text:
Symphony No. 5 in C Minor
Ludwig van Beethoven (arr. Scott Stanton)
Subtitle: 1st Movement (Excerpt)
This work bears the designation Opus 67.
2 Instrumentation (Flexible)
Year: 1804-1808 / 2014
Original Medium: Orchestra
Publisher: C.L. Barnhouse
Cost: Score and Parts (print) - $50.00; | Score Only (print) - $6.00
Instrumentation (Flexible)
C Instruments
B-flat Instruments
B-flat Clarinet
E-flat Instruments
E-flat Alto Saxophone
E-flat Clarinet
E-flat Horn
Euphonium T.C.
B-flat Trombone T.C.
Euphonium B.C.
E-flat Contra-Alto Clarinet
E-flat Tuba
Bass Clef Instruments
Bass Part
Keyboard Bass
Tuba Part
Electric Piano
Orchestra Bells
One of Beethoven's best-known themes arranged by Scott Stanton for small bands, or those with instrumentation limitations. All students should be exposed to the great masters.
The Symphony No. 5 in C minor of Ludwig van Beethoven, Op. 67, was written between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, and it is widely considered one of the cornerstones of Western music.
First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterward. E. T. A. Hoffmann described the symphony as "one of the most important works of the time".
As is typical of symphonies in the classical period, Beethoven's Fifth Symphony is in four movements. The first movement opens with the four-note motif discussed above, one of the most famous motifs in Western music.
- Program Note from Wikipedia
Audio: Reference recording. MIDI realization
Allegretto (Flex instrumentation) (arr. Longfield) (1812/2011)
Europa (Flex instrumentation) (with Charpentier; arr. Haan) (2009)
The Great Beethoven Bonanza (Flex instrumentation) (arr. Jones) (2015)
March of the Guards (Flex instrumentation) (arr. Glover) (1805/2019)
Ode to Joy (Flex instrumentation (arr. Brand) (1824/2000(?))
Ode to Joy (Flex instrumentation) (arr. Fisher) (1824/2018)
Ode to Joy (Flex instrumentation) (arr. Stanton) (1824/2020)
Symphony No. 5 in C Minor (Flex instrumentation) (arr. Stanton) (1804-1808/2014)
Symphony No. 6, "Pastoral" Selections (Flex instrumentation) (arr. Kanayama) (1808/)
Variations on a Motive of Beethoven (Flex instrumentation) (arr. Ring) (1826/2020)
Adagio Cantabile (arr. Daehn) (1798/2009)
Adagio Pathétique (arr. Hautvast) (/2011)
Allegretto (arr. Court) (1812/1997)
Allegretto (ar. Longfield) (1812/2011)
The Allegretto from Beethoven's Symphony No. 7 (arr. Evans) (1812/2013)
Coriolan Overture (tr. Hanna)
Drei zapfenstreiche
Écossaise for Military Band (arr. Stalter) (1810/2015)
Egmont Overture (arr. Grevenbroek) (1810/2012)
Egmont Overture (tr. Hindsley) (1810/197-?)
Egmont Overture (tr. McLain) (1810/12015)
Egmont Overture (arr. Tobani) (1810/1900)
Egmont Overture (arr. Winterbottom) (1810/1924)
Eroica (arr. Ripley) (1804/1900)
The European Anthem (arr. Karajan) (1824/1972)
Finale to "Symphony No. 5" (arr. Isaac) (1804-1808/1965)
Finale to "Symphony No. 5" (adapt. Longfield) (1804-1808/2020)
First and Second Movements from Symphony No. 5 in C minor (arr. Godfrey) (1804-1808/1921)
Five Short Pieces for Wind Ensemble (arr. Reynolds) (1975)
For Elise (arr. Long) (1810/1992)
Für Elise (arr. Hautvast) (1810/2020)
Für Elise (arr. Korson) (1810/1867/20--?)
Grand Serenade (arr. Crusell; ed. Rogers) (1800/2004)
The Heavens Resound
Joyful, Joyful, We Adore Thee (arr. Kirkland)
Leonore Overture No. 3 (tr. Hindsley) (1806/197-?)
Marcia alla Turca (arr. Rondeau) (1809/2011)
March in B-flat. See: Marsch
March in F (arr. Dunnigan) (1809/1995)
Marsch (c. 1798/1865)
Military March (Beethoven) (adapt. Greissle) (1945)
Military March in D (ed. Bourgeois) (1816/2003)
Octet (1792/1834)
Octet (arr. Byrd) (1792/1834/2021)
Ode to Joy (arr. Barrett) (1824/1965/1995)
Ode to Joy (Flex instrumentation) (arr. Brand) (1824/2000(?))
Overture to "Fidelio" (arr. Sedlak)
Piano Concerto No. 1 (arr. Odom) (1795/2019)
Presto from "Symphony No. 7" (tr. Thompson) (1811/2018)
Prometheus Overture (arr. Barnes) (1801/1963)
Prometheus Overture (arr. Slocum) (1801/1987)
Quintet in E-flat Major, Op 16
Reflections in Moonlight (arr. Smith) (1801/2007)
Rocking 4 Elise (arr. Berger) (1810/2014)
Rondino (1793/195-?)
Scherzo and Finale from the Fifth Symphony (arr. Godfrey) (1804-1808/1920)
Scherzo from "Symphony No. 9" (arr. Bocook) (1824/2004)
Sextet (1796)
Sextet (1796/2020)
Siegessinfonie
Six Country Dances (tr. McAlister) (1988)
Symphony No. 1 in C major, Op. 21: Mvt. 1 (arr. Yu) (1800/2014?)
Symphony No. 1 Op. 21 (tr. Schmitt; ed. Marlow) (1800/1817/2007)
Symphony No. 3 (tr. Moehlmann; ed. Rogers) (1804/2020)
Symphony No. 5 in C minor (arr. Godfrey)
First and Second Movements (arr. Godfrey). See: First and Second Movements from Symphony No. 5 in C minor
Third and Fourth Movements (arr. Godfrey). See: Scherzo and Finale from the Fifth Symphony
Symphony No. 7 (arr. Wedlak) (1812/1989?)
Symphony No. 9 (tr. Vives) (1822-1824/2013)
Three Equale
Turkish March (arr. Curnow) (1809/2001)
The Yorck Marche. See: March in F
Perusal score
Symphony No. 5 (Beethoven), Wikipedia Accessed 28 May 2020
Retrieved from "https://www.windrep.org/index.php?title=Symphony_No._5_in_C_Minor&oldid=281316"

redpajama_set_name: RedPajamaCommonCrawl


Bovema Italia is a small flexible organization in Milano. Bovema is a specialist in energy-saving solutions and has been working across Europe for over twenty years in the smoke and heat evacuation sector and industrial ventilation.
The company's high skill level has made it a point of reference for consulting, designing and realizing these systems, guaranteeing high quality standards and a complete range of products and services offered. Innovation and engineering design are Bovema's strongpoints, making the company a unique, specialized point-of-reference..
Bovema guarantees its clients careful attention to specific needs, following every single development process involved in the project from design drafts to producing various systems, installation and periodic maintenance. The company's efficient Customer Care Service guarantees rapid intervention and assistance for every single system the company installs. Bovema's installation department is equipped for any kind of intervention, boasting the most advanced control systems and a technical lab that can fulfill any client need. That is the reason that Bovema still grows were competitors decreased up to 50% during the last 7 years.
Bovema is Brakel's sales outlet in Italy. For contracting we therefore kindly ask you to contact our alliance partner BOVEMA ITALIA.


Please update this guide as needed, we aim to collect feedback and roll the procedure into the official build.
The SpiderMonkey distribution's Windows build stuff is broken. See [[http://blog.endflow.net/?p=55&lang=en|this blog post]] for a working js.mak file. Don't bother trying to import the project file into a contemporary Visual Studio; just use the Visual Studio command line tools with the js.mak file referred to above.
and rename js.exe to couch_js.exe.
This is a wrapper to provide ICU features to CouchDB.
The simplest way to build a DLL is to create a Win32 DLL project in an IDE, add `couch_erl_driver.c` into the project, and change project settings to include the Erlang ERTS and ICU4C header paths. You must also include the various ICU `*.lib` files to the MSVC linker as inputs. MSVC doesn't know how to create a DLL with unresolved names.
Make sure that the `DbRootDir` exists and that the `LogFile` can be created.
[[http://localhost:5984/_utils/index.html]] and run the test suite.


text:
This is a sample demonstrating calling kiosk APIs from an extension in kiosk mode.

## Explanation of Files

### background.js

`background.js` handles receiving calls from external websites listed in the `externally_connectable` key of the `manifest.json` file. When receiving a message, the extension then calls specific APIs that are not normally exposed on the webpage or not available to be called from a webpage, such as [restart](https://developer.chrome.com/docs/extensions/reference/runtime/#method-restart) which is only available to kiosk applications.

### manifest.json

The `manifest.json` file describes the extension and provides key metadata about the extension. One important thing to note here is the `externally_connectable` field in the manifest. This field allows websites from that wildcard location `*://chromeos.dev/*` to call the extension. We have a [sample PWA](https://chromeos.dev/) deployed to that URL currently for users that are interested in testing the extension with a PWA.

Note that you will need to replace these 2 fields in the manifest.json file accordingly to match your self hosted extension information:
- key
- version
### manifest.xml

This is for self hosting the extension you want to test your PWA with. For more information on self hosting, the Chrome Enterprise Team has written [this document](https://docs.google.com/document/d/1pT0ZSbGdrbGvuCsVD2jjxrw-GVz-80rMS2dgkkquhTY/edit#heading=h.3cujn7pq4oul) which goes over in great detail self hosting extensions and accessing them within your organization.

