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All Photography Classes > Adobe Photoshop > Beginner Landscape Editing > The Basics - Details And Sharpening
The Basics - Details and Sharpening
Lesson 2 from: Beginner Landscape Editing
Matt Kloskowski
Adobe Photoshop > Beginner Landscape Editing > The Basics - Details And Sharpening
2. The Basics - Details and Sharpening
The Basics - Toning Your Photos
Landscape Image Cleanup
Stylizing and Coloring Your Photos
Make Your Skies Look Awesome
Use Brushes in Your Landscapes
move down here to detail. So details gonna be your your sharpening section sharpening and noise removal. Okay, You're not really going to see it unless you're zoomed into 100%. So what we will first want to do here is go to my navigator and you see you got fit. Fill 1 to 1, and then you got one that lets you change it here. So 1 to 1 would be 100% and then 4 to 1. I can actually change that to be whatever I want that will really zoom in. But I'll just go one toe one here and if you guys are looking at this So this is an interesting an interesting example here, Uh, I think we've become obsessed with sharpness, Right, Everybody, everybody in the watching live can see, but the audience just kind of chuckled, but I think we've become obsessed with sharpness and and so true story. I'm walking through the airport yesterday and I was walking past the store. Is was in the Minneapolis airport. I was walking past the store, actually had some prints in one of the gift shops, and they stopped me. ...
I was walking at a distance. It was probably at least from me to you guys and they stopped me. I came closer to the window. I'm looking at the prince was a pretty cool, you know, I actually wanted to see, like, the locations. If I ever go to Minneapolis to shoot that, I'd have something to go shoot. So I walk in the store and I do what every photographer does. That's right. It's not good enough to stand at an arm's length away from the photo. You have to put it up against your nose, and I put it up against my nose like every photographer should. And it wasn't tax sharp. You know, their sex ed a lot of blurred to it. There was a lot of blurred. There's a lot of noise, but you know what? When I'm walking past a store and at a normal distance most and standing there looking at it, I didn't see it. So if you look at this photo, the whole point of that is that if you look at this photo, it is not by any means tax. Sharp reason being is because there's like 25 mile an hour wind gusts up on top of this hill and I could not stabilize my tripod. I'm hanging the bag off of it, and I have the bag laid on the ground, so it's not swinging, but I'm hanging my bag off of it. I'm like, I'm basically ready to hang off my tripod. I could not stabilize it, That's how like I'm looking through the viewfinder and I see it going like this. And here I am in this, like great place and I'll never I'm not gonna be there again for God knows how long I can't get a sharp photo. And so I just tried something. I put, um, vibration reduction on my lens on which are usually supposed to turn off when you put it on tripod because that can create vibration. But because my camera was moving, vibration reduction actually work that I was able to get a mostly sharp photo. So is it tax sharp? Like I think we've we've become to think we need today. No, but it's pretty close. A little tip for you if it's ever so windy that your tripods moving turn vibration reduction on. All right, so we're gonna crank up the amount slider here and the amounts lateral do that's really gonna give us a good And there's a lot of detail we can pull out of this photo. You know there's no skin, there's no sky toe over texture. So if I look at before and by the way, if you guys didn't know, um, every light room palette has that little, uh, toggle switch in it, so I can click on that and get the before in the after I'll crank my radius up for most of our high megapixel cameras. We have today, you know, megapixel. 1.5 is a good radius. You want to make sure is you don't go too high cause you start to see halos around everything in the photo on detail. I'll get away with a lot of detail on this again. There's no there's no sky or smooth areas that Aiken texturizing this, and that's when I want to stay away from it. So I get away with quite a bit of sharpening. Um, if you look, that's the before, and that's after all, Zoom way way. That's too far. We'll just have to stay there. So that's our That's our sharpening phase noise reduction. I don't really have any noise t removed from here for most of our landscape work, we're gonna be on a tripod, and for most of those times, we're not gonna have the need to crank up our I S O so were generally not gonna have super noisy photos. But if I did at this fate, this is the spot where I would do noise reduction, cause I'm right here. Um, but again, we just We generally don't have much of that problem with landscapes. Alright. Ah, let's see. Lens corrections. This one's pretty easy. Guys don't do a whole lot with my landscape work with lions corrections. This comes into play more with architecture. There's a little check box here, enable profile corrections. It's under the basic panel and I'll turn that on and you'll see it kind of did two things kind there's not. This is a very wide angle photo, so it's not doing too much kind of unwarranted a little bit, but it just gets rid of a little bit of that edge. Vignette ing. Okay. And there's a different here goes in a second. You're going to see me ad have been yet back to this vignette we get from lenses is usually not pleasing. It's usually like like hard little vignettes right on on the edges. Here, what will usually do after that is go down to the effects panel and I'll add a vignette, and that's a little bit more, please, not just meant to kind of draw your attention into the photo. Generally, we're not putting really important things at the edges of our photos. So generally most of the important stuff is going to be toward the center ish area in the vineyard. Just kind of helps you settle in, so I'll darken it a little bit. I'll take my midpoint and I'll make it encroach and you can see it. I can put it toward the outside. That's like, what lens vignette? It looks like, right, those hard, little things on the outside. I'm gonna bring this in toward the center and then the key here because what's gonna happen is I'm not gonna keep it this dark, but you can tell it's been vignette ID. The key is is to open up that feather and then pull back on some of the darkness here because what that will do is smooth out the transition in the bin yet get you one second. Um, all right, so just kind of throw that on there. We usually want to go dark. You don't go light, no matter how much you're tempted. You ever hear the saying nothing? Says 1985 like a white vignette like glamour, glamour shots all over again. So we have just had a little bit of a vignette there, and ah, and that will pretty much take care of it. So what I'll do is in a photo a little larger on screen and you can take a look. So that's Ah, that's our before photo. And that's our after before after cool. We got a question. Yeah, I had a question about the feather function. So I've noticed that when I take the feather function in the vignette about 3/ of the way, it looks what I typically see and other photographers work. But when you take it all the way, it does something kind of weird where it goes in every which direction. I'm just wondering. I mean, usually you're not supposed to take the slider all the way to the right. I know that. But I'm just wondering what it's doing. And I just if there's a function, and would you ever use that for anything? Feather or roundness? Feather feather. Okay, So not quite sure. I mean, the best way to explain what feather does is really let me just crank up the darkness. So if you look, if I take feather all the way to zero, that's what it would look like. And then in kind of see, it just kind of smooths out just kind of fade. That transition from from where ever that line would kind of be kind of fades it on either end. So I don't think you're doing anything wrong. It sounds like it's working right. But we chat after, if you I mean, thank you. Your Okay. Uh, so that is that's example one. So let's let's kind of pick it up a notch here to take it to another example. I'm gonna usually hide the left hand side. What I what? I do have that. Then this really depends. This depends on your workflow. So this is this is a basics class. Um, And as I start to even as when I'm working on something. I'm quick adjustments. But even sometimes as I work toward larger adjustments, sometimes I have I have presets. I have a preset workflow. So things like what we just did here, especially if you're starting out, that's a good time to consider creating presets. You know, I find that a lot of times, you know, I moved the shadows. I moved the highlights. I had clarity. I had a little saturation vignette, those air, those air great things to, you know, to go through here and, you know, move the highlights. Move the shadows. Maybe warm the photo a little bit. A little bit of clarity. Throw vignette. I'm not gonna go too much into it, but go to your preset section. And if I can give somebody starting out, any advice it would be makes him presets for this stuff because it just makes the development process easier. So you gotta do is just click on that little when you make changes is click on that little plus sign and just call it, You know, basic adjustments. What I'll usually do is I'll do like light, basic adjustments and like heavy basic adjustments, and I can kind of click between the two. But all you do is just turn on the settings that you just changed. What else did I do? Been getting? You just create a preset. Just turn on the settings that you just change and it saves it. It's like a little formula here so that I can just go back and I can click on it. But I have some Have some I I have something I call in my workflow presets, but what I usually do is I just kind of click through. Um, look at the daylight cloudy shade. Do exposure changes. I can go brighter, darker. I want to go darker, toning. Remember what we did before. So they're subtle toning. There's normal toning, normal with lighter shadow, so you can kind of move through and start to work through as you create your preset arsenal. That would be the best way that I would do it. So I mentioned this for two reasons. One, because I do think presets are good workflow, especially for people that are starting out, too. I showed you what I created a preset. If you're the lazy type if you go over to matt. K photo dot com. I've got all these brushes and Grady INTs for the sky and presets and stuff like that. So Matt k M a T t k photo dot com and it's like the whole But I Whenever I come to creativelive, I do it for, like, 70% off so we can go buy the whole bundle there. So either way, whether you buy him, I have no problem showing you what's in them. But I think that's a good workflow, especially when you're starting now. Um, okay, So as another example here, let's let's start to work through this photo What I do overall exposure and contrast. You know why I bring the exposure down? That's not what I want. So cranky exposure up a little bit. Here, bring out some of the shadows. Ah, highlights. So highlights is a new one. We really didn't. We didn't see highlights in its true what I think of the way that I use it mostly in the last photo, but see what it does to the sky. Okay, so highlights will let us tone down the sky a little bit and we can even make. We can go to exposure, make it a little bit darker. And I think what you'll find sometimes guys is sometimes this is pushing pole. You know, I'd love to say I do this, this, this and this. But the reality is is I do this, this this and then sometimes I go back and I have to tweak it. It is a lot of push and pull. When we're in the studio, we can control these things. When you're out here, you can't control. You can't control the shadows. You can't control the light. You're not gonna not gonna blow a flash onto the trees and be able to get a balanced exposure. So we have to push and pull a little bit. Now it can open up my shadows a little bit, and what you'll see is it's doing it a very large sweeping way. And that's okay. You'll get great results from this later on. In the advanced class, I do talk about what we we get advanced where we start to go in a photo shop when we start making selections and we start really precisely attacking parts of those photos do I do that on every photo? No, I only do that on, like, the best of the best, but I think this is gonna be a photo on a print. I'm gonna print that big, and it's a big portfolio piece of mine. I'll spend extra time, but most of the time I do what we're doing here. All right? Whites and blacks option are all click did that before? Get a white point. Now, that cloud I'm going to say I'm gonna push it just to about White Black. Same thing Option are all click and drag it to the left. I get a good black point. Clarity. Clarity will push a little bit of contrast in their force again. You know, I don't think I need any saturation in this photo. I think I think we're pretty well saturated, So not gonna tweak that at all here. Hs l saturation weaken. I can experiment. I might want toe punch up the blue just a little bit. And that's one of the reasons why I didn't do the saturation slider, cause that just blasts colored everything. But I don't mind kind of punching up the blue a little bit. And then under Luminant, I might pull back on the blue just a bit, almost as if you had a polarizer, you know, kind of darkens the sky bit. All right, so that's Rhs. L will go down here to detail again. I will zoom in and crank up my mount slider radius again. 1.41 point five. Knowing you have to think about it, just do it and then detail. We add a little bit more texture in there. I'm kind of check out the trees. I think that's gonna be a pretty key area. All right. Now, let's take a look at that masking slider, cause it'll it'll affect what we're doing here on a zoom in a little bit more. Remember, in the last image, I was talking about the texture that you'll start to get in smooth areas, skin skies, that's that texture than talking about going to enhance it just so we can really, really see it. All right, so now you can see that texture. We start to get in the sky. If you see that you can always go to your masking slider and it will pull it out of there see a difference. So generally leaves it over everything else, All the textured stuff. But it's gonna pull it out of most of the sky area. The higher you go, the more it'll clear from the sky. But then you start to clear it from some of the other areas, too. Now, I'm not gonna go that high because we don't have to go that high with it. But I just wanted to show you what the difference Waas.
Beginner Landscape Workflow
Matt Kloskowski is a Tampa-based landscape photographer who loves teaching and photography (in that order). Because he feels that enjoying photography, Photoshop®, and Lightroom® can get way too complicated, his personal mission is
Adobe Photoshop Outdoor Photo Editing Digital Photography
One thing which does not quite work for me - final edits in last lesson look a bit oversaturated. But still good course for beginners.
Georgeta Dan


