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This Week's Nutrition News Feed
By: Sara Reistad-Long
In this week's news: Doctors embrace the food-as-medicine concept; chocolate is awesome for a whole new reason; and saturated fat (slowly) comes back into the fold.
Get Me a Spatula, Stat!
Last weekend,the Napa Valley branch of the Culinary Institute of America hosted hundreds of physicians for a medical meeting involving kitchen aprons, not lab coats. The draw was the Healthy Kitchens/Healthy Lives conference, co-sponsored by the Harvard School of Public Health and part of a quickly growing trend of culinary-medical cross-pollination. Come May, for example, Tulane University will debut the country's first teaching kitchen affiliated with a medical school. In New York, meanwhile, celebrity chefs David Bouley and Seamus Mullen have been working with doctors Mark Hyman and Frank Lipman, respectively, to develop menu items and eating philosophies representing a drool-worthy intersection of pantry and pharmacy. (Wild mushrooms with white truffle, sweet garlic, grilled toro and coconut foam, anyone?) Fueling the trend is some pretty delicious research: In one recent study of a nonprofit program, patients whose doctors wrote them "prescriptions" to redeem at local farmers markets saw their BMI drop by an average of 37.8% in a single year.
Gut Bacteria, Crazy for Cocoa
Earlier this week, a group of Louisiana State University scientists reported that the millions of good bacteria in our guts seem to have a real predilection for cocoa powder. The friendly microbes appear to transform the cocoa into compounds that are good for our hearts, help stave of inflammation and even help us know we're full. Although more study is needed, researchers believe that the polyphenol antioxidants and fiber in chocolate are being broken down by the gut bacteria in a way that makes them easier for our bodies to absorb. The key, as always, is to stick to dark chocolate (above 70% cocoa content is optimal).
Caffeine: The Next Performance Drug
Want to improve your race time? Try a cup of coffee. Okay, four. Once you stop twitching, you'll be golden. According to 21 studies on caffeine in timed performance, the substance can -- at the right dose -- yield as much as a 3 percent improvement in performance time. That may sound small, but translated to, say, a 10-hour triathlon, it's 18 minutes shaved off the total time. That much caffeine is, of course, no joke: It's the rough equivalent of six 8-ounce Red Bulls. These, and other strangely absorbing facts are the topic of Murray Carpenter's new book, Caffeinated: How Our Daily Habit Helps, Hurts, and Hooks Us, which is excerpted this week on The Atlantic Health blog.
Butter: Call Me Maybe?
Steak, butter, cheese -- for decades we've been told to keep indulgences like these off our plates, thanks to their high saturated fat content. This week, however, a new study involving over half a million people challenged that advice. Published in the Annals of Internal Medicine, it showed that individuals who ate higher levels of saturated fat suffered no more heart disease than those who ate low levels. Nor did those who consumed large amounts of unsaturated fat (like olive oil) experience any less disease than others. But experts warned against glomming on to, or shunning, any one nutrient group: "The single macronutrient approach is outdated. I think future dietary guidelines will put more and more emphasis on real food rather than giving an absolute upper limit or cutoff point for certain macronutrients," Dr. Frank Hu, a professor of nutrition and epidemiology at the Harvard School of Public Health, told the New York Times.
Sara Reistad-Long writes about science, wellness and lifestyle. She is the co-author of The Big New York Sandwich Book and can be followed on Twitter: @sarareistadlong
Eating Chocolate, Midnight Snacks, and Nutrition Labels all in the news this week. More nutrition tips like these at Food Network.
This Week's Nutrition News Feed
In this week's nutrition news: Chocolate is good for more than just your heart, the war of the protein powders, and say buh-bye to this popular fad diet.
In this week's news: Whole grains linked to heart health, getting kids in the kitchen, and Americans still overloading on salt
In this week's news: The World Health Organization doesn't sugarcoat its advice; fruits and vegetables feel the love -- even in school cafeterias; and food labels get ready for their makeover.
In this week's news: Mondays get even more meatless; the world learns what happens when a household bans sugar (hint: a book deal); and coupon-clipping takes a healthier turn.
This week's Nutrition News Feed covers sugar, working out and all those vitamin drinks.
In this week's news: Sugar addicts beware, breakfast is the most important meal of the day, and if you're confused about nutrition, you're not alone!
In this week's news: Comfort foods are found to be not so soothing; diet soda gets a gut check; and addiction programs quit with the sweets.
In this week's news: Rappers delight in healthy eating; Alice Waters predicts a farmers markets bonanza; and scientists do the important work of building a healthier hot dog.
In this week's news: Bean buffs have reason to rejoice; "plant-based protein" shapes up to be the other white meat; and vitamin D is back in the spotlight (make that the sunlight).
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Hermes Replica You right. The interviews weren immediate. They began the next school day after KJ was found, that would be Monday the 14th. Which leads me to why I'm writing this post and posting it today. Valentine's Day is one that for many of us simply reflects back our loneliness. Whether we are in relationships or alone, it's a day that boasts the kind of hyper love that always feels out of reach and only destined for others Hermes Replica.


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The Beatles in 1967
Buy Sgt. Pepper's Lonely Hearts Club Band
Buy Magical Mystery Tour
There has never been (nor probably will ever be) a year in which a single band produced so much quality material as The Beatles did during the year 1967. In order to properly pay tribute, we at Classic Rock Review have put together our largest article ever. This includes extensive reviews of both the Sgt. Pepper's Lonely Hearts Club Band and Magical Mystery Tour albums along with a look at all the rest of the band's output from that year which included recordings for future projects, several promotional videos, a live television special, and their third dedicated film. Unlike our normal album reviews, we look at everything in a strictly chronological order, delving into everything as it came about in sequence. This method works best because so many projects and elements overlapped during the year and only found their proper, permanent place as history unfolded.
Before diving into 1967, it is important to provide the context of the Beatles' career in 1966. By that time the Beatles had conquered the musical world like no other rock act before, but still things were starting to unravel. There was major controversy over John Lennon's "more popular than Jesus" comments, causing the members to need heavy guards everywhere they went and they had nearly lost their lives in the Philippines after offending dictator Ferdinand Marcos. Further, the band was getting tired of the constant touring and frenzied fans and decided to halt touring altogether by the end of the summer of '66. Despite putting out the brilliant album Revolver, it was under-appreciated in its day and many wondered whether the band was past its peak. All four members decided to take an extended break and decide what to do next. George Harrison took his first trip to India while Lennon starred in the major motion picture How I Won the War. On his way home from a vacation in America, Paul McCartney came up with the idea of doing an album from the perspective of an alter-ego band.
The band reconvened at Abbey Road Studios on November 24, 1966 (Thanksgiving in the USA, but just a normal Thursday in England) to start their new album. That night they recorded one song, a simple folk song by Lennon called "Strawberry Fields Forever". But ultimately, this song would be anything but simple as it took a total of 45 hours to record, and this initial version of the song would not even be used. A second version was started at the end of November, this time featuring a mellotron intro by McCartney. The instrument had just been introduced to the band by Mike Pinder of the Moody Blues (who at the time was working at the instrument's manufacturing factory) and "Strawberry Fields" would become the first song by a major act to use the instrument. It gave this version of the song a surreal element and atmosphere. Still, Lennon thought he could do more with the song and a third distinct version, scored by producer George Martin, including brass, strings, backwards masking, and complex rhythm section led by Ringo Starr and "about 9 or 10 other players." When Lennon couldn't decide if he wanted to use the second or third version of the song, the true magic took place. Martin fused the two together, even though version 3 was at a faster tempo and in a higher key, by using two tape machines varying the speed of one. The result is a production masterpiece which blazed the path for the upcoming Sgt. Pepper album.
Ironically, "Strawberry Fields Forever" would not be included on the Sgt. Pepper's album. It was released as a "double A" single along with McCartney's companion piece, "Penny Lane", at the urging of manager Brian Epstein who wanted a song on the charts. Both songs shared the theme of nostalgia for their early years in Liverpool and both referred to actual locations familiar to all of the Beatles. Although possessing many of the same surreal elements, "Penny Lane" is more sing-songy, like a children's ballad. It takes a typical suburban scene and turns into something dreamier, like a parade of life. The song has a basic piano melody overlaid by several brass elements and a distinctive piccolo trumpet lead by Dave Mason, who McCartney saw perform on television and commissioned for this song. Although Martin has stated that he believes "Penny Lane"/"Strawberry Fields Forever" is the greatest single ever released by the group, it peaked at #2 on the UK charts.
