text:
Data Source: U.S. Census Bureau
Data set: American Community Survey Tables: 2007 -- 2011 (5-Year Estimates) (ACS11_5yr)
Table: B17012. Poverty Status in the Past 12 Months of Families by Household Type by Number of Related Children Under 18 Years [35]
Universe: Universe: Families
B17012. Poverty Status in the Past 12 Months of Families by Household Type by Number of Related Children Under 18 Years
B17012001Universe: Families
B17012019 Income in the Past 12 Months At or Above Poverty Level
B17012025 Other Families
B17012031 Female Householder, No Husband Present
Families (ACS11_5yr:B17012001)
The 2007-2011 ACS 5-Year Summary File Technical Documentation -> Appendix A. Supplemental Documentation -> Subject Definitions -> Population Variables -> Poverty Status in the Past 12 Months
Since ACS is a continuous survey, people respond throughout the year. Because the income questions specify a period covering the last 12 months, the appropriate poverty thresholds are determined by multiplying the base-year poverty thresholds (1982) by the average of the monthly inflation factors for the 12 months preceding the data collection. See the table in Appendix A titled "Poverty Thresholds in 1982, by Size of Family and Number of RelatedChildren Under 18 Years (Dollars)," for appropriate base thresholds. See the table "The 2011 Poverty Factors" in Appendix A for the appropriate adjustment based on interview month.
Income Deficit
Income deficit represents the difference between the total income in the last 12 months of families and unrelated individuals below the poverty level and their respective poverty thresholds. In computing the income deficit, families reporting a net income loss are assigned zero dollars and for such cases the deficit is equal to the poverty threshold.
This measure provides an estimate of the amount, which would be required to raise the incomes of all poor families and unrelated individuals to their respective poverty thresholds. The income deficit is thus a measure of the degree of the impoverishment of a family or unrelated individual. However, please use caution when comparing the average deficits of families with different characteristics. Apparent differences in average income deficits may, to some extent, be a function of differences in family size.
Aggregate Income Deficit
Aggregate income deficit refers only to those families or unrelated individuals who are classified as below the poverty level. It is defined as the group (e.g., type of family) sum total of differences between the appropriate threshold and total family income or total personal income. Aggregate income deficit is subject to rounding, which means that all cells in a matrix are rounded to the nearest hundred dollars. (For more information, see "Aggregate" under "Derived Measures.")
Mean Income Deficit
Mean income deficit represents the amount obtained by dividing the aggregate income deficit for a group below the poverty level by the number of families (or unrelated individuals) in that group. (The aggregate used to calculate mean income deficit is rounded. For more information, see "Aggregate Income Deficit.") As mentioned above, please use caution when comparing mean income deficits of families with different characteristics, as apparent differences may, to some extent, be a function of differences in family size. Mean income deficit is rounded to the nearest whole dollar. (For more information on means, see "Derived Measures.")
Poverty Status of Households in the Past 12 Months
Since poverty is defined at the family level and not the household level, the poverty status of the household is determined by the poverty status of the householder. Households are classified as poor when the total income of the householder's family in the last 12 months is below the appropriate poverty threshold. (For nonfamily householders, their own income is compared with the appropriate threshold.) The income of people living in the household who are unrelated to the householder is not considered when determining the poverty status of a household, nor does their presence affect the family size in determining the appropriate threshold. The poverty thresholds vary depending upon three criteria: size of family, number of children, and, for one- and two- person families, age of the householder.
Question/Concept History
Derivation of the Current Poverty Measure - When the original poverty definition was developed in 1964 by the Social Security Administration (SSA), it focused on family food consumption. The U.S. Department of Agriculture (USDA) used its data about the nutritional needs of children and adults to construct food plans for families. Within each food plan, dollar amounts varied according to the total number of people in the family and the family's composition, that is, the number of children within each family. The cheapest of these plans, the Economy Food Plan, was designed to address the dietary needs of families on an austere budget.
Since the USDA's 1955 Food Consumption Survey showed that families of three or more people across all income levels spent roughly one-third of their income on food, the SSA multiplied the cost of the Economy Food Plan by three to obtain dollar figures for total family income. These dollar figures, with some adjustments, later became the official poverty thresholds. Since the Economy Food Plan budgets varied by family size and composition, so too did the poverty thresholds. For two-person families, the thresholds were adjusted by slightly higher factors because those households had higher fixed costs. Thresholds for unrelated individuals were calculated as a fixed proportion of the corresponding thresholds for two-person families.
The poverty thresholds are revised annually to allow for changes in the cost of living as reflected in the Consumer Price Index for All Urban Consumers (CPI-U). The poverty thresholds are the same for all parts of the country; they are not adjusted for regional, state, or local variations in the cost of living.
Limitation of the Data
Beginning in 2006, the population in group quarters (GQ) is included in the ACS. The part of the group quarters population in the poverty universe (for example, people living in group homes or those living in agriculture workers' dormitories) is many times more likely to be in poverty than people living in households. Direct comparisons of the data would likely result in erroneous conclusions about changes in the poverty status of all people in the poverty universe.
Because of differences in survey methodology (questionnaire design, method of data collection, sample size, etc.), the poverty rate estimates obtained from American Community Survey data may differ from those reported in the Current Population Survey, Annual Social and Economic Supplement, and those reported in Census 2000. Please refer to
(http://www.census.gov/hhes/www/poverty/about/datasources/description.html) for more details.
The 2007-2011 ACS 5-Year Summary File Technical Documentation -> Appendix A. Supplemental Documentation -> Subject Definitions -> Population Variables -> Household Type and Relationship
Household Type and Relationship
The data on relationship to householder were derived from answers to Question 2, relationship to the householder, which was asked of all people in housing units. The question on relationship is essential for classifying the population info families and other groups. Information about changes in the composition of the American family, from the number of people living alone to the number of children living with only one parent, is essential for planning and carrying out a number of federal programs, such as families in poverty.
The responses to this question were used to determine the relationships of all persons to the householder, as well as household type (married couple family, nonfamily, etc.). From responses to this question, we were able to determine numbers of related children, own children, unmarried partner households, and multigenerational households. We calculated average household and family size. When relationship was not reported, it was imputed using the age difference between the householder and the person, sex, and marital status.
A household includes all the people who occupy a housing unit. (People not living in households are classified as living in group quarters.) A housing unit is a house, an apartment, a mobile home, a group of rooms, or a single room that is occupied (or if vacant, is intended for occupancy) as separate living quarters. Separate living quarters are those in which the occupants live separately from any other people in the building and which have direct access from the outside of the building or through a common hall. The occupants may be a single family, one person living alone, two or more families living together, or any other group of related or unrelated people who share living arrangements.
A measure obtained by dividing the number of people in households by the number of households. In cases where people in households are cross- classified by race or Hispanic origin, people in the household are classified by the race or Hispanic origin of the householder rather than the race or Hispanic origin of each individual. Average household size is rounded to the nearest hundredth.
Relationship to Householder
One person in each household is designated as the householder. In most cases, this is the person, or one of the people, in whose name the home is owned, being bought, or rented and who is listed on line one of the survey questionnaire. If there is no such person in the household, any adult household member 15 years old and over could be designated as the householder.
Households are classified by type according to the sex of the householder and the presence of relatives. Two types of householders are distinguished: a family householder and a non- family householder. A family householder is a householder living with one or more individuals related to him or her by birth, marriage, or adoption. The householder and all people in the household related to him or her are family members. A nonfamily householder is a householder living alone or with non-relatives only.
Includes a person married to and living with a householder who is of the opposite sex of the householder. The category "husband or wife" includes people in formal marriages, as well as people in common-law marriages. In tabulations, unless otherwise specified, "Spouse" does not include same-sex married couples even if the marriage was performed in a state issuing marriage certificates for same-sex couples.
Includes a son or daughter by birth, a stepchild, or adopted child of the householder, regardless of the child's age or marital status. The category excludes sons-in-law, daughters- in-law, and foster children.
Biological son or daughter - The son or daughter of the householder by birth.
Adopted son or daughter - The son or daughter of the householder by legal adoption. If a stepson or stepdaughter has been legally adopted by the householder, the child is then classified as an adopted child.
Stepson or stepdaughter - The son or daughter of the householder through marriage but not by birth, excluding sons-in-law and daughters-in-law. If a stepson or stepdaughter of the householder has been legally adopted by the householder, the child is then classified as an adopted child.
Own Child
A never-married child under 18 years who is a son or daughter by birth, a stepchild, or an adopted child of the householder. In certain tabulations, own children are further classified as living with two parents or with one parent only. Own children of the householder living with two parents are by definition found only in married-couple families. (Note: When used in "EMPLOYMENT STATUS" tabulations, own child refers to a never married child under the age of 18 in a family or a subfamily who is a son or daughter, by birth, marriage, or adoption, of a member of the householder's family, but not necessarily of the householder.)
Related Child
Any child under 18 years old who is related to the householder by birth, marriage, or adoption. Related children of the householder include ever-married as well as never-married children. Children, by definition, exclude persons under 18 years who maintain households or are spouses or unmarried partners of householders.
Other Relatives
In tabulations, the category "other relatives" includes any household member related to the householder by birth, marriage, or adoption, but not included specifically in another relationship category. In certain detailed tabulations, the following categories may be shown:
Grandchild - The grandson or granddaughter of the householder.
Brother/Sister - The brother or sister of the householder, including stepbrothers, stepsisters, and brothers and sisters by adoption. Brothers-in-law and sisters-in-law are included in the "Other Relative" category on the questionnaire.
Parent - The father or mother of the householder, including a stepparent or adoptive parent. Fathers-in-law and mothers-in-law are included in the "Parent-in-law" category on the questionnaire.
Parent-in-law - The mother-in-law or father-in-law of the householder.
Son-in-law or daughter-in-law - The spouse of the child of the householder.
Other Relatives - Anyone not listed in a reported category above who is related to the householder by birth, marriage, or adoption (brother-in-law, grandparent, nephew, aunt, cousin, and so forth).
Nonrelatives
This category includes any household member, including foster children, not related to the householder by birth, marriage, or adoption. The following categories may be presented in more detailed tabulations:
Roomer or Boarder - A roomer or boarder is a person who lives in a room in the household of the householder. Some sort of cash or noncash payment (e.g., chores) is usually made for their living accommodations.
Housemate or Roommate - A housemate or roommate is a person age 15 years and over, who is not related to the householder, and who shares living quarters primarily in order to share expenses.
Unmarried Partner - An unmarried partner is a person age 15 years and over, who is not related to the householder, who shares living quarters, and who has a close personal relationship with the householder. Same-sex spouses are included in this category for tabulation purposes and for public use data files.
Foster Child - A foster child is a person who is under 21 years old placed by the local government in a household to receive parental care. Foster children may be living in the household for just a brief period or for several years. Foster children are nonrelatives of the householder. If the foster child is also related to the householder, the child is classified as that specific relative.
Other Nonrelatives - Anyone who is not related by birth, marriage, or adoption to the householder and who is not described by the categories given above.
When relationship is not reported for an individual, it is imputed according to the responses for age, sex, and marital status for that person while maintaining consistency with responses for other individuals in the household.
Unrelated Individual
n unrelated individual is: (1) a householder living alone or with nonrelatives only, (2) a household member who is not related to the householder, or (3) a person living in group quarters who is not an inmate of an institution.
Married-Couple Family - A family in which the householder and his or her spouse are listed as members of the same household.
- Male Householder, No Wife Present - A family with a male householderand no spouse of householder present.
Nonfamily Household
A householder living alone or with nonrelatives only. Same-sex couple households with no relatives of the householder present are tabulated in nonfamily households.
Unmarried-Partner Household
An unmarried-partner household is a household other than a "married-couple household" that includes a householder and an "unmarried partner." An "unmarried partner" can be of the same sex or of the opposite sex as the householder. An "unmarried partner" in an "unmarried-partner household" is an adult who is unrelated to the householder, but shares living quarters and has a close personal relationship with the householder. An unmarried-partner household also may be a family household or a nonfamily household, depending on the presence or absence of another person in the household who is related to the householder. There may be only one unmarried partner per household, and an unmarried partner may not be included in a married-couple household, as the householder cannot have both a spouse and an unmarried partner. Same-sex married couples are included in the count of unmarried-partner households for tabulations purposes and for public use data files.
Between 1996 and 2007, the question response categories remained the same. In 2008, the "Son or daughter" category was expanded to "Biological son or daughter," "Adopted son or daughter," and "Stepson or stepdaughter." Also "In-law" was expanded to "Parent-in-law" and "Son-in-law or daughter-in-law."
Unlike the Current Population Survey (CPS) and the Survey of Income and Program Participation (SIPP), the ACS relationship question does not have a parent pointer to identify whether both parents are present. For example, if a child lives with unmarried parents, we only know the relationship of the child to the householder, not to the other parent. So a count of children living with two biological parents is not precise.
The relationship categories for the most part can be compared to previous ACS years and to similar data collected in the decennial census, CPS, and SIPP. With the change in 2008 from "In-law" to the 2 categories of "Parent-in-law" and "Son- in-law or daughter-in-law", caution should be exercised when comparing data on in-laws from previous years. "In-law" encompassed any type of in-law such as sister-in-law. Combining "Parent-in-law" and "son-in-law or daughter-in-law" does not represent all "in-laws" in 2008. The same can be said of comparing the 3 categories of "biological" "step", and "adopted" child in 2008 to "Child" in previous years. Before 2008, respondents may have considered anyone under 18 as "child" and chosen that category. The ACS includes "foster child" as a category. However, the 2010 census did not contain this category, and "foster children" were included in the "Other nonrelative" category. Therefore, comparison of "foster child" cannot be made to the 2010 census.


