text:
using Mono.TextEditor;
using Mono.TextEditor.Highlighting;
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;
using Xwt.Drawing;

namespace XwtPlus.TextEditor.Margins
{
    public class TextViewMargin : Margin
    {
        const int caretWidth = 2;

        TextEditor editor;
        public TextViewMargin(TextEditor editor)
        {
            this.editor = editor;
        }

        public override double Width
        {
            get { return -1; }
        }

        public override double ComputedWidth
        {
            get
            {
                int longestLine = 0;
                for (var line = editor.Document.GetLine(1); line != null; line = line.NextLine)
                {
                    string text = editor.Document.GetLineText(line.LineNumber);
                    int width = text.Length + text.Count(chr => chr == '\t') * (editor.Options.TabSize - 1);
                    longestLine = Math.Max(longestLine, width);
                }

                return longestLine * CharWidth;
            }
        }

        int DrawLinePortion(Context cr, ChunkStyle style, TextLayout layout, DocumentLine line, int visualOffset, int logicalLength)
        {
            int logicalColumn = line.GetLogicalColumn(editor, visualOffset);
            int logicalEndColumn = logicalColumn + logicalLength;
            int visualEndOffset = line.GetVisualColumn(editor, logicalEndColumn);

            int visualLength = visualEndOffset - visualOffset;

            int indexOffset = visualOffset - 1;

            layout.SetFontStyle(style.FontStyle, indexOffset, visualLength);
            layout.SetFontWeight(style.FontWeight, indexOffset, visualLength);
            if (style.Underline)
                layout.SetUnderline(indexOffset, visualLength);
            layout.SetForeground(style.Foreground, indexOffset, visualLength);

            return visualEndOffset;
        }

        protected internal override void Draw(Context cr, Xwt.Rectangle area, DocumentLine line, int lineNumber, double x, double y, double height)
        {
            if (line != null)
            {
                TextLayout layout;
                if (!layoutDict.TryGetValue(line, out layout))
                {
                    var mode = editor.Document.SyntaxMode;
                    var style = SyntaxModeService.DefaultColorStyle;
                    var chunks = GetCachedChunks(mode, editor.Document, style, line, line.Offset, line.Length);

                    layout = new TextLayout();
                    layout.Font = editor.Options.EditorFont;
                    string lineText = editor.Document.GetLineText(lineNumber);
                    var stringBuilder = new StringBuilder(lineText.Length);

                    int currentVisualColumn = 1;
                    for (int i = 0; i < lineText.Length; ++i)
                    {
                        char chr = lineText[i];
                        if (chr == '\t')
                        {
                            int length = GetNextTabstop(editor, currentVisualColumn) - currentVisualColumn;
                            stringBuilder.Append(' ', length);
                            currentVisualColumn += length;
                        }
                        else
                        {
                            stringBuilder.Append(chr);
                            if (!char.IsLowSurrogate(chr))
                            {
                                ++currentVisualColumn;
                            }
                        }
                    }
                    layout.Text = stringBuilder.ToString();

                    int visualOffset = 1;
                    foreach (var chunk in chunks)
                    {
                        var chunkStyle = style.GetChunkStyle(chunk);
                        visualOffset = DrawLinePortion(cr, chunkStyle, layout, line, visualOffset, chunk.Length);
                    }

                    //layoutDict[line] = layout;
                }

                cr.DrawTextLayout(layout, x, y);

                if (editor.CaretVisible && editor.Caret.Line == lineNumber)
                {
                    cr.SetColor(Colors.Black);
                    cr.Rectangle(x + ColumnToX(line, editor.Caret.Column), y, caretWidth, LineHeight);
                    cr.Fill();
                }
            }
        }

        TextSegment? GetSegmentForLine(TextSegment segment, DocumentLine line)
        {
            var start = Math.Max(segment.Offset, line.Offset);
            if (!segment.Contains(start))
            {
                return null;
            }

            var end = Math.Min(segment.EndOffset, line.EndOffset);
            if (!segment.Contains(end - 1))
            {
                return null;
            }

            return TextSegment.FromBounds(start, end);
        }

        protected internal override void DrawBackground(Context cr, Xwt.Rectangle area, DocumentLine line, int lineNumber, double x, double y, double height)
        {
            if (line == null) return;

            if (lineNumber == editor.Caret.Line)
            {
                cr.SetColor(editor.Options.ColorScheme.LineMarker.Color);
                cr.Rectangle(x, y, editor.GetWidth(), height);
                cr.Fill();
            }

            var style = SyntaxModeService.DefaultColorStyle;
            var selectionStyle = editor.HasFocus ? style.SelectedText : style.SelectedInactiveText;

            var selectionSegment = GetSegmentForLine(editor.Selection, line);
            if (selectionSegment != null)
            {
                int logicalStartColumn = selectionSegment.Value.Offset - line.Offset;
                int visualStartColumn = line.GetVisualColumn(editor, logicalStartColumn);

                if (selectionSegment.Value.Offset == line.Offset)
                    visualStartColumn = 0;

                int logicalEndColumn = selectionSegment.Value.EndOffset - line.Offset;
                int visualEndColumn = line.GetVisualColumn(editor, logicalEndColumn);

                if (editor.Selection.EndOffset != selectionSegment.Value.EndOffset && visualEndColumn > 0)
                    visualEndColumn--;

                if (editor.Selection.Contains(line.EndOffset))
                    ++visualEndColumn;

                cr.SetColor(selectionStyle.Background);
                double startX = x + visualStartColumn * CharWidth;
                double endX = x + visualEndColumn * CharWidth;
                cr.Rectangle(startX, y, endX - startX, LineHeight);
                cr.Fill();
            }
        }

        public override void Dispose()
        {
            base.Dispose();

            DisposeLayoutDict();
        }

        internal void DisposeLayoutDict()
        {
            foreach (var layout in layoutDict.Values)
            {
                layout.Dispose();
            }
            layoutDict.Clear();
        }

        public void PurgeLayoutCache()
        {
            DisposeLayoutDict();
            if (chunkDict != null)
                chunkDict.Clear();
        }

        class LineDescriptor
        {
            public int Offset
            {
                get;
                private set;
            }

            public int Length
            {
                get;
                private set;
            }

            public CloneableStack<Span> Spans
            {
                get;
                private set;
            }

            protected LineDescriptor(DocumentLine line, int offset, int length)
            {
                this.Offset = offset;
                this.Length = length;
                this.Spans = line.StartSpan;
            }

            public bool Equals(DocumentLine line, int offset, int length, out bool isInvalid)
            {
                isInvalid = !line.StartSpan.Equals(Spans);
                return offset == Offset && Length == length && !isInvalid;
            }
        }

        class ChunkDescriptor : LineDescriptor
        {
            public List<Chunk> Chunk
            {
                get;
                private set;
            }

            public ChunkDescriptor(DocumentLine line, int offset, int length, List<Chunk> chunk)
                : base(line, offset, length)
            {
                this.Chunk = chunk;
            }
        }

        Dictionary<DocumentLine, ChunkDescriptor> chunkDict = new Dictionary<DocumentLine, ChunkDescriptor>();

        List<Chunk> GetCachedChunks(ISyntaxMode mode, TextDocument doc, Mono.TextEditor.Highlighting.ColorScheme style, DocumentLine line, int offset, int length)
		{
			ChunkDescriptor descriptor;
			if (chunkDict.TryGetValue (line, out descriptor)) {
				bool isInvalid;
				if (descriptor.Equals (line, offset, length, out isInvalid))
					return descriptor.Chunk;
				chunkDict.Remove (line);
            };

			var chunks = mode.GetChunks (style, line, offset, length).ToList ();
			descriptor = new ChunkDescriptor (line, offset, length, chunks);
			chunkDict [line] = descriptor;
			return chunks;
		}

        public static int GetNextTabstop(TextEditor textEditor, int currentColumn)
        {
            int tabSize = textEditor != null && textEditor.Options != null ? textEditor.Options.TabSize : 4;
            int result = currentColumn - 1 + tabSize;
            return 1 + (result / tabSize) * tabSize;
        }

        double? cachedLineHeight;
        public double LineHeight
        {
            get
            {
                return cachedLineHeight ?? (cachedLineHeight = ComputeLineHeight()).Value;
            }
        }

        double? cachedCharWidth;
        public double CharWidth
        {
            get
            {
                return cachedCharWidth ?? (cachedCharWidth = ComputeCharWidth()).Value;
            }
        }

        double ComputeLineHeight()
        {
            var textLayout = new TextLayout();
            textLayout.Font = editor.Options.EditorFont;
            textLayout.Text = "W";

            return textLayout.GetSize().Height;
        }

        double ComputeCharWidth()
        {
            var textLayout = new TextLayout();
            textLayout.Font = editor.Options.EditorFont;
            textLayout.Text = "W";

            return textLayout.GetSize().Width;
        }

        public int YToLine(double y)
        {
            return (int) (y / LineHeight) + 1;
        }

        public double LineToY(int logicalLine)
        {
            return (logicalLine - 1) * LineHeight;
        }

        public double GetLineHeight(DocumentLine line)
        {
            return LineHeight;
        }

        public int XToColumn(DocumentLine line, double x)
        {
            int visualColumn = (int)(x / CharWidth) + 1;

