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Performing Archive Main Menu Visualizing the "Vanishing Race": the photogravures of Edward S. Curtis Front Page for Visualizing the "Vanishing Race" path Curtis' Image and Life: The Network of The North American Indian, Inc. An experiment with data visualization approach to understand and contextualize Curtis' images and his life Media, Technology and Mediations Curtis's Technology, Relationships to Media and Style Contextualizing Curtis, The North American Indian, and Race the collection of essays from the contributors Consulting with Tribes as Part of Archive Development Introduction to Consulting with Tribes by Ulia Gosart Contributing Archives Information on how to participate in Performing Archive Browsing the Media A path of paths that allow users to cut through the collection in a variety of ways. Acknowledgements and Project Information Project Network Jacqueline Wernimont bce78f60db1628727fc0b905ad2512506798cac8 David J. Kim 18723eee6e5a79c8d8823c02b7b02cb2319ee0f1 Stephan Schonberg 23744229577bdc62e9a8c09d3492541be754e1ef Amy Borsuk c533a79d33d48cbf428e1160c2edc0b38c50db19 Beatrice Schuster a02047525b31e94c1336b01e99d7f4f758870500 Heather Blackmore d0a2bf9f2053b3c0505d20108092251fc75010bf Ulia Gosart (Popova) 67c984897e6357dbeeac6a13141c0defe5ef3403
Old person - Piegan
1 2018-03-16T21:11:39-07:00 Erik Loyer f862727c4b34febd6a0341bffd27f168a35aa637 29482 1 The young men eagerly seize every occasion of public festivity to don the habiliments of their warrior fathers. plain 2018-03-16T21:11:39-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06021 - portfolio 6 plate no. 204 Old person – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.06, The Piegan. The Cheyenne. The Arapaho ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1911), plate no. 204 1 photogravure : brown ink ; 46 x 26 cm [plate size]
Original photogravure produced in Boston by John Andrew & Son http://curtis.library.northwestern.edu/curtis/info.cgi?id=nai.06.port.0000022.p Erik Loyer f862727c4b34febd6a0341bffd27f168a35aa637
1 2018-03-16T21:13:01-07:00 Erik Loyer f862727c4b34febd6a0341bffd27f168a35aa637 Piegan Erik Loyer 1 plain 2018-03-16T21:13:01-07:00 Erik Loyer f862727c4b34febd6a0341bffd27f168a35aa637
1 2018-03-16T21:11:36-07:00 Piegan 1 This scene on Two Medicine river near the eastern foothills of the Rocky Mountains is typical of the western portion of the Piegan country, where the undulating upland prairies become rougher and more broken, and finally give place abruptly to mountains. plain 2018-03-16T21:11:36-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06001 - portfolio 6 plate no. 184 For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
Original photogravure produced in Boston by John Andrew & Son http://curtis.library.northwestern.edu/curtis/info.cgi?id=nai.06.port.00000002.p
1 2018-03-16T21:11:36-07:00 Morning Eagle - Piegan 1 At an age of more than ninety, Apinakuipita is still hale enough to ride his horse to the tribal gatherings. plain 2018-03-16T21:11:36-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06002 - portfolio 6 plate no. 185 Morning Eagle – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:36-07:00 Painted lodges - Piegan 1 Symbolically painted tipis are frequently observed among the Piegan. Sometimes incidents in the owner's career, especially as a warrior, are depicted, but more often as in this picture, the painting is conventional, and imitative of a tipi seen by the owner in a vision. plain 2018-03-16T21:11:36-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06003 - portfolio 6 plate no. 186 Painted lodges – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:36-07:00 Tearing Lodge - Piegan 1 Pinokiminush is one of the few Piegan of advanced years and retentive memory. He was born about 1835 on Jusdith river in what is now northern Montana, and was found to be a valuable informant on many topics. The buffalo-skin cap is a part of his war costume, and was made and worn at the command of a spirit in a vision. The first fasting of Tearing Lodge for the sake of experiencing a vision is narrated by him in Volume VI, pages 79-81. plain 2018-03-16T21:11:36-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06004 - portfolio 6 plate no. 187 Tearing Lodge – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:36-07:00 In a Piegan lodge 1 Little Plume with his son Yellow Kidney occupies the position of honor, the space at the rear opposite the entrance. The picture is full of suggestion of the various Indian activities. In a prominent place lie the ever-present pipe and its accessories on the tobacco cutting-board. From the lodge-poles hang the buffalo-skin shield, the long medicine-bundle, an eagle-wing fan, and deerskin articles for accoutering the horse. The upper end of the rope is attached to the intersection of the lodge-poles, and in stormy weather the lower end is made fast to a stake near the centre of the floor space. plain 2018-03-16T21:11:36-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:11:37-07:00 White Calf - Piegan 1 Unistai-poka (White Buffalo-calf) died at Washington in 1903. He was then almost eighty years of age, and had been the chief of his tribe for about a generation. In 1855, being then known as Feather, he signed the treaty negotiated by Governor Stevens. As a warrior, White Calf was famous among the tribes, but with the passing of inter tribal warfare he devoted himself to working in peaceful ways for the good of his people. He was remarkable in the breadth of his judgement, and in the readiness with which he recognized, and adapted himself to, the changes which his people were obliged to face when the buffalo vanished. Kindly, benevolent, and gentle of nature, White Calf yet possessed a sturdy determination and independence that bullying and threats could not move. Yet if reasons were advanced which appealed to his judgement, he was quick to acknowledge error and to modify his views - George Bird Grinnell.. plain 2018-03-16T21:11:37-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06006 - portfolio 6 plate no. 189 White Calf – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:37-07:00 Two Bear Woman - Piegan 1 plain 2018-03-16T21:11:37-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06007 - portfolio 6 plate no.190 Two Bear Woman – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:37-07:00 Double Runner - Piegan 1 Double Runner's is an excellent type of the Piegan physiognomy, as well as the ideal North American Indian as pictured by the average person. The native name of this individual is Ahjutomahka. plain 2018-03-16T21:11:37-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06008 - portfolio 6 plate no.191 For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:37-07:00 Sun dance encampment - Piegan 1 This tribal assembly for the Sun Dance of 1898 comprised about two hundred and thirty tipis, including a number of visiting Blackfeet and Bloods from Canada. The scene is on the Piegan reservation in northern Montana, near Browning. plain 2018-03-16T21:11:37-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06009 - portfolio 6 plate no.192 Sun dance encampment – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
Original photogravure produced in Boston by John Andrew & Son http://curtis.library.northwestern.edu/curtis/info.cgi?id=nai.06.port.0000010.p
1 2018-03-16T21:11:06-07:00 Travaux - Piegan 1 With the most of the plains tribes the travois was the universal vehicle for transporting camp equipment, but is now rarely seen. In the days before the acquisition of horses a smaller form of the same device was drawn by dogs. The occasion of this picture was the bringing of the sacred tongues to the medicine-lodge ceremony, as narrated in Volume VI, page 40. plain 2018-03-16T21:11:06-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06010 - portfolio 6 plate no. 193 Travaux – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:37-07:00 Gambler - Piegan 1 plain 2018-03-16T21:11:37-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06011 - portfolio 6 plate no. 194 Gambler – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:37-07:00 At the water's edge - Piegan 1 plain 2018-03-16T21:11:37-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06012 - portfolio 6 plate no. 195 At the water's edge – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:38-07:00 Yellow Kidney - Piegan 1 The portrait shows Apuyotoksi ("light-colored kidney") wearing a wolf-skin war-bonnet. plain 2018-03-16T21:11:38-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06013 - portfolio 6 plate no.196 Yellow Kidney – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:38-07:00 Idle hour - Piegan 1 plain 2018-03-16T21:11:38-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06014 - portfolio 6 plate no. 197 Idle hour – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:38-07:00 Grizzly-bear brave - Piegan 1 At least two of the Piegan Warrior societies (the Braves and the All Brave Dogs) included in their membership two men known as Grizzly-bear Braves. It was their duty, at the time of the society dances, to provide their comrades with meat, which they appropriated wherever they could find it. Their expression and demeanor did justice to their name, and in their official capacity they were generally feared by the people. See Volume VI, pages 20-21. plain 2018-03-16T21:11:38-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06015 - portfolio 6 plate no. 198 Grizzly-bear brave – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:06-07:00 Medicine-pipe - Piegan 1 Medicine-pipes, of which the Piegan have many, are simply long pipe-stems variously decorated with beads, paint, feathers, and fur. Each one is believed to have been obtained long ago in some supernatural manner, as recounted in a myth. The medicine-pipe is ordinarily concealed in a bundle of wrappings, which are removed only when the sacred object is to be employed in healing sickness, or when it is to be transferred from one custodian to another in exchange for property. Such exchanges, occurring at intervals of a few years in the history of each pipe, are attended by much ceremony plain 2018-03-16T21:11:06-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06016 - portfolio 6 plate no. 199 Medicine-pipe – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:38-07:00 New Chest - Piegan 1 plain 2018-03-16T21:11:38-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06017 - portfolio 6 plate no. 200 New Chest – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:38-07:00 Crow Eagle - Piegan 1 plain 2018-03-16T21:11:38-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06018 - portfolio 6 plate no. 201 Crow Eagle – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:39-07:00 Middle Calf - Piegan 1 plain 2018-03-16T21:11:39-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06019 - portfolio 6 plate no. 202 Middle Calf – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:39-07:00 Weasel Tail - Piegan 1 The accoutrement of this brave (Apohsuyis) comprises the well-known war-bonnet of eagle-feathers and weasel-skins, deerskin shirt, bone necklace, grizzly-bear claw necklace, and tomahawk-pipe of Hudson's Bay Company origin. plain 2018-03-16T21:11:39-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06020 - portfolio 6 plate no. 203 Weasel Tail – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:39-07:00 Old person - Piegan 1 The young men eagerly seize every occasion of public festivity to don the habiliments of their warrior fathers. plain 2018-03-16T21:11:39-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:11:40-07:00 Bringing the sweat-lodge willows - Piegan 1 Young horseman are coming toward the Sun-dance encampment with willows for the faster's sweat-lodge, as described in Volume VI, page 43. plain 2018-03-16T21:11:40-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06022 - portfolio 6 plate no. 205 Bringing the sweat-lodge willows – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:40-07:00 Iron Breast - Piegan 1 The picture illustrates the costume of a member of the Bulls (see Volume VI, page 28), an age society for many years obsolete. plain 2018-03-16T21:11:40-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06023 - portfolio 6 plate no. 206 Iron Breast – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:40-07:00 Piegan encampment 1 The picture not only presents a characteristic view of an Indian camp on an uneventful day, but also emphasizes the grand picturesqueness of the Piegan, living as they do almost under the shadow of the towering Rocky mountains. plain 2018-03-16T21:11:40-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:11:40-07:00 Piegan dandy 1 plain 2018-03-16T21:11:40-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:11:40-07:00 Three chiefs - Piegan 1 Three proud old leaders of their people. A picture of the primal upland prairies with their waving grass and limpid streams. A glimpse of the life and conditions which are on the verge of extinction. plain 2018-03-16T21:11:40-07:00 Curtis, Edward S. 1868-1952 1900 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06026 - portfolio 6 plate no. 209 Three chiefs – Piegan - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:12:37-07:00 Titishu-kghitluhl ("Deer Running") - Sarsi 1 The Sarsi are an Athapascan tribe which prior to the nineteenth century came out of the far north, crossed the Saskatchewan, and becoming affiliated with the Algonquian confederacy of the Bloods, Blackfeet, and Piegan, became typical plainsmen, following the buffalo, engaging in horse-stealing raids, and in general adopting the religious practices of their allies. Old Sarsi, as the subject of this plate is colloquially known, was ninety-eight years of age when the photograph was made in 1925. In spite of his years, he was still agile and keen. plain 2018-03-16T21:12:37-07:00 Curtis, Edward S. 1868-1952 1926 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp18002 - portfolio 18 page plate no. 617 For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.18, The Chipewyan. The Western woods Cree. The Sarsi ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1928), plate no. 617 1 photogravure : brown ink ; 46 x 33 cm [plate size]
