text:
Sanzio Stock Photos and Images
raphael sanzio portrait |
raffaello sanzio atene |
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raphael sanzio 1514
Raffaello Sanzio, 1483 - 1520. Italian painter and architect.
Raffaello Sanzio, 1483 - 1520. Italian painter and architect.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-1483-1520-italian-painter-and-architect-image3070084.html
Raffaello Sanzio - Raffaello -
Raffaello Sanzio - Raffaello -https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-raffaello-89446394.html
Raphael, portrait of Raffaello Sanzio da Urbino (1483 – 1520), Italian artist painter
Raphael, portrait of Raffaello Sanzio da Urbino (1483 – 1520), Italian artist painterhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-portrait-of-raffaello-sanzio-da-urbino-1483-1520-italian-artist-painter-image236409589.html
The Virgin of the Veil by Raphael (Raffaello Sanzio da Urbino, 1483–1520), oil on wood, early 16th century.
The Virgin of the Veil by Raphael (Raffaello Sanzio da Urbino, 1483–1520), oil on wood, early 16th century.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-virgin-of-the-veil-by-raphael-raffaello-sanzio-da-urbino-14831520-oil-on-wood-early-16th-century-image224522243.html
Raphael (1483–1520):Raffaello Sanzio. The Mass at Bolsena. 1514; Fresco.
Raphael (1483–1520):Raffaello Sanzio. The Mass at Bolsena. 1514; Fresco.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-14831520raffaello-sanzio-the-mass-at-bolsena-1514-fresco-image328351693.html
RAPHAEL SANZIO da URBINO (1483-1520) Italian painter know as Raphael
RAPHAEL SANZIO da URBINO (1483-1520) Italian painter know as Raphaelhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-sanzio-da-urbino-1483-1520-italian-painter-know-as-raphael-image365945110.html
RAFFAELLO SANZIO
RAFFAELLO SANZIOhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-image65715248.html
Raphael Sanzio or Raphaello presenting his painting of the virgin Mary to Pope Jules II 1485-1520
Raphael Sanzio or Raphaello presenting his painting of the virgin Mary to Pope Jules II 1485-1520https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raphael-sanzio-or-raphaello-presenting-his-painting-of-the-virgin-83363260.html
Raffaello Sanzio da Urbino, Raphael (1483-1520), Italian painter and architect, portrait engraving by Paulus Pontius, 1616-1657
Raffaello Sanzio da Urbino, Raphael (1483-1520), Italian painter and architect, portrait engraving by Paulus Pontius, 1616-1657https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-da-urbino-raphael-1483-1520-italian-painter-and-architect-portrait-engraving-by-paulus-pontius-1616-1657-image359402218.html
The Violinist, painted by Raphael Sanzio, Italy
The Violinist, painted by Raphael Sanzio, Italyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-violinist-painted-by-raphael-sanzio-italy-89225797.html
La Virgin de la rosa by Rafael Sanzio 15th Century Spain Spanish,
La Virgin de la rosa by Rafael Sanzio 15th Century Spain Spanish,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-la-virgin-de-la-rosa-by-rafael-sanzio-15th-century-spain-spanish-175174362.html
fine arts, Raphael (Raffaello Sanzio, 1483 - 1520), The three cardinal virtues, fresco, Stanza della Segnatura, Vatican Palace
fine arts, Raphael (Raffaello Sanzio, 1483 - 1520), The three cardinal virtues, fresco, Stanza della Segnatura, Vatican Palacehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-raphael-raffaello-sanzio-1483-1520-the-three-cardinal-virtues-47974417.html
David Slays Goliath by Raphael Raffaello Sanzio, print, 1483-1520
David Slays Goliath by Raphael Raffaello Sanzio, print, 1483-1520https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-slays-goliath-by-raphael-raffaello-sanzio-print-1483-1520-image280522417.html
The Bridgewater Madonna - Raphael (Raffaello Sanzio), circa 1508
The Bridgewater Madonna - Raphael (Raffaello Sanzio), circa 1508https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-bridgewater-madonna-raphael-raffaello-sanzio-circa-1508-162093636.html
Raphael, Raffaello Sanzio da Urbino (Urbino, 1483-Rome, 1520). Italian artist of the Renaissance. Engraving. Later colouration.
Raphael, Raffaello Sanzio da Urbino (Urbino, 1483-Rome, 1520). Italian artist of the Renaissance. Engraving. Later colouration.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-raffaello-sanzio-da-urbino-urbino-1483-rome-1520-italian-artist-of-the-renaissance-engraving-later-colouration-image183842492.html
Italy Marche Urbino- Palazzo Ducale - Galleria Nazionale delle Marche - Portrait of gentlewoman called the Wetsuit By Raffaello Sanzio
Italy Marche Urbino- Palazzo Ducale - Galleria Nazionale delle Marche - Portrait of gentlewoman called the Wetsuit By Raffaello Sanziohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-marche-urbino-palazzo-ducale-galleria-nazionale-delle-marche-portrait-of-gentlewoman-called-the-wetsuit-by-raffaello-sanzio-image342579143.html
Digital improved reproduction, Raffaello Sanzio da Urbino, Raphael, by Ernst J. Hähnel, from an original print from the 19th century
Digital improved reproduction, Raffaello Sanzio da Urbino, Raphael, by Ernst J. Hähnel, from an original print from the 19th centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digital-improved-reproduction-raffaello-sanzio-da-urbino-raphael-by-ernst-j-hhnel-from-an-original-print-from-the-19th-century-image225308058.html
Raffaelle Raffaello Raphael Urbino Sanzio 1483 1520 master painter 19th century architect Florentine school Italian High Renaiss
Raffaelle Raffaello Raphael Urbino Sanzio 1483 1520 master painter 19th century architect Florentine school Italian High Renaisshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaelle-raffaello-raphael-urbino-sanzio-1483-1520-master-painter-15264470.html
Portrait of artist Raphael. Digitally colored engraving of a painting
Portrait of artist Raphael. Digitally colored engraving of a paintinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-artist-raphael-digitally-colored-engraving-of-a-painting-57845565.html
Raffaello Sanzio da Urbino, 1483 –1520, known as Raphael. Italian painter and architect of the High Renaissance.
Raffaello Sanzio da Urbino, 1483 –1520, known as Raphael. Italian painter and architect of the High Renaissance.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-da-urbino-1483-1520-known-as-raphael-italian-painter-image660407.html
Raffaello Sanzio - Raffaello - Deposition
Raffaello Sanzio - Raffaello - Depositionhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-raffaello-deposition-89446376.html
Bust, Raphael Sanzio, Raffael da Urbino, Raphael, 1483 - 1520, Italian painter and architect, Powerscourt Estate
Bust, Raphael Sanzio, Raffael da Urbino, Raphael, 1483 - 1520, Italian painter and architect, Powerscourt Estatehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bust-raphael-sanzio-raffael-da-urbino-raphael-1483-1520-italian-painter-48650657.html
Saint Catherine of Alexandria by Raphael (Raffaello Sanzio da Urbino, 1483-1520), oil on wood, c.1507
Saint Catherine of Alexandria by Raphael (Raffaello Sanzio da Urbino, 1483-1520), oil on wood, c.1507https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saint-catherine-of-alexandria-by-raphael-raffaello-sanzio-da-urbino-173918800.html
Triumph of Galatea 1511, by Raphael Sanzio da Urbino (April 6 or March 28, 1483 – April 6, 1520), Italian painter and architect of the High Renaissance
Triumph of Galatea 1511, by Raphael Sanzio da Urbino (April 6 or March 28, 1483 – April 6, 1520), Italian painter and architect of the High Renaissancehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-triumph-of-galatea-1511-by-raphael-sanzio-da-urbino-april-6-or-march-57364268.html
Sposalizio delle Vergine Raffaello Sanzio Pinacoteca di Brera Milan
Sposalizio delle Vergine Raffaello Sanzio Pinacoteca di Brera Milanhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sposalizio-delle-vergine-raffaello-sanzio-pinacoteca-di-brera-milan-15957299.html
Vatican museums, Rome. Raffaello Sanzio, Giulio Romano & il Fattore, Coronation of the Virgin Mary, also known as the 'Madonna di Monteluce'. Altarpie
Vatican museums, Rome. Raffaello Sanzio, Giulio Romano & il Fattore, Coronation of the Virgin Mary, also known as the 'Madonna di Monteluce'. Altarpiehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-vatican-museums-rome-raffaello-sanzio-giulio-romano-il-fattore-coronation-166354773.html
Raffaello Sanzio da Urbino, Raphael (1483-1520), Italian painter and architect, portrait mosaic, undated possibly 19th or 20th Century
Raffaello Sanzio da Urbino, Raphael (1483-1520), Italian painter and architect, portrait mosaic, undated possibly 19th or 20th Centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-da-urbino-raphael-1483-1520-italian-painter-and-architect-portrait-mosaic-undated-possibly-19th-or-20th-century-image359402222.html
Marriage of the Virgin, painted by Raphael Sanzio
Marriage of the Virgin, painted by Raphael Sanziohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marriage-of-the-virgin-painted-by-raphael-sanzio-90141291.html
Male Portrait 1505 by Raffaello Sanzio da Urbino known as Raphael 1483 - 1520 Italian Italy
Male Portrait 1505 by Raffaello Sanzio da Urbino known as Raphael 1483 - 1520 Italian Italyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-male-portrait-1505-by-raffaello-sanzio-da-urbino-known-as-raphael-147844070.html
fine arts, Raphael, (Raffaello Sanzio da Urbino), (1483-1520), painting, 'Grande Madonna Cowper', 1508, oil on canvas, 68 x 47 cm, National Gallery of Art, Washington, Artist's Copyright has not to be cleared
fine arts, Raphael, (Raffaello Sanzio da Urbino), (1483-1520), painting, 'Grande Madonna Cowper', 1508, oil on canvas, 68 x 47 cm, National Gallery of Art, Washington, Artist's Copyright has not to be clearedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-raphael-raffaello-sanzio-da-urbino-1483-1520-painting-grande-111302989.html
David Slays Goliath by Raphael Raffaello Sanzio, print, 1483-1520https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-david-slays-goliath-by-raphael-raffaello-sanzio-print-1483-1520-30470222.html
The 'Madonna del Passeggio' - Raphael (Raffaello Sanzio), circa 1507
The 'Madonna del Passeggio' - Raphael (Raffaello Sanzio), circa 1507https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-madonna-del-passeggio-raphael-raffaello-sanzio-circa-1507-162093637.html
Madonna and Child - by Raphael, 1504
Madonna and Child - by Raphael, 1504https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-by-raphael-1504-image62039140.html
Italy Marche Urbino - Raffaello Sanzio Monument
Italy Marche Urbino - Raffaello Sanzio Monumenthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-marche-urbino-raffaello-sanzio-monument-image344862726.html
Digital improved:, The Sistine Madonna, also called the Madonna di San Sisto, is an oil painting by the Italian artist Raphael Sanzio, illustration from the 19th century
Digital improved:, The Sistine Madonna, also called the Madonna di San Sisto, is an oil painting by the Italian artist Raphael Sanzio, illustration from the 19th centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-digital-improved-the-sistine-madonna-also-called-the-madonna-di-san-147658800.html
teatro sanzio,urbino,marche,italy
teatro sanzio,urbino,marche,italyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-teatro-sanziourbinomarcheitaly-30473772.html
Raffaello Sanzio da Urbino (1483 – 1520), known as Raphael was an Italian painter and architect of the High Renaissance. His work is admired for its
Raffaello Sanzio da Urbino (1483 – 1520), known as Raphael was an Italian painter and architect of the High Renaissance. His work is admired for itshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-da-urbino-1483-1520-known-as-raphael-was-an-italian-painter-and-architect-of-the-high-renaissance-his-work-is-admired-for-its-image362360389.html
Raffaello Sanzio da Urbino, 1483 to 1520, aka Raphael. Italian painter and architect of the High Renaissance.
Raffaello Sanzio da Urbino, 1483 to 1520, aka Raphael. Italian painter and architect of the High Renaissance.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-da-urbino-1483-to-1520-aka-raphael-italian-painter-32349340.html
Raffaello Sanzio - Raffaello - The Cardinal
Raffaello Sanzio - Raffaello - The Cardinalhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-raffaello-the-cardinal-89446428.html
Raphael Sanzio.
Raphael Sanzio.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raphael-sanzio-49973746.html
Madonna and Child (The Tempi Madonna) by Raphael (Raffaello Sanzio da Urbino, 1483-1520), oil on panel, 1508.
Madonna and Child (The Tempi Madonna) by Raphael (Raffaello Sanzio da Urbino, 1483-1520), oil on panel, 1508.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-and-child-the-tempi-madonna-by-raphael-raffaello-sanzio-da-146567594.html
Portrait of Pope Julius II (1443-1513) by Raffaello Sanzio da Urbino (1483-1520) an Italian painter and architect of the High Renaissance. Dated 16th Century
Portrait of Pope Julius II (1443-1513) by Raffaello Sanzio da Urbino (1483-1520) an Italian painter and architect of the High Renaissance. Dated 16th Centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-pope-julius-ii-1443-1513-by-raffaello-sanzio-da-urbino-104173582.html
Works of Raphael Sanzio of Urbino. Italy 1876 old antique print picture
Works of Raphael Sanzio of Urbino. Italy 1876 old antique print picturehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/works-of-raphael-sanzio-of-urbino-italy-1876-old-antique-print-picture-image183036869.html
Raphael, Raffaello Sanzio da Urbino (1483-1520), Italian painter and architect, portrait engraving by Jacob Frey after Carlo Maratti, 1691-1752
Raphael, Raffaello Sanzio da Urbino (1483-1520), Italian painter and architect, portrait engraving by Jacob Frey after Carlo Maratti, 1691-1752https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-raffaello-sanzio-da-urbino-1483-1520-italian-painter-and-architect-portrait-engraving-by-jacob-frey-after-carlo-maratti-1691-1752-image359402232.html
Madonna of the Goldfinch, painted by Raphael Sanzio
Madonna of the Goldfinch, painted by Raphael Sanziohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-of-the-goldfinch-painted-by-raphael-sanzio-90217439.html
The Marriage of the Virgin 1504 by Raffaello Sanzio (Raphael) actif 1483-1520 15-16th Century, Italy, Italian.
The Marriage of the Virgin 1504 by Raffaello Sanzio (Raphael) actif 1483-1520 15-16th Century, Italy, Italian.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-marriage-of-the-virgin-1504-by-raffaello-sanzio-raphael-actif-1483-1520-15-16th-century-italy-italian-image223320294.html
Raphael, Sanzio da Urbino, 6.4.1483 - 6.4.1520, Italian painter, portrait, engraving by Edouard Mandel, after Raphael's self portrait,
Raphael, Sanzio da Urbino, 6.4.1483 - 6.4.1520, Italian painter, portrait, engraving by Edouard Mandel, after Raphael's self portrait,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raphael-sanzio-da-urbino-641483-641520-italian-painter-portrait-engraving-23533320.html
Urbino, Marche, Italy : the monument dedicated to Raffaello Sanzio.
Urbino, Marche, Italy : the monument dedicated to Raffaello Sanzio.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-urbino-marche-italy-the-monument-dedicated-to-raffaello-sanzio-53324957.html
The Holy Family with a Palm Tree - Raphael (Raffaello Sanzio), circa 1507
The Holy Family with a Palm Tree - Raphael (Raffaello Sanzio), circa 1507https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-holy-family-with-a-palm-tree-raphael-raffaello-sanzio-circa-1507-162093631.html
Street Artist Drawing the Madonna della Seggiola by Raffaello Sanzio
Street Artist Drawing the Madonna della Seggiola by Raffaello Sanziohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-street-artist-drawing-the-madonna-della-seggiola-by-raffaello-sanzio-84717177.html
Italy Marche Urbino - House of Raffaello Sanzio - Portrait
Italy Marche Urbino - House of Raffaello Sanzio - Portraithttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-marche-urbino-house-of-raffaello-sanzio-portrait-image344862553.html
Raffaello Sanzio da Urbino, Raphael, by Ernst J. Hähnel / Raffaello Sanzio da Urbino, Raffael, von Ernst J. Hähnel, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
Raffaello Sanzio da Urbino, Raphael, by Ernst J. Hähnel / Raffaello Sanzio da Urbino, Raffael, von Ernst J. Hähnel, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-da-urbino-raphael-by-ernst-j-hhnel-raffaello-sanzio-da-urbino-raffael-von-ernst-j-hhnel-historisch-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image339548431.html
Madonna of the Goldfinch, raffaello sanzio
Madonna of the Goldfinch, raffaello sanziohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-of-the-goldfinch-raffaello-sanzio-146894375.html
Detail from The Battle of the Milvian Bridge, a fresco designed by Raphael (Raffaello Sanzio da Urbino)
Detail from The Battle of the Milvian Bridge, a fresco designed by Raphael (Raffaello Sanzio da Urbino)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-from-the-battle-of-the-milvian-bridge-a-fresco-designed-by-image63447508.html
Raffaello Sanzio da Urbino, aka Rapael, 1483 – 1520. Italian painter and architect. Illustration by Gordon Ross, American artist and illustrator (1873-1946), from Living Biographies of Great Painters.
Raffaello Sanzio da Urbino, aka Rapael, 1483 – 1520. Italian painter and architect. Illustration by Gordon Ross, American artist and illustrator (1873-1946), from Living Biographies of Great Painters.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-da-urbino-aka-rapael-1483-1520-italian-painter-and-architect-illustration-by-gordon-ross-american-artist-and-illustrator-1873-1946-from-living-biographies-of-great-painters-image209179631.html
Raffaello Sanzio - Raffaello - Crowning of the Virgin
Raffaello Sanzio - Raffaello - Crowning of the Virginhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-raffaello-crowning-of-the-virgin-89446370.html
Jalabert. Rafael Sanzio., Photographische Gesellschaft, 1865–1870, Albumen silver print
Jalabert. Rafael Sanzio., Photographische Gesellschaft, 1865–1870, Albumen silver printhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jalabert-rafael-sanzio-photographische-gesellschaft-18651870-albumen-silver-print-image261290480.html
Portrait of Doña Isabel de Requesens by Raphael (Raffaello Sanzio da Urbino, 1483–1520), oil on wood transferred to canvas, c.1518
Portrait of Doña Isabel de Requesens by Raphael (Raffaello Sanzio da Urbino, 1483–1520), oil on wood transferred to canvas, c.1518https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-doa-isabel-de-requesens-by-raphael-raffaello-sanzio-da-urbino-14831520-oil-on-wood-transferred-to-canvas-c1518-image217812034.html
Rafael Sanzio da Urbino (1483 – 1520), better known simply as Raphael, was an Italian painter and architect of the High Renaissance ' The School of Athens' (detail) (restored) The School of Athens was painted 1510 -1511 to decorate with frescoes the rooms now known as the Stanze di Rafael, in the Apostolic Palace in the Vatican.
Rafael Sanzio da Urbino (1483 – 1520), better known simply as Raphael, was an Italian painter and architect of the High Renaissance ' The School of Athens' (detail) (restored) The School of Athens was painted 1510 -1511 to decorate with frescoes the rooms now known as the Stanze di Rafael, in the Apostolic Palace in the Vatican.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rafael-sanzio-da-urbino-1483-1520-better-known-simply-as-raphael-was-57366038.html
Self-Portrait (About 1497) by Raphael Sanzio 1483 ñ 1520;Italian painter and architect of the High Renaissance
Self-Portrait (About 1497) by Raphael Sanzio 1483 ñ 1520;Italian painter and architect of the High Renaissancehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-about-1497-by-raphael-sanzio-1483-1520italian-painter-and-architect-of-the-high-renaissance-image257290973.html
RAFFAELLO SANZIO AGE 6
RAFFAELLO SANZIO AGE 6https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-age-6-image65715230.html
St. Paul Rending His Garments, Raphael (Raffaello Sanzio) (Italian, 1483 - 1520), about 1515 - 1516, Metalpoint reimagined
St. Paul Rending His Garments, Raphael (Raffaello Sanzio) (Italian, 1483 - 1520), about 1515 - 1516, Metalpoint reimaginedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-paul-rending-his-garments-raphael-raffaello-sanzio-italian-1483-1520-about-1515-1516-metalpoint-reimagined-image230208876.html
Raphael, Raffaello Sanzio da Urbino (1483-1520), Italian painter and architect, portrait engraving by Franciscus Bernardus Waanders after Raphael, 1840-1843
Raphael, Raffaello Sanzio da Urbino (1483-1520), Italian painter and architect, portrait engraving by Franciscus Bernardus Waanders after Raphael, 1840-1843https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-raffaello-sanzio-da-urbino-1483-1520-italian-painter-and-architect-portrait-engraving-by-franciscus-bernardus-waanders-after-raphael-1840-1843-image359402242.html
Portrait of the Fornarina, painting by Raffaello Sanzio
Portrait of the Fornarina, painting by Raffaello Sanziohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-the-fornarina-painting-by-raffaello-sanzio-97100935.html
Raphael, Sanzio da Urbino, 6.4.1483 - 6.4.1520, Italian painter, portrait, engraving by Edouard Mandel, after Raphael's self portrait,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-sanzio-da-urbino-641483-641520-italian-painter-portrait-engraving-by-edouard-mandel-after-raphaels-self-portrait-image281514773.html
The Holy Family (Madonna with the Beardless Joseph). Raphael (Raffaello Sanzio), 1483-1520
The Holy Family (Madonna with the Beardless Joseph). Raphael (Raffaello Sanzio), 1483-1520https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-holy-family-madonna-with-the-beardless-joseph-raphael-raffaello-51162485.html
Raffaello Sanzio - Saint Sebastian - around 1502-03
Raffaello Sanzio - Saint Sebastian - around 1502-03https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffaello-sanzio-saint-sebastian-around-1502-03-image362144338.html
Raffaello Sanzio da Urbino, the Italian renaissance artist, March 28 or April 6, 1483 - April 6, 1520, designs on the floor of a barrel the sketch of his famous painting, the Madonna della seggiola or Madonna della sedia, dating to c. 1513-1514, reproduction of an image, woodcut from the year 1881, digital improved
Raffaello Sanzio da Urbino, the Italian renaissance artist, March 28 or April 6, 1483 - April 6, 1520, designs on the floor of a barrel the sketch of his famous painting, the Madonna della seggiola or Madonna della sedia, dating to c. 1513-1514, reproduction of an image, woodcut from the year 1881, digital improvedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-da-urbino-the-italian-renaissance-artist-march-28-136420423.html
Raphael Sanzio, Italian Renaissance artist, 18th or 19th century (1894). Artist: Raphael Morghen.
Raphael Sanzio, Italian Renaissance artist, 18th or 19th century (1894). Artist: Raphael Morghen.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-sanzio-italian-renaissance-artist-18th-or-19th-century-1894-artist-raphael-morghen-image186104089.html
Detail from The Meeting of Leo the Great and Attila, a fresco designed and painted by Raphael (Raffaello Sanzio da Urbino)
Detail from The Meeting of Leo the Great and Attila, a fresco designed and painted by Raphael (Raffaello Sanzio da Urbino)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-from-the-meeting-of-leo-the-great-and-attila-a-fresco-designed-image63447577.html
Sanzio theatre, Urbino, Marche, Italy
Sanzio theatre, Urbino, Marche, Italyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sanzio-theatre-urbino-marche-italy-15007487.html
Raffaello Sanzio - Raffaello - Madonna d'Orleans
Raffaello Sanzio - Raffaello - Madonna d'Orleanshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-raffaello-madonna-dorleans-89446382.html
St. Paul Rending His Garments; Raphael, Raffaello Sanzio, Italian, 1483 - 1520, about 1515 - 1516; Metalpoint, heightened with
St. Paul Rending His Garments; Raphael, Raffaello Sanzio, Italian, 1483 - 1520, about 1515 - 1516; Metalpoint, heightened withhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-paul-rending-his-garments-raphael-raffaello-sanzio-italian-1483-1520-about-1515-1516-metalpoint-heightened-with-image220633766.html
Panicale,San Sebastiano Church, painting by Raffaello Sanzio, Umbria, Italy
Panicale,San Sebastiano Church, painting by Raffaello Sanzio, Umbria, Italyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-panicalesan-sebastiano-church-painting-by-raffaello-sanzio-umbria-78659816.html
Rafael Sanzio da Urbino (April 6 or March 28, 1483 April 6, 1520), The School of Athens, or Scuola di Atene in Italian, is one of the most famous paintings by the Italian Renaissance artist Raphael. It was painted between 1510 and 1511 as a part of Raphael's commission to decorate with frescoes the rooms now known as the Stanze di Rafael, in the Apostolic Palace in the Vatican.
Rafael Sanzio da Urbino (April 6 or March 28, 1483 April 6, 1520), The School of Athens, or Scuola di Atene in Italian, is one of the most famous paintings by the Italian Renaissance artist Raphael. It was painted between 1510 and 1511 as a part of Raphael's commission to decorate with frescoes the rooms now known as the Stanze di Rafael, in the Apostolic Palace in the Vatican.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rafael-sanzio-da-urbino-april-6-or-march-28-1483-april-6-1520-the-57365978.html
Raphael 'Christ's Charge to Peter' 1515-16. Raffaello Sanzio da Urbino, 1483-1520, known as Raphael, was an Italian painter and architect of the High Renaissance
Raphael 'Christ's Charge to Peter' 1515-16. Raffaello Sanzio da Urbino, 1483-1520, known as Raphael, was an Italian painter and architect of the High Renaissancehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-christs-charge-to-peter-1515-16-raffaello-sanzio-da-urbino-1483-1520-known-as-raphael-was-an-italian-painter-and-architect-of-the-high-renaissance-image330686584.html
RAFFAELLO SANZIO Italian artist Date: 1483 - 1520
RAFFAELLO SANZIO Italian artist Date: 1483 - 1520https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-italian-artist-date-1483-1520-105316011.html
Studies for the Disputa, Raphael (Raffaello Sanzio) (Italian, 1483 - 1520), Italy, 1509 - 1511, Pen and brown ink reimagined
Studies for the Disputa, Raphael (Raffaello Sanzio) (Italian, 1483 - 1520), Italy, 1509 - 1511, Pen and brown ink reimaginedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-for-the-disputa-raphael-raffaello-sanzio-italian-1483-1520-italy-1509-1511-pen-and-brown-ink-reimagined-image230208880.html
Madonna of the Goldfinch (1506) painting by Raphael (Raffaello Sanzio da Urbino) - Very high resolution and quality image
Madonna of the Goldfinch (1506) painting by Raphael (Raffaello Sanzio da Urbino) - Very high resolution and quality imagehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-of-the-goldfinch-1506-painting-by-raphael-raffaello-sanzio-da-urbino-very-high-resolution-and-quality-image-image345897537.html
Marriage of the Virgin, painted by Raphael Sanzio, Italy
Marriage of the Virgin, painted by Raphael Sanzio, Italyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marriage-of-the-virgin-painted-by-raphael-sanzio-italy-89516549.html
Portrait of Pope Julius II 1511 Raphael 1483-1520 Raffaello Sanzio da Urbino Italian Italy
Portrait of Pope Julius II 1511 Raphael 1483-1520 Raffaello Sanzio da Urbino Italian Italyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-pope-julius-ii-1511-raphael-1483-1520-raffaello-sanzio-136954768.html
Raphael, Sanzio da Urbino, 6.4.1483 - 6.4.1520, Italian painter, detail from the fresco 'The School of Athens', 1510 / 1511, Rome, Vatican,
Raphael, Sanzio da Urbino, 6.4.1483 - 6.4.1520, Italian painter, detail from the fresco 'The School of Athens', 1510 / 1511, Rome, Vatican,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-sanzio-da-urbino-641483-641520-italian-painter-detail-from-the-fresco-the-school-of-athens-1510-1511-rome-vatican-image280600768.html
Raffaello Sanzio da Urbino 1483 1520 Raphael Italian painter architect High Renaissance paintings drawings great master artist
Raffaello Sanzio da Urbino 1483 1520 Raphael Italian painter architect High Renaissance paintings drawings great master artisthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-da-urbino-1483-1520-raphael-italian-painter-architect-39311018.html
Raphael, Sanzio da Urbino, 1483 -1520, Italian painter. Antique illustration, 1856.
Raphael, Sanzio da Urbino, 1483 -1520, Italian painter. Antique illustration, 1856.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raphael-sanzio-da-urbino-1483-1520-italian-painter-antique-illustration-52739313.html
Pietro Fontana - Bust Erma From of Raffaello Sanzio
Pietro Fontana - Bust Erma From of Raffaello Sanziohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-fontana-bust-erma-from-of-raffaello-sanzio-image362144389.html
Raphael (1483–1520), self portrait aged 23, c. 1506
Raphael (1483–1520), self portrait aged 23, c. 1506https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-14831520-self-portrait-aged-23-c-1506-image243662192.html
Raphael (1483-1520). Italian painter. Moses before the burning bush, ca.1514. Charcoal drawing. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
Raphael (1483-1520). Italian painter. Moses before the burning bush, ca.1514. Charcoal drawing. Farnese Collection. National Museum of Capodimonte. Naples. Italy.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-raphael-1483-1520-italian-painter-moses-before-the-burning-bush-ca1514-168320031.html
Detail from The Fire in the Borgo, a fresco designed by Raphael (Raffaello Sanzio da Urbino) and painted by Giulio Romano.
Detail from The Fire in the Borgo, a fresco designed by Raphael (Raffaello Sanzio da Urbino) and painted by Giulio Romano.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-from-the-fire-in-the-borgo-a-fresco-designed-by-raphael-raffaello-image63447626.html
Raffael da Urbino, Italian painter
Raffael da Urbino, Italian painterhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raffael-da-urbino-italian-painter-image262623616.html
Raffaello Sanzio - Raffaello - Maddalena Doni
Raffaello Sanzio - Raffaello - Maddalena Donihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-raffaello-maddalena-doni-89446384.html
Musée de Dresde, Raphael Sanzio; Adolphe Braun, French, 1811 - 1877, Dresden, Germany; about 1866 - 1869; Carbon print
Musée de Dresde, Raphael Sanzio; Adolphe Braun, French, 1811 - 1877, Dresden, Germany; about 1866 - 1869; Carbon printhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/muse-de-dresde-raphael-sanzio-adolphe-braun-french-1811-1877-dresden-germany-about-1866-1869-carbon-print-image220649849.html
Painting by Raffaello Sanzio (ca. 1504), San Sebastiano Church, Panicale, Umbria, Italy
Painting by Raffaello Sanzio (ca. 1504), San Sebastiano Church, Panicale, Umbria, Italyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-by-raffaello-sanzio-ca-1504-san-sebastiano-church-panicale-172441543.html
The Vision of a Knight, by Raffaello Sanzio da Urbino (1483-1520). Tempera painting on poplar, finished in 1504–1505. Raphael was an Italian painter and architect of the High Renaissance. The Vision of a Knight, also called The Dream of Scipio or Allegory may represent the Roman general Scipio Africanus (236–184 BC) who dreamed that he had to choose between Virtue (behind whom is a steep and rocky path) and Pleasure (in looser robes).
The Vision of a Knight, by Raffaello Sanzio da Urbino (1483-1520). Tempera painting on poplar, finished in 1504–1505. Raphael was an Italian painter and architect of the High Renaissance. The Vision of a Knight, also called The Dream of Scipio or Allegory may represent the Roman general Scipio Africanus (236–184 BC) who dreamed that he had to choose between Virtue (behind whom is a steep and rocky path) and Pleasure (in looser robes).https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-vision-of-a-knight-by-raffaello-sanzio-da-urbino-1483-1520-tempera-131279293.html
Search Results for Sanzio Stock Photos and Images