            return line.GetLogicalColumn(editor, visualColumn);
        }

        public double ColumnToX(DocumentLine line, int column)
        {
            int visualColumn = line.GetVisualColumn(editor, column);

            return (visualColumn - 1) * CharWidth;
        }

        DocumentLocation XYToLocation(double x, double y)
        {
            double relativeX = x - XOffset;
            int line = Math.Min(YToLine(y), editor.Document.LineCount);
            int desiredColumn = XToColumn(editor.Document.GetLine(line), relativeX);

            return new DocumentLocation(line, desiredColumn);
        }

        protected internal override void MousePressed(MarginMouseEventArgs args)
        {
            base.MousePressed(args);

            if (args.Button == Xwt.PointerButton.Left)
            {
                var basePoint = editor.Caret.Location = XYToLocation(args.X, args.Y);

                editor.Selection = new TextSegment();

                int clickMode = args.MultipleClicks % 3;
                if (clickMode == 2)
                {
                    // TODO: Select Word
                }
                else if (clickMode == 0)
                {
                    SelectLine();
                }

                editor.RegisterMouseMotionTracker(Xwt.PointerButton.Left, (x, y) =>
                {
                    var newPoint = XYToLocation(x, y);
                    editor.Caret.Location = newPoint;
                    editor.ResetCaretState();

                    var newOffset = editor.Document.GetOffset(newPoint);
                    var oldOffset = editor.Document.GetOffset(basePoint);

                    var startOffset = Math.Min(oldOffset, newOffset);
                    var endOffset = Math.Max(oldOffset, newOffset);

                    editor.Selection = TextSegment.FromBounds(startOffset, endOffset);

                    if (clickMode == 0)
                    {
                        SelectLines();
                    }

                    editor.QueueDraw();
                });

                editor.ResetCaretState();
            }
        }

        void SelectLine()
        {
            editor.Caret.Column = 1;
            var lineEnd = editor.Document.GetLine(editor.Caret.Line).EndOffset;
            editor.Selection = TextSegment.FromBounds(editor.Caret.Offset, lineEnd);
        }

        void SelectLines()
        {
            // We have a selection which covers normal individual characters
            // We want to extend the selection to cover entire lines

            editor.Caret.Column = 1;

            var firstLine = editor.Document.GetLineByOffset(editor.Selection.Offset);
            int lastLineNumberInRange = editor.Document.GetLineByOffset(editor.Selection.EndOffset).LineNumber;
            bool inEndOfDocument = lastLineNumberInRange == editor.Document.LineCount;
            var lastLine = editor.Document.GetLine(inEndOfDocument ? lastLineNumberInRange : lastLineNumberInRange + 1);

            if (editor.Caret.Offset != firstLine.Offset)
            {
                editor.Caret.Line++;
            }

            editor.Selection = TextSegment.FromBounds(firstLine.Offset, inEndOfDocument ? lastLine.EndOffset : lastLine.Offset);
        }

        Dictionary<DocumentLine, TextLayout> layoutDict = new Dictionary<DocumentLine, TextLayout>();
        public void RemoveCachedLine(DocumentLine line)
        {
            if (line == null)
                return;
            TextLayout descriptor;
            if (layoutDict.TryGetValue(line, out descriptor))
            {
                descriptor.Dispose();
                layoutDict.Remove(line);
            }

            ChunkDescriptor chunkDesriptor;
            if (chunkDict.TryGetValue(line, out chunkDesriptor))
            {
                chunkDict.Remove(line);
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Using an AI tool for early identification of Alzheimer's and related dementias in primary care
Rising to meet the formidable challenge of the timely diagnosis of dementia, research scientists from Regenstrief Institute, IUPUI and the medical schools of Indiana University and University of Miami are conducting the Digital Detection of Dementia study, a real-world evaluation of the use of an The artificial intelligence (AI) tool they developed for early identification of Alzheimer's disease and related dementias in primary care, the setting where most adults receive healthcare. Individuals identified as cognitively impaired will be referred for diagnostic services.
The AI tool, called a passive digital marker, is a machine learning algorithm the researchers developed, trained and tested. The tool uses natural language processing to cull unstructured information in combination with structured data from a patient's electronic health record. These could include mention of memory issues, a notation of vascular concerns, comorbid conditions or other factors potentially linked to dementia.
"Between 50 to 80 percent of dementia cases are unrecognized by the healthcare system in the US. And, if you include patients living with mild cognitive impairment, that number might actually climb to higher than 80 percent of cases that are not recognized," said Regenstrief. Institute and Indiana University School of Medicine faculty member Malaz Boustani, MD, MPH, senior author of the Digital Detection of Dementia study protocol paper, published in the peer reviewed journal Trials, "In this new study we are evaluating the practical use of our tool when used alone and when used with an accompanying patient-reported outcomes survey.
"Unfortunately, the lay public believe there's nothing you can do if you find out you or a family member has Alzheimer's disease, but that is not true. Over the past 20 years we have developed, validated and have been operating a comprehensive collaborative care model for dementia that reduces the disease burden for the patient, reduces caregiver stress and reduces inappropriate hospitalizations, keeping people living at home longer and lowering overall costs to them and to the healthcare system," he said.
Few primary care practices are designed for the timely detection of Alzheimer's disease. The limited time that primary care clinicians have to spend with patients, the need to focus on the health problems which brought the patient to the clinic, as well as the stigma of dementia are the major reasons for lack of recognition of the condition, according to Dr. To install Boustani. In addition, he notes, there is no demand from the public for dementia diagnoses, most likely driven by the stigma of dementia, lack of public knowledge about benefits of early recognition of Alzheimer's, and issues related to health insurance coverage.
The first aspect of the Digital Detection of Dementia study is a clinical trial, already underway in Indianapolis enrolling patients seen in primary care clinics at federally qualified health centers affiliated with Eskenazi Health. The participants in this trial are expected to be predominantly people who are Black and reside in urban areas. The second clinical trial of the study begins early in 2023 in Miami, Florida, at the University of Miami primary care clinics. The participants are expected to be predominantly Hispanic and include a high percentage of rural residents.
Each trial is the same and has three arms: (1) usual primary care approach; (2) the specially designed passive digital marker relying on artificial intelligence; and (3) the novel passive digital marker plus a specially designed patient-reported outcomes survey.
Patients in all three arms will be followed for two consecutive years to determine how many new cases of Alzheimer's disease were recognized and documented in patients' electronic health records.
The 7,200 anticipated study participants (3,600 in Indiana and 3,600 in Florida) must be 65 years old or older, have had at least one visit to a primary care practice within the past year and be able to communicate in English or Spanish. Electronic health record data from at least the past three years must be available to be enrolled in the study. Individuals residing in a nursing home or with serious mental illness are not eligible.
"Passive digital markers are developed by using data from electronic health records," said Zina Ben Miled, PhD, a Regenstrief Institute affiliated scientist and an IUPUI associate professor of electrical and computer engineering, who developed the passive digital marker tool along with Dr. To install Boustani. "The benefit of this approach is that the information has already been collected and requires no extra effort from the patient or the provider. Through machine learning algorithms and natural language processing, we can use this data to identify people who may be at risk for Alzheimer's disease without the need for invasive and costly tests."
Through this project, we hope to prove that these approaches can be successfully implemented in the real world, leading to benefits for both patients and their families. Combining a patient-reported outcome with a passive digital marker is an innovative and highly sensitive way to detect mild cognitive impairment, Alzheimer's disease and related disorders, yet low burden to patients and clinicians for ease of use."
James E. Galvin, MD, MPH, cognitive neurologist, professor of neurology, University of Miami's Miller School of Medicine
dr. Galvin developed the patient-reported outcomes tool.
Both the passive digital marker tool and the patient-reported outcomes tool are low cost. The Digital Detection of Dementia study will confirm their suitability for use in primary care practices as well as their scalability.
It is estimated that the prevalence of dementia in primary care in the US is about 6 percent of patients but only 2 percent of patients are recognized by the healthcare system as having the condition. The researchers believe use of their passive digital marker, possibly in tandem with the patient-reported outcomes tool, will potentially double the number of cases identified, improving the lives of more individuals living with dementia and their caregivers.
"We are not just recognizing patients with cognitive impairment and saying, 'See you later.' We are also providing computerized decision support to the primary care clinician that will help them refer these patients for confirmatory dementia screening. If the screening is positive, they can receive care based on our successful, evidence-based collaborative dementia care model," said Dr. . Boustani
"Digital detection of dementia (D3): a study protocol for a pragmatic cluster-randomized trial examining the application of patient-reported outcomes and passive clinical decision support systems," was supported by a five-year grant from the National Institutes of Health's National Institute on Aging. Authors, in in addition to Drs. Boustani, Ben Miled and Galvin are Randall W. Grout, MD, MS, Paul Richard Dexter, MD, and Nicole Fowler, PhD, all of Regenstrief Institute and IU School of Medicine; Arthur Owora, PhD, IU Bloomington School of Public Health and joint first authors Michael J. Kleiman, PhD, University of Miami, and Abbi D. Plewes, IU School of Medicine.
About Malaz Boustani, MD, MPH
In addition to his role as a research scientist at the Regenstrief Institute, Malaz Boustani, MD, MPH, is the founding director of the Center for Health Innovation and Implementation Science. He is a professor and the Richard M. Fairbanks Professor in Aging Research at Indiana University School of Medicine. dr. Boustani is also director of care innovation at Eskenazi Health.
About Zina Ben Miled, PhD, MS
Zina Ben Miled, PhD, MS, is an associate professor of electrical and computer engineering in the Purdue School of Engineering and Technology at IUPUI and a research scientist in the Center for Health Innovation and Implementation Science. She is also a Regenstrief Institute affiliate scientist.
About James E. Galvin, MD, MPH
James E. Galvin, MD, MPH, is a professor of neurology at the University of Miami Miller School of Medicine. He is the founding director of the Comprehensive Center for Brain Health and chief of the division of cognitive neurology in the Department of Neurology.
About Regenstrief Institute
Founded in 1969 in Indianapolis, the Regenstrief Institute is a local, national and global leader dedicated to a world where better information empowers people to end disease and realize true health. A key research partner to Indiana University, Regenstrief and its research scientists are responsible for a growing number of major healthcare innovations and studies. Examples range from the development of global health information technology standards that enable the use and interoperability of electronic health records to improving patient-physician communications, to creating models of care that inform practice and improve the lives of patients around the globe.
Sam Regenstrief, a nationally successful entrepreneur from Connersville, Indiana, founded the institute with the goal of making healthcare more efficient and accessible for everyone. His vision continues to guide the institute's research mission.
About IU School of Medicine
IU School of Medicine is the largest medical school in the US and is annually ranked among the top medical schools in the nation by US News & World Report. The school offers high-quality medical education, access to leading medical research and rich campus life in nine Indiana cities, including rural and urban locations consistently recognized for livability.
About IUPUI
As Indiana's premier urban public research university, IUPUI believes in the power of transformation. It is committed to providing educational opportunities that transform the lives of students, the community and the changing world. It offers more than 450 undergraduate, graduate and professional programs from Indiana University and Purdue University.
About University of Miami Miller School of Medicine
The University of Miami Miller School of Medicine is an innovative institution that empowers students and trainees to transform lives and inspires them to serve the global community. Founded in 1952, it was Florida's first medical school. It now includes 21 clinical departments, 6 basic science departments, 45 centers and institutes, and more than 1,400 faculty members. South Florida's cultural diversity makes it a medical training ground of unmatched opportunity.
Digital detection of dementia (D3): a study protocol for a pragmatic cluster-randomized trial examining the application of patient-reported outcomes and passive clinical decision support systems
Source: Regenstrief Institute
Kleiman, M.J., et al. (2022) Digital detection of dementia (D)3): a study protocol for a pragmatic cluster-randomized trial examining the application of patient-reported outcomes and passive clinical decision support systems. Trials, doi.org/10.1186/s13063-022-06809-5.
Categories Health Information Tags Aging, Alzheimer's disease, artificial intelligence, Clinical trial, dementia, diagnostic, Electronic Health Record, healthcare, language, machine learning, Medical School, medicine, Neurology, primary care, research, stress, students, vascular Post navigation
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redpajama_set_name: RedPajamaCommonCrawl


