I want to get a Hornet 600cc after I get my full restricted (UK), in the summer. But what are disadvantages of having a naked bike like the Hornet vs a faired bike like a CBR? Not really looking in speed comparisons, and I am told that most Naked bikes are more comfortable as they are build for more road use... tampikan lainnya I want to get a Hornet 600cc after I get my full restricted (UK), in the summer.
But what are disadvantages of having a naked bike like the Hornet vs a faired bike like a CBR?
Not really looking in speed comparisons, and I am told that most Naked bikes are more comfortable as they are build for more road use rather than speed.
I also plan to get some 'drop bars' installed, so if I do drop it, it won't damage the engine.
Jawaban Terbaik: There was a time when all bikes were "naked" bikes. Fairings were typically added by the owner to suit his purposes. Sport fairings as standard equipment have only been around for about twenty-five years, long enough, I guess, to make the naked bike seem a departure from the norm.
Motorcycle fairings have two primary functions, rider protection and aerodynamics. On a racing motorcycle, aerodynamics and top speed are paramount. On a touring motorcycle, rider protection and comfort are most important.
A naked bike sacrifices the benefits of a fairing in exchange for lighter weight and convenience. A naked bike is more of a runabout, suited better to shorter trips at more moderate speeds. The disadvantages are that top speed is limited by the poor aerodynamics relative to a faired sport bike with similar power, and the rider is subject to more discomfort and fatigue in sustained highway travel.
Naked bikes have the potential to be more comfortable than sport bikes because they tend to have more neutral, upright riding positions which are naturally more comfortable than the sport bike crouch. But motorcycle comfort and ergonomics is a complex subject; it is difficult to generalize to say that naked bikes are more comfortable.
How fast do you ride, what sort of journeys are you intending doing?
If you are just doing UK A & B roads in summer at sub legal speeds, naked will fine. But still wear a full face helmet, or you'll be eating bugs. Service costs will be cheaper if you don't DIY, as it can take ages to do a oil/plug service on a faired bike.
If you intend doing a lot of fast M/way or fast A road work, get a faired bike, especially in the UK climate.
Sumber: 33 years of biking.
Weather protection is the main difference to the rider – since speed will be compromised by the restriction on whichever bike you choose. They do have a small fairing – a modern version of a fly screen – which apparently makes a difference, but I prefer the older round headlight style to the melted insect appearance of the new model. Riding any serious distance on a motorway will give your neck a workout, at least until you get used to the nature of the bike.
It depends on what kind of riding you are going to be doing.
If you are primarily commuting, short distance riding and mostly slower speed, a naked bike may be perfect.
If you are primarily running long distance in all types of weather and doing a lot of sustained highway speeds, a naked bike is definitely not the bike you want. The wind blast will tire you out very quickly and riding in the rain without some sort of screen in front of you is sheer hell on two wheels..
Naked bikes tend to have a more upright seating position and are generally more comfortable than the more sport oriented bikes.
Naked bike over faired. Cost is big advantage of bare bike. For that amount you can get a simple windshield for wind protection and get more gas to ride. Simple throwover bags when needed and go on longer trips. Road some bikes for years with simple windshield -3 different cycles with same windshield. Current Wing came with Windjammer- it's nice but not a big deal. CM400 has a handle bar mounted 1/4 fairing and attached clear windshield, lockable hard tail trunk for rainsuit and helmet, throwover small bags and a tank bag possible to mount if needed. .
well I rode the 919 hornet and currently have a 250r ninja, the hornet has a more comfortable seating position and feels better but it seems harder to hold on and you'll feel like a bobblehead doll after riding it for a while. as for the ninja, I have a windscreen I can get behind. they do make windscreens for the hornet as well. oh, and the hornet has more exposed parts, I didn't really like that. both are great bikes though. really I think it just depends on what you like more.
With a naked bike, expect your arms to ache after a couple of hours, due to pressure on your chest.
Naked bikes are great for sub 50MPH, above that look at getting some form of wind shield.
A wind trying to blow you off at speed is the only difference.
Faired bikes can have an unfaired version with the handlebars at the same height and in that case the faired on will be more comfy - you were misinformed so lose that preconception.
"Drop bars" are lowered handle bars - what you mean are engine protector bars or crash bungs.
You don't need to exercise for hours on end. Short, sharp sets of exercise will produce better results in case you work hard. Get a skipping rope, skip for two units, do push ups for a minute or so, skip for two minutes, rest for just one minute. Then change the push up to something else like sit ups along with do the set again. Repeat it five times and it's a fast, effective workout that will recover results than a long operate or swim.
big advantage of NAKED bike is... no expensive plastic/fiberglass to replace when you drop the bike.
but you do get more rain hitting you..than on a faired bike.. but if your wearing waterproof gear should not be a problem..
I have had both naked & faired bikes.. currently on a Ducati 800 sport.. with a half fairing..
Have u ever been on a 'naked bike ride'?


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Questa voce raccoglie le informazioni riguardanti il Kilmarnock Football Club nelle competizioni ufficiali della stagione 2015-2016.

Stagione
In Scottish Premiership il Kilmarnock si classifica all'11º posto (36 punti) e mantiene la massima serie vincendo allo spareggio contro il  (4-1 complessivo).
In Scottish Cup viene eliminato agli ottavi di finale dai  (1-2).
In Scottish League Cup viene eliminato al terzo turno dagli  (2-3).

Maglie e sponsor

Rosa

Risultati

Scottish Premiership

Play-off

Coppa di Scozia

Coppa di Lega

Collegamenti esterni

2015-2016

redpajama_set_name: RedPajamaWikipedia


"Barcelona here at the Nou Camp is a hard prospect but the memory will live with the players, it's not long ago".
"There is pride and confidence, but if we do not win we are stuffed".
Juventus have a 20-point advantage on Napoli and can still seal the title on Sunday if Carlo Ancelotti's side fail to win at bottom club Chievo.
'We will be true to our style but we are also aware of what they have in attack and the game can't become you attack us, we attack you. He also handed defender Paolo Gozzi, 17, his Serie A debut. He added: 'We all draw from old experiences.
Much of the belief that United can overturn the first-leg deficit has centred on the Premier League club's impressive last-16 fightback against Paris Saint-Germain, as well as their famous triumph over Bayern Munich in the 1999 final when now-manager Ole Gunnar Solskjaer scored a stoppage-time victor at Camp Nou.
Allegri rotated his squad with an eye towards Tuesday's Champions League quarter-final, return leg fixture against Ajax in Turin, after a 1-1 draw in Amsterdam.
"The plan has not come out, but we have reached the 80th minute alive".
But what Hedman forgot about Nash was that he wasn't a member of the Blue Jackets during the 2017-18 playoffs. After several back-and-forth chances, Cam Atkinson sealed Columbus a 3-1 win with an empty-net goal.
The final result depended on the votes of soldiers, diplomats, prisoners and hospital patients who vote in unusual circumstances. Fighting for his political life, he spent the weeks ahead of the vote campaigning furiously to energise his right-wing base.
Kane , right, in the challenge with Manchester City's Fabian Delph that resulted in his latest ankle injury . If you remember the last season at the old White Hart Lane, we were unbeaten.


The Beacon Council, Miami-Dade County's official development agency, plans to increase visibility of its urban initiatives program.
Charita Allen, a former PR consultant with a Miami-based law firm, this month was named assistant vice president for the program. She is to oversee a program that helps businesses expanding or relocating to targeted areas such as empowerment zones.
Under the urban initiatives program, the council provides businesses looking to enter these zones with incentives such as tax refunds to ensure they grow and help increase jobs in the area, Beacon Council officials said.
Ms. Allen is to work with the Urban Initiatives Task Force, volunteers who advise the council on ways to encourage businesses to develop in certain areas that would create jobs.
In addition to current efforts, Ms. Allen said she is to work with county and state officials to add a program that would reduce sales taxes for businesses that locate in empowerment zones.
Carlos Leonard, Beacon Council assistant executive vice president, said the program would provide developers looking at the area 100% sales tax exemptions on materials and allow retailers to collect 50% of the current state sales tax.
The latter would help smaller businesses compete, he said, adding that sales tax funds would also be used to improve the empowerment zones.
In addition, Mr. Leonard said the council is working to establish a retail customer service center to train county residents how to obtain entry-level jobs. Developing areas, such as Midtown Miami, are going to need workers, he said.
The hiring of Ms. Allen, he said, represents the council's emphasis on urban initiatives.
Ms. Allen, who has held sales and marketing roles in Fortune 500 companies and worked in non-profit fundraising, said she looks forward to working with community leaders to find ways to create additional jobs in the county.
She said, "Ultimately, what we are looking to do is create jobs."


A jacuzzi at 3,000 metres - how cool is that! The whirlpool tub takes centre stage on the sunshine terrace of the Berghaus Diavolezza and envelops you in a luxuriously warm 41 degrees. You can enjoy the views of the Bernina massif and the Piz Palü for as long as you like – until a waiter brings you a snow-white bathrobe.


Even now, it's a little hard to process Max Scherzer's outing. He hung a curve to Carlos Gonzalez in the first, but after that, he was cranking it up to 98 (I've only seen Scherzer throw that hard a few times this year. He hit 97-mph or higher three times yesterday and remained comfortably 95 or higher). In that second Gonzalez at-bat, he blew him away with a 97-mph fastball up and away.
Much like Stephen Strasburg did on Saturday, there was no way Gonzalez was catching up with that pitch.
At one point, after the Gonzalez home run in the first, Scherzer struck out five of the next seven batters, and he finished with 10 on the afternoon. The Nats were up 3-1, and that one run allowed looked like Scherzer had made his one mistake, and he was determined to not let it happen again.
He challenged Daniel Descalso for one. Entering Sunday, Descalso had hit 13 home runs in 1519 career plate appearances. He had three on the season. Maybe with better sense, Scherzer doesn't groove one right down the heart of the plate, but Descalso is exactly the sort of player you challenge. Especially when you're feeling it like Scherzer was at the moment. When you're Max Scherzer, you're paid to challenge guys who are hitting .216/.285/.336 with seven total extra base hits on the season.
Sometimes you get hurt by it.
If you think about it this way, in the third inning the Rockies tried to bunt their way to runs. With three straight bunts by the pitcher Yohan Flande, Charlie Blackmon, and Jose Reyes, it looked as though Colorado was going to either force Yunel Escobar to play third like a high school softball player or they were going to wear out the grass down the third base line. It was interesting strategy. One you employ against the game's best. Scherzer struck out Gonzalez and Nolan Arenado on three pitches each.
The second home run by Gonzalez was a good swing on a pitch that missed his location. He got him with that fastball up and out of the zone in the third. In the sixth, the fastball got too much plate and Gonzalez made him pay. He hung a first pitch slider to Kyle Parker to plate Ben Paulsen (doubled earlier on a first pitch fastball) for the 4-3 lead.
While Scherzer was blowing guys away, I don't recall seeing the sharp slider or many offspeed pitches in general. It was mostly fastballs, challenging the Rockies, and eventually the caught up to it and made Scherzer pay.
Coupled with Drew Storen sort of melting down in the eighth again, it turned into a 6-4 loss. Another tough one in a series the team rightfully had a chance to sweep. On the day, Scherzer tossed six innings, allowing four earned runs on eight hits and one intentional walk (to Descalso!) with 10 strikeouts.