Patron: This is a bizarre question, but I don't have a dictionary, so you can't tell me what "utensil" means, can you?
That seemed straightforward. However, I then had a ten minute conversation with the patron about whether the phrase "a writing utensil" was proper English. He was writing something and wanted to use it, but wasn't sure if it was okay.
I generally do not interpret information for patrons, and rarely give my opinion on something, but I felt pretty safe in this case telling him that "a writing utensil" was okay. We each had heard the phrase before, and one meaning given was "an implement or tool."
I don't think I've ever dissected a definition so finely before, but we agreed (at his insistence) that the "etc." that came after the mention of "as for use in farming" meant that "farming" was just one example of how a "tool or implement" might be used, and that a pencil is therefore a legitimate "tool or implement" as for use in writing (etc.).
Perhaps I play more fast and loose with my grammar than does this patron, but I wouldn't have given this "a writing utensil" usage a second thought - even after looking it up. And not that I'm making fun of him, but it amuses me how much thought and effort people put into certain things.
But without a doubt, that is leaps and bounds better than being careless or lazy. This is why I enjoy helping patrons like this, despite some of my coworkers marveling at my patience with such questions.
Posted under Library, Reference Question on Saturday, December 1st, 2007 at 12:38 pm, by Brian Herzog. Post and comments available via the RSS 2.0 feed. Both comments and pings are currently closed.


