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Content with tag immigration reform .
Church leaders pledge continued prayer, advocacy for immigration reform
Members of several groups advocating for comprehensive, compassionate immigration reform pledged to redouble their efforts in 2022 in a Dec. 17, 2021, press conference following the annual Posada Seeking Immigration Reform.
Bishops listen to grim landscape of policy on the immigration front
In a wide-ranging report on immigration Nov. 12, U.S. bishops heard a grim landscape facing immigrants and refugees trying to find shelter in the United States. But they also heard of the wide network of Catholic organizations trying to help, even as they, too, face challenges.
Group launches fast for children in detention centers
Dozens of Chicago-area Catholics were joined by Lutheran, Jewish and Muslim representatives as they all prayed for immigrant children held in U.S. detention centers at the Healing Garden near Holy Family Church, 1080 W. Roosevelt Road, Oct. 16.
Catholics focus on immigrant children with rally, civil disobedience
A few hundred Catholic activists, including dozens of women religious, gathered outside at the foot of the U.S. Capitol July 18 urging politicians to stop its "inhumane treatment" of immigrant children at the border and reminding people of faith to take a stronger stand against current U.S. border policies.
Bishops' migration chair urges House to pass new bill to protect 'Dreamers'
The U.S. Conference of Catholic Bishops' Committee on Migration March 15 endorsed the American Dream and Promise Act of 2019, which would provide equal protection and a pathway to citizenship for qualifying "Dreamers" and those covered by the Temporary Protected Status and Deferred Enforced Departure programs.
Gathering calls for immigration policy to recognize human dignity of immigrants
The United States must do a better job of welcoming immigrants and refugees, not because of what they can do for the country but because they are human beings. That was the main message of "You are My Neighbor. Immigration: Who is Affected, Why You Should Care and What You Can Do," a March 1 gathering hosted by Southside Catholic Peace and Justice and more than 40 faith groups and community organizations at St. Barnabas Church, 10134 S. Longwood Drive.
Catholics pray, protest in support of 'Dreamers'
Hundreds of people packed Our Lady of the Mount Church in Cicero Feb. 25 to pray for "Dreamers," young people who were brought to the United States illegally when they were children and now want to stay in the only homeland many of them remember.
Dozens of Catholic protestors arrested as they ask Congress to help 'Dreamers'
Dozens of Catholics, including men and women religious, were arrested near the U.S. Capitol Feb. 27 in the rotunda of a Senate building in Washington as they called on lawmakers to help young undocumented adults brought to the U.S. as minors obtain some sort of permanent legal status.
Administration's effort to end DACA blocked by Supreme Court
The U.S. Supreme Court has dealt a blow to the Trump administration's effort to end a program in March that protects young adults brought to the U.S. without legal permission as minors.


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text:
template<typename T>
void test () {
#if _LIBCPP_STD_VER > 11
    {
    constexpr T sv1;
    static_assert ( sv1.size() == 0, "" );
    static_assert ( sv1.empty(), "");
    }
#endif

    {
    T sv1;
    assert ( sv1.size() == 0 );
    assert ( sv1.empty());
    }
}

int main () {
    typedef std::experimental::string_view    string_view;
    typedef std::experimental::u16string_view u16string_view;
    typedef std::experimental::u32string_view u32string_view;
    typedef std::experimental::wstring_view   wstring_view;

    test<string_view> ();
    test<u16string_view> ();
    test<u32string_view> ();
    test<wstring_view> ();

}

redpajama_set_name: RedPajamaGithub


text:
After Game One loss, Tigers still have chance to come home in good shape
by Dan Holmes on October 25, 2012
Justin Verlander lasted just four innings in Game One against the San Francisco Giants.
They're talking about momentum and layoffs. They're talking about too much rest and not being sharp. But the fact is the San Francisco Giants just whipped the Tigers in Game One of the 2012 World Series.
Pablo Sandoval did it three times, and that was really all the Giants needed to hold serve and take the opener of this Fall Classic.
Some might feel that the Giants got something more by beating Justin Verlander, the Tigers ace, the best pitcher in baseball. But the fact is, all four of the Detroit starters have been pitching like Verlander for a month. Any one of the quartet can lock down the Giants offense, and they aren't intimidated just because a Panda swatted three home runs.
About those three homers. A tip of the cap to Sandoval for his aggressive hitting. His first homer was on a fastball letter high right down the middle, and he put a hurt on it. The second home run was on another pitch up in the strike zone and Sandoval went with it on the outside edge of the plate, and using the velocity supplied by JV he sent it soaring into the left field stands. Kudos. But on his third home run, something was fishy, and I hope the Tigers rectify it. Al Alburquerque threw two pitches to Sandoval during that at-bat. Pablo sent the second one, a well-located slider down in the zone, into center for his third home run of the game. As a result he etched his name alongside that of three other players known by their nicknames: Babe, Mr. October, and Phat Albert. But it was the first pitch AlAl threw to Sandoval that disturbed me. It was a slider down and in, and Sandoval swung from his heels. He jumped out of his shoes and hacked at that ball like he was in a beer league softball game. He almost tore a button on his jersey. One of his molars practically came loose.
The Tigers can't allow that to happen.
There was a time when if a batter had some success and then came to the plate overconfident and swung like that, he would be hit in the ribs by the next pitch. That's not dirty baseball, that's smart baseball. Sandoval was way too comfortable up there at the plate by that time. He proved it with that monster swing on the first offering from Alburquerque. You can't let a batter be that comfortable at the plate, I don't care what era this is. If Bob Gibson, or Steve Carlton, or Nolan Ryan, or heck even Jack Morris had watched Sandoval swing like that, the next pitch would have buzzed his tower. Not to hurt him, but to send a message: Hey buddy, this plate belongs to me. Back off.
Instead, Pablo Sandoval extended his arms over the plate and had an invitation to hack away from the heels. His last time up he lined a single. Still, no one brushed him back a little, no one made him move his feet, no one caused him some discomfort. It's not about punishing him for hitting those home runs, it's about sending a message that this isn't home run derby, you aren't going to be able to just stand up there relaxed and wave your bat through the zone like a beast. The Tigers failed to send that message, and that was a missed opportunity.
What's wrong with JV? Nothing is wrong with him. He's pitched more than 270 innings this year and he made some good pitches that were hit hard. He also made a few bad pitches. He also had some bad luck when the Giants played pinball wizard off the third base bag in the third inning.
The Tigers offense should have done some more damage off Barry Zito, who lives and dies by nibbling the corners. Miguel Cabrera and Delmon Young just missed crushing a few of his pitches, but that's the difference between a big inning and a big fat zero on the board.
Jim Leyland inserted Jose Valverde into the game in the 7th inning, apparently because he's the only man in America who doesn't see that Big Potato is overcooked. Valverde promptly surrendered a pair of runs, which made a five-run deficit a seven-run deficit. Too bad, because Detroit got two runs in the 9th on a home run from Jhonny Peralta, who is having a very good post-season. I hope Leyland has figured it out – Papa Grande is not Grande anymore.
The Giants are up 1-0 in this Series, but there's no need to panic. The Tigers are one classic Doug Fister outing away from tying it up and stealing home field advantage before flying home for three games.
The longer the Series goes, the more likely fluke plays like the bouncer off third base, will even out. The longer the Series goes, the more likely that Detroit's starting rotation will shut down what is normally a very average Giants offense. The longer this Series goes, the more likely we'll see the Triple Crown winner deliver big time.
Either team can win this World Series: we saw it last season when the heavily favored Texas Rangers were beaten by the St. Louis Cardinals. But the Tigers still have the edge, they just need to assert their advantage tonight in Game Two.
20122012 World Seriesjose valverdeJustin VerlanderPablo Sandovalsan francisco
'68 World Champion Jon Warden grateful for his only season in big leagues
Game Two loss puts Tigers in a hole
2 replies on "After Game One loss, Tigers still have chance to come home in good shape"
Inciteful, on the mark.
Thanks, John.