Note that you will need to replace these 3 fields in the manifest.xml file accordingly to match your self hosted extension information:
- appid
- codebase
- version

## Extra documentation

* [Sending messages from web pages](https://developer.chrome.com/docs/extensions/mv3/messaging/#external-webpage)
* [Managing extensions in your enterprise](https://docs.google.com/document/d/1pT0ZSbGdrbGvuCsVD2jjxrw-GVz-80rMS2dgkkquhTY/edit#)
* [Chrome Extensions](https://developer.chrome.com/docs/extensions/mv3/)
<!-- TODO(@nohe427): add Chrome OS documentation when available -->

redpajama_set_name: RedPajamaGithub


Ref: 344237 Thank you for your report; we have logged this as a fault on our management system. Our current policy is for our contractor to attend electrical & structural emergencies as a priority; these will be attended within a 24hr period. All other faults are logged on our management system, for efficiency, these are grouped by area and the date they were reported, and the contractor attends against a programmed of works based on this approach.
Still broken. Still not working after all this time. Maybe fixing the warning lights for the school could be a slightly higher priority?
This issue was first reported over 9mths ago now. Any particular reason school warning lights are such a low priority?


text:
Q: How to define font color in NSDialogs I can create controls and other elements on a custom dialog, but I cannot seem to apply a desired color to the text in labels.
What I've tried-
${NSD_CreateLabel} 25% 15u 25% 15u "${SPEC_CPU_MIN} MHz"
Pop $lCPU_min
CreateFont $R9 "" 9 $R7
SendMessage $lCPU_min ${WM_SETFONT} $R9 0
${NSD_AddStyle} $lCPU_min ${SS_CENTER}

SetCtlColors $lCPU_min "" "0xfff799"

This simply fills the rectangle BEHIND the text. Does not affect the font itself.
Then I tried this -
SetCtlColors $lCPU_min "0xfff799" ""

This one simply had no effect whatsoever.
Any suggestions?
I'm using NSIS 2.46.

A: "" is not documented as a valid background color, try SetCtlColors $lCPU_min 0xFF0000 0x00FF00 or SetCtlColors $lCPU_min 0xFF0000 transparent

redpajama_set_name: RedPajamaStackExchange


"How ethical it is to support football since it is a sport that 'wreaks devastation on brains and condemns many players to diminished brain functioning, premature dementia, and the like.' ... Instead of asking if supporting football is moral or not I believe we should be asking ourselves as players, coaches, and fans how can we use the gifts, talents and abilities God has given us to create a culture in sports where we demonstrate the spirit of God and work for his glory."


Margaret Ritchie, South Down SDLP MP, has hit out at the impact that the UK Government's lobbying bill will have on charities and NGOs operating in Northern Ireland.
Speaking during Northern Ireland question time Ms Ritchie said: "This lobbying bill was meant to curb the dominant influence of large lobbyists and businesses but instead it will hit the work of local charities and third sector organisations that form such a vital part of political life in Northern Ireland. There is a particular issue that victims groups will be hit by these measures and will be unable to fulfil their critical role in advocating for victims of the conflict.
"In response to my question the Secretary of State offered only a glib reassurance that the Bill would affect only charities directly supporting candidates in elections. However that seems to be far from the case and there remains fears that the Bill will catch a whole range of practices that are vital to the work of the third sector.
"I have real concerns that this Bill will seriously impact the work all these organisations do representing victims and it could effectively gag civil society and the voluntary sector in the run up to elections. On top of this the new measures will bring a level of administrative and financial burden that these organisations will find very difficult to meet.
"Only this Conservative led government would have the audacity to turn a Bill that was meant to blunt the power of large lobbyists into one that punishes civil society for simply doing their job," added Ms Ritchie.


text:
Posts by Samthecat
Hard News: Media Take: Three decades on…, 16:07 Jun 22, 2016
My dad was gay as is my son. My revulsion at the uniform wearing and flag waving on the steps of Parliament at the time the petition was presented remains to this day. I won't donate to the Salvation Army and no one else in the family has since then. If they stop me in the street or come to the door I tell them why I won't give them any money. I guess the apology rang hollow to me, it just felt more like it was out of worry about donations drying up than genuine remorse. The Wellington City Mission gets our money instead.
Wellington • Since Feb 2010 • 8 posts Report Reply
Cracker: Martin Bosley's Ika Mata and…, 22:19 Dec 23, 2012
We always made Reindeer Pud, (they are magical so they eat pudding) the kids make up a mix of flour, water, raisins (ie whatever you have lying round) and leave in a bowl on the hearth together with a beer or two for Father Christmas and a carrot for the reindeer to nibble.... you make reindeer prints with three fingers into flour and dot them around, give the carrots a chew to leave teeth marks and flush the pud down the loo (leaving a suitably dribbled and scuffed area around the posed bowl) Mum was Jewish, who knows where she got this but it is now Tradition....
Field Theory: Man Moments, 21:25 Oct 12, 2012
My stockbroker sent me an email saying "having seen this you won't want to bother " and he was right. If they were aiming for the wankers and arseholes market they may have a hit, otherwise not. (ps I am a woman and a NZ investor, yes we exist)
Legal Beagle: Sanctuary!, 17:59 May 18, 2012
Serving documents always had a fun side......Way way back when I was a junior solicitor the firm I worked for had an extensive maritime practice. This meant arresting/ detaining ships in port. To do this you had to affix the writ or notice to the mast or to the stump provided for same. Problem was the crew would be keeping a look out. Women lawyers were rare back then but " ship girls " were not. I would gussy myself up, get the biggest meanest bloke on staff to accompany me and pop a hammer, tacks and a tape dispenser in a capacious handbag and set out. Leave bloke on wharf looking nonchalant, up the gangplank, saunter to the mast, whip out the writ and affix same. Off with the stilettos and down the gangplank at a run. I had the only 100% served record in the office.
OnPoint: 3 News Exclusive Investigation…, 22:07 Nov 6, 2011
Hey, give us right wingers a break.
We are a so called "right wing" household - 1 ex Labour (long term member, electorate committee and all) waiting until they get their act together. One tribal Nat (except for the year he voted for "the other side" which amusingly was the year he chaired the local National electorate committee and Labour won) and a youthful libertarian (aren't they all ?) who has a mate standing for ACT. We ALL shouted at the screen during that story.
Personally having had to spend 10 years working my way through a law degree in the 70's I would have loved a student loan. It still makes me snicker when I get the youngsters in my office complaining about their student loans while signing up to buy a used car from a finance house. My standard line is "One of these things is an investment in your future, and it ain't the car". They pay no heed.
Hard News: A Work of Advocacy, 21:26 Apr 19, 2011
Some time back my sister, who is a softy for any animal support group needed a parking place on the Wellington Hospital campus when working there. She was offered one at what seemed to be a really really good price up and off Mein Street....turned out to be where the "activists" thought the Malagan Institute and Abortion clinic staff parked.....she had acid poured on her car (by both sides) was spat on (by both sides), lunged at and hit (yup you guessed it - by both sides). It escalated to death threats made to her home phone and to the house and to ours and the rest of the family and finally she just gave up the park. Thing was, her work involved research designed to help women who suffer repeated natural miscarriages and her volunteer work was the SPCA. And you know what, both lots of "activists " knew that because they knew her, it had nothing to do with their causes, it was all about them and their personal need to show how staunch and special and hard arse they were. We actually got very good advice as to how to cope with this shit from the police. Frankly it was not pleasant at the time (especially with them telling you they knew which school your kids went to) and I now have absolutely zero time for animal rights activists, the anti-abortionists were bad, but the animal rights crew were frankly crazy dangerous.
Hard News: The First Draft, 21:04 Mar 1, 2011
Just popped over to the TV 3 site to register my approval for the John Campbell interview with Ring. Frightening people with untruths when you stand to gain monetarily from it is simply evil and such people should be pilloried when appropriate.
Hard News: Holiday Open Thread 1: Beach…, 20:03 Jan 5, 2011
Well this year ain't been great. Our Mum died on the 25th December after being very sick for long time, it has been a harrowing 18 months. We had been prepared to a degree and now, after the funeral we have dispersed to beaches near and far to just deal as best we can....she was 80 and an incredible woman.
We believe she was the first ever woman pathologist in NZ though we have some trouble proving it as they registered in the UK back then. In later life she helped out with a school literacy program and she could never get them to understand that she didn't carry a gun and solve murders....that was the CSI effect.
So now the family are spread out - Wainui Beach, Waikanae (the Kapiti one) and Ocean Beach....we will remember all those long wonderful beach holidays we shared


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If you like this android apps you can get Solar Movies apps download too.
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text:
// =================== DO NOT EDIT THIS FILE ====================
// Generated by Modello 1.8.3,
// any modifications will be overwritten.
// ==============================================================

package com.webix.ui.model.form;

  //---------------------------------/
 //- Imported classes and packages -/
//---------------------------------/

import com.webix.ui.model.AnimateConfig;
import com.webix.ui.model.Baselayout;
import com.webix.ui.model.Baseview;
import com.webix.ui.model.DelimiterConfig;
import com.webix.ui.model.EventHandler;
import com.webix.ui.model.EventHandlerList;
import com.webix.ui.model.GraphItemConfig;
import com.webix.ui.model.NavigationConfig;
import com.webix.ui.model.PaddingConfig;
import com.webix.ui.model.Proto;
import com.webix.ui.model.RGBColorList;
import com.webix.ui.model.TypeConfig;
import com.webix.ui.model.UnknownType;
import com.webix.ui.model.View;
import com.webix.ui.model.auxiliary.Calendar;
import com.webix.ui.model.auxiliary.Colorboard;
import com.webix.ui.model.auxiliary.Pager;
import com.webix.ui.model.auxiliary.Resizer;
import com.webix.ui.model.auxiliary.Spacer;
import com.webix.ui.model.auxiliary.Tooltip;
import com.webix.ui.model.auxiliary.Video;
import com.webix.ui.model.context.Context;
import com.webix.ui.model.context.Contextmenu;
import com.webix.ui.model.context.Datasuggest;
import com.webix.ui.model.context.Gridsuggest;
import com.webix.ui.model.context.Menu;
import com.webix.ui.model.context.Popup;
import com.webix.ui.model.context.Submenu;
import com.webix.ui.model.context.Suggest;
import com.webix.ui.model.context.Window;
import com.webix.ui.model.data.Chart;
import com.webix.ui.model.data.Datatable;
import com.webix.ui.model.data.Dataview;
import com.webix.ui.model.data.Grouplist;
import com.webix.ui.model.data.List;
import com.webix.ui.model.data.Property;
import com.webix.ui.model.data.Tree;
import com.webix.ui.model.data.Treetable;
import com.webix.ui.model.data.Unitlist;
import com.webix.ui.model.html.Htmlform;
import com.webix.ui.model.html.Iframe;
import com.webix.ui.model.html.Scrollview;
import com.webix.ui.model.html.Template;
import com.webix.ui.model.layouts.Accordion;
import com.webix.ui.model.layouts.Accordionitem;
import com.webix.ui.model.layouts.Carousel;
import com.webix.ui.model.layouts.Form;
import com.webix.ui.model.layouts.Headerlayout;
import com.webix.ui.model.layouts.Layout;
import com.webix.ui.model.layouts.Multiview;
import com.webix.ui.model.layouts.Tabview;
import com.webix.ui.model.layouts.Toolbar;