text:
#import "NSSearchField.h"

#import "IBDocumentArchiving-Protocol.h"

@interface NSSearchField (IBDocumentArchivingGenerator) <IBDocumentArchiving>
- (void)unarchiveWithDocumentUnarchiver:(id)arg1;
- (void)archiveWithDocumentArchiver:(id)arg1;
@end


Stop at Margutta 19 Luxury Hotel to discover the wonders of Rome. Featuring a satisfying list of amenities, guests will find their stay at the property a comfortable one. Facilities like free Wi-Fi in all rooms, 24-hour security, daily housekeeping, taxi service, ticket service are readily available for you to enjoy. All rooms are designed and decorated to make guests feel right at home, and some rooms come with flat screen television, linens, locker, mirror, towels. The property offers various recreational opportunities. Margutta 19 Luxury Hotel is an excellent choice from which to explore Rome or to simply relax and rejuvenate.
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text:
3D version of the unit reference pictures
Page 7 of 8 First ... 5678 Last
Thread: 3D version of the unit reference pictures
Mislagnissa
Re: 3D version of the unit reference pictures
I found a redesign of the protoss anatomy to make them reptilian humanoids: http://www.polykarbonbbs.com/showpos...73&postcount=6
I don't know what the artist did, but for some reason I like it a lot better than canon. Still too human for my tastes, but more plausible than most Star Trek aliens.
EDIT: I found this awesome fanart which makes the protoss' mouthless jawbone less jarring. The detailed features on the lower face makes it look functional rather than wasted space, similar to how humans have a nose and mouth on the lower half of our face.
Last edited by Mislagnissa; 08-29-2018 at 12:01 PM.
Better than most Star Trek aliens is still the lowest bar in the world though (which creatures like the Bengalaas don't even clear, being just a big cat). Any work of sci-fi where the aliens have 4 limbs, bilateral symmetry down the middle, have limbs with bones with the same exact number of joints as tetrapods on Earth, with fingers with the same number of joints as tetrapods on Earth, etc... Is just implausibly unimaginative. Even humanoids aside, what are the odds that Zerglings would have back leg joints and muscles and toes that are configured exactly like land animals on Earth, when on Earth alone you have way more varied biodiversity, with crows and octopuses and humans showing up from one common ancestor.
Edge of Tomorrow's Mimics are a pretty good stab at something new, but even then they often move as if they have arms with the same elbow and wrist joints as tetrapod life on Earth, even though arthropods already have totally different arm joint setups. And then they also gave it sometimes visible two eyes on either side of its mouth, even though animals like Starfish have totally different setups again.
But, for the purposes of my art and this thread, I am trying to create designs that fit into the existing world of StarCraft, cheesy alien designs included. So while I might redesign some units or ships a bit with a personal twist, the motivation behind my to-scale art is to have an official-ish vibe. I'm not interested in taking ideas from other people's fan art, and won't be making any big changes at all.
That said, here are some closeups of the High Templar's face if you're interested. The goal will be to have the rest of the Protoss's skin look this detailed. (It is also a little unrealistically shiny/plasticky right now, that will be broken up)
With the metal (including the false beard) hidden:
When I make a Zealot, I'll probably make its head look a little less tall and thin, a little more like the Remastered Zealot portrait.
(edit: my Protoss won't ever have nipples though. Zeratul's were a mistake.)
some people speculate that the appearance of animals with the characteristics of the earth, in other world would be quite easy to argue as cases of convergent evolution,independent of the genetic origin given by the analogy of functions, you will need similar solutions such as the dolphin and the itiosaurus are similar to shape , of one being a rectil and the other a mammal since the designs work would be the logical and most probable evolutionary conclusion, such as marsupials developed characteristics of canidos and felidos, without have direct kinship, there are several cases of saber teeth that are not feline, and as well as the speculations of animal evolution artists that cover the niches of the great predators with similar forms of rodents or mustelids the development of Musculature and endo skeleton will be a quite probable configuration of enviroement similar to the Earth. my problems with the protos is that their muscle design is too similar to the muscles of a human, cases such as the existence of the Protoss chin can be easily explained as an area where sensory organs are located can even be a razor ornament as the crests of a rooster.
The explanation of Jupiter ascending, of the man like an old species that has been seeded in different planets with genetic variations, is a good explcación to find humanoid aliens that only vary by the adaptation to the planets and random mutations
the roach would see benefit from accentuating the softer purple parts and give it a more oily and muscular appareance
I always saw the two hight templar in the intro as very young or feminine, it's nice, the variation of more mature faces would be nice too
good animation for zergling
Last edited by drakolobo; 08-30-2018 at 11:09 AM.
The protoss art has always depicted some with prominent v-shaped ridges in the nose/mouth area. The protoss cover art for Remastered is a good example. Detailing like that, I think, would do away with the wasted space problem I keep noticing.
It simply does not make sense for the protoss to have a face below their eyes. It makes no sense for the dark templar to wear veils, since they have nothing to conceal. These sorts of problems could be easily fixed by making those ridges serve some kind of function like breathing and emoting. Protoss portraits do breathe when idle, and the corsair wears a gas mask for some reason.
The remastered 3D render of the zealot depicts it with a long sausage-shaped head. You could give the protoss sausage heads without contradicting the canon. Even within canon the shape of the heads is not consistent. Artanis and Alarak have noticeably different skull shapes.
I have always thought the space jockey from Alien and plague doctor mask were good models. Even within canon there seemed to be slight trend where some protoss skulls tried to emulate birds more than humans. Terrans cover the mammal angle and zerg the insectoid, so it makes sense for protoss to go for more avian, reptilian and/or amphibian.
Brood War hydralisk model almost done, still missing teeth and a couple other small bits.
In addition to having it for scale, I will also try to do a 3D print of this guy in a pose similar to the Zerg victory screen.
If anyone wants to see that hydralisk model in 3d...
https://sketchfab.com/models/9337fbe...78b1e5def1d5b7
So I'm going to be posing and 3D printing this, and possibly having a coworker paint it.
This raises a new question— what real-world scale should I print StarCraft models at?
The old Academy Hydralisk and Marine model kits were at 1/30th scale. So, the tip of the Hydralisk's back was about 4" tall, because that back spike is about 10' tall on the full size (My hydralisk model's back is about 10.5 feet high).
1/30th scale is real small though, and my friend's 3D printer resolution would lose a lot of detail. He suggested I go for 1/12th scale... so the hydralisk would be a 10.5" tall statue. This is also a scale that some action figures are in, any 6" tall action figure. So it would be kind of cool to be consistent with that. Then in the future I could also get some infantry in there for comparison with it at the same scale.
great model, for me, all 28mm hehe, I would like to see a diorama of miniatures in an epic battle, about the impression Kyle Jaworowskiis(https://www.artstation.com/toasty1231) experienced with impression of sc some advice could have
His work is so amazing! Does look like he's playing a little bit loose with the scale, since his Nova is much bigger than a WH Space Marine. He definitely made that hydralisk head work and preserve detail at that size though...
The advantage to that scale is that I would be able to do vehicles, whereas at 1/12th scale I never would aside from like a Vulture... But I do want to have my own version of this Zergling/Hydralisk action figure prototype that never went into production. (Well, the hydralisk did, with a browner paint job, but didn't include the Zergling.) And at that 28mm scale the ling would have to be tiny!
Here is a possible pose for the hydralisk, in 3D. I will still bake these details onto a low-poly model so it can also be in with the other realtime units.
Hey, so I haven't really had much time to work on this stuff, but in the past month or so a reallly talented modeler has been making a ton of SC models, and following the scale chart. Check him out! He makes models as fast as I made drawings back in the old days, and he's a much better modeler than me. (I will still go for the animated and for the realtime angle, so I can still offer something a little different.)
great worlk of this boy, i will got a immortal face more elegant in my sculpture , like first art concep, these face in moon shape is pretty cool ,
Quick Navigation StarCraft Universe Lore Discussion Top
Unit Pictures
By Robear in forum StarCraft Universe Lore Discussion
Event Pictures Anyone?
By Areoseph in forum StarCraft II Discussion
Pictures of the new maps
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animation, art, scale, unit pictures