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2023: Ohanaeze clears air on receiving bribe from Gov Umahi, issues strong warning
Ohanaeze Ndigbo has denied and disowned rumours making the rounds on social media that the Chairman of Southeast Governors Forum, Dave Umahi recruited the office of the Secretary-General of the apex Igbo group for his 2023 Presidential bid.
"We refused to join issues with faceless organizations not registered in Corporate Affairs Commission CAC, but based on the issue of clarification for the public, the chairman of Southeast Governors and Ebonyi State Governor, Dave Umahi has never met with the Secretary-General, Mazi Okechukwu Isiguzoro in person, or donated any property or whooping sum of money to him, this is the efforts of Igbo saboteurs and fifth columnists from the pit of hell", a statement signed by Kalu-Odidika Kalu, Media Adviser to the Secretary-General Ohanaeze said.
The statement went on to say that the group cannot be bought by anyone including the southeast Governors.
Ohaneze said it was very much aware that as 2023 draws near, Northern and Southwest presidential aspirants have mobilized mushroom and nonexistent groups to destabilize the Southeast.
The group said all that matters to it is for an Igbo son or daughter to become Nigeria's President come 2023, adding that no conspiracy theories can destabilize the leadership of Ohanaeze.
The apex Igbo socio-political organisation vowed to ensure Igbo's field worthy Presidential candidates in the two major political parties for the 2023 Presidential elections.
"We warn that any individual or group of persons who spread fake news against officers of Ohanaeze without any substantial evidence to support it will be prosecuted for libel and defamation of character in the court of competent jurisdiction."
EPL: Manchester United players don't like Bruno Fernandes – ...
Monarchs move against bandits, herders' attacks in Ondo
Full list of winners from FIFA 2021 Best Award

redpajama_set_name: RedPajamaCommonCrawl


text:
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by juliediamond | Oct 29, 2017
What's new? Well, for a start, I've started blogging again. But not here, over at my new site, Diamond Leadership. I hope you'll join me there. If you're subscribed to this blog, you'll automatically be subscribed to my new one. I've also started a new monthly...
Leadership Through The Lens of Power
by juliediamond | May 30, 2017
"How many world leaders do you think are just completely out of their mind?" So asked Jerry Seinfeld, the famed stand-up comic, to Barack Obama in a 2015 episode of "Comedians in Cars Getting Coffee." This starts them off on a funny and insightful discussion about...
Zigging Zagging into the New Year
by juliediamond | Dec 19, 2016
Forty years later I can still remember how disappointed I felt when Joni Mitchell released her newest album, Hejira. I didn't like it at all. I didn't want jazz; I wanted another Blue, another Court and Spark. I wanted the Joni Mitchell I knew and loved. So we broke...
That's a Wrap
by juliediamond | Aug 11, 2016
I have a confession. I said back in June that I was going to take a sabbatical, work on other projects, and come back to the blog. Well, I wouldn't say I lied exactly, because I did intend to do just that. But, it's become clear in the meantime that it's time for me...
What Do Trump Supporters and Opponents Agree On?
by juliediamond | Jul 21, 2016
It's a well-worn cliché that our perceptions are subjective. The parable of the five blind men and elephant, each one touching a different part of the animal's body, convinced that their tactile experience captures the whole, is an apt metaphor for the U.S....
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"…straightforward and aphoristically quotable—people interested in power (or hoping to wield it) should find this book mesmerizing."
– Kirkus Reviews
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This chapter examines the role of the environment in syntactic development, and argues for novel conceptualization derived from complexity theory. According to this view, language is a complex network, consisting of linguistic items as well as speakers who produce words and sentences when they speak. This chapter introduces complex systems and complex networks, in particular bipartite networks, which are then used to conceptualize speakers and linguistic items. The basics of graph theory are presented and so are Zipf and Pareto curves depicting distributions of items' frequency of use in a network. The principle of preferential attachment is described, contrasting it with a deterministic frequency effect. The implication for first language acquisition is that learning means linking to the huge language network; children learning to produce syntactic combinations do not reinvent language, nor do they internalize it; instead, they link to networks of other speakers producing similar combinations.


What's the point of having a rapier wit, if I can't use it to stab people?
Though the sweet blade of wit slips gently between their ribs and renders them mute with confusion….. though they gape speechless as their minds numb, befuddled at the verbal onslaught, are they yet dead to the world or perchance merely derailed from that which is truth?
Stabbed with wit, do they bleed… or simply lube the shank with mindless platitudes and ineffective evasions?Hmmm. A rapier sheathed is not a weapon it seems, though unsheathed, it pricks the innocent and mortally wounds the arrogant. It's not the tool it seems, but the use that determines its potential.
This entry was posted in A Masculine Point of View, Fodder for Thought, On Writing/Speaking. Bookmark the permalink.
So, there I was… minding my own business, reading your blog again and thoroughly enjoying your posts when I came across this. Caught me off guard for a minute, because it seemed familiar but I wasn't certain why at first. 🙂 Thank you very much for sharing this here, I am deeply honored to be part of what you share with your readers.
LOL..glad (and relieved) you feel that way.
PS: Thanks as well, for I humbly take your comments as a compliment.
… and yes, I know where you 'got' that!


If you are into winter and summer sports then the location of this great holiday home is for you. Not only does it overlook the boat ramp at Kuratau/Omori but it is within easy reach of the mountains for winter snow sports.
An open plan lounge, dining and kitchen create the sort of inviting social hub which enhances the casual holiday lifestyle. In addition to some double glazing, a wood burner provides cosy warmth after a day on the slopes.
This very tidy Jennian home has three bedrooms with a sleepout, complete with bathroom, providing handy extra accommodation. Wonderful lake views can be enjoyed from a large wrap around deck.
Set on a prime corner site, a neat, low maintenance section means you have more time to spend on the lake and in the mountains. As well as being close to the lake and boat ramp, the shops are also nearby.
Being in all year round holiday mode could become a reality with this summer/winter holiday home. For more information contact Penny today.


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Achieving Santander Group's regulatory reporting objectives with ABACUS/DaVinci
Industry 4.0 & IoT
Santander Group is the largest bank in the Eurozone
Santander Group is the eleventh largest bank in the world in terms of market capitalization, at EUR 88 billion. Globally, the company has some 193,000 employees and more than 117 million customers to look after. Its central software unit, ISBAN (Ingeniería de Software Bancario), is part of the Technology and Operations division of the Group.
In December 2012, ISBAN was faced with an unplanned issue. The group's software for consolidation, prudential and regulatory reporting, and reporting of accounting and risk information was being withdrawn by its supplier, who had given only a 12-month grace period for its replacement.
Santander therefore needed to work with an organization that could both meet its complex IT needs and provide expertise in banking regulation. Last but not least, the timeframes were tight, both in terms of deployment and the six-week reporting window within which the changeover could take place.
What BearingPoint did
An overall process and architecture were defined collaboratively between ISBAN and Santander business units.
The next step was to create a central data repository, using this as a hub to integrate bank, consumer finance and consumer leasing data from a wide variety of sources and systems.
In parallel with populating the database with existing information, consultants addressed the challenge of understanding the broader requirements coming from across the group.
Given complex information requirements, consultants needed to bring an unusual mix of IT, business and legal skills to bear – not least supporting the Regulatory Information department in understanding European regulations, such as the CRR (Capital Requirements Regulation) / CRD IV (Capital Requirements Directive).
The final challenge was the change-over, which needed to take place within a limited time-frame. This involved keeping a clear head during integration, live testing, deployment, and the decommissioning of the existing software once all parties were satisfied the requirements had been met.
Key success factors
The proven ABACUS/DaVinci platform and the spirit of collaboration aimed at meeting an organization's business goals led the project to great success.
When we engaged with BearingPoint, we knew from experience just how important it was to develop a spirit of collaboration, backed by deep technical competence and the right tools. Overall the result has been highly successful. BearingPoint were trustworthy, productive and above all effective, illustrating the importance of developing peer relationships with consulting firms with whom we are work at a strategic level.
Eufrasio Lopez, Director of Financial Systems at Santander's IS division, ISBAN
Measurable & concrete results
The successful deployment of ABACUS/DaVinci enabled Santander to transition away from an unsupported software package whilst it continued to meet its reporting obligations.
The response initially needed to include Germany but was extended to the Netherlands, Belgium and Austria.
ISBAN could benefit from a more extensible foundation, as integrating additional countries became a straightforward task, meaning that it could reach out proactively to other parts of the group.
Achieving Santander Group's regulatory reporting objectives through rapid delivery and a spirit of partnership 296.22 KB
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When using antidepressants, one of the major reasons why we select a medication is the side effects that medication has. In geriatrics where weight loss can be problematic, you may see Remeron (mirtazapine) used to help stimulate appetite and help a patient's weight to increase. In this case, its important to recognize that using Remeron might be a bad idea.
A 63 year old male has a history of diabetes, obesity, hypercholesterolemia, GERD, hypertension, depression, and osteoarthritis. The team is concerned with the patient's dietary intake and escalating weight. He has gone from 250 pounds to over 300 pounds over the last year. Lifestyle and dietary changes have been encouraged without significant impact.
The primary provider initiates phentermine to help with weight loss. Here's another classic example where we need to rule medication adverse effects. The patient is taking Remeron for depression. Remeron side effects often include weight gain and sedation which can be good or bad depending upon the issues the patient is dealing with. Here's a classic case from the past where using Remeron makes a lot of sense. In this case, I would like to further assess the depression and see if Remeron could be changed to an alternative antidepressant (sertraline, fluoxetine, bupropion etc. would all be potential options less likely to cause weight gain, but I would like to look into his history further to assess what has been tried/not tolerated in the past).
Love learning clinical pearls from the front lines of medication management? Click here and I will email you my 6 page 30 medication mistakes PDF for free!