/**
 *
 * An editable text control with dynamically added removable
 * fields.
 * Check multitext
 * documentation for more detailed description.
 *
 *
 * @version $Revision$ $Date$
 */
@com.webix.ui.model.WebixEvent({
    com.webix.ui.model.Event.ON_AFTER_RENDER,
    com.webix.ui.model.Event.ON_AFTER_SCROLL,
    com.webix.ui.model.Event.ON_BEFORE_RENDER,
    com.webix.ui.model.Event.ON_BIND_REQUEST,
    com.webix.ui.model.Event.ON_CHANGE,
    com.webix.ui.model.Event.ON_DESTRUCT,
    com.webix.ui.model.Event.ON_ITEM_CLICK,
    com.webix.ui.model.Event.ON_KEY_PRESS,
    com.webix.ui.model.Event.ON_LONG_TOUCH,
    com.webix.ui.model.Event.ON_SWIPE_X,
    com.webix.ui.model.Event.ON_SWIPE_Y,
    com.webix.ui.model.Event.ON_TIMED_KEY_PRESS,
    com.webix.ui.model.Event.ON_TOUCH_END,
    com.webix.ui.model.Event.ON_TOUCH_MOVE,
    com.webix.ui.model.Event.ON_TOUCH_START,
    com.webix.ui.model.Event.ON_VIEW_RESIZE
})
@com.webix.ui.model.WebixName("multitext")
@javax.xml.bind.annotation.XmlRootElement
public class Multitext
    extends View
    implements java.io.Serializable
{

      //--------------------------/
     //- Class/Member Variables -/
    //--------------------------/

    /**
     * The alignment of the control within the parent container

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String align;

    /**
     * Sets an hash of HTML input attributes that will be parsed
     * for the Webix input control

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("hash")
    private java.util.Map<String, String> attributes;

    /**
     * Click action handler

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("functor")
    private String click;

    /**
     * The id or node, whose content will be moved to the view

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("id|element")
    private String content;

    /**
     * Sets a hotkey that triggers button clicking

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String hotkey;

    /**
     * Sets an icon type

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String icon;

    /**
     * Sets icon width

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String iconWidth;

    /**
     * The height of the input area, or a button's text value
     * area.

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("number")
    private Integer inputHeight;

    /**
     * Padding of text in the input

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("number")
    private Integer inputPadding;

    /**
     * The width of the input area, or a button's text value
     * area.

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("number")
    private Integer inputWidth;

    /**
     * The text label of the control

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String label;

    /**
     * Positions label above the control

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String labelPosition;

    /**
     * The width of the label

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("number")
    private Integer labelWidth;

    /**
     * Name of the control

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String name;

    /**
     * Placeholder text for the input

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String placeholder;

    /**
     * Allows to attach pop-up menu to the button

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("object")
    private String popup;

    /**
     * Configures readonly mode for the input

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("boolean")
    private Boolean readonly;

    /**
     * Action to call when value of cell changes

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String relatedAction;

    /**
     * Id of view, that will be affected by relatedAction
     * operation

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String relatedView;

    /**
     * Marks field as required

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("bool")
    private Boolean required;

    /**
     * Sets a delimiter for control's values

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String separator;

    /**
     * Links suggest list to the input

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string|view")
    private View suggest;

    /**
     * Defines whether the control will be included in the tab
     * navigation order

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("bool")
    private Boolean tabFocus;

    /**
     * Tooltip for the input

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String tooltip;

    /**
     * The type of the control

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String type;

    /**
     * Adds validation to the field

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("bool")
    private Boolean validate;

    /**
     * On which event validation fires

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("string")
    private String validateEvent;

    /**
     * Sets the initial value for a control

Webix
     * API Reference
     */
    @com.webix.ui.model.WebixType("id")
    private UnknownType value;

      //-----------/
     //- Methods -/
    //-----------/

    /**
     * Get the alignment of the control within the parent
     * container

Webix
     * API Reference
     *
     * @return String
     */
    public String getAlign()
    {
        return this.align;
    } //-- String getAlign()

    /**
     * Get sets an hash of HTML input attributes that will be
     * parsed for the Webix input control

Webix
     * API Reference
     *
     * @return java.util.Map<String, String>
     */
    public java.util.Map<String, String> getAttributes()
    {
        return this.attributes;
    } //-- java.util.Map<String, String> getAttributes()

    /**
     * Get click action handler

Webix
     * API Reference
     *
     * @return String
     */
    public String getClick()
    {
        return this.click;
    } //-- String getClick()

    /**
     * Get the id or node, whose content will be moved to the
     * view

Webix
     * API Reference
     *
     * @return String
     */
    public String getContent()
    {
        return this.content;
    } //-- String getContent()

    /**
     * Get sets a hotkey that triggers button clicking

Webix
     * API Reference
     *
     * @return String
     */
    public String getHotkey()
    {
        return this.hotkey;
    } //-- String getHotkey()

    /**
     * Get sets an icon type

Webix
     * API Reference
     *
     * @return String
     */
    public String getIcon()
    {
        return this.icon;
    } //-- String getIcon()

    /**
     * Get sets icon width

Webix
     * API Reference
     *
     * @return String
     */
    public String getIconWidth()
    {
        return this.iconWidth;
    } //-- String getIconWidth()

    /**
     * Get the height of the input area, or a button's text value
     * area.

Webix
     * API Reference
     *
     * @return Integer
     */
    public Integer getInputHeight()
    {
        return this.inputHeight;
    } //-- Integer getInputHeight()

    /**
     * Get padding of text in the input

Webix
     * API Reference
     *
     * @return Integer
     */
    public Integer getInputPadding()
    {
        return this.inputPadding;
    } //-- Integer getInputPadding()

    /**
     * Get the width of the input area, or a button's text value
     * area.

Webix
     * API Reference
     *
     * @return Integer
     */
    public Integer getInputWidth()
    {
        return this.inputWidth;
    } //-- Integer getInputWidth()

    /**
     * Get the text label of the control

Webix
     * API Reference
     *
     * @return String
     */
    public String getLabel()
    {
        return this.label;
    } //-- String getLabel()

    /**
     * Get positions label above the control

Webix
     * API Reference
     *
     * @return String
     */
    public String getLabelPosition()
    {
        return this.labelPosition;
    } //-- String getLabelPosition()

    /**
     * Get the width of the label

Webix
     * API Reference
     *
     * @return Integer
     */
    public Integer getLabelWidth()
    {
        return this.labelWidth;
    } //-- Integer getLabelWidth()

    /**
     * Get name of the control

Webix
     * API Reference
     *
     * @return String
     */
    public String getName()
    {
        return this.name;
    } //-- String getName()

    /**
     * Get placeholder text for the input

Webix
     * API Reference
     *
     * @return String
     */
    public String getPlaceholder()
    {
        return this.placeholder;
    } //-- String getPlaceholder()

    /**
     * Get allows to attach pop-up menu to the button

Webix
     * API Reference
     *
     * @return String
     */
    public String getPopup()
    {
        return this.popup;
    } //-- String getPopup()

    /**
     * Get action to call when value of cell changes

Webix
     * API Reference
     *
     * @return String
     */
    public String getRelatedAction()
    {
        return this.relatedAction;
    } //-- String getRelatedAction()

    /**
     * Get id of view, that will be affected by relatedAction
     * operation

Webix
     * API Reference
     *
     * @return String
     */
    public String getRelatedView()
    {
        return this.relatedView;
    } //-- String getRelatedView()

    /**
     * Get sets a delimiter for control's values

Webix
     * API Reference
     *
     * @return String
     */
    public String getSeparator()
    {
        return this.separator;
    } //-- String getSeparator()

    /**
     * Get links suggest list to the input

Webix
     * API Reference
     *
     * @return View
     */
    public View getSuggest()
    {
        return this.suggest;
    } //-- View getSuggest()

    /**
     * Get tooltip for the input

Webix
     * API Reference
     *
     * @return String
     */
    public String getTooltip()
    {
        return this.tooltip;
    } //-- String getTooltip()

    /**
     * Get the type of the control

Webix
     * API Reference
     *
     * @return String
     */
    public String getType()
    {
        return this.type;
    } //-- String getType()

    /**
     * Get on which event validation fires

Webix
     * API Reference
     *
     * @return String
     */
    public String getValidateEvent()
    {
        return this.validateEvent;
    } //-- String getValidateEvent()

    /**
     * Get sets the initial value for a control

Webix
     * API Reference
     *
     * @return UnknownType
     */
    public UnknownType getValue()
    {
        return this.value;
    } //-- UnknownType getValue()

    /**
     * Get configures readonly mode for the input

Webix
     * API Reference
     *
     * @return Boolean
     */
    public Boolean isReadonly()
    {
        return this.readonly;
    } //-- Boolean isReadonly()

    /**
     * Get marks field as required

Webix
     * API Reference
     *
     * @return Boolean
     */
    public Boolean isRequired()
    {
        return this.required;
    } //-- Boolean isRequired()

    /**
     * Get defines whether the control will be included in the tab
     * navigation order

Webix
     * API Reference
     *
     * @return Boolean
     */
    public Boolean isTabFocus()
    {
        return this.tabFocus;
    } //-- Boolean isTabFocus()

    /**
     * Get adds validation to the field

Webix
     * API Reference
     *
     * @return Boolean
     */
    public Boolean isValidate()
    {
        return this.validate;
    } //-- Boolean isValidate()

    /**
     * Set the alignment of the control within the parent
     * container

Webix
     * API Reference
     *
     * @param align
     */
    public void setAlign( String align )
    {
        this.align = align;
    } //-- void setAlign( String )

    /**
     * Set sets an hash of HTML input attributes that will be
     * parsed for the Webix input control

Webix
     * API Reference
     *
     * @param attributes
     */
    public void setAttributes( java.util.Map<String, String> attributes )
    {
        this.attributes = attributes;
    } //-- void setAttributes( java.util.Map<String, String> )

    /**
     * Set click action handler

Webix
     * API Reference
     *
     * @param click
     */
    public void setClick( String click )
    {
        this.click = click;
    } //-- void setClick( String )

    /**
     * Set the id or node, whose content will be moved to the
     * view

Webix
     * API Reference
     *
     * @param content
     */
    public void setContent( String content )
    {
        this.content = content;
    } //-- void setContent( String )

    /**
     * Set sets a hotkey that triggers button clicking

Webix
     * API Reference
     *
     * @param hotkey
     */
    public void setHotkey( String hotkey )
    {
        this.hotkey = hotkey;
    } //-- void setHotkey( String )

    /**
     * Set sets an icon type

Webix
     * API Reference
     *
     * @param icon
     */
    public void setIcon( String icon )
    {
        this.icon = icon;
    } //-- void setIcon( String )

    /**
     * Set sets icon width

Webix
     * API Reference
     *
     * @param iconWidth
     */
    public void setIconWidth( String iconWidth )
    {
        this.iconWidth = iconWidth;
    } //-- void setIconWidth( String )

    /**
     * Set the height of the input area, or a button's text value
     * area.