Released: June 1, 1967 (Capitol)
Produced by: George Martin
Recorded: EMI Sound Studios, London, December 1966 – April 1967
Being For the Benefit of Mr. Kite Within You Without You
When I'm Sixty-Four
Sgt. Pepper's (Reprise)
Released: November 27, 1967 (Capitol)
Recorded: EMI Sound Studios, London, December 1966 – December 1967
Blue Jay Way
Your Mother Should Know
I Am the Walrus! Hello, Goodbye
Baby You're a Rich Man
Band Musicians (Both Albums)
John Lennon – Guitars, Piano, Mellotron, Harmonica, Vocals
Paul McCartney – Bass, Piano, Mellotron, Recorder, Vocals
George Harrison – Guitars, Sitar, Tambala, Vocals
Ringo Starr – Drums, Percussion, Vocals
The earliest recording to actually end up on Sgt. Pepper's Lonely Hearts Club Band was a vaudevillian number called "When I'm Sixty-Four", which was recorded during the same sessions as "Strawberry Fields Forever" and "Penny Lane". Written by McCartney when he was only 16 (about 8 years earlier), the song includes a clarinet trio and sounds like it needs a companion, choreographed stage dance routine to go with it. It was recorded as homage to Paul's father James McCartney, who actually had turned 64 earlier in 1966.
In early 1967, the Beatles were considering releasing a companion film with the Sgt. Pepper's album, and recorded a lot of footage of their massive sessions for the song "A Day In the Life" in January and February. The song would be the final track on the album and its crowning jewel as it fused separate compositions by Lennon and McCartney into a singular masterpiece. It starts with Lennon's folk ballad based on contemporary newspaper articles, accompanied by a strummed acoustic guitar, a bouncy, staccato piano, and great drum fills by Starr. After the initial recordings, Lennon felt like the song needed something more in the middle and McCartney had a short, happy-go-lucky song about his youth which was added. Unsure of how to connect the sections, 24 bars of "empty space" was left on either side of the middle section with assistant engineer Mal Evans counting out the bars on top of a simple, repeating piano. This section was later "filled in" with a building, "orgasmic" orchestral passage, conducted by McCartney and Martin, using 40 players which were later quadriple-tracked to give the effect of an orchestra of 160. The result is perhaps the best Beatles composition ever, ending with the most famous chord in rock history, a single strike played by Lennon, McCartney, Starr, and Martin simultaneously on four separate pianos and sustained four over a minute to finish the song and the album.
Along with "A Day In the Life", Lennon and McCartney fully collaborated with the duet "She's Leaving Home", after reading a newspaper story about a young girl who'd left home and, at the time, was not again found (until many year later). With Martin unavailable to do the score, McCartney enlisted Mike Leander to do the orchestration, including a harp was played by Sheila Bromberg, who became the first female musician to appear on a Beatles record. The song would become one of the last true collaborations by Lennon and McCartney, who constantly worked together during the early years but would each maintain more solo control over future Beatles compositions.
The title song to Sgt. Pepper's Lonely Hearts Club Band, written by McCartney, is an entertaining albeit tacky song which fits in with the overall image of the album, right down to the cover art which included a montage of of the Beatles' "heroes" on designed by artist Peter Blake. The song itself has a strong rock presence with a super electric guitar tied together beautifully by a great rock vocal by McCartney, interspersed by many production elements including French horns and audience sounds. The song is reprised later, as a "closing" message just prior to "A Day In the Life". The opening song segues into "With a Little Help From My Friends", an entertaining number with a double meaning written by McCartney for Ringo Starr to sing.
McCartney also wrote several other upbeat rock songs for the album including "Lovely Rita", a literal song about a female traffic warden featuring a piano solo by Martin and "Getting Better", an optimistic creed featuring some excellent instrumentation. Lennon plays a distinct, choppy guitar, while Harrison adds an Indian tambura part and all Beatles sing fine harmonies throughout. "Fixing a Hole" is a more moderate pop song led by Martin's harpsichord and Harrison's double-tracked guitar riffs. McCartney said he wrote the song about the the fans who hung around outside his home day and night.
Lennon's compositions on the album were more experimental than McCartney's. "Lucy In the Sky with Diamonds" was inspired by a drawing that his young son made in nursery school. The song modulates between musical keys, with Lennon singing a monotone verse over an increasingly complicated underlying arrangement featuring Harrison's tambura and a counter-melody organ played by McCartney. Although the song has long been associated with "LSD", the Beatles firmly deny that was ever the intent in this case while openly admitting that drugs influenced other songs. "Being for the Benefit of Mr. Kite!" contained lyrics which were lifted from an old poster, nearly verbatim. Musically, Lennon wanted a strong carnival atmosphere and this was accomplished by using tape loops from the Abbey Road library, several odd instruments, including a real steam organ and a big bass harmonica, influenced by the sounds on the Beach Boys' Pet Sounds album. On the sarcastic "Good Morning Good Morning", Lennon did a sonic version of Andy Warhol's pop art by lifting themes and phrases from television commercials and shows and adding a sequence of animal sounds to the end, with each successive animal being capable of devouring the one before.
Aside from the aforementioned songs excluded for a single release, the only song recorded for Sgt. Pepper's and not included on the album was Harrison's "Only a Northern Song", a protest of the Beatles' music publishing practice which gave Lennon and McCartney higher royalties to all songs by the band, even those composed by Harrison. With this exclusion, Harrison had only one composition on the album, "Within You Without You". This song was heavily influenced by the sitar, the virtuoso Ravi Shankar, and Indian music in general. The recording featured several uncredited Indian musicians along with several more session players. Harrison was the only actual Beatle to perform on the song. This was originally written as a 30-minute piece, but was abbreviated to about 5 minutes for the album.
Although Sgt. Pepper's Lonely Hearts Club Band was not released until June 1, 1967, recording had wrapped by mid April and the Beatles dove right into writing and recording new material. Some of these sessions proved fruitless, such as an Abbey Road session on May 7th, where the band "jammed" for over seven hours with little committed to tape and no new material to build on. They also spent several sessions working on "You Know My Name (Look Up the Number)", perhaps the weirdest song in the Beatles collection which is only really interesting because it features a saxophone part by Rolling Stone Brian Jones. This song was not released for nearly 3 years when it became the 'B' side for the 1970 single "Let It Be".
During this time the band also wrote and recorded the bulk of the new material for the upcoming animated film Yellow Submarine (although that soundtrack would not be released until January 1969). Along with "Only a Northern Song", the soundtrack would include The June 1967 recordings "All Together Now", which McCartney described as a children's sing-along in the music hall tradition and "It's All Too Much", one of the few Beatles songs to be recorded in a studio outside of Abbey Road. Another song written and recorded during that time for Yellow Submarine was "Baby You're a Rich Man", a hybrid of two songs which makes heavy use of the clavioline, an unusual instrument. However, this last song was pushed up for release, first as the 'B' side to their next single "All You Need Is Love" and later included on the US version of the album Magical Mystery Tour.
"All You Need Is Love" was written specifically for a worldwide television broadcast called Our World, which was the first ever live global television broadcast on June 25, 1967, and was watched by 400 million people worldwide. The BBC had commissioned The Beatles to write a song as the United Kingdom's contribution, requesting a song containing a simple message that could be understood by all nationalities. Lennon gladly took up the task and wrote the song in a short time with Martin arranging a live orchestra in the studio for the broadcast with the band accompanied by friends and acquaintances seated on the floor. The result is a simple anthem with the message "nothing else means anything without love", and the leading indicator for what would be termed the "summer of love". The single "All You Need Is Love"/"Baby You're a Rich Man" was released on July 7, 1967 and reached the #1 position in every major country that had a pop chart.
After the live broadcast, the Beatles took much of the rest of the summer off to plan for their next project. In August, all four members of the band traveled to Bangor, Wales to study with Maharishi Mahesh Yogi, who they collectively regarded as their spiritual advisor at the time. While in Wales, the band received the tragic news that their manager Brian Epstein had died from an accidental drug overdose. Later referred to by band members as "the fifth Beatle", Epstein had forged the band's image and shaped their early career through all the madness of "Beatlemania". After the band ceased touring in 1966, Epstein's role in the band diminished quickly and he began to display erratic behavior and developed chemical dependency. Many music historians would later pin-point this moment, the moment of Epstein's death, as setting the ultimate course for the band's eventual breakup.