Most large modifiers come with two diffusers. A big one for the outer rim and a smaller one that fits between the source of light and the big diffuser, right in the middle of the modifier. Of course, this begs the question how may diffusion layers do you actually need.
Photographer Francisco Joel Hernandez shares a short, yet informative video on how diffusion of strobes effects portraits (or any other type of shoot).


Upstream. This Project works in three places and its problematics. Drought in the Andes of Ayacucho as a consequence of climate change and water scarcity due to political administration in the manage of water riverbeds. Diversion of riverbeds in Huancavelica (also called river kidnapping) from their Atlantic Ocean way to the Pacific Ocean to water the lands of big agricultural companies in the desert of Ica. These companies have important influence in political parties. Finally, droughts in the little and mid agriculture lands of Ica whose political influence isn't as specific as the companies one.
Assigned photographic professional project. Actually I'm looking for financing to continue the second stage.


US Consumer confidence has reportedly rebounded in March according to the latest survey by the University of Michigan released on Friday. After a two-year low seen at the beginning of the year due to the government shutdown and other factors, sentiment has risen to 97.8 vs 95.3 expected.
The UoM's measure of consumer sentiment rose from 93.8 in February to 95.3 in January.
Consumer sentiment had hit a two-year low in January with a reading of 91.2.
Consumer spending accounts for approximately 70% of the US economy, making the survey an important and often market-moving economic indicator.
The rise in consumer sentiment over the last two months is encouraging, pointing to increased confidence following the government shutdown and the nine-year low in retail sales seen in December, which can now be considered as an outlier rather than a trend-setting incident.
Among households with incomes in the top third to 98.5 to 101.7, sentiment dropped. The difference is reportedly due to the ways in which households assessed their own finances, with more positive sentiment coming from low-income households regarding personal finance in March.
Rising Income expectations plus lower inflation rates contributed to a positive outlook on earnings in the near-future for low-income households.
It's important to bear in mind that households in the top third of the income bracket account for over half of all consumer spending, making the negative sentiment reported among this demographic regarding personal finances more weighted.
The University of Michigan acknowledged this, stating "cautious observers will conclude that the latest data are another indication that the end of the expansion is on the distant horizon." However, the survey statement also adds that an economic downturn is not indicated in the strong reading of 97.8.
All income groups had a positive outlook for the growth of the economy for the year ahead, and among high-income households, the overall sentiment index came in at 98.5 with a reading of 97.4 for the bottom two thirds of the income bracket.
The index is actually still down when compared to other years on an annual basis.
Sri Thiruvadanthai, Director of Jerome Levy Forecasting Center, pointed out that such long-term negative readings are often recessionary indicators.
There have been only 3 times where it has suffered worse declines but we did not have a recession.
Gold has held gains from earlier in the session and is now trading up 0.75% at $1,303.15/oz, testing the session high of $1,306.30/oz and leaving the session low of $1,294.22/oz behind.
Gold broke $1,300 once again today, likely spurred on by reports of increased inflationary pressures and yet more poor performance in the manufacturing industry. April Comex Futures are also doing well, up 0.76% and trading at $1,305.00/oz.


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Q: OpenLayers => feature is null This is my GeoJSON result. PasteBin
But when I load it, the result I get in  firebug is feature is null. Why's that, are there any errors in my result? The coords in the JSON is written in projection WGS84, and in the code I also have set the externalProjection as WGS84. So why do I get the return "feature is null"?
The code I use to manage my map is :
$(document).ready(function() {
var wgs84 = new OpenLayers.Projection('EPSG:4326');
var layer = null;
var map = new OpenLayers.Map('map',{projection: wgs84});
  layer = new OpenLayers.Layer.OSM( "Simple OSM Map");
    var baseProjection = layer.projection;
  map.addLayer(layer);
  map.setCenter(new OpenLayers.LonLat(10,10), 4);
  map.events.register("moveend", null, function(){

      if(map.zoom == 10)
      {
        var bounds = map.getExtent();
        console.log(bounds);
        var ne = new OpenLayers.LonLat(bounds.right,bounds.top).transform(map.getProjectionObject(),wgs84);
        var sw = new OpenLayers.LonLat(bounds.left,bounds.bottom).transform(map.getProjectionObject(),wgs84);
        var vectorLayer = new OpenLayers.Layer.Vector();
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A: Your sample OpenLayer code is working correctly, the problem is in your GeoJSON: you misspelled coordinates as "coordninates"

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text:
Torchwood: Aliens Among Us – Changes Everything review
By WhoGirlReviews | 4th November 2018
Written by James Goss and released in August 2017, Changes Everything is the first episode of the first box set of Torchwood: Aliens Among Us, also known as Torchwood, Series 5. You know, because the television series would rather do Class rather than a fan favourite people have been vying for for years. Well people, once again Big Finish answers the call.
Just a quick note, while I'll not to give away any major spoilers, I will assume you've already seen Torchwood: Miracle Day. Okay, here goes.
Changes Everything acts as a sort of reboot to the series. It has a lot to do. It needs to re-introduce Torchwood's founding members Gwen and Jack, introduce us to the new Torchwood team, give us a good opening story and set up the new arc for the series. Right off the bat, the series gives us our anti-Gwen Cooper in one Tyler Steel, a sleazy reporter who has come to Cardiff to turn his life around after a career of digging up other celebrities' dirt. Tyler is the opposite of Gwen. She is determined, just, willing to put others first, Tyler is the opposite of that, but the script knows better than to paint him as completely unlikable. In fact, I quite enjoyed his character. He's basically the sceptical, only sane man who finds himself biting off more than he can chew.
Joining Tyler is Mr Colchester, Torchwood's new Ianto and an old civil servant who comes across as the cynic, crotchety old soldier who isn't afraid to speak his mind, no matter how blunt or insulting. Of all the new faces, Mr Colchester is not only the most fun to listen to, but the funniest character for his deadpan snarkiness.
So where does the events of Miracle Day and Children of Earth leave Torchwood? Well, this series establishes that Torchwood is all but forgotten by the public. They don't have any funds, they're literally trying to rebuild from the ground up. It's an interesting direction to take the show and it makes it easier for the main threat of the series to look more… well threatening. Cardiff has been invaded while Torchwood's been gone and the aliens are in charge now. Hate crimes, refuge killings, these are some of the stuff that's been going on, but the real mystery is just how far and how deep these alien invaders' reach goes. A lot of the first episode is set up. It's more about getting the band back together again and building this new world that Torchwood is a part of. In that respect, Changes Everything succeeds admirably.
Eve Myles and John Barrowman slip into their roles easily which shouldn't be surprising as they've been playing Gwen and Jack on and off for other Big Finish titles, but pairing them up with a new team just boosts everything across the board.
There's one particular character in this story I absolutely hated. Don't ask me to remember her name or the actress who plays her it's really not important enough. She's not in the episode all that much but the scenes she is has a lot of dialogue that just feels forced. I'm not sure if it's the actress struggling with the material or if it's just the material that could be better. Overall, it's not a major nitpick and the rest of the story accomplishes everything it sets out to do to the best of its capabilities.
Posted in Review and tagged Review, Torchwood, WhoGirlReviews


We are about 2 days from the Cestus System. We are heading to the planet Cestus III to meet with local officials to establish a federation outpost on the planet. The last outpost to be on the planet was destroyed by the Gorn in 2267, the Gorn still claimed it as part of their territory.
The nature of a diplomatic mission should be relatively easy. However this mission and the current status of Gorn and Klingon in the region troubles me slightly. The Klingons have been rather restless and aggressive lately and Command is unsure of their intentions. The Gorn, even though they succeeded control of Cestus III, has a stake and possible say in what goes on the planet as there are currently 7.2 million Gorn on the planet.
We must be cautious and aware of every faction that will be watching us.


Sincere Dating for Older Singles. Meet Amazing Charleston Singles Over 40.
reasons for doing so, ... The best money-transfer apps for Android and iOS.
McAlone. Feb. ... to swipe yes/no on. Download Hinge (iOS, Android).
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Zoosk.. 4.9/5.0. Zoosk. Available on: iOS, Android.
called "hook-up" app, try these services.


We are situated on the second floor at the Quraini Medical Complex, 52 Ibn Khaldoun street.
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Environmental campaigner, Kenyan politician and 2004 Nobel Peace laureate.
More by user: Eds
Created: 4th Feb 2008
Modified: 26th Sep 2011
Description of Work:
Excerpt from a biography on the Norwegian Nobel Committee's website: Wangari Maathai is internationally recognized for her persistent struggle for democracy, human rights and environmental conservation. She has addressed the UN on several occasions and spoke on behalf of women at special sessions of the General Assembly for the five-year review of the earth summit. She served on the commission for Global Governance and Commission on the Future. She and the Green Belt Movement have received numerous awards, most notably The 2004 Nobel Peace Prize. Others include The Sophie Prize (2004), The Petra Kelly Prize for Environment (2004), The Conservation Scientist Award (2004), J. Sterling Morton Award (2004), WANGO Environment Award (2003), Outstanding Vision and Commitment Award (2002), Excellence Award from the Kenyan Community Abroad (2001), Golden Ark Award (1994), Juliet Hollister Award (2001), Jane Adams Leadership Award (1993), Edinburgh Medal (1993), The Hunger Project's Africa Prize for Leadership (1991), Goldman Environmental Prize (1991), the Woman of the World (1989), Windstar Award for the Environment (1988), Better World Society Award (1986), Right Livelihood Award (1984) and the Woman of the Year Award (1983). Professor Maathai was also listed on UNEP's Global 500 Hall of Fame and named one of the 100 heroines of the world. In June 1997, Wangari was elected by Earth Times as one of 100 persons in the world who have made a difference in the environmental arena. Professor Maathai has also received honorary doctoral degrees from several institutions around the world: William's College, MA, USA (1990), Hobart & William Smith Colleges (1994), University of Norway (1997) and Yale University (2004). Most recently, Prof. Maathai named the 12th UN Messenger of Peace in December 2009.
Interests: Environmental campaigner, Kenyan politician and Nobel Peace laureate for 2004.
Place of Origin: Kenya
Excerpt from a biography on the Nobel Prize Committee's website:
Wangari Maathai is internationally recognized for her persistent struggle for democracy, human rights and environmental conservation. She has addressed the UN on several occasions and spoke on behalf of women at special sessions of the General Assembly for the five-year review of the earth summit. She served on the commission for Global Governance and Commission on the Future. She and the Green Belt Movement have received numerous awards, most notably The 2004 Nobel Peace Prize. Others include The Sophie Prize (2004), The Petra Kelly Prize for Environment (2004), The Conservation Scientist Award (2004), J. Sterling Morton Award (2004), WANGO Environment Award (2003), Outstanding Vision and Commitment Award (2002), Excellence Award from the Kenyan Community Abroad (2001), Golden Ark Award (1994), Juliet Hollister Award (2001), Jane Adams Leadership Award (1993), Edinburgh Medal (1993), The Hunger Project's Africa Prize for Leadership (1991), Goldman Environmental Prize (1991), the Woman of the World (1989), Windstar Award for the Environment (1988), Better World Society Award (1986), Right Livelihood Award (1984) and the Woman of the Year Award (1983). Professor Maathai was also listed on UNEP's Global 500 Hall of Fame and named one of the 100 heroines of the world. In June 1997, Wangari was elected by Earth Times as one of 100 persons in the world who have made a difference in the environmental arena. Professor Maathai has also received honorary doctoral degrees from several institutions around the world: William's College, MA, USA (1990), Hobart & William Smith Colleges (1994), University of Norway (1997) and Yale University (2004).
On 25 September 2011, after a long battle with cancer, she died at the age of 71.
Wangari Maathai will be cremated and her remains interred as per her last wishes, her family and Government announced.
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The simplicity and control you get with an AeroPress makes it the go-to brand for coffee connoisseurs and adventurers alike.
This was our first coffee related project and we were astonished by the love this little website got from the community by staying true to the ethos of the brand and keeping things simple and usable.
There is a huge international following for the AeroPress including the annual World AeroPress Championships.
No nonsense, user-friendly UI reflecting the nature of the product, contrasted with rounded fonts and subtle animations to soften the brand and make it more friendly.
Warm, coffee inspired palette without being contrived. Blue accent colour to cut through the neutral tones and focus the eye.
We designed the site to educate customers about how to brew with the AeroPress and to drive sales through their direct to consumer channel.
We kept things simple and focused on making the product look easy to use and best practice UX design to maximise conversions.
Stanford University engineering instructor, Alan Adler is the genius behind the AeroPress, so we created a space for him to explain it's history and why he created it.
During this project, we realised that the AeroPress can be used in a variety of different ways and each faction is evangelical in the belief that their method is best.
Our conclusion - coffee is religion!