Webix
     * API Reference
     *
     * @param inputHeight
     */
    public void setInputHeight( Integer inputHeight )
    {
        this.inputHeight = inputHeight;
    } //-- void setInputHeight( Integer )

    /**
     * Set padding of text in the input

Webix
     * API Reference
     *
     * @param inputPadding
     */
    public void setInputPadding( Integer inputPadding )
    {
        this.inputPadding = inputPadding;
    } //-- void setInputPadding( Integer )

    /**
     * Set the width of the input area, or a button's text value
     * area.

Webix
     * API Reference
     *
     * @param inputWidth
     */
    public void setInputWidth( Integer inputWidth )
    {
        this.inputWidth = inputWidth;
    } //-- void setInputWidth( Integer )

    /**
     * Set the text label of the control

Webix
     * API Reference
     *
     * @param label
     */
    public void setLabel( String label )
    {
        this.label = label;
    } //-- void setLabel( String )

    /**
     * Set positions label above the control

Webix
     * API Reference
     *
     * @param labelPosition
     */
    public void setLabelPosition( String labelPosition )
    {
        this.labelPosition = labelPosition;
    } //-- void setLabelPosition( String )

    /**
     * Set the width of the label

Webix
     * API Reference
     *
     * @param labelWidth
     */
    public void setLabelWidth( Integer labelWidth )
    {
        this.labelWidth = labelWidth;
    } //-- void setLabelWidth( Integer )

    /**
     * Set name of the control

Webix
     * API Reference
     *
     * @param name
     */
    public void setName( String name )
    {
        this.name = name;
    } //-- void setName( String )

    /**
     * Set placeholder text for the input

Webix
     * API Reference
     *
     * @param placeholder
     */
    public void setPlaceholder( String placeholder )
    {
        this.placeholder = placeholder;
    } //-- void setPlaceholder( String )

    /**
     * Set allows to attach pop-up menu to the button

Webix
     * API Reference
     *
     * @param popup
     */
    public void setPopup( String popup )
    {
        this.popup = popup;
    } //-- void setPopup( String )

    /**
     * Set configures readonly mode for the input

Webix
     * API Reference
     *
     * @param readonly
     */
    public void setReadonly( Boolean readonly )
    {
        this.readonly = readonly;
    } //-- void setReadonly( Boolean )

    /**
     * Set action to call when value of cell changes

Webix
     * API Reference
     *
     * @param relatedAction
     */
    public void setRelatedAction( String relatedAction )
    {
        this.relatedAction = relatedAction;
    } //-- void setRelatedAction( String )

    /**
     * Set id of view, that will be affected by relatedAction
     * operation

Webix
     * API Reference
     *
     * @param relatedView
     */
    public void setRelatedView( String relatedView )
    {
        this.relatedView = relatedView;
    } //-- void setRelatedView( String )

    /**
     * Set marks field as required

Webix
     * API Reference
     *
     * @param required
     */
    public void setRequired( Boolean required )
    {
        this.required = required;
    } //-- void setRequired( Boolean )

    /**
     * Set sets a delimiter for control's values

Webix
     * API Reference
     *
     * @param separator
     */
    public void setSeparator( String separator )
    {
        this.separator = separator;
    } //-- void setSeparator( String )

    /**
     * Set links suggest list to the input

Webix
     * API Reference
     *
     * @param suggest
     */
    public void setSuggest( View suggest )
    {
        this.suggest = suggest;
    } //-- void setSuggest( View )

    /**
     * Set defines whether the control will be included in the tab
     * navigation order

Webix
     * API Reference
     *
     * @param tabFocus
     */
    public void setTabFocus( Boolean tabFocus )
    {
        this.tabFocus = tabFocus;
    } //-- void setTabFocus( Boolean )

    /**
     * Set tooltip for the input

Webix
     * API Reference
     *
     * @param tooltip
     */
    public void setTooltip( String tooltip )
    {
        this.tooltip = tooltip;
    } //-- void setTooltip( String )

    /**
     * Set the type of the control

Webix
     * API Reference
     *
     * @param type
     */
    public void setType( String type )
    {
        this.type = type;
    } //-- void setType( String )

    /**
     * Set adds validation to the field

Webix
     * API Reference
     *
     * @param validate
     */
    public void setValidate( Boolean validate )
    {
        this.validate = validate;
    } //-- void setValidate( Boolean )

    /**
     * Set on which event validation fires

Webix
     * API Reference
     *
     * @param validateEvent
     */
    public void setValidateEvent( String validateEvent )
    {
        this.validateEvent = validateEvent;
    } //-- void setValidateEvent( String )

    /**
     * Set sets the initial value for a control

Webix
     * API Reference
     *
     * @param value
     */
    public void setValue( UnknownType value )
    {
        this.value = value;
    } //-- void setValue( UnknownType )