redpajama_set_name: RedPajamaCommonCrawl


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NOTICE PURSUANT TO SECTION 122 OF THE LOCAL GOVERNMENT ACT 1972 (AS AMENDED) PROPOSED APPROPRIATION OF OPEN SPACE LAND BURTON STONE LANE COMMUNITY CENTRE-EVELYN CRESCENT, YORK
5th July 2017 to 4th August 2017
THE COUNCIL OF CITY OF YORK NOTICE PURSUANT TO SECTION 122 OF THE LOCAL GOVERNMENT ACT 1972 (AS AMENDED) PROPOSED APPROPRIATION OF OPEN SPACE LAND BURTON STONE LANE COMMUNITY CENTRE-EVELYN CRESCENT, YORK Acting under its powers in the above legislation, notice is hereby given that The Council of the City of York intends to appropriate for planning purposes the site of Burton Stone Lane Community Centre at Evelyn Crescent, York. The land is proposed to be redeveloped as an extension to the existing extra care residential accommodation scheme on neighbouring land at Marjorie Waite Court. A plan showing the situation of the land and statement of reasons may be inspected during week days at the Reception to West Offices, Station Rise, York, YO1 6GA from 8.30 am to 5 pm (4.30 on Fridays) from 5th July 2017 until 26th July 2017 and can also be viewed between these dates on the Council website at www.york.gov.uk.
For further information, please contact Andrew Laslett by telephone on 01904 553370 or email andrew.laslett@york.gov.uk. Any objections to the proposed disposal must be made in writing to the Assistant Director of Legal and Governance at West Offices, Station Rise, York, YO1 6GA, Ref. GA/LPR1.8809 by noon on 26th July 2017. All objections received will then be considered. Andrew Docherty
Assistant Director of Legal and Governance Council of the City of York West Offices, Station Rise York, YO1 6GA
Ref. GA/LPR1.8809 30th June 2017
City of York Council
West Offices , Station Rise , York , YO1 6GA
ycc@york.gov.uk http://www.york.gov.uk 01904 551 550
ALLAN WOODALL (Deceased)
ALLAN WOODALL (Deceased) Pursuant to the Trustee Act 1925 any persons having a claim against or an interest in the Estate of the above named,
Notice effective from Fri 2 Aug 19 to Sun 1 Sep 19
TEMPORARY TRAFFIC RESTRICTIONS Notice is hereby given that City of York Council (the Council), in exercise of powers under Sections 14(1) &
CITY OF YORK COUNCIL NOTICE OF PROPOSALS THE YORK PARKING. STOPPING AND WAITING (AMENDMENT) (NO 14/44) TRAFFIC ORDER 2020
CITY OF YORK COUNCIL NOTICE OF PROPOSALS THE YORK PARKING. STOPPING AND WAITING (AMENDMENT) (NO 14/44) TRAFFIC ORDER 2020 Notice is hereby given
PROPOSED RESIDENTIAL DEVELOPMENT AT BOOTHAM CRESCENT FOOTBALL STADIUM, YORK
PUBLIC CONSULTATION EVENT PROPOSED RESIDENTIAL DEVELOPMENT AT BOOTHAM CRESCENT FOOTBALL STADIUM, YORK Persimmon Homes Yorkshire will be
Notice effective from Sat 8 Sep 18 to Mon 8 Oct 18
Licensing Act 2003 Notice of Application for the Grant of a Premises Licence Take notice that on 15/06/2006 I Melissa Reed of 30 Crichton
Notice effective from Sat 18 Jun 16 to Mon 18 Jul 16
Licensing Act 2003 Notice of Application for the Grant of a Premises Licence Take notice that on 15th July 2021 I Akwan Saih Hussain Irani of 17
JOHN HURWORTH HUTCHINSON (Deceased)
JOHN HURWORTH HUTCHINSON (Deceased) Pursuant to the Trustee Act 1925 any persons having a claim against or an interest in the Estate of the
JEFFERY WILFRED SCRUTON (Deceased)
JEFFERY WILFRED SCRUTON (Deceased) Pursuant to the Trustee Act 1925 any persons having a claim against or an interest in the Estate of the
Notice effective from Tue 29 May 18 to Thu 28 Jun 18
DAVID NOLAN (Deceased)
DAVID NOLAN (Deceased) Pursuant to the Trustee Act 1925 any persons having a claim against or an interest in the Estate of the above named, late
DOROTHY PATRICIA HOLGATE (Deceased)
DOROTHY PATRICIA HOLGATE (Deceased) Pursuant to the Trustee Act 1925 any persons having a claim against or an interest in the Estate of the
Notice effective from Mon 30 Jan 17 to Wed 1 Mar 17
DEREK PARKER (Deceased)
DEREK PARKER (Deceased) Pursuant to the Trustee Act 1925 any persons having a claim against or an interest in the Estate of the
CLIFFORD GORDON HIRST (Decesed)
CLIFFORD GORDON HIRST (Deceased) Pursuant to the Trustee Act 1925 any persons having a claim against or an interest in the Estate of the above
Notice of Cancellation pursuant to section 5 of the Act
CITY OF YORK COUNCIL TEMPORARY TRAFFIC RESTRICTIONS Notice is hereby given that City of York Council (the Council), in exercise of powers under
RICHARD LAURENCE CAPLE (Deceased)
RICHARD LAURENCE CAPLE (Deceased) Pursuant to the Trustee Act 1925 any persons having a claim against or an interest in the Estate of the
Notice effective from Wed 17 Jul 19 to Fri 16 Aug 19


I read a lot everyday and today was no exception. One of the stories I read today was a link on Huffington Post about Matthew Dowd, former campaign strategist for President George Bush.
Today I went flying again with my instructor. Licensed pilots are required to spend time each year working with instructors to keep their skills honed. Flying an airplane is a great gift and a responsibility.
I first read about Professor Bob Sutton's book about three months ago on Guy Kawasaki's blog. I had done a Google search on the subject following a particularly painful day at work.
I can't quite contain my concern that we are heading towards a nuclear Armageddon. "The Bush administration continues moving closer to a nuclear attack on Iran, and we ignore the obvious buildup at our peril.


The first taste of the Alt I must say was disappointing. It just tasted off. Thankfully, it did get better as the night wore on, that "interesting" taste fading to the background. I need to do more exploring of lagers to figure out what that is. Maybe its supposed to be there. I wish I had more opportunities to get to the Herk. Good meeting a few folks.


Pumpkin Cookie Dough! The easiest fall snack or topping full of chopped pecans, dark chocolate chips, and all the spices. Vegan, gluten-free, and paleo!
Happy pumpkin EVERYTHING month…I mean October.
It seems like most pumpkin desserts are, well, kind of a production. Like if you make a cake you have to make the obligatory creamy frosting to go with. Or if you make a pie you can't even eat it the same day because of the whole setting overnight thing. Or if you make ice cream you have to wait for it to freeze to just the perfect level of chilly-meets-scoopable.
I'm not about that whole pumpkin patience thing.
I mean sometimes it's worth it. But sometimes I just want a bite of something pumpkin spice, and NOW would really be the ideal time frame.
To which I say: Pumpkin Cookie Dough.
But embellished of course because we don't want to be TOO basic. So this is no-bake vegan and paleo pumpkin cookie dough with maple syrup for seasonally-apropriate sweetness, SunButter for some "buttery" richness, crunchy bits of chopped pecans and dark chocolate chips so not a single bite is without plenty of mix-ins, and of course lots of pumpkin spice.
Made and eaten with friends for optimal enjoyment. In my case, with my friends Sonya and Dan – co-collaborators on this pumpkin post too, remember? – because you guys were pretty into that style of video and asking for more. And they are much more fun for me to shoot too!
Scooped like ice cream into a bowl (or cone!) and drizzle with chocolate sauce + a sprinkling of chopped pecans. Spoon, dough, face, YES.
Same chunks as above but minus the smoothie bowl. Because they are bite size and they are perfect.
And I'm sure you'll find some favorite devouring methods of your own.
Just like that, instant pumpkin spice snacking is yours. Make the very most of it, friends!
Whisk together the pumpkin, maple syrup, nut/seed butter.
Add the coconut flour, pumpkin pie spice, and salt.
Mix to form a thick batter, adding milk as needed if its too dry/crumbly.
Scoop into bowls, and serve with a drizzle of melted chocolate and a sprinkle of pecans.
Or press flat onto a sheet of wax paper and freeze for 1 hour. Then chop into small pieces.
I can't even tell you how excited I am that pumpkin cookie dough is a thing. YUMM!
Can I bake in oven and make cookies out of this dough?
Can you use honey instead of nut/seed butter?
If not what can I use in stead of it?
Hmm no there is already sweetener here so that swap won't work. You could try more pumpkin, although it doesn't have the same fat content so it will not taste as rich and may make the dough drier overall. Or you could try 2 tbsps coconut oil too. Hope that helps!
THANK YOU! so much for the idea of coconut oil! I just made this and it's amazing! And so simple!!!
I always love your recpies!
Aw yay!! I'm so happy that worked and you liked it🤗 Enjoy and have a wonderful rest of your weekend too!
Is this cookie dough keto friendly?
No, the maple syrup is not keto unfortunately. But you could swap it for monk fruit maple syrup (https://amzn.to/2y2zHRM) or use stevia instead and add more milk/pumpkin to make up for the lost liquid. Oh and the chocolate chips would need to be swapped for cacao nibs or unsweetened chocolate. Hope that helps!
Yum!! I topped mine with "magic shell" made from melted coconut oil, agave, and coco powder. Hubby approved!
Oh that sounds PERFECT😋😋 I'm so so happy you both liked it!
Haha you've been around for a loooooooong time then🙈😂 Well thank you for the continued support, and I am SO happy you liked this one🤗 I hate coconut flour 90% of the time, but for a few things it's amazing!