text:
Greenback lower after Fed confirms rate cut
by Albert Edwards on July 11, 2019
USD weaker after Federal Reserve Chairman Jerome Powell indicated that policymakers consider that uncertainties since the June FOMC meeting continued to dim the outlook and they are ready to act to sustain growth. The Fed is concerned about weak inflation continuing and are still confident about economic growth. Powel also opened the door to future rates cuts and markets have already priced in for July and September. Trade uncertainties remain a concern as the Fed is unconvinced about the trade truce between Trump and Xi; weak labour market and recent rise in wages is insufficient to push inflation higher; investment is slowing and may continue. Inflation Rate for June expecting 1.8% yearly today and Core expecting 2% (same as previous month and as expected).
CAD defensive after the Bank of Canada kept interest rates on hold at 1.75% (as expected). The degree of monetary policy is appropriate, and they will continue to monitor developments in the energy sector and the impact of trade conflicts. Global trade tensions affecting the economy's path back to full capacity and the central bank will remain on hold indefinitely. Markets are not expecting Governor Poloz to follow the Federal Reserve with rate cuts over the next year. The central bank also revised growth projections for Q2 to an annualized 2.3% and growth may decelerate in Q3 while 2019 growth will remain at 1.3% (from 1.2% expected in April). New Chinese trade restrictions on Canadian agricultural goods also affecting global growth. The economy will grow 1.9% in 2020 (less than initial 2.1% forecast).
EUR stable after German bund yields increased to their highest level in three weeks. The European Commission lowered its economic forecast in 2020 (due to U.S. trade policy). The central bank now is under pressure to cut interest rates and follow the Federal Reserve. French and Italian Industrial Production increased 2.1% and 0.9% monthly. Manufacturing output in France advanced (compared to other countries in the Eurozone).
GBP stable after U.K. GDP grew 0.3% in May (higher than expected 0.1% advance). Car production rebounded after Brexit related shutdowns. Industrial production and manufacturing also improved in May after a soft April. Increased fears of a no-deal Brexit under a new Prime Minister and weak economic data may cause the Bank of England to also cut interest rates. Parliament members are also considering taking court action to prevent a no-deal Brexit.