Image Title: Belden Corner Unit Pottery Barn Kids Pertaining To Twin Beds Plan 13. Filename: belden-corner-unit-pottery-barn-kids-pertaining-to-twin-beds-plan-13.jpg. Image Dimension: 710 x 626 pixels. Images Format: jpg/jpeg. Publisher/Author: Antonio Collier. Uploaded Date: Sunday - February 03rd. 2019 16:48:24 PM. Category: Architecture. Image Source: lowes.com.
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The Last Painting of Sara de Vos
By Dominic Smith
Narrated by Edoardo Ballerini / 9 hours 56 minutes
"Smith's new novel unfolds slowly, and each moment of illumination offers a glimpse into the true heart of this quiet, captivating tale. Spanning more than three centuries, it is the story of three lives --a female master painter of the Dutch Golden Age, a moneyed New York patent attorney, and an art history student turned one-time art forger -- each changed by one haunting painting. Filled with hurt, grief, and deceit, but also layered with love, grace, and regret, The Last Painting of Sara de Vos is a wonderful read, beautifully written."
Heather Duncan, Tattered Cover
A masterful new story charts the circuitous course of the sole surviving work of a female Dutch painter
This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can't shake them, even long after the reading's done. In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.
In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.
This program includes a Reading Group Guide read by the author.
Author Dominic Smith
Narrator Edoardo Ballerini
Publisher Macmillan Audio
Publication Date April 5, 2016


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Caring for Patients - Grey's Anatomy Season 11 Episode 9
Bailey, Karev and Jo have plenty to ponder in these scene from Grey's Anatomy, as they attend to a couple young patients.
Grey's Anatomy Season 11 Episode 9: "Where Do We Go From Here"
Grey's Anatomy Photos, Grey's Anatomy Season 11 Episode 9 Photos
Grey's Anatomy Season 11 Episode 9 Quotes
I need a person who is in it with me and believes in that.
Permalink: I need a person who is in it with me and believes in that.
You're a really good mom. You've been riding me all day, making sure I don't screw up. Crap, you've been doing it all these years. It sucks. It's annoying, but it's nice.
Permalink: You're a really good mom. You've been riding me all day, making sure I don't screw up. Crap,...
Grey's Anatomy Season 11 Episode 9
Grey's Anatomy Round Table: Will the McDream Team Make It?
Grey's Anatomy: Watch Season 11 Episode 9 Online
Grey's Anatomy Season 11 Episode 9 Review: Where Do We Go From Here
Grey's Anatomy Season 11 Episode 9 Photos
Where Do We Go From Here
Watch Grey's Anatomy Season 11 Episode 9 Online


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Croton scabiosus är en törelväxtart som beskrevs av Richard Henry Beddome. Croton scabiosus ingår i släktet Croton och familjen törelväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Törelväxter
scabiosus

redpajama_set_name: RedPajamaWikipedia


The Appropriate Technology Collaborative (ATC) is a cool local non-profit. They work with people in the developing world and U.S. based engineers and engineering students to create new sustainable technologies that promote economic growth and improve the quality of life for low income people worldwide. Full disclosure: my father is the executive director and I have worked with ATC in the past. This Sunday they will be presenting some of their work and having a fundraiser at Conor O'Neill's. The event is from 4pm to 7pm and there will be free snacks. Not too shabby. You can RSVP on Eventbrite and you'll get a nice printed name tag, or you can just show up.
ATC does some really cool stuff. Beyond working with low-income people in the developing world to create sustainable economic development, they allow engineering students in the US to get real world experience doing something very meaningful. The partnerships between the folks here in the US and the developing world end up producing some pretty amazing things.


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Chris Lazarini Further Examines Case Involving Advisor's Effort to Avoid Paying a Promissory Note
by Christopher Lazarini | Bass, Berry & Sims PLC
Bass, Berry & Sims attorney Chris Lazarini examined further developments in a case involving a former UBS investment advisor's attempt to prevent the company from collecting on promissory notes the advisor owed to UBS upon his departure. After the former advisor established an investment company and gave his wife a 95% ownership in the company in exchange for a $140,000 capital contribution, UBS sued the advisor, the advisor's wife and the company to prevent the transfer of assets. The trial court voided the transaction. Previously, Chris analyzed the wife's appeal and the court's subsequent rejection.
The former advisor's appeal was also rejected as the appellate court determined the transfer was fraudulent to UBS because the advisor retained control over the investment company, received nothing of value for the transfer of a majority ownership interest in the company, and used the wife's cash contribution for non-business purposes.
Chris provided the analysis for Securities Online Litigation Alert (SOLA). The full text of the analysis is below and used with permission from the publication.
UBS Financial Services, Inc. vs. Lacava, No. 106260 (Ohio App., 8Dist., 8/16/18)
Under Ohio law, a transfer made by a debtor is fraudulent as to a creditor whose claim arose prior to the transfer if the debtor made the transfer without receiving a reasonably equivalent value for the transfer and the debtor was insolvent when the transfer was made or he became insolvent because of the transfer.
This is Mr. Lacava's second-bite appellate effort to prevent UBS from collecting on a $196,953 FINRA Award arising out of his unpaid promissory notes (FINRA ID #08-04976(Cleveland, 2/9/10)). Before the FINRA Award issued, Mr. Lacava made himself collection-proof, amending his investment management company's LLC operating agreement and giving his wife a 95% ownership interest in the company for $140,000 paid to the company. Unable to collect on the FINRA Award, UBS sued Mr. Lacava, his wife, and the LLC, seeking to set aside the wife's contribution as a fraudulent conveyance. The trial court awarded summary judgment to UBS, voiding the $140,000 transfer and freezing the Lacavas' and the LLC's assets. The trial court also awarded UBS substantial punitive damages, attorneys' fees, and costs. In SOLA 2018-32, we reported on the Court's rejection of Mrs. Lacava's appeal.
Here, the Court similarly rejects Mr. Lacava's appeal. First, the Court summarily denies Mr. Lacava's venue challenge. The Court finds that venue in Cleveland, Cuyahoga County was proper because it was where the FINRA arbitration was held. Next, the Court rejects Mr. Lacava's argument that the trial court erred in dismissing his counterclaims, finding no arguments supporting the alleged error and declining to create them for Mr. Lacava.
Third, Mr. Lacava's challenge to the summary judgment award also fails. Conducting a de novo review, the Court, like the trial court, finds multiple factors demonstrating that Mrs. Lacava's contribution to the LLC was fraudulent. Here, Mr. Lacava retained control over Mrs. Lacava's contribution because he was the only registered person associated with the company, he ran the business, and he used the funds for purposes other than true "business" purposes. Moreover, Mr. Lacava attempted to conceal the transfer and continued to amend the company's operating agreement to frustrate UBS' collection efforts. Also, Mr. Lacava received nothing for the transfer of his LLC ownership interests to his wife, which rendered him insolvent, while simultaneously giving him access to the $140,000 without it being exposed to recovery by UBS.
Finally, the Court affirms the trial court's remedies, including the award of punitive damages, which are appropriate in fraudulent conveyance cases where the debtor acted with actual malice, defined as "hatred, ill will or a spirit of revenge [or] a conscious disregard for the rights of others that had a great probability of causing additional harm."
Mr. Lacava has one more opportunity to avoid paying the Award, as the LLC also appealed the lower court's ruling.