Original photogravure produced in Cambridge, Mass. by Suffolk Engraving Co. http://curtis.library.northwestern.edu/curtis/info.cgi?id=nai.18.port.00000003
1 2018-03-16T21:07:26-07:00 Blackfoot country 1 Since the beginning of the historical period the Blackfeet have ranged the prairies along Bow river, while their allies, the Bloods and Piegan, were respectively on Belly and Old Man rivers. In the earliest times of which their traditionists have knowledge the three tribes were respectively on Saskatchewan, Red Deer, and Bow rivers. plain 2018-03-16T21:07:26-07:00 Curtis, Edward S. 1868-1952 1926 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:15-07:00 Red Plume - Piegan 1 plain 2018-03-16T21:10:15-07:00 Curtis, Edward S. 1868-1952 1905 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print ct06001 - volume 6 Frontispiece For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.06, The Piegan. The Cheyenne. The Arapaho ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1911), Frontispiece 1 photogravure : brown ink ; 12.8 x 18.3 cm [image size], 17 x 22 cm [plate size]
Original photogravure produced in Boston by John Andrew & Son http://curtis.library.northwestern.edu/curtis/info.cgi?id=nai.06.book.00000003.p
1 2018-03-16T21:10:15-07:00 Piegan camp 1 plain 2018-03-16T21:10:15-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print ct06002 - volume 6 facing: page 4 For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.06, The Piegan. The Cheyenne. The Arapaho ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1911), Facing page 4 1 photogravure : brown ink ; 18.1 x 12.5 cm [image size], 22 x 16 cm [plate size]
1 2018-03-16T21:10:15-07:00 Piegan lodge 1 plain 2018-03-16T21:10:15-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:16-07:00 Mountain chief - Piegan 1 plain 2018-03-16T21:10:16-07:00 Curtis, Edward S. 1868-1952 1905 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:16-07:00 Two Medicine River - Piegan 1 plain 2018-03-16T21:10:16-07:00 Curtis, Edward S. 1868-1952 1905 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print ct06005 - volume 6 facing: page 10 For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.06, The Piegan. The Cheyenne. The Arapaho ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1911), Facing page 10 1 photogravure : brown ink ; 12 x 18.6 cm [image size], 17 x 22 cm [plate size]
1 2018-03-16T21:10:16-07:00 A prairie camp - Piegan 1 plain 2018-03-16T21:10:16-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.06, The Piegan. The Cheyenne. The Arapaho ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1911), Facing page 12 1 photogravure : brown ink ; 18.8 x 12.8 cm [image size], 23 x 16 cm [plate size]
1 2018-03-16T21:10:16-07:00 A buffalo-fall - Piegan 1 plain 2018-03-16T21:10:16-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:16-07:00 Piegan war-bonnet and coup-stick 1 plain 2018-03-16T21:10:16-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:16-07:00 Lodge interior - Piegan 1 plain 2018-03-16T21:10:16-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:16-07:00 The Grizzly-bear - Piegan 1 plain 2018-03-16T21:10:16-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:17-07:00 Camp in the foothills - Piegan 1 plain 2018-03-16T21:10:17-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:17-07:00 Piegan woman 1 plain 2018-03-16T21:10:17-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:17-07:00 Overlooking the camp - Piegan 1 plain 2018-03-16T21:10:17-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:17-07:00 A grave-house - Piegan 1 plain 2018-03-16T21:10:17-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:17-07:00 A Piegan home 1 plain 2018-03-16T21:10:17-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:17-07:00 Navel-amulets - Piegan 1 plain 2018-03-16T21:10:17-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:17-07:00 In the lodge - Piegan 1 plain 2018-03-16T21:10:17-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:18-07:00 Goldenrod meadows - Piegan 1 plain 2018-03-16T21:10:18-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:18-07:00 The crier - Piegan 1 plain 2018-03-16T21:10:18-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:18-07:00 Return to faster's lodge - Piegan 1 plain 2018-03-16T21:10:18-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:18-07:00 The pledger - Piegan 1 plain 2018-03-16T21:10:18-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:18-07:00 Return with willows - Piegan 1 plain 2018-03-16T21:10:18-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:18-07:00 Substitute sacred head-dress - Piegan 1 plain 2018-03-16T21:10:18-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:19-07:00 Piegan dancers 1 plain 2018-03-16T21:10:19-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:19-07:00 The Whistler - Piegan 1 plain 2018-03-16T21:10:19-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:19-07:00 The sun lodge - Piegan 1 plain 2018-03-16T21:10:19-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.06, The Piegan. The Cheyenne. The Arapaho ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1911), Facing page 56 1 photogravure : brown ink ; 18.8 x 13.5 cm [image size], 23x 17 cm [plate size]
1 2018-03-16T21:10:19-07:00 Day-dreams - Piegan 1 plain 2018-03-16T21:10:19-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:19-07:00 Camp by a prairie lake - Piegan 1 plain 2018-03-16T21:10:19-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:19-07:00 Piegan girls 1 plain 2018-03-16T21:10:19-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:19-07:00 A child's lodge - Piegan 1 plain 2018-03-16T21:10:20-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:20-07:00 Buffalo-stones - Piegan 1 plain 2018-03-16T21:10:20-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:20-07:00 Medicine-bags - Piegan 1 plain 2018-03-16T21:10:20-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:10:20-07:00 Running Owl - Piegan 1 plain 2018-03-16T21:10:20-07:00 Curtis, Edward S. 1868-1952 1911 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:09:08-07:00 A Piegan woman 1 plain 2018-03-16T21:09:08-07:00 Curtis, Edward S. 1868-1952 1926 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print ct18012 - volume 18 facing: page 24 For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.18, The Chipewyan. The Western woods Cree. The Sarsi ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1928), Facing page 24 1 photogravure : brown ink ; 14 x 19 cm [image size], 18 x 22 cm [plate size]
Original photogravure produced in Cambridge, MA, by Suffolk Engraving Co. http://curtis.library.northwestern.edu/curtis/info.cgi?id=nai.18.book.00000048.p
1 2018-03-16T21:09:11-07:00 A Piegan play tipi 1 plain 2018-03-16T21:09:11-07:00 Curtis, Edward S. 1868-1952 1926 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print ct18046 - volume 18 facing: page 106 For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.18, The Chipewyan. The Western woods Cree. The Sarsi ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1928), Facing page 106 1 photogravure : brown ink ; 19 x 14 cm [image size], 23 x 17 cm [plate size]
1 2018-03-16T21:09:12-07:00 Frame of the sun-lodge - Piegan 1 plain 2018-03-16T21:09:12-07:00 Curtis, Edward S. 1868-1952 1926 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:09:12-07:00 Offerings in the sun-lodge - Piegan 1 plain 2018-03-16T21:09:12-07:00 Curtis, Edward S. 1868-1952 1926 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:09:12-07:00 Central post of the sun lodge - Piegan 1 plain 2018-03-16T21:09:12-07:00 Curtis, Edward S. 1868-1952 1926 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
http://digital.library.northwestern.edu/curtis/ The North American Indian (1907-1930) v.18, The Chipewyan. The Western woods Cree. The Sarsi ([Seattle] : E.S. Curtis ; [Cambridge, Mass. : The University Press], 1928), Facing page 122 1 photogravure : brown ink ; 18.9 x 14 cm [image size], 23 x 17 cm [plate size]
1 2018-03-16T21:09:12-07:00 A Piegan war-bonnet 1 plain 2018-03-16T21:09:12-07:00 Curtis, Edward S. 1868-1952 1926 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:09:14-07:00 A Piegan tipi 1 plain 2018-03-16T21:09:14-07:00 Curtis, Edward S. 1868-1952 1926 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:13:04-07:00 Erik Loyer f862727c4b34febd6a0341bffd27f168a35aa637 List of Large Plates Supplementing Volume Six Erik Loyer 1 Media Gallery structured_gallery 2018-03-16T21:13:04-07:00 Erik Loyer f862727c4b34febd6a0341bffd27f168a35aa637
1 2018-03-16T21:11:07-07:00 Cheyenne type 1 The original of this portrait is Wako'yami ("his horse bobtailed") of the Northern Cheyenne. plain 2018-03-16T21:11:07-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:11:08-07:00 Cheyenne profile 1 plain 2018-03-16T21:11:08-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:11:08-07:00 Cheyenne girl 1 plain 2018-03-16T21:11:08-07:00 Curtis, Edward S. 1868-1952 1905 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:11:08-07:00 Two Moons - Cheyenne 1 Two Moons was one of the Cheyenne chiefs at the battle of Little Bighorn in 1876, when Custer's command was annihilated by a force of Sioux and Cheyenne. plain 2018-03-16T21:11:08-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06030 - portfolio 6 plate no. 213 Two Moons – Cheyenne - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:08-07:00 At the ford - Cheyenne 1 The picture represents a party of warriors on the march. The scene is at Tongue river, in Montana. plain 2018-03-16T21:11:08-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06031 - portfolio 6 plate no. 214 At the ford – Cheyenne - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:08-07:00 Cheyenne warriors 1 plain 2018-03-16T21:11:08-07:00 Curtis, Edward S. 1868-1952 1905 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06032 - portfolio 6 plate no. 215 Camp in the cottonwoods – Cheyenne - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:08-07:00 Porcupine - Cheyenne 1 At the summer gatherings for such occasions as the Sun Dance, the men sometimes protect their heads from the merciless sun by a thatch of cottonwood leaves. plain 2018-03-16T21:11:08-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06033 - portfolio 6 plate no. 216 Porcupine – Cheyenne> - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.
1 2018-03-16T21:11:09-07:00 Camp in the cottonwoods - Cheyenne 1 The scene shows a single lodge pitched in one of the cottonwood groves in the bottoms along Tongue river, in Montana. plain 2018-03-16T21:11:09-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:11:09-07:00 Waiting in the forest - Cheyenne 1 At dusk in the neighborhood of the large encampments young men, closely wrapped in non-comittal blankets or white cotton sheets, may be seen gliding about the tipis or standing motionless in the shadow of the trees, each one alert for the opportunity to steal a meeting with his sweetheart. plain 2018-03-16T21:11:09-07:00 Curtis, Edward S. 1868-1952 1910 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
1 2018-03-16T21:11:09-07:00 Little Wolf - Cheyenne 1 plain 2018-03-16T21:11:09-07:00 Curtis, Edward S. 1868-1952 1905 Digital images of the plates supported by an award from the Library of Congress/Ameritech National Digital Library Competition, and mounted in American Memory. See http://memory.loc.gov/ammem/award98/ienhtml/curthome.html
Digital reproduction of the photomechanical print cp06036 - portfolio 6 plate no. 219 Little Wolf – Cheyenne - photogravure plate For educational, non-commercial use only. Written permission required for any reproduction beyond fair use. Credit: Northwestern University Library, Edward S. Curtis's "The North American Indian," 2003.