redpajama_set_name: RedPajamaCommonCrawl


text:
NEW BLOCK OF TICKETS NOW ON SALE THROUGH NOVEMBER 3, 2019 FOR TONY AWARD-WINNING MUSICAL COME FROM A
WINNER! BEST MUSICAL ACROSS NORTH AMERICA
TONY AWARD WINNER FOR BEST DIRECTION OF A MUSICAL
Christopher Ashley
WINNER OF 5 OUTER CRITICS CIRCLE AWARDS (NYC) INCLUDING
Outstanding New Broadway Musical
WINNER OF 3 DRAMA DESK AWARDS (NYC) INCLUDING
Outstanding Musical
WINNER OF 4 HELEN HAYES AWARDS (D.C.) INCLUDING
Outstanding Production of a Musical
WINNER OF 4 GYPSY ROSE LEE AWARDS (SEATTLE) INCLUDING
Excellence in Production of a Musical
WINNER OF 6 SAN DIEGO CRITICS CIRCLE AWARDS INCLUDING
Outstanding New Musical
WINNER OF 3 TORONTO THEATRE CRITICS AWARDS INCLUDING
WINNER OF 3 DORA AWARDS (TORONTO) INCLUDING
Outstanding Musical Production
Outstanding New Musical/Opera
WINNER OF 2017 JON KAPLAN AUDIENCE CHOICE AWARD (TORONTO)
(New York, NY - November 1, 2018) New block of tickets now on sale through November 3, 2019, for the Tony Award-winning musical COME FROM AWAY at Broadway's Gerald Schoenfeld Theatre (236 West 45th Street).
COME FROM AWAY began Broadway performances on February 18, 2017 and officially opened to critical acclaim on March 12, 2017, where the show continues to play to standing-room-only audiences. COME FROM AWAY is now the longest running Canadian musical in Broadway history.
A "Best Musical" winner all across North America, the smash hit musical has won the Tony Award for "Best Direction of a Musical" (Christopher Ashley), 5 Outer Critics Circle Awards (NYC) including "Outstanding New Broadway Musical," 3 Drama Desk Awards (NYC) including "Outstanding Musical," 4 Helen Hayes Awards (D.C.) including "Outstanding Production of a Musical," 4 Gypsy Rose Lee Awards (Seattle) including "Excellence in Production of a Musical," 6 San Diego Critics Circle Awards including "Outstanding New Musical," 3 Toronto Theatre Critics Awards including "Best New Musical," 3 Dora Awards (Toronto) including "Outstanding New Musical/Opera" and "Outstanding Production," and the 2017 Jon Kaplan Audience Choice Award (Toronto).
Here is what the critics had to say:
CRITICS PICK! "THE CATHARSIS WE NEED IN THIS AMERICAN MOMENT. A gale of good will blows out of this smart, robust show. Even the most stalwart cynics may have trouble staying dry-eyed during this portrait of heroic hospitality under extraordinary pressure."
– Ben Brantley, New York Times
"THIS STORY TOUCHED THE WORLD AND CELEBRATES THE BEST THAT WE CAN ALL BE. It speaks to what people really feel in their hearts. I've seen COME FROM AWAY twice and I'm still very moved by it. We need it, especially right now.
– Tom Brokaw, NBC News
"EVERY NEW YORKER MUST SEE THIS SHOW. This timeless and emotionally fulfilling musical by Irene Sankoff and David Hein is a celebration of hope and optimism."
– Johnny Oleksinski, New York Post
"AN EFFERVESCENT MUSICAL ANTIDOTE FOR WHAT AILS THE AMERICAN SOUL."
– Peter Marks, Washington Post
"A PHENOM ON BROADWAY AND ABROAD! OPENHEARTED AND EXHILARATING."
- Misha Berson, The Seattle Times
"IT DOES WHAT ALL THE BEST MUSICALS DO: IT TAKES YOU TO A PLACE WHERE YOU DIDN'T KNOW YOU WANTED TO GO, AND MAKES YOU NOT WANT TO LEAVE. A funny, charming and uplifting celebration. One of the best ensemble pieces in years!"
– Joe Westerfeld, Newsweek
COME FROM AWAY features a book, music and lyrics by Grammy and two-time Tony Award nominees and Outer Critics Circle Award and Drama Desk Award winners Irene Sankoff & David Hein, direction by Tony Award winner and Outer Critics Circle Award winner Christopher Ashley, musical staging by two-time Tony Award nominee Kelly Devine, and music supervision by Grammy Award nominee Ian Eisendrath.
COME FROM AWAY features Petrina Bromley; Geno Carr; Tony Award nominee and Outer Critics Circle, Drama Desk, Dora, Helen Hayes & Craig Noel Award winner Jenn Colella; Alex Finke; De'Lon Grant; Joel Hatch; Tony Award nominee Chad Kimball; Lee MacDougall; Caesar Samayoa; Q. Smith; Astrid Van Wieren; Sharon Wheatley; Josh Breckenridge; John Jellison; Tony LePage; Happy McPartlin, Julie Reiber and Pearl Sun.
COME FROM AWAY features scenic design by Tony Award winner Beowulf Boritt, costume design by Tony Award nominee Toni-Leslie James, lighting design by two-time Tony Award winner Howell Binkley, sound design by Tony Award nominee and Outer Critics Circle Award winner Gareth Owen, orchestrations by Grammy and two-time Tony Award nominee August Eriksmoen, and music arrangements by Grammy Award nominee Ian Eisendrath.
COME FROM AWAY tells the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships. On September 11, 2001 the world stopped. On September 12, their stories moved us all.
The Tony Award-winning musical launched a second company in Canada in January 2018 with a sold out four-week engagement in Winnipeg and is currently playing to standing-room-only audiences in Toronto at the Royal Alexandra Theatre (260 King St W, Toronto, ON M5V 1H9, Canada). Due to the extraordinary demand for tickets, COME FROM AWAY will transfer to the Elgin Theatre as of February 5, 2019.
A third company of COME FROM AWAY launched a North American Tour across the United States and Canada at Seattle's 5th Avenue Theatre in October 2018.
A fourth production of COME FROM AWAY makes its long-awaited UK premiere at the Phoenix Theatre with performances beginning on January 30, 2019 and officially opening on February 18, 2019. Prior to the West End, this heart-warming musical will have a limited engagement at the Abbey Theatre in Dublin from December 6, 2018 to January 19, 2019. For information visit www.ComeFromAwayLondon.co.uk.
A fifth production of COME FROM AWAY will make its exclusive Australian premiere at the Comedy Theatre in Melbourne in July 2019. For news, ticket sales updates and to join the waitlist visit www.ComeFromAway.com.au.
The Grammy Award-nominated original Broadway cast recording of COME FROM AWAY is available digitally and in stores everywhere. Grammy Award winner David Lai, and Grammy Award nominees Ian Eisendrath, August Eriksmoen, Irene Sankoff and David Hein served as album producers. COME FROM AWAY is the first cast recording released by The Musical Company. For more information visit TheMusicalCompany.com.
HBO Canada presented the world television premiere of "YOU ARE HERE: A COME FROM AWAY STORY" on the 17thanniversary of the 9/11 terrorist attacks, Tuesday, September 11. The poignant new 84-minute Bell Media Original Documentary tells the story of how a small community in Gander, Newfoundland welcomed more than 6,500 'Come From Aways' on September 11, 2001. Following its broadcast premiere, the documentary will also join CraveTV in 2019.
The Mark Gordon Company will produce and finance a feature film adaptation of COME FROM AWAY. Two-time Tony Award nominees and Outer Critics Circle Award and Drama Desk Award winners Irene Sankoff and David Hein, who wrote the book, music and lyrics, will adapt the feature screenplay for the project and Tony Award winner Christopher Ashley will direct. MGC's Mark Gordon will produce.
COME FROM AWAY, which recouped its $12 million capitalization in less than 8 months on Broadway, broke its own box office record at the Gerald Schoenfeld Theatre for the week ending December 31, 2017. COME FROM AWAY's gross for the week was $1,834,218.00, the highest for any eight or nine-show week in the Gerald Schoenfeld Theatre's 100-year history. The Broadway production has played to over 100% audience capacity every week since the week ending Sunday, March 12, 2017.
Tickets for COME FROM AWAY on Broadway are on sale at www.telecharge.com (212.239.6200) and the Gerald Schoenfeld Theatre box office (236 West 45th Street), and range from $59 - $197 (including the $2 facility fee).
A limited number of $38 general rush tickets (including the $2 facility fee) will be available at the Gerald Schoenfeld Theatre box office when it opens for that day's performance(s). Limited to two tickets per person, tickets are subject to availability. Cash and major credit cards are accepted.
The playing schedule for COME FROM AWAY is as follows: Tuesday and Thursday at 7pm, Wednesday, Friday and Saturday at 8pm, with matinees on Wednesday and Saturday at 2pm and Sunday at 8pm.
COME FROM AWAY is produced by Junkyard Dog Productions (Randy Adams, Marleen and Kenny Alhadeff and Sue Frost), Jerry Frankel, Latitude Link, Smith & Brant Theatricals, Steve & Paula Reynolds, David Mirvish, Michael Rubinoff, Alhadeff Productions, Michael Alden & Nancy Nagel Gibbs, Sam Levy, Rodney Rigby, Spencer Ross, Richard Winkler, Yonge Street Theatricals, Sheridan College, Michael & Ellise Coit, Ronald Frankel, Sheri & Les Biller, Richard Belkin, Marlene & Gary Cohen, Allan Detsky & Rena Mendelson, Lauren Doll, Barbara H. Freitag, Wendy Gillespie, Laura Little Theatricals, Carl & Jennifer Pasbjerg, Radio Mouse Entertainment, The Shubert Organization, Cynthia Stroum, Tulchin Bartner Productions, Gwen Arment/Molly Morris & Terry McNicholas, Maureen & Joel Benoliel/Marjorie & Ron Danz, Pamela Cooper/Corey Brunish, Demos Bizar/Square 1 Theatrics, Joshua Goodman/Lauren Stevens, Just for Laughs Theatricals/Judith Ann Abrams Productions, Bill & Linda Potter/Rosemary & Kenneth Willman, and La Jolla Playhouse and Seattle Repertory Theatre.
American Airlines is the official airline partner for COME FROM AWAY.
COME FROM AWAY was originally co-produced in 2015 by La Jolla Playhouse and Seattle Repertory Theatre, and presented in 2016 by Ford's Theatre in Washington, DC and Mirvish Productions at the Royal Alexandra Theatre in Toronto, CA. COME FROM AWAY (NAMT Festival 2013) was originally developed at the Canadian Music Theatre Project, Michael Rubinoff Producer, Sheridan College in Oakville, Ontario, Canada and was further developed at Goodspeed Musicals' Festival of New Artists, in East Haddam, CT. The Canada Council for the Arts, The Ontario Arts Council, and the Fifth Avenue Theatre in Seattle WA also provided development support.
Please visit: www.ComeFromAway.com.