}


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Robert Reich: Why the common good disappeared (and how we get it back)
Americans' trust in things is disappearing. And it's easy to see why.
Check out this article! https://www.salon.com/2018/02/26/robert-reich-why-the-common-good-disappeared-and-how-we-get-it-back_partner/
February 26, 2018 8:59AM (UTC)
This article was originally published by RobertReich.org.
In 1963 over 70 percent of Americans trusted government to do the right thing all or most of the time; nowadays only 16 percent do.
There has been a similar decline in trust for corporations. In the late 1970s, 32 percent trusted big business, by 2016, only 18 percent did.
Trust in banks has dropped from 60 percent to 27 percent. Trust in newspapers, from 51 percent to 20 percent. Public trust has also plummeted for nonprofits, universities, charities, and religious institutions.
Why this distrust? As economic inequality has widened, the moneyed interests have spent more and more of their ever-expanding wealth to alter the rules of the game to their own advantage.
Too many leaders in business and politics have been willing to do anything to make more money or to gain more power – regardless of the consequences for our society.
We see this everywhere – in the new tax giveaway to big corporations, in gun manufacturer's use of the NRA to block gun controls, in the Koch Brother's push to roll back environmental regulations, in Donald Trump's profiting off his presidency.
No wonder much of the public no longer believes that America's major institutions are working for the many. Increasingly, they have become vessels for the few.
The question is whether we can restore the common good. Can the system be made to work for the good of all?
Some of you may feel such a quest to be hopeless. The era we are living in offers too many illustrations of greed, narcissism, and hatefulness. But I don't believe it hopeless.
Almost every day I witness or hear of the compassion of ordinary Americans – like the thousands who helped people displaced by the wildfires in California and floods in Louisiana; like the two men in Seattle who gave their lives trying to protect a young Muslim woman from a hate-filled assault; like the coach who lost his life in Parkland, Florida, trying to shield students from a gunman; like the teenagers who are demanding that Florida legislators take action on guns.
The challenge is to turn all this into a new public spiritedness extending to the highest reaches in the land – a public morality that strengthens our democracy, makes our economy work for everyone, and revives trust in the major institutions of America.
We have never been a perfect union; our finest moments have been when we sought to become more perfect than we had been. We can help restore the common good by striving for it and showing others it's worth the effort.
I started my career a half-century ago in the Senate office of Robert F. Kennedy, when the common good was well understood, and I've watched it unravel over the last half-century.
Resurrecting it may take another half century, or more. But as the theologian Reinhold Niebuhr once said, "Nothing that is worth doing can be achieved in our lifetime; therefore we must be saved by hope."
Robert B. Reich is Chancellor's Professor of Public Policy at the University of California at Berkeley and Senior Fellow at the Blum Center for Developing Economies. He served as Secretary of Labor in the Clinton administration, for which Time Magazine named him one of the ten most effective cabinet secretaries of the twentieth century. He has written 15 books, including the best sellers "Aftershock", "The Work of Nations," and"Beyond Outrage," and, his most recent, "The Common Good." He is also a founding editor of the American Prospect magazine, chairman of Common Cause, a member of the American Academy of Arts and Sciences, and co-creator of the award-winning documentary, "Inequality For All." He's also co-creator of the Netflix original documentary "Saving Capitalism."
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Posts Tagged Viber
Top Ten Lines in the FCC's Staff Analysis and Findings
Posted by Hal Singer in FCC, merger, spectrum, Staff Report on December 2, 2011
Geoff Manne's blog on the FCC's Staff Analysis and Findings ("Staff Report") has inspired me to come up with a top ten list. The Staff Report relies heavily on concentration indices to make inferences about a carrier's pricing power, even though direct evidence of pricing power is available (and points in the opposite direction). In this post, I have chosen ten lines from the Staff Report that reveal the weakness of the economic analysis and suggest a potential regulatory agenda. It is clear that the staff want T-Mobile's spectrum to land in the hands of a suitor other than AT&T—the government apparently can allocate scare resources better than the market—and that the report's authors define the public interest as locking AT&T's spectrum holdings in place.
Top Ten Lines in the Staff Report
"While there is more to establishing likely competitive harms than measuring market and spectrum concentration, these [concentration] metrics shed light on the scope and scale of the competition that would be eliminated by the proposed transaction." Staff Report, para. 17. An important admission. The staff is signaling that the merger analysis cannot begin and end with a concentration analysis. The Staff Report fails to explain, however, what more is needed to establish anticompetitive effects. The answer is direct evidence that the merging firms significantly constrain each other's ability to raise prices. And the Staff Report fails on this score.
"Second, the proposed transaction would result in the elimination of a nationwide rival that has played the role of a disruptive competitive force in the marketplace." Staff Report, para. 17. Setting aside the weakness of the claim that T-Mobile—the only major carrier to lose subscribers in 2010—is a disruptive force, the Staff Report fails to explain how T-Mobile's supposed disruption has anything to do with the instant merger. Is the staff saying that T-Mobile is so disruptive and so irreplaceable that any merger eliminating T-Mobile would be anticompetitive? The Staff Report's "disruptive" evidence, chronicled from paragraphs 21 through 28, could be regurgitated in a Sprint/T-Mobile merger review or in a Leap/T-Mobile review. Would those mergers be presumptively anticompetitive as well? Critically, the evidence of T-Mobile being a disruptive force does not speak to the issue of whether T-Mobile constrains the price of AT&T.
"Market concentration statistics of the type generated by this transaction commonly indicate that buyers would have fewer viable choices, making both unilateral and coordinated competitive effects more likely." Whether concentration statistics indicate anticompetitive effects in general or in a hypothetical U.S. market is beside the point. What matters here is whether concentration statistics are a good predictor of higher wireless prices. And the answer is a resounding no. As the former chief economist of the FCC has noted in a forthcoming paper, wireless concentration is negatively correlated with wireless prices. At a minimum, the FCC should note this finding—the abstract has been viewed nearly 1500 times and the full paper has been downloaded 250 times from SSRN—and provide the proper caveats to any concentration analysis they conduct regarding the wireless industry.
"Although T-Mobile faces challenges as the industry develops and responds to the increasing data demands of consumers, the record does not support the bleak short-term outlook for T-Mobile that AT&T has portrayed in its submissions." Staff Report, para. 22. To say that T-Mobile faces challenges is an understatement: T-Mobile is uniquely losing subscribers and its German owners want out of the U.S. market. How can the agency better predict the short-term outlook for T-Mobile? Is there a crystal ball in the FCC's basement? If the short-term were as rosy as the agency suggests, then why would T-Mobile's owners—who presumably have the best vantage on the firm's future performance—seek a buyer right before a turnaround in performance?
"These initiatives [announced by T-Mobile's CEO before the transaction] might have strengthened T-Mobile's disruptive role in the industry, for example by highlighting its unlimited data plans, and using them to define its brand and differentiate it from rival brands that have adopted tiered pricing." Staff Report, para. 23. How can T-Mobile go from a disruptive force to an even stronger disruptive force? You can't be half-pregnant, and you can't be half-disruptive. It seems that the Staff Report is now saying that T-Mobile would have been disruptive but for the transaction, which caused T-Mobile to abandon these really stupendous plans. According to footnote 61, these initiatives were announced in a T-Mobile press release on January 20, 2011. But the agency doesn't bother to see how the market reacted to these initiates. It is curious that the agency would stake its disruptive claims on something so speculative.
"T-Mobile has also repeatedly acted as a pricing innovator over the past few years, introducing offers such as . . . T-Mobile introduced a simple online tool that allows a subscriber to manage all services on a multi-line family plan, for example, setting and changing the limits for minutes, messages and downloads (e.g., games, ring tones) on a child's line." Staff Report, para. 24. According to the Staff Report, this "innovation" is among the seven most disruptive offerings from T-Mobile since 2007. Seriously? Is this impressive to anyone out there? Even assuming T-Mobile was the first to allow wireless users to adjust their settings online, how in the world did that constrain AT&T's ability to set prices? The other innovations cited in the Staff Report are equally unimpressive. How well did that Unlimited Hotspot Calling or T-Mobile Hotspot @Home work out? If none of the major carriers embrace an offering like those, can we safely infer that they weren't so innovative? If you want to make free Wi-Fi calls on your phone, download Viber. Yawn.
"[O]ur analysis of the record reflects that T-Mobile charges lower prices than the other nationwide firms." Staff Report, para. 25. Apparently, the staff doesn't want you to know that T-Mobile had its legs cut out by regional carriers such as Leap and MetroPCS. Indeed, T-Mobile's executives have admitted as much publicly, explaining how it was caught between the high-end service of AT&T and Verizon and the low-end, no-frills service of Leap and MetroPCS. And no firm wants to be caught in the middle of the road. Speaking of being caught, the staff should not offer such misleading statistics. To make things concrete, in Washington D.C., T-Mobile offers a $39.99 per month plan that includes 500 minutes of voice and no text messages. In comparison, Leap offers a $35 per month plan that has unlimited voice minutes and includes text messages. But the Staff Report wouldn't count Leap's offering because Leap is not a "national" carrier, despite Leap's offering wireless service in 35 states covering 100 million people.
"T-Mobile expressed interest [in selling wholesale access to Cablevision], had previously exhibited a willingness to sell wholesale mobile wireless capacity, and, in Cablevision's view, was likely to continue to have excess capacity it could use to serve Cablevision's customers in the future. Although the outcome of any negotiation is uncertain, a deal between Cablevision and T-Mobile appeared to be beneficial to both parties." Staff Report, para. 28. The staff here wants us to believe that in addition to the proposed merger undercutting T-Mobile's initiatives to revamp the firm, the proposed transaction would undercut a prospective deal with Cablevision that would ostensibly bring benefits to Cablevision's customers in parts of New York, New Jersey, and Connecticut. Well now this all makes sense: Stop a merger that could generate benefits to AT&T's and T-Mobile's nationwide customers to preserve Cablevision's option to offer a quad-play to its customers in three states. Cudos to the cable lobbyists for getting their client's concerns front and center in the FCC's merger analysis. Setting aside the uncertainty surrounding the actual wholesale discussion that Cablevision and T-Mobile may or may not have entertained, the Staff Report suggests incorrectly that Cablevision depends uniquely on T-Mobile for spectrum, and that Cablevision's customers would benefit significantly from having a sixth or seventh wireless option. As further evidence of how out of touch the Staff Report is from market realities, Verizon just announced that it was purchasing all of the AWS spectrum held by several cable companies, a market reality inconsistent with the staff's views that T-Mobile's innovative future lay in partnerships with cable companies.
"Combined, these five regional providers accounted for approximately six percent of the industry's total subscribers and revenues at the end of 2010. None of these providers' networks cover more than 34 percent of the U.S. population, and for most their more advanced broadband networks are smaller." Staff Report, para. 38. Because these regional providers do not have the potential to serve 100 percent of the U.S. population, it makes no sense to denominate their size in terms of nationwide subscribers. Doing so necessarily understates their importance in the local markets they serve. By way of analogy, Comcast's in-region share of video subscribers or "video penetration" is roughly 44 percent, whereas its share of nationwide video subscribers is roughly 25 percent. Of course, the latter statistic bears no relation to Comcast's pricing power. Moreover, while Leap or MetroPCS alone do not cover a majority of the nation, their roaming agreement (and complementary footprints) allows each firm to provide nationwide coverage. Again, the Staff Report appears to be playing fast and loose with the data.
"AT&T's unilateral incentive to raise price in this case arises because providers sell differentiated products, and many of AT&T's customers view T-Mobile as their second choice at current prices. . . . Local number porting data (data on where customers go when they switch wireless providers while keeping their phone number) indicate that each of them [the major carriers] has customers who view T-Mobile products as their second choice." Staff Report, para. 50. What does "many" mean in this context? And what does it mean to have at least some customers who switched to T-Mobile? Could "many" AT&T customers mean five percent? Any share less than T-Mobile's probability-adjusted market share of roughly 16 percent (equal to T-Mobile's share divided by 100 less AT&T's share) would not be evidence of significant cross-price elasticity between AT&T and Sprint. The Staff Report later defines "many" as "a non-trivial fraction of AT&T's customers." But why is the standard so low? Later the Staff Report claims that "a substantial fraction" of AT&T customers switched to T-Mobile, and did so "in response to changes in the relative price of T-Mobile products and the introduction of new T-Mobile products." Setting aside its loose standard (from "many" to "non-trivial" to "substantial") of economic significance, porting data cannot tell you why a customer switched from one carrier to another. To assess cross-price elasticity, one must estimate an econometric model using customer-level wireless bills, which the Staff Report does not do. Finally, to bolster its evidence of cross-price elasticity, the Staff Report cites a T-Mobile "Losing Your Shirt" advertising campaign targeting AT&T's customers. That T-Mobile aspired to attract AT&T customers does not constitute evidence that T-Mobile actually disciplines AT&T's prices. Many computer companies aspire to topple Apple, but that doesn't make it so.
As you digest these criticisms, think of how an economic expert could defend these statements upon cross examination. Although the authors of the report will never be subjected to such an exam, it is a bit surprising that such bald and unsupported statements could survive the cutting-room floor.
AT&T, Geoff Manne, Leap, MetroPCS, Sprint, TOTM, Truth On the Market, Verizon, Viber
Debunking the New York Times Editorial on Wireless Competition
Posted by Hal Singer in competition, FCC, text messaging, wireless on October 27, 2011
Yesterday, the editorial page of the New York Times opined that wireless consumers needed "more protection" than that afforded by voluntary agreements by the carriers and existing regulation. The essay pointed to the "troublesome pricing practices that have flourished" in the industry, including Verizon's alleged billing errors, as the basis for stepped up enforcement. As evidence of a lack of wireless competition, the editorial cites several indicia, none of which is persuasive.
Let's address each indicator in turn. (For readers interested in a more rigorous analysis of wireless competition, see the recent paper I co-authored with Gerry Faulhaber and Bob Hahn, forthcoming in the Federal Communications Law Journal.)
NYT: "Most customers, locked into their contracts by high early-termination penalties, have no easy way to switch providers."
Although many wireless contracts contain early-termination fees (ETFs), the fees generally decline as the contract nears expiration. For example, AT&T's fee begins at $325 and declines by $10 each month. One year into the contract and the fee becomes a fancy dinner date and a movie (not including the popcorn). The editorial fails to recognize that ETFs are a substitute for handset subsidies by the carriers: Limit ETFs and those subsidies will decline. Moreover, customers who are highly adverse to ETFs can either pay the full freight of the handset under a post-paid plan or enter into a pre-paid plan (and again pay full freight). I am happy to make a commitment—the prospect of an ETF makes my commitment credible—in exchange for a big discount on the latest iPhone.
NYT: "And two companies — Verizon and AT&T — now control 60 percent of the market nationwide."
According to the FCC's 14th Annual report (Chart 1), the combined shares of AT&T and Verizon are 55 percent, not 60 percent. Setting aside that rounding error, barring evidence of coordinating pricing by AT&T and Verizon, it makes no sense to add together their respective shares when assessing market power. To the extent that market shares have any meaning, Verizon's market share alone (and not the sum of Verizon's and AT&T's share) informs Verizon's market power. The same is true for AT&T. But as demonstrated by the Faulhaber paper, market shares have no predictive power of wireless prices (and hence market power), whether across time or across geography at a given point in time.
NYT: "Take cellphone text messaging. Companies typically charge from $5 for 250 texts a month (2 cents per message) to $20 for an unlimited package. Pay-as-you-go rates can be as high as 20 cents a message. But the cost of sending a text message is about a third of a penny, according to Congressional testimony from Srinivasan Keshav, a professor at the University of Waterloo. The markup is enormous."
Like wireless voice services, the price of text messaging is falling. According to Nielsen (2011), the effective price per text message declined from six cents to a penny from 2005 to 2010. If one cent per message is not the right price, what is? Of course, the margins on any service in a network industry with steep fixed costs will be large. But they need to be large to induce the operator to take the risk of building the network in the first instance. Moreover, savvy wireless users with a data plan can download applications that replicate the functionality of text messaging for free. A search for "SMS text messaging for free" from Apple's App Store yields myriad hits, beginning with textPLUS, Textfree, Fake-a-Message, Text-for-Free, Text Me!, Messagey, Fake Text Free, iText, and Texter. So long as carriers allow users to install these apps, we should expect text messaging prices to decline further.
NYT: "Even the most expensive monthly wireless data plans, costing about $15 for 250 megabytes or 6 cents per megabyte, are orders of magnitude cheaper than cellphone text pricing."
For the reasons explained above, the days of surcharges for texting appear to be numbered. As these free-texting and other applications such as Viber (free Internet-based calls) increasingly cannibalize the carriers' basic offerings, difficult policy issues emerge, like whether the carriers should be allowed to decide which applications can be used on their systems. Limiting a carrier's ability to exclude such applications (or even charge for them) might put upward pressure on the price of the data plan.
NYT: "It is hugely profitable for companies to segregate voice, data and text into different plans and to force customers to buy a different plan for each device, like a phone or a tablet. But, on today's networks, segregating services makes little sense technologically. This expensive segregation would be more difficult to maintain if the market were truly competitive and consumers could easily switch from one company to another that offers a better deal."
Setting aside the inconvenient fact that voice, data and text are different services from the perspective of customers, why not look at switching data directly to see whether customers are trapped? Churn refers to the percentage of wireless customers who depart for other carriers. Assuming that most departing customers find a new wireless home, churn data are a reasonable proxy for switching data. In the first quarter of 2011, U.S. carriers reported monthly churn rates between 1.3 (for pre-paid customers) and 4.3 percent (for post-paid customers). Ignoring customer additions, a carrier that begins the year with 10 million customers and experiences a 2 percent monthly churn ends up losing 2.15 million of those original customers (roughly 21 percent) over the year. By this measure, wireless customers are hardly locked into place.
Finally, in addition to asking the FCC to curtail ETFs on phone contracts, the editorial requests that additional spectrum be made "available to more competitors." I interpret "more" to mean "carriers that do not rhyme with KT&T or with Spurizon." If only there was no such thing as spectrum exhaust, the social costs of excluding AT&T and Verizon from the next auction would be trivial. But alas, as acknowledged by the FCC's National Broadband Plan and demonstrated in a new report by Peter Rysavy, existing carriers need access to at least 500 MHz of additional spectrum to support the precipitous increase in demand for bandwidth-intensive wireless applications. Yet another new study by the Global Information Industry Center at the University of California, San Diego shows wireless demand outstripping capacity shortly. When licensing any future spectrum, the FCC must carefully balance the need to ensure quality of service for existing subscribers against the speculative benefit of adding a sixth or seventh local carrier—90 percent of the population is served by at least five carriers according to the FCC's 15th Wireless Report—to an already competitive wireless environment.
AT&T, New York Times, TOTM, Truth On the Market, Verizon, Viber