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Board index South Park General South Park Discussion
Talk about anything South Park
Lemniwinks
Postby Lemniwinks » Thu Dec 14, 2006 1:40 am
I was curious to what people thought was going to happen in the final episode. I realize they have set it up so that Chef returns, and I am wondering if his defeat will be in the final episode, or if they bring him back somehow. I want an epic ending, one that signals the end of South Park. Maybe a conflit with the super Happy Adventure club can build up or something. What do you want?
Sonnyvice
Postby Sonnyvice » Thu Dec 14, 2006 2:27 pm
In the final episode they should forget all those boring political and unfunny plots... something simply would be nice again. They should also concentrate to the all four boys and South Park town & it's people, like in the early seasons. And I want at least these people back: Chef, Barbrady, Jimbo, Ned, Mayor, Pip, Mr. Hankey, Mr. Hat, Jesus, Mephisto, Kevin, and hmm...Fat Abbott And they should show lots of Garrison (as male of course)! But no Butters in that episode...
Last edited by Sonnyvice on Fri Dec 15, 2006 10:17 am, edited 2 times in total.
Postby Lemniwinks » Fri Dec 15, 2006 2:59 am
Only bring back Barbrady if they fix his voice. Knowing Matt and Trey, they may not leave the final episode as a happy ending.
Postby Sasa42 » Fri Dec 15, 2006 12:32 pm
I don't think they're going to touch on the Darth Chef or Super Adventure Club thing again. That was just that one episode.
As for it being happy or sad? Sure, Matt and Trey like to f*ck around with us, but South Park is their baby and I can't imagine them going out forever on a downer. A cliffhanger, perhaps. That would piss people off and yet instill hope in us all for a return one day... which could be far sadder than an overall end...
Thinking about the end is sad
Hello, I'm a British person!
Postby Sonnyvice » Fri Dec 15, 2006 1:00 pm
Well, if S11 is nearly as crappy as season 10 was, I really hope that they would end the show as quickly as they can...
But: IF they can return to the "old South Park glory" (seasons 1-4, and also mainly seasons 5-9) it would be nice to see many many new seasons. And then the final episode shouldn't topical for a long time...
P.s: Sorry for my stupid english...
FoxDougan
Postby FoxDougan » Fri Dec 15, 2006 3:05 pm
Finish it on a movie, with the guys all dying, Kenny-style.
But after the credits, we see Cartman wake up... was it all a dream?!
Acutally, that's sh*t.
A film would be nice though and maybe a message to the fans on the website, too.
Shiek927
Postby Shiek927 » Sat Dec 16, 2006 4:06 pm
Yes, a second film would be a great way too wrap up the series. As for an episode, probably a flashback episodes where songs from the early seasons are played, with one last "You know, I learned something today..." message.
Through the years we all will be together...if our fates allow...
"Whats your name?"
"What's in a name?"
Kyle and Rebecca.
Postby strumpfhose » Mon Dec 18, 2006 1:06 am
Sonnyvice wrote: Well, if S11 is nearly as crappy as season 10 was, I really hope that they would end the show as quickly as they can...
The thought has popped into my mind every now and then, while watching some new episodes, that they have gone too far and political and complicated with the plots and thought about how good the show was back in the day when it was just simply the four boys goofing around in their little f*cked up town... But now, when I see the 1st or 2nd season episodes, they are not nearly as good as I remembered. It's just that... The characters and the show in general have developed so much that you don't get as much out from the old episodes. They are too... how should i say it... doesn't work on so many level as the new ones do and aren't as smart. If the show still was like it was in the 1-5 seasons, I would probably have got bored of it already.
I hope the last episode will leave us all in a good spirits. Not annoyed or pissed or anything... I certainly hope it won't be a clifhanger!!! It was fun in the 1st time but this time it would be just TOO f*cking mean x) Matt once said they'll probably end it on a fart. (Then again... Once he's said that, they probably won't.)
P.S. Ai perkele, eka näkemäni suomalainen täällä!
Brett14
Postby Brett14 » Mon Dec 18, 2006 1:56 am
I am with you on that Sonnyvice they defintiely changed the south park epidsodes by featuring less original characters and signature things around seasno 6. And in season ten the only thing that stuck out to me was world of warcraft. Nontheless good opionin
Postby Sonnyvice » Mon Dec 18, 2006 1:59 pm
strumpfhose wrote: But now, when I see the 1st or 2nd season episodes, they are not nearly as good as I remembered.
Well, to me they are still as fantastic as when I saw them first time. I can watch them over and over again and I still laugh all the time! I love old seasons so much <3
P.S: joo kiva nähdä suomea puhuvia täällä
Postby Sasa42 » Mon Dec 18, 2006 2:33 pm
strumpfhose wrote: Matt once said they'll probably end it on a fart. (Then again... Once he's said that, they probably won't.)
I think that's the most perfect way you could ever end SP. Beautiful
Return to "General South Park Discussion"

redpajama_set_name: RedPajamaCommonCrawl


Summary: The Board will be asked to award contract for the Custodial and Grounds services.
Recommendation: To award contract as presented.
Member Kirstin Cook Moved, Member Jacqueline Carr seconded to approve the Original motion 'To approve the Letter of Intent as presented.'. Upon a Roll-Call Vote being taken, the vote was: Aye: 4 Nay: 1.


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Boudreaux's New Drug Store
Doug Boudreaux's grandfather opened his drug store in Lake Charles in 1923 and the business has been a leader in the Louisiana pharmacy industry ever since. What began as a traditional pharmacy has evolved into one that offers custom compounding, holistic wellness, and herbal and homeopathic remedies.
During that evolution, Boudreaux's was the first pharmacy in Louisiana to utilize a computer, which pharmacist and store manager Stacy Teer says "was as big as a room," to dispense medications. It was also one of the first pharmacies in the state to have a sterile room to make medications used for intravenous and ophthalmic uses.
Retail technology upgrade
Boudreaux's New Drug Store chose Paladin Data Corporation as its technology provider in 2012 and uses the intuitive retail platform to serve their loyal following of customers. The store utilizes its integration with PCCA (Professional Compounding Centers of America) and its pharmacy management service.
Paladin's pharmacy solution integrates smoothly with leading Rx systems. Customer information is retrieved and returned securely to a store's Rx system after transactions are complete.
Paladin makes compliance automatic and simple, conforming to all governmental and insurance regulations. It automatically conveys requests for HIPAA signatures whenever necessary, streamlines the purchase of IIAS-eligible and non-eligible pharmacy products and connects directly to the NPLEx database during checkout to track pseudoephedrine purchases.
It also makes ordering faster with integrations to leading wholesalers including RDC, Cardinal Health, McKesson and AmerisourceBergen.
"Paladin is great. It's very user-friendly. Hands down, it's very simple for us to use," Stacy says.
"Paladin is great. It's very user-friendly. Hands down, it's very simple for us to use."
Stacy Teer
Pharmacist, Boudreaux's New Drug Store
Over the years, Boudreaux's and its pharmacists have received many awards for compounding, innovation and service from the Louisiana Board of Pharmacy. Doug and Stacy have both earned honors as Innovative Pharmacist of the Year from the Louisiana Pharmacist Association.
"We specialize in customized medications and work with local physicians to meet the needs of their patients," Stacy explains. "We create things here. We have a state-of-the-art lab and we make things from scratch."
Since its inception, Boudreaux's has been the quintessential independent neighborhood pharmacy serving a wide range of loyal customers. Over the past 15 years, the business has focused on offering a holistic approach to its customers' health.
"That's where a lot of medicine is going," Stacy says. "People don't want to take medicines if they don't have to and rightfully so. They want alternative therapies and want to maintain their health."
The store features shelves of specialized homeopathic and holistic medicines along with some traditional over-the-counter products. Boudreaux's focus is on servicing its customers as compassionately and effectively as possible. Paladin's pharmacy solution smooths customer checkout making that job easier.
"Take the time to listen to your customers. That goes a long way. Be compassionate. Engaging with them is very important."
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Update 24 October 2016: Anders Emilson's dissertation wins award for best dissertation.
What can design offer in the transition from industrial civilization to a new society where we can survive and thrive?
On September 9, Anders Emilson will defend his PhD thesis "Design in the space between stories". Faculty opponent will be professor Ezio Manzini, a world-leading design researcher in the fields of sustainability and social innovation. On September 10, Manzini will also give a Medea Talk: Design, When Everybody Designs.
ABSTRACT — We seem to be approaching the end of the era we know as Industrial Civilization. If this is the case, we will leave a stable period of progress and growth and enter into a long period of decline where many of our systems and support structures will collapse. From the perspective of how we are accustomed to living our lives and the narratives we live by, the future looks dark. How will this affect an optimistic, creative, and future-making discipline like design, a discipline which emerged out of the industrial revolution? What can design offer in the transition from industrial civilization to a new society where we can survive and thrive? What is the task of design if not to design for the market economy? What possible futures will designers then propose?
Designers will need to learn to navigate future paths: those that will likely lead to sustainability and those that will likely lead to collapse. In this thesis, I explore the two paths, or scenario storylines, of Great Transition and Conventional Development. I consider the space between these stories—the space between sustainability and collapse—as a design space with many possible futures to explore. I propose that designers not only address societal challenges with the belief that we can solve them and live in a world that is both sustainable and resilient, but also consider what it means to fail and address the prospect of societal collapse. What kind of world will we end up in then? And what can we do to avoid a collapse or else prepare ourselves for a life in a world of societal breakdown? In the search for the answers to these questions, I explore design things and how values and frames as well as stories and design fictions can be used by constellations of concerned citizens when exploring possible futures.


