appendCall(callbackPrefix + getContextPath() + "getBorderStroke");

        if (callback != null)
        {
            String key = org.directwebremoting.extend.CallbackHelperFactory.get().saveCallback(callback, String.class);
            script.appendCall("__System.activateCallback", key, "reply");
        }

        ScriptSessions.addScript(script);
    }

    /**
     * Sets the borderStroke field.
     * @param borderStroke the new value for borderStroke
     */
    public void setBorderStroke(String borderStroke)
    {
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall(getContextPath() + "setBorderStroke", borderStroke);
        ScriptSessions.addScript(script);
    }

    /**
     * Returns the fillV field, array of string representations of vector fills used to fill in areas between vertical major ticks; if the length of the array is greater than one, the areas alternate through the list of fills.
     * @param callback fillV
     */

    public void getFillV(org.directwebremoting.ui.Callback<Object[]> callback)
    {
        ScriptBuffer script = new ScriptBuffer();
        String callbackPrefix = "";

        if (callback != null)
        {
            callbackPrefix = "var reply = ";
        }

        script.appendCall(callbackPrefix + getContextPath() + "getFillV");

        if (callback != null)
        {
            String key = org.directwebremoting.extend.CallbackHelperFactory.get().saveCallback(callback, Object[].class);
            script.appendCall("__System.activateCallback", key, "reply");
        }

        ScriptSessions.addScript(script);
    }

    /**
     * Sets the fillV field.
     * @param fillV the new value for fillV
     */
    public void setFillV(Object[] fillV)
    {
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall(getContextPath() + "setFillV", fillV);
        ScriptSessions.addScript(script);
    }

    /**
     * Returns the strokeMajorV field, array of string representations of VectorStroke's used to draw the vertical major ticks; if the length of the array is greater than one, the ticks alternate through the list of strokes.
     * @param callback strokeMajorV
     */

    public void getStrokeMajorV(org.directwebremoting.ui.Callback<Object[]> callback)
    {
        ScriptBuffer script = new ScriptBuffer();
        String callbackPrefix = "";

        if (callback != null)
        {
            callbackPrefix = "var reply = ";
        }

        script.appendCall(callbackPrefix + getContextPath() + "getStrokeMajorV");

        if (callback != null)
        {
            String key = org.directwebremoting.extend.CallbackHelperFactory.get().saveCallback(callback, Object[].class);
            script.appendCall("__System.activateCallback", key, "reply");
        }

        ScriptSessions.addScript(script);
    }

    /**
     * Sets the strokeMajorV field.
     * @param strokeMajorV the new value for strokeMajorV
     */
    public void setStrokeMajorV(Object[] strokeMajorV)
    {
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall(getContextPath() + "setStrokeMajorV", strokeMajorV);
        ScriptSessions.addScript(script);
    }

    /**
     * Returns the strokeMinorV field, array of string representations of VectorStroke's used to draw the vertical minor ticks; if the length of the array is greater than one, the ticks alternate through the list of strokes.
     * @param callback strokeMinorV
     */

    public void getStrokeMinorV(org.directwebremoting.ui.Callback<Object[]> callback)
    {
        ScriptBuffer script = new ScriptBuffer();
        String callbackPrefix = "";

        if (callback != null)
        {
            callbackPrefix = "var reply = ";
        }

        script.appendCall(callbackPrefix + getContextPath() + "getStrokeMinorV");

        if (callback != null)
        {
            String key = org.directwebremoting.extend.CallbackHelperFactory.get().saveCallback(callback, Object[].class);
            script.appendCall("__System.activateCallback", key, "reply");
        }

        ScriptSessions.addScript(script);
    }

    /**
     * Sets the strokeMinorV field.
     * @param strokeMinorV the new value for strokeMinorV
     */
    public void setStrokeMinorV(Object[] strokeMinorV)
    {
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall(getContextPath() + "setStrokeMinorV", strokeMinorV);
        ScriptSessions.addScript(script);
    }