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The JFK Honeymoon & Godfather Mansion!
One of America's most famous homes is The Beverly House, the former estate of newspaper magnate William Randolph Hearst and actress Marion Davies. Well known for its memorable scenes in the movies The Godfather and The Bodyguard, the estate has just come on the market at $195 million.
Designed by Gordon Kaufmann, the architect behind the Hoover Dam and some of the most important estates in the Beverly Hills area, The Beverly House stands as an emblem of Hollywood's Golden Era. The estate is well known for its H-form architecture, characterized by long colonnades, wide balconies, arched floor-to-ceiling windows, and its spaciousness: a stunning two-story library with hand-carved paneling and a wraparound walkway; a formal living room with its 22-foot-high, hand-painted, arched ceiling; a state-of-the-art spa; and a billiards room with herringbone parquet floors and an intricately designed ceiling and carved fireplace, both from the Hearst Castle in San Simeon. The main level hallway is a staggering 82 feet, seven inches up to the 32-foot billiard room, which is open to the main hallway, for a total of 114 feet and 7 inches visible upon walking into the entry. The grand upstairs hallway is more than 102 feet long and features a 40-foot wide, nearly 9-foot-tall Dennis Abbe mural. A substantial addition was made in the 1990s, expanding the size of the building as seen in The Godfather. The gardens, designed by landscape architect Paul Thiene, include cascading waterfalls to the pool as well as impressive, mature, trees.
Located only three blocks from Sunset Boulevard and the Beverly Hills Hotel, The Beverly House features 19+ bedrooms and suites, a near Olympic-size swimming pool, lighted tennis court, two projection/screening rooms, a commercial grade kitchen, terraces to accommodate 400 or more guests for a seated dinner and grounds to accommodate more than 1,000 people, among other attributes. Sitting on its own promontory, The Beverly House consists of approximately 50,000 square feet and in excess of 525,000 cubic feet of well-proportioned space, and offers extreme privacy and security with four security gates and several perimeter housing structures.
Serving as both a destination on Jacqueline and John F. Kennedy's honeymoon and the West Coast presidential election headquarters for JFK, The Beverly House is anchored in American legend. Together with the adjacent property, The Beverly House compound is in excess of 55,000 square feet, featuring 25-28 bedrooms, two swimming pools and six separate structures on its prime acreage.
The Beverly House is available either by itself or with an adjacent but separate legal parcel and seven-bedroom home, which together comprise The Beverly House estate, situated on approximately five acres of landscaped flat land in the heart of Beverly Hills. The listing agent is Mauricio Umansky of The Agency.
Pierre Cardin's Bubble Palace Is Europe's Most Expensive Home!
Eric Clapton's Beach House!
Connecticut Contemporary with Greek Temple!
Elrod Diamonds are Forever House Sells!
Al Capone's Miami Villa Death Home!
Live In & Next To Donald Trump's Beverly Hills Homes!
Justin Bieber Hawaii Rental!
Henry VIII's Castle For Sale!
Playboy Mansion Sale Is Final!


DAMICO, David A., passed away Saturday September 15, 2018. Born July 11, 1945 in Cincinnati, Ohio to Anthony Damico Sr. and Melva Damico (nee Wolf). Preceded in death by his parents and brother Frank Damico, David is survived by sons Aaron (Diana) Damico of West Chester, Oh and Nicholas (Silvia) Damico of Lake Balboa, Ca, brother Anthony (Dorothy) Damico Jr., granddaughter Mila Damico and many other members of the family and friends. A gathering of friends and family will be held Monday October 1st, 2018 from 3:00 pm to 5:00 pm at Stine-Kilburn Funeral Home.


The first half of Bollywood year saw some exemplary performance by the hottest couple of tinsel town Alia Bhatt (Raazi) and Ranbir Kapoor (Sanju). And the coming months seem to be equally exciting with some impeccable performances. Here is a round up of Bollywood Trailers we are loving at the moment.
Gold:Akshay Kumar hits back again with its patriotic self, all set to empower the nation with his flawless acting skills. Each frame in the movie spells out the period in which the movie is set. Mouni Roy too stands out in the trailer and make us want to see more of what's to come. The movie is inspired by true events that led to India's first post-independence Olympic gold medal. The film also stars Amit Sadh, Kunal Kapoor, Vineet Singh and Sunny Kaushal. Releasing 15th August, 2018.
Satyameva Jayate: Clashing with Akshay Kumar starrer Gold, this is another masaledhar action genre – where John features as a vigilante taking out the rotten apples in the police department. After Parmanu, this will be another stint by John in patriotic drama. The Dilbar remake of famous Sushmita Sen's song is grooving all the YouTube stars. Nora Fatehi with his pitch perfect belly moves seems to steal the thunder from the strong script of Satyameva Jayate. The film, directed by Milap Milan Zaveri, will also have Manoj Bajpayee in the lead role. The film will be produced by T-Series' Bhushan Kumar and Nikhhil Advani. Releasing 15th August, 2018.
Monika is a quintessential millennial wife, exploring communication avenues, one city at a time. From Corporate Communications in Mumbai to Beauty & Wellness PR in New York City to Content Marketing in Hong Kong, she continues to be a sucker for Netflix binges. When she isn't busy stalking every gossip on internet, she's probably writing opinion pieces on controversial subjects or secretly shooting videos of her husband who is sleeping to his glory! You can connect with her on Instagram @metaphor3 – the handle name to which she still wonders how she came up with!


I've always been a fan of clean lines and that translates into my love for real estate photography. I provide HD stills for agents, brokers, designers and builders alike.
Please fill out the form below to book a shoot.


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One Response to Croquembouche and Pirates!