Welcome to MuslimTravelGirl an award winning blog, the first and largest Western Muslim friendly travel site. We help Muslims find Halal Travel Destinations, provide advice on DIY Umrah and expert travel tips.
This page will give you a little bit more information about the site, about me, and what you will find here if you become a regular MTG reader (I really hope you do!).
This website will help you explore the world in style without breaking the bank.
MuslimTravelGirl started back in 2013 when I noticed a lack of information available to help Western Muslims travel the world.
It all started when I was looking to upgrade my Economy ticket to Business Class. I wanted to fly in complete luxury with the comfort of a flat-bed (sound familiar?), but I couldn't afford the prices advertised. That's when I discovered loyalty programs and how I could use them to travel around the world, flying Business Class, for a fraction of the costs quoted in brochures. I was hooked!
Everyone started asking me for help with their bookings, so I knew I had to share this knowledge. A friend recommended starting a blog and MuslimTravelGirl was born. It started as blog teaching Muslims how to take advantage of loyalty programmes in the travel industry and slowly transformed into an online hub for Muslim friendly travel.
When we wanted to perform Umrah as a young couple, we couldn't afford the high price tag on a luxury organised Umrah. I knew that I could apply all the knowledge and hours of research I'd spent on discounted travelling to create the perfect Umrah for less. And I did it! I performed Umrah for under £300. To help others do the same, I wrote a book about it, which in turn helped hundreds of people perform their own amazing Umrah for less.
Only six months later I used the same technique to plan an even more elaborate Umrah during the last 10 nights of Ramadan. The price tag for an organised trip of this scale was £20,000. We flew business class all the way and stayed in a five-star hotel next to the Kabah, but thanks to my money-saving techniques, we spent just £2,000. My story was even featured in Business Traveller Middle East magazine, the leading magazine for the frequent traveller.
On our way to Umrah in business class, Alhumdulillah!
MuslimTravelGirl is here to help you travel the world in style and comfort, at a fraction of the usual cost.
I have spent thousands of hours learning, reading and testing every travel hack possible so my readers can get full advantage of the offers available without having to do the work. I keep up with every single offer, promotion, and news related to the hotel and travel industry as well as the rapidly developing halal travel market.
I have been featured by leading media outlets such as BBC, Islam Channel, Business Traveller Middle East, Thomson Reuters and others. I also write for various international media outlets and magazines on Halal travel such as My Salaam, TripZilla Magazine Asia, ZilzarLife Malaysia, Ilma Magazine, Sisters Magazine in the UK and more.
I am a regular speaker at International conferences covering topics on Muslim travel and how businesses can market to Muslim millennial travellers (you!). My passion is to help this young industry blossom into a great opportunity for more Muslims like ourselves to travel and explore the world and be confident in their Muslim identity.
MuslimTravelGirl is a proud member of the BoardingArea family, the largest site of loyalty programs in the world with over 7 million monthly views.
If you are looking for any advice to do with practically travelling the world as a Muslim and having a lot of fun and adventures at the same time then Elena is the one to ask. Not only did I save money I also travelled in style and was able to take advantage of some amazing offers which meant that I had more spending money.
Who Is Muslim Travel Girl?
My name is Elena aka the Muslim Travel Girl, I am the editor of the website and also responsible for everything wonderful you see here. I am the first woman to become a Chartered Islamic Marketer (CIMA) in the UK and have over ten years of marketing and branding experience. I also hold an MSc in Islamic Finance from Aston University in Birmingham.
As a person with a multicultural background, I consider myself a citizen of the world. I was born in Bulgaria, raised in Greece and settled in the UK, I became Muslim 7 years ago. Coming from such a diverse culture when I became Muslim I realised that not many Muslims travel. Non-Muslims and Muslims all over the world have so many misconceptions about each other. I am on a quest to improve mutual understanding by helping Muslims travel the world.
What do you write about on MuslimTravelGirl?
Our start here page gives you everything you need to know and how to start.
If you need help with anything else use our search button below and type the keyword.


Authorizing and capturing funds enables you to build a payment interface that places funds, from a funding source, on hold (authorization) until a service is rendered or order shipped, at which time the payment is processed (capture).
1. Set up the authorization information object.
2. Initialize the authorization and redirect the user.
3. Complete the payment and get the authorization ID.
4. At a later time, capture authorization.
Tip: An authorized payment places funds on hold for a later payment while an order indicates that the buyer has consented to the purchase but does not place the funds on hold.
// Build PayPal payment request.
// Total must be equal to sum of shipping, tax and subtotal.
total = "100.00", // Total must be equal to sum of shipping, tax and subtotal.
Set the intent to authorize to request an authorization for a PayPal payment. The intent defines a payment as an authorization, direct payment, or an order.
With the authorization object set, you can create the approval process on PayPal. Issue a call to create the authorization, passing in the authorization information object that was set in the previous step.
// When approval_url is present, redirect user.
Once you send the request to create an authorization, PayPal will respond with a JSON response that includes a links object. Within the links object is the approval_url, which is the location that you need to redirect the user so that they can verify (or cancel) the authorization.
After the user confirms authorization information, he or she is redirected to the URL that you specified in the payment information object in the initial step. The query string also contains the PayerID and paymentId parameters. These parameters are confirmation objects used to complete the authorization in order to get the authorization ID.
// Using the information from the redirect, setup the payment to execute.
To complete the authorization, extract the paymentId and PayerID from the query string parameters. Once obtained, make a call to the respective SDK execute method to complete the authorization. In the success response object that is returned, extract the authorization ID.
To capture an authorization, set the details about the amount that you would like to capture, and whether it should be the final capture being made. Using these settings, you can make multiple captures from the same authorization. Once set, make the request to capture the authorization, passing in the authorization ID that was captured in the last step.