text:
import QDate from './QDate.js'

export {
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}

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Tag Archives: Peter Howell
The Radiophonic Workshop: Burials In Several Earths
Earl	 July 23, 2017
The Radiophonic Workshop is back, minus the BBC. If the band's retinue of veteran analog electronic music pioneers can keep turning out original material like this, it might result in a new generation of fans wondering why they were slumming it for the BBC for so long. The Radiophonic Workshop is made up of former members of the storied BBC Radiophonic Workshop, an experimental electronic music & effects department of the BBC founded in the late 1950s to provide unique music and sounds for the steadily growing output of the BBC's radio and television channels. The work, in those days before samplers and digital synthesizers, was grueling; membership in the BBC Radiophonic Workshop was always fairly limited because you had to love what you were doing, working with oscillators a beat and tone generators and analog reverb and tape loops. The Workshop remains, perhaps unjustly, best known for the original Doctor Who theme music dating back to 1963, but its body of work spread so much further than that…until the BBC closed the Workshop's doors in the 1990s.
But its members, it turns out, weren't averse to workshopping their unique sound without Auntie Beeb paying the bills. Having spent over a decade as a touring group recreating their sound the old-fashioned way for audiences who already knew their work and audiences only just discovering them, the Radiophonic Workshop has now gifted us with a new album with the unmistakable sound that gained them a following in the 1960s and '70s. Is it abstract? At times, yes – about 13 minutes into the lead track, you'd swear they were trying to make a musical instrument out of the sound of the Liberator's teleport from Blake's 7. Everything from white noise to whalesong crops up. But what's amazing is how tuneful it is at times. Echoing piano is a constant presence, along with actual guitar work (Paddy Kingsland, whose Doctor Who and Hitchhiker's Guide scores in the early '80s were ear-wormingly hummable, take a bow). There are a few places where a groove emerges from the soundscape and the Radiophonic Workshop proceeds to rock out.
Not a bad feat considering that some of these gentlemen are past what many touring musicians would consider retirement age.
The real fascination of Burials In Several Earths is that it's electronic music created in a way that has almost been lost to time and the march of technology. That description doesn't really do it justice though – that sounds more like the description of a tech demo. The Radiophonic Workshop is making actual music this way, delighting audiences on stage, and bolting new chapters onto a legacy of ridiculously hummable short tunes from a bygone age. At times ethereal, at times exciting, the one thing Burials isn't is boring.
Burials In Several Earths (18:58)
Things Buried In Water (22:01)
Some Hope Of Land (25:15)
Not Come To Light (3:58)
The Stranger's House (11:23)
Released by: Room 13
Total running time: 1:21:35
2017, Artists (by group or surname), Non-Soundtrack Music, R, Radiophonic Workshop	Dick Mills, Mark Ayres, Paddy Kingsland, Peter Howell, Roger Limb
Doctor Who: The 50th Anniversary Collection
Earl	 February 17, 2014
25 years ago, if someone had been asking for a go-to album for casual fans of the Doctor Who theme tune and its accompanying incidental music, I would have somewhat reluctantly pointed them toward the Doctor Who 25th Anniversary Album on BBC Records; reluctantly on the grounds that while it did indeed include the major iterations of the theme tune, its incidental music was drawn entirely from Sylvester McCoy's first two seasons, largely scored by Keff McCulloch with very '80s hand clap samples for percussion backing his very '80s synths. It was a nice enough sound for its time, but not one that has dated very well. In 1993, for the show's 30th anniversary, the default selection became the BBC's 30 Years At The Radiophonic Workshop, which I'd recommend with a different set of reservations: most of its tracks were pure sound effects. Very evocative ones, to be sure, the pride of the BBC's sonic skunkworks at Maida Vale, but little of the 30th anniversary album was actually music.
We had to reach the show's 50th anniversary to strike the right balance at last. The four-disc Doctor Who: The 50th Anniversary Collection is an unapologetic romp through the tunes accompanying the TARDIS' travels from 1963 through 2013. If a single show's sound has evolved more radically over time (without it being a variety show with an ever-changing selection of musical guests), I'd love to hear about it. In five decades, Doctor Who has gone from experimental-going-on-avant-garde analog electronic music, to small orchestral ensembles, to tuneful (and sometimes showy) '80s synthesizers, and then to full-on orchestral grandeur. That journey is sampled at various points across four CDs here. (A limited edition of 1,000 copies of a more expansive – and, undoubtedly, expensive – 11-CD set will be available in early 2014; Silva has already fessed up that this 4-CD set is a sampling of that larger collection, without giving any indication as to whether the material will be available separately on individual CDs, iTunes, or what have you.)
For those who faithfully bought Silva Screen's '90s CD releases of Mark Ayres' late '80s scores and the label's reissues of classic BBC albums, as well as the BBC's own attempt to fill out the Doctor Who soundtrack library in the early 21st century, there will be a lot of familiar material here, sometimes only in briefly excerpted form. Ayres' scores, and familiar material such as "March Of The Cybermen" and music from Tom Baker's last season, can be found here as edited highlights, as can already-released '60s and '70s gems such as excerpts from the now-hard-to-find-on-CD-without-getting-a-second-mortgage CD featuring Tristram Cary's music from the second-ever Doctor Who story, The Daleks. Ayres was the archivist responsible for picking out the best bits from the classic series, and his choices line up almost exactly what what I would have picked. (Note: almost. Leaving the music accompanying the Brigadier's flashback out of a Mawdryn Undead suite is an unexpected choice, to say the least.)
But there are many surprises as well. The sheer amount of pristine, not-smothered-in-sound-effects Dudley Simpson music to be heard is impressive. For decades, short of Silva Screen's singular experimental attempt in the 1990s to do a Simpson "cover album" with the best synthesizers and samples available at the time, almost none of Simpson's music has been available, despite the fact that he remains the reigning champion among Doctor Who composers (having scored episodes from 1964 through 1979). Copies of Simpson's music simply were not retained, for who knew that it would ever be in demand as a standalone product? But thanks to Simpson's occasional collaborations with the BBC Radiophonic Workshop – a group which did a better job of archiving, and occasionally had to add synthesizer overdubs to Simpson's more otherworldly cues – some selections of Simpson's unique small-ensemble sound now survive. A few other Simpson specimens are culled from scenes in which the music was virtually the only sound in the mix (such as the music from the Patrick Troughton story The Seeds Of Death). This brings us such wonderful lost treats as the suite from 1977's The Invasion Of Time, a selection of music which reminds me of Blake's 7 as much as it does Doctor Who, and concludes with a great "slimy" synth motif for the Sontarans, a piece of music that screams "short, squat and ugly". Other unearthed Simpson gems include music from The Android Invasion, the aforementioned Seeds Of Death, and the Pertwee space opera Frontier In Space. There are surprises from the small stable of other composers who scored the Doctor's travels in the '70s, including Carey Blyton's stuttering stacatto saxophones from Death To The Daleks and his more traditional "Simpsonesque" strains from Revenge Of The Cybermen.
Another surprise heard here is a handful of stock library music pieces used during the 1960s, from the first piece of music ever heard within an episode of Doctor Who (on Susan's portable radio, no less) to the familiar and oft-reused action cues that accompanied Cybermen and Yeti in equal measure. Many of these pieces have surfaced over the years, in such forms as the fan-compiled Space Adventures CD and short-lived one-off CDs timed to coincide with the releases of such things as The Tenth Planet and Tomb Of The Cybermen. But this is the first time than an officially sanctioned BBC release has declared these to be the Doctor Who music that the fans have always known them to be. The inclusion of a piece by Les Structures Sonores (used in the Hartnell four-parter Galaxy Four) is historically significant: when trying to describe the sound she wanted for Doctor Who's still-unwritten theme tune, producer Verity Lambert fell back on the work of Les Structures Sonores as a suggested listen. (What actually emerged was wonderfully different from that suggestion, but however your tastes run regarding the show's stories main theme, every major iteration is included here for your listening pleasure.)
The '80s, the final decade of original Doctor Who, present a different problem: nearly everything survives from that era, so it becames a question of judiciously picking what to leave out. The major pieces that everyone would wish for are present, however: Tom Baker's swan song from Logopolis, the thematic bookend of Peter Davison's first trip in the TARDIS in Castrovalva, Earthshock's "March Of The Cybermen", The Five Doctors, the percussive Sontaran march and the flamenco-style acoustic guitar work of The Two Doctors, edited highlights from three of the four stories making up The Trial Of A Time Lord, and the final moments of music from the original series in 1989's memorable (and perfectly scored) Survival, which demonstrated that the show's decade of synths was on the cusp of giving way to a more interesting mix of synth, guitar and live violin if the story demanded it.