text:
Online Casino Innovations – a Felix Gaming Software Review
Gaming Titles14 Slots
MobileAndroid, iOS
History & PlansFirst Slots - 2018
Gaming Features"Flash-Stop"
Additional InfoContact Details
Partners1xBet, SlotsMillion
Felix Gaming is an online casino software developing company that was launched in 2016, in Sofia, Bulgaria. Although a few years had passed before the company released its first titles, they immediately became popular for the outstanding quality of their games. Today, this relatively small company has managed to make some big waves in the pool of the iGaming industry by introducing new and innovative slot features. In this article, you will learn what those are and see how they might change the landscape of online casino gaming development in the future.
All Felix Gaming Titles Are Slots
From the moment of its establishment, Felix Games has produced 14 games in total. This company regards itself as being a slot creator "through and through" and it is why it is highly unlikely that we will see any other gaming genre from them. On the other hand, what they do, they do more than well – which becomes self-evident from the slots themselves. We have listed some of the best ones below, check them out!
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This is a "fast car" themed slot with a standard 3x5 reel layout. This game offers numerous bonuses, a mini-game that grants win multipliers up to x25, regular free spins, and super free spins. Getting three scatter symbols triggers a mini-game that will list a number of mystery prizes to choose from. Last but not least is the bonus feature that will grant 10 free spins for every 100 spins a player makes.
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Features a 3x5 reel layout, expanding wilds, and scatter symbols that trigger a special bonus prize game. This ancient Egypt-styled slot has a lot to offer to its players. In contrast to its "fixed counterparts", Pharaoh's Temple has 20 adjustable pay lines, and 10 allowed bets per line.
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A dragon fantasy-themed 3x5 reel slot, Dark Mystic offers 10 adjustable pay lines, exploding symbol combinations, expanding, and exploding wild symbols, and 30 bets per line. Although this game does not offer any free spins like its other counterparts, the exploding symbols mechanic provides enough of an advantage to make a good win.
"Book of Anunnaki"
This Babylonian-themed slot does look similar to the majority of other slots made by Felix Gaming. It features a 3x5 reel layout and 10 fixed pay lines. Among the many features of this game, we counted special symbols, expanding symbols, free spins, free spin re-triggers, and the innovative "Hyper Jump" feature.
The Slots of Felix Gaming Are Mobile Platform-Ready
Felix Gaming's titles are fully compatible with all modern mobile devices. Whether people wish to experience them using iOS, Android, or Windows-based tablets and smartphones, they can do so freely. Naturally, it is recommended that people who wish to try playing any Felix Gaming titles, do so by using the latest version of their preferred mobile browser.
What Type of Developing Platform Is Used by Felix Gaming
By taking a closer look at the titles made by Felix Gaming, we have successfully determined that they were developed with the use of the HTML5 platform. Using it has allowed the developer to implement a number of modern functions and features that make the gaming experience truly unique. HTML is also the reason why all of Felix's gaming software is so well-optimised for mobile use!
Brief Company History and Further Business Plans
The company is said to have been established by three professionals that have more than 15 years of experience in the iGaming industry. They set out to revolutionise the way slots are played, and they took a few years after launching their company in order to produce their first games. And so, in 2018 Felix Games released their first batch of slots. A year later, they added two more titles to their portfolio - (Juicy Wilds, the Wild Beast of Crete), and two more at the beginning of 2020. Felix Gaming's moto is "player's only" which shows their dedication to creating games that are exactly what the players expect in terms of functionality.
The Innovative Gaming Features of This Developer
A very subtle but unique feature of the slots made by Felix gaming is the "flash-stop" function. While regular "slam-stop" would take a slight delay before stopping the reels, the flash-stop will seize all reels the moment a player clicks on the "spin-stop" button. Another interesting and unique feature is the ability to place several bets on a single pay line! Depending on the game, players will be able to place up to 30 bets per line. By controlling the denomination of each bet, players will be able to adjust how much they would feel comfortable in spending on each spin.
Getting Bonuses on a Number of Spins
Another interesting feature implemented by Felix Gaming is "bonuses and prizes on a number of spins". This means that a slot will release a number of free spins, a big multiplier, or any other bonus, once a player has completed a predetermined amount of spins (usually it's within the range of 100 - 150).
What makes this feature special is that the spin progress is saved every time, meaning that a player can close the game whenever they feel like it, and they will not have lost the "bonus spin progression". Once a player logs into their online casino account and opens the same game, they will pick up exactly where they had left off – guaranteeing that they will receive their additional bonus afterwards. Usually, a stylised counter will depict how many spins are left before the extra feature is activated.
Uniform Design and Functionality
Another subtle but important feature is the fact that the HUD interface that allows the player to control the slot and its features is stylised after the overall theme of the game itself. This makes the slot not only more appealing to play, but also makes it stand out from the rest of the slots produced by Felix Gaming, and those made by other developers.
Making Slot Gameplay Even Faster
The "Hyper Jump" mechanic is one of the best slot features ever made. It allows the player to enter "Hyper Jump" mode, where they can set the number of spins they want to process, and the bet amount per spin. The game would then process approximately 10 spins per second, and automatically add any winnings to the player's balance. If a reel spin is supposed to produce a special bonus feature or a win (anything besides regular winning symbol combinations) the "Hyper Jump" mode will automatically disable itself and return the slot to its "regular" play mode.
Additional Information and Contact Details
With the company being relatively obscure by the eyes of the iGaming industry, it is understandable why their business presence isn't much known. With that being said, the only source of relevant news we could find, was the company's account in the social platform LinkedIn. Naturally, Felix Gaming does provide a "contact us" form on its website, making itself accessible for communication with any potential business partners.
How Does This Developer Compare to Others in the Industry?
Comparing Felix Gaming to other developers in the industry must happen on equal terms. Given the fact that this is a small developing firm, they do manage to impress both players and other developers with the design of their games and the implementation of new and unique slot features. With that being said, it is easy to rank Felix Gaming to be among the highest places in their own business-class!
Regardless of the size of its gaming portfolio, the company has managed to create valuable business partnerships with a variety of high-profile top online casinos and developers, such as Groove Gaming, 1xBet, SlotsMillion, King Billy, 22bet, iGamingPlatform, and others. Given the fact that Felix Gaming is developing at a steady rate, it will not come as a surprise when they expand their business relations in the future.
Felix Gaming Is Picking up the Pace
Although Felix Gaming seems to take their time when they develop a slot game, the end result is more than satisfactory. While the company is made up of a "somewhat limited" staff, they seem to follow their business goals clearly, which is why they continue to attract big names in the iGaming industry. Throughout their development, Felix Gaming has shown a significant increase in speed when it comes to making online casino games, and we are definitely interested in seeing what they will come up in the following months!
FAZI Casinos
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WAC Casinos
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If You Have Blocked Sewers in Brook, Here's What to Do!
24/7 Drainage UK is the leading company for your sewer needs; if you need your pipelines drained, cleaned and unclogged, we're here for you. 24/7 Drainage UK has a flawless reputation earned over the past decade and after your first contact with us, you'll see why our customers appreciate what we do. You have nothing to lose if you're thinking of using our services for the first time; we always offer a money back guarantee. Our job isn't done until we know that we have done everything possible to prevent your pipes or sewers in Brook from being blocked again!
24/7 Drainage UK is a company based and operated in Brook. We have highly experienced and qualified professionals from all around the region. All our professional plumbers are certified engineers and plumbers, which means they are ready to provide you outstanding services without any doubts. We've always been known as a customer oriented company, mainly because we always put your satisfaction above our own. The thousands of customers that we've served in Brook throughout the years agree on our high standard of trust and flawless reliability.
Don't worry - you're on your way to peace of mind! No matter what day or time, we'll be on our way to save the day! We're Insured - Worried that our employees could damage your surroundings, fixtures or environment? You'll be happy to know that all of our services are insured so you're always covered. We're proud to offer insurance but even more proud that our team is well-experienced and will make sure that none of your surroundings, fixtures or equipment is affected during a job. If something does need to be replaced or removed, you'll be the first to know. Certified Brook Blocked Sewer Professionals – We don't work with amateur plumbers and engineers who might do more damage than good. In order to make sure our customers are always satisfied, we only recruit and allocate certified professionals who are experienced with the tasks. Only the Best Sewer Unblocking Brook - If you're trying to find the best service provider in the industry, 24/7 Drainage UK's reputation is just that. If you don't believe us, you can ask around and get to know more about us. We're sure that you'll only hear amazing things. That's a fact!
There are many causes when a sewer gets blocked. Here are some of the most common and how we handle them: Broken Pipelines: In older homes, erosion, shifting soil, frozen ground and construction can cause pipelines in the sewer to become damaged, rusty or collapsed. When this happens, our state of the art equipment is used to thoroughly inspect the area and make sure that the true problem is discovered. Damaging Blockage: Pipes can become blocked from grease build-up, the introduction of foreign objects and a variety of other items. For the most part, professional services are needed to handle these blockages, especially if you want to prevent them from happening again. Broken down pipes: When pipes have been broken for years, collapses and restricted water flow are a certainty. There are countless reasons when it comes to blocked sewers in Brook. This is why we never start a job without thoroughly inspecting the problem with our tools and make sure that we're tackling the right problem the right way.
Our Trustatrader profile reflects our commitment to our work, with us being one of the number-one sewer unblocking companies in the Brook area. We are a company that specialises in unblocking sewers, and have a solid reputation for staff that are professional and highly knowledgeable. We get a great number of referrals from our connections and through Trustatrader, which speaks volumes about the quality of what we do.
Our 24/7 Drainage UK company has been built through recommendations on sites like Rated People and from existing customers. When you review our Rated People profile you will see that we offer reliability, state-of-the-art tech and methods, a high quality service and tremendous value for money. If you need to unblock sewers in Brook, then pop on over to our Rated People profile and discover lots of reasons to call us today!
Give us a call anytime, whether it's for an emergency blocked sewer in Brook or check-up; we'll show up when you request and handle the situation.


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Jorge Masvidal Claims A Win At UFC 211 Gets Him A Title Shot
Jorge Masvidal is taking on #3 ranked Demian Maia is just about a week's time on the main card of UFC 211.
The fighter claims that a win over the Brazilian submission artist will get him a shot at the UFC Welterweight Title.
"If this is not the No. 1 contender fight, you know that the politics and social media and who looks more like a boyband member have completely taken over," Masvidal told MMA Junkie Radio. "Completely. Fighting will no longer be about who can fight more, but about who's spending more time on social media. Not for nothing, but Maia is the No. 1 contender by far. I know it – six-fight winning streak, the way he's handled guys. He's the No. 1 contender. If God willing, I beat that dude, and I'm not the No. 1 contender, the sport's taken a dramatic turn for the worse."
Tyron Woodley is the current UFC Welterweight Champion and he's defending the championship again an opponent to be announced this July.
Besides trying to earn a title shot, the welterweight contender is doing his best to make the UFC great again.
"That's something scary, what the future looks like," Masvidal said. "That's why I say I'm making the UFC great again. Because you're not going to see me dodging nobody. I didn't dodge nobody on my way to the title. I called out the two toughest guys that I thought were in the division and I'll continue to do that when I have that belt, God willing, if I have that wrapped around my waist."
UFC 211 takes place on Saturday, May 13 from the American Airlines Arena in Dallas, Texas with Stipe Miocic and Junior Dos Santos headlining. Fightful is providing live coverage of the event, with a post-show podcast to follow.