text:
Books › Sitemap › Art › American › General › N
N. C. Wyeth by David Michaelis - 2003 - 576 pages
N. C. Wyeth by Newell Convers Wyeth, Douglas Allen - 1972 - 335 pages
N. C. Wyeth and the Brandywine tradition by Newell Convers Wyeth, William Penn Memorial Museum - 1965 - 38 pages
N.C. Wyeth by Kate F. Jennings - 1999 - 112 pages
N.C. Wyeth by David Michaelis, Newell Convers Wyeth - 1998 - 555 pages
N.C. Wyeth by Christine Bauer Podmaniczky, Newell Convers Wyeth, Brandywine River Museum, William A. Farnsworth Library and Art Museum - 1995 - 57 pages
N.C. Wyeth by Newell Convers Wyeth, Douglas Allen - 1984 - 335 pages
N.C. Wyeth's wild West by Gėnė E. Harris, Newell Convers Wyeth, Brandywine River Museum, Portland Museum of Art, Thomas Gilcrease Institute of American History and Art - 1990 - 86 pages
Nacimientos by Guy Monthan, Doris Born Monthan - 1979 - 93 pages
Nagel by Patrick Nagel - 1989 - 159 pages
Nagel by Patrick Nagel, Elena G. Millie - 1987 - 159 pages
Nainsukh of Guler by B. N. Goswamy - 1997 - 304 pages
Nam June Paik by Wulf Herzogenrath, Andreas Kreul - 2007 - 192 pages
Nancy Graves by Nancy Stevenson Graves, M. Knoedler & Co - 2002 - 31 pages
Nancy Graves by Nancy Stevenson Graves, La Jolla Museum of Contemporary Art, Art Museum of South Texas - 1973 - 40 pages
Nancy Spero by Nancy Spero, Rosario Peiró, Mignon Nixon, B. H. D. Buchloh, Hélène Cixous, Museu d'Art Contemporani (Barcelona, Spain), Museo Nacional Centro de Arte Reina Sofía, Centro Andaluz de Arte Contemporáneo (Séville, Spain) - 2008 - 191 pages
Nancy Spero by Nancy Spero, Robert Storr, Leon Golub, Galerie Lelong (New York, N.Y.), Galerie Lelong (Paris, France) - 2003 - 63 pages
Nancy Spero by Nancy Spero, Ingeborg Kähler, Deborah Frizzell, Susanne Altmann - 2002 - 107 pages
Nancy Spero by Nancy Spero, Jon Bird, Jo Anna Isaak, Sylvère Lotringer - 1996 - 160 pages
Nancy Spero by Nancy Spero, Edit DeAk - 1989 - 48 pages
Nancy Spero by Nancy Spero, Dominique Nahas, Jo Anna Isaak, Robert Storr, Leon Golub, Everson Museum of Art - 1987 - 79 pages
Narcissism by California Center for the Arts Museum (Escondido, Calif.) - 1996 - 64 pages
Nashville Radio by Jon Langford - 2006 - 142 pages
Nat Tate by William Boyd - 2011 - 72 pages
Natalie Alper, paintings, drawings, and works on paper by Natalie Alper, Addison Gallery of American Art - 1989 - 18 pages
Nathan Oliveira by Lynne Allison Haney, Peter Howard Selz, Nathan Oliveira, Joann Moser, San José Museum of Art - 2002 - 238 pages
Nathan Oliveira by Peter Howard Selz, Nathan Oliveira, Joann Moser - 2002 - 238 pages
National Academy of Design exhibition record, 1826-1860 ... by National Academy of Design (U.S.), Mary Bartlett Cowdrey - 1943
National Museum of American Art by National Museum of American Art (U.S.) - 1995 - 279 pages
National parks and the American landscape by National Collection of Fine Arts (U.S.) - 1972 - 141 pages
Native American Architecture by Peter Nabokov, Robert Easton - 1990 - 432 pages
Native American Art by David W. Penney, George C. Longfish - 1994 - 262 pages
Native American art and the New York avant-garde by W. Jackson Rushing - 1995 - 250 pages
Native American art in the Denver Art Museum by Denver Art Museum, Richard Conn - 1979 - 350 pages
Native American painters of the twentieth century by Robert Henkes - 1995 - 219 pages
Native American Painting by Museum of the American Indian, Heye Foundation, David M. Fawcett, Lee A. Callander - 1982 - 95 pages
Native arts of North America by David W. Penney - 1998 - 207 pages
Native Friendships by Helmut W. Horchler - 2007 - 164 pages
Native Modernism by Truman T. Lowe - 2004 - 128 pages
Native Moderns by Bill Anthes - 2006 - 235 pages
Natural genre by Tricia Collins, Richard Milazzo, Florida State University. Art Gallery - 1984 - 48 pages
Natural reality and abstract reality by Piet Mondrian - 1995 - 143 pages
Nature and culture by Barbara Novak - 1995 - 329 pages
Nature Observed, Nature Interpreted by Dita Amory, Marilyn F. Symmes - 1995 - 167 pages
Nature staged by Barbara L. Jones, Levi Wells Prentice, Adirondack Museum - 1993 - 95 pages
Nature's nobleman by Robert L. McGrath, New Hampshire Historical Society - 1989 - 100 pages
Nature, two views by Carol Furr, Leo Robinson, Dextra Frankel, Joan Hugo, California State University, Fullerton. Art Gallery - 1988 - 30 pages
Negotiating small truths by Annette DiMeo Carlozzi, Jack S. Blanton Museum of Art - 1999 - 142 pages
Neil Welliver by Neil Welliver, Mark Strand, Robert M. Doty, Alexandre Gallery - 2004 - 48 pages
Neil Welliver by Neil Welliver, Marlborough Gallery - 1993 - 47 pages
Neil Welliver by Robert M. Doty, John Bernard Myers, Edwin Denby, Currier Gallery of Art - 1981 - 90 pages
Neil Welliver, new paintings by Neil Welliver, David R. Slavitt, Tibor de Nagy Gallery - 1999 - 40 pages
Nell Blaine by Martica Sawin, Nell Blaine - 1998 - 153 pages
Nell Brooker Mayhew by Alissa J. Anderson - 2005 - 80 pages
Nelson Augustus Moore (1824-1902) by Ellen Fletcher, Nelson Augustus Moore, Moore Picture Trust - 1994 - 129 pages
Nelson Augustus Moore (1824-1902) by Nelson Augustus Moore, Vose Galleries of Boston - 1990 - 20 pages
Neo-Avantgarde and Culture Industry by Benjamin H. D. Buchloh - 2003 - 628 pages
Neo-pagan sacred art and altars by Sabina Magliocco - 2001 - 92 pages
Neo-Pagan Sacred Art and Altars by Sabina Maglioco - 2001 - 92 pages
Neocolonial identity and counter-consciousness by Renato Constantino, István Mészáros - 1978 - 307 pages
NeoHooDoo by Franklin Sirmans, Jen Budney, Menil Collection (Houston, Tex.), P.S. 1 Contemporary Art Center, Miami Art Museum - 2008 - 143 pages
Netsuke by Metropolitan Museum of Art (New York, N.Y.), Barbra Teri Okada - 1982 - 119 pages
Neue Anwendungen fluoreszierenden Lichts mit Diagrammen, Zeichnungen und Drucken von Dan Flavin, 26.2.-16.4.1989, Staatliche Kunsthalle Baden-Baden by Dan Flavin - 1989 - 168 pages
Neue Welt by Elizabeth Mankin Kornhauser, Ortrud Westheider, Karsten Müller, Bucerius Kunst Forum, Staatsgalerie Stuttgart - 2007 - 239 pages
Nevelson's world by Jean Lipman, Nicholas Fox Weber - 1983 - 244 pages
Nevelson: wood sculptures by Louise Nevelson, Martin L. Friedman, Walker Art Center - 1973 - 80 pages
New aesthetic by Washington Gallery of Modern Art (Washington, D.C.), Barbara Rose - 1967 - 63 pages
New American Art Museums by Helen Searing, Whitney Museum of American Art - 1982 - 142 pages
New American landscapes by Vassar College. Art Gallery - 1973 - 36 pages
New American paperworks by Jane M. Farmer, World Print Council, Sarah Campbell Blaffer Gallery - 1982 - 48 pages
New Art City by Jed Perl - 2007 - 656 pages
New art in America by John Ireland Howe Baur - 1957 - 280 pages
New art in Austin by Dana Friis-Hansen, James Housefield, Austin Museum of Art, Galveston Arts Center, Dallas Center for Contemporary Art - 2005 - 61 pages
New artists by Gloria Wilcher, Currier Gallery of Art - 1989 - 38 pages
New Bay Area painting and sculpture by Christopher Brown, Judith Dunham, California State University, Northridge. Art Gallery - 1982 - 79 pages
New Britain Museum of American Art by New Britain Museum of American Art, Pamela T. Barr, Henry Adams - 1999 - 192 pages
New California printmaking by Mary Davis MacNaughton, Lang Art Gallery - 1987 - 20 pages
New Deal art by Harriet W. Fowler, Sophia Wallace, University of Kentucky. Art Museum - 1985 - 119 pages
New Deal Art In North Carolina by Anita Price Davis - 2009 - 244 pages
New Deal Art in Virginia by Anita Price Davis - 2009 - 218 pages
New Deal art of the Upper Midwest by Lea Rosson De Long, Michael Gontesky, Julie D. Nelson, Sioux City Art Center - 1988 - 40 pages
New Deal art, California by De Saisset Museum - 1976 - 172 pages
New Deal art, New Jersey by Newark College of Arts and Sciences (N.J.). Museum Training Program, Newark Museum Association, Robeson Center Gallery, New Jersey State Museum, City Without Walls Gallery - 1980 - 76 pages
New Deal for art by Marlene Park, Gerald E. Markowitz, Gallery Association of New York State - 1977 - 172 pages
New decorative works from the collection of Norma and William Roth by Loch Haven Art Center, Jacksonville Art Museum - 1983 - 58 pages
New directions in American painting by Brandeis University. Poses Institute of Fine Arts - 1964 - 27 pages
New directions in American painting by Poses Institute of Fine Arts - 1963 - 47 pages
New directions Northwest by George Longfish - 1986 - 52 pages
New drawing in America by Martha Beck, Marie Keller - 1982 - 150 pages
New England now - 1987 - 55 pages
New forces in American art by Forbes Watson - 1939 - 134 pages
New frontiers in American painting by Samuel Melvin Kootz - 1943 - 65 pages
New Generations: New York by Elaine A. King, Kim Levin - 1990
New Generations: New York by Elaine A. King, Kim Levin, Carnegie Mellon Art Gallery - 1990
New glass by Otto B. Rigan, Charles Frizzell - 1976 - 117 pages
New Hampshire by Patricia Harris, David Lyon - 2000 - 96 pages
New horizons in American art by Lisa Dennison, Exxon Corporation, Solomon R. Guggenheim Museum - 1985 - 120 pages
New horizons in American art by Museum of Modern Art (New York, N.Y.), Holger Cahill, Federal Art Project - 1936 - 171 pages
New horizons in American art by Museum of Modern Art (New York, N.Y.), United States. Works Progress Administration, Federal Art Project - 1936 - 171 pages
New horizons in American realism by Christopher R. Young, Flint Institute of Arts, Philharmonic Center for the Arts, Knoxville Museum of Art - 1991 - 94 pages
New image painting by Richard Marshall, Whitney Museum of American Art - 1978 - 96 pages
New in the seventies by University of Texas at Austin. University Art Museum, Archer M. Huntington Art Gallery - 1977 - 64 pages
New Jersey remembered by Robert Wilson Torchia, Schwarz Philadelphia (Gallery) - 2005
New Land Marks by Penny Balkin Bach, New Land Marks (Program), Pennsylvania Academy of the Fine Arts, Philadelphia Exhibitions Initiative, University of the Arts (Philadelphia, Pa.), William Penn Foundation - 2001 - 160 pages
New Langton Arts by New Langton Arts - 1990 - 90 pages
New Mexico artists at work by Dana Newmann, Jack Parsons - 2005 - 168 pages
New narrative painting by Metropolitan Museum of Art (New York, N.Y.) - 1984 - 59 pages
New new painters at the 69th Regiment Armory, 26th & Lexington Avenue, New York City, May 18-May 23, 2000 by Lucy Baker, Kenworth Moffett, 69th Regiment Armory (New York, N.Y.) - 2000 - 91 pages
New painting, New York by Hayward Gallery, Catherine Lampert, Hilary Westlake, Arts Council of Great Britain - 1979 - 22 pages
New paintings by Anuszkiewicz by Richard Anuszkiewicz, Sidney Janis Gallery - 1967 - 20 pages
New paintings by Anuszkiewicz by Richard Anuszkiewicz, Sidney Janis Gallery - 1965 - 1 pages
New paintings together with earlier works by Henry Strater, Frank K.M. Rehn Galleries - 1967 - 63 pages
New perspectives in American art by Diane Waldman, Exxon Corporation, Solomon R. Guggenheim Museum - 1983 - 160 pages
New perspectives in black art by Art-West Associated North, Inc, Oakland Museum. Kaiser Center Gallery - 1968 - 24 pages
New Salmagundi papers by Salmagundi Club - 1922 - 149 pages
New Thoughts on the Black Arts Movement by Lisa Gail Collins, Margo Natalie Crawford - 2006 - 390 pages
New visions by Momi Cazimero, David J. de la Torre, Honolulu Academy of Arts, Manulani Aluli Meyer - 2001 - 145 pages
New vistas by Janice C. Oresman, Hudson River Museum, Tucson Museum of Art - 1984 - 55 pages
New Vistas by Janice C. Oresman - 1984 - 55 pages
New voices 94 by Sharon Ellis, Allen Memorial Art Museum - 1994 - 60 pages
New work by Nayland Blake, San Francisco Museum of Modern Art - 1990 - 22 pages
New work by Lynn Gumpert, Ned Rifkin - 1984 - 57 pages
New work, Joseph Glasco by Joseph Glasco, University of Oklahoma. Museum of Art - 1990 - 32 pages
New works by Tim Hawkinson, Akira Ikeda Gallery (Yokosuka-shi, Japan) - 1999 - 20 pages
New world (dis)order by Sidra Stich, Center for the Arts at Yerba Buena Gardens, National Museum of Women in the Arts (U.S.). Northern California Council - 1993 - 59 pages
New York by Nina Sonenberg - 1998 - 112 pages
New York by Dore Ashton - 1972 - 288 pages
New York art guide by Deborah Jane Gardner - 1982 - 128 pages
New York by artists of the Art Students League of New York by Art Students League (New York, N.Y.), Museum of the City of New York - 1975 - 79 pages
New York City WPA art by Parsons School of Design - 1977 - 101 pages
New York classicism now by Gregory Hedberg, Barbara J. Bloemink, Hirschl & Adler Galleries - 2000 - 48 pages
New York collection for Stockholm by Moderna museet (Stockholm, Sweden) - 1973 - 74 pages
New York cubists by Albert Eugene Gallatin, George L. K. Morris, Charles Green Shaw, Hirschl & Adler Galleries - 1987 - 52 pages
New York Dada, 1915-23 by Francis M. Naumann - 1994 - 255 pages
New York modern by William B. Scott, Peter M. Rutkoff - 1999 - 448 pages
New York now by Muze'on Yiśra'el (Jerusalem) - 1987 - 32 pages
New York now by Carl Albrecht Haenlein, Kestner-Gesellschaft - 1982 - 173 pages
New York painting and sculpture: 1940-1970 by Henry Geldzahler, Metropolitan Museum of Art (New York, N.Y.) - 1969 - 494 pages
New York Renaissance. Dal Whitney Museum of American Art by Cristina Garbagna, Flavio Caroli - 2002 - 221 pages
New York visionaries by Graham Gallery - 1982 - 15 pages
New York, New York! by Robert Henning, Santa Barbara Museum of Art - 1984 - 23 pages
New, used & improved by Peter Frank, Michael McKenzie - 1987 - 159 pages
New-found folk art of the young Republic by New York State Historical Association, Agnes Halsey Jones, Louis Clark Jones - 1960 - 35 pages
Next to nature by National Academy of Design (U.S.), Barbara Novak, American Federation of Arts - 1980 - 213 pages
Nexus retrospective, 1976-1983 by Nexus Gallery, Peale House Gallery - 1983 - 28 pages
Niagara by Jeremy Elwell Adamson, Elizabeth R. McKinsey, Alfred Runte, John F. Sears, Albright-Knox Art Gallery, New-York Historical Society, Corcoran Gallery of Art - 1985 - 167 pages
Nic Nicosia by Nic Nicosia - 2012 - 254 pages
Nicholas Africano by Nicholas Africano, Mitchell Douglas Kahan, North Carolina Museum of Art - 1983 - 20 pages
Nicholas Herrera by Barbe Awalt, Nicholas Herrera, Paul Fisher Rhetts - 2003 - 126 pages
Nicholas Krushenick. An exhibition organized by Walker Art Center, January 24-February 25, 1968 by Nicholas Krushenick, Dean Swanson, Walker Art Center - 1968 - 20 pages
Night and day by Gloria Klaiman - 2001 - 197 pages
Night life by Laurie Anderson - 2006 - 96 pages
Night studio by Musa Mayer - 1990 - 256 pages
Night train by Elise Asher - 2001 - 47 pages
Nine American painters by University of Utah. Dept. of Art - 1958 - 22 pages
Nine and the wall by Lora Pethick Brown, Jane Cope Pence, California State University, Fullerton. Art Gallery - 1981 - 48 pages
Nine from North Carolina by National Museum of Women in the Arts (U.S.). North Carolina State Committee - 1989 - 49 pages
Nine Martinis by Lita R. Hornick - 1987 - 115 pages
Nine women in Georgia by Gudmund Vigtel, National Museum of Women in the Arts (U.S.). Georgia Committee - 1996 - 55 pages
Nineteenth century American paintings by Ball State University. Art Gallery - 28 pages
Nineteenth- and twentieth-century paintings by Richard R. Brettell, Paul Tucker, Natalie Henderson Lee, Metropolitan Museum of Art (New York, N.Y.) - 2009 - 466 pages
Nineteenth-Century American Art by Barbara S. Groseclose - 2000 - 234 pages
Nineteenth-century American art by Frank Trapp, Judith A. Barter, Mead Art Museum (Amherst College) - 1985 - 18 pages
Nineteenth-century American painting by Barbara Novak, Sammlung Thyssen-Bornemisza - 1986 - 329 pages
Nineteenth-century American paintings by Barbara Novak, Elizabeth Garrity Ellis, Simon De Pury, Sammlung Thyssen-Bornemisza - 1986 - 329 pages
Nineteenth-century folk painting by Peter H. Tillou, Paul F. Rovetti, William Benton Museum of Art - 1973 - 209 pages
Nineteenth-century San Francisco art exhibition catalogues by Ellen Halteman - 1981 - 180 pages
Ninety-nine drawings by Marsden Hartley by Marsden Hartley, William J. Mitchell, Treat Gallery, Treat Gallery (Lewiston, Me.) - 1970 - 124 pages
Niño Fidencio by Dore Gardner - 1992 - 135 pages
No green berries or leaves by Paul Stankard, Virginia Eichhorn - 2007 - 191 pages
No one touches me. I am invisible by Red76, Sam Gould, Mikey Merrill, Aaron Montaigne - 2008 - 14 pages
No other way by Charles North - 1998 - 171 pages