The band returned to Abbey Road studio on August 22nd to work on material for their next project, a film and score called Magical Mystery Tour. The title came from a song the band recorded back in May, which would serve the same basic purpose as the title song for Sgt. Pepper's – an introduction for the listener to the adventure they are about to take. This catchy tune contains good effects and production techniques. The songs key lyric, "Roll up, roll up" served the duo purpose of harkening back to the old circus barkers as well as a veiled reference to rolling up a joint. The first song written specifically for Magical Mystery Tour was "Your Mother Should Know", serving as an old-fashioned dance segment choreographed for the film to the sounds of this song with fine organ interludes. Here McCartney sported a black carnation, different than the rest of the band, which was cited as one of the many clues in the "Paul is dead" conspiracy.
The film was made in September in various English locations which were traveled to by the bus carrying the band and cast members. There was no script, as the emphasis was on the "mystery" of what would happen during the tour. Nothing much did, and the band grew increasingly frustrated by fans who began to trail the band along the way. Still, the band made some very interesting music during the fall of 1967. Included here was the cool instrumental "Flying", featuring a dual guitar by McCartney and Harrison and a mellotron lead by Lennon. This was the only Beatles song credited to all four members of the band. "The Fool On The Hill" is a fine ballad by McCartney, written during a visit back to his father's house in Liverpool. Lyrically, the song paints a pictures in the mind and fits in perfectly with the music, mainly performed by McCartney. Harrison's contribution to the album is the surreal "Blue Jay Way", with creepy, and literal Lyrics.
Lennon later admitted that "I Am the Walrus" was written during an acid trip. It was a combination of three separate songs that Lennon had been working on, with the Walrus being a reference to a Lewis Carroll poem. Lennon also intentionally wrote the most amusing lyrics he could when he was informed that a teacher at his old high school was deciphering Beatle lyrics in one of his classes and found the the whole process absurd. Musically, the song employs many of the techniques started in Sgt. Pepper's Lonely Hearts Club Band, with orchestral parts laid on top of a driving electric piano and some fine drumming by Starr.
The band wrote and recorded "Hello Goodbye" as their next single. Lyrically, the song derived from a songwriting demonstration that McCartney gave when he asked the participant to shout out the opposite of what he sang. Musically, it is a throwback to the mop-top pop days of the band, with some fine overdubs of electric guitar and viola. The song reprises with a coda which came about spontaneously in the studio. The single was released in late November and reached #1 in 10 countries.
Magical Mystery Tour was released on December 8, 1967 as a six song double EP in the UK, featuring only the songs recorded specifically for the film. In the US, these songs were combined with the five songs released on singles earlier in the year – "Strawberry Fields Forever", "Penny Lane", "All You Need is Love", "Baby You're a Rich Man", and "Hello, Goodbye" – in order to make a full LP, which was later adapted as the official version of the album. Although the album hasn't received the same critical acclaim as its predecessor, Sgt. Pepper's Lonely Hearts Club Band, the album is of similar quality when weighted with the quality singles. On December 26th, the Magical Mystery Tour film was screened on the BBC-1 in black and white and promptly savaged by critics, which may have soured some to the fine music of the album.
The Beatles would continue with a few more years of top quality output prior to their breakup in April 1970. However, they would not again reach the phenomenal level they achieved in 1967.
Part of Classic Rock Review's celebration of the 45th anniversary of 1967 albums.
Author Classic Rock ReviewPosted on August 4, 2012 November 27, 2017 Categories Album ReviewsTags 1967 Albums, 2012 Reviews, Album Reviews by Karyn Albano, British Artists, George Harrison, George Martin, John Lennon, Paul McCartney, Ringo Starr, The Beatles
4 thoughts on "The Beatles in 1967"
Anthony K Simon says:
Excellent recap of the Beatles best year of music (although 1969 is a strong second).
mark greenfelder says:
Pingback: Top 9 Album Closing Songs | River of Rock
Pingback: Ned Rorem – The Music of the Beatles, în NYRB, ianuarie 1968 | @ntonesei's blog
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How the GOP became the 'White Man's Party, Part Two.
Part two of the article by Ian Haney-Lopez at Salon.com, "How the GOP became the 'White Man's Party,'" continues with "The Rise of Racially Identified Parties."
"The Rise of Racially Identified Parties.
"The Republican Party today, in its voters and in its elected officials, is almost all white. But it wasn't always like that. Indeed, in the decades immediately before 1964, neither party was racially identified in the eyes of the American public. Even as the Democratic Party on the national level increasingly embraced civil rights, partly as a way to capture the growing political power of blacks who had migrated to Northern cities, Southern Democrats—like George Wallace— remained staunch defenders of Jim Crow. Meanwhile, among Republicans, the racial antipathies of the rightwing found little favor among many party leaders. To take an important example, Brown and its desegregation imperative were backed by Republicans: Chief Justice Earl Warren, who wrote the opinion, was a Republican, and the first troops ordered into the South in 1957 to protect black students attempting to integrate a white school were sent there by the Republican administration of Dwight Eisenhower and his vice president, Richard Nixon. Reflecting the roughly equal commitment of both parties to racial progress, even as late as 1962, the public perceived Republicans and Democrats to be similarly committed to racial justice. In that year, when asked which party 'is more likely to see that Negroes get fair treatment in jobs and housing,' 22.7 percent of the public said Democrats and 21.3 percent said Republicans, while over half could perceive no difference between the two.
"The 1964 presidential election marked the beginning of the realignment we live with today. Where in 1962 both parties were perceived as equally, if tepidly, supportive of civil rights, two years later 60 percent of the public identified Democrats as more likely to pursue fair treatment, versus only 7 percent who so identified the Republican Party. What happened?
"Groundwork for the shift was laid in the run-up to the 1964 election by rightwing elements in the Republican Party, which gained momentum from the loss of the then-moderate Nixon to John F. Kennedy in 1960. This faction of the party had never stopped warring against the New Deal. Its standard bearer was Barry Goldwater, a senator from Arizona and heir to a department store fortune. His pampered upbringing and wealth notwithstanding, Goldwater affected a cowboy's rough-and-tumble persona in his dress and speech, casting himself as a walking embodiment of the Marlboro Man's disdain for the nanny state. Goldwater and the reactionary stalwarts who rallied to him saw the Democratic Party as a mortal threat to the nation: domestically, because of the corrupting influence of a powerful central government deeply involved in regulating the marketplace and using taxes to reallocate wealth downward, and abroad in its willingness to compromise with communist countries instead of going to war against them. Goldwater himself, though, was no racial throwback. For instance, in 1957 and again in 1960 he voted in favor of federal civil rights legislation. By 1961, however, Goldwater and his partisans had become convinced that the key to electoral success lay in gaining ground in the South, and that in turn required appealing to racist sentiments in white voters, even at the cost of black support. As Goldwater drawled, 'We're not going to get the Negro vote as a bloc in 1964 and 1968, so we ought to go hunting where the ducks are.'
"This racial plan riled more moderate members of the Republican establishment, such as New York senator Jacob Javits, who in the fall of 1963 may have been the first to refer to a 'Southern Strategy' in the context of repudiating it. By then, however, the right wing of the party had won out. As the conservative journalist Robert Novak reported after attending a meeting of the Republican National Committee in Denver during the summer of 1963: 'A good many, perhaps a majority of the party's leadership, envision substantial political gold to be mined in the racial crisis by becoming in fact, though not in name, the White Man's Party. "Remember," one astute party worker said quietly . . . "this isn't South Africa. The white man outnumbers the Negro 9 to 1 in this country."' The rise of a racially-identified GOP is not a tale of latent bigotry in that party. It is instead a story centered on the strategic decision to use racism to become 'the White Man's Party.'
"That same summer of 1963, as key Republican leaders strategized on how to shift their party to the far right racially, the Democrats began to lean in the other direction. Northern constituents were increasingly appalled by the violence, shown almost nightly on broadcast television, of Southern efforts to beat down civil rights protesters. Reacting to the growing clamor that something be done, President Kennedy introduced a sweeping civil rights bill that stirred the hopes of millions that segregation would soon be illegal in employment and at business places open to the public. Despite these hopes, however, prospects for the bill's passage seemed dim, as the Southern Democrats were loath to support civil rights and retained sufficient power to bottle up the bill. Then on November 22, 1963, Kennedy was assassinated. His vice president, Lyndon Johnson, assumed the presidency vowing to make good on Kennedy's priorities, chief among them civil rights. Only five days after Kennedy's death, Johnson in his first address to Congress implored the assembly that 'no memorial oration or eulogy could more eloquently honor President Kennedy's memory than the earliest possible passage of the civil rights bill for which he fought so long.' Even under these conditions, it took Johnson's determined stewardship to overcome three months of dogged legislative stalling before Kennedy's civil rights bill finally passed the next summer. Known popularly as the 1964 Civil Rights Act, it still stands as the greatest civil rights achievement of the era.