Things then transform dramatically. For the first time outside of a 1990s "composer promo" release of questionable legality, selections from the Hollywood-spawned score of 1996's Paul McGann TV movie come in from the cold on an official Doctor Who soundtrack compilation. Not much more than a taster, to be sure, and yes, the entire score's been available as the music-only audio track on the DVD of that movie for about a decade now, but it's nice to see this release taking in the entirety of the franchise's musical history (with one major omission – more on this in a moment). From here, we jump to an extended best-of from Murray Gold's reign as the sole musical voice of modern Doctor Who, covering everything from Rose's theme through The Rings Of Akhaten. As much as some fans have only ever grown up with Murray Gold's bombastic orchestral music as the sound of Doctor Who, it's impressive that Silva Screen managed to constrain the new series highlights to a single disc.
But considering that, before the track listing was announced, I fully expected much of this set to be tilted in favor of the new series, the 50th Anniversary Collection is a pleasant surprise from start to finish. Fans weaned on the David Tennant years may be shocked to discover how much the "house style" of Doctor Who has changed, but those of us who grew up with Tom Baker or his predecessors will find much to love here. Yes, the first disc has a lot of sound effects on it, but they're almost music in their own unique way – the sound of the living, breathing alien worlds found in Lime Grove Studio "D" so many years ago. And I never thought we'd get, on CD, such music as Don Harper's sinister spy-movie-inspired strains from The Invasion, or the Dudley Simpson tracks that we have here.
I'm a little surprised to see that the two 1960s movies starring the late Peter Cushing as quirky but perfectly human inventor Dr. Who are not represented here. Silva released all of the available score material from both of those movies in their entirety some time back, so they have access to (and rights to) the recordings. I suppose they get excluded for not being part
of the TV franchise, but if there was any concern that the '60s-centric CD had too many sound effects, I wonder why these tracks weren't considered for inclusion. With every passing year, Cushing's brief tenure as the TARDIS traveler grows more obscure, so I suspect I'm alone in thinking there should have been some hint of the movies here.
The 50th Anniversary Collection is a dandy sampling of the Doctor's ever-evolving musical accompaniment over the years.
Doctor Who (Original Theme) (2:20)
An Unearthly Child: Three Guitars Mood 2 (2:03)
An Unearthly Child – TARDIS Takeoff (0:49)
The Daleks (The Dead Planet): Forest Atmosphere (1:07)
The Daleks (The Dead Planet): Forest With Creature (0:54)
The Daleks (The Dead Planet): City Music 1 and 2 (0:56)
The Daleks (The Dead Planet): The Daleks (0:32)
The Daleks (The Survivors) – Dalek Control Room (0:34)
The Daleks (The Ambush): The Ambush (2:00)
The Daleks – Capsule Oscillation (Dalek Destructor Fuse / Bomb Countdown) (0:19)
The Edge of Destruction – Explosion, TARDIS Stops (1:10)
The Keys of Marinus – Sleeping Machine (0:52)
The Chase – Dalek Spaceship Lands (0:17)
The Chase – TARDIS Lands (0:11)
Galaxy Four – Chumbley (Constant Run) (0:27)
Galaxy Four – Chumbley at Rest (0:28)
Galaxy Four: Marche (Les Structures Sonores) (2:40)
The Daleks' Master Plan (The Nightmare Begins): A Strange Sickness (0:44)
The Daleks' Master Plan (Destruction of Time): Growing Menace (2:08)
The Gunfighters: Excerpts from 'The Ballad of the Last Chance Saloon' (3:51)
The Tenth Planet: Space Adventure Part 2 (1:21)
The Macra Terror – Heartbeat Chase (1:57)
The Macra Terror – Chromophone Band (1:56)
The Macra Terror – Propaganda Sleep Machine (1:08)
The Tomb of the Cybermen – Sideral Universe (2:26)
The Tomb of the Cybermen – Space Time Music Part 1 (1:21)
The Web of Fear – Space Time Music Part 2 (1:19)
Fury from the Deep – Mr. Oak and Mr. Quill (Incidental Music) (0:39)
The Wheel in Space – Cyberman Stab & Music (1:32)
The Wheel in Space – Birth of Cybermats (0:44)
The Wheel in Space – Interior Rocket (Suspense Music) (1:55)
The Dominators – Galaxy Atmosphere (1:04)
The Mind Robber – Zoe's Theme (1:20)
The Invasion: The Dark Side of the Moon (0:31)
The Invasion: The Company (1:31)
The Krotons – Machine and City Theme (1:49)
The Krotons – Kroton Theme (2:14)
The Seeds of Death: Titles (0:35)
The Seeds of Death: Ice Warriors Music (0:26)
The War Games – Time Lord Court (1:32)
Doctor Who (New Opening, 1967 – full version) (2:20)
The Mind of Evil: The Master's Theme (0:43)
The Mind of Evil: Hypnosis Music (0:36)
The Mind of Evil: Dover Castle (0:29)
The Mind of Evil – Keller Machine Appears and Vanishes (0:22)
The Mind of Evil: Keller Machine Theme (0:43)
The Claws of Axos – Copy machine tickover (0:16)
The Claws of Axos: The Axons Approach (1:45)
Music from 'The Sea Devils' (5:24)
Music from 'The Mutants' (7:12)
Music from 'Frontier in Space' Episode 1 (1:46)
Music from 'Death to the Daleks' (3:50)
Planet of the Spiders – Metebelis III Atmosphere (1:53)
Doctor Who Opening Title Theme (0:44)
The Ark In Space – Nerva Beacon Infrastructure and TMat Couch (1:42)
Music from "Revenge of the Cybermen" (5:28)
Terror of the Zygons: The Destruction of Charlie Rig (0:42)
Terror of the Zygons: A Landing in Scotland (1:22)
Terror of the Zygons: The Zygons Attack (0:51)
Music from "The Android Invasion" Episodes 3 and 4 (6:32)
The Brain of Morbius – The Planet Karn (1:50)
The Seeds of Doom: Antarctica – The First Pod (2:17)
The Seeds of Doom: Get Dunbar! / Krynoid On The Loose (2:55)
The Masque of Mandragora – The Mandragora Helix (1:26)
Music from "The Invasion of Time" Episodes 3 and 4 (5:36)
Doctor Who Closing Titles (40? Version) (1:15)
Doctor Who 1980 (Opening Titles) (0:38)
The Leisure Hive: Into Argolis (1:44)
Full Circle: K9 on a Mission (0:35)
The Keeper of Traken: Nyssa's Theme (0:41)
Logopolis: It's The End… (3:18)
Doctor Who 1980 (Closing Titles) (1:16)
Castrovalva (3:18)
Four to Doomsday: Exploring the Lab (1:46)
Earthshock – March Of The Cybermen (5:13)
Mawdryn Undead (4:19)
The Five Doctors (5:29)
Warriors of the Deep (3:53)
Resurrection of the Daleks (5:01)
The Caves of Androzani (Alternative Suite) (6:07)
Doctor Who Theme (1980 – Full Version) (2:42)
The Twin Dilemma (4:04)
The Mark of the Rani (3:45)
The Two Doctors (3:15)
Timelash (5:51)
Revelation of the Daleks (3:53)
Doctor Who 1986 (2:53)
The Trial of a Time Lord: The Mysterious Planet (3:21)
The Trial of a Time Lord: Terror of the Vervoids (2:44)
The Trial of a Time Lord: The Ultimate Foe (3:16)
Doctor Who 1987 2:38()
Music from 'Time and the Rani' (1:38)
Delta and the Bannermen: "Here's to the Future" (1:57)
Music from 'Dragonfire' (3:02)
Music from 'Remembrance of the Daleks' (5:32)
Music from 'The Greatest Show in the Galaxy' (3:23)
Music from 'Battlefield' (4:41)
Music from 'The Curse of Fenric' (6:35)
Music from 'Survival' (5:28)
"…and somewhere else, the tea's getting cold" (from "Survival") (0:24)
Prologue: Skaro / "Doctor Who" Theme (1:34)
"Who Am I?" (1:55)
The Chase (Original Version) (2:20)
"Open the Eye" (2:25)
Farewell (1:35)
End Credits / "Doctor Who" Theme (0:49)
Doctor Who Theme – TV Version (0:42)
Doctor Who: Series 1 – Rose's Theme (2:15)
Doctor Who: Series 2 – Doomsday (5:08)
Doctor Who: Series 3 – All The Strange Strange Creatures (The Trailer Music) (4:07)
Doctor Who: Series 3 – Martha's Theme (3:42)
Doctor Who: Series 3 – Boe (3:44)
Doctor Who: Series 3 – The Doctor Forever (4:19)
Doctor Who: Series 3 – This Is Gallifrey: Our Childhood, Our Home (3:18)
Doctor Who: Series 3 – Donna's Theme (3:16)
Doctor Who: Series 4 – Song Of Freedom (2:51)
Doctor Who: Series 4-The Specials – The Master Suite (4:33)
Doctor Who: Series 4-The Specials – Four Knocks (3:58)
Doctor Who: Series 4-The Specials – Vale Decem (3:20)
Doctor Who: Series 5 – I Am The Doctor (4:03)
Doctor Who: Series 5 – The Mad Man With A Box (2:09)
Doctor Who: Series 5 – Amy's Theme (2:08)
Doctor Who: Series 6 – Melody Pond (4:43)
Doctor Who: Series 6 – The Wedding Of River Song (2:36)
Doctor Who: A Christmas Carol – Abigail's Song (Silence Is All You Know) (5:33)
Doctor Who: Series 7 – Towards The Asylum (2:25)
Doctor Who: Series 7 – Together Or Not At All – The Song Of Amy And Rory (3:17)
Doctor Who: Series 7 – Up The Shard (3:02)
Doctor Who: Series 7 – The Long Song (3:39)
Released by: Silva Screen
Disc one total running time: 79:01
Disc two total running time: 78:40
Disc three total running time: 78:58
Disc four total running time: 78:48
2013, D, Doctor Who, Soundtracks, Television	Brian Hodgson, Carey Blyton, Delia Derbyshire, Dennis Farnon, Dominic Glynn, Douglas Gamley, Dudley Simpson, Elizabeth Parker, John Debney, John Sponsler, Louis Febre, Malcolm Clarke, Mark Ayres, Martin Slavin, Murray Gold, Paddy Kingsland, Peter Howell, Robert Farnon, Roger Roger, Ron Grainer, Tristram Cary, Walter Stott
Earl	 March 13, 2006
The last hurrah for Silva Screen's license to release Doctor Who music on CD in the 1990s, Worlds Of Doctor Who largely consists of music you've heard before if you've heard the same label's other Doctor Who output, give or take a surprise or two.
The album opens and closes with two new versions of the famous theme music, the "Lightning Version" at the beginning and the lively "Spoons Version" at the end. As you might've guessed, the latter rendition of the theme is practically built around a guest performance on the spoons by Sylvester McCoy himself; it's an interesting novelty, right up there with Jon Pertwee's "I Am The Doctor", but not much more than that. Both of these new arrangements wouldn't have been out of place on the Variations On A Theme EP.
After the "Lightning Version", things proceed very much along the lines of Silva's original Earthshock compilation CD, providing classic clips arranged more or less chronologically, starting with the original BBC 45 version of the 1960s theme tune and then going straight into the Dudley Simpson single "The World Of Doctor Who" (built around music from the 1971 Pertwee adventure The Mind Of Evil). Selections from The Sea Devils and several Tom Baker adventures follow, the latter material coming from Heathcliff Blair's Pyramids Of Mars re-recordings of classic Simpson scores from that era. At least some canny choices were made here to present the most listenable and accessible material.