text:
News May 06, 2016
Oliver Darcy
'Beyond Rehabilitation': In Searing Statement, Trump Rips Into Lindsey Graham for Not Supporting Him
"I fully understand why Lindsey Graham cannot support me."
Donald Trump tore into Sen. Lindsey Graham (R-S.C.) in a statement Friday afternoon, slamming the former presidential candidate for announcing that he will not vote for him.
"I fully understand why Lindsey Graham cannot support me," Trump said. "If I got beaten as badly as I beat him, and all the other candidates he endorsed, I would not be able to give my support either."
"Every time I see Lindsey Graham spew hate during interviews I ask why the media never questions how I single handily destroyed his hapless run for President," the brash billionaire continued. "As a candidate who did not receive 1% in his own state - compared to my victory at nearly 40% with many others in the race - he has zero credibility."
Trump characterized Graham as a "poor representative" and said he is "an embarrassment to the great people of South Carolina." Earlier, Graham told CNN that he didn't view Trump as a "reliable Republican conservative," adding that he doesn't believe the real estate mogul "has the temperament and judgement to be commander in chief."
"Judging by the incompetent way he ran his campaign, it is easy to see why his military strategies have failed so badly --- we can't even beat ISIS!" he said.
"While I will unify the party, Lindsey Graham has shown himself to be beyond rehabilitation. And like the voters who rejected him, so will I!" Trump concluded.
The feud with Graham came one day after Trump slammed House Speaker Paul Ryan (R-Wisc.) for refusing to immediately get behind his campaign.
Follow @oliverdarcy