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Talent Show leaves audience breathless
By AnhViet Nguyen
The annual talent show was hosted in the Mountlake Terrace theatre by seniors Karin Redden and Ivy Herold on Apr. 11.
The judges chosen for the event were Amy Sullivan, Amanda Stewart, and former Mountlake Terrace student, 2011 graduate, Ryan Woodyard, who had to pick the three best performances of the many different types of talents shown
There were bands that performed such as the "Love Wizard" who liked to categorize themselves as the 80's band that performed on a song called, "Hysteria" by Def Leppards, and The R.R.K Experience performed on a blues and jazz song called "All Blues" by Miles Davis.
Many amazing voices were heard through the night, such as Grace Gil, who sang "Someone Like You" by Adele, and Senaiet Zerom, who sang "Ave Maria," by Celine Dion.
Two great performances were John Martin Devera, who played the electric violin fantastically, and Thor Peterson who bea-boxed and astonished the crowd.
Ashika Gounder and Tenzin Dencher performed a bhangra dance on "Chikini Chemili" a famous Bollywood song.
A group that called themselves Outasync (totally, Dude) was inspired by Big Time Rush and did a really good performance that really amazed the audience.
After all the performances, the judges had to choose three to go to Edmonds School District Talent Show.
The judges had a hard time picking the top three, so they gave Most Honorable Mentions.
One category in the Most Honorable Mention was "most entertaining."
One of these performers was Outasync. Also, Michael Londino and Devon Hickman got an Honorable Mention that performed on a song they made that was dedicated to their friend, Tom, who had passed away.
The other people who got Most Honorable Mentions were, John Devera, Katy Beth Higgins, Ashika Grounder & Tenzin Dencher, The R.R.K Experience, and Allena Wolfe.
The top performers that went on to the E.S.D talent show were Katy Bodnar, who performed on the song "House of the Rising Sun" by Haley Reinhart; Zannie Faherty who sang "Turpentine" by Brandi Carlile; Miranda Troutt who danced to the song "Show Off" by Brandy Stiles; and Kaitlyn Martin played her guitar and sang "Dance in the Sand" by Leona Lewis.
No first or second place was given this year, but the three contestants that were chosen best then went on to perform on Apr. 19 for the E.S.D Talent Show.
Although the chosen acts did fantastic in the E.S.D. Talent Show, first place was given to the Yo-Yo Club from Edmonds-Woodway High School, second place to Vocal Synesthesia from Edmonds-Woodway High School, and third place went to Tammy Mach from Lynnwood High School.
Jazz 1 finishes year with virtual Essentially Ellington
On a (drum) roll!
Jazz 1 on the road to prestigious festival
Photo Gallery: Drama Department pulls off "Godspell"


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Tag: Kiwi
Botany Downs Secondary College New Zealand Update
http://www.times.co.nz/news/lets-give-peace-a-chance.html
Thank you so much to Schools all over the World for your participation in this Project. This is an article by the Times paper in New Zealand highlighting Botany Downs Secondary College's wonderful contribution. Well done to Demi, Jennifer Kirkham her teacher and all involved. Great work and a delight to receive such an inspirational design. Good luck to Demi for everything She does in the future .
NEW ZEALAND, Botany Downs Secondary School
This is the New Zealand design from the year 10 students in Botany Downs Secondary school. Thank you to Jennifer Kirkham and Megan Cunningham who masterminded the International Peace Quilt Project in this school. Also a very special thank you to Demi Seymour who created this wonderful design which was the winner from a school-wide competition.
Demi says: We all wish for Peace because war doesn't solve anything.
"I was inspired by my friends. We were making a joke and I came up with the idea of a kiwi and the moon. It's kind of random." Demi
Please click link above for Demi's story as featured in one of New Zealand's newspapers.
The flag of New Zealand consists of a dark blue base with a British Union Jack in the upper left quarter. On the right side of the flag are four, five-point red stars outlined in white. The stars are positioned to represent a southern cross.
Copyright © 2010–2018 Schools' International Peace Quilt, All rights reserved.


The reds of Burgundy are known for their elegance and finesse — but not Pommard. Its clay-rich soils produce reds that Rajat Parr calls "masculine, rustic, and earthy." Next to the elegant, ethereal red Burgundies of the rest of the Côte d'Or, Pommard stands out. It's a bit less subtle, but no less delicious.
Roger and his daughter Julie Belland are 5th and 6th generation winemakers in Burgundy. They craft wines that are neither pretentious nor pricey. Using a cool, slow fermentation to preserve the fruit in their wines, the Bellands produce friendly, attractive, delicious red Burgundies that need no patience.
Burghound calls Belland's 2015 Pommard "utterly delicious" and "highly seductive," with a "balanced and lingering finish." From an exceptional vintage with unusual ripeness, this shows loads of perfectly ripe fruit, cool sturdy tannins, and a balanced, mouth filling palate.
The wines of Pommard famously age very well, but Belland's 2015 Pommard won't require much time. The nose is deep and perfumed, with plum, wild cherries, and cinnamon. The palate is rich and mouthfiling, with ripe, punchy tannins and notes of pan drippings, strawberry jam, and faint anise. Pair this with an autumn evening and a hearty pasta with veal or short ribs.
Next post: Velvety, Cozy Old-Vine Châteauneuf-du-Pape.


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Home > ALL ART > Tim Rogerson > Fabulous Foursome
"Fabulous Foursome" Framed Limited Edition Canvas by Tim Rogerson from the Disney Fine Art Silver Series with COA.
"Fabulous Foursome" is a framed limited edition giclee on canvas by Tim Rogerson. Part of the Disney Fine Art Silver Series, and featuring Mickey and Friends imagery, this piece comes framed and ready to hang. It is accompanied by a Certificate of Authenticity from Disney Fine Art. The edition is limited to just 500 pieces and measures approximately 21" x "25 (framed), 16" x 20" (image). This piece requires special handling and may have a longer than normal turnaround.
Born in Kissimmee, Florida, Tim Rogerson led what he called an everyday childhood, but even as he played outside was "hung out" with friends, he was always aware of an urge to create. Eventually he attended the Ringling School of Art and Design in Sarasota, where he majored in Illustration and from where he graduated in 2004. Rogerson cites his studies there as those of a "very traditional art student"; he studied all types of work from the old masters to modern art. Among the artists he has studied, he finds himself particularly influenced by the works of Edgar Degas and John Singer Sargent.
Modeling the perfect, confident brushstrokes of Sargent, Rogerson paints with oil on canvas, and is particularly adept at capturing people in social settings. His unique results are a product of his technique, in which he breaks down the composition into simple shapes. "It's a jigsaw puzzle of color to form an image," he explains. Rogerson has earned international renown for his work and has created numerous pieces for the critically acclaimed Disney Fine Art collection. Rogerson continues to explore his artistic talents; he says, "I try to stay away from the basic routine and technique because my joy for painting comes from the challenge of creating something entirely new."
More about Tim Rogerson
Tim Rogerson
Swing for the Fences
Painting Lights
Friends by Design
Cheer Up, Dude
Rhino Chase
Hawaiian Roller Coaster
Mahalo Stitch
Denizens of Nottingham
Mousing Around # 2
Fabulous Foursome
All Their Wicked Ways
Mickey's Fire Brigade


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Industries such as building services, cleanroom research, pharmaceutical, chemical, Logistic and food and beverage are highly suitable for the application of the wireless logger to enhance their monitoring capabilities to improve their overall productivity.