"Indicating the persistence of the old, internally divided racial politics of both parties, the act passed with broad bipartisan support and against broad bipartisan opposition—the cleavage was regional, rather than in terms of party affiliation. Roughly 90 percent of non-Southern senators supported the bill, while 95 percent of Southern senators opposed it. Yet, heralding the incipient emergence of the new politics of party alignment along racial lines, Barry Goldwater also voted against the civil rights bill. He was one of only five senators from outside the South to do so. Goldwater claimed he saw a looming Orwellian state moving to coerce private citizens to spy on each other for telltale signs of racism. 'To give genuine effect to the prohibitions of this bill,' Goldwater contended from the Senate floor, 'bids fair to result in the development of an "informer" psychology in great areas of our national life—neighbor spying on neighbor, workers spying on workers, businessmen spying on businessmen.' This all seemed a little hysterical. More calculatingly, it could not have escaped Goldwater's attention that voting against a civil rights law associated with blacks, Kennedy, and Johnson would help him 'go hunting where the ducks are.'
"Running for president in 1964, the Arizonan strode across the South, hawking small-government bromides and racially coded appeals. In terms of the latter, he sold his vote against the 1964 Civil Rights Act as a bold stand in favor of 'states' rights' and 'freedom of association.' States' rights, Goldwater insisted, preserved state autonomy against intrusive meddling from a distant power—though obviously the burning issue of the day was the federal government's efforts to limit state involvement in racial degradation and group oppression. Freedom of association, Goldwater explained, meant the right of individuals to be free from government coercion in choosing whom to let onto their property—but in the South this meant first and foremost the right of business owners to exclude blacks from hotels, restaurants, movie theaters, and retail establishments. Like Wallace, Goldwater had learned how to talk about blacks without ever mentioning race.
"No less than Wallace, Goldwater also demonstrated a flair for political stagecraft. A reporter following Goldwater's campaign through the South captured some of the spectacle: 'to show the country the "lily-white" character of Republicanism in Dixie,' party flaks filled the floor of the football stadium in Montgomery, Alabama, with 'a great field of white lilies—living lilies, in perfect bloom, gorgeously arrayed.' To this tableau, the campaign added 'seven hundred Alabama girls in long white gowns, all of a whiteness as impossible as the greenness of the field.' Onto this scene emerged Goldwater, first moving this way and then that way through 'fifty or so yards of choice Southern womanhood,' before taking the stand to give his speech defending states' rights and freedom of association. If these coded terms were too subtle for some, no one could fail to grasp the symbolism of the white lilies and the white-gowned women. Much of the emotional resistance to racial equality centered around the fear that black men would become intimate with white women. This scene represented 'what the rest of his Southern troops—the thousands in the packed stands, the tens of thousands in Memphis and New Orleans and Atlanta and Shreveport and Greenville—passionately believed they were defending.' Goldwater made sure white Southerners understood he was fighting to protect them and their women against blacks.
"How would Goldwater fare in the South? Beyond his racial pandering, that depended on how his anti-New Deal message was received. The Great Depression had devastated the region, which lagged behind the North in industry. Federal assistance to the poor as well as major infrastructure projects, such as the Tennessee Valley Authority (TVA) that brought electricity for the first time to millions, made Southerners among the New Deal's staunchest supporters. Yet despite the New Deal's popularity in the South, Goldwater campaigned against it. While he was willing to pander racially, Goldwater also prided himself on telling audiences what he thought they needed to hear, at least as far as the bracing virtues of rugged individualism were concerned. Thus he made clear, for instance, that he favored selling off the TVA, and also attacked other popular programs. As recounted by Rick Perlstein, a Goldwater political biographer, at one rally in West Virginia, Goldwater 'called the War on Poverty "plainly and simply a war on your pocketbooks," a fraud because only "the vast resources of private business" could produce the wealth to truly slay penury.' Perlstein singled out the tin-eared cruelty of this message: 'In the land of the tar-paper shack, the gap-toothed smile, and the open sewer—where the "vast resources of private business" were represented in the person of the coal barons who gave men black lung, then sent them off to die without pensions—the message just sounded perverse. As he left, lines of workmen jeered him.'
"Another factor also worked against Goldwater: he was a Republican, and the South reviled the Party of Lincoln. If across the nation neither party was seen as more or less friendly toward civil rights, the South had its own views on the question. There, it was the local Democratic machine that represented white interests, while the GOP was seen as the proximate cause of the Civil War and as the party of the carpetbaggers who had peremptorily ruled the South during Reconstruction. The hostility of generations of white Southerners toward Republicans only intensified with the Republican Eisenhower's decision to send in federal troops to enforce the Republican Warren's ruling forbidding school segregation in Brown. Most white Southerners had never voted Republican in their lives, and had vowed—like their parents and grandparents before them— that they never would.
"Ultimately, however, these handicaps barely impeded Goldwater's performance in the South. He convinced many Southern voters to vote Republican for the first time ever, and in the Deep South, comprised of those five states with the highest black populations, Goldwater won outright. The anti-New Deal Republican carried Louisiana, Georgia, Alabama, Mississippi, and South Carolina, states in which whites had never voted for a Republican president in more than miniscule numbers. This was a shocking transformation, one that can only be explained by Goldwater's ability to transmit a set of codes that white voters readily understood as a promise to protect racial segregation. It seemed that voters simply ignored Goldwater's philosophy of governance as well as his party affiliation and instead rewarded his hostility toward civil rights. In this sense, Goldwater's conservatism operated in the South less like a genuine political ideology and more like Wallace's soft porn racism: as a set of codes that voters readily understood as defending white supremacy. Goldwater didn't win the South as a small-government libertarian, but rather as a racist.
"If in the South race trumped anti-government politics, in the North Goldwater's anti-civil rights attacks found much less traction. Opposing civil rights smacked too much of Southern intransigence, and while there was resistance to racial reform in the North, it had not yet become an overriding issue for many whites. That left Goldwater running on promises to end the New Deal, and this proved wildly unpopular. To campaign against liberalism in 1964 was to campaign against an activist government that had lifted the country out of the throes of a horrendous depression still squarely in the rear view mirror, and that had then launched millions into the middle class. More than that, though, to campaign against liberalism in 1964 was to attack government programs still largely aimed at whites—and that sort of welfare was broadly understood as legitimate and warranted
"Goldwater's anti-welfare tirades produced a landslide victory, but for Lyndon Johnson. Voters crushed Goldwater's last-gasp attack on the New Deal state. Outside of the South, he lost by overwhelming numbers in every state except his Arizona home. Voters were offended by his over-the-top attacks on popular New Deal programs as well as by his penchant for saber rattling when it came to foreign policy. Goldwater especially suffered after the release of 'Daisy,' a Johnson campaign ad that juxtaposed a little girl picking the petals off a flower with footage of a spiraling mushroom cloud, sending the message that Goldwater's militarism threatened nuclear Armageddon. In the end, the Democrats succeeded in making Goldwater look like a loon. 'To the Goldwater slogan "In Your Heart, You Know He's Right," the Democrats shot back, "In Your Guts, You Know He's Nuts."' The country as a whole, it seemed, had solidly allied itself with progressive governance, and big-money/small-government conservatism was finally, utterly dead.
"Or at least, this was the lesson most people took from the 1964 election. But like the clang of a distant alarm barely perceptible against the buzzing din of consensus, a warning was rising from the South: racial entreaties had convinced even the staunchest Democrats to abandon New Deal liberalism. If race-baiting had won over Southern whites to anti-government politics, could the same work across the country?"
(Excerpted from "Dog Whistle Politics: How Coded Racial Appeals Have Reinvented Racism and Wrecked the Middle Class" by Ian Haney López. Copyright © 2014 by Ian Haney López. Reprinted by arrangement with Oxford University Press, a division of Oxford University. All rights reserved. Ian Haney-López is a law professor and the author of "Dog Whistle Politics: How Fifty Years of Coded Racial Appeals Wrecked the Middle Class." Follow him on Twitter @DogWhistleRace. MORE IAN HANEY-LOPEZ.)