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Ten Episodes in and going strong! This week we bring your our first interview. We chatted electronically with Erin LaNifa Co-Founder of Industry Coffee Roasters out of Oakland. We talk Coffee, politics, ethics, and the proper way to consume a cup o 'joe'. In News That's Local Somewhere we bring more hilarity and absurdity! Tune in and find out who is added to this week's Basket of Deplorables and the recipient of The Tulsi Gabbard Star-Spangled Awesome Award!
In this very special minisode of This Is Happening America Mark Explains The Academy Awards, Justin has a revelation about American Society, and we hit on a major problem plaguing Hollywood. You may be surprised to know that no one really knows why they're called "The Oscars" so tune in and find out the answers to everything you never knew you wanted to know about the biggest night in movies!
This week we deep dive the American Democracy by traveling back to the fall of The Roman Republic and examine what happens when governments become too democratic. It may surprise you to learn that The United States isn't as democratic as you may think, and maybe that's a good thing! In News That's Local Somewhere we both succumb to laughter as the news is hilarious! Tune in and find out who is added to this week's Basket of Deplorables and the recipient of The Tulsi Gabbard Star-Spangled Awesome Award!
Is It A Robe or A Blanket?
This week TIHA brings you a bonus episode that doesn't really fit anywhere else. Impasse offers a behind the scenes look into the show as Mark and Justin struggle to find common ground on an issue that threatens to destroy the show! Well...not really... Given where our country is right now it seemed a conversation that we could all benefit from having and hearing. So we hit record, and here it is. Can Mark and Justin find common ground or is this the end of This Is Happening America? Tune in to find out! **Spoiler** This is not the end of This Is Happening America.
All content, images, files, etc. are property of Mark Bettencourt and Justin Marra and cannot be reposted or shared with out explicit written permission.