text:
Stephen King movies revisited: looking back at Creepshow
Our revisit of the screen adaptations of Stephen King arrives at Creepshow...
By Rebecca Lea | August 12, 2019 |
This article contains spoilers for Creepshow.
The film: A young boy is yelled at by his father for reading a comic book, Creepshow, that is later thrown in the trash. The boy is visited later by the Creep character from the comic and we are treated to five stories from within its pages.
Father's Day sees a woman guilty of murdering her father on the titular celebration return to the scene of the crime, but she's not the only one. In The Lonesome Death Of Jordy Verrill, a country bumpkin comes across a fallen meteorite that contains voracious alien plantlife. Something To Tide You Over finds a vengeful man finding a particularly soggy way of getting even, while The Crate offers a unique, monster-shaped solution to his marital problems. Finally, a nasty businessman finds his hermetically sealed apartment slowly filling with cockroaches in They're Creeping Up On You.
Story anthologies are one of King's own formats when it comes to his particular brand of storytelling, his novels punctuated by such collections throughout his career (adaptations of some will be popping up throughout this 'revisiting' series). It makes sense that King would jump at the chance to replicate this format in film, adapting two of his own stories and writing three more especially. Teaming up with director George A. Romero (Night Of The Living Dead), the pair craft an anthology that can be a little uneven, but is full to the brim with affection not only for the horror genre, but for storytelling as an experience.
The Creepshow format is a tribute to the EC and DC horror comics of the 1950s and the film practically brims with affection for them. EC artist Jack Kamen was employed to provide the comic art for the film, giving it an added authenticity and visual style. Romero transitions between each story with comic book renditions of the opening and closing frames, utilising panel-like split screens and captions throughout. It works very well as a pulpy, distinctive concept for the film and provides coherence between the disparate stories.
It also builds into Creepshow's big, defining feature: an enormous sense of fun. Everything is designed with a blackly comic sensibility in a way that is reminiscent of some of Roald Dahl's nastier stories. There aren't really any nice characters here, apart from the unfortunate Jordy Verrill, so there's a thrill in seeing them face their comeuppance in some way. Everyone gets their just desserts, be it revenge or some form of gruesome death. There are also some great nods for genre aficionados to pick up from casting choices to an appearance from a housekeeper called Mrs Danvers.
Father's Day is a great slice of Gothic schlock to open the main anthology with. It offers up a slice of blackly comic macabre with the tale of poor Bedelia Grantham (Viveca Lindfors) and her return to the grave of the father she murdered, miserly Nathan Grantham, only to discover he's come back for her (there also happens to be some great shoulder-dancing from Ed Harris, as the husband of one of Nathan's descendants). You get the sense that this story was Romero's opportunity to really go to town and he seizes it with relish and healthy dollops of ick.
My personal favourite is the central story, Something To Tide You Over, which finds Leslie Nielsen, here at his more goofy career stage, in fine macabre form as a jilted husband enacting a truly horrible revenge on his unfaithful wife and her lover. Nielsen plays Richard with a joviality that makes his actions all the more unsettling; he forces Ted Danson's Harry to bury himself on the beach up to his neck and to watch his lover suffer the same fate via a rigged up television. Harry can then only wait until the tide comes and kills him, the water slowly creeping up further each time. It's probably the short that tips most into being outright scary, at least for me, and Nielsen's jovial psychopathy is easily the film's best performance.
It's a little uneven in places, falling into one of the usual anthology pitfalls; poor Jordy Verrill's story slows the pace down somewhat, despite the best gurning efforts of King in the main role. Though the inherent concept of the story is nicely creepy, it doesn't quite carry the same chill or thrill factor as the stories either side of it. The Crate perhaps goes on a little too long, especially once you work out what Hal Holbrook's meek Henry could do with his horrendous wife, Billie (a gloriously obnoxious Adrienne Barbeau). However, the enthusiasm of everyone involved continues to filter through to keep the atmosphere going.
The star of the show though, at all times, is Tom Savini's special make-up effects and the work of the production design team, coming up with some deliciously ghoulish creations for each of the stories. The decapitated head cake is a particular highlight as well as the gory work that goes into the yeti attacks of The Crate. There's all kinds of oozing going on, plants sprouting from skin, bugs exploding out of bodies, and snarling teeth. A highlight is the return of Danson as a sort of zombie fish person with his bloated, blue skin and seaweed adornments.
Creepshow marks a refreshing change of pace after the deeply felt horror of The Shining to something that aims to both thrill and spill. It feels like a project where everyone involved was having a ball, whether they were being taken over by plant life, cockroaches, or finding a yeti in a crate. Romero and King also prove to be a winning combination, teasing out the best in each other's work and presenting each tale with a truly infectious enthusiasm.
Scariest moment: The moment you realise just how Leslie Nielsen is planning on killing Ted Danson. Cockroaches exploding from a body is also pretty grim.
Musicality: John Harrison's score provides an eerie accompaniment predominantly, but the soundtrack choices provide an extra layer of humour, particularly in Father's Day. Posh country house party? Play some classical chamber music. However, the blackly comic masterstroke is using Don't Let Go as a repeated refrain in the moment after a newly risen corpse starts making his way back to the house for his never-eaten piece of cake.
A King thing: The cameo. Creepshow marks the first time he appears in one of the film adaptations of his works, but it won't be the last. His son, Joe, now a cracking author in his own right, features in this one as the boy in the film's prologue and epilogue.
• You can read all our revisits of Stephen King movies here.
• What makes a successful Stephen King movie adaptation?
Tags: George A RomeroStephen KingStephen King movies revisited
Rebecca Lea
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redpajama_set_name: RedPajamaCommonCrawl