Next: Tricky Dick And The Southern Strategy.
For those of you who thought that Goldwater was a nice guy, a Republican that JFK liked, and one that wouldn't get along with today's Conservatives...you were wrong.
Goldwater was a Conservative and we've proven over and over that Conservatism is a crime; and that includes the racist Goldwater and any other Conservative politician, Consymp, and fellow traveler.
"This president, I think, has exposed himself over and over again as a guy who
has a deep-seated hatred for white people or the white culture….I'm not saying
he doesn't like white people, I'm saying he has a problem. This guy is, I believe,
a racist."
Conservative talk show host Glenn Beck.
Posted by Joyce, Jnr. at 10:14 AM 0 comments
Labels: conservatism_is_extremism, conservatism_is_radicalism, conservative_hypocrisy, conservative_racism, GOP_racism, racism, republican_racism
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Take a look at the best free and fun Android games on offer right now. We've rounded up the ones we love and think you should check out too.
Mad Skills BMX 2 is a racing game where the player will race against their opponents on race tracks filled with obstacles like ramps and bumps. This is an action packed, fast paced game and once the race has progressed quite far the scenery will whizz by in a blur in an attempt to make it first to the chequered flag. This is an arcade type game and takes some skill and finger control.
Spaceteam is a multiplayer game where players have to work as part of a team. There are between two and eight players connected at a time. The spaceship is trying to get away from an exploding star and players must do all sorts of things to rescue the spaceship from being destroyed. Sounds easy enough, but the developers have designed the game in such a way that the controls are spread across all of the player's screens and will appear as text-based prompts. It is an exciting game.
HeliHopper is a game that involves a helicopter, lots of hopping and unfortunately lots of crashing. The objective of the game is achieved by using a type of slingshot mechanism to find a landing pad for the helicopter. There are different levels in the game and each level brings with it different options for landing. There are nine different modes and various missions for the HeliHopper.
Typeshift is for the puzzle fans or those who like the thrills of games like pokies online. The puzzles have columns of letters that have to be moved up and down with the objective of making a word in a central row. The letters will change colour once the word is made. In order to finish the puzzle all the letters must change colour. This game has a relaxed pace but there are also crossword type puzzles which are a bit more complex and players will need to match clues to words. Typeshift offers daily puzzles.
Aquavias is a puzzle game. In this game the player is a plumber and has to stop the city from succumbing to a drought. The plumber has to build aqueducts that connect the various cities to reservoirs to supply buildings like the Amphitheatre and Hanging Gardens with water. This does not prove to be an easy task, but the aqueducts are the key to saving the city. Players will have to overcome various obstacles to get water to the buildings.
Calculator: The Game is a number puzzle game featuring sums and a rather sarcastic calculator. There are different levels and the aim for each level is quite easy. Players must make use of the buttons provided to reach a particular number within a certain number of steps.
The aim of Topsoil is to grow plants and work in the garden. The aim of the game is to harvest plants before the garden gets full. Points are earned for the amount of plants that are harvested at the same time. If the garden fills up before the next harvest the game will end. Players will discover new seeds, trees and birds as the game progresses.


text:
Celanese Corporation Announces Preliminary Results of Its Modified ''Dutch Auction'' Tender Offer
By: Celanese Corporation via Business Wire News Releases
Celanese Corporation (NYSE: CE) today announced the preliminary results of its modified "Dutch Auction" tender offer, which expired at 5:00 p.m., New York City time, on April 3, 2007.
In accordance with the terms and conditions of the tender offer, and based on the preliminary count by Computershare Trust Company, N.A., the depositary for the tender offer, Celanese, through its wholly owned subsidiary Celanese International Holdings Luxembourg S.à r.l., expects to accept for purchase approximately two million shares of its Series A Common Stock at a purchase price of $30.50 per share, for a total cost of approximately $62 million.
Stockholders who properly tendered shares in the tender offer at or below the purchase price will have all of their tendered common shares purchased, subject to certain limited exceptions.
The number of shares to be purchased and the purchase price per share are preliminary. Final results of the tender offer will be determined subject to confirmation by the depositary of the proper delivery of the shares validly tendered and not withdrawn. The actual number of shares to be purchased and the final purchase price per share will be announced following the completion of the confirmation process. Payment for the shares accepted for purchase will occur promptly thereafter.
The number of shares that the Company expects to purchase in the tender offer represents approximately 1.3 percent of its currently outstanding common stock.
In the tender offer, the company offered to purchase up to 11,279,243 shares of its common stock at a price not less than $28.00 nor greater than $30.50 per share, for a maximum aggregate repurchase price of up to $344 million.
Also, as previously disclosed in the offer, Celanese, acting through its wholly owned subsidiary Celanese International Holdings Luxembourg S.à r.l., separately agreed to purchase shares of common stock from the investment funds associated with The Blackstone Group, L.P. (which currently own approximately 14% of the Company's outstanding common stock and elected not to participate in the tender offer) such that Blackstone's percentage ownership interest in the Company would remain substantially unchanged from its interest immediately prior to the tender offer. Based upon the preliminary count of shares tendered in the tender offer, Celanese will purchase through its wholly owned subsidiary, Celanese International Holdings Luxembourg S.à r.l., approximately 329,000 shares from Blackstone, on the eleventh business day following the expiration of the offer. The shares acquired from Blackstone will be purchased at the final purchase price of $30.50 per share determined in the tender offer for a total cost of approximately $10 million.
In total, including shares to be purchased in the tender offer and from Blackstone, the company expects to purchase approximately $72 million of stock, representing approximately 1.5 percent of its currently outstanding common stock, and has not announced any further actions at this time.
The dealer managers for the tender offer are Merrill Lynch & Co. and Deutsche Bank Securities Inc.; the information agent is Georgeson; and the depositary is Computershare Trust Company, N.A. All inquiries about the tender offer should be directed to the information agent at (866) 314-1598. Banks and brokers may call (212) 440-9800.
About Celanese:
As a global leader in the chemicals industry, Celanese Corporation makes products essential to everyday living. Our products, found in consumer and industrial applications, are manufactured in North America, Europe and Asia. Net sales totaled $6.7 billion in 2006, with over 60% generated outside of North America. Known for operational excellence and execution of its business strategies, Celanese delivers value to customers around the globe with innovations and best-in-class technologies. Based in Dallas, Texas, the company employs approximately 8,900 employees worldwide. For more information on Celanese Corporation, please visit the company's website at www.celanese.com.
Forward-Looking Statements:
This release may contain "forward-looking statements," which include information concerning the Company's plans, objectives, goals, strategies, future revenues or performance, capital expenditures, financing needs and other information that is not historical information.When used in this release, the words "outlook,""forecast," "estimates,""expects," "anticipates,""projects," "plans,""intends," "believes," and variations of such words or similar expressions are intended to identify forward-looking statements. All forward-looking statements are based upon current expectations and beliefs and various assumptions. There can be no assurance that the Company will realize these expectations or that these beliefs will prove correct. There are a number of risks and uncertainties that could cause actual results to differ materially from the forward-looking statements contained in this release. Numerous factors, many of which are beyond the Company's control, could cause actual results to differ materially from those expressed as forward-looking statements.Certain of these risk factors are discussed in the Company's filings with the Securities and Exchange Commission. Any forward-looking statement speaks only as of the date on which it is made, and the Company undertakes no obligation to update any forward-looking statements to reflect events or circumstances after the date on which it is made or to reflect the occurrence of anticipated or unanticipated events or circumstances.
Tender offer statement
This press release is for informational purposes only and is neither an offer to buy nor the solicitation of an offer to sell, any securities.


In the spring of 2012, I joined a rag tag group of people at Financial Engines to kick off their social media efforts.
Because it's heavily regulated - finance and investing - tackling social media was very different from my other clients. Everything we did had to be approved by compliance. Everything - including tweets and retweets. If someone liked out tweet or replied back to us, we couldn't respond because that would need to go through compliance. It was a tall order, but with baby steps, we managed to launch Twitter, LinkedIn and a blog.


text:
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Archive for date: January 23rd, 2018
You are now in San Diego County category.