text:
China's Pollution Problems Could be a Huge Opportunity for Industrial Wastewater Treatment Companies
Published on 08 Jun, 2017
The sheer scale of the Chinese economy, growing awareness among industries about water sustainability, and government regulations demanding sophisticated wastewater treatment are driving the wastewater treatment market in China, which offers tremendous opportunities for international players.
It's hardly a surprise that China — considered the world's factory — is also the largest generator of industrial wastewater in the world.
Compounding the situation is the fact that major Chinese cities and provinces face severe water scarcity, with per capita water availability far below the global average.
The enormity of China's water crisis can be gauged by the fact that, while the country is home to 20% of the world's population, it has just 7% of the world's freshwater resources. Moreover, the availability of freshwater is marred by high pollution levels in China's predominant freshwater sources, namely, rivers and groundwater. As per the 2015 State of Environment Report by China's Ministry of Environment Protection, 60% of groundwater in China falls under the "bad" to "very bad" quality categories, whereas 28% of its river water has been cited as "unfit for human contact."
Although World Bank data says that China's per capita freshwater availability in 2015 was 2039 cubic meters – well above the World Bank water scarcity definition of 1000 cubic meters per capita – the regional distribution is highly skewed among the provinces. As evident in the next illustration, 11 out of the 31 provinces in China fall under the (water) scarcity or extreme scarcity categories, with water availability below 1000 cubic meter per capita.
More notably, nearly half of China's GDP is earned among water-scarce regions.
The 11 water-scarce provinces – the dry 11 – as they are called, contribute 38% of the total agricultural output in China. Moreover, these regions are bestowed with huge reserves of natural resources like coal. The Shanxi province, for example, accounts for 30% of China's coal reserves and falls under the extreme water scarcity category.
This dichotomy between the economic activity and water scarcity in these provinces, aggravated by the poor quality of freshwater, has forced the Chinese government to take several concrete steps to arrest water pollution. Against this backdrop, the importance of sophisticated wastewater treatment and recycling cannot be over-emphasized.
How Bad is China's Wastewater Discharge Situation?
China discharged 73.5 billion tons of wastewater in 2015, more than the annual flow of the Yellow River, the second largest river in China.
As per the Ministry of Environment Statistics, China's burgeoning industrial sector accounted for a quarter of this wastewater generated. It's quite likely that these figures on industrial wastewater discharge are under-reported, as many polluting industries (such as textiles and tanneries) comprise SMEs where monitoring of wastewater data has not been up to the mark.
Pulp and paper, chemicals, textile, and coal mining industries were China's biggest polluters in 2014. Apart from these, steel, metals, and power industries are responsible for a significant amount of wastewater discharge into China's freshwater bodies. In addition to these point sources, additional sources such as agricultural runoff, precipitation, drainage, and seepage are also considerable contributors to China's water pollution woes.
The situation is dire enough that the Chinese government has to step in.
What is the Chinese Government Doing to Address its Water Issues?
Given the critical state of affairs, the Chinese government has undertaken several initiatives, from building water treatment plants and improving the water efficiency of industries to imposing strict wastewater discharge standards in terms of quality as well as quantity.
The current regime is undertaking measures to move toward a "circular economy" that emphasizes reuse and recycling of all resources, minimizing environmental impact. Several laws and regulations promulgated over the past two years are clear indicators of the government's willingness to compromise on economic growth in favor of environmental protection.
The Chinese government has set some serious targets in the 13th Five Year Plan (FYP) (2015–20) in order to address water issues in China. The government has vowed to reduce water use per unit of GDP by 23% from current levels. The two indicators of water pollution – Chemical Oxygen Demand (COD) and ammonia nitrogen – will have to be reduced by 10% in the 13th FYP from their current levels.
In April 2015, the State Council of China issued the "Water Pollution Prevention and Control Action Plan," also known as the "Water Ten Plan," which aims to control pollution discharge, promote economic and industrial transformation, as well as save and recycle resources. This is an umbrella plan that requires various ministries such as the Ministry of Environmental Protection, Science and Technology, Urban Development, and Industries and Information Technology, to work in tandem in order for it to succeed.
Increased penetration of wastewater treatment facilities among polluting industries is one of the key tenets of the Water Ten Plan.
For instance, the plan mandates all industrial clusters equipped with central wastewater treatment facilities and online monitoring equipment by 2017. This initiative is expected to be implemented on an urgent basis in extremely water scarce and polluted regions, such as Beijing, Tianjin, Hebei, and the Pearl River and Yangtze River deltas. The Water Ten Plan lays down clear, time-bound mandates for various polluting industries, including pulp and paper, textiles, tanneries, and electroplating, to comply with the new wastewater discharge standards - or face the prospect of heavy penalties and closure.
Ensuring clean water for all is a top priority for the Chinese government. The relevant ministries have already issued necessary laws to help minimize water pollution. China has an enviable record of clinical implementation of key policies and fast-track execution of infrastructure projects. The huge demand for adequate and clean freshwater, strong government support in the form of strict environmental laws, and enforcement of said laws is an ideal recipe for a thriving wastewater treatment industry in China.
Could This be an Opportunity for Wastewater Treatment Companies?
While opportunities abound across the spectrum for wastewater treatment companies in the Chinese market, there are certain industries or applications that could showcase significant prospects for technology suppliers.
For instance, the Coal-to-Chemicals (CTX) industry is gaining significant ground in the coal-rich provinces of China, which also happen to be water stressed. Wastewater generated from the CTX industry is extremely contaminated with organic and inorganic pollutants. The government has mandated strict adherence to "Zero Liquid Discharge (ZLD)" where all the wastewater is recycled back into the process, and no wastewater flows out of the plant premises. ZLD is very technology intensive, and only a handful of international players have mastered it. Renowned international players, such as Aquatech International Corporation, Oasys, and GE Water have recently won orders for ZLD supply in the Chinese CTX market. The ZLD technology, however, is energy-intensive, and therefore, expensive. Cheaper alternatives that provide the same end result would be welcome in the Chinese market.
Some industries, such as textiles, tanneries,pharmaceuticals, and coke production, generate wastewater that is difficult to treat using conventional treatment technologies. They contain organic pollutants that aren't easily biodegradable (hard COD) and that can severely harm the environment if discharged untreated. Given strict government regulations, investment in hard COD removal technologies is expected to rise significantly over the next few years.
Apart from technology supply, considerable opportunities lie in the financing of wastewater treatment assets. Technology companies may join hands with investors to offer wastewater treatment solutions on a Build-own-operate-transfer (BOOT) basis. Such models reduce the inconvenience of operating and maintaining the wastewater treatment plant significantly for end users, allowing them to focus on their core business instead. BOOT models are common in municipal or desalination plants in China but are yet to gain traction in the industrial wastewater treatment space, with applications such as industrial park wastewater treatment plants. There are over 3,300 industrial parks in China, and less than half of those have centralized wastewater treatment plants installed. This could well be a huge opportunity for wastewater treatment technology providers and investors.
Will Foreign Players Find Ground in China's Industrial Wastewater Treatment Space?
International wastewater treatment companies need to have the right strategy in place to establish a presence in the Chinese market. Partnering with a Chinese player that has complementary competencies is a tried-and-tested strategy employed by many international players in the past. Chinese customers prefer a local presence of the technology provider that they're contracting, particularly for after-sales service. Forming a joint venture with established Chinese players, absorbing equity from Chinese investors, or partnerships with the customers themselves, any of these strategies could help make headway in a relatively untapped Chinese market.
While new and advanced wastewater treatment technologies are gaining ground in China, the market is still price-sensitive. International players need to have the right mix of design and procurement strategies in order to provide competitive pricing. Possible government regulations related to locally sourced materials/components may not augur well for international players that see China as an export destination. For instance, the Chinese State Council has a goal stipulating that 70% of equipment in a desalination plant should come from China. Although the same rule doesn't apply to wastewater treatment facilities right now, it, and other such risks, cannot be ruled out.
There's also a significant lack of transparency in the procurement processes, especially among municipal wastewater treatment projects, in China, something that's particularly concerning for international players operating in the mainland. The government has acknowledged these and similar concerns, however, and is taking steps to control it.
Future Outlook
China's industrial wastewater treatment market has the numbers to warrant foreign investment in the sector.
With the Chinese government coming down hard on polluting industries and strictly enforcing regulations, state-of-the-art technologies could be crucial if Chinese industries are to comply with increasingly stringent standards. With government-enforced closures or production cuts looming, polluting industries such as textiles, wood pulp and paper, and others that don't meet emissions standards would be willing to experiment with innovative imported technologies.
The Chinese government aims to build world-class industrial infrastructure while fixing the country's environmental woes. This could be a treasure-trove of opportunities for international players in China's industrial wastewater treatment market.
Ambareesh Soman
Senior Consultant, Business Research & Advisory
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Straight Outta Compton's misogyny controversy, explained
By Alex Abad-Santos Aug 25, 2015, 11:00am EDT
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Straight Outta Compton.
For the second week in a row, Straight Outta Compton was the most-watched movie in America. It's made an estimated $111 million since it opened August 14. To get to the $100 million mark means the N.W.A bio-drama has crossed demographics and transcended its genre — it's not just rap aficionados watching the movie. It means that people who are unfamiliar with Dr. Dre, Eazy-E, and Ice Cube are learning about them for the very first time. It means that people in suburban America are seeing this film. It means that people are listening to Dr. Dre's new album. It means that Compton has defied the expectations of an industry.
Compton is a success story about a survival story. At its heart, the film is about black survival in America. It makes no attempt to explain the origins of institutionalized racism or how we arrived to the time we're in. Instead, it treats racism as it is — an inescapable force that haunts black men and women in America. Compton's success is as much a testament to the talent of N.W.A as it is a celebration of overcoming the struggle of life in the inner city.
But one story that Compton didn't tell is getting almost as much attention as the film's success. That's the story of Dr. Dre's history of violence against women, which the film doesn't touch upon. The omission has sparked a new examination of his life, his songs, and his lyrics. It's ignited broader questions about why the film omitted this horrible chunk of history.
On Friday, Dre gave an apology to the women he abused, telling the New York Times: "I apologize to the women I've hurt. I deeply regret what I did and know that it has forever impacted all of our lives."
Here's why he apologized.
The actual incidents of violence against women that Straight Outta Compton left out
Compton's success is a bit of surprise. This summer was the year of the blockbuster — Avengers: Age of Ultron, Jurassic World, Ant-Man, Fantastic Four, and Minions were released, and Batman v Superman was originally supposed to join the fray (it will open in March 2016 instead). Compton flew under the radar, until it raked in $60 million on its opening weekend.
The Tuesday after its premiere — August 18 — rapper and former TV host Dee Barnes wrote an essay for Gawker explaining that the movie left out Dre's history of physically abusing women, including herself. She wrote about an incident in 1991 when Dre beat her:
Three years later — in 1991 — I would experience something similar, only this time, I was on my back, and the knee was in my chest. That knee did not belong to a police officer, but Andre Young, the producer/rapper who goes by Dr. Dre. When I saw the footage of California Highway Patrol officer Daniel Andrew straddling and viciously punching Marlene Pinnock in broad daylight on the side of a busy freeway last year, I cringed. That must have been how it looked as Dr. Dre straddled me and beat me mercilessly on the floor of the women's restroom at the Po Na Na Souk nightclub in 1991.
In court, Dre pleaded no contest to the assault, and Barnes's civil suit was settled.
Barnes came forward and wrote the essay because her abuse wasn't depicted in the movie. Barnes explains she didn't think there would be a reenactment of her abuse; that might be too difficult and graphic for a film to handle delicately. Rather, she writes, she expected and wanted to see some acknowledgment of Dre's history of violence against women.
Barnes isn't the only woman Dre has assaulted. Michel'le (Michelle Touissant), a singer and Dre's former fiancée, told hip-hop site VladTV that she didn't expect to be in the movie or for it to acknowledge her abusive relationship with Dre. "If they start from where they start from, I was just a quiet girlfriend who got beat up and told to sit down and shut up," she said.
Not acknowledging Dre's violence is attributed to the fact that Dre and Ice Cube are producers on the film. The concern is that they — as with anyone producing his own biopic — won't be or can't be objective when presenting themselves and their history.
Dr. Dre's apology is a reminder to critics of what they missed
While it's easy to see why Ice Cube and Dr. Dre wouldn't want to include the dark spots of their histories, it's a bit more difficult to figure out why critics didn't bring it up in their reviews. Variety's critic, Scott Foundas, weaves knowledge about the group's songs into his review, but doesn't mention the film's treatment (or lack thereof) of women. Complex's Ian Servantes wrote about how dark and surprisingly funny the movie was ("Police brutality aside, Compton is far from grim. It plays surprisingly humorous as it delves into the characters of Dre, Cube, and, particularly, Eazy-E.") but doesn't mention Dre's history. Richard Brody at the New Yorker spent 189 words reviewing the movie, only saying that the "personal lives of the musicians are mere backdrop."
This isn't to say that Compton is a bad film. It's not. But there isn't anything wrong in asking why this story is being told in a way that evades a major part of the stories about these men and the art they created. The failure of these critics to mention N.W.A's misogynistic songs poses a question about whether critics have a responsibility to do so.
"Wasn't every writer expected to at least give the, 'I know they're sexist, but' caveat here?" Jamilah Lemieux, a writer and editor, wrote for the Washington Post. "In the wake of the movie's success, it seems audiences across the country may cast aside N.W.A.'s potent brand of misogyny and focus only on the group's willingness to speak plainly about their hatred of police. Unfortunately, it seems they hated black women just as much."
On Friday, just before the movie's second weekend, Dre acknowledged the movie's sidestepping of misogyny and his abusive past. "Twenty-five years ago I was a young man drinking too much and in over my head with no real structure in my life. However, none of this is an excuse for what I did," Dre told the New York Times, responding to Barnes's article and the women who came forward to speak about the violence Dre inflicted on them.
"I apologize to the women I've hurt. I deeply regret what I did and know that it has forever impacted all of our lives," he added.
N.W.A is a huge part of hip-hop's misogynistic origin story
"You'd have to be in pretty deep denial to not recognize that sexism is an essential element of the group's brand," Kim Trent wrote in a column for the Detroit Free Press. "I always found the group's take on women disturbing and, at times, disgusting. But it's impossible to knock N.W.A's hustle and talent and the impact its music had on our culture — for better or worse."
When critics talk about artists and their art, there's often an understanding that the two don't have to be connected. For example, you can appreciate Roman Polanski's movies but still think he's a pretty rotten man who raped an underage girl in 1977. Usually, the less nefarious the personal life of an artist, the less insistence there is on separating their art from themselves (see: the way we treat James Franco and his performance art–like personal life). There's absolutely nothing scientific about cleaving the personal life of an artist from his or her art.
What makes Dre's case so difficult is that his lyrics, N.W.A's lyrics, and hip-hop are all based on personal narrative and authenticity. Personal experience in hip-hop, and in genres like blues and soul music, transcends structure.
"Our art is the reflection of our reality," Ice Cube (O'Shea Jackson Jr.) says in the film.
N.W.A rapped about police violence because they experienced it firsthand — this is what makes the movie so powerful. But that same authenticity underscores their lyrics about "bitches" and "hoes" and reveals how misogynistic these men could be.
Lemieux broke down the lyrics in her column:
On the song which provides the film's title, Eazy spits "Smother your mother and make your sister think I love her," and "You think I give a damn about a b*tch, I ain't a sucker. " On "Just Don't Bite It, " Ren opts to receive oral sex from a woman because "There's a slight chance if I f**k she might burn me, and then I might have to shoot the 'ho." And this was before the Cube-less second album "Niggaz4Life," when the group took their misogyny up a notch (with tracks like"One Less Bitch" and "I'd Rather F**k You.")
If hip-hop is about truth, then the truth for these men at this point in their lives was that women were, at best, disposable sex toys or, at worst, conniving traps. And it's not like Dr. Dre and Ice Cube weren't influential or their misogynistic lyrics weren't a huge part of their success. The popularity of these lyrics crystallized an idea of robbing humanity from black women — something that artists after them (including Dre's protégés) would mimic. Director Ava DuVernay put it succinctly and painfully:
To be a woman who loves hip hop at times is to be in love with your abuser. Because the music was and is that. And yet the culture is ours.
— Ava DuVernay (@AVAETC) August 16, 2015
Where is entertainment journalism's place in a movie like Straight Outta Compton?
When I first read Barnes and Lemieux's pieces, and the reviews that didn't mention N.W.A's misogynistic lyrics (as well as its homophobic, gay-bashing ones), one of the first things that came to mind was a recent article about Tom Cruise by Sophie Gilbert in The Atlantic. Gilbert details how, during a promotional tour for Mission Impossible: Rogue Nation, not one person (even Jon Stewart) had the guts or gall to ask Cruise about Scientology. Gilbert wrote:
Tom Cruise as an institution depends on a degree of complicity between the people who profit from his movies and the people who pay to see them, with everyone involved agreeing not to ask too many tough questions and ruin the fun. The fact that reporters and television entertainers also buy into this deal is disappointing, even if it isn't ultimately so surprising.
That could explain why no one really went out of their way to ask Dre about beating up women prior to Barnes's article (during the film's promotional tour). It could also explain why director F. Gary Gray didn't put those elements into his film.
"We couldn't get everything into the movie," Gray said during a Q&A with fans. "What we had to do was make sure we served the narrative, and that narrative was about N.W.A. It wasn't about a lot of side stories. We had to focus on the story that was pertinent to our main characters."
But Gilbert's assertion — that entertainment journalists abide by the rules set by actors and celebrities — doesn't fully explain why critics, who don't have to answer to a celebrity or even interact with them, wouldn't at least mention it in their reviews.
The truth is darker than that — it's that society often doesn't fully believe women who step up against their famous abusers.
Over the past few months, we've watched Bill Cosby's legacy shrivel up as women spoke publicly (35 talked to New York magazine) about how he had sexually assaulted them. The downside: These assaults happened more than 30 years ago.
More recently, ESPN was taken to task for a documentary it shot about Floyd Mayweather and how it skirted around the boxer's history of domestic abuse. Last year, we saw Ray Rice find defenders (including Whoopi Goldberg) after video surfaced of him knocking out his girlfriend in an elevator. And Chris Brown still has a loyal fan base even after beating Rihanna to a pulp.
We care about the two latter cases more because we had pictures and photographic proof of the assaults. That's gross in itself — that we need to see "evidence" instead of believing these women at their word. And if we didn't have those pictures or that video, we might be less inclined to accept that.
And that's what makes Compton's omission so disturbing.
Not depicting the misogyny these men are responsible for is essentially saying these women, especially black women, don't matter. If we're a society that sadly needs massive amounts of evidence (see: Cosby) of women being beaten or sexually assaulted to believe their stories, then Compton's evasion of the issue again reaffirms a message that women are irrelevant. That's its own kind of abuse.
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Will you try any of these tips for re-focusing your writing energy? Share with us in the comments!