BCYF Innovation Awards by the Benita and Catalino Yap Foundation in partnership with the University of Asia and the Pacific, Department of Science and Technology, TEVSAPHIL, and presented by iRemit Inc.
Innovation is arguably the main driver in initiating difference for the better and uplifting the welfare of the general population towards economic and social development as evidenced in a postmodern world.
The rise of new technologies, the new media for example, has inevitably revolutionized the way businesses communicate and transact, taking all risks of failure while welcoming revenues with no reservations.
The Technology Application and Promotion Institute of the Department of Science and Technology (DOST-TAPI) has been a keen promoter of innovations since its conception in 1987. Serving as an effective and efficient dispensing body of deliverables to stakeholders and the general public, TAPI has been a consistent ally and supporter of Filipino inventions and breakthroughs by providing assistance through grants, consultancies, and contract researches.
TAPI's continued efforts has been recognized by the recently concluded Benita and Catalino Yap Foundation (BCYF) Innovation Awards where seven (7) unprecedented TAPI programs were nominated along with 53 other nominees in the government service category on 20 February 2017 at the Kalayaan Hall, Malacañang Palace, Manila.
The Technology Innovation for Commercialization (TECHNICOM) is an effort for fast tracking the transfer of research outputs through technical assistance and financial grant, responsive to the needs of the research and development sectors and the industries.
Focused on the local community, the Science and Technology Application for Rural Development (STARDev) provides funds to hasten the transfer, adoption, and utilization of locally developed technologies. In turn, this can increase the accessibility of technologies for the livelihood projects in the community.
A level-up strategy that provides focused consultancy interventions to micro, small and medium entrepreneurs (MSME), Consultancy for Agricultural and Manufacturing Productivity Improvement (CAMPI) provides strategic planning for higher profitability and productivity throughout the country.
Holding on to the "children are our future" mantra, the DOST Academe Technology-Based Enterprise Development (DATBED) nurtures entrepreneurial skills through enterprise trainings and funding to create highly marketable and viable technological innovations developed by students.
Chances are, purchasing orders can exceed budgetary targets due to lack of proper coordination or miscommunication in protocols. The Purchase Order (PO) Financing Facility of the Venture Financing Program (VFP) avoids this problem by advancing the cost of raw materials and allowing finances of irrevocable PO of MSMEs.
Through the Fairness Opinion Board (FOB), technology owners and takers are given orientations on the requirements and provisions of the law, consultancy services, fairness opinions and expert recruits.
The Intellectual Property Rights Assistance Program (IPRAP) secures intellectual property (IP) protection for Filipino inventors and researchers through funds assistance and other IP filings including utility model, industrial design, trademark, and copyright applications.
These are just some of the few programs that TAPI takes pride on doing and being nominated for these undertakings validate TAPI's endeavors in building a responsible and sustainable society through science and technology initiatives.