After the 1980 Doctor Who theme arranged by Peter Howell, we segue into the more modern, synth-heavy sound of the Davison era; again, the material heard here has been heard before (not just on previous Silva Doctor Who soundtrack compilations, but on the 1980s BBC LP releases that those compilations drew from). To vary things up a bit, material that isn't necessarily strictly from Doctor Who begins sneaking into the playlist during the 80s section, including Mark Ayres' theme for the Myth Makers interview videos. This material, too, has been presented before by Silva, on Ayres' Myths And Other Legends solo release.
Things get a bit more interesting with the suites of Ayres' music from the last two seasons of the original series. The material has been heard before, but here it's edited into three eight-minute-or-longer suites (one each for The Greatest Show In The Galaxy, Ghost Light and The Curse Of Fenric) where, again, the best material is brought to the fore. Those three episode scores have also been released in their entirety by Silva, but Ayres picked out his own best material (and it has to be said that I agree with him just about 100% on the selections he made for the suites) and put it all into a single track per episode. No new interstitial material tries to introduce cohesion to the suites; there are stops, starts and pauses between individual cues, but nothing too jarring.
Things are capped off with the first CD release of Ayres' "Return To Devils' End" suite, composed for a documentary video of the same name which reunited the cast and crew of the Pertwee-era classic story The Daemons at the original shooting locations. A true Dudley Simpson afficionado, Ayres creates an even better homage to "the Simpson sound" here than Heathcliff Blair managed with the original Simpson sheet music. The "Spoons Version" of the theme music wraps things up.
If you're wondering about the music from Shakedown: Return Of The Sontarans and Downtime, two of the better fan-produced video drama spinoffs of the 90s, both of those projects' scores were released in their entirety on Silva CDs as well, but not until after this CD's release.
It's a nice sampler CD of Doctor Who soundtrack cues, with a smidgeon of new (but hardly canonical) material, so there are worse ways for Silva Screen to have closed out their Who catalog.
Doctor Who (Lightning Version) (5:17)
TARDIS – Doctor Who (2:37)
The World Of Doctor Who (2:39)
The Sea Devils (3:19)
The Ark In Space (0:50)
Pyramids Of Mars (3:59)
The Brain Of Morbius (3:11)
Doctor Who Theme: 1980-85 (2:37)
Meglos (1:32)
The Caves Of Androzani (6:07)
Myth Makers Theme (2:11)
Doctor Who (Terror Version) (4:16)
Terror In Totters Lane (1:55)
The Greatest Show In The Galaxy (8:31)
Ghost Light (8:05)
The Curse Of Fenric (8:57)
Return To Devils' End (2:51)
Doctor Who (Spoon Version) (4:27)
1994, D, Doctor Who, Soundtracks, Television	Brian Hodgson, Delia Derbyshire, Dudley Simpson, Heathcliff Blair, Malcolm Clarke, Mark Ayres, Peter Howell, Roger Limb, Sylvester McCoy
Doctor Who, Volume 4: Meglos / Full Circle
Earl	 June 17, 2002
As the BBC's excellent range of remastered Doctor Who music CDs reaches into the early 80s era of the show, sonic gems are being unearthed for the first time in years. If any proof be needed, check out the music from Full Circle, a 1980 story infamous in some fans' eyes for introducing awkward youth Adric to the TARDIS crew. Paddy Kingsland's memorable melodic score for Full Circle features a number of themes that beg – no, demand – to be hummed long after you've hit the stop button. Kingsland went on to score many other Doctor Who episodes, including the pivotal regeneration story Logopolis, but even though he has an instantly recognizable style, he seldom repeats actual material from story to story. (Kingsland's trademark style was also a big part of the musical sound of The Hitchhiker's Guide To The Galaxy.) Unusually, the other score featured on this disc was divided up between Kingsland and Peter Howell (who arranged the most enduring of the 1980s' versions of the Doctor Who theme). Meglos was a bit of a muddled exercise as far as storytelling goes, but musically it takes an interesting approach, including the use of a vocoder to weave random syllables and occasionally even story-relevant "lyrics" into the music.
The disc's material has been fully remastered and remixed into stereo by Mark Ayres, and the effort poured into archiving and preserving the music is outstanding. Simply to have the music from Full Circle on CD has been a dream of mine for years – almost since I first saw the show – and that alone makes this latest volume of the BBC's Doctor Who music series a worthwhile purchase.
Doctor Who: Opening Theme (0:38)
Burnout On Walkway 9 (1:10)
The Deons (1:29)
K9 Repaired (0:16)
The Screens Of Zolpha-Thura (3:09)
The Last Zolpha-Thuran (3:31)
Chronic Hysteresis (1:59)
To Tigella (1:55)
The Deon Oath (1:24)
The Power Room (0:51)
The Bell Plants (2:10)
"She's Seen Too Much!" (1:40)
The Dodecahedron (1:43)
The Ultimate Impossibility (1:01)
The Deons Take Command (2:31)
Earthling (1:04)
Sacrifice (4:09)
Other Lives To Save (1:17)
Countdown (4:14)
Summons To Gallifrey (1:27)
Alzarius / The Outlers (1:07)
The System Files / Adric (1:15)
Mistfall (4:15)
The Starliner (0:47)
Decider Deceased (0:35)
Adric Finds The TARDIS (0:40)
Starliner Sealed (0:54)
The Giants Leave The Swamp (1:57)
K9 On A Mission / Third Decider (1:23)
TARDIS Taken (1:57)
The Marsh Child / K9 Loses His Head (2:43)
The Spiders I (1:26)
The Spiders II (0:26)
A Little Patience (1:14)
Romana Comatose (0:49)
The Bookroom (0:34)
The Experiment (1:22)
The Work Of Maintenance (0:50)
Marshmen I (2:43)
Blue Veins (2:01)
Marshmen II (1:24)
No Return (1:01)
Oxygen (3:02)
Full Circle / The Deciders Decide (2:29)
Doctor Who: Closing Theme (1:18)
Released by: BBC Music
2002, D, Doctor Who, Soundtracks, Television	Paddy Kingsland, Peter Howell
Doctor Who, Volume 3: The Leisure Hive
Earl	 June 3, 2002
In 1979, John Nathan-Turner took over the producer's seat of Doctor Who and set about making sweeping changes to the show's visual look, storytelling style, and even the signature sound effects and music. Dudley Simpson had been composing almost all of the music for every episode since 1970, but Nathan-Turner was concerned that, as Simpson was also doing the music for the BBC's other SF series, Blake's 7, the two shows now sounded too similar. The producer approached the BBC's own Radiophonic Workshop, which had provided the series' sound effects and main theme since 1963, to provided incidental music as well – and the change in sound was drastic. Dudley Simpson's simple but elegant acoustic ensemble gave way to the Radiophonic Workshop's expansive, all-electronic synth-orchestra, and nowhere was this contrast as evident as with the first story of Nathan-Turner's reign, The Leisure Hive. Peter Howell, who also arranged the new version of the show's famous theme music, let loose with a barrage of music that fits the definition of a "wall of sound," with thick, Vangelis-style texture drenching much of the action. In his small portion of the liner notes, Howell confesses that The Leisure Hive's music was, perhaps, "too omnipresent" – and he does have a point, as Leisure Hive may have been the most music-heavy Doctor Who until The Curse Of Fenric or, perhaps, The Five Doctors. But it's a ton of good, solid analog-synth fun, and in the context of what had come before it was certainly a great shock.
Also included, with a dedication to the late Delia Derbyshire, is a newly-reconstructed stereo mix of the original theme music assembled by Mark Ayres from tapes of the original elements Derbyshire used to build the theme in 1963. Maybe I was expecting a little more wild, surround-sound-style stereo separation of those elements, but most of the stereo enhancement seems to be focused on the persistent "whooshing" sounds and not the music itself. There's also a selection of sound effects from Leisure Hive, Meglos and Full Circle; music from the latter two stories is presented on Volume 4 of the Radiophonic Workshop collection.
Brighton Beach / K9 Kaput (2:54)
Into Argolis (2:36)
The Generator / Intruders (3:20)
"His Time Has Come" / Earth Shuttle Arrives (1:55)
Tachyon Terror (0:56)
Into The Generator (4:16)
The Hive / Mena Fades (3:04)
Looking For Mr. Brock (3:57)
Testing Time (5:09)
The Limitation Program (1:56)
The West Lodge (2:03)
The Child Of The Generator (1:39)
The Foamasi (4:59)
The Argolin Dawn (3:05)
"We, Pangol" (3:55)
Re-Creation (4:11)
Rebirth (3:19)
Back To Work (0:46)
FX: Argolis Exterior Planet Atmosphere (2:05)
FX: Earth Shuttle Arriving (1:04)
FX: Generator Hall (1:30)
FX: Boardroom (1:38)
FX: Hologram (0:32)
FX: Corridor Background (0:57)
FX: Generator And Screen (0:31)
FX: Tachyon Drive Engaged (0:30)
FX: The Screens Of Zolpha-Thura (1:01)
FX: Laboratory Ascends (1:11)
FX: Dodecahedron Energy Beams (0:31)
FX: Mistfall Mist (0:51)
FX: Operating Room (1:02)
FX: Starliner Instrument Panel (1:02)
Doctor Who Theme: Original Version, 2002 Stereo Remix (2:21)
2002, D, Doctor Who, Soundtracks, Television	Peter Howell
Doctor Who, Volume 2: New Beginnings 1970-1979
Earl	 August 7, 2000
This selection of freshly unearthed, newly remastered music and sound effects from the 1970s, arguably Doctor Who's heyday with the role being played by Jon Pertwee and Tom Baker (the two longest-serving actors in the part), is quite an interesting listen.
Central to this lengthy CD is a suite of cues from Malcolm Clarke's score for the 1972 six-parter The Sea Devils, which had previously been represented on an earlier Silva Screen collection by a track of "edited highlights." Clarke's abstract electronic music, in fourteen tracks of its full glory, will likely still be inaccessible to many listeners. This is electronic music at its most abstract and challenging. Mark Ayres' liner notes aren't kidding when they cite Clarke's Sea Devils score as "undoubtedly some of the most uncompromising electronic music ever to feature in mainstream popular entertaiment." In places, the music sounds more like sound effects gone berzerk, and yet in other places, there are clear, tonal ideas being explored. To be honest, I'm actually able to grok the Sea Devils music more now than I did when I first watched the six-parter from which the music originated.