Dancing has evolved many styles. Breakdancing and Krumping are related to the hip hop culture. African dance is interpretative. Ballet, Ballroom, Waltz, and Tango are classical styles of dance while Square and the Electric Slide are forms of step dances.


My grandson Miles lay in my arms, eyes shut tight, lost in a world of newborn dreams. With the free hand that didn't play host to a snoozing baby, I scrolled through my Facebook newsfeed, reading post after post from parents painfully parting ways with their college-bound teens.
As I looked down at the two-week old miracle so content in my arms, my heart ached for so many of my friends who had driven home that day from universities across the country without their "babies" in the backseat of the car. At that moment, a worn out cliche came to mind ....they really do grow up in the blink of an eye.
My grandson's mommy, Jessica, the daughter who entered my life as a teen when I said "I do" to her dad (my husband Bob), has embarked on that remarkable journey called motherhood, a journey I began on July 1, 1997 when I held my firstborn (and Jessica's baby sister) Melissa in my arms.
On that miraculous day when I looked at my baby girl for the very first time, I simply didn't know.
I didn't know about playdates and preschool and dollies and Disney Princesses.
I didn't know that I'd cherish pushing my cherub on the playground swings and reading her books each night before bed.
I didn't know about tricycles and trips to the beach and Thanksgiving visits to grandma and grandpa.
I didn't know that she'd break out in scary hives when her fever topped 100 degrees, or that her annual appointments with the pediatrician would be followed by ice cream to soothe her tears.
I didn't know about countless hours watching her play in the tub with naked barbie dolls, or countless hours spent untangling her long brown hair while she snuggled in my lap.
I didn't know I'd be shedding tears as she boarded the bus for first grade, or that the tears would still flow as the bus whisked her off to high school.
I didn't know she'd take up the flute in 5th grade or that she'd start playing guitar soon after. I didn't know she'd have a singing voice like an angel and that chorus concerts and school shows would become an intricate part of her world.
I didn't know she'd be elected as president of her youth group, or how beautiful she would look at her junior prom. I didn't know that my baby would drive a car, hold down a job, and start filling out college applications the summer before her senior year.
Yes, next year at this time, the mother posting those tearful college farewell photos will be me.
All of those years ago when I held Melissa for the very first time, I didn't know that my heart would succumb to such powerful love....and that there would come a time when I would have to say goodbye.
Today, I look at my grandson, Miles, with quite a different perspective.
Because now I do know.
I know that his mommy Jessica and his daddy Brian will mark every milestone in their young son's life with all of the fascination and wonder that all new parents deserve.
They don't know now, but so soon will learn that their unbelievably happiness at earning the title of parents will only grow stronger as Miles enters each phase of his life.
Because the span of 18 years that today seems like forever will indeed pass....in the blink of an eye.
My daughter "Aunt Melissa" with her newborn baby nephew Miles!


text:
Right now using ruby to do actual markdown generation

+ ruby 2.2.3 (use something like [rvm](https://rvm.io/))
+ `bundle install`

Node for serving files

+ `node 6.2.2` use something like [n](https://github.com/tj/n) or [nvm](https://github.com/creationix/nvm)

redpajama_set_name: RedPajamaGithub


Before you break out the waxing kit or head to your appointment, get your underarms ready by following a few simple steps.
First of all, unblocked hair follicles release hair more easily, thus making the waxing process less painful. So if you've never spent a lot of time exfoliating your underarms, this would be the time to do it. Try exfoliating with a gentle scrub or washcloth a few days before the waxing. Also, smooth on a light lotion or cream to soften hair follicles and the skin underneath. And don't use deodorant on the day of your waxing because it could cause irritation.
Additionally, the adage "no pain, no gain" is true when it comes to waxing. To make the process as painless as possible, though, you might want to take an over-the-counter anti-inflammatory drug such as ibuprofen about half an hour before your wax. You will get some pain relief, and it will also protect yourself from minor swelling. Another thing you can do is apply a numbing cream. An over-the-counter topical solution that contains lidocaine might be effective. Follow the directions carefully to apply it. Be aware that lidocaine can cause a serious allergic reaction in some people, so you might want to check with your doctor before using it [source: Goins].
You also need to consider the length of the hair you're trying to get rid of. If the hair is too short, the wax won't be able to grab it. If it is too long, the process will be more painful and the hair more likely to break off above the root. Getting the root is the whole point of waxing, so if it's been a long time since you've done anything with your underarm hair, trim it down before you wax. It should be about a quarter of an inch long (about 6 millimeters) [source: Carrillo].
If you're still not sure whether waxing is right for you, take a look at the next page for lots more information about getting smoother skin.
If you decide to try waxing at home, you might want to purchase pre-waxed strips designed for small areas. If there are a few hairs left afterward, you can just pluck them out with tweezers. If you shave over the waxed area, you are risking irritation and you will not get the root, so the shaved hair will grow back faster than the waxed hair.


Sun Ra Arkestra, Gato Barbieri, Cecil Taylor, Fela Kuti, Heliocentrics, CTI, Gilles Peterson, Last Poets, Gil Scott Heron, Roland Kirk, Weldon Irvine, Nubya Garcia, John Coltrane, King Tubby.
Strange Paradise is the sophomore album from Brooklyn-based composer-performer trio Tigue, following the group's widely celebrated debut album Peaks (2015).
The music on Strange Paradise flows directly from the hands and minds of the members, the result of a deep human connection that can only come from playing music together nearly a decade. The group wrote the music with a sense of immediacy — everyone together in a room, with vibraphones, drums, synthesizers, gongs and garbage — with every sound maintaining an intimate connection to its creator. The members' distinct musical voices interlock seamlessly, and the pieces radiate with warmth.
As a result, Strange Paradise is a luminous, abstract, non-narrative world that funnels inspiration from patterns, objects, and relationships. Built on an intricate patchwork of tones where instrumental lines and textures shift in and out of alignment to produce a vibrating landscape, Strange Paradise is designed for a mode of "extended listening" — asking listeners to explore slow gradations of change between rhythm and texture. The album creates a sound environment that envelopes the listener but continually defies expectation — shapeshifting at each point it seems understood. Though the music floats from the serene to the uncanny, Strange Paradise is perhaps most notable for providing a distinct sensation of interconnectedness.
Incorporating elements from classical, jazz, experimental rock, performance art and theater, Invisible Anatomy creates performances that combine an omnivorous stylistic palate, virtuosic physicality, and dramatic visual presentation. Dissections is an album of works that premiered at National Sawdust in 2016, featuring six works created by the group's members from a collaboratively generated text and numerous workshops.
Dissections explores intimacy and the potentially damaging experience of being vulnerable with others, but also the beautiful and unexpected results that can happen when that risk is taken. The close-knit group has experienced this first-hand, collectively and individually working through health issues, conflict, distance and more, and baring themselves to each other during the process. The pieces on Dissections reflect the deconstruction and reconstruction inherent in peeling away human surfaces.
Each piece on Dissections fixates on one element of a musical phrase or text, repeating — or dissecting — it until it becomes unrecognizable. Vocalist Fay Wang's piece "Facial Polygraph XVIA" is a poetic study of facial expressions, dissecting tics, "tells," and subtle changes of emotions. Guitarist Brendon Randall- Myers's songs "Permission" and "Othering" focus explicitly on the discomfort and dangers of opening up to someone — navigating difference and similarity, and the disconnect between who we imagine people to be and who they actually are. Musically, the pieces attempt to capture a feeling of beautiful discomfort in being pulled apart, splitting rock-derived phrases across multiple instruments playing at different tempos.
Cellist Ian Gottlieb's two-movement piece, "Threading Light", symbolizes the piano as flesh and the cello, guitar and vibraphone as the knife, teasing strands of notes out of decadent chords. Pianist Paul Kerekes's piece "Pressing Issues" explores the constant shuffling of small musical gestures into a kaleidoscopic listening experience.
Pianist Dan Schlosberg's piece "A Demonstration" is inspired by Leonardo da Vinci's relentless examinations of human cadavers in search of the human soul, exploring every facet of man he could think of along the way. Fittingly, the pieces features players coaxing sounds from the strings of a grand piano through inflictions from screwdrivers and knives, in a sense exploring a familiar body in new ways.
Bassist/vocalist Jay Leonhart has teamed up with pianist Tomoko Ohno for a new album entitled Don't You Wish. Leonhart, who bassists may know from his songs like "It's Impossible to Sing and Play The Bass" and "Bass Aboard a Plane", offers up his humorous tales of the musician's life.
Often the songs include situations to which too many of us can relate. Take the title track's opening lyrics: "Don't you wish you'd taken up the flute?/ People ask me every day/ They really can't conceive it, they really don't believe it/ that anyone would choose the bass to play." Aside from playful topics, Leonhart's playing is spot on with a warm yet defined tone and creative lines. Though his song implies it's impossible, the bassist makes it seem easy to sing while tastefully accompanying himself.
" Fred Farell's new CD is rewarding...adding to the Jazz Vocal Repertoire.
His singing is warm, quietly expressive, and really gets into the messages of the songs.
...Fans will find much to enjoy on this rewarding set."
"I give Fred, and his fellow master (musicians) an energy quotient rating of 4.99 for this CD.
...One of the strongest Jazz Vocal performances I've listened to yet in 2018."
As a featured soloist and ensemble singer, Fred Farell has made a name for himself as a preeminent pro jazz voice. Across five decades and at venues as esteemed and diverse as Avery Fisher Hall, the Brooklyn Academy of Music, and the Museum of Modern Art, Farell has demonstrated inspired interpretive abilities to go with his heartfelt lyricism and sweet pipes. Distant Song, his debut for Whaling City Sound, a home for much quality jazz, is a profound experience, thanks partly due to his composers and loyal accompanists saxophonist Dave Liebman and piano/keys player Richie Beirach, both of whom have collaborated on the original music for this record.
Farell's own wordsmithing is sublime, requiring deftness, patience and passion on the microphone. His compositions unfold gently, religiously. Infused with sacred messaging, Distant Song is an emotional project -part, jazz, part spiritual, part loving experiment- produced with happiness and love by a veteran talent clearly confident and at peace with himself and his abilities.
by Jazz songstress and educator Sheila Jordan.
was an artist-member of Cobi Narita's Universal Jazz Coalition.
Voice Group); and Natural Sound Composer-pianist Kirk Nurock.
varying instrumental formats, depending upon the venues entered.


Dating back to the 17th-century, Villa Spirito Santo has a quiet setting 3 km outside Terni. Overlooking the Umbrian hills and mountains, it has its own restaurant with a terrace for al fresco dining.
Rooms have a classic design with wooden furniture and tiled floors. They offer views of the hills and mountains or park. Each room has a TV, free Wi-Fi and private bathroom.
Breakfast at the Spirito Santo Villa is buffet style and includes homemade cakes, cold meats and cheese. The restaurant offers a fixed menu of Italian cuisine and local dishes.
Free parking is provided at the villa. There are a number of medieval towns to visit in the surroundings, as well as hiking, horse riding and rafting opportunities. The Cascata delle Marmore waterfall is 20 minutes away by car.