text:
North Country Events
Published June 6, 2013 at 10:52 AM EDT
COMPILED AND WRITTEN BY TOVA COHEN OF FRANCONIA
The newsletter typically announces events in the next week. The calendar shows you events in the coming months.
OUTDOOR SUMMER CONCERTS
Whitefield Thursdays 6 PM through August 29
Lancaster Saturdays 9 AM-noon through October 12
Bethlehem Saturdays 10 AM-2 PM through October 12
Littleton Sundays 10 AM-1 PM through October 13
PARADE OF CLASSIC CARS, HOT RODS, SPECIALTY VEHICLES, BERLIN
Thursday June 6 5-8 PM Main Street. 50s music, face painting, Bobo the clown, awards for best vehicles in multiple categories, food and drink vendors, for more information contact Berlin Main Street Program at 603 752 6246.
LOCAL FOOD: INNOVATIVE DIRECT MARKETING STRATEGIES WORKSHOP, NORTH HAVERHILL
Thursday June 6 3-7 PM UNH Cooperative Extension, Grafton County, 3855 Dartmouth College Highway, North Haverhill. The University of New Hampshire Cooperative Extension will be offering a workshop to provide farmers and any other interested party with an overview of the latest trends in marketing local food and local products.
Registration is $10 per person. Registration and fliers can be obtained by visiting www.extension.unh.edu (Agriculture or Events section.) For more information contact: Nada Haddad (603) 679- 5616 or nada.haddad@unh.edu or Kelly McAdam (603) 527- 5475 or kelly.mcadam@unh.edu
MUSEUM OPEN HOUSE DAY
Friday June 7 Local Museums Celebrate History and Culture in the North Country. As part of the 20th Annual Fields of Lupine Festival, each local museum will celebrate the open house in a unique way. Participating museums:
- New England Ski Museum 10 AM to 5 PM, new exhibit: Ski Area Survivors: Prewar American Resorts with a History, Cannon Mountain Tramway parking lot.
- Franconia Heritage Museum, 10 AM-4 PM, Main Street, try Florence Jesseman's Queen of Jams on homemade biscuits.
- Sugar Hill Historical Museum 11 AM-3 PM, Route 117, next to town office building, new exhibit: The Cookery, featuring local hotel menus and recipes.
- The Frost Place museum, 1-5 PM Ridge Road, Franconia, visit Robert Frost's former home.
- Sugar Hill Sampler Museum 9:30 AM-5 PM Sunset Hill Road.
SEASONED FRIENDS: WOOD, PRINTS & PAINT OPENING RECEPTION, BETHLEHEM
Friday June 7 5-7 PM, The Gallery at WREN, 2013 Main Street, Bethlehem. Features new works of Wood, Photography and Paintings by three longtime North Country friends, Ken Mosedale, John MacIver, and Rick Tilton. For more information: wren@wrencommunity.org
FIRST FRIDAYS IN BETHLEHEM
Friday June 7 5-7 PM The Gallery at WREN, wine and cheese opening reception (see above). 6-8PM Maia Papaya opening reception for New Works in Wood by Fred Storella, live bluegrass music by The Bayley-Hazen Boys, reception is potluck and BYOB.
7:30-9 PM The Colonial Theatre offers special 2 for 1 buddy night to kick off its new feature film, The Gatekeepers, this film is also part of the Bethlehem Hebrew Congregation's Summer Cultural Series. First Fridays in Bethlehem is a new and growing endeavor, and an opportunity to showcase the array of local talent all year long. For more information see the facebook page for First Friday in Bethlehem!
EAT OUT AND SUPPORT THE BOYS AND GIRLS CLUB OF THE NORTH COUNTRY
Friday June 7, 5 PM-9 PM, The Beal House, Main Street, Littleton. Give your server a donation voucher, which you can obtain at the restaurant on the day of the event. The restaurant donates 15% of your guest bill to the Boys and Girls Club of the North Country. For more information 603 838 5954 or go to www.bgcnorthcountry.org
MOVIE AT THE COLONIAL: THE GATEKEEPERS, BETHLEHEM
June 7 - 13 Friday through Tuesday 7:30 PM Wednesday 5:30 PM(Buddy night - 2 for ticket when you bring a friend), $8 admission, $6 members, assisted listening headphones available. Charged with overseeing Israel's war on terror—both Palestinian and Jewish—the head of the Shin Bet, Israel's secret service is present at the crossroad of every decision made. For the first time ever six former heads of the agency agreed to share their insights and reflect publicly on their actions and decisions. The Gatekeepers offers an exclusive account of the sum of their success and failures. Join us Thursday night at 7:30 when the Bethlehem Hebrew Congregation hosts a screening and discussion as part of the BHC Summer Cultural Series. For more information: http://bethlehemcolonialtheatre.org/at-the-movies/
ADVENTURE IMPROV AT JEAN'S PLAYHOUSE, LINCOLN
Friday, June 7th and Saturday, June 8th at 7:30 pm and Sunday, June 9th at 2:00 Jean's Playhouse, formerly the Papermill Playhouse, 10 Papermill Drive, Lincoln. Improv commences the professional summer seasonat Jean's Playhouse. Audiences roar with laughter as our company actors perform from the top of their heads and fly by the seat of their pants, creating hilarious scenes through games and sketches. You can participate by yelling out your ideas or sit back and enjoy all the fun in this family-friendly improvisational cavalcade of jocularity. Tickets are $20 for all ages and may be purchased at www.jeansplayhouse.com or over the phone at (603) 745-2141 .
OPEN AIR MARKET, SUGAR HILL
Sat. and Sun. June 8 and 9 10 AM-4 PM Crapo Building lawn on Route 117 in Sugar Hill. Crafts, vendors, entertainment, food, Workshops, seminars. Northern NH History at 11:30AM Saturday and Sunday, NH Wildlife at 1:30PM on Saturday. http://www.lupinefestival.org/
GRANDMA'S ATTIC SALE BY THE WILLING WORKERS OF SUGAR HILL
Saturday and Sunday, June 8 & 9 10 AM-4 PM The Willing Workers of Sugar Hill, in conjunction with the Fields of Lupine Festival Open Air Market, will be holding a "Grandma's Attic" sale in the upper floor of the Meetinghouse. There will be a wide variety of pre-owned items available at reasonable prices. In addition, "bagged lunches" will be offered to be eaten at tables set up at the Meetinghouse or to carry out.
PHOTOGRAPHY TIPS BY GEORGE MITCHELL, SUGAR HILL
Saturday June 8 10:30 and Sunday June 9 10:30 and 3PM, part of the Sugar Hill Open Air Market, all skill levels welcome, bring your camera for a hands-on session.
OFFICIAL POLLYANNA GLAD DAY CENTENNIAL, LITTLETON
Saturday June 8, 1 PM Littleton Public Library, Main Street, Littleton. Welcome wave, group photo, be glad, be cheerful, eat cake. The day is highlighted by presenting the Signature Award that honors individuals who exhibit the character and spirit exemplified in the personality of Pollyanna - living positively and inspiring gladness in an outstanding way.
MILES AND MILES OF MUSIC ACOUSTIC JAM SESSION, WOODSVILLE
Saturday June 8 1-5 PM, at the Robert E. Clifford (R.E.C) Memorial Building, 65 South Court Street, Woodsville, NH. Acoustic string music jam supported by the Haverhill Recreation Department and Pete and Rita Stimson. If you sing "old country" we want you! If you enjoy music and would like to listen, your entry is free but donations are appreciated. Bring your own chair. To confirm date, or if you have questions or want more information call Pete at 603 787 6155 or Sherri at 603 787 6096. No drums or horns.
SHAPE NOTE SINGING SCHOOL WITH CARLY GOSS, BETHLEHEM
Saturday June 8, Weds. July 10, Saturday August 10, Weds. Sept. 11, 6-9 PM, WREN Central, 2011 Main Street, Bethlehem. Sacred Harp is a uniquely American tradition that brings communities together to sing four-part hymns and anthems, not for performance, but for the joy of making music together. Written in shapes, the system was developed to aid in sight-reading. This series of four singing workshops is geared toward complete beginners. We will touch on the history of shape-note music, but will focus more on the actual singing of it. WREN members $3, NonWREN members $10, For more information: wren@wrencommunity.org
OLD TIME GOSPEL MUSIC, WHITEFIELD
Saturday June 8 7 PM McIntyre School Auditorium, Highland Street. Concert with Don and Kim Chase. Presented by Victory Baptist Church. For more information: 603 846 5400.
BIRD WALK AT THE PROPOSED COMMUNITY FOREST, SUGAR HILL
Sunday June 9 7:30 AM Meet at the end of Dyke Road, heading west up hill, in Sugar Hill. Everyone is invited to come explore the proposed Cooley-Jericho Community Forest to see this magnificent land and see and hear some of the birds breeding there. Kids and dogs welcome. Bring water, sunscreen, bug stuff, binoculars and a bird guide if you have them. Bring your 4-wheel drive vehicle, which gives the option of driving part way into the property. For more information: www.townforest.org or call Rebecca Brown at 603 823 7777.
FREE CONCERT BY UNCOMMON FOLK, SUGAR HILL
Sunday June 9 1 PM Sugar Hill Meeting House, Route 117, Sugar Hill. Folk, bluegrass, old time instrumentals on folk guitar, frailing banjo, mandolin, harmonica, hammer dulcimer, fiddle, and upright bass, both plucked and bowed. Stories too, bring a lawn chair as it will be indoors only if the weather is bad.
NORTH OF THE NOTCH ECUMENICAL SINGERS INVITE NEW MEMBERS, LANCASTER
Tuesdays 6:30-8:30 PM Lancaster Congregational Church. Rehersals for a "Christmas in July" cantata to be performed July 21 have begun. Present and new members are welcome to come to rehersals on Tuesday evenings. For more information: 603 296 7205 or bray-fam@yahoo.com.
ST. JOHNSBURY PLAYERS AUDITIONS FOR 'OFF THE MAP'
Tuesday and Wednesday June 11 and 12 6:30 PM Universalist Church of St. Johnsbury. Off the Map is a coming of age story starting with a childhood in a family living off the grid. Parts are available for two women, three men, and one girl age 11-14. For more information: 802 274 4496 or find the St. Johnsbury Players on facebook.
SWING AND SWEETS, SUGAR HILL
Tuesday June 11 7:30 PM Sugar Hill Meeting House, Route 117, Sugar Hill. An evening of amazing desserts and listening and dancing pleasure provided by the famed Swing North Big Band from St. Johnsbury, VT.
PONTINE THEATRE AT LITTLETON AREA SENIOR CENTER
Wednesday June 12 12:45 PM Riverglen Road off Cottage Street. The Halcyon Days, on the beach with Ogden Nash, with Marguerite Matthews and Greg Gathers. Free and open to the public.
BATH LIBRARY BOOK CLUB DISCUSSES "BLISS REMEMBERED"
Thursday June 13 7 PM Bath Public Library. Books may be picked up at the Bath Library on Tuesdays and Thursdays 9:00 am to noon and 1:00pm to 6:00pm and Saturdays 9:00am to noon. Anyone with an interest in reading and conversing about books is welcome to attend. For information please contact the library at 603 747-3372 or email bathlibrary@together.net.
READERS CAFE AT BETHLEHEM PUBLIC LIBRARY
Third Saturday of the month at 9AM, Bethlehem Public Library, 2155 Main St. Bethlehem, (603) 869-2409 . June 15th book is The Postmistress by Sarah Blake. All welcome. See all 2013 selections here: http://bethlehemlibrary.org/page11.php
EC & THE MOONSHINERS HOUSE CONCERT, EASTON
Saturday June 15 5:30 PM potluck 7PM concert. Suggested donation $12, all money goes to the musicians. Seating is limited so contact Brenda Shannon Adam to reserve a seat: brendashannonadam@me.com or 603 823 7061. Hillbilly jazz, western swing, classic country and songs from the American songbook.
New web site for the house concerts: http://eastonvalleyhouseconcerts.wordpress.com