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Lynette Linton will become the new artistic director of London's Bush Theatre, it has been announced. Linton, who is just 28, will be the first woman of colour to take on the prestigious position since the theatre's establishment in 1972.
Having previously acted as resident assistant director at the Donmar Warehouse and associate director at the Gate Theatre, as artistic director Linton will have overarching artistic control of the theatre company and its production choices. The role is one of the most coveted in British theatre – with the Bush having drawn in nearly 30,000 people to see Arinzé Kene's double award-nominated show Misty this year.
After graduating in English Literature from the University of Sussex, Linton went on to direct titles including Function and Assata Taught Me, the latter for which she received a Stage Debut nomination. She also wrote #HashtagLightie, a play about mixedness in the UK today. Her previous works have explored issues of race and class, specifically coloursim and gentrification.
The Bush Theatre, located in Shepherd's Bush, is one of the most celebrated new writing theatres in the world, specialising in championing new playwrights and underrepresented voices.
"I can't wait to see her build on the momentum of Madani's tenure to continue to raise the scale, profile and impact of our remarkable theatre both artistically and socially," he added.
"I am so honoured to be stepping into this role after the amazing tenure of Madani Younis, who has been an inspiration to me from the beginning of my career", she continued.
Read gal-dem's 2017 interview with Lynette Linton here.


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Harry Potter – Wikipedia{/STAT}
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Sort by: List Order Popularity Alphabetical IMDb Rating Number of Votes Release Date Runtime Date Added. Harry Potter and the Sorcerer's Stone PG min Adventure, Family, Fantasy 7.
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Ingredients: Sugar, cocoa butter, milk chocolate liquor, soy lecithin, artificial flavoring added and salt. Contains Milk Archived from the original on 10 September Retrieved 10 September Pictures mentions J.
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And usually you're fighting with the producers about the look but they all wanted it dark and atmospheric, too.
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Retrieved 28 June The worldwide success of Mr. Lasseter for Walt Disney and Pixar Animation Studios and Mr. Yates' contribution to the final four parts of the 'Harry Potter' franchise makes them global wizards in their own right, and are delighted to honor these remarkable filmmakers with this year's Britannia Award.
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Archived from the original on 29 October Retrieved 29 March Empire Awards. You must excuse the absence of David Yates; he'd love to be here but he's putting the finishing touches on our epic finale, which is why I'm here.
Archived from the original on 13 June Retrieved 17 November Archived from the original on 22 July Archived from the original on 16 November Retrieved 11 March The Hollywood Reporter.
Retrieved 3 October The Numbers. Archived from the original on 21 May Retrieved 17 April Retrieved 17 December Archived from the original on 25 July Retrieved 10 December Archived from the original on 1 August Retrieved 22 May Retrieved 1 December Retrieved 11 December Archived from the original on 21 June The Wrap.
Archived from the original on 20 November Retrieved 21 November Archived from the original on 10 December Retrieved 18 September The Economist.
Archived from the original on 14 July Retrieved 19 July Archived from the original on 27 April Archived from the original on 5 August Archived from the original on 28 July Archived from the original on 17 April Retrieved 17 January The Telegraph.
Retrieved 21 January Listen to this article 2 minutes. Harry Potter by J. Wizarding World. The Philosopher's Stone The Chamber of Secrets The Prisoner of Azkaban The Goblet of Fire The Order of the Phoenix The Half-Blood Prince The Deathly Hallows.
Fantastic Beasts and Where to Find Them Quidditch Through the Ages The Tales of Beedle the Bard. Prequel Hogwarts: An Incomplete and Unreliable Guide Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists Short Stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies.
The Philosopher's Stone soundtrack The Chamber of Secrets soundtrack The Prisoner of Azkaban soundtrack The Goblet of Fire soundtrack The Order of the Phoenix soundtrack The Half-Blood Prince soundtrack The Deathly Hallows — Part 1 production soundtrack The Deathly Hallows — Part 2 production soundtrack.
Fantastic Beasts and Where to Find Them soundtrack The Crimes of Grindelwald soundtrack Untitled third film.
Characters supporting family tree Cast members Harry Potter Ron Weasley Hermione Granger Lord Voldemort Albus Dumbledore Severus Snape Minerva McGonagall Rubeus Hagrid Draco Malfoy Neville Longbottom Ginny Weasley Fred and George Weasley Sirius Black Remus Lupin Cedric Diggory Bellatrix Lestrange Dolores Umbridge Luna Lovegood Hogwarts staff Order of the Phoenix Dumbledore's Army Death Eaters.
Magic Magical creatures Magical objects Ministry of Magic Muggle Places Beauxbatons Hogwarts Politics Quidditch.
Pottermore Pollomuhku ja Posityyhtynen The Cursed Child. Lego Creator: Harry Potter The Philosopher's Stone The Chamber of Secrets Creator: Harry Potter and the Chamber of Secrets Quidditch World Cup The Prisoner of Azkaban The Goblet of Fire The Order of the Phoenix The Half-Blood Prince Lego Harry Potter: Years 1—4 The Deathly Hallows — Part 1 The Deathly Hallows — Part 2 Lego Harry Potter: Years 5—7 Book of Spells Book of Potions Lego Dimensions Hogwarts Mystery Wizards Unite Hogwarts Legacy.
The Wizarding World of Harry Potter Orlando Japan Hollywood Dragon Challenge Flight of the Hippogriff Hagrid's Magical Creatures Motorbike Adventure Harry Potter and the Escape from Gringotts Harry Potter and the Forbidden Journey Hogwarts Express Harry Potter Movie Magic Experience.
Harry Potter: The Exhibition Harry Potter: A History of Magic Warner Bros. Studio Tour London — The Making of Harry Potter.
Lego Harry Potter Trading Card Game.
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Repo Bleicherode
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redpajama_set_name: RedPajamaCommonCrawl