text:
Netflix's Newest Horror Movie Is Filming In Toronto Right Now And We Have All The Scary Details
Stephen King's "In The Tall Grass" just started production in Toronto.
Looks like Netflix loves filming in Canada and their newest horror movie is no exception. They recently announced that "In The Tall Grass", a scary new flick they're working on, just started filming in Toronto.
READ ALSO: Canada Was Just Named The Top Film Location For U.S. Movies And These Provinces Are The Most Popular
Not only is our country the top filming destination for Hollywood movies these days, it seems like the streaming company in particular really likes filming here. Hit shows like "Between" and "Riverdale" are filmed in Canada, as well as the upcoming show "Umbrella Academy."
@sherry._.sabatineembedded via
Their new horror movie is actually based on a novella written by Stephen King and his son. The plotline focuses on a brother and sister driving on a road trip when they hear a boy cry for help in a field of (you guessed it) tall grass.
Before long, they realize that there is no escaping the field and that something lies in the grass that's putting them in danger.
@kaelinmccowanembedded via
Before moving to shoot in Toronto, the film was previously being shot in another part of Southern Ontario. In fact, it was just a few minutes away from the birthplace of Canadian superstar Justin Bieber, in Stratford Ontario.
Locals ruined the surprise when they began posting photos of a creepy looking church being erected for filming in a nearby field. Now it's become quite an attraction to drive out of town to go take a look.
@519shootersembedded via
Lucky for us, Netflix also announced those who will be starring in the movie and there is a horror movie veteran signed on to the cast. Patrick Wilson, who has starred in the "Annabelle", "Insideous", and "The Conjuring" franchises.
Wilson will be joined by Canadian actresses, Laysla De Oliveira, known for her role as Zoe Ward in "iZombie", and Rachel Wilson, an Ottawa native who is known for her role on "Republic of Doyle."
@nonosmagazineembedded via
While the movie has only started filming it sounds like it's going to be a thriller you don't want to miss. Considering the success of Stephen King's other novel turned movie "IT", this is going to be epic.
Source: Netflix


Frequency of KNOWINGNESS: Anoint yourself with key notes of Mugwort, Laurel, and Clary Sage and experience the vibrational qualities that promote lucid dreams, retention of messages, and the safe return back to Earth. Dream space is vivid. Spirit is conscious.
Directions: Anoint pulse points, chakra points, forehead, or back of neck during rituals and other spiritual work. Set intentions and recite the mantra, "I peacefully rest in my intuition.". (Avoid direct application on eyes, clothing, or other delicates. Store in a cool, dry, and dark place. Most optimal when used within 6-12 months of opening).


text:
Clarence Thomas asks questions in court for first time in 10 years
And everyone gasped.
By The Associated Press on February 29, 2016
Supreme Court Justice Clarence Thomas laughs while talking with guests at The Federalist Society's 2011 Annual Dinner in Washington. Credit: AP/CLIFF owen
WASHINGTON — Justice Clarence Thomas broke 10 years of silence and provoked audible gasps at the Supreme Court on Monday when he posed questions from the bench during an oral argument.
In a case about a federal law that bans people convicted of domestic violence from owning guns, Thomas wanted to know of any other case where breaking a law suspends constitutional rights.
SEE ALSO: Mourners pack Supreme Court to pay tribute to Antonin Scalia
And it wasn't just one question; it was a back-and-forth lasting a few minutes that stunned lawyers, reporters and others in the courtroom.
It was only the second week the court has heard arguments since the death of Justice Antonin Scalia, Thomas' friend and fellow conservative.
Thomas for seven years sat next to Scalia, who was famous for aggressive and sometimes combative questions from the bench. Scalia's chair is now draped in black in a tribute to his death on Feb. 13.
Thomas' questions Monday came in case in which the court is considering placing new limits on the reach of the 1996 law. The court is considering an appeal from two Maine men who say their guilty pleas for hitting their partners should not disqualify them from gun ownership.
The court is considering an appeal from two Maine men who say their guilty pleas for hitting their partners should not disqualify them from gun ownership.
With about 10 minutes left in the hourlong session, Justice Department lawyer Ilana Eisenstein was about to sit down after asking the justices if there were no further questions. Thomas then caught her by surprise, asking whether a misdemeanor conviction of any other law "suspends a constitutional right."
The sound of Thomas' gravelly voice filling the courtroom prompted a few gasps among other lawyers attending the argument. None of the other justices visibly reacted to his remarks.
Thomas's unusual silence has become a curiosity over the years. Thomas has previously said he relies on the written briefs and doesn't need to ask questions of the lawyers appearing in court.
Thomas last asked a question in court on Feb. 22, 2006. He has come under criticism for his silence from some who say he is neglecting his duties as a justice. Every other justice regularly poses questions from the bench.
The 10-year milestone of his courtroom silence came just days after Scalia's death. Thomas was one of only two people invited by Scalia's family to read from Scripture during the funeral Mass on Feb. 20.
While Thomas has not asked a question in court for a decade, he did appear to crack a joke three years ago. It was partially inaudible but seemed to poke fun at his alma mater, Yale University.
Few reporters showed up Monday for arguments in the first case, in which the justices considered appeals from the two Maine men. The men say the law should only cover intentional acts of abuse and not those committed in the heat of an argument.
During the first 50 minutes of the argument, most of the justices appeared to favor the government's position that even reckless acts of domestic assault fall under the law. Thomas did not pose questions to Virginia Villa, the lawyer arguing on behalf of the two men.
But Thomas peppered Eisenstein with several questions about Second Amendment gun rights, a topic no other justice had asked about. He noted that the law allows someone convicted of a misdemeanor assault charge to get a lifetime ban on possessing a gun "which at least as of now results in suspension of a constitutional right."
"The suspension is not directly related to the use of a weapon?" Thomas asked.
Eisenstein said he was correct, but that Congress passed the law to prevent people accused of domestic violence from later using weapons against a family member. She noted that violating other laws can in some cases limit a person's free speech rights. Thomas then asked how long the suspension of the right to own a firearm lasts.
Eisenstein said it was indefinite.
In one of the cases, Stephen Voisine pleaded guilty in 2003 to simple assault after slapping his girlfriend in the face while he was intoxicated. In 2009, an anonymous caller reported that Voisine had shot a bald eagle with a rifle. He was then convicted under the gun law.
The other case involves William Armstrong III, who pleaded guilty to simple assault in 2002 after pushing his wife during an argument and leaving a "red mark." Eight years later, police searching Armstrong's home discovered six firearms and ammunition.
More in Supreme Court


8:00 am: Everyone has signed in, had their coffee and is ready to work! First jobs are to drive trucks, distribute trees and supplies, and assemble light hardware.
9:15 am: Friends of the Urban Forest hold a planting demonstration.
9:30 am: The planting manager will break neighbors into small groups, each supervised by a trained volunteer planting leader. Now we start planting trees.
12:30 pm: Time to celebrate all your hard work! We return to Luscious Garage for the pot luck.
Want to volunteer for the tree planting or pot luck?


The newly renovated and rebranded Holiday Inn Conference Centre Edmonton South, is conveniently located on Gateway Boulevard and Whitemud in the heart of south Edmonton. Wireless internet, local calls, daily newspaper delivery, and parking are always complimentary. Maintain your daily workout in our fully-equipped fitness centre or relax in the hot tub while the kids splash in the pool. Enjoy a delicious meal at one of our two on-site restaurants featuring breakfast, lunch, dinner or in-room dining. Try ABC Restaurant or take in the authentic Celtic fare at Fionn MacCool's Irish Pub. Bask in the sun on the patio or join us for a pint of one of our extensive array of imported beers. We have a menu guaranteed to tantalize your taste buds!


Over the last few years our conference has become the largest event for language teachers in the Czech Republic. We can proudly say, that this 8th year, with the title "Modern Approaches in Language Teaching and Learning" was again a success. Despite the fantastic summer day outside we managed to attract almost 500 attendees – mostly teachers from elementary and secondary schools, universities and private language training centres.
33 presenters gave 41 presentations on various topics. In addition to English sessions we also had presentations focusing on German, French, Russian and Czech. Most popular lectures/seminars were those given by Clive Oxenden, Daniela Clarke, Gregorz Spiewak, Martin Jelinek, Tomas Graf, Andrea Eskisan.
23 organizers were available on the spot all day.
Based on the replies from the feedback forms that we collected online the attendees appreciated among others the number and variety of presentations to choose from, the conference location (historical building with a perfect view to Prague castle), as well as the entire organization including our new online registration system, the clear and visible orientation system in the building (the lectures took place on 3 floors in 9 rooms), number of organizers at hand, always willing to help with a smile on their face, smooth and efficient lunch packs distribution, etc.
The conference attendees also benefited from the possibility of networking during the lunch break and coffee breaks and the overall atmosphere in the whole building was very relaxed and friendly.
We also had 27 commercial partners of the conference (mostly publishers) who offered their products and services at the conference exhibition and also gave our free samples of their textbooks.
We are already looking forward to the 9th conference that will take place next year in a similar setup. AJŠ would hereby like to thank EAQUALS for their financial support and for providing us the excellent Nergis Uyan as a speaker.


This is the part where we can all have a lot of fun. We'll be running various competitions on a monthly basis where you can win great prizes for you and your friends from cash to MP3's and so much more.
Check out our Facebook Fan Page. Here you can meet people who like playing poker from across the globe. Become online friends with your opponents, share strategies or simply get to know their way of thinking. Share your photos and videos with us. We'll have spot-prizes for the funniest ones.
Every month we're running a competition where we'll pay for you and your friends to have a Poker Party. Just send us an email to support@universitypoker.com and tell us how you would spend $100 on the best party in town. The top 5 entries get to have their party. Only catch is, we want to see the photos afterwards!
At University Poker we're always up for new, fun and innovative ideas, so if you have any, please let us know by emailing us at support@universitypoker.com and if we use it, there will definitely be something in it for you, so get those thinking caps on!
Register Here to download and become part of the University Poker action.