This is a free PDF sample from the Symbaroum Core book. Aside from the introductory adventure The Promised Land it contains a narrative tutorial, explaining the core rule set and describing how the conversation between player and GM may flow while the game is played.
The land you are leaving is barren and dead, ravaged by dark magic. Before you lies Ambria with its rampant rivers, bountiful forests and fertile soils, promising well-earned rest for weary souls. But will it deliver? The region you are headed for is ancient. Under the sublime surface, age-old conflicts still run hot and the northbound refugees gush out over the landscape like lamp oil over a smoldering hearth.
A wintry breeze follows you and your companions through the Titans, the mountain range separating the dead Alberetor in the south from Ambria up north. It is still far from certain that you will reach your destination. Many of your exiled brothers and sisters have perished on the way, from hunger or exhaustion or in the jaws of predators roaming the wilds. And for you there is yet another cause for concern – some of your companions claim to hear a whispering voice in the gusts of snowy mountain air.


*Pro Tip: banana leaves are optional, but they'll impart more flavor and aroma to the Kalua Pig.
3. Shred and Season Kalua Pork: Discard the top banana leaf and check if the pork is tender. If the pork is still tough, pressure cook for another 10 minutes. Shred pork with 2 forks. Taste and season with more alaea Hawaiian sea salt if necessary. Serve and enjoy!
Now, authentic, local style, Mac Salad needs a mayonnaise disclaimer. What can I say? They use A LOT!
The add-ins: grated arrots, watercress, celery, hard-boiled eggs, pickle relish—whatever suits you.
The finale: Salt and pepper, to taste. Stir well and refrigerate.
A fine meal, (note: there always has to be rice alongside - rice is an essential with local meals) just needs dessert, for which we had coconut cake. The error here was in not using my tried and true, delicious old recipe. Instead I opted for Nigella's Coconut Snowball Cake.. Lots of her recipes are great. This wasn't one of them. Too dry. Sorry Nigella. Though I do suppose I could have baked it too long?? However her frosting was good.
Well, next time I'll know. Stick with the tried and true. And, if it's good, don't mess with it. All this Hawaiian goodness will be shared with our Cook the Books Club Round-up gathering. And, if you want to give the book a read, and post some food inspired by it, there's still time. Submissions due by the 31st of January.
I'll also share the link with Beth Fish Reads for her Weekend Cooking event, and with Heather for the January Foodies Read Challenge.
I wish I were with your visitors to have that meal! It all sounds so delicious. I have the book but haven't been able to get into it yet.
Oooooh I WANT that meal! I've been meaning to read that book but for some reason it slipped through the cracks. I was lucky enough to have at that whole pig in an imu a few times when I worked/lived in Hawaii (Oahu) lo those many years ago. I do miss the food.
I'm going to give the pressure cooker versions of Kalua Pork a try.
Glad you found the book interesting. I always enjoy WWII books that show a different experience and perspective.
Your dinner looks delicious--lucky visitors! ;-) Too bad about the cake but that frosting does look really good.
It is always fun to read books set in a familiar setting. I enjoyed this book very much.
Looks delicious, Claudia. I have an Hawaiian culinary question. What does the banana leaf add? We've wrapped grilled pork in banana leaves and I just assumed it was to keep the pork moist. Does it actually add a flavor component, too?
Yes they do help to keep the meat moist, but also give a mild herbal flavor, similar to pandanus leaves or even a bay leaf, but different. I also think it's nicer than foil or plastic next to food you're cooking.
Thanks! That's good info. I'm going to try this in the IP.
Cathy, I certainly would, but am not on IG. Best wishes on that project!
P.S. Thanks for the additional notes on banana leaf: I plan on making a dish that uses them (though I am not sure if I can find them).


Do's and Dont's - "Do's and don'ts on etiquette, work ethics and conversational pleasantries, find them all here."
"The upcoming vote on independence could end the 300-year union of Scotland and Britain.
However, two major banks say they will move their headquarters if the vote is "Yes."
Kayleigh comes from Aberdeen. She speaks about the capital city of Scotland : Edimburgh - the famous castle, the zoo and the Parliament.
"Melissa talks about the geography of Scotland and the places of interest nearby."
"Melissa talks about Scottish food habits : hours of the day, specialties..."


Can't believe it's been three years since @noodlepie and I broke bread in Jeju and Seoul, dining at old-school establishments that were usually (more like always) tucked away in hidden corners of the city. I remember Graham asking me countless questions about Korean food, ranging from the seemingly easy "what is Korean food to you?" to the more complicated "what's your fascination with these old restaurants?" I didn't have a good answer at the time. But, after visiting Euljiro recently to see firsthand redevelopment of an area I've spent so much time the past few years, I finally have an answer, I think.
Korean food is a restaurant such as famed Eulji Myeonok, a place of nostalgia and comfort for many people yearning for the good old days. It's food that transcends time and can't be replicated by modern advances. It's honest food made through sacrifice and hardship. It's food that our mothers make, unconditionally, without praise or attention. It's food that will never be fully appreciated until it's gone.
Eulji Myeonok is famous for their Pyongyang-style naengmyeon — and is considered one of the best in the country. Unfortunately, the area is currently being gutted to make way for new high rise buildings, meaning the many metal shops and eateries from Euljiro 3ga and 4ga up to Cheongyecheon Stream will be snuffed out after decades of historical presence. When asked about the redevelopment, they were coy and hesitant to answer me. Nearby small metal shop owners were also the same, telling me they haven't received "notice" yet. Regardless, I know their expiration date is set and it's inevitable that they won't be around too long. Future posts will feature restaurants in that area before their time is up. Here is an article that describes their current plight.