    /**
     * Returns the fillH field, array of string representations of vector fills used to fill in areas between horizontal major ticks; if the length of the array is greater than one, the areas alternate through the list of fills.
     * @param callback fillH
     */

    public void getFillH(org.directwebremoting.ui.Callback<Object[]> callback)
    {
        ScriptBuffer script = new ScriptBuffer();
        String callbackPrefix = "";

        if (callback != null)
        {
            callbackPrefix = "var reply = ";
        }

        script.appendCall(callbackPrefix + getContextPath() + "getFillH");

        if (callback != null)
        {
            String key = org.directwebremoting.extend.CallbackHelperFactory.get().saveCallback(callback, Object[].class);
            script.appendCall("__System.activateCallback", key, "reply");
        }

        ScriptSessions.addScript(script);
    }

    /**
     * Sets the fillH field.
     * @param fillH the new value for fillH
     */
    public void setFillH(Object[] fillH)
    {
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall(getContextPath() + "setFillH", fillH);
        ScriptSessions.addScript(script);
    }

    /**
     * Returns the strokeMajorH field, array of string representations of VectorStroke's used to draw the horizontal major ticks; if the length of the array is greater than one, the ticks alternate through the list of strokes.
     * @param callback strokeMajorH
     */

    public void getStrokeMajorH(org.directwebremoting.ui.Callback<Object[]> callback)
    {
        ScriptBuffer script = new ScriptBuffer();
        String callbackPrefix = "";

        if (callback != null)
        {
            callbackPrefix = "var reply = ";
        }

        script.appendCall(callbackPrefix + getContextPath() + "getStrokeMajorH");

        if (callback != null)
        {
            String key = org.directwebremoting.extend.CallbackHelperFactory.get().saveCallback(callback, Object[].class);
            script.appendCall("__System.activateCallback", key, "reply");
        }

        ScriptSessions.addScript(script);
    }

    /**
     * Sets the strokeMajorH field.
     * @param strokeMajorH the new value for strokeMajorH
     */
    public void setStrokeMajorH(Object[] strokeMajorH)
    {
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall(getContextPath() + "setStrokeMajorH", strokeMajorH);
        ScriptSessions.addScript(script);
    }

    /**
     * Returns the strokeMinorH field, array of string representations of VectorStroke's used to draw the horizontal minor ticks; if the length of the array is greater than one, the ticks alternate through the list of strokes.
     * @param callback strokeMinorH
     */

    public void getStrokeMinorH(org.directwebremoting.ui.Callback<Object[]> callback)
    {
        ScriptBuffer script = new ScriptBuffer();
        String callbackPrefix = "";

        if (callback != null)
        {
            callbackPrefix = "var reply = ";
        }

        script.appendCall(callbackPrefix + getContextPath() + "getStrokeMinorH");

        if (callback != null)
        {
            String key = org.directwebremoting.extend.CallbackHelperFactory.get().saveCallback(callback, Object[].class);
            script.appendCall("__System.activateCallback", key, "reply");
        }

        ScriptSessions.addScript(script);
    }

    /**
     * Sets the strokeMinorH field.
     * @param strokeMinorH the new value for strokeMinorH
     */
    public void setStrokeMinorH(Object[] strokeMinorH)
    {
        ScriptBuffer script = new ScriptBuffer();
        script.appendCall(getContextPath() + "setStrokeMinorH", strokeMinorH);
        ScriptSessions.addScript(script);
    }

    /**
     * Returns the x (horizontal) axis used to determine where to draw tick lines.
     */

    public jsx3.chart.Axis getXAxis()
    {
        String extension = "getXAxis().";
        try
        {
            java.lang.reflect.Constructor<jsx3.chart.Axis> ctor = jsx3.chart.Axis.class.getConstructor(Context.class, String.class);
            return ctor.newInstance(this, extension);
        }
        catch (Exception ex)
        {
            throw new IllegalArgumentException("Unsupported type: " + jsx3.chart.Axis.class.getName());
        }
    }