Meet SpaceIL's IMU (Inertial Measurement Unit), a major electronic component in our spacecraft's navigation system. It's finally arrived at our Yahud offices. The IMU It is meant to measure the accelerations and the angular speed of the spacecraft, resulting from the engines operation, at any given time and situation on the way to the Moon, using accelerometers and gyroscopes.
In our Moon mission, the IMU will perform various measurements during the different spacecraft maneuvers and send feedback on it, as well as during landing and hopping. In addition, the IMU will function as a backup for another electronic component called STR (Star Tracker), in case it is dazzled. It is tiny: Length 38.6 mm, Width 44.8 mm, Height 21.5 mm. In short, the IMU may be small, but important.


And how long was your hair when you BC'd. Pls include your hair type.
I transitioned for 23 months and I think 2 weeks or something and I when I BC'd my natural hair straight was a bit above my shoulders. My hair type is a mix of 3b/3c (mostly)/4a.
I transitioned for 2 years before i cut the off the heat trained hair. I don't do short hair. The transition period really sucked. I wore my hair mildly flat ironed and only wore it in protective styles for most of that period. It was worth it though my hair is very healthy now. My curly hair was a little past my collarbone when I cut off the rest of the heat trained hair. It was fun to see those first ends curl up. Hair type is 3c.
My hair is mostly 4a. I transitioned for 18 months. I went about my transition all wrong for the first 6 months (flat ironing roughly once a week), but then I learned to style my hair with heat-free methods (mostly buns, twistouts, and braidouts) from this website and youtube.
Transitioned for 27 months, my hair was APL after I chopped. I'm another one who straightened throughout their transition so i had some damage. I decided to cut it again to collar bone length a few months later. I'm a pretty thorough mix of 3c/4a.
I transitioned for about 18 months. My hair was about collar bone length when I cut off all the relaxed ends. I have 3c/4a WL hair that shrinks to about my shoulders.


text:
The European Royals Message Board
[ Post a response | The European Royals Message Board ]
Re: Romanovs: Alix' role in the Revolution
Posted by Eleonore on 27/7/2021, 21:23:36, in reply to "Re: Romanovs: Alix' role in the Revolution"
User logged in as Eleonore
It is absolutely true that Nicholas lacked a backbone and essentially followed the opinion of the last person he spoke to.
And he was pretty blind for the changes of society and how that could (should?) affect his position as Autocrat.
What surprised me especially was that Alix was so steadfast in her commitment to the autocratic state-form. Queen Victoria took over some of the upbringing of Alix after her mother Alice died, and as such, I would expect Alix to have been more openminded towards the idea of a constitution (and functioning parliament). But she was often a hardliner in these discussions and whenever she could, she steered away her husband from more liberal forces at court and in society.
The fact that these liberal voices also were quite critical , if not downright negative, about the charlatan Rasputin, didn't exactly help either.
You need not go that far. If one of their first two children had been a healthy male (something that did happen in Queen Victoria's family) Alix' position would have been different. An other option would have been if Alexei would have been a fifth daughter Alexandra. In that case Olga would probably have become the heiress after altering the line of succession somewhere before WWI.
That would have given the oldest daughter an even more independent role than she took anyway when it comes to her mother. It would also have freed Alix from the constant worry over Alexei that must have taken it's toll on her.
Had Nicholas married Helene d'Orleans he would have had an equally strong minded and opinionated wife as he ended up with. The issue is also more with Nicholas and how badly he was prepared (or more correctly how unprepared he was) to be the Tsar. He had no clue about the role of a Russian monarch or how to deal with that position. That was not so bad for his cousins George V and Christian X who were constitutional monarchs in stable democracies but it was detrimental to his reign.
So had Nicky had a bit more of a backbone and/or a better sense of what was expected of him as Tsar who he married would have been much less of an issue.
I have just finished reading the book Romanovs by Simon Sebag Montefiore. For a historian like Mr. Sebag Montefiore, he makes a few massive mistakes and has some omissions, like calling Anna Paulowna, daughter of Tsar Paul I, Queen of Holland . Which is of course dead-wrong, she was Queen of The Netherlands .
A mistake that can be expected by the average tourist, but a historian should know better.
Nonetheless, the sources he uses are quite good and give a balanced view on the numerous tsars and their families.
And this included Tsarina Alexandra (Alix of Hesse), but even with all the balance, she comes across as unstable, arrogant and totally not in touch with society, not even the top-layer of society, let alone the Russian society as a whole.
That would in itself perhaps not be so bad if she was kept out of politics and if her husband had been more secure in his actions and opinion.
That made me wonder, what if the Tsar had married a French princess, like his parents wanted? Or any other woman than Alix?
Of course not marrying Alix would also have meant there would have been a healthy heir and that would have made the presence and influence of Rasputin less likely.
Romanovs: Alix' role in the Revolution - Eleonore 27/7/2021, 20:14:49
Re: Romanovs: Alix' role in the Revolution - Johan 27/7/2021, 20:36:54
Re: Romanovs: Alix' role in the Revolution - Eleonore 27/7/2021, 21:23:36
Re: Romanovs: Alix' role in the Revolution - Steven 28/7/2021, 13:24:54
Grand Duchess OIga - Jane 28/7/2021, 13:38:20
Re: Grand Duchess OIga - Johan 28/7/2021, 19:04:03
Re: Grand Duchess OIga - Karen 28/7/2021, 21:46:32


Lastly comes the most effective part of the process, truly creating your design. The entire process rely on the standard and dimension of your design ought to usually you've gotten take from a half an hour to a number of hours – every machine is once more distinctive & it's up to you to learn your consumer manual and discover ways to function it most successfully.
The second main distinction is the onboard memory. Instead of purely having only an expandable SD card slot upto 32 GB, the new and improved Innotab 2 additionally features an onboard reminiscence of 2Gb. So you now have the option of just letting a toddler use the tablet as it is with a 2GB memory capability or increasing the reminiscence to four or sixteen or 32 GB with an SD reminiscence card.
Remember the clunky outdated VHS tapes of yesteryear? Or how about these big and apparently 'revolutionary' VideoDiscs? Yep, DVDs have been certainly an enormous enchancment; as a result of at one time, anybody with greater than eight films to their identify can be pressured to get a bigger home.
A: No. However most vital, all Blu-ray players will play commonplace DVDs – and most "up-convert" those DVDs so they appear nearer to HD quality. Most players deal with music CDs as properly. In case you are particularly focused on testing picture-in-picture commentary tracks and on-line bonus features on discs, search for players that include Profile 1.1 (picture-in-picture capability) and BD-Reside or Profile 2.zero (on-line connections) among the specifications.
Not long ago "development technology" would have primarily referred to heavy gear, machines and tools. Drawing and design software program like AutoCad and Constructing Info Modeling (BIM) software have been in the marketplace for some time now, too, however latest advancements have improved these programs. BIM has turn into an integral part of many contractors and challenge managers business models and has helped many business house owners hold prices down, give purchasers more accurate estimates on each time and cost, and improve their capacity to oversee a number of tasks.
Despite the fact that it takes a circuit board of multiple LED's to produce enough gentle to compete with other gentle bulb varieties, they're nonetheless an amazing option due to their cheap manufacturing course of, life span and power efficiency. Presently the consumer model of the LED mild bulb has a better cost price as it uses a few electronic components and can embrace a fan and warmth sink to keep the sunshine cool, prolonging its life.
41 year-old Crop Producers Nicole from Saint-Hyacinthe, likes to spend some time marquetry, . and writing music. In the last year has made a visit to Shark Bay.