It is our belief that all lives need to be nourished to show vitality to this colorful world.
innovative strength, in an effort to deliver rich nutrition support to everyone.
discover, enjoy, and celebrate the essence of a good life.
Yili is here to nourish the vitality of your life!
nourished to show vitality to this colorful world.
deliver rich nutrition support to everyone.
and shine brilliantly with great vitality.
the essence of a good life.
Use only natural and pure high-quality milk sources from across the world, adhere to the safe quality of international standards, and stay committed to meeting consumers' demand for high-quality milk products.
The company is committed to leading a healthy lifestyle, inspiring everyone to discover, enjoy and celebrate the essence of a good life, and face life with a positive and optimistic attitude.
Yili has expanded its product line to cover liquid milk, milk powder, yogurt and cold drinks, providing rich nutrition for all family members, so that everyone can benefit from the healthy nourishment of milk.
Yili, driven by its ambition to push constant innovation and ensure its leadership, is working to bring together leading innovation strengths from across the world to build up a whole-industrial-chain innovation system.


[18:08] - Flight KAC512 is ready to depart OIMM with a final destination of OKBK.
[20:33] - Landed at -387fpm. With 4868kgs of fuel onboard and a pitch angle of 7deg.
[20:39] - Arrived safely at OKBK. We hope you enjoyed your flight!


The Bentley Bentayga has been conceived and constructed to open up a new realm of luxury and performance previously unattainable as an SUV. Get a quote for a Bentley Bentayga.
The Bentley Bentayga is the first ever pure luxury SUV by Bentley. It is leading the way in technological advances at Bentley, all the researches were done to perfecting the driving experience. The 4x4 W12 Engine provides a great driving feeling through the power and the stability of the car even in snow or hard to drive landscapes. In 4.1 seconds, the Bentley Bentayga accelerates to 100 kilometers per hour. Combined with the enormous amount of 608hp, this makes it the most powerful and fastest SUV ever built to date.
With a maximum speed of 301 kilometers per hour it's without a doubt the ultimate driving experience in the SUV sector. With the Bentley Bentayga, you rent an SUV that has been perfected thoroughly in every area without any flaws. Bentley made history with this supreme SUV, now is the time to make your own history in this car. Rent a Bentley Bentayga all over Europe and Dubai.


"Porta Santa Maria" is located in the old town, near the ancient walls and the ''Santa Maria'' door (XIV century).
Our hotel is the result of restructuring a 1600's building. In the past, one section of the building was used as prison, and it's now visible one of the prison doors.
Rooms are located in the first floor of the building, served by elevator, with private bathroom, private heating, hairdryer, tv and internet access.
Some rooms are in bed and breakfast standard, from one to 5 persons.
It's also available a living room with cooking corner to let you prepare breakfast or meals.
In the vicinity of Busca you can visit some historical and cultural sites like the Roccolo castle, the ''Eremo di Belmonte'', the Manta castle and the ''Ciciu del Villar'' park.
If you like trekking, the beautifuls Maira, Varaita and Po valleys offers a lot of trails for every skill.
If you like bike, starting from Busca you can join in a day tour the famouses ''Giro d'Italia'' and ''Tour de France'' climbs: Agnello, Sampeyre, Fauniera and Lombarda pass.
A Bike Rental service is available on-demand (city bikes, road bikes, MTB). We arrange bike tours with qualified guides, providing you a SAG vehicle support.
If you like engines and races, at 2 km far from the hotel you can try go-karts at ''Kart Planet'' track, used for SuperMoto and Kart International races.


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NETHERLANDS ELECTRON MICROSCOPY INFRASTRUCTURE (NEMI)
NEMI is the central point for EM infrastructure, innovation and access in The Netherlands.
The revolution in electron microscopy (EM) has greatly increased the demand for high-end EM in in both Life Sciences and Materials Sciences. The NEMI infrastructure is distributed, with multiple specialized nodes focusing on particular methodologies and expertise. The Dutch research community benefits from NEMI by sharing cross-disciplinary expertise, state-of-the-art equipment, and by coordinating funding opportunities.
MISSION AND GOALS OF NEMI
Ensuring access to the most advanced EM technologies to all in the life and materials science.
Accelerating innovations in EM, enabling novel applications of societal and economic importance.
NEMI goals:
coordinate and harmonize EM infrastructure deployment;
create a strong and innovative Dutch EM infrastructure;
differentiated investments at regional Flagship Nodes, based on local strengths and opportunities;
connect EM for the life sciences with EM for the materials sciences;
provide access, services and training to state-of-the-art EM technologies;
increase the accessibility of the EM methodology to non-EM specialists;
foster cooperation between instrumentation developers, providers, scientists, industry, national and European funding schemes and national authorities;
better use the EM capacities of the Dutch labs;
speak with one voice to (inter)national funders;
promote FAIR principles of EM data.
EM has enabled numerous scientific discoveries and industrial innovations in a range of disciplines, most notably the life and materials science.
Life sciences EM: the basic concept of life.
EM is indispensable to address biological structures both at cellular and molecular scales. It has revealed how each cell of the human body is divided into membrane compartments with specialized functions that together organize a diversity of processes. Recent developments in EM at extremely low temperatures even allow to zoom in to atomic resolution and see individual proteins or protein complexes within the native environment of the cell. This provides critical insights in the molecular processes of diseases (e.g. transformation of cancer cells, disease-causing mechanisms in the ageing brain) and human development (e.g. differentiation and renewal of stem cells). Indeed, molecular and cellular defects underlie most diseases.
Life Sciences EM. Left and middle panel: Artist impressions highlighting that EM has led to understanding the basic concept of life by revealing processes at the cellular (left) and molecular (centre) level. Individual proteins within the native environment of the cell can be imaged by EM. Right panel: EM image color coding distinct compartments in the cell.
Recent innovations in automated imaging in 2D (x,y axes; large-scale EM) and 3D (x,y,z axes; volume-EM) are creating unprecedented possibilities to reveal the architecture of cells within the context of their complex environment, such as tumors and even entire brains.
cryo-EM not only has revolutionized academic research, but pharmaceutical and biotech industry have also embraced this emerging technology. Cryo-EM covers a key resolution (sub-nanometer) and spatial range window, that allows (bio)chemistry-driven research on molecular structure and biology-driven research on cellular structure to be bridged.
MATERIAL SCIENCES EM
EM is the only technique available that can image the atomic structure of materials with (sub) nanometer resolution. Using analytical tools, also the chemical composition and electronic properties can be mapped in 2D or in 3D at the nanometer scale. These detailed characterizations are of major importance to research fields such as the geosciences, metallurgy, catalysis and semiconductors (hard matter), to polymeric materials, materials for tissue regeneration and foods (soft matter) and materials based on colloids (where soft and hard matter meet).
EM for materials science. Nanomaterials are nowadays abundantly used in displays, batteries, and solar cells, and as catalysts for efficient conversion of energy resources. Characterization and development of these nanostructured materials requires imaging at the level of individual atoms, which can be achieved with the newest generation of aberration-corrected electron microscopes.
Microscopy forum
2021 NEMI Photo Competition winners!
NEMI Day 2021 postponed to March 22 2022
2021 NEMI Photo Competition
January 17-21, 2022: A to W Basic Course in Electron Microscopy (AMC PhD Program)
Materials Science EM meeting (online)
8, 11 and 17 February 2022: From Pixel to Publication Course
NEMI 5 days ago
RT @BriegelAriane: New work from @AliseMuok and our collaborators Chunhao Li and team!! A new class of protein sensor links spirochete pl…
NEMI 2 weeks ago
There are 2 spots left for PhDs for the 'A to W Basic Course in Electron Microscopy', which takes place January 17-21, 2022. More info:
NEMI Course alert! On 8, 11 and 17 February 2022 the (online) course 'From Pixel to Publication' will be held. For more info check out:
1st Prize: Guido Stam (Leiden University) - Silicon's atomic terraces - Stitched image showing the atomic terraces of the 600 μm2 Si(111) surface, imaged with reflected electrons with a landing energy of 10 eV - at ESCHER low energy electron microscope (LEEM), Leiden University https://t.co/2le0lXo8xW
2nd Prize: Sander Schellingerhout (TU Eindhoven) - Nanocity - Nanoscale PbTe rectangles resembling a sprawling city on a Zeiss Sigma scanning electron microscope, Nanolab, TU Eindhoven https://t.co/5Fa9M6PIEk
nemi.project@protonmail.com