    /**
     * Returns the x (horizontal) axis used to determine where to draw tick lines.
     * @param returnType The expected return type
     */

    public <T> T getXAxis(Class<T> returnType)
    {
        String extension = "getXAxis().";
        try
        {
            java.lang.reflect.Constructor<T> ctor = returnType.getConstructor(Context.class, String.class);
            return ctor.newInstance(this, extension);
        }
        catch (Exception ex)
        {
            throw new IllegalArgumentException("Unsupported return type: " + returnType.getName());
        }
    }

    /**
     * Returns the y (vertical) axis used to determine where to draw tick lines.
     */

    public jsx3.chart.Axis getYAxis()
    {
        String extension = "getYAxis().";
        try
        {
            java.lang.reflect.Constructor<jsx3.chart.Axis> ctor = jsx3.chart.Axis.class.getConstructor(Context.class, String.class);
            return ctor.newInstance(this, extension);
        }
        catch (Exception ex)
        {
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            throw new IllegalArgumentException("Unsupported return type: " + returnType.getName());
        }
    }

}


text:
DAV PUBLIC SCHOOL, KANSBAHAL
Managed by DAV College Managing Committee New Delhi & Affiliated with CBSE New Delhi
Regional Director's Message
ACADEMIC CALENDAR 2019-20
List of Holidays 2019-20
New School Uniform
CBSE INFO
NCPCR
I am extremely happy that DAV Public School, Kansbahal is leaving its foot-prints on the World Wide Web. The school website will ensure global search to the school and help in propagating DAV values. It will be a source of information about the school and reference point for school alumnae.
We have to embrace all things positive and progressive to be the best in the field of education. At the same time we have to remain true to the eternal values of our ancestors. I am sure that the school website will bridge the past, present and future, for the benefit of those whom we educate.
My best wishes to the school and to everyone who visits the school website.
Mr. Lokanath Pradhan
L & T Campus, Kansbahal, Sundargarh, Odisha-770034
E-Mail :- davps.kbl@gmail.com
© DAV Public School, Kansbahal All rights reserved.


As of Wednesday, December 19th, small shareholders, some 1,400 of them, will be collecting dividends from Belize Telemedia Limited. That is representative of some million, which will now make its way to the small shareholders just in time for Christmas.
While that is now the case for the small shareholders, still not declared is $9.9 million dollars which is due to the Government of Belize and the Social Security Board. GOB was to have received $7.5 million and the Social Security Board $2.4 million. That is not to be yet as the Caribbean Court of Justice ordered that BTL not pay out these monies. In effect, the attorneys for the Ashcroft Alliance have temporarily deprived the Government and the SSB from much needed money. They came like Grinches and snatched the finances temporarily from the hands of the people of Belize.
The attorneys have been maneuvering in court for months now and earlier this year, the CCJ had ordered that dividends not be declared until not before December 14th. Since then, the matter was heard in the Court of Appeals where the Ashcroft Alliance had applied for interim relief to stop BTL from issuing dividends. That was refused by the Belize Court of Appeal on the 13th of December. No sooner had that taken place than the Ashcroft attorneys cried to the CCJ on that same day to stop the paying of dividends. By the time the court met at 9a.m. on Friday, December 14th, in compliance with the Court of Appeals decision, Executive Chairman of BTL had already began to distribute dividends. The decision incensed the CCJ and it ordered that money in the sum total of dividends that were to be issued be put on escrow until the matter was completely settled.
Quick work by the Government of Belize's legal council Denys Barrow, however, allowed for dividends to be paid to the small shareholders after Barrow applied to the CCJ for such. And there is where it all stands for now until the next round of legal maneuverings take place in the new year.
While the small shareholders must now be happy to have been able to get their dividends, the reality is that there must be some level of contempt thrust upon the shoulders of those so-called Belizean attorneys who have become Ashcroft's legal tools to deprive Belizeans of what is rightfully theirs. $7.5 million in these economic trying times would have gone a long way for the Government of Belize to continue the great work of nation building, which it has embarked upon in the past 5 years. For two unscrupulous attorneys who can now be referred to as 'vende patrias' or Grinches to stop the progress of a nation for pure greed is unforgivable.
The people of Belize are the most intelligent of stocks and will not soon forget what the duplicitous duo is all about.