5yr Old Son Is Having Problems With Neg. Attention Seeking Behavior. How Can I Stop It?
Top Communities Stories Feeling Sick Eating Problem 10 Year Old Daughter Is Mean At School But Sweet With Me Baby #3...?
I have a 5yo who is strong willed. What has helped us recently is keeping track of certain behaviors that we are working on being respectful, being honest, and being obedient. We give him check marks throughout the day regarding his behavior. If he gets 0 check marks, he gets to stay up later. If he gets 3 check marks, he goes to bed 15 minutes early and 4 or more check marks is 30 minutes earlier. If he only gets 1 or 2 check marks, he goes to bed at the usual time. This seems to help him and the bedtime is a sure motivation. He also gets additional chores as consequences for each behavior. Just find your child's motivation, maybe its removing privileges.
I'm having the exact same problem. All I can figure is that we have to give them some positive attention to combat it and stay strong with the fact that bad behavior is bad behavior. My son has a hard time when priviledges get taken away - like staying at a friends house - so I use that to encourage good behavior too. Good luck! We both need it!
Time outs? Also, make sure that you are giving him tons of credit for the good things he does so he sees that he can get attention that way and it's positive attention. Make sure he doesn't think that misbehaving is the easiest way to attention. During the time-outs I would make sure to try to give him minimal attention so he understands that he is just going to be left by himself to sit on his own for 5 minutes every time he is bad.
How to deal with student who cannot stop talking?
How do I stop the tantrums??


Welcome to the official website for Internationally renown wildlife artist W. A. Westwood.
Wayne has combined a passion for creating stunningly realistic paintings with a love of wildlife and nature, to produce paintings which are sought after and collected by both art lovers and nature lovers throughout the world.
His eye for detail and 'moment' has set him aside from other artist's in this field and he has quickly become one of the leading exponents of wildlife painting in the UK.
The paintings show nature at its most beautiful, from domestic animals to the kings of the jungle, each is perfectly captured for your enjoyment.


Nicolette Moses is the Associate Producer and Planning Manager for the Baxter Theatre, a position she has held since 2010. She is a trained classical ballet and contemporary dancer who graduated from the UCT School of Dance. Following a sojourn abroad, Nicolette joined the Jazzart Dance Theatre, which she managed before joining CAPAB as head of the Audience Development department. In the transition from CAPAB to Artscape, Nicolette worked as Project Manager and then Artistic Manager until 2001. During her time at Artscape, she also worked extensively with the Nederlands Dance Theater. She was appointed as Project Manager at the Baxter Theatre Centre in 2003, and shortly thereafter started heading up the annual Baxter Dance Festival. Now in its 14th year, we sat down with Nicolette to chat about this year's festival.
Chantal Stanfield is an actress and singer who has featured in a number of South Africa's leading television and stage productions. In the last year, she has charmed South African audiences by featuring on local Television soap operas Sewende Laan and Getroud met Rugby. After completing a run in Rock of Ages at the Lyric Theatre, her one-woman self-written show From Koe'siestes to Kneidlach makes its Cape Town debut at the Baxter Theatre following a successful Joburg engagement. We sat down at the Baxter to chat about her career, being labeled a "Soap Star" and finding the courage to create her own work.
Over the course of her career, stage and screen actress Jennifer Steyn has gifted audiences with some truly iconic performances. Fresh off her recent Fleur du Cap Theatre Award win for her role as Sara in Lara Foot's The Inconvenience of Wings, Jennifer is back on stage, this time tackling the role of the strong-willed painter Galactia in Howard Baker's Scenes from an Execution. In addition to her work as an actress, Jennifer is also a director and a voice and performance teacher. We sat down with her at the Baxter Theatre to discuss her new production, her career and the moments that have inspired her.
Galina Juritz is an accomplished violinist and composer. Her latest composition, Madness: Songs of Hope and Despair, makes its return to The Baxter after an acclaimed one night only performance last year. Madness: Songs of Hope and Despair, brings mental illness and psychotic experiences into the spotlight using a combination of music, song and imagery in an attempt to portray the complexities and also the wonder of these strange and ultimately unknowable worlds. We sat down with Galina at The Baxter to chat about the show and her hopes for the future of her career.


One rack units with unbalanced Jack inputs, mono / stereo and input link switches. Hi-Fi terminal outputs. Designed to be used in stereo, 2 channels 2x75 Watts 4 ohms, mono 4 channels 75 Watt 4 ohms and bridge 4 channels 150 Watt 8 ohms.
Two rack units with balanced XLR inputs, mono / stereo and input link switches. Hi-Fi terminal outputs. Designed to be used in stereo, 4 channels 2x150 Watts 4 ohms, mono 8 channels 150 Watt 4 ohms and bridge 4 channels 300 Watt 8 ohms.
1 rack unit. Balanced XLR inputs. Speakon outputs. Stereo 2x500 Watts 4 ohms power. Bridge 1x1000 Watts 8 ohms power.


The storied drummer Chico Hamilton, who recorded more than 60 albums as a leader over the last six decades, died Monday in New York. The Los Angeles native, who was born Foreststorn Hamilton and who had played with Charles Mingus, Duke Ellington, Dexter Gordon and Gerry Mulligan and many others, was 92.
A perpetually striving musician, Hamilton over the years employed greats such as Paul Horn, Eric Dolphy, Ron Carter, Gabor Szabo, Charles Lloyd, Larry Coryell and Arthur Blythe when they were up and comers. This 1962 track features Hamilton with Szabo, Lloyd, trombonist George Bohanon and bassist Albert Stinson.
In 1987, Hamilton helped to found the New School University Jazz and Contemporary Music Program in New York City.
Always a connoisseur of West Coast jazz, the Ottawa Jazz Festival's late programming manager, Jacques Emond, brought Hamilton and his group to play in Confederation Park in 1993.
He remained active into his 90s, releasing three albums with his Euphoria band in 2011. Here's Hamilton performing last December at DROM in New York.
JazzWax blogger Marc Myers conducted a fascinating three-part interview with Hamilton in 2009, which you can begin reading here.
Jazz writer Ted Panken has compiled several interviews and an unedited DownBeat blindfold test that he conducted with Hamilton, and they're dynamite.
Rest in peace, Chico Hamilton.


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Q: AS3 - Dynamically attaching a class using variable This is a pretty straight forward query.
I have a bunch of MovieClips in the library, set to export for ActionScript as follows:
Overlay_1
Overlay_2
Overlay_3
...
...
...

There may be more and their names might be anything (for example, not numerically ascending).
Currently, to add one of these MovieClips to the stage I would use the following Script:
var overlay_1:Overlay_1 = new Overlay_1();
addChild(overlay_1);

The problem with this I want to set a variable with a string, let's say "Overlay_6" and then add the MovieClip from the library that has that Export name to the stage.
For example:
var overlayToAdd:String = "Overlay_6";

var overlayCotent:this[overlayToAdd] = new this[overlayToAdd+"()"];
addChild(overlayCotent);

The end result being that what ever string I set the variable 'overlayToAdd' to is what gets picked out of the library and added to the stage.
If someone could help id be aver so grateful!  I'll then be free to set the 'overlayToAdd' variable to values from arrays or however I want!
In the old days (AS2), I would have just used an eval function but that's gone now.