Other gems include some previously unreleased Dudley Simpson cues from The Mind Of Evil and The Claws Of Axos; though Simpson was a freelance composer, he did experiment with the BBC Radiophonic Workshop's capabilities early in the 1970s. A brief selection of sound effects, none of which – thankfully – were previously released in 1993 as part of 30 Years at the BBC Radiophonic Workshop, draws material from the period between Jon Pertwee's last season as the Doctor and Tom Baker's penultimate year in the part.
The real Holy Grail of this whole endeavour comes in the form of two tracks toward the end of the CD. These never-before-heard cues by Peter Howell, who composed many of the better Radiophonic Workshop scores for Doctor Who in the 1980s, were part of a demo recorded to scenes of a 1979 episode to demonstrate to the series' then-new producer John Nathan-Turner that the Radiophonic Workshop was up to the task of scoring entire episodes in addition to providing sound effects.
Also included is the pre-requisite selection of different versions of the theme music, including the 1970 "stutter-start" edit (which, truth be told, I've always rather liked), the infamous "Delaware" version, and other minor variations.
Is this second volume of the Radiophonic Workshop series worth picking up? Well…maybe. I like it, but the Sea Devils suite may be musical anathaema to those with more traditional tastes, and since that is what takes up most of Volume Two, that will probably determine whether or not you care to shell out your hard-earned money to buy it.
Music: Doctor Who (opening title theme, 1970) (0:46)
FX: Tardis control on & warp transfer (0:22)
Blue Veils & Golden Sands (3:25)
The Delian Mode (3:33)
The Master's Theme (0:43)
Dover Castle (0:39)
FX: Keller Machine appears/vanishes (0:23)
Keller Machine Theme (0:42)
FX: Brain centre atmosphere (0:21)
The Axons Approach (1:45)
TARDIS lands (0:22)
Doctor Who (closing title theme, 1970 (1:13)
The Prison (1:19)
The Master (2:05)
The Naval Base (1:28)
The Sea Fort (2:13)
Stranded (2:39)
The Sea Devil (2:43)
The Master At Large (3:04)
Air Conditioning Problem (0:48)
Duel (1:44)
The Master's Plan (1:31)
The Submarine (1:52)
Jo Frees The Doctor (1:11)
Rock Bottom (1:15)
The Beach (1:57)
The Minefield (0:23)
Devil Underwater (1:18)
The Doctor And Jo On The Run (0:35)
The Sea Devils Take The Prison (3:24)
The Diving Bell (1:23)
Mr. Walker's War (3:05)
Torpedo (1:28)
Attack In Force (2:02)
Ventilation Shaft (1:20)
Sea Chase (2:06)
Escape (0:46)
Doctor Who (stereo version, 1972) (2:21)
Doctor Who (Delaware version, 1972) (2:08)
FX: Aggedor's temple atmosphere, Peladon (0:59)
FX: Metebelis 3 atmosphere (1:51)
FX: Nerva Beacon infrastructure & T-Mat couch (1:42)
FX: The Planet Karn (1:49)
FX: The Shrine of the Sisterhood of Karn (1:13)
FX: The Mandragora Helix (0:46)
FX: Nova Device Countdown & Explosion (0:12)
Demo 1 (1:13)
Doctor Who (new theme, 1980) (2:42)
2000, D, Doctor Who, Soundtracks, Television	Delia Derbyshire, Malcolm Clarke, Peter Howell
The Doctor Who 25th Anniversary Album
This was the first Doctor Who music released to CD as part of the show's highly-merchandised silver anniversary in 1988. The greatest distinction of this CD – which is now out of print and getting harder to find with each passing year – is that it contains every broadcast version (minus a handful of barely-distinguishable variations which later cropped up on 30 Years at the Radiophonic Workshop) of the famous Doctor Who theme music, from the creepy 1960s/70s incarnation (achieved entirely by tape-looping means that would seem incredibly primitive today) to the various and sundry versions that kept changing throughout the 1980s: the synth-guitar-driven theme from the Peter Davison era (my favorite), the less effective electronic version from Colin Baker's final season in the role, and the more atmospheric version by Keff McCulloch that ushered the show out of its existence with Sylvester McCoy as the Doctor. Numerous incidentals from the 1987 and 1988 episodes also appear on this album, all of them by Keff McCulloch, but their abundance of cheap synth sounds and sampled hand-clap percussion gets old very quickly; a handful, such as one haunting twisted-lullaby theme from 1988's Remembrance Of The Daleks, barely stand the test of time. But if you're after an almost complete catalog of the show's theme music (the wonderful orchestral version which introduced the 1996 Fox TV movie is unavailable anywhere), this is a worthwhile disc to seek out.
TARDIS – Doctor Who theme 1963-1979 (2:26)
Doctor Who theme 1987-1989 (0:56)
Gavrok's Search (2:11)
A Child's Return (2:33)
Towers el Paradiso (2:42)
Burton's Escape (1:24)
Drinksmat Dawning (1:30)
Future Pleasure (3:19)
Newsreel Past (2:52)
The Sting (1:43)
Doctor Who theme 1986 (2:56)
8891 Royale (1:56)
The White Flag (1:44)
Guards of Silence (2:39)
The Making of Pex (1:23)
Cemetary Chase (2:26)
The Brain (3:03)
Here's to the Future (1:59)
Goodbye, Doctor (0:35)
Doctor Who end credits 1987-1989 (1:14)
Released by: BBC Records
1988, D, Doctor Who, Soundtracks, Television	Delia Derbyshire, Dominic Glynn, Keff McCulloch, Peter Howell
Categories Select Category Artists (by group or surname) A Alan Parsons Project Art Of Noise Tori Amos B Be Five Beatles Ben Folds Five Betchadupa Big Country Blue Man Group Bourgeois Tagg Brent Bourgeois Brodsky Quartet Broken Bells Buckner & Garcia Butterfly Jones Johannes Brahms John Baker John Barrowman Jon Brion Lindsey Buckingham Merril Bainbridge Tal Bachman C Cardigans Chicago Claudia Christian ComputeHer Crowded House Culture Club Elvis Costello Julee Cruise Wendy Carlos D dada Daft Punk Depeche Mode Devo Duran Duran James Darren Rob Dougan E 8-Bit Weapon Dave Edmunds E.S. Posthumus Econoline Crush ELO ELO Part II Eurythmics F Ben Folds Bryan Ferry Fear Of Pop Fleetwood Mac fun. Jason Falkner Neil Finn Tim Finn G Daniel Gannaway Genesis Godley & Creme Gotye Grayghost Grays Kelly Groucutt Peter Gabriel H Chris Hadfield George Harrison Hall & Oates Home Cookin' Hot Butter I Idle Race INXS Iron Butterfly Ralf Illenberger J Howard Jones Jars of Clay Jellyfish Jewel Journey K Carole King Frank Klepacki Kansas Keats Klark Kent Kronos Quartet L Jeff Lynne John Lennon Julian Lennon L.E.O. Left Banke Lenny and the Squigtones Levinhurst Little Boots Ray Lynch M Alanis Morissette Bill Mumy Christine McVie John Mayer M.C. Hawking Malibu Man Or Astroman Me First and the Gimme Gimmes Meco Men At Work Midnight Oil Moody Blues Move Munchener Freiheit Paul McCartney Paul Melancon Roger Joseph Manning Jr. N Leonard Nimoy Neil Norman Neutral Milk Hotel O Mike Oldfield Oceania Roy Orbison The Orchestra P Alan Parsons Andrew Powell P. Hux Pajama Club Police Producers Pseudo Echo Public Service Broadcasting The Peter Bratzmann Octet Tom Petty Q Queen R Julianna Raye R.E.M. Radiophonic Workshop Red Hot Chili Peppers Robot Vengeance Romantics Ror-Shak Roxy Music Royksopp Rubber Universe Rumour Tim Russ Todd Rundgren S Paul Simon Raymond Scott Regina Spektor Schnell Fenster Seth Sternberger Sharkbait Sigur Ros Simple Minds Simply Red Sixpence None The Richer Spandau Ballet Split Enz Steely Dan Steve Miller Band Sting Strokes Suckadelic Sunglass Supertramp Swingers William Shatner T 10cc Isao Tomita Talk Talk Talking Heads Tears For Fears They Might Be Giants Toto Traveling Wilburys Tree Wave TV Eyes U U2 Umajets V Vangelis W Roy Wood Steve Winwood Wall Of Voodoo White Noise X XTC Y Adam Young Weird Al Yankovic Z Lenny Zakatek Warren Zevon Zombies Comedy (by group or surname) Firesign Theatre Monty Python Non-Soundtrack Music Sound Effects Soundtracks Compilation Film Literary Musical Other Television Tribute / Reinterpretation Video Game / Computer Game Soundtracks by Title 0-9 A B Babylon 5 Battlestar Galactica Black Mirror C Command & Conquer Cosmos D Doctor Who Dune E F G Godzilla H Highlander I Indiana Jones J K Katamari Damacy L M N Namco O P Planet Of The Apes Q R S Space Battleship Yamato Star Trek Star Wars Stargate T U V W X Xena: Warrior Princess Y Year 1952 1954 1957 1958 1962 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017
What we listened to today in...
2011: Krull
2008: Alan Parsons Project – Tales Of Mystery And Imagination
2002: Electric Light Orchestra – First Light
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The Music of Doctor Who
The Music of Star Trek
Interview: Bear McCreary
Interview: Dennis McCarthy
Interview: Evan H. Chen
Interview: Mark Ayres
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Being a member of the international society allows you to meet lots of new friends, keep busy, and learn something new. Like most things in life, even if you join, unless your active, participate and you take advantages of the resources in front of you – that benefits mean very little. That said, if you choose to take full advantage of what our community has to offer then you can open up a world of possibilities.
What does membership of Edinburgh International Society offer?
International Society celebrating multicultural diversity and international friendship in Edinburgh!
Edinburgh International Society is a community of students and young professionals dedicated to the cultivation of their personal and professional growth through social gatherings, networking events, professional development opportunities, community involvement, share ideas, experiences, meet and spread knowledge, we organise festivals, parties, after work drinks and networking in Edinburgh.
You'll not only get the chance to meet new people but also be able to experience every type of activity that involves socialising; Social Drinks, Language Exchanges, Cultural Clubs, Parties, Picnics, Walks, Day Trips, Clubbing Nights, Dining Out, very friendly atmosphere, more intimate venues.
INTERNATIONAL AND DOMESTIC CROSS-CULTURAL INITIATIVE CONDUCIVE TO LIFELONG FRIENDSHIP AND LEARNING.
How to become an Edinburgh international society organiser?
If you're interested in becoming an International society organiser, fill out the international society volunteer application form. The organiser must be able to respect religious and cultural differences, stay in contact with members at least once per month, events and activities, and adhere to the Code of Ethics.
How to become a member of International Society?