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Triptiek (beeldende kunst), een kunstwerk (ivoor- of houtsnijwerk, schilderij of foto) bestaande uit drie panelen
Triptiek (muziek), een compositie bestaande uit drie delen
Triptiek (Toebosch), een compositie van de Nederlandse componist Louis Toebosch
Triptiek (romancyclus), romancyclus bestaande uit drie bij elkaar horende delen


Launched by the design house of Thierry Mugler in 1992, Angel shower gel for women possesses a blend of vanilla, sandalwood and patchouli, with lower notes of fresh citrus, melons, peaches and plums. For daytime use.
Please view the above Ingredients tab for ingredient information.
Aqua/Water/Eau, Sodium Laureth Sulfate, Glycerin, Cocamidopropyl Betaine, Parfum/Fragrance, Decyl Glucoside,Aloe Barbadensis Leaf Juice, Phenoxyisopropanol, Ethylhexyl Methoxycinnamate, Polyquaternium-7, Citric Acid, Butyl Methoxydibenzoylmethane, Ethyhexyl Salicylate, Methlchloroisothiazolinone, Methylisothiazolinone, Sodium Benzoate, Saponaria Officinalis Root Extract, Potassium Sorbate, Bht, Coumarin, Butylphenyl Methylpropional, Limonene, Linalool, Geraniol, Amyl Cinnamal, Citronellol, Benzyl Salicylate, Benzyl Benzoate, Hexylcinnamal.