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Papua New Guinea 1990 – 70 toea
REGION: Oceania
COUNTRY: Papua New Guinea
VALUE: 70 toea
This stamp is one of a set of four issued by the Papua New Guinea government in 1990 to celebrate the traditional dance masks of the Gogodala people of western Papua New Guinea.
https://www.maskmuseum.org/wp-content/uploads/Stamp-PNG-1994-70-toea.png 1000 1000 Curator https://www.maskmuseum.org/wp-content/uploads/sf-website-logo.svg Curator2019-02-23 08:39:402021-11-14 10:23:57Papua New Guinea 1990 – 70 toea
This postage stamp was issued by the government of Papua New Guinea in 1994 as part of a set commemorating cultural artifacts of the country. This stamp depicts a mask of the Elema people of the Papuan gulf known as eharo. The eharo mask is made of tapa (bark cloth) over a cane frame and danced as part of the hevehe ceremonial cycle. Such masks are used for comedic purposes in telling stories for communal entertainment.
https://www.maskmuseum.org/wp-content/uploads/Stamp-PNG-1994-20-toea-2.png 1000 1000 Curator https://www.maskmuseum.org/wp-content/uploads/sf-website-logo.svg Curator2021-11-21 20:43:352021-11-21 20:47:10Papua New Guinea 1994 – 20 toea
Papua New Guinea 1994 – 5 kina
VALUE: 5 kina
This postage stamp was issued by the government of Papua New Guinea in 1994 as part of a set commemorating cultural artifacts of the country. This stamp depicts a Gogodala dance mask from Western Papua New Guinea.
https://www.maskmuseum.org/wp-content/uploads/Stamp-PNG-1994-5-kina.png 1000 1000 Curator https://www.maskmuseum.org/wp-content/uploads/sf-website-logo.svg Curator2021-11-21 20:39:562021-11-21 20:43:22Papua New Guinea 1994 – 5 kina
This postage stamp was issued by the government of Papua New Guinea in 2008 in honor of the "mudmen" of the Asaro tribe, living near Goroka in the Eastern Highlands Province. According to Asaro legend, the mudmen mimic spirits to frighten the enemies of the villagers.
Face Mask Tami, Melanesian Adult Initiation, Spirit Invocation Other Papua New Guinea Tami Islands Oceania
Tami Island Mask
TITLE: Tami Island Mask
GENERAL REGION: Oceania
SUBREGION: Siassi Island
ETHNICITY: Tami (Melanesian)
DESCRIPTION: Tago Mask
FUNCTION: Adult Initiation; Spirit Invocation
MAIN MATERIAL: sago palm tapa cloth
OTHER MATERIALS: rattan; wood; berry and tree sap pigments; feathers
The Tami people inhabit a small collection of islands in Papua New Guinea's Morobe Province. They number fewer than one thousand individuals today. The Tami masquerade is part of the adult initiation (circumcision) ritual for boys and men. The tago simultaneously represents a spirit of a dead ancestor and the more recently, spirit of kani, a dragonlike monster that eats children and is invisible to women.
Tago masks are kept in bush huts off limits to women and children, who are forbidden to see tago masks and performance on some islands. On others, such as Siassi, women do attend the performance. In practice, women on all the islands all have seen tago performances and merely feign ignorance for form's sake.
Each tago mask belongs to a family and has an identifiable design. They are acquired through marriage from the maternal uncle and passed down to the children.
The tago initiation ceremony was formerly performed every ten or twelve years, accompanied by the loud noise of a bullroarer (a carved piece of wood or rattan swung in circles on a string to make loud wind sounds). During that time, a taboo was placed on coconuts for one year and war was banned. More recently, it has been performed every two decades.
https://www.maskmuseum.org/wp-content/uploads/Oceania-PNG-Tami-Island-Tago-1a.png 1000 1000 Curator https://www.maskmuseum.org/wp-content/uploads/sf-website-logo.svg Curator2017-07-12 08:30:372017-08-12 11:02:47Tami Island Mask


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Headscarves are an easy way to make a fashion statement, keep your hair out of your face, or keep you head warm. You can use one to cover your whole head if you've lost your hair, or you can just use one if want a simple hairdo you don't have to style or brush much. You can also tie scarfs as decoration to partly cover your head. If you wear the hijab, try different styles to create the perfect look.
Create a folded turban look for short, long, or no hair. If you have long hair, tie it into a bun or ponytail. Fold a square scarf in half so you have a large triangle. Lay the pointed end at the front as you wrap the flat edge around the back of your head, bringing the 2 ends up to the front. Make a "U"-shape with one end and pass the other end through the "U," creating a "U"-shape on that side, too. Wrap the ends around to the back again. Tie the ends together at the nape of your neck.
To completely cover your hair, you may need to pull up the edges of the triangle at the front to tuck them under the "turban" folds.
Tuck the ends of the fabric underneath the tight edges of the turban at the back and flatten out the portion on the crown of your head by gently pulling it down into the knot below.
Tuck in any stray hairs that might be sticking out of the scarf.
Tie the scarf around a top knot for a fun, elegant look. Start by tying your hair up into a bun on top of your head. Place one of the long edges of the scarf around the back of your head. As you do, lay the rest of the scarf over the top of your head. Draw up the back edge from the back to the front of your head on both sides. When you reach the front, gather the back edge and the rest of the scarf all together at the top of your forehead. Twist the scarf around itself to pull it into a tight, long cord, then wrap the twisted piece around your top knot several times.
Secure the scarf by tucking the end under another part of the wrapped scarf.
You can use a long, rectangular scarf for this look.
Gather a scarf at the back of your head with a hair tie to create a back knot. Place the middle of the long edge across the top of your forehead. Lay the rest of the scarf over your head like hair. Tug the long edge and the rest of the scarf taut to gather it in the back. Pull it through a ponytail holder to hold it in place like a ponytail. You can now leave it as is or wrap it into a bun and secure it with another ponytail holder.
You'll need to use a rectangular scarf for this look.
This style works great if you have long hair, short hair, or no hair!
Wrap a square scarf around your hair and tie it under your chin for a vintage look. Fold a square scarf in half to create a triangle. Loosely cover your head with the scarf, placing the point of the triangle in back. Cover the top of your head with the middle of the long edge and draw the ends of the triangle under your chin to tie it.
This look definitely has a 1950s vintage feel, and it works for all lengths of hair, from long hair to no hair.
Use a long, skinny scarf to make a headband. Wrap the scarf around the front of your hair, starting just behind your hairline. If your scarf is a little thicker, you may need to gather it together a bit to form the headband by scrunching it up width-wise. Bring the scarf ends around to the back of your neck and tie a knot there.
Let the ends trail for a fun, elegant look.
You can make the headband as wide or as skinny as you want. You can even twist it for a different look.
Wrap the scarf around your head from front to back for a skinny turban. Use a long, thin scarf. Start with the middle of the scarf at the back of your head, halfway between the nape of your neck and the crown. Pull the ends around to the front. Make a "U"-shape with one side and feed the other end through the "U," effectively making a "U"-shape on that side, too. Tighten up the slack and pull the ends around to the back again. Securing it with a knot, tuck the ends underneath the scarf.
This look is more like a 1970s look than a headband. Wear it over your hair instead of under it.
Create a bow with a square scarf. Fold the scarf into a triangle. Holding the ends, make a 1 to 2 inches (25 to 51 mm) fold across the length of the scarf. Fold it over itself again and keep going until you have a long band. Put the middle of the band (where the triangle corner is) at the back of your neck. Pull the ends around to the front to a tie a bow at the top of your head.
You can place the bow at the center, to the left, or to the right. It's your choice!
You can also use a short, decorative scarf for this look.
Create a simple look by wrapping the scarf over your head and around your neck. Start with the middle of the long edge of the scarf across your forehead. The rest of the scarf should cover the back of your head. Let the 2 ends come around the front and dangle down. Pass one end over the other and wrap both around the back of your head, going opposite directions. Bring the ends back to the front to finish it.
You can tie the ends in a loose knot in the front to help secure the scarf.
It helps to fold a square scarf in thirds to create a longer, skinnier scarf.
Pin the scarf under your chin for a secure look. Place the long edge across your forehead but arrange the scarf asymmetrically, so that one end hangs only slightly below your chin and the other side is much longer. Pull the edge of the long end up next to the short edge under your chin. Then, pin the edges together with a safety pin, securing them tightly under your chin. Wrap the long edge around your head without twisting it.
At this point, you can either continue wrapping the long end around your head and secure it at the back with a safety pin or tuck part of the edge into the circle around your face, just on the opposite side of your chin from the direction you're wrapping from.
Wrap the scarf loosely and put it over your shoulder for a simple, breezy look. Place the middle of the long edge of the scarf across your forehead. Throw one end over your shoulder, going over the end that's hanging down in front. With the end that's still hanging down, wrap it around itself to tie a decorative knot, and you're done!
The knot will also help weight that end of the scarf down, holding it in place.
Where can I get ideas for different headscarf designs and styles?
A simple Google or Pinterest search will give you ideas, inspiration, and even tutorials! Use the right keywords, including "headscarf," "tutorial," "styles," "tying" and more.
How do I protect my face in summer?
Apply at least one ounce of sunscreen (enough to fill a shot glass) at least 15 to 30 minutes before going outside.
You can use a hair cap for any of these styles that completely cover your head.
To tie a headscarf in a top knot, start by tying your hair up in a bun on the top of your head. Then, drape one of the long edges of the headscarf across the back of your head, and lay the rest of the scarf over the top. Next, pull the back edge toward the front of your head on both sides, and gather all the fabric together at the top of your forehead. Finally, twist the fabric in your hands, and wrap it around your bun several times. To learn how to tie a turban with a headscarf, read on!
Thanks to all authors for creating a page that has been read 373,687 times.
"Loved the videos! Very helpful step by step. Thank you!"
"I finally got to know how to make a knot."


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Sim is een plaats in de oblast Tsjeljabinsk in Rusland en is gelegen aan de rivier de Sim, 340 km ten westen van de hoofdstad Tsjeljabinsk. In 1759 werd de plaats gesticht als Simski Zavod (Симский Завод) een nederzetting bij een ijzermijn.

Het is de geboorteplaats van de bekende Russische natuurkundige Igor Koertsjatov.

Plaats in de oblast Tsjeljabinsk


The theme this month is SEPARATION.
Separation can occur between many things — people, power, countries, causes, the ends of a rope. Is it a happy separation? Is it final? Are the only six degrees that divide us? Whether it is a simple disconnect or a jarring split, see where it can take you.


Meet Naughty Dr. Pee-Pee and the Patient with a Secret.
Meet Naughty Dr. Pee-Pee and the Patient with a Secret. Those of you in the medical or dental professions will find this episode most… illuminating.
A man is feeling hella anxiety over the fact that his girlfriend makes a lot more money than he does. Should he make her pay for dinner already?
A young gay man is considering an old lover's offer to fly him to his city for a weekend of dom/sub play. Is the lad allowed to go sightseeing or should he expect to spend all of his time in the hotel room?