San Diego Selects B&V As Owners' Representative For 500MW Pumped Hydro Storage Project
January 23, 2018 /in San Diego County /by Ed Joyce /Clean Technology Business Review Mentioned: San Diego County Water Authority
The City of San Diego and the San Diego County Water Authority have selected Black & Veatch (B&V) as the owners' representative for 500MW hydropower storage project to be located at the San Vicente Reservoir near Lakeside in San Diego County, California. The San Vicente Energy Storage Facility (SVESF) is expected to increase the availability and efficiency of renewable energy in the region by providing enough stored energy to be supplied to about 325,000 Californian homes annually.
https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png 0 0 Ed Joyce https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png Ed Joyce2018-01-23 10:02:132018-06-26 17:51:39San Diego Selects B&V As Owners' Representative For 500MW Pumped Hydro Storage Project
Body Found In Northern California Water Supply Pipeline
January 23, 2018 /in California and the U.S. /by Ed Joyce /Associated Press (As published by Los Angeles Times)
A man's body was recovered Tuesday from a reservoir pipeline supplying drinking water to several Northern California communities, but authorities say the water quality is not affected. KCRA-TV reports that the body of Tory Robert Mayes, 34, of Pollock Pines was found in an area of raw water flowing from Jenkinson Lake.The water is heavily treated before it flows to customers, said El Dorado Irrigation District spokesman Jesse Saich.
https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png 0 0 Ed Joyce https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png Ed Joyce2018-01-23 09:24:262018-06-26 17:51:39Body Found In Northern California Water Supply Pipeline
Stormy Pattern To Persist Across Pacific Northwest, Northern California This Week
January 23, 2018 /in California and the U.S. /by Ed Joyce /Accuweatherby Renee Duff
The next Pacific storm will spread rain and mountain snow from Washington to Northern California by the middle of the week. The winter months are typically the stormiest months of the year across the Northwest, and this season has proven no different. Since Jan. 4, Seattle has had only one day without measurable rainfall. A strong Pacific storm coming into the West will bring more soaking rain and heavy mountain snow from the Pacific Northwest through central California Tuesday through Wednesday night, according to AccuWeather Senior Meteorologist Jack Boston.
https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png 0 0 Ed Joyce https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png Ed Joyce2018-01-23 09:23:322018-06-26 17:51:39Stormy Pattern To Persist Across Pacific Northwest, Northern California This Week
OPINION: California Must Not Miss Rare Chance To Increase Water Storage
January 23, 2018 /in California and the U.S. /by Ed Joyce /East Bay Times
When Californians overwhelmingly approved Proposition 1 in 2014, voters made clear their desire for additional water storage in anticipation of future droughts. Opportunities to build significant storage occur only once or twice in a century. The state must not let this one slip away. The California Water Commission has an obligation to fulfill the state's commitment to voters when it announces in July which projects, if any, will receive the $2.7 billion authorized in the $7.5 billion bond measure.
https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png 0 0 Ed Joyce https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png Ed Joyce2018-01-23 09:23:312018-06-26 17:51:39OPINION: California Must Not Miss Rare Chance To Increase Water Storage
A Silver Lining From California's drought: Water Conservation Led To Reduced Energy Use And Less Pollution
January 23, 2018 /in California and the U.S. /by Ed Joyce /Daily Republic (Fairfield-Suisun)
In April 2015, California Gov. Jerry Brown called on the people of the most populous state to reduce their water use by 25 percent in response to a punishing four-year drought. It was an audacious goal, and Californians came close to meeting it. Between June 2015 and April 2016, when restrictions were in effect, residents reduced the amount of water they used by 24.5 percent.
https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png 0 0 Ed Joyce https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png Ed Joyce2018-01-23 09:23:292018-06-26 17:51:39A Silver Lining From California's drought: Water Conservation Led To Reduced Energy Use And Less Pollution
California's Proposed Budget Reveals Water, Climate Priorities
January 23, 2018 /in California and the U.S. /by Ed Joyce /Water Deeply (New York)by Alastair Bland
For California governor Jerry Brown and his administration, 2017 was a water year to remember, and one that would figure into the drafting of the state's 2018-19 budget, which was released early this month. The $190 billion proposed spending plan names California's drought and the "extreme natural events of 2017" as determining factors in how the cash was divvied up.
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BLOG: Webcams Show Stark Difference In California Snowpack 2018 VS. 2017
January 23, 2018 /in California and the U.S. /by Ed Joyce /Accuweather
After a blockbuster snowpack winter for 2016-2017, California is once again in a snow drought and these National Park Service webcams, comparing this week to the same week in 2017, show the shocking difference.Last winter, the snow at the Yosemite "High Sierra" webcam, shown above and located at about 8,000 feet in Northern California, nearly covered the camera. This year, there is barely snow on Half Dome peak shown on the webcam.
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Black & Veatch Selected As Owner's Representative For San Diego Pumped Storage Project
January 23, 2018 /in San Diego County /by Ed Joyce /Energy Business Review Mentioned: San Diego County Water Authority
Black & Veatch has been selected to serve as owners' representative for the 500MW San Vicente Energy Storage Facility (SVESF) planned to be built in San Diego County, California, US. Planned to be built at the San Vicente Reservoir near Lakeside in San Diego County, the new energy storage facility will be owned by the San Diego County Water Authority and the City of San Diego.
https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png 0 0 Ed Joyce https://www.waternewsnetwork.com/wp-content/uploads/2018/02/water-news-network.png Ed Joyce2018-01-23 09:11:332018-06-26 17:51:39Black & Veatch Selected As Owner's Representative For San Diego Pumped Storage Project
Energy Storage Increasing Emphasis For Utilities Around The World
January 23, 2018 /in San Diego County /by Ed Joyce /Hydroworldby Michael Harris Mentioned: San Diego County Water Authority
The San Diego County Water Authority and City of San Diego have selected Black & Veatch as owners' representative for their 500-MW San Vicente Energy Storage Facility. The plant will be located at the San Vicente Reservoir near Lakeside, Calif. U.S., with a new upper reservoir, tunnels and underground powerhouse planned for construction. Per the contract, Black & Veatch will assist in evaluating proposals, select service teams and negotiate project delivery agreements.
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BLOG:OPINION: 7 Lessons From a California Water Leader on Managing for the Future
January 23, 2018 /in California and the U.S. /by Ed Joyce /Enviromental Defense Fund
David Guy is president of the Northern California Water Association (NCWA), an organization committed to ensuring that water supplies are available for the Sacramento Valley — both for today's users and for future generations. "The Sacramento Valley is a rich mosaic of farmlands, cities, rural communities, refuges, managed wetlands and meandering rivers," David said. "Every drought we experience reveals numerous pressures on the water supplies that support this vibrant region. We have to be motivated and forward-thinking to advance the economic, social and environmental sustainability of the Sacramento Valley by enhancing and preserving its water rights, supplies and water quality."
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text:
Actors – Spirituality
Gatón: Transhumanism threatens Humanity
by Charlene Moore
He considered that the covid pandemic and the war in Ukraine have accelerated geopolitical processes that were already underway
Santo Domingo.- The academic and international analyst Ivan Gaton He warned that cyberspace and artificial intelligence could lead the world along the paths of a transhumanism capable of endangering the very existence of the human species, as some scientists have already warned.
Invited by the Mayor of Breña Alta, on the island of The PalmCanary Islands, Gatón expressed his opinion in a conference he gave on the main challenges of the global geopolitical environment.
At the headquarters of said Mayor's Office, which is directed by Mr. Jonathan de Felipe, the Dominican expert considered that the covid pandemic and the war in Ukraine they have accelerated geopolitical processes that were already underway.
He said that this war highlights the return of geopolitics, "where we once again see that war is used as another form of politics", and added that "geopolitics currently goes beyond States as fundamental actors, since it companies, lobbies, NGOs are also important actors in the contemporary geopolitical order».
"Undoubtedly, large multinational companies, especially those linked to the technological field, will dictate a large part of the political agenda worldwide, and whose main asset is the data of their millions of customers and users," he said.
The hegemons
In his conference, Gatón stated that the political realism of Hans Morgenthau is currently "the benchmark for the hegemons who play their chess game for world power on the board of the earth, since the world is the result of the forces inherent in nature, and continues to be motivated by fear (phobos), selfishness (kerdos) and honor (doxa)."
We invite you to read: Macron confirms to Zelensky that France will send light battle tanks
Therefore, "if these elements are not taken into account, we will not be able to improve the world in which we live," he stated.