As a curly hairstyle lover, to get your expected result, I will say that you should keep these hairstyles under consideration whether you may get a large number of curly hairstyles around you to create a curly hairstyle for your lovely hair.
You can cover your embarrassing wide forehead with asymmetrical bangs. It will make you reshaped.
10 Most Stunning Blonde Short Hairstyles And Haircuts for you in 2019 – Have a look!
9 Best Short Wedding Hairstyles for you in 2019 Which Can Make You Say "Wow!


Well, Jon Snow now knows something. Don't tell Kit Harington we made that joke. Warning, spoilers for the Game of Thrones season eight premiere follow.
The eighth and final season of Game of Thrones is here, and with it came the reveal we've been waiting for, Jon Snow learned the truth: his real parents are Lyanna Stark and Rhaegar Targaryen. He's not only the true heir to the Iron Throne, but he's also been hooking up with his own aunt.
Jon didn't believe it at first, since that means the honorable Ned Stark lied to him for his whole life (and a whole bunch of other significant things) but Sam (John Bradley) promised him it was true.
Sansa (Sophie Turner) finally met Daenerys and things are…frosty. That's not a winter pun, they're clearly rubbing each other the wrong way. Who is the true woman with the power in Winterfell?
Daenerys and Jon rode dragons together. It was cute! Then Jon and Daenerys had, um, relations together while the dragons watched. Speaking of the dragons, they're not doing well in the North.
Arya (Maisie Williams) finally reunited with Jon, and they discussed the frostiness between Sansa and Jon's aunt/lover. Arya proclaimed Sansa the smartest person she knows. Will Jon listen? Meanwhile, Arya crossed paths with the Hound (Rory McCann) while going to meet Gendry (Joe Dempsie). Gendry and Arya kind of flirted, then she asked him to make her a weapon out of dragon glass. You know that's going to be badass.
Meanwhile, there was a lot of unrest at Winterfell. There's a whole army there now, how do they feed them (and dragons)? Plus, the noble lords and ladies put their trust in Jon Snow, not Daenerys. Tyrion Lannister (Peter Dinklage) crossed paths with Sansa and Bran (Isaac Hempstead Wright). Bran…well, he kept popping up, making people uncomfortable. The episode ended with Jaime Lannister (Nikolaj Coster-Waldau) arriving at Winterfell and seeing him alive and well.
Speaking of the Lannisters, Cersei (Lena Headey) was up to her normal nefarious ways. When she wasn't sleeping with Euron Greyjoy (Pilou Asbæk) and being all mysterious about whether or not shes actually pregnant (or if Euron got her pregnant, thus messing with the prophecy?), she was sending Bronn (Jerome Flynn) to kill her brothers with the same crossbow Tyrion killed her father. Obviously she's not sending her army to deal with the White Walkers.
The only major death of the episode was little Ned Umber. He left Winterfell to gather supplies and troops for Jon, but never made his way back. Nope, the Night King and his troops got him, turned him into a zombie as a message. They're almost at Winterfell and mean business. Business meaning death.


In fiber optic communication, 40GbE transceivers are being developed along several standard form factors, such as CFP (C form-factor pluggable) transceiver, QSFP/QSFP+ (quad small-form-factor pluggable) transceiver and CXP optical transceiver. This article will introduce the three types of optical transceivers to further your understanding of 40G optics.
CFP, short for C form-factor pluggable, is compliant with multi-source agreement (MSA) to produce a common form-factor for the transmission of high-speed digital signals. The C in the acronym "CFP" stands for the Latin letter C, which refers to the number 100 (centum), since the standard was primarily designed for 100 Gigabit Ethernet systems. In fact, CFP also supports the 40GbE. When talking about CFP, we always define it as multipurpose CFP.
The CFP form factor, defined in the MSA, supports both singlemode and multimode fiber and a variety of data rates, protocols, and link lengths, including all the physical media-dependent (PMD) interfaces contained in the IEEE 802.3ba Task Force. At 40GbE, target optical interfaces include the 40GBase-SR4 for 100 m and the 40GBase-LR4 for 10 km. There are three PMDs for 100 GbE: 100GBase-SR10 for 100 m, 100GBase-LR4 for 10 km, and 100GBase-ER4 for 40 km.
QSFP/QSFP+ transceiver (Quad Small Form-factor Pluggable Plus) is a wildly used transceiver interfaces in data communications, connecting a network device motherboard (e.g. a switch, router, media converter and the like) with a fiber optic cable. It is a industry format that is jointly developed and supported by many network component vendors, such as Dell QSFP+, Juniper QSFP+, Mellanox QSFP+ and HP QSFP+. Additionally, QSFP supports both copper and optical cabling solutions.
Compared with the CXP, the QSFP (quad small-form-factor pluggable) is similar in size (shown as the following picture). It provides four transmitting and four receiving lanes to support 40GbE applications for multimode fiber and copper today and may serve single-mode in the future. Another future role for the QSFP may be to serve 100GE when lane rates increase to 25Gb/s.
"C" in the acronym CXP represents for 12 in hex, and the Roman number "X" means that each channel has a transmission rate of 10 Gbps. "P" refers to pluggable that supports the hot swap. Thus, CXP is a hot-pluggable transceiver with data rate up to 12×10 Gbps.
CXP is developed for the clustering and high-speed computing markets, so we also call it high-density CXP. the CFP is able to work with multimode fiber for short-reach applications, but it is not really optimized in size for the multimode fiber market, most notably because the multimode fiber market requires high faceplate density. The CXP was created to satisfy the high-density requirements of the data center. It is featured with the parallel interconnections for 12x QDR InfiniBand (120 Gbps), 100 GbE, and proprietary links between systems collocated in the same facility.
As stated above, these 40G optics have been very popular in the market, and they are able to keep the momentum in the future for 100G transmission.


Situated in the sunniest part of the country, on the extreme South East coast, Rosslare Golf Club stands on a narrow peninsula with the Irish sea on one side and the huge expanse of Wexford harbour on the other.
Situated in the sunniest part of the country, on the extreme South East coast, Rosslare Golf Club stands on a narrow peninsula with the Irish sea on one side and the huge expanse of Wexford harbour on the other. The club has provided a wonderful golfing experience for almost 100 years. The old course is now joined by the excellent 12-hole Burrow Course, thus ensuring that the requirements of all golfing enthusiasts are catered for.


Sympathy: Listowel Emmets would like to send their deepest sympathies to the Cox & Mulvihill family, Charles st. Listowel on the recent passing of Agnes Mulvihill.
Saturday Morning Club: Training, fun and game continues on Saturday mornings from 10.30am – 12 noon for u8's and u10 boys born from 2005 – 2008. See you all there.
John B Keane League: The 12th Annual John B Keane League began on Monday night last at Frank Sheehy Park with great excitement and some fine football skills on display. On Monday next 18th Round 2 begins with Aindreas Rodrigues's & Lily Harte's Listowel Independent's taking on Nathan O'Sullivan and Hannah Keane's Boro, while Thomas Kelly and Bea Stack's led Rural Rangers meet with Samuel Sheehan and Ellie Ava Liston's Ashes. The final pairing's will see An Ghleann skippered by Bobby Houlihan & Aoife Sommers take on Eddie Healy and Molly Kennelly's Blackcock Feathers side. The fun continues at 6.45pm see you all there!
Emmets U12's were defeated away to Milltown Castlemaine on Sunday evening last on a score line of 4-12 to 3-9, they now await the grading for Phase two of the competition.
Emmets U16 North Kerry League Final: Emmets captained by Eddie Browne defeated St. Senan's in the North Kerry league final on Sunday last in Duagh on a scoreline of 3-11 to 1-9. This game was far from a stroll in the park as the score line suggests with nothing between the sides until the final quarter as Emmets Adam Scollard Mulvihill hit the back of the Senan's net and ignited Emmets attack, further scores from Shane Hughes, Sean Hannon and Darren Loughnane ensured victory. A jubilant Eddie Browne accepted the North Kerry Shield. A big thank you to Duagh for hosting a great game in tough conditions, and to St. Senan's who provided a great game and were very sporting in defeat.
U 16s are in training on Mondays and Thursdays at 6pm in St. Michaels.
Our U12s played Moyvane in the last of the 4 county preliminary matches on Tuesday evening and came away with a fine win. The Emmets girls took control in the first half playing with a strong breeze and put in a strong defensive display in the second half to complete a comfortable win.
The other big news from the U12 camp is that due to the increase in panel size over recent weeks, Emmets ladies will now be entering 2 teams into a county league competition for the first time ever. This is a fantastic achievement for the club. A big thank you to all the players and their parents.
There should be a decision from the county board in the next week or so regarding the divisions our teams will be playing in, while the league itself will likely kick off the week after next.
Training continues as usual on Thursday evenings at 7:30 in the boys school.
Under10 training continues on Saturdays at 5 pm. at the boys school field.