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Everyone wants to use video in their training, but they are faced with seemingly daunting questions: How can I get customized video within my budget? What are other sources for video? How do I get the rights to use a video in my training? How can I add video into my courses in a way that adds to the topic and isn't just a distraction? What formats of video should I use? There are a lot of questions and this course has a lot of answers. See how two companies have made customized video the backbone of their training programs and not broken the bank. Learn how to effectively add video to all of your training courses. Start making professional grade in-house training videos.
This session will discuss the scientific research that shows how people learn and will give practical guidelines for several topics in e-learning including: best use of text, visuals, and audio; as well as the optimal amount and type of practice interactions. A "Learning Research" job aid will be provided that details each topic discussed.


text:
backstage – news for musicians
Glasgow music in a SPIN: Networking event aims to unite music workers and share new ideas
The Scottish Pop Ideas Network – SPIN – is hosting a free afternoon seminar / networking event (more…)
Nemome and Hannah Peel join Resonate lineup: Music conference announces guest speakers and showcase acts
Scottish music conference Resonate has unveiled its programme of events, including the live showcase acts who will perform at Platform in Glasgow in November. (more…)
Sound of Young Scotland Award still open for applications: SAY Award fund extends deadline for artists' chance to win £5k to record debut album
The Scottish Album of the Year (SAY) Award has extended the deadline for applications for The Sound of Young Scotland Award (more…)
Alan McGee among Resonate conference panelists: 'Hybrid' industry event will have in-person element at Glasgow venue
Alan McGee and Korda Marshall are among the speakers confirmed for this year's Resonate music conference (more…)
Young musicians get the chance to Hit The Road: Applications from 14-19-year-old bands or singer-songwriters to tour Scotland now being accepted
Young Scottish musicians can now get the chance to tour Scotland as part of the industry-funded Hit The Road scheme. (more…)
SMIA aims for summit: Scottish Music Industry Association tackles Brexit and looks at following the chart success of Mogwai and The Snuts
Dealing with Brexit, exporting music, and preparing for success with advice from the people behind chart-topping acts (more…)
SoundBase offered for musical career: Be Charlotte, Donna Maciocia, Boo Hewerdine, and Findlay Napier offer their expertise to hopeful songwriters
Four of Scotland's most respected songwriters are on hand to offer advice to up-and-coming songwriters
Donna Maciocia, Boo Hewerdine, Findlay Napier, and Be Charlotte are part of SoundBase, a new festival of online learning for young people interested in music and looking to learn new skills from Music Plus – the mentoring scheme run by the Scottish Music Centre and supported by Creative Scotland's Youth Music Initiative.
Taking place on Tuesday March 9th from 5-9pm, the event will consist of four one-hour sessions from each of the coaches, who will all offer practical advice based on their own experiences.
5pm – Donna Maciocia
Once of piano-driven trio Amplifico, the Glasgow-based musician has worked with the likes of KT Tunstall and Aberfeldy, and has most recently been responsible for running the award-winning 'Ensemble' youth songwriting project, developing new song material (funded by Creative Scotland) under the mentorship of Tracyanne Campbell, and playing keys with Camera Obscura.
– Some of my favourite ways to generate ideas for music and lyrics
– Tips for finishing and refining song ideas
– Things I wish I'd known when I was starting out
6pm – Boo Hewerdine
English-born songwriter Hewerdine's early career was in bands The Great Divide, and then The Bible, who had a minor hit with 'Graceland'. He has since written songs recorded by K.d. Lang ('Last Cigarette'), Paul Young, Mel C, Marti Pellow, David McAlmont, and most frequently Eddi Reader (her 'Patience of Angels' originally a Bible composition)
– Song form, chords, melody, lyrics, arrangement
– Help with project ideas and goals
– Getting your music heard/released
7pm – Be Charlotte
Dundonian multi-instrumentalist Charlotte Brimmer is now signed to Columbia/Sony Music. Now 23, she has been writing songs since the age of 13 and working professionally in the music industry since she was 17. In 2020 Be Charlotte was championed by Ivor Novello's after curating Scotland's first ever all-female songwriting camp which provided a platform for young women to come together, get to know each other and collaborate.
– Explore all elements of songwriting from concept to imagery and rhyme schemes.
– Go through Be Charlotte's "go-to" songwriting template, creating your own song
– Taking the song off the paper and sharing it with the world
8pm – Findlay Napier
Edinburgh-based now tours all over the place playing shows and teaching songwriting. Mainly working in the folk genre, notably with Martyn Bennet, he was however one half of a songwriting project, Queen Anne's Revenge with former Raincoats and Lords of the New Church man Nick Turner. He now runs songwriting retreats with Karine Polwart and Bella Hardy and has hosted the 'Late Night Session' at Celtic Connections since 2011.
– Practical songwriting tips
SoundBase will take place over ZOOM and will be monitored by MusicPlus staff. Registration is free, and open now.
More at www.musicplus.org.uk.
Hardship Fund for Creative Freelancers reopens: Emergency one-off payments to those experiencing Covid-related financial difficulty are available again
Applications are again being accepted for the Scottish Government's £5million Hardship Fund for Creative Freelancers. (more…)
Boo Hewerdine and Findlay Napier offer pandemic songwriting relief: Free Bird on a Wire courses are open to musicians whose careers have been impacted by coronavirus
Singer-songwriters Boo Hewerdine and Findlay Napier are to launch a series of free songwriting workshops (more…)
Off The Record goes online with Vistas and Fatherson offering advice: Music conference's virtual event will bring expert industry knowledge for young music-makers
Vistas and Fatherson are among the acts offering their music industry expertise for Off The Record – the youth music conference – which is going virtual for a two-day event on December 4th – 5th.
Also taking part are Iona Fyfe, Rosie Bans and Zoe Graham, plus a host of figures from the creative industries including DJs, journalists, photographers, promoters, industry bodies PRS and MCPS, and radio presenters Phoebe I-H and Shereen Cutkelvin (BBC Introducing in Scotland).
Organised by a team of creatives in the same age range as the target audience and delivered by young professionals already working in music, the conference's aim is to cover a range of topics for 16-25 year olds considering a career as a musician or in the industry.
Included will be interactive workshops, panels, Q&As, networking sessions, the chance to connect with industry figures and other participants, through one-to-one video meetings, interactive workshops and the Meet the Speaker sessions, where delegates can ask questions via video, and the opportunity to submit music for feedback.
The speakers include hip-hop promoter Chris Stillie from Aberdeen (The Dojo Aberdeen), chart-topping singer Prentice Robertson (Vistas), Fatherson frontman Ross Leighton, Dr Philippa Wheble (British Association for Performing Arts Medicine), David Henderson (MELD), Elizabeth Sills (PRS Foundation), Rose Manson (Clyde Built Radio), as well as music publishers Jamie Lawson (MCPS) and Shauni Caballero (The Go 2 Agency).
Supported by the Scottish Government's Youth Music Initiative (YMI), which is administered by Creative Scotland, Off The Record was originally planned as a large event with smaller outreach sessions around the country. However, organisers Wide Events CIC decided to move the event online following the success of their digital version of award-winning Wide Days convention.
"Off The Record is an incredible opportunity for anyone aged 16-25 looking to build a career in music as well as those working in related areas including media and design," says the event's coordinator, Kitt Carr. "Since 2013 the events have led to attendees getting work and numerous acts being featured in national media, playlisted on Radio Scotland and booked for gigs."
Off The Record takes place on Friday December 4th and Saturday December 5th from 12.00 – 18.00.
Tickets £5 (includes access to all online content during the event) – discounted or free tickets will be made available to those who otherwise would not be able to attend, a bursary application form is available at otrscot.com/tickets
Full info at www.otrscot.com.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: What exactly does the line integral of an electric field over a closed loop find? For a conservative electric field, we can always say that $$\oint \vec E\cdot\vec {dl} = 0$$
Take this scenario for example

Here $E_1$ and $E_2$ are two different electric fields. If I find
$\oint \vec E\cdot\vec {dl}$ from $A$ to $A$(loop), then I know it is $0$, because the potential difference between $A$ and $A$ will always be zero (since they are the same point).
Now, here only vertical lines (PQ and RS) would be nonzero.
So,
$$\oint \vec E\cdot\vec {dl} = 0$$
$$\int_P^Q \vec E_1\cdot\vec {dl} + \int_S^R \vec E_2\cdot\vec {dl} = 0$$
$$E_1\cdot l - E_2\cdot l = 0$$
$$E_1 = E_2$$
But then, it contradicts my assumption of $E_1$, $E_2$ being different.
It gives rise to two possibilities:

*

*The potential difference between $A$ and $A$ is not zero.

*You can never create two different electric fields, because if you do, I could always draw a closed loop encapsulating both the fields and prove that the fields are same.

So what is going wrong here?

A: You have created a vector field that cannot be an electrostatic field. This is because $\oint \mathbf E \cdot \text d\mathbf l \neq 0$ for the field.
If you want to be more careful with your setup, finite lines of charge have fringing fields that extend past the lines of charge. If you were to take this into account then you would get a zero line integral.