text:
import { t, ChartMetadata, ChartPlugin } from '@superset-ui/core';
import controlPanel from './controlPanel';
import transformProps from './transformProps';
import buildQuery from './buildQuery';
import example from './images/Big_Number_Trendline.jpg';
import thumbnail from './images/thumbnail.png';
import {
  BigNumberWithTrendlineChartProps,
  BigNumberWithTrendlineFormData,
} from '../types';

const metadata = new ChartMetadata({
  category: t('KPI'),
  description: t(
    'Showcases a single number accompanied by a simple line chart, to call attention to an important metric along with its change over time or other dimension.',
  ),
  exampleGallery: [{ url: example }],
  name: t('Big Number with Trendline'),
  tags: [
    t('Advanced-Analytics'),
    t('Formattable'),
    t('Line'),
    t('Percentages'),
    t('Popular'),
    t('Report'),
    t('Description'),
    t('Trend'),
  ],
  thumbnail,
});

export default class BigNumberWithTrendlineChartPlugin extends ChartPlugin<
  BigNumberWithTrendlineFormData,
  BigNumberWithTrendlineChartProps
> {
  constructor() {
    super({
      loadChart: () => import('../BigNumberViz'),
      metadata,
      buildQuery,
      transformProps,
      controlPanel,
    });
  }
}

redpajama_set_name: RedPajamaGithub


text:
I am pleased to announce that Devon Mordell has been awarded the Dodds Prize for 2018 for her paper "Critical Questions for Archives as (Big) Data." Devon Mordell recently completed her MAS degree at UBC, and her paper was submitted by Jennifer Douglas.
Instituted in 2011, the Dodds Prize recognizes superior research and writing on an archival topic by a student enrolled in a Master's level archival studies program at a Canadian university. The award honours Gordon Dodds (1941-2010) who was the first President of the ACA, and Archivaria's longest-serving general editor. The submissions received for the 2017/18 academic year were reviewed by an adjudication committee consisting of Amy Marshall Furness (Art Gallery of Ontario), Richard Dancy (SFU Archives), Rebecka Sheffield (ACA Board designate / Simmons College / Archives Ontario), and Heather Home (Queen's University). I thank the adjudication committee for their service.
The paper will be published in the Spring 2019 issue of Archivaria and the award will be formally presented at the ACA Conference in Toronto next June. The citation reads:
"We may observe a growing preoccupation in the archival literature with characterizing digital archives as "big data," suitably capturing both their scale and the potential to manipulate them through the application of computational methods and techniques for the purposes of discovering new insights. The possibilities for working with digital archives as data are indeed encouraging, from supporting archival arrangement and description tasks to promoting the use of digital archives as data sets by researchers. But what are digital archives becoming when they are reframed as data, big or otherwise? What consequences might such a conceptualization have for how archival professionals imagine their role and their work? To the four archival paradigms of evidence, memory, identity and community theorized by Terry Cook, a fifth may now be poised to emerge: an archives-as-data paradigm. In this article, I begin to map out what an archives-as-data paradigm could entail by exploring how the conceptual and practical dimensions of applying computational methods to digital archives may work conservatively to revivify notions of archival neutrality. For an archives-as-data paradigm to realize the more liberatory aims of which it is capable, an active and ongoing commitment to recognizing and calling out these tendencies is necessary."
Congratulations, Devon, on your excellent work!


I have years of experience in Conferences, Flyering, Hospitality, Hosting, Mystery Shopping, Product Demonstrations, Road shows, Sales and Sampling. I am also an experienced Editorial Model and have worked with brands, such as: Malmaison, Your Hair, Hair and Beauty, B Magazine, Birmingham Post and Country Living. Have also done various Fashion Shows throughout the UK for John Lewis, Debenhams, Zara, Joules, House Of Fraser and Fash Mob team.
I have also been involved with In-store and outdoor Brand promotions for O2, Orange, T-mobile, Argos, House of Fraser, Debenhams, Selfridges, Loreal, Vasaline, Dove, Ariel, Persil, Foster Grant, Rimmel London, Revlon, Coors Beer, WKD, Blossom Hill, Red Bull, Monster Energy, Smirnoff Vodka plus with Fragrance campaigns in many UK High Street stores.
Extensive Road Show and Exhibitions experience with Monster Energy Girl- Europe, Moto GP. Hospitality with Maserati & Ferrari, Seat, BMW, Samsung, Clothes Show Live, BBC's Good Food Show, Auto Sport, Good Wood festival of Speed, The Boat Show, Motor Show Live and Formula one.


At Flight Centre we provide a great vary of low cost worldwide flights to a range of world-huge destinations. The dwelling person who knows most about this botched media shambles, aside from the principals themselves, is Benjamin Creme He's the Editor-in-Chief of Share Worldwide Magazine and has put the entire BBC factor on the public file on a number of occasions prior to now, for instance downpage here (15.10.05) and here (April 2010).
We acted totally consistent with the standards of worldwide legislation, including those which can be stipulated within the declaration on the rules of relations between states that I mentioned earlier, whereby territorial integrity and respect for the territorial integrity of states indicate that this state ensures the rights of all of its folks and the unacceptability of utilizing pressure to compel these individuals to stay within the state in question.
Good examples include resolving the Iranian nuclear programme situation, chemical disarmament in Syria, establishing the International Syria Help Group, for which we have now fought very lengthy and arduous, as various states immediately involved in the Syrian conflict refused to sit down and discuss with some nations, reminiscent of Iran, solely for ideological causes.
These embrace startups, IT firms that use native talent, natural-agro small and medium-size enterprises, export-oriented pharmaceutical corporations, efforts to draw the international movie business to Greek areas, and educational programs that make the most of Greek intellectual output and unequalled historic sites.
If you are looking ahead to international airlines reserving on-line, find cheap worldwide airline fares together with other bargain offers and gives then click on on On the highest of it, with great bargain alternatives to be had on , taking a trip abroad is a cakewalk, in as we speak's state of affairs.


Don Jorge Building apartments on the beach in Benidorm.
Don Jorge Apartments are situated on a hill in a quiet area, at 10 minutes walking from the Levante Beach. We offer free shuttle from the apartments to Levante Beach every 15 minutes during an established timetable.
The apartments are located on a hill in a quiet area of Benidorm and offer free shuttle service to Levante beach ..
Benidorm´s beaches are worldwide famous for the quality of the sand, blue flag bathing and the cleanliness approach.
Stretching between Tip Pinet and Tip Canfali, lays the two kilometers Levante Beach. Definitely one of the most animated , with its promenade and cafes, restaurants and sporting bars. The beach is sandy and one of the best beaches on the Costa Blanca offers entertainment areas for all ages, diving boards, rafts, slides, playground . The Beach also provides ramps for disabled.
Close to the Old Town, until Cabezo del Tosal Tip lays Poniente Beach, with more than three kilometers of excellent gold sand and clear water, it has a new promenade with bars and restaurants and it also has ramps for disabled.
Don´t miss the thematic parks! To spend the day at a water park, your best choice is Aqualandia, look at our special offers for the best parks in Benidorm!!!
Combine it with a visit to the marine animal park Mundomar( sea lions, dolphins, exotic birds,parrots) your day might just be perfect! If you would rather ride the biggest European roller coaster, then Terra Mitica is waiting for you.


text:
In 1967, the U.S. surgeon general declared it was time to "close the book on infectious diseases." With the introduction of new classes of powerful antibiotics, cholera, influenza, typhoid, whooping cough and other communicable diseases were brought under control. It certainly seemed as if bacterial infections, at least, were becoming a thing of the past.
However, bacteria have proven themselves to be remarkably adept at surviving.
In 2013, the CDC issued the Antibiotic Resistance Threats in the United States that reported the frightening statistic that at least 2 million Americans become infected with antimicrobial-resistant pathogens and at least 23,000 of them die each year. Since then, government organizations across the globe, including Health Canada and the Public Health Agency of Canada, have developed and implemented national plans to ensure better surveillance of antimicrobial-resistant infections and stricter regulations for the use of antibiotics in agriculture. Further, incentives have been put in place in Canada and other countries to encourage pharmaceutical and biotech companies to prioritize research and development of new antimicrobial agents.
In January 2016, Fedora joined a host of international organizations in signing a "Declaration by the Pharmaceutical, Biotechnology and Diagnostics Industries on Combating Antimicrobial Resistance." While some companies that signed support the cause of antimicrobial research outside of their walls, Fedora is applying its team's 30-plus years of antimicrobial drug development experience in the creation of a pipeline of antimicrobial drug candidates.
Without new drugs to combat bacterial infections, they will become even harder to treat, healthcare costs will continue to rise, surgeries that are now routine will become dangerous; and, according to the director general of the World Health Organization, we could be facing "the end of modern medicine as we know it."
Bacteria will continue to evolve. As such, we need to pursue research and development aggressively to stay in-front of that evolution. We are committed to that pursuit at Fedora and look forward to keeping you apprised on our progress.
Fedora Pharmaceuticals, Inc.