«Whenever there has been a change in communication, a wide spectrum of change opens up in human societies, and in the contemporary world, cyberspace, which has algorithms and artificial intelligence, leads us to reflect on the geopolitics of communications. internet networks, of the geopolitics of the mind, and where artificial intelligence (the 5G network is still an Orwellian application, and 6G, artificial intelligence applied to the "internet of things", already in advanced stages of progress in its application) could lead us down the paths of a transhumanism that could endanger the existence of the human species, as has been warned by scientists such as Stephen Hawkins," he warned.
He reflected that "the natural phenomena that continue to increase their destructive effects for human beings, with their consequent consequences of" climatic migrations ", wars and the deficit of a political elite that claims the exercise of power as a service to others, lead us to to a crossroads in which it is urgent to undertake the individual changes that allow the return to the men and women of the planet of a spirituality and a sense of respect and appreciation for their neighbor that opens the doors to paths of actions that make hopes reborn lost, and embrace together with the multiform human family a common vision of destiny".
«Always, in the course of the existence of the human species there have been natural disasters, wars, germs, but, thanks to the sense of humanity, the acid and profound reflection of the tragedies that have interwoven human tragedies, it has been possible defeat fear (phobos) and selfishness (kerdos), having the honor (doxa), of having existed as a being worthy of being appreciated while it exists and remembered, after having passed away, "he noted.
In his opinion, the challenges facing the world can only be faced by claiming and taking as a starting point to transform reality, what Terence said: "I am a man, therefore nothing human is foreign to me."
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Categories Actors - Spirituality Tags Gatón, Humanity, threatens, transhumanism
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Home Search GetRecord C. Kennedy Scott Archive (1934-76)
Collection Title
C. Kennedy Scott Archive (1934-76)
A miscellaneous collection of handbills, programmes and programmes books for performances given at a range of English venues between 1934 and 1976, forming part of the archives of the English composer and conductor, Charles Kennedy Scott (1876–1965).
Programmes are held loosely and listed here as follows:
1. Orders of Service
2. Oriana Madrigal Society
3. Phoebus Singers
4. Miscellaneous concerts
- Royal Festival Hall
- Miscellaneous venues
1. Memorial Services (Orders of Service)
20 July 1943/22 April 1953/20 October 1953, St. Martin-in-the-Fields: Major A.J.C. Freshwater/Thomas Bertie Lawrence/Arnold Bax.
3 November 1946, Trinity College of Music: Sir Granville Bantock.
14 October 1953/5 October 1965, St. Sepulchre, Holborn: Roger Quilter/Charles Kennedy Scott.
24 November 1953, Southwark Cathedral: Kathleen Ferrier.
All performances were conducted by Charles Kennedy Scott and, unless otherwise stated below, all programmes include words, lists of the choral ensemble and lists of the Officers/Patrons of the organization. Many are accompanied by press cuttings/reviews.
In addition to the programmes, this collection includes material relating to a Jubilee Dinner given at the Trocadero Restaurant on 23 June 1954 and a dinner in honour of Scott's 85th Birthday, held on 14 November 1961 at the Kensington Palace Hotel.
Aeolian Hall: 14 March and 12 December 1933; 13 March, 5 June and 11 December 1934; 12 March, 4 June and 17 December 1935; 9 June and 15 December 1936; 16 March, 8 June and 14 December 1937; 31 May (with notes) and 20 December 1938; and 6 June 1939.
Wigmore Hall: 1 July and 11 December 1947 (the latter at Chelsea Town Hall); 23 March, 29 June and 18 December 1948; 12 April, 21 June and 17 December 1949; 13 June and 16 December 1950; 13 March, 3 July and 15 December 1951; 25 March and 1 July 1952; 24 March and 12 December 1953; 10 December 1955; 14 December 1957; 13 December 1958; 16 June and 12 December 1959; and 16 December 1961
Miscellaneous venues: 17 December 1934 (Leighton House, handbill only); 16 June 1937 (Ethical Church, Queen's Road); and 14 March 1939 (St. Margaret's Church, Westminster, with a list of the string players but not the chorus).
All concerts were conducted by Charles Kennedy Scott. The majority of these documents were handbills and a number include programmes for more than one performance.
- Holy Trinity Church, Kingsway
20 March and 3 April [no year]; 12 June [no year]; and Saturday 17 November and 1 and 15 December [no year]: Concerts of Sacred Music.
- Other venues
9 and 23 January and 6 February [no year], Priory Church of St. Bartholomew the Great: part of a series of 12 concerts given in association with the Arts Council.
5 and 15 March and 2 April [no year]: Three Concerts of Sacred Music.
Saturday 10 November [no year], Christ Church, Lancaster Gate: Service of Remembrance.
14 February 1945, Trinity College of Music: Recital of Choral Music.
26 May 1945, Ethical Church, Bayswater:
16 June 1946, Bradfield College: Bradfield College Music Club.
14 November 1951: Royal Philharmonic Society (140th season, no. 2), given by the Royal Philharmonic Orchestra with the Oriana Madrigal Society, conducted by Basil Cameron and Scott (with words, two copies).
27 May and 3 June 1953: Eight Coronation Concerts nos. 3 and 6, presented by the Royal Philharmonic Society in association with the Arts Council of Great Britain, the BBC and the London County Council and given by the BBC Choral Society and BBC Symphony Orchestra, conducted by Malcolm Sargent (with words, notes, a list of the orchestral ensemble, photographs and historical notes on music for previous royal occasions).
4 December 1954: Beecham Popular Concert, given by the Royal Philharmonic Orchestra (conducted by Sir Thomas Beecham) with the Oriana Madrigal Society, conducted by Scott (with words, historical and descriptive notes, a list of the orchestral ensemble and photographs).
29 May 1955: BBC Symphony Orchestra with Irmgard Seefried, Norma Procter, Richard Lewis and Marian Nowakowski (vocal) and the BBC Chorus, conducted by Bruno Walter (with notes and photograph).
29 September 1956: Beethoven, Mass in D, given to mark the 10th Anniversary of the BBC Third Programme by Anny Schlemm, Grace Hoffman, Anton Dermota and Josef Greindl (vocal), with the BBC Chorus, BBC Choral Society and BBC Symphony Orchestra, conducted by Otto Klemperer (with Analytical Notes, musical examples and photograph).
- Miscellaneous London venues
Saturday 1 April [on year] and 29 May 1938, Munster Park Methodist Church, Fulham Road:
Saturday 6 December [no year], St. John's Church, Ladbroke Grove: Carols sung by Kennedy Scott's Choir, conducted by Scott.
26 March 1929, Queen's Hall: Philharmonic Choir, with the London Symphony Orchestra, conducted by Scott (with words and a list of the Members of the Philharmonic Choir).
11 April 1935, Central Hall, Westminster: 30th Annual London Musical Competition Festival First Concert.
15 April 1937, [no venue]: Programme of Songs by Kathleen Ewart (vocal) and Anna Sloan (piano) (handbill).
4 November 1937, Queen's Hall: Royal Philharmonic Society (126th season, no. 3), given by the London Philharmonic Orchestra, conducted by Nadia Boulanger (with words, historical/descriptive notes, a list of the orchestral ensemble and press cuttings).
7 February 1940, Trinity College of Music: Vocal Recital by Kathleen Ewart (handbill).
16 March 1940, St. Margaret's Church, Westminster: Bach, St. Matthew Passion, with Yolande Wilson, Kathleen Ewart, Harold Bradbury, Cecil Cope and Fischer Morgan (vocal) and Kennedy Scott's Choir, conducted by Scott (handbill and two copies of programme, the second with press cuttings).
11 July 1942, Chapel Royal, St. James's Palace: Service of Remembrance, featuring Kennedy Scott's Choir (Ladies Voices) with Isobel Donachie, Diana Odling, Kathleen Ewart and Nellie Armstrong (vocal), under the auspices of Trinity College of Music.
27 March 1943, Trinity College of Music: Concert by Mr Kennedy Scott's College Pupils (handbill).
17 and 19 April 1943, Kew Road, Richmond/Cottenham Park: Choral Workshop by the Cottenham Park Choir, with Gwenllian Davies, Kathleen Ewart, Leonard Mason and William Mitchell (vocal), conducted by Ronald Peck (single).
21 August 1943, St. Stephen's Church, Wandsworth: Choral and Organ Recital by Gwenllian Davies, Kathleen Ewart, Robert Leeds and Kenneth Lindsey (vocal) and the Cottenham Park (Methodist) Choir, with Frank W. Uppington (organ), conducted by Ronald S. Peck (handbill).