Alfred Kelley was born in Middlefield, Connecticut, on November 7, 1789, and then moved with his family to Lowville, New York, at the age of ten. He trained as a lawyer under New York Supreme Court justice Jonas Platt beginning in 1807.
Kelley also became involved in state politics, elected to the Ohio House of Representatives for the first time in 1814 and serving in state politics in some capacity for the rest of his life. In 1814, Kelley was the youngest member of the House. When he retired from the Ohio Senate in 1857, he was then the oldest member of the state legislature. During the intervening years, Kelley was an instrumental figure in a number of important state issues. He introduced a bill to end the policy of imprisoning people who could not pay off their debts and helped to create the office of state superintendent of schools. He authored an important banking reform bill in 1845 and the state's first general property tax law the following year. In addition, Kelley served as chairman of Ohio's Whig Party commission and helped William Henry Harrison become President of the United States in 1840.
What Kelley was probably most known for, however, was his passionate support for canal construction. In fact, he became known as "the father of the Ohio canal system." In addition to persuading the state legislature to finance the building of canals, Kelley also devoted much of his time to supervising construction, first in Akron and then in Columbus. In spite of the fact that the canal went significantly over budget, Kelley's reputation for honesty and integrity insured that the legislature did not withdraw funding for the project.
By the 1840s and 1850s, Kelley realized that canals were being surpassed by a new form of transportation, the railroad. With his urging, the city of Cleveland began a long-term project to connect the community to Cincinnati. By 1851, the railroad already reached from Cleveland to Columbus. Kelley also served as president both of the Columbus and Xenia Railroad and the Cleveland, Painesville, and Ashtabula Railroad.
Kelley died in Columbus on December 2, 1859. During his years of public service, the state of Ohio and the city of Cleveland had grown tremendously and, because of his support of transportation and financial reforms, Kelley had played an important role in their transformation.


text:
#ifndef UPS_BENCH_TIMER_H
#define UPS_BENCH_TIMER_H

#include <boost/chrono.hpp>
#include <iostream>
#include <iomanip>

using namespace boost::chrono;

// based on
// http://www.boost.org/doc/libs/1_54_0/libs/chrono/example/await_keystroke.cpp
template<class Clock>
struct Timer
{
  Timer()
    : start_(Clock::now()) {
  }

  typename Clock::duration elapsed() const {
    return (Clock::now() - start_);
  }

  double seconds() const {
    return (elapsed().count() *
          ((double)Clock::period::num / Clock::period::den));
  }

  typename Clock::time_point start_;
};

#endif // UPS_BENCH_TIMER_H

redpajama_set_name: RedPajamaGithub


Francisco Campos has spent some twenty years carving wood-sheets to create all kinds of lattice work, frames, small furniture and even the emblems of ranches all over Spain.
At 81 years of age, Francisco Campos Fernández, from La Bajadilla (Algeciras) became a cabinetmaker late in life; he does not like to boast about his creations, even though some really are small works of art.
Especially so the miniature houses he has been making for some while now, with the help of his wife, Isabel Gil Vargas-Machuca, who shares his hobby and lends him a hand with the design, the miniature fabrics and the search for miniscule decorative objects that give them the appearance of real houses.
Francisco Campos, who was a civil servant at the Port of Algeciras for over thirty years, discovered his love of carving and cutting wood-sheets on the eve of retirement, thanks to a fellow enthusiast.
He is self-taught and started with simple things: a key made of wood, a shelf – until a friend, connected to the world of cattle breeding, proposed he make a series of engravings of the emblems of livestock ranches.
One day, someone encouraged him to make a dolls house, with the top storey in the shape of an attic, and it kept him busy for almost three months.
He gave it away as a gift, and started on others, each better than the other, with every single detail added in the rooms: kitchens, chimneys and framed, old family photos, bathrooms including toilets, washing machines, sewing machines, ironing boards… hundreds of miniature furniture pieces made by the hands of Kiko, as he is known in La Bajadilla, to create works that look as if they were taken from the pages of an interior design magazine or a period film.
Among the creations on special display at their home, Francisco and Isabel proudly show off the replica of a coal miner's dwelling, typical of Los Alcornocales, inspired by the memories of their childhood – up to the buckets in the little kitchen and the miniature chairs.
"My grandfather was the manager of a massive estate that stretched from Los Barrios to Alcalá de los Gazules. I used to spend some periods there and got to know some of the coal miners, with who we had a close relationship, and their dwellings. Back in the day, they were the ones who took care of the mountains and trees. Their houses don't exist anymore, and the few that do stand in ruins. That's why I told him we should make a replica, before we forget how they used to look like," says Isabel.
The cabinetmaker of La Bajadilla is happy in his small workshop, which occupies part of the house that once belonged to Paco de Lucía's family, and where the master of the guitar spent some of the happiest childhood years, between the Calle Barcelona and the Avenida de la Cañá.
Here, right next to where young Paco spent hour after hour practicing on his guitar, Francisco Campos has his work bench, his tools, his wooden planks and the displays which showcase some of his most beloved creations: some small filigree furniture and miniature versions of some of the Holy Week processions in Algeciras, such as the Cristo de Medinaceli and the Virgen de la Esperanza.


text:
Isa McIlwraith and Arthur Plettner photographs, programs, and papers
Identifier: MS-072
University of Tennessee at Chattanooga Manuscript Collections
This collection includes personal papers, journals, photographs, music, music programs, recordings, and related documents from Isa McIlwraith and Arthur Plettner, professors of music at the University of Chattanooga and the University of Tennessee at Chattanooga. Material covers the date range of 1924 to 1989.
Plettner, Arthur (Person)
This collection contains materials in English.
This collection is open for research.
The copyright status of this collection has not been evaluated.
Arthur Plettner (1904-1999) and Isa McIlwraith (1909-1997) were a married couple who taught at the University of Chattanooga, and University of Tennessee at Chattanooga, from the late 1930s until their retirements in the 1970s. Dr. Plettner was born in New York City but was musically trained in Europe, at the Bavarian State Conservatory in Wuerzberg, Germany. He also attended the Julliard Graduate School of Music in New York City, and received his doctorate from the University of Toronto. Prior to coming to Chattanooga, Dr. Plettner worked with the German Theatre and the Ziegfeld shows. In 1937 he came to Chattanooga to teach at the University of Chattanooga, and to conduct the Chattanooga Symphony Orchestra. He remained as conductor until 1949. After this, he continued to teach at the University of Chattanooga until his retirement in the early 1970s. He published a number of compositions during his career. Isa McIlwraith was the wife of Dr. Plettner (she maintained her maiden name for professional purposes). She came to Chattanooga in the late 1930s, and taught organ at the University of Chattanooga. She was also an organist who performed recitals across the United States. She was born in Paterson, New Jersey, and attended Columbia University and the Julliard Graduate School of Music. Prior to coming to Chattanooga, Ms. Plettner taught at Mt. Holyoke College.
8.63 Linear Feet (17 Boxes)
This collection was donated by Nancy Goodson to the University of Tennessee at Chattanooga on 1998 September 15.
Processing of this collection is complete.
Music -- History and criticism -- Outlines, syllabi, etc
Music -- Instruction and study -- Outlines, syllabi, etc
Music -- Tennessee -- Chattanooga
Universities and colleges -- United States -- History
University of Chattanooga -- History
University of Tennessee at Chattanooga -- History
McIlwraith, Isa (Person)
Under Revision
Physical Storage Information
Box: MS-072 001 (Text)
Collection Area Details
Part of the University of Tennessee at Chattanooga Manuscript Collections Collection Area
http://www.utc.edu/library/special-collections/
615 McCallie Avenue
Chattanooga Tennessee 37403 USA
archives@utc.edu
Isa McIlwraith and Arthur Plettner photographs, programs, and papers, MS-072. University of Tennessee at Chattanooga Manuscript Collections.
Isa McIlwraith and Arthur Plettner photographs, programs, and papers, MS-072. University of Tennessee at Chattanooga Manuscript Collections. https://findingaids.utc.edu/repositories/2/resources/31 Accessed January 22, 2022.
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Sumter Hospital was begun 1904 by Drs. S. C. Baker, Walter Cheyne, Archie China, H. M. Stuckey, and was built shortly thereafter nearby. Renamed Tuomey following purchase in 1913 with funds from will of T. J. Tuomey (1842-1897) which specified that a community hospital be established. Gifts were added by Mrs. Tuomey (Ella Bogin), & Neill O'Donnell, a relative. Generous citizens give their continuing support.
Location. 33° 55.444′ N, 80° 20.656′ W. Marker is in Sumter, South Carolina, in Sumter County. Marker is on North Washington Street (U.S. 76/521) near West Calhoun Street (U.S. 401), on the right when traveling north. Touch for map. Marker is in this post office area: Sumter SC 29150, United States of America. Touch for directions.
(approx. 0.2 miles away); General Thomas Sumter 1734 -1832 (approx. 0.2 miles away); Potter's Headquarters / Federal Order Of Battle (approx. 0.2 miles away); Sumter's Court Houses (approx. 0.2 miles away); Sumter World War II Monument (approx. 0.2 miles away). Touch for a list and map of all markers in Sumter.
More. Search the internet for The Tuomey Hospital.
Credits. This page was last revised on June 16, 2016. This page originally submitted on March 18, 2010, by Mike Stroud of Bluffton, South Carolina. This page has been viewed 946 times since then and 11 times this year. Photos: 1, 2, 3. submitted on March 19, 2010, by Mike Stroud of Bluffton, South Carolina. • Syd Whittle was the editor who published this page.