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@softburritoz: Your personal information page has you registered 4/19, but your comment dated 4/18. Does that mean your problem is resolved (or maybe the dates are relative to different time zones)?
We've had some difficulties getting emails sent to certain domains in the past; have you checked your spam box?
The icon for page types correspond to the Item Type (see the query forms to get a list of them). The submission form doesn't currently give you all those choices, but an editor can change the page Type later. I could look into adding other Types to the scripts; the main issue is whether the page layout and database information would need to be highly customized for any of them.
That reminds me, you posted earlier about pages' item Types and I forgot to respond. Unlike game Categories, a page can only have one Type, so sometimes we just have to pick the subjective best fit.
It wouldn't take long to compile the list of image icons and their associated Types. On the other hand, some of the Types are so infrequently used, and possibly are better off being deprecated. There are other oddities of the site, arising throughout our history (like pages with multiple games, and attempts to index each game therein) that would be difficult to remedy but should probably remain obscure.
I've unhidden, but the movements need to be made clearer. At first, I thought this was just a different visualization of hexagonal chess; but the game is included in the Classified Encyclopedia, apparently with different bishop and knight movements.
@Aurelian, the list of games is on this page we're commenting on.
I think if both players miss an illegal move, then that's still "fair"; however, it sounds like there are several people ready to work on rule enforcement on presets, so hopefully this will be moot anyway.
John, please feel free to email me with any questions about the submission process. I'd be happy to help you, and even happier to know of any pain points we might be able to simplify.
I don't see the "either side can move first" as being particularly noteworthy. You've eliminated the white/black advantage, but the first/second player advantage isn't changed.
Personally, this seems to just be a decimal subvariant of Fergus's Gross Chess; the rule adjustments seem to just be conforming to the smaller board. The further piece reduction to your other game (in particular using the Leo in place of the Pao and Vao) seems a more separate variant (while still clearly inspired by Gross, with the compounds and Omega pieces and hopper[s]).
I agree with Greg. Since this is derived from your Yangsi, maybe the name could reference that. "DeWitt's Decimal" would work, but it seems like you like your other decimal game better.
You needn't bother moving the content to another page just for the naming. Since the page is pretty young, we can modify the relevant references without too much trouble.
The BN piececlopedia page now has a blurb (in the Notes section) as suggested by H.G., passing the appropriate information to the limited EGT page. If it looks and works fine, I will try to include similar links in the other Piececlopedia pages.
I currently have this page set as a Piececlopedia page, but that seems somehow unsatisfactory. It strikes me as best categorized as Reference or Problem/puzzle/1-player, but those are not highly publicized. Maybe the link from the minimal tool (from Piececlopedia pages) is enough? Or perhaps a direct link from Topic Index is warranted?
Re: earlier points, see the applet's page.
That was my understanding of how Fergus reworked the upload script. I've put such a placeholder file there, so we'll see soon whether that's right.
I could see the checkmating applet fitting in its own page. If nothing else, that'd be a little more convenient for linking to, and would give it its own index entry for comments.
Would it be better to work in as something you can edit directly later? IIRC, the way your interactive diagrams are hosted through a post-your-own-page attachment? I think we can reindex correctly; I'll look into that later, but want to throw the idea out now in case you see another problem with it.
That's all pretty much how I was thinking of how to implement it too. Since the Piececlopedia is fairly small, I'm inclined to just edit by hand.
I've been wanting to database-ify some Piece information; maybe linking to the applet page with piece Betza notation, drawn from such a table, would be a good starting point.
Ah, I must have missed/forgot about that. Anyway, it's good to have the answer in this comment thread.
Having a Game page is certainly optimal (for Game page queries, for Favorites, etc.), but I don't mind these hanging GC link pages short-term. I hadn't noticed the actual presets having the pieces' movements given, so that's enough for now.
I like the tool a lot; thanks for creating and sharing. For individual piece(clopedia) pages, I wonder whether something static would be better. I think the whole table is a lot more in-depth than many of our piece pages, so maybe a summarized version (if necessary for a couple of board sizes?) would be a better fit for those. (On that note though, I have at various times wanted to expand on and standardize piece(clopedia) pages...) I think the entire tool itself would work well as its own page, maybe listed as Primary (so displayed at the top of searches) in the Piece(clopedia) page type?
But I think the term is often used more flexibly outside of our category system, where it is also useful as a (subjective) measure of distance-from-chess.
Sorry for the confusion. That page is under the "Related Pages" menu, but maybe the different name muddies things. I'll try to add a link to the page contents when I get home.
I've also reformatted your comments to visually separate the rulebook quotes from your remarks.
I agree that the presentation is unclear in this case. My impression is that the author just used a standard definition for knight, not recognizing the problem caused by the gaps (or assuming the diagram made it clear).
2:35, he came so close to defining the unicorn ('triagonal' slider), then just kinda went "nah".
8:18, looks like probably the best shot of the starting position. That one pawn on the backmost rank is odd. It also looks a little different to me, so maybe it's a replacement queen?
I like the "projected" 3D boards, shrinking as the levels go up, for ease of reaching the pieces inside, though I wonder whether it makes seeing moves harder.
The given link was the correct path from chessvariants.com. I've updated it with a clickable link.
The text in the database was actually the full URL, but with the old subdomain style; I guess something about the rewriting of subdomain links got rid of the cv.com prefix? I've left that plaintext here for testing.


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