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First Parish Dorchester
10 Parish St., Dorchester, MA 02122 617-436-0527 info@firstparishdorchester.org
Our Elected Leaders and Committees
Children's Spiritual Development
Adult Spiritual Growth
Soul Matters
Pink Envelope Sundays
Fair Foods
Our potlucks
Easy Ways to Get Involved
FPD Formal Meeting
Candidating small group - 01/20/2021 - 7:00 pm - 8:00 pm
Candidating small group
An Evening of Music and Spoken Words December 22, 2020
Who says yard work isn't fun? November 25, 2020
Yard work on Sunday November 18, 2020
Black Nativity films At First Parish November 11, 2020
Calling all knitters/crocheters November 11, 2020
Meet Our Minister
Rev. Elizabeth Carrier-Ladd began her Ministry at First Parish Dorchester in August 2020. Rev. Elizabeth is a fourth generation Unitarian Universalist who grew up in the Boston area. As a minister's kid, she grew up deeply entrenched in church life. As a teenager, she rose to national UU leadership, culminating with service as the Youth Observer to the UUA Board. She studied Theater and Film at Hampshire College and earned her Master of Divinity at Meadville Lombard.
Read more about Rev. Carrier-Ladd
First Parish Dorchester offers many advantages as a space for functions and weddings. In addition to attractive rates and amenities, our church is a registered historic building in a picturesque location, with a parking lot and first floor function spaces that are fully accessible.
Learn more about renting our spaces
© 2021 First Parish Dorchester


In today's post, we'll take a look at the most basic ways your brand must be executed as a self-published author today. There are a million ways to make a brand work for you, but these are square one. Self-published authors and avid readers of all-things-indie primarily exist in a digital space. So you can imagine that the first two ways you should apply your brand are two of the first nigh ubiquitous ways the web is used: websites and email.
Let me say it plainly: you need a website. Pure and simple, no two ways about it. More to the point, you need a website that's on brand. Just like the brand, while there are a million things websites can do, you really only need it to do a small number of those things.
Contact page. This is arguably the single most important page on your website. Make sure it not only has a field to send a message, but a signup field to capture emails for your newsletter and new-release announcements. This is GOLD.
That's it. Three pages. Blogs, analytics, forums, Twitter widgets, and a hundred other things are nice or fun, but they aren't necessary. If you're just starting out, resist the urge to overcomplicate things.
This simplicity will also keep the cost down. But even so, you should expect a similar range as your branding, $500-$2500 (with one of our own Partners coming in just under $800 as of this post's writing). I will renew the same caveats about cut-rate deals I gave in the last post about graphic designers to include web designers.
If you aren't sure how to manage this, check out Mail Chimp. Mail Chimp has a good, easy-to-use service that will let you manage up to 2,000 subscribers for free. If you get more fans than that, it's definitely worth it to invest actual money into their service or research another paid option.
We'll get to it. All of it. I promise. Eventually. We've only got so many words per post and I'm not a wizard. I have to try some of these things out for myself before I can advise you on them. Marketing is a deep, deep well, but you can trust that this post is a great first sip.


Oh yes. In fact, long-distance relationships can have strengths over in-person relationships, and be a wonderful experience for everyone involved. However, to have a successful long-distance relationship, you need to be mindful of a few key factors in order to help you both feel loved, secure and connected although the miles keep you apart.
To talk all about how to make long distance relationships work, I've invited my colleague Brogan Crosby, M.S., LMFTC on this episode of the Love, Happiness and Success Podcast. Brogan specializes in online couples therapy and online marriage counseling and has extensive experience in providing long-distance couples counseling to couples around the world. Additionally, Brogan did her graduate research on factors that contribute to successful, satisfying long-distance relationships, particularly around how to maintain the emotional and sexual connection in a long-distance relationship situation.
Why long-distance couples can actually have strengths and advantages over other couples, especially when one or both partners are ambitious and career-focused.
Some of the unique challenges that long-distance couples face and how to overcome them.
What the most important factors in making long distance relationships work are, and how you can mindfully incorporate certain strategies to keep your connection strong.
Strategies to use during the transitional period when you shift from a long distance relationship to living together (or nearby).
Listen to this episode of the Love, Happiness and Success Podcast, and learn how to make your long-distance relationship thrive.


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/peoplepopulationandcommunity/birthsdeathsandmarriages/deaths/publications
All publications related to deaths
68 publications that are related to Deaths , sorted by release date
Statistical bulletin (27)
Deaths registered weekly in England and Wales, provisional: week ending 1 January 2021 (Latest release)
Statistical bulletin | Released on 12 January 2021
Provisional counts of the number of deaths registered in England and Wales, including deaths involving the coronavirus (COVID-19), by age, sex and region, in the latest weeks for which data are available.
Keywords: mortality, death registrations, cause of death, covid 19, covid19, corona virus
Analysis of geographic concentrations of COVID-19 mortality over time, England and Wales: deaths occurring between 22 February and 28 August 2020 (Latest release)
Article | Released on 11 January 2021
Changes in all-cause and COVID-19 mortality over time, England and Wales: deaths occurring between 28 December 2019 and 4 September 2020 (Latest release)
Statistical bulletin | Released on 18 December 2020
Analysis of all-cause mortality and deaths involving COVID-19 using segmented regression analysis for deaths registered by 3 October 2020.
Keywords: trends, Corona virus, coronavirus
Monthly mortality analysis, England and Wales: November 2020 (Latest release)
Provisional death registration data for England and Wales, broken down by sex, age and country. Includes deaths due to the coronavirus (COVID-19) and leading causes of death.
Keywords: corona virus, covid 19, cause of death, death registrations
Deaths of homeless people in England and Wales: 2019 registrations (Latest release)
Experimental Statistics of the number of deaths of homeless people in England and Wales. Figures are given for deaths registered in the years 2013 to 2019.
Keywords: rough sleeping, homelessness, night shelters, mortality, homeless mortality
Impact of registration delays on mortality statistics in England and Wales: 2019 (Latest release)
Article | Released on 11 December 2020
An analysis of the time taken to register deaths, by cause of death, by area of usual residence and certification type.
Keywords: local authorities, death registrations, death occurence, deaths, mortality
Quarterly suicide death registrations in England: 2001 to 2019 registrations and Quarter 1 (Jan to Mar) to Quarter 3 (July to Sept) 2020 provisional data (Latest release)
Statistical bulletin | Released on 8 December 2020
Provisional rate and number of suicide deaths registered in England per quarter. Includes 2001 to 2019 registrations and provisional data for Quarter 1 (Jan to Mar) to Quarter 3 (July to Sept) 2020.
Keywords: deaths, mental health, self-harm, mortality, died
Recent trends in suicide: death occurrences in England and Wales between 2001 and 2018 (Latest release)
Factors associated with recent changes in the rate of suicide in England and Wales, based on the date of death.
Keywords: mortality, self-harm, death registrations, standard of proof
Change in the standard of proof used by coroners and the impact on suicide death registrations data in England and Wales (Latest release)
Looking at the impact of the change in the standard of proof - the evidence threshold used by coroners - on suicide registrations statistics, England and Wales.
Keywords: male and female suicides, poisoning, accidental deaths, self-harm, mortality
Quality of mortality data during the coronavirus pandemic, England and Wales: 2020 (Latest release)
Description of changes to death certification and registration under the Coronavirus Act 2020 and the impact they have had on the quality of death registration data
Keywords: quality, mortality, COVID-19, ill-defined conditions