text:
Q: How to disconnect Github account from Visual Studio Code I am using VS Code on Linux mint. I was pushing to a git repo a few weeks ago and since the repo was private, github asked for authentication as it would. A browser window opened and asked if I want to keep this account for VS Code for all future git pushes, so I did that. Now I need to remove my this account from my VS Code. Now every time I try to push something via the VS terminal, it tries to push using that account. I need to remove that account and possibly add another one. I can not find this anywhere in the settings.

A: Below Solution worked for me hope this will work for someone
You can delete your toke loggen in the account at github.
delete the token for the designated PC.
GithubSite -> Login -> Settings -> Developer Settings -> Personal Access Token -> Delete (Token For that PC Name) -> click Agree (I Understand, delete this token)

A: Open your Visual Studio Code Then look at the bottom left side there will be an Account option Clicking On it after you will see the Sign Out Option is there.

redpajama_set_name: RedPajamaStackExchange


Is it a perfect idea to broadcast Wedding Event Online?
It is not possible for each visitor to go to a wedding service, there will be reasons behind that however that doesn't mean he or she need to miss the entire occasion. Another sensation is picking up prominence i.e. broadcasting wedding event online. I think it is truly a great thought and it makes everybody to enjoy the marriage event.
As per a recent survey, the live broadcasting of marriage online has gone two fold from the prior year, hinting at additional expand sought after in the advancing years.
It could be said that it truly make sense it permits all the individuals who are absent throughout the occasion. Case in point could be ailing grandma, pregnant cousin, bankrupt school companion or even a nearby relative who is working in another country.
The online telecast of wedding permits them to witness the marriage and it takes care of the issue of short participation to the entire occasion. There are different choices accessible to browse to telecast it on the web.
The primary alternative could be through utilizing Skype, which empowers free streaming of the entire occasion to your friends and family, yet for this choice you have to have a fast web association since if the connection is moderate it will hang the movie streaming creating fury in your friends and family.
In the meantime different organizations give streaming service at an ostensible expense. If you take a look at the costs it begins from allowed to $800, contingent upon the duration of the marriage occasion. It can likewise be useful in decreasing your wedding budget as it generally take more for feast and beverages then giving live streaming of the wedding capacity.
An alternate alternative might be you can hire an expert videographer who offers full services for live-streaming bundles which incorporates specialists, an email welcome for visitors, individual site, and consistent updates to the individuals viewing the entire capacity and a lot of people more.
In the meantime, it is exceptionally critical that all the visitors who are not equipped to go to the occasion must be attentive to the webcast of your occasion. It might be carried out by posting the data about it on your informal organizations like Facebook, twitter and so on and additionally on your wedding site.
You can likewise permit remarks and well wishes from your friends and family keeping in mind the end goal to make the entire occasion great. So, be tech savvy and try on online broadcasting of your big day to make it unforgettable for lifetime.


text:
Q: Get attribute value from XML file I am trying to retrieve from an OPCUA NodeSet all the NodeIds of UAObjectType.
Here It is the xml file: https://github.com/OPCFoundation/UA-Nodeset/blob/master/Robotics/Opc.Ua.Robotics.NodeSet2.xml
This is the code I am using:
 NodeName = select("//ns1:UAObjectType/ns1:DisplayName/text()", ns);
  NodeId = select(String("//ns1:UAObjectType/@NodeId") , ns);
  fs.writeFileSync("Names.xml" , NodeName )
  fs.writeFileSync("Ids.xml", NodeId)
  console.log(NodeId);
  if (mapper["ObjectType"] != null) {
    var otypes = {};
    for (i = 0 ; i<NodeName.length ; i++){
        add(otypes , NodeName[i] , NodeId[i]);
    }
  }

This is what I get as output in the Ids.xml file:

 NodeId="ns=1;i=1001", NodeId="ns=1;i=15035", NodeId="ns=1;i=15048", NodeId="ns=1;i=15051"

This is what I would like to have as output:
ns=1;i=1001, ns=1;i=15035 , ns=1;i=15048 , ns=1;i=15051

Do you know how can I solve it?
Thanks everybody for the attention.

A: Assuming you have access to an XPath 2.0 processor (Saxon-JS ?, xpath.js ?) :
string-join(//*[name()="UAObjectType"]/@NodeId,",")

Test with : https://raw.githubusercontent.com/OPCFoundation/UA-Nodeset/master/Robotics/Opc.Ua.Robotics.NodeSet2.xml
Output : 'ns=1;i=1002,ns=1;i=1004,ns=1;i=16601,ns=1;i=16794,ns=1;i=1019,ns=1;i=1022,ns=1;i=1013,ns=1;i=17230,ns=1;i=17233,ns=1;i=1003,ns=1;i=17725,ns=1;i=17793,ns=1;i=1011,ns=1;i=1018,ns=1;i=18175'
Or with XPath 1.0, loop over each UAObjectType and concat each string of @NodeId (string(./@NodeId)).


Our green campervan mug is perfect for camping, travelling and your Sunday morning cuppa…. or perhaps for simply storing pens on your desk.
Express your love of the classic RV with this bright and fun hand drawn design on a hard-wearing enamel mug with a retro metallic trim from our Wild & Free Range. The mug also sports the Simple, Wild and Free logo on the reverse side.
Also available in orange, blue and yellow designs.