27 June and 4, 11 and 18 July 1945 and 19 and 26 June and 3 and 10 July 1946, Southwark Cathedral: Music at Mid-day on Wednesday (two handbills, with two copies for 1945).
17 April 1946, St. Stephen's Church, Manfred Road, Wandsworth: Handel, Messiah, with Joan Brookman, Kathleen Ewart, John Brookman and Wilfred Lindsey (vocal), F. W. A. Uppington (organ) and the choirs of St. Stephen's Church and Putney Methodist Church, conduced by D. C. Morris (handbill).
25 April 1946, Blandford Parish Church: Handel, The Messiah, given by the Blandford Choral Society with Gwenllian Davies, Kathleen Ewart, Colin Knight and Wilfred Lindsey (vocal), conducted by Edward Fripp (two copies).
3 May 1946, Friday Club, Ethical Church: C. Kennedy Scott and Kathleen Ewart (handbill, two copies).
15 July 1947, National Trust (Benton-Fletcher Collection of Old Instruments), 3 Cheyne Walk, Chelsea: Trinity College of Music Department of 16th and 17th-Century Music (handbill, two copies).
28 June 1948, Chiswick Methodist Church: Mendelssohn, Elijah, with Emilie Strudwick, Kathleen Ewart, John Duncan and Wilfred Lindsey (vocal), conducted by Wesley Dennison.
7 July 1948, Lecture Hall, Trinity College of Music: Concert by Pupils of Mr Kennedy Scott (handbill).
24 October 1950, St. Margaret's Church, Westminster: Bach Cantata Club 75th Meeting, with Margaret Ritchie, Nancy Evans, William Herbert and George James (vocal), the Boyd Need Orchestra and the Oriana Madrigal Society, conducted by Scott (with words and notes).
23 April 1951, French Institute, Queensbury Place: Memorial Concert of works by H. Balfour Gardiner (with notes).
15 August 1951, Royal Albert Hall: Henry Wood Promenade Concert (57th season), with Monica Sinclair (vocal), Dennis Brain (horn) and Kyla Greenbaum (piano) and the BBC Chorus and Symphony Orchestra, conducted by John Hollingsworth and Constant Lambert (with notes and photographs).
11 July 1952, St. Peter's Eaton Square: Bach, Mass in B minor, given by Trinity College of Music with Louise Rouner, June Hill-Reid, Heather Harper, Sheila Mugridge, Cyril Somers, Elsie Greenslade, Romuald Fadanelli, Joyce Millward, Richard White and Richard Sinton (vocal), conducted by Scott. .
14 March 1953, Christ Church, Woking: J. S. Bach, St. Matthew Passion, with Eileen Poulter, Kathleen Ewart, Wilfred Brown, Eric Whittemore and Wilfred Lindsey (vocal), conducted by Ronald Peck (with words).
21 November 1953, All Saints Church, East Sheen: Barnes Music Club (with descriptive and biographical notes).
5 March 1954, St. Mary's Church, Merton Park: Merton and Morden Music Club Jubilee Year Concert.
24 April 1954, Vineyard Congregational Church, Richmond: Handel, Messiah, with Eileen Poulter, Kathleen Ewart, Cyril Somers and Rowland Collier, conducted by Wesley K. Dennison (handbill).
19 December 1956, St. Paul's Church, Camberley: Christmas Music give by Camberley Choral Society, with Margaret Emmerton, Kathleen Ewart, John Brookman and Wilfred Lindsey (vocal), conducted by Norman Askew.
4 December 1958, Church of St. Sepulchre, Holborn: Service in Commemoration of the Musicians whose names are written in the Musicians' Book of Remembrance and Music by Ralph Vaughan Williams, given by Felicity Young and Duncan Reece (vocal) with Geoffrey Bowyer (organ), George Andrix (viola) and the Choir and Orchestra of Trinity College of Music, conducted by Scott.
6 December 1962, Westminster Abbey: Britten, War Requiem (1st London performance), presented by the BBC Third Programme and given by Heather Harper, Peter Pears and Vladimir Ruzdjak (vocal), the Melos Ensemble, choristers of Westminster Abbey and London Boy Singers, the BBC Chorus and BBC Symphony Orchestra, conducted by Meredith Davies (with words, notes and photographs).
16 November 1976, Southwark Cathedral: Charles Kennedy Scott Centenary Concert, given by the TCM Choir and Orchestra, conducted by James Gaddarn (with biographical notes, photographs and a list of the orchestral ensemble, plus handbill).
- Miscellaneous English provincial venues
3 June 1944, Taunton School: Concord Singers (handbill).
19 May 1949, Bournemouth: BBC Symphony Orchestra and BBC Women's Chorus, conducted by Sir Adrian Boult (with historical and descriptive notes and lists of the choral and orchestral ensembles).
Date range of collection
Accumulation Dates
Suggested Audience
Not Specific
Associated People or Organisations
Young, Felicity -
Wood, Henry -
Wood, Anne -
Westminster Abbey -
Watford Grammar School Boys' Choir -
Walter, Bruno -
Vaughan Williams, Ralph -
Trinity College of Music -
Sloan, Anna -
Sinton, Richard -
Sinclair, Monica -
Seefried, Irmgard -
Scott, Charles Kennedy -
Sargent, Malcolm -
Royal Philharmonic Society 1813 -
Royal Philharmonic Orchestra -
Ritchie, Margaret -
Quilter, Roger -
Promenade concerts -
Procter, Norma -
Primrose, William -
Poulter, Eileen -
Phoebus Singers -
Pears, Peter -
Oriana Madrigal Society -
Morison, Elsie -
Merton and Morden Music Club -
Melos Ensemble -
London Symphony Orchestra -
London County Council -
Lewis, Richard -
Lambert, Constant -
Klemperer, Otto -
James, George -
Hollingsworth, John -
Herbert, William -
Harper, Heather -
Hammond, Joan -
Greenbaum, Kyla -
Gardiner, Balfour -
Gaddarn, James -
Ferrier, Kathleen -
Ewart, Kathleen -
Evans, Nancy -
Davies, Meredith -
Davies, Gwenllian -
Cope, Cecil -
Concord Part Singers -
Cameron, John -
Cameron, Basil -
Britten, Benjamin -
British Broadcasting Corporation -
Brain, Dennis -
Boyd Neel Orchestra -
Boult, Adrian -
Boulanger, Nadia -
Beecham, Thomas -
Beecham Sunday Concerts -
BBC Women's Chorus -
BBC Third Programme -
BBC Symphony Orchestra -
BBC Chorus -
BBC Choral Society -
Bax, Arnold -
Barnes Music Club -
Bantock, Granville -
Bach Cantata Club -
Askew, Norman -
Arts Council of Great Britain -
Aeolian Hall, London
All Saints' Church, East Sheen
Central Hall, Westminster
Chiswick Methodist Church
Christ Church, Lancaster Gate
St. Sepulchre's Church, Holborn Viaduct EC1
Ethical Church, Bayswater
French Institute/Institut Français du Royaume-Uni
Holy Trinity Church, Kingsway
Leighton House
Priory Church of St Bartholomew the Great, West Smithfield EC1
Queen's Hall, London
St. James's Palace: Chapel Royal
St. Margaret's Church, Westminster
St. Martin-in-the-Fields
St. Peter's Church, Eaton Square
St. Stephen's Church, Wandsworth
Taunton School
Town Hall, Chelsea
Trinity College of Music
Associated Times
This collection is about
Musical Examples
List of orchestral players
List of chorus members
Trinity Laban Conservatoire of Music and Dance, Jerwood Library of the Performing Arts
Greenwich,King Charles Court, Old Royal Naval College London SE10 9JF
http://www.trinitylaban.ac.uk/student-experience/facilities/faculty-of-music/jerwood-library
Photocopying and printing
The Jerwood Library supports Trinity's mission to prepare informed performers of the highest calibre. Its core business is to provide all the information resources and music materials that students need to attain the high standard required by their courses. It is also a research library with collections of international significance. The establishment of the Jerwood Library, which opened in September 2001, was made possible through the generosity of the Jerwood Foundation [www.jerwood.org.uk].
For details of other collections held at the same location: See the location record
Additional Collection Information
Accrual Status
Management Information (Type)
Collection Owner(s)
Collection Creator(s)
Collection Collector(s)
Collection Custodians(s)
Associated Collection(s)


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