text:
– Learn To Play Piano - Piano Lessons
– Learn To Play Piano For Adults - Learn Keys
– Learn Classical Piano Online For Beginners - ...
Learn To Play Piano - Piano Lessons
Homeschoolpiano - Piano Lessons For Home School Families
A scale in music is simply an arranged series of notes. For instance: If you play these notes (you must have the ability to find them by now) you'll discover they comprise the following pattern: This is called a. This likewise teaches you about secrets in music. learn to play carter family music. Whatever note you start this pattern on, as long as you follow the guide above, you will have played a significant scale in that secret.
These scales are greatly beneficial because if you are playing a piece in a particular key, the majority of the notes will be comprised of that scale. If you play a piece in C significant, the majority of the notes in the piece will be comprised of the C significant scale.
Let's take G major. Following this pattern: Let's attempt to find out the scale of See? It's pretty simple once you get the hang of it. There are other types of scale, consisting of natural minor, harmonic minor, pentatonic, chromatic, etc, which we will not go into here. Nevertheless, the essential nature of any musical scale is that it's made up of a Challenge: Now that you understand how a significant scale works, F majorB-flat majorA majorE-flat majorI will not go into scale fingering for each individual scale here, since each scale has its own individual fingering. It may be offered somewhere else online, but if it's protected by copyrightDon't go aiming to pirate sheet music. If you require it and can't discover it readily available on any of the legitimate complimentary channels, thenIf you're actually stuck on discovering some new music, I have actually offered a list of authors below.
Learn Piano - The Essentials Of Music Theory
Now, this is a controversial one, and it's going to annoy some instructors - learn to play carter family music. Some teachers teach like this; they appoint every piece to their trainee themselves and do not enable them to play anything else. To me, this is wrong. Of course, there needs to be structure to your learning, and your instructor is the very best individual to recommend regarding which pieces will be most helpful to you.
It's courteous to seek advice from your teacher initially, as they will have the ability to offer you their opinion as a fellow artist who knows you and your playing. There are exceptions to this; if it's the week before a test, for example, I would not expect any sensible instructor to drop anything and accommodate your demand.
Nevertheless, if your teacher doesn't fairly use an explanation regarding why they won't teach you the pieces you wish to play, Please don't fall into the trap of waiting for your instructor to inform you what to learn. An excellent musician and a great student is constantly learning, and because of this you need to There's some actually terrific music out there that you'll miss out on out on if you just count on your teacher to pick your collection for you.
Learn To Play Piano For Adults - Learn Keys
I really believe it's something that everyone should attempt, and even if they do not take formal lessons, it's something everyone can take pleasure in. learn to play carter family music. Nevertheless, where can it take you? What can it do for you?The primary present that finding out to play the piano will give you is an Once you've discovered to play, it's a skill that can never ever be eliminated from you.
I took a hiatus from betting a year approximately, and I thought I 'd lost a great deal of my musical skills. in some methods stronger than it ever was. The experience of playing music is valuable, and it is among the most valuable presents you can provide yourself. Of course, if you truly enjoy playing the piano, you may even discover yourself making a career out of it, but that's a subject for an entire other article!In the meantime, thanks for staying with me throughout this whole post and as ever, Another name for a sharp or flat.
For instance; "that note has an unintentional" can indicate that the note in question has a sharp or a flat. Any piano where the methods of sound generation occurs through a hammer hitting a string and not digitally. Where the notes of a specific chord are played one after the other as opposed to at the exact same time.
Describes the basic system of time, or the pulse. It's normally specified as the rhythm that listeners would tap their foot to when listening to a piece of music, or the numbers a musician would count to while carrying out. A series of pitches that sound simultaneously. Severe music following the long-established concepts and guidelines, from around the mid-1600s to the present day - learn to play carter family music.
A sign that is put on the left-hand side of the staff that indicates the pitches of the following personnel. A school, usually at the university level, that approves music degrees based upon useful performance instead of academic results. A transferable design. learn to play carter family music. In this article described in the context of a makers' logo design on the front of a piano.
How To Teach Yourself Piano - Easy Method For Beginners
Created as an option to the acoustic piano. Extends the length of a note by half its value, or 150%. The practice of playing 2 equal notes in an area that would usually accommodate three equal notes. A note that lasts half of one beat. A medium sized, cone-shaped, tenor-voiced brass instrument.
Learn Classical Piano Online For Beginners - Online Piano
The art of identifying which fingers to put on each note when playing a piece of music. A symbol that lowers the pitch of the note instantly to the left of the sign by one half-step. A piano-learning app for iOS and Windows, designed to assist one find out to play pieces (Learn Classical Piano Online for Beginners - Online piano).
2 personnels together, including the bass and treble clef and covering the entire length of the keyboard. Best Way To Learn Piano Online Free. A note that lasts two beats. The tiniest period used on the piano, equivalent to half of an entire action, or 1/12 of an octave. A wood lever triggered by pressing a key on a piano.
A baroque-era keyboard instrument that resembles the piano, but generates its' noise by plucking strings instead of having a hammer hit them. The International Music Rating Library Project; a site where any rating in the general public domain is readily available for download. Music of African-American origin that emerged at the start of the 1900s, characterised by syncopation, rhythm and improvisation. learn to play carter family music.
The most typical of the diatonic scales. A significant interval is one half-step bigger than a small period. In its simplest type; described as "delighted"- sounding music. A section of time which describes a particular variety of beats. The second most typical of the diatonic scales. A minor period is one half-step smaller than a significant interval.
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text:
Lucille Rhettia Robertson Olson
September 15, 1928 - March 4, 2021
Lucille Rhettia Robertson Olson, age 92, passed away Thursday, March 4, 2021 at Grand Strand Regional Medical Center. Born September 15, 1928 in Myrtle Beach, she was the daughter of the late Gilmore and Reba Creel Robertson. Mrs. Olson worked as a guidance counselor and obtained her master's degree from Florida Atlantic University. She was member of Trinity United Methodist Church and a former member of the Florida Teacher's Association and the National Education Association. Along with her parents, she was predeceased by her husband, George Andrew Olson; a sister, Janette Robertson Castellon; and a great-grandson, Jaxon Bedenek. Surviving are her son, Thomas Carroll McDonald (Renee) of Myrtle Beach; two grandchildren, Heather Marie Bedenek (Thomas) and Thomas Carroll McDonald, Jr. (Samantha); and three great-grandchildren, Gabriel Bedenek, Alexander Bedenek, and Brayden McDonald. Graveside services will be held at 2:00 PM Sunday, March 14, 2021 at Hillcrest Cemetery with Rev. Tresco Shannon officiating. Memorial donations may be made to Trinity United Methodist Church, Building Fund, PO Box 1072, Conway, SC 29528.
Lucille Rhettia Robertson Olson, age 92, passed away Thursday, March 4, 2021 at Grand Strand Regional Medical Center. Born September 15, 1928 in Myrtle Beach, she was the daughter of the late Gilmore and Reba Creel Robertson. Mrs. Olson worked... View Obituary & Service Information
The family of Lucille Rhettia Robertson Olson created this Life Tributes page to make it easy to share your memories.
Lucille Rhettia Robertson Olson, age 92, passed away Thursday,...
Send flowers to the Olson family.


Pole weaving, tunnel running, and hurdle leaping are all in a day's work for the competitive agility dog, as they (and their handlers) race against the clock in hopes of posting the fastest time on the course. All breeds are welcome to participate in the sport, however those best suited for dog agility training tend to be physically active with high energy levels and a desire to please. These five breeds are frequently found at the top of the leaderboard.
Quite simply, the Border Collie is a dynamo. In the top 5 agility dog breeds.. Read more about Border Collies.
Today they're excellent family companions and superstars in dog sports. Read more about Shetland Sheepdogs.
Originally bred to herd cattle, sheep, and horses, the Pembroke Welsh Corgi is an active and intelligent dog breed. These active dogs are in the top 5 agility dog breeds. Read more about Welsh Corgis.
Developed in England some 200 years ago to hunt foxes, the Jack Russell Terrier, also known as the Parson Russell Terrier, is a lively, independent, and clever little dog. Read more about Jack Russells.
If you've got a yard, make sure you've also got a secure fence that your Aussie can't dig under or jump over. Read more about Australian Shepherds.
Have you worked with other breeds that are agility superstars? Post a comment with your list additions.


Follow the links below to get the latest and most up-to-date information. Find out about what's going on, check our calendar for events, holidays and school closings, learn how to enroll your child, and keep up with parent resources. Special Education Services are provided by Special School District in Pattonville If you have any questions regarding special education services, please contact speced@psdr3.org.


Part 1 must be a minimum of one full page in length. Please note that you do not need to submit your completed self-assessment. Part 1 of your assignment is to provide only the description of your results, as detailed above.
When mutual adjustment occurs and what part it plays in negotiations.
Part 2 must be at least one full page in length. You are required to use at least your textbook as a reference. You may use the CSU Online Library or the Internet for other resources.


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I'm still recovering from last year & so far this year has been better, but not by a ton. So, this post will be short, ish.
Not prepared to go into details, but let me just say that there were WAY TOO MANY deaths in my family & as we're approaching (or have passed) the one year anniversaries of those losses I'm struggling.
I've been trying to find my way back to myself, back to the people I care about, but it's not easy. Not by a long shot. As always money (or lack thereof) weighs heavy on my mind. Anxiety pounces on everything, even the sadness of a Hallmark movie (because they don't show the commercials like they used to). Stress, depression & fatigue take over; worries fill in the nooks & crannies.
I've not been able to create much; the inner critic monsters have stepped up with megaphones & protest posters, echoing the unknowingly/unintentionally insensitive comments of strangers, family & friends. They've no permits, but because there is no inner positive police force to deal with them, they persist.
But I'm on a tiny ledge of "you can tryness" right now, so I've taken the first step. This post. Which I will not share on Facebook or Twitter. Which I will publish before I change my mind. Which will hopefully be the start to more.


text:
package integration

import (
	"fmt"
	"net/http"
	"net/http/httptest"
	"net/http/httputil"
	"os/exec"
	"strings"
	"testing"

	"github.com/sclevine/spec"
	"github.com/stretchr/testify/require"
)

var _ = suite("projects/resources/list", func(t *testing.T, when spec.G, it spec.S) {
	var (
		expect *require.Assertions
		server *httptest.Server
	)

	it.Before(func() {
		expect = require.New(t)

		server = httptest.NewServer(http.HandlerFunc(func(w http.ResponseWriter, req *http.Request) {
			switch req.URL.Path {
			case "/v2/projects/some-project-id/resources":
				auth := req.Header.Get("Authorization")
				if auth != "Bearer some-magic-token" {
					w.WriteHeader(http.StatusUnauthorized)
					return
				}

				if req.Method != http.MethodGet {
					w.WriteHeader(http.StatusMethodNotAllowed)
					return
				}

				w.Write([]byte(projectsResourcesListResponse))
			default:
				dump, err := httputil.DumpRequest(req, true)
				if err != nil {
					t.Fatal("failed to dump request")
				}

				t.Fatalf("received unknown request: %s", dump)
			}
		}))
	})

	when("all required flags are passed", func() {
		it("list resources for the project", func() {
			cmd := exec.Command(builtBinaryPath,
				"-t", "some-magic-token",
				"-u", server.URL,
				"projects",
				"resources",
				"list",
				"some-project-id",
			)

			output, err := cmd.CombinedOutput()
			expect.NoError(err, fmt.Sprintf("received error output: %s", output))
			expect.Equal(strings.TrimSpace(projectsResourcesListOutput), strings.TrimSpace(string(output)))
		})
	})

	when("no header is passed", func() {
		it("returns outputs data with no headers", func() {
			cmd := exec.Command(builtBinaryPath,
				"-t", "some-magic-token",
				"-u", server.URL,
				"projects",
				"resources",
				"list",
				"some-project-id",
				"--no-header",
			)

			output, err := cmd.CombinedOutput()
			expect.NoError(err, fmt.Sprintf("received error output: %s", output))
			expect.Equal(strings.TrimSpace(projectsResourcesListNoHeaderOutput), strings.TrimSpace(string(output)))
		})
	})

	when("format is passed", func() {
		it("gives you the columns requested", func() {
			cmd := exec.Command(builtBinaryPath,
				"-t", "some-magic-token",
				"-u", server.URL,
				"projects",
				"resources",
				"list",
				"some-project-id",
				"--format", "URN,Status",
			)

			output, err := cmd.CombinedOutput()
			expect.NoError(err, fmt.Sprintf("received error output: %s", output))
			expect.Equal(strings.TrimSpace(projectsResourcesListFormatOutput), strings.TrimSpace(string(output)))
		})
	})
})

const (
	projectsResourcesListOutput = `
URN                Assigned At             Status
do:droplet:1       2018-09-28T19:26:37Z    ok
do:floatingip:1    2018-09-28T19:26:38Z    ok
`
	projectsResourcesListNoHeaderOutput = `
do:droplet:1       2018-09-28T19:26:37Z    ok
do:floatingip:1    2018-09-28T19:26:38Z    ok
`
	projectsResourcesListFormatOutput = `
URN                Status
do:droplet:1       ok
do:floatingip:1    ok
`
	projectsResourcesListResponse = `
{
  "resources": [
    {
      "urn": "do:droplet:1",
      "assigned_at": "2018-09-28T19:26:37Z",
      "links": {
        "self": "https://api.digitalocean.com/v2/droplets/1"
      },
      "status": "ok"
    },
    {
      "urn": "do:floatingip:1",
      "assigned_at": "2018-09-28T19:26:38Z",
      "links": {
        "self": "https://api.digitalocean.com/v2/floating_ips/1"
      },
      "status": "ok"
    }
  ],
  "links": {},
  "meta": {
    "total": 1
  }
}
`
)