A: I solved it!
Okay so my solution is as follows, hope this helps others!
var overlayName:String;
var overlayClass:Class;
var overlaySprite:Sprite;
overlayName="Overlay_1"; //This can be set by pretty much anything like an array value etc.
overlayClass=getDefinitionByName(overlayName) as Class;
overlaySprite=new overlayClass();
addChild(overlaySprite);


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Ryn Weaver shares new song "The Fool" — listen
Passion Pit and Charli XCX-approved pop singer readies her debut album
by Michelle Geslani
on April 10, 2015, 10:47am
On June 16th, rising pop singer Ryn Weaver will release her debut album, The Fool, via Mad Love/Interscope Records. The 11-track effort features production by Passion Pit frontman Michael Angelakos and Benny Blanco (Jessie Ware, Katy Perry). Already we've heard previews in the smash single "OctaHate" (co-written by Charli XCX) and "Promises"; now Weaver's revealed the LP's title track.
Taking a page from the Passion Pit playbook, it's a glimmering synthpop cut that's equal parts sad and sweeping, an infectious jam that still knows what it means to be vulnerable, too. "Just to clear any confusion…#thefool is only part love song," Weaver wrote in a recent tweet. "It's more about how I will ruin everything than being in love." Listen in below.
The Fool Tracklist:
02. OctaHate
03. Pierre
04. Stay Low
05. Sail On
06. The Fool
07. Promises
09. Traveling Song
10. Here Is Home
11. New Constellations
In support of the new album, Weaver will be touring North America this spring/summer, including festival stops at Coachella, Bonnaroo, Firefly, Pemberton, Osheaga, Outside Lands, and Lollapalooza.
Ryn Weaver 2015 Tour Dates:
04/11 – Indio, CA @ Coachella Music Festival
04/14 – Las Vegas, NV @ The Cosmopolitan
04/15 – San Francisco, CA @ The Independent
06/11 – Manchester, TN @ Bonnaroo Music Festival
06/18 – Dover, DE @ Firefly Music Festival
07/11 – Santa Ana, CA @ Constellation Room
07/13 – Los Angeles, CA @ El Rey
07/16 – Pemberton, BC @ Pemberton Music Festival
07/17 – Seattle, WA @ Neumos
07/19 – Denver, CO @ Bluebird Theater
07/21 – Minneapolis, MN @ Triple Rock Social Club
07/23 – Philadelphia, PA @ Theatre of the Living Arts
07/24 – Washington, DC @ U Street Music Hall
07/25 – New York, NY @ Music Hall of Williamsburg
07/28 – Cambridge, MA @ The Sinclair
07/29 – New York, NY @ Bowery Ballroom
07/31 – Chicago, IL @ Lollapalooza
07/31 – Montreal, QC @ Osheaga
08/04 – Toronto, ON @ The Garrison
08/09 – San Francisco, CA @ Outside Lands
Michael Angelakos
Ryn Weaver
North American Tour
US Festivals
Adam Sandler's Little Nicky derailed a Nightmare on Elm Street prequel
Joss Whedon slams Jurassic World for sexist gender roles


Classical 90.5 is now accepting your used car, boat, RV, truck or scooter. Donating is easy and all vehicle proceeds go to support the music you hear on WSMC. Call 877.WSMC.CAR (877.976.2227), or complete the online form.
Not always. It does have to have an engine and be towable. It varies from state to state and depends upon the year, make, and model of the vehicle. Sometimes if the cost to transport a vehicle will cost more than what it will bring at auction, it may be declined. Call our toll-free line (877.WSMC.CAR) or complete this online form to find out if your vehicle qualifies.
Our driver will instruct you of the proper place to sign your title. You may need to sign a power of attorney authorizing us to transfer it. Our driver will let you know what is required, or you can call our toll-free number (877.WSMC.CAR) to speak our representative.
You will receive a tow receipt when the vehicle is picked up. Thirty days after the vehicle is sold, you will receive an acknowledgement. If your vehicle sells for more than $500, you will receive IRS Form 1098 B & C.
Effective 2005, if the value of the vehicle is more than $500, the taxpayer is limited to deducting the amount for which the vehicle sold. In such a case, you will receive a Form 1098 B & C within 30 days of sale. If the vehicle sells for less than $500, you will not receive IRS forms as you are not required to file them for vehicle donations up to $500. Please consult your tax advisor to determine your benefit or for additional information, visit the IRS website at http://www.irs.gov/pub/irs-drop/n-05-44.pdf.
Your vehicle will be picked up by one of our courteous drivers and sold at auction. Cars are usually sold within 30 days of pickup. Some vehicles may take longer.
Yes. If the vehicle sells for more than $500, you will receive IRS Form 1098 B & C. If not, you will simply receive an acknowledgement as required by the IRS.
Vehicles are picked up at a time that is convenient for you. Our representative will take all pertinent information regarding your donation and forward it to our tow company. That company will call you within 24 hours to set up an appointment. If you have not been called within 24 hours, please call 877-WSMC-CAR.
We take cars, boats (if they are on a trailer), motor homes, trucks, motorcycles (if they are operational), farm equipment, and recreational vehicles such as snowmobiles, jet skis, etc. Call our representative to find out if your vehicle qualifies.
But the most important reason is that your donation will help WSMC provide the classical music you love! Call 877.WSMC.CAR today!


From San Francisco to Los Angeles along Highway 1. Then moving on to San Diego, Las Vegas and Grand Canyon.
And the travel company was excellent!
It was almost impossible not to start humming on 'Are you going to San Francisco' by Scott McKenzie.
The city looks so peaceful from here.
Two years later it's time to cross the Golden Gate again, but this time we're heading south.
A cable car going up the steep California Street. The speed is regulated by pulling a large lever that makes the car hook into the chain that rolls in the tracks.
Every trip to San Francisco must include a visit to the moody sea lions at Pier 39. Even from a distance their noises are deafening.
Driving across the territory of Arnold the Governator.
Not the best beach, but it's a start. California contains about 1000 miles of beaches that include flat, sandy expanses or rocky shores.
There are signs along the highway that says 'Fine $1000 for littering'. I can understand why.
This beautiful bridge was build in 1932. It is often mistaken for the better-known and larger Bixby Creek Bridge.
Arriving in the cozy town of Monterey. It is well known for its excellent aquarium where the sea otters are particularly cute. Later the same evening we stood on the rooftop seen straight ahead and saw wild otters swimming in the bay.
One of the fantastic exhibits is this stunning one-million-gallon tank, home to the world's largest community of open-ocean animals including giant bluefin tuna, hammerhead sharks and huge sea turtles.
This is the largest permanent collection of jellyfish species in the United States, beautifully lit in a dark room.
Arriving in the beautiful city of Carmel, where Clint Eastwood used to be mayor. As our feet touched the fine-grained sand, we instantly knew why.
The future is just around the corner.
Not even Till Lindemann would swim here.
The restrained smile could be hiding a faulty hand-brake and a dent in the front.
I wish there were more roads like this back home.
Objects in mirror are closer than they appear, as car manufactures tend to write everywhere.
Would you let this man drive your car?
The Hearst Castle is located close to San Simeon, situated on a hill overlooking the Pacific Ocean. This palatial estate of newspaper magnate William Randolph Hearst contains 165 rooms and countless expensive items.
The view of the Pacific is adequate for your morning coffee. The gardens of the estate are littered with priceless sculptures, including 19th dynasty egyptian statues.
Another good place for a swim is the indoor roman pool. It is styled after ancient roman baths.
Seems like we're on the right track.
This is the charming Danish village located in the Santa Barbara County. Much of the movie Sideways was filmed here. The buildings and bakeries follow traditional Danish styles.
Back home we adopt children and rain forests. In America, they adopt highways.
Arriving in LA! At least the road is a lot wider than the coastal highway, but unfortunately there are a zillion other cars in the eight lines of traffic.
Driving in LA is a refreshing experience, better than double espressos.
I have a distinct feeling that our car rental agency won't like this image at all. This is from the set of War of the worlds, actually located next to the house on the hill where Norman Bates' mother lived in the movie Psycho.
Yes, so I am a movie buff. Shoot me, but I just had to take this picture.
An ordinary sight on the streets of LA.
Home of Hasselhoff and the other baywatchers.
Make sure to stay away from the splash zone!
The sea lions are not as friendly as they look.
This penguin studied us thoroughly for a while, and I came to think of the penguin squad in the Madagascar movie.
At first I thought it was a hallucination, but this is a 4 1/2-mile dirt road leading from Interstate 15 to Zzyzx.
Not a good place for gas stops.
The strip section of Las Vegas Boulevard is the active part of Las Vegas, crammed with hotels and casinos.
This was actually the view from our hotel room window. The green thing is the MGM, and beyond it dawn on the horizon where the desert begins.
The daylight version of the famous water show is also excellent.
The lovely exterior of the Venetian, with the Mirage volcano a bit away.
The interior is not bad either. This indoor setting beats most of the outdoor settings I've seen in a while.
No city replica is complete without an indoor square, with an opera singer on the balcony to the left.
Finally reaching the end of the journey. Time for a Evel Knievel trick! Notice the people on the left.
A bit tired and dusty, but quite happy with the view.


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Tag: Fishing
Photos 1 - 30 of 2060
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A fisherman fishing on a canal at Najirpur in Pirojpur district of Bangladesh.
BPL049760
Fishermen catch fishes in the sea beach at the Saint Martin Island. Cox's Bazar, Bangladesh.
Sea beach at Saint Martin Island on the Bay of Bengal. Cox's Bazar, Bangladesh.
Fishermen rowing boat on the Bay of Bengal near Saint Martin Island. Cox's Bazar, Bangladesh.
Fishing boats on the Bay of Bengal near Teknaf. Cox's Bazar, Bangladesh
A woman catches young shrimps on the Kholpetua River at Gabura near Sundarbans. Satkhira, Bangladesh.
A child catching baby shrimps on the Kholpetua River at Gabura near Sundarbans. Satkhira, Bangladesh.
People catching baby shrimps on the Kholpetua River at Gabura near Sundarbans. Satkhira, Bangladesh.
Fishing boat anchored on the bank of Kholpetua River at Gabura in Shyamnagar. Cyclone Aila flooded this area in 2009, the land is too salty to grow plants. Satkhira, Bangladesh
Fishermen catches of their cultivated fish at a pond at Shibganj in Bogra, Bangladesh.
Copyright © 2020 Bengal Pix Ltd. All Rights Reserved.