I've never really cooked with hoisin sauce and I had some leftover from another Asian-style meal. It has great flavor with a combination of soy sauce, ginger and chili pepper to kick things up. It seemed like a natural fit here too. Mango goes so well with savory dressings and they are in season right now so organic mangos are readily available.
My husband and I were happy the way dinner turned out tonight and clean-up with a cinch. When I make it again, I'm going to add a cup of jasmine rice to each serving. It's something you might consider doing if you're not afraid of some extra carbs. If you are on a low-carb diet, this is a perfect meal as long as you look at the sugar content in the hoisin sauce. You may want to add the ginger, soy and chili yourself to eliminate the sugars.
Brown ground beef in a large skillet over medium-high heat. About 5 to 7 minutes. Add minced garlic just before it's finished.
Stir in the hoisin, 2 tablespoons of the soy sauce, and the Sriracha. Remove from heat.
In a small bowl, combine the vinegar, oil, the remaining teaspoon of soy sauce, and ¼ teaspoon each salt and pepper.
Divide the lettuce, carrots, celery, mango, cooked beef, cilantro, and peanuts among bowls. Drizzle with the dressing and serve immediately.
Just discovered your blog through a Google search. I love the Costa Rican food section. I'd like to try the plaintains… they sound so delicious!! I went to Costa Rica a few years ago and still remember loving those.
Glad you like the blog. Sweet plantains are still my favorite thing from CR.


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Season tickets 2020/21
Passion. Pride. Community. Loyalty. Family. Fearless. #Element1885
Millwall are pleased to confirm details for season tickets in 2020/21 - and we want you to continue being part of #Element1885 at The Den.
The saver period - which ensures the best value-for-money on your season ticket - has been extended indefinitely as a result of the COVID-19 outbreak.
Please note, however, that season ticket sales are currently suspended and will remain so until the club can confirm plans and arrangements for the return of supporters.
Please keep checking millwallfc.co.uk for the latest news and club statements regarding this matter.
Once available again season tickets can be purchased in the following ways:
- Online at www.millwalltickets.com***
- Via the Call Centre on 0844 826 2004**
- In person at the Ticket Office, which is open 9.30am-5pm, Monday to Friday
- By downloading a form and posting it to the Ticket Office
Every need-to-know piece of information about season tickets for 2020/21, including age categories and pricing, is available on our application form. Click here to download yours.
The deadline for current season ticket holders to secure their same seat - originally scheduled for Monday 8th June - has also been extended indefinitely.
Being a season ticket holder at The Den has a range of exclusive perks, including:
- 230 loyalty points
- Priority purchase periods for high demand Cup and Play-Off matches
- Discounted tickets for such fixtures
- The ability to purchase tickets for away matches
- Prize-winning opportunities as part of a monthly draw
- Invitation to an open training session at The Den
- 5 TeamCard points for every £1 spent in the Lions Store
- 5% off when purchasing matchday hospitality
- 20% off when hiring rooms for events on non-matchdays
Zampa's Family Stand
Zampa's Family Stand is the perfect place for youngsters and their parents to watch Millwall play at The Den.
Junior fans can enjoy an array of things to do inside Zampa's Family Stand's concourse, including use of the games room, photos in the replica dugout, arts and crafts and much more.
Zampa's Family Stand, located in Blocks 13 and 14 of the Dockers Stand (upper), is for junior supporters and their accompanying adults. A maximum of two adults can buy a ticket with an Under 6, Under 12 or Under 16 season ticket. Adults, seniors and 18-21s must be with a child on matchdays. Under 18 tickets need to be purchased alongside both an adult and an U6/U12/U16 ticket. U18s cannot be seated in the Family Stand alone or in a group which doesn't meet the above requirements.
If you are attending alone without a junior then you can relocate for free on midweek evening games and for £6 for weekend games (maximum five times per season).
Applications to buy season tickets in the Family Stand must be made by mail or in person at the Ticket Office.
V12 Retail Finance will continue to offer supporters the chance to spread the cost of their season ticket over a four-month period with a £23.25 arrangement fee or a 10-month period (19.9% APR, subject to credit checks). The arrangement fee will be taken from the first payment.
To pay by finance, purchase your season ticket at millwalltickets.com, and select the Finance option at the payment stage. This will take you to the V12 website.
Armed Forces discount
Millwall Football Club is proud to once again offer reduced prices for Armed Forces personnel and Veterans, who can purchase a season ticket at the discounted concessionary price.
To secure a season ticket you must supply the Ticket Office with proof of identity as well as a copy of your valid Armed Forces ID or Veteran Card.
Age-related discounts
To ensure your age-related discount you must supply the Ticket Office with a proof of identity and date of birth (copy of driving licence, passport or birth certificate). Age is calculated on 1st August 2020. Your season ticket will be issued once relevant documents have been supplied to the Ticket Office.
Away season tickets
You can guarantee your seat for every game Millwall play on the road by becoming an away season ticket holder - all for the cost of just £20!
Having one ensures you will never miss out on away games where demand is high in both League and Cup competition.
To apply, and also if you wish to avoid receiving unwanted tickets or need to cancel*, contact the Ticket Office on 0844 826 2004** (option 1), by email to tickets@millwallplc.com or in person.
Click here to download an away season ticket application form. You must possess a 2020/21 season ticket to purchase an away season ticket.
New for 2020/21
- The club has introduced a new Under 6 age band in all areas of the stadium
- As per previous communications with supporters, the upcoming 2020/21 season sees the senior age bracket rise to over 62s as part of a staged increase over time
- Under 18 tickets in the Family Stand will now need to be purchased alongside both an adults and an U6/U12/U16 ticket. They cannot be purchased alone or in a group which doesn't meet those requirements
- The Cold Blow Lane Stand will no longer be sold on an unreserved seating basis
Get in touch with Shona Groves - Millwall's supporter liaison officer - with any questions relating to season tickets for 2020/21. Contact Shona by emailing slo@millwallplc.com or on Twitter @MillwallSLO.
*Must be done no later than four weeks prior to the fixture. Supporters can cancel their tickets up to three times a season.
**Calls to this number cost 7p per minute from a BT landline. Calls from other networks may vary and from mobiles will be considerably more. Booking fees apply. The call centre is open between 9.30am-5pm, Monday to Friday.
***Except those in Zampa's Family Stand which must be done by mail or in person


The commercial real estate industry is always in motion. Professionals need to know what's now and what's next to stay ahead, and this year's Building Owners and Managers Association (BOMA) International Conference & Expo offered thousands of attendees BIG opportunities to learn, connect, grow and shine.
Hosted in steamy San Antonio this week, BOMA 2018 boasted a full schedule of new educational content, the latest technology and innovative solutions, and prime networking time. Inspiring keynotes and spotlight sessions offered fresh approaches, practical direction and tactical strategies for optimizing asset values, embedding sustainability initiatives into operational practices, honing leadership skills and cultivating next-generation talent.
BOMA continued the annual tradition of presenting The Outstanding Building of the Year (TOBY) Awards at the convention. The TOBY Awards are most prestigious and comprehensive recognition of their kind in the commercial real estate industry, recognizing quality in commercial buildings and rewarding excellence in building management in hundreds of communities around the country. Congratulations to this year's award recipients!
BOMA 2018 is the one event that gives industry professionals the advanced strategies and specific tactics to benefit buildings of any size and type. All it takes is one key idea to reduce costs, one new solution for operational performance or one new contact with an opportunity.
The convention offered SOLID the opportunity to showcase our own approach to "one" during the show's expo. We introduced attendees to our one team of surface care experts who provide the highest level of care for all hard and soft surfaces while providing a world-class client experience.
A BIG thank-you is due to BOMA International and #BOMA2018 attendees for a great convention!


In 1977, after graduating from the University of Akron, Francine Good replied to a help wanted ad for Mattress Warehouse. After being hired and working at the company stores for a few months, she decided to go into business for herself. With a loan from her parents, she opened her first store at the age of 22 in North Canton, Ohio. In 1983, she expanded operations to Fort Wayne, Indiana and by 1996 three stores were established to better serve Fort Wayne and the surrounding area.
Francine believes that everyone deserves to sleep well, no matter their budget, and that is the concept that Mattress Warehouse practices to this day. We stock the widest variety of name brand matttress sets in the region and sell them at warehouse prices.
As a locally owned specialty bedding store, with national buying power, quality name brand bedding is our only business. Our sleep experts are trained to ask the right questions, so you are able to purchase the right mattress for you. With the ability to stock most mattresses, we can deliver around your schedule, so you can..."Sleep on it Tonight�?! We hope to see you soon and show you why "We do Bedding Better�?!


Fantastic villa that we find in the sought after urbanization of Las Delicias in Coín. The property is on a corner giving privacy and tranquility. An excellent easy maintenance garden and a large private pool. On the main floor we find a large living room, fully equipped and furnished kitchen and a bedroom with bathroom, also a fabulous sunny terrace to enjoy free time. On the first floor there are three bedrooms and two bathrooms with large terraces and spectacular views of the mountains and surroundings. In the semi-basement we have private parking and two other rooms for guests with a bathroom. Ideal to enjoy holidays or as a family home.