This has been an issue for a long time already.
It happens I would say about once a week that many of the output profile assignments gets lost in paper catalog. This is forcing us to be in constant alert to be tagging them back on by one when this occurs.
It seems mostly to happen to papers with custom size (envelopes, papers that are not A4, A3, SRA3 etc) but I'we also noticed few times it happening to SRA3 papers too.
Both RIPs are up tp date?
SP1 addresses some paper catalog issues.
B5000 seems to be up to date.
And I can actually state that it happens more rarely on B5000 but it still happens.
F200 is V1.1 with no SP.
Last edited by MikkoS; 04-10-2018 at 06:36 AM.
Canon service team is coming to update the F200 on friday.
But with B5000 they are lost a bit since that is up to date and still dropping the profiles.
Today we noticed it has dropped the profile of 90% of our catalog items. No matter if they are stantard sizes or not.
Is there anything that could be done to this?
We just got a new Ricoh C7200X with Fiery RIP.
This does the same trick as well.
This morning all the output profiles were lost at the paper catalog and set to be "servers default".


text:
Szuściki (; ) – wieś na Białorusi, w obwodzie grodzieńskim, w rejonie wołkowyskim, w sielsowiecie Gniezno.

Znajduje tu się zapora wodna i zbiornik retencyjny na Połonce.

Dawniej wieś i majątek ziemski. W dwudziestoleciu międzywojennym leżały w Polsce, w województwie białostockim, w powiecie wołkowyskim, w gminie Mścibów.