Where: Uffizi Gallery, ground floor in Aula Magliabechiana and 3 locations across the top floor of the museum.
When: February 26 – May 26, 2019, open Tuesday – Sunday from 8:15am to 6:50pm, closed Mondays.
Admission: €20 full price, €2 reduced for EU citiznes aged 18-25, free for all under 18 and disabled visitors.
The new exhibition dedicated to Antony Gormley, a contemporary English artist, at the Uffizi Gallery opened up this past Tuesday and I was able to go see the spectacular works he has brought to Florence this year. He had another exhibition in 2015 in Florence, at the Forte di Belvedere, so his work is not new in Florence (did you see the last one?) but one of the exhibition's central pieces, Passage, is surely the largest work ever shown at the Uffizi museum.
In addition to Passage, the exhibition includes a selection of sculptures in various materials and in different sizes that span over 38 years, exploring the themes of the body in space and the body as space. The Aula Magliabechiana, the new ground floor gallery dedicated to temporary exhibitions located near the gift shops, is hosting 12 works. Here, the natural light plays with the 12 vaulted spaces defined by six stone columns and no internal walls to further enhance the pieces of sculpture of the artist. Another 3 are on the top (second) floor of the museum, with two in the context of the historic collection and one installed on the terrace/roof of the Loggia dei Lanzi looking out over Florence.
I'd like to invite you to admire some of his works through this post, I won't share ALL of them since I believe you should go and enjoy them all yourself when visiting the Uffizi this spring. I highly recommend you not skip it, especially since the main hall is at the end of your visit at the Uffizi. Ready? Here are some of the main pieces and ones I particularly like.
Passage (2016), 12 meters long, closed on one end and open on the other, the visitor is invited to enter into complete darkness, the only light being at your back.
Above is Passage, a steel 12 meter long tunnel made in 2016 that is closed on one end int he shape of a body where you can walk into it. It is an interesting experience: in front of you, complete darkness, with the only light being behind. At first you are blind, until you turn around…. then you can walk backwards, if the darkness is too much. Right next to it, to the right, is Room (the oldest piece, from 1980), made up of the artist's clothes cut into strips and joined to form a single continuous strip that defines a 6×6 meter enclosure, where you cannot enter. The show revolves around these two pieces, the dialogue between stasis and movement, imaginative and actual space. Which one attracts you more, at this moment in time?
Room (1980): clothes cut into strips and tied, with socks and shoes strewn about, the body extended beyond the usual dimensions.
I know most people don't visit the Uffizi Gallery to see contemporary work of art, and not for sculpture (the Bargello is where you should head for that) but consider that Florence has always been at the center of inspiration and creation of representations of our world through the creative process. In particular, the 3 works found at the top floor of the Uffizi museum, two among the collections and one overlooking Florence, invite you to consider the interaction of the present us as a world with the past of Florence.
Essere invites our active participation as connectors between defined objects and open space in which mass and void, dark and light, hard and soft engage the viewer's presence in space.
Antony Gormley, born in London in 1950, is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space. His work has developed the potential opened up by sculpture since the 1960s through a critical engagement with both his own body and those of others in a way that confronts fundamental questions of where human beings stand in relation to nature and the cosmos. Gormley continually tries to identify the space of art as a place of becoming in which new behaviors, thoughts and feelings can arise.
Gormley's work has been widely exhibited throughout the UK and internationally. He has had exhibitions all over the world, from Russia to Cambridge, Shanghai to Brazil, Germany and Denmark. A major solo exhibition of his work will be presented at the Royal Academy of Arts, London, in September 2019. Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Inside Australia (Lake Ballard, Western Australia), Exposure (Lelystad, The Netherlands) and Chord (MIT – Massachusetts Institute of Technology, Cambridge, MA, USA).
Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999, the Bernhard Heiliger Award for Sculpture in 2007, the Obayashi Prize in 2012 and the Praemium Imperiale in 2013. In 1997 he was made an Officer of the British Empire (OBE) and was made a knight in the New Year's Honours list in 2014, and been a Royal Academician since 2003.
If you want to see more of Gormley's work, visit his official page where you'll find many photos of all of his work.
Now, let's get back to Essere at the Uffizi….
Feeling Material XXXVI (2008). A body in space, an infinite spiral, full of energy and transformations.
Pile (2017). Solid pieces of clay. Photo is my composition of 3 views of the work on the ground so that you can get a better understanding of the pieces of clay.
Both the steel sculpture of Feeling Material and the various pieces of clay on the ground assembled together to represent a body in Pile, photographed above, really speak to me. In my past, my creative self dabbled in ceramics and metal work to create some something quite similar, all in metal but with the concepts of both. In the various physical moves in my life, I am not sure what happened to my small sculpture or where it ended up but I remember it well. It had the elements of the body in the air as well as being grounded and enclosed. These two works remind me of those two sides of our selves, what I had envisioned in my own piece.
Insider II above is what is at the core or residual that is left behind of the body, if we take away 60% of our body's mass. It is quite haunting, could it be our soil before it flies away?
Below are photos of some of the other pieces in the exhibition, I hope by sharing I have given you a glimpse into what you can admire up close if you visit Florence and the Uffizi Gallery between now and the end of May.
In the foreground, Loss (2006), with Insider II (1997) in the middle and Rest (2012) at the very far back (white blocks on the ground).
Settlement IV (2018). Found along the second floor hallway in direct relation to the Sleeping Hermaphrodite, a Roman copy from the imperial age of a 2nd century BC Hellenistic original resting on a plinth.
Event Horizon (2012) on the terrace of the Uffizi Gallery overlooking Piazza della Signoria.
I purposely didn't share the third work inside the Uffizi so that you can go see it, but it is similar to Event Horizon – a man looking over Ponte Vecchio – as opposed to this one looking over Piazza della Signoria and the Duomo in the distance. I hope you visit on a beautiful day like I did on this warm February day ;-).
Event Horizon (2012) looking over Florence.
Share your impressions of these contemporary pieces mingling with the Uffizi's permanent collections – do you like it?


Sydney Airport and launch partner Qantas Airways are testing a program that allows passengers to use their faces as identification.
The trial will apply to select international flights and include four steps in the passenger journey: automated check-in, bag drop, lounge access and boarding. In the future they may add facial recognition to mobile check-in and automated border processing.
Sydney Airport CEO Geoff Culbert said the trial is part of a broader focus on investing in technology to make the airport experience easier and more convenient for passengers.
"One of our core commitments at Qantas is to make travel as attractive, convenient and enjoyable as possible," Hudson said.
Facial recognition is in use – on both a trial and everyday use – for various steps of the airport journey at an increasing number of airports around the world, including Singapore's Changi Airport, which uses facial recognition for bag check-in, boarding and (for some passengers) immigration in Terminal 4 and Orlando International Airport, which recently announced its commitment to processing all arriving and departing international travelers with facial recognition technology.