Will Jordan Brand Ever Bring Back These Jordan 1s?
A rare sample take on the Japan pair.
Jordan Brand has been increasingly willing to bring back styles from its Retro+ era–this year has already seen the release of the "Columbia" Jordan 4, the "Oreo" Jordan 4, and the "French Blue" Jordan 7.
There's no doubt that there are people out there hoping that the brand's Japan-exclusive Air Jordan 1s will someday joint the list of retro pairs to be brought back. Serving as a reminder of the set is this sample take on the white leather pair, which features a jewel application for the Wings logo on the heel and a Jumpman silhouette on the back. The pair is numbered like the retail version, and here is listed as "0001 of 3000."
This rare sample version of the white leather Japan-exclusive Air Jordan 1 is available now on eBay.


store. You place the pressing comb on the stove, to heat it. How straight the hair gets depends on how hot you allow the comb to get. Pressing one's hair is fairly easy to do at home. However, you get better results, allowing a professional to do it. Pressing combs aka hot combs can be dangerous because there is no way to know the temperature of the comb. It takes lots of practice and skill to get a good press and not burn your hair out. This is temporary straightening.
The chances of heat damage are moderate to high.
This is the most popular way women straighten their hair. Flat ironing is easy to do at home. You want a flat iron with ceramic plates, and a number temperature setting. Reduce your chances of heat damage by staying under 410 degrees. Always use the flat iron on clean hair, followed by the comb chase method. Those two rules will give you straighter hair. This method is temporary, depending on the amount of moisture your hair is exposed to.
Unless your goal is to be a straight haired natural stay away from titanium flat irons. Those irons get much hotter and puts you at a high risk of heat damage. Titanium flat irons do deliver a smoother, silkier flat iron, but at a cost to your hair.
This is not to be confused with a regular keratin protein treatment. BKT should always be done by a professional. There are several different types of these treatments. The products used are very strong. This is a permanent straightening method. Large amounts of proteins are used followed by very intense heat. Many times you will be told you can go back and forth between straight and curly hair. Touch ups are done on your new growth only. This straightening method is expensive, but generally does not require as touch ups frequent.
Expect a permanent change in your curl pattern. This is permanent and equivalent to a relaxer.
This is an upgraded old fashion press, using a flat iron. Your stylists might use different silk press products to help you condition and protect your hair. These products normally include protein rich conditioners moisture and products designed for heat protection. Your silk press should have more bounce and body than the traditional press. A silk press should be light, silky and bouncy. Giving your natural hair the look of a relaxer. Best done professional for pristine results.
The way many Dominican hairstylist straighten Afro hair. It is a combination of silicone products, blow drying using a brush, flat ironing on high heat. The purpose is to get the hair super silky while maintaining lots of body. You have way more bounce than a regular old fashion press.
High chance of heat damage.
Not a permanent service but can lead to permanent straight hair. Raking the brush through your curls, while blow drying with high heat is very damaging. This service gives you 3 stresses on your hair: the brush, blow dryer and flat iron.


We all are familiar with the diamond robbery scene from one of the Mission Impossible series where protagonist Tom Cruise hangs in the air, suspended from a cable over the floor of an extremely well protected computer vault, with arms and legs outwards and after a lot of mid-air tension he successfully manages to steal the diamond. A lot of meticulous planning goes behind "robbing" a bank or anything of great value. Our films – both Hollywood and Bollywood — have given us a fair glimpse into what goes behind organising a successful robbery. While we might believe that incidents like these are far-fetched in real life, a dive into the art history has plenty of examples for us to amaze and wonder how invaluable art has been tactfully stolen from art museums around the globe.
The theft of this fabulous object on August 21, 1911 created a media sensation. . The police were as baffled as everyone else. It was thought that modernist enemies of traditional art must be involved and the avant-garde poet and playwright Guillaume Apollinaire was arrested in September and questioned for a week before being released. Pablo Picasso was the next prominent suspect, but there was no evidence against him either. Two years went by before the true culprit was discovered, an Italian petty criminal called Vincenzo Perugia who had moved to Paris in 1908 and worked at the Louvre for a time. He went to the gallery in the white smock that all the employees there wore and hid until it closed for the night when he removed the Mona Lisa from its frame. When the gallery reopened he walked unobtrusively out with the painting under his smock, attracting no attention, and took it to his lodgings in Paris. Then, in December 1913, he contacted a prominent art dealer in Florence, claiming to be in possession of the celebrated portrait. Police swooped in and arrested Vincenzo. He apparently believed, entirely mistakenly, that the Mona Lisa had been stolen from Florence by Napoleon and that he deserved a reward for doing his patriotic duty. Hailed as a patriot in his native Italy, the burglar served six months in jail for the crime.
In the early morning hours of March 18, 1990, a pair of thieves disguised as Boston police officers entered the Isabella Stewart Gardner Museum and roamed the Museum's galleries, stealing thirteen works of art. They gained entry into the Museum by posing as Boston police officers and stating that they were responding to a call. The guard on duty broke protocol and allowed them entry through the Museum's security door. They then drew him away from the alarm button and asked him to call his partner. The thieves then handcuffed both of them and threw them in the basement, where they duct-taped their hands and feet to pipes. The bandits then stole around $500 million worth of priceless art, the largest art heist in history. Priceless works like Vermeer's The Concert, Rembrandt's Storm on the Sea of Galilee, and Manet's Chez Tortoni were taken, never to be found again. Earlier, the reward for information leading to the return of 13 works was $5milliom, which was recently doubled to $ 10 million.
In December 2000, a gang of thieves used sensational tactics to rob the National Museum of Fine Arts in Stockholm. As one gunman threatened security staff, two others filched two paintings by Renoir and one by Rembrandt. They staged two car explosions nearby to distract police. The burglars then jumped into a getaway speedboat outside the waterfront museum with their spoils. By 2005 all three of the missing pieces had been recovered.
Early in the morning of 16th October 2012, seven valuable artworks by Picasso, Matisse, Gaugin and Monet were stolen from the Kunsthal in Rotterdam in less than three minutes. The theft was world news. The thieves got away with the artworks, worth more than $24 million, even though they tripped the small museum's alarm system — probably because the small museum had no guards. But what first seemed like a sophisticated burglary by professionals, turned out to be the work of a few small-time Romanian criminals who had no idea what they were getting themselves into. They knew about house burglaries, not art, and they certainly didn't know about selling art.
The single largest theft of precious objects is still the December 1985 robbery of Mexico City's National Museum of Anthropology. Robbers stole 140 precious objects, including several gold, turquoise, and jade objects, as well as an obsidian monkey-shaped- vase worth over $20 million. The bandits picked a sleepy time when they knew the guards would be distracted by holiday cheer, and the worst was that the alarm hadn't been working since the system broke down three years before. It was the new team of guards who arrived at 8 a.m. and discovered that sheets of glass had been removed from seven showcases. Most of the stolen objects were very small and easy to transport, making them especially difficult to track down.


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News / World
Greece's Cabinet sworn in following election win for conservatives
July 9, 2019, 10:41 am Updated: July 9, 2019, 1:43 pm
Greece's new Cabinet takes an oath (Thanassis Stavrakis/AP)
Greece's new Cabinet was sworn in on Tuesday, two days after conservative party leader Kyriakos Mitsotakis won early elections on pledges to make the country more business-friendly, cut taxes and negotiate an easing of draconian budget conditions agreed as part of the country's rescue programme.
The new Cabinet relies heavily on experienced politicians who have served in previous governments, but also includes non-politician technocrats considered experts in their fields.
The crucial post of finance minister went to Christos Staikouras, an economist and engineer who comes with the experience of having served as deputy minister during the financial crisis under a previous government.
Greece's prime minister Kyriakos Mitsotakis (Petros Giannakouris/AP)
"Our central aim is to create the conditions for a high and sustainable development with healthy public finances and a stable banking sector," Mr Staikouras said during the handover of the ministry from his predecessor, Euclid Tsakalotos.
"We will go ahead with relieving the tax burden on households and businesses," Mr Staikouras said.
"We will promote production, productivity, competitiveness, quality, adaptability and an outward looking approach of our economy."
The new government's promise for lowering taxes, and calls to ease the strict budget targets, was bluntly rejected by Greece's creditors during the bailout year, even before the country had formed its new government.
Nikos Dendias has been named as foreign minister (Thanassis Stavrakis/AP)
Finance ministers from the 19 European Union countries that use the euro currency met in Brussels on Monday evening and insisted key budget targets must be adhered to.
"Commitments are commitments, and if we break them, credibility is the first thing to fall apart.
"That brings about a lack of confidence and investment," Mario Centeno, president of the so-called Eurogroup, said after the meeting.
Greece depended for years on rescue loans from other European Union countries and the International Monetary Fund in return for deep reforms to the country's economy that included steep tax hikes and major spending cuts.
Greece's new Cabinet takes an oath during the swearing in ceremony at the Presidential palace(Petros Giannakouris/AP)
The price was heavy as unemployment and poverty levels soared in the country.
Greece's third and final international bailout ended last year and while the country does not rely on direct funds to meet its debt repayments, the previous government of prime minister Alexis Tsipras agreed to meet a series of budget targets over the coming years, even decades.
As part of those agreements, Greece has pledged to achieve government budget surpluses, before debt costs, of 3.5% of GDP for the coming years.
Critics say that requirement has shackled government spending and stifled the country's recovery.
As a result of those agreements, Greece remains under strict surveillance from its euro partners.
Mr Staikouras said that unlike frequent practices at ministry handovers during a change of government, he would not say everything his predecessor had done was wrong.
"We will maintain any positive things that were done and we will build on them," he said.
"But we will correct mistakes and deal with any oversights."
Other key positions in the new Cabinet also went to seasoned political veterans.
The foreign ministry was given to Nikos Dendias, who held previous Cabinet positions in the ministries of development, defence and public order, while a former public order minister under a previous socialist government, Michalis Chrisohoidis, takes the reins of the ministry once again as one of Mr Mitsotakis' non-parliamentary appointees.
Cambodia vows to return plastic waste shipments from US and Canada
Drug policy reform urged as Scotland records biggest ever deaths total
Drug deaths rate in Scotland 'worse than any other country in Europe'
Seven killed and dozens injured in Greece storm