Przypisy

Bibliografia

 Szuściki na mapie WIG

Wsie w rejonie wołkowyskim

redpajama_set_name: RedPajamaWikipedia


text:
Cape Blanco to Yaquina Head
Relocate Yaquina Bay Entrance Lighted Gong Buoy 1 G "1" Fl G 2.5s GONG AIS N 44° 36' 13.112" W 124° 06' 03.622" LNM 18/21, 13th Dist 1791 18580_1 5/13/2021 5/13/2021
Relocate Baltimore Rock Lighted Buoy BR Y "BR" Fl Y 4s N 43° 21' 17.242" W 124° 22' 59.536" LNM 05/21, 13th Dist 1791 18580_1 2/11/2021 2/11/2021
Relocate Siuslaw River Approach Lighted Whistle Buoy S RW "S" Mo (A) WHISTLE N 44° 01' 08.231" W 124° 09' 40.011" LNM 36/20, 13th Dist 1791 18580_1 9/17/2020 9/17/2020
Relocate NOAA Environmental Lighted Buoy 46050 Y "46050" Fl (4) Y 20s N 44° 40' 08.000" W 124° 32' 46.000" LNM 30/20, 13th Dist 1791 18580_1 8/6/2020 8/6/2020
Relocate NOAA Environmental Lighted Buoy 46015 Y "46015" Fl (4) Y 20s N 42° 45' 09.000" W 124° 50' 37.000" LNM 29/20, 13th Dist 1791 18580_1 7/30/2020 7/30/2020
Relocate Yaquina Bay South Jetty Light 4 Fl R 2.5s 17ft 4M "4" AIS N 44° 36' 33.882" W 124° 04' 45.678" LNM 06/20, 13th Dist 1791 18580_1 2/20/2020 2/20/2020
Relocate Yaquina Bay Approach Lighted Whistle Buoy Y RW "Y" Mo (A) WHIS AIS N 44° 35' 52.529" W 124° 06' 44.985" LNM 36/19, 13th Dist 1791 18580_1 9/12/2019 9/12/2019
Change NOAA Environmental Lighted Buoy 46050 Y "46050" Fl (4) Y 20s N 44° 40' 34.094" W 124° 30' 53.687" LNM 34/19, 13th Dist 1791 18580_1 8/29/2019 8/29/2019
Change Yaquina Bay Entrance Lighted Gong Buoy 1 G "1" Fl G 2.5s GONG AIS N 44° 36' 13.871" W 124° 06' 03.359" LNM 26/19, 13th Dist 1791 18580_1 7/4/2019 7/4/2019
Relocate NOAA Environmental Lighted Buoy 46015 Y "46015" Fl (4) Y 20s N 42° 46' 16.400" W 124° 50' 35.600" LNM 46/18, 13th Dist 1791 18580_1 11/22/2018 11/22/2018
Change Yaquina Head Light Fl (2) 20s 162ft 18M N 44° 40' 36.308" W 124° 04' 45.993" LNM 42/18, 13th Dist 1791 18580_1 10/25/2018 10/25/2018
Delete Wave-Rider Lighted Buoy Y Fl Y 2.5s N 43° 34' 48.000" W 124° 17' 24.000" LNM 37/18, 13th Dist 1791 18580_1 9/20/2018 9/13/2018
Edition 24, Print Date Feb. /2018
Add Note L Scientific equipment rests on the seafloor in this area. Mariners should use caution. N 44° 35' 00.000" W 123° 35' 00.000" LNM 06/18, 13th Dist 1791 18580_1 2/15/2018 2/8/2018
Add Obstruction Area Pt 4 of 4 Obstns (see note L) N 44° 38' 24.000" W 124° 18' 36.000" LNM 06/18, 13th Dist 1791 18580_1 2/15/2018 2/8/2018
Add Submerged buoy Subm buoy N 44° 22' 26.940" W 124° 57' 23.328" LNM 06/18, 13th Dist 1791 18580_1 2/15/2018 2/8/2018
Relocate NOAA Environmental Lighted Buoy 46050 Y "46050" Fl (4) Y 20s N 44° 40' 34.094" W 124° 30' 53.687" LNM 31/17, 13th Dist 1791 18580_1 8/3/2017 8/10/2017
Add OSU Cape Arago Research Lighted Buoy Y Fl Y 4s Priv N 43° 18' 00.000" W 124° 32' 00.000" LNM 25/17, 13th Dist 1791 18580_1 6/29/2017 6/29/2017
Delete OSU Yaquina Research Lighted Buoy Y Fl Y 4s Priv N 44° 38' 24.000" W 124° 18' 13.800" LNM 25/17, 13th Dist 1791 18580_1 6/29/2017 6/29/2017
Add Wave-Rider Lighted Buoy Y Fl Y 2.5s N 43° 34' 48.000" W 124° 17' 24.000" WNM 25/17, NGA 1791 18580_1 6/22/2017 6/22/2017
Relocate Yaquina Bay South Jetty Light 4 Fl R 2.5s 17ft 4M "4" AIS N 44° 36' 33.906" W 124° 04' 45.834" LNM 49/16, 13th Dist 1791 18580_1 12/8/2016 12/15/2016
Change Yaquina Bay South Jetty Light 4 Fl R 2.5s 17ft 4M "4" AIS N 44° 36' 33.906" W 124° 04' 45.834" LNM 49/16, 13th Dist 1791 18580_1 12/8/2016 12/15/2016
Change Yaquina Bay Approach Lighted Whistle Buoy Y RW "Y" Mo (A) WHIS AIS N 44° 35' 51.761" W 124° 06' 46.811" LNM 49/16, 13th Dist 1791 18580_1 12/8/2016 12/15/2016
Change Heceta Head Lighthouse Fl 10s 205ft Priv N 44° 08' 14.715" W 124° 07' 41.582" LNM 48/16, 13th Dist 1791 18580_1 12/8/2016 12/8/2016
Relocate OSU Waldport Offshore Research Lighted Buoy Y Fl Y 4s Priv N 44° 22' 15.000" W 124° 56' 52.500" LNM 44/16, 13th Dist 1791 18580_1 11/10/2016 11/10/2016
Add Submarine Cable PT 7 OF 7 Chart No. 1: L30.1 N 44° 28' 56.210" W 125° 08' 54.670" LNM 39/16, 13th Dist 1791 18580_1 11/10/2016 11/10/2016
Change Yaquina Bay South Jetty Light 4 Fl R 2.5s 17ft 3M "4" N 44° 36' 33.900" W 124° 04' 45.830" LNM 37/16, 13th Dist 1791 18580_1 11/10/2016 11/10/2016
Relocate Yaquina Bay South Jetty Light 4 Fl R 2.5s 17ft 3M "4" N 44° 36' 33.900" W 124° 04' 45.830" LNM 37/16, 13th Dist 1791 18580_1 11/10/2016 11/10/2016
Change NOAA Environmental Lighted Buoy 46015 Y "46015" Fl (4) Y 20s N 42° 45' 57.032" W 124° 49' 58.856" LNM 47/15, 13th Dist 1791 18580_1 11/26/2015 11/26/2015
Change Coos Bay Approach Lighted Whistle Buoy K RW "K" Mo (A) WHIS AIS N 43° 22' 14.975" W 124° 23' 05.493" LNM 42/15, 13th Dist 1791 18580_1 10/29/2015 10/29/2015
Add OSU Waldport Offshore Research Lighted Buoy Y Fl Y 4s Priv N 44° 22' 00.120" W 124° 56' 39.480" LNM 15/15, 13th Dist 1791 18580_1 4/23/2015 4/23/2015
Add OSU Newport Shelf Research Lighted Buoy Y Fl Y 4s Priv N 44° 38' 20.040" W 124° 18' 13.680" LNM 14/15, 13th Dist 1791 18580_1 4/16/2015 4/16/2015
Delete Due to chart scale - Suislaw River Entrance Front Light Q R N 44° 01' 01.441" W 124° 07' 49.570" LNM 09/15, 13th Dist 1791 18580_1 3/5/2015 3/5/2015
Delete Due to chart scale - black range line PT 2 OF 2 None N 44° 01' 06.000" W 124° 09' 16.000" LNM 09/15, 13th Dist 1791 18580_1 3/5/2015 3/5/2015
Delete Due to chart scale - Suislaw River Entrance Rear Light Iso R N 44° 01' 00.780" W 124° 07' 37.439" LNM 09/15, 13th Dist 1791 18580_1 3/5/2015 3/5/2015
Delete Cleft Of The Rock Light Al WR 10s 110ft Priv N 44° 17' 30.000" W 124° 06' 30.000" LNM 03/15, 13th Dist 1791 18580_1 1/29/2015 1/29/2015
Relocate NOAA Environmental Lighted Buoy 46015 Y ODAS "46015" Fl (4) Y 20s PA N 42° 45' 46.255" W 124° 50' 10.458" LNM 28/14, 13th Dist 1791 18580_1 7/24/2014 7/24/2014
Delete DART Tsunami Lighted Buoy Gy DART Fl Y 4s Priv N 44° 38' 30.000" W 124° 59' 24.000" LNM 26/14, 13th Dist 1791 18580_1 7/10/2014 7/10/2014
Add DANGER CIRCLE Obstn N 44° 39' 31.000" W 124° 05' 53.000" WNM 25/14, NGA 1791 18580_1 6/19/2014 6/19/2014
Add OSU Nye Beach Research Lighted Buoy Fl Y 4s Priv N 44° 39' 30.168" W 124° 05' 44.592" LNM 16/14, 13th Dist 1791 18580_1 5/1/2014 5/1/2014
Edition 23, Print Date Mar. /2014
Add NOAA DART lighted buoy Gy DART Fl Y 4s Priv PA N 44° 38' 30.000" W 124° 59' 24.000" LNM 37/13, 13th Dist 1791 18580_1 9/30/2013 10/29/2013
Change Coos Bay North Jetty Light 3A Fl G 2.5s 23ft 4M "3A" N 43° 21' 30.276" W 124° 20' 39.168" LNM 37/13, 13th Dist 1791 18580_1 9/20/2013 10/29/2013
Change Siuslaw River North Jetty Light 3 Fl G 2.5s 4M "3" HORN N 44° 01' 08.826" W 124° 08' 46.452" LNM 36/13, 13th Dist 1791 18580_1 9/20/2013 10/29/2013
Relocate Coos Bay Approach Lighted Whistle Buoy K RW "K" Mo (A) WHISTLE N 43° 22' 14.975" W 124° 23' 05.493" LNM 27/13, 13th Dist 1791 18580_1 7/16/2013 10/29/2013
Delete Aeronautical Light AERO Rotating W&G PA N 43° 24' 56.243" W 124° 14' 46.282" LNM 24/13, 13th Dist 1791 18580_1 6/10/2013 10/29/2013
Add Pipeline Area PT 4 OF 4 Chart No. 1: L40.2 N 43° 45' 00.400" W 124° 10' 54.400" LNM 29/13, 13th Dist 1791 18580_1 7/9/2013 10/29/2013
Delete Umpqua River Entrance Buoy 2 R N "2" N 43° 39' 58.419" W 124° 13' 31.543" LNM 10/13, 13th Dist 1791 18580_1 4/3/2013 10/29/2013
Add Umpqua River Entrance Lighted Buoy 2 R "2" Fl R 4s N 43° 39' 58.368" W 124° 13' 45.946" LNM 10/13, 13th Dist 1791 18580_1 4/3/2013 10/29/2013
Relocate Siuslaw River Entrance Range Rear Light Iso R 6s 61ft N 44° 01' 00.780" W 124° 07' 37.439" LNM 52/12, 13th Dist 1791 18580_1 1/9/2013 10/29/2013
Relocate Siuslaw River Entrance Range Front Light Q R 35ft N 44° 01' 01.441" W 124° 07' 49.570" LNM 52/12, 13th Dist 1791 18580_1 1/9/2013 10/29/2013
Add Disposal Area PT 4 OF 4 Disposal Area (use Chart No. 1: N1.1) N 44° 35' 00.850" W 124° 08' 04.270" LNM 44/12, 13th Dist 1791 18580_1 10/24/2012 10/29/2013
Add Disposal area label Disposal Area Depths from survey of 2012 N 44° 35' 33.000" W 124° 07' 23.000" LNM 44/12, 13th Dist 1791 18580_1 10/24/2012 10/29/2013
Add Submarine Cable PT 8 OF 8 Chart No. 1: L30.1 N 44° 26' 45.800" W 125° 08' 35.400" LNM 29/12, 13th Dist 1791 18580_1 7/13/2012 10/29/2013
Add Submarine Cable PT 17 OF 17 Chart No. 1: L30.1 N 44° 40' 59.400" W 124° 36' 48.700" LNM 29/12, 13th Dist 1791 18580_1 7/13/2012 10/29/2013
Add Submarine Cable PT 9 OF 17 Chart No. 1: L30.1 N 44° 29' 20.800" W 124° 45' 31.600" LNM 29/12, 13th Dist 1791 18580_1 7/13/2012 10/29/2013
Change Umpqua River Light Al (2) WR 15s Priv N 43° 39' 44.258" W 124° 11' 54.719" LNM 17/12, 13th Dist 1791 18580_1 5/7/2012 10/29/2013
Change Heceta Head Lighthouse Fl 10s 205ft Priv (exting) N 44° 08' 14.715" W 124° 07' 41.582" WNM 07/12, NGA 1791 18580_1 2/16/2012 10/29/2013
Change Scripps Institute Wave Recorder Lighted Buoy 46229/139 Y "46229/139" Fl (5) Y 20s Priv N 43° 46' 12.600" W 124° 32' 54.720" LNM 30/11, 13th Dist 1791 18580_1 8/1/2011 10/29/2013
Add regulated navigation area PT 4 OF 4 (Chart No.1: N1.2) N 44° 35' 15.000" W 124° 04' 07.100" LNM 13/11, 13th Dist 1791 18580_1 3/28/2011 10/29/2013
Add label REGULATED NAVIGATION AREA 165.1325 (see note A) N 43° 07' 40.100" W 124° 25' 50.100" LNM 13/11, 13th Dist 1791 18580_1 3/28/2011 10/29/2013
Add regulated navigation area PT 4 OF 4 (use Chart No.1: N1.2) N 43° 06' 02.100" W 124° 25' 59.000" LNM 13/11, 13th Dist 1791 18580_1 3/28/2011 10/29/2013
Add Disposal Area Limit PT 5 OF 5 (Chart No 1:Nd) N 44° 00' 46.700" W 124° 10' 26.600" LNM 32/10, 13th Dist 1791 18580_1 8/9/2010 10/29/2013
Delete Disposal Area Limit PT 5 OF 5 Chart No 1:Nd N 44° 00' 57.400" W 124° 10' 21.000" LNM 32/10, 13th Dist 1791 18580_1 8/9/2010 10/29/2013
Add Disposal Area Limit PT 5 OF 5 Chart No 1:Nd N 44° 01' 31.000" W 124° 10' 12.900" LNM 32/10, 13th Dist 1791 18580_1 8/9/2010 10/29/2013
Delete Dump Site Area and Label PT 5 OF 5 Chart No 1:Ng N 44° 01' 27.700" W 124° 09' 36.700" LNM 32/10, 13th Dist 1791 18580_1 8/9/2010 10/29/2013
Add REGULATED AREA PT 4 OF 4 None N 43° 38' 35.000" W 124° 12' 35.000" LNM 29/10, 13th Dist 1791 18580_1 7/22/2010 10/29/2013
Add label: REGULATED AREA REGULATED AREA 165.1325 (see note A) N 43° 39' 54.100" W 124° 12' 59.300" LNM 29/10, 13th Dist 1791 18580_1 7/22/2010 10/29/2013
Substitute Sounding in Fathoms & Fractions 2 1/4 for 2 1/2 N 44° 36' 15.300" W 124° 05' 10.500" LNM 03/10, 13th Dist 1791 18580_1 1/21/2010 10/29/2013
Add submarine cable PT 6 OF 6 (use Chart No. 1: L30.1) N 42° 55' 51.700" W 125° 19' 53.300" LNM 40/09, 13th Dist 1791 18580_1 10/8/2009 10/29/2013
Add label: China-US Seg. N9 Cable China-US Seg. N9 Cable N 43° 16' 20.100" W 125° 12' 07.500" LNM 39/09, 13th Dist 1791 18580_1 10/1/2009 10/29/2013
Add label: China-US Seg. E1 Cable China-US Seg. E1 Cable N 43° 07' 58.700" W 125° 10' 35.400" LNM 39/09, 13th Dist 1791 18580_1 10/1/2009 10/29/2013
Add label: TPC-5 Seg. T1 Cable TPC-5 Seg. T1 Cable N 43° 10' 00.300" W 125° 10' 38.000" LNM 39/09, 13th Dist 1791 18580_1 10/1/2009 10/29/2013
Add label: TPC-5 Seg. J Cable TPC-5 Seg. J Cable N 43° 14' 23.600" W 125° 11' 44.100" LNM 39/09, 13th Dist 1791 18580_1 10/1/2009 10/29/2013
Add label: AKORN Cable AKORN Cable N 43° 46' 22.500" W 124° 46' 27.100" LNM 39/09, 13th Dist 1791 18580_1 10/1/2009 10/29/2013
Delete Marker Or Marker N 43° 38' 35.100" W 124° 12' 20.400" LNM 39/09, 13th Dist 1791 18580_1 10/1/2009 10/29/2013
Delete RANGE LINE PT 2 OF 2 NONE N 43° 38' 59.300" W 124° 13' 40.100" LNM 39/09, 13th Dist 1791 18580_1 10/1/2009 10/29/2013
Add Disposal Area PT 4 OF 4 Disposal Area N 43° 38' 53.080" W 124° 14' 32.940" LNM 39/09, 13th Dist 1791 18580_1 10/1/2009 10/29/2013
Delete Submerged Obstruction Obstn PA (Subm buoy) N 44° 40' 00.000" W 124° 06' 21.000" LNM 26/09, 13th Dist 1791 18580_1 7/17/2009 10/29/2013
Add Baltimore Rock Lighted Buoy BR Y "BR" Fl Y 4s N 43° 21' 18.719" W 124° 22' 59.439" LNM 22/09, 13th Dist 1791 18580_1 6/12/2009 10/29/2013
Delete Baltimore Rock Bell Buoy BR Y "BR" BELL N 43° 21' 18.719" W 124° 22' 59.439" LNM 22/09, 13th Dist 1791 18580_1 6/12/2009 10/29/2013
Change Coquille River Entrance Lighted Buoy 4 R "4" Fl R 6s N 43° 07' 41.482" W 124° 27' 03.730" LNM 22/09, 13th Dist 1791 18580_1 6/12/2009 10/29/2013
Delete Visible Wreck Chart No. 1: K24 N 43° 23' 54.000" W 124° 18' 42.000" LNM 46/08, 13th Dist 1791 18580_1 11/13/2008 10/29/2013
Relocate NOAA Lighted Buoy 46015 Y ODAS "46015" Fl (4) Y 20s PA N 42° 44' 44.000" W 124° 49' 26.000" LNM 45/08, 13th Dist 1791 18580_1 11/13/2008 10/29/2013
Relocate Siuslaw River Entrance Range Front Light Q R 35ft N 44° 01' 01.407" W 124° 07' 49.603" LNM 18/08, 13th Dist 1791 18580_1 5/14/2008 10/29/2013
Relocate NOAA Lighted Buoy 46050 Y ODAS "46050" Fl (4) Y 20s PA N 44° 37' 27.123" W 124° 29' 59.675" LNM 11/08, 13th Dist 1791 18580_1 3/25/2008 10/29/2013
Relocate Coos Bay Entrance Lighted Bell Buoy 1 G "1" Fl G 2.5s BELL N 43° 21' 51.590" W 124° 21' 47.877" LNM 08/08, 13th Dist 1791 18580_1 3/19/2008 10/29/2013
Relocate Coquille River South Jetty Light 8 Fl R 4s 30ft 5M "8" HORN N 43° 07' 21.992" W 124° 25' 47.296" LNM 45/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Change Coquille River South Jetty Light 8 Fl R 4s 30ft 5M "8" HORN N 43° 07' 21.992" W 124° 25' 47.296" LNM 45/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add Submerged Obstruction Obstn PA (Subm buoy) N 44° 40' 00.000" W 124° 06' 21.000" LNM 45/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Substitute Sounding in Fathoms 1 1/2 N 43° 21' 03.790" W 124° 22' 57.930" LNM 46/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add Sounding in Fathoms 3 N 43° 21' 00.590" W 124° 21' 55.540" LNM 39/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Change Coos Bay N Jetty Lighted Whistle Buoy 3 G "3" Fl G 4s WHIS N 43° 21' 43.053" W 124° 21' 18.539" LNM 35/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add dump site area limit PT 4 OF 4 NONE N 43° 23' 58.400" W 124° 22' 35.430" LNM 17/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Delete dump site area limit PT 4 OF 4 NONE N 43° 22' 30.600" W 124° 22' 31.200" LNM 17/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Delete disposal area limits PT 4 OF 4 NONE N 43° 22' 52.000" W 124° 23' 28.000" LNM 17/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Delete disposal area label: Disposal Area N 43° 23' 27.000" W 124° 22' 01.000" LNM 17/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Relocate Yaquina Bay Approach Lighted Whistle Buoy Y RW "Y" Mo(A) WHIS N 44° 35' 51.761" W 124° 06' 46.811" LNM 12/07, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Relocate OSU Yaquina Research LB Y Fl Y 4s Priv N 44° 38' 24.000" W 124° 18' 13.800" LNM 35/06, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Relocate Scripps Institute Wave Recorder Lighted Buoy Y Fl (5) Y 20s Priv N 43° 46' 12.600" W 124° 32' 54.720" LNM 29/06, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Delete Scripps Institute Wave Recorder Lighted Buoy Fl (5) Y 20s Priv N 43° 23' 49.620" W 124° 39' 00.240" LNM 23/06, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add Scripps Institute Wave Recorder Lighted Buoy Y Fl (5) Y 20s Priv N 43° 37' 05.580" W 124° 33' 30.120" LNM 23/06, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add Scripps Institute Wave LB Y Fl (5) Y 20s Priv N 43° 23' 49.620" W 124° 39' 00.240" LNM 03/06, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Delete Cape Arago Light Fl (3) 30s 100ft 17M HORN (Maint Apr 15 to Oct 15) N 43° 20' 28.386" W 124° 22' 31.253" LNM 01/06, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Edition 22, Print Date Dec. /2005
Relocate NOAA Data LB 46050 Y ODAS "46050" Fl (4) Y 20s PA N 44° 37' 37.000" W 124° 30' 10.000" LNM 45/05, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Change Horizontal Datum Note Horizontal Datum Note to read: 4.387" westward N 42° 56' 55.240" W 123° 44' 16.880" LNM 34/05, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Substitute Sounding in Fathoms & Fractions 2 1/2 N 44° 37' 26.830" W 124° 04' 33.470" LNM 06/05, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Substitute Sounding in Fathoms & Fractions 3/4 N 44° 35' 51.180" W 124° 05' 35.630" LNM 06/05, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Relocate NOAA ODAS LB 46015 Y ODAS "46015" Fl (4) Y 20s PA N 42° 44' 42.000" W 124° 50' 48.000" LNM 29/04, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise YAQUINA BAY S JTY LT 4 Fl R 2.5s 20ft 3M "4" N 44° 36' 33.700" W 124° 04' 45.600" LNM 41/03, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add SOUNDING IN FEET 49ft N 43° 21' 50.300" W 124° 22' 23.300" LNM 23/03, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Relocate COQUILLE R EN LBB 4 R "4" Fl R 6s BELL N 43° 07' 41.500" W 124° 27' 03.700" LNM 07/03, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add NOAA ODAS LB 46015 Y ODAS "46015" Fl (4) Y 20s PA N 42° 44' 48.000" W 124° 51' 18.000" LNM 30/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Relocate COOS BAY N JETTY LT 3A Fl G 2.5s "3A" HORN N 43° 21' 30.300" W 124° 20' 39.200" LNM 26/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add OSU RESEARCH BY Y Fl Y 4s N 44° 38' 36.600" W 124° 18' 21.600" LNM 26/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add OBSTN SUBM BY Obstn Subm Buoy (cov 39fm rep) N 44° 38' 49.200" W 124° 18' 22.800" LNM 26/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add OBSTN SUBM BY Obstn Subm Buoy (cov 9fm rep) N 43° 09' 23.500" W 124° 34' 05.600" LNM 26/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise & Relocate COOS B N JETTY LT 3A Fl G 2.5s 23ft 3M "3A" HORN N 43° 21' 29.964" W 124° 20' 38.148" LNM 24/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise YAQUINA B S JETTY LT Fl R 2.5s 20ft 4M "4" HORN (Maint May 20 to Oct 01) N 44° 36' 33.714" W 124° 04' 45.636" LNM 22/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise & Relocate NECETA HEAD LT Fl 10s 205ft 28M Priv N 44° 08' 14.700" W 124° 07' 41.600" LNM 21/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Relocate ODAS LB 46050 Y ODAS "46050" Fl (4) Y 20s PA N 44° 36' 19.000" W 124° 30' 01.000" WNM 10/02, NGA 1791 18580_1 2/13/2008 10/29/2013
Relocate CAPE BLANCO LIGHT Fl 20s 245ft 26M N 42° 50' 13.288" W 124° 33' 49.147" LNM 09/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Relocate CAPE ARAGO LIGHT Fl (3) 30s 100ft 17M HORN N 43° 20' 28.386" W 124° 22' 31.253" LNM 09/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise NOAA ODAS LB 46050 Y ODAS "46050" Fl (4) Y 20s N 44° 36' 59.500" W 124° 30' 01.100" LNM 06/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Relocate NOAA LB 46050 Y ODAS "46050" Fl (4) Y 20s N 44° 37' 00.000" W 124° 30' 00.000" LNM 05/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise UMPQUA R LWB U RW "U" Mo (A) WHIS N 43° 39' 58.700" W 124° 14' 26.100" LNM 42/01, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise & Relocate YAQUINA BAY S JETTY LT 4 Fl R 2.5s 20ft 4M "4" HORN N 44° 36' 33.700" W 124° 04' 45.600" LNM 41/41, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Edition 21, Print Date 9/15/2001
Add VISIBLE WRECK none N 43° 23' 54.000" W 124° 18' 42.000" LNM 20/01, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add DISPOSAL AREA none N 43° 22' 52.000" W 124° 23' 28.000" Unknown 1791 18580_1 2/13/2008 10/29/2013
Delete SOUNDING IN FM & FR 6 1/2 fm N 43° 23' 27.100" W 124° 19' 47.900" LNM 49/00, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add DISPOSAL AREA Pt. 4 of 4, black dashed line and legend N 44° 00' 57.000" W 124° 10' 21.000" LNM 17/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add DISPOSAL AREA Pt. 4 of 4, black dashed line and legend N 43° 23' 59.000" W 124° 22' 31.000" Unknown 1791 18580_1 2/13/2008 10/29/2013
Add DISPOSAL AREA Disposal Area Depths from survey of 1996-2000 N 43° 22' 58.000" W 124° 19' 32.000" LNM 17/02, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise YAQUINA B LT 4 Fl R 2.5s 7M "4" HORN N 44° 36' 31.600" W 124° 04' 51.200" LNM 42/00, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise & Relocate SUISLAW RR LT Iso R 6s 53ft N 44° 01' 00.800" W 124° 07' 37.500" LNM 40/00, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Revise & Relocate SUISLAW RV ENT FR LT Q R 29ft N 44° 01' 01.400" W 124° 07' 49.600" LNM 40/00, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Add SOUNDING IN FM 335 [613m], Rk (Rep 2000) N 44° 27' 03.200" W 125° 01' 48.100" LNM 37/00, 13th Dist 1791 18580_1 2/13/2008 10/29/2013
Edition: 24, Print Date: Feb. /2018
Edition: 23, Print Date: Mar. /2014
Edition: 22, Print Date: Dec. /2005