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Body Language: Reawakening Cultural Tattooing of the Northwest
NOVEMBER 6, 2022 – APRIL 16, 2023. Available to view during Burke Museum hours.
Visual Arts Exhibit In-Person COVID Safe
Burke Museum of Natural History and Culture
4300 15th Avenue Northeast, Northeast Seattle, Seattle
Body Language: Reawakening Cultural Tattooing of the Northwest takes a closer look at the rich history and artistry of Indigenous tattooing of the Northwest coast. Photographs, cultural belongings, and contemporary art reveal how these previously disrupted and banned traditions have endured through the efforts of the Indigenous artists featured in this exhibition. Experience their stories and celebrate the resilience of Indigenous tattoo practitioners and those who wear the visual language of their ancestors on their bodies.
Sun, Jan 29, 2023 All Day
Tue, Jan 31, 2023 All Day
Wed, Feb 1, 2023 All Day
Thu, Feb 2, 2023 All Day
Fri, Feb 3, 2023 All Day
Sat, Feb 4, 2023 All Day
Sun, Feb 5, 2023 All Day
Tue, Feb 7, 2023 All Day
Fri, Feb 10, 2023 All Day
Sat, Feb 11, 2023 All Day
Sun, Feb 12, 2023 All Day
Tue, Feb 14, 2023 All Day
Wed, Feb 15, 2023 All Day
Thu, Feb 16, 2023 All Day
Wed, Mar 1, 2023 All Day
Thu, Mar 2, 2023 All Day
Fri, Mar 3, 2023 All Day
Sat, Mar 4, 2023 All Day
FLOOR 2, SPECIAL EXHIBIT GALLERY
Burke Museum of Natural History and Culture Box Office
As of August 2021: Even as restrictions are lifted across Seattle, all staff and visitors (except children under the age of 5) are required to wear a mask in all public spaces and galleries for the entirety of their visit, regardless of vaccination status or if they are the only person/pod in a gallery. Children ages 3–4 are encouraged to wear masks, although not required.


The Caldwell Housing Authority (CHA) is located in the rural setting of western Canyon County. Originally built in 1939 by the U.S. Department of Agriculture as the Idaho Migratory Labor Camp, it was one of only a few labor camps built by the federal government to provide housing to farmers displaced by the Great Depression. In 1950 the migratory camp was turned over to the Housing Authority that was created only a few years previously. Now, almost 72 years later, the migratory camp has transformed from a campsite arrangement that could accommodate 350 people to a modern town with 243 units of housing and several amenities that serve approximately 1,500 people. Since opening, several planned developments have occurred and the quality of housing has improved similar to, if not better than, housing found in many rural communities.
The Caldwell Housing Authority provides rental housing to eligible farm labor families with limited income. Providing farm labor housing is our primary responsibility under the U.S. Department of Agriculture rules and regulations. Although we are proud to have provided farm labor housing since 1940, we also recognize the diminishing need for farm labor in our area and the necessity to rent housing to non-farm families or individuals with limited income.