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Momentous events in both England and the USA yesterday. Two reports below
British Labour Party's snooty elite hates patriotism, says editor of left-wing journal that triggered Labour leadership crisis
Attitudes reminiscent of the U.S. Democrats. In the recent Rochester by-election, both the Labour party and the Tories lost to a patriotic party. For an explanation of the uproar over Emily Thornberry's offensive tweet of a "picture of a house bedecked in England flags", see Here.
Two weeks ago, JASON COWLEY, editor of Labour's house journal the New Statesman, triggered Ed Miliband's leadership crisis by describing him as an 'old-style Hampstead socialist' and 'quasi-Marxist'. Here, he delivers a withering post-Rochester verdict . .
"When did Labour become the party of vested interests and snooty metropolitans? When did a modest terrace house, a white van and the flag of England become symbols of contempt for the Left?
Emily Thornberry, the Islington MP and lawyer, who, while campaigning in Rochester and Strood, sneeringly tweeted a picture of a house bedecked in England flags, has been forced to resign from the Labour front bench.
But her tweet and Ed Miliband's panicked response to it epitomise why Labour is so desperately struggling to connect with voters and why Miliband has lost the confidence of many of his MPs.
Miliband leads a party that purports to speak for and aspires to represent, in his own awkward phrase, 'everyday people'. But many in Labour have a problem with these very same 'everyday people', especially if they do not share their liberalism or metropolitan prejudices.
The snooty metropolitan Labourite doesn't like these people's patriotism. They don't understand why they might be attracted to the populist rhetoric of Nigel Farage's Ukip. They dismiss legitimate concerns about immigration and the fracturing of social cohesion as bigotry.
Nor does the snooty metropolitan elite seem to grasp that swathes of society do not work in the public sector and that two-thirds of private-sector workers do not even have pensions.
I've mocked Miliband for being a Hampstead socialist who does not understand lower-middle-class aspiration. Like Emily Thornberry, he lives in a grand house in North London. He studied politics, philosophy and economics at Oxford, the obligatory degree for our out-of-touch political class, and then, because he was considered 'Labour aristocracy' [His father was a prominent Marxist intellectual], went straight to work for Gordon Brown at the Treasury.
He had a brief sabbatical teaching at Harvard University. Then he was gifted a safe seat in Doncaster, fast-tracked into the Cabinet, after which he became leader of the party in his early 40s. Some struggle.
Miliband's life experience is extraordinarily narrow. He has never worked in or run a business, and can scarcely bring himself to mention wealth-creation in his speeches. He has never lived or worked among the urban poor, as Clement Attlee, Labour's greatest prime minister, did as a young man at Toynbee Hall in London's East End.
Miliband is a member of what George Osborne privately calls 'The Guild' of career politicians. But, to adapt a saying of the great cricket writer C L R James, what do they know of politics who only politics know?
Emily Thornberry's tweet could not have been more ill-timed or more symptomatic of a deeper malaise. If Labour were serious about wanting to win a mandate for the far-reaching political and economic reform it says the country needs, it would be aspiring to win back Rochester, which it held from 1997 to 2010. Instead, it stands on the sidelines and sneers, even as it is routed at the polls.
Draw a metaphorical line from the Wash estuary in Norfolk to the River Severn. South of the Severn-Wash line, excluding London, there are 197 seats, of which Labour holds ten. In the aspirational English south the party is hugely unpopular — and becoming more so.
Labour confronts a weak and divided Tory party. A more accomplished leader than Miliband would have seized this moment and found a way to address not only people's anxieties but also their aspirations.
Miliband can seem a relentlessly gloomy politician, who is interested not in building a coalition of all the people but in appealing only to the bottom third of society. He speaks as if too many of us are victims whose lives can be redeemed only by state action. It's old-style, top-down, the-man-in-Whitehall-knows-best Fabianism.
During the Scottish referendum campaign, I spent some time with Alex Salmond, now former leader of the Scottish National Party. In many ways, Salmond is a high-class huckster, spinning improbable yarns.
But he is also a brilliant popular communicator. He speaks about Scotland and its people with optimism and in a style and tone that resonate.
Now, the SNP has become the natural party of government and it is poised to storm Labour's Scottish strongholds in next May's election.
Back in the early days of his leadership, Miliband and his advisers liked to compare themselves with Margaret Thatcher. They admired her conviction and the way she transformed Britain by smashing an economic consensus. The Milibandites described their ambition as similarly 'Thatcheresque'.
Yet Mrs Thatcher once said: 'The Old Testament prophets did not say, "Brothers, I want a consensus." They said, "This is my faith. This is what I passionately believe. If you believe it, too, then come with me."'
The trouble for Ed Miliband is that he has told us what he believes, but, lethally for him and the Labour Party, fewer and fewer people believe him or want to come with him, as events in Rochester [by-election] showed.
Obama refuses to administer the law on immigration
President Obama announced a plan Thursday night to mainstream millions of illegal immigrants with an executive order allowing them to stay instead of facing deportation, bringing howls from Republicans who complained about so-called 'anchor babies' helping their illegal parents remain in the U.S.
The president calmly explained in a 16-minute speech – subtitled in Spanish – the parameters of what angry Republicans are calling a lawless 'amnesty.'
'We're going to offer the following deal,' he said: 'If you've been in America for more than five years; if you have children who are American citizens or legal residents; if you register, pass a criminal background check, and you're willing to pay your fair share of taxes – you'll be able to apply to stay in this country temporarily, without fear of deportation.' 'You can come out of the shadows and get right with the law.'
'That's what this deal is. Now let's be clear about what it isn't,' the president cautioned.
'This deal does not apply to anyone who has come to this country recently. It does not apply to anyone who might come to America illegally in the future. It does not grant citizenship, or the right to stay here permanently, or offer the same benefits that citizens receive – only Congress can do that.' 'All we're saying is we're not going to deport you.'
Republicans pushed back immediately, with most of the energy coming from tea party conservatives.
'Tonight President Obama issued an oral royal decree that will be followed by a written regal decree, as any good monarch would do,' Texas Republican Rep. Louie Gohmert jabbed in a statement.
'This unlawful, blatant executive action would legalize more than 5 million people here illegally. This president is single-handedly creating a constitutional crisis and hurting the citizens he took an oath to protect and defend.'
Utah Sen. Mike Lee, another tea party-linked lawmaker, called the president's speech 'a desperate attempt to remain relevant.'
It will take the federal government several months to prepare for receiving applications. By that time, Republicans will control both houses of Congress and may take action to reverse the policy.
'The president has decided to defy the American people, ignore the election results, and usurp the legislative process,' Lee said. 'This act demonstrates he respects neither election outcomes, nor the rule of law.'
But the president played on Americans' heartstrings in what sounded at times like one of his 2008 campaign speeches. The immigration debate, he said, is 'about who we are as a country, and who we want to be for future generations.'
'Are we a nation that tolerates the hypocrisy of a system where workers who pick our fruit and make our beds never have a chance to get right with the law?' he asked. 'Or are we a nation that gives them a chance to make amends, take responsibility, and give their kids a better future?'
'Are we a nation that accepts the cruelty of ripping children from their parents' arms? Or are we a nation that values families, and works to keep them together?'
He also quoted the Old Testament – Exodus chapter 22, verse 21. 'Scripture tells us that we shall not oppress a stranger,' the president said, 'for we know the heart of a stranger – we were strangers once, too'
Obama's policy mainly targets parent of children who were born in the U.S. and are therefore citizens.
Millions of such children, derided as 'anchor babies' by commentators on the right, are already guaranteed a place in America – but their parents are not. Current law permits the U.S. to deport the parents.
That term, considered by some to be in the same class as racist epithets but not strictly taboo in America, was nonetheless being tossed around Capitol Hill on Thursday.
MailOnline spoke to two Republican aides who readily complained about parents of 'anchor babies' who will benefit from Obama's plan. 'They were anchor babies yesterday and they'll be anchor babies tomorrow,' said a staffer to a GOP congressman from a southern state.
'If we want to keep those families together there are two ways to do it. One is the Obama way and the other is to send the whole family back across the border and make them wait in line like everyone else.'