A: Consider a smooth vector field $\mathbf{E}:\Bbb{R}^3\to\Bbb{R}^3$ of the form $\mathbf{E}(x,y,z)= f(x,z)\,\mathbf{e}_y= (0,f(x,z),0)$. Now, by integrating over a rectangular loop like yours (lying inside a plane of constant $z$) we find that
\begin{align}
\int_{\text{loop}}\mathbf{E}\cdot d\mathbf{l} &= (E_1-E_2)L
\end{align}
So, if $E_1\neq E_2$ then the RHS is non-zero which proves for you that such a vector field $\mathbf{E}$ is NOT conservative.
To answer your two questions explicitly:

*

*If you take an electrostatic field (which is conservative pretty much by definition of "electrostatic") and integrate over a closed loop, then the result is always zero. Hence it is trivially true that the potential difference (which is well-defined due to the field being conservative) between point $A$ and point $A$ is $0$.

*"You can never create two different electric fields..." You should be very careful with your wording. The correct statement is "a smooth vector field of the form $\mathbf{E}(x,y,z)=f(x,z)\,\,\mathbf{e}_y = (0,f(x,z),0)$ (where $f$ is a non-constant function of $x$) is not conservative, and hence does not arise as a result of an electrostatic field."

The reason you got confused is because you let the drawing deceive you. You seem to draw two parallel plate capacitors, which is the typical example of a charge configuration which produces a constant field in the direction normal to the plates. However, you should keep in mind that this is only true when the plates are infinite in size (so we certainly can't have two sets of these "side by side").
In the case you've drawn, there are two finite-in-size parallel plate capacitors. In this case, the electric field DOES NOT have the special form $\mathbf{E}(x,y,z)= (0,f(x,z),0)$, which is what is erroneously suggested by the drawing. The correct field looks very complicated. Below is a picture I found which roughly shows what the field lines look like for a single parallel-plate capacitor.
As you can see from the picture itself, this vector field has $\mathbf{e}_x$ component and also a $\mathbf{e}_z$ component (contrary to what your simplistic drawing suggests).
If you consider two of them and place them separated from one another (say 10 meters apart) then I'm sure you can imagine that the field lines are extremely complicated. Analytically carrying out such line integrals are of course next to impossible, but it's a matter of experiment  (and thus theory) that such fields are conservative, so the loop integral is always $0$.

A: Without a magnetic field existing, $\oint{\vec{E}\cdot d\ell=0}$ is always true.
Your mistake is that you don't consider the edge effect of a parallel plate capacitor. As the picture you can see,

when you approach the edge of the parallel plates, the horizontal component of the electric field cannot be neglected. Counting this effect in, you can have two different electric fields, and the law of a conservative electric field is still true.

A: For the electric field vectors to be normal as you have shown it, it must be that the plates of the capacitor are considered infinitely large.
This will cause the two plates you've shown separated in space to be essentially portions of this ideal big plate considered for deriving the formula.
You could try and keep a different charge density on different parts of this mathematical plate, but for the electrostatic case, it will eventually be redistributed such that the field inside the metal is zero.
Therefore, no contradiction.

A: Another way to see it is to try to plot the potential. The region between each pair of plates is fairly uniform, and one is much steeper than the other, but the field in the region in the middle joins them smoothly. The potential along any path in the plane goes up and down, but the ups have to equal the downs around any loop.
The electric field is the gradient of the potential, you can think of it as a bit like $d\phi/dl$ as you move along the line. That is, $E\cdot dl$ is the amount the surface rises or falls as you move a distance along the path. This has to equal zero around any loop, as you must end up at the same height as you started, but there is no contradiction with different parts of the line having different gradients. The problem is using the uniform-field approximation beyond its range of validity.