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Keyword: Ben Dachs
One Year Later ...
She was a Manhattan health care worker who recently returned from Iran. He was a New Rochelle lawyer who worked in Manhattan. Everyday people leading everyday lives. But what they carried inside them was no everyday virus. And there was just no way they could know how it would change not just their home, but the world. more
By MICHAEL HINMAN | 3/13/21
On the computer? In the car? SAR here to help
SAR Academy and its nearby high school made national headlines becoming some of the first schools in the state — and perhaps the country — to close because of the coronavirus pandemic. Now, nearly a year later, they're leading the charge to get their surrounding community vaccinated against the very virus that initially shut them down. more
By ROSE BRENNAN | 2/21/21


Agragamee has organised "Round Table on Agrarian Issues In The Context of Doubling Of Farmers' Income By 2022: An Exchange Of Views From The Field" with collaboration of Rosa Luxemburg Stiftung at Tribal Museum, Koraput on 24th and 25th November 2018. 60 numbers of farmer from 15 districts were participated in that event.
In the inaugural session Mr. Achyut Das, Director, Agragamee, shared that Government has taken various initiatives for doubling income by 2022. He explained the agenda which was ecological farming Vs chemical farming as well as other agricultural sensitive issues like unsustainable of land, pollution of land, water, loss of seed sovereignty, soil degradation, excess of of chemical pesticides, manipulation over distribution of MSP to farmers, use of land for non farming purpose, non working of deep bore well, effect of climate change, pro-policy for contractual farming, promotion of chemical farming by Government, lacking interest in the youth for farming etc.
In the two days farmers and other agriculture experts were discussed in various issues and solutions for doubling income. value addition and marketing channels of organic products, practice of organic farming, sustainable agriculture, seed preservation, preservation of natural forest, use of bio fertilizer, focus on income doubling of small, marginal and landless farmers, awareness among the youth for organic farming system etc. were core points of discussion for doubling farmers income.
During these two days event, apart from the agenda, farmers were shared about the success of organic farming. theyy shared that use of land and animal husbandry help them to increase their income.
Prof. Jagabandhu Samal, Professor, Council of Analytical Studies, Koraput, shared that from his 35 yeas experience he observed that quality of soil is decreasing day by day. Mrs. Vidhya Das, Joint Director, Agragamee, Prof. P.C. Mohapatra,Director, COATS, and farmers shared their views in this occasion. Farmers from Malkangiri, Koraput, Nabarangpur, Koraput, Rayagada, Kalahandi, Balangir, Jagatsinghpur, Baragad, Sambalpur, Angul, Debagarh,Kandhamal, Dhenkanal and Puri were actively participated. Apart from farmers, academic, media persons, social activists were participated.
This was second event related to the same agenda. First one was held at Hotel Suryansh, Bhubaneswar in the month of September 2018.


A dance between the dark earth and the movement of life rising with the light of spring. As we played we imagined a snowdrop bulb opening its roots down deeper into the earth, and its shoot pushing its daring and tender way up into the light.
One of my favourite tracks from this album. Heartful, tender, moving and gentle; a welcoming home waltz.
Originally made for dancing the 5 rhythms within the vibration of stillness, "Still Waves" is often to be heard on Movement Medicine dance floors, providing music of heart, dignity, gentleness and love. Susannah often uses the tracks "Homecoming" "Twilight" "Still Dancing" and "Vigil" for Wise Elder meditations. This is beautiful, spacious, acoustic piano and cello music. A journey through 2 waves of energy. Suitable for dancing, meditating, massage and moments in time and space. "I am deeply moved by "Still Waves". It is chamber music to ignite the Spirit." Marius-Christian Burcea, host and producer of radio show in Bucharest, Rumania.


Bethesda Softworks will be releasing a ton of new content for the first person shooter in time for the holiday season.
The holiday season has begun and Bethesda Softworks has announced that lots of new content will be making their way to Quake Champions via a new update on December 14th. The first-person shooter game is still in Early Access and the update will introduce the new character Keel, a new map as well as ranked play.
Keel has been a recurring character in the series and a story trailer has also been released in time for his entry into the character roster. The new map, Vale of Pnath will be playable in Duel and 2V2 matches. Also, the game has finally received ranked matches and leaderboards which is an essential feature of a multiplayer shooter such as this one.
In time for the holiday season, holiday-themed items will also be made available in-game along with all these other features. You can check out below the story trailer and character artwork for Keel as well as a screenshot of the new map.


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Q: How can I add multiple panels to Grafana? I want to see the cpu or features of more than one computer on Grafana, what can I do, the program I use is prometheus

A: I am somewhat new to Grafana, but I believe I know the answer to this. I believe that Prometheus scrapes the data, and you probably have some exporter that Prometheus is scraping from (windows-exporter, node exporter, a database, etc.). What you want to do is edit the prometheus.yml file and add another job name with the newly added exporter as a target. Here is a guide for node exporter, and I think that other exporters should have a very similar setup. Hope this helps!

A: hostname: localhost
volumes:
 - ./config/telegraf/telegraf.conf:/etc/telegraf/telegraf.conf:ro
 - /var/run/docker.sock:/var/run/docker.sock:ro
 - /sys:/rootfs/sys:ro
 - /proc:/rootfs/proc:ro
 - /etc:/rootfs/etc:ro
networks:
 - back-tier

how can i open docker code to outside network

redpajama_set_name: RedPajamaStackExchange


If you are on the lookout for a company in London for Toshiba Portege 4000 repair, London Laptop Troubleshooters is the ideal choice. Ours is a London based facility, offering both onsite and offsite laptop repairs.
Considering the growing importance of laptops in the contemporary world, even small problems with your laptops can be really harassing. So entrust your Toshiba Portege 4000 laptops to us for effective and speedy services. We keep your batteries, motherboards, LCD, floppy drive, CD-ROM, DVD and other spare parts in careful custody. Our repair functions are complemented by replacement, upgrading, installation of wired and wireless network, and software; removal of dust, changing of password and so on.
Avail of our services for branded laptops Micron, IBM, NEC, HP, Gateway, Emachine, AMD Compaq, Dell, and all other models of Toshiba. If any problem arises with our Toshiba Portege 4000 repair services we take full responsibility for rectifying it. We also help to retrieve data destroyed by virus, accidental directory deletion etc. Our well trained and specialized workers for Toshiba Portege 4000 repair can help you to solve difficult problems.
Please call 020 7237 6805 for all enquiries about our Toshiba Portege 4000 Repair. You can also browse through our website www.alertnetworks.co.uk for getting an overall view of our services. Email us at repairs@alertnetworks.co.uk for quick response.


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NEWS BRIEF: SPO Appoints New President for First Time in History
David Fischer is appointed new SPO President succeeding SPO's Founder Gordon DeMarais who has served in that role for the past 37 years.
Mendota Heights, Minn. – Saint Paul's Outreach (SPO) announced today the appointment of David Fischer as their new President. The position was previously held by Gordon DeMarais, who founded the organization in 1985.
SPO is a national leader in evangelization, reaching tens of thousands of college students and young adults every year. SPO trains recent college graduates as Missionaries to build relationships with their peers and invite them into a relationship with Jesus Christ and the Catholic Church.
Fischer served as an SPO Missionary from 2001-2003. During that time he also worked in the Office of Campus Ministry at the University of Saint Thomas. He then attended the University of Saint Thomas School of Law and was admitted to the Minnesota State Bar in 2006. From 2006-2015 Fischer's career focused primarily on economic development and strategic growth for a variety of organizations whose mission is to make a positive impact on culture; most notably, as the Director of Legal Affairs for the Catholic Community Foundation of Minnesota.
Fischer has served as SPO's Vice President for Advancement from 2015-2020 and was appointed Executive Vice President in 2021. During his tenure he engineered the most successful fundraising Campaign in SPO's history.
The announcement was met with excitement as the organization welcomed Fischer into his new role.
"One of the great joys of my life is to know and serve alongside so many who have given themselves generously to the Lord and this mission. David is one such person," DeMarais shared.
He went on to say, "Not only is David deeply committed to SPO's call and mission, he brings experience and exceptional leadership qualities to SPO that will serve to strengthen and advance the mission for years to come."
Most Rev. Bernard A. Hebda, the Chair of SPO's National Board of Directors and Archbishop of the Archdiocese of St. Paul and Minneapolis, also shared about Fischer's appointment, "The exciting news of the choice of David Fischer as the next President of SPO is truly cause for rejoicing. Knowing David's great love for the Church and SPO, and having long been inspired by his apostolic zeal, I look forward to working with him as he now builds on the firm foundation and vision that will always be the legacy of founder Gordy DeMarais. I am grateful that the Lord has once again blessed SPO and our Church with such an extraordinarily gifted and faith-filled leader."
DeMarais will continue to serve the mission of SPO where he will help support Fischer and SPO's National Board of Directors in this new and exciting chapter in SPO's history.
About Saint Paul's Outreach (SPO).
Founded in 1985 by Gordon DeMarais, Christina Smith, and Fr. Kevin Finnegan, SPO trains full-time Missionaries and student leaders to build missional communities that reach out and invite college students and young adults into a transformative relationship with Christ, forming lifelong disciples. SPO is located in cities and at colleges in Arizona, Florida, Kansas, Massachusetts, Minnesota, Missouri, New Jersey, Ohio, and Texas.
St. Paul's Outreach
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