text:
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Jude Huzicko Creative Director
Meet Jude.
Digital | Video | Fashion/Beauty
I'm an award-winning Creative Marketing Director who breathes life into digital and multimedia experiences by researching and developing sound insights, employing thoughtful strategy and deploying targeted creative marketing efforts in beauty, fashion, CPG and tech.
Throughout my career I've succeeded through developing and positioning brands through data-driven marketing and emotional storytelling across multiple channels, and have developed and lead and high-performing teams to produce exemplary results in collaborative workplaces.
This experience uses parallax, video, HTML5 and responsive-adaptive technologies to transport the audience to the top of the Swiss Alps. The campaign had a bounce rate of only 8.7% with an average time spend on visit of 5:41 and an average pages per visit of 7.6.
Everyday Resolutions was an extension of the new brand positioning and garnered a 308% increase in followers on Facebook for P&G, allowing people who tell us the resolutions they would make to make little changes their life to make it just a bit better - everyday.
Making Stuart Weitzman a bit sassier.
Working on Comedy Central's digital experiences was not only fun, but this iteration of the app was the #1 download in the iTunes store.
A responsive website and personalized platform optimized for desktops, tablets and mobile devices that saw a 46% rise in MSG gameflow and events with no paid advertising.
Rebranding a Fortune 20 company like P&G was a meticulous process that re-identified the consumer and the development of content pertinent to them.
Part of a massive strategic rebrand of the JM Smucker Co. and their family of brands from strategy to concepting, and developing apps and digital experiences.
It's a meticulous process to get the perfect bean to your cup in the morning. This dynamic web experience took the user on the journey of the bean from tree to cup.
The La Prairie online advertising had a click-through rate over 3x the norm, driving demand and interest in a new generation of customers. The social campaign was highly commented shared and liked, accruing over 150,000 earned impressions.
Using AR at POS, we were able to sell products across categories by giving the user options to buy within the P&G family of brands.
A World Cup experience with Univision and Coca-Cola. Social, web and experiential elements that ended up being significantly less than we intended.
Home | Digital | Video | Fashion/Beauty | Contact
Jude's Vimeo Channel
A short film about the fight against big energy created with Laura Jean Shannon (Iron Man, Jungle Book) and Culprit Creative.
An animated, immersive experience into the heart of SolarCity's vision of a better tomorrow.
A four-part video series to introduce a new beauty product from La Prairie on a global scale. See the whole series on my Vimeo channel.
Discover the ways that energy effects your everyday life, and why it makes sense to switch to solar.
One of many new pieces of content developed for the P&G rebrand.
Explaining in layman's terms how to make the grid a more resilient, reliable and cleaner system for everyone.
Global digital branding for La Prairie - one of the luxurious skincare lines available.
Rebranding Talbots and what it means to be Red.
Part of making the most successful Mother's Day in history. Concept,, co-creative direction.
Campaign that supported the most successful sales summer for BB&W. Concept, photoshoot, copy, co-creative direction.
High-end beauty look-book.
Part of the Cravings campaign that explored a partnership with Intimate Brands. Concept, photoshoot, co-creative direction.
I was lucky enough to play a role in a massive social effort when Marc Jacobs launched a new social campaign.
1002 Bushwood Lane, Columbus, OH, 43235, United States4155306314judehuzicko@gmail.com
Creative Director / Advertising, Content, Branding, UX
JUDEHUZICKO@GMAIL.COM


Made from 100 percent BPA free Virgin PP Material. Helps keep the liquid fresher and odour free throughout the day. Spill proof makes it easy to carry the bottles in your bag without worrying about leakages.


I am available for assignments. All kinds, big and small. So if your campaign involves anything with a camera, above ground or below water, give me a call, I'll be happy to deliver the stunning content you desire.
My team has worked with art directors and coordinators to produce uniquely tailored look and feel for all types of marketing campaigns. We use a wide variety of equipment, lighting and techniques to create the perfect mood. Whether planning a three-month expedition to the jungles of Bolivia or a two-day shoot on a Montana river, we will capture shots that tell a compelling story.
Please contact me directly if you would like to discuss an assignment or to purchase a license for stock images.
When on dry land, I check email religiously, but I often travel and work in the field. Please indicate the level of urgency in your message. I apologize in advance for any unexpected delays in response and vow to respond to your email as soon as I am in range. Thank you for your interest and inquiry.
**When appropriate, be sure to include an order number with your message.