Another aide who serves as professional staff on one of the House of Representatives' standing committees, said that 'anchor babies are becoming an anchor around the neck of the U.S. economy.'
'What the president doesn't seem to get,' he said, 'is that Americans chose to reject his philosophy on Election Day, and part of that philosophy involves giving work authorizations to illegal immigrants so they can take jobs away from citizens.'
The Daily Caller calculated on Thursday that Obama's gambit will give legal status to more people than the number of jobs the White House has created since the president assumed office.
House Speaker John Boehner, an Ohio Republican, blasted the president ahead of his speech for what he said was a blatant disregard for America's separation of powers.
'Instead of working together to fix our broken immigration system, the president says he's acting on his own,' he said. 'That's just not how our democracy works.' 'The president has said before that "he's not king" and he's "not an emperor," but he's sure acting like one.'
Article I, Section 8 of the U.S. Constitution gives the legislative branch of government – Congress – authority to create laws covering immigration and naturalization.
South Carolina Congressman Jeff Duncan seconded Boehner. 'What the president has done is unprecedented, unconstitutional, and an affront to the American people,' Duncan said.
'In addition to poisoning the well and making it almost impossible to work together on other issues, the President's actions have created a constitutional crisis that our Founding Fathers had hoped to avoid.'
Rep. Luis Gutierrez, an Illinois Democrat who chairs an immigration task force with the Congressional Hispanic Caucus, praised Obama on Thursday.
'President Obama is using his pen to help the country and we celebrate his courage,' he said. 'I am going sign up the families that are covered, keep fighting for the families that are not covered, and we are going to make the City of Chicago a model for the rest of the country.'
He insisted that Obama's unilateral actions should be codified into law, but held out little hope. 'We all must recognize that no executive action is a substitute for legislation, so the fundamental challenge of getting legislation through the Republican-controlled House remains the same,' Gutierrez said.
Labor unions, a key Democratic constituency, greeted the news with enthusiasm, in part because organized labor – outside of government – is at its low point in the postwar era.
'Recent border crossers,' the White House said, will become 'a priority for deportation.'
Another newly advantaged group are so-called 'DREAMers,' people who were brought to the United States as children.
Obama is protecting those 'who arrived in the US before turning 16 years old and before January 1, 2010, regardless of how old they are today,' the White House said.
The White House has tacitly acknowledged that Thursday's move is a temporary fix, while also demanding buy-in from Congress to make it permanent. 'To those members of Congress who question my authority to make our immigration system work better, or question the wisdom of me acting where Congress has failed, I have one answer: Pass a bill,' Obama said.
That seems unlikely, however. And a hypothetical Republican president elected in 2016 could reverse his entire plan with the stroke of a different pen.
'We cannot let this stand,' said House Oversight Committee Chairman Rep. Darrell Issa. 'The president's unilateral actions on immigration are a violation of his responsibilities and the trust the American people have placed in him,' said the California Republican.
'President Obama is playing a dangerous political game with lives and deepening the mistrust that the American people and Congress have in his ability to faithfully execute the law.'
Issa and other staunch conservatives have pledged to use their new and larger majorities in Congress to block Obama from implementing his orders.
The president has broad discretion to determine how to enforce certain laws, but lawmakers can use the power of the purse to forbid the government from spending money to implement those plans.
The Department of Homeland Security, for instance, has requested commercial bids for a project that would produce as many as 34 million 'green cards' and work permits. Producing those documents is an example of something whose execution requires budgetary permission.
Some in Congress favor a plan to use a Dec. 11 budget extension deadline as leverage, while others insist it's legally possible to employ a little-used process called 'recision' to remove line items from a budget that has already become law.
Obama will not sign any budget bill that defunds Thursday's order, a senior official told the D.C. newspaper Roll Call, and Republicans lack veto-proof majorities needed to cancel out his disapproval.
The White House relied Thursday on a complicated and controversial opinion that insists there's a link between deportation reprieves and border security.
By reclassifying millions as legal U.S. residents, the logic goes, the government will no longer be obligated to expend resources tracking them down, capturing them and deporting them.
That, the administration argues, will free up manpower and money to patrol the U.S.-Mexico border.
Complicating that picture is a flood of hundreds of thousands of unaccompanied minor children who have cascaded into the U.S. illegally from Central American countries since 2012 when Obama first announced that he would give a reprieve to DREAMers.
Activists pushing for new legal status for a mostly Hispanic population of 11 million people living in the shadows have been calling on Obama to protect a broad spectrum of illegal immigrants
'The President's actions increase the chances that anyone attempting to cross the border illegally will be caught and sent back,' the White House claimed in a fact sheet sent to reporters in the hour before Obama's speech [And he's got a bridge to sell you]
'Continuing the surge of resources that effectively reduced the number of unaccompanied children crossing the border illegally this summer, the President's actions will also centralize border security command-and-control to continue to crack down on illegal immigration.'
But some advocates warned immigrants not to get their hopes up yet – especially with lawmakers threatening to thwart Obama's plan.
'What I am telling my families to do is be prepared for war. We're going to see a legislative arm do whatever they can to stop the president,' said Jessica Dominguez, an immigration attorney in Southern California. 'I am not going to let my community be saddened again by words. We need action.'
In Sacramento County, California, however, Sheriff Scott Jones issued an impassioned plea to Obama in a video published Thursday.
He told stories of criminal aliens who went on crime sprees and people who killed after multiple deportations.
'I understand the integral role that the undocumented population plays in our national and state economies,' Jones said.
'The problem I have is I can't tell which ones are good and which ones are evil, and neither can you. By their very definition they are undocumented.'
"This is not about racism – it is about an increasingly violent and uncertain world in which we are inadequately protected.'
He asked for a permanent solution instead of a temporary proposal.
'Mr. President, my request to you today can simply be stated: make immigration reform a priority,' Jones said.
'I do not care which reform you choose. Pathway to citizenship, guest work program, or any of the other innovative programs that currently exist."
"But deferred action or amnesty is deferring this crisis. It is not reform, it's simply giving up. It does nothing to make America or the undocumented population any safer.'
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The electronic safety pressure limiter DB 1000/2 is the combination of a pressure limiter (PZH) and an safety pressure limiter (PZHH) together in a common case and work independently of each other.
The application is to prevent a transgression of the maximum operating pressure in refrigeration plants and air-conditioning systems in accordance with BGR 500, chapter 2.35 (operator) and EN 378 (manufacturer).
Pressure limiter (PZH) and safety pressure limiter (PZHH) supervise the respectively oriented pressure threshold. At transgression the respective output relay is switched inactively and a signal LED flashes. The reset of the PZH is carried out by means of a button at the case. The PZHH can be resetted only after removal of the lid by means of a button.
The pressure cells of the PZH and the PZHH will be choosed depending on use purpose. The nominal pressure (up to 4000 bar) is indicated in the model number.
Since May 2013 the DB1000/2 is admitted also for hydraulics applications until 500 bar.
Safety, quality and efficiency in processes and in air conditioning systems, in leak detection and leak testing. Gases such as air, steam or CO2 and liquids such as water and oil play a large role in everydays life and especially in industrial processes.
ZILA GmbH located in Suhl, in southern Thuringia has set the goal to understand and to master these media and is successfully represented with its versatile product solutions on the market for more than 20 years. The company integrates innovative sensor technologies and develops compact and smart devices for measuring, testing and control of liquid and gaseous media. In addition to standard measuring, testing and control devices, the company designs, develops and manufactures customized solutions.
The rapidly changing technologies, standards and legal requirements made a close and continuous cooperation with our customers and partners the company's philosophy.
Our experienced engineers and technicians can assist you in finding the best solution for your application.