The Velar may be stunning, but there are cheaper ways to have a unique SUV.
The has certainly helped Land Rover, a company that exclusively sells utility vehicles, to like the Range Rover Velar. While we are smitten with the new luxury SUV, it certainly isn't cheap. Even the base P250 version starts at nearly $50,000. That seems like a lot of money for a 2.0-liter 247 horsepower turbocharged SUV. Fully-loaded Velar models can cost over $90,000 and we think that there are plenty of alternatives on the market worthy of your attention.
Land Rover is reportedly working on an , but for now the most powerful version is a 380-hp supercharged V6. Our first car not only blows that power figure out of the water, it pretty much invented the Coupe-SUV segment. That's right, it is now possible to buy a BMW . We found a few examples of the refreshed X6 M within budget, but the first generation model is the better value. We saw examples of the original X6 M for under $30,000. The X6 M was powered by a 4.4-liter twin-turbo V8 with 555 hp. Power was upped to 567 hp in 2015 and the transmission gained two extra gears for a total of eight.
The Velar might be the hottest new model in the Range Rover lineup, but we shouldn't forget the original expansion of the Range Rover line, the Range Rover Sport. For less than the price of a four-cylinder Velar, we found examples of the latest body-style Range Rover Sport with the Supercharged V6 and V8 engines. Most of the examples we found were 2014 models, which was the first year of the new-look Range Rover Sport. The Supercharged V6 produced 340 hp while the V8 put out a whopping 510 hp. Most examples that we found were around $45,000 with the V6, although we did with 85,000 and 90,000 miles on their odometers.
The supercharged V6 in the Range Rover Sport is a great option, but we wouldn't mind having a big V8. Our next cheap alternative is one of the most unique V8 engines ever produced, because it was only ever put into one car. The Infiniti FX was eventually renamed the QX70 and was later discontinued. Before it was killed off, Infiniti gifted the FX SUV with a 5.0-liter V8 that was derived from an LMP3 race car. In the FX50, this V8 produced 390 hp. We found high mileage examples for less than $20,000, with pristine examples commanding around $30,000. The FX50 is one of the ultimate sleeper cars because most people have forgotten that it even existed.
The next car on our list is the oldest and cheapest alternative. The Isuzu VehiCross has mostly been forgotten, but we still think that is has value as a collector car. Old SUVs like the Jeep Wagoneer have been rising in value, and we think that the VehiCross is due to be worth more than it is now. The most expensive one we could find was around $15,000, but most can be purchased for . The VehiCross was powered by a 3.5-liter V6 with 210 hp, which was a lot at the time. The VehiCross is a solid off-roader thanks to its advanced Torque On Demand system. The VehiCross is rare with only 4,153 units ever produced and we'd love to have one.
Our final cheap alternative is the only new model on our list. Even though the new Ford Edge ST isn't even on sale yet and hasn't had any time to depreciate, we still like it as a cheap alternative to a new Velar. Ford hasn't released pricing yet, but it should be close to the current Edge Sport, which costs $40,675. This is around $10,000 less than a base Velar, and the Edge ST will have two extra cylinders, an extra turbo, and 335 hp (88 more than the Velar). Of course, the Edge ST cannot match the Velar on prestige, but it will be a more affordable car to maintain and an all-around great SUV.


Foxberry Grove is a unique artisan decor company located in Western New York. Amy Peterson designs and crafts gorgeous lighting by hand in her home studio. Her creations are hand made using local, recycled and repurposed materials. Rustic, vineyard, outdoor and nautical themes have been her most often commissioned but there are no limits to what she can accomplish for you and your event.


text:
Šime Marović (Mravince 25. svibnja 1952.) hrvatski svećenik i skladatelj crkvene glazbe.

Životopis
Osnovnu školu završio je u Solinu 1966. godine, a sjemenišnu Klasičnu gimnaziju u Splitu, 1970. godine. Filozofsko-bogoslovni fakultet završio je 1977. godine., gdje je diplomirao 1981. Godine 1977. zaređen je za svećenika.