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Compared to some of the more modern video pokies, Immortal Romance online pokie could informative post look a little simple. GambleAware offer players and their families advice and guidance on gambling. They offer information and advice to encourage responsible gambling, both to players and casino operators, and give help tothose whomight have a gambling problem. ECOGRA is an international testing agency that accredits and regulates the world of online gambling. It checks to see whether online casinos are honest, fair and safe.
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text:
Harry Styles Just Took Another Step Towards Being the Next Justin Timberlake
With a one-week guest slot on James Corden's Late Late Show, it appears Styles has found his Fallon.
By Laura Bradley
Brace yourselves, Harry Styles fans. (Stylists?) Starting on May 15, James Corden will deliver one straight week of Harry Styles on The Late Late Show. (Conveniently, Styles will be coming fresh off the release of his new album, which debuts May 12.) And if the event's promo video is any indication, this is going to be quite a week.
Per Styles's recent Rolling Stone cover story, he and Corden are real friends—and Styles is even closer with Corden's producer, Ben Winston, in whose attic he lived for over a year. (Seriously.) Styles's week-long residency will be the first of its kind on Late Late Show, and will undoubtedly benefit from Styles and Corden's easy chemistry—a rapport that mirrors another famous late-night friendship: Jimmy Fallon and Justin Timberlake.
Fallon and Timberlake's friendship first emerged on Saturday Night Live, during sketches like "The Barry Gibb Talk Show". As Fallon made the move to his own late-night shows, Timberlake has followed. Styles already appeared to be following in Timberlake's footsteps during his own recent S.N.L. appearance, during which he proved that he can not only sing, but can also turn in a solid comedic performance—prompting some critics, including Vanity Fair's Joanna Robinson, to propose that he host his own episode, as Timberlake has done. Now he's taking another move from the Timberlake playbook by taking a temporary residency on The Late Late Show—echoing Timberlake's own week-long residency on Fallon's iteration of Late Nightin 2013. Styles's five-night stint, though, will almost certainly include one feature Timberlake's did not: a new edition of "Carpool Karaoke."
The Ever-Evolving Style of Boy Bands
Frank Carroll/NBCU Photo Bank/Getty Images.
The Osmonds, 1960s
The Osmonds almost always matched exactly, though eventually they took a cue from Elvis himself and wore studded jumpsuits (still all matching).
Not Ready for Primetime
Harry Styles Just Proved He Should Host His Own S.N.L. Episode
The former boy bander may have found his new direction.
By Joanna Robinson
Watch Harry Styles Help Jimmy Fallon Kick off S.N.L. With a David Bowie Tribute
Plus a special appearance from frequent Bowie collaborator Nile Rodgers.
Kiwispiracy
Harry Styles, S.N.L., and a Bunch of Kiwi: What Does It All Mean?
The singer passed out kiwi slices to promote his new song ahead of tonight's Saturday Night Live—but why?!
By Emma Stefansky


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Santos has McCarthy's support
[postlink]http://www.mikebarnicle.tv/2023/01/santos-has-mccarthys-support.html[/postlink][starttext]
Morning Joe's Mika Brzezinski, Joe Scarborough and Mike Barnicle discuss House Speaker Kevin McCarthy saying he would not urge embattled Republican Rep. George Santos to resign from Congress, hours after local GOP officials tore into Santos, the New York legislator and pushed him to step down. "What would have been wrong with Kevin McCarthy just looking into the camera and saying, 'listen, everyone here knows this guy is an embarrassment and we're trying to figure out what to do about him, but he is an embarrassment to Congress, he certainly is an embarrassment to the constituency that under fraudulent purposes sent him to the United States Congress. We've got to deal it. We're going to deal with it quickly.' Why can't anybody speak like a human being?" asks Barnicle.
Teaching students to think
Weaponizing the government
New sports documentary


Solberga has a small farm shop with regional specialties, different organic foods and products of the farm. In addition, we have a very large range of sheepskins, either from own production or from the Kalmar region. Outside the farm shop we sell a large selection of strawberries, raspberries, asparagus plants and other plants for hobby gardeners.
Our own products include, in particular seasonal vegetables and fruits. Specialties of the farm include our lamb sausages, salami and our own homemade jams in unusual and common variants. Past varieties have included cardamom-plum, raspberry-hokkaido and peach-tomato. All fruits/vegetables coming from Solberga.
A very special product is our own honey that is collected directly on Solberga. We also have Öland sea buckthorn juice and marmalade and Solmarka crispbread . We offer all other foods that are important for our guests as well, such as coffee, tea, or eggs.
Our sheepskins have become very popular in recent years - we have white, gray, black skins with different hair lengths. The skins are available in different qualities and probably one of the largest assortments in all of Öland.