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Every TV Show, Movie, and Original Coming to Netflix This Week
By Allison Schonter - January 14, 2020 02:34 pm EST
Netflix is kicking off a new week with a slate of new content, giving subscribers plenty to look forward to by week's end. This week, the streamer will be stocking a total of 15 new titles, many of them original series and films.
Among the new additions set to be added beginning on Monday are heartwarming tales of man's best friend, new additons to the Netflix Family shelves, the penultimate season premiere of one beloved comedy, and Tyler Perry's first title of the new year.
Keep scrolling to see everything set to be added to the streaming library this week, and don't forget to check out all of the titles that are set to leave before the end of the month!
Slide 1 of 7'The Healing Powers of Dude'
Netflix is telling the story of a boy and man's best friend in its heartwarming new series The Healing Powers of Dude.
Stocked in the streaming library on Monday, Jan. 13, the comedy series follows 11-year-old Noah Ferris, who, struggling with social anxiety disorder and on the brink of transitioning from homeschool to middle school, forms a close bind with Dude, a scruffy, high-energy emotional support dog.
Created by Sam Littenberg-Weisberg and Erica Spates, the series stars Jace Chapman, Tom Everett Scott, and Larisa Oleynik.
Slide 2 of 7'Kipo and the Age of Wonderbeasts'
Netflix is spinning a new family-friendly post-apocalyptic tale in Kipo and the Age of Wonderbeasts, from DreamWorks Animation.
The postapocylptic tale, an animated coming of age story, is set in a world after The Great Mutant Outbreak of 2017, which forced humans underground, and sees Kipo thrust to the surface following a giant mutant attack. Far from her Terrarium home, Kipo gets a crash course on apocalyptic survival and bands together with other surface dwellers -both human and mutant – as she attempts to find her home.
The series stars Karen Fukuhara, Deon Cole, Coy Stewart, Sydney Mikayla and Dee Bradley Baker. It will be available for streaming on Tuesday, Jan. 14.
Slide 3 of 7'Grace and Frankie: Season 6'
Emmy winning comedy Grace and Frankie is returning for its penultimate season on Wednesday, Jan. 15.
The popular Netflix original series follows Grace and Frankie as their lives are turned upside down after their husbands reveal they are gay and leave them for each other. Both sparring partners and partners-in-crime, they form an unlikely bond to face an uncertain future together and discover a new definition of "family," with laughter, tears and plenty of mood enhancers along the way.
In Season 6, Grace and Frankie will be jumping into the Shark Tank to pitch their latest invention – a contraption that helps lift senior citizens off the toilet. The season will also see a surprise marriage announcement, an arrest, and a health scare.
Season 6 will mark the second to last for the beloved series, with Netflix having announced in September that Grace and Frankie will end following its seventh season.
Slide 4 of 7'Sex Education: Season 2'
The birds and the bees are back for a second season of Netflix's Sex Education on Friday, Jan. 17.
Following Otis Milburn, an inexperienced, socially awkward high school student who lives with his sex therapist mother, Season 1 saw him profiting off of her experitise and his own intuitive talent for sex advice when he started a sex clinic at school at the suggestion of Maeve Wiley.
Season 2 will find Otis mastering "master his newly discovered sexual urges in order to progress with his girlfriend Ola" all while dealing with his tense relationship with Maeve. Meanwhile, Moordale Secondary experiences a Chlamydia outbreak, "highlighting the need for better sex education."
Slide 5 of 7'Tyler Perry's A Fall from Grace'
Tyler Perry's first title of 2020, Tyler Perry's A Fall From Grace, is launching on Netflix on Friday.
The Netflix original film, a romantic thriller, is centered around Grace Waters, "a longtime pillar of her Virginia community" who moves on with a new man following when her ex-husband marries his mistress. Feeling restored by her new romance, things quickly begin to unravel, and she finds herself behind bars awaiting trial for his murder, public defender Jasmine Bryant her only hope for vindication.
Tyler Perry's A Fall from Grace stars Crystal Fox, Phylicia Rashad, Bresha Webb, Mehcad Brooks, Cicely Tyson, and Perry.
Slide 6 of 7What Else Is Being Added This Week?
Proving that 2020 is already setting up to be a big one for fresh content, Netflix will be adding an additional 10 titles throughout the week.
Avail. 1/14/20:
Quien a hierro mata – NETFLIX FILM
NiNoKuni – NETFLIX ANIME
Hip-Hop Evolution: Season 4 – NETFLIX ORIGINAL
Tiny House Nation: Volume 2
Vivir dos veces – NETFLIX FILM
Wer kann, der kann! – NETFLIX ORIGINAL
Slide 7 of 7What's Leaving This Week?
Unfortunately, it can't all be good news, and three titles will be making their departures by week's end.
Leaving 1/15/20:
Short Term 12
'Friends' Reunion in Jeopardy Due to Alleged Financial Dispute
'Killer Inside': Netflix Fans Are Hooked on New Aaron Hernandez Documentary Series
'Lord of the Rings': Cast for Amazon Series Revealed
Netflix Claims 'Uncut Gems' With Adam Sandler Would Be Streaming Soon, But Then Deletes Their Tweet


text:
Een stal is een overdekte plaats waar dieren, in het bijzonder vee, gehuisvest worden.

Er zijn verschillende soorten stallen:
Beddenstal
Grupstal, oud type stal voor rundvee
Kalverbox
Kippenhok
Ligboxenstal of loopstal, waarin het vee vrij kan rondlopen
Melkstal, waarin de koeien worden gemolken
Paardenstal kan als 'paardenbox' of als 'paardenstand' voorkomen
Potstal, een oud type stal voor schapen en rundvee. Nu weer in gebruik bij de biologische veeteelt.
Schaapskooi

Meestal bevindt de stal zich naast of in een boerderij. Vroeger waren er bij een kasteel ook stallen.

In Nederland waren er in de periode tussen 2012 en 2020 jaarlijks gemiddeld 37 stalbranden, waarvan 17 met dierlijke slachtoffers. Daarbij overleden gemiddeld 143.000 dieren per jaar, in totaal bijna 1,3 miljoen.

Trivia
 Met een 'zwijnenstal' of Augiasstal wordt een niet opgeruimde of smerige kamer vol rommel bedoeld.
 De stal werd in de zomer, als het vee in de wei stond, ook wel zomerstal genoemd.

Zie ook
 Stalraam
 Koninklijke Stallen
 Stalhouderij

 Stal
Veeteelt

redpajama_set_name: RedPajamaWikipedia


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Guillermo Ochoa Net Worth and Biography
December 10, 2020 October 12, 2019 by Kenneth
Guillermo Ochoa is a Mexican soccer professional who has a net worth of $5 million. He currently plays as a goalkeeper for Club América. There he's under contract until 30th of June 2023.
Guadalajara, Mexico
Soccer (Goalkeeper)
Credits to marca.com
Guillermo Ochoa Net Worth
Where did Ochoa play in the past?
Francisco Guillermo Ochoa Magana was born on July 13, 1985, in Guadalajara, Jalisco, Mexico. His father's name is Guillermo Ochoa Sanchez and his mother's Natalia Magana Orozco. Guillermo Ochoa's popular nickname is "Memo".
Ochoa was playing with his hometown club before he made his professional debut with Club América in 2004. In 2017, he married Karla Mora.
Guillermo Ochoa has a net worth of $8 million usd. Currently, he is under contract to Liga MX side Club América. The goalkeeper is the highest paid Mexican soccer player in the MX League, and has an estimated salary of 87.5 million pesos a year (or $4.5 million a year). This income is on par with Tigres star André-Pierre Gignac.
While in Standard Liege, Ochoa earned a lot less. The goalkeepers annual salary was $900,000 while his weekly wage is $17,500. Back in 2014, he also earned $2.275 million annually.
Report of Aug 13, 2019, shows up the market value of Ochoa to be $3.57 million while his highest market value was reported to be $11.52 million. We took the average of all data, and keeping his million dollar salary with América in mind, we estimate his total net worth at $8 million.
Most online sources will show $5 million, but $8 million will be closer to reality.
Information and details about his real estate properties and endorsement deals are not disclosed. This will be updated as soon as this information is available for the public.
Ochoa made his career debut with Mexican first-class club América at the age of eighteen. The Dutch coach Leo Beenhakker, decide he could play agains CF Monterrey during the 2004 Clausura-tournament.
From 2011 to 2014, he played at AC Ajaccio (located in Corsica) in the French Ligue 1. At that French team he didn't miss a single league match. He played 38 official matches in the 2013/14 season.
After his appearances in the group matches at the 2014 World Cup in Brazil, media started rumors that there would be interest from the English league. Arsenal and Liverpool would have been interested in a transfer for the Mexican goalkooper, who was clubless at the time. Also AS Monaco showed some interest for the goalkeeper. On August 1, 2014, Málaga CF announced the arrival of Ochoa. During his first year in Spain he did not play during the entire competition (the Cameroonian goalkeeper Carlos Kameni was preferred). He played during six games of the Copa del Rey. Málaga rented Ochoa in July 2016 for a year to Granada CF.
After that, he played 2 seasons for Standard de Liège (in the Belgian competition). Since August 2019, he's back where it all started and joined the Mexican team Club América once again.
2003 – 2011: Club América (Mexico)
2011 – 2014: AC Ajaccio (France)
2014 – 2016: Málaga CF (Spain)
2016 – 2017: Granada CF (Spain)
2017 – 2019: Standard de Liège (Belgium)
August 2019 – … : Club América (Mexico)
Guillermo Ochoa has had a successful soccer career so far. 8 years later he's back where it all started for him (but with a way bigger paycheck). He's a great goalkeeper and can be compared with some of the best in the world. That's why we believe he deserves the net worth he currently has. For sure, we haven't heard the last of Guillermo Ochoa.


Knick Knack Records is proud to announce the seventh studio album from GravelRoad titled "Mississippi Time" slated for a June 8, 2018 release. The album was recorded at Dial Back Sound in Water Valley, Mississippi with Bronson Tew engineering and mixing.
Here's a preview of the new album via the first single titled "Get It Right!"


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Back the bid!
Michael Appleton has called on Rovers supporters to play their part in the club's bid for a place at Wembley.
After the goalless draw at the Den on Sunday, Rovers and Millwall will do battle once more at Ewood Park this Wednesday night, kick-off 7.30pm, with the manager knowing just how crucial a large vocal backing can be in influencing the result.
"I'm delighted that we have the opportunity in front our own fans," said the Rovers boss.
"The Millwall fans were very vocal at the Den and they certainly helped their side at certain moments in the game.
"So my message to the Rovers supporters is that we want as many fans to get through the gates and get behind the players.
"It is going to be a fantastic occasion on Wednesday night and the fans can play a massive, massive part in helping to hopefully push us through to a semi-final at Wembley."
Supporters are advised to get their tickets in advance of Wednesday's match as large queues are expected in the run-up to the 7.30pm kick-off.
Tickets are priced at £18 for Adults, £12 for Seniors/Students and £6 for Juniors under 16.
Book online today at www.onerovers.co.uk and collect your tickets from the Blackburn End colleciton point nice and early on the day of the game.