redpajama_set_name: RedPajamaStackExchange


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text:
Anthony Vecchione
9 Must-See Picture Archiving/Communication Systems
Is it time to replace your outdated PACS? Here's how to find a system with the features and functionality you need.
Industry experts report that the picture archiving/communication systems market is 95% saturated. So what's new in the PACS industry?
Well, for starters, the replacement of older systems constitutes at least 80% of new sales. Most hospitals and standalone radiology centers are now purchasing their second-generation PACS systems. In addition, cloud-based imaging that appeared on the scene about three years ago is now a "must-have" feature.
A recent report by KLAS revealed that health care organizations no longer rely on a single vendor and are seeking out companies that can provide an enterprise-wide imaging strategy that can store and archive images.
Depending on the size of a facility and the volume and types of radiological procedures, choosing the right PACS vendor can be an arduous task. What features and tools does the system provide? What about the reputation and stability of the vendor? Does it offer open standards? Does the PACS easily integrate with other hospital systems such as HL7 and the electronic medical records (EMR)? Is it DICOM (Digital Imaging and Communications in Medicine)-compliant?
"In 2012, what I'm looking for in a PAC system is not just a digitization of the film-based workflow, but bringing intelligence into the workflow, making it a lot more about the patient than just a series of images," said Rasu Shrestha, MD, vice president, medical information technology at the University of Pittsburgh Medical Center. "What I really want today is a system that is able to treat the patient as a whole, as opposed to me treating a series of images."
Shrestha said the interoperability and technology radiologists have at their disposal today--particularly systems that can talk to each other--can help clinicians know a lot more about the patient. "It will be beneficial not just for the radiologist, but also for the surgeon and other clinicians," Shrestha said.
What other key features should providers look for when shopping for a PAC system? Industry experts suggest advanced visualization, teleradiology, a customized work list, voice recognition, and cloud-based imaging.
Some experts question whether or not cloud-based imaging is right for everyone. In the current environment, some hospitals are choosing to build their own cloud, while others opt to work with a cloud provider to remotely host cloud-related services. According to Shrestha, cloud-based imaging has been a game changer in many different areas, especially in clinical workflow. He asserted that these days it's very easy for patients to get access to their own images through the cloud if the institution also has capabilities such as personal health records.
What Should CIOs Look For?
What questions are CIOs and IT managers asking when they're getting ready to purchase a new PAC system?
Christine Kao, global marketing manager for PACS vendor Carestream, said that CIO and IT administrators often ask how a PACS will fit into the larger enterprise--and not just from a software perspective. She said that hospitals seek out vendors that have commercial off-the-shelf products that are hardware-agnostic and that offer open-standard integration with what the institution already has in its environment, including its EMR.
For Adam Fuhriman, IT director at Intermountain Medical Imaging in Utah, the number-one issue is interoperability. "With that, we are looking at stuff with a mature application programming interface (API) that we can link into. That's our top item because we have so many different systems in our environment."
Fuhriman added that he's always looking for better ways to link systems together to enable single log-in, or ways to share patient data between systems.
Fuhriman, who oversees five outpatient imaging centers that are associated with Trinity Health, said that voice recognition and reporting are also important components of a PAC system. "Reporting is more important from my perspective than voice recognition--the voice recognition just drives the reporting. We're looking for ways that we can make the reporting part more efficient for the radiologist to get more accurate reports, [and to] deliver that report faster, especially in the case where we have a lot of ERs that we support."
Some industry insiders contend that the best way to think of conventional PAC systems these days is in three parts: visualization, workflow, and the ability to archive images.
"Archiving is being extracted outside of departments because it's the same effort, whether you're doing it for cardiology or radiology or ultrasound in the OR. So those are typically now using vendor-neutral archives," said Keith Dreyer, MD, vice chairman of radiology at Massachusetts General Hospital in Boston.
Dreyer, who is also chairman of the informatics committee at the American College of Radiology, said that when purchasing a new PAC system, it's important to choose a vendor that can demonstrate that it has up-to-date technology so that it can perform things like advanced visualization or cloud visualization.
"I would want to make sure that I can see a migration path off that system--so that the data is removed in a way that I can migrate to other visualization tools," Dreyer said. He noted that in the past, purchasers would buy one visualization tool, one workflow engine, and one archive, all from the same company. Today, however, there are a dozen visualization tools, a dozen workflow tools, and a dozen archives. "So if I didn't want to purchase those three [tools], I'd want at least a prime contractor that could outsource those other solutions. But when I buy now, I look for those components, [and] structured architecture so I can replace components that don't work."
Finally, Dreyer said that he would look for layered architecture and a layered system. "I think that's the big thing. The days are gone where you would buy everything from one vendor."
Take a look at the following PACS vendors and see which ones best match your current needs.
The way John Conklin, director of cardiology programs for San Diego-based DR Systems, sees it, the ability to accept, promote, and utilize open standards is a key factor for any PACS vendor. According to Conklin, DR's Unity-SC PAC system offers flexibility in the way images and reporting are presented to each individual user. DR System's Unity platform also offers custom templates for specific procedures and the ability to use speech recognition in combination with a structured report format. It also provides integrated advanced visualization and cloud-based imaging. The system is optimized for imaging centers and small hospitals that conduct up to 25,000 exams per year and is able to connect to other DR Systems PACS, allowing access to other radiology and physician resources.
Medical Imaging Options: No Single Vendor Will Do
Dell, Siemens Partner On Image Sharing, Archiving
New FDA Law Paves Way for mHealth Regulations
Maine Health Information Exchange Adds Medical Images
Cerner Hosting Outage Raises Doctor, Hospital Concerns
5 Trends Will Reshape Health IT In 2013
11 Super Mobile Medical Apps
CIOs and IT executives might appreciate the ability of Carestream Health's Vue PACS to combine an efficient workflow with advanced visualization and reporting tools and technologies. Images and reports are accessible from on-site or remote PC-based workstations, eliminating the need for costly dedicated workstations or teleradiology platforms. The architecture allows a healthcare system to save both time and money by creating a global patient work list and efficient radiology workflow among all its locations.
Cristine Kao, marketing manager for Carestream, says that the company offers a vendor-neutral archiving at the back end, a cardiology tool, and a workflow integration tool. Kao said that last year the company also launched an embedded, or native, voice-recognition solution. Vue PACS is available as a pay-per-use cloud service that includes an uptime guarantee, technology upgrades, data security, and duplicate data storage that addresses business continuity/disaster recovery.
Siemen's Syngo PACS provides customers with integrated advanced visualization (IAV), teleradiology, and voice recognition, as well as comprehensive administration and monitoring tools. Siemens also offers PACS platforms for radiology and cardiology. Henri Rik Primo, director of strategic relationships, says that Siemens has published application interfaces that allow third-party companies to integrate their products into Siemens'. Siemens also provides a connectivity competence center that offers technical support for integrating products into the PACS.
Siemens has experience in multi-modality imaging and has developed a cloud-based application server called Syngo.via for advanced visualization. Syngo.via is a medical device that acts as a platform for a growing library of additional Syngo.via applications. The applications are specialized for different imaging modalities and clinical uses. Once installed, licensed users can run the apps virtually anywhere. Because the rendering happens on the server, the apps can run even on iPads or iPhones. Advanced visualization software like Syngo.via is becoming an enterprise asset.
Siemens' health care computing center handles more than 300 million procedures per day, and the company has implemented remote archives. When a hospital stores an image to the local PACS archive, a long-term copy is also saved in the company's Malvern, Penn. data center as well as Dell's data center, offering customers a triple level of redundant data storage.
AGFA's Impax PACS offers customers a fully integrated radiology information system (RIS)/PACS/reporting workflow system for data management and reporting. Improved productivity is achieved through the complete imaging chain, from order management to results distribution. The PACS also leverages automated task management by presenting relevant clinical information designed to synchronize with related studies and support informed healthcare delivery.
Impax Business Intelligence is part of AGFA HealthCare's advanced RIS and PACS offering. It provides historical, current, and predictive views of radiology operations in the form of real-time dashboards and management reports. AGFA executives say that Impax Business Intelligence helps demonstrate Meaningful Use of clinical data through its ability to actively monitor the thresholds outlined in Stage 1.
Other Impax platforms include Impax for Breast Imaging and Impax for HeartStation. In June, AGFA HealthCare selected Dell to host its cloud clinical archive portfolio, including the Imaging Clinical Information System (ICIS) platform. AGFA officials said that by delivering a cloud-based solution for the core components of the Impax Data Center, AGFA will be able to provide anytime access to, and fast viewing of, securely stored patient medical images.
Cerner SkyVue is a customizable cloud-based viewer platform that enables one cohesive viewer within the enterprise and beyond, regardless of the user's role or venue. Clinicians can use the Cerner SkyVue viewer platform for diagnostic reading or deploy it for broad image distribution, allowing users to view multimedia and non-diagnostic images side-by-side in any Web browser. According to Cerner, this eliminates the need for disparate viewing platforms. The Cerner SkyVue viewer platform also allows clinicians across the enterprise to discuss a patient while sharing the same view of images and EHR information.
GE's Centricity PACS is a single-vendor radiology suite that contains all the components of traditional RIS, PACS, virtual reality (VR), 3D, mammography, real-time analytics, and dose monitoring. It offers customers a Web-based graphical user interface (GUI) for 24/7 diagnosis and native mobile access on Apple or Android for interpretation or collaboration. Real-time workflow alerts help improve uptime and productivity.
Other key attributes include real-time work lists; the ability to dictate macros; single desktop access to advanced 3D, mammo, dictation, EMR or RIS; exam-locking to help prevent duplicate reports; Web-based diagnostic image access for referring specialty physicians and radiologists; and native application to Android and iPhone operating systems.
Centricity's Web-based image access provides access to more than 20 advanced clinical applications, including cardiac, oncology, vascular, and neuro; it also provides diagnostic reporting and advanced speech understanding designed to help reduce training time. The PACS also offers an open application programming interface (API) interface with Epic, Cerner, and McKesson EHRs.
Merge Healthcare, Inc. offers fully integrated PET/CT fusion and mammography tools. The consolidation workstation (3D, mammography, and PET/CT/MR/NM fusion) is designed for faster diagnoses, more advanced image content, and expanded workstation functionality. Workflow acceleration is achieved with real-time work lists on a multitasking workflow dashboard that includes updates of studies, STAT management, critical results notification, and management of emergency department discrepancies. Patient identification information is removed from studies to make it available for research and teaching without violating HIPAA privacy rules. An instant-communications feature and the ability to share links with colleagues helps make for more efficient readings and faster time to treatment.
McKesson offers a complete suite of medical imaging systems, including McKesson Enterprise Image Repository, a new offering independent of PACS that archives and manages image data. The Horizon Medical Imaging PACS includes a medical imaging workflow platform, a mammography system, medical imaging collaboration tools, medical imaging system tools, and architecture and infrastructure.
Designed to improve the administrative and clinical workflow of radiology departments, the Radiology Manager workflow management software tracks and manages patients and exams. Horizon Study Share is a Web-based system that enables radiologists and other medical imaging specialists to organize and share images, teaching files, and reference case information needed during the course of daily practice using PACS. Variable Thickness Regional Intensity Protocol (VTRIP) allows for efficient reading of CT and magnetic resonance (MR) by embedding advanced viewing, image analysis, and reconstruction capabilities directly into the workflow. McKesson officials assert that this feature allows faster case reading times.
In February, FujiFilm Medical Systems unveiled Synapse PACS 4.0, the latest addition to its Synapse line of medical imaging and information management systems. Among the product's key features are image processing for all of Fujifilm's Digital Radiography (DR) and full-field digital mammography (FFDM) systems, advanced integration utilizing DatCard collaborative image access, intelligent archival management, and standards-based interoperability across all imaging environments.
Fujifilm's Synapse allows the archiving and distribution of image information from multiple modalities, and it can be managed via a single system. With its PACS and next-generation Web technology, Synapse utilizes the latest Wavelet compression technology for on-demand compression and access of large files regardless of location. (Wavelets are functions that allow data analysis of signals or images according to scales or resolutions.) Synapse supports image diagnosis with high-quality images and numerous image processing features. The same Synapse code that runs a 30,000 exam/year outpatient imaging center can run a multi-server, multi-site configuration with more than a million exams a year.
Synapse workstation software provides viewing and manipulation of radiological data such as images, reports, patient status, and clinical information. In addition, it also provides for integrations to clinical applications including dictation systems, radiology information systems, and three-dimensional processing applications.


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All protocol components from the Clever Internet Suite fully support the SSL / TLS negotiation mode: HTTPS, FTPS, SMTP, POP3, IMAP and NNTP.
For all these protocols (except for HTTPS) the Clever Internet Suite supports the explicit mode for establishing the secured connection. This means that the component will first connect in plaintext, and then explicitly start SSL negotiation through a protocol command such as STARTTLS.
For specifying the used SSL / TLS communication mode, the UseTLS property is implemented.
ctAutomatic - If the Port property is set to the standard plaintext port of the protocol, the component will behave the same as if UseTLS is set to ctExplicit. In all other cases, SSL negotiation will be implicit (ctImplicit).
ctImplicit - The SSL negotiation will start immediately after the connection is established.
ctExplicit - The component will first connect in plaintext, and then explicitly start SSL negotiation through a protocol command such as STARTTLS.
ctNone - No SSL negotiation, no SSL security. All communication will be in plaintext mode.
Also the CertificateFlags client property allows you to resolve the problems concerned with an invalid certificate common name, expired certificate date and unknown authority. Currently the following flags are available: cfIgnoreCommonNameInvalid, cfIgnoreDateInvalid, cfIgnoreUnknownAuthority, cfIgnoreRevocation, cfIgnoreWrongUsage.
Using the StartTls client method, you can explicitly initiate the TLS / SSL negotiation and establish the secured Network communication with the server.
stNone - No SSL negotiation, no SSL security. All communication will be in plaintext mode.
stImplicit - The SSL negotiation will start immediately after the connection is established.
stExplicitAllow - The component will first connect in plaintext, and then explicitly start SSL negotiation through a protocol command such as STARTTLS. The non-secured communication is allowed.
stExplicitRequire - The component will first connect in plaintext, and then explicitly start SSL negotiation through a protocol command such as STARTTLS. The non-secured communication is not allowed.


text:
Слобода-Межи́ровская () — село на Украине, находится в Жмеринском районе Винницкой области.

Код КОАТУУ — 0521085603. Население по переписи 2001 года составляет 639 человек. Почтовый индекс — 23123. Телефонный код — 4332.
Занимает площадь 1,346 км².

В селе действует храм Рождества Пресвятой Богородицы Жмеринского благочиния Винницкой епархии Украинской православной церкви.