Od 1981. do 1989. studirao je crkvenu glazbu u Rimu, na Papinskomu Institutu za crkvenu glazbu, gdje je 1985. postigao licencijat iz crkvene glazbe (talijanski "Musica sacra") naslov crkvenoga orguljaša (talijanski "Organista da Chiesa") dobiva 1987. Magisterij Gregorijanskoga pjevanja (talijanski "Canto gregoriano") postigao je 1988.  radom Il Sacramentario del tesoro della cattedrale di Split 624 odnosno Sakramentar iz riznice splitske prvostolnice 624. Crkvenu skladbu (kompoziciju) (Composizione sacra) diplomirao je 1989. god., u klasi profesora. mo. Domenica Bartoluccija.

Služba
Godine 1989. imenovan je kapelnikom stolne crkve Sv. Dujma u Splitu. Od 1989. do 1996. god. profesor je glazbene umjetnosti u Nadbiskupskoj klasičnoj gimnaziji Don Frane Bulića. Od 1991. predavač je na Katehetskomu institutu u Splitu, a od 1995. je honorarni predavač na Umjetničkoj akademiji u Splitu.
U umjetničko nastavno zvanje docenta promaknut je 2000. godine, a za izvanrednoga profesora 2005. godine. Pročelnik je katedre za liturgiku na KBF-u u Splitu od 2005. godine. Od rujna 2002. redoviti je član Hrvatskog društva skladatelja.

Skladao je trideset djela liturgijske glazbe. Napisao više knjiga o crkvenoj glazbi.

Vanjske poveznice
 Šime Marović Hrvatsko društvo skladatelja

Izvori

Hrvatski svećenici
Hrvatski skladatelji


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text:
"TURN IT UP" WITH STEVE COLE
July 29, 2016 Pink and Blue Notes
Steve Cole's latest album "TURN IT UP" has lived up to its name since it was released on July 15, 2016. His first single "Mirage" is already setting the tone for the album. It was the No. 1 most added on the Billboard BDS chart. Steve once again collaborated with David Mann who produced this project to create a collection of soulful tunes. His approach to making "TURN IT UP" was clever and genius. Steve decided to travel to a few different cities, recording with his musical colleagues to embrace the energy and differences of each one. The result was astounding and can be heard in every song on "TURN IT UP." The title song was arranged by pianist Nicholas Cole who, coincidentally, arranged the title song to Steve's last album, "Pulse." Also joining Steve was James Lloyd on the song "Bright Side." Steve is excited about touring and bringing "TURN IT UP" to life for his fans. He assures that the music comes to life when played live.
Steve and I talk about "TURN IT UP":
https://mm2513.files.wordpress.com/2016/07/steve-cole-2.mp3
Press Release"Pulse", "Turn It Up", Billboard BDS chart, David Mann, James Lloyd, Nicholas Cole, Steve Cole
Previous Article Rob "Fonksta" Bacon will release debut single August 2, 2016 "Cause & E-Funk" (featuring The P-Funk Horns and Amp Fiddler) in honor of the late Bernie Worrell.
Next Article Darren Barrett's Trumpet Vibes pays tribute to "The Music of Amy Winehouse"
CATCHING UP WITH BOBBY BROWN
FEATURED HOST FOR THE RUBEN STUDDARD SHOW AT THE KNIGHT THEATER IN CHARLOTTE, NC
SHARING THE MUSIC SCENE NEWS IN CHARLOTTE, NORTH CAROLINA ON THE CHARLOTTE TODAY SHOW
HOSTING PEABO BRYSON
HOSTING HIROSHIMA ON THE "DOMO" TOUR
pinkandbluenotes.com


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'A totally cool place to live': Allen Fletcher offers sneak peek inside new Kelley Square Lofts, bringing 48 high-end units to Worcester's Canal District
Updated Apr 10, 2019; Posted Apr 10, 2019
Kelley Square Lofts and Worcester Public Market
By Aviva Luttrell | aluttrell@masslive.com
By September, Worcester's Canal District will have 48 high-end apartments above what will soon be a public market and restaurant.
Developer Allen Fletcher said the Kelley Square Lofts, which feature high ceilings and exposed utilities, have already begun renting. They range in price from $1,400 per month for a studio to $2,500 for a two-bedroom with panoramic views of Kelley Square, and include a private courtyard area in the center of the building.
"This will be, I'm not to shy to say, a totally cool place to live," Fletcher said. "As we know, it's getting more and more exciting around here. There's going to be a lot of dust in the air, but when it clears, it's going to be basically better than ever."
The apartments also feature a community room, terrace, fitness center, mail room, key card parking and a bike garage.
Fletcher said when designing the development, the goal was to build on what's already happening in the neighborhood. The apartments and public market are adjacent to Crompton Place, which houses the popular BirchTree Bread Co. and Crompton Collective, and is located only a few blocks from the future home of the Worcester Red Sox.
"You can come home at night and go to the marketplace, you can ride your bike up to Union Station, take the train to Boston or just work in the neighborhood. It's going to be more local than anything," he said. "It's just wonderfully exciting to live here because everything is within reach."
How a vacant industrial complex became Worcester's vibrant commercial hub
Dino Lorusso has transformed Crompton Place into a thriving piece of downtown Worcester -- and he is not finished yet.
Fletcher said a "super convenience store" will be built across the street, giving tenants better access to necessities that aren't currently within walking distance.
The three floors of housing include 12 studio units, 16 one-bedrooms, 20 two-bedrooms and two upscale units facing Kelley Square.
Downstairs, the public market will feature a mix of large and small vendors that will most likely include a deli, beer and wine shop, produce section and food court with skylights. Fletcher said smaller vendors will be diverse and food-oriented.
A roll-down door will lead from the marketplace to a restaurant and taproom adjacent to Kelley Square, which includes a plaza for outdoor seating. The building's first floor will have entrances from Green and Harding streets.
"We're very proud of the layout and it's taking shape," Fletcher said.
And as far as the notorious Kelley Square intersection — one of the top crash sites in the state — Fletcher said he's happy with the status quo but believes the upcoming redesign is necessary.
The state Department of Transportation plans to convert the square into a peanut-shaped roundabout, which Fletcher said will improve pedestrian safety.
"I'm very optimistic," he said.


Although I have quite recently read and listened to the audiobook of The Silmarillion several times with some appreciation; my reaction to this work remains coloured by my first encounter; still retains much of the negative affects from my earliest encounter.
The Silmarillion was published on 15 September 1977; after some four years of ever more impatient waiting and speculation following the death of the author.
The publication date was just before I left home to go to medical school - which was itself a time of intense ambivalence; of excitement and expanding horizons mixed with loneliness and homesickness.
I therefore bought The Silmarillion as soon as it was available, and of course took it with me to stand on the bookshelf in my room, but I didn't read it immediately. Instead, I saved-up actually reading it until I had arrived at college.
My excitement at reading this volume, at long last (as it seemed to me), was therefore bound-up with my excitement at leaving the family and beginning university. Tolkien, especially Lord of the Rings, stood for much that was best about my teenage years - and I was hoping that this spirit would be extended into the new era.
My sense of anticipation was therefore about as great as was possible. Yet I was so disappointed with the Silmarillion that I did not even manage to finish it - or rather, found myself skipping largish sections to get to the last chapters. So, it was less 'disappointment' than an actively-unpleasant experience - I would have preferred, indeed I expected, something much like the Appendices of The Lord of the Ring; but I was actually offered something that seemed more like the Old Testament.
In The Silmarillion there was no editorial voice (such as was present in the Prologue and Appendices of LotR) to mediate between myself and the events described (these editorial voices were sometimes Tolkien at other times Bilbo or merry or various others). Instead, there were just these rather dull, bare-bones accounts of the doings of Valar and Elves; each free-standing and disarticulated; and with no hints of how to make sense of them.
At any rate, this was my negative impression - and this accounts for my residual sense of distaste on seeing that spine on my book-shelves.
Clearly I was not also, and Christopher Tolkien expressed regret for exactly the problems that most struck me, when he came to embark upon the History of Middle earth - and he certainly set them right.
In stark contrast was my encounter with the Book of Unfinished Tales, which was published in 1980 but which (thanks to the above aversion) I only read in about 1986, when I found a copy left behind in a holiday cottage in Keswick. I liked Unfinished Tales so much, that I always carried it around since; still have the same dog-eared paperback copy; and before long it kick-started a Tolkien resurgence of interest - strengthened by reading the Biography and Selected Letters and Tom Shippey's 'Road to Middle Earth' (again, rather later than their actual publication).


a) The adoption of EMV and a well-practiced security is adopted.
b) NFC enabled transactions (whether you like it or not – whether it has an EU or USA adoption rate) – which ensures that the NFC standard is adopted, and they the EMV Co protocols and encryption is present.
d) Two/Three factor authentication – i.e. using the scanned fingerprint (or whatever is scanned to validate the transaction) and then Geo-location and/or device profiling too.
e) A reduced costs (interchange fee) and liability protection for pretty much all parties.
– The customer has to enter the transaction details to validate – unless another way of communicating with the merchant was created and standardised globally.
– The protections that are in the chip on a card and in the secure area in the device where the card details are stored including floor limits, counts, rules, service codes and resets would all be bypassed.
– The secure part of the chip used and set-up by Apple would have to be accessible by developers to create QR codes – which Apple should never allow (due to a compromised of that secure element (and probably not allowed by the banks/schemes either); and because they would probably not want others to use their rails – due to commercial protectionism.
– Retailers would have to create new software and protocols for reading the QR codes at the points of sale, and then create EMV CO protocols to be used to secure the transactions – which of course would preclude the retailer validation or a two way dialogue with the card / secure element.
– And ALL vendors would have to build standards for this and compete with their proprietary protocols and add massive costs for retailers.
– 3FA or further authentication validation would be impossible/hard to introduce without the EMV / NFC standards backbone.
a) The EMV Co and NFC standards, which require that there is a 2-way hand-shakes and communication with the device and the secure element and a decryption process would be circumvented.
c) The issuers to allow the transaction to attract the interchange concession, to be transacted using the EMV Co / NFC standards and a channel that can be used to validate the transaction and ensure closed security would be gone.
Accordingly, the security, payment guarantees, standards and security would all be removed or circumvented. So QR codes in the transactions for payments can now never be progressed – as Apple has surely killed it off in one single stroke by introducing something far superior, far more future proofed and adopting all the latest and global 'industry standards' to do this through – in a way that no-one else could have achieved and made to happen.
QR codes were only a transient interim technology, that only had a place in small ways to bridge the gap that has now been theoretically bridged.
We have heard a LOT about the impact of the ApplePay announcement on who/what will be affected, but one thing is sure: It has killed the QR code as a payment vehicle – but of course it will 'live on' as a very good 'informational application' tool where it has been used thus far – i.e. to stop people needing to type various things into a device.
Adopting QR code developments with access to secure elements in the device CHIP is NOT an option, and it is VERY VERY VERY VERY VERY unlikely that the access to the secure element (i.e. the underlying security) will be accessible to TP developers in this way either.


The Westlake-Westshore Arts Council's FYI Opera program will open new horizons for opera lovers when voice students from the Oberlin Conservatory of Music step into the spotlight.
Jonathon Field, director of Oberlin Opera Theater, said soprano Diana Schwam and baritone Dae Won Seo, who have sung lead roles in operas, will present arias from La Boheme and other operas. Pianist Tony Cho will accompany the singers.
This FREE program reflects the WWAC mission to provide the community with an enhanced and broadened cultural life that promotes awareness, education and involvement in the arts.