Адрес местного совета
23123, Винницкая область, Жмеринский р-н, с. Слобода-Межировська

Примечания

Ссылки
 Слобода-Межировская на сайте Верховной рады Украины

Населённые пункты Жмеринского района

redpajama_set_name: RedPajamaWikipedia


After much petitioning from neighborhood groups, the trailhead at the dead end of Beachwood Drive will be closed temporarily, according to the office of Councilman Tom LaBonge.
And after. Among the attendees were (from left): State Assemblyman Mike Gatto, LAFD Battalion Chief Joe Castro, Councilman Tom LaBonge, HHA President Alex Chavez.
As readers of this blog might remember, a couple of years ago vandals stole the pair of bronze plaques marking the Hollywoodland gates. Yesterday, their replacements–generously donated by Time Warner–were unveiled in a festive ceremony that brought together various officials and neighbors. Our ubiquitous City Councilman, Tom LaBonge, quipped, Hollywoodland is a special neighborhood–so special that you don't even like your City Councilman. Titters ensued.
Now, onward to our centennial!
Motion (LaBonge – O'Farrell) instructing the LADOT to report relative to the feasibility of implementing a transportation pilot program that ferries tourists and hikers in a vehicle (no larger than a 10 passenger van) to the Hollyridge trailhead at the end of Beachwood Drive or the Hollywood Sign in a safe and organized manner.
Oddly, LaBonge never mentioned this plan during the meeting, though surely it was on his mind. If implemented, Hollyridge Trail will not only remain open but receive even greater traffic than it does now. The vans are apparently slated to run every ten minutes, completing the transformation of Hollywoodland from a residential neighborhood to a tourist zone. For those who think it's no big deal, the dead-end of Beachwood is a bottleneck with no place to turn around. Those who live there report constant problems from a steady stream of visitors, who vandalize property and smoke in a fire-prone area. A recent medical emergency involving two hikers on the trail had a delayed response because emergency vehicles couldn't get through the crowds.
Last night's public meeting on Beachwood Canyon's tourism crisis was notable in many ways. It was packed–so much so that I couldn't find parking anywhere in the vicinity of Fountain Avenue and arrived too late to be put on the speakers' roster. It was contentious, not only between the citizenry and Councilman LaBonge, but among various neighborhood groups with divergent interests–i.e., Friends of Griffith Park, which doesn't want the closure of certain Park roads, versus the Hollywoodland Homeowners' Association, which does. And it was horrifying, because it made clear that it's only a matter of time before the unchecked flow of tourist traffic into Beachwood Canyon will have deadly consequences.
Residents who spoke recounted the ways in which life in Beachwood Canyon has gotten more difficult and dangerous since the ubiquity of GPS. With 1,000 cars per day ascending the narrow streets around the Hollywood Sign, there have been auto accidents, threats against residents by tourists and tour bus drivers, emergency services delayed because of traffic jams, and round-the-clock intoxication, lewd behavior and vandalism throughout the Canyon.
When I moved to Hollywoodland in 2005, I went to Lake Hollywood Park with my dog almost daily; we also hiked the trails once or twice a week. As time passed, our daily drive up to the Park became increasingly terrifying, as tourists refused to give right-of-way while driving downhill on Ledgewood, a street of blind curves. It's unusual to have to slam on the brakes while ascending a steep hill to avoid being hit head-on, but that's what I had to do countless times. My dog–a 95-pounder–was flung from the backseat onto the floor more times than I care to remember. Tourists cursed me when I told them, "Up has the right of way," and refused to back up as required by law. I've stopped foreign tourists–from India and Brazil–after seeing them running every stop sign on Beachwood Drive–apparently knowledge of the word stop isn't required to rent a car. Tourists smoke with impunity in a dry, fire-prone habitat, often within feet of the Smokey the Bear signs that Councilman LaBonge so proudly installed last year.
I no longer go to Lake Hollywood Park or the trails: since my dog died last year, the danger of getting up there–either by car or on foot–has outweighed the pleasures of those destinations. It's a shame, because the Park and trails were major reasons for my moving here in the first place. But times have changed: like many Beachwooders, I feel the neighborhood has been given over to tourists, and that we residents no longer matter.
Councilman Labonge said as much last night. In response to a neighbor of mine who said, "The word on the street is that you care more about the tourists than the residents," he angrily responded, "Not true. Not true–I care about everyone." Any other politician would have said, "I care deeply about my constituents," but not him. Still, I give Tom LaBonge credit for speaking the truth: when he says he cares about everyone, he means everyone in the world. Except of course those of us who live here, and whose taxes pay his salary.
The councilman has tried to help us by funding weekend traffic checkpoints and installing Smokey the Bear signs. Now he proposes, among other things, a dash [sic] bus that would take hikers from the village all the way to the top of Beachwood. He also proposes painting the curb on one side of Beachwood (above Ledgewood) red to alleviate traffic congestion.
Why do hikers need to be transported to the top of Beachwood? Because some residents object to large groups of young people (generally European or Asian, I've noticed–Americans are more likely to drive) traipsing up the narrow part of Beachwood Drive, where sidewalks are intermittent. Presumably these hikers will arrive in Beachwood Village by bus; otherwise, where would they leave their cars? As for the No Parking zone, it apparently is to begin north of Ledgewood instead of at the Village, two blocks south. Presumably all those people who park their cars on Beachwood north of Ledgewood will have to park further south, despite the fact that there aren't enough spaces to accommodate them.
Meanwhile, I RSVP'd for the meeting and asked to speak. According to Daniel Halden of Tom LaBonge's office, the agenda hasn't been set. But they know I'm coming.
Beachwood Canyon falls within Los Angeles's Fourth Council District, which since 2001 has been represented by Tom LaBonge. [Disclosure: I interviewed Councilman LaBonge for my documentary, "Under the Hollywood Sign," in 2006, and have met him several times since.] For those of us who live here, particularly in Hollywoodland, his tenure has been an infuriating series of battles, as LaBonge long ago decided his true constituency is not us but every tourist who thinks Hey, let's drive up to the Hollywood Sign and take pictures! Never mind that the Canyon's streets are narrow, winding and residential: Tom LaBonge wants everyone in the world to come up here, even to the point of directing them personally.
His latest idea for Hollywoodland is jaw-dropping, even by past standards. LaBonge has proposed an immediate elimination of 50% of the parking on Beachwood Drive north of Beachwood Village, meaning that one side of the Canyon's only thoroughfare would be permanently off-limits to parked cars. The reason for this is obvious: LaBonge, a lame duck, wants cement his tourism-centric legacy by granting even greater access to sightseeing buses and vans (all of which exceed weight limits, not that this is ever enforced). The implications of this plan are devastating, not only to those residents who have nowhere else to park but to those of us who have garages. Apparently LaBonge thinks no one will ever need parking spaces for visiting friends, family or workmen, and that upper Beachwood Drive is his for the taking.
There's a hearing about the proposal scheduled for Wednesday, August 14th at 7pm at 6501 Fountain Avenue. I'll be there, and I hope other Beachwooders–particularly those who live on Beachwood Drive–will attend as well.
You are currently browsing entries tagged with Councilman Tom LaBonge at Under the Hollywood Sign.


Whether it's heat in the Winter or air conditioning in the Summer, your HVAC unit makes it possible to be comfortable inside. However, it's a lot more than that. Our Winter snowstorms and the freezing temperatures that come along with them, plus the blazing heat in the summer, make New Jersey a quite dangerous place to be without one. Senior citizens and young children especially can even die without the right temperature control inside a building. That is why it is downright devastating to have your commercial HVAC unit break.
No matter what type of business you run, potential customers will walk in and walk right back out if they can feel that your heater or air conditioner is broken. Plus, think of your staff that would needlessly suffer all day long. Also, this type of working environment may be against OSHA regulations, depending on the exact temperature at the time.
Do not wait another day if your unit is showing serious signs of an issue, or has already broken down. Reach out to Air Comfort and Refrigeration Services for HVAC installation and repair in Bloomfield, NJ. We handle commercial properties, like office buildings, retail stores, restaurants, and much more. Don't put the health and happiness of you, your staff, and your customers at risk any longer.
Many times, our technicians arrive for an inspection and discover that the HVAC units needs a simple repair and an entirely new unit is not needed. This is great news! We will need to come out and look at your unit before we can say for sure what the next course of action should be, but you have our word that we will always try to make your needed HVAC repair or new HVAC unit installation as low cost as possible.
Call us right away at (973) 818-1388 if it an emergency. We are available 24/7 so your HVAC unit can be working correctly by the time you need to open your doors for business again!


Welcome to the Inkster Sharon SDA Church in Inkster, MI. We are a Christian community and would love to have you join our family. To learn more about what we believe you can visit our About Us page. Please join us for Bible study, worship, and prayer.


Buy Karwari Paan Pendant Haar A beautiful necklace with 5 karwari pendant The plain golden balls increase its richness All 5 Pendants have american diamonds in it. It is Gold plate – Micron, which gives a feel of real gold ornament. It is Famous traditional ornament – Kolhapur special. If it is used for only functions, plating would last for 5 – 10 years. It should be always stored in plastic bag or steel box for maintaining its shining and plating. Don't use perfumes or body sprays or any chemicals on the ornament to preserve its plating. Best to use in travelling and routine work too.


text:
Nebbia Tech Named a Winner in the 21st Don Quijote Awards
Home/News & Updates/Nebbia Tech Named a Winner in the 21st Don Quijote Awards
We are excited to announce that Nebbia Technology has been awarded the "Hispanic Business of the Year, Five Years or Less" at the annual Don Quijote Awards gala this past weekend. For the past 21 years the awards, presented by the Hispanic Chamber of Commerce of Metro Orlando and Prospera, "recognize the hardworking, innovative entrepreneurs who exhibited the spirit of Don Quijote: visionaries, dreamers and business men and women who were willing to take risks in order to achieve those dreams." This year's gala was themed around African influence on the Hispanic culture. It featured live performances by Grupo de Baile de Bomba Cukiara and Plenamar Latino, and Patty Padilla.
Finalists were announced on November 8th. The selection committee takes into account "professional accomplishments, financial success and growth, innovation, contributions to their industry and community, demonstrated leadership, and professional honors and recognition." To see the full list of winner for each category, click here.
"I'm so proud of our team's achievements and we will continue building on that success. It feels great to be recognized as one of the top companies in the region and I look forward to continuing helping our team and customers achieve their potential. Thanks to everyone that has supported and believed in us!" said Chief Technologist and Founder of Nebbia Technology, Esteban Garcia, who was present at the gala to receive the award.
By Hannah Schaffer|2018-12-13T10:23:44-05:00December 13th, 2018|
About the Author: Hannah Schaffer
Hannah is the Operations and Marketing Coordinator at Nebbia Technology. She has been a part of marketing teams in the legal field, hospitality industry and non-profit world. Hannah received her Bachelor's Degree in Marketing from the University of Central Florida. She is a co-editor for Grace Orlando's magazine, and in her spare time, she enjoys reading, cooking and watching "The Office."


Exercises leadership in the local, national, and international special collections communities to represent and promote concerns related to rare books, manuscripts, and other special collections.
The official RBMS committee rosters are listed below, and the RBMS website is available here.
Displaying active committee roster as of 04/22/2019. Last retrieved on 04/22/2019. Members can log in to view full contact information for committee members.
As of August 2018, RBMS had 1,750 members. The committee composition is determined by section leadership.
Log-in to view full contact information.
The Rare Books and Manuscripts Section was established in 1958.


PETE MOSS – Live at Flask Lounge!
Philadelphia based Pete Moss knows a thing or two about house music. Having traveled all over the world in search of the ultimate underground dance floors, and releasing over 250 projects on top labels, he's only just begun leaving his mark on the dance music world. His first 20 years of being a D.J/ Producer have been nothing short of incredible. Releasing originals, remixes, Albums and Mix comps on cutting edge labels such as, Ovum, Quench, Nordic trax, Dessous, ALola, Definity, Large, Seamless, I records, MN2's, Acryl and dozens of others, as well as his own underground Recline imprint, he's made his mark in the deep tech world and then some.
Always following new talent as well as his original musical inspirations, Pete has been remixed by some heavy hitters, including Josh Wink, Karizma, The Timewriter, Mike Delgado, Satoshi Tomiie, Joshua Iz, Omid 16b, just to name a few. As well as doing his own remixes for artists such as Andreas Saag, Mateo&Matos, Kevin Yost, The Timewriter, Onur Ozman, Scope, Fer Ferrari, The Rurals, Greenskeepers, Stan Kolev, Jay J, Daniel Kyo, and many others.
This year proved his biggest yet with two collaborations with Cassy for her Quench label, with top notch remixes from Ron Trent and Marcus Hawkes.
Known as one of the finest late night/underground Dj's on the map, Pete has a reputation for giving his all at every gig and leaving people touched and inspired by his signature deep and eclectic sound. Including crushing it at Fabric London, La Terrazza Barcelona, Roxy Prague, Salon Daome Montreal, Harlot San Francisco, KiNg King L.A. The Arches GLasgow, La Santanera PDC Mexico, Rioma Mexico City, Smartbar Chicago, Living Room Miami, Deep end San Diego just to name a few.
Luckily he has no plans to slow down, he has big plans for 2018 already, including a monster of a new release for Ovum, following his 2017 anthem " Just for you " Along with big remixes for Bogota Records and Isgud Recordings, a new original album in the works, and another busy year playing his heart out.


text:
Fri, 1 August 2008
SpudShow 299 - elodieO
Artist - elodieO
Track 1 - Cuckoo
Track 2 - La Mer
Get the music from iTunes
elodieO is a staple of the New York City LES/Nublu electro scene that nurtured Kudu and The Brazilian Girls. Her sound is an elegant mix of 60's Nico-esque pop and 90's golden era trip-hop and down-tempo. Stubborn is a brilliant and complex album that is a suitable soundtrack for both a night on the town, and, the more intimate activities that often follow.
Originally from Paris, elodieO sings, composes and arranges all the music on Stubborn with the exception of two re-arranged songs of by Serge Gainsbourg and The Cure. The album features guest spots from several internationally know artists, including Aaron and Jesse of the Brazilian Girls.
elodieO
"Cuckoo" (mp3)
from "Stubborn"
(MULATTA POP)
More On This Album
"La Mer" (mp3)
Category:podcasts -- posted at: 12:42pm EST


RuneQuest - RuneQuest Glorantha - Chaosium Inc.
Play a game where your characters are Heroes!
Play heroes with RuneQuest: Roleplaying in Glorantha. You will be immersed in the mythic realm of Glorantha with characters tied to the communities they support. Walk with gods, negotiate with spirits and dance with dragons, but be wary for even the smallest trollkin can topple the mightiest warrior.
Glorantha is a world with a deep and rich setting, drawing influence from the Bronze Age and other ancient world cultures and mythologies, created by Greg Stafford in 1966. From its first appearance in print as a strategy boardgame titled White Bear, Red Moon in 1975 by The Chaosium (as it was then called) to the first edition of the roleplaying game RuneQuest in 1978, Glorantha has been used as the setting for roleplaying games, computer games, boardgames, novels, encyclopedias, comics, and other creative expressions, with a dedicated and global fan base. Now, Glorantha is firmly established as one of the most popular original game settings ever, and the influence of RuneQuest is everywhere in roleplaying and computer game design.
Chaosium, Inc. is proud to announced that RuneQuest is back in print at Chaosium with the release of RuneQuest: Roleplaying in Glorantha!
Get the downloadable PDFs. Just can go here.


text:
<?php

namespace app\models;

use Yii;

/**
 * This is the model class for table "hoadon".
 *
 * @property integer $id_hoadon
 * @property integer $id_khachhang
 * @property string $ngaymua
 * @property integer $record_status
 *
 * @property Chitiethoadon[] $chitiethoadons
 * @property Khachhang $idKhachhang
 */
class Hoadon extends \yii\db\ActiveRecord
{
    /**
     * @inheritdoc
     */
    public static function tableName()
    {
        return 'hoadon';
    }

    /**
     * @inheritdoc
     */
    public function rules()
    {
        return [
            [['id_hoadon', 'id_khachhang'], 'required'],
            [['id_hoadon', 'id_khachhang', 'record_status'], 'integer'],
            [['ngaymua'], 'safe']
        ];
    }

    /**
     * @inheritdoc
     */
    public function attributeLabels()
    {
        return [
            'id_hoadon' => 'Id Hoadon',
            'id_khachhang' => 'Id Khachhang',
            'ngaymua' => 'Ngaymua',
            'record_status' => 'Record Status',
        ];
    }

    /**
     * @return \yii\db\ActiveQuery
     */
    public function getChitiethoadons()
    {
        return $this->hasMany(Chitiethoadon::className(), ['id_hoadon' => 'id_hoadon']);
    }

    /**
     * @return \yii\db\ActiveQuery
     */
    public function getIdKhachhang()
    {
        return $this->hasOne(Khachhang::className(), ['id_khachhang' => 'id_khachhang']);
    }
}

redpajama_set_name: RedPajamaGithub


This month, the troubled house owned by Orlando City Commissioner Regina Hill will be sold at auction per a new court order issued just days before Christmas. On December 22nd, the Ninth Judicial Circuit court issued a notice of foreclosure against Hill in an ongoing case. The Commissioner told media last May that she had resolved her foreclosure issues, meaning the latest ruling is another blow to Hill.
Commissioner Hill was being sued by U.S. Bank over her 5-bedroom, 3-bath home located at 1790 Baywood Avenue, outside of city limits of Orlando. The Commissioner also claims to rent a property inside the city limits to qualify to serve in her city district. In a non-jury trial on April 22, 2015, the court adjudged that U.S. Bank, as a trustee for GSMPS Mortgage Loan Trust, is due $164,081.57 in the case involving the Baywood property. The Final Judgement from April 22, 2015 summarizes the more than $160,000 in unpaid mortgage, taxes and interest Hill owes on the Baywood Avenue home.
Clearly, according to the December 22nd notice, that is not the case. "Notice is hereby given that sale will be made pursuant to an Order or Final Judgement. Final Judgement was awarded on April 22, 2015 in Civil Case No. 48-2012-CA-016690-O, of the Circuit Court of the NINTH Judicial Circuit in and for Orange County, Florida," the notice of foreclosure against Hill states.
The Orange County Clerk of Courts Foreclosure Sales calendar currently lists the Commissioner's house as going up for sale at public auction on January 15, 2015 at 11 AM. The assessed value is listed as $79,250. The Clerk of Courts site also lists Commissioner Hill's final judgement amount as $164,081.57.
The Orange County Property Appraiser shows Hill purchased the home back in 1997 at a sale price of $67,500 as part of a Housing and Urban Development program. The court declared the plaintiff in the current case against Hill is owed $134,141.71 on the principal and nearly $15,000 in interest between July 2012 and April 2015. Adding up additional taxes and fees, the city commissioner owes the whopping total of $164,081.57.
It appears Hill has had a long history of trouble with the property. Earlier this year, a special magistrate found Hill's Baywood Avenue property had not complied with code inspectors and had repeated violations. Regina Hill, as owner of the property, owes the county $46,750 in code violation fines. In November, Hill told WFTV she had not paid any of the fines.
Last summer, Hill's Baywood Avenue property was also raided by the Orange County Sheriff's office and SWAT members. Guns and drugs were found inside the home, and Hill's son was initially arrested, although all charges were dropped later. Sheriff's Office PIO Jeff Williamson said the home had been under surveillance for several months and that they "know for a fact" that illegal drug activity was going on inside.
The public auction set for January 15th may finally be the end of the road for Commissioner Hill's ownership of the troubled Baywood Avenue property.
One Response to "Commissioner's House Goes Up for Sale at Public Auction This Month"


text:
Teneurins are a family of phylogenetically conserved single-pass transmembrane glycoproteins expressed during pattern formation and morphogenesis.  The name refers to "ten-a" (from "tenascin-like protein, accessory") and "neurons", the primary site of teneurin expression. Ten-m refers to tenascin-like protein major.

Teneurins are highly conserved between Drosophila, C. elegans and vertebrates. In each species, they are expressed by a subset of neurons as well as at sites of pattern formation and morphogenesis. In Drosophila, a teneurin known as ten-m or Odz is a pair-rule gene, and its expression is required for normal development. The knockdown of teneurin (ten-1) expression in C. elegans with RNAi leads to abnormal neuronal pathfinding and abnormal development of the gonads.

The intracellular domain of some, if not all, teneurins can be cleaved and transported to the cell nucleus, where it proposed to act as a transcription factor. A peptide derived from the terminus of the extracellular domain shares structural homology with certain neuropeptides.

There are four teneurin genes in vertebrates, named teneurin-1 through -4. Other names found in the literature include Odz-1 through -4 and Tenm-1 through -4.

History

Originally discovered as ten-m and ten-a in Drosophila melanogaster, the teneurin family is conserved from Caenorhabditis elegans (ten-1) to vertebrates, in which four paralogs exist (teneurin-1 to -4 or odz-1 to -4). Their distinct protein domain architecture is highly conserved between invertebrate and vertebrate teneurins, particularly in the extracellular part. The intracellular domains of Ten-a, Ten-m/Odz and C. elegans TEN-1 are significantly different, both in size and structure, from the comparable domains of vertebrate teneurins, but the extracellular domains of all of these proteins are remarkably similar.

Function

Teneurins translocate to the nucleus where they regulate transcriptional activity. Teneurins promote neurite outgrowth and cell adhesion. The intracellular domain  interacts with the DNA-binding transcriptional repressors and also regulate the activity of transcription factors.

Additionally, they have been known to interact with the cytoskeleton adaptor protein, CAP/ponsin, suggesting cell signalling roles and regulation of actin organisation.

Teneurin-3 regulates the structural and functional wiring of retinal ganglion cells in the vertebrate visual system.

Structure

Ten-m1–4,  exist as homodimers and undergo homophilic interactions in vertebrates.

C terminal domain

The large C-terminal extracellular domain consists of eight EGF-like repeats (see PROSITEDOC), a region of conserved cysteines and unique YD-repeats.

N terminal domain

The teneurin intracellular (IC) domain (∼300–400 aa) is located at the N-terminus and contains a number of conserved putative tyrosine phosphorylation sites, two EF-hand-like calcium-binding
motifs, and two polyproline domains. These proline-rich stretches are characteristic of SH3-binding sites.
There is considerable divergence between intracellular domains of invertebrate and vertebrate teneurins as well as between different invertebrate proteins.

This domain is found in the intracellular N-terminal region of the teneurin family.

Human genes
Human genes encoded teneurin domain proteins (TENM1-4) are list in the infoboxes.

References

Further reading

Protein families


Arrange the following control measures in the order they should be implemented.
Hold the mouse down over the control (blue) and drag it up or down to where you think it goes.
When the control measures are in the correct order, the red cross will change to a green tick.
Assign the meaning to the type of sign displayed.
When the meanings are assigned in the correct order, the red cross will change to a green tick.
1) Which of the following is NOT a hazard you would expect to encounter on a building site?
d) Using a mobile phone.
2) Which of the following statements is TRUE about the difference between Class 1, 2 & 3 Hazards.
a) A Class 1 hazards can kill or cause serious injury whereas a Class 2 hazard may cause less of an illness or injury.
b) Class 3 hazards are more dangerous than Class 1 or 2 hazards.
c) Class 1 hazards should be treated with the same seriousness as any other class of hazard.
3) What is the FIRST basic requirement to be adopted in an emergency situation?
a) Identify the hazard by its location, cause and extent.
b) Warn those persons who may be affected.
d) Control or contain the emergency until professional assistance arrives.
e) Evacuate everyone in the workplace.
4) What safety checks should be considered in the following area (Trenches)?
a) Does the trench have a handrail or suitable barrier around the edge?
b) Does the trench have a 45° sloping sides or stepped sides - if not, are they shored up?
c) Does the trench have access ladders?
5) TRUE or FALSE. Safety checks for scaffolding should ALWAYS be carried out PRIOR to any work being carried out?
Alert: Clicking on the 'submit answers & LOCK assessment' button will lock your assessment. You will not be able to make any further changes to your assessment until an assessor has reviewed your answers.


text:
EdiMotion15. – 18. Oktober 2021
SCHNITT PREISE
Nominierungen 2021
Vorjury 2021
Vornominierungen 2021
Ehrenpreis
Preisträgerin 2020
Laudationes
Archiv Preisträger*innen
THEMENSCHWERPUNKT
Agile Formate montieren
Titelsequenzen - Vom One-Shot zum Jump Cut
Dramaturgie in Minuten
INTERNATIONALES PROGRAMM
Gastland UK
Internationales Panel
International Film Editors Forum
bvft Werkstattgespräch
Edimotion goes green
Übersicht/Katalog
International Masterclass
Tickets/Preise
Veranstaltungsorte und Hotel
Archiv/Filmplus
Guest Country UK
International Panel
We are very pleased to welcome the United Kingdom as a guest country at Edimotion this year, thanks to the cooperation with the Association of British Film Editors (BFE). It was a special desire for all of us to send a signal of deep, European and international solidarity in the year of the Brexit. And to show that filmmakers remain closely networked across political borders.
Editors in the United Kingdom have always had a strong international network and in recent years have become even more important for Hollywood, the Commonwealth countries and globally. In the new millennium, domestic cinema has also remained strong, experimental, always surprising and full of new talent in front of and behind the camera.
With Maya Maffioli, we have one of the great shooting stars among British film editors as our guest in Cologne. We will be showing her acclaimed drama Rocks as a North-Rhine Westfalia premiere, followed by a workshop talk with the editor about her work. The energetic youth drama managed to rack up the most BAFTA nominations this year. Renée Edwards, chairwoman of the British Film Editors, will also be present and will talk about her association and the editing scene in her home country in her introductory remarks to the guest country evening.
Maya Maffioli was nominated for Best Editing at the British Independent Film Awards with Rocks, as well as at the BFE's first Cut Above Awards in 2021, and her film Ali & Ava (directed by Clio Bernard) recently premiered at the Cannes Film Festival. Her new collaboration with director Michael Pearce, Encounter, premiered in September at the prestigious Telluride Film Festival in the US.
Saturday, 16.10. | Filmforum at the Museum Ludwig
20 Uhr | Reception
21 Uhr | Rocks
UK 2019, 93 min, director: Sarah Gavron
OmeU
Film talk with editor Maya Maffioli
Introduction: Renée Edwards
Moderation: Werner Busch
Maya Maffioli
Guest Country United Kingdom
Italo-British editor Maya Maffioli grew up in Italy and has been living and working in London for the past 20 years. While attending the editing MA at the National Film and Television School in the UK, she met director Michael Pearce. Maya collaborated with him on his two BAFTA-nominated shorts Rite (2010) and Keeping Up with the Joneses (2013), and then his debut feature Beast (2018), which received many accolades, including a BAFTA for Best Debut in 2019.
Other notable collaborations include the acclaimed British film Rocks (2019) with director Sarah Gavron, a film that received multiple BAFTA nominations and won Best Film at the 2020 British Independent Film Awards. For her work on Rocks, Maya was nominated for Best Editing in the 2020 British Independent Film Awards and for Best Single Drama at the British Film Editor's "Cut Above Awards". Maya also collaborated with American director Lena Dunham on the first episode of the HBO show Industry (2020).
Most recently, she worked on acclaimed director Clio Bernard's film Ali & Ava, which premiered at 2021 Director's Fortnight in Cannes, and completed work on Pearce's sophomore film Encounter, starring Riz Ahmed and Octavia Spencer, which premiered at Telluride Film festival in September.
Filmography as Editor (Selection)
2021 Encounter. Fictional film. Michael Pearce.
2021 Ali & Ava. Fictional film. Clio Barnard.
2020 Undergods. Fictional film. Chino Moya.
2020 DAU. Katya Tanya. Fictional film. Ilya Khrzhanovskiy. Jekaterina Oertel
2019 Rocks. Fictional film. Sarah Gavron.
2019 Dau. Fictional film. Ilya Khrzhanovskiy.
2018 Tell it to the Bees. Fictional film. Annabel Jankel.
2017 Kingdom of Us. Documentary. Lucy Cohen.
2017 Beast. Fictional film. Michael Pearce.
2016 Daimon. Documentary. Donatella di Cicco.
2014 Hide and Seek. Fictional film. Joanna Coates.
2013 Keeping Up with the Joneses. Short film. Michael Pearce.
2010 Rite. Short film. Michael Pearce.
2009 Believe. Short film. Paul Wright.
2008 Chungking Dream. Short film. Jean-Louis Schuller, Sam Blair.
2021 BFE Cut Above Awards. Nomination Best Edited Single Drama for Rocks.
2021 British Independent Film Awards. Nomination Best Editing for Rocks.
London teenager Shola chats, raps and dances around exuberantly with her school friends after class; they all call her "Rocks". But things are not so easy at home. One day, her depressive single mother disappears once again and she has to look after her little brother Emmanuel on her own. More and more desperately, she tries to suppress this bitter reality and to maintain a façade to the outside world, to her friends and neighbours and to every curious eye. But this time her mother does not come back. Days go by, the money runs out, the electricity is cut off and the children's social workers ring the doorbell. Rocks has to make a difficult decision and runs away with her little brother from the social housing unit...
UK 2019. Editor: Maya Maffioli. Director: Sarah Gavron. Writers: Theresa Ikoko, Claire Wilson. Director of Photography: Hélène Louvart. Composer: Emilie Levienaise-Farrouch. Sound: Yves-Marie Omnes, Michael Maroussas, Gunnar Óskarsson, Paul Cotterell, Max Walsh. Production: Fable Pictures, British Film Institute (BFI), Film 4. Cast: Bukky Bakray, Kosar Ali, D'angelou Osei Kissiedu, Shaneigha-Monik Greyson, Ruby Stokes a. o. Distributer: Altitude Film Entertainment.
93 minutes. Cinema release: 18.9.2020 (UK)
Hoping Chen
Hoping Chen is a film editor and writer. She began her career in film as a writer; co-writing celebrated Taiwanese director Edward Yang's unfilmed script "Xiang Qi Le Ni" (Reminds Me of You). She later created several award winning documentaries for TV stations in Taiwan; and produced/co-wrote several drama series for DaAi TV, which won many Taiwanese Golden Bell Awards in 2008 and 2009.
After moving to the UK in 2008, she started a career in film editing. Collaborating with emerging directors, many of her editing projects were selected for festivals and won awards - among them Andrew Steggall's first short film "To the Marriage of True Minds"; Tatiana Korol's "Hello, My Name Is Olga" and Karen Winther's documentary "The Betrayal". In 2012, she edited Singaporean director Anthony Chen's first feature "Ilo Ilo". The film won the Camera d'Or at the 66th Cannes Film Festival, First Feature "Sutherland Award" at the 57th BFI London Film Festival and Best Feature at the 50th Golden Horse Film Festival in Taiwan.
Her recent credits include Ilya Khrzhanovsky's two films "Three Days" and "Nora, Mother", Anthony Chen's second feature "Wet Season" and the short "Break Away" in the anthology film "The year of the Everlasting Storm".
She has just finished editing Claire McCarthy's film "The Colour Room", a story based on the life of 1920s ceramic artist Clarice Cliff.
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To hear my father tell it, the reason we first got a colour television was because of Batman.
The year would have been around 1966.
The story goes, he went out to get a new set and the showroom was playing Batman - in living colour. My father, being my father, had to have the newest technology. He came home with a colour tv.
Mind you, I'm 99% sure my father never saw Batman. I suppose it is possible he happened upon it while I watched it, but keep in mind, I was watching it in re-runs about 7-8 years later, but doubtful.
Growing-up, I loved Batman. I am not even sure until much later did I realize it originated in comic book form. I know it appealed to me in visual stimuli, bad jokes, bad acting, and probably on some level, a weird kind of man-on-man spectrum.
Is it odd I was more titillated by Batgirl then Batman or Robin? You don't have to answer that.
Even as a child, I recognized the absurdity of the show. I am guessing the comic books were more on the serious nature - at least comparatively.
Still, Adam West played his version of Batman flawlessly. His delivery was spot-on. He did his lines, probably tongue in cheek, but never LOL'd.
Catwoman: I didn't know you yodeled.
Where was a man like West to find work after that. While perhaps not typecast, you have to believe he was pigeonholed and the joke factor no one would hire him. I swear the next time I saw him, he played himself on the Simpsons at an autoshow with the Batmobile.
And of course, he's played himself on other series.
But his probable big break came on Family Guy. 17 years of work on that series alone. For that continual syndication, I'm hoping he made a pretty penny.
Good for West for doing the most absurd lines in tv ever. Whatever it takes to get paid. I loved that he was part of it.
It's sorry to see that he passed. It's not a surprise at 88, I suppose. But still, it's a part of my early childhood. I don't know what Seth McFarland will do with Mayor West next season.
spouse and I met adam west in april 2016. a really GREAT guy; deadpan humor, warm, funny, down-to-earth.
I too was a great Batman fan - and I do mean THIS Batman. His light touch of playful, mock-serious banter back in the late 60s has, regretfully, never been approached since. Even though I was 19/20 when the series started I 'got' it pretty well from the beginning - as was clear that those who didn't 'get' it were missing out on class entertainment.
Thanks you, Adam. You made many of our lives that much richer.
And it has given us such lines. When leaving the office to check out a pool vehicle at work to attend an off site meeting, one occasionaly says "To the Batcave!"
Whatever will Boy Wonder do now?
You did a lovely tribute.


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How To Sell Your YouTube Channel (And For How Much?)
You started a YouTube channel, got a ton of subscribers, and now you're wondering if you can cash out? Let's find out what your channel is worth!
How Do You Find a Buyer for Your YouTube Channel?
If you were buying or selling your blog, websites like Flippa or EmpireFlippers exist to help facilitate transactions. Unfortunately, both sites told me you can't use their platform to buy or sell a YouTube channel.
I did find a handful of websites that will assist in selling your YouTube channel. FameSwap, PlayerUp, TrustIU, and ACCS Market.
I don't have a few thousand dollars lying around to buy a YouTube channel from each of them. This makes it difficult to determine how reputable the sites are.
That said, YouTube marketplaces exist, and you can start there to get an idea of what prices similar channels are asking for.
How Much is My YouTube Channel Worth?
You can sell a blog for twenty to thirty times average monthly revenue. So if your blog brought in $1,000 per month, I'd expect you could sell it for 20,000 to 30,000 dollars.
While I'd expect you could sell a YouTube Channel for similar multiples, there aren't exactly a ton of hard and fast rules for selling web assets. This isn't a stable market, like the housing market.
To get a decent valuation, you need to find a buyer who values your audience. Look for businesses with products that fit your niche.
Why Are YouTube Channels Prices So Low?
If a blog had 50k subscribers, it'd sell for over $100,000. However, you can go on sites like FameSwap and see YouTube channels with more subscribers selling for less than $1,000. How can this be?
Video is such an engaging medium that you'd assume these channels would sell for more than blogs. But, YouTube channels come with some unique challenges that make it hard for buyers to pay top dollar.
1) You Are The Face of Your YouTube Channel and Subscribers May Not Respond Well to a New Person
If I were buying a YouTube channel, I would want to work with the creator of the channel to film a dozen videos together. This way, the audience will be comfortable with me when we finally do make the switch.
Meaning if you just sell your channel to a stranger and walk away, don't expect your channel to sell for very much money.
2) YouTube Videos are a Depreciating Asset
A blog post tends to rise up the Google rankings over the first few years of its existence before slowly fading over the next decade.
But, YouTube tends not to work that way. On YouTube, your video will get a lot of engagement in the first 24-48 hours, then quickly fade.
Buyers know that the video itself isn't becoming more valuable over time.
3) A Buyer Has No Way to Increase Monetization on Past Videos
You can't add new content to videos you've already uploaded. The YouTube editor only allows you to cut parts of the video, blur people's faces, add audio, or cards.
This means buyers of your YouTube Channel have no way to add product placements to the videos you've already uploaded. So if they're only earning a $2 RPM with AdSense, that's all the old videos are worth.
4) A Buyer Might Want The Original Footage
If I were buying a YouTube channel, I'd want rights to the footage for use in future videos. That would have real value to me.
But, do you have this organized in a way you can package it up? Most YouTubers are uploading their video and forgetting about it. Making the transcoded version is the best version available to the buyer.
This is why YouTube channels with thousands of subscribers are selling for such low prices. Prices that would be unheard of when selling a blog with a similar following.
Big YouTube Channels Sell for Millions of Dollars
You see this when a YouTube channel gets so big it becomes its own brand.
In 2020, Spotify famously paid Joe Rogan $100,000,000 to leave the YouTube platform for Spotify.
The Verge has also reported how several top 100 YouTube channels are selling for millions of dollars. Once you reach scale, the value of your brand goes up tremendously.
The case for selling your YouTube channel for a large amount of money is finding a buyer with a product that matches your audience. To them, access to your audience would be quite valuable.
Is It Legal To Sell Your YouTube Channel?
Yes, it is legal. Selling a YouTube channel is no different than selling any other digital asset. Selling your website, computer software, or YouTube channels will be a similar process.
All that said, I'm not a lawyer or an accountant. You should consult one of each before a massive transaction.
How Do I Change The Owner of My YouTube Channel?
So this is tricky. As of 2022, you can't transfer ownership of your YouTube channel if you weren't signed up with a brand account. And there's no way to change your personal account into a brand account without deleting the entire channel. Meaning if you're buying a personal YouTube channel, you have to buy the entire Gmail account. If you can't lock the previous owner out after the sale, they can really do some damage.
If the seller was smart enough to start with a brand account, tell them to go to YouTube and click Settings.
Then click Add or Remove Managers. Then click Manage Permissions. Then a screen like the one below should appear, add the new owner, and click invite.
Once the other owner accepts your invitation via email, he will have the ability to get back to that same screen you were just on. From there, he can set himself as the primary owner and then delete you from the account.
Is It Against YouTube's Terms of Service to Sell your YouTube Channel
YouTube's Terms of Service are located right here. Selling your channel is not against YouTube's terms of service in any way.
However, they do not support transactions either. Meaning you're on your own for the process of transferring ownership and collecting payment. If you transfer ownership and then the other party doesn't pay you or vice versa, you're screwed.
You should only engage in these types of transactions with people you trust. Or if you have a robust legal framework in place to handle disputes.
How Do I Contact YouTube?
If you're serious about buying or selling an expensive channel, it's understandable you may want to reach out to YouTube yourself about this. I couldn't figure out a way to message them from the YouTube help center, so I sent @TeamYouTube a tweet asking about buying a YouTube channel.
@TeamYouTube Hey YouTube, is it against your TOS to buy or sell an entire YouTube Channel? Also, I couldn't figure out any other way to contact you, is Twitter the best way?
— Shaun Poore (@shaunpoore) June 26, 2020
Shaun Poore actually thought about purchasing a YouTube channel once upon a time and wanted to look into how hard it would be or if YouTube even allowed it. Shaun did a very deep-dive and even contacted YouTube about if they were OK with it.


On any given day, I don't think about Schrödinger nor his boxed up cat. In truth, my brain mostly goes through a pattern of: "Why all the days? Song stuck in head. I should sing it. Jay Jay Jay. GRRRRR! Seriously? OOO SHINY!!! Stupid song. Jay Jay Jay. So many words from one face. SHOO, kk? Jay Jay Jay. Do I have that song on my phone? We do not "hug" us. No no. Hands to ourselves. Audible! Story time! KITTY! Come back, kitty!! Jay Jay Jay. Ok, night night." No seriously, that's my brain on any given day. This is why it would be a bad idea to read minds. You'd just get slammed with a gigantic wall of nonsense and images. Well… at least from me. But now and again that man and his box re-enter my world, and when they do I get irked.
It's not that I don't get the paradox. For some strange reason when I kvetch about it there is always someone who decides that my problem is clearly based on a gross misunderstanding of it, and if they just tried using little words I'd have my "oh! Now I see! It IS both alive and dead," I'd be convinced that this was a great mental exercise. Of course, when they do try to explain it in a sad attempt to sway my thoughts, and declare, "golly, that is a neat mental game – alive? dead? We don't know!," they never bring up quantum superposition, quantum mechanics, or the Copenhagen interpretation theory, which actually is interesting. And it's not because they know I'd get glassy eyed, hop onto a yawn Ferris wheel that I'd never exit, and would end up demanding more coffee and a pony to pat in order to be bribed into listening. No, they just want to take shortcuts, and try to bludgeon me into understanding that the cat is both alive and dead until it is observed. See? Get it? Again, alive and dead! ALL AT ONCE! My personal take on it is this: you put a cat in a box with no air holes, you introduce a radioactive substance and poison, and you have A DEAD CAT. So, in my unwillingness to open my mind to this bit of mental gymnastics, I tend to use my adult vocabulary and declare the whole thing as being both "stupid" and "irritating". That's also not a paradox! I observed it!
This brings me to boxes in general, and the one I currently have sitting on my table. It's a long running joke that I don't open boxes. I have no natural curiosity when it comes to what they might hold. I genuinely don't care about presents. I like them, I'm thankful for them, but I'm not going to go nuts trying to guess what's inside. So, earlier today I was thinking about that package, and how I have to open it, then it dawned on me "it's Schrödinger's cat!" Hear me out. Currently, it's in an unknown state where it is both amazing, and incredibly underwhelming and disappointing. Right now it's "special," a state that will disappear when observed. Once opened the contents become just things I own (or in this case determine whether to send back). So, the box sits on my table with the best things ever inside, and the worst things I've ever seen.
Schrödinger should have gone shopping more – appealed to those with a softer, non-murdery, pro-animal side. Just sayin'. Maybe once I'm done with Edison, I'll swing by to pick Erwin up, take him down 1930's 5th Avenue – we'll talk clothes, wrapped gifts, and making our theories accessible to everyone while simultaneously enjoying the magic of alternating current… and how nice cats can be.
This entry was posted in Random Thoughts and tagged boxes, Copenhagen interpretation theory, mansplaining, presents, quantum mechanics, Schrödinger's cat, Stitch Fix, theorires.


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River View Board of Education Notes
Submitted to the Tribune
WARSAW - The River View Board of Education held its monthly meeting on Feb. 8 to conduct routine business of the district.
Donations of $487 were received in January, plus two refrigerators for the teacher's lounge and clinic.
Ashley Storms of River View Junior High School was approved as a home instruction teacher for a seventh grade student. Roger Boatman was approved to move over one unused vacation day to 2018. Andrea Powelson's contract was adjusted from 5.5 hours to 8 hours per day at the same pay rate. Two new buses were purchased with two trade-ins submitted. The treasurer was authorized to advertise bids for the music department's heating and and cooling system.
Kendra Whiteus was approved as food service supervisor/district administrative assistant. Joel Moore was hired as director of transportation and district operations. Renee Anderson will take on extra duties as assistant to the transportation director along with serving as administration assistant to the superintendent.
Sara Lindemann from Germany will be a foreign exchange student for the next school year and stay with host family Nicholas and Ashley McMillin. A graduate student from Muskingum University will complete clinical practice at River View High School with teacher Dani Casey. Memorandums of understanding for the College Credit Plus program were signed with Zane State College, Kent State University, Rhodes State College and Stark State College.
Judy Carmony was approved as a volunteer assistant track coach for spring sports. Various coaches were approved to attend state tournaments for their sports and a football clinic March 2 and 3 in Cleveland.
Information submitted by Renee Anderson, administrative assistant to the superintendent.


The Centers for Medicare and Medicaid Services (CMS) published a proposed rule on November 5 regarding RAC activities for Medicaid programs. Section 6411 of the Patient Protection and Affordable Care Act (PPACA) requires states to contract with one or more Medicaid RACs by December 31, 2010. By that date, states are also required to submit to CMS a State Plan Amendment (SPA) which documents the initiation of the Medicaid RAC program. The proposed rule stated April 1, 2011 as a goal for Medicaid RAC implementation.
The proposed rule addresses four main points including contingency fees, reporting, appeals and coordination of audit efforts. Comments are requested on the current methodologies for determining the maximum contingency fees allowed under the Medicaid RAC program. According to the proposed rule, no state will pay a contingency fee higher than the maximum allowed under the Medicare RAC program, unless it provides ample justification for an exception based on the existing state law. States must also provide incentives for the identification of underpayments to the Medicaid payments.
In addition, under the proposed rule states will report to the federal government only the net amount of collected overpayments after contingency fees that were paid to the contractor have been subtracted from the total. Each state will be required to refund the federal share of the net overpayment amount to the federal government. States will also have to issue reports describing the effectiveness of their Medicaid RAC programs.
The proposed rule also requests comments on giving states the option to utilize an existing process for appeals of RAC determinations or creating a new one specifically tailored to an individual state's RAC program. This could result in each state creating its own appeals process.
Finally, the proposed rule also addresses the requirement that states coordinate Medicaid RACs with other already existing audit entities. CMS will seek to ensure that ongoing fraud investigations are not jeopardized, but also that the risk of overlapping audits is minimized.
For more information on Medicaid RACs or health care reform, please visit www.racattorneys.com or contact a Wachler & Associates attorney